diff --git a/1942/k_uINM_XI6I.mp4 b/1942/k_uINM_XI6I.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..7b784a1e89d286920d9ee8eb96b2b0632b4c202f --- /dev/null +++ b/1942/k_uINM_XI6I.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:c0b79a5d58b047899871b205e998df2133d80d53bcf258ab8b9aef08db542d6f +size 4360909 diff --git a/1943/2H7XknY3PMA.mp4 b/1943/2H7XknY3PMA.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..d9180e0fbb942f5c0f4c852505762a91756175ce --- /dev/null +++ b/1943/2H7XknY3PMA.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:9b03d8ce4cce8841aa413eef8342e963f0fcc21be860200b3d57451a439b6347 +size 6516934 diff --git a/1944/LJq1auJq_gc.mp4 b/1944/LJq1auJq_gc.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..cfe1024a602a04d9b4ef187d5a917343f5f1f8a1 --- /dev/null +++ b/1944/LJq1auJq_gc.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:b3d89a023ac3eff0794041d67f1b273c6a1a705fdd720fa616fa543541929b18 +size 5629322 diff --git a/1997/XFmCXGXAZ5A.en.srt b/1997/XFmCXGXAZ5A.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9d54dd51095a43e3d3c0d72f77a690e95bd962a6 --- /dev/null +++ b/1997/XFmCXGXAZ5A.en.srt @@ -0,0 +1,165 @@ +1 +00:00:02,240 --> 00:00:03,470 + +it's just if you'd waited I could have + +2 +00:00:03,470 --> 00:00:03,480 +it's just if you'd waited I could have + + +3 +00:00:03,480 --> 00:00:06,230 +it's just if you'd waited I could have +helped you you never took a tripod or + +4 +00:00:06,230 --> 00:00:06,240 +helped you you never took a tripod or + + +5 +00:00:06,240 --> 00:00:08,870 +helped you you never took a tripod or +anything so it'll just be a blur you + +6 +00:00:08,870 --> 00:00:08,880 +anything so it'll just be a blur you + + +7 +00:00:08,880 --> 00:00:11,110 +anything so it'll just be a blur you +won't see your cousin at all we wanted + +8 +00:00:11,110 --> 00:00:11,120 +won't see your cousin at all we wanted + + +9 +00:00:11,120 --> 00:00:13,430 +won't see your cousin at all we wanted +it to be a surprise we'll next time ask + +10 +00:00:13,430 --> 00:00:13,440 +it to be a surprise we'll next time ask + + +11 +00:00:13,440 --> 00:00:27,790 +it to be a surprise we'll next time ask +you + +12 +00:00:27,790 --> 00:00:27,800 + + + +13 +00:00:27,800 --> 00:00:30,910 + +understand was something + +14 +00:00:30,910 --> 00:00:30,920 +understand was something + + +15 +00:00:30,920 --> 00:00:32,190 +understand was something +look at all this + +16 +00:00:32,190 --> 00:00:32,200 +look at all this + + +17 +00:00:32,200 --> 00:00:34,470 +look at all this +mess wouldn't you tidy up before you + +18 +00:00:34,470 --> 00:00:34,480 +mess wouldn't you tidy up before you + + +19 +00:00:34,480 --> 00:00:37,750 +mess wouldn't you tidy up before you +took it Francis the there on the plate I + +20 +00:00:37,750 --> 00:00:37,760 +took it Francis the there on the plate I + + +21 +00:00:37,760 --> 00:00:41,470 +took it Francis the there on the plate I +can see them they're really there yes + +22 +00:00:41,470 --> 00:00:41,480 +can see them they're really there yes + + +23 +00:00:41,480 --> 00:00:43,790 +can see them they're really there yes +what's the matter with you you going + +24 +00:00:43,790 --> 00:00:43,800 +what's the matter with you you going + + +25 +00:00:43,800 --> 00:00:46,270 +what's the matter with you you going +crazy yes yes + +26 +00:00:46,270 --> 00:00:46,280 +crazy yes yes + + +27 +00:00:46,280 --> 00:00:48,630 +crazy yes yes +yes yes + +28 +00:00:48,630 --> 00:00:48,640 +yes yes + + +29 +00:00:48,640 --> 00:00:52,310 +yes yes +yes + +30 +00:00:52,310 --> 00:00:52,320 + + + +31 +00:00:52,320 --> 00:00:54,350 + +yes what + +32 +00:00:54,350 --> 00:00:54,360 +yes what + + +33 +00:00:54,360 --> 00:01:25,409 +yes what +[Music] + diff --git a/1997/XNUers0BuD4.en.srt b/1997/XNUers0BuD4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..62627d6b8de438c444c375c03d25329afb3683db --- /dev/null +++ b/1997/XNUers0BuD4.en.srt @@ -0,0 +1,415 @@ +1 +00:00:01,560 --> 00:00:04,510 + +Dale this is way too much trouble I I + +2 +00:00:04,510 --> 00:00:04,520 +Dale this is way too much trouble I I + + +3 +00:00:04,520 --> 00:00:06,429 +Dale this is way too much trouble I I +can't do this I have a + +4 +00:00:06,429 --> 00:00:06,439 +can't do this I have a + + +5 +00:00:06,439 --> 00:00:11,990 +can't do this I have a +life you're not giving up Dale good luck + +6 +00:00:11,990 --> 00:00:12,000 +life you're not giving up Dale good luck + + +7 +00:00:12,000 --> 00:00:14,629 +life you're not giving up Dale good luck +I mean that I'm + +8 +00:00:14,629 --> 00:00:14,639 +I mean that I'm + + +9 +00:00:14,639 --> 00:00:16,910 +I mean that I'm +sorry I got to go call my wife and tell + +10 +00:00:16,910 --> 00:00:16,920 +sorry I got to go call my wife and tell + + +11 +00:00:16,920 --> 00:00:18,910 +sorry I got to go call my wife and tell +that I'm coming home Jack no I know + +12 +00:00:18,910 --> 00:00:18,920 +that I'm coming home Jack no I know + + +13 +00:00:18,920 --> 00:00:20,750 +that I'm coming home Jack no I know +we've had a few setbacks but we're great + +14 +00:00:20,750 --> 00:00:20,760 +we've had a few setbacks but we're great + + +15 +00:00:20,760 --> 00:00:22,429 +we've had a few setbacks but we're great +together come + +16 +00:00:22,429 --> 00:00:22,439 +together come + + +17 +00:00:22,439 --> 00:00:24,990 +together come +on you'll never know if he's your son + +18 +00:00:24,990 --> 00:00:25,000 +on you'll never know if he's your son + + +19 +00:00:25,000 --> 00:00:27,390 +on you'll never know if he's your son +you know what I don't even care yeah you + +20 +00:00:27,390 --> 00:00:27,400 +you know what I don't even care yeah you + + +21 +00:00:27,400 --> 00:00:31,870 +you know what I don't even care yeah you +do care you doop + +22 +00:00:31,870 --> 00:00:31,880 +do care you doop + + +23 +00:00:31,880 --> 00:00:33,470 +do care you doop +Sheen again she's never home why have a + +24 +00:00:33,470 --> 00:00:33,480 +Sheen again she's never home why have a + + +25 +00:00:33,480 --> 00:00:36,630 +Sheen again she's never home why have a +house if you're not going to live in + +26 +00:00:36,630 --> 00:00:36,640 + + + +27 +00:00:36,640 --> 00:00:41,110 + +it hi Honey hi oh you're there Carrie + +28 +00:00:41,110 --> 00:00:41,120 +it hi Honey hi oh you're there Carrie + + +29 +00:00:41,120 --> 00:00:43,270 +it hi Honey hi oh you're there Carrie +listen let me explain everything yeah + +30 +00:00:43,270 --> 00:00:43,280 +listen let me explain everything yeah + + +31 +00:00:43,280 --> 00:00:49,630 +listen let me explain everything yeah +why you go + +32 +00:00:49,630 --> 00:00:49,640 + + + +33 +00:00:49,640 --> 00:00:52,950 + +ahead hi I got to go now honey because + +34 +00:00:52,950 --> 00:00:52,960 +ahead hi I got to go now honey because + + +35 +00:00:52,960 --> 00:00:55,510 +ahead hi I got to go now honey because +you're + +36 +00:00:55,510 --> 00:00:55,520 + + + +37 +00:00:55,520 --> 00:00:57,830 + +here ignore that message when you get + +38 +00:00:57,830 --> 00:00:57,840 +here ignore that message when you get + + +39 +00:00:57,840 --> 00:01:02,029 +here ignore that message when you get +home this is your wife + +40 +00:01:02,029 --> 00:01:02,039 + + + +41 +00:01:02,039 --> 00:01:05,310 + +it's you hi you know him he tried to + +42 +00:01:05,310 --> 00:01:05,320 +it's you hi you know him he tried to + + +43 +00:01:05,320 --> 00:01:07,390 +it's you hi you know him he tried to +pick me up in an airport when this + +44 +00:01:07,390 --> 00:01:07,400 +pick me up in an airport when this + + +45 +00:01:07,400 --> 00:01:09,230 +pick me up in an airport when this +morning I you were with me no you were + +46 +00:01:09,230 --> 00:01:09,240 +morning I you were with me no you were + + +47 +00:01:09,240 --> 00:01:10,950 +morning I you were with me no you were +on the phone I so you picked up on my + +48 +00:01:10,950 --> 00:01:10,960 +on the phone I so you picked up on my + + +49 +00:01:10,960 --> 00:01:12,429 +on the phone I so you picked up on my +wife I didn't know she was your wife I + +50 +00:01:12,429 --> 00:01:12,439 +wife I didn't know she was your wife I + + +51 +00:01:12,439 --> 00:01:14,510 +wife I didn't know she was your wife I +just thought she was a sexy woman watch + +52 +00:01:14,510 --> 00:01:14,520 +just thought she was a sexy woman watch + + +53 +00:01:14,520 --> 00:01:18,030 +just thought she was a sexy woman watch +that this is your friend yes your shower + +54 +00:01:18,030 --> 00:01:18,040 +that this is your friend yes your shower + + +55 +00:01:18,040 --> 00:01:20,630 +that this is your friend yes your shower +buddy yes yes no no we were never in the + +56 +00:01:20,630 --> 00:01:20,640 +buddy yes yes no no we were never in the + + +57 +00:01:20,640 --> 00:01:22,390 +buddy yes yes no no we were never in the +shower together no the boy and I were in + +58 +00:01:22,390 --> 00:01:22,400 +shower together no the boy and I were in + + +59 +00:01:22,400 --> 00:01:23,789 +shower together no the boy and I were in +the shower yeah he was soing them up and + +60 +00:01:23,789 --> 00:01:23,799 +the shower yeah he was soing them up and + + +61 +00:01:23,799 --> 00:01:25,630 +the shower yeah he was soing them up and +hosing him off and I was just watching + +62 +00:01:25,630 --> 00:01:25,640 +hosing him off and I was just watching + + +63 +00:01:25,640 --> 00:01:26,910 +hosing him off and I was just watching +that's + +64 +00:01:26,910 --> 00:01:26,920 +that's + + +65 +00:01:26,920 --> 00:01:31,390 +that's +all what boy + +66 +00:01:31,390 --> 00:01:31,400 +all what boy + + +67 +00:01:31,400 --> 00:01:35,270 +all what boy +17 years ago would you stop did you can + +68 +00:01:35,270 --> 00:01:35,280 +17 years ago would you stop did you can + + +69 +00:01:35,280 --> 00:01:36,630 +17 years ago would you stop did you can +I just have a private moment with my + +70 +00:01:36,630 --> 00:01:36,640 +I just have a private moment with my + + +71 +00:01:36,640 --> 00:01:38,789 +I just have a private moment with my +wife please + +72 +00:01:38,789 --> 00:01:38,799 +wife please + + +73 +00:01:38,799 --> 00:01:42,230 +wife please +sorry Carrie come + +74 +00:01:42,230 --> 00:01:42,240 +sorry Carrie come + + +75 +00:01:42,240 --> 00:01:46,990 +sorry Carrie come +here um this whole + +76 +00:01:46,990 --> 00:01:47,000 +here um this whole + + +77 +00:01:47,000 --> 00:01:50,830 +here um this whole +thing is about a + +78 +00:01:50,830 --> 00:01:50,840 + + + +79 +00:01:50,840 --> 00:01:55,880 + +boy that I might be the father of + +80 +00:01:55,880 --> 00:01:55,890 +boy that I might be the father of + + +81 +00:01:55,890 --> 00:02:02,050 +boy that I might be the father of +[Music] + +82 +00:02:02,050 --> 00:02:02,060 + + + +83 +00:02:02,060 --> 00:02:29,150 + +[Music] + diff --git a/1997/XPwdUzG03SQ.description b/1997/XPwdUzG03SQ.description new file mode 100644 index 0000000000000000000000000000000000000000..4cb5d5ffc3fb040c9050c415d38b1bc7a769e1d5 --- /dev/null +++ b/1997/XPwdUzG03SQ.description @@ -0,0 +1,44 @@ +Anastasia movie clips: http://j.mp/1L8d4tz +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/anastasia-1997/1MVe48263383a157e8c84040d4f17e3a509?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1d3bjTl +Google Play - http://bit.ly/1ELoaPM +Amazon - http://amzn.to/1A4Uodp +Fox Movies - http://fox.co/2hG19j4 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Rasputin (Christopher Lloyd) vows to kill Anastasia. + +FILM DESCRIPTION: +The first feature from the 20th Century-Fox animation unit in Phoenix, Arizona, this is the ninth film produced and directed by the Don Bluth/Gary Goldman duo (An American Tail) and the first animated feature to be made in CinemaScope since Disney's Sleeping Beauty (1959). This $50 million animated fantasy retells the story of Anastasia, daughter of Czar Nicholas, beginning with her childhood in 1916 Russia. After Rasputin's curse on the Romanovs, little Anastasia is separated from her grandmother, the Dowager Empress Maria. After growing up in an orphanage, Anastasia emerges as a young woman called Anya. With no clear memory of her youth, Anya encounters entrepreneurs who seek an Anastasia look-alike in hopes of collecting a reward in Paris from the aged Dowager Empress. Despite demonic interference from Rasputin, the three travel to Paris where another problem awaits: the Dowager Empress is now skeptical of the parade of imposters. + +CREDITS: +TM & © Fox (1997) +Courtesy of Twentieth Century Fox Film Corporation +Cast: Christopher Lloyd, Hank Azaria, J. Jonah Cummings +Directors: Don Bluth, Gary Goldman +Producers: Don Bluth, Maureen Donley, Gary Goldman, Laura Jo 'L.J.' Wentworth +Screenwriters: Susan Gauthier, Bruce Graham, Bob Tzudiker, Noni White, Eric Tuchman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/XPwdUzG03SQ.en.srt b/1997/XPwdUzG03SQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c79ee44a20221da47bbaae7e968affbbfd48d2d9 --- /dev/null +++ b/1997/XPwdUzG03SQ.en.srt @@ -0,0 +1,365 @@ +1 +00:00:00,040 --> 00:00:01,870 + +in the dark of the night I was tossing + +2 +00:00:01,870 --> 00:00:01,880 +in the dark of the night I was tossing + + +3 +00:00:01,880 --> 00:00:03,550 +in the dark of the night I was tossing +and + +4 +00:00:03,550 --> 00:00:03,560 +and + + +5 +00:00:03,560 --> 00:00:06,110 +and +turning and the nightmare I had was as + +6 +00:00:06,110 --> 00:00:06,120 +turning and the nightmare I had was as + + +7 +00:00:06,120 --> 00:00:08,350 +turning and the nightmare I had was as +bad as can + +8 +00:00:08,350 --> 00:00:08,360 +bad as can + + +9 +00:00:08,360 --> 00:00:12,350 +bad as can +be it scared me out of my WIS a corpse + +10 +00:00:12,350 --> 00:00:12,360 +be it scared me out of my WIS a corpse + + +11 +00:00:12,360 --> 00:00:15,030 +be it scared me out of my WIS a corpse +falling to pits then I opened my eyes + +12 +00:00:15,030 --> 00:00:15,040 +falling to pits then I opened my eyes + + +13 +00:00:15,040 --> 00:00:19,070 +falling to pits then I opened my eyes +and the nightmare was w w w I was once + +14 +00:00:19,070 --> 00:00:19,080 +and the nightmare was w w w I was once + + +15 +00:00:19,080 --> 00:00:22,070 +and the nightmare was w w w I was once +the most mystical man in all + +16 +00:00:22,070 --> 00:00:22,080 +the most mystical man in all + + +17 +00:00:22,080 --> 00:00:24,589 +the most mystical man in all +Russia when the Royals betrayed me they + +18 +00:00:24,589 --> 00:00:24,599 +Russia when the Royals betrayed me they + + +19 +00:00:24,599 --> 00:00:26,870 +Russia when the Royals betrayed me they +made a + +20 +00:00:26,870 --> 00:00:26,880 +made a + + +21 +00:00:26,880 --> 00:00:30,029 +made a +mistake my curse made each of them pay + +22 +00:00:30,029 --> 00:00:30,039 +mistake my curse made each of them pay + + +23 +00:00:30,039 --> 00:00:33,030 +mistake my curse made each of them pay +but one little girl got away little Ana + +24 +00:00:33,030 --> 00:00:33,040 +but one little girl got away little Ana + + +25 +00:00:33,040 --> 00:00:36,549 +but one little girl got away little Ana +beware rasant + +26 +00:00:36,549 --> 00:00:36,559 + + + +27 +00:00:36,559 --> 00:00:40,630 + +away of + +28 +00:00:40,630 --> 00:00:40,640 + + + +29 +00:00:40,640 --> 00:00:45,750 + +night in the of the + +30 +00:00:45,750 --> 00:00:45,760 + + + +31 +00:00:45,760 --> 00:00:50,910 + +nighte will be sweet when the curse is + +32 +00:00:50,910 --> 00:00:50,920 +nighte will be sweet when the curse is + + +33 +00:00:50,920 --> 00:00:53,950 +nighte will be sweet when the curse is +complete night she be + +34 +00:00:53,950 --> 00:00:53,960 +complete night she be + + +35 +00:00:53,960 --> 00:00:58,430 +complete night she be +gone oh hi ladies bless I can feel that + +36 +00:00:58,430 --> 00:00:58,440 +gone oh hi ladies bless I can feel that + + +37 +00:00:58,440 --> 00:01:01,189 +gone oh hi ladies bless I can feel that +my powers are slowly re + +38 +00:01:01,189 --> 00:01:01,199 +my powers are slowly re + + +39 +00:01:01,199 --> 00:01:03,950 +my powers are slowly re +burning tie my sash and a dash of + +40 +00:01:03,950 --> 00:01:03,960 +burning tie my sash and a dash of + + +41 +00:01:03,960 --> 00:01:05,910 +burning tie my sash and a dash of +cologne for that + +42 +00:01:05,910 --> 00:01:05,920 +cologne for that + + +43 +00:01:05,920 --> 00:01:09,469 +cologne for that +smell as the pieces fall into place I'll + +44 +00:01:09,469 --> 00:01:09,479 +smell as the pieces fall into place I'll + + +45 +00:01:09,479 --> 00:01:11,950 +smell as the pieces fall into place I'll +see her crawl into + +46 +00:01:11,950 --> 00:01:11,960 +see her crawl into + + +47 +00:01:11,960 --> 00:01:18,429 +see her crawl into +place your grace + +48 +00:01:18,429 --> 00:01:18,439 + + + +49 +00:01:18,439 --> 00:01:24,310 + +farewell terror is the least I + +50 +00:01:24,310 --> 00:01:24,320 + + + +51 +00:01:24,320 --> 00:01:27,670 + +can soon she will feel that her + +52 +00:01:27,670 --> 00:01:27,680 +can soon she will feel that her + + +53 +00:01:27,680 --> 00:01:31,149 +can soon she will feel that her +nightmares are real in the dark of the + +54 +00:01:31,149 --> 00:01:31,159 +nightmares are real in the dark of the + + +55 +00:01:31,159 --> 00:01:33,789 +nightmares are real in the dark of the +night + +56 +00:01:33,789 --> 00:01:33,799 +night + + +57 +00:01:33,799 --> 00:01:37,630 +night +be in the of the night + +58 +00:01:37,630 --> 00:01:37,640 +be in the of the night + + +59 +00:01:37,640 --> 00:01:41,630 +be in the of the night +will + +60 +00:01:41,630 --> 00:01:41,640 + + + +61 +00:01:41,640 --> 00:01:45,950 + +her Doom her my dear here's a sign it's + +62 +00:01:45,950 --> 00:01:45,960 +her Doom her my dear here's a sign it's + + +63 +00:01:45,960 --> 00:01:50,030 +her Doom her my dear here's a sign it's +the end of the line in the of + +64 +00:01:50,030 --> 00:01:50,040 +the end of the line in the of + + +65 +00:01:50,040 --> 00:01:56,029 +the end of the line in the of +the in the of the come my minions rise + +66 +00:01:56,029 --> 00:01:56,039 +the in the of the come my minions rise + + +67 +00:01:56,039 --> 00:02:02,590 +the in the of the come my minions rise +for your master let your reil + +68 +00:02:02,590 --> 00:02:02,600 + + + +69 +00:02:02,600 --> 00:02:09,949 + +find her now yes fly ever + +70 +00:02:09,949 --> 00:02:09,959 + + + +71 +00:02:09,959 --> 00:02:13,170 + +fter she be m + +72 +00:02:13,170 --> 00:02:13,180 +fter she be m + + +73 +00:02:13,180 --> 00:02:45,689 +fter she be m +[Music] + diff --git a/1997/XkFE98rP1eo.description b/1997/XkFE98rP1eo.description new file mode 100644 index 0000000000000000000000000000000000000000..8170f1113d8e8e9fdc59673d1c541a17346d3dd8 --- /dev/null +++ b/1997/XkFE98rP1eo.description @@ -0,0 +1,38 @@ +Life is Beautiful movie clips: http://j.mp/1L7odMi +BUY THE MOVIE: http://amzn.to/tbf8KV +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Guido (Roberto Benigni) follows Dora (Nicoletta Braschi) into a greenhouse and takes a bike ride with their son, Joshua (Giorgio Cantarini), years later. + +FILM DESCRIPTION: +In this WW II tragicomedy, famed Italian funnyman Roberto Benigni (The Monster) portrays Guido, who moves during the '30s from the country to a Tuscan town, where he is entranced by schoolteacher Dora (Nicoletta Braschi, Benigni's real-life wife). Dora likes Guido, but she remains faithful to her pompous fiancé, so Guido has an uphill struggle. Meanwhile, anti-Semitic attitudes lead to attacks against Guido's Jewish uncle (Giustino Durano). Leaping ahead to five years later, during WW II, Guido and Dora are married and have a son Giosue (Giorgio Cantarini). After they are imprisoned in a concentration camp, Guido goes to elaborate lengths to keep his son from understanding the truth of their situation. He tells the boy that they are competing with others to win an armored tank -- so everything from food shortages to tattoos is explained as necessary for participation in the contest. + +CREDITS: +TM & © Miramax Films (1997) +Cast: Roberto Benigni, Giorgio Cantarini, Nicoletta Braschi +Director: Roberto Benigni +Producers: Gianluigi Braschi, Mario Cotone, John M. Davis, Elda Ferri, Agnès Mentre, John Rogers +Screenwriters: Vincenzo Cerami, Roberto Benigni + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/XkFE98rP1eo.en.srt b/1997/XkFE98rP1eo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..143f3085572fee293dac58d29af28e865a00792a --- /dev/null +++ b/1997/XkFE98rP1eo.en.srt @@ -0,0 +1,225 @@ +1 +00:00:17,480 --> 00:00:21,109 + +no Ferruccio he has the house keys Damn he + +2 +00:00:21,109 --> 00:00:21,119 +no Ferruccio he has the house keys Damn he + + +3 +00:00:21,119 --> 00:00:27,070 +no Ferruccio he has the house keys Damn he +took them + +4 +00:00:27,070 --> 00:00:27,080 + + + +5 +00:00:27,080 --> 00:00:30,029 + +a wire If I find an F of + +6 +00:00:30,029 --> 00:00:30,039 +a wire If I find an F of + + +7 +00:00:30,039 --> 00:00:33,389 +a wire If I find an F of +Iron there Here it is I'm a wizard with + +8 +00:00:33,389 --> 00:00:33,399 +Iron there Here it is I'm a wizard with + + +9 +00:00:33,399 --> 00:00:35,190 +Iron there Here it is I'm a wizard with +wire my dad taught me I + +10 +00:00:35,190 --> 00:00:35,200 +wire my dad taught me I + + +11 +00:00:35,200 --> 00:00:36,830 +wire my dad taught me I +used to make all the + +12 +00:00:36,830 --> 00:00:36,840 +used to make all the + + +13 +00:00:36,840 --> 00:00:41,750 +used to make all the +pool toys with wire Here + +14 +00:00:41,750 --> 00:00:41,760 + + + +15 +00:00:41,760 --> 00:00:48,390 + +1 du and eh etc this + +16 +00:00:48,390 --> 00:00:48,400 +1 du and eh etc this + + +17 +00:00:48,400 --> 00:01:17,550 +1 du and eh etc this +[Music] + +18 +00:01:17,550 --> 00:01:17,560 + + + +19 +00:01:17,560 --> 00:01:26,310 + +Giosuè Giosuè let's go what do you make + +20 +00:01:26,310 --> 00:01:26,320 + + + +21 +00:01:26,320 --> 00:01:30,030 + +mommy do I had lost the wagon Well come on let's + +22 +00:01:30,030 --> 00:01:30,040 +mommy do I had lost the wagon Well come on let's + + +23 +00:01:30,040 --> 00:01:32,870 +mommy do I had lost the wagon Well come on let's +find it let's go mount it + +24 +00:01:32,870 --> 00:01:32,880 +find it let's go mount it + + +25 +00:01:32,880 --> 00:01:34,950 +find it let's go mount it +here where you left it the card is there + +26 +00:01:34,950 --> 00:01:34,960 +here where you left it the card is there + + +27 +00:01:34,960 --> 00:01:37,749 +here where you left it the card is there +on the stairs eh I'll take it I'll take it + +28 +00:01:37,749 --> 00:01:37,759 +on the stairs eh I'll take it I'll take it + + +29 +00:01:37,759 --> 00:01:41,789 +on the stairs eh I'll take it I'll take it +I'll take it the Car armed with + +30 +00:01:41,789 --> 00:01:41,799 +I'll take it the Car armed with + + +31 +00:01:41,799 --> 00:01:45,149 +I'll take it the Car armed with +this dear armed here it is here let's + +32 +00:01:45,149 --> 00:01:45,159 +this dear armed here it is here let's + + +33 +00:01:45,159 --> 00:01:49,789 +this dear armed here it is here let's +go eh oh And go Go slowly slowly but + +34 +00:01:49,789 --> 00:01:49,799 +go eh oh And go Go slowly slowly but + + +35 +00:01:49,799 --> 00:01:52,030 +go eh oh And go Go slowly slowly but +yes Mati both of you slowly and to school + +36 +00:01:52,030 --> 00:01:52,040 +yes Mati both of you slowly and to school + + +37 +00:01:52,040 --> 00:01:56,069 +yes Mati both of you slowly and to school +go oh there's a horse there's a horse there's + +38 +00:01:56,069 --> 00:01:56,079 +go oh there's a horse there's a horse there's + + +39 +00:01:56,079 --> 00:01:58,109 +go oh there's a horse there's a horse there's +two horses there's a + +40 +00:01:58,109 --> 00:01:58,119 +two horses there's a + + +41 +00:01:58,119 --> 00:02:01,420 +two horses there's a +horse stop this bell + +42 +00:02:01,420 --> 00:02:01,430 +horse stop this bell + + +43 +00:02:01,430 --> 00:02:29,949 +horse stop this bell +[Music] + +44 +00:02:29,949 --> 00:02:29,959 + + + +45 +00:02:29,959 --> 00:02:32,640 + +C + diff --git a/1997/YKjzDMrSX3w.description b/1997/YKjzDMrSX3w.description new file mode 100644 index 0000000000000000000000000000000000000000..ae3a2639b6b035503cba6d31d389c6d421c01f3a --- /dev/null +++ b/1997/YKjzDMrSX3w.description @@ -0,0 +1,38 @@ +My Best Friend’s Wedding movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqq5EDcTWftPVGjU9QeqlbVE +BUY THE MOVIE: http://www.amazon.com/s/ref=nb_sb_ss_c_0_14?url=search-alias%3Dmovies-tv&field-keywords=my+best+friends+wedding&sprefix=my+best+friend%2Caps%2C301 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Julianne (Julia Roberts) tries to tell Michael (Dermot Mulroney) how she feels, but instead tells him that she's engaged to George (Rupert Everett). + +FILM DESCRIPTION: +A woman realizes that friends can be lovers, but now has to convince the friend in question in this romantic comedy. Michael O'Neal (Dermot Mulroney) and Julianne Potter (Julia Roberts) were romantically involved in college, and after breaking up, they have managed to remain close friends. For years, Julianne and Michael have had a pledge that if both were single when they turned 28, they would get married. Shortly before her 28th birthday, Julianne is lamenting the sad state of her love life when she gets a call from Michael, who announces that he has important news. Julianne is convinced that Michael is going to ask her to marry him, and she is crestfallen when he announces that he's engaged to Kimmy Wallace (Cameron Diaz). Kimmy seems like the perfect woman for Michael; she's sweet, pretty, bright, and adores Michael, and her wealthy family is just as fond of him as she is. But now that Julianne has realized how much she loves Michael, she's not about to give him up without a fight -- and isn't afraid to fight dirty. Julianne's uneasy ally in the battle for Michael's affections is her friend and editor George Downes (Rupert Everett), a cheerfully out-of-the-closet homosexual who is not prepared when Julianne asks him to pose as her boyfriend. + +CREDITS: +TM & © Sony (1997) +Cast: Rupert Everett, Dermot Mulroney, Julia Roberts +Director: P.J. Hogan +Producers: Ronald Bass, Jerry Zucker +Screenwriter: Ronald Bass + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/YKjzDMrSX3w.en.srt b/1997/YKjzDMrSX3w.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6d676d119772d1aa4577cd71367d8f21d5362b24 --- /dev/null +++ b/1997/YKjzDMrSX3w.en.srt @@ -0,0 +1,335 @@ +1 +00:00:01,320 --> 00:00:05,269 + +sometimes people think they know how + +2 +00:00:05,269 --> 00:00:05,279 +sometimes people think they know how + + +3 +00:00:05,279 --> 00:00:09,549 +sometimes people think they know how +they feel about each other but they + +4 +00:00:09,549 --> 00:00:09,559 +they feel about each other but they + + +5 +00:00:09,559 --> 00:00:12,589 +they feel about each other but they +don't + +6 +00:00:12,589 --> 00:00:12,599 + + + +7 +00:00:12,599 --> 00:00:15,990 + +until until they + +8 +00:00:15,990 --> 00:00:16,000 +until until they + + +9 +00:00:16,000 --> 00:00:18,510 +until until they +do I have a + +10 +00:00:18,510 --> 00:00:18,520 +do I have a + + +11 +00:00:18,520 --> 00:00:21,429 +do I have a +point the question is am I getting to it + +12 +00:00:21,429 --> 00:00:21,439 +point the question is am I getting to it + + +13 +00:00:21,439 --> 00:00:22,910 +point the question is am I getting to it +why don't you whatever it is you have to + +14 +00:00:22,910 --> 00:00:22,920 +why don't you whatever it is you have to + + +15 +00:00:22,920 --> 00:00:25,310 +why don't you whatever it is you have to +say can't be that big a + +16 +00:00:25,310 --> 00:00:25,320 +say can't be that big a + + +17 +00:00:25,320 --> 00:00:28,269 +say can't be that big a +deal oh + +18 +00:00:28,269 --> 00:00:28,279 +deal oh + + +19 +00:00:28,279 --> 00:00:30,990 +deal oh +Michael big deal is + +20 +00:00:30,990 --> 00:00:31,000 +Michael big deal is + + +21 +00:00:31,000 --> 00:00:46,590 +Michael big deal is +it's a relative + +22 +00:00:46,590 --> 00:00:46,600 + + + +23 +00:00:46,600 --> 00:00:50,470 + +term who's that guy + +24 +00:00:50,470 --> 00:00:50,480 +term who's that guy + + +25 +00:00:50,480 --> 00:00:53,630 +term who's that guy +uh it's it's a George George George I've + +26 +00:00:53,630 --> 00:00:53,640 +uh it's it's a George George George I've + + +27 +00:00:53,640 --> 00:00:55,349 +uh it's it's a George George George I've +told you about George he's my editor + +28 +00:00:55,349 --> 00:00:55,359 +told you about George he's my editor + + +29 +00:00:55,359 --> 00:00:56,950 +told you about George he's my editor +what's he doing here you working this + +30 +00:00:56,950 --> 00:00:56,960 +what's he doing here you working this + + +31 +00:00:56,960 --> 00:01:01,189 +what's he doing here you working this +weekend no um + +32 +00:01:01,189 --> 00:01:01,199 +weekend no um + + +33 +00:01:01,199 --> 00:01:05,390 +weekend no um +he's here to be with me + +34 +00:01:05,390 --> 00:01:05,400 + + + +35 +00:01:05,400 --> 00:01:08,230 + +why because he's he's my friend he's + +36 +00:01:08,230 --> 00:01:08,240 +why because he's he's my friend he's + + +37 +00:01:08,240 --> 00:01:10,429 +why because he's he's my friend he's +he's my good + +38 +00:01:10,429 --> 00:01:10,439 +he's my good + + +39 +00:01:10,439 --> 00:01:13,109 +he's my good +friend my best friend these days + +40 +00:01:13,109 --> 00:01:13,119 +friend my best friend these days + + +41 +00:01:13,119 --> 00:01:15,749 +friend my best friend these days +and + +42 +00:01:15,749 --> 00:01:15,759 +and + + +43 +00:01:15,759 --> 00:01:20,030 +and +oh you've been + +44 +00:01:20,030 --> 00:01:20,040 + + + +45 +00:01:20,040 --> 00:01:23,789 + +busy so all all of this this has been + +46 +00:01:23,789 --> 00:01:23,799 +busy so all all of this this has been + + +47 +00:01:23,799 --> 00:01:30,960 +busy so all all of this this has been +about George + +48 +00:01:30,960 --> 00:01:30,970 + + + +49 +00:01:30,970 --> 00:01:46,190 + +[Music] + +50 +00:01:46,190 --> 00:01:46,200 +[Music] + + +51 +00:01:46,200 --> 00:01:50,870 +[Music] +I'm speechless well that's Jew hey + +52 +00:01:50,870 --> 00:01:50,880 +I'm speechless well that's Jew hey + + +53 +00:01:50,880 --> 00:01:52,910 +I'm speechless well that's Jew hey +congratulations + +54 +00:01:52,910 --> 00:01:52,920 +congratulations + + +55 +00:01:52,920 --> 00:01:55,469 +congratulations +what I I told him puppy I mean if we're + +56 +00:01:55,469 --> 00:01:55,479 +what I I told him puppy I mean if we're + + +57 +00:01:55,479 --> 00:01:56,950 +what I I told him puppy I mean if we're +engaged we really shouldn't be ashamed + +58 +00:01:56,950 --> 00:01:56,960 +engaged we really shouldn't be ashamed + + +59 +00:01:56,960 --> 00:01:58,830 +engaged we really shouldn't be ashamed +of + +60 +00:01:58,830 --> 00:01:58,840 +of + + +61 +00:01:58,840 --> 00:02:01,109 +of +it he's racing back to New York he just + +62 +00:02:01,109 --> 00:02:01,119 +it he's racing back to New York he just + + +63 +00:02:01,119 --> 00:02:09,550 +it he's racing back to New York he just +came in for a few hours to uh to uh + +64 +00:02:09,550 --> 00:02:09,560 + + + +65 +00:02:09,560 --> 00:02:12,430 + +me takes a few hours + +66 +00:02:12,430 --> 00:02:12,440 +me takes a few hours + + +67 +00:02:12,440 --> 00:02:43,500 +me takes a few hours +[Music] + diff --git a/1997/YR4qgOi7VQ0.en.srt b/1997/YR4qgOi7VQ0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d448131ae7596219cfc41e1fcb3b9067f40e0da9 --- /dev/null +++ b/1997/YR4qgOi7VQ0.en.srt @@ -0,0 +1,455 @@ +1 +00:00:04,400 --> 00:00:07,709 + +Selen S Selena come here come here + +2 +00:00:07,709 --> 00:00:07,719 +Selen S Selena come here come here + + +3 +00:00:07,719 --> 00:00:12,030 +Selen S Selena come here come here +bab mommy come here look at this come on + +4 +00:00:12,030 --> 00:00:12,040 +bab mommy come here look at this come on + + +5 +00:00:12,040 --> 00:00:14,789 +bab mommy come here look at this come on +dad please what I want to go outside and + +6 +00:00:14,789 --> 00:00:14,799 +dad please what I want to go outside and + + +7 +00:00:14,799 --> 00:00:16,550 +dad please what I want to go outside and +play come on just for a second give me a + +8 +00:00:16,550 --> 00:00:16,560 +play come on just for a second give me a + + +9 +00:00:16,560 --> 00:00:18,230 +play come on just for a second give me a +minute right here look at + +10 +00:00:18,230 --> 00:00:18,240 +minute right here look at + + +11 +00:00:18,240 --> 00:00:22,230 +minute right here look at +this what's this it's a song in Spanish + +12 +00:00:22,230 --> 00:00:22,240 +this what's this it's a song in Spanish + + +13 +00:00:22,240 --> 00:00:24,670 +this what's this it's a song in Spanish +but I don't know Spanish say that what + +14 +00:00:24,670 --> 00:00:24,680 +but I don't know Spanish say that what + + +15 +00:00:24,680 --> 00:00:27,990 +but I don't know Spanish say that what +re re put your tongue on the roof of + +16 +00:00:27,990 --> 00:00:28,000 +re re put your tongue on the roof of + + +17 +00:00:28,000 --> 00:00:34,229 +re re put your tongue on the roof of +your mouth and then blow herir up + +18 +00:00:34,229 --> 00:00:34,239 + + + +19 +00:00:34,239 --> 00:00:35,869 + +do you feel it do it + +20 +00:00:35,869 --> 00:00:35,879 +do you feel it do it + + +21 +00:00:35,879 --> 00:00:39,709 +do you feel it do it +again say that word + +22 +00:00:39,709 --> 00:00:39,719 + + + +23 +00:00:39,719 --> 00:00:45,910 + +re perfect + +24 +00:00:45,910 --> 00:00:45,920 + + + +25 +00:00:45,920 --> 00:00:49,709 + +now that means clock don't Mark the + +26 +00:00:49,709 --> 00:00:49,719 +now that means clock don't Mark the + + +27 +00:00:49,719 --> 00:00:52,590 +now that means clock don't Mark the +hours because I'm going nuts clock don't + +28 +00:00:52,590 --> 00:00:52,600 +hours because I'm going nuts clock don't + + +29 +00:00:52,600 --> 00:00:54,549 +hours because I'm going nuts clock don't +Mark the hours cuz you're going nuts I + +30 +00:00:54,549 --> 00:00:54,559 +Mark the hours cuz you're going nuts I + + +31 +00:00:54,559 --> 00:00:55,750 +Mark the hours cuz you're going nuts I +know it sounds a little weird in English + +32 +00:00:55,750 --> 00:00:55,760 +know it sounds a little weird in English + + +33 +00:00:55,760 --> 00:00:58,110 +know it sounds a little weird in English +but Dad what's this all about this is + +34 +00:00:58,110 --> 00:00:58,120 +but Dad what's this all about this is + + +35 +00:00:58,120 --> 00:00:59,709 +but Dad what's this all about this is +about learning to sing in Spanish all + +36 +00:00:59,709 --> 00:00:59,719 +about learning to sing in Spanish all + + +37 +00:00:59,719 --> 00:01:01,270 +about learning to sing in Spanish all +right dad I don't want to sing in + +38 +00:01:01,270 --> 00:01:01,280 +right dad I don't want to sing in + + +39 +00:01:01,280 --> 00:01:03,310 +right dad I don't want to sing in +Spanish I don't even like music in + +40 +00:01:03,310 --> 00:01:03,320 +Spanish I don't even like music in + + +41 +00:01:03,320 --> 00:01:05,830 +Spanish I don't even like music in +Spanish I like Donna Summer that's what + +42 +00:01:05,830 --> 00:01:05,840 +Spanish I like Donna Summer that's what + + +43 +00:01:05,840 --> 00:01:07,149 +Spanish I like Donna Summer that's what +I like do you like to sing in front of + +44 +00:01:07,149 --> 00:01:07,159 +I like do you like to sing in front of + + +45 +00:01:07,159 --> 00:01:10,670 +I like do you like to sing in front of +people yeah Dad I love it it's it's like + +46 +00:01:10,670 --> 00:01:10,680 +people yeah Dad I love it it's it's like + + +47 +00:01:10,680 --> 00:01:12,469 +people yeah Dad I love it it's it's like +you can feel them when you sing it's a + +48 +00:01:12,469 --> 00:01:12,479 +you can feel them when you sing it's a + + +49 +00:01:12,479 --> 00:01:14,590 +you can feel them when you sing it's a +wonderful feeling but let me tell you + +50 +00:01:14,590 --> 00:01:14,600 +wonderful feeling but let me tell you + + +51 +00:01:14,600 --> 00:01:16,390 +wonderful feeling but let me tell you +something something I learned the hard + +52 +00:01:16,390 --> 00:01:16,400 +something something I learned the hard + + +53 +00:01:16,400 --> 00:01:17,749 +something something I learned the hard +way and that I don't want you to learn + +54 +00:01:17,749 --> 00:01:17,759 +way and that I don't want you to learn + + +55 +00:01:17,759 --> 00:01:20,429 +way and that I don't want you to learn +the hard way okay when I was young and + +56 +00:01:20,429 --> 00:01:20,439 +the hard way okay when I was young and + + +57 +00:01:20,439 --> 00:01:21,469 +the hard way okay when I was young and +singing with + +58 +00:01:21,469 --> 00:01:21,479 +singing with + + +59 +00:01:21,479 --> 00:01:23,630 +singing with +Loos one time I was singing and they + +60 +00:01:23,630 --> 00:01:23,640 +Loos one time I was singing and they + + +61 +00:01:23,640 --> 00:01:25,429 +Loos one time I was singing and they +started throwing beer bottles at + +62 +00:01:25,429 --> 00:01:25,439 +started throwing beer bottles at + + +63 +00:01:25,439 --> 00:01:28,590 +started throwing beer bottles at +me it sounds funny it does but it scared + +64 +00:01:28,590 --> 00:01:28,600 +me it sounds funny it does but it scared + + +65 +00:01:28,600 --> 00:01:30,830 +me it sounds funny it does but it scared +me but I did did learn + +66 +00:01:30,830 --> 00:01:30,840 +me but I did did learn + + +67 +00:01:30,840 --> 00:01:33,830 +me but I did did learn +something you got to be who you are you + +68 +00:01:33,830 --> 00:01:33,840 +something you got to be who you are you + + +69 +00:01:33,840 --> 00:01:36,789 +something you got to be who you are you +can't change it no you're an American + +70 +00:01:36,789 --> 00:01:36,799 +can't change it no you're an American + + +71 +00:01:36,799 --> 00:01:39,950 +can't change it no you're an American +mhm I'm an American you like Donna + +72 +00:01:39,950 --> 00:01:39,960 +mhm I'm an American you like Donna + + +73 +00:01:39,960 --> 00:01:42,749 +mhm I'm an American you like Donna +Summer I like du up but you're also + +74 +00:01:42,749 --> 00:01:42,759 +Summer I like du up but you're also + + +75 +00:01:42,759 --> 00:01:45,030 +Summer I like du up but you're also +Mexican deep inside and that's a + +76 +00:01:45,030 --> 00:01:45,040 +Mexican deep inside and that's a + + +77 +00:01:45,040 --> 00:01:47,630 +Mexican deep inside and that's a +wonderful thing you can't be anything if + +78 +00:01:47,630 --> 00:01:47,640 +wonderful thing you can't be anything if + + +79 +00:01:47,640 --> 00:01:49,389 +wonderful thing you can't be anything if +you don't know who you are especially if + +80 +00:01:49,389 --> 00:01:49,399 +you don't know who you are especially if + + +81 +00:01:49,399 --> 00:01:50,429 +you don't know who you are especially if +you want to be a singer if you want to + +82 +00:01:50,429 --> 00:01:50,439 +you want to be a singer if you want to + + +83 +00:01:50,439 --> 00:01:51,510 +you want to be a singer if you want to +be a singer you're going to have to sing + +84 +00:01:51,510 --> 00:01:51,520 +be a singer you're going to have to sing + + +85 +00:01:51,520 --> 00:01:53,910 +be a singer you're going to have to sing +to people from deep inside here and you + +86 +00:01:53,910 --> 00:01:53,920 +to people from deep inside here and you + + +87 +00:01:53,920 --> 00:01:56,550 +to people from deep inside here and you +know what's in there your heart your + +88 +00:01:56,550 --> 00:01:56,560 +know what's in there your heart your + + +89 +00:01:56,560 --> 00:02:03,270 +know what's in there your heart your +good ass on + +90 +00:02:03,270 --> 00:02:03,280 + + + +91 +00:02:03,280 --> 00:02:09,209 + +[Music] + diff --git a/1997/YdaeVone5qA.description b/1997/YdaeVone5qA.description new file mode 100644 index 0000000000000000000000000000000000000000..47c74cf0cdef996c4835758c9d0887fba99a8264 --- /dev/null +++ b/1997/YdaeVone5qA.description @@ -0,0 +1,38 @@ +Air Force One movie clips: http://j.mp/1JdDFoh +BUY THE MOVIE: http://amzn.to/uXjfk9 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +President Marshall (Harrison Ford) battles terrorist Ivan (Gary Oldman) on the plane's parachute ramp. + +FILM DESCRIPTION: +In this action drama, Harrison Ford plays James Marshall, a onetime combat hero in the Vietnam War who is now President of the United States. While visiting the former Soviet Union, Marshall gives a speech in which he supports a get-tough attitude against both terrorists and a right-wing general and war criminal from Kazakhstan imprisoned in Moscow, earning him few friends in the Eastern Bloc. While flying back to the United States aboard Air Force One, Marshall and his staff discover that one of the journalists returning with them is actually Ivan Korshunov (Gary Oldman), a Kazakhstani terrorist, who hijacks the plane with three associates and holds the president hostage -- with his wife and daughter on board. Marshall must use his strength and intelligence to keep the terrorists at bay and devise a plan to allow his family to escape to safety, while on the ground the vice-president (Glenn Close), the secretary of defense (Dean Stockwell), and the attorney general (Philip Baker Hall) grapple over what to do and how much control to take in this crisis. Slam-bang action sequences and plot twists fly fast and furious in this nail-biter from director Wolfgang Petersen, who previously generated suspense under water (rather than in the air) with Das Boot. + +CREDITS: +TM & © Sony (1997) +Cast: Gary Oldman, Wendy Crewson, Harrison Ford +Director: Wolfgang Petersen +Producers: Marc Abraham, Armyan Bernstein, Thomas A. Bliss, Gail Katz, Peter Kohn, David V. Lester, Mary Montiforte, Wolfgang Petersen, Jonathan Shestack +Screenwriter: Andrew W. Marlowe + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/ZHRWbydTGrI.en.srt b/1997/ZHRWbydTGrI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9af5f9b9df65103525a63a2b918b5aadfcfa335d --- /dev/null +++ b/1997/ZHRWbydTGrI.en.srt @@ -0,0 +1,525 @@ +1 +00:00:00,599 --> 00:00:03,949 + +amama what you want your bird what big + +2 +00:00:03,949 --> 00:00:03,959 +amama what you want your bird what big + + +3 +00:00:03,959 --> 00:00:05,470 +amama what you want your bird what big +mama said get your black ass out here + +4 +00:00:05,470 --> 00:00:05,480 +mama said get your black ass out here + + +5 +00:00:05,480 --> 00:00:06,869 +mama said get your black ass out here +boy big mama ain't told nobody's black + +6 +00:00:06,869 --> 00:00:06,879 +boy big mama ain't told nobody's black + + +7 +00:00:06,879 --> 00:00:08,390 +boy big mama ain't told nobody's black +ass to get nowhere now you stay out of + +8 +00:00:08,390 --> 00:00:08,400 +ass to get nowhere now you stay out of + + +9 +00:00:08,400 --> 00:00:10,830 +ass to get nowhere now you stay out of +grown folks + +10 +00:00:10,830 --> 00:00:10,840 +grown folks + + +11 +00:00:10,840 --> 00:00:13,190 +grown folks +business I can not believe what I just + +12 +00:00:13,190 --> 00:00:13,200 +business I can not believe what I just + + +13 +00:00:13,200 --> 00:00:15,150 +business I can not believe what I just +saw me either who invited him how did + +14 +00:00:15,150 --> 00:00:15,160 +saw me either who invited him how did + + +15 +00:00:15,160 --> 00:00:17,150 +saw me either who invited him how did +Samuel get here inv him doesn't matter + +16 +00:00:17,150 --> 00:00:17,160 +Samuel get here inv him doesn't matter + + +17 +00:00:17,160 --> 00:00:18,630 +Samuel get here inv him doesn't matter +who invited him what you doing stand and + +18 +00:00:18,630 --> 00:00:18,640 +who invited him what you doing stand and + + +19 +00:00:18,640 --> 00:00:20,590 +who invited him what you doing stand and +let him fill you up in your wedding gal + +20 +00:00:20,590 --> 00:00:20,600 +let him fill you up in your wedding gal + + +21 +00:00:20,600 --> 00:00:22,109 +let him fill you up in your wedding gal +and now your man is out there bumping + +22 +00:00:22,109 --> 00:00:22,119 +and now your man is out there bumping + + +23 +00:00:22,119 --> 00:00:23,990 +and now your man is out there bumping +and grinding with some Miss hoochie mama + +24 +00:00:23,990 --> 00:00:24,000 +and grinding with some Miss hoochie mama + + +25 +00:00:24,000 --> 00:00:25,230 +and grinding with some Miss hoochie mama +acting like it wasn't no wedding less + +26 +00:00:25,230 --> 00:00:25,240 +acting like it wasn't no wedding less + + +27 +00:00:25,240 --> 00:00:27,310 +acting like it wasn't no wedding less +than 10 minutes ago who's man your man + +28 +00:00:27,310 --> 00:00:27,320 +than 10 minutes ago who's man your man + + +29 +00:00:27,320 --> 00:00:31,310 +than 10 minutes ago who's man your man +girl bump it oh hell no hey nobody about + +30 +00:00:31,310 --> 00:00:31,320 +girl bump it oh hell no hey nobody about + + +31 +00:00:31,320 --> 00:00:33,150 +girl bump it oh hell no hey nobody about +to disrespect me on my wayed that's what + +32 +00:00:33,150 --> 00:00:33,160 +to disrespect me on my wayed that's what + + +33 +00:00:33,160 --> 00:00:35,310 +to disrespect me on my wayed that's what +I'm talking about excuse me lady and did + +34 +00:00:35,310 --> 00:00:35,320 +I'm talking about excuse me lady and did + + +35 +00:00:35,320 --> 00:00:37,350 +I'm talking about excuse me lady and did +you see that dress Miss Thing hat on you + +36 +00:00:37,350 --> 00:00:37,360 +you see that dress Miss Thing hat on you + + +37 +00:00:37,360 --> 00:00:39,190 +you see that dress Miss Thing hat on you +see her behind in that girl just all up + +38 +00:00:39,190 --> 00:00:39,200 +see her behind in that girl just all up + + +39 +00:00:39,200 --> 00:00:41,590 +see her behind in that girl just all up +a butt see that's what she get dragging + +40 +00:00:41,590 --> 00:00:41,600 +a butt see that's what she get dragging + + +41 +00:00:41,600 --> 00:00:43,310 +a butt see that's what she get dragging +somebody in here who ain't got nothing + +42 +00:00:43,310 --> 00:00:43,320 +somebody in here who ain't got nothing + + +43 +00:00:43,320 --> 00:00:45,110 +somebody in here who ain't got nothing +and putting him off on family you + +44 +00:00:45,110 --> 00:00:45,120 +and putting him off on family you + + +45 +00:00:45,120 --> 00:00:46,310 +and putting him off on family you +talking about family putting them off on + +46 +00:00:46,310 --> 00:00:46,320 +talking about family putting them off on + + +47 +00:00:46,320 --> 00:00:48,189 +talking about family putting them off on +me I'm the one who paid for this wedding + +48 +00:00:48,189 --> 00:00:48,199 +me I'm the one who paid for this wedding + + +49 +00:00:48,199 --> 00:00:49,270 +me I'm the one who paid for this wedding +Terry why you always got to let + +50 +00:00:49,270 --> 00:00:49,280 +Terry why you always got to let + + +51 +00:00:49,280 --> 00:00:51,029 +Terry why you always got to let +everybody know you pay for everything + +52 +00:00:51,029 --> 00:00:51,039 +everybody know you pay for everything + + +53 +00:00:51,039 --> 00:00:54,270 +everybody know you pay for everything +yes I + +54 +00:00:54,270 --> 00:00:54,280 + + + +55 +00:00:54,280 --> 00:00:56,470 + +[Music] + +56 +00:00:56,470 --> 00:00:56,480 +[Music] + + +57 +00:00:56,480 --> 00:00:59,990 +[Music] +do who is that hoochie coochie mama with + +58 +00:00:59,990 --> 00:01:00,000 +do who is that hoochie coochie mama with + + +59 +00:01:00,000 --> 00:01:02,029 +do who is that hoochie coochie mama with +are fat ass all over my husband out + +60 +00:01:02,029 --> 00:01:02,039 +are fat ass all over my husband out + + +61 +00:01:02,039 --> 00:01:04,270 +are fat ass all over my husband out +there on the Dance Floor I told you this + +62 +00:01:04,270 --> 00:01:04,280 +there on the Dance Floor I told you this + + +63 +00:01:04,280 --> 00:01:06,670 +there on the Dance Floor I told you this +is my wedding day I'm supposed to be + +64 +00:01:06,670 --> 00:01:06,680 +is my wedding day I'm supposed to be + + +65 +00:01:06,680 --> 00:01:09,310 +is my wedding day I'm supposed to be +happy shot what y'all talking about we + +66 +00:01:09,310 --> 00:01:09,320 +happy shot what y'all talking about we + + +67 +00:01:09,320 --> 00:01:10,749 +happy shot what y'all talking about we +happy this is supposed to be the + +68 +00:01:10,749 --> 00:01:10,759 +happy this is supposed to be the + + +69 +00:01:10,759 --> 00:01:12,870 +happy this is supposed to be the +happiest day of your life everybody's + +70 +00:01:12,870 --> 00:01:12,880 +happiest day of your life everybody's + + +71 +00:01:12,880 --> 00:01:15,550 +happiest day of your life everybody's +happy yeah we're happy but we'd be more + +72 +00:01:15,550 --> 00:01:15,560 +happy yeah we're happy but we'd be more + + +73 +00:01:15,560 --> 00:01:17,109 +happy yeah we're happy but we'd be more +happy if we go out there and beat that + +74 +00:01:17,109 --> 00:01:17,119 +happy if we go out there and beat that + + +75 +00:01:17,119 --> 00:01:22,190 +happy if we go out there and beat that +ho + +76 +00:01:22,190 --> 00:01:22,200 + + + +77 +00:01:22,200 --> 00:01:26,910 + +down there they are let's go get her + +78 +00:01:26,910 --> 00:01:26,920 + + + +79 +00:01:26,920 --> 00:01:33,980 + +ass as as my + +80 +00:01:33,980 --> 00:01:33,990 + + + +81 +00:01:33,990 --> 00:01:39,530 + +[Applause] + +82 +00:01:39,530 --> 00:01:39,540 + + + +83 +00:01:39,540 --> 00:01:40,770 + +[Applause] + +84 +00:01:40,770 --> 00:01:40,780 +[Applause] + + +85 +00:01:40,780 --> 00:01:51,709 +[Applause] +[Music] + +86 +00:01:51,709 --> 00:01:51,719 + + + +87 +00:01:51,719 --> 00:01:54,230 + +you see right there that was just like + +88 +00:01:54,230 --> 00:01:54,240 +you see right there that was just like + + +89 +00:01:54,240 --> 00:01:56,670 +you see right there that was just like +big mama always knowing just what to do + +90 +00:01:56,670 --> 00:01:56,680 +big mama always knowing just what to do + + +91 +00:01:56,680 --> 00:01:59,310 +big mama always knowing just what to do +to set things right I used to think she + +92 +00:01:59,310 --> 00:01:59,320 +to set things right I used to think she + + +93 +00:01:59,320 --> 00:02:01,510 +to set things right I used to think she +and I had a special connection like we + +94 +00:02:01,510 --> 00:02:01,520 +and I had a special connection like we + + +95 +00:02:01,520 --> 00:02:03,270 +and I had a special connection like we +shared an inside joke no one else was in + +96 +00:02:03,270 --> 00:02:03,280 +shared an inside joke no one else was in + + +97 +00:02:03,280 --> 00:02:06,350 +shared an inside joke no one else was in +on of course it wasn't long I found out + +98 +00:02:06,350 --> 00:02:06,360 +on of course it wasn't long I found out + + +99 +00:02:06,360 --> 00:02:08,469 +on of course it wasn't long I found out +she had this same connection with all of + +100 +00:02:08,469 --> 00:02:08,479 +she had this same connection with all of + + +101 +00:02:08,479 --> 00:02:11,190 +she had this same connection with all of +us yeah she was the rock of the Joseph + +102 +00:02:11,190 --> 00:02:11,200 +us yeah she was the rock of the Joseph + + +103 +00:02:11,200 --> 00:02:15,900 +us yeah she was the rock of the Joseph +Family the one that held us all together + +104 +00:02:15,900 --> 00:02:15,910 +Family the one that held us all together + + +105 +00:02:15,910 --> 00:02:43,000 +Family the one that held us all together +[Music] + diff --git a/1997/Zh6NzOHOU8s.en.srt b/1997/Zh6NzOHOU8s.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6f47358b272bf81225a44b3ab78c40f63abd44a0 --- /dev/null +++ b/1997/Zh6NzOHOU8s.en.srt @@ -0,0 +1,385 @@ +1 +00:00:02,100 --> 00:00:05,990 + +whoa hey did you do something to your + +2 +00:00:05,990 --> 00:00:06,000 +whoa hey did you do something to your + + +3 +00:00:06,000 --> 00:00:07,249 +whoa hey did you do something to your +hair + +4 +00:00:07,249 --> 00:00:07,259 +hair + + +5 +00:00:07,259 --> 00:00:10,430 +hair +it's a bit extreme isn't it oh I mean + +6 +00:00:10,430 --> 00:00:10,440 +it's a bit extreme isn't it oh I mean + + +7 +00:00:10,440 --> 00:00:12,980 +it's a bit extreme isn't it oh I mean +that's that's the thing nowadays right + +8 +00:00:12,980 --> 00:00:12,990 +that's that's the thing nowadays right + + +9 +00:00:12,990 --> 00:00:14,990 +that's that's the thing nowadays right +Polly said it would accent my facial + +10 +00:00:14,990 --> 00:00:15,000 +Polly said it would accent my facial + + +11 +00:00:15,000 --> 00:00:17,180 +Polly said it would accent my facial +features oh that's what it does the + +12 +00:00:17,180 --> 00:00:17,190 +features oh that's what it does the + + +13 +00:00:17,190 --> 00:00:20,060 +features oh that's what it does the +accent your facial features we're just + +14 +00:00:20,060 --> 00:00:20,070 +accent your facial features we're just + + +15 +00:00:20,070 --> 00:00:30,040 +accent your facial features we're just +gonna go down to my office now wait + +16 +00:00:30,040 --> 00:00:30,050 +gonna go down to my office now wait + + +17 +00:00:30,050 --> 00:00:32,900 +gonna go down to my office now wait +looks and personality a double threat + +18 +00:00:32,900 --> 00:00:32,910 +looks and personality a double threat + + +19 +00:00:32,910 --> 00:00:37,930 +looks and personality a double threat +guy maybe three hey man + +20 +00:00:37,930 --> 00:00:37,940 + + + +21 +00:00:37,940 --> 00:00:40,100 + +thinking lunch starters mr. Reid + +22 +00:00:40,100 --> 00:00:40,110 +thinking lunch starters mr. Reid + + +23 +00:00:40,110 --> 00:00:44,240 +thinking lunch starters mr. Reid +anything no thanks that's so much for + +24 +00:00:44,240 --> 00:00:44,250 +anything no thanks that's so much for + + +25 +00:00:44,250 --> 00:00:46,610 +anything no thanks that's so much for +breakfast I'm just about ready to pop I + +26 +00:00:46,610 --> 00:00:46,620 +breakfast I'm just about ready to pop I + + +27 +00:00:46,620 --> 00:01:04,910 +breakfast I'm just about ready to pop I +mean I'm I am sure that your daddy has + +28 +00:01:04,910 --> 00:01:04,920 +mean I'm I am sure that your daddy has + + +29 +00:01:04,920 --> 00:01:08,060 +mean I'm I am sure that your daddy has +got you something wonderful yeah yeah + +30 +00:01:08,060 --> 00:01:08,070 +got you something wonderful yeah yeah + + +31 +00:01:08,070 --> 00:01:10,539 +got you something wonderful yeah yeah +you bet + +32 +00:01:10,539 --> 00:01:10,549 +you bet + + +33 +00:01:10,549 --> 00:01:13,280 +you bet +listen kiddo why don't you go play my + +34 +00:01:13,280 --> 00:01:13,290 +listen kiddo why don't you go play my + + +35 +00:01:13,290 --> 00:01:15,050 +listen kiddo why don't you go play my +office with me sue somebody for + +36 +00:01:15,050 --> 00:01:15,060 +office with me sue somebody for + + +37 +00:01:15,060 --> 00:01:17,210 +office with me sue somebody for +everything they got maybe you can send a + +38 +00:01:17,210 --> 00:01:17,220 +everything they got maybe you can send a + + +39 +00:01:17,220 --> 00:01:19,609 +everything they got maybe you can send a +fax to one of your girl friends hey + +40 +00:01:19,609 --> 00:01:19,619 +fax to one of your girl friends hey + + +41 +00:01:19,619 --> 00:01:24,380 +fax to one of your girl friends hey +sorry damn it I completely forgot Oh + +42 +00:01:24,380 --> 00:01:24,390 +sorry damn it I completely forgot Oh + + +43 +00:01:24,390 --> 00:01:28,789 +sorry damn it I completely forgot Oh +surprise you are a saint I should buy + +44 +00:01:28,789 --> 00:01:28,799 +surprise you are a saint I should buy + + +45 +00:01:28,799 --> 00:01:31,760 +surprise you are a saint I should buy +you a gift you did I always do the + +46 +00:01:31,760 --> 00:01:31,770 +you a gift you did I always do the + + +47 +00:01:31,770 --> 00:01:33,200 +you a gift you did I always do the +classy thing any calls + +48 +00:01:33,200 --> 00:01:33,210 +classy thing any calls + + +49 +00:01:33,210 --> 00:01:35,420 +classy thing any calls +drawings clerk you did your filing + +50 +00:01:35,420 --> 00:01:35,430 +drawings clerk you did your filing + + +51 +00:01:35,430 --> 00:01:37,399 +drawings clerk you did your filing +helmets in the mail right she'll do it + +52 +00:01:37,399 --> 00:01:37,409 +helmets in the mail right she'll do it + + +53 +00:01:37,409 --> 00:01:38,149 +helmets in the mail right she'll do it +next week + +54 +00:01:38,149 --> 00:01:38,159 +next week + + +55 +00:01:38,159 --> 00:01:40,130 +next week +mr. McKinley phone to confirm your + +56 +00:01:40,130 --> 00:01:40,140 +mr. McKinley phone to confirm your + + +57 +00:01:40,140 --> 00:01:43,340 +mr. McKinley phone to confirm your +meeting tomorrow strep throat no some + +58 +00:01:43,340 --> 00:01:43,350 +meeting tomorrow strep throat no some + + +59 +00:01:43,350 --> 00:01:45,109 +meeting tomorrow strep throat no some +kind of virus what's going around Asian + +60 +00:01:45,109 --> 00:01:45,119 +kind of virus what's going around Asian + + +61 +00:01:45,119 --> 00:01:49,270 +kind of virus what's going around Asian +flu good one and your mother called + +62 +00:01:49,270 --> 00:01:49,280 +flu good one and your mother called + + +63 +00:01:49,280 --> 00:01:52,370 +flu good one and your mother called +fifth week snowed in punctured out great + +64 +00:01:52,370 --> 00:01:52,380 +fifth week snowed in punctured out great + + +65 +00:01:52,380 --> 00:01:55,100 +fifth week snowed in punctured out great +mother's heart done oh that's it except + +66 +00:01:55,100 --> 00:01:55,110 +mother's heart done oh that's it except + + +67 +00:01:55,110 --> 00:01:58,310 +mother's heart done oh that's it except +Miranda's looking for you ah how much + +68 +00:01:58,310 --> 00:01:58,320 +Miranda's looking for you ah how much + + +69 +00:01:58,320 --> 00:02:00,950 +Miranda's looking for you ah how much +ass do I have to kiss to make partner in + +70 +00:02:00,950 --> 00:02:00,960 +ass do I have to kiss to make partner in + + +71 +00:02:00,960 --> 00:02:01,819 +ass do I have to kiss to make partner in +this damn place + +72 +00:02:01,819 --> 00:02:01,829 +this damn place + + +73 +00:02:01,829 --> 00:02:04,280 +this damn place +tell her I broke my leg and I had to be + +74 +00:02:04,280 --> 00:02:04,290 +tell her I broke my leg and I had to be + + +75 +00:02:04,290 --> 00:02:07,430 +tell her I broke my leg and I had to be +shocked why don't you tell her yourself + +76 +00:02:07,430 --> 00:02:07,440 +shocked why don't you tell her yourself + + +77 +00:02:07,440 --> 00:02:38,490 +shocked why don't you tell her yourself +[Music] + diff --git a/1997/ZlFSjq7eU4Y.en.srt b/1997/ZlFSjq7eU4Y.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f59ee1b1b6bc957edfae94131028ce11519bb7c4 --- /dev/null +++ b/1997/ZlFSjq7eU4Y.en.srt @@ -0,0 +1,375 @@ +1 +00:00:02,360 --> 00:00:03,990 + +son of a + +2 +00:00:03,990 --> 00:00:04,000 +son of a + + +3 +00:00:04,000 --> 00:00:06,670 +son of a + officer officer you got to help me + +4 +00:00:06,670 --> 00:00:06,680 +officer officer you got to help me + + +5 +00:00:06,680 --> 00:00:09,030 +officer officer you got to help me +while wife SP kid down who whoa wait I + +6 +00:00:09,030 --> 00:00:09,040 +while wife SP kid down who whoa wait I + + +7 +00:00:09,040 --> 00:00:10,790 +while wife SP kid down who whoa wait I +you got it you got it all right I know + +8 +00:00:10,790 --> 00:00:10,800 +you got it you got it all right I know + + +9 +00:00:10,800 --> 00:00:13,549 +you got it you got it all right I know +where she is she get down on the ground + +10 +00:00:13,549 --> 00:00:13,559 +where she is she get down on the ground + + +11 +00:00:13,559 --> 00:00:16,590 +where she is she get down on the ground +do it all right I'm down listen to me + +12 +00:00:16,590 --> 00:00:16,600 +do it all right I'm down listen to me + + +13 +00:00:16,600 --> 00:00:18,550 +do it all right I'm down listen to me +he's in on it he's with the trucker they + +14 +00:00:18,550 --> 00:00:18,560 +he's in on it he's with the trucker they + + +15 +00:00:18,560 --> 00:00:20,509 +he's in on it he's with the trucker they +get that my wife there's four of them + +16 +00:00:20,509 --> 00:00:20,519 +get that my wife there's four of them + + +17 +00:00:20,519 --> 00:00:21,950 +get that my wife there's four of them +they all work together they got to right + +18 +00:00:21,950 --> 00:00:21,960 +they all work together they got to right + + +19 +00:00:21,960 --> 00:00:25,630 +they all work together they got to right +now A Truck Stop the Tex face down shut + +20 +00:00:25,630 --> 00:00:25,640 +now A Truck Stop the Tex face down shut + + +21 +00:00:25,640 --> 00:00:28,550 +now A Truck Stop the Tex face down shut +up you're in the pickup you all right + +22 +00:00:28,550 --> 00:00:28,560 +up you're in the pickup you all right + + +23 +00:00:28,560 --> 00:00:30,509 +up you're in the pickup you all right +please you have to believe me + +24 +00:00:30,509 --> 00:00:30,519 +please you have to believe me + + +25 +00:00:30,519 --> 00:00:31,470 +please you have to believe me +out here in the + +26 +00:00:31,470 --> 00:00:31,480 +out here in the + + +27 +00:00:31,480 --> 00:00:34,830 +out here in the +middle put your G help me yes I can sir + +28 +00:00:34,830 --> 00:00:34,840 +middle put your G help me yes I can sir + + +29 +00:00:34,840 --> 00:00:36,830 +middle put your G help me yes I can sir +please don't shoot me there's a bag with + +30 +00:00:36,830 --> 00:00:36,840 +please don't shoot me there's a bag with + + +31 +00:00:36,840 --> 00:00:38,510 +please don't shoot me there's a bag with +money and I swear to God it's right in + +32 +00:00:38,510 --> 00:00:38,520 +money and I swear to God it's right in + + +33 +00:00:38,520 --> 00:00:41,670 +money and I swear to God it's right in +there down eagle and shut + +34 +00:00:41,670 --> 00:00:41,680 +there down eagle and shut + + +35 +00:00:41,680 --> 00:00:45,670 +there down eagle and shut +up we have to get that stop God damn it + +36 +00:00:45,670 --> 00:00:45,680 +up we have to get that stop God damn it + + +37 +00:00:45,680 --> 00:00:47,630 +up we have to get that stop God damn it +listen know what I'm telling you shut + +38 +00:00:47,630 --> 00:00:47,640 +listen know what I'm telling you shut + + +39 +00:00:47,640 --> 00:01:00,069 +listen know what I'm telling you shut +the up + +40 +00:01:00,069 --> 00:01:00,079 + + + +41 +00:01:00,079 --> 00:01:05,700 + +hey ship for + +42 +00:01:05,700 --> 00:01:05,710 + + + +43 +00:01:05,710 --> 00:01:13,210 + +[Music] + +44 +00:01:13,210 --> 00:01:13,220 + + + +45 +00:01:13,220 --> 00:01:18,770 + +[Music] + +46 +00:01:18,770 --> 00:01:18,780 + + + +47 +00:01:18,780 --> 00:01:23,390 + +[Music] + +48 +00:01:23,390 --> 00:01:23,400 +[Music] + + +49 +00:01:23,400 --> 00:01:26,870 +[Music] +brains shots + +50 +00:01:26,870 --> 00:01:26,880 + + + +51 +00:01:26,880 --> 00:01:34,670 + +fired Officer Down + +52 +00:01:34,670 --> 00:01:34,680 + + + +53 +00:01:34,680 --> 00:01:35,800 + +suspect + +54 +00:01:35,800 --> 00:01:35,810 +suspect + + +55 +00:01:35,810 --> 00:01:38,870 +suspect +[Music] + +56 +00:01:38,870 --> 00:01:38,880 +[Music] + + +57 +00:01:38,880 --> 00:01:41,310 +[Music] +identifi K this is a state police + +58 +00:01:41,310 --> 00:01:41,320 +identifi K this is a state police + + +59 +00:01:41,320 --> 00:01:43,950 +identifi K this is a state police +dispatch what is your + +60 +00:01:43,950 --> 00:01:43,960 +dispatch what is your + + +61 +00:01:43,960 --> 00:01:47,230 +dispatch what is your +20 get an ambulance he's been shot who + +62 +00:01:47,230 --> 00:01:47,240 +20 get an ambulance he's been shot who + + +63 +00:01:47,240 --> 00:01:48,069 +20 get an ambulance he's been shot who +is + +64 +00:01:48,069 --> 00:01:48,079 +is + + +65 +00:01:48,079 --> 00:01:55,830 +is +it sure can you respond they're + +66 +00:01:55,830 --> 00:01:55,840 + + + +67 +00:01:55,840 --> 00:01:57,789 + +coming Hang on we're getting you an + +68 +00:01:57,789 --> 00:01:57,799 +coming Hang on we're getting you an + + +69 +00:01:57,799 --> 00:02:01,950 +coming Hang on we're getting you an +ambulance + +70 +00:02:01,950 --> 00:02:01,960 + + + +71 +00:02:01,960 --> 00:02:10,270 + +all units all units uper down + +72 +00:02:10,270 --> 00:02:10,280 + + + +73 +00:02:10,280 --> 00:02:21,900 + +down on your mind + +74 +00:02:21,900 --> 00:02:21,910 + + + +75 +00:02:21,910 --> 00:02:44,490 + +[Music] + diff --git a/1997/ZywVV0T5DcA.description b/1997/ZywVV0T5DcA.description new file mode 100644 index 0000000000000000000000000000000000000000..0039143a43599eab8913a03b02d76d3ba90ec2c2 --- /dev/null +++ b/1997/ZywVV0T5DcA.description @@ -0,0 +1,38 @@ +Austin Powers movie clips: http://j.mp/15vUYTp +BUY THE MOVIE: http://bit.ly/2cyWE2L +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Dr. Evil (Mike Myers) meets his son, Scott (Seth Green), who is not quite ready for a relationship. + +FILM DESCRIPTION: +Less a parody of the early James Bond film than a parody of the films that parodied the early James Bond films, Austin Powers: International Man of Mystery stars Mike Myers as Austin Powers, by day a hipster fashion photographer in mid-'60s swingin' London and by night a crime-fighting secret agent. Austin's wardrobe is pure Carnaby Street at its most outrageous, his vocabulary is crowded by the cool lingo of the day ("Groovy, baby! Yeah!!"), and he's irresistible to women, despite the fact that he can be charitably described as "stocky" and has teeth that strike fear into any practicing dentist. When his nemesis, the arch-enemy Dr. Evil (also played by Myers), has himself cryogenically frozen and sent into space, Powers also has himself put on ice so he can be thawed out when Dr. Evil returns. Come 1997, Dr. Evil returns to Earth and is back to his old tricks, so Austin is thawed out and returned to active service -- though he soon discovers his style doesn't play so well 30 years on. The supporting cast includes Elizabeth Hurley as Austin's sidekick, Vanessa Kensington; Michael York as his boss, Basil Exposition; Robert Wagner as Dr. Evil's assistant, Number Two; and Seth Green as Dr. Evil's troubled son, Scott Evil. Ming Tea, the swingin' pop band that periodically backs up Austin, includes real life pop-rockers Matthew Sweet and Susanna Hoffs. Austin Powers: International Man of Mystery was a mild box-office hit but an even bigger success on home video, which led to the 1999 sequel, Austin Powers: The Spy Who Shagged Me. + +CREDITS: +TM & © Warner Bros. (1997) +Cast: Mike Myers, Robert Wagner, Seth Green, Mindy Sterling +Director: Jay Roach +Producers: Eric McLeod, Demi Moore, Mike Myers, Claire Rudnick Polstein, Jennifer Todd, Suzanne Todd +Screenwriter: Mike Myers + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/ZywVV0T5DcA.en.srt b/1997/ZywVV0T5DcA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a55df346a68792c26f5be4b17796a85c3fd4af4c --- /dev/null +++ b/1997/ZywVV0T5DcA.en.srt @@ -0,0 +1,265 @@ +1 +00:00:00,320 --> 00:00:03,070 + +remember when we froze your Sean you + +2 +00:00:03,070 --> 00:00:03,080 +remember when we froze your Sean you + + +3 +00:00:03,080 --> 00:00:04,710 +remember when we froze your Sean you +said if it didn't look like you were + +4 +00:00:04,710 --> 00:00:04,720 +said if it didn't look like you were + + +5 +00:00:04,720 --> 00:00:06,829 +said if it didn't look like you were +coming back we should try to make you a + +6 +00:00:06,829 --> 00:00:06,839 +coming back we should try to make you a + + +7 +00:00:06,839 --> 00:00:08,470 +coming back we should try to make you a +son so that a part of you could live + +8 +00:00:08,470 --> 00:00:08,480 +son so that a part of you could live + + +9 +00:00:08,480 --> 00:00:11,789 +son so that a part of you could live +forever oh sure well after a couple of + +10 +00:00:11,789 --> 00:00:11,799 +forever oh sure well after a couple of + + +11 +00:00:11,799 --> 00:00:14,789 +forever oh sure well after a couple of +years we got a little + +12 +00:00:14,789 --> 00:00:14,799 +years we got a little + + +13 +00:00:14,799 --> 00:00:18,710 +years we got a little +impatient that evil I want you to meet + +14 +00:00:18,710 --> 00:00:18,720 +impatient that evil I want you to meet + + +15 +00:00:18,720 --> 00:00:25,860 +impatient that evil I want you to meet +your son my son yeah Scott + +16 +00:00:25,860 --> 00:00:25,870 +your son my son yeah Scott + + +17 +00:00:25,870 --> 00:00:32,830 +your son my son yeah Scott +[Music] + +18 +00:00:32,830 --> 00:00:32,840 + + + +19 +00:00:32,840 --> 00:00:35,470 + +hello Scott + +20 +00:00:35,470 --> 00:00:35,480 +hello Scott + + +21 +00:00:35,480 --> 00:00:38,270 +hello Scott +hi I'm your + +22 +00:00:38,270 --> 00:00:38,280 +hi I'm your + + +23 +00:00:38,280 --> 00:00:42,549 +hi I'm your +father Dr + +24 +00:00:42,549 --> 00:00:42,559 + + + +25 +00:00:42,559 --> 00:00:45,389 + +Evil I haven't seen you my whole life + +26 +00:00:45,389 --> 00:00:45,399 +Evil I haven't seen you my whole life + + +27 +00:00:45,399 --> 00:00:47,110 +Evil I haven't seen you my whole life +and and now you come back and just + +28 +00:00:47,110 --> 00:00:47,120 +and and now you come back and just + + +29 +00:00:47,120 --> 00:00:48,990 +and and now you come back and just +expect a + +30 +00:00:48,990 --> 00:00:49,000 +expect a + + +31 +00:00:49,000 --> 00:00:54,110 +expect a +relationship I hate + +32 +00:00:54,110 --> 00:00:54,120 + + + +33 +00:00:54,120 --> 00:00:57,750 + +you what can I have a + +34 +00:00:57,750 --> 00:00:57,760 +you what can I have a + + +35 +00:00:57,760 --> 00:01:00,830 +you what can I have a +hug no + +36 +00:01:00,830 --> 00:01:00,840 +hug no + + +37 +00:01:00,840 --> 00:01:02,910 +hug no +give me a hug no way come here I'm not + +38 +00:01:02,910 --> 00:01:02,920 +give me a hug no way come here I'm not + + +39 +00:01:02,920 --> 00:01:04,789 +give me a hug no way come here I'm not +coming over there let's go forget it + +40 +00:01:04,789 --> 00:01:04,799 +coming over there let's go forget it + + +41 +00:01:04,799 --> 00:01:22,789 +coming over there let's go forget it +Tonto what are you doing I'm with it I'm + +42 +00:01:22,789 --> 00:01:22,799 + + + +43 +00:01:22,799 --> 00:01:24,870 + +hip what don't look at me like I'm + +44 +00:01:24,870 --> 00:01:24,880 +hip what don't look at me like I'm + + +45 +00:01:24,880 --> 00:01:27,109 +hip what don't look at me like I'm +freaking Frankenstein give your father a + +46 +00:01:27,109 --> 00:01:27,119 +freaking Frankenstein give your father a + + +47 +00:01:27,119 --> 00:01:30,910 +freaking Frankenstein give your father a +hug you're hey don't touch me + +48 +00:01:30,910 --> 00:01:30,920 +hug you're hey don't touch me + + +49 +00:01:30,920 --> 00:01:33,910 +hug you're hey don't touch me +par Park get away from me you lazy eyed + +50 +00:01:33,910 --> 00:01:33,920 +par Park get away from me you lazy eyed + + +51 +00:01:33,920 --> 00:01:35,280 +par Park get away from me you lazy eyed +psycho + +52 +00:01:35,280 --> 00:01:35,290 +psycho + + +53 +00:01:35,290 --> 00:02:06,470 +psycho +[Music] + diff --git a/1997/_CuZqXrhEZI.en.srt b/1997/_CuZqXrhEZI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..fbb2e2a755ab9c147c2b21496f97c17d71d77b3b --- /dev/null +++ b/1997/_CuZqXrhEZI.en.srt @@ -0,0 +1,585 @@ +1 +00:00:00,880 --> 00:00:03,110 + +what are you doing I've had it Chris + +2 +00:00:03,110 --> 00:00:03,120 +what are you doing I've had it Chris + + +3 +00:00:03,120 --> 00:00:04,749 +what are you doing I've had it Chris +I've had it I can't take it anymore + +4 +00:00:04,749 --> 00:00:04,759 +I've had it I can't take it anymore + + +5 +00:00:04,759 --> 00:00:06,789 +I've had it I can't take it anymore +that's it I made is 12 hours away You're + +6 +00:00:06,789 --> 00:00:06,799 +that's it I made is 12 hours away You're + + +7 +00:00:06,799 --> 00:00:08,190 +that's it I made is 12 hours away You're +supposed to be getting on that place I + +8 +00:00:08,190 --> 00:00:08,200 +supposed to be getting on that place I + + +9 +00:00:08,200 --> 00:00:09,790 +supposed to be getting on that place I +don't care about El Paso you mean more + +10 +00:00:09,790 --> 00:00:09,800 +don't care about El Paso you mean more + + +11 +00:00:09,800 --> 00:00:11,749 +don't care about El Paso you mean more +to me than any gig in El Paso if you're + +12 +00:00:11,749 --> 00:00:11,759 +to me than any gig in El Paso if you're + + +13 +00:00:11,759 --> 00:00:13,150 +to me than any gig in El Paso if you're +not in El Paso your father's going to + +14 +00:00:13,150 --> 00:00:13,160 +not in El Paso your father's going to + + +15 +00:00:13,160 --> 00:00:14,869 +not in El Paso your father's going to +know that you're here let him know let + +16 +00:00:14,869 --> 00:00:14,879 +know that you're here let him know let + + +17 +00:00:14,879 --> 00:00:18,390 +know that you're here let him know let +him okay I'm tired of hiding from him + +18 +00:00:18,390 --> 00:00:18,400 +him okay I'm tired of hiding from him + + +19 +00:00:18,400 --> 00:00:19,870 +him okay I'm tired of hiding from him +I'm tired too but everything's going to + +20 +00:00:19,870 --> 00:00:19,880 +I'm tired too but everything's going to + + +21 +00:00:19,880 --> 00:00:21,550 +I'm tired too but everything's going to +get messed up this way why can't you + +22 +00:00:21,550 --> 00:00:21,560 +get messed up this way why can't you + + +23 +00:00:21,560 --> 00:00:24,109 +get messed up this way why can't you +just hold + +24 +00:00:24,109 --> 00:00:24,119 + + + +25 +00:00:24,119 --> 00:00:27,189 + +me baby I don't want things to get + +26 +00:00:27,189 --> 00:00:27,199 +me baby I don't want things to get + + +27 +00:00:27,199 --> 00:00:30,830 +me baby I don't want things to get +messed up you want to be with me + +28 +00:00:30,830 --> 00:00:30,840 +messed up you want to be with me + + +29 +00:00:30,840 --> 00:00:32,910 +messed up you want to be with me +of course I want to be with you do you + +30 +00:00:32,910 --> 00:00:32,920 +of course I want to be with you do you + + +31 +00:00:32,920 --> 00:00:35,910 +of course I want to be with you do you +want to be with me forever forever + +32 +00:00:35,910 --> 00:00:35,920 +want to be with me forever forever + + +33 +00:00:35,920 --> 00:00:37,910 +want to be with me forever forever +you're it for + +34 +00:00:37,910 --> 00:00:37,920 +you're it for + + +35 +00:00:37,920 --> 00:00:40,350 +you're it for +me so let's just do it let's just get + +36 +00:00:40,350 --> 00:00:40,360 +me so let's just do it let's just get + + +37 +00:00:40,360 --> 00:00:41,549 +me so let's just do it let's just get +married right + +38 +00:00:41,549 --> 00:00:41,559 +married right + + +39 +00:00:41,559 --> 00:00:43,110 +married right +now + +40 +00:00:43,110 --> 00:00:43,120 +now + + +41 +00:00:43,120 --> 00:00:45,549 +now +married that's that's that's crazy you + +42 +00:00:45,549 --> 00:00:45,559 +married that's that's that's crazy you + + +43 +00:00:45,559 --> 00:00:47,430 +married that's that's that's crazy you +don't want to marry me of course I want + +44 +00:00:47,430 --> 00:00:47,440 +don't want to marry me of course I want + + +45 +00:00:47,440 --> 00:00:50,910 +don't want to marry me of course I want +to marry you but the right way what's + +46 +00:00:50,910 --> 00:00:50,920 +to marry you but the right way what's + + +47 +00:00:50,920 --> 00:00:53,630 +to marry you but the right way what's +the right way you know with you wearing + +48 +00:00:53,630 --> 00:00:53,640 +the right way you know with you wearing + + +49 +00:00:53,640 --> 00:00:56,150 +the right way you know with you wearing +a beautiful white dress and and your + +50 +00:00:56,150 --> 00:00:56,160 +a beautiful white dress and and your + + +51 +00:00:56,160 --> 00:00:58,750 +a beautiful white dress and and your +friends and those different color + +52 +00:00:58,750 --> 00:00:58,760 +friends and those different color + + +53 +00:00:58,760 --> 00:01:01,910 +friends and those different color +dresses right bries Maids Chris yeah + +54 +00:01:01,910 --> 00:01:01,920 +dresses right bries Maids Chris yeah + + +55 +00:01:01,920 --> 00:01:05,109 +dresses right bries Maids Chris yeah +bridesmaids and lots of flowers and your + +56 +00:01:05,109 --> 00:01:05,119 +bridesmaids and lots of flowers and your + + +57 +00:01:05,119 --> 00:01:07,670 +bridesmaids and lots of flowers and your +family I don't care about all that it's + +58 +00:01:07,670 --> 00:01:07,680 +family I don't care about all that it's + + +59 +00:01:07,680 --> 00:01:09,510 +family I don't care about all that it's +not the important thing no matter what + +60 +00:01:09,510 --> 00:01:09,520 +not the important thing no matter what + + +61 +00:01:09,520 --> 00:01:11,270 +not the important thing no matter what +you say I know how important it is to + +62 +00:01:11,270 --> 00:01:11,280 +you say I know how important it is to + + +63 +00:01:11,280 --> 00:01:12,390 +you say I know how important it is to +you to have your family there when + +64 +00:01:12,390 --> 00:01:12,400 +you to have your family there when + + +65 +00:01:12,400 --> 00:01:14,469 +you to have your family there when +you're getting married and it's + +66 +00:01:14,469 --> 00:01:14,479 +you're getting married and it's + + +67 +00:01:14,479 --> 00:01:27,749 +you're getting married and it's +important to me too because I care for + +68 +00:01:27,749 --> 00:01:27,759 + + + +69 +00:01:27,759 --> 00:01:34,710 + +you right + +70 +00:01:34,710 --> 00:01:34,720 + + + +71 +00:01:34,720 --> 00:01:38,550 + +I would love + +72 +00:01:38,550 --> 00:01:38,560 + + + +73 +00:01:38,560 --> 00:01:43,590 + +that have a big + +74 +00:01:43,590 --> 00:01:43,600 + + + +75 +00:01:43,600 --> 00:01:46,469 + +wedding my dad get me + +76 +00:01:46,469 --> 00:01:46,479 +wedding my dad get me + + +77 +00:01:46,479 --> 00:01:51,469 +wedding my dad get me +away that would be more to me than + +78 +00:01:51,469 --> 00:01:51,479 + + + +79 +00:01:51,479 --> 00:01:55,149 + +anything but it's never going to happen + +80 +00:01:55,149 --> 00:01:55,159 +anything but it's never going to happen + + +81 +00:01:55,159 --> 00:01:58,469 +anything but it's never going to happen +I know him Chris I know what he's + +82 +00:01:58,469 --> 00:01:58,479 +I know him Chris I know what he's + + +83 +00:01:58,479 --> 00:02:03,270 +I know him Chris I know what he's +like and will never accept us never all + +84 +00:02:03,270 --> 00:02:03,280 +like and will never accept us never all + + +85 +00:02:03,280 --> 00:02:05,670 +like and will never accept us never all +right he's dug his heels in and that's + +86 +00:02:05,670 --> 00:02:05,680 +right he's dug his heels in and that's + + +87 +00:02:05,680 --> 00:02:08,389 +right he's dug his heels in and that's +it the whole world all of corus Christie + +88 +00:02:08,389 --> 00:02:08,399 +it the whole world all of corus Christie + + +89 +00:02:08,399 --> 00:02:09,949 +it the whole world all of corus Christie +could come tumbling down on his head and + +90 +00:02:09,949 --> 00:02:09,959 +could come tumbling down on his head and + + +91 +00:02:09,959 --> 00:02:12,229 +could come tumbling down on his head and +he would not + +92 +00:02:12,229 --> 00:02:12,239 +he would not + + +93 +00:02:12,239 --> 00:02:14,790 +he would not +budge the only way he will know that I + +94 +00:02:14,790 --> 00:02:14,800 +budge the only way he will know that I + + +95 +00:02:14,800 --> 00:02:16,750 +budge the only way he will know that I +am not going to give you + +96 +00:02:16,750 --> 00:02:16,760 +am not going to give you + + +97 +00:02:16,760 --> 00:02:22,190 +am not going to give you +up is if we go out and get married right + +98 +00:02:22,190 --> 00:02:22,200 + + + +99 +00:02:22,200 --> 00:02:25,589 + +now then he'll have to accept + +100 +00:02:25,589 --> 00:02:25,599 +now then he'll have to accept + + +101 +00:02:25,599 --> 00:02:27,910 +now then he'll have to accept +us but what if he + +102 +00:02:27,910 --> 00:02:27,920 +us but what if he + + +103 +00:02:27,920 --> 00:02:33,270 +us but what if he +doesn't but I'll still have you + +104 +00:02:33,270 --> 00:02:33,280 + + + +105 +00:02:33,280 --> 00:02:37,470 + +you'll have + +106 +00:02:37,470 --> 00:02:37,480 + + + +107 +00:02:37,480 --> 00:02:39,750 + +me there's no King in the world more + +108 +00:02:39,750 --> 00:02:39,760 +me there's no King in the world more + + +109 +00:02:39,760 --> 00:02:43,270 +me there's no King in the world more +important than + +110 +00:02:43,270 --> 00:02:43,280 + + + +111 +00:02:43,280 --> 00:02:49,710 + +that I love + +112 +00:02:49,710 --> 00:02:49,720 + + + +113 +00:02:49,720 --> 00:02:52,509 + +you let's get + +114 +00:02:52,509 --> 00:02:52,519 +you let's get + + +115 +00:02:52,519 --> 00:02:59,550 +you let's get +married yeah + +116 +00:02:59,550 --> 00:02:59,560 + + + +117 +00:02:59,560 --> 00:03:10,889 + +[Music] + diff --git a/1997/_MLgnDZguM0.description b/1997/_MLgnDZguM0.description new file mode 100644 index 0000000000000000000000000000000000000000..3f5d08697fc2029bce4e4e7c9525edbe21a899a2 --- /dev/null +++ b/1997/_MLgnDZguM0.description @@ -0,0 +1,38 @@ +L.A. Confidential movie clips: http://j.mp/1BcZpNh +BUY THE MOVIE: http://j.mp/T8lXGk +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Ed Exley (Guy Pearce) leads a raid on the suspects of the Nite Owl Murders and brings them to justice. + +FILM DESCRIPTION: +Based on the best-selling novel by James Ellroy and directed by Curtis Hanson, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and netted two, with Brian Helgeland honored for Best Adapted Screenplay, and Kim Basinger taking home a statuette as Best Supporting Actress. + +CREDITS: +TM & © Warner Bros. (1997) +Cast: Guy Pearce +Director: Curtis Hanson +Producers: Curtis Hanson, Brian Helgeland, Dan Kolsrud, Arnon Milchan, Michael G. Nathanson, David L. Wolper +Screenwriters: James Ellroy, Brian Helgeland, Curtis Hanson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/_VIWqtzAHQ0.description b/1997/_VIWqtzAHQ0.description new file mode 100644 index 0000000000000000000000000000000000000000..510632fcd44c0de8e70b76adf86b2bb734301001 --- /dev/null +++ b/1997/_VIWqtzAHQ0.description @@ -0,0 +1,38 @@ +L.A. Confidential movie clips: http://j.mp/1BcZpNh +BUY THE MOVIE: http://j.mp/T8lXGk +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Bud White (Russell Crowe) questions Lynn Bracken (Kim Basinger), but finds himself intensely attracted to her. + +FILM DESCRIPTION: +Based on the best-selling novel by James Ellroy and directed by Curtis Hanson, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and netted two, with Brian Helgeland honored for Best Adapted Screenplay, and Kim Basinger taking home a statuette as Best Supporting Actress. + +CREDITS: +TM & © Warner Bros. (1997) +Cast: Russell Crowe, Kim Basinger +Director: Curtis Hanson +Producers: Curtis Hanson, Brian Helgeland, Dan Kolsrud, Arnon Milchan, Michael G. Nathanson, David L. Wolper +Screenwriters: James Ellroy, Brian Helgeland, Curtis Hanson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/_VIWqtzAHQ0.en.srt b/1997/_VIWqtzAHQ0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..0024de15c311b77eeaff636a0f56440ab42e9127 --- /dev/null +++ b/1997/_VIWqtzAHQ0.en.srt @@ -0,0 +1,565 @@ +1 +00:00:00,520 --> 00:00:02,270 + +patent running + +2 +00:00:02,270 --> 00:00:02,280 +patent running + + +3 +00:00:02,280 --> 00:00:04,990 +patent running + cut to look like movie + +4 +00:00:04,990 --> 00:00:05,000 +cut to look like movie + + +5 +00:00:05,000 --> 00:00:07,510 +cut to look like movie +stars judging by his address probably + +6 +00:00:07,510 --> 00:00:07,520 +stars judging by his address probably + + +7 +00:00:07,520 --> 00:00:09,950 +stars judging by his address probably +something bigger on the side he doesn't + +8 +00:00:09,950 --> 00:00:09,960 +something bigger on the side he doesn't + + +9 +00:00:09,960 --> 00:00:10,830 +something bigger on the side he doesn't +want any + +10 +00:00:10,830 --> 00:00:10,840 +want any + + +11 +00:00:10,840 --> 00:00:13,509 +want any +attention that's right our motives are + +12 +00:00:13,509 --> 00:00:13,519 +attention that's right our motives are + + +13 +00:00:13,519 --> 00:00:15,669 +attention that's right our motives are +selfish so we're cooperating so + +14 +00:00:15,669 --> 00:00:15,679 +selfish so we're cooperating so + + +15 +00:00:15,679 --> 00:00:17,189 +selfish so we're cooperating so +cooperate Miss Brack and why was Susan + +16 +00:00:17,189 --> 00:00:17,199 +cooperate Miss Brack and why was Susan + + +17 +00:00:17,199 --> 00:00:19,510 +cooperate Miss Brack and why was Susan +leard at the night Al I don't know I + +18 +00:00:19,510 --> 00:00:19,520 +leard at the night Al I don't know I + + +19 +00:00:19,520 --> 00:00:21,470 +leard at the night Al I don't know I +never heard of the night Al till today + +20 +00:00:21,470 --> 00:00:21,480 +never heard of the night Al till today + + +21 +00:00:21,480 --> 00:00:23,550 +never heard of the night Al till today +how did she meet patchet Pierce meets + +22 +00:00:23,550 --> 00:00:23,560 +how did she meet patchet Pierce meets + + +23 +00:00:23,560 --> 00:00:26,189 +how did she meet patchet Pierce meets +people Su came on a bus with dreams of + +24 +00:00:26,189 --> 00:00:26,199 +people Su came on a bus with dreams of + + +25 +00:00:26,199 --> 00:00:28,310 +people Su came on a bus with dreams of +Hollywood and this is how they turned + +26 +00:00:28,310 --> 00:00:28,320 +Hollywood and this is how they turned + + +27 +00:00:28,320 --> 00:00:32,109 +Hollywood and this is how they turned +out thanks to Pi Pi we still get to act + +28 +00:00:32,109 --> 00:00:32,119 +out thanks to Pi Pi we still get to act + + +29 +00:00:32,119 --> 00:00:36,310 +out thanks to Pi Pi we still get to act +a little tell me about Pierce he's + +30 +00:00:36,310 --> 00:00:36,320 +a little tell me about Pierce he's + + +31 +00:00:36,320 --> 00:00:38,350 +a little tell me about Pierce he's +waiting for you to mention + +32 +00:00:38,350 --> 00:00:38,360 +waiting for you to mention + + +33 +00:00:38,360 --> 00:00:41,310 +waiting for you to mention +money you want some advice Miss Bracken + +34 +00:00:41,310 --> 00:00:41,320 +money you want some advice Miss Bracken + + +35 +00:00:41,320 --> 00:00:44,029 +money you want some advice Miss Bracken +it's Lynn Miss + +36 +00:00:44,029 --> 00:00:44,039 +it's Lynn Miss + + +37 +00:00:44,039 --> 00:00:46,350 +it's Lynn Miss +Bracken don't ever try to bribe + +38 +00:00:46,350 --> 00:00:46,360 +Bracken don't ever try to bribe + + +39 +00:00:46,360 --> 00:00:48,430 +Bracken don't ever try to bribe +me or threaten me or I'll have you and + +40 +00:00:48,430 --> 00:00:48,440 +me or threaten me or I'll have you and + + +41 +00:00:48,440 --> 00:00:50,350 +me or threaten me or I'll have you and +patchet and up to your + +42 +00:00:50,350 --> 00:00:50,360 +patchet and up to your + + +43 +00:00:50,360 --> 00:00:53,910 +patchet and up to your +ears I remember you from Christmas + +44 +00:00:53,910 --> 00:00:53,920 +ears I remember you from Christmas + + +45 +00:00:53,920 --> 00:00:56,349 +ears I remember you from Christmas +Eve you have a thing for helping women + +46 +00:00:56,349 --> 00:00:56,359 +Eve you have a thing for helping women + + +47 +00:00:56,359 --> 00:00:58,069 +Eve you have a thing for helping women +don't you officer + +48 +00:00:58,069 --> 00:00:58,079 +don't you officer + + +49 +00:00:58,079 --> 00:01:01,069 +don't you officer +white maybe I'm just cu curious + +50 +00:01:01,069 --> 00:01:01,079 +white maybe I'm just cu curious + + +51 +00:01:01,079 --> 00:01:04,590 +white maybe I'm just cu curious +you say a lot you for money + +52 +00:01:04,590 --> 00:01:04,600 +you say a lot you for money + + +53 +00:01:04,600 --> 00:01:06,670 +you say a lot you for money +there's blood on your shirt is that an + +54 +00:01:06,670 --> 00:01:06,680 +there's blood on your shirt is that an + + +55 +00:01:06,680 --> 00:01:09,550 +there's blood on your shirt is that an +intrical part of your job yeah do you + +56 +00:01:09,550 --> 00:01:09,560 +intrical part of your job yeah do you + + +57 +00:01:09,560 --> 00:01:11,990 +intrical part of your job yeah do you +enjoy it when they deserve it did they + +58 +00:01:11,990 --> 00:01:12,000 +enjoy it when they deserve it did they + + +59 +00:01:12,000 --> 00:01:13,870 +enjoy it when they deserve it did they +deserve it + +60 +00:01:13,870 --> 00:01:13,880 +deserve it + + +61 +00:01:13,880 --> 00:01:17,429 +deserve it +today I'm not sure but you did it anyway + +62 +00:01:17,429 --> 00:01:17,439 +today I'm not sure but you did it anyway + + +63 +00:01:17,439 --> 00:01:19,590 +today I'm not sure but you did it anyway +yeah just like the half dozen guys you + +64 +00:01:19,590 --> 00:01:19,600 +yeah just like the half dozen guys you + + +65 +00:01:19,600 --> 00:01:20,789 +yeah just like the half dozen guys you +screwed + +66 +00:01:20,789 --> 00:01:20,799 +screwed + + +67 +00:01:20,799 --> 00:01:25,230 +screwed +today well actually it was only + +68 +00:01:25,230 --> 00:01:25,240 + + + +69 +00:01:25,240 --> 00:01:28,350 + +two you're different officer white + +70 +00:01:28,350 --> 00:01:28,360 +two you're different officer white + + +71 +00:01:28,360 --> 00:01:29,990 +two you're different officer white +you're the first man in 5 years who + +72 +00:01:29,990 --> 00:01:30,000 +you're the first man in 5 years who + + +73 +00:01:30,000 --> 00:01:31,550 +you're the first man in 5 years who +didn't tell me I look like Veronica Lake + +74 +00:01:31,550 --> 00:01:31,560 +didn't tell me I look like Veronica Lake + + +75 +00:01:31,560 --> 00:01:33,870 +didn't tell me I look like Veronica Lake +inside of a minute look better than + +76 +00:01:33,870 --> 00:01:33,880 +inside of a minute look better than + + +77 +00:01:33,880 --> 00:01:39,550 +inside of a minute look better than +Veronica + +78 +00:01:39,550 --> 00:01:39,560 + + + +79 +00:01:39,560 --> 00:01:42,270 + +Lake Pierce + +80 +00:01:42,270 --> 00:01:42,280 +Lake Pierce + + +81 +00:01:42,280 --> 00:01:44,510 +Lake Pierce +patchet he takes a cut of our earnings + +82 +00:01:44,510 --> 00:01:44,520 +patchet he takes a cut of our earnings + + +83 +00:01:44,520 --> 00:01:47,069 +patchet he takes a cut of our earnings +and invest it for us doesn't let us use + +84 +00:01:47,069 --> 00:01:47,079 +and invest it for us doesn't let us use + + +85 +00:01:47,079 --> 00:01:49,910 +and invest it for us doesn't let us use +narcotics and he doesn't abuse us can + +86 +00:01:49,910 --> 00:01:49,920 +narcotics and he doesn't abuse us can + + +87 +00:01:49,920 --> 00:01:54,670 +narcotics and he doesn't abuse us can +your policeman's mentality grasp those + +88 +00:01:54,670 --> 00:01:54,680 + + + +89 +00:01:54,680 --> 00:01:56,709 + +contradictions he had you cut to look + +90 +00:01:56,709 --> 00:01:56,719 +contradictions he had you cut to look + + +91 +00:01:56,719 --> 00:01:58,830 +contradictions he had you cut to look +like Veronica Lake + +92 +00:01:58,830 --> 00:01:58,840 +like Veronica Lake + + +93 +00:01:58,840 --> 00:02:03,630 +like Veronica Lake +no I'm really a brunette but the rest is + +94 +00:02:03,630 --> 00:02:03,640 +no I'm really a brunette but the rest is + + +95 +00:02:03,640 --> 00:02:07,309 +no I'm really a brunette but the rest is +me and that's all the News That's fit to + +96 +00:02:07,309 --> 00:02:07,319 +me and that's all the News That's fit to + + +97 +00:02:07,319 --> 00:02:14,070 +me and that's all the News That's fit to +print it's nice meeting you + +98 +00:02:14,070 --> 00:02:14,080 + + + +99 +00:02:14,080 --> 00:02:16,270 + +officer I'd like to see you again are + +100 +00:02:16,270 --> 00:02:16,280 +officer I'd like to see you again are + + +101 +00:02:16,280 --> 00:02:19,869 +officer I'd like to see you again are +you asking me for a date or an + +102 +00:02:19,869 --> 00:02:19,879 + + + +103 +00:02:19,879 --> 00:02:22,790 + +appointment I don't know if you're + +104 +00:02:22,790 --> 00:02:22,800 +appointment I don't know if you're + + +105 +00:02:22,800 --> 00:02:24,270 +appointment I don't know if you're +asking me for a date I should know your + +106 +00:02:24,270 --> 00:02:24,280 +asking me for a date I should know your + + +107 +00:02:24,280 --> 00:02:26,070 +asking me for a date I should know your +first name forget I + +108 +00:02:26,070 --> 00:02:26,080 +first name forget I + + +109 +00:02:26,080 --> 00:02:28,750 +first name forget I +asked was a + +110 +00:02:28,750 --> 00:02:28,760 +asked was a + + +111 +00:02:28,760 --> 00:02:31,450 +asked was a +mistake + +112 +00:02:31,450 --> 00:02:31,460 +mistake + + +113 +00:02:31,460 --> 00:03:02,520 +mistake +[Music] + diff --git a/1997/aJCCUdK7PiU.en.srt b/1997/aJCCUdK7PiU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..ac694edc4669b65c82cbee97805f312e57df7b20 --- /dev/null +++ b/1997/aJCCUdK7PiU.en.srt @@ -0,0 +1,405 @@ +1 +00:00:00,460 --> 00:00:11,310 + +[Music] + +2 +00:00:11,310 --> 00:00:11,320 + + + +3 +00:00:11,320 --> 00:00:15,990 + +must to + +4 +00:00:15,990 --> 00:00:16,000 + + + +5 +00:00:16,000 --> 00:00:18,710 + +prevent + +6 +00:00:18,710 --> 00:00:18,720 +prevent + + +7 +00:00:18,720 --> 00:00:20,910 +prevent +contest it's okay what are you trying to + +8 +00:00:20,910 --> 00:00:20,920 +contest it's okay what are you trying to + + +9 +00:00:20,920 --> 00:00:23,950 +contest it's okay what are you trying to +say to prevent to + +10 +00:00:23,950 --> 00:00:23,960 +say to prevent to + + +11 +00:00:23,960 --> 00:00:27,349 +say to prevent to +prevent + +12 +00:00:27,349 --> 00:00:27,359 + + + +13 +00:00:27,359 --> 00:00:33,869 + +struggled to prevent war + +14 +00:00:33,869 --> 00:00:33,879 + + + +15 +00:00:33,879 --> 00:00:37,270 + +war the + +16 +00:00:37,270 --> 00:00:37,280 + + + +17 +00:00:37,280 --> 00:00:39,270 + +Galaxy + +18 +00:00:39,270 --> 00:00:39,280 +Galaxy + + +19 +00:00:39,280 --> 00:00:47,430 +Galaxy +on + +20 +00:00:47,430 --> 00:00:47,440 + + + +21 +00:00:47,440 --> 00:00:49,630 + +Orion's what his + +22 +00:00:49,630 --> 00:00:49,640 +Orion's what his + + +23 +00:00:49,640 --> 00:00:51,150 +Orion's what his +word + +24 +00:00:51,150 --> 00:00:51,160 +word + + +25 +00:00:51,160 --> 00:00:55,550 +word +bed belt Orion's belt + +26 +00:00:55,550 --> 00:00:55,560 +bed belt Orion's belt + + +27 +00:00:55,560 --> 00:01:02,260 +bed belt Orion's belt +[Music] + +28 +00:01:02,260 --> 00:01:02,270 + + + +29 +00:01:02,270 --> 00:01:14,390 + +[Music] + +30 +00:01:14,390 --> 00:01:14,400 +[Music] + + +31 +00:01:14,400 --> 00:01:17,270 +[Music] +to prevent War the Galaxy is on Orion's + +32 +00:01:17,270 --> 00:01:17,280 +to prevent War the Galaxy is on Orion's + + +33 +00:01:17,280 --> 00:01:22,510 +to prevent War the Galaxy is on Orion's +Belt the hell does that + +34 +00:01:22,510 --> 00:01:22,520 + + + +35 +00:01:22,520 --> 00:01:26,990 + +mean doctor um whatever come here Dr + +36 +00:01:26,990 --> 00:01:27,000 +mean doctor um whatever come here Dr + + +37 +00:01:27,000 --> 00:01:28,710 +mean doctor um whatever come here Dr +whatever hey you guys aren't really from + +38 +00:01:28,710 --> 00:01:28,720 +whatever hey you guys aren't really from + + +39 +00:01:28,720 --> 00:01:30,950 +whatever hey you guys aren't really from +the Department of Health are you + +40 +00:01:30,950 --> 00:01:30,960 +the Department of Health are you + + +41 +00:01:30,960 --> 00:01:34,230 +the Department of Health are you +Rosenberg oh damn the Arians are not + +42 +00:01:34,230 --> 00:01:34,240 +Rosenberg oh damn the Arians are not + + +43 +00:01:34,240 --> 00:01:35,749 +Rosenberg oh damn the Arians are not +going to like this this guy was one of + +44 +00:01:35,749 --> 00:01:35,759 +going to like this this guy was one of + + +45 +00:01:35,759 --> 00:01:38,710 +going to like this this guy was one of +the royal family I knew it this is an + +46 +00:01:38,710 --> 00:01:38,720 +the royal family I knew it this is an + + +47 +00:01:38,720 --> 00:01:40,270 +the royal family I knew it this is an +alien and you guys are from some + +48 +00:01:40,270 --> 00:01:40,280 +alien and you guys are from some + + +49 +00:01:40,280 --> 00:01:41,469 +alien and you guys are from some +government agency trying to keep it + +50 +00:01:41,469 --> 00:01:41,479 +government agency trying to keep it + + +51 +00:01:41,479 --> 00:01:43,429 +government agency trying to keep it +under reps look he he said to prevent + +52 +00:01:43,429 --> 00:01:43,439 +under reps look he he said to prevent + + +53 +00:01:43,439 --> 00:01:46,230 +under reps look he he said to prevent +War the Galaxy is on Orion's Belt this + +54 +00:01:46,230 --> 00:01:46,240 +War the Galaxy is on Orion's Belt this + + +55 +00:01:46,240 --> 00:01:47,510 +War the Galaxy is on Orion's Belt this +makes total sense how else do you + +56 +00:01:47,510 --> 00:01:47,520 +makes total sense how else do you + + +57 +00:01:47,520 --> 00:01:49,310 +makes total sense how else do you +explain New York the other day I was in + +58 +00:01:49,310 --> 00:01:49,320 +explain New York the other day I was in + + +59 +00:01:49,320 --> 00:01:52,030 +explain New York the other day I was in +this cab and this guy + +60 +00:01:52,030 --> 00:01:52,040 +this cab and this guy + + +61 +00:01:52,040 --> 00:01:54,550 +this cab and this guy +was Galaxy on Orion's Bell do make any + +62 +00:01:54,550 --> 00:01:54,560 +was Galaxy on Orion's Bell do make any + + +63 +00:01:54,560 --> 00:01:56,270 +was Galaxy on Orion's Bell do make any +sense look that's what the little dude + +64 +00:01:56,270 --> 00:01:56,280 +sense look that's what the little dude + + +65 +00:01:56,280 --> 00:01:58,270 +sense look that's what the little dude +inside the big dude's head said right + +66 +00:01:58,270 --> 00:01:58,280 +inside the big dude's head said right + + +67 +00:01:58,280 --> 00:02:01,190 +inside the big dude's head said right +right after damn man we did the flashy + +68 +00:02:01,190 --> 00:02:01,200 +right after damn man we did the flashy + + +69 +00:02:01,200 --> 00:02:03,550 +right after damn man we did the flashy +thing already hey whoever you guys are + +70 +00:02:03,550 --> 00:02:03,560 +thing already hey whoever you guys are + + +71 +00:02:03,560 --> 00:02:04,389 +thing already hey whoever you guys are +you're going to have to show me some + +72 +00:02:04,389 --> 00:02:04,399 +you're going to have to show me some + + +73 +00:02:04,399 --> 00:02:05,870 +you're going to have to show me some +idea if you're going to be in the M oh + +74 +00:02:05,870 --> 00:02:05,880 +idea if you're going to be in the M oh + + +75 +00:02:05,880 --> 00:02:07,709 +idea if you're going to be in the M oh +yes of course young lady have a look at + +76 +00:02:07,709 --> 00:02:07,719 +yes of course young lady have a look at + + +77 +00:02:07,719 --> 00:02:10,389 +yes of course young lady have a look at +this for me please would you stop that + +78 +00:02:10,389 --> 00:02:10,399 +this for me please would you stop that + + +79 +00:02:10,399 --> 00:02:11,869 +this for me please would you stop that +what that thing is going to give her + +80 +00:02:11,869 --> 00:02:11,879 +what that thing is going to give her + + +81 +00:02:11,879 --> 00:02:15,080 +what that thing is going to give her +brain cancer or something + diff --git a/1997/aMBtKhTlQHk.description b/1997/aMBtKhTlQHk.description new file mode 100644 index 0000000000000000000000000000000000000000..51dd630b2de18de56c2527dc4ed56ce370965af9 --- /dev/null +++ b/1997/aMBtKhTlQHk.description @@ -0,0 +1,38 @@ +Breakdown movie clips: http://j.mp/1JcLQkK +BUY THE MOVIE: http://amzn.to/uqKjLb +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Jeff (Kurt Russell) and Amy (Kathleen Quinlan) hit the road, but getting away from Red (J.T. Walsh) and the gang proves to be difficult. + +FILM DESCRIPTION: +In this suspense thriller, a man discovers the unexpected danger of trusting a good Samaritan. Jeff Taylor (Kurt Russell) and his wife Amy (Kathleen Quinlan) are driving through the New Mexico desert en route to California when an incident with a lunatic driver causes their jeep to break down in the middle of nowhere. Jeff is trying to fix the vehicle when an apparently friendly truck driver, Red Barr (J.T. Walsh), stops by to offer help. Red tells the couple that there's a diner a few miles down the road where they can call for help; Jeff decides to stay with the car while Amy hops a ride with Red to see if she can find a mechanic to help them. After a long wait, Jeff is able to get the jeep running again, and he discovers that the diner is indeed a few miles down the road. But everyone there claims they've seen no sign of Amy, and Red claims to know nothing about picking her up. When Jeff attempts to file a missing person's report, he discovers mysterious disappearances are disturbingly common in this stretch of the desert; he soon realizes that someone has kidnapped his wife, but he's not sure who, or for what purpose. + +CREDITS: +TM & © Paramount (1997) +Cast: Jack Noseworthy, Kurt Russell, J.T. Walsh, Kathleen Quinlan +Director: Jonathan Mostow +Producers: Harry Colomby, Jonathan Fernandez, Martha De Laurentiis, Artist W. Robinson, Jeffrey Sudzin, Dino De Laurentiis +Screenwriters: Jonathan Mostow, Sam Montgomery + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/aMBtKhTlQHk.en.srt b/1997/aMBtKhTlQHk.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f9e1198e902f01e76ce3cc50b311ac5494de50fb --- /dev/null +++ b/1997/aMBtKhTlQHk.en.srt @@ -0,0 +1,107 @@ +1 +00:00:02,898 --> 00:00:03,831 +[gunshot] + +2 +00:00:03,899 --> 00:00:05,366 +Aah! + +3 +00:00:09,805 --> 00:00:11,305 +Are you all right? + +4 +00:00:11,373 --> 00:00:12,573 +Yeah. + +5 +00:00:12,641 --> 00:00:14,241 +Look out! + +6 +00:00:14,309 --> 00:00:15,959 +Look out! + +7 +00:00:16,027 --> 00:00:19,080 +Son of a bitch! + +8 +00:00:24,519 --> 00:00:25,953 +You want some? +Come on! + +9 +00:00:28,473 --> 00:00:30,291 +Hey! + +10 +00:00:31,359 --> 00:00:34,661 +Amy: Jeffrey, over here! +Over here! + +11 +00:00:36,665 --> 00:00:38,081 +[brakes screech] + +12 +00:00:40,302 --> 00:00:41,302 +Oh! + +13 +00:00:45,707 --> 00:00:47,308 +[gears grind] + +14 +00:00:52,314 --> 00:00:54,965 +Oh, my god. +Oh! Watch out! + +15 +00:00:55,033 --> 00:00:56,584 +Hang on! + +16 +00:01:04,226 --> 00:01:06,460 +Fuck. + +17 +00:01:11,766 --> 00:01:12,700 +Fucker! + +18 +00:01:12,767 --> 00:01:14,035 +You're gonna die! + +19 +00:01:14,103 --> 00:01:16,437 +[horn blaring] + +20 +00:01:18,373 --> 00:01:19,841 +[gears grinding] + +21 +00:01:22,077 --> 00:01:24,078 +Lord god. + +22 +00:01:29,651 --> 00:01:32,019 +Aah! + +23 +00:01:36,892 --> 00:01:38,492 +Jeff. + +24 +00:01:43,632 --> 00:01:45,099 +Oh! + +25 +00:01:48,636 --> 00:01:51,338 +Shit. I'm out. + +26 +00:02:09,324 --> 00:02:11,959 +Aah! Aah! + diff --git a/1997/aQHOzbF0qH0.en.srt b/1997/aQHOzbF0qH0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f12afba7e464224fd70762cf3248e38a8f9767de --- /dev/null +++ b/1997/aQHOzbF0qH0.en.srt @@ -0,0 +1,465 @@ +1 +00:00:00,280 --> 00:00:02,030 + +oh no what + +2 +00:00:02,030 --> 00:00:02,040 +oh no what + + +3 +00:00:02,040 --> 00:00:05,670 +oh no what +happened I don't + +4 +00:00:05,670 --> 00:00:05,680 + + + +5 +00:00:05,680 --> 00:00:12,829 + +know + +6 +00:00:12,829 --> 00:00:12,839 + + + +7 +00:00:12,839 --> 00:00:14,869 + +oh I + +8 +00:00:14,869 --> 00:00:14,879 +oh I + + +9 +00:00:14,879 --> 00:00:17,470 +oh I +forgot I left the child on my + +10 +00:00:17,470 --> 00:00:17,480 +forgot I left the child on my + + +11 +00:00:17,480 --> 00:00:24,310 +forgot I left the child on my +stove + +12 +00:00:24,310 --> 00:00:24,320 + + + +13 +00:00:24,320 --> 00:00:28,710 + +oh Uncle PE oops you all right oh just + +14 +00:00:28,710 --> 00:00:28,720 +oh Uncle PE oops you all right oh just + + +15 +00:00:28,720 --> 00:00:30,669 +oh Uncle PE oops you all right oh just +got it all on your face he didn't mean + +16 +00:00:30,669 --> 00:00:30,679 +got it all on your face he didn't mean + + +17 +00:00:30,679 --> 00:00:34,630 +got it all on your face he didn't mean +nothing this is uh my surprise + +18 +00:00:34,630 --> 00:00:34,640 +nothing this is uh my surprise + + +19 +00:00:34,640 --> 00:00:38,270 +nothing this is uh my surprise +everybody Uncle + +20 +00:00:38,270 --> 00:00:38,280 + + + +21 +00:00:38,280 --> 00:00:42,430 + +Pete Uncle + +22 +00:00:42,430 --> 00:00:42,440 + + + +23 +00:00:42,440 --> 00:00:48,470 + +P I'm I'm sorry man look at + +24 +00:00:48,470 --> 00:00:48,480 + + + +25 +00:00:48,480 --> 00:00:52,029 + +this look at all this + +26 +00:00:52,029 --> 00:00:52,039 +this look at all this + + +27 +00:00:52,039 --> 00:00:54,430 +this look at all this +money Big Mama really did have a pile of + +28 +00:00:54,430 --> 00:00:54,440 +money Big Mama really did have a pile of + + +29 +00:00:54,440 --> 00:00:56,430 +money Big Mama really did have a pile of +money hitting away and she had a stash + +30 +00:00:56,430 --> 00:00:56,440 +money hitting away and she had a stash + + +31 +00:00:56,440 --> 00:00:58,709 +money hitting away and she had a stash +in the last place we all think to look + +32 +00:00:58,709 --> 00:00:58,719 +in the last place we all think to look + + +33 +00:00:58,719 --> 00:01:02,270 +in the last place we all think to look +hle pce TV + +34 +00:01:02,270 --> 00:01:02,280 + + + +35 +00:01:02,280 --> 00:01:04,030 + +now I understand what soul food was all + +36 +00:01:04,030 --> 00:01:04,040 +now I understand what soul food was all + + +37 +00:01:04,040 --> 00:01:06,550 +now I understand what soul food was all +about see during slavery is black folks + +38 +00:01:06,550 --> 00:01:06,560 +about see during slavery is black folks + + +39 +00:01:06,560 --> 00:01:08,630 +about see during slavery is black folks +didn't have a whole lot to celebrate so + +40 +00:01:08,630 --> 00:01:08,640 +didn't have a whole lot to celebrate so + + +41 +00:01:08,640 --> 00:01:10,190 +didn't have a whole lot to celebrate so +cooking became the way we expressed our + +42 +00:01:10,190 --> 00:01:10,200 +cooking became the way we expressed our + + +43 +00:01:10,200 --> 00:01:12,550 +cooking became the way we expressed our +love for one another and that's what + +44 +00:01:12,550 --> 00:01:12,560 +love for one another and that's what + + +45 +00:01:12,560 --> 00:01:14,670 +love for one another and that's what +those Sunday dinners meant to us more + +46 +00:01:14,670 --> 00:01:14,680 +those Sunday dinners meant to us more + + +47 +00:01:14,680 --> 00:01:16,870 +those Sunday dinners meant to us more +than just eating it was a time for + +48 +00:01:16,870 --> 00:01:16,880 +than just eating it was a time for + + +49 +00:01:16,880 --> 00:01:19,510 +than just eating it was a time for +sharing our Joys and Sorrows something + +50 +00:01:19,510 --> 00:01:19,520 +sharing our Joys and Sorrows something + + +51 +00:01:19,520 --> 00:01:22,950 +sharing our Joys and Sorrows something +the old folks say is missing in today's + +52 +00:01:22,950 --> 00:01:22,960 +the old folks say is missing in today's + + +53 +00:01:22,960 --> 00:01:25,230 +the old folks say is missing in today's +families things got better for my family + +54 +00:01:25,230 --> 00:01:25,240 +families things got better for my family + + +55 +00:01:25,240 --> 00:01:27,230 +families things got better for my family +after that and even though miles and and + +56 +00:01:27,230 --> 00:01:27,240 +after that and even though miles and and + + +57 +00:01:27,240 --> 00:01:29,390 +after that and even though miles and and +Terry broke up it doesn't stop miles + +58 +00:01:29,390 --> 00:01:29,400 +Terry broke up it doesn't stop miles + + +59 +00:01:29,400 --> 00:01:30,710 +Terry broke up it doesn't stop miles +from coming around around every now and + +60 +00:01:30,710 --> 00:01:30,720 +from coming around around every now and + + +61 +00:01:30,720 --> 00:01:34,069 +from coming around around every now and +then and fill his belly with Mama Soul + +62 +00:01:34,069 --> 00:01:34,079 +then and fill his belly with Mama Soul + + +63 +00:01:34,079 --> 00:01:37,190 +then and fill his belly with Mama Soul +Food L and bir are doing good too they + +64 +00:01:37,190 --> 00:01:37,200 +Food L and bir are doing good too they + + +65 +00:01:37,200 --> 00:01:39,030 +Food L and bir are doing good too they +got their own place and are expecting + +66 +00:01:39,030 --> 00:01:39,040 +got their own place and are expecting + + +67 +00:01:39,040 --> 00:01:41,630 +got their own place and are expecting +that baby any day + +68 +00:01:41,630 --> 00:01:41,640 +that baby any day + + +69 +00:01:41,640 --> 00:01:44,749 +that baby any day +now my mom and Anar are cool again at + +70 +00:01:44,749 --> 00:01:44,759 +now my mom and Anar are cool again at + + +71 +00:01:44,759 --> 00:01:46,870 +now my mom and Anar are cool again at +least for the time being and faith is + +72 +00:01:46,870 --> 00:01:46,880 +least for the time being and faith is + + +73 +00:01:46,880 --> 00:01:49,550 +least for the time being and faith is +finally a part of the family too and as + +74 +00:01:49,550 --> 00:01:49,560 +finally a part of the family too and as + + +75 +00:01:49,560 --> 00:01:52,030 +finally a part of the family too and as +you can see we didn't sell a big house + +76 +00:01:52,030 --> 00:01:52,040 +you can see we didn't sell a big house + + +77 +00:01:52,040 --> 00:01:53,550 +you can see we didn't sell a big house +no way no + +78 +00:01:53,550 --> 00:01:53,560 +no way no + + +79 +00:01:53,560 --> 00:01:56,069 +no way no +how and even though we all miss big M's + +80 +00:01:56,069 --> 00:01:56,079 +how and even though we all miss big M's + + +81 +00:01:56,079 --> 00:01:59,190 +how and even though we all miss big M's +cooking laughter and love none of us + +82 +00:01:59,190 --> 00:01:59,200 +cooking laughter and love none of us + + +83 +00:01:59,200 --> 00:02:01,870 +cooking laughter and love none of us +feel like life or none see she + +84 +00:02:01,870 --> 00:02:01,880 +feel like life or none see she + + +85 +00:02:01,880 --> 00:02:03,350 +feel like life or none see she +accomplished everything she set out to + +86 +00:02:03,350 --> 00:02:03,360 +accomplished everything she set out to + + +87 +00:02:03,360 --> 00:02:06,149 +accomplished everything she set out to +do to build a strong family with the + +88 +00:02:06,149 --> 00:02:06,159 +do to build a strong family with the + + +89 +00:02:06,159 --> 00:02:09,589 +do to build a strong family with the +rich tradition and to leave love in the + +90 +00:02:09,589 --> 00:02:09,599 +rich tradition and to leave love in the + + +91 +00:02:09,599 --> 00:02:15,650 +rich tradition and to leave love in the +footprints thanks Big Mama + +92 +00:02:15,650 --> 00:02:15,660 + + + +93 +00:02:15,660 --> 00:02:42,750 + +[Music] + diff --git a/1997/adatkf9XY44.en.srt b/1997/adatkf9XY44.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..578982d95b189a756be4f4039c8d5577da58e241 --- /dev/null +++ b/1997/adatkf9XY44.en.srt @@ -0,0 +1,390 @@ +1 +00:00:00,240 --> 00:00:02,270 + +oh look man I'm a little low on cash + +2 +00:00:02,270 --> 00:00:02,280 +oh look man I'm a little low on cash + + +3 +00:00:02,280 --> 00:00:03,869 +oh look man I'm a little low on cash +y'all got anything cheaper than this + +4 +00:00:03,869 --> 00:00:03,879 +y'all got anything cheaper than this + + +5 +00:00:03,879 --> 00:00:05,869 +y'all got anything cheaper than this +well that's the 300 the 100 is back + +6 +00:00:05,869 --> 00:00:05,879 +well that's the 300 the 100 is back + + +7 +00:00:05,879 --> 00:00:08,190 +well that's the 300 the 100 is back +there on the Shelf just come on man we + +8 +00:00:08,190 --> 00:00:08,200 +there on the Shelf just come on man we + + +9 +00:00:08,200 --> 00:00:09,669 +there on the Shelf just come on man we +run out + +10 +00:00:09,669 --> 00:00:09,679 +run out + + +11 +00:00:09,679 --> 00:00:12,589 +run out +time I don't trust those boys oh my God + +12 +00:00:12,589 --> 00:00:12,599 +time I don't trust those boys oh my God + + +13 +00:00:12,599 --> 00:00:14,310 +time I don't trust those boys oh my God +you know what I think Amed I think that + +14 +00:00:14,310 --> 00:00:14,320 +you know what I think Amed I think that + + +15 +00:00:14,320 --> 00:00:16,310 +you know what I think Amed I think that +that girl was the judge's fuzzy tempis + +16 +00:00:16,310 --> 00:00:16,320 +that girl was the judge's fuzzy tempis + + +17 +00:00:16,320 --> 00:00:18,189 +that girl was the judge's fuzzy tempis +furry Tess what is the difference what + +18 +00:00:18,189 --> 00:00:18,199 +furry Tess what is the difference what + + +19 +00:00:18,199 --> 00:00:19,230 +furry Tess what is the difference what +is the difference you don't know the + +20 +00:00:19,230 --> 00:00:19,240 +is the difference you don't know the + + +21 +00:00:19,240 --> 00:00:21,109 +is the difference you don't know the +difference between fuzzy and just a + +22 +00:00:21,109 --> 00:00:21,119 +difference between fuzzy and just a + + +23 +00:00:21,119 --> 00:00:22,910 +difference between fuzzy and just a +minute we are talking furry is here and + +24 +00:00:22,910 --> 00:00:22,920 +minute we are talking furry is here and + + +25 +00:00:22,920 --> 00:00:25,670 +minute we are talking furry is here and +fuzzy is here I said put the money in + +26 +00:00:25,670 --> 00:00:25,680 +fuzzy is here I said put the money in + + +27 +00:00:25,680 --> 00:00:28,589 +fuzzy is here I said put the money in +the bag your customer listen you + +28 +00:00:28,589 --> 00:00:28,599 +the bag your customer listen you + + +29 +00:00:28,599 --> 00:00:30,470 +the bag your customer listen you +Pakistani piece of do what I say + +30 +00:00:30,470 --> 00:00:30,480 +Pakistani piece of do what I say + + +31 +00:00:30,480 --> 00:00:31,950 +Pakistani piece of do what I say +listen you crack addict we are not + +32 +00:00:31,950 --> 00:00:31,960 +listen you crack addict we are not + + +33 +00:00:31,960 --> 00:00:34,110 +listen you crack addict we are not +Pakistani we are punjabis I could pass + +34 +00:00:34,110 --> 00:00:34,120 +Pakistani we are punjabis I could pass + + +35 +00:00:34,120 --> 00:00:36,830 +Pakistani we are punjabis I could pass +for Pakistani oh bu these + +36 +00:00:36,830 --> 00:00:36,840 +for Pakistani oh bu these + + +37 +00:00:36,840 --> 00:00:38,190 +for Pakistani oh bu these + are getting jacked stop + +38 +00:00:38,190 --> 00:00:39,430 +are getting jacked stop + + +39 +00:00:39,430 --> 00:00:39,440 + + + +40 +00:00:39,440 --> 00:00:41,430 + +oh as soon as these shoes them I'm going + +41 +00:00:41,430 --> 00:00:41,440 +oh as soon as these shoes them I'm going + + +42 +00:00:41,440 --> 00:00:42,389 +oh as soon as these shoes them I'm going +to go get some groceries and stuff you + +43 +00:00:42,389 --> 00:00:42,399 +to go get some groceries and stuff you + + +44 +00:00:42,399 --> 00:00:43,310 +to go get some groceries and stuff you +want some bread and some EGS or + +45 +00:00:43,310 --> 00:00:43,320 +want some bread and some EGS or + + +46 +00:00:43,320 --> 00:00:45,310 +want some bread and some EGS or +something F do you ever use the left + +47 +00:00:45,310 --> 00:00:45,320 +something F do you ever use the left + + +48 +00:00:45,320 --> 00:00:46,910 +something F do you ever use the left +side of your brain all the time here + +49 +00:00:46,910 --> 00:00:46,920 +side of your brain all the time here + + +50 +00:00:46,920 --> 00:00:55,830 +side of your brain all the time here +take + +51 +00:00:55,830 --> 00:00:55,840 + + + +52 +00:00:55,840 --> 00:01:00,910 + +these hey let's clock this + +53 +00:01:00,910 --> 00:01:00,920 +these hey let's clock this + + +54 +00:01:00,920 --> 00:01:06,870 +these hey let's clock this +hurry up give me the Goddamn + +55 +00:01:06,870 --> 00:01:06,880 + + + +56 +00:01:06,880 --> 00:01:28,830 + +money call me a + +57 +00:01:28,830 --> 00:01:28,840 + + + +58 +00:01:28,840 --> 00:01:35,350 + +sty + +59 +00:01:35,350 --> 00:01:35,360 + + + +60 +00:01:35,360 --> 00:01:38,830 + +oh my my my my my oh my my my and you + +61 +00:01:38,830 --> 00:01:38,840 +oh my my my my my oh my my my and you + + +62 +00:01:38,840 --> 00:01:40,789 +oh my my my my my oh my my my and you +wonder why you're a floter are you out + +63 +00:01:40,789 --> 00:01:40,799 +wonder why you're a floter are you out + + +64 +00:01:40,799 --> 00:01:44,950 +wonder why you're a floter are you out +of your + +65 +00:01:44,950 --> 00:01:44,960 + + + +66 +00:01:44,960 --> 00:01:46,590 + +minds + +67 +00:01:46,590 --> 00:01:46,600 +minds + + +68 +00:01:46,600 --> 00:01:48,990 +minds + bun you + +69 +00:01:48,990 --> 00:01:49,000 +bun you + + +70 +00:01:49,000 --> 00:01:52,870 +bun you +right I think I got a pickle stuck in my + +71 +00:01:52,870 --> 00:01:52,880 +right I think I got a pickle stuck in my + + +72 +00:01:52,880 --> 00:01:55,280 +right I think I got a pickle stuck in my +ass there we + +73 +00:01:55,280 --> 00:01:55,290 +ass there we + + +74 +00:01:55,290 --> 00:01:58,830 +ass there we +[Music] + +75 +00:01:58,830 --> 00:01:58,840 +[Music] + + +76 +00:01:58,840 --> 00:02:00,690 +[Music] +go + +77 +00:02:00,690 --> 00:02:00,700 +go + + +78 +00:02:00,700 --> 00:02:06,620 +go +[Music] + diff --git a/1997/atpbdTo9nno.description b/1997/atpbdTo9nno.description new file mode 100644 index 0000000000000000000000000000000000000000..3c13a796d8f076cea7b40eeda91a807dbb34bddb --- /dev/null +++ b/1997/atpbdTo9nno.description @@ -0,0 +1,38 @@ +The Saint movie clips: http://j.mp/1BcRsb3 +BUY THE MOVIE: http://amzn.to/yNOhRw +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Dr. Emma Russell (Elisabeth Shue) explains how cold fusion works. + +FILM DESCRIPTION: +Based on the popular novels about that other suave, globe-trotting man of action, this genre picture from director Phillip Noyce mixed romance and character development with dangerous stunts, geopolitical intrigue, and a variety of elaborate disguises, resulting in an uneven stew of a spy thriller. Val Kilmer is Simon Templar, a classy, cunning master thief and "man of a thousand faces" who cribs his phony names from those of obscure saints and sells his illegal services to the highest bidder. Hired by an ambitious Russian politician (Rade Serbedzija) to steal the formula for cold fusion, Templar falls in love with Dr. Emma Russell (Elisabeth Shue), the frail Oxford scientist who has unlocked the secret of the process. Back in Moscow, the thief debates whether to betray his new love or the powerful madman who is paying him millions, until he discovers that his client is concealing oil reserves that could save his freezing people. Often seen as an also-ran to the legendary James Bond, Templar, the creation of author Leslie Charteris, in fact predated the first Bond novel by decades and probably inspired Ian Fleming in his creation of the debonair agent. + +CREDITS: +TM & © Paramount (1997) +Cast: Val Kilmer, Elisabeth Shue +Director: Phillip Noyce +Producers: Robert S. Baker, Robert Evans, Paul Hitchcock, Lis Kern, William J. MacDonald, Mace Neufeld, David Brown +Screenwriters: Leslie Charteris, Jonathan Hensleigh, Wesley Strick + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/atpbdTo9nno.en.srt b/1997/atpbdTo9nno.