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- 1932/29E6GbYdB1c.mp4 +3 -0
- 1933/9D5WsQNIAcE.mp4 +3 -0
- 1973/fsMC6d8DeMo.en.srt +205 -0
- 1973/g5m411zcNA4.en.srt +145 -0
- 1973/g_mjMjs_eFY.en.srt +255 -0
- 1973/i5mSHPKEbas.en.srt +355 -0
- 1973/i6ymVjU5hno.en.srt +395 -0
- 1973/j1q-QWHUU0g.en.srt +445 -0
- 1973/jRRY7zgE4K8.en.srt +255 -0
- 1973/mCdbIDiib5U.en.srt +65 -0
- 1973/mPDFATjS8l0.en.srt +195 -0
- 1973/ma_XNn1bwOM.en.srt +195 -0
- 1973/meZXqa_CE_o.en.srt +295 -0
- 1973/n0PS-QVcoJo.en.srt +135 -0
- 1973/nBsxbjTIJxs.en.srt +804 -0
- 1973/nCm4_MJstGQ.en.srt +355 -0
- 1973/nby0t43dlIs.description +38 -0
- 1973/nby0t43dlIs.en.srt +195 -0
- 1973/o9splceYBXQ.en.srt +17 -0
- 1973/osfdb5BrLPI.en.srt +315 -0
- 1973/p4HqnBtsz1I.en.srt +315 -0
- 1973/p92CKGAeQUY.description +38 -0
- 1973/pKdszbbvQGc.en.srt +375 -0
- 1973/phJJFbxyino.en.srt +405 -0
- 1973/qQjdOtebYns.en.srt +365 -0
- 1973/qkGDaroLl_M.description +38 -0
- 1973/qkGDaroLl_M.en.srt +165 -0
- 1973/qpLovLQoJ6c.en.srt +179 -0
- 1973/r0iSxOsPGl8.en.srt +115 -0
- 1973/r6dLxmPng8o.en.srt +355 -0
- 1973/rPh94cOW-MI.en.srt +245 -0
- 1973/rfix60WuBxs.en.srt +105 -0
- 1973/sEWuVNk2TKA.en.srt +295 -0
- 1973/sOLnb7BrMC8.en.srt +16 -0
- 1973/sZazSFEHfg8.en.srt +112 -0
- 1973/tTrgUKsKetY.en.srt +275 -0
- 1973/tdCot34--pc.description +38 -0
- 1973/tdCot34--pc.en.srt +475 -0
- 1973/tlI--ATerwo.en.srt +335 -0
- 1973/u8TwN5M1fEY.en.srt +305 -0
- 1973/uFNIrs3jtEQ.en.srt +444 -0
- 1973/uki4lrLzRaU.en.srt +175 -0
- 1973/upQ-MXF_ZgI.en.srt +195 -0
- 1973/vw1dPsf0JgE.description +38 -0
- 1973/vw1dPsf0JgE.en.srt +345 -0
- 1973/wRbKDoyN5oc.en.srt +295 -0
- 1973/wxrmK9esHpc.en.srt +8 -0
- 1973/xE4RRKaCifU.en.srt +295 -0
- 1973/xQFsE2WoXL0.en.srt +155 -0
- 1973/ySINkZRkHi0.en.srt +55 -0
1932/29E6GbYdB1c.mp4
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version https://git-lfs.github.com/spec/v1
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size 7321522
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1933/9D5WsQNIAcE.mp4
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version https://git-lfs.github.com/spec/v1
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oid sha256:03ac085e4e83beb28891d89135e7bd44b2cf037e9ed27ba8d2e99086e8e3228a
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size 2770222
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1973/fsMC6d8DeMo.en.srt
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1
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00:00:00,719 --> 00:00:07,910
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oh my
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2
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00:00:07,910 --> 00:00:07,920
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3
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00:00:07,920 --> 00:00:14,669
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head
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4
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00:00:14,669 --> 00:00:14,679
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5
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00:00:14,679 --> 00:00:18,750
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freezing got to get to the
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6
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00:00:18,750 --> 00:00:18,760
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7
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00:00:18,760 --> 00:00:33,069
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hotel I think I'm going to be sick
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8
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00:00:33,069 --> 00:00:33,079
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9
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00:00:33,079 --> 00:00:34,709
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they're not responding should we cut the
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10
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00:00:34,709 --> 00:00:34,719
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they're not responding should we cut the
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11
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00:00:34,719 --> 00:00:36,389
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| 53 |
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they're not responding should we cut the
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| 54 |
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main power grid sir it'll kill the life
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12
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00:00:36,389 --> 00:00:36,399
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| 58 |
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main power grid sir it'll kill the life
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13
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00:00:36,399 --> 00:00:48,270
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main power grid sir it'll kill the life
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| 64 |
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shut it all down shut it all
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14
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00:00:48,270 --> 00:00:48,280
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15
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00:00:48,280 --> 00:00:51,750
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down hold
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16
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00:00:51,750 --> 00:00:51,760
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17
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00:00:51,760 --> 00:00:55,630
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it
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18
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19
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00:00:55,640 --> 00:01:00,790
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oh come on not now not you again
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| 95 |
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20
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| 97 |
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00:01:00,790 --> 00:01:00,800
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| 98 |
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oh come on not now not you again
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| 99 |
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| 101 |
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21
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| 102 |
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00:01:00,800 --> 00:01:04,109
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| 103 |
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oh come on not now not you again
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| 104 |
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it's too
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22
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00:01:04,109 --> 00:01:04,119
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23
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00:01:04,119 --> 00:01:09,270
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early let me do it this
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24
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00:01:09,270 --> 00:01:09,280
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25
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| 122 |
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00:01:09,280 --> 00:01:22,510
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time your
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26
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| 127 |
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00:01:22,510 --> 00:01:22,520
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| 128 |
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27
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| 132 |
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00:01:22,520 --> 00:01:25,670
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| 133 |
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move I'm shot
|
| 135 |
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| 136 |
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28
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| 137 |
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00:01:25,670 --> 00:01:25,680
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| 138 |
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move I'm shot
|
| 139 |
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| 140 |
+
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| 141 |
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29
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| 142 |
+
00:01:25,680 --> 00:01:51,630
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| 143 |
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move I'm shot
|
| 144 |
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what I'm shot
|
| 145 |
+
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| 146 |
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30
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| 147 |
+
00:01:51,630 --> 00:01:51,640
|
| 148 |
+
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| 149 |
+
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| 150 |
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| 151 |
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31
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| 152 |
+
00:01:51,640 --> 00:01:55,830
|
| 153 |
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| 154 |
+
John oh my
|
| 155 |
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| 156 |
+
32
|
| 157 |
+
00:01:55,830 --> 00:01:55,840
|
| 158 |
+
|
| 159 |
+
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| 160 |
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| 161 |
+
33
|
| 162 |
+
00:01:55,840 --> 00:01:59,010
|
| 163 |
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| 164 |
+
God draw
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:59,010 --> 00:01:59,020
|
| 168 |
+
God draw
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:59,020 --> 00:02:08,910
|
| 173 |
+
God draw
|
| 174 |
+
[Music]
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:02:08,910 --> 00:02:08,920
|
| 178 |
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| 179 |
+
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| 180 |
+
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| 181 |
+
37
|
| 182 |
+
00:02:08,920 --> 00:02:10,510
|
| 183 |
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| 184 |
+
sir we have no control over the robots
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:02:10,510 --> 00:02:10,520
|
| 188 |
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sir we have no control over the robots
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:02:10,520 --> 00:02:12,430
|
| 193 |
+
sir we have no control over the robots
|
| 194 |
+
at all
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:02:12,430 --> 00:02:12,440
|
| 198 |
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at all
|
| 199 |
+
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| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:02:12,440 --> 00:02:43,509
|
| 203 |
+
at all
|
| 204 |
+
[Music]
|
| 205 |
+
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1973/g5m411zcNA4.en.srt
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1
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00:00:00,149 --> 00:00:03,199
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when I touch your forehead open your
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| 5 |
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| 6 |
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2
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00:00:03,199 --> 00:00:03,209
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| 8 |
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when I touch your forehead open your
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| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,209 --> 00:00:10,030
|
| 13 |
+
when I touch your forehead open your
|
| 14 |
+
eyes
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:10,030 --> 00:00:10,040
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:10,040 --> 00:00:18,560
|
| 23 |
+
|
| 24 |
+
are you comfortable Reagan yes how old
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:18,560 --> 00:00:18,570
|
| 28 |
+
are you comfortable Reagan yes how old
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:18,570 --> 00:00:22,060
|
| 33 |
+
are you comfortable Reagan yes how old
|
| 34 |
+
do you 12
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:22,060 --> 00:00:22,070
|
| 38 |
+
do you 12
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:22,070 --> 00:00:28,419
|
| 43 |
+
do you 12
|
| 44 |
+
is there someone inside you sometimes
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:28,419 --> 00:00:28,429
|
| 48 |
+
is there someone inside you sometimes
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:28,429 --> 00:00:34,310
|
| 53 |
+
is there someone inside you sometimes
|
| 54 |
+
who is it I don't know is it captain
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:34,310 --> 00:00:34,320
|
| 58 |
+
who is it I don't know is it captain
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:34,320 --> 00:00:39,650
|
| 63 |
+
who is it I don't know is it captain
|
| 64 |
+
howdy if I asked him to tell me will you
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:39,650 --> 00:00:39,660
|
| 68 |
+
howdy if I asked him to tell me will you
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:39,660 --> 00:00:48,860
|
| 73 |
+
howdy if I asked him to tell me will you
|
| 74 |
+
let him answer no why not I'm afraid if
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:48,860 --> 00:00:48,870
|
| 78 |
+
let him answer no why not I'm afraid if
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:48,870 --> 00:00:50,990
|
| 83 |
+
let him answer no why not I'm afraid if
|
| 84 |
+
he talks to me I think he'll leave you
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:50,990 --> 00:00:51,000
|
| 88 |
+
he talks to me I think he'll leave you
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:51,000 --> 00:01:03,450
|
| 93 |
+
he talks to me I think he'll leave you
|
| 94 |
+
do you want him to leave you yes
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:03,450 --> 00:01:03,460
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:03,460 --> 00:01:05,760
|
| 103 |
+
|
| 104 |
+
I'm speaking to the person inside of
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:05,760 --> 00:01:05,770
|
| 108 |
+
I'm speaking to the person inside of
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:05,770 --> 00:01:08,850
|
| 113 |
+
I'm speaking to the person inside of
|
| 114 |
+
Regan now if you are there you too are
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:08,850 --> 00:01:08,860
|
| 118 |
+
Regan now if you are there you too are
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:08,860 --> 00:01:11,430
|
| 123 |
+
Regan now if you are there you too are
|
| 124 |
+
hypnotized I must answer all my
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:11,430 --> 00:01:11,440
|
| 128 |
+
hypnotized I must answer all my
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:11,440 --> 00:01:23,380
|
| 133 |
+
hypnotized I must answer all my
|
| 134 |
+
questions come forward and answer me now
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:23,380 --> 00:01:23,390
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:23,390 --> 00:01:54,439
|
| 143 |
+
|
| 144 |
+
[Music]
|
| 145 |
+
|
1973/g_mjMjs_eFY.en.srt
ADDED
|
@@ -0,0 +1,255 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:06,230
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:06,230 --> 00:00:06,240
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:06,240 --> 00:00:08,900
|
| 13 |
+
[Music]
|
| 14 |
+
I looked at him and he said that's all I
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:08,900 --> 00:00:08,910
|
| 18 |
+
I looked at him and he said that's all I
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:08,910 --> 00:00:13,869
|
| 23 |
+
I looked at him and he said that's all I
|
| 24 |
+
[Laughter]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:13,869 --> 00:00:13,879
|
| 28 |
+
[Laughter]
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:13,879 --> 00:00:16,109
|
| 33 |
+
[Laughter]
|
| 34 |
+
got those boys should have been back by
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:16,109 --> 00:00:16,119
|
| 38 |
+
got those boys should have been back by
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:16,119 --> 00:00:19,630
|
| 43 |
+
got those boys should have been back by
|
| 44 |
+
now wonder if something might have gone
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:19,630 --> 00:00:19,640
|
| 48 |
+
now wonder if something might have gone
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:19,640 --> 00:00:22,670
|
| 53 |
+
now wonder if something might have gone
|
| 54 |
+
wrong I think I hear him coming
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:22,670 --> 00:00:22,680
|
| 58 |
+
wrong I think I hear him coming
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:22,680 --> 00:00:28,410
|
| 63 |
+
wrong I think I hear him coming
|
| 64 |
+
now sounds like he's really moving
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:28,410 --> 00:00:28,420
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:28,420 --> 00:00:35,160
|
| 73 |
+
|
| 74 |
+
[Music]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:35,160 --> 00:00:35,170
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:35,170 --> 00:00:45,510
|
| 83 |
+
|
| 84 |
+
[Music]
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:45,510 --> 00:00:45,520
|
| 88 |
+
[Music]
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:45,520 --> 00:00:55,890
|
| 93 |
+
[Music]
|
| 94 |
+
what
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:55,890 --> 00:00:55,900
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:55,900 --> 00:01:01,670
|
| 103 |
+
|
| 104 |
+
[Music]
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:01,670 --> 00:01:01,680
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:01,680 --> 00:01:07,920
|
| 113 |
+
|
| 114 |
+
[Music]
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:07,920 --> 00:01:07,930
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:07,930 --> 00:01:17,109
|
| 123 |
+
|
| 124 |
+
[Applause]
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:17,109 --> 00:01:17,119
|
| 128 |
+
[Applause]
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:17,119 --> 00:01:20,230
|
| 133 |
+
[Applause]
|
| 134 |
+
come on
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:20,230 --> 00:01:20,240
|
| 138 |
+
come on
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:20,240 --> 00:01:23,270
|
| 143 |
+
come on
|
| 144 |
+
now look I ain't going to shoot you
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:23,270 --> 00:01:23,280
|
| 148 |
+
now look I ain't going to shoot you
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:23,280 --> 00:01:26,870
|
| 153 |
+
now look I ain't going to shoot you
|
| 154 |
+
please don't shoot don't shoot I'll pay
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:26,870 --> 00:01:26,880
|
| 158 |
+
please don't shoot don't shoot I'll pay
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:26,880 --> 00:01:29,590
|
| 163 |
+
please don't shoot don't shoot I'll pay
|
| 164 |
+
you anything a million dollars whatever
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:29,590 --> 00:01:29,600
|
| 168 |
+
you anything a million dollars whatever
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:29,600 --> 00:01:31,710
|
| 173 |
+
you anything a million dollars whatever
|
| 174 |
+
you want mon okay a million dollars you
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:31,710 --> 00:01:31,720
|
| 178 |
+
you want mon okay a million dollars you
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:31,720 --> 00:01:33,630
|
| 183 |
+
you want mon okay a million dollars you
|
| 184 |
+
got a deal I won't kill you it's your
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:33,630 --> 00:01:33,640
|
| 188 |
+
got a deal I won't kill you it's your
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:33,640 --> 00:01:35,550
|
| 193 |
+
got a deal I won't kill you it's your
|
| 194 |
+
friend brunwick I want anyway where is
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:35,550 --> 00:01:35,560
|
| 198 |
+
friend brunwick I want anyway where is
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:35,560 --> 00:01:38,670
|
| 203 |
+
friend brunwick I want anyway where is
|
| 204 |
+
he he left he went to his house at the
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:38,670 --> 00:01:38,680
|
| 208 |
+
he he left he went to his house at the
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:38,680 --> 00:01:41,789
|
| 213 |
+
he he left he went to his house at the
|
| 214 |
+
beach yeah I know the
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:41,789 --> 00:01:41,799
|
| 218 |
+
beach yeah I know the
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:41,799 --> 00:01:47,429
|
| 223 |
+
beach yeah I know the
|
| 224 |
+
place
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:47,429 --> 00:01:47,439
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:47,439 --> 00:01:49,749
|
| 233 |
+
|
| 234 |
+
thanks that's a present for my little
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:49,749 --> 00:01:49,759
|
| 238 |
+
thanks that's a present for my little
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:49,759 --> 00:02:15,500
|
| 243 |
+
thanks that's a present for my little
|
| 244 |
+
sister and a nice cop named Carter
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:15,500 --> 00:02:15,510
|
| 248 |
+
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:15,510 --> 00:02:24,470
|
| 253 |
+
|
| 254 |
+
[Music]
|
| 255 |
+
|
1973/i5mSHPKEbas.en.srt
ADDED
|
@@ -0,0 +1,355 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,560 --> 00:00:02,990
|
| 3 |
+
|
| 4 |
+
before I could stop him he was on the
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,990 --> 00:00:03,000
|
| 8 |
+
before I could stop him he was on the
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,000 --> 00:00:05,349
|
| 13 |
+
before I could stop him he was on the
|
| 14 |
+
dock plunging that knife in him he's a
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,349 --> 00:00:05,359
|
| 18 |
+
dock plunging that knife in him he's a
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:05,359 --> 00:00:06,829
|
| 23 |
+
dock plunging that knife in him he's a
|
| 24 |
+
li he's a
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:06,829 --> 00:00:06,839
|
| 28 |
+
li he's a
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:06,839 --> 00:00:11,709
|
| 33 |
+
li he's a
|
| 34 |
+
li I see it didn't have that way at
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:11,709 --> 00:00:11,719
|
| 38 |
+
li I see it didn't have that way at
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:11,719 --> 00:00:15,710
|
| 43 |
+
li I see it didn't have that way at
|
| 44 |
+
all order order I'll have order in my
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:15,710 --> 00:00:15,720
|
| 48 |
+
all order order I'll have order in my
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:15,720 --> 00:00:18,830
|
| 53 |
+
all order order I'll have order in my
|
| 54 |
+
courtroom order now
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:18,830 --> 00:00:18,840
|
| 58 |
+
courtroom order now
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:18,840 --> 00:00:22,269
|
| 63 |
+
courtroom order now
|
| 64 |
+
Tom you come up here and tell us exactly
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:22,269 --> 00:00:22,279
|
| 68 |
+
Tom you come up here and tell us exactly
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:22,279 --> 00:00:48,630
|
| 73 |
+
Tom you come up here and tell us exactly
|
| 74 |
+
what you saw
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:48,630 --> 00:00:48,640
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:48,640 --> 00:00:53,150
|
| 83 |
+
|
| 84 |
+
all right Tom now tell me were you alone
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:53,150 --> 00:00:53,160
|
| 88 |
+
all right Tom now tell me were you alone
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:53,160 --> 00:00:54,990
|
| 93 |
+
all right Tom now tell me were you alone
|
| 94 |
+
well not
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:54,990 --> 00:00:55,000
|
| 98 |
+
well not
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:55,000 --> 00:01:02,069
|
| 103 |
+
well not
|
| 104 |
+
exactly well who was with you then I
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:02,069 --> 00:01:02,079
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:02,079 --> 00:01:06,070
|
| 113 |
+
|
| 114 |
+
I was with the witer Douglas's dead
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:06,070 --> 00:01:06,080
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:06,080 --> 00:01:07,120
|
| 123 |
+
|
| 124 |
+
cat
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:07,120 --> 00:01:07,130
|
| 128 |
+
cat
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:07,130 --> 00:01:08,469
|
| 133 |
+
cat
|
| 134 |
+
[Music]
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:08,469 --> 00:01:08,479
|
| 138 |
+
[Music]
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:08,479 --> 00:01:11,109
|
| 143 |
+
[Music]
|
| 144 |
+
order I was trying to work the spirit of
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:11,109 --> 00:01:11,119
|
| 148 |
+
order I was trying to work the spirit of
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:11,119 --> 00:01:12,840
|
| 153 |
+
order I was trying to work the spirit of
|
| 154 |
+
hos Williams into the dead
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:12,840 --> 00:01:12,850
|
| 158 |
+
hos Williams into the dead
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:12,850 --> 00:01:17,710
|
| 163 |
+
hos Williams into the dead
|
| 164 |
+
[Laughter]
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:17,710 --> 00:01:17,720
|
| 168 |
+
[Laughter]
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:17,720 --> 00:01:21,390
|
| 173 |
+
[Laughter]
|
| 174 |
+
cat where is that dead cat now he's
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:21,390 --> 00:01:21,400
|
| 178 |
+
cat where is that dead cat now he's
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:21,400 --> 00:01:23,670
|
| 183 |
+
cat where is that dead cat now he's
|
| 184 |
+
probably still in the guny about 20 ft
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:23,670 --> 00:01:23,680
|
| 188 |
+
probably still in the guny about 20 ft
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:23,680 --> 00:01:25,469
|
| 193 |
+
probably still in the guny about 20 ft
|
| 194 |
+
away from the grave that's where I left
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:25,469 --> 00:01:25,479
|
| 198 |
+
away from the grave that's where I left
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:25,479 --> 00:01:27,830
|
| 203 |
+
away from the grave that's where I left
|
| 204 |
+
it when I ran
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:27,830 --> 00:01:27,840
|
| 208 |
+
it when I ran
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:27,840 --> 00:01:31,469
|
| 213 |
+
it when I ran
|
| 214 |
+
away and then what happened
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:31,469 --> 00:01:31,479
|
| 218 |
+
away and then what happened
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:31,479 --> 00:01:33,109
|
| 223 |
+
away and then what happened
|
| 224 |
+
then they started
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:33,109 --> 00:01:33,119
|
| 228 |
+
then they started
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:33,119 --> 00:01:35,990
|
| 233 |
+
then they started
|
| 234 |
+
fighting and as doc Robinson fetched up
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:35,990 --> 00:01:36,000
|
| 238 |
+
fighting and as doc Robinson fetched up
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:36,000 --> 00:01:38,910
|
| 243 |
+
fighting and as doc Robinson fetched up
|
| 244 |
+
the shovel to Shield himself he
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:38,910 --> 00:01:38,920
|
| 248 |
+
the shovel to Shield himself he
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:38,920 --> 00:01:41,190
|
| 253 |
+
the shovel to Shield himself he
|
| 254 |
+
accidentally hit muff on the head
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:41,190 --> 00:01:41,200
|
| 258 |
+
accidentally hit muff on the head
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:41,200 --> 00:01:44,550
|
| 263 |
+
accidentally hit muff on the head
|
| 264 |
+
knocked him out
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:44,550 --> 00:01:44,560
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:44,560 --> 00:01:47,030
|
| 273 |
+
|
| 274 |
+
cold and that's
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:47,030 --> 00:01:47,040
|
| 278 |
+
cold and that's
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:47,040 --> 00:01:51,389
|
| 283 |
+
cold and that's
|
| 284 |
+
when when n Joe picked up a big
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:51,389 --> 00:01:51,399
|
| 288 |
+
when when n Joe picked up a big
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:51,399 --> 00:01:53,749
|
| 293 |
+
when when n Joe picked up a big
|
| 294 |
+
rock and knocked doc Robinson down into
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:53,749 --> 00:01:53,759
|
| 298 |
+
rock and knocked doc Robinson down into
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:53,759 --> 00:01:56,749
|
| 303 |
+
rock and knocked doc Robinson down into
|
| 304 |
+
the
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:56,749 --> 00:01:56,759
|
| 308 |
+
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:56,759 --> 00:02:01,749
|
| 313 |
+
|
| 314 |
+
grave that's when he p up muff's
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:02:01,749 --> 00:02:01,759
|
| 318 |
+
grave that's when he p up muff's
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:02:01,759 --> 00:02:04,870
|
| 323 |
+
grave that's when he p up muff's
|
| 324 |
+
knife jumped in after
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:02:04,870 --> 00:02:04,880
|
| 328 |
+
knife jumped in after
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:02:04,880 --> 00:02:11,630
|
| 333 |
+
knife jumped in after
|
| 334 |
+
him I heard the dog scream
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:02:11,630 --> 00:02:11,640
|
| 338 |
+
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:02:11,640 --> 00:02:12,870
|
| 343 |
+
|
| 344 |
+
[Applause]
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:02:12,870 --> 00:02:12,880
|
| 348 |
+
[Applause]
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:02:12,880 --> 00:02:44,669
|
| 353 |
+
[Applause]
|
| 354 |
+
[Music]
|
| 355 |
+
|
1973/i6ymVjU5hno.en.srt
ADDED
|
@@ -0,0 +1,395 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,120 --> 00:00:05,749
|
| 3 |
+
|
| 4 |
+
you should have done it in Paris
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:05,749 --> 00:00:05,759
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,759 --> 00:00:10,709
|
| 13 |
+
|
| 14 |
+
Joel the price wasn't right and now it
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:10,709 --> 00:00:10,719
|
| 18 |
+
Joel the price wasn't right and now it
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:10,719 --> 00:00:13,589
|
| 23 |
+
Joel the price wasn't right and now it
|
| 24 |
+
is yes now it
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:13,589 --> 00:00:13,599
|
| 28 |
+
is yes now it
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:13,599 --> 00:00:18,189
|
| 33 |
+
is yes now it
|
| 34 |
+
is I could kill you
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:18,189 --> 00:00:18,199
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:18,199 --> 00:00:21,590
|
| 43 |
+
|
| 44 |
+
Jean take it then
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:21,590 --> 00:00:21,600
|
| 48 |
+
Jean take it then
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:21,600 --> 00:00:25,910
|
| 53 |
+
Jean take it then
|
| 54 |
+
cross it won't come around
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:25,910 --> 00:00:25,920
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:25,920 --> 00:00:29,150
|
| 63 |
+
|
| 64 |
+
again can we talk
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:29,150 --> 00:00:29,160
|
| 68 |
+
again can we talk
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:29,160 --> 00:00:42,029
|
| 73 |
+
again can we talk
|
| 74 |
+
[Music]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:42,029 --> 00:00:42,039
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:42,039 --> 00:00:46,590
|
| 83 |
+
|
| 84 |
+
sure moud name my sin he said you sold
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:46,590 --> 00:00:46,600
|
| 88 |
+
sure moud name my sin he said you sold
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:46,600 --> 00:00:49,630
|
| 93 |
+
sure moud name my sin he said you sold
|
| 94 |
+
and had more to sell and you believe
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:49,630 --> 00:00:49,640
|
| 98 |
+
and had more to sell and you believe
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:49,640 --> 00:00:53,270
|
| 103 |
+
and had more to sell and you believe
|
| 104 |
+
that is it true I want to
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:53,270 --> 00:00:53,280
|
| 108 |
+
that is it true I want to
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:53,280 --> 00:00:55,709
|
| 113 |
+
that is it true I want to
|
| 114 |
+
know for your
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:55,709 --> 00:00:55,719
|
| 118 |
+
know for your
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:55,719 --> 00:01:01,470
|
| 123 |
+
know for your
|
| 124 |
+
education no it isn't true zov
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:01,470 --> 00:01:01,480
|
| 128 |
+
education no it isn't true zov
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:01,480 --> 00:01:05,469
|
| 133 |
+
education no it isn't true zov
|
| 134 |
+
what about Jaca here's the
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:05,469 --> 00:01:05,479
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:05,479 --> 00:01:09,390
|
| 143 |
+
|
| 144 |
+
opposition I've known Jaca for almost 30
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:09,390 --> 00:01:09,400
|
| 148 |
+
opposition I've known Jaca for almost 30
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:09,400 --> 00:01:13,190
|
| 153 |
+
opposition I've known Jaca for almost 30
|
| 154 |
+
years as an ally as an enemy and always
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:13,190 --> 00:01:13,200
|
| 158 |
+
years as an ally as an enemy and always
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:13,200 --> 00:01:15,230
|
| 163 |
+
years as an ally as an enemy and always
|
| 164 |
+
as a
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:15,230 --> 00:01:15,240
|
| 168 |
+
as a
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:15,240 --> 00:01:17,270
|
| 173 |
+
as a
|
| 174 |
+
friend we're both premature
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:17,270 --> 00:01:17,280
|
| 178 |
+
friend we're both premature
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:17,280 --> 00:01:20,230
|
| 183 |
+
friend we're both premature
|
| 184 |
+
anti-fascists as they used to say in
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:20,230 --> 00:01:20,240
|
| 188 |
+
anti-fascists as they used to say in
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:20,240 --> 00:01:22,630
|
| 193 |
+
anti-fascists as they used to say in
|
| 194 |
+
Washington but jakov hasn't sold out and
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:22,630 --> 00:01:22,640
|
| 198 |
+
Washington but jakov hasn't sold out and
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:22,640 --> 00:01:24,390
|
| 203 |
+
Washington but jakov hasn't sold out and
|
| 204 |
+
neither of
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:24,390 --> 00:01:24,400
|
| 208 |
+
neither of
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:24,400 --> 00:01:27,550
|
| 213 |
+
neither of
|
| 214 |
+
I then why does McLoud want you're dead
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:27,550 --> 00:01:27,560
|
| 218 |
+
I then why does McLoud want you're dead
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:27,560 --> 00:01:32,190
|
| 223 |
+
I then why does McLoud want you're dead
|
| 224 |
+
why don't you ask him that I'm asking
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:32,190 --> 00:01:32,200
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:32,200 --> 00:01:34,389
|
| 233 |
+
|
| 234 |
+
you you're looking for God's shining
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:34,389 --> 00:01:34,399
|
| 238 |
+
you you're looking for God's shining
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:34,399 --> 00:01:36,789
|
| 243 |
+
you you're looking for God's shining
|
| 244 |
+
face aren't you Johan Something to
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:36,789 --> 00:01:36,799
|
| 248 |
+
face aren't you Johan Something to
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:36,799 --> 00:01:39,670
|
| 253 |
+
face aren't you Johan Something to
|
| 254 |
+
Believe In Like A young girl in a white
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:39,670 --> 00:01:39,680
|
| 258 |
+
Believe In Like A young girl in a white
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:39,680 --> 00:01:41,550
|
| 263 |
+
Believe In Like A young girl in a white
|
| 264 |
+
communion
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:41,550 --> 00:01:41,560
|
| 268 |
+
communion
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:41,560 --> 00:01:44,270
|
| 273 |
+
communion
|
| 274 |
+
dress but you've got the soul of a
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:44,270 --> 00:01:44,280
|
| 278 |
+
dress but you've got the soul of a
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:44,280 --> 00:01:47,510
|
| 283 |
+
dress but you've got the soul of a
|
| 284 |
+
torturer so your need is greater you
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:47,510 --> 00:01:47,520
|
| 288 |
+
torturer so your need is greater you
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:47,520 --> 00:01:51,789
|
| 293 |
+
torturer so your need is greater you
|
| 294 |
+
lied to me cross and you used me for
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:51,789 --> 00:01:51,799
|
| 298 |
+
lied to me cross and you used me for
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:51,799 --> 00:01:54,429
|
| 303 |
+
lied to me cross and you used me for
|
| 304 |
+
that I'm going to kill you I never lied
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:54,429 --> 00:01:54,439
|
| 308 |
+
that I'm going to kill you I never lied
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:54,439 --> 00:01:57,429
|
| 313 |
+
that I'm going to kill you I never lied
|
| 314 |
+
to you Jean I used you but I never lied
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:57,429 --> 00:01:57,439
|
| 318 |
+
to you Jean I used you but I never lied
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:57,439 --> 00:01:58,590
|
| 323 |
+
to you Jean I used you but I never lied
|
| 324 |
+
to
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:58,590 --> 00:01:58,600
|
| 328 |
+
to
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:58,600 --> 00:02:02,590
|
| 333 |
+
to
|
| 334 |
+
you not my doing cross I
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:02:02,590 --> 00:02:02,600
|
| 338 |
+
you not my doing cross I
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:02:02,600 --> 00:02:05,230
|
| 343 |
+
you not my doing cross I
|
| 344 |
+
swear don't trust McLoud he ordered you
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:02:05,230 --> 00:02:05,240
|
| 348 |
+
swear don't trust McLoud he ordered you
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:02:05,240 --> 00:02:08,029
|
| 353 |
+
swear don't trust McLoud he ordered you
|
| 354 |
+
drop twice Damascus and
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:02:08,029 --> 00:02:08,039
|
| 358 |
+
drop twice Damascus and
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:02:08,039 --> 00:02:10,150
|
| 363 |
+
drop twice Damascus and
|
| 364 |
+
Mars that's why I gave you so much
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:10,150 --> 00:02:10,160
|
| 368 |
+
Mars that's why I gave you so much
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:10,160 --> 00:02:12,430
|
| 373 |
+
Mars that's why I gave you so much
|
| 374 |
+
information at each job something to
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:02:12,430 --> 00:02:12,440
|
| 378 |
+
information at each job something to
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:02:12,440 --> 00:02:14,920
|
| 383 |
+
information at each job something to
|
| 384 |
+
bargain with you owe me Jean
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:02:14,920 --> 00:02:14,930
|
| 388 |
+
bargain with you owe me Jean
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:02:14,930 --> 00:02:46,490
|
| 393 |
+
bargain with you owe me Jean
|
| 394 |
+
[Music]
|
| 395 |
+
|
1973/j1q-QWHUU0g.en.srt
