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1931/96sUPxlIfx4.mp4

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+oid sha256:37df2195851253cd546e6d3ab3eecd17839f2f64b8ff4a13d47653ad6b2a816c
+size 3154318

1941/fZ7X5JDKmSI.en.srt

@@ -0,0 +1,625 @@
+1
+00:00:00,179 --> 00:00:01,579
+
+every Jane in the room was giving him
+
+2
+00:00:01,579 --> 00:00:01,589
+every Jane in the room was giving him
+ 
+
+3
+00:00:01,589 --> 00:00:02,690
+every Jane in the room was giving him
+the thermometer and he feels they're
+
+4
+00:00:02,690 --> 00:00:02,700
+the thermometer and he feels they're
+ 
+
+5
+00:00:02,700 --> 00:00:05,660
+the thermometer and he feels they're
+just a waste of time he's returning to
+
+6
+00:00:05,660 --> 00:00:05,670
+just a waste of time he's returning to
+ 
+
+7
+00:00:05,670 --> 00:00:08,600
+just a waste of time he's returning to
+his book he's deeply immersed in it he
+
+8
+00:00:08,600 --> 00:00:08,610
+his book he's deeply immersed in it he
+ 
+
+9
+00:00:08,610 --> 00:00:10,910
+his book he's deeply immersed in it he
+sees no one except watch his head turn
+
+10
+00:00:10,910 --> 00:00:10,920
+sees no one except watch his head turn
+ 
+
+11
+00:00:10,920 --> 00:00:12,799
+sees no one except watch his head turn
+when that kid goes by won't do you any
+
+12
+00:00:12,799 --> 00:00:12,809
+when that kid goes by won't do you any
+ 
+
+13
+00:00:12,809 --> 00:00:14,990
+when that kid goes by won't do you any
+good there he's a bookworm but swing him
+
+14
+00:00:14,990 --> 00:00:15,000
+good there he's a bookworm but swing him
+ 
+
+15
+00:00:15,000 --> 00:00:15,560
+good there he's a bookworm but swing him
+anyway
+
+16
+00:00:15,560 --> 00:00:15,570
+anyway
+ 
+
+17
+00:00:15,570 --> 00:00:18,410
+anyway
+oh how about this one how would you like
+
+18
+00:00:18,410 --> 00:00:18,420
+oh how about this one how would you like
+ 
+
+19
+00:00:18,420 --> 00:00:20,269
+oh how about this one how would you like
+that hanging on your Christmas tree oh
+
+20
+00:00:20,269 --> 00:00:20,279
+that hanging on your Christmas tree oh
+ 
+
+21
+00:00:20,279 --> 00:00:22,580
+that hanging on your Christmas tree oh
+you wouldn't what is your weakness
+
+22
+00:00:22,580 --> 00:00:22,590
+you wouldn't what is your weakness
+ 
+
+23
+00:00:22,590 --> 00:00:26,420
+you wouldn't what is your weakness
+brother Holy Smoke the drop kerchief
+
+24
+00:00:26,420 --> 00:00:26,430
+brother Holy Smoke the drop kerchief
+ 
+
+25
+00:00:26,430 --> 00:00:28,279
+brother Holy Smoke the drop kerchief
+that hasn't been used since Lily Langtry
+
+26
+00:00:28,279 --> 00:00:28,289
+that hasn't been used since Lily Langtry
+ 
+
+27
+00:00:28,289 --> 00:00:30,410
+that hasn't been used since Lily Langtry
+you'll have to pick it up yourself madam
+
+28
+00:00:30,410 --> 00:00:30,420
+you'll have to pick it up yourself madam
+ 
+
+29
+00:00:30,420 --> 00:00:31,609
+you'll have to pick it up yourself madam
+it's a shame he doesn't care for the
+
+30
+00:00:31,609 --> 00:00:31,619
+it's a shame he doesn't care for the
+ 
+
+31
+00:00:31,619 --> 00:00:34,670
+it's a shame he doesn't care for the
+flesh you'll never see it with that girl
+
+32
+00:00:34,670 --> 00:00:34,680
+flesh you'll never see it with that girl
+ 
+
+33
+00:00:34,680 --> 00:00:37,029
+flesh you'll never see it with that girl
+over to his left
+
+34
+00:00:37,029 --> 00:00:37,039
+over to his left
+ 
+
+35
+00:00:37,039 --> 00:00:39,459
+over to his left
+look over to your left bookworm there's
+
+36
+00:00:39,459 --> 00:00:39,469
+look over to your left bookworm there's
+ 
+
+37
+00:00:39,469 --> 00:00:42,150
+look over to your left bookworm there's
+a girl pining for you a little further
+
+38
+00:00:42,150 --> 00:00:42,160
+a girl pining for you a little further
+ 
+
+39
+00:00:42,160 --> 00:00:45,910
+a girl pining for you a little further
+just a little further hey wasn't that
+
+40
+00:00:45,910 --> 00:00:45,920
+just a little further hey wasn't that
+ 
+
+41
+00:00:45,920 --> 00:00:47,709
+just a little further hey wasn't that
+worth looking boys see those nice store
+
+42
+00:00:47,709 --> 00:00:47,719
+worth looking boys see those nice store
+ 
+
+43
+00:00:47,719 --> 00:00:49,299
+worth looking boys see those nice store
+teeth all beaming at you while she
+
+44
+00:00:49,299 --> 00:00:49,309
+teeth all beaming at you while she
+ 
+
+45
+00:00:49,309 --> 00:00:51,610
+teeth all beaming at you while she
+recognizes you she's up she's down she
+
+46
+00:00:51,610 --> 00:00:51,620
+recognizes you she's up she's down she
+ 
+
+47
+00:00:51,620 --> 00:00:52,869
+recognizes you she's up she's down she
+can't make up her mind she's up again
+
+48
+00:00:52,869 --> 00:00:52,879
+can't make up her mind she's up again
+ 
+
+49
+00:00:52,879 --> 00:00:54,939
+can't make up her mind she's up again
+she recognizes you she's coming over to
+
+50
+00:00:54,939 --> 00:00:54,949
+she recognizes you she's coming over to
+ 
+
+51
+00:00:54,949 --> 00:00:56,680
+she recognizes you she's coming over to
+take to you the suspense is killing me
+
+52
+00:00:56,680 --> 00:00:56,690
+take to you the suspense is killing me
+ 
+
+53
+00:00:56,690 --> 00:00:58,389
+take to you the suspense is killing me
+why for heaven's sake aren't you fuzzy
+
+54
+00:00:58,389 --> 00:00:58,399
+why for heaven's sake aren't you fuzzy
+ 
+
+55
+00:00:58,399 --> 00:00:59,709
+why for heaven's sake aren't you fuzzy
+old hammer I went to manual training
+
+56
+00:00:59,709 --> 00:00:59,719
+old hammer I went to manual training
+ 
+
+57
+00:00:59,719 --> 00:01:01,420
+old hammer I went to manual training
+school within Louisville oh you're not
+
+58
+00:01:01,420 --> 00:01:01,430
+school within Louisville oh you're not
+ 
+
+59
+00:01:01,430 --> 00:01:03,279
+school within Louisville oh you're not
+but you certainly look exactly like and
+
+60
+00:01:03,279 --> 00:01:03,289
+but you certainly look exactly like and
+ 
+
+61
+00:01:03,289 --> 00:01:04,509
+but you certainly look exactly like and
+it's certainly a remarkable resemblance
+
+62
+00:01:04,509 --> 00:01:04,519
+it's certainly a remarkable resemblance
+ 
+
+63
+00:01:04,519 --> 00:01:06,609
+it's certainly a remarkable resemblance
+if you not couldn't ask me to sit down I
+
+64
+00:01:06,609 --> 00:01:06,619
+if you not couldn't ask me to sit down I
+ 
+
+65
+00:01:06,619 --> 00:01:07,960
+if you not couldn't ask me to sit down I
+suppose you're not going to ask this
+
+66
+00:01:07,960 --> 00:01:07,970
+suppose you're not going to ask this
+ 
+
+67
+00:01:07,970 --> 00:01:10,210
+suppose you're not going to ask this
+sit-down I'm very sorry I certainly hope
+
+68
+00:01:10,210 --> 00:01:10,220
+sit-down I'm very sorry I certainly hope
+ 
+
+69
+00:01:10,220 --> 00:01:11,590
+sit-down I'm very sorry I certainly hope
+I haven't caused you any embarrassment
+
+70
+00:01:11,590 --> 00:01:11,600
+I haven't caused you any embarrassment
+ 
+
+71
+00:01:11,600 --> 00:01:13,150
+I haven't caused you any embarrassment
+you know so-and-so
+
+72
+00:01:13,150 --> 00:01:13,160
+you know so-and-so
+ 
+
+73
+00:01:13,160 --> 00:01:14,810
+you know so-and-so
+[Music]
+
+74
+00:01:14,810 --> 00:01:14,820
+[Music]
+ 
+
+75
+00:01:14,820 --> 00:01:17,240
+[Music]
+one of my ties on straight I certainly
+
+76
+00:01:17,240 --> 00:01:17,250
+one of my ties on straight I certainly
+ 
+
+77
+00:01:17,250 --> 00:01:19,970
+one of my ties on straight I certainly
+upset them don't I now who else is after
+
+78
+00:01:19,970 --> 00:01:19,980
+upset them don't I now who else is after
+ 
+
+79
+00:01:19,980 --> 00:01:20,570
+upset them don't I now who else is after
+me
+
+80
+00:01:20,570 --> 00:01:20,580
+me
+ 
+
+81
+00:01:20,580 --> 00:01:23,300
+me
+ah the lady champion wrestler wouldn't
+
+82
+00:01:23,300 --> 00:01:23,310
+ah the lady champion wrestler wouldn't
+ 
+
+83
+00:01:23,310 --> 00:01:25,430
+ah the lady champion wrestler wouldn't
+she make a houseful well you don't like
+
+84
+00:01:25,430 --> 00:01:25,440
+she make a houseful well you don't like
+ 
+
+85
+00:01:25,440 --> 00:01:26,780
+she make a houseful well you don't like
+her either Oh what are you gonna do
+
+86
+00:01:26,780 --> 00:01:26,790
+her either Oh what are you gonna do
+ 
+
+87
+00:01:26,790 --> 00:01:27,410
+her either Oh what are you gonna do
+about it
+
+88
+00:01:27,410 --> 00:01:27,420
+about it
+ 
+
+89
+00:01:27,420 --> 00:01:28,940
+about it
+oh you just can't stand it anymore
+
+90
+00:01:28,940 --> 00:01:28,950
+oh you just can't stand it anymore
+ 
+
+91
+00:01:28,950 --> 00:01:30,410
+oh you just can't stand it anymore
+you're leaving these women don't give
+
+92
+00:01:30,410 --> 00:01:30,420
+you're leaving these women don't give
+ 
+
+93
+00:01:30,420 --> 00:01:32,270
+you're leaving these women don't give
+you a moment's peace do they well go
+
+94
+00:01:32,270 --> 00:01:32,280
+you a moment's peace do they well go
+ 
+
+95
+00:01:32,280 --> 00:01:34,730
+you a moment's peace do they well go
+ahead go sulk in your cabin go soak your
+
+96
+00:01:34,730 --> 00:01:34,740
+ahead go sulk in your cabin go soak your
+ 
+
+97
+00:01:34,740 --> 00:01:35,950
+ahead go sulk in your cabin go soak your
+head and see if I care
+
+98
+00:01:35,950 --> 00:01:35,960
+head and see if I care
+ 
+
+99
+00:01:35,960 --> 00:01:51,429
+head and see if I care
+[Music]
+
+100
+00:01:51,429 --> 00:01:51,439
+
+ 
+
+101
+00:01:51,439 --> 00:01:52,929
+
+why don't you look where you're going
+
+102
+00:01:52,929 --> 00:01:52,939
+why don't you look where you're going
+ 
+
+103
+00:01:52,939 --> 00:01:54,910
+why don't you look where you're going
+why don't I look to my sure you're not
+
+104
+00:01:54,910 --> 00:01:54,920
+why don't I look to my sure you're not
+ 
+
+105
+00:01:54,920 --> 00:01:57,190
+why don't I look to my sure you're not
+the heel I did well I'm certainly sorry
+
+106
+00:01:57,190 --> 00:01:57,200
+the heel I did well I'm certainly sorry
+ 
+
+107
+00:01:57,200 --> 00:01:58,749
+the heel I did well I'm certainly sorry
+you didn't you just take me right down
+
+108
+00:01:58,749 --> 00:01:58,759
+you didn't you just take me right down
+ 
+
+109
+00:01:58,759 --> 00:02:00,190
+you didn't you just take me right down
+to my cabin for another pair of slippers
+
+110
+00:02:00,190 --> 00:02:00,200
+to my cabin for another pair of slippers
+ 
+
+111
+00:02:00,200 --> 00:02:02,230
+to my cabin for another pair of slippers
+Oh certainly that's the least I can do
+
+112
+00:02:02,230 --> 00:02:02,240
+Oh certainly that's the least I can do
+ 
+
+113
+00:02:02,240 --> 00:02:03,940
+Oh certainly that's the least I can do
+by the way my name is pike Oh everybody
+
+114
+00:02:03,940 --> 00:02:03,950
+by the way my name is pike Oh everybody
+ 
+
+115
+00:02:03,950 --> 00:02:04,990
+by the way my name is pike Oh everybody
+knows that nobody's talking about
+
+116
+00:02:04,990 --> 00:02:05,000
+knows that nobody's talking about
+ 
+
+117
+00:02:05,000 --> 00:02:06,340
+knows that nobody's talking about
+anything else this is my father Colonel
+
+118
+00:02:06,340 --> 00:02:06,350
+anything else this is my father Colonel
+ 
+
+119
+00:02:06,350 --> 00:02:07,809
+anything else this is my father Colonel
+Harrington my name is gene it's really
+
+120
+00:02:07,809 --> 00:02:07,819
+Harrington my name is gene it's really
+ 
+
+121
+00:02:07,819 --> 00:02:14,190
+Harrington my name is gene it's really
+Eugenia come on
+
+122
+00:02:14,190 --> 00:02:14,200
+
+ 
+
+123
+00:02:14,200 --> 00:02:17,440
+
+funny I'm eating like this isn't it
+
+124
+00:02:17,440 --> 00:02:17,450
+funny I'm eating like this isn't it
+ 
+
+125
+00:02:17,450 --> 00:02:48,500
+funny I'm eating like this isn't it
+[Music]
+

1941/wPT49WXC0Zo.description

@@ -0,0 +1,38 @@
+The Maltese Falcon movie clips: http://j.mp/1uy9k0K
+BUY THE MOVIE: http://j.mp/QZteIZ
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Sam Spade (Humphrey Bogart) confronts Brigid (Mary Astor) about why she killed his partner, Miles.
+
+FILM DESCRIPTION:
+After two previous film versions of Dashiell Hammett's detective classic The Maltese Falcon, Warner Bros. finally got it right in 1941--or, rather, John Huston, a long-established screenwriter making his directorial debut, got it right, simply by adhering as closely as possible to the original. Taking over from a recalcitrant George Raft, Humphrey Bogart achieved true stardom as Sam Spade, a hard-boiled San Francisco private eye who can be as unscrupulous as the next guy but also adheres to his own personal code of honor. Into the offices of the Spade & Archer detective agency sweeps a Miss Wonderly (Mary Astor), who offers a large retainer to Sam and his partner Miles Archer (Jerome Cowan) if they'll protect her from someone named Floyd Thursby. The detectives believe neither Miss Wonderly nor her story, but they believe her money. Since Archer saw her first, he takes the case -- and later that evening he is shot to death, as is the mysterious Thursby. Miss Wonderly's real name turns out to be Brigid O'Shaughnessey, and, as the story continues, Sam is also introduced to the effeminate Joel Cairo (Peter Lorre) and the fat, erudite Kasper Gutman (Sydney Greenstreet, in his film debut). It turns out that Brigid, Cairo and Gutman are all international scoundrels, all involved in the search for a foot-high, jewel-encrusted statuette in the shape of a falcon. Though both Cairo and Gutman offer Spade small fortunes to find the "black bird," they are obviously willing to commit mayhem and murder towards that goal: Gutman, for example, drugs Spade and allows his "gunsel" Wilmer (Elisha Cook Jr.) to kick and beat the unconscious detective. This classic film noir detective yarn gets better with each viewing, which is more than can be said for the first two Maltese Falcons and the ill-advised 1975 "sequel" The Black Bird.
+
+CREDITS:
+TM & © Warner Bros. (1941)
+Cast: Humphrey Bogart, Mary Astor
+Director: John Huston
+Producers: Henry Blanke, Hal B. Wallis
+Screenwriters: John Huston, Dashiell Hammett
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1941/wPT49WXC0Zo.en.srt

@@ -0,0 +1,495 @@
+1
+00:00:00,030 --> 00:00:02,830
+
+police will be here any minute that talk
+
+2
+00:00:02,830 --> 00:00:02,840
+police will be here any minute that talk
+ 
+
+3
+00:00:02,840 --> 00:00:05,420
+police will be here any minute that talk
+time for that schoolgirl act we're both
+
+4
+00:00:05,420 --> 00:00:05,430
+time for that schoolgirl act we're both
+ 
+
+5
+00:00:05,430 --> 00:00:07,160
+time for that schoolgirl act we're both
+of us sitting under the gallows now why
+
+6
+00:00:07,160 --> 00:00:07,170
+of us sitting under the gallows now why
+ 
+
+7
+00:00:07,170 --> 00:00:08,450
+of us sitting under the gallows now why
+did you shoot miles
+
+8
+00:00:08,450 --> 00:00:08,460
+did you shoot miles
+ 
+
+9
+00:00:08,460 --> 00:00:12,350
+did you shoot miles
+I didn't mean to it first really I
+
+10
+00:00:12,350 --> 00:00:12,360
+I didn't mean to it first really I
+ 
+
+11
+00:00:12,360 --> 00:00:15,020
+I didn't mean to it first really I
+didn't what I found out that Floyd
+
+12
+00:00:15,020 --> 00:00:15,030
+didn't what I found out that Floyd
+ 
+
+13
+00:00:15,030 --> 00:00:17,870
+didn't what I found out that Floyd
+couldn't be frightened I can't look at
+
+14
+00:00:17,870 --> 00:00:17,880
+couldn't be frightened I can't look at
+ 
+
+15
+00:00:17,880 --> 00:00:20,480
+couldn't be frightened I can't look at
+you did you thought tells me what tackle
+
+16
+00:00:20,480 --> 00:00:20,490
+you did you thought tells me what tackle
+ 
+
+17
+00:00:20,490 --> 00:00:21,620
+you did you thought tells me what tackle
+miles and one of the other of them would
+
+18
+00:00:21,620 --> 00:00:21,630
+miles and one of the other of them would
+ 
+
+19
+00:00:21,630 --> 00:00:23,300
+miles and one of the other of them would
+go down if Terry was killed you were
+
+20
+00:00:23,300 --> 00:00:23,310
+go down if Terry was killed you were
+ 
+
+21
+00:00:23,310 --> 00:00:25,070
+go down if Terry was killed you were
+rhythm if it was miles you see the turns
+
+22
+00:00:25,070 --> 00:00:25,080
+rhythm if it was miles you see the turns
+ 
+
+23
+00:00:25,080 --> 00:00:26,480
+rhythm if it was miles you see the turns
+lose caught and set up for it isn't that
+
+24
+00:00:26,480 --> 00:00:26,490
+lose caught and set up for it isn't that
+ 
+
+25
+00:00:26,490 --> 00:00:28,759
+lose caught and set up for it isn't that
+right when you found the turns me wasn't
+
+26
+00:00:28,759 --> 00:00:28,769
+right when you found the turns me wasn't
+ 
+
+27
+00:00:28,769 --> 00:00:30,019
+right when you found the turns me wasn't
+going to tackle them you borrowed his
+
+28
+00:00:30,019 --> 00:00:30,029
+going to tackle them you borrowed his
+ 
+
+29
+00:00:30,029 --> 00:00:30,919
+going to tackle them you borrowed his
+gun and did it yourself
+
+30
+00:00:30,919 --> 00:00:30,929
+gun and did it yourself
+ 
+
+31
+00:00:30,929 --> 00:00:32,720
+gun and did it yourself
+right and when you heard Terry was shot
+
+32
+00:00:32,720 --> 00:00:32,730
+right and when you heard Terry was shot
+ 
+
+33
+00:00:32,730 --> 00:00:34,580
+right and when you heard Terry was shot
+your new governors in town and you knew
+
+34
+00:00:34,580 --> 00:00:34,590
+your new governors in town and you knew
+ 
+
+35
+00:00:34,590 --> 00:00:36,020
+your new governors in town and you knew
+you needed another protector somebody to
+
+36
+00:00:36,020 --> 00:00:36,030
+you needed another protector somebody to
+ 
+
+37
+00:00:36,030 --> 00:00:41,229
+you needed another protector somebody to
+feel first boost so you came back to me
+
+38
+00:00:41,229 --> 00:00:41,239
+
+ 
+
+39
+00:00:41,239 --> 00:00:44,119
+
+I didn't come back to you sooner or
+
+40
+00:00:44,119 --> 00:00:44,129
+I didn't come back to you sooner or
+ 
+
+41
+00:00:44,129 --> 00:00:46,369
+I didn't come back to you sooner or
+later for the very first instant I saw
+
+42
+00:00:46,369 --> 00:00:46,379
+later for the very first instant I saw
+ 
+
+43
+00:00:46,379 --> 00:00:52,340
+later for the very first instant I saw
+you I knew well if you get a good break
+
+44
+00:00:52,340 --> 00:00:52,350
+you I knew well if you get a good break
+ 
+
+45
+00:00:52,350 --> 00:00:54,319
+you I knew well if you get a good break
+you'll be out at a hatchapee in 20 years
+
+46
+00:00:54,319 --> 00:00:54,329
+you'll be out at a hatchapee in 20 years
+ 
+
+47
+00:00:54,329 --> 00:00:57,290
+you'll be out at a hatchapee in 20 years
+and you can come back to me then I hope
+
+48
+00:00:57,290 --> 00:00:57,300
+and you can come back to me then I hope
+ 
+
+49
+00:00:57,300 --> 00:00:59,090
+and you can come back to me then I hope
+they don't hang your precious for that
+
+50
+00:00:59,090 --> 00:00:59,100
+they don't hang your precious for that
+ 
+
+51
+00:00:59,100 --> 00:01:04,310
+they don't hang your precious for that
+sweet neck you're not yes angel I'm
+
+52
+00:01:04,310 --> 00:01:04,320
+sweet neck you're not yes angel I'm
+ 
+
+53
+00:01:04,320 --> 00:01:06,830
+sweet neck you're not yes angel I'm
+gonna send you over but chances are you
+
+54
+00:01:06,830 --> 00:01:06,840
+gonna send you over but chances are you
+ 
+
+55
+00:01:06,840 --> 00:01:09,140
+gonna send you over but chances are you
+get off with life that means if you're a
+
+56
+00:01:09,140 --> 00:01:09,150
+get off with life that means if you're a
+ 
+
+57
+00:01:09,150 --> 00:01:11,179
+get off with life that means if you're a
+good girl you'll be out in 20 years I'll
+
+58
+00:01:11,179 --> 00:01:11,189
+good girl you'll be out in 20 years I'll
+ 
+
+59
+00:01:11,189 --> 00:01:12,140
+good girl you'll be out in 20 years I'll
+be waiting for you
+
+60
+00:01:12,140 --> 00:01:12,150
+be waiting for you
+ 
+
+61
+00:01:12,150 --> 00:01:22,820
+be waiting for you
+to hang you I'll always remember you I
+
+62
+00:01:22,820 --> 00:01:22,830
+to hang you I'll always remember you I
+ 
+
+63
+00:01:22,830 --> 00:01:25,490
+to hang you I'll always remember you I
+was frightened for a minute I really
+
+64
+00:01:25,490 --> 00:01:25,500
+was frightened for a minute I really
+ 
+
+65
+00:01:25,500 --> 00:01:28,100
+was frightened for a minute I really
+thought you do that wild unpredictable
+
+66
+00:01:28,100 --> 00:01:28,110
+thought you do that wild unpredictable
+ 
+
+67
+00:01:28,110 --> 00:01:30,710
+thought you do that wild unpredictable
+things don't be silly
+
+68
+00:01:30,710 --> 00:01:30,720
+things don't be silly
+ 
+
+69
+00:01:30,720 --> 00:01:39,099
+things don't be silly
+you're taking the fall
+
+70
+00:01:39,099 --> 00:01:39,109
+
+ 
+
+71
+00:01:39,109 --> 00:01:42,520
+
+you could playing with me pretending you
+
+72
+00:01:42,520 --> 00:01:42,530
+you could playing with me pretending you
+ 
+
+73
+00:01:42,530 --> 00:01:43,830
+you could playing with me pretending you
+care to track me like this
+
+74
+00:01:43,830 --> 00:01:43,840
+care to track me like this
+ 
+
+75
+00:01:43,840 --> 00:01:48,130
+care to track me like this
+you didn't care at all you don't love me
+
+76
+00:01:48,130 --> 00:01:48,140
+you didn't care at all you don't love me
+ 
+
+77
+00:01:48,140 --> 00:01:51,160
+you didn't care at all you don't love me
+I won't play the SAP for you oh you know
+
+78
+00:01:51,160 --> 00:01:51,170
+I won't play the SAP for you oh you know
+ 
+
+79
+00:01:51,170 --> 00:01:52,660
+I won't play the SAP for you oh you know
+it's not like that you can't say that
+
+80
+00:01:52,660 --> 00:01:52,670
+it's not like that you can't say that
+ 
+
+81
+00:01:52,670 --> 00:01:54,190
+it's not like that you can't say that
+whoever fight square with me for half an
+
+82
+00:01:54,190 --> 00:01:54,200
+whoever fight square with me for half an
+ 
+
+83
+00:01:54,200 --> 00:01:55,870
+whoever fight square with me for half an
+hour destructions I've known you you
+
+84
+00:01:55,870 --> 00:01:55,880
+hour destructions I've known you you
+ 
+
+85
+00:01:55,880 --> 00:01:57,550
+hour destructions I've known you you
+know darn deep in your heart and in
+
+86
+00:01:57,550 --> 00:01:57,560
+know darn deep in your heart and in
+ 
+
+87
+00:01:57,560 --> 00:01:59,410
+know darn deep in your heart and in
+spite of anything I've done I love you I
+
+88
+00:01:59,410 --> 00:01:59,420
+spite of anything I've done I love you I
+ 
+
+89
+00:01:59,420 --> 00:02:00,789
+spite of anything I've done I love you I
+don't care who loves who I won't play
+
+90
+00:02:00,789 --> 00:02:00,799
+don't care who loves who I won't play
+ 
+
+91
+00:02:00,799 --> 00:02:02,260
+don't care who loves who I won't play
+the SAP for you I won't walk at times
+
+92
+00:02:02,260 --> 00:02:02,270
+the SAP for you I won't walk at times
+ 
+
+93
+00:02:02,270 --> 00:02:03,399
+the SAP for you I won't walk at times
+beaten I don't know how many others
+
+94
+00:02:03,399 --> 00:02:03,409
+beaten I don't know how many others
+ 
+
+95
+00:02:03,409 --> 00:02:06,279
+beaten I don't know how many others
+footsteps you killed miles and you're
+
+96
+00:02:06,279 --> 00:02:06,289
+footsteps you killed miles and you're
+ 
+
+97
+00:02:06,289 --> 00:02:15,440
+footsteps you killed miles and you're
+going over for it
+
+98
+00:02:15,440 --> 00:02:15,450
+
+ 
+
+99
+00:02:15,450 --> 00:02:46,499
+
+[Music]
+

