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0000000000000000000000000000000000000000..847a455c0a69abdd4d954874688586582f0b3f56 --- /dev/null +++ b/1998/ZqZZftydH0I.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:fffdec398107c08074f3b22f0559e86a721a45d433c456893499845fb5fc3c6c +size 4151998 diff --git a/1998/eK20uOpc_AM.description b/1998/eK20uOpc_AM.description new file mode 100644 index 0000000000000000000000000000000000000000..46df9138c5eafbfc59839e7cf96c2502ec73eb52 --- /dev/null +++ b/1998/eK20uOpc_AM.description @@ -0,0 +1,32 @@ +Antz - Weaver Fills in for Z: Weaver (Sylvester Stallone) works in the tunnel and hits on Azteca (Jennifer Lopez). +BUY THE MOVIE: https://www.fandangonow.com/details/movie/antz-1998/1MV216b23edb7e73a2df9e8f49dd565dce1?cmp=Movieclips_YT_Description + +Watch the best Antz scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqq4RR5pGR5pY3EilSK3Ojov + +FILM DESCRIPTION: +Z the worker ant (Woody Allen) strives to reconcile his own individuality with the communal work-ethic of the ant colony. He falls in love with ant-Princess Bala (Sharon Stone), Z strives to make social inroads, and then must save the ant colony from the treacherous scheming of the evil General Mandible (Gene Hackman) that threaten to wipe out the entire worker population. + +CREDITS: +TM & © Dreamworks (1998) +Cast: Jennifer Lopez, Sylvester Stallone +Director: Eric Darnell, Tim Johnson + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file diff --git a/1998/eK20uOpc_AM.en.srt b/1998/eK20uOpc_AM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9955db8c65e59f0da9f8c9defada7608b7742517 --- /dev/null +++ b/1998/eK20uOpc_AM.en.srt @@ -0,0 +1,285 @@ +1 +00:00:11,690 --> 00:00:30,620 + +yeah yeah oh yeah look + +2 +00:00:30,620 --> 00:00:30,630 + + + +3 +00:00:30,630 --> 00:00:37,610 + +[Music] + +4 +00:00:37,610 --> 00:00:37,620 +[Music] + + +5 +00:00:37,620 --> 00:00:41,360 +[Music] +you're making the rest of us look bad + +6 +00:00:41,360 --> 00:00:41,370 +you're making the rest of us look bad + + +7 +00:00:41,370 --> 00:00:45,780 +you're making the rest of us look bad +what happened to Z he's taking a + +8 +00:00:45,780 --> 00:00:45,790 +what happened to Z he's taking a + + +9 +00:00:45,790 --> 00:00:48,330 +what happened to Z he's taking a +personal day so I'm filling in you + +10 +00:00:48,330 --> 00:00:48,340 +personal day so I'm filling in you + + +11 +00:00:48,340 --> 00:00:55,010 +personal day so I'm filling in you +feeling any more and you'll explode + +12 +00:00:55,010 --> 00:00:55,020 + + + +13 +00:00:55,020 --> 00:01:00,960 + +hey you got a problem no nobody told me + +14 +00:01:00,960 --> 00:01:00,970 +hey you got a problem no nobody told me + + +15 +00:01:00,970 --> 00:01:02,510 +hey you got a problem no nobody told me +digging was so much fun you know you + +16 +00:01:02,510 --> 00:01:02,520 +digging was so much fun you know you + + +17 +00:01:02,520 --> 00:01:09,840 +digging was so much fun you know you +turn up can you move it again reps you + +18 +00:01:09,840 --> 00:01:09,850 +turn up can you move it again reps you + + +19 +00:01:09,850 --> 00:01:13,620 +turn up can you move it again reps you +exercise the arms and thorax yes I see + +20 +00:01:13,620 --> 00:01:13,630 +exercise the arms and thorax yes I see + + +21 +00:01:13,630 --> 00:01:15,540 +exercise the arms and thorax yes I see +what you mean mmm yeah that is + +22 +00:01:15,540 --> 00:01:15,550 +what you mean mmm yeah that is + + +23 +00:01:15,550 --> 00:01:16,320 +what you mean mmm yeah that is +fascinating + +24 +00:01:16,320 --> 00:01:16,330 +fascinating + + +25 +00:01:16,330 --> 00:01:18,060 +fascinating +sorry sir I was just having a little + +26 +00:01:18,060 --> 00:01:18,070 +sorry sir I was just having a little + + +27 +00:01:18,070 --> 00:01:20,940 +sorry sir I was just having a little +chat with my friend sir you know I just + +28 +00:01:20,940 --> 00:01:20,950 +chat with my friend sir you know I just + + +29 +00:01:20,950 --> 00:01:23,690 +chat with my friend sir you know I just +had a little chat with general mandible + +30 +00:01:23,690 --> 00:01:23,700 +had a little chat with general mandible + + +31 +00:01:23,700 --> 00:01:26,400 +had a little chat with general mandible +anybody who doesn't meet his quota is + +32 +00:01:26,400 --> 00:01:26,410 +anybody who doesn't meet his quota is + + +33 +00:01:26,410 --> 00:01:28,800 +anybody who doesn't meet his quota is +going to be downsized man cut him a + +34 +00:01:28,800 --> 00:01:28,810 +going to be downsized man cut him a + + +35 +00:01:28,810 --> 00:01:34,880 +going to be downsized man cut him a +break he's new hey what do you say we + +36 +00:01:34,880 --> 00:01:34,890 +break he's new hey what do you say we + + +37 +00:01:34,890 --> 00:01:37,670 +break he's new hey what do you say we +help your attitude a little bit by + +38 +00:01:37,670 --> 00:01:37,680 +help your attitude a little bit by + + +39 +00:01:37,680 --> 00:01:41,630 +help your attitude a little bit by +taking away your rations for the day + +40 +00:01:41,630 --> 00:01:41,640 +taking away your rations for the day + + +41 +00:01:41,640 --> 00:01:46,410 +taking away your rations for the day +thanks for your time I don't know what + +42 +00:01:46,410 --> 00:01:46,420 +thanks for your time I don't know what + + +43 +00:01:46,420 --> 00:01:52,350 +thanks for your time I don't know what +came over me talking back like that all + +44 +00:01:52,350 --> 00:01:52,360 +came over me talking back like that all + + +45 +00:01:52,360 --> 00:01:53,490 +came over me talking back like that all +right I got you in trouble + +46 +00:01:53,490 --> 00:01:53,500 +right I got you in trouble + + +47 +00:01:53,500 --> 00:01:57,600 +right I got you in trouble +but listen you can't share my rashes if + +48 +00:01:57,600 --> 00:01:57,610 +but listen you can't share my rashes if + + +49 +00:01:57,610 --> 00:02:00,480 +but listen you can't share my rashes if +you want are you asking me out to dinner + +50 +00:02:00,480 --> 00:02:00,490 +you want are you asking me out to dinner + + +51 +00:02:00,490 --> 00:02:08,160 +you want are you asking me out to dinner +oh no if you don't have anything else + +52 +00:02:08,160 --> 00:02:08,170 +oh no if you don't have anything else + + +53 +00:02:08,170 --> 00:02:13,880 +oh no if you don't have anything else +planned I'll check my calendar + +54 +00:02:13,880 --> 00:02:13,890 + + + +55 +00:02:13,890 --> 00:02:18,460 + +I'm kind of glad he's taking a breather + +56 +00:02:18,460 --> 00:02:18,470 +I'm kind of glad he's taking a breather + + +57 +00:02:18,470 --> 00:02:29,810 +I'm kind of glad he's taking a breather +[Music] + diff --git a/1998/esJNnh-d2E0.description b/1998/esJNnh-d2E0.description new file mode 100644 index 0000000000000000000000000000000000000000..64baf49ce318cdaa11816c877bcf735a99d091ea --- /dev/null +++ b/1998/esJNnh-d2E0.description @@ -0,0 +1,43 @@ +The X Files movie clips: http://j.mp/1ixkTju +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/the-x-files-1998/1MVf8fc5803e1965319941b1ba901da678a?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1FyX5zM +Amazon - http://amzn.to/1H60BHe +Fox Movies - http://bit.ly/1dicu0y +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Mulder's (David Duchovny) tender moment with Scully (Gillian Anderson) is cut short by a bee sting. + +FILM DESCRIPTION: +This 60-million-dollar science fiction suspense drama (marketed with an additional 25 million dollars), was adapted from the popular TV series The X-Files -- arriving in theaters while the Emmy-winning series was still being aired, continuing plot threads familiar to many of the series' 25 million viewers, and featuring several familiar recurring characters introduced during the previous five TV seasons. In 15,000 B.C., a strange creature attacks a caveman. Cut to present day, when a boy at the same North Texas spot falls into a pit and is contaminated by a black substance. When a bomb threatens the Dallas Federal Building, special FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) locate the device but are unable to prevent the explosion. The agency blames Mulder and Scully for the disaster, subjecting them to lengthy interrogations while trying to sever their partnership. In a bar, conspiracy theorist Kurtzweil (Martin Landau), a friend of Mulder's father, tells Mulder about the group behind the explosion, the cover-up of the boy's death, the bodies of four infected rescue workers removed from the Federal Building, the secret government, and the forthcoming plague. Mulder and Scully set out to find answers, and their investigation becomes a foray into the fantastic. + +CREDITS: +TM & © Fox (1998) +Courtesy of Twentieth Century Fox Film Corporation +Cast: David Duchovny, Gillian Anderson +Director: Rob Bowman +Producers: Mary Astadourian, Lata Ryan, Daniel Sackheim, Bruce Devan, Chris Carter +Screenwriters: Frank Spotnitz, Chris Carter + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/esJNnh-d2E0.en.srt b/1998/esJNnh-d2E0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d3a1bda1c0d0ddbc1fc94c64dcd6a7328895a0d3 --- /dev/null +++ b/1998/esJNnh-d2E0.en.srt @@ -0,0 +1,255 @@ +1 +00:00:03,719 --> 00:00:08,830 + +I got to + +2 +00:00:08,830 --> 00:00:08,840 + + + +3 +00:00:08,840 --> 00:00:11,230 + +go you want to tell yourself that so you + +4 +00:00:11,230 --> 00:00:11,240 +go you want to tell yourself that so you + + +5 +00:00:11,240 --> 00:00:12,990 +go you want to tell yourself that so you +can quit with a clear conscience you can + +6 +00:00:12,990 --> 00:00:13,000 +can quit with a clear conscience you can + + +7 +00:00:13,000 --> 00:00:14,869 +can quit with a clear conscience you can +but you're wrong why did they assign me + +8 +00:00:14,869 --> 00:00:14,879 +but you're wrong why did they assign me + + +9 +00:00:14,879 --> 00:00:17,109 +but you're wrong why did they assign me +to you in the first place molder to + +10 +00:00:17,109 --> 00:00:17,119 +to you in the first place molder to + + +11 +00:00:17,119 --> 00:00:19,910 +to you in the first place molder to +debunk your work to re you in to shut + +12 +00:00:19,910 --> 00:00:19,920 +debunk your work to re you in to shut + + +13 +00:00:19,920 --> 00:00:22,029 +debunk your work to re you in to shut +you down but you saved + +14 +00:00:22,029 --> 00:00:22,039 +you down but you saved + + +15 +00:00:22,039 --> 00:00:24,470 +you down but you saved +me as difficult and as frustrating as + +16 +00:00:24,470 --> 00:00:24,480 +me as difficult and as frustrating as + + +17 +00:00:24,480 --> 00:00:26,269 +me as difficult and as frustrating as +it's been sometimes your goddamn strict + +18 +00:00:26,269 --> 00:00:26,279 +it's been sometimes your goddamn strict + + +19 +00:00:26,279 --> 00:00:27,990 +it's been sometimes your goddamn strict +rationalism and science have saved me a + +20 +00:00:27,990 --> 00:00:28,000 +rationalism and science have saved me a + + +21 +00:00:28,000 --> 00:00:30,870 +rationalism and science have saved me a +thousand times over + +22 +00:00:30,870 --> 00:00:30,880 +thousand times over + + +23 +00:00:30,880 --> 00:00:32,630 +thousand times over +youve kept me + +24 +00:00:32,630 --> 00:00:32,640 +youve kept me + + +25 +00:00:32,640 --> 00:00:36,110 +youve kept me +honest you made me a whole + +26 +00:00:36,110 --> 00:00:36,120 +honest you made me a whole + + +27 +00:00:36,120 --> 00:00:39,549 +honest you made me a whole +person I owe you + +28 +00:00:39,549 --> 00:00:39,559 +person I owe you + + +29 +00:00:39,559 --> 00:00:46,430 +person I owe you +everything scullen you owe me + +30 +00:00:46,430 --> 00:00:46,440 + + + +31 +00:00:46,440 --> 00:00:48,630 + +nothing I don't know if I want to do + +32 +00:00:48,630 --> 00:00:48,640 +nothing I don't know if I want to do + + +33 +00:00:48,640 --> 00:00:53,189 +nothing I don't know if I want to do +this + +34 +00:00:53,189 --> 00:00:53,199 + + + +35 +00:00:53,199 --> 00:00:58,110 + +alone I don't even know if I + +36 +00:00:58,110 --> 00:00:58,120 + + + +37 +00:00:58,120 --> 00:01:08,190 + +can and if I quit now now they win + +38 +00:01:08,190 --> 00:01:08,200 + + + +39 +00:01:08,200 --> 00:01:33,530 + +[Music] + +40 +00:01:33,530 --> 00:01:33,540 + + + +41 +00:01:33,540 --> 00:01:49,700 + +[Music] + +42 +00:01:49,700 --> 00:01:49,710 + + + +43 +00:01:49,710 --> 00:01:58,830 + +[Music] + +44 +00:01:58,830 --> 00:01:58,840 + + + +45 +00:01:58,840 --> 00:02:00,510 + +ow + +46 +00:02:00,510 --> 00:02:00,520 +ow + + +47 +00:02:00,520 --> 00:02:02,109 +ow +Jesus + +48 +00:02:02,109 --> 00:02:02,119 +Jesus + + +49 +00:02:02,119 --> 00:02:06,850 +Jesus +no something stung me + +50 +00:02:06,850 --> 00:02:06,860 + + + +51 +00:02:06,860 --> 00:02:37,830 + +[Music] + diff --git a/1998/hsIdl6x2Lck.en.srt b/1998/hsIdl6x2Lck.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..192b81d451e102b911c3975a9b74f7b80fc5bfb9 --- /dev/null +++ b/1998/hsIdl6x2Lck.en.srt @@ -0,0 +1,175 @@ +1 +00:00:01,000 --> 00:00:04,510 + +this is the + +2 +00:00:04,510 --> 00:00:04,520 + + + +3 +00:00:04,520 --> 00:00:12,610 + +impostor pull them + +4 +00:00:12,610 --> 00:00:12,620 + + + +5 +00:00:12,620 --> 00:00:16,750 + +[Music] + +6 +00:00:16,750 --> 00:00:16,760 +[Music] + + +7 +00:00:16,760 --> 00:00:27,349 +[Music] +back get in the boat your + +8 +00:00:27,349 --> 00:00:27,359 + + + +9 +00:00:27,359 --> 00:00:32,830 + +majesty open the gate + +10 +00:00:32,830 --> 00:00:32,840 + + + +11 +00:00:32,840 --> 00:00:34,590 + +open the + +12 +00:00:34,590 --> 00:00:34,600 +open the + + +13 +00:00:34,600 --> 00:00:38,350 +open the +gate open the + +14 +00:00:38,350 --> 00:00:38,360 + + + +15 +00:00:38,360 --> 00:00:44,590 + +gate I'm sorry I failed + +16 +00:00:44,590 --> 00:00:44,600 + + + +17 +00:00:44,600 --> 00:01:09,550 + +you we failed you + +18 +00:01:09,550 --> 00:01:09,560 + + + +19 +00:01:09,560 --> 00:01:10,870 + +you take my + +20 +00:01:10,870 --> 00:01:10,880 +you take my + + +21 +00:01:10,880 --> 00:01:27,220 +you take my +king and I shall take yours + +22 +00:01:27,220 --> 00:01:27,230 + + + +23 +00:01:27,230 --> 00:01:30,069 + +[Music] + +24 +00:01:30,069 --> 00:01:30,079 +[Music] + + +25 +00:01:30,079 --> 00:01:32,149 +[Music] +take him take + +26 +00:01:32,149 --> 00:01:32,159 +take him take + + +27 +00:01:32,159 --> 00:01:34,510 +take him take +him + +28 +00:01:34,510 --> 00:01:34,520 +him + + +29 +00:01:34,520 --> 00:01:51,749 +him +moner take + +30 +00:01:51,749 --> 00:01:51,759 + + + +31 +00:01:51,759 --> 00:01:55,260 + +him hold on him + +32 +00:01:55,260 --> 00:01:55,270 +him hold on him + + +33 +00:01:55,270 --> 00:02:11,910 +him hold on him +[Music] + +34 +00:02:11,910 --> 00:02:11,920 + + + +35 +00:02:11,920 --> 00:02:43,670 + +[Music] + diff --git a/1998/iY2xD9VKDiE.description b/1998/iY2xD9VKDiE.description new file mode 100644 index 0000000000000000000000000000000000000000..5305045e6ba36828fd563cff74fcb2d20bb28ffc --- /dev/null +++ b/1998/iY2xD9VKDiE.description @@ -0,0 +1,38 @@ +Sphere movie clips: http://j.mp/1KYFsgE +BUY THE MOVIE: http://j.mp/1PVszLF +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +A fire starts to destroy the Habitat after an attack from a giant squid. Ted (Liev Schreiber) and Harold (Peter Coyote) are both killed in the chaos. + +FILM DESCRIPTION: +Dr. Goodman, biochemist Halperin, and astrophysicist Fielding are selected by the government to study a huge spacecraft located on the Pacific ocean floor. Evidence suggest that this craft comes from the future, and inside is a threatening glowing sphere that sends e-mail messages such as,"I will kill you all" + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Dustin Hoffman, Samuel L. Jackson, Liev Schreiber, Peter Coyote, Sharon Stone +Director: Barry Levinson +Producers: Michael Crichton, Patricia Churchill, Barry Levinson, Peter Giuliano, Andrew Wald +Screenwriters: Paul Attanasio, Michael Crichton, Stephen Hauser, Kurt Wimmer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/ifjmJHoUzc8.description b/1998/ifjmJHoUzc8.description new file mode 100644 index 0000000000000000000000000000000000000000..5c7a5f24b57bd76eae891d8add068220a3c6ce53 --- /dev/null +++ b/1998/ifjmJHoUzc8.description @@ -0,0 +1,38 @@ +Shakespeare in Love movie clips: http://j.mp/1uuza5O +BUY THE MOVIE: http://amzn.to/t8X4Kd +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Viola's (Gwyneth Paltrow) disguise as Thomas is unveiled during a romantic boat ride with Shakespeare (Joseph Fiennes). + +FILM DESCRIPTION: +William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of "The Rose," a theatre whose doors are about to be closed by sadistic creditors, but he's got a nasty case of writer's block. Shakespeare hasn't written a hit in years. In fact, he hasn't written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose's solvency on Shakespeare's new comedy, "Romeo and Ethel, the Pirate's Daughter." The problem is, "Romeo" is safely "locked away" in Shakespeare's head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer -- scandalous for a woman of her breeding -- who especially admires Shakespeare's plays and, not incidentally, Bill himself. Alas, she's about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola's romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet. + +CREDITS: +TM & © Miramax Films (1998) +Cast: Joseph Fiennes, Gwyneth Paltrow +Director: John Madden +Producers: Linda Bruce, Mark Cooper, Donna Gigliotti, Julie Goldstein, Marc Norman, David Parfitt, Bob Weinstein, Harvey Weinstein, Edward Zwick +Screenwriters: Marc Norman, Tom Stoppard + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/j3d3mrWBTpM.en.srt b/1998/j3d3mrWBTpM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7c6c06f4e97f7d882f881a998fbf65474a748779 --- /dev/null +++ b/1998/j3d3mrWBTpM.en.srt @@ -0,0 +1,475 @@ +1 +00:00:02,360 --> 00:00:05,990 + +hey Justin well well + +2 +00:00:05,990 --> 00:00:06,000 +hey Justin well well + + +3 +00:00:06,000 --> 00:00:09,830 +hey Justin well well +well if it ain't birdie Cal uh it's puit + +4 +00:00:09,830 --> 00:00:09,840 +well if it ain't birdie Cal uh it's puit + + +5 +00:00:09,840 --> 00:00:12,589 +well if it ain't birdie Cal uh it's puit +bir pu + +6 +00:00:12,589 --> 00:00:12,599 +bir pu + + +7 +00:00:12,599 --> 00:00:15,150 +bir pu +sorry it's all + +8 +00:00:15,150 --> 00:00:15,160 +sorry it's all + + +9 +00:00:15,160 --> 00:00:18,349 +sorry it's all +right birdie birdie + +10 +00:00:18,349 --> 00:00:18,359 +right birdie birdie + + +11 +00:00:18,359 --> 00:00:22,070 +right birdie birdie +birdie move on to something else just so + +12 +00:00:22,070 --> 00:00:22,080 +birdie move on to something else just so + + +13 +00:00:22,080 --> 00:00:23,589 +birdie move on to something else just so +I heard you come + +14 +00:00:23,589 --> 00:00:23,599 +I heard you come + + +15 +00:00:23,599 --> 00:00:26,830 +I heard you come +back wonder + +16 +00:00:26,830 --> 00:00:26,840 +back wonder + + +17 +00:00:26,840 --> 00:00:30,429 +back wonder +how oh this is uh she is my daughter B + +18 +00:00:30,429 --> 00:00:30,439 +how oh this is uh she is my daughter B + + +19 +00:00:30,439 --> 00:00:32,830 +how oh this is uh she is my daughter B +fice fice + +20 +00:00:32,830 --> 00:00:32,840 +fice fice + + +21 +00:00:32,840 --> 00:00:34,630 +fice fice +fice + +22 +00:00:34,630 --> 00:00:34,640 +fice + + +23 +00:00:34,640 --> 00:00:38,310 +fice +funny you smell just delicious just + +24 +00:00:38,310 --> 00:00:38,320 +funny you smell just delicious just + + +25 +00:00:38,320 --> 00:00:41,029 +funny you smell just delicious just +thanks you wearing cologne oh no uh + +26 +00:00:41,029 --> 00:00:41,039 +thanks you wearing cologne oh no uh + + +27 +00:00:41,039 --> 00:00:43,910 +thanks you wearing cologne oh no uh +that's um little paint thinner little + +28 +00:00:43,910 --> 00:00:43,920 +that's um little paint thinner little + + +29 +00:00:43,920 --> 00:00:45,750 +that's um little paint thinner little +sweat mixed in with + +30 +00:00:45,750 --> 00:00:45,760 +sweat mixed in with + + +31 +00:00:45,760 --> 00:00:48,229 +sweat mixed in with +it well it should have smell good + +32 +00:00:48,229 --> 00:00:48,239 +it well it should have smell good + + +33 +00:00:48,239 --> 00:00:49,670 +it well it should have smell good +doesn't it + +34 +00:00:49,670 --> 00:00:49,680 +doesn't it + + +35 +00:00:49,680 --> 00:00:51,830 +doesn't it +birdie why don't you go out in the porch + +36 +00:00:51,830 --> 00:00:51,840 +birdie why don't you go out in the porch + + +37 +00:00:51,840 --> 00:00:53,790 +birdie why don't you go out in the porch +and I'll have birdie bring you some rest + +38 +00:00:53,790 --> 00:00:53,800 +and I'll have birdie bring you some rest + + +39 +00:00:53,800 --> 00:00:55,910 +and I'll have birdie bring you some rest +te oh that sounds great miss galbert + +40 +00:00:55,910 --> 00:00:55,920 +te oh that sounds great miss galbert + + +41 +00:00:55,920 --> 00:00:58,549 +te oh that sounds great miss galbert +thank you bye y'all bye bye Bernice + +42 +00:00:58,549 --> 00:00:58,559 +thank you bye y'all bye bye Bernice + + +43 +00:00:58,559 --> 00:01:02,189 +thank you bye y'all bye bye Bernice +Bernice Bernice great to see you birdie + +44 +00:01:02,189 --> 00:01:02,199 +Bernice Bernice great to see you birdie + + +45 +00:01:02,199 --> 00:01:11,390 +Bernice Bernice great to see you birdie +look + +46 +00:01:11,390 --> 00:01:11,400 + + + +47 +00:01:11,400 --> 00:01:14,190 + +good + +48 +00:01:14,190 --> 00:01:14,200 +good + + +49 +00:01:14,200 --> 00:01:16,950 +good +here oh hey + +50 +00:01:16,950 --> 00:01:16,960 +here oh hey + + +51 +00:01:16,960 --> 00:01:19,069 +here oh hey +Bernice thank + +52 +00:01:19,069 --> 00:01:19,079 +Bernice thank + + +53 +00:01:19,079 --> 00:01:21,710 +Bernice thank +you I don't see a glass there for your + +54 +00:01:21,710 --> 00:01:21,720 +you I don't see a glass there for your + + +55 +00:01:21,720 --> 00:01:25,190 +you I don't see a glass there for your +mother she went upstairs my dadd usually + +56 +00:01:25,190 --> 00:01:25,200 +mother she went upstairs my dadd usually + + +57 +00:01:25,200 --> 00:01:26,950 +mother she went upstairs my dadd usually +calls about now for one of his daily + +58 +00:01:26,950 --> 00:01:26,960 +calls about now for one of his daily + + +59 +00:01:26,960 --> 00:01:30,830 +calls about now for one of his daily +chats and then we all turn in see + +60 +00:01:30,830 --> 00:01:30,840 +chats and then we all turn in see + + +61 +00:01:30,840 --> 00:01:32,510 +chats and then we all turn in see +so how do you like it down here in + +62 +00:01:32,510 --> 00:01:32,520 +so how do you like it down here in + + +63 +00:01:32,520 --> 00:01:35,149 +so how do you like it down here in +Smithville wasn't on any Maps until we + +64 +00:01:35,149 --> 00:01:35,159 +Smithville wasn't on any Maps until we + + +65 +00:01:35,159 --> 00:01:37,190 +Smithville wasn't on any Maps until we +got to + +66 +00:01:37,190 --> 00:01:37,200 +got to + + +67 +00:01:37,200 --> 00:01:40,310 +got to +Texas but see we like to keep it a + +68 +00:01:40,310 --> 00:01:40,320 +Texas but see we like to keep it a + + +69 +00:01:40,320 --> 00:01:42,069 +Texas but see we like to keep it a +secret that way it didn't get all + +70 +00:01:42,069 --> 00:01:42,079 +secret that way it didn't get all + + +71 +00:01:42,079 --> 00:01:45,630 +secret that way it didn't get all +overrun with people seems to be + +72 +00:01:45,630 --> 00:01:45,640 +overrun with people seems to be + + +73 +00:01:45,640 --> 00:01:47,910 +overrun with people seems to be +working you know your mother and I go + +74 +00:01:47,910 --> 00:01:47,920 +working you know your mother and I go + + +75 +00:01:47,920 --> 00:01:49,270 +working you know your mother and I go +way + +76 +00:01:49,270 --> 00:01:49,280 +way + + +77 +00:01:49,280 --> 00:01:52,670 +way +back I know you + +78 +00:01:52,670 --> 00:01:52,680 +back I know you + + +79 +00:01:52,680 --> 00:01:55,990 +back I know you +must back home we had a pet skunk mom + +80 +00:01:55,990 --> 00:01:56,000 +must back home we had a pet skunk mom + + +81 +00:01:56,000 --> 00:01:57,429 +must back home we had a pet skunk mom +called it Justin + +82 +00:01:57,429 --> 00:01:57,439 +called it Justin + + +83 +00:01:57,439 --> 00:02:01,670 +called it Justin +matis do you think that's a coincidence + +84 +00:02:01,670 --> 00:02:01,680 +matis do you think that's a coincidence + + +85 +00:02:01,680 --> 00:02:03,990 +matis do you think that's a coincidence +all day long mom would scream you stink + +86 +00:02:03,990 --> 00:02:04,000 +all day long mom would scream you stink + + +87 +00:02:04,000 --> 00:02:07,109 +all day long mom would scream you stink +Justin matis finally she just picked up + +88 +00:02:07,109 --> 00:02:07,119 +Justin matis finally she just picked up + + +89 +00:02:07,119 --> 00:02:08,510 +Justin matis finally she just picked up +a club and killed + +90 +00:02:08,510 --> 00:02:08,520 +a club and killed + + +91 +00:02:08,520 --> 00:02:12,309 +a club and killed +it well that's a sad story if you like + +92 +00:02:12,309 --> 00:02:12,319 +it well that's a sad story if you like + + +93 +00:02:12,319 --> 00:02:16,520 +it well that's a sad story if you like +the skunk which we didn't + +94 +00:02:16,520 --> 00:02:16,530 +the skunk which we didn't + + +95 +00:02:16,530 --> 00:02:43,620 + +[Music] + diff --git a/1998/j6_umKYN_JU.en.srt b/1998/j6_umKYN_JU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f5002f2dd4d631b53a7232f76cea0e9e628ea2a3 --- /dev/null +++ b/1998/j6_umKYN_JU.en.srt @@ -0,0 +1,435 @@ +1 +00:00:00,080 --> 00:00:03,869 + +in that suitcase was my black formal + +2 +00:00:03,869 --> 00:00:03,879 +in that suitcase was my black formal + + +3 +00:00:03,879 --> 00:00:05,910 +in that suitcase was my black formal +afternoon suit that I bought to wear + +4 +00:00:05,910 --> 00:00:05,920 +afternoon suit that I bought to wear + + +5 +00:00:05,920 --> 00:00:07,629 +afternoon suit that I bought to wear +when I'm giving my daughter away in + +6 +00:00:07,629 --> 00:00:07,639 +when I'm giving my daughter away in + + +7 +00:00:07,639 --> 00:00:10,669 +when I'm giving my daughter away in +marriage and in that suitcase was a + +8 +00:00:10,669 --> 00:00:10,679 +marriage and in that suitcase was a + + +9 +00:00:10,679 --> 00:00:13,310 +marriage and in that suitcase was a +$6,000 Tiffany silver tray which I + +10 +00:00:13,310 --> 00:00:13,320 +$6,000 Tiffany silver tray which I + + +11 +00:00:13,320 --> 00:00:16,310 +$6,000 Tiffany silver tray which I +bought as a wedding present oh and in + +12 +00:00:16,310 --> 00:00:16,320 +bought as a wedding present oh and in + + +13 +00:00:16,320 --> 00:00:19,590 +bought as a wedding present oh and in +that suitcase was $10,000 in cash which + +14 +00:00:19,590 --> 00:00:19,600 +that suitcase was $10,000 in cash which + + +15 +00:00:19,600 --> 00:00:22,189 +that suitcase was $10,000 in cash which +I intended to give to my son-in-law on + +16 +00:00:22,189 --> 00:00:22,199 +I intended to give to my son-in-law on + + +17 +00:00:22,199 --> 00:00:26,390 +I intended to give to my son-in-law on +his wedding day now in your suitcase the + +18 +00:00:26,390 --> 00:00:26,400 +his wedding day now in your suitcase the + + +19 +00:00:26,400 --> 00:00:28,950 +his wedding day now in your suitcase the +police are going to find your broken + +20 +00:00:28,950 --> 00:00:28,960 +police are going to find your broken + + +21 +00:00:28,960 --> 00:00:32,709 +police are going to find your broken +smashed mutilated and dissected Body in + +22 +00:00:32,709 --> 00:00:32,719 +smashed mutilated and dissected Body in + + +23 +00:00:32,719 --> 00:00:34,590 +smashed mutilated and dissected Body in +the event that you don't go back and + +24 +00:00:34,590 --> 00:00:34,600 +the event that you don't go back and + + +25 +00:00:34,600 --> 00:00:37,069 +the event that you don't go back and +find my suitcase why don't we + +26 +00:00:37,069 --> 00:00:37,079 +find my suitcase why don't we + + +27 +00:00:37,079 --> 00:00:39,030 +find my suitcase why don't we +call Budget and ask him to deliver + +28 +00:00:39,030 --> 00:00:39,040 +call Budget and ask him to deliver + + +29 +00:00:39,040 --> 00:00:40,990 +call Budget and ask him to deliver +deliver deliver where you've already + +30 +00:00:40,990 --> 00:00:41,000 +deliver deliver where you've already + + +31 +00:00:41,000 --> 00:00:42,830 +deliver deliver where you've already +crisscrossed California more than the + +32 +00:00:42,830 --> 00:00:42,840 +crisscrossed California more than the + + +33 +00:00:42,840 --> 00:00:45,350 +crisscrossed California more than the +covered wagons did a 100 years ago what + +34 +00:00:45,350 --> 00:00:45,360 +covered wagons did a 100 years ago what + + +35 +00:00:45,360 --> 00:00:46,549 +covered wagons did a 100 years ago what +the hell are we going to tell them + +36 +00:00:46,549 --> 00:00:46,559 +the hell are we going to tell them + + +37 +00:00:46,559 --> 00:00:48,470 +the hell are we going to tell them +follow the burned pieces of directions + +38 +00:00:48,470 --> 00:00:48,480 +follow the burned pieces of directions + + +39 +00:00:48,480 --> 00:00:51,350 +follow the burned pieces of directions +on the freeway all right we'll drive to + +40 +00:00:51,350 --> 00:00:51,360 +on the freeway all right we'll drive to + + +41 +00:00:51,360 --> 00:00:53,470 +on the freeway all right we'll drive to +the first town we see and then we'll + +42 +00:00:53,470 --> 00:00:53,480 +the first town we see and then we'll + + +43 +00:00:53,480 --> 00:00:56,470 +the first town we see and then we'll +call Budget I guarantee you that was my + +44 +00:00:56,470 --> 00:00:56,480 +call Budget I guarantee you that was my + + +45 +00:00:56,480 --> 00:00:58,990 +call Budget I guarantee you that was my +best leather suitcase now how long do + +46 +00:00:58,990 --> 00:00:59,000 +best leather suitcase now how long do + + +47 +00:00:59,000 --> 00:01:00,270 +best leather suitcase now how long do +you think it's going to stand on the + +48 +00:01:00,270 --> 00:01:00,280 +you think it's going to stand on the + + +49 +00:01:00,280 --> 00:01:02,750 +you think it's going to stand on the +sidewalk unclaimed huh somebody's going + +50 +00:01:02,750 --> 00:01:02,760 +sidewalk unclaimed huh somebody's going + + +51 +00:01:02,760 --> 00:01:04,710 +sidewalk unclaimed huh somebody's going +to be eating a pepperoni pizza tonight + +52 +00:01:04,710 --> 00:01:04,720 +to be eating a pepperoni pizza tonight + + +53 +00:01:04,720 --> 00:01:07,070 +to be eating a pepperoni pizza tonight +on my daughter's silver Tiffany tray + +54 +00:01:07,070 --> 00:01:07,080 +on my daughter's silver Tiffany tray + + +55 +00:01:07,080 --> 00:01:08,950 +on my daughter's silver Tiffany tray +okay come on back in the car if it's + +56 +00:01:08,950 --> 00:01:08,960 +okay come on back in the car if it's + + +57 +00:01:08,960 --> 00:01:10,830 +okay come on back in the car if it's +still there they have new things today + +58 +00:01:10,830 --> 00:01:10,840 +still there they have new things today + + +59 +00:01:10,840 --> 00:01:12,990 +still there they have new things today +that they'll get them to you fast like + +60 +00:01:12,990 --> 00:01:13,000 +that they'll get them to you fast like + + +61 +00:01:13,000 --> 00:01:14,710 +that they'll get them to you fast like +Federal Express + +62 +00:01:14,710 --> 00:01:14,720 +Federal Express + + +63 +00:01:14,720 --> 00:01:18,270 +Federal Express +ups and fax oh you're going to fax my + +64 +00:01:18,270 --> 00:01:18,280 +ups and fax oh you're going to fax my + + +65 +00:01:18,280 --> 00:01:20,710 +ups and fax oh you're going to fax my +suitcase to me I can wear a picture of + +66 +00:01:20,710 --> 00:01:20,720 +suitcase to me I can wear a picture of + + +67 +00:01:20,720 --> 00:01:23,429 +suitcase to me I can wear a picture of +my black wedding suit huh you take it e + +68 +00:01:23,429 --> 00:01:23,439 +my black wedding suit huh you take it e + + +69 +00:01:23,439 --> 00:01:25,270 +my black wedding suit huh you take it e +and paper copies of + +70 +00:01:25,270 --> 00:01:25,280 +and paper copies of + + +71 +00:01:25,280 --> 00:01:28,030 +and paper copies of +$10,000 cash would you stop it don't get + +72 +00:01:28,030 --> 00:01:28,040 +$10,000 cash would you stop it don't get + + +73 +00:01:28,040 --> 00:01:30,789 +$10,000 cash would you stop it don't get +fiscal with me Felix I'm too old to hit + +74 +00:01:30,789 --> 00:01:30,799 +fiscal with me Felix I'm too old to hit + + +75 +00:01:30,799 --> 00:01:33,270 +fiscal with me Felix I'm too old to hit +but I could spit you to death get in the + +76 +00:01:33,270 --> 00:01:33,280 +but I could spit you to death get in the + + +77 +00:01:33,280 --> 00:01:36,069 +but I could spit you to death get in the +car I want to know one thing why when + +78 +00:01:36,069 --> 00:01:36,079 +car I want to know one thing why when + + +79 +00:01:36,079 --> 00:01:38,710 +car I want to know one thing why when +you get around me you start to behave + +80 +00:01:38,710 --> 00:01:38,720 +you get around me you start to behave + + +81 +00:01:38,720 --> 00:01:40,789 +you get around me you start to behave +like a goddamn + +82 +00:01:40,789 --> 00:01:40,799 +like a goddamn + + +83 +00:01:40,799 --> 00:01:49,109 +like a goddamn +imbecilic idiotic totally moronic + +84 +00:01:49,109 --> 00:01:49,119 + + + +85 +00:01:49,119 --> 00:02:13,460 + + hey wait hey wa + +86 +00:02:13,460 --> 00:02:13,470 + + + +87 +00:02:13,470 --> 00:02:44,490 + +[Music] + diff --git a/1998/jB9WGpVrYBs.description b/1998/jB9WGpVrYBs.description new file mode 100644 index 0000000000000000000000000000000000000000..3ab78fe369a114b08fad35d3366eeb0ee3fd10bb --- /dev/null +++ b/1998/jB9WGpVrYBs.description @@ -0,0 +1,38 @@ +Godzilla movie clips: http://j.mp/2gaNBdr +BUY THE MOVIE: http://bit.ly/2hSW7ds +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Animal (Hank Azaria) nearly misses being completely squashed by Godzilla's giant foot. + +FILM DESCRIPTION: +Dedicated to Tomoyuki Tanaka (1910-1997), who produced the 1954 original and sequels, the Devlin/Emmerich interpretation displays a redesign of Godzilla, now a large lizard mutated after fallout from French nuclear tests. A blinding flash of white light fills the Eastern sky. Thousands of miles away, the Pacific Ocean churns, engulfing a freighter. On another part of the globe, giant footsteps plow a path through miles of Panamanian forests, Tahitian villages, and Jamaican beaches. In the Ukraine, biologist Dr. Niko Tatopoulos (Matthew Broderick), with the U.S. Nuclear Regulatory Commission, is examining the impact of radiation on Chernobyl earthworms. Colonel Hicks (Kevin Dunn) and a military team escort Niko to check out giant claw marks on the beached freighter; they're joined by paleontologists Elsie Chapman (Vicki Lewis) and Mendel Craven (Malcolm Danare). Blood and giant-size footprints indicate "some sort of enormous reptile." French secret agent Philippe Roache talks to the freighter's only survivor, who keeps repeating, "Gojira...Gojira." Tatopoulos et al arrive in Manhattan's Fulton Fish Market where Godzilla surfaces, moving on to the NYC financial district where Mayor Ebert (Michael Lerner) is speaking. Ambitious Audrey Timmonds (Maria Pitillo), who works for TV news anchor Charles Caiman (Harry Shearer), is Niko's former girlfriend, and she uses this to her professional advantage. As the wave of destruction continues, Niko and Roache track the creature through the evacuated city and discover Godzilla's eggs about to hatch in Madison Square Garden. They are followed by Audrey and TV cameraman Victor "Animal" Palotti (Hank Azaria), and soon the hatching Godzilla offspring prowl the Garden corridors, leading to a final showdown. + +CREDITS: +TM & © Sony (1998) +Cast: Maria Pitillo, Hank Azaria +Director: Roland Emmerich +Producers: Dean Devlin, Roland Emmerich, Ute Emmerich, Kelly Van Horn, Cary Woods, Peter Winther, Robert N. Fried, William Fay +Screenwriters: Dean Devlin, Ted Elliott, Roland Emmerich, Terry Rossio + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/jCXcE6DvgLw.description b/1998/jCXcE6DvgLw.description new file mode 100644 index 0000000000000000000000000000000000000000..0c9e4c3eff176226d01740cd4cdacdb59b67813d --- /dev/null +++ b/1998/jCXcE6DvgLw.description @@ -0,0 +1,38 @@ +Sphere movie clips: http://j.mp/1KYFsgE +BUY THE MOVIE: http://j.mp/1PVszLF +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Norman (Dustin Hoffman) and Beth (Sharon Stone) investigate a sound outside the station only to discover it is the corpse of the other technician. + +FILM DESCRIPTION: +Dr. Goodman, biochemist Halperin, and astrophysicist Fielding are selected by the government to study a huge spacecraft located on the Pacific ocean floor. Evidence suggest that this craft comes from the future, and inside is a threatening glowing sphere that sends e-mail messages such as,"I will kill you all" + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Dustin Hoffman, Samuel L. Jackson, Peter Coyote, Sharon Stone +Director: Barry Levinson +Producers: Michael Crichton, Patricia Churchill, Barry Levinson, Peter Giuliano, Andrew Wald +Screenwriters: Paul Attanasio, Michael Crichton, Stephen Hauser, Kurt Wimmer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/jCh_3SFr7M4.en.srt b/1998/jCh_3SFr7M4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..568dc75ab5f845754bd52ac7ec34aa8282db2265 --- /dev/null +++ b/1998/jCh_3SFr7M4.en.srt @@ -0,0 +1,155 @@ +1 +00:00:05,359 --> 00:00:13,210 + +we were bombarding protons and ions to + +2 +00:00:13,210 --> 00:00:13,220 + + + +3 +00:00:13,220 --> 00:00:31,900 + +[Music] + +4 +00:00:31,900 --> 00:00:31,910 + + + +5 +00:00:31,910 --> 00:00:35,560 + +[Music] + +6 +00:00:35,560 --> 00:00:35,570 + + + +7 +00:00:35,570 --> 00:00:49,930 + +more flexibility in the wrist scientists + +8 +00:00:49,930 --> 00:00:49,940 + + + +9 +00:00:49,940 --> 00:00:53,090 + +swordsmen what do you attribute your + +10 +00:00:53,090 --> 00:00:53,100 +swordsmen what do you attribute your + + +11 +00:00:53,100 --> 00:00:57,200 +swordsmen what do you attribute your +other achievements my father always + +12 +00:00:57,200 --> 00:00:57,210 +other achievements my father always + + +13 +00:00:57,210 --> 00:01:03,500 +other achievements my father always +wanted to boys really I fail to see the + +14 +00:01:03,500 --> 00:01:03,510 +wanted to boys really I fail to see the + + +15 +00:01:03,510 --> 00:01:06,020 +wanted to boys really I fail to see the +connection I had a feeling you would so + +16 +00:01:06,020 --> 00:01:06,030 +connection I had a feeling you would so + + +17 +00:01:06,030 --> 00:01:13,150 +connection I had a feeling you would so +did he + +18 +00:01:13,150 --> 00:01:13,160 + + + +19 +00:01:13,160 --> 00:01:17,230 + +[Music] + +20 +00:01:17,230 --> 00:01:17,240 + + + +21 +00:01:17,240 --> 00:01:21,030 + +Touche + +22 +00:01:21,030 --> 00:01:21,040 + + + +23 +00:01:21,040 --> 00:01:23,920 + +every year evany handles a touch heavy + +24 +00:01:23,920 --> 00:01:23,930 +every year evany handles a touch heavy + + +25 +00:01:23,930 --> 00:01:26,530 +every year evany handles a touch heavy +Trump Shah I all them stick to the + +26 +00:01:26,530 --> 00:01:26,540 +Trump Shah I all them stick to the + + +27 +00:01:26,540 --> 00:01:29,649 +Trump Shah I all them stick to the +Rosewood excellent if you'd step this + +28 +00:01:29,649 --> 00:01:29,659 +Rosewood excellent if you'd step this + + +29 +00:01:29,659 --> 00:01:30,550 +Rosewood excellent if you'd step this +way + +30 +00:01:30,550 --> 00:01:30,560 +way + + +31 +00:01:30,560 --> 00:01:41,890 +way +[Music] + diff --git a/1998/jRYdVUtQs-8.description b/1998/jRYdVUtQs-8.description new file mode 100644 index 0000000000000000000000000000000000000000..b125374ee02ae5228a36d9edd726ceb0b6589b7d --- /dev/null +++ b/1998/jRYdVUtQs-8.description @@ -0,0 +1,38 @@ +Blade movie clips: http://j.mp/1uunT5v +BUY THE MOVIE: http://bit.ly/2bRfOyT +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Blade (Wesley Snipes) uses the serum to destroy Deacon Frost (Stephen Dorff). + +FILM DESCRIPTION: +British director Stephen Norrington helmed this David S. Goyer adaptation of the Marvel Comics character created in 1973 by scripter Marv Wolfman and artist Gene Colan. In the Tomb of Dracula comic book origin, just before Blade's mother gave birth to Blade, she was bitten by a vampire, which made Blade immune to vampires. Now a vampire hunter, Blade, joined by vampire detective Hannibal King and Dracula-descendent Frank Drake, stalks vampires. In the 1990s (in Marvel's Nightstalkers), Blade teamed with Drake and King in an agency created to fight a variety of supernatural beings. The Marvel origin is retold in this 1998 Norrington film, with Blade's mother dying as he is born. Thirty-some years later, Blade now exists somewhere between the two worlds, not human but not fully vampire. He has become a relentless and superhuman vampire hunter, out to avenge the death of his mother and protect the rest of humankind from the evil vampire race. In this pursuit, Blade storms a notorious vampire nightclub and in a virtual bloodbath manages to wipe out most of the blood-lusting denizens. But the burnt corpse of vampire Quinn (Donal Logue) is reanimated at the hospital morgue and bites hematologist Karen Jenson (N'Bushe Wright). Blade magically appears at the hospital just in time to whisk Karen to his hideaway, a machine-shop run by his mentor Abraham Whistler (Kris Kristofferson), who once rescued Blade and who now produces a antidote to keep Blade from turning into a full-fledged vampire and who builds custom weapons for Blade to use against his evil foes. Meanwhile, Blade's vampire arch-nemesis Deacon Frost (Stephen Dorff) uses computers to translate the Book of Erebus, with the ultimate aim of bringing down the old-guard vampire council, headed by Dragonetti (Udo Kier), and triggering the Blood Tide -- an event in which everyone in the world becomes a vampire. + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Stephen Dorff, Wesley Snipes +Director: Stephen Norrington +Producers: Avi Arad, Joseph Calamari, Michael De Luca, Robert Engelman, Jon Divens, Peter Frankfurt, Andrew J. Horne, Stan Lee, Wesley Snipes, Lynn Harris +Screenwriter: David S. Goyer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/jRYdVUtQs-8.en.srt b/1998/jRYdVUtQs-8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d1e96295b9b59391ac1ba061550f84b50b633f9e --- /dev/null +++ b/1998/jRYdVUtQs-8.en.srt @@ -0,0 +1,125 @@ +1 +00:00:00,399 --> 00:00:02,949 + +you're a little + +2 +00:00:02,949 --> 00:00:02,959 +you're a little + + +3 +00:00:02,959 --> 00:00:09,490 +you're a little + what your serum can't help you now + +4 +00:00:09,490 --> 00:00:09,500 + + + +5 +00:00:09,500 --> 00:00:13,869 + +[Music] + +6 +00:00:13,869 --> 00:00:13,879 + + + +7 +00:00:13,879 --> 00:00:17,120 + +stud nice shot + +8 +00:00:17,120 --> 00:00:17,130 +stud nice shot + + +9 +00:00:17,130 --> 00:00:26,950 +stud nice shot +[Music] + +10 +00:00:26,950 --> 00:00:26,960 + + + +11 +00:00:26,960 --> 00:00:34,570 + +[Music] + +12 +00:00:34,570 --> 00:00:34,580 + + + +13 +00:00:34,580 --> 00:00:47,950 + +[Music] + +14 +00:00:47,950 --> 00:00:47,960 + + + +15 +00:00:47,960 --> 00:00:49,869 + +some are always trying to + +16 +00:00:49,869 --> 00:00:49,879 +some are always trying to + + +17 +00:00:49,879 --> 00:00:54,280 +some are always trying to +ice skate up here + +18 +00:00:54,280 --> 00:00:54,290 + + + +19 +00:00:54,290 --> 00:00:59,520 + +[Music] + +20 +00:00:59,520 --> 00:00:59,530 + + + +21 +00:00:59,530 --> 00:01:08,789 + +[Music] + +22 +00:01:08,789 --> 00:01:08,799 + + + +23 +00:01:08,799 --> 00:01:24,380 + +a + +24 +00:01:24,380 --> 00:01:24,390 + + + +25 +00:01:24,390 --> 00:01:55,430 + +[Music] + diff --git a/1998/jW9D4lY0TUU.en.srt b/1998/jW9D4lY0TUU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e2c5e2070b87a6a94ad8021eb15e53b020be7df3 --- /dev/null +++ b/1998/jW9D4lY0TUU.en.srt @@ -0,0 +1,135 @@ +1 +00:00:11,330 --> 00:00:13,730 + +what do you want me to do with that one + +2 +00:00:13,730 --> 00:00:13,740 +what do you want me to do with that one + + +3 +00:00:13,740 --> 00:00:17,480 +what do you want me to do with that one +the Pope copy I'll take it back to the + +4 +00:00:17,480 --> 00:00:17,490 +the Pope copy I'll take it back to the + + +5 +00:00:17,490 --> 00:00:20,000 +the Pope copy I'll take it back to the +hotel with me well you got your money's + +6 +00:00:20,000 --> 00:00:20,010 +hotel with me well you got your money's + + +7 +00:00:20,010 --> 00:00:22,220 +hotel with me well you got your money's +worth that is a very good copy + +8 +00:00:22,220 --> 00:00:22,230 +worth that is a very good copy + + +9 +00:00:22,230 --> 00:00:26,750 +worth that is a very good copy +nice violence but nothing like this one + +10 +00:00:26,750 --> 00:00:26,760 +nice violence but nothing like this one + + +11 +00:00:26,760 --> 00:00:31,759 +nice violence but nothing like this one +this is the single most perfect acoustic + +12 +00:00:31,759 --> 00:00:31,769 +this is the single most perfect acoustic + + +13 +00:00:31,769 --> 00:00:36,850 +this is the single most perfect acoustic +machine I have ever seen + +14 +00:00:36,850 --> 00:00:36,860 + + + +15 +00:00:36,860 --> 00:00:50,180 + +amazing guess I never thought I'd find + +16 +00:00:50,180 --> 00:00:50,190 +amazing guess I never thought I'd find + + +17 +00:00:50,190 --> 00:00:55,090 +amazing guess I never thought I'd find +it + +18 +00:00:55,090 --> 00:00:55,100 + + + +19 +00:00:55,100 --> 00:01:01,329 + +the ultimate then as I see it the + +20 +00:01:01,329 --> 00:01:01,339 +the ultimate then as I see it the + + +21 +00:01:01,339 --> 00:01:12,530 +the ultimate then as I see it the +perfect marriage of science + +22 +00:01:12,530 --> 00:01:12,540 + + + +23 +00:01:12,540 --> 00:01:15,940 + +know what + +24 +00:01:15,940 --> 00:01:15,950 + + + +25 +00:01:15,950 --> 00:01:18,279 + +what do you do when the thing you most + +26 +00:01:18,279 --> 00:01:18,289 +what do you do when the thing you most + + +27 +00:01:18,289 --> 00:01:23,500 +what do you do when the thing you most +wanted so perfect + diff --git a/1998/jX09Cesfxo8.description b/1998/jX09Cesfxo8.description new file mode 100644 index 0000000000000000000000000000000000000000..90edd20337ea12979c8ef3153da7d4efa5a420ef --- /dev/null +++ b/1998/jX09Cesfxo8.description @@ -0,0 +1,43 @@ +There's Something About Mary movie clips: http://j.mp/1hIYsYI +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/theres-something-about-mary-1998/1MVd60f70215b0668184a7c81a0c56c7418?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1FyL4dm +Google Play - http://bit.ly/1RNnCBN +Fox Movies - http://fox.co/2ir0H5B +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Puffy the dog attacks Ted (Ben Stiller). + +FILM DESCRIPTION: +The Farrelly Brothers set this romantic comedy in their home state of Rhode Island. In 1985, when teen-nerd Ted Stroehmann (Ben Stiller) challenges a high-schooler who's bullying retarded Warren Jenson (W. Earl Brown), his concern prompts Warren's sister, the dazzling and desirable Mary Jenson (Cameron Diaz) to choose Ted as her senior prom date, a fact Ted's pals find hard to believe. However, on prom night, Ted gets his penis caught in his zipper, so the much-desired date never happens. Living in Providence and waxing nostalgic 13 years later, Ted hires Pat Healy (Matt Dillon) to locate Mary, and the creepy private investigator finds her in Miami, where she lives with her tan-shriveled roommate Magda (Lin Shaye). After Pat develops a stalker-style fixation on the lovely, unattached Mary, he lies to Ted, telling him that she's now an overweight mother confined to a wheelchair. Employing professional eavesdropping equipment, Pat gathers a dossier on Mary's life and future plans, information that forms the basis for more lies when Pat begins dating her. Sure enough, Mary falls for Pat, although her friend Tucker (Lee Evans) is very suspicious of Pat's claim to be a Harvard-educated architect. Meanwhile, Ted learns the truth but continues to encounter offbeat obstacles as he accelerates to Miami in hopes of finding happiness with his true love. Former Modern Lovers singer Jonathan Richman vocalizes a narrative ballad of onscreen commentary in the Cat Ballou (1965) tradition. Most of the cast sings and frolics to Build Me Up, Buttercup by The Foundations during the closing credits. + +CREDITS: +TM & © Fox (1998) +Courtesy of Twentieth Century Fox Film Corporation +Cast: Ben Stiller, Cameron Diaz, Lin Shaye +Directors: Bobby Farrelly, Peter Farrelly +Producers: Frank Beddor, Mark Charpentier, Bobby Farrelly, Peter Farrelly, Marc S. Fischer, Patrick Healy, J.B. Rogers, Michael Steinberg, Bradley Thomas, Charles B. Wessler +Screenwriters: Ed Decter, John J. Strauss, Peter Farrelly, Bobby Farrelly + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/jZtlV8eroS8.en.srt b/1998/jZtlV8eroS8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9907d17a4c0466ce34625ae1f4670345999a00c2 --- /dev/null +++ b/1998/jZtlV8eroS8.en.srt @@ -0,0 +1,545 @@ +1 +00:00:06,799 --> 00:00:09,770 + +where's Nina good looking out on the + +2 +00:00:09,770 --> 00:00:09,780 +where's Nina good looking out on the + + +3 +00:00:09,780 --> 00:00:11,990 +where's Nina good looking out on the +shorties you know then everyday that a + +4 +00:00:11,990 --> 00:00:12,000 +shorties you know then everyday that a + + +5 +00:00:12,000 --> 00:00:13,789 +shorties you know then everyday that a +white man comes to rescue my little + +6 +00:00:13,789 --> 00:00:13,799 +white man comes to rescue my little + + +7 +00:00:13,799 --> 00:00:15,110 +white man comes to rescue my little +soldiers I just want to tell you I + +8 +00:00:15,110 --> 00:00:15,120 +soldiers I just want to tell you I + + +9 +00:00:15,120 --> 00:00:22,880 +soldiers I just want to tell you I +appreciate soldiers um what exactly do + +10 +00:00:22,880 --> 00:00:22,890 +appreciate soldiers um what exactly do + + +11 +00:00:22,890 --> 00:00:25,160 +appreciate soldiers um what exactly do +you know about it yeah I slip up in a + +12 +00:00:25,160 --> 00:00:25,170 +you know about it yeah I slip up in a + + +13 +00:00:25,170 --> 00:00:26,779 +you know about it yeah I slip up in a +Beverly Hills somewhere right am i right + +14 +00:00:26,779 --> 00:00:26,789 +Beverly Hills somewhere right am i right + + +15 +00:00:26,789 --> 00:00:29,060 +Beverly Hills somewhere right am i right +Beverly Hills I provide for these little + +16 +00:00:29,060 --> 00:00:29,070 +Beverly Hills I provide for these little + + +17 +00:00:29,070 --> 00:00:30,349 +Beverly Hills I provide for these little +brothers right here these little + +18 +00:00:30,349 --> 00:00:30,359 +brothers right here these little + + +19 +00:00:30,359 --> 00:00:32,150 +brothers right here these little +brothers is my first line of defense + +20 +00:00:32,150 --> 00:00:32,160 +brothers is my first line of defense + + +21 +00:00:32,160 --> 00:00:33,590 +brothers is my first line of defense +they're my little eyes and ears out + +22 +00:00:33,590 --> 00:00:33,600 +they're my little eyes and ears out + + +23 +00:00:33,600 --> 00:00:38,090 +they're my little eyes and ears out +there where's Nina I'm giving them + +24 +00:00:38,090 --> 00:00:38,100 +there where's Nina I'm giving them + + +25 +00:00:38,100 --> 00:00:40,910 +there where's Nina I'm giving them +entry-level positions into the only + +26 +00:00:40,910 --> 00:00:40,920 +entry-level positions into the only + + +27 +00:00:40,920 --> 00:00:42,650 +entry-level positions into the only +grope sector occupation that's truly + +28 +00:00:42,650 --> 00:00:42,660 +grope sector occupation that's truly + + +29 +00:00:42,660 --> 00:00:43,729 +grope sector occupation that's truly +open to them right now that's the + +30 +00:00:43,729 --> 00:00:43,739 +open to them right now that's the + + +31 +00:00:43,739 --> 00:00:45,799 +open to them right now that's the +substance supply industry they gonna run + +32 +00:00:45,799 --> 00:00:45,809 +substance supply industry they gonna run + + +33 +00:00:45,809 --> 00:00:47,029 +substance supply industry they gonna run +this some day they don't have a + +34 +00:00:47,029 --> 00:00:47,039 +this some day they don't have a + + +35 +00:00:47,039 --> 00:00:49,250 +this some day they don't have a +whole empire man y'all give a about + +36 +00:00:49,250 --> 00:00:49,260 +whole empire man y'all give a about + + +37 +00:00:49,260 --> 00:00:52,100 +whole empire man y'all give a about +it your greedy ass politicians that's + +38 +00:00:52,100 --> 00:00:52,110 +it your greedy ass politicians that's + + +39 +00:00:52,110 --> 00:00:53,330 +it your greedy ass politicians that's +what you tell me every time that y'all + +40 +00:00:53,330 --> 00:00:53,340 +what you tell me every time that y'all + + +41 +00:00:53,340 --> 00:00:55,729 +what you tell me every time that y'all +vote to cut them a school program every + +42 +00:00:55,729 --> 00:00:55,739 +vote to cut them a school program every + + +43 +00:00:55,739 --> 00:00:57,560 +vote to cut them a school program every +time y'all vote to cut them a bun to the + +44 +00:00:57,560 --> 00:00:57,570 +time y'all vote to cut them a bun to the + + +45 +00:00:57,570 --> 00:00:59,779 +time y'all vote to cut them a bun to the +job programs but the how a young + +46 +00:00:59,779 --> 00:00:59,789 +job programs but the how a young + + +47 +00:00:59,789 --> 00:01:01,010 +job programs but the how a young +man gonna take care of his financial + +48 +00:01:01,010 --> 00:01:01,020 +man gonna take care of his financial + + +49 +00:01:01,020 --> 00:01:02,330 +man gonna take care of his financial +responsibilities wearing a + +50 +00:01:02,330 --> 00:01:02,340 +responsibilities wearing a + + +51 +00:01:02,340 --> 00:01:04,700 +responsibilities wearing a +Burger King he ain't he ain't it please + +52 +00:01:04,700 --> 00:01:04,710 +Burger King he ain't he ain't it please + + +53 +00:01:04,710 --> 00:01:06,500 +Burger King he ain't he ain't it please +don't even start with the school + +54 +00:01:06,500 --> 00:01:06,510 +don't even start with the school + + +55 +00:01:06,510 --> 00:01:08,539 +don't even start with the school +ain't no education going on up in that + +56 +00:01:08,539 --> 00:01:08,549 +ain't no education going on up in that + + +57 +00:01:08,549 --> 00:01:10,670 +ain't no education going on up in that + cuz y'all + +58 +00:01:10,670 --> 00:01:10,680 +cuz y'all + + +59 +00:01:10,680 --> 00:01:12,230 +cuz y'all +politicians don't the up so + +60 +00:01:12,230 --> 00:01:12,240 +politicians don't the up so + + +61 +00:01:12,240 --> 00:01:13,850 +politicians don't the up so +what they gonna do what the what a young + +62 +00:01:13,850 --> 00:01:13,860 +what they gonna do what the what a young + + +63 +00:01:13,860 --> 00:01:15,440 +what they gonna do what the what a young +man supposed to do it in right what's he + +64 +00:01:15,440 --> 00:01:15,450 +man supposed to do it in right what's he + + +65 +00:01:15,450 --> 00:01:16,700 +man supposed to do it in right what's he +gonna do you gonna come to me that's + +66 +00:01:16,700 --> 00:01:16,710 +gonna do you gonna come to me that's + + +67 +00:01:16,710 --> 00:01:18,289 +gonna do you gonna come to me that's +what he's gonna do why cuz I'm a + +68 +00:01:18,289 --> 00:01:18,299 +what he's gonna do why cuz I'm a + + +69 +00:01:18,299 --> 00:01:20,179 +what he's gonna do why cuz I'm a +business man and as a business man you + +70 +00:01:20,179 --> 00:01:20,189 +business man and as a business man you + + +71 +00:01:20,189 --> 00:01:21,890 +business man and as a business man you +got to limit your liabilities and that's + +72 +00:01:21,890 --> 00:01:21,900 +got to limit your liabilities and that's + + +73 +00:01:21,900 --> 00:01:23,270 +got to limit your liabilities and that's +what these shorties are for me limited + +74 +00:01:23,270 --> 00:01:23,280 +what these shorties are for me limited + + +75 +00:01:23,280 --> 00:01:25,359 +what these shorties are for me limited +liabilities because of their limited + +76 +00:01:25,359 --> 00:01:25,369 +liabilities because of their limited + + +77 +00:01:25,369 --> 00:01:27,890 +liabilities because of their limited +vulnerability to legal sanctions man you + +78 +00:01:27,890 --> 00:01:27,900 +vulnerability to legal sanctions man you + + +79 +00:01:27,900 --> 00:01:29,780 +vulnerability to legal sanctions man you +were suspended thing in politics + +80 +00:01:29,780 --> 00:01:29,790 +were suspended thing in politics + + +81 +00:01:29,790 --> 00:01:31,370 +were suspended thing in politics +don't you find the edge you got to + +82 +00:01:31,370 --> 00:01:31,380 +don't you find the edge you got to + + +83 +00:01:31,380 --> 00:01:33,080 +don't you find the edge you got to +exploit that that's why I'll sit on + +84 +00:01:33,080 --> 00:01:33,090 +exploit that that's why I'll sit on + + +85 +00:01:33,090 --> 00:01:35,270 +exploit that that's why I'll sit on +the teenagers to Iraq die + +86 +00:01:35,270 --> 00:01:35,280 +the teenagers to Iraq die + + +87 +00:01:35,280 --> 00:01:37,340 +the teenagers to Iraq die +over some oil money send + +88 +00:01:37,340 --> 00:01:37,350 +over some oil money send + + +89 +00:01:37,350 --> 00:01:38,990 +over some oil money send +the mother CIA up in the hood + +90 +00:01:38,990 --> 00:01:39,000 +the mother CIA up in the hood + + +91 +00:01:39,000 --> 00:01:40,670 +the mother CIA up in the hood +with all the yeah yo slanging in + +92 +00:01:40,670 --> 00:01:40,680 +with all the yeah yo slanging in + + +93 +00:01:40,680 --> 00:01:42,380 +with all the yeah yo slanging in +the hood man it's the same in + +94 +00:01:42,380 --> 00:01:42,390 +the hood man it's the same in + + +95 +00:01:42,390 --> 00:01:46,670 +the hood man it's the same in +politics before everybody know there's a + +96 +00:01:46,670 --> 00:01:46,680 +politics before everybody know there's a + + +97 +00:01:46,680 --> 00:01:48,710 +politics before everybody know there's a +time when every home he got to risk his + +98 +00:01:48,710 --> 00:01:48,720 +time when every home he got to risk his + + +99 +00:01:48,720 --> 00:01:50,450 +time when every home he got to risk his +neck and fight for the thing that he + +100 +00:01:50,450 --> 00:01:50,460 +neck and fight for the thing that he + + +101 +00:01:50,460 --> 00:01:52,280 +neck and fight for the thing that he +believed it and he got to preach it + +102 +00:01:52,280 --> 00:01:52,290 +believed it and he got to preach it + + +103 +00:01:52,290 --> 00:01:54,620 +believed it and he got to preach it +right if he don't got to die for + +104 +00:01:54,620 --> 00:01:54,630 +right if he don't got to die for + + +105 +00:01:54,630 --> 00:01:56,780 +right if he don't got to die for +and he's ready to shed the light then he + +106 +00:01:56,780 --> 00:01:56,790 +and he's ready to shed the light then he + + +107 +00:01:56,790 --> 00:02:01,850 +and he's ready to shed the light then he +ain't got to live for scumbag yeah + +108 +00:02:01,850 --> 00:02:01,860 +ain't got to live for scumbag yeah + + +109 +00:02:01,860 --> 00:02:04,939 +ain't got to live for scumbag yeah +I'll wipe you for up + diff --git a/1998/ja00D_L5tm8.en.srt b/1998/ja00D_L5tm8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..00abd894ff53231ceef669b5c5cc4b7d351db37f --- /dev/null +++ b/1998/ja00D_L5tm8.en.srt @@ -0,0 +1,325 @@ +1 +00:00:06,759 --> 00:00:09,950 + +take the car Sten Taylor pleasure sir + +2 +00:00:09,950 --> 00:00:09,960 +take the car Sten Taylor pleasure sir + + +3 +00:00:09,960 --> 00:00:12,390 +take the car Sten Taylor pleasure sir +might if I ask you a few questions no + +4 +00:00:12,390 --> 00:00:12,400 +might if I ask you a few questions no + + +5 +00:00:12,400 --> 00:00:14,350 +might if I ask you a few questions no +you I couldn't help but notice what I + +6 +00:00:14,350 --> 00:00:14,360 +you I couldn't help but notice what I + + +7 +00:00:14,360 --> 00:00:15,990 +you I couldn't help but notice what I +assume to be your footprints in the + +8 +00:00:15,990 --> 00:00:16,000 +assume to be your footprints in the + + +9 +00:00:16,000 --> 00:00:17,870 +assume to be your footprints in the +blood around the + +10 +00:00:17,870 --> 00:00:17,880 +blood around the + + +11 +00:00:17,880 --> 00:00:20,269 +blood around the +deceased can assume those are you yes + +12 +00:00:20,269 --> 00:00:20,279 +deceased can assume those are you yes + + +13 +00:00:20,279 --> 00:00:23,150 +deceased can assume those are you yes +you may may I ask what you were doing Mr + +14 +00:00:23,150 --> 00:00:23,160 +you may may I ask what you were doing Mr + + +15 +00:00:23,160 --> 00:00:26,470 +you may may I ask what you were doing Mr +tayor making sure he was + +16 +00:00:26,470 --> 00:00:26,480 +tayor making sure he was + + +17 +00:00:26,480 --> 00:00:30,589 +tayor making sure he was +dead was he appeared to be yes you take + +18 +00:00:30,589 --> 00:00:30,599 +dead was he appeared to be yes you take + + +19 +00:00:30,599 --> 00:00:31,790 +dead was he appeared to be yes you take +his + +20 +00:00:31,790 --> 00:00:31,800 +his + + +21 +00:00:31,800 --> 00:00:34,229 +his +pulse + +22 +00:00:34,229 --> 00:00:34,239 +pulse + + +23 +00:00:34,239 --> 00:00:36,790 +pulse +no you see right + +24 +00:00:36,790 --> 00:00:36,800 +no you see right + + +25 +00:00:36,800 --> 00:00:39,069 +no you see right +there did you lean over him for + +26 +00:00:39,069 --> 00:00:39,079 +there did you lean over him for + + +27 +00:00:39,079 --> 00:00:41,229 +there did you lean over him for +something I tried to determine whether + +28 +00:00:41,229 --> 00:00:41,239 +something I tried to determine whether + + +29 +00:00:41,239 --> 00:00:42,910 +something I tried to determine whether +he was + +30 +00:00:42,910 --> 00:00:42,920 +he was + + +31 +00:00:42,920 --> 00:00:46,510 +he was +breathing was he not at that time all + +32 +00:00:46,510 --> 00:00:46,520 +breathing was he not at that time all + + +33 +00:00:46,520 --> 00:01:11,510 +breathing was he not at that time all +right let's take a look + +34 +00:01:11,510 --> 00:01:11,520 + + + +35 +00:01:11,520 --> 00:01:14,510 + +something + +36 +00:01:14,510 --> 00:01:14,520 + + + +37 +00:01:14,520 --> 00:01:18,550 + +wrong aside from a dead man lying in my + +38 +00:01:18,550 --> 00:01:18,560 +wrong aside from a dead man lying in my + + +39 +00:01:18,560 --> 00:01:20,590 +wrong aside from a dead man lying in my +kitchen for a moment there I thought you + +40 +00:01:20,590 --> 00:01:20,600 +kitchen for a moment there I thought you + + +41 +00:01:20,600 --> 00:01:24,190 +kitchen for a moment there I thought you +knew the man I don't think so why is + +42 +00:01:24,190 --> 00:01:24,200 +knew the man I don't think so why is + + +43 +00:01:24,200 --> 00:01:28,510 +knew the man I don't think so why is +that I never forget a face anything else + +44 +00:01:28,510 --> 00:01:28,520 +that I never forget a face anything else + + +45 +00:01:28,520 --> 00:01:30,789 +that I never forget a face anything else +not the second your wife will have to + +46 +00:01:30,789 --> 00:01:30,799 +not the second your wife will have to + + +47 +00:01:30,799 --> 00:01:32,789 +not the second your wife will have to +come down to give a formal statement + +48 +00:01:32,789 --> 00:01:32,799 +come down to give a formal statement + + +49 +00:01:32,799 --> 00:01:34,429 +come down to give a formal statement +when as soon as she's + +50 +00:01:34,429 --> 00:01:34,439 +when as soon as she's + + +51 +00:01:34,439 --> 00:01:37,510 +when as soon as she's +ready Mr Taylor are you aware of anyone + +52 +00:01:37,510 --> 00:01:37,520 +ready Mr Taylor are you aware of anyone + + +53 +00:01:37,520 --> 00:01:39,030 +ready Mr Taylor are you aware of anyone +who might wish your wife + +54 +00:01:39,030 --> 00:01:39,040 +who might wish your wife + + +55 +00:01:39,040 --> 00:01:43,109 +who might wish your wife +harm my wife has no + +56 +00:01:43,109 --> 00:01:43,119 + + + +57 +00:01:43,119 --> 00:01:56,590 + +enemies + +58 +00:01:56,590 --> 00:01:56,600 + + + +59 +00:01:56,600 --> 00:02:00,870 + +thanks I know + +60 +00:02:00,870 --> 00:02:00,880 + + + +61 +00:02:00,880 --> 00:02:02,270 + +it's + +62 +00:02:02,270 --> 00:02:02,280 +it's + + +63 +00:02:02,280 --> 00:02:05,790 +it's +okay you going to be on way + +64 +00:02:05,790 --> 00:02:05,800 +okay you going to be on way + + +65 +00:02:05,800 --> 00:02:17,139 +okay you going to be on way +[Music] + diff --git a/1998/jepTSaMF2ZM.en.srt b/1998/jepTSaMF2ZM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..cbf8ca50919ff307fe9a7a7e7322c92322378bda --- /dev/null +++ b/1998/jepTSaMF2ZM.en.srt @@ -0,0 +1,415 @@ +1 +00:00:03,160 --> 00:00:06,030 + +Felix what's with the + +2 +00:00:06,030 --> 00:00:06,040 +Felix what's with the + + +3 +00:00:06,040 --> 00:00:09,190 +Felix what's with the +suitcases oh I I gave up my apartment in + +4 +00:00:09,190 --> 00:00:09,200 +suitcases oh I I gave up my apartment in + + +5 +00:00:09,200 --> 00:00:11,669 +suitcases oh I I gave up my apartment in +New York to live in Sarasota well they + +6 +00:00:11,669 --> 00:00:11,679 +New York to live in Sarasota well they + + +7 +00:00:11,679 --> 00:00:14,430 +New York to live in Sarasota well they +got hospitals in Sarasota too you know + +8 +00:00:14,430 --> 00:00:14,440 +got hospitals in Sarasota too you know + + +9 +00:00:14,440 --> 00:00:16,510 +got hospitals in Sarasota too you know +are you planning to move in with me + +10 +00:00:16,510 --> 00:00:16,520 +are you planning to move in with me + + +11 +00:00:16,520 --> 00:00:18,590 +are you planning to move in with me +again Felix because you know it didn't + +12 +00:00:18,590 --> 00:00:18,600 +again Felix because you know it didn't + + +13 +00:00:18,600 --> 00:00:21,269 +again Felix because you know it didn't +work out the last time no no no this is + +14 +00:00:21,269 --> 00:00:21,279 +work out the last time no no no this is + + +15 +00:00:21,279 --> 00:00:24,310 +work out the last time no no no this is +just until I find my own place then of + +16 +00:00:24,310 --> 00:00:24,320 +just until I find my own place then of + + +17 +00:00:24,320 --> 00:00:26,589 +just until I find my own place then of +course we could actually save a lot of + +18 +00:00:26,589 --> 00:00:26,599 +course we could actually save a lot of + + +19 +00:00:26,599 --> 00:00:28,990 +course we could actually save a lot of +money by splitting expenses but nothing + +20 +00:00:28,990 --> 00:00:29,000 +money by splitting expenses but nothing + + +21 +00:00:29,000 --> 00:00:31,310 +money by splitting expenses but nothing +has changed for I'm still a pig you're + +22 +00:00:31,310 --> 00:00:31,320 +has changed for I'm still a pig you're + + +23 +00:00:31,320 --> 00:00:33,990 +has changed for I'm still a pig you're +still a human vacuum cleaner I know so + +24 +00:00:33,990 --> 00:00:34,000 +still a human vacuum cleaner I know so + + +25 +00:00:34,000 --> 00:00:36,510 +still a human vacuum cleaner I know so +if you don't think it'll work you just + +26 +00:00:36,510 --> 00:00:36,520 +if you don't think it'll work you just + + +27 +00:00:36,520 --> 00:00:39,630 +if you don't think it'll work you just +say no + +28 +00:00:39,630 --> 00:00:39,640 + + + +29 +00:00:39,640 --> 00:00:42,150 + +no + +30 +00:00:42,150 --> 00:00:42,160 +no + + +31 +00:00:42,160 --> 00:00:43,800 +no +okay so I'll + +32 +00:00:43,800 --> 00:00:43,810 +okay so I'll + + +33 +00:00:43,810 --> 00:00:53,590 +okay so I'll +[Music] + +34 +00:00:53,590 --> 00:00:53,600 + + + +35 +00:00:53,600 --> 00:01:00,869 + +go I didn't say go I said no + +36 +00:01:00,869 --> 00:01:00,879 + + + +37 +00:01:00,879 --> 00:01:02,509 + +all right all right all right give it a + +38 +00:01:02,509 --> 00:01:02,519 +all right all right all right give it a + + +39 +00:01:02,519 --> 00:01:04,789 +all right all right all right give it a +try for a few weeks but the minute you + +40 +00:01:04,789 --> 00:01:04,799 +try for a few weeks but the minute you + + +41 +00:01:04,799 --> 00:01:07,149 +try for a few weeks but the minute you +start matching up my socks we call it + +42 +00:01:07,149 --> 00:01:07,159 +start matching up my socks we call it + + +43 +00:01:07,159 --> 00:01:09,910 +start matching up my socks we call it +quits it's a deal now you go on go back + +44 +00:01:09,910 --> 00:01:09,920 +quits it's a deal now you go on go back + + +45 +00:01:09,920 --> 00:01:11,830 +quits it's a deal now you go on go back +to your game huh I'm just going to hang + +46 +00:01:11,830 --> 00:01:11,840 +to your game huh I'm just going to hang + + +47 +00:01:11,840 --> 00:01:13,429 +to your game huh I'm just going to hang +up a few + +48 +00:01:13,429 --> 00:01:13,439 +up a few + + +49 +00:01:13,439 --> 00:01:16,350 +up a few +things oh he looks so + +50 +00:01:16,350 --> 00:01:16,360 +things oh he looks so + + +51 +00:01:16,360 --> 00:01:20,030 +things oh he looks so +sweet if he's looking I've got a spare + +52 +00:01:20,030 --> 00:01:20,040 +sweet if he's looking I've got a spare + + +53 +00:01:20,040 --> 00:01:22,550 +sweet if he's looking I've got a spare +bedroom I don't use + +54 +00:01:22,550 --> 00:01:22,560 +bedroom I don't use + + +55 +00:01:22,560 --> 00:01:25,710 +bedroom I don't use +yeah ladies it's possible that in 5 + +56 +00:01:25,710 --> 00:01:25,720 +yeah ladies it's possible that in 5 + + +57 +00:01:25,720 --> 00:01:27,630 +yeah ladies it's possible that in 5 +weeks you'll all be moving out of + +58 +00:01:27,630 --> 00:01:27,640 +weeks you'll all be moving out of + + +59 +00:01:27,640 --> 00:01:30,270 +weeks you'll all be moving out of +Sarasota Florida + +60 +00:01:30,270 --> 00:01:30,280 +Sarasota Florida + + +61 +00:01:30,280 --> 00:01:32,230 +Sarasota Florida +whose bed is + +62 +00:01:32,230 --> 00:01:32,240 +whose bed is + + +63 +00:01:32,240 --> 00:01:35,630 +whose bed is +it don't mind me folks I was just oh + +64 +00:01:35,630 --> 00:01:35,640 +it don't mind me folks I was just oh + + +65 +00:01:35,640 --> 00:01:38,310 +it don't mind me folks I was just oh +excuse me is it sure us here oh thank + +66 +00:01:38,310 --> 00:01:38,320 +excuse me is it sure us here oh thank + + +67 +00:01:38,320 --> 00:01:41,149 +excuse me is it sure us here oh thank +you that's all right yeah boy that + +68 +00:01:41,149 --> 00:01:41,159 +you that's all right yeah boy that + + +69 +00:01:41,159 --> 00:01:43,310 +you that's all right yeah boy that +sandwich is looking a little limp I + +70 +00:01:43,310 --> 00:01:43,320 +sandwich is looking a little limp I + + +71 +00:01:43,320 --> 00:01:45,709 +sandwich is looking a little limp I +could retoast that for you in a second + +72 +00:01:45,709 --> 00:01:45,719 +could retoast that for you in a second + + +73 +00:01:45,719 --> 00:01:49,469 +could retoast that for you in a second +really oh yeah I wouldn't mind no + +74 +00:01:49,469 --> 00:01:49,479 +really oh yeah I wouldn't mind no + + +75 +00:01:49,479 --> 00:01:51,389 +really oh yeah I wouldn't mind no +problem at all thank + +76 +00:01:51,389 --> 00:01:51,399 +problem at all thank + + +77 +00:01:51,399 --> 00:01:55,830 +problem at all thank +you this is the biggest God damnest Deja + +78 +00:01:55,830 --> 00:01:55,840 +you this is the biggest God damnest Deja + + +79 +00:01:55,840 --> 00:01:58,910 +you this is the biggest God damnest Deja +Vu anybody has ever had can we play + +80 +00:01:58,910 --> 00:01:58,920 +Vu anybody has ever had can we play + + +81 +00:01:58,920 --> 00:02:05,310 +Vu anybody has ever had can we play +cards here please for crying out + +82 +00:02:05,310 --> 00:02:05,320 + + + +83 +00:02:05,320 --> 00:02:36,489 + +[Music] + diff --git a/1998/jutOpRQ7Osg.description b/1998/jutOpRQ7Osg.description new file mode 100644 index 0000000000000000000000000000000000000000..3c3afc4d8f4656d94e4dd2d958042a021a280cf8 --- /dev/null +++ b/1998/jutOpRQ7Osg.description @@ -0,0 +1,38 @@ +Out of Sight movie clips: http://j.mp/1Jc8OZc +BUY THE MOVIE: https://www.fandangonow.com/details/movie/out-of-sight-1998/1MVc537c8f4066623b0309496e74e7b0f64?cmp=Movieclips_YT_Description +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Jack (George Clooney) remembers refusing the security job offer from Richard (Albert Brooks) and confronting him in his office. + +FILM DESCRIPTION: +Steven Soderbergh directed this crime caper adapted from the novel by Elmore Leonard. When ex-con Jack Foley (George Clooney) robs a bank, his car goes dead, and Foley lands in a Florida prison. His escape from prison doesn't go as planned, since it's witnessed by deputy federal marshal Karen Sisco (Jennifer Lopez). Foley's pal Buddy Bragg (Ving Rhames) intervenes, with the result that Sisco winds up in the trunk of the getaway car with Foley, and the two realize they're attracted to each other, despite being on opposite sides of the law. However, that doesn't stop Sisco from her mission to capture Foley, who has spent much of his life in prison. Flashbacks introduce Foley's fellow prisoners, including dim dude Glenn Michaels (Steve Zahn), violent Maurice "Snoopy" Miller (Don Cheadle), and insider trader and billionaire Richard Ripley (Albert Brooks), who talks too much about his wealth. This later leads to a break-in at Ripley's posh Detroit estate by Miller, his brother-in-law Kenneth (Isaiah Washington), and menacing White Boy Rob (Keith Loneker). While seeking a hidden safe, the group threatens Ripley's housekeeper Midge (Nancy Allen). Foley and Bragg are in on this operation, but they wind up outwitting the others, and Sisco is close on their trail. The film features uncredited cameos by Michael Keaton and Samuel L. Jackson, and was shot in locations in Florida, Louisiana, and Michigan. + +CREDITS: +TM & © Universal (1998) +Cast: Albert Brooks, George Clooney +Director: Steven Soderbergh +Producers: Danny DeVito, John Hardy, Michael Shamberg, Stacey Sher, Barry Sonnenfeld +Screenwriters: Elmore Leonard, Scott Frank + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/jutOpRQ7Osg.en.srt b/1998/jutOpRQ7Osg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..770f4b45fafb00b862a85f67e69ad4fbd1a69f7b --- /dev/null +++ b/1998/jutOpRQ7Osg.en.srt @@ -0,0 +1,545 @@ +1 +00:00:03,679 --> 00:00:07,909 + +so Mr uh Foley uh Mr Ripley and I have + +2 +00:00:07,909 --> 00:00:07,919 +so Mr uh Foley uh Mr Ripley and I have + + +3 +00:00:07,919 --> 00:00:10,390 +so Mr uh Foley uh Mr Ripley and I have +had a long discussion about your role in + +4 +00:00:10,390 --> 00:00:10,400 +had a long discussion about your role in + + +5 +00:00:10,400 --> 00:00:11,830 +had a long discussion about your role in +the company and it was his feeling you'd + +6 +00:00:11,830 --> 00:00:11,840 +the company and it was his feeling you'd + + +7 +00:00:11,840 --> 00:00:13,669 +the company and it was his feeling you'd +be happiest working down here in Miami + +8 +00:00:13,669 --> 00:00:13,679 +be happiest working down here in Miami + + +9 +00:00:13,679 --> 00:00:16,510 +be happiest working down here in Miami +how's that sound to you sounds great + +10 +00:00:16,510 --> 00:00:16,520 +how's that sound to you sounds great + + +11 +00:00:16,520 --> 00:00:21,109 +how's that sound to you sounds great +good you're about a 42 long + +12 +00:00:21,109 --> 00:00:21,119 + + + +13 +00:00:21,119 --> 00:00:26,750 + +right I uh I'm about 42 like 40 a 42 + +14 +00:00:26,750 --> 00:00:26,760 +right I uh I'm about 42 like 40 a 42 + + +15 +00:00:26,760 --> 00:00:36,069 +right I uh I'm about 42 like 40 a 42 +regular + +16 +00:00:36,069 --> 00:00:36,079 + + + +17 +00:00:36,079 --> 00:00:38,110 + +okay let's see how she fits who that + +18 +00:00:38,110 --> 00:00:38,120 +okay let's see how she fits who that + + +19 +00:00:38,120 --> 00:00:41,310 +okay let's see how she fits who that +your + +20 +00:00:41,310 --> 00:00:41,320 + + + +21 +00:00:41,320 --> 00:00:46,630 + +uniform my + +22 +00:00:46,630 --> 00:00:46,640 + + + +23 +00:00:46,640 --> 00:00:52,229 + +uniform sir sir excuse me sir sir sir + +24 +00:00:52,229 --> 00:00:52,239 +uniform sir sir excuse me sir sir sir + + +25 +00:00:52,239 --> 00:00:54,750 +uniform sir sir excuse me sir sir sir +excuse me sir can't go you kidding me + +26 +00:00:54,750 --> 00:00:54,760 +excuse me sir can't go you kidding me + + +27 +00:00:54,760 --> 00:00:56,549 +excuse me sir can't go you