diff --git a/1953/CWnDVW07_1c.en.srt b/1953/CWnDVW07_1c.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..d5e1cf2ca60fcf605e801fe38054ca84487b7850
--- /dev/null
+++ b/1953/CWnDVW07_1c.en.srt
@@ -0,0 +1,205 @@
+1
+00:00:00,520 --> 00:00:03,749
+
+and where do you think you're
+
+2
+00:00:03,749 --> 00:00:03,759
+
+ 
+
+3
+00:00:03,759 --> 00:00:09,110
+
+going get a whiskey all
+
+4
+00:00:09,110 --> 00:00:09,120
+
+ 
+
+5
+00:00:09,120 --> 00:00:12,230
+
+[Music]
+
+6
+00:00:12,230 --> 00:00:12,240
+[Music]
+ 
+
+7
+00:00:12,240 --> 00:00:25,550
+[Music]
+right all
+
+8
+00:00:25,550 --> 00:00:25,560
+
+ 
+
+9
+00:00:25,560 --> 00:00:57,349
+
+right sry
+
+10
+00:00:57,349 --> 00:00:57,359
+
+ 
+
+11
+00:00:57,359 --> 00:01:01,670
+
+they tell me they called you stone wall
+
+12
+00:01:01,670 --> 00:01:01,680
+they tell me they called you stone wall
+ 
+
+13
+00:01:01,680 --> 00:01:03,590
+they tell me they called you stone wall
+anything wrong with
+
+14
+00:01:03,590 --> 00:01:03,600
+anything wrong with
+ 
+
+15
+00:01:03,600 --> 00:01:08,469
+anything wrong with
+that it's just
+
+16
+00:01:08,469 --> 00:01:08,479
+
+ 
+
+17
+00:01:08,479 --> 00:01:12,109
+
+funny guess they named a lot of
+
+18
+00:01:12,109 --> 00:01:12,119
+funny guess they named a lot of
+ 
+
+19
+00:01:12,119 --> 00:01:18,950
+funny guess they named a lot of
+that southern trash after Old Stone
+
+20
+00:01:18,950 --> 00:01:18,960
+
+ 
+
+21
+00:01:18,960 --> 00:01:21,469
+
+Wall what they name you
+
+22
+00:01:21,469 --> 00:01:21,479
+Wall what they name you
+ 
+
+23
+00:01:21,479 --> 00:01:25,069
+Wall what they name you
+after what do you
+
+24
+00:01:25,069 --> 00:01:25,079
+
+ 
+
+25
+00:01:25,079 --> 00:01:28,789
+
+know I'm saying that Stonewall Jackson
+
+26
+00:01:28,789 --> 00:01:28,799
+know I'm saying that Stonewall Jackson
+ 
+
+27
+00:01:28,799 --> 00:01:32,429
+know I'm saying that Stonewall Jackson
+was trash himself
+
+28
+00:01:32,429 --> 00:01:32,439
+
+ 
+
+29
+00:01:32,439 --> 00:01:38,710
+
+him Lee and all the rest of them
+
+30
+00:01:38,710 --> 00:01:38,720
+
+ 
+
+31
+00:01:38,720 --> 00:01:41,590
+
+ribs you
+
+32
+00:01:41,590 --> 00:01:41,600
+ribs you
+ 
+
+33
+00:01:41,600 --> 00:01:45,830
+ribs you
+too you're a low down line
+
+34
+00:01:45,830 --> 00:01:45,840
+too you're a low down line
+ 
+
+35
+00:01:45,840 --> 00:01:49,149
+too you're a low down line
+Yaky prove
+
+36
+00:01:49,149 --> 00:01:49,159
+
+ 
+
+37
+00:01:49,159 --> 00:01:56,280
+
+it Noor
+
+38
+00:01:56,280 --> 00:01:56,290
+
+ 
+
+39
+00:01:56,290 --> 00:02:13,430
+
+[Music]
+
+40
+00:02:13,430 --> 00:02:13,440
+
+ 
+
+41
+00:02:13,440 --> 00:02:44,509
+
+[Music]
+
diff --git a/1953/YklwFCfEEMM.description b/1953/YklwFCfEEMM.description
new file mode 100644
index 0000000000000000000000000000000000000000..8169365c8e74c1be45ab235932ee9c9873f9435e
--- /dev/null
+++ b/1953/YklwFCfEEMM.description
@@ -0,0 +1,38 @@
+Shane movie clips: http://j.mp/1Jag73J
+BUY THE MOVIE: http://j.mp/JKDtR0
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Shane (Alan Ladd) teams up with Joe Starrett (Van Heflin) and take on the Ryker gang.
+
+FILM DESCRIPTION:
+The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger, as his Marion (Jean Arthur) is attracted to Shane in spite of herself, and his son Joey (Brandon De Wilde) flat-out idolizes Shane. When Meyer is unable to drive off the homesteaders by sheer brute strength, he engages the services of black-clad, wholly evil hired gun Jack Wilson (Jack Palance). The moment that Wilson shows he means business by shooting down hotheaded farmer Frank Torrey (Elisha Cook Jr.) is the film's most memorable scene: after years of becoming accustomed to carefully choreographed movie death scenes, the suddenness with which Torrey's life is snuffed out -- and the force with which he falls to the ground -- are startling. Shane knows that a showdown with Wilson is inevitable; he also knows that, unintentionally, he has become a disruptive element in the Starrett family. The manner in which he handles both these problems segues into the now-legendary "Come back, Shane" finale. Cinematographer Loyal Griggs imbues this no
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Brandon De Wilde, John Dierkes, Van Heflin, Ben Johnson, Alan Ladd, Paul McVey, Emile Meyer, Jean Arthur
+Director: George Stevens
+Producers: Ivan Moffat, George Stevens
+Screenwriters: A.B. Guthrie Jr., Jack Sher, Jack Schaefer
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1953/YklwFCfEEMM.en.srt b/1953/YklwFCfEEMM.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..196042a8a1c4191608aebd3c2d5d521dedb04c77
--- /dev/null
+++ b/1953/YklwFCfEEMM.en.srt
@@ -0,0 +1,144 @@
+1
+00:00:00,359 --> 00:00:04,030
+
+where's
+
+2
+00:00:04,030 --> 00:00:04,040
+
+ 
+
+3
+00:00:04,040 --> 00:00:28,950
+
+joey all
+
+4
+00:00:28,950 --> 00:00:28,960
+
+ 
+
+5
+00:00:28,960 --> 00:00:58,330
+
+tr
+
+6
+00:00:58,330 --> 00:00:58,340
+
+ 
+
+7
+00:00:58,340 --> 00:01:27,230
+
+[Music]
+
+8
+00:01:27,230 --> 00:01:27,240
+[Music]
+ 
+
+9
+00:01:27,240 --> 00:01:28,830
+[Music]
+d
+
+10
+00:01:28,830 --> 00:01:28,840
+d
+ 
+
+11
+00:01:28,840 --> 00:01:32,149
+d
+d you foed you head enough of it i'll get
+
+12
+00:01:32,149 --> 00:01:32,159
+d you foed you head enough of it i'll get
+ 
+
+13
+00:01:32,159 --> 00:01:33,510
+d you foed you head enough of it i'll get
+
+14
+00:01:33,510 --> 00:01:33,520
+
+ 
+
+15
+00:01:33,520 --> 00:01:40,030
+
+killed you back on out of
+
+16
+00:01:40,030 --> 00:01:40,040
+
+ 
+
+17
+00:01:40,040 --> 00:01:42,410
+
+here mak some
+
+18
+00:01:42,410 --> 00:01:42,420
+here mak some
+ 
+
+19
+00:01:42,420 --> 00:01:48,950
+here mak some
+[Music]
+
+20
+00:01:48,950 --> 00:01:48,960
+
+ 
+
+21
+00:01:48,960 --> 00:01:53,109
+
+s ping for this damage with ack i'm
+
+22
+00:01:53,109 --> 00:01:53,119
+s ping for this damage with ack i'm
+ 
+
+23
+00:01:53,119 --> 00:01:54,469
+s ping for this damage with ack i'm
+paying for what
+
+24
+00:01:54,469 --> 00:01:54,479
+paying for what
+ 
+
+25
+00:01:54,479 --> 00:01:58,830
+paying for what
+br no by god for broke me
+
+26
+00:01:58,830 --> 00:01:58,840
+br no by god for broke me
+ 
+
+27
+00:01:58,840 --> 00:02:08,890
+br no by god for broke me
+and
+
+28
+00:02:08,890 --> 00:02:08,900
+
+ 
+
+29
+00:02:08,900 --> 00:02:31,479
+
+[Music]
+
diff --git a/1953/aGMiaQISzq0.description b/1953/aGMiaQISzq0.description
new file mode 100644
index 0000000000000000000000000000000000000000..158759ba2f82b55246635d51e25868180c106299
--- /dev/null
+++ b/1953/aGMiaQISzq0.description
@@ -0,0 +1,32 @@
+It Came From Outer Space - They'll Be Back: The aliens break free of the mines and travel home.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Barbara Rush, Charles Drake, Richard Carlson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1953/eeWPnGsY-Xc.description b/1953/eeWPnGsY-Xc.description
new file mode 100644
index 0000000000000000000000000000000000000000..6aa7093176c2d7e3156802b0f9e44f8de4f0ba0a
--- /dev/null
+++ b/1953/eeWPnGsY-Xc.description
@@ -0,0 +1,32 @@
+It Came From Outer Space - First Contact: John (Richard Carlson) sees the aliens for the first time.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Richard Carlson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1953/eeWPnGsY-Xc.en.srt b/1953/eeWPnGsY-Xc.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..82b0d2d0b327cff9a12da5ecde5c8098c28f28ee
--- /dev/null
+++ b/1953/eeWPnGsY-Xc.en.srt
@@ -0,0 +1,385 @@
+1
+00:00:00,000 --> 00:00:02,050
+
+[Music]
+
+2
+00:00:02,050 --> 00:00:02,060
+[Music]
+ 
+
+3
+00:00:02,060 --> 00:00:07,519
+[Music]
+where's Ellen where's Ellen stay where
+
+4
+00:00:07,519 --> 00:00:07,529
+where's Ellen where's Ellen stay where
+ 
+
+5
+00:00:07,529 --> 00:00:11,150
+where's Ellen where's Ellen stay where
+you come out in the open come out where
+
+6
+00:00:11,150 --> 00:00:11,160
+you come out in the open come out where
+ 
+
+7
+00:00:11,160 --> 00:00:13,039
+you come out in the open come out where
+I can see you know
+
+8
+00:00:13,039 --> 00:00:13,049
+I can see you know
+ 
+
+9
+00:00:13,049 --> 00:00:15,980
+I can see you know
+let me see you as you really are what do
+
+10
+00:00:15,980 --> 00:00:15,990
+let me see you as you really are what do
+ 
+
+11
+00:00:15,990 --> 00:00:18,439
+let me see you as you really are what do
+you want what are you doing we are
+
+12
+00:00:18,439 --> 00:00:18,449
+you want what are you doing we are
+ 
+
+13
+00:00:18,449 --> 00:00:21,279
+you want what are you doing we are
+repairing our ship to leave your world
+
+14
+00:00:21,279 --> 00:00:21,289
+repairing our ship to leave your world
+ 
+
+15
+00:00:21,289 --> 00:00:24,320
+repairing our ship to leave your world
+we need your help you asked me to help
+
+16
+00:00:24,320 --> 00:00:24,330
+we need your help you asked me to help
+ 
+
+17
+00:00:24,330 --> 00:00:26,689
+we need your help you asked me to help
+you how can i when you've kidnapped and
+
+18
+00:00:26,689 --> 00:00:26,699
+you how can i when you've kidnapped and
+ 
+
+19
+00:00:26,699 --> 00:00:29,359
+you how can i when you've kidnapped and
+stolen for all I know even murdered we
+
+20
+00:00:29,359 --> 00:00:29,369
+stolen for all I know even murdered we
+ 
+
+21
+00:00:29,369 --> 00:00:32,810
+stolen for all I know even murdered we
+have a long way to go by nightfall
+
+22
+00:00:32,810 --> 00:00:32,820
+have a long way to go by nightfall
+ 
+
+23
+00:00:32,820 --> 00:00:35,510
+have a long way to go by nightfall
+we will have left your earth you will
+
+24
+00:00:35,510 --> 00:00:35,520
+we will have left your earth you will
+ 
+
+25
+00:00:35,520 --> 00:00:39,380
+we will have left your earth you will
+not see us until it is time time for
+
+26
+00:00:39,380 --> 00:00:39,390
+not see us until it is time time for
+ 
+
+27
+00:00:39,390 --> 00:00:44,680
+not see us until it is time time for
+what time to kill time to take over we
+
+28
+00:00:44,680 --> 00:00:44,690
+what time to kill time to take over we
+ 
+
+29
+00:00:44,690 --> 00:00:46,340
+what time to kill time to take over we
+are good
+
+30
+00:00:46,340 --> 00:00:46,350
+are good
+ 
+
+31
+00:00:46,350 --> 00:00:48,830
+are good
+then why are you hiding we are not yet
+
+32
+00:00:48,830 --> 00:00:48,840
+then why are you hiding we are not yet
+ 
+
+33
+00:00:48,840 --> 00:00:51,889
+then why are you hiding we are not yet
+ready to meet in friendship why not
+
+34
+00:00:51,889 --> 00:00:51,899
+ready to meet in friendship why not
+ 
+
+35
+00:00:51,899 --> 00:00:54,619
+ready to meet in friendship why not
+because you would be horrified at the
+
+36
+00:00:54,619 --> 00:00:54,629
+because you would be horrified at the
+ 
+
+37
+00:00:54,629 --> 00:01:00,520
+because you would be horrified at the
+sight of us had you fallen on our world
+
+38
+00:01:00,520 --> 00:01:00,530
+sight of us had you fallen on our world
+ 
+
+39
+00:01:00,530 --> 00:01:05,410
+sight of us had you fallen on our world
+it might have been different we
+
+40
+00:01:05,410 --> 00:01:05,420
+it might have been different we
+ 
+
+41
+00:01:05,420 --> 00:01:08,420
+it might have been different we
+understand more all I understand is that
+
+42
+00:01:08,420 --> 00:01:08,430
+understand more all I understand is that
+ 
+
+43
+00:01:08,430 --> 00:01:10,670
+understand more all I understand is that
+you've taken my friends captive and now
+
+44
+00:01:10,670 --> 00:01:10,680
+you've taken my friends captive and now
+ 
+
+45
+00:01:10,680 --> 00:01:13,760
+you've taken my friends captive and now
+the girl we hold her hostage as well as
+
+46
+00:01:13,760 --> 00:01:13,770
+the girl we hold her hostage as well as
+ 
+
+47
+00:01:13,770 --> 00:01:18,020
+the girl we hold her hostage as well as
+the others keep your people away or we
+
+48
+00:01:18,020 --> 00:01:18,030
+the others keep your people away or we
+ 
+
+49
+00:01:18,030 --> 00:01:21,320
+the others keep your people away or we
+will destroy them how do I know that
+
+50
+00:01:21,320 --> 00:01:21,330
+will destroy them how do I know that
+ 
+
+51
+00:01:21,330 --> 00:01:22,730
+will destroy them how do I know that
+your whole mission here isn't to destroy
+
+52
+00:01:22,730 --> 00:01:22,740
+your whole mission here isn't to destroy
+ 
+
+53
+00:01:22,740 --> 00:01:36,850
+your whole mission here isn't to destroy
+all of us stand out in the Sun perhaps
+
+54
+00:01:36,850 --> 00:01:36,860
+all of us stand out in the Sun perhaps
+ 
+
+55
+00:01:36,860 --> 00:01:40,219
+all of us stand out in the Sun perhaps
+then I can't believe you let us stay
+
+56
+00:01:40,219 --> 00:01:40,229
+then I can't believe you let us stay
+ 
+
+57
+00:01:40,229 --> 00:01:45,020
+then I can't believe you let us stay
+apart the people of your world or if we
+
+58
+00:01:45,020 --> 00:01:45,030
+apart the people of your world or if we
+ 
+
+59
+00:01:45,030 --> 00:01:46,670
+apart the people of your world or if we
+come together there will only be
+
+60
+00:01:46,670 --> 00:01:46,680
+come together there will only be
+ 
+
+61
+00:01:46,680 --> 00:01:49,310
+come together there will only be
+destruction I'd got to see you as you
+
+62
+00:01:49,310 --> 00:01:49,320
+destruction I'd got to see you as you
+ 
+
+63
+00:01:49,320 --> 00:01:51,560
+destruction I'd got to see you as you
+really are come out or I can't take the
+
+64
+00:01:51,560 --> 00:01:51,570
+really are come out or I can't take the
+ 
+
+65
+00:01:51,570 --> 00:01:53,719
+really are come out or I can't take the
+responsibility of protecting you very
+
+66
+00:01:53,719 --> 00:01:53,729
+responsibility of protecting you very
+ 
+
+67
+00:01:53,729 --> 00:01:58,310
+responsibility of protecting you very
+well then you asked to see this so you
+
+68
+00:01:58,310 --> 00:01:58,320
+well then you asked to see this so you
+ 
+
+69
+00:01:58,320 --> 00:02:06,810
+well then you asked to see this so you
+shall
+
+70
+00:02:06,810 --> 00:02:06,820
+
+ 
+
+71
+00:02:06,820 --> 00:02:10,040
+
+[Music]
+
+72
+00:02:10,040 --> 00:02:10,050
+[Music]
+ 
+
+73
+00:02:10,050 --> 00:02:10,689
+[Music]
+[Applause]
+
+74
+00:02:10,689 --> 00:02:10,699
+[Applause]
+ 
+
+75
+00:02:10,699 --> 00:02:30,670
+[Applause]
+[Music]
+
+76
+00:02:30,670 --> 00:02:30,680
+
+ 
+
+77
+00:02:30,680 --> 00:02:42,120
+
+[Music]
+
diff --git a/1953/f3z_ene1G6c.description b/1953/f3z_ene1G6c.description
new file mode 100644
index 0000000000000000000000000000000000000000..335efe450143b25163c8ebb67fb62a3ff2be7c1f
--- /dev/null
+++ b/1953/f3z_ene1G6c.description
@@ -0,0 +1,38 @@
+Shane movie clips: http://j.mp/1Jag73J
+BUY THE MOVIE: http://j.mp/JKDtR0
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Shane (Alan Ladd) is offered water by Joe Starrett (Van Heflin) as he passes by their farm.
+
+FILM DESCRIPTION:
+The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens' Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger, as his Marion (Jean Arthur) is attracted to Shane in spite of herself, and his son Joey (Brandon De Wilde) flat-out idolizes Shane. When Meyer is unable to drive off the homesteaders by sheer brute strength, he engages the services of black-clad, wholly evil hired gun Jack Wilson (Jack Palance). The moment that Wilson shows he means business by shooting down hotheaded farmer Frank Torrey (Elisha Cook Jr.) is the film's most memorable scene: after years of becoming accustomed to carefully choreographed movie death scenes, the suddenness with which Torrey's life is snuffed out -- and the force with which he falls to the ground -- are startling. Shane knows that a showdown with Wilson is inevitable; he also knows that, unintentionally, he has become a disruptive element in the Starrett family. The manner in which he handles both these problems segues into the now-legendary "Come back, Shane" finale. Cinematographer Loyal Griggs imbues this no
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Brandon De Wilde, Van Heflin, Alan Ladd, Jean Arthur
+Director: George Stevens
+Producers: Ivan Moffat, George Stevens
+Screenwriters: A.B. Guthrie Jr., Jack Sher, Jack Schaefer
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1953/f3z_ene1G6c.en.srt b/1953/f3z_ene1G6c.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..578cd5503363877f51281f76657d664bb9f40c8f
--- /dev/null
+++ b/1953/f3z_ene1G6c.en.srt
@@ -0,0 +1,255 @@
+1
+00:00:03,320 --> 00:00:06,670
+
+somebody's coming
+
+2
+00:00:06,670 --> 00:00:06,680
+
+ 
+
+3
+00:00:06,680 --> 00:00:08,549
+
+P
+
+4
+00:00:08,549 --> 00:00:08,559
+P
+ 
+
+5
+00:00:08,559 --> 00:00:11,040
+P
+well let him come
+
+6
+00:00:11,040 --> 00:00:11,050
+well let him come
+ 
+
+7
+00:00:11,050 --> 00:00:50,790
+well let him come
+[Music]
+
+8
+00:00:50,790 --> 00:00:50,800
+[Music]
+ 
+
+9
+00:00:50,800 --> 00:00:53,270
+[Music]
+we don't mind my cutting through your
+
+10
+00:00:53,270 --> 00:00:53,280
+we don't mind my cutting through your
+ 
+
+11
+00:00:53,280 --> 00:00:55,670
+we don't mind my cutting through your
+place no I guess
+
+12
+00:00:55,670 --> 00:00:55,680
+place no I guess
+ 
+
+13
+00:00:55,680 --> 00:01:00,709
+place no I guess
+not I'm heading north
+
+14
+00:01:00,709 --> 00:01:00,719
+
+ 
+
+15
+00:01:00,719 --> 00:01:02,860
+
+didn't expect to find any fences around
+
+16
+00:01:02,860 --> 00:01:02,870
+didn't expect to find any fences around
+ 
+
+17
+00:01:02,870 --> 00:01:05,190
+didn't expect to find any fences around
+[Applause]
+
+18
+00:01:05,190 --> 00:01:05,200
+[Applause]
+ 
+
+19
+00:01:05,200 --> 00:01:08,429
+[Applause]
+here hello
+
+20
+00:01:08,429 --> 00:01:08,439
+here hello
+ 
+
+21
+00:01:08,439 --> 00:01:10,710
+here hello
+boy you were watching me down the trail
+
+22
+00:01:10,710 --> 00:01:10,720
+boy you were watching me down the trail
+ 
+
+23
+00:01:10,720 --> 00:01:14,350
+boy you were watching me down the trail
+quite a spell weren't you yes I was you
+
+24
+00:01:14,350 --> 00:01:14,360
+quite a spell weren't you yes I was you
+ 
+
+25
+00:01:14,360 --> 00:01:17,030
+quite a spell weren't you yes I was you
+know I I like a man who watches things
+
+26
+00:01:17,030 --> 00:01:17,040
+know I I like a man who watches things
+ 
+
+27
+00:01:17,040 --> 00:01:18,510
+know I I like a man who watches things
+go on
+
+28
+00:01:18,510 --> 00:01:18,520
+go on
+ 
+
+29
+00:01:18,520 --> 00:01:26,030
+go on
+around means he'll make his Mark
+
+30
+00:01:26,030 --> 00:01:26,040
+
+ 
+
+31
+00:01:26,040 --> 00:01:28,390
+
+someday been a long time since I've seen
+
+32
+00:01:28,390 --> 00:01:28,400
+someday been a long time since I've seen
+ 
+
+33
+00:01:28,400 --> 00:01:31,630
+someday been a long time since I've seen
+a jersey C well you'll see a lot more
+
+34
+00:01:31,630 --> 00:01:31,640
+a jersey C well you'll see a lot more
+ 
+
+35
+00:01:31,640 --> 00:01:35,069
+a jersey C well you'll see a lot more
+jerseys and hols
+
+36
+00:01:35,069 --> 00:01:35,079
+jerseys and hols
+ 
+
+37
+00:01:35,079 --> 00:01:37,149
+jerseys and hols
+and
+
+38
+00:01:37,149 --> 00:01:37,159
+and
+ 
+
+39
+00:01:37,159 --> 00:01:40,270
+and
+like can I offer you some
+
+40
+00:01:40,270 --> 00:01:40,280
+like can I offer you some
+ 
+
+41
+00:01:40,280 --> 00:01:55,789
+like can I offer you some
+water
+
+42
+00:01:55,789 --> 00:01:55,799
+
+ 
+
+43
+00:01:55,799 --> 00:02:02,590
+
+thanks you're a little touchy aren't you
+
+44
+00:02:02,590 --> 00:02:02,600
+
+ 
+
+45
+00:02:02,600 --> 00:02:04,270
+
+you know better than to point guns at
+
+46
+00:02:04,270 --> 00:02:04,280
+you know better than to point guns at
+ 
+
+47
+00:02:04,280 --> 00:02:06,270
+you know better than to point guns at
+people I wasn't pointing at anybody
+
+48
+00:02:06,270 --> 00:02:06,280
+people I wasn't pointing at anybody
+ 
+
+49
+00:02:06,280 --> 00:02:09,090
+people I wasn't pointing at anybody
+mother
+
+50
+00:02:09,090 --> 00:02:09,100
+mother
+ 
+
+51
+00:02:09,100 --> 00:02:43,509
+mother
+[Music]
+
diff --git a/1953/ge9ahoqNSLE.description b/1953/ge9ahoqNSLE.description
new file mode 100644
index 0000000000000000000000000000000000000000..c93eafaabf89cfa9f72dbb3bdc80eb7ac750922f
--- /dev/null
+++ b/1953/ge9ahoqNSLE.description
@@ -0,0 +1,32 @@
+It Came From Outer Space - Anti-Alien Posse: The townspeople form a posse to take out the alien-possessed Frank (Joe Sawyer).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Charles Drake, Joe Sawyer
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1953/i4NRgUeziqA.description b/1953/i4NRgUeziqA.description
new file mode 100644
index 0000000000000000000000000000000000000000..fe6d4c0ef22a04abf988703f5ae1351e9e825208
--- /dev/null
+++ b/1953/i4NRgUeziqA.description
@@ -0,0 +1,32 @@
+It Came From Outer Space - Alien Avalanche: John Putnam (Richard Carlson) discovers an alien space ship.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Barbara Rush, Richard Carlson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1953/l-PmluGC2wk.description b/1953/l-PmluGC2wk.description
new file mode 100644
index 0000000000000000000000000000000000000000..1b9967186d62b6217211211f3666a4ef370dc0cc
--- /dev/null
+++ b/1953/l-PmluGC2wk.description
@@ -0,0 +1,38 @@
+Roman Holiday movie clips: http://j.mp/1uy411p
+BUY THE MOVIE: http://amzn.to/uETI5v
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Princess Ann (Audrey Hepburn) describes her perfect day full of ordinary things, Joe (Gregory Peck) offers to be her guide.
+
+FILM DESCRIPTION:
+Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten.
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Gregory Peck, Audrey Hepburn
+Director: William Wyler
+Producers: Robert Wyler, William Wyler, Lester Koenig
+Screenwriters: Ian McLellan Hunter, John Dighton, Dalton Trumbo
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1953/l-PmluGC2wk.en.srt b/1953/l-PmluGC2wk.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..4972f0e63bccb2b0817c4b98ca94e990adbd08ce
--- /dev/null
+++ b/1953/l-PmluGC2wk.en.srt
@@ -0,0 +1,215 @@
+1
+00:00:00,120 --> 00:00:03,269
+
+why don't you take a little time for
+
+2
+00:00:03,269 --> 00:00:03,279
+why don't you take a little time for
+ 
+
+3
+00:00:03,279 --> 00:00:06,110
+why don't you take a little time for
+yourself maybe another hour live
+
+4
+00:00:06,110 --> 00:00:06,120
+yourself maybe another hour live
+ 
+
+5
+00:00:06,120 --> 00:00:08,709
+yourself maybe another hour live
+dangerously take the whole
+
+6
+00:00:08,709 --> 00:00:08,719
+dangerously take the whole
+ 
+
+7
+00:00:08,719 --> 00:00:10,830
+dangerously take the whole
+day I could do some of the things I've
+
+8
+00:00:10,830 --> 00:00:10,840
+day I could do some of the things I've
+ 
+
+9
+00:00:10,840 --> 00:00:14,150
+day I could do some of the things I've
+always wanted to like what oh you can't
+
+10
+00:00:14,150 --> 00:00:14,160
+always wanted to like what oh you can't
+ 
+
+11
+00:00:14,160 --> 00:00:16,590
+always wanted to like what oh you can't
+imagine i' I'd like to do just whatever
+
+12
+00:00:16,590 --> 00:00:16,600
+imagine i' I'd like to do just whatever
+ 
+
+13
+00:00:16,600 --> 00:00:19,390
+imagine i' I'd like to do just whatever
+I like the whole day long things like
+
+14
+00:00:19,390 --> 00:00:19,400
+I like the whole day long things like
+ 
+
+15
+00:00:19,400 --> 00:00:21,990
+I like the whole day long things like
+having a haircut eating gelot years and
+
+16
+00:00:21,990 --> 00:00:22,000
+having a haircut eating gelot years and
+ 
+
+17
+00:00:22,000 --> 00:00:25,029
+having a haircut eating gelot years and
+i' I like to sit a sidewalk cafe and
+
+18
+00:00:25,029 --> 00:00:25,039
+i' I like to sit a sidewalk cafe and
+ 
+
+19
+00:00:25,039 --> 00:00:26,310
+i' I like to sit a sidewalk cafe and
+look and Shop
+
+20
+00:00:26,310 --> 00:00:26,320
+look and Shop
+ 
+
+21
+00:00:26,320 --> 00:00:30,109
+look and Shop
+Windows Walk In The Rain have fun and
+
+22
+00:00:30,109 --> 00:00:30,119
+Windows Walk In The Rain have fun and
+ 
+
+23
+00:00:30,119 --> 00:00:31,790
+Windows Walk In The Rain have fun and
+maybe some
+
+24
+00:00:31,790 --> 00:00:31,800
+maybe some
+ 
+
+25
+00:00:31,800 --> 00:00:34,590
+maybe some
+excitement doesn't seem much to you does
+
+26
+00:00:34,590 --> 00:00:34,600
+excitement doesn't seem much to you does
+ 
+
+27
+00:00:34,600 --> 00:00:39,389
+excitement doesn't seem much to you does
+it it's great tell you what why don't we
+
+28
+00:00:39,389 --> 00:00:39,399
+it it's great tell you what why don't we
+ 
+
+29
+00:00:39,399 --> 00:00:40,630
+it it's great tell you what why don't we
+do all those
+
+30
+00:00:40,630 --> 00:00:40,640
+do all those
+ 
+
+31
+00:00:40,640 --> 00:00:42,990
+do all those
+things together but don't you have to
+
+32
+00:00:42,990 --> 00:00:43,000
+things together but don't you have to
+ 
+
+33
+00:00:43,000 --> 00:00:45,549
+things together but don't you have to
+work work now today is going to be a
+
+34
+00:00:45,549 --> 00:00:45,559
+work work now today is going to be a
+ 
+
+35
+00:00:45,559 --> 00:00:46,990
+work work now today is going to be a
+holiday but you don't want to do a lot
+
+36
+00:00:46,990 --> 00:00:47,000
+holiday but you don't want to do a lot
+ 
+
+37
+00:00:47,000 --> 00:00:48,510
+holiday but you don't want to do a lot
+of silly
+
+38
+00:00:48,510 --> 00:00:48,520
+of silly
+ 
+
+39
+00:00:48,520 --> 00:00:52,709
+of silly
+things don't I first wish one Sidewalk
+
+40
+00:00:52,709 --> 00:00:52,719
+things don't I first wish one Sidewalk
+ 
+
+41
+00:00:52,719 --> 00:01:02,830
+things don't I first wish one Sidewalk
+Cafe coming right up
+
+42
+00:01:02,830 --> 00:01:02,840
+
+ 
+
+43
+00:01:02,840 --> 00:01:25,409
+
+[Music]
+
diff --git a/1953/lZ4ouD3RVKU.description b/1953/lZ4ouD3RVKU.description
new file mode 100644
index 0000000000000000000000000000000000000000..aadee067bbc0f59c3d0524ce0073e72af9cde171
--- /dev/null
+++ b/1953/lZ4ouD3RVKU.description
@@ -0,0 +1,38 @@
+The Naked Spur movie clips: http://j.mp/1PVyxwf
+BUY THE MOVIE: http://j.mp/1KYOZ7u
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Lina (Janet Leigh) pleads with Howard (James Stewart) to leave Ben's body behind and start a new life.
+
+FILM DESCRIPTION:
+The powerhouse combination of star James Stewart and director Anthony Mann score another cinematic bullseye in The Naked Spur. Stewart plays a taciturn frontiersman who loses his home while he's off fighting the Civil War. To raise enough money for a new grubstake, Stewart becomes a bounty hunter in Colorado territory. His first quarry is fugitive, killer Robert Ryan. Stewart's efforts to bring in Ryan and collect the reward are compromised by the presence of Ryan's loyal girl friend Janet Leigh and Stewart's two disreputable sidekicks, wily prospector Millard Mitchell and disgraced Union-officer Ralph Meeker. There's plenty of "cat and mouse" byplay between Stewart and Ryan before the brutal climax; the drama is intensified by the fact that both men are on the outer rim of total insanity. The Oscar-nominated screenplay for The Naked Spur was cowritten by Sam Rolfe, who was later one of the creative forces responsible for the similarly no-nonsense TV western series Have Gun, Will Travel.
+
+CREDITS:
+TM & © Warner Bros. (1953)
+Cast: Robert Ryan, Janet Leigh, James Stewart
+Director: Anthony Mann
+Producer: William H. Wright
+Screenwriters: Sam Rolfe, Harold Jack Bloom
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1953/lZ4ouD3RVKU.en.srt b/1953/lZ4ouD3RVKU.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..0cb32b5dcafc56603a21027b2464d1f7a41aee01
--- /dev/null
+++ b/1953/lZ4ouD3RVKU.en.srt
@@ -0,0 +1,335 @@
+1
+00:00:05,319 --> 00:00:08,790
+
+K LOVE ho I'm taking him back this is
+
+2
+00:00:08,790 --> 00:00:08,800
+K LOVE ho I'm taking him back this is
+ 
+
+3
+00:00:08,800 --> 00:00:11,350
+K LOVE ho I'm taking him back this is
+what I came after and now I got it no
+
+4
+00:00:11,350 --> 00:00:11,360
+what I came after and now I got it no
+ 
+
+5
+00:00:11,360 --> 00:00:13,509
+what I came after and now I got it no
+Partners like I
+
+6
+00:00:13,509 --> 00:00:13,519
+Partners like I
+ 
+
+7
+00:00:13,519 --> 00:00:16,630
+Partners like I
+started he's going to pay for my land
+
+8
+00:00:16,630 --> 00:00:16,640
+started he's going to pay for my land
+ 
+
+9
+00:00:16,640 --> 00:00:20,710
+started he's going to pay for my land
+Jesse and boy and him they're dead
+
+10
+00:00:20,710 --> 00:00:20,720
+Jesse and boy and him they're dead
+ 
+
+11
+00:00:20,720 --> 00:00:23,790
+Jesse and boy and him they're dead
+finished there not that to take him back
+
+12
+00:00:23,790 --> 00:00:23,800
+finished there not that to take him back
+ 
+
+13
+00:00:23,800 --> 00:00:26,630
+finished there not that to take him back
+can never be dead for you I don't care
+
+14
+00:00:26,630 --> 00:00:26,640
+can never be dead for you I don't care
+ 
+
+15
+00:00:26,640 --> 00:00:28,230
+can never be dead for you I don't care
+anything about that the money that's all
+
+16
+00:00:28,230 --> 00:00:28,240
+anything about that the money that's all
+ 
+
+17
+00:00:28,240 --> 00:00:29,749
+anything about that the money that's all
+I care about that's all I've ever car
+
+18
+00:00:29,749 --> 00:00:29,759
+I care about that's all I've ever car
+ 
+
+19
+00:00:29,759 --> 00:00:32,109
+I care about that's all I've ever car
+about Roy he called the turn and face up
+
+20
+00:00:32,109 --> 00:00:32,119
+about Roy he called the turn and face up
+ 
+
+21
+00:00:32,119 --> 00:00:33,869
+about Roy he called the turn and face up
+to it all right that's what I'm doing
+
+22
+00:00:33,869 --> 00:00:33,879
+to it all right that's what I'm doing
+ 
+
+23
+00:00:33,879 --> 00:00:35,750
+to it all right that's what I'm doing
+that's what I'm
+
+24
+00:00:35,750 --> 00:00:35,760
+that's what I'm
+ 
+
+25
+00:00:35,760 --> 00:00:38,430
+that's what I'm
+doing maybe I don't fit your ideas on me
+
+26
+00:00:38,430 --> 00:00:38,440
+doing maybe I don't fit your ideas on me
+ 
+
+27
+00:00:38,440 --> 00:00:42,180
+doing maybe I don't fit your ideas on me
+but that's the way I
+
+28
+00:00:42,180 --> 00:00:42,190
+
+ 
+
+29
+00:00:42,190 --> 00:00:45,790
+
+[Music]
+
+30
+00:00:45,790 --> 00:00:45,800
+[Music]
+ 
+
+31
+00:00:45,800 --> 00:00:48,229
+[Music]
+am all right if that's the way you want
+
+32
+00:00:48,229 --> 00:00:48,239
+am all right if that's the way you want
+ 
+
+33
+00:00:48,239 --> 00:00:50,790
+am all right if that's the way you want
+it I I'll ride with you I'll ride with
+
+34
+00:00:50,790 --> 00:00:50,800
+it I I'll ride with you I'll ride with
+ 
+
+35
+00:00:50,800 --> 00:00:53,349
+it I I'll ride with you I'll ride with
+you all the way I'm taking him back I
+
+36
+00:00:53,349 --> 00:00:53,359
+you all the way I'm taking him back I
+ 
+
+37
+00:00:53,359 --> 00:00:56,590
+you all the way I'm taking him back I
+know I'll marry you I'll go with you
+
+38
+00:00:56,590 --> 00:00:56,600
+know I'll marry you I'll go with you
+ 
+
+39
+00:00:56,600 --> 00:00:59,270
+know I'll marry you I'll go with you
+I'll even live in that land with you
+
+40
+00:00:59,270 --> 00:00:59,280
+I'll even live in that land with you
+ 
+
+41
+00:00:59,280 --> 00:01:03,750
+I'll even live in that land with you
+what else do you want want from me
+
+42
+00:01:03,750 --> 00:01:03,760
+what else do you want want from me
+ 
+
+43
+00:01:03,760 --> 00:01:06,310
+what else do you want want from me
+why tell me
+
+44
+00:01:06,310 --> 00:01:06,320
+why tell me
+ 
+
+45
+00:01:06,320 --> 00:01:10,550
+why tell me
+why I'm taking him back I swear
+
+46
+00:01:10,550 --> 00:01:10,560
+why I'm taking him back I swear
+ 
+
+47
+00:01:10,560 --> 00:01:13,400
+why I'm taking him back I swear
+it I'm going to sell him for
+
+48
+00:01:13,400 --> 00:01:13,410
+it I'm going to sell him for
+ 
+
+49
+00:01:13,410 --> 00:01:28,910
+it I'm going to sell him for
+[Music]
+
+50
+00:01:28,910 --> 00:01:28,920
+[Music]
+ 
+
+51
+00:01:28,920 --> 00:01:31,790
+[Music]
+money I
+
+52
+00:01:31,790 --> 00:01:31,800
+money I
+ 
+
+53
+00:01:31,800 --> 00:02:06,109
+money I
+[Music]
+
+54
+00:02:06,109 --> 00:02:06,119
+
+ 
+
+55
+00:02:06,119 --> 00:02:08,469
+
+you still want to try
+
+56
+00:02:08,469 --> 00:02:08,479
+you still want to try
+ 
+
+57
+00:02:08,479 --> 00:02:11,229
+you still want to try
+California if you
+
+58
+00:02:11,229 --> 00:02:11,239
+California if you
+ 
+
+59
+00:02:11,239 --> 00:02:14,570
+California if you
+want that's it
+
+60
+00:02:14,570 --> 00:02:14,580
+want that's it
+ 
+
+61
+00:02:14,580 --> 00:02:19,390
+want that's it
+[Music]
+
+62
+00:02:19,390 --> 00:02:19,400
+[Music]
+ 
+
+63
+00:02:19,400 --> 00:02:22,270
+[Music]
+then I'll fix some of Jesse's coffee for
+
+64
+00:02:22,270 --> 00:02:22,280
+then I'll fix some of Jesse's coffee for
+ 
+
+65
+00:02:22,280 --> 00:02:25,820
+then I'll fix some of Jesse's coffee for
+you
+
+66
+00:02:25,820 --> 00:02:25,830
+
+ 
+
+67
+00:02:25,830 --> 00:03:08,570
+
+[Music]
+
diff --git a/1953/nQBrfPjwAfQ.description b/1953/nQBrfPjwAfQ.description
new file mode 100644
index 0000000000000000000000000000000000000000..a22d8c55b8cabee168b59c9a787e115ac6284740
--- /dev/null
+++ b/1953/nQBrfPjwAfQ.description
@@ -0,0 +1,38 @@
+The Naked Spur movie clips: http://j.mp/1PVyxwf
+BUY THE MOVIE: http://j.mp/1KYOZ7u
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Howard (James Stewart) cries out in his delirium and Lina (Janet Leigh) learns about his sad story.
+
+FILM DESCRIPTION:
+The powerhouse combination of star James Stewart and director Anthony Mann score another cinematic bullseye in The Naked Spur. Stewart plays a taciturn frontiersman who loses his home while he's off fighting the Civil War. To raise enough money for a new grubstake, Stewart becomes a bounty hunter in Colorado territory. His first quarry is fugitive, killer Robert Ryan. Stewart's efforts to bring in Ryan and collect the reward are compromised by the presence of Ryan's loyal girl friend Janet Leigh and Stewart's two disreputable sidekicks, wily prospector Millard Mitchell and disgraced Union-officer Ralph Meeker. There's plenty of "cat and mouse" byplay between Stewart and Ryan before the brutal climax; the drama is intensified by the fact that both men are on the outer rim of total insanity. The Oscar-nominated screenplay for The Naked Spur was cowritten by Sam Rolfe, who was later one of the creative forces responsible for the similarly no-nonsense TV western series Have Gun, Will Travel.
+
+CREDITS:
+TM & © Warner Bros. (1953)
+Cast: Robert Ryan, Millard Mitchell, Ralph Meeker, Janet Leigh, James Stewart
+Director: Anthony Mann
+Producer: William H. Wright
+Screenwriters: Sam Rolfe, Harold Jack Bloom
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1953/nQBrfPjwAfQ.en.srt b/1953/nQBrfPjwAfQ.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..1667c054b61ab8f2bb2d2a0ff2337ed1aaa33ea8
--- /dev/null
+++ b/1953/nQBrfPjwAfQ.en.srt
@@ -0,0 +1,405 @@
+1
+00:00:04,190 --> 00:00:06,200
+
+he been like this long
+
+2
+00:00:06,200 --> 00:00:06,210
+he been like this long
+ 
+
+3
+00:00:06,210 --> 00:00:16,670
+he been like this long
+not as bad what are you trying to do
+
+4
+00:00:16,670 --> 00:00:16,680
+not as bad what are you trying to do
+ 
+
+5
+00:00:16,680 --> 00:00:38,209
+not as bad what are you trying to do
+drown him here hey don't worry the war
+
+6
+00:00:38,209 --> 00:00:38,219
+drown him here hey don't worry the war
+ 
+
+7
+00:00:38,219 --> 00:00:39,830
+drown him here hey don't worry the war
+won't last a year I'll be home before
+
+8
+00:00:39,830 --> 00:00:39,840
+won't last a year I'll be home before
+ 
+
+9
+00:00:39,840 --> 00:00:43,819
+won't last a year I'll be home before
+you know it those heads get married not
+
+10
+00:00:43,819 --> 00:00:43,829
+you know it those heads get married not
+ 
+
+11
+00:00:43,829 --> 00:00:45,470
+you know it those heads get married not
+having to say goodbye you understand
+
+12
+00:00:45,470 --> 00:00:45,480
+having to say goodbye you understand
+ 
+
+13
+00:00:45,480 --> 00:00:47,650
+having to say goodbye you understand
+that
+
+14
+00:00:47,650 --> 00:00:47,660
+
+ 
+
+15
+00:00:47,660 --> 00:00:50,529
+
+sure I understand
+
+16
+00:00:50,529 --> 00:00:50,539
+sure I understand
+ 
+
+17
+00:00:50,539 --> 00:00:54,619
+sure I understand
+get some sleep you can manage marry boys
+
+18
+00:00:54,619 --> 00:00:54,629
+get some sleep you can manage marry boys
+ 
+
+19
+00:00:54,629 --> 00:00:56,779
+get some sleep you can manage marry boys
+would take care of the stock when I get
+
+20
+00:00:56,779 --> 00:00:56,789
+would take care of the stock when I get
+ 
+
+21
+00:00:56,789 --> 00:00:58,369
+would take care of the stock when I get
+back it'll be just like we talked about
+
+22
+00:00:58,369 --> 00:00:58,379
+back it'll be just like we talked about
+ 
+
+23
+00:00:58,379 --> 00:01:00,099
+back it'll be just like we talked about
+last night
+
+24
+00:01:00,099 --> 00:01:00,109
+last night
+ 
+
+25
+00:01:00,109 --> 00:01:03,380
+last night
+you understand marry you remember what
+
+26
+00:01:03,380 --> 00:01:03,390
+you understand marry you remember what
+ 
+
+27
+00:01:03,390 --> 00:01:09,380
+you understand marry you remember what
+you said I remember I said I'll wait for
+
+28
+00:01:09,380 --> 00:01:09,390
+you said I remember I said I'll wait for
+ 
+
+29
+00:01:09,390 --> 00:01:16,120
+you said I remember I said I'll wait for
+you
+
+30
+00:01:16,120 --> 00:01:16,130
+
+ 
+
+31
+00:01:16,130 --> 00:01:18,860
+
+they got what was coming to him
+
+32
+00:01:18,860 --> 00:01:18,870
+they got what was coming to him
+ 
+
+33
+00:01:18,870 --> 00:01:21,650
+they got what was coming to him
+half of Abilene knows about it I've
+
+34
+00:01:21,650 --> 00:01:21,660
+half of Abilene knows about it I've
+ 
+
+35
+00:01:21,660 --> 00:01:23,450
+half of Abilene knows about it I've
+heard of some big suckers in my time
+
+36
+00:01:23,450 --> 00:01:23,460
+heard of some big suckers in my time
+ 
+
+37
+00:01:23,460 --> 00:01:26,260
+heard of some big suckers in my time
+saying our affair you know what he done
+
+38
+00:01:26,260 --> 00:01:26,270
+saying our affair you know what he done
+ 
+
+39
+00:01:26,270 --> 00:01:28,790
+saying our affair you know what he done
+when he might stop to preserve the Union
+
+40
+00:01:28,790 --> 00:01:28,800
+when he might stop to preserve the Union
+ 
+
+41
+00:01:28,800 --> 00:01:30,950
+when he might stop to preserve the Union
+he signed over his ranch to this girl so
+
+42
+00:01:30,950 --> 00:01:30,960
+he signed over his ranch to this girl so
+ 
+
+43
+00:01:30,960 --> 00:01:33,460
+he signed over his ranch to this girl so
+she could work it illegal guess what
+
+44
+00:01:33,460 --> 00:01:33,470
+she could work it illegal guess what
+ 
+
+45
+00:01:33,470 --> 00:01:36,800
+she could work it illegal guess what
+come back to find out she sold it here's
+
+46
+00:01:36,800 --> 00:01:36,810
+come back to find out she sold it here's
+ 
+
+47
+00:01:36,810 --> 00:01:40,720
+come back to find out she sold it here's
+the money it's nothing to laugh at
+
+48
+00:01:40,720 --> 00:01:40,730
+the money it's nothing to laugh at
+ 
+
+49
+00:01:40,730 --> 00:01:45,080
+the money it's nothing to laugh at
+no one laughs at this thing what am I
+
+50
+00:01:45,080 --> 00:01:45,090
+no one laughs at this thing what am I
+ 
+
+51
+00:01:45,090 --> 00:01:49,060
+no one laughs at this thing what am I
+supposed to do cry feel sorry for him I
+
+52
+00:01:49,060 --> 00:01:49,070
+supposed to do cry feel sorry for him I
+ 
+
+53
+00:01:49,070 --> 00:01:51,260
+supposed to do cry feel sorry for him I
+got nothing against these fellas they
+
+54
+00:01:51,260 --> 00:01:51,270
+got nothing against these fellas they
+ 
+
+55
+00:01:51,270 --> 00:01:55,340
+got nothing against these fellas they
+just happen too long but him I never
+
+56
+00:01:55,340 --> 00:01:55,350
+just happen too long but him I never
+ 
+
+57
+00:01:55,350 --> 00:01:57,530
+just happen too long but him I never
+heard him no wise and he starts out to
+
+58
+00:01:57,530 --> 00:01:57,540
+heard him no wise and he starts out to
+ 
+
+59
+00:01:57,540 --> 00:02:01,730
+heard him no wise and he starts out to
+hunt me days weeks like an animal that's
+
+60
+00:02:01,730 --> 00:02:01,740
+hunt me days weeks like an animal that's
+ 
+
+61
+00:02:01,740 --> 00:02:05,590
+hunt me days weeks like an animal that's
+enough this ain't none of our business
+
+62
+00:02:05,590 --> 00:02:05,600
+enough this ain't none of our business
+ 
+
+63
+00:02:05,600 --> 00:02:09,469
+enough this ain't none of our business
+he wants his land back and I'll tell you
+
+64
+00:02:09,469 --> 00:02:09,479
+he wants his land back and I'll tell you
+ 
+
+65
+00:02:09,479 --> 00:02:12,140
+he wants his land back and I'll tell you
+something his end of the reward ain't
+
+66
+00:02:12,140 --> 00:02:12,150
+something his end of the reward ain't
+ 
+
+67
+00:02:12,150 --> 00:02:19,250
+something his end of the reward ain't
+enough to buy it that's your business
+
+68
+00:02:19,250 --> 00:02:19,260
+
+ 
+
+69
+00:02:19,260 --> 00:02:24,050
+
+I think I'll make some coffee then why
+
+70
+00:02:24,050 --> 00:02:24,060
+I think I'll make some coffee then why
+ 
+
+71
+00:02:24,060 --> 00:02:26,140
+I think I'll make some coffee then why
+did he make a deal with us to begin with
+
+72
+00:02:26,140 --> 00:02:26,150
+did he make a deal with us to begin with
+ 
+
+73
+00:02:26,150 --> 00:02:30,170
+did he make a deal with us to begin with
+how he's a practical man he needed you
+
+74
+00:02:30,170 --> 00:02:30,180
+how he's a practical man he needed you
+ 
+
+75
+00:02:30,180 --> 00:02:31,640
+how he's a practical man he needed you
+fellows help to get through this rough
+
+76
+00:02:31,640 --> 00:02:31,650
+fellows help to get through this rough
+ 
+
+77
+00:02:31,650 --> 00:02:35,149
+fellows help to get through this rough
+country but the closer we get to Abilene
+
+78
+00:02:35,149 --> 00:02:35,159
+country but the closer we get to Abilene
+ 
+
+79
+00:02:35,159 --> 00:02:55,170
+country but the closer we get to Abilene
+the more you get to worry
+
+80
+00:02:55,170 --> 00:02:55,180
+
+ 
+
+81
+00:02:55,180 --> 00:02:57,209
+
+Oh
+
diff --git a/1953/qalHjNdHFJc.description b/1953/qalHjNdHFJc.description
new file mode 100644
index 0000000000000000000000000000000000000000..ce6855ee307fa6b3d74d391725d6d6e7248ea835
--- /dev/null
+++ b/1953/qalHjNdHFJc.description
@@ -0,0 +1,38 @@
+Roman Holiday movie clips: http://j.mp/1uy411p
+BUY THE MOVIE: http://amzn.to/uETI5v
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Gregory Peck) informs his boss, Mr. Hennessy (Hartley Power), that he doesn't have the Princess exclusive.
+
+FILM DESCRIPTION:
+Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten.
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Eddie Albert, Gregory Peck, Hartley Power
+Director: William Wyler
+Producers: Robert Wyler, William Wyler, Lester Koenig
+Screenwriters: Ian McLellan Hunter, John Dighton, Dalton Trumbo
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1953/qalHjNdHFJc.en.srt b/1953/qalHjNdHFJc.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..035e54cfb75b8b4acb51a65fc8d56d8159c7b614
--- /dev/null
+++ b/1953/qalHjNdHFJc.en.srt
@@ -0,0 +1,345 @@
+1
+00:00:00,230 --> 00:00:04,579
+
+did you really get the princess story
+
+2
+00:00:04,579 --> 00:00:04,589
+did you really get the princess story
+ 
+
+3
+00:00:04,589 --> 00:00:09,259
+did you really get the princess story
+the exclusive did you get it no what but
+
+4
+00:00:09,259 --> 00:00:09,269
+the exclusive did you get it no what but
+ 
+
+5
+00:00:09,269 --> 00:00:11,629
+the exclusive did you get it no what but
+that's impossible copy or something so
+
+6
+00:00:11,629 --> 00:00:11,639
+that's impossible copy or something so
+ 
+
+7
+00:00:11,639 --> 00:00:15,169
+that's impossible copy or something so
+you can't hold out on me you are I know
+
+8
+00:00:15,169 --> 00:00:15,179
+you can't hold out on me you are I know
+ 
+
+9
+00:00:15,179 --> 00:00:16,039
+you can't hold out on me you are I know
+too much
+
+10
+00:00:16,039 --> 00:00:16,049
+too much
+ 
+
+11
+00:00:16,049 --> 00:00:17,720
+too much
+first you come into my office and ask
+
+12
+00:00:17,720 --> 00:00:17,730
+first you come into my office and ask
+ 
+
+13
+00:00:17,730 --> 00:00:19,160
+first you come into my office and ask
+about Nick's coups around the princess
+
+14
+00:00:19,160 --> 00:00:19,170
+about Nick's coups around the princess
+ 
+
+15
+00:00:19,170 --> 00:00:21,859
+about Nick's coups around the princess
+next you disappear then I get the remove
+
+16
+00:00:21,859 --> 00:00:21,869
+next you disappear then I get the remove
+ 
+
+17
+00:00:21,869 --> 00:00:23,779
+next you disappear then I get the remove
+from my contact at the Embassy that the
+
+18
+00:00:23,779 --> 00:00:23,789
+from my contact at the Embassy that the
+ 
+
+19
+00:00:23,789 --> 00:00:25,429
+from my contact at the Embassy that the
+princess is in the secret ologies out of
+
+20
+00:00:25,429 --> 00:00:25,439
+princess is in the secret ologies out of
+ 
+
+21
+00:00:25,439 --> 00:00:27,500
+princess is in the secret ologies out of
+the town newspaper man are you believe
+
+22
+00:00:27,500 --> 00:00:27,510
+the town newspaper man are you believe
+ 
+
+23
+00:00:27,510 --> 00:00:29,300
+the town newspaper man are you believe
+every two-bit rumor that comes your way
+
+24
+00:00:29,300 --> 00:00:29,310
+every two-bit rumor that comes your way
+ 
+
+25
+00:00:29,310 --> 00:00:32,240
+every two-bit rumor that comes your way
+yeah and a lot of other rumors about a
+
+26
+00:00:32,240 --> 00:00:32,250
+yeah and a lot of other rumors about a
+ 
+
+27
+00:00:32,250 --> 00:00:34,160
+yeah and a lot of other rumors about a
+shindig on a barge down by the river and
+
+28
+00:00:34,160 --> 00:00:34,170
+shindig on a barge down by the river and
+ 
+
+29
+00:00:34,170 --> 00:00:36,139
+shindig on a barge down by the river and
+the arrest of eight Secret Service men
+
+30
+00:00:36,139 --> 00:00:36,149
+the arrest of eight Secret Service men
+ 
+
+31
+00:00:36,149 --> 00:00:37,760
+the arrest of eight Secret Service men
+from our country which shall be nameless
+
+32
+00:00:37,760 --> 00:00:37,770
+from our country which shall be nameless
+ 
+
+33
+00:00:37,770 --> 00:00:39,950
+from our country which shall be nameless
+and then comes the news of the lady's
+
+34
+00:00:39,950 --> 00:00:39,960
+and then comes the news of the lady's
+ 
+
+35
+00:00:39,960 --> 00:00:45,799
+and then comes the news of the lady's
+miraculous recovery it all adds up the
+
+36
+00:00:45,799 --> 00:00:45,809
+miraculous recovery it all adds up the
+ 
+
+37
+00:00:45,809 --> 00:01:17,050
+miraculous recovery it all adds up the
+price of that story where is that story
+
+38
+00:01:17,050 --> 00:01:17,060
+
+ 
+
+39
+00:01:17,060 --> 00:01:19,429
+
+sure look at my pants
+
+40
+00:01:19,429 --> 00:01:19,439
+sure look at my pants
+ 
+
+41
+00:01:19,439 --> 00:01:23,870
+sure look at my pants
+better come off hey did you tell them
+
+42
+00:01:23,870 --> 00:01:23,880
+better come off hey did you tell them
+ 
+
+43
+00:01:23,880 --> 00:01:42,770
+better come off hey did you tell them
+about schmitty shave yeah yeah keep
+
+44
+00:01:42,770 --> 00:01:42,780
+about schmitty shave yeah yeah keep
+ 
+
+45
+00:01:42,780 --> 00:01:44,450
+about schmitty shave yeah yeah keep
+quiet till mr. Hennessy and I are
+
+46
+00:01:44,450 --> 00:01:44,460
+quiet till mr. Hennessy and I are
+ 
+
+47
+00:01:44,460 --> 00:01:45,560
+quiet till mr. Hennessy and I are
+finished talking
+
+48
+00:01:45,560 --> 00:01:45,570
+finished talking
+ 
+
+49
+00:01:45,570 --> 00:01:49,580
+finished talking
+what you guys up to
+
+50
+00:01:49,580 --> 00:01:49,590
+what you guys up to
+ 
+
+51
+00:01:49,590 --> 00:01:51,319
+what you guys up to
+who's Smitty oh he's a guy that we've
+
+52
+00:01:51,319 --> 00:01:51,329
+who's Smitty oh he's a guy that we've
+ 
+
+53
+00:01:51,329 --> 00:01:52,969
+who's Smitty oh he's a guy that we've
+met you wouldn't care for him what am I
+
+54
+00:01:52,969 --> 00:01:52,979
+met you wouldn't care for him what am I
+ 
+
+55
+00:01:52,979 --> 00:01:54,710
+met you wouldn't care for him what am I
+supposed to look at no just a couple of
+
+56
+00:01:54,710 --> 00:01:54,720
+supposed to look at no just a couple of
+ 
+
+57
+00:01:54,720 --> 00:01:58,580
+supposed to look at no just a couple of
+things James you wouldn't like him
+
+58
+00:01:58,580 --> 00:01:58,590
+
+ 
+
+59
+00:01:58,590 --> 00:02:01,730
+
+don't change the subject when you came
+
+60
+00:02:01,730 --> 00:02:01,740
+don't change the subject when you came
+ 
+
+61
+00:02:01,740 --> 00:02:03,830
+don't change the subject when you came
+back to my office yesterday at noon I
+
+62
+00:02:03,830 --> 00:02:03,840
+back to my office yesterday at noon I
+ 
+
+63
+00:02:03,840 --> 00:02:05,060
+back to my office yesterday at noon I
+thought I had a good lead but I was
+
+64
+00:02:05,060 --> 00:02:05,070
+thought I had a good lead but I was
+ 
+
+65
+00:02:05,070 --> 00:02:05,749
+thought I had a good lead but I was
+wrong
+
+66
+00:02:05,749 --> 00:02:05,759
+wrong
+ 
+
+67
+00:02:05,759 --> 00:02:09,430
+wrong
+that's all there is to it there is no
+
+68
+00:02:09,430 --> 00:02:09,440
+that's all there is to it there is no
+ 
+
+69
+00:02:09,440 --> 00:02:40,490
+that's all there is to it there is no
+[Music]
+
diff --git a/1953/qgv_7j1_CdA.description b/1953/qgv_7j1_CdA.description
new file mode 100644
index 0000000000000000000000000000000000000000..e48741abfe9e038434d11a97a7dfd3573aafe423
--- /dev/null
+++ b/1953/qgv_7j1_CdA.description
@@ -0,0 +1,38 @@
+The Naked Spur movie clips: http://j.mp/1PVyxwf
+BUY THE MOVIE: http://j.mp/1KYOZ7u
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ben (Robert Ryan) tries to knock Howard (James Stewart) off his horse and over a cliff.