1941/zhnB6vIifkc.en.srt

@@ -0,0 +1,895 @@
+1
+00:00:00,000 --> 00:00:03,830
+
+pretty isn't it yeah there's the tennis
+
+2
+00:00:03,830 --> 00:00:03,840
+pretty isn't it yeah there's the tennis
+ 
+
+3
+00:00:03,840 --> 00:00:05,030
+pretty isn't it yeah there's the tennis
+court up there
+
+4
+00:00:05,030 --> 00:00:05,040
+court up there
+ 
+
+5
+00:00:05,040 --> 00:00:07,270
+court up there
+great Barbara there and a grove there
+
+6
+00:00:07,270 --> 00:00:07,280
+great Barbara there and a grove there
+ 
+
+7
+00:00:07,280 --> 00:00:11,419
+great Barbara there and a grove there
+well I guess that's about all what are
+
+8
+00:00:11,419 --> 00:00:11,429
+well I guess that's about all what are
+ 
+
+9
+00:00:11,429 --> 00:00:17,210
+well I guess that's about all what are
+you looking at me that way for oh hey
+
+10
+00:00:17,210 --> 00:00:17,220
+you looking at me that way for oh hey
+ 
+
+11
+00:00:17,220 --> 00:00:19,429
+you looking at me that way for oh hey
+you big Fathead what's the big idea
+
+12
+00:00:19,429 --> 00:00:19,439
+you big Fathead what's the big idea
+ 
+
+13
+00:00:19,439 --> 00:00:20,929
+you big Fathead what's the big idea
+that's for you swimming pools in your
+
+14
+00:00:20,929 --> 00:00:20,939
+that's for you swimming pools in your
+ 
+
+15
+00:00:20,939 --> 00:00:22,370
+that's for you swimming pools in your
+tennis courts and your limousines and
+
+16
+00:00:22,370 --> 00:00:22,380
+tennis courts and your limousines and
+ 
+
+17
+00:00:22,380 --> 00:00:24,140
+tennis courts and your limousines and
+your barbecues has for making fun of a
+
+18
+00:00:24,140 --> 00:00:24,150
+your barbecues has for making fun of a
+ 
+
+19
+00:00:24,150 --> 00:00:25,880
+your barbecues has for making fun of a
+poor girl honey tried to help you a big
+
+20
+00:00:25,880 --> 00:00:25,890
+poor girl honey tried to help you a big
+ 
+
+21
+00:00:25,890 --> 00:00:28,519
+poor girl honey tried to help you a big
+faker who made fun of you you did with
+
+22
+00:00:28,519 --> 00:00:28,529
+faker who made fun of you you did with
+ 
+
+23
+00:00:28,529 --> 00:00:29,599
+faker who made fun of you you did with
+your stories of being a washed-up
+
+24
+00:00:29,599 --> 00:00:29,609
+your stories of being a washed-up
+ 
+
+25
+00:00:29,609 --> 00:00:40,060
+your stories of being a washed-up
+director you big clunk oh I did did I
+
+26
+00:00:40,060 --> 00:00:40,070
+
+ 
+
+27
+00:00:40,070 --> 00:00:44,820
+
+breakfast is served
+
+28
+00:00:44,820 --> 00:00:44,830
+
+ 
+
+29
+00:00:44,830 --> 00:00:46,710
+
+you might have shaved I need these
+
+30
+00:00:46,710 --> 00:00:46,720
+you might have shaved I need these
+ 
+
+31
+00:00:46,720 --> 00:00:48,750
+you might have shaved I need these
+whiskers for my experiment oh yes the
+
+32
+00:00:48,750 --> 00:00:48,760
+whiskers for my experiment oh yes the
+ 
+
+33
+00:00:48,760 --> 00:00:50,400
+whiskers for my experiment oh yes the
+noble experiment you don't have to make
+
+34
+00:00:50,400 --> 00:00:50,410
+noble experiment you don't have to make
+ 
+
+35
+00:00:50,410 --> 00:00:51,870
+noble experiment you don't have to make
+any cracks I don't suffer and starve
+
+36
+00:00:51,870 --> 00:00:51,880
+any cracks I don't suffer and starve
+ 
+
+37
+00:00:51,880 --> 00:00:53,670
+any cracks I don't suffer and starve
+because I like it you know what does
+
+38
+00:00:53,670 --> 00:00:53,680
+because I like it you know what does
+ 
+
+39
+00:00:53,680 --> 00:00:57,870
+because I like it you know what does
+anybody else I'm sorry sorry I'm sorry I
+
+40
+00:00:57,870 --> 00:00:57,880
+anybody else I'm sorry sorry I'm sorry I
+ 
+
+41
+00:00:57,880 --> 00:00:59,550
+anybody else I'm sorry sorry I'm sorry I
+pushed you in the water too I probably
+
+42
+00:00:59,550 --> 00:00:59,560
+pushed you in the water too I probably
+ 
+
+43
+00:00:59,560 --> 00:01:02,369
+pushed you in the water too I probably
+needed it you certainly did did I
+
+44
+00:01:02,369 --> 00:01:02,379
+needed it you certainly did did I
+ 
+
+45
+00:01:02,379 --> 00:01:05,369
+needed it you certainly did did I
+I didn't mind you as a matter of fact I
+
+46
+00:01:05,369 --> 00:01:05,379
+I didn't mind you as a matter of fact I
+ 
+
+47
+00:01:05,379 --> 00:01:08,880
+I didn't mind you as a matter of fact I
+had kind of a yen for you have not mad
+
+48
+00:01:08,880 --> 00:01:08,890
+had kind of a yen for you have not mad
+ 
+
+49
+00:01:08,890 --> 00:01:10,740
+had kind of a yen for you have not mad
+thing I liked you better as a
+
+50
+00:01:10,740 --> 00:01:10,750
+thing I liked you better as a
+ 
+
+51
+00:01:10,750 --> 00:01:12,150
+thing I liked you better as a
+I can't help what kind of people you
+
+52
+00:01:12,150 --> 00:01:12,160
+I can't help what kind of people you
+ 
+
+53
+00:01:12,160 --> 00:01:15,210
+I can't help what kind of people you
+like it's funny I suppose I ought to be
+
+54
+00:01:15,210 --> 00:01:15,220
+like it's funny I suppose I ought to be
+ 
+
+55
+00:01:15,220 --> 00:01:16,830
+like it's funny I suppose I ought to be
+very happy for you so if you'd just
+
+56
+00:01:16,830 --> 00:01:16,840
+very happy for you so if you'd just
+ 
+
+57
+00:01:16,840 --> 00:01:19,290
+very happy for you so if you'd just
+drunk oil or something instead of that
+
+58
+00:01:19,290 --> 00:01:19,300
+drunk oil or something instead of that
+ 
+
+59
+00:01:19,300 --> 00:01:21,990
+drunk oil or something instead of that
+I'm sore well don't brown you're making
+
+60
+00:01:21,990 --> 00:01:22,000
+I'm sore well don't brown you're making
+ 
+
+61
+00:01:22,000 --> 00:01:23,850
+I'm sore well don't brown you're making
+lines in your face taking all the joy
+
+62
+00:01:23,850 --> 00:01:23,860
+lines in your face taking all the joy
+ 
+
+63
+00:01:23,860 --> 00:01:26,070
+lines in your face taking all the joy
+out of life I was all through with this
+
+64
+00:01:26,070 --> 00:01:26,080
+out of life I was all through with this
+ 
+
+65
+00:01:26,080 --> 00:01:27,630
+out of life I was all through with this
+kind of stuff I mean I knew I'd never
+
+66
+00:01:27,630 --> 00:01:27,640
+kind of stuff I mean I knew I'd never
+ 
+
+67
+00:01:27,640 --> 00:01:29,670
+kind of stuff I mean I knew I'd never
+have it but there was no Envy in my
+
+68
+00:01:29,670 --> 00:01:29,680
+have it but there was no Envy in my
+ 
+
+69
+00:01:29,680 --> 00:01:32,219
+have it but there was no Envy in my
+heart I'd found a friend who swiped a
+
+70
+00:01:32,219 --> 00:01:32,229
+heart I'd found a friend who swiped a
+ 
+
+71
+00:01:32,229 --> 00:01:34,710
+heart I'd found a friend who swiped a
+car to take me home no I'm right back
+
+72
+00:01:34,710 --> 00:01:34,720
+car to take me home no I'm right back
+ 
+
+73
+00:01:34,720 --> 00:01:37,260
+car to take me home no I'm right back
+where I started just an extra girl
+
+74
+00:01:37,260 --> 00:01:37,270
+where I started just an extra girl
+ 
+
+75
+00:01:37,270 --> 00:01:39,120
+where I started just an extra girl
+having breakfast for the director only I
+
+76
+00:01:39,120 --> 00:01:39,130
+having breakfast for the director only I
+ 
+
+77
+00:01:39,130 --> 00:01:40,530
+having breakfast for the director only I
+didn't use to have breakfast with him
+
+78
+00:01:40,530 --> 00:01:40,540
+didn't use to have breakfast with him
+ 
+
+79
+00:01:40,540 --> 00:01:42,719
+didn't use to have breakfast with him
+maybe that was my trouble did they ever
+
+80
+00:01:42,719 --> 00:01:42,729
+maybe that was my trouble did they ever
+ 
+
+81
+00:01:42,729 --> 00:01:44,880
+maybe that was my trouble did they ever
+ask you to no well then don't pat
+
+82
+00:01:44,880 --> 00:01:44,890
+ask you to no well then don't pat
+ 
+
+83
+00:01:44,890 --> 00:01:47,340
+ask you to no well then don't pat
+yourself on the back take me with you
+
+84
+00:01:47,340 --> 00:01:47,350
+yourself on the back take me with you
+ 
+
+85
+00:01:47,350 --> 00:01:50,640
+yourself on the back take me with you
+what on your experiment I don't want to
+
+86
+00:01:50,640 --> 00:01:50,650
+what on your experiment I don't want to
+ 
+
+87
+00:01:50,650 --> 00:01:52,859
+what on your experiment I don't want to
+be sent home don't be childish I'll tell
+
+88
+00:01:52,859 --> 00:01:52,869
+be sent home don't be childish I'll tell
+ 
+
+89
+00:01:52,869 --> 00:01:54,180
+be sent home don't be childish I'll tell
+you what I'll do you can stay here for a
+
+90
+00:01:54,180 --> 00:01:54,190
+you what I'll do you can stay here for a
+ 
+
+91
+00:01:54,190 --> 00:01:55,380
+you what I'll do you can stay here for a
+couple of weeks like I told you in the
+
+92
+00:01:55,380 --> 00:01:55,390
+couple of weeks like I told you in the
+ 
+
+93
+00:01:55,390 --> 00:01:56,850
+couple of weeks like I told you in the
+our wagon when I get back I'll see what
+
+94
+00:01:56,850 --> 00:01:56,860
+our wagon when I get back I'll see what
+ 
+
+95
+00:01:56,860 --> 00:01:57,649
+our wagon when I get back I'll see what
+I can do for you
+
+96
+00:01:57,649 --> 00:01:57,659
+I can do for you
+ 
+
+97
+00:01:57,659 --> 00:01:59,450
+I can do for you
+I don't want to start all that stuff
+
+98
+00:01:59,450 --> 00:01:59,460
+I don't want to start all that stuff
+ 
+
+99
+00:01:59,460 --> 00:02:02,179
+I don't want to start all that stuff
+again take me with you when you get as
+
+100
+00:02:02,179 --> 00:02:02,189
+again take me with you when you get as
+ 
+
+101
+00:02:02,189 --> 00:02:03,649
+again take me with you when you get as
+far as you're going we can say goodbye
+
+102
+00:02:03,649 --> 00:02:03,659
+far as you're going we can say goodbye
+ 
+
+103
+00:02:03,659 --> 00:02:04,849
+far as you're going we can say goodbye
+and I'll go the rest of the way alone
+
+104
+00:02:04,849 --> 00:02:04,859
+and I'll go the rest of the way alone
+ 
+
+105
+00:02:04,859 --> 00:02:07,580
+and I'll go the rest of the way alone
+you'll make a nice ending and we'll
+
+106
+00:02:07,580 --> 00:02:07,590
+you'll make a nice ending and we'll
+ 
+
+107
+00:02:07,590 --> 00:02:08,660
+you'll make a nice ending and we'll
+finish what we started this morning
+
+108
+00:02:08,660 --> 00:02:08,670
+finish what we started this morning
+ 
+
+109
+00:02:08,670 --> 00:02:10,729
+finish what we started this morning
+that's absolutely out of the question
+
+110
+00:02:10,729 --> 00:02:10,739
+that's absolutely out of the question
+ 
+
+111
+00:02:10,739 --> 00:02:12,619
+that's absolutely out of the question
+please you don't know anything about
+
+112
+00:02:12,619 --> 00:02:12,629
+please you don't know anything about
+ 
+
+113
+00:02:12,629 --> 00:02:14,330
+please you don't know anything about
+anything you don't know how to get a
+
+114
+00:02:14,330 --> 00:02:14,340
+anything you don't know how to get a
+ 
+
+115
+00:02:14,340 --> 00:02:15,770
+anything you don't know how to get a
+meal you don't know how to keep a secret
+
+116
+00:02:15,770 --> 00:02:15,780
+meal you don't know how to keep a secret
+ 
+
+117
+00:02:15,780 --> 00:02:17,119
+meal you don't know how to keep a secret
+and you can't even stay out of town
+
+118
+00:02:17,119 --> 00:02:17,129
+and you can't even stay out of town
+ 
+
+119
+00:02:17,129 --> 00:02:17,960
+and you can't even stay out of town
+thanks
+
+120
+00:02:17,960 --> 00:02:17,970
+thanks
+ 
+
+121
+00:02:17,970 --> 00:02:20,030
+thanks
+I know 50 times as much about trouble as
+
+122
+00:02:20,030 --> 00:02:20,040
+I know 50 times as much about trouble as
+ 
+
+123
+00:02:20,040 --> 00:02:20,839
+I know 50 times as much about trouble as
+you ever will
+
+124
+00:02:20,839 --> 00:02:20,849
+you ever will
+ 
+
+125
+00:02:20,849 --> 00:02:23,150
+you ever will
+besides you owe it to me you sort of
+
+126
+00:02:23,150 --> 00:02:23,160
+besides you owe it to me you sort of
+ 
+
+127
+00:02:23,160 --> 00:02:26,270
+besides you owe it to me you sort of
+belong to me or your hobo I found you
+
+128
+00:02:26,270 --> 00:02:26,280
+belong to me or your hobo I found you
+ 
+
+129
+00:02:26,280 --> 00:02:27,170
+belong to me or your hobo I found you
+piffle
+
+130
+00:02:27,170 --> 00:02:27,180
+piffle
+ 
+
+131
+00:02:27,180 --> 00:02:29,690
+piffle
+please I tell you it's absolutely out of
+
+132
+00:02:29,690 --> 00:02:29,700
+please I tell you it's absolutely out of
+ 
+
+133
+00:02:29,700 --> 00:02:30,259
+please I tell you it's absolutely out of
+the question
+
+134
+00:02:30,259 --> 00:02:30,269
+the question
+ 
+
+135
+00:02:30,269 --> 00:02:32,420
+the question
+I'll trade one take my mind off my work
+
+136
+00:02:32,420 --> 00:02:32,430
+I'll trade one take my mind off my work
+ 
+
+137
+00:02:32,430 --> 00:02:35,059
+I'll trade one take my mind off my work
+oh the big directive it has all the
+
+138
+00:02:35,059 --> 00:02:35,069
+oh the big directive it has all the
+ 
+
+139
+00:02:35,069 --> 00:02:37,819
+oh the big directive it has all the
+girls panting boy I tell you Oh y'all
+
+140
+00:02:37,819 --> 00:02:37,829
+girls panting boy I tell you Oh y'all
+ 
+
+141
+00:02:37,829 --> 00:02:39,319
+girls panting boy I tell you Oh y'all
+tell everybody who you are like a kid
+
+142
+00:02:39,319 --> 00:02:39,329
+tell everybody who you are like a kid
+ 
+
+143
+00:02:39,329 --> 00:02:42,110
+tell everybody who you are like a kid
+sister you follow me yes I'll follow you
+
+144
+00:02:42,110 --> 00:02:42,120
+sister you follow me yes I'll follow you
+ 
+
+145
+00:02:42,120 --> 00:02:44,270
+sister you follow me yes I'll follow you
+and I'll holla this guy's a pony ladies
+
+146
+00:02:44,270 --> 00:02:44,280
+and I'll holla this guy's a pony ladies
+ 
+
+147
+00:02:44,280 --> 00:02:45,830
+and I'll holla this guy's a pony ladies
+and gentlemen this is Sullivan the big
+
+148
+00:02:45,830 --> 00:02:45,840
+and gentlemen this is Sullivan the big
+ 
+
+149
+00:02:45,840 --> 00:02:47,809
+and gentlemen this is Sullivan the big
+director from Hollywood a bonus balonus
+
+150
+00:02:47,809 --> 00:02:47,819
+director from Hollywood a bonus balonus
+ 
+
+151
+00:02:47,819 --> 00:02:49,610
+director from Hollywood a bonus balonus
+a fake or a heel I may join in the
+
+152
+00:02:49,610 --> 00:02:49,620
+a fake or a heel I may join in the
+ 
+
+153
+00:02:49,620 --> 00:02:51,589
+a fake or a heel I may join in the
+controversy sir I think the young lady's
+
+154
+00:02:51,589 --> 00:02:51,599
+controversy sir I think the young lady's
+ 
+
+155
+00:02:51,599 --> 00:02:53,240
+controversy sir I think the young lady's
+suggestion an excellent where you may
+
+156
+00:02:53,240 --> 00:02:53,250
+suggestion an excellent where you may
+ 
+
+157
+00:02:53,250 --> 00:02:55,039
+suggestion an excellent where you may
+not join in the controversy mr. Poirot
+
+158
+00:02:55,039 --> 00:02:55,049
+not join in the controversy mr. Poirot
+ 
+
+159
+00:02:55,049 --> 00:02:55,670
+not join in the controversy mr. Poirot
+annoyingly
+
+160
+00:02:55,670 --> 00:02:55,680
+annoyingly
+ 
+
+161
+00:02:55,680 --> 00:02:57,050
+annoyingly
+you'll do nothing of the kind you would
+
+162
+00:02:57,050 --> 00:02:57,060
+you'll do nothing of the kind you would
+ 
+
+163
+00:02:57,060 --> 00:02:58,819
+you'll do nothing of the kind you would
+Alfa Strowbridge get me some clams close
+
+164
+00:02:58,819 --> 00:02:58,829
+Alfa Strowbridge get me some clams close
+ 
+
+165
+00:02:58,829 --> 00:03:00,890
+Alfa Strowbridge get me some clams close
+me steadily me certainly go down the
+
+166
+00:03:00,890 --> 00:03:00,900
+me steadily me certainly go down the
+ 
+
+167
+00:03:00,900 --> 00:03:02,720
+me steadily me certainly go down the
+station and get me a ticket to where do
+
+168
+00:03:02,720 --> 00:03:02,730
+station and get me a ticket to where do
+ 
+
+169
+00:03:02,730 --> 00:03:04,370
+station and get me a ticket to where do
+you live I will tell you I won't be sent
+
+170
+00:03:04,370 --> 00:03:04,380
+you live I will tell you I won't be sent
+ 
+
+171
+00:03:04,380 --> 00:03:06,620
+you live I will tell you I won't be sent
+home on the read off you stop stop that
+
+172
+00:03:06,620 --> 00:03:06,630
+home on the read off you stop stop that
+ 
+
+173
+00:03:06,630 --> 00:03:09,590
+home on the read off you stop stop that
+it's not macabre feet oh yes sir yes sir
+
+174
+00:03:09,590 --> 00:03:09,600
+it's not macabre feet oh yes sir yes sir
+ 
+
+175
+00:03:09,600 --> 00:03:24,590
+it's not macabre feet oh yes sir yes sir
+Oh
+
+176
+00:03:24,590 --> 00:03:24,600
+
+ 
+
+177
+00:03:24,600 --> 00:03:27,040
+
+we are
+
+178
+00:03:27,040 --> 00:03:27,050
+we are
+ 
+
+179
+00:03:27,050 --> 00:03:31,210
+we are
+ha ha
+

1942/5kiNJcDG4E0.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:00,160 --> 00:00:02,389
+
+what was the meaning of that phone call
+
+2
+00:00:02,389 --> 00:00:02,399
+what was the meaning of that phone call
+ 
+
+3
+00:00:02,399 --> 00:00:05,749
+what was the meaning of that phone call
+Victor ller is on that
+
+4
+00:00:05,749 --> 00:00:05,759
+
+ 
+
+5
+00:00:05,759 --> 00:00:07,829
+
+plane why do you stand here why don't
+
+6
+00:00:07,829 --> 00:00:07,839
+plane why do you stand here why don't
+ 
+
+7
+00:00:07,839 --> 00:00:12,470
+plane why do you stand here why don't
+you stop him ask Mr
+
+8
+00:00:12,470 --> 00:00:12,480
+
+ 
+
+9
+00:00:12,480 --> 00:00:15,150
+
+Rick get away from that phone I would
+
+10
+00:00:15,150 --> 00:00:15,160
+Rick get away from that phone I would
+ 
+
+11
+00:00:15,160 --> 00:00:16,470
+Rick get away from that phone I would
+advise you not to interfere I was
+
+12
+00:00:16,470 --> 00:00:16,480
+advise you not to interfere I was
+ 
+
+13
+00:00:16,480 --> 00:00:17,750
+advise you not to interfere I was
+willing to shoot Captain Reno and I'm
+
+14
+00:00:17,750 --> 00:00:17,760
+willing to shoot Captain Reno and I'm
+ 
+
+15
+00:00:17,760 --> 00:00:18,500
+willing to shoot Captain Reno and I'm
+willing to shoot
+
+16
+00:00:18,500 --> 00:00:18,510
+willing to shoot
+ 
+
+17
+00:00:18,510 --> 00:00:20,790
+willing to shoot
+[Music]
+
+18
+00:00:20,790 --> 00:00:20,800
+[Music]
+ 
+
+19
+00:00:20,800 --> 00:00:23,550
+[Music]
+you hello put that phone down get me the
+
+20
+00:00:23,550 --> 00:00:23,560
+you hello put that phone down get me the
+ 
+
+21
+00:00:23,560 --> 00:00:26,170
+you hello put that phone down get me the
+radio toar put it
+
+22
+00:00:26,170 --> 00:00:26,180
+radio toar put it
+ 
+
+23
+00:00:26,180 --> 00:00:28,950
+radio toar put it
+[Music]
+
+24
+00:00:28,950 --> 00:00:28,960
+[Music]
+ 
+
+25
+00:00:28,960 --> 00:00:32,240
+[Music]
+down
+
+26
+00:00:32,240 --> 00:00:32,250
+
+ 
+
+27
+00:00:32,250 --> 00:00:40,350
+
+[Music]
+
+28
+00:00:40,350 --> 00:00:40,360
+
+ 
+
+29
+00:00:40,360 --> 00:00:45,590
+
+major stutter has been
+
+30
+00:00:45,590 --> 00:00:45,600
+
+ 
+
+31
+00:00:45,600 --> 00:00:49,520
+
+shot Round Up The Usual
+
+32
+00:00:49,520 --> 00:00:49,530
+
+ 
+
+33
+00:00:49,530 --> 00:00:58,910
+
+[Music]
+
+34
+00:00:58,910 --> 00:00:58,920
+[Music]
+ 
+
+35
+00:00:58,920 --> 00:01:00,300
+[Music]
+Suspects
+
+36
+00:01:00,300 --> 00:01:00,310
+Suspects
+ 
+
+37
+00:01:00,310 --> 00:01:05,610
+Suspects
+[Music]
+
+38
+00:01:05,610 --> 00:01:05,620
+
+ 
+
+39
+00:01:05,620 --> 00:01:13,030
+
+[Music]
+
+40
+00:01:13,030 --> 00:01:13,040
+
+ 
+
+41
+00:01:13,040 --> 00:01:14,350
+
+well Rick you're not only a
+
+42
+00:01:14,350 --> 00:01:14,360
+well Rick you're not only a
+ 
+
+43
+00:01:14,360 --> 00:01:15,710
+well Rick you're not only a
+sentimentalist but youve become a
+
+44
+00:01:15,710 --> 00:01:15,720
+sentimentalist but youve become a
+ 
+
+45
+00:01:15,720 --> 00:01:17,910
+sentimentalist but youve become a
+patriot ibe but it seemed like a good
+
+46
+00:01:17,910 --> 00:01:17,920
+patriot ibe but it seemed like a good
+ 
+
+47
+00:01:17,920 --> 00:01:20,500
+patriot ibe but it seemed like a good
+time to start I think perhaps you're
+
+48
+00:01:20,500 --> 00:01:20,510
+time to start I think perhaps you're
+ 
+
+49
+00:01:20,510 --> 00:01:28,910
+time to start I think perhaps you're
+[Music]
+
+50
+00:01:28,910 --> 00:01:28,920
+
+ 
+
+51
+00:01:28,920 --> 00:01:40,080
+
+right
+
+52
+00:01:40,080 --> 00:01:40,090
+
+ 
+
+53
+00:01:40,090 --> 00:01:46,069
+
+[Music]
+
+54
+00:01:46,069 --> 00:01:46,079
+[Music]
+ 
+
+55
+00:01:46,079 --> 00:01:47,350
+[Music]
+it might be a good idea for you to
+
+56
+00:01:47,350 --> 00:01:47,360
+it might be a good idea for you to
+ 
+
+57
+00:01:47,360 --> 00:01:49,910
+it might be a good idea for you to
+disappear from cablanca for a while
+
+58
+00:01:49,910 --> 00:01:49,920
+disappear from cablanca for a while
+ 
+
+59
+00:01:49,920 --> 00:01:51,510
+disappear from cablanca for a while
+there's a free French Garrison over at
+
+60
+00:01:51,510 --> 00:01:51,520
+there's a free French Garrison over at
+ 
+
+61
+00:01:51,520 --> 00:01:53,870
+there's a free French Garrison over at
+Braille I could be induced to arrange a
+
+62
+00:01:53,870 --> 00:01:53,880
+Braille I could be induced to arrange a
+ 
+
+63
+00:01:53,880 --> 00:01:57,069
+Braille I could be induced to arrange a
+passage my letter of Transit I could use
+
+64
+00:01:57,069 --> 00:01:57,079
+passage my letter of Transit I could use
+ 
+
+65
+00:01:57,079 --> 00:01:58,670
+passage my letter of Transit I could use
+a trip but it doesn't make any
+
+66
+00:01:58,670 --> 00:01:58,680
+a trip but it doesn't make any
+ 
+
+67
+00:01:58,680 --> 00:02:00,190
+a trip but it doesn't make any
+difference about our bet you still owe
+
+68
+00:02:00,190 --> 00:02:00,200
+difference about our bet you still owe
+ 
+
+69
+00:02:00,200 --> 00:02:02,830
+difference about our bet you still owe
+me 10,000 Franks and that 10,000 Frank
+
+70
+00:02:02,830 --> 00:02:02,840
+me 10,000 Franks and that 10,000 Frank
+ 
+
+71
+00:02:02,840 --> 00:02:07,109
+me 10,000 Franks and that 10,000 Frank
+should pay our expenses our expenses mhm
+
+72
+00:02:07,109 --> 00:02:07,119
+should pay our expenses our expenses mhm
+ 
+
+73
+00:02:07,119 --> 00:02:09,550
+should pay our expenses our expenses mhm
+Louie I think this is the beginning of a
+
+74
+00:02:09,550 --> 00:02:09,560
+Louie I think this is the beginning of a
+ 
+
+75
+00:02:09,560 --> 00:02:10,890
+Louie I think this is the beginning of a
+beautiful
+
+76
+00:02:10,890 --> 00:02:10,900
+beautiful
+ 
+
+77
+00:02:10,900 --> 00:02:28,830
+beautiful
+[Music]
+
+78
+00:02:28,830 --> 00:02:28,840
+
+ 
+
+79
+00:02:28,840 --> 00:02:30,440
+
+friendship
+
+80
+00:02:30,440 --> 00:02:30,450
+friendship
+ 
+
+81
+00:02:30,450 --> 00:02:44,509
+friendship
+[Music]
+

1942/Ys_zYL7K3KQ.en.srt

@@ -0,0 +1,235 @@
+1
+00:00:00,030 --> 00:00:02,899
+
+major Amberson was engaged in the
+
+2
+00:00:02,899 --> 00:00:02,909
+major Amberson was engaged in the
+ 
+
+3
+00:00:02,909 --> 00:00:05,690
+major Amberson was engaged in the
+profoundest thinking of his life and he
+
+4
+00:00:05,690 --> 00:00:05,700
+profoundest thinking of his life and he
+ 
+
+5
+00:00:05,700 --> 00:00:07,190
+profoundest thinking of his life and he
+realized that everything which had
+
+6
+00:00:07,190 --> 00:00:07,200
+realized that everything which had
+ 
+
+7
+00:00:07,200 --> 00:00:09,320
+realized that everything which had
+worried him or delighted him during this
+
+8
+00:00:09,320 --> 00:00:09,330
+worried him or delighted him during this
+ 
+
+9
+00:00:09,330 --> 00:00:10,240
+worried him or delighted him during this
+lifetime
+
+10
+00:00:10,240 --> 00:00:10,250
+lifetime
+ 
+
+11
+00:00:10,250 --> 00:00:13,610
+lifetime
+all his buying and building and trading
+
+12
+00:00:13,610 --> 00:00:13,620
+all his buying and building and trading
+ 
+
+13
+00:00:13,620 --> 00:00:16,849
+all his buying and building and trading
+and banking but it was all trifling and
+
+14
+00:00:16,849 --> 00:00:16,859
+and banking but it was all trifling and
+ 
+
+15
+00:00:16,859 --> 00:00:20,260
+and banking but it was all trifling and
+waste beside what concerned him now for
+
+16
+00:00:20,260 --> 00:00:20,270
+waste beside what concerned him now for
+ 
+
+17
+00:00:20,270 --> 00:00:23,029
+waste beside what concerned him now for
+the major knew now that he had to plan
+
+18
+00:00:23,029 --> 00:00:23,039
+the major knew now that he had to plan
+ 
+
+19
+00:00:23,039 --> 00:00:26,300
+the major knew now that he had to plan
+how to enter a long known country
+
+20
+00:00:26,300 --> 00:00:26,310
+how to enter a long known country
+ 
+
+21
+00:00:26,310 --> 00:00:28,040
+how to enter a long known country
+where he was not even sure of being
+
+22
+00:00:28,040 --> 00:00:28,050
+where he was not even sure of being
+ 
+
+23
+00:00:28,050 --> 00:00:35,350
+where he was not even sure of being
+recognized as an ampersand father
+
+24
+00:00:35,350 --> 00:00:35,360
+recognized as an ampersand father
+ 
+
+25
+00:00:35,360 --> 00:00:38,060
+recognized as an ampersand father
+the house was in Isabelle's name wasn't
+
+26
+00:00:38,060 --> 00:00:38,070
+the house was in Isabelle's name wasn't
+ 
+
+27
+00:00:38,070 --> 00:00:44,509
+the house was in Isabelle's name wasn't
+it dad can you remember when you gave
+
+28
+00:00:44,509 --> 00:00:44,519
+it dad can you remember when you gave
+ 
+
+29
+00:00:44,519 --> 00:00:51,110
+it dad can you remember when you gave
+her the deed father no no I can't you
+
+30
+00:00:51,110 --> 00:00:51,120
+her the deed father no no I can't you
+ 
+
+31
+00:00:51,120 --> 00:00:55,040
+her the deed father no no I can't you
+just remember it doesn't matter all the
+
+32
+00:00:55,040 --> 00:00:55,050
+just remember it doesn't matter all the
+ 
+
+33
+00:00:55,050 --> 00:00:57,280
+just remember it doesn't matter all the
+states got us mixed up as mistaken Gary
+
+34
+00:00:57,280 --> 00:00:57,290
+states got us mixed up as mistaken Gary
+ 
+
+35
+00:00:57,290 --> 00:01:00,560
+states got us mixed up as mistaken Gary
+you ought to have that deed George no
+
+36
+00:01:00,560 --> 00:01:00,570
+you ought to have that deed George no
+ 
+
+37
+00:01:00,570 --> 00:01:09,430
+you ought to have that deed George no
+don't bother
+
+38
+00:01:09,430 --> 00:01:09,440
+
+ 
+
+39
+00:01:09,440 --> 00:01:14,350
+
+it must be the Sun
+
+40
+00:01:14,350 --> 00:01:14,360
+
+ 
+
+41
+00:01:14,360 --> 00:01:18,490
+
+I wasn't anything here the shot of the
+
+42
+00:01:18,490 --> 00:01:18,500
+I wasn't anything here the shot of the
+ 
+
+43
+00:01:18,500 --> 00:01:28,720
+I wasn't anything here the shot of the
+first place earth came all the Sun we
+
+44
+00:01:28,720 --> 00:01:28,730
+first place earth came all the Sun we
+ 
+
+45
+00:01:28,730 --> 00:01:41,340
+first place earth came all the Sun we
+came out of the earth
+
+46
+00:01:41,340 --> 00:01:41,350
+
+ 
+
+47
+00:01:41,350 --> 00:01:52,690
+
+[Music]
+

1942/aWLRULhIyCE.en.srt

@@ -0,0 +1,445 @@
+1
+00:00:01,079 --> 00:00:03,790
+
+it's like the time when my father died
+
+2
+00:00:03,790 --> 00:00:03,800
+it's like the time when my father died
+ 
+
+3
+00:00:03,800 --> 00:00:07,310
+it's like the time when my father died
+his breathing just stopped all over
+
+4
+00:00:07,310 --> 00:00:07,320
+his breathing just stopped all over
+ 
+
+5
+00:00:07,320 --> 00:00:10,070
+his breathing just stopped all over
+finished ended
+
+6
+00:00:10,070 --> 00:00:10,080
+finished ended
+ 
+
+7
+00:00:10,080 --> 00:00:14,430
+finished ended
+forever you fool oh you fool now you'll
+
+8
+00:00:14,430 --> 00:00:14,440
+forever you fool oh you fool now you'll
+ 
+
+9
+00:00:14,440 --> 00:00:16,590
+forever you fool oh you fool now you'll
+never have a home of your own or a man
+
+10
+00:00:16,590 --> 00:00:16,600
+never have a home of your own or a man
+ 
+
+11
+00:00:16,600 --> 00:00:31,189
+never have a home of your own or a man
+of your own or a child of your own
+
+12
+00:00:31,189 --> 00:00:31,199
+
+ 
+
+13
+00:00:31,199 --> 00:00:33,069
+
+hello
+
+14
+00:00:33,069 --> 00:00:33,079
+hello
+ 
+
+15
+00:00:33,079 --> 00:00:35,470
+hello
+mother I thought Elliot was staying for
+
+16
+00:00:35,470 --> 00:00:35,480
+mother I thought Elliot was staying for
+ 
+
+17
+00:00:35,480 --> 00:00:38,869
+mother I thought Elliot was staying for
+lunch what's his Harry today mother
+
+18
+00:00:38,869 --> 00:00:38,879
+lunch what's his Harry today mother
+ 
+
+19
+00:00:38,879 --> 00:00:41,190
+lunch what's his Harry today mother
+Elliot and I have broken our engagement
+
+20
+00:00:41,190 --> 00:00:41,200
+Elliot and I have broken our engagement
+ 
+
+21
+00:00:41,200 --> 00:00:43,470
+Elliot and I have broken our engagement
+what did you say I said Elliot and I
+
+22
+00:00:43,470 --> 00:00:43,480
+what did you say I said Elliot and I
+ 
+
+23
+00:00:43,480 --> 00:00:44,950
+what did you say I said Elliot and I
+have broken our
+
+24
+00:00:44,950 --> 00:00:44,960
+have broken our
+ 
+
+25
+00:00:44,960 --> 00:00:47,709
+have broken our
+engagement why have you done that
+
+26
+00:00:47,709 --> 00:00:47,719
+engagement why have you done that
+ 
+
+27
+00:00:47,719 --> 00:00:49,310
+engagement why have you done that
+because I don't love
+
+28
+00:00:49,310 --> 00:00:49,320
+because I don't love
+ 
+
+29
+00:00:49,320 --> 00:00:51,790
+because I don't love
+him have you no sense of obligation to
+
+30
+00:00:51,790 --> 00:00:51,800
+him have you no sense of obligation to
+ 
+
+31
+00:00:51,800 --> 00:00:54,150
+him have you no sense of obligation to
+your family or to me here you have the
+
+32
+00:00:54,150 --> 00:00:54,160
+your family or to me here you have the
+ 
+
+33
+00:00:54,160 --> 00:00:56,349
+your family or to me here you have the
+chance to join our name veil with one of
+
+34
+00:00:56,349 --> 00:00:56,359
+chance to join our name veil with one of
+ 
+
+35
+00:00:56,359 --> 00:00:57,830
+chance to join our name veil with one of
+the finest families in the city
+
+36
+00:00:57,830 --> 00:00:57,840
+the finest families in the city
+ 
+
+37
+00:00:57,840 --> 00:00:59,670
+the finest families in the city
+Livingston and you come in here and tell
+
+38
+00:00:59,670 --> 00:00:59,680
+Livingston and you come in here and tell
+ 
+
+39
+00:00:59,680 --> 00:01:01,509
+Livingston and you come in here and tell
+me the you're not in love you're
+
+40
+00:01:01,509 --> 00:01:01,519
+me the you're not in love you're
+ 
+
+41
+00:01:01,519 --> 00:01:04,229
+me the you're not in love you're
+behaving like a romantic girl of 18 I
+
+42
+00:01:04,229 --> 00:01:04,239
+behaving like a romantic girl of 18 I
+ 
+
+43
+00:01:04,239 --> 00:01:06,350
+behaving like a romantic girl of 18 I
+don't doubt it and what do you intend to
+
+44
+00:01:06,350 --> 00:01:06,360
+don't doubt it and what do you intend to
+ 
+
+45
+00:01:06,360 --> 00:01:09,190
+don't doubt it and what do you intend to
+do with your life get a cat in the
+
+46
+00:01:09,190 --> 00:01:09,200
+do with your life get a cat in the
+ 
+
+47
+00:01:09,200 --> 00:01:11,469
+do with your life get a cat in the
+parrot and live alone in single
+
+48
+00:01:11,469 --> 00:01:11,479
+parrot and live alone in single
+ 
+
+49
+00:01:11,479 --> 00:01:13,749
+parrot and live alone in single
+blessings stop
+
+50
+00:01:13,749 --> 00:01:13,759
+blessings stop
+ 
+
+51
+00:01:13,759 --> 00:01:15,789
+blessings stop
+rocking you've never done anything to
+
+52
+00:01:15,789 --> 00:01:15,799
+rocking you've never done anything to
+ 
+
+53
+00:01:15,799 --> 00:01:18,350
+rocking you've never done anything to
+make your mother proud or to make
+
+54
+00:01:18,350 --> 00:01:18,360
+make your mother proud or to make
+ 
+
+55
+00:01:18,360 --> 00:01:20,950
+make your mother proud or to make
+yourself proud either why I should think
+
+56
+00:01:20,950 --> 00:01:20,960
+yourself proud either why I should think
+ 
+
+57
+00:01:20,960 --> 00:01:22,710
+yourself proud either why I should think
+you'd be ashamed to be born and live all
+
+58
+00:01:22,710 --> 00:01:22,720
+you'd be ashamed to be born and live all
+ 
+
+59
+00:01:22,720 --> 00:01:25,469
+you'd be ashamed to be born and live all
+your life as Charlotte Veil Miss
+
+60
+00:01:25,469 --> 00:01:25,479
+your life as Charlotte Veil Miss
+ 
+
+61
+00:01:25,479 --> 00:01:28,830
+your life as Charlotte Veil Miss
+Charlotte fail Dr jaquis says that
+
+62
+00:01:28,830 --> 00:01:28,840
+Charlotte fail Dr jaquis says that
+ 
+
+63
+00:01:28,840 --> 00:01:31,310
+Charlotte fail Dr jaquis says that
+tyranny is sometimes times the
+
+64
+00:01:31,310 --> 00:01:31,320
+tyranny is sometimes times the
+ 
+
+65
+00:01:31,320 --> 00:01:34,270
+tyranny is sometimes times the
+expression of the maternal Instinct if
+
+66
+00:01:34,270 --> 00:01:34,280
+expression of the maternal Instinct if
+ 
+
+67
+00:01:34,280 --> 00:01:36,190
+expression of the maternal Instinct if
+that's a mother's love I want no part of
+
+68
+00:01:36,190 --> 00:01:36,200
+that's a mother's love I want no part of
+ 
+
+69
+00:01:36,200 --> 00:01:38,749
+that's a mother's love I want no part of
+it I I didn't want to be born you didn't
+
+70
+00:01:38,749 --> 00:01:38,759
+it I I didn't want to be born you didn't
+ 
+
+71
+00:01:38,759 --> 00:01:40,109
+it I I didn't want to be born you didn't
+want me to be born either it's been a
+
+72
+00:01:40,109 --> 00:01:40,119
+want me to be born either it's been a
+ 
+
+73
+00:01:40,119 --> 00:01:47,109
+want me to be born either it's been a
+Calamity on both
+
+74
+00:01:47,109 --> 00:01:47,119
+
+ 
+
+75
+00:01:47,119 --> 00:01:50,230
+
+sides oh Mother Let's Not
+
+76
+00:01:50,230 --> 00:01:50,240
+sides oh Mother Let's Not
+ 
+
+77
+00:01:50,240 --> 00:01:52,630
+sides oh Mother Let's Not
+quarrel we've been getting along
+
+78
+00:01:52,630 --> 00:01:52,640
+quarrel we've been getting along
+ 
+
+79
+00:01:52,640 --> 00:01:57,350
+quarrel we've been getting along
+together so well lately it was a
+
+80
+00:01:57,350 --> 00:01:57,360
+
+ 
+
+81
+00:01:57,360 --> 00:02:08,510
+
+horrid thing to say
+
+82
+00:02:08,510 --> 00:02:08,520
+
+ 
+
+83
+00:02:08,520 --> 00:02:10,670
+
+d
+
+84
+00:02:10,670 --> 00:02:10,680
+d
+ 
+
+85
+00:02:10,680 --> 00:02:17,390
+d
+Dora we quarreled I did
+
+86
+00:02:17,390 --> 00:02:17,400
+
+ 
+
+87
+00:02:17,400 --> 00:02:20,520
+
+it I didn't
+
+88
+00:02:20,520 --> 00:02:20,530
+it I didn't
+ 
+
+89
+00:02:20,530 --> 00:02:53,660
+it I didn't
+[Music]
+