kidding me +security guard what are you Stone hey + +28 +00:00:56,549 --> 00:00:56,559 +security guard what are you Stone hey + + +29 +00:00:56,559 --> 00:00:59,069 +security guard what are you Stone hey +take it easy it's all right Peggy it's + +30 +00:00:59,069 --> 00:00:59,079 +take it easy it's all right Peggy it's + + +31 +00:00:59,079 --> 00:01:03,029 +take it easy it's all right Peggy it's +under control + +32 +00:01:03,029 --> 00:01:03,039 + + + +33 +00:01:03,039 --> 00:01:05,270 + +you know something I wasn't sure that + +34 +00:01:05,270 --> 00:01:05,280 +you know something I wasn't sure that + + +35 +00:01:05,280 --> 00:01:07,350 +you know something I wasn't sure that +you show up here but I was very sure if + +36 +00:01:07,350 --> 00:01:07,360 +you show up here but I was very sure if + + +37 +00:01:07,360 --> 00:01:09,870 +you show up here but I was very sure if +you did you'd throw this job in my + +38 +00:01:09,870 --> 00:01:09,880 +you did you'd throw this job in my + + +39 +00:01:09,880 --> 00:01:12,990 +you did you'd throw this job in my +face let me tell you something every + +40 +00:01:12,990 --> 00:01:13,000 +face let me tell you something every + + +41 +00:01:13,000 --> 00:01:14,469 +face let me tell you something every +single thing you've done with your life + +42 +00:01:14,469 --> 00:01:14,479 +single thing you've done with your life + + +43 +00:01:14,479 --> 00:01:16,310 +single thing you've done with your life +up until this point in the real world + +44 +00:01:16,310 --> 00:01:16,320 +up until this point in the real world + + +45 +00:01:16,320 --> 00:01:20,710 +up until this point in the real world +means nothing less than nothing you're a + +46 +00:01:20,710 --> 00:01:20,720 +means nothing less than nothing you're a + + +47 +00:01:20,720 --> 00:01:24,350 +means nothing less than nothing you're a +bank robber it's not a very marketable + +48 +00:01:24,350 --> 00:01:24,360 +bank robber it's not a very marketable + + +49 +00:01:24,360 --> 00:01:26,950 +bank robber it's not a very marketable +skill we don't see a lot of old bank + +50 +00:01:26,950 --> 00:01:26,960 +skill we don't see a lot of old bank + + +51 +00:01:26,960 --> 00:01:29,230 +skill we don't see a lot of old bank +robbers walking around with a pension + +52 +00:01:29,230 --> 00:01:29,240 +robbers walking around with a pension + + +53 +00:01:29,240 --> 00:01:32,230 +robbers walking around with a pension +plan now do do we I think you know this + +54 +00:01:32,230 --> 00:01:32,240 +plan now do do we I think you know this + + +55 +00:01:32,240 --> 00:01:33,510 +plan now do do we I think you know this +that's why you're + +56 +00:01:33,510 --> 00:01:33,520 +that's why you're + + +57 +00:01:33,520 --> 00:01:36,910 +that's why you're +here today I've offered you a lousy job + +58 +00:01:36,910 --> 00:01:36,920 +here today I've offered you a lousy job + + +59 +00:01:36,920 --> 00:01:38,350 +here today I've offered you a lousy job +with a lousy + +60 +00:01:38,350 --> 00:01:38,360 +with a lousy + + +61 +00:01:38,360 --> 00:01:41,310 +with a lousy +wage you want something better why don't + +62 +00:01:41,310 --> 00:01:41,320 +wage you want something better why don't + + +63 +00:01:41,320 --> 00:01:43,109 +wage you want something better why don't +you show me you can + +64 +00:01:43,109 --> 00:01:43,119 +you show me you can + + +65 +00:01:43,119 --> 00:01:45,190 +you show me you can +change then I'll offer you something + +66 +00:01:45,190 --> 00:01:45,200 +change then I'll offer you something + + +67 +00:01:45,200 --> 00:01:48,190 +change then I'll offer you something +better A lot better but until then my + +68 +00:01:48,190 --> 00:01:48,200 +better A lot better but until then my + + +69 +00:01:48,200 --> 00:01:50,749 +better A lot better but until then my +friend you'll have to earn + +70 +00:01:50,749 --> 00:01:50,759 +friend you'll have to earn + + +71 +00:01:50,759 --> 00:01:53,749 +friend you'll have to earn +it how dick the way you earn + +72 +00:01:53,749 --> 00:01:53,759 +it how dick the way you earn + + +73 +00:01:53,759 --> 00:01:56,789 +it how dick the way you earn +it man some rich broad owns a company + +74 +00:01:56,789 --> 00:01:56,799 +it man some rich broad owns a company + + +75 +00:01:56,799 --> 00:01:58,310 +it man some rich broad owns a company +selling off a piece of time than + +76 +00:01:58,310 --> 00:01:58,320 +selling off a piece of time than + + +77 +00:01:58,320 --> 00:02:00,830 +selling off a piece of time than +divorcing her is this it's nuke Rock You + +78 +00:02:00,830 --> 00:02:00,840 +divorcing her is this it's nuke Rock You + + +79 +00:02:00,840 --> 00:02:02,830 +divorcing her is this it's nuke Rock You +pull yourself up by the bootstraps + +80 +00:02:02,830 --> 00:02:02,840 +pull yourself up by the bootstraps + + +81 +00:02:02,840 --> 00:02:05,389 +pull yourself up by the bootstraps + back in prison a guy like you + +82 +00:02:05,389 --> 00:02:05,399 +back in prison a guy like you + + +83 +00:02:05,399 --> 00:02:07,630 +back in prison a guy like you +in a place like that you were ice cream + +84 +00:02:07,630 --> 00:02:07,640 +in a place like that you were ice cream + + +85 +00:02:07,640 --> 00:02:10,990 +in a place like that you were ice cream +for freaks your goddamn dumpling Maurice + +86 +00:02:10,990 --> 00:02:11,000 +for freaks your goddamn dumpling Maurice + + +87 +00:02:11,000 --> 00:02:12,350 +for freaks your goddamn dumpling Maurice +and a dozen other guys would have bled + +88 +00:02:12,350 --> 00:02:12,360 +and a dozen other guys would have bled + + +89 +00:02:12,360 --> 00:02:14,949 +and a dozen other guys would have bled +you till you had nothing until you were + +90 +00:02:14,949 --> 00:02:14,959 +you till you had nothing until you were + + +91 +00:02:14,959 --> 00:02:17,309 +you till you had nothing until you were +nothing I saved your ass so you'll + +92 +00:02:17,309 --> 00:02:17,319 +nothing I saved your ass so you'll + + +93 +00:02:17,319 --> 00:02:18,430 +nothing I saved your ass so you'll +pardon me if I don't want to sit on a + +94 +00:02:18,430 --> 00:02:18,440 +pardon me if I don't want to sit on a + + +95 +00:02:18,440 --> 00:02:20,509 +pardon me if I don't want to sit on a + stool all day and say sign in + +96 +00:02:20,509 --> 00:02:20,519 +stool all day and say sign in + + +97 +00:02:20,519 --> 00:02:22,589 +stool all day and say sign in +here please or hey pal you can't park + +98 +00:02:22,589 --> 00:02:22,599 +here please or hey pal you can't park + + +99 +00:02:22,599 --> 00:02:24,750 +here please or hey pal you can't park +here all right dick I can't do + +100 +00:02:24,750 --> 00:02:24,760 +here all right dick I can't do + + +101 +00:02:24,760 --> 00:02:27,229 +here all right dick I can't do +it dick I'm disappointed in you + +102 +00:02:27,229 --> 00:02:27,239 +it dick I'm disappointed in you + + +103 +00:02:27,239 --> 00:02:30,270 +it dick I'm disappointed in you +you oh hey here we go what job promise + +104 +00:02:30,270 --> 00:02:30,280 +you oh hey here we go what job promise + + +105 +00:02:30,280 --> 00:02:32,430 +you oh hey here we go what job promise +you boys there's two ways we can do this + +106 +00:02:32,430 --> 00:02:32,440 +you boys there's two ways we can do this + + +107 +00:02:32,440 --> 00:02:58,480 +you boys there's two ways we can do this +now what are they + +108 +00:02:58,480 --> 00:02:58,490 + + + +109 +00:02:58,490 --> 00:03:29,539 + +[Music] + diff --git a/1998/kATiU-cZCPc.description b/1998/kATiU-cZCPc.description new file mode 100644 index 0000000000000000000000000000000000000000..17e2380c0238b09cf87fc7dbe887952119d11efc --- /dev/null +++ b/1998/kATiU-cZCPc.description @@ -0,0 +1,38 @@ +Lock, Stock and Two Smoking Barrels movie clips: http://j.mp/15vUYCM +BUY THE MOVIE: http://amzn.to/uIybfi +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +When Tom (Jason Flemyng) shows the lads the shotguns he's bought, Soap (Dexter Fletcher) says he thinks knives are better because they are silent. + +FILM DESCRIPTION: +Making its American premiere at the 1999 Sundance Film Festival, Lock, Stock And Two Smoking Barrels (already a huge hit in its homeland of Great Britain) has been described as a cross between Trainspotting and Pulp Fiction. Tom, Bacon and Soap give their best friend Eddie a wad of cash for a high stakes poker game. It turns out to be a set-up, and Eddie loses it all. Now they all owe an additional $800,000 in one week or gangsters will foreclose on Eddie's father's bar ... and their fingers. What happens from here on is best kept a secret to those who haven't seen the film, as a wild ride of craziness takes these four blokes to the brink of madness, honor, mayhem and trust, as they battle hell-bent to get that money back. + +CREDITS: +TM & © Universal (1998) +Cast: Jason Flemyng, Dexter Fletcher, Nick Moran, Jason Statham +Director: Guy Ritchie +Producers: Stephen Marks, Georgia Masters, Peter Morton, Angad Paul, Sebastian Pearson, Jan Roldanus, Trudie Styler, Steve Tisch, Ronaldo Vasconcellos, Matthew Vaughn, Jon Slan +Screenwriter: Guy Ritchie + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/kATiU-cZCPc.en.srt b/1998/kATiU-cZCPc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c2b3555a552607d027523aed4ceb4327fcf9e533 --- /dev/null +++ b/1998/kATiU-cZCPc.en.srt @@ -0,0 +1,405 @@ +1 +00:00:04,799 --> 00:00:07,429 + +where did you get these a Museum + +2 +00:00:07,429 --> 00:00:07,439 +where did you get these a Museum + + +3 +00:00:07,439 --> 00:00:10,070 +where did you get these a Museum +Nick the + +4 +00:00:10,070 --> 00:00:10,080 + + + +5 +00:00:10,080 --> 00:00:13,589 + +Greek how much did you part with 700t a + +6 +00:00:13,589 --> 00:00:13,599 +Greek how much did you part with 700t a + + +7 +00:00:13,599 --> 00:00:15,590 +Greek how much did you part with 700t a +pair DRM + +8 +00:00:15,590 --> 00:00:15,600 +pair DRM + + +9 +00:00:15,600 --> 00:00:18,109 +pair DRM +IO I'd feel safer with a chicken + +10 +00:00:18,109 --> 00:00:18,119 +IO I'd feel safer with a chicken + + +11 +00:00:18,119 --> 00:00:20,189 +IO I'd feel safer with a chicken +drumstick these are going to do more arm + +12 +00:00:20,189 --> 00:00:20,199 +drumstick these are going to do more arm + + +13 +00:00:20,199 --> 00:00:22,790 +drumstick these are going to do more arm +than + +14 +00:00:22,790 --> 00:00:22,800 + + + +15 +00:00:22,800 --> 00:00:26,750 + +good there is Tom did these work don't + +16 +00:00:26,750 --> 00:00:26,760 +good there is Tom did these work don't + + +17 +00:00:26,760 --> 00:00:28,870 +good there is Tom did these work don't +know they look nice don't they I rather + +18 +00:00:28,870 --> 00:00:28,880 +know they look nice don't they I rather + + +19 +00:00:28,880 --> 00:00:30,230 +know they look nice don't they I rather +like them oh that's top of the + +20 +00:00:30,230 --> 00:00:30,240 +like them oh that's top of the + + +21 +00:00:30,240 --> 00:00:32,350 +like them oh that's top of the +priorities that is + +22 +00:00:32,350 --> 00:00:32,360 +priorities that is + + +23 +00:00:32,360 --> 00:00:34,830 +priorities that is +ladies back to more important issues if + +24 +00:00:34,830 --> 00:00:34,840 +ladies back to more important issues if + + +25 +00:00:34,840 --> 00:00:37,630 +ladies back to more important issues if +you don't mind we have only got two real + +26 +00:00:37,630 --> 00:00:37,640 +you don't mind we have only got two real + + +27 +00:00:37,640 --> 00:00:40,389 +you don't mind we have only got two real +guns apparently that's what they are so + +28 +00:00:40,389 --> 00:00:40,399 +guns apparently that's what they are so + + +29 +00:00:40,399 --> 00:00:42,590 +guns apparently that's what they are so +we find a good place to ride next door + +30 +00:00:42,590 --> 00:00:42,600 +we find a good place to ride next door + + +31 +00:00:42,600 --> 00:00:44,069 +we find a good place to ride next door +we wait till it sounds like the right + +32 +00:00:44,069 --> 00:00:44,079 +we wait till it sounds like the right + + +33 +00:00:44,079 --> 00:00:46,470 +we wait till it sounds like the right +time then we Jack in the Box look nasty + +34 +00:00:46,470 --> 00:00:46,480 +time then we Jack in the Box look nasty + + +35 +00:00:46,480 --> 00:00:48,590 +time then we Jack in the Box look nasty +and stuff cocoon them in gaffer tape + +36 +00:00:48,590 --> 00:00:48,600 +and stuff cocoon them in gaffer tape + + +37 +00:00:48,600 --> 00:00:50,670 +and stuff cocoon them in gaffer tape +Nick their van swap the gear into the + +38 +00:00:50,670 --> 00:00:50,680 +Nick their van swap the gear into the + + +39 +00:00:50,680 --> 00:00:53,590 +Nick their van swap the gear into the +new van and bring it all back here as + +40 +00:00:53,590 --> 00:00:53,600 +new van and bring it all back here as + + +41 +00:00:53,600 --> 00:00:55,029 +new van and bring it all back here as +long as we're all out of our hiding + +42 +00:00:55,029 --> 00:00:55,039 +long as we're all out of our hiding + + +43 +00:00:55,039 --> 00:00:56,630 +long as we're all out of our hiding +places quickly is the last thing you're + +44 +00:00:56,630 --> 00:00:56,640 +places quickly is the last thing you're + + +45 +00:00:56,640 --> 00:00:57,630 +places quickly is the last thing you're +going to + +46 +00:00:57,630 --> 00:00:57,640 +going to + + +47 +00:00:57,640 --> 00:01:00,509 +going to +expect oh and if Tom or anyone else for + +48 +00:01:00,509 --> 00:01:00,519 +expect oh and if Tom or anyone else for + + +49 +00:01:00,519 --> 00:01:01,830 +expect oh and if Tom or anyone else for +that matter feels like giving them a bit + +50 +00:01:01,830 --> 00:01:01,840 +that matter feels like giving them a bit + + +51 +00:01:01,840 --> 00:01:04,469 +that matter feels like giving them a bit +of a kicking I'm sure it won't do any + +52 +00:01:04,469 --> 00:01:04,479 +of a kicking I'm sure it won't do any + + +53 +00:01:04,479 --> 00:01:07,710 +of a kicking I'm sure it won't do any +harm yeah little bit of pain never hurt + +54 +00:01:07,710 --> 00:01:07,720 +harm yeah little bit of pain never hurt + + +55 +00:01:07,720 --> 00:01:10,230 +harm yeah little bit of pain never hurt +anybody if you know what I + +56 +00:01:10,230 --> 00:01:10,240 +anybody if you know what I + + +57 +00:01:10,240 --> 00:01:14,950 +anybody if you know what I +mean also I think knives are a good idea + +58 +00:01:14,950 --> 00:01:14,960 +mean also I think knives are a good idea + + +59 +00:01:14,960 --> 00:01:18,390 +mean also I think knives are a good idea +big off shiny ones ones that look + +60 +00:01:18,390 --> 00:01:18,400 +big off shiny ones ones that look + + +61 +00:01:18,400 --> 00:01:19,710 +big off shiny ones ones that look +like they could skin a + +62 +00:01:19,710 --> 00:01:19,720 +like they could skin a + + +63 +00:01:19,720 --> 00:01:22,429 +like they could skin a +crocodile knives are good because they + +64 +00:01:22,429 --> 00:01:22,439 +crocodile knives are good because they + + +65 +00:01:22,439 --> 00:01:24,550 +crocodile knives are good because they +don't make any noise and the less noise + +66 +00:01:24,550 --> 00:01:24,560 +don't make any noise and the less noise + + +67 +00:01:24,560 --> 00:01:26,749 +don't make any noise and the less noise +they make the more likely we are to use + +68 +00:01:26,749 --> 00:01:26,759 +they make the more likely we are to use + + +69 +00:01:26,759 --> 00:01:30,469 +they make the more likely we are to use +them them right up makes it look + +70 +00:01:30,469 --> 00:01:30,479 +them them right up makes it look + + +71 +00:01:30,479 --> 00:01:31,550 +them them right up makes it look +like we're + +72 +00:01:31,550 --> 00:01:31,560 +like we're + + +73 +00:01:31,560 --> 00:01:36,149 +like we're +serious guns for show nice for a + +74 +00:01:36,149 --> 00:01:36,159 +serious guns for show nice for a + + +75 +00:01:36,159 --> 00:01:38,789 +serious guns for show nice for a +pro so is there something we should know + +76 +00:01:38,789 --> 00:01:38,799 +pro so is there something we should know + + +77 +00:01:38,799 --> 00:01:41,550 +pro so is there something we should know +about you I'm not sure what's more + +78 +00:01:41,550 --> 00:01:41,560 +about you I'm not sure what's more + + +79 +00:01:41,560 --> 00:01:45,410 +about you I'm not sure what's more +worrying the job or your past + +80 +00:01:45,410 --> 00:01:45,420 +worrying the job or your past + + +81 +00:01:45,420 --> 00:02:16,469 +worrying the job or your past +[Music] + diff --git a/1998/kQLYkEvyReQ.en.srt b/1998/kQLYkEvyReQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a7505af8f7df66627d0c289662bb40af59985557 --- /dev/null +++ b/1998/kQLYkEvyReQ.en.srt @@ -0,0 +1,585 @@ +1 +00:00:01,839 --> 00:00:04,230 + +no thanks + +2 +00:00:04,230 --> 00:00:04,240 +no thanks + + +3 +00:00:04,240 --> 00:00:06,950 +no thanks +do you mind if i ask you a question + +4 +00:00:06,950 --> 00:00:06,960 +do you mind if i ask you a question + + +5 +00:00:06,960 --> 00:00:09,190 +do you mind if i ask you a question +a question sure + +6 +00:00:09,190 --> 00:00:09,200 +a question sure + + +7 +00:00:09,200 --> 00:00:10,950 +a question sure +ask any question you want + +8 +00:00:10,950 --> 00:00:10,960 +ask any question you want + + +9 +00:00:10,960 --> 00:00:12,150 +ask any question you want +you don't have to answer if you don't + +10 +00:00:12,150 --> 00:00:12,160 +you don't have to answer if you don't + + +11 +00:00:12,160 --> 00:00:13,190 +you don't have to answer if you don't +want him + +12 +00:00:13,190 --> 00:00:13,200 +want him + + +13 +00:00:13,200 --> 00:00:14,549 +want him +but uh + +14 +00:00:14,549 --> 00:00:14,559 +but uh + + +15 +00:00:14,559 --> 00:00:15,749 +but uh +something happened to me a couple of + +16 +00:00:15,749 --> 00:00:15,759 +something happened to me a couple of + + +17 +00:00:15,759 --> 00:00:17,510 +something happened to me a couple of +weeks ago and i'm + +18 +00:00:17,510 --> 00:00:17,520 +weeks ago and i'm + + +19 +00:00:17,520 --> 00:00:18,630 +weeks ago and i'm +still trying to figure out if i did the + +20 +00:00:18,630 --> 00:00:18,640 +still trying to figure out if i did the + + +21 +00:00:18,640 --> 00:00:19,910 +still trying to figure out if i did the +right thing or not + +22 +00:00:19,910 --> 00:00:19,920 +right thing or not + + +23 +00:00:19,920 --> 00:00:21,670 +right thing or not +hmm + +24 +00:00:21,670 --> 00:00:21,680 +hmm + + +25 +00:00:21,680 --> 00:00:23,429 +hmm +i was on a plane + +26 +00:00:23,429 --> 00:00:23,439 +i was on a plane + + +27 +00:00:23,439 --> 00:00:25,750 +i was on a plane +to london i was going to see catherine + +28 +00:00:25,750 --> 00:00:25,760 +to london i was going to see catherine + + +29 +00:00:25,760 --> 00:00:27,349 +to london i was going to see catherine +as a matter of fact + +30 +00:00:27,349 --> 00:00:27,359 +as a matter of fact + + +31 +00:00:27,359 --> 00:00:29,750 +as a matter of fact +just as we go into our descent + +32 +00:00:29,750 --> 00:00:29,760 +just as we go into our descent + + +33 +00:00:29,760 --> 00:00:32,069 +just as we go into our descent +i decide i have to go to the toilet + +34 +00:00:32,069 --> 00:00:32,079 +i decide i have to go to the toilet + + +35 +00:00:32,079 --> 00:00:33,590 +i decide i have to go to the toilet +i go down the aisle but the door is + +36 +00:00:33,590 --> 00:00:33,600 +i go down the aisle but the door is + + +37 +00:00:33,600 --> 00:00:34,549 +i go down the aisle but the door is +locked + +38 +00:00:34,549 --> 00:00:34,559 +locked + + +39 +00:00:34,559 --> 00:00:35,990 +locked +so i stand there i'm shooting the breeze + +40 +00:00:35,990 --> 00:00:36,000 +so i stand there i'm shooting the breeze + + +41 +00:00:36,000 --> 00:00:39,350 +so i stand there i'm shooting the breeze +with one of the stewardesses + +42 +00:00:39,350 --> 00:00:39,360 + + + +43 +00:00:39,360 --> 00:00:42,150 + +finally + +44 +00:00:42,150 --> 00:00:42,160 + + + +45 +00:00:42,160 --> 00:00:44,470 + +the door opens + +46 +00:00:44,470 --> 00:00:44,480 +the door opens + + +47 +00:00:44,480 --> 00:00:48,709 +the door opens +and outsteps this good-looking girl + +48 +00:00:48,709 --> 00:00:48,719 +and outsteps this good-looking girl + + +49 +00:00:48,719 --> 00:00:51,110 +and outsteps this good-looking girl +maybe 24-25 + +50 +00:00:51,110 --> 00:00:51,120 +maybe 24-25 + + +51 +00:00:51,120 --> 00:00:52,950 +maybe 24-25 +very pretty + +52 +00:00:52,950 --> 00:00:52,960 +very pretty + + +53 +00:00:52,960 --> 00:00:56,310 +very pretty +she gives me an odd little look + +54 +00:00:56,310 --> 00:00:56,320 +she gives me an odd little look + + +55 +00:00:56,320 --> 00:00:57,990 +she gives me an odd little look +she had just passed me and i go into the + +56 +00:00:57,990 --> 00:00:58,000 +she had just passed me and i go into the + + +57 +00:00:58,000 --> 00:01:01,189 +she had just passed me and i go into the +bathroom + +58 +00:01:01,189 --> 00:01:01,199 + + + +59 +00:01:01,199 --> 00:01:03,029 + +the toilet seat and the cover are both + +60 +00:01:03,029 --> 00:01:03,039 +the toilet seat and the cover are both + + +61 +00:01:03,039 --> 00:01:04,630 +the toilet seat and the cover are both +down + +62 +00:01:04,630 --> 00:01:04,640 +down + + +63 +00:01:04,640 --> 00:01:08,950 +down +and sitting on top of the cover + +64 +00:01:08,950 --> 00:01:08,960 + + + +65 +00:01:08,960 --> 00:01:12,310 + +is a huge turd + +66 +00:01:12,310 --> 00:01:12,320 +is a huge turd + + +67 +00:01:12,320 --> 00:01:15,030 +is a huge turd +i have no idea what to do + +68 +00:01:15,030 --> 00:01:15,040 +i have no idea what to do + + +69 +00:01:15,040 --> 00:01:16,550 +i have no idea what to do +i if i complain to the story she'll + +70 +00:01:16,550 --> 00:01:16,560 +i if i complain to the story she'll + + +71 +00:01:16,560 --> 00:01:18,230 +i if i complain to the story she'll +think i did it we just had this friendly + +72 +00:01:18,230 --> 00:01:18,240 +think i did it we just had this friendly + + +73 +00:01:18,240 --> 00:01:20,149 +think i did it we just had this friendly +conversation i don't want her to think + +74 +00:01:20,149 --> 00:01:20,159 +conversation i don't want her to think + + +75 +00:01:20,159 --> 00:01:22,630 +conversation i don't want her to think +i'm that kind of person + +76 +00:01:22,630 --> 00:01:22,640 +i'm that kind of person + + +77 +00:01:22,640 --> 00:01:26,310 +i'm that kind of person +that's the situation + +78 +00:01:26,310 --> 00:01:26,320 + + + +79 +00:01:26,320 --> 00:01:27,590 + +now tell me what you would have done if + +80 +00:01:27,590 --> 00:01:27,600 +now tell me what you would have done if + + +81 +00:01:27,600 --> 00:01:30,550 +now tell me what you would have done if +you'd been me + +82 +00:01:30,550 --> 00:01:30,560 + + + +83 +00:01:30,560 --> 00:01:33,350 + +i don't know + +84 +00:01:33,350 --> 00:01:33,360 + + + +85 +00:01:33,360 --> 00:01:35,429 + +i would have complained i guess + +86 +00:01:35,429 --> 00:01:35,439 +i would have complained i guess + + +87 +00:01:35,439 --> 00:01:36,630 +i would have complained i guess +but + +88 +00:01:36,630 --> 00:01:36,640 +but + + +89 +00:01:36,640 --> 00:01:39,670 +but +i'm not sure + +90 +00:01:39,670 --> 00:01:39,680 + + + +91 +00:01:39,680 --> 00:01:41,990 + +what did you do + +92 +00:01:41,990 --> 00:01:42,000 +what did you do + + +93 +00:01:42,000 --> 00:01:43,990 +what did you do +i took out some paper towels and i + +94 +00:01:43,990 --> 00:01:44,000 +i took out some paper towels and i + + +95 +00:01:44,000 --> 00:01:46,710 +i took out some paper towels and i +cleaned up the mess + +96 +00:01:46,710 --> 00:01:46,720 +cleaned up the mess + + +97 +00:01:46,720 --> 00:01:48,550 +cleaned up the mess +incredible + +98 +00:01:48,550 --> 00:01:48,560 +incredible + + +99 +00:01:48,560 --> 00:01:50,469 +incredible +yeah + +100 +00:01:50,469 --> 00:01:50,479 +yeah + + +101 +00:01:50,479 --> 00:01:54,389 +yeah +incredibly disgusting + +102 +00:01:54,389 --> 00:01:54,399 + + + +103 +00:01:54,399 --> 00:01:56,069 + +i don't think i've ever done anything + +104 +00:01:56,069 --> 00:01:56,079 +i don't think i've ever done anything + + +105 +00:01:56,079 --> 00:01:59,109 +i don't think i've ever done anything +that generous + +106 +00:01:59,109 --> 00:01:59,119 + + + +107 +00:01:59,119 --> 00:02:03,109 + +you did an admirable thing + +108 +00:02:03,109 --> 00:02:03,119 + + + +109 +00:02:03,119 --> 00:02:05,190 + +maybe + +110 +00:02:05,190 --> 00:02:05,200 +maybe + + +111 +00:02:05,200 --> 00:02:06,469 +maybe +maybe not + +112 +00:02:06,469 --> 00:02:06,479 +maybe not + + +113 +00:02:06,479 --> 00:02:09,029 +maybe not +maybe i was just being a coward + +114 +00:02:09,029 --> 00:02:09,039 +maybe i was just being a coward + + +115 +00:02:09,039 --> 00:02:39,750 +maybe i was just being a coward +you know i'm trying to avoid a scene + +116 +00:02:39,750 --> 00:02:39,760 + + + +117 +00:02:39,760 --> 00:02:41,840 + +you + diff --git a/1998/kQoFdaWI4h8.ar.srt b/1998/kQoFdaWI4h8.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..8cfcc1ce384e61ffaa3e94063dfb5746da138a17 --- /dev/null +++ b/1998/kQoFdaWI4h8.ar.srt @@ -0,0 +1,292 @@ +1 +00:00:00,560 --> 00:00:02,590 + +رابط ثابت لمركز القيادة + +2 +00:00:02,590 --> 00:00:02,600 +رابط ثابت لمركز القيادة + + +3 +00:00:02,600 --> 00:00:05,909 +رابط ثابت لمركز القيادة +استهدف جورجونيت واحدًا مع + +4 +00:00:05,909 --> 00:00:05,919 +استهدف جورجونيت واحدًا مع + + +5 +00:00:05,919 --> 00:00:09,070 +استهدف جورجونيت واحدًا مع +مرافقة مدنية تقترب من موقعك + +6 +00:00:09,070 --> 00:00:09,080 +مرافقة مدنية تقترب من موقعك + + +7 +00:00:09,080 --> 00:00:12,470 +مرافقة مدنية تقترب من موقعك +فوق روجر نسخة ثابتة خاصة + +8 +00:00:12,470 --> 00:00:12,480 +فوق روجر نسخة ثابتة خاصة + + +9 +00:00:12,480 --> 00:00:16,590 +فوق روجر نسخة ثابتة خاصة +أن ريك بازوكا مركز BR سيدي استعد + +10 +00:00:16,590 --> 00:00:16,600 +أن ريك بازوكا مركز BR سيدي استعد + + +11 +00:00:16,600 --> 00:00:20,189 +أن ريك بازوكا مركز BR سيدي استعد +للهجوم + +12 +00:00:20,189 --> 00:00:20,199 + + + +13 +00:00:20,199 --> 00:00:22,950 + +الرقيب لا تطلق النار عليك انظر إلى + +14 +00:00:22,950 --> 00:00:22,960 +الرقيب لا تطلق النار عليك انظر إلى + + +15 +00:00:22,960 --> 00:00:24,029 +الرقيب لا تطلق النار عليك انظر إلى + +16 +00:00:24,029 --> 00:00:24,039 + + + +17 +00:00:24,039 --> 00:00:28,910 + +عينيه استعد لإطلاق البازوكا + +18 +00:00:28,910 --> 00:00:28,920 +عينيه استعد لإطلاق البازوكا + + +19 +00:00:28,920 --> 00:00:41,670 +عينيه استعد لإطلاق البازوكا +[موسيقى] + +20 +00:00:41,670 --> 00:00:41,680 + + + +21 +00:00:41,680 --> 00:00:45,630 + + +22 +00:00:45,630 --> 00:00:45,640 + + + +23 +00:00:45,640 --> 00:00:52,029 + +أوه أوه أورغانيت كين + +24 +00:00:52,029 --> 00:00:52,039 + + + +25 +00:00:52,039 --> 00:00:56,470 + +كور شاهدها سأطلب منك + +26 +00:00:56,470 --> 00:00:56,480 +كور شاهدها سأطلب منك + + +27 +00:00:56,480 --> 00:01:03,029 +كور شاهدها سأطلب منك +علامة Do من ​​ماذا تفعل هنا + +28 +00:01:03,029 --> 00:01:03,039 + + + +29 +00:01:03,039 --> 00:01:10,429 + +اذهب إلى + +30 +00:01:10,429 --> 00:01:10,439 + + + +31 +00:01:10,439 --> 00:01:14,190 + +المنزل هنا لقد + +32 +00:01:14,190 --> 00:01:14,200 + + + +33 +00:01:14,200 --> 00:01:17,789 + +أتيت + +34 +00:01:17,789 --> 00:01:17,799 + + + +35 +00:01:17,799 --> 00:01:29,310 + +أنا قادم إليك جانيت + +36 +00:01:29,310 --> 00:01:29,320 + + + +37 +00:01:29,320 --> 00:01:38,870 + +[موسيقى] + +38 +00:01:38,870 --> 00:01:38,880 + + + +39 +00:01:38,880 --> 00:01:44,440 + +[موسيقى] + +40 +00:01:44,440 --> 00:01:44,450 + + + +41 +00:01:44,450 --> 00:01:47,310 + +[موسيقى] + +42 +00:01:47,310 --> 00:01:47,320 +[موسيقى] + + +43 +00:01:47,320 --> 00:01:48,990 +[موسيقى] +لعنة + +44 +00:01:48,990 --> 00:01:49,000 +لعنة + + +45 +00:01:49,000 --> 00:01:53,670 +لعنة +الحفر مركز القيادة إلى بريك بازوكا أبلغ + +46 +00:01:53,670 --> 00:01:53,680 + + + +47 +00:01:53,680 --> 00:01:57,510 + +كرر هذا هو مركز القيادة + +48 +00:01:57,510 --> 00:01:57,520 +كرر هذا هو مركز القيادة + + +49 +00:01:57,520 --> 00:02:00,950 +كرر هذا هو مركز القيادة +تقرير بريك بازوكا + +50 +00:02:00,950 --> 00:02:00,960 +تقرير بريك بازوكا + + +51 +00:02:00,960 --> 00:02:04,270 +تقرير بريك بازوكا +أبلغ الهدف هرب والطريق إلى + +52 +00:02:04,270 --> 00:02:04,280 +أبلغ الهدف هرب والطريق إلى + + +53 +00:02:04,280 --> 00:02:05,389 +أبلغ الهدف هرب والطريق إلى + +54 +00:02:05,389 --> 00:02:05,399 + + + +55 +00:02:05,399 --> 00:02:09,430 + +معقل العدو سيدي أنا في حالة فوضى كبيرة سيدي + +56 +00:02:09,430 --> 00:02:09,440 +معقل العدو سيدي أنا في حالة فوضى كبيرة سيدي + + +57 +00:02:09,440 --> 00:02:12,430 +معقل العدو سيدي أنا في حالة فوضى كبيرة سيدي +تمسك يا بني أنت في طريقنا + +58 +00:02:12,430 --> 00:02:12,440 +تمسك يا بني أنت في طريقنا + + +59 +00:02:12,440 --> 00:02:43,509 +تمسك يا بني أنت في طريقنا +[موسيقى] + diff --git a/1998/k_tU5DWlyeo.en.srt b/1998/k_tU5DWlyeo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6ac610d52b5a6d8907af6dab8c0615d10cd48029 --- /dev/null +++ b/1998/k_tU5DWlyeo.en.srt @@ -0,0 +1,325 @@ +1 +00:00:00,880 --> 00:00:03,310 + +rest of the crew deserted taking their + +2 +00:00:03,310 --> 00:00:03,320 +rest of the crew deserted taking their + + +3 +00:00:03,320 --> 00:00:04,990 +rest of the crew deserted taking their +chances in the + +4 +00:00:04,990 --> 00:00:05,000 +chances in the + + +5 +00:00:05,000 --> 00:00:08,990 +chances in the +sea only Alex and me stay cutting + +6 +00:00:08,990 --> 00:00:09,000 +sea only Alex and me stay cutting + + +7 +00:00:09,000 --> 00:00:11,270 +sea only Alex and me stay cutting +cables what does cutting cables have to + +8 +00:00:11,270 --> 00:00:11,280 +cables what does cutting cables have to + + +9 +00:00:11,280 --> 00:00:13,070 +cables what does cutting cables have to +do + +10 +00:00:13,070 --> 00:00:13,080 +do + + +11 +00:00:13,080 --> 00:00:15,270 +do +with machines are controlled by the + +12 +00:00:15,270 --> 00:00:15,280 +with machines are controlled by the + + +13 +00:00:15,280 --> 00:00:18,070 +with machines are controlled by the +electrical energy in the computer if we + +14 +00:00:18,070 --> 00:00:18,080 +electrical energy in the computer if we + + +15 +00:00:18,080 --> 00:00:20,470 +electrical energy in the computer if we +can cut their source of power they'll + +16 +00:00:20,470 --> 00:00:20,480 +can cut their source of power they'll + + +17 +00:00:20,480 --> 00:00:23,589 +can cut their source of power they'll +die we cut these to get him here what + +18 +00:00:23,589 --> 00:00:23,599 +die we cut these to get him here what + + +19 +00:00:23,599 --> 00:00:25,509 +die we cut these to get him here what +the hell are you talking about what is + +20 +00:00:25,509 --> 00:00:25,519 +the hell are you talking about what is + + +21 +00:00:25,519 --> 00:00:28,429 +the hell are you talking about what is +this thing that's inside the computer + +22 +00:00:28,429 --> 00:00:28,439 +this thing that's inside the computer + + +23 +00:00:28,439 --> 00:00:31,589 +this thing that's inside the computer +huh it's a life form unlike anything we + +24 +00:00:31,589 --> 00:00:31,599 +huh it's a life form unlike anything we + + +25 +00:00:31,599 --> 00:00:33,430 +huh it's a life form unlike anything we +know not cellular but electrical in + +26 +00:00:33,430 --> 00:00:33,440 +know not cellular but electrical in + + +27 +00:00:33,440 --> 00:00:35,750 +know not cellular but electrical in +nature extremely intelligent you mean + +28 +00:00:35,750 --> 00:00:35,760 +nature extremely intelligent you mean + + +29 +00:00:35,760 --> 00:00:37,389 +nature extremely intelligent you mean +it's like lightning that can think it + +30 +00:00:37,389 --> 00:00:37,399 +it's like lightning that can think it + + +31 +00:00:37,399 --> 00:00:39,270 +it's like lightning that can think it +has no form no shape but it's giving + +32 +00:00:39,270 --> 00:00:39,280 +has no form no shape but it's giving + + +33 +00:00:39,280 --> 00:00:40,709 +has no form no shape but it's giving +itself what it + +34 +00:00:40,709 --> 00:00:40,719 +itself what it + + +35 +00:00:40,719 --> 00:00:43,910 +itself what it +lacks it's creating a new life form + +36 +00:00:43,910 --> 00:00:43,920 +lacks it's creating a new life form + + +37 +00:00:43,920 --> 00:00:47,189 +lacks it's creating a new life form +using parts of the ship and + +38 +00:00:47,189 --> 00:00:47,199 +using parts of the ship and + + +39 +00:00:47,199 --> 00:00:49,990 +using parts of the ship and +crew blood is still pumping through this + +40 +00:00:49,990 --> 00:00:50,000 +crew blood is still pumping through this + + +41 +00:00:50,000 --> 00:00:56,869 +crew blood is still pumping through this +brain there's been no decomposition at + +42 +00:00:56,869 --> 00:00:56,879 + + + +43 +00:00:56,879 --> 00:01:00,470 + +all yeah here right here see this some + +44 +00:01:00,470 --> 00:01:00,480 +all yeah here right here see this some + + +45 +00:01:00,480 --> 00:01:02,430 +all yeah here right here see this some +kind of coil or self-contained power + +46 +00:01:02,430 --> 00:01:02,440 +kind of coil or self-contained power + + +47 +00:01:02,440 --> 00:01:05,789 +kind of coil or self-contained power +supply built right into it + +48 +00:01:05,789 --> 00:01:05,799 +supply built right into it + + +49 +00:01:05,799 --> 00:01:11,450 +supply built right into it +amazing this brain is still + +50 +00:01:11,450 --> 00:01:11,460 + + + +51 +00:01:11,460 --> 00:01:12,910 + +[Music] + +52 +00:01:12,910 --> 00:01:12,920 +[Music] + + +53 +00:01:12,920 --> 00:01:15,270 +[Music] +alive stop around with the damn + +54 +00:01:15,270 --> 00:01:15,280 +alive stop around with the damn + + +55 +00:01:15,280 --> 00:01:17,830 +alive stop around with the damn +thing Richie I'm just looking at it + +56 +00:01:17,830 --> 00:01:17,840 +thing Richie I'm just looking at it + + +57 +00:01:17,840 --> 00:01:37,130 +thing Richie I'm just looking at it +Steve + +58 +00:01:37,130 --> 00:01:37,140 + + + +59 +00:01:37,140 --> 00:01:46,230 + +[Music] + +60 +00:01:46,230 --> 00:01:46,240 + + + +61 +00:01:46,240 --> 00:01:50,190 + +Alex touch it again I'll cut your hands + +62 +00:01:50,190 --> 00:01:50,200 +Alex touch it again I'll cut your hands + + +63 +00:01:50,200 --> 00:01:57,810 +Alex touch it again I'll cut your hands +off I can respect that + +64 +00:01:57,810 --> 00:01:57,820 + + + +65 +00:01:57,820 --> 00:02:03,740 + +[Music] + diff --git a/1998/kaJv6L8vF-Y.en.srt b/1998/kaJv6L8vF-Y.