ADDED
|
@@ -0,0 +1,445 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,840 --> 00:00:02,709
|
| 3 |
+
|
| 4 |
+
now the next dance is going to be a
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,709 --> 00:00:02,719
|
| 8 |
+
now the next dance is going to be a
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,719 --> 00:00:05,230
|
| 13 |
+
now the next dance is going to be a
|
| 14 |
+
snowball and leading it off is last
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,230 --> 00:00:05,240
|
| 18 |
+
snowball and leading it off is last
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:05,240 --> 00:00:07,789
|
| 23 |
+
snowball and leading it off is last
|
| 24 |
+
year's class president Steve bander and
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:07,789 --> 00:00:07,799
|
| 28 |
+
year's class president Steve bander and
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:07,799 --> 00:00:10,500
|
| 33 |
+
year's class president Steve bander and
|
| 34 |
+
this year's head cheerleader Lori
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:10,500 --> 00:00:10,510
|
| 38 |
+
this year's head cheerleader Lori
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:10,510 --> 00:00:24,150
|
| 43 |
+
this year's head cheerleader Lori
|
| 44 |
+
[Applause]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:24,150 --> 00:00:24,160
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:24,160 --> 00:00:27,269
|
| 53 |
+
|
| 54 |
+
Henderson God come on come on what oh
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:27,269 --> 00:00:27,279
|
| 58 |
+
Henderson God come on come on what oh
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:27,279 --> 00:00:36,360
|
| 63 |
+
Henderson God come on come on what oh
|
| 64 |
+
Stephen please smile
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:36,360 --> 00:00:36,370
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:36,370 --> 00:00:44,150
|
| 73 |
+
|
| 74 |
+
[Music]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:44,150 --> 00:00:44,160
|
| 78 |
+
[Music]
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:44,160 --> 00:00:45,110
|
| 83 |
+
[Music]
|
| 84 |
+
qu
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:45,110 --> 00:00:45,120
|
| 88 |
+
qu
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:45,120 --> 00:00:47,350
|
| 93 |
+
qu
|
| 94 |
+
pinching you think I care if you go off
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:47,350 --> 00:00:47,360
|
| 98 |
+
pinching you think I care if you go off
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:47,360 --> 00:00:48,590
|
| 103 |
+
pinching you think I care if you go off
|
| 104 |
+
you think I'm going to crack up or
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:48,590 --> 00:00:48,600
|
| 108 |
+
you think I'm going to crack up or
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:48,600 --> 00:00:50,549
|
| 113 |
+
you think I'm going to crack up or
|
| 114 |
+
something boy are you can see I don't
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:50,549 --> 00:00:50,559
|
| 118 |
+
something boy are you can see I don't
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:50,559 --> 00:00:51,750
|
| 123 |
+
something boy are you can see I don't
|
| 124 |
+
know why I ever asked you out in the
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:51,750 --> 00:00:51,760
|
| 128 |
+
know why I ever asked you out in the
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:51,760 --> 00:00:54,950
|
| 133 |
+
know why I ever asked you out in the
|
| 134 |
+
first place you didn't I asked you out
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:54,950 --> 00:00:54,960
|
| 138 |
+
first place you didn't I asked you out
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:54,960 --> 00:00:56,670
|
| 143 |
+
first place you didn't I asked you out
|
| 144 |
+
what do you mean you asked me out
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:56,670 --> 00:00:56,680
|
| 148 |
+
what do you mean you asked me out
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:56,680 --> 00:00:59,630
|
| 153 |
+
what do you mean you asked me out
|
| 154 |
+
Backwards Day remember if I had waited
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:59,630 --> 00:00:59,640
|
| 158 |
+
Backwards Day remember if I had waited
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:59,640 --> 00:01:01,709
|
| 163 |
+
Backwards Day remember if I had waited
|
| 164 |
+
for you you ask me hope
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:01,709 --> 00:01:01,719
|
| 168 |
+
for you you ask me hope
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:01,719 --> 00:01:03,990
|
| 173 |
+
for you you ask me hope
|
| 174 |
+
brother even after that you didn't call
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:03,990 --> 00:01:04,000
|
| 178 |
+
brother even after that you didn't call
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:04,000 --> 00:01:06,429
|
| 183 |
+
brother even after that you didn't call
|
| 184 |
+
me for 2 weeks well I was busy you were
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:06,429 --> 00:01:06,439
|
| 188 |
+
me for 2 weeks well I was busy you were
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:06,439 --> 00:01:10,149
|
| 193 |
+
me for 2 weeks well I was busy you were
|
| 194 |
+
scared Dave obler told me then when you
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:10,149 --> 00:01:10,159
|
| 198 |
+
scared Dave obler told me then when you
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:10,159 --> 00:01:12,630
|
| 203 |
+
scared Dave obler told me then when you
|
| 204 |
+
did ask me out you didn't kiss me for 3
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:12,630 --> 00:01:12,640
|
| 208 |
+
did ask me out you didn't kiss me for 3
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:12,640 --> 00:01:16,550
|
| 213 |
+
did ask me out you didn't kiss me for 3
|
| 214 |
+
days well I was scared Jim Kyler told
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:16,550 --> 00:01:16,560
|
| 218 |
+
days well I was scared Jim Kyler told
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:16,560 --> 00:01:19,429
|
| 223 |
+
days well I was scared Jim Kyler told
|
| 224 |
+
me I even asked my father why you hadn't
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:19,429 --> 00:01:19,439
|
| 228 |
+
me I even asked my father why you hadn't
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:19,439 --> 00:01:22,270
|
| 233 |
+
me I even asked my father why you hadn't
|
| 234 |
+
kissed me your father great you know
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:22,270 --> 00:01:22,280
|
| 238 |
+
kissed me your father great you know
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:22,280 --> 00:01:24,230
|
| 243 |
+
kissed me your father great you know
|
| 244 |
+
what he said he said he thought you were
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:24,230 --> 00:01:24,240
|
| 248 |
+
what he said he said he thought you were
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:24,240 --> 00:01:26,190
|
| 253 |
+
what he said he said he thought you were
|
| 254 |
+
bright enough and that you'd probably
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:26,190 --> 00:01:26,200
|
| 258 |
+
bright enough and that you'd probably
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:26,200 --> 00:01:29,350
|
| 263 |
+
bright enough and that you'd probably
|
| 264 |
+
get round to it after a while you didn't
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:29,350 --> 00:01:29,360
|
| 268 |
+
get round to it after a while you didn't
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:29,360 --> 00:01:31,590
|
| 273 |
+
get round to it after a while you didn't
|
| 274 |
+
of course I had
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:31,590 --> 00:01:31,600
|
| 278 |
+
of course I had
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:31,600 --> 00:01:34,670
|
| 283 |
+
of course I had
|
| 284 |
+
to remember the
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:34,670 --> 00:01:34,680
|
| 288 |
+
to remember the
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:34,680 --> 00:01:38,310
|
| 293 |
+
to remember the
|
| 294 |
+
picnic out at the canyon oh boy you
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:38,310 --> 00:01:38,320
|
| 298 |
+
picnic out at the canyon oh boy you
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:38,320 --> 00:01:41,230
|
| 303 |
+
picnic out at the canyon oh boy you
|
| 304 |
+
don't remember anything do you the first
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:41,230 --> 00:01:41,240
|
| 308 |
+
don't remember anything do you the first
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:41,240 --> 00:01:42,710
|
| 313 |
+
don't remember anything do you the first
|
| 314 |
+
one up at the
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:42,710 --> 00:01:42,720
|
| 318 |
+
one up at the
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:42,720 --> 00:01:46,910
|
| 323 |
+
one up at the
|
| 324 |
+
lake that was the first time you kissed
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:46,910 --> 00:01:46,920
|
| 328 |
+
lake that was the first time you kissed
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:46,920 --> 00:01:50,590
|
| 333 |
+
lake that was the first time you kissed
|
| 334 |
+
me I had to practically throw myself at
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:50,590 --> 00:01:50,600
|
| 338 |
+
me I had to practically throw myself at
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:50,600 --> 00:01:52,150
|
| 343 |
+
me I had to practically throw myself at
|
| 344 |
+
you I
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:52,150 --> 00:01:52,160
|
| 348 |
+
you I
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:52,160 --> 00:01:54,749
|
| 353 |
+
you I
|
| 354 |
+
[Music]
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:54,749 --> 00:01:54,759
|
| 358 |
+
[Music]
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:54,759 --> 00:01:57,429
|
| 363 |
+
[Music]
|
| 364 |
+
remember yet
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:57,429 --> 00:01:57,439
|
| 368 |
+
remember yet
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:57,439 --> 00:02:01,749
|
| 373 |
+
remember yet
|
| 374 |
+
today my love has
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:02:01,749 --> 00:02:01,759
|
| 378 |
+
today my love has
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:02:01,759 --> 00:02:05,469
|
| 383 |
+
today my love has
|
| 384 |
+
away I am
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:02:05,469 --> 00:02:05,479
|
| 388 |
+
away I am
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:02:05,479 --> 00:02:11,790
|
| 393 |
+
away I am
|
| 394 |
+
without
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:11,790 --> 00:02:11,800
|
| 398 |
+
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:11,800 --> 00:02:16,850
|
| 403 |
+
|
| 404 |
+
my
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:02:16,850 --> 00:02:16,860
|
| 408 |
+
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:02:16,860 --> 00:02:20,070
|
| 413 |
+
|
| 414 |
+
[Music]
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:20,070 --> 00:02:20,080
|
| 418 |
+
[Music]
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:20,080 --> 00:02:22,350
|
| 423 |
+
[Music]
|
| 424 |
+
nowar what's
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:02:22,350 --> 00:02:22,360
|
| 428 |
+
nowar what's
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:02:22,360 --> 00:02:25,370
|
| 433 |
+
nowar what's
|
| 434 |
+
wrong go to hell
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:02:25,370 --> 00:02:25,380
|
| 438 |
+
wrong go to hell
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:02:25,380 --> 00:03:01,509
|
| 443 |
+
wrong go to hell
|
| 444 |
+
[Music]
|
| 445 |
+
|
1973/jRRY7zgE4K8.en.srt
ADDED
|
@@ -0,0 +1,255 @@
|
|
|
|
|
|
|
|
|
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,640 --> 00:00:15,109
|
| 3 |
+
|
| 4 |
+
Hey Big Man why don't you turn out the
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:15,109 --> 00:00:15,119
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:15,119 --> 00:00:17,870
|
| 13 |
+
|
| 14 |
+
lights this is the end of your rotten
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:17,870 --> 00:00:17,880
|
| 18 |
+
lights this is the end of your rotten
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:17,880 --> 00:00:25,910
|
| 23 |
+
lights this is the end of your rotten
|
| 24 |
+
life you dope pusher
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:25,910 --> 00:00:25,920
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:25,920 --> 00:00:35,350
|
| 33 |
+
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:35,350 --> 00:00:35,360
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:35,360 --> 00:00:37,350
|
| 43 |
+
|
| 44 |
+
it was easy for him because he really
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:37,350 --> 00:00:37,360
|
| 48 |
+
it was easy for him because he really
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:37,360 --> 00:00:39,709
|
| 53 |
+
it was easy for him because he really
|
| 54 |
+
didn't believe it was coming but it
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:39,709 --> 00:00:39,719
|
| 58 |
+
didn't believe it was coming but it
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:39,719 --> 00:00:41,470
|
| 63 |
+
didn't believe it was coming but it
|
| 64 |
+
ain't going to be easy for you because
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:41,470 --> 00:00:41,480
|
| 68 |
+
ain't going to be easy for you because
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:41,480 --> 00:00:45,310
|
| 73 |
+
ain't going to be easy for you because
|
| 74 |
+
you better believe it's coming wait wait
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:45,310 --> 00:00:45,320
|
| 78 |
+
you better believe it's coming wait wait
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:45,320 --> 00:00:47,510
|
| 83 |
+
you better believe it's coming wait wait
|
| 84 |
+
what do you want to go and do this far
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:47,510 --> 00:00:47,520
|
| 88 |
+
what do you want to go and do this far
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:47,520 --> 00:00:50,990
|
| 93 |
+
what do you want to go and do this far
|
| 94 |
+
why why look here I got your fixed don't
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:50,990 --> 00:00:51,000
|
| 98 |
+
why why look here I got your fixed don't
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:51,000 --> 00:00:55,349
|
| 103 |
+
why why look here I got your fixed don't
|
| 104 |
+
you want your fix no but you
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:55,349 --> 00:00:55,359
|
| 108 |
+
you want your fix no but you
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:55,359 --> 00:00:58,549
|
| 113 |
+
you want your fix no but you
|
| 114 |
+
do I don't get this what do you want
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:58,549 --> 00:00:58,559
|
| 118 |
+
do I don't get this what do you want
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:58,559 --> 00:01:02,029
|
| 123 |
+
do I don't get this what do you want
|
| 124 |
+
with me my name's coffin leel coffin is
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:02,029 --> 00:01:02,039
|
| 128 |
+
with me my name's coffin leel coffin is
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:02,039 --> 00:01:05,229
|
| 133 |
+
with me my name's coffin leel coffin is
|
| 134 |
+
my little sister LEL shooting smack at
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:05,229 --> 00:01:05,239
|
| 138 |
+
my little sister LEL shooting smack at
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:05,239 --> 00:01:08,270
|
| 143 |
+
my little sister LEL shooting smack at
|
| 144 |
+
11 and you got her out to do dirty
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:08,270 --> 00:01:08,280
|
| 148 |
+
11 and you got her out to do dirty
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:08,280 --> 00:01:12,390
|
| 153 |
+
11 and you got her out to do dirty
|
| 154 |
+
please please her whole life is gone she
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:12,390 --> 00:01:12,400
|
| 158 |
+
please please her whole life is gone she
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:12,400 --> 00:01:14,789
|
| 163 |
+
please please her whole life is gone she
|
| 164 |
+
can never get it back and you're living
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:14,789 --> 00:01:14,799
|
| 168 |
+
can never get it back and you're living
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:14,799 --> 00:01:17,990
|
| 173 |
+
can never get it back and you're living
|
| 174 |
+
real good that ain't right it ain't
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:17,990 --> 00:01:18,000
|
| 178 |
+
real good that ain't right it ain't
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:18,000 --> 00:01:20,910
|
| 183 |
+
real good that ain't right it ain't
|
| 184 |
+
right so going to take the shot I can't
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:20,910 --> 00:01:20,920
|
| 188 |
+
right so going to take the shot I can't
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:20,920 --> 00:01:23,550
|
| 193 |
+
right so going to take the shot I can't
|
| 194 |
+
better kill me maybe it will and maybe
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:23,550 --> 00:01:23,560
|
| 198 |
+
better kill me maybe it will and maybe
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:23,560 --> 00:01:25,590
|
| 203 |
+
better kill me maybe it will and maybe
|
| 204 |
+
it won't but if it do you're going to
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:25,590 --> 00:01:25,600
|
| 208 |
+
it won't but if it do you're going to
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:25,600 --> 00:01:26,990
|
| 213 |
+
it won't but if it do you're going to
|
| 214 |
+
fly through them pearly gates with the
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:26,990 --> 00:01:27,000
|
| 218 |
+
fly through them pearly gates with the
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:27,000 --> 00:01:29,310
|
| 223 |
+
fly through them pearly gates with the
|
| 224 |
+
biggest smile St Peter ever seen
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:29,310 --> 00:01:29,320
|
| 228 |
+
biggest smile St Peter ever seen
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:29,320 --> 00:01:31,390
|
| 233 |
+
biggest smile St Peter ever seen
|
| 234 |
+
no no oh I don't even remember your
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:31,390 --> 00:01:31,400
|
| 238 |
+
no no oh I don't even remember your
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:31,400 --> 00:01:35,950
|
| 243 |
+
no no oh I don't even remember your
|
| 244 |
+
little sister no no
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:35,950 --> 00:01:35,960
|
| 248 |
+
little sister no no
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:35,960 --> 00:02:07,450
|
| 253 |
+
little sister no no
|
| 254 |
+
[Music]
|
| 255 |
+
|
1973/mCdbIDiib5U.en.srt
ADDED
|
@@ -0,0 +1,65 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:01,220 --> 00:00:05,480
|
| 3 |
+
|
| 4 |
+
you have offended my family and you have
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:05,480 --> 00:00:05,490
|
| 8 |
+
you have offended my family and you have
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,490 --> 00:00:51,930
|
| 13 |
+
you have offended my family and you have
|
| 14 |
+
offended a Shaolin Temple
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:51,930 --> 00:00:51,940
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:51,940 --> 00:01:01,260
|
| 23 |
+
|
| 24 |
+
[Applause]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:01:01,260 --> 00:01:01,270
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:01:01,270 --> 00:01:09,600
|
| 33 |
+
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:01:09,600 --> 00:01:09,610
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:01:09,610 --> 00:01:19,630
|
| 43 |
+
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:01:19,630 --> 00:01:19,640
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:01:19,640 --> 00:02:03,420
|
| 53 |
+
|
| 54 |
+
[Music]
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:02:03,420 --> 00:02:03,430
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:02:03,430 --> 00:02:34,499
|
| 63 |
+
|
| 64 |
+
[Music]
|
| 65 |
+
|
1973/mPDFATjS8l0.en.srt
ADDED
|
@@ -0,0 +1,195 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:04,040 --> 00:00:09,180
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:09,180 --> 00:00:09,190
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:09,190 --> 00:00:19,710
|
| 13 |
+
|
| 14 |
+
[Music]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:19,710 --> 00:00:19,720
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:19,720 --> 00:00:46,270
|
| 23 |
+
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:46,270 --> 00:00:46,280
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:46,280 --> 00:01:09,190
|
| 33 |
+
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:01:09,190 --> 00:01:09,200
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:01:09,200 --> 00:01:15,050
|
| 43 |
+
|
| 44 |
+
supposed to recognize like I didn't
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:01:15,050 --> 00:01:15,060
|
| 48 |
+
supposed to recognize like I didn't
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:01:15,060 --> 00:01:17,300
|
| 53 |
+
supposed to recognize like I didn't
|
| 54 |
+
know you didn't know me
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:01:17,300 --> 00:01:17,310
|
| 58 |
+
know you didn't know me
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:01:17,310 --> 00:01:20,480
|
| 63 |
+
know you didn't know me
|
| 64 |
+
you fight what I'm looking you fire
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:01:20,480 --> 00:01:20,490
|
| 68 |
+
you fight what I'm looking you fire
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:01:20,490 --> 00:01:22,340
|
| 73 |
+
you fight what I'm looking you fire
|
| 74 |
+
without a warning when I'm brain
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:22,340 --> 00:01:22,350
|
| 78 |
+
without a warning when I'm brain
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:22,350 --> 00:01:27,730
|
| 83 |
+
without a warning when I'm brain
|
| 84 |
+
in your head oh
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:27,730 --> 00:01:27,740
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:27,740 --> 00:01:30,080
|
| 93 |
+
|
| 94 |
+
if I buy one you I'm not
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:30,080 --> 00:01:30,090
|
| 98 |
+
if I buy one you I'm not
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:30,090 --> 00:01:39,630
|
| 103 |
+
if I buy one you I'm not
|
| 104 |
+
gonna buy it from you
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:39,630 --> 00:01:39,640
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:39,640 --> 00:01:47,770
|
| 113 |
+
|
| 114 |
+
we're gonna mess filling out forms
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:47,770 --> 00:01:47,780
|
| 118 |
+
we're gonna mess filling out forms
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:47,780 --> 00:01:50,040
|
| 123 |
+
we're gonna mess filling out forms
|
| 124 |
+
till next month
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:50,040 --> 00:01:50,050
|
| 128 |
+
till next month
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:50,050 --> 00:01:53,860
|
| 133 |
+
till next month
|
| 134 |
+
hey Jesus Frank I know it's a hell of a
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:53,860 --> 00:01:53,870
|
| 138 |
+
hey Jesus Frank I know it's a hell of a
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:53,870 --> 00:01:56,260
|
| 143 |
+
hey Jesus Frank I know it's a hell of a
|
| 144 |
+
time to ask you but I'm gonna have to go
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:56,260 --> 00:01:56,270
|
| 148 |
+
time to ask you but I'm gonna have to go
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:56,270 --> 00:01:58,330
|
| 153 |
+
time to ask you but I'm gonna have to go
|
| 154 |
+
through all that list expulsion all
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:58,330 --> 00:01:58,340
|
| 158 |
+
through all that list expulsion all
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:58,340 --> 00:01:59,860
|
| 163 |
+
through all that list expulsion all
|
| 164 |
+
right you should let's go look like hell
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:59,860 --> 00:01:59,870
|
| 168 |
+
right you should let's go look like hell
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:59,870 --> 00:02:02,460
|
| 173 |
+
right you should let's go look like hell
|
| 174 |
+
if I don't have anything to show for it
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:02:02,460 --> 00:02:02,470
|
| 178 |
+
if I don't have anything to show for it
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:02:02,470 --> 00:02:13,290
|
| 183 |
+
if I don't have anything to show for it
|
| 184 |
+
Frank do me a favor give us the collar
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:02:13,290 --> 00:02:13,300
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:02:13,300 --> 00:02:24,639
|
| 193 |
+
|
| 194 |
+
[Music]
|
| 195 |
+
|
1973/ma_XNn1bwOM.en.srt
ADDED
|
@@ -0,0 +1,195 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,650 --> 00:00:03,379
|
| 3 |
+
|
| 4 |
+
the cold or no cold it's good to be back
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,379 --> 00:00:03,389
|
| 8 |
+
the cold or no cold it's good to be back
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,389 --> 00:00:05,539
|
| 13 |
+
the cold or no cold it's good to be back
|
| 14 |
+
an old Manhattan well tell me Jack
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,539 --> 00:00:05,549
|
| 18 |
+
an old Manhattan well tell me Jack
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:05,549 --> 00:00:07,550
|
| 23 |
+
an old Manhattan well tell me Jack
|
| 24 |
+
you've been in town now since Thursday
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:07,550 --> 00:00:07,560
|
| 28 |
+
you've been in town now since Thursday
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:07,560 --> 00:00:08,480
|
| 33 |
+
you've been in town now since Thursday
|
| 34 |
+
what have you been doing with yourself
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:08,480 --> 00:00:08,490
|
| 38 |
+
what have you been doing with yourself
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:08,490 --> 00:00:10,520
|
| 43 |
+
what have you been doing with yourself
|
| 44 |
+
oh I've had a lot of fun Don I saw some
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:10,520 --> 00:00:10,530
|
| 48 |
+
oh I've had a lot of fun Don I saw some
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:10,530 --> 00:00:12,499
|
| 53 |
+
oh I've had a lot of fun Don I saw some
|
| 54 |
+
shows went to a couple of nightclubs and
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:12,499 --> 00:00:12,509
|
| 58 |
+
shows went to a couple of nightclubs and
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:12,509 --> 00:00:14,570
|
| 63 |
+
shows went to a couple of nightclubs and
|
| 64 |
+
last night I was invited over to Fred
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:14,570 --> 00:00:14,580
|
| 68 |
+
last night I was invited over to Fred
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:14,580 --> 00:00:16,939
|
| 73 |
+
last night I was invited over to Fred
|
| 74 |
+
Allen's apartment for dinner Oh Fred
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:16,939 --> 00:00:16,949
|
| 78 |
+
Allen's apartment for dinner Oh Fred
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:16,949 --> 00:00:18,410
|
| 83 |
+
Allen's apartment for dinner Oh Fred
|
| 84 |
+
Allen uh he and I are pretty good
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:18,410 --> 00:00:18,420
|
| 88 |
+
Allen uh he and I are pretty good
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:18,420 --> 00:00:21,070
|
| 93 |
+
Allen uh he and I are pretty good
|
| 94 |
+
friends
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:21,070 --> 00:00:21,080
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:21,080 --> 00:00:24,769
|
| 103 |
+
|
| 104 |
+
oh how could I tell down with all that
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:24,769 --> 00:00:24,779
|
| 108 |
+
oh how could I tell down with all that
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:24,779 --> 00:00:30,009
|
| 113 |
+
oh how could I tell down with all that
|
| 114 |
+
laundry hanging in the living room
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:30,009 --> 00:00:30,019
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:30,019 --> 00:00:33,940
|
| 123 |
+
|
| 124 |
+
ain't you gonna go to sleep
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:33,940 --> 00:00:33,950
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:33,950 --> 00:01:10,720
|
| 133 |
+
|
| 134 |
+
you know me no
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:10,720 --> 00:01:10,730
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:10,730 --> 00:01:13,310
|
| 143 |
+
|
| 144 |
+
you're too young to smoke you've got to
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:13,310 --> 00:01:13,320
|
| 148 |
+
you're too young to smoke you've got to
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:13,320 --> 00:01:32,740
|
| 153 |
+
you're too young to smoke you've got to
|
| 154 |
+
set this whole place on fire
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:32,740 --> 00:01:32,750
|
| 158 |
+
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:32,750 --> 00:01:38,850
|
| 163 |
+
|
| 164 |
+
I
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:38,850 --> 00:01:38,860
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:38,860 --> 00:01:42,100
|
| 173 |
+
|
| 174 |
+
now owe you 100 three dollars and
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:42,100 --> 00:01:42,110
|
| 178 |
+
now owe you 100 three dollars and
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:42,110 --> 00:01:48,410
|
| 183 |
+
now owe you 100 three dollars and
|
| 184 |
+
seventy two cents
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:48,410 --> 00:01:48,420
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:48,420 --> 00:02:19,460
|
| 193 |
+
|
| 194 |
+
[Music]
|
| 195 |
+
|
1973/meZXqa_CE_o.en.srt
ADDED
|
@@ -0,0 +1,295 @@
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|
|
| 1 |
+
1
|
| 2 |
+
00:00:03,520 --> 00:00:05,909
|
| 3 |
+
|
| 4 |
+
what the hell's wrong with you
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:05,909 --> 00:00:05,919
|
| 8 |
+
what the hell's wrong with you
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,919 --> 00:00:09,709
|
| 13 |
+
what the hell's wrong with you
|
| 14 |
+
man you going get us come on man act a
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,709 --> 00:00:09,719
|
| 18 |
+
man you going get us come on man act a
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,719 --> 00:00:10,780
|
| 23 |
+
man you going get us come on man act a
|
| 24 |
+
damn
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:10,780 --> 00:00:10,790
|
| 28 |
+
damn
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:10,790 --> 00:00:14,589
|
| 33 |
+
damn
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:14,589 --> 00:00:14,599
|
| 38 |
+
[Music]
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:14,599 --> 00:00:18,390
|
| 43 |
+
[Music]
|
| 44 |
+
crazy let hurry dude no hurry
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:18,390 --> 00:00:18,400
|
| 48 |
+
crazy let hurry dude no hurry
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:18,400 --> 00:00:22,670
|
| 53 |
+
crazy let hurry dude no hurry
|
| 54 |
+
Sheriff hot a it yeah it's
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:22,670 --> 00:00:22,680
|
| 58 |
+
Sheriff hot a it yeah it's
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:22,680 --> 00:00:25,710
|
| 63 |
+
Sheriff hot a it yeah it's
|
| 64 |
+
hot don't make any hotter in it in
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:25,710 --> 00:00:25,720
|
| 68 |
+
hot don't make any hotter in it in
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:25,720 --> 00:00:28,760
|
| 73 |
+
hot don't make any hotter in it in
|
| 74 |
+
now I won't
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:28,760 --> 00:00:28,770
|
| 78 |
+
now I won't
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:28,770 --> 00:00:37,650
|
| 83 |
+
now I won't
|
| 84 |
+
[Music]
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:37,650 --> 00:00:37,660
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:37,660 --> 00:00:49,709
|
| 93 |
+
|
| 94 |
+
[Music]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:49,709 --> 00:00:49,719
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:49,719 --> 00:00:56,300
|
| 103 |
+
|
| 104 |
+
I have something for you on Friday Mr
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:56,300 --> 00:00:56,310
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:56,310 --> 00:00:57,670
|
| 113 |
+
|
| 114 |
+
[Music]
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:57,670 --> 00:00:57,680
|
| 118 |
+
[Music]
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:57,680 --> 00:01:00,950
|
| 123 |
+
[Music]
|
| 124 |
+
Conor I bet this machine outrun about
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:00,950 --> 00:01:00,960
|
| 128 |
+
Conor I bet this machine outrun about
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:00,960 --> 00:01:04,550
|
| 133 |
+
Conor I bet this machine outrun about
|
| 134 |
+
anything wouldn't it yeah motorcycles
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:04,550 --> 00:01:04,560
|
| 138 |
+
anything wouldn't it yeah motorcycles
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:04,560 --> 00:01:07,390
|
| 143 |
+
anything wouldn't it yeah motorcycles
|
| 144 |
+
and state police
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:07,390 --> 00:01:07,400
|
| 148 |
+
and state police
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:07,400 --> 00:01:10,070
|
| 153 |
+
and state police
|
| 154 |
+
cars it's about anything on the
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:10,070 --> 00:01:10,080
|
| 158 |
+
cars it's about anything on the
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:10,080 --> 00:01:15,149
|
| 163 |
+
cars it's about anything on the
|
| 164 |
+
road it's a hot car it's tuned up fine
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:15,149 --> 00:01:15,159
|
| 168 |
+
road it's a hot car it's tuned up fine
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:15,159 --> 00:01:17,270
|
| 173 |
+
road it's a hot car it's tuned up fine
|
| 174 |
+
huh only two things in the world I'm
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:17,270 --> 00:01:17,280
|
| 178 |
+
huh only two things in the world I'm
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:17,280 --> 00:01:19,710
|
| 183 |
+
huh only two things in the world I'm
|
| 184 |
+
scared of I'm scared of two
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:19,710 --> 00:01:19,720
|
| 188 |
+
scared of I'm scared of two
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:19,720 --> 00:01:23,390
|
| 193 |
+
scared of I'm scared of two
|
| 194 |
+
things what's that women and the
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:23,390 --> 00:01:23,400
|
| 198 |
+
things what's that women and the
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:23,400 --> 00:01:26,109
|
| 203 |
+
things what's that women and the
|
| 204 |
+
police the women and the police you
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:26,109 --> 00:01:26,119
|
| 208 |
+
police the women and the police you
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:26,119 --> 00:01:27,630
|
| 213 |
+
police the women and the police you
|
| 214 |
+
spend all your time trying to hump them
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:27,630 --> 00:01:27,640
|
| 218 |
+
spend all your time trying to hump them
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:27,640 --> 00:01:34,069
|
| 223 |
+
spend all your time trying to hump them
|
| 224 |
+
both don't you y
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:34,069 --> 00:01:34,079
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:34,079 --> 00:01:35,910
|
| 233 |
+
|
| 234 |
+
you take it easy in this machine in this
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:35,910 --> 00:01:35,920
|
| 238 |
+
you take it easy in this machine in this
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:35,920 --> 00:01:38,950
|
| 243 |
+
you take it easy in this machine in this
|
| 244 |
+
County now oh yeah we'll take these Mr
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:38,950 --> 00:01:38,960
|
| 248 |
+
County now oh yeah we'll take these Mr
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:38,960 --> 00:01:41,710
|
| 253 |
+
County now oh yeah we'll take these Mr
|
| 254 |
+
con I know you
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:41,710 --> 00:01:41,720
|
| 258 |
+
con I know you
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:41,720 --> 00:01:49,310
|
| 263 |
+
con I know you
|
| 264 |
+
will women and a
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:49,310 --> 00:01:49,320
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:49,320 --> 00:01:51,830
|
| 273 |
+
|
| 274 |
+
police boy that was
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:51,830 --> 00:01:51,840
|
| 278 |
+
police boy that was
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:51,840 --> 00:01:56,900
|
| 283 |
+
police boy that was
|
| 284 |
+
cute I mean that was cute
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:56,900 --> 00:01:56,910
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:56,910 --> 00:02:28,479
|
| 293 |
+
|
| 294 |
+
[Music]
|
| 295 |
+
|
1973/n0PS-QVcoJo.en.srt
ADDED
|
@@ -0,0 +1,135 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:14,260 --> 00:00:35,130
|
| 3 |
+
|
| 4 |
+
what's right
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:35,130 --> 00:00:35,140
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:35,140 --> 00:00:59,570
|
| 13 |
+
|
| 14 |
+
all right I feel just like a cop again
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:59,570 --> 00:00:59,580
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:59,580 --> 00:01:24,390
|
| 23 |
+
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:01:24,390 --> 00:01:24,400
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:01:24,400 --> 00:01:42,850
|
| 33 |
+
|
| 34 |
+
[Music]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:01:42,850 --> 00:01:42,860
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:01:42,860 --> 00:01:48,370
|
| 43 |
+
|
| 44 |
+
please what the hell you think we are a
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:01:48,370 --> 00:01:48,380
|
| 48 |
+
please what the hell you think we are a
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:01:48,380 --> 00:01:49,179
|
| 53 |
+
please what the hell you think we are a
|
| 54 |
+
shield
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:01:49,179 --> 00:01:49,189
|
| 58 |
+
shield
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:01:49,189 --> 00:01:53,440
|
| 63 |
+
shield
|
| 64 |
+
all right this way shield from bomb at
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:01:53,440 --> 00:01:53,450
|
| 68 |
+
all right this way shield from bomb at
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:01:53,450 --> 00:01:54,880
|
| 73 |
+
all right this way shield from bomb at
|
| 74 |
+
me no god damn it
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:54,880 --> 00:01:54,890
|
| 78 |
+
me no god damn it
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:54,890 --> 00:01:56,469
|
| 83 |
+
me no god damn it
|
| 84 |
+
no you're not from the bro I just paid
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:56,469 --> 00:01:56,479
|
| 88 |
+
no you're not from the bro I just paid
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:56,479 --> 00:01:59,800
|
| 93 |
+
no you're not from the bro I just paid
|
| 94 |
+
the bar this morning they break the
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:59,800 --> 00:01:59,810
|
| 98 |
+
the bar this morning they break the
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:59,810 --> 00:02:01,600
|
| 103 |
+
the bar this morning they break the
|
| 104 |
+
whole Chinese shakedown is this would
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:02:01,600 --> 00:02:01,610
|
| 108 |
+
whole Chinese shakedown is this would
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:02:01,610 --> 00:02:07,480
|
| 113 |
+
whole Chinese shakedown is this would
|
| 114 |
+
you paint a pearl nobody I didn't pay no
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:02:07,480 --> 00:02:07,490
|
| 118 |
+
you paint a pearl nobody I didn't pay no
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:02:07,490 --> 00:02:13,340
|
| 123 |
+
you paint a pearl nobody I didn't pay no
|
| 124 |
+
who'd you pay in a pearl
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:02:13,340 --> 00:02:13,350
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:02:13,350 --> 00:02:24,680
|
| 133 |
+
|
| 134 |
+
[Music]
|
| 135 |
+
|
1973/nBsxbjTIJxs.en.srt
ADDED
|
@@ -0,0 +1,804 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,520 --> 00:00:01,829
|
| 3 |
+
|
| 4 |
+
a film shoot is
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:01,829 --> 00:00:01,839
|
| 8 |
+
a film shoot is
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:01,839 --> 00:00:03,270
|
| 13 |
+
a film shoot is
|
| 14 |
+
exactly like the journey of a stagecoach in the
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:03,270 --> 00:00:03,280
|
| 18 |
+
exactly like the journey of a stagecoach in the
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:03,280 --> 00:00:05,309
|
| 23 |
+