1944/8nYPCDXHuPs.description

@@ -0,0 +1,38 @@
+Double Indemnity movie clips: http://j.mp/1BcRm39
+BUY THE MOVIE: http://amzn.to/ts2Y3g
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Walter (Fred MacMurray) tells Phyllis (Barbara Stanwyck) that he is done with her and will not be taken down for her crimes.
+
+FILM DESCRIPTION:
+Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making.
+
+CREDITS:
+TM & © Universal (1944)
+Cast: Barbara Stanwyck
+Director: Billy Wilder
+Producers: Buddy G. DeSylva, Joseph Sistrom
+Screenwriters: Raymond Chandler, James M. Cain, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
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+Tumblr: http://bit.ly/1vUwhH7

1944/8nYPCDXHuPs.en.srt

@@ -0,0 +1,775 @@
+1
+00:00:06,240 --> 00:00:08,910
+
+hello
+
+2
+00:00:08,910 --> 00:00:08,920
+
+ 
+
+3
+00:00:08,920 --> 00:00:13,190
+
+baby anybody else in the house nobody
+
+4
+00:00:13,190 --> 00:00:13,200
+baby anybody else in the house nobody
+ 
+
+5
+00:00:13,200 --> 00:00:19,020
+baby anybody else in the house nobody
+why what's that music radio up the
+
+6
+00:00:19,020 --> 00:00:19,030
+
+ 
+
+7
+00:00:19,030 --> 00:00:24,470
+
+[Music]
+
+8
+00:00:24,470 --> 00:00:24,480
+
+ 
+
+9
+00:00:24,480 --> 00:00:26,509
+
+street just like the first time I came
+
+10
+00:00:26,509 --> 00:00:26,519
+street just like the first time I came
+ 
+
+11
+00:00:26,519 --> 00:00:27,470
+street just like the first time I came
+here isn't
+
+12
+00:00:27,470 --> 00:00:27,480
+here isn't
+ 
+
+13
+00:00:27,480 --> 00:00:29,630
+here isn't
+it we were talking about automobile
+
+14
+00:00:29,630 --> 00:00:29,640
+it we were talking about automobile
+ 
+
+15
+00:00:29,640 --> 00:00:31,589
+it we were talking about automobile
+insurance
+
+16
+00:00:31,589 --> 00:00:31,599
+insurance
+ 
+
+17
+00:00:31,599 --> 00:00:34,270
+insurance
+only you were thinking about
+
+18
+00:00:34,270 --> 00:00:34,280
+only you were thinking about
+ 
+
+19
+00:00:34,280 --> 00:00:37,350
+only you were thinking about
+murder I was thinking about that anklet
+
+20
+00:00:37,350 --> 00:00:37,360
+murder I was thinking about that anklet
+ 
+
+21
+00:00:37,360 --> 00:00:39,350
+murder I was thinking about that anklet
+and what are you thinking about now I'm
+
+22
+00:00:39,350 --> 00:00:39,360
+and what are you thinking about now I'm
+ 
+
+23
+00:00:39,360 --> 00:00:40,670
+and what are you thinking about now I'm
+all through thinking
+
+24
+00:00:40,670 --> 00:00:40,680
+all through thinking
+ 
+
+25
+00:00:40,680 --> 00:00:44,150
+all through thinking
+baby I just came to say goodbye goodbye
+
+26
+00:00:44,150 --> 00:00:44,160
+baby I just came to say goodbye goodbye
+ 
+
+27
+00:00:44,160 --> 00:00:46,229
+baby I just came to say goodbye goodbye
+where are you going you're the one
+
+28
+00:00:46,229 --> 00:00:46,239
+where are you going you're the one
+ 
+
+29
+00:00:46,239 --> 00:00:48,950
+where are you going you're the one
+that's going baby not me I'm getting off
+
+30
+00:00:48,950 --> 00:00:48,960
+that's going baby not me I'm getting off
+ 
+
+31
+00:00:48,960 --> 00:00:51,110
+that's going baby not me I'm getting off
+the trolley car right at this corner
+
+32
+00:00:51,110 --> 00:00:51,120
+the trolley car right at this corner
+ 
+
+33
+00:00:51,120 --> 00:00:52,630
+the trolley car right at this corner
+suppose you stop being fancy let's have
+
+34
+00:00:52,630 --> 00:00:52,640
+suppose you stop being fancy let's have
+ 
+
+35
+00:00:52,640 --> 00:00:54,670
+suppose you stop being fancy let's have
+it whatever it is all right I'll tell
+
+36
+00:00:54,670 --> 00:00:54,680
+it whatever it is all right I'll tell
+ 
+
+37
+00:00:54,680 --> 00:00:57,150
+it whatever it is all right I'll tell
+you a friend of mine's got a funny
+
+38
+00:00:57,150 --> 00:00:57,160
+you a friend of mine's got a funny
+ 
+
+39
+00:00:57,160 --> 00:00:59,189
+you a friend of mine's got a funny
+theory he says when two people commit a
+
+40
+00:00:59,189 --> 00:00:59,199
+theory he says when two people commit a
+ 
+
+41
+00:00:59,199 --> 00:01:00,270
+theory he says when two people commit a
+murder it's sort of like they're riding
+
+42
+00:01:00,270 --> 00:01:00,280
+murder it's sort of like they're riding
+ 
+
+43
+00:01:00,280 --> 00:01:02,549
+murder it's sort of like they're riding
+on a trolley car together one can't get
+
+44
+00:01:02,549 --> 00:01:02,559
+on a trolley car together one can't get
+ 
+
+45
+00:01:02,559 --> 00:01:03,709
+on a trolley car together one can't get
+off without the other they're stuck with
+
+46
+00:01:03,709 --> 00:01:03,719
+off without the other they're stuck with
+ 
+
+47
+00:01:03,719 --> 00:01:05,830
+off without the other they're stuck with
+each other they have to go on riding
+
+48
+00:01:05,830 --> 00:01:05,840
+each other they have to go on riding
+ 
+
+49
+00:01:05,840 --> 00:01:08,070
+each other they have to go on riding
+together clear to the end of the line
+
+50
+00:01:08,070 --> 00:01:08,080
+together clear to the end of the line
+ 
+
+51
+00:01:08,080 --> 00:01:09,429
+together clear to the end of the line
+the last stop is the
+
+52
+00:01:09,429 --> 00:01:09,439
+the last stop is the
+ 
+
+53
+00:01:09,439 --> 00:01:11,870
+the last stop is the
+cemetery maybe he's got something there
+
+54
+00:01:11,870 --> 00:01:11,880
+cemetery maybe he's got something there
+ 
+
+55
+00:01:11,880 --> 00:01:14,270
+cemetery maybe he's got something there
+you bet he has two people are going to
+
+56
+00:01:14,270 --> 00:01:14,280
+you bet he has two people are going to
+ 
+
+57
+00:01:14,280 --> 00:01:16,390
+you bet he has two people are going to
+ride at the end of the line all right
+
+58
+00:01:16,390 --> 00:01:16,400
+ride at the end of the line all right
+ 
+
+59
+00:01:16,400 --> 00:01:18,310
+ride at the end of the line all right
+only I'm not going to be one of them
+
+60
+00:01:18,310 --> 00:01:18,320
+only I'm not going to be one of them
+ 
+
+61
+00:01:18,320 --> 00:01:19,630
+only I'm not going to be one of them
+I've got another guy to finish my ride
+
+62
+00:01:19,630 --> 00:01:19,640
+I've got another guy to finish my ride
+ 
+
+63
+00:01:19,640 --> 00:01:22,670
+I've got another guy to finish my ride
+for me just who are you talking about
+
+64
+00:01:22,670 --> 00:01:22,680
+for me just who are you talking about
+ 
+
+65
+00:01:22,680 --> 00:01:25,670
+for me just who are you talking about
+the queen of yours Mr
+
+66
+00:01:25,670 --> 00:01:25,680
+the queen of yours Mr
+ 
+
+67
+00:01:25,680 --> 00:01:27,950
+the queen of yours Mr
+zetti come on baby I just got into this
+
+68
+00:01:27,950 --> 00:01:27,960
+zetti come on baby I just got into this
+ 
+
+69
+00:01:27,960 --> 00:01:28,990
+zetti come on baby I just got into this
+thing because I happen to know a little
+
+70
+00:01:28,990 --> 00:01:29,000
+thing because I happen to know a little
+ 
+
+71
+00:01:29,000 --> 00:01:30,950
+thing because I happen to know a little
+something about insurance didn't I I was
+
+72
+00:01:30,950 --> 00:01:30,960
+something about insurance didn't I I was
+ 
+
+73
+00:01:30,960 --> 00:01:32,910
+something about insurance didn't I I was
+a sucker I'd have been brushed off just
+
+74
+00:01:32,910 --> 00:01:32,920
+a sucker I'd have been brushed off just
+ 
+
+75
+00:01:32,920 --> 00:01:33,910
+a sucker I'd have been brushed off just
+as soon as you got your hands on the
+
+76
+00:01:33,910 --> 00:01:33,920
+as soon as you got your hands on the
+ 
+
+77
+00:01:33,920 --> 00:01:36,030
+as soon as you got your hands on the
+money nobody wanted to brush you off
+
+78
+00:01:36,030 --> 00:01:36,040
+money nobody wanted to brush you off
+ 
+
+79
+00:01:36,040 --> 00:01:38,030
+money nobody wanted to brush you off
+save it I'm telling this it's been you
+
+80
+00:01:38,030 --> 00:01:38,040
+save it I'm telling this it's been you
+ 
+
+81
+00:01:38,040 --> 00:01:39,469
+save it I'm telling this it's been you
+and that cetti guy all along isn't it
+
+82
+00:01:39,469 --> 00:01:39,479
+and that cetti guy all along isn't it
+ 
+
+83
+00:01:39,479 --> 00:01:40,389
+and that cetti guy all along isn't it
+that's not
+
+84
+00:01:40,389 --> 00:01:40,399
+that's not
+ 
+
+85
+00:01:40,399 --> 00:01:42,310
+that's not
+true doesn't make any difference if it's
+
+86
+00:01:42,310 --> 00:01:42,320
+true doesn't make any difference if it's
+ 
+
+87
+00:01:42,320 --> 00:01:44,670
+true doesn't make any difference if it's
+true or
+
+88
+00:01:44,670 --> 00:01:44,680
+
+ 
+
+89
+00:01:44,680 --> 00:01:47,069
+
+not the point is Keys believes cetti is
+
+90
+00:01:47,069 --> 00:01:47,079
+not the point is Keys believes cetti is
+ 
+
+91
+00:01:47,079 --> 00:01:48,429
+not the point is Keys believes cetti is
+the one he's been looking
+
+92
+00:01:48,429 --> 00:01:48,439
+the one he's been looking
+ 
+
+93
+00:01:48,439 --> 00:01:50,510
+the one he's been looking
+for what happened in that gas chamber
+
+94
+00:01:50,510 --> 00:01:50,520
+for what happened in that gas chamber
+ 
+
+95
+00:01:50,520 --> 00:01:52,510
+for what happened in that gas chamber
+before he knows what's happened to him
+
+96
+00:01:52,510 --> 00:01:52,520
+before he knows what's happened to him
+ 
+
+97
+00:01:52,520 --> 00:01:54,670
+before he knows what's happened to him
+what's happening to me all this time
+
+98
+00:01:54,670 --> 00:01:54,680
+what's happening to me all this time
+ 
+
+99
+00:01:54,680 --> 00:01:58,830
+what's happening to me all this time
+I'll be silly
+
+100
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+101
+00:01:58,840 --> 00:02:01,069
+
+baby
+
+102
+00:02:01,069 --> 00:02:01,079
+baby
+ 
+
+103
+00:02:01,079 --> 00:02:02,069
+baby
+what do you think's going to happen to
+
+104
+00:02:02,069 --> 00:02:02,079
+what do you think's going to happen to
+ 
+
+105
+00:02:02,079 --> 00:02:04,350
+what do you think's going to happen to
+you you helped him do the murder didn't
+
+106
+00:02:04,350 --> 00:02:04,360
+you you helped him do the murder didn't
+ 
+
+107
+00:02:04,360 --> 00:02:06,789
+you you helped him do the murder didn't
+you that's what keys thinks and what's
+
+108
+00:02:06,789 --> 00:02:06,799
+you that's what keys thinks and what's
+ 
+
+109
+00:02:06,799 --> 00:02:08,029
+you that's what keys thinks and what's
+good enough for keys is good enough for
+
+110
+00:02:08,029 --> 00:02:08,039
+good enough for keys is good enough for
+ 
+
+111
+00:02:08,039 --> 00:02:10,029
+good enough for keys is good enough for
+me maybe it's not good enough for me
+
+112
+00:02:10,029 --> 00:02:10,039
+me maybe it's not good enough for me
+ 
+
+113
+00:02:10,039 --> 00:02:12,470
+me maybe it's not good enough for me
+Walter maybe I don't go for the
+
+114
+00:02:12,470 --> 00:02:12,480
+Walter maybe I don't go for the
+ 
+
+115
+00:02:12,480 --> 00:02:15,869
+Walter maybe I don't go for the
+idea maybe I'd rather talk sometimes
+
+116
+00:02:15,869 --> 00:02:15,879
+idea maybe I'd rather talk sometimes
+ 
+
+117
+00:02:15,879 --> 00:02:17,949
+idea maybe I'd rather talk sometimes
+people are where they can't talk under
+
+118
+00:02:17,949 --> 00:02:17,959
+people are where they can't talk under
+ 
+
+119
+00:02:17,959 --> 00:02:19,309
+people are where they can't talk under
+6t of dirt
+
+120
+00:02:19,309 --> 00:02:19,319
+6t of dirt
+ 
+
+121
+00:02:19,319 --> 00:02:21,270
+6t of dirt
+maybe and if it was you they charged
+
+122
+00:02:21,270 --> 00:02:21,280
+maybe and if it was you they charged
+ 
+
+123
+00:02:21,280 --> 00:02:23,350
+maybe and if it was you they charged
+that after cetti too wouldn't
+
+124
+00:02:23,350 --> 00:02:23,360
+that after cetti too wouldn't
+ 
+
+125
+00:02:23,360 --> 00:02:25,670
+that after cetti too wouldn't
+they sure they
+
+126
+00:02:25,670 --> 00:02:25,680
+they sure they
+ 
+
+127
+00:02:25,680 --> 00:02:27,430
+they sure they
+would and that's just what's going to
+
+128
+00:02:27,430 --> 00:02:27,440
+would and that's just what's going to
+ 
+
+129
+00:02:27,440 --> 00:02:29,390
+would and that's just what's going to
+happen baby cuz he's coming here tonight
+
+130
+00:02:29,390 --> 00:02:29,400
+happen baby cuz he's coming here tonight
+ 
+
+131
+00:02:29,400 --> 00:02:31,790
+happen baby cuz he's coming here tonight
+in about 15 minutes with the cops right
+
+132
+00:02:31,790 --> 00:02:31,800
+in about 15 minutes with the cops right
+ 
+
+133
+00:02:31,800 --> 00:02:35,190
+in about 15 minutes with the cops right
+behind him it's all taken care
+
+134
+00:02:35,190 --> 00:02:35,200
+behind him it's all taken care
+ 
+
+135
+00:02:35,200 --> 00:02:37,470
+behind him it's all taken care
+of that would make everything lovely for
+
+136
+00:02:37,470 --> 00:02:37,480
+of that would make everything lovely for
+ 
+
+137
+00:02:37,480 --> 00:02:40,030
+of that would make everything lovely for
+you wouldn't right it's got to be done
+
+138
+00:02:40,030 --> 00:02:40,040
+you wouldn't right it's got to be done
+ 
+
+139
+00:02:40,040 --> 00:02:41,990
+you wouldn't right it's got to be done
+before that suit of yours comes to trial
+
+140
+00:02:41,990 --> 00:02:42,000
+before that suit of yours comes to trial
+ 
+
+141
+00:02:42,000 --> 00:02:44,430
+before that suit of yours comes to trial
+Lola gets a chance to sound off before
+
+142
+00:02:44,430 --> 00:02:44,440
+Lola gets a chance to sound off before
+ 
+
+143
+00:02:44,440 --> 00:02:45,550
+Lola gets a chance to sound off before
+they trip you up in the stand you start
+
+144
+00:02:45,550 --> 00:02:45,560
+they trip you up in the stand you start
+ 
+
+145
+00:02:45,560 --> 00:02:47,110
+they trip you up in the stand you start
+to go in and drag me down with you maybe
+
+146
+00:02:47,110 --> 00:02:47,120
+to go in and drag me down with you maybe
+ 
+
+147
+00:02:47,120 --> 00:02:48,390
+to go in and drag me down with you maybe
+I had Sketti here so they won't get a
+
+148
+00:02:48,390 --> 00:02:48,400
+I had Sketti here so they won't get a
+ 
+
+149
+00:02:48,400 --> 00:02:49,670
+I had Sketti here so they won't get a
+chance to trip me up so we can get the
+
+150
+00:02:49,670 --> 00:02:49,680
+chance to trip me up so we can get the
+ 
+
+151
+00:02:49,680 --> 00:02:58,830
+chance to trip me up so we can get the
+money and be together that's cute say it
+
+152
+00:02:58,830 --> 00:02:58,840
+
+ 
+
+153
+00:02:58,840 --> 00:03:00,940
+
+again
+
+154
+00:03:00,940 --> 00:03:00,950
+again
+ 
+
+155
+00:03:00,950 --> 00:03:23,539
+again
+[Music]
+

1944/BDLvzvFFRu8.description

@@ -0,0 +1,38 @@
+Arsenic and Old Lace movie clips: http://j.mp/13URcOk
+BUY THE MOVIE: http://j.mp/13URaWM
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Jonathan (Raymond Massey) and Dr. Einstein (Peter Lorre) prepare to bury Mr. Spenalzo's corpse, Aunt Abby (Josephine Hull) and Aunt Martha (Jean Adair) object, and spill the beans on their own collection of stiffs.
+
+FILM DESCRIPTION:
+Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II.
+
+CREDITS:
+TM & © Warner Bros. (1944)
+Cast: Raymond Massey, Peter Lorre, Josephine Hull, Jean Adair
+Director: Frank Capra
+Producers: Jack L. Warner, Frank Capra
+Screenwriters: Julius J. Epstein, Philip G. Epstein, Joseph Kesselring
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
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+
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+Tumblr: http://bit.ly/1vUwhH7

1944/BDLvzvFFRu8.en.srt

@@ -0,0 +1,555 @@
+1
+00:00:00,359 --> 00:00:04,430
+
+I think we can start the services now oh
+
+2
+00:00:04,430 --> 00:00:04,440
+I think we can start the services now oh
+ 
+
+3
+00:00:04,440 --> 00:00:06,590
+I think we can start the services now oh
+we thought we heard you leave perish the
+
+4
+00:00:06,590 --> 00:00:06,600
+we thought we heard you leave perish the
+ 
+
+5
+00:00:06,600 --> 00:00:08,350
+we thought we heard you leave perish the
+thought dear aunties that was just
+
+6
+00:00:08,350 --> 00:00:08,360
+thought dear aunties that was just
+ 
+
+7
+00:00:08,360 --> 00:00:10,990
+thought dear aunties that was just
+Mortimer and speaking of services Aunt
+
+8
+00:00:10,990 --> 00:00:11,000
+Mortimer and speaking of services Aunt
+ 
+
+9
+00:00:11,000 --> 00:00:12,589
+Mortimer and speaking of services Aunt
+Martha will you make us some coffee
+
+10
+00:00:12,589 --> 00:00:12,599
+Martha will you make us some coffee
+ 
+
+11
+00:00:12,599 --> 00:00:14,549
+Martha will you make us some coffee
+while we take Mr spenalzo down to The
+
+12
+00:00:14,549 --> 00:00:14,559
+while we take Mr spenalzo down to The
+ 
+
+13
+00:00:14,559 --> 00:00:17,910
+while we take Mr spenalzo down to The
+Cellar oh no no Jonathan you've got to
+
+14
+00:00:17,910 --> 00:00:17,920
+Cellar oh no no Jonathan you've got to
+ 
+
+15
+00:00:17,920 --> 00:00:20,029
+Cellar oh no no Jonathan you've got to
+take him with you there's a friend of
+
+16
+00:00:20,029 --> 00:00:20,039
+take him with you there's a friend of
+ 
+
+17
+00:00:20,039 --> 00:00:22,910
+take him with you there's a friend of
+mortimers downstairs waiting for him a
+
+18
+00:00:22,910 --> 00:00:22,920
+mortimers downstairs waiting for him a
+ 
+
+19
+00:00:22,920 --> 00:00:25,550
+mortimers downstairs waiting for him a
+friend of Mortimer take his feet
+
+20
+00:00:25,550 --> 00:00:25,560
+friend of Mortimer take his feet
+ 
+
+21
+00:00:25,560 --> 00:00:28,509
+friend of Mortimer take his feet
+doctor Mr spino and he will get along
+
+22
+00:00:28,509 --> 00:00:28,519
+doctor Mr spino and he will get along
+ 
+
+23
+00:00:28,519 --> 00:00:32,069
+doctor Mr spino and he will get along
+fine together they're both dead oh he
+
+24
+00:00:32,069 --> 00:00:32,079
+fine together they're both dead oh he
+ 
+
+25
+00:00:32,079 --> 00:00:39,389
+fine together they're both dead oh he
+must mean Mr huskins Mr
+
+26
+00:00:39,389 --> 00:00:39,399
+
+ 
+
+27
+00:00:39,399 --> 00:00:42,750
+
+huskins you know about what's down there
+
+28
+00:00:42,750 --> 00:00:42,760
+huskins you know about what's down there
+ 
+
+29
+00:00:42,760 --> 00:00:45,310
+huskins you know about what's down there
+of course we do and he's no friend of
+
+30
+00:00:45,310 --> 00:00:45,320
+of course we do and he's no friend of
+ 
+
+31
+00:00:45,320 --> 00:00:48,350
+of course we do and he's no friend of
+Mortimer he's one of our gentlemen your
+
+32
+00:00:48,350 --> 00:00:48,360
+Mortimer he's one of our gentlemen your
+ 
+
+33
+00:00:48,360 --> 00:00:51,189
+Mortimer he's one of our gentlemen your
+gentlemen yes and we won't have any
+
+34
+00:00:51,189 --> 00:00:51,199
+gentlemen yes and we won't have any
+ 
+
+35
+00:00:51,199 --> 00:00:53,709
+gentlemen yes and we won't have any
+strangers buried in our Cellar but Mr
+
+36
+00:00:53,709 --> 00:00:53,719
+strangers buried in our Cellar but Mr
+ 
+
+37
+00:00:53,719 --> 00:00:56,510
+strangers buried in our Cellar but Mr
+huskins Mr Hoskins is no stranger
+
+38
+00:00:56,510 --> 00:00:56,520
+huskins Mr Hoskins is no stranger
+ 
+
+39
+00:00:56,520 --> 00:00:58,670
+huskins Mr Hoskins is no stranger
+besides there's no room for Mr spenalzo
+
+40
+00:00:58,670 --> 00:00:58,680
+besides there's no room for Mr spenalzo
+ 
+
+41
+00:00:58,680 --> 00:01:01,830
+besides there's no room for Mr spenalzo
+the sellers CR cred already crowded with
+
+42
+00:01:01,830 --> 00:01:01,840
+the sellers CR cred already crowded with
+ 
+
+43
+00:01:01,840 --> 00:01:10,630
+the sellers CR cred already crowded with
+what there are 12 Graves down there
+
+44
+00:01:10,630 --> 00:01:10,640
+
+ 
+
+45
+00:01:10,640 --> 00:01:14,429
+
+now 12 Graves that leaves very little
+
+46
+00:01:14,429 --> 00:01:14,439
+now 12 Graves that leaves very little
+ 
+
+47
+00:01:14,439 --> 00:01:17,270
+now 12 Graves that leaves very little
+room and we're going to need it you mean
+
+48
+00:01:17,270 --> 00:01:17,280
+room and we're going to need it you mean
+ 
+
+49
+00:01:17,280 --> 00:01:19,870
+room and we're going to need it you mean
+that you and Aunt Martha have murdered
+
+50
+00:01:19,870 --> 00:01:19,880
+that you and Aunt Martha have murdered
+ 
+
+51
+00:01:19,880 --> 00:01:22,270
+that you and Aunt Martha have murdered
+mured certainly not it's one of our
+
+52
+00:01:22,270 --> 00:01:22,280
+mured certainly not it's one of our
+ 
+
+53
+00:01:22,280 --> 00:01:24,950
+mured certainly not it's one of our
+Charities why what we've been doing as a
+
+54
+00:01:24,950 --> 00:01:24,960
+Charities why what we've been doing as a
+ 
+
+55
+00:01:24,960 --> 00:01:28,149
+Charities why what we've been doing as a
+mercy so you just take your Mr spenalzo
+
+56
+00:01:28,149 --> 00:01:28,159
+mercy so you just take your Mr spenalzo
+ 
+
+57
+00:01:28,159 --> 00:01:35,350
+mercy so you just take your Mr spenalzo
+out of here
+
+58
+00:01:35,350 --> 00:01:35,360
+
+ 
+
+59
+00:01:35,360 --> 00:01:39,469
+
+you've done all that right here in this
+
+60
+00:01:39,469 --> 00:01:39,479
+you've done all that right here in this
+ 
+
+61
+00:01:39,479 --> 00:01:42,429
+you've done all that right here in this
+house and buried them in the
+
+62
+00:01:42,429 --> 00:01:42,439
+house and buried them in the
+ 
+
+63
+00:01:42,439 --> 00:01:45,270
+house and buried them in the
+cellar that's wonderful
+
+64
+00:01:45,270 --> 00:01:45,280
+cellar that's wonderful
+ 
+
+65
+00:01:45,280 --> 00:01:47,950
+cellar that's wonderful
+Johnny we've been chased all over the
+
+66
+00:01:47,950 --> 00:01:47,960
+Johnny we've been chased all over the
+ 
+
+67
+00:01:47,960 --> 00:01:50,550
+Johnny we've been chased all over the
+world they stay right here in Brooklyn
+
+68
+00:01:50,550 --> 00:01:50,560
+world they stay right here in Brooklyn
+ 
+
+69
+00:01:50,560 --> 00:01:54,510
+world they stay right here in Brooklyn
+and be do just as good as you do what
+
+70
+00:01:54,510 --> 00:01:54,520
+and be do just as good as you do what
+ 
+
+71
+00:01:54,520 --> 00:01:59,590
+and be do just as good as you do what
+yeah you got 12 they got 12 I've got 13
+
+72
+00:01:59,590 --> 00:01:59,600
+yeah you got 12 they got 12 I've got 13
+ 
+
+73
+00:01:59,600 --> 00:02:03,510
+yeah you got 12 they got 12 I've got 13
+no Johnny 12 don't brag 13 there's Mr
+
+74
+00:02:03,510 --> 00:02:03,520
+no Johnny 12 don't brag 13 there's Mr
+ 
+
+75
+00:02:03,520 --> 00:02:07,029
+no Johnny 12 don't brag 13 there's Mr
+spenalzo and the first one in London two
+
+76
+00:02:07,029 --> 00:02:07,039
+spenalzo and the first one in London two
+ 
+
+77
+00:02:07,039 --> 00:02:09,309
+spenalzo and the first one in London two
+in Johannesburg one in Sydney one in
+
+78
+00:02:09,309 --> 00:02:09,319
+in Johannesburg one in Sydney one in
+ 
+
+79
+00:02:09,319 --> 00:02:11,630
+in Johannesburg one in Sydney one in
+Melbourne two in San Francisco one in
+
+80
+00:02:11,630 --> 00:02:11,640
+Melbourne two in San Francisco one in
+ 
+
+81
+00:02:11,640 --> 00:02:14,750
+Melbourne two in San Francisco one in
+Phoenix Arizona Phoenix The Filling
+
+82
+00:02:14,750 --> 00:02:14,760
+Phoenix Arizona Phoenix The Filling
+ 
+
+83
+00:02:14,760 --> 00:02:18,030
+Phoenix Arizona Phoenix The Filling
+Station filling oh yes three in Chicago
+
+84
+00:02:18,030 --> 00:02:18,040
+Station filling oh yes three in Chicago
+ 
+
+85
+00:02:18,040 --> 00:02:21,430
+Station filling oh yes three in Chicago
+and one in South Bend that makes 13 you
+
+86
+00:02:21,430 --> 00:02:21,440
+and one in South Bend that makes 13 you
+ 
+
+87
+00:02:21,440 --> 00:02:23,550
+and one in South Bend that makes 13 you
+cannot count the one in South Bend he
+
+88
+00:02:23,550 --> 00:02:23,560
+cannot count the one in South Bend he
+ 
+
+89
+00:02:23,560 --> 00:02:25,470
+cannot count the one in South Bend he
+died of pneumonia he wouldn't have died
+
+90
+00:02:25,470 --> 00:02:25,480
+died of pneumonia he wouldn't have died
+ 
+
+91
+00:02:25,480 --> 00:02:27,710
+died of pneumonia he wouldn't have died
+of pneumonia if I hadn't shot him no no
+
+92
+00:02:27,710 --> 00:02:27,720
+of pneumonia if I hadn't shot him no no
+ 
+
+93
+00:02:27,720 --> 00:02:31,830
+of pneumonia if I hadn't shot him no no
+Johnny you cannot count him you got 12
+
+94
+00:02:31,830 --> 00:02:31,840
+Johnny you cannot count him you got 12
+ 
+
+95
+00:02:31,840 --> 00:02:34,589
+Johnny you cannot count him you got 12
+they got 12 the old ladies is just as
+
+96
+00:02:34,589 --> 00:02:34,599
+they got 12 the old ladies is just as
+ 
+
+97
+00:02:34,599 --> 00:02:38,270
+they got 12 the old ladies is just as
+good as you
+
+98
+00:02:38,270 --> 00:02:38,280
+
+ 
+
+99
+00:02:38,280 --> 00:02:41,309
+
+are they are are
+
+100
+00:02:41,309 --> 00:02:41,319
+are they are are
+ 
+
+101
+00:02:41,319 --> 00:02:45,149
+are they are are
+they well that's easily taken care of
+
+102
+00:02:45,149 --> 00:02:45,159
+they well that's easily taken care of
+ 
+
+103
+00:02:45,159 --> 00:02:49,229
+they well that's easily taken care of
+all I need is one more that's all just
+
+104
+00:02:49,229 --> 00:02:49,239
+all I need is one more that's all just
+ 
+
+105
+00:02:49,239 --> 00:02:51,030
+all I need is one more that's all just
+one
+
+106
+00:02:51,030 --> 00:02:51,040
+one
+ 
+
+107
+00:02:51,040 --> 00:02:54,270
+one
+more and I've have a pretty good idea
+
+108
+00:02:54,270 --> 00:02:54,280
+more and I've have a pretty good idea
+ 
+
+109
+00:02:54,280 --> 00:02:56,600
+more and I've have a pretty good idea
+who it is
+
+110
+00:02:56,600 --> 00:02:56,610
+who it is
+ 
+
+111
+00:02:56,610 --> 00:03:25,810
+who it is
+[Music]
+