+
+FILM DESCRIPTION:
+The powerhouse combination of star James Stewart and director Anthony Mann score another cinematic bullseye in The Naked Spur. Stewart plays a taciturn frontiersman who loses his home while he's off fighting the Civil War. To raise enough money for a new grubstake, Stewart becomes a bounty hunter in Colorado territory. His first quarry is fugitive, killer Robert Ryan. Stewart's efforts to bring in Ryan and collect the reward are compromised by the presence of Ryan's loyal girl friend Janet Leigh and Stewart's two disreputable sidekicks, wily prospector Millard Mitchell and disgraced Union-officer Ralph Meeker. There's plenty of "cat and mouse" byplay between Stewart and Ryan before the brutal climax; the drama is intensified by the fact that both men are on the outer rim of total insanity. The Oscar-nominated screenplay for The Naked Spur was cowritten by Sam Rolfe, who was later one of the creative forces responsible for the similarly no-nonsense TV western series Have Gun, Will Travel.
+
+CREDITS:
+TM & © Warner Bros. (1953)
+Cast: Robert Ryan, Millard Mitchell, Ralph Meeker, Janet Leigh, James Stewart
+Director: Anthony Mann
+Producer: William H. Wright
+Screenwriters: Sam Rolfe, Harold Jack Bloom
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1953/sAvGdule3fA.description b/1953/sAvGdule3fA.description
new file mode 100644
index 0000000000000000000000000000000000000000..a2a66828a9285e3b486b239af59d2caa3bd359d8
--- /dev/null
+++ b/1953/sAvGdule3fA.description
@@ -0,0 +1,32 @@
+It Came From Outer Space - Don't Be Afraid: The alien stalks John (Richard Carlson) and Ellen (Barbara Rush) after some mechanics go missing.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Barbara Rush, Joe Sawyer, Richard Carlson, Russell Johnson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1953/sAvGdule3fA.en.srt b/1953/sAvGdule3fA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..65625da64f9bb083ba7c6d4d91073add06dd16e3
--- /dev/null
+++ b/1953/sAvGdule3fA.en.srt
@@ -0,0 +1,365 @@
+1
+00:00:08,330 --> 00:00:12,850
+
+George hello he gave us a start
+
+2
+00:00:12,850 --> 00:00:12,860
+George hello he gave us a start
+ 
+
+3
+00:00:12,860 --> 00:00:21,880
+George hello he gave us a start
+did I who's Frank George where's Frank
+
+4
+00:00:21,880 --> 00:00:21,890
+did I who's Frank George where's Frank
+ 
+
+5
+00:00:21,890 --> 00:00:27,950
+did I who's Frank George where's Frank
+he went off to look around there's blood
+
+6
+00:00:27,950 --> 00:00:27,960
+he went off to look around there's blood
+ 
+
+7
+00:00:27,960 --> 00:00:28,730
+he went off to look around there's blood
+on the truck
+
+8
+00:00:28,730 --> 00:00:28,740
+on the truck
+ 
+
+9
+00:00:28,740 --> 00:00:33,290
+on the truck
+what happened I cut my hand see who is
+
+10
+00:00:33,290 --> 00:00:33,300
+what happened I cut my hand see who is
+ 
+
+11
+00:00:33,300 --> 00:00:38,080
+what happened I cut my hand see who is
+it Beth
+
+12
+00:00:38,080 --> 00:00:38,090
+
+ 
+
+13
+00:00:38,090 --> 00:00:41,470
+
+what's wrong
+
+14
+00:00:41,470 --> 00:00:41,480
+
+ 
+
+15
+00:00:41,480 --> 00:00:43,369
+
+nothing
+
+16
+00:00:43,369 --> 00:00:43,379
+nothing
+ 
+
+17
+00:00:43,379 --> 00:00:49,040
+nothing
+son I guess playing tricks on me
+
+18
+00:00:49,040 --> 00:00:49,050
+
+ 
+
+19
+00:00:49,050 --> 00:00:53,110
+
+[Music]
+
+20
+00:00:53,110 --> 00:00:53,120
+[Music]
+ 
+
+21
+00:00:53,120 --> 00:01:02,930
+[Music]
+yes the Sun beautiful
+
+22
+00:01:02,930 --> 00:01:02,940
+
+ 
+
+23
+00:01:02,940 --> 00:01:08,170
+
+you you found nothing up here
+
+24
+00:01:08,170 --> 00:01:08,180
+you you found nothing up here
+ 
+
+25
+00:01:08,180 --> 00:01:13,250
+you you found nothing up here
+nothing we miss well get along Johnny
+
+26
+00:01:13,250 --> 00:01:13,260
+nothing we miss well get along Johnny
+ 
+
+27
+00:01:13,260 --> 00:01:16,550
+nothing we miss well get along Johnny
+don't worry about Frank he'll be all
+
+28
+00:01:16,550 --> 00:01:16,560
+don't worry about Frank he'll be all
+ 
+
+29
+00:01:16,560 --> 00:01:22,460
+don't worry about Frank he'll be all
+right yes well I guess there's nothing
+
+30
+00:01:22,460 --> 00:01:22,470
+right yes well I guess there's nothing
+ 
+
+31
+00:01:22,470 --> 00:01:26,950
+right yes well I guess there's nothing
+more we can do up here so long George
+
+32
+00:01:26,950 --> 00:01:26,960
+more we can do up here so long George
+ 
+
+33
+00:01:26,960 --> 00:01:29,810
+more we can do up here so long George
+we'll be in touch with you
+
+34
+00:01:29,810 --> 00:01:29,820
+we'll be in touch with you
+ 
+
+35
+00:01:29,820 --> 00:01:40,750
+we'll be in touch with you
+so long
+
+36
+00:01:40,750 --> 00:01:40,760
+
+ 
+
+37
+00:01:40,760 --> 00:01:43,250
+
+what is it back there John what's the
+
+38
+00:01:43,250 --> 00:01:43,260
+what is it back there John what's the
+ 
+
+39
+00:01:43,260 --> 00:01:44,780
+what is it back there John what's the
+matter with his eyes he's lying
+
+40
+00:01:44,780 --> 00:01:44,790
+matter with his eyes he's lying
+ 
+
+41
+00:01:44,790 --> 00:01:46,460
+matter with his eyes he's lying
+I didn't want to start anything alone
+
+42
+00:01:46,460 --> 00:01:46,470
+I didn't want to start anything alone
+ 
+
+43
+00:01:46,470 --> 00:01:47,960
+I didn't want to start anything alone
+out here we've got to get into town and
+
+44
+00:01:47,960 --> 00:01:47,970
+out here we've got to get into town and
+ 
+
+45
+00:01:47,970 --> 00:01:54,500
+out here we've got to get into town and
+bring help something's happened to Frank
+
+46
+00:01:54,500 --> 00:01:54,510
+bring help something's happened to Frank
+ 
+
+47
+00:01:54,510 --> 00:01:58,550
+bring help something's happened to Frank
+he's dead
+
+48
+00:01:58,550 --> 00:01:58,560
+
+ 
+
+49
+00:01:58,560 --> 00:02:04,750
+
+[Music]
+
+50
+00:02:04,750 --> 00:02:04,760
+
+ 
+
+51
+00:02:04,760 --> 00:02:05,620
+
+you
+
+52
+00:02:05,620 --> 00:02:05,630
+you
+ 
+
+53
+00:02:05,630 --> 00:02:14,620
+you
+[Music]
+
+54
+00:02:14,620 --> 00:02:14,630
+[Music]
+ 
+
+55
+00:02:14,630 --> 00:02:19,370
+[Music]
+hmm are you all right what happened
+
+56
+00:02:19,370 --> 00:02:19,380
+hmm are you all right what happened
+ 
+
+57
+00:02:19,380 --> 00:02:27,410
+hmm are you all right what happened
+George is the truck
+
+58
+00:02:27,410 --> 00:02:27,420
+
+ 
+
+59
+00:02:27,420 --> 00:02:30,690
+
+[Music]
+
+60
+00:02:30,690 --> 00:02:30,700
+[Music]
+ 
+
+61
+00:02:30,700 --> 00:02:36,729
+[Music]
+don't be afraid it is within our power
+
+62
+00:02:36,729 --> 00:02:36,739
+don't be afraid it is within our power
+ 
+
+63
+00:02:36,739 --> 00:02:41,369
+don't be afraid it is within our power
+to transform ourselves to look like you
+
+64
+00:02:41,369 --> 00:02:41,379
+to transform ourselves to look like you
+ 
+
+65
+00:02:41,379 --> 00:02:47,500
+to transform ourselves to look like you
+or anyone for a time it will be
+
+66
+00:02:47,500 --> 00:02:47,510
+or anyone for a time it will be
+ 
+
+67
+00:02:47,510 --> 00:02:53,410
+or anyone for a time it will be
+necessary we cannot we would not take
+
+68
+00:02:53,410 --> 00:02:53,420
+necessary we cannot we would not take
+ 
+
+69
+00:02:53,420 --> 00:03:03,420
+necessary we cannot we would not take
+your souls or minds or bodies
+
+70
+00:03:03,420 --> 00:03:03,430
+
+ 
+
+71
+00:03:03,430 --> 00:03:06,500
+
+don't be afraid
+
+72
+00:03:06,500 --> 00:03:06,510
+don't be afraid
+ 
+
+73
+00:03:06,510 --> 00:03:20,650
+don't be afraid
+[Music]
+
diff --git a/1953/sP9ufyH-Pdg.description b/1953/sP9ufyH-Pdg.description
new file mode 100644
index 0000000000000000000000000000000000000000..373b1aea12b0b77bd740808bd512e7b4787b05e2
--- /dev/null
+++ b/1953/sP9ufyH-Pdg.description
@@ -0,0 +1,38 @@
+Roman Holiday movie clips: http://j.mp/1uy411p
+BUY THE MOVIE: http://amzn.to/uETI5v
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Joe (Gregory Peck) brings Princess Ann (Audrey Hepburn) home to stay with him, but he doesn't know who she really is.
+
+FILM DESCRIPTION:
+Audrey Hepburn became a star with this film, in which she played Princess Anne, weary of protocol and anxious to have some fun before she is mummified by "affairs of state." On a diplomatic visit to Rome, Anne escapes her royal retainers and scampers incognito through the Eternal City. She happens to meet American journalist Joe Bradley (Gregory Peck), who, recognizing a hot news story, pretends that he doesn't recognize her and offers to give her a guided tour of Rome. Naturally, Joe hopes to get an exclusive interview, while his photographer pal Irving (Eddie Albert) attempts to sneak a photo. And just as naturally, Joe falls in love with her. Filmed on location in Rome, Roman Holiday garnered an Academy Award for the 24-year-old Hepburn; another Oscar went to the screenplay, credited to Ian McLellan Hunter and John Dighton but actually co-written by the blacklisted Dalton Trumbo. The 1987 TV movie remake with Catherine Oxenberg is best forgotten.
+
+CREDITS:
+TM & © Paramount (1953)
+Cast: Gregory Peck, Audrey Hepburn
+Director: William Wyler
+Producers: Robert Wyler, William Wyler, Lester Koenig
+Screenwriters: Ian McLellan Hunter, John Dighton, Dalton Trumbo
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1953/sP9ufyH-Pdg.en.srt b/1953/sP9ufyH-Pdg.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..6e5079fe8cca50049d79af79fe298b812f919bb8
--- /dev/null
+++ b/1953/sP9ufyH-Pdg.en.srt
@@ -0,0 +1,275 @@
+1
+00:00:00,060 --> 00:00:03,130
+
+can I have a silk nightgown with
+
+2
+00:00:03,130 --> 00:00:03,140
+can I have a silk nightgown with
+ 
+
+3
+00:00:03,140 --> 00:00:06,789
+can I have a silk nightgown with
+rosebuds on it
+
+4
+00:00:06,789 --> 00:00:06,799
+
+ 
+
+5
+00:00:06,799 --> 00:00:08,780
+
+I'm afraid you'll have to rough it
+
+6
+00:00:08,780 --> 00:00:08,790
+I'm afraid you'll have to rough it
+ 
+
+7
+00:00:08,790 --> 00:00:13,220
+I'm afraid you'll have to rough it
+tonight and ladies good job
+
+8
+00:00:13,220 --> 00:00:13,230
+tonight and ladies good job
+ 
+
+9
+00:00:13,230 --> 00:00:14,600
+tonight and ladies good job
+sorry honey but I haven't worn a
+
+10
+00:00:14,600 --> 00:00:14,610
+sorry honey but I haven't worn a
+ 
+
+11
+00:00:14,610 --> 00:00:20,179
+sorry honey but I haven't worn a
+nightgown in years who helps me get
+
+12
+00:00:20,179 --> 00:00:20,189
+nightgown in years who helps me get
+ 
+
+13
+00:00:20,189 --> 00:00:41,439
+nightgown in years who helps me get
+undressed fees okay
+
+14
+00:00:41,439 --> 00:00:41,449
+
+ 
+
+15
+00:00:41,449 --> 00:00:55,810
+
+there you are you can handle the rest
+
+16
+00:00:55,810 --> 00:00:55,820
+
+ 
+
+17
+00:00:55,820 --> 00:01:04,040
+
+may I have some no now look this is very
+
+18
+00:01:04,040 --> 00:01:04,050
+may I have some no now look this is very
+ 
+
+19
+00:01:04,050 --> 00:01:08,120
+may I have some no now look this is very
+unusual I've never been alone with a man
+
+20
+00:01:08,120 --> 00:01:08,130
+unusual I've never been alone with a man
+ 
+
+21
+00:01:08,130 --> 00:01:12,260
+unusual I've never been alone with a man
+before even with my dress on with my
+
+22
+00:01:12,260 --> 00:01:12,270
+before even with my dress on with my
+ 
+
+23
+00:01:12,270 --> 00:01:18,140
+before even with my dress on with my
+dress off it's most unusual I don't seem
+
+24
+00:01:18,140 --> 00:01:18,150
+dress off it's most unusual I don't seem
+ 
+
+25
+00:01:18,150 --> 00:01:25,040
+dress off it's most unusual I don't seem
+to mind do you I think I'll go out for a
+
+26
+00:01:25,040 --> 00:01:25,050
+to mind do you I think I'll go out for a
+ 
+
+27
+00:01:25,050 --> 00:01:31,700
+to mind do you I think I'll go out for a
+cup of coffee you better get to sleep on
+
+28
+00:01:31,700 --> 00:01:31,710
+cup of coffee you better get to sleep on
+ 
+
+29
+00:01:31,710 --> 00:01:41,000
+cup of coffee you better get to sleep on
+this one these are pajamas they're
+
+30
+00:01:41,000 --> 00:01:41,010
+this one these are pajamas they're
+ 
+
+31
+00:01:41,010 --> 00:01:43,490
+this one these are pajamas they're
+sleeping get a climb into them you
+
+32
+00:01:43,490 --> 00:01:43,500
+sleeping get a climb into them you
+ 
+
+33
+00:01:43,500 --> 00:01:45,859
+sleeping get a climb into them you
+understand thank you do you're sleeping
+
+34
+00:01:45,859 --> 00:01:45,869
+understand thank you do you're sleeping
+ 
+
+35
+00:01:45,869 --> 00:01:47,450
+understand thank you do you're sleeping
+on the Copsey not on the bed
+
+36
+00:01:47,450 --> 00:01:47,460
+on the Copsey not on the bed
+ 
+
+37
+00:01:47,460 --> 00:01:49,820
+on the Copsey not on the bed
+I've on the chair on the couch is that
+
+38
+00:01:49,820 --> 00:01:49,830
+I've on the chair on the couch is that
+ 
+
+39
+00:01:49,830 --> 00:01:52,520
+I've on the chair on the couch is that
+clear you know my favorite bone you
+
+40
+00:01:52,520 --> 00:01:52,530
+clear you know my favorite bone you
+ 
+
+41
+00:01:52,530 --> 00:01:54,980
+clear you know my favorite bone you
+already recited that for me I refuse
+
+42
+00:01:54,980 --> 00:01:54,990
+already recited that for me I refuse
+ 
+
+43
+00:01:54,990 --> 00:01:58,850
+already recited that for me I refuse
+arose from a doubt should snows in the
+
+44
+00:01:58,850 --> 00:01:58,860
+arose from a doubt should snows in the
+ 
+
+45
+00:01:58,860 --> 00:02:03,910
+arose from a doubt should snows in the
+Equus Aronian mountains keeps Shelley
+
+46
+00:02:03,910 --> 00:02:03,920
+Equus Aronian mountains keeps Shelley
+ 
+
+47
+00:02:03,920 --> 00:02:06,710
+Equus Aronian mountains keeps Shelley
+please keep your mind off the poetry and
+
+48
+00:02:06,710 --> 00:02:06,720
+please keep your mind off the poetry and
+ 
+
+49
+00:02:06,720 --> 00:02:08,719
+please keep your mind off the poetry and
+on the pajamas everything will be all
+
+50
+00:02:08,719 --> 00:02:08,729
+on the pajamas everything will be all
+ 
+
+51
+00:02:08,729 --> 00:02:11,210
+on the pajamas everything will be all
+right see Keats Shelley I'll be back in
+
+52
+00:02:11,210 --> 00:02:11,220
+right see Keats Shelley I'll be back in
+ 
+
+53
+00:02:11,220 --> 00:02:13,430
+right see Keats Shelley I'll be back in
+about ten minutes
+
+54
+00:02:13,430 --> 00:02:13,440
+about ten minutes
+ 
+
+55
+00:02:13,440 --> 00:02:44,509
+about ten minutes
+[Music]
+
diff --git a/1953/sw1tJoYrs7M.description b/1953/sw1tJoYrs7M.description
new file mode 100644
index 0000000000000000000000000000000000000000..5e065154755652ef5e5545fbd622cf2cc3dce902
--- /dev/null
+++ b/1953/sw1tJoYrs7M.description
@@ -0,0 +1,32 @@
+It Came From Outer Space - All We Needed Was Time: John (Richard Carlson) demands the aliens release the townspeople.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/it-came-from-outer-space-1953/1MVb4016c94ec5887c0a8176067b0a23c54?cmp=Movieclips_YT_Description
+
+Watch the best It Came From Outer Space scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqrEHWHQZzdewYyN7hz5BQGg
+
+FILM DESCRIPTION:
+While looking through his telescope one night, John Putnam (Richard Carlson) sees what at first appears to be a meteor shower -- but it is actually a crash-landing alien spaceship! After investigating the crater from the impact, John informs the town sheriff (Charles Drake), and receives nothing but ridicule. Even his fiancée, Ellen (Barbara Rush), is skeptical. All that changes when the townsfolk start disappearing, and are replaced by eerie alien duplicates.
+
+CREDITS:
+TM & © Universal (1953)
+Cast: Barbara Rush, Joe Sawyer, Kathleen Hughes, Richard Carlson, Russell Johnson
+Director: Jack Arnold
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.
\ No newline at end of file
diff --git a/1953/sw1tJoYrs7M.en.srt b/1953/sw1tJoYrs7M.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..5ced137b0beb006f775cc3f500465a21e914aae1
--- /dev/null
+++ b/1953/sw1tJoYrs7M.en.srt
@@ -0,0 +1,475 @@
+1
+00:00:00,000 --> 00:00:15,520
+
+[Music]
+
+2
+00:00:15,520 --> 00:00:15,530
+
+ 
+
+3
+00:00:15,530 --> 00:00:17,900
+
+could you'll kill me too
+
+4
+00:00:17,900 --> 00:00:17,910
+could you'll kill me too
+ 
+
+5
+00:00:17,910 --> 00:00:21,290
+could you'll kill me too
+so this is the end the grand total of
+
+6
+00:00:21,290 --> 00:00:21,300
+so this is the end the grand total of
+ 
+
+7
+00:00:21,300 --> 00:00:24,080
+so this is the end the grand total of
+all arteries I came here to help you not
+
+8
+00:00:24,080 --> 00:00:24,090
+all arteries I came here to help you not
+ 
+
+9
+00:00:24,090 --> 00:00:38,630
+all arteries I came here to help you not
+to kill
+
+10
+00:00:38,630 --> 00:00:38,640
+
+ 
+
+11
+00:00:38,640 --> 00:00:42,110
+
+look at its power power to drive a ship
+
+12
+00:00:42,110 --> 00:00:42,120
+look at its power power to drive a ship
+ 
+
+13
+00:00:42,120 --> 00:00:44,840
+look at its power power to drive a ship
+through space power to tear your earth
+
+14
+00:00:44,840 --> 00:00:44,850
+through space power to tear your earth
+ 
+
+15
+00:00:44,850 --> 00:00:47,360
+through space power to tear your earth
+apart you know how long we worked on
+
+16
+00:00:47,360 --> 00:00:47,370
+apart you know how long we worked on
+ 
+
+17
+00:00:47,370 --> 00:00:47,840
+apart you know how long we worked on
+this
+
+18
+00:00:47,840 --> 00:00:47,850
+this
+ 
+
+19
+00:00:47,850 --> 00:00:50,420
+this
+a thousand years of reaching for the
+
+20
+00:00:50,420 --> 00:00:50,430
+a thousand years of reaching for the
+ 
+
+21
+00:00:50,430 --> 00:00:54,979
+a thousand years of reaching for the
+stars now at last we conquered space are
+
+22
+00:00:54,979 --> 00:00:54,989
+stars now at last we conquered space are
+ 
+
+23
+00:00:54,989 --> 00:00:57,290
+stars now at last we conquered space are
+the dreams we had of knowing other
+
+24
+00:00:57,290 --> 00:00:57,300
+the dreams we had of knowing other
+ 
+
+25
+00:00:57,300 --> 00:00:58,160
+the dreams we had of knowing other
+worlds
+
+26
+00:00:58,160 --> 00:00:58,170
+worlds
+ 
+
+27
+00:00:58,170 --> 00:01:00,710
+worlds
+listen to me they're still away is there
+
+28
+00:01:00,710 --> 00:01:00,720
+listen to me they're still away is there
+ 
+
+29
+00:01:00,720 --> 00:01:05,090
+listen to me they're still away is there
+with a mob after us all we needed was
+
+30
+00:01:05,090 --> 00:01:05,100
+with a mob after us all we needed was
+ 
+
+31
+00:01:05,100 --> 00:01:07,670
+with a mob after us all we needed was
+time let the others go I'll try and hold
+
+32
+00:01:07,670 --> 00:01:07,680
+time let the others go I'll try and hold
+ 
+
+33
+00:01:07,680 --> 00:01:13,160
+time let the others go I'll try and hold
+off the mob and if you fail
+
+34
+00:01:13,160 --> 00:01:13,170
+
+ 
+
+35
+00:01:13,170 --> 00:01:15,290
+
+we'd rather have it in here than fall
+
+36
+00:01:15,290 --> 00:01:15,300
+we'd rather have it in here than fall
+ 
+
+37
+00:01:15,300 --> 00:01:17,370
+we'd rather have it in here than fall
+into their hands
+
+38
+00:01:17,370 --> 00:01:17,380
+into their hands
+ 
+
+39
+00:01:17,380 --> 00:01:29,719
+into their hands
+[Music]
+
+40
+00:01:29,719 --> 00:01:29,729
+
+ 
+
+41
+00:01:29,729 --> 00:01:33,499
+
+wait you speak of how wonderful it was
+
+42
+00:01:33,499 --> 00:01:33,509
+wait you speak of how wonderful it was
+ 
+
+43
+00:01:33,509 --> 00:01:34,990
+wait you speak of how wonderful it was
+going to be to know other worlds a
+
+44
+00:01:34,990 --> 00:01:35,000
+going to be to know other worlds a
+ 
+
+45
+00:01:35,000 --> 00:01:36,950
+going to be to know other worlds a
+thousand years of work and you're
+
+46
+00:01:36,950 --> 00:01:36,960
+thousand years of work and you're
+ 
+
+47
+00:01:36,960 --> 00:01:39,080
+thousand years of work and you're
+willing to see it all end here abruptly
+
+48
+00:01:39,080 --> 00:01:39,090
+willing to see it all end here abruptly
+ 
+
+49
+00:01:39,090 --> 00:01:41,990
+willing to see it all end here abruptly
+on this this strange planet is that the
+
+50
+00:01:41,990 --> 00:01:42,000
+on this this strange planet is that the
+ 
+
+51
+00:01:42,000 --> 00:01:43,459
+on this this strange planet is that the
+way you want it when there might still
+
+52
+00:01:43,459 --> 00:01:43,469
+way you want it when there might still
+ 
+
+53
+00:01:43,469 --> 00:01:46,460
+way you want it when there might still
+be a chance then go and stop them free
+
+54
+00:01:46,460 --> 00:01:46,470
+be a chance then go and stop them free
+ 
+
+55
+00:01:46,470 --> 00:01:48,740
+be a chance then go and stop them free
+the girl first show them up you mean
+
+56
+00:01:48,740 --> 00:01:48,750
+the girl first show them up you mean
+ 
+
+57
+00:01:48,750 --> 00:01:52,459
+the girl first show them up you mean
+them no harm how could I trust you you
+
+58
+00:01:52,459 --> 00:01:52,469
+them no harm how could I trust you you
+ 
+
+59
+00:01:52,469 --> 00:01:53,809
+them no harm how could I trust you you
+can always reach out and destroy us with
+
+60
+00:01:53,809 --> 00:01:53,819
+can always reach out and destroy us with
+ 
+
+61
+00:01:53,819 --> 00:02:02,230
+can always reach out and destroy us with
+that
+
+62
+00:02:02,230 --> 00:02:02,240
+
+ 
+
+63
+00:02:02,240 --> 00:02:14,550
+
+[Music]
+
+64
+00:02:14,550 --> 00:02:14,560
+
+ 
+
+65
+00:02:14,560 --> 00:02:37,789
+
+[Music]
+
+66
+00:02:37,789 --> 00:02:37,799
+
+ 
+
+67
+00:02:37,799 --> 00:02:41,980
+
+come on quick come on
+
+68
+00:02:41,980 --> 00:02:41,990
+come on quick come on
+ 
+
+69
+00:02:41,990 --> 00:02:51,100
+come on quick come on
+[Music]
+
+70
+00:02:51,100 --> 00:02:51,110
+[Music]
+ 
+
+71
+00:02:51,110 --> 00:02:55,690
+[Music]
+[Applause]
+
+72
+00:02:55,690 --> 00:02:55,700
+[Applause]
+ 
+
+73
+00:02:55,700 --> 00:03:12,970
+[Applause]
+[Music]
+
+74
+00:03:12,970 --> 00:03:12,980
+
+ 
+
+75
+00:03:12,980 --> 00:03:14,290
+
+there's the entrance
+
+76
+00:03:14,290 --> 00:03:14,300
+there's the entrance
+ 
+
+77
+00:03:14,300 --> 00:03:20,729
+there's the entrance
+[Music]
+
+78
+00:03:20,729 --> 00:03:20,739
+[Music]
+ 
+
+79
+00:03:20,739 --> 00:03:23,500
+[Music]
+clear away everybody clear away keep
+
+80
+00:03:23,500 --> 00:03:23,510
+clear away everybody clear away keep
+ 
+
+81
+00:03:23,510 --> 00:03:24,250
+clear away everybody clear away keep
+running Ellen
+
+82
+00:03:24,250 --> 00:03:24,260
+running Ellen
+ 
+
+83
+00:03:24,260 --> 00:03:26,199
+running Ellen
+hey hey any way to close off this
+
+84
+00:03:26,199 --> 00:03:26,209
+hey hey any way to close off this
+ 
+
+85
+00:03:26,209 --> 00:03:27,550
+hey hey any way to close off this
+entrance there's some dynamite back
+
+86
+00:03:27,550 --> 00:03:27,560
+entrance there's some dynamite back
+ 
+
+87
+00:03:27,560 --> 00:03:30,699
+entrance there's some dynamite back
+there get it quick get it hurry up
+
+88
+00:03:30,699 --> 00:03:30,709
+there get it quick get it hurry up
+ 
+
+89
+00:03:30,709 --> 00:03:32,349
+there get it quick get it hurry up
+we've got to keep that Posse away from
+
+90
+00:03:32,349 --> 00:03:32,359
+we've got to keep that Posse away from
+ 
+
+91
+00:03:32,359 --> 00:03:39,340
+we've got to keep that Posse away from
+them
+
+92
+00:03:39,340 --> 00:03:39,350
+
+ 
+
+93
+00:03:39,350 --> 00:03:50,870
+
+[Music]
+
+94
+00:03:50,870 --> 00:03:50,880
+
+ 
+
+95
+00:03:50,880 --> 00:04:02,319
+
+[Music]
+
diff --git a/1954/-6fuDrAmhNc.description b/1954/-6fuDrAmhNc.description
new file mode 100644
index 0000000000000000000000000000000000000000..649d944c134570f7cca07107da921f68f94627ae
--- /dev/null
+++ b/1954/-6fuDrAmhNc.description
@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jeff (James Stewart) calls Thorwald (Raymond Burr) to get him out of the apartment so Lisa (Grace Kelly) and Stella (Thelma Ritter) can search for clues.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Raymond Burr, James Stewart, Grace Kelly, Thelma Ritter
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1954/-6fuDrAmhNc.en.srt b/1954/-6fuDrAmhNc.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..93f9663b015c0277aeabc86874402b9b3259e6a7
--- /dev/null
+++ b/1954/-6fuDrAmhNc.en.srt
@@ -0,0 +1,123 @@
+1
+00:00:01,100 --> 00:00:04,372
+[ Softly ]
+Chelsea.
+
+2
+00:00:04,436 --> 00:00:07,275
+Chelsea.
+
+3
+00:00:07,339 --> 00:00:10,111
+[ Repeating Number ]
+
+4
+00:00:10,175 --> 00:00:15,352
+[ Telephone Ringing ]
+
+5
+00:00:15,414 --> 00:00:17,851
+[ Continues Ringing ]
+
+6
+00:00:23,488 --> 00:00:25,492
+Go on, pick it up, Thorwald.
+
+7
+00:00:25,557 --> 00:00:29,463
+[ Continues Ringing ]
+Go on, you're curious.
+
+8
+00:00:29,528 --> 00:00:32,600
+You wonder if it's your girlfriend
+calling, the one you killed for.
+
+9
+00:00:32,664 --> 00:00:35,535
+- Go on, pick it up.
+- [ Continues Ringing ]
+
+10
+00:00:38,837 --> 00:00:42,911
+Hello?
+Did you get my note?
+
+11
+00:00:42,974 --> 00:00:44,944
+##
+
+12
+00:00:45,009 --> 00:00:47,013
+Well, did you get it,
+Thorwald?
+
+13
+00:00:47,078 --> 00:00:50,651
+[ Thorwald ] Who are you?
+
+14
+00:00:50,714 --> 00:00:53,353
+[Jeff] Meet me in the bar
+at the Albert Hotel.
+
+15
+00:00:53,418 --> 00:00:55,688
+Do it right away.
+
+16
+00:00:55,753 --> 00:00:58,859
+Why should l?
+A little business meeting...
+
+17
+00:00:58,923 --> 00:01:02,129
+to settle the estate
+ofyour late wife.
+
+18
+00:01:02,192 --> 00:01:06,033
+[ Thorwald ] l... don't know
+what you mean.
+
+19
+00:01:06,096 --> 00:01:08,099
+Quit stalling, Thorwald,
+
+20
+00:01:08,165 --> 00:01:10,502
+or l'll hang up
+and call the police.
+
+21
+00:01:10,567 --> 00:01:14,541
+l only have a
+hundred dollars or so.
+
+22
+00:01:14,604 --> 00:01:18,946
+l'm at the Albert now.
+l'll be looking foryou.
+
+23
+00:01:32,889 --> 00:01:34,826
+[ Closes Door ]
+
+24
+00:01:37,361 --> 00:01:39,665
+Come on, Stella, let's go.
+
+25
+00:01:39,729 --> 00:01:41,331
+[ Softly ] One ofyou
+keep an eye on this window.
+
+26
+00:01:41,397 --> 00:01:44,402
+lf l see him coming back,
+l'll signal with a _ashbulb.
+
+27
+00:02:54,536 --> 00:02:57,474
+[ Tramic Noises ]
+
diff --git a/1954/-VnQ_KpOBm4.en.srt b/1954/-VnQ_KpOBm4.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..2d9c7bcfed93b129c3bed12dd2bb7470763d9b3a
--- /dev/null
+++ b/1954/-VnQ_KpOBm4.en.srt
@@ -0,0 +1,385 @@
+1
+00:00:00,030 --> 00:00:07,940
+
+I suppose that when you spend most of
+
+2
+00:00:07,940 --> 00:00:07,950
+I suppose that when you spend most of
+ 
+
+3
+00:00:07,950 --> 00:00:09,890
+I suppose that when you spend most of
+your life in one profession you develop
+
+4
+00:00:09,890 --> 00:00:09,900
+your life in one profession you develop
+ 
+
+5
+00:00:09,900 --> 00:00:12,020
+your life in one profession you develop
+what could be called an Occupational
+
+6
+00:00:12,020 --> 00:00:12,030
+what could be called an Occupational
+ 
+
+7
+00:00:12,030 --> 00:00:14,930
+what could be called an Occupational
+point of view so maybe I can be forgiven
+
+8
+00:00:14,930 --> 00:00:14,940
+point of view so maybe I can be forgiven
+ 
+
+9
+00:00:14,940 --> 00:00:16,640
+point of view so maybe I can be forgiven
+for the first thing I thought of that
+
+10
+00:00:16,640 --> 00:00:16,650
+for the first thing I thought of that
+ 
+
+11
+00:00:16,650 --> 00:00:20,120
+for the first thing I thought of that
+morning because I found myself thinking
+
+12
+00:00:20,120 --> 00:00:20,130
+morning because I found myself thinking
+ 
+
+13
+00:00:20,130 --> 00:00:23,090
+morning because I found myself thinking
+that the staging and the setting even
+
+14
+00:00:23,090 --> 00:00:23,100
+that the staging and the setting even
+ 
+
+15
+00:00:23,100 --> 00:00:25,670
+that the staging and the setting even
+the lighting of Boreas funeral were just
+
+16
+00:00:25,670 --> 00:00:25,680
+the lighting of Boreas funeral were just
+ 
+
+17
+00:00:25,680 --> 00:00:28,400
+the lighting of Boreas funeral were just
+what she would have wanted my name is
+
+18
+00:00:28,400 --> 00:00:28,410
+what she would have wanted my name is
+ 
+
+19
+00:00:28,410 --> 00:00:30,950
+what she would have wanted my name is
+Harry Dawes I've been a writer and
+
+20
+00:00:30,950 --> 00:00:30,960
+Harry Dawes I've been a writer and
+ 
+
+21
+00:00:30,960 --> 00:00:32,690
+Harry Dawes I've been a writer and
+director of movies for longer than I
+
+22
+00:00:32,690 --> 00:00:32,700
+director of movies for longer than I
+ 
+
+23
+00:00:32,700 --> 00:00:35,959
+director of movies for longer than I
+like to remember I go way back back to
+
+24
+00:00:35,959 --> 00:00:35,969
+like to remember I go way back back to
+ 
+
+25
+00:00:35,969 --> 00:00:37,910
+like to remember I go way back back to
+when the movies had two dimensions and
+
+26
+00:00:37,910 --> 00:00:37,920
+when the movies had two dimensions and
+ 
+
+27
+00:00:37,920 --> 00:00:41,000
+when the movies had two dimensions and
+one dimension and sometimes no dimension
+
+28
+00:00:41,000 --> 00:00:41,010
+one dimension and sometimes no dimension
+ 
+
+29
+00:00:41,010 --> 00:00:44,240
+one dimension and sometimes no dimension
+at all I wrote and directed all three of
+
+30
+00:00:44,240 --> 00:00:44,250
+at all I wrote and directed all three of
+ 
+
+31
+00:00:44,250 --> 00:00:47,060
+at all I wrote and directed all three of
+the movies Maria damata was in a short
+
+32
+00:00:47,060 --> 00:00:47,070
+the movies Maria damata was in a short
+ 
+
+33
+00:00:47,070 --> 00:00:50,569
+the movies Maria damata was in a short
+full career from start to finish I wrote
+
+34
+00:00:50,569 --> 00:00:50,579
+full career from start to finish I wrote
+ 
+
+35
+00:00:50,579 --> 00:00:54,639
+full career from start to finish I wrote
+it and directed it on the screen that is
+
+36
+00:00:54,639 --> 00:00:54,649
+it and directed it on the screen that is
+ 
+
+37
+00:00:54,649 --> 00:00:57,950
+it and directed it on the screen that is
+what was I doing there the fates of the
+
+38
+00:00:57,950 --> 00:00:57,960
+what was I doing there the fates of the
+ 
+
+39
+00:00:57,960 --> 00:01:00,260
+what was I doing there the fates of the
+Furies or whoever wrote and directed a
+
+40
+00:01:00,260 --> 00:01:00,270
+Furies or whoever wrote and directed a
+ 
+
+41
+00:01:00,270 --> 00:01:03,850
+Furies or whoever wrote and directed a
+short full life they took care of that
+
+42
+00:01:03,850 --> 00:01:03,860
+short full life they took care of that
+ 
+
+43
+00:01:03,860 --> 00:01:07,580
+short full life they took care of that
+anyway there I stood halfway around the
+
+44
+00:01:07,580 --> 00:01:07,590
+anyway there I stood halfway around the
+ 
+
+45
+00:01:07,590 --> 00:01:10,039
+anyway there I stood halfway around the
+world from Hollywood and Vine in a
+
+46
+00:01:10,039 --> 00:01:10,049
+world from Hollywood and Vine in a
+ 
+
+47
+00:01:10,049 --> 00:01:12,080
+world from Hollywood and Vine in a
+little graveyard near Apollo Italy
+
+48
+00:01:12,080 --> 00:01:12,090
+little graveyard near Apollo Italy
+ 
+
+49
+00:01:12,090 --> 00:01:14,660
+little graveyard near Apollo Italy
+watching them bury the Contessa - lotta
+
+50
+00:01:14,660 --> 00:01:14,670
+watching them bury the Contessa - lotta
+ 
+
+51
+00:01:14,670 --> 00:01:18,230
+watching them bury the Contessa - lotta
+fabrini in ground she never heard of six
+
+52
+00:01:18,230 --> 00:01:18,240
+fabrini in ground she never heard of six
+ 
+
+53
+00:01:18,240 --> 00:01:21,740
+fabrini in ground she never heard of six
+months ago with a stone statue to mark
+
+54
+00:01:21,740 --> 00:01:21,750
+months ago with a stone statue to mark
+ 
+
+55
+00:01:21,750 --> 00:01:24,050
+months ago with a stone statue to mark
+the spot
+
+56
+00:01:24,050 --> 00:01:24,060
+the spot
+ 
+
+57
+00:01:24,060 --> 00:01:26,750
+the spot
+life every now and then behaves as if it
+
+58
+00:01:26,750 --> 00:01:26,760
+life every now and then behaves as if it
+ 
+
+59
+00:01:26,760 --> 00:01:29,120
+life every now and then behaves as if it
+had seen too many bad movies when
+
+60
+00:01:29,120 --> 00:01:29,130
+had seen too many bad movies when
+ 
+
+61
+00:01:29,130 --> 00:01:31,490
+had seen too many bad movies when
+everything fits too well the beginning
+
+62
+00:01:31,490 --> 00:01:31,500
+everything fits too well the beginning
+ 
+
+63
+00:01:31,500 --> 00:01:33,620
+everything fits too well the beginning
+the middle and the end
+
+64
+00:01:33,620 --> 00:01:33,630
+the middle and the end
+ 
+
+65
+00:01:33,630 --> 00:01:37,910
+the middle and the end
+fade in to fade out and where I faded in
+
+66
+00:01:37,910 --> 00:01:37,920
+fade in to fade out and where I faded in
+ 
+
+67
+00:01:37,920 --> 00:01:40,130
+fade in to fade out and where I faded in
+the Contessa was not a contestant she
+
+68
+00:01:40,130 --> 00:01:40,140
+the Contessa was not a contestant she
+ 
+
+69
+00:01:40,140 --> 00:01:41,990
+the Contessa was not a contestant she
+was not even a movie star named Maria
+
+70
+00:01:41,990 --> 00:01:42,000
+was not even a movie star named Maria
+ 
+
+71
+00:01:42,000 --> 00:01:45,050
+was not even a movie star named Maria
+damata where I faded in her name was
+
+72
+00:01:45,050 --> 00:01:45,060
+damata where I faded in her name was
+ 
+
+73
+00:01:45,060 --> 00:01:47,570
+damata where I faded in her name was
+Maria Vargas and she danced in a
+
+74
+00:01:47,570 --> 00:01:47,580
+Maria Vargas and she danced in a
+ 
+
+75
+00:01:47,580 --> 00:01:49,770
+Maria Vargas and she danced in a
+nightclub in Madrid Spain
+
+76
+00:01:49,770 --> 00:01:49,780
+nightclub in Madrid Spain
+ 
+
+77
+00:01:49,780 --> 00:02:01,120
+nightclub in Madrid Spain
+[Music]
+
diff --git a/1954/-e3HqC2rbQc.description b/1954/-e3HqC2rbQc.description
new file mode 100644
index 0000000000000000000000000000000000000000..f3831629dd0595541250f768e1130e196f1af5d4
--- /dev/null
+++ b/1954/-e3HqC2rbQc.description
@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Lisa (Grace Kelly) and Jeff (James Stewart) have a disagreement over their future together.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Raymond Burr, James Stewart, Grace Kelly
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1954/-e3HqC2rbQc.en.srt b/1954/-e3HqC2rbQc.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..69cc701a409c7831a0f3c3f78f9d448e2a491532
--- /dev/null
+++ b/1954/-e3HqC2rbQc.en.srt
@@ -0,0 +1,315 @@
+1
+00:00:01,800 --> 00:00:04,630
+
+so that's it you won't stay here and I
+
+2
+00:00:04,630 --> 00:00:04,640
+so that's it you won't stay here and I
+ 
+
+3
+00:00:04,640 --> 00:00:09,790
+so that's it you won't stay here and I
+can't go with you it would be the wrong
+
+4
+00:00:09,790 --> 00:00:09,800
+
+ 
+
+5
+00:00:09,800 --> 00:00:12,270
+
+thing you don't think either one of us
+
+6
+00:00:12,270 --> 00:00:12,280
+thing you don't think either one of us
+ 
+
+7
+00:00:12,280 --> 00:00:13,990
+thing you don't think either one of us
+could ever
+
+8
+00:00:13,990 --> 00:00:14,000
+could ever
+ 
+
+9
+00:00:14,000 --> 00:00:21,150
+could ever
+change right now it doesn't seem
+
+10
+00:00:21,150 --> 00:00:21,160
+
+ 
+
+11
+00:00:21,160 --> 00:00:24,150
+
+so I'm in love with you I don't care
+
+12
+00:00:24,150 --> 00:00:24,160
+so I'm in love with you I don't care
+ 
+
+13
+00:00:24,160 --> 00:00:26,429
+so I'm in love with you I don't care
+what you do for a
+
+14
+00:00:26,429 --> 00:00:26,439
+what you do for a
+ 
+
+15
+00:00:26,439 --> 00:00:29,189
+what you do for a
+living i' just like to be part of it
+
+16
+00:00:29,189 --> 00:00:29,199
+living i' just like to be part of it
+ 
+
+17
+00:00:29,199 --> 00:00:32,109
+living i' just like to be part of it
+somehow
+
+18
+00:00:32,109 --> 00:00:32,119
+
+ 
+
+19
+00:00:32,119 --> 00:00:34,270
+
+it's deflating to find out the only way
+
+20
+00:00:34,270 --> 00:00:34,280
+it's deflating to find out the only way
+ 
+
+21
+00:00:34,280 --> 00:00:36,430
+it's deflating to find out the only way
+I can be part of it is to take out a
+
+22
+00:00:36,430 --> 00:00:36,440
+I can be part of it is to take out a
+ 
+
+23
+00:00:36,440 --> 00:00:38,750
+I can be part of it is to take out a
+subscription to your
+
+24
+00:00:38,750 --> 00:00:38,760
+subscription to your
+ 
+
+25
+00:00:38,760 --> 00:00:40,709
+subscription to your
+magazine I guess I'm not the girl I
+
+26
+00:00:40,709 --> 00:00:40,719
+magazine I guess I'm not the girl I
+ 
+
+27
+00:00:40,719 --> 00:00:42,229
+magazine I guess I'm not the girl I
+thought I
+
+28
+00:00:42,229 --> 00:00:42,239
+thought I
+ 
+
+29
+00:00:42,239 --> 00:00:44,510
+thought I
+was now there's nothing wrong with you
+
+30
+00:00:44,510 --> 00:00:44,520
+was now there's nothing wrong with you
+ 
+
+31
+00:00:44,520 --> 00:00:46,350
+was now there's nothing wrong with you
+la you've got this town on the palm of
+
+32
+00:00:46,350 --> 00:00:46,360
+la you've got this town on the palm of
+ 
+
+33
+00:00:46,360 --> 00:00:48,630
+la you've got this town on the palm of
+your
+
+34
+00:00:48,630 --> 00:00:48,640
+
+ 
+
+35
+00:00:48,640 --> 00:00:52,549
+
+hand not quite it
+
+36
+00:00:52,549 --> 00:00:52,559
+
+ 
+
+37
+00:00:52,559 --> 00:00:55,990
+
+seems goodbye Jeff well you mean good
+
+38
+00:00:55,990 --> 00:00:56,000
+seems goodbye Jeff well you mean good
+ 
+
+39
+00:00:56,000 --> 00:01:00,709
+seems goodbye Jeff well you mean good
+night I mean what I said well well laser
+
+40
+00:01:00,709 --> 00:01:00,719
+night I mean what I said well well laser
+ 
+
+41
+00:01:00,719 --> 00:01:05,590
+night I mean what I said well well laser
+couldn't we just uh couldn't we just
+
+42
+00:01:05,590 --> 00:01:05,600
+couldn't we just uh couldn't we just
+ 
+
+43
+00:01:05,600 --> 00:01:09,390
+couldn't we just uh couldn't we just
+keep things status
+
+44
+00:01:09,390 --> 00:01:09,400
+
+ 
+
+45
+00:01:09,400 --> 00:01:12,630
+
+quo without any future well when am I
+
+46
+00:01:12,630 --> 00:01:12,640
+quo without any future well when am I
+ 
+
+47
+00:01:12,640 --> 00:01:15,109
+quo without any future well when am I
+going to see you
+
+48
+00:01:15,109 --> 00:01:15,119
+going to see you
+ 
+
+49
+00:01:15,119 --> 00:01:18,910
+going to see you
+again not for a long
+
+50
+00:01:18,910 --> 00:01:18,920
+again not for a long
+ 
+
+51
+00:01:18,920 --> 00:01:28,830
+again not for a long
+time at least not until tomorrow
+
+52
+00:01:28,830 --> 00:01:28,840
+
+ 
+
+53
+00:01:28,840 --> 00:01:59,350
+
+night
+
+54
+00:01:59,350 --> 00:01:59,360
+
+ 
+
+55
+00:01:59,360 --> 00:02:00,640
+
+w
+
+56
+00:02:00,640 --> 00:02:00,650
+w
+ 
+
+57
+00:02:00,650 --> 00:02:10,430
+w
+[Music]
+
+58
+00:02:10,430 --> 00:02:10,440
+
+ 
+
+59
+00:02:10,440 --> 00:02:28,750
+
+[Music]
+
+60
+00:02:28,750 --> 00:02:28,760
+[Music]
+ 
+
+61
+00:02:28,760 --> 00:02:38,589
+[Music]
+he
+
+62
+00:02:38,589 --> 00:02:38,599
+
+ 
+
+63
+00:02:38,599 --> 00:02:41,599
+
+St
+
diff --git a/1954/1Ez6dw3ywcc.description b/1954/1Ez6dw3ywcc.description
new file mode 100644
index 0000000000000000000000000000000000000000..2803645d0f729436f1f7ef7bd7f3c5d076dd51fb
--- /dev/null
+++ b/1954/1Ez6dw3ywcc.description
@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Lisa (Grace Kelly) is caught snooping in Thorwald's (Raymond Burr) apartment, Jeff (James Stewart) is also caught watching from his window.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Raymond Burr, James Stewart, Grace Kelly, Thelma Ritter
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1954/1Ez6dw3ywcc.en.srt b/1954/1Ez6dw3ywcc.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..693c99b2d7541b199dd239be320cc79f2eb571bb
--- /dev/null
+++ b/1954/1Ez6dw3ywcc.en.srt
@@ -0,0 +1,124 @@
+1
+00:00:00,475 --> 00:00:06,920
+##
+
+2
+00:00:06,981 --> 00:00:09,251
+What-- Lisa--
+
+3
+00:00:10,918 --> 00:00:12,153
+Lisa.
+
+4
+00:00:23,130 --> 00:00:25,667
+Precinct Six,
+Sergeant Allgood.
+
+5
+00:00:25,732 --> 00:00:30,842
+Hello. Look, a man is assaulting
+a woman at 1 25 West Ninth Street,
+
+6
+00:00:30,904 --> 00:00:32,941
+second floor, at the rear.
+
+7
+00:00:33,006 --> 00:00:34,943
+Make it fast?
+
+8
+00:00:35,008 --> 00:00:37,413
+[ Allgood ] Your name?
+[ Stammering ] L.B. Jemeries.
+
+9
+00:00:37,478 --> 00:00:41,485
+Phone number?
+Two minutes.
+
+10
+00:00:41,548 --> 00:00:56,510
+##
+
+11
+00:01:00,900 --> 00:01:02,770
+The door was open.
+
+12
+00:01:02,835 --> 00:01:04,939
+[ Lisa Continues, Indistinct ]
+
+13
+00:01:17,383 --> 00:01:20,187
+Oh--
+
+14
+00:01:20,252 --> 00:01:24,995
+##
+
+15
+00:01:25,057 --> 00:01:28,129
+- [ Lisa ] l told you--
+- [ Softly ] Oh, no!
+
+16
+00:01:28,193 --> 00:01:30,932
+Let go of me!Jeff!
+
+17
+00:01:30,996 --> 00:01:34,102
+Oh, no! [ Gasps ]
+[ Lisa ]Jeff!Jeff!
+
+18
+00:01:34,166 --> 00:01:36,770
+Jeff!
+
+19
+00:01:36,835 --> 00:01:40,542
+Lisa! Stella, what do we do?
+
+20
+00:01:41,740 --> 00:01:45,514
+[ Lisa ] Jem Jem
+Here they come.
+
+21
+00:01:45,577 --> 00:02:00,505
+##
+
+22
+00:02:02,894 --> 00:02:04,831
+[ Ringing Doorbell ]
+
+23
+00:02:23,781 --> 00:02:25,718
+[ Talking, Indistinct ]
+
+24
+00:02:35,692 --> 00:02:38,097
+[ Stella ]
+What's she tying to do?
+Why doesn't she turn him in?
+
+25
+00:02:38,161 --> 00:02:41,433
+She's a smart girl.
+
+26
+00:02:41,497 --> 00:02:43,602
+[Jem] It'll get her
+out ofthere, won't it?
+
+27
+00:02:46,603 --> 00:02:48,573
+[Jem ]
+Look, the weddi n g ri n g!
+
+28
+00:02:54,411 --> 00:02:56,615
+[ Softly ]
+Turn off the light! He's seen us!