exactly like the journey of a stagecoach in the
|
| 24 |
+
Far West first we hope to have a nice
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:05,309 --> 00:00:05,319
|
| 28 |
+
Far West first we hope to have a nice
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:05,319 --> 00:00:06,950
|
| 33 |
+
Far West first we hope to have a nice
|
| 34 |
+
trip and then very quickly we start to
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:06,950 --> 00:00:06,960
|
| 38 |
+
trip and then very quickly we start to
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:06,960 --> 00:00:09,070
|
| 43 |
+
trip and then very quickly we start to
|
| 44 |
+
wonder if we will arrive at our destination
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:09,070 --> 00:00:09,080
|
| 48 |
+
wonder if we will arrive at our destination
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:09,080 --> 00:00:10,830
|
| 53 |
+
wonder if we will arrive at our destination
|
| 54 |
+
hello sir excuse me to
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:10,830 --> 00:00:10,840
|
| 58 |
+
hello sir excuse me to
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:10,840 --> 00:00:12,870
|
| 63 |
+
hello sir excuse me to
|
| 64 |
+
disturb you you don't know I am the
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:12,870 --> 00:00:12,880
|
| 68 |
+
disturb you you don't know I am the
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:12,880 --> 00:00:16,029
|
| 73 |
+
disturb you you don't know I am the
|
| 74 |
+
joy the newbie well if these are
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:16,029 --> 00:00:16,039
|
| 78 |
+
joy the newbie well if these are
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:16,039 --> 00:00:18,990
|
| 83 |
+
joy the newbie well if these are
|
| 84 |
+
cars for Pam's accident we
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:18,990 --> 00:00:19,000
|
| 88 |
+
cars for Pam's accident we
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:19,000 --> 00:00:21,950
|
| 93 |
+
cars for Pam's accident we
|
| 94 |
+
should choose between these
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:21,950 --> 00:00:21,960
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:21,960 --> 00:00:25,790
|
| 103 |
+
|
| 104 |
+
two the white one well if we pvit the blue one
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:25,790 --> 00:00:25,800
|
| 108 |
+
two the white one well if we pvit the blue one
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:25,800 --> 00:00:28,749
|
| 113 |
+
two the white one well if we pvit the blue one
|
| 114 |
+
it's it's
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:28,749 --> 00:00:28,759
|
| 118 |
+
it's it's
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:28,759 --> 00:00:31,429
|
| 123 |
+
it's it's
|
| 124 |
+
000000 for that in blue no no we
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:31,429 --> 00:00:31,439
|
| 128 |
+
000000 for that in blue no no we
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:31,439 --> 00:00:33,190
|
| 133 |
+
000000 for that in blue no no we
|
| 134 |
+
keep it as it is but tell me
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:33,190 --> 00:00:33,200
|
| 138 |
+
keep it as it is but tell me
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:33,200 --> 00:00:35,470
|
| 143 |
+
keep it as it is but tell me
|
| 144 |
+
it's very white anyway eh
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:35,470 --> 00:00:35,480
|
| 148 |
+
it's very white anyway eh
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:35,480 --> 00:00:36,549
|
| 153 |
+
it's very white anyway eh
|
| 154 |
+
why don't you offer me
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:36,549 --> 00:00:36,559
|
| 158 |
+
why don't you offer me
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:36,559 --> 00:00:39,150
|
| 163 |
+
why don't you offer me
|
| 164 |
+
that one which is blue there no the one of
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:39,150 --> 00:00:39,160
|
| 168 |
+
that one which is blue there no the one of
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:39,160 --> 00:00:42,270
|
| 173 |
+
that one which is blue there no the one of
|
| 174 |
+
the assistant Jean-François jean-fçis yes
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:42,270 --> 00:00:42,280
|
| 178 |
+
the assistant Jean-François jean-fçis yes
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:42,280 --> 00:00:44,229
|
| 183 |
+
the assistant Jean-François jean-fçis yes
|
| 184 |
+
he might agree jean-fançois
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:44,229 --> 00:00:44,239
|
| 188 |
+
he might agree jean-fançois
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:44,239 --> 00:00:46,470
|
| 193 |
+
he might agree jean-fançois
|
| 194 |
+
I'm going to ask him see with him yes what is a
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:46,470 --> 00:00:46,480
|
| 198 |
+
I'm going to ask him see with him yes what is a
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:46,480 --> 00:00:48,350
|
| 203 |
+
I'm going to ask him see with him yes what is a
|
| 204 |
+
director a
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:00:48,350 --> 00:00:48,360
|
| 208 |
+
director a
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:00:48,360 --> 00:00:49,709
|
| 213 |
+
director a
|
| 214 |
+
director is someone to whom
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:00:49,709 --> 00:00:49,719
|
| 218 |
+
director is someone to whom
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:00:49,719 --> 00:00:51,150
|
| 223 |
+
director is someone to whom
|
| 224 |
+
we constantly ask questions
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:00:51,150 --> 00:00:51,160
|
| 228 |
+
we constantly ask questions
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:00:51,160 --> 00:00:53,150
|
| 233 |
+
we constantly ask questions
|
| 234 |
+
questions about everything hello
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:00:53,150 --> 00:00:53,160
|
| 238 |
+
questions about everything hello
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:00:53,160 --> 00:00:55,229
|
| 243 |
+
questions about everything hello
|
| 244 |
+
Damien sometimes he has the answers
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:00:55,229 --> 00:00:55,239
|
| 248 |
+
Damien sometimes he has the answers
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:00:55,239 --> 00:00:57,310
|
| 253 |
+
Damien sometimes he has the answers
|
| 254 |
+
but not always you were
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:00:57,310 --> 00:00:57,320
|
| 258 |
+
but not always you were
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:00:57,320 --> 00:00:58,910
|
| 263 |
+
but not always you were
|
| 264 |
+
satisfied with the
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:00:58,910 --> 00:00:58,920
|
| 268 |
+
satisfied with the
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:00:58,920 --> 00:01:01,150
|
| 273 |
+
satisfied with the
|
| 274 |
+
place but then that went well we have
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:01,150 --> 00:01:01,160
|
| 278 |
+
place but then that went well we have
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:01,160 --> 00:01:02,430
|
| 283 |
+
place but then that went well we have
|
| 284 |
+
a fantastic chance with the weather it's
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:02,430 --> 00:01:02,440
|
| 288 |
+
a fantastic chance with the weather it's
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:02,440 --> 00:01:04,070
|
| 293 |
+
a fantastic chance with the weather it's
|
| 294 |
+
very good yes I saw uh I can
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:04,070 --> 00:01:04,080
|
| 298 |
+
very good yes I saw uh I can
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:04,080 --> 00:01:05,590
|
| 303 |
+
very good yes I saw uh I can
|
| 304 |
+
show you the Bengalo and well let's go
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:05,590 --> 00:01:05,600
|
| 308 |
+
show you the Bengalo and well let's go
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:05,600 --> 00:01:06,550
|
| 313 |
+
show you the Bengalo and well let's go
|
| 314 |
+
right away ah no no the construction has not
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:06,550 --> 00:01:06,560
|
| 318 |
+
right away ah no no the construction has not
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:06,560 --> 00:01:07,789
|
| 323 |
+
right away ah no no the construction has not
|
| 324 |
+
started it's only the plan
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:07,789 --> 00:01:07,799
|
| 328 |
+
started it's only the plan
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:07,799 --> 00:01:10,510
|
| 333 |
+
started it's only the plan
|
| 334 |
+
there ah the plan there so
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:10,510 --> 00:01:10,520
|
| 338 |
+
there ah the plan there so
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:10,520 --> 00:01:11,910
|
| 343 |
+
there ah the plan there so
|
| 344 |
+
the whole interior will be furnished completely
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:11,910 --> 00:01:11,920
|
| 348 |
+
the whole interior will be furnished completely
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:11,920 --> 00:01:14,190
|
| 353 |
+
the whole interior will be furnished completely
|
| 354 |
+
that is to say the bed bedside seats
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:14,190 --> 00:01:14,200
|
| 358 |
+
that is to say the bed bedside seats
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:14,200 --> 00:01:16,109
|
| 363 |
+
that is to say the bed bedside seats
|
| 364 |
+
a table in primer with a wait I'm
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:16,109 --> 00:01:16,119
|
| 368 |
+
a table in primer with a wait I'm
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:16,119 --> 00:01:17,429
|
| 373 |
+
a table in primer with a wait I'm
|
| 374 |
+
stopping you he I can guarantee you that
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:01:17,429 --> 00:01:17,439
|
| 378 |
+
stopping you he I can guarantee you that
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:01:17,439 --> 00:01:19,510
|
| 383 |
+
stopping you he I can guarantee you that
|
| 384 |
+
the camera will never go into the Bengalo
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:01:19,510 --> 00:01:19,520
|
| 388 |
+
the camera will never go into the Bengalo
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:01:19,520 --> 00:01:21,350
|
| 393 |
+
the camera will never go into the Bengalo
|
| 394 |
+
the camera stays outside we film the
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:01:21,350 --> 00:01:21,360
|
| 398 |
+
the camera stays outside we film the
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:01:21,360 --> 00:01:22,830
|
| 403 |
+
the camera stays outside we film the
|
| 404 |
+
Bengalo through the window so what do we
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:01:22,830 --> 00:01:22,840
|
| 408 |
+
Bengalo through the window so what do we
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:01:22,840 --> 00:01:24,109
|
| 413 |
+
Bengalo through the window so what do we
|
| 414 |
+
see the bed that's all huh it's
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:01:24,109 --> 00:01:24,119
|
| 418 |
+
see the bed that's all huh it's
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:01:24,119 --> 00:01:25,270
|
| 423 |
+
see the bed that's all huh it's
|
| 424 |
+
the only thing that matters it's the good well okay okay there
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:01:25,270 --> 00:01:27,390
|
| 428 |
+
the only thing that matters it's the good well okay okay there
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:01:27,390 --> 00:01:27,400
|
| 433 |
+
|
| 434 |
+
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:01:27,400 --> 00:01:28,910
|
| 438 |
+
|
| 439 |
+
|
| 440 |
+
89
|
| 441 |
+
00:01:28,910 --> 00:01:28,920
|
| 442 |
+
|
| 443 |
+
|
| 444 |
+
|
| 445 |
+
90
|
| 446 |
+
00:01:28,920 --> 00:01:32,870
|
| 447 |
+
|
| 448 |
+
ah frand hello hi uh I do
|
| 449 |
+
|
| 450 |
+
91
|
| 451 |
+
00:01:32,870 --> 00:01:32,880
|
| 452 |
+
ah frand hello hi uh I do
|
| 453 |
+
|
| 454 |
+
|
| 455 |
+
92
|
| 456 |
+
00:01:32,880 --> 00:01:35,230
|
| 457 |
+
ah frand hello hi uh I do
|
| 458 |
+
n't want to bother you with all that but I
|
| 459 |
+
|
| 460 |
+
93
|
| 461 |
+
00:01:35,230 --> 00:01:35,240
|
| 462 |
+
n't want to bother you with all that but I
|
| 463 |
+
|
| 464 |
+
|
| 465 |
+
94
|
| 466 |
+
00:01:35,240 --> 00:01:37,069
|
| 467 |
+
n't want to bother you with all that but I
|
| 468 |
+
spoke again with the Americans we have to
|
| 469 |
+
|
| 470 |
+
95
|
| 471 |
+
00:01:37,069 --> 00:01:37,079
|
| 472 |
+
spoke again with the Americans we have to
|
| 473 |
+
|
| 474 |
+
|
| 475 |
+
96
|
| 476 |
+
00:01:37,079 --> 00:01:38,830
|
| 477 |
+
spoke again with the Americans we have to
|
| 478 |
+
stick to what is planned to make the
|
| 479 |
+
|
| 480 |
+
97
|
| 481 |
+
00:01:38,830 --> 00:01:38,840
|
| 482 |
+
stick to what is planned to make the
|
| 483 |
+
|
| 484 |
+
|
| 485 |
+
98
|
| 486 |
+
00:01:38,840 --> 00:01:41,310
|
| 487 |
+
stick to what is planned to make the
|
| 488 |
+
film in 7th week this week you
|
| 489 |
+
|
| 490 |
+
99
|
| 491 |
+
00:01:41,310 --> 00:01:41,320
|
| 492 |
+
film in 7th week this week you
|
| 493 |
+
|
| 494 |
+
|
| 495 |
+
100
|
| 496 |
+
00:01:41,320 --> 00:01:43,190
|
| 497 |
+
film in 7th week this week you
|
| 498 |
+
think you'll manage you know
|
| 499 |
+
|
| 500 |
+
101
|
| 501 |
+
00:01:43,190 --> 00:01:43,200
|
| 502 |
+
think you'll manage you know
|
| 503 |
+
|
| 504 |
+
|
| 505 |
+
102
|
| 506 |
+
00:01:43,200 --> 00:01:44,310
|
| 507 |
+
think you'll manage you know
|
| 508 |
+
I'm afraid it won't be easy at
|
| 509 |
+
|
| 510 |
+
103
|
| 511 |
+
00:01:44,310 --> 00:01:44,320
|
| 512 |
+
I'm afraid it won't be easy at
|
| 513 |
+
|
| 514 |
+
|
| 515 |
+
104
|
| 516 |
+
00:01:44,320 --> 00:01:47,310
|
| 517 |
+
I'm afraid it won't be easy at
|
| 518 |
+
this time week obviously if you
|
| 519 |
+
|
| 520 |
+
105
|
| 521 |
+
00:01:47,310 --> 00:01:47,320
|
| 522 |
+
this time week obviously if you
|
| 523 |
+
|
| 524 |
+
|
| 525 |
+
106
|
| 526 |
+
00:01:47,320 --> 00:01:49,310
|
| 527 |
+
this time week obviously if you
|
| 528 |
+
need the 3 days of connection in a
|
| 529 |
+
|
| 530 |
+
107
|
| 531 |
+
00:01:49,310 --> 00:01:49,320
|
| 532 |
+
need the 3 days of connection in a
|
| 533 |
+
|
| 534 |
+
|
| 535 |
+
108
|
| 536 |
+
00:01:49,320 --> 00:01:51,310
|
| 537 |
+
need the 3 days of connection in a
|
| 538 |
+
reduced team that I CIS the end of the world yes
|
| 539 |
+
|
| 540 |
+
109
|
| 541 |
+
00:01:51,310 --> 00:01:51,320
|
| 542 |
+
reduced team that I CIS the end of the world yes
|
| 543 |
+
|
| 544 |
+
|
| 545 |
+
110
|
| 546 |
+
00:01:51,320 --> 00:01:53,590
|
| 547 |
+
reduced team that I CIS the end of the world yes
|
| 548 |
+
yes but we have to release the actors on
|
| 549 |
+
|
| 550 |
+
111
|
| 551 |
+
00:01:53,590 --> 00:01:53,600
|
| 552 |
+
yes but we have to release the actors on
|
| 553 |
+
|
| 554 |
+
|
| 555 |
+
112
|
| 556 |
+
00:01:53,600 --> 00:01:56,069
|
| 557 |
+
yes but we have to release the actors on
|
| 558 |
+
October 31 October 31 and well listen I'm
|
| 559 |
+
|
| 560 |
+
113
|
| 561 |
+
00:01:56,069 --> 00:01:56,079
|
| 562 |
+
October 31 October 31 and well listen I'm
|
| 563 |
+
|
| 564 |
+
|
| 565 |
+
114
|
| 566 |
+
00:01:56,079 --> 00:01:57,190
|
| 567 |
+
October 31 October 31 and well listen I'm
|
| 568 |
+
going to review once again the
|
| 569 |
+
|
| 570 |
+
115
|
| 571 |
+
00:01:57,190 --> 00:01:57,200
|
| 572 |
+
going to review once again the
|
| 573 |
+
|
| 574 |
+
|
| 575 |
+
116
|
| 576 |
+
00:01:57,200 --> 00:01:59,389
|
| 577 |
+
going to review once again the
|
| 578 |
+
work plan with Jean-François heinok see you
|
| 579 |
+
|
| 580 |
+
117
|
| 581 |
+
00:01:59,389 --> 00:01:59,399
|
| 582 |
+
work plan with Jean-François heinok see you
|
| 583 |
+
|
| 584 |
+
|
| 585 |
+
118
|
| 586 |
+
00:01:59,399 --> 00:02:02,230
|
| 587 |
+
work plan with Jean-François heinok see you
|
| 588 |
+
soon thank you goodbye 7 weeks 5
|
| 589 |
+
|
| 590 |
+
119
|
| 591 |
+
00:02:02,230 --> 00:02:02,240
|
| 592 |
+
soon thank you goodbye 7 weeks 5
|
| 593 |
+
|
| 594 |
+
|
| 595 |
+
120
|
| 596 |
+
00:02:02,240 --> 00:02:04,429
|
| 597 |
+
soon thank you goodbye 7 weeks 5
|
| 598 |
+
days a week 35 days I will
|
| 599 |
+
|
| 600 |
+
121
|
| 601 |
+
00:02:04,429 --> 00:02:04,439
|
| 602 |
+
days a week 35 days I will
|
| 603 |
+
|
| 604 |
+
|
| 605 |
+
122
|
| 606 |
+
00:02:04,439 --> 00:02:05,630
|
| 607 |
+
days a week 35 days I will
|
| 608 |
+
never manage to shoot a film
|
| 609 |
+
|
| 610 |
+
123
|
| 611 |
+
00:02:05,630 --> 00:02:05,640
|
| 612 |
+
never manage to shoot a film
|
| 613 |
+
|
| 614 |
+
|
| 615 |
+
124
|
| 616 |
+
00:02:05,640 --> 00:02:07,709
|
| 617 |
+
never manage to shoot a film
|
| 618 |
+
like that in 35 days I wanted to
|
| 619 |
+
|
| 620 |
+
125
|
| 621 |
+
00:02:07,709 --> 00:02:07,719
|
| 622 |
+
like that in 35 days I wanted to
|
| 623 |
+
|
| 624 |
+
|
| 625 |
+
126
|
| 626 |
+
00:02:07,719 --> 00:02:11,229
|
| 627 |
+
like that in 35 days I wanted to
|
| 628 |
+
show it to you and Séverine's wig the
|
| 629 |
+
|
| 630 |
+
127
|
| 631 |
+
00:02:11,229 --> 00:02:11,239
|
| 632 |
+
show it to you and Séverine's wig the
|
| 633 |
+
|
| 634 |
+
|
| 635 |
+
128
|
| 636 |
+
00:02:11,239 --> 00:02:13,910
|
| 637 |
+
show it to you and Séverine's wig the
|
| 638 |
+
wig yes Séverine's wig it
|
| 639 |
+
|
| 640 |
+
129
|
| 641 |
+
00:02:13,910 --> 00:02:13,920
|
| 642 |
+
wig yes Séverine's wig it
|
| 643 |
+
|
| 644 |
+
|
| 645 |
+
130
|
| 646 |
+
00:02:13,920 --> 00:02:15,670
|
| 647 |
+
wig yes Séverine's wig it
|
| 648 |
+
seems a little too light a little too
|
| 649 |
+
|
| 650 |
+
131
|
| 651 |
+
00:02:15,670 --> 00:02:15,680
|
| 652 |
+
seems a little too light a little too
|
| 653 |
+
|
| 654 |
+
|
| 655 |
+
132
|
| 656 |
+
00:02:15,680 --> 00:02:17,110
|
| 657 |
+
seems a little too light a little too
|
| 658 |
+
light you know I don't know and then
|
| 659 |
+
|
| 660 |
+
133
|
| 661 |
+
00:02:17,110 --> 00:02:17,120
|
| 662 |
+
light you know I don't know and then
|
| 663 |
+
|
| 664 |
+
|
| 665 |
+
134
|
| 666 |
+
00:02:17,120 --> 00:02:19,150
|
| 667 |
+
light you know I don't know and then
|
| 668 |
+
frankly I don't really know you
|
| 669 |
+
|
| 670 |
+
135
|
| 671 |
+
00:02:19,150 --> 00:02:19,160
|
| 672 |
+
frankly I don't really know you
|
| 673 |
+
|
| 674 |
+
|
| 675 |
+
136
|
| 676 |
+
00:02:19,160 --> 00:02:21,390
|
| 677 |
+
frankly I don't really know you
|
| 678 |
+
see that with Joë and Joël sees that with
|
| 679 |
+
|
| 680 |
+
137
|
| 681 |
+
00:02:21,390 --> 00:02:21,400
|
| 682 |
+
see that with Joë and Joël sees that with
|
| 683 |
+
|
| 684 |
+
|
| 685 |
+
138
|
| 686 |
+
00:02:21,400 --> 00:02:22,790
|
| 687 |
+
see that with Joë and Joël sees that with
|
| 688 |
+
Walter you know Walter is
|
| 689 |
+
|
| 690 |
+
139
|
| 691 |
+
00:02:22,790 --> 00:02:22,800
|
| 692 |
+
Walter you know Walter is
|
| 693 |
+
|
| 694 |
+
|
| 695 |
+
140
|
| 696 |
+
00:02:22,800 --> 00:02:24,150
|
| 697 |
+
Walter you know Walter is
|
| 698 |
+
the operator he sees that all of them
|
| 699 |
+
|
| 700 |
+
141
|
| 701 |
+
00:02:24,150 --> 00:02:24,160
|
| 702 |
+
the operator he sees that all of them
|
| 703 |
+
|
| 704 |
+
|
| 705 |
+
142
|
| 706 |
+
00:02:24,160 --> 00:02:25,550
|
| 707 |
+
the operator he sees that all of them
|
| 708 |
+
they arrange it together okay there is
|
| 709 |
+
|
| 710 |
+
143
|
| 711 |
+
00:02:25,550 --> 00:02:25,560
|
| 712 |
+
they arrange it together okay there is
|
| 713 |
+
|
| 714 |
+
|
| 715 |
+
144
|
| 716 |
+
00:02:25,560 --> 00:02:26,830
|
| 717 |
+
they arrange it together okay there is
|
| 718 |
+
the props man who wants to show you
|
| 719 |
+
|
| 720 |
+
145
|
| 721 |
+
00:02:26,830 --> 00:02:26,840
|
| 722 |
+
the props man who wants to show you
|
| 723 |
+
|
| 724 |
+
|
| 725 |
+
146
|
| 726 |
+
00:02:26,840 --> 00:02:31,150
|
| 727 |
+
the props man who wants to show you
|
| 728 |
+
something there Bernard
|
| 729 |
+
|
| 730 |
+
147
|
| 731 |
+
00:02:31,150 --> 00:02:31,160
|
| 732 |
+
|
| 733 |
+
|
| 734 |
+
|
| 735 |
+
148
|
| 736 |
+
00:02:31,160 --> 00:02:33,350
|
| 737 |
+
|
| 738 |
+
at the production office there there is some
|
| 739 |
+
|
| 740 |
+
149
|
| 741 |
+
00:02:33,350 --> 00:02:33,360
|
| 742 |
+
at the production office there there is some
|
| 743 |
+
|
| 744 |
+
|
| 745 |
+
150
|
| 746 |
+
00:02:33,360 --> 00:02:36,110
|
| 747 |
+
at the production office there there is some
|
| 748 |
+
C it's for the revolver at the end ah
|
| 749 |
+
|
| 750 |
+
151
|
| 751 |
+
00:02:36,110 --> 00:02:36,120
|
| 752 |
+
C it's for the revolver at the end ah
|
| 753 |
+
|
| 754 |
+
|
| 755 |
+
152
|
| 756 |
+
00:02:36,120 --> 00:02:38,350
|
| 757 |
+
C it's for the revolver at the end ah
|
| 758 |
+
yes the revolver at the end which one so
|
| 759 |
+
|
| 760 |
+
153
|
| 761 |
+
00:02:38,350 --> 00:02:38,360
|
| 762 |
+
yes the revolver at the end which one so
|
| 763 |
+
|
| 764 |
+
|
| 765 |
+
154
|
| 766 |
+
00:02:38,360 --> 00:02:40,149
|
| 767 |
+
yes the revolver at the end which one so
|
| 768 |
+
wait it's for Alphonse, he doesn't have
|
| 769 |
+
|
| 770 |
+
155
|
| 771 |
+
00:02:40,149 --> 00:02:40,159
|
| 772 |
+
wait it's for Alphonse, he doesn't have
|
| 773 |
+
|
| 774 |
+
|
| 775 |
+
156
|
| 776 |
+
00:02:40,159 --> 00:02:41,470
|
| 777 |
+
wait it's for Alphonse, he doesn't have
|
| 778 |
+
very big hands, we're not going to take the
|
| 779 |
+
|
| 780 |
+
157
|
| 781 |
+
00:02:41,470 --> 00:02:41,480
|
| 782 |
+
very big hands, we're not going to take the
|
| 783 |
+
|
| 784 |
+
|
| 785 |
+
158
|
| 786 |
+
00:02:41,480 --> 00:02:42,830
|
| 787 |
+
very big hands, we're not going to take the
|
| 788 |
+
smallest one, we're going to take the one after that one
|
| 789 |
+
|
| 790 |
+
159
|
| 791 |
+
00:02:42,830 --> 00:02:47,470
|
| 792 |
+
smallest one, we're going to take the one after that one
|
| 793 |
+
|
| 794 |
+
|
| 795 |
+
160
|
| 796 |
+
00:02:47,470 --> 00:02:47,480
|
| 797 |
+
|
| 798 |
+
|
| 799 |
+
|
| 800 |
+
161
|
| 801 |
+
00:02:47,480 --> 00:03:14,569
|
| 802 |
+
|
| 803 |
+
[Music]
|
| 804 |
+
|
1973/nCm4_MJstGQ.en.srt
ADDED
|
@@ -0,0 +1,355 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:03,619
|
| 3 |
+
|
| 4 |
+
f-secure from november in you deserve it
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,619 --> 00:00:03,629
|
| 8 |
+
f-secure from november in you deserve it
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,629 --> 00:00:06,289
|
| 13 |
+
f-secure from november in you deserve it
|
| 14 |
+
on your right sjouwen
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:06,289 --> 00:00:06,299
|
| 18 |
+
on your right sjouwen
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:06,299 --> 00:00:11,450
|
| 23 |
+
on your right sjouwen
|
| 24 |
+
udon sunlight yourself and less it i'm a
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:11,450 --> 00:00:11,460
|
| 28 |
+
udon sunlight yourself and less it i'm a
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:11,460 --> 00:00:15,910
|
| 33 |
+
udon sunlight yourself and less it i'm a
|
| 34 |
+
few key for your success today was
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:15,910 --> 00:00:15,920
|
| 38 |
+
few key for your success today was
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:15,920 --> 00:00:20,300
|
| 43 |
+
few key for your success today was
|
| 44 |
+
melted gy my success
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:20,300 --> 00:00:20,310
|
| 48 |
+
melted gy my success
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:20,310 --> 00:00:21,859
|
| 53 |
+
melted gy my success
|
| 54 |
+
ewelina
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:21,859 --> 00:00:21,869
|
| 58 |
+
ewelina
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:21,869 --> 00:00:27,170
|
| 63 |
+
ewelina
|
| 64 |
+
secure in safe ride to this for michelle
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:27,170 --> 00:00:27,180
|
| 68 |
+
secure in safe ride to this for michelle
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:27,180 --> 00:00:30,169
|
| 73 |
+
secure in safe ride to this for michelle
|
| 74 |
+
new pin my friend and in the self there is
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:30,169 --> 00:00:30,179
|
| 78 |
+
new pin my friend and in the self there is
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:30,179 --> 00:00:32,389
|
| 83 |
+
new pin my friend and in the self there is
|
| 84 |
+
him in the swing
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:32,389 --> 00:00:32,399
|
| 88 |
+
him in the swing
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:32,399 --> 00:00:37,100
|
| 93 |
+
him in the swing
|
| 94 |
+
echo what they live anyway we boy oh boy oh
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:37,100 --> 00:00:37,110
|
| 98 |
+
echo what they live anyway we boy oh boy oh
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:37,110 --> 00:00:40,910
|
| 103 |
+
echo what they live anyway we boy oh boy oh
|
| 104 |
+
boy oh boy oh boy oh boy oh boy oh and
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:40,910 --> 00:00:40,920
|
| 108 |
+
boy oh boy oh boy oh boy oh boy oh and
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:40,920 --> 00:00:43,040
|
| 113 |
+
boy oh boy oh boy oh boy oh boy oh and
|
| 114 |
+
helping shipments of knife
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:43,040 --> 00:00:43,050
|
| 118 |
+
helping shipments of knife
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:43,050 --> 00:00:48,380
|
| 123 |
+
helping shipments of knife
|
| 124 |
+
the dose joke a ring fly-by again
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:48,380 --> 00:00:48,390
|
| 128 |
+
the dose joke a ring fly-by again
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:48,390 --> 00:00:51,830
|
| 133 |
+
the dose joke a ring fly-by again
|
| 134 |
+
maps have stine the lift up my life there
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:51,830 --> 00:00:51,840
|
| 138 |
+
maps have stine the lift up my life there
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:51,840 --> 00:00:52,850
|
| 143 |
+
maps have stine the lift up my life there
|
| 144 |
+
doubt
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:52,850 --> 00:00:52,860
|
| 148 |
+
doubt
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:52,860 --> 00:00:56,630
|
| 153 |
+
doubt
|
| 154 |
+
i have got you give floor charlie the usa
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:56,630 --> 00:00:56,640
|
| 158 |
+
i have got you give floor charlie the usa
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:56,640 --> 00:00:59,510
|
| 163 |
+
i have got you give floor charlie the usa
|
| 164 |
+
been and who must suffer look at my life you live show
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:59,510 --> 00:00:59,520
|
| 168 |
+
been and who must suffer look at my life you live show
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:59,520 --> 00:01:04,520
|
| 173 |
+
been and who must suffer look at my life you live show
|
| 174 |
+
you only be wonderful the
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:04,520 --> 00:01:04,530
|
| 178 |
+
you only be wonderful the
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:04,530 --> 00:01:06,950
|
| 183 |
+
you only be wonderful the
|
| 184 |
+
back room and the bar a cell there can what
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:06,950 --> 00:01:06,960
|
| 188 |
+
back room and the bar a cell there can what
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:06,960 --> 00:01:10,340
|
| 193 |
+
back room and the bar a cell there can what
|
| 194 |
+
disciples qichao owner pico impact
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:10,340 --> 00:01:10,350
|
| 198 |
+
disciples qichao owner pico impact
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:10,350 --> 00:01:14,810
|
| 203 |
+
disciples qichao owner pico impact
|
| 204 |
+
the bar still grateful
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:14,810 --> 00:01:14,820
|
| 208 |
+
the bar still grateful
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:14,820 --> 00:01:18,020
|
| 213 |
+
the bar still grateful
|
| 214 |
+
become you pulled in the power and therefore
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:18,020 --> 00:01:18,030
|
| 218 |
+
become you pulled in the power and therefore
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:18,030 --> 00:01:19,550
|
| 223 |
+
become you pulled in the power and therefore
|
| 224 |
+
wanted
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:19,550 --> 00:01:19,560
|
| 228 |
+
wanted
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:19,560 --> 00:01:22,820
|
| 233 |
+
wanted
|
| 234 |
+
in a wild idea
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:22,820 --> 00:01:22,830
|
| 238 |
+
in a wild idea
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:22,830 --> 00:01:24,350
|
| 243 |
+
in a wild idea
|
| 244 |
+
ah of the profit rink a real
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:24,350 --> 00:01:24,360
|
| 248 |
+
ah of the profit rink a real
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:24,360 --> 00:01:26,719
|
| 253 |
+
ah of the profit rink a real
|
| 254 |
+
client interface
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:26,719 --> 00:01:26,729
|
| 258 |
+
client interface
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:26,729 --> 00:01:33,530
|
| 263 |
+
client interface
|
| 264 |
+
porn with snap magazine
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:33,530 --> 00:01:33,540
|
| 268 |
+
porn with snap magazine
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:33,540 --> 00:01:35,930
|
| 273 |
+
porn with snap magazine
|
| 274 |
+
china limburg
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:35,930 --> 00:01:35,940
|
| 278 |
+
china limburg
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:35,940 --> 00:01:38,810
|
| 283 |
+
china limburg
|
| 284 |
+
everybody loves a happy face rocket
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:38,810 --> 00:01:38,820
|
| 288 |
+
everybody loves a happy face rocket
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:38,820 --> 00:01:40,520
|
| 293 |
+
everybody loves a happy face rocket
|
| 294 |
+
support
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:40,520 --> 00:01:40,530
|
| 298 |
+
support
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:40,530 --> 00:01:43,040
|
| 303 |
+
support
|
| 304 |
+
only be alone here the god
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:43,040 --> 00:01:43,050
|
| 308 |
+
only be alone here the god
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:43,050 --> 00:01:45,830
|
| 313 |
+
only be alone here the god
|
| 314 |
+
my first aid to hotel pv text
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:45,830 --> 00:01:45,840
|
| 318 |
+
my first aid to hotel pv text
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:45,840 --> 00:01:46,970
|
| 323 |
+
my first aid to hotel pv text
|
| 324 |
+
lesson builder
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:46,970 --> 00:01:46,980
|
| 328 |
+
lesson builder
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:46,980 --> 00:01:50,150
|
| 333 |
+
lesson builder
|
| 334 |
+
sam and sam has blown away after group i already
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:50,150 --> 00:01:50,160
|
| 338 |
+
sam and sam has blown away after group i already
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:50,160 --> 00:01:52,600
|
| 343 |
+
sam and sam has blown away after group i already
|
| 344 |
+
in home in a few minutes
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:52,600 --> 00:01:52,610
|
| 348 |
+
in home in a few minutes
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:52,610 --> 00:02:05,209
|
| 353 |
+
in home in a few minutes
|
| 354 |
+
[Music]
|
| 355 |
+
|
1973/nby0t43dlIs.description
ADDED
|
@@ -0,0 +1,38 @@
|
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|
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|
|
|
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|
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|
|
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|
|
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|
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|
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|
|
|
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|
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|
|
|
|
|
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|
|
|
|
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|
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|
|
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|
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|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
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|
|
|
|
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|
|
|
|
|
|
|
|
| 1 |
+
The Sting movie clips: http://j.mp/1uyCz3s
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/vNUDcm
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Johnny (Robert Redford) shows up at Loretta's (Dimitra Arliss) door and after some convincing, she finally lets him in.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Four years after setting box offices ablaze in Butch Cassidy and the Sundance Kid, Paul Newman, Robert Redford, and director George Roy Hill re-teamed with similar success for The Sting. Redford plays Depression-era confidence trickster Johnny Hooker, whose friend and mentor Luther Coleman (Robert Earl Jones) is murdered by racketeer/gambler Doyle Lonnegan (Robert Shaw). Hoping to avenge Luther's death, Johnny begins planning a "sting" -- an elaborate scam -- to destroy Lonnegan. He enlists the aid of "the greatest con artist of them all," Henry Gondorff (Paul Newman), who pulls himself out of a drunken stupor and rises to the occasion. Hooker and Gondorff gather together an impressive array of con men, all of whom despise Lonnegan and wish to settle accounts on behalf of Luther. The twists and surprises that follow are too complex to relate in detail -- suffice to say that you can't cheat an honest man, and that you shouldn't accept everything at face value. The Sting became one of the biggest hits of the early '70s; grossing 68.5 million dollars during its first run, the film also picked up seven Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Adapted Score for Marvin Hamlisch's unforgettable setting of Scott Joplin's ragtime music.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1973)
|
| 13 |
+
Cast: Robert Redford, Dimitra Arliss, Susan French
|
| 14 |
+
Director: George Roy Hill
|
| 15 |
+
Producers: Tony Bill, Robert Crawford Jr., Richard D. Zanuck, David Brown, Julia Phillips, Michael Phillips
|
| 16 |
+
Screenwriter: David S. Ward
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1973/nby0t43dlIs.en.srt
ADDED
|
@@ -0,0 +1,195 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
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|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
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|
|
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|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
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|
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|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
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|
|
|
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|
|
|
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|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
|
|
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|
|
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|
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|
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|
|
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|
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|
|
|
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|
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|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,710 --> 00:00:20,390
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:20,390 --> 00:00:20,400
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:20,400 --> 00:00:23,390
|
| 13 |
+
[Music]
|
| 14 |
+
looks like he missed you yeah yeah this
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:23,390 --> 00:00:23,400
|
| 18 |
+
looks like he missed you yeah yeah this
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:23,400 --> 00:00:24,670
|
| 23 |
+
looks like he missed you yeah yeah this
|
| 24 |
+
time
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:24,670 --> 00:00:24,680
|
| 28 |
+
time
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:24,680 --> 00:00:27,790
|
| 33 |
+
time
|
| 34 |
+
anyway good night Mrs Hillard
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:27,790 --> 00:00:27,800
|
| 38 |
+
anyway good night Mrs Hillard
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:27,800 --> 00:00:34,670
|
| 43 |
+
anyway good night Mrs Hillard
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:34,670 --> 00:00:34,680
|
| 48 |
+
[Music]
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:34,680 --> 00:00:35,630
|
| 53 |
+
[Music]
|
| 54 |
+
I
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:35,630 --> 00:00:35,640
|
| 58 |
+
I
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:35,640 --> 00:00:37,709
|
| 63 |
+
I
|
| 64 |
+
uh was wondering if you might want to
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:37,709 --> 00:00:37,719
|
| 68 |
+
uh was wondering if you might want to
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:37,719 --> 00:00:39,470
|
| 73 |
+
uh was wondering if you might want to
|
| 74 |
+
come out for a while maybe have a drink
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:39,470 --> 00:00:39,480
|
| 78 |
+
come out for a while maybe have a drink
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:39,480 --> 00:00:42,709
|
| 83 |
+
come out for a while maybe have a drink
|
| 84 |
+
or something you move right along don't
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:42,709 --> 00:00:42,719
|
| 88 |
+
or something you move right along don't
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:42,719 --> 00:00:45,350
|
| 93 |
+
or something you move right along don't
|
| 94 |
+
you hey I don't mean nothing by
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:45,350 --> 00:00:45,360
|
| 98 |
+
you hey I don't mean nothing by
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:45,360 --> 00:00:47,709
|
| 103 |
+
you hey I don't mean nothing by
|
| 104 |
+
it I just don't know many regular girls
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:47,709 --> 00:00:47,719
|
| 108 |
+
it I just don't know many regular girls
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:47,719 --> 00:00:51,029
|
| 113 |
+
it I just don't know many regular girls
|
| 114 |
+
is all and you expect me to come out
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:51,029 --> 00:00:51,039
|
| 118 |
+
is all and you expect me to come out
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:51,039 --> 00:00:52,910
|
| 123 |
+
is all and you expect me to come out
|
| 124 |
+
just like that if I expected something I
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:52,910 --> 00:00:52,920
|
| 128 |
+
just like that if I expected something I
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:52,920 --> 00:00:54,510
|
| 133 |
+
just like that if I expected something I
|
| 134 |
+
wouldn't still be standing here in the
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:54,510 --> 00:00:54,520
|
| 138 |
+
wouldn't still be standing here in the
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:54,520 --> 00:00:57,349
|
| 143 |
+
wouldn't still be standing here in the
|
| 144 |
+
hall I don't even know
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:57,349 --> 00:00:57,359
|
| 148 |
+
hall I don't even know
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:57,359 --> 00:01:00,470
|
| 153 |
+
hall I don't even know
|
| 154 |
+
you you know me
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:00,470 --> 00:01:00,480
|
| 158 |
+
you you know me
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:00,480 --> 00:01:01,869
|
| 163 |
+
you you know me
|
| 164 |
+
I'm just like
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:01,869 --> 00:01:01,879
|
| 168 |
+
I'm just like
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:01,879 --> 00:01:04,070
|
| 173 |
+
I'm just like
|
| 174 |
+
you it's 2: in the morning and I don't
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:04,070 --> 00:01:04,080
|
| 178 |
+
you it's 2: in the morning and I don't
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:04,080 --> 00:01:20,380
|
| 183 |
+
you it's 2: in the morning and I don't
|
| 184 |
+
know nobody
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:20,380 --> 00:01:20,390
|
| 188 |
+
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:20,390 --> 00:01:51,439
|
| 193 |
+
|
| 194 |
+
[Music]
|
| 195 |
+
|
1973/o9splceYBXQ.en.srt
ADDED
|
@@ -0,0 +1,17 @@
|
|
|
|
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|
|
|
|
|
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|
|
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|
|
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|
|
|
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|
|
|
|
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|
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|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:01:26,445 --> 00:01:28,521
|
| 3 |
+
I´m just about done here.
|
| 4 |
+
|
| 5 |
+
2
|
| 6 |
+
00:01:31,615 --> 00:01:36,241
|
| 7 |
+
- I never did know your name.
|
| 8 |
+
- Yes, you do.
|
| 9 |
+
|
| 10 |
+
3
|
| 11 |
+
00:01:39,205 --> 00:01:41,659
|
| 12 |
+
Take care.
|
| 13 |
+
|
| 14 |
+
4
|
| 15 |
+
00:01:41,748 --> 00:01:44,155
|
| 16 |
+
Yes, sir, captain.