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..68ac003e6bfb9f464ca8c3eb2f21ebadfe022ed2 --- /dev/null +++ b/1998/kaJv6L8vF-Y.en.srt @@ -0,0 +1,175 @@ +1 +00:00:00,060 --> 00:00:01,939 + +would you care to try something more + +2 +00:00:01,939 --> 00:00:01,949 +would you care to try something more + + +3 +00:00:01,949 --> 00:00:04,730 +would you care to try something more +robust or do you feel unequal to the + +4 +00:00:04,730 --> 00:00:04,740 +robust or do you feel unequal to the + + +5 +00:00:04,740 --> 00:00:07,430 +robust or do you feel unequal to the +task yeah on the contrary denarii hundra + +6 +00:00:07,430 --> 00:00:07,440 +task yeah on the contrary denarii hundra + + +7 +00:00:07,440 --> 00:00:09,890 +task yeah on the contrary denarii hundra +I think only of your distaste with + +8 +00:00:09,890 --> 00:00:09,900 +I think only of your distaste with + + +9 +00:00:09,900 --> 00:00:21,290 +I think only of your distaste with +perspiration + +10 +00:00:21,290 --> 00:00:21,300 + + + +11 +00:00:21,300 --> 00:01:39,950 + +[Music] + +12 +00:01:39,950 --> 00:01:39,960 + + + +13 +00:01:39,960 --> 00:01:42,780 + +well that's the way they are dancing in + +14 +00:01:42,780 --> 00:01:42,790 +well that's the way they are dancing in + + +15 +00:01:42,790 --> 00:01:44,090 +well that's the way they are dancing in +Madrid these things + +16 +00:01:44,090 --> 00:01:44,100 +Madrid these things + + +17 +00:01:44,100 --> 00:01:46,680 +Madrid these things +excuse me that Bluff I need to catch my + +18 +00:01:46,680 --> 00:01:46,690 +excuse me that Bluff I need to catch my + + +19 +00:01:46,690 --> 00:01:47,340 +excuse me that Bluff I need to catch my +breath + +20 +00:01:47,340 --> 00:01:47,350 +breath + + +21 +00:01:47,350 --> 00:01:52,190 +breath +that is a very spirited answer spirited + +22 +00:01:52,190 --> 00:01:52,200 +that is a very spirited answer spirited + + +23 +00:01:52,200 --> 00:02:00,170 +that is a very spirited answer spirited +thank you for putting it so delicately I + +24 +00:02:00,170 --> 00:02:00,180 + + + +25 +00:02:00,180 --> 00:02:03,090 + +apologize if you're offended no no + +26 +00:02:03,090 --> 00:02:03,100 +apologize if you're offended no no + + +27 +00:02:03,100 --> 00:02:04,620 +apologize if you're offended no no +completely unnecessary + +28 +00:02:04,620 --> 00:02:04,630 +completely unnecessary + + +29 +00:02:04,630 --> 00:02:07,800 +completely unnecessary +I assure you she is young and impulsive + +30 +00:02:07,800 --> 00:02:07,810 +I assure you she is young and impulsive + + +31 +00:02:07,810 --> 00:02:11,040 +I assure you she is young and impulsive +Myra beauty's young compared and she has + +32 +00:02:11,040 --> 00:02:11,050 +Myra beauty's young compared and she has + + +33 +00:02:11,050 --> 00:02:13,430 +Myra beauty's young compared and she has +her father's commanding presence + +34 +00:02:13,430 --> 00:02:13,440 +her father's commanding presence + + +35 +00:02:13,440 --> 00:02:44,509 +her father's commanding presence +[Music] + diff --git a/1998/l6cFM5Ubilw.description b/1998/l6cFM5Ubilw.description new file mode 100644 index 0000000000000000000000000000000000000000..da9b4688b30683d75f447e8c2cd018bb3819baea --- /dev/null +++ b/1998/l6cFM5Ubilw.description @@ -0,0 +1,38 @@ +Sphere movie clips: http://j.mp/1KYFsgE +BUY THE MOVIE: http://j.mp/1PVszLF +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Alice (Queen Latifah), a Navy technician, is attacked by an unusually large group of jellyfish while Captain Harold Barnes (Peter Coyote) and Ted (Liev Schreiber) watch helplessly. + +FILM DESCRIPTION: +Dr. Goodman, biochemist Halperin, and astrophysicist Fielding are selected by the government to study a huge spacecraft located on the Pacific ocean floor. Evidence suggest that this craft comes from the future, and inside is a threatening glowing sphere that sends e-mail messages such as,"I will kill you all" + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Dustin Hoffman, Queen Latifah, Peter Coyote, Liev Schreiber +Director: Barry Levinson +Producers: Michael Crichton, Patricia Churchill, Barry Levinson, Peter Giuliano, Andrew Wald +Screenwriters: Paul Attanasio, Michael Crichton, Stephen Hauser, Kurt Wimmer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/l6cFM5Ubilw.en.srt b/1998/l6cFM5Ubilw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..29434b085393233dfe1b95b68dfbd9d8353ffb7c --- /dev/null +++ b/1998/l6cFM5Ubilw.en.srt @@ -0,0 +1,355 @@ +1 +00:00:00,680 --> 00:00:04,150 + +wow so beautiful down here so + +2 +00:00:04,150 --> 00:00:04,160 +wow so beautiful down here so + + +3 +00:00:04,160 --> 00:00:06,150 +wow so beautiful down here so +tranquil + +4 +00:00:06,150 --> 00:00:06,160 +tranquil + + +5 +00:00:06,160 --> 00:00:08,830 +tranquil +wow oh this is beautiful it's hard to + +6 +00:00:08,830 --> 00:00:08,840 +wow oh this is beautiful it's hard to + + +7 +00:00:08,840 --> 00:00:10,910 +wow oh this is beautiful it's hard to +believe we have a typhoon 1,000 ft above + +8 +00:00:10,910 --> 00:00:10,920 +believe we have a typhoon 1,000 ft above + + +9 +00:00:10,920 --> 00:00:11,709 +believe we have a typhoon 1,000 ft above +our + +10 +00:00:11,709 --> 00:00:11,719 +our + + +11 +00:00:11,719 --> 00:00:14,789 +our +heads heyno + +12 +00:00:14,789 --> 00:00:14,799 +heads heyno + + +13 +00:00:14,799 --> 00:00:17,710 +heads heyno +here see this got to be a million + +14 +00:00:17,710 --> 00:00:17,720 +here see this got to be a million + + +15 +00:00:17,720 --> 00:00:19,550 +here see this got to be a million +jellyfish down + +16 +00:00:19,550 --> 00:00:19,560 +jellyfish down + + +17 +00:00:19,560 --> 00:00:21,890 +jellyfish down +here oh man this is really + +18 +00:00:21,890 --> 00:00:21,900 +here oh man this is really + + +19 +00:00:21,900 --> 00:00:24,429 +here oh man this is really +[Music] + +20 +00:00:24,429 --> 00:00:24,439 +[Music] + + +21 +00:00:24,439 --> 00:00:26,390 +[Music] +beautiful hey these jellyfish are + +22 +00:00:26,390 --> 00:00:26,400 +beautiful hey these jellyfish are + + +23 +00:00:26,400 --> 00:00:28,109 +beautiful hey these jellyfish are +getting a little + +24 +00:00:28,109 --> 00:00:28,119 +getting a little + + +25 +00:00:28,119 --> 00:00:31,630 +getting a little +friendly having a hard time + +26 +00:00:31,630 --> 00:00:31,640 +friendly having a hard time + + +27 +00:00:31,640 --> 00:00:34,910 +friendly having a hard time +seeing hey guys you getting this getting + +28 +00:00:34,910 --> 00:00:34,920 +seeing hey guys you getting this getting + + +29 +00:00:34,920 --> 00:00:39,790 +seeing hey guys you getting this getting +a little out here hello + +30 +00:00:39,790 --> 00:00:39,800 + + + +31 +00:00:39,800 --> 00:00:42,790 + +hello I can't + +32 +00:00:42,790 --> 00:00:42,800 +hello I can't + + +33 +00:00:42,800 --> 00:00:46,150 +hello I can't +going hello hello he starting to stick + +34 +00:00:46,150 --> 00:00:46,160 +going hello hello he starting to stick + + +35 +00:00:46,160 --> 00:00:48,670 +going hello hello he starting to stick +to my face plate Fletcher this is Dr + +36 +00:00:48,670 --> 00:00:48,680 +to my face plate Fletcher this is Dr + + +37 +00:00:48,680 --> 00:00:52,029 +to my face plate Fletcher this is Dr +Fielding just swim through them they're + +38 +00:00:52,029 --> 00:00:52,039 +Fielding just swim through them they're + + +39 +00:00:52,039 --> 00:00:56,150 +Fielding just swim through them they're +harmless hey guys he jelly fish are + +40 +00:00:56,150 --> 00:00:56,160 +harmless hey guys he jelly fish are + + +41 +00:00:56,160 --> 00:00:58,630 +harmless hey guys he jelly fish are +everywhere Fletcher get out of there + +42 +00:00:58,630 --> 00:00:58,640 +everywhere Fletcher get out of there + + +43 +00:00:58,640 --> 00:01:00,709 +everywhere Fletcher get out of there +you're jellyfish doing it some feet hey + +44 +00:01:00,709 --> 00:01:00,719 +you're jellyfish doing it some feet hey + + +45 +00:01:00,719 --> 00:01:04,509 +you're jellyfish doing it some feet hey +guys I think they the heat from my + +46 +00:01:04,509 --> 00:01:04,519 +guys I think they the heat from my + + +47 +00:01:04,519 --> 00:01:08,350 +guys I think they the heat from my +body I can't get them off of + +48 +00:01:08,350 --> 00:01:08,360 +body I can't get them off of + + +49 +00:01:08,360 --> 00:01:11,910 +body I can't get them off of +me this thing is through my suit Leto I + +50 +00:01:11,910 --> 00:01:11,920 +me this thing is through my suit Leto I + + +51 +00:01:11,920 --> 00:01:13,950 +me this thing is through my suit Leto I +want you back at the habitat on the + +52 +00:01:13,950 --> 00:01:13,960 +want you back at the habitat on the + + +53 +00:01:13,960 --> 00:01:15,030 +want you back at the habitat on the +d + +54 +00:01:15,030 --> 00:01:15,040 +d + + +55 +00:01:15,040 --> 00:01:17,070 +d +[Music] + +56 +00:01:17,070 --> 00:01:17,080 +[Music] + + +57 +00:01:17,080 --> 00:01:20,060 +[Music] +h come back to the + +58 +00:01:20,060 --> 00:01:20,070 +h come back to the + + +59 +00:01:20,070 --> 00:01:21,630 +h come back to the +[Music] + +60 +00:01:21,630 --> 00:01:21,640 +[Music] + + +61 +00:01:21,640 --> 00:01:26,069 +[Music] +habitat keep moving just keep + +62 +00:01:26,069 --> 00:01:26,079 +habitat keep moving just keep + + +63 +00:01:26,079 --> 00:01:32,870 +habitat keep moving just keep +moving oh my God + +64 +00:01:32,870 --> 00:01:32,880 + + + +65 +00:01:32,880 --> 00:02:10,109 + +help me + +66 +00:02:10,109 --> 00:02:10,119 + + + +67 +00:02:10,119 --> 00:02:11,390 + +Jesus Christ she's dead there's no + +68 +00:02:11,390 --> 00:02:11,400 +Jesus Christ she's dead there's no + + +69 +00:02:11,400 --> 00:02:21,650 +Jesus Christ she's dead there's no +bubbles + +70 +00:02:21,650 --> 00:02:21,660 + + + +71 +00:02:21,660 --> 00:02:48,599 + +[Music] + diff --git a/1998/lDDtJ_J_hhw.description b/1998/lDDtJ_J_hhw.description new file mode 100644 index 0000000000000000000000000000000000000000..adec04c2d584ffd1c19f1958d3c2cd0398d35d51 --- /dev/null +++ b/1998/lDDtJ_J_hhw.description @@ -0,0 +1,39 @@ +Wild Things movie clips: http://j.mp/1L5HT3l +BUY THE MOVIE: http://bit.ly/2cGMBfw +WATCH ON CRACKLE: http://bit.ly/2dovTB9 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After washing Lombardo's (Matt Dillon) jeep, Kelly (Denise Richards) makes a not-so-subtle attempt to seduce him. + +FILM DESCRIPTION: +In Florida, social-climbing guidance councilor Sam is indifferent to teen-socialite Kelly, who retaliates by accusing him of rape. Sandra, Kelly's mother, hires a platoon of big-wig lawyers to prosecute Sam. Meanwhile a cop does some sleuthing of his own and comes up with his own conspiracy theory. + +CREDITS: +TM & © Sony (1998) +Cast: Matt Dillon, Denise Richards, Toi Svane Stepp +Director: John McNaughton +Producers: Kevin Bacon, Steven Brown, Steven A. Jones, Rodney Liber +Screenwriter: Stephen Peters + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/lJIPM69YQNY.en.srt b/1998/lJIPM69YQNY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d2f167f5ef9aea7fe31eaafad74b8b52b0e8e6b6 --- /dev/null +++ b/1998/lJIPM69YQNY.en.srt @@ -0,0 +1,445 @@ +1 +00:00:00,160 --> 00:00:01,950 + +here's my complimentary + +2 +00:00:01,950 --> 00:00:01,960 +here's my complimentary + + +3 +00:00:01,960 --> 00:00:05,070 +here's my complimentary +nuts go ahead if your teeth keep + +4 +00:00:05,070 --> 00:00:05,080 +nuts go ahead if your teeth keep + + +5 +00:00:05,080 --> 00:00:06,789 +nuts go ahead if your teeth keep +chattering you'll have peanut butter in + +6 +00:00:06,789 --> 00:00:06,799 +chattering you'll have peanut butter in + + +7 +00:00:06,799 --> 00:00:09,870 +chattering you'll have peanut butter in +3 minutes askar do you know what the fat + +8 +00:00:09,870 --> 00:00:09,880 +3 minutes askar do you know what the fat + + +9 +00:00:09,880 --> 00:00:12,470 +3 minutes askar do you know what the fat +content of nuts is not to mention the + +10 +00:00:12,470 --> 00:00:12,480 +content of nuts is not to mention the + + +11 +00:00:12,480 --> 00:00:14,910 +content of nuts is not to mention the +salt content I could have a heart attack + +12 +00:00:14,910 --> 00:00:14,920 +salt content I could have a heart attack + + +13 +00:00:14,920 --> 00:00:16,750 +salt content I could have a heart attack +at the wedding Felix I haven't seen you + +14 +00:00:16,750 --> 00:00:16,760 +at the wedding Felix I haven't seen you + + +15 +00:00:16,760 --> 00:00:21,630 +at the wedding Felix I haven't seen you +in how long 8 n years 17 17 years Oscar + +16 +00:00:21,630 --> 00:00:21,640 +in how long 8 n years 17 17 years Oscar + + +17 +00:00:21,640 --> 00:00:23,550 +in how long 8 n years 17 17 years Oscar +you couldn't even remember that we + +18 +00:00:23,550 --> 00:00:23,560 +you couldn't even remember that we + + +19 +00:00:23,560 --> 00:00:26,230 +you couldn't even remember that we +haven't seen each other for 17 years + +20 +00:00:26,230 --> 00:00:26,240 +haven't seen each other for 17 years + + +21 +00:00:26,240 --> 00:00:28,349 +haven't seen each other for 17 years +tell you the truth I didn't dwell on it + +22 +00:00:28,349 --> 00:00:28,359 +tell you the truth I didn't dwell on it + + +23 +00:00:28,359 --> 00:00:30,710 +tell you the truth I didn't dwell on it +all right 17 years so your hair got + +24 +00:00:30,710 --> 00:00:30,720 +all right 17 years so your hair got + + +25 +00:00:30,720 --> 00:00:32,950 +all right 17 years so your hair got +whiter your ears got bigger your nose + +26 +00:00:32,950 --> 00:00:32,960 +whiter your ears got bigger your nose + + +27 +00:00:32,960 --> 00:00:36,790 +whiter your ears got bigger your nose +got longer but you still retain that + +28 +00:00:36,790 --> 00:00:36,800 +got longer but you still retain that + + +29 +00:00:36,800 --> 00:00:39,790 +got longer but you still retain that +unique elusive pain in the ass quality + +30 +00:00:39,790 --> 00:00:39,800 +unique elusive pain in the ass quality + + +31 +00:00:39,800 --> 00:00:43,709 +unique elusive pain in the ass quality +that drives me bizer oh really well you + +32 +00:00:43,709 --> 00:00:43,719 +that drives me bizer oh really well you + + +33 +00:00:43,719 --> 00:00:45,990 +that drives me bizer oh really well you +have changed Oscar when I saw you at the + +34 +00:00:45,990 --> 00:00:46,000 +have changed Oscar when I saw you at the + + +35 +00:00:46,000 --> 00:00:48,310 +have changed Oscar when I saw you at the +airport I thought you died and your + +36 +00:00:48,310 --> 00:00:48,320 +airport I thought you died and your + + +37 +00:00:48,320 --> 00:00:50,709 +airport I thought you died and your +mother came to tell me I heard that line + +38 +00:00:50,709 --> 00:00:50,719 +mother came to tell me I heard that line + + +39 +00:00:50,719 --> 00:00:54,150 +mother came to tell me I heard that line +on the Jerry Seinfeld show so what it's + +40 +00:00:54,150 --> 00:00:54,160 +on the Jerry Seinfeld show so what it's + + +41 +00:00:54,160 --> 00:00:56,229 +on the Jerry Seinfeld show so what it's +how fast I thought of it that + +42 +00:00:56,229 --> 00:00:56,239 +how fast I thought of it that + + +43 +00:00:56,239 --> 00:00:58,509 +how fast I thought of it that +counts open the window will you I want + +44 +00:00:58,509 --> 00:00:58,519 +counts open the window will you I want + + +45 +00:00:58,519 --> 00:01:00,910 +counts open the window will you I want +to throw the water out it is + +46 +00:01:00,910 --> 00:01:00,920 +to throw the water out it is + + +47 +00:01:00,920 --> 00:01:06,830 +to throw the water out it is +[Music] + +48 +00:01:06,830 --> 00:01:06,840 + + + +49 +00:01:06,840 --> 00:01:08,749 + +[Music] + +50 +00:01:08,749 --> 00:01:08,759 +[Music] + + +51 +00:01:08,759 --> 00:01:13,850 +[Music] +open sorry they must have just cleaned + +52 +00:01:13,850 --> 00:01:13,860 + + + +53 +00:01:13,860 --> 00:01:19,390 + +[Music] + +54 +00:01:19,390 --> 00:01:19,400 +[Music] + + +55 +00:01:19,400 --> 00:01:22,469 +[Music] +it you're feeling better + +56 +00:01:22,469 --> 00:01:22,479 +it you're feeling better + + +57 +00:01:22,479 --> 00:01:24,990 +it you're feeling better +now what you matter you sprain your + +58 +00:01:24,990 --> 00:01:25,000 +now what you matter you sprain your + + +59 +00:01:25,000 --> 00:01:28,149 +now what you matter you sprain your +tongue too I'm angry at myself I + +60 +00:01:28,149 --> 00:01:28,159 +tongue too I'm angry at myself I + + +61 +00:01:28,159 --> 00:01:30,109 +tongue too I'm angry at myself I +shouldn't have yelled at you back there + +62 +00:01:30,109 --> 00:01:30,119 +shouldn't have yelled at you back there + + +63 +00:01:30,119 --> 00:01:33,429 +shouldn't have yelled at you back there +we've always had bad chemistry Felix we + +64 +00:01:33,429 --> 00:01:33,439 +we've always had bad chemistry Felix we + + +65 +00:01:33,439 --> 00:01:36,310 +we've always had bad chemistry Felix we +mix like oil and frozen yogurt but I'm + +66 +00:01:36,310 --> 00:01:36,320 +mix like oil and frozen yogurt but I'm + + +67 +00:01:36,320 --> 00:01:38,830 +mix like oil and frozen yogurt but I'm +glad to see you anyway oh yeah hey me + +68 +00:01:38,830 --> 00:01:38,840 +glad to see you anyway oh yeah hey me + + +69 +00:01:38,840 --> 00:01:41,429 +glad to see you anyway oh yeah hey me +too + +70 +00:01:41,429 --> 00:01:41,439 + + + +71 +00:01:41,439 --> 00:01:44,069 + +Oz well I was some kind of nut in those + +72 +00:01:44,069 --> 00:01:44,079 +Oz well I was some kind of nut in those + + +73 +00:01:44,079 --> 00:01:48,230 +Oz well I was some kind of nut in those +days huh from pean to + +74 +00:01:48,230 --> 00:01:48,240 +days huh from pean to + + +75 +00:01:48,240 --> 00:01:51,870 +days huh from pean to +pistachio I guess I still am you know I + +76 +00:01:51,870 --> 00:01:51,880 +pistachio I guess I still am you know I + + +77 +00:01:51,880 --> 00:01:54,950 +pistachio I guess I still am you know I +hate mess and I hate disorder I went to + +78 +00:01:54,950 --> 00:01:54,960 +hate mess and I hate disorder I went to + + +79 +00:01:54,960 --> 00:01:57,109 +hate mess and I hate disorder I went to +a hypnotist to try to cure me didn't + +80 +00:01:57,109 --> 00:01:57,119 +a hypnotist to try to cure me didn't + + +81 +00:01:57,119 --> 00:02:00,550 +a hypnotist to try to cure me didn't +work right no he was late + +82 +00:02:00,550 --> 00:02:00,560 +work right no he was late + + +83 +00:02:00,560 --> 00:02:05,429 +work right no he was late +I straightened up his office and + +84 +00:02:05,429 --> 00:02:05,439 + + + +85 +00:02:05,439 --> 00:02:07,469 + +left yeah you better pull off the + +86 +00:02:07,469 --> 00:02:07,479 +left yeah you better pull off the + + +87 +00:02:07,479 --> 00:02:13,320 +left yeah you better pull off the +freeway out here I got a pee + +88 +00:02:13,320 --> 00:02:13,330 + + + +89 +00:02:13,330 --> 00:02:44,490 + +[Music] + diff --git a/1998/lmDII7sMIF8.en.srt b/1998/lmDII7sMIF8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d8bdf15408f9aa622d3f1113b946d210b6ec69c2 --- /dev/null +++ b/1998/lmDII7sMIF8.en.srt @@ -0,0 +1,425 @@ +1 +00:00:01,610 --> 00:00:03,800 + +during the nineteen eighties Jerry Stahl + +2 +00:00:03,800 --> 00:00:03,810 +during the nineteen eighties Jerry Stahl + + +3 +00:00:03,810 --> 00:00:05,420 +during the nineteen eighties Jerry Stahl +was a successful television writer + +4 +00:00:05,420 --> 00:00:05,430 +was a successful television writer + + +5 +00:00:05,430 --> 00:00:08,299 +was a successful television writer +making $5,000 a week at the same time he + +6 +00:00:08,299 --> 00:00:08,309 +making $5,000 a week at the same time he + + +7 +00:00:08,309 --> 00:00:10,250 +making $5,000 a week at the same time he +also had a six thousand dollar a week + +8 +00:00:10,250 --> 00:00:10,260 +also had a six thousand dollar a week + + +9 +00:00:10,260 --> 00:00:12,830 +also had a six thousand dollar a week +heroin in cocaine habit his dark and + +10 +00:00:12,830 --> 00:00:12,840 +heroin in cocaine habit his dark and + + +11 +00:00:12,840 --> 00:00:14,450 +heroin in cocaine habit his dark and +funny book is called permanent midnight + +12 +00:00:14,450 --> 00:00:14,460 +funny book is called permanent midnight + + +13 +00:00:14,460 --> 00:00:16,730 +funny book is called permanent midnight +it's a raw account of the depths of his + +14 +00:00:16,730 --> 00:00:16,740 +it's a raw account of the depths of his + + +15 +00:00:16,740 --> 00:00:18,710 +it's a raw account of the depths of his +happened and how he was able to claw his + +16 +00:00:18,710 --> 00:00:18,720 +happened and how he was able to claw his + + +17 +00:00:18,720 --> 00:00:20,840 +happened and how he was able to claw his +way out when you got to Hollywood and + +18 +00:00:20,840 --> 00:00:20,850 +way out when you got to Hollywood and + + +19 +00:00:20,850 --> 00:00:22,220 +way out when you got to Hollywood and +you're working on these series that I + +20 +00:00:22,220 --> 00:00:22,230 +you're working on these series that I + + +21 +00:00:22,230 --> 00:00:24,080 +you're working on these series that I +mentioned these were big series that + +22 +00:00:24,080 --> 00:00:24,090 +mentioned these were big series that + + +23 +00:00:24,090 --> 00:00:25,640 +mentioned these were big series that +kind of a double life must you have led + +24 +00:00:25,640 --> 00:00:25,650 +kind of a double life must you have led + + +25 +00:00:25,650 --> 00:00:27,109 +kind of a double life must you have led +because you had to it's some level + +26 +00:00:27,109 --> 00:00:27,119 +because you had to it's some level + + +27 +00:00:27,119 --> 00:00:29,599 +because you had to it's some level +perform as a writer well Tom the beauty + +28 +00:00:29,599 --> 00:00:29,609 +perform as a writer well Tom the beauty + + +29 +00:00:29,609 --> 00:00:31,040 +perform as a writer well Tom the beauty +of Hollywood is that everybody's so + +30 +00:00:31,040 --> 00:00:31,050 +of Hollywood is that everybody's so + + +31 +00:00:31,050 --> 00:00:32,690 +of Hollywood is that everybody's so +self-obsessed they don't really notice + +32 +00:00:32,690 --> 00:00:32,700 +self-obsessed they don't really notice + + +33 +00:00:32,700 --> 00:00:35,510 +self-obsessed they don't really notice +what anybody else is doing so basically + +34 +00:00:35,510 --> 00:00:35,520 +what anybody else is doing so basically + + +35 +00:00:35,520 --> 00:00:37,040 +what anybody else is doing so basically +they come filing in the morning with her + +36 +00:00:37,040 --> 00:00:37,050 +they come filing in the morning with her + + +37 +00:00:37,050 --> 00:00:39,560 +they come filing in the morning with her +cappuccinos and croissants and I come + +38 +00:00:39,560 --> 00:00:39,570 +cappuccinos and croissants and I come + + +39 +00:00:39,570 --> 00:00:41,389 +cappuccinos and croissants and I come +bouncing in with my heroin and syringes + +40 +00:00:41,389 --> 00:00:41,399 +bouncing in with my heroin and syringes + + +41 +00:00:41,399 --> 00:00:43,639 +bouncing in with my heroin and syringes +and pretty much lock myself in the + +42 +00:00:43,639 --> 00:00:43,649 +and pretty much lock myself in the + + +43 +00:00:43,649 --> 00:00:46,069 +and pretty much lock myself in the +office and get really pleasant about an + +44 +00:00:46,069 --> 00:00:46,079 +office and get really pleasant about an + + +45 +00:00:46,079 --> 00:00:48,560 +office and get really pleasant about an +hour and a half let's peel away a few + +46 +00:00:48,560 --> 00:00:48,570 +hour and a half let's peel away a few + + +47 +00:00:48,570 --> 00:00:50,389 +hour and a half let's peel away a few +more layers here with JIRA tell us the + +48 +00:00:50,389 --> 00:00:50,399 +more layers here with JIRA tell us the + + +49 +00:00:50,399 --> 00:00:52,340 +more layers here with JIRA tell us the +story as we as I kind of teased into + +50 +00:00:52,340 --> 00:00:52,350 +story as we as I kind of teased into + + +51 +00:00:52,350 --> 00:00:54,439 +story as we as I kind of teased into +this segment about the birth of Europe + +52 +00:00:54,439 --> 00:00:54,449 +this segment about the birth of Europe + + +53 +00:00:54,449 --> 00:00:57,439 +this segment about the birth of Europe +every time well more people always ask + +54 +00:00:57,439 --> 00:00:57,449 +every time well more people always ask + + +55 +00:00:57,449 --> 00:00:59,299 +every time well more people always ask +what's the worst thing heroin drove you + +56 +00:00:59,299 --> 00:00:59,309 +what's the worst thing heroin drove you + + +57 +00:00:59,309 --> 00:01:02,540 +what's the worst thing heroin drove you +to do I always answer showing up on + +58 +00:01:02,540 --> 00:01:02,550 +to do I always answer showing up on + + +59 +00:01:02,550 --> 00:01:04,490 +to do I always answer showing up on +Maury but that's what you do when you're + +60 +00:01:04,490 --> 00:01:04,500 +Maury but that's what you do when you're + + +61 +00:01:04,500 --> 00:01:05,090 +Maury but that's what you do when you're +a junkie + +62 +00:01:05,090 --> 00:01:05,100 +a junkie + + +63 +00:01:05,100 --> 00:01:08,359 +a junkie +the number one job is to shoot jump I'm + +64 +00:01:08,359 --> 00:01:08,369 +the number one job is to shoot jump I'm + + +65 +00:01:08,369 --> 00:01:10,130 +the number one job is to shoot jump I'm +sure Damien will concur with me on this + +66 +00:01:10,130 --> 00:01:10,140 +sure Damien will concur with me on this + + +67 +00:01:10,140 --> 00:01:17,570 +sure Damien will concur with me on this +I agree with Jerry that's the trouble + +68 +00:01:17,570 --> 00:01:17,580 +I agree with Jerry that's the trouble + + +69 +00:01:17,580 --> 00:01:19,670 +I agree with Jerry that's the trouble +with surviving I though at the end of + +70 +00:01:19,670 --> 00:01:19,680 +with surviving I though at the end of + + +71 +00:01:19,680 --> 00:01:21,649 +with surviving I though at the end of +the day rolling into a PTA potluck + +72 +00:01:21,649 --> 00:01:21,659 +the day rolling into a PTA potluck + + +73 +00:01:21,659 --> 00:01:23,780 +the day rolling into a PTA potluck +dinner or paying the gas bill can be + +74 +00:01:23,780 --> 00:01:23,790 +dinner or paying the gas bill can be + + +75 +00:01:23,790 --> 00:01:25,730 +dinner or paying the gas bill can be +more terrifying than the worst 3 a.m. + +76 +00:01:25,730 --> 00:01:25,740 +more terrifying than the worst 3 a.m. + + +77 +00:01:25,740 --> 00:01:29,090 +more terrifying than the worst 3 a.m. +narcotic hell yep Wow but what do I know + +78 +00:01:29,090 --> 00:01:29,100 +narcotic hell yep Wow but what do I know + + +79 +00:01:29,100 --> 00:01:31,640 +narcotic hell yep Wow but what do I know +I got out with a bad liver and enough + +80 +00:01:31,640 --> 00:01:31,650 +I got out with a bad liver and enough + + +81 +00:01:31,650 --> 00:01:34,010 +I got out with a bad liver and enough +debt to keep me in hock till I'm 90 if + +82 +00:01:34,010 --> 00:01:34,020 +debt to keep me in hock till I'm 90 if + + +83 +00:01:34,020 --> 00:01:40,130 +debt to keep me in hock till I'm 90 if +I'm still here and with my luck I will + +84 +00:01:40,130 --> 00:01:40,140 +I'm still here and with my luck I will + + +85 +00:01:40,140 --> 00:01:42,320 +I'm still here and with my luck I will +be + diff --git a/1998/lniVpfK5SW8.mp4 b/1998/lniVpfK5SW8.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..bbf91e0a593ab005f77ab3d41bcdfbcc610e9388 --- /dev/null +++ b/1998/lniVpfK5SW8.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:749b72ec14f0fdbcf26cf3b57ba3a85fd38e594dc13540c88254306b6dd03b62 +size 6762761 diff --git a/1998/m2tk7RatWsk.en.srt b/1998/m2tk7RatWsk.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..117329315c35d9b5ebb39e8660c727424a147abc --- /dev/null +++ b/1998/m2tk7RatWsk.en.srt @@ -0,0 +1,125 @@ +1 +00:00:04,370 --> 00:00:13,800 + +wright of dream + +2 +00:00:13,800 --> 00:00:13,810 + + + +3 +00:00:13,810 --> 00:00:18,870 + +and I know + +4 +00:00:18,870 --> 00:00:18,880 + + + +5 +00:00:18,880 --> 00:00:28,350 + +tyson + +6 +00:00:28,350 --> 00:00:28,360 + + + +7 +00:00:28,360 --> 00:01:02,040 + +[Applause] + +8 +00:01:02,040 --> 00:01:02,050 + + + +9 +00:01:02,050 --> 00:01:04,020 + +oh + +10 +00:01:04,020 --> 00:01:04,030 +oh + + +11 +00:01:04,030 --> 00:01:06,170 +oh +and + +12 +00:01:06,170 --> 00:01:06,180 +and + + +13 +00:01:06,180 --> 00:01:10,360 +and +the attention + +14 +00:01:10,360 --> 00:01:10,370 + + + +15 +00:01:10,370 --> 00:01:44,260 + +and + +16 +00:01:44,260 --> 00:01:44,270 + + + +17 +00:01:44,270 --> 00:01:45,830 + +no + +18 +00:01:45,830 --> 00:01:45,840 +no + + +19 +00:01:45,840 --> 00:01:54,380 +no +wow + +20 +00:01:54,380 --> 00:01:54,390 + + + +21 +00:01:54,390 --> 00:02:09,389 + +i + +22 +00:02:09,389 --> 00:02:09,399 + + + +23 +00:02:09,399 --> 00:02:12,460 + +i + +24 +00:02:12,460 --> 00:02:12,470 + + + +25 +00:02:12,470 --> 00:02:23,810 + +[Music] + diff --git a/1998/m6kFCNsnQpQ.description b/1998/m6kFCNsnQpQ.description new file mode 100644 index 0000000000000000000000000000000000000000..44b7506f5d5c30640ef1f0ca18d33d74e2e4f748 --- /dev/null +++ b/1998/m6kFCNsnQpQ.description @@ -0,0 +1,38 @@ +Fear and Loathing in Las Vegas movie clips: http://j.mp/1yzoXod +BUY THE MOVIE: http://amzn.to/ufvdw9 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Duke (Johnny Depp) takes too much Adrenochrome while Dr. Gonzo (Benicio Del Toro) gets rid of Lucy. + +FILM DESCRIPTION: +Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson's alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of "gonzo journalism." Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. "This is not a good town for psychedelic drugs," says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether "you can actually watch yourself behaving this terrible way, but you can't control it." The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko's Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke's intro to the drug scene jump back to love-Haight relationships in San Francisco's Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson's book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival. + +CREDITS: +TM & © Universal (1998) +Cast: Johnny Depp, Benicio Del Toro +Director: Terry Gilliam +Producers: Harold Bronson, Patrick Cassavetti, Richard Foos, John Jergens, Laila Nabulsi, Stephen Nemeth, Elliot Lewis Rosenblatt +Screenwriters: Hunter S. Thompson, Terry Gilliam, Tony Grisoni, Tod Davies, Alex Cox + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/m6kFCNsnQpQ.en.srt b/1998/m6kFCNsnQpQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8d4508ecdc5b1e50144b1966d2b2873aa91590c9 --- /dev/null +++ b/1998/m6kFCNsnQpQ.en.srt @@ -0,0 +1,485 @@ +1 +00:00:00,120 --> 00:00:03,869 + +kind of Hotel 1600 please as your + +2 +00:00:03,869 --> 00:00:03,879 +kind of Hotel 1600 please as your + + +3 +00:00:03,879 --> 00:00:06,470 +kind of Hotel 1600 please as your +attorney I advise you to take a hit out + +4 +00:00:06,470 --> 00:00:06,480 +attorney I advise you to take a hit out + + +5 +00:00:06,480 --> 00:00:09,270 +attorney I advise you to take a hit out +of the little brown bottle in my shaving + +6 +00:00:09,270 --> 00:00:09,280 +of the little brown bottle in my shaving + + +7 +00:00:09,280 --> 00:00:12,789 +of the little brown bottle in my shaving +kit you won't need + +8 +00:00:12,789 --> 00:00:12,799 +kit you won't need + + +9 +00:00:12,799 --> 00:00:17,349 +kit you won't need +much just a tiny + +10 +00:00:17,349 --> 00:00:17,359 + + + +11 +00:00:17,359 --> 00:00:22,910 + +taste ah there it + +12 +00:00:22,910 --> 00:00:22,920 + + + +13 +00:00:22,920 --> 00:00:26,470 + +is what is this that stuff makes + +14 +00:00:26,470 --> 00:00:26,480 +is what is this that stuff makes + + +15 +00:00:26,480 --> 00:00:31,190 +is what is this that stuff makes +pure masculine seem like ginger beer man + +16 +00:00:31,190 --> 00:00:31,200 +pure masculine seem like ginger beer man + + +17 +00:00:31,200 --> 00:00:42,590 +pure masculine seem like ginger beer man +inter Adrena Chrome Adrena Chrome + +18 +00:00:42,590 --> 00:00:42,600 + + + +19 +00:00:42,600 --> 00:00:45,510 + +H + +20 +00:00:45,510 --> 00:00:45,520 +H + + +21 +00:00:45,520 --> 00:00:49,270 +H +hello hi Lucy God + +22 +00:00:49,270 --> 00:00:49,280 +hello hi Lucy God + + +23 +00:00:49,280 --> 00:00:53,270 +hello hi Lucy God +Bless yeah it's me what hell no I T the + +24 +00:00:53,270 --> 00:00:53,280 +Bless yeah it's me what hell no I T the + + +25 +00:00:53,280 --> 00:00:57,310 +Bless yeah it's me what hell no I T the +bast or lesson he'll never forget what + +26 +00:00:57,310 --> 00:00:57,320 +bast or lesson he'll never forget what + + +27 +00:00:57,320 --> 00:01:00,430 +bast or lesson he'll never forget what +no not dead what do you want bothering + +28 +00:01:00,430 --> 00:01:00,440 +no not dead what do you want bothering + + +29 +00:01:00,440 --> 00:01:02,029 +no not dead what do you want bothering +anybody for a + +30 +00:01:02,029 --> 00:01:02,039 +anybody for a + + +31 +00:01:02,039 --> 00:01:05,590 +anybody for a +while yeah I left him out there I + +32 +00:01:05,590 --> 00:01:05,600 +while yeah I left him out there I + + +33 +00:01:05,600 --> 00:01:09,350 +while yeah I left him out there I +stomped him and pull all his teeth out I + +34 +00:01:09,350 --> 00:01:09,360 +stomped him and pull all his teeth out I + + +35 +00:01:09,360 --> 00:01:11,510 +stomped him and pull all his teeth out I +remember thinking Jesus what a terrible + +36 +00:01:11,510 --> 00:01:11,520 +remember thinking Jesus what a terrible + + +37 +00:01:11,520 --> 00:01:12,870 +remember thinking Jesus what a terrible +thing to lay on somebody with a headful + +38 +00:01:12,870 --> 00:01:12,880 +thing to lay on somebody with a headful + + +39 +00:01:12,880 --> 00:01:16,190 +thing to lay on somebody with a headful +of acid but we have a problem that Bast + +40 +00:01:16,190 --> 00:01:16,200 +of acid but we have a problem that Bast + + +41 +00:01:16,200 --> 00:01:18,230 +of acid but we have a problem that Bast +cashed a bat check downstairs and gave + +42 +00:01:18,230 --> 00:01:18,240 +cashed a bat check downstairs and gave + + +43 +00:01:18,240 --> 00:01:20,390 +cashed a bat check downstairs and gave +you as a reference they'll be looking + +44 +00:01:20,390 --> 00:01:20,400 +you as a reference they'll be looking + + +45 +00:01:20,400 --> 00:01:21,749 +you as a reference they'll be looking +for both of + +46 +00:01:21,749 --> 00:01:21,759 +for both of + + +47 +00:01:21,759 --> 00:01:24,590 +for both of +you yeah I know Lucy but you can't judge + +48 +00:01:24,590 --> 00:01:24,600 +you yeah I know Lucy but you can't judge + + +49 +00:01:24,600 --> 00:01:27,950 +you yeah I know Lucy but you can't judge +a book by its cover some people are just + +50 +00:01:27,950 --> 00:01:27,960 +a book by its cover some people are just + + +51 +00:01:27,960 --> 00:01:31,510 +a book by its cover some people are just +basically rotten + +52 +00:01:31,510 --> 00:01:31,520 + + + +53 +00:01:31,520 --> 00:01:33,069 + +anyway the last thing in the world you + +54 +00:01:33,069 --> 00:01:33,079 +anyway the last thing in the world you + + +55 +00:01:33,079 --> 00:01:35,429 +anyway the last thing in the world you +want to do is go this hotel + +56 +00:01:35,429 --> 00:01:35,439 +want to do is go this hotel + + +57 +00:01:35,439 --> 00:01:37,630 +want to do is go this hotel +again don't trace the co and put you + +58 +00:01:37,630 --> 00:01:37,640 +again don't trace the co and put you + + +59 +00:01:37,640 --> 00:01:39,670 +again don't trace the co and put you +straight Behind + +60 +00:01:39,670 --> 00:01:39,680 +straight Behind + + +61 +00:01:39,680 --> 00:01:42,030 +straight Behind +Bars no I'm moving to the Tropicana + +62 +00:01:42,030 --> 00:01:42,040 +Bars no I'm moving to the Tropicana + + +63 +00:01:42,040 --> 00:01:46,910 +Bars no I'm moving to the Tropicana +right + +64 +00:01:46,910 --> 00:01:46,920 + + + +65 +00:01:46,920 --> 00:01:53,350 + +away let you know what it is and + +66 +00:01:53,350 --> 00:01:53,360 + + + +67 +00:01:53,360 --> 00:01:56,350 + +um I got to get + +68 +00:01:56,350 --> 00:01:56,360 +um I got to get + + +69 +00:01:56,360 --> 00:02:00,190 +um I got to get +off have this phone T baby + +70 +00:02:00,190 --> 00:02:00,200 +off have this phone T baby + + +71 +00:02:00,200 --> 00:02:01,709 +off have this phone T baby +yeah I know it was horrible but it's all + +72 +00:02:01,709 --> 00:02:01,719 +yeah I know it was horrible but it's all + + +73 +00:02:01,719 --> 00:02:03,270 +yeah I know it was horrible but it's all +over + +74 +00:02:03,270 --> 00:02:03,280 +over + + +75 +00:02:03,280 --> 00:02:07,150 +over +now oh my God there's someone at the + +76 +00:02:07,150 --> 00:02:07,160 +now oh my God there's someone at the + + +77 +00:02:07,160 --> 00:02:14,390 +now oh my God there's someone at the +door there's someone at the + +78 +00:02:14,390 --> 00:02:14,400 + + + +79 +00:02:14,400 --> 00:02:23,309 + +door I'm innocent it was it + +80 +00:02:23,309 --> 00:02:23,319 + + + +81 +00:02:23,319 --> 00:02:30,030 + +was girl + +82 +00:02:30,030 --> 00:02:30,040 + + + +83 +00:02:30,040 --> 00:02:40,589 + +put that thing on + +84 +00:02:40,589 --> 00:02:40,599 + + + +85 +00:02:40,599 --> 00:02:43,710 + +me + +86 +00:02:43,710 --> 00:02:43,720 + + + +87 +00:02:43,720 --> 00:02:46,830 + +well that's + +88 +00:02:46,830 --> 00:02:46,840 +well that's + + +89 +00:02:46,840 --> 00:02:48,830 +well that's +that that's the last we should be + +90 +00:02:48,830 --> 00:02:48,840 +that that's the last we should be + + +91 +00:02:48,840 --> 00:02:53,470 +that that's the last we should be +hearing from Lucy + +92 +00:02:53,470 --> 00:02:53,480 + + + +93 +00:02:53,480 --> 00:02:56,270 + +man she's probably stuffing herself down + +94 +00:02:56,270 --> 00:02:56,280 +man she's probably stuffing herself down + + +95 +00:02:56,280 --> 00:03:05,950 +man she's probably stuffing herself down +the incinerator about + +96 +00:03:05,950 --> 00:03:05,960 + + + +97 +00:03:05,960 --> 00:03:28,549 + +[Music] + diff --git a/1998/mExTnHwAcYY.description b/1998/mExTnHwAcYY.description new file mode 100644 index 0000000000000000000000000000000000000000..67d8eda1b1bf6e85c85fa146bff629a55224af28 --- /dev/null +++ b/1998/mExTnHwAcYY.description @@ -0,0 +1,34 @@ +Stepmom - You Have Made My Life So Wonderful: Jackie (Susan Sarandon) says goodbye to her daughter (Jena Malone) because she is dying of cancer. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/stepmom-1998/1MV745f44c9c6e6a2999bdacba8e613dd0e?cmp=Movieclips_YT_Description + +Watch the best Stepmom scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqoD3stP2Um3KqzLjRf7HQY5 + +FILM DESCRIPTION: +Three years after divorcing Jackie (Susan Sarandon), the mother of his children, Luke Harrison (Ed Harris) decides to take the next step with his significantly younger girlfriend, fashion photographer Isabel Kelly (Julia Roberts). But, when the flaky Kelly meets Harrison's children for the first time, their fierce allegiance to their mother is obvious. Try as she might, Kelly fails to endear herself to her young charges -- and to Jackie -- until a looming family crisis changes everything. + +CREDITS: +TM & © Sony (1998) +Cast: Susan Sarandon, Jena Malone + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/mExTnHwAcYY.en.srt b/1998/mExTnHwAcYY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..b4e436f417891f9d86f554711b97e6c55a16f4b8 --- /dev/null +++ b/1998/mExTnHwAcYY.en.srt @@ -0,0 +1,405 @@ +1 +00:00:02,240 --> 00:00:09,830 + +that's + +2 +00:00:09,830 --> 00:00:09,840 + + + +3 +00:00:09,840 --> 00:00:12,430 + +yours oh + +4 +00:00:12,430 --> 00:00:12,440 +yours oh + + +5 +00:00:12,440 --> 00:00:16,189 +yours oh +wow it's a quilt mhm and it has her + +6 +00:00:16,189 --> 00:00:16,199 +wow it's a quilt mhm and it has her + + +7 +00:00:16,199 --> 00:00:21,990 +wow it's a quilt mhm and it has her +pictures on it here put it + +8 +00:00:21,990 --> 00:00:22,000 + + + +9 +00:00:22,000 --> 00:00:24,470 + +here it's kind of like a scrapbook you + +10 +00:00:24,470 --> 00:00:24,480 +here it's kind of like a scrapbook you + + +11 +00:00:24,480 --> 00:00:27,509 +here it's kind of like a scrapbook you +can keep warm with it's it's so + +12 +00:00:27,509 --> 00:00:27,519 +can keep warm with it's it's so + + +13 +00:00:27,519 --> 00:00:29,189 +can keep warm with it's it's so +beautiful I've never seen anything like + +14 +00:00:29,189 --> 00:00:29,199 +beautiful I've never seen anything like + + +15 +00:00:29,199 --> 00:00:31,630 +beautiful I've never seen anything like +it see horse here and your medals that + +16 +00:00:31,630 --> 00:00:31,640 +it see horse here and your medals that + + +17 +00:00:31,640 --> 00:00:34,350 +it see horse here and your medals that +you got and you remember this that was + +18 +00:00:34,350 --> 00:00:34,360 +you got and you remember this that was + + +19 +00:00:34,360 --> 00:00:36,110 +you got and you remember this that was +that dress you wouldn't take off in prek + +20 +00:00:36,110 --> 00:00:36,120 +that dress you wouldn't take off in prek + + +21 +00:00:36,120 --> 00:00:38,790 +that dress you wouldn't take off in prek +for about 3 weeks remember that yeah + +22 +00:00:38,790 --> 00:00:38,800 +for about 3 weeks remember that yeah + + +23 +00:00:38,800 --> 00:00:41,430 +for about 3 weeks remember that yeah +your first step look at your + +24 +00:00:41,430 --> 00:00:41,440 +your first step look at your + + +25 +00:00:41,440 --> 00:00:44,630 +your first step look at your +foot look at that little chubby cheek + +26 +00:00:44,630 --> 00:00:44,640 +foot look at that little chubby cheek + + +27 +00:00:44,640 --> 00:00:49,910 +foot look at that little chubby cheek +thing look at + +28 +00:00:49,910 --> 00:00:49,920 + + + +29 +00:00:49,920 --> 00:00:53,069 + +you are you + +30 +00:00:53,069 --> 00:00:53,079 +you are you + + +31 +00:00:53,079 --> 00:00:55,549 +you are you +scared + +32 +00:00:55,549 --> 00:00:55,559 +scared + + +33 +00:00:55,559 --> 00:01:00,430 +scared +little mostly I was scared for you but + +34 +00:01:00,430 --> 00:01:00,440 +little mostly I was scared for you but + + +35 +00:01:00,440 --> 00:01:01,830 +little mostly I was scared for you but +I'm not anymore because I know you're + +36 +00:01:01,830 --> 00:01:01,840 +I'm not anymore because I know you're + + +37 +00:01:01,840 --> 00:01:05,510 +I'm not anymore because I know you're +going to be + +38 +00:01:05,510 --> 00:01:05,520 + + + +39 +00:01:05,520 --> 00:01:08,070 + +okay I don't want to say I'm going to + +40 +00:01:08,070 --> 00:01:08,080 +okay I don't want to say I'm going to + + +41 +00:01:08,080 --> 00:01:10,590 +okay I don't want to say I'm going to +miss you so much oh + +42 +00:01:10,590 --> 00:01:10,600 +miss you so much oh + + +43 +00:01:10,600 --> 00:01:13,230 +miss you so much oh +sweee okay + +44 +00:01:13,230 --> 00:01:13,240 +sweee okay + + +45 +00:01:13,240 --> 00:01:16,789 +sweee okay +sweetie oh my sweetie it's + +46 +00:01:16,789 --> 00:01:16,799 +sweetie oh my sweetie it's + + +47 +00:01:16,799 --> 00:01:21,030 +sweetie oh my sweetie it's +okay it's okay to miss me it's + +48 +00:01:21,030 --> 00:01:21,040 +okay it's okay to miss me it's + + +49 +00:01:21,040 --> 00:01:24,270 +okay it's okay to miss me it's +okay you can miss me and and you can + +50 +00:01:24,270 --> 00:01:24,280 +okay you can miss me and and you can + + +51 +00:01:24,280 --> 00:01:25,630 +okay you can miss me and and you can +take me with + +52 +00:01:25,630 --> 00:01:25,640 +take me with + + +53 +00:01:25,640 --> 00:01:30,350 +take me with +you you can mean when you're in trouble + +54 +00:01:30,350 --> 00:01:30,360 +you you can mean when you're in trouble + + +55 +00:01:30,360 --> 00:01:33,230 +you you can mean when you're in trouble +have me there and when you fall in love + +56 +00:01:33,230 --> 00:01:33,240 +have me there and when you fall in love + + +57 +00:01:33,240 --> 00:01:34,510 +have me there and when you fall in love +have me + +58 +00:01:34,510 --> 00:01:34,520 +have me + + +59 +00:01:34,520 --> 00:01:36,469 +have me +there you + +60 +00:01:36,469 --> 00:01:36,479 +there you + + +61 +00:01:36,479 --> 00:01:39,950 +there you +can that's how that's how people go on + +62 +00:01:39,950 --> 00:01:39,960 +can that's how that's how people go on + + +63 +00:01:39,960 --> 00:01:41,950 +can that's how that's how people go on +forever you know because somebody takes + +64 +00:01:41,950 --> 00:01:41,960 +forever you know because somebody takes + + +65 +00:01:41,960 --> 00:01:43,990 +forever you know because somebody takes +them + +66 +00:01:43,990 --> 00:01:44,000 +them + + +67 +00:01:44,000 --> 00:01:47,630 +them +along on your graduation and your + +68 +00:01:47,630 --> 00:01:47,640 +along on your graduation and your + + +69 +00:01:47,640 --> 00:01:52,389 +along on your graduation and your +wedding and when you have your + +70 +00:01:52,389 --> 00:01:52,399 + + + +71 +00:01:52,399 --> 00:01:55,870 + +babies take me along will + +72 +00:01:55,870 --> 00:01:55,880 +babies take me along will + + +73 +00:01:55,880 --> 00:02:04,389 +babies take me along will +you always always and always + +74 +00:02:04,389 --> 00:02:04,399 + + + +75 +00:02:04,399 --> 00:02:06,149 + +you have made my + +76 +00:02:06,149 --> 00:02:06,159 +you have made my + + +77 +00:02:06,159 --> 00:02:09,190 +you have made my +life so + +78 +00:02:09,190 --> 00:02:09,200 +life so + + +79 +00:02:09,200 --> 00:02:16,170 +life so +wonderful take that with you too okay + +80 +00:02:16,170 --> 00:02:16,180 + + + +81 +00:02:16,180 --> 00:02:39,900 + +[Music] + diff --git a/1998/mbFx0CbaIlY.description b/1998/mbFx0CbaIlY.description new file mode 100644 index 0000000000000000000000000000000000000000..10b8bf6d5ce49af79009572c59750b97f0cc5686 --- /dev/null +++ b/1998/mbFx0CbaIlY.description @@ -0,0 +1,43 @@ +There's Something About Mary movie clips: http://j.mp/1hIYsYI +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/theres-something-about-mary-1998/1MVd60f70215b0668184a7c81a0c56c7418?