+
diff --git a/1954/2u1RrWj4RDk.en.srt b/1954/2u1RrWj4RDk.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..f154f6a0b5de7ed9a259ba29b3d21417b1ffb127
--- /dev/null
+++ b/1954/2u1RrWj4RDk.en.srt
@@ -0,0 +1,505 @@
+1
+00:00:00,280 --> 00:00:01,909
+
+this is my
+
+2
+00:00:01,909 --> 00:00:01,919
+this is my
+ 
+
+3
+00:00:01,919 --> 00:00:04,030
+this is my
+church and if you don't think Christ is
+
+4
+00:00:04,030 --> 00:00:04,040
+church and if you don't think Christ is
+ 
+
+5
+00:00:04,040 --> 00:00:05,309
+church and if you don't think Christ is
+down here on the waterfront you've got
+
+6
+00:00:05,309 --> 00:00:05,319
+down here on the waterfront you've got
+ 
+
+7
+00:00:05,319 --> 00:00:07,230
+down here on the waterfront you've got
+another guest
+
+8
+00:00:07,230 --> 00:00:07,240
+another guest
+ 
+
+9
+00:00:07,240 --> 00:00:10,030
+another guest
+coming get out the dark
+
+10
+00:00:10,030 --> 00:00:10,040
+coming get out the dark
+ 
+
+11
+00:00:10,040 --> 00:00:13,589
+coming get out the dark
+fell Tello don't do that who said you on
+
+12
+00:00:13,589 --> 00:00:13,599
+fell Tello don't do that who said you on
+ 
+
+13
+00:00:13,599 --> 00:00:18,189
+fell Tello don't do that who said you on
+boy let him finish every
+
+14
+00:00:18,189 --> 00:00:18,199
+
+ 
+
+15
+00:00:18,199 --> 00:00:21,950
+
+morning when the hiring boss blows his
+
+16
+00:00:21,950 --> 00:00:21,960
+morning when the hiring boss blows his
+ 
+
+17
+00:00:21,960 --> 00:00:24,189
+morning when the hiring boss blows his
+whistle Jesus stands alongside you in
+
+18
+00:00:24,189 --> 00:00:24,199
+whistle Jesus stands alongside you in
+ 
+
+19
+00:00:24,199 --> 00:00:26,990
+whistle Jesus stands alongside you in
+the shape up he sees why some of you get
+
+20
+00:00:26,990 --> 00:00:27,000
+the shape up he sees why some of you get
+ 
+
+21
+00:00:27,000 --> 00:00:29,230
+the shape up he sees why some of you get
+picked and some of you get passed over
+
+22
+00:00:29,230 --> 00:00:29,240
+picked and some of you get passed over
+ 
+
+23
+00:00:29,240 --> 00:00:30,630
+picked and some of you get passed over
+he sees the family men worrying about
+
+24
+00:00:30,630 --> 00:00:30,640
+he sees the family men worrying about
+ 
+
+25
+00:00:30,640 --> 00:00:32,549
+he sees the family men worrying about
+getting their rent and getting food in a
+
+26
+00:00:32,549 --> 00:00:32,559
+getting their rent and getting food in a
+ 
+
+27
+00:00:32,559 --> 00:00:34,750
+getting their rent and getting food in a
+house for the wife and the kids he sees
+
+28
+00:00:34,750 --> 00:00:34,760
+house for the wife and the kids he sees
+ 
+
+29
+00:00:34,760 --> 00:00:36,549
+house for the wife and the kids he sees
+you selling your souls to the Mob for a
+
+30
+00:00:36,549 --> 00:00:36,559
+you selling your souls to the Mob for a
+ 
+
+31
+00:00:36,559 --> 00:00:38,389
+you selling your souls to the Mob for a
+day
+
+32
+00:00:38,389 --> 00:00:38,399
+day
+ 
+
+33
+00:00:38,399 --> 00:00:40,869
+day
+pay the next bum to throws something
+
+34
+00:00:40,869 --> 00:00:40,879
+pay the next bum to throws something
+ 
+
+35
+00:00:40,879 --> 00:00:42,950
+pay the next bum to throws something
+deals with me I don't care if he's twice
+
+36
+00:00:42,950 --> 00:00:42,960
+deals with me I don't care if he's twice
+ 
+
+37
+00:00:42,960 --> 00:00:44,950
+deals with me I don't care if he's twice
+my size now what does Christ think of
+
+38
+00:00:44,950 --> 00:00:44,960
+my size now what does Christ think of
+ 
+
+39
+00:00:44,960 --> 00:00:46,389
+my size now what does Christ think of
+the Easy Money boys who do none of the
+
+40
+00:00:46,389 --> 00:00:46,399
+the Easy Money boys who do none of the
+ 
+
+41
+00:00:46,399 --> 00:00:48,430
+the Easy Money boys who do none of the
+work and take all of the gravy and how
+
+42
+00:00:48,430 --> 00:00:48,440
+work and take all of the gravy and how
+ 
+
+43
+00:00:48,440 --> 00:00:49,990
+work and take all of the gravy and how
+does he feel about the fellas who wear
+
+44
+00:00:49,990 --> 00:00:50,000
+does he feel about the fellas who wear
+ 
+
+45
+00:00:50,000 --> 00:00:54,430
+does he feel about the fellas who wear
+$150 suits and diamond rings on your
+
+46
+00:00:54,430 --> 00:00:54,440
+$150 suits and diamond rings on your
+ 
+
+47
+00:00:54,440 --> 00:00:57,670
+$150 suits and diamond rings on your
+union dues and your Kickback money and
+
+48
+00:00:57,670 --> 00:00:57,680
+union dues and your Kickback money and
+ 
+
+49
+00:00:57,680 --> 00:01:00,709
+union dues and your Kickback money and
+how does he who spoke up without fear
+
+50
+00:01:00,709 --> 00:01:00,719
+how does he who spoke up without fear
+ 
+
+51
+00:01:00,719 --> 00:01:03,670
+how does he who spoke up without fear
+against every evil feel about your
+
+52
+00:01:03,670 --> 00:01:03,680
+against every evil feel about your
+ 
+
+53
+00:01:03,680 --> 00:01:09,780
+against every evil feel about your
+silence shut up about that just watch
+
+54
+00:01:09,780 --> 00:01:09,790
+
+ 
+
+55
+00:01:09,790 --> 00:01:12,310
+
+[Music]
+
+56
+00:01:12,310 --> 00:01:12,320
+[Music]
+ 
+
+57
+00:01:12,320 --> 00:01:15,109
+[Music]
+this you see that you want to know
+
+58
+00:01:15,109 --> 00:01:15,119
+this you see that you want to know
+ 
+
+59
+00:01:15,119 --> 00:01:16,190
+this you see that you want to know
+what's wrong with our
+
+60
+00:01:16,190 --> 00:01:16,200
+what's wrong with our
+ 
+
+61
+00:01:16,200 --> 00:01:18,830
+what's wrong with our
+Waterfront it's the love of a lousy Buck
+
+62
+00:01:18,830 --> 00:01:18,840
+Waterfront it's the love of a lousy Buck
+ 
+
+63
+00:01:18,840 --> 00:01:20,710
+Waterfront it's the love of a lousy Buck
+it's making love of a buck the cushy job
+
+64
+00:01:20,710 --> 00:01:20,720
+it's making love of a buck the cushy job
+ 
+
+65
+00:01:20,720 --> 00:01:23,350
+it's making love of a buck the cushy job
+more important than the love of man it's
+
+66
+00:01:23,350 --> 00:01:23,360
+more important than the love of man it's
+ 
+
+67
+00:01:23,360 --> 00:01:24,990
+more important than the love of man it's
+forgetting that every fell down here is
+
+68
+00:01:24,990 --> 00:01:25,000
+forgetting that every fell down here is
+ 
+
+69
+00:01:25,000 --> 00:01:27,510
+forgetting that every fell down here is
+your brother in Christ but remember
+
+70
+00:01:27,510 --> 00:01:27,520
+your brother in Christ but remember
+ 
+
+71
+00:01:27,520 --> 00:01:29,310
+your brother in Christ but remember
+Christ is always with you Christ is in
+
+72
+00:01:29,310 --> 00:01:29,320
+Christ is always with you Christ is in
+ 
+
+73
+00:01:29,320 --> 00:01:30,429
+Christ is always with you Christ is in
+the shape pu he he's in the hatch he's
+
+74
+00:01:30,429 --> 00:01:30,439
+the shape pu he he's in the hatch he's
+ 
+
+75
+00:01:30,439 --> 00:01:33,510
+the shape pu he he's in the hatch he's
+in the he's kneeling right here beside
+
+76
+00:01:33,510 --> 00:01:33,520
+in the he's kneeling right here beside
+ 
+
+77
+00:01:33,520 --> 00:01:36,310
+in the he's kneeling right here beside
+Dugan and he's saying with all of
+
+78
+00:01:36,310 --> 00:01:36,320
+Dugan and he's saying with all of
+ 
+
+79
+00:01:36,320 --> 00:01:39,429
+Dugan and he's saying with all of
+you if you do it to the least of mine
+
+80
+00:01:39,429 --> 00:01:39,439
+you if you do it to the least of mine
+ 
+
+81
+00:01:39,439 --> 00:01:40,830
+you if you do it to the least of mine
+you do it to
+
+82
+00:01:40,830 --> 00:01:40,840
+you do it to
+ 
+
+83
+00:01:40,840 --> 00:01:43,030
+you do it to
+me and what they did to Joey and what
+
+84
+00:01:43,030 --> 00:01:43,040
+me and what they did to Joey and what
+ 
+
+85
+00:01:43,040 --> 00:01:45,830
+me and what they did to Joey and what
+they did to Dugan they're doing to
+
+86
+00:01:45,830 --> 00:01:45,840
+they did to Dugan they're doing to
+ 
+
+87
+00:01:45,840 --> 00:01:50,310
+they did to Dugan they're doing to
+you and you you all of
+
+88
+00:01:50,310 --> 00:01:50,320
+you and you you all of
+ 
+
+89
+00:01:50,320 --> 00:01:54,709
+you and you you all of
+you and only you only you with God's
+
+90
+00:01:54,709 --> 00:01:54,719
+you and only you only you with God's
+ 
+
+91
+00:01:54,719 --> 00:01:58,830
+you and only you only you with God's
+help have the power to knock him out for
+
+92
+00:01:58,830 --> 00:01:58,840
+help have the power to knock him out for
+ 
+
+93
+00:01:58,840 --> 00:02:05,029
+help have the power to knock him out for
+good
+
+94
+00:02:05,029 --> 00:02:05,039
+
+ 
+
+95
+00:02:05,039 --> 00:02:12,430
+
+okay
+
+96
+00:02:12,430 --> 00:02:12,440
+
+ 
+
+97
+00:02:12,440 --> 00:02:28,830
+
+[Music]
+
+98
+00:02:28,830 --> 00:02:28,840
+
+ 
+
+99
+00:02:28,840 --> 00:02:37,530
+
+KO
+
+100
+00:02:37,530 --> 00:02:37,540
+
+ 
+
+101
+00:02:37,540 --> 00:02:43,500
+
+[Music]
+
diff --git a/1954/5SRxYONb12I.en.srt b/1954/5SRxYONb12I.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..4dc4bf0a30384db96a566563d073596d7182ccfd
--- /dev/null
+++ b/1954/5SRxYONb12I.en.srt
@@ -0,0 +1,715 @@
+1
+00:00:00,260 --> 00:00:03,200
+
+you know something when I was studying
+
+2
+00:00:03,200 --> 00:00:03,210
+you know something when I was studying
+ 
+
+3
+00:00:03,210 --> 00:00:06,769
+you know something when I was studying
+law and mr. Keefer here was writing his
+
+4
+00:00:06,769 --> 00:00:06,779
+law and mr. Keefer here was writing his
+ 
+
+5
+00:00:06,779 --> 00:00:10,190
+law and mr. Keefer here was writing his
+stories and you were tearing up the
+
+6
+00:00:10,190 --> 00:00:10,200
+stories and you were tearing up the
+ 
+
+7
+00:00:10,200 --> 00:00:11,799
+stories and you were tearing up the
+playing fields at their old Princeton
+
+8
+00:00:11,799 --> 00:00:11,809
+playing fields at their old Princeton
+ 
+
+9
+00:00:11,809 --> 00:00:14,120
+playing fields at their old Princeton
+who was standing guard over this fat
+
+10
+00:00:14,120 --> 00:00:14,130
+who was standing guard over this fat
+ 
+
+11
+00:00:14,130 --> 00:00:17,150
+who was standing guard over this fat
+dumb happy country of ours ain't not us
+
+12
+00:00:17,150 --> 00:00:17,160
+dumb happy country of ours ain't not us
+ 
+
+13
+00:00:17,160 --> 00:00:19,760
+dumb happy country of ours ain't not us
+oh no we knew you couldn't make any
+
+14
+00:00:19,760 --> 00:00:19,770
+oh no we knew you couldn't make any
+ 
+
+15
+00:00:19,770 --> 00:00:22,010
+oh no we knew you couldn't make any
+money in the service so who did the
+
+16
+00:00:22,010 --> 00:00:22,020
+money in the service so who did the
+ 
+
+17
+00:00:22,020 --> 00:00:25,189
+money in the service so who did the
+dirty work for us queeg dead and a lot
+
+18
+00:00:25,189 --> 00:00:25,199
+dirty work for us queeg dead and a lot
+ 
+
+19
+00:00:25,199 --> 00:00:27,470
+dirty work for us queeg dead and a lot
+of other guys tough sharp guys who
+
+20
+00:00:27,470 --> 00:00:27,480
+of other guys tough sharp guys who
+ 
+
+21
+00:00:27,480 --> 00:00:30,380
+of other guys tough sharp guys who
+didn't crack up like queeg but no matter
+
+22
+00:00:30,380 --> 00:00:30,390
+didn't crack up like queeg but no matter
+ 
+
+23
+00:00:30,390 --> 00:00:32,450
+didn't crack up like queeg but no matter
+what kept in kwig endangered the ship
+
+24
+00:00:32,450 --> 00:00:32,460
+what kept in kwig endangered the ship
+ 
+
+25
+00:00:32,460 --> 00:00:34,250
+what kept in kwig endangered the ship
+and the lives of the men he didn't
+
+26
+00:00:34,250 --> 00:00:34,260
+and the lives of the men he didn't
+ 
+
+27
+00:00:34,260 --> 00:00:36,200
+and the lives of the men he didn't
+endanger anybody's life you did all of
+
+28
+00:00:36,200 --> 00:00:36,210
+endanger anybody's life you did all of
+ 
+
+29
+00:00:36,210 --> 00:00:36,530
+endanger anybody's life you did all of
+you
+
+30
+00:00:36,530 --> 00:00:36,540
+you
+ 
+
+31
+00:00:36,540 --> 00:00:39,799
+you
+you're a fine bunch of officers you said
+
+32
+00:00:39,799 --> 00:00:39,809
+you're a fine bunch of officers you said
+ 
+
+33
+00:00:39,809 --> 00:00:42,020
+you're a fine bunch of officers you said
+yourself he cracked I'm glad you brought
+
+34
+00:00:42,020 --> 00:00:42,030
+yourself he cracked I'm glad you brought
+ 
+
+35
+00:00:42,030 --> 00:00:43,250
+yourself he cracked I'm glad you brought
+that up mr. painter because that's a
+
+36
+00:00:43,250 --> 00:00:43,260
+that up mr. painter because that's a
+ 
+
+37
+00:00:43,260 --> 00:00:45,709
+that up mr. painter because that's a
+very pretty point you know I left out
+
+38
+00:00:45,709 --> 00:00:45,719
+very pretty point you know I left out
+ 
+
+39
+00:00:45,719 --> 00:00:48,110
+very pretty point you know I left out
+one detail on the court-martial wouldn't
+
+40
+00:00:48,110 --> 00:00:48,120
+one detail on the court-martial wouldn't
+ 
+
+41
+00:00:48,120 --> 00:00:50,810
+one detail on the court-martial wouldn't
+have helped our case any tell me Steve
+
+42
+00:00:50,810 --> 00:00:50,820
+have helped our case any tell me Steve
+ 
+
+43
+00:00:50,820 --> 00:00:53,000
+have helped our case any tell me Steve
+after the yellow stain business we came
+
+44
+00:00:53,000 --> 00:00:53,010
+after the yellow stain business we came
+ 
+
+45
+00:00:53,010 --> 00:00:54,319
+after the yellow stain business we came
+to you guys for helping you turned him
+
+46
+00:00:54,319 --> 00:00:54,329
+to you guys for helping you turned him
+ 
+
+47
+00:00:54,329 --> 00:00:56,049
+to you guys for helping you turned him
+down didn't you
+
+48
+00:00:56,049 --> 00:00:56,059
+down didn't you
+ 
+
+49
+00:00:56,059 --> 00:00:59,599
+down didn't you
+yes we did you didn't approve his
+
+50
+00:00:59,599 --> 00:00:59,609
+yes we did you didn't approve his
+ 
+
+51
+00:00:59,609 --> 00:01:01,790
+yes we did you didn't approve his
+conduct as an officer he wasn't worthy
+
+52
+00:01:01,790 --> 00:01:01,800
+conduct as an officer he wasn't worthy
+ 
+
+53
+00:01:01,800 --> 00:01:04,670
+conduct as an officer he wasn't worthy
+of your loyalty so you turned on him you
+
+54
+00:01:04,670 --> 00:01:04,680
+of your loyalty so you turned on him you
+ 
+
+55
+00:01:04,680 --> 00:01:06,700
+of your loyalty so you turned on him you
+rag him you made up songs about him
+
+56
+00:01:06,700 --> 00:01:06,710
+rag him you made up songs about him
+ 
+
+57
+00:01:06,710 --> 00:01:09,200
+rag him you made up songs about him
+should give him cuida loyalty he needed
+
+58
+00:01:09,200 --> 00:01:09,210
+should give him cuida loyalty he needed
+ 
+
+59
+00:01:09,210 --> 00:01:10,310
+should give him cuida loyalty he needed
+you suppose the whole issue would have
+
+60
+00:01:10,310 --> 00:01:10,320
+you suppose the whole issue would have
+ 
+
+61
+00:01:10,320 --> 00:01:13,190
+you suppose the whole issue would have
+come up in the typhoon you're an honest
+
+62
+00:01:13,190 --> 00:01:13,200
+come up in the typhoon you're an honest
+ 
+
+63
+00:01:13,200 --> 00:01:15,590
+come up in the typhoon you're an honest
+man Steve I'm asking you do you think it
+
+64
+00:01:15,590 --> 00:01:15,600
+man Steve I'm asking you do you think it
+ 
+
+65
+00:01:15,600 --> 00:01:16,520
+man Steve I'm asking you do you think it
+would have been necessary for you to
+
+66
+00:01:16,520 --> 00:01:16,530
+would have been necessary for you to
+ 
+
+67
+00:01:16,530 --> 00:01:20,480
+would have been necessary for you to
+take over it probably wouldn't have been
+
+68
+00:01:20,480 --> 00:01:20,490
+take over it probably wouldn't have been
+ 
+
+69
+00:01:20,490 --> 00:01:24,140
+take over it probably wouldn't have been
+necessary yeah that's true then we were
+
+70
+00:01:24,140 --> 00:01:24,150
+necessary yeah that's true then we were
+ 
+
+71
+00:01:24,150 --> 00:01:27,109
+necessary yeah that's true then we were
+guilty you're learning Willy you're
+
+72
+00:01:27,109 --> 00:01:27,119
+guilty you're learning Willy you're
+ 
+
+73
+00:01:27,119 --> 00:01:28,490
+guilty you're learning Willy you're
+lying that you don't work with a captain
+
+74
+00:01:28,490 --> 00:01:28,500
+lying that you don't work with a captain
+ 
+
+75
+00:01:28,500 --> 00:01:29,660
+lying that you don't work with a captain
+because you like the way he parts his
+
+76
+00:01:29,660 --> 00:01:29,670
+because you like the way he parts his
+ 
+
+77
+00:01:29,670 --> 00:01:32,090
+because you like the way he parts his
+hair you work with him because he's got
+
+78
+00:01:32,090 --> 00:01:32,100
+hair you work with him because he's got
+ 
+
+79
+00:01:32,100 --> 00:01:37,160
+hair you work with him because he's got
+the job or you're no good well the case
+
+80
+00:01:37,160 --> 00:01:37,170
+the job or you're no good well the case
+ 
+
+81
+00:01:37,170 --> 00:01:41,210
+the job or you're no good well the case
+is over you're all safe it was like
+
+82
+00:01:41,210 --> 00:01:41,220
+is over you're all safe it was like
+ 
+
+83
+00:01:41,220 --> 00:01:45,580
+is over you're all safe it was like
+shooting fish in a barrel
+
+84
+00:01:45,580 --> 00:01:45,590
+
+ 
+
+85
+00:01:45,590 --> 00:01:48,230
+
+and now we come to the man who should
+
+86
+00:01:48,230 --> 00:01:48,240
+and now we come to the man who should
+ 
+
+87
+00:01:48,240 --> 00:01:50,960
+and now we come to the man who should
+have stood trial the Caine's favorite
+
+88
+00:01:50,960 --> 00:01:50,970
+have stood trial the Caine's favorite
+ 
+
+89
+00:01:50,970 --> 00:01:53,749
+have stood trial the Caine's favorite
+author the Shakespeare whose testimony
+
+90
+00:01:53,749 --> 00:01:53,759
+author the Shakespeare whose testimony
+ 
+
+91
+00:01:53,759 --> 00:01:55,179
+author the Shakespeare whose testimony
+nearly sunk us all
+
+92
+00:01:55,179 --> 00:01:55,189
+nearly sunk us all
+ 
+
+93
+00:01:55,189 --> 00:01:59,319
+nearly sunk us all
+tell him Keefer no you go ahead
+
+94
+00:01:59,319 --> 00:01:59,329
+tell him Keefer no you go ahead
+ 
+
+95
+00:01:59,329 --> 00:02:03,139
+tell him Keefer no you go ahead
+you're telling it better yo to read his
+
+96
+00:02:03,139 --> 00:02:03,149
+you're telling it better yo to read his
+ 
+
+97
+00:02:03,149 --> 00:02:05,959
+you're telling it better yo to read his
+testimony he never even heard of Captain
+
+98
+00:02:05,959 --> 00:02:05,969
+testimony he never even heard of Captain
+ 
+
+99
+00:02:05,969 --> 00:02:09,290
+testimony he never even heard of Captain
+queeg let's forget it Barney Craig was
+
+100
+00:02:09,290 --> 00:02:09,300
+queeg let's forget it Barney Craig was
+ 
+
+101
+00:02:09,300 --> 00:02:10,999
+queeg let's forget it Barney Craig was
+sick he couldn't help himself but you
+
+102
+00:02:10,999 --> 00:02:11,009
+sick he couldn't help himself but you
+ 
+
+103
+00:02:11,009 --> 00:02:13,120
+sick he couldn't help himself but you
+you're real healthy
+
+104
+00:02:13,120 --> 00:02:13,130
+you're real healthy
+ 
+
+105
+00:02:13,130 --> 00:02:15,130
+you're real healthy
+oh you didn't have one-tenth the guts
+
+106
+00:02:15,130 --> 00:02:15,140
+oh you didn't have one-tenth the guts
+ 
+
+107
+00:02:15,140 --> 00:02:18,550
+oh you didn't have one-tenth the guts
+that he had except I never fooled myself
+
+108
+00:02:18,550 --> 00:02:18,560
+that he had except I never fooled myself
+ 
+
+109
+00:02:18,560 --> 00:02:21,880
+that he had except I never fooled myself
+mr. Greenwald I want to drink a toast to
+
+110
+00:02:21,880 --> 00:02:21,890
+mr. Greenwald I want to drink a toast to
+ 
+
+111
+00:02:21,890 --> 00:02:24,370
+mr. Greenwald I want to drink a toast to
+you mr. Keefer from the beginning you
+
+112
+00:02:24,370 --> 00:02:24,380
+you mr. Keefer from the beginning you
+ 
+
+113
+00:02:24,380 --> 00:02:26,560
+you mr. Keefer from the beginning you
+hated the Navy and then you thought up
+
+114
+00:02:26,560 --> 00:02:26,570
+hated the Navy and then you thought up
+ 
+
+115
+00:02:26,570 --> 00:02:29,110
+hated the Navy and then you thought up
+this whole idea and you managed to keep
+
+116
+00:02:29,110 --> 00:02:29,120
+this whole idea and you managed to keep
+ 
+
+117
+00:02:29,120 --> 00:02:31,000
+this whole idea and you managed to keep
+your skirts nice and starched and clean
+
+118
+00:02:31,000 --> 00:02:31,010
+your skirts nice and starched and clean
+ 
+
+119
+00:02:31,010 --> 00:02:34,180
+your skirts nice and starched and clean
+even in the court-martial Stephen Eric
+
+120
+00:02:34,180 --> 00:02:34,190
+even in the court-martial Stephen Eric
+ 
+
+121
+00:02:34,190 --> 00:02:35,560
+even in the court-martial Stephen Eric
+will always be remembered as a mutineer
+
+122
+00:02:35,560 --> 00:02:35,570
+will always be remembered as a mutineer
+ 
+
+123
+00:02:35,570 --> 00:02:39,220
+will always be remembered as a mutineer
+but you you'll publish your novel you'll
+
+124
+00:02:39,220 --> 00:02:39,230
+but you you'll publish your novel you'll
+ 
+
+125
+00:02:39,230 --> 00:02:41,500
+but you you'll publish your novel you'll
+make a million bucks you marry a big
+
+126
+00:02:41,500 --> 00:02:41,510
+make a million bucks you marry a big
+ 
+
+127
+00:02:41,510 --> 00:02:44,230
+make a million bucks you marry a big
+movie star and for the rest of your life
+
+128
+00:02:44,230 --> 00:02:44,240
+movie star and for the rest of your life
+ 
+
+129
+00:02:44,240 --> 00:02:46,450
+movie star and for the rest of your life
+you'll live with your conscience if you
+
+130
+00:02:46,450 --> 00:02:46,460
+you'll live with your conscience if you
+ 
+
+131
+00:02:46,460 --> 00:02:51,100
+you'll live with your conscience if you
+have any I here's to the real author of
+
+132
+00:02:51,100 --> 00:02:51,110
+have any I here's to the real author of
+ 
+
+133
+00:02:51,110 --> 00:02:54,460
+have any I here's to the real author of
+the Caine Mutiny here's to you mr.
+
+134
+00:02:54,460 --> 00:02:54,470
+the Caine Mutiny here's to you mr.
+ 
+
+135
+00:02:54,470 --> 00:03:00,640
+the Caine Mutiny here's to you mr.
+Keefer if you want to do anything about
+
+136
+00:03:00,640 --> 00:03:00,650
+Keefer if you want to do anything about
+ 
+
+137
+00:03:00,650 --> 00:03:03,850
+Keefer if you want to do anything about
+it I'll be outside a lot drunker than
+
+138
+00:03:03,850 --> 00:03:03,860
+it I'll be outside a lot drunker than
+ 
+
+139
+00:03:03,860 --> 00:03:10,350
+it I'll be outside a lot drunker than
+you are so it'll be a fair fight
+
+140
+00:03:10,350 --> 00:03:10,360
+
+ 
+
+141
+00:03:10,360 --> 00:03:16,350
+
+[Music]
+
+142
+00:03:16,350 --> 00:03:16,360
+
+ 
+
+143
+00:03:16,360 --> 00:03:18,420
+
+you
+
diff --git a/1954/6oxCZ2CyGII.en.srt b/1954/6oxCZ2CyGII.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..48e78fbe3800915506b2bf57cc6752b88e94b6ca
--- /dev/null
+++ b/1954/6oxCZ2CyGII.en.srt
@@ -0,0 +1,405 @@
+1
+00:00:00,000 --> 00:00:08,209
+
+[Music]
+
+2
+00:00:08,209 --> 00:00:08,219
+
+ 
+
+3
+00:00:08,219 --> 00:00:11,730
+
+more of the same for the king what news
+
+4
+00:00:11,730 --> 00:00:11,740
+more of the same for the king what news
+ 
+
+5
+00:00:11,740 --> 00:00:12,900
+more of the same for the king what news
+from the gaming table
+
+6
+00:00:12,900 --> 00:00:12,910
+from the gaming table
+ 
+
+7
+00:00:12,910 --> 00:00:15,180
+from the gaming table
+very good Alberto is having a fantastic
+
+8
+00:00:15,180 --> 00:00:15,190
+very good Alberto is having a fantastic
+ 
+
+9
+00:00:15,190 --> 00:00:17,940
+very good Alberto is having a fantastic
+time it's about time last night that
+
+10
+00:00:17,940 --> 00:00:17,950
+time it's about time last night that
+ 
+
+11
+00:00:17,950 --> 00:00:19,019
+time it's about time last night that
+Greek took him for a whole South
+
+12
+00:00:19,019 --> 00:00:19,029
+Greek took him for a whole South
+ 
+
+13
+00:00:19,029 --> 00:00:21,330
+Greek took him for a whole South
+American junkie yeah you know something
+
+14
+00:00:21,330 --> 00:00:21,340
+American junkie yeah you know something
+ 
+
+15
+00:00:21,340 --> 00:00:23,400
+American junkie yeah you know something
+off the screen I don't think I've ever
+
+16
+00:00:23,400 --> 00:00:23,410
+off the screen I don't think I've ever
+ 
+
+17
+00:00:23,410 --> 00:00:26,040
+off the screen I don't think I've ever
+seen you laugh I feel very good tonight
+
+18
+00:00:26,040 --> 00:00:26,050
+seen you laugh I feel very good tonight
+ 
+
+19
+00:00:26,050 --> 00:00:28,049
+seen you laugh I feel very good tonight
+every night's like every other night no
+
+20
+00:00:28,049 --> 00:00:28,059
+every night's like every other night no
+ 
+
+21
+00:00:28,059 --> 00:00:30,569
+every night's like every other night no
+not tonight what's different I don't
+
+22
+00:00:30,569 --> 00:00:30,579
+not tonight what's different I don't
+ 
+
+23
+00:00:30,579 --> 00:00:33,209
+not tonight what's different I don't
+know something in the way my heart beats
+
+24
+00:00:33,209 --> 00:00:33,219
+know something in the way my heart beats
+ 
+
+25
+00:00:33,219 --> 00:00:35,790
+know something in the way my heart beats
+as if something very good we're going to
+
+26
+00:00:35,790 --> 00:00:35,800
+as if something very good we're going to
+ 
+
+27
+00:00:35,800 --> 00:00:36,610
+as if something very good we're going to
+come out of tonight
+
+28
+00:00:36,610 --> 00:00:36,620
+come out of tonight
+ 
+
+29
+00:00:36,620 --> 00:00:40,870
+come out of tonight
+[Music]
+
+30
+00:00:40,870 --> 00:00:40,880
+[Music]
+ 
+
+31
+00:00:40,880 --> 00:00:42,950
+[Music]
+something's coming alright but it's not
+
+32
+00:00:42,950 --> 00:00:42,960
+something's coming alright but it's not
+ 
+
+33
+00:00:42,960 --> 00:00:46,150
+something's coming alright but it's not
+good he's mad I didn't like this before
+
+34
+00:00:46,150 --> 00:00:46,160
+good he's mad I didn't like this before
+ 
+
+35
+00:00:46,160 --> 00:00:48,840
+good he's mad I didn't like this before
+have crazy when he gets like this
+
+36
+00:00:48,840 --> 00:00:48,850
+have crazy when he gets like this
+ 
+
+37
+00:00:48,850 --> 00:01:00,770
+have crazy when he gets like this
+[Music]
+
+38
+00:01:00,770 --> 00:01:00,780
+
+ 
+
+39
+00:01:00,780 --> 00:01:03,170
+
+how do I find the words to tell you what
+
+40
+00:01:03,170 --> 00:01:03,180
+how do I find the words to tell you what
+ 
+
+41
+00:01:03,180 --> 00:01:06,770
+how do I find the words to tell you what
+you are to begin with the thief it took
+
+42
+00:01:06,770 --> 00:01:06,780
+you are to begin with the thief it took
+ 
+
+43
+00:01:06,780 --> 00:01:08,510
+you are to begin with the thief it took
+money from me when I was playing when I
+
+44
+00:01:08,510 --> 00:01:08,520
+money from me when I was playing when I
+ 
+
+45
+00:01:08,520 --> 00:01:10,940
+money from me when I was playing when I
+was winning a change my luck you have
+
+46
+00:01:10,940 --> 00:01:10,950
+was winning a change my luck you have
+ 
+
+47
+00:01:10,950 --> 00:01:12,680
+was winning a change my luck you have
+custom in millions and millions of
+
+48
+00:01:12,680 --> 00:01:12,690
+custom in millions and millions of
+ 
+
+49
+00:01:12,690 --> 00:01:14,900
+custom in millions and millions of
+francs you put a curse on me not only
+
+50
+00:01:14,900 --> 00:01:14,910
+francs you put a curse on me not only
+ 
+
+51
+00:01:14,910 --> 00:01:17,270
+francs you put a curse on me not only
+for tonight but from the unhappy moment
+
+52
+00:01:17,270 --> 00:01:17,280
+for tonight but from the unhappy moment
+ 
+
+53
+00:01:17,280 --> 00:01:19,100
+for tonight but from the unhappy moment
+when I first knew of your existence as
+
+54
+00:01:19,100 --> 00:01:19,110
+when I first knew of your existence as
+ 
+
+55
+00:01:19,110 --> 00:01:20,270
+when I first knew of your existence as
+you will put the casserole was on
+
+56
+00:01:20,270 --> 00:01:20,280
+you will put the casserole was on
+ 
+
+57
+00:01:20,280 --> 00:01:21,680
+you will put the casserole was on
+everyone and everything near to you
+
+58
+00:01:21,680 --> 00:01:21,690
+everyone and everything near to you
+ 
+
+59
+00:01:21,690 --> 00:01:23,359
+everyone and everything near to you
+maybe you can solve this over later in
+
+60
+00:01:23,359 --> 00:01:23,369
+maybe you can solve this over later in
+ 
+
+61
+00:01:23,369 --> 00:01:25,730
+maybe you can solve this over later in
+private maybe let him Oscar next you are
+
+62
+00:01:25,730 --> 00:01:25,740
+private maybe let him Oscar next you are
+ 
+
+63
+00:01:25,740 --> 00:01:28,100
+private maybe let him Oscar next you are
+not a woman I do not know what you are
+
+64
+00:01:28,100 --> 00:01:28,110
+not a woman I do not know what you are
+ 
+
+65
+00:01:28,110 --> 00:01:31,400
+not a woman I do not know what you are
+you are not a woman you will not let
+
+66
+00:01:31,400 --> 00:01:31,410
+you are not a woman you will not let
+ 
+
+67
+00:01:31,410 --> 00:01:34,190
+you are not a woman you will not let
+yourself be loved you cannot love once
+
+68
+00:01:34,190 --> 00:01:34,200
+yourself be loved you cannot love once
+ 
+
+69
+00:01:34,200 --> 00:01:35,990
+yourself be loved you cannot love once
+you are the look for me of an exquisite
+
+70
+00:01:35,990 --> 00:01:36,000
+you are the look for me of an exquisite
+ 
+
+71
+00:01:36,000 --> 00:01:39,020
+you are the look for me of an exquisite
+lady no I do not see that look I only
+
+72
+00:01:39,020 --> 00:01:39,030
+lady no I do not see that look I only
+ 
+
+73
+00:01:39,030 --> 00:01:40,430
+lady no I do not see that look I only
+see that you have the body of an animal
+
+74
+00:01:40,430 --> 00:01:40,440
+see that you have the body of an animal
+ 
+
+75
+00:01:40,440 --> 00:01:45,620
+see that you have the body of an animal
+a dead animal I have paid for your
+
+76
+00:01:45,620 --> 00:01:45,630
+a dead animal I have paid for your
+ 
+
+77
+00:01:45,630 --> 00:01:47,480
+a dead animal I have paid for your
+company when you were coming gods I tell
+
+78
+00:01:47,480 --> 00:01:47,490
+company when you were coming gods I tell
+ 
+
+79
+00:01:47,490 --> 00:02:01,280
+company when you were coming gods I tell
+you I see it bad meet me
+
+80
+00:02:01,280 --> 00:02:01,290
+
+ 
+
+81
+00:02:01,290 --> 00:02:15,169
+
+[Music]
+
diff --git a/1954/846by3LOKlA.en.srt b/1954/846by3LOKlA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..c4eae2c0edcab5b3b3f5f457873297e62b576d56
--- /dev/null
+++ b/1954/846by3LOKlA.en.srt
@@ -0,0 +1,535 @@
+1
+00:00:00,359 --> 00:00:03,550
+
+tell you about them sub women who lived
+
+2
+00:00:03,550 --> 00:00:03,560
+tell you about them sub women who lived
+ 
+
+3
+00:00:03,560 --> 00:00:06,550
+tell you about them sub women who lived
+in the Roman days it seems that they all
+
+4
+00:00:06,550 --> 00:00:06,560
+in the Roman days it seems that they all
+ 
+
+5
+00:00:06,560 --> 00:00:09,150
+in the Roman days it seems that they all
+went swimming while them men was off to
+
+6
+00:00:09,150 --> 00:00:09,160
+went swimming while them men was off to
+ 
+
+7
+00:00:09,160 --> 00:00:12,669
+went swimming while them men was off to
+graze where a Roman troop was riding by
+
+8
+00:00:12,669 --> 00:00:12,679
+graze where a Roman troop was riding by
+ 
+
+9
+00:00:12,679 --> 00:00:15,390
+graze where a Roman troop was riding by
+and saw them in their me oh my so they
+
+10
+00:00:15,390 --> 00:00:15,400
+and saw them in their me oh my so they
+ 
+
+11
+00:00:15,400 --> 00:00:17,950
+and saw them in their me oh my so they
+took them all back home to dry at least
+
+12
+00:00:17,950 --> 00:00:17,960
+took them all back home to dry at least
+ 
+
+13
+00:00:17,960 --> 00:00:19,750
+took them all back home to dry at least
+that's what plutar
+
+14
+00:00:19,750 --> 00:00:19,760
+that's what plutar
+ 
+
+15
+00:00:19,760 --> 00:00:23,429
+that's what plutar
+says women must S and S and S and fit to
+
+16
+00:00:23,429 --> 00:00:23,439
+says women must S and S and S and fit to
+ 
+
+17
+00:00:23,439 --> 00:00:24,310
+says women must S and S and S and fit to
+be
+
+18
+00:00:24,310 --> 00:00:24,320
+be
+ 
+
+19
+00:00:24,320 --> 00:00:26,710
+be
+tied every muscle was throbbing
+
+20
+00:00:26,710 --> 00:00:26,720
+tied every muscle was throbbing
+ 
+
+21
+00:00:26,720 --> 00:00:30,910
+tied every muscle was throbbing
+throbbing from that vest ride seems they
+
+22
+00:00:30,910 --> 00:00:30,920
+throbbing from that vest ride seems they
+ 
+
+23
+00:00:30,920 --> 00:00:33,110
+throbbing from that vest ride seems they
+cried and kissed and kissed and cried
+
+24
+00:00:33,110 --> 00:00:33,120
+cried and kissed and kissed and cried
+ 
+
+25
+00:00:33,120 --> 00:00:35,790
+cried and kissed and kissed and cried
+all over that Roman country site so
+
+26
+00:00:35,790 --> 00:00:35,800
+all over that Roman country site so
+ 
+
+27
+00:00:35,800 --> 00:00:39,389
+all over that Roman country site so
+don't forget that when you're taking a
+
+28
+00:00:39,389 --> 00:00:39,399
+don't forget that when you're taking a
+ 
+
+29
+00:00:39,399 --> 00:00:43,470
+don't forget that when you're taking a
+bride s and fit to be tied from that
+
+30
+00:00:43,470 --> 00:00:43,480
+bride s and fit to be tied from that
+ 
+
+31
+00:00:43,480 --> 00:00:46,750
+bride s and fit to be tied from that
+ride is ride so then what happen B
+
+32
+00:00:46,750 --> 00:00:46,760
+ride is ride so then what happen B
+ 
+
+33
+00:00:46,760 --> 00:00:49,910
+ride is ride so then what happen B
+around I tell you they never did return
+
+34
+00:00:49,910 --> 00:00:49,920
+around I tell you they never did return
+ 
+
+35
+00:00:49,920 --> 00:00:52,430
+around I tell you they never did return
+their plunder the Victor gets all the
+
+36
+00:00:52,430 --> 00:00:52,440
+their plunder the Victor gets all the
+ 
+
+37
+00:00:52,440 --> 00:00:55,510
+their plunder the Victor gets all the
+loot They carried them home by Thunder
+
+38
+00:00:55,510 --> 00:00:55,520
+loot They carried them home by Thunder
+ 
+
+39
+00:00:55,520 --> 00:00:59,150
+loot They carried them home by Thunder
+to rotund small but cute and you never
+
+40
+00:00:59,150 --> 00:00:59,160
+to rotund small but cute and you never
+ 
+
+41
+00:00:59,160 --> 00:01:02,150
+to rotund small but cute and you never
+seen so they tell me such downright
+
+42
+00:01:02,150 --> 00:01:02,160
+seen so they tell me such downright
+ 
+
+43
+00:01:02,160 --> 00:01:05,070
+seen so they tell me such downright
+Domesticity with a Roman baby on each
+
+44
+00:01:05,070 --> 00:01:05,080
+Domesticity with a Roman baby on each
+ 
+
+45
+00:01:05,080 --> 00:01:10,149
+Domesticity with a Roman baby on each
+knee named codius and brute oh women
+
+46
+00:01:10,149 --> 00:01:10,159
+knee named codius and brute oh women
+ 
+
+47
+00:01:10,159 --> 00:01:14,270
+knee named codius and brute oh women
+was passing nights while the Romans was
+
+48
+00:01:14,270 --> 00:01:14,280
+was passing nights while the Romans was
+ 
+
+49
+00:01:14,280 --> 00:01:18,630
+was passing nights while the Romans was
+going out H St fight is that so they
+
+50
+00:01:18,630 --> 00:01:18,640
+going out H St fight is that so they
+ 
+
+51
+00:01:18,640 --> 00:01:21,870
+going out H St fight is that so they
+kept occupied by so and lots little old
+
+52
+00:01:21,870 --> 00:01:21,880
+kept occupied by so and lots little old
+ 
+
+53
+00:01:21,880 --> 00:01:26,510
+kept occupied by so and lots little old
+Tois them and say and someday women
+
+54
+00:01:26,510 --> 00:01:26,520
+Tois them and say and someday women
+ 
+
+55
+00:01:26,520 --> 00:01:29,510
+Tois them and say and someday women
+folks will have rights passing all of
+
+56
+00:01:29,510 --> 00:01:29,520
+folks will have rights passing all of
+ 
+
+57
+00:01:29,520 --> 00:01:32,789
+folks will have rights passing all of
+their night just him while the r fight
+
+58
+00:01:32,789 --> 00:01:32,799
+their night just him while the r fight
+ 
+
+59
+00:01:32,799 --> 00:01:35,230
+their night just him while the r fight
+Hey listen to this now when the men folk
+
+60
+00:01:35,230 --> 00:01:35,240
+Hey listen to this now when the men folk
+ 
+
+61
+00:01:35,240 --> 00:01:38,230
+Hey listen to this now when the men folk
+went to fetch him the women would not be
+
+62
+00:01:38,230 --> 00:01:38,240
+went to fetch him the women would not be
+ 
+
+63
+00:01:38,240 --> 00:01:40,830
+went to fetch him the women would not be
+fetch it seems when the Romans catch
+
+64
+00:01:40,830 --> 00:01:40,840
+fetch it seems when the Romans catch
+ 
+
+65
+00:01:40,840 --> 00:01:43,870
+fetch it seems when the Romans catch
+them their lady friends say catch them
+
+66
+00:01:43,870 --> 00:01:43,880
+them their lady friends say catch them
+ 
+
+67
+00:01:43,880 --> 00:01:46,510
+them their lady friends say catch them
+now let this be because it's true a
+
+68
+00:01:46,510 --> 00:01:46,520
+now let this be because it's true a
+ 
+
+69
+00:01:46,520 --> 00:01:49,270
+now let this be because it's true a
+lesson to the likes of you R them up
+
+70
+00:01:49,270 --> 00:01:49,280
+lesson to the likes of you R them up
+ 
+
+71
+00:01:49,280 --> 00:01:51,550
+lesson to the likes of you R them up
+like them their Romans do or else
+
+72
+00:01:51,550 --> 00:01:51,560
+like them their Romans do or else
+ 
+
+73
+00:01:51,560 --> 00:01:56,230
+like them their Romans do or else
+they'll think you're T oh yes
+
+74
+00:01:56,230 --> 00:01:56,240
+they'll think you're T oh yes
+ 
+
+75
+00:01:56,240 --> 00:02:00,830
+they'll think you're T oh yes
+women tears might s on of old the J and
+
+76
+00:02:00,830 --> 00:02:00,840
+women tears might s on of old the J and
+ 
+
+77
+00:02:00,840 --> 00:02:03,469
+women tears might s on of old the J and
+really R their ears and that ain't all
+
+78
+00:02:03,469 --> 00:02:03,479
+really R their ears and that ain't all
+ 
+
+79
+00:02:03,479 --> 00:02:06,789
+really R their ears and that ain't all
+oh they acted angry and annoy but
+
+80
+00:02:06,789 --> 00:02:06,799
+oh they acted angry and annoy but
+ 
+
+81
+00:02:06,799 --> 00:02:09,910
+oh they acted angry and annoy but
+secretly they was overjoy you might
+
+82
+00:02:09,910 --> 00:02:09,920
+secretly they was overjoy you might
+ 
+
+83
+00:02:09,920 --> 00:02:13,390
+secretly they was overjoy you might
+recall that when Coral your
+
+84
+00:02:13,390 --> 00:02:13,400
+recall that when Coral your
+ 
+
+85
+00:02:13,400 --> 00:02:15,990
+recall that when Coral your
+Ste poor little dear what do you said
+
+86
+00:02:15,990 --> 00:02:16,000
+Ste poor little dear what do you said
+ 
+
+87
+00:02:16,000 --> 00:02:20,480
+Ste poor little dear what do you said
+there for why don't we go down and get
+
+88
+00:02:20,480 --> 00:02:20,490
+
+ 
+
+89
+00:02:20,490 --> 00:02:26,140
+
+[Music]
+
+90
+00:02:26,140 --> 00:02:26,150
+
+ 
+
+91
+00:02:26,150 --> 00:02:28,830
+
+[Music]
+
+92
+00:02:28,830 --> 00:02:28,840
+[Music]
+ 
+
+93
+00:02:28,840 --> 00:02:30,460
+[Music]
+him
+
+94
+00:02:30,460 --> 00:02:30,470
+him
+ 
+
+95
+00:02:30,470 --> 00:02:31,450
+him
+[Applause]
+
+96
+00:02:31,450 --> 00:02:31,460
+[Applause]
+ 
+
+97
+00:02:31,460 --> 00:02:35,150
+[Applause]
+[Music]
+
+98
+00:02:35,150 --> 00:02:35,160
+[Music]
+ 
+
+99
+00:02:35,160 --> 00:02:37,589
+[Music]
+be a for
+
+100
+00:02:37,589 --> 00:02:37,599
+be a for
+ 
+
+101
+00:02:37,599 --> 00:02:42,490
+be a for
+a we going to make them s
+
+102
+00:02:42,490 --> 00:02:42,500
+a we going to make them s
+ 
+
+103
+00:02:42,500 --> 00:02:58,830
+a we going to make them s
+[Music]
+
+104
+00:02:58,830 --> 00:02:58,840
+[Music]
+ 
+
+105
+00:02:58,840 --> 00:03:13,270
+[Music]
+women
+
+106
+00:03:13,270 --> 00:03:13,280
+
+ 
+
+107
+00:03:13,280 --> 00:03:19,199
+
+[Music]
+
diff --git a/1954/8Q2WgdOSfms.en.srt b/1954/8Q2WgdOSfms.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..9c793e8ff5a209741d6a8749c42416ebab83a5e7
--- /dev/null
+++ b/1954/8Q2WgdOSfms.en.srt
@@ -0,0 +1,245 @@
+1
+00:00:00,310 --> 00:00:03,269
+
+[Music]
+
+2
+00:00:03,269 --> 00:00:03,279
+[Music]
+ 
+
+3
+00:00:03,279 --> 00:00:05,650
+[Music]
+the lady also late today by
+
+4
+00:00:05,650 --> 00:00:05,660
+the lady also late today by
+ 
+
+5
+00:00:05,660 --> 00:00:07,690
+the lady also late today by
+nature yes but we have a lot of time
+
+6
+00:00:07,690 --> 00:00:07,700
+nature yes but we have a lot of time
+ 
+
+7
+00:00:07,700 --> 00:00:09,730
+nature yes but we have a lot of time
+mister thriller mister those that in the
+
+8
+00:00:09,730 --> 00:00:09,740
+mister thriller mister those that in the
+ 
+
+9
+00:00:09,740 --> 00:00:17,140
+mister thriller mister those that in the
+beautiful behind we begin stolen were
+
+10
+00:00:17,140 --> 00:00:17,150
+beautiful behind we begin stolen were
+ 
+
+11
+00:00:17,150 --> 00:00:21,460
+beautiful behind we begin stolen were
+also the poses the good size of danang
+
+12
+00:00:21,460 --> 00:00:21,470
+also the poses the good size of danang
+ 
+
+13
+00:00:21,470 --> 00:00:27,160
+also the poses the good size of danang
+street fight lights on youtube maria et
+
+14
+00:00:27,160 --> 00:00:27,170
+street fight lights on youtube maria et
+ 
+
+15
+00:00:27,170 --> 00:00:29,560
+street fight lights on youtube maria et
+orbì moret or less at the garden and siemens
+
+16
+00:00:29,560 --> 00:00:29,570
+orbì moret or less at the garden and siemens
+ 
+
+17
+00:00:29,570 --> 00:00:35,939
+orbì moret or less at the garden and siemens
+insists from pontboset barefoot
+
+18
+00:00:35,939 --> 00:00:35,949
+
+ 
+
+19
+00:00:35,949 --> 00:00:38,819
+
+périphérique to understand something
+
+20
+00:00:38,819 --> 00:00:38,829
+périphérique to understand something
+ 
+
+21
+00:00:38,829 --> 00:00:43,540
+périphérique to understand something
+strange of art stupid one gentlemen yes
+
+22
+00:00:43,540 --> 00:00:43,550
+strange of art stupid one gentlemen yes
+ 
+
+23
+00:00:43,550 --> 00:00:45,160
+strange of art stupid one gentlemen yes
+they continue to talk distract me
+
+24
+00:00:45,160 --> 00:00:45,170
+they continue to talk distract me
+ 
+
+25
+00:00:45,170 --> 00:00:47,169
+they continue to talk distract me
+and the mister of I had given of shader
+
+26
+00:00:47,169 --> 00:00:47,179
+and the mister of I had given of shader
+ 
+
+27
+00:00:47,179 --> 00:00:49,629
+and the mister of I had given of shader
+maria tweak surf guide them stations
+
+28
+00:00:49,629 --> 00:00:49,639
+maria tweak surf guide them stations
+ 
+
+29
+00:00:49,639 --> 00:00:53,860
+maria tweak surf guide them stations
+alas jean claude delangle garrigue
+
+30
+00:00:53,860 --> 00:00:53,870
+alas jean claude delangle garrigue
+ 
+
+31
+00:00:53,870 --> 00:01:00,489
+alas jean claude delangle garrigue
+knightley stearns theological in germany
+
+32
+00:01:00,489 --> 00:01:00,499
+knightley stearns theological in germany
+ 
+
+33
+00:01:00,499 --> 00:01:03,279
+knightley stearns theological in germany
+of typhus of not studying here biblical one
+
+34
+00:01:03,279 --> 00:01:03,289
+of typhus of not studying here biblical one
+ 
+
+35
+00:01:03,289 --> 00:01:09,450
+of typhus of not studying here biblical one
+in naples akerlof location all in with the
+
+36
+00:01:09,450 --> 00:01:09,460
+
+ 
+
+37
+00:01:09,460 --> 00:01:18,580
+
+marines good right in the tournaments maria
+
+38
+00:01:18,580 --> 00:01:18,590
+marines good right in the tournaments maria
+ 
+
+39
+00:01:18,590 --> 00:01:28,030
+marines good right in the tournaments maria
+youtube
+
+40
+00:01:28,030 --> 00:01:28,040
+
+ 
+
+41
+00:01:28,040 --> 00:01:32,459
+
+[Music]
+
+42
+00:01:32,459 --> 00:01:32,469
+[Music]
+ 
+
+43
+00:01:32,469 --> 00:01:37,480
+[Music]
+I went del piero way that the spear
+
+44
+00:01:37,480 --> 00:01:37,490
+I went del piero way that the spear
+ 
+
+45
+00:01:37,490 --> 00:01:42,130
+I went del piero way that the spear
+powerspine folk singer a great mario
+
+46
+00:01:42,130 --> 00:01:42,140
+powerspine folk singer a great mario
+ 
+
+47
+00:01:42,140 --> 00:01:46,480
+powerspine folk singer a great mario
+boni
+
+48
+00:01:46,480 --> 00:01:46,490
+
+ 
+
+49
+00:01:46,490 --> 00:01:57,819
+
+[Music]
+
diff --git a/1954/9MSGSOjdViQ.en.srt b/1954/9MSGSOjdViQ.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..2146e9b14336235775b7471562c4586881855746
--- /dev/null
+++ b/1954/9MSGSOjdViQ.en.srt
@@ -0,0 +1,175 @@
+1
+00:00:00,000 --> 00:00:04,579
+
+I charge you that on the 26th of
+
+2
+00:00:04,579 --> 00:00:04,589
+I charge you that on the 26th of
+ 
+
+3
+00:00:04,589 --> 00:00:06,829
+I charge you that on the 26th of
+September unit willfully murder Charles
+
+4
+00:00:06,829 --> 00:00:06,839
+September unit willfully murder Charles
+ 
+
+5
+00:00:06,839 --> 00:00:09,799
+September unit willfully murder Charles
+Alexander Swann do you wish to say
+
+6
+00:00:09,799 --> 00:00:09,809
+Alexander Swann do you wish to say
+ 
+
+7
+00:00:09,809 --> 00:00:16,550
+Alexander Swann do you wish to say
+anything in answer to this charge and if
+
+8
+00:00:16,550 --> 00:00:16,560
+anything in answer to this charge and if
+ 
+
+9
+00:00:16,560 --> 00:00:19,790
+anything in answer to this charge and if
+you at any time in your life meet this
+
+10
+00:00:19,790 --> 00:00:19,800
+you at any time in your life meet this
+ 
+
+11
+00:00:19,800 --> 00:00:24,890
+you at any time in your life meet this
+man's one you received a letter from mr.
+
+12
+00:00:24,890 --> 00:00:24,900
+man's one you received a letter from mr.
+ 
+
+13
+00:00:24,900 --> 00:00:25,540
+man's one you received a letter from mr.