|
| 17 |
+
|
1973/osfdb5BrLPI.en.srt
ADDED
|
@@ -0,0 +1,315 @@
|
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|
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|
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|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,620 --> 00:00:07,249
|
| 3 |
+
|
| 4 |
+
are you comfortable yes my name is Anna
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:07,249 --> 00:00:07,259
|
| 8 |
+
are you comfortable yes my name is Anna
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:07,259 --> 00:00:09,440
|
| 13 |
+
are you comfortable yes my name is Anna
|
| 14 |
+
sage I'm a prostitute
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,440 --> 00:00:09,450
|
| 18 |
+
sage I'm a prostitute
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,450 --> 00:00:11,900
|
| 23 |
+
sage I'm a prostitute
|
| 24 |
+
a madam around the house of prostitution
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:11,900 --> 00:00:11,910
|
| 28 |
+
a madam around the house of prostitution
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:11,910 --> 00:00:15,890
|
| 33 |
+
a madam around the house of prostitution
|
| 34 |
+
you probably know already this don't you
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:15,890 --> 00:00:15,900
|
| 38 |
+
you probably know already this don't you
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:15,900 --> 00:00:18,800
|
| 43 |
+
you probably know already this don't you
|
| 44 |
+
that doesn't matter anything would you
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:18,800 --> 00:00:18,810
|
| 48 |
+
that doesn't matter anything would you
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:18,810 --> 00:00:28,490
|
| 53 |
+
that doesn't matter anything would you
|
| 54 |
+
like a popsicle popsicle sure no I'm a
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:28,490 --> 00:00:28,500
|
| 58 |
+
like a popsicle popsicle sure no I'm a
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:28,500 --> 00:00:32,330
|
| 63 |
+
like a popsicle popsicle sure no I'm a
|
| 64 |
+
lien I have a criminal record I run a
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:32,330 --> 00:00:32,340
|
| 68 |
+
lien I have a criminal record I run a
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:32,340 --> 00:00:35,060
|
| 73 |
+
lien I have a criminal record I run a
|
| 74 |
+
good house many senior officials are my
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:35,060 --> 00:00:35,070
|
| 78 |
+
good house many senior officials are my
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:35,070 --> 00:00:38,690
|
| 83 |
+
good house many senior officials are my
|
| 84 |
+
clients I could make it hot for some of
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:38,690 --> 00:00:38,700
|
| 88 |
+
clients I could make it hot for some of
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:38,700 --> 00:00:41,330
|
| 93 |
+
clients I could make it hot for some of
|
| 94 |
+
them if they try and report to me no one
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:41,330 --> 00:00:41,340
|
| 98 |
+
them if they try and report to me no one
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:41,340 --> 00:00:42,170
|
| 103 |
+
them if they try and report to me no one
|
| 104 |
+
wants to do that
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:42,170 --> 00:00:42,180
|
| 108 |
+
wants to do that
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:42,180 --> 00:00:47,900
|
| 113 |
+
wants to do that
|
| 114 |
+
not if you will help me go on about a
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:47,900 --> 00:00:47,910
|
| 118 |
+
not if you will help me go on about a
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:47,910 --> 00:00:56,209
|
| 123 |
+
not if you will help me go on about a
|
| 124 |
+
month ago almost a month many more a man
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:56,209 --> 00:00:56,219
|
| 128 |
+
month ago almost a month many more a man
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:56,219 --> 00:01:00,470
|
| 133 |
+
month ago almost a month many more a man
|
| 134 |
+
came to board in my apartment I have to
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:00,470 --> 00:01:00,480
|
| 138 |
+
came to board in my apartment I have to
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:00,480 --> 00:01:03,200
|
| 143 |
+
came to board in my apartment I have to
|
| 144 |
+
take in boarders occasionally he said
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:03,200 --> 00:01:03,210
|
| 148 |
+
take in boarders occasionally he said
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:03,210 --> 00:01:05,960
|
| 153 |
+
take in boarders occasionally he said
|
| 154 |
+
his name was John Lawrence that he
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:05,960 --> 00:01:05,970
|
| 158 |
+
his name was John Lawrence that he
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:05,970 --> 00:01:09,350
|
| 163 |
+
his name was John Lawrence that he
|
| 164 |
+
worked for the Chicago Board of Trade he
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:09,350 --> 00:01:09,360
|
| 168 |
+
worked for the Chicago Board of Trade he
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:09,360 --> 00:01:12,410
|
| 173 |
+
worked for the Chicago Board of Trade he
|
| 174 |
+
was hiding from his wife divorced she's
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:12,410 --> 00:01:12,420
|
| 178 |
+
was hiding from his wife divorced she's
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:12,420 --> 00:01:15,830
|
| 183 |
+
was hiding from his wife divorced she's
|
| 184 |
+
after him for alimony but they all say
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:15,830 --> 00:01:15,840
|
| 188 |
+
after him for alimony but they all say
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:15,840 --> 00:01:18,109
|
| 193 |
+
after him for alimony but they all say
|
| 194 |
+
that they just want to get around my
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:18,109 --> 00:01:18,119
|
| 198 |
+
that they just want to get around my
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:18,119 --> 00:01:21,679
|
| 203 |
+
that they just want to get around my
|
| 204 |
+
girls you say this was about a month ago
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:21,679 --> 00:01:21,689
|
| 208 |
+
girls you say this was about a month ago
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:21,689 --> 00:01:26,649
|
| 213 |
+
girls you say this was about a month ago
|
| 214 |
+
about him he took out for his poly
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:26,649 --> 00:01:26,659
|
| 218 |
+
about him he took out for his poly
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:26,659 --> 00:01:29,539
|
| 223 |
+
about him he took out for his poly
|
| 224 |
+
that's a poly hammer than one of my new
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:29,539 --> 00:01:29,549
|
| 228 |
+
that's a poly hammer than one of my new
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:29,549 --> 00:01:30,980
|
| 233 |
+
that's a poly hammer than one of my new
|
| 234 |
+
girls Harley Harley
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:30,980 --> 00:01:30,990
|
| 238 |
+
girls Harley Harley
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:30,990 --> 00:01:34,940
|
| 243 |
+
girls Harley Harley
|
| 244 |
+
he said looks like an Indian an Indian
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:34,940 --> 00:01:34,950
|
| 248 |
+
he said looks like an Indian an Indian
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:34,950 --> 00:01:37,640
|
| 253 |
+
he said looks like an Indian an Indian
|
| 254 |
+
that's Alicia she's just an ordinary
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:37,640 --> 00:01:37,650
|
| 258 |
+
that's Alicia she's just an ordinary
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:37,650 --> 00:01:41,920
|
| 263 |
+
that's Alicia she's just an ordinary
|
| 264 |
+
girl an Indian
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:41,920 --> 00:01:41,930
|
| 268 |
+
girl an Indian
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:41,930 --> 00:01:45,880
|
| 273 |
+
girl an Indian
|
| 274 |
+
not something he take us to the movies a
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:45,880 --> 00:01:45,890
|
| 278 |
+
not something he take us to the movies a
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:45,890 --> 00:01:56,850
|
| 283 |
+
not something he take us to the movies a
|
| 284 |
+
lot of us
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:56,850 --> 00:01:56,860
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:56,860 --> 00:02:01,710
|
| 293 |
+
|
| 294 |
+
I know it
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:01,710 --> 00:02:01,720
|
| 298 |
+
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:01,720 --> 00:02:06,340
|
| 303 |
+
|
| 304 |
+
hey I have him did he tell you he was
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:06,340 --> 00:02:06,350
|
| 308 |
+
hey I have him did he tell you he was
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:06,350 --> 00:02:08,680
|
| 313 |
+
hey I have him did he tell you he was
|
| 314 |
+
intelligent
|
| 315 |
+
|
1973/p4HqnBtsz1I.en.srt
ADDED
|
@@ -0,0 +1,315 @@
|
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|
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|
|
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|
|
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|
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|
|
|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,050 --> 00:00:05,630
|
| 3 |
+
|
| 4 |
+
no but there 69 second good let's go
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:05,630 --> 00:00:05,640
|
| 8 |
+
no but there 69 second good let's go
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:05,640 --> 00:00:07,369
|
| 13 |
+
no but there 69 second good let's go
|
| 14 |
+
vuli I've decided
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,369 --> 00:00:07,379
|
| 18 |
+
vuli I've decided
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,379 --> 00:00:10,730
|
| 23 |
+
vuli I've decided
|
| 24 |
+
I'm going to live alone I know that life
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:10,730 --> 00:00:10,740
|
| 28 |
+
I'm going to live alone I know that life
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:10,740 --> 00:00:11,509
|
| 33 |
+
I'm going to live alone I know that life
|
| 34 |
+
is disgusting
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:11,509 --> 00:00:11,519
|
| 38 |
+
is disgusting
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:11,519 --> 00:00:16,369
|
| 43 |
+
is disgusting
|
| 44 |
+
no life is not at all in music
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:16,369 --> 00:00:16,379
|
| 48 |
+
no life is not at all in music
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:16,379 --> 00:00:32,930
|
| 53 |
+
no life is not at all in music
|
| 54 |
+
[Music]
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:32,930 --> 00:00:32,940
|
| 58 |
+
[Music]
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:32,940 --> 00:00:52,920
|
| 63 |
+
[Music]
|
| 64 |
+
I
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:52,920 --> 00:00:52,930
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:52,930 --> 00:00:54,820
|
| 73 |
+
|
| 74 |
+
find the very good
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:54,820 --> 00:00:54,830
|
| 78 |
+
find the very good
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:54,830 --> 00:00:59,100
|
| 83 |
+
find the very good
|
| 84 |
+
old Alexandre Émond in the car what
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:59,100 --> 00:00:59,110
|
| 88 |
+
old Alexandre Émond in the car what
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:59,110 --> 00:01:01,570
|
| 93 |
+
old Alexandre Émond in the car what
|
| 94 |
+
accidentally on returning from
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:01,570 --> 00:01:01,580
|
| 98 |
+
accidentally on returning from
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:01,580 --> 00:01:04,000
|
| 103 |
+
accidentally on returning from
|
| 104 |
+
the airport where he had just gone to pick up
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:04,000 --> 00:01:04,010
|
| 108 |
+
the airport where he had just gone to pick up
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:04,010 --> 00:01:06,730
|
| 113 |
+
the airport where he had just gone to pick up
|
| 114 |
+
Christian it's a truck that hit
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:06,730 --> 00:01:06,740
|
| 118 |
+
Christian it's a truck that hit
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:06,740 --> 00:01:08,340
|
| 123 |
+
Christian it's a truck that hit
|
| 124 |
+
the car
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:08,340 --> 00:01:08,350
|
| 128 |
+
the car
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:08,350 --> 00:01:11,410
|
| 133 |
+
the car
|
| 134 |
+
Christian and seriously injured he will pull through
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:11,410 --> 00:01:11,420
|
| 138 |
+
Christian and seriously injured he will pull through
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:11,420 --> 00:01:16,180
|
| 143 |
+
Christian and seriously injured he will pull through
|
| 144 |
+
Alexandre died while
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:16,180 --> 00:01:16,190
|
| 148 |
+
Alexandre died while
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:16,190 --> 00:01:21,040
|
| 153 |
+
Alexandre died while
|
| 154 |
+
he was being transported to the hospital
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:21,040 --> 00:01:21,050
|
| 158 |
+
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:21,050 --> 00:01:22,510
|
| 163 |
+
|
| 164 |
+
Alexandre's funeral took place this
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:22,510 --> 00:01:22,520
|
| 168 |
+
Alexandre's funeral took place this
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:22,520 --> 00:01:23,950
|
| 173 |
+
Alexandre's funeral took place this
|
| 174 |
+
morning in a small cemetery on the
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:23,950 --> 00:01:23,960
|
| 178 |
+
morning in a small cemetery on the
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:23,960 --> 00:01:25,540
|
| 183 |
+
morning in a small cemetery on the
|
| 184 |
+
heights of Nice we are waiting for
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:25,540 --> 00:01:25,550
|
| 188 |
+
heights of Nice we are waiting for
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:25,550 --> 00:01:26,950
|
| 193 |
+
heights of Nice we are waiting for
|
| 194 |
+
the arrival of the representative of the
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:26,950 --> 00:01:26,960
|
| 198 |
+
the arrival of the representative of the
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:26,960 --> 00:01:28,360
|
| 203 |
+
the arrival of the representative of the
|
| 204 |
+
English insurance it is from him that thinkers
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:28,360 --> 00:01:28,370
|
| 208 |
+
English insurance it is from him that thinkers
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:28,370 --> 00:01:31,180
|
| 213 |
+
English insurance it is from him that thinkers
|
| 214 |
+
of the film since I make cinema I have
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:31,180 --> 00:01:31,190
|
| 218 |
+
of the film since I make cinema I have
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:31,190 --> 00:01:32,500
|
| 223 |
+
of the film since I make cinema I have
|
| 224 |
+
always feared what has just happened
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:32,500 --> 00:01:32,510
|
| 228 |
+
always feared what has just happened
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:32,510 --> 00:01:34,330
|
| 233 |
+
always feared what has just happened
|
| 234 |
+
the shooting stopped by the death of an
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:34,330 --> 00:01:34,340
|
| 238 |
+
the shooting stopped by the death of an
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:34,340 --> 00:01:38,590
|
| 243 |
+
the shooting stopped by the death of an
|
| 244 |
+
actor at the same time as Alexandre a whole
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:38,590 --> 00:01:38,600
|
| 248 |
+
actor at the same time as Alexandre a whole
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:38,600 --> 00:01:40,150
|
| 253 |
+
actor at the same time as Alexandre a whole
|
| 254 |
+
era of cinema is going to disappear
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:40,150 --> 00:01:40,160
|
| 258 |
+
era of cinema is going to disappear
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:40,160 --> 00:01:42,340
|
| 263 |
+
era of cinema is going to disappear
|
| 264 |
+
we abandon the studios the films are
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:42,340 --> 00:01:42,350
|
| 268 |
+
we abandon the studios the films are
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:42,350 --> 00:01:43,630
|
| 273 |
+
we abandon the studios the films are
|
| 274 |
+
made in the streets without stars
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:43,630 --> 00:01:43,640
|
| 278 |
+
made in the streets without stars
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:43,640 --> 00:01:44,410
|
| 283 |
+
made in the streets without stars
|
| 284 |
+
and its script
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:44,410 --> 00:01:44,420
|
| 288 |
+
and its script
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:44,420 --> 00:01:46,060
|
| 293 |
+
and its script
|
| 294 |
+
we will no longer make films like I
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:46,060 --> 00:01:46,070
|
| 298 |
+
we will no longer make films like I
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:46,070 --> 00:01:48,570
|
| 303 |
+
we will no longer make films like I
|
| 304 |
+
present to you Pamela
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:48,570 --> 00:01:48,580
|
| 308 |
+
present to you Pamela
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:48,580 --> 00:02:20,270
|
| 313 |
+
present to you Pamela
|
| 314 |
+
[Music]
|
| 315 |
+
|
1973/p92CKGAeQUY.description
ADDED
|
@@ -0,0 +1,38 @@
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|
| 1 |
+
Mean Streets movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqo2if2ol4-vL6J4DH-k4Y-d
|
| 2 |
+
BUY THE MOVIE: http://j.mp/12OlTkS
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Johnny Boy (Robert De Niro) disrespects Michael (Richard Romanus) by refusing to pay him back.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
"You don't make up for your sins in church; you do it in the streets; you do it at home. The rest is bulls--t, and you know it." Returning to the autobiographical milieu of his 1968 debut Who's That Knocking at My Door? for his third feature, Martin Scorsese examined the daily struggles of a wannabe hood to keep his morals straight on the streets of Little Italy. Driven equally by his wish to become a respectable gangster like his uncle (Cesare Danova) and his desire to live his life like St. Francis, Charlie (Harvey Keitel) takes on his energetically unhinged friend Johnny Boy (Robert De Niro) as his own personal penance, intervening to get Johnny Boy to pay off a debt to the local loan shark Michael (Richard Romanus). Despite his promises to his epileptic girlfriend Teresa (Amy Robinson) that they will move out of Little Italy once he strengthens his position in his uncle's world, Charlie's involvement with Johnny Boy further ensnares him in the neighborhood. When Johnny Boy decides to mouth off to Michael rather than pay him, Charlie, Johnny Boy, and Teresa try to flee Michael's murderous anger (and an assassin played by Scorsese), forcing Charlie to realize that the rules of the streets do not mesh with absolution. Whereas fellow "film school generation" director Francis Ford Coppola transformed the Hollywood gangster movie into metaphorical epics about the Mafia and capitalism in The Godfather (1972) and The Godfather Part II (1974), Scorsese revised the genre in the opposite direction, focusing on the gritty minutiae of daily life and drawing from personal memory. Combining documentary-style realism (even though most of the film was shot in L.A.); kinetic editing and camera movement; and expressionistic lighting, angles, and film speed, Scorsese presents an intimate picture of the trivial incidents and latent violence of Charlie's and Johnny Boy's world, naturalistically unfolding their experiences rather than simply explaining what motivates them. They lead a claustrophobic, petty existence that Scorsese and screenwriter Mardik Martin witnessed growing up in Little Italy, complete with a soundtrack of hit songs like "Be My Baby" and "Jumping Jack Flash" that had poured out of neighborhood radios. Mean Streets opened at the New York Film Festival to excellent notices and played strongly in New York but failed to duplicate that level of business elsewhere. Even so, Mean Streets established Scorsese and De Niro as formidable young talents and marked the beginning of a long-running and fertile collaboration that continued in such films as Taxi Driver (1976), Raging Bull (1980), The King of Comedy (1983), and Goodfellas (1990). Scorsese's exceptional grasp of the texture of day-to-day life, the rhythm and cadences of street talk, and cinema's visual and aural possibilities makes Mean Streets one of the pivotal films of the 1970s, as well as of Scorsese's career, and an influence on such future filmmakers as Spike Lee and Quentin Tarantino, among many others.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Warner Bros. (1973)
|
| 13 |
+
Cast: Robert De Niro, Harvey Keitel, David Proval, Richard Romanus
|
| 14 |
+
Director: Martin Scorsese
|
| 15 |
+
Producers: E. Lee Perry, Jonathan Tapin
|
| 16 |
+
Screenwriters: Mardik Martin, Martin Scorsese
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1973/pKdszbbvQGc.en.srt
ADDED
|
@@ -0,0 +1,375 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:02,750 --> 00:00:06,390
|
| 3 |
+
|
| 4 |
+
take a look at the folks you've note
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:06,390 --> 00:00:06,400
|
| 8 |
+
take a look at the folks you've note
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:06,400 --> 00:00:11,259
|
| 13 |
+
take a look at the folks you've note
|
| 14 |
+
young or growed some keep thriving and
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:11,259 --> 00:00:11,269
|
| 18 |
+
young or growed some keep thriving and
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:11,269 --> 00:00:15,280
|
| 23 |
+
young or growed some keep thriving and
|
| 24 |
+
some keep striving in vain it's a matter
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:15,280 --> 00:00:15,290
|
| 28 |
+
some keep striving in vain it's a matter
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:15,290 --> 00:00:17,640
|
| 33 |
+
some keep striving in vain it's a matter
|
| 34 |
+
of destiny
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:17,640 --> 00:00:17,650
|
| 38 |
+
of destiny
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:17,650 --> 00:00:22,660
|
| 43 |
+
of destiny
|
| 44 |
+
who you be judge of the preacher or
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:22,660 --> 00:00:22,670
|
| 48 |
+
who you be judge of the preacher or
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:22,670 --> 00:00:25,300
|
| 53 |
+
who you be judge of the preacher or
|
| 54 |
+
beautiful creature they's hanging from a
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:25,300 --> 00:00:25,310
|
| 58 |
+
beautiful creature they's hanging from a
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:25,310 --> 00:00:28,599
|
| 63 |
+
beautiful creature they's hanging from a
|
| 64 |
+
tree whoa man's got to be what is born
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:28,599 --> 00:00:28,609
|
| 68 |
+
tree whoa man's got to be what is born
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:28,609 --> 00:00:33,189
|
| 73 |
+
tree whoa man's got to be what is born
|
| 74 |
+
to be so just sit back and wait be it
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:33,189 --> 00:00:33,199
|
| 78 |
+
to be so just sit back and wait be it
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:33,199 --> 00:00:37,020
|
| 83 |
+
to be so just sit back and wait be it
|
| 84 |
+
sooner or later he'll be small or great
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:37,020 --> 00:00:37,030
|
| 88 |
+
sooner or later he'll be small or great
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:37,030 --> 00:00:40,540
|
| 93 |
+
sooner or later he'll be small or great
|
| 94 |
+
yeah man's got to be what he's born to
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:40,540 --> 00:00:40,550
|
| 98 |
+
yeah man's got to be what he's born to
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:40,550 --> 00:00:44,440
|
| 103 |
+
yeah man's got to be what he's born to
|
| 104 |
+
be soon just sit back and wait soon or
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:44,440 --> 00:00:44,450
|
| 108 |
+
be soon just sit back and wait soon or
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:44,450 --> 00:00:46,479
|
| 113 |
+
be soon just sit back and wait soon or
|
| 114 |
+
late small or great
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:46,479 --> 00:00:46,489
|
| 118 |
+
late small or great
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:46,489 --> 00:00:55,959
|
| 123 |
+
late small or great
|
| 124 |
+
there ain't no fighting straight doesn't
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:55,959 --> 00:00:55,969
|
| 128 |
+
there ain't no fighting straight doesn't
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:55,969 --> 00:01:02,709
|
| 133 |
+
there ain't no fighting straight doesn't
|
| 134 |
+
matter what you may try buy and buy some
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:02,709 --> 00:01:02,719
|
| 138 |
+
matter what you may try buy and buy some
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:02,719 --> 00:01:06,270
|
| 143 |
+
matter what you may try buy and buy some
|
| 144 |
+
get lucky and some get stuck in the mud
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:06,270 --> 00:01:06,280
|
| 148 |
+
get lucky and some get stuck in the mud
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:06,280 --> 00:01:10,300
|
| 153 |
+
get lucky and some get stuck in the mud
|
| 154 |
+
that's the way the old world behaves
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:10,300 --> 00:01:10,310
|
| 158 |
+
that's the way the old world behaves
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:10,310 --> 00:01:15,429
|
| 163 |
+
that's the way the old world behaves
|
| 164 |
+
why make ways soonerlater just like a
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:15,429 --> 00:01:15,439
|
| 168 |
+
why make ways soonerlater just like a
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:15,439 --> 00:01:18,940
|
| 173 |
+
why make ways soonerlater just like a
|
| 174 |
+
potato we're planted in our graves Oh a
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:18,940 --> 00:01:18,950
|
| 178 |
+
potato we're planted in our graves Oh a
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:18,950 --> 00:01:21,789
|
| 183 |
+
potato we're planted in our graves Oh a
|
| 184 |
+
man's got to be what he's born to be
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:21,789 --> 00:01:21,799
|
| 188 |
+
man's got to be what he's born to be
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:21,799 --> 00:01:26,260
|
| 193 |
+
man's got to be what he's born to be
|
| 194 |
+
soon just sit back and wait be it sooner
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:26,260 --> 00:01:26,270
|
| 198 |
+
soon just sit back and wait be it sooner
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:26,270 --> 00:01:27,179
|
| 203 |
+
soon just sit back and wait be it sooner
|
| 204 |
+
or later
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:27,179 --> 00:01:27,189
|
| 208 |
+
or later
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:27,189 --> 00:01:31,390
|
| 213 |
+
or later
|
| 214 |
+
he'll be small or great yeah man's got
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:31,390 --> 00:01:31,400
|
| 218 |
+
he'll be small or great yeah man's got
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:31,400 --> 00:01:34,210
|
| 223 |
+
he'll be small or great yeah man's got
|
| 224 |
+
to be what is born to be so just sit
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:34,210 --> 00:01:34,220
|
| 228 |
+
to be what is born to be so just sit
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:34,220 --> 00:01:36,280
|
| 233 |
+
to be what is born to be so just sit
|
| 234 |
+
back and wait
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:36,280 --> 00:01:36,290
|
| 238 |
+
back and wait
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:36,290 --> 00:01:39,520
|
| 243 |
+
back and wait
|
| 244 |
+
soon or late small or great there ain't
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:39,520 --> 00:01:39,530
|
| 248 |
+
soon or late small or great there ain't
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:39,530 --> 00:01:44,830
|
| 253 |
+
soon or late small or great there ain't
|
| 254 |
+
no fightin face where's the future and
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:44,830 --> 00:01:44,840
|
| 258 |
+
no fightin face where's the future and
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:44,840 --> 00:01:50,890
|
| 263 |
+
no fightin face where's the future and
|
| 264 |
+
plans and schemes when it seems that old
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:50,890 --> 00:01:50,900
|
| 268 |
+
plans and schemes when it seems that old
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:50,900 --> 00:01:54,510
|
| 273 |
+
plans and schemes when it seems that old
|
| 274 |
+
Grim Reaper will soon be illiquid on you
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:54,510 --> 00:01:54,520
|
| 278 |
+
Grim Reaper will soon be illiquid on you
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:54,520 --> 00:01:59,070
|
| 283 |
+
Grim Reaper will soon be illiquid on you
|
| 284 |
+
when it's over you know you're bound to
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:59,070 --> 00:01:59,080
|
| 288 |
+
when it's over you know you're bound to
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:59,080 --> 00:02:03,340
|
| 293 |
+
when it's over you know you're bound to
|
| 294 |
+
be found wearing your son too close
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:03,340 --> 00:02:03,350
|
| 298 |
+
be found wearing your son too close
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:03,350 --> 00:02:05,440
|
| 303 |
+
be found wearing your son too close
|
| 304 |
+
sleeping in sweet repose six feet
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:02:05,440 --> 00:02:05,450
|
| 308 |
+
sleeping in sweet repose six feet
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:02:05,450 --> 00:02:10,359
|
| 313 |
+
sleeping in sweet repose six feet
|
| 314 |
+
underground Oh what is born to be so
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:02:10,359 --> 00:02:10,369
|
| 318 |
+
underground Oh what is born to be so
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:02:10,369 --> 00:02:14,530
|
| 323 |
+
underground Oh what is born to be so
|
| 324 |
+
just sit back away me it's sooner or
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:02:14,530 --> 00:02:14,540
|
| 328 |
+
just sit back away me it's sooner or
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:02:14,540 --> 00:02:16,070
|
| 333 |
+
just sit back away me it's sooner or
|
| 334 |
+
later
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:02:16,070 --> 00:02:16,080
|
| 338 |
+
later
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:02:16,080 --> 00:02:20,450
|
| 343 |
+
later
|
| 344 |
+
he'll be smaller great company but is
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:02:20,450 --> 00:02:20,460
|
| 348 |
+
he'll be smaller great company but is
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:02:20,460 --> 00:02:23,890
|
| 353 |
+
he'll be smaller great company but is
|
| 354 |
+
born to be so just sit back and wait
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:02:23,890 --> 00:02:23,900
|
| 358 |
+
born to be so just sit back and wait
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:02:23,900 --> 00:03:00,630
|
| 363 |
+
born to be so just sit back and wait
|
| 364 |
+
some more wait small
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:03:00,630 --> 00:03:00,640
|
| 368 |
+
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:03:00,640 --> 00:03:02,700
|
| 373 |
+
|
| 374 |
+
you
|
| 375 |
+
|
1973/phJJFbxyino.en.srt
ADDED
|
@@ -0,0 +1,405 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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| 1 |
+
1
|
| 2 |
+
00:00:00,089 --> 00:00:02,629
|
| 3 |
+
|
| 4 |
+
afternoon ma'am mr. huff at home mr.
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,629 --> 00:00:02,639
|
| 8 |
+
afternoon ma'am mr. huff at home mr.
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,639 --> 00:00:05,210
|
| 13 |
+
afternoon ma'am mr. huff at home mr.
|
| 14 |
+
huff passed away young man a week ago oh
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,210 --> 00:00:05,220
|
| 18 |
+
huff passed away young man a week ago oh
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:05,220 --> 00:00:07,070
|
| 23 |
+
huff passed away young man a week ago oh
|
| 24 |
+
gee I'm sorry I was just talking to mr.
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:07,070 --> 00:00:07,080
|
| 28 |
+
gee I'm sorry I was just talking to mr.
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:07,080 --> 00:00:08,690
|
| 33 |
+
gee I'm sorry I was just talking to mr.