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1FyL4dm +Google Play - http://bit.ly/1RNnCBN +Fox Movies - http://fox.co/2ir0H5B +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Ted (Ben Stiller) is disgusted when Mary (Cameron Diaz) borrows some of his home-made hair gel. + +FILM DESCRIPTION: +The Farrelly Brothers set this romantic comedy in their home state of Rhode Island. In 1985, when teen-nerd Ted Stroehmann (Ben Stiller) challenges a high-schooler who's bullying retarded Warren Jenson (W. Earl Brown), his concern prompts Warren's sister, the dazzling and desirable Mary Jenson (Cameron Diaz) to choose Ted as her senior prom date, a fact Ted's pals find hard to believe. However, on prom night, Ted gets his penis caught in his zipper, so the much-desired date never happens. Living in Providence and waxing nostalgic 13 years later, Ted hires Pat Healy (Matt Dillon) to locate Mary, and the creepy private investigator finds her in Miami, where she lives with her tan-shriveled roommate Magda (Lin Shaye). After Pat develops a stalker-style fixation on the lovely, unattached Mary, he lies to Ted, telling him that she's now an overweight mother confined to a wheelchair. Employing professional eavesdropping equipment, Pat gathers a dossier on Mary's life and future plans, information that forms the basis for more lies when Pat begins dating her. Sure enough, Mary falls for Pat, although her friend Tucker (Lee Evans) is very suspicious of Pat's claim to be a Harvard-educated architect. Meanwhile, Ted learns the truth but continues to encounter offbeat obstacles as he accelerates to Miami in hopes of finding happiness with his true love. Former Modern Lovers singer Jonathan Richman vocalizes a narrative ballad of onscreen commentary in the Cat Ballou (1965) tradition. Most of the cast sings and frolics to Build Me Up, Buttercup by The Foundations during the closing credits. + +CREDITS: +TM & © Fox (1998) +Courtesy of Twentieth Century Fox Film Corporation +Cast: Ben Stiller, Cameron Diaz +Directors: Bobby Farrelly, Peter Farrelly +Producers: Frank Beddor, Mark Charpentier, Bobby Farrelly, Peter Farrelly, Marc S. Fischer, Patrick Healy, J.B. Rogers, Michael Steinberg, Bradley Thomas, Charles B. Wessler +Screenwriters: Ed Decter, John J. Strauss, Peter Farrelly, Bobby Farrelly + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/mbFx0CbaIlY.en.srt b/1998/mbFx0CbaIlY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..035121e919dc026f06d3463215d9dbdbac1039d4 --- /dev/null +++ b/1998/mbFx0CbaIlY.en.srt @@ -0,0 +1,385 @@ +1 +00:00:04,240 --> 00:00:09,390 + +where the hell did it + +2 +00:00:09,390 --> 00:00:09,400 + + + +3 +00:00:09,400 --> 00:00:28,749 + +go hang on wait a + +4 +00:00:28,749 --> 00:00:28,759 + + + +5 +00:00:28,759 --> 00:00:32,470 + +second hey hey h how you doing good how + +6 +00:00:32,470 --> 00:00:32,480 +second hey hey h how you doing good how + + +7 +00:00:32,480 --> 00:00:36,470 +second hey hey h how you doing good how +are you good good you are looking very + +8 +00:00:36,470 --> 00:00:36,480 +are you good good you are looking very + + +9 +00:00:36,480 --> 00:00:38,869 +are you good good you are looking very +beautiful thank + +10 +00:00:38,869 --> 00:00:38,879 +beautiful thank + + +11 +00:00:38,879 --> 00:00:40,950 +beautiful thank +you what is + +12 +00:00:40,950 --> 00:00:40,960 +you what is + + +13 +00:00:40,960 --> 00:00:43,110 +you what is +that + +14 +00:00:43,110 --> 00:00:43,120 +that + + +15 +00:00:43,120 --> 00:00:46,350 +that +h on your + +16 +00:00:46,350 --> 00:00:46,360 +h on your + + +17 +00:00:46,360 --> 00:00:48,790 +h on your +ear no your left + +18 +00:00:48,790 --> 00:00:48,800 +ear no your left + + +19 +00:00:48,800 --> 00:00:52,430 +ear no your left +ear is + +20 +00:00:52,430 --> 00:00:52,440 + + + +21 +00:00:52,440 --> 00:00:56,590 + +that is that a + +22 +00:00:56,590 --> 00:00:56,600 + + + +23 +00:00:56,600 --> 00:01:00,349 + +hairel yeah great I can use you don't + +24 +00:01:00,349 --> 00:01:00,359 +hairel yeah great I can use you don't + + +25 +00:01:00,359 --> 00:01:07,109 +hairel yeah great I can use you don't +have to you you don't I just ran + +26 +00:01:07,109 --> 00:01:07,119 + + + +27 +00:01:07,119 --> 00:01:10,230 + +out how we doing over here okay little + +28 +00:01:10,230 --> 00:01:10,240 +out how we doing over here okay little + + +29 +00:01:10,240 --> 00:01:12,109 +out how we doing over here okay little +more wine + +30 +00:01:12,109 --> 00:01:12,119 +more wine + + +31 +00:01:12,119 --> 00:01:16,350 +more wine +sure so so when you say um killer you + +32 +00:01:16,350 --> 00:01:16,360 +sure so so when you say um killer you + + +33 +00:01:16,360 --> 00:01:19,390 +sure so so when you say um killer you +mean he's a murderer yeah like an actual + +34 +00:01:19,390 --> 00:01:19,400 +mean he's a murderer yeah like an actual + + +35 +00:01:19,400 --> 00:01:21,469 +mean he's a murderer yeah like an actual +convicted murderer he killed people I + +36 +00:01:21,469 --> 00:01:21,479 +convicted murderer he killed people I + + +37 +00:01:21,479 --> 00:01:24,190 +convicted murderer he killed people I +know it's crazy and what did he ever go + +38 +00:01:24,190 --> 00:01:24,200 +know it's crazy and what did he ever go + + +39 +00:01:24,200 --> 00:01:26,789 +know it's crazy and what did he ever go +to jail or yeah in Boston he's SP to get + +40 +00:01:26,789 --> 00:01:26,799 +to jail or yeah in Boston he's SP to get + + +41 +00:01:26,799 --> 00:01:28,710 +to jail or yeah in Boston he's SP to get +I don't know how long but well it's + +42 +00:01:28,710 --> 00:01:28,720 +I don't know how long but well it's + + +43 +00:01:28,720 --> 00:01:30,510 +I don't know how long but well it's +obviously I mean the system sucks I mean + +44 +00:01:30,510 --> 00:01:30,520 +obviously I mean the system sucks I mean + + +45 +00:01:30,520 --> 00:01:31,990 +obviously I mean the system sucks I mean +the guy's walking the streets I'm + +46 +00:01:31,990 --> 00:01:32,000 +the guy's walking the streets I'm + + +47 +00:01:32,000 --> 00:01:34,069 +the guy's walking the streets I'm +kissing him right but but but but you + +48 +00:01:34,069 --> 00:01:34,079 +kissing him right but but but but you + + +49 +00:01:34,079 --> 00:01:37,950 +kissing him right but but but but you +didn't do anything else right what I + +50 +00:01:37,950 --> 00:01:37,960 +didn't do anything else right what I + + +51 +00:01:37,960 --> 00:01:41,230 +didn't do anything else right what I +mean you + +52 +00:01:41,230 --> 00:01:41,240 + + + +53 +00:01:41,240 --> 00:01:44,709 + +didn't no no no no God I couldn't live + +54 +00:01:44,709 --> 00:01:44,719 +didn't no no no no God I couldn't live + + +55 +00:01:44,719 --> 00:01:46,830 +didn't no no no no God I couldn't live +with M St that's no I mean not I mean I + +56 +00:01:46,830 --> 00:01:46,840 +with M St that's no I mean not I mean I + + +57 +00:01:46,840 --> 00:01:48,230 +with M St that's no I mean not I mean I +only went out with him a couple times + +58 +00:01:48,230 --> 00:01:48,240 +only went out with him a couple times + + +59 +00:01:48,240 --> 00:01:49,830 +only went out with him a couple times +but you know it's like just the thought + +60 +00:01:49,830 --> 00:01:49,840 +but you know it's like just the thought + + +61 +00:01:49,840 --> 00:01:51,870 +but you know it's like just the thought +of + +62 +00:01:51,870 --> 00:01:51,880 +of + + +63 +00:01:51,880 --> 00:01:54,749 +of +that I shouldn't be putting this all on + +64 +00:01:54,749 --> 00:01:54,759 +that I shouldn't be putting this all on + + +65 +00:01:54,759 --> 00:01:56,709 +that I shouldn't be putting this all on +you I'm sorry we haven't seen each other + +66 +00:01:56,709 --> 00:01:56,719 +you I'm sorry we haven't seen each other + + +67 +00:01:56,719 --> 00:01:59,469 +you I'm sorry we haven't seen each other +in so long it's like no it's you know + +68 +00:01:59,469 --> 00:01:59,479 +in so long it's like no it's you know + + +69 +00:01:59,479 --> 00:02:01,870 +in so long it's like no it's you know +I'm just I feel really bad I'm tired of + +70 +00:02:01,870 --> 00:02:01,880 +I'm just I feel really bad I'm tired of + + +71 +00:02:01,880 --> 00:02:05,310 +I'm just I feel really bad I'm tired of +talking about stalkers let's talk about + +72 +00:02:05,310 --> 00:02:05,320 +talking about stalkers let's talk about + + +73 +00:02:05,320 --> 00:02:09,190 +talking about stalkers let's talk about +you are you okay yeah do you want some + +74 +00:02:09,190 --> 00:02:09,200 +you are you okay yeah do you want some + + +75 +00:02:09,200 --> 00:02:13,270 +you are you okay yeah do you want some +water no I'm good + +76 +00:02:13,270 --> 00:02:13,280 + + + +77 +00:02:13,280 --> 00:02:40,370 + +[Music] + diff --git a/1998/msqRzlYXXQE.description b/1998/msqRzlYXXQE.description new file mode 100644 index 0000000000000000000000000000000000000000..dda061aaa6d65c50a19ebab2eb356bb4e947dd50 --- /dev/null +++ b/1998/msqRzlYXXQE.description @@ -0,0 +1,34 @@ +The Avengers - Going Mad: A drugged Emma Peel (Uma Thurman) stumbles around a mansion only to find herself trapped in a series of rooms and stairs that have no logic. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/the-avengers-1998/1MV39e1e73c679dd82c9e864534a0abafe3?cmp=Movieclips_YT_Description + +Watch the best The Avengers scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqrtILsLlKtgt1arZdpbGm0y + +FILM DESCRIPTION: +A charismatic evil genius named Sir August de Wynter (Sean Connery) discovers a way to harness the weather and utilize it as a weapon against London and the world at large. The posh and droll combo of secret agents John Steed (Ralph Fiennes) and Emma Peel (Uma Thurman) are on the case. But then Peel is implicated in the sabotage of a government scientific experiment. Steed and Peel try to clear her name, while also trying to stop de Wynter for good. + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Uma Thurman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/mtuuOV4FtKY.en.srt b/1998/mtuuOV4FtKY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..158102b7f292605c8a29f72ee330447852ea5362 --- /dev/null +++ b/1998/mtuuOV4FtKY.en.srt @@ -0,0 +1,255 @@ +1 +00:00:00,120 --> 00:00:03,310 + +girl expelled stop the ACT no one's + +2 +00:00:03,310 --> 00:00:03,320 +girl expelled stop the ACT no one's + + +3 +00:00:03,320 --> 00:00:06,630 +girl expelled stop the ACT no one's +buying it we know who you + +4 +00:00:06,630 --> 00:00:06,640 +buying it we know who you + + +5 +00:00:06,640 --> 00:00:10,509 +buying it we know who you +are you're in a lot of + +6 +00:00:10,509 --> 00:00:10,519 + + + +7 +00:00:10,519 --> 00:00:14,110 + +trouble what are you + +8 +00:00:14,110 --> 00:00:14,120 + + + +9 +00:00:14,120 --> 00:00:19,150 + +doing you ready + +10 +00:00:19,150 --> 00:00:19,160 + + + +11 +00:00:19,160 --> 00:00:22,550 + +yep sniff + +12 +00:00:22,550 --> 00:00:22,560 +yep sniff + + +13 +00:00:22,560 --> 00:00:28,710 +yep sniff +this no sniff it or he shoot you I will + +14 +00:00:28,710 --> 00:00:28,720 +this no sniff it or he shoot you I will + + +15 +00:00:28,720 --> 00:00:38,630 +this no sniff it or he shoot you I will +not now + +16 +00:00:38,630 --> 00:00:38,640 + + + +17 +00:00:38,640 --> 00:00:41,150 + +we do it the hard way Mr Furlong we + +18 +00:00:41,150 --> 00:00:41,160 +we do it the hard way Mr Furlong we + + +19 +00:00:41,160 --> 00:00:42,590 +we do it the hard way Mr Furlong we +plunged it into his eye the reaction was + +20 +00:00:42,590 --> 00:00:42,600 +plunged it into his eye the reaction was + + +21 +00:00:42,600 --> 00:00:44,630 +plunged it into his eye the reaction was +instantaneous you stick her and then + +22 +00:00:44,630 --> 00:00:44,640 +instantaneous you stick her and then + + +23 +00:00:44,640 --> 00:00:46,150 +instantaneous you stick her and then +I'll shoot her before the RS all over + +24 +00:00:46,150 --> 00:00:46,160 +I'll shoot her before the RS all over + + +25 +00:00:46,160 --> 00:00:51,430 +I'll shoot her before the RS all over +the pleasy you on + +26 +00:00:51,430 --> 00:00:51,440 + + + +27 +00:00:51,440 --> 00:00:53,470 + +drugs what's + +28 +00:00:53,470 --> 00:00:53,480 +drugs what's + + +29 +00:00:53,480 --> 00:00:58,029 +drugs what's +wrong are we sure pleas no casy don't wh + +30 +00:00:58,029 --> 00:00:58,039 +wrong are we sure pleas no casy don't wh + + +31 +00:00:58,039 --> 00:01:14,590 +wrong are we sure pleas no casy don't wh +out Casey just do it + +32 +00:01:14,590 --> 00:01:14,600 + + + +33 +00:01:14,600 --> 00:01:17,990 + +what if we were + +34 +00:01:17,990 --> 00:01:18,000 + + + +35 +00:01:18,000 --> 00:01:33,469 + +wrong stab it find out + +36 +00:01:33,469 --> 00:01:33,479 + + + +37 +00:01:33,479 --> 00:01:36,190 + +I think we made a mistake + +38 +00:01:36,190 --> 00:01:36,200 +I think we made a mistake + + +39 +00:01:36,200 --> 00:01:43,470 +I think we made a mistake +guys she's + +40 +00:01:43,470 --> 00:01:43,480 + + + +41 +00:01:43,480 --> 00:01:45,910 + +[Music] + +42 +00:01:45,910 --> 00:01:45,920 +[Music] + + +43 +00:01:45,920 --> 00:01:52,510 +[Music] +dead + +44 +00:01:52,510 --> 00:01:52,520 + + + +45 +00:01:52,520 --> 00:02:09,430 + +easy is that it + +46 +00:02:09,430 --> 00:02:09,440 + + + +47 +00:02:09,440 --> 00:02:30,869 + +[Music] + +48 +00:02:30,869 --> 00:02:30,879 + + + +49 +00:02:30,879 --> 00:02:34,520 + +to + +50 +00:02:34,520 --> 00:02:34,530 + + + +51 +00:02:34,530 --> 00:02:40,479 + +[Music] + diff --git a/1998/mwHOh0YPpBU.description b/1998/mwHOh0YPpBU.description new file mode 100644 index 0000000000000000000000000000000000000000..f2cd8068bc6e9b884ac135911ac66612a65ef90d --- /dev/null +++ b/1998/mwHOh0YPpBU.description @@ -0,0 +1,38 @@ +Rush Hour movie clips: http://j.mp/1BcYFYI +BUY THE MOVIE: http://bit.ly/2cbcAu3 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +At the Chinese exhibition, Lee (Jackie Chan) tries to protect priceless works of art while fighting off his opponents. + +FILM DESCRIPTION: +Brett Ratner directed this action-comedy that found box-office success by teaming Chris Tucker with Jackie Chan -- performing his own stunts as per his earlier films. As the story begins, Hong-Kong supercop Lee's (Chan), detective savvy leads to the confiscation of $500 million in weapons, drugs, and Chinese art. When Hong Kong Chinese Consul Han (Tzi Ma), is sent on a diplomatic mission to Los Angeles, his 11-year-old daughter, Soo Young (Julia Hsu), is abducted by an international criminal mastermind. The FBI assures Han they will find the kidnappers and return her safely, yet Han only trusts his longtime friend and ally (also his daughter's beloved martial arts teacher) Inspector Lee, who immediately flies in to help. Unwilling to have an outsider interfere in their investigation, the FBI assigns rogue LAPD detective (and buffoon) James Carter (Chris Tucker) to the case. Hoping to impress the FBI, Carter enthusiastically reports for work but is dismayed to discover his real mission is only to keep Lee away from the case (read b-a-b-y-s-i-t-t-e-r). The arrogant Carter reacts by embarking on a one-man crusade to solve the case, but he must first distract Lee. It doesn't take Carter long before he realizes he has greatly underestimated his Hong Kong counterpart, who sees what's going on and slips away. Impatient FBI agents try to cast off these unwanted misfit cops, but with an assist from LAPD bomb expert Tania Johnson (Elizabeth Pena), Carter and Lee eventually confront the bad guys in a full-tilt action sequence. + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Jackie Chan, Elizabeth Peña +Director: Brett Ratner +Producers: Roger Birnbaum, Leon Dudevoir, James M. Freitag, Jonathan Glickman, Wayne Morris, Arthur M. Sarkissian, Art Schaeffer, Jay Stern +Screenwriters: Ross LaManna, Jim Kouf + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/mwHOh0YPpBU.en.srt b/1998/mwHOh0YPpBU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e0a8e48149a5bbb2f2084e8e37a6d6b28a5a41e6 --- /dev/null +++ b/1998/mwHOh0YPpBU.en.srt @@ -0,0 +1,17 @@ +1 +00:00:03,611 --> 00:00:04,944 +Don't shoot! + +2 +00:00:19,077 --> 00:00:20,210 +Aah! + +3 +00:01:10,078 --> 00:01:11,361 +[bullets +ricocheting] + +4 +00:01:13,264 --> 00:01:14,231 +Shit! + diff --git a/1998/n7KKfjFRw8w.en.srt b/1998/n7KKfjFRw8w.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2e4d043aa8fd69855a8926eb81cf78c9d00907ae --- /dev/null +++ b/1998/n7KKfjFRw8w.en.srt @@ -0,0 +1,205 @@ +1 +00:00:06,160 --> 00:00:11,669 + +are you all + +2 +00:00:11,669 --> 00:00:11,679 + + + +3 +00:00:11,679 --> 00:00:16,070 + +right all my makeup is + +4 +00:00:16,070 --> 00:00:16,080 + + + +5 +00:00:16,080 --> 00:00:19,390 + +crueltyfree you come here often well you + +6 +00:00:19,390 --> 00:00:19,400 +crueltyfree you come here often well you + + +7 +00:00:19,400 --> 00:00:23,830 +crueltyfree you come here often well you +take me to the + +8 +00:00:23,830 --> 00:00:23,840 + + + +9 +00:00:23,840 --> 00:00:35,910 + +prom if you can't accessorize pulverize + +10 +00:00:35,910 --> 00:00:35,920 + + + +11 +00:00:35,920 --> 00:00:39,630 + +you've been a bad boy and now you must + +12 +00:00:39,630 --> 00:00:39,640 +you've been a bad boy and now you must + + +13 +00:00:39,640 --> 00:00:43,190 +you've been a bad boy and now you must +be punished + +14 +00:00:43,190 --> 00:00:43,200 + + + +15 +00:00:43,200 --> 00:00:47,270 + +yeah watch out girls pissy + +16 +00:00:47,270 --> 00:00:47,280 +yeah watch out girls pissy + + +17 +00:00:47,280 --> 00:00:53,189 +yeah watch out girls pissy +fit you're to die for run she got + +18 +00:00:53,189 --> 00:00:53,199 +fit you're to die for run she got + + +19 +00:00:53,199 --> 00:00:56,310 +fit you're to die for run she got +Bon it's a baton Death + +20 +00:00:56,310 --> 00:00:56,320 +Bon it's a baton Death + + +21 +00:00:56,320 --> 00:01:05,350 +Bon it's a baton Death +March She's Gone Postal + +22 +00:01:05,350 --> 00:01:05,360 + + + +23 +00:01:05,360 --> 00:01:09,870 + +oh I broke a nail always H these things + +24 +00:01:09,870 --> 00:01:09,880 +oh I broke a nail always H these things + + +25 +00:01:09,880 --> 00:01:11,350 +oh I broke a nail always H these things +oh the + +26 +00:01:11,350 --> 00:01:11,360 +oh the + + +27 +00:01:11,360 --> 00:01:28,670 +oh the +humanity how could you be this + +28 +00:01:28,670 --> 00:01:28,680 + + + +29 +00:01:28,680 --> 00:01:32,190 + +man come here end enemy has deployed a + +30 +00:01:32,190 --> 00:01:32,200 +man come here end enemy has deployed a + + +31 +00:01:32,200 --> 00:01:36,310 +man come here end enemy has deployed a +decoy Target return to primary + +32 +00:01:36,310 --> 00:01:36,320 +decoy Target return to primary + + +33 +00:01:36,320 --> 00:01:41,109 +decoy Target return to primary +positions this is + +34 +00:01:41,109 --> 00:01:41,119 + + + +35 +00:01:41,119 --> 00:01:48,830 + +fun you you're killing + +36 +00:01:48,830 --> 00:01:48,840 + + + +37 +00:01:48,840 --> 00:01:53,429 + +me you rescued + +38 +00:01:53,429 --> 00:01:53,439 + + + +39 +00:01:53,439 --> 00:01:57,230 + +me + +40 +00:01:57,230 --> 00:01:57,240 + + + +41 +00:01:57,240 --> 00:02:01,759 + +anytime let's go get those + diff --git a/1998/nCK7A5Zp9I4.description b/1998/nCK7A5Zp9I4.description new file mode 100644 index 0000000000000000000000000000000000000000..5c0defa6762a1eadee44b752d91a93d5e63d5a7d --- /dev/null +++ b/1998/nCK7A5Zp9I4.description @@ -0,0 +1,38 @@ +Hard Rain movie clips: http://j.mp/1BcZsIX +BUY THE MOVIE: http://amzn.to/wKVsyx +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Tom (Christian Slater) talks to Jim (Morgan Freeman) about taking the money. + +FILM DESCRIPTION: +A natural disaster breeds man-made treachery in this suspense thriller. Severe flooding threatens an Indiana town after a massive rainstorm taxes dams to the breaking point. As part of an emergency evacuation effort, armored car driver Tom (Christian Slater) and his uncle Charlie (Edward Asner) are recruited to collect cash from the town's banks and drive it to safety. However, a gang of thieves led by Jim (Morgan Freeman) plan to lay siege to the truck and steal the $3 million on board. After Jim attempts to ambush the truck, Tom hides the cash and reports the attempted theft to the local sheriff (Randy Quaid). However, the sheriff's lack of honesty soon becomes apparent; he puts Tom in a lockup and sets out to take the money for himself. As the flood waters rise, Tom has to escape from jail if he is to save both the townspeople's savings and his own life. Meanwhile, Jim and the sheriff are locked in a race to see who can find the $3 million first. Minnie Driver, Richard A. Dysart, and Betty White highlight Hard Rain's supporting cast. + +CREDITS: +TM & © Paramount (1998) +Cast: Morgan Freeman, Christian Slater +Director: Mikael Salomon +Producers: Ian Bryce, Gary Levinsohn, Christian Slater, Allison Lyon Segan, Mark Gordon, Art Levinson +Screenwriter: Graham Yost + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/nID1enI2xW8.en.srt b/1998/nID1enI2xW8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..877f3456b5afc04eb89ae6712d3d76003dd8caa1 --- /dev/null +++ b/1998/nID1enI2xW8.en.srt @@ -0,0 +1,275 @@ +1 +00:00:05,799 --> 00:00:08,470 + +it's me this van is parked right in + +2 +00:00:08,470 --> 00:00:08,480 +it's me this van is parked right in + + +3 +00:00:08,480 --> 00:00:11,150 +it's me this van is parked right in +front of my house as we + +4 +00:00:11,150 --> 00:00:11,160 +front of my house as we + + +5 +00:00:11,160 --> 00:00:26,509 +front of my house as we +[Music] + +6 +00:00:26,509 --> 00:00:26,519 + + + +7 +00:00:26,519 --> 00:00:29,109 + +speak who the hell is this Boza what's + +8 +00:00:29,109 --> 00:00:29,119 +speak who the hell is this Boza what's + + +9 +00:00:29,119 --> 00:00:33,750 +speak who the hell is this Boza what's +he doing screwing with our ride that's + +10 +00:00:33,750 --> 00:00:33,760 +he doing screwing with our ride that's + + +11 +00:00:33,760 --> 00:00:36,549 +he doing screwing with our ride that's +what ow what the hell I need the + +12 +00:00:36,549 --> 00:00:36,559 +what ow what the hell I need the + + +13 +00:00:36,559 --> 00:00:38,630 +what ow what the hell I need the +exercise are you born with that knife + +14 +00:00:38,630 --> 00:00:38,640 +exercise are you born with that knife + + +15 +00:00:38,640 --> 00:00:41,590 +exercise are you born with that knife +super glued onto your hand or what what + +16 +00:00:41,590 --> 00:00:41,600 +super glued onto your hand or what what + + +17 +00:00:41,600 --> 00:00:43,630 +super glued onto your hand or what what +are you talking about for God's sake + +18 +00:00:43,630 --> 00:00:43,640 +are you talking about for God's sake + + +19 +00:00:43,640 --> 00:00:46,069 +are you talking about for God's sake +Chucky drag yourself into the 90s + +20 +00:00:46,069 --> 00:00:46,079 +Chucky drag yourself into the 90s + + +21 +00:00:46,079 --> 00:00:48,189 +Chucky drag yourself into the 90s +stabbings went out with Bundy and dmer + +22 +00:00:48,189 --> 00:00:48,199 +stabbings went out with Bundy and dmer + + +23 +00:00:48,199 --> 00:00:50,310 +stabbings went out with Bundy and dmer +you look like Martha Stewart with that + +24 +00:00:50,310 --> 00:00:50,320 +you look like Martha Stewart with that + + +25 +00:00:50,320 --> 00:00:54,270 +you look like Martha Stewart with that +thing who the is Martha Stewart my + +26 +00:00:54,270 --> 00:00:54,280 +thing who the is Martha Stewart my + + +27 +00:00:54,280 --> 00:00:57,029 +thing who the is Martha Stewart my +idol and what does Martha tell you to do + +28 +00:00:57,029 --> 00:00:57,039 +idol and what does Martha tell you to do + + +29 +00:00:57,039 --> 00:00:58,830 +idol and what does Martha tell you to do +when guests drop by for dinner and you + +30 +00:00:58,830 --> 00:00:58,840 +when guests drop by for dinner and you + + +31 +00:00:58,840 --> 00:01:04,910 +when guests drop by for dinner and you +haven't had time to sh upop you + +32 +00:01:04,910 --> 00:01:04,920 + + + +33 +00:01:04,920 --> 00:01:08,750 + +improvise what about + +34 +00:01:08,750 --> 00:01:08,760 +improvise what about + + +35 +00:01:08,760 --> 00:01:18,749 +improvise what about +[Music] + +36 +00:01:18,749 --> 00:01:18,759 + + + +37 +00:01:18,759 --> 00:01:51,590 + +predictable aha + +38 +00:01:51,590 --> 00:01:51,600 + + + +39 +00:01:51,600 --> 00:01:58,580 + +who's there + +40 +00:01:58,580 --> 00:01:58,590 + + + +41 +00:01:58,590 --> 00:02:05,700 + +[Laughter] + +42 +00:02:05,700 --> 00:02:05,710 + + + +43 +00:02:05,710 --> 00:02:13,220 + +[Music] + +44 +00:02:13,220 --> 00:02:13,230 + + + +45 +00:02:13,230 --> 00:02:24,830 + +[Music] + +46 +00:02:24,830 --> 00:02:24,840 + + + +47 +00:02:24,840 --> 00:02:38,030 + +now + +48 +00:02:38,030 --> 00:02:38,040 + + + +49 +00:02:38,040 --> 00:02:41,990 + +why does that look so familiar see now + +50 +00:02:41,990 --> 00:02:42,000 +why does that look so familiar see now + + +51 +00:02:42,000 --> 00:02:44,229 +why does that look so familiar see now +that's the work of a true homicidal + +52 +00:02:44,229 --> 00:02:44,239 +that's the work of a true homicidal + + +53 +00:02:44,239 --> 00:02:50,480 +that's the work of a true homicidal +genius not bad for an amateur + +54 +00:02:50,480 --> 00:02:50,490 + + + +55 +00:02:50,490 --> 00:03:17,580 + +[Music] + diff --git a/1998/nOkJXxd0cNg.en.srt b/1998/nOkJXxd0cNg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9fb06bc7f34f04ecf8daf95a1fa3f047da191acc --- /dev/null +++ b/1998/nOkJXxd0cNg.en.srt @@ -0,0 +1,145 @@ +1 +00:00:00,060 --> 00:00:02,480 + +this woman works here Heather she's an + +2 +00:00:02,480 --> 00:00:02,490 +this woman works here Heather she's an + + +3 +00:00:02,490 --> 00:00:05,000 +this woman works here Heather she's an +abusive drunk cause being names hits me + +4 +00:00:05,000 --> 00:00:05,010 +abusive drunk cause being names hits me + + +5 +00:00:05,010 --> 00:00:07,100 +abusive drunk cause being names hits me +you're positive dwarf hater here she + +6 +00:00:07,100 --> 00:00:07,110 +you're positive dwarf hater here she + + +7 +00:00:07,110 --> 00:00:12,310 +you're positive dwarf hater here she +comes soon lover short stuff + +8 +00:00:12,310 --> 00:00:12,320 +comes soon lover short stuff + + +9 +00:00:12,320 --> 00:00:16,129 +comes soon lover short stuff +hey baby you ever had a chick with a + +10 +00:00:16,129 --> 00:00:16,139 +hey baby you ever had a chick with a + + +11 +00:00:16,139 --> 00:00:19,370 +hey baby you ever had a chick with a +beard before ha ha I can't say that I + +12 +00:00:19,370 --> 00:00:19,380 +beard before ha ha I can't say that I + + +13 +00:00:19,380 --> 00:00:20,540 +beard before ha ha I can't say that I +have their bearded bride + +14 +00:00:20,540 --> 00:00:20,550 +have their bearded bride + + +15 +00:00:20,550 --> 00:00:26,420 +have their bearded bride +well then sugar you haven't lived note + +16 +00:00:26,420 --> 00:00:26,430 +well then sugar you haven't lived note + + +17 +00:00:26,430 --> 00:00:26,990 +well then sugar you haven't lived note +to self + +18 +00:00:26,990 --> 00:00:27,000 +to self + + +19 +00:00:27,000 --> 00:00:31,340 +to self +I don't want to live I'll be in my + +20 +00:00:31,340 --> 00:00:31,350 +I don't want to live I'll be in my + + +21 +00:00:31,350 --> 00:00:35,740 +I don't want to live I'll be in my +trailer honey if you want it + +22 +00:00:35,740 --> 00:00:35,750 +trailer honey if you want it + + +23 +00:00:35,750 --> 00:00:44,140 + +ah is that go for me too oh so you think + +24 +00:00:44,140 --> 00:00:44,150 +ah is that go for me too oh so you think + + +25 +00:00:44,150 --> 00:01:07,710 +ah is that go for me too oh so you think +you can help me yeah we can help you + +26 +00:01:07,710 --> 00:01:07,720 + + + +27 +00:01:07,720 --> 00:01:25,780 + +no beard + +28 +00:01:25,780 --> 00:01:25,790 + + + +29 +00:01:25,790 --> 00:01:27,850 + +you + diff --git a/1998/nZWo6dP2zVw.en.srt b/1998/nZWo6dP2zVw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..fca0e5a4384772893bd85e7b77f3a77e642d6ab0 --- /dev/null +++ b/1998/nZWo6dP2zVw.en.srt @@ -0,0 +1,195 @@ +1 +00:00:07,440 --> 00:00:10,549 + +monkeys never did get that one + +2 +00:00:10,549 --> 00:00:10,559 +monkeys never did get that one + + +3 +00:00:10,559 --> 00:00:14,589 +monkeys never did get that one +right is not willing Servants of Heaven + +4 +00:00:14,589 --> 00:00:14,599 +right is not willing Servants of Heaven + + +5 +00:00:14,599 --> 00:00:17,830 +right is not willing Servants of Heaven +it's + +6 +00:00:17,830 --> 00:00:17,840 + + + +7 +00:00:17,840 --> 00:00:24,150 + +winged so you found + +8 +00:00:24,150 --> 00:00:24,160 + + + +9 +00:00:24,160 --> 00:00:35,670 + +me this place looks lived there + +10 +00:00:35,670 --> 00:00:35,680 + + + +11 +00:00:35,680 --> 00:00:38,229 + +what about these Visions + +12 +00:00:38,229 --> 00:00:38,239 +what about these Visions + + +13 +00:00:38,239 --> 00:00:40,790 +what about these Visions +Thomas what do you + +14 +00:00:40,790 --> 00:00:40,800 +Thomas what do you + + +15 +00:00:40,800 --> 00:00:45,389 +Thomas what do you +do you write them down a scroll and + +16 +00:00:45,389 --> 00:00:45,399 +do you write them down a scroll and + + +17 +00:00:45,399 --> 00:00:49,029 +do you write them down a scroll and +stone tablet I know you prophets enjoy + +18 +00:00:49,029 --> 00:00:49,039 +stone tablet I know you prophets enjoy + + +19 +00:00:49,039 --> 00:00:51,830 +stone tablet I know you prophets enjoy +doing + +20 +00:00:51,830 --> 00:00:51,840 + + + +21 +00:00:51,840 --> 00:00:54,869 + +that or maybe a + +22 +00:00:54,869 --> 00:00:54,879 +that or maybe a + + +23 +00:00:54,879 --> 00:01:02,830 +that or maybe a +picture certain someone + +24 +00:01:02,830 --> 00:01:02,840 + + + +25 +00:01:02,840 --> 00:01:11,429 + +I know you've seen her + +26 +00:01:11,429 --> 00:01:11,439 + + + +27 +00:01:11,439 --> 00:01:14,670 + +Thomas + +28 +00:01:14,670 --> 00:01:14,680 + + + +29 +00:01:14,680 --> 00:01:19,870 + +so is she ironic isn't it an archangel + +30 +00:01:19,870 --> 00:01:19,880 +so is she ironic isn't it an archangel + + +31 +00:01:19,880 --> 00:01:25,310 +so is she ironic isn't it an archangel +needs a monkey to get a vision from + +32 +00:01:25,310 --> 00:01:25,320 + + + +33 +00:01:25,320 --> 00:01:27,630 + +God + +34 +00:01:27,630 --> 00:01:27,640 +God + + +35 +00:01:27,640 --> 00:01:30,670 +God +oh it's a small step + +36 +00:01:30,670 --> 00:01:30,680 +oh it's a small step + + +37 +00:01:30,680 --> 00:01:36,590 +oh it's a small step +from profet from + +38 +00:01:36,590 --> 00:01:36,600 + + + +39 +00:01:36,600 --> 00:01:41,240 + +M can you take it + diff --git a/1998/ns3j2exbdbU.description b/1998/ns3j2exbdbU.description new file mode 100644 index 0000000000000000000000000000000000000000..3a7e91ef5f4010dd1c44fe6172da93e6349c3682 --- /dev/null +++ b/1998/ns3j2exbdbU.description @@ -0,0 +1,35 @@ +Stepmom - Are You Dying?: Jackie (Susan Sarandon) tells Isabel (Julia Roberts) that she has cancer. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/stepmom-1998/1MV745f44c9c6e6a2999bdacba8e613dd0e?cmp=Movieclips_YT_Description + +Watch the best Stepmom scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqoD3stP2Um3KqzLjRf7HQY5 + +FILM DESCRIPTION: +Three years after divorcing Jackie (Susan Sarandon), the mother of his children, Luke Harrison (Ed Harris) decides to take the next step with his significantly younger girlfriend, fashion photographer Isabel Kelly (Julia Roberts). But, when the flaky Kelly meets Harrison's children for the first time, their fierce allegiance to their mother is obvious. Try as she might, Kelly fails to endear herself to her young charges -- and to Jackie -- until a looming family crisis changes everything. + +CREDITS: +TM & © Sony (1998) +Cast: Julia Roberts, Susan Sarandon +Director: Chris Columbus + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/ns3j2exbdbU.en.srt b/1998/ns3j2exbdbU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1df4eb69f88a737b2d2bd94a9051db81a45ddc67 --- /dev/null +++ b/1998/ns3j2exbdbU.en.srt @@ -0,0 +1,515 @@ +1 +00:00:05,300 --> 00:00:11,049 + +I know your secret I saw the airline + +2 +00:00:11,049 --> 00:00:11,059 +I know your secret I saw the airline + + +3 +00:00:11,059 --> 00:00:12,730 +I know your secret I saw the airline +tickets in the note from your new boss I + +4 +00:00:12,730 --> 00:00:12,740 +tickets in the note from your new boss I + + +5 +00:00:12,740 --> 00:00:14,199 +tickets in the note from your new boss I +know you're not working at the Random + +6 +00:00:14,199 --> 00:00:14,209 +know you're not working at the Random + + +7 +00:00:14,209 --> 00:00:15,580 +know you're not working at the Random +House in New York I talked to them + +8 +00:00:15,580 --> 00:00:15,590 +House in New York I talked to them + + +9 +00:00:15,590 --> 00:00:18,220 +House in New York I talked to them +you're taking the kids and moving to Los + +10 +00:00:18,220 --> 00:00:18,230 +you're taking the kids and moving to Los + + +11 +00:00:18,230 --> 00:00:21,310 +you're taking the kids and moving to Los +Angeles hell are you doing reading my + +12 +00:00:21,310 --> 00:00:21,320 +Angeles hell are you doing reading my + + +13 +00:00:21,320 --> 00:00:23,320 +Angeles hell are you doing reading my +mail and snooping around behind my back + +14 +00:00:23,320 --> 00:00:23,330 +mail and snooping around behind my back + + +15 +00:00:23,330 --> 00:00:26,800 +mail and snooping around behind my back +like some little dishonest dishonest I + +16 +00:00:26,800 --> 00:00:26,810 +like some little dishonest dishonest I + + +17 +00:00:26,810 --> 00:00:28,930 +like some little dishonest dishonest I +wouldn't have to snoop around if you + +18 +00:00:28,930 --> 00:00:28,940 +wouldn't have to snoop around if you + + +19 +00:00:28,940 --> 00:00:32,920 +wouldn't have to snoop around if you +were honest with Luke I thought this was + +20 +00:00:32,920 --> 00:00:32,930 +were honest with Luke I thought this was + + +21 +00:00:32,930 --> 00:00:35,529 +were honest with Luke I thought this was +the answer to your prayers you lose the + +22 +00:00:35,529 --> 00:00:35,539 +the answer to your prayers you lose the + + +23 +00:00:35,539 --> 00:00:37,870 +the answer to your prayers you lose the +the witch and her two little brats and + +24 +00:00:37,870 --> 00:00:37,880 +the witch and her two little brats and + + +25 +00:00:37,880 --> 00:00:40,090 +the witch and her two little brats and +one swoop simplifies everything you get + +26 +00:00:40,090 --> 00:00:40,100 +one swoop simplifies everything you get + + +27 +00:00:40,100 --> 00:00:42,040 +one swoop simplifies everything you get +your life BAM on there plenty of + +28 +00:00:42,040 --> 00:00:42,050 +your life BAM on there plenty of + + +29 +00:00:42,050 --> 00:00:44,139 +your life BAM on there plenty of +publishing houses in New York surely you + +30 +00:00:44,139 --> 00:00:44,149 +publishing houses in New York surely you + + +31 +00:00:44,149 --> 00:00:46,090 +publishing houses in New York surely you +can get a job here so I'm supposed to + +32 +00:00:46,090 --> 00:00:46,100 +can get a job here so I'm supposed to + + +33 +00:00:46,100 --> 00:00:48,460 +can get a job here so I'm supposed to +rearrange my life so that I can + +34 +00:00:48,460 --> 00:00:48,470 +rearrange my life so that I can + + +35 +00:00:48,470 --> 00:00:50,319 +rearrange my life so that I can +accommodate your schedule so if you are + +36 +00:00:50,319 --> 00:00:50,329 +accommodate your schedule so if you are + + +37 +00:00:50,329 --> 00:00:52,450 +accommodate your schedule so if you are +so damn concerned why don't you get a + +38 +00:00:52,450 --> 00:00:52,460 +so damn concerned why don't you get a + + +39 +00:00:52,460 --> 00:00:54,040 +so damn concerned why don't you get a +new career why don't you and Luke move + +40 +00:00:54,040 --> 00:00:54,050 +new career why don't you and Luke move + + +41 +00:00:54,050 --> 00:00:56,290 +new career why don't you and Luke move +to Los Angeles oh but you can make plans + +42 +00:00:56,290 --> 00:00:56,300 +to Los Angeles oh but you can make plans + + +43 +00:00:56,300 --> 00:00:57,790 +to Los Angeles oh but you can make plans +to rearrange everyone else's life + +44 +00:00:57,790 --> 00:00:57,800 +to rearrange everyone else's life + + +45 +00:00:57,800 --> 00:01:00,280 +to rearrange everyone else's life +without consulting us bicoastal pairing + +46 +00:01:00,280 --> 00:01:00,290 +without consulting us bicoastal pairing + + +47 +00:01:00,290 --> 00:01:02,799 +without consulting us bicoastal pairing +people do it all the time Luke gets the + +48 +00:01:02,799 --> 00:01:02,809 +people do it all the time Luke gets the + + +49 +00:01:02,809 --> 00:01:04,450 +people do it all the time Luke gets the +kids one month during the summer and + +50 +00:01:04,450 --> 00:01:04,460 +kids one month during the summer and + + +51 +00:01:04,460 --> 00:01:05,800 +kids one month during the summer and +every other holiday it's not ideal but + +52 +00:01:05,800 --> 00:01:05,810 +every other holiday it's not ideal but + + +53 +00:01:05,810 --> 00:01:07,630 +every other holiday it's not ideal but +people make it work no you can't do that + +54 +00:01:07,630 --> 00:01:07,640 +people make it work no you can't do that + + +55 +00:01:07,640 --> 00:01:10,120 +people make it work no you can't do that +you can't take looks kids away from him + +56 +00:01:10,120 --> 00:01:10,130 +you can't take looks kids away from him + + +57 +00:01:10,130 --> 00:01:12,129 +you can't take looks kids away from him +no we can't live like that + +58 +00:01:12,129 --> 00:01:12,139 +no we can't live like that + + +59 +00:01:12,139 --> 00:01:15,940 +no we can't live like that +we look has a problem with this you tell + +60 +00:01:15,940 --> 00:01:15,950 +we look has a problem with this you tell + + +61 +00:01:15,950 --> 00:01:17,889 +we look has a problem with this you tell +him to talk to me this is not about you + +62 +00:01:17,889 --> 00:01:17,899 +him to talk to me this is not about you + + +63 +00:01:17,899 --> 00:01:20,709 +him to talk to me this is not about you +this is not your problem it is my + +64 +00:01:20,709 --> 00:01:20,719 +this is not your problem it is my + + +65 +00:01:20,719 --> 00:01:24,429 +this is not your problem it is my +problem why is that because I'm gonna + +66 +00:01:24,429 --> 00:01:24,439 +problem why is that because I'm gonna + + +67 +00:01:24,439 --> 00:01:27,399 +problem why is that because I'm gonna +marry this man and we're gonna share our + +68 +00:01:27,399 --> 00:01:27,409 +marry this man and we're gonna share our + + +69 +00:01:27,409 --> 00:01:31,690 +marry this man and we're gonna share our +life together I love him these kids are + +70 +00:01:31,690 --> 00:01:31,700 +life together I love him these kids are + + +71 +00:01:31,700 --> 00:01:33,160 +life together I love him these kids are +everything to him and he would be + +72 +00:01:33,160 --> 00:01:33,170 +everything to him and he would be + + +73 +00:01:33,170 --> 00:02:01,289 +everything to him and he would be +devastated not to be near them + +74 +00:02:01,289 --> 00:02:01,299 + + + +75 +00:02:01,299 --> 00:02:09,240 + +he gets the wrong secret charlie + +76 +00:02:09,240 --> 00:02:09,250 +he gets the wrong secret charlie + + +77 +00:02:09,250 --> 00:02:13,140 +he gets the wrong secret charlie +Drummond's is a colleague of mine from + +78 +00:02:13,140 --> 00:02:13,150 +Drummond's is a colleague of mine from + + +79 +00:02:13,150 --> 00:02:17,490 +Drummond's is a colleague of mine from +Random House in New York and she she + +80 +00:02:17,490 --> 00:02:17,500 +Random House in New York and she she + + +81 +00:02:17,500 --> 00:02:19,170 +Random House in New York and she she +moved to the West Coast office and I'm + +82 +00:02:19,170 --> 00:02:19,180 +moved to the West Coast office and I'm + + +83 +00:02:19,180 --> 00:02:21,119 +moved to the West Coast office and I'm +gonna be crashing with her while I'm + +84 +00:02:21,119 --> 00:02:21,129 +gonna be crashing with her while I'm + + +85 +00:02:21,129 --> 00:02:23,280 +gonna be crashing with her while I'm +getting protein injections that are + +86 +00:02:23,280 --> 00:02:23,290 +getting protein injections that are + + +87 +00:02:23,290 --> 00:02:26,580 +getting protein injections that are +recommended by my oncologist who can + +88 +00:02:26,580 --> 00:02:26,590 +recommended by my oncologist who can + + +89 +00:02:26,590 --> 00:02:29,759 +recommended by my oncologist who can +only get him in Los Angeles I'm Carly + +90 +00:02:29,759 --> 00:02:29,769 +only get him in Los Angeles I'm Carly + + +91 +00:02:29,769 --> 00:02:33,900 +only get him in Los Angeles I'm Carly +just yeah I have to try it up it's + +92 +00:02:33,900 --> 00:02:33,910 +just yeah I have to try it up it's + + +93 +00:02:33,910 --> 00:02:35,339 +just yeah I have to try it up it's +finally legal to smoke dope but you + +94 +00:02:35,339 --> 00:02:35,349 +finally legal to smoke dope but you + + +95 +00:02:35,349 --> 00:02:42,410 +finally legal to smoke dope but you +gotta have cancer + +96 +00:02:42,410 --> 00:02:42,420 + + + +97 +00:02:42,420 --> 00:02:44,710 + +are you dying + +98 +00:02:44,710 --> 00:02:44,720 +are you dying + + +99 +00:02:44,720 --> 00:02:49,810 +are you dying +[Music] + +100 +00:02:49,810 --> 00:02:49,820 + + + +101 +00:02:49,820 --> 00:02:53,290 + +not today + +102 +00:02:53,290 --> 00:02:53,300 + + + +103 +00:02:53,300 --> 00:03:04,639 + +[Music] + diff --git a/1998/nxRZisFQdTE.en.srt b/1998/nxRZisFQdTE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2ebd270cdab6f760232b29c7ca33d454d1aa611f --- /dev/null +++ b/1998/nxRZisFQdTE.en.srt @@ -0,0 +1,405 @@ +1 +00:00:01,240 --> 00:00:04,110 + +Amanda now that Mike is completely out + +2 +00:00:04,110 --> 00:00:04,120 +Amanda now that Mike is completely out + + +3 +00:00:04,120 --> 00:00:06,789 +Amanda now that Mike is completely out +of the picture I was thinking maybe you + +4 +00:00:06,789 --> 00:00:06,799 +of the picture I was thinking maybe you + + +5 +00:00:06,799 --> 00:00:08,990 +of the picture I was thinking maybe you +like to come in my van and turn that + +6 +00:00:08,990 --> 00:00:09,000 +like to come in my van and turn that + + +7 +00:00:09,000 --> 00:00:13,749 +like to come in my van and turn that +sound upside down Amanda hey I just saw + +8 +00:00:13,749 --> 00:00:13,759 +sound upside down Amanda hey I just saw + + +9 +00:00:13,759 --> 00:00:15,590 +sound upside down Amanda hey I just saw +what happened and + +10 +00:00:15,590 --> 00:00:15,600 +what happened and + + +11 +00:00:15,600 --> 00:00:19,910 +what happened and +I oh God you're a hottie hey can I see + +12 +00:00:19,910 --> 00:00:19,920 +I oh God you're a hottie hey can I see + + +13 +00:00:19,920 --> 00:00:22,230 +I oh God you're a hottie hey can I see +you n Amanda you remember that time you + +14 +00:00:22,230 --> 00:00:22,240 +you n Amanda you remember that time you + + +15 +00:00:22,240 --> 00:00:24,589 +you n Amanda you remember that time you +danc with me at the sof poop I never + +16 +00:00:24,589 --> 00:00:24,599 +danc with me at the sof poop I never + + +17 +00:00:24,599 --> 00:00:26,550 +danc with me at the sof poop I never +told you but I had the hugest boner and + +18 +00:00:26,550 --> 00:00:26,560 +told you but I had the hugest boner and + + +19 +00:00:26,560 --> 00:00:27,990 +told you but I had the hugest boner and +I thought maybe you don't know we could + +20 +00:00:27,990 --> 00:00:28,000 +I thought maybe you don't know we could + + +21 +00:00:28,000 --> 00:00:29,669 +I thought maybe you don't know we could +work things out let me get you out of + +22 +00:00:29,669 --> 00:00:29,679 +work things out let me get you out of + + +23 +00:00:29,679 --> 00:00:31,820 +work things out let me get you out of +that baby you look + +24 +00:00:31,820 --> 00:00:31,830 +that baby you look + + +25 +00:00:31,830 --> 00:00:36,310 +that baby you look +[Music] + +26 +00:00:36,310 --> 00:00:36,320 +[Music] + + +27 +00:00:36,320 --> 00:00:39,830 +[Music] +good hey Amanda do you want some uh + +28 +00:00:39,830 --> 00:00:39,840 +good hey Amanda do you want some uh + + +29 +00:00:39,840 --> 00:00:41,950 +good hey Amanda do you want some uh +watermelon + +30 +00:00:41,950 --> 00:00:41,960 +watermelon + + +31 +00:00:41,960 --> 00:00:46,869 +watermelon +Amanda Amanda I love + +32 +00:00:46,869 --> 00:00:46,879 + + + +33 +00:00:46,879 --> 00:00:49,670 + +you listen um I know that must sound + +34 +00:00:49,670 --> 00:00:49,680 +you listen um I know that must sound + + +35 +00:00:49,680 --> 00:00:52,110 +you listen um I know that must sound +really strange but I've always excuse me + +36 +00:00:52,110 --> 00:00:52,120 +really strange but I've always excuse me + + +37 +00:00:52,120 --> 00:00:53,150 +really strange but I've always excuse me +I've always felt that there was this + +38 +00:00:53,150 --> 00:00:53,160 +I've always felt that there was this + + +39 +00:00:53,160 --> 00:00:55,310 +I've always felt that there was this +unspoken connection between us and ever + +40 +00:00:55,310 --> 00:00:55,320 +unspoken connection between us and ever + + +41 +00:00:55,320 --> 00:00:56,750 +unspoken connection between us and ever +since the first time that I saw you when + +42 +00:00:56,750 --> 00:00:56,760 +since the first time that I saw you when + + +43 +00:00:56,760 --> 00:00:58,630 +since the first time that I saw you when +you were holding my favorite + +44 +00:00:58,630 --> 00:00:58,640 +you were holding my favorite + + +45 +00:00:58,640 --> 00:01:01,670 +you were holding my favorite +poptart and the truth is I'm leaving + +46 +00:01:01,670 --> 00:01:01,680 +poptart and the truth is I'm leaving + + +47 +00:01:01,680 --> 00:01:03,910 +poptart and the truth is I'm leaving +tomorrow and if we could go someplace oh + +48 +00:01:03,910 --> 00:01:03,920 +tomorrow and if we could go someplace oh + + +49 +00:01:03,920 --> 00:01:07,230 +tomorrow and if we could go someplace oh +you know what that is enough that is + +50 +00:01:07,230 --> 00:01:07,240 +you know what that is enough that is + + +51 +00:01:07,240 --> 00:01:09,910 +you know what that is enough that is +enough God I haven't even been single + +52 +00:01:09,910 --> 00:01:09,920 +enough God I haven't even been single + + +53 +00:01:09,920 --> 00:01:13,910 +enough God I haven't even been single +for like 5 minutes and already already + +54 +00:01:13,910 --> 00:01:13,920 +for like 5 minutes and already already + + +55 +00:01:13,920 --> 00:01:15,950 +for like 5 minutes and already already +you think that I am just going to strip + +56 +00:01:15,950 --> 00:01:15,960 +you think that I am just going to strip + + +57 +00:01:15,960 --> 00:01:18,670 +you think that I am just going to strip +off my clothes and do you right here + +58 +00:01:18,670 --> 00:01:18,680 +off my clothes and do you right here + + +59 +00:01:18,680 --> 00:01:21,069 +off my clothes and do you right here +because I don't know I don't know you + +60 +00:01:21,069 --> 00:01:21,079 +because I don't know I don't know you + + +61 +00:01:21,079 --> 00:01:23,030 +because I don't know I don't know you +imagine that we shared some intimate + +62 +00:01:23,030 --> 00:01:23,040 +imagine that we shared some intimate + + +63 +00:01:23,040 --> 00:01:24,670 +imagine that we shared some intimate +moment that you have probably been + +64 +00:01:24,670 --> 00:01:24,680 +moment that you have probably been + + +65 +00:01:24,680 --> 00:01:27,390 +moment that you have probably been +drooling over for the past 4 years God + +66 +00:01:27,390 --> 00:01:27,400 +drooling over for the past 4 years God + + +67 +00:01:27,400 --> 00:01:32,710 +drooling over for the past 4 years God +you know how sick and deluded are you + +68 +00:01:32,710 --> 00:01:32,720 + + + +69 +00:01:32,720 --> 00:01:34,990 + +you know what why don't you just go off + +70 +00:01:34,990 --> 00:01:35,000 +you know what why don't you just go off + + +71 +00:01:35,000 --> 00:01:40,429 +you know what why don't you just go off +and get yourself a goddamn life + +72 +00:01:40,429 --> 00:01:40,439 + + + +73 +00:01:40,439 --> 00:01:44,069 + + thanks man that was the funniest + +74 +00:01:44,069 --> 00:01:44,079 +thanks man that was the funniest + + +75 +00:01:44,079 --> 00:01:47,410 +thanks man that was the funniest +thing I've seen all night + +76 +00:01:47,410 --> 00:01:47,420 +thing I've seen all night + + +77 +00:01:47,420 --> 00:02:08,710 +thing I've seen all night +[Music] + +78 +00:02:08,710 --> 00:02:08,720 + + + +79 +00:02:08,720 --> 00:02:12,500 + +SC + +80 +00:02:12,500 --> 00:02:12,510 + + + +81 +00:02:12,510 --> 00:02:18,460 + +[Music] + diff --git a/1998/nxTEOyfchP8.en.srt b/1998/nxTEOyfchP8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7ccb05b3760d19046e56d82670e1135b3c9be3c6 --- /dev/null +++ b/1998/nxTEOyfchP8.en.srt @@ -0,0 +1,375 @@ +1 +00:00:07,319 --> 00:00:10,310 + +Dan R want to see KNE yeah sir could you + +2 +00:00:10,310 --> 00:00:10,320 +Dan R want to see KNE yeah sir could you + + +3 +00:00:10,320 --> 00:00:11,910 +Dan R want to see KNE yeah sir could you +wait just a minute I have to buzz him + +4 +00:00:11,910 --> 00:00:11,920 +wait just a minute I have to buzz him + + +5 +00:00:11,920 --> 00:00:16,109 +wait just a minute I have to buzz him +Sir Sir Mr Roman wait + +6 +00:00:16,109 --> 00:00:16,119 + + + +7 +00:00:16,119 --> 00:00:18,269 + +Sir you made it clear we'll make it + +8 +00:00:18,269 --> 00:00:18,279 +Sir you made it clear we'll make it + + +9 +00:00:18,279 --> 00:00:23,509 +Sir you made it clear we'll make it +clear again all right + +10 +00:00:23,509 --> 00:00:23,519 + + + +11 +00:00:23,519 --> 00:00:26,150 + +come hold on hold on + +12 +00:00:26,150 --> 00:00:26,160 +come hold on hold on + + +13 +00:00:26,160 --> 00:00:29,150 +come hold on hold on +Roman what can I do for you man's got a + +14 +00:00:29,150 --> 00:00:29,160 +Roman what can I do for you man's got a + + +15 +00:00:29,160 --> 00:00:31,030 +Roman what can I do for you man's got a +right to face his accusers doesn't he + +16 +00:00:31,030 --> 00:00:31,040 +right to face his accusers doesn't he + + +17 +00:00:31,040 --> 00:00:33,990 +right to face his accusers doesn't he +inspector we need to talk well go ahead + +18 +00:00:33,990 --> 00:00:34,000 +inspector we need to talk well go ahead + + +19 +00:00:34,000 --> 00:00:39,150 +inspector we need to talk well go ahead +talk I want to know what's going + +20 +00:00:39,150 --> 00:00:39,160 + + + +21 +00:00:39,160 --> 00:00:41,910 + +on you killed your partner and unless + +22 +00:00:41,910 --> 00:00:41,920 +on you killed your partner and unless + + +23 +00:00:41,920 --> 00:00:43,350 +on you killed your partner and unless +something has changed you're about to be + +24 +00:00:43,350 --> 00:00:43,360 +something has changed you're about to be + + +25 +00:00:43,360 --> 00:00:44,950 +something has changed you're about to be +formally indicted for you're not + +26 +00:00:44,950 --> 00:00:44,960 +formally indicted for you're not + + +27 +00:00:44,960 --> 00:00:47,430 +formally indicted for you're not +answering my question now Nate told me + +28 +00:00:47,430 --> 00:00:47,440 +answering my question now Nate told me + + +29 +00:00:47,440 --> 00:00:51,229 +answering my question now Nate told me +you were involved I want to know + +30 +00:00:51,229 --> 00:00:51,239 + + + +31 +00:00:51,239 --> 00:00:53,229 + +how well just look me in the eye and + +32 +00:00:53,229 --> 00:00:53,239 +how well just look me in the eye and + + +33 +00:00:53,239 --> 00:00:55,029 +how well just look me in the eye and +tell me you weren't involved look me in + +34 +00:00:55,029 --> 00:00:55,039 +tell me you weren't involved look me in + + +35 +00:00:55,039 --> 00:00:56,590 +tell me you weren't involved look me in +the eye godamn it look you in the eye + +36 +00:00:56,590 --> 00:00:56,600 +the eye godamn it look you in the eye + + +37 +00:00:56,600 --> 00:00:58,630 +the eye godamn it look you in the eye +for what look at why don't you just tell + +38 +00:00:58,630 --> 00:00:58,640 +for what look at why don't you just tell + + +39 +00:00:58,640 --> 00:01:00,910 +for what look at why don't you just tell +it to the judge all right we're finished + +40 +00:01:00,910 --> 00:01:00,920 +it to the judge all right we're finished + + +41 +00:01:00,920 --> 00:01:06,510 +it to the judge all right we're finished +get him out of here you're not doing + +42 +00:01:06,510 --> 00:01:06,520 + + + +43 +00:01:06,520 --> 00:01:16,870 + +this + +44 +00:01:16,870 --> 00:01:16,880 + + + +45 +00:01:16,880 --> 00:01:19,149 + +Roman + +46 +00:01:19,149 --> 00:01:19,159 +Roman + + +47 +00:01:19,159 --> 00:01:23,469 +Roman + lock the door lock it look Roman + +48 +00:01:23,469 --> 00:01:23,479 +lock the door lock it look Roman + + +49 +00:01:23,479 --> 00:01:24,630 +lock the door lock it look Roman +don't make things worse than they + +50 +00:01:24,630 --> 00:01:24,640 +don't make things worse than they + + +51 +00:01:24,640 --> 00:01:26,830 +don't make things worse than they +already are just put the gun down now + +52 +00:01:26,830 --> 00:01:26,840 +already are just put the gun down now + + +53 +00:01:26,840 --> 00:01:28,950 +already are just put the gun down now +sit your ass down sit okay here you got + +54 +00:01:28,950 --> 00:01:28,960 +sit your ass down sit okay here you got + + +55 +00:01:28,960 --> 00:01:31,870 +sit your ass down sit okay here you got +it + +56 +00:01:31,870 --> 00:01:31,880 +it + + +57 +00:01:31,880 --> 00:01:34,230 +it +this is my life here + +58 +00:01:34,230 --> 00:01:34,240 +this is my life here + + +59 +00:01:34,240 --> 00:01:36,630 +this is my life here +nebom I want some answers I don't have + +60 +00:01:36,630 --> 00:01:36,640 +nebom I want some answers I don't have + + +61 +00:01:36,640 --> 00:01:38,270 +nebom I want some answers I don't have +any answers for you Roman Put the gun + +62 +00:01:38,270 --> 00:01:38,280 +any answers for you Roman Put the gun + + +63 +00:01:38,280 --> 00:01:39,870 +any answers for you Roman Put the gun +down and leave oh you don't feel like + +64 +00:01:39,870 --> 00:01:39,880 +down and leave oh you don't feel like + + +65 +00:01:39,880 --> 00:01:42,030 +down and leave oh you don't feel like +talking well we're going to stay here + +66 +00:01:42,030 --> 00:01:42,040 +talking well we're going to stay here + + +67 +00:01:42,040 --> 00:01:44,990 +talking well we're going to stay here +until you do it's your + +68 +00:01:44,990 --> 00:01:45,000 +until you do it's your + + +69 +00:01:45,000 --> 00:01:49,410 +until you do it's your +choice cuz I'm not going to jail today + +70 +00:01:49,410 --> 00:01:49,420 +choice cuz I'm not going to jail today + + +71 +00:01:49,420 --> 00:02:00,550 +choice cuz I'm not going to jail today +[Music] + +72 +00:02:00,550 --> 00:02:00,560 +[Music] + + +73 +00:02:00,560 --> 00:02:06,410 +[Music] +sh + +74 +00:02:06,410 --> 00:02:06,420 + + + +75 +00:02:06,420 --> 00:02:20,460 + +[Music] + diff --git a/1998/o2K5JzEAzcs.en.srt b/1998/o2K5JzEAzcs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6062d86a0bf2341548826ae32100f32a78bc3d58 --- /dev/null +++ b/1998/o2K5JzEAzcs.en.srt @@ -0,0 +1,445 @@ +1 +00:00:01,280 --> 00:00:03,150 + +I don't even know who you + +2 +00:00:03,150 --> 00:00:03,160 +I don't even know who you + + +3 +00:00:03,160 --> 00:00:05,150 +I don't even know who you +are yes you + +4 +00:00:05,150 --> 00:00:05,160 +are yes you + + +5 +00:00:05,160 --> 00:00:09,709 +are yes you +do you know everything about me not + +6 +00:00:09,709 --> 00:00:09,719 +do you know everything about me not + + +7 +00:00:09,719 --> 00:00:13,509 +do you know everything about me not +really but it doesn't matter does + +8 +00:00:13,509 --> 00:00:13,519 +really but it doesn't matter does + + +9 +00:00:13,519 --> 00:00:15,950 +really but it doesn't matter does +it + +10 +00:00:15,950 --> 00:00:15,960 +it + + +11 +00:00:15,960 --> 00:00:20,070 +it +no as long as you don't get up and leave + +12 +00:00:20,070 --> 00:00:20,080 +no as long as you don't get up and leave + + +13 +00:00:20,080 --> 00:00:21,830 +no as long as you don't get up and leave +now I don't suppose it + +14 +00:00:21,830 --> 00:00:21,840 +now I don't suppose it + + +15 +00:00:21,840 --> 00:00:24,310 +now I don't suppose it +does you don't see me rushing to get out + +16 +00:00:24,310 --> 00:00:24,320 +does you don't see me rushing to get out + + +17 +00:00:24,320 --> 00:00:30,790 +does you don't see me rushing to get out +of here do you + +18 +00:00:30,790 --> 00:00:30,800 + + + +19 +00:00:30,800 --> 00:00:34,030 + +tell me something + +20 +00:00:34,030 --> 00:00:34,040 + + + +21 +00:00:34,040 --> 00:00:37,549 + +izy are you an + +22 +00:00:37,549 --> 00:00:37,559 +izy are you an + + +23 +00:00:37,559 --> 00:00:41,150 +izy are you an +ocean or a + +24 +00:00:41,150 --> 00:00:41,160 +ocean or a + + +25 +00:00:41,160 --> 00:00:44,630 +ocean or a +river what it's a game I used to play + +26 +00:00:44,630 --> 00:00:44,640 +river what it's a game I used to play + + +27 +00:00:44,640 --> 00:00:46,910 +river what it's a game I used to play +with my sister you have to + +28 +00:00:46,910 --> 00:00:46,920 +with my sister you have to + + +29 +00:00:46,920 --> 00:00:51,630 +with my sister you have to +answer an ocean or a + +30 +00:00:51,630 --> 00:00:51,640 + + + +31 +00:00:51,640 --> 00:00:56,349 + +river a + +32 +00:00:56,349 --> 00:00:56,359 + + + +33 +00:00:56,359 --> 00:00:58,470 + +river are + +34 +00:00:58,470 --> 00:00:58,480 +river are + + +35 +00:00:58,480 --> 00:01:00,509 +river are +you a m + +36 +00:01:00,509 --> 00:01:00,519 +you a m + + +37 +00:01:00,519 --> 00:01:05,310 +you a m +match or a cigarette + +38 +00:01:05,310 --> 00:01:05,320 + + + +39 +00:01:05,320 --> 00:01:06,830 + +lighter + +40 +00:01:06,830 --> 00:01:06,840 +lighter + + +41 +00:01:06,840 --> 00:01:11,030 +lighter +match definitely a + +42 +00:01:11,030 --> 00:01:11,040 + + + +43 +00:01:11,040 --> 00:01:14,630 + +match are you a car or a + +44 +00:01:14,630 --> 00:01:14,640 +match are you a car or a + + +45 +00:01:14,640 --> 00:01:19,749 +match are you a car or a +bicycle a + +46 +00:01:19,749 --> 00:01:19,759 + + + +47 +00:01:19,759 --> 00:01:25,990 + +bicycle are you an owl or a + +48 +00:01:25,990 --> 00:01:26,000 + + + +49 +00:01:26,000 --> 00:01:29,109 + +hummingbird I used to be a hummingbird + +50 +00:01:29,109 --> 00:01:29,119 +hummingbird I used to be a hummingbird + + +51 +00:01:29,119 --> 00:01:30,630 +hummingbird I used to be a hummingbird +but now I'm a + +52 +00:01:30,630 --> 00:01:30,640 +but now I'm a + + +53 +00:01:30,640 --> 00:01:34,350 +but now I'm a +oh are you sneakers or boots that's not + +54 +00:01:34,350 --> 00:01:34,360 +oh are you sneakers or boots that's not + + +55 +00:01:34,360 --> 00:01:36,030 +oh are you sneakers or boots that's not +fair you have to give me a chance now + +56 +00:01:36,030 --> 00:01:36,040 +fair you have to give me a chance now + + +57 +00:01:36,040 --> 00:01:40,389 +fair you have to give me a chance now +sneakers or boots boots now it's my turn + +58 +00:01:40,389 --> 00:01:40,399 +sneakers or boots boots now it's my turn + + +59 +00:01:40,399 --> 00:01:42,830 +sneakers or boots boots now it's my turn +it's fun isn't it we used to do it for + +60 +00:01:42,830 --> 00:01:42,840 +it's fun isn't it we used to do it for + + +61 +00:01:42,840 --> 00:01:45,709 +it's fun isn't it we used to do it for +hours you concentrate + +62 +00:01:45,709 --> 00:01:45,719 +hours you concentrate + + +63 +00:01:45,719 --> 00:01:52,990 +hours you concentrate +now are you a real person or a + +64 +00:01:52,990 --> 00:01:53,000 + + + +65 +00:01:53,000 --> 00:01:56,149 + +spirit a real + +66 +00:01:56,149 --> 00:01:56,159 +spirit a real + + +67 +00:01:56,159 --> 00:01:59,270 +spirit a real +person do you understand what's happened + +68 +00:01:59,270 --> 00:01:59,280 +person do you understand what's happened + + +69 +00:01:59,280 --> 00:02:00,429 +person do you understand what's happened +or + +70 +00:02:00,429 --> 00:02:00,439 +or + + +71 +00:02:00,439 --> 00:02:04,789 +or +are you in the dark like + +72 +00:02:04,789 --> 00:02:04,799 + + + +73 +00:02:04,799 --> 00:02:10,029 + +me in the + +74 +00:02:10,029 --> 00:02:10,039 + + + +75 +00:02:10,039 --> 00:02:12,309 + +dark are you in + +76 +00:02:12,309 --> 00:02:12,319 +dark are you in + + +77 +00:02:12,319 --> 00:02:16,630 +dark are you in +love or just going along for the + +78 +00:02:16,630 --> 00:02:16,640 +love or just going along for the + + +79 +00:02:16,640 --> 00:02:21,270 +love or just going along for the +ride in + +80 +00:02:21,270 --> 00:02:21,280 + + + +81 +00:02:21,280 --> 00:02:25,030 + +love are you with the person you love or + +82 +00:02:25,030 --> 00:02:25,040 +love are you with the person you love or + + +83 +00:02:25,040 --> 00:02:29,949 +love are you with the person you love or +not with the person you love + +84 +00:02:29,949 --> 00:02:29,959 + + + +85 +00:02:29,959 --> 00:02:35,710 + +with the + +86 +00:02:35,710 --> 00:02:35,720 + + + +87 +00:02:35,720 --> 00:02:43,290 + +person with the person + +88 +00:02:43,290 --> 00:02:43,300 + + + +89 +00:02:43,300 --> 00:03:12,520 + +[Music] + diff --git a/1998/oBtG0gj6MxA.en.srt b/1998/oBtG0gj6MxA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..35623c707ae320ecca3a28cc517732611335bfdf --- /dev/null +++ b/1998/oBtG0gj6MxA.en.srt @@ -0,0 +1,295 @@ +1 +00:00:00,040 --> 00:00:02,869 + +there's no place like home there's no + +2 +00:00:02,869 --> 00:00:02,879 +there's no place like home there's no + + +3 +00:00:02,879 --> 00:00:05,670 +there's no place like home there's no +place like home there's no place like + +4 +00:00:05,670 --> 00:00:05,680 +place like home there's no place like + + +5 +00:00:05,680 --> 00:00:07,710 +place like home there's no place like +home think what might have there's no + +6 +00:00:07,710 --> 00:00:07,720 +home think what might have there's no + + +7 +00:00:07,720 --> 00:00:09,070 +home think what might have there's no +place like + +8 +00:00:09,070 --> 00:00:09,080 +place like + + +9 +00:00:09,080 --> 00:00:14,749 +place like +home it breaks your heart into finish + +10 +00:00:14,749 --> 00:00:14,759 +home it breaks your heart into finish + + +11 +00:00:14,759 --> 00:00:19,910 +home it breaks your heart into finish + finish me to know that she + +12 +00:00:19,910 --> 00:00:19,920 +finish me to know that she + + +13 +00:00:19,920 --> 00:00:25,029 +finish me to know that she +untr but oh what will you + +14 +00:00:25,029 --> 00:00:25,039 +untr but oh what will you + + +15 +00:00:25,039 --> 00:00:27,269 +untr but oh what will you +do what will I + +16 +00:00:27,269 --> 00:00:27,279 +do what will I + + +17 +00:00:27,279 --> 00:00:30,050 +do what will I +do what the am I going to do + +18 +00:00:30,050 --> 00:00:30,060 +do what the am I going to do + + +19 +00:00:30,060 --> 00:00:38,310 +do what the am I going to do +[Music] + +20 +00:00:38,310 --> 00:00:38,320 + + + +21 +00:00:38,320 --> 00:00:41,470 + +with place like home there's no place + +22 +00:00:41,470 --> 00:00:41,480 +with place like home there's no place + + +23 +00:00:41,480 --> 00:00:44,110 +with place like home there's no place +like + +24 +00:00:44,110 --> 00:00:44,120 + + + +25 +00:00:44,120 --> 00:00:45,910 + +home help + +26 +00:00:45,910 --> 00:00:45,920 +home help + + +27 +00:00:45,920 --> 00:00:47,389 +home help +[Music] + +28 +00:00:47,389 --> 00:00:47,399 +[Music] + + +29 +00:00:47,399 --> 00:00:49,090 +[Music] +me it's + +30 +00:00:49,090 --> 00:00:49,100 +me it's + + +31 +00:00:49,100 --> 00:00:53,790 +me it's +[Music] + +32 +00:00:53,790 --> 00:00:53,800 + + + +33 +00:00:53,800 --> 00:00:58,270 + +over all the rain in the sky over the + +34 +00:00:58,270 --> 00:00:58,280 +over all the rain in the sky over the + + +35 +00:00:58,280 --> 00:01:02,069 +over all the rain in the sky over the + rainbow start to week then say + +36 +00:01:02,069 --> 00:01:02,079 +rainbow start to week then say + + +37 +00:01:02,079 --> 00:01:05,149 +rainbow start to week then say +goodbye good + +38 +00:01:05,149 --> 00:01:05,159 +goodbye good + + +39 +00:01:05,159 --> 00:01:10,590 +goodbye good +bye you won't be seen in + +40 +00:01:10,590 --> 00:01:10,600 +bye you won't be seen in + + +41 +00:01:10,600 --> 00:01:15,350 +bye you won't be seen in +rainbows + +42 +00:01:15,350 --> 00:01:15,360 + + + +43 +00:01:15,360 --> 00:01:17,820 + +anymore okay + +44 +00:01:17,820 --> 00:01:17,830 +anymore okay + + +45 +00:01:17,830 --> 00:01:32,910 +anymore okay +[Music] + +46 +00:01:32,910 --> 00:01:32,920 + + + +47 +00:01:32,920 --> 00:01:36,510 + +love + +48 +00:01:36,510 --> 00:01:36,520 + + + +49 +00:01:36,520 --> 00:01:44,630 + +everybody it's over it's over it's + +50 +00:01:44,630 --> 00:01:44,640 + + + +51 +00:01:44,640 --> 00:01:49,640 + +over it's + +52 +00:01:49,640 --> 00:01:49,650 + + + +53 +00:01:49,650 --> 00:02:10,430 + +[Music] + +54 +00:02:10,430 --> 00:02:10,440 + + + +55 +00:02:10,440 --> 00:02:31,750 + +[Music] + +56 +00:02:31,750 --> 00:02:31,760 + + + +57 +00:02:31,760 --> 00:02:35,520 + +St + +58 +00:02:35,520 --> 00:02:35,530 + + + +59 +00:02:35,530 --> 00:02:41,479 + +[Music] + diff --git a/1998/oD-1eCD7lkE.en.srt b/1998/oD-1eCD7lkE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..96687eedd1a24e73c78a7a88e319f692bac0b12e --- /dev/null +++ b/1998/oD-1eCD7lkE.en.srt @@ -0,0 +1,575 @@ +1 +00:00:00,439 --> 00:00:03,710 + +gentlemen members of the National office + +2 +00:00:03,710 --> 00:00:03,720 +gentlemen members of the National office + + +3 +00:00:03,720 --> 00:00:06,530 +gentlemen members of the National office +are coming here tonight for their annual + +4 +00:00:06,530 --> 00:00:06,540 +are coming here tonight for their annual + + +5 +00:00:06,540 --> 00:00:10,070 +are coming here tonight for their annual +inspection of this theater right now I'm + +6 +00:00:10,070 --> 00:00:10,080 +inspection of this theater right now I'm + + +7 +00:00:10,080 --> 00:00:11,600 +inspection of this theater right now I'm +going to explain to you my managing + +8 +00:00:11,600 --> 00:00:11,610 +going to explain to you my managing + + +9 +00:00:11,610 --> 00:00:17,900 +going to explain to you my managing +style for the benefit of the new guys so + +10 +00:00:17,900 --> 00:00:17,910 +style for the benefit of the new guys so + + +11 +00:00:17,910 --> 00:00:21,349 +style for the benefit of the new guys so +there you are tubby look like a bucket + +12 +00:00:21,349 --> 00:00:21,359 +there you are tubby look like a bucket + + +13 +00:00:21,359 --> 00:00:24,140 +there you are tubby look like a bucket +of lard on a bad day you baby gorilla + +14 +00:00:24,140 --> 00:00:24,150 +of lard on a bad day you baby gorilla + + +15 +00:00:24,150 --> 00:00:25,820 +of lard on a bad day you baby gorilla +why don't you work a zoo and stop + +16 +00:00:25,820 --> 00:00:25,830 +why don't you work a zoo and stop + + +17 +00:00:25,830 --> 00:00:27,950 +why don't you work a zoo and stop +bothering people got a call yesterday + +18 +00:00:27,950 --> 00:00:27,960 +bothering people got a call yesterday + + +19 +00:00:27,960 --> 00:00:31,820 +bothering people got a call yesterday +from Baskin Robbins they said that + +20 +00:00:31,820 --> 00:00:31,830 +from Baskin Robbins they said that + + +21 +00:00:31,830 --> 00:00:33,610 +from Baskin Robbins they said that +they're down to only five flavors + +22 +00:00:33,610 --> 00:00:33,620 +they're down to only five flavors + + +23 +00:00:33,620 --> 00:00:36,410 +they're down to only five flavors +swelling up as I talked to you look at + +24 +00:00:36,410 --> 00:00:36,420 +swelling up as I talked to you look at + + +25 +00:00:36,420 --> 00:00:40,010 +swelling up as I talked to you look at +you how's this how's it doing + +26 +00:00:40,010 --> 00:00:40,020 + + + +27 +00:00:40,020 --> 00:00:42,110 + +hello ice cream having a good time + +28 +00:00:42,110 --> 00:00:42,120 +hello ice cream having a good time + + +29 +00:00:42,120 --> 00:00:46,729 +hello ice cream having a good time +running around what are you laughing at + +30 +00:00:46,729 --> 00:00:46,739 +running around what are you laughing at + + +31 +00:00:46,739 --> 00:00:48,740 +running around what are you laughing at +cuz I called your friend a fat pig hey + +32 +00:00:48,740 --> 00:00:48,750 +cuz I called your friend a fat pig hey + + +33 +00:00:48,750 --> 00:00:50,660 +cuz I called your friend a fat pig hey +you think that's funny oh no I was just + +34 +00:00:50,660 --> 00:00:50,670 +you think that's funny oh no I was just + + +35 +00:00:50,670 --> 00:00:52,250 +you think that's funny oh no I was just +laughing earlier when you were talking + +36 +00:00:52,250 --> 00:00:52,260 +laughing earlier when you were talking + + +37 +00:00:52,260 --> 00:00:54,080 +laughing earlier when you were talking +to his belly did you get a horse and + +38 +00:00:54,080 --> 00:00:54,090 +to his belly did you get a horse and + + +39 +00:00:54,090 --> 00:00:55,430 +to his belly did you get a horse and +live in the mountains someplace and + +40 +00:00:55,430 --> 00:00:55,440 +live in the mountains someplace and + + +41 +00:00:55,440 --> 00:00:57,830 +live in the mountains someplace and +don't bother anybody got a personality + +42 +00:00:57,830 --> 00:00:57,840 +don't bother anybody got a personality + + +43 +00:00:57,840 --> 00:01:01,540 +don't bother anybody got a personality +like a dead moth okay the fun's over + +44 +00:01:01,540 --> 00:01:01,550 +like a dead moth okay the fun's over + + +45 +00:01:01,550 --> 00:01:03,650 +like a dead moth okay the fun's over +anybody messes this thing up for me + +46 +00:01:03,650 --> 00:01:03,660 +anybody messes this thing up for me + + +47 +00:01:03,660 --> 00:01:05,899 +anybody messes this thing up for me +tonight is through not only are you + +48 +00:01:05,899 --> 00:01:05,909 +tonight is through not only are you + + +49 +00:01:05,909 --> 00:01:09,230 +tonight is through not only are you +fired your life is over I'll see to it + +50 +00:01:09,230 --> 00:01:09,240 +fired your life is over I'll see to it + + +51 +00:01:09,240 --> 00:01:10,670 +fired your life is over I'll see to it +that you never work again and that you + +52 +00:01:10,670 --> 00:01:10,680 +that you never work again and that you + + +53 +00:01:10,680 --> 00:01:13,600 +that you never work again and that you +wind up tearing tickets off in Kuwait + +54 +00:01:13,600 --> 00:01:13,610 +wind up tearing tickets off in Kuwait + + +55 +00:01:13,610 --> 00:01:15,109 +wind up tearing tickets off in Kuwait +come on mother + +56 +00:01:15,109 --> 00:01:15,119 +come on mother + + +57 +00:01:15,119 --> 00:01:17,090 +come on mother +and everybody's sucking sand nobody + +58 +00:01:17,090 --> 00:01:17,100 +and everybody's sucking sand nobody + + +59 +00:01:17,100 --> 00:01:18,560 +and everybody's sucking sand nobody +messes up you understand me + +60 +00:01:18,560 --> 00:01:18,570 +messes up you understand me + + +61 +00:01:18,570 --> 00:01:26,270 +messes up you understand me +don't mess up that guy's gonna be our + +62 +00:01:26,270 --> 00:01:26,280 +don't mess up that guy's gonna be our + + +63 +00:01:26,280 --> 00:01:28,910 +don't mess up that guy's gonna be our +boss then after a speech like that how + +64 +00:01:28,910 --> 00:01:28,920 +boss then after a speech like that how + + +65 +00:01:28,920 --> 00:01:30,440 +boss then after a speech like that how +does he expect us not to screw him over + +66 +00:01:30,440 --> 00:01:30,450 +does he expect us not to screw him over + + +67 +00:01:30,450 --> 00:01:32,899 +does he expect us not to screw him over +yeah every one of us said the exact same + +68 +00:01:32,899 --> 00:01:32,909 +yeah every one of us said the exact same + + +69 +00:01:32,909 --> 00:01:34,609 +yeah every one of us said the exact same +thing our first day working for Hamels + +70 +00:01:34,609 --> 00:01:34,619 +thing our first day working for Hamels + + +71 +00:01:34,619 --> 00:01:36,590 +thing our first day working for Hamels +only nobody ever does anything well + +72 +00:01:36,590 --> 00:01:36,600 +only nobody ever does anything well + + +73 +00:01:36,600 --> 00:01:38,510 +only nobody ever does anything well +trust me this isn't just talk nobody + +74 +00:01:38,510 --> 00:01:38,520 +trust me this isn't just talk nobody + + +75 +00:01:38,520 --> 00:01:40,609 +trust me this isn't just talk nobody +screws me over like that yeah me neither + +76 +00:01:40,609 --> 00:01:40,619 +screws me over like that yeah me neither + + +77 +00:01:40,619 --> 00:01:42,020 +screws me over like that yeah me neither +hey I can't help you because I need this + +78 +00:01:42,020 --> 00:01:42,030 +hey I can't help you because I need this + + +79 +00:01:42,030 --> 00:01:43,670 +hey I can't help you because I need this +job but if you really screw over + +80 +00:01:43,670 --> 00:01:43,680 +job but if you really screw over + + +81 +00:01:43,680 --> 00:01:46,370 +job but if you really screw over +Hamilton I'll give you ten bucks mark me + +82 +00:01:46,370 --> 00:01:46,380 +Hamilton I'll give you ten bucks mark me + + +83 +00:01:46,380 --> 00:01:51,109 +Hamilton I'll give you ten bucks mark me +down for 20 mr. Witherspoon class + +84 +00:01:51,109 --> 00:01:51,119 +down for 20 mr. Witherspoon class + + +85 +00:01:51,119 --> 00:01:53,780 +down for 20 mr. Witherspoon class +operation Hamilton good job thank you + +86 +00:01:53,780 --> 00:01:53,790 +operation Hamilton good job thank you + + +87 +00:01:53,790 --> 00:01:57,800 +operation Hamilton good job thank you +sir let me get you some refreshments + +88 +00:01:57,800 --> 00:01:57,810 +sir let me get you some refreshments + + +89 +00:01:57,810 --> 00:01:59,790 +sir let me get you some refreshments +okay we're all set + +90 +00:01:59,790 --> 00:01:59,800 +okay we're all set + + +91 +00:01:59,800 --> 00:02:10,770 +okay we're all set +one two three one away + +92 +00:02:10,770 --> 00:02:10,780 + + + +93 +00:02:10,780 --> 00:02:14,620 + +well an alien yeah we better have sex + +94 +00:02:14,620 --> 00:02:14,630 +well an alien yeah we better have sex + + +95 +00:02:14,630 --> 00:02:21,420 +well an alien yeah we better have sex +with each other + +96 +00:02:21,420 --> 00:02:21,430 + + + +97 +00:02:21,430 --> 00:02:24,699 + +note to self Sam just looked at the + +98 +00:02:24,699 --> 00:02:24,709 +note to self Sam just looked at the + + +99 +00:02:24,709 --> 00:02:26,920 +note to self Sam just looked at the +screen no I didn't I was just making + +100 +00:02:26,920 --> 00:02:26,930 +screen no I didn't I was just making + + +101 +00:02:26,930 --> 00:02:30,850 +screen no I didn't I was just making +sure that the real other hey this alien + +102 +00:02:30,850 --> 00:02:30,860 +sure that the real other hey this alien + + +103 +00:02:30,860 --> 00:02:32,710 +sure that the real other hey this alien +looks just like a hot guy you're right + +104 +00:02:32,710 --> 00:02:32,720 +looks just like a hot guy you're right + + +105 +00:02:32,720 --> 00:02:34,120 +looks just like a hot guy you're right +we'd better have sex with him + +106 +00:02:34,120 --> 00:02:34,130 +we'd better have sex with him + + +107 +00:02:34,130 --> 00:02:36,790 +we'd better have sex with him +give me that took you long enough you + +108 +00:02:36,790 --> 00:02:36,800 +give me that took you long enough you + + +109 +00:02:36,800 --> 00:02:48,890 +give me that took you long enough you +dummy + +110 +00:02:48,890 --> 00:02:48,900 + + + +111 +00:02:48,900 --> 00:02:54,110 + +Hamilton your crew dude that was amazing + +112 +00:02:54,110 --> 00:02:54,120 +Hamilton your crew dude that was amazing + + +113 +00:02:54,120 --> 00:03:16,120 +Hamilton your crew dude that was amazing +you should do that stuff for a living + +114 +00:03:16,120 --> 00:03:16,130 + + + +115 +00:03:16,130 --> 00:03:18,160 + +Oh + diff --git a/1998/oKYBGq7pt3M.en.srt b/1998/oKYBGq7pt3M.