+Halliday
+
+14
+00:00:25,540 --> 00:00:25,550
+Halliday
+ 
+
+15
+00:00:25,550 --> 00:00:28,070
+Halliday
+this letter was found in the dead man's
+
+16
+00:00:28,070 --> 00:00:28,080
+this letter was found in the dead man's
+ 
+
+17
+00:00:28,080 --> 00:00:30,880
+this letter was found in the dead man's
+pocket
+
+18
+00:00:30,880 --> 00:00:30,890
+
+ 
+
+19
+00:00:30,890 --> 00:00:35,140
+
+[Music]
+
+20
+00:00:35,140 --> 00:00:35,150
+[Music]
+ 
+
+21
+00:00:35,150 --> 00:00:39,330
+[Music]
+you find the prisoner Margo Mary wendice
+
+22
+00:00:39,330 --> 00:00:39,340
+you find the prisoner Margo Mary wendice
+ 
+
+23
+00:00:39,340 --> 00:00:46,780
+you find the prisoner Margo Mary wendice
+guilty or not guilty guilty
+
+24
+00:00:46,780 --> 00:00:46,790
+
+ 
+
+25
+00:00:46,790 --> 00:00:50,620
+
+[Music]
+
+26
+00:00:50,620 --> 00:00:50,630
+
+ 
+
+27
+00:00:50,630 --> 00:00:53,440
+
+sentence of this Court is that you'll be
+
+28
+00:00:53,440 --> 00:00:53,450
+sentence of this Court is that you'll be
+ 
+
+29
+00:00:53,450 --> 00:00:55,950
+sentence of this Court is that you'll be
+taken to the place from whence you came
+
+30
+00:00:55,950 --> 00:00:55,960
+taken to the place from whence you came
+ 
+
+31
+00:00:55,960 --> 00:00:58,630
+taken to the place from whence you came
+from thence to a place of lawful
+
+32
+00:00:58,630 --> 00:00:58,640
+from thence to a place of lawful
+ 
+
+33
+00:00:58,640 --> 00:01:00,370
+from thence to a place of lawful
+execution
+
+34
+00:01:00,370 --> 00:01:00,380
+execution
+ 
+
+35
+00:01:00,380 --> 00:01:12,900
+execution
+[Music]
+
diff --git a/1954/A8wAYZAwQFs.en.srt b/1954/A8wAYZAwQFs.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..6e99532afc27ca16c7b7085dbcb837c32cb7b8f6
--- /dev/null
+++ b/1954/A8wAYZAwQFs.en.srt
@@ -0,0 +1,275 @@
+1
+00:00:00,200 --> 00:00:01,069
+
+[Music]
+
+2
+00:00:01,069 --> 00:00:01,079
+[Music]
+ 
+
+3
+00:00:01,079 --> 00:00:04,190
+[Music]
+listen to The Sounds Hunting Calls
+
+4
+00:00:04,190 --> 00:00:04,200
+listen to The Sounds Hunting Calls
+ 
+
+5
+00:00:04,200 --> 00:00:07,389
+listen to The Sounds Hunting Calls
+mostly animals out for the kill some of
+
+6
+00:00:07,389 --> 00:00:07,399
+mostly animals out for the kill some of
+ 
+
+7
+00:00:07,399 --> 00:00:09,910
+mostly animals out for the kill some of
+them are cries of fear like people who
+
+8
+00:00:09,910 --> 00:00:09,920
+them are cries of fear like people who
+ 
+
+9
+00:00:09,920 --> 00:00:11,070
+them are cries of fear like people who
+whistle in the
+
+10
+00:00:11,070 --> 00:00:11,080
+whistle in the
+ 
+
+11
+00:00:11,080 --> 00:00:13,350
+whistle in the
+dark I'm not exactly
+
+12
+00:00:13,350 --> 00:00:13,360
+dark I'm not exactly
+ 
+
+13
+00:00:13,360 --> 00:00:15,669
+dark I'm not exactly
+blind you're worried about what's
+
+14
+00:00:15,669 --> 00:00:15,679
+blind you're worried about what's
+ 
+
+15
+00:00:15,679 --> 00:00:18,630
+blind you're worried about what's
+happened between Mark and David but once
+
+16
+00:00:18,630 --> 00:00:18,640
+happened between Mark and David but once
+ 
+
+17
+00:00:18,640 --> 00:00:20,750
+happened between Mark and David but once
+you admit the simple fact that you're in
+
+18
+00:00:20,750 --> 00:00:20,760
+you admit the simple fact that you're in
+ 
+
+19
+00:00:20,760 --> 00:00:23,589
+you admit the simple fact that you're in
+love which you have then it becomes a
+
+20
+00:00:23,589 --> 00:00:23,599
+love which you have then it becomes a
+ 
+
+21
+00:00:23,599 --> 00:00:25,750
+love which you have then it becomes a
+good idea to be the scientist about it
+
+22
+00:00:25,750 --> 00:00:25,760
+good idea to be the scientist about it
+ 
+
+23
+00:00:25,760 --> 00:00:28,150
+good idea to be the scientist about it
+it's not as easy as that why
+
+24
+00:00:28,150 --> 00:00:28,160
+it's not as easy as that why
+ 
+
+25
+00:00:28,160 --> 00:00:30,429
+it's not as easy as that why
+not well if it weren't for Mark Williams
+
+26
+00:00:30,429 --> 00:00:30,439
+not well if it weren't for Mark Williams
+ 
+
+27
+00:00:30,439 --> 00:00:33,310
+not well if it weren't for Mark Williams
+I wouldn't have my work or or even a job
+
+28
+00:00:33,310 --> 00:00:33,320
+I wouldn't have my work or or even a job
+ 
+
+29
+00:00:33,320 --> 00:00:34,430
+I wouldn't have my work or or even a job
+it's true he helped you through your
+
+30
+00:00:34,430 --> 00:00:34,440
+it's true he helped you through your
+ 
+
+31
+00:00:34,440 --> 00:00:36,869
+it's true he helped you through your
+training and gave you a job but he
+
+32
+00:00:36,869 --> 00:00:36,879
+training and gave you a job but he
+ 
+
+33
+00:00:36,879 --> 00:00:38,750
+training and gave you a job but he
+needed you just as much as you needed
+
+34
+00:00:38,750 --> 00:00:38,760
+needed you just as much as you needed
+ 
+
+35
+00:00:38,760 --> 00:00:41,470
+needed you just as much as you needed
+him you're oversimplified youve more
+
+36
+00:00:41,470 --> 00:00:41,480
+him you're oversimplified youve more
+ 
+
+37
+00:00:41,480 --> 00:00:44,590
+him you're oversimplified youve more
+than repaid him many times over why good
+
+38
+00:00:44,590 --> 00:00:44,600
+than repaid him many times over why good
+ 
+
+39
+00:00:44,600 --> 00:00:45,990
+than repaid him many times over why good
+part of his present position at The
+
+40
+00:00:45,990 --> 00:00:46,000
+part of his present position at The
+ 
+
+41
+00:00:46,000 --> 00:00:47,510
+part of his present position at The
+Institute is due to your valuable
+
+42
+00:00:47,510 --> 00:00:47,520
+Institute is due to your valuable
+ 
+
+43
+00:00:47,520 --> 00:00:51,790
+Institute is due to your valuable
+research and another
+
+44
+00:00:51,790 --> 00:00:51,800
+
+ 
+
+45
+00:00:51,800 --> 00:00:54,460
+
+thing get
+
+46
+00:00:54,460 --> 00:00:54,470
+thing get
+ 
+
+47
+00:00:54,470 --> 00:00:56,830
+thing get
+[Music]
+
+48
+00:00:56,830 --> 00:00:56,840
+[Music]
+ 
+
+49
+00:00:56,840 --> 00:01:12,950
+[Music]
+back R get on
+
+50
+00:01:12,950 --> 00:01:12,960
+
+ 
+
+51
+00:01:12,960 --> 00:01:14,109
+
+[Music]
+
+52
+00:01:14,109 --> 00:01:14,119
+[Music]
+ 
+
+53
+00:01:14,119 --> 00:01:20,380
+[Music]
+what got THS
+
+54
+00:01:20,380 --> 00:01:20,390
+
+ 
+
+55
+00:01:20,390 --> 00:01:51,449
+
+[Music]
+
diff --git a/1954/BmLPVUYQM34.en.srt b/1954/BmLPVUYQM34.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..edaf3f4af183fe8b9062fb102070df47ecc2fd93
--- /dev/null
+++ b/1954/BmLPVUYQM34.en.srt
@@ -0,0 +1,555 @@
+1
+00:00:00,000 --> 00:00:13,669
+
+[Music]
+
+2
+00:00:13,669 --> 00:00:13,679
+[Music]
+ 
+
+3
+00:00:13,679 --> 00:00:17,710
+[Music]
+here it is
+
+4
+00:00:17,710 --> 00:00:17,720
+
+ 
+
+5
+00:00:17,720 --> 00:00:20,950
+
+gentlemen exactly as I found
+
+6
+00:00:20,950 --> 00:00:20,960
+gentlemen exactly as I found
+ 
+
+7
+00:00:20,960 --> 00:00:23,910
+gentlemen exactly as I found
+it it's amazing it's
+
+8
+00:00:23,910 --> 00:00:23,920
+it it's amazing it's
+ 
+
+9
+00:00:23,920 --> 00:00:26,310
+it it's amazing it's
+incredible could it possibly belonged to
+
+10
+00:00:26,310 --> 00:00:26,320
+incredible could it possibly belonged to
+ 
+
+11
+00:00:26,320 --> 00:00:29,269
+incredible could it possibly belonged to
+a plene man the chances are much greater
+
+12
+00:00:29,269 --> 00:00:29,279
+a plene man the chances are much greater
+ 
+
+13
+00:00:29,279 --> 00:00:30,749
+a plene man the chances are much greater
+that that handong Ong to an amphibian
+
+14
+00:00:30,749 --> 00:00:30,759
+that that handong Ong to an amphibian
+ 
+
+15
+00:00:30,759 --> 00:00:32,589
+that that handong Ong to an amphibian
+mark one that spent a great deal of time
+
+16
+00:00:32,589 --> 00:00:32,599
+mark one that spent a great deal of time
+ 
+
+17
+00:00:32,599 --> 00:00:34,389
+mark one that spent a great deal of time
+in the water well then how do you
+
+18
+00:00:34,389 --> 00:00:34,399
+in the water well then how do you
+ 
+
+19
+00:00:34,399 --> 00:00:36,350
+in the water well then how do you
+account for the structure of the fingers
+
+20
+00:00:36,350 --> 00:00:36,360
+account for the structure of the fingers
+ 
+
+21
+00:00:36,360 --> 00:00:37,950
+account for the structure of the fingers
+obviously for land
+
+22
+00:00:37,950 --> 00:00:37,960
+obviously for land
+ 
+
+23
+00:00:37,960 --> 00:00:41,069
+obviously for land
+use what do you think Dr Matos we can be
+
+24
+00:00:41,069 --> 00:00:41,079
+use what do you think Dr Matos we can be
+ 
+
+25
+00:00:41,079 --> 00:00:43,470
+use what do you think Dr Matos we can be
+sure of one thing whatever it was it was
+
+26
+00:00:43,470 --> 00:00:43,480
+sure of one thing whatever it was it was
+ 
+
+27
+00:00:43,480 --> 00:00:44,630
+sure of one thing whatever it was it was
+very
+
+28
+00:00:44,630 --> 00:00:44,640
+very
+ 
+
+29
+00:00:44,640 --> 00:00:46,670
+very
+powerful you say you have hopes of
+
+30
+00:00:46,670 --> 00:00:46,680
+powerful you say you have hopes of
+ 
+
+31
+00:00:46,680 --> 00:00:48,389
+powerful you say you have hopes of
+finding the rest of the fossil as soon
+
+32
+00:00:48,389 --> 00:00:48,399
+finding the rest of the fossil as soon
+ 
+
+33
+00:00:48,399 --> 00:00:50,910
+finding the rest of the fossil as soon
+as I get a suitable Expedition together
+
+34
+00:00:50,910 --> 00:00:50,920
+as I get a suitable Expedition together
+ 
+
+35
+00:00:50,920 --> 00:00:53,670
+as I get a suitable Expedition together
+well why don't we make up the Expedition
+
+36
+00:00:53,670 --> 00:00:53,680
+well why don't we make up the Expedition
+ 
+
+37
+00:00:53,680 --> 00:00:55,270
+well why don't we make up the Expedition
+we're here now and after all it does
+
+38
+00:00:55,270 --> 00:00:55,280
+we're here now and after all it does
+ 
+
+39
+00:00:55,280 --> 00:00:56,389
+we're here now and after all it does
+come under the heading of our work
+
+40
+00:00:56,389 --> 00:00:56,399
+come under the heading of our work
+ 
+
+41
+00:00:56,399 --> 00:00:58,709
+come under the heading of our work
+doesn't it David it certainly does more
+
+42
+00:00:58,709 --> 00:00:58,719
+doesn't it David it certainly does more
+ 
+
+43
+00:00:58,719 --> 00:01:00,310
+doesn't it David it certainly does more
+and more we're learning the meaning and
+
+44
+00:01:00,310 --> 00:01:00,320
+and more we're learning the meaning and
+ 
+
+45
+00:01:00,320 --> 00:01:02,430
+and more we're learning the meaning and
+the value of marine
+
+46
+00:01:02,430 --> 00:01:02,440
+the value of marine
+ 
+
+47
+00:01:02,440 --> 00:01:05,550
+the value of marine
+research look look over
+
+48
+00:01:05,550 --> 00:01:05,560
+research look look over
+ 
+
+49
+00:01:05,560 --> 00:01:08,950
+research look look over
+here this lung fish the bridge between
+
+50
+00:01:08,950 --> 00:01:08,960
+here this lung fish the bridge between
+ 
+
+51
+00:01:08,960 --> 00:01:11,590
+here this lung fish the bridge between
+fish and the land animal how many
+
+52
+00:01:11,590 --> 00:01:11,600
+fish and the land animal how many
+ 
+
+53
+00:01:11,600 --> 00:01:13,510
+fish and the land animal how many
+thousands of ways nature tried to get
+
+54
+00:01:13,510 --> 00:01:13,520
+thousands of ways nature tried to get
+ 
+
+55
+00:01:13,520 --> 00:01:15,870
+thousands of ways nature tried to get
+life out of the sea and onto the land
+
+56
+00:01:15,870 --> 00:01:15,880
+life out of the sea and onto the land
+ 
+
+57
+00:01:15,880 --> 00:01:17,870
+life out of the sea and onto the land
+this one failed he hasn't changed in
+
+58
+00:01:17,870 --> 00:01:17,880
+this one failed he hasn't changed in
+ 
+
+59
+00:01:17,880 --> 00:01:19,469
+this one failed he hasn't changed in
+millions of
+
+60
+00:01:19,469 --> 00:01:19,479
+millions of
+ 
+
+61
+00:01:19,479 --> 00:01:21,749
+millions of
+years but
+
+62
+00:01:21,749 --> 00:01:21,759
+years but
+ 
+
+63
+00:01:21,759 --> 00:01:25,469
+years but
+here here we have a clue to An Answer
+
+64
+00:01:25,469 --> 00:01:25,479
+here here we have a clue to An Answer
+ 
+
+65
+00:01:25,479 --> 00:01:27,030
+here here we have a clue to An Answer
+someday spaceships will be traveling
+
+66
+00:01:27,030 --> 00:01:27,040
+someday spaceships will be traveling
+ 
+
+67
+00:01:27,040 --> 00:01:28,910
+someday spaceships will be traveling
+from Earth to other planets our are
+
+68
+00:01:28,910 --> 00:01:28,920
+from Earth to other planets our are
+ 
+
+69
+00:01:28,920 --> 00:01:30,350
+from Earth to other planets our are
+human beings going to survive survive on
+
+70
+00:01:30,350 --> 00:01:30,360
+human beings going to survive survive on
+ 
+
+71
+00:01:30,360 --> 00:01:32,270
+human beings going to survive survive on
+those planets the atmosphere will be
+
+72
+00:01:32,270 --> 00:01:32,280
+those planets the atmosphere will be
+ 
+
+73
+00:01:32,280 --> 00:01:35,030
+those planets the atmosphere will be
+different the pressures will be
+
+74
+00:01:35,030 --> 00:01:35,040
+different the pressures will be
+ 
+
+75
+00:01:35,040 --> 00:01:37,990
+different the pressures will be
+different by studying these and other
+
+76
+00:01:37,990 --> 00:01:38,000
+different by studying these and other
+ 
+
+77
+00:01:38,000 --> 00:01:40,149
+different by studying these and other
+species we add to our knowledge of how
+
+78
+00:01:40,149 --> 00:01:40,159
+species we add to our knowledge of how
+ 
+
+79
+00:01:40,159 --> 00:01:42,109
+species we add to our knowledge of how
+life evolved how it adapted itself to
+
+80
+00:01:42,109 --> 00:01:42,119
+life evolved how it adapted itself to
+ 
+
+81
+00:01:42,119 --> 00:01:45,270
+life evolved how it adapted itself to
+this world with that knowledge perhaps
+
+82
+00:01:45,270 --> 00:01:45,280
+this world with that knowledge perhaps
+ 
+
+83
+00:01:45,280 --> 00:01:47,310
+this world with that knowledge perhaps
+we can teach men to adapt themselves to
+
+84
+00:01:47,310 --> 00:01:47,320
+we can teach men to adapt themselves to
+ 
+
+85
+00:01:47,320 --> 00:01:49,550
+we can teach men to adapt themselves to
+some new world of the future nice speech
+
+86
+00:01:49,550 --> 00:01:49,560
+some new world of the future nice speech
+ 
+
+87
+00:01:49,560 --> 00:01:51,230
+some new world of the future nice speech
+David but there's still a practical side
+
+88
+00:01:51,230 --> 00:01:51,240
+David but there's still a practical side
+ 
+
+89
+00:01:51,240 --> 00:01:53,709
+David but there's still a practical side
+to it if I sound Brash and more like a
+
+90
+00:01:53,709 --> 00:01:53,719
+to it if I sound Brash and more like a
+ 
+
+91
+00:01:53,719 --> 00:01:55,350
+to it if I sound Brash and more like a
+banker than a scientist try to remember
+
+92
+00:01:55,350 --> 00:01:55,360
+banker than a scientist try to remember
+ 
+
+93
+00:01:55,360 --> 00:01:57,109
+banker than a scientist try to remember
+that it takes money to run an Institute
+
+94
+00:01:57,109 --> 00:01:57,119
+that it takes money to run an Institute
+ 
+
+95
+00:01:57,119 --> 00:01:59,910
+that it takes money to run an Institute
+like ours A find of any real importance
+
+96
+00:01:59,910 --> 00:01:59,920
+like ours A find of any real importance
+ 
+
+97
+00:01:59,920 --> 00:02:01,830
+like ours A find of any real importance
+can be of great financial value to us
+
+98
+00:02:01,830 --> 00:02:01,840
+can be of great financial value to us
+ 
+
+99
+00:02:01,840 --> 00:02:03,910
+can be of great financial value to us
+also certainly your board couldn't
+
+100
+00:02:03,910 --> 00:02:03,920
+also certainly your board couldn't
+ 
+
+101
+00:02:03,920 --> 00:02:07,990
+also certainly your board couldn't
+disapprove it certainly couldn't Dr Maya
+
+102
+00:02:07,990 --> 00:02:08,000
+disapprove it certainly couldn't Dr Maya
+ 
+
+103
+00:02:08,000 --> 00:02:10,350
+disapprove it certainly couldn't Dr Maya
+you've got yourself an expedition good
+
+104
+00:02:10,350 --> 00:02:10,360
+you've got yourself an expedition good
+ 
+
+105
+00:02:10,360 --> 00:02:11,510
+you've got yourself an expedition good
+we'll leave from mon hour's in the
+
+106
+00:02:11,510 --> 00:02:11,520
+we'll leave from mon hour's in the
+ 
+
+107
+00:02:11,520 --> 00:02:13,150
+we'll leave from mon hour's in the
+morning from there we'll take a boat up
+
+108
+00:02:13,150 --> 00:02:13,160
+morning from there we'll take a boat up
+ 
+
+109
+00:02:13,160 --> 00:02:14,300
+morning from there we'll take a boat up
+River
+
+110
+00:02:14,300 --> 00:02:14,310
+River
+ 
+
+111
+00:02:14,310 --> 00:02:46,499
+River
+[Music]
+
diff --git a/1954/CApLHv_NrAw.en.srt b/1954/CApLHv_NrAw.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..617491536c2416c4e1d57618d5a1ee74a27891d5
--- /dev/null
+++ b/1954/CApLHv_NrAw.en.srt
@@ -0,0 +1,105 @@
+1
+00:00:00,120 --> 00:00:07,650
+
+JA
+
+2
+00:00:07,650 --> 00:00:07,660
+
+ 
+
+3
+00:00:07,660 --> 00:00:30,070
+
+[Music]
+
+4
+00:00:30,070 --> 00:00:30,080
+
+ 
+
+5
+00:00:30,080 --> 00:00:31,280
+
+T
+
+6
+00:00:31,280 --> 00:00:31,290
+T
+ 
+
+7
+00:00:31,290 --> 00:00:54,930
+T
+[Music]
+
+8
+00:00:54,930 --> 00:00:54,940
+[Music]
+ 
+
+9
+00:00:54,940 --> 00:01:00,229
+[Music]
+[Applause]
+
+10
+00:01:00,229 --> 00:01:00,239
+
+ 
+
+11
+00:01:00,239 --> 00:01:04,280
+
+T
+
+12
+00:01:04,280 --> 00:01:04,290
+
+ 
+
+13
+00:01:04,290 --> 00:01:42,789
+
+[Music]
+
+14
+00:01:42,789 --> 00:01:42,799
+[Music]
+ 
+
+15
+00:01:42,799 --> 00:01:43,860
+[Music]
+O
+
+16
+00:01:43,860 --> 00:01:43,870
+O
+ 
+
+17
+00:01:43,870 --> 00:02:00,029
+O
+[Music]
+
+18
+00:02:00,029 --> 00:02:00,039
+
+ 
+
+19
+00:02:00,039 --> 00:02:08,330
+
+T
+
+20
+00:02:08,330 --> 00:02:08,340
+
+ 
+
+21
+00:02:08,340 --> 00:02:55,509
+
+[Music]
+
diff --git a/1954/DKCGcHQSvHw.description b/1954/DKCGcHQSvHw.description
new file mode 100644
index 0000000000000000000000000000000000000000..c3c260c2aba3ef164cdbb5dcf7ec064052d3a5f5
--- /dev/null
+++ b/1954/DKCGcHQSvHw.description
@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+A neighbor is heartbroken when she finds her dog has been killed. Jeff (James Stewart) and Lisa (Grace Kelly) question why Thorwald would want to kill a dog.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Frank Cady, James Stewart, Sara Berner, Grace Kelly
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1954/DKCGcHQSvHw.en.srt b/1954/DKCGcHQSvHw.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..c7348ef6a7bae9236617f64dbf25505c6b46574b
--- /dev/null
+++ b/1954/DKCGcHQSvHw.en.srt
@@ -0,0 +1,455 @@
+1
+00:00:00,880 --> 00:00:07,269
+
+[Music]
+
+2
+00:00:07,269 --> 00:00:07,279
+
+ 
+
+3
+00:00:07,279 --> 00:00:08,669
+
+what do you
+
+4
+00:00:08,669 --> 00:00:08,679
+what do you
+ 
+
+5
+00:00:08,679 --> 00:00:12,789
+what do you
+think well uh I will rephrase the
+
+6
+00:00:12,789 --> 00:00:12,799
+think well uh I will rephrase the
+ 
+
+7
+00:00:12,799 --> 00:00:14,869
+think well uh I will rephrase the
+question thank
+
+8
+00:00:14,869 --> 00:00:14,879
+question thank
+ 
+
+9
+00:00:14,879 --> 00:00:17,590
+question thank
+you you like
+
+10
+00:00:17,590 --> 00:00:17,600
+you you like
+ 
+
+11
+00:00:17,600 --> 00:00:21,500
+you you like
+it yes I like it
+
+12
+00:00:21,500 --> 00:00:21,510
+it yes I like it
+ 
+
+13
+00:00:21,510 --> 00:00:25,140
+it yes I like it
+[Applause]
+
+14
+00:00:25,140 --> 00:00:25,150
+
+ 
+
+15
+00:00:25,150 --> 00:00:27,910
+
+[Music]
+
+16
+00:00:27,910 --> 00:00:27,920
+[Music]
+ 
+
+17
+00:00:27,920 --> 00:00:32,450
+[Music]
+[Applause]
+
+18
+00:00:32,450 --> 00:00:32,460
+
+ 
+
+19
+00:00:32,460 --> 00:00:37,190
+
+[Music]
+
+20
+00:00:37,190 --> 00:00:37,200
+[Music]
+ 
+
+21
+00:00:37,200 --> 00:00:43,229
+[Music]
+the Something's Happened
+
+22
+00:00:43,229 --> 00:00:43,239
+
+ 
+
+23
+00:00:43,239 --> 00:00:46,270
+
+to
+
+24
+00:00:46,270 --> 00:00:46,280
+
+ 
+
+25
+00:00:46,280 --> 00:00:49,430
+
+[Music]
+
+26
+00:00:49,430 --> 00:00:49,440
+[Music]
+ 
+
+27
+00:00:49,440 --> 00:00:53,270
+[Music]
+some it's dead it's been strangled the
+
+28
+00:00:53,270 --> 00:00:53,280
+some it's dead it's been strangled the
+ 
+
+29
+00:00:53,280 --> 00:00:55,029
+some it's dead it's been strangled the
+neck is
+
+30
+00:00:55,029 --> 00:00:55,039
+neck is
+ 
+
+31
+00:00:55,039 --> 00:00:58,229
+neck is
+broken which one of you didn't which one
+
+32
+00:00:58,229 --> 00:00:58,239
+broken which one of you didn't which one
+ 
+
+33
+00:00:58,239 --> 00:01:00,110
+broken which one of you didn't which one
+of you killed my dog
+
+34
+00:01:00,110 --> 00:01:00,120
+of you killed my dog
+ 
+
+35
+00:01:00,120 --> 00:01:01,910
+of you killed my dog
+[Applause]
+
+36
+00:01:01,910 --> 00:01:01,920
+[Applause]
+ 
+
+37
+00:01:01,920 --> 00:01:04,229
+[Applause]
+you don't know the meaning of the word
+
+38
+00:01:04,229 --> 00:01:04,239
+you don't know the meaning of the word
+ 
+
+39
+00:01:04,239 --> 00:01:07,350
+you don't know the meaning of the word
+neighbor Neighbors like each other speak
+
+40
+00:01:07,350 --> 00:01:07,360
+neighbor Neighbors like each other speak
+ 
+
+41
+00:01:07,360 --> 00:01:10,950
+neighbor Neighbors like each other speak
+to each other care if anybody lives or
+
+42
+00:01:10,950 --> 00:01:10,960
+to each other care if anybody lives or
+ 
+
+43
+00:01:10,960 --> 00:01:12,940
+to each other care if anybody lives or
+dies but none of you
+
+44
+00:01:12,940 --> 00:01:12,950
+dies but none of you
+ 
+
+45
+00:01:12,950 --> 00:01:16,670
+dies but none of you
+[Music]
+
+46
+00:01:16,670 --> 00:01:16,680
+
+ 
+
+47
+00:01:16,680 --> 00:01:19,310
+
+do but I couldn't imagine any of you
+
+48
+00:01:19,310 --> 00:01:19,320
+do but I couldn't imagine any of you
+ 
+
+49
+00:01:19,320 --> 00:01:21,550
+do but I couldn't imagine any of you
+being so low that you'd kill a little
+
+50
+00:01:21,550 --> 00:01:21,560
+being so low that you'd kill a little
+ 
+
+51
+00:01:21,560 --> 00:01:24,749
+being so low that you'd kill a little
+helpless friendly
+
+52
+00:01:24,749 --> 00:01:24,759
+helpless friendly
+ 
+
+53
+00:01:24,759 --> 00:01:27,069
+helpless friendly
+dog the only thing in this whole
+
+54
+00:01:27,069 --> 00:01:27,079
+dog the only thing in this whole
+ 
+
+55
+00:01:27,079 --> 00:01:34,370
+dog the only thing in this whole
+neighborhood who liked anybody
+
+56
+00:01:34,370 --> 00:01:34,380
+
+ 
+
+57
+00:01:34,380 --> 00:01:37,950
+
+[Music]
+
+58
+00:01:37,950 --> 00:01:37,960
+[Music]
+ 
+
+59
+00:01:37,960 --> 00:01:40,870
+[Music]
+did you kill him because he liked you
+
+60
+00:01:40,870 --> 00:01:40,880
+did you kill him because he liked you
+ 
+
+61
+00:01:40,880 --> 00:01:47,510
+did you kill him because he liked you
+just because he liked
+
+62
+00:01:47,510 --> 00:01:47,520
+
+ 
+
+63
+00:01:47,520 --> 00:01:49,860
+
+[Music]
+
+64
+00:01:49,860 --> 00:01:49,870
+[Music]
+ 
+
+65
+00:01:49,870 --> 00:01:51,190
+[Music]
+[Applause]
+
+66
+00:01:51,190 --> 00:01:51,200
+[Applause]
+ 
+
+67
+00:01:51,200 --> 00:01:54,800
+[Applause]
+you go back
+
+68
+00:01:54,800 --> 00:01:54,810
+you go back
+ 
+
+69
+00:01:54,810 --> 00:02:05,360
+you go back
+[Music]
+
+70
+00:02:05,360 --> 00:02:05,370
+[Music]
+ 
+
+71
+00:02:05,370 --> 00:02:06,709
+[Music]
+[Applause]
+
+72
+00:02:06,709 --> 00:02:06,719
+[Applause]
+ 
+
+73
+00:02:06,719 --> 00:02:08,430
+[Applause]
+you know for a minute that Tom Doyle
+
+74
+00:02:08,430 --> 00:02:08,440
+you know for a minute that Tom Doyle
+ 
+
+75
+00:02:08,440 --> 00:02:11,110
+you know for a minute that Tom Doyle
+almost had me convinced I was wrong but
+
+76
+00:02:11,110 --> 00:02:11,120
+almost had me convinced I was wrong but
+ 
+
+77
+00:02:11,120 --> 00:02:14,229
+almost had me convinced I was wrong but
+you're not look in the whole Courtyard
+
+78
+00:02:14,229 --> 00:02:14,239
+you're not look in the whole Courtyard
+ 
+
+79
+00:02:14,239 --> 00:02:16,270
+you're not look in the whole Courtyard
+only one person didn't come to the
+
+80
+00:02:16,270 --> 00:02:16,280
+only one person didn't come to the
+ 
+
+81
+00:02:16,280 --> 00:02:20,560
+only one person didn't come to the
+window
+
+82
+00:02:20,560 --> 00:02:20,570
+
+ 
+
+83
+00:02:20,570 --> 00:02:22,990
+
+[Music]
+
+84
+00:02:22,990 --> 00:02:23,000
+[Music]
+ 
+
+85
+00:02:23,000 --> 00:02:26,110
+[Music]
+look why would Thor want to kill a
+
+86
+00:02:26,110 --> 00:02:26,120
+look why would Thor want to kill a
+ 
+
+87
+00:02:26,120 --> 00:02:28,150
+look why would Thor want to kill a
+little
+
+88
+00:02:28,150 --> 00:02:28,160
+little
+ 
+
+89
+00:02:28,160 --> 00:02:34,450
+little
+dog because it knew too much
+
+90
+00:02:34,450 --> 00:02:34,460
+
+ 
+
+91
+00:02:34,460 --> 00:03:05,519
+
+[Music]
+
diff --git a/1954/DaWi5EoJVGA.en.srt b/1954/DaWi5EoJVGA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..036651669570d99b901a5f29e4f15aa9406db549
--- /dev/null
+++ b/1954/DaWi5EoJVGA.en.srt
@@ -0,0 +1,705 @@
+1
+00:00:00,640 --> 00:00:03,950
+
+how much does he know about you and Mrs
+
+2
+00:00:03,950 --> 00:00:03,960
+how much does he know about you and Mrs
+ 
+
+3
+00:00:03,960 --> 00:00:06,590
+how much does he know about you and Mrs
+wendes I beg your pardon you wrote a
+
+4
+00:00:06,590 --> 00:00:06,600
+wendes I beg your pardon you wrote a
+ 
+
+5
+00:00:06,600 --> 00:00:08,549
+wendes I beg your pardon you wrote a
+letter to Mrs wendes from New York it
+
+6
+00:00:08,549 --> 00:00:08,559
+letter to Mrs wendes from New York it
+ 
+
+7
+00:00:08,559 --> 00:00:10,629
+letter to Mrs wendes from New York it
+was found in the Dead Man's inside
+
+8
+00:00:10,629 --> 00:00:10,639
+was found in the Dead Man's inside
+ 
+
+9
+00:00:10,639 --> 00:00:13,110
+was found in the Dead Man's inside
+pocket I didn't mention it because I I
+
+10
+00:00:13,110 --> 00:00:13,120
+pocket I didn't mention it because I I
+ 
+
+11
+00:00:13,120 --> 00:00:15,629
+pocket I didn't mention it because I I
+wasn't sure how much Mr wendes knew have
+
+12
+00:00:15,629 --> 00:00:15,639
+wasn't sure how much Mr wendes knew have
+ 
+
+13
+00:00:15,639 --> 00:00:20,189
+wasn't sure how much Mr wendes knew have
+you any idea how i' got that
+
+14
+00:00:20,189 --> 00:00:20,199
+
+ 
+
+15
+00:00:20,199 --> 00:00:23,109
+
+no where's Tony he's just gone into the
+
+16
+00:00:23,109 --> 00:00:23,119
+no where's Tony he's just gone into the
+ 
+
+17
+00:00:23,119 --> 00:00:25,589
+no where's Tony he's just gone into the
+garden and Mrs wendes when you lost your
+
+18
+00:00:25,589 --> 00:00:25,599
+garden and Mrs wendes when you lost your
+ 
+
+19
+00:00:25,599 --> 00:00:28,429
+garden and Mrs wendes when you lost your
+handbag did you lose a letter as
+
+20
+00:00:28,429 --> 00:00:28,439
+handbag did you lose a letter as
+ 
+
+21
+00:00:28,439 --> 00:00:31,830
+handbag did you lose a letter as
+well no Margot it was found in the dead
+
+22
+00:00:31,830 --> 00:00:31,840
+well no Margot it was found in the dead
+ 
+
+23
+00:00:31,840 --> 00:00:36,310
+well no Margot it was found in the dead
+man's part you did lose it didn't
+
+24
+00:00:36,310 --> 00:00:36,320
+man's part you did lose it didn't
+ 
+
+25
+00:00:36,320 --> 00:00:39,790
+man's part you did lose it didn't
+you yes I did I asked you that before
+
+26
+00:00:39,790 --> 00:00:39,800
+you yes I did I asked you that before
+ 
+
+27
+00:00:39,800 --> 00:00:43,350
+you yes I did I asked you that before
+didn't I yes but you see my husband
+
+28
+00:00:43,350 --> 00:00:43,360
+didn't I yes but you see my husband
+ 
+
+29
+00:00:43,360 --> 00:00:45,350
+didn't I yes but you see my husband
+didn't know about it now this man was
+
+30
+00:00:45,350 --> 00:00:45,360
+didn't know about it now this man was
+ 
+
+31
+00:00:45,360 --> 00:00:47,029
+didn't know about it now this man was
+blackmailing he wasn't he it's no good
+
+32
+00:00:47,029 --> 00:00:47,039
+blackmailing he wasn't he it's no good
+ 
+
+33
+00:00:47,039 --> 00:00:48,590
+blackmailing he wasn't he it's no good
+marot Tony will have to know about it
+
+34
+00:00:48,590 --> 00:00:48,600
+marot Tony will have to know about it
+ 
+
+35
+00:00:48,600 --> 00:00:50,430
+marot Tony will have to know about it
+it's the only thing we can do inspector
+
+36
+00:00:50,430 --> 00:00:50,440
+it's the only thing we can do inspector
+ 
+
+37
+00:00:50,440 --> 00:00:52,750
+it's the only thing we can do inspector
+after Mrs wnis lost my letter she
+
+38
+00:00:52,750 --> 00:00:52,760
+after Mrs wnis lost my letter she
+ 
+
+39
+00:00:52,760 --> 00:00:58,360
+after Mrs wnis lost my letter she
+received these two notes
+
+40
+00:00:58,360 --> 00:00:58,370
+
+ 
+
+41
+00:00:58,370 --> 00:01:01,349
+
+[Music]
+
+42
+00:01:01,349 --> 00:01:01,359
+[Music]
+ 
+
+43
+00:01:01,359 --> 00:01:03,549
+[Music]
+October how many times have you seen
+
+44
+00:01:03,549 --> 00:01:03,559
+October how many times have you seen
+ 
+
+45
+00:01:03,559 --> 00:01:05,350
+October how many times have you seen
+this man I've never seen
+
+46
+00:01:05,350 --> 00:01:05,360
+this man I've never seen
+ 
+
+47
+00:01:05,360 --> 00:01:07,670
+this man I've never seen
+him Mr hel I'd like you to come along
+
+48
+00:01:07,670 --> 00:01:07,680
+him Mr hel I'd like you to come along
+ 
+
+49
+00:01:07,680 --> 00:01:10,670
+him Mr hel I'd like you to come along
+with us yes of course Mrs wendes when
+
+50
+00:01:10,670 --> 00:01:10,680
+with us yes of course Mrs wendes when
+ 
+
+51
+00:01:10,680 --> 00:01:12,550
+with us yes of course Mrs wendes when
+you come to make your statement there
+
+52
+00:01:12,550 --> 00:01:12,560
+you come to make your statement there
+ 
+
+53
+00:01:12,560 --> 00:01:15,190
+you come to make your statement there
+may be other police officers present I
+
+54
+00:01:15,190 --> 00:01:15,200
+may be other police officers present I
+ 
+
+55
+00:01:15,200 --> 00:01:16,950
+may be other police officers present I
+shall warn you first that anything you
+
+56
+00:01:16,950 --> 00:01:16,960
+shall warn you first that anything you
+ 
+
+57
+00:01:16,960 --> 00:01:19,149
+shall warn you first that anything you
+say will be taken down and may be used
+
+58
+00:01:19,149 --> 00:01:19,159
+say will be taken down and may be used
+ 
+
+59
+00:01:19,159 --> 00:01:21,350
+say will be taken down and may be used
+in evidence now never mind what you've
+
+60
+00:01:21,350 --> 00:01:21,360
+in evidence now never mind what you've
+ 
+
+61
+00:01:21,360 --> 00:01:23,670
+in evidence now never mind what you've
+told me so far we'll forget all about
+
+62
+00:01:23,670 --> 00:01:23,680
+told me so far we'll forget all about
+ 
+
+63
+00:01:23,680 --> 00:01:26,910
+told me so far we'll forget all about
+that but from now on tell us exactly
+
+64
+00:01:26,910 --> 00:01:26,920
+that but from now on tell us exactly
+ 
+
+65
+00:01:26,920 --> 00:01:29,069
+that but from now on tell us exactly
+what you know about this man and exactly
+
+66
+00:01:29,069 --> 00:01:29,079
+what you know about this man and exactly
+ 
+
+67
+00:01:29,079 --> 00:01:31,109
+what you know about this man and exactly
+what happened last night T night if you
+
+68
+00:01:31,109 --> 00:01:31,119
+what happened last night T night if you
+ 
+
+69
+00:01:31,119 --> 00:01:33,870
+what happened last night T night if you
+try and conceal anything at all it may
+
+70
+00:01:33,870 --> 00:01:33,880
+try and conceal anything at all it may
+ 
+
+71
+00:01:33,880 --> 00:01:35,950
+try and conceal anything at all it may
+put you in a very serious position I
+
+72
+00:01:35,950 --> 00:01:35,960
+put you in a very serious position I
+ 
+
+73
+00:01:35,960 --> 00:01:37,469
+put you in a very serious position I
+wish you'd explain what you mean by all
+
+74
+00:01:37,469 --> 00:01:37,479
+wish you'd explain what you mean by all
+ 
+
+75
+00:01:37,479 --> 00:01:41,310
+wish you'd explain what you mean by all
+this I will now you admit that you
+
+76
+00:01:41,310 --> 00:01:41,320
+this I will now you admit that you
+ 
+
+77
+00:01:41,320 --> 00:01:43,389
+this I will now you admit that you
+killed this man well you say you did it
+
+78
+00:01:43,389 --> 00:01:43,399
+killed this man well you say you did it
+ 
+
+79
+00:01:43,399 --> 00:01:44,149
+killed this man well you say you did it
+in
+
+80
+00:01:44,149 --> 00:01:44,159
+in
+ 
+
+81
+00:01:44,159 --> 00:01:46,310
+in
+self-defense unfortunately there were no
+
+82
+00:01:46,310 --> 00:01:46,320
+self-defense unfortunately there were no
+ 
+
+83
+00:01:46,320 --> 00:01:48,910
+self-defense unfortunately there were no
+Witnesses so we've only your word for
+
+84
+00:01:48,910 --> 00:01:48,920
+Witnesses so we've only your word for
+ 
+
+85
+00:01:48,920 --> 00:01:51,510
+Witnesses so we've only your word for
+that but I heard it all inspector over
+
+86
+00:01:51,510 --> 00:01:51,520
+that but I heard it all inspector over
+ 
+
+87
+00:01:51,520 --> 00:01:52,270
+that but I heard it all inspector over
+the
+
+88
+00:01:52,270 --> 00:01:52,280
+the
+ 
+
+89
+00:01:52,280 --> 00:01:54,389
+the
+telephone what exactly did you hear Mr
+
+90
+00:01:54,389 --> 00:01:54,399
+telephone what exactly did you hear Mr
+ 
+
+91
+00:01:54,399 --> 00:01:57,149
+telephone what exactly did you hear Mr
+Wendy well I heard a series of faint
+
+92
+00:01:57,149 --> 00:01:57,159
+Wendy well I heard a series of faint
+ 
+
+93
+00:01:57,159 --> 00:01:59,230
+Wendy well I heard a series of faint
+cries but did you hear anything to
+
+94
+00:01:59,230 --> 00:01:59,240
+cries but did you hear anything to
+ 
+
+95
+00:01:59,240 --> 00:02:01,550
+cries but did you hear anything to
+indicate that a struggle was going on
+
+96
+00:02:01,550 --> 00:02:01,560
+indicate that a struggle was going on
+ 
+
+97
+00:02:01,560 --> 00:02:03,310
+indicate that a struggle was going on
+what I did he inspector is perfectly
+
+98
+00:02:03,310 --> 00:02:03,320
+what I did he inspector is perfectly
+ 
+
+99
+00:02:03,320 --> 00:02:05,630
+what I did he inspector is perfectly
+consistent with what my wife told me so
+
+100
+00:02:05,630 --> 00:02:05,640
+consistent with what my wife told me so
+ 
+
+101
+00:02:05,640 --> 00:02:07,230
+consistent with what my wife told me so
+all you rarely know of the matter is
+
+102
+00:02:07,230 --> 00:02:07,240
+all you rarely know of the matter is
+ 
+
+103
+00:02:07,240 --> 00:02:09,430
+all you rarely know of the matter is
+what your wife told you isn't
+
+104
+00:02:09,430 --> 00:02:09,440
+what your wife told you isn't
+ 
+
+105
+00:02:09,440 --> 00:02:12,309
+what your wife told you isn't
+it now you suggest that this man came to
+
+106
+00:02:12,309 --> 00:02:12,319
+it now you suggest that this man came to
+ 
+
+107
+00:02:12,319 --> 00:02:14,350
+it now you suggest that this man came to
+burgle your flat but there's no evidence
+
+108
+00:02:14,350 --> 00:02:14,360
+burgle your flat but there's no evidence
+ 
+
+109
+00:02:14,360 --> 00:02:16,750
+burgle your flat but there's no evidence
+of that there is evidence however that
+
+110
+00:02:16,750 --> 00:02:16,760
+of that there is evidence however that
+ 
+
+111
+00:02:16,760 --> 00:02:18,309
+of that there is evidence however that
+he was blackmailing
+
+112
+00:02:18,309 --> 00:02:18,319
+he was blackmailing
+ 
+
+113
+00:02:18,319 --> 00:02:21,270
+he was blackmailing
+you blackmail yes I'm afraid that's true
+
+114
+00:02:21,270 --> 00:02:21,280
+you blackmail yes I'm afraid that's true
+ 
+
+115
+00:02:21,280 --> 00:02:23,110
+you blackmail yes I'm afraid that's true
+Tony and you suggest that he came in by
+
+116
+00:02:23,110 --> 00:02:23,120
+Tony and you suggest that he came in by
+ 
+
+117
+00:02:23,120 --> 00:02:25,309
+Tony and you suggest that he came in by
+the window and we know that he came in
+
+118
+00:02:25,309 --> 00:02:25,319
+the window and we know that he came in
+ 
+
+119
+00:02:25,319 --> 00:02:27,470
+the window and we know that he came in
+by that door but he can't have come in
+
+120
+00:02:27,470 --> 00:02:27,480
+by that door but he can't have come in
+ 
+
+121
+00:02:27,480 --> 00:02:29,589
+by that door but he can't have come in
+that way that door was locked and there
+
+122
+00:02:29,589 --> 00:02:29,599
+that way that door was locked and there
+ 
+
+123
+00:02:29,599 --> 00:02:31,830
+that way that door was locked and there
+only two keys my husband head is with
+
+124
+00:02:31,830 --> 00:02:31,840
+only two keys my husband head is with
+ 
+
+125
+00:02:31,840 --> 00:02:34,589
+only two keys my husband head is with
+him and mine was in my handbag
+
+126
+00:02:34,589 --> 00:02:34,599
+him and mine was in my handbag
+ 
+
+127
+00:02:34,599 --> 00:02:37,470
+him and mine was in my handbag
+here you could have let him in are you
+
+128
+00:02:37,470 --> 00:02:37,480
+here you could have let him in are you
+ 
+
+129
+00:02:37,480 --> 00:02:39,270
+here you could have let him in are you
+suggesting she let him in herself well
+
+130
+00:02:39,270 --> 00:02:39,280
+suggesting she let him in herself well
+ 
+
+131
+00:02:39,280 --> 00:02:40,670
+suggesting she let him in herself well
+at present that appears to be the only
+
+132
+00:02:40,670 --> 00:02:40,680
+at present that appears to be the only
+ 
+
+133
+00:02:40,680 --> 00:02:43,229
+at present that appears to be the only
+way he could have entered don't you even
+
+134
+00:02:43,229 --> 00:02:43,239
+way he could have entered don't you even
+ 
+
+135
+00:02:43,239 --> 00:02:45,630
+way he could have entered don't you even
+believe I was attack how do you think I
+
+136
+00:02:45,630 --> 00:02:45,640
+believe I was attack how do you think I
+ 
+
+137
+00:02:45,640 --> 00:02:48,229
+believe I was attack how do you think I
+got these bruises on my throat you could
+
+138
+00:02:48,229 --> 00:02:48,239
+got these bruises on my throat you could
+ 
+
+139
+00:02:48,239 --> 00:02:57,410
+got these bruises on my throat you could
+have caused those bruises yourself
+
+140
+00:02:57,410 --> 00:02:57,420
+
+ 
+
+141
+00:02:57,420 --> 00:03:03,340
+
+[Music]
+
diff --git a/1954/EFollUtH108.description b/1954/EFollUtH108.description
new file mode 100644
index 0000000000000000000000000000000000000000..43ca8ac00bb0c1341df34406172f4332c2330e6b
--- /dev/null
+++ b/1954/EFollUtH108.description
@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jeff (James Stewart) keeps watch as Stella (Thelma Ritter) digs up the garden for clues and Lisa (Grace Kelly) sneaks into Thorwald's apartment.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: James Stewart, Judith Evelyn, Grace Kelly, Thelma Ritter
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1954/EFollUtH108.en.srt b/1954/EFollUtH108.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..dd1f8e895317d0eb57ab29e794e82c4991b0c007
--- /dev/null
+++ b/1954/EFollUtH108.en.srt
@@ -0,0 +1,295 @@
+1
+00:00:02,540 --> 00:00:16,630
+
+[Music]
+
+2
+00:00:16,630 --> 00:00:16,640
+
+ 
+
+3
+00:00:16,640 --> 00:00:19,470
+
+this a doy resident hello uh this is all
+
+4
+00:00:19,470 --> 00:00:19,480
+this a doy resident hello uh this is all
+ 
+
+5
+00:00:19,480 --> 00:00:21,870
+this a doy resident hello uh this is all
+be Jeffrey speaking I'm a friend of Mr
+
+6
+00:00:21,870 --> 00:00:21,880
+be Jeffrey speaking I'm a friend of Mr
+ 
+
+7
+00:00:21,880 --> 00:00:25,390
+be Jeffrey speaking I'm a friend of Mr
+Doyle who is this uh this a babysitter
+
+8
+00:00:25,390 --> 00:00:25,400
+Doyle who is this uh this a babysitter
+ 
+
+9
+00:00:25,400 --> 00:00:28,630
+Doyle who is this uh this a babysitter
+oh uh when you expect the man well I'm
+
+10
+00:00:28,630 --> 00:00:28,640
+oh uh when you expect the man well I'm
+ 
+
+11
+00:00:28,640 --> 00:00:31,310
+oh uh when you expect the man well I'm
+HED till one and they went to dinner and
+
+12
+00:00:31,310 --> 00:00:31,320
+HED till one and they went to dinner and
+ 
+
+13
+00:00:31,320 --> 00:00:35,430
+HED till one and they went to dinner and
+maybe nightclub I see well if he calls
+
+14
+00:00:35,430 --> 00:00:35,440
+maybe nightclub I see well if he calls
+ 
+
+15
+00:00:35,440 --> 00:00:36,470
+maybe nightclub I see well if he calls
+then would you have him get in touch
+
+16
+00:00:36,470 --> 00:00:36,480
+then would you have him get in touch
+ 
+
+17
+00:00:36,480 --> 00:00:38,990
+then would you have him get in touch
+with lb Jeffers right away I might have
+
+18
+00:00:38,990 --> 00:00:39,000
+with lb Jeffers right away I might have
+ 
+
+19
+00:00:39,000 --> 00:00:41,750
+with lb Jeffers right away I might have
+quite a surprise for him well uh do we
+
+20
+00:00:41,750 --> 00:00:41,760
+quite a surprise for him well uh do we
+ 
+
+21
+00:00:41,760 --> 00:00:45,069
+quite a surprise for him well uh do we
+have your number Mr Jeffrey he has it
+
+22
+00:00:45,069 --> 00:00:45,079
+have your number Mr Jeffrey he has it
+ 
+
+23
+00:00:45,079 --> 00:00:48,860
+have your number Mr Jeffrey he has it
+good night good night
+
+24
+00:00:48,860 --> 00:00:48,870
+good night good night
+ 
+
+25
+00:00:48,870 --> 00:01:05,109
+good night good night
+[Music]
+
+26
+00:01:05,109 --> 00:01:05,119
+[Music]
+ 
+
+27
+00:01:05,119 --> 00:01:07,190
+[Music]
+Stella was wrong about Miss Lonely
+
+28
+00:01:07,190 --> 00:01:07,200
+Stella was wrong about Miss Lonely
+ 
+
+29
+00:01:07,200 --> 00:01:11,080
+Stella was wrong about Miss Lonely
+Hearts
+
+30
+00:01:11,080 --> 00:01:11,090
+
+ 
+
+31
+00:01:11,090 --> 00:01:20,160
+
+[Music]
+
+32
+00:01:20,160 --> 00:01:20,170
+
+ 
+
+33
+00:01:20,170 --> 00:01:35,710
+
+[Music]
+
+34
+00:01:35,710 --> 00:01:35,720
+
+ 
+
+35
+00:01:35,720 --> 00:01:38,870
+
+wake up now got here for
+
+36
+00:01:38,870 --> 00:01:38,880
+wake up now got here for
+ 
+
+37
+00:01:38,880 --> 00:01:41,340
+wake up now got here for
+you laser what are you
+
+38
+00:01:41,340 --> 00:01:41,350
+you laser what are you
+ 
+
+39
+00:01:41,350 --> 00:01:57,350
+you laser what are you
+[Music]
+
+40
+00:01:57,350 --> 00:01:57,360
+[Music]
+ 
+
+41
+00:01:57,360 --> 00:02:00,450
+[Music]
+don't pleasa what are you doing don't go
+
+42
+00:02:00,450 --> 00:02:00,460
+don't pleasa what are you doing don't go
+ 
+
+43
+00:02:00,460 --> 00:02:17,550
+don't pleasa what are you doing don't go
+[Music]
+
+44
+00:02:17,550 --> 00:02:17,560
+[Music]
+ 
+
+45
+00:02:17,560 --> 00:02:20,610
+[Music]
+wait 12
+
+46
+00:02:20,610 --> 00:02:20,620
+wait 12
+ 
+
+47
+00:02:20,620 --> 00:02:34,949
+wait 12
+[Music]
+
+48
+00:02:34,949 --> 00:02:34,959
+[Music]
+ 
+
+49
+00:02:34,959 --> 00:02:36,320
+[Music]
+come on come on get out of
+
+50
+00:02:36,320 --> 00:02:36,330
+come on come on get out of
+ 
+
+51
+00:02:36,330 --> 00:02:42,830
+come on come on get out of
+[Music]
+
+52
+00:02:42,830 --> 00:02:42,840
+[Music]
+ 
+
+53
+00:02:42,840 --> 00:02:46,110
+[Music]
+there she said bring sell's phone the
+
+54
+00:02:46,110 --> 00:02:46,120
+there she said bring sell's phone the
+ 
+
+55
+00:02:46,120 --> 00:02:48,790
+there she said bring sell's phone the
+second you see him come back R right now
+
+56
+00:02:48,790 --> 00:02:48,800
+second you see him come back R right now
+ 
+
+57
+00:02:48,800 --> 00:02:52,450
+second you see him come back R right now
+oh no give her another minute
+
+58
+00:02:52,450 --> 00:02:52,460
+oh no give her another minute
+ 
+
+59
+00:02:52,460 --> 00:03:25,539
+oh no give her another minute
+[Music]
+
diff --git a/1954/EoikWLSsmRk.en.srt b/1954/EoikWLSsmRk.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..a562a65ee86e604adfe8df99eb1e19afb8b17c2b
--- /dev/null
+++ b/1954/EoikWLSsmRk.en.srt
@@ -0,0 +1,335 @@
+1
+00:00:00,080 --> 00:00:03,750
+
+but some kind of Chinese checkers huh
+
+2
+00:00:03,750 --> 00:00:03,760
+but some kind of Chinese checkers huh
+ 
+
+3
+00:00:03,760 --> 00:00:08,040
+but some kind of Chinese checkers huh
+Chinese checkers no this is a pinochle
+
+4
+00:00:08,040 --> 00:00:08,050
+Chinese checkers no this is a pinochle
+ 
+
+5
+00:00:08,050 --> 00:00:09,730
+Chinese checkers no this is a pinochle
+I'm drunk
+
+6
+00:00:09,730 --> 00:00:09,740
+I'm drunk
+ 
+
+7
+00:00:09,740 --> 00:00:11,770
+I'm drunk
+it's just stuffy in here that's all oh
+
+8
+00:00:11,770 --> 00:00:11,780
+it's just stuffy in here that's all oh
+ 
+
+9
+00:00:11,780 --> 00:00:16,810
+it's just stuffy in here that's all oh
+well I'm drunk can I ask you something
+
+10
+00:00:16,810 --> 00:00:16,820
+well I'm drunk can I ask you something
+ 
+
+11
+00:00:16,820 --> 00:00:21,640
+well I'm drunk can I ask you something
+of course nice house you got thank you
+
+12
+00:00:21,640 --> 00:00:21,650
+of course nice house you got thank you
+ 
+
+13
+00:00:21,650 --> 00:00:27,149
+of course nice house you got thank you
+nice party nice questions you asked yeah
+
+14
+00:00:27,149 --> 00:00:27,159
+nice party nice questions you asked yeah
+ 
+
+15
+00:00:27,159 --> 00:00:31,329
+nice party nice questions you asked yeah
+what is with you what goes with you I
+
+16
+00:00:31,329 --> 00:00:31,339
+what is with you what goes with you I
+ 
+
+17
+00:00:31,339 --> 00:00:34,810
+what is with you what goes with you I
+don't understand those questions Marie
+
+18
+00:00:34,810 --> 00:00:34,820
+don't understand those questions Marie
+ 
+
+19
+00:00:34,820 --> 00:00:37,810
+don't understand those questions Marie
+had them on a great big star great big
+
+20
+00:00:37,810 --> 00:00:37,820
+had them on a great big star great big
+ 
+
+21
+00:00:37,820 --> 00:00:43,060
+had them on a great big star great big
+sex number how is it it's not Kirk who
+
+22
+00:00:43,060 --> 00:00:43,070
+sex number how is it it's not Kirk who
+ 
+
+23
+00:00:43,070 --> 00:00:44,470
+sex number how is it it's not Kirk who
+is it Harry
+
+24
+00:00:44,470 --> 00:00:44,480
+is it Harry
+ 
+
+25
+00:00:44,480 --> 00:00:47,529
+is it Harry
+shut up who's it gonna be bravado or
+
+26
+00:00:47,529 --> 00:00:47,539
+shut up who's it gonna be bravado or
+ 
+
+27
+00:00:47,539 --> 00:00:51,549
+shut up who's it gonna be bravado or
+hope on the screen you get them all what
+
+28
+00:00:51,549 --> 00:00:51,559
+hope on the screen you get them all what
+ 
+
+29
+00:00:51,559 --> 00:00:56,470
+hope on the screen you get them all what
+a bad off but in the room this room I'm
+
+30
+00:00:56,470 --> 00:00:56,480
+a bad off but in the room this room I'm
+ 
+
+31
+00:00:56,480 --> 00:01:00,759
+a bad off but in the room this room I'm
+a man or maybe you're afraid of man all
+
+32
+00:01:00,759 --> 00:01:00,769
+a man or maybe you're afraid of man all
+ 
+
+33
+00:01:00,769 --> 00:01:03,160
+a man or maybe you're afraid of man all
+right Shelly Flo don't forget to call a
+
+34
+00:01:03,160 --> 00:01:03,170
+right Shelly Flo don't forget to call a
+ 
+
+35
+00:01:03,170 --> 00:01:05,800
+right Shelly Flo don't forget to call a
+cab Bouchet kid and she hasn't even got
+
+36
+00:01:05,800 --> 00:01:05,810
+cab Bouchet kid and she hasn't even got
+ 
+
+37
+00:01:05,810 --> 00:01:07,990
+cab Bouchet kid and she hasn't even got
+what I've got what she's good you
+
+38
+00:01:07,990 --> 00:01:08,000
+what I've got what she's good you
+ 
+
+39
+00:01:08,000 --> 00:01:10,810
+what I've got what she's good you
+couldn't spell and what you got you used
+
+40
+00:01:10,810 --> 00:01:10,820
+couldn't spell and what you got you used
+ 
+
+41