1944/BGyfOMCRBn0.en.srt

@@ -0,0 +1,505 @@
+1
+00:00:05,440 --> 00:00:09,110
+
+do you or do you not love me oh lane
+
+2
+00:00:09,110 --> 00:00:09,120
+do you or do you not love me oh lane
+ 
+
+3
+00:00:09,120 --> 00:00:11,230
+do you or do you not love me oh lane
+lane how could you say such a thing
+
+4
+00:00:11,230 --> 00:00:11,240
+lane how could you say such a thing
+ 
+
+5
+00:00:11,240 --> 00:00:15,390
+lane how could you say such a thing
+darling of course I love you darling was
+
+6
+00:00:15,390 --> 00:00:15,400
+darling of course I love you darling was
+ 
+
+7
+00:00:15,400 --> 00:00:18,429
+darling of course I love you darling was
+that you've been treating me the way you
+
+8
+00:00:18,429 --> 00:00:18,439
+that you've been treating me the way you
+ 
+
+9
+00:00:18,439 --> 00:00:22,990
+that you've been treating me the way you
+have elae Elaine darling I love you so
+
+10
+00:00:22,990 --> 00:00:23,000
+have elae Elaine darling I love you so
+ 
+
+11
+00:00:23,000 --> 00:00:26,990
+have elae Elaine darling I love you so
+much I can't go through with our
+
+12
+00:00:26,990 --> 00:00:27,000
+
+ 
+
+13
+00:00:27,000 --> 00:00:29,749
+
+marriage have you suddenly gone crazy no
+
+14
+00:00:29,749 --> 00:00:29,759
+marriage have you suddenly gone crazy no
+ 
+
+15
+00:00:29,759 --> 00:00:31,549
+marriage have you suddenly gone crazy no
+no don't think so it's only a matter of
+
+16
+00:00:31,549 --> 00:00:31,559
+no don't think so it's only a matter of
+ 
+
+17
+00:00:31,559 --> 00:00:34,190
+no don't think so it's only a matter of
+time look look darnie you wouldn't want
+
+18
+00:00:34,190 --> 00:00:34,200
+time look look darnie you wouldn't want
+ 
+
+19
+00:00:34,200 --> 00:00:35,670
+time look look darnie you wouldn't want
+to have children with three heads would
+
+20
+00:00:35,670 --> 00:00:35,680
+to have children with three heads would
+ 
+
+21
+00:00:35,680 --> 00:00:37,670
+to have children with three heads would
+you I mean you wouldn't want to set up
+
+22
+00:00:37,670 --> 00:00:37,680
+you I mean you wouldn't want to set up
+ 
+
+23
+00:00:37,680 --> 00:00:40,510
+you I mean you wouldn't want to set up
+housekeeping in a padded cell be bad
+
+24
+00:00:40,510 --> 00:00:40,520
+housekeeping in a padded cell be bad
+ 
+
+25
+00:00:40,520 --> 00:00:42,470
+housekeeping in a padded cell be bad
+what are you talking about well I don't
+
+26
+00:00:42,470 --> 00:00:42,480
+what are you talking about well I don't
+ 
+
+27
+00:00:42,480 --> 00:00:44,830
+what are you talking about well I don't
+quite know really look I probably should
+
+28
+00:00:44,830 --> 00:00:44,840
+quite know really look I probably should
+ 
+
+29
+00:00:44,840 --> 00:00:47,549
+quite know really look I probably should
+have told you this before but you see
+
+30
+00:00:47,549 --> 00:00:47,559
+have told you this before but you see
+ 
+
+31
+00:00:47,559 --> 00:00:50,910
+have told you this before but you see
+well Insanity runs in my
+
+32
+00:00:50,910 --> 00:00:50,920
+well Insanity runs in my
+ 
+
+33
+00:00:50,920 --> 00:00:54,150
+well Insanity runs in my
+family it practically
+
+34
+00:00:54,150 --> 00:00:54,160
+family it practically
+ 
+
+35
+00:00:54,160 --> 00:00:57,229
+family it practically
+gallops oh darling just because Teddy's
+
+36
+00:00:57,229 --> 00:00:57,239
+gallops oh darling just because Teddy's
+ 
+
+37
+00:00:57,239 --> 00:00:58,990
+gallops oh darling just because Teddy's
+a little strange that doesn't oh no
+
+38
+00:00:58,990 --> 00:00:59,000
+a little strange that doesn't oh no
+ 
+
+39
+00:00:59,000 --> 00:01:01,189
+a little strange that doesn't oh no
+darling no no it's way back before Teddy
+
+40
+00:01:01,189 --> 00:01:01,199
+darling no no it's way back before Teddy
+ 
+
+41
+00:01:01,199 --> 00:01:02,709
+darling no no it's way back before Teddy
+now this goes back to the first Brewster
+
+42
+00:01:02,709 --> 00:01:02,719
+now this goes back to the first Brewster
+ 
+
+43
+00:01:02,719 --> 00:01:04,390
+now this goes back to the first Brewster
+the one who came over on the Mayflower
+
+44
+00:01:04,390 --> 00:01:04,400
+the one who came over on the Mayflower
+ 
+
+45
+00:01:04,400 --> 00:01:06,630
+the one who came over on the Mayflower
+yeah you know you know how in those days
+
+46
+00:01:06,630 --> 00:01:06,640
+yeah you know you know how in those days
+ 
+
+47
+00:01:06,640 --> 00:01:08,910
+yeah you know you know how in those days
+the Indians used to scalp the settlers
+
+48
+00:01:08,910 --> 00:01:08,920
+the Indians used to scalp the settlers
+ 
+
+49
+00:01:08,920 --> 00:01:11,149
+the Indians used to scalp the settlers
+well he used to scalp the
+
+50
+00:01:11,149 --> 00:01:11,159
+well he used to scalp the
+ 
+
+51
+00:01:11,159 --> 00:01:14,070
+well he used to scalp the
+Indians oh man darling that's ancient
+
+52
+00:01:14,070 --> 00:01:14,080
+Indians oh man darling that's ancient
+ 
+
+53
+00:01:14,080 --> 00:01:16,710
+Indians oh man darling that's ancient
+history yes doctor I'll run for a third
+
+54
+00:01:16,710 --> 00:01:16,720
+history yes doctor I'll run for a third
+ 
+
+55
+00:01:16,720 --> 00:01:18,990
+history yes doctor I'll run for a third
+term but I won't be elected and that'll
+
+56
+00:01:18,990 --> 00:01:19,000
+term but I won't be elected and that'll
+ 
+
+57
+00:01:19,000 --> 00:01:20,390
+term but I won't be elected and that'll
+mean the last of the Roosevelts in the
+
+58
+00:01:20,390 --> 00:01:20,400
+mean the last of the Roosevelts in the
+ 
+
+59
+00:01:20,400 --> 00:01:23,149
+mean the last of the Roosevelts in the
+white house that's what you think of
+
+60
+00:01:23,149 --> 00:01:23,159
+white house that's what you think of
+ 
+
+61
+00:01:23,159 --> 00:01:25,830
+white house that's what you think of
+course if the country insists oh darling
+
+62
+00:01:25,830 --> 00:01:25,840
+course if the country insists oh darling
+ 
+
+63
+00:01:25,840 --> 00:01:27,950
+course if the country insists oh darling
+all this doesn't prove a thing look at
+
+64
+00:01:27,950 --> 00:01:27,960
+all this doesn't prove a thing look at
+ 
+
+65
+00:01:27,960 --> 00:01:30,630
+all this doesn't prove a thing look at
+your aunts they're Brewsters aren't they
+
+66
+00:01:30,630 --> 00:01:30,640
+your aunts they're Brewsters aren't they
+ 
+
+67
+00:01:30,640 --> 00:01:35,069
+your aunts they're Brewsters aren't they
+the sweetest sanest people I've ever
+
+68
+00:01:35,069 --> 00:01:35,079
+
+ 
+
+69
+00:01:35,079 --> 00:01:38,270
+
+known well even they have their
+
+70
+00:01:38,270 --> 00:01:38,280
+known well even they have their
+ 
+
+71
+00:01:38,280 --> 00:01:40,350
+known well even they have their
+peculiarities what of it so your
+
+72
+00:01:40,350 --> 00:01:40,360
+peculiarities what of it so your
+ 
+
+73
+00:01:40,360 --> 00:01:42,389
+peculiarities what of it so your
+family's crazy so you're crazy that's
+
+74
+00:01:42,389 --> 00:01:42,399
+family's crazy so you're crazy that's
+ 
+
+75
+00:01:42,399 --> 00:01:43,749
+family's crazy so you're crazy that's
+the way I want you that's the way I love
+
+76
+00:01:43,749 --> 00:01:43,759
+the way I want you that's the way I love
+ 
+
+77
+00:01:43,759 --> 00:01:46,149
+the way I want you that's the way I love
+you I'm crazy too but kiss
+
+78
+00:01:46,149 --> 00:01:46,159
+you I'm crazy too but kiss
+ 
+
+79
+00:01:46,159 --> 00:01:49,270
+you I'm crazy too but kiss
+me no
+
+80
+00:01:49,270 --> 00:01:49,280
+me no
+ 
+
+81
+00:01:49,280 --> 00:01:51,469
+me no
+no
+
+82
+00:01:51,469 --> 00:01:51,479
+no
+ 
+
+83
+00:01:51,479 --> 00:01:54,630
+no
+oh goodbye Ambassador I've enjoyed this
+
+84
+00:01:54,630 --> 00:01:54,640
+oh goodbye Ambassador I've enjoyed this
+ 
+
+85
+00:01:54,640 --> 00:01:56,630
+oh goodbye Ambassador I've enjoyed this
+little talk very much anytime you're in
+
+86
+00:01:56,630 --> 00:01:56,640
+little talk very much anytime you're in
+ 
+
+87
+00:01:56,640 --> 00:01:57,990
+little talk very much anytime you're in
+Washington drop in to see me at the
+
+88
+00:01:57,990 --> 00:01:58,000
+Washington drop in to see me at the
+ 
+
+89
+00:01:58,000 --> 00:02:05,469
+Washington drop in to see me at the
+White House
+
+90
+00:02:05,469 --> 00:02:05,479
+
+ 
+
+91
+00:02:05,479 --> 00:02:07,630
+
+those papers those papers oh papers
+
+92
+00:02:07,630 --> 00:02:07,640
+those papers those papers oh papers
+ 
+
+93
+00:02:07,640 --> 00:02:09,710
+those papers those papers oh papers
+papers yes yes I'll commit him to any
+
+94
+00:02:09,710 --> 00:02:09,720
+papers yes yes I'll commit him to any
+ 
+
+95
+00:02:09,720 --> 00:02:12,270
+papers yes yes I'll commit him to any
+place will I've just been appointed
+
+96
+00:02:12,270 --> 00:02:12,280
+place will I've just been appointed
+ 
+
+97
+00:02:12,280 --> 00:02:14,270
+place will I've just been appointed
+ambassador to Bolivia a you see didn't I
+
+98
+00:02:14,270 --> 00:02:14,280
+ambassador to Bolivia a you see didn't I
+ 
+
+99
+00:02:14,280 --> 00:02:16,730
+ambassador to Bolivia a you see didn't I
+tell you
+
+100
+00:02:16,730 --> 00:02:16,740
+tell you
+ 
+
+101
+00:02:16,740 --> 00:02:45,990
+tell you
+[Music]
+

1944/BICqcEvzhVw.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:01,850 --> 00:00:04,820
+
+I've tried so hard to keep it within
+
+2
+00:00:04,820 --> 00:00:04,830
+I've tried so hard to keep it within
+ 
+
+3
+00:00:04,830 --> 00:00:07,789
+I've tried so hard to keep it within
+these walls my own house because you
+
+4
+00:00:07,789 --> 00:00:07,799
+these walls my own house because you
+ 
+
+5
+00:00:07,799 --> 00:00:09,259
+these walls my own house because you
+would go out tonight the horrible humble
+
+6
+00:00:09,259 --> 00:00:09,269
+would go out tonight the horrible humble
+ 
+
+7
+00:00:09,269 --> 00:00:12,799
+would go out tonight the horrible humble
+knows it if I could only get inside that
+
+8
+00:00:12,799 --> 00:00:12,809
+knows it if I could only get inside that
+ 
+
+9
+00:00:12,809 --> 00:00:15,620
+knows it if I could only get inside that
+brain of yours and understand what makes
+
+10
+00:00:15,620 --> 00:00:15,630
+brain of yours and understand what makes
+ 
+
+11
+00:00:15,630 --> 00:00:19,250
+brain of yours and understand what makes
+you do these crazy twisted things are
+
+12
+00:00:19,250 --> 00:00:19,260
+you do these crazy twisted things are
+ 
+
+13
+00:00:19,260 --> 00:00:22,700
+you do these crazy twisted things are
+you trying to tell me I'm insane that's
+
+14
+00:00:22,700 --> 00:00:22,710
+you trying to tell me I'm insane that's
+ 
+
+15
+00:00:22,710 --> 00:00:25,099
+you trying to tell me I'm insane that's
+what I'm trying not to tell myself but
+
+16
+00:00:25,099 --> 00:00:25,109
+what I'm trying not to tell myself but
+ 
+
+17
+00:00:25,109 --> 00:00:26,720
+what I'm trying not to tell myself but
+that's what you think isn't it that's
+
+18
+00:00:26,720 --> 00:00:26,730
+that's what you think isn't it that's
+ 
+
+19
+00:00:26,730 --> 00:00:28,339
+that's what you think isn't it that's
+what you've been hinting and suggesting
+
+20
+00:00:28,339 --> 00:00:28,349
+what you've been hinting and suggesting
+ 
+
+21
+00:00:28,349 --> 00:00:30,589
+what you've been hinting and suggesting
+for months now ever since mmm this is
+
+22
+00:00:30,589 --> 00:00:30,599
+for months now ever since mmm this is
+ 
+
+23
+00:00:30,599 --> 00:00:34,450
+for months now ever since mmm this is
+what since the day I lost your brother
+
+24
+00:00:34,450 --> 00:00:34,460
+what since the day I lost your brother
+ 
+
+25
+00:00:34,460 --> 00:00:39,260
+what since the day I lost your brother
+that's when he's all again no no no
+
+26
+00:00:39,260 --> 00:00:39,270
+that's when he's all again no no no
+ 
+
+27
+00:00:39,270 --> 00:00:42,680
+that's when he's all again no no no
+again before they the first day you when
+
+28
+00:00:42,680 --> 00:00:42,690
+again before they the first day you when
+ 
+
+29
+00:00:42,690 --> 00:00:48,799
+again before they the first day you when
+I found that letter what letter the one
+
+30
+00:00:48,799 --> 00:00:48,809
+I found that letter what letter the one
+ 
+
+31
+00:00:48,809 --> 00:00:52,459
+I found that letter what letter the one
+I found a mold music from that man
+
+32
+00:00:52,459 --> 00:00:52,469
+I found a mold music from that man
+ 
+
+33
+00:00:52,469 --> 00:00:58,849
+I found a mold music from that man
+called bow sir just bowed yes yes you're
+
+34
+00:00:58,849 --> 00:00:58,859
+called bow sir just bowed yes yes you're
+ 
+
+35
+00:00:58,859 --> 00:00:59,209
+called bow sir just bowed yes yes you're
+right
+
+36
+00:00:59,209 --> 00:00:59,219
+right
+ 
+
+37
+00:00:59,219 --> 00:01:02,000
+right
+that's when it began yes I can see you
+
+38
+00:01:02,000 --> 00:01:02,010
+that's when it began yes I can see you
+ 
+
+39
+00:01:02,010 --> 00:01:05,560
+that's when it began yes I can see you
+still standing there and saying look
+
+40
+00:01:05,560 --> 00:01:05,570
+still standing there and saying look
+ 
+
+41
+00:01:05,570 --> 00:01:08,630
+still standing there and saying look
+look at this letter and staring at
+
+42
+00:01:08,630 --> 00:01:08,640
+look at this letter and staring at
+ 
+
+43
+00:01:08,640 --> 00:01:11,270
+look at this letter and staring at
+nothing what you had nothing in your
+
+44
+00:01:11,270 --> 00:01:11,280
+nothing what you had nothing in your
+ 
+
+45
+00:01:11,280 --> 00:01:16,850
+nothing what you had nothing in your
+hand what I was stagnant but I didn't
+
+46
+00:01:16,850 --> 00:01:16,860
+hand what I was stagnant but I didn't
+ 
+
+47
+00:01:16,860 --> 00:01:21,740
+hand what I was stagnant but I didn't
+know then how much reason I had what I
+
+48
+00:01:21,740 --> 00:01:21,750
+know then how much reason I had what I
+ 
+
+49
+00:01:21,750 --> 00:01:23,480
+know then how much reason I had what I
+didn't know then about your mother what
+
+50
+00:01:23,480 --> 00:01:23,490
+didn't know then about your mother what
+ 
+
+51
+00:01:23,490 --> 00:01:30,440
+didn't know then about your mother what
+about my mother your mother was mad she
+
+52
+00:01:30,440 --> 00:01:30,450
+about my mother your mother was mad she
+ 
+
+53
+00:01:30,450 --> 00:01:33,760
+about my mother your mother was mad she
+died in an asylum when you were a yield
+
+54
+00:01:33,760 --> 00:01:33,770
+died in an asylum when you were a yield
+ 
+
+55
+00:01:33,770 --> 00:01:36,890
+died in an asylum when you were a yield
+that's not true I've been making
+
+56
+00:01:36,890 --> 00:01:36,900
+that's not true I've been making
+ 
+
+57
+00:01:36,900 --> 00:01:38,800
+that's not true I've been making
+inquiries about Alice Alquist sister
+
+58
+00:01:38,800 --> 00:01:38,810
+inquiries about Alice Alquist sister
+ 
+
+59
+00:01:38,810 --> 00:01:41,090
+inquiries about Alice Alquist sister
+I've talked to the doctor what tendered
+
+60
+00:01:41,090 --> 00:01:41,100
+I've talked to the doctor what tendered
+ 
+
+61
+00:01:41,100 --> 00:01:44,420
+I've talked to the doctor what tendered
+her you like to see him he described her
+
+62
+00:01:44,420 --> 00:01:44,430
+her you like to see him he described her
+ 
+
+63
+00:01:44,430 --> 00:01:46,310
+her you like to see him he described her
+symptoms to me do you like to hear them
+
+64
+00:01:46,310 --> 00:01:46,320
+symptoms to me do you like to hear them
+ 
+
+65
+00:01:46,320 --> 00:01:49,100
+symptoms to me do you like to hear them
+it began with her imagining things that
+
+66
+00:01:49,100 --> 00:01:49,110
+it began with her imagining things that
+ 
+
+67
+00:01:49,110 --> 00:01:51,289
+it began with her imagining things that
+she heard noises footsteps voices and
+
+68
+00:01:51,289 --> 00:01:51,299
+she heard noises footsteps voices and
+ 
+
+69
+00:01:51,299 --> 00:01:53,469
+she heard noises footsteps voices and
+then the voices began to speak to her
+
+70
+00:01:53,469 --> 00:01:53,479
+then the voices began to speak to her
+ 
+
+71
+00:01:53,479 --> 00:01:56,120
+then the voices began to speak to her
+and at the end she died in an asylum
+
+72
+00:01:56,120 --> 00:01:56,130
+and at the end she died in an asylum
+ 
+
+73
+00:01:56,130 --> 00:02:03,920
+and at the end she died in an asylum
+with no brain at all now perhaps you
+
+74
+00:02:03,920 --> 00:02:03,930
+with no brain at all now perhaps you
+ 
+
+75
+00:02:03,930 --> 00:02:05,060
+with no brain at all now perhaps you
+would understand it other things about
+
+76
+00:02:05,060 --> 00:02:05,070
+would understand it other things about
+ 
+
+77
+00:02:05,070 --> 00:02:07,819
+would understand it other things about
+yourself and me now perhaps you would
+
+78
+00:02:07,819 --> 00:02:07,829
+yourself and me now perhaps you would
+ 
+
+79
+00:02:07,829 --> 00:02:10,279
+yourself and me now perhaps you would
+understand why I cannot let you meet
+
+80
+00:02:10,279 --> 00:02:10,289
+understand why I cannot let you meet
+ 
+
+81
+00:02:10,289 --> 00:02:13,130
+understand why I cannot let you meet
+people
+
+82
+00:02:13,130 --> 00:02:13,140
+
+ 
+
+83
+00:02:13,140 --> 00:02:24,479
+
+[Music]
+

1944/Fp5iPmpZiNE.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:07,580 --> 00:00:09,799
+
+no you had no right to whoever you are
+
+2
+00:00:09,799 --> 00:00:09,809
+no you had no right to whoever you are
+ 
+
+3
+00:00:09,809 --> 00:00:12,320
+no you had no right to whoever you are
+you have no right to do you know what
+
+4
+00:00:12,320 --> 00:00:12,330
+you have no right to do you know what
+ 
+
+5
+00:00:12,330 --> 00:00:13,910
+you have no right to do you know what
+you've done do you think that I watch it
+
+6
+00:00:13,910 --> 00:00:13,920
+you've done do you think that I watch it
+ 
+
+7
+00:00:13,920 --> 00:00:16,519
+you've done do you think that I watch it
+I say to him you won't have to say
+
+8
+00:00:16,519 --> 00:00:16,529
+I say to him you won't have to say
+ 
+
+9
+00:00:16,529 --> 00:00:28,179
+I say to him you won't have to say
+anything
+
+10
+00:00:28,179 --> 00:00:28,189
+
+ 
+
+11
+00:00:28,189 --> 00:00:30,230
+
+perhaps it's a good thing I came tonight
+
+12
+00:00:30,230 --> 00:00:30,240
+perhaps it's a good thing I came tonight
+ 
+
+13
+00:00:30,240 --> 00:00:38,660
+perhaps it's a good thing I came tonight
+I was right there was a letter and it
+
+14
+00:00:38,660 --> 00:00:38,670
+I was right there was a letter and it
+ 
+
+15
+00:00:38,670 --> 00:00:40,580
+I was right there was a letter and it
+was from surges power was that what was
+
+16
+00:00:40,580 --> 00:00:40,590
+was from surges power was that what was
+ 
+
+17
+00:00:40,590 --> 00:00:42,709
+was from surges power was that what was
+that name he just said sir just power I
+
+18
+00:00:42,709 --> 00:00:42,719
+that name he just said sir just power I
+ 
+
+19
+00:00:42,719 --> 00:00:45,619
+that name he just said sir just power I
+found this but my husband said I dreamed
+
+20
+00:00:45,619 --> 00:00:45,629
+found this but my husband said I dreamed
+ 
+
+21
+00:00:45,629 --> 00:00:46,910
+found this but my husband said I dreamed
+and now it's here
+
+22
+00:00:46,910 --> 00:00:46,920
+and now it's here
+ 
+
+23
+00:00:46,920 --> 00:00:48,920
+and now it's here
+power it's been here the whole time
+
+24
+00:00:48,920 --> 00:00:48,930
+power it's been here the whole time
+ 
+
+25
+00:00:48,930 --> 00:00:50,569
+power it's been here the whole time
+power there was a surge of power
+
+26
+00:00:50,569 --> 00:00:50,579
+power there was a surge of power
+ 
+
+27
+00:00:50,579 --> 00:00:55,279
+power there was a surge of power
+connected with Alice Alquist he was he
+
+28
+00:00:55,279 --> 00:00:55,289
+connected with Alice Alquist he was he
+ 
+
+29
+00:00:55,289 --> 00:00:56,779
+connected with Alice Alquist he was he
+was a young pianist who played for in
+
+30
+00:00:56,779 --> 00:00:56,789
+was a young pianist who played for in
+ 
+
+31
+00:00:56,789 --> 00:01:00,080
+was a young pianist who played for in
+Prague let me see that dear Miss ellcrys
+
+32
+00:01:00,080 --> 00:01:00,090
+Prague let me see that dear Miss ellcrys
+ 
+
+33
+00:01:00,090 --> 00:01:01,580
+Prague let me see that dear Miss ellcrys
+I beg of you to see me just once more I
+
+34
+00:01:01,580 --> 00:01:01,590
+I beg of you to see me just once more I
+ 
+
+35
+00:01:01,590 --> 00:01:11,719
+I beg of you to see me just once more I
+followed you to London look dear lady
+
+36
+00:01:11,719 --> 00:01:11,729
+followed you to London look dear lady
+ 
+
+37
+00:01:11,729 --> 00:01:12,580
+followed you to London look dear lady
+d'alroy
+
+38
+00:01:12,580 --> 00:01:12,590
+d'alroy
+ 
+
+39
+00:01:12,590 --> 00:01:16,190
+d'alroy
+was it this is my husband's writing so
+
+40
+00:01:16,190 --> 00:01:16,200
+was it this is my husband's writing so
+ 
+
+41
+00:01:16,200 --> 00:01:19,219
+was it this is my husband's writing so
+is this mrs. Anton your husband sir just
+
+42
+00:01:19,219 --> 00:01:19,229
+is this mrs. Anton your husband sir just
+ 
+
+43
+00:01:19,229 --> 00:01:21,410
+is this mrs. Anton your husband sir just
+bought one in the same person and this
+
+44
+00:01:21,410 --> 00:01:21,420
+bought one in the same person and this
+ 
+
+45
+00:01:21,420 --> 00:01:22,850
+bought one in the same person and this
+letter from Serge is powerless helpless
+
+46
+00:01:22,850 --> 00:01:22,860
+letter from Serge is powerless helpless
+ 
+
+47
+00:01:22,860 --> 00:01:30,370
+letter from Serge is powerless helpless
+was written two days before her murder
+
+48
+00:01:30,370 --> 00:01:30,380
+
+ 
+
+49
+00:01:30,380 --> 00:01:32,539
+
+not going out of your mind you're slowly
+
+50
+00:01:32,539 --> 00:01:32,549
+not going out of your mind you're slowly
+ 
+
+51
+00:01:32,549 --> 00:01:34,010
+not going out of your mind you're slowly
+and systematically being driven out of
+
+52
+00:01:34,010 --> 00:01:34,020
+and systematically being driven out of
+ 
+
+53
+00:01:34,020 --> 00:01:34,429
+and systematically being driven out of
+your mind
+
+54
+00:01:34,429 --> 00:01:34,439
+your mind
+ 
+
+55
+00:01:34,439 --> 00:01:36,080
+your mind
+why why perhaps because you found this
+
+56
+00:01:36,080 --> 00:01:36,090
+why why perhaps because you found this
+ 
+
+57
+00:01:36,090 --> 00:01:40,520
+why why perhaps because you found this
+letter no too much well because then he
+
+58
+00:01:40,520 --> 00:01:40,530
+letter no too much well because then he
+ 
+
+59
+00:01:40,530 --> 00:01:42,140
+letter no too much well because then he
+would have control of your property of
+
+60
+00:01:42,140 --> 00:01:42,150
+would have control of your property of
+ 
+
+61
+00:01:42,150 --> 00:01:44,990
+would have control of your property of
+this house and could search in the open
+
+62
+00:01:44,990 --> 00:01:45,000
+this house and could search in the open
+ 
+
+63
+00:01:45,000 --> 00:01:47,749
+this house and could search in the open
+instead of the dark like this I searched
+
+64
+00:01:47,749 --> 00:01:47,759
+instead of the dark like this I searched
+ 
+
+65
+00:01:47,759 --> 00:01:49,700
+instead of the dark like this I searched
+but is that a search for for the things
+
+66
+00:01:49,700 --> 00:01:49,710
+but is that a search for for the things
+ 
+
+67
+00:01:49,710 --> 00:01:52,190
+but is that a search for for the things
+for which Alice Alquist was murdered her
+
+68
+00:01:52,190 --> 00:01:52,200
+for which Alice Alquist was murdered her
+ 
+
+69
+00:01:52,200 --> 00:01:56,389
+for which Alice Alquist was murdered her
+jewels I have heard you listen to George
+
+70
+00:01:56,389 --> 00:01:56,399
+jewels I have heard you listen to George
+ 
+
+71
+00:01:56,399 --> 00:01:58,660
+jewels I have heard you listen to George
+you didn't know she had famous jewels
+
+72
+00:01:58,660 --> 00:01:58,670
+you didn't know she had famous jewels
+ 
+
+73
+00:01:58,670 --> 00:02:01,069
+you didn't know she had famous jewels
+jewels for which she was searching that
+
+74
+00:02:01,069 --> 00:02:01,079
+jewels for which she was searching that
+ 
+
+75
+00:02:01,079 --> 00:02:03,020
+jewels for which she was searching that
+night when he was frightened away by
+
+76
+00:02:03,020 --> 00:02:03,030
+night when he was frightened away by
+ 
+
+77
+00:02:03,030 --> 00:02:04,850
+night when he was frightened away by
+hearing someone come down the stairs
+
+78
+00:02:04,850 --> 00:02:04,860
+hearing someone come down the stairs
+ 
+
+79
+00:02:04,860 --> 00:02:11,750
+hearing someone come down the stairs
+someone he never saw a little girl
+
+80
+00:02:11,750 --> 00:02:11,760
+
+ 
+
+81
+00:02:11,760 --> 00:02:23,100
+
+[Music]
+

1944/In_UKcRXzHs.description

@@ -0,0 +1,38 @@
+Arsenic and Old Lace movie clips: http://j.mp/13URcOk
+BUY THE MOVIE: http://j.mp/13URaWM
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When he discovers that he is not actually a Brewster, Mortimer's (Cary Grant) last doubts about marriage are erased, and he sweeps Elaine out the door and onto their honeymoon  after she discovers the bodies in the basement.
+
+FILM DESCRIPTION:
+Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II.
+
+CREDITS:
+TM & © Warner Bros. (1944)
+Cast: Garry Owen, Cary Grant, Priscilla Lane, James Gleason, Edward McNamara
+Director: Frank Capra
+Producers: Jack L. Warner, Frank Capra
+Screenwriters: Julius J. Epstein, Philip G. Epstein, Joseph Kesselring
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
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+Tumblr: http://bit.ly/1vUwhH7

1944/gP_GbzDWoY0.description

@@ -0,0 +1,38 @@
+Arsenic and Old Lace movie clips: http://j.mp/13URcOk
+BUY THE MOVIE: http://j.mp/13URaWM
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Mortimer (Cary Grant) is surprised to find Jonathan (Paymond Massey) and his associates  including a corpse  still in the house, and Jonathan threatens Mortimer with the reveal of one of the other corpses in the house.
+
+FILM DESCRIPTION:
+Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II.
+
+CREDITS:
+TM & © Warner Bros. (1944)
+Cast: Jack Carson, Cary Grant, Raymond Massey, Peter Lorre
+Director: Frank Capra
+Producers: Jack L. Warner, Frank Capra
+Screenwriters: Julius J. Epstein, Philip G. Epstein, Joseph Kesselring
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1944/qj0L0g36IXU.description

@@ -0,0 +1,38 @@
+Arsenic and Old Lace movie clips: http://j.mp/13URcOk
+BUY THE MOVIE: http://j.mp/13URaWM
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+With the police at the house and Mortimer (Cary Grant) tied, Jonathan (Raymond Massey) tries to tell the police about the bodies buried in the Brewster basement.
+
+FILM DESCRIPTION:
+Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II.
+
+CREDITS:
+TM & © Warner Bros. (1944)
+Cast: Jack Carson, Cary Grant, Raymond Massey, Peter Lorre, James Gleason
+Director: Frank Capra
+Producers: Jack L. Warner, Frank Capra
+Screenwriters: Julius J. Epstein, Philip G. Epstein, Joseph Kesselring
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1944/s8WzJJoKq_4.description

@@ -0,0 +1,38 @@
+Arsenic and Old Lace movie clips: http://j.mp/13URcOk
+BUY THE MOVIE: http://j.mp/13URaWM
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Jonathan (Raymond Massey) returns to his childhood home, his aunts are unable to recognize him because of the work of his plastic surgeon partner Dr. Einstein (Peter Lorre).
+
+FILM DESCRIPTION:
+Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II.
+
+CREDITS:
+TM & © Warner Bros. (1944)
+Cast: Raymond Massey, Peter Lorre, Josephine Hull, Jean Adair
+Director: Frank Capra
+Producers: Jack L. Warner, Frank Capra
+Screenwriters: Julius J. Epstein, Philip G. Epstein, Joseph Kesselring
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1944/s8WzJJoKq_4.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:00,030 --> 00:00:03,860
+
+if we were expected yes good omen
+
+2
+00:00:03,860 --> 00:00:03,870
+if we were expected yes good omen
+ 
+
+3
+00:00:03,870 --> 00:00:09,070
+if we were expected yes good omen
+who are you what are you doing here
+
+4
+00:00:09,070 --> 00:00:09,080
+who are you what are you doing here
+ 
+
+5
+00:00:09,080 --> 00:00:14,070
+who are you what are you doing here
+and a happy and Martha
+
+6
+00:00:14,070 --> 00:00:14,080
+and a happy and Martha
+ 
+
+7
+00:00:14,080 --> 00:00:18,380
+and a happy and Martha
+it's Jonathan you get out of here
+
+8
+00:00:18,380 --> 00:00:18,390
+it's Jonathan you get out of here
+ 
+
+9
+00:00:18,390 --> 00:00:22,589
+it's Jonathan you get out of here
+Jonathan you know your nephew Jonathan
+
+10
+00:00:22,589 --> 00:00:22,599
+Jonathan you know your nephew Jonathan
+ 
+
+11
+00:00:22,599 --> 00:00:25,319
+Jonathan you know your nephew Jonathan
+oh no you're not you're nothing like
+
+12
+00:00:25,319 --> 00:00:25,329
+oh no you're not you're nothing like
+ 
+
+13
+00:00:25,329 --> 00:00:28,109
+oh no you're not you're nothing like
+Jonathan so don't pretend you are you
+
+14
+00:00:28,109 --> 00:00:28,119
+Jonathan so don't pretend you are you
+ 
+
+15
+00:00:28,119 --> 00:00:30,420
+Jonathan so don't pretend you are you
+just get out of here I see you're still
+
+16
+00:00:30,420 --> 00:00:30,430
+just get out of here I see you're still
+ 
+
+17
+00:00:30,430 --> 00:00:33,000
+just get out of here I see you're still
+wearing the lovely garnet ring that
+
+18
+00:00:33,000 --> 00:00:33,010
+wearing the lovely garnet ring that
+ 
+
+19
+00:00:33,010 --> 00:00:36,049
+wearing the lovely garnet ring that
+grandma Brewster bought in England and
+
+20
+00:00:36,049 --> 00:00:36,059
+grandma Brewster bought in England and
+ 
+
+21
+00:00:36,059 --> 00:00:39,180
+grandma Brewster bought in England and
+you'll Aunt Martha's still a high collar
+
+22
+00:00:39,180 --> 00:00:39,190
+you'll Aunt Martha's still a high collar
+ 
+
+23
+00:00:39,190 --> 00:00:42,270
+you'll Aunt Martha's still a high collar
+to hide the scar what grandfather's acid
+
+24
+00:00:42,270 --> 00:00:42,280
+to hide the scar what grandfather's acid
+ 
+
+25
+00:00:42,280 --> 00:00:48,350
+to hide the scar what grandfather's acid
+burned you his voice is like Jonathan's
+
+26
+00:00:48,350 --> 00:00:48,360
+burned you his voice is like Jonathan's
+ 
+
+27
+00:00:48,360 --> 00:00:54,870
+burned you his voice is like Jonathan's
+have you been in an accident my face dr.
+
+28
+00:00:54,870 --> 00:00:54,880
+have you been in an accident my face dr.
+ 
+
+29
+00:00:54,880 --> 00:00:57,750
+have you been in an accident my face dr.
+Einstein is responsible for that he's a
+
+30
+00:00:57,750 --> 00:00:57,760
+Einstein is responsible for that he's a
+ 
+
+31
+00:00:57,760 --> 00:01:00,900
+Einstein is responsible for that he's a
+plastic surgeon but but I've seen that
+
+32
+00:01:00,900 --> 00:01:00,910
+plastic surgeon but but I've seen that
+ 
+
+33
+00:01:00,910 --> 00:01:06,120
+plastic surgeon but but I've seen that
+face before do you remember when we took
+
+34
+00:01:06,120 --> 00:01:06,130
+face before do you remember when we took
+ 
+
+35
+00:01:06,130 --> 00:01:08,219
+face before do you remember when we took
+the little shoots boy to the movies and
+
+36
+00:01:08,219 --> 00:01:08,229
+the little shoots boy to the movies and
+ 
+
+37
+00:01:08,229 --> 00:01:14,800
+the little shoots boy to the movies and
+I was so frightened it was that face
+
+38
+00:01:14,800 --> 00:01:14,810
+
+ 
+
+39
+00:01:14,810 --> 00:01:17,530
+
+take it easy Johnny take it easy don't
+
+40
+00:01:17,530 --> 00:01:17,540
+take it easy Johnny take it easy don't
+ 
+
+41
+00:01:17,540 --> 00:01:19,450
+take it easy Johnny take it easy don't
+worry the last five years I give him
+
+42
+00:01:19,450 --> 00:01:19,460
+worry the last five years I give him
+ 
+
+43
+00:01:19,460 --> 00:01:21,340
+worry the last five years I give him
+three different phases I give him
+
+44
+00:01:21,340 --> 00:01:21,350
+three different phases I give him
+ 
+
+45
+00:01:21,350 --> 00:01:24,520
+three different phases I give him
+another one right away a dead last face
+
+46
+00:01:24,520 --> 00:01:24,530
+another one right away a dead last face
+ 
+
+47
+00:01:24,530 --> 00:01:27,850
+another one right away a dead last face
+I saw that picture too just before I
+
+48
+00:01:27,850 --> 00:01:27,860
+I saw that picture too just before I
+ 
+
+49
+00:01:27,860 --> 00:01:33,310
+I saw that picture too just before I
+operate and I was intoxicated you've
+
+50
+00:01:33,310 --> 00:01:33,320
+operate and I was intoxicated you've
+ 
+
+51
+00:01:33,320 --> 00:01:36,400
+operate and I was intoxicated you've
+done to me even my own everything good
+
+52
+00:01:36,400 --> 00:01:36,410
+done to me even my own everything good
+ 
+
+53
+00:01:36,410 --> 00:01:39,670
+done to me even my own everything good
+Johnny Johnny you are home in this
+
+54
+00:01:39,670 --> 00:01:39,680
+Johnny Johnny you are home in this
+ 
+
+55
+00:01:39,680 --> 00:01:46,570
+Johnny Johnny you are home in this
+lovely house you know how many times he
+
+56
+00:01:46,570 --> 00:01:46,580
+lovely house you know how many times he
+ 
+
+57
+00:01:46,580 --> 00:01:49,450
+lovely house you know how many times he
+tells me about about broking about this
+
+58
+00:01:49,450 --> 00:01:49,460
+tells me about about broking about this
+ 
+
+59
+00:01:49,460 --> 00:01:52,060
+tells me about about broking about this
+house and about his aunt's he loved so
+
+60
+00:01:52,060 --> 00:01:52,070
+house and about his aunt's he loved so
+ 
+
+61
+00:01:52,070 --> 00:01:55,000
+house and about his aunt's he loved so
+much they know your Johnny please tell
+
+62
+00:01:55,000 --> 00:01:55,010
+much they know your Johnny please tell
+ 
+
+63
+00:01:55,010 --> 00:02:02,350
+much they know your Johnny please tell
+him so well Jonathan it's been a long
+
+64
+00:02:02,350 --> 00:02:02,360
+him so well Jonathan it's been a long
+ 
+
+65
+00:02:02,360 --> 00:02:03,310
+him so well Jonathan it's been a long
+time
+
+66
+00:02:03,310 --> 00:02:03,320
+time
+ 
+
+67
+00:02:03,320 --> 00:02:07,180
+time
+bless you it's good to be home
+