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..ee0330bb6e494ef78e90a6bdc8a7df8b8d6bf6bc --- /dev/null +++ b/1997/atpbdTo9nno.en.srt @@ -0,0 +1,395 @@ +1 +00:00:00,000 --> 00:00:02,669 + +[Applause] + +2 +00:00:02,669 --> 00:00:02,679 +[Applause] + + +3 +00:00:02,679 --> 00:00:06,710 +[Applause] +well I didn't prepare any formal + +4 +00:00:06,710 --> 00:00:06,720 +well I didn't prepare any formal + + +5 +00:00:06,720 --> 00:00:09,110 +well I didn't prepare any formal +remarks um I'm actually more interested + +6 +00:00:09,110 --> 00:00:09,120 +remarks um I'm actually more interested + + +7 +00:00:09,120 --> 00:00:12,310 +remarks um I'm actually more interested +in what questions you all have about + +8 +00:00:12,310 --> 00:00:12,320 +in what questions you all have about + + +9 +00:00:12,320 --> 00:00:14,150 +in what questions you all have about +cold fusion so I thought we would start + +10 +00:00:14,150 --> 00:00:14,160 +cold fusion so I thought we would start + + +11 +00:00:14,160 --> 00:00:19,230 +cold fusion so I thought we would start +with those any + +12 +00:00:19,230 --> 00:00:19,240 + + + +13 +00:00:19,240 --> 00:00:22,509 + +questions please yeah yeah I have Dr + +14 +00:00:22,509 --> 00:00:22,519 +questions please yeah yeah I have Dr + + +15 +00:00:22,519 --> 00:00:25,429 +questions please yeah yeah I have Dr +Russell can can you explain the actual + +16 +00:00:25,429 --> 00:00:25,439 +Russell can can you explain the actual + + +17 +00:00:25,439 --> 00:00:27,509 +Russell can can you explain the actual +process of fusion you know the the uh + +18 +00:00:27,509 --> 00:00:27,519 +process of fusion you know the the uh + + +19 +00:00:27,519 --> 00:00:28,150 +process of fusion you know the the uh +the + +20 +00:00:28,150 --> 00:00:28,160 +the + + +21 +00:00:28,160 --> 00:00:32,030 +the +theory yes than + +22 +00:00:32,030 --> 00:00:32,040 + + + +23 +00:00:32,040 --> 00:00:34,150 + +this is the the + +24 +00:00:34,150 --> 00:00:34,160 +this is the the + + +25 +00:00:34,160 --> 00:00:37,709 +this is the the +apparatus and very simply when + +26 +00:00:37,709 --> 00:00:37,719 +apparatus and very simply when + + +27 +00:00:37,719 --> 00:00:39,990 +apparatus and very simply when +positively charged deuterons are + +28 +00:00:39,990 --> 00:00:40,000 +positively charged deuterons are + + +29 +00:00:40,000 --> 00:00:41,869 +positively charged deuterons are +attracted to the plaum + +30 +00:00:41,869 --> 00:00:41,879 +attracted to the plaum + + +31 +00:00:41,879 --> 00:00:44,549 +attracted to the plaum +cathode they cram together and there + +32 +00:00:44,549 --> 00:00:44,559 +cathode they cram together and there + + +33 +00:00:44,559 --> 00:00:46,790 +cathode they cram together and there +millions and millions of them inside the + +34 +00:00:46,790 --> 00:00:46,800 +millions and millions of them inside the + + +35 +00:00:46,800 --> 00:00:49,110 +millions and millions of them inside the +cathode getting closer and closer and + +36 +00:00:49,110 --> 00:00:49,120 +cathode getting closer and closer and + + +37 +00:00:49,120 --> 00:00:51,990 +cathode getting closer and closer and +then they they fuse and they create + +38 +00:00:51,990 --> 00:00:52,000 +then they they fuse and they create + + +39 +00:00:52,000 --> 00:00:54,590 +then they they fuse and they create +energy in the form of helium but I read + +40 +00:00:54,590 --> 00:00:54,600 +energy in the form of helium but I read + + +41 +00:00:54,600 --> 00:00:56,189 +energy in the form of helium but I read +somewhere that the experiment couldn't + +42 +00:00:56,189 --> 00:00:56,199 +somewhere that the experiment couldn't + + +43 +00:00:56,199 --> 00:01:00,750 +somewhere that the experiment couldn't +be replicated so how do we know it works + +44 +00:01:00,750 --> 00:01:00,760 +be replicated so how do we know it works + + +45 +00:01:00,760 --> 00:01:02,029 +be replicated so how do we know it works +well we + +46 +00:01:02,029 --> 00:01:02,039 +well we + + +47 +00:01:02,039 --> 00:01:04,270 +well we +don't not + +48 +00:01:04,270 --> 00:01:04,280 +don't not + + +49 +00:01:04,280 --> 00:01:08,469 +don't not +yet but if you remember Einstein he knew + +50 +00:01:08,469 --> 00:01:08,479 +yet but if you remember Einstein he knew + + +51 +00:01:08,479 --> 00:01:10,710 +yet but if you remember Einstein he knew +the theory of relativity to be true long + +52 +00:01:10,710 --> 00:01:10,720 +the theory of relativity to be true long + + +53 +00:01:10,720 --> 00:01:13,030 +the theory of relativity to be true long +before he could prove it I mean he felt + +54 +00:01:13,030 --> 00:01:13,040 +before he could prove it I mean he felt + + +55 +00:01:13,040 --> 00:01:16,870 +before he could prove it I mean he felt +the truth and uh some of us feel the + +56 +00:01:16,870 --> 00:01:16,880 +the truth and uh some of us feel the + + +57 +00:01:16,880 --> 00:01:19,789 +the truth and uh some of us feel the +same way about cold fusion because it's + +58 +00:01:19,789 --> 00:01:19,799 +same way about cold fusion because it's + + +59 +00:01:19,799 --> 00:01:23,550 +same way about cold fusion because it's +there it's in nature the raw natural + +60 +00:01:23,550 --> 00:01:23,560 +there it's in nature the raw natural + + +61 +00:01:23,560 --> 00:01:26,710 +there it's in nature the raw natural +power just waiting to be harnessed and + +62 +00:01:26,710 --> 00:01:26,720 +power just waiting to be harnessed and + + +63 +00:01:26,720 --> 00:01:29,950 +power just waiting to be harnessed and +when we ignite that cold fusion fire + +64 +00:01:29,950 --> 00:01:29,960 +when we ignite that cold fusion fire + + +65 +00:01:29,960 --> 00:01:33,230 +when we ignite that cold fusion fire +fire I mean just + +66 +00:01:33,230 --> 00:01:33,240 +fire I mean just + + +67 +00:01:33,240 --> 00:01:36,910 +fire I mean just +imagine there's more energy in one cubic + +68 +00:01:36,910 --> 00:01:36,920 +imagine there's more energy in one cubic + + +69 +00:01:36,920 --> 00:01:39,270 +imagine there's more energy in one cubic +mile of seawater than in all the known + +70 +00:01:39,270 --> 00:01:39,280 +mile of seawater than in all the known + + +71 +00:01:39,280 --> 00:01:42,030 +mile of seawater than in all the known +oil reserves on Earth I mean you could + +72 +00:01:42,030 --> 00:01:42,040 +oil reserves on Earth I mean you could + + +73 +00:01:42,040 --> 00:01:45,870 +oil reserves on Earth I mean you could +drive your car 55 million miles on a + +74 +00:01:45,870 --> 00:01:45,880 +drive your car 55 million miles on a + + +75 +00:01:45,880 --> 00:01:49,709 +drive your car 55 million miles on a +gallon of heavy water maybe the end of + +76 +00:01:49,709 --> 00:01:49,719 +gallon of heavy water maybe the end of + + +77 +00:01:49,719 --> 00:02:01,880 +gallon of heavy water maybe the end of +pollution warmth for the whole world + +78 +00:02:01,880 --> 00:02:01,890 + + + +79 +00:02:01,890 --> 00:02:24,479 + +[Music] + diff --git a/1997/bXy8AgE7jBo.description b/1997/bXy8AgE7jBo.description new file mode 100644 index 0000000000000000000000000000000000000000..b622cbff4e8ff8a79c05fa4dfaa81bb3d63c4347 --- /dev/null +++ b/1997/bXy8AgE7jBo.description @@ -0,0 +1,38 @@ +Jackie Brown movie clips: http://j.mp/1JboBHI +BUY THE MOVIE: https://www.fandangonow.com/details/movie/jackie-brown-2002/MMV614821BD9ACA4EBC3BFAE0AAFCC101307?cmp=Movieclips_YT_Description +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +While trying to locate their car in the shopping mall parking lot, Melanie (Bridget Fonda) continues to needle and provoke Louis (Robert De Niro). His only response is to kill her. + +FILM DESCRIPTION: +Quentin Tarantino wrote and directed this adaptation of Elmore Leonard's 1995 Rum Punch, switching the action from Miami to LA, and altering the central character from white to black. Ruthless arms dealer Ordell Robbie (Samuel L. Jackson), who lives with perpetually stoned beach-babe Melanie (Bridget Fonda), teams with his old buddy Louis Gara (Robert De Niro), just released from prison after serving four years for armed robbery. ATF agent Ray Nicolette (Michael Keaton) and cop Mark Dargus (Michael Bowen) bust stewardess Jackie Brown (Pam Grier), who was smuggling money into the country for Ordell. Ordell springs Jackie, but when middle-aged bail bondsman Max Cherry (Robert Forster) picks her up at the jail, he's attracted to her, and they choose a romantic route with detours. Mistrust and suspicions surface after Jackie pits Ordell and the cops against each other, convincing Ordell that she's going to double-cross the cops. Tarantino commented on the film's budget: "Jackie Brown only cost $12 million. You can't lose. You absolutely, positively can't lose. And you don't have to compromise." + +CREDITS: +TM & © Miramax Films (1997) +Cast: Bridget Fonda, Robert De Niro +Director: Quentin Tarantino +Producers: Lawrence Bender, Richard N. Gladstein, Paul Hellerman, Elmore Leonard, Bob Weinstein, Harvey Weinstein +Screenwriters: Quentin Tarantino, Elmore Leonard + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/bXy8AgE7jBo.en.srt b/1997/bXy8AgE7jBo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..689c78bc75a8be054dc259bad734325359d2438c --- /dev/null +++ b/1997/bXy8AgE7jBo.en.srt @@ -0,0 +1,325 @@ +1 +00:00:09,230 --> 00:00:12,870 + +[Music] + +2 +00:00:12,870 --> 00:00:12,880 + + + +3 +00:00:12,880 --> 00:00:14,190 + +getting out of here what do you think + +4 +00:00:14,190 --> 00:00:14,200 +getting out of here what do you think + + +5 +00:00:14,200 --> 00:00:16,390 +getting out of here what do you think +the bag you I can carry it give me + +6 +00:00:16,390 --> 00:00:16,400 +the bag you I can carry it give me + + +7 +00:00:16,400 --> 00:00:17,750 +the bag you I can carry it give me +the + +8 +00:00:17,750 --> 00:00:17,760 +the + + +9 +00:00:17,760 --> 00:00:21,429 +the +bag what you want to rip the + +10 +00:00:21,429 --> 00:00:21,439 +bag what you want to rip the + + +11 +00:00:21,439 --> 00:00:24,310 +bag what you want to rip the +bag knock the out take the + +12 +00:00:24,310 --> 00:00:24,320 +bag knock the out take the + + +13 +00:00:24,320 --> 00:00:26,390 +bag knock the out take the +hand okay okay D it Jesus what's wrong + +14 +00:00:26,390 --> 00:00:26,400 +hand okay okay D it Jesus what's wrong + + +15 +00:00:26,400 --> 00:00:27,990 +hand okay okay D it Jesus what's wrong +with you I'm teing the bag yeah right + +16 +00:00:27,990 --> 00:00:28,000 +with you I'm teing the bag yeah right + + +17 +00:00:28,000 --> 00:00:31,710 +with you I'm teing the bag yeah right +you got it just take a chill chill pill + +18 +00:00:31,710 --> 00:00:31,720 +you got it just take a chill chill pill + + +19 +00:00:31,720 --> 00:00:34,030 +you got it just take a chill chill pill +remember where we came in no that's + +20 +00:00:34,030 --> 00:00:34,040 +remember where we came in no that's + + +21 +00:00:34,040 --> 00:00:34,950 +remember where we came in no that's +toward + +22 +00:00:34,950 --> 00:00:34,960 +toward + + +23 +00:00:34,960 --> 00:00:42,510 +toward +Sears where the which way which + +24 +00:00:42,510 --> 00:00:42,520 + + + +25 +00:00:42,520 --> 00:00:45,510 + +way Jesus but if you two aren't the + +26 +00:00:45,510 --> 00:00:45,520 +way Jesus but if you two aren't the + + +27 +00:00:45,520 --> 00:00:47,229 +way Jesus but if you two aren't the +biggest pair of fuckups I've ever met in + +28 +00:00:47,229 --> 00:00:47,239 +biggest pair of fuckups I've ever met in + + +29 +00:00:47,239 --> 00:00:51,029 +biggest pair of fuckups I've ever met in +my entire life how did you ever rob a + +30 +00:00:51,029 --> 00:00:51,039 +my entire life how did you ever rob a + + +31 +00:00:51,039 --> 00:00:53,229 +my entire life how did you ever rob a +bank hey when you rob banks did you have + +32 +00:00:53,229 --> 00:00:53,239 +bank hey when you rob banks did you have + + +33 +00:00:53,239 --> 00:00:55,590 +bank hey when you rob banks did you have +to look for your car then + +34 +00:00:55,590 --> 00:00:55,600 +to look for your car then + + +35 +00:00:55,600 --> 00:01:01,310 +to look for your car then +too no wonder you went to jail + +36 +00:01:01,310 --> 00:01:01,320 + + + +37 +00:01:01,320 --> 00:01:03,229 + +is it this aisle + +38 +00:01:03,229 --> 00:01:03,239 +is it this aisle + + +39 +00:01:03,239 --> 00:01:09,830 +is it this aisle +L is + +40 +00:01:09,830 --> 00:01:09,840 + + + +41 +00:01:09,840 --> 00:01:13,030 + +it + +42 +00:01:13,030 --> 00:01:13,040 + + + +43 +00:01:13,040 --> 00:01:18,830 + +Louis + +44 +00:01:18,830 --> 00:01:18,840 + + + +45 +00:01:18,840 --> 00:01:21,230 + +Louis is it this aisle or is it the next + +46 +00:01:21,230 --> 00:01:21,240 +Louis is it this aisle or is it the next + + +47 +00:01:21,240 --> 00:01:23,990 +Louis is it this aisle or is it the next +one + +48 +00:01:23,990 --> 00:01:24,000 + + + +49 +00:01:24,000 --> 00:01:26,830 + +over that's this one you sure yeah I'm + +50 +00:01:26,830 --> 00:01:26,840 +over that's this one you sure yeah I'm + + +51 +00:01:26,840 --> 00:01:29,230 +over that's this one you sure yeah I'm +sure you're positive don't seem sure to + +52 +00:01:29,230 --> 00:01:29,240 +sure you're positive don't seem sure to + + +53 +00:01:29,240 --> 00:01:31,230 +sure you're positive don't seem sure to +me hey don't + +54 +00:01:31,230 --> 00:01:31,240 +me hey don't + + +55 +00:01:31,240 --> 00:01:33,789 +me hey don't +say don't say anything else okay keep + +56 +00:01:33,789 --> 00:01:33,799 +say don't say anything else okay keep + + +57 +00:01:33,799 --> 00:01:36,469 +say don't say anything else okay keep +your mouth shut well I mean don't say + +58 +00:01:36,469 --> 00:01:36,479 +your mouth shut well I mean don't say + + +59 +00:01:36,479 --> 00:01:38,590 +your mouth shut well I mean don't say +one word + +60 +00:01:38,590 --> 00:01:38,600 +one word + + +61 +00:01:38,600 --> 00:01:49,469 +one word +okay okay + +62 +00:01:49,469 --> 00:01:49,479 + + + +63 +00:01:49,479 --> 00:01:58,420 + +leis see just where I said it was + +64 +00:01:58,420 --> 00:01:58,430 + + + +65 +00:01:58,430 --> 00:02:29,479 + +[Music] + diff --git a/1997/btRNa3CItMc.description b/1997/btRNa3CItMc.description new file mode 100644 index 0000000000000000000000000000000000000000..f8e3f782d52a44d9f370bcf5c29e23118cd08d2c --- /dev/null +++ b/1997/btRNa3CItMc.description @@ -0,0 +1,38 @@ +Life is Beautiful movie clips: http://j.mp/1L7odMi +BUY THE MOVIE: http://amzn.to/tbf8KV +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Guido (Roberto Benigni) and Joshua (Giorgio Cantarini) send Dora (Nicoletta Braschi) a message of hope over the concentration camp's PA system. + +FILM DESCRIPTION: +In this WW II tragicomedy, famed Italian funnyman Roberto Benigni (The Monster) portrays Guido, who moves during the '30s from the country to a Tuscan town, where he is entranced by schoolteacher Dora (Nicoletta Braschi, Benigni's real-life wife). Dora likes Guido, but she remains faithful to her pompous fiancé, so Guido has an uphill struggle. Meanwhile, anti-Semitic attitudes lead to attacks against Guido's Jewish uncle (Giustino Durano). Leaping ahead to five years later, during WW II, Guido and Dora are married and have a son Giosue (Giorgio Cantarini). After they are imprisoned in a concentration camp, Guido goes to elaborate lengths to keep his son from understanding the truth of their situation. He tells the boy that they are competing with others to win an armored tank -- so everything from food shortages to tattoos is explained as necessary for participation in the contest. + +CREDITS: +TM & © Miramax Films (1997) +Cast: Roberto Benigni, Giorgio Cantarini, Nicoletta Braschi +Director: Roberto Benigni +Producers: Gianluigi Braschi, Mario Cotone, John M. Davis, Elda Ferri, Agnès Mentre, John Rogers +Screenwriters: Vincenzo Cerami, Roberto Benigni + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/btRNa3CItMc.en.srt b/1997/btRNa3CItMc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8d812e7c3e51283a62546975b31b7df3c2b0f600 --- /dev/null +++ b/1997/btRNa3CItMc.en.srt @@ -0,0 +1,217 @@ +1 +00:00:00,440 --> 00:00:03,590 + +Attention Attention the east entrance will remain + +2 +00:00:03,590 --> 00:00:04,829 +Attention Attention the east entrance will remain + + +3 +00:00:04,829 --> 00:00:04,839 + + + +4 +00:00:04,839 --> 00:00:07,269 + +closed for a few days heavy vehicles will use the + +5 +00:00:07,269 --> 00:00:07,279 +closed for a few days heavy vehicles will use the + + +6 +00:00:07,279 --> 00:00:09,430 +closed for a few days heavy vehicles will use the +north exit of the camp + +7 +00:00:09,430 --> 00:00:09,440 +north exit of the camp + + +8 +00:00:09,440 --> 00:00:13,910 +north exit of the camp +Attention Attention the outside entrance will be + +9 +00:00:13,910 --> 00:00:15,710 +Attention Attention the outside entrance will be + + +10 +00:00:15,710 --> 00:00:15,720 + + + +11 +00:00:15,720 --> 00:00:18,550 + +closed for a few days vehicle which is not in the + +12 +00:00:18,550 --> 00:00:18,560 +closed for a few days vehicle which is not in the + + +13 +00:00:18,560 --> 00:00:24,850 +closed for a few days vehicle which is not in the +camp + +14 +00:00:24,850 --> 00:00:24,860 + + + +15 +00:00:24,860 --> 00:00:44,150 + +[Music] I'm + +16 +00:00:44,150 --> 00:00:44,160 + + + +17 +00:00:44,160 --> 00:00:47,950 + +not disturbed + +18 +00:00:47,950 --> 00:00:47,960 +not disturbed + + +19 +00:00:47,960 --> 00:00:52,310 +not disturbed +please + +20 +00:00:52,310 --> 00:00:52,320 + + + +21 +00:00:52,320 --> 00:00:54,229 + +please I'll come see you, + +22 +00:00:54,229 --> 00:00:54,239 +please I'll come see you, + + +23 +00:00:54,239 --> 00:00:56,229 +please I'll come see you, + +24 +00:00:56,229 --> 00:00:56,239 + + + +25 +00:00:56,239 --> 00:01:05,710 + +bike like a princess + +26 +00:01:05,710 --> 00:01:05,720 + + + +27 +00:01:05,720 --> 00:01:09,670 + + +28 +00:01:09,670 --> 00:01:09,680 + + + +29 +00:01:09,680 --> 00:01:12,220 + + +30 +00:01:12,220 --> 00:01:12,230 + + + +31 +00:01:12,230 --> 00:01:14,950 + +[Music] I + +32 +00:01:14,950 --> 00:01:14,960 +[Music] I + + +33 +00:01:14,960 --> 00:01:18,630 +[Music] I +just wish I could come see you, princess [Music] I just wish I could come see + +34 +00:01:18,630 --> 00:01:20,109 +just wish I could come see you, princess [Music] I just wish I could come see + + +35 +00:01:20,109 --> 00:01:20,119 + + + +36 +00:01:20,119 --> 00:01:23,830 + +you, princess, and now + +37 +00:01:23,830 --> 00:01:23,840 +you, princess, and now + + +38 +00:01:23,840 --> 00:01:30,510 +you, princess, and now +Mamma M, Bo, Carola, I won't + +39 +00:01:30,510 --> 00:01:30,520 +Mamma M, Bo, Carola, I won't + + +40 +00:01:30,520 --> 00:01:34,550 +Mamma M, Bo, Carola, I won't +ride together, we'll be + +41 +00:01:34,550 --> 00:01:34,560 + + + +42 +00:01:34,560 --> 00:01:40,220 + +quiet. + +43 +00:01:40,220 --> 00:01:40,230 + + + +44 +00:01:40,230 --> 00:02:25,490 + +[Music] + diff --git a/1997/bwnrdj6zZfQ.description b/1997/bwnrdj6zZfQ.description new file mode 100644 index 0000000000000000000000000000000000000000..7445b93724433735e49a99a586f6dba1d2f0821a --- /dev/null +++ b/1997/bwnrdj6zZfQ.description @@ -0,0 +1,38 @@ +Affliction movie clips: http://j.mp/13V5SgA +BUY THE MOVIE: http://j.mp/13V5SNH +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Glen (James Coburn) finally shows some fatherly pride in Wade (Nick Nolte), but it's far too late to salvage their relationship. + +FILM DESCRIPTION: +Nick Nolte and James Coburn deliver some of the finest work of their respective careers in this powerful but troubling adaptation of Russell Banks's novel. Wade Whitehouse (Nick Nolte) is the sheriff in a small New England town; it's a part-time job with few taxing responsibilities, and Wade fills his many free hours by swilling booze, smoking pot, and thinking back on his nightmarish childhood. Wade's father Glen (James Coburn) was by turns callous, distant, and abusive, and Wade has inherited his addiction to alcohol and inability to deal with others. Consequently, Wade's ex-wife (Mary Beth Hurt) despises him, his daughter is uncomfortable and frightened in his presence, and the only person who can reach him is his loving but long-suffering girlfriend Margie (Sissy Spacek). When a wealthy businessman is killed in a hunting accident, Wade suspects foul play and pursues the case with an obsession that puzzles all around him; meanwhile, Wade's mother dies and his brother Rolfe (Willem Dafoe), the only one in the family to escape Glen's abuse without crippling emotional scars, returns to pay his respects and is caught up once again in the damaged lives of his father and brother. James Coburn) won an Academy award for Best Supporting Actor for his work in Affliction, while Nick Nolte was nominated for Best Actor (he lost to Roberto Benigni). + +CREDITS: +TM & © Lionsgate (1997) +Cast: James Coburn, Nick Nolte +Director: Paul Schrader +Producers: Eric Berg, Frank K. Isaac, Nick Nolte, Josette Perrotta, Barr B. Potter, Linda Reisman +Screenwriters: Russell Banks, Paul Schrader + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/bwnrdj6zZfQ.en.srt b/1997/bwnrdj6zZfQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..4746650d99dccef971ad0af705ad4587f63dd2b3 --- /dev/null +++ b/1997/bwnrdj6zZfQ.en.srt @@ -0,0 +1,215 @@ +1 +00:00:01,429 --> 00:00:08,540 + +you've got son of a no you you're + +2 +00:00:08,540 --> 00:00:08,550 +you've got son of a no you you're + + +3 +00:00:08,550 --> 00:00:10,759 +you've got son of a no you you're +my blood you're a goddamn piece + +4 +00:00:10,759 --> 00:00:10,769 +my blood you're a goddamn piece + + +5 +00:00:10,769 --> 00:00:16,939 +my blood you're a goddamn piece +of my heart you don't know me you don't + +6 +00:00:16,939 --> 00:00:16,949 +of my heart you don't know me you don't + + +7 +00:00:16,949 --> 00:00:25,779 +of my heart you don't know me you don't +know me you you you done + +8 +00:00:25,779 --> 00:00:25,789 +know me you you you done + + +9 +00:00:25,789 --> 00:00:30,560 +know me you you you done +finally done done it right done it like + +10 +00:00:30,560 --> 00:00:30,570 +finally done done it right done it like + + +11 +00:00:30,570 --> 00:00:40,450 +finally done done it right done it like +a man done it just the way I taught you + +12 +00:00:40,450 --> 00:00:40,460 + + + +13 +00:00:40,460 --> 00:00:51,260 + +son of a no I'm made of love call + +14 +00:00:51,260 --> 00:00:51,270 +son of a no I'm made of love call + + +15 +00:00:51,270 --> 00:00:55,090 +son of a no I'm made of love call +her what you want everything you know + +16 +00:00:55,090 --> 00:00:55,100 +her what you want everything you know + + +17 +00:00:55,100 --> 00:01:02,169 +her what you want everything you know +come from me yeah + +18 +00:01:02,169 --> 00:01:02,179 + + + +19 +00:01:02,179 --> 00:01:07,510 + +you and me where the hell are you going + +20 +00:01:07,510 --> 00:01:07,520 +you and me where the hell are you going + + +21 +00:01:07,520 --> 00:01:10,190 +you and me where the hell are you going +where you going wait miss do you leave + +22 +00:01:10,190 --> 00:01:10,200 +where you going wait miss do you leave + + +23 +00:01:10,200 --> 00:01:14,480 +where you going wait miss do you leave +my goddamn truck where it is wait I need + +24 +00:01:14,480 --> 00:01:14,490 +my goddamn truck where it is wait I need + + +25 +00:01:14,490 --> 00:01:16,670 +my goddamn truck where it is wait I need +to give me those keys + +26 +00:01:16,670 --> 00:01:16,680 +to give me those keys + + +27 +00:01:16,680 --> 00:01:23,480 +to give me those keys +great I need to get to town crawl well + +28 +00:01:23,480 --> 00:01:23,490 +great I need to get to town crawl well + + +29 +00:01:23,490 --> 00:01:25,100 +great I need to get to town crawl well +it's hard lately booth left in the house + +30 +00:01:25,100 --> 00:01:25,110 +it's hard lately booth left in the house + + +31 +00:01:25,110 --> 00:01:30,200 +it's hard lately booth left in the house +I gotta get me some rounds ready my + +32 +00:01:30,200 --> 00:01:30,210 +I gotta get me some rounds ready my + + +33 +00:01:30,210 --> 00:01:36,219 +I gotta get me some rounds ready my +house my money like that dead truck + +34 +00:01:36,219 --> 00:01:36,229 +house my money like that dead truck + + +35 +00:01:36,229 --> 00:02:15,740 +house my money like that dead truck +stolen + +36 +00:02:15,740 --> 00:02:15,750 + + + +37 +00:02:15,750 --> 00:03:02,940 + +don't you sass me God joke + +38 +00:03:02,940 --> 00:03:02,950 + + + +39 +00:03:02,950 --> 00:03:16,770 + +[Music] + +40 +00:03:16,770 --> 00:03:16,780 + + + +41 +00:03:16,780 --> 00:03:24,110 + +you + +42 +00:03:24,110 --> 00:03:24,120 + + + +43 +00:03:24,120 --> 00:03:30,050 + +[Music] + diff --git a/1997/bxxHPYFtbE4.en.srt b/1997/bxxHPYFtbE4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..190553584d94ea0489376430a88481299727dc2f --- /dev/null +++ b/1997/bxxHPYFtbE4.en.srt @@ -0,0 +1,335 @@ +1 +00:00:00,199 --> 00:00:02,470 + +when I was in high school I had an afro + +2 +00:00:02,470 --> 00:00:02,480 +when I was in high school I had an afro + + +3 +00:00:02,480 --> 00:00:04,349 +when I was in high school I had an afro +this big I don't believe you oh I needed + +4 +00:00:04,349 --> 00:00:04,359 +this big I don't believe you oh I needed + + +5 +00:00:04,359 --> 00:00:05,550 +this big I don't believe you oh I needed +help lifting my head I looked like + +6 +00:00:05,550 --> 00:00:05,560 +help lifting my head I looked like + + +7 +00:00:05,560 --> 00:00:07,269 +help lifting my head I looked like +buckweat in a wind tunnel I once shaved + +8 +00:00:07,269 --> 00:00:07,279 +buckweat in a wind tunnel I once shaved + + +9 +00:00:07,279 --> 00:00:10,030 +buckweat in a wind tunnel I once shaved +my head and glued all the hair to my + +10 +00:00:10,030 --> 00:00:10,040 +my head and glued all the hair to my + + +11 +00:00:10,040 --> 00:00:13,749 +my head and glued all the hair to my +ass why well two special brownies and a + +12 +00:00:13,749 --> 00:00:13,759 +ass why well two special brownies and a + + +13 +00:00:13,759 --> 00:00:15,910 +ass why well two special brownies and a +quarter tequila + +14 +00:00:15,910 --> 00:00:15,920 +quarter tequila + + +15 +00:00:15,920 --> 00:00:18,910 +quarter tequila +yeah so you two you were like you were + +16 +00:00:18,910 --> 00:00:18,920 +yeah so you two you were like you were + + +17 +00:00:18,920 --> 00:00:21,150 +yeah so you two you were like you were +like freaks oh oh yeah oh yeah yeah I + +18 +00:00:21,150 --> 00:00:21,160 +like freaks oh oh yeah oh yeah yeah I + + +19 +00:00:21,160 --> 00:00:22,590 +like freaks oh oh yeah oh yeah yeah I +was so stoned once everyone sounded like + +20 +00:00:22,590 --> 00:00:22,600 +was so stoned once everyone sounded like + + +21 +00:00:22,600 --> 00:00:25,429 +was so stoned once everyone sounded like +Johnny + +22 +00:00:25,429 --> 00:00:25,439 + + + +23 +00:00:25,439 --> 00:00:28,310 + +Matthew when you're young you do some + +24 +00:00:28,310 --> 00:00:28,320 +Matthew when you're young you do some + + +25 +00:00:28,320 --> 00:00:30,589 +Matthew when you're young you do some +things that uh you're not that proud of + +26 +00:00:30,589 --> 00:00:30,599 +things that uh you're not that proud of + + +27 +00:00:30,599 --> 00:00:32,269 +things that uh you're not that proud of +you know yeah we even got in a lot of + +28 +00:00:32,269 --> 00:00:32,279 +you know yeah we even got in a lot of + + +29 +00:00:32,279 --> 00:00:37,350 +you know yeah we even got in a lot of +trouble sometimes you + +30 +00:00:37,350 --> 00:00:37,360 + + + +31 +00:00:37,360 --> 00:00:41,150 + +know truth is I'm in a lot of trouble + +32 +00:00:41,150 --> 00:00:41,160 +know truth is I'm in a lot of trouble + + +33 +00:00:41,160 --> 00:00:44,630 +know truth is I'm in a lot of trouble +myself does it have to do with + +34 +00:00:44,630 --> 00:00:44,640 +myself does it have to do with + + +35 +00:00:44,640 --> 00:00:47,470 +myself does it have to do with +$5,000 Scotty we're not here to judge + +36 +00:00:47,470 --> 00:00:47,480 +$5,000 Scotty we're not here to judge + + +37 +00:00:47,480 --> 00:00:49,150 +$5,000 Scotty we're not here to judge +come on tell + +38 +00:00:49,150 --> 00:00:49,160 +come on tell + + +39 +00:00:49,160 --> 00:00:52,750 +come on tell +us I stole that money + +40 +00:00:52,750 --> 00:00:52,760 +us I stole that money + + +41 +00:00:52,760 --> 00:00:56,750 +us I stole that money +okay from drug dealers what are you nuts + +42 +00:00:56,750 --> 00:00:56,760 +okay from drug dealers what are you nuts + + +43 +00:00:56,760 --> 00:00:58,029 +okay from drug dealers what are you nuts +hey hey hey hey hey what are you what + +44 +00:00:58,029 --> 00:00:58,039 +hey hey hey hey hey what are you what + + +45 +00:00:58,039 --> 00:00:59,950 +hey hey hey hey hey what are you what +what are you doing yelling like that the + +46 +00:00:59,950 --> 00:00:59,960 +what are you doing yelling like that the + + +47 +00:00:59,960 --> 00:01:02,470 +what are you doing yelling like that the +doesn't do anybody any good just relax + +48 +00:01:02,470 --> 00:01:02,480 +doesn't do anybody any good just relax + + +49 +00:01:02,480 --> 00:01:05,950 +doesn't do anybody any good just relax +sorry so you give it back to them well I + +50 +00:01:05,950 --> 00:01:05,960 +sorry so you give it back to them well I + + +51 +00:01:05,960 --> 00:01:08,590 +sorry so you give it back to them well I +spent it you spent it you spent he spent + +52 +00:01:08,590 --> 00:01:08,600 +spent it you spent it you spent he spent + + +53 +00:01:08,600 --> 00:01:10,070 +spent it you spent it you spent he spent +the money from drug dealers that's not + +54 +00:01:10,070 --> 00:01:10,080 +the money from drug dealers that's not + + +55 +00:01:10,080 --> 00:01:12,469 +the money from drug dealers that's not +the way breathe breathe you said I could + +56 +00:01:12,469 --> 00:01:12,479 +the way breathe breathe you said I could + + +57 +00:01:12,479 --> 00:01:15,030 +the way breathe breathe you said I could +talk to you all right okay Scott you + +58 +00:01:15,030 --> 00:01:15,040 +talk to you all right okay Scott you + + +59 +00:01:15,040 --> 00:01:17,230 +talk to you all right okay Scott you +can't run from these guys they'll find + +60 +00:01:17,230 --> 00:01:17,240 +can't run from these guys they'll find + + +61 +00:01:17,240 --> 00:01:19,270 +can't run from these guys they'll find +you they'll come to your house take all + +62 +00:01:19,270 --> 00:01:19,280 +you they'll come to your house take all + + +63 +00:01:19,280 --> 00:01:20,749 +you they'll come to your house take all +your money and then beat the out of + +64 +00:01:20,749 --> 00:01:20,759 +your money and then beat the out of + + +65 +00:01:20,759 --> 00:01:25,510 +your money and then beat the out of +you happened to me a couple of times + +66 +00:01:25,510 --> 00:01:25,520 + + + +67 +00:01:25,520 --> 00:01:52,459 + +[Music] + diff --git a/1997/c-ecbGNxEHM.description b/1997/c-ecbGNxEHM.description new file mode 100644 index 0000000000000000000000000000000000000000..e066f34ae2f6771dbaf8592d560d44e5f37c65b6 --- /dev/null +++ b/1997/c-ecbGNxEHM.description @@ -0,0 +1,40 @@ +As Good as It Gets movie clips: http://j.mp/15vVcd9 +BUY THE MOVIE: http://bit.ly/2gulYYV +WATCH ON CRACKLE: http://bit.ly/2cP0FSr +http://amzn.to/rXSVGT +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Melvin (Jack Nicholson) meets a female fan (Julie Benz) and manages to insult her almost immediately. + +FILM DESCRIPTION: +James L. Brooks (Terms of Endearment, Broadcast News) directed this $50 million-plus romantic comedy, set in Manhattan. Dysfunctional, acid-tongued romance novelist Melvin Udall (Jack Nicholson), who suffers from an obsessive-compulsive disorder, takes pride in his ability to offend. At a nearby cafe, the only waitress willing to stand up to his sarcastic tirades is Carol Connelly (Helen Hunt), a single mother struggling to raise her chronically asthmatic son. In Melvin's West Village apartment building, talented contemporary artist Simon Nye (Greg Kinnear) lives across the hall from Melvin. Simon is the current darling of the New York art world, reason enough to draw Melvin's verbal fire, but Simon's gay lifestyle is further grist for the novelist's malicious mill. These three New Yorkers, none of whom appears to have a chance in hell at finding true happiness, discover their fates intertwined because of the fourth complicated character in the piece, Verdell, a tiny Brussels Griffon dog (played by newcomer Jill, after a 15-week training program). Melvin seems to have no friends or family, and he lives alone, working on his 62nd book. When Simon goes into the hospital after a brutal mugging, Melvin has to take care of Verdell, and the dog actually warms Melvin's cold heart -- to the degree that he sets up unsolicited medical care for Carol's son. Eventually, Melvin is cornered into driving Simon and Carol to Baltimore, and during a hotel stopover, Melvin confesses to Carol, "You make me want to be a better man." The trip becomes an odyssey of self-realization for all three. Locations included Brooklyn's Prospect Park (Carol's neighborhood) and Greenwich Village (where Melvin's building is on 12th Street between Fifth and Sixth Avenues). Other exteriors were shot in downtown Los Angeles, where a dilapidated transient hotel at the corner of 4th Street and Main was transformed into the chic cafe where Carol works. Sets for the Simon/Melvin apartment interiors were erected on a soundstage at the Sony Pictures lot. Simon's paintings were created for the film by New York artist Billy Sullivan, whose work is part of the modern art collection at NYC's Metropolitan Museum of Art and the New Orleans Museum of Art. + +CREDITS: +TM & © Sony (1997) +Cast: Linda Gehringer +Director: James L. Brooks +Producers: James L. Brooks, Bridget Johnson, Maria Kavanaugh, Laurence Mark, Richard Marks, Aldric La'Auli Porter, Richard Sakai, John D. Schofield, Owen Wilson, Kristi Zea, Laura Ziskin +Screenwriters: Mark Andrus, James L. Brooks + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/c-ecbGNxEHM.en.srt b/1997/c-ecbGNxEHM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a3d132d36bf3c6be6e1c3b39fe73f8d93c154a30 --- /dev/null +++ b/1997/c-ecbGNxEHM.en.srt @@ -0,0 +1,285 @@ +1 +00:00:06,640 --> 00:00:11,210 + +[Laughter] + +2 +00:00:11,210 --> 00:00:11,220 +[Laughter] + + +3 +00:00:11,220 --> 00:00:29,230 +[Laughter] +[Music] + +4 +00:00:29,230 --> 00:00:29,240 + + + +5 +00:00:29,240 --> 00:00:31,029 + +yes you're right Mar than everybody else + +6 +00:00:31,029 --> 00:00:31,039 +yes you're right Mar than everybody else + + +7 +00:00:31,039 --> 00:00:32,910 +yes you're right Mar than everybody else +yes you make us a lot of money but I + +8 +00:00:32,910 --> 00:00:32,920 +yes you make us a lot of money but I + + +9 +00:00:32,920 --> 00:00:34,709 +yes you make us a lot of money but I +think it's more appropriate for you + +10 +00:00:34,709 --> 00:00:34,719 +think it's more appropriate for you + + +11 +00:00:34,719 --> 00:00:42,549 +think it's more appropriate for you +to I need this just say Melvin I'll try + +12 +00:00:42,549 --> 00:00:42,559 + + + +13 +00:00:42,559 --> 00:00:46,990 + +Okay Melvin I'll try thank + +14 +00:00:46,990 --> 00:00:47,000 +Okay Melvin I'll try thank + + +15 +00:00:47,000 --> 00:00:50,709 +Okay Melvin I'll try thank +you now on a pleaser note my son he just + +16 +00:00:50,709 --> 00:00:50,719 +you now on a pleaser note my son he just + + +17 +00:00:50,719 --> 00:00:53,950 +you now on a pleaser note my son he just +got accepted to Brown my husband was + +18 +00:00:53,950 --> 00:00:53,960 +got accepted to Brown my husband was + + +19 +00:00:53,960 --> 00:00:57,270 +got accepted to Brown my husband was +dying uh yeah good nice uh thrilled + +20 +00:00:57,270 --> 00:00:57,280 +dying uh yeah good nice uh thrilled + + +21 +00:00:57,280 --> 00:00:59,470 +dying uh yeah good nice uh thrilled +exciting uh you you don't have to wait + +22 +00:00:59,470 --> 00:00:59,480 +exciting uh you you don't have to wait + + +23 +00:00:59,480 --> 00:00:59,950 +exciting uh you you don't have to wait +with me + +24 +00:00:59,950 --> 00:00:59,960 +with me + + +25 +00:00:59,960 --> 00:01:08,109 +with me +[Applause] + +26 +00:01:08,109 --> 00:01:08,119 + + + +27 +00:01:08,119 --> 00:01:11,070 + +I can't resist you usually move through + +28 +00:01:11,070 --> 00:01:11,080 +I can't resist you usually move through + + +29 +00:01:11,080 --> 00:01:12,910 +I can't resist you usually move through +here so quickly and I just have so many + +30 +00:01:12,910 --> 00:01:12,920 +here so quickly and I just have so many + + +31 +00:01:12,920 --> 00:01:14,630 +here so quickly and I just have so many +questions I want to ask + +32 +00:01:14,630 --> 00:01:14,640 +questions I want to ask + + +33 +00:01:14,640 --> 00:01:17,990 +questions I want to ask +you you have no idea what your work + +34 +00:01:17,990 --> 00:01:18,000 +you you have no idea what your work + + +35 +00:01:18,000 --> 00:01:21,590 +you you have no idea what your work +means to me what does it mean + +36 +00:01:21,590 --> 00:01:21,600 +means to me what does it mean + + +37 +00:01:21,600 --> 00:01:24,429 +means to me what does it mean +you that somebody out there knows what + +38 +00:01:24,429 --> 00:01:24,439 +you that somebody out there knows what + + +39 +00:01:24,439 --> 00:01:27,630 +you that somebody out there knows what +it's like to be in + +40 +00:01:27,630 --> 00:01:27,640 +it's like to be in + + +41 +00:01:27,640 --> 00:01:30,950 +it's like to be in +here oh God this is like + +42 +00:01:30,950 --> 00:01:30,960 +here oh God this is like + + +43 +00:01:30,960 --> 00:01:33,870 +here oh God this is like +nightmare oh come on just a couple of + +44 +00:01:33,870 --> 00:01:33,880 +nightmare oh come on just a couple of + + +45 +00:01:33,880 --> 00:01:38,190 +nightmare oh come on just a couple of +questions how hard is + +46 +00:01:38,190 --> 00:01:38,200 + + + +47 +00:01:38,200 --> 00:01:41,830 + +that how do you write women so well I + +48 +00:01:41,830 --> 00:01:41,840 +that how do you write women so well I + + +49 +00:01:41,840 --> 00:01:45,149 +that how do you write women so well I +think of a man and I take away reason + +50 +00:01:45,149 --> 00:01:45,159 +think of a man and I take away reason + + +51 +00:01:45,159 --> 00:01:48,490 +think of a man and I take away reason +and + +52 +00:01:48,490 --> 00:01:48,500 + + + +53 +00:01:48,500 --> 00:01:58,830 + +[Music] + +54 +00:01:58,830 --> 00:01:58,840 + + + +55 +00:01:58,840 --> 00:02:05,890 + +accountability + +56 +00:02:05,890 --> 00:02:05,900 + + + +57 +00:02:05,900 --> 00:02:28,479 + +[Music] + diff --git a/1997/cACQ2548i0o.description b/1997/cACQ2548i0o.description new file mode 100644 index 0000000000000000000000000000000000000000..671d3f0397a23dbe9bb24553ca272103957e85ca --- /dev/null +++ b/1997/cACQ2548i0o.description @@ -0,0 +1,39 @@ +Starship Troopers movie clips: http://j.mp/1uxK7nb +BUY THE MOVIE: https://www.fandangonow.com/details/movie/starship-troopers-1997/1MVfd1b2336ecae8f42e0901fbd68c79341?cmp=Movieclips_YT_EndCard +WATCH ON CRACKLE: http://bit.ly/2cOYO0h +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Jenkins (Neil Patrick Harris) notes how Sgt. Zim (Clancy Brown) is the man responsible for changing the course of the war by capturing the bug. A new recruitment video celebrates the accomplishments of some its soldiers like Lt. Johnny Rico (Casper Van Dien), and Capt. Carmen Ibanez (Denise Richards). + +FILM DESCRIPTION: +Director Paul Verhoeven (Showgirls, Total Recall) reunited many from his 1987 Robocop team for this $100-million science fiction adventure, adapted from Robert A. Heinlein's 1959 novel, originally serialized in The Magazine of Fantasy and Science Fiction (October-November, 1959). After graduation, Johnny Rico (Casper Van Dien) volunteers for the Mobile Infantry to do his Federal service -- but also to win over his girlfriend, Carmen Ibanez (Denise Richards), who has signed with the Fleet Academy to become a starship pilot. Johnny joins other boot-camp recruits -- Dizzy Flores (Dina Meyer), who has had a crush on Johnny since school, and Ace Levy (Jake Busey). Ace and Johnny become pals, and Johnny's abilities earn him the squad leader position. A training accident occurs on Johnny's watch, and he is about to resign when Earth is attacked by alien insects intent on eradicating all human life. Johnny's home, Buenos Aires, is no longer on the map. Horrified, he chooses to stay on and fight to destroy the insect threat. The Mobile Infantry travels to the planet Klendathu to battle the warrior bugs, a ruthless enemy with only one goal -- survival of their species no matter what. In the initial encounter, some 100,000 lives are lost. At a distant fort, Johnny's unit discovers that the bugs drain brains to acquire knowledge. Soon they are overwhelmed by an advancing arthropod army of immense proportions, attacking both in space and on the planet surface. The notion of human extinction becomes a possibility. For this $100-million production, some 300 artists and technicians combined models and miniatures with CGI effects to fashion a variety of creatures -- from breeder bugs to armored tanker bugs. The film employed hundreds of extras and has over 500 visual effects shots. Filming began 4/29/96 in California (LA and Long Beach, where Cal State's pyramid gym was used for the Jumpball game), New York, South Dakota, Wyoming (Casper, Hell's Half Acre), and Utah (an abandoned Wendover airstrip where the Enola Gay WWII bomber crew trained). At an abandoned airfield in Fountain Valley, California, an elaborate set was constructed to resemble a military boot camp of the future -- complete with an array of pup tents, gull-winged spaceships, hurdle obstacle course, and training facility buildings. Cinematography by Jost Vacano (Showgirls). Licensed products include Lewis Galoob Inc. toys. + +CREDITS: +TM & © Sony (1997) +Cast: Clancy Brown, Jake Busey, Neil Patrick Harris, Casper Van Dien, Denise Richards, Amy Smart +Director: Paul Verhoeven +Producers: Jon Davison, Frances Doel, Stacy Lumbrezer, Alan Marshall, Edward Neumeier, Phil Tippett +Screenwriters: Edward Neumeier, Robert A. Heinlein + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/cACQ2548i0o.en.srt b/1997/cACQ2548i0o.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e4e5d346cb653e040d69ee7a26c291d6eafe401d --- /dev/null +++ b/1997/cACQ2548i0o.en.srt @@ -0,0 +1,425 @@ +1 +00:00:00,440 --> 00:00:04,269 + +Carl Carl hey well look who's here you + +2 +00:00:04,269 --> 00:00:04,279 +Carl Carl hey well look who's here you + + +3 +00:00:04,279 --> 00:00:07,190 +Carl Carl hey well look who's here you +made it good it was you wasn't it you + +4 +00:00:07,190 --> 00:00:07,200 +made it good it was you wasn't it you + + +5 +00:00:07,200 --> 00:00:10,480 +made it good it was you wasn't it you +told me how to find Carmen well that's + +6 +00:00:10,480 --> 00:00:10,490 +told me how to find Carmen well that's + + +7 +00:00:10,490 --> 00:00:11,990 +told me how to find Carmen well that's +[Applause] + +8 +00:00:11,990 --> 00:00:12,000 +[Applause] + + +9 +00:00:12,000 --> 00:00:14,869 +[Applause] +classify you know whenever the three of + +10 +00:00:14,869 --> 00:00:14,879 +classify you know whenever the three of + + +11 +00:00:14,879 --> 00:00:16,510 +classify you know whenever the three of +us are together I feel like things might + +12 +00:00:16,510 --> 00:00:16,520 +us are together I feel like things might + + +13 +00:00:16,520 --> 00:00:20,310 +us are together I feel like things might +just work out I hope you're right kman + +14 +00:00:20,310 --> 00:00:20,320 +just work out I hope you're right kman + + +15 +00:00:20,320 --> 00:00:21,750 +just work out I hope you're right kman +we've got one of their brains now pretty + +16 +00:00:21,750 --> 00:00:21,760 +we've got one of their brains now pretty + + +17 +00:00:21,760 --> 00:00:23,550 +we've got one of their brains now pretty +soon we'll know how they think and then + +18 +00:00:23,550 --> 00:00:23,560 +soon we'll know how they think and then + + +19 +00:00:23,560 --> 00:00:25,189 +soon we'll know how they think and then +we'll know how to beat + +20 +00:00:25,189 --> 00:00:25,199 +we'll know how to beat + + +21 +00:00:25,199 --> 00:00:28,349 +we'll know how to beat +them one day it will all be over and + +22 +00:00:28,349 --> 00:00:28,359 +them one day it will all be over and + + +23 +00:00:28,359 --> 00:00:29,749 +them one day it will all be over and +everyone will forget that this was the + +24 +00:00:29,749 --> 00:00:29,759 +everyone will forget that this was the + + +25 +00:00:29,759 --> 00:00:31,429 +everyone will forget that this was the +moment + +26 +00:00:31,429 --> 00:00:31,439 +moment + + +27 +00:00:31,439 --> 00:00:33,190 +moment +this is when it + +28 +00:00:33,190 --> 00:00:33,200 +this is when it + + +29 +00:00:33,200 --> 00:00:35,549 +this is when it +turned and it wasn't the mighty Fleet it + +30 +00:00:35,549 --> 00:00:35,559 +turned and it wasn't the mighty Fleet it + + +31 +00:00:35,559 --> 00:00:41,110 +turned and it wasn't the mighty Fleet it +wasn't some fancy new + +32 +00:00:41,110 --> 00:00:41,120 + + + +33 +00:00:41,120 --> 00:00:44,510 + +weapon was a drill instructor named Zim + +34 +00:00:44,510 --> 00:00:44,520 +weapon was a drill instructor named Zim + + +35 +00:00:44,520 --> 00:00:46,910 +weapon was a drill instructor named Zim +who captured a + +36 +00:00:46,910 --> 00:00:46,920 +who captured a + + +37 +00:00:46,920 --> 00:00:49,549 +who captured a +break + +38 +00:00:49,549 --> 00:00:49,559 +break + + +39 +00:00:49,559 --> 00:00:52,229 +break +Z he got him + +40 +00:00:52,229 --> 00:00:52,239 +Z he got him + + +41 +00:00:52,239 --> 00:00:56,510 +Z he got him +yeah Zim Sam got the bug Sam got the bug + +42 +00:00:56,510 --> 00:00:56,520 +yeah Zim Sam got the bug Sam got the bug + + +43 +00:00:56,520 --> 00:01:00,470 +yeah Zim Sam got the bug Sam got the bug +man good job Sergeant thank you sir it + +44 +00:01:00,470 --> 00:01:00,480 +man good job Sergeant thank you sir it + + +45 +00:01:00,480 --> 00:01:03,189 +man good job Sergeant thank you sir it +would be private + +46 +00:01:03,189 --> 00:01:03,199 +would be private + + +47 +00:01:03,199 --> 00:01:06,870 +would be private +sir carry on private yes + +48 +00:01:06,870 --> 00:01:06,880 +sir carry on private yes + + +49 +00:01:06,880 --> 00:01:11,429 +sir carry on private yes +[Applause] + +50 +00:01:11,429 --> 00:01:11,439 + + + +51 +00:01:11,439 --> 00:01:14,469 + +sir what Mysteries will the brain bug + +52 +00:01:14,469 --> 00:01:14,479 +sir what Mysteries will the brain bug + + +53 +00:01:14,479 --> 00:01:17,070 +sir what Mysteries will the brain bug +reveal Federal scientists are working + +54 +00:01:17,070 --> 00:01:17,080 +reveal Federal scientists are working + + +55 +00:01:17,080 --> 00:01:19,670 +reveal Federal scientists are working +around the clock to probe its + +56 +00:01:19,670 --> 00:01:19,680 +around the clock to probe its + + +57 +00:01:19,680 --> 00:01:22,590 +around the clock to probe its +Secrets once we understand the BG we + +58 +00:01:22,590 --> 00:01:22,600 +Secrets once we understand the BG we + + +59 +00:01:22,600 --> 00:01:26,860 +Secrets once we understand the BG we +will defeat + +60 +00:01:26,860 --> 00:01:26,870 + + + +61 +00:01:26,870 --> 00:01:28,830 + +[Music] + +62 +00:01:28,830 --> 00:01:28,840 +[Music] + + +63 +00:01:28,840 --> 00:01:30,350 +[Music] +it + +64 +00:01:30,350 --> 00:01:30,360 +it + + +65 +00:01:30,360 --> 00:01:33,710 +it +we have the ships we have the + +66 +00:01:33,710 --> 00:01:33,720 +we have the ships we have the + + +67 +00:01:33,720 --> 00:01:37,389 +we have the ships we have the +weapons we need soldiers soldiers like + +68 +00:01:37,389 --> 00:01:37,399 +weapons we need soldiers soldiers like + + +69 +00:01:37,399 --> 00:01:39,789 +weapons we need soldiers soldiers like +Lieutenant stack Lum we're in the Target + +70 +00:01:39,789 --> 00:01:39,799 +Lieutenant stack Lum we're in the Target + + +71 +00:01:39,799 --> 00:01:43,030 +Lieutenant stack Lum we're in the Target +area now captain and Captain Carmen Aban + +72 +00:01:43,030 --> 00:01:43,040 +area now captain and Captain Carmen Aban + + +73 +00:01:43,040 --> 00:01:45,230 +area now captain and Captain Carmen Aban +this is the captain speaking + +74 +00:01:45,230 --> 00:01:45,240 +this is the captain speaking + + +75 +00:01:45,240 --> 00:01:47,830 +this is the captain speaking +off soldiers like private Ace leevy and + +76 +00:01:47,830 --> 00:01:47,840 +off soldiers like private Ace leevy and + + +77 +00:01:47,840 --> 00:01:50,389 +off soldiers like private Ace leevy and +lieutenant John Rico come on you a you + +78 +00:01:50,389 --> 00:01:50,399 +lieutenant John Rico come on you a you + + +79 +00:01:50,399 --> 00:01:51,870 +lieutenant John Rico come on you a you +want to live + +80 +00:01:51,870 --> 00:01:51,880 +want to live + + +81 +00:01:51,880 --> 00:01:58,830 +want to live +for we need you all service guarantees + +82 +00:01:58,830 --> 00:01:58,840 + + + +83 +00:01:58,840 --> 00:02:10,529 + +citizenship + +84 +00:02:10,529 --> 00:02:10,539 + + + +85 +00:02:10,539 --> 00:02:43,509 + +[Music] + diff --git a/1997/cHEoEuY_mTk.en.srt b/1997/cHEoEuY_mTk.