|
| 34 |
+
Huff not more than a month ago what was
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:08,690 --> 00:00:08,700
|
| 38 |
+
Huff not more than a month ago what was
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:08,700 --> 00:00:10,549
|
| 43 |
+
Huff not more than a month ago what was
|
| 44 |
+
it you wanted well my name is pray
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:10,549 --> 00:00:10,559
|
| 48 |
+
it you wanted well my name is pray
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:10,559 --> 00:00:13,789
|
| 53 |
+
it you wanted well my name is pray
|
| 54 |
+
Kansas Bible company i mr. huff ordered
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:13,789 --> 00:00:13,799
|
| 58 |
+
Kansas Bible company i mr. huff ordered
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:13,799 --> 00:00:15,169
|
| 63 |
+
Kansas Bible company i mr. huff ordered
|
| 64 |
+
this Bible as a gift for someone named
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:15,169 --> 00:00:15,179
|
| 68 |
+
this Bible as a gift for someone named
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:15,179 --> 00:00:18,170
|
| 73 |
+
this Bible as a gift for someone named
|
| 74 |
+
Edna that's my name you don't have to
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:18,170 --> 00:00:18,180
|
| 78 |
+
Edna that's my name you don't have to
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:18,180 --> 00:00:19,220
|
| 83 |
+
Edna that's my name you don't have to
|
| 84 |
+
take it if you don't want to I'll just
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:19,220 --> 00:00:19,230
|
| 88 |
+
take it if you don't want to I'll just
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:19,230 --> 00:00:21,620
|
| 93 |
+
take it if you don't want to I'll just
|
| 94 |
+
give you back a mrs. dollar deposit of
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:21,620 --> 00:00:21,630
|
| 98 |
+
give you back a mrs. dollar deposit of
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:21,630 --> 00:00:27,290
|
| 103 |
+
give you back a mrs. dollar deposit of
|
| 104 |
+
course I'm gonna keep it yes ma'am I
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:27,290 --> 00:00:27,300
|
| 108 |
+
course I'm gonna keep it yes ma'am I
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:27,300 --> 00:00:28,849
|
| 113 |
+
course I'm gonna keep it yes ma'am I
|
| 114 |
+
told Amos I could sell him a cheaper one
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:28,849 --> 00:00:28,859
|
| 118 |
+
told Amos I could sell him a cheaper one
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:28,859 --> 00:00:31,339
|
| 123 |
+
told Amos I could sell him a cheaper one
|
| 124 |
+
but no naturally he wanted the best the
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:31,339 --> 00:00:31,349
|
| 128 |
+
but no naturally he wanted the best the
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:31,349 --> 00:00:33,020
|
| 133 |
+
but no naturally he wanted the best the
|
| 134 |
+
best of course being their deluxe
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:33,020 --> 00:00:33,030
|
| 138 |
+
best of course being their deluxe
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:33,030 --> 00:00:35,030
|
| 143 |
+
best of course being their deluxe
|
| 144 |
+
edition with a name printed and child of
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:35,030 --> 00:00:35,040
|
| 148 |
+
edition with a name printed and child of
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:35,040 --> 00:00:36,740
|
| 153 |
+
edition with a name printed and child of
|
| 154 |
+
the manger gold letters bringing up a
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:36,740 --> 00:00:36,750
|
| 158 |
+
the manger gold letters bringing up a
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:36,750 --> 00:00:47,600
|
| 163 |
+
the manger gold letters bringing up a
|
| 164 |
+
balance - $24 $24 I'll get my purse well
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:47,600 --> 00:00:47,610
|
| 168 |
+
balance - $24 $24 I'll get my purse well
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:47,610 --> 00:00:50,869
|
| 173 |
+
balance - $24 $24 I'll get my purse well
|
| 174 |
+
Addie pray I'm gonna get you $24 an
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:50,869 --> 00:00:50,879
|
| 178 |
+
Addie pray I'm gonna get you $24 an
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:50,879 --> 00:00:53,650
|
| 183 |
+
Addie pray I'm gonna get you $24 an
|
| 184 |
+
extra five for just coming to my door
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:53,650 --> 00:00:53,660
|
| 188 |
+
extra five for just coming to my door
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:53,660 --> 00:01:03,320
|
| 193 |
+
extra five for just coming to my door
|
| 194 |
+
praise the Lord
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:03,320 --> 00:01:03,330
|
| 198 |
+
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:03,330 --> 00:01:26,540
|
| 203 |
+
|
| 204 |
+
[Music]
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:26,540 --> 00:01:26,550
|
| 208 |
+
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:26,550 --> 00:01:28,610
|
| 213 |
+
|
| 214 |
+
[Applause]
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:28,610 --> 00:01:28,620
|
| 218 |
+
[Applause]
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:28,620 --> 00:01:34,889
|
| 223 |
+
[Applause]
|
| 224 |
+
[Music]
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:34,889 --> 00:01:34,899
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:34,899 --> 00:01:36,960
|
| 233 |
+
|
| 234 |
+
oh no the business giving it away it's
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:36,960 --> 00:01:36,970
|
| 238 |
+
oh no the business giving it away it's
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:36,970 --> 00:01:39,210
|
| 243 |
+
oh no the business giving it away it's
|
| 244 |
+
bad enough you give away five poorly
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:39,210 --> 00:01:39,220
|
| 248 |
+
bad enough you give away five poorly
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:39,220 --> 00:01:42,590
|
| 253 |
+
bad enough you give away five poorly
|
| 254 |
+
whole countries poorly I told you before
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:42,590 --> 00:01:42,600
|
| 258 |
+
whole countries poorly I told you before
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:42,600 --> 00:01:45,810
|
| 263 |
+
whole countries poorly I told you before
|
| 264 |
+
I don't care about when he says it
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:45,810 --> 00:01:45,820
|
| 268 |
+
I don't care about when he says it
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:45,820 --> 00:01:47,639
|
| 273 |
+
I don't care about when he says it
|
| 274 |
+
that's so what you ask Frank T rose
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:47,639 --> 00:01:47,649
|
| 278 |
+
that's so what you ask Frank T rose
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:47,649 --> 00:01:48,749
|
| 283 |
+
that's so what you ask Frank T rose
|
| 284 |
+
about what he thinks about taking care
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:48,749 --> 00:01:48,759
|
| 288 |
+
about what he thinks about taking care
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:48,759 --> 00:01:50,279
|
| 293 |
+
about what he thinks about taking care
|
| 294 |
+
of himself you think you don't need off
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:50,279 --> 00:01:50,289
|
| 298 |
+
of himself you think you don't need off
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:50,289 --> 00:01:51,960
|
| 303 |
+
of himself you think you don't need off
|
| 304 |
+
silver trays he can eat off tabletops
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:51,960 --> 00:01:51,970
|
| 308 |
+
silver trays he can eat off tabletops
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:51,970 --> 00:01:53,340
|
| 313 |
+
silver trays he can eat off tabletops
|
| 314 |
+
like the rest of us but you don't you
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:53,340 --> 00:01:53,350
|
| 318 |
+
like the rest of us but you don't you
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:53,350 --> 00:01:54,870
|
| 323 |
+
like the rest of us but you don't you
|
| 324 |
+
know why because that would make him
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:54,870 --> 00:01:54,880
|
| 328 |
+
know why because that would make him
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:54,880 --> 00:01:56,940
|
| 333 |
+
know why because that would make him
|
| 334 |
+
look common and besides Frank D
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:56,940 --> 00:01:56,950
|
| 338 |
+
look common and besides Frank D
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:56,950 --> 00:01:58,200
|
| 343 |
+
look common and besides Frank D
|
| 344 |
+
Roosevelt ain't running this thing I'm
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:58,200 --> 00:01:58,210
|
| 348 |
+
Roosevelt ain't running this thing I'm
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:58,210 --> 00:01:59,639
|
| 353 |
+
Roosevelt ain't running this thing I'm
|
| 354 |
+
running it so don't you make up no rules
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:59,639 --> 00:01:59,649
|
| 358 |
+
running it so don't you make up no rules
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:59,649 --> 00:02:04,559
|
| 363 |
+
running it so don't you make up no rules
|
| 364 |
+
about what we're gonna give away you
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:04,559 --> 00:02:04,569
|
| 368 |
+
about what we're gonna give away you
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:04,569 --> 00:02:06,059
|
| 373 |
+
about what we're gonna give away you
|
| 374 |
+
want it we'll just put my share in my
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:02:06,059 --> 00:02:06,069
|
| 378 |
+
want it we'll just put my share in my
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:02:06,069 --> 00:02:07,529
|
| 383 |
+
want it we'll just put my share in my
|
| 384 |
+
pocket now take it to a train station
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:02:07,529 --> 00:02:07,539
|
| 388 |
+
pocket now take it to a train station
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:02:07,539 --> 00:02:13,430
|
| 393 |
+
pocket now take it to a train station
|
| 394 |
+
how do you like that
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:13,430 --> 00:02:13,440
|
| 398 |
+
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:13,440 --> 00:02:44,509
|
| 403 |
+
|
| 404 |
+
[Music]
|
| 405 |
+
|
1973/qQjdOtebYns.en.srt
ADDED
|
@@ -0,0 +1,365 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:07,030
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:07,030 --> 00:00:07,040
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:07,040 --> 00:00:11,450
|
| 13 |
+
|
| 14 |
+
chin up chin up everybody loves a happy
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:11,450 --> 00:00:11,460
|
| 18 |
+
chin up chin up everybody loves a happy
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:11,460 --> 00:00:15,680
|
| 23 |
+
chin up chin up everybody loves a happy
|
| 24 |
+
face wave it share it it'll brighten up
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:15,680 --> 00:00:15,690
|
| 28 |
+
face wave it share it it'll brighten up
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:15,690 --> 00:00:19,640
|
| 33 |
+
face wave it share it it'll brighten up
|
| 34 |
+
the darkest place twinkle little
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:19,640 --> 00:00:19,650
|
| 38 |
+
the darkest place twinkle little
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:19,650 --> 00:00:22,519
|
| 43 |
+
the darkest place twinkle little
|
| 44 |
+
sunshine you'll be on the right side
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:22,519 --> 00:00:22,529
|
| 48 |
+
sunshine you'll be on the right side
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:22,529 --> 00:00:24,650
|
| 53 |
+
sunshine you'll be on the right side
|
| 54 |
+
looking at the bright side up will you
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:24,650 --> 00:00:24,660
|
| 58 |
+
looking at the bright side up will you
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:24,660 --> 00:00:29,359
|
| 63 |
+
looking at the bright side up will you
|
| 64 |
+
chinny chin chin attention please will
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:29,359 --> 00:00:29,369
|
| 68 |
+
chinny chin chin attention please will
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:29,369 --> 00:00:31,040
|
| 73 |
+
chinny chin chin attention please will
|
| 74 |
+
the party who addressed me last night
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:31,040 --> 00:00:31,050
|
| 78 |
+
the party who addressed me last night
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:31,050 --> 00:00:36,319
|
| 83 |
+
the party who addressed me last night
|
| 84 |
+
kindly come out of hiding if you do have
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:36,319 --> 00:00:36,329
|
| 88 |
+
kindly come out of hiding if you do have
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:36,329 --> 00:00:37,010
|
| 93 |
+
kindly come out of hiding if you do have
|
| 94 |
+
a friend
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:37,010 --> 00:00:37,020
|
| 98 |
+
a friend
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:37,020 --> 00:00:40,120
|
| 103 |
+
a friend
|
| 104 |
+
you're probably disturbing his wrist I
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:40,120 --> 00:00:40,130
|
| 108 |
+
you're probably disturbing his wrist I
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:40,130 --> 00:00:43,310
|
| 113 |
+
you're probably disturbing his wrist I
|
| 114 |
+
make everyone's pardon I didn't mean to
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:43,310 --> 00:00:43,320
|
| 118 |
+
make everyone's pardon I didn't mean to
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:43,320 --> 00:00:46,850
|
| 123 |
+
make everyone's pardon I didn't mean to
|
| 124 |
+
be objectionable chin up chin up
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:46,850 --> 00:00:46,860
|
| 128 |
+
be objectionable chin up chin up
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:46,860 --> 00:00:49,520
|
| 133 |
+
be objectionable chin up chin up
|
| 134 |
+
put a little laughter in your eyes brave
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:49,520 --> 00:00:49,530
|
| 138 |
+
put a little laughter in your eyes brave
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:49,530 --> 00:00:52,490
|
| 143 |
+
put a little laughter in your eyes brave
|
| 144 |
+
it save it even though you're feeling
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:52,490 --> 00:00:52,500
|
| 148 |
+
it save it even though you're feeling
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:52,500 --> 00:00:56,030
|
| 153 |
+
it save it even though you're feeling
|
| 154 |
+
otherwise rise up
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:56,030 --> 00:00:56,040
|
| 158 |
+
otherwise rise up
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:56,040 --> 00:00:57,640
|
| 163 |
+
otherwise rise up
|
| 164 |
+
[Music]
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:57,640 --> 00:00:57,650
|
| 168 |
+
[Music]
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:57,650 --> 00:00:59,710
|
| 173 |
+
[Music]
|
| 174 |
+
you'll be half-hearted once you get
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:59,710 --> 00:00:59,720
|
| 178 |
+
you'll be half-hearted once you get
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:59,720 --> 00:01:02,760
|
| 183 |
+
you'll be half-hearted once you get
|
| 184 |
+
started it up with your chinny-chin-chin
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:02,760 --> 00:01:02,770
|
| 188 |
+
started it up with your chinny-chin-chin
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:02,770 --> 00:01:07,410
|
| 193 |
+
started it up with your chinny-chin-chin
|
| 194 |
+
salutations haha sorry what
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:07,410 --> 00:01:07,420
|
| 198 |
+
salutations haha sorry what
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:07,420 --> 00:01:11,170
|
| 203 |
+
salutations haha sorry what
|
| 204 |
+
salutations what are they and where are
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:11,170 --> 00:01:11,180
|
| 208 |
+
salutations what are they and where are
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:11,180 --> 00:01:14,320
|
| 213 |
+
salutations what are they and where are
|
| 214 |
+
you salutations our greetings
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:14,320 --> 00:01:14,330
|
| 218 |
+
you salutations our greetings
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:14,330 --> 00:01:17,650
|
| 223 |
+
you salutations our greetings
|
| 224 |
+
it's my fancy way of saying hello look
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:17,650 --> 00:01:17,660
|
| 228 |
+
it's my fancy way of saying hello look
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:17,660 --> 00:01:21,670
|
| 233 |
+
it's my fancy way of saying hello look
|
| 234 |
+
up here in the doorway chin down you get
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:21,670 --> 00:01:21,680
|
| 238 |
+
up here in the doorway chin down you get
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:21,680 --> 00:01:23,640
|
| 243 |
+
up here in the doorway chin down you get
|
| 244 |
+
up groaning turn around
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:23,640 --> 00:01:23,650
|
| 248 |
+
up groaning turn around
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:23,650 --> 00:01:31,390
|
| 253 |
+
up groaning turn around
|
| 254 |
+
starting the troubles chin up every
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:31,390 --> 00:01:31,400
|
| 258 |
+
starting the troubles chin up every
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:31,400 --> 00:01:33,940
|
| 263 |
+
starting the troubles chin up every
|
| 264 |
+
little time your spirits will chin up
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:33,940 --> 00:01:33,950
|
| 268 |
+
little time your spirits will chin up
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:33,950 --> 00:01:49,150
|
| 273 |
+
little time your spirits will chin up
|
| 274 |
+
chin up give your attitude see me now oh
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:49,150 --> 00:01:49,160
|
| 278 |
+
chin up give your attitude see me now oh
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:49,160 --> 00:01:52,740
|
| 283 |
+
chin up give your attitude see me now oh
|
| 284 |
+
yes good morning
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:52,740 --> 00:01:52,750
|
| 288 |
+
yes good morning
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:52,750 --> 00:01:55,570
|
| 293 |
+
yes good morning
|
| 294 |
+
salutations I can't see you very well
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:55,570 --> 00:01:55,580
|
| 298 |
+
salutations I can't see you very well
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:55,580 --> 00:01:56,440
|
| 303 |
+
salutations I can't see you very well
|
| 304 |
+
though
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:56,440 --> 00:01:56,450
|
| 308 |
+
though
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:56,450 --> 00:01:58,950
|
| 313 |
+
though
|
| 314 |
+
[Music]
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:58,950 --> 00:01:58,960
|
| 318 |
+
[Music]
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:58,960 --> 00:02:04,230
|
| 323 |
+
[Music]
|
| 324 |
+
is that better oh yeah I promised I tell
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:02:04,230 --> 00:02:04,240
|
| 328 |
+
is that better oh yeah I promised I tell
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:02:04,240 --> 00:02:06,860
|
| 333 |
+
is that better oh yeah I promised I tell
|
| 334 |
+
you all about the words Chinna and I did
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:02:06,860 --> 00:02:06,870
|
| 338 |
+
you all about the words Chinna and I did
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:02:06,870 --> 00:02:10,050
|
| 343 |
+
you all about the words Chinna and I did
|
| 344 |
+
what is your name please my name is
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:02:10,050 --> 00:02:10,060
|
| 348 |
+
what is your name please my name is
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:02:10,060 --> 00:02:12,630
|
| 353 |
+
what is your name please my name is
|
| 354 |
+
Charlotte Charlotte a cab Attica
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:02:12,630 --> 00:02:12,640
|
| 358 |
+
Charlotte Charlotte a cab Attica
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:02:12,640 --> 00:02:23,969
|
| 363 |
+
Charlotte Charlotte a cab Attica
|
| 364 |
+
[Music]
|
| 365 |
+
|
1973/qkGDaroLl_M.description
ADDED
|
@@ -0,0 +1,38 @@
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|
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|
|
|
| 1 |
+
Mean Streets movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqo2if2ol4-vL6J4DH-k4Y-d
|
| 2 |
+
BUY THE MOVIE: http://j.mp/12OlTkS
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Charlie (Harvey Keitel) parties until he passes out.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
"You don't make up for your sins in church; you do it in the streets; you do it at home. The rest is bulls--t, and you know it." Returning to the autobiographical milieu of his 1968 debut Who's That Knocking at My Door? for his third feature, Martin Scorsese examined the daily struggles of a wannabe hood to keep his morals straight on the streets of Little Italy. Driven equally by his wish to become a respectable gangster like his uncle (Cesare Danova) and his desire to live his life like St. Francis, Charlie (Harvey Keitel) takes on his energetically unhinged friend Johnny Boy (Robert De Niro) as his own personal penance, intervening to get Johnny Boy to pay off a debt to the local loan shark Michael (Richard Romanus). Despite his promises to his epileptic girlfriend Teresa (Amy Robinson) that they will move out of Little Italy once he strengthens his position in his uncle's world, Charlie's involvement with Johnny Boy further ensnares him in the neighborhood. When Johnny Boy decides to mouth off to Michael rather than pay him, Charlie, Johnny Boy, and Teresa try to flee Michael's murderous anger (and an assassin played by Scorsese), forcing Charlie to realize that the rules of the streets do not mesh with absolution. Whereas fellow "film school generation" director Francis Ford Coppola transformed the Hollywood gangster movie into metaphorical epics about the Mafia and capitalism in The Godfather (1972) and The Godfather Part II (1974), Scorsese revised the genre in the opposite direction, focusing on the gritty minutiae of daily life and drawing from personal memory. Combining documentary-style realism (even though most of the film was shot in L.A.); kinetic editing and camera movement; and expressionistic lighting, angles, and film speed, Scorsese presents an intimate picture of the trivial incidents and latent violence of Charlie's and Johnny Boy's world, naturalistically unfolding their experiences rather than simply explaining what motivates them. They lead a claustrophobic, petty existence that Scorsese and screenwriter Mardik Martin witnessed growing up in Little Italy, complete with a soundtrack of hit songs like "Be My Baby" and "Jumping Jack Flash" that had poured out of neighborhood radios. Mean Streets opened at the New York Film Festival to excellent notices and played strongly in New York but failed to duplicate that level of business elsewhere. Even so, Mean Streets established Scorsese and De Niro as formidable young talents and marked the beginning of a long-running and fertile collaboration that continued in such films as Taxi Driver (1976), Raging Bull (1980), The King of Comedy (1983), and Goodfellas (1990). Scorsese's exceptional grasp of the texture of day-to-day life, the rhythm and cadences of street talk, and cinema's visual and aural possibilities makes Mean Streets one of the pivotal films of the 1970s, as well as of Scorsese's career, and an influence on such future filmmakers as Spike Lee and Quentin Tarantino, among many others.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Warner Bros. (1973)
|
| 13 |
+
Cast: Harvey Keitel
|
| 14 |
+
Director: Martin Scorsese
|
| 15 |
+
Producers: E. Lee Perry, Jonathan Tapin
|
| 16 |
+
Screenwriters: Mardik Martin, Martin Scorsese
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1973/qkGDaroLl_M.en.srt
ADDED
|
@@ -0,0 +1,165 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:04,309
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,309 --> 00:00:04,319
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,319 --> 00:00:11,090
|
| 13 |
+
[Music]
|
| 14 |
+
oh
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:11,090 --> 00:00:11,100
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:11,100 --> 00:00:19,830
|
| 23 |
+
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:19,830 --> 00:00:19,840
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:19,840 --> 00:00:22,180
|
| 33 |
+
|
| 34 |
+
hmm
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:22,180 --> 00:00:22,190
|
| 38 |
+
hmm
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:22,190 --> 00:00:40,069
|
| 43 |
+
hmm
|
| 44 |
+
[Music]
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:40,069 --> 00:00:40,079
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:40,079 --> 00:00:41,830
|
| 53 |
+
|
| 54 |
+
of a wish sandwich was the kind of a
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:41,830 --> 00:00:41,840
|
| 58 |
+
of a wish sandwich was the kind of a
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:41,840 --> 00:00:43,510
|
| 63 |
+
of a wish sandwich was the kind of a
|
| 64 |
+
sandwich that she's supposed to take two
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:43,510 --> 00:00:43,520
|
| 68 |
+
sandwich that she's supposed to take two
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:43,520 --> 00:00:45,430
|
| 73 |
+
sandwich that she's supposed to take two
|
| 74 |
+
pieces of bread and wish you had some
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:45,430 --> 00:00:45,440
|
| 78 |
+
pieces of bread and wish you had some
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:45,440 --> 00:00:50,600
|
| 83 |
+
pieces of bread and wish you had some
|
| 84 |
+
meat
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:50,600 --> 00:00:50,610
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:50,610 --> 00:01:06,149
|
| 93 |
+
|
| 94 |
+
[Music]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:06,149 --> 00:01:06,159
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:06,159 --> 00:01:07,510
|
| 103 |
+
|
| 104 |
+
well it's the kind of a biscuit that's
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:07,510 --> 00:01:07,520
|
| 108 |
+
well it's the kind of a biscuit that's
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:07,520 --> 00:01:09,510
|
| 113 |
+
well it's the kind of a biscuit that's
|
| 114 |
+
supposed to bounce off the wall back in
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:09,510 --> 00:01:09,520
|
| 118 |
+
supposed to bounce off the wall back in
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:09,520 --> 00:01:12,469
|
| 123 |
+
supposed to bounce off the wall back in
|
| 124 |
+
your mouth if it don't bounce back
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:12,469 --> 00:01:12,479
|
| 128 |
+
your mouth if it don't bounce back
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:12,479 --> 00:01:17,990
|
| 133 |
+
your mouth if it don't bounce back
|
| 134 |
+
you go hungry
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:17,990 --> 00:01:18,000
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:18,000 --> 00:01:23,290
|
| 143 |
+
|
| 144 |
+
[Music]
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:23,290 --> 00:01:23,300
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:23,300 --> 00:01:53,830
|
| 153 |
+
|
| 154 |
+
[Music]
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:53,830 --> 00:01:53,840
|
| 158 |
+
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:53,840 --> 00:01:55,920
|
| 163 |
+
|
| 164 |
+
you
|
| 165 |
+
|
1973/qpLovLQoJ6c.en.srt
ADDED
|
@@ -0,0 +1,179 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:06,550 --> 00:00:06,560
|
| 3 |
+
|
| 4 |
+
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:06,560 --> 00:00:14,860
|
| 8 |
+
|
| 9 |
+
liked Télam
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:14,860 --> 00:00:14,870
|
| 13 |
+
|
| 14 |
+
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:14,870 --> 00:00:27,259
|
| 18 |
+
|
| 19 |
+
[Music] it
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:27,259 --> 00:00:27,269
|
| 23 |
+
|
| 24 |
+
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:27,269 --> 00:00:29,640
|
| 28 |
+
|
| 29 |
+
's a mirror,
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:29,640 --> 00:00:29,650
|
| 33 |
+
's a mirror,
|
| 34 |
+
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:29,650 --> 00:00:32,510
|
| 38 |
+
's a mirror,
|
| 39 |
+
ok, Versace brand,
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:32,510 --> 00:00:32,520
|
| 43 |
+
ok, Versace brand,
|
| 44 |
+
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:32,520 --> 00:00:36,920
|
| 48 |
+
ok, Versace brand,
|
| 49 |
+
yes
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:36,920 --> 00:00:36,930
|
| 53 |
+
|
| 54 |
+
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:36,930 --> 00:00:47,100
|
| 58 |
+
|
| 59 |
+
|
| 60 |
+
13
|
| 61 |
+
00:00:47,100 --> 00:00:47,110
|
| 62 |
+
|
| 63 |
+
|
| 64 |
+
|
| 65 |
+
14
|
| 66 |
+
00:00:47,110 --> 00:00:51,910
|
| 67 |
+
|
| 68 |
+
[Music]
|
| 69 |
+
|
| 70 |
+
15
|
| 71 |
+
00:00:51,910 --> 00:00:51,920
|
| 72 |
+
|
| 73 |
+
|
| 74 |
+
|
| 75 |
+
16
|
| 76 |
+
00:00:51,920 --> 00:00:53,990
|
| 77 |
+
|
| 78 |
+
made
|
| 79 |
+
|
| 80 |
+
17
|
| 81 |
+
00:00:53,990 --> 00:00:54,000
|
| 82 |
+
made
|
| 83 |
+
|
| 84 |
+
|
| 85 |
+
18
|
| 86 |
+
00:00:54,000 --> 00:00:57,600
|
| 87 |
+
made
|
| 88 |
+
and using it as a barber
|
| 89 |
+
|
| 90 |
+
19
|
| 91 |
+
00:00:57,600 --> 00:00:57,610
|
| 92 |
+
and using it as a barber
|
| 93 |
+
|
| 94 |
+
|
| 95 |
+
20
|
| 96 |
+
00:00:57,610 --> 00:01:03,190
|
| 97 |
+
and using it as a barber
|
| 98 |
+
[Applause]
|
| 99 |
+
|
| 100 |
+
21
|
| 101 |
+
00:01:03,190 --> 00:01:03,200
|
| 102 |
+
|
| 103 |
+
|
| 104 |
+
|
| 105 |
+
22
|
| 106 |
+
00:01:03,200 --> 00:01:17,620
|
| 107 |
+
|
| 108 |
+
[Music]
|
| 109 |
+
|
| 110 |
+
23
|
| 111 |
+
00:01:17,620 --> 00:01:17,630
|
| 112 |
+
|
| 113 |
+
|
| 114 |
+
|
| 115 |
+
24
|
| 116 |
+
00:01:17,630 --> 00:01:22,770
|
| 117 |
+
|
| 118 |
+
[Applause]
|
| 119 |
+
|
| 120 |
+
25
|
| 121 |
+
00:01:22,770 --> 00:01:22,780
|
| 122 |
+
[Applause]
|
| 123 |
+
|
| 124 |
+
|
| 125 |
+
26
|
| 126 |
+
00:01:22,780 --> 00:01:26,500
|
| 127 |
+
[Applause]
|
| 128 |
+
[Music]
|
| 129 |
+
|
| 130 |
+
27
|
| 131 |
+
00:01:26,500 --> 00:01:26,510
|
| 132 |
+
[Music]
|
| 133 |
+
|
| 134 |
+
|
| 135 |
+
28
|
| 136 |
+
00:01:26,510 --> 00:01:30,600
|
| 137 |
+
[Music]
|
| 138 |
+
YouTube is to watch, typical
|
| 139 |
+
|
| 140 |
+
29
|
| 141 |
+
00:01:30,600 --> 00:01:30,610
|
| 142 |
+
YouTube is to watch, typical
|
| 143 |
+
|
| 144 |
+
|
| 145 |
+
30
|
| 146 |
+
00:01:30,610 --> 00:01:32,870
|
| 147 |
+
YouTube is to watch, typical
|
| 148 |
+
of the afternoon,
|
| 149 |
+
|
| 150 |
+
31
|
| 151 |
+
00:01:32,870 --> 00:01:32,880
|
| 152 |
+
of the afternoon,
|
| 153 |
+
|
| 154 |
+
|
| 155 |
+
32
|
| 156 |
+
00:01:32,880 --> 00:01:37,910
|
| 157 |
+
of the afternoon,
|
| 158 |
+
I would like to slam
|
| 159 |
+
|
| 160 |
+
33
|
| 161 |
+
00:01:37,910 --> 00:01:37,920
|
| 162 |
+
|
| 163 |
+
|
| 164 |
+
|
| 165 |
+
34
|
| 166 |
+
00:01:37,920 --> 00:01:39,290
|
| 167 |
+
|
| 168 |
+
with me
|
| 169 |
+
|
| 170 |
+
35
|
| 171 |
+
00:01:39,290 --> 00:01:39,300
|
| 172 |
+
with me
|
| 173 |
+
|
| 174 |
+
|
| 175 |
+
36
|
| 176 |
+
00:01:39,300 --> 00:02:26,479
|
| 177 |
+
with me
|
| 178 |
+
[Music]
|
| 179 |
+
|
1973/r0iSxOsPGl8.en.srt
ADDED
|
@@ -0,0 +1,115 @@
|
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:03,859 --> 00:00:09,210
|
| 3 |
+
|
| 4 |
+
wait wait
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:09,210 --> 00:00:09,220
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:09,220 --> 00:00:43,610
|
| 13 |
+
|
| 14 |
+
[Music]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:43,610 --> 00:00:43,620
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:43,620 --> 00:01:23,950
|
| 23 |
+
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:01:23,950 --> 00:01:23,960
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:01:23,960 --> 00:01:47,690
|
| 33 |
+
|
| 34 |
+
[Laughter]
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:01:47,690 --> 00:01:47,700
|
| 38 |
+
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:01:47,700 --> 00:01:51,930
|
| 43 |
+
|
| 44 |
+
I couldn't find him Christine I saw
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:01:51,930 --> 00:01:51,940
|
| 48 |
+
I couldn't find him Christine I saw
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:01:51,940 --> 00:01:57,180
|
| 53 |
+
I couldn't find him Christine I saw
|
| 54 |
+
Christine left behind him he lived you
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:01:57,180 --> 00:01:57,190
|
| 58 |
+
Christine left behind him he lived you
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:01:57,190 --> 00:02:00,919
|
| 63 |
+
Christine left behind him he lived you
|
| 64 |
+
must find him you must run Shweta leave
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:02:00,919 --> 00:02:00,929
|
| 68 |
+
must find him you must run Shweta leave
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:02:00,929 --> 00:02:04,680
|
| 73 |
+
must find him you must run Shweta leave
|
| 74 |
+
cheeto and go oh you might know what he
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:02:04,680 --> 00:02:04,690
|
| 78 |
+
cheeto and go oh you might know what he
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:02:04,690 --> 00:02:08,400
|
| 83 |
+
cheeto and go oh you might know what he
|
| 84 |
+
read widely he was going he told you let
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:02:08,400 --> 00:02:08,410
|
| 88 |
+
read widely he was going he told you let
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:02:08,410 --> 00:02:13,750
|
| 93 |
+
read widely he was going he told you let
|
| 94 |
+
go
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:02:13,750 --> 00:02:13,760
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:02:13,760 --> 00:02:20,150
|
| 103 |
+
|
| 104 |
+
[Music]
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:02:20,150 --> 00:02:20,160
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:02:20,160 --> 00:02:22,220
|
| 113 |
+
|
| 114 |
+
you
|
| 115 |
+
|
1973/r6dLxmPng8o.en.srt
ADDED
|
@@ -0,0 +1,355 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:23,759 --> 00:00:28,330
|
| 3 |
+
|
| 4 |
+
how you doing Terry
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:28,330 --> 00:00:28,340
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:28,340 --> 00:00:33,770
|
| 13 |
+
|
| 14 |
+
Marlo
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:33,770 --> 00:00:33,780
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:33,780 --> 00:00:35,479
|
| 23 |
+
|
| 24 |
+
I guess if anybody's gonna track me down
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:35,479 --> 00:00:35,489
|
| 28 |
+
I guess if anybody's gonna track me down
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:35,489 --> 00:00:38,990
|
| 33 |
+
I guess if anybody's gonna track me down
|
| 34 |
+
would be you want drink or something no
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:38,990 --> 00:00:39,000
|
| 38 |
+
would be you want drink or something no
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:39,000 --> 00:00:42,080
|
| 43 |
+
would be you want drink or something no
|
| 44 |
+
I don't want no drink you get a kick out
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:42,080 --> 00:00:42,090
|
| 48 |
+
I don't want no drink you get a kick out
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:42,090 --> 00:00:44,420
|
| 53 |
+
I don't want no drink you get a kick out
|
| 54 |
+
at Madison I said you yeah I got a big
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:44,420 --> 00:00:44,430
|
| 58 |
+
at Madison I said you yeah I got a big
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:44,430 --> 00:00:47,150
|
| 63 |
+
at Madison I said you yeah I got a big
|
| 64 |
+
kick out of it so you murdered your wife
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:47,150 --> 00:00:47,160
|
| 68 |
+
kick out of it so you murdered your wife
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:47,160 --> 00:00:48,020
|
| 73 |
+
kick out of it so you murdered your wife
|
| 74 |
+
but teri
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:48,020 --> 00:00:48,030
|
| 78 |
+
but teri
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:48,030 --> 00:00:49,850
|
| 83 |
+
but teri
|
| 84 |
+
alright killed her but you can't call it
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:49,850 --> 00:00:49,860
|
| 88 |
+
alright killed her but you can't call it
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:49,860 --> 00:00:52,729
|
| 93 |
+
alright killed her but you can't call it
|
| 94 |
+
murder Wayne told her about Eileen and
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:52,729 --> 00:00:52,739
|
| 98 |
+
murder Wayne told her about Eileen and
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:52,739 --> 00:00:55,670
|
| 103 |
+
murder Wayne told her about Eileen and
|
| 104 |
+
me she started screaming she was gonna
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:55,670 --> 00:00:55,680
|
| 108 |
+
me she started screaming she was gonna
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:55,680 --> 00:00:58,369
|
| 113 |
+
me she started screaming she was gonna
|
| 114 |
+
tell the cops she knew I was carrying
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:58,369 --> 00:00:58,379
|
| 118 |
+
tell the cops she knew I was carrying
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:58,379 --> 00:01:00,110
|
| 123 |
+
tell the cops she knew I was carrying
|
| 124 |
+
money for Augustine she's gonna turn me
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:00,110 --> 00:01:00,120
|
| 128 |
+
money for Augustine she's gonna turn me
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:00,120 --> 00:01:00,530
|
| 133 |
+
money for Augustine she's gonna turn me
|
| 134 |
+
in
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:00,530 --> 00:01:00,540
|
| 138 |
+
in
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:00,540 --> 00:01:04,340
|
| 143 |
+
in
|
| 144 |
+
I hit her I didn't try to kill her I hit
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:04,340 --> 00:01:04,350
|
| 148 |
+
I hit her I didn't try to kill her I hit
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:04,350 --> 00:01:05,930
|
| 153 |
+
I hit her I didn't try to kill her I hit
|
| 154 |
+
her I didn't mean it I saw the
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:05,930 --> 00:01:05,940
|
| 158 |
+
her I didn't mean it I saw the
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:05,940 --> 00:01:08,410
|
| 163 |
+
her I didn't mean it I saw the
|
| 164 |
+
photographs boy you bashed her face in
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:08,410 --> 00:01:08,420
|
| 168 |
+
photographs boy you bashed her face in
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:08,420 --> 00:01:12,990
|
| 173 |
+
photographs boy you bashed her face in
|
| 174 |
+
she didn't give me any choice
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:12,990 --> 00:01:13,000
|
| 178 |
+
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:13,000 --> 00:01:16,230
|
| 183 |
+
|
| 184 |
+
you didn't have much choice huh so you
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:16,230 --> 00:01:16,240
|
| 188 |
+
you didn't have much choice huh so you
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:16,240 --> 00:01:18,390
|
| 193 |
+
you didn't have much choice huh so you
|
| 194 |
+
used me well that's what friends are for
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:18,390 --> 00:01:18,400
|
| 198 |
+
used me well that's what friends are for
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:18,400 --> 00:01:21,740
|
| 203 |
+
used me well that's what friends are for
|
| 204 |
+
I was in a jam come on I have a drink I
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:21,740 --> 00:01:21,750
|
| 208 |
+
I was in a jam come on I have a drink I
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:21,750 --> 00:01:25,350
|
| 213 |
+
I was in a jam come on I have a drink I
|
| 214 |
+
had a dead wife $350,000 that doesn't
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:25,350 --> 00:01:25,360
|
| 218 |
+
had a dead wife $350,000 that doesn't
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:25,360 --> 00:01:26,700
|
| 223 |
+
had a dead wife $350,000 that doesn't
|
| 224 |
+
belong to me I had to get out it's as
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:26,700 --> 00:01:26,710
|
| 228 |
+
belong to me I had to get out it's as
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:26,710 --> 00:01:27,570
|
| 233 |
+
belong to me I had to get out it's as
|
| 234 |
+
simple as that
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:27,570 --> 00:01:27,580
|
| 238 |
+
simple as that
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:27,580 --> 00:01:31,770
|
| 243 |
+
simple as that
|
| 244 |
+
simple as that goddamn simple cops had
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:31,770 --> 00:01:31,780
|
| 248 |
+
simple as that goddamn simple cops had
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:31,780 --> 00:01:32,730
|
| 253 |
+
simple as that goddamn simple cops had
|
| 254 |
+
me legally dead
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:32,730 --> 00:01:32,740
|
| 258 |
+
me legally dead
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:32,740 --> 00:01:34,590
|
| 263 |
+
me legally dead
|
| 264 |
+
Augustine's got his money he's not
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:34,590 --> 00:01:34,600
|
| 268 |
+
Augustine's got his money he's not
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:34,600 --> 00:01:36,810
|
| 273 |
+
Augustine's got his money he's not
|
| 274 |
+
looking for me anymore I got a girl that
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:36,810 --> 00:01:36,820
|
| 278 |
+
looking for me anymore I got a girl that
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:36,820 --> 00:01:38,969
|
| 283 |
+
looking for me anymore I got a girl that
|
| 284 |
+
loves me he got more money than Sylvie
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:38,969 --> 00:01:38,979
|
| 288 |
+
loves me he got more money than Sylvie
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:38,979 --> 00:01:41,430
|
| 293 |
+
loves me he got more money than Sylvie
|
| 294 |
+
and Augustine put together the hell
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:41,430 --> 00:01:41,440
|
| 298 |
+
and Augustine put together the hell
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:41,440 --> 00:01:43,969
|
| 303 |
+
and Augustine put together the hell
|
| 304 |
+
nobody cares yeah
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:43,969 --> 00:01:43,979
|
| 308 |
+
nobody cares yeah
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:43,979 --> 00:01:47,100
|
| 313 |
+
nobody cares yeah
|
| 314 |
+
nobody cares with me well that's you
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:47,100 --> 00:01:47,110
|
| 318 |
+
nobody cares with me well that's you
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:47,110 --> 00:01:49,499
|
| 323 |
+
nobody cares with me well that's you
|
| 324 |
+
Marlo you'll never learn you're a born
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:49,499 --> 00:01:49,509
|
| 328 |
+
Marlo you'll never learn you're a born
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:49,509 --> 00:02:06,300
|
| 333 |
+
Marlo you'll never learn you're a born
|
| 334 |
+
loser yeah I even lost my cat
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:02:06,300 --> 00:02:06,310
|
| 338 |
+
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:02:06,310 --> 00:02:36,740
|
| 343 |
+
|
| 344 |
+
you
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:02:36,740 --> 00:02:36,750
|
| 348 |
+
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:02:36,750 --> 00:02:38,810
|
| 353 |
+
|
| 354 |
+
you
|
| 355 |
+
|
1973/rPh94cOW-MI.en.srt
ADDED
|
@@ -0,0 +1,245 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,030 --> 00:00:02,000
|
| 3 |
+
|
| 4 |
+
Templeton I'll make you solemn promise
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,000 --> 00:00:02,010
|
| 8 |
+
Templeton I'll make you solemn promise
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,010 --> 00:00:04,910
|
| 13 |
+
Templeton I'll make you solemn promise
|
| 14 |
+
get Charlotte's egg sack for me and from
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:04,910 --> 00:00:04,920
|
| 18 |
+
get Charlotte's egg sack for me and from
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:04,920 --> 00:00:07,160
|
| 23 |
+
get Charlotte's egg sack for me and from
|
| 24 |
+
now on I'll let you eat first when lurvy
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:07,160 --> 00:00:07,170
|
| 28 |
+
now on I'll let you eat first when lurvy
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:07,170 --> 00:00:09,740
|
| 33 |
+
now on I'll let you eat first when lurvy
|
| 34 |
+
slops me you mean math let's cross my
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:09,740 --> 00:00:09,750
|
| 38 |
+
slops me you mean math let's cross my
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:09,750 --> 00:00:10,070
|
| 43 |
+
slops me you mean math let's cross my
|
| 44 |
+
heart
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:10,070 --> 00:00:10,080
|
| 48 |
+
heart
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:10,080 --> 00:00:16,099
|
| 53 |
+
heart
|
| 54 |
+
it's a deal use extreme care I don't
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:16,099 --> 00:00:16,109
|
| 58 |
+
it's a deal use extreme care I don't
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:16,109 --> 00:00:18,490
|
| 63 |
+
it's a deal use extreme care I don't
|
| 64 |
+
want to single one of those eggs harmed
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:18,490 --> 00:00:18,500
|
| 68 |
+
want to single one of those eggs harmed
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:18,500 --> 00:00:19,860
|
| 73 |
+
want to single one of those eggs harmed
|
| 74 |
+
[Music]
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:19,860 --> 00:00:19,870
|
| 78 |
+
[Music]
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:19,870 --> 00:00:24,279
|
| 83 |
+
[Music]
|
| 84 |
+
[Applause]
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:24,279 --> 00:00:24,289
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:24,289 --> 00:00:27,920
|
| 93 |
+
|
| 94 |
+
this this stuff six in my mouth it's
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:27,920 --> 00:00:27,930
|
| 98 |
+
this this stuff six in my mouth it's
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:27,930 --> 00:00:36,350
|
| 103 |
+
this this stuff six in my mouth it's
|
| 104 |
+
worse and caramel candy Charlotte your
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:36,350 --> 00:00:36,360
|
| 108 |
+
worse and caramel candy Charlotte your
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:36,360 --> 00:00:38,860
|
| 113 |
+
worse and caramel candy Charlotte your
|
| 114 |
+
children is safe
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:38,860 --> 00:00:38,870
|
| 118 |
+
children is safe
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:38,870 --> 00:00:41,540
|
| 123 |
+
children is safe
|
| 124 |
+
Charlotte I'm thinking of your life
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:41,540 --> 00:00:41,550
|
| 128 |
+
Charlotte I'm thinking of your life
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:41,550 --> 00:00:45,650
|
| 133 |
+
Charlotte I'm thinking of your life
|
| 134 |
+
Wilbur nothing can harm you now the
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:45,650 --> 00:00:45,660
|
| 138 |
+
Wilbur nothing can harm you now the
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:45,660 --> 00:00:50,750
|
| 143 |
+
Wilbur nothing can harm you now the
|
| 144 |
+
Arden day's grow short and cold it's
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:50,750 --> 00:00:50,760
|
| 148 |
+
Arden day's grow short and cold it's
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:50,760 --> 00:00:56,540
|
| 153 |
+
Arden day's grow short and cold it's
|
| 154 |
+
Christmas time again and snows her
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:56,540 --> 00:00:56,550
|
| 158 |
+
Christmas time again and snows her
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:56,550 --> 00:01:02,029
|
| 163 |
+
Christmas time again and snows her
|
| 164 |
+
winter slowly melt the day's grow short
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:02,029 --> 00:01:02,039
|
| 168 |
+
winter slowly melt the day's grow short
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:02,039 --> 00:01:12,590
|
| 173 |
+
winter slowly melt the day's grow short
|
| 174 |
+
and then he turns the season around
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:12,590 --> 00:01:12,600
|
| 178 |
+
and then he turns the season around
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:12,600 --> 00:01:17,880
|
| 183 |
+
and then he turns the season around
|
| 184 |
+
and so she changes her gal
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:17,880 --> 00:01:17,890
|
| 188 |
+
and so she changes her gal
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:17,890 --> 00:01:26,899
|
| 193 |
+
and so she changes her gal
|
| 194 |
+
mother and father time
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:26,899 --> 00:01:26,909
|
| 198 |
+
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:26,909 --> 00:01:33,889
|
| 203 |
+
|
| 204 |
+
how very special are we for just a
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:33,889 --> 00:01:33,899
|
| 208 |
+
how very special are we for just a
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:33,899 --> 00:01:46,990
|
| 213 |
+
how very special are we for just a
|
| 214 |
+
moment to be part of life eternal
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:46,990 --> 00:01:47,000
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:47,000 --> 00:01:51,100
|
| 223 |
+
|
| 224 |
+
[Music]
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:51,100 --> 00:01:51,110
|
| 228 |
+
[Music]
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:51,110 --> 00:01:55,700
|
| 233 |
+
[Music]
|
| 234 |
+
Charlotte Charlotte sure
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:55,700 --> 00:01:55,710
|
| 238 |
+
Charlotte Charlotte sure
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:55,710 --> 00:02:14,840
|
| 243 |
+
Charlotte Charlotte sure
|
| 244 |
+
[Music]
|
| 245 |
+
|
1973/rfix60WuBxs.en.srt
ADDED
|
@@ -0,0 +1,105 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:01,670
|
| 3 |
+
|
| 4 |
+
first of all i'm gonna take you along to
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:01,670 --> 00:00:01,680
|
| 8 |
+
first of all i'm gonna take you along to
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:01,680 --> 00:00:03,429
|
| 13 |
+
first of all i'm gonna take you along to
|
| 14 |
+
washington monument i'm gonna take your
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:03,429 --> 00:00:03,439
|
| 18 |
+
washington monument i'm gonna take your
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:03,439 --> 00:00:05,910
|
| 23 |
+
washington monument i'm gonna take your
|
| 24 |
+
picture and then excuse me sir oh of
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:05,910 --> 00:00:05,920
|
| 28 |
+
picture and then excuse me sir oh of
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:05,920 --> 00:00:09,589
|
| 33 |
+
picture and then excuse me sir oh of
|
| 34 |
+
course wait for me outside
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:09,589 --> 00:00:09,599
|
| 38 |
+
course wait for me outside
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:09,599 --> 00:00:11,509
|
| 43 |
+
course wait for me outside
|
| 44 |
+
mcleod wants to see you sir don't give
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:11,509 --> 00:00:11,519
|
| 48 |
+
mcleod wants to see you sir don't give
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:11,519 --> 00:00:13,669
|
| 53 |
+
mcleod wants to see you sir don't give
|
| 54 |
+
me any trouble please
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:13,669 --> 00:00:13,679
|
| 58 |
+
me any trouble please
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:13,679 --> 00:00:14,910
|
| 63 |
+
me any trouble please
|
| 64 |
+
no
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:14,910 --> 00:00:14,920
|
| 68 |
+
no
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:14,920 --> 00:00:17,910
|
| 73 |
+
no
|
| 74 |
+
trouble just let me get my bag i'll get
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:17,910 --> 00:00:17,920
|
| 78 |
+
trouble just let me get my bag i'll get
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:17,920 --> 00:00:28,210
|
| 83 |
+
trouble just let me get my bag i'll get
|
| 84 |
+
it for you sir which one
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:28,210 --> 00:00:28,220
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:28,220 --> 00:00:57,830
|
| 93 |
+
|
| 94 |
+
[Music]
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:57,830 --> 00:00:57,840
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:57,840 --> 00:00:59,920
|
| 103 |
+
|
| 104 |
+
you
|
| 105 |
+
|
1973/sEWuVNk2TKA.en.srt
ADDED
|
@@ -0,0 +1,295 @@
|
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|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:13,519 --> 00:00:16,870
|
| 3 |
+
|
| 4 |
+
Walder hello Harry what are you doing
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:16,870 --> 00:00:16,880
|
| 8 |
+
Walder hello Harry what are you doing
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:16,880 --> 00:00:19,710
|
| 13 |
+
Walder hello Harry what are you doing
|
| 14 |
+
here happen to a nicer
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:19,710 --> 00:00:19,720
|
| 18 |
+
here happen to a nicer
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:19,720 --> 00:00:22,269
|
| 23 |
+
here happen to a nicer
|
| 24 |
+
bunch Weinstein is Attorney James
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:22,269 --> 00:00:22,279
|
| 28 |
+
bunch Weinstein is Attorney James
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:22,279 --> 00:00:23,630
|
| 33 |
+
bunch Weinstein is Attorney James
|
| 34 |
+
Cantina the
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:23,630 --> 00:00:23,640
|
| 38 |
+
Cantina the
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:23,640 --> 00:00:25,589
|
| 43 |
+
Cantina the
|
| 44 |
+
driver about The Bodyguard we're
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:25,589 --> 00:00:25,599
|
| 48 |
+
driver about The Bodyguard we're
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:25,599 --> 00:00:27,109
|
| 53 |
+
driver about The Bodyguard we're
|
| 54 |
+
checking that out now
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:27,109 --> 00:00:27,119
|
| 58 |
+
checking that out now
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:27,119 --> 00:00:29,349
|
| 63 |
+
checking that out now
|
| 64 |
+
Lieutenant looks like somebody saved the
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:29,349 --> 00:00:29,359
|
| 68 |
+
Lieutenant looks like somebody saved the
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:29,359 --> 00:00:32,950
|
| 73 |
+
Lieutenant looks like somebody saved the
|
| 74 |
+
taxpayers a lot of money doesn't it Caan
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:32,950 --> 00:00:32,960
|
| 78 |
+
taxpayers a lot of money doesn't it Caan
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:32,960 --> 00:00:34,990
|
| 83 |
+
taxpayers a lot of money doesn't it Caan
|
| 84 |
+
what are you doing here you're un loone
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:34,990 --> 00:00:35,000
|
| 88 |
+
what are you doing here you're un loone
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:35,000 --> 00:00:38,310
|
| 93 |
+
what are you doing here you're un loone
|
| 94 |
+
to S oh we had nothing hot on besides we
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:38,310 --> 00:00:38,320
|
| 98 |
+
to S oh we had nothing hot on besides we
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:38,320 --> 00:00:40,590
|
| 103 |
+
to S oh we had nothing hot on besides we
|
| 104 |
+
were close close Callahan you get your
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:40,590 --> 00:00:40,600
|
| 108 |
+
were close close Callahan you get your
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:40,600 --> 00:00:42,430
|
| 113 |
+
were close close Callahan you get your
|
| 114 |
+
lion ass in gear and get the hell back
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:42,430 --> 00:00:42,440
|
| 118 |
+
lion ass in gear and get the hell back
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:42,440 --> 00:00:44,470
|
| 123 |
+
lion ass in gear and get the hell back
|
| 124 |
+
to that steak out Squad anything else
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:44,470 --> 00:00:44,480
|
| 128 |
+
to that steak out Squad anything else
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:44,480 --> 00:00:49,869
|
| 133 |
+
to that steak out Squad anything else
|
| 134 |
+
you call it
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:49,869 --> 00:00:49,879
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:49,879 --> 00:00:52,590
|
| 143 |
+
|
| 144 |
+
in who do you think did this Briggs
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:52,590 --> 00:00:52,600
|
| 148 |
+
in who do you think did this Briggs
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:52,600 --> 00:00:54,990
|
| 153 |
+
in who do you think did this Briggs
|
| 154 |
+
you're un loan to stake Callahan that's
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:54,990 --> 00:00:55,000
|
| 158 |
+
you're un loan to stake Callahan that's
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:55,000 --> 00:00:58,150
|
| 163 |
+
you're un loan to stake Callahan that's
|
| 164 |
+
right Lieutenant you s of that I've got
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:58,150 --> 00:00:58,160
|
| 168 |
+
right Lieutenant you s of that I've got
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:58,160 --> 00:01:01,270
|
| 173 |
+
right Lieutenant you s of that I've got
|
| 174 |
+
nothing personal against you Callahan
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:01,270 --> 00:01:01,280
|
| 178 |
+
nothing personal against you Callahan
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:01,280 --> 00:01:02,910
|
| 183 |
+
nothing personal against you Callahan
|
| 184 |
+
but we can't have the public crying
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:02,910 --> 00:01:02,920
|
| 188 |
+
but we can't have the public crying
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:02,920 --> 00:01:04,869
|
| 193 |
+
but we can't have the public crying
|
| 194 |
+
police brutality every time you go out
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:04,869 --> 00:01:04,879
|
| 198 |
+
police brutality every time you go out
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:04,879 --> 00:01:06,870
|
| 203 |
+
police brutality every time you go out
|
| 204 |
+
in the street well you just might need
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:06,870 --> 00:01:06,880
|
| 208 |
+
in the street well you just might need
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:06,880 --> 00:01:09,429
|
| 213 |
+
in the street well you just might need
|
| 214 |
+
me on a job like this whoever did this
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:09,429 --> 00:01:09,439
|
| 218 |
+
me on a job like this whoever did this
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:09,439 --> 00:01:11,670
|
| 223 |
+
me on a job like this whoever did this
|
| 224 |
+
was very good at it you'd sure be the
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:11,670 --> 00:01:11,680
|
| 228 |
+
was very good at it you'd sure be the
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:11,680 --> 00:01:13,630
|
| 233 |
+
was very good at it you'd sure be the
|
| 234 |
+
one to know Harry well I just worked for
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:13,630 --> 00:01:13,640
|
| 238 |
+
one to know Harry well I just worked for
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:13,640 --> 00:01:18,950
|
| 243 |
+
one to know Harry well I just worked for
|
| 244 |
+
the city Briggs so do I longer than you
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:18,950 --> 00:01:18,960
|
| 248 |
+
the city Briggs so do I longer than you
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:18,960 --> 00:01:20,590
|
| 253 |
+
the city Briggs so do I longer than you
|
| 254 |
+
and I never had to take my gun out of
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:20,590 --> 00:01:20,600
|
| 258 |
+
and I never had to take my gun out of
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:20,600 --> 00:01:23,590
|
| 263 |
+
and I never had to take my gun out of
|
| 264 |
+
its holster once I'm proud of
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:23,590 --> 00:01:23,600
|
| 268 |
+
its holster once I'm proud of
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:23,600 --> 00:01:26,149
|
| 273 |
+
its holster once I'm proud of
|
| 274 |
+
that but you're a good man
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:26,149 --> 00:01:26,159
|
| 278 |
+
that but you're a good man
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:26,159 --> 00:01:28,469
|
| 283 |
+
that but you're a good man
|
| 284 |
+
Lieutenant good man always knows his
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:28,469 --> 00:01:28,479
|
| 288 |
+
Lieutenant good man always knows his
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:28,479 --> 00:01:31,479
|
| 293 |
+
Lieutenant good man always knows his
|
| 294 |
+
limitations
|
| 295 |
+
|
1973/sOLnb7BrMC8.en.srt
ADDED
|
@@ -0,0 +1,16 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:01:15,625 --> 00:01:17,701
|
| 3 |
+
Help me.