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9d86065e2a44b2865035de6218c87faec3dcc003 --- /dev/null +++ b/1998/oKYBGq7pt3M.en.srt @@ -0,0 +1,225 @@ +1 +00:00:00,960 --> 00:00:07,030 + +step quick slow quick slow very good + +2 +00:00:07,030 --> 00:00:07,040 +step quick slow quick slow very good + + +3 +00:00:07,040 --> 00:00:08,790 +step quick slow quick slow very good +very good + +4 +00:00:08,790 --> 00:00:08,800 +very good + + +5 +00:00:08,800 --> 00:00:11,270 +very good +very nice Sylvia excellent very good + +6 +00:00:11,270 --> 00:00:11,280 +very nice Sylvia excellent very good + + +7 +00:00:11,280 --> 00:00:14,150 +very nice Sylvia excellent very good +much better very good + +8 +00:00:14,150 --> 00:00:14,160 +much better very good + + +9 +00:00:14,160 --> 00:00:19,189 +much better very good +no no no no head up young head up please + +10 +00:00:19,189 --> 00:00:19,199 +no no no no head up young head up please + + +11 +00:00:19,199 --> 00:00:21,830 +no no no no head up young head up please +excuse + +12 +00:00:21,830 --> 00:00:21,840 +excuse + + +13 +00:00:21,840 --> 00:00:25,550 +excuse +oh hi Danny + +14 +00:00:25,550 --> 00:00:25,560 + + + +15 +00:00:25,560 --> 00:00:30,550 + +okay help look at me no no no no no stop + +16 +00:00:30,550 --> 00:00:30,560 +okay help look at me no no no no no stop + + +17 +00:00:30,560 --> 00:00:32,790 +okay help look at me no no no no no stop +it Danny come on stop touching M + +18 +00:00:32,790 --> 00:00:32,800 +it Danny come on stop touching M + + +19 +00:00:32,800 --> 00:00:44,389 +it Danny come on stop touching M +Reynolds t A N G O T A N G O T A N G O T + +20 +00:00:44,389 --> 00:00:44,399 +Reynolds t A N G O T A N G O T A N G O T + + +21 +00:00:44,399 --> 00:00:52,120 +Reynolds t A N G O T A N G O T A N G O T +A N G O T A N G O + +22 +00:00:52,120 --> 00:00:52,130 +A N G O T A N G O + + +23 +00:00:52,130 --> 00:01:06,149 + +[Music] + +24 +00:01:06,149 --> 00:01:06,159 + + + +25 +00:01:06,159 --> 00:01:09,789 + +Please get up young people get up + +26 +00:01:09,789 --> 00:01:09,799 +Please get up young people get up + + +27 +00:01:09,799 --> 00:01:14,390 +Please get up young people get up +now one two side step one two side step + +28 +00:01:14,390 --> 00:01:14,400 +now one two side step one two side step + + +29 +00:01:14,400 --> 00:01:17,310 +now one two side step one two side step +glide glide glide + +30 +00:01:17,310 --> 00:01:17,320 +glide glide glide + + +31 +00:01:17,320 --> 00:01:21,429 +glide glide glide +belly let me see you thinking smile Mrs + +32 +00:01:21,429 --> 00:01:21,439 +belly let me see you thinking smile Mrs + + +33 +00:01:21,439 --> 00:01:27,890 +belly let me see you thinking smile Mrs +be let the music carry you away + +34 +00:01:27,890 --> 00:01:27,900 + + + +35 +00:01:27,900 --> 00:01:34,030 + +[Music] + +36 +00:01:34,030 --> 00:01:34,040 +[Music] + + +37 +00:01:34,040 --> 00:01:36,270 +[Music] +yes + +38 +00:01:36,270 --> 00:01:36,280 +yes + + +39 +00:01:36,280 --> 00:01:43,200 +yes +step step + +40 +00:01:43,200 --> 00:01:43,210 + + + +41 +00:01:43,210 --> 00:01:44,330 + +[Music] + +42 +00:01:44,330 --> 00:01:44,340 +[Music] + + +43 +00:01:44,340 --> 00:01:49,990 +[Music] +[Applause] + +44 +00:01:49,990 --> 00:01:50,000 + + + +45 +00:01:50,000 --> 00:02:42,580 + +[Music] + diff --git a/1998/oXpKBkMq_OM.description b/1998/oXpKBkMq_OM.description new file mode 100644 index 0000000000000000000000000000000000000000..765007caeb9d6eb742e321059feea3b8f78532b0 --- /dev/null +++ b/1998/oXpKBkMq_OM.description @@ -0,0 +1,34 @@ +The Avengers - A Silly Thing to Do: Agent John Steed (Ralph Fiennes) stumbles across a group of henchmen. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/the-avengers-1998/1MV39e1e73c679dd82c9e864534a0abafe3?cmp=Movieclips_YT_Description + +Watch the best The Avengers scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqrtILsLlKtgt1arZdpbGm0y + +FILM DESCRIPTION: +A charismatic evil genius named Sir August de Wynter (Sean Connery) discovers a way to harness the weather and utilize it as a weapon against London and the world at large. The posh and droll combo of secret agents John Steed (Ralph Fiennes) and Emma Peel (Uma Thurman) are on the case. But then Peel is implicated in the sabotage of a government scientific experiment. Steed and Peel try to clear her name, while also trying to stop de Wynter for good. + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Ralph Fiennes + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/o_KXbKa2crI.description b/1998/o_KXbKa2crI.description new file mode 100644 index 0000000000000000000000000000000000000000..696b3b32471cc09ef7e872ec6534cf227a52c8c4 --- /dev/null +++ b/1998/o_KXbKa2crI.description @@ -0,0 +1,38 @@ +Shakespeare in Love movie clips: http://j.mp/1uuza5O +BUY THE MOVIE: http://amzn.to/t8X4Kd +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +The Queen (Judi Dench) saves Shakespeare (Joseph Fiennes) from arrest and Viola (Gwyneth Paltrow) from being outed as a woman. + +FILM DESCRIPTION: +William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of "The Rose," a theatre whose doors are about to be closed by sadistic creditors, but he's got a nasty case of writer's block. Shakespeare hasn't written a hit in years. In fact, he hasn't written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose's solvency on Shakespeare's new comedy, "Romeo and Ethel, the Pirate's Daughter." The problem is, "Romeo" is safely "locked away" in Shakespeare's head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer -- scandalous for a woman of her breeding -- who especially admires Shakespeare's plays and, not incidentally, Bill himself. Alas, she's about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola's romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet. + +CREDITS: +TM & © Miramax Films (1998) +Cast: Daniel Brocklebank, Jim Carter, Joseph Fiennes, Colin Firth, Geoffrey Rush, Tom Wilkinson, Judi Dench, Gwyneth Paltrow +Director: John Madden +Producers: Linda Bruce, Mark Cooper, Donna Gigliotti, Julie Goldstein, Marc Norman, David Parfitt, Bob Weinstein, Harvey Weinstein, Edward Zwick +Screenwriters: Marc Norman, Tom Stoppard + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/o_KXbKa2crI.en.srt b/1998/o_KXbKa2crI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2c220c774983d90874ef9f7991c91c57da601b07 --- /dev/null +++ b/1998/o_KXbKa2crI.en.srt @@ -0,0 +1,169 @@ +1 +00:00:05,612 --> 00:00:07,580 +[ Whistles ] + +2 +00:00:13,387 --> 00:00:15,947 +[ Spears Banging ] + +3 +00:00:16,023 --> 00:00:20,392 +- God save the queen ! +- l arrest you in the name +of Queen Elizabeth ! + +4 +00:00:20,460 --> 00:00:24,521 +[ Shouting ] +Arrest who, Mr. Tilney ? + +5 +00:00:24,598 --> 00:00:26,327 +Everyone ! + +6 +00:00:26,400 --> 00:00:29,733 +Admiral's Men, +the Chamberlain's Men... + +7 +00:00:29,803 --> 00:00:34,172 +and every one of you ne'er-do-wells +that stand in contempt... + +8 +00:00:34,241 --> 00:00:37,608 +of the authority vested +in me by Her Majesty ! + +9 +00:00:37,678 --> 00:00:41,739 +Contempt ? You closed the Rose. +l have not opened it. + +10 +00:00:41,815 --> 00:00:44,340 +That woman is a woman ! + +11 +00:00:44,418 --> 00:00:46,511 +- [ All Gasp ] +- [ Ned ] What ? + +12 +00:00:46,587 --> 00:00:49,818 +A woman ? +You mean that goat ? + +13 +00:00:49,890 --> 00:00:55,294 +l'll see you all in Clink, in the name +of Her Majesty, Queen Elizabeth ! + +14 +00:00:55,362 --> 00:00:58,729 +- [ Queen Elizabeth ] Mr. Tilney ! +- [ All Gasping ] + +15 +00:01:03,937 --> 00:01:07,703 +Have a care with my name. +You will wear it out. + +16 +00:01:15,582 --> 00:01:18,278 +The queen of England +does not attend... + +17 +00:01:18,352 --> 00:01:20,479 +exhibitions +of public lewdness. + +18 +00:01:20,554 --> 00:01:23,580 +So something +is out of joint. + +19 +00:01:25,492 --> 00:01:29,155 +Come here, Master Kent. +Let me look at you. + +20 +00:01:43,944 --> 00:01:46,879 +Yes, the illusion +is remarkable. + +21 +00:01:46,947 --> 00:01:49,677 +And your error, Mr. Tilney, +is easily forgiven. + +22 +00:01:51,018 --> 00:01:55,011 +But l know something of +a woman in a man's profession. + +23 +00:01:55,088 --> 00:01:58,057 +Yes, by God, +l do know about that. + +24 +00:01:59,793 --> 00:02:02,728 +That is enough from you, +Master Kent. + +25 +00:02:07,567 --> 00:02:09,831 +lf only Lord Wessex +were here. + +26 +00:02:09,903 --> 00:02:11,962 +He is, ma'am. + +27 +00:02:14,875 --> 00:02:18,072 +[ Grunts ] +Y-Your Majesty. + +28 +00:02:19,313 --> 00:02:22,339 +There was a wager +l remember... + +29 +00:02:22,416 --> 00:02:27,251 +as to whether a play could show +the very truth and nature of love. + +30 +00:02:27,321 --> 00:02:29,915 +l think you lost it today. + +31 +00:02:34,594 --> 00:02:37,461 +You are an eager boy. +Did you like the play ? + +32 +00:02:38,598 --> 00:02:41,533 +l liked it when she stabbed herself, +Your Majesty. + +33 +00:02:48,175 --> 00:02:50,609 +Master Shakespeare. + +34 +00:02:53,213 --> 00:02:56,205 +Next time you come to Greenwich, +come as yourself, + +35 +00:02:56,283 --> 00:02:59,411 +and we will speak +some more. + diff --git a/1998/orhrsjDwamY.description b/1998/orhrsjDwamY.description new file mode 100644 index 0000000000000000000000000000000000000000..b0e6243e65dedbb20bb45b86e81417e756355783 --- /dev/null +++ b/1998/orhrsjDwamY.description @@ -0,0 +1,43 @@ +The X Files movie clips: http://j.mp/1ixkTju +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/the-x-files-1998/1MVf8fc5803e1965319941b1ba901da678a?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1FyX5zM +Amazon - http://amzn.to/1H60BHe +Fox Movies - http://bit.ly/1dicu0y +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +In a giant dome tent, Mulder (David Duchovny) and Scully (Gillian Anderson) are set upon by a swarm of bees. + +FILM DESCRIPTION: +This 60-million-dollar science fiction suspense drama (marketed with an additional 25 million dollars), was adapted from the popular TV series The X-Files -- arriving in theaters while the Emmy-winning series was still being aired, continuing plot threads familiar to many of the series' 25 million viewers, and featuring several familiar recurring characters introduced during the previous five TV seasons. In 15,000 B.C., a strange creature attacks a caveman. Cut to present day, when a boy at the same North Texas spot falls into a pit and is contaminated by a black substance. When a bomb threatens the Dallas Federal Building, special FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) locate the device but are unable to prevent the explosion. The agency blames Mulder and Scully for the disaster, subjecting them to lengthy interrogations while trying to sever their partnership. In a bar, conspiracy theorist Kurtzweil (Martin Landau), a friend of Mulder's father, tells Mulder about the group behind the explosion, the cover-up of the boy's death, the bodies of four infected rescue workers removed from the Federal Building, the secret government, and the forthcoming plague. Mulder and Scully set out to find answers, and their investigation becomes a foray into the fantastic. + +CREDITS: +TM & © Fox (1998) +Courtesy of Twentieth Century Fox Film Corporation +Cast: David Duchovny, Gillian Anderson +Director: Rob Bowman +Producers: Mary Astadourian, Lata Ryan, Daniel Sackheim, Bruce Devan, Chris Carter +Screenwriters: Frank Spotnitz, Chris Carter + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/orhrsjDwamY.en.srt b/1998/orhrsjDwamY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6314c181ee141f59ba2aa40312478d982c402f92 --- /dev/null +++ b/1998/orhrsjDwamY.en.srt @@ -0,0 +1,14 @@ +1 +00:01:10,130 --> 00:02:07,719 + +Gaston babies + +2 +00:02:07,719 --> 00:02:07,729 + + + +3 +00:02:07,729 --> 00:02:10,729 + + diff --git a/1998/p5lEvn7ejJI.description b/1998/p5lEvn7ejJI.description new file mode 100644 index 0000000000000000000000000000000000000000..c9c0dc34448ef106cebc8e907901cafb2a6f8668 --- /dev/null +++ b/1998/p5lEvn7ejJI.description @@ -0,0 +1,38 @@ +Out of Sight movie clips: http://j.mp/1Jc8OZc +BUY THE MOVIE: https://www.fandangonow.com/details/movie/out-of-sight-1998/1MVc537c8f4066623b0309496e74e7b0f64?cmp=Movieclips_YT_Description +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Maurice (Don Cheadle) and his crew try to bust open Richard's (Albert Brooks) safe…with their guns. + +FILM DESCRIPTION: +Steven Soderbergh directed this crime caper adapted from the novel by Elmore Leonard. When ex-con Jack Foley (George Clooney) robs a bank, his car goes dead, and Foley lands in a Florida prison. His escape from prison doesn't go as planned, since it's witnessed by deputy federal marshal Karen Sisco (Jennifer Lopez). Foley's pal Buddy Bragg (Ving Rhames) intervenes, with the result that Sisco winds up in the trunk of the getaway car with Foley, and the two realize they're attracted to each other, despite being on opposite sides of the law. However, that doesn't stop Sisco from her mission to capture Foley, who has spent much of his life in prison. Flashbacks introduce Foley's fellow prisoners, including dim dude Glenn Michaels (Steve Zahn), violent Maurice "Snoopy" Miller (Don Cheadle), and insider trader and billionaire Richard Ripley (Albert Brooks), who talks too much about his wealth. This later leads to a break-in at Ripley's posh Detroit estate by Miller, his brother-in-law Kenneth (Isaiah Washington), and menacing White Boy Rob (Keith Loneker). While seeking a hidden safe, the group threatens Ripley's housekeeper Midge (Nancy Allen). Foley and Bragg are in on this operation, but they wind up outwitting the others, and Sisco is close on their trail. The film features uncredited cameos by Michael Keaton and Samuel L. Jackson, and was shot in locations in Florida, Louisiana, and Michigan. + +CREDITS: +TM & © Universal (1998) +Cast: Albert Brooks, Don Cheadle, George Clooney, Keith Loneker, Ving Rhames, Isaiah Washington, Nancy Allen +Director: Steven Soderbergh +Producers: Danny DeVito, John Hardy, Michael Shamberg, Stacey Sher, Barry Sonnenfeld +Screenwriters: Elmore Leonard, Scott Frank + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/p5lEvn7ejJI.en.srt b/1998/p5lEvn7ejJI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..824a3a93bac802f8e4ed07073e83dc86e0e7b5ad --- /dev/null +++ b/1998/p5lEvn7ejJI.en.srt @@ -0,0 +1,165 @@ +1 +00:00:07,000 --> 00:00:40,000 + +[Music] + +2 +00:00:40,000 --> 00:00:40,010 + + + +3 +00:00:40,010 --> 00:00:43,729 + +they found a safe buddy you remember + +4 +00:00:43,729 --> 00:00:43,739 +they found a safe buddy you remember + + +5 +00:00:43,739 --> 00:00:46,700 +they found a safe buddy you remember +Richard onion yeah hi nice house + +6 +00:00:46,700 --> 00:00:46,710 +Richard onion yeah hi nice house + + +7 +00:00:46,710 --> 00:00:51,830 +Richard onion yeah hi nice house +thank you yeah we just all hit this head + +8 +00:00:51,830 --> 00:00:51,840 +thank you yeah we just all hit this head + + +9 +00:00:51,840 --> 00:01:03,219 +thank you yeah we just all hit this head +low blow this sucker wide off of that oh + +10 +00:01:03,219 --> 00:01:03,229 + + + +11 +00:01:03,229 --> 00:01:10,000 + +well you been found some steaks steaks + +12 +00:01:10,000 --> 00:01:10,010 + + + +13 +00:01:10,010 --> 00:01:19,630 + +glasses damn safe over there all right + +14 +00:01:19,630 --> 00:01:19,640 + + + +15 +00:01:19,640 --> 00:01:27,130 + +all right on three one two three + +16 +00:01:27,130 --> 00:01:27,140 + + + +17 +00:01:27,140 --> 00:01:29,900 + +Jesus Christ they're shooting minutes + +18 +00:01:29,900 --> 00:01:29,910 +Jesus Christ they're shooting minutes + + +19 +00:01:29,910 --> 00:01:31,760 +Jesus Christ they're shooting minutes +now dick the try nope another save now + +20 +00:01:31,760 --> 00:01:31,770 +now dick the try nope another save now + + +21 +00:01:31,770 --> 00:01:38,720 +now dick the try nope another save now +you made oh we didn't even crack this + +22 +00:01:38,720 --> 00:01:38,730 +you made oh we didn't even crack this + + +23 +00:01:38,730 --> 00:01:49,620 +you made oh we didn't even crack this +song + +24 +00:01:49,620 --> 00:01:49,630 + + + +25 +00:01:49,630 --> 00:01:52,179 + +okay hit the hinges mm-hmm + +26 +00:01:52,179 --> 00:01:52,189 +okay hit the hinges mm-hmm + + +27 +00:01:52,189 --> 00:01:56,380 +okay hit the hinges mm-hmm +put your finger near all right on three + +28 +00:01:56,380 --> 00:01:56,390 +put your finger near all right on three + + +29 +00:01:56,390 --> 00:02:05,700 +put your finger near all right on three +one two the combination is three 1044 + +30 +00:02:05,700 --> 00:02:05,710 + + + +31 +00:02:05,710 --> 00:02:09,430 + +Richards birthday + +32 +00:02:09,430 --> 00:02:09,440 + + + +33 +00:02:09,440 --> 00:02:40,490 + +[Music] + diff --git a/1998/pMoxr-jgd58.ar.srt b/1998/pMoxr-jgd58.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..b8e6253b61b7558c36d96255af672ba825af24bd --- /dev/null +++ b/1998/pMoxr-jgd58.ar.srt @@ -0,0 +1,289 @@ +1 +00:00:00,799 --> 00:00:03,070 + +أوه ش تيم كل شيء سيكون على ما يرام + +2 +00:00:03,070 --> 00:00:03,080 +أوه ش تيم كل شيء سيكون على ما يرام + + +3 +00:00:03,080 --> 00:00:05,710 +أوه ش تيم كل شيء سيكون على ما يرام +إنهم لا يلاحقونك إنهم يريدون فقط + +4 +00:00:05,710 --> 00:00:05,720 +إنهم لا يلاحقونك إنهم يريدون فقط + + +5 +00:00:05,720 --> 00:00:07,950 +إنهم لا يلاحقونك إنهم يريدون فقط +قتل الوحوش الصغيرة هذا + +6 +00:00:07,950 --> 00:00:07,960 +قتل الوحوش الصغيرة هذا + + +7 +00:00:07,960 --> 00:00:10,430 +قتل الوحوش الصغيرة هذا +صحيح لقد وقعنا للتو في + +8 +00:00:10,430 --> 00:00:10,440 +صحيح لقد وقعنا للتو في + + +9 +00:00:10,440 --> 00:00:14,230 +صحيح لقد وقعنا للتو في +لعبة غبية حسنًا + +10 +00:00:14,230 --> 00:00:14,240 +لعبة غبية حسنًا + + +11 +00:00:14,240 --> 00:00:18,750 +لعبة غبية حسنًا +انتهت اللعبة السيد فيمبل انتظر ثانية لا ألان دعه + +12 +00:00:18,750 --> 00:00:18,760 +انتهت اللعبة السيد فيمبل انتظر ثانية لا ألان دعه + + +13 +00:00:18,760 --> 00:00:24,070 +انتهت اللعبة السيد فيمبل انتظر ثانية لا ألان دعه + +14 +00:00:24,070 --> 00:00:24,080 + + + +15 +00:00:24,080 --> 00:00:25,669 + +يذهب + +16 +00:00:25,669 --> 00:00:25,679 +يذهب + + +17 +00:00:25,679 --> 00:00:34,910 +يذهب +آرتشر يجب أن يخسر الجورجونيون + +18 +00:00:34,910 --> 00:00:34,920 + + + +19 +00:00:34,920 --> 00:00:37,549 + +مرحبًا أنا فيل + +20 +00:00:37,549 --> 00:00:37,559 +مرحبًا أنا فيل + + +21 +00:00:37,559 --> 00:00:39,709 +مرحبًا أنا فيل +فيمبل أنا هنا للتفاوض على + +22 +00:00:39,709 --> 00:00:39,719 +فيمبل أنا هنا للتفاوض على + + +23 +00:00:39,719 --> 00:00:43,069 +فيمبل أنا هنا للتفاوض على +استسلام + +24 +00:00:43,069 --> 00:00:43,079 +استسلام + + +25 +00:00:43,079 --> 00:00:46,150 +استسلام +الجورجونيون الآن إليك اقتراحنا مهلا + +26 +00:00:46,150 --> 00:00:46,160 +الجورجونيون الآن إليك اقتراحنا مهلا + + +27 +00:00:46,160 --> 00:00:47,950 +الجورجونيون الآن إليك اقتراحنا مهلا +خذهم إنه يبيعنا أسفل النهر + +28 +00:00:47,950 --> 00:00:47,960 +خذهم إنه يبيعنا أسفل النهر + + +29 +00:00:47,960 --> 00:00:49,869 +خذهم إنه يبيعنا أسفل النهر +الرجل عادي أعني أطفئهم بنديكت أعني أطفئهم فككهم + +30 +00:00:49,869 --> 00:00:51,510 +الرجل عادي أعني أطفئهم بنديكت أعني أطفئهم فككهم + + +31 +00:00:51,510 --> 00:00:51,520 + + + +32 +00:00:51,520 --> 00:00:54,110 + +اسرق بطارياتهم مهما كان ما تفعله يا + +33 +00:00:54,110 --> 00:00:54,120 +اسرق بطارياتهم مهما كان ما تفعله يا + + +34 +00:00:54,120 --> 00:00:56,869 +اسرق بطارياتهم مهما كان ما تفعله يا +رفاق مهلاً هل هذا هو جهاز + +35 +00:00:56,869 --> 00:01:00,830 + + + +36 +00:01:00,830 --> 00:01:04,350 + + + +37 +00:01:04,350 --> 00:01:04,360 + + + +38 +00:01:04,360 --> 00:01:06,870 + +JVC الخاص بي لن يكون هناك استسلام لن + +39 +00:01:06,870 --> 00:01:06,880 +JVC الخاص بي لن يكون هناك استسلام لن + + +40 +00:01:06,880 --> 00:01:10,590 +JVC الخاص بي لن يكون هناك استسلام لن +تكون هناك رحمة أوه يجب أن يموت حثالة الجورجونيت + +41 +00:01:10,590 --> 00:01:10,600 +تكون هناك رحمة أوه يجب أن يموت حثالة الجورجونيت + + +42 +00:01:10,600 --> 00:01:13,550 +تكون هناك رحمة أوه يجب أن يموت حثالة الجورجونيت +نعم قصفهم طوال الطريق للعودة إلى + +43 +00:01:13,550 --> 00:01:13,560 +نعم قصفهم طوال الطريق للعودة إلى + + +44 +00:01:13,560 --> 00:01:15,469 +نعم قصفهم طوال الطريق للعودة إلى +تقديرات بطاقة ما قبل المدرسة + +45 +00:01:15,469 --> 00:01:15,479 +تقديرات بطاقة ما قبل المدرسة + + +46 +00:01:15,479 --> 00:01:16,910 +تقديرات بطاقة ما قبل المدرسة +حثالة الجورجونيت سلسلة هذا + +47 +00:01:16,910 --> 00:01:16,920 +حثالة الجورجونيت سلسلة هذا + + +48 +00:01:16,920 --> 00:01:21,390 +حثالة الجورجونيت سلسلة هذا +16 16 حيث حصلوا على 16 من سبعة + +49 +00:01:21,390 --> 00:01:21,400 +16 16 حيث حصلوا على 16 من سبعة + + +50 +00:01:21,400 --> 00:01:25,149 +16 16 حيث حصلوا على 16 من سبعة +جورجونيت وتسعة + +51 +00:01:25,149 --> 00:01:25,159 + + + +52 +00:01:25,159 --> 00:01:28,469 + +أشخاص حسنًا لقد سمعت اقتراحنا + +53 +00:01:28,469 --> 00:01:28,479 +أشخاص حسنًا لقد سمعت اقتراحنا + + +54 +00:01:28,479 --> 00:01:37,510 +أشخاص حسنًا لقد سمعت اقتراحنا +ادخل هنا بسرعة انتهت هذه المفاوضات + +55 +00:01:37,510 --> 00:01:37,520 + + + +56 +00:01:37,520 --> 00:01:40,350 + +نحن النخبة الكوماندوز + +57 +00:01:40,350 --> 00:01:40,360 +نحن النخبة الكوماندوز + + +58 +00:01:40,360 --> 00:01:45,399 +نحن النخبة الكوماندوز +كل شيء آخر مجرد لعبة + diff --git a/1998/pTptxpcYySI.description b/1998/pTptxpcYySI.description new file mode 100644 index 0000000000000000000000000000000000000000..7b700da873775386cbd34cfaa28139eec9deac6d --- /dev/null +++ b/1998/pTptxpcYySI.description @@ -0,0 +1,38 @@ +Out of Sight movie clips: http://j.mp/1Jc8OZc +BUY THE MOVIE: https://www.fandangonow.com/details/m... +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After being kidnapped and stuck in a car trunk, Karen (Jennifer Lopez) and Jack (George Clooney) begin a slight flirtation over the topic of 1970s films. + +FILM DESCRIPTION: +Steven Soderbergh directed this crime caper adapted from the novel by Elmore Leonard. When ex-con Jack Foley (George Clooney) robs a bank, his car goes dead, and Foley lands in a Florida prison. His escape from prison doesn't go as planned, since it's witnessed by deputy federal marshal Karen Sisco (Jennifer Lopez). Foley's pal Buddy Bragg (Ving Rhames) intervenes, with the result that Sisco winds up in the trunk of the getaway car with Foley, and the two realize they're attracted to each other, despite being on opposite sides of the law. However, that doesn't stop Sisco from her mission to capture Foley, who has spent much of his life in prison. Flashbacks introduce Foley's fellow prisoners, including dim dude Glenn Michaels (Steve Zahn), violent Maurice "Snoopy" Miller (Don Cheadle), and insider trader and billionaire Richard Ripley (Albert Brooks), who talks too much about his wealth. This later leads to a break-in at Ripley's posh Detroit estate by Miller, his brother-in-law Kenneth (Isaiah Washington), and menacing White Boy Rob (Keith Loneker). While seeking a hidden safe, the group threatens Ripley's housekeeper Midge (Nancy Allen). Foley and Bragg are in on this operation, but they wind up outwitting the others, and Sisco is close on their trail. The film features uncredited cameos by Michael Keaton and Samuel L. Jackson, and was shot in locations in Florida, Louisiana, and Michigan. + +CREDITS: +TM & © Universal (1998) +Cast: George Clooney, Jennifer Lopez +Director: Steven Soderbergh +Producers: Danny DeVito, John Hardy, Michael Shamberg, Stacey Sher, Barry Sonnenfeld +Screenwriters: Elmore Leonard, Scott Frank + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/pTptxpcYySI.en.srt b/1998/pTptxpcYySI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..390b915fbf1c128e89adf028e9f8aff5749ef72b --- /dev/null +++ b/1998/pTptxpcYySI.en.srt @@ -0,0 +1,525 @@ +1 +00:00:02,639 --> 00:00:04,349 + +you know you don't seem all that + +2 +00:00:04,349 --> 00:00:04,359 +you know you don't seem all that + + +3 +00:00:04,359 --> 00:00:07,629 +you know you don't seem all that +scared of course I am you don't act like + +4 +00:00:07,629 --> 00:00:07,639 +scared of course I am you don't act like + + +5 +00:00:07,639 --> 00:00:11,030 +scared of course I am you don't act like +it what do you want me to do scream I + +6 +00:00:11,030 --> 00:00:11,040 +it what do you want me to do scream I + + +7 +00:00:11,040 --> 00:00:12,310 +it what do you want me to do scream I +didn't help much + +8 +00:00:12,310 --> 00:00:12,320 +didn't help much + + +9 +00:00:12,320 --> 00:00:15,150 +didn't help much +anyway no I'm just going to sit here + +10 +00:00:15,150 --> 00:00:15,160 +anyway no I'm just going to sit here + + +11 +00:00:15,160 --> 00:00:17,470 +anyway no I'm just going to sit here +take it easy and wait for you to screw + +12 +00:00:17,470 --> 00:00:17,480 +take it easy and wait for you to screw + + +13 +00:00:17,480 --> 00:00:21,070 +take it easy and wait for you to screw +up sound like my ex- one you were + +14 +00:00:21,070 --> 00:00:21,080 +up sound like my ex- one you were + + +15 +00:00:21,080 --> 00:00:23,509 +up sound like my ex- one you were +married just for about a year give take + +16 +00:00:23,509 --> 00:00:23,519 +married just for about a year give take + + +17 +00:00:23,519 --> 00:00:25,990 +married just for about a year give take +a few days it's not like we didn't get + +18 +00:00:25,990 --> 00:00:26,000 +a few days it's not like we didn't get + + +19 +00:00:26,000 --> 00:00:28,589 +a few days it's not like we didn't get +along we had fun we just didn't have + +20 +00:00:28,589 --> 00:00:28,599 +along we had fun we just didn't have + + +21 +00:00:28,599 --> 00:00:31,269 +along we had fun we just didn't have +that thing you know that uh + +22 +00:00:31,269 --> 00:00:31,279 +that thing you know that uh + + +23 +00:00:31,279 --> 00:00:34,830 +that thing you know that uh +uh you know spark you know got to have + +24 +00:00:34,830 --> 00:00:34,840 +uh you know spark you know got to have + + +25 +00:00:34,840 --> 00:00:40,910 +uh you know spark you know got to have +that mhm you still talk though + +26 +00:00:40,910 --> 00:00:40,920 + + + +27 +00:00:40,920 --> 00:00:43,430 + +sure this is not going to end well these + +28 +00:00:43,430 --> 00:00:43,440 +sure this is not going to end well these + + +29 +00:00:43,440 --> 00:00:45,670 +sure this is not going to end well these +things never do turns out I get shot + +30 +00:00:45,670 --> 00:00:45,680 +things never do turns out I get shot + + +31 +00:00:45,680 --> 00:00:46,869 +things never do turns out I get shot +like a dog it's going to be in the + +32 +00:00:46,869 --> 00:00:46,879 +like a dog it's going to be in the + + +33 +00:00:46,879 --> 00:00:50,069 +like a dog it's going to be in the +street not off a goddamn fence you must + +34 +00:00:50,069 --> 00:00:50,079 +street not off a goddamn fence you must + + +35 +00:00:50,079 --> 00:00:51,549 +street not off a goddamn fence you must +really see yourself as some kind of + +36 +00:00:51,549 --> 00:00:51,559 +really see yourself as some kind of + + +37 +00:00:51,559 --> 00:00:57,110 +really see yourself as some kind of +Clyde be + +38 +00:00:57,110 --> 00:00:57,120 + + + +39 +00:00:57,120 --> 00:01:03,429 + +huh you mean a Bonnie and cin yeah yeah + +40 +00:01:03,429 --> 00:01:03,439 + + + +41 +00:01:03,439 --> 00:01:05,429 + +yeah the part in the movie where they + +42 +00:01:05,429 --> 00:01:05,439 +yeah the part in the movie where they + + +43 +00:01:05,439 --> 00:01:08,429 +yeah the part in the movie where they +get shot when it's one b + +44 +00:01:08,429 --> 00:01:08,439 +get shot when it's one b + + +45 +00:01:08,439 --> 00:01:11,429 +get shot when it's one b +and F fade onway yeah I like hearing + +46 +00:01:11,429 --> 00:01:11,439 +and F fade onway yeah I like hearing + + +47 +00:01:11,439 --> 00:01:12,710 +and F fade onway yeah I like hearing +that movie about + +48 +00:01:12,710 --> 00:01:12,720 +that movie about + + +49 +00:01:12,720 --> 00:01:15,670 +that movie about +TV networking she was good that guy who + +50 +00:01:15,670 --> 00:01:15,680 +TV networking she was good that guy who + + +51 +00:01:15,680 --> 00:01:16,550 +TV networking she was good that guy who +says he's not going to take any more + +52 +00:01:16,550 --> 00:01:16,560 +says he's not going to take any more + + +53 +00:01:16,560 --> 00:01:20,030 +says he's not going to take any more + from anybody Peter fch yeah Peter + +54 +00:01:20,030 --> 00:01:20,040 +from anybody Peter fch yeah Peter + + +55 +00:01:20,040 --> 00:01:23,830 +from anybody Peter fch yeah Peter +Finch not taking mad as hell and I'm not + +56 +00:01:23,830 --> 00:01:23,840 +Finch not taking mad as hell and I'm not + + +57 +00:01:23,840 --> 00:01:26,870 +Finch not taking mad as hell and I'm not +going to take him away your + +58 +00:01:26,870 --> 00:01:26,880 + + + +59 +00:01:26,880 --> 00:01:28,910 + + that part where they get shot I + +60 +00:01:28,910 --> 00:01:28,920 +that part where they get shot I + + +61 +00:01:28,920 --> 00:01:31,310 +that part where they get shot I +remember thinking to myself + +62 +00:01:31,310 --> 00:01:31,320 +remember thinking to myself + + +63 +00:01:31,320 --> 00:01:33,389 +remember thinking to myself +think that wouldn't be such a bad way to + +64 +00:01:33,389 --> 00:01:33,399 +think that wouldn't be such a bad way to + + +65 +00:01:33,399 --> 00:01:54,789 +think that wouldn't be such a bad way to +go if you had + +66 +00:01:54,789 --> 00:01:54,799 + + + +67 +00:01:54,799 --> 00:02:01,550 + +to you sure easy to talk to + +68 +00:02:01,550 --> 00:02:01,560 + + + +69 +00:02:01,560 --> 00:02:05,230 + +I was thinking we met under different + +70 +00:02:05,230 --> 00:02:05,240 +I was thinking we met under different + + +71 +00:02:05,240 --> 00:02:08,029 +I was thinking we met under different +circumstances you're at a bar and I came + +72 +00:02:08,029 --> 00:02:08,039 +circumstances you're at a bar and I came + + +73 +00:02:08,039 --> 00:02:10,110 +circumstances you're at a bar and I came +up we started + +74 +00:02:10,110 --> 00:02:10,120 +up we started + + +75 +00:02:10,120 --> 00:02:12,710 +up we started +talking wonder what would happen nothing + +76 +00:02:12,710 --> 00:02:12,720 +talking wonder what would happen nothing + + +77 +00:02:12,720 --> 00:02:14,869 +talking wonder what would happen nothing +if you didn't know who I was you'd + +78 +00:02:14,869 --> 00:02:14,879 +if you didn't know who I was you'd + + +79 +00:02:14,879 --> 00:02:16,710 +if you didn't know who I was you'd +probably tell me you say if we met under + +80 +00:02:16,710 --> 00:02:16,720 +probably tell me you say if we met under + + +81 +00:02:16,720 --> 00:02:18,630 +probably tell me you say if we met under +different circumstances you have got to + +82 +00:02:18,630 --> 00:02:18,640 +different circumstances you have got to + + +83 +00:02:18,640 --> 00:02:21,470 +different circumstances you have got to +be + +84 +00:02:21,470 --> 00:02:21,480 + + + +85 +00:02:21,480 --> 00:02:23,509 + +kidding another movie I liked with f + +86 +00:02:23,509 --> 00:02:23,519 +kidding another movie I liked with f + + +87 +00:02:23,519 --> 00:02:26,990 +kidding another movie I liked with f +down only was 3 days at the + +88 +00:02:26,990 --> 00:02:27,000 +down only was 3 days at the + + +89 +00:02:27,000 --> 00:02:29,229 +down only was 3 days at the +Condor oh with Robert Redford when he + +90 +00:02:29,229 --> 00:02:29,239 +Condor oh with Robert Redford when he + + +91 +00:02:29,239 --> 00:02:33,910 +Condor oh with Robert Redford when he +was young yeah + +92 +00:02:33,910 --> 00:02:33,920 + + + +93 +00:02:33,920 --> 00:02:36,070 + +you know I never thought it made sense + +94 +00:02:36,070 --> 00:02:36,080 +you know I never thought it made sense + + +95 +00:02:36,080 --> 00:02:38,030 +you know I never thought it made sense +though you know the way they got + +96 +00:02:38,030 --> 00:02:38,040 +though you know the way they got + + +97 +00:02:38,040 --> 00:02:41,270 +though you know the way they got +together so + +98 +00:02:41,270 --> 00:02:41,280 + + + +99 +00:02:41,280 --> 00:02:46,509 + +quick I mean + +100 +00:02:46,509 --> 00:02:46,519 + + + +101 +00:02:46,519 --> 00:02:49,630 + +romantically well but + +102 +00:02:49,630 --> 00:02:49,640 +romantically well but + + +103 +00:02:49,640 --> 00:02:59,940 +romantically well but +if all right + +104 +00:02:59,940 --> 00:02:59,950 + + + +105 +00:02:59,950 --> 00:03:22,529 + +[Music] + diff --git a/1998/pkqyDC9YnfM.description b/1998/pkqyDC9YnfM.description new file mode 100644 index 0000000000000000000000000000000000000000..675abd915bc4fd57a78ed5ad2c996a33790f8dc9 --- /dev/null +++ b/1998/pkqyDC9YnfM.description @@ -0,0 +1,38 @@ +I Still Know What You Did Last Summer movie clips: http://j.mp/2nGWaQy +BUY THE MOVIE: http://bit.ly/2mQG3zS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Karla (Brandy Norwood) wakes to find herself trapped in the room with the killer (Muse Watson). + +FILM DESCRIPTION: +I Still Know What You Did Last Summer is the continuation of Julie James (Jennifer Love Hewitt), a tortured college co-ed who accidentally almost killed a man and left him for dead one night. One year later, that man, named Ben Willis, came back to kill all of Julie's friends. Now, another year later, she still suffers from nightmares over the horrible incidents. When Julie's roommate Kate (Brandy) wins an all-expenses paid trip to the Bahamas on a radio promotion by guessing the capital of Brazil, she decides to take her roommate Julie, her boyfriend (Mekhi Phifer), and their new friend (Matthew Settle) on the retreat. Once there, they discover that besides being the rainy season, they were also followed by Julie's nemesis who is still seeking revenge. Slowly the islanders turn up murdered, leaving Julie no choice but to explain her past actions to her friends and fight to stay alive. It will entail the final showdown between her and Ben Willis once and for all. + +CREDITS: +TM & © Sony (1998) +Cast: Muse Watson, Matthew Settle, Jennifer Esposito, Brandy Norwood, Jennifer Love Hewitt +Director: Danny Cannon +Producers: William S. Beasley, Stokely Chaffin, Erik Feig, Jose Ludlow, Neal H. Moritz +Screenwriters: Lois Duncan, Trey Callaway + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/ppfnHlRju7Y.en.srt b/1998/ppfnHlRju7Y.