+00:01:10,820 --> 00:01:17,820
+couldn't spell and what you got you used
+to have now beat it
+
+42
+00:01:17,820 --> 00:01:17,830
+
+ 
+
+43
+00:01:17,830 --> 00:01:19,530
+
+I don't even believe you're playing
+
+44
+00:01:19,530 --> 00:01:19,540
+I don't even believe you're playing
+ 
+
+45
+00:01:19,540 --> 00:01:26,340
+I don't even believe you're playing
+pinochle come on Maria lets us go sit
+
+46
+00:01:26,340 --> 00:01:26,350
+pinochle come on Maria lets us go sit
+ 
+
+47
+00:01:26,350 --> 00:01:28,680
+pinochle come on Maria lets us go sit
+upstairs for a while I'd like to talk to
+
+48
+00:01:28,680 --> 00:01:28,690
+upstairs for a while I'd like to talk to
+ 
+
+49
+00:01:28,690 --> 00:01:31,380
+upstairs for a while I'd like to talk to
+Harry for a moment would you mind of
+
+50
+00:01:31,380 --> 00:01:31,390
+Harry for a moment would you mind of
+ 
+
+51
+00:01:31,390 --> 00:01:38,770
+Harry for a moment would you mind of
+course I wouldn't
+
+52
+00:01:38,770 --> 00:01:38,780
+
+ 
+
+53
+00:01:38,780 --> 00:01:43,160
+
+where would you be right here practicing
+
+54
+00:01:43,160 --> 00:01:43,170
+where would you be right here practicing
+ 
+
+55
+00:01:43,170 --> 00:01:45,260
+where would you be right here practicing
+double sixes I remember all the money I
+
+56
+00:01:45,260 --> 00:01:45,270
+double sixes I remember all the money I
+ 
+
+57
+00:01:45,270 --> 00:01:46,580
+double sixes I remember all the money I
+owe you know so we talked with these
+
+58
+00:01:46,580 --> 00:01:46,590
+owe you know so we talked with these
+ 
+
+59
+00:01:46,590 --> 00:01:48,440
+owe you know so we talked with these
+mophead of journals you won't collect a
+
+60
+00:01:48,440 --> 00:01:48,450
+mophead of journals you won't collect a
+ 
+
+61
+00:01:48,450 --> 00:01:50,870
+mophead of journals you won't collect a
+nickel you know just the right thing to
+
+62
+00:01:50,870 --> 00:01:50,880
+nickel you know just the right thing to
+ 
+
+63
+00:01:50,880 --> 00:01:53,510
+nickel you know just the right thing to
+say to a girl at the right time don't
+
+64
+00:01:53,510 --> 00:01:53,520
+say to a girl at the right time don't
+ 
+
+65
+00:01:53,520 --> 00:01:59,530
+say to a girl at the right time don't
+you
+
+66
+00:01:59,530 --> 00:01:59,540
+
+ 
+
+67
+00:01:59,540 --> 00:02:10,879
+
+[Music]
+
diff --git a/1954/G87BCljOeuA.en.srt b/1954/G87BCljOeuA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..6049446e201340b732d6b3865c0974be5d5294a1
--- /dev/null
+++ b/1954/G87BCljOeuA.en.srt
@@ -0,0 +1,615 @@
+1
+00:00:08,719 --> 00:00:12,430
+
+air and see a girl oh it's fun to hun
+
+2
+00:00:12,430 --> 00:00:12,440
+air and see a girl oh it's fun to hun
+ 
+
+3
+00:00:12,440 --> 00:00:15,870
+air and see a girl oh it's fun to hun
+and shoot a gun or to catch a rabbit on
+
+4
+00:00:15,870 --> 00:00:15,880
+and shoot a gun or to catch a rabbit on
+ 
+
+5
+00:00:15,880 --> 00:00:23,990
+and shoot a gun or to catch a rabbit on
+the but you find tce
+
+6
+00:00:23,990 --> 00:00:24,000
+
+ 
+
+7
+00:00:24,000 --> 00:00:27,509
+
+as is this what you mean what I
+
+8
+00:00:27,509 --> 00:00:27,519
+as is this what you mean what I
+ 
+
+9
+00:00:27,519 --> 00:00:30,230
+as is this what you mean what I
+mean now there's lots of things you got
+
+10
+00:00:30,230 --> 00:00:30,240
+mean now there's lots of things you got
+ 
+
+11
+00:00:30,240 --> 00:00:31,269
+mean now there's lots of things you got
+to
+
+12
+00:00:31,269 --> 00:00:31,279
+to
+ 
+
+13
+00:00:31,279 --> 00:00:35,790
+to
+know be sure the Parlor light is
+
+14
+00:00:35,790 --> 00:00:35,800
+know be sure the Parlor light is
+ 
+
+15
+00:00:35,800 --> 00:00:40,950
+know be sure the Parlor light is
+low you s up and squeeze her
+
+16
+00:00:40,950 --> 00:00:40,960
+low you s up and squeeze her
+ 
+
+17
+00:00:40,960 --> 00:00:43,029
+low you s up and squeeze her
+hand let me
+
+18
+00:00:43,029 --> 00:00:43,039
+hand let me
+ 
+
+19
+00:00:43,039 --> 00:00:44,709
+hand let me
+tell
+
+20
+00:00:44,709 --> 00:00:44,719
+tell
+ 
+
+21
+00:00:44,719 --> 00:00:48,830
+tell
+Grand ham her a little
+
+22
+00:00:48,830 --> 00:00:48,840
+Grand ham her a little
+ 
+
+23
+00:00:48,840 --> 00:00:53,310
+Grand ham her a little
+while she gives you kind of half a
+
+24
+00:00:53,310 --> 00:00:53,320
+while she gives you kind of half a
+ 
+
+25
+00:00:53,320 --> 00:00:58,069
+while she gives you kind of half a
+smile you cudle up she moves
+
+26
+00:00:58,069 --> 00:00:58,079
+smile you cudle up she moves
+ 
+
+27
+00:00:58,079 --> 00:01:02,210
+smile you cudle up she moves
+away then the Str the G comes into
+
+28
+00:01:02,210 --> 00:01:02,220
+away then the Str the G comes into
+ 
+
+29
+00:01:02,220 --> 00:01:05,590
+away then the Str the G comes into
+[Music]
+
+30
+00:01:05,590 --> 00:01:05,600
+[Music]
+ 
+
+31
+00:01:05,600 --> 00:01:07,300
+[Music]
+play see what it
+
+32
+00:01:07,300 --> 00:01:07,310
+play see what it
+ 
+
+33
+00:01:07,310 --> 00:01:11,469
+play see what it
+[Music]
+
+34
+00:01:11,469 --> 00:01:11,479
+
+ 
+
+35
+00:01:11,479 --> 00:01:15,670
+
+mean break
+
+36
+00:01:15,670 --> 00:01:15,680
+
+ 
+
+37
+00:01:15,680 --> 00:01:17,390
+
+ice
+
+38
+00:01:17,390 --> 00:01:17,400
+ice
+ 
+
+39
+00:01:17,400 --> 00:01:21,460
+ice
+herein advice roll
+
+40
+00:01:21,460 --> 00:01:21,470
+herein advice roll
+ 
+
+41
+00:01:21,470 --> 00:01:23,390
+herein advice roll
+[Music]
+
+42
+00:01:23,390 --> 00:01:23,400
+[Music]
+ 
+
+43
+00:01:23,400 --> 00:01:28,510
+[Music]
+and Grunt and Gran like you're about to
+
+44
+00:01:28,510 --> 00:01:28,520
+and Grunt and Gran like you're about to
+ 
+
+45
+00:01:28,520 --> 00:01:34,389
+and Grunt and Gran like you're about to
+die that is what's known as the m
+
+46
+00:01:34,389 --> 00:01:34,399
+die that is what's known as the m
+ 
+
+47
+00:01:34,399 --> 00:01:37,990
+die that is what's known as the m
+going how about sparking par dark yeah
+
+48
+00:01:37,990 --> 00:01:38,000
+going how about sparking par dark yeah
+ 
+
+49
+00:01:38,000 --> 00:01:40,590
+going how about sparking par dark yeah
+and you're longing for a fond bre uhhuh
+
+50
+00:01:40,590 --> 00:01:40,600
+and you're longing for a fond bre uhhuh
+ 
+
+51
+00:01:40,600 --> 00:01:43,510
+and you're longing for a fond bre uhhuh
+what about petting and sofa setting uh
+
+52
+00:01:43,510 --> 00:01:43,520
+what about petting and sofa setting uh
+ 
+
+53
+00:01:43,520 --> 00:01:45,910
+what about petting and sofa setting uh
+suppose she ups and slaps your face yeah
+
+54
+00:01:45,910 --> 00:01:45,920
+suppose she ups and slaps your face yeah
+ 
+
+55
+00:01:45,920 --> 00:01:47,190
+suppose she ups and slaps your face yeah
+just
+
+56
+00:01:47,190 --> 00:01:47,200
+just
+ 
+
+57
+00:01:47,200 --> 00:01:48,950
+just
+[Music]
+
+58
+00:01:48,950 --> 00:01:48,960
+[Music]
+ 
+
+59
+00:01:48,960 --> 00:01:50,670
+[Music]
+blessed
+
+60
+00:01:50,670 --> 00:01:50,680
+blessed
+ 
+
+61
+00:01:50,680 --> 00:01:52,990
+blessed
+other
+
+62
+00:01:52,990 --> 00:01:53,000
+other
+ 
+
+63
+00:01:53,000 --> 00:01:55,469
+other
+soon and
+
+64
+00:01:55,469 --> 00:01:55,479
+soon and
+ 
+
+65
+00:01:55,479 --> 00:01:59,469
+soon and
+Spark go dancing go and dancing at a
+
+66
+00:01:59,469 --> 00:01:59,479
+Spark go dancing go and dancing at a
+ 
+
+67
+00:01:59,479 --> 00:02:04,270
+Spark go dancing go and dancing at a
+fancy follow in may I go dance and
+
+68
+00:02:04,270 --> 00:02:04,280
+fancy follow in may I go dance and
+ 
+
+69
+00:02:04,280 --> 00:02:06,830
+fancy follow in may I go dance and
+you'll impress with your ready now you
+
+70
+00:02:06,830 --> 00:02:06,840
+you'll impress with your ready now you
+ 
+
+71
+00:02:06,840 --> 00:02:10,910
+you'll impress with your ready now you
+two try
+
+72
+00:02:10,910 --> 00:02:10,920
+
+ 
+
+73
+00:02:10,920 --> 00:02:13,990
+
+come you mean Mena learning how to dance
+
+74
+00:02:13,990 --> 00:02:14,000
+come you mean Mena learning how to dance
+ 
+
+75
+00:02:14,000 --> 00:02:16,589
+come you mean Mena learning how to dance
+uh-huh yes it came direct from
+
+76
+00:02:16,589 --> 00:02:16,599
+uh-huh yes it came direct from
+ 
+
+77
+00:02:16,599 --> 00:02:19,509
+uh-huh yes it came direct from
+Paris will your
+
+78
+00:02:19,509 --> 00:02:19,519
+Paris will your
+ 
+
+79
+00:02:19,519 --> 00:02:21,150
+Paris will your
+Rance
+
+80
+00:02:21,150 --> 00:02:21,160
+Rance
+ 
+
+81
+00:02:21,160 --> 00:02:24,309
+Rance
+Dan come on now you follow
+
+82
+00:02:24,309 --> 00:02:24,319
+Dan come on now you follow
+ 
+
+83
+00:02:24,319 --> 00:02:25,830
+Dan come on now you follow
+us
+
+84
+00:02:25,830 --> 00:02:25,840
+us
+ 
+
+85
+00:02:25,840 --> 00:02:28,720
+us
+turn down up
+
+86
+00:02:28,720 --> 00:02:28,730
+turn down up
+ 
+
+87
+00:02:28,730 --> 00:02:30,790
+turn down up
+[Music]
+
+88
+00:02:30,790 --> 00:02:30,800
+[Music]
+ 
+
+89
+00:02:30,800 --> 00:02:36,630
+[Music]
+turn down up come on this
+
+90
+00:02:36,630 --> 00:02:36,640
+
+ 
+
+91
+00:02:36,640 --> 00:02:40,149
+
+way step to the right and the left make
+
+92
+00:02:40,149 --> 00:02:40,159
+way step to the right and the left make
+ 
+
+93
+00:02:40,159 --> 00:02:41,309
+way step to the right and the left make
+a
+
+94
+00:02:41,309 --> 00:02:41,319
+a
+ 
+
+95
+00:02:41,319 --> 00:02:43,450
+a
+turn now weave in and
+
+96
+00:02:43,450 --> 00:02:43,460
+turn now weave in and
+ 
+
+97
+00:02:43,460 --> 00:02:45,030
+turn now weave in and
+[Music]
+
+98
+00:02:45,030 --> 00:02:45,040
+[Music]
+ 
+
+99
+00:02:45,040 --> 00:02:46,600
+[Music]
+out I love
+
+100
+00:02:46,600 --> 00:02:46,610
+out I love
+ 
+
+101
+00:02:46,610 --> 00:02:48,390
+out I love
+[Music]
+
+102
+00:02:48,390 --> 00:02:48,400
+[Music]
+ 
+
+103
+00:02:48,400 --> 00:02:50,270
+[Music]
+dancing this
+
+104
+00:02:50,270 --> 00:02:50,280
+dancing this
+ 
+
+105
+00:02:50,280 --> 00:02:56,390
+dancing this
+is I'm next now
+
+106
+00:02:56,390 --> 00:02:56,400
+
+ 
+
+107
+00:02:56,400 --> 00:02:59,720
+
+boys y
+
+108
+00:02:59,720 --> 00:02:59,730
+boys y
+ 
+
+109
+00:02:59,730 --> 00:03:00,780
+boys y
+[Applause]
+
+110
+00:03:00,780 --> 00:03:00,790
+[Applause]
+ 
+
+111
+00:03:00,790 --> 00:03:07,050
+[Applause]
+[Music]
+
+112
+00:03:07,050 --> 00:03:07,060
+
+ 
+
+113
+00:03:07,060 --> 00:03:15,310
+
+[Music]
+
+114
+00:03:15,310 --> 00:03:15,320
+[Music]
+ 
+
+115
+00:03:15,320 --> 00:03:18,110
+[Music]
+[Applause]
+
+116
+00:03:18,110 --> 00:03:18,120
+[Applause]
+ 
+
+117
+00:03:18,120 --> 00:03:20,509
+[Applause]
+keep you dancing and hunting and
+
+118
+00:03:20,509 --> 00:03:20,519
+keep you dancing and hunting and
+ 
+
+119
+00:03:20,519 --> 00:03:23,589
+keep you dancing and hunting and
+shooting and fighting and trapping cuz
+
+120
+00:03:23,589 --> 00:03:23,599
+shooting and fighting and trapping cuz
+ 
+
+121
+00:03:23,599 --> 00:03:27,080
+shooting and fighting and trapping cuz
+we're going
+
+122
+00:03:27,080 --> 00:03:27,090
+
+ 
+
+123
+00:03:27,090 --> 00:03:58,699
+
+[Music]
+
diff --git a/1954/IYBAPVjJykY.en.srt b/1954/IYBAPVjJykY.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..ddaab0fd146e0449d3492fb175df78a4eb24d29b
--- /dev/null
+++ b/1954/IYBAPVjJykY.en.srt
@@ -0,0 +1,255 @@
+1
+00:00:00,000 --> 00:00:02,030
+
+[Music]
+
+2
+00:00:02,030 --> 00:00:02,040
+[Music]
+ 
+
+3
+00:00:02,040 --> 00:00:03,789
+[Music]
+just finish what you
+
+4
+00:00:03,789 --> 00:00:03,799
+just finish what you
+ 
+
+5
+00:00:03,799 --> 00:00:07,390
+just finish what you
+started you
+
+6
+00:00:07,390 --> 00:00:07,400
+
+ 
+
+7
+00:00:07,400 --> 00:00:09,390
+
+can
+
+8
+00:00:09,390 --> 00:00:09,400
+can
+ 
+
+9
+00:00:09,400 --> 00:00:12,589
+can
+okay
+
+10
+00:00:12,589 --> 00:00:12,599
+
+ 
+
+11
+00:00:12,599 --> 00:00:14,430
+
+okay I
+
+12
+00:00:14,430 --> 00:00:14,440
+okay I
+ 
+
+13
+00:00:14,440 --> 00:00:16,510
+okay I
+hook oh my God name what are you trying
+
+14
+00:00:16,510 --> 00:00:16,520
+hook oh my God name what are you trying
+ 
+
+15
+00:00:16,520 --> 00:00:20,220
+hook oh my God name what are you trying
+to do got take your hands off keep
+
+16
+00:00:20,220 --> 00:00:20,230
+to do got take your hands off keep
+ 
+
+17
+00:00:20,230 --> 00:00:24,109
+to do got take your hands off keep
+[Music]
+
+18
+00:00:24,109 --> 00:00:24,119
+[Music]
+ 
+
+19
+00:00:24,119 --> 00:00:27,509
+[Music]
+on leave him
+
+20
+00:00:27,509 --> 00:00:27,519
+
+ 
+
+21
+00:00:27,519 --> 00:00:33,620
+
+alone leave him alone
+
+22
+00:00:33,620 --> 00:00:33,630
+
+ 
+
+23
+00:00:33,630 --> 00:01:01,510
+
+[Music]
+
+24
+00:01:01,510 --> 00:01:01,520
+[Music]
+ 
+
+25
+00:01:01,520 --> 00:01:02,020
+[Music]
+[Applause]
+
+26
+00:01:02,020 --> 00:01:02,030
+[Applause]
+ 
+
+27
+00:01:02,030 --> 00:01:04,690
+[Applause]
+[Music]
+
+28
+00:01:04,690 --> 00:01:04,700
+[Music]
+ 
+
+29
+00:01:04,700 --> 00:01:22,180
+[Music]
+[Applause]
+
+30
+00:01:22,180 --> 00:01:22,190
+
+ 
+
+31
+00:01:22,190 --> 00:01:29,350
+
+[Music]
+
+32
+00:01:29,350 --> 00:01:29,360
+[Music]
+ 
+
+33
+00:01:29,360 --> 00:01:31,530
+[Music]
+all right that's got to
+
+34
+00:01:31,530 --> 00:01:31,540
+all right that's got to
+ 
+
+35
+00:01:31,540 --> 00:01:41,069
+all right that's got to
+[Music]
+
+36
+00:01:41,069 --> 00:01:41,079
+[Music]
+ 
+
+37
+00:01:41,079 --> 00:01:43,709
+[Music]
+work come on
+
+38
+00:01:43,709 --> 00:01:43,719
+work come on
+ 
+
+39
+00:01:43,719 --> 00:01:47,749
+work come on
+you where you guys going wait a minute
+
+40
+00:01:47,749 --> 00:01:47,759
+you where you guys going wait a minute
+ 
+
+41
+00:01:47,759 --> 00:01:50,630
+you where you guys going wait a minute
+I'll remember this I'll remember every
+
+42
+00:01:50,630 --> 00:01:50,640
+I'll remember this I'll remember every
+ 
+
+43
+00:01:50,640 --> 00:01:51,870
+I'll remember this I'll remember every
+war
+
+44
+00:01:51,870 --> 00:01:51,880
+war
+ 
+
+45
+00:01:51,880 --> 00:01:56,029
+war
+here I'll be back don't you forget that
+
+46
+00:01:56,029 --> 00:01:56,039
+here I'll be back don't you forget that
+ 
+
+47
+00:01:56,039 --> 00:02:00,069
+here I'll be back don't you forget that
+I'll be back
+
+48
+00:02:00,069 --> 00:02:00,079
+
+ 
+
+49
+00:02:00,079 --> 00:02:02,040
+
+the
+
+50
+00:02:02,040 --> 00:02:02,050
+the
+ 
+
+51
+00:02:02,050 --> 00:02:44,490
+the
+[Music]
+
diff --git a/1954/Igs1WM2pA54.en.srt b/1954/Igs1WM2pA54.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..31725ad3e2aec6bed0dae0725b5217492b17234c
--- /dev/null
+++ b/1954/Igs1WM2pA54.en.srt
@@ -0,0 +1,675 @@
+1
+00:00:01,199 --> 00:00:02,869
+
+where's the nearest police station
+
+2
+00:00:02,869 --> 00:00:02,879
+where's the nearest police station
+ 
+
+3
+00:00:02,879 --> 00:00:05,269
+where's the nearest police station
+opposite the church 2 minutes walk
+
+4
+00:00:05,269 --> 00:00:05,279
+opposite the church 2 minutes walk
+ 
+
+5
+00:00:05,279 --> 00:00:07,150
+opposite the church 2 minutes walk
+suppose I walk there now what would you
+
+6
+00:00:07,150 --> 00:00:07,160
+suppose I walk there now what would you
+ 
+
+7
+00:00:07,160 --> 00:00:10,950
+suppose I walk there now what would you
+tell them everything everything all
+
+8
+00:00:10,950 --> 00:00:10,960
+tell them everything everything all
+ 
+
+9
+00:00:10,960 --> 00:00:13,070
+tell them everything everything all
+about Mr Adams and Mr
+
+10
+00:00:13,070 --> 00:00:13,080
+about Mr Adams and Mr
+ 
+
+11
+00:00:13,080 --> 00:00:15,270
+about Mr Adams and Mr
+Wilson I should simply tell them that
+
+12
+00:00:15,270 --> 00:00:15,280
+Wilson I should simply tell them that
+ 
+
+13
+00:00:15,280 --> 00:00:18,630
+Wilson I should simply tell them that
+you're trying to Blackmail me into
+
+14
+00:00:18,630 --> 00:00:18,640
+you're trying to Blackmail me into
+ 
+
+15
+00:00:18,640 --> 00:00:21,150
+you're trying to Blackmail me into
+into murdering your
+
+16
+00:00:21,150 --> 00:00:21,160
+into murdering your
+ 
+
+17
+00:00:21,160 --> 00:00:23,670
+into murdering your
+wife I almost wish you would when she
+
+18
+00:00:23,670 --> 00:00:23,680
+wife I almost wish you would when she
+ 
+
+19
+00:00:23,680 --> 00:00:24,870
+wife I almost wish you would when she
+heard that we'd have the biggest laugh
+
+20
+00:00:24,870 --> 00:00:24,880
+heard that we'd have the biggest laugh
+ 
+
+21
+00:00:24,880 --> 00:00:26,910
+heard that we'd have the biggest laugh
+of Our Lives aren't you forgetting
+
+22
+00:00:26,910 --> 00:00:26,920
+of Our Lives aren't you forgetting
+ 
+
+23
+00:00:26,920 --> 00:00:29,230
+of Our Lives aren't you forgetting
+something am I you've told me quite a
+
+24
+00:00:29,230 --> 00:00:29,240
+something am I you've told me quite a
+ 
+
+25
+00:00:29,240 --> 00:00:32,109
+something am I you've told me quite a
+lot tonight what of it suppose I tell
+
+26
+00:00:32,109 --> 00:00:32,119
+lot tonight what of it suppose I tell
+ 
+
+27
+00:00:32,119 --> 00:00:33,910
+lot tonight what of it suppose I tell
+them how you followed her to that studio
+
+28
+00:00:33,910 --> 00:00:33,920
+them how you followed her to that studio
+ 
+
+29
+00:00:33,920 --> 00:00:35,270
+them how you followed her to that studio
+in Chelsea and watch them cooking
+
+30
+00:00:35,270 --> 00:00:35,280
+in Chelsea and watch them cooking
+ 
+
+31
+00:00:35,280 --> 00:00:37,470
+in Chelsea and watch them cooking
+spaghetti and all that rubbish would
+
+32
+00:00:37,470 --> 00:00:37,480
+spaghetti and all that rubbish would
+ 
+
+33
+00:00:37,480 --> 00:00:39,750
+spaghetti and all that rubbish would
+that ring a bell oh it certainly would
+
+34
+00:00:39,750 --> 00:00:39,760
+that ring a bell oh it certainly would
+ 
+
+35
+00:00:39,760 --> 00:00:41,029
+that ring a bell oh it certainly would
+they'd assume you followed her there
+
+36
+00:00:41,029 --> 00:00:41,039
+they'd assume you followed her there
+ 
+
+37
+00:00:41,039 --> 00:00:43,029
+they'd assume you followed her there
+yourself me why should I why should you
+
+38
+00:00:43,029 --> 00:00:43,039
+yourself me why should I why should you
+ 
+
+39
+00:00:43,039 --> 00:00:45,229
+yourself me why should I why should you
+steal her handbag why should you write
+
+40
+00:00:45,229 --> 00:00:45,239
+steal her handbag why should you write
+ 
+
+41
+00:00:45,239 --> 00:00:47,709
+steal her handbag why should you write
+her all those blackmail notes can you
+
+42
+00:00:47,709 --> 00:00:47,719
+her all those blackmail notes can you
+ 
+
+43
+00:00:47,719 --> 00:00:50,229
+her all those blackmail notes can you
+prove you didn't you certainly can't
+
+44
+00:00:50,229 --> 00:00:50,239
+prove you didn't you certainly can't
+ 
+
+45
+00:00:50,239 --> 00:00:53,069
+prove you didn't you certainly can't
+prove I did it'll be a straight case of
+
+46
+00:00:53,069 --> 00:00:53,079
+prove I did it'll be a straight case of
+ 
+
+47
+00:00:53,079 --> 00:00:55,549
+prove I did it'll be a straight case of
+your word against mine that a puzzle
+
+48
+00:00:55,549 --> 00:00:55,559
+your word against mine that a puzzle
+ 
+
+49
+00:00:55,559 --> 00:00:58,750
+your word against mine that a puzzle
+them wouldn't it what could you say I
+
+50
+00:00:58,750 --> 00:00:58,760
+them wouldn't it what could you say I
+ 
+
+51
+00:00:58,760 --> 00:01:00,389
+them wouldn't it what could you say I
+should simply say that you came here
+
+52
+00:01:00,389 --> 00:01:00,399
+should simply say that you came here
+ 
+
+53
+00:01:00,399 --> 00:01:02,270
+should simply say that you came here
+tonight half drunk and uh tried to
+
+54
+00:01:02,270 --> 00:01:02,280
+tonight half drunk and uh tried to
+ 
+
+55
+00:01:02,280 --> 00:01:03,630
+tonight half drunk and uh tried to
+borrow money on the strength that we
+
+56
+00:01:03,630 --> 00:01:03,640
+borrow money on the strength that we
+ 
+
+57
+00:01:03,640 --> 00:01:06,350
+borrow money on the strength that we
+were at College together when I refused
+
+58
+00:01:06,350 --> 00:01:06,360
+were at College together when I refused
+ 
+
+59
+00:01:06,360 --> 00:01:07,789
+were at College together when I refused
+you mentioned something about a letter
+
+60
+00:01:07,789 --> 00:01:07,799
+you mentioned something about a letter
+ 
+
+61
+00:01:07,799 --> 00:01:10,070
+you mentioned something about a letter
+belonging to my wife as far as I could
+
+62
+00:01:10,070 --> 00:01:10,080
+belonging to my wife as far as I could
+ 
+
+63
+00:01:10,080 --> 00:01:12,149
+belonging to my wife as far as I could
+make out you're trying to sell it to me
+
+64
+00:01:12,149 --> 00:01:12,159
+make out you're trying to sell it to me
+ 
+
+65
+00:01:12,159 --> 00:01:14,030
+make out you're trying to sell it to me
+I gave you what money I had and you gave
+
+66
+00:01:14,030 --> 00:01:14,040
+I gave you what money I had and you gave
+ 
+
+67
+00:01:14,040 --> 00:01:16,830
+I gave you what money I had and you gave
+me the letter it has your fingerprints
+
+68
+00:01:16,830 --> 00:01:16,840
+me the letter it has your fingerprints
+ 
+
+69
+00:01:16,840 --> 00:01:20,990
+me the letter it has your fingerprints
+on it
+
+70
+00:01:20,990 --> 00:01:21,000
+
+ 
+
+71
+00:01:21,000 --> 00:01:23,190
+
+remember then you said if I went to the
+
+72
+00:01:23,190 --> 00:01:23,200
+remember then you said if I went to the
+ 
+
+73
+00:01:23,200 --> 00:01:25,270
+remember then you said if I went to the
+police you'd tell some crazy story about
+
+74
+00:01:25,270 --> 00:01:25,280
+police you'd tell some crazy story about
+ 
+
+75
+00:01:25,280 --> 00:01:27,910
+police you'd tell some crazy story about
+my wanting you to murder my wife but
+
+76
+00:01:27,910 --> 00:01:27,920
+my wanting you to murder my wife but
+ 
+
+77
+00:01:27,920 --> 00:01:30,390
+my wanting you to murder my wife but
+before you go any further old boy do
+
+78
+00:01:30,390 --> 00:01:30,400
+before you go any further old boy do
+ 
+
+79
+00:01:30,400 --> 00:01:31,749
+before you go any further old boy do
+consider the
+
+80
+00:01:31,749 --> 00:01:31,759
+consider the
+ 
+
+81
+00:01:31,759 --> 00:01:33,830
+consider the
+inconvenience you see I'm quite well
+
+82
+00:01:33,830 --> 00:01:33,840
+inconvenience you see I'm quite well
+ 
+
+83
+00:01:33,840 --> 00:01:36,510
+inconvenience you see I'm quite well
+known and there'd be pictures of you as
+
+84
+00:01:36,510 --> 00:01:36,520
+known and there'd be pictures of you as
+ 
+
+85
+00:01:36,520 --> 00:01:38,830
+known and there'd be pictures of you as
+well and sooner or later there'd be a
+
+86
+00:01:38,830 --> 00:01:38,840
+well and sooner or later there'd be a
+ 
+
+87
+00:01:38,840 --> 00:01:40,789
+well and sooner or later there'd be a
+deputation of land ladies and lodges who
+
+88
+00:01:40,789 --> 00:01:40,799
+deputation of land ladies and lodges who
+ 
+
+89
+00:01:40,799 --> 00:01:43,149
+deputation of land ladies and lodges who
+would step forward to testify to your
+
+90
+00:01:43,149 --> 00:01:43,159
+would step forward to testify to your
+ 
+
+91
+00:01:43,159 --> 00:01:45,670
+would step forward to testify to your
+character and someone is almost certain
+
+92
+00:01:45,670 --> 00:01:45,680
+character and someone is almost certain
+ 
+
+93
+00:01:45,680 --> 00:01:47,550
+character and someone is almost certain
+to have seen you with Miss
+
+94
+00:01:47,550 --> 00:01:47,560
+to have seen you with Miss
+ 
+
+95
+00:01:47,560 --> 00:01:49,830
+to have seen you with Miss
+Wallace you were careful not to be seen
+
+96
+00:01:49,830 --> 00:01:49,840
+Wallace you were careful not to be seen
+ 
+
+97
+00:01:49,840 --> 00:01:52,670
+Wallace you were careful not to be seen
+around with her I noticed you usually
+
+98
+00:01:52,670 --> 00:01:52,680
+around with her I noticed you usually
+ 
+
+99
+00:01:52,680 --> 00:01:54,990
+around with her I noticed you usually
+met in out of thee way places where you
+
+100
+00:01:54,990 --> 00:01:55,000
+met in out of thee way places where you
+ 
+
+101
+00:01:55,000 --> 00:01:56,149
+met in out of thee way places where you
+wouldn't be
+
+102
+00:01:56,149 --> 00:01:56,159
+wouldn't be
+ 
+
+103
+00:01:56,159 --> 00:01:58,310
+wouldn't be
+recognized like the little t- shop in
+
+104
+00:01:58,310 --> 00:01:58,320
+recognized like the little t- shop in
+ 
+
+105
+00:01:58,320 --> 00:02:00,029
+recognized like the little t- shop in
+pimo
+
+106
+00:02:00,029 --> 00:02:00,039
+pimo
+ 
+
+107
+00:02:00,039 --> 00:02:02,550
+pimo
+that was her idea not mine yes it was a
+
+108
+00:02:02,550 --> 00:02:02,560
+that was her idea not mine yes it was a
+ 
+
+109
+00:02:02,560 --> 00:02:04,749
+that was her idea not mine yes it was a
+bit crummy wasn't it hardly the place to
+
+110
+00:02:04,749 --> 00:02:04,759
+bit crummy wasn't it hardly the place to
+ 
+
+111
+00:02:04,759 --> 00:02:08,150
+bit crummy wasn't it hardly the place to
+take Mrs vanor by the way does Mrs vanor
+
+112
+00:02:08,150 --> 00:02:08,160
+take Mrs vanor by the way does Mrs vanor
+ 
+
+113
+00:02:08,160 --> 00:02:10,669
+take Mrs vanor by the way does Mrs vanor
+know about Mr Adams and Mr Wilson and
+
+114
+00:02:10,669 --> 00:02:10,679
+know about Mr Adams and Mr Wilson and
+ 
+
+115
+00:02:10,679 --> 00:02:13,470
+know about Mr Adams and Mr Wilson and
+Miss Wallace you were planning to marry
+
+116
+00:02:13,470 --> 00:02:13,480
+Miss Wallace you were planning to marry
+ 
+
+117
+00:02:13,480 --> 00:02:16,190
+Miss Wallace you were planning to marry
+Mrs vanor weren't you smart aren't you
+
+118
+00:02:16,190 --> 00:02:16,200
+Mrs vanor weren't you smart aren't you
+ 
+
+119
+00:02:16,200 --> 00:02:17,910
+Mrs vanor weren't you smart aren't you
+no not really I've just had time to
+
+120
+00:02:17,910 --> 00:02:17,920
+no not really I've just had time to
+ 
+
+121
+00:02:17,920 --> 00:02:19,990
+no not really I've just had time to
+think things out put myself in your
+
+122
+00:02:19,990 --> 00:02:20,000
+think things out put myself in your
+ 
+
+123
+00:02:20,000 --> 00:02:21,910
+think things out put myself in your
+position that's why I know you're going
+
+124
+00:02:21,910 --> 00:02:21,920
+position that's why I know you're going
+ 
+
+125
+00:02:21,920 --> 00:02:23,430
+position that's why I know you're going
+to
+
+126
+00:02:23,430 --> 00:02:23,440
+to
+ 
+
+127
+00:02:23,440 --> 00:02:26,150
+to
+agree what makes you think I'll agree
+
+128
+00:02:26,150 --> 00:02:26,160
+agree what makes you think I'll agree
+ 
+
+129
+00:02:26,160 --> 00:02:27,710
+agree what makes you think I'll agree
+for the same reason that a donkey with a
+
+130
+00:02:27,710 --> 00:02:27,720
+for the same reason that a donkey with a
+ 
+
+131
+00:02:27,720 --> 00:02:29,309
+for the same reason that a donkey with a
+stick behind him and a carrot in front
+
+132
+00:02:29,309 --> 00:02:29,319
+stick behind him and a carrot in front
+ 
+
+133
+00:02:29,319 --> 00:02:31,940
+stick behind him and a carrot in front
+always goes forwards and not backwards
+
+134
+00:02:31,940 --> 00:02:31,950
+always goes forwards and not backwards
+ 
+
+135
+00:02:31,950 --> 00:02:43,279
+always goes forwards and not backwards
+[Music]
+
diff --git a/1954/JY4UoItJ_lA.en.srt b/1954/JY4UoItJ_lA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..e890e23a13a1253969b16b88442b64a5375b1193
--- /dev/null
+++ b/1954/JY4UoItJ_lA.en.srt
@@ -0,0 +1,225 @@
+1
+00:00:11,559 --> 00:00:13,589
+
+what's he doing he's wondering why that
+
+2
+00:00:13,589 --> 00:00:13,599
+what's he doing he's wondering why that
+ 
+
+3
+00:00:13,599 --> 00:00:15,990
+what's he doing he's wondering why that
+key doesn't fit he's going around to the
+
+4
+00:00:15,990 --> 00:00:16,000
+key doesn't fit he's going around to the
+ 
+
+5
+00:00:16,000 --> 00:00:18,189
+key doesn't fit he's going around to the
+back entrance he stopped again he's
+
+6
+00:00:18,189 --> 00:00:18,199
+back entrance he stopped again he's
+ 
+
+7
+00:00:18,199 --> 00:00:21,310
+back entrance he stopped again he's
+looking at the handbag now he's trying
+
+8
+00:00:21,310 --> 00:00:21,320
+looking at the handbag now he's trying
+ 
+
+9
+00:00:21,320 --> 00:00:26,509
+looking at the handbag now he's trying
+to remember when he put the key back in
+
+10
+00:00:26,509 --> 00:00:26,519
+
+ 
+
+11
+00:00:26,519 --> 00:00:29,710
+
+there no he's giv up I'm afraid we've
+
+12
+00:00:29,710 --> 00:00:29,720
+there no he's giv up I'm afraid we've
+ 
+
+13
+00:00:29,720 --> 00:00:31,470
+there no he's giv up I'm afraid we've
+headed this time he he's going way down
+
+14
+00:00:31,470 --> 00:00:31,480
+headed this time he he's going way down
+ 
+
+15
+00:00:31,480 --> 00:00:36,030
+headed this time he he's going way down
+the street hold it he stopped again he's
+
+16
+00:00:36,030 --> 00:00:36,040
+the street hold it he stopped again he's
+ 
+
+17
+00:00:36,040 --> 00:00:37,470
+the street hold it he stopped again he's
+turning
+
+18
+00:00:37,470 --> 00:00:37,480
+turning
+ 
+
+19
+00:00:37,480 --> 00:00:41,069
+turning
+round he's staring at the
+
+20
+00:00:41,069 --> 00:00:41,079
+round he's staring at the
+ 
+
+21
+00:00:41,079 --> 00:00:44,830
+round he's staring at the
+Key of course that's Swan
+
+22
+00:00:44,830 --> 00:00:44,840
+Key of course that's Swan
+ 
+
+23
+00:00:44,840 --> 00:00:50,069
+Key of course that's Swan
+skin now he's got it he's coming back
+
+24
+00:00:50,069 --> 00:00:50,079
+skin now he's got it he's coming back
+ 
+
+25
+00:00:50,079 --> 00:01:20,550
+skin now he's got it he's coming back
+fast he's remembered
+
+26
+00:01:20,550 --> 00:01:20,560
+
+ 
+
+27
+00:01:20,560 --> 00:01:36,410
+
+[Music]
+
+28
+00:01:36,410 --> 00:01:36,420
+
+ 
+
+29
+00:01:36,420 --> 00:01:47,030
+
+[Music]
+
+30
+00:01:47,030 --> 00:01:47,040
+
+ 
+
+31
+00:01:47,040 --> 00:01:49,590
+
+as you said Mark it uh might work out on
+
+32
+00:01:49,590 --> 00:01:49,600
+as you said Mark it uh might work out on
+ 
+
+33
+00:01:49,600 --> 00:01:52,749
+as you said Mark it uh might work out on
+paper but uh congratulations
+
+34
+00:01:52,749 --> 00:01:52,759
+paper but uh congratulations
+ 
+
+35
+00:01:52,759 --> 00:02:03,789
+paper but uh congratulations
+inspector oh by the way
+
+36
+00:02:03,789 --> 00:02:03,799
+
+ 
+
+37
+00:02:03,799 --> 00:02:05,830
+
+well how about you
+
+38
+00:02:05,830 --> 00:02:05,840
+well how about you
+ 
+
+39
+00:02:05,840 --> 00:02:10,350
+well how about you
+marar yes I could do as something Mark
+
+40
+00:02:10,350 --> 00:02:10,360
+marar yes I could do as something Mark
+ 
+
+41
+00:02:10,360 --> 00:02:12,470
+marar yes I could do as something Mark
+so can I I suppose you're still on duty
+
+42
+00:02:12,470 --> 00:02:12,480
+so can I I suppose you're still on duty
+ 
+
+43
+00:02:12,480 --> 00:02:21,980
+so can I I suppose you're still on duty
+inspector
+
+44
+00:02:21,980 --> 00:02:21,990
+
+ 
+
+45
+00:02:21,990 --> 00:02:40,970
+
+[Music]
+
diff --git a/1954/KekChFdIe00.en.srt b/1954/KekChFdIe00.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..5a9a373f3bf5237324c1bb6c99717a0a2d8d43f7
--- /dev/null
+++ b/1954/KekChFdIe00.en.srt
@@ -0,0 +1,795 @@
+1
+00:00:00,060 --> 00:00:01,730
+
+the captain did you ever turn your ship
+
+2
+00:00:01,730 --> 00:00:01,740
+the captain did you ever turn your ship
+ 
+
+3
+00:00:01,740 --> 00:00:03,530
+the captain did you ever turn your ship
+upside down in a vain search for a key
+
+4
+00:00:03,530 --> 00:00:03,540
+upside down in a vain search for a key
+ 
+
+5
+00:00:03,540 --> 00:00:06,769
+upside down in a vain search for a key
+that did not exist I don't know what
+
+6
+00:00:06,769 --> 00:00:06,779
+that did not exist I don't know what
+ 
+
+7
+00:00:06,779 --> 00:00:08,120
+that did not exist I don't know what
+lies I've been sworn to win this Court
+
+8
+00:00:08,120 --> 00:00:08,130
+lies I've been sworn to win this Court
+ 
+
+9
+00:00:08,130 --> 00:00:09,650
+lies I've been sworn to win this Court
+but I'd like to set you straight on this
+
+10
+00:00:09,650 --> 00:00:09,660
+but I'd like to set you straight on this
+ 
+
+11
+00:00:09,660 --> 00:00:10,940
+but I'd like to set you straight on this
+matter right here and now a key
+
+12
+00:00:10,940 --> 00:00:10,950
+matter right here and now a key
+ 
+
+13
+00:00:10,950 --> 00:00:12,919
+matter right here and now a key
+definitely did exist may it please the
+
+14
+00:00:12,919 --> 00:00:12,929
+definitely did exist may it please the
+ 
+
+15
+00:00:12,929 --> 00:00:14,419
+definitely did exist may it please the
+court the witness is understandably
+
+16
+00:00:14,419 --> 00:00:14,429
+court the witness is understandably
+ 
+
+17
+00:00:14,429 --> 00:00:16,310
+court the witness is understandably
+agitated by this ordeal and I request a
+
+18
+00:00:16,310 --> 00:00:16,320
+agitated by this ordeal and I request a
+ 
+
+19
+00:00:16,320 --> 00:00:17,779
+agitated by this ordeal and I request a
+recess to give him a grievance want a
+
+20
+00:00:17,779 --> 00:00:17,789
+recess to give him a grievance want a
+ 
+
+21
+00:00:17,789 --> 00:00:20,090
+recess to give him a grievance want a
+recess I'll answer all questions right
+
+22
+00:00:20,090 --> 00:00:20,100
+recess I'll answer all questions right
+ 
+
+23
+00:00:20,100 --> 00:00:22,099
+recess I'll answer all questions right
+here and now did you conduct such a
+
+24
+00:00:22,099 --> 00:00:22,109
+here and now did you conduct such a
+ 
+
+25
+00:00:22,109 --> 00:00:26,540
+here and now did you conduct such a
+search yes I did usual my disloyal
+
+26
+00:00:26,540 --> 00:00:26,550
+search yes I did usual my disloyal
+ 
+
+27
+00:00:26,550 --> 00:00:28,429
+search yes I did usual my disloyal
+officers failed me and the key couldn't
+
+28
+00:00:28,429 --> 00:00:28,439
+officers failed me and the key couldn't
+ 
+
+29
+00:00:28,439 --> 00:00:30,470
+officers failed me and the key couldn't
+be found as a matter of actual fact
+
+30
+00:00:30,470 --> 00:00:30,480
+be found as a matter of actual fact
+ 
+
+31
+00:00:30,480 --> 00:00:32,209
+be found as a matter of actual fact
+wasn't this whole fuss over a quart of
+
+32
+00:00:32,209 --> 00:00:32,219
+wasn't this whole fuss over a quart of
+ 
+
+33
+00:00:32,219 --> 00:00:34,639
+wasn't this whole fuss over a quart of
+strawberries the pilfering of food in
+
+34
+00:00:34,639 --> 00:00:34,649
+strawberries the pilfering of food in
+ 
+
+35
+00:00:34,649 --> 00:00:36,260
+strawberries the pilfering of food in
+large amounts are small is one of the
+
+36
+00:00:36,260 --> 00:00:36,270
+large amounts are small is one of the
+ 
+
+37
+00:00:36,270 --> 00:00:38,569
+large amounts are small is one of the
+most serious occurrences on board ship
+
+38
+00:00:38,569 --> 00:00:38,579
+most serious occurrences on board ship
+ 
+
+39
+00:00:38,579 --> 00:00:40,490
+most serious occurrences on board ship
+yes but didn't you learn the mess boys
+
+40
+00:00:40,490 --> 00:00:40,500
+yes but didn't you learn the mess boys
+ 
+
+41
+00:00:40,500 --> 00:00:41,720
+yes but didn't you learn the mess boys
+that eatin the strawberries and that you
+
+42
+00:00:41,720 --> 00:00:41,730
+that eatin the strawberries and that you
+ 
+
+43
+00:00:41,730 --> 00:00:42,709
+that eatin the strawberries and that you
+were conducting a search for an
+
+44
+00:00:42,709 --> 00:00:42,719
+were conducting a search for an
+ 
+
+45
+00:00:42,719 --> 00:00:45,049
+were conducting a search for an
+imaginary key I repeat the key was not
+
+46
+00:00:45,049 --> 00:00:45,059
+imaginary key I repeat the key was not
+ 
+
+47
+00:00:45,059 --> 00:00:48,319
+imaginary key I repeat the key was not
+imaginary and I don't know anything
+
+48
+00:00:48,319 --> 00:00:48,329
+imaginary and I don't know anything
+ 
+
+49
+00:00:48,329 --> 00:00:50,209
+imaginary and I don't know anything
+about mess boys eating strawberries
+
+50
+00:00:50,209 --> 00:00:50,219
+about mess boys eating strawberries
+ 
+
+51
+00:00:50,219 --> 00:00:52,160
+about mess boys eating strawberries
+captain have you no recollection of a
+
+52
+00:00:52,160 --> 00:00:52,170
+captain have you no recollection of a
+ 
+
+53
+00:00:52,170 --> 00:00:54,260
+captain have you no recollection of a
+conversation with an ensign Harding just
+
+54
+00:00:54,260 --> 00:00:54,270
+conversation with an ensign Harding just
+ 
+
+55
+00:00:54,270 --> 00:00:57,410
+conversation with an ensign Harding just
+prior to his leaving the cane what about
+
+56
+00:00:57,410 --> 00:00:57,420
+prior to his leaving the cane what about
+ 
+
+57
+00:00:57,420 --> 00:00:59,209
+prior to his leaving the cane what about
+it well didn't ensign Harding tell you
+
+58
+00:00:59,209 --> 00:00:59,219
+it well didn't ensign Harding tell you
+ 
+
+59
+00:00:59,219 --> 00:01:01,060
+it well didn't ensign Harding tell you
+that the mess boys ate the strawberries
+
+60
+00:01:01,060 --> 00:01:01,070
+that the mess boys ate the strawberries
+ 
+
+61
+00:01:01,070 --> 00:01:04,369
+that the mess boys ate the strawberries
+all that I remember is that he was very
+
+62
+00:01:04,369 --> 00:01:04,379
+all that I remember is that he was very
+ 
+
+63
+00:01:04,379 --> 00:01:06,770
+all that I remember is that he was very
+grateful for his transfer his wife was
+
+64
+00:01:06,770 --> 00:01:06,780
+grateful for his transfer his wife was
+ 
+
+65
+00:01:06,780 --> 00:01:09,170
+grateful for his transfer his wife was
+ill in the state captain do you know
+
+66
+00:01:09,170 --> 00:01:09,180
+ill in the state captain do you know
+ 
+
+67
+00:01:09,180 --> 00:01:11,270
+ill in the state captain do you know
+where instant Harding is now oh I have
+
+68
+00:01:11,270 --> 00:01:11,280
+where instant Harding is now oh I have
+ 
+
+69
+00:01:11,280 --> 00:01:13,340
+where instant Harding is now oh I have
+no way of knowing Anson Harding is in
+
+70
+00:01:13,340 --> 00:01:13,350
+no way of knowing Anson Harding is in
+ 
+
+71
+00:01:13,350 --> 00:01:14,090
+no way of knowing Anson Harding is in
+San Diego
+
+72
+00:01:14,090 --> 00:01:14,100
+San Diego
+ 
+
+73
+00:01:14,100 --> 00:01:15,800
+San Diego
+his wife is fully recovered he has
+
+74
+00:01:15,800 --> 00:01:15,810
+his wife is fully recovered he has
+ 
+
+75
+00:01:15,810 --> 00:01:17,149
+his wife is fully recovered he has
+already been summoned and can be flown
+
+76
+00:01:17,149 --> 00:01:17,159
+already been summoned and can be flown
+ 
+
+77
+00:01:17,159 --> 00:01:18,760
+already been summoned and can be flown
+up here in three hours in necessary
+
+78
+00:01:18,760 --> 00:01:18,770
+up here in three hours in necessary
+ 
+
+79
+00:01:18,770 --> 00:01:20,990
+up here in three hours in necessary
+would it serve any useful purpose to
+
+80
+00:01:20,990 --> 00:01:21,000
+would it serve any useful purpose to
+ 
+
+81
+00:01:21,000 --> 00:01:28,070
+would it serve any useful purpose to
+have him testify no I I don't see any
+
+82
+00:01:28,070 --> 00:01:28,080
+have him testify no I I don't see any
+ 
+
+83
+00:01:28,080 --> 00:01:34,640
+have him testify no I I don't see any
+need of that now that I recall he might
+
+84
+00:01:34,640 --> 00:01:34,650
+need of that now that I recall he might
+ 
+
+85
+00:01:34,650 --> 00:01:36,109
+need of that now that I recall he might
+have said something about mess boys and
+
+86
+00:01:36,109 --> 00:01:36,119
+have said something about mess boys and
+ 
+
+87
+00:01:36,119 --> 00:01:38,450
+have said something about mess boys and
+then again he might not I questioned so
+
+88
+00:01:38,450 --> 00:01:38,460
+then again he might not I questioned so
+ 
+
+89
+00:01:38,460 --> 00:01:40,670
+then again he might not I questioned so
+many men and Harding was not the most
+
+90
+00:01:40,670 --> 00:01:40,680
+many men and Harding was not the most
+ 
+
+91
+00:01:40,680 --> 00:01:43,700
+many men and Harding was not the most
+reliable officers I'm afraid the defense
+
+92
+00:01:43,700 --> 00:01:43,710
+reliable officers I'm afraid the defense
+ 
+
+93
+00:01:43,710 --> 00:01:45,230
+reliable officers I'm afraid the defense
+has no other recourse than to produce
+
+94
+00:01:45,230 --> 00:01:45,240
+has no other recourse than to produce
+ 
+
+95
+00:01:45,240 --> 00:01:48,260
+has no other recourse than to produce
+ensign Harding now there's no need for
+
+96
+00:01:48,260 --> 00:01:48,270
+ensign Harding now there's no need for
+ 
+
+97
+00:01:48,270 --> 00:01:50,539
+ensign Harding now there's no need for
+that I know exactly what he tell you
+
+98
+00:01:50,539 --> 00:01:50,549
+that I know exactly what he tell you
+ 
+
+99
+00:01:50,549 --> 00:01:52,219
+that I know exactly what he tell you
+lies he was no different from any other
+
+100
+00:01:52,219 --> 00:01:52,229
+lies he was no different from any other
+ 
+
+101
+00:01:52,229 --> 00:01:53,630
+lies he was no different from any other
+office in the ward them they were all
+
+102
+00:01:53,630 --> 00:01:53,640
+office in the ward them they were all
+ 
+
+103
+00:01:53,640 --> 00:01:55,880
+office in the ward them they were all
+disloyal I tried to run this shift
+
+104
+00:01:55,880 --> 00:01:55,890
+disloyal I tried to run this shift
+ 
+
+105
+00:01:55,890 --> 00:01:57,080
+disloyal I tried to run this shift
+properly with the book but they fought
+
+106
+00:01:57,080 --> 00:01:57,090
+properly with the book but they fought
+ 
+
+107
+00:01:57,090 --> 00:01:58,999
+properly with the book but they fought
+me at every turn it's the crew wanted to
+
+108
+00:01:58,999 --> 00:01:59,009
+me at every turn it's the crew wanted to
+ 
+
+109
+00:01:59,009 --> 00:02:00,200
+me at every turn it's the crew wanted to
+walk around with his shirttails hanging
+
+110
+00:02:00,200 --> 00:02:00,210
+walk around with his shirttails hanging
+ 
+
+111
+00:02:00,210 --> 00:02:02,330
+walk around with his shirttails hanging
+out that's all right let them take the
+
+112
+00:02:02,330 --> 00:02:02,340
+out that's all right let them take the
+ 
+
+113
+00:02:02,340 --> 00:02:04,340
+out that's all right let them take the
+towline defective equipment no more no
+
+114
+00:02:04,340 --> 00:02:04,350
+towline defective equipment no more no
+ 
+
+115
+00:02:04,350 --> 00:02:06,080
+towline defective equipment no more no
+less but they encouraged the crew to go
+
+116
+00:02:06,080 --> 00:02:06,090
+less but they encouraged the crew to go
+ 
+
+117
+00:02:06,090 --> 00:02:08,809
+less but they encouraged the crew to go
+around scoffing at me and spreading wild
+
+118
+00:02:08,809 --> 00:02:08,819
+around scoffing at me and spreading wild
+ 
+
+119
+00:02:08,819 --> 00:02:11,300
+around scoffing at me and spreading wild
+rumors about scheming in circles and and
+
+120
+00:02:11,300 --> 00:02:11,310
+rumors about scheming in circles and and
+ 
+
+121
+00:02:11,310 --> 00:02:13,080
+rumors about scheming in circles and and
+and then all yellow stain
+
+122
+00:02:13,080 --> 00:02:13,090
+and then all yellow stain
+ 
+
+123
+00:02:13,090 --> 00:02:14,820
+and then all yellow stain
+I was to blame for lieutenant Marik's
+
+124
+00:02:14,820 --> 00:02:14,830
+I was to blame for lieutenant Marik's
+ 
+
+125
+00:02:14,830 --> 00:02:16,339
+I was to blame for lieutenant Marik's
+incompetence and poor seamanship
+
+126
+00:02:16,339 --> 00:02:16,349
+incompetence and poor seamanship
+ 
+
+127
+00:02:16,349 --> 00:02:18,809
+incompetence and poor seamanship
+lieutenant maryk was the perfect officer
+
+128
+00:02:18,809 --> 00:02:18,819
+lieutenant maryk was the perfect officer
+ 
+
+129
+00:02:18,819 --> 00:02:21,240
+lieutenant maryk was the perfect officer
+but not captain queeg of the
+
+130
+00:02:21,240 --> 00:02:21,250
+but not captain queeg of the
+ 
+
+131
+00:02:21,250 --> 00:02:23,250
+but not captain queeg of the
+strawberries that's that's where I had
+
+132
+00:02:23,250 --> 00:02:23,260
+strawberries that's that's where I had
+ 
+
+133
+00:02:23,260 --> 00:02:24,750
+strawberries that's that's where I had
+them they laughed at me and made jokes
+
+134
+00:02:24,750 --> 00:02:24,760
+them they laughed at me and made jokes
+ 
+
+135
+00:02:24,760 --> 00:02:26,729
+them they laughed at me and made jokes
+but I proved beyond the shadow of a
+
+136
+00:02:26,729 --> 00:02:26,739
+but I proved beyond the shadow of a
+ 
+
+137
+00:02:26,739 --> 00:02:30,180
+but I proved beyond the shadow of a
+doubt and with with geometric logic that
+
+138
+00:02:30,180 --> 00:02:30,190
+doubt and with with geometric logic that
+ 
+
+139
+00:02:30,190 --> 00:02:31,710
+doubt and with with geometric logic that
+a duplicate key to the wardroom icebox
+
+140
+00:02:31,710 --> 00:02:31,720
+a duplicate key to the wardroom icebox
+ 
+
+141
+00:02:31,720 --> 00:02:33,240
+a duplicate key to the wardroom icebox
+did exist now I have produced that key
+
+142
+00:02:33,240 --> 00:02:33,250
+did exist now I have produced that key
+ 
+
+143
+00:02:33,250 --> 00:02:34,290
+did exist now I have produced that key
+if they hadn't pulled the cane out of
+
+144
+00:02:34,290 --> 00:02:34,300
+if they hadn't pulled the cane out of
+ 
+
+145
+00:02:34,300 --> 00:02:36,509
+if they hadn't pulled the cane out of
+action I know now they were only trying
+
+146
+00:02:36,509 --> 00:02:36,519
+action I know now they were only trying
+ 
+
+147
+00:02:36,519 --> 00:02:51,330
+action I know now they were only trying
+to protect some fellow officer
+
+148
+00:02:51,330 --> 00:02:51,340
+
+ 
+
+149
+00:02:51,340 --> 00:02:55,320
+
+and actually I I can only cover these
+
+150
+00:02:55,320 --> 00:02:55,330
+and actually I I can only cover these
+ 
+
+151
+00:02:55,330 --> 00:02:58,890
+and actually I I can only cover these
+things from memory if I've left anything
+
+152
+00:02:58,890 --> 00:02:58,900
+things from memory if I've left anything
+ 
+
+153
+00:02:58,900 --> 00:03:02,670
+things from memory if I've left anything
+out why just ask me specific questions
+
+154
+00:03:02,670 --> 00:03:02,680
+out why just ask me specific questions
+ 
+
+155
+00:03:02,680 --> 00:03:08,190
+out why just ask me specific questions
+and I'll be glad to answer them one by
+
+156
+00:03:08,190 --> 00:03:08,200
+and I'll be glad to answer them one by
+ 
+
+157
+00:03:08,200 --> 00:03:16,870
+and I'll be glad to answer them one by
+one
+
+158
+00:03:16,870 --> 00:03:16,880
+
+ 
+
+159
+00:03:16,880 --> 00:03:28,220
+
+[Music]
+
diff --git a/1954/LWIAWDjHhx4.en.srt b/1954/LWIAWDjHhx4.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..55aabce34435fefb3f2b9a27a4b11899275a9897
--- /dev/null
+++ b/1954/LWIAWDjHhx4.en.srt
@@ -0,0 +1,535 @@
+1
+00:00:00,040 --> 00:00:01,829
+
+I suddenly realized how much I'd grown
+
+2
+00:00:01,829 --> 00:00:01,839
+I suddenly realized how much I'd grown
+ 
+
+3
+00:00:01,839 --> 00:00:04,670
+I suddenly realized how much I'd grown
+to depend on her all these expensive
+
+4
+00:00:04,670 --> 00:00:04,680
+to depend on her all these expensive
+ 
+
+5
+00:00:04,680 --> 00:00:06,389
+to depend on her all these expensive
+tastes i' acquired while I was at the
+
+6
+00:00:06,389 --> 00:00:06,399
+tastes i' acquired while I was at the
+ 
+
+7
+00:00:06,399 --> 00:00:08,990
+tastes i' acquired while I was at the
+top now big tennis had finished with me
+
+8
+00:00:08,990 --> 00:00:09,000
+top now big tennis had finished with me
+ 
+
+9
+00:00:09,000 --> 00:00:11,629