|
| 4 |
+
|
| 5 |
+
2
|
| 6 |
+
00:01:18,503 --> 00:01:20,625
|
| 7 |
+
Help me!
|
| 8 |
+
|
| 9 |
+
3
|
| 10 |
+
00:02:11,708 --> 00:02:13,784
|
| 11 |
+
Who are you?
|
| 12 |
+
|
| 13 |
+
4
|
| 14 |
+
00:02:26,885 --> 00:02:28,843
|
| 15 |
+
Who are you?
|
| 16 |
+
|
1973/sZazSFEHfg8.en.srt
ADDED
|
@@ -0,0 +1,112 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:01,440
|
| 3 |
+
(doorbell ringing)
|
| 4 |
+
|
| 5 |
+
2
|
| 6 |
+
00:00:02,940 --> 00:00:04,040
|
| 7 |
+
(door opening) Dr Klien?
|
| 8 |
+
|
| 9 |
+
3
|
| 10 |
+
00:00:04,040 --> 00:00:06,040
|
| 11 |
+
Yes, I'm Dr. Klien and this is Dr. (intelligible)
|
| 12 |
+
|
| 13 |
+
4
|
| 14 |
+
00:00:06,560 --> 00:00:08,280
|
| 15 |
+
*door closed* Things have gotten worse since we've found you (intelligible)
|
| 16 |
+
|
| 17 |
+
5
|
| 18 |
+
00:00:08,280 --> 00:00:09,060
|
| 19 |
+
She's upstairs *cries in background*
|
| 20 |
+
|
| 21 |
+
6
|
| 22 |
+
00:00:09,060 --> 00:00:10,060
|
| 23 |
+
Is she having spasms again?
|
| 24 |
+
|
| 25 |
+
7
|
| 26 |
+
00:00:10,460 --> 00:00:12,060
|
| 27 |
+
Yeah, but they have gotten violent
|
| 28 |
+
|
| 29 |
+
8
|
| 30 |
+
00:00:12,060 --> 00:00:13,660
|
| 31 |
+
Did you give her the medication I gave you?
|
| 32 |
+
|
| 33 |
+
9
|
| 34 |
+
00:00:13,660 --> 00:00:14,400
|
| 35 |
+
Yes
|
| 36 |
+
|
| 37 |
+
10
|
| 38 |
+
00:00:15,020 --> 00:00:17,300
|
| 39 |
+
*Intelligible* that was Ritalin
|
| 40 |
+
|
| 41 |
+
11
|
| 42 |
+
00:00:17,660 --> 00:00:19,660
|
| 43 |
+
hhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh! *Kid is shouting with pain*
|
| 44 |
+
|
| 45 |
+
12
|
| 46 |
+
00:00:19,660 --> 00:00:21,660
|
| 47 |
+
*Kid is shouting with pain*
|
| 48 |
+
|
| 49 |
+
13
|
| 50 |
+
00:00:21,660 --> 00:00:23,660
|
| 51 |
+
*Childs name* its the doctors
|
| 52 |
+
|
| 53 |
+
14
|
| 54 |
+
00:00:23,660 --> 00:00:25,660
|
| 55 |
+
oh mother please
|
| 56 |
+
|
| 57 |
+
15
|
| 58 |
+
00:00:25,660 --> 00:00:27,660
|
| 59 |
+
please mother make it stop!
|
| 60 |
+
|
| 61 |
+
16
|
| 62 |
+
00:00:27,660 --> 00:00:29,660
|
| 63 |
+
it's burning!
|
| 64 |
+
|
| 65 |
+
17
|
| 66 |
+
00:00:29,660 --> 00:00:31,660
|
| 67 |
+
Do something doctor, please help her.
|
| 68 |
+
|
| 69 |
+
18
|
| 70 |
+
00:00:32,960 --> 00:00:34,400
|
| 71 |
+
*Girl screaming* please mother!
|
| 72 |
+
|
| 73 |
+
19
|
| 74 |
+
00:00:35,520 --> 00:00:37,060
|
| 75 |
+
Make it stop its *jumbled*
|
| 76 |
+
|
| 77 |
+
20
|
| 78 |
+
00:00:37,060 --> 00:00:40,920
|
| 79 |
+
*continued disjointed speech*
|
| 80 |
+
|
| 81 |
+
21
|
| 82 |
+
00:00:40,920 --> 00:00:42,920
|
| 83 |
+
*Hoarse groan*
|
| 84 |
+
|
| 85 |
+
22
|
| 86 |
+
00:00:42,920 --> 00:00:44,920
|
| 87 |
+
*low gurgling*
|
| 88 |
+
|
| 89 |
+
23
|
| 90 |
+
00:00:45,460 --> 00:00:46,920
|
| 91 |
+
Alright let us see what.. *hit*
|
| 92 |
+
|
| 93 |
+
24
|
| 94 |
+
00:00:48,260 --> 00:00:49,140
|
| 95 |
+
Demon: Keep away
|
| 96 |
+
|
| 97 |
+
25
|
| 98 |
+
00:00:49,140 --> 00:00:51,140
|
| 99 |
+
This (house?) is mine
|
| 100 |
+
|
| 101 |
+
26
|
| 102 |
+
00:00:51,880 --> 00:00:55,180
|
| 103 |
+
Fuck me! Fuck me! Fuck me!
|
| 104 |
+
|
| 105 |
+
27
|
| 106 |
+
00:00:56,420 --> 00:01:04,360
|
| 107 |
+
*Girl scream*
|
| 108 |
+
|
| 109 |
+
28
|
| 110 |
+
00:01:05,440 --> 00:01:06,520
|
| 111 |
+
Stay away from me
|
| 112 |
+
|
1973/tTrgUKsKetY.en.srt
ADDED
|
@@ -0,0 +1,275 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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| 1 |
+
1
|
| 2 |
+
00:00:05,270 --> 00:00:08,330
|
| 3 |
+
|
| 4 |
+
Amen oh wait a minute wait a minute man
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:08,330 --> 00:00:08,340
|
| 8 |
+
Amen oh wait a minute wait a minute man
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:08,340 --> 00:00:09,830
|
| 13 |
+
Amen oh wait a minute wait a minute man
|
| 14 |
+
have some you do think telling me now
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:09,830 --> 00:00:09,840
|
| 18 |
+
have some you do think telling me now
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:09,840 --> 00:00:13,700
|
| 23 |
+
have some you do think telling me now
|
| 24 |
+
out King hey no man no I'm not getting
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:13,700 --> 00:00:13,710
|
| 28 |
+
out King hey no man no I'm not getting
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:13,710 --> 00:00:15,230
|
| 33 |
+
out King hey no man no I'm not getting
|
| 34 |
+
out of this car now will somebody please
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:15,230 --> 00:00:15,240
|
| 38 |
+
out of this car now will somebody please
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:15,240 --> 00:00:16,730
|
| 43 |
+
out of this car now will somebody please
|
| 44 |
+
talk to me for Christ's sake
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:16,730 --> 00:00:16,740
|
| 48 |
+
talk to me for Christ's sake
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:16,740 --> 00:00:18,560
|
| 53 |
+
talk to me for Christ's sake
|
| 54 |
+
let me wait a min somebody please tell
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:18,560 --> 00:00:18,570
|
| 58 |
+
let me wait a min somebody please tell
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:18,570 --> 00:00:23,900
|
| 63 |
+
let me wait a min somebody please tell
|
| 64 |
+
me man what about dog ha ha
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:23,900 --> 00:00:23,910
|
| 68 |
+
me man what about dog ha ha
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:23,910 --> 00:00:27,140
|
| 73 |
+
me man what about dog ha ha
|
| 74 |
+
this beautiful suit King you remember I
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:27,140 --> 00:00:27,150
|
| 78 |
+
this beautiful suit King you remember I
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:27,150 --> 00:00:28,400
|
| 83 |
+
this beautiful suit King you remember I
|
| 84 |
+
had surprise for you huh
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:28,400 --> 00:00:28,410
|
| 88 |
+
had surprise for you huh
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:28,410 --> 00:00:33,530
|
| 93 |
+
had surprise for you huh
|
| 94 |
+
new necktie special woven 14 nubile
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:33,530 --> 00:00:33,540
|
| 98 |
+
new necktie special woven 14 nubile
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:33,540 --> 00:00:36,799
|
| 103 |
+
new necktie special woven 14 nubile
|
| 104 |
+
maidens come on cut out the joking now
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:36,799 --> 00:00:36,809
|
| 108 |
+
maidens come on cut out the joking now
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:36,809 --> 00:00:37,549
|
| 113 |
+
maidens come on cut out the joking now
|
| 114 |
+
come on
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:37,549 --> 00:00:37,559
|
| 118 |
+
come on
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:37,559 --> 00:00:40,310
|
| 123 |
+
come on
|
| 124 |
+
ha ha I can take a joke as good as
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:40,310 --> 00:00:40,320
|
| 128 |
+
ha ha I can take a joke as good as
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:40,320 --> 00:00:41,900
|
| 133 |
+
ha ha I can take a joke as good as
|
| 134 |
+
anybody man but this is going too damn
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:41,900 --> 00:00:41,910
|
| 138 |
+
anybody man but this is going too damn
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:41,910 --> 00:00:44,420
|
| 143 |
+
anybody man but this is going too damn
|
| 144 |
+
far hey man tell me what did I do
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:44,420 --> 00:00:44,430
|
| 148 |
+
far hey man tell me what did I do
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:44,430 --> 00:00:46,729
|
| 153 |
+
far hey man tell me what did I do
|
| 154 |
+
then what did I do and I don't even know
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:46,729 --> 00:00:46,739
|
| 158 |
+
then what did I do and I don't even know
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:46,739 --> 00:00:50,290
|
| 163 |
+
then what did I do and I don't even know
|
| 164 |
+
what I did come on it hey stud stud
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:50,290 --> 00:00:50,300
|
| 168 |
+
what I did come on it hey stud stud
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:50,300 --> 00:00:53,060
|
| 173 |
+
what I did come on it hey stud stud
|
| 174 |
+
stuff don't just sit there do something
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:53,060 --> 00:00:53,070
|
| 178 |
+
stuff don't just sit there do something
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:53,070 --> 00:01:02,270
|
| 183 |
+
stuff don't just sit there do something
|
| 184 |
+
stop this is the way we live Snickers do
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:02,270 --> 00:01:02,280
|
| 188 |
+
stop this is the way we live Snickers do
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:02,280 --> 00:01:04,600
|
| 193 |
+
stop this is the way we live Snickers do
|
| 194 |
+
anything you want
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:04,600 --> 00:01:04,610
|
| 198 |
+
anything you want
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:04,610 --> 00:01:08,120
|
| 203 |
+
anything you want
|
| 204 |
+
look at me don't god please
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:08,120 --> 00:01:08,130
|
| 208 |
+
look at me don't god please
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:08,130 --> 00:02:16,420
|
| 213 |
+
look at me don't god please
|
| 214 |
+
hey stop the gun away I don't listen Oh
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:02:16,420 --> 00:02:16,430
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:02:16,430 --> 00:02:18,680
|
| 223 |
+
|
| 224 |
+
you know studies that could be you if
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:02:18,680 --> 00:02:18,690
|
| 228 |
+
you know studies that could be you if
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:02:18,690 --> 00:02:23,810
|
| 233 |
+
you know studies that could be you if
|
| 234 |
+
you like to talk I know I know my mama
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:02:23,810 --> 00:02:23,820
|
| 238 |
+
you like to talk I know I know my mama
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:02:23,820 --> 00:02:27,890
|
| 243 |
+
you like to talk I know I know my mama
|
| 244 |
+
didn't raise no fool stats you good boy
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:27,890 --> 00:02:27,900
|
| 248 |
+
didn't raise no fool stats you good boy
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:27,900 --> 00:02:30,980
|
| 253 |
+
didn't raise no fool stats you good boy
|
| 254 |
+
you're going to need a job soon you come
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:30,980 --> 00:02:30,990
|
| 258 |
+
you're going to need a job soon you come
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:02:30,990 --> 00:02:47,050
|
| 263 |
+
you're going to need a job soon you come
|
| 264 |
+
to us you find out we're not bad people
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:02:47,050 --> 00:02:47,060
|
| 268 |
+
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:02:47,060 --> 00:02:49,120
|
| 273 |
+
|
| 274 |
+
you
|
| 275 |
+
|
1973/tdCot34--pc.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
The Sting movie clips: http://j.mp/1uyCz3s
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/vNUDcm
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
The feds make a deal with Johnny (Robert Redford) to bring in Henry Gondorff.
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Four years after setting box offices ablaze in Butch Cassidy and the Sundance Kid, Paul Newman, Robert Redford, and director George Roy Hill re-teamed with similar success for The Sting. Redford plays Depression-era confidence trickster Johnny Hooker, whose friend and mentor Luther Coleman (Robert Earl Jones) is murdered by racketeer/gambler Doyle Lonnegan (Robert Shaw). Hoping to avenge Luther's death, Johnny begins planning a "sting" -- an elaborate scam -- to destroy Lonnegan. He enlists the aid of "the greatest con artist of them all," Henry Gondorff (Paul Newman), who pulls himself out of a drunken stupor and rises to the occasion. Hooker and Gondorff gather together an impressive array of con men, all of whom despise Lonnegan and wish to settle accounts on behalf of Luther. The twists and surprises that follow are too complex to relate in detail -- suffice to say that you can't cheat an honest man, and that you shouldn't accept everything at face value. The Sting became one of the biggest hits of the early '70s; grossing 68.5 million dollars during its first run, the film also picked up seven Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Adapted Score for Marvin Hamlisch's unforgettable setting of Scott Joplin's ragtime music.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1973)
|
| 13 |
+
Cast: Charles Durning, Dana Elcar, Robert Redford
|
| 14 |
+
Director: George Roy Hill
|
| 15 |
+
Producers: Tony Bill, Robert Crawford Jr., Richard D. Zanuck, David Brown, Julia Phillips, Michael Phillips
|
| 16 |
+
Screenwriter: David S. Ward
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1973/tdCot34--pc.en.srt
ADDED
|
@@ -0,0 +1,475 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,179 --> 00:00:07,550
|
| 3 |
+
|
| 4 |
+
Special Agent Polk FBI have a chair you
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:07,550 --> 00:00:07,560
|
| 8 |
+
Special Agent Polk FBI have a chair you
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:07,560 --> 00:00:08,360
|
| 13 |
+
Special Agent Polk FBI have a chair you
|
| 14 |
+
want a drink or something
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:08,360 --> 00:00:08,370
|
| 18 |
+
want a drink or something
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:08,370 --> 00:00:12,320
|
| 23 |
+
want a drink or something
|
| 24 |
+
no we want to talk to you about Henry
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:12,320 --> 00:00:12,330
|
| 28 |
+
no we want to talk to you about Henry
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:12,330 --> 00:00:16,300
|
| 33 |
+
no we want to talk to you about Henry
|
| 34 |
+
gun law yeah I don't think I know
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:16,300 --> 00:00:16,310
|
| 38 |
+
gun law yeah I don't think I know
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:16,310 --> 00:00:18,529
|
| 43 |
+
gun law yeah I don't think I know
|
| 44 |
+
well give yourself a couple of seconds
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:18,529 --> 00:00:18,539
|
| 48 |
+
well give yourself a couple of seconds
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:18,539 --> 00:00:20,170
|
| 53 |
+
well give yourself a couple of seconds
|
| 54 |
+
you wouldn't want to lie to me
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:20,170 --> 00:00:20,180
|
| 58 |
+
you wouldn't want to lie to me
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:20,180 --> 00:00:22,429
|
| 63 |
+
you wouldn't want to lie to me
|
| 64 |
+
lieutenant Snyder here says you've done
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:22,429 --> 00:00:22,439
|
| 68 |
+
lieutenant Snyder here says you've done
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:22,439 --> 00:00:24,080
|
| 73 |
+
lieutenant Snyder here says you've done
|
| 74 |
+
a lot of confidence work in his town
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:24,080 --> 00:00:24,090
|
| 78 |
+
a lot of confidence work in his town
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:24,090 --> 00:00:27,189
|
| 83 |
+
a lot of confidence work in his town
|
| 84 |
+
oh yeah lieutenant Snyder does know
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:27,189 --> 00:00:27,199
|
| 88 |
+
oh yeah lieutenant Snyder does know
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:27,199 --> 00:00:31,179
|
| 93 |
+
oh yeah lieutenant Snyder does know
|
| 94 |
+
you ain't got nothing on me yeah
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:31,179 --> 00:00:31,189
|
| 98 |
+
you ain't got nothing on me yeah
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:31,189 --> 00:00:36,670
|
| 103 |
+
you ain't got nothing on me yeah
|
| 104 |
+
how about counterfeiting
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:36,670 --> 00:00:36,680
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:36,680 --> 00:00:38,470
|
| 113 |
+
|
| 114 |
+
we've got a tip that Gondorff is gonna
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:38,470 --> 00:00:38,480
|
| 118 |
+
we've got a tip that Gondorff is gonna
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:38,480 --> 00:00:41,620
|
| 123 |
+
we've got a tip that Gondorff is gonna
|
| 124 |
+
run a con on the south side here all
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:41,620 --> 00:00:41,630
|
| 128 |
+
run a con on the south side here all
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:41,630 --> 00:00:43,210
|
| 133 |
+
run a con on the south side here all
|
| 134 |
+
you've got to do is tell us when he's
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:43,210 --> 00:00:43,220
|
| 138 |
+
you've got to do is tell us when he's
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:43,220 --> 00:00:45,520
|
| 143 |
+
you've got to do is tell us when he's
|
| 144 |
+
gonna play his trump we come in at the
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:45,520 --> 00:00:45,530
|
| 148 |
+
gonna play his trump we come in at the
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:45,530 --> 00:00:48,370
|
| 153 |
+
gonna play his trump we come in at the
|
| 154 |
+
sting make the pension you walk out
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:48,370 --> 00:00:48,380
|
| 158 |
+
sting make the pension you walk out
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:48,380 --> 00:00:53,090
|
| 163 |
+
sting make the pension you walk out
|
| 164 |
+
freezer burn know
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:53,090 --> 00:00:53,100
|
| 168 |
+
freezer burn know
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:53,100 --> 00:00:55,470
|
| 173 |
+
freezer burn know
|
| 174 |
+
you want to spend the next 20 years in a
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:55,470 --> 00:00:55,480
|
| 178 |
+
you want to spend the next 20 years in a
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:55,480 --> 00:00:58,369
|
| 183 |
+
you want to spend the next 20 years in a
|
| 184 |
+
federal penitentiary starting tonight
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:58,369 --> 00:00:58,379
|
| 188 |
+
federal penitentiary starting tonight
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:58,379 --> 00:01:03,180
|
| 193 |
+
federal penitentiary starting tonight
|
| 194 |
+
I'll make parole like hell you won't
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:03,180 --> 00:01:03,190
|
| 198 |
+
I'll make parole like hell you won't
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:03,190 --> 00:01:08,489
|
| 203 |
+
I'll make parole like hell you won't
|
| 204 |
+
even get a review I'll chance it
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:08,489 --> 00:01:08,499
|
| 208 |
+
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:08,499 --> 00:01:12,109
|
| 213 |
+
|
| 214 |
+
okay that's the way you want it
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:12,109 --> 00:01:12,119
|
| 218 |
+
okay that's the way you want it
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:12,119 --> 00:01:14,130
|
| 223 |
+
okay that's the way you want it
|
| 224 |
+
we might even provide you with a little
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:14,130 --> 00:01:14,140
|
| 228 |
+
we might even provide you with a little
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:14,140 --> 00:01:16,469
|
| 233 |
+
we might even provide you with a little
|
| 234 |
+
company on your way up the river that
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:16,469 --> 00:01:16,479
|
| 238 |
+
company on your way up the river that
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:16,479 --> 00:01:18,240
|
| 243 |
+
company on your way up the river that
|
| 244 |
+
wife of Luther Coleman Snyder what was
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:18,240 --> 00:01:18,250
|
| 248 |
+
wife of Luther Coleman Snyder what was
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:18,250 --> 00:01:19,099
|
| 253 |
+
wife of Luther Coleman Snyder what was
|
| 254 |
+
her name
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:19,099 --> 00:01:19,109
|
| 258 |
+
her name
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:19,109 --> 00:01:23,690
|
| 263 |
+
her name
|
| 264 |
+
Alva Alba I said Alva Coleman
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:23,690 --> 00:01:23,700
|
| 268 |
+
Alva Alba I said Alva Coleman
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:23,700 --> 00:01:27,510
|
| 273 |
+
Alva Alba I said Alva Coleman
|
| 274 |
+
pretty fair grifter in her time Snyder
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:27,510 --> 00:01:27,520
|
| 278 |
+
pretty fair grifter in her time Snyder
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:27,520 --> 00:01:29,870
|
| 283 |
+
pretty fair grifter in her time Snyder
|
| 284 |
+
has given us quite a fold around her
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:29,870 --> 00:01:29,880
|
| 288 |
+
has given us quite a fold around her
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:29,880 --> 00:01:33,690
|
| 293 |
+
has given us quite a fold around her
|
| 294 |
+
nothing major by itself but to put them
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:33,690 --> 00:01:33,700
|
| 298 |
+
nothing major by itself but to put them
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:33,700 --> 00:01:35,339
|
| 303 |
+
nothing major by itself but to put them
|
| 304 |
+
all together it could add up to a lot of
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:35,339 --> 00:01:35,349
|
| 308 |
+
all together it could add up to a lot of
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:35,349 --> 00:01:37,370
|
| 313 |
+
all together it could add up to a lot of
|
| 314 |
+
years
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:37,370 --> 00:01:37,380
|
| 318 |
+
years
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:37,380 --> 00:01:42,809
|
| 323 |
+
years
|
| 324 |
+
you stink mister I'll be a SAP it's not
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:42,809 --> 00:01:42,819
|
| 328 |
+
you stink mister I'll be a SAP it's not
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:42,819 --> 00:01:47,039
|
| 333 |
+
you stink mister I'll be a SAP it's not
|
| 334 |
+
her I want if you're too dumb to save
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:47,039 --> 00:01:47,049
|
| 338 |
+
her I want if you're too dumb to save
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:47,049 --> 00:01:48,539
|
| 343 |
+
her I want if you're too dumb to save
|
| 344 |
+
yourself there's no sense dragging her
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:48,539 --> 00:01:48,549
|
| 348 |
+
yourself there's no sense dragging her
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:48,549 --> 00:02:11,690
|
| 353 |
+
yourself there's no sense dragging her
|
| 354 |
+
down with you
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:02:11,690 --> 00:02:11,700
|
| 358 |
+
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:02:11,700 --> 00:02:15,180
|
| 363 |
+
|
| 364 |
+
it's over hooker
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:02:15,180 --> 00:02:15,190
|
| 368 |
+
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:02:15,190 --> 00:02:18,780
|
| 373 |
+
|
| 374 |
+
you can save me a lot of trouble but I'm
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:02:18,780 --> 00:02:18,790
|
| 378 |
+
you can save me a lot of trouble but I'm
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:02:18,790 --> 00:02:20,190
|
| 383 |
+
you can save me a lot of trouble but I'm
|
| 384 |
+
gonna get Henry Gondorff whether you
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:02:20,190 --> 00:02:20,200
|
| 388 |
+
gonna get Henry Gondorff whether you
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:02:20,200 --> 00:02:37,460
|
| 393 |
+
gonna get Henry Gondorff whether you
|
| 394 |
+
help me out or not
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:37,460 --> 00:02:37,470
|
| 398 |
+
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:37,470 --> 00:02:39,500
|
| 403 |
+
|
| 404 |
+
we wait till the chump is played hell
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:02:39,500 --> 00:02:39,510
|
| 408 |
+
we wait till the chump is played hell
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:02:39,510 --> 00:02:42,290
|
| 413 |
+
we wait till the chump is played hell
|
| 414 |
+
yes we don't care about the mark he
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:42,290 --> 00:02:42,300
|
| 418 |
+
yes we don't care about the mark he
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:42,300 --> 00:02:43,790
|
| 423 |
+
yes we don't care about the mark he
|
| 424 |
+
deserves what he gets I mean completely
|
| 425 |
+
|
| 426 |
+
86
|
| 427 |
+
00:02:43,790 --> 00:02:43,800
|
| 428 |
+
deserves what he gets I mean completely
|
| 429 |
+
|
| 430 |
+
|
| 431 |
+
87
|
| 432 |
+
00:02:43,800 --> 00:02:45,410
|
| 433 |
+
deserves what he gets I mean completely
|
| 434 |
+
played you come in before we beat him
|
| 435 |
+
|
| 436 |
+
88
|
| 437 |
+
00:02:45,410 --> 00:02:45,420
|
| 438 |
+
played you come in before we beat him
|
| 439 |
+
|
| 440 |
+
|
| 441 |
+
89
|
| 442 |
+
00:02:45,420 --> 00:02:50,840
|
| 443 |
+
played you come in before we beat him
|
| 444 |
+
and I'll kill all right okay but you try
|
| 445 |
+
|
| 446 |
+
90
|
| 447 |
+
00:02:50,840 --> 00:02:50,850
|
| 448 |
+
and I'll kill all right okay but you try
|
| 449 |
+
|
| 450 |
+
|
| 451 |
+
91
|
| 452 |
+
00:02:50,850 --> 00:02:53,270
|
| 453 |
+
and I'll kill all right okay but you try
|
| 454 |
+
to take it on the lam and we'll shoot
|
| 455 |
+
|
| 456 |
+
92
|
| 457 |
+
00:02:53,270 --> 00:02:53,280
|
| 458 |
+
to take it on the lam and we'll shoot
|
| 459 |
+
|
| 460 |
+
|
| 461 |
+
93
|
| 462 |
+
00:02:53,280 --> 00:02:58,560
|
| 463 |
+
to take it on the lam and we'll shoot
|
| 464 |
+
you down on sight
|
| 465 |
+
|
| 466 |
+
94
|
| 467 |
+
00:02:58,560 --> 00:02:58,570
|
| 468 |
+
|
| 469 |
+
|
| 470 |
+
|
| 471 |
+
95
|
| 472 |
+
00:02:58,570 --> 00:03:29,589
|
| 473 |
+
|
| 474 |
+
[Music]
|
| 475 |
+
|
1973/tlI--ATerwo.en.srt
ADDED
|
@@ -0,0 +1,335 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,020 --> 00:00:03,530
|
| 3 |
+
|
| 4 |
+
it's outside our life we
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,530 --> 00:00:03,540
|
| 8 |
+
it's outside our life we
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,540 --> 00:00:07,639
|
| 13 |
+
it's outside our life we
|
| 14 |
+
met we work together we got back together a
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,639 --> 00:00:07,649
|
| 18 |
+
met we work together we got back together a
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,649 --> 00:00:09,830
|
| 23 |
+
met we work together we got back together a
|
| 24 |
+
little we talked to me time
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:09,830 --> 00:00:09,840
|
| 28 |
+
little we talked to me time
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:09,840 --> 00:00:20,420
|
| 33 |
+
little we talked to me time
|
| 34 |
+
to take something that is in a
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:20,420 --> 00:00:20,430
|
| 38 |
+
to take something that is in a
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:20,430 --> 00:00:25,390
|
| 43 |
+
to take something that is in a
|
| 44 |
+
film was an obligation
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:25,390 --> 00:00:25,400
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:25,400 --> 00:00:27,860
|
| 53 |
+
|
| 54 |
+
she is better than the sweet one and the
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:27,860 --> 00:00:27,870
|
| 58 |
+
she is better than the sweet one and the
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:27,870 --> 00:00:29,930
|
| 63 |
+
she is better than the sweet one and the
|
| 64 |
+
superiors to the loose me I had ended up
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:29,930 --> 00:00:29,940
|
| 68 |
+
superiors to the loose me I had ended up
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:29,940 --> 00:00:36,680
|
| 73 |
+
superiors to the loose me I had ended up
|
| 74 |
+
baptizing the a12 and a half was
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:36,680 --> 00:00:36,690
|
| 78 |
+
baptizing the a12 and a half was
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:36,690 --> 00:00:42,920
|
| 83 |
+
baptizing the a12 and a half was
|
| 84 |
+
cut with france
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:42,920 --> 00:00:42,930
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:42,930 --> 00:00:44,750
|
| 93 |
+
|
| 94 |
+
you know he doesn't want to go out he is
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:44,750 --> 00:00:44,760
|
| 98 |
+
you know he doesn't want to go out he is
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:44,760 --> 00:00:46,370
|
| 103 |
+
you know he doesn't want to go out he is
|
| 104 |
+
locked in his room he doesn't want to
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:46,370 --> 00:00:46,380
|
| 108 |
+
locked in his room he doesn't want to
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:46,380 --> 00:00:46,820
|
| 113 |
+
locked in his room he doesn't want to
|
| 114 |
+
hear anything no not even
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:46,820 --> 00:00:46,830
|
| 118 |
+
hear anything no not even
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:46,830 --> 00:00:53,229
|
| 123 |
+
hear anything no not even
|
| 124 |
+
anyway severine and
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:53,229 --> 00:00:53,239
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:53,239 --> 00:00:55,070
|
| 133 |
+
|
| 134 |
+
people are going to spend ten thousand bucks
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:55,070 --> 00:00:55,080
|
| 138 |
+
people are going to spend ten thousand bucks
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:55,080 --> 00:00:57,770
|
| 143 |
+
people are going to spend ten thousand bucks
|
| 144 |
+
for carrier animals listen alphonse
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:57,770 --> 00:00:57,780
|
| 148 |
+
for carrier animals listen alphonse
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:57,780 --> 00:01:01,400
|
| 153 |
+
for carrier animals listen alphonse
|
| 154 |
+
well you are going to go back to your room you
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:01,400 --> 00:01:01,410
|
| 158 |
+
well you are going to go back to your room you
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:01,410 --> 00:01:03,080
|
| 163 |
+
well you are going to go back to your room you
|
| 164 |
+
are going to reread the script you are going to work
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:03,080 --> 00:01:03,090
|
| 168 |
+
are going to reread the script you are going to work
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:03,090 --> 00:01:04,460
|
| 173 |
+
are going to reread the script you are going to work
|
| 174 |
+
a little bit and you are going to try to sleep
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:04,460 --> 00:01:04,470
|
| 178 |
+
a little bit and you are going to try to sleep
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:04,470 --> 00:01:06,680
|
| 183 |
+
a little bit and you are going to try to sleep
|
| 184 |
+
tomorrow it's work and work
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:06,680 --> 00:01:06,690
|
| 188 |
+
tomorrow it's work and work
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:06,690 --> 00:01:09,320
|
| 193 |
+
tomorrow it's work and work
|
| 194 |
+
is more important don't do the
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:09,320 --> 00:01:09,330
|
| 198 |
+
is more important don't do the
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:09,330 --> 00:01:11,780
|
| 203 |
+
is more important don't do the
|
| 204 |
+
durations france you are a very good actor
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:11,780 --> 00:01:11,790
|
| 208 |
+
durations france you are a very good actor
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:11,790 --> 00:01:13,820
|
| 213 |
+
durations france you are a very good actor
|
| 214 |
+
the work is going well I know there is
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:13,820 --> 00:01:13,830
|
| 218 |
+
the work is going well I know there is
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:13,830 --> 00:01:15,260
|
| 223 |
+
the work is going well I know there is
|
| 224 |
+
private life but private life the boxes are
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:15,260 --> 00:01:15,270
|
| 228 |
+
private life but private life the boxes are
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:15,270 --> 00:01:16,940
|
| 233 |
+
private life but private life the boxes are
|
| 234 |
+
rising for everyone the films are
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:16,940 --> 00:01:16,950
|
| 238 |
+
rising for everyone the films are
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:16,950 --> 00:01:18,380
|
| 243 |
+
rising for everyone the films are
|
| 244 |
+
more harmonious of the vineyard alphonse
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:18,380 --> 00:01:18,390
|
| 248 |
+
more harmonious of the vineyard alphonse
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:18,390 --> 00:01:19,700
|
| 253 |
+
more harmonious of the vineyard alphonse
|
| 254 |
+
there is no traffic jam in the films
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:19,700 --> 00:01:19,710
|
| 258 |
+
there is no traffic jam in the films
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:19,710 --> 00:01:21,440
|
| 263 |
+
there is no traffic jam in the films
|
| 264 |
+
there is no downtime the films
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:21,440 --> 00:01:21,450
|
| 268 |
+
there is no downtime the films
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:21,450 --> 00:01:22,790
|
| 273 |
+
there is no downtime the films
|
| 274 |
+
move like trains you understand
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:22,790 --> 00:01:22,800
|
| 278 |
+
move like trains you understand
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:22,800 --> 00:01:24,560
|
| 283 |
+
move like trains you understand
|
| 284 |
+
like trains in the night people
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:24,560 --> 00:01:24,570
|
| 288 |
+
like trains in the night people
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:24,570 --> 00:01:25,969
|
| 293 |
+
like trains in the night people
|
| 294 |
+
like you like me you know it well
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:25,969 --> 00:01:25,979
|
| 298 |
+
like you like me you know it well
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:25,979 --> 00:01:27,290
|
| 303 |
+
like you like me you know it well
|
| 304 |
+
indeed to be happy in the
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:27,290 --> 00:01:27,300
|
| 308 |
+
indeed to be happy in the
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:27,300 --> 00:01:28,670
|
| 313 |
+
indeed to be happy in the
|
| 314 |
+
work in our work of cinema
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:28,670 --> 00:01:28,680
|
| 318 |
+
work in our work of cinema
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:28,680 --> 00:01:37,110
|
| 323 |
+
work in our work of cinema
|
| 324 |
+
greeted the bottom I count on you
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:37,110 --> 00:01:37,120
|
| 328 |
+
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:37,120 --> 00:02:04,209
|
| 333 |
+
|
| 334 |
+
[Music]
|
| 335 |
+
|
1973/u8TwN5M1fEY.en.srt
ADDED
|
@@ -0,0 +1,305 @@
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|
| 1 |
+
1
|
| 2 |
+
00:00:05,810 --> 00:00:09,009
|
| 3 |
+
|
| 4 |
+
just moved in we're from st. Petersburg
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:09,009 --> 00:00:09,019
|
| 8 |
+
just moved in we're from st. Petersburg
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:09,019 --> 00:00:12,820
|
| 13 |
+
just moved in we're from st. Petersburg
|
| 14 |
+
how do you I cannibal we just moved
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:12,820 --> 00:00:12,830
|
| 18 |
+
how do you I cannibal we just moved
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:12,830 --> 00:00:14,480
|
| 23 |
+
how do you I cannibal we just moved
|
| 24 |
+
what's your name
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:14,480 --> 00:00:14,490
|
| 28 |
+
what's your name
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:14,490 --> 00:00:19,340
|
| 33 |
+
what's your name
|
| 34 |
+
Oh max man q Sullivan at your service
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:19,340 --> 00:00:19,350
|
| 38 |
+
Oh max man q Sullivan at your service
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:19,350 --> 00:00:21,380
|
| 43 |
+
Oh max man q Sullivan at your service
|
| 44 |
+
ma'am but all my friends just call me
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:21,380 --> 00:00:21,390
|
| 48 |
+
ma'am but all my friends just call me
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:21,390 --> 00:00:24,230
|
| 53 |
+
ma'am but all my friends just call me
|
| 54 |
+
mr. bones I spent the best part of my
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:24,230 --> 00:00:24,240
|
| 58 |
+
mr. bones I spent the best part of my
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:24,240 --> 00:00:26,720
|
| 63 |
+
mr. bones I spent the best part of my
|
| 64 |
+
life in a minstrel show I'm a minstrel
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:26,720 --> 00:00:26,730
|
| 68 |
+
life in a minstrel show I'm a minstrel
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:26,730 --> 00:00:28,759
|
| 73 |
+
life in a minstrel show I'm a minstrel
|
| 74 |
+
man that's awfully young to be minster
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:28,759 --> 00:00:28,769
|
| 78 |
+
man that's awfully young to be minster
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:28,769 --> 00:00:31,849
|
| 83 |
+
man that's awfully young to be minster
|
| 84 |
+
man no not really my folks is minstrels
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:31,849 --> 00:00:31,859
|
| 88 |
+
man no not really my folks is minstrels
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:31,859 --> 00:00:35,709
|
| 93 |
+
man no not really my folks is minstrels
|
| 94 |
+
I just growed up in family tradition huh
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:35,709 --> 00:00:35,719
|
| 98 |
+
I just growed up in family tradition huh
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:35,719 --> 00:00:38,299
|
| 103 |
+
I just growed up in family tradition huh
|
| 104 |
+
Rebecca I've got a lot of unpacking to
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:38,299 --> 00:00:38,309
|
| 108 |
+
Rebecca I've got a lot of unpacking to
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:38,309 --> 00:00:40,220
|
| 113 |
+
Rebecca I've got a lot of unpacking to
|
| 114 |
+
do father I'd like you to meet mr.