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d4de8f3bac8feb41f8bb11b1938190f0f618f224 --- /dev/null +++ b/1998/ppfnHlRju7Y.en.srt @@ -0,0 +1,535 @@ +1 +00:00:00,199 --> 00:00:04,730 + +come + +2 +00:00:04,730 --> 00:00:04,740 + + + +3 +00:00:04,740 --> 00:00:16,910 + +[Music] + +4 +00:00:16,910 --> 00:00:16,920 + + + +5 +00:00:16,920 --> 00:00:19,189 + +here what do they want from us it wants + +6 +00:00:19,189 --> 00:00:19,199 +here what do they want from us it wants + + +7 +00:00:19,199 --> 00:00:22,429 +here what do they want from us it wants +to kill us they want something from us + +8 +00:00:22,429 --> 00:00:22,439 +to kill us they want something from us + + +9 +00:00:22,439 --> 00:00:23,990 +to kill us they want something from us +it wants to mutilate us just like it did + +10 +00:00:23,990 --> 00:00:24,000 +it wants to mutilate us just like it did + + +11 +00:00:24,000 --> 00:00:26,029 +it wants to mutilate us just like it did +wood did you see squeaky that thing + +12 +00:00:26,029 --> 00:00:26,039 +wood did you see squeaky that thing + + +13 +00:00:26,039 --> 00:00:28,310 +wood did you see squeaky that thing +wants something from us why don't we + +14 +00:00:28,310 --> 00:00:28,320 +wants something from us why don't we + + +15 +00:00:28,320 --> 00:00:30,189 +wants something from us why don't we +talk to him + +16 +00:00:30,189 --> 00:00:30,199 +talk to him + + +17 +00:00:30,199 --> 00:00:31,669 +talk to him +it's in the computer we can talk to it + +18 +00:00:31,669 --> 00:00:31,679 +it's in the computer we can talk to it + + +19 +00:00:31,679 --> 00:00:33,910 +it's in the computer we can talk to it +what talk to it it's in the computer + +20 +00:00:33,910 --> 00:00:33,920 +what talk to it it's in the computer + + +21 +00:00:33,920 --> 00:00:35,190 +what talk to it it's in the computer +right it's in the + +22 +00:00:35,190 --> 00:00:35,200 +right it's in the + + +23 +00:00:35,200 --> 00:00:38,229 +right it's in the +compter what the hell what do I do what + +24 +00:00:38,229 --> 00:00:38,239 +compter what the hell what do I do what + + +25 +00:00:38,239 --> 00:00:40,029 +compter what the hell what do I do what +do I do what do I do Nadia please help + +26 +00:00:40,029 --> 00:00:40,039 +do I do what do I do Nadia please help + + +27 +00:00:40,039 --> 00:00:43,670 +do I do what do I do Nadia please help +me I need English English + +28 +00:00:43,670 --> 00:00:43,680 + + + +29 +00:00:43,680 --> 00:00:45,630 + +[Music] + +30 +00:00:45,630 --> 00:00:45,640 +[Music] + + +31 +00:00:45,640 --> 00:00:51,310 +[Music] +please who are + +32 +00:00:51,310 --> 00:00:51,320 + + + +33 +00:00:51,320 --> 00:00:56,389 + +you I am + +34 +00:00:56,389 --> 00:00:56,399 + + + +35 +00:00:56,399 --> 00:01:00,470 + +aware is that it is it is it the + +36 +00:01:00,470 --> 00:01:00,480 +aware is that it is it is it the + + +37 +00:01:00,480 --> 00:01:05,030 +aware is that it is it is it the +wait me you no harm life form analysis + +38 +00:01:05,030 --> 00:01:05,040 +wait me you no harm life form analysis + + +39 +00:01:05,040 --> 00:01:08,789 +wait me you no harm life form analysis +complete species is destructive invasive + +40 +00:01:08,789 --> 00:01:08,799 +complete species is destructive invasive + + +41 +00:01:08,799 --> 00:01:12,550 +complete species is destructive invasive +noxious harmful to the body of the whole + +42 +00:01:12,550 --> 00:01:12,560 +noxious harmful to the body of the whole + + +43 +00:01:12,560 --> 00:01:17,710 +noxious harmful to the body of the whole +what species + +44 +00:01:17,710 --> 00:01:17,720 + + + +45 +00:01:17,720 --> 00:01:20,510 + +man you are + +46 +00:01:20,510 --> 00:01:20,520 +man you are + + +47 +00:01:20,520 --> 00:01:27,190 +man you are +virus great just great your things for + +48 +00:01:27,190 --> 00:01:27,200 + + + +49 +00:01:27,200 --> 00:01:30,789 + +germs what do you want from us + +50 +00:01:30,789 --> 00:01:30,799 +germs what do you want from us + + +51 +00:01:30,799 --> 00:01:36,990 +germs what do you want from us +this neurological trans oxygenated + +52 +00:01:36,990 --> 00:01:37,000 + + + +53 +00:01:37,000 --> 00:01:40,270 + +tissues Superior what the hell is that + +54 +00:01:40,270 --> 00:01:40,280 +tissues Superior what the hell is that + + +55 +00:01:40,280 --> 00:01:42,590 +tissues Superior what the hell is that +it's a part of an optic Nerf + +56 +00:01:42,590 --> 00:01:42,600 +it's a part of an optic Nerf + + +57 +00:01:42,600 --> 00:01:45,270 +it's a part of an optic Nerf +what spare + +58 +00:01:45,270 --> 00:01:45,280 +what spare + + +59 +00:01:45,280 --> 00:01:56,069 +what spare +points it want us + +60 +00:01:56,069 --> 00:01:56,079 + + + +61 +00:01:56,079 --> 00:01:59,429 + +SP it must be destroyed how you was + +62 +00:01:59,429 --> 00:01:59,439 +SP it must be destroyed how you was + + +63 +00:01:59,439 --> 00:02:01,389 +SP it must be destroyed how you was +electrical like lightning yes so what + +64 +00:02:01,389 --> 00:02:01,399 +electrical like lightning yes so what + + +65 +00:02:01,399 --> 00:02:02,749 +electrical like lightning yes so what +happens when lightning hits water it + +66 +00:02:02,749 --> 00:02:02,759 +happens when lightning hits water it + + +67 +00:02:02,759 --> 00:02:04,429 +happens when lightning hits water it +grounds out that's why it grounds out it + +68 +00:02:04,429 --> 00:02:04,439 +grounds out that's why it grounds out it + + +69 +00:02:04,439 --> 00:02:06,310 +grounds out that's why it grounds out it +dissipates and then it dies that means + +70 +00:02:06,310 --> 00:02:06,320 +dissipates and then it dies that means + + +71 +00:02:06,320 --> 00:02:08,109 +dissipates and then it dies that means +we can kill this thing yeah but that + +72 +00:02:08,109 --> 00:02:08,119 +we can kill this thing yeah but that + + +73 +00:02:08,119 --> 00:02:09,350 +we can kill this thing yeah but that +means we have to seek the ship to do + +74 +00:02:09,350 --> 00:02:09,360 +means we have to seek the ship to do + + +75 +00:02:09,360 --> 00:02:11,029 +means we have to seek the ship to do +that it's in the computer where's the + +76 +00:02:11,029 --> 00:02:11,039 +that it's in the computer where's the + + +77 +00:02:11,039 --> 00:02:13,869 +that it's in the computer where's the +main frame de below she's right we got + +78 +00:02:13,869 --> 00:02:13,879 +main frame de below she's right we got + + +79 +00:02:13,879 --> 00:02:15,070 +main frame de below she's right we got +to get to the computer if we're going to + +80 +00:02:15,070 --> 00:02:15,080 +to get to the computer if we're going to + + +81 +00:02:15,080 --> 00:02:16,869 +to get to the computer if we're going to +kill this + +82 +00:02:16,869 --> 00:02:16,879 +kill this + + +83 +00:02:16,879 --> 00:02:19,150 +kill this +thing we got to get the hell out of here + +84 +00:02:19,150 --> 00:02:19,160 +thing we got to get the hell out of here + + +85 +00:02:19,160 --> 00:02:21,270 +thing we got to get the hell out of here +first you people want to way out of here + +86 +00:02:21,270 --> 00:02:21,280 +first you people want to way out of here + + +87 +00:02:21,280 --> 00:02:26,790 +first you people want to way out of here +huh I'll show you a way out of + +88 +00:02:26,790 --> 00:02:26,800 + + + +89 +00:02:26,800 --> 00:02:34,949 + +here Steve + +90 +00:02:34,949 --> 00:02:34,959 + + + +91 +00:02:34,959 --> 00:02:36,869 + +my ass man that ain't going to happen to + +92 +00:02:36,869 --> 00:02:36,879 +my ass man that ain't going to happen to + + +93 +00:02:36,879 --> 00:02:38,390 +my ass man that ain't going to happen to +me see I ain't going up against those + +94 +00:02:38,390 --> 00:02:38,400 +me see I ain't going up against those + + +95 +00:02:38,400 --> 00:02:40,190 +me see I ain't going up against those +things G man you people can do what you + +96 +00:02:40,190 --> 00:02:40,200 +things G man you people can do what you + + +97 +00:02:40,200 --> 00:02:47,550 +things G man you people can do what you +want I'm out of here get + +98 +00:02:47,550 --> 00:02:47,560 + + + +99 +00:02:47,560 --> 00:02:51,270 + +out sh who's going to car my who's + +100 +00:02:51,270 --> 00:02:51,280 +out sh who's going to car my who's + + +101 +00:02:51,280 --> 00:02:54,630 +out sh who's going to car my who's +going to my + +102 +00:02:54,630 --> 00:02:54,640 + + + +103 +00:02:54,640 --> 00:02:57,589 + + it's gone postal man come on let's + +104 +00:02:57,589 --> 00:02:57,599 +it's gone postal man come on let's + + +105 +00:02:57,599 --> 00:03:04,140 +it's gone postal man come on let's +go let's go Steve + +106 +00:03:04,140 --> 00:03:04,150 + + + +107 +00:03:04,150 --> 00:03:15,479 + +[Music] + diff --git a/1998/psDtqypK3hI.en.srt b/1998/psDtqypK3hI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..4c1b3ec69f4f3b4728b809ae0d3a6c729f1b5814 --- /dev/null +++ b/1998/psDtqypK3hI.en.srt @@ -0,0 +1,104 @@ +1 +00:00:01,380 --> 00:00:03,140 +♪ Gleaming in the moonlight ♪ + +2 +00:00:05,400 --> 00:00:08,320 +♪ Cool and clean and +all I've ever known ♪ + +3 +00:00:08,680 --> 00:00:10,420 +♪ All I ever wanted ♪ + +4 +00:00:13,560 --> 00:00:15,940 +♪ Sweet perfumes of incense ♪ + +5 +00:00:17,620 --> 00:00:20,520 +♪ Graceful rooms of alabaster stone ♪ + +6 +00:00:20,740 --> 00:00:24,440 +♪ All I ever wanted ♪ + +7 +00:00:24,920 --> 00:00:26,900 +♪ This is my home ♪ + +8 +00:00:27,580 --> 00:00:29,480 +♪ With my father, mother, brother ♪ + +9 +00:00:29,600 --> 00:00:32,260 +♪ Oh, so noble +Oh, so strong ♪ + +10 +00:00:32,800 --> 00:00:34,600 +♪ Now I am home ♪ + +11 +00:00:35,880 --> 00:00:41,040 +♪ Here among my trappings +and belongings, I belong ♪ + +12 +00:00:41,740 --> 00:00:43,780 +♪ And if anybody doubts it ♪ + +13 +00:00:43,960 --> 00:00:48,040 +They couldn't be more wrong ♪ + +14 +00:00:48,340 --> 00:00:50,960 +♪ I am a sovereign prince of Egypt ♪ + +15 +00:00:51,120 --> 00:00:54,140 +♪ A son of a proud history +that's shown ♪ + +16 +00:00:54,300 --> 00:00:57,060 +♪ Etched on every wall ♪ + +17 +00:00:58,215 --> 00:01:01,595 +♪ Surely this is all I ever wanted ♪ + +18 +00:01:02,335 --> 00:01:04,665 +♪ All I ever wanted ♪ + +19 +00:01:06,180 --> 00:01:08,840 +♪ All I ever ♪ + +20 +00:01:10,460 --> 00:01:13,520 +♪ Wanted. ♪ + +21 +00:01:34,220 --> 00:01:37,520 +(OMINOUS MUSIC) + +22 +00:01:52,080 --> 00:01:53,920 +(OMINOUS MUSIC CONTINUES) + +23 +00:02:07,900 --> 00:02:09,260 +(PEOPLE SCREAMING) + +24 +00:02:12,600 --> 00:02:13,560 +(BABY CRYING) + +25 +00:02:33,300 --> 00:02:34,660 +(WOMAN VOCALIZING) + diff --git a/1998/pz0R9XJciO0.en.srt b/1998/pz0R9XJciO0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..75e07f343ddce410fa81ecfa17e96590fafd714e --- /dev/null +++ b/1998/pz0R9XJciO0.en.srt @@ -0,0 +1,106 @@ +1 +00:00:03,540 --> 00:00:05,740 +(GRUNTING) + +2 +00:00:06,320 --> 00:00:07,480 +(SWORDS CLANKING) + +3 +00:00:07,680 --> 00:00:09,080 +(SHOUTS) + +4 +00:00:14,120 --> 00:00:16,620 +(SHOUTING) + +5 +00:00:17,520 --> 00:00:19,880 +(GROANS) + +6 +00:00:20,620 --> 00:00:21,940 +(YELLS) + +7 +00:00:29,680 --> 00:00:33,080 +(GRUNTING) + +8 +00:00:38,960 --> 00:00:41,920 +(SWORDS CLANKING) + +9 +00:00:53,620 --> 00:00:55,300 +(SHOUTING IN SPANISH) + +10 +00:00:55,520 --> 00:00:56,880 +(GUNS FIRING) + +11 +00:00:58,640 --> 00:01:00,560 +(SOLDIERS SHOUTING) + +12 +00:01:11,100 --> 00:01:11,980 +(YELLS) + +13 +00:01:12,260 --> 00:01:14,480 +- (GRUNTS) +- (SHOUTING) + +14 +00:01:14,700 --> 00:01:15,780 +(GROANS) + +15 +00:01:15,940 --> 00:01:18,080 +(GRUNTS, GROANS) + +16 +00:01:18,360 --> 00:01:19,480 +(GRUNTS) + +17 +00:01:19,640 --> 00:01:21,820 +(SWORDS CLANKING) + +18 +00:01:23,940 --> 00:01:25,260 +(GRUNTS) + +19 +00:01:25,860 --> 00:01:27,260 +(GROANS) + +20 +00:01:36,440 --> 00:01:37,760 +(MONTERO YELLS) + +21 +00:01:37,860 --> 00:01:41,260 +(PANTING, GRUNTING) + +22 +00:01:41,560 --> 00:01:42,660 +(SHOUTS) + +23 +00:01:44,120 --> 00:01:46,120 +(GRUNTING) + +24 +00:01:47,400 --> 00:01:49,000 +(YELLS) + +25 +00:01:58,220 --> 00:02:00,480 +(CHUCKLES NERVOUSLY) + +26 +00:02:00,760 --> 00:02:03,640 +- Kill him! +- (ALL SHOUTING) + diff --git a/1998/q7QxVddVEW0.description b/1998/q7QxVddVEW0.description new file mode 100644 index 0000000000000000000000000000000000000000..5754240f4b487093bd5648a539585925e5fa6e80 --- /dev/null +++ b/1998/q7QxVddVEW0.description @@ -0,0 +1,38 @@ +Hard Rain movie clips: http://j.mp/1BcZsIX +BUY THE MOVIE: http://amzn.to/wKVsyx +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Jim (Morgan Freeman) and his gang try to rob the flooded armored car. + +FILM DESCRIPTION: +A natural disaster breeds man-made treachery in this suspense thriller. Severe flooding threatens an Indiana town after a massive rainstorm taxes dams to the breaking point. As part of an emergency evacuation effort, armored car driver Tom (Christian Slater) and his uncle Charlie (Edward Asner) are recruited to collect cash from the town's banks and drive it to safety. However, a gang of thieves led by Jim (Morgan Freeman) plan to lay siege to the truck and steal the $3 million on board. After Jim attempts to ambush the truck, Tom hides the cash and reports the attempted theft to the local sheriff (Randy Quaid). However, the sheriff's lack of honesty soon becomes apparent; he puts Tom in a lockup and sets out to take the money for himself. As the flood waters rise, Tom has to escape from jail if he is to save both the townspeople's savings and his own life. Meanwhile, Jim and the sheriff are locked in a race to see who can find the $3 million first. Minnie Driver, Richard A. Dysart, and Betty White highlight Hard Rain's supporting cast. + +CREDITS: +TM & © Paramount (1998) +Cast: Edward Asner, Dann Florek, Morgan Freeman, Michael A. Goorjian, Ricky Harris, Christian Slater +Director: Mikael Salomon +Producers: Ian Bryce, Gary Levinsohn, Christian Slater, Allison Lyon Segan, Mark Gordon, Art Levinson +Screenwriter: Graham Yost + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/qS2Np6zxXm0.en.srt b/1998/qS2Np6zxXm0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f86885190aaf59c513e00d5aef16494a4168a31c --- /dev/null +++ b/1998/qS2Np6zxXm0.en.srt @@ -0,0 +1,225 @@ +1 +00:00:00,880 --> 00:00:04,430 + +hey you guys I want you to meet + +2 +00:00:04,430 --> 00:00:04,440 +hey you guys I want you to meet + + +3 +00:00:04,440 --> 00:00:09,470 +hey you guys I want you to meet +someone what you say Quincy hi how you + +4 +00:00:09,470 --> 00:00:09,480 +someone what you say Quincy hi how you + + +5 +00:00:09,480 --> 00:00:12,150 +someone what you say Quincy hi how you +doing and you must be + +6 +00:00:12,150 --> 00:00:12,160 +doing and you must be + + +7 +00:00:12,160 --> 00:00:17,349 +doing and you must be +Chanel it's Shantel hi excuse me Shantel + +8 +00:00:17,349 --> 00:00:17,359 +Chanel it's Shantel hi excuse me Shantel + + +9 +00:00:17,359 --> 00:00:23,589 +Chanel it's Shantel hi excuse me Shantel +very nice to meet + +10 +00:00:23,589 --> 00:00:23,599 + + + +11 +00:00:23,599 --> 00:00:27,830 + +you + +12 +00:00:27,830 --> 00:00:27,840 + + + +13 +00:00:27,840 --> 00:00:33,510 + +wellin welcome back + +14 +00:00:33,510 --> 00:00:33,520 + + + +15 +00:00:33,520 --> 00:01:04,070 + +Marco + +16 +00:01:04,070 --> 00:01:04,080 + + + +17 +00:01:04,080 --> 00:01:08,789 + +what can I get you oh a + +18 +00:01:08,789 --> 00:01:08,799 + + + +19 +00:01:08,799 --> 00:01:11,990 + +t and for you want + +20 +00:01:11,990 --> 00:01:12,000 +t and for you want + + +21 +00:01:12,000 --> 00:01:18,749 +t and for you want +same well your uh son sure favors you a + +22 +00:01:18,749 --> 00:01:18,759 + + + +23 +00:01:18,759 --> 00:01:22,190 + +lot he really takes after his daddy he's + +24 +00:01:22,190 --> 00:01:22,200 +lot he really takes after his daddy he's + + +25 +00:01:22,200 --> 00:01:25,590 +lot he really takes after his daddy he's +just grown so much + +26 +00:01:25,590 --> 00:01:25,600 +just grown so much + + +27 +00:01:25,600 --> 00:01:30,109 +just grown so much +since how long's that been say oh yeah a + +28 +00:01:30,109 --> 00:01:30,119 +since how long's that been say oh yeah a + + +29 +00:01:30,119 --> 00:01:32,469 +since how long's that been say oh yeah a +year yeah his dad and I divorced four + +30 +00:01:32,469 --> 00:01:32,479 +year yeah his dad and I divorced four + + +31 +00:01:32,479 --> 00:01:36,109 +year yeah his dad and I divorced four +years ago oh that's sad but you know L + +32 +00:01:36,109 --> 00:01:36,119 +years ago oh that's sad but you know L + + +33 +00:01:36,119 --> 00:01:38,670 +years ago oh that's sad but you know L +that's going + +34 +00:01:38,670 --> 00:01:38,680 + + + +35 +00:01:38,680 --> 00:01:40,429 + +around + +36 +00:01:40,429 --> 00:01:40,439 +around + + +37 +00:01:40,439 --> 00:01:45,870 +around +well you sure look happy to see your + +38 +00:01:45,870 --> 00:01:45,880 + + + +39 +00:01:45,880 --> 00:01:50,030 + +mom yeah + +40 +00:01:50,030 --> 00:01:50,040 + + + +41 +00:01:50,040 --> 00:02:03,149 + +man let me show you how happy I am + +42 +00:02:03,149 --> 00:02:03,159 + + + +43 +00:02:03,159 --> 00:02:05,709 + +what's her problem I don't know come on + +44 +00:02:05,709 --> 00:02:05,719 +what's her problem I don't know come on + + +45 +00:02:05,719 --> 00:02:09,360 +what's her problem I don't know come on +let's stand here cool + diff --git a/1998/qWEaCJlKZXs.en.srt b/1998/qWEaCJlKZXs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2cad32dceefea594700a9fa3df5310eba55eaefd --- /dev/null +++ b/1998/qWEaCJlKZXs.en.srt @@ -0,0 +1,535 @@ +1 +00:00:00,060 --> 00:00:06,349 + +hand over the milk money Weaver I'm + +2 +00:00:06,349 --> 00:00:06,359 +hand over the milk money Weaver I'm + + +3 +00:00:06,359 --> 00:00:08,629 +hand over the milk money Weaver I'm +afraid I can't do that Derek I'm just + +4 +00:00:08,629 --> 00:00:08,639 +afraid I can't do that Derek I'm just + + +5 +00:00:08,639 --> 00:00:13,310 +afraid I can't do that Derek I'm just +not sure you'll spend it on milk that's + +6 +00:00:13,310 --> 00:00:13,320 +not sure you'll spend it on milk that's + + +7 +00:00:13,320 --> 00:00:13,879 +not sure you'll spend it on milk that's +me + +8 +00:00:13,879 --> 00:00:13,889 +me + + +9 +00:00:13,889 --> 00:00:16,849 +me +Mitch Weaver that's Sam my lifelong best + +10 +00:00:16,849 --> 00:00:16,859 +Mitch Weaver that's Sam my lifelong best + + +11 +00:00:16,859 --> 00:00:19,609 +Mitch Weaver that's Sam my lifelong best +friend I never had a dad growing up so + +12 +00:00:19,609 --> 00:00:19,619 +friend I never had a dad growing up so + + +13 +00:00:19,619 --> 00:00:21,560 +friend I never had a dad growing up so +Sam's dad pops tried to fill in a little + +14 +00:00:21,560 --> 00:00:21,570 +Sam's dad pops tried to fill in a little + + +15 +00:00:21,570 --> 00:00:24,769 +Sam's dad pops tried to fill in a little +he was a boxer real tough guy what's the + +16 +00:00:24,769 --> 00:00:24,779 +he was a boxer real tough guy what's the + + +17 +00:00:24,779 --> 00:00:26,570 +he was a boxer real tough guy what's the +one thing we never liked the matter + +18 +00:00:26,570 --> 00:00:26,580 +one thing we never liked the matter + + +19 +00:00:26,580 --> 00:00:29,029 +one thing we never liked the matter +where you go no matter what you do don't + +20 +00:00:29,029 --> 00:00:29,039 +where you go no matter what you do don't + + +21 +00:00:29,039 --> 00:00:32,089 +where you go no matter what you do don't +take no crap from nobody I never liked + +22 +00:00:32,089 --> 00:00:32,099 +take no crap from nobody I never liked + + +23 +00:00:32,099 --> 00:00:33,530 +take no crap from nobody I never liked +the guy but he was right about not + +24 +00:00:33,530 --> 00:00:33,540 +the guy but he was right about not + + +25 +00:00:33,540 --> 00:00:34,549 +the guy but he was right about not +taking crap + +26 +00:00:34,549 --> 00:00:34,559 +taking crap + + +27 +00:00:34,559 --> 00:00:40,729 +taking crap +Wow my duck sure is great hey Dean or he + +28 +00:00:40,729 --> 00:00:40,739 +Wow my duck sure is great hey Dean or he + + +29 +00:00:40,739 --> 00:00:47,440 +Wow my duck sure is great hey Dean or he +hides his guns don't worry + +30 +00:00:47,440 --> 00:00:47,450 + + + +31 +00:00:47,450 --> 00:00:49,330 + +we just planted the guns in the bully's + +32 +00:00:49,330 --> 00:00:49,340 +we just planted the guns in the bully's + + +33 +00:00:49,340 --> 00:00:56,680 +we just planted the guns in the bully's +gas so he'd get trouble let me go hey + +34 +00:00:56,680 --> 00:00:56,690 +gas so he'd get trouble let me go hey + + +35 +00:00:56,690 --> 00:00:59,650 +gas so he'd get trouble let me go hey +why we always did stuff like that get + +36 +00:00:59,650 --> 00:00:59,660 +why we always did stuff like that get + + +37 +00:00:59,660 --> 00:01:01,569 +why we always did stuff like that get +back people and mess with us like there + +38 +00:01:01,569 --> 00:01:01,579 +back people and mess with us like there + + +39 +00:01:01,579 --> 00:01:03,100 +back people and mess with us like there +was this crossing guard he used to grab + +40 +00:01:03,100 --> 00:01:03,110 +was this crossing guard he used to grab + + +41 +00:01:03,110 --> 00:01:05,560 +was this crossing guard he used to grab +all the kids asses back then people were + +42 +00:01:05,560 --> 00:01:05,570 +all the kids asses back then people were + + +43 +00:01:05,570 --> 00:01:07,030 +all the kids asses back then people were +on the lookout for that kind of thing + +44 +00:01:07,030 --> 00:01:07,040 +on the lookout for that kind of thing + + +45 +00:01:07,040 --> 00:01:09,249 +on the lookout for that kind of thing +the only way to nail a guy like that was + +46 +00:01:09,249 --> 00:01:09,259 +the only way to nail a guy like that was + + +47 +00:01:09,259 --> 00:01:11,440 +the only way to nail a guy like that was +to catch him red-handed that's where the + +48 +00:01:11,440 --> 00:01:11,450 +to catch him red-handed that's where the + + +49 +00:01:11,450 --> 00:01:22,930 +to catch him red-handed that's where the +super glue came in and we really got + +50 +00:01:22,930 --> 00:01:22,940 +super glue came in and we really got + + +51 +00:01:22,940 --> 00:01:24,700 +super glue came in and we really got +back at this horn or a babysitter we + +52 +00:01:24,700 --> 00:01:24,710 +back at this horn or a babysitter we + + +53 +00:01:24,710 --> 00:01:29,410 +back at this horn or a babysitter we +didn't like after all these years this + +54 +00:01:29,410 --> 00:01:29,420 +didn't like after all these years this + + +55 +00:01:29,420 --> 00:01:31,210 +didn't like after all these years this +picture still makes me horny + +56 +00:01:31,210 --> 00:01:31,220 +picture still makes me horny + + +57 +00:01:31,220 --> 00:01:35,109 +picture still makes me horny +I mean wistful it makes me wistful when + +58 +00:01:35,109 --> 00:01:35,119 +I mean wistful it makes me wistful when + + +59 +00:01:35,119 --> 00:01:36,910 +I mean wistful it makes me wistful when +I was 16 the saddest event of my life + +60 +00:01:36,910 --> 00:01:36,920 +I was 16 the saddest event of my life + + +61 +00:01:36,920 --> 00:01:39,249 +I was 16 the saddest event of my life +occurred my mom died + +62 +00:01:39,249 --> 00:01:39,259 +occurred my mom died + + +63 +00:01:39,259 --> 00:01:41,320 +occurred my mom died +everyone did their best to console me + +64 +00:01:41,320 --> 00:01:41,330 +everyone did their best to console me + + +65 +00:01:41,330 --> 00:01:43,109 +everyone did their best to console me +particularly Aunt Jenny + +66 +00:01:43,109 --> 00:01:43,119 +particularly Aunt Jenny + + +67 +00:01:43,119 --> 00:01:45,430 +particularly Aunt Jenny +it wasn't easy cuz I'm not comfortable + +68 +00:01:45,430 --> 00:01:45,440 +it wasn't easy cuz I'm not comfortable + + +69 +00:01:45,440 --> 00:01:47,639 +it wasn't easy cuz I'm not comfortable +expressing my what do you call them + +70 +00:01:47,639 --> 00:01:47,649 +expressing my what do you call them + + +71 +00:01:47,649 --> 00:01:48,880 +expressing my what do you call them +emotions + +72 +00:01:48,880 --> 00:01:48,890 +emotions + + +73 +00:01:48,890 --> 00:01:51,279 +emotions +anyways I learned to express myself in + +74 +00:01:51,279 --> 00:01:51,289 +anyways I learned to express myself in + + +75 +00:01:51,289 --> 00:01:51,969 +anyways I learned to express myself in +other ways + +76 +00:01:51,969 --> 00:01:51,979 +other ways + + +77 +00:01:51,979 --> 00:01:54,420 +other ways +I started making little notes to myself + +78 +00:01:54,420 --> 00:01:54,430 +I started making little notes to myself + + +79 +00:01:54,430 --> 00:01:56,399 +I started making little notes to myself +note to self + +80 +00:01:56,399 --> 00:01:56,409 +note to self + + +81 +00:01:56,409 --> 00:02:01,200 +note to self +remember Aunt Jenny is your aunt + +82 +00:02:01,200 --> 00:02:01,210 +remember Aunt Jenny is your aunt + + +83 +00:02:01,210 --> 00:02:03,120 +remember Aunt Jenny is your aunt +then there was this character we had to + +84 +00:02:03,120 --> 00:02:03,130 +then there was this character we had to + + +85 +00:02:03,130 --> 00:02:05,340 +then there was this character we had to +deal with chief died just because she + +86 +00:02:05,340 --> 00:02:05,350 +deal with chief died just because she + + +87 +00:02:05,350 --> 00:02:07,050 +deal with chief died just because she +was a meter maid but she had the right + +88 +00:02:07,050 --> 00:02:07,060 +was a meter maid but she had the right + + +89 +00:02:07,060 --> 00:02:08,790 +was a meter maid but she had the right +to go around giving everybody parking + +90 +00:02:08,790 --> 00:02:08,800 +to go around giving everybody parking + + +91 +00:02:08,800 --> 00:02:11,070 +to go around giving everybody parking +tickets that's where the popcorn came in + +92 +00:02:11,070 --> 00:02:11,080 +tickets that's where the popcorn came in + + +93 +00:02:11,080 --> 00:02:18,730 +tickets that's where the popcorn came in +handy + +94 +00:02:18,730 --> 00:02:18,740 + + + +95 +00:02:18,740 --> 00:02:21,320 + +in high school I still didn't take crap + +96 +00:02:21,320 --> 00:02:21,330 +in high school I still didn't take crap + + +97 +00:02:21,330 --> 00:02:23,450 +in high school I still didn't take crap +from anyone man or beast like just + +98 +00:02:23,450 --> 00:02:23,460 +from anyone man or beast like just + + +99 +00:02:23,460 --> 00:02:25,670 +from anyone man or beast like just +Doberman would always chase us three + +100 +00:02:25,670 --> 00:02:25,680 +Doberman would always chase us three + + +101 +00:02:25,680 --> 00:02:27,860 +Doberman would always chase us three +bored my cousin's huge German Shepherd + +102 +00:02:27,860 --> 00:02:27,870 +bored my cousin's huge German Shepherd + + +103 +00:02:27,870 --> 00:02:31,640 +bored my cousin's huge German Shepherd +who also happens to be gay taught that + +104 +00:02:31,640 --> 00:02:31,650 +who also happens to be gay taught that + + +105 +00:02:31,650 --> 00:02:49,610 +who also happens to be gay taught that +Doberman some humility + +106 +00:02:49,610 --> 00:02:49,620 + + + +107 +00:02:49,620 --> 00:02:51,680 + +you + diff --git a/1998/qkfcZ4zdrfA.en.srt b/1998/qkfcZ4zdrfA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..42f601c000560f094b0e9fc32d97557697b0f2e6 --- /dev/null +++ b/1998/qkfcZ4zdrfA.en.srt @@ -0,0 +1,315 @@ +1 +00:00:00,800 --> 00:00:03,619 + +there was a hole right now middle of his + +2 +00:00:03,619 --> 00:00:03,629 +there was a hole right now middle of his + + +3 +00:00:03,629 --> 00:00:07,000 +there was a hole right now middle of his +forehead + +4 +00:00:07,000 --> 00:00:07,010 + + + +5 +00:00:07,010 --> 00:00:12,920 + +used blind eye I thought I was gonna + +6 +00:00:12,920 --> 00:00:12,930 +used blind eye I thought I was gonna + + +7 +00:00:12,930 --> 00:00:16,820 +used blind eye I thought I was gonna +drown in it once I looked in there I + +8 +00:00:16,820 --> 00:00:16,830 +drown in it once I looked in there I + + +9 +00:00:16,830 --> 00:00:19,880 +drown in it once I looked in there I +thought I would never get out you must + +10 +00:00:19,880 --> 00:00:19,890 +thought I would never get out you must + + +11 +00:00:19,890 --> 00:00:23,630 +thought I would never get out you must +have been killed for us down no more + +12 +00:00:23,630 --> 00:00:23,640 +have been killed for us down no more + + +13 +00:00:23,640 --> 00:00:26,029 +have been killed for us down no more +didn't they take it may be something + +14 +00:00:26,029 --> 00:00:26,039 +didn't they take it may be something + + +15 +00:00:26,039 --> 00:00:35,530 +didn't they take it may be something +that wrong i wish i could give it back + +16 +00:00:35,530 --> 00:00:35,540 + + + +17 +00:00:35,540 --> 00:00:42,310 + +doctor who did the person who owns it + +18 +00:00:42,310 --> 00:00:42,320 + + + +19 +00:00:42,320 --> 00:00:47,760 + +place where it belongs + +20 +00:00:47,760 --> 00:00:47,770 + + + +21 +00:00:47,770 --> 00:00:54,280 + +you know what it reminds me up + +22 +00:00:54,280 --> 00:00:54,290 + + + +23 +00:00:54,290 --> 00:00:58,180 + +not be enough remember when the wall + +24 +00:00:58,180 --> 00:00:58,190 +not be enough remember when the wall + + +25 +00:00:58,190 --> 00:01:00,400 +not be enough remember when the wall +came down in 89 there were little pieces + +26 +00:01:00,400 --> 00:01:00,410 +came down in 89 there were little pieces + + +27 +00:01:00,410 --> 00:01:01,930 +came down in 89 there were little pieces +of it floating around all over the place + +28 +00:01:01,930 --> 00:01:01,940 +of it floating around all over the place + + +29 +00:01:01,940 --> 00:01:03,580 +of it floating around all over the place +and a friend of mine was given one in + +30 +00:01:03,580 --> 00:01:03,590 +and a friend of mine was given one in + + +31 +00:01:03,590 --> 00:01:06,600 +and a friend of mine was given one in +Germany it looked exactly the same + +32 +00:01:06,600 --> 00:01:06,610 +Germany it looked exactly the same + + +33 +00:01:06,610 --> 00:01:10,110 +Germany it looked exactly the same +exactly like a thing that you found a + +34 +00:01:10,110 --> 00:01:10,120 +exactly like a thing that you found a + + +35 +00:01:10,120 --> 00:01:15,640 +exactly like a thing that you found a +cruddy little chunk of cement just like + +36 +00:01:15,640 --> 00:01:15,650 +cruddy little chunk of cement just like + + +37 +00:01:15,650 --> 00:01:19,210 +cruddy little chunk of cement just like +that so you're saying that Russian + +38 +00:01:19,210 --> 00:01:19,220 +that so you're saying that Russian + + +39 +00:01:19,220 --> 00:01:21,910 +that so you're saying that Russian +scientist planted some mysterious + +40 +00:01:21,910 --> 00:01:21,920 +scientist planted some mysterious + + +41 +00:01:21,920 --> 00:01:25,870 +scientist planted some mysterious +substance of the Berlin Wall no we're + +42 +00:01:25,870 --> 00:01:25,880 +substance of the Berlin Wall no we're + + +43 +00:01:25,880 --> 00:01:28,200 +substance of the Berlin Wall no we're +just telling you what it reminds me of + +44 +00:01:28,200 --> 00:01:28,210 +just telling you what it reminds me of + + +45 +00:01:28,210 --> 00:01:32,200 +just telling you what it reminds me of +I'll table it reminds me I'm a piece of + +46 +00:01:32,200 --> 00:01:32,210 +I'll table it reminds me I'm a piece of + + +47 +00:01:32,210 --> 00:01:34,210 +I'll table it reminds me I'm a piece of +some building you see on New Jersey + +48 +00:01:34,210 --> 00:01:34,220 +some building you see on New Jersey + + +49 +00:01:34,220 --> 00:01:38,830 +some building you see on New Jersey +highway you know like a bowling alley or + +50 +00:01:38,830 --> 00:01:38,840 +highway you know like a bowling alley or + + +51 +00:01:38,840 --> 00:01:41,050 +highway you know like a bowling alley or +a warehouse maybe some fly-by-night + +52 +00:01:41,050 --> 00:01:41,060 +a warehouse maybe some fly-by-night + + +53 +00:01:41,060 --> 00:01:49,390 +a warehouse maybe some fly-by-night +topless bar why not + +54 +00:01:49,390 --> 00:01:49,400 + + + +55 +00:01:49,400 --> 00:01:56,930 + +Celia say it again Celia hearing you say + +56 +00:01:56,930 --> 00:01:56,940 +Celia say it again Celia hearing you say + + +57 +00:01:56,940 --> 00:01:59,070 +Celia say it again Celia hearing you say +that + +58 +00:01:59,070 --> 00:01:59,080 + + + +59 +00:01:59,080 --> 00:02:06,249 + +say again Celia + +60 +00:02:06,249 --> 00:02:06,259 + + + +61 +00:02:06,259 --> 00:02:09,999 + +are you happier on this roof or happier + +62 +00:02:09,999 --> 00:02:10,009 +are you happier on this roof or happier + + +63 +00:02:10,009 --> 00:02:13,400 +are you happier on this roof or happier +downstairs a bit + diff --git a/1998/quEBzmchcwc.en.srt b/1998/quEBzmchcwc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c54afb0309204c575fb31ef9c7f0440a756bf36f --- /dev/null +++ b/1998/quEBzmchcwc.en.srt @@ -0,0 +1,315 @@ +1 +00:00:03,980 --> 00:00:07,309 + +you're right oh I didn't ask him to come + +2 +00:00:07,309 --> 00:00:07,319 +you're right oh I didn't ask him to come + + +3 +00:00:07,319 --> 00:00:09,830 +you're right oh I didn't ask him to come +you know you're absolutely right that's + +4 +00:00:09,830 --> 00:00:09,840 +you know you're absolutely right that's + + +5 +00:00:09,840 --> 00:00:11,540 +you know you're absolutely right that's +not it's not gonna work yeah you know by + +6 +00:00:11,540 --> 00:00:11,550 +not it's not gonna work yeah you know by + + +7 +00:00:11,550 --> 00:00:13,129 +not it's not gonna work yeah you know by +the way we're both pregnant you know + +8 +00:00:13,129 --> 00:00:13,139 +the way we're both pregnant you know + + +9 +00:00:13,139 --> 00:00:16,039 +the way we're both pregnant you know +first we get sick together then we throw + +10 +00:00:16,039 --> 00:00:16,049 +first we get sick together then we throw + + +11 +00:00:16,049 --> 00:00:19,310 +first we get sick together then we throw +up together then we get our dipping data + +12 +00:00:19,310 --> 00:00:19,320 +up together then we get our dipping data + + +13 +00:00:19,320 --> 00:00:20,359 +up together then we get our dipping data +grams together + +14 +00:00:20,359 --> 00:00:20,369 +grams together + + +15 +00:00:20,369 --> 00:00:22,400 +grams together +Nina it's a bad equation you Vincent a + +16 +00:00:22,400 --> 00:00:22,410 +Nina it's a bad equation you Vincent a + + +17 +00:00:22,410 --> 00:00:24,019 +Nina it's a bad equation you Vincent a +baby bad for all of you + +18 +00:00:24,019 --> 00:00:24,029 +baby bad for all of you + + +19 +00:00:24,029 --> 00:00:26,269 +baby bad for all of you +no Sherlock you made me an offer + +20 +00:00:26,269 --> 00:00:26,279 +no Sherlock you made me an offer + + +21 +00:00:26,279 --> 00:00:35,180 +no Sherlock you made me an offer +and I never refused what I spent all + +22 +00:00:35,180 --> 00:00:35,190 +and I never refused what I spent all + + +23 +00:00:35,190 --> 00:00:36,709 +and I never refused what I spent all +yesterday afternoon watching this little + +24 +00:00:36,709 --> 00:00:36,719 +yesterday afternoon watching this little + + +25 +00:00:36,719 --> 00:00:41,360 +yesterday afternoon watching this little +kid play catch with his father I always + +26 +00:00:41,360 --> 00:00:41,370 +kid play catch with his father I always + + +27 +00:00:41,370 --> 00:00:42,970 +kid play catch with his father I always +thought that I could teach other + +28 +00:00:42,970 --> 00:00:42,980 +thought that I could teach other + + +29 +00:00:42,980 --> 00:00:47,479 +thought that I could teach other +people's children but someone else in a + +30 +00:00:47,479 --> 00:00:47,489 +people's children but someone else in a + + +31 +00:00:47,489 --> 00:00:51,680 +people's children but someone else in a +real guy like Vince gets to take them + +32 +00:00:51,680 --> 00:00:51,690 +real guy like Vince gets to take them + + +33 +00:00:51,690 --> 00:00:55,610 +real guy like Vince gets to take them +home then I thought I don't always have + +34 +00:00:55,610 --> 00:00:55,620 +home then I thought I don't always have + + +35 +00:00:55,620 --> 00:01:00,500 +home then I thought I don't always have +to be the one who's watching him leave I + +36 +00:01:00,500 --> 00:01:00,510 +to be the one who's watching him leave I + + +37 +00:01:00,510 --> 00:01:03,139 +to be the one who's watching him leave I +don't always have to be the one who + +38 +00:01:03,139 --> 00:01:03,149 +don't always have to be the one who + + +39 +00:01:03,149 --> 00:01:09,730 +don't always have to be the one who +waits for Twilight to pass + +40 +00:01:09,730 --> 00:01:09,740 + + + +41 +00:01:09,740 --> 00:01:13,040 + +first time I thought I could be the the + +42 +00:01:13,040 --> 00:01:13,050 +first time I thought I could be the the + + +43 +00:01:13,050 --> 00:01:24,750 +first time I thought I could be the the +guy who says good night + +44 +00:01:24,750 --> 00:01:24,760 + + + +45 +00:01:24,760 --> 00:01:29,640 + +what are you saying to me + +46 +00:01:29,640 --> 00:01:29,650 + + + +47 +00:01:29,650 --> 00:01:47,060 + +I'm saying yeah + +48 +00:01:47,060 --> 00:01:47,070 + + + +49 +00:01:47,070 --> 00:01:49,910 + +sorry to break this up but it's time to + +50 +00:01:49,910 --> 00:01:49,920 +sorry to break this up but it's time to + + +51 +00:01:49,920 --> 00:01:56,790 +sorry to break this up but it's time to +go home + +52 +00:01:56,790 --> 00:01:56,800 + + + +53 +00:01:56,800 --> 00:02:00,250 + +I'm not gonna go home with you Vince I'm + +54 +00:02:00,250 --> 00:02:00,260 +I'm not gonna go home with you Vince I'm + + +55 +00:02:00,260 --> 00:02:03,700 +I'm not gonna go home with you Vince I'm +gonna go back to Brooklyn we you can't + +56 +00:02:03,700 --> 00:02:03,710 +gonna go back to Brooklyn we you can't + + +57 +00:02:03,710 --> 00:02:05,710 +gonna go back to Brooklyn we you can't +go back to Brooklyn tonight and we got a + +58 +00:02:05,710 --> 00:02:05,720 +go back to Brooklyn tonight and we got a + + +59 +00:02:05,720 --> 00:02:08,559 +go back to Brooklyn tonight and we got a +doctor's appointment in them no we don't + +60 +00:02:08,559 --> 00:02:08,569 +doctor's appointment in them no we don't + + +61 +00:02:08,569 --> 00:02:10,570 +doctor's appointment in them no we don't +have a doctor's appointment I have a + +62 +00:02:10,570 --> 00:02:10,580 +have a doctor's appointment I have a + + +63 +00:02:10,580 --> 00:02:14,020 +have a doctor's appointment I have a +doctor's appointment fine + diff --git a/1999/3Tqgp93zs3Y.mp4 b/1999/3Tqgp93zs3Y.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..ee0211815a773c6a6581fd9c5c18b70ecb153b01 --- /dev/null +++ b/1999/3Tqgp93zs3Y.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:0f25333f9093555b28712838f108b2b827d9cf4dab96e21273093f484b468d87 +size 6395484 diff --git a/1999/CzBxp4EtOXw.mp4 b/1999/CzBxp4EtOXw.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..adddc862e84e9c6df353c017e1bfebfe6a8cc377 --- /dev/null +++ b/1999/CzBxp4EtOXw.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:b4e8cd2338c1e71ef8aaf25b1ec139e8c1eec436fae624ed9e78bc2215164d54 +size 8551779 diff 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