1944/tg2X2RZsGy4.description

@@ -0,0 +1,38 @@
+Arsenic and Old Lace movie clips: http://j.mp/13URcOk
+BUY THE MOVIE: http://j.mp/13URaWM
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+As Mortimer (Cary Grant) describes to Dr. Einstein (Peter Lorre) what saps the characters in plays can be, Jonathan (Raymond Massey) prepares to tie up his sap of a brother.
+
+FILM DESCRIPTION:
+Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II.
+
+CREDITS:
+TM & © Warner Bros. (1944)
+Cast: Cary Grant, Raymond Massey, Peter Lorre
+Director: Frank Capra
+Producers: Jack L. Warner, Frank Capra
+Screenwriters: Julius J. Epstein, Philip G. Epstein, Joseph Kesselring
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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+
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+Tumblr: http://bit.ly/1vUwhH7

1944/tg2X2RZsGy4.en.srt

@@ -0,0 +1,495 @@
+1
+00:00:00,179 --> 00:00:02,450
+
+you've just been married you have a nice
+
+2
+00:00:02,450 --> 00:00:02,460
+you've just been married you have a nice
+ 
+
+3
+00:00:02,460 --> 00:00:04,579
+you've just been married you have a nice
+little wife waiting for you please go
+
+4
+00:00:04,579 --> 00:00:04,589
+little wife waiting for you please go
+ 
+
+5
+00:00:04,589 --> 00:00:09,339
+little wife waiting for you please go
+now please
+
+6
+00:00:09,339 --> 00:00:09,349
+
+ 
+
+7
+00:00:09,349 --> 00:00:11,810
+
+javi four-prong tell me don't those
+
+8
+00:00:11,810 --> 00:00:11,820
+javi four-prong tell me don't those
+ 
+
+9
+00:00:11,820 --> 00:00:13,430
+javi four-prong tell me don't those
+place you see all the time teach you
+
+10
+00:00:13,430 --> 00:00:13,440
+place you see all the time teach you
+ 
+
+11
+00:00:13,440 --> 00:00:14,990
+place you see all the time teach you
+anything oh stop it don't get me on the
+
+12
+00:00:14,990 --> 00:00:15,000
+anything oh stop it don't get me on the
+ 
+
+13
+00:00:15,000 --> 00:00:16,430
+anything oh stop it don't get me on the
+subject of plays I got a lot on my mind
+
+14
+00:00:16,430 --> 00:00:16,440
+subject of plays I got a lot on my mind
+ 
+
+15
+00:00:16,440 --> 00:00:17,660
+subject of plays I got a lot on my mind
+now I've gotta wait here for mr.
+
+16
+00:00:17,660 --> 00:00:17,670
+now I've gotta wait here for mr.
+ 
+
+17
+00:00:17,670 --> 00:00:19,429
+now I've gotta wait here for mr.
+Witherspoon please people him please act
+
+18
+00:00:19,429 --> 00:00:19,439
+Witherspoon please people him please act
+ 
+
+19
+00:00:19,439 --> 00:00:21,380
+Witherspoon please people him please act
+like tickets ain't oh you think so did
+
+20
+00:00:21,380 --> 00:00:21,390
+like tickets ain't oh you think so did
+ 
+
+21
+00:00:21,390 --> 00:00:22,759
+like tickets ain't oh you think so did
+you ever see anybody play act like they
+
+22
+00:00:22,759 --> 00:00:22,769
+you ever see anybody play act like they
+ 
+
+23
+00:00:22,769 --> 00:00:24,769
+you ever see anybody play act like they
+got intelligence uh huh here's somebody
+
+24
+00:00:24,769 --> 00:00:24,779
+got intelligence uh huh here's somebody
+ 
+
+25
+00:00:24,779 --> 00:00:26,420
+got intelligence uh huh here's somebody
+that's my job for a few nights listen to
+
+26
+00:00:26,420 --> 00:00:26,430
+that's my job for a few nights listen to
+ 
+
+27
+00:00:26,430 --> 00:00:28,040
+that's my job for a few nights listen to
+me brother when you get out of prison
+
+28
+00:00:28,040 --> 00:00:28,050
+me brother when you get out of prison
+ 
+
+29
+00:00:28,050 --> 00:00:29,720
+me brother when you get out of prison
+you have yourself wheeled over to the
+
+30
+00:00:29,720 --> 00:00:29,730
+you have yourself wheeled over to the
+ 
+
+31
+00:00:29,730 --> 00:00:32,240
+you have yourself wheeled over to the
+Garrick Theatre oh there's a play there
+
+32
+00:00:32,240 --> 00:00:32,250
+Garrick Theatre oh there's a play there
+ 
+
+33
+00:00:32,250 --> 00:00:33,830
+Garrick Theatre oh there's a play there
+this oh honey it's so bad we'll still be
+
+34
+00:00:33,830 --> 00:00:33,840
+this oh honey it's so bad we'll still be
+ 
+
+35
+00:00:33,840 --> 00:00:35,569
+this oh honey it's so bad we'll still be
+running when you get out now in if
+
+36
+00:00:35,569 --> 00:00:35,579
+running when you get out now in if
+ 
+
+37
+00:00:35,579 --> 00:00:37,160
+running when you get out now in if
+there's a man now listen to this now he
+
+38
+00:00:37,160 --> 00:00:37,170
+there's a man now listen to this now he
+ 
+
+39
+00:00:37,170 --> 00:00:38,479
+there's a man now listen to this now he
+knows he's in the house with murderers
+
+40
+00:00:38,479 --> 00:00:38,489
+knows he's in the house with murderers
+ 
+
+41
+00:00:38,489 --> 00:00:40,639
+knows he's in the house with murderers
+so we ought to know he's in danger he's
+
+42
+00:00:40,639 --> 00:00:40,649
+so we ought to know he's in danger he's
+ 
+
+43
+00:00:40,649 --> 00:00:41,869
+so we ought to know he's in danger he's
+even been warned to get out of the house
+
+44
+00:00:41,869 --> 00:00:41,879
+even been warned to get out of the house
+ 
+
+45
+00:00:41,879 --> 00:00:44,119
+even been warned to get out of the house
+and does he go yes no he doesn't he
+
+46
+00:00:44,119 --> 00:00:44,129
+and does he go yes no he doesn't he
+ 
+
+47
+00:00:44,129 --> 00:00:46,190
+and does he go yes no he doesn't he
+stays huh this fella doesn't even have
+
+48
+00:00:46,190 --> 00:00:46,200
+stays huh this fella doesn't even have
+ 
+
+49
+00:00:46,200 --> 00:00:47,900
+stays huh this fella doesn't even have
+sense enough to be scared know what to
+
+50
+00:00:47,900 --> 00:00:47,910
+sense enough to be scared know what to
+ 
+
+51
+00:00:47,910 --> 00:00:50,750
+sense enough to be scared know what to
+be on his guard know who a murderer even
+
+52
+00:00:50,750 --> 00:00:50,760
+be on his guard know who a murderer even
+ 
+
+53
+00:00:50,760 --> 00:00:52,340
+be on his guard know who a murderer even
+invites him to sit down and what do you
+
+54
+00:00:52,340 --> 00:00:52,350
+invites him to sit down and what do you
+ 
+
+55
+00:00:52,350 --> 00:00:55,790
+invites him to sit down and what do you
+think he does all right he sits down no
+
+56
+00:00:55,790 --> 00:00:55,800
+think he does all right he sits down no
+ 
+
+57
+00:00:55,800 --> 00:00:57,470
+think he does all right he sits down no
+he didn't different he pulls up a chair
+
+58
+00:00:57,470 --> 00:00:57,480
+he didn't different he pulls up a chair
+ 
+
+59
+00:00:57,480 --> 00:01:02,000
+he didn't different he pulls up a chair
+like that and he sits down great so
+
+60
+00:01:02,000 --> 00:01:02,010
+like that and he sits down great so
+ 
+
+61
+00:01:02,010 --> 00:01:03,590
+like that and he sits down great so
+there he is all waiting to be trussed up
+
+62
+00:01:03,590 --> 00:01:03,600
+there he is all waiting to be trussed up
+ 
+
+63
+00:01:03,600 --> 00:01:07,039
+there he is all waiting to be trussed up
+in gang what do you think they use the
+
+64
+00:01:07,039 --> 00:01:07,049
+in gang what do you think they use the
+ 
+
+65
+00:01:07,049 --> 00:01:09,859
+in gang what do you think they use the
+trusty won't work what the curtain cord
+
+66
+00:01:09,859 --> 00:01:09,869
+trusty won't work what the curtain cord
+ 
+
+67
+00:01:09,869 --> 00:01:15,830
+trusty won't work what the curtain cord
+okay team kidded see him get it no the
+
+68
+00:01:15,830 --> 00:01:15,840
+okay team kidded see him get it no the
+ 
+
+69
+00:01:15,840 --> 00:01:16,910
+okay team kidded see him get it no the
+silly chump sits down with his back
+
+70
+00:01:16,910 --> 00:01:16,920
+silly chump sits down with his back
+ 
+
+71
+00:01:16,920 --> 00:01:18,859
+silly chump sits down with his back
+toward the murderer all he has to do is
+
+72
+00:01:18,859 --> 00:01:18,869
+toward the murderer all he has to do is
+ 
+
+73
+00:01:18,869 --> 00:01:22,880
+toward the murderer all he has to do is
+look around but does he know yeah look
+
+74
+00:01:22,880 --> 00:01:22,890
+look around but does he know yeah look
+ 
+
+75
+00:01:22,890 --> 00:01:24,230
+look around but does he know yeah look
+don't you see brother Heidelberg in a
+
+76
+00:01:24,230 --> 00:01:24,240
+don't you see brother Heidelberg in a
+ 
+
+77
+00:01:24,240 --> 00:01:26,030
+don't you see brother Heidelberg in a
+play or even in a movie for that matter
+
+78
+00:01:26,030 --> 00:01:26,040
+play or even in a movie for that matter
+ 
+
+79
+00:01:26,040 --> 00:01:28,819
+play or even in a movie for that matter
+a fella never sees a ears anything who
+
+80
+00:01:28,819 --> 00:01:28,829
+a fella never sees a ears anything who
+ 
+
+81
+00:01:28,829 --> 00:01:31,370
+a fella never sees a ears anything who
+knew yeah that's right but what does he
+
+82
+00:01:31,370 --> 00:01:31,380
+knew yeah that's right but what does he
+ 
+
+83
+00:01:31,380 --> 00:01:31,940
+knew yeah that's right but what does he
+do
+
+84
+00:01:31,940 --> 00:01:31,950
+do
+ 
+
+85
+00:01:31,950 --> 00:01:33,679
+do
+does he dare while a big chump sits
+
+86
+00:01:33,679 --> 00:01:33,689
+does he dare while a big chump sits
+ 
+
+87
+00:01:33,689 --> 00:01:34,999
+does he dare while a big chump sits
+there this fellow is supposed to be
+
+88
+00:01:34,999 --> 00:01:35,009
+there this fellow is supposed to be
+ 
+
+89
+00:01:35,009 --> 00:01:36,770
+there this fellow is supposed to be
+bright he sits there I get a lot of this
+
+90
+00:01:36,770 --> 00:01:36,780
+bright he sits there I get a lot of this
+ 
+
+91
+00:01:36,780 --> 00:01:40,399
+bright he sits there I get a lot of this
+look look at the attitude large is live
+
+92
+00:01:40,399 --> 00:01:40,409
+look look at the attitude large is live
+ 
+
+93
+00:01:40,409 --> 00:01:42,050
+look look at the attitude large is live
+he sits there waiting to be tied up in
+
+94
+00:01:42,050 --> 00:01:42,060
+he sits there waiting to be tied up in
+ 
+
+95
+00:01:42,060 --> 00:01:54,720
+he sits there waiting to be tied up in
+gay
+
+96
+00:01:54,720 --> 00:01:54,730
+
+ 
+
+97
+00:01:54,730 --> 00:01:56,340
+
+you were right about that fellow he
+
+98
+00:01:56,340 --> 00:01:56,350
+you were right about that fellow he
+ 
+
+99
+00:01:56,350 --> 00:01:59,370
+you were right about that fellow he
+wasn't blob right
+

1944/ty68MEZQPS0.en.srt

@@ -0,0 +1,595 @@
+1
+00:00:00,000 --> 00:00:12,070
+
+oh goodness oh good gracious
+
+2
+00:00:12,070 --> 00:00:12,080
+oh goodness oh good gracious
+ 
+
+3
+00:00:12,080 --> 00:00:14,450
+oh goodness oh good gracious
+okay it's so exciting
+
+4
+00:00:14,450 --> 00:00:14,460
+okay it's so exciting
+ 
+
+5
+00:00:14,460 --> 00:00:17,060
+okay it's so exciting
+look yes it's all about him girl affair
+
+6
+00:00:17,060 --> 00:00:17,070
+look yes it's all about him girl affair
+ 
+
+7
+00:00:17,070 --> 00:00:19,910
+look yes it's all about him girl affair
+as a man and what do you think he's got
+
+8
+00:00:19,910 --> 00:00:19,920
+as a man and what do you think he's got
+ 
+
+9
+00:00:19,920 --> 00:00:22,029
+as a man and what do you think he's got
+six wives buried in the cellar
+
+10
+00:00:22,029 --> 00:00:22,039
+six wives buried in the cellar
+ 
+
+11
+00:00:22,039 --> 00:00:25,250
+six wives buried in the cellar
+that seems a lot yes and I'm only a page
+
+12
+00:00:25,250 --> 00:00:25,260
+that seems a lot yes and I'm only a page
+ 
+
+13
+00:00:25,260 --> 00:00:27,470
+that seems a lot yes and I'm only a page
+200 so I'm sure there's still more to
+
+14
+00:00:27,470 --> 00:00:27,480
+200 so I'm sure there's still more to
+ 
+
+15
+00:00:27,480 --> 00:00:27,710
+200 so I'm sure there's still more to
+come
+
+16
+00:00:27,710 --> 00:00:27,720
+come
+ 
+
+17
+00:00:27,720 --> 00:00:30,859
+come
+it's a wonderful book it sounds a little
+
+18
+00:00:30,859 --> 00:00:30,869
+it's a wonderful book it sounds a little
+ 
+
+19
+00:00:30,869 --> 00:00:31,609
+it's a wonderful book it sounds a little
+gruesome
+
+20
+00:00:31,609 --> 00:00:31,619
+gruesome
+ 
+
+21
+00:00:31,619 --> 00:00:33,740
+gruesome
+yes well I'm afraid I enjoy a good
+
+22
+00:00:33,740 --> 00:00:33,750
+yes well I'm afraid I enjoy a good
+ 
+
+23
+00:00:33,750 --> 00:00:35,780
+yes well I'm afraid I enjoy a good
+murder now and then my brother always
+
+24
+00:00:35,780 --> 00:00:35,790
+murder now and then my brother always
+ 
+
+25
+00:00:35,790 --> 00:00:41,229
+murder now and then my brother always
+calls me bloodthirsty Betsy
+
+26
+00:00:41,229 --> 00:00:41,239
+
+ 
+
+27
+00:00:41,239 --> 00:00:44,270
+
+digestive biscuits unpleasant name isn't
+
+28
+00:00:44,270 --> 00:00:44,280
+digestive biscuits unpleasant name isn't
+ 
+
+29
+00:00:44,280 --> 00:00:44,660
+digestive biscuits unpleasant name isn't
+it
+
+30
+00:00:44,660 --> 00:00:44,670
+it
+ 
+
+31
+00:00:44,670 --> 00:00:50,360
+it
+I always call them dig a viscous you're
+
+32
+00:00:50,360 --> 00:00:50,370
+I always call them dig a viscous you're
+ 
+
+33
+00:00:50,370 --> 00:00:54,260
+I always call them dig a viscous you're
+not English are you no my aunt lived in
+
+34
+00:00:54,260 --> 00:00:54,270
+not English are you no my aunt lived in
+ 
+
+35
+00:00:54,270 --> 00:00:56,450
+not English are you no my aunt lived in
+London are you on your way there now no
+
+36
+00:00:56,450 --> 00:00:56,460
+London are you on your way there now no
+ 
+
+37
+00:00:56,460 --> 00:01:00,380
+London are you on your way there now no
+I'm going to Lake Como Oh over you soon
+
+38
+00:01:00,380 --> 00:01:00,390
+I'm going to Lake Como Oh over you soon
+ 
+
+39
+00:01:00,390 --> 00:01:03,200
+I'm going to Lake Como Oh over you soon
+yes all by myself oh but but is that
+
+40
+00:01:03,200 --> 00:01:03,210
+yes all by myself oh but but is that
+ 
+
+41
+00:01:03,210 --> 00:01:05,870
+yes all by myself oh but but is that
+wise I don't think any harm will come to
+
+42
+00:01:05,870 --> 00:01:05,880
+wise I don't think any harm will come to
+ 
+
+43
+00:01:05,880 --> 00:01:08,510
+wise I don't think any harm will come to
+me well I'm going to London I must be
+
+44
+00:01:08,510 --> 00:01:08,520
+me well I'm going to London I must be
+ 
+
+45
+00:01:08,520 --> 00:01:10,340
+me well I'm going to London I must be
+another with the spring the crocuses you
+
+46
+00:01:10,340 --> 00:01:10,350
+another with the spring the crocuses you
+ 
+
+47
+00:01:10,350 --> 00:01:12,289
+another with the spring the crocuses you
+know and the daffodils and the tulips
+
+48
+00:01:12,289 --> 00:01:12,299
+know and the daffodils and the tulips
+ 
+
+49
+00:01:12,299 --> 00:01:13,789
+know and the daffodils and the tulips
+the gardens are so beautiful in the
+
+50
+00:01:13,789 --> 00:01:13,799
+the gardens are so beautiful in the
+ 
+
+51
+00:01:13,799 --> 00:01:16,280
+the gardens are so beautiful in the
+spring I go and say good morning to my
+
+52
+00:01:16,280 --> 00:01:16,290
+spring I go and say good morning to my
+ 
+
+53
+00:01:16,290 --> 00:01:18,609
+spring I go and say good morning to my
+flowers and Thornton Square every day
+
+54
+00:01:18,609 --> 00:01:18,619
+flowers and Thornton Square every day
+ 
+
+55
+00:01:18,619 --> 00:01:20,960
+flowers and Thornton Square every day
+Fountain Square yes that's what I live
+
+56
+00:01:20,960 --> 00:01:20,970
+Fountain Square yes that's what I live
+ 
+
+57
+00:01:20,970 --> 00:01:25,109
+Fountain Square yes that's what I live
+number 16 do you know it
+
+58
+00:01:25,109 --> 00:01:25,119
+
+ 
+
+59
+00:01:25,119 --> 00:01:27,570
+
+I know Sutton's way did you know anyone
+
+60
+00:01:27,570 --> 00:01:27,580
+I know Sutton's way did you know anyone
+ 
+
+61
+00:01:27,580 --> 00:01:30,870
+I know Sutton's way did you know anyone
+living there I used to not anymore no
+
+62
+00:01:30,870 --> 00:01:30,880
+living there I used to not anymore no
+ 
+
+63
+00:01:30,880 --> 00:01:32,520
+living there I used to not anymore no
+wonder there could be I know almost
+
+64
+00:01:32,520 --> 00:01:32,530
+wonder there could be I know almost
+ 
+
+65
+00:01:32,530 --> 00:01:34,920
+wonder there could be I know almost
+everyone who lives there now we are also
+
+66
+00:01:34,920 --> 00:01:34,930
+everyone who lives there now we are also
+ 
+
+67
+00:01:34,930 --> 00:01:36,690
+everyone who lives there now we are also
+very friendly you know popping in and
+
+68
+00:01:36,690 --> 00:01:36,700
+very friendly you know popping in and
+ 
+
+69
+00:01:36,700 --> 00:01:38,490
+very friendly you know popping in and
+out of each other's houses what number
+
+70
+00:01:38,490 --> 00:01:38,500
+out of each other's houses what number
+ 
+
+71
+00:01:38,500 --> 00:01:41,130
+out of each other's houses what number
+did your friends leave it I'm afraid I
+
+72
+00:01:41,130 --> 00:01:41,140
+did your friends leave it I'm afraid I
+ 
+
+73
+00:01:41,140 --> 00:01:44,520
+did your friends leave it I'm afraid I
+don't remember oh we had a real-life
+
+74
+00:01:44,520 --> 00:01:44,530
+don't remember oh we had a real-life
+ 
+
+75
+00:01:44,530 --> 00:01:49,340
+don't remember oh we had a real-life
+murder Leah yes I I'd heard of it
+
+76
+00:01:49,340 --> 00:01:49,350
+murder Leah yes I I'd heard of it
+ 
+
+77
+00:01:49,350 --> 00:01:51,630
+murder Leah yes I I'd heard of it
+unfortunately it's before I went to live
+
+78
+00:01:51,630 --> 00:01:51,640
+unfortunately it's before I went to live
+ 
+
+79
+00:01:51,640 --> 00:01:54,570
+unfortunately it's before I went to live
+there just the year before 10 years ago
+
+80
+00:01:54,570 --> 00:01:54,580
+there just the year before 10 years ago
+ 
+
+81
+00:01:54,580 --> 00:01:57,900
+there just the year before 10 years ago
+at number 9 a famous singer called Alice
+
+82
+00:01:57,900 --> 00:01:57,910
+at number 9 a famous singer called Alice
+ 
+
+83
+00:01:57,910 --> 00:02:00,330
+at number 9 a famous singer called Alice
+Alquist have another biscuit er no
+
+84
+00:02:00,330 --> 00:02:00,340
+Alquist have another biscuit er no
+ 
+
+85
+00:02:00,340 --> 00:02:00,840
+Alquist have another biscuit er no
+thanks
+
+86
+00:02:00,840 --> 00:02:00,850
+thanks
+ 
+
+87
+00:02:00,850 --> 00:02:03,870
+thanks
+it was a most mysterious case they never
+
+88
+00:02:03,870 --> 00:02:03,880
+it was a most mysterious case they never
+ 
+
+89
+00:02:03,880 --> 00:02:06,090
+it was a most mysterious case they never
+found out who killed her they never even
+
+90
+00:02:06,090 --> 00:02:06,100
+found out who killed her they never even
+ 
+
+91
+00:02:06,100 --> 00:02:08,400
+found out who killed her they never even
+found a motive I've tried to get in the
+
+92
+00:02:08,400 --> 00:02:08,410
+found a motive I've tried to get in the
+ 
+
+93
+00:02:08,410 --> 00:02:10,169
+found a motive I've tried to get in the
+house many and many a time I think it
+
+94
+00:02:10,169 --> 00:02:10,179
+house many and many a time I think it
+ 
+
+95
+00:02:10,179 --> 00:02:13,199
+house many and many a time I think it
+was so exciting don't you I mean just to
+
+96
+00:02:13,199 --> 00:02:13,209
+was so exciting don't you I mean just to
+ 
+
+97
+00:02:13,209 --> 00:02:17,250
+was so exciting don't you I mean just to
+see nothing's be changed all the
+
+98
+00:02:17,250 --> 00:02:17,260
+see nothing's be changed all the
+ 
+
+99
+00:02:17,260 --> 00:02:23,670
+see nothing's be changed all the
+furniture and everything is anyone
+
+100
+00:02:23,670 --> 00:02:23,680
+furniture and everything is anyone
+ 
+
+101
+00:02:23,680 --> 00:02:24,270
+furniture and everything is anyone
+meeting you
+
+102
+00:02:24,270 --> 00:02:24,280
+meeting you
+ 
+
+103
+00:02:24,280 --> 00:02:31,350
+meeting you
+no well you will be careful won't you my
+
+104
+00:02:31,350 --> 00:02:31,360
+no well you will be careful won't you my
+ 
+
+105
+00:02:31,360 --> 00:02:33,900
+no well you will be careful won't you my
+name is face mist weights and I point
+
+106
+00:02:33,900 --> 00:02:33,910
+name is face mist weights and I point
+ 
+
+107
+00:02:33,910 --> 00:02:35,370
+name is face mist weights and I point
+out the window of the room in number 9
+
+108
+00:02:35,370 --> 00:02:35,380
+out the window of the room in number 9
+ 
+
+109
+00:02:35,380 --> 00:02:37,170
+out the window of the room in number 9
+where it happened oh you can see it from
+
+110
+00:02:37,170 --> 00:02:37,180
+where it happened oh you can see it from
+ 
+
+111
+00:02:37,180 --> 00:02:43,059
+where it happened oh you can see it from
+a drawing
+
+112
+00:02:43,059 --> 00:02:43,069
+
+ 
+
+113
+00:02:43,069 --> 00:02:46,240
+
+you're not angry with me and angry
+
+114
+00:02:46,240 --> 00:02:46,250
+you're not angry with me and angry
+ 
+
+115
+00:02:46,250 --> 00:02:47,800
+you're not angry with me and angry
+keep your head and come I should have
+
+116
+00:02:47,800 --> 00:02:47,810
+keep your head and come I should have
+ 
+
+117
+00:02:47,810 --> 00:02:52,050
+keep your head and come I should have
+sent for you
+
+118
+00:02:52,050 --> 00:02:52,060
+
+ 
+
+119
+00:02:52,060 --> 00:03:09,599
+
+[Music]
+

1945/0AspXDFcGlw.description

@@ -0,0 +1,38 @@
+The Bells of St. Mary's movie clips: http://j.mp/1uv7FJf
+BUY THE MOVIE: http://j.mp/Ld72KS
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Sister Mary Benedict (Ingrid Bergman) teaches Eddie (Richard Tyler) the basics of boxing.
+
+FILM DESCRIPTION:
+In this follow-up to director Leo McCarey's Going My Way (1944), Bing Crosby repeats his Oscar-winning characterization of happy-go-lucky priest Father O'Malley. The good father is sent to help out financially strapped St. Mary's Academy, a parochial school presided over by lovely nun Sister Benedict (Ingrid Bergman). The film is constructed in anecdotal fashion: Nun and priest gently quarrel over teaching methods; they help patch up the tottering marriage of William Gargan and Martha Sleeper; Sister Benedict plays baseball and teaches a student how to box; Father O'Malley softens the heart of the man who holds the mortgage (Henry Travers) by convincing the poor fellow that he's only got a few months to live; and the kids of St. Mary's put on a much-revised stage version of the Nativity, complete with a chorus of "Happy Birthday" on the occasion of the Virgin Birth. A huge hit at the box office, Bells of St. Mary's was nominated for nine Academy Awards.
+
+CREDITS:
+TM & © Paramount (1945)
+Cast: Richard Tyler, Ingrid Bergman
+Director: Leo McCarey
+Producer: Leo McCarey
+Screenwriters: Leo McCarey, Dudley Nichols
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1945/70NH2okaBY4.en.srt

@@ -0,0 +1,525 @@
+1
+00:00:00,199 --> 00:00:03,149
+
+hello L how are you you look wonderful
+
+2
+00:00:03,149 --> 00:00:03,159
+hello L how are you you look wonderful
+ 
+
+3
+00:00:03,159 --> 00:00:05,190
+hello L how are you you look wonderful
+you've been away so long yes I've been
+
+4
+00:00:05,190 --> 00:00:05,200
+you've been away so long yes I've been
+ 
+
+5
+00:00:05,200 --> 00:00:08,310
+you've been away so long yes I've been
+to Mexico is that a fact oh it's nice to
+
+6
+00:00:08,310 --> 00:00:08,320
+to Mexico is that a fact oh it's nice to
+ 
+
+7
+00:00:08,320 --> 00:00:09,549
+to Mexico is that a fact oh it's nice to
+have you back I don't know what we would
+
+8
+00:00:09,549 --> 00:00:09,559
+have you back I don't know what we would
+ 
+
+9
+00:00:09,559 --> 00:00:11,470
+have you back I don't know what we would
+have done if you stayed away longer
+
+10
+00:00:11,470 --> 00:00:11,480
+have done if you stayed away longer
+ 
+
+11
+00:00:11,480 --> 00:00:13,390
+have done if you stayed away longer
+thank you L it's nice to see you too
+
+12
+00:00:13,390 --> 00:00:13,400
+thank you L it's nice to see you too
+ 
+
+13
+00:00:13,400 --> 00:00:16,670
+thank you L it's nice to see you too
+likewise I'm sure welcome home Mrs thank
+
+14
+00:00:16,670 --> 00:00:16,680
+likewise I'm sure welcome home Mrs thank
+ 
+
+15
+00:00:16,680 --> 00:00:19,349
+likewise I'm sure welcome home Mrs thank
+you Jean hi Ida well well long time no
+
+16
+00:00:19,349 --> 00:00:19,359
+you Jean hi Ida well well long time no
+ 
+
+17
+00:00:19,359 --> 00:00:21,630
+you Jean hi Ida well well long time no
+see how are you how was Mexico crowded
+
+18
+00:00:21,630 --> 00:00:21,640
+see how are you how was Mexico crowded
+ 
+
+19
+00:00:21,640 --> 00:00:23,550
+see how are you how was Mexico crowded
+how's business crowded want your desk
+
+20
+00:00:23,550 --> 00:00:23,560
+how's business crowded want your desk
+ 
+
+21
+00:00:23,560 --> 00:00:27,109
+how's business crowded want your desk
+back no thanks on you it looks good you
+
+22
+00:00:27,109 --> 00:00:27,119
+back no thanks on you it looks good you
+ 
+
+23
+00:00:27,119 --> 00:00:30,029
+back no thanks on you it looks good you
+know I like Mexico it's so Mexican
+
+24
+00:00:30,029 --> 00:00:30,039
+know I like Mexico it's so Mexican
+ 
+
+25
+00:00:30,039 --> 00:00:33,110
+know I like Mexico it's so Mexican
+thanks here you
+
+26
+00:00:33,110 --> 00:00:33,120
+thanks here you
+ 
+
+27
+00:00:33,120 --> 00:00:35,430
+thanks here you
+are you're in great
+
+28
+00:00:35,430 --> 00:00:35,440
+are you're in great
+ 
+
+29
+00:00:35,440 --> 00:00:38,389
+are you're in great
+shape nothing like a nice long rest is
+
+30
+00:00:38,389 --> 00:00:38,399
+shape nothing like a nice long rest is
+ 
+
+31
+00:00:38,399 --> 00:00:42,350
+shape nothing like a nice long rest is
+there got a drink handy yeah I guess so
+
+32
+00:00:42,350 --> 00:00:42,360
+there got a drink handy yeah I guess so
+ 
+
+33
+00:00:42,360 --> 00:00:44,110
+there got a drink handy yeah I guess so
+hey Jean crack open the safe and get out
+
+34
+00:00:44,110 --> 00:00:44,120
+hey Jean crack open the safe and get out
+ 
+
+35
+00:00:44,120 --> 00:00:46,470
+hey Jean crack open the safe and get out
+some of that good bourbon you never used
+
+36
+00:00:46,470 --> 00:00:46,480
+some of that good bourbon you never used
+ 
+
+37
+00:00:46,480 --> 00:00:48,590
+some of that good bourbon you never used
+to drink during the day never used to
+
+38
+00:00:48,590 --> 00:00:48,600
+to drink during the day never used to
+ 
+
+39
+00:00:48,600 --> 00:00:50,510
+to drink during the day never used to
+drink at all it's just a little habit I
+
+40
+00:00:50,510 --> 00:00:50,520
+drink at all it's just a little habit I
+ 
+
+41
+00:00:50,520 --> 00:00:53,349
+drink at all it's just a little habit I
+picked up from men oh men I never yet
+
+42
+00:00:53,349 --> 00:00:53,359
+picked up from men oh men I never yet
+ 
+
+43
+00:00:53,359 --> 00:00:54,470
+picked up from men oh men I never yet
+met one of them who didn't have the
+
+44
+00:00:54,470 --> 00:00:54,480
+met one of them who didn't have the
+ 
+
+45
+00:00:54,480 --> 00:00:56,950
+met one of them who didn't have the
+instincts of a heal sometimes I wish I
+
+46
+00:00:56,950 --> 00:00:56,960
+instincts of a heal sometimes I wish I
+ 
+
+47
+00:00:56,960 --> 00:00:59,509
+instincts of a heal sometimes I wish I
+could get along without him you've never
+
+48
+00:00:59,509 --> 00:00:59,519
+could get along without him you've never
+ 
+
+49
+00:00:59,519 --> 00:01:01,670
+could get along without him you've never
+been married have you Ida now when men
+
+50
+00:01:01,670 --> 00:01:01,680
+been married have you Ida now when men
+ 
+
+51
+00:01:01,680 --> 00:01:03,310
+been married have you Ida now when men
+get around me they get allergic to
+
+52
+00:01:03,310 --> 00:01:03,320
+get around me they get allergic to
+ 
+
+53
+00:01:03,320 --> 00:01:06,830
+get around me they get allergic to
+wedding rings you know big sister type
+
+54
+00:01:06,830 --> 00:01:06,840
+wedding rings you know big sister type
+ 
+
+55
+00:01:06,840 --> 00:01:08,670
+wedding rings you know big sister type
+good old Ida you can talk it over with
+
+56
+00:01:08,670 --> 00:01:08,680
+good old Ida you can talk it over with
+ 
+
+57
+00:01:08,680 --> 00:01:11,590
+good old Ida you can talk it over with
+her manto man getting awfully tired of
+
+58
+00:01:11,590 --> 00:01:11,600
+her manto man getting awfully tired of
+ 
+
+59
+00:01:11,600 --> 00:01:13,550
+her manto man getting awfully tired of
+men talking to me manto man I think I'll
+
+60
+00:01:13,550 --> 00:01:13,560
+men talking to me manto man I think I'll
+ 
+
+61
+00:01:13,560 --> 00:01:15,950
+men talking to me manto man I think I'll
+have a drink myself I'll take mine
+
+62
+00:01:15,950 --> 00:01:15,960
+have a drink myself I'll take mine
+ 
+
+63
+00:01:15,960 --> 00:01:23,270
+have a drink myself I'll take mine
+straight well if you can take it I
+
+64
+00:01:23,270 --> 00:01:23,280
+
+ 
+
+65
+00:01:23,280 --> 00:01:26,190
+
+can seen anyone I know lately you mean
+
+66
+00:01:26,190 --> 00:01:26,200
+can seen anyone I know lately you mean
+ 
+
+67
+00:01:26,200 --> 00:01:27,830
+can seen anyone I know lately you mean
+Vita I wondered how long it would take
+
+68
+00:01:27,830 --> 00:01:27,840
+Vita I wondered how long it would take
+ 
+
+69
+00:01:27,840 --> 00:01:31,830
+Vita I wondered how long it would take
+you to get around to that yes I mean V
+
+70
+00:01:31,830 --> 00:01:31,840
+you to get around to that yes I mean V
+ 
+
+71
+00:01:31,840 --> 00:01:33,550
+you to get around to that yes I mean V
+Have You Seen Her ey is she all right
+
+72
+00:01:33,550 --> 00:01:33,560
+Have You Seen Her ey is she all right
+ 
+
+73
+00:01:33,560 --> 00:01:36,550
+Have You Seen Her ey is she all right
+why don't you forget about her I can't
+
+74
+00:01:36,550 --> 00:01:36,560
+why don't you forget about her I can't
+ 
+
+75
+00:01:36,560 --> 00:01:39,109
+why don't you forget about her I can't
+I've tried but I can't well try try
+
+76
+00:01:39,109 --> 00:01:39,119
+I've tried but I can't well try try
+ 
+
+77
+00:01:39,119 --> 00:01:41,429
+I've tried but I can't well try try
+again that's my motto you don't know
+
+78
+00:01:41,429 --> 00:01:41,439
+again that's my motto you don't know
+ 
+
+79
+00:01:41,439 --> 00:01:43,789
+again that's my motto you don't know
+what it's like being a mother Rider f is
+
+80
+00:01:43,789 --> 00:01:43,799
+what it's like being a mother Rider f is
+ 
+
+81
+00:01:43,799 --> 00:01:46,550
+what it's like being a mother Rider f is
+a part of me maybe she didn't turn out
+
+82
+00:01:46,550 --> 00:01:46,560
+a part of me maybe she didn't turn out
+ 
+
+83
+00:01:46,560 --> 00:01:47,789
+a part of me maybe she didn't turn out
+as well as I hoped she would when she
+
+84
+00:01:47,789 --> 00:01:47,799
+as well as I hoped she would when she
+ 
+
+85
+00:01:47,799 --> 00:01:50,149
+as well as I hoped she would when she
+was born but she's still my daughter and
+
+86
+00:01:50,149 --> 00:01:50,159
+was born but she's still my daughter and
+ 
+
+87
+00:01:50,159 --> 00:01:53,389
+was born but she's still my daughter and
+I can't forget that I went away to
+
+88
+00:01:53,389 --> 00:01:53,399
+I can't forget that I went away to
+ 
+
+89
+00:01:53,399 --> 00:01:55,630
+I can't forget that I went away to
+try I was so mixed up I didn't know
+
+90
+00:01:55,630 --> 00:01:55,640
+try I was so mixed up I didn't know
+ 
+
+91
+00:01:55,640 --> 00:01:57,069
+try I was so mixed up I didn't know
+where I was or what I
+
+92
+00:01:57,069 --> 00:01:57,079
+where I was or what I
+ 
+
+93
+00:01:57,079 --> 00:02:00,830
+where I was or what I
+wanted but now I know now I'm sure of
+
+94
+00:02:00,830 --> 00:02:00,840
+wanted but now I know now I'm sure of
+ 
+
+95
+00:02:00,840 --> 00:02:03,870
+wanted but now I know now I'm sure of
+one thing at least I want my daughter
+
+96
+00:02:03,870 --> 00:02:03,880
+one thing at least I want my daughter
+ 
+
+97
+00:02:03,880 --> 00:02:06,510
+one thing at least I want my daughter
+back personally V's convinced me that
+
+98
+00:02:06,510 --> 00:02:06,520
+back personally V's convinced me that
+ 
+
+99
+00:02:06,520 --> 00:02:09,070
+back personally V's convinced me that
+alligators have the right idea they eat
+
+100
+00:02:09,070 --> 00:02:09,080
+alligators have the right idea they eat
+ 
+
+101
+00:02:09,080 --> 00:02:28,750
+alligators have the right idea they eat
+their
+
+102
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+103
+00:02:28,760 --> 00:02:33,560
+
+young
+
+104
+00:02:33,560 --> 00:02:33,570
+
+ 
+
+105
+00:02:33,570 --> 00:02:39,990
+
+[Music]
+