+top now big tennis had finished with me
+and so apparently had my wife I can't
+
+10
+00:00:11,629 --> 00:00:11,639
+and so apparently had my wife I can't
+ 
+
+11
+00:00:11,639 --> 00:00:13,390
+and so apparently had my wife I can't
+ever remember being so
+
+12
+00:00:13,390 --> 00:00:13,400
+ever remember being so
+ 
+
+13
+00:00:13,400 --> 00:00:15,629
+ever remember being so
+scared I dropped into a pub and had a
+
+14
+00:00:15,629 --> 00:00:15,639
+scared I dropped into a pub and had a
+ 
+
+15
+00:00:15,639 --> 00:00:16,630
+scared I dropped into a pub and had a
+couple of
+
+16
+00:00:16,630 --> 00:00:16,640
+couple of
+ 
+
+17
+00:00:16,640 --> 00:00:19,590
+couple of
+drinks as I sat in the corner I thought
+
+18
+00:00:19,590 --> 00:00:19,600
+drinks as I sat in the corner I thought
+ 
+
+19
+00:00:19,600 --> 00:00:21,230
+drinks as I sat in the corner I thought
+of all sorts of
+
+20
+00:00:21,230 --> 00:00:21,240
+of all sorts of
+ 
+
+21
+00:00:21,240 --> 00:00:23,509
+of all sorts of
+things I thought of three different ways
+
+22
+00:00:23,509 --> 00:00:23,519
+things I thought of three different ways
+ 
+
+23
+00:00:23,519 --> 00:00:26,390
+things I thought of three different ways
+of killing him I even thought of killing
+
+24
+00:00:26,390 --> 00:00:26,400
+of killing him I even thought of killing
+ 
+
+25
+00:00:26,400 --> 00:00:29,990
+of killing him I even thought of killing
+her that seemed a far more sensible idea
+
+26
+00:00:29,990 --> 00:00:30,000
+her that seemed a far more sensible idea
+ 
+
+27
+00:00:30,000 --> 00:00:31,390
+her that seemed a far more sensible idea
+and just as I was working out how I
+
+28
+00:00:31,390 --> 00:00:31,400
+and just as I was working out how I
+ 
+
+29
+00:00:31,400 --> 00:00:33,430
+and just as I was working out how I
+could do it I suddenly saw something
+
+30
+00:00:33,430 --> 00:00:33,440
+could do it I suddenly saw something
+ 
+
+31
+00:00:33,440 --> 00:00:38,590
+could do it I suddenly saw something
+which completely changed my
+
+32
+00:00:38,590 --> 00:00:38,600
+
+ 
+
+33
+00:00:38,600 --> 00:00:40,790
+
+mind I didn't go to that tournament
+
+34
+00:00:40,790 --> 00:00:40,800
+mind I didn't go to that tournament
+ 
+
+35
+00:00:40,800 --> 00:00:43,510
+mind I didn't go to that tournament
+after all when I got back she was
+
+36
+00:00:43,510 --> 00:00:43,520
+after all when I got back she was
+ 
+
+37
+00:00:43,520 --> 00:00:46,470
+after all when I got back she was
+sitting exactly where you are now and I
+
+38
+00:00:46,470 --> 00:00:46,480
+sitting exactly where you are now and I
+ 
+
+39
+00:00:46,480 --> 00:00:48,869
+sitting exactly where you are now and I
+told her I decided to give up tennis and
+
+40
+00:00:48,869 --> 00:00:48,879
+told her I decided to give up tennis and
+ 
+
+41
+00:00:48,879 --> 00:00:50,709
+told her I decided to give up tennis and
+look after her
+
+42
+00:00:50,709 --> 00:00:50,719
+look after her
+ 
+
+43
+00:00:50,719 --> 00:00:53,790
+look after her
+instead well well as things turned out I
+
+44
+00:00:53,790 --> 00:00:53,800
+instead well well as things turned out I
+ 
+
+45
+00:00:53,800 --> 00:00:55,590
+instead well well as things turned out I
+need got so worked up after all
+
+46
+00:00:55,590 --> 00:00:55,600
+need got so worked up after all
+ 
+
+47
+00:00:55,600 --> 00:00:56,950
+need got so worked up after all
+apparently that spaghetti evening had
+
+48
+00:00:56,950 --> 00:00:56,960
+apparently that spaghetti evening had
+ 
+
+49
+00:00:56,960 --> 00:00:58,549
+apparently that spaghetti evening had
+been a sort of a fun
+
+50
+00:00:58,549 --> 00:00:58,559
+been a sort of a fun
+ 
+
+51
+00:00:58,559 --> 00:01:00,709
+been a sort of a fun
+farewell the boy friend had been called
+
+52
+00:01:00,709 --> 00:01:00,719
+farewell the boy friend had been called
+ 
+
+53
+00:01:00,719 --> 00:01:03,549
+farewell the boy friend had been called
+back to New York oh an American yes
+
+54
+00:01:03,549 --> 00:01:03,559
+back to New York oh an American yes
+ 
+
+55
+00:01:03,559 --> 00:01:05,469
+back to New York oh an American yes
+there were long letters from there they
+
+56
+00:01:05,469 --> 00:01:05,479
+there were long letters from there they
+ 
+
+57
+00:01:05,479 --> 00:01:07,670
+there were long letters from there they
+usually arrived on Thursdays and she
+
+58
+00:01:07,670 --> 00:01:07,680
+usually arrived on Thursdays and she
+ 
+
+59
+00:01:07,680 --> 00:01:10,350
+usually arrived on Thursdays and she
+burned them all except one that one she
+
+60
+00:01:10,350 --> 00:01:10,360
+burned them all except one that one she
+ 
+
+61
+00:01:10,360 --> 00:01:12,350
+burned them all except one that one she
+used to transfer from handbag to handbag
+
+62
+00:01:12,350 --> 00:01:12,360
+used to transfer from handbag to handbag
+ 
+
+63
+00:01:12,360 --> 00:01:14,910
+used to transfer from handbag to handbag
+it was always with her that letter
+
+64
+00:01:14,910 --> 00:01:14,920
+it was always with her that letter
+ 
+
+65
+00:01:14,920 --> 00:01:16,910
+it was always with her that letter
+became an obsession with me I had to
+
+66
+00:01:16,910 --> 00:01:16,920
+became an obsession with me I had to
+ 
+
+67
+00:01:16,920 --> 00:01:19,789
+became an obsession with me I had to
+find out what was in it and finally I
+
+68
+00:01:19,789 --> 00:01:19,799
+find out what was in it and finally I
+ 
+
+69
+00:01:19,799 --> 00:01:22,310
+find out what was in it and finally I
+did that letter I made very interesting
+
+70
+00:01:22,310 --> 00:01:22,320
+did that letter I made very interesting
+ 
+
+71
+00:01:22,320 --> 00:01:25,830
+did that letter I made very interesting
+reading you mean you sto it yes I even
+
+72
+00:01:25,830 --> 00:01:25,840
+reading you mean you sto it yes I even
+ 
+
+73
+00:01:25,840 --> 00:01:27,429
+reading you mean you sto it yes I even
+wrote a two Anonymous notes offering to
+
+74
+00:01:27,429 --> 00:01:27,439
+wrote a two Anonymous notes offering to
+ 
+
+75
+00:01:27,439 --> 00:01:30,630
+wrote a two Anonymous notes offering to
+sell it back what I was hoping you would
+
+76
+00:01:30,630 --> 00:01:30,640
+sell it back what I was hoping you would
+ 
+
+77
+00:01:30,640 --> 00:01:33,270
+sell it back what I was hoping you would
+make her come and tell me all about him
+
+78
+00:01:33,270 --> 00:01:33,280
+make her come and tell me all about him
+ 
+
+79
+00:01:33,280 --> 00:01:38,550
+make her come and tell me all about him
+but it didn't so I kept the
+
+80
+00:01:38,550 --> 00:01:38,560
+
+ 
+
+81
+00:01:38,560 --> 00:01:41,749
+
+letter why you telling me all this
+
+82
+00:01:41,749 --> 00:01:41,759
+letter why you telling me all this
+ 
+
+83
+00:01:41,759 --> 00:01:47,469
+letter why you telling me all this
+because you're the only person I can
+
+84
+00:01:47,469 --> 00:01:47,479
+
+ 
+
+85
+00:01:47,479 --> 00:01:50,469
+
+trust anyway that did it it must have
+
+86
+00:01:50,469 --> 00:01:50,479
+trust anyway that did it it must have
+ 
+
+87
+00:01:50,479 --> 00:01:51,910
+trust anyway that did it it must have
+put the fear of God into them because
+
+88
+00:01:51,910 --> 00:01:51,920
+put the fear of God into them because
+ 
+
+89
+00:01:51,920 --> 00:01:54,030
+put the fear of God into them because
+the letter stopped and we lived happily
+
+90
+00:01:54,030 --> 00:01:54,040
+the letter stopped and we lived happily
+ 
+
+91
+00:01:54,040 --> 00:01:54,950
+the letter stopped and we lived happily
+ever
+
+92
+00:01:54,950 --> 00:01:54,960
+ever
+ 
+
+93
+00:01:54,960 --> 00:01:57,630
+ever
+after you know it's funny to think that
+
+94
+00:01:57,630 --> 00:01:57,640
+after you know it's funny to think that
+ 
+
+95
+00:01:57,640 --> 00:01:59,469
+after you know it's funny to think that
+just a year ago I sat in that night
+
+96
+00:01:59,469 --> 00:01:59,479
+just a year ago I sat in that night
+ 
+
+97
+00:01:59,479 --> 00:02:01,709
+just a year ago I sat in that night
+Bridge Pub actually planning to murder
+
+98
+00:02:01,709 --> 00:02:01,719
+Bridge Pub actually planning to murder
+ 
+
+99
+00:02:01,719 --> 00:02:04,870
+Bridge Pub actually planning to murder
+her and I might have done it if I hadn't
+
+100
+00:02:04,870 --> 00:02:04,880
+her and I might have done it if I hadn't
+ 
+
+101
+00:02:04,880 --> 00:02:07,150
+her and I might have done it if I hadn't
+seen something that changed my
+
+102
+00:02:07,150 --> 00:02:07,160
+seen something that changed my
+ 
+
+103
+00:02:07,160 --> 00:02:10,350
+seen something that changed my
+mind well what did you
+
+104
+00:02:10,350 --> 00:02:10,360
+mind well what did you
+ 
+
+105
+00:02:10,360 --> 00:02:15,840
+mind well what did you
+see I saw you
+
+106
+00:02:15,840 --> 00:02:15,850
+
+ 
+
+107
+00:02:15,850 --> 00:02:27,180
+
+[Music]
+
diff --git a/1954/Oh0635HLx5s.en.srt b/1954/Oh0635HLx5s.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..d17ea2bc455138c0a1ea7c8a44db925c9151910d
--- /dev/null
+++ b/1954/Oh0635HLx5s.en.srt
@@ -0,0 +1,575 @@
+1
+00:00:00,520 --> 00:00:02,750
+
+uh Mrs wers would you show me exactly
+
+2
+00:00:02,750 --> 00:00:02,760
+uh Mrs wers would you show me exactly
+ 
+
+3
+00:00:02,760 --> 00:00:05,630
+uh Mrs wers would you show me exactly
+what happened last night only do I have
+
+4
+00:00:05,630 --> 00:00:05,640
+what happened last night only do I have
+ 
+
+5
+00:00:05,640 --> 00:00:12,910
+what happened last night only do I have
+to I'm afraid so
+
+6
+00:00:12,910 --> 00:00:12,920
+
+ 
+
+7
+00:00:12,920 --> 00:00:15,950
+
+darling I was in bed when the phone rang
+
+8
+00:00:15,950 --> 00:00:15,960
+darling I was in bed when the phone rang
+ 
+
+9
+00:00:15,960 --> 00:00:18,070
+darling I was in bed when the phone rang
+and I got up and I came in here uh did
+
+10
+00:00:18,070 --> 00:00:18,080
+and I got up and I came in here uh did
+ 
+
+11
+00:00:18,080 --> 00:00:20,230
+and I got up and I came in here uh did
+you switch this light on no uh just show
+
+12
+00:00:20,230 --> 00:00:20,240
+you switch this light on no uh just show
+ 
+
+13
+00:00:20,240 --> 00:00:26,710
+you switch this light on no uh just show
+me exactly where you were
+
+14
+00:00:26,710 --> 00:00:26,720
+
+ 
+
+15
+00:00:26,720 --> 00:00:30,550
+
+standing I stood here and I picked up
+
+16
+00:00:30,550 --> 00:00:30,560
+standing I stood here and I picked up
+ 
+
+17
+00:00:30,560 --> 00:00:32,790
+standing I stood here and I picked up
+the phone just one moment are you sure
+
+18
+00:00:32,790 --> 00:00:32,800
+the phone just one moment are you sure
+ 
+
+19
+00:00:32,800 --> 00:00:34,310
+the phone just one moment are you sure
+you had your back to the window like
+
+20
+00:00:34,310 --> 00:00:34,320
+you had your back to the window like
+ 
+
+21
+00:00:34,320 --> 00:00:37,069
+you had your back to the window like
+that yes but
+
+22
+00:00:37,069 --> 00:00:37,079
+that yes but
+ 
+
+23
+00:00:37,079 --> 00:00:40,910
+that yes but
+why why not I mean why go around with
+
+24
+00:00:40,910 --> 00:00:40,920
+why why not I mean why go around with
+ 
+
+25
+00:00:40,920 --> 00:00:42,910
+why why not I mean why go around with
+this I should have picked it up from
+
+26
+00:00:42,910 --> 00:00:42,920
+this I should have picked it up from
+ 
+
+27
+00:00:42,920 --> 00:00:45,270
+this I should have picked it up from
+this side but I always answer the phone
+
+28
+00:00:45,270 --> 00:00:45,280
+this side but I always answer the phone
+ 
+
+29
+00:00:45,280 --> 00:00:48,910
+this side but I always answer the phone
+from here but why well in case I have to
+
+30
+00:00:48,910 --> 00:00:48,920
+from here but why well in case I have to
+ 
+
+31
+00:00:48,920 --> 00:00:50,590
+from here but why well in case I have to
+write anything down I can hold the phone
+
+32
+00:00:50,590 --> 00:00:50,600
+write anything down I can hold the phone
+ 
+
+33
+00:00:50,600 --> 00:00:52,590
+write anything down I can hold the phone
+in my left
+
+34
+00:00:52,590 --> 00:00:52,600
+in my left
+ 
+
+35
+00:00:52,600 --> 00:00:56,910
+in my left
+hand I see I'm sorry go on when I picked
+
+36
+00:00:56,910 --> 00:00:56,920
+hand I see I'm sorry go on when I picked
+ 
+
+37
+00:00:56,920 --> 00:00:59,110
+hand I see I'm sorry go on when I picked
+up the phone he must have come from
+
+38
+00:00:59,110 --> 00:00:59,120
+up the phone he must have come from
+ 
+
+39
+00:00:59,120 --> 00:01:01,549
+up the phone he must have come from
+behind those curtains and attacked me he
+
+40
+00:01:01,549 --> 00:01:01,559
+behind those curtains and attacked me he
+ 
+
+41
+00:01:01,559 --> 00:01:03,349
+behind those curtains and attacked me he
+got something around my neck something
+
+42
+00:01:03,349 --> 00:01:03,359
+got something around my neck something
+ 
+
+43
+00:01:03,359 --> 00:01:05,509
+got something around my neck something
+what do you mean by something I think it
+
+44
+00:01:05,509 --> 00:01:05,519
+what do you mean by something I think it
+ 
+
+45
+00:01:05,519 --> 00:01:08,590
+what do you mean by something I think it
+was a stocking I see now what happened
+
+46
+00:01:08,590 --> 00:01:08,600
+was a stocking I see now what happened
+ 
+
+47
+00:01:08,600 --> 00:01:11,550
+was a stocking I see now what happened
+then well then he pushed me across the
+
+48
+00:01:11,550 --> 00:01:11,560
+then well then he pushed me across the
+ 
+
+49
+00:01:11,560 --> 00:01:13,910
+then well then he pushed me across the
+disc I distinctly remember feeling for
+
+50
+00:01:13,910 --> 00:01:13,920
+disc I distinctly remember feeling for
+ 
+
+51
+00:01:13,920 --> 00:01:14,950
+disc I distinctly remember feeling for
+the scissors and where were those
+
+52
+00:01:14,950 --> 00:01:14,960
+the scissors and where were those
+ 
+
+53
+00:01:14,960 --> 00:01:17,109
+the scissors and where were those
+scissors usually kept in that mending
+
+54
+00:01:17,109 --> 00:01:17,119
+scissors usually kept in that mending
+ 
+
+55
+00:01:17,119 --> 00:01:20,149
+scissors usually kept in that mending
+basket I'd forgotten to put them away
+
+56
+00:01:20,149 --> 00:01:20,159
+basket I'd forgotten to put them away
+ 
+
+57
+00:01:20,159 --> 00:01:22,310
+basket I'd forgotten to put them away
+now what makes you think he came from
+
+58
+00:01:22,310 --> 00:01:22,320
+now what makes you think he came from
+ 
+
+59
+00:01:22,320 --> 00:01:24,230
+now what makes you think he came from
+behind those curtains where else could
+
+60
+00:01:24,230 --> 00:01:24,240
+behind those curtains where else could
+ 
+
+61
+00:01:24,240 --> 00:01:25,510
+behind those curtains where else could
+he have been the curtains were drawn
+
+62
+00:01:25,510 --> 00:01:25,520
+he have been the curtains were drawn
+ 
+
+63
+00:01:25,520 --> 00:01:27,069
+he have been the curtains were drawn
+Iber yes they were did you draw them
+
+64
+00:01:27,069 --> 00:01:27,079
+Iber yes they were did you draw them
+ 
+
+65
+00:01:27,079 --> 00:01:29,030
+Iber yes they were did you draw them
+yourself no inspector I drew them just
+
+66
+00:01:29,030 --> 00:01:29,040
+yourself no inspector I drew them just
+ 
+
+67
+00:01:29,040 --> 00:01:30,830
+yourself no inspector I drew them just
+before I went out did you lock the
+
+68
+00:01:30,830 --> 00:01:30,840
+before I went out did you lock the
+ 
+
+69
+00:01:30,840 --> 00:01:32,990
+before I went out did you lock the
+window at the same time yes are you
+
+70
+00:01:32,990 --> 00:01:33,000
+window at the same time yes are you
+ 
+
+71
+00:01:33,000 --> 00:01:35,109
+window at the same time yes are you
+quite sure of that sir oh perfectly sure
+
+72
+00:01:35,109 --> 00:01:35,119
+quite sure of that sir oh perfectly sure
+ 
+
+73
+00:01:35,119 --> 00:01:36,870
+quite sure of that sir oh perfectly sure
+I always lock up and I draw the curtain
+
+74
+00:01:36,870 --> 00:01:36,880
+I always lock up and I draw the curtain
+ 
+
+75
+00:01:36,880 --> 00:01:38,149
+I always lock up and I draw the curtain
+then how do you suppose he got into this
+
+76
+00:01:38,149 --> 00:01:38,159
+then how do you suppose he got into this
+ 
+
+77
+00:01:38,159 --> 00:01:39,910
+then how do you suppose he got into this
+room well we assume that he broke in
+
+78
+00:01:39,910 --> 00:01:39,920
+room well we assume that he broke in
+ 
+
+79
+00:01:39,920 --> 00:01:41,670
+room well we assume that he broke in
+well there's no sign of a break in our
+
+80
+00:01:41,670 --> 00:01:41,680
+well there's no sign of a break in our
+ 
+
+81
+00:01:41,680 --> 00:01:43,910
+well there's no sign of a break in our
+report shows the locks quite
+
+82
+00:01:43,910 --> 00:01:43,920
+report shows the locks quite
+ 
+
+83
+00:01:43,920 --> 00:01:45,830
+report shows the locks quite
+undamaged Mrs
+
+84
+00:01:45,830 --> 00:01:45,840
+undamaged Mrs
+ 
+
+85
+00:01:45,840 --> 00:01:48,350
+undamaged Mrs
+Wendy why didn't you call the police
+
+86
+00:01:48,350 --> 00:01:48,360
+Wendy why didn't you call the police
+ 
+
+87
+00:01:48,360 --> 00:01:53,270
+Wendy why didn't you call the police
+immediately this
+
+88
+00:01:53,270 --> 00:01:53,280
+
+ 
+
+89
+00:01:53,280 --> 00:01:55,510
+
+happened I was trying to get through to
+
+90
+00:01:55,510 --> 00:01:55,520
+happened I was trying to get through to
+ 
+
+91
+00:01:55,520 --> 00:01:57,149
+happened I was trying to get through to
+the police when I discovered my husband
+
+92
+00:01:57,149 --> 00:01:57,159
+the police when I discovered my husband
+ 
+
+93
+00:01:57,159 --> 00:01:59,590
+the police when I discovered my husband
+was on the line I naturally thought that
+
+94
+00:01:59,590 --> 00:01:59,600
+was on the line I naturally thought that
+ 
+
+95
+00:01:59,600 --> 00:02:01,350
+was on the line I naturally thought that
+he would call the police from the hotel
+
+96
+00:02:01,350 --> 00:02:01,360
+he would call the police from the hotel
+ 
+
+97
+00:02:01,360 --> 00:02:04,350
+he would call the police from the hotel
+before he came here didn't it occur to
+
+98
+00:02:04,350 --> 00:02:04,360
+before he came here didn't it occur to
+ 
+
+99
+00:02:04,360 --> 00:02:09,190
+before he came here didn't it occur to
+you to call a doctor no why ever not he
+
+100
+00:02:09,190 --> 00:02:09,200
+you to call a doctor no why ever not he
+ 
+
+101
+00:02:09,200 --> 00:02:13,869
+you to call a doctor no why ever not he
+was dead how did you know that I it was
+
+102
+00:02:13,869 --> 00:02:13,879
+was dead how did you know that I it was
+ 
+
+103
+00:02:13,879 --> 00:02:15,869
+was dead how did you know that I it was
+obvious did you feel his pulse no of
+
+104
+00:02:15,869 --> 00:02:15,879
+obvious did you feel his pulse no of
+ 
+
+105
+00:02:15,879 --> 00:02:18,030
+obvious did you feel his pulse no of
+course I didn't anyone would have
+
+106
+00:02:18,030 --> 00:02:18,040
+course I didn't anyone would have
+ 
+
+107
+00:02:18,040 --> 00:02:20,070
+course I didn't anyone would have
+realized he was dead just one look at
+
+108
+00:02:20,070 --> 00:02:20,080
+realized he was dead just one look at
+ 
+
+109
+00:02:20,080 --> 00:02:22,430
+realized he was dead just one look at
+those staring eyes so you did see his
+
+110
+00:02:22,430 --> 00:02:22,440
+those staring eyes so you did see his
+ 
+
+111
+00:02:22,440 --> 00:02:25,150
+those staring eyes so you did see his
+face after all I saw his eyes I can't
+
+112
+00:02:25,150 --> 00:02:25,160
+face after all I saw his eyes I can't
+ 
+
+113
+00:02:25,160 --> 00:02:32,010
+face after all I saw his eyes I can't
+remember his face
+
+114
+00:02:32,010 --> 00:02:32,020
+
+ 
+
+115
+00:02:32,020 --> 00:02:37,939
+
+[Music]
+
diff --git a/1954/PrBVgtAeNhE.en.srt b/1954/PrBVgtAeNhE.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..b2a932523ec38ca9de3db61e7be7d9938a45ef01
--- /dev/null
+++ b/1954/PrBVgtAeNhE.en.srt
@@ -0,0 +1,585 @@
+1
+00:00:00,030 --> 00:00:02,450
+
+my tongue is loosened by champagne hi
+
+2
+00:00:02,450 --> 00:00:02,460
+my tongue is loosened by champagne hi
+ 
+
+3
+00:00:02,460 --> 00:00:04,400
+my tongue is loosened by champagne hi
+speak as I do everything for all the
+
+4
+00:00:04,400 --> 00:00:04,410
+speak as I do everything for all the
+ 
+
+5
+00:00:04,410 --> 00:00:06,410
+speak as I do everything for all the
+world to know everything I do and I
+
+6
+00:00:06,410 --> 00:00:06,420
+world to know everything I do and I
+ 
+
+7
+00:00:06,420 --> 00:00:08,990
+world to know everything I do and I
+admit to all your accusations I do in
+
+8
+00:00:08,990 --> 00:00:09,000
+admit to all your accusations I do in
+ 
+
+9
+00:00:09,000 --> 00:00:11,450
+admit to all your accusations I do in
+the open while you mr. car get what's
+
+10
+00:00:11,450 --> 00:00:11,460
+the open while you mr. car get what's
+ 
+
+11
+00:00:11,460 --> 00:00:13,249
+the open while you mr. car get what's
+due them secretly you denied it you're a
+
+12
+00:00:13,249 --> 00:00:13,259
+due them secretly you denied it you're a
+ 
+
+13
+00:00:13,259 --> 00:00:16,150
+due them secretly you denied it you're a
+liar you're a liar you repeat yourself
+
+14
+00:00:16,150 --> 00:00:16,160
+liar you're a liar you repeat yourself
+ 
+
+15
+00:00:16,160 --> 00:00:18,920
+liar you're a liar you repeat yourself
+take a drink my friend and say what you
+
+16
+00:00:18,920 --> 00:00:18,930
+take a drink my friend and say what you
+ 
+
+17
+00:00:18,930 --> 00:00:21,830
+take a drink my friend and say what you
+have in your heart but you never drink
+
+18
+00:00:21,830 --> 00:00:21,840
+have in your heart but you never drink
+ 
+
+19
+00:00:21,840 --> 00:00:25,220
+have in your heart but you never drink
+you never say because you're afraid of
+
+20
+00:00:25,220 --> 00:00:25,230
+you never say because you're afraid of
+ 
+
+21
+00:00:25,230 --> 00:00:26,720
+you never say because you're afraid of
+what you have in your heart you're a
+
+22
+00:00:26,720 --> 00:00:26,730
+what you have in your heart you're a
+ 
+
+23
+00:00:26,730 --> 00:00:30,140
+what you have in your heart you're a
+liar granted but so are you mr. Kirk
+
+24
+00:00:30,140 --> 00:00:30,150
+liar granted but so are you mr. Kirk
+ 
+
+25
+00:00:30,150 --> 00:00:32,690
+liar granted but so are you mr. Kirk
+Edwards you are everything that I am
+
+26
+00:00:32,690 --> 00:00:32,700
+Edwards you are everything that I am
+ 
+
+27
+00:00:32,700 --> 00:00:35,479
+Edwards you are everything that I am
+plus one more sin hypocrisy my friend
+
+28
+00:00:35,479 --> 00:00:35,489
+plus one more sin hypocrisy my friend
+ 
+
+29
+00:00:35,489 --> 00:00:37,760
+plus one more sin hypocrisy my friend
+you pretend not to be what you are not
+
+30
+00:00:37,760 --> 00:00:37,770
+you pretend not to be what you are not
+ 
+
+31
+00:00:37,770 --> 00:00:40,940
+you pretend not to be what you are not
+to do what you do and this is most evil
+
+32
+00:00:40,940 --> 00:00:40,950
+to do what you do and this is most evil
+ 
+
+33
+00:00:40,950 --> 00:00:42,860
+to do what you do and this is most evil
+of all you've never done an honest day's
+
+34
+00:00:42,860 --> 00:00:42,870
+of all you've never done an honest day's
+ 
+
+35
+00:00:42,870 --> 00:00:45,350
+of all you've never done an honest day's
+work in your life I have never done a
+
+36
+00:00:45,350 --> 00:00:45,360
+work in your life I have never done a
+ 
+
+37
+00:00:45,360 --> 00:00:47,119
+work in your life I have never done a
+day's work in my life honest or
+
+38
+00:00:47,119 --> 00:00:47,129
+day's work in my life honest or
+ 
+
+39
+00:00:47,129 --> 00:00:49,700
+day's work in my life honest or
+dishonest but neither have you to make a
+
+40
+00:00:49,700 --> 00:00:49,710
+dishonest but neither have you to make a
+ 
+
+41
+00:00:49,710 --> 00:00:51,560
+dishonest but neither have you to make a
+hundred dollars into a hundred and ten
+
+42
+00:00:51,560 --> 00:00:51,570
+hundred dollars into a hundred and ten
+ 
+
+43
+00:00:51,570 --> 00:00:54,080
+hundred dollars into a hundred and ten
+dollars this is work to make a hundred
+
+44
+00:00:54,080 --> 00:00:54,090
+dollars this is work to make a hundred
+ 
+
+45
+00:00:54,090 --> 00:00:56,510
+dollars this is work to make a hundred
+million into 110 million this is
+
+46
+00:00:56,510 --> 00:00:56,520
+million into 110 million this is
+ 
+
+47
+00:00:56,520 --> 00:00:59,060
+million into 110 million this is
+inevitable at least I keep my money in
+
+48
+00:00:59,060 --> 00:00:59,070
+inevitable at least I keep my money in
+ 
+
+49
+00:00:59,070 --> 00:01:00,860
+inevitable at least I keep my money in
+my own country I spend it here and I pay
+
+50
+00:01:00,860 --> 00:01:00,870
+my own country I spend it here and I pay
+ 
+
+51
+00:01:00,870 --> 00:01:03,439
+my own country I spend it here and I pay
+my taxes I keep my money in your country
+
+52
+00:01:03,439 --> 00:01:03,449
+my taxes I keep my money in your country
+ 
+
+53
+00:01:03,449 --> 00:01:06,289
+my taxes I keep my money in your country
+too and for the same reason as you it is
+
+54
+00:01:06,289 --> 00:01:06,299
+too and for the same reason as you it is
+ 
+
+55
+00:01:06,299 --> 00:01:09,830
+too and for the same reason as you it is
+safest here and as for taxes how many
+
+56
+00:01:09,830 --> 00:01:09,840
+safest here and as for taxes how many
+ 
+
+57
+00:01:09,840 --> 00:01:11,840
+safest here and as for taxes how many
+millions have you in tax exempt bonds
+
+58
+00:01:11,840 --> 00:01:11,850
+millions have you in tax exempt bonds
+ 
+
+59
+00:01:11,850 --> 00:01:14,420
+millions have you in tax exempt bonds
+and oil wells whose part of production
+
+60
+00:01:14,420 --> 00:01:14,430
+and oil wells whose part of production
+ 
+
+61
+00:01:14,430 --> 00:01:16,399
+and oil wells whose part of production
+your government so generously protects
+
+62
+00:01:16,399 --> 00:01:16,409
+your government so generously protects
+ 
+
+63
+00:01:16,409 --> 00:01:18,350
+your government so generously protects
+while it denies similar benefits to the
+
+64
+00:01:18,350 --> 00:01:18,360
+while it denies similar benefits to the
+ 
+
+65
+00:01:18,360 --> 00:01:20,300
+while it denies similar benefits to the
+human brain what about your flea-bitten
+
+66
+00:01:20,300 --> 00:01:20,310
+human brain what about your flea-bitten
+ 
+
+67
+00:01:20,310 --> 00:01:22,700
+human brain what about your flea-bitten
+country what taxes do you pay it is a
+
+68
+00:01:22,700 --> 00:01:22,710
+country what taxes do you pay it is a
+ 
+
+69
+00:01:22,710 --> 00:01:24,440
+country what taxes do you pay it is a
+well-known fact that everywhere in the
+
+70
+00:01:24,440 --> 00:01:24,450
+well-known fact that everywhere in the
+ 
+
+71
+00:01:24,450 --> 00:01:26,030
+well-known fact that everywhere in the
+world except for the British Empire in
+
+72
+00:01:26,030 --> 00:01:26,040
+world except for the British Empire in
+ 
+
+73
+00:01:26,040 --> 00:01:27,950
+world except for the British Empire in
+the United States of America the income
+
+74
+00:01:27,950 --> 00:01:27,960
+the United States of America the income
+ 
+
+75
+00:01:27,960 --> 00:01:30,469
+the United States of America the income
+tax can be easily avoided by anyone with
+
+76
+00:01:30,469 --> 00:01:30,479
+tax can be easily avoided by anyone with
+ 
+
+77
+00:01:30,479 --> 00:01:33,410
+tax can be easily avoided by anyone with
+income I paid none then what right do
+
+78
+00:01:33,410 --> 00:01:33,420
+income I paid none then what right do
+ 
+
+79
+00:01:33,420 --> 00:01:34,850
+income I paid none then what right do
+you have to come here and attack the
+
+80
+00:01:34,850 --> 00:01:34,860
+you have to come here and attack the
+ 
+
+81
+00:01:34,860 --> 00:01:37,190
+you have to come here and attack the
+American Way of life or please mr.
+
+82
+00:01:37,190 --> 00:01:37,200
+American Way of life or please mr.
+ 
+
+83
+00:01:37,200 --> 00:01:41,719
+American Way of life or please mr.
+cogito it is I attack nothing nobody but
+
+84
+00:01:41,719 --> 00:01:41,729
+cogito it is I attack nothing nobody but
+ 
+
+85
+00:01:41,729 --> 00:01:44,539
+cogito it is I attack nothing nobody but
+you personally I have never yet met an
+
+86
+00:01:44,539 --> 00:01:44,549
+you personally I have never yet met an
+ 
+
+87
+00:01:44,549 --> 00:01:45,800
+you personally I have never yet met an
+American to whom the American Way of
+
+88
+00:01:45,800 --> 00:01:45,810
+American to whom the American Way of
+ 
+
+89
+00:01:45,810 --> 00:01:47,450
+American to whom the American Way of
+life was not his own particular way of
+
+90
+00:01:47,450 --> 00:01:47,460
+life was not his own particular way of
+ 
+
+91
+00:01:47,460 --> 00:01:50,179
+life was not his own particular way of
+life but it is only yours I attack my
+
+92
+00:01:50,179 --> 00:01:50,189
+life but it is only yours I attack my
+ 
+
+93
+00:01:50,189 --> 00:01:52,219
+life but it is only yours I attack my
+life is none of your business I live it
+
+94
+00:01:52,219 --> 00:01:52,229
+life is none of your business I live it
+ 
+
+95
+00:01:52,229 --> 00:01:54,020
+life is none of your business I live it
+my way and I like it then why does it
+
+96
+00:01:54,020 --> 00:01:54,030
+my way and I like it then why does it
+ 
+
+97
+00:01:54,030 --> 00:01:56,420
+my way and I like it then why does it
+not make you happy do you not agree to
+
+98
+00:01:56,420 --> 00:01:56,430
+not make you happy do you not agree to
+ 
+
+99
+00:01:56,430 --> 00:01:57,980
+not make you happy do you not agree to
+have an enormous amount of money is a
+
+100
+00:01:57,980 --> 00:01:57,990
+have an enormous amount of money is a
+ 
+
+101
+00:01:57,990 --> 00:02:00,380
+have an enormous amount of money is a
+wonderful thing why don't you shut up
+
+102
+00:02:00,380 --> 00:02:00,390
+wonderful thing why don't you shut up
+ 
+
+103
+00:02:00,390 --> 00:02:01,969
+wonderful thing why don't you shut up
+and go back where you came from this is
+
+104
+00:02:01,969 --> 00:02:01,979
+and go back where you came from this is
+ 
+
+105
+00:02:01,979 --> 00:02:04,910
+and go back where you came from this is
+unworthy even from you next year will
+
+106
+00:02:04,910 --> 00:02:04,920
+unworthy even from you next year will
+ 
+
+107
+00:02:04,920 --> 00:02:06,530
+unworthy even from you next year will
+tell me the best friend of a boys his
+
+108
+00:02:06,530 --> 00:02:06,540
+tell me the best friend of a boys his
+ 
+
+109
+00:02:06,540 --> 00:02:09,619
+tell me the best friend of a boys his
+mother mine was obvious a lot of a man
+
+110
+00:02:09,619 --> 00:02:09,629
+mother mine was obvious a lot of a man
+ 
+
+111
+00:02:09,629 --> 00:02:12,500
+mother mine was obvious a lot of a man
+his horse it is not clear to me when the
+
+112
+00:02:12,500 --> 00:02:12,510
+his horse it is not clear to me when the
+ 
+
+113
+00:02:12,510 --> 00:02:13,730
+his horse it is not clear to me when the
+transition from mother
+
+114
+00:02:13,730 --> 00:02:13,740
+transition from mother
+ 
+
+115
+00:02:13,740 --> 00:02:15,000
+transition from mother
+boss takes place
+
+116
+00:02:15,000 --> 00:02:15,010
+boss takes place
+ 
+
+117
+00:02:15,010 --> 00:02:26,350
+boss takes place
+[Music]
+
diff --git a/1954/R0CN7Enq4Rg.en.srt b/1954/R0CN7Enq4Rg.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..24447d66f1054c9b3ef4282dcc4ebdb9d536b756
--- /dev/null
+++ b/1954/R0CN7Enq4Rg.en.srt
@@ -0,0 +1,505 @@
+1
+00:00:00,000 --> 00:00:01,939
+
+closing too fast we're gonna run those
+
+2
+00:00:01,939 --> 00:00:01,949
+closing too fast we're gonna run those
+ 
+
+3
+00:00:01,949 --> 00:00:03,980
+closing too fast we're gonna run those
+boats down where's the captain is on the
+
+4
+00:00:03,980 --> 00:00:03,990
+boats down where's the captain is on the
+ 
+
+5
+00:00:03,990 --> 00:00:06,410
+boats down where's the captain is on the
+wing away happily let you analyst ship
+
+6
+00:00:06,410 --> 00:00:06,420
+wing away happily let you analyst ship
+ 
+
+7
+00:00:06,420 --> 00:00:08,730
+wing away happily let you analyst ship
+at a time like this all engines stop
+
+8
+00:00:08,730 --> 00:00:08,740
+at a time like this all engines stop
+ 
+
+9
+00:00:08,740 --> 00:00:19,200
+at a time like this all engines stop
+[Music]
+
+10
+00:00:19,200 --> 00:00:19,210
+
+ 
+
+11
+00:00:19,210 --> 00:00:21,060
+
+who's yelling get home here sorry sir
+
+12
+00:00:21,060 --> 00:00:21,070
+who's yelling get home here sorry sir
+ 
+
+13
+00:00:21,070 --> 00:00:22,499
+who's yelling get home here sorry sir
+look like we will be shooting these boys
+
+14
+00:00:22,499 --> 00:00:22,509
+look like we will be shooting these boys
+ 
+
+15
+00:00:22,509 --> 00:00:24,089
+look like we will be shooting these boys
+so I stopped let's get it over with
+
+16
+00:00:24,089 --> 00:00:24,099
+so I stopped let's get it over with
+ 
+
+17
+00:00:24,099 --> 00:00:25,470
+so I stopped let's get it over with
+what's the distance to the beach about
+
+18
+00:00:25,470 --> 00:00:25,480
+what's the distance to the beach about
+ 
+
+19
+00:00:25,480 --> 00:00:26,940
+what's the distance to the beach about
+three miles that we're supposed to take
+
+20
+00:00:26,940 --> 00:00:26,950
+three miles that we're supposed to take
+ 
+
+21
+00:00:26,950 --> 00:00:28,620
+three miles that we're supposed to take
+the mine over than the power of the RSK
+
+22
+00:00:28,620 --> 00:00:28,630
+the mine over than the power of the RSK
+ 
+
+23
+00:00:28,630 --> 00:00:30,659
+the mine over than the power of the RSK
+leave you take the Conn get us their
+
+24
+00:00:30,659 --> 00:00:30,669
+leave you take the Conn get us their
+ 
+
+25
+00:00:30,669 --> 00:00:35,610
+leave you take the Conn get us their
+full speed ahead we will proceed follow
+
+26
+00:00:35,610 --> 00:00:35,620
+full speed ahead we will proceed follow
+ 
+
+27
+00:00:35,620 --> 00:00:37,990
+full speed ahead we will proceed follow
+us good luck
+
+28
+00:00:37,990 --> 00:00:38,000
+us good luck
+ 
+
+29
+00:00:38,000 --> 00:00:52,620
+us good luck
+[Music]
+
+30
+00:00:52,620 --> 00:00:52,630
+
+ 
+
+31
+00:00:52,630 --> 00:00:57,810
+
+left engine sir no sex bacon 0 8 for
+
+32
+00:00:57,810 --> 00:00:57,820
+left engine sir no sex bacon 0 8 for
+ 
+
+33
+00:00:57,820 --> 00:01:00,760
+left engine sir no sex bacon 0 8 for
+distance 5000
+
+34
+00:01:00,760 --> 00:01:00,770
+distance 5000
+ 
+
+35
+00:01:00,770 --> 00:01:13,230
+distance 5000
+[Music]
+
+36
+00:01:13,230 --> 00:01:13,240
+
+ 
+
+37
+00:01:13,240 --> 00:01:19,100
+
+[Music]
+
+38
+00:01:19,100 --> 00:01:19,110
+[Music]
+ 
+
+39
+00:01:19,110 --> 00:01:21,290
+[Music]
+pulling too far ahead of the attack crew
+
+40
+00:01:21,290 --> 00:01:21,300
+pulling too far ahead of the attack crew
+ 
+
+41
+00:01:21,300 --> 00:01:23,260
+pulling too far ahead of the attack crew
+of all engines back one-third
+
+42
+00:01:23,260 --> 00:01:23,270
+of all engines back one-third
+ 
+
+43
+00:01:23,270 --> 00:01:32,010
+of all engines back one-third
+[Music]
+
+44
+00:01:32,010 --> 00:01:32,020
+[Music]
+ 
+
+45
+00:01:32,020 --> 00:01:36,039
+[Music]
+tangent three five zero seeking one one
+
+46
+00:01:36,039 --> 00:01:36,049
+tangent three five zero seeking one one
+ 
+
+47
+00:01:36,049 --> 00:01:38,700
+tangent three five zero seeking one one
+six distance four thousand
+
+48
+00:01:38,700 --> 00:01:38,710
+six distance four thousand
+ 
+
+49
+00:01:38,710 --> 00:01:45,190
+six distance four thousand
+[Music]
+
+50
+00:01:45,190 --> 00:01:45,200
+
+ 
+
+51
+00:01:45,200 --> 00:01:47,870
+
+why are we slowing down sir we we're
+
+52
+00:01:47,870 --> 00:01:47,880
+why are we slowing down sir we we're
+ 
+
+53
+00:01:47,880 --> 00:01:49,310
+why are we slowing down sir we we're
+losing them if I can't keep up with the
+
+54
+00:01:49,310 --> 00:01:49,320
+losing them if I can't keep up with the
+ 
+
+55
+00:01:49,320 --> 00:01:50,690
+losing them if I can't keep up with the
+stroller and I'm walking when we reach
+
+56
+00:01:50,690 --> 00:01:50,700
+stroller and I'm walking when we reach
+ 
+
+57
+00:01:50,700 --> 00:01:55,170
+stroller and I'm walking when we reach
+this one
+
+58
+00:01:55,170 --> 00:01:55,180
+
+ 
+
+59
+00:01:55,180 --> 00:01:58,990
+
+and we got into cold water on us on the
+
+60
+00:01:58,990 --> 00:01:59,000
+and we got into cold water on us on the
+ 
+
+61
+00:01:59,000 --> 00:02:00,940
+and we got into cold water on us on the
+beach sir we still have at least 15 of
+
+62
+00:02:00,940 --> 00:02:00,950
+beach sir we still have at least 15 of
+ 
+
+63
+00:02:00,950 --> 00:02:02,920
+beach sir we still have at least 15 of
+you guys to go with the full 300 yards
+
+64
+00:02:02,920 --> 00:02:02,930
+you guys to go with the full 300 yards
+ 
+
+65
+00:02:02,930 --> 00:02:04,719
+you guys to go with the full 300 yards
+you're crazy
+
+66
+00:02:04,719 --> 00:02:04,729
+you're crazy
+ 
+
+67
+00:02:04,729 --> 00:02:06,520
+you're crazy
+I can read intimacies one with anybody
+
+68
+00:02:06,520 --> 00:02:06,530
+I can read intimacies one with anybody
+ 
+
+69
+00:02:06,530 --> 00:02:09,880
+I can read intimacies one with anybody
+on this ship River than a thousand yards
+
+70
+00:02:09,880 --> 00:02:09,890
+on this ship River than a thousand yards
+ 
+
+71
+00:02:09,890 --> 00:02:12,970
+on this ship River than a thousand yards
+to the beach right now this is that's
+
+72
+00:02:12,970 --> 00:02:12,980
+to the beach right now this is that's
+ 
+
+73
+00:02:12,980 --> 00:02:14,440
+to the beach right now this is that's
+full running left full rudder
+
+74
+00:02:14,440 --> 00:02:14,450
+full running left full rudder
+ 
+
+75
+00:02:14,450 --> 00:02:16,920
+full running left full rudder
+all into the headphone all into that
+
+76
+00:02:16,920 --> 00:02:16,930
+all into the headphone all into that
+ 
+
+77
+00:02:16,930 --> 00:02:20,830
+all into the headphone all into that
+market let's all buy diamond fantail for
+
+78
+00:02:20,830 --> 00:02:20,840
+market let's all buy diamond fantail for
+ 
+
+79
+00:02:20,840 --> 00:02:36,400
+market let's all buy diamond fantail for
+bridge over a dye marker sir we can't
+
+80
+00:02:36,400 --> 00:02:36,410
+bridge over a dye marker sir we can't
+ 
+
+81
+00:02:36,410 --> 00:02:37,479
+bridge over a dye marker sir we can't
+leave those marines they've got that
+
+82
+00:02:37,479 --> 00:02:37,489
+leave those marines they've got that
+ 
+
+83
+00:02:37,489 --> 00:02:38,680
+leave those marines they've got that
+icon taking the con
+
+84
+00:02:38,680 --> 00:02:38,690
+icon taking the con
+ 
+
+85
+00:02:38,690 --> 00:02:53,520
+icon taking the con
+apparently guys
+
+86
+00:02:53,520 --> 00:02:53,530
+
+ 
+
+87
+00:02:53,530 --> 00:02:56,380
+
+what's he doing running away don't look
+
+88
+00:02:56,380 --> 00:02:56,390
+what's he doing running away don't look
+ 
+
+89
+00:02:56,390 --> 00:02:57,390
+what's he doing running away don't look
+for trouble top
+
+90
+00:02:57,390 --> 00:02:57,400
+for trouble top
+ 
+
+91
+00:02:57,400 --> 00:03:09,640
+for trouble top
+[Music]
+
+92
+00:03:09,640 --> 00:03:09,650
+[Music]
+ 
+
+93
+00:03:09,650 --> 00:03:12,809
+[Music]
+what do you think you're a boy now I
+
+94
+00:03:12,809 --> 00:03:12,819
+what do you think you're a boy now I
+ 
+
+95
+00:03:12,819 --> 00:03:15,440
+what do you think you're a boy now I
+don't know
+
+96
+00:03:15,440 --> 00:03:15,450
+don't know
+ 
+
+97
+00:03:15,450 --> 00:03:17,260
+don't know
+must be a reason for what he did yeah
+
+98
+00:03:17,260 --> 00:03:17,270
+must be a reason for what he did yeah
+ 
+
+99
+00:03:17,270 --> 00:03:19,530
+must be a reason for what he did yeah
+there's a reason all right
+
+100
+00:03:19,530 --> 00:03:19,540
+there's a reason all right
+ 
+
+101
+00:03:19,540 --> 00:03:38,550
+there's a reason all right
+[Music]
+
diff --git a/1954/Re5jTn8Cv4M.description b/1954/Re5jTn8Cv4M.description
new file mode 100644
index 0000000000000000000000000000000000000000..5b1fef00506ef298e864cd621c69c9fe5b4d1767
--- /dev/null
+++ b/1954/Re5jTn8Cv4M.description
@@ -0,0 +1,38 @@
+Rear Window movie clips: http://j.mp/15w2JZp
+BUY THE MOVIE: http://amzn.to/tNQmpO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jeff (James Stewart) sleeps peacefully by the window with two broken legs with Lisa (Grace Kelly) by his side.
+
+FILM DESCRIPTION:
+Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires.
+
+CREDITS:
+TM & © Universal (1954)
+Cast: Ross Bagdasarian, Frank Cady, James Stewart, Sara Berner, Georgine Darcy, Judith Evelyn, Grace Kelly, Jonni Paris, Rand Harper, Havis Davenport
+Director: Alfred Hitchcock
+Producers: James C. Katz, Alfred Hitchcock
+Screenwriters: John Michael Hayes, Cornell Woolrich
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1954/Re5jTn8Cv4M.en.srt b/1954/Re5jTn8Cv4M.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..d28378f83e88964e0a37908e53c13a3bf8a6528b
--- /dev/null
+++ b/1954/Re5jTn8Cv4M.en.srt
@@ -0,0 +1,215 @@
+1
+00:00:00,160 --> 00:00:01,829
+
+I hope it's going to be a hit this is
+
+2
+00:00:01,829 --> 00:00:01,839
+I hope it's going to be a hit this is
+ 
+
+3
+00:00:01,839 --> 00:00:05,269
+I hope it's going to be a hit this is
+the first release I'd love to hear it I
+
+4
+00:00:05,269 --> 00:00:05,279
+the first release I'd love to hear it I
+ 
+
+5
+00:00:05,279 --> 00:00:07,510
+the first release I'd love to hear it I
+can't tell you what this music has meant
+
+6
+00:00:07,510 --> 00:00:07,520
+can't tell you what this music has meant
+ 
+
+7
+00:00:07,520 --> 00:00:21,550
+can't tell you what this music has meant
+to
+
+8
+00:00:21,550 --> 00:00:21,560
+
+ 
+
+9
+00:00:21,560 --> 00:00:26,070
+
+me don't now let's try it again puppy
+
+10
+00:00:26,070 --> 00:00:26,080
+me don't now let's try it again puppy
+ 
+
+11
+00:00:26,080 --> 00:00:41,190
+me don't now let's try it again puppy
+stay still stay
+
+12
+00:00:41,190 --> 00:00:41,200
+
+ 
+
+13
+00:00:41,200 --> 00:00:44,229
+
+the Army's done for
+
+14
+00:00:44,229 --> 00:00:44,239
+the Army's done for
+ 
+
+15
+00:00:44,239 --> 00:00:47,590
+the Army's done for
+you may the Army's made me hungry but he
+
+16
+00:00:47,590 --> 00:00:47,600
+you may the Army's made me hungry but he
+ 
+
+17
+00:00:47,600 --> 00:00:48,950
+you may the Army's made me hungry but he
+got the Xbox to
+
+18
+00:00:48,950 --> 00:00:48,960
+got the Xbox to
+ 
+
+19
+00:00:48,960 --> 00:00:51,650
+got the Xbox to
+eat Bo it's good to be
+
+20
+00:00:51,650 --> 00:00:51,660
+eat Bo it's good to be
+ 
+
+21
+00:00:51,660 --> 00:00:54,430
+eat Bo it's good to be
+[Music]
+
+22
+00:00:54,430 --> 00:00:54,440
+[Music]
+ 
+
+23
+00:00:54,440 --> 00:00:56,990
+[Music]
+home I don't care if you help me or not
+
+24
+00:00:56,990 --> 00:00:57,000
+home I don't care if you help me or not
+ 
+
+25
+00:00:57,000 --> 00:00:58,750
+home I don't care if you help me or not
+but if you told me you quit your job we
+
+26
+00:00:58,750 --> 00:00:58,760
+but if you told me you quit your job we
+ 
+
+27
+00:00:58,760 --> 00:01:01,210
+but if you told me you quit your job we
+would have gotten married oh honey come
+
+28
+00:01:01,210 --> 00:01:01,220
+would have gotten married oh honey come
+ 
+
+29
+00:01:01,220 --> 00:01:16,390
+would have gotten married oh honey come
+[Music]
+
+30
+00:01:16,390 --> 00:01:16,400
+[Music]
+ 
+
+31
+00:01:16,400 --> 00:01:21,350
+[Music]
+on
+
+32
+00:01:21,350 --> 00:01:21,360
+
+ 
+
+33
+00:01:21,360 --> 00:01:25,840
+
+forever in your arm
+
+34
+00:01:25,840 --> 00:01:25,850
+forever in your arm
+ 
+
+35
+00:01:25,850 --> 00:01:31,910
+forever in your arm
+[Music]
+
+36
+00:01:31,910 --> 00:01:31,920
+
+ 
+
+37
+00:01:31,920 --> 00:01:34,630
+
+Le
+
+38
+00:01:34,630 --> 00:01:34,640
+Le
+ 
+
+39
+00:01:34,640 --> 00:02:00,789
+Le
+[Music]
+
+40
+00:02:00,789 --> 00:02:00,799
+
+ 
+
+41
+00:02:00,799 --> 00:02:04,490
+
+St
+
+42
+00:02:04,490 --> 00:02:04,500
+
+ 
+
+43
+00:02:04,500 --> 00:02:10,449
+
+[Music]
+
diff --git a/1954/UPIr8vb7OeI.en.srt b/1954/UPIr8vb7OeI.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..635c2b18d7a0d1177b7e29e45a4f668941502db2
--- /dev/null
+++ b/1954/UPIr8vb7OeI.en.srt
@@ -0,0 +1,715 @@
+1
+00:00:00,500 --> 00:00:03,350
+
+yes sir Asia viewing information to the
+
+2
+00:00:03,350 --> 00:00:03,360
+yes sir Asia viewing information to the
+ 
+
+3
+00:00:03,360 --> 00:00:07,039
+yes sir Asia viewing information to the
+appearance with this salient horrible
+
+4
+00:00:07,039 --> 00:00:07,049
+appearance with this salient horrible
+ 
+
+5
+00:00:07,049 --> 00:00:08,660
+appearance with this salient horrible
+you heard my order on shirttails sir I
+
+6
+00:00:08,660 --> 00:00:08,670
+you heard my order on shirttails sir I
+ 
+
+7
+00:00:08,670 --> 00:00:10,339
+you heard my order on shirttails sir I
+got a heat bridge tuck your shirt in now
+
+8
+00:00:10,339 --> 00:00:10,349
+got a heat bridge tuck your shirt in now
+ 
+
+9
+00:00:10,349 --> 00:00:12,799
+got a heat bridge tuck your shirt in now
+sir the captain won't let me of course
+
+10
+00:00:12,799 --> 00:00:12,809
+sir the captain won't let me of course
+ 
+
+11
+00:00:12,809 --> 00:00:14,360
+sir the captain won't let me of course
+not I want you to see what a rotten job
+
+12
+00:00:14,360 --> 00:00:14,370
+not I want you to see what a rotten job
+ 
+
+13
+00:00:14,370 --> 00:00:16,490
+not I want you to see what a rotten job
+you're doing mr. Wendling Gwendolyn
+
+14
+00:00:16,490 --> 00:00:16,500
+you're doing mr. Wendling Gwendolyn
+ 
+
+15
+00:00:16,500 --> 00:00:21,890
+you're doing mr. Wendling Gwendolyn
+this is Tarzan Tarzan Gwendolyn these
+
+16
+00:00:21,890 --> 00:00:21,900
+this is Tarzan Tarzan Gwendolyn these
+ 
+
+17
+00:00:21,900 --> 00:00:24,230
+this is Tarzan Tarzan Gwendolyn these
+present exercises and return to base
+
+18
+00:00:24,230 --> 00:00:24,240
+present exercises and return to base
+ 
+
+19
+00:00:24,240 --> 00:00:30,080
+present exercises and return to base
+well done out Roger thank you sir we're
+
+20
+00:00:30,080 --> 00:00:30,090
+well done out Roger thank you sir we're
+ 
+
+21
+00:00:30,090 --> 00:00:34,910
+well done out Roger thank you sir we're
+heading back right standard rudder and
+
+22
+00:00:34,910 --> 00:00:34,920
+heading back right standard rudder and
+ 
+
+23
+00:00:34,920 --> 00:00:37,430
+heading back right standard rudder and
+now mr. Keith first of all do you or
+
+24
+00:00:37,430 --> 00:00:37,440
+now mr. Keith first of all do you or
+ 
+
+25
+00:00:37,440 --> 00:00:39,170
+now mr. Keith first of all do you or
+don't you have an explanation for this
+
+26
+00:00:39,170 --> 00:00:39,180
+don't you have an explanation for this
+ 
+
+27
+00:00:39,180 --> 00:00:40,880
+don't you have an explanation for this
+sir I was on the ferry and asked for an
+
+28
+00:00:40,880 --> 00:00:40,890
+sir I was on the ferry and asked for an
+ 
+
+29
+00:00:40,890 --> 00:00:43,459
+sir I was on the ferry and asked for an
+alibi evidently my orders mean very
+
+30
+00:00:43,459 --> 00:00:43,469
+alibi evidently my orders mean very
+ 
+
+31
+00:00:43,469 --> 00:00:45,049
+alibi evidently my orders mean very
+little to you sir I'm completely at
+
+32
+00:00:45,049 --> 00:00:45,059
+little to you sir I'm completely at
+ 
+
+33
+00:00:45,059 --> 00:00:48,020
+little to you sir I'm completely at
+fault but I tried my best your best mr.