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..185bf94aee721269223e7bade59c55071dd66b19 --- /dev/null +++ b/1997/cHEoEuY_mTk.en.srt @@ -0,0 +1,485 @@ +1 +00:00:03,159 --> 00:00:05,230 + +I have to say I'm getting quite fond of + +2 +00:00:05,230 --> 00:00:05,240 +I have to say I'm getting quite fond of + + +3 +00:00:05,240 --> 00:00:07,269 +I have to say I'm getting quite fond of +the little machine myself it's too bad + +4 +00:00:07,269 --> 00:00:07,279 +the little machine myself it's too bad + + +5 +00:00:07,279 --> 00:00:09,430 +the little machine myself it's too bad +you can't keep it I know it's just not a + +6 +00:00:09,430 --> 00:00:09,440 +you can't keep it I know it's just not a + + +7 +00:00:09,440 --> 00:00:11,350 +you can't keep it I know it's just not a +chick's car you know what I'm saying + +8 +00:00:11,350 --> 00:00:11,360 +chick's car you know what I'm saying + + +9 +00:00:11,360 --> 00:00:12,990 +chick's car you know what I'm saying +what are you talking + +10 +00:00:12,990 --> 00:00:13,000 +what are you talking + + +11 +00:00:13,000 --> 00:00:15,869 +what are you talking +about well you know this car it's just + +12 +00:00:15,869 --> 00:00:15,879 +about well you know this car it's just + + +13 +00:00:15,879 --> 00:00:19,230 +about well you know this car it's just +built for a man like a man it is a man's + +14 +00:00:19,230 --> 00:00:19,240 +built for a man like a man it is a man's + + +15 +00:00:19,240 --> 00:00:21,230 +built for a man like a man it is a man's +machine well maybe it belongs to her + +16 +00:00:21,230 --> 00:00:21,240 +machine well maybe it belongs to her + + +17 +00:00:21,240 --> 00:00:23,230 +machine well maybe it belongs to her +husband you should oh yeah you shouldn't + +18 +00:00:23,230 --> 00:00:23,240 +husband you should oh yeah you shouldn't + + +19 +00:00:23,240 --> 00:00:24,790 +husband you should oh yeah you shouldn't +be driving it either + +20 +00:00:24,790 --> 00:00:24,800 +be driving it either + + +21 +00:00:24,800 --> 00:00:26,589 +be driving it either +then I'm going to check the glove + +22 +00:00:26,589 --> 00:00:26,599 +then I'm going to check the glove + + +23 +00:00:26,599 --> 00:00:30,830 +then I'm going to check the glove +compartment neck what's an ass neck + +24 +00:00:30,830 --> 00:00:30,840 +compartment neck what's an ass neck + + +25 +00:00:30,840 --> 00:00:32,510 +compartment neck what's an ass neck +total ass neck you don't even know what + +26 +00:00:32,510 --> 00:00:32,520 +total ass neck you don't even know what + + +27 +00:00:32,520 --> 00:00:35,069 +total ass neck you don't even know what +an ass neck is oh what's an ass neck + +28 +00:00:35,069 --> 00:00:35,079 +an ass neck is oh what's an ass neck + + +29 +00:00:35,079 --> 00:00:37,190 +an ass neck is oh what's an ass neck +nothing hey give me the keys to the + +30 +00:00:37,190 --> 00:00:37,200 +nothing hey give me the keys to the + + +31 +00:00:37,200 --> 00:00:41,229 +nothing hey give me the keys to the +trunk what open it what's an ass neck no + +32 +00:00:41,229 --> 00:00:41,239 +trunk what open it what's an ass neck no + + +33 +00:00:41,239 --> 00:00:43,430 +trunk what open it what's an ass neck no +not what's an ass neck where's an ass + +34 +00:00:43,430 --> 00:00:43,440 +not what's an ass neck where's an ass + + +35 +00:00:43,440 --> 00:00:46,510 +not what's an ass neck where's an ass +neck exactly where's your ass neck you + +36 +00:00:46,510 --> 00:00:46,520 +neck exactly where's your ass neck you + + +37 +00:00:46,520 --> 00:00:50,110 +neck exactly where's your ass neck you +want to know where where my ass neck + +38 +00:00:50,110 --> 00:00:50,120 + + + +39 +00:00:50,120 --> 00:00:53,709 + +is well I'm going to guess on my + +40 +00:00:53,709 --> 00:00:53,719 +is well I'm going to guess on my + + +41 +00:00:53,719 --> 00:00:58,910 +is well I'm going to guess on my +ass nope the ass part of your ass uh + +42 +00:00:58,910 --> 00:00:58,920 +ass nope the ass part of your ass uh + + +43 +00:00:58,920 --> 00:01:04,550 +ass nope the ass part of your ass uh +yeah could you be more specific + +44 +00:01:04,550 --> 00:01:04,560 + + + +45 +00:01:04,560 --> 00:01:07,350 + +JT what do you think that is I don't + +46 +00:01:07,350 --> 00:01:07,360 +JT what do you think that is I don't + + +47 +00:01:07,360 --> 00:01:11,390 +JT what do you think that is I don't +know but it's stinks yeah it does okay + +48 +00:01:11,390 --> 00:01:11,400 +know but it's stinks yeah it does okay + + +49 +00:01:11,400 --> 00:01:14,749 +know but it's stinks yeah it does okay +let me explain it to you your ass neck + +50 +00:01:14,749 --> 00:01:14,759 +let me explain it to you your ass neck + + +51 +00:01:14,759 --> 00:01:18,230 +let me explain it to you your ass neck +you guys are so stupid is between your + +52 +00:01:18,230 --> 00:01:18,240 +you guys are so stupid is between your + + +53 +00:01:18,240 --> 00:01:23,069 +you guys are so stupid is between your +scrotum and your that's Dr + +54 +00:01:23,069 --> 00:01:23,079 +scrotum and your that's Dr + + +55 +00:01:23,079 --> 00:01:27,710 +scrotum and your that's Dr +Brewer oh my God oh my + +56 +00:01:27,710 --> 00:01:27,720 +Brewer oh my God oh my + + +57 +00:01:27,720 --> 00:01:32,230 +Brewer oh my God oh my +God do you think she killed him + +58 +00:01:32,230 --> 00:01:32,240 + + + +59 +00:01:32,240 --> 00:01:38,389 + +somebody put bullet holes in his + +60 +00:01:38,389 --> 00:01:38,399 + + + +61 +00:01:38,399 --> 00:01:41,230 + +head oh this is so + +62 +00:01:41,230 --> 00:01:41,240 +head oh this is so + + +63 +00:01:41,240 --> 00:01:43,870 +head oh this is so +beautiful I swear to God this means that + +64 +00:01:43,870 --> 00:01:43,880 +beautiful I swear to God this means that + + +65 +00:01:43,880 --> 00:01:45,149 +beautiful I swear to God this means that +I can keep the + +66 +00:01:45,149 --> 00:01:45,159 +I can keep the + + +67 +00:01:45,159 --> 00:01:48,910 +I can keep the +car I can't believe it what absolutely + +68 +00:01:48,910 --> 00:01:48,920 +car I can't believe it what absolutely + + +69 +00:01:48,920 --> 00:01:51,670 +car I can't believe it what absolutely +because if she killed him then she's not + +70 +00:01:51,670 --> 00:01:51,680 +because if she killed him then she's not + + +71 +00:01:51,680 --> 00:01:53,310 +because if she killed him then she's not +going to report the car stolen do you + +72 +00:01:53,310 --> 00:01:53,320 +going to report the car stolen do you + + +73 +00:01:53,320 --> 00:01:56,109 +going to report the car stolen do you +see am I right if she killed him she + +74 +00:01:56,109 --> 00:01:56,119 +see am I right if she killed him she + + +75 +00:01:56,119 --> 00:02:00,029 +see am I right if she killed him she +would have no problem killing you + +76 +00:02:00,029 --> 00:02:00,039 +would have no problem killing you + + +77 +00:02:00,039 --> 00:02:01,709 +would have no problem killing you +you know what I'm so not worried about + +78 +00:02:01,709 --> 00:02:01,719 +you know what I'm so not worried about + + +79 +00:02:01,719 --> 00:02:04,270 +you know what I'm so not worried about +that because oh my God and this is so + +80 +00:02:04,270 --> 00:02:04,280 +that because oh my God and this is so + + +81 +00:02:04,280 --> 00:02:05,469 +that because oh my God and this is so +beautiful but she doesn't know I have + +82 +00:02:05,469 --> 00:02:05,479 +beautiful but she doesn't know I have + + +83 +00:02:05,479 --> 00:02:07,069 +beautiful but she doesn't know I have +the car I'm just some kid like who gave + +84 +00:02:07,069 --> 00:02:07,079 +the car I'm just some kid like who gave + + +85 +00:02:07,079 --> 00:02:09,510 +the car I'm just some kid like who gave +her a key and you know took a piece of + +86 +00:02:09,510 --> 00:02:09,520 +her a key and you know took a piece of + + +87 +00:02:09,520 --> 00:02:12,710 +her a key and you know took a piece of +paper from it I love this it's true no + +88 +00:02:12,710 --> 00:02:12,720 +paper from it I love this it's true no + + +89 +00:02:12,720 --> 00:02:14,430 +paper from it I love this it's true no +there that's a good point there's no + +90 +00:02:14,430 --> 00:02:14,440 +there that's a good point there's no + + +91 +00:02:14,440 --> 00:02:16,229 +there that's a good point there's no + way we're keeping this car we + +92 +00:02:16,229 --> 00:02:16,239 +way we're keeping this car we + + +93 +00:02:16,239 --> 00:02:18,390 +way we're keeping this car we +have to call the + +94 +00:02:18,390 --> 00:02:18,400 +have to call the + + +95 +00:02:18,400 --> 00:02:21,440 +have to call the +cops dead body + +96 +00:02:21,440 --> 00:02:21,450 +cops dead body + + +97 +00:02:21,450 --> 00:02:52,499 +cops dead body +[Music] + diff --git a/1997/cVIS31ghLNQ.description b/1997/cVIS31ghLNQ.description new file mode 100644 index 0000000000000000000000000000000000000000..7f99f86f3ef332349ef417913f5490d28cc8f2d4 --- /dev/null +++ b/1997/cVIS31ghLNQ.description @@ -0,0 +1,38 @@ +The Lost World: Jurassic Park movie clips: http://j.mp/1uuzhhO +BUY THE MOVIE: http://amzn.to/uMKKqq +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +A very pissed off T-Rex wreaks havoc through the streets of San Diego. + +FILM DESCRIPTION: +Just when you'd think that scientists would realize dinosaurs and humans don't mix, along comes The Lost World: Jurassic Park to prove you wrong. In this sequel, John Hammond (Richard Attenborough) summons chaos theorist and onetime colleague Ian Malcolm (Jeff Goldblum) to his home with some startling information -- while nearly everything at his Jurassic Park had been destroyed, engineers were also operating a second site, where other dinosaurs, resurrected through DNA cloning technology, had been kept in hiding. Hammond has learned the dinosaurs on the second island are alive and well and even breeding; Hammond wants Malcolm to observe and document the reptiles before Hammond's financiers can get to them. Malcolm declares he had enough of the dinosaurs the first time out, but decides to make the trip when he finds out that his girlfriend, paleontologist Sarah Harding (Julianne Moore), is already there. However, Ian and Sarah aren't the only visitors expected on the island; a camera crew led by ecological activist Nick Van Owen (Vince Vaughn) is on the way, as is Roland Tembo (Pete Postlethwaite), a world-class wild game hunter who is supposed to round up the dinosaurs and who hopes to bag a prehistoric trophy for himself in the process. This sequel to Jurassic Park boasted even more impressive special effects than the first film, though the acting and screenplay aren't always at the same level. + +CREDITS: +TM & © Universal (1997) +Cast: Michael N. Fujimoto, Paul Fujimoto, Jeff Goldblum, Brett Harman, Darryl A. Imai, Brian Lally, Michael Milhoan, Kenneth Moskow, Darryl Oumi, Mark Pellegrino, Domini Hofmann, Marjean Holden, Julianne Moore, Jacqueline Schultz +Director: Steven Spielberg +Producers: Gerald R. Molen, Bonnie Curtis, Kathleen Kennedy, Colin Wilson +Screenwriters: Michael Crichton, David Koepp + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/cVIS31ghLNQ.en.srt b/1997/cVIS31ghLNQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..dcf1e70ed22abad4d975e295bbd77f81f140054d --- /dev/null +++ b/1997/cVIS31ghLNQ.en.srt @@ -0,0 +1,208 @@ +1 +00:00:00,020 --> 00:00:02,920 +[ Pandemonium ] + +2 +00:00:03,300 --> 00:00:04,220 +[ Roars ] + +3 +00:00:04,460 --> 00:00:06,460 +[ Car Tumbles ] + +4 +00:00:09,000 --> 00:00:11,180 +[ Sparks Buzzing ] +[ Tires Screeching ] + +5 +00:00:11,660 --> 00:00:13,660 +[ Commotion ] + +6 +00:00:13,940 --> 00:00:16,120 +It's getting to the other side of the bus! + +7 +00:00:18,860 --> 00:00:19,840 +[ Bus Horn Honks ] + +8 +00:00:20,760 --> 00:00:22,140 +[ Defiant Roar ] + +9 +00:00:22,560 --> 00:00:23,140 +[ Crash! ] + +10 +00:00:24,140 --> 00:00:26,140 +[ More Commotion ] + +11 +00:00:28,260 --> 00:00:29,480 +[ Excited Growl ] + +12 +00:00:34,040 --> 00:00:36,040 +[ Windows Shatter As Bus Crashes ] + +13 +00:00:37,500 --> 00:00:40,580 +[ More Pandemonium ] + +14 +00:00:43,080 --> 00:00:45,240 +[ Tyrannosaurus Roaring Throughout... ] + +15 +00:00:56,140 --> 00:00:56,640 +[ Chomp! ] +[ Screams, Then Groans ] + +16 +00:00:56,640 --> 00:01:02,700 +[ Screams, Then Groans ] + +17 +00:01:03,020 --> 00:01:04,540 +[ Growls Ravenously ] + +18 +00:01:08,660 --> 00:01:09,720 +Ian: There, there. + +19 +00:01:09,760 --> 00:01:10,800 +Sarah: Oh, my God... +[ Horn Honks ] + +20 +00:01:10,800 --> 00:01:11,820 +[ Horn Honks ] +[ Tires Screech ] + +21 +00:01:11,820 --> 00:01:13,700 +[ Tires Screech ] + +22 +00:01:13,900 --> 00:01:17,660 +[ Tyrannosaurus Continues Roaring ] + +23 +00:01:18,760 --> 00:01:22,000 +[ Terrified Screams ] + +24 +00:01:25,220 --> 00:01:28,420 +[ Commotion from Sarah ] +Ian: Never gonna know we have it if that thing won't make some kind of sound! + +25 +00:01:28,480 --> 00:01:31,680 +Sarah: ...come on, wake up. Come on. Come on! Wake up. +[ Baby Tyrannosaurus Groans ] + +26 +00:01:32,500 --> 00:01:35,620 +[ Snorts Cautiously ] + +27 +00:01:36,240 --> 00:01:38,240 +[ Roars Angrily ] + +28 +00:01:38,540 --> 00:01:39,680 +Sarah: He knows. + +29 +00:01:40,220 --> 00:01:43,060 +[ 76 Ball Tumbling ] + +30 +00:01:46,340 --> 00:01:49,140 +[ Roars In Anticipation ] + +31 +00:01:49,620 --> 00:01:52,260 +[ Tyrannosaurus Roars Again As Van Tumbles ] + +32 +00:01:54,840 --> 00:01:57,420 +Sarah: ...Ian! Ian! Slow down a little! + +33 +00:01:57,860 --> 00:02:00,700 +Ian: Uh... I don't think so. + +34 +00:02:01,800 --> 00:02:03,800 +[ Police Sirens Blaring ] + +35 +00:02:08,180 --> 00:02:09,840 +[ Annoyed Roar ] + +36 +00:02:09,940 --> 00:02:12,900 +[ Tires Screech As Cars Back Away ] + +37 +00:02:17,380 --> 00:02:18,940 +[ Baby Tyrannosaurus Howling ] + +38 +00:02:21,300 --> 00:02:24,800 +Sarah: This guy's almost fully awake! You know where you're going? + +39 +00:02:25,220 --> 00:02:26,280 +Ian: Yeah... +[ Baby Rex Continues Howling ] + +40 +00:02:26,280 --> 00:02:29,140 +Ian: The waterfront's right on the other side of these... warehouses. + +41 +00:02:29,140 --> 00:02:30,340 +Sarah: Is there any way through? +[ Baby Rex Still Howling... ] + +42 +00:02:30,340 --> 00:02:32,340 +Ian: Oh God, there could be...! + +43 +00:02:33,340 --> 00:02:34,620 +[ Crash! ] + +44 +00:02:38,260 --> 00:02:39,160 +Ian: There we go. + +45 +00:02:42,440 --> 00:02:43,520 +Ian: You have to follow me now. + +46 +00:02:44,320 --> 00:02:45,520 +Ian: There you go. + +47 +00:02:46,460 --> 00:02:47,100 +Sarah: Got him? + +48 +00:02:49,620 --> 00:02:50,160 +Ian: Ready? + +49 +00:02:50,480 --> 00:02:52,860 +Sarah: Where's the Rex? Is it still behind us? + +50 +00:02:53,160 --> 00:02:55,160 +(Does that answer your question, Sarah? Of COURSE he's still behind you! He wants his son!) + diff --git a/1997/c_YHTdu1jFc.description b/1997/c_YHTdu1jFc.description new file mode 100644 index 0000000000000000000000000000000000000000..3410624a0b5bf82b9f9298486420e3ef06c339d3 --- /dev/null +++ b/1997/c_YHTdu1jFc.description @@ -0,0 +1,38 @@ +Face/Off movie clips: http://j.mp/1J9iPXf +BUY THE MOVIE: http://amzn.to/u5ArAd +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Archer (Nicolas Cage) pursues the fleeing Troy (John Travolta) on a speedboat and tries to make him crash. + +FILM DESCRIPTION: +The third of John Woo's American-made feature films, Face/Off stars John Travolta as Sean Archer, an FBI agent obsessed with capturing Castor Troy (Nicolas Cage), a criminal genius who years before killed Archer's son while trying to assassinate the agent. Archer's single-minded pursuit of Troy has caused serious harm to his marriage, but Archer thinks the light may have appeared at the end of the tunnel when a seriously wounded Troy is captured in a bloody shootout. However, it turns out that Troy has planted a time bomb, with a biological payload that could destroy the entire city of Los Angeles -- and Troy isn't about to say where it is. The only other person who knows the bomb's location is Troy's brother, Pollux (Alessandro Nivola), who is no more helpful than Castor. FBI scientists hatch a plan: they have developed an experimental surgery which would allow them to graft Troy's face temporarily on Archer's head and allow him to question Pollux as if he were his brother. But after Archer has taken Troy's face, Troy regains consciousness and forces the doctors to give him Archer's face. Now the criminal mastermind has the FBI at his disposal, and the lawman is underground with few places to turn. Along with Woo's usual elaborately choreographed action scenes, Face/Off features a number of notable supporting performances, including Joan Allen as Archer's wife, Colm Feore and C.C.H. Pounder as FBI scientists, and Gina Gershon as Troy's loyal but long-suffering girlfriend. + +CREDITS: +TM & © Paramount (1997) +Cast: Nicolas Cage, John Travolta +Director: John Woo +Producers: Terence Chang, Michael Colleary, Michael Douglas, Christopher Godsick, Jonathan D. Krane, Barrie M. Osborne, David Permut, Steven Reuther, Mike Werb, Jeff Levine +Screenwriters: Michael Colleary, Mike Werb + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/c_YHTdu1jFc.en.srt b/1997/c_YHTdu1jFc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7284f76601c3c5d8d65147f3060b739d35233580 --- /dev/null +++ b/1997/c_YHTdu1jFc.en.srt @@ -0,0 +1,22 @@ +1 +00:00:18,743 --> 00:00:20,427 +(ship's horn blowing) + +2 +00:00:58,065 --> 00:00:59,699 +Man on speaker: +Stop! This is the police! + +3 +00:00:59,767 --> 00:01:02,769 +Stop immediately or we will +be forced to open fire! + +4 +00:01:04,222 --> 00:01:05,722 +Fire! Fire! + +5 +00:01:09,460 --> 00:01:10,377 +Ahh! + diff --git a/1997/ccAWioDHgQM.description b/1997/ccAWioDHgQM.description new file mode 100644 index 0000000000000000000000000000000000000000..7ec3b010bf9320415d1f7dfe3371bc97bffc64a6 --- /dev/null +++ b/1997/ccAWioDHgQM.description @@ -0,0 +1,38 @@ +Life is Beautiful movie clips: http://j.mp/1L7odMi +BUY THE MOVIE: http://amzn.to/tbf8KV +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Joshua (Giorgio Cantarini) thinks that the American tank liberating the concentration camp is really the prize he won for winning the game. + +FILM DESCRIPTION: +In this WW II tragicomedy, famed Italian funnyman Roberto Benigni (The Monster) portrays Guido, who moves during the '30s from the country to a Tuscan town, where he is entranced by schoolteacher Dora (Nicoletta Braschi, Benigni's real-life wife). Dora likes Guido, but she remains faithful to her pompous fiancé, so Guido has an uphill struggle. Meanwhile, anti-Semitic attitudes lead to attacks against Guido's Jewish uncle (Giustino Durano). Leaping ahead to five years later, during WW II, Guido and Dora are married and have a son Giosue (Giorgio Cantarini). After they are imprisoned in a concentration camp, Guido goes to elaborate lengths to keep his son from understanding the truth of their situation. He tells the boy that they are competing with others to win an armored tank -- so everything from food shortages to tattoos is explained as necessary for participation in the contest. + +CREDITS: +TM & © Miramax Films (1997) +Cast: Giorgio Cantarini, Nicoletta Braschi +Director: Roberto Benigni +Producers: Gianluigi Braschi, Mario Cotone, John M. Davis, Elda Ferri, Agnès Mentre, John Rogers +Screenwriters: Vincenzo Cerami, Roberto Benigni + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/ccAWioDHgQM.en.srt b/1997/ccAWioDHgQM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..3316f4cfb6cc5a6d263487b070e2e12883202c97 --- /dev/null +++ b/1997/ccAWioDHgQM.en.srt @@ -0,0 +1,108 @@ +1 +00:01:25,820 --> 00:01:27,820 +its true + +2 +00:01:38,120 --> 00:01:40,120 +Hi boy + +3 +00:01:41,820 --> 00:01:43,820 +You all alone? + +4 +00:01:44,420 --> 00:01:45,960 +whats your name? + +5 +00:01:45,960 --> 00:01:46,520 +*Nods Head* + +6 +00:01:47,760 --> 00:01:48,760 +You don't Understand what I'm saying.do you? + +7 +00:01:49,560 --> 00:01:51,560 +We'll give you a lift. Come on? + +8 +00:01:52,140 --> 00:01:54,060 +Come on.Get up here. + +9 +00:01:58,220 --> 00:01:58,720 +*music plays* + +10 +00:01:59,400 --> 00:01:59,900 +all the way down. come on + +11 +00:02:00,740 --> 00:02:02,620 +*mumbles* + +12 +00:02:03,020 --> 00:02:04,020 +here we go! + +13 +00:02:04,500 --> 00:02:05,800 +*noise* + +14 +00:02:47,300 --> 00:02:49,300 +Mama + +15 +00:02:51,000 --> 00:02:53,000 +Stop!!! + +16 +00:02:54,680 --> 00:02:55,960 +mama + +17 +00:03:01,440 --> 00:03:03,440 +This is my story + +18 +00:03:03,440 --> 00:03:04,820 +mama + +19 +00:03:04,960 --> 00:03:07,180 +This is the Sacrifice my father made + +20 +00:03:07,700 --> 00:03:08,200 +Joshua + +21 +00:03:09,520 --> 00:03:11,240 +This was his gift to me + +22 +00:03:11,660 --> 00:03:13,660 +We won + +23 +00:03:13,700 --> 00:03:15,700 +Yes we won + +24 +00:03:15,800 --> 00:03:17,800 +Joshua + +25 +00:03:17,800 --> 00:03:20,140 +A thousand points to laugh like crazy about + +26 +00:03:21,400 --> 00:03:23,400 +we came in first!! we're taking the tank home!! + +27 +00:03:24,700 --> 00:03:26,700 +we won!!! + diff --git a/1997/cjFIi3PC2cI.description b/1997/cjFIi3PC2cI.description new file mode 100644 index 0000000000000000000000000000000000000000..142345df91d4580d29c884ad35e6bed119c363e4 --- /dev/null +++ b/1997/cjFIi3PC2cI.description @@ -0,0 +1,38 @@ +L.A. Confidential movie clips: http://j.mp/1BcZpNh +BUY THE MOVIE: http://j.mp/T8lXGk +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Ed Exley (Guy Pearce) and Bud White (Russell Crowe) are ambushed at the Victory Motel, but they won't go down without a fight. + +FILM DESCRIPTION: +Based on the best-selling novel by James Ellroy and directed by Curtis Hanson, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and netted two, with Brian Helgeland honored for Best Adapted Screenplay, and Kim Basinger taking home a statuette as Best Supporting Actress. + +CREDITS: +TM & © Warner Bros. (1997) +Cast: Tomas Arana, Russell Crowe, Michael McCleery, Guy Pearce, George Yager +Director: Curtis Hanson +Producers: Curtis Hanson, Brian Helgeland, Dan Kolsrud, Arnon Milchan, Michael G. Nathanson, David L. Wolper +Screenwriters: James Ellroy, Brian Helgeland, Curtis Hanson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/cku1N8eCUlo.ar.srt b/1997/cku1N8eCUlo.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..fd801cc67c2be70e9fa3683d857f6e5a4966c11e --- /dev/null +++ b/1997/cku1N8eCUlo.ar.srt @@ -0,0 +1,65 @@ +1 +00:00:05,910 --> 00:00:39,410 + +[الموسيقى] + +2 +00:00:39,410 --> 00:00:39,420 + + + +3 +00:00:39,420 --> 00:00:45,950 + +[الموسيقى] + +4 +00:00:45,950 --> 00:00:45,960 + + + +5 +00:00:45,960 --> 00:00:53,960 + +هي + +6 +00:00:53,960 --> 00:00:53,970 + + + +7 +00:00:53,970 --> 00:01:00,310 + +[الموسيقى] + +8 +00:01:00,310 --> 00:01:00,320 + + + +9 +00:01:00,320 --> 00:01:06,800 + +نحن + +10 +00:01:06,800 --> 00:01:06,810 + + + +11 +00:01:06,810 --> 00:01:13,070 + +[الموسيقى] + +12 +00:01:13,070 --> 00:01:13,080 + + + +13 +00:01:13,080 --> 00:01:52,450 + +[الموسيقى] + diff --git a/1997/cv7_7dSbaOk.description b/1997/cv7_7dSbaOk.description new file mode 100644 index 0000000000000000000000000000000000000000..2a2248454a7899ddc6f0857cece233f5b046b1b8 --- /dev/null +++ b/1997/cv7_7dSbaOk.description @@ -0,0 +1,44 @@ +Alien: Resurrection movie clips: http://j.mp/1dQGl0Y +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/alien-resurrection-1997/1MV9dcb3b417d4ea407733502f9e231af09?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1dH003B +Google Play - http://bit.ly/1FY5Ojv +Amazon - http://amzn.to/1SQGzFn +Fox Movies - http://fox.co/2zMxyva +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +The team is pursued by aliens even when they try to escape underwater. + +FILM DESCRIPTION: +Two centuries after Ellen Ripley's death, doctors aboard the space station Auriga clone her using a blood sample taken from Fiorna 161, in hopes of harvesting the queen embryo that was incubating inside of her when she was trapped on the remote penal planet. Finally succeeding after numerous attempts, they remove the alien and repair the clone for further study. Before long, the Ripley clone has gained consciousness, and displays superhuman capabilities that suggest it possesses alien DNA. When Ripley discovers that General Perez (Dan Hedaya) is keeping the queen in a heavily fortified room of the space station, she warns the military man and his scientists that the creature cannot be contained no matter how hard they try. Meanwhile, General Perez has hired a crew of space pirates to deliver the cryogenically frozen bodies of another ship to the Auriga so they can be used to breed more aliens. The leader of the pirates is Johner (Ron Perlman), a gruff mercenary who engages Ripley to no avail. When Call (Winona Ryder), one of Johner's crewmembers, admits that she was sent to assassinate Ripley, General Perez attempts to have the pirates executed. The result is a tense standoff between the pirates and the military men, with the aliens causing havoc after breaking free of their containment cells. Attempting a daring escape, Ripley and the pirates discover the lab where she was cloned before being forced to swim through the mess hall, which has been submerged in water during the aliens' escape. Discovering a carefully guarded secret about Call's past, Ripley attempts to convince her to alter the Auruga's course, which was set to Earth when the ship went into emergency mode. With the fate of mankind hanging in the balance, Ripley is captured by the aliens and taken to their nest, where she comes face to face with the mutated results of the scientists' experiments. + +CREDITS: +TM & © Fox (1997) +Courtesy of Twentieth Century Fox Film Corporation +Cast: Sigourney Weaver, Winona Ryder, Dominique Pinon, Ron Perlman, Gary Dourdan, Kim Flowers +Director: Jean-Pierre Jeunet +Producers: Bill Badalato, Gordon Carroll, David Giler, Walter Hill, Sigourney Weaver +Screenwriters: Dan O'Bannon, Ronald Shusett, Joss Whedon + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/d6ISJ_dN-80.description b/1997/d6ISJ_dN-80.description new file mode 100644 index 0000000000000000000000000000000000000000..8dd6da0f9e688757f2a523097daf1b0c55473a46 --- /dev/null +++ b/1997/d6ISJ_dN-80.description @@ -0,0 +1,38 @@ +Face/Off movie clips: http://j.mp/1J9iPXf +BUY THE MOVIE: http://amzn.to/u5ArAd +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Archer (John Travolta) has a shootout with Castor Troy (Nicolas Cage) in an airplane hangar. + +FILM DESCRIPTION: +The third of John Woo's American-made feature films, Face/Off stars John Travolta as Sean Archer, an FBI agent obsessed with capturing Castor Troy (Nicolas Cage), a criminal genius who years before killed Archer's son while trying to assassinate the agent. Archer's single-minded pursuit of Troy has caused serious harm to his marriage, but Archer thinks the light may have appeared at the end of the tunnel when a seriously wounded Troy is captured in a bloody shootout. However, it turns out that Troy has planted a time bomb, with a biological payload that could destroy the entire city of Los Angeles -- and Troy isn't about to say where it is. The only other person who knows the bomb's location is Troy's brother, Pollux (Alessandro Nivola), who is no more helpful than Castor. FBI scientists hatch a plan: they have developed an experimental surgery which would allow them to graft Troy's face temporarily on Archer's head and allow him to question Pollux as if he were his brother. But after Archer has taken Troy's face, Troy regains consciousness and forces the doctors to give him Archer's face. Now the criminal mastermind has the FBI at his disposal, and the lawman is underground with few places to turn. Along with Woo's usual elaborately choreographed action scenes, Face/Off features a number of notable supporting performances, including Joan Allen as Archer's wife, Colm Feore and C.C.H. Pounder as FBI scientists, and Gina Gershon as Troy's loyal but long-suffering girlfriend. + +CREDITS: +TM & © Paramount (1997) +Cast: Nicolas Cage, John Travolta +Director: John Woo +Producers: Terence Chang, Michael Colleary, Michael Douglas, Christopher Godsick, Jonathan D. Krane, Barrie M. Osborne, David Permut, Steven Reuther, Mike Werb, Jeff Levine +Screenwriters: Michael Colleary, Mike Werb + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/d6ISJ_dN-80.en.srt b/1997/d6ISJ_dN-80.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f2a766c0604e4615692f2ec31ba6cdc9def74332 --- /dev/null +++ b/1997/d6ISJ_dN-80.en.srt @@ -0,0 +1,405 @@ +1 +00:00:23,840 --> 00:00:24,810 + +your time's + +2 +00:00:24,810 --> 00:00:24,820 +your time's + + +3 +00:00:24,820 --> 00:00:26,870 +your time's +[Music] + +4 +00:00:26,870 --> 00:00:26,880 +[Music] + + +5 +00:00:26,880 --> 00:00:29,950 +[Music] +up well you better hit me Sean cuz you + +6 +00:00:29,950 --> 00:00:29,960 +up well you better hit me Sean cuz you + + +7 +00:00:29,960 --> 00:00:33,110 +up well you better hit me Sean cuz you +only got one bullet left so do + +8 +00:00:33,110 --> 00:00:33,120 +only got one bullet left so do + + +9 +00:00:33,120 --> 00:00:34,950 +only got one bullet left so do +you + +10 +00:00:34,950 --> 00:00:34,960 +you + + +11 +00:00:34,960 --> 00:00:37,750 +you +wow we've got something in + +12 +00:00:37,750 --> 00:00:37,760 +wow we've got something in + + +13 +00:00:37,760 --> 00:00:40,150 +wow we've got something in +common we both know our + +14 +00:00:40,150 --> 00:00:40,160 +common we both know our + + +15 +00:00:40,160 --> 00:00:43,150 +common we both know our +guns what we don't have in common is + +16 +00:00:43,150 --> 00:00:43,160 +guns what we don't have in common is + + +17 +00:00:43,160 --> 00:00:47,069 +guns what we don't have in common is +that I don't care if I live and you do + +18 +00:00:47,069 --> 00:00:47,079 +that I don't care if I live and you do + + +19 +00:00:47,079 --> 00:00:48,910 +that I don't care if I live and you do +Sean that + +20 +00:00:48,910 --> 00:00:48,920 +Sean that + + +21 +00:00:48,920 --> 00:00:51,670 +Sean that +hurts you're not having any fun are you + +22 +00:00:51,670 --> 00:00:51,680 +hurts you're not having any fun are you + + +23 +00:00:51,680 --> 00:00:54,790 +hurts you're not having any fun are you +Sean why don't you come with us try + +24 +00:00:54,790 --> 00:00:54,800 +Sean why don't you come with us try + + +25 +00:00:54,800 --> 00:00:56,349 +Sean why don't you come with us try +terrorism For Hire we'll blow some + +26 +00:00:56,349 --> 00:00:56,359 +terrorism For Hire we'll blow some + + +27 +00:00:56,359 --> 00:00:58,349 +terrorism For Hire we'll blow some +up it's more fun shut the up you + +28 +00:00:58,349 --> 00:00:58,359 +up it's more fun shut the up you + + +29 +00:00:58,359 --> 00:01:00,910 +up it's more fun shut the up you +watch your mouth + +30 +00:01:00,910 --> 00:01:00,920 +watch your mouth + + +31 +00:01:00,920 --> 00:01:02,990 +watch your mouth +I'm about to unleash the biblical plague + +32 +00:01:02,990 --> 00:01:03,000 +I'm about to unleash the biblical plague + + +33 +00:01:03,000 --> 00:01:04,189 +I'm about to unleash the biblical plague +H + +34 +00:01:04,189 --> 00:01:04,199 +H + + +35 +00:01:04,199 --> 00:01:06,469 +H +deserves but I'll give this hole a + +36 +00:01:06,469 --> 00:01:06,479 +deserves but I'll give this hole a + + +37 +00:01:06,479 --> 00:01:08,990 +deserves but I'll give this hole a +break if my brother and I walk bull + +38 +00:01:08,990 --> 00:01:09,000 +break if my brother and I walk bull + + +39 +00:01:09,000 --> 00:01:11,550 +break if my brother and I walk bull +oh oh no I I see I see you think I'm + +40 +00:01:11,550 --> 00:01:11,560 +oh oh no I I see I see you think I'm + + +41 +00:01:11,560 --> 00:01:15,030 +oh oh no I I see I see you think I'm +bluffing maybe I am but then maybe I'm + +42 +00:01:15,030 --> 00:01:15,040 +bluffing maybe I am but then maybe I'm + + +43 +00:01:15,040 --> 00:01:17,230 +bluffing maybe I am but then maybe I'm +not more importantly what would you do + +44 +00:01:17,230 --> 00:01:17,240 +not more importantly what would you do + + +45 +00:01:17,240 --> 00:01:19,109 +not more importantly what would you do +with me locked up you drive your wife + +46 +00:01:19,109 --> 00:01:19,119 +with me locked up you drive your wife + + +47 +00:01:19,119 --> 00:01:21,630 +with me locked up you drive your wife +and kid crazy see how is your daughter + +48 +00:01:21,630 --> 00:01:21,640 +and kid crazy see how is your daughter + + +49 +00:01:21,640 --> 00:01:23,590 +and kid crazy see how is your daughter +anyway is she righten you by now your + +50 +00:01:23,590 --> 00:01:23,600 +anyway is she righten you by now your + + +51 +00:01:23,600 --> 00:01:26,230 +anyway is she righten you by now your +darling Janie your little Peach is she + +52 +00:01:26,230 --> 00:01:26,240 +darling Janie your little Peach is she + + +53 +00:01:26,240 --> 00:01:28,830 +darling Janie your little Peach is she +[Music] + +54 +00:01:28,830 --> 00:01:28,840 +[Music] + + +55 +00:01:28,840 --> 00:01:30,440 +[Music] +right + +56 +00:01:30,440 --> 00:01:30,450 +right + + +57 +00:01:30,450 --> 00:01:32,710 +right +[Applause] + +58 +00:01:32,710 --> 00:01:32,720 +[Applause] + + +59 +00:01:32,720 --> 00:01:34,510 +[Applause] +okay + +60 +00:01:34,510 --> 00:01:34,520 +okay + + +61 +00:01:34,520 --> 00:01:38,789 +okay +okay please man Don't Shoot + +62 +00:01:38,789 --> 00:01:38,799 + + + +63 +00:01:38,799 --> 00:01:42,150 + +Me I'm Scared + +64 +00:01:42,150 --> 00:01:42,160 +Me I'm Scared + + +65 +00:01:42,160 --> 00:01:44,749 +Me I'm Scared +[Laughter] + +66 +00:01:44,749 --> 00:01:44,759 +[Laughter] + + +67 +00:01:44,759 --> 00:01:47,069 +[Laughter] +Johnny well I think you better pull the + +68 +00:01:47,069 --> 00:01:47,079 +Johnny well I think you better pull the + + +69 +00:01:47,079 --> 00:01:51,550 +Johnny well I think you better pull the +trigger cuz I don't give a I'm + +70 +00:01:51,550 --> 00:01:51,560 +trigger cuz I don't give a I'm + + +71 +00:01:51,560 --> 00:01:57,160 +trigger cuz I don't give a I'm +ready ready for the big ride + +72 +00:01:57,160 --> 00:01:57,170 + + + +73 +00:01:57,170 --> 00:01:58,830 + +[Music] + +74 +00:01:58,830 --> 00:01:58,840 +[Music] + + +75 +00:01:58,840 --> 00:02:13,470 +[Music] +baby + +76 +00:02:13,470 --> 00:02:13,480 + + + +77 +00:02:13,480 --> 00:02:28,750 + +[Music] + +78 +00:02:28,750 --> 00:02:28,760 + + + +79 +00:02:28,760 --> 00:02:30,440 + +a + +80 +00:02:30,440 --> 00:02:30,450 +a + + +81 +00:02:30,450 --> 00:02:44,509 +a +[Music] + diff --git a/1997/d79o09D8cuo.en.srt b/1997/d79o09D8cuo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..fd2863c93ef2a3f64a7d5e8fc627ea6ae1d58394 --- /dev/null +++ b/1997/d79o09D8cuo.en.srt @@ -0,0 +1,505 @@ +1 +00:00:00,120 --> 00:00:01,829 + +what the are you doing you can't + +2 +00:00:01,829 --> 00:00:01,839 +what the are you doing you can't + + +3 +00:00:01,839 --> 00:00:11,190 +what the are you doing you can't +catch anacondas without bait oh my + +4 +00:00:11,190 --> 00:00:11,200 + + + +5 +00:00:11,200 --> 00:00:14,669 + +God West Ridge let's go no Westridge + +6 +00:00:14,669 --> 00:00:14,679 +God West Ridge let's go no Westridge + + +7 +00:00:14,679 --> 00:00:17,670 +God West Ridge let's go no Westridge +stop not on my boat good boy you speak + +8 +00:00:17,670 --> 00:00:17,680 +stop not on my boat good boy you speak + + +9 +00:00:17,680 --> 00:00:18,710 +stop not on my boat good boy you speak +for + +10 +00:00:18,710 --> 00:00:18,720 +for + + +11 +00:00:18,720 --> 00:00:20,230 +for +everybody + +12 +00:00:20,230 --> 00:00:20,240 +everybody + + +13 +00:00:20,240 --> 00:00:23,269 +everybody +Gary she speak for + +14 +00:00:23,269 --> 00:00:23,279 +Gary she speak for + + +15 +00:00:23,279 --> 00:00:25,349 +Gary she speak for +everybody + +16 +00:00:25,349 --> 00:00:25,359 +everybody + + +17 +00:00:25,359 --> 00:00:28,390 +everybody +huh + +18 +00:00:28,390 --> 00:00:28,400 + + + +19 +00:00:28,400 --> 00:00:30,710 + +Gary well I mean you know the way I + +20 +00:00:30,710 --> 00:00:30,720 +Gary well I mean you know the way I + + +21 +00:00:30,720 --> 00:00:32,589 +Gary well I mean you know the way I +figure it with kale messed up I mean the + +22 +00:00:32,589 --> 00:00:32,599 +figure it with kale messed up I mean the + + +23 +00:00:32,599 --> 00:00:35,709 +figure it with kale messed up I mean the +movie's off why not Salvage + +24 +00:00:35,709 --> 00:00:35,719 +movie's off why not Salvage + + +25 +00:00:35,719 --> 00:00:38,470 +movie's off why not Salvage +something you know let's film Sone + +26 +00:00:38,470 --> 00:00:38,480 +something you know let's film Sone + + +27 +00:00:38,480 --> 00:00:40,190 +something you know let's film Sone +capturing a big + +28 +00:00:40,190 --> 00:00:40,200 +capturing a big + + +29 +00:00:40,200 --> 00:00:42,950 +capturing a big +snake have you lost your mind have I + +30 +00:00:42,950 --> 00:00:42,960 +snake have you lost your mind have I + + +31 +00:00:42,960 --> 00:00:44,990 +snake have you lost your mind have I +lost my mind no I haven't lost my mind + +32 +00:00:44,990 --> 00:00:45,000 +lost my mind no I haven't lost my mind + + +33 +00:00:45,000 --> 00:00:46,630 +lost my mind no I haven't lost my mind +if anything I'm completely Lucid right + +34 +00:00:46,630 --> 00:00:46,640 +if anything I'm completely Lucid right + + +35 +00:00:46,640 --> 00:00:47,950 +if anything I'm completely Lucid right +now I think it's you guys who need to + +36 +00:00:47,950 --> 00:00:47,960 +now I think it's you guys who need to + + +37 +00:00:47,960 --> 00:00:51,069 +now I think it's you guys who need to +open up your eyes yo hold up how we go + +38 +00:00:51,069 --> 00:00:51,079 +open up your eyes yo hold up how we go + + +39 +00:00:51,079 --> 00:00:53,389 +open up your eyes yo hold up how we go +from taking kill to the hospital to + +40 +00:00:53,389 --> 00:00:53,399 +from taking kill to the hospital to + + +41 +00:00:53,399 --> 00:00:55,110 +from taking kill to the hospital to +catching a godamn snake do you know + +42 +00:00:55,110 --> 00:00:55,120 +catching a godamn snake do you know + + +43 +00:00:55,120 --> 00:00:57,110 +catching a godamn snake do you know +where you are you're in the middle of + +44 +00:00:57,110 --> 00:00:57,120 +where you are you're in the middle of + + +45 +00:00:57,120 --> 00:00:59,549 +where you are you're in the middle of +the Jungle okay all you guys do is you + +46 +00:00:59,549 --> 00:00:59,559 +the Jungle okay all you guys do is you + + +47 +00:00:59,559 --> 00:01:01,709 +the Jungle okay all you guys do is you +question and you criticize but just + +48 +00:01:01,709 --> 00:01:01,719 +question and you criticize but just + + +49 +00:01:01,719 --> 00:01:03,430 +question and you criticize but just +remember you don't know about the + +50 +00:01:03,430 --> 00:01:03,440 +remember you don't know about the + + +51 +00:01:03,440 --> 00:01:06,070 +remember you don't know about the + we're in out here and neither do I + +52 +00:01:06,070 --> 00:01:06,080 +we're in out here and neither do I + + +53 +00:01:06,080 --> 00:01:08,789 +we're in out here and neither do I +okay but I guarantee you I know who does + +54 +00:01:08,789 --> 00:01:08,799 +okay but I guarantee