1945/9d4Zddhcqbc.description

@@ -0,0 +1,38 @@
+The Bells of St. Mary's movie clips: http://j.mp/1uv7FJf
+BUY THE MOVIE: http://j.mp/Ld72KS
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Sister Benedict (Ingrid Bergman) offers advice from the window as Eddie (Richard Tyler) engages in his first fair fight.
+
+FILM DESCRIPTION:
+In this follow-up to director Leo McCarey's Going My Way (1944), Bing Crosby repeats his Oscar-winning characterization of happy-go-lucky priest Father O'Malley. The good father is sent to help out financially strapped St. Mary's Academy, a parochial school presided over by lovely nun Sister Benedict (Ingrid Bergman). The film is constructed in anecdotal fashion: Nun and priest gently quarrel over teaching methods; they help patch up the tottering marriage of William Gargan and Martha Sleeper; Sister Benedict plays baseball and teaches a student how to box; Father O'Malley softens the heart of the man who holds the mortgage (Henry Travers) by convincing the poor fellow that he's only got a few months to live; and the kids of St. Mary's put on a much-revised stage version of the Nativity, complete with a chorus of "Happy Birthday" on the occasion of the Virgin Birth. A huge hit at the box office, Bells of St. Mary's was nominated for nine Academy Awards.
+
+CREDITS:
+TM & © Paramount (1945)
+Cast: Bing Crosby, Bobby Frasco, Richard Tyler, Ingrid Bergman
+Director: Leo McCarey
+Producer: Leo McCarey
+Screenwriters: Leo McCarey, Dudley Nichols
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/GPuCrJujOkk.description

@@ -0,0 +1,38 @@
+Mildred Pierce movie clips: http://j.mp/1e6rb0m
+BUY THE MOVIE: http://j.mp/13UbRSF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Mildred (Joan Crawford) is shocked to find that Veda (Ann Blyth) and Monte (Zachary Scott) had been involved in an affair. Then, in the heat of an argument, Veda shoots Monte with Mildred's gun.
+
+FILM DESCRIPTION:
+Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin.
+
+CREDITS:
+TM & © Warner Bros. (1945)
+Cast: Zachary Scott, Ann Blyth, Joan Crawford
+Director: Michael Curtiz
+Producers: Jerry Wald, Jack L. Warner
+Screenwriters: James M. Cain, William Faulkner, Ranald MacDougall, Catherine Turney, Albert Maltz, Margaret Gruen, Margaret Buell Wilder, Thames Williamson, Louise Randall Pierson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/Il1NzkQ3rYs.description

@@ -0,0 +1,38 @@
+Mildred Pierce movie clips: http://j.mp/1e6rb0m
+BUY THE MOVIE: http://j.mp/13UbRSF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Monte (Zachary Scott) and Mildred (Joan Crawford) spend a romantic day together and confess their feelings for each other.
+
+FILM DESCRIPTION:
+Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin.
+
+CREDITS:
+TM & © Warner Bros. (1945)
+Cast: Zachary Scott, Joan Crawford
+Director: Michael Curtiz
+Producers: Jerry Wald, Jack L. Warner
+Screenwriters: James M. Cain, William Faulkner, Ranald MacDougall, Catherine Turney, Albert Maltz, Margaret Gruen, Margaret Buell Wilder, Thames Williamson, Louise Randall Pierson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/Il1NzkQ3rYs.en.srt

@@ -0,0 +1,445 @@
+1
+00:00:00,910 --> 00:00:03,510
+
+[Music]
+
+2
+00:00:03,510 --> 00:00:03,520
+[Music]
+ 
+
+3
+00:00:03,520 --> 00:00:04,470
+[Music]
+no
+
+4
+00:00:04,470 --> 00:00:04,480
+no
+ 
+
+5
+00:00:04,480 --> 00:00:06,990
+no
+whistle I'd need a police
+
+6
+00:00:06,990 --> 00:00:07,000
+whistle I'd need a police
+ 
+
+7
+00:00:07,000 --> 00:00:11,509
+whistle I'd need a police
+out well here we go go go where swimming
+
+8
+00:00:11,509 --> 00:00:11,519
+out well here we go go go where swimming
+ 
+
+9
+00:00:11,519 --> 00:00:14,350
+out well here we go go go where swimming
+isn't that why we're here suppose it is
+
+10
+00:00:14,350 --> 00:00:14,360
+isn't that why we're here suppose it is
+ 
+
+11
+00:00:14,360 --> 00:00:17,930
+isn't that why we're here suppose it is
+oh hey wait a minute come on pull
+
+12
+00:00:17,930 --> 00:00:17,940
+oh hey wait a minute come on pull
+ 
+
+13
+00:00:17,940 --> 00:00:28,950
+oh hey wait a minute come on pull
+[Music]
+
+14
+00:00:28,950 --> 00:00:28,960
+[Music]
+ 
+
+15
+00:00:28,960 --> 00:00:34,190
+[Music]
+it
+
+16
+00:00:34,190 --> 00:00:34,200
+
+ 
+
+17
+00:00:34,200 --> 00:00:36,950
+
+drink no thank you you drink too much I
+
+18
+00:00:36,950 --> 00:00:36,960
+drink no thank you you drink too much I
+ 
+
+19
+00:00:36,960 --> 00:00:38,990
+drink no thank you you drink too much I
+know I do too much of everything and
+
+20
+00:00:38,990 --> 00:00:39,000
+know I do too much of everything and
+ 
+
+21
+00:00:39,000 --> 00:00:41,549
+know I do too much of everything and
+spoiled too many sisters they all seem
+
+22
+00:00:41,549 --> 00:00:41,559
+spoiled too many sisters they all seem
+ 
+
+23
+00:00:41,559 --> 00:00:43,709
+spoiled too many sisters they all seem
+to be my size too yes I like them your
+
+24
+00:00:43,709 --> 00:00:43,719
+to be my size too yes I like them your
+ 
+
+25
+00:00:43,719 --> 00:00:46,990
+to be my size too yes I like them your
+size to brotherly love thank you Mr
+
+26
+00:00:46,990 --> 00:00:47,000
+size to brotherly love thank you Mr
+ 
+
+27
+00:00:47,000 --> 00:00:50,750
+size to brotherly love thank you Mr
+Baran Monte Baran that's a very unusual
+
+28
+00:00:50,750 --> 00:00:50,760
+Baran Monte Baran that's a very unusual
+ 
+
+29
+00:00:50,760 --> 00:00:52,750
+Baran Monte Baran that's a very unusual
+name Spanish mostly maybe a little
+
+30
+00:00:52,750 --> 00:00:52,760
+name Spanish mostly maybe a little
+ 
+
+31
+00:00:52,760 --> 00:00:54,990
+name Spanish mostly maybe a little
+Italian thrown in but my mother is a
+
+32
+00:00:54,990 --> 00:00:55,000
+Italian thrown in but my mother is a
+ 
+
+33
+00:00:55,000 --> 00:00:57,189
+Italian thrown in but my mother is a
+real diet in the world Yankee that's why
+
+34
+00:00:57,189 --> 00:00:57,199
+real diet in the world Yankee that's why
+ 
+
+35
+00:00:57,199 --> 00:00:59,189
+real diet in the world Yankee that's why
+I'm such a self-controlled and dignified
+
+36
+00:00:59,189 --> 00:00:59,199
+I'm such a self-controlled and dignified
+ 
+
+37
+00:00:59,199 --> 00:01:00,950
+I'm such a self-controlled and dignified
+young fellow
+
+38
+00:01:00,950 --> 00:01:00,960
+young fellow
+ 
+
+39
+00:01:00,960 --> 00:01:04,070
+young fellow
+and just what do you do Mr Baran I Loaf
+
+40
+00:01:04,070 --> 00:01:04,080
+and just what do you do Mr Baran I Loaf
+ 
+
+41
+00:01:04,080 --> 00:01:06,350
+and just what do you do Mr Baran I Loaf
+in a decorative and highly Charming
+
+42
+00:01:06,350 --> 00:01:06,360
+in a decorative and highly Charming
+ 
+
+43
+00:01:06,360 --> 00:01:12,030
+in a decorative and highly Charming
+manner is said all with me loafing is a
+
+44
+00:01:12,030 --> 00:01:12,040
+manner is said all with me loafing is a
+ 
+
+45
+00:01:12,040 --> 00:01:15,429
+manner is said all with me loafing is a
+science you're very beautiful like then
+
+46
+00:01:15,429 --> 00:01:15,439
+science you're very beautiful like then
+ 
+
+47
+00:01:15,439 --> 00:01:17,830
+science you're very beautiful like then
+I bet you say that to all your sisters
+
+48
+00:01:17,830 --> 00:01:17,840
+I bet you say that to all your sisters
+ 
+
+49
+00:01:17,840 --> 00:01:20,710
+I bet you say that to all your sisters
+shall I tell your fortune can you we
+
+50
+00:01:20,710 --> 00:01:20,720
+shall I tell your fortune can you we
+ 
+
+51
+00:01:20,720 --> 00:01:24,550
+shall I tell your fortune can you we
+Bagans come from a long line of teup
+
+52
+00:01:24,550 --> 00:01:24,560
+Bagans come from a long line of teup
+ 
+
+53
+00:01:24,560 --> 00:01:26,749
+Bagans come from a long line of teup
+breeders I'm not very impressionable
+
+54
+00:01:26,749 --> 00:01:26,759
+breeders I'm not very impressionable
+ 
+
+55
+00:01:26,759 --> 00:01:29,469
+breeders I'm not very impressionable
+mild I lost my OE of women at an early
+
+56
+00:01:29,469 --> 00:01:29,479
+mild I lost my OE of women at an early
+ 
+
+57
+00:01:29,479 --> 00:01:30,429
+mild I lost my OE of women at an early
+age
+
+58
+00:01:30,429 --> 00:01:30,439
+age
+ 
+
+59
+00:01:30,439 --> 00:01:32,149
+age
+but ever since that first day you came
+
+60
+00:01:32,149 --> 00:01:32,159
+but ever since that first day you came
+ 
+
+61
+00:01:32,159 --> 00:01:33,590
+but ever since that first day you came
+here I thought of nothing but what I'd
+
+62
+00:01:33,590 --> 00:01:33,600
+here I thought of nothing but what I'd
+ 
+
+63
+00:01:33,600 --> 00:01:36,429
+here I thought of nothing but what I'd
+say to you when we met again now I can't
+
+64
+00:01:36,429 --> 00:01:36,439
+say to you when we met again now I can't
+ 
+
+65
+00:01:36,439 --> 00:01:37,789
+say to you when we met again now I can't
+say
+
+66
+00:01:37,789 --> 00:01:37,799
+say
+ 
+
+67
+00:01:37,799 --> 00:01:40,550
+say
+anything You Take My Breath
+
+68
+00:01:40,550 --> 00:01:40,560
+anything You Take My Breath
+ 
+
+69
+00:01:40,560 --> 00:01:44,190
+anything You Take My Breath
+Away do I I like you
+
+70
+00:01:44,190 --> 00:01:44,200
+Away do I I like you
+ 
+
+71
+00:01:44,200 --> 00:01:47,190
+Away do I I like you
+Monty you make me
+
+72
+00:01:47,190 --> 00:01:47,200
+Monty you make me
+ 
+
+73
+00:01:47,200 --> 00:01:53,709
+Monty you make me
+feel I don't know warm wanted beautiful
+
+74
+00:01:53,709 --> 00:01:53,719
+feel I don't know warm wanted beautiful
+ 
+
+75
+00:01:53,719 --> 00:01:56,109
+feel I don't know warm wanted beautiful
+yes when I'm close to you like this
+
+76
+00:01:56,109 --> 00:01:56,119
+yes when I'm close to you like this
+ 
+
+77
+00:01:56,119 --> 00:01:57,389
+yes when I'm close to you like this
+there's a sound in the air like the
+
+78
+00:01:57,389 --> 00:01:57,399
+there's a sound in the air like the
+ 
+
+79
+00:01:57,399 --> 00:02:00,910
+there's a sound in the air like the
+beating of wings you know what it is
+
+80
+00:02:00,910 --> 00:02:00,920
+beating of wings you know what it is
+ 
+
+81
+00:02:00,920 --> 00:02:05,469
+beating of wings you know what it is
+no what my heart beating like a school
+
+82
+00:02:05,469 --> 00:02:05,479
+no what my heart beating like a school
+ 
+
+83
+00:02:05,479 --> 00:02:07,630
+no what my heart beating like a school
+boys is
+
+84
+00:02:07,630 --> 00:02:07,640
+boys is
+ 
+
+85
+00:02:07,640 --> 00:02:28,750
+boys is
+it I thought it was
+
+86
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+87
+00:02:28,760 --> 00:02:34,900
+
+mine
+
+88
+00:02:34,900 --> 00:02:34,910
+
+ 
+
+89
+00:02:34,910 --> 00:02:43,830
+
+[Music]
+

1945/JSmcnUcLVHA.description

@@ -0,0 +1,38 @@
+Mildred Pierce movie clips: http://j.mp/1e6rb0m
+BUY THE MOVIE: http://j.mp/13UbRSF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After Mildred (Joan Crawford) and Bert (Bruce Bennett) get into an argument, they decide to separate and Mildred kicks him out of the house.
+
+FILM DESCRIPTION:
+Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin.
+
+CREDITS:
+TM & © Warner Bros. (1945)
+Cast: Bruce Bennett, Joan Crawford
+Director: Michael Curtiz
+Producers: Jerry Wald, Jack L. Warner
+Screenwriters: James M. Cain, William Faulkner, Ranald MacDougall, Catherine Turney, Albert Maltz, Margaret Gruen, Margaret Buell Wilder, Thames Williamson, Louise Randall Pierson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/JSmcnUcLVHA.en.srt

@@ -0,0 +1,145 @@
+1
+00:00:05,690 --> 00:00:28,950
+
+[music]
+
+2
+00:00:28,950 --> 00:00:28,960
+
+ 
+
+3
+00:00:28,960 --> 00:00:31,630
+
+bar what if i do want them to to
+
+4
+00:00:31,630 --> 00:00:31,640
+bar what if i do want them to to
+ 
+
+5
+00:00:31,640 --> 00:00:33,869
+bar what if i do want them to to
+something do anything for those kids you
+
+6
+00:00:33,869 --> 00:00:33,879
+something do anything for those kids you
+ 
+
+7
+00:00:33,879 --> 00:00:36,389
+something do anything for those kids you
+understand anything yeah you can't do
+
+8
+00:00:36,389 --> 00:00:36,399
+understand anything yeah you can't do
+ 
+
+9
+00:00:36,399 --> 00:00:38,910
+understand anything yeah you can't do
+crying for them i'll do that to never do
+
+10
+00:00:38,910 --> 00:00:38,920
+crying for them i'll do that to never do
+ 
+
+11
+00:00:38,920 --> 00:00:42,150
+crying for them i'll do that to never do
+any cing i can help something wrong m i
+
+12
+00:00:42,150 --> 00:00:42,160
+any cing i can help something wrong m i
+ 
+
+13
+00:00:42,160 --> 00:00:44,190
+any cing i can help something wrong m i
+don't know what i'm not that way but i
+
+14
+00:00:44,190 --> 00:00:44,200
+don't know what i'm not that way but i
+ 
+
+15
+00:00:44,200 --> 00:00:49,590
+don't know what i'm not that way but i
+know it isn't
+
+16
+00:00:49,590 --> 00:00:49,600
+
+ 
+
+17
+00:00:49,600 --> 00:00:51,790
+
+to hello
+
+18
+00:00:51,790 --> 00:00:51,800
+to hello
+ 
+
+19
+00:00:51,800 --> 00:01:19,630
+to hello
+yes
+
+20
+00:01:19,630 --> 00:01:19,640
+
+ 
+
+21
+00:01:19,640 --> 00:01:47,469
+
+he you know that could ca
+
+22
+00:01:47,469 --> 00:01:47,479
+
+ 
+
+23
+00:01:47,479 --> 00:02:08,900
+
+n't
+
+24
+00:02:08,900 --> 00:02:08,910
+
+ 
+
+25
+00:02:08,910 --> 00:02:28,830
+
+[music]
+
+26
+00:02:28,830 --> 00:02:28,840
+
+ 
+
+27
+00:02:28,840 --> 00:02:31,640
+
+up a
+
+28
+00:02:31,640 --> 00:02:31,650
+up a
+ 
+
+29
+00:02:31,650 --> 00:02:41,100
+up a
+[music]
+

1945/KRhnyD4ZLkI.description

@@ -0,0 +1,38 @@
+The Bells of St. Mary's movie clips: http://j.mp/1uv7FJf
+BUY THE MOVIE: http://j.mp/Ld72KS
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Father O'Malley (Bing Crosby) sings "The Bells of St. Mary's" with the nuns.
+
+FILM DESCRIPTION:
+In this follow-up to director Leo McCarey's Going My Way (1944), Bing Crosby repeats his Oscar-winning characterization of happy-go-lucky priest Father O'Malley. The good father is sent to help out financially strapped St. Mary's Academy, a parochial school presided over by lovely nun Sister Benedict (Ingrid Bergman). The film is constructed in anecdotal fashion: Nun and priest gently quarrel over teaching methods; they help patch up the tottering marriage of William Gargan and Martha Sleeper; Sister Benedict plays baseball and teaches a student how to box; Father O'Malley softens the heart of the man who holds the mortgage (Henry Travers) by convincing the poor fellow that he's only got a few months to live; and the kids of St. Mary's put on a much-revised stage version of the Nativity, complete with a chorus of "Happy Birthday" on the occasion of the Virgin Birth. A huge hit at the box office, Bells of St. Mary's was nominated for nine Academy Awards.
+
+CREDITS:
+TM & © Paramount (1945)
+Cast: Bing Crosby, Ingrid Bergman, Aina Constant, Gwen Crawford, Ruth Donnelly, Eva Novak
+Director: Leo McCarey
+Producer: Leo McCarey
+Screenwriters: Leo McCarey, Dudley Nichols
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/KRhnyD4ZLkI.en.srt

@@ -0,0 +1,335 @@
+1
+00:00:00,919 --> 00:00:02,270
+
+don't let me slow you up sing something
+
+2
+00:00:02,270 --> 00:00:02,280
+don't let me slow you up sing something
+ 
+
+3
+00:00:02,280 --> 00:00:04,030
+don't let me slow you up sing something
+else but what do we
+
+4
+00:00:04,030 --> 00:00:04,040
+else but what do we
+ 
+
+5
+00:00:04,040 --> 00:00:07,509
+else but what do we
+know how about uh you know Birmingham
+
+6
+00:00:07,509 --> 00:00:07,519
+know how about uh you know Birmingham
+ 
+
+7
+00:00:07,519 --> 00:00:10,870
+know how about uh you know Birmingham
+Bera do how about the school song then
+
+8
+00:00:10,870 --> 00:00:10,880
+Bera do how about the school song then
+ 
+
+9
+00:00:10,880 --> 00:00:12,549
+Bera do how about the school song then
+oh yes sister has a new version of it
+
+10
+00:00:12,549 --> 00:00:12,559
+oh yes sister has a new version of it
+ 
+
+11
+00:00:12,559 --> 00:00:14,070
+oh yes sister has a new version of it
+with effects and everything she's a bit
+
+12
+00:00:14,070 --> 00:00:14,080
+with effects and everything she's a bit
+ 
+
+13
+00:00:14,080 --> 00:00:16,029
+with effects and everything she's a bit
+proud of it we sing that won't you sing
+
+14
+00:00:16,029 --> 00:00:16,039
+proud of it we sing that won't you sing
+ 
+
+15
+00:00:16,039 --> 00:00:18,189
+proud of it we sing that won't you sing
+The Melody the father sister you talk me
+
+16
+00:00:18,189 --> 00:00:18,199
+The Melody the father sister you talk me
+ 
+
+17
+00:00:18,199 --> 00:00:22,890
+The Melody the father sister you talk me
+into it
+
+18
+00:00:22,890 --> 00:00:22,900
+
+ 
+
+19
+00:00:22,900 --> 00:00:28,160
+
+[Music]
+
+20
+00:00:28,160 --> 00:00:28,170
+
+ 
+
+21
+00:00:28,170 --> 00:00:39,030
+
+[Music]
+
+22
+00:00:39,030 --> 00:00:39,040
+
+ 
+
+23
+00:00:39,040 --> 00:00:42,110
+
+all
+
+24
+00:00:42,110 --> 00:00:42,120
+
+ 
+
+25
+00:00:42,120 --> 00:00:45,470
+
+Bells St
+
+26
+00:00:45,470 --> 00:00:45,480
+Bells St
+ 
+
+27
+00:00:45,480 --> 00:00:48,590
+Bells St
+Mary we
+
+28
+00:00:48,590 --> 00:00:48,600
+Mary we
+ 
+
+29
+00:00:48,600 --> 00:00:53,110
+Mary we
+always will love
+
+30
+00:00:53,110 --> 00:00:53,120
+always will love
+ 
+
+31
+00:00:53,120 --> 00:00:56,710
+always will love
+you with your inspiration
+
+32
+00:00:56,710 --> 00:00:56,720
+you with your inspiration
+ 
+
+33
+00:00:56,720 --> 00:01:00,470
+you with your inspiration
+[Music]
+
+34
+00:01:00,470 --> 00:01:00,480
+
+ 
+
+35
+00:01:00,480 --> 00:01:02,189
+
+we
+
+36
+00:01:02,189 --> 00:01:02,199
+we
+ 
+
+37
+00:01:02,199 --> 00:01:05,830
+we
+never will
+
+38
+00:01:05,830 --> 00:01:05,840
+
+ 
+
+39
+00:01:05,840 --> 00:01:09,429
+
+fail your
+
+40
+00:01:09,429 --> 00:01:09,439
+
+ 
+
+41
+00:01:09,439 --> 00:01:12,870
+
+CH will
+
+42
+00:01:12,870 --> 00:01:12,880
+CH will
+ 
+
+43
+00:01:12,880 --> 00:01:16,749
+CH will
+forever bring sweet
+
+44
+00:01:16,749 --> 00:01:16,759
+forever bring sweet
+ 
+
+45
+00:01:16,759 --> 00:01:19,670
+forever bring sweet
+manies of
+
+46
+00:01:19,670 --> 00:01:19,680
+manies of
+ 
+
+47
+00:01:19,680 --> 00:01:21,950
+manies of
+you so
+
+48
+00:01:21,950 --> 00:01:21,960
+you so
+ 
+
+49
+00:01:21,960 --> 00:01:31,230
+you so
+proudly ring out while we sing out
+
+50
+00:01:31,230 --> 00:01:31,240
+
+ 
+
+51
+00:01:31,240 --> 00:01:34,030
+
+H
+
+52
+00:01:34,030 --> 00:01:34,040
+H
+ 
+
+53
+00:01:34,040 --> 00:01:36,990
+H
+ha so
+
+54
+00:01:36,990 --> 00:01:37,000
+ha so
+ 
+
+55
+00:01:37,000 --> 00:01:45,510
+ha so
+proudly ring out while we sing
+
+56
+00:01:45,510 --> 00:01:45,520
+
+ 
+
+57
+00:01:45,520 --> 00:01:48,830
+
+out h
+
+58
+00:01:48,830 --> 00:01:48,840
+out h
+ 
+
+59
+00:01:48,840 --> 00:01:59,990
+out h
+[Music]
+
+60
+00:01:59,990 --> 00:02:00,000
+[Music]
+ 
+
+61
+00:02:00,000 --> 00:02:06,709
+[Music]
+won't you ring them
+
+62
+00:02:06,709 --> 00:02:06,719
+
+ 
+
+63
+00:02:06,719 --> 00:02:08,910
+
+Bells haven't had a chance like that in
+
+64
+00:02:08,910 --> 00:02:08,920
+Bells haven't had a chance like that in
+ 
+
+65
+00:02:08,920 --> 00:02:12,430
+Bells haven't had a chance like that in
+years I had to try it
+
+66
+00:02:12,430 --> 00:02:12,440
+years I had to try it
+ 
+
+67
+00:02:12,440 --> 00:02:43,500
+years I had to try it
+[Music]
+

1945/LN1WX6JkYaI.description

@@ -0,0 +1,38 @@
+The Bells of St. Mary's movie clips: http://j.mp/1uv7FJf
+BUY THE MOVIE: http://j.mp/Ld72KS
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Father O'Malley (Bing Crosby) teaches Patty (Joan Carroll) how to appreciate the little things in life, and how to be happy with who she is.
+
+FILM DESCRIPTION:
+In this follow-up to director Leo McCarey's Going My Way (1944), Bing Crosby repeats his Oscar-winning characterization of happy-go-lucky priest Father O'Malley. The good father is sent to help out financially strapped St. Mary's Academy, a parochial school presided over by lovely nun Sister Benedict (Ingrid Bergman). The film is constructed in anecdotal fashion: Nun and priest gently quarrel over teaching methods; they help patch up the tottering marriage of William Gargan and Martha Sleeper; Sister Benedict plays baseball and teaches a student how to box; Father O'Malley softens the heart of the man who holds the mortgage (Henry Travers) by convincing the poor fellow that he's only got a few months to live; and the kids of St. Mary's put on a much-revised stage version of the Nativity, complete with a chorus of "Happy Birthday" on the occasion of the Virgin Birth. A huge hit at the box office, Bells of St. Mary's was nominated for nine Academy Awards.
+
+CREDITS:
+TM & © Paramount (1945)
+Cast: Bing Crosby, Joan Carroll
+Director: Leo McCarey
+Producer: Leo McCarey
+Screenwriters: Leo McCarey, Dudley Nichols
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/LN1WX6JkYaI.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:01,000 --> 00:00:03,869
+
+to be glad you're alive to be grateful
+
+2
+00:00:03,869 --> 00:00:03,879
+to be glad you're alive to be grateful
+ 
+
+3
+00:00:03,879 --> 00:00:05,829
+to be glad you're alive to be grateful
+because people are kind to
+
+4
+00:00:05,829 --> 00:00:05,839
+because people are kind to
+ 
+
+5
+00:00:05,839 --> 00:00:08,390
+because people are kind to
+you to be able to see some of Nature's
+
+6
+00:00:08,390 --> 00:00:08,400
+you to be able to see some of Nature's
+ 
+
+7
+00:00:08,400 --> 00:00:11,110
+you to be able to see some of Nature's
+great wonders the budding of the flowers
+
+8
+00:00:11,110 --> 00:00:11,120
+great wonders the budding of the flowers
+ 
+
+9
+00:00:11,120 --> 00:00:13,789
+great wonders the budding of the flowers
+in Spring and the changing of leaves in
+
+10
+00:00:13,789 --> 00:00:13,799
+in Spring and the changing of leaves in
+ 
+
+11
+00:00:13,799 --> 00:00:16,109
+in Spring and the changing of leaves in
+the Autumn to be able to appreciate
+
+12
+00:00:16,109 --> 00:00:16,119
+the Autumn to be able to appreciate
+ 
+
+13
+00:00:16,119 --> 00:00:17,349
+the Autumn to be able to appreciate
+beautiful
+
+14
+00:00:17,349 --> 00:00:17,359
+beautiful
+ 
+
+15
+00:00:17,359 --> 00:00:19,950
+beautiful
+music to be conscious of the beauty of
+
+16
+00:00:19,950 --> 00:00:19,960
+music to be conscious of the beauty of
+ 
+
+17
+00:00:19,960 --> 00:00:22,189
+music to be conscious of the beauty of
+tasting and feeling and hearing only the
+
+18
+00:00:22,189 --> 00:00:22,199
+tasting and feeling and hearing only the
+ 
+
+19
+00:00:22,199 --> 00:00:25,150
+tasting and feeling and hearing only the
+things that are good for
+
+20
+00:00:25,150 --> 00:00:25,160
+things that are good for
+ 
+
+21
+00:00:25,160 --> 00:00:30,990
+things that are good for
+you to be aware of why you're here
+
+22
+00:00:30,990 --> 00:00:31,000
+
+ 
+
+23
+00:00:31,000 --> 00:00:34,430
+
+I I can go on and on and on but well why
+
+24
+00:00:34,430 --> 00:00:34,440
+I I can go on and on and on but well why
+ 
+
+25
+00:00:34,440 --> 00:00:36,190
+I I can go on and on and on but well why
+don't you
+
+26
+00:00:36,190 --> 00:00:36,200
+don't you
+ 
+
+27
+00:00:36,200 --> 00:00:47,549
+don't you
+father I think I
+
+28
+00:00:47,549 --> 00:00:47,559
+
+ 
+
+29
+00:00:47,559 --> 00:00:51,549
+
+will every time your near AR
+
+30
+00:00:51,549 --> 00:00:51,559
+will every time your near AR
+ 
+
+31
+00:00:51,559 --> 00:00:56,389
+will every time your near AR
+Rose aren't you glad you've got a nose
+
+32
+00:00:56,389 --> 00:00:56,399
+Rose aren't you glad you've got a nose
+ 
+
+33
+00:00:56,399 --> 00:01:00,470
+Rose aren't you glad you've got a nose
+and if the dawn is fresh with du
+
+34
+00:01:00,470 --> 00:01:00,480
+and if the dawn is fresh with du
+ 
+
+35
+00:01:00,480 --> 00:01:04,229
+and if the dawn is fresh with du
+aren't you glad you're
+
+36
+00:01:04,229 --> 00:01:04,239
+aren't you glad you're
+ 
+
+37
+00:01:04,239 --> 00:01:08,149
+aren't you glad you're
+you when a med L
+
+38
+00:01:08,149 --> 00:01:08,159
+you when a med L
+ 
+
+39
+00:01:08,159 --> 00:01:11,990
+you when a med L
+appears aren't you glad you've got two
+
+40
+00:01:11,990 --> 00:01:12,000
+appears aren't you glad you've got two
+ 
+
+41
+00:01:12,000 --> 00:01:16,310
+appears aren't you glad you've got two
+ears and if your heart is singing
+
+42
+00:01:16,310 --> 00:01:16,320
+ears and if your heart is singing
+ 
+
+43
+00:01:16,320 --> 00:01:21,109
+ears and if your heart is singing
+too aren't you glad you're you you can
+
+44
+00:01:21,109 --> 00:01:21,119
+too aren't you glad you're you you can
+ 
+
+45
+00:01:21,119 --> 00:01:24,030
+too aren't you glad you're you you can
+see a summer
+
+46
+00:01:24,030 --> 00:01:24,040
+see a summer
+ 
+
+47
+00:01:24,040 --> 00:01:27,950
+see a summer
+sky or touch a friendly
+
+48
+00:01:27,950 --> 00:01:27,960
+sky or touch a friendly
+ 
+
+49
+00:01:27,960 --> 00:01:32,350
+sky or touch a friendly
+hand or taste an apple
+
+50
+00:01:32,350 --> 00:01:32,360
+hand or taste an apple
+ 
+
+51
+00:01:32,360 --> 00:01:37,069
+hand or taste an apple
+pie pardon of grar but Ain life
+
+52
+00:01:37,069 --> 00:01:37,079
+pie pardon of grar but Ain life
+ 
+
+53
+00:01:37,079 --> 00:01:41,030
+pie pardon of grar but Ain life
+Grand and when you wake up
+
+54
+00:01:41,030 --> 00:01:41,040
+Grand and when you wake up
+ 
+
+55
+00:01:41,040 --> 00:01:45,670
+Grand and when you wake up
+each aren't you glad that you were born
+
+56
+00:01:45,670 --> 00:01:45,680
+each aren't you glad that you were born
+ 
+
+57
+00:01:45,680 --> 00:01:50,270
+each aren't you glad that you were born
+think what you've got the whole day
+
+58
+00:01:50,270 --> 00:01:50,280
+think what you've got the whole day
+ 
+
+59
+00:01:50,280 --> 00:01:57,350
+think what you've got the whole day
+through aren't you glad you're
+
+60
+00:01:57,350 --> 00:01:57,360
+
+ 
+
+61
+00:01:57,360 --> 00:02:00,149
+
+you well Psy I'll leave you with those
+
+62
+00:02:00,149 --> 00:02:00,159
+you well Psy I'll leave you with those
+ 
+
+63
+00:02:00,159 --> 00:02:02,910
+you well Psy I'll leave you with those
+few little thoughts what do you make of
+
+64
+00:02:02,910 --> 00:02:02,920
+few little thoughts what do you make of
+ 
+
+65
+00:02:02,920 --> 00:02:07,270
+few little thoughts what do you make of
+them well if you can't appreciate your
+
+66
+00:02:07,270 --> 00:02:07,280
+them well if you can't appreciate your
+ 
+
+67
+00:02:07,280 --> 00:02:08,389
+them well if you can't appreciate your
+five
+
+68
+00:02:08,389 --> 00:02:08,399
+five
+ 
+
+69
+00:02:08,399 --> 00:02:10,550
+five
+senses then your life isn't worth 5
+
+70
+00:02:10,550 --> 00:02:10,560
+senses then your life isn't worth 5
+ 
+
+71
+00:02:10,560 --> 00:02:12,430
+senses then your life isn't worth 5
+cents that's good
+
+72
+00:02:12,430 --> 00:02:12,440
+cents that's good
+ 
+
+73
+00:02:12,440 --> 00:02:43,500
+cents that's good
+[Music]
+