+
+34
+00:00:48,020 --> 00:00:48,030
+fault but I tried my best your best mr.
+ 
+
+35
+00:00:48,030 --> 00:00:50,500
+fault but I tried my best your best mr.
+Keith is only a maximum of inefficiency
+
+36
+00:00:50,500 --> 00:00:50,510
+Keith is only a maximum of inefficiency
+ 
+
+37
+00:00:50,510 --> 00:00:53,660
+Keith is only a maximum of inefficiency
+[Music]
+
+38
+00:00:53,660 --> 00:00:53,670
+[Music]
+ 
+
+39
+00:00:53,670 --> 00:00:55,800
+[Music]
+hey what's the matter with the old man
+
+40
+00:00:55,800 --> 00:00:55,810
+hey what's the matter with the old man
+ 
+
+41
+00:00:55,810 --> 00:00:59,360
+hey what's the matter with the old man
+steaming in a circle yeah I know
+
+42
+00:00:59,360 --> 00:00:59,370
+steaming in a circle yeah I know
+ 
+
+43
+00:00:59,370 --> 00:01:01,830
+steaming in a circle yeah I know
+gentlemen what do you have interrupts
+
+44
+00:01:01,830 --> 00:01:01,840
+gentlemen what do you have interrupts
+ 
+
+45
+00:01:01,840 --> 00:01:03,210
+gentlemen what do you have interrupts
+that I'm speaking Ken we're gonna run
+
+46
+00:01:03,210 --> 00:01:03,220
+that I'm speaking Ken we're gonna run
+ 
+
+47
+00:01:03,220 --> 00:01:04,500
+that I'm speaking Ken we're gonna run
+this word out of you when you're on
+
+48
+00:01:04,500 --> 00:01:04,510
+this word out of you when you're on
+ 
+
+49
+00:01:04,510 --> 00:01:06,150
+this word out of you when you're on
+report aye sir
+
+50
+00:01:06,150 --> 00:01:06,160
+report aye sir
+ 
+
+51
+00:01:06,160 --> 00:01:08,610
+report aye sir
+have you mr. Keefer can you explain why
+
+52
+00:01:08,610 --> 00:01:08,620
+have you mr. Keefer can you explain why
+ 
+
+53
+00:01:08,620 --> 00:01:09,990
+have you mr. Keefer can you explain why
+the first violation occurred while you
+
+54
+00:01:09,990 --> 00:01:10,000
+the first violation occurred while you
+ 
+
+55
+00:01:10,000 --> 00:01:11,700
+the first violation occurred while you
+were the officer of the deck there are
+
+56
+00:01:11,700 --> 00:01:11,710
+were the officer of the deck there are
+ 
+
+57
+00:01:11,710 --> 00:01:13,020
+were the officer of the deck there are
+limits to what a man can do when he has
+
+58
+00:01:13,020 --> 00:01:13,030
+limits to what a man can do when he has
+ 
+
+59
+00:01:13,030 --> 00:01:16,170
+limits to what a man can do when he has
+the deck mr. Keefer the officer of the
+
+60
+00:01:16,170 --> 00:01:16,180
+the deck mr. Keefer the officer of the
+ 
+
+61
+00:01:16,180 --> 00:01:17,940
+the deck mr. Keefer the officer of the
+deck is equally as responsible for his
+
+62
+00:01:17,940 --> 00:01:17,950
+deck is equally as responsible for his
+ 
+
+63
+00:01:17,950 --> 00:01:19,469
+deck is equally as responsible for his
+duties as I am the welfare of the
+
+64
+00:01:19,469 --> 00:01:19,479
+duties as I am the welfare of the
+ 
+
+65
+00:01:19,479 --> 00:01:22,860
+duties as I am the welfare of the
+shipment and one thing more mr. Orr is a
+
+66
+00:01:22,860 --> 00:01:22,870
+shipment and one thing more mr. Orr is a
+ 
+
+67
+00:01:22,870 --> 00:01:25,680
+shipment and one thing more mr. Orr is a
+24-hour of jobs there will be no more
+
+68
+00:01:25,680 --> 00:01:25,690
+24-hour of jobs there will be no more
+ 
+
+69
+00:01:25,690 --> 00:01:32,050
+24-hour of jobs there will be no more
+novel writing on the King
+
+70
+00:01:32,050 --> 00:01:32,060
+
+ 
+
+71
+00:01:32,060 --> 00:01:34,030
+
+[Music]
+
+72
+00:01:34,030 --> 00:01:34,040
+[Music]
+ 
+
+73
+00:01:34,040 --> 00:01:36,910
+[Music]
+mr. case mr. Keefer you will both submit
+
+74
+00:01:36,910 --> 00:01:36,920
+mr. case mr. Keefer you will both submit
+ 
+
+75
+00:01:36,920 --> 00:01:39,670
+mr. case mr. Keefer you will both submit
+written reports explaining a why this
+
+76
+00:01:39,670 --> 00:01:39,680
+written reports explaining a why this
+ 
+
+77
+00:01:39,680 --> 00:01:41,890
+written reports explaining a why this
+man had a shirttail out be why you
+
+78
+00:01:41,890 --> 00:01:41,900
+man had a shirttail out be why you
+ 
+
+79
+00:01:41,900 --> 00:01:43,630
+man had a shirttail out be why you
+failed so miserably to carry out my
+
+80
+00:01:43,630 --> 00:01:43,640
+failed so miserably to carry out my
+ 
+
+81
+00:01:43,640 --> 00:01:49,380
+failed so miserably to carry out my
+orders
+
+82
+00:01:49,380 --> 00:01:49,390
+
+ 
+
+83
+00:01:49,390 --> 00:01:51,320
+
+hey meatball
+
+84
+00:01:51,320 --> 00:01:51,330
+hey meatball
+ 
+
+85
+00:01:51,330 --> 00:01:53,180
+hey meatball
+well my since Freda we cut back across
+
+86
+00:01:53,180 --> 00:01:53,190
+well my since Freda we cut back across
+ 
+
+87
+00:01:53,190 --> 00:01:55,620
+well my since Freda we cut back across
+our Tola
+
+88
+00:01:55,620 --> 00:01:55,630
+our Tola
+ 
+
+89
+00:01:55,630 --> 00:01:59,370
+our Tola
+so possible what has happened
+
+90
+00:01:59,370 --> 00:01:59,380
+so possible what has happened
+ 
+
+91
+00:01:59,380 --> 00:02:02,499
+so possible what has happened
+[Music]
+
+92
+00:02:02,499 --> 00:02:02,509
+[Music]
+ 
+
+93
+00:02:02,509 --> 00:02:03,819
+[Music]
+we gotta kind of cross our own tough
+
+94
+00:02:03,819 --> 00:02:03,829
+we gotta kind of cross our own tough
+ 
+
+95
+00:02:03,829 --> 00:02:05,860
+we gotta kind of cross our own tough
+line you better tell them again
+
+96
+00:02:05,860 --> 00:02:05,870
+line you better tell them again
+ 
+
+97
+00:02:05,870 --> 00:02:18,260
+line you better tell them again
+[Music]
+
+98
+00:02:18,260 --> 00:02:18,270
+[Music]
+ 
+
+99
+00:02:18,270 --> 00:02:25,920
+[Music]
+what's going on what I'm talking doing
+
+100
+00:02:25,920 --> 00:02:25,930
+what's going on what I'm talking doing
+ 
+
+101
+00:02:25,930 --> 00:02:30,120
+what's going on what I'm talking doing
+up there what the blazes of you were
+
+102
+00:02:30,120 --> 00:02:30,130
+up there what the blazes of you were
+ 
+
+103
+00:02:30,130 --> 00:02:31,380
+up there what the blazes of you were
+doing sir you told me to keep right
+
+104
+00:02:31,380 --> 00:02:31,390
+doing sir you told me to keep right
+ 
+
+105
+00:02:31,390 --> 00:02:33,360
+doing sir you told me to keep right
+standard rudder I think you idiot all
+
+106
+00:02:33,360 --> 00:02:33,370
+standard rudder I think you idiot all
+ 
+
+107
+00:02:33,370 --> 00:02:34,410
+standard rudder I think you idiot all
+engines stop
+
+108
+00:02:34,410 --> 00:02:34,420
+engines stop
+ 
+
+109
+00:02:34,420 --> 00:02:44,960
+engines stop
+[Music]
+
+110
+00:02:44,960 --> 00:02:44,970
+
+ 
+
+111
+00:02:44,970 --> 00:02:46,580
+
+captain we've steamed over our own
+
+112
+00:02:46,580 --> 00:02:46,590
+captain we've steamed over our own
+ 
+
+113
+00:02:46,590 --> 00:02:48,530
+captain we've steamed over our own
+toilet who said we steamed over the
+
+114
+00:02:48,530 --> 00:02:48,540
+toilet who said we steamed over the
+ 
+
+115
+00:02:48,540 --> 00:02:49,880
+toilet who said we steamed over the
+towline who said that we've cut the
+
+116
+00:02:49,880 --> 00:02:49,890
+towline who said that we've cut the
+ 
+
+117
+00:02:49,890 --> 00:02:51,530
+towline who said that we've cut the
+target adrift we did not think of a
+
+118
+00:02:51,530 --> 00:02:51,540
+target adrift we did not think of a
+ 
+
+119
+00:02:51,540 --> 00:02:52,880
+target adrift we did not think of a
+kind' something what's been wrong with a
+
+120
+00:02:52,880 --> 00:02:52,890
+kind' something what's been wrong with a
+ 
+
+121
+00:02:52,890 --> 00:02:55,970
+kind' something what's been wrong with a
+cable we can hardly be held responsible
+
+122
+00:02:55,970 --> 00:02:55,980
+cable we can hardly be held responsible
+ 
+
+123
+00:02:55,980 --> 00:02:58,040
+cable we can hardly be held responsible
+if we're given faulty cables that break
+
+124
+00:02:58,040 --> 00:02:58,050
+if we're given faulty cables that break
+ 
+
+125
+00:02:58,050 --> 00:02:59,300
+if we're given faulty cables that break
+the minute that ship turns a few degrees
+
+126
+00:02:59,300 --> 00:02:59,310
+the minute that ship turns a few degrees
+ 
+
+127
+00:02:59,310 --> 00:03:01,280
+the minute that ship turns a few degrees
+sir should we try to recover the target
+
+128
+00:03:01,280 --> 00:03:01,290
+sir should we try to recover the target
+ 
+
+129
+00:03:01,290 --> 00:03:02,330
+sir should we try to recover the target
+it shouldn't take more than half an hour
+
+130
+00:03:02,330 --> 00:03:02,340
+it shouldn't take more than half an hour
+ 
+
+131
+00:03:02,340 --> 00:03:05,030
+it shouldn't take more than half an hour
+half an hour that means we'll be the
+
+132
+00:03:05,030 --> 00:03:05,040
+half an hour that means we'll be the
+ 
+
+133
+00:03:05,040 --> 00:03:07,610
+half an hour that means we'll be the
+last ship back in Pearl Harbor no thank
+
+134
+00:03:07,610 --> 00:03:07,620
+last ship back in Pearl Harbor no thank
+ 
+
+135
+00:03:07,620 --> 00:03:07,850
+last ship back in Pearl Harbor no thank
+you
+
+136
+00:03:07,850 --> 00:03:07,860
+you
+ 
+
+137
+00:03:07,860 --> 00:03:09,800
+you
+we're not going to have to answer a lot
+
+138
+00:03:09,800 --> 00:03:09,810
+we're not going to have to answer a lot
+ 
+
+139
+00:03:09,810 --> 00:03:11,240
+we're not going to have to answer a lot
+of questions about something that's not
+
+140
+00:03:11,240 --> 00:03:11,250
+of questions about something that's not
+ 
+
+141
+00:03:11,250 --> 00:03:16,520
+of questions about something that's not
+our fault reel in the cable aye aye sir
+
+142
+00:03:16,520 --> 00:03:16,530
+our fault reel in the cable aye aye sir
+ 
+
+143
+00:03:16,530 --> 00:03:27,870
+our fault reel in the cable aye aye sir
+[Music]
+
diff --git a/1954/UZqpweWv5_0.en.srt b/1954/UZqpweWv5_0.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..1bbf5ee26ba71cbbb6cd35c53ef084cf43947653
--- /dev/null
+++ b/1954/UZqpweWv5_0.en.srt
@@ -0,0 +1,475 @@
+1
+00:00:00,090 --> 00:00:00,589
+
+[Music]
+
+2
+00:00:00,589 --> 00:00:00,599
+[Music]
+ 
+
+3
+00:00:00,599 --> 00:00:02,149
+[Music]
+you know I seen you a lot of times
+
+4
+00:00:02,149 --> 00:00:02,159
+you know I seen you a lot of times
+ 
+
+5
+00:00:02,159 --> 00:00:04,950
+you know I seen you a lot of times
+before remember a parochial school on of
+
+6
+00:00:04,950 --> 00:00:04,960
+before remember a parochial school on of
+ 
+
+7
+00:00:04,960 --> 00:00:08,509
+before remember a parochial school on of
+paloi Street 78 years ago you have had
+
+8
+00:00:08,509 --> 00:00:08,519
+paloi Street 78 years ago you have had
+ 
+
+9
+00:00:08,519 --> 00:00:11,950
+paloi Street 78 years ago you have had
+your hair uh gray that's right look like
+
+10
+00:00:11,950 --> 00:00:11,960
+your hair uh gray that's right look like
+ 
+
+11
+00:00:11,960 --> 00:00:14,629
+your hair uh gray that's right look like
+a hunk of rope you have wires on your
+
+12
+00:00:14,629 --> 00:00:14,639
+a hunk of rope you have wires on your
+ 
+
+13
+00:00:14,639 --> 00:00:18,710
+a hunk of rope you have wires on your
+teeth and glasses everything it was
+
+14
+00:00:18,710 --> 00:00:18,720
+teeth and glasses everything it was
+ 
+
+15
+00:00:18,720 --> 00:00:20,310
+teeth and glasses everything it was
+really a
+
+16
+00:00:20,310 --> 00:00:20,320
+really a
+ 
+
+17
+00:00:20,320 --> 00:00:23,630
+really a
+mess I can get home all right now
+
+18
+00:00:23,630 --> 00:00:23,640
+mess I can get home all right now
+ 
+
+19
+00:00:23,640 --> 00:00:25,830
+mess I can get home all right now
+thanks hey there no get sore just
+
+20
+00:00:25,830 --> 00:00:25,840
+thanks hey there no get sore just
+ 
+
+21
+00:00:25,840 --> 00:00:27,550
+thanks hey there no get sore just
+kidding you a little bit I just mean to
+
+22
+00:00:27,550 --> 00:00:27,560
+kidding you a little bit I just mean to
+ 
+
+23
+00:00:27,560 --> 00:00:28,950
+kidding you a little bit I just mean to
+tell you
+
+24
+00:00:28,950 --> 00:00:28,960
+tell you
+ 
+
+25
+00:00:28,960 --> 00:00:31,389
+tell you
+you are very
+
+26
+00:00:31,389 --> 00:00:31,399
+you are very
+ 
+
+27
+00:00:31,399 --> 00:00:33,430
+you are very
+nice
+
+28
+00:00:33,430 --> 00:00:33,440
+nice
+ 
+
+29
+00:00:33,440 --> 00:00:35,630
+nice
+thanks you don't you don't remember me
+
+30
+00:00:35,630 --> 00:00:35,640
+thanks you don't you don't remember me
+ 
+
+31
+00:00:35,640 --> 00:00:38,470
+thanks you don't you don't remember me
+do
+
+32
+00:00:38,470 --> 00:00:38,480
+
+ 
+
+33
+00:00:38,480 --> 00:00:40,990
+
+you remember you the first moment I saw
+
+34
+00:00:40,990 --> 00:00:41,000
+you remember you the first moment I saw
+ 
+
+35
+00:00:41,000 --> 00:00:42,890
+you remember you the first moment I saw
+you right the nose
+
+36
+00:00:42,890 --> 00:00:42,900
+you right the nose
+ 
+
+37
+00:00:42,900 --> 00:00:46,029
+you right the nose
+[Music]
+
+38
+00:00:46,029 --> 00:00:46,039
+[Music]
+ 
+
+39
+00:00:46,039 --> 00:00:49,229
+[Music]
+huh what some people just got faces that
+
+40
+00:00:49,229 --> 00:00:49,239
+huh what some people just got faces that
+ 
+
+41
+00:00:49,239 --> 00:00:52,470
+huh what some people just got faces that
+stick in your
+
+42
+00:00:52,470 --> 00:00:52,480
+
+ 
+
+43
+00:00:52,480 --> 00:00:54,709
+
+mind remember you were in trouble all
+
+44
+00:00:54,709 --> 00:00:54,719
+mind remember you were in trouble all
+ 
+
+45
+00:00:54,719 --> 00:00:56,910
+mind remember you were in trouble all
+the time n you got
+
+46
+00:00:56,910 --> 00:00:56,920
+the time n you got
+ 
+
+47
+00:00:56,920 --> 00:00:59,709
+the time n you got
+me Bo the way those sisters used to
+
+48
+00:00:59,709 --> 00:00:59,719
+me Bo the way those sisters used to
+ 
+
+49
+00:00:59,719 --> 00:01:01,830
+me Bo the way those sisters used to
+whack me out of know
+
+50
+00:01:01,830 --> 00:01:01,840
+whack me out of know
+ 
+
+51
+00:01:01,840 --> 00:01:03,869
+whack me out of know
+what they thought they was going to beat
+
+52
+00:01:03,869 --> 00:01:03,879
+what they thought they was going to beat
+ 
+
+53
+00:01:03,879 --> 00:01:08,030
+what they thought they was going to beat
+an education inem me but I foxed
+
+54
+00:01:08,030 --> 00:01:08,040
+
+ 
+
+55
+00:01:08,040 --> 00:01:10,270
+
+them maybe they just didn't know how to
+
+56
+00:01:10,270 --> 00:01:10,280
+them maybe they just didn't know how to
+ 
+
+57
+00:01:10,280 --> 00:01:11,230
+them maybe they just didn't know how to
+handle
+
+58
+00:01:11,230 --> 00:01:11,240
+handle
+ 
+
+59
+00:01:11,240 --> 00:01:14,350
+handle
+you how would you have done
+
+60
+00:01:14,350 --> 00:01:14,360
+you how would you have done
+ 
+
+61
+00:01:14,360 --> 00:01:19,069
+you how would you have done
+it with a little more patience and
+
+62
+00:01:19,069 --> 00:01:19,079
+it with a little more patience and
+ 
+
+63
+00:01:19,079 --> 00:01:21,149
+it with a little more patience and
+kindness that's what makes people mean
+
+64
+00:01:21,149 --> 00:01:21,159
+kindness that's what makes people mean
+ 
+
+65
+00:01:21,159 --> 00:01:23,030
+kindness that's what makes people mean
+and difficult people don't care enough
+
+66
+00:01:23,030 --> 00:01:23,040
+and difficult people don't care enough
+ 
+
+67
+00:01:23,040 --> 00:01:28,590
+and difficult people don't care enough
+about
+
+68
+00:01:28,590 --> 00:01:28,600
+
+ 
+
+69
+00:01:28,600 --> 00:01:31,109
+
+them oh what are you kidding
+
+70
+00:01:31,109 --> 00:01:31,119
+them oh what are you kidding
+ 
+
+71
+00:01:31,119 --> 00:01:33,749
+them oh what are you kidding
+me come on I better get you home there's
+
+72
+00:01:33,749 --> 00:01:33,759
+me come on I better get you home there's
+ 
+
+73
+00:01:33,759 --> 00:01:35,149
+me come on I better get you home there's
+too many guys around here with the only
+
+74
+00:01:35,149 --> 00:01:35,159
+too many guys around here with the only
+ 
+
+75
+00:01:35,159 --> 00:01:37,950
+too many guys around here with the only
+one thing in their
+
+76
+00:01:37,950 --> 00:01:37,960
+
+ 
+
+77
+00:01:37,960 --> 00:01:42,910
+
+mind am I going to see you
+
+78
+00:01:42,910 --> 00:01:42,920
+
+ 
+
+79
+00:01:42,920 --> 00:01:44,620
+
+again what
+
+80
+00:01:44,620 --> 00:01:44,630
+again what
+ 
+
+81
+00:01:44,630 --> 00:01:47,429
+again what
+[Music]
+
+82
+00:01:47,429 --> 00:01:47,439
+[Music]
+ 
+
+83
+00:01:47,439 --> 00:01:53,510
+[Music]
+for I don't
+
+84
+00:01:53,510 --> 00:01:53,520
+
+ 
+
+85
+00:01:53,520 --> 00:01:56,580
+
+know I really don't
+
+86
+00:01:56,580 --> 00:01:56,590
+know I really don't
+ 
+
+87
+00:01:56,590 --> 00:02:02,069
+know I really don't
+[Music]
+
+88
+00:02:02,069 --> 00:02:02,079
+
+ 
+
+89
+00:02:02,079 --> 00:02:08,969
+
+come on
+
+90
+00:02:08,969 --> 00:02:08,979
+
+ 
+
+91
+00:02:08,979 --> 00:02:31,750
+
+[Music]
+
+92
+00:02:31,750 --> 00:02:31,760
+
+ 
+
+93
+00:02:31,760 --> 00:02:35,520
+
+St
+
+94
+00:02:35,520 --> 00:02:35,530
+
+ 
+
+95
+00:02:35,530 --> 00:02:41,479
+
+[Music]
+
diff --git a/1954/VfXFbuW47kA.en.srt b/1954/VfXFbuW47kA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..6ae453314875c8a5108413de3f3b4344e4055d41
--- /dev/null
+++ b/1954/VfXFbuW47kA.en.srt
@@ -0,0 +1,395 @@
+1
+00:00:00,080 --> 00:00:02,550
+
+I know what I know what's eating
+
+2
+00:00:02,550 --> 00:00:02,560
+I know what I know what's eating
+ 
+
+3
+00:00:02,560 --> 00:00:05,950
+I know what I know what's eating
+you well I got 2,000 dues paying members
+
+4
+00:00:05,950 --> 00:00:05,960
+you well I got 2,000 dues paying members
+ 
+
+5
+00:00:05,960 --> 00:00:09,669
+you well I got 2,000 dues paying members
+in this local at 72,000 a year
+
+6
+00:00:09,669 --> 00:00:09,679
+in this local at 72,000 a year
+ 
+
+7
+00:00:09,679 --> 00:00:11,589
+in this local at 72,000 a year
+legitimate and when each one of them
+
+8
+00:00:11,589 --> 00:00:11,599
+legitimate and when each one of them
+ 
+
+9
+00:00:11,599 --> 00:00:13,270
+legitimate and when each one of them
+puts in a couple of bucks a day just to
+
+10
+00:00:13,270 --> 00:00:13,280
+puts in a couple of bucks a day just to
+ 
+
+11
+00:00:13,280 --> 00:00:16,109
+puts in a couple of bucks a day just to
+make sure the work's steady well figure
+
+12
+00:00:16,109 --> 00:00:16,119
+make sure the work's steady well figure
+ 
+
+13
+00:00:16,119 --> 00:00:19,230
+make sure the work's steady well figure
+it out not just for openers we got the
+
+14
+00:00:19,230 --> 00:00:19,240
+it out not just for openers we got the
+ 
+
+15
+00:00:19,240 --> 00:00:21,670
+it out not just for openers we got the
+fattest beers and the fattest Harbor in
+
+16
+00:00:21,670 --> 00:00:21,680
+fattest beers and the fattest Harbor in
+ 
+
+17
+00:00:21,680 --> 00:00:23,550
+fattest beers and the fattest Harbor in
+the world everything moves in and out we
+
+18
+00:00:23,550 --> 00:00:23,560
+the world everything moves in and out we
+ 
+
+19
+00:00:23,560 --> 00:00:26,230
+the world everything moves in and out we
+take our cut why shouldn't we if we can
+
+20
+00:00:26,230 --> 00:00:26,240
+take our cut why shouldn't we if we can
+ 
+
+21
+00:00:26,240 --> 00:00:29,109
+take our cut why shouldn't we if we can
+get it we're entitled to it you don't
+
+22
+00:00:29,109 --> 00:00:29,119
+get it we're entitled to it you don't
+ 
+
+23
+00:00:29,119 --> 00:00:30,710
+get it we're entitled to it you don't
+suppose I can afford a be boxed out of a
+
+24
+00:00:30,710 --> 00:00:30,720
+suppose I can afford a be boxed out of a
+ 
+
+25
+00:00:30,720 --> 00:00:33,950
+suppose I can afford a be boxed out of a
+deal like this do you deal I swe and
+
+26
+00:00:33,950 --> 00:00:33,960
+deal like this do you deal I swe and
+ 
+
+27
+00:00:33,960 --> 00:00:36,069
+deal like this do you deal I swe and
+bled for I kind of one lousy little
+
+28
+00:00:36,069 --> 00:00:36,079
+bled for I kind of one lousy little
+ 
+
+29
+00:00:36,079 --> 00:00:38,470
+bled for I kind of one lousy little
+cheesy to that doy bum thinks he can go
+
+30
+00:00:38,470 --> 00:00:38,480
+cheesy to that doy bum thinks he can go
+ 
+
+31
+00:00:38,480 --> 00:00:46,270
+cheesy to that doy bum thinks he can go
+squeal into the crime commission do
+
+32
+00:00:46,270 --> 00:00:46,280
+
+ 
+
+33
+00:00:46,280 --> 00:00:50,389
+
+you well do
+
+34
+00:00:50,389 --> 00:00:50,399
+
+ 
+
+35
+00:00:50,399 --> 00:00:53,110
+
+you I know Johnny I I just figured I
+
+36
+00:00:53,110 --> 00:00:53,120
+you I know Johnny I I just figured I
+ 
+
+37
+00:00:53,120 --> 00:00:55,630
+you I know Johnny I I just figured I
+should have been told I make it
+
+38
+00:00:55,630 --> 00:00:55,640
+should have been told I make it
+ 
+
+39
+00:00:55,640 --> 00:01:05,390
+should have been told I make it
+2623 you're 50 short skins
+
+40
+00:01:05,390 --> 00:01:05,400
+
+ 
+
+41
+00:01:05,400 --> 00:01:06,190
+
+get
+
+42
+00:01:06,190 --> 00:01:06,200
+get
+ 
+
+43
+00:01:06,200 --> 00:01:10,030
+get
+me I must have Miss con it give
+
+44
+00:01:10,030 --> 00:01:10,040
+me I must have Miss con it give
+ 
+
+45
+00:01:10,040 --> 00:01:16,950
+me I must have Miss con it give
+me get
+
+46
+00:01:16,950 --> 00:01:16,960
+
+ 
+
+47
+00:01:16,960 --> 00:01:19,749
+
+me you come from Green Point go back to
+
+48
+00:01:19,749 --> 00:01:19,759
+me you come from Green Point go back to
+ 
+
+49
+00:01:19,759 --> 00:01:28,149
+me you come from Green Point go back to
+Greenpoint you don't work here no
+
+50
+00:01:28,149 --> 00:01:28,159
+
+ 
+
+51
+00:01:28,159 --> 00:01:30,950
+
+more here K is half a bill go get your
+
+52
+00:01:30,950 --> 00:01:30,960
+more here K is half a bill go get your
+ 
+
+53
+00:01:30,960 --> 00:01:33,630
+more here K is half a bill go get your
+load on no I'm going keep present from
+
+54
+00:01:33,630 --> 00:01:33,640
+load on no I'm going keep present from
+ 
+
+55
+00:01:33,640 --> 00:01:35,149
+load on no I'm going keep present from
+your Uncle
+
+56
+00:01:35,149 --> 00:01:35,159
+your Uncle
+ 
+
+57
+00:01:35,159 --> 00:01:38,550
+your Uncle
+Johnny and M tomorrow morning when you
+
+58
+00:01:38,550 --> 00:01:38,560
+Johnny and M tomorrow morning when you
+ 
+
+59
+00:01:38,560 --> 00:01:41,230
+Johnny and M tomorrow morning when you
+shaped them in put Terry up in the Loft
+
+60
+00:01:41,230 --> 00:01:41,240
+shaped them in put Terry up in the Loft
+ 
+
+61
+00:01:41,240 --> 00:01:45,510
+shaped them in put Terry up in the Loft
+number one every day it's nice easy work
+
+62
+00:01:45,510 --> 00:01:45,520
+number one every day it's nice easy work
+ 
+
+63
+00:01:45,520 --> 00:01:47,469
+number one every day it's nice easy work
+see if your check in and you goof off on
+
+64
+00:01:47,469 --> 00:01:47,479
+see if your check in and you goof off on
+ 
+
+65
+00:01:47,479 --> 00:01:53,709
+see if your check in and you goof off on
+a coffee bag okay
+
+66
+00:01:53,709 --> 00:01:53,719
+
+ 
+
+67
+00:01:53,719 --> 00:01:55,469
+
+okay
+
+68
+00:01:55,469 --> 00:01:55,479
+okay
+ 
+
+69
+00:01:55,479 --> 00:01:58,789
+okay
+heyy you got a real friend here and
+
+70
+00:01:58,789 --> 00:01:58,799
+heyy you got a real friend here and
+ 
+
+71
+00:01:58,799 --> 00:02:01,429
+heyy you got a real friend here and
+don't forget it
+
+72
+00:02:01,429 --> 00:02:01,439
+don't forget it
+ 
+
+73
+00:02:01,439 --> 00:02:04,429
+don't forget it
+I should have forget it yeah thanks
+
+74
+00:02:04,429 --> 00:02:04,439
+I should have forget it yeah thanks
+ 
+
+75
+00:02:04,439 --> 00:02:06,560
+I should have forget it yeah thanks
+Johnny
+
+76
+00:02:06,560 --> 00:02:06,570
+Johnny
+ 
+
+77
+00:02:06,570 --> 00:02:13,430
+Johnny
+[Music]
+
+78
+00:02:13,430 --> 00:02:13,440
+
+ 
+
+79
+00:02:13,440 --> 00:02:44,490
+
+[Music]
+
diff --git a/1954/YAlZyCUJKt4.en.srt b/1954/YAlZyCUJKt4.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..57484aba30fd6196908c04a72d4b075d68b9dfd6
--- /dev/null
+++ b/1954/YAlZyCUJKt4.en.srt
@@ -0,0 +1,135 @@
+1
+00:00:02,570 --> 00:00:04,980
+
+[Music]
+
+2
+00:00:04,980 --> 00:00:04,990
+[Music]
+ 
+
+3
+00:00:04,990 --> 00:00:14,430
+[Music]
+[Applause]
+
+4
+00:00:14,430 --> 00:00:14,440
+
+ 
+
+5
+00:00:14,440 --> 00:00:21,220
+
+okay darling D it D it
+
+6
+00:00:21,220 --> 00:00:21,230
+
+ 
+
+7
+00:00:21,230 --> 00:00:31,269
+
+[Music]
+
+8
+00:00:31,269 --> 00:00:31,279
+[Music]
+ 
+
+9
+00:00:31,279 --> 00:00:33,630
+[Music]
+get back hey get
+
+10
+00:00:33,630 --> 00:00:33,640
+get back hey get
+ 
+
+11
+00:00:33,640 --> 00:00:58,910
+get back hey get
+[Music]
+
+12
+00:00:58,910 --> 00:00:58,920
+[Music]
+ 
+
+13
+00:00:58,920 --> 00:01:01,750
+[Music]
+back no no more let him
+
+14
+00:01:01,750 --> 00:01:01,760
+back no no more let him
+ 
+
+15
+00:01:01,760 --> 00:01:15,740
+back no no more let him
+[Music]
+
+16
+00:01:15,740 --> 00:01:15,750
+
+ 
+
+17
+00:01:15,750 --> 00:01:25,390
+
+[Music]
+
+18
+00:01:25,390 --> 00:01:25,400
+
+ 
+
+19
+00:01:25,400 --> 00:01:30,670
+
+go no
+
+20
+00:01:30,670 --> 00:01:30,680
+
+ 
+
+21
+00:01:30,680 --> 00:02:00,069
+
+la
+
+22
+00:02:00,069 --> 00:02:00,079
+
+ 
+
+23
+00:02:00,079 --> 00:02:10,890
+
+h
+
+24
+00:02:10,890 --> 00:02:10,900
+
+ 
+
+25
+00:02:10,900 --> 00:02:30,910
+
+[Music]
+
+26
+00:02:30,910 --> 00:02:30,920
+
+ 
+
+27
+00:02:30,920 --> 00:02:33,680
+
+ch
+
diff --git a/1954/_YMLnL33X78.en.srt b/1954/_YMLnL33X78.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..432b2a79aaeeae53b8ca1a767d966c60c16de602
--- /dev/null
+++ b/1954/_YMLnL33X78.en.srt
@@ -0,0 +1,525 @@
+1
+00:00:01,250 --> 00:00:03,710
+
+remember a funeral laid an egg that one
+
+2
+00:00:03,710 --> 00:00:03,720
+remember a funeral laid an egg that one
+ 
+
+3
+00:00:03,720 --> 00:00:06,440
+remember a funeral laid an egg that one
+day standing around the grave maybe two
+
+4
+00:00:06,440 --> 00:00:06,450
+day standing around the grave maybe two
+ 
+
+5
+00:00:06,450 --> 00:00:09,339
+day standing around the grave maybe two
+dozen nobodies a great finish
+
+6
+00:00:09,339 --> 00:00:09,349
+dozen nobodies a great finish
+ 
+
+7
+00:00:09,349 --> 00:00:12,140
+dozen nobodies a great finish
+you just don't bury a famous movie star
+
+8
+00:00:12,140 --> 00:00:12,150
+you just don't bury a famous movie star
+ 
+
+9
+00:00:12,150 --> 00:00:15,560
+you just don't bury a famous movie star
+like she was an unidentified body
+
+10
+00:00:15,560 --> 00:00:15,570
+like she was an unidentified body
+ 
+
+11
+00:00:15,570 --> 00:00:18,110
+like she was an unidentified body
+well it figured it was like that from
+
+12
+00:00:18,110 --> 00:00:18,120
+well it figured it was like that from
+ 
+
+13
+00:00:18,120 --> 00:00:19,850
+well it figured it was like that from
+the minute I laid eyes on it nothing
+
+14
+00:00:19,850 --> 00:00:19,860
+the minute I laid eyes on it nothing
+ 
+
+15
+00:00:19,860 --> 00:00:22,340
+the minute I laid eyes on it nothing
+worked according to the book not my book
+
+16
+00:00:22,340 --> 00:00:22,350
+worked according to the book not my book
+ 
+
+17
+00:00:22,350 --> 00:00:24,510
+worked according to the book not my book
+anyway
+
+18
+00:00:24,510 --> 00:00:24,520
+anyway
+ 
+
+19
+00:00:24,520 --> 00:00:26,430
+anyway
+from the minute she waved back at the
+
+20
+00:00:26,430 --> 00:00:26,440
+from the minute she waved back at the
+ 
+
+21
+00:00:26,440 --> 00:00:28,260
+from the minute she waved back at the
+Statue of Liberty everybody wanted to
+
+22
+00:00:28,260 --> 00:00:28,270
+Statue of Liberty everybody wanted to
+ 
+
+23
+00:00:28,270 --> 00:00:31,140
+Statue of Liberty everybody wanted to
+know everything about Maria and they
+
+24
+00:00:31,140 --> 00:00:31,150
+know everything about Maria and they
+ 
+
+25
+00:00:31,150 --> 00:00:33,330
+know everything about Maria and they
+wound up knowing nothing because there
+
+26
+00:00:33,330 --> 00:00:33,340
+wound up knowing nothing because there
+ 
+
+27
+00:00:33,340 --> 00:00:37,200
+wound up knowing nothing because there
+was nothing to know believe what they
+
+28
+00:00:37,200 --> 00:00:37,210
+was nothing to know believe what they
+ 
+
+29
+00:00:37,210 --> 00:00:41,009
+was nothing to know believe what they
+said in Madrid was true this bundle of
+
+30
+00:00:41,009 --> 00:00:41,019
+said in Madrid was true this bundle of
+ 
+
+31
+00:00:41,019 --> 00:00:43,979
+said in Madrid was true this bundle of
+passion this hot flame that burned from
+
+32
+00:00:43,979 --> 00:00:43,989
+passion this hot flame that burned from
+ 
+
+33
+00:00:43,989 --> 00:00:50,070
+passion this hot flame that burned from
+the screen was a real untouchable the
+
+34
+00:00:50,070 --> 00:00:50,080
+the screen was a real untouchable the
+ 
+
+35
+00:00:50,080 --> 00:00:52,470
+the screen was a real untouchable the
+columns and the Wolves were after me
+
+36
+00:00:52,470 --> 00:00:52,480
+columns and the Wolves were after me
+ 
+
+37
+00:00:52,480 --> 00:00:54,720
+columns and the Wolves were after me
+night and day but how could I tell them
+
+38
+00:00:54,720 --> 00:00:54,730
+night and day but how could I tell them
+ 
+
+39
+00:00:54,730 --> 00:00:56,969
+night and day but how could I tell them
+who she was with or when and I didn't
+
+40
+00:00:56,969 --> 00:00:56,979
+who she was with or when and I didn't
+ 
+
+41
+00:00:56,979 --> 00:00:59,399
+who she was with or when and I didn't
+even know who she knew I can't tell you
+
+42
+00:00:59,399 --> 00:00:59,409
+even know who she knew I can't tell you
+ 
+
+43
+00:00:59,409 --> 00:01:02,579
+even know who she knew I can't tell you
+this it is entirely possible that Maria
+
+44
+00:01:02,579 --> 00:01:02,589
+this it is entirely possible that Maria
+ 
+
+45
+00:01:02,589 --> 00:01:04,829
+this it is entirely possible that Maria
+damata went to her grave without ever
+
+46
+00:01:04,829 --> 00:01:04,839
+damata went to her grave without ever
+ 
+
+47
+00:01:04,839 --> 00:01:07,050
+damata went to her grave without ever
+once being inside of the stork El
+
+48
+00:01:07,050 --> 00:01:07,060
+once being inside of the stork El
+ 
+
+49
+00:01:07,060 --> 00:01:07,710
+once being inside of the stork El
+Morocco
+
+50
+00:01:07,710 --> 00:01:07,720
+Morocco
+ 
+
+51
+00:01:07,720 --> 00:01:11,640
+Morocco
+Syros or the Macondo you've got to admit
+
+52
+00:01:11,640 --> 00:01:11,650
+Syros or the Macondo you've got to admit
+ 
+
+53
+00:01:11,650 --> 00:01:15,690
+Syros or the Macondo you've got to admit
+this is not normal
+
+54
+00:01:15,690 --> 00:01:15,700
+this is not normal
+ 
+
+55
+00:01:15,700 --> 00:01:17,670
+this is not normal
+but what was normal about this whole
+
+56
+00:01:17,670 --> 00:01:17,680
+but what was normal about this whole
+ 
+
+57
+00:01:17,680 --> 00:01:20,490
+but what was normal about this whole
+business from start to finish here is a
+
+58
+00:01:20,490 --> 00:01:20,500
+business from start to finish here is a
+ 
+
+59
+00:01:20,500 --> 00:01:22,350
+business from start to finish here is a
+doll who on the opening night of her
+
+60
+00:01:22,350 --> 00:01:22,360
+doll who on the opening night of her
+ 
+
+61
+00:01:22,360 --> 00:01:24,690
+doll who on the opening night of her
+first picture but no known interest in
+
+62
+00:01:24,690 --> 00:01:24,700
+first picture but no known interest in
+ 
+
+63
+00:01:24,700 --> 00:01:27,899
+first picture but no known interest in
+men much less romance whose private life
+
+64
+00:01:27,899 --> 00:01:27,909
+men much less romance whose private life
+ 
+
+65
+00:01:27,909 --> 00:01:30,300
+men much less romance whose private life
+is strictly private but who
+
+66
+00:01:30,300 --> 00:01:30,310
+is strictly private but who
+ 
+
+67
+00:01:30,310 --> 00:01:33,029
+is strictly private but who
+but people have decided is already as
+
+68
+00:01:33,029 --> 00:01:33,039
+but people have decided is already as
+ 
+
+69
+00:01:33,039 --> 00:01:36,060
+but people have decided is already as
+time this is the night I first begin to
+
+70
+00:01:36,060 --> 00:01:36,070
+time this is the night I first begin to
+ 
+
+71
+00:01:36,070 --> 00:01:37,980
+time this is the night I first begin to
+think maybe the public has a mind of its
+
+72
+00:01:37,980 --> 00:01:37,990
+think maybe the public has a mind of its
+ 
+
+73
+00:01:37,990 --> 00:01:39,800
+think maybe the public has a mind of its
+own
+
+74
+00:01:39,800 --> 00:01:39,810
+own
+ 
+
+75
+00:01:39,810 --> 00:01:42,779
+own
+who else but Maria damata would show up
+
+76
+00:01:42,779 --> 00:01:42,789
+who else but Maria damata would show up
+ 
+
+77
+00:01:42,789 --> 00:01:45,870
+who else but Maria damata would show up
+at a world premiere alone together with
+
+78
+00:01:45,870 --> 00:01:45,880
+at a world premiere alone together with
+ 
+
+79
+00:01:45,880 --> 00:01:47,399
+at a world premiere alone together with
+a couple that everybody knew were in
+
+80
+00:01:47,399 --> 00:01:47,409
+a couple that everybody knew were in
+ 
+
+81
+00:01:47,409 --> 00:01:49,800
+a couple that everybody knew were in
+love with each other it was real love
+
+82
+00:01:49,800 --> 00:01:49,810
+love with each other it was real love
+ 
+
+83
+00:01:49,810 --> 00:01:52,020
+love with each other it was real love
+with Harry and Jerry you could tell it
+
+84
+00:01:52,020 --> 00:01:52,030
+with Harry and Jerry you could tell it
+ 
+
+85
+00:01:52,030 --> 00:01:53,850
+with Harry and Jerry you could tell it
+was for real because they never even
+
+86
+00:01:53,850 --> 00:01:53,860
+was for real because they never even
+ 
+
+87
+00:01:53,860 --> 00:01:55,380
+was for real because they never even
+gave out interviews about getting
+
+88
+00:01:55,380 --> 00:01:55,390
+gave out interviews about getting
+ 
+
+89
+00:01:55,390 --> 00:01:58,039
+gave out interviews about getting
+married Maria damata
+
+90
+00:01:58,039 --> 00:01:58,049
+married Maria damata
+ 
+
+91
+00:01:58,049 --> 00:02:00,419
+married Maria damata
+whatever it is you may know whether
+
+92
+00:02:00,419 --> 00:02:00,429
+whatever it is you may know whether
+ 
+
+93
+00:02:00,429 --> 00:02:02,039
+whatever it is you may know whether
+you're born with it or catch it from a
+
+94
+00:02:02,039 --> 00:02:02,049
+you're born with it or catch it from a
+ 
+
+95
+00:02:02,049 --> 00:02:06,240
+you're born with it or catch it from a
+public drinking cup Maria had the people
+
+96
+00:02:06,240 --> 00:02:06,250
+public drinking cup Maria had the people
+ 
+
+97
+00:02:06,250 --> 00:02:08,070
+public drinking cup Maria had the people
+with the money in their hot little hands
+
+98
+00:02:08,070 --> 00:02:08,080
+with the money in their hot little hands
+ 
+
+99
+00:02:08,080 --> 00:02:09,270
+with the money in their hot little hands
+put her up there
+
+100
+00:02:09,270 --> 00:02:09,280
+put her up there
+ 
+
+101
+00:02:09,280 --> 00:02:14,980
+put her up there
+and she could do no wrong
+
+102
+00:02:14,980 --> 00:02:14,990
+
+ 
+
+103
+00:02:14,990 --> 00:02:17,410
+
+you
+
+104
+00:02:17,410 --> 00:02:17,420
+
+ 
+
+105
+00:02:17,420 --> 00:02:23,350
+
+[Music]
+
diff --git a/1954/_mpyFEkzhoo.en.srt b/1954/_mpyFEkzhoo.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..0301337e6e1443010b890e0bc15e8c3895ceb16b
--- /dev/null
+++ b/1954/_mpyFEkzhoo.en.srt
@@ -0,0 +1,185 @@
+1
+00:00:06,279 --> 00:00:09,669
+
+oh we're clear stand by to pull her up
+
+2
+00:00:09,669 --> 00:00:09,679
+oh we're clear stand by to pull her up
+ 
+
+3
+00:00:09,679 --> 00:00:10,669
+oh we're clear stand by to pull her up
+with the
+
+4
+00:00:10,669 --> 00:00:10,679
+with the
+ 
+
+5
+00:00:10,679 --> 00:00:17,870
+with the
+winch P her
+
+6
+00:00:17,870 --> 00:00:17,880
+
+ 
+
+7
+00:00:17,880 --> 00:00:19,070
+
+[Music]
+
+8
+00:00:19,070 --> 00:00:19,080
+[Music]
+ 
+
+9
+00:00:19,080 --> 00:00:24,710
+[Music]
+in oh I'll go down and unfasten
+
+10
+00:00:24,710 --> 00:00:24,720
+
+ 
+
+11
+00:00:24,720 --> 00:00:26,060
+
+it
+
+12
+00:00:26,060 --> 00:00:26,070
+it
+ 
+
+13
+00:00:26,070 --> 00:00:28,950
+it
+[Music]
+
+14
+00:00:28,950 --> 00:00:28,960
+[Music]
+ 
+
+15
+00:00:28,960 --> 00:00:31,269
+[Music]
+blackag come on
+
+16
+00:00:31,269 --> 00:00:31,279
+blackag come on
+ 
+
+17
+00:00:31,279 --> 00:00:35,910
+blackag come on
+swag swag that's
+
+18
+00:00:35,910 --> 00:00:35,920
+
+ 
+
+19
+00:00:35,920 --> 00:00:39,069
+
+enough that's good now you're getting it
+
+20
+00:00:39,069 --> 00:00:39,079
+enough that's good now you're getting it
+ 
+
+21
+00:00:39,079 --> 00:00:41,100
+enough that's good now you're getting it
+just slip the back to the
+
+22
+00:00:41,100 --> 00:00:41,110
+just slip the back to the
+ 
+
+23
+00:00:41,110 --> 00:00:44,950
+just slip the back to the
+[Music]
+
+24
+00:00:44,950 --> 00:00:44,960
+[Music]
+ 
+
+25
+00:00:44,960 --> 00:00:47,890
+[Music]
+ring hurry D I've almost got
+
+26
+00:00:47,890 --> 00:00:47,900
+ring hurry D I've almost got
+ 
+
+27
+00:00:47,900 --> 00:00:58,189
+ring hurry D I've almost got
+[Music]
+
+28
+00:00:58,189 --> 00:00:58,199
+
+ 
+
+29
+00:00:58,199 --> 00:01:02,150
+
+it you got it got her no don't shoot
+
+30
+00:01:02,150 --> 00:01:02,160
+it you got it got her no don't shoot
+ 
+
+31
+00:01:02,160 --> 00:01:04,089
+it you got it got her no don't shoot
+don't shoot you might hit
+
+32
+00:01:04,089 --> 00:01:04,099
+don't shoot you might hit
+ 
+
+33
+00:01:04,099 --> 00:01:12,550
+don't shoot you might hit
+[Music]
+
+34
+00:01:12,550 --> 00:01:12,560
+[Music]
+ 
+
+35
+00:01:12,560 --> 00:01:18,650
+[Music]
+K give me a hand
+
+36
+00:01:18,650 --> 00:01:18,660
+
+ 
+
+37
+00:01:18,660 --> 00:01:55,430
+
+[Music]
+
diff --git a/1954/cJyhEAxnQ-U.en.srt b/1954/cJyhEAxnQ-U.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..82cf78141f718d9c07d311c98e0db576d6cf2a48
--- /dev/null
+++ b/1954/cJyhEAxnQ-U.en.srt
@@ -0,0 +1,385 @@
+1
+00:00:00,319 --> 00:00:03,080
+
+when I was a little girl like so many
+
+2
+00:00:03,080 --> 00:00:03,090
+when I was a little girl like so many
+ 
+
+3
+00:00:03,090 --> 00:00:05,960
+when I was a little girl like so many
+others there was no money to buy shoes
+
+4
+00:00:05,960 --> 00:00:05,970
+others there was no money to buy shoes
+ 
+
+5
+00:00:05,970 --> 00:00:07,500
+others there was no money to buy shoes
+for me
+
+6
+00:00:07,500 --> 00:00:07,510
+for me
+ 
+
+7
+00:00:07,510 --> 00:00:12,120
+for me
+and when the bombs came in the civil war
+
+8
+00:00:12,120 --> 00:00:12,130
+and when the bombs came in the civil war
+ 
+
+9
+00:00:12,130 --> 00:00:14,340
+and when the bombs came in the civil war
+I used to bury myself in the dirt of the
+
+10
+00:00:14,340 --> 00:00:14,350
+I used to bury myself in the dirt of the
+ 
+
+11
+00:00:14,350 --> 00:00:17,580
+I used to bury myself in the dirt of the
+ruins to be safe I would lie there safe
+
+12
+00:00:17,580 --> 00:00:17,590
+ruins to be safe I would lie there safe
+ 
+
+13
+00:00:17,590 --> 00:00:19,360
+ruins to be safe I would lie there safe
+in the dirt
+
+14
+00:00:19,360 --> 00:00:19,370
+in the dirt
+ 
+
+15
+00:00:19,370 --> 00:00:21,910
+in the dirt
+and wiggle my toes and listen to the
+
+16
+00:00:21,910 --> 00:00:21,920
+and wiggle my toes and listen to the
+ 
+
+17
+00:00:21,920 --> 00:00:24,290
+and wiggle my toes and listen to the
+noise
+
+18
+00:00:24,290 --> 00:00:24,300
+
+ 
+
+19
+00:00:24,300 --> 00:00:26,650
+
+who dream of someday being a fine lady
+
+20
+00:00:26,650 --> 00:00:26,660
+who dream of someday being a fine lady
+ 
+
+21
+00:00:26,660 --> 00:00:29,170
+who dream of someday being a fine lady
+in fine shoes
+
+22
+00:00:29,170 --> 00:00:29,180
+in fine shoes
+ 
+
+23
+00:00:29,180 --> 00:00:31,690
+in fine shoes
+[Music]
+
+24
+00:00:31,690 --> 00:00:31,700
+[Music]
+ 
+
+25
+00:00:31,700 --> 00:00:35,950
+[Music]
+I hate shoes mr. Dawes I wear them to
+
+26
+00:00:35,950 --> 00:00:35,960
+I hate shoes mr. Dawes I wear them to
+ 
+
+27
+00:00:35,960 --> 00:00:36,610
+I hate shoes mr. Dawes I wear them to
+dance
+
+28
+00:00:36,610 --> 00:00:36,620
+dance
+ 
+
+29
+00:00:36,620 --> 00:00:39,640
+dance
+and to show myself but I feel afraid in
+
+30
+00:00:39,640 --> 00:00:39,650
+and to show myself but I feel afraid in
+ 
+
+31
+00:00:39,650 --> 00:00:41,349
+and to show myself but I feel afraid in
+shoes
+
+32
+00:00:41,349 --> 00:00:41,359
+shoes
+ 
+
+33
+00:00:41,359 --> 00:00:46,650
+shoes
+and I feel safe with my feet in the dirt
+
+34
+00:00:46,650 --> 00:00:46,660
+
+ 
+
+35
+00:00:46,660 --> 00:00:49,870
+
+my words in English is so simple and yet
+
+36
+00:00:49,870 --> 00:00:49,880
+my words in English is so simple and yet
+ 
+
+37
+00:00:49,880 --> 00:00:51,840
+my words in English is so simple and yet
+what I want to say is not simple at all
+
+38
+00:00:51,840 --> 00:00:51,850
+what I want to say is not simple at all
+ 
+
+39
+00:00:51,850 --> 00:00:54,820
+what I want to say is not simple at all
+even in my own language my brain and my
+
+40
+00:00:54,820 --> 00:00:54,830
+even in my own language my brain and my
+ 
+
+41
+00:00:54,830 --> 00:00:57,010
+even in my own language my brain and my
+words could not say it I'm afraid
+
+42
+00:00:57,010 --> 00:00:57,020
+words could not say it I'm afraid
+ 
+
+43
+00:00:57,020 --> 00:01:00,370
+words could not say it I'm afraid
+water talking in just word and you were
+
+44
+00:01:00,370 --> 00:01:00,380
+water talking in just word and you were
+ 
+
+45
+00:01:00,380 --> 00:01:01,990
+water talking in just word and you were
+one more sense than other people
+
+46
+00:01:01,990 --> 00:01:02,000
+one more sense than other people
+ 
+
+47
+00:01:02,000 --> 00:01:04,990
+one more sense than other people
+for instance you understood about my
+
+48
+00:01:04,990 --> 00:01:05,000
+for instance you understood about my
+ 
+
+49
+00:01:05,000 --> 00:01:12,350
+for instance you understood about my
+cousin right away
+
+50
+00:01:12,350 --> 00:01:12,360
+
+ 
+
+51
+00:01:12,360 --> 00:01:18,830
+
+and when I was old and the bomb still
+
+52
+00:01:18,830 --> 00:01:18,840
+and when I was old and the bomb still
+ 
+
+53
+00:01:18,840 --> 00:01:22,850
+and when I was old and the bomb still
+came just to bury myself and the Dead
+
+54
+00:01:22,850 --> 00:01:22,860
+came just to bury myself and the Dead
+ 
+
+55
+00:01:22,860 --> 00:01:25,490
+came just to bury myself and the Dead
+was not allowed to be seen
+
+56
+00:01:25,490 --> 00:01:25,500
+was not allowed to be seen
+ 
+
+57
+00:01:25,500 --> 00:01:29,000
+was not allowed to be seen
+I needed someone to be with me someone
+
+58
+00:01:29,000 --> 00:01:29,010
+I needed someone to be with me someone
+ 
+
+59
+00:01:29,010 --> 00:01:32,320
+I needed someone to be with me someone
+to love to love me to make me safe I
+
+60
+00:01:32,320 --> 00:01:32,330
+to love to love me to make me safe I
+ 
+
+61
+00:01:32,330 --> 00:01:37,870
+to love to love me to make me safe I
+needed I still needed when I'm afraid
+
+62
+00:01:37,870 --> 00:01:37,880
+needed I still needed when I'm afraid
+ 
+
+63
+00:01:37,880 --> 00:01:39,880
+needed I still needed when I'm afraid
+like a baby who needs a light on the
+
+64
+00:01:39,880 --> 00:01:39,890
+like a baby who needs a light on the
+ 
+
+65
+00:01:39,890 --> 00:01:44,109
+like a baby who needs a light on the
+dark they need to be left when I'm
+
+66
+00:01:44,109 --> 00:01:44,119
+dark they need to be left when I'm
+ 
+
+67
+00:01:44,119 --> 00:01:51,030
+dark they need to be left when I'm
+hiding in the den but the bombs are gone
+
+68
+00:01:51,030 --> 00:01:51,040
+hiding in the den but the bombs are gone
+ 
+
+69
+00:01:51,040 --> 00:01:57,240
+hiding in the den but the bombs are gone
+you surprise me mr. does is fear gone
+
+70
+00:01:57,240 --> 00:01:57,250
+you surprise me mr. does is fear gone
+ 
+
+71
+00:01:57,250 --> 00:02:00,030
+you surprise me mr. does is fear gone
+what are you afraid of the same as
+
+72
+00:02:00,030 --> 00:02:00,040
+what are you afraid of the same as
+ 
+
+73
+00:02:00,040 --> 00:02:05,580
+what are you afraid of the same as
+everybody else the same as you of being
+
+74
+00:02:05,580 --> 00:02:05,590
+everybody else the same as you of being
+ 
+
+75
+00:02:05,590 --> 00:02:08,670
+everybody else the same as you of being
+exposed and unprotected
+
+76
+00:02:08,670 --> 00:02:08,680
+exposed and unprotected
+ 
+
+77
+00:02:08,680 --> 00:02:20,020