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:40,220 --> 00:00:40,230
|
| 118 |
+
do father I'd like you to meet mr.
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:40,230 --> 00:00:42,860
|
| 123 |
+
do father I'd like you to meet mr.
|
| 124 |
+
Maximillion Q Sullivan he's a real nurse
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:42,860 --> 00:00:42,870
|
| 128 |
+
Maximillion Q Sullivan he's a real nurse
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:42,870 --> 00:00:44,900
|
| 133 |
+
Maximillion Q Sullivan he's a real nurse
|
| 134 |
+
or man but everybody just calls me mr.
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:44,900 --> 00:00:44,910
|
| 138 |
+
or man but everybody just calls me mr.
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:44,910 --> 00:00:46,880
|
| 143 |
+
or man but everybody just calls me mr.
|
| 144 |
+
bones well it's nice to meet you mr.
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:46,880 --> 00:00:46,890
|
| 148 |
+
bones well it's nice to meet you mr.
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:46,890 --> 00:00:49,279
|
| 153 |
+
bones well it's nice to meet you mr.
|
| 154 |
+
Sullivan always pleasant to be the
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:49,279 --> 00:00:49,289
|
| 158 |
+
Sullivan always pleasant to be the
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:49,289 --> 00:00:52,549
|
| 163 |
+
Sullivan always pleasant to be the
|
| 164 |
+
gentlemen of the theatre Oh any relation
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:52,549 --> 00:00:52,559
|
| 168 |
+
gentlemen of the theatre Oh any relation
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:52,559 --> 00:00:55,670
|
| 173 |
+
gentlemen of the theatre Oh any relation
|
| 174 |
+
to the moving company oh well
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:55,670 --> 00:00:55,680
|
| 178 |
+
to the moving company oh well
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:55,680 --> 00:00:58,610
|
| 183 |
+
to the moving company oh well
|
| 184 |
+
Sullivan is just my theatre name my real
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:58,610 --> 00:00:58,620
|
| 188 |
+
Sullivan is just my theatre name my real
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:58,620 --> 00:00:59,299
|
| 193 |
+
Sullivan is just my theatre name my real
|
| 194 |
+
name Sawyer
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:59,299 --> 00:00:59,309
|
| 198 |
+
name Sawyer
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:59,309 --> 00:01:04,280
|
| 203 |
+
name Sawyer
|
| 204 |
+
well maximilien q Sawyer well you must
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:04,280 --> 00:01:04,290
|
| 208 |
+
well maximilien q Sawyer well you must
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:04,290 --> 00:01:05,810
|
| 213 |
+
well maximilien q Sawyer well you must
|
| 214 |
+
come and visit as soon as we get settled
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:05,810 --> 00:01:05,820
|
| 218 |
+
come and visit as soon as we get settled
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:05,820 --> 00:01:07,789
|
| 223 |
+
come and visit as soon as we get settled
|
| 224 |
+
he'll come along Rebecca we've got a lot
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:07,789 --> 00:01:07,799
|
| 228 |
+
he'll come along Rebecca we've got a lot
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:07,799 --> 00:01:11,060
|
| 233 |
+
he'll come along Rebecca we've got a lot
|
| 234 |
+
of work to do well I I guess I best be
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:11,060 --> 00:01:11,070
|
| 238 |
+
of work to do well I I guess I best be
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:11,070 --> 00:01:13,370
|
| 243 |
+
of work to do well I I guess I best be
|
| 244 |
+
going mr. bones oh you can just call me
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:13,370 --> 00:01:13,380
|
| 248 |
+
going mr. bones oh you can just call me
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:13,380 --> 00:01:16,160
|
| 253 |
+
going mr. bones oh you can just call me
|
| 254 |
+
Tom what's your name Rebecca Thatcher
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:16,160 --> 00:01:16,170
|
| 258 |
+
Tom what's your name Rebecca Thatcher
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:16,170 --> 00:01:21,080
|
| 263 |
+
Tom what's your name Rebecca Thatcher
|
| 264 |
+
but everybody just calls me back you oh
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:21,080 --> 00:01:21,090
|
| 268 |
+
but everybody just calls me back you oh
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:21,090 --> 00:01:27,370
|
| 273 |
+
but everybody just calls me back you oh
|
| 274 |
+
I I guess I'd better be going me too
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:27,370 --> 00:01:27,380
|
| 278 |
+
I I guess I'd better be going me too
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:27,380 --> 00:01:30,040
|
| 283 |
+
I I guess I'd better be going me too
|
| 284 |
+
bye calm
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:30,040 --> 00:01:30,050
|
| 288 |
+
bye calm
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:30,050 --> 00:02:11,590
|
| 293 |
+
bye calm
|
| 294 |
+
by Becky
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:02:11,590 --> 00:02:11,600
|
| 298 |
+
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:02:11,600 --> 00:02:13,660
|
| 303 |
+
|
| 304 |
+
you
|
| 305 |
+
|
1973/uFNIrs3jtEQ.en.srt
ADDED
|
@@ -0,0 +1,444 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:02,740
|
| 3 |
+
|
| 4 |
+
well there it is first yes it
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,740 --> 00:00:02,750
|
| 8 |
+
well there it is first yes it
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,750 --> 00:00:05,599
|
| 13 |
+
well there it is first yes it
|
| 14 |
+
started so cheaply and in
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,599 --> 00:00:05,609
|
| 18 |
+
started so cheaply and in
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:05,609 --> 00:00:06,740
|
| 23 |
+
started so cheaply and in
|
| 24 |
+
the last tie and a company will stop
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:06,740 --> 00:00:06,750
|
| 28 |
+
the last tie and a company will stop
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:06,750 --> 00:00:09,470
|
| 33 |
+
the last tie and a company will stop
|
| 34 |
+
me at the Romans voted by its
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:09,470 --> 00:00:09,480
|
| 38 |
+
me at the Romans voted by its
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:09,480 --> 00:00:11,360
|
| 43 |
+
me at the Romans voted by its
|
| 44 |
+
size and its beautiful tank it is not
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:11,360 --> 00:00:11,370
|
| 48 |
+
size and its beautiful tank it is not
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:11,370 --> 00:00:17,090
|
| 53 |
+
size and its beautiful tank it is not
|
| 54 |
+
really the sound and the fishing or bernard o
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:17,090 --> 00:00:17,100
|
| 58 |
+
really the sound and the fishing or bernard o
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:17,100 --> 00:00:20,900
|
| 63 |
+
really the sound and the fishing or bernard o
|
| 64 |
+
otherwise I fear alas 36 first
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:20,900 --> 00:00:20,910
|
| 68 |
+
otherwise I fear alas 36 first
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:20,910 --> 00:00:23,150
|
| 73 |
+
otherwise I fear alas 36 first
|
| 74 |
+
let's go sebring
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:23,150 --> 00:00:23,160
|
| 78 |
+
let's go sebring
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:23,160 --> 00:00:25,540
|
| 83 |
+
let's go sebring
|
| 84 |
+
frankly I do not understand you alexandre
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:25,540 --> 00:00:25,550
|
| 88 |
+
frankly I do not understand you alexandre
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:25,550 --> 00:00:32,030
|
| 93 |
+
frankly I do not understand you alexandre
|
| 94 |
+
killed the isaf for some time yesterday
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:32,030 --> 00:00:32,040
|
| 98 |
+
killed the isaf for some time yesterday
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:32,040 --> 00:00:33,440
|
| 103 |
+
killed the isaf for some time yesterday
|
| 104 |
+
evening when he left the meals in the
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:33,440 --> 00:00:33,450
|
| 108 |
+
evening when he left the meals in the
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:33,450 --> 00:00:35,450
|
| 113 |
+
evening when he left the meals in the
|
| 114 |
+
middle it was it was very
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:35,450 --> 00:00:35,460
|
| 118 |
+
middle it was it was very
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:35,460 --> 00:00:39,049
|
| 123 |
+
middle it was it was very
|
| 124 |
+
bearish with regard to the threat but
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:39,049 --> 00:00:39,059
|
| 128 |
+
bearish with regard to the threat but
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:39,059 --> 00:00:44,420
|
| 133 |
+
bearish with regard to the threat but
|
| 134 |
+
all the same the English force which
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:44,420 --> 00:00:44,430
|
| 138 |
+
all the same the English force which
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:44,430 --> 00:00:46,010
|
| 143 |
+
all the same the English force which
|
| 144 |
+
hates it and that you do on purpose of life
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:46,010 --> 00:00:46,020
|
| 148 |
+
hates it and that you do on purpose of life
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:46,020 --> 00:00:48,459
|
| 153 |
+
hates it and that you do on purpose of life
|
| 154 |
+
never addressed the word
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:48,459 --> 00:00:48,469
|
| 158 |
+
never addressed the word
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:48,469 --> 00:00:50,959
|
| 163 |
+
never addressed the word
|
| 164 |
+
but it is perhaps there you see that
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:50,959 --> 00:00:50,969
|
| 168 |
+
but it is perhaps there you see that
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:50,969 --> 00:00:52,010
|
| 173 |
+
but it is perhaps there you see that
|
| 174 |
+
I speak a missile
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:52,010 --> 00:00:52,020
|
| 178 |
+
I speak a missile
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:52,020 --> 00:00:56,869
|
| 183 |
+
I speak a missile
|
| 184 |
+
so go quickly and that I do
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:56,869 --> 00:00:56,879
|
| 188 |
+
so go quickly and that I do
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:56,879 --> 00:01:06,740
|
| 193 |
+
so go quickly and that I do
|
| 194 |
+
not support it enough I do them it was good finally
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:06,740 --> 00:01:06,750
|
| 198 |
+
not support it enough I do them it was good finally
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:06,750 --> 00:01:08,240
|
| 203 |
+
not support it enough I do them it was good finally
|
| 204 |
+
it was would be good come finally it was
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:08,240 --> 00:01:08,250
|
| 208 |
+
it was would be good come finally it was
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:08,250 --> 00:01:09,350
|
| 213 |
+
it was would be good come finally it was
|
| 214 |
+
besides it was good but that is not
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:09,350 --> 00:01:09,360
|
| 218 |
+
besides it was good but that is not
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:09,360 --> 00:01:11,120
|
| 223 |
+
besides it was good but that is not
|
| 224 |
+
it against the formal h while they
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:11,120 --> 00:01:11,130
|
| 228 |
+
it against the formal h while they
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:11,130 --> 00:01:12,560
|
| 233 |
+
it against the formal h while they
|
| 234 |
+
had their mother no that is
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:12,560 --> 00:01:12,570
|
| 238 |
+
had their mother no that is
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:12,570 --> 00:01:14,359
|
| 243 |
+
had their mother no that is
|
| 244 |
+
the aggressor but alive you have there in
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:14,359 --> 00:01:14,369
|
| 248 |
+
the aggressor but alive you have there in
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:14,369 --> 00:01:16,870
|
| 253 |
+
the aggressor but alive you have there in
|
| 254 |
+
short here I am so
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:16,870 --> 00:01:16,880
|
| 258 |
+
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:16,880 --> 00:01:19,399
|
| 263 |
+
|
| 264 |
+
here finally mature debates resumed
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:19,399 --> 00:01:19,409
|
| 268 |
+
here finally mature debates resumed
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:19,409 --> 00:01:31,359
|
| 273 |
+
here finally mature debates resumed
|
| 274 |
+
immediately the whole
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:31,359 --> 00:01:31,369
|
| 278 |
+
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:31,369 --> 00:01:36,230
|
| 283 |
+
|
| 284 |
+
the 36 2nd series frankly I do
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:36,230 --> 00:01:36,240
|
| 288 |
+
the 36 2nd series frankly I do
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:36,240 --> 00:01:40,190
|
| 293 |
+
the 36 2nd series frankly I do
|
| 294 |
+
n't understand Alexandre Blizzard games
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:40,190 --> 00:01:40,200
|
| 298 |
+
n't understand Alexandre Blizzard games
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:40,200 --> 00:01:43,279
|
| 303 |
+
n't understand Alexandre Blizzard games
|
| 304 |
+
from Skype and we last night when I
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:43,279 --> 00:01:43,289
|
| 308 |
+
from Skype and we last night when I
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:43,289 --> 00:01:44,840
|
| 313 |
+
from Skype and we last night when I
|
| 314 |
+
left the answer the best it was
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:44,840 --> 00:01:44,850
|
| 318 |
+
left the answer the best it was
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:44,850 --> 00:01:47,600
|
| 323 |
+
left the answer the best it was
|
| 324 |
+
very rude dynamic popular the ex
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:47,600 --> 00:01:47,610
|
| 328 |
+
very rude dynamic popular the ex
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:47,610 --> 00:01:51,200
|
| 333 |
+
very rude dynamic popular the ex
|
| 334 |
+
of the same the wife of Francis R it seems
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:01:51,200 --> 00:01:51,210
|
| 338 |
+
of the same the wife of Francis R it seems
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:01:51,210 --> 00:01:53,450
|
| 343 |
+
of the same the wife of Francis R it seems
|
| 344 |
+
that he is extracted never
|
| 345 |
+
|
| 346 |
+
70
|
| 347 |
+
00:01:53,450 --> 00:01:53,460
|
| 348 |
+
that he is extracted never
|
| 349 |
+
|
| 350 |
+
|
| 351 |
+
71
|
| 352 |
+
00:01:53,460 --> 00:01:57,350
|
| 353 |
+
that he is extracted never
|
| 354 |
+
stayed the AS Rome what you are doing there
|
| 355 |
+
|
| 356 |
+
72
|
| 357 |
+
00:01:57,350 --> 00:01:57,360
|
| 358 |
+
stayed the AS Rome what you are doing there
|
| 359 |
+
|
| 360 |
+
|
| 361 |
+
73
|
| 362 |
+
00:01:57,360 --> 00:01:59,510
|
| 363 |
+
stayed the AS Rome what you are doing there
|
| 364 |
+
you see that I am leaving then
|
| 365 |
+
|
| 366 |
+
74
|
| 367 |
+
00:01:59,510 --> 00:01:59,520
|
| 368 |
+
you see that I am leaving then
|
| 369 |
+
|
| 370 |
+
|
| 371 |
+
75
|
| 372 |
+
00:01:59,520 --> 00:02:04,130
|
| 373 |
+
you see that I am leaving then
|
| 374 |
+
went very quickly and that I can't stand it
|
| 375 |
+
|
| 376 |
+
76
|
| 377 |
+
00:02:04,130 --> 00:02:04,140
|
| 378 |
+
went very quickly and that I can't stand it
|
| 379 |
+
|
| 380 |
+
|
| 381 |
+
77
|
| 382 |
+
00:02:04,140 --> 00:02:13,160
|
| 383 |
+
went very quickly and that I can't stand it
|
| 384 |
+
listen darling look carefully these the
|
| 385 |
+
|
| 386 |
+
78
|
| 387 |
+
00:02:13,160 --> 00:02:13,170
|
| 388 |
+
listen darling look carefully these the
|
| 389 |
+
|
| 390 |
+
|
| 391 |
+
79
|
| 392 |
+
00:02:13,170 --> 00:02:14,539
|
| 393 |
+
listen darling look carefully these the
|
| 394 |
+
sales deadlines did the same but
|
| 395 |
+
|
| 396 |
+
80
|
| 397 |
+
00:02:14,539 --> 00:02:14,549
|
| 398 |
+
sales deadlines did the same but
|
| 399 |
+
|
| 400 |
+
|
| 401 |
+
81
|
| 402 |
+
00:02:14,549 --> 00:02:15,949
|
| 403 |
+
sales deadlines did the same but
|
| 404 |
+
the whole high level
|
| 405 |
+
|
| 406 |
+
82
|
| 407 |
+
00:02:15,949 --> 00:02:15,959
|
| 408 |
+
the whole high level
|
| 409 |
+
|
| 410 |
+
|
| 411 |
+
83
|
| 412 |
+
00:02:15,959 --> 00:02:21,009
|
| 413 |
+
the whole high level
|
| 414 |
+
it is moreover a kind of validated tennis
|
| 415 |
+
|
| 416 |
+
84
|
| 417 |
+
00:02:21,009 --> 00:02:21,019
|
| 418 |
+
it is moreover a kind of validated tennis
|
| 419 |
+
|
| 420 |
+
|
| 421 |
+
85
|
| 422 |
+
00:02:21,019 --> 00:02:31,410
|
| 423 |
+
it is moreover a kind of validated tennis
|
| 424 |
+
|
| 425 |
+
86
|
| 426 |
+
00:02:31,410 --> 00:02:31,420
|
| 427 |
+
|
| 428 |
+
|
| 429 |
+
|
| 430 |
+
87
|
| 431 |
+
00:02:31,420 --> 00:02:42,420
|
| 432 |
+
|
| 433 |
+
[Music]
|
| 434 |
+
|
| 435 |
+
88
|
| 436 |
+
00:02:42,420 --> 00:02:42,430
|
| 437 |
+
|
| 438 |
+
|
| 439 |
+
|
| 440 |
+
89
|
| 441 |
+
00:02:42,430 --> 00:03:09,370
|
| 442 |
+
|
| 443 |
+
[Music]
|
| 444 |
+
|
1973/uki4lrLzRaU.en.srt
ADDED
|
@@ -0,0 +1,175 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:01,890 --> 00:00:03,189
|
| 3 |
+
|
| 4 |
+
[Music]
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,189 --> 00:00:03,199
|
| 8 |
+
[Music]
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,199 --> 00:00:06,190
|
| 13 |
+
[Music]
|
| 14 |
+
just hold it right there
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:06,190 --> 00:00:06,200
|
| 18 |
+
just hold it right there
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:06,200 --> 00:00:19,109
|
| 23 |
+
just hold it right there
|
| 24 |
+
cian no
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:19,109 --> 00:00:19,119
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:19,119 --> 00:00:22,670
|
| 33 |
+
|
| 34 |
+
tricks your organization's through
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:22,670 --> 00:00:22,680
|
| 38 |
+
tricks your organization's through
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:22,680 --> 00:00:24,870
|
| 43 |
+
tricks your organization's through
|
| 44 |
+
breaks there's a lot more where they
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:24,870 --> 00:00:24,880
|
| 48 |
+
breaks there's a lot more where they
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:24,880 --> 00:00:28,589
|
| 53 |
+
breaks there's a lot more where they
|
| 54 |
+
came from believe me move out of the
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:28,589 --> 00:00:28,599
|
| 58 |
+
came from believe me move out of the
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:28,599 --> 00:00:57,950
|
| 63 |
+
came from believe me move out of the
|
| 64 |
+
way move it
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:57,950 --> 00:00:57,960
|
| 68 |
+
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:57,960 --> 00:01:01,790
|
| 73 |
+
|
| 74 |
+
uphold the law
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:01:01,790 --> 00:01:01,800
|
| 78 |
+
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:01:01,800 --> 00:01:08,270
|
| 83 |
+
|
| 84 |
+
you just killed three police officers
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:01:08,270 --> 00:01:08,280
|
| 88 |
+
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:01:08,280 --> 00:01:10,550
|
| 93 |
+
|
| 94 |
+
Harry and the only reason I'm not going
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:10,550 --> 00:01:10,560
|
| 98 |
+
Harry and the only reason I'm not going
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:10,560 --> 00:01:13,390
|
| 103 |
+
Harry and the only reason I'm not going
|
| 104 |
+
to kill you is because I'm going to
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:13,390 --> 00:01:13,400
|
| 108 |
+
to kill you is because I'm going to
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:13,400 --> 00:01:22,749
|
| 113 |
+
to kill you is because I'm going to
|
| 114 |
+
prosecute you with your own
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:22,749 --> 00:01:22,759
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:22,759 --> 00:01:26,350
|
| 123 |
+
|
| 124 |
+
system it'll be my word against
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:26,350 --> 00:01:26,360
|
| 128 |
+
system it'll be my word against
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:26,360 --> 00:01:30,069
|
| 133 |
+
system it'll be my word against
|
| 134 |
+
yours and who's going to believe you
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:30,069 --> 00:01:30,079
|
| 138 |
+
yours and who's going to believe you
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:30,079 --> 00:01:31,670
|
| 143 |
+
yours and who's going to believe you
|
| 144 |
+
you're a killer
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:31,670 --> 00:01:31,680
|
| 148 |
+
you're a killer
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:31,680 --> 00:02:30,110
|
| 153 |
+
you're a killer
|
| 154 |
+
Harry a maniac
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:02:30,110 --> 00:02:30,120
|
| 158 |
+
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:02:30,120 --> 00:02:33,940
|
| 163 |
+
|
| 164 |
+
man's got to know his limitations
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:02:33,940 --> 00:02:33,950
|
| 168 |
+
man's got to know his limitations
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:02:33,950 --> 00:03:05,680
|
| 173 |
+
man's got to know his limitations
|
| 174 |
+
[Music]
|
| 175 |
+
|
1973/upQ-MXF_ZgI.en.srt
ADDED
|
@@ -0,0 +1,195 @@
|
|
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|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:04,490
|
| 3 |
+
|
| 4 |
+
oh you got a set of wheels you just
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,490 --> 00:00:04,500
|
| 8 |
+
oh you got a set of wheels you just
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,500 --> 00:00:07,400
|
| 13 |
+
oh you got a set of wheels you just
|
| 14 |
+
won't quit more if there's use that is
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:07,400 --> 00:00:07,410
|
| 18 |
+
won't quit more if there's use that is
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:07,410 --> 00:00:08,360
|
| 23 |
+
won't quit more if there's use that is
|
| 24 |
+
up ah
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:08,360 --> 00:00:08,370
|
| 28 |
+
up ah
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:08,370 --> 00:00:12,230
|
| 33 |
+
up ah
|
| 34 |
+
spin around boy ten fingers on the
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:12,230 --> 00:00:12,240
|
| 38 |
+
spin around boy ten fingers on the
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:12,240 --> 00:00:20,320
|
| 43 |
+
spin around boy ten fingers on the
|
| 44 |
+
fender legs apart
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:20,320 --> 00:00:20,330
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:20,330 --> 00:00:23,810
|
| 53 |
+
|
| 54 |
+
I'm sure this ain't exactly your debut
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:23,810 --> 00:00:23,820
|
| 58 |
+
I'm sure this ain't exactly your debut
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:23,820 --> 00:00:27,950
|
| 63 |
+
I'm sure this ain't exactly your debut
|
| 64 |
+
with this sort of thing you picked the
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:27,950 --> 00:00:27,960
|
| 68 |
+
with this sort of thing you picked the
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:27,960 --> 00:00:31,359
|
| 73 |
+
with this sort of thing you picked the
|
| 74 |
+
wrong Paris to haul ass through boy
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:31,359 --> 00:00:31,369
|
| 78 |
+
wrong Paris to haul ass through boy
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:31,369 --> 00:00:35,209
|
| 83 |
+
wrong Paris to haul ass through boy
|
| 84 |
+
nobody cuts and runs on chef JW pepper
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:35,209 --> 00:00:35,219
|
| 88 |
+
nobody cuts and runs on chef JW pepper
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:35,219 --> 00:01:27,289
|
| 93 |
+
nobody cuts and runs on chef JW pepper
|
| 94 |
+
and it's him speaking by the by
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:27,289 --> 00:01:27,299
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:27,299 --> 00:01:30,740
|
| 103 |
+
|
| 104 |
+
she got a clocked up is a shared one and
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:30,740 --> 00:01:30,750
|
| 108 |
+
she got a clocked up is a shared one and
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:30,750 --> 00:01:37,340
|
| 113 |
+
she got a clocked up is a shared one and
|
| 114 |
+
if you'd like to come over and you tell
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:01:37,340 --> 00:01:37,350
|
| 118 |
+
if you'd like to come over and you tell
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:01:37,350 --> 00:01:42,649
|
| 123 |
+
if you'd like to come over and you tell
|
| 124 |
+
miss piece take a slide that looks like
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:01:42,649 --> 00:01:42,659
|
| 128 |
+
miss piece take a slide that looks like
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:01:42,659 --> 00:01:44,749
|
| 133 |
+
miss piece take a slide that looks like
|
| 134 |
+
a boat tucked in the sheriff's car
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:01:44,749 --> 00:01:44,759
|
| 138 |
+
a boat tucked in the sheriff's car
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:01:44,759 --> 00:01:46,460
|
| 143 |
+
a boat tucked in the sheriff's car
|
| 144 |
+
they're ready boy where you been all
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:46,460 --> 00:01:46,470
|
| 148 |
+
they're ready boy where you been all
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:46,470 --> 00:01:48,320
|
| 153 |
+
they're ready boy where you been all
|
| 154 |
+
your life that there is one of them new
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:48,320 --> 00:01:48,330
|
| 158 |
+
your life that there is one of them new
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:48,330 --> 00:01:51,740
|
| 163 |
+
your life that there is one of them new
|
| 164 |
+
car boats by the powers invested in me
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:51,740 --> 00:01:51,750
|
| 168 |
+
car boats by the powers invested in me
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:51,750 --> 00:01:56,870
|
| 173 |
+
car boats by the powers invested in me
|
| 174 |
+
by this parish I hereby do commandeer
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:56,870 --> 00:01:56,880
|
| 178 |
+
by this parish I hereby do commandeer
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:56,880 --> 00:01:59,359
|
| 183 |
+
by this parish I hereby do commandeer
|
| 184 |
+
this vehicle and all those persons
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:59,359 --> 00:01:59,369
|
| 188 |
+
this vehicle and all those persons
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:59,369 --> 00:02:07,310
|
| 193 |
+
this vehicle and all those persons
|
| 194 |
+
within and that means you smartass
|
| 195 |
+
|
1973/vw1dPsf0JgE.description
ADDED
|
@@ -0,0 +1,38 @@
|
|
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|
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|
|
|
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|
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|
|
|
|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
|
|
|
| 1 |
+
The Sting movie clips: http://j.mp/1uyCz3s
|
| 2 |
+
BUY THE MOVIE: http://amzn.to/vNUDcm
|
| 3 |
+
Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
|
| 4 |
+
|
| 5 |
+
CLIP DESCRIPTION:
|
| 6 |
+
Johnny (Robert Redford) sets "the hook" into Lonnegan (Robert Shaw).
|
| 7 |
+
|
| 8 |
+
FILM DESCRIPTION:
|
| 9 |
+
Four years after setting box offices ablaze in Butch Cassidy and the Sundance Kid, Paul Newman, Robert Redford, and director George Roy Hill re-teamed with similar success for The Sting. Redford plays Depression-era confidence trickster Johnny Hooker, whose friend and mentor Luther Coleman (Robert Earl Jones) is murdered by racketeer/gambler Doyle Lonnegan (Robert Shaw). Hoping to avenge Luther's death, Johnny begins planning a "sting" -- an elaborate scam -- to destroy Lonnegan. He enlists the aid of "the greatest con artist of them all," Henry Gondorff (Paul Newman), who pulls himself out of a drunken stupor and rises to the occasion. Hooker and Gondorff gather together an impressive array of con men, all of whom despise Lonnegan and wish to settle accounts on behalf of Luther. The twists and surprises that follow are too complex to relate in detail -- suffice to say that you can't cheat an honest man, and that you shouldn't accept everything at face value. The Sting became one of the biggest hits of the early '70s; grossing 68.5 million dollars during its first run, the film also picked up seven Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Adapted Score for Marvin Hamlisch's unforgettable setting of Scott Joplin's ragtime music.
|
| 10 |
+
|
| 11 |
+
CREDITS:
|
| 12 |
+
TM & © Universal (1973)
|
| 13 |
+
Cast: Charles Dierkop, Robert Redford, Robert Shaw
|
| 14 |
+
Director: George Roy Hill
|
| 15 |
+
Producers: Tony Bill, Robert Crawford Jr., Richard D. Zanuck, David Brown, Julia Phillips, Michael Phillips
|
| 16 |
+
Screenwriter: David S. Ward
|
| 17 |
+
|
| 18 |
+
WHO ARE WE?
|
| 19 |
+
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
|
| 20 |
+
|
| 21 |
+
SUBSCRIBE TO OUR MOVIE CHANNELS:
|
| 22 |
+
MOVIECLIPS: http://bit.ly/1u2yaWd
|
| 23 |
+
ComingSoon: http://bit.ly/1DVpgtR
|
| 24 |
+
Indie & Film Festivals: http://bit.ly/1wbkfYg
|
| 25 |
+
Hero Central: http://bit.ly/1AMUZwv
|
| 26 |
+
Extras: http://bit.ly/1u431fr
|
| 27 |
+
Classic Trailers: http://bit.ly/1u43jDe
|
| 28 |
+
Pop-Up Trailers: http://bit.ly/1z7EtZR
|
| 29 |
+
Movie News: http://bit.ly/1C3Ncd2
|
| 30 |
+
Movie Games: http://bit.ly/1ygDV13
|
| 31 |
+
Fandango: http://bit.ly/1Bl79ye
|
| 32 |
+
Fandango FrontRunners: http://bit.ly/1CggQfC
|
| 33 |
+
|
| 34 |
+
HIT US UP:
|
| 35 |
+
Facebook: http://on.fb.me/1y8M8ax
|
| 36 |
+
Twitter: http://bit.ly/1ghOWmt
|
| 37 |
+
Pinterest: http://bit.ly/14wL9De
|
| 38 |
+
Tumblr: http://bit.ly/1vUwhH7
|
1973/vw1dPsf0JgE.en.srt
ADDED
|
@@ -0,0 +1,345 @@
|
|
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|
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|
|
|
|
|
|
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|
|
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|
|
|
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|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
|
|
|
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|
|
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|
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|
|
|
|
|
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|
|
|
|
|
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|
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|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
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|
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|
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|
|
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|
|
|
|
|
|
|
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|
|
|
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|
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|
|
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|
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|
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|
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|
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|
|
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|
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|
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|
|
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|
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|
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|
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|
|
|
|
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|
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|
|
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|
|
|
|
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|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
|
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|
|
|
|
|
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|
|
|
|
|
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|
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|
|
|
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|
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|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
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|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
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|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
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|
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|
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|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,060 --> 00:00:02,419
|
| 3 |
+
|
| 4 |
+
your boss is quite a card player mr.