you I know who does + + +55 +00:01:08,799 --> 00:01:10,030 +okay but I guarantee you I know who does +this + +56 +00:01:10,030 --> 00:01:10,040 +this + + +57 +00:01:10,040 --> 00:01:13,469 +this +guy Paul has been here and if we help + +58 +00:01:13,469 --> 00:01:13,479 +guy Paul has been here and if we help + + +59 +00:01:13,479 --> 00:01:15,710 +guy Paul has been here and if we help +him catch this snake then he will help + +60 +00:01:15,710 --> 00:01:15,720 +him catch this snake then he will help + + +61 +00:01:15,720 --> 00:01:18,510 +him catch this snake then he will help +us get out of here alive and that Amigos + +62 +00:01:18,510 --> 00:01:18,520 +us get out of here alive and that Amigos + + +63 +00:01:18,520 --> 00:01:20,910 +us get out of here alive and that Amigos +is not Insanity that is common freaking + +64 +00:01:20,910 --> 00:01:20,920 +is not Insanity that is common freaking + + +65 +00:01:20,920 --> 00:01:26,030 +is not Insanity that is common freaking +Sense come on Gary this this isn't you + +66 +00:01:26,030 --> 00:01:26,040 +Sense come on Gary this this isn't you + + +67 +00:01:26,040 --> 00:01:28,109 +Sense come on Gary this this isn't you +honey what did he do to you stop okay + +68 +00:01:28,109 --> 00:01:28,119 +honey what did he do to you stop okay + + +69 +00:01:28,119 --> 00:01:29,670 +honey what did he do to you stop okay +stop think about how much money this + +70 +00:01:29,670 --> 00:01:29,680 +stop think about how much money this + + +71 +00:01:29,680 --> 00:01:32,630 +stop think about how much money this +would be you were imagine capturing + +72 +00:01:32,630 --> 00:01:32,640 +would be you were imagine capturing + + +73 +00:01:32,640 --> 00:01:35,350 +would be you were imagine capturing +something like this on film for the + +74 +00:01:35,350 --> 00:01:35,360 +something like this on film for the + + +75 +00:01:35,360 --> 00:01:37,149 +something like this on film for the +first time + +76 +00:01:37,149 --> 00:01:37,159 +first time + + +77 +00:01:37,159 --> 00:01:39,270 +first time +ever let's be honest what else are we + +78 +00:01:39,270 --> 00:01:39,280 +ever let's be honest what else are we + + +79 +00:01:39,280 --> 00:01:41,149 +ever let's be honest what else are we +supposed to do I know what I'm going to + +80 +00:01:41,149 --> 00:01:41,159 +supposed to do I know what I'm going to + + +81 +00:01:41,159 --> 00:01:43,270 +supposed to do I know what I'm going to +do I'm about to throw both of y'all son + +82 +00:01:43,270 --> 00:01:43,280 +do I'm about to throw both of y'all son + + +83 +00:01:43,280 --> 00:01:48,830 +do I'm about to throw both of y'all son +of a in the river + +84 +00:01:48,830 --> 00:01:48,840 + + + +85 +00:01:48,840 --> 00:01:51,709 + +myself I don't think so I didn't want + +86 +00:01:51,709 --> 00:01:51,719 +myself I don't think so I didn't want + + +87 +00:01:51,719 --> 00:01:54,389 +myself I don't think so I didn't want +this to happen + +88 +00:01:54,389 --> 00:01:54,399 +this to happen + + +89 +00:01:54,399 --> 00:01:58,190 +this to happen +people let's go west + +90 +00:01:58,190 --> 00:01:58,200 +people let's go west + + +91 +00:01:58,200 --> 00:02:01,749 +people let's go west +Okay g + +92 +00:02:01,749 --> 00:02:01,759 +Okay g + + +93 +00:02:01,759 --> 00:02:02,870 +Okay g +occupy + +94 +00:02:02,870 --> 00:02:02,880 +occupy + + +95 +00:02:02,880 --> 00:02:07,110 +occupy +yourselves by some cars + +96 +00:02:07,110 --> 00:02:07,120 +yourselves by some cars + + +97 +00:02:07,120 --> 00:02:30,869 +yourselves by some cars +[Music] + +98 +00:02:30,869 --> 00:02:30,879 + + + +99 +00:02:30,879 --> 00:02:34,520 + +to + +100 +00:02:34,520 --> 00:02:34,530 + + + +101 +00:02:34,530 --> 00:02:40,490 + +[Music] + diff --git a/1997/dAE7uOO_4v4.description b/1997/dAE7uOO_4v4.description new file mode 100644 index 0000000000000000000000000000000000000000..6a62d6e152ca7666503aef48624d027b568c4850 --- /dev/null +++ b/1997/dAE7uOO_4v4.description @@ -0,0 +1,38 @@ +Liar Liar movie clips: http://j.mp/1uuZf4M +BUY THE MOVIE: http://amzn.to/uMBdGg +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Fletcher (Jim Carrey) puts his curse to a simple test: Can he lie about a pen? + +FILM DESCRIPTION: +An attorney who tells the truth for 24 hours straight? This has got to be the movies! Fletcher Reede (Jim Carrey) is a lawyer obsessed with his career, and he's devoted his life to bending the truth to his advantage. This habit has broken up his marriage to Audrey (Maura Tierney) and isn't doing much good for his relationship with his young son Max (Justin Cooper). Fletcher repeatedly promised Max that he'll be there for Max's eighth birthday party, but when an important assignment comes up at work, Fletcher calls Audrey and makes an excuse so flimsy that even Max can see through it. When it comes time to blow out the candles on his cake, Max makes a wish: that his Dad could go just one day without telling a lie. Suddenly, Max finds himself physically incapable of saying anything that isn't true -- which, given the divorce settlement case he's just been handed, is going to make his next day in court very interesting indeed. While designed to show off a warmer and more likable side of Jim Carrey's personality, Liar Liar still revels in the broad physical comedy that made Carrey a star in Ace Ventura, Pet Detective -- which makes sense, since both were directed by Tom Shadyac. Both Carrey's fans and foes will get a chuckle out of Swoosie Kurtz's tongue-in-cheek insult to the film's star in the blooper reel that runs under the final credits. + +CREDITS: +TM & © Universal (1997) +Cast: Jim Carrey, SW Fisher, Ben Lemon, Jarrad Paul, Anne Haney +Director: Tom Shadyac +Producers: James D. Brubaker, Brian Grazer, Michael Bostick +Screenwriters: Paul Guay, Stephen Mazur + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/dAE7uOO_4v4.en.srt b/1997/dAE7uOO_4v4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..3dc1243eb43e9f8b7fd2a1b859dd1539e1fd8ffd --- /dev/null +++ b/1997/dAE7uOO_4v4.en.srt @@ -0,0 +1,175 @@ +1 +00:00:02,680 --> 00:00:08,440 + +[Music] + +2 +00:00:08,440 --> 00:00:08,450 +[Music] + + +3 +00:00:08,450 --> 00:00:11,870 +[Music] +hi mr. eat like a new dress whatever + +4 +00:00:11,870 --> 00:00:11,880 +hi mr. eat like a new dress whatever + + +5 +00:00:11,880 --> 00:00:15,820 +hi mr. eat like a new dress whatever +takes the focus off your head + +6 +00:00:15,820 --> 00:00:15,830 + + + +7 +00:00:15,830 --> 00:00:27,710 + +what's up your cholesterol don't ask for + +8 +00:00:27,710 --> 00:00:27,720 +what's up your cholesterol don't ask for + + +9 +00:00:27,720 --> 00:00:30,160 +what's up your cholesterol don't ask for +God cheeks don't ask + +10 +00:00:30,160 --> 00:00:30,170 +God cheeks don't ask + + +11 +00:00:30,170 --> 00:00:48,529 +God cheeks don't ask +alright you can be this red alright no + +12 +00:00:48,529 --> 00:00:48,539 +alright you can be this red alright no + + +13 +00:00:48,539 --> 00:00:56,930 +alright you can be this red alright no +focus the color of this pen is the color + +14 +00:00:56,930 --> 00:00:56,940 +focus the color of this pen is the color + + +15 +00:00:56,940 --> 00:01:14,730 +focus the color of this pen is the color +of this pen is right + +16 +00:01:14,730 --> 00:01:14,740 + + + +17 +00:01:14,740 --> 00:01:19,230 + +[Music] + +18 +00:01:19,230 --> 00:01:19,240 + + + +19 +00:01:19,240 --> 00:01:27,260 + +but more high and the kids said + +20 +00:01:27,260 --> 00:01:27,270 + + + +21 +00:01:27,270 --> 00:01:49,380 + +[Music] + +22 +00:01:49,380 --> 00:01:49,390 +[Music] + + +23 +00:01:49,390 --> 00:01:52,660 +[Music] +[Applause] + +24 +00:01:52,660 --> 00:01:52,670 + + + +25 +00:01:52,670 --> 00:01:56,230 + +right right awesome + +26 +00:01:56,230 --> 00:01:56,240 +right right awesome + + +27 +00:01:56,240 --> 00:02:16,770 +right right awesome +[Music] + +28 +00:02:16,770 --> 00:02:16,780 + + + +29 +00:02:16,780 --> 00:02:26,770 + +what happened McKenna's blue is blue + +30 +00:02:26,770 --> 00:02:26,780 +what happened McKenna's blue is blue + + +31 +00:02:26,780 --> 00:02:28,320 +what happened McKenna's blue is blue +[Music] + +32 +00:02:28,320 --> 00:02:28,330 +[Music] + + +33 +00:02:28,330 --> 00:02:28,420 +[Music] +[Applause] + +34 +00:02:28,420 --> 00:02:28,430 +[Applause] + + +35 +00:02:28,430 --> 00:03:03,520 +[Applause] +[Music] + diff --git a/1997/dO_D5ilNoZA.description b/1997/dO_D5ilNoZA.description new file mode 100644 index 0000000000000000000000000000000000000000..d8b4db3e7841d6657b32399facb77fd60cc2dfef --- /dev/null +++ b/1997/dO_D5ilNoZA.description @@ -0,0 +1,38 @@ +L.A. Confidential movie clips: http://j.mp/1BcZpNh +BUY THE MOVIE: http://j.mp/T8lXGk +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Ed Exley (Guy Pearce) confronts the corrupt police captain Dudley Smith (James Cromwell) and stops him from evading the law. + +FILM DESCRIPTION: +Based on the best-selling novel by James Ellroy and directed by Curtis Hanson, this award-winning crime drama explores both the dark side of the Los Angeles police force and Southern California's criminal underbelly in the early '50s, when Hollywood was still seen as America's capital of sophistication, glitter, and glamour. Dudley Smith (James Cromwell) is the head of the LAPD and is loyal to his officers and eager to turn a blind eye to violence or corruption within his department, as long as it's the "bad guys" who are getting hurt. Bud White (Russell Crowe) is a police detective whose violent and cynical nature is often at war with his basic sense of decency and justice. Ed Exley (Guy Pearce) is a beat cop-turned-detective whose strict by-the-book philosophy and willingness to blow the whistle on other officers is balanced by a shrewd and opportunistic understanding of the internal politics of the department. And Jack Vincennes (Kevin Spacey) is a flashy "Hollywood" detective who serves as technical advisor for the TV series Badge of Honor. He is also in cahoots with Sid Hudgeons (Danny DeVito), publisher of the scandal sheet Hush Hush, who throws kickbacks to Vincennes in exchange for being brought along when showbiz figures get busted. White, Exley, and Vincennes find themselves drawn into a tangled and sticky web of violence and betrayal following a multiple murder at a coffee shop that is believed to be part of an effort by Mickey Cohen (Paul Guilfoyle) to consolidate his hold on organized crime in L.A. This lead appears to be connected to the discovery of a bizarre pornography and call-girl ring operated by Pierce Patchett (David Strathairn), whose women are given plastic surgery so that they more closely resemble well-known movie stars. White's role in the investigation is complicated when he falls for Lynn Bracken (Kim Basinger), one of Patchett's prostitutes, who is the spitting image of Veronica Lake. L.A. Confidential was nominated for nine Academy Awards and netted two, with Brian Helgeland honored for Best Adapted Screenplay, and Kim Basinger taking home a statuette as Best Supporting Actress. + +CREDITS: +TM & © Warner Bros. (1997) +Cast: James Cromwell, Guy Pearce +Director: Curtis Hanson +Producers: Curtis Hanson, Brian Helgeland, Dan Kolsrud, Arnon Milchan, Michael G. Nathanson, David L. Wolper +Screenwriters: James Ellroy, Brian Helgeland, Curtis Hanson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/dTVEd7WtyAw.en.srt b/1997/dTVEd7WtyAw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e44d69ab40dee0f46c71a1a51bfba9e1d6531753 --- /dev/null +++ b/1997/dTVEd7WtyAw.en.srt @@ -0,0 +1,525 @@ +1 +00:00:00,080 --> 00:00:03,270 + +well where is the love in this room a I + +2 +00:00:03,270 --> 00:00:03,280 +well where is the love in this room a I + + +3 +00:00:03,280 --> 00:00:05,110 +well where is the love in this room a I +got plenty of love I just can't seem to + +4 +00:00:05,110 --> 00:00:05,120 +got plenty of love I just can't seem to + + +5 +00:00:05,120 --> 00:00:06,990 +got plenty of love I just can't seem to +get to + +6 +00:00:06,990 --> 00:00:07,000 +get to + + +7 +00:00:07,000 --> 00:00:12,589 +get to +it do you uh ever stop no I'll never + +8 +00:00:12,589 --> 00:00:12,599 +it do you uh ever stop no I'll never + + +9 +00:00:12,599 --> 00:00:18,980 +it do you uh ever stop no I'll never +stop oh really + +10 +00:00:18,980 --> 00:00:18,990 + + + +11 +00:00:18,990 --> 00:00:28,950 + +[Music] + +12 +00:00:28,950 --> 00:00:28,960 +[Music] + + +13 +00:00:28,960 --> 00:00:30,190 +[Music] +really + +14 +00:00:30,190 --> 00:00:30,200 +really + + +15 +00:00:30,200 --> 00:00:33,270 +really +[Music] + +16 +00:00:33,270 --> 00:00:33,280 +[Music] + + +17 +00:00:33,280 --> 00:00:38,780 +[Music] +remember when I used + +18 +00:00:38,780 --> 00:00:38,790 + + + +19 +00:00:38,790 --> 00:00:40,709 + +[Music] + +20 +00:00:40,709 --> 00:00:40,719 +[Music] + + +21 +00:00:40,719 --> 00:00:44,270 +[Music] +to + +22 +00:00:44,270 --> 00:00:44,280 + + + +23 +00:00:44,280 --> 00:00:46,820 + +and that's what I used + +24 +00:00:46,820 --> 00:00:46,830 +and that's what I used + + +25 +00:00:46,830 --> 00:00:54,229 +and that's what I used +[Music] + +26 +00:00:54,229 --> 00:00:54,239 + + + +27 +00:00:54,239 --> 00:00:58,910 + +do I laid eyes on you + +28 +00:00:58,910 --> 00:00:58,920 +do I laid eyes on you + + +29 +00:00:58,920 --> 00:01:00,440 +do I laid eyes on you +and + +30 +00:01:00,440 --> 00:01:00,450 +and + + +31 +00:01:00,450 --> 00:01:02,490 +and +[Applause] + +32 +00:01:02,490 --> 00:01:02,500 +[Applause] + + +33 +00:01:02,500 --> 00:01:05,190 +[Applause] +[Music] + +34 +00:01:05,190 --> 00:01:05,200 +[Music] + + +35 +00:01:05,200 --> 00:01:13,230 +[Music] +pleas that was my claim + +36 +00:01:13,230 --> 00:01:13,240 + + + +37 +00:01:13,240 --> 00:01:19,270 + +to so are we going to play some cards or + +38 +00:01:19,270 --> 00:01:19,280 + + + +39 +00:01:19,280 --> 00:01:27,870 + +[Music] + +40 +00:01:27,870 --> 00:01:27,880 +[Music] + + +41 +00:01:27,880 --> 00:01:33,429 +[Music] +what I wasn't very + +42 +00:01:33,429 --> 00:01:33,439 + + + +43 +00:01:33,439 --> 00:01:35,710 + +your feet are kind of strong but softest + +44 +00:01:35,710 --> 00:01:35,720 +your feet are kind of strong but softest + + +45 +00:01:35,720 --> 00:01:37,590 +your feet are kind of strong but softest +feet in the + +46 +00:01:37,590 --> 00:01:37,600 +feet in the + + +47 +00:01:37,600 --> 00:01:39,389 +feet in the +world + +48 +00:01:39,389 --> 00:01:39,399 +world + + +49 +00:01:39,399 --> 00:01:43,030 +world +d d man man if you don't get them big + +50 +00:01:43,030 --> 00:01:43,040 +d d man man if you don't get them big + + +51 +00:01:43,040 --> 00:01:45,749 +d d man man if you don't get them big +jungle rot alligator feet off mine man + +52 +00:01:45,749 --> 00:01:45,759 +jungle rot alligator feet off mine man + + +53 +00:01:45,759 --> 00:01:46,990 +jungle rot alligator feet off mine man +you can snatch your salmon going up + +54 +00:01:46,990 --> 00:01:47,000 +you can snatch your salmon going up + + +55 +00:01:47,000 --> 00:01:49,870 +you can snatch your salmon going up +stream with them Eagles claws big old + +56 +00:01:49,870 --> 00:01:49,880 +stream with them Eagles claws big old + + +57 +00:01:49,880 --> 00:01:52,990 +stream with them Eagles claws big old +cheese knots and balls all on your you + +58 +00:01:52,990 --> 00:01:53,000 +cheese knots and balls all on your you + + +59 +00:01:53,000 --> 00:01:55,030 +cheese knots and balls all on your you +been playing soccer with a pack of wild + +60 +00:01:55,030 --> 00:01:55,040 +been playing soccer with a pack of wild + + +61 +00:01:55,040 --> 00:01:58,830 +been playing soccer with a pack of wild +wolves feet off me man look like monkey + +62 +00:01:58,830 --> 00:01:58,840 +wolves feet off me man look like monkey + + +63 +00:01:58,840 --> 00:01:59,830 +wolves feet off me man look like monkey +hands + +64 +00:01:59,830 --> 00:01:59,840 +hands + + +65 +00:01:59,840 --> 00:02:08,510 +hands +[Music] + +66 +00:02:08,510 --> 00:02:08,520 +[Music] + + +67 +00:02:08,520 --> 00:02:09,680 +[Music] +that's what I used to + +68 +00:02:09,680 --> 00:02:09,690 +that's what I used to + + +69 +00:02:09,690 --> 00:02:28,750 +that's what I used to +[Music] + +70 +00:02:28,750 --> 00:02:28,760 +[Music] + + +71 +00:02:28,760 --> 00:02:30,700 +[Music] +do + +72 +00:02:30,700 --> 00:02:30,710 +do + + +73 +00:02:30,710 --> 00:02:33,550 +do +[Music] + +74 +00:02:33,550 --> 00:02:33,560 +[Music] + + +75 +00:02:33,560 --> 00:02:35,150 +[Music] +oh oh you going to play with a brother's + +76 +00:02:35,150 --> 00:02:35,160 +oh oh you going to play with a brother's + + +77 +00:02:35,160 --> 00:02:36,830 +oh oh you going to play with a brother's +ass + +78 +00:02:36,830 --> 00:02:36,840 +ass + + +79 +00:02:36,840 --> 00:02:41,990 +ass +now my God you're a MVP a little lower + +80 +00:02:41,990 --> 00:02:42,000 +now my God you're a MVP a little lower + + +81 +00:02:42,000 --> 00:02:45,030 +now my God you're a MVP a little lower +hit me on the taint it taint the ass and + +82 +00:02:45,030 --> 00:02:45,040 +hit me on the taint it taint the ass and + + +83 +00:02:45,040 --> 00:02:49,630 +hit me on the taint it taint the ass and +it Tain the man you talk about Tow + +84 +00:02:49,630 --> 00:02:49,640 +it Tain the man you talk about Tow + + +85 +00:02:49,640 --> 00:02:55,309 +it Tain the man you talk about Tow +Jam let me get my head together + +86 +00:02:55,309 --> 00:02:55,319 + + + +87 +00:02:55,319 --> 00:02:57,180 + +now about to cramp + +88 +00:02:57,180 --> 00:02:57,190 +now about to cramp + + +89 +00:02:57,190 --> 00:02:58,750 +now about to cramp +[Music] + +90 +00:02:58,750 --> 00:02:58,760 +[Music] + + +91 +00:02:58,760 --> 00:03:00,630 +[Music] +up + +92 +00:03:00,630 --> 00:03:00,640 +up + + +93 +00:03:00,640 --> 00:03:03,789 +up +turn a little cramp in the leg you got + +94 +00:03:03,789 --> 00:03:03,799 +turn a little cramp in the leg you got + + +95 +00:03:03,799 --> 00:03:04,509 +turn a little cramp in the leg you got +any + +96 +00:03:04,509 --> 00:03:04,519 +any + + +97 +00:03:04,519 --> 00:03:07,910 +any +napkins you know I think I left my gas + +98 +00:03:07,910 --> 00:03:07,920 +napkins you know I think I left my gas + + +99 +00:03:07,920 --> 00:03:11,270 +napkins you know I think I left my gas +on in my stove buns you not a work a + +100 +00:03:11,270 --> 00:03:11,280 +on in my stove buns you not a work a + + +101 +00:03:11,280 --> 00:03:13,480 +on in my stove buns you not a work a +pilot + +102 +00:03:13,480 --> 00:03:13,490 +pilot + + +103 +00:03:13,490 --> 00:03:22,229 +pilot +[Music] + +104 +00:03:22,229 --> 00:03:22,239 + + + +105 +00:03:22,239 --> 00:03:25,239 + +yeah + diff --git a/1997/dXBUdCvqpNg.description b/1997/dXBUdCvqpNg.description new file mode 100644 index 0000000000000000000000000000000000000000..9189d22a0bae30092753437d67f4e9d816af2150 --- /dev/null +++ b/1997/dXBUdCvqpNg.description @@ -0,0 +1,38 @@ +The Game movie clips: http://j.mp/1CLCBUA +BUY THE MOVIE: http://amzn.to/ueX2V7 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Nicholas (Michael Douglas) jumps to his death, only to land at the birthday party Conrad (Sean Penn) has waiting for him. + +FILM DESCRIPTION: +Director David Fincher followed the success of his dark and atmospheric crime thriller Seven (1995) with another exercise in stylish film noir, this time lifting the pallid atmosphere a notch to indulge in a fast-paced trip through the cinematic funhouse. Michael Douglas plays Nicholas Van Orton, a Scrooge-like San Francisco investment banker following in his father's Scrooge-like footsteps. On Nicholas's 48th birthday (the age at which his father committed suicide), his younger, free-spirited brother Conrad (Sean Penn) blows into town and gives Nicholas a special gift for "the man who has everything" -- a ticket to CRS (Consumer Recreation Services), a company that constructs games custom-fit for each participant to provide, as CRS salesman Jim Feingold (James Rebhorn) cryptically puts it, "whatever is lacking." Nicholas's secure life begins a downhill slide as CRS masterminds a series of elaborate pranks, harmless at first, that quickly become malicious and life-threatening. Stripped of financial resources and convinced that he can trust no one, Nicholas begins to wonder if CRS is a front for a more covert operation, and if the game is in fact an attempt to steal his fortune and leave him for dead. Determined to fight back alone, Nicholas infiltrates CRS in order to "pull back the curtain and meet the wizard." + +CREDITS: +TM & © Universal (1997) +Cast: Michael Douglas, Spike Jonze, Michael Massee, Armin Mueller-Stahl, Sean Penn, Deborah Kara Unger +Director: David Fincher +Producers: John D. Brancato, Michael Ferris, Steve Golin, Jonathan Mostow, Ceán Chaffin +Screenwriters: John D. Brancato, Michael Ferris + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/dXBUdCvqpNg.en.srt b/1997/dXBUdCvqpNg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..0cafea4823d00d9ca1ce7e1fc0dc4abb4fff4c68 --- /dev/null +++ b/1997/dXBUdCvqpNg.en.srt @@ -0,0 +1,75 @@ +1 +00:00:25,136 --> 00:00:27,671 +Walkie-talkie: +Got him. He's on the bag. + +2 +00:00:31,008 --> 00:00:35,679 +Keep everyone back until we +clear away the breakaway glass. + +3 +00:00:37,014 --> 00:00:39,215 +Mr. Van orton, +don't open your eyes. + +4 +00:00:39,016 --> 00:00:41,751 +This is breakaway glass, +but it can still cut you. + +5 +00:00:43,988 --> 00:00:45,922 +We're just gonna +take a look at you. + +6 +00:00:45,990 --> 00:00:47,323 +I'm gonna check +your pulse. + +7 +00:00:51,495 --> 00:00:53,797 +Just take it easy. + +8 +00:00:53,864 --> 00:00:55,231 +That was +quite a fall. + +9 +00:01:26,613 --> 00:01:29,232 +Happy birthday, nickie. + +10 +00:01:40,410 --> 00:01:42,812 +W-w-what is this? + +11 +00:01:42,880 --> 00:01:44,948 +It's your +birthday present. + +12 +00:02:05,136 --> 00:02:06,335 +I had to do something. + +13 +00:02:06,403 --> 00:02:09,773 +You were becoming +such an asshole. + +14 +00:02:20,284 --> 00:02:23,386 +Ladies and gentlemen, +my brother nicholas van orton. + +15 +00:02:58,588 --> 00:02:59,522 +Amazing. + +16 +00:02:59,589 --> 00:03:01,291 +I just wanted +to tell ya. + diff --git a/1997/dbE2-VU-4SM.description b/1997/dbE2-VU-4SM.description new file mode 100644 index 0000000000000000000000000000000000000000..d2ae5e0b47aba9dc69fa447c72b40ffc5be355d3 --- /dev/null +++ b/1997/dbE2-VU-4SM.description @@ -0,0 +1,38 @@ +Donnie Brasco movie clips: http://j.mp/1uv7KwB +BUY THE MOVIE: http://j.mp/OLIEof +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Lefty's (Al Pacino) paranoia about Donnie (Johnny Depp) is a point of contention between the two men. + +FILM DESCRIPTION: +This drama about an undercover cop who learns the hidden dangers of working his way inside the mob was based on a true story. Joe Pistone (Johnny Depp) is an FBI agent who is given an assignment to infiltrate the Mafia; calling himself Donnie Brasco, he befriends Lefty Ruggiero (Al Pacino), a low-level mob hit man whose personal life is in tatters. Lefty's marriage is falling apart, his son is a junkie, and his health is failing, which only adds to his growing disillusionment about having spent 30 years with the Mafia (and killing 26 people) with little to show for it. But in Donnie, Lefty sees someone who can succeed where he failed; he takes the young man under his wing, and under Lefty's tutelage Donnie quickly rises through the ranks of organized crime; however, the longer he plays the role of the gangster, the more Joe Pistone finds himself becoming Donnie Brasco in his increasingly rare off hours; it drives a wedge between himself and his wife (Anne Heche) and children, and Joe realizes that a break in character among the hoodlums he's come to know could mean a death sentence for himself and his family. Just as importantly, Joe has come to regard Lefty as a close and trusted friend, and Joe realizes that when the day comes where he has to turn in his Mob associates, he'll be ending Lefty's life as surely as if he put a slug in his head himself. The supporting cast includes Michael Madsen as Sonny, Lefty's boss, and Bruno Kirby as Nicky, one of Sonny's henchmen. The real-life Joe Pistone today lives under an assumed name with a 500,000-dollar contract on his life still in effect. + +CREDITS: +TM & © Sony (1997) +Cast: Al Pacino +Director: Mike Newell +Producers: Louis DiGiaimo, Alan Greenspan, Barry Levinson, Patrick McCormick, Gail Mutrux, Mark Johnson +Screenwriters: Joseph D. Pistone, Richard Woodley, Paul Attanasio + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/dbE2-VU-4SM.en.srt b/1997/dbE2-VU-4SM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a5e214e185d2e8476701df3c57aac2b47464997a --- /dev/null +++ b/1997/dbE2-VU-4SM.en.srt @@ -0,0 +1,605 @@ +1 +00:00:00,320 --> 00:00:01,510 + +the + +2 +00:00:01,510 --> 00:00:01,520 +the + + +3 +00:00:01,520 --> 00:00:06,150 +the +F son of a come on + +4 +00:00:06,150 --> 00:00:06,160 +F son of a come on + + +5 +00:00:06,160 --> 00:00:09,669 +F son of a come on +son dny hey left you're not + +6 +00:00:09,669 --> 00:00:09,679 +son dny hey left you're not + + +7 +00:00:09,679 --> 00:00:11,589 +son dny hey left you're not +going to believe + +8 +00:00:11,589 --> 00:00:11,599 +going to believe + + +9 +00:00:11,599 --> 00:00:14,549 +going to believe +this you think this is some joke huh + +10 +00:00:14,549 --> 00:00:14,559 +this you think this is some joke huh + + +11 +00:00:14,559 --> 00:00:15,950 +this you think this is some joke huh +what you think this is funny huh what + +12 +00:00:15,950 --> 00:00:15,960 +what you think this is funny huh what + + +13 +00:00:15,960 --> 00:00:17,750 +what you think this is funny huh what +are you talking about it's cold + +14 +00:00:17,750 --> 00:00:17,760 +are you talking about it's cold + + +15 +00:00:17,760 --> 00:00:19,910 +are you talking about it's cold +why is it so cold in here hey Donnie + +16 +00:00:19,910 --> 00:00:19,920 +why is it so cold in here hey Donnie + + +17 +00:00:19,920 --> 00:00:23,189 +why is it so cold in here hey Donnie +listen to me Donnie I know you know all + +18 +00:00:23,189 --> 00:00:23,199 +listen to me Donnie I know you know all + + +19 +00:00:23,199 --> 00:00:26,189 +listen to me Donnie I know you know all +right and I know you know I know you + +20 +00:00:26,189 --> 00:00:26,199 +right and I know you know I know you + + +21 +00:00:26,199 --> 00:00:28,990 +right and I know you know I know you +know right right the are you + +22 +00:00:28,990 --> 00:00:29,000 +know right right the are you + + +23 +00:00:29,000 --> 00:00:30,550 +know right right the are you +talking about I'm talking + +24 +00:00:30,550 --> 00:00:30,560 +talking about I'm talking + + +25 +00:00:30,560 --> 00:00:32,350 +talking about I'm talking +I'm freezing through my death + +26 +00:00:32,350 --> 00:00:32,360 +I'm freezing through my death + + +27 +00:00:32,360 --> 00:00:36,549 +I'm freezing through my death +Donnie yeah uh Greenland in here + +28 +00:00:36,549 --> 00:00:36,559 +Donnie yeah uh Greenland in here + + +29 +00:00:36,559 --> 00:00:38,590 +Donnie yeah uh Greenland in here +got no knob where's that knob hey thank + +30 +00:00:38,590 --> 00:00:38,600 +got no knob where's that knob hey thank + + +31 +00:00:38,600 --> 00:00:40,790 +got no knob where's that knob hey thank +you well did you call a maintenance guy + +32 +00:00:40,790 --> 00:00:40,800 +you well did you call a maintenance guy + + +33 +00:00:40,800 --> 00:00:41,910 +you well did you call a maintenance guy +you got to have a maintenance + +34 +00:00:41,910 --> 00:00:41,920 +you got to have a maintenance + + +35 +00:00:41,920 --> 00:00:42,950 +you got to have a maintenance +I'm not going to call a maintenance guy + +36 +00:00:42,950 --> 00:00:42,960 +I'm not going to call a maintenance guy + + +37 +00:00:42,960 --> 00:00:44,350 +I'm not going to call a maintenance guy +what are you crazy who knows a + +38 +00:00:44,350 --> 00:00:44,360 +what are you crazy who knows a + + +39 +00:00:44,360 --> 00:00:45,709 +what are you crazy who knows a +maintenance guy comes in what he's an + +40 +00:00:45,709 --> 00:00:45,719 +maintenance guy comes in what he's an + + +41 +00:00:45,719 --> 00:00:47,750 +maintenance guy comes in what he's an +agent come on come on he's not an agent + +42 +00:00:47,750 --> 00:00:47,760 +agent come on come on he's not an agent + + +43 +00:00:47,760 --> 00:00:49,830 +agent come on come on he's not an agent +he's a janitor janor come on I + +44 +00:00:49,830 --> 00:00:49,840 +he's a janitor janor come on I + + +45 +00:00:49,840 --> 00:00:51,350 +he's a janitor janor come on I +don't want him touching put his hands on + +46 +00:00:51,350 --> 00:00:51,360 +don't want him touching put his hands on + + +47 +00:00:51,360 --> 00:00:52,790 +don't want him touching put his hands on +that who knows what he puts in a goddamn + +48 +00:00:52,790 --> 00:00:52,800 +that who knows what he puts in a goddamn + + +49 +00:00:52,800 --> 00:00:54,349 +that who knows what he puts in a goddamn +air condition here look at this yeah + +50 +00:00:54,349 --> 00:00:54,359 +air condition here look at this yeah + + +51 +00:00:54,359 --> 00:00:56,349 +air condition here look at this yeah +look look I got it up to 120 here come + +52 +00:00:56,349 --> 00:00:56,359 +look look I got it up to 120 here come + + +53 +00:00:56,359 --> 00:00:58,910 +look look I got it up to 120 here come +on I'm not going to have anyone going in + +54 +00:00:58,910 --> 00:00:58,920 +on I'm not going to have anyone going in + + +55 +00:00:58,920 --> 00:01:02,389 +on I'm not going to have anyone going in +here you know something that's a + +56 +00:01:02,389 --> 00:01:02,399 +here you know something that's a + + +57 +00:01:02,399 --> 00:01:04,350 +here you know something that's a +practical joke that's what that is is a + +58 +00:01:04,350 --> 00:01:04,360 +practical joke that's what that is is a + + +59 +00:01:04,360 --> 00:01:05,910 +practical joke that's what that is is a +joke yeah where's the joke then I don't + +60 +00:01:05,910 --> 00:01:05,920 +joke yeah where's the joke then I don't + + +61 +00:01:05,920 --> 00:01:07,710 +joke yeah where's the joke then I don't +see the joke man you know Sunny sense of + +62 +00:01:07,710 --> 00:01:07,720 +see the joke man you know Sunny sense of + + +63 +00:01:07,720 --> 00:01:09,469 +see the joke man you know Sunny sense of +humor Sunny around you think + +64 +00:01:09,469 --> 00:01:09,479 +humor Sunny around you think + + +65 +00:01:09,479 --> 00:01:12,749 +humor Sunny around you think +this is sunny sunny yeah Sunny did this + +66 +00:01:12,749 --> 00:01:12,759 +this is sunny sunny yeah Sunny did this + + +67 +00:01:12,759 --> 00:01:15,350 +this is sunny sunny yeah Sunny did this +to me yeah this is not Sunny black my + +68 +00:01:15,350 --> 00:01:15,360 +to me yeah this is not Sunny black my + + +69 +00:01:15,360 --> 00:01:19,070 +to me yeah this is not Sunny black my +friend no this is you Donnie you + +70 +00:01:19,070 --> 00:01:19,080 +friend no this is you Donnie you + + +71 +00:01:19,080 --> 00:01:20,950 +friend no this is you Donnie you + it's you hey whoa you don't + +72 +00:01:20,950 --> 00:01:20,960 +it's you hey whoa you don't + + +73 +00:01:20,960 --> 00:01:22,830 +it's you hey whoa you don't + call me that left don't call you + +74 +00:01:22,830 --> 00:01:22,840 +call me that left don't call you + + +75 +00:01:22,840 --> 00:01:24,350 +call me that left don't call you +what don't you call me + +76 +00:01:24,350 --> 00:01:24,360 +what don't you call me + + +77 +00:01:24,360 --> 00:01:25,990 +what don't you call me + I call you anything I + +78 +00:01:25,990 --> 00:01:26,000 +I call you anything I + + +79 +00:01:26,000 --> 00:01:27,870 +I call you anything I +want I call you yeah I call + +80 +00:01:27,870 --> 00:01:27,880 +want I call you yeah I call + + +81 +00:01:27,880 --> 00:01:29,590 +want I call you yeah I call +you sucker I call you + +82 +00:01:29,590 --> 00:01:29,600 +you sucker I call you + + +83 +00:01:29,600 --> 00:01:31,990 +you sucker I call you +you're + +84 +00:01:31,990 --> 00:01:32,000 +you're + + +85 +00:01:32,000 --> 00:01:34,550 +you're + you calling me a + +86 +00:01:34,550 --> 00:01:34,560 +you calling me a + + +87 +00:01:34,560 --> 00:01:38,270 +you calling me a +yeah you like that I'm a what + +88 +00:01:38,270 --> 00:01:38,280 +yeah you like that I'm a what + + +89 +00:01:38,280 --> 00:01:43,630 +yeah you like that I'm a what +I'm a you're a + +90 +00:01:43,630 --> 00:01:43,640 + + + +91 +00:01:43,640 --> 00:01:45,190 + + hey what are you going to do + +92 +00:01:45,190 --> 00:01:45,200 +hey what are you going to do + + +93 +00:01:45,200 --> 00:01:46,109 +hey what are you going to do +you going to kill me over a + +94 +00:01:46,109 --> 00:01:46,119 +you going to kill me over a + + +95 +00:01:46,119 --> 00:01:47,469 +you going to kill me over a +draft let me tell you something you + +96 +00:01:47,469 --> 00:01:47,479 +draft let me tell you something you + + +97 +00:01:47,479 --> 00:01:48,910 +draft let me tell you something you +better kill me cuz you don't + +98 +00:01:48,910 --> 00:01:48,920 +better kill me cuz you don't + + +99 +00:01:48,920 --> 00:01:49,870 +better kill me cuz you don't +kill me tonight I'm going to come in + +100 +00:01:49,870 --> 00:01:49,880 +kill me tonight I'm going to come in + + +101 +00:01:49,880 --> 00:01:50,990 +kill me tonight I'm going to come in +here I'm going to chop you up and then + +102 +00:01:50,990 --> 00:01:51,000 +here I'm going to chop you up and then + + +103 +00:01:51,000 --> 00:01:52,910 +here I'm going to chop you up and then +I'll sneak in here and kill you + +104 +00:01:52,910 --> 00:01:52,920 +I'll sneak in here and kill you + + +105 +00:01:52,920 --> 00:01:54,830 +I'll sneak in here and kill you +yeah you don't call me + +106 +00:01:54,830 --> 00:01:54,840 +yeah you don't call me + + +107 +00:01:54,840 --> 00:01:57,789 +yeah you don't call me +Co hey + +108 +00:01:57,789 --> 00:01:57,799 +Co hey + + +109 +00:01:57,799 --> 00:02:00,749 +Co hey +yeah come here oh yeah go go ahead + +110 +00:02:00,749 --> 00:02:00,759 +yeah come here oh yeah go go ahead + + +111 +00:02:00,759 --> 00:02:03,029 +yeah come here oh yeah go go ahead + go ahead take it + +112 +00:02:03,029 --> 00:02:03,039 +go ahead take it + + +113 +00:02:03,039 --> 00:02:05,630 +go ahead take it +back kill me take it back Dy you + +114 +00:02:05,630 --> 00:02:05,640 +back kill me take it back Dy you + + +115 +00:02:05,640 --> 00:02:08,420 +back kill me take it back Dy you +I'm getting my own room don't see + +116 +00:02:08,420 --> 00:02:08,430 +I'm getting my own room don't see + + +117 +00:02:08,430 --> 00:02:28,750 +I'm getting my own room don't see +[Music] + +118 +00:02:28,750 --> 00:02:28,760 + + + +119 +00:02:28,760 --> 00:02:33,520 + +tomorrow + +120 +00:02:33,520 --> 00:02:33,530 + + + +121 +00:02:33,530 --> 00:02:39,490 + +[Music] + diff --git a/1997/dj5zbxA4bEI.en.srt b/1997/dj5zbxA4bEI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..81d2354e27b1c4f6a57aeb2f38a509d9790464ba --- /dev/null +++ b/1997/dj5zbxA4bEI.en.srt @@ -0,0 +1,355 @@ +1 +00:00:00,120 --> 00:00:02,149 + +well I wasn't in the kitchen cuz Mama + +2 +00:00:02,149 --> 00:00:02,159 +well I wasn't in the kitchen cuz Mama + + +3 +00:00:02,159 --> 00:00:04,749 +well I wasn't in the kitchen cuz Mama +and Daddy kept my head in the books and + +4 +00:00:04,749 --> 00:00:04,759 +and Daddy kept my head in the books and + + +5 +00:00:04,759 --> 00:00:07,429 +and Daddy kept my head in the books and +that's why I'm a successful lawyer and + +6 +00:00:07,429 --> 00:00:07,439 +that's why I'm a successful lawyer and + + +7 +00:00:07,439 --> 00:00:09,150 +that's why I'm a successful lawyer and +that's why so as you can see moms and + +8 +00:00:09,150 --> 00:00:09,160 +that's why so as you can see moms and + + +9 +00:00:09,160 --> 00:00:12,110 +that's why so as you can see moms and +Aunt Terry don't get along never have + +10 +00:00:12,110 --> 00:00:12,120 +Aunt Terry don't get along never have + + +11 +00:00:12,120 --> 00:00:14,669 +Aunt Terry don't get along never have +maybe never will big mama say she should + +12 +00:00:14,669 --> 00:00:14,679 +maybe never will big mama say she should + + +13 +00:00:14,679 --> 00:00:16,910 +maybe never will big mama say she should +have named them vinegar and oil cuz they + +14 +00:00:16,910 --> 00:00:16,920 +have named them vinegar and oil cuz they + + +15 +00:00:16,920 --> 00:00:19,390 +have named them vinegar and oil cuz they +just don't mix it all started back in + +16 +00:00:19,390 --> 00:00:19,400 +just don't mix it all started back in + + +17 +00:00:19,400 --> 00:00:22,390 +just don't mix it all started back in +the early 80s back before I was even + +18 +00:00:22,390 --> 00:00:22,400 +the early 80s back before I was even + + +19 +00:00:22,400 --> 00:00:25,230 +the early 80s back before I was even +born the rule was if one of the Joseph + +20 +00:00:25,230 --> 00:00:25,240 +born the rule was if one of the Joseph + + +21 +00:00:25,240 --> 00:00:26,870 +born the rule was if one of the Joseph +girls had a date they're both had to + +22 +00:00:26,870 --> 00:00:26,880 +girls had a date they're both had to + + +23 +00:00:26,880 --> 00:00:29,189 +girls had a date they're both had to +bring along one of the sisters you know + +24 +00:00:29,189 --> 00:00:29,199 +bring along one of the sisters you know + + +25 +00:00:29,199 --> 00:00:30,550 +bring along one of the sisters you know +like a chaperon + +26 +00:00:30,550 --> 00:00:30,560 +like a chaperon + + +27 +00:00:30,560 --> 00:00:32,709 +like a chaperon +back when ter my pops were going out big + +28 +00:00:32,709 --> 00:00:32,719 +back when ter my pops were going out big + + +29 +00:00:32,719 --> 00:00:35,030 +back when ter my pops were going out big +mama always had mom's tag along just in + +30 +00:00:35,030 --> 00:00:35,040 +mama always had mom's tag along just in + + +31 +00:00:35,040 --> 00:00:37,430 +mama always had mom's tag along just in +case pops treding + +32 +00:00:37,430 --> 00:00:37,440 +case pops treding + + +33 +00:00:37,440 --> 00:00:47,110 +case pops treding +anything all right check it out + +34 +00:00:47,110 --> 00:00:47,120 + + + +35 +00:00:47,120 --> 00:00:50,549 + +y'all how that's how you got to that's + +36 +00:00:50,549 --> 00:00:50,559 +y'all how that's how you got to that's + + +37 +00:00:50,559 --> 00:00:52,670 +y'all how that's how you got to that's +how you + +38 +00:00:52,670 --> 00:00:52,680 +how you + + +39 +00:00:52,680 --> 00:00:57,029 +how you +got if you step out with another + +40 +00:00:57,029 --> 00:00:57,039 +got if you step out with another + + +41 +00:00:57,039 --> 00:01:02,350 +got if you step out with another +man and she runs + +42 +00:01:02,350 --> 00:01:02,360 + + + +43 +00:01:02,360 --> 00:01:06,789 + +[Music] + +44 +00:01:06,789 --> 00:01:06,799 + + + +45 +00:01:06,799 --> 00:01:09,310 + +now I can't say for sure Mom started it + +46 +00:01:09,310 --> 00:01:09,320 +now I can't say for sure Mom started it + + +47 +00:01:09,320 --> 00:01:11,070 +now I can't say for sure Mom started it +but for damn sure Dad couldn't resist + +48 +00:01:11,070 --> 00:01:11,080 +but for damn sure Dad couldn't resist + + +49 +00:01:11,080 --> 00:01:14,710 +but for damn sure Dad couldn't resist +whatever it was she was throwing + +50 +00:01:14,710 --> 00:01:14,720 + + + +51 +00:01:14,720 --> 00:01:21,370 + +down look at him see what I'm saying + +52 +00:01:21,370 --> 00:01:21,380 + + + +53 +00:01:21,380 --> 00:01:44,870 + +[Music] + +54 +00:01:44,870 --> 00:01:44,880 + + + +55 +00:01:44,880 --> 00:01:46,510 + +mom sto dead right out from underneath + +56 +00:01:46,510 --> 00:01:46,520 +mom sto dead right out from underneath + + +57 +00:01:46,520 --> 00:01:49,990 +mom sto dead right out from underneath +un's nose and two haven't gotten a long + +58 +00:01:49,990 --> 00:01:50,000 +un's nose and two haven't gotten a long + + +59 +00:01:50,000 --> 00:01:52,830 +un's nose and two haven't gotten a long +since get get out of the car get out of + +60 +00:01:52,830 --> 00:01:52,840 +since get get out of the car get out of + + +61 +00:01:52,840 --> 00:01:56,870 +since get get out of the car get out of +the car now right now get + +62 +00:01:56,870 --> 00:01:56,880 +the car now right now get + + +63 +00:01:56,880 --> 00:02:02,120 +the car now right now get +out + +64 +00:02:02,120 --> 00:02:02,130 + + + +65 +00:02:02,130 --> 00:02:04,389 + +[Music] + +66 +00:02:04,389 --> 00:02:04,399 +[Music] + + +67 +00:02:04,399 --> 00:02:07,590 +[Music] +don't get off hey get off turn come on + +68 +00:02:07,590 --> 00:02:07,600 +don't get off hey get off turn come on + + +69 +00:02:07,600 --> 00:02:13,270 +don't get off hey get off turn come on +come on hey come on now + +70 +00:02:13,270 --> 00:02:13,280 + + + +71 +00:02:13,280 --> 00:02:40,370 + +[Music] + diff --git a/1997/e0fFbNV1ySY.en.srt b/1997/e0fFbNV1ySY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2268c1d6dff10643ea0eec29b9e3e34f1cac7b6e --- /dev/null +++ b/1997/e0fFbNV1ySY.en.srt @@ -0,0 +1,225 @@ +1 +00:00:00,880 --> 00:00:03,749 + +I can't believe you did + +2 +00:00:03,749 --> 00:00:03,759 +I can't believe you did + + +3 +00:00:03,759 --> 00:00:06,309 +I can't believe you did +that really man well let's just do it + +4 +00:00:06,309 --> 00:00:06,319 +that really man well let's just do it + + +5 +00:00:06,319 --> 00:00:17,750 +that really man well let's just do it +let's just get it over + +6 +00:00:17,750 --> 00:00:17,760 + + + +7 +00:00:17,760 --> 00:00:20,150 + +with sorry + +8 +00:00:20,150 --> 00:00:20,160 +with sorry + + +9 +00:00:20,160 --> 00:00:23,470 +with sorry +man hey look I know I'm going to feel a + +10 +00:00:23,470 --> 00:00:23,480 +man hey look I know I'm going to feel a + + +11 +00:00:23,480 --> 00:00:26,029 +man hey look I know I'm going to feel a +whole lot better once she's dead then + +12 +00:00:26,029 --> 00:00:26,039 +whole lot better once she's dead then + + +13 +00:00:26,039 --> 00:00:27,390 +whole lot better once she's dead then +we're off the + +14 +00:00:27,390 --> 00:00:27,400 +we're off the + + +15 +00:00:27,400 --> 00:00:37,110 +we're off the +hook whatever + +16 +00:00:37,110 --> 00:00:37,120 + + + +17 +00:00:37,120 --> 00:00:38,510 + +[Music] + +18 +00:00:38,510 --> 00:00:38,520 +[Music] + + +19 +00:00:38,520 --> 00:00:42,229 +[Music] +you the you + +20 +00:00:42,229 --> 00:00:42,239 +you the you + + +21 +00:00:42,239 --> 00:00:45,990 +you the you + rat you rat get a + +22 +00:00:45,990 --> 00:00:46,000 +rat you rat get a + + +23 +00:00:46,000 --> 00:00:48,549 +rat you rat get a + rat a yeah I + +24 +00:00:48,549 --> 00:00:48,559 +rat a yeah I + + +25 +00:00:48,559 --> 00:00:52,270 +rat a yeah I +ratted you out sim knows + +26 +00:00:52,270 --> 00:00:52,280 +ratted you out sim knows + + +27 +00:00:52,280 --> 00:00:55,310 +ratted you out sim knows +everything go ahead I don't give a + +28 +00:00:55,310 --> 00:00:55,320 +everything go ahead I don't give a + + +29 +00:00:55,320 --> 00:00:57,189 +everything go ahead I don't give a +that had blow my brains out I deserve to + +30 +00:00:57,189 --> 00:00:57,199 +that had blow my brains out I deserve to + + +31 +00:00:57,199 --> 00:00:59,750 +that had blow my brains out I deserve to + die ain't right you do + +32 +00:00:59,750 --> 00:00:59,760 +die ain't right you do + + +33 +00:00:59,760 --> 00:01:09,830 +die ain't right you do +man + +34 +00:01:09,830 --> 00:01:09,840 + + + +35 +00:01:09,840 --> 00:01:14,190 + +man get out of the + +36 +00:01:14,190 --> 00:01:14,200 + + + +37 +00:01:14,200 --> 00:01:16,910 + +car + +38 +00:01:16,910 --> 00:01:16,920 +car + + +39 +00:01:16,920 --> 00:01:35,710 +car +Frank get out of the car now + +40 +00:01:35,710 --> 00:01:35,720 + + + +41 +00:01:35,720 --> 00:01:38,190 + +great this is why you can never lose + +42 +00:01:38,190 --> 00:01:38,200 +great this is why you can never lose + + +43 +00:01:38,200 --> 00:01:47,870 +great this is why you can never lose +your sense of humor + +44 +00:01:47,870 --> 00:01:47,880 + + + +45 +00:01:47,880 --> 00:02:19,460 + +[Music] + diff --git a/1997/e2xiwiWd_sM.description b/1997/e2xiwiWd_sM.description new file mode 100644 index 0000000000000000000000000000000000000000..80f9f763e642658291ceb2d943dce5fae977fccb --- /dev/null +++ b/1997/e2xiwiWd_sM.description @@ -0,0 +1,38 @@ +Donnie Brasco movie clips: http://j.mp/1uv7KwB +BUY THE MOVIE: http://j.mp/OLIEof +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +When Lefty (Al Pacino) leaves his apartment, he knows it will be for the last time… + +FILM DESCRIPTION: +This drama about an undercover cop who learns the hidden dangers of working his way inside the mob was based on a true story. Joe Pistone (Johnny Depp) is an FBI agent who is given an assignment to infiltrate the Mafia; calling himself Donnie Brasco, he befriends Lefty Ruggiero (Al Pacino), a low-level mob hit man whose personal life is in tatters. Lefty's marriage is falling apart, his son is a junkie, and his health is failing, which only adds to his growing disillusionment about having spent 30 years with the Mafia (and killing 26 people) with little to show for it. But in Donnie, Lefty sees someone who can succeed where he failed; he takes the young man under his wing, and under Lefty's tutelage Donnie quickly rises through the ranks of organized crime; however, the longer he plays the role of the gangster, the more Joe Pistone finds himself becoming Donnie Brasco in his increasingly rare off hours; it drives a wedge between himself and his wife (Anne Heche) and children, and Joe realizes that a break in character among the hoodlums he's come to know could mean a death sentence for himself and his family. Just as importantly, Joe has come to regard Lefty as a close and trusted friend, and Joe realizes that when the day comes where he has to turn in his Mob associates, he'll be ending Lefty's life as surely as if he put a slug in his head himself. The supporting cast includes Michael Madsen as Sonny, Lefty's boss, and Bruno Kirby as Nicky, one of Sonny's henchmen. The real-life Joe Pistone today lives under an assumed name with a 500,000-dollar contract on his life still in effect. + +CREDITS: +TM & © Sony (1997) +Cast: Al Pacino, Ronnie Farer +Director: Mike Newell +Producers: Louis DiGiaimo, Alan Greenspan, Barry Levinson, Patrick McCormick, Gail Mutrux, Mark Johnson +Screenwriters: Joseph D. Pistone, Richard Woodley, Paul Attanasio + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/eAJLWSg5PIY.description b/1997/eAJLWSg5PIY.description new file mode 100644 index 0000000000000000000000000000000000000000..1a34eea8c3c011d28a1d6bc7e8fe3e0a5166c603 --- /dev/null +++ b/1997/eAJLWSg5PIY.description @@ -0,0 +1,39 @@ +Starship Troopers movie clips: http://j.mp/1uxK7nb +BUY THE MOVIE: https://www.fandangonow.com/details/movie/starship-troopers-1997/1MVfd1b2336ecae8f42e0901fbd68c79341?cmp=Movieclips_YT_EndCard +WATCH ON CRACKLE: http://bit.ly/2cOYO0h +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Rico (Casper Van Dien) takes drastic measures when a Tanker Bug shows up and starts destroying his squad. + +FILM DESCRIPTION: +Director Paul Verhoeven (Showgirls, Total Recall) reunited many from his 1987 Robocop team for this $100-million science fiction adventure, adapted from Robert A. Heinlein's 1959 novel, originally serialized in The Magazine of Fantasy and Science Fiction (October-November, 1959). After graduation, Johnny Rico (Casper Van Dien) volunteers for the Mobile Infantry to do his Federal service -- but also to win over his girlfriend, Carmen Ibanez (Denise Richards), who has signed with the Fleet Academy to become a starship pilot. Johnny joins other boot-camp recruits -- Dizzy Flores (Dina Meyer), who has had a crush on Johnny since school, and Ace Levy (Jake Busey). Ace and Johnny become pals, and Johnny's abilities earn him the squad leader position. A training accident occurs on Johnny's watch, and he is about to resign when Earth is attacked by alien insects intent on eradicating all human life. Johnny's home, Buenos Aires, is no longer on the map. Horrified, he chooses to stay on and fight to destroy the insect threat. The Mobile Infantry travels to the planet Klendathu to battle the warrior bugs, a ruthless enemy with only one goal -- survival of their species no matter what. In the initial encounter, some 100,000 lives are lost. At a distant fort, Johnny's unit discovers that the bugs drain brains to acquire knowledge. Soon they are overwhelmed by an advancing arthropod army of immense proportions, attacking both in space and on the planet surface. The notion of human extinction becomes a possibility. For this $100-million production, some 300 artists and technicians combined models and miniatures with CGI effects to fashion a variety of creatures -- from breeder bugs to armored tanker bugs. The film employed hundreds of extras and has over 500 visual effects shots. Filming began 4/29/96 in California (LA and Long Beach, where Cal State's pyramid gym was used for the Jumpball game), New York, South Dakota, Wyoming (Casper, Hell's Half Acre), and Utah (an abandoned Wendover airstrip where the Enola Gay WWII bomber crew trained). At an abandoned airfield in Fountain Valley, California, an elaborate set was constructed to resemble a military boot camp of the future -- complete with an array of pup tents, gull-winged spaceships, hurdle obstacle course, and training facility buildings. Cinematography by Jost Vacano (Showgirls). Licensed products include Lewis Galoob Inc. toys. + +CREDITS: +TM & © Sony (1997) +Cast: Jake Busey, Michael Ironside, Casper Van Dien, Dina Meyer +Director: Paul Verhoeven +Producers: Jon Davison, Frances Doel, Stacy Lumbrezer, Alan Marshall, Edward Neumeier, Phil Tippett +Screenwriters: Edward Neumeier, Robert A. Heinlein + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/epBGWHCrfr4.en.srt b/1997/epBGWHCrfr4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..dc7f05ac77a963cb0ba10b737c4555ac84428729 --- /dev/null +++ b/1997/epBGWHCrfr4.en.srt @@ -0,0 +1,285 @@ +1 +00:00:01,040 --> 00:00:03,709 + +hey mooch you all right oh yeah I'm just + +2 +00:00:03,709 --> 00:00:03,719 +hey mooch you all right oh yeah I'm just + + +3 +00:00:03,719 --> 00:00:09,509 +hey mooch you all right oh yeah I'm just +doing great head on back now huh + +4 +00:00:09,509 --> 00:00:09,519 + + + +5 +00:00:09,519 --> 00:00:12,549 + +nope oh Sho what's the matter man come + +6 +00:00:12,549 --> 00:00:12,559 +nope oh Sho what's the matter man come + + +7 +00:00:12,559 --> 00:00:14,430 +nope oh Sho what's the matter man come +on now talk to me talk to + +8 +00:00:14,430 --> 00:00:14,440 +on now talk to me talk to + + +9 +00:00:14,440 --> 00:00:18,830 +on now talk to me talk to +meed FS yeah I'm all right walked into a + +10 +00:00:18,830 --> 00:00:18,840 +meed FS yeah I'm all right walked into a + + +11 +00:00:18,840 --> 00:00:21,349 +meed FS yeah I'm all right walked into a + storm looks like a lubricant or + +12 +00:00:21,349 --> 00:00:21,359 +storm looks like a lubricant or + + +13 +00:00:21,359 --> 00:00:22,750 +storm looks like a lubricant or +something probably run off from the + +14 +00:00:22,750 --> 00:00:22,760 +something probably run off from the + + +15 +00:00:22,760 --> 00:00:31,190 +something probably run off from the +hydraulic system + +16 +00:00:31,190 --> 00:00:31,200 + + + +17 +00:00:31,200 --> 00:00:33,470 + +[Music] + +18 +00:00:33,470 --> 00:00:33,480 +[Music] + + +19 +00:00:33,480 --> 00:00:39,990 +[Music] +God + +20 +00:00:39,990 --> 00:00:40,000 + + + +21 +00:00:40,000 --> 00:00:44,270 + +damn books I don't think he's here man + +22 +00:00:44,270 --> 00:00:44,280 +damn books I don't think he's here man + + +23 +00:00:44,280 --> 00:00:46,229 +damn books I don't think he's here man +yeah I guess you're right okay let's + +24 +00:00:46,229 --> 00:00:46,239 +yeah I guess you're right okay let's + + +25 +00:00:46,239 --> 00:00:47,549 +yeah I guess you're right okay let's +start making our way back we've wasted + +26 +00:00:47,549 --> 00:00:47,559 +start making our way back we've wasted + + +27 +00:00:47,559 --> 00:00:52,549 +start making our way back we've wasted +enough time in here already + +28 +00:00:52,549 --> 00:00:52,559 + + + +29 +00:00:52,559 --> 00:00:57,970 + +amen where are you B what's happening + +30 +00:00:57,970 --> 00:00:57,980 + + + +31 +00:00:57,980 --> 00:01:02,549 + +[Music] + +32 +00:01:02,549 --> 00:01:02,559 + + + +33 +00:01:02,559 --> 00:01:04,990 + +fox fox what's + +34 +00:01:04,990 --> 00:01:05,000 +fox fox what's + + +35 +00:01:05,000 --> 00:01:08,390 +fox fox what's +happening I got you I got you you're + +36 +00:01:08,390 --> 00:01:08,400 +happening I got you I got you you're + + +37 +00:01:08,400 --> 00:01:09,870 +happening I got you I got you you're +going to be okay hang in there big guy + +38 +00:01:09,870 --> 00:01:09,880 +going to be okay hang in there big guy + + +39 +00:01:09,880 --> 00:01:12,270 +going to be okay hang in there big guy +come on now come on + +40 +00:01:12,270 --> 00:01:12,280 +come on now come on + + +41 +00:01:12,280 --> 00:01:15,230 +come on now come on +now give me the princess and I'll spare + +42 +00:01:15,230 --> 00:01:15,240 +now give me the princess and I'll spare + + +43 +00:01:15,240 --> 00:01:18,390 +now give me the princess and I'll spare +your miserable lives come out you little + +44 +00:01:18,390 --> 00:01:18,400 +your miserable lives come out you little + + +45 +00:01:18,400 --> 00:01:20,030 +your miserable lives come out you little +[Music] + +46 +00:01:20,030 --> 00:01:20,040 +[Music] + + +47 +00:01:20,040 --> 00:01:22,350 +[Music] +bastard open the door start + +48 +00:01:22,350 --> 00:01:22,360 +bastard open the door start + + +49 +00:01:22,360 --> 00:01:27,600 +bastard open the door start +decontamination + +50 +00:01:27,600 --> 00:01:27,610 + + + +51 +00:01:27,610 --> 00:01:32,670 + +[Music] + +52 +00:01:32,670 --> 00:01:32,680 + + + +53 +00:01:32,680 --> 00:01:37,510 + +B are you all right it's + +54 +00:01:37,510 --> 00:01:37,520 + + + +55 +00:01:37,520 --> 00:01:42,170 + +mooch oh God + +56 +00:01:42,170 --> 00:01:42,180 + + + +57 +00:01:42,180 --> 00:02:11,379 + +[Music] + diff --git a/1997/erE6UlOi3E0.description b/1997/erE6UlOi3E0.description new file mode 100644 index 0000000000000000000000000000000000000000..2b3475de2d785f21eed1ab4d57d88300410d9b5e --- /dev/null +++ b/1997/erE6UlOi3E0.description @@ -0,0 +1,32 @@ +Batman & Robin - Catching Cold: Batman (George Clooney) and Robin's (Chris O'Donnell) race for Mr. Freeze (Arnold Schwarzenegger). +BUY THE MOVIE: https://www.fandangonow.com/details/movie/batman-robin-1997/1MV5fb3401fd583a2ea1e0ea7ac475de21a?cmp=Movieclips_YT_Description + +Watch the best Batman & Robin scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqqpkIeyXCDIz86AI2zBSAIg + +FILM DESCRIPTION: +This superhero adventure finds Batman (George Clooney) and his partner, Robin (Chris O'Donnell), attempting to the foil the sinister schemes of a deranged set of new villains, most notably the melancholy Mr. Freeze (Arnold Schwarzenegger), who wants to make Gotham into an arctic region, and the sultry Poison Ivy (Uma Thurman), a plant-loving femme fatale. As the Dynamic Duo contends with these bad guys, a third hero, Batgirl (Alicia Silverstone), joins the ranks of the city's crime-fighters. + +CREDITS: +TM & © Warner Bros. (1997) +Cast: Arnold Schwarzenegger, Chris O'Donnell, George Clooney, Uma Thurman +Director: Joel Schumacher + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file diff --git a/1997/f86_fLGHu6M.en.srt b/1997/f86_fLGHu6M.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6cb4cf5753eb54940b0337f4766e8bf02e5982e2 --- /dev/null +++ b/1997/f86_fLGHu6M.en.srt @@ -0,0 +1,535 @@ +1 +00:00:00,399 --> 00:00:02,590 + +all right everybody off the + +2 +00:00:02,590 --> 00:00:02,600 +all right everybody off the + + +3 +00:00:02,600 --> 00:00:06,389 +all right everybody off the +bus get off the bus get off every you + +4 +00:00:06,389 --> 00:00:06,399 +bus get off the bus get off every you + + +5 +00:00:06,399 --> 00:00:09,709 +bus get off the bus get off every you +stay in you stay in get + +6 +00:00:09,709 --> 00:00:09,719 + + + +7 +00:00:09,719 --> 00:00:12,350 + +off this is over right now what do you + +8 +00:00:12,350 --> 00:00:12,360 +off this is over right now what do you + + +9 +00:00:12,360 --> 00:00:15,109 +off this is over right now what do you +mean Dad this you and him it's over + +10 +00:00:15,109 --> 00:00:15,119 +mean Dad this you and him it's over + + +11 +00:00:15,119 --> 00:00:17,390 +mean Dad this you and him it's over +Abraham you can't tell us what to do I + +12 +00:00:17,390 --> 00:00:17,400 +Abraham you can't tell us what to do I + + +13 +00:00:17,400 --> 00:00:18,830 +Abraham you can't tell us what to do I +can tell you anything I want to tell you + +14 +00:00:18,830 --> 00:00:18,840 +can tell you anything I want to tell you + + +15 +00:00:18,840 --> 00:00:20,230 +can tell you anything I want to tell you +you don't think I know who you are I + +16 +00:00:20,230 --> 00:00:20,240 +you don't think I know who you are I + + +17 +00:00:20,240 --> 00:00:22,509 +you don't think I know who you are I +come from the streets I know what a bum + +18 +00:00:22,509 --> 00:00:22,519 +come from the streets I know what a bum + + +19 +00:00:22,519 --> 00:00:24,509 +come from the streets I know what a bum +musician is Dad don't talk to him like + +20 +00:00:24,509 --> 00:00:24,519 +musician is Dad don't talk to him like + + +21 +00:00:24,519 --> 00:00:26,990 +musician is Dad don't talk to him like +that I can say anything I want to say to + +22 +00:00:26,990 --> 00:00:27,000 +that I can say anything I want to say to + + +23 +00:00:27,000 --> 00:00:29,470 +that I can say anything I want to say to +him I'm not going to have this in my + +24 +00:00:29,470 --> 00:00:29,480 +him I'm not going to have this in my + + +25 +00:00:29,480 --> 00:00:30,470 +him I'm not going to have this in my +family + +26 +00:00:30,470 --> 00:00:30,480 +family + + +27 +00:00:30,480 --> 00:00:32,269 +family +now let's just get one thing straight + +28 +00:00:32,269 --> 00:00:32,279 +now let's just get one thing straight + + +29 +00:00:32,279 --> 00:00:33,790 +now let's just get one thing straight +you are not to see each other like this + +30 +00:00:33,790 --> 00:00:33,800 +you are not to see each other like this + + +31 +00:00:33,800 --> 00:00:36,350 +you are not to see each other like this +again I'm not agreeing to anything okay + +32 +00:00:36,350 --> 00:00:36,360 +again I'm not agreeing to anything okay + + +33 +00:00:36,360 --> 00:00:38,590 +again I'm not agreeing to anything okay +you can't tell me who I can and can't + +34 +00:00:38,590 --> 00:00:38,600 +you can't tell me who I can and can't + + +35 +00:00:38,600 --> 00:00:40,790 +you can't tell me who I can and can't +you wait you're going to ruin your + +36 +00:00:40,790 --> 00:00:40,800 +you wait you're going to ruin your + + +37 +00:00:40,800 --> 00:00:42,150 +you wait you're going to ruin your +career you're going to ruin your life + +38 +00:00:42,150 --> 00:00:42,160 +career you're going to ruin your life + + +39 +00:00:42,160 --> 00:00:43,830 +career you're going to ruin your life +you're only 20 years old give yourself + +40 +00:00:43,830 --> 00:00:43,840 +you're only 20 years old give yourself + + +41 +00:00:43,840 --> 00:00:45,950 +you're only 20 years old give yourself +some time Dad I don't care what you say + +42 +00:00:45,950 --> 00:00:45,960 +some time Dad I don't care what you say + + +43 +00:00:45,960 --> 00:00:48,310 +some time Dad I don't care what you say +it doesn't matter okay I love him and + +44 +00:00:48,310 --> 00:00:48,320 +it doesn't matter okay I love him and + + +45 +00:00:48,320 --> 00:00:52,709 +it doesn't matter okay I love him and +that's it what did you say I said I love + +46 +00:00:52,709 --> 00:00:52,719 +that's it what did you say I said I love + + +47 +00:00:52,719 --> 00:00:55,750 +that's it what did you say I said I love +him and he loves me too of course he + +48 +00:00:55,750 --> 00:00:55,760 +him and he loves me too of course he + + +49 +00:00:55,760 --> 00:00:57,830 +him and he loves me too of course he +does you're young you're beautiful and + +50 +00:00:57,830 --> 00:00:57,840 +does you're young you're beautiful and + + +51 +00:00:57,840 --> 00:01:01,189 +does you're young you're beautiful and +you're rich no you would say that + +52 +00:01:01,189 --> 00:01:01,199 +you're rich no you would say that + + +53 +00:01:01,199 --> 00:01:02,549 +you're rich no you would say that +it's not like + +54 +00:01:02,549 --> 00:01:02,559 +it's not like + + +55 +00:01:02,559 --> 00:01:05,149 +it's not like +that he cares about + +56 +00:01:05,149 --> 00:01:05,159 +that he cares about + + +57 +00:01:05,159 --> 00:01:08,910 +that he cares about +me the real me + +58 +00:01:08,910 --> 00:01:08,920 +me the real me + + +59 +00:01:08,920 --> 00:01:12,270 +me the real me +inside and there is no way I'm going to + +60 +00:01:12,270 --> 00:01:12,280 +inside and there is no way I'm going to + + +61 +00:01:12,280 --> 00:01:13,749 +inside and there is no way I'm going to +let you take that + +62 +00:01:13,749 --> 00:01:13,759 +let you take that + + +63 +00:01:13,759 --> 00:01:16,230 +let you take that +away Abraham we're not going to stop + +64 +00:01:16,230 --> 00:01:16,240 +away Abraham we're not going to stop + + +65 +00:01:16,240 --> 00:01:19,230 +away Abraham we're not going to stop +seeing each other now you listen to me + +66 +00:01:19,230 --> 00:01:19,240 +seeing each other now you listen to me + + +67 +00:01:19,240 --> 00:01:20,310 +seeing each other now you listen to me +if you think I'm going to allow you to + +68 +00:01:20,310 --> 00:01:20,320 +if you think I'm going to allow you to + + +69 +00:01:20,320 --> 00:01:22,390 +if you think I'm going to allow you to +come in mess up my family ruin + +70 +00:01:22,390 --> 00:01:22,400 +come in mess up my family ruin + + +71 +00:01:22,400 --> 00:01:24,590 +come in mess up my family ruin +everything that we work for you're wrong + +72 +00:01:24,590 --> 00:01:24,600 +everything that we work for you're wrong + + +73 +00:01:24,600 --> 00:01:25,950 +everything that we work for you're wrong +I respect your family and I don't want + +74 +00:01:25,950 --> 00:01:25,960 +I respect your family and I don't want + + +75 +00:01:25,960 --> 00:01:28,310 +I respect your family and I don't want +to ruin anything I love Selena and we + +76 +00:01:28,310 --> 00:01:28,320 +to ruin anything I love Selena and we + + +77 +00:01:28,320 --> 00:01:35,350 +to ruin anything I love Selena and we +want to get married + +78 +00:01:35,350 --> 00:01:35,360 + + + +79 +00:01:35,360 --> 00:01:39,670 + +it's right that we want to get + +80 +00:01:39,670 --> 00:01:39,680 + + + +81 +00:01:39,680 --> 00:01:43,590 + +married that's it you're fired do you + +82 +00:01:43,590 --> 00:01:43,600 +married that's it you're fired do you + + +83 +00:01:43,600 --> 00:01:46,069 +married that's it you're fired do you +hear me you can ride back to corus + +84 +00:01:46,069 --> 00:01:46,079 +hear me you can ride back to corus + + +85 +00:01:46,079 --> 00:01:48,030 +hear me you can ride back to corus +Chrissy but after that you're fired + +86 +00:01:48,030 --> 00:01:48,040 +Chrissy but after that you're fired + + +87 +00:01:48,040 --> 00:01:50,109 +Chrissy but after that you're fired +that's okay I can make my own way you + +88 +00:01:50,109 --> 00:01:50,119 +that's okay I can make my own way you + + +89 +00:01:50,119 --> 00:01:53,389 +that's okay I can make my own way you +cannot do this I'm not going to let you + +90 +00:01:53,389 --> 00:01:53,399 +cannot do this I'm not going to let you + + +91 +00:01:53,399 --> 00:01:55,270 +cannot do this I'm not going to let you +do + +92 +00:01:55,270 --> 00:01:55,280 +do + + +93 +00:01:55,280 --> 00:01:58,789 +do +this you listen to me you all listen to + +94 +00:01:58,789 --> 00:01:58,799 +this you listen to me you all listen to + + +95 +00:01:58,799 --> 00:02:00,310 +this you listen to me you all listen to +me + +96 +00:02:00,310 --> 00:02:00,320 +me + + +97 +00:02:00,320 --> 00:02:02,789 +me +if you follow that man I will disband + +98 +00:02:02,789 --> 00:02:02,799 +if you follow that man I will disband + + +99 +00:02:02,799 --> 00:02:04,830 +if you follow that man I will disband +the group there will be no more Selena + +100 +00:02:04,830 --> 00:02:04,840 +the group there will be no more Selena + + +101 +00:02:04,840 --> 00:02:08,350 +the group there will be no more Selena +elos dinos do you understand me do you + +102 +00:02:08,350 --> 00:02:08,360 +elos dinos do you understand me do you + + +103 +00:02:08,360 --> 00:02:10,430 +elos dinos do you understand me do you +all understand + +104 +00:02:10,430 --> 00:02:10,440 +all understand + + +105 +00:02:10,440 --> 00:02:13,630 +all understand +me it's over + +106 +00:02:13,630 --> 00:02:13,640 +me it's over + + +107 +00:02:13,640 --> 00:02:24,969 +me it's over +[Music] + diff --git a/1997/fFE8_U07a5I.en.srt b/1997/fFE8_U07a5I.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..813e412c648b6b91a1ff2a2b80226664fae2d8b9 --- /dev/null +++ b/1997/fFE8_U07a5I.en.srt @@ -0,0 +1,385 @@ +1 +00:00:03,840 --> 00:00:08,870 + +hey what' you get junk + +2 +00:00:08,870 --> 00:00:08,880 + + + +3 +00:00:08,880 --> 00:00:11,390 + +food + +4 +00:00:11,390 --> 00:00:11,400 +food + + +5 +00:00:11,400 --> 00:00:16,310 +food +good how's the grass going + +6 +00:00:16,310 --> 00:00:16,320 + + + +7 +00:00:16,320 --> 00:00:20,790 + +good you know what I want a farm a farm + +8 +00:00:20,790 --> 00:00:20,800 +good you know what I want a farm a farm + + +9 +00:00:20,800 --> 00:00:24,150 +good you know what I want a farm a farm +mhm not a big farm just a little farm + +10 +00:00:24,150 --> 00:00:24,160 +mhm not a big farm just a little farm + + +11 +00:00:24,160 --> 00:00:26,310 +mhm not a big farm just a little farm +about 10 acres or so what do you want me + +12 +00:00:26,310 --> 00:00:26,320 +about 10 acres or so what do you want me + + +13 +00:00:26,320 --> 00:00:27,390 +about 10 acres or so what do you want me +getting up early in the morning and + +14 +00:00:27,390 --> 00:00:27,400 +getting up early in the morning and + + +15 +00:00:27,400 --> 00:00:29,790 +getting up early in the morning and +ridning around in a tractor yeah and I + +16 +00:00:29,790 --> 00:00:29,800 +ridning around in a tractor yeah and I + + +17 +00:00:29,800 --> 00:00:31,389 +ridning around in a tractor yeah and I +want want to see you feeding the + +18 +00:00:31,389 --> 00:00:31,399 +want want to see you feeding the + + +19 +00:00:31,399 --> 00:00:35,590 +want want to see you feeding the +pigs okay feed the pigs I don't think so + +20 +00:00:35,590 --> 00:00:35,600 +pigs okay feed the pigs I don't think so + + +21 +00:00:35,600 --> 00:00:37,990 +pigs okay feed the pigs I don't think so +and I want lots of animals too just like + +22 +00:00:37,990 --> 00:00:38,000 +and I want lots of animals too just like + + +23 +00:00:38,000 --> 00:00:39,670 +and I want lots of animals too just like +we'll put up a wood fence in the front + +24 +00:00:39,670 --> 00:00:39,680 +we'll put up a wood fence in the front + + +25 +00:00:39,680 --> 00:00:41,310 +we'll put up a wood fence in the front +and just have all the cows and chickens + +26 +00:00:41,310 --> 00:00:41,320 +and just have all the cows and chickens + + +27 +00:00:41,320 --> 00:00:44,350 +and just have all the cows and chickens +and horses and goats and pigs uh wait + +28 +00:00:44,350 --> 00:00:44,360 +and horses and goats and pigs uh wait + + +29 +00:00:44,360 --> 00:00:45,990 +and horses and goats and pigs uh wait +wait wait if you're going to have a lot + +30 +00:00:45,990 --> 00:00:46,000 +wait wait if you're going to have a lot + + +31 +00:00:46,000 --> 00:00:47,150 +wait wait if you're going to have a lot +of different animals you have to keep + +32 +00:00:47,150 --> 00:00:47,160 +of different animals you have to keep + + +33 +00:00:47,160 --> 00:00:48,430 +of different animals you have to keep +them apart cuz if you don't they'll eat + +34 +00:00:48,430 --> 00:00:48,440 +them apart cuz if you don't they'll eat + + +35 +00:00:48,440 --> 00:00:51,229 +them apart cuz if you don't they'll eat +each other up not my animals my animals + +36 +00:00:51,229 --> 00:00:51,239 +each other up not my animals my animals + + +37 +00:00:51,239 --> 00:00:53,590 +each other up not my animals my animals +are going to get along great whatever + +38 +00:00:53,590 --> 00:00:53,600 +are going to get along great whatever + + +39 +00:00:53,600 --> 00:00:56,869 +are going to get along great whatever +you + +40 +00:00:56,869 --> 00:00:56,879 + + + +41 +00:00:56,879 --> 00:01:01,189 + +say I've been thinking + +42 +00:01:01,189 --> 00:01:01,199 +say I've been thinking + + +43 +00:01:01,199 --> 00:01:02,910 +say I've been thinking +but maybe having some little animals of + +44 +00:01:02,910 --> 00:01:02,920 +but maybe having some little animals of + + +45 +00:01:02,920 --> 00:01:07,310 +but maybe having some little animals of +our + +46 +00:01:07,310 --> 00:01:07,320 + + + +47 +00:01:07,320 --> 00:01:10,030 + +own + +48 +00:01:10,030 --> 00:01:10,040 +own + + +49 +00:01:10,040 --> 00:01:12,390 +own +kids why + +50 +00:01:12,390 --> 00:01:12,400 +kids why + + +51 +00:01:12,400 --> 00:01:15,030 +kids why +not yeah but what about the singing and + +52 +00:01:15,030 --> 00:01:15,040 +not yeah but what about the singing and + + +53 +00:01:15,040 --> 00:01:15,670 +not yeah but what about the singing and +the + +54 +00:01:15,670 --> 00:01:15,680 +the + + +55 +00:01:15,680 --> 00:01:18,030 +the +touring any mean I you want to give it + +56 +00:01:18,030 --> 00:01:18,040 +touring any mean I you want to give it + + +57 +00:01:18,040 --> 00:01:20,749 +touring any mean I you want to give it +up of course + +58 +00:01:20,749 --> 00:01:20,759 +up of course + + +59 +00:01:20,759 --> 00:01:22,950 +up of course +not we could just take the kids along + +60 +00:01:22,950 --> 00:01:22,960 +not we could just take the kids along + + +61 +00:01:22,960 --> 00:01:30,149 +not we could just take the kids along +with us I mean it's a family act right + +62 +00:01:30,149 --> 00:01:30,159 + + + +63 +00:01:30,159 --> 00:01:34,590 + +so so you're talking kids the career and + +64 +00:01:34,590 --> 00:01:34,600 +so so you're talking kids the career and + + +65 +00:01:34,600 --> 00:01:38,190 +so so you're talking kids the career and +a farm with lots of animals + +66 +00:01:38,190 --> 00:01:38,200 +a farm with lots of animals + + +67 +00:01:38,200 --> 00:01:42,429 +a farm with lots of animals +yeah why not anything's + +68 +00:01:42,429 --> 00:01:42,439 + + + +69 +00:01:42,439 --> 00:01:50,350 + +possible kids + +70 +00:01:50,350 --> 00:01:50,360 + + + +71 +00:01:50,360 --> 00:01:54,510 + +huh okay let's do + +72 +00:01:54,510 --> 00:01:54,520 +huh okay let's do + + +73 +00:01:54,520 --> 00:02:00,270 +huh okay let's do +it yeah + +74 +00:02:00,270 --> 00:02:00,280 + + + +75 +00:02:00,280 --> 00:02:06,780 + +let's get started + +76 +00:02:06,780 --> 00:02:06,790 + + + +77 +00:02:06,790 --> 00:02:18,219 + +[Music] + diff --git a/1997/fRCKKlTNxt8.description b/1997/fRCKKlTNxt8.description new file mode 100644 index 0000000000000000000000000000000000000000..a538624f14e22312d0ad861d7d66f8aa9d5ea36c --- /dev/null +++ b/1997/fRCKKlTNxt8.description @@ -0,0 +1,38 @@ +Breakdown movie clips: http://j.mp/1JcLQkK +BUY THE MOVIE: http://amzn.to/uqKjLb +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Jeff (Kurt Russell) finds the trucker who gave his wife a ride. But when he forces Red (J.T. Walsh) to pull over, Red claims to have never met them. + +FILM DESCRIPTION: +In this suspense thriller, a man discovers the unexpected danger of trusting a good Samaritan. Jeff Taylor (Kurt Russell) and his wife Amy (Kathleen Quinlan) are driving through the New Mexico desert en route to California when an incident with a lunatic driver causes their jeep to break down in the middle of nowhere. Jeff is trying to fix the vehicle when an apparently friendly truck driver, Red Barr (J.T. Walsh), stops by to offer help. Red tells the couple that there's a diner a few miles down the road where they can call for help; Jeff decides to stay with the car while Amy hops a ride with Red to see if she can find a mechanic to help them. After a long wait, Jeff is able to get the jeep running again, and he discovers that the diner is indeed a few miles down the road. But everyone there claims they've seen no sign of Amy, and Red claims to know nothing about picking her up. When Jeff attempts to file a missing person's report, he discovers mysterious disappearances are disturbingly common in this stretch of the desert; he soon realizes that someone has kidnapped his wife, but he's not sure who, or for what purpose. + +CREDITS: +TM & © Paramount (1997) +Cast: Kurt Russell, J.T. Walsh +Director: Jonathan Mostow +Producers: Harry Colomby, Jonathan Fernandez, Martha De Laurentiis, Artist W. Robinson, Jeffrey Sudzin, Dino De Laurentiis +Screenwriters: Jonathan Mostow, Sam Montgomery + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/fRCKKlTNxt8.en.srt b/1997/fRCKKlTNxt8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..521fc22928a4119753436dc75bf4d9457cea72d2 --- /dev/null +++ b/1997/fRCKKlTNxt8.en.srt @@ -0,0 +1,255 @@ +1 +00:00:08,900 --> 00:00:25,810 + +[Music] + +2 +00:00:25,810 --> 00:00:25,820 + + + +3 +00:00:25,820 --> 00:00:28,109 + +[Music] + +4 +00:00:28,109 --> 00:00:28,119 +[Music] + + +5 +00:00:28,119 --> 00:00:32,510 +[Music] +hey pull over + +6 +00:00:32,510 --> 00:00:32,520 + + + +7 +00:00:32,520 --> 00:00:45,310 + +pull + +8 +00:00:45,310 --> 00:00:45,320 + + + +9 +00:00:45,320 --> 00:00:55,470 + +over + +10 +00:00:55,470 --> 00:00:55,480 + + + +11 +00:00:55,480 --> 00:01:06,770 + +Jesus chist + +12 +00:01:06,770 --> 00:01:06,780 + + + +13 +00:01:06,780 --> 00:01:20,910 + +[Music] + +14 +00:01:20,910 --> 00:01:20,920 + + + +15 +00:01:20,920 --> 00:01:23,429 + +hey + +16 +00:01:23,429 --> 00:01:23,439 + + + +17 +00:01:23,439 --> 00:01:26,069 + +man what the hell are you doing buddy I + +18 +00:01:26,069 --> 00:01:26,079 +man what the hell are you doing buddy I + + +19 +00:01:26,079 --> 00:01:27,350 +man what the hell are you doing buddy I +was trying to get you to pull over + +20 +00:01:27,350 --> 00:01:27,360 +was trying to get you to pull over + + +21 +00:01:27,360 --> 00:01:31,030 +was trying to get you to pull over +didn't you see me yeah well + +22 +00:01:31,030 --> 00:01:31,040 +didn't you see me yeah well + + +23 +00:01:31,040 --> 00:01:32,870 +didn't you see me yeah well +never mind listen I I'm looking for my + +24 +00:01:32,870 --> 00:01:32,880 +never mind listen I I'm looking for my + + +25 +00:01:32,880 --> 00:01:36,389 +never mind listen I I'm looking for my +wife what my wife where is she how + +26 +00:01:36,389 --> 00:01:36,399 +wife what my wife where is she how + + +27 +00:01:36,399 --> 00:01:39,109 +wife what my wife where is she how +should I know where your wife is I'm the + +28 +00:01:39,109 --> 00:01:39,119 +should I know where your wife is I'm the + + +29 +00:01:39,119 --> 00:01:41,749 +should I know where your wife is I'm the +guy with a Jeep you gave my wife a ride + +30 +00:01:41,749 --> 00:01:41,759 +guy with a Jeep you gave my wife a ride + + +31 +00:01:41,759 --> 00:01:42,749 +guy with a Jeep you gave my wife a ride +you were supposed to drop her off at + +32 +00:01:42,749 --> 00:01:42,759 +you were supposed to drop her off at + + +33 +00:01:42,759 --> 00:01:45,789 +you were supposed to drop her off at +Bell's Diner not me sorry wait a minute + +34 +00:01:45,789 --> 00:01:45,799 +Bell's Diner not me sorry wait a minute + + +35 +00:01:45,799 --> 00:01:47,270 +Bell's Diner not me sorry wait a minute +you sorry this is like a half an hour + +36 +00:01:47,270 --> 00:01:47,280 +you sorry this is like a half an hour + + +37 +00:01:47,280 --> 00:01:49,830 +you sorry this is like a half an hour +ago for Christ's sake you don't remember + +38 +00:01:49,830 --> 00:01:49,840 +ago for Christ's sake you don't remember + + +39 +00:01:49,840 --> 00:01:51,030 +ago for Christ's sake you don't remember +look I don't know how to tell you this + +40 +00:01:51,030 --> 00:01:51,040 +look I don't know how to tell you this + + +41 +00:01:51,040 --> 00:01:54,950 +look I don't know how to tell you this +but I've never seen you before in my + +42 +00:01:54,950 --> 00:01:54,960 + + + +43 +00:01:54,960 --> 00:02:03,590 + +life what are you doing + +44 +00:02:03,590 --> 00:02:03,600 + + + +45 +00:02:03,600 --> 00:02:07,270 + +Amy Amy are you in + +46 +00:02:07,270 --> 00:02:07,280 +Amy Amy are you in + + +47 +00:02:07,280 --> 00:02:10,029 +Amy Amy are you in +there look mister I don't know what you + +48 +00:02:10,029 --> 00:02:10,039 +there look mister I don't know what you + + +49 +00:02:10,039 --> 00:02:13,430 +there look mister I don't know what you +want want my wife back is what I want + +50 +00:02:13,430 --> 00:02:13,440 +want want my wife back is what I want + + +51 +00:02:13,440 --> 00:02:44,490 +want want my wife back is what I want +[Music] + diff --git a/1997/fgq0ecMHfzc.description b/1997/fgq0ecMHfzc.description new file mode 100644 index 0000000000000000000000000000000000000000..a45cdb524ea8ab1ee3f90d94f188365ca3eaf15a --- /dev/null +++ b/1997/fgq0ecMHfzc.description @@ -0,0 +1,39 @@ +Starship Troopers movie clips: http://j.mp/1uxK7nb +BUY THE MOVIE: https://www.fandangonow.com/details/movie/starship-troopers-1997/1MVfd1b2336ecae8f42e0901fbd68c79341?cmp=Movieclips_YT_EndCard +WATCH ON CRACKLE: http://bit.ly/2cOYO0h +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +The largest swarm of bugs attacks the base both from the ground and from the air. Rico (Casper Van Dien) and Rasczak (Michael Ironside) do their best to combat the creatures. General Owen (Marshall Bell) screams in panic. + +FILM DESCRIPTION: +Director Paul Verhoeven (Showgirls, Total Recall) reunited many from his 1987 Robocop team for this $100-million science fiction adventure, adapted from Robert A. Heinlein's 1959 novel, originally serialized in The Magazine of Fantasy and Science Fiction (October-November, 1959). After graduation, Johnny Rico (Casper Van Dien) volunteers for the Mobile Infantry to do his Federal service -- but also to win over his girlfriend, Carmen Ibanez (Denise Richards), who has signed with the Fleet Academy to become a starship pilot. Johnny joins other boot-camp recruits -- Dizzy Flores (Dina Meyer), who has had a crush on Johnny since school, and Ace Levy (Jake Busey). Ace and Johnny become pals, and Johnny's abilities earn him the squad leader position. A training accident occurs on Johnny's watch, and he is about to resign when Earth is attacked by alien insects intent on eradicating all human life. Johnny's home, Buenos Aires, is no longer on the map. Horrified, he chooses to stay on and fight to destroy the insect threat. The Mobile Infantry travels to the planet Klendathu to battle the warrior bugs, a ruthless enemy with only one goal -- survival of their species no matter what. In the initial encounter, some 100,000 lives are lost. At a distant fort, Johnny's unit discovers that the bugs drain brains to acquire knowledge. Soon they are overwhelmed by an advancing arthropod army of immense proportions, attacking both in space and on the planet surface. The notion of human extinction becomes a possibility. For this $100-million production, some 300 artists and technicians combined models and miniatures with CGI effects to fashion a variety of creatures -- from breeder bugs to armored tanker bugs. The film employed hundreds of extras and has over 500 visual effects shots. Filming began 4/29/96 in California (LA and Long Beach, where Cal State's pyramid gym was used for the Jumpball game), New York, South Dakota, Wyoming (Casper, Hell's Half Acre), and Utah (an abandoned Wendover airstrip where the Enola Gay WWII bomber crew trained). At an abandoned airfield in Fountain Valley, California, an elaborate set was constructed to resemble a military boot camp of the future -- complete with an array of pup tents, gull-winged spaceships, hurdle obstacle course, and training facility buildings. Cinematography by Jost Vacano (Showgirls). Licensed products include Lewis Galoob Inc. toys. + +CREDITS: +TM & © Sony (1997) +Cast: Marshall Bell, Jake Busey, Michael Ironside, Casper Van Dien +Director: Paul Verhoeven +Producers: Jon Davison, Frances Doel, Stacy Lumbrezer, Alan Marshall, Edward Neumeier, Phil Tippett +Screenwriters: Edward Neumeier, Robert A. Heinlein + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/fkHlhiG0h70.description b/1997/fkHlhiG0h70.description new file mode 100644 index 0000000000000000000000000000000000000000..84bbb58bd4a86c061a0b98540aa36984ab0a2db8 --- /dev/null +++ b/1997/fkHlhiG0h70.description @@ -0,0 +1,38 @@ +Bean movie clips: http://j.mp/1JbHoCO +BUY THE MOVIE: http://amzn.to/vfyv1d +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Bean (Rowan Atkinson) amuses himself with his reflection, unaware that he is being watched through a two-way mirror. + +FILM DESCRIPTION: +Comic actor Rowan Atkinson brought his bumbling character Mr. Bean from television to the big screen with this British comedy. Mr. Bean (Rowan Atkinson) is a well-meaning but not especially bright fellow with a gift for making the worst of any situation. Bean is about to be fired from his job as a guard at the Royal Nation Art Gallery for sleeping on the job, but the Chairman (John Mills) intervenes at the last moment. To insure that his incompetence will manifest itself so completely that there will be no choice but to get rid of him, Bean's superiors come up with a plan -- they'll send him to America to speak at a posh private gallery owned by George Grierson (Harris Yulin), where General Newton (Burt Reynolds) will display the most recent addition to his art collection, "Whistler's Mother." It's even money whether or not the museum will still be standing before Bean is done; as if this weren't enough, while in L.A. Bean is mistaken for a surgeon and forced to operate on an injured police officer. Richard Curtis, one of the film's producers, said after viewing the final product, "It's an unpleasant family movie. I'm very pleased." + +CREDITS: +TM & © Universal (1997) +Cast: Chris Ellis, Rowan Atkinson +Director: Mel Smith +Producers: Rowan Atkinson, Peter Bennett-Jones, Tim Bevan, Richard Curtis, Eric Fellner, Rebecca O'Brien +Screenwriters: Rowan Atkinson, Richard Curtis, Robin Driscoll + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1997/g3a9qZnTzJQ.en.srt b/1997/g3a9qZnTzJQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7cdbc7a2daf77d42e4987df3e105522834e8696a --- /dev/null +++ b/1997/g3a9qZnTzJQ.en.srt @@ -0,0 +1,255 @@ +1 +00:00:00,120 --> 00:00:02,389 + +did this fisherman guy use the same hook + +2 +00:00:02,389 --> 00:00:02,399 +did this fisherman guy use the same hook + + +3 +00:00:02,399 --> 00:00:04,150 +did this fisherman guy use the same hook +to cut all your hair + +4 +00:00:04,150 --> 00:00:04,160 +to cut all your hair + + +5 +00:00:04,160 --> 00:00:08,830 +to cut all your hair +off no he used scissors + +6 +00:00:08,830 --> 00:00:08,840 + + + +7 +00:00:08,840 --> 00:00:11,430 + + look okay I know I sound + +8 +00:00:11,430 --> 00:00:11,440 +look okay I know I sound + + +9 +00:00:11,440 --> 00:00:13,509 +look okay I know I sound +illusional but it's true you know I've + +10 +00:00:13,509 --> 00:00:13,519 +illusional but it's true you know I've + + +11 +00:00:13,519 --> 00:00:15,669 +illusional but it's true you know I've +heard this story before except the way I + +12 +00:00:15,669 --> 00:00:15,679 +heard this story before except the way I + + +13 +00:00:15,679 --> 00:00:17,349 +heard this story before except the way I +heard it it wasn't a fisherman it was an + +14 +00:00:17,349 --> 00:00:17,359 +heard it it wasn't a fisherman it was an + + +15 +00:00:17,359 --> 00:00:19,150 +heard it it wasn't a fisherman it was an +escape mental patient he had a hook for + +16 +00:00:19,150 --> 00:00:19,160 +escape mental patient he had a hook for + + +17 +00:00:19,160 --> 00:00:25,509 +escape mental patient he had a hook for +a + +18 +00:00:25,509 --> 00:00:25,519 + + + +19 +00:00:25,519 --> 00:00:27,470 + +hand we're going to have to take the + +20 +00:00:27,470 --> 00:00:27,480 +hand we're going to have to take the + + +21 +00:00:27,480 --> 00:00:41,910 +hand we're going to have to take the +alley + +22 +00:00:41,910 --> 00:00:41,920 + + + +23 +00:00:41,920 --> 00:00:45,510 + +look you little stick Mayberry ass + +24 +00:00:45,510 --> 00:00:45,520 +look you little stick Mayberry ass + + +25 +00:00:45,520 --> 00:00:48,310 +look you little stick Mayberry ass +reject there's been a murder and you're + +26 +00:00:48,310 --> 00:00:48,320 +reject there's been a murder and you're + + +27 +00:00:48,320 --> 00:00:50,229 +reject there's been a murder and you're +going to fry in hell if you ignore it + +28 +00:00:50,229 --> 00:00:50,239 +going to fry in hell if you ignore it + + +29 +00:00:50,239 --> 00:00:52,069 +going to fry in hell if you ignore it +all right I'll tell you what I'll do + +30 +00:00:52,069 --> 00:00:52,079 +all right I'll tell you what I'll do + + +31 +00:00:52,079 --> 00:00:54,630 +all right I'll tell you what I'll do +okay I'll contact Barry's parents will + +32 +00:00:54,630 --> 00:00:54,640 +okay I'll contact Barry's parents will + + +33 +00:00:54,640 --> 00:00:56,069 +okay I'll contact Barry's parents will +put out a search for him all right he + +34 +00:00:56,069 --> 00:00:56,079 +put out a search for him all right he + + +35 +00:00:56,079 --> 00:01:03,389 +put out a search for him all right he +was probably just playing a prank on you + +36 +00:01:03,389 --> 00:01:03,399 + + + +37 +00:01:03,399 --> 00:01:05,750 + +oh Jesus listen I'm just going to be a + +38 +00:01:05,750 --> 00:01:05,760 +oh Jesus listen I'm just going to be a + + +39 +00:01:05,760 --> 00:01:07,630 +oh Jesus listen I'm just going to be a +minute all right I'm going see if this + +40 +00:01:07,630 --> 00:01:07,640 +minute all right I'm going see if this + + +41 +00:01:07,640 --> 00:01:24,069 +minute all right I'm going see if this +Fon needs + +42 +00:01:24,069 --> 00:01:24,079 + + + +43 +00:01:24,079 --> 00:01:27,190 + +help what's the + +44 +00:01:27,190 --> 00:01:27,200 +help what's the + + +45 +00:01:27,200 --> 00:01:31,069 +help what's the +trouble that's him behind + +46 +00:01:31,069 --> 00:01:31,079 +trouble that's him behind + + +47 +00:01:31,079 --> 00:02:06,029 +trouble that's him behind +you behind you + +48 +00:02:06,029 --> 00:02:06,039 + + + +49 +00:02:06,039 --> 00:02:20,990 + +St + +50 +00:02:20,990 --> 00:02:21,000 + + + +51 +00:02:21,000 --> 00:02:48,090 + +[Music] + diff --git a/1997/gDSrAm2CKdU.en.srt b/1997/gDSrAm2CKdU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1b9f4e10fe82e97833b05d294e5f310d392f923e --- /dev/null +++ b/1997/gDSrAm2CKdU.en.srt @@ -0,0 +1,735 @@ +1 +00:00:00,080 --> 00:00:02,430 + +oh look the butt plugs are back sing you + +2 +00:00:02,430 --> 00:00:02,440 +oh look the butt plugs are back sing you + + +3 +00:00:02,440 --> 00:00:03,789 +oh look the butt plugs are back sing you +got any plastic R + +4 +00:00:03,789 --> 00:00:03,799 +got any plastic R + + +5 +00:00:03,799 --> 00:00:08,070 +got any plastic R +man yeah in there back next to the + +6 +00:00:08,070 --> 00:00:08,080 +man yeah in there back next to the + + +7 +00:00:08,080 --> 00:00:14,869 +man yeah in there back next to the +onions all what so + +8 +00:00:14,869 --> 00:00:14,879 + + + +9 +00:00:14,879 --> 00:00:18,470 + +funny you got to lick it before you kick + +10 +00:00:18,470 --> 00:00:18,480 +funny you got to lick it before you kick + + +11 +00:00:18,480 --> 00:00:21,070 +funny you got to lick it before you kick +it you got to make it soft and wet + +12 +00:00:21,070 --> 00:00:21,080 +it you got to make it soft and wet + + +13 +00:00:21,080 --> 00:00:24,470 +it you got to make it soft and wet +before you stick it hey hey hey hey hey + +14 +00:00:24,470 --> 00:00:24,480 +before you stick it hey hey hey hey hey + + +15 +00:00:24,480 --> 00:00:26,550 +before you stick it hey hey hey hey hey +cam Cowboys we ain't here for that we + +16 +00:00:26,550 --> 00:00:26,560 +cam Cowboys we ain't here for that we + + +17 +00:00:26,560 --> 00:00:27,950 +cam Cowboys we ain't here for that we +just want to get some rap and then we + +18 +00:00:27,950 --> 00:00:27,960 +just want to get some rap and then we + + +19 +00:00:27,960 --> 00:00:30,230 +just want to get some rap and then we +out of here oh yeah no no no most people + +20 +00:00:30,230 --> 00:00:30,240 +out of here oh yeah no no no most people + + +21 +00:00:30,240 --> 00:00:33,110 +out of here oh yeah no no no most people +come into bik GL r at 2 in the + +22 +00:00:33,110 --> 00:00:33,120 +come into bik GL r at 2 in the + + +23 +00:00:33,120 --> 00:00:36,630 +come into bik GL r at 2 in the +morning you got to punch it before you + +24 +00:00:36,630 --> 00:00:36,640 +morning you got to punch it before you + + +25 +00:00:36,640 --> 00:00:40,110 +morning you got to punch it before you +munch it you got to work it before you + +26 +00:00:40,110 --> 00:00:40,120 +munch it you got to work it before you + + +27 +00:00:40,120 --> 00:00:45,310 +munch it you got to work it before you +Jer + +28 +00:00:45,310 --> 00:00:45,320 + + + +29 +00:00:45,320 --> 00:00:49,029 + +iter see see see see this is why I'm in + +30 +00:00:49,029 --> 00:00:49,039 +iter see see see see this is why I'm in + + +31 +00:00:49,039 --> 00:00:50,430 +iter see see see see this is why I'm in +favor of the immigration reform laws cuz + +32 +00:00:50,430 --> 00:00:50,440 +favor of the immigration reform laws cuz + + +33 +00:00:50,440 --> 00:00:51,750 +favor of the immigration reform laws cuz +you are fresh off the boat + +34 +00:00:51,750 --> 00:00:51,760 +you are fresh off the boat + + +35 +00:00:51,760 --> 00:00:53,069 +you are fresh off the boat +and you're already with people + +36 +00:00:53,069 --> 00:00:53,079 +and you're already with people + + +37 +00:00:53,079 --> 00:00:55,630 +and you're already with people +oh my God take a + +38 +00:00:55,630 --> 00:00:55,640 +oh my God take a + + +39 +00:00:55,640 --> 00:00:59,029 +oh my God take a +breather you feel better feel better I + +40 +00:00:59,029 --> 00:00:59,039 +breather you feel better feel better I + + +41 +00:00:59,039 --> 00:01:00,910 +breather you feel better feel better I +was just pulling your arm + +42 +00:01:00,910 --> 00:01:00,920 +was just pulling your arm + + +43 +00:01:00,920 --> 00:01:02,950 +was just pulling your arm +no no pulling your leg arm no no you + +44 +00:01:02,950 --> 00:01:02,960 +no no pulling your leg arm no no you + + +45 +00:01:02,960 --> 00:01:04,390 +no no pulling your leg arm no no you +cannot sit pulling your arm why do you + +46 +00:01:04,390 --> 00:01:04,400 +cannot sit pulling your arm why do you + + +47 +00:01:04,400 --> 00:01:05,950 +cannot sit pulling your arm why do you +always have to correct me you are not in + +48 +00:01:05,950 --> 00:01:05,960 +always have to correct me you are not in + + +49 +00:01:05,960 --> 00:01:08,550 +always have to correct me you are not in +Bombay now oh my I wish I was in Bombay + +50 +00:01:08,550 --> 00:01:08,560 +Bombay now oh my I wish I was in Bombay + + +51 +00:01:08,560 --> 00:01:10,550 +Bombay now oh my I wish I was in Bombay +to deal with you go to Bombay I'm not + +52 +00:01:10,550 --> 00:01:10,560 +to deal with you go to Bombay I'm not + + +53 +00:01:10,560 --> 00:01:12,230 +to deal with you go to Bombay I'm not +staying you see who we getting from now + +54 +00:01:12,230 --> 00:01:12,240 +staying you see who we getting from now + + +55 +00:01:12,240 --> 00:01:13,469 +staying you see who we getting from now +and the cold part about it is is that + +56 +00:01:13,469 --> 00:01:13,479 +and the cold part about it is is that + + +57 +00:01:13,479 --> 00:01:15,350 +and the cold part about it is is that +they got a point these women are running + +58 +00:01:15,350 --> 00:01:15,360 +they got a point these women are running + + +59 +00:01:15,360 --> 00:01:17,230 +they got a point these women are running +us we not running in and do you see how + +60 +00:01:17,230 --> 00:01:17,240 +us we not running in and do you see how + + +61 +00:01:17,240 --> 00:01:19,670 +us we not running in and do you see how +expensive this is sing you got + +62 +00:01:19,670 --> 00:01:19,680 +expensive this is sing you got + + +63 +00:01:19,680 --> 00:01:21,870 +expensive this is sing you got +anything cheaper + +64 +00:01:21,870 --> 00:01:21,880 +anything cheaper + + +65 +00:01:21,880 --> 00:01:26,789 +anything cheaper +ran come up here boy damn judge PE he go + +66 +00:01:26,789 --> 00:01:26,799 +ran come up here boy damn judge PE he go + + +67 +00:01:26,799 --> 00:01:28,429 +ran come up here boy damn judge PE he go +to my mother's church he a Holy Roller + +68 +00:01:28,429 --> 00:01:28,439 +to my mother's church he a Holy Roller + + +69 +00:01:28,439 --> 00:01:31,710 +to my mother's church he a Holy Roller +too come + +70 +00:01:31,710 --> 00:01:31,720 +too come + + +71 +00:01:31,720 --> 00:01:35,789 +too come +hey judge rashan what you doing out uh + +72 +00:01:35,789 --> 00:01:35,799 +hey judge rashan what you doing out uh + + +73 +00:01:35,799 --> 00:01:37,590 +hey judge rashan what you doing out uh +we just came to get a sandwich you know + +74 +00:01:37,590 --> 00:01:37,600 +we just came to get a sandwich you know + + +75 +00:01:37,600 --> 00:01:39,030 +we just came to get a sandwich you know +ain't nothing out this late but the + +76 +00:01:39,030 --> 00:01:39,040 +ain't nothing out this late but the + + +77 +00:01:39,040 --> 00:01:44,510 +ain't nothing out this late but the +devil and the devil's help hey judge uh + +78 +00:01:44,510 --> 00:01:44,520 +devil and the devil's help hey judge uh + + +79 +00:01:44,520 --> 00:01:47,350 +devil and the devil's help hey judge uh +all right you want that glad + +80 +00:01:47,350 --> 00:01:47,360 +all right you want that glad + + +81 +00:01:47,360 --> 00:01:49,950 +all right you want that glad +rap glad rap at 2:00 in the + +82 +00:01:49,950 --> 00:01:49,960 +rap glad rap at 2:00 in the + + +83 +00:01:49,960 --> 00:01:52,310 +rap glad rap at 2:00 in the +morning s like you plan EA more than a + +84 +00:01:52,310 --> 00:01:52,320 +morning s like you plan EA more than a + + +85 +00:01:52,320 --> 00:01:54,550 +morning s like you plan EA more than a +sandwich boy your mother know what you + +86 +00:01:54,550 --> 00:01:54,560 +sandwich boy your mother know what you + + +87 +00:01:54,560 --> 00:01:57,590 +sandwich boy your mother know what you +out here doing well she um look here son + +88 +00:01:57,590 --> 00:01:57,600 +out here doing well she um look here son + + +89 +00:01:57,600 --> 00:01:58,830 +out here doing well she um look here son +it's bad enough you're planning to + +90 +00:01:58,830 --> 00:01:58,840 +it's bad enough you're planning to + + +91 +00:01:58,840 --> 00:02:00,789 +it's bad enough you're planning to +fornicate I don't don't compound the + +92 +00:02:00,789 --> 00:02:00,799 +fornicate I don't don't compound the + + +93 +00:02:00,799 --> 00:02:03,789 +fornicate I don't don't compound the +crime by lineing see lies at all degrees + +94 +00:02:03,789 --> 00:02:03,799 +crime by lineing see lies at all degrees + + +95 +00:02:03,799 --> 00:02:07,709 +crime by lineing see lies at all degrees +attract one way to desolution now I know + +96 +00:02:07,709 --> 00:02:07,719 +attract one way to desolution now I know + + +97 +00:02:07,719 --> 00:02:10,309 +attract one way to desolution now I know +what condoms and glad rap it has its + +98 +00:02:10,309 --> 00:02:10,319 +what condoms and glad rap it has its + + +99 +00:02:10,319 --> 00:02:13,390 +what condoms and glad rap it has its +place in the pantheon of safe sex but + +100 +00:02:13,390 --> 00:02:13,400 +place in the pantheon of safe sex but + + +101 +00:02:13,400 --> 00:02:15,990 +place in the pantheon of safe sex but +there's only one way to be totally safe + +102 +00:02:15,990 --> 00:02:16,000 +there's only one way to be totally safe + + +103 +00:02:16,000 --> 00:02:19,229 +there's only one way to be totally safe +and that's abstinence and Purity and + +104 +00:02:19,229 --> 00:02:19,239 +and that's abstinence and Purity and + + +105 +00:02:19,239 --> 00:02:21,710 +and that's abstinence and Purity and +sexual frustration Hey listen I know how + +106 +00:02:21,710 --> 00:02:21,720 +sexual frustration Hey listen I know how + + +107 +00:02:21,720 --> 00:02:24,550 +sexual frustration Hey listen I know how +you all feel when that Fury temp just + +108 +00:02:24,550 --> 00:02:24,560 +you all feel when that Fury temp just + + +109 +00:02:24,560 --> 00:02:26,309 +you all feel when that Fury temp just +see like she's calling your name she + +110 +00:02:26,309 --> 00:02:26,319 +see like she's calling your name she + + +111 +00:02:26,319 --> 00:02:28,869 +see like she's calling your name she +said come on rashan get some up put your + +112 +00:02:28,869 --> 00:02:28,879 +said come on rashan get some up put your + + +113 +00:02:28,879 --> 00:02:30,990 +said come on rashan get some up put your +hand on look at it you you want some rub + +114 +00:02:30,990 --> 00:02:31,000 +hand on look at it you you want some rub + + +115 +00:02:31,000 --> 00:02:32,470 +hand on look at it you you want some rub +it on in there you want me to rub it + +116 +00:02:32,470 --> 00:02:32,480 +it on in there you want me to rub it + + +117 +00:02:32,480 --> 00:02:34,869 +it on in there you want me to rub it +well you bite me sucking you filthy you + +118 +00:02:34,869 --> 00:02:34,879 +well you bite me sucking you filthy you + + +119 +00:02:34,879 --> 00:02:39,550 +well you bite me sucking you filthy you +know things like that you know man you + +120 +00:02:39,550 --> 00:02:39,560 +know things like that you know man you + + +121 +00:02:39,560 --> 00:02:41,589 +know things like that you know man you +got my nipples + +122 +00:02:41,589 --> 00:02:41,599 +got my nipples + + +123 +00:02:41,599 --> 00:02:44,070 +got my nipples +hard watch how you talk to + +124 +00:02:44,070 --> 00:02:44,080 +hard watch how you talk to + + +125 +00:02:44,080 --> 00:02:47,790 +hard watch how you talk to +me I'm sorry I'm sorry for you I'm + +126 +00:02:47,790 --> 00:02:47,800 +me I'm sorry I'm sorry for you I'm + + +127 +00:02:47,800 --> 00:02:50,070 +me I'm sorry I'm sorry for you I'm +trying to help you so that's when you + +128 +00:02:50,070 --> 00:02:50,080 +trying to help you so that's when you + + +129 +00:02:50,080 --> 00:02:52,229 +trying to help you so that's when you +got to be strong when you have to take a + +130 +00:02:52,229 --> 00:02:52,239 +got to be strong when you have to take a + + +131 +00:02:52,239 --> 00:02:55,869 +got to be strong when you have to take a +pledge you say I swear on the SE of this + +132 +00:02:55,869 --> 00:02:55,879 +pledge you say I swear on the SE of this + + +133 +00:02:55,879 --> 00:02:58,390 +pledge you say I swear on the SE of this +great state of New York that I would + +134 +00:02:58,390 --> 00:02:58,400 +great state of New York that I would + + +135 +00:02:58,400 --> 00:03:01,630 +great state of New York that I would +never say judge we're gonna do this or + +136 +00:03:01,630 --> 00:03:01,640 +never say judge we're gonna do this or + + +137 +00:03:01,640 --> 00:03:06,149 +never say judge we're gonna do this or +what yes yes I'll be right out Miss I'll + +138 +00:03:06,149 --> 00:03:06,159 +what yes yes I'll be right out Miss I'll + + +139 +00:03:06,159 --> 00:03:08,990 +what yes yes I'll be right out Miss I'll +be right + +140 +00:03:08,990 --> 00:03:09,000 + + + +141 +00:03:09,000 --> 00:03:12,670 + +out that's what I'm talking about so + +142 +00:03:12,670 --> 00:03:12,680 +out that's what I'm talking about so + + +143 +00:03:12,680 --> 00:03:14,190 +out that's what I'm talking about so +remember what I + +144 +00:03:14,190 --> 00:03:14,200 +remember what I + + +145 +00:03:14,200 --> 00:03:22,140 +remember what I +said because I said it + +146 +00:03:22,140 --> 00:03:22,150 + + + +147 +00:03:22,150 --> 00:03:28,080 + +[Music] + diff --git a/1997/gEhB7HuQk7M.en.srt b/1997/gEhB7HuQk7M.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..ecb222f4b8bb61ec83e7a3f42b0017e043e39546 --- /dev/null +++ b/1997/gEhB7HuQk7M.en.srt @@ -0,0 +1,645 @@ +1 +00:00:00,320 --> 00:00:02,629 + +oh is somebody going to tell a story I + +2 +00:00:02,629 --> 00:00:02,639 +oh is somebody going to tell a story I + + +3 +00:00:02,639 --> 00:00:05,190 +oh is somebody going to tell a story I +was telling the story shut the up + +4 +00:00:05,190 --> 00:00:05,200 +was telling the story shut the up + + +5 +00:00:05,200 --> 00:00:06,510 +was telling the story shut the up +I'll tell it all right you it up + +6 +00:00:06,510 --> 00:00:06,520 +I'll tell it all right you it up + + +7 +00:00:06,520 --> 00:00:09,270 +I'll tell it all right you it up +every time it was Labor Day Ira like TK + +8 +00:00:09,270 --> 00:00:09,280 +every time it was Labor Day Ira like TK + + +9 +00:00:09,280 --> 00:00:11,390 +every time it was Labor Day Ira like TK +said the scorching outside it was so + +10 +00:00:11,390 --> 00:00:11,400 +said the scorching outside it was so + + +11 +00:00:11,400 --> 00:00:13,350 +said the scorching outside it was so + hot don't you remember that room + +12 +00:00:13,350 --> 00:00:13,360 +hot don't you remember that room + + +13 +00:00:13,360 --> 00:00:14,430 +hot don't you remember that room +was freezing though I mean you could + +14 +00:00:14,430 --> 00:00:14,440 +was freezing though I mean you could + + +15 +00:00:14,440 --> 00:00:16,230 +was freezing though I mean you could +hang meat in this room was so damn cold + +16 +00:00:16,230 --> 00:00:16,240 +hang meat in this room was so damn cold + + +17 +00:00:16,240 --> 00:00:17,550 +hang meat in this room was so damn cold +yeah it's good for business right I mean + +18 +00:00:17,550 --> 00:00:17,560 +yeah it's good for business right I mean + + +19 +00:00:17,560 --> 00:00:19,550 +yeah it's good for business right I mean +it keeps you awake and we're pounding + +20 +00:00:19,550 --> 00:00:19,560 +it keeps you awake and we're pounding + + +21 +00:00:19,560 --> 00:00:20,910 +it keeps you awake and we're pounding +sauce I mean free booze I mean what they + +22 +00:00:20,910 --> 00:00:20,920 +sauce I mean free booze I mean what they + + +23 +00:00:20,920 --> 00:00:22,070 +sauce I mean free booze I mean what they +lose in that they make up in Johnny + +24 +00:00:22,070 --> 00:00:22,080 +lose in that they make up in Johnny + + +25 +00:00:22,080 --> 00:00:23,830 +lose in that they make up in Johnny +Walker judgment and it's getting laate + +26 +00:00:23,830 --> 00:00:23,840 +Walker judgment and it's getting laate + + +27 +00:00:23,840 --> 00:00:25,390 +Walker judgment and it's getting laate +really late me the sun's about to come + +28 +00:00:25,390 --> 00:00:25,400 +really late me the sun's about to come + + +29 +00:00:25,400 --> 00:00:27,349 +really late me the sun's about to come +up we'd all lost our shirts maxed out + +30 +00:00:27,349 --> 00:00:27,359 +up we'd all lost our shirts maxed out + + +31 +00:00:27,359 --> 00:00:30,630 +up we'd all lost our shirts maxed out +the plastic except for Brett Brett's + +32 +00:00:30,630 --> 00:00:30,640 +the plastic except for Brett Brett's + + +33 +00:00:30,640 --> 00:00:33,709 +the plastic except for Brett Brett's +winning like like like + +34 +00:00:33,709 --> 00:00:33,719 +winning like like like + + +35 +00:00:33,719 --> 00:00:37,310 +winning like like like +huge that's when it + +36 +00:00:37,310 --> 00:00:37,320 + + + +37 +00:00:37,320 --> 00:00:41,549 + +happened Changing of the + +38 +00:00:41,549 --> 00:00:41,559 + + + +39 +00:00:41,559 --> 00:00:43,590 + +Guard word had if they brought this guy + +40 +00:00:43,590 --> 00:00:43,600 +Guard word had if they brought this guy + + +41 +00:00:43,600 --> 00:00:45,590 +Guard word had if they brought this guy +in from Vegas after two suicides + +42 +00:00:45,590 --> 00:00:45,600 +in from Vegas after two suicides + + +43 +00:00:45,600 --> 00:00:46,549 +in from Vegas after two suicides +something about they brought in to cool + +44 +00:00:46,549 --> 00:00:46,559 +something about they brought in to cool + + +45 +00:00:46,559 --> 00:00:47,910 +something about they brought in to cool +the table down you know you know what + +46 +00:00:47,910 --> 00:00:47,920 +the table down you know you know what + + +47 +00:00:47,920 --> 00:00:51,990 +the table down you know you know what +they call him hello boys the Widow Maker + +48 +00:00:51,990 --> 00:00:52,000 +they call him hello boys the Widow Maker + + +49 +00:00:52,000 --> 00:00:53,869 +they call him hello boys the Widow Maker +what a little this guy + +50 +00:00:53,869 --> 00:00:53,879 +what a little this guy + + +51 +00:00:53,879 --> 00:00:55,790 +what a little this guy +was it's like the kid that reminds a + +52 +00:00:55,790 --> 00:00:55,800 +was it's like the kid that reminds a + + +53 +00:00:55,800 --> 00:00:56,990 +was it's like the kid that reminds a +teacher about the homework assignment + +54 +00:00:56,990 --> 00:00:57,000 +teacher about the homework assignment + + +55 +00:00:57,000 --> 00:01:02,110 +teacher about the homework assignment +well that's this kid grown up + +56 +00:01:02,110 --> 00:01:02,120 + + + +57 +00:01:02,120 --> 00:01:03,630 + +anyway Brett's 22 Grand ahead so I + +58 +00:01:03,630 --> 00:01:03,640 +anyway Brett's 22 Grand ahead so I + + +59 +00:01:03,640 --> 00:01:05,710 +anyway Brett's 22 Grand ahead so I +figure it's safe to go to the John right + +60 +00:01:05,710 --> 00:01:05,720 +figure it's safe to go to the John right + + +61 +00:01:05,720 --> 00:01:07,789 +figure it's safe to go to the John right +wrong gone 5 minutes I come back he's + +62 +00:01:07,789 --> 00:01:07,799 +wrong gone 5 minutes I come back he's + + +63 +00:01:07,799 --> 00:01:10,030 +wrong gone 5 minutes I come back he's +down 12 I tried to talk him into + +64 +00:01:10,030 --> 00:01:10,040 +down 12 I tried to talk him into + + +65 +00:01:10,040 --> 00:01:11,670 +down 12 I tried to talk him into +changeing tables but he takes out a + +66 +00:01:11,670 --> 00:01:11,680 +changeing tables but he takes out a + + +67 +00:01:11,680 --> 00:01:16,190 +changeing tables but he takes out a +marker you believe + +68 +00:01:16,190 --> 00:01:16,200 + + + +69 +00:01:16,200 --> 00:01:18,990 + +that right then Avery walks up and he's + +70 +00:01:18,990 --> 00:01:19,000 +that right then Avery walks up and he's + + +71 +00:01:19,000 --> 00:01:19,910 +that right then Avery walks up and he's +just got done sweating out the + +72 +00:01:19,910 --> 00:01:19,920 +just got done sweating out the + + +73 +00:01:19,920 --> 00:01:21,590 +just got done sweating out the +Georgetown Mississippi game right but at + +74 +00:01:21,590 --> 00:01:21,600 +Georgetown Mississippi game right but at + + +75 +00:01:21,600 --> 00:01:24,350 +Georgetown Mississippi game right but at +10 to1 he's come out five grand + +76 +00:01:24,350 --> 00:01:24,360 +10 to1 he's come out five grand + + +77 +00:01:24,360 --> 00:01:26,630 +10 to1 he's come out five grand +ahead he takes one look at this little + +78 +00:01:26,630 --> 00:01:26,640 +ahead he takes one look at this little + + +79 +00:01:26,640 --> 00:01:28,350 +ahead he takes one look at this little +Wimp And he dumps his 5gs right on top + +80 +00:01:28,350 --> 00:01:28,360 +Wimp And he dumps his 5gs right on top + + +81 +00:01:28,360 --> 00:01:30,230 +Wimp And he dumps his 5gs right on top +of Brett's action you see two of these + +82 +00:01:30,230 --> 00:01:30,240 +of Brett's action you see two of these + + +83 +00:01:30,240 --> 00:01:31,510 +of Brett's action you see two of these +clowns I got to take the widowmaker's + +84 +00:01:31,510 --> 00:01:31,520 +clowns I got to take the widowmaker's + + +85 +00:01:31,520 --> 00:01:33,350 +clowns I got to take the widowmaker's +balls home and his luggage with one hand + +86 +00:01:33,350 --> 00:01:33,360 +balls home and his luggage with one hand + + +87 +00:01:33,360 --> 00:01:35,630 +balls home and his luggage with one hand +he said what does Brett the genius do he + +88 +00:01:35,630 --> 00:01:35,640 +he said what does Brett the genius do he + + +89 +00:01:35,640 --> 00:01:38,230 +he said what does Brett the genius do he +doubles down Widowmaker looked him right + +90 +00:01:38,230 --> 00:01:38,240 +doubles down Widowmaker looked him right + + +91 +00:01:38,240 --> 00:01:45,069 +doubles down Widowmaker looked him right +in the eye he need you one + +92 +00:01:45,069 --> 00:01:45,079 + + + +93 +00:01:45,079 --> 00:01:48,230 + +card I'm sorry give me the money give me + +94 +00:01:48,230 --> 00:01:48,240 +card I'm sorry give me the money give me + + +95 +00:01:48,240 --> 00:01:50,590 +card I'm sorry give me the money give me +the money it's all guys he's got rocks + +96 +00:01:50,590 --> 00:01:50,600 +the money it's all guys he's got rocks + + +97 +00:01:50,600 --> 00:01:53,310 +the money it's all guys he's got rocks +the size of Rushmore oh come on guys + +98 +00:01:53,310 --> 00:01:53,320 +the size of Rushmore oh come on guys + + +99 +00:01:53,320 --> 00:01:55,030 +the size of Rushmore oh come on guys +don't leave weren't we just having a + +100 +00:01:55,030 --> 00:01:55,040 +don't leave weren't we just having a + + +101 +00:01:55,040 --> 00:01:59,090 +don't leave weren't we just having a +good time come on hey oh come on come on + +102 +00:01:59,090 --> 00:01:59,100 +good time come on hey oh come on come on + + +103 +00:01:59,100 --> 00:02:01,310 +good time come on hey oh come on come on +[Laughter] + +104 +00:02:01,310 --> 00:02:01,320 +[Laughter] + + +105 +00:02:01,320 --> 00:02:03,270 +[Laughter] +afterwards Brett takes his last 200 + +106 +00:02:03,270 --> 00:02:03,280 +afterwards Brett takes his last 200 + + +107 +00:02:03,280 --> 00:02:05,029 +afterwards Brett takes his last 200 +bucks he takes us all out for Stakes the + +108 +00:02:05,029 --> 00:02:05,039 +bucks he takes us all out for Stakes the + + +109 +00:02:05,039 --> 00:02:08,749 +bucks he takes us all out for Stakes the +size of your foot what a guy drops 20 + +110 +00:02:08,749 --> 00:02:08,759 +size of your foot what a guy drops 20 + + +111 +00:02:08,759 --> 00:02:10,990 +size of your foot what a guy drops 20 +grand he ain't got money left for a bus + +112 +00:02:10,990 --> 00:02:11,000 +grand he ain't got money left for a bus + + +113 +00:02:11,000 --> 00:02:14,869 +grand he ain't got money left for a bus +to get home he takes you for steaks must + +114 +00:02:14,869 --> 00:02:14,879 +to get home he takes you for steaks must + + +115 +00:02:14,879 --> 00:02:16,869 +to get home he takes you for steaks must +be nice to have Rich folks you don't + +116 +00:02:16,869 --> 00:02:16,879 +be nice to have Rich folks you don't + + +117 +00:02:16,879 --> 00:02:18,270 +be nice to have Rich folks you don't +know his father I mean he's got the + +118 +00:02:18,270 --> 00:02:18,280 +know his father I mean he's got the + + +119 +00:02:18,280 --> 00:02:21,270 +know his father I mean he's got the +first nickel he ever made so how's he + +120 +00:02:21,270 --> 00:02:21,280 +first nickel he ever made so how's he + + +121 +00:02:21,280 --> 00:02:23,710 +first nickel he ever made so how's he +going to pay back the 20 + +122 +00:02:23,710 --> 00:02:23,720 +going to pay back the 20 + + +123 +00:02:23,720 --> 00:02:25,949 +going to pay back the 20 +Lodge the interest alone is enough to + +124 +00:02:25,949 --> 00:02:25,959 +Lodge the interest alone is enough to + + +125 +00:02:25,959 --> 00:02:31,589 +Lodge the interest alone is enough to +give you a nose bleed + +126 +00:02:31,589 --> 00:02:31,599 + + + +127 +00:02:31,599 --> 00:02:35,000 + +what + +128 +00:02:35,000 --> 00:02:35,010 + + + +129 +00:02:35,010 --> 00:03:02,099 + +[Music] + diff --git a/1997/gIaqrkn0ymo.en.srt b/1997/gIaqrkn0ymo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6bb65de07adc6298e97344ba944239e40bb32c05 --- /dev/null +++ b/1997/gIaqrkn0ymo.en.srt @@ -0,0 +1,585 @@ +1 +00:00:01,400 --> 00:00:03,310 + +nck it's a misunderstanding it was a bet + +2 +00:00:03,310 --> 00:00:03,320 +nck it's a misunderstanding it was a bet + + +3 +00:00:03,320 --> 00:00:05,910 +nck it's a misunderstanding it was a bet +but it wasn't a bet not now ran like I + +4 +00:00:05,910 --> 00:00:05,920 +but it wasn't a bet not now ran like I + + +5 +00:00:05,920 --> 00:00:08,030 +but it wasn't a bet not now ran like I +was saying it's a flesh wound we just + +6 +00:00:08,030 --> 00:00:08,040 +was saying it's a flesh wound we just + + +7 +00:00:08,040 --> 00:00:09,589 +was saying it's a flesh wound we just +want to make sure that it doesn't get + +8 +00:00:09,589 --> 00:00:09,599 +want to make sure that it doesn't get + + +9 +00:00:09,599 --> 00:00:14,430 +want to make sure that it doesn't get +infected like I was saying no insurance + +10 +00:00:14,430 --> 00:00:14,440 +infected like I was saying no insurance + + +11 +00:00:14,440 --> 00:00:16,189 +infected like I was saying no insurance +ain't this a sh we in the richest + +12 +00:00:16,189 --> 00:00:16,199 +ain't this a sh we in the richest + + +13 +00:00:16,199 --> 00:00:18,269 +ain't this a sh we in the richest +country the world the land of the Brave + +14 +00:00:18,269 --> 00:00:18,279 +country the world the land of the Brave + + +15 +00:00:18,279 --> 00:00:20,670 +country the world the land of the Brave +the home of the beautiful and my man + +16 +00:00:20,670 --> 00:00:20,680 +the home of the beautiful and my man + + +17 +00:00:20,680 --> 00:00:22,750 +the home of the beautiful and my man +can't get his legs sewn up FS this is + +18 +00:00:22,750 --> 00:00:22,760 +can't get his legs sewn up FS this is + + +19 +00:00:22,760 --> 00:00:24,710 +can't get his legs sewn up FS this is +not the time or the place it is the + +20 +00:00:24,710 --> 00:00:24,720 +not the time or the place it is the + + +21 +00:00:24,720 --> 00:00:26,910 +not the time or the place it is the +place it says right here emergency it + +22 +00:00:26,910 --> 00:00:26,920 +place it says right here emergency it + + +23 +00:00:26,920 --> 00:00:29,109 +place it says right here emergency it +doesn't say emergency unless your broke + +24 +00:00:29,109 --> 00:00:29,119 +doesn't say emergency unless your broke + + +25 +00:00:29,119 --> 00:00:31,870 +doesn't say emergency unless your broke +ass ain't got no ins insurance card buns + +26 +00:00:31,870 --> 00:00:31,880 +ass ain't got no ins insurance card buns + + +27 +00:00:31,880 --> 00:00:34,590 +ass ain't got no ins insurance card buns +shut up okay Co shut up I tell you what + +28 +00:00:34,590 --> 00:00:34,600 +shut up okay Co shut up I tell you what + + +29 +00:00:34,600 --> 00:00:35,950 +shut up okay Co shut up I tell you what +I'm going to go get you a parot to go + +30 +00:00:35,950 --> 00:00:35,960 +I'm going to go get you a parot to go + + +31 +00:00:35,960 --> 00:00:37,590 +I'm going to go get you a parot to go +with your peg + +32 +00:00:37,590 --> 00:00:37,600 +with your peg + + +33 +00:00:37,600 --> 00:00:40,389 +with your peg +leg look I got insurance I just don't + +34 +00:00:40,389 --> 00:00:40,399 +leg look I got insurance I just don't + + +35 +00:00:40,399 --> 00:00:42,790 +leg look I got insurance I just don't +have my card on me right now no card no + +36 +00:00:42,790 --> 00:00:42,800 +have my card on me right now no card no + + +37 +00:00:42,800 --> 00:00:45,110 +have my card on me right now no card no +cure Miss I don't think you understand + +38 +00:00:45,110 --> 00:00:45,120 +cure Miss I don't think you understand + + +39 +00:00:45,120 --> 00:00:47,470 +cure Miss I don't think you understand +the severity of the situation this man + +40 +00:00:47,470 --> 00:00:47,480 +the severity of the situation this man + + +41 +00:00:47,480 --> 00:00:49,630 +the severity of the situation this man +has been shot now I don't know where you + +42 +00:00:49,630 --> 00:00:49,640 +has been shot now I don't know where you + + +43 +00:00:49,640 --> 00:00:51,590 +has been shot now I don't know where you +received your education or your training + +44 +00:00:51,590 --> 00:00:51,600 +received your education or your training + + +45 +00:00:51,600 --> 00:00:55,229 +received your education or your training +from see I apologize for my friends it's + +46 +00:00:55,229 --> 00:00:55,239 +from see I apologize for my friends it's + + +47 +00:00:55,239 --> 00:00:57,790 +from see I apologize for my friends it's +been a very long night I'm sure there's + +48 +00:00:57,790 --> 00:00:57,800 +been a very long night I'm sure there's + + +49 +00:00:57,800 --> 00:01:00,189 +been a very long night I'm sure there's +a procedure to verify his insurance we + +50 +00:01:00,189 --> 00:01:00,199 +a procedure to verify his insurance we + + +51 +00:01:00,199 --> 00:01:01,590 +a procedure to verify his insurance we +filled out all the forms all the + +52 +00:01:01,590 --> 00:01:01,600 +filled out all the forms all the + + +53 +00:01:01,600 --> 00:01:03,869 +filled out all the forms all the +information you need is right here like + +54 +00:01:03,869 --> 00:01:03,879 +information you need is right here like + + +55 +00:01:03,879 --> 00:01:09,230 +information you need is right here like +I said Little Miss fui no card no cure + +56 +00:01:09,230 --> 00:01:09,240 +I said Little Miss fui no card no cure + + +57 +00:01:09,240 --> 00:01:12,190 +I said Little Miss fui no card no cure +look either you make the call or + +58 +00:01:12,190 --> 00:01:12,200 +look either you make the call or + + +59 +00:01:12,200 --> 00:01:13,870 +look either you make the call or +I'mma come across that desk and snatch + +60 +00:01:13,870 --> 00:01:13,880 +I'mma come across that desk and snatch + + +61 +00:01:13,880 --> 00:01:16,310 +I'mma come across that desk and snatch +that horse hair wig off your ballhead I + +62 +00:01:16,310 --> 00:01:16,320 +that horse hair wig off your ballhead I + + +63 +00:01:16,320 --> 00:01:20,030 +that horse hair wig off your ballhead I +will stick this clipboard so far up your + +64 +00:01:20,030 --> 00:01:20,040 +will stick this clipboard so far up your + + +65 +00:01:20,040 --> 00:01:22,830 +will stick this clipboard so far up your +asking looking for + +66 +00:01:22,830 --> 00:01:22,840 +asking looking for + + +67 +00:01:22,840 --> 00:01:26,910 +asking looking for +ask n are you ran uh yeah ran Askins + +68 +00:01:26,910 --> 00:01:26,920 +ask n are you ran uh yeah ran Askins + + +69 +00:01:26,920 --> 00:01:29,590 +ask n are you ran uh yeah ran Askins +right here great ran ask that's what I'm + +70 +00:01:29,590 --> 00:01:29,600 +right here great ran ask that's what I'm + + +71 +00:01:29,600 --> 00:01:30,429 +right here great ran ask that's what I'm +asking + +72 +00:01:30,429 --> 00:01:30,439 +asking + + +73 +00:01:30,439 --> 00:01:32,950 +asking +oh get your ass down okay listen uh + +74 +00:01:32,950 --> 00:01:32,960 +oh get your ass down okay listen uh + + +75 +00:01:32,960 --> 00:01:35,069 +oh get your ass down okay listen uh +we've already pre- admitted this patient + +76 +00:01:35,069 --> 00:01:35,079 +we've already pre- admitted this patient + + +77 +00:01:35,079 --> 00:01:36,870 +we've already pre- admitted this patient +here's his insurance forms right here we + +78 +00:01:36,870 --> 00:01:36,880 +here's his insurance forms right here we + + +79 +00:01:36,880 --> 00:01:38,429 +here's his insurance forms right here we +need somebody to get him down the triage + +80 +00:01:38,429 --> 00:01:38,439 +need somebody to get him down the triage + + +81 +00:01:38,439 --> 00:01:40,109 +need somebody to get him down the triage +right quick because his wounds are very + +82 +00:01:40,109 --> 00:01:40,119 +right quick because his wounds are very + + +83 +00:01:40,119 --> 00:01:43,670 +right quick because his wounds are very +severe yes Dr zasi but aren you the guy + +84 +00:01:43,670 --> 00:01:43,680 +severe yes Dr zasi but aren you the guy + + +85 +00:01:43,680 --> 00:01:46,069 +severe yes Dr zasi but aren you the guy +there yes I am I'm very attracted to you + +86 +00:01:46,069 --> 00:01:46,079 +there yes I am I'm very attracted to you + + +87 +00:01:46,079 --> 00:01:48,310 +there yes I am I'm very attracted to you +these beautiful eyes those cheekbones + +88 +00:01:48,310 --> 00:01:48,320 +these beautiful eyes those cheekbones + + +89 +00:01:48,320 --> 00:01:50,310 +these beautiful eyes those cheekbones +that smile and a l of little mustache + +90 +00:01:50,310 --> 00:01:50,320 +that smile and a l of little mustache + + +91 +00:01:50,320 --> 00:01:52,310 +that smile and a l of little mustache +it's working but do something with the + +92 +00:01:52,310 --> 00:01:52,320 +it's working but do something with the + + +93 +00:01:52,320 --> 00:01:53,670 +it's working but do something with the +Cher + +94 +00:01:53,670 --> 00:01:53,680 +Cher + + +95 +00:01:53,680 --> 00:01:56,069 +Cher +pet listen you and your mom going to + +96 +00:01:56,069 --> 00:01:56,079 +pet listen you and your mom going to + + +97 +00:01:56,079 --> 00:01:58,149 +pet listen you and your mom going to +have to wait behind the yellow + +98 +00:01:58,149 --> 00:01:58,159 +have to wait behind the yellow + + +99 +00:01:58,159 --> 00:02:00,350 +have to wait behind the yellow +line oh mama + +100 +00:02:00,350 --> 00:02:00,360 +line oh mama + + +101 +00:02:00,360 --> 00:02:02,709 +line oh mama +yes your + +102 +00:02:02,709 --> 00:02:02,719 +yes your + + +103 +00:02:02,719 --> 00:02:05,749 +yes your +mom I know he ain't saying I look old F + +104 +00:02:05,749 --> 00:02:05,759 +mom I know he ain't saying I look old F + + +105 +00:02:05,759 --> 00:02:07,429 +mom I know he ain't saying I look old F +you sure you know what you doing man + +106 +00:02:07,429 --> 00:02:07,439 +you sure you know what you doing man + + +107 +00:02:07,439 --> 00:02:09,630 +you sure you know what you doing man +yeah man I used to watch ER all the time + +108 +00:02:09,630 --> 00:02:09,640 +yeah man I used to watch ER all the time + + +109 +00:02:09,640 --> 00:02:10,949 +yeah man I used to watch ER all the time +till they cut the brother's part down + +110 +00:02:10,949 --> 00:02:10,959 +till they cut the brother's part down + + +111 +00:02:10,959 --> 00:02:12,190 +till they cut the brother's part down +you know something had happened man + +112 +00:02:12,190 --> 00:02:12,200 +you know something had happened man + + +113 +00:02:12,200 --> 00:02:13,350 +you know something had happened man +somebody died they going to try to blame + +114 +00:02:13,350 --> 00:02:13,360 +somebody died they going to try to blame + + +115 +00:02:13,360 --> 00:02:19,750 +somebody died they going to try to blame +it on him + +116 +00:02:19,750 --> 00:02:19,760 + + + +117 +00:02:19,760 --> 00:02:25,680 + +[Music] + diff --git a/1997/gSG9bZu1NtM.description b/1997/gSG9bZu1NtM.description new file mode 100644 index 0000000000000000000000000000000000000000..ab997b83037bae829e7624655e6000dfa7a829a9 --- /dev/null +++ b/1997/gSG9bZu1NtM.description @@ -0,0 +1,32 @@ +Batman & Robin - Arkham Asylum Break Out: Poison Ivy (Uma Thurman) and Bane (Jeep Swenson) break Mr. Freeze (Arnold Schwarzenegger) out of Arkham Asylum. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/batman-robin-1997/1MV5fb3401fd583a2ea1e0ea7ac475de21a?cmp=Movieclips_YT_Description + +Watch the best Batman & Robin scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqqpkIeyXCDIz86AI2zBSAIg + +FILM DESCRIPTION: +This superhero adventure finds Batman (George Clooney) and his partner, Robin (Chris O'Donnell), attempting to the foil the sinister schemes of a deranged set of new villains, most notably the melancholy Mr. Freeze (Arnold Schwarzenegger), who wants to make Gotham into an arctic region, and the sultry Poison Ivy (Uma Thurman), a plant-loving femme fatale. As the Dynamic Duo contends with these bad guys, a third hero, Batgirl (Alicia Silverstone), joins the ranks of the city's crime-fighters. + +CREDITS: +TM & © Warner Bros. (1997) +Cast: Arnold Schwarzenegger, Jeep Swenson, Uma Thurman +Director: Joel Schumacher + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file