1945/V4aBCK2UWpQ.description

@@ -0,0 +1,38 @@
+The Bells of St. Mary's movie clips: http://j.mp/1uv7FJf
+BUY THE MOVIE: http://j.mp/Ld72KS
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After Father O'Malley (Bing Crosby) breaks up an argument between students, he and Sister Benedict (Ingrid Bergman) discuss their views on fighting.
+
+FILM DESCRIPTION:
+In this follow-up to director Leo McCarey's Going My Way (1944), Bing Crosby repeats his Oscar-winning characterization of happy-go-lucky priest Father O'Malley. The good father is sent to help out financially strapped St. Mary's Academy, a parochial school presided over by lovely nun Sister Benedict (Ingrid Bergman). The film is constructed in anecdotal fashion: Nun and priest gently quarrel over teaching methods; they help patch up the tottering marriage of William Gargan and Martha Sleeper; Sister Benedict plays baseball and teaches a student how to box; Father O'Malley softens the heart of the man who holds the mortgage (Henry Travers) by convincing the poor fellow that he's only got a few months to live; and the kids of St. Mary's put on a much-revised stage version of the Nativity, complete with a chorus of "Happy Birthday" on the occasion of the Virgin Birth. A huge hit at the box office, Bells of St. Mary's was nominated for nine Academy Awards.
+
+CREDITS:
+TM & © Paramount (1945)
+Cast: Bing Crosby, Richard Tyler, Ingrid Bergman
+Director: Leo McCarey
+Producer: Leo McCarey
+Screenwriters: Leo McCarey, Dudley Nichols
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/V4aBCK2UWpQ.en.srt

@@ -0,0 +1,465 @@
+1
+00:00:03,320 --> 00:00:05,710
+
+[Applause]
+
+2
+00:00:05,710 --> 00:00:05,720
+[Applause]
+ 
+
+3
+00:00:05,720 --> 00:00:07,349
+[Applause]
+here break it up I'll knock your two
+
+4
+00:00:07,349 --> 00:00:07,359
+here break it up I'll knock your two
+ 
+
+5
+00:00:07,359 --> 00:00:08,870
+here break it up I'll knock your two
+heads
+
+6
+00:00:08,870 --> 00:00:08,880
+heads
+ 
+
+7
+00:00:08,880 --> 00:00:10,629
+heads
+together the
+
+8
+00:00:10,629 --> 00:00:10,639
+together the
+ 
+
+9
+00:00:10,639 --> 00:00:13,150
+together the
+winner you're pretty Shifty aren't you
+
+10
+00:00:13,150 --> 00:00:13,160
+winner you're pretty Shifty aren't you
+ 
+
+11
+00:00:13,160 --> 00:00:14,910
+winner you're pretty Shifty aren't you
+see how you operate
+
+12
+00:00:14,910 --> 00:00:14,920
+see how you operate
+ 
+
+13
+00:00:14,920 --> 00:00:16,990
+see how you operate
+here can't lay a glove on you look at
+
+14
+00:00:16,990 --> 00:00:17,000
+here can't lay a glove on you look at
+ 
+
+15
+00:00:17,000 --> 00:00:20,109
+here can't lay a glove on you look at
+your shoe you got to watch all the time
+
+16
+00:00:20,109 --> 00:00:20,119
+your shoe you got to watch all the time
+ 
+
+17
+00:00:20,119 --> 00:00:24,550
+your shoe you got to watch all the time
+Eddie come over
+
+18
+00:00:24,550 --> 00:00:24,560
+
+ 
+
+19
+00:00:24,560 --> 00:00:27,029
+
+here you better go inside and wash your
+
+20
+00:00:27,029 --> 00:00:27,039
+here you better go inside and wash your
+ 
+
+21
+00:00:27,039 --> 00:00:32,350
+here you better go inside and wash your
+face why don't you fight back Eddie
+
+22
+00:00:32,350 --> 00:00:32,360
+
+ 
+
+23
+00:00:32,360 --> 00:00:33,709
+
+you're a pretty handy lad what's your
+
+24
+00:00:33,709 --> 00:00:33,719
+you're a pretty handy lad what's your
+ 
+
+25
+00:00:33,719 --> 00:00:35,670
+you're a pretty handy lad what's your
+name Tommy Smith father Tommy Smith well
+
+26
+00:00:35,670 --> 00:00:35,680
+name Tommy Smith father Tommy Smith well
+ 
+
+27
+00:00:35,680 --> 00:00:37,630
+name Tommy Smith father Tommy Smith well
+keep your head up now yes father he's
+
+28
+00:00:37,630 --> 00:00:37,640
+keep your head up now yes father he's
+ 
+
+29
+00:00:37,640 --> 00:00:39,830
+keep your head up now yes father he's
+all right I think you better speak to
+
+30
+00:00:39,830 --> 00:00:39,840
+all right I think you better speak to
+ 
+
+31
+00:00:39,840 --> 00:00:41,910
+all right I think you better speak to
+Tommy father he's a new boy here and I'm
+
+32
+00:00:41,910 --> 00:00:41,920
+Tommy father he's a new boy here and I'm
+ 
+
+33
+00:00:41,920 --> 00:00:43,910
+Tommy father he's a new boy here and I'm
+afraid he's a troublemaker oh he's good
+
+34
+00:00:43,910 --> 00:00:43,920
+afraid he's a troublemaker oh he's good
+ 
+
+35
+00:00:43,920 --> 00:00:46,430
+afraid he's a troublemaker oh he's good
+finder though we don't tolerate fighting
+
+36
+00:00:46,430 --> 00:00:46,440
+finder though we don't tolerate fighting
+ 
+
+37
+00:00:46,440 --> 00:00:48,110
+finder though we don't tolerate fighting
+in this school I think you better speak
+
+38
+00:00:48,110 --> 00:00:48,120
+in this school I think you better speak
+ 
+
+39
+00:00:48,120 --> 00:00:49,830
+in this school I think you better speak
+to him because if he continues to pick
+
+40
+00:00:49,830 --> 00:00:49,840
+to him because if he continues to pick
+ 
+
+41
+00:00:49,840 --> 00:00:51,110
+to him because if he continues to pick
+fights we may have to send him to
+
+42
+00:00:51,110 --> 00:00:51,120
+fights we may have to send him to
+ 
+
+43
+00:00:51,120 --> 00:00:53,029
+fights we may have to send him to
+another school but aren't we supposed to
+
+44
+00:00:53,029 --> 00:00:53,039
+another school but aren't we supposed to
+ 
+
+45
+00:00:53,039 --> 00:00:55,869
+another school but aren't we supposed to
+be Educators sister I mean uh instead of
+
+46
+00:00:55,869 --> 00:00:55,879
+be Educators sister I mean uh instead of
+ 
+
+47
+00:00:55,879 --> 00:00:57,630
+be Educators sister I mean uh instead of
+sending him away let's try and correct
+
+48
+00:00:57,630 --> 00:00:57,640
+sending him away let's try and correct
+ 
+
+49
+00:00:57,640 --> 00:01:00,509
+sending him away let's try and correct
+him
+
+50
+00:01:00,509 --> 00:01:00,519
+him
+ 
+
+51
+00:01:00,519 --> 00:01:02,990
+him
+I observed very little correction in
+
+52
+00:01:02,990 --> 00:01:03,000
+I observed very little correction in
+ 
+
+53
+00:01:03,000 --> 00:01:05,229
+I observed very little correction in
+your attitude father as a matter of fact
+
+54
+00:01:05,229 --> 00:01:05,239
+your attitude father as a matter of fact
+ 
+
+55
+00:01:05,239 --> 00:01:07,870
+your attitude father as a matter of fact
+I detected a slight note of
+
+56
+00:01:07,870 --> 00:01:07,880
+I detected a slight note of
+ 
+
+57
+00:01:07,880 --> 00:01:10,310
+I detected a slight note of
+Pride naturally I like to see a lad who
+
+58
+00:01:10,310 --> 00:01:10,320
+Pride naturally I like to see a lad who
+ 
+
+59
+00:01:10,320 --> 00:01:12,510
+Pride naturally I like to see a lad who
+can take care of himself on the outside
+
+60
+00:01:12,510 --> 00:01:12,520
+can take care of himself on the outside
+ 
+
+61
+00:01:12,520 --> 00:01:14,190
+can take care of himself on the outside
+it's it's a man's
+
+62
+00:01:14,190 --> 00:01:14,200
+it's it's a man's
+ 
+
+63
+00:01:14,200 --> 00:01:17,749
+it's it's a man's
+world how are they doing
+
+64
+00:01:17,749 --> 00:01:17,759
+world how are they doing
+ 
+
+65
+00:01:17,759 --> 00:01:20,870
+world how are they doing
+father that's not doing too good but you
+
+66
+00:01:20,870 --> 00:01:20,880
+father that's not doing too good but you
+ 
+
+67
+00:01:20,880 --> 00:01:22,950
+father that's not doing too good but you
+know what I mean sometimes a man has to
+
+68
+00:01:22,950 --> 00:01:22,960
+know what I mean sometimes a man has to
+ 
+
+69
+00:01:22,960 --> 00:01:26,190
+know what I mean sometimes a man has to
+fight his way
+
+70
+00:01:26,190 --> 00:01:26,200
+
+ 
+
+71
+00:01:26,200 --> 00:01:29,190
+
+through wouldn't it be better to to
+
+72
+00:01:29,190 --> 00:01:29,200
+through wouldn't it be better to to
+ 
+
+73
+00:01:29,200 --> 00:01:30,950
+through wouldn't it be better to to
+think your way
+
+74
+00:01:30,950 --> 00:01:30,960
+think your way
+ 
+
+75
+00:01:30,960 --> 00:01:33,149
+think your way
+through well that's pure conjecture of
+
+76
+00:01:33,149 --> 00:01:33,159
+through well that's pure conjecture of
+ 
+
+77
+00:01:33,159 --> 00:01:35,990
+through well that's pure conjecture of
+course from someone on the inside it's
+
+78
+00:01:35,990 --> 00:01:36,000
+course from someone on the inside it's
+ 
+
+79
+00:01:36,000 --> 00:01:38,429
+course from someone on the inside it's
+very well put though but don't you think
+
+80
+00:01:38,429 --> 00:01:38,439
+very well put though but don't you think
+ 
+
+81
+00:01:38,439 --> 00:01:40,510
+very well put though but don't you think
+sometimes in raising boys a woman's
+
+82
+00:01:40,510 --> 00:01:40,520
+sometimes in raising boys a woman's
+ 
+
+83
+00:01:40,520 --> 00:01:43,350
+sometimes in raising boys a woman's
+influence can be carried too far you
+
+84
+00:01:43,350 --> 00:01:43,360
+influence can be carried too far you
+ 
+
+85
+00:01:43,360 --> 00:01:46,149
+influence can be carried too far you
+mean they may become sister's father Yes
+
+86
+00:01:46,149 --> 00:01:46,159
+mean they may become sister's father Yes
+ 
+
+87
+00:01:46,159 --> 00:01:49,789
+mean they may become sister's father Yes
+yes that's right well well you look
+
+88
+00:01:49,789 --> 00:01:49,799
+yes that's right well well you look
+ 
+
+89
+00:01:49,799 --> 00:01:53,069
+yes that's right well well you look
+after Tommy and I look after Eddie who
+
+90
+00:01:53,069 --> 00:01:53,079
+after Tommy and I look after Eddie who
+ 
+
+91
+00:01:53,079 --> 00:02:00,420
+after Tommy and I look after Eddie who
+lost the fight because he listened to me
+
+92
+00:02:00,420 --> 00:02:00,430
+
+ 
+
+93
+00:02:00,430 --> 00:02:31,469
+
+[Music]
+

1945/aKnvOP-1U00.description

@@ -0,0 +1,38 @@
+Mildred Pierce movie clips: http://j.mp/1e6rb0m
+BUY THE MOVIE: http://j.mp/13UbRSF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Mildred (Joan Crawford) recognizes what a bad influence Monte (Zachary Scott) is on Veda and asks him to stay away from her.
+
+FILM DESCRIPTION:
+Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin.
+
+CREDITS:
+TM & © Warner Bros. (1945)
+Cast: Zachary Scott, Joan Crawford
+Director: Michael Curtiz
+Producers: Jerry Wald, Jack L. Warner
+Screenwriters: James M. Cain, William Faulkner, Ranald MacDougall, Catherine Turney, Albert Maltz, Margaret Gruen, Margaret Buell Wilder, Thames Williamson, Louise Randall Pierson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/aKnvOP-1U00.en.srt

@@ -0,0 +1,545 @@
+1
+00:00:00,000 --> 00:00:05,510
+
+[Music]
+
+2
+00:00:05,510 --> 00:00:05,520
+
+ 
+
+3
+00:00:05,520 --> 00:00:08,230
+
+what's the matter I want you to do me a
+
+4
+00:00:08,230 --> 00:00:08,240
+what's the matter I want you to do me a
+ 
+
+5
+00:00:08,240 --> 00:00:11,990
+what's the matter I want you to do me a
+favor sure what stay away from vitao why
+
+6
+00:00:11,990 --> 00:00:12,000
+favor sure what stay away from vitao why
+ 
+
+7
+00:00:12,000 --> 00:00:13,390
+favor sure what stay away from vitao why
+what's matter with me if I suddenly
+
+8
+00:00:13,390 --> 00:00:13,400
+what's matter with me if I suddenly
+ 
+
+9
+00:00:13,400 --> 00:00:15,150
+what's matter with me if I suddenly
+sprouted two heads I just don't want you
+
+10
+00:00:15,150 --> 00:00:15,160
+sprouted two heads I just don't want you
+ 
+
+11
+00:00:15,160 --> 00:00:17,029
+sprouted two heads I just don't want you
+to take her out so much that song Oh and
+
+12
+00:00:17,029 --> 00:00:17,039
+to take her out so much that song Oh and
+ 
+
+13
+00:00:17,039 --> 00:00:18,950
+to take her out so much that song Oh and
+it isn't funny she's only 17 years old
+
+14
+00:00:18,950 --> 00:00:18,960
+it isn't funny she's only 17 years old
+ 
+
+15
+00:00:18,960 --> 00:00:21,189
+it isn't funny she's only 17 years old
+and spoiled rotten what has that got to
+
+16
+00:00:21,189 --> 00:00:21,199
+and spoiled rotten what has that got to
+ 
+
+17
+00:00:21,199 --> 00:00:23,349
+and spoiled rotten what has that got to
+do with me look mon I've worked long and
+
+18
+00:00:23,349 --> 00:00:23,359
+do with me look mon I've worked long and
+ 
+
+19
+00:00:23,359 --> 00:00:25,109
+do with me look mon I've worked long and
+hard trying to give V the things I never
+
+20
+00:00:25,109 --> 00:00:25,119
+hard trying to give V the things I never
+ 
+
+21
+00:00:25,119 --> 00:00:27,109
+hard trying to give V the things I never
+had I've done with a lot of things
+
+22
+00:00:27,109 --> 00:00:27,119
+had I've done with a lot of things
+ 
+
+23
+00:00:27,119 --> 00:00:28,710
+had I've done with a lot of things
+including happiness sometimes because I
+
+24
+00:00:28,710 --> 00:00:28,720
+including happiness sometimes because I
+ 
+
+25
+00:00:28,720 --> 00:00:31,150
+including happiness sometimes because I
+wanted her to have everything
+
+26
+00:00:31,150 --> 00:00:31,160
+wanted her to have everything
+ 
+
+27
+00:00:31,160 --> 00:00:33,709
+wanted her to have everything
+now I'm losing her she's drifting away
+
+28
+00:00:33,709 --> 00:00:33,719
+now I'm losing her she's drifting away
+ 
+
+29
+00:00:33,719 --> 00:00:36,270
+now I'm losing her she's drifting away
+from me she hardly speaks to me anymore
+
+30
+00:00:36,270 --> 00:00:36,280
+from me she hardly speaks to me anymore
+ 
+
+31
+00:00:36,280 --> 00:00:38,190
+from me she hardly speaks to me anymore
+except to ask for money or poke fun at
+
+32
+00:00:38,190 --> 00:00:38,200
+except to ask for money or poke fun at
+ 
+
+33
+00:00:38,200 --> 00:00:40,069
+except to ask for money or poke fun at
+me in French because I work for a living
+
+34
+00:00:40,069 --> 00:00:40,079
+me in French because I work for a living
+ 
+
+35
+00:00:40,079 --> 00:00:41,790
+me in French because I work for a living
+all kids are thoughtless at her age
+
+36
+00:00:41,790 --> 00:00:41,800
+all kids are thoughtless at her age
+ 
+
+37
+00:00:41,800 --> 00:00:43,389
+all kids are thoughtless at her age
+perhaps but I still don't like it I
+
+38
+00:00:43,389 --> 00:00:43,399
+perhaps but I still don't like it I
+ 
+
+39
+00:00:43,399 --> 00:00:44,630
+perhaps but I still don't like it I
+blame it on the way she's been living I
+
+40
+00:00:44,630 --> 00:00:44,640
+blame it on the way she's been living I
+ 
+
+41
+00:00:44,640 --> 00:00:46,590
+blame it on the way she's been living I
+blame it on you I don't think you
+
+42
+00:00:46,590 --> 00:00:46,600
+blame it on you I don't think you
+ 
+
+43
+00:00:46,600 --> 00:00:48,709
+blame it on you I don't think you
+understand vaita very well she's not
+
+44
+00:00:48,709 --> 00:00:48,719
+understand vaita very well she's not
+ 
+
+45
+00:00:48,719 --> 00:00:50,670
+understand vaita very well she's not
+like you you'll never make a waitress
+
+46
+00:00:50,670 --> 00:00:50,680
+like you you'll never make a waitress
+ 
+
+47
+00:00:50,680 --> 00:00:51,549
+like you you'll never make a waitress
+out of
+
+48
+00:00:51,549 --> 00:00:51,559
+out of
+ 
+
+49
+00:00:51,559 --> 00:00:54,029
+out of
+her you look down on me because I work
+
+50
+00:00:54,029 --> 00:00:54,039
+her you look down on me because I work
+ 
+
+51
+00:00:54,039 --> 00:00:56,709
+her you look down on me because I work
+for a living don't you you always have
+
+52
+00:00:56,709 --> 00:00:56,719
+for a living don't you you always have
+ 
+
+53
+00:00:56,719 --> 00:00:59,069
+for a living don't you you always have
+all right I work I cook food and sell it
+
+54
+00:00:59,069 --> 00:00:59,079
+all right I work I cook food and sell it
+ 
+
+55
+00:00:59,079 --> 00:01:00,630
+all right I work I cook food and sell it
+and make a profit on it
+
+56
+00:01:00,630 --> 00:01:00,640
+and make a profit on it
+ 
+
+57
+00:01:00,640 --> 00:01:02,150
+and make a profit on it
+which I might point out you're not too
+
+58
+00:01:02,150 --> 00:01:02,160
+which I might point out you're not too
+ 
+
+59
+00:01:02,160 --> 00:01:04,350
+which I might point out you're not too
+proud to share with me yes I take money
+
+60
+00:01:04,350 --> 00:01:04,360
+proud to share with me yes I take money
+ 
+
+61
+00:01:04,360 --> 00:01:06,429
+proud to share with me yes I take money
+from you Mildred but not enough to make
+
+62
+00:01:06,429 --> 00:01:06,439
+from you Mildred but not enough to make
+ 
+
+63
+00:01:06,439 --> 00:01:09,030
+from you Mildred but not enough to make
+me like kitchens or Cooks they smell of
+
+64
+00:01:09,030 --> 00:01:09,040
+me like kitchens or Cooks they smell of
+ 
+
+65
+00:01:09,040 --> 00:01:11,270
+me like kitchens or Cooks they smell of
+Grease I don't notice you shrinking away
+
+66
+00:01:11,270 --> 00:01:11,280
+Grease I don't notice you shrinking away
+ 
+
+67
+00:01:11,280 --> 00:01:12,990
+Grease I don't notice you shrinking away
+from a $50 bill because it happens to
+
+68
+00:01:12,990 --> 00:01:13,000
+from a $50 bill because it happens to
+ 
+
+69
+00:01:13,000 --> 00:01:14,870
+from a $50 bill because it happens to
+smell of Grease take it easy man there's
+
+70
+00:01:14,870 --> 00:01:14,880
+smell of Grease take it easy man there's
+ 
+
+71
+00:01:14,880 --> 00:01:16,630
+smell of Grease take it easy man there's
+no point in going on like this you're
+
+72
+00:01:16,630 --> 00:01:16,640
+no point in going on like this you're
+ 
+
+73
+00:01:16,640 --> 00:01:18,390
+no point in going on like this you're
+interfering with my life and my business
+
+74
+00:01:18,390 --> 00:01:18,400
+interfering with my life and my business
+ 
+
+75
+00:01:18,400 --> 00:01:19,630
+interfering with my life and my business
+and worst of all you're interfering with
+
+76
+00:01:19,630 --> 00:01:19,640
+and worst of all you're interfering with
+ 
+
+77
+00:01:19,640 --> 00:01:22,350
+and worst of all you're interfering with
+my plans for V and I won't stand for it
+
+78
+00:01:22,350 --> 00:01:22,360
+my plans for V and I won't stand for it
+ 
+
+79
+00:01:22,360 --> 00:01:24,390
+my plans for V and I won't stand for it
+I always knew that someday we'd come to
+
+80
+00:01:24,390 --> 00:01:24,400
+I always knew that someday we'd come to
+ 
+
+81
+00:01:24,400 --> 00:01:25,870
+I always knew that someday we'd come to
+this particular moment in the scheme of
+
+82
+00:01:25,870 --> 00:01:25,880
+this particular moment in the scheme of
+ 
+
+83
+00:01:25,880 --> 00:01:28,270
+this particular moment in the scheme of
+things you want VA and your business and
+
+84
+00:01:28,270 --> 00:01:28,280
+things you want VA and your business and
+ 
+
+85
+00:01:28,280 --> 00:01:30,469
+things you want VA and your business and
+a nice quiet life and the price of all
+
+86
+00:01:30,469 --> 00:01:30,479
+a nice quiet life and the price of all
+ 
+
+87
+00:01:30,479 --> 00:01:33,109
+a nice quiet life and the price of all
+that is me you can go back to making
+
+88
+00:01:33,109 --> 00:01:33,119
+that is me you can go back to making
+ 
+
+89
+00:01:33,119 --> 00:01:35,830
+that is me you can go back to making
+your pies now Mildred we're
+
+90
+00:01:35,830 --> 00:01:35,840
+your pies now Mildred we're
+ 
+
+91
+00:01:35,840 --> 00:01:45,670
+your pies now Mildred we're
+through wait a minute Monty I forgot
+
+92
+00:01:45,670 --> 00:01:45,680
+
+ 
+
+93
+00:01:45,680 --> 00:01:48,510
+
+something you've been very good to us I
+
+94
+00:01:48,510 --> 00:01:48,520
+something you've been very good to us I
+ 
+
+95
+00:01:48,520 --> 00:01:50,830
+something you've been very good to us I
+know you've had expenses taking V out I
+
+96
+00:01:50,830 --> 00:01:50,840
+know you've had expenses taking V out I
+ 
+
+97
+00:01:50,840 --> 00:01:53,350
+know you've had expenses taking V out I
+don't know how much we owe you
+
+98
+00:01:53,350 --> 00:01:53,360
+don't know how much we owe you
+ 
+
+99
+00:01:53,360 --> 00:01:57,029
+don't know how much we owe you
+but that isn't enough you can let me
+
+100
+00:01:57,029 --> 00:01:57,039
+but that isn't enough you can let me
+ 
+
+101
+00:01:57,039 --> 00:02:00,109
+but that isn't enough you can let me
+know thank you I've always wondered how
+
+102
+00:02:00,109 --> 00:02:00,119
+know thank you I've always wondered how
+ 
+
+103
+00:02:00,119 --> 00:02:02,870
+know thank you I've always wondered how
+it felt to take a tip well now you
+
+104
+00:02:02,870 --> 00:02:02,880
+it felt to take a tip well now you
+ 
+
+105
+00:02:02,880 --> 00:02:05,550
+it felt to take a tip well now you
+know you can Mark our account paid in
+
+106
+00:02:05,550 --> 00:02:05,560
+know you can Mark our account paid in
+ 
+
+107
+00:02:05,560 --> 00:02:08,340
+know you can Mark our account paid in
+full
+
+108
+00:02:08,340 --> 00:02:08,350
+full
+ 
+
+109
+00:02:08,350 --> 00:02:37,569
+full
+[Music]
+

1945/gI1_6ob3hio.description

@@ -0,0 +1,38 @@
+Mildred Pierce movie clips: http://j.mp/1e6rb0m
+BUY THE MOVIE: http://j.mp/13UbRSF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Mildred (Joan Crawford) gives her daughter Veda (Ann Blyth) a brand new car for her birthday, but she responds with a sense of entitlement.
+
+FILM DESCRIPTION:
+Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin.
+
+CREDITS:
+TM & © Warner Bros. (1945)
+Cast: Zachary Scott, Eve Arden, Ann Blyth, Joan Crawford
+Director: Michael Curtiz
+Producers: Jerry Wald, Jack L. Warner
+Screenwriters: James M. Cain, William Faulkner, Ranald MacDougall, Catherine Turney, Albert Maltz, Margaret Gruen, Margaret Buell Wilder, Thames Williamson, Louise Randall Pierson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
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+Tumblr: http://bit.ly/1vUwhH7

1945/gI1_6ob3hio.en.srt

@@ -0,0 +1,565 @@
+1
+00:00:00,680 --> 00:00:02,629
+
+what's that little $1800 birthday
+
+2
+00:00:02,629 --> 00:00:02,639
+what's that little $1800 birthday
+ 
+
+3
+00:00:02,639 --> 00:00:05,269
+what's that little $1800 birthday
+present for Miss V the car is De where
+
+4
+00:00:05,269 --> 00:00:05,279
+present for Miss V the car is De where
+ 
+
+5
+00:00:05,279 --> 00:00:06,990
+present for Miss V the car is De where
+is it it's that shiny thing a block and
+
+6
+00:00:06,990 --> 00:00:07,000
+is it it's that shiny thing a block and
+ 
+
+7
+00:00:07,000 --> 00:00:11,509
+is it it's that shiny thing a block and
+a half
+
+8
+00:00:11,509 --> 00:00:11,519
+
+ 
+
+9
+00:00:11,519 --> 00:00:13,829
+
+long do you think she'll like it she
+
+10
+00:00:13,829 --> 00:00:13,839
+long do you think she'll like it she
+ 
+
+11
+00:00:13,839 --> 00:00:14,749
+long do you think she'll like it she
+doesn't she ought to have her head
+
+12
+00:00:14,749 --> 00:00:14,759
+doesn't she ought to have her head
+ 
+
+13
+00:00:14,759 --> 00:00:17,109
+doesn't she ought to have her head
+examined for holes here you have to sign
+
+14
+00:00:17,109 --> 00:00:17,119
+examined for holes here you have to sign
+ 
+
+15
+00:00:17,119 --> 00:00:19,349
+examined for holes here you have to sign
+this in
+
+16
+00:00:19,349 --> 00:00:19,359
+this in
+ 
+
+17
+00:00:19,359 --> 00:00:21,670
+this in
+blood M I know it isn't any of my
+
+18
+00:00:21,670 --> 00:00:21,680
+blood M I know it isn't any of my
+ 
+
+19
+00:00:21,680 --> 00:00:23,790
+blood M I know it isn't any of my
+business about Monty I agree with you
+
+20
+00:00:23,790 --> 00:00:23,800
+business about Monty I agree with you
+ 
+
+21
+00:00:23,800 --> 00:00:26,589
+business about Monty I agree with you
+it's VA she's been borrowing money from
+
+22
+00:00:26,589 --> 00:00:26,599
+it's VA she's been borrowing money from
+ 
+
+23
+00:00:26,599 --> 00:00:28,230
+it's VA she's been borrowing money from
+whom anybody who'd give her any
+
+24
+00:00:28,230 --> 00:00:28,240
+whom anybody who'd give her any
+ 
+
+25
+00:00:28,240 --> 00:00:30,589
+whom anybody who'd give her any
+waitresses mostly hasn't she paid
+
+26
+00:00:30,589 --> 00:00:30,599
+waitresses mostly hasn't she paid
+ 
+
+27
+00:00:30,599 --> 00:00:32,950
+waitresses mostly hasn't she paid
+back they're afraid to say anything or
+
+28
+00:00:32,950 --> 00:00:32,960
+back they're afraid to say anything or
+ 
+
+29
+00:00:32,960 --> 00:00:35,350
+back they're afraid to say anything or
+turn her down you know how it
+
+30
+00:00:35,350 --> 00:00:35,360
+turn her down you know how it
+ 
+
+31
+00:00:35,360 --> 00:00:37,590
+turn her down you know how it
+is well tell them to come to me I'll see
+
+32
+00:00:37,590 --> 00:00:37,600
+is well tell them to come to me I'll see
+ 
+
+33
+00:00:37,600 --> 00:00:39,630
+is well tell them to come to me I'll see
+if they're payback I'm sorry I had to
+
+34
+00:00:39,630 --> 00:00:39,640
+if they're payback I'm sorry I had to
+ 
+
+35
+00:00:39,640 --> 00:00:41,950
+if they're payback I'm sorry I had to
+tell you mild I don't blame her so much
+
+36
+00:00:41,950 --> 00:00:41,960
+tell you mild I don't blame her so much
+ 
+
+37
+00:00:41,960 --> 00:00:43,830
+tell you mild I don't blame her so much
+couple of times mty was with her did you
+
+38
+00:00:43,830 --> 00:00:43,840
+couple of times mty was with her did you
+ 
+
+39
+00:00:43,840 --> 00:00:46,150
+couple of times mty was with her did you
+uh bring me Laguna Beach and Los fer
+
+40
+00:00:46,150 --> 00:00:46,160
+uh bring me Laguna Beach and Los fer
+ 
+
+41
+00:00:46,160 --> 00:00:49,430
+uh bring me Laguna Beach and Los fer
+statements with you yeah they're over
+
+42
+00:00:49,430 --> 00:00:49,440
+statements with you yeah they're over
+ 
+
+43
+00:00:49,440 --> 00:00:52,670
+statements with you yeah they're over
+here hello everybody hello Mother
+
+44
+00:00:52,670 --> 00:00:52,680
+here hello everybody hello Mother
+ 
+
+45
+00:00:52,680 --> 00:00:54,869
+here hello everybody hello Mother
+darling hello VA hello Monty hello I
+
+46
+00:00:54,869 --> 00:00:54,879
+darling hello VA hello Monty hello I
+ 
+
+47
+00:00:54,879 --> 00:00:56,110
+darling hello VA hello Monty hello I
+hope we aren't interrupting a big
+
+48
+00:00:56,110 --> 00:00:56,120
+hope we aren't interrupting a big
+ 
+
+49
+00:00:56,120 --> 00:00:58,509
+hope we aren't interrupting a big
+business conference just a teeny one oh
+
+50
+00:00:58,509 --> 00:00:58,519
+business conference just a teeny one oh
+ 
+
+51
+00:00:58,519 --> 00:01:00,029
+business conference just a teeny one oh
+I wish I could get that interested in
+
+52
+00:01:00,029 --> 00:01:00,039
+I wish I could get that interested in
+ 
+
+53
+00:01:00,039 --> 00:01:01,830
+I wish I could get that interested in
+work you were probably frightened by a
+
+54
+00:01:01,830 --> 00:01:01,840
+work you were probably frightened by a
+ 
+
+55
+00:01:01,840 --> 00:01:04,229
+work you were probably frightened by a
+callous at an early age here I'll take
+
+56
+00:01:04,229 --> 00:01:04,239
+callous at an early age here I'll take
+ 
+
+57
+00:01:04,239 --> 00:01:06,749
+callous at an early age here I'll take
+that thank you there's one
+
+58
+00:01:06,749 --> 00:01:06,759
+that thank you there's one
+ 
+
+59
+00:01:06,759 --> 00:01:08,910
+that thank you there's one
+missing you're sitting on the lagona
+
+60
+00:01:08,910 --> 00:01:08,920
+missing you're sitting on the lagona
+ 
+
+61
+00:01:08,920 --> 00:01:09,870
+missing you're sitting on the lagona
+beach
+
+62
+00:01:09,870 --> 00:01:09,880
+beach
+ 
+
+63
+00:01:09,880 --> 00:01:11,950
+beach
+statement that's what I like about you
+
+64
+00:01:11,950 --> 00:01:11,960
+statement that's what I like about you
+ 
+
+65
+00:01:11,960 --> 00:01:14,550
+statement that's what I like about you
+Ida you're so delightfully provincial I
+
+66
+00:01:14,550 --> 00:01:14,560
+Ida you're so delightfully provincial I
+ 
+
+67
+00:01:14,560 --> 00:01:17,230
+Ida you're so delightfully provincial I
+like you too don't look now Junior but
+
+68
+00:01:17,230 --> 00:01:17,240
+like you too don't look now Junior but
+ 
+
+69
+00:01:17,240 --> 00:01:19,030
+like you too don't look now Junior but
+you're standing under a brick wall I
+
+70
+00:01:19,030 --> 00:01:19,040
+you're standing under a brick wall I
+ 
+
+71
+00:01:19,040 --> 00:01:24,870
+you're standing under a brick wall I
+don't get it you will when it falls on
+
+72
+00:01:24,870 --> 00:01:24,880
+
+ 
+
+73
+00:01:24,880 --> 00:01:27,230
+
+you when did you start
+
+74
+00:01:27,230 --> 00:01:27,240
+you when did you start
+ 
+
+75
+00:01:27,240 --> 00:01:30,749
+you when did you start
+smoking oh just the other day
+
+76
+00:01:30,749 --> 00:01:30,759
+smoking oh just the other day
+ 
+
+77
+00:01:30,759 --> 00:01:33,230
+smoking oh just the other day
+Monty gave me this for my birthday and I
+
+78
+00:01:33,230 --> 00:01:33,240
+Monty gave me this for my birthday and I
+ 
+
+79
+00:01:33,240 --> 00:01:35,389
+Monty gave me this for my birthday and I
+couldn't hurt him by not using it I mean
+
+80
+00:01:35,389 --> 00:01:35,399
+couldn't hurt him by not using it I mean
+ 
+
+81
+00:01:35,399 --> 00:01:39,630
+couldn't hurt him by not using it I mean
+that would have been dreadfully R
+
+82
+00:01:39,630 --> 00:01:39,640
+
+ 
+
+83
+00:01:39,640 --> 00:01:42,149
+
+NPA yes I suppose
+
+84
+00:01:42,149 --> 00:01:42,159
+NPA yes I suppose
+ 
+
+85
+00:01:42,159 --> 00:01:44,310
+NPA yes I suppose
+so here's something for your birthday
+
+86
+00:01:44,310 --> 00:01:44,320
+so here's something for your birthday
+ 
+
+87
+00:01:44,320 --> 00:01:47,230
+so here's something for your birthday
+too I hope you like it darling mother a
+
+88
+00:01:47,230 --> 00:01:47,240
+too I hope you like it darling mother a
+ 
+
+89
+00:01:47,240 --> 00:01:53,109
+too I hope you like it darling mother a
+car where is it look out the
+
+90
+00:01:53,109 --> 00:01:53,119
+
+ 
+
+91
+00:01:53,119 --> 00:01:56,109
+
+window oh mother it's
+
+92
+00:01:56,109 --> 00:01:56,119
+window oh mother it's
+ 
+
+93
+00:01:56,119 --> 00:01:58,709
+window oh mother it's
+beautiful oh I'm so glad you like it hey
+
+94
+00:01:58,709 --> 00:01:58,719
+beautiful oh I'm so glad you like it hey
+ 
+
+95
+00:01:58,719 --> 00:02:00,350
+beautiful oh I'm so glad you like it hey
+how about me young lady after I picked
+
+96
+00:02:00,350 --> 00:02:00,360
+how about me young lady after I picked
+ 
+
+97
+00:02:00,360 --> 00:02:02,270
+how about me young lady after I picked
+it out you know Marty it's the nicest
+
+98
+00:02:02,270 --> 00:02:02,280
+it out you know Marty it's the nicest
+ 
+
+99
+00:02:02,280 --> 00:02:05,510
+it out you know Marty it's the nicest
+present I ever got you're sweet really
+
+100
+00:02:05,510 --> 00:02:05,520
+present I ever got you're sweet really
+ 
+
+101
+00:02:05,520 --> 00:02:07,789
+present I ever got you're sweet really
+you are let's go for a drive nothing I'd
+
+102
+00:02:07,789 --> 00:02:07,799
+you are let's go for a drive nothing I'd
+ 
+
+103
+00:02:07,799 --> 00:02:09,309
+you are let's go for a drive nothing I'd
+like better Marty do you mind I'd like
+
+104
+00:02:09,309 --> 00:02:09,319
+like better Marty do you mind I'd like
+ 
+
+105
+00:02:09,319 --> 00:02:11,710
+like better Marty do you mind I'd like
+to talk to you why not a toll run along
+
+106
+00:02:11,710 --> 00:02:11,720
+to talk to you why not a toll run along
+ 
+
+107
+00:02:11,720 --> 00:02:13,869
+to talk to you why not a toll run along
+and Dent your vendors all right see you
+
+108
+00:02:13,869 --> 00:02:13,879
+and Dent your vendors all right see you
+ 
+
+109
+00:02:13,879 --> 00:02:16,990
+and Dent your vendors all right see you
+later at the club be careful Dary I will
+
+110
+00:02:16,990 --> 00:02:17,000
+later at the club be careful Dary I will
+ 
+
+111
+00:02:17,000 --> 00:02:18,850
+later at the club be careful Dary I will
+over over
+
+112
+00:02:18,850 --> 00:02:18,860
+over over
+ 
+
+113
+00:02:18,860 --> 00:02:48,080
+over over
+[Music]
+