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:02,419 --> 00:00:02,429
|
| 8 |
+
your boss is quite a card player mr.
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:02,429 --> 00:00:08,629
|
| 13 |
+
your boss is quite a card player mr.
|
| 14 |
+
Kelly how does he do it he cheats well
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:08,629 --> 00:00:08,639
|
| 18 |
+
Kelly how does he do it he cheats well
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:08,639 --> 00:00:10,160
|
| 23 |
+
Kelly how does he do it he cheats well
|
| 24 |
+
in that case I'll keep my money and
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:10,160 --> 00:00:10,170
|
| 28 |
+
in that case I'll keep my money and
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:10,170 --> 00:00:11,959
|
| 33 |
+
in that case I'll keep my money and
|
| 34 |
+
we'll just have another game you don't
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:11,959 --> 00:00:11,969
|
| 38 |
+
we'll just have another game you don't
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:11,969 --> 00:00:17,150
|
| 43 |
+
we'll just have another game you don't
|
| 44 |
+
have any to keep
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:17,150 --> 00:00:17,160
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:17,160 --> 00:00:19,650
|
| 53 |
+
|
| 54 |
+
here's your wallet you hired a dame to
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:19,650 --> 00:00:19,660
|
| 58 |
+
here's your wallet you hired a dame to
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:19,660 --> 00:00:20,900
|
| 63 |
+
here's your wallet you hired a dame to
|
| 64 |
+
take it from him
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:20,900 --> 00:00:20,910
|
| 68 |
+
take it from him
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:20,910 --> 00:00:23,040
|
| 73 |
+
take it from him
|
| 74 |
+
Shaw's been planning to beat your game
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:23,040 --> 00:00:23,050
|
| 78 |
+
Shaw's been planning to beat your game
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:23,050 --> 00:00:24,450
|
| 83 |
+
Shaw's been planning to beat your game
|
| 84 |
+
for months he just been waiting for you
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:24,450 --> 00:00:24,460
|
| 88 |
+
for months he just been waiting for you
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:24,460 --> 00:00:28,529
|
| 93 |
+
for months he just been waiting for you
|
| 94 |
+
to cheat him so he could clip you who do
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:28,529 --> 00:00:28,539
|
| 98 |
+
to cheat him so he could clip you who do
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:28,539 --> 00:00:29,790
|
| 103 |
+
to cheat him so he could clip you who do
|
| 104 |
+
you think you're talking to errand boy
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:29,790 --> 00:00:29,800
|
| 108 |
+
you think you're talking to errand boy
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:29,800 --> 00:00:32,249
|
| 113 |
+
you think you're talking to errand boy
|
| 114 |
+
nobody sets me up taken back to the
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:32,249 --> 00:00:32,259
|
| 118 |
+
nobody sets me up taken back to the
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:32,259 --> 00:00:33,569
|
| 123 |
+
nobody sets me up taken back to the
|
| 124 |
+
baggage room touch one an easier
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:33,569 --> 00:00:33,579
|
| 128 |
+
baggage room touch one an easier
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:33,579 --> 00:00:35,430
|
| 133 |
+
baggage room touch one an easier
|
| 134 |
+
procedure were four witnesses at that
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:35,430 --> 00:00:35,440
|
| 138 |
+
procedure were four witnesses at that
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:35,440 --> 00:00:37,500
|
| 143 |
+
procedure were four witnesses at that
|
| 144 |
+
table and go back get another goddamn
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:37,500 --> 00:00:37,510
|
| 148 |
+
table and go back get another goddamn
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:37,510 --> 00:00:39,119
|
| 153 |
+
table and go back get another goddamn
|
| 154 |
+
son of a so we'll double in the
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:39,119 --> 00:00:39,129
|
| 158 |
+
son of a so we'll double in the
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:39,129 --> 00:00:41,069
|
| 163 |
+
son of a so we'll double in the
|
| 164 |
+
first tunnel idiot doriel we're gonna be
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:41,069 --> 00:00:41,079
|
| 168 |
+
first tunnel idiot doriel we're gonna be
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:41,079 --> 00:00:42,389
|
| 173 |
+
first tunnel idiot doriel we're gonna be
|
| 174 |
+
in the station in a couple of minutes
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:42,389 --> 00:00:42,399
|
| 178 |
+
in the station in a couple of minutes
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:42,399 --> 00:00:44,040
|
| 183 |
+
in the station in a couple of minutes
|
| 184 |
+
thinking look too good you killing a guy
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:44,040 --> 00:00:44,050
|
| 188 |
+
thinking look too good you killing a guy
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:44,050 --> 00:00:47,369
|
| 193 |
+
thinking look too good you killing a guy
|
| 194 |
+
your money too there's better ways of
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:00:47,369 --> 00:00:47,379
|
| 198 |
+
your money too there's better ways of
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:00:47,379 --> 00:00:54,000
|
| 203 |
+
your money too there's better ways of
|
| 204 |
+
taking him down what do you think sure
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:00:54,000 --> 00:00:54,010
|
| 208 |
+
taking him down what do you think sure
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:00:54,010 --> 00:00:55,380
|
| 213 |
+
taking him down what do you think sure
|
| 214 |
+
do to me if he knew I was telling you
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:00:55,380 --> 00:00:55,390
|
| 218 |
+
do to me if he knew I was telling you
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:00:55,390 --> 00:01:03,020
|
| 223 |
+
do to me if he knew I was telling you
|
| 224 |
+
this okay
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:03,020 --> 00:01:03,030
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:03,030 --> 00:01:11,810
|
| 233 |
+
|
| 234 |
+
why they're at I want to take over his
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:11,810 --> 00:01:11,820
|
| 238 |
+
why they're at I want to take over his
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:11,820 --> 00:01:13,399
|
| 243 |
+
why they're at I want to take over his
|
| 244 |
+
operation and I need you to help me
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:01:13,399 --> 00:01:13,409
|
| 248 |
+
operation and I need you to help me
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:01:13,409 --> 00:01:21,810
|
| 253 |
+
operation and I need you to help me
|
| 254 |
+
break
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:01:21,810 --> 00:01:21,820
|
| 258 |
+
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:01:21,820 --> 00:01:23,440
|
| 263 |
+
|
| 264 |
+
where's my money
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:01:23,440 --> 00:01:23,450
|
| 268 |
+
where's my money
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:01:23,450 --> 00:01:25,930
|
| 273 |
+
where's my money
|
| 274 |
+
Shaw's got it how the hell could I ask
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:01:25,930 --> 00:01:25,940
|
| 278 |
+
Shaw's got it how the hell could I ask
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:01:25,940 --> 00:01:37,840
|
| 283 |
+
Shaw's got it how the hell could I ask
|
| 284 |
+
him for it back pull it in
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:01:37,840 --> 00:01:37,850
|
| 288 |
+
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:01:37,850 --> 00:01:41,470
|
| 293 |
+
|
| 294 |
+
I'm giving your left home I supposed to
|
| 295 |
+
|
| 296 |
+
60
|
| 297 |
+
00:01:41,470 --> 00:01:41,480
|
| 298 |
+
I'm giving your left home I supposed to
|
| 299 |
+
|
| 300 |
+
|
| 301 |
+
61
|
| 302 |
+
00:01:41,480 --> 00:01:43,930
|
| 303 |
+
I'm giving your left home I supposed to
|
| 304 |
+
go with Shore explain it to him somehow
|
| 305 |
+
|
| 306 |
+
62
|
| 307 |
+
00:01:43,930 --> 00:01:43,940
|
| 308 |
+
go with Shore explain it to him somehow
|
| 309 |
+
|
| 310 |
+
|
| 311 |
+
63
|
| 312 |
+
00:01:43,940 --> 00:01:45,550
|
| 313 |
+
go with Shore explain it to him somehow
|
| 314 |
+
everybody's expect I'm given here left
|
| 315 |
+
|
| 316 |
+
64
|
| 317 |
+
00:01:45,550 --> 00:01:45,560
|
| 318 |
+
everybody's expect I'm given here left
|
| 319 |
+
|
| 320 |
+
|
| 321 |
+
65
|
| 322 |
+
00:01:45,560 --> 00:01:52,359
|
| 323 |
+
everybody's expect I'm given here left
|
| 324 |
+
home you follow
|
| 325 |
+
|
| 326 |
+
66
|
| 327 |
+
00:01:52,359 --> 00:01:52,369
|
| 328 |
+
|
| 329 |
+
|
| 330 |
+
|
| 331 |
+
67
|
| 332 |
+
00:01:52,369 --> 00:02:18,920
|
| 333 |
+
|
| 334 |
+
yeah sure
|
| 335 |
+
|
| 336 |
+
68
|
| 337 |
+
00:02:18,920 --> 00:02:18,930
|
| 338 |
+
|
| 339 |
+
|
| 340 |
+
|
| 341 |
+
69
|
| 342 |
+
00:02:18,930 --> 00:02:21,019
|
| 343 |
+
|
| 344 |
+
you
|
| 345 |
+
|
1973/wRbKDoyN5oc.en.srt
ADDED
|
@@ -0,0 +1,295 @@
|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,060 --> 00:00:03,050
|
| 3 |
+
|
| 4 |
+
when he took a thrashing in school to
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:03,050 --> 00:00:03,060
|
| 8 |
+
when he took a thrashing in school to
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:03,060 --> 00:00:06,260
|
| 13 |
+
when he took a thrashing in school to
|
| 14 |
+
protect my little girl she told me all
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:06,260 --> 00:00:06,270
|
| 18 |
+
protect my little girl she told me all
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:06,270 --> 00:00:07,419
|
| 23 |
+
protect my little girl she told me all
|
| 24 |
+
about it
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:07,419 --> 00:00:07,429
|
| 28 |
+
about it
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:07,429 --> 00:00:13,640
|
| 33 |
+
about it
|
| 34 |
+
that was a magnanimous lie he told of
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:13,640 --> 00:00:13,650
|
| 38 |
+
that was a magnanimous lie he told of
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:13,650 --> 00:00:16,939
|
| 43 |
+
that was a magnanimous lie he told of
|
| 44 |
+
course he was given to exaggerations but
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:16,939 --> 00:00:16,949
|
| 48 |
+
course he was given to exaggerations but
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:16,949 --> 00:00:21,429
|
| 53 |
+
course he was given to exaggerations but
|
| 54 |
+
they were never malicious how many times
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:21,429 --> 00:00:21,439
|
| 58 |
+
they were never malicious how many times
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:21,439 --> 00:00:25,070
|
| 63 |
+
they were never malicious how many times
|
| 64 |
+
have we seen only the false and the
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:25,070 --> 00:00:25,080
|
| 68 |
+
have we seen only the false and the
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:25,080 --> 00:00:29,200
|
| 73 |
+
have we seen only the false and the
|
| 74 |
+
flaws and never noticed the sweetness
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:29,200 --> 00:00:29,210
|
| 78 |
+
flaws and never noticed the sweetness
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:29,210 --> 00:00:32,959
|
| 83 |
+
flaws and never noticed the sweetness
|
| 84 |
+
within our hearts will always live the
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:32,959 --> 00:00:32,969
|
| 88 |
+
within our hearts will always live the
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:32,969 --> 00:00:35,840
|
| 93 |
+
within our hearts will always live the
|
| 94 |
+
sunshine of their happy laughter the
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:35,840 --> 00:00:35,850
|
| 98 |
+
sunshine of their happy laughter the
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:35,850 --> 00:00:38,600
|
| 103 |
+
sunshine of their happy laughter the
|
| 104 |
+
memory of their winning ways and the
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:38,600 --> 00:00:38,610
|
| 108 |
+
memory of their winning ways and the
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:38,610 --> 00:00:42,290
|
| 113 |
+
memory of their winning ways and the
|
| 114 |
+
everlasting glow of the rare promise of
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:42,290 --> 00:00:42,300
|
| 118 |
+
everlasting glow of the rare promise of
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:42,300 --> 00:00:46,250
|
| 123 |
+
everlasting glow of the rare promise of
|
| 124 |
+
these dear lost
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:46,250 --> 00:00:46,260
|
| 128 |
+
these dear lost
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:46,260 --> 00:00:57,860
|
| 133 |
+
these dear lost
|
| 134 |
+
lads Thomas huckleberry wherever you are
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:57,860 --> 00:00:57,870
|
| 138 |
+
lads Thomas huckleberry wherever you are
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:57,870 --> 00:01:07,429
|
| 143 |
+
lads Thomas huckleberry wherever you are
|
| 144 |
+
now we will remember you
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:01:07,429 --> 00:01:07,439
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:01:07,439 --> 00:01:14,060
|
| 153 |
+
|
| 154 |
+
it's a miracle crazy Lord
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:01:14,060 --> 00:01:14,070
|
| 158 |
+
it's a miracle crazy Lord
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:01:14,070 --> 00:01:21,930
|
| 163 |
+
it's a miracle crazy Lord
|
| 164 |
+
[Music]
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:01:21,930 --> 00:01:21,940
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:01:21,940 --> 00:01:24,370
|
| 173 |
+
|
| 174 |
+
and I can do what my gonna thrash you
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:01:24,370 --> 00:01:24,380
|
| 178 |
+
and I can do what my gonna thrash you
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:01:24,380 --> 00:01:38,050
|
| 183 |
+
and I can do what my gonna thrash you
|
| 184 |
+
with an inch in your life thank god this
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:01:38,050 --> 00:01:38,060
|
| 188 |
+
with an inch in your life thank god this
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:01:38,060 --> 00:01:42,310
|
| 193 |
+
with an inch in your life thank god this
|
| 194 |
+
same oh I'm so glad you showed up alive
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:42,310 --> 00:01:42,320
|
| 198 |
+
same oh I'm so glad you showed up alive
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:42,320 --> 00:01:43,750
|
| 203 |
+
same oh I'm so glad you showed up alive
|
| 204 |
+
haven't got the heart to punish you what
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:43,750 --> 00:01:43,760
|
| 208 |
+
haven't got the heart to punish you what
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:43,760 --> 00:01:45,590
|
| 213 |
+
haven't got the heart to punish you what
|
| 214 |
+
I should
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:45,590 --> 00:01:45,600
|
| 218 |
+
I should
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:45,600 --> 00:01:53,420
|
| 223 |
+
I should
|
| 224 |
+
[Music]
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:53,420 --> 00:01:53,430
|
| 228 |
+
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:53,430 --> 00:01:59,090
|
| 233 |
+
|
| 234 |
+
to bury I'm glad you say huckleberry
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:59,090 --> 00:01:59,100
|
| 238 |
+
to bury I'm glad you say huckleberry
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:59,100 --> 00:02:01,160
|
| 243 |
+
to bury I'm glad you say huckleberry
|
| 244 |
+
thank you man now your best come to my
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:01,160 --> 00:02:01,170
|
| 248 |
+
thank you man now your best come to my
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:01,170 --> 00:02:03,080
|
| 253 |
+
thank you man now your best come to my
|
| 254 |
+
place and let me fix you a good meal I
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:03,080 --> 00:02:03,090
|
| 258 |
+
place and let me fix you a good meal I
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:02:03,090 --> 00:02:05,270
|
| 263 |
+
place and let me fix you a good meal I
|
| 264 |
+
just as soon good - man
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:02:05,270 --> 00:02:05,280
|
| 268 |
+
just as soon good - man
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:02:05,280 --> 00:02:31,730
|
| 273 |
+
just as soon good - man
|
| 274 |
+
nonsense you're coming with me
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:02:31,730 --> 00:02:31,740
|
| 278 |
+
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:02:31,740 --> 00:02:33,570
|
| 283 |
+
|
| 284 |
+
you
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:33,570 --> 00:02:33,580
|
| 288 |
+
you
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:33,580 --> 00:02:39,629
|
| 293 |
+
you
|
| 294 |
+
[Music]
|
| 295 |
+
|
1973/wxrmK9esHpc.en.srt
ADDED
|
@@ -0,0 +1,8 @@
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:05,450 --> 00:00:06,750
|
| 3 |
+
[snap]
|
| 4 |
+
|
| 5 |
+
2
|
| 6 |
+
00:00:19,431 --> 00:00:21,198
|
| 7 |
+
[shouting]
|
| 8 |
+
|
1973/xE4RRKaCifU.en.srt
ADDED
|
@@ -0,0 +1,295 @@
|
|
|
|
|
|
|
|
|
|
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|
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|
|
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|
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|
|
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|
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|
| 1 |
+
1
|
| 2 |
+
00:00:00,000 --> 00:00:04,010
|
| 3 |
+
|
| 4 |
+
foreign
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:04,010 --> 00:00:04,020
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:04,020 --> 00:00:05,410
|
| 13 |
+
|
| 14 |
+
Paradise
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:05,410 --> 00:00:05,420
|
| 18 |
+
Paradise
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:05,420 --> 00:00:09,110
|
| 23 |
+
Paradise
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:09,110 --> 00:00:09,120
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:09,120 --> 00:00:12,950
|
| 33 |
+
|
| 34 |
+
bye bye my humble Wilbur very well
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:12,950 --> 00:00:12,960
|
| 38 |
+
bye bye my humble Wilbur very well
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:12,960 --> 00:00:16,730
|
| 43 |
+
bye bye my humble Wilbur very well
|
| 44 |
+
Charlotte you old schemer this will be a
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:16,730 --> 00:00:16,740
|
| 48 |
+
Charlotte you old schemer this will be a
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:16,740 --> 00:00:18,360
|
| 53 |
+
Charlotte you old schemer this will be a
|
| 54 |
+
night to remember
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:18,360 --> 00:00:18,370
|
| 58 |
+
night to remember
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:18,370 --> 00:00:26,929
|
| 63 |
+
night to remember
|
| 64 |
+
[Music]
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:26,929 --> 00:00:26,939
|
| 68 |
+
[Music]
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:26,939 --> 00:00:29,390
|
| 73 |
+
[Music]
|
| 74 |
+
a fair is a veritable smarcus Mark
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:29,390 --> 00:00:29,400
|
| 78 |
+
a fair is a veritable smarcus Mark
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:29,400 --> 00:00:31,730
|
| 83 |
+
a fair is a veritable smarcus Mark
|
| 84 |
+
Marcus fart Marcus Mark after the crowds
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:31,730 --> 00:00:31,740
|
| 88 |
+
Marcus fart Marcus Mark after the crowds
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:31,740 --> 00:00:33,549
|
| 93 |
+
Marcus fart Marcus Mark after the crowds
|
| 94 |
+
have ceased
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:00:33,549 --> 00:00:33,559
|
| 98 |
+
have ceased
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:00:33,559 --> 00:00:35,930
|
| 103 |
+
have ceased
|
| 104 |
+
each night when the lights go out it
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:00:35,930 --> 00:00:35,940
|
| 108 |
+
each night when the lights go out it
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:00:35,940 --> 00:00:38,030
|
| 113 |
+
each night when the lights go out it
|
| 114 |
+
can't become on the ground all around oh
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:00:38,030 --> 00:00:38,040
|
| 118 |
+
can't become on the ground all around oh
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:00:38,040 --> 00:00:41,410
|
| 123 |
+
can't become on the ground all around oh
|
| 124 |
+
what a rat play based
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:00:41,410 --> 00:00:41,420
|
| 128 |
+
what a rat play based
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:00:41,420 --> 00:00:44,930
|
| 133 |
+
what a rat play based
|
| 134 |
+
melon Rhymes and fits a hot dog's cookie
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:00:44,930 --> 00:00:44,940
|
| 138 |
+
melon Rhymes and fits a hot dog's cookie
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:00:44,940 --> 00:00:47,750
|
| 143 |
+
melon Rhymes and fits a hot dog's cookie
|
| 144 |
+
crumbs and rock cotton candy now to the
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:00:47,750 --> 00:00:47,760
|
| 148 |
+
crumbs and rock cotton candy now to the
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:00:47,760 --> 00:00:50,270
|
| 153 |
+
crumbs and rock cotton candy now to the
|
| 154 |
+
ice cream monster driftlings moldy
|
| 155 |
+
|
| 156 |
+
32
|
| 157 |
+
00:00:50,270 --> 00:00:50,280
|
| 158 |
+
ice cream monster driftlings moldy
|
| 159 |
+
|
| 160 |
+
|
| 161 |
+
33
|
| 162 |
+
00:00:50,280 --> 00:00:53,389
|
| 163 |
+
ice cream monster driftlings moldy
|
| 164 |
+
goodies everywhere
|
| 165 |
+
|
| 166 |
+
34
|
| 167 |
+
00:00:53,389 --> 00:00:53,399
|
| 168 |
+
|
| 169 |
+
|
| 170 |
+
|
| 171 |
+
35
|
| 172 |
+
00:00:53,399 --> 00:00:56,209
|
| 173 |
+
|
| 174 |
+
it's a popcorn Apple correspondent
|
| 175 |
+
|
| 176 |
+
36
|
| 177 |
+
00:00:56,209 --> 00:00:56,219
|
| 178 |
+
it's a popcorn Apple correspondent
|
| 179 |
+
|
| 180 |
+
|
| 181 |
+
37
|
| 182 |
+
00:00:56,219 --> 00:00:59,090
|
| 183 |
+
it's a popcorn Apple correspondent
|
| 184 |
+
appeals and salty sandwiches and cups a
|
| 185 |
+
|
| 186 |
+
38
|
| 187 |
+
00:00:59,090 --> 00:00:59,100
|
| 188 |
+
appeals and salty sandwiches and cups a
|
| 189 |
+
|
| 190 |
+
|
| 191 |
+
39
|
| 192 |
+
00:00:59,100 --> 00:01:02,240
|
| 193 |
+
appeals and salty sandwiches and cups a
|
| 194 |
+
gorgeous
|
| 195 |
+
|
| 196 |
+
40
|
| 197 |
+
00:01:02,240 --> 00:01:02,250
|
| 198 |
+
|
| 199 |
+
|
| 200 |
+
|
| 201 |
+
41
|
| 202 |
+
00:01:02,250 --> 00:01:39,010
|
| 203 |
+
|
| 204 |
+
[Music]
|
| 205 |
+
|
| 206 |
+
42
|
| 207 |
+
00:01:39,010 --> 00:01:39,020
|
| 208 |
+
|
| 209 |
+
|
| 210 |
+
|
| 211 |
+
43
|
| 212 |
+
00:01:39,020 --> 00:01:46,680
|
| 213 |
+
|
| 214 |
+
ah Fair here's a memorable
|
| 215 |
+
|
| 216 |
+
44
|
| 217 |
+
00:01:46,680 --> 00:01:46,690
|
| 218 |
+
|
| 219 |
+
|
| 220 |
+
|
| 221 |
+
45
|
| 222 |
+
00:01:46,690 --> 00:01:47,950
|
| 223 |
+
|
| 224 |
+
[Music]
|
| 225 |
+
|
| 226 |
+
46
|
| 227 |
+
00:01:47,950 --> 00:01:47,960
|
| 228 |
+
[Music]
|
| 229 |
+
|
| 230 |
+
|
| 231 |
+
47
|
| 232 |
+
00:01:47,960 --> 00:01:55,569
|
| 233 |
+
[Music]
|
| 234 |
+
after the gates are shy
|
| 235 |
+
|
| 236 |
+
48
|
| 237 |
+
00:01:55,569 --> 00:01:55,579
|
| 238 |
+
|
| 239 |
+
|
| 240 |
+
|
| 241 |
+
49
|
| 242 |
+
00:01:55,579 --> 00:02:01,190
|
| 243 |
+
|
| 244 |
+
each night when the lights go out it
|
| 245 |
+
|
| 246 |
+
50
|
| 247 |
+
00:02:01,190 --> 00:02:01,200
|
| 248 |
+
each night when the lights go out it
|
| 249 |
+
|
| 250 |
+
|
| 251 |
+
51
|
| 252 |
+
00:02:01,200 --> 00:02:05,700
|
| 253 |
+
each night when the lights go out it
|
| 254 |
+
can't be found on the ground all around
|
| 255 |
+
|
| 256 |
+
52
|
| 257 |
+
00:02:05,700 --> 00:02:05,710
|
| 258 |
+
can't be found on the ground all around
|
| 259 |
+
|
| 260 |
+
|
| 261 |
+
53
|
| 262 |
+
00:02:05,710 --> 00:02:07,029
|
| 263 |
+
can't be found on the ground all around
|
| 264 |
+
[Music]
|
| 265 |
+
|
| 266 |
+
54
|
| 267 |
+
00:02:07,029 --> 00:02:07,039
|
| 268 |
+
[Music]
|
| 269 |
+
|
| 270 |
+
|
| 271 |
+
55
|
| 272 |
+
00:02:07,039 --> 00:02:11,650
|
| 273 |
+
[Music]
|
| 274 |
+
let's wear around
|
| 275 |
+
|
| 276 |
+
56
|
| 277 |
+
00:02:11,650 --> 00:02:11,660
|
| 278 |
+
let's wear around
|
| 279 |
+
|
| 280 |
+
|
| 281 |
+
57
|
| 282 |
+
00:02:11,660 --> 00:02:13,620
|
| 283 |
+
let's wear around
|
| 284 |
+
and quiet
|
| 285 |
+
|
| 286 |
+
58
|
| 287 |
+
00:02:13,620 --> 00:02:13,630
|
| 288 |
+
and quiet
|
| 289 |
+
|
| 290 |
+
|
| 291 |
+
59
|
| 292 |
+
00:02:13,630 --> 00:02:25,069
|
| 293 |
+
and quiet
|
| 294 |
+
[Music]
|
| 295 |
+
|
1973/xQFsE2WoXL0.en.srt
ADDED
|
@@ -0,0 +1,155 @@
|
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|
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|
|
|
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|
|
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|
|
|
|
|
|
|
|
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|
|
|
|
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|
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|
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|
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|
|
|
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|
|
|
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|
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|
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|
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|
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|
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|
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|
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|
|
|
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|
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|
|
|
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|
|
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|
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|
|
|
|
|
|
|
|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
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|
|
|
|
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|
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|
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|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:16,010 --> 00:00:18,290
|
| 3 |
+
|
| 4 |
+
lock the door as well on your way up
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:18,290 --> 00:00:18,300
|
| 8 |
+
lock the door as well on your way up
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:18,300 --> 00:00:24,050
|
| 13 |
+
lock the door as well on your way up
|
| 14 |
+
Badou James after all you wouldn't want
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:00:24,050 --> 00:00:24,060
|
| 18 |
+
Badou James after all you wouldn't want
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:00:24,060 --> 00:00:31,569
|
| 23 |
+
Badou James after all you wouldn't want
|
| 24 |
+
anyone to just walk in on us with him
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:00:31,569 --> 00:00:31,579
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:00:31,579 --> 00:00:34,160
|
| 33 |
+
|
| 34 |
+
first time in my life I feel like a
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:00:34,160 --> 00:00:34,170
|
| 38 |
+
first time in my life I feel like a
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:00:34,170 --> 00:00:38,720
|
| 43 |
+
first time in my life I feel like a
|
| 44 |
+
complete woman slightest touch of your
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:00:38,720 --> 00:00:38,730
|
| 48 |
+
complete woman slightest touch of your
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:00:38,730 --> 00:00:42,980
|
| 53 |
+
complete woman slightest touch of your
|
| 54 |
+
hand I was were so afraid that a part of
|
| 55 |
+
|
| 56 |
+
12
|
| 57 |
+
00:00:42,980 --> 00:00:42,990
|
| 58 |
+
hand I was were so afraid that a part of
|
| 59 |
+
|
| 60 |
+
|
| 61 |
+
13
|
| 62 |
+
00:00:42,990 --> 00:00:45,710
|
| 63 |
+
hand I was were so afraid that a part of
|
| 64 |
+
me would stay with the past I know
|
| 65 |
+
|
| 66 |
+
14
|
| 67 |
+
00:00:45,710 --> 00:00:45,720
|
| 68 |
+
me would stay with the past I know
|
| 69 |
+
|
| 70 |
+
|
| 71 |
+
15
|
| 72 |
+
00:00:45,720 --> 00:00:47,360
|
| 73 |
+
me would stay with the past I know
|
| 74 |
+
there's no chance of that any longer
|
| 75 |
+
|
| 76 |
+
16
|
| 77 |
+
00:00:47,360 --> 00:00:47,370
|
| 78 |
+
there's no chance of that any longer
|
| 79 |
+
|
| 80 |
+
|
| 81 |
+
17
|
| 82 |
+
00:00:47,370 --> 00:00:51,020
|
| 83 |
+
there's no chance of that any longer
|
| 84 |
+
just to be able to reach out and touch
|
| 85 |
+
|
| 86 |
+
18
|
| 87 |
+
00:00:51,020 --> 00:00:51,030
|
| 88 |
+
just to be able to reach out and touch
|
| 89 |
+
|
| 90 |
+
|
| 91 |
+
19
|
| 92 |
+
00:00:51,030 --> 00:01:43,930
|
| 93 |
+
just to be able to reach out and touch
|
| 94 |
+
you Mr Bond it's good to see you again
|
| 95 |
+
|
| 96 |
+
20
|
| 97 |
+
00:01:43,930 --> 00:01:43,940
|
| 98 |
+
|
| 99 |
+
|
| 100 |
+
|
| 101 |
+
21
|
| 102 |
+
00:01:43,940 --> 00:01:53,359
|
| 103 |
+
|
| 104 |
+
Oh
|
| 105 |
+
|
| 106 |
+
22
|
| 107 |
+
00:01:53,359 --> 00:01:53,369
|
| 108 |
+
|
| 109 |
+
|
| 110 |
+
|
| 111 |
+
23
|
| 112 |
+
00:01:53,369 --> 00:02:10,800
|
| 113 |
+
|
| 114 |
+
Oh
|
| 115 |
+
|
| 116 |
+
24
|
| 117 |
+
00:02:10,800 --> 00:02:10,810
|
| 118 |
+
|
| 119 |
+
|
| 120 |
+
|
| 121 |
+
25
|
| 122 |
+
00:02:10,810 --> 00:02:46,930
|
| 123 |
+
|
| 124 |
+
difficulty
|
| 125 |
+
|
| 126 |
+
26
|
| 127 |
+
00:02:46,930 --> 00:02:46,940
|
| 128 |
+
|
| 129 |
+
|
| 130 |
+
|
| 131 |
+
27
|
| 132 |
+
00:02:46,940 --> 00:02:58,150
|
| 133 |
+
|
| 134 |
+
well that was very fun what you doing
|
| 135 |
+
|
| 136 |
+
28
|
| 137 |
+
00:02:58,150 --> 00:02:58,160
|
| 138 |
+
|
| 139 |
+
|
| 140 |
+
|
| 141 |
+
29
|
| 142 |
+
00:02:58,160 --> 00:03:17,670
|
| 143 |
+
|
| 144 |
+
just being disarming dad
|
| 145 |
+
|
| 146 |
+
30
|
| 147 |
+
00:03:17,670 --> 00:03:17,680
|
| 148 |
+
|
| 149 |
+
|
| 150 |
+
|
| 151 |
+
31
|
| 152 |
+
00:03:17,680 --> 00:03:19,709
|
| 153 |
+
|
| 154 |
+
Oh
|
| 155 |
+
|
1973/ySINkZRkHi0.en.srt
ADDED
|
@@ -0,0 +1,55 @@
|
|
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|
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|
|
|
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
+
1
|
| 2 |
+
00:00:00,060 --> 00:00:56,520
|
| 3 |
+
|
| 4 |
+
this is it this is it Toretto
|
| 5 |
+
|
| 6 |
+
2
|
| 7 |
+
00:00:56,520 --> 00:00:56,530
|
| 8 |
+
|
| 9 |
+
|
| 10 |
+
|
| 11 |
+
3
|
| 12 |
+
00:00:56,530 --> 00:01:04,229
|
| 13 |
+
|
| 14 |
+
[Music]
|
| 15 |
+
|
| 16 |
+
4
|
| 17 |
+
00:01:04,229 --> 00:01:04,239
|
| 18 |
+
|
| 19 |
+
|
| 20 |
+
|
| 21 |
+
5
|
| 22 |
+
00:01:04,239 --> 00:01:38,780
|
| 23 |
+
|
| 24 |
+
[Music]
|
| 25 |
+
|
| 26 |
+
6
|
| 27 |
+
00:01:38,780 --> 00:01:38,790
|
| 28 |
+
|
| 29 |
+
|
| 30 |
+
|
| 31 |
+
7
|
| 32 |
+
00:01:38,790 --> 00:01:41,580
|
| 33 |
+
|
| 34 |
+
it's this was just around the corner
|
| 35 |
+
|
| 36 |
+
8
|
| 37 |
+
00:01:41,580 --> 00:01:41,590
|
| 38 |
+
it's this was just around the corner
|
| 39 |
+
|
| 40 |
+
|
| 41 |
+
9
|
| 42 |
+
00:01:41,590 --> 00:01:47,350
|
| 43 |
+
it's this was just around the corner
|
| 44 |
+
from where we were I know
|
| 45 |
+
|
| 46 |
+
10
|
| 47 |
+
00:01:47,350 --> 00:01:47,360
|
| 48 |
+
|
| 49 |
+
|
| 50 |
+
|
| 51 |
+
11
|
| 52 |
+
00:01:47,360 --> 00:01:58,700
|
| 53 |
+
|
| 54 |
+
[Music]
|
| 55 |
+
|