1945/kjzRZCxQ1EE.description

@@ -0,0 +1,38 @@
+Mildred Pierce movie clips: http://j.mp/1e6rb0m
+BUY THE MOVIE: http://j.mp/13UbRSF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Veda (Ann Blyth) tries to convince Mildred (Joan Crawford) to marry Wally for his money.
+
+FILM DESCRIPTION:
+Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin.
+
+CREDITS:
+TM & © Warner Bros. (1945)
+Cast: Ann Blyth, Joan Crawford
+Director: Michael Curtiz
+Producers: Jerry Wald, Jack L. Warner
+Screenwriters: James M. Cain, William Faulkner, Ranald MacDougall, Catherine Turney, Albert Maltz, Margaret Gruen, Margaret Buell Wilder, Thames Williamson, Louise Randall Pierson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/kjzRZCxQ1EE.en.srt

@@ -0,0 +1,375 @@
+1
+00:00:02,320 --> 00:00:06,749
+
+V you awake yes Mother sh you're awake
+
+2
+00:00:06,749 --> 00:00:06,759
+V you awake yes Mother sh you're awake
+ 
+
+3
+00:00:06,759 --> 00:00:10,230
+V you awake yes Mother sh you're awake
+okay no she's tired out she cried
+
+4
+00:00:10,230 --> 00:00:10,240
+okay no she's tired out she cried
+ 
+
+5
+00:00:10,240 --> 00:00:12,589
+okay no she's tired out she cried
+herself to sleep poor Dar was it about
+
+6
+00:00:12,589 --> 00:00:12,599
+herself to sleep poor Dar was it about
+ 
+
+7
+00:00:12,599 --> 00:00:15,709
+herself to sleep poor Dar was it about
+her father Yes is he going to marry Mrs
+
+8
+00:00:15,709 --> 00:00:15,719
+her father Yes is he going to marry Mrs
+ 
+
+9
+00:00:15,719 --> 00:00:17,830
+her father Yes is he going to marry Mrs
+beeter
+
+10
+00:00:17,830 --> 00:00:17,840
+beeter
+ 
+
+11
+00:00:17,840 --> 00:00:21,230
+beeter
+her I don't know I
+
+12
+00:00:21,230 --> 00:00:21,240
+her I don't know I
+ 
+
+13
+00:00:21,240 --> 00:00:24,349
+her I don't know I
+do I do know that you should be
+
+14
+00:00:24,349 --> 00:00:24,359
+do I do know that you should be
+ 
+
+15
+00:00:24,359 --> 00:00:28,509
+do I do know that you should be
+asleep I've been thinking what about I
+
+16
+00:00:28,509 --> 00:00:28,519
+asleep I've been thinking what about I
+ 
+
+17
+00:00:28,519 --> 00:00:31,709
+asleep I've been thinking what about I
+heard you and Wally talking
+
+18
+00:00:31,709 --> 00:00:31,719
+heard you and Wally talking
+ 
+
+19
+00:00:31,719 --> 00:00:34,069
+heard you and Wally talking
+well you could marry him if you wanted
+
+20
+00:00:34,069 --> 00:00:34,079
+well you could marry him if you wanted
+ 
+
+21
+00:00:34,079 --> 00:00:36,310
+well you could marry him if you wanted
+to but I'm not in love with him but if
+
+22
+00:00:36,310 --> 00:00:36,320
+to but I'm not in love with him but if
+ 
+
+23
+00:00:36,320 --> 00:00:37,670
+to but I'm not in love with him but if
+you married him maybe we could have a
+
+24
+00:00:37,670 --> 00:00:37,680
+you married him maybe we could have a
+ 
+
+25
+00:00:37,680 --> 00:00:39,750
+you married him maybe we could have a
+maid like we used to and a
+
+26
+00:00:39,750 --> 00:00:39,760
+maid like we used to and a
+ 
+
+27
+00:00:39,760 --> 00:00:42,990
+maid like we used to and a
+limousine and maybe a new
+
+28
+00:00:42,990 --> 00:00:43,000
+limousine and maybe a new
+ 
+
+29
+00:00:43,000 --> 00:00:46,189
+limousine and maybe a new
+house I don't like this house mother
+
+30
+00:00:46,189 --> 00:00:46,199
+house I don't like this house mother
+ 
+
+31
+00:00:46,199 --> 00:00:47,750
+house I don't like this house mother
+neither do I but that's no reason for me
+
+32
+00:00:47,750 --> 00:00:47,760
+neither do I but that's no reason for me
+ 
+
+33
+00:00:47,760 --> 00:00:49,709
+neither do I but that's no reason for me
+to marry a man I'm not in love
+
+34
+00:00:49,709 --> 00:00:49,719
+to marry a man I'm not in love
+ 
+
+35
+00:00:49,719 --> 00:00:51,950
+to marry a man I'm not in love
+with why
+
+36
+00:00:51,950 --> 00:00:51,960
+with why
+ 
+
+37
+00:00:51,960 --> 00:00:55,709
+with why
+not Fe do does a new house mean so much
+
+38
+00:00:55,709 --> 00:00:55,719
+not Fe do does a new house mean so much
+ 
+
+39
+00:00:55,719 --> 00:00:57,910
+not Fe do does a new house mean so much
+to you that you would trade me for
+
+40
+00:00:57,910 --> 00:00:57,920
+to you that you would trade me for
+ 
+
+41
+00:00:57,920 --> 00:01:01,069
+to you that you would trade me for
+it I didn't mean it mother
+
+42
+00:01:01,069 --> 00:01:01,079
+it I didn't mean it mother
+ 
+
+43
+00:01:01,079 --> 00:01:02,709
+it I didn't mean it mother
+I don't care what we have as long as
+
+44
+00:01:02,709 --> 00:01:02,719
+I don't care what we have as long as
+ 
+
+45
+00:01:02,719 --> 00:01:05,350
+I don't care what we have as long as
+we're together it's just that there are
+
+46
+00:01:05,350 --> 00:01:05,360
+we're together it's just that there are
+ 
+
+47
+00:01:05,360 --> 00:01:08,230
+we're together it's just that there are
+so many things that I that we should
+
+48
+00:01:08,230 --> 00:01:08,240
+so many things that I that we should
+ 
+
+49
+00:01:08,240 --> 00:01:12,670
+so many things that I that we should
+have and haven't got I know darling I
+
+50
+00:01:12,670 --> 00:01:12,680
+have and haven't got I know darling I
+ 
+
+51
+00:01:12,680 --> 00:01:16,109
+have and haven't got I know darling I
+know I want you to have nice things and
+
+52
+00:01:16,109 --> 00:01:16,119
+know I want you to have nice things and
+ 
+
+53
+00:01:16,119 --> 00:01:19,550
+know I want you to have nice things and
+you will have wait and see I'll get you
+
+54
+00:01:19,550 --> 00:01:19,560
+you will have wait and see I'll get you
+ 
+
+55
+00:01:19,560 --> 00:01:22,429
+you will have wait and see I'll get you
+everything anything you want I
+
+56
+00:01:22,429 --> 00:01:22,439
+everything anything you want I
+ 
+
+57
+00:01:22,439 --> 00:01:24,429
+everything anything you want I
+promise
+
+58
+00:01:24,429 --> 00:01:24,439
+promise
+ 
+
+59
+00:01:24,439 --> 00:01:26,710
+promise
+how I don't
+
+60
+00:01:26,710 --> 00:01:26,720
+how I don't
+ 
+
+61
+00:01:26,720 --> 00:01:30,990
+how I don't
+know but I will I promise
+
+62
+00:01:30,990 --> 00:01:31,000
+know but I will I promise
+ 
+
+63
+00:01:31,000 --> 00:01:32,510
+know but I will I promise
+you
+
+64
+00:01:32,510 --> 00:01:32,520
+you
+ 
+
+65
+00:01:32,520 --> 00:01:35,789
+you
+darling come on go to sleep all
+
+66
+00:01:35,789 --> 00:01:35,799
+darling come on go to sleep all
+ 
+
+67
+00:01:35,799 --> 00:01:39,350
+darling come on go to sleep all
+right happy dreams sweet thank you I
+
+68
+00:01:39,350 --> 00:01:39,360
+right happy dreams sweet thank you I
+ 
+
+69
+00:01:39,360 --> 00:01:43,469
+right happy dreams sweet thank you I
+love you P I love you mother really I
+
+70
+00:01:43,469 --> 00:01:43,479
+love you P I love you mother really I
+ 
+
+71
+00:01:43,479 --> 00:01:50,550
+love you P I love you mother really I
+do but let's not be sticky
+
+72
+00:01:50,550 --> 00:01:50,560
+
+ 
+
+73
+00:01:50,560 --> 00:01:57,830
+
+about good night
+
+74
+00:01:57,830 --> 00:01:57,840
+
+ 
+
+75
+00:01:57,840 --> 00:02:27,060
+
+[Music]
+

1945/mSeeLOr1GKI.description

@@ -0,0 +1,38 @@
+The Bells of St. Mary's movie clips: http://j.mp/1uv7FJf
+BUY THE MOVIE: http://j.mp/Ld72KS
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Father O'Malley (Bing Crosby) tries to convince Sister Benedict (Ingrid Bergman) to see education from a different point of view.
+
+FILM DESCRIPTION:
+In this follow-up to director Leo McCarey's Going My Way (1944), Bing Crosby repeats his Oscar-winning characterization of happy-go-lucky priest Father O'Malley. The good father is sent to help out financially strapped St. Mary's Academy, a parochial school presided over by lovely nun Sister Benedict (Ingrid Bergman). The film is constructed in anecdotal fashion: Nun and priest gently quarrel over teaching methods; they help patch up the tottering marriage of William Gargan and Martha Sleeper; Sister Benedict plays baseball and teaches a student how to box; Father O'Malley softens the heart of the man who holds the mortgage (Henry Travers) by convincing the poor fellow that he's only got a few months to live; and the kids of St. Mary's put on a much-revised stage version of the Nativity, complete with a chorus of "Happy Birthday" on the occasion of the Virgin Birth. A huge hit at the box office, Bells of St. Mary's was nominated for nine Academy Awards.
+
+CREDITS:
+TM & © Paramount (1945)
+Cast: Bing Crosby, Ingrid Bergman
+Director: Leo McCarey
+Producer: Leo McCarey
+Screenwriters: Leo McCarey, Dudley Nichols
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/mSeeLOr1GKI.en.srt

@@ -0,0 +1,505 @@
+1
+00:00:00,520 --> 00:00:02,110
+
+I knew a character
+
+2
+00:00:02,110 --> 00:00:02,120
+I knew a character
+ 
+
+3
+00:00:02,120 --> 00:00:05,190
+I knew a character
+once H named uh Elmer
+
+4
+00:00:05,190 --> 00:00:05,200
+once H named uh Elmer
+ 
+
+5
+00:00:05,200 --> 00:00:07,470
+once H named uh Elmer
+Hathaway he and I went through school
+
+6
+00:00:07,470 --> 00:00:07,480
+Hathaway he and I went through school
+ 
+
+7
+00:00:07,480 --> 00:00:10,270
+Hathaway he and I went through school
+together or rather I went through school
+
+8
+00:00:10,270 --> 00:00:10,280
+together or rather I went through school
+ 
+
+9
+00:00:10,280 --> 00:00:12,950
+together or rather I went through school
+Elmer just stood still I think he was
+
+10
+00:00:12,950 --> 00:00:12,960
+Elmer just stood still I think he was
+ 
+
+11
+00:00:12,960 --> 00:00:15,589
+Elmer just stood still I think he was
+three years in the eighth grade he's
+
+12
+00:00:15,589 --> 00:00:15,599
+three years in the eighth grade he's
+ 
+
+13
+00:00:15,599 --> 00:00:18,150
+three years in the eighth grade he's
+quite a boy the teacher often wondered
+
+14
+00:00:18,150 --> 00:00:18,160
+quite a boy the teacher often wondered
+ 
+
+15
+00:00:18,160 --> 00:00:19,710
+quite a boy the teacher often wondered
+how he found his way to the
+
+16
+00:00:19,710 --> 00:00:19,720
+how he found his way to the
+ 
+
+17
+00:00:19,720 --> 00:00:22,710
+how he found his way to the
+schoolhouse sometimes he didn't kids
+
+18
+00:00:22,710 --> 00:00:22,720
+schoolhouse sometimes he didn't kids
+ 
+
+19
+00:00:22,720 --> 00:00:27,029
+schoolhouse sometimes he didn't kids
+used to make fun of him he sort of a
+
+20
+00:00:27,029 --> 00:00:27,039
+used to make fun of him he sort of a
+ 
+
+21
+00:00:27,039 --> 00:00:29,109
+used to make fun of him he sort of a
+dreamer sometimes he'd even forget what
+
+22
+00:00:29,109 --> 00:00:29,119
+dreamer sometimes he'd even forget what
+ 
+
+23
+00:00:29,119 --> 00:00:31,990
+dreamer sometimes he'd even forget what
+day it was and he'd come to school on
+
+24
+00:00:31,990 --> 00:00:32,000
+day it was and he'd come to school on
+ 
+
+25
+00:00:32,000 --> 00:00:34,510
+day it was and he'd come to school on
+Saturday asked him who Plato was one day
+
+26
+00:00:34,510 --> 00:00:34,520
+Saturday asked him who Plato was one day
+ 
+
+27
+00:00:34,520 --> 00:00:36,510
+Saturday asked him who Plato was one day
+and he said Plato
+
+28
+00:00:36,510 --> 00:00:36,520
+and he said Plato
+ 
+
+29
+00:00:36,520 --> 00:00:39,709
+and he said Plato
+who but he was good with his hands he
+
+30
+00:00:39,709 --> 00:00:39,719
+who but he was good with his hands he
+ 
+
+31
+00:00:39,719 --> 00:00:41,590
+who but he was good with his hands he
+built a boat a
+
+32
+00:00:41,590 --> 00:00:41,600
+built a boat a
+ 
+
+33
+00:00:41,600 --> 00:00:44,950
+built a boat a
+sailboat one time he disappeared for two
+
+34
+00:00:44,950 --> 00:00:44,960
+sailboat one time he disappeared for two
+ 
+
+35
+00:00:44,960 --> 00:00:47,350
+sailboat one time he disappeared for two
+or three days and when he came back they
+
+36
+00:00:47,350 --> 00:00:47,360
+or three days and when he came back they
+ 
+
+37
+00:00:47,360 --> 00:00:48,510
+or three days and when he came back they
+they asked him where he'd been and he
+
+38
+00:00:48,510 --> 00:00:48,520
+they asked him where he'd been and he
+ 
+
+39
+00:00:48,520 --> 00:00:51,709
+they asked him where he'd been and he
+said oh just
+
+40
+00:00:51,709 --> 00:00:51,719
+said oh just
+ 
+
+41
+00:00:51,719 --> 00:00:54,389
+said oh just
+sailing well he got to be about foot
+
+42
+00:00:54,389 --> 00:00:54,399
+sailing well he got to be about foot
+ 
+
+43
+00:00:54,399 --> 00:00:55,910
+sailing well he got to be about foot
+taller than anybody else in the class
+
+44
+00:00:55,910 --> 00:00:55,920
+taller than anybody else in the class
+ 
+
+45
+00:00:55,920 --> 00:00:58,630
+taller than anybody else in the class
+and they felt sorry for him so they
+
+46
+00:00:58,630 --> 00:00:58,640
+and they felt sorry for him so they
+ 
+
+47
+00:00:58,640 --> 00:01:01,069
+and they felt sorry for him so they
+decided to pass him
+
+48
+00:01:01,069 --> 00:01:01,079
+decided to pass him
+ 
+
+49
+00:01:01,079 --> 00:01:02,470
+decided to pass him
+besides I think they needed the desk at
+
+50
+00:01:02,470 --> 00:01:02,480
+besides I think they needed the desk at
+ 
+
+51
+00:01:02,480 --> 00:01:05,710
+besides I think they needed the desk at
+the
+
+52
+00:01:05,710 --> 00:01:05,720
+
+ 
+
+53
+00:01:05,720 --> 00:01:08,030
+
+time he never knew about it and from
+
+54
+00:01:08,030 --> 00:01:08,040
+time he never knew about it and from
+ 
+
+55
+00:01:08,040 --> 00:01:10,590
+time he never knew about it and from
+that time on he developed
+
+56
+00:01:10,590 --> 00:01:10,600
+that time on he developed
+ 
+
+57
+00:01:10,600 --> 00:01:13,190
+that time on he developed
+Assurance you've heard of the pathway
+
+58
+00:01:13,190 --> 00:01:13,200
+Assurance you've heard of the pathway
+ 
+
+59
+00:01:13,200 --> 00:01:16,830
+Assurance you've heard of the pathway
+shipyards haven't you yes that's Elmer
+
+60
+00:01:16,830 --> 00:01:16,840
+shipyards haven't you yes that's Elmer
+ 
+
+61
+00:01:16,840 --> 00:01:18,590
+shipyards haven't you yes that's Elmer
+and to this day he takes care of his
+
+62
+00:01:18,590 --> 00:01:18,600
+and to this day he takes care of his
+ 
+
+63
+00:01:18,600 --> 00:01:19,830
+and to this day he takes care of his
+less fortunate
+
+64
+00:01:19,830 --> 00:01:19,840
+less fortunate
+ 
+
+65
+00:01:19,840 --> 00:01:22,190
+less fortunate
+Pals you know the ones that used to get
+
+66
+00:01:22,190 --> 00:01:22,200
+Pals you know the ones that used to get
+ 
+
+67
+00:01:22,200 --> 00:01:26,350
+Pals you know the ones that used to get
+to 99 and 100 any of are broke or out of
+
+68
+00:01:26,350 --> 00:01:26,360
+to 99 and 100 any of are broke or out of
+ 
+
+69
+00:01:26,360 --> 00:01:30,830
+to 99 and 100 any of are broke or out of
+a job they can always work for Hathaway
+
+70
+00:01:30,830 --> 00:01:30,840
+a job they can always work for Hathaway
+ 
+
+71
+00:01:30,840 --> 00:01:32,550
+a job they can always work for Hathaway
+he's a good
+
+72
+00:01:32,550 --> 00:01:32,560
+he's a good
+ 
+
+73
+00:01:32,560 --> 00:01:36,109
+he's a good
+man by the way just what is passing
+
+74
+00:01:36,109 --> 00:01:36,119
+man by the way just what is passing
+ 
+
+75
+00:01:36,119 --> 00:01:39,270
+man by the way just what is passing
+anyhow 75 you know yes I know that but
+
+76
+00:01:39,270 --> 00:01:39,280
+anyhow 75 you know yes I know that but
+ 
+
+77
+00:01:39,280 --> 00:01:42,630
+anyhow 75 you know yes I know that but
+who started it our school is based on it
+
+78
+00:01:42,630 --> 00:01:42,640
+who started it our school is based on it
+ 
+
+79
+00:01:42,640 --> 00:01:45,030
+who started it our school is based on it
+every school is if we don't have
+
+80
+00:01:45,030 --> 00:01:45,040
+every school is if we don't have
+ 
+
+81
+00:01:45,040 --> 00:01:46,910
+every school is if we don't have
+standards
+
+82
+00:01:46,910 --> 00:01:46,920
+standards
+ 
+
+83
+00:01:46,920 --> 00:01:49,590
+standards
+but but certainly you're not serious I
+
+84
+00:01:49,590 --> 00:01:49,600
+but but certainly you're not serious I
+ 
+
+85
+00:01:49,600 --> 00:01:51,830
+but but certainly you're not serious I
+am aren't we here to give the children a
+
+86
+00:01:51,830 --> 00:01:51,840
+am aren't we here to give the children a
+ 
+
+87
+00:01:51,840 --> 00:01:53,870
+am aren't we here to give the children a
+helping hand or are we here to measure
+
+88
+00:01:53,870 --> 00:01:53,880
+helping hand or are we here to measure
+ 
+
+89
+00:01:53,880 --> 00:01:56,029
+helping hand or are we here to measure
+their brains with a yard stick why do
+
+90
+00:01:56,029 --> 00:01:56,039
+their brains with a yard stick why do
+ 
+
+91
+00:01:56,039 --> 00:01:58,990
+their brains with a yard stick why do
+they have to have 75 to pass you would
+
+92
+00:01:58,990 --> 00:01:59,000
+they have to have 75 to pass you would
+ 
+
+93
+00:01:59,000 --> 00:02:01,429
+they have to have 75 to pass you would
+put the standard at 65 father why not
+
+94
+00:02:01,429 --> 00:02:01,439
+put the standard at 65 father why not
+ 
+
+95
+00:02:01,439 --> 00:02:04,310
+put the standard at 65 father why not
+then why not at 55 why any grades at all
+
+96
+00:02:04,310 --> 00:02:04,320
+then why not at 55 why any grades at all
+ 
+
+97
+00:02:04,320 --> 00:02:05,429
+then why not at 55 why any grades at all
+why don't we close the school and let
+
+98
+00:02:05,429 --> 00:02:05,439
+why don't we close the school and let
+ 
+
+99
+00:02:05,439 --> 00:02:16,900
+why don't we close the school and let
+them run wild maybe be better than
+
+100
+00:02:16,900 --> 00:02:16,910
+
+ 
+
+101
+00:02:16,910 --> 00:02:39,479
+
+[Music]
+

1945/oxjeihyxCnY.description

@@ -0,0 +1,38 @@
+The Bells of St. Mary's movie clips: http://j.mp/1LtPQQ2
+BUY THE MOVIE: http://j.mp/Ld72KS
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+As Father O'Malley (Bing Crosby) sings O Sanctissima, Horace (Henry Travers) begins to imagine what his office would look like as a classroom.
+
+FILM DESCRIPTION:
+In this follow-up to director Leo McCarey's Going My Way (1944), Bing Crosby repeats his Oscar-winning characterization of happy-go-lucky priest Father O'Malley. The good father is sent to help out financially strapped St. Mary's Academy, a parochial school presided over by lovely nun Sister Benedict (Ingrid Bergman). The film is constructed in anecdotal fashion: Nun and priest gently quarrel over teaching methods; they help patch up the tottering marriage of William Gargan and Martha Sleeper; Sister Benedict plays baseball and teaches a student how to box; Father O'Malley softens the heart of the man who holds the mortgage (Henry Travers) by convincing the poor fellow that he's only got a few months to live; and the kids of St. Mary's put on a much-revised stage version of the Nativity, complete with a chorus of "Happy Birthday" on the occasion of the Virgin Birth. A huge hit at the box office, Bells of St. Mary's was nominated for nine Academy Awards.
+
+CREDITS:
+TM & © Paramount (1945)
+Cast: Bing Crosby, Henry Travers, Rhys Williams
+Director: Leo McCarey
+Producer: Leo McCarey
+Screenwriters: Leo McCarey, Dudley Nichols
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/ozf32hrXGiY.description

@@ -0,0 +1,38 @@
+Mildred Pierce movie clips: http://j.mp/1e6rb0m
+BUY THE MOVIE: http://j.mp/13UbRSF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Veda (Ann Blyth) embarrasses and berates her Mildred (Joan Crawford) for being a waitress.
+
+FILM DESCRIPTION:
+Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin.
+
+CREDITS:
+TM & © Warner Bros. (1945)
+Cast: Ann Blyth, Joan Crawford, Jo Ann Marlowe, Butterfly McQueen
+Director: Michael Curtiz
+Producers: Jerry Wald, Jack L. Warner
+Screenwriters: James M. Cain, William Faulkner, Ranald MacDougall, Catherine Turney, Albert Maltz, Margaret Gruen, Margaret Buell Wilder, Thames Williamson, Louise Randall Pierson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/re8jdVlrltA.description

@@ -0,0 +1,38 @@
+The Bells of St. Mary's movie clips: http://j.mp/1uv7FJf
+BUY THE MOVIE: http://j.mp/Ld72KS
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Sister Benedict (Ingrid Bergman) is overjoyed when Horace (Henry Travers) offers a special gift to her school.
+
+FILM DESCRIPTION:
+In this follow-up to director Leo McCarey's Going My Way (1944), Bing Crosby repeats his Oscar-winning characterization of happy-go-lucky priest Father O'Malley. The good father is sent to help out financially strapped St. Mary's Academy, a parochial school presided over by lovely nun Sister Benedict (Ingrid Bergman). The film is constructed in anecdotal fashion: Nun and priest gently quarrel over teaching methods; they help patch up the tottering marriage of William Gargan and Martha Sleeper; Sister Benedict plays baseball and teaches a student how to box; Father O'Malley softens the heart of the man who holds the mortgage (Henry Travers) by convincing the poor fellow that he's only got a few months to live; and the kids of St. Mary's put on a much-revised stage version of the Nativity, complete with a chorus of "Happy Birthday" on the occasion of the Virgin Birth. A huge hit at the box office, Bells of St. Mary's was nominated for nine Academy Awards.
+
+CREDITS:
+TM & © Paramount (1945)
+Cast: Henry Travers, Ingrid Bergman
+Director: Leo McCarey
+Producer: Leo McCarey
+Screenwriters: Leo McCarey, Dudley Nichols
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1945/re8jdVlrltA.en.srt

@@ -0,0 +1,295 @@
+1
+00:00:30,369 --> 00:00:33,900
+
+Oh mr. Picard is I'm sorry about this
+
+2
+00:00:33,900 --> 00:00:33,910
+Oh mr. Picard is I'm sorry about this
+ 
+
+3
+00:00:33,910 --> 00:00:34,650
+Oh mr. Picard is I'm sorry about this
+sister
+
+4
+00:00:34,650 --> 00:00:34,660
+sister
+ 
+
+5
+00:00:34,660 --> 00:00:36,740
+sister
+I didn't realize for a minute the church
+
+6
+00:00:36,740 --> 00:00:36,750
+I didn't realize for a minute the church
+ 
+
+7
+00:00:36,750 --> 00:00:40,439
+I didn't realize for a minute the church
+sweet little colors that's quite all
+
+8
+00:00:40,439 --> 00:00:40,449
+sweet little colors that's quite all
+ 
+
+9
+00:00:40,449 --> 00:00:43,770
+sweet little colors that's quite all
+right bring him anytime well I mean it
+
+10
+00:00:43,770 --> 00:00:43,780
+right bring him anytime well I mean it
+ 
+
+11
+00:00:43,780 --> 00:00:46,979
+right bring him anytime well I mean it
+doesn't matter I see that animals love
+
+12
+00:00:46,979 --> 00:00:46,989
+doesn't matter I see that animals love
+ 
+
+13
+00:00:46,989 --> 00:00:50,430
+doesn't matter I see that animals love
+you oh yes but people don't oh you must
+
+14
+00:00:50,430 --> 00:00:50,440
+you oh yes but people don't oh you must
+ 
+
+15
+00:00:50,440 --> 00:00:52,410
+you oh yes but people don't oh you must
+be wrong I'm sure that when people get
+
+16
+00:00:52,410 --> 00:00:52,420
+be wrong I'm sure that when people get
+ 
+
+17
+00:00:52,420 --> 00:00:54,210
+be wrong I'm sure that when people get
+to know you they love you
+
+18
+00:00:54,210 --> 00:00:54,220
+to know you they love you
+ 
+
+19
+00:00:54,220 --> 00:00:57,390
+to know you they love you
+no no no that's when they don't you see
+
+20
+00:00:57,390 --> 00:00:57,400
+no no no that's when they don't you see
+ 
+
+21
+00:00:57,400 --> 00:00:58,020
+no no no that's when they don't you see
+sister
+
+22
+00:00:58,020 --> 00:00:58,030
+sister
+ 
+
+23
+00:00:58,030 --> 00:01:00,660
+sister
+yes mr. Picard I've never had any
+
+24
+00:01:00,660 --> 00:01:00,670
+yes mr. Picard I've never had any
+ 
+
+25
+00:01:00,670 --> 00:01:04,140
+yes mr. Picard I've never had any
+children of my own and I've never even
+
+26
+00:01:04,140 --> 00:01:04,150
+children of my own and I've never even
+ 
+
+27
+00:01:04,150 --> 00:01:08,780
+children of my own and I've never even
+liked children and they don't like me
+
+28
+00:01:08,780 --> 00:01:08,790
+liked children and they don't like me
+ 
+
+29
+00:01:08,790 --> 00:01:13,380
+liked children and they don't like me
+why don't people like you well I've been
+
+30
+00:01:13,380 --> 00:01:13,390
+why don't people like you well I've been
+ 
+
+31
+00:01:13,390 --> 00:01:16,500
+why don't people like you well I've been
+very selfish and lately I've been giving
+
+32
+00:01:16,500 --> 00:01:16,510
+very selfish and lately I've been giving
+ 
+
+33
+00:01:16,510 --> 00:01:20,219
+very selfish and lately I've been giving
+it a lot of thought come to any
+
+34
+00:01:20,219 --> 00:01:20,229
+it a lot of thought come to any
+ 
+
+35
+00:01:20,229 --> 00:01:23,520
+it a lot of thought come to any
+conclusion
+
+36
+00:01:23,520 --> 00:01:23,530
+
+ 
+
+37
+00:01:23,530 --> 00:01:30,450
+
+yes this is gonna surprise you and I do
+
+38
+00:01:30,450 --> 00:01:30,460
+yes this is gonna surprise you and I do
+ 
+
+39
+00:01:30,460 --> 00:01:32,220
+yes this is gonna surprise you and I do
+want people to like me
+
+40
+00:01:32,220 --> 00:01:32,230
+want people to like me
+ 
+
+41
+00:01:32,230 --> 00:01:39,170
+want people to like me
+so I was wondering if you would accept
+
+42
+00:01:39,170 --> 00:01:39,180
+so I was wondering if you would accept
+ 
+
+43
+00:01:39,180 --> 00:01:47,750
+so I was wondering if you would accept
+my building what's the matter
+
+44
+00:01:47,750 --> 00:01:47,760
+
+ 
+
+45
+00:01:47,760 --> 00:01:52,950
+
+it's better be Shakti yes but you can
+
+46
+00:01:52,950 --> 00:01:52,960
+it's better be Shakti yes but you can
+ 
+
+47
+00:01:52,960 --> 00:01:55,560
+it's better be Shakti yes but you can
+have it you can have it I'll go straight
+
+48
+00:01:55,560 --> 00:01:55,570
+have it you can have it I'll go straight
+ 
+
+49
+00:01:55,570 --> 00:01:57,450
+have it you can have it I'll go straight
+to my lawyer and have make out the beads
+
+50
+00:01:57,450 --> 00:01:57,460
+to my lawyer and have make out the beads
+ 
+
+51
+00:01:57,460 --> 00:01:59,490
+to my lawyer and have make out the beads
+right away oh thank you mister for
+
+52
+00:01:59,490 --> 00:01:59,500
+right away oh thank you mister for
+ 
+
+53
+00:01:59,500 --> 00:02:01,650
+right away oh thank you mister for
+goddess st. Mary's we'll never forget it
+
+54
+00:02:01,650 --> 00:02:01,660
+goddess st. Mary's we'll never forget it
+ 
+
+55
+00:02:01,660 --> 00:02:03,690
+goddess st. Mary's we'll never forget it
+the children will love you they will
+
+56
+00:02:03,690 --> 00:02:03,700
+the children will love you they will
+ 
+
+57
+00:02:03,700 --> 00:02:05,820
+the children will love you they will
+I'll have the necessary papers made out
+
+58
+00:02:05,820 --> 00:02:05,830
+I'll have the necessary papers made out
+ 
+
+59
+00:02:05,830 --> 00:02:10,770
+I'll have the necessary papers made out
+right away doggy
+

1945/x4CEkYJNir0.description

@@ -0,0 +1,38 @@
+Mildred Pierce movie clips: http://j.mp/1e6rb0m
+BUY THE MOVIE: http://j.mp/13UbRSF
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After Mildred (Joan Crawford) discovers Veda's (Ann Blyth) scheme, she starts to see her daughter in a new light.
+
+FILM DESCRIPTION:
+Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin.
+
+CREDITS:
+TM & © Warner Bros. (1945)
+Cast: Ann Blyth, Joan Crawford
+Director: Michael Curtiz
+Producers: Jerry Wald, Jack L. Warner
+Screenwriters: James M. Cain, William Faulkner, Ranald MacDougall, Catherine Turney, Albert Maltz, Margaret Gruen, Margaret Buell Wilder, Thames Williamson, Louise Randall Pierson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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