+exposed and unprotected
+[Music]
+
diff --git a/1954/dvJqm3PFKLk.en.srt b/1954/dvJqm3PFKLk.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..6ca9d7bfa63faf799f5fdf7e1a9ff3af1b9f667a
--- /dev/null
+++ b/1954/dvJqm3PFKLk.en.srt
@@ -0,0 +1,505 @@
+1
+00:00:01,400 --> 00:00:03,350
+
+that's a little over 10B how much is
+
+2
+00:00:03,350 --> 00:00:03,360
+that's a little over 10B how much is
+ 
+
+3
+00:00:03,360 --> 00:00:06,070
+that's a little over 10B how much is
+people worth this year $6 a
+
+4
+00:00:06,070 --> 00:00:06,080
+people worth this year $6 a
+ 
+
+5
+00:00:06,080 --> 00:00:09,509
+people worth this year $6 a
+pound well I'll trade you for a new plow
+
+6
+00:00:09,509 --> 00:00:09,519
+pound well I'll trade you for a new plow
+ 
+
+7
+00:00:09,519 --> 00:00:12,870
+pound well I'll trade you for a new plow
+two tubs of lard barrel of molasses 25
+
+8
+00:00:12,870 --> 00:00:12,880
+two tubs of lard barrel of molasses 25
+ 
+
+9
+00:00:12,880 --> 00:00:15,270
+two tubs of lard barrel of molasses 25
+lb of cheun tobacco and you wouldn't
+
+10
+00:00:15,270 --> 00:00:15,280
+lb of cheun tobacco and you wouldn't
+ 
+
+11
+00:00:15,280 --> 00:00:17,150
+lb of cheun tobacco and you wouldn't
+have a wife under the counter there I'm
+
+12
+00:00:17,150 --> 00:00:17,160
+have a wife under the counter there I'm
+ 
+
+13
+00:00:17,160 --> 00:00:20,950
+have a wife under the counter there I'm
+looking for a wife any special brand but
+
+14
+00:00:20,950 --> 00:00:20,960
+looking for a wife any special brand but
+ 
+
+15
+00:00:20,960 --> 00:00:23,390
+looking for a wife any special brand but
+yes I like best a widow woman that ain't
+
+16
+00:00:23,390 --> 00:00:23,400
+yes I like best a widow woman that ain't
+ 
+
+17
+00:00:23,400 --> 00:00:25,790
+yes I like best a widow woman that ain't
+afraid to work there's seven of us men
+
+18
+00:00:25,790 --> 00:00:25,800
+afraid to work there's seven of us men
+ 
+
+19
+00:00:25,800 --> 00:00:27,950
+afraid to work there's seven of us men
+me and my six brothers plac it like a
+
+20
+00:00:27,950 --> 00:00:27,960
+me and my six brothers plac it like a
+ 
+
+21
+00:00:27,960 --> 00:00:30,710
+me and my six brothers plac it like a
+pig Stein food tastes worse so I made up
+
+22
+00:00:30,710 --> 00:00:30,720
+pig Stein food tastes worse so I made up
+ 
+
+23
+00:00:30,720 --> 00:00:32,749
+pig Stein food tastes worse so I made up
+my mind next time I come into town to
+
+24
+00:00:32,749 --> 00:00:32,759
+my mind next time I come into town to
+ 
+
+25
+00:00:32,759 --> 00:00:34,670
+my mind next time I come into town to
+trade I'm going to bring me back a wife
+
+26
+00:00:34,670 --> 00:00:34,680
+trade I'm going to bring me back a wife
+ 
+
+27
+00:00:34,680 --> 00:00:36,790
+trade I'm going to bring me back a wife
+well that's a fine thing I must say
+
+28
+00:00:36,790 --> 00:00:36,800
+well that's a fine thing I must say
+ 
+
+29
+00:00:36,800 --> 00:00:38,229
+well that's a fine thing I must say
+thinking you could come here and trade
+
+30
+00:00:38,229 --> 00:00:38,239
+thinking you could come here and trade
+ 
+
+31
+00:00:38,239 --> 00:00:40,709
+thinking you could come here and trade
+for a wife like she was a bag of meal oh
+
+32
+00:00:40,709 --> 00:00:40,719
+for a wife like she was a bag of meal oh
+ 
+
+33
+00:00:40,719 --> 00:00:42,950
+for a wife like she was a bag of meal oh
+oh no ma'am I wouldn't say that ma'am
+
+34
+00:00:42,950 --> 00:00:42,960
+oh no ma'am I wouldn't say that ma'am
+ 
+
+35
+00:00:42,960 --> 00:00:45,310
+oh no ma'am I wouldn't say that ma'am
+well let me tell you none of our girls
+
+36
+00:00:45,310 --> 00:00:45,320
+well let me tell you none of our girls
+ 
+
+37
+00:00:45,320 --> 00:00:47,029
+well let me tell you none of our girls
+is going to go off to Bear Country with
+
+38
+00:00:47,029 --> 00:00:47,039
+is going to go off to Bear Country with
+ 
+
+39
+00:00:47,039 --> 00:00:50,510
+is going to go off to Bear Country with
+you to cook and wash and slay for seven
+
+40
+00:00:50,510 --> 00:00:50,520
+you to cook and wash and slay for seven
+ 
+
+41
+00:00:50,520 --> 00:00:53,790
+you to cook and wash and slay for seven
+slummy back woodsmen there's 10 men for
+
+42
+00:00:53,790 --> 00:00:53,800
+slummy back woodsmen there's 10 men for
+ 
+
+43
+00:00:53,800 --> 00:00:56,189
+slummy back woodsmen there's 10 men for
+every woman out here you want a wife
+
+44
+00:00:56,189 --> 00:00:56,199
+every woman out here you want a wife
+ 
+
+45
+00:00:56,199 --> 00:00:58,029
+every woman out here you want a wife
+you'll have to go back east and get one
+
+46
+00:00:58,029 --> 00:00:58,039
+you'll have to go back east and get one
+ 
+
+47
+00:00:58,039 --> 00:00:59,549
+you'll have to go back east and get one
+you mean there's no unmarried females in
+
+48
+00:00:59,549 --> 00:00:59,559
+you mean there's no unmarried females in
+ 
+
+49
+00:00:59,559 --> 00:01:02,830
+you mean there's no unmarried females in
+this town
+
+50
+00:01:02,830 --> 00:01:02,840
+
+ 
+
+51
+00:01:02,840 --> 00:01:05,429
+
+morning hello Mrs mix we're having a
+
+52
+00:01:05,429 --> 00:01:05,439
+morning hello Mrs mix we're having a
+ 
+
+53
+00:01:05,439 --> 00:01:06,789
+morning hello Mrs mix we're having a
+quilt and be we thought you might have
+
+54
+00:01:06,789 --> 00:01:06,799
+quilt and be we thought you might have
+ 
+
+55
+00:01:06,799 --> 00:01:09,670
+quilt and be we thought you might have
+some odds and ends I'll see how about
+
+56
+00:01:09,670 --> 00:01:09,680
+some odds and ends I'll see how about
+ 
+
+57
+00:01:09,680 --> 00:01:11,670
+some odds and ends I'll see how about
+these now just a minute what's the
+
+58
+00:01:11,670 --> 00:01:11,680
+these now just a minute what's the
+ 
+
+59
+00:01:11,680 --> 00:01:14,390
+these now just a minute what's the
+matter they married they're spoken for
+
+60
+00:01:14,390 --> 00:01:14,400
+matter they married they're spoken for
+ 
+
+61
+00:01:14,400 --> 00:01:17,550
+matter they married they're spoken for
+oh just spoken for you had me scared I
+
+62
+00:01:17,550 --> 00:01:17,560
+oh just spoken for you had me scared I
+ 
+
+63
+00:01:17,560 --> 00:01:20,510
+oh just spoken for you had me scared I
+tell you they're promised oh lady can
+
+64
+00:01:20,510 --> 00:01:20,520
+tell you they're promised oh lady can
+ 
+
+65
+00:01:20,520 --> 00:01:23,270
+tell you they're promised oh lady can
+change your mind can't
+
+66
+00:01:23,270 --> 00:01:23,280
+change your mind can't
+ 
+
+67
+00:01:23,280 --> 00:01:26,230
+change your mind can't
+she pay him no mind girls Fred put his
+
+68
+00:01:26,230 --> 00:01:26,240
+she pay him no mind girls Fred put his
+ 
+
+69
+00:01:26,240 --> 00:01:27,710
+she pay him no mind girls Fred put his
+things in the wagon don't keep him
+
+70
+00:01:27,710 --> 00:01:27,720
+things in the wagon don't keep him
+ 
+
+71
+00:01:27,720 --> 00:01:30,390
+things in the wagon don't keep him
+waiting oh I'm in no hurry I got all
+
+72
+00:01:30,390 --> 00:01:30,400
+waiting oh I'm in no hurry I got all
+ 
+
+73
+00:01:30,400 --> 00:01:32,069
+waiting oh I'm in no hurry I got all
+afternoon yeah well you're wasting your
+
+74
+00:01:32,069 --> 00:01:32,079
+afternoon yeah well you're wasting your
+ 
+
+75
+00:01:32,079 --> 00:01:33,749
+afternoon yeah well you're wasting your
+time you won't find a girl in this town
+
+76
+00:01:33,749 --> 00:01:33,759
+time you won't find a girl in this town
+ 
+
+77
+00:01:33,759 --> 00:01:35,149
+time you won't find a girl in this town
+to marry
+
+78
+00:01:35,149 --> 00:01:35,159
+to marry
+ 
+
+79
+00:01:35,159 --> 00:01:37,590
+to marry
+you never set my mind to something yet
+
+80
+00:01:37,590 --> 00:01:37,600
+you never set my mind to something yet
+ 
+
+81
+00:01:37,600 --> 00:01:39,749
+you never set my mind to something yet
+for what I got it whether it's plowing
+
+82
+00:01:39,749 --> 00:01:39,759
+for what I got it whether it's plowing
+ 
+
+83
+00:01:39,759 --> 00:01:41,990
+for what I got it whether it's plowing
+20 acres in a day or dropping a tree
+
+84
+00:01:41,990 --> 00:01:42,000
+20 acres in a day or dropping a tree
+ 
+
+85
+00:01:42,000 --> 00:01:44,310
+20 acres in a day or dropping a tree
+within an inch of where I want it I'm
+
+86
+00:01:44,310 --> 00:01:44,320
+within an inch of where I want it I'm
+ 
+
+87
+00:01:44,320 --> 00:01:46,429
+within an inch of where I want it I'm
+here today to get me a wife I don't need
+
+88
+00:01:46,429 --> 00:01:46,439
+here today to get me a wife I don't need
+ 
+
+89
+00:01:46,439 --> 00:01:48,270
+here today to get me a wife I don't need
+to go back home
+
+90
+00:01:48,270 --> 00:01:48,280
+to go back home
+ 
+
+91
+00:01:48,280 --> 00:01:50,270
+to go back home
+empty-handed now you're all pretty and
+
+92
+00:01:50,270 --> 00:01:50,280
+empty-handed now you're all pretty and
+ 
+
+93
+00:01:50,280 --> 00:01:53,310
+empty-handed now you're all pretty and
+fresh and young I'll keep you in mind
+
+94
+00:01:53,310 --> 00:01:53,320
+fresh and young I'll keep you in mind
+ 
+
+95
+00:01:53,320 --> 00:01:55,230
+fresh and young I'll keep you in mind
+but I ain't deciding on nothing till I
+
+96
+00:01:55,230 --> 00:01:55,240
+but I ain't deciding on nothing till I
+ 
+
+97
+00:01:55,240 --> 00:01:58,830
+but I ain't deciding on nothing till I
+look I'm all
+
+98
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+99
+00:01:58,840 --> 00:02:00,970
+
+over
+
+100
+00:02:00,970 --> 00:02:00,980
+over
+ 
+
+101
+00:02:00,980 --> 00:02:27,910
+over
+[Music]
+
diff --git a/1954/edQy5jBxhV8.en.srt b/1954/edQy5jBxhV8.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..8ce2bef54ddc1ede0ff8b4233859b77474442827
--- /dev/null
+++ b/1954/edQy5jBxhV8.en.srt
@@ -0,0 +1,515 @@
+1
+00:00:00,060 --> 00:00:02,240
+
+I suppose you're wondering why I called
+
+2
+00:00:02,240 --> 00:00:02,250
+I suppose you're wondering why I called
+ 
+
+3
+00:00:02,250 --> 00:00:04,519
+I suppose you're wondering why I called
+this meeting as you all know by now we
+
+4
+00:00:04,519 --> 00:00:04,529
+this meeting as you all know by now we
+ 
+
+5
+00:00:04,529 --> 00:00:05,900
+this meeting as you all know by now we
+had an excellent dessert for dinner
+
+6
+00:00:05,900 --> 00:00:05,910
+had an excellent dessert for dinner
+ 
+
+7
+00:00:05,910 --> 00:00:07,240
+had an excellent dessert for dinner
+tonight ice cream and frozen
+
+8
+00:00:07,240 --> 00:00:07,250
+tonight ice cream and frozen
+ 
+
+9
+00:00:07,250 --> 00:00:10,070
+tonight ice cream and frozen
+strawberries well about an hour ago I
+
+10
+00:00:10,070 --> 00:00:10,080
+strawberries well about an hour ago I
+ 
+
+11
+00:00:10,080 --> 00:00:11,990
+strawberries well about an hour ago I
+sent Whittaker to the pantry to bring me
+
+12
+00:00:11,990 --> 00:00:12,000
+sent Whittaker to the pantry to bring me
+ 
+
+13
+00:00:12,000 --> 00:00:13,190
+sent Whittaker to the pantry to bring me
+another portion he came back with the
+
+14
+00:00:13,190 --> 00:00:13,200
+another portion he came back with the
+ 
+
+15
+00:00:13,200 --> 00:00:15,560
+another portion he came back with the
+ice cream all right but he said sir
+
+16
+00:00:15,560 --> 00:00:15,570
+ice cream all right but he said sir
+ 
+
+17
+00:00:15,570 --> 00:00:18,920
+ice cream all right but he said sir
+there ain't no more strawberries now
+
+18
+00:00:18,920 --> 00:00:18,930
+there ain't no more strawberries now
+ 
+
+19
+00:00:18,930 --> 00:00:21,470
+there ain't no more strawberries now
+gentlemen I do not believe that the
+
+20
+00:00:21,470 --> 00:00:21,480
+gentlemen I do not believe that the
+ 
+
+21
+00:00:21,480 --> 00:00:23,599
+gentlemen I do not believe that the
+officers of this ship consumed a full
+
+22
+00:00:23,599 --> 00:00:23,609
+officers of this ship consumed a full
+ 
+
+23
+00:00:23,609 --> 00:00:25,099
+officers of this ship consumed a full
+gallon of strawberries at dinner tonight
+
+24
+00:00:25,099 --> 00:00:25,109
+gallon of strawberries at dinner tonight
+ 
+
+25
+00:00:25,109 --> 00:00:30,169
+gallon of strawberries at dinner tonight
+and I intend to prove it to Marik how
+
+26
+00:00:30,169 --> 00:00:30,179
+and I intend to prove it to Marik how
+ 
+
+27
+00:00:30,179 --> 00:00:31,790
+and I intend to prove it to Marik how
+many portions of ice cream and
+
+28
+00:00:31,790 --> 00:00:31,800
+many portions of ice cream and
+ 
+
+29
+00:00:31,800 --> 00:00:34,100
+many portions of ice cream and
+strawberries did you have two sir
+
+30
+00:00:34,100 --> 00:00:34,110
+strawberries did you have two sir
+ 
+
+31
+00:00:34,110 --> 00:00:36,709
+strawberries did you have two sir
+what again dough lava scoop of sand
+
+32
+00:00:36,709 --> 00:00:36,719
+what again dough lava scoop of sand
+ 
+
+33
+00:00:36,719 --> 00:00:43,840
+what again dough lava scoop of sand
+reach portion of strawberries yes sir
+
+34
+00:00:43,840 --> 00:00:43,850
+
+ 
+
+35
+00:00:43,850 --> 00:00:54,630
+
+mr. Keefer how many of you three captain
+
+36
+00:00:54,630 --> 00:00:54,640
+
+ 
+
+37
+00:00:54,640 --> 00:01:05,150
+
+Keith - sir Harding - sir
+
+38
+00:01:05,150 --> 00:01:05,160
+
+ 
+
+39
+00:01:05,160 --> 00:01:14,000
+
+painted tercer comedy - sir
+
+40
+00:01:14,000 --> 00:01:14,010
+painted tercer comedy - sir
+ 
+
+41
+00:01:14,010 --> 00:01:24,990
+painted tercer comedy - sir
+Yaga sir - sir rabbit - sir and the
+
+42
+00:01:24,990 --> 00:01:25,000
+Yaga sir - sir rabbit - sir and the
+ 
+
+43
+00:01:25,000 --> 00:01:27,210
+Yaga sir - sir rabbit - sir and the
+stewards mates had three right what a
+
+44
+00:01:27,210 --> 00:01:27,220
+stewards mates had three right what a
+ 
+
+45
+00:01:27,220 --> 00:01:29,280
+stewards mates had three right what a
+good yes sir one helping neat sir just -
+
+46
+00:01:29,280 --> 00:01:29,290
+good yes sir one helping neat sir just -
+ 
+
+47
+00:01:29,290 --> 00:01:31,740
+good yes sir one helping neat sir just -
+Keith you said it was okay yes I did sir
+
+48
+00:01:31,740 --> 00:01:31,750
+Keith you said it was okay yes I did sir
+ 
+
+49
+00:01:31,750 --> 00:01:41,999
+Keith you said it was okay yes I did sir
+I had four to twenty four portions in
+
+50
+00:01:41,999 --> 00:01:42,009
+I had four to twenty four portions in
+ 
+
+51
+00:01:42,009 --> 00:01:49,560
+I had four to twenty four portions in
+all now gentlemen this terrine holds an
+
+52
+00:01:49,560 --> 00:01:49,570
+all now gentlemen this terrine holds an
+ 
+
+53
+00:01:49,570 --> 00:01:51,060
+all now gentlemen this terrine holds an
+amount of sand equal to the amount of
+
+54
+00:01:51,060 --> 00:01:51,070
+amount of sand equal to the amount of
+ 
+
+55
+00:01:51,070 --> 00:01:52,380
+amount of sand equal to the amount of
+strawberries we had for dinner tonight
+
+56
+00:01:52,380 --> 00:01:52,390
+strawberries we had for dinner tonight
+ 
+
+57
+00:01:52,390 --> 00:01:56,400
+strawberries we had for dinner tonight
+right what ago yes sir mr. Merrick take
+
+58
+00:01:56,400 --> 00:01:56,410
+right what ago yes sir mr. Merrick take
+ 
+
+59
+00:01:56,410 --> 00:01:57,900
+right what ago yes sir mr. Merrick take
+a look at this gallon can and tell me
+
+60
+00:01:57,900 --> 00:01:57,910
+a look at this gallon can and tell me
+ 
+
+61
+00:01:57,910 --> 00:02:03,719
+a look at this gallon can and tell me
+how much sand is left maybe a quart or a
+
+62
+00:02:03,719 --> 00:02:03,729
+how much sand is left maybe a quart or a
+ 
+
+63
+00:02:03,729 --> 00:02:10,199
+how much sand is left maybe a quart or a
+little less okay have any of you
+
+64
+00:02:10,199 --> 00:02:10,209
+little less okay have any of you
+ 
+
+65
+00:02:10,209 --> 00:02:11,820
+little less okay have any of you
+gentlemen an explanation for the court
+
+66
+00:02:11,820 --> 00:02:11,830
+gentlemen an explanation for the court
+ 
+
+67
+00:02:11,830 --> 00:02:16,020
+gentlemen an explanation for the court
+of missing strawberries there can be no
+
+68
+00:02:16,020 --> 00:02:16,030
+of missing strawberries there can be no
+ 
+
+69
+00:02:16,030 --> 00:02:17,789
+of missing strawberries there can be no
+doubt someone else finished them for us
+
+70
+00:02:17,789 --> 00:02:17,799
+doubt someone else finished them for us
+ 
+
+71
+00:02:17,799 --> 00:02:19,949
+doubt someone else finished them for us
+as of now gentlemen you are all
+
+72
+00:02:19,949 --> 00:02:19,959
+as of now gentlemen you are all
+ 
+
+73
+00:02:19,959 --> 00:02:21,660
+as of now gentlemen you are all
+appointed a board of investigation to
+
+74
+00:02:21,660 --> 00:02:21,670
+appointed a board of investigation to
+ 
+
+75
+00:02:21,670 --> 00:02:22,920
+appointed a board of investigation to
+find out who's responsible for this
+
+76
+00:02:22,920 --> 00:02:22,930
+find out who's responsible for this
+ 
+
+77
+00:02:22,930 --> 00:02:26,220
+find out who's responsible for this
+theft tamarick you are the senior member
+
+78
+00:02:26,220 --> 00:02:26,230
+theft tamarick you are the senior member
+ 
+
+79
+00:02:26,230 --> 00:02:28,190
+theft tamarick you are the senior member
+you mean in the morning sir
+
+80
+00:02:28,190 --> 00:02:28,200
+you mean in the morning sir
+ 
+
+81
+00:02:28,200 --> 00:02:30,600
+you mean in the morning sir
+now mr. Merrick according to my watch
+
+82
+00:02:30,600 --> 00:02:30,610
+now mr. Merrick according to my watch
+ 
+
+83
+00:02:30,610 --> 00:02:32,400
+now mr. Merrick according to my watch
+does not mean in the morning it means Oh
+
+84
+00:02:32,400 --> 00:02:32,410
+does not mean in the morning it means Oh
+ 
+
+85
+00:02:32,410 --> 00:02:33,539
+does not mean in the morning it means Oh
+147
+
+86
+00:02:33,539 --> 00:02:33,549
+147
+ 
+
+87
+00:02:33,549 --> 00:02:40,100
+147
+I expect a full report by Oh 800
+
+88
+00:02:40,100 --> 00:02:40,110
+
+ 
+
+89
+00:02:40,110 --> 00:02:42,809
+
+alright alright pipe down the first do
+
+90
+00:02:42,809 --> 00:02:42,819
+alright alright pipe down the first do
+ 
+
+91
+00:02:42,819 --> 00:02:44,190
+alright alright pipe down the first do
+we get this done the faster we'll get
+
+92
+00:02:44,190 --> 00:02:44,200
+we get this done the faster we'll get
+ 
+
+93
+00:02:44,200 --> 00:02:45,930
+we get this done the faster we'll get
+some sleep send MMS do it one at a time
+
+94
+00:02:45,930 --> 00:02:45,940
+some sleep send MMS do it one at a time
+ 
+
+95
+00:02:45,940 --> 00:02:48,420
+some sleep send MMS do it one at a time
+for questioning yes sir fully the
+
+96
+00:02:48,420 --> 00:02:48,430
+for questioning yes sir fully the
+ 
+
+97
+00:02:48,430 --> 00:02:49,860
+for questioning yes sir fully the
+strawberries have been poisoned all our
+
+98
+00:02:49,860 --> 00:02:49,870
+strawberries have been poisoned all our
+ 
+
+99
+00:02:49,870 --> 00:02:53,720
+strawberries have been poisoned all our
+problems would have been solved
+
+100
+00:02:53,720 --> 00:02:53,730
+
+ 
+
+101
+00:02:53,730 --> 00:02:55,590
+
+strawberries
+
+102
+00:02:55,590 --> 00:02:55,600
+strawberries
+ 
+
+103
+00:02:55,600 --> 00:03:06,930
+strawberries
+[Music]
+
diff --git a/1954/goAo5dC8P1s.en.srt b/1954/goAo5dC8P1s.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..2b80fb536586702940f198a030f508b2f6ae1268
--- /dev/null
+++ b/1954/goAo5dC8P1s.en.srt
@@ -0,0 +1,285 @@
+1
+00:00:03,350 --> 00:00:07,480
+
+all the barnyard is busy in a regular
+
+2
+00:00:07,480 --> 00:00:07,490
+all the barnyard is busy in a regular
+ 
+
+3
+00:00:07,490 --> 00:00:10,629
+all the barnyard is busy in a regular
+tizzy and the obvious reason is because
+
+4
+00:00:10,629 --> 00:00:10,639
+tizzy and the obvious reason is because
+ 
+
+5
+00:00:10,639 --> 00:00:14,829
+tizzy and the obvious reason is because
+of the season ma nature's lyrical with
+
+6
+00:00:14,829 --> 00:00:14,839
+of the season ma nature's lyrical with
+ 
+
+7
+00:00:14,839 --> 00:00:19,650
+of the season ma nature's lyrical with
+her yearly miracle spring spring spring
+
+8
+00:00:19,650 --> 00:00:19,660
+her yearly miracle spring spring spring
+ 
+
+9
+00:00:19,660 --> 00:00:23,169
+her yearly miracle spring spring spring
+all the handful collection while their
+
+10
+00:00:23,169 --> 00:00:23,179
+all the handful collection while their
+ 
+
+11
+00:00:23,179 --> 00:00:25,960
+all the handful collection while their
+menfolk are scratching to ensure the
+
+12
+00:00:25,960 --> 00:00:25,970
+menfolk are scratching to ensure the
+ 
+
+13
+00:00:25,970 --> 00:00:29,589
+menfolk are scratching to ensure the
+survival of these brand new arrival each
+
+14
+00:00:29,589 --> 00:00:29,599
+survival of these brand new arrival each
+ 
+
+15
+00:00:29,599 --> 00:00:32,130
+survival of these brand new arrival each
+nest is twittering they're all
+
+16
+00:00:32,130 --> 00:00:32,140
+nest is twittering they're all
+ 
+
+17
+00:00:32,140 --> 00:00:37,000
+nest is twittering they're all
+babysitting sprees
+
+18
+00:00:37,000 --> 00:00:37,010
+
+ 
+
+19
+00:00:37,010 --> 00:00:39,880
+
+it's a beehive a budding son and
+
+20
+00:00:39,880 --> 00:00:39,890
+it's a beehive a budding son and
+ 
+
+21
+00:00:39,890 --> 00:00:43,270
+it's a beehive a budding son and
+daughter lives every family has plans
+
+22
+00:00:43,270 --> 00:00:43,280
+daughter lives every family has plans
+ 
+
+23
+00:00:43,280 --> 00:00:45,590
+daughter lives every family has plans
+and you
+
+24
+00:00:45,590 --> 00:00:45,600
+and you
+ 
+
+25
+00:00:45,600 --> 00:00:48,440
+and you
+even down in the brook the underwater
+
+26
+00:00:48,440 --> 00:00:48,450
+even down in the brook the underwater
+ 
+
+27
+00:00:48,450 --> 00:00:54,350
+even down in the brook the underwater
+life is forever blowing bubbles every
+
+28
+00:00:54,350 --> 00:00:54,360
+life is forever blowing bubbles every
+ 
+
+29
+00:00:54,360 --> 00:00:56,780
+life is forever blowing bubbles every
+field wears a bonnet with some spring
+
+30
+00:00:56,780 --> 00:00:56,790
+field wears a bonnet with some spring
+ 
+
+31
+00:00:56,790 --> 00:00:59,720
+field wears a bonnet with some spring
+daisies on and even birds of a feather
+
+32
+00:00:59,720 --> 00:00:59,730
+daisies on and even birds of a feather
+ 
+
+33
+00:00:59,730 --> 00:01:03,410
+daisies on and even birds of a feather
+shoulder close off together thoughts get
+
+34
+00:01:03,410 --> 00:01:03,420
+shoulder close off together thoughts get
+ 
+
+35
+00:01:03,420 --> 00:01:07,100
+shoulder close off together thoughts get
+shatter into spotlight the fiery spring
+
+36
+00:01:07,100 --> 00:01:07,110
+shatter into spotlight the fiery spring
+ 
+
+37
+00:01:07,110 --> 00:01:13,100
+shatter into spotlight the fiery spring
+spring from his Harry the Eagle with is
+
+38
+00:01:13,100 --> 00:01:13,110
+spring from his Harry the Eagle with is
+ 
+
+39
+00:01:13,110 --> 00:01:14,330
+spring from his Harry the Eagle with is
+he lie
+
+40
+00:01:14,330 --> 00:01:14,340
+he lie
+ 
+
+41
+00:01:14,340 --> 00:01:19,310
+he lie
+gaze down crosses Eagle beak and the
+
+42
+00:01:19,310 --> 00:01:19,320
+gaze down crosses Eagle beak and the
+ 
+
+43
+00:01:19,320 --> 00:01:23,270
+gaze down crosses Eagle beak and the
+fixham his lady with the legal I screams
+
+44
+00:01:23,270 --> 00:01:23,280
+fixham his lady with the legal I screams
+ 
+
+45
+00:01:23,280 --> 00:01:30,750
+fixham his lady with the legal I screams
+hopes we set the date this week
+
+46
+00:01:30,750 --> 00:01:30,760
+
+ 
+
+47
+00:01:30,760 --> 00:01:34,140
+
+yes siree spring disposal and it's all
+
+48
+00:01:34,140 --> 00:01:34,150
+yes siree spring disposal and it's all
+ 
+
+49
+00:01:34,150 --> 00:01:37,020
+yes siree spring disposal and it's all
+one supposes it's surreal they're the
+
+50
+00:01:37,020 --> 00:01:37,030
+one supposes it's surreal they're the
+ 
+
+51
+00:01:37,030 --> 00:01:40,790
+one supposes it's surreal they're the
+bruises wagon trails rubbin noses each
+
+52
+00:01:40,790 --> 00:01:40,800
+bruises wagon trails rubbin noses each
+ 
+
+53
+00:01:40,800 --> 00:01:49,790
+bruises wagon trails rubbin noses each
+day is a long break dad Ben Caleb
+
+54
+00:01:49,790 --> 00:01:49,800
+day is a long break dad Ben Caleb
+ 
+
+55
+00:01:49,800 --> 00:02:20,960
+day is a long break dad Ben Caleb
+everybody Mellie's having her baby
+
+56
+00:02:20,960 --> 00:02:20,970
+
+ 
+
+57
+00:02:20,970 --> 00:02:23,970
+
+hurry
+
diff --git a/1954/i07yEczcujQ.en.srt b/1954/i07yEczcujQ.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..bcfbe08f579f72d15b36f82206925f1e0b6961a7
--- /dev/null
+++ b/1954/i07yEczcujQ.en.srt
@@ -0,0 +1,385 @@
+1
+00:00:04,879 --> 00:00:07,849
+
+if this paisan asked me once more am I
+
+2
+00:00:07,849 --> 00:00:07,859
+if this paisan asked me once more am I
+ 
+
+3
+00:00:07,859 --> 00:00:09,410
+if this paisan asked me once more am I
+sure the cameraman got his picture
+
+4
+00:00:09,410 --> 00:00:09,420
+sure the cameraman got his picture
+ 
+
+5
+00:00:09,420 --> 00:00:12,200
+sure the cameraman got his picture
+coming to this funeral it's the only
+
+6
+00:00:12,200 --> 00:00:12,210
+coming to this funeral it's the only
+ 
+
+7
+00:00:12,210 --> 00:00:17,210
+coming to this funeral it's the only
+reason he's here oh well it's my own
+
+8
+00:00:17,210 --> 00:00:17,220
+reason he's here oh well it's my own
+ 
+
+9
+00:00:17,220 --> 00:00:20,029
+reason he's here oh well it's my own
+fault I talked him into coming it's
+
+10
+00:00:20,029 --> 00:00:20,039
+fault I talked him into coming it's
+ 
+
+11
+00:00:20,039 --> 00:00:22,759
+fault I talked him into coming it's
+basic public relations automatically if
+
+12
+00:00:22,759 --> 00:00:22,769
+basic public relations automatically if
+ 
+
+13
+00:00:22,769 --> 00:00:24,410
+basic public relations automatically if
+people see the biggest rat in the world
+
+14
+00:00:24,410 --> 00:00:24,420
+people see the biggest rat in the world
+ 
+
+15
+00:00:24,420 --> 00:00:26,839
+people see the biggest rat in the world
+walk with his hat off behind a casket
+
+16
+00:00:26,839 --> 00:00:26,849
+walk with his hat off behind a casket
+ 
+
+17
+00:00:26,849 --> 00:00:29,670
+walk with his hat off behind a casket
+he becomes Oh lovable codger
+
+18
+00:00:29,670 --> 00:00:29,680
+he becomes Oh lovable codger
+ 
+
+19
+00:00:29,680 --> 00:00:31,769
+he becomes Oh lovable codger
+bravado practically climbed into the
+
+20
+00:00:31,769 --> 00:00:31,779
+bravado practically climbed into the
+ 
+
+21
+00:00:31,779 --> 00:00:36,380
+bravado practically climbed into the
+coffin to be sure they took his picture
+
+22
+00:00:36,380 --> 00:00:36,390
+
+ 
+
+23
+00:00:36,390 --> 00:00:40,049
+
+at that I assure you he got as close to
+
+24
+00:00:40,049 --> 00:00:40,059
+at that I assure you he got as close to
+ 
+
+25
+00:00:40,059 --> 00:00:42,150
+at that I assure you he got as close to
+Maria dead because he did to her a lie
+
+26
+00:00:42,150 --> 00:00:42,160
+Maria dead because he did to her a lie
+ 
+
+27
+00:00:42,160 --> 00:00:45,960
+Maria dead because he did to her a lie
+he incurred they both only difference
+
+28
+00:00:45,960 --> 00:00:45,970
+he incurred they both only difference
+ 
+
+29
+00:00:45,970 --> 00:00:48,090
+he incurred they both only difference
+was Kurt wouldn't quit till he tried
+
+30
+00:00:48,090 --> 00:00:48,100
+was Kurt wouldn't quit till he tried
+ 
+
+31
+00:00:48,100 --> 00:00:50,729
+was Kurt wouldn't quit till he tried
+everything in the book on the other hand
+
+32
+00:00:50,729 --> 00:00:50,739
+everything in the book on the other hand
+ 
+
+33
+00:00:50,739 --> 00:00:53,130
+everything in the book on the other hand
+bravano quit like a dog practically the
+
+34
+00:00:53,130 --> 00:00:53,140
+bravano quit like a dog practically the
+ 
+
+35
+00:00:53,140 --> 00:00:55,770
+bravano quit like a dog practically the
+first time Marija said no it seems to me
+
+36
+00:00:55,770 --> 00:00:55,780
+first time Marija said no it seems to me
+ 
+
+37
+00:00:55,780 --> 00:00:58,380
+first time Marija said no it seems to me
+he was secretly relieved the important
+
+38
+00:00:58,380 --> 00:00:58,390
+he was secretly relieved the important
+ 
+
+39
+00:00:58,390 --> 00:01:00,540
+he was secretly relieved the important
+thing to bravado was for people to think
+
+40
+00:01:00,540 --> 00:01:00,550
+thing to bravado was for people to think
+ 
+
+41
+00:01:00,550 --> 00:01:03,719
+thing to bravado was for people to think
+Maria was his girl as long as he got
+
+42
+00:01:03,719 --> 00:01:03,729
+Maria was his girl as long as he got
+ 
+
+43
+00:01:03,729 --> 00:01:06,300
+Maria was his girl as long as he got
+credit for improv on all had to choose
+
+44
+00:01:06,300 --> 00:01:06,310
+credit for improv on all had to choose
+ 
+
+45
+00:01:06,310 --> 00:01:08,880
+credit for improv on all had to choose
+between really having Maria in secret
+
+46
+00:01:08,880 --> 00:01:08,890
+between really having Maria in secret
+ 
+
+47
+00:01:08,890 --> 00:01:11,250
+between really having Maria in secret
+and not having but what the whole world
+
+48
+00:01:11,250 --> 00:01:11,260
+and not having but what the whole world
+ 
+
+49
+00:01:11,260 --> 00:01:13,710
+and not having but what the whole world
+thinking he did he'd wanted just the way
+
+50
+00:01:13,710 --> 00:01:13,720
+thinking he did he'd wanted just the way
+ 
+
+51
+00:01:13,720 --> 00:01:18,870
+thinking he did he'd wanted just the way
+it was this I cannot figure this doesn't
+
+52
+00:01:18,870 --> 00:01:18,880
+it was this I cannot figure this doesn't
+ 
+
+53
+00:01:18,880 --> 00:01:21,270
+it was this I cannot figure this doesn't
+mean it can't be figured you could fill
+
+54
+00:01:21,270 --> 00:01:21,280
+mean it can't be figured you could fill
+ 
+
+55
+00:01:21,280 --> 00:01:23,190
+mean it can't be figured you could fill
+a big fat book just with what I haven't
+
+56
+00:01:23,190 --> 00:01:23,200
+a big fat book just with what I haven't
+ 
+
+57
+00:01:23,200 --> 00:01:24,750
+a big fat book just with what I haven't
+been able to figure since I was 12 years
+
+58
+00:01:24,750 --> 00:01:24,760
+been able to figure since I was 12 years
+ 
+
+59
+00:01:24,760 --> 00:01:29,160
+been able to figure since I was 12 years
+old Maria for instance I could never
+
+60
+00:01:29,160 --> 00:01:29,170
+old Maria for instance I could never
+ 
+
+61
+00:01:29,170 --> 00:01:33,140
+old Maria for instance I could never
+figure but then who could and she was
+
+62
+00:01:33,140 --> 00:01:33,150
+figure but then who could and she was
+ 
+
+63
+00:01:33,150 --> 00:01:35,730
+figure but then who could and she was
+the world's number one symbol of
+
+64
+00:01:35,730 --> 00:01:35,740
+the world's number one symbol of
+ 
+
+65
+00:01:35,740 --> 00:01:38,670
+the world's number one symbol of
+desirability on display all over the
+
+66
+00:01:38,670 --> 00:01:38,680
+desirability on display all over the
+ 
+
+67
+00:01:38,680 --> 00:01:40,950
+desirability on display all over the
+world's number-one showroom with the
+
+68
+00:01:40,950 --> 00:01:40,960
+world's number-one showroom with the
+ 
+
+69
+00:01:40,960 --> 00:01:42,990
+world's number-one showroom with the
+world's number one customers wanting to
+
+70
+00:01:42,990 --> 00:01:43,000
+world's number one customers wanting to
+ 
+
+71
+00:01:43,000 --> 00:01:46,260
+world's number one customers wanting to
+buy and nobody wrapped her up and took a
+
+72
+00:01:46,260 --> 00:01:46,270
+buy and nobody wrapped her up and took a
+ 
+
+73
+00:01:46,270 --> 00:01:46,920
+buy and nobody wrapped her up and took a
+home
+
+74
+00:01:46,920 --> 00:01:46,930
+home
+ 
+
+75
+00:01:46,930 --> 00:01:50,920
+home
+nobody I'll swear that into my own grave
+
+76
+00:01:50,920 --> 00:01:50,930
+nobody I'll swear that into my own grave
+ 
+
+77
+00:01:50,930 --> 00:02:03,870
+nobody I'll swear that into my own grave
+[Music]
+
diff --git a/1954/iiA0J5rKoE4.en.srt b/1954/iiA0J5rKoE4.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..de0ec92e1b018f24c1bcbadfda1b1a29cc615f21
--- /dev/null
+++ b/1954/iiA0J5rKoE4.en.srt
@@ -0,0 +1,44 @@
+1
+00:00:47,017 --> 00:00:48,985
+Zee!
+
+2
+00:01:18,115 --> 00:01:21,710
+Oh, David!
+David!
+
+3
+00:01:22,419 --> 00:01:24,182
+We got him!
+
+4
+00:01:24,254 --> 00:01:26,814
+We got him!
+
+5
+00:01:26,890 --> 00:01:28,824
+Don't kill him!
+What happened?
+
+6
+00:01:28,892 --> 00:01:31,383
+Give me the net.
+
+7
+00:01:36,834 --> 00:01:39,359
+How is he?
+
+8
+00:01:39,436 --> 00:01:42,530
+He's dead.
+
+9
+00:01:48,111 --> 00:01:50,102
+<i>[ Thompson ]</i>
+<i>That's the last one.</i>
+
+10
+00:01:50,180 --> 00:01:52,614
+<i>[ Reed ]</i>
+<i>All right.</i>
+
diff --git a/1954/jPRiyRmsLBo.en.srt b/1954/jPRiyRmsLBo.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..f5c672d25230fb30ea93a9bd3cb0a855ffacea25
--- /dev/null
+++ b/1954/jPRiyRmsLBo.en.srt
@@ -0,0 +1,365 @@
+1
+00:00:00,290 --> 00:00:03,050
+
+when would this take place tomorrow
+
+2
+00:00:03,050 --> 00:00:03,060
+when would this take place tomorrow
+ 
+
+3
+00:00:03,060 --> 00:00:05,710
+when would this take place tomorrow
+night tomorrow not a chance
+
+4
+00:00:05,710 --> 00:00:05,720
+night tomorrow not a chance
+ 
+
+5
+00:00:05,720 --> 00:00:08,930
+night tomorrow not a chance
+I've got to think this over it has to be
+
+6
+00:00:08,930 --> 00:00:08,940
+I've got to think this over it has to be
+ 
+
+7
+00:00:08,940 --> 00:00:12,190
+I've got to think this over it has to be
+tomorrow I've arranged things that way
+
+8
+00:00:12,190 --> 00:00:12,200
+tomorrow I've arranged things that way
+ 
+
+9
+00:00:12,200 --> 00:00:16,490
+tomorrow I've arranged things that way
+well approximately where you're standing
+
+10
+00:00:16,490 --> 00:00:16,500
+well approximately where you're standing
+ 
+
+11
+00:00:16,500 --> 00:00:19,750
+well approximately where you're standing
+now Oh
+
+12
+00:00:19,750 --> 00:00:19,760
+
+ 
+
+13
+00:00:19,760 --> 00:00:21,950
+
+while weaving Halladay that's the
+
+14
+00:00:21,950 --> 00:00:21,960
+while weaving Halladay that's the
+ 
+
+15
+00:00:21,960 --> 00:00:23,450
+while weaving Halladay that's the
+American boyfriend and I'll go out to a
+
+16
+00:00:23,450 --> 00:00:23,460
+American boyfriend and I'll go out to a
+ 
+
+17
+00:00:23,460 --> 00:00:27,019
+American boyfriend and I'll go out to a
+stag party she'll stay here to go to bed
+
+18
+00:00:27,019 --> 00:00:27,029
+stag party she'll stay here to go to bed
+ 
+
+19
+00:00:27,029 --> 00:00:28,279
+stag party she'll stay here to go to bed
+early and listen to Saturday night
+
+20
+00:00:28,279 --> 00:00:28,289
+early and listen to Saturday night
+ 
+
+21
+00:00:28,289 --> 00:00:30,169
+early and listen to Saturday night
+theater on the radio she always does
+
+22
+00:00:30,169 --> 00:00:30,179
+theater on the radio she always does
+ 
+
+23
+00:00:30,179 --> 00:00:32,720
+theater on the radio she always does
+when I'm out exactly three minutes to
+
+24
+00:00:32,720 --> 00:00:32,730
+when I'm out exactly three minutes to
+ 
+
+25
+00:00:32,730 --> 00:00:33,979
+when I'm out exactly three minutes to
+11:00 he'll enter the house for the
+
+26
+00:00:33,979 --> 00:00:33,989
+11:00 he'll enter the house for the
+ 
+
+27
+00:00:33,989 --> 00:00:41,299
+11:00 he'll enter the house for the
+street door finally to this door under
+
+28
+00:00:41,299 --> 00:00:41,309
+street door finally to this door under
+ 
+
+29
+00:00:41,309 --> 00:00:44,270
+street door finally to this door under
+the stair carpet here but this step
+
+30
+00:00:44,270 --> 00:00:44,280
+the stair carpet here but this step
+ 
+
+31
+00:00:44,280 --> 00:00:49,779
+the stair carpet here but this step
+that's the one go straight to the window
+
+32
+00:00:49,779 --> 00:00:49,789
+that's the one go straight to the window
+ 
+
+33
+00:00:49,789 --> 00:00:53,540
+that's the one go straight to the window
+hide behind the curtains exactly 11
+
+34
+00:00:53,540 --> 00:00:53,550
+hide behind the curtains exactly 11
+ 
+
+35
+00:00:53,550 --> 00:00:54,979
+hide behind the curtains exactly 11
+o'clock I should go to the telephone in
+
+36
+00:00:54,979 --> 00:00:54,989
+o'clock I should go to the telephone in
+ 
+
+37
+00:00:54,989 --> 00:00:56,330
+o'clock I should go to the telephone in
+the hotel to call my boss
+
+38
+00:00:56,330 --> 00:00:56,340
+the hotel to call my boss
+ 
+
+39
+00:00:56,340 --> 00:00:58,639
+the hotel to call my boss
+I still dialed the wrong number this
+
+40
+00:00:58,639 --> 00:00:58,649
+I still dialed the wrong number this
+ 
+
+41
+00:00:58,649 --> 00:01:01,580
+I still dialed the wrong number this
+number that's all I should do when the
+
+42
+00:01:01,580 --> 00:01:01,590
+number that's all I should do when the
+ 
+
+43
+00:01:01,590 --> 00:01:03,439
+number that's all I should do when the
+phone rings you'll see the light go on
+
+44
+00:01:03,439 --> 00:01:03,449
+phone rings you'll see the light go on
+ 
+
+45
+00:01:03,449 --> 00:01:06,710
+phone rings you'll see the light go on
+under her building door when she opens
+
+46
+00:01:06,710 --> 00:01:06,720
+under her building door when she opens
+ 
+
+47
+00:01:06,720 --> 00:01:09,350
+under her building door when she opens
+it the likely stream across the room so
+
+48
+00:01:09,350 --> 00:01:09,360
+it the likely stream across the room so
+ 
+
+49
+00:01:09,360 --> 00:01:11,320
+it the likely stream across the room so
+don't move until she answered the phone
+
+50
+00:01:11,320 --> 00:01:11,330
+don't move until she answered the phone
+ 
+
+51
+00:01:11,330 --> 00:01:14,469
+don't move until she answered the phone
+it must be as little noise as possible
+
+52
+00:01:14,469 --> 00:01:14,479
+it must be as little noise as possible
+ 
+
+53
+00:01:14,479 --> 00:01:17,840
+it must be as little noise as possible
+after you've finished pick up the phone
+
+54
+00:01:17,840 --> 00:01:17,850
+after you've finished pick up the phone
+ 
+
+55
+00:01:17,850 --> 00:01:19,789
+after you've finished pick up the phone
+and give me a soft whistle and hang up
+
+56
+00:01:19,789 --> 00:01:19,799
+and give me a soft whistle and hang up
+ 
+
+57
+00:01:19,799 --> 00:01:21,740
+and give me a soft whistle and hang up
+don't speak whatever you do I shan't say
+
+58
+00:01:21,740 --> 00:01:21,750
+don't speak whatever you do I shan't say
+ 
+
+59
+00:01:21,750 --> 00:01:24,200
+don't speak whatever you do I shan't say
+a word but I hear your whistle
+
+60
+00:01:24,200 --> 00:01:24,210
+a word but I hear your whistle
+ 
+
+61
+00:01:24,210 --> 00:01:26,539
+a word but I hear your whistle
+I still hang up and redial the correct
+
+62
+00:01:26,539 --> 00:01:26,549
+I still hang up and redial the correct
+ 
+
+63
+00:01:26,549 --> 00:01:28,940
+I still hang up and redial the correct
+number this time I said then talk to my
+
+64
+00:01:28,940 --> 00:01:28,950
+number this time I said then talk to my
+ 
+
+65
+00:01:28,950 --> 00:01:30,350
+number this time I said then talk to my
+bosses if nothing had happened and
+
+66
+00:01:30,350 --> 00:01:30,360
+bosses if nothing had happened and
+ 
+
+67
+00:01:30,360 --> 00:01:32,210
+bosses if nothing had happened and
+return to the party
+
+68
+00:01:32,210 --> 00:01:32,220
+return to the party
+ 
+
+69
+00:01:32,220 --> 00:01:35,090
+return to the party
+[Music]
+
+70
+00:01:35,090 --> 00:01:35,100
+[Music]
+ 
+
+71
+00:01:35,100 --> 00:01:37,620
+[Music]
+you
+
+72
+00:01:37,620 --> 00:01:37,630
+
+ 
+
+73
+00:01:37,630 --> 00:01:43,560
+
+[Music]
+
diff --git a/1954/mNd16XocjBg.en.srt b/1954/mNd16XocjBg.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..ff845366b6c49469d038e307b3de8be87ade5c81
--- /dev/null
+++ b/1954/mNd16XocjBg.en.srt
@@ -0,0 +1,795 @@
+1
+00:00:00,060 --> 00:00:02,840
+
+my name is Barney Greenwald pleased to
+
+2
+00:00:02,840 --> 00:00:02,850
+my name is Barney Greenwald pleased to
+ 
+
+3
+00:00:02,850 --> 00:00:05,740
+my name is Barney Greenwald pleased to
+meet you have a crack-up yep
+
+4
+00:00:05,740 --> 00:00:05,750
+meet you have a crack-up yep
+ 
+
+5
+00:00:05,750 --> 00:00:10,790
+meet you have a crack-up yep
+are you a lawyer well I'm a lawyer this
+
+6
+00:00:10,790 --> 00:00:10,800
+are you a lawyer well I'm a lawyer this
+ 
+
+7
+00:00:10,800 --> 00:00:12,770
+are you a lawyer well I'm a lawyer this
+is ensign Keith lieutenant keifa Keith
+
+8
+00:00:12,770 --> 00:00:12,780
+is ensign Keith lieutenant keifa Keith
+ 
+
+9
+00:00:12,780 --> 00:00:14,660
+is ensign Keith lieutenant keifa Keith
+you're the co-defendant yes sir
+
+10
+00:00:14,660 --> 00:00:14,670
+you're the co-defendant yes sir
+ 
+
+11
+00:00:14,670 --> 00:00:16,870
+you're the co-defendant yes sir
+and you mr. Keefer I'm holding his coat
+
+12
+00:00:16,870 --> 00:00:16,880
+and you mr. Keefer I'm holding his coat
+ 
+
+13
+00:00:16,880 --> 00:00:19,640
+and you mr. Keefer I'm holding his coat
+what does that mean I'm a friend of the
+
+14
+00:00:19,640 --> 00:00:19,650
+what does that mean I'm a friend of the
+ 
+
+15
+00:00:19,650 --> 00:00:20,120
+what does that mean I'm a friend of the
+family
+
+16
+00:00:20,120 --> 00:00:20,130
+family
+ 
+
+17
+00:00:20,130 --> 00:00:21,529
+family
+that's pretty flip under the
+
+18
+00:00:21,529 --> 00:00:21,539
+that's pretty flip under the
+ 
+
+19
+00:00:21,539 --> 00:00:24,170
+that's pretty flip under the
+circumstances mr. Kieran sorry I was on
+
+20
+00:00:24,170 --> 00:00:24,180
+circumstances mr. Kieran sorry I was on
+ 
+
+21
+00:00:24,180 --> 00:00:26,650
+circumstances mr. Kieran sorry I was on
+board the Kane communications officer I
+
+22
+00:00:26,650 --> 00:00:26,660
+board the Kane communications officer I
+ 
+
+23
+00:00:26,660 --> 00:00:29,990
+board the Kane communications officer I
+only be frank with you two I've read the
+
+24
+00:00:29,990 --> 00:00:30,000
+only be frank with you two I've read the
+ 
+
+25
+00:00:30,000 --> 00:00:31,669
+only be frank with you two I've read the
+preliminary investigation very carefully
+
+26
+00:00:31,669 --> 00:00:31,679
+preliminary investigation very carefully
+ 
+
+27
+00:00:31,679 --> 00:00:33,520
+preliminary investigation very carefully
+and I think that what you've done stinks
+
+28
+00:00:33,520 --> 00:00:33,530
+and I think that what you've done stinks
+ 
+
+29
+00:00:33,530 --> 00:00:35,360
+and I think that what you've done stinks
+well that's the way you feel about it
+
+30
+00:00:35,360 --> 00:00:35,370
+well that's the way you feel about it
+ 
+
+31
+00:00:35,370 --> 00:00:36,770
+well that's the way you feel about it
+then why are you taking the case I
+
+32
+00:00:36,770 --> 00:00:36,780
+then why are you taking the case I
+ 
+
+33
+00:00:36,780 --> 00:00:38,780
+then why are you taking the case I
+didn't say I'd take it I told Leo I'd
+
+34
+00:00:38,780 --> 00:00:38,790
+didn't say I'd take it I told Leo I'd
+ 
+
+35
+00:00:38,790 --> 00:00:40,610
+didn't say I'd take it I told Leo I'd
+have a talk with mr. Merrick whether I
+
+36
+00:00:40,610 --> 00:00:40,620
+have a talk with mr. Merrick whether I
+ 
+
+37
+00:00:40,620 --> 00:00:42,020
+have a talk with mr. Merrick whether I
+take it or not depends on what he has to
+
+38
+00:00:42,020 --> 00:00:42,030
+take it or not depends on what he has to
+ 
+
+39
+00:00:42,030 --> 00:00:43,729
+take it or not depends on what he has to
+say do you maybe you better get yourself
+
+40
+00:00:43,729 --> 00:00:43,739
+say do you maybe you better get yourself
+ 
+
+41
+00:00:43,739 --> 00:00:46,190
+say do you maybe you better get yourself
+another lawyer try it eight other
+
+42
+00:00:46,190 --> 00:00:46,200
+another lawyer try it eight other
+ 
+
+43
+00:00:46,200 --> 00:00:47,869
+another lawyer try it eight other
+officers have already turned it down I
+
+44
+00:00:47,869 --> 00:00:47,879
+officers have already turned it down I
+ 
+
+45
+00:00:47,879 --> 00:00:49,970
+officers have already turned it down I
+don't wanna upset you too much but at
+
+46
+00:00:49,970 --> 00:00:49,980
+don't wanna upset you too much but at
+ 
+
+47
+00:00:49,980 --> 00:00:51,290
+don't wanna upset you too much but at
+the moment you have an excellent chance
+
+48
+00:00:51,290 --> 00:00:51,300
+the moment you have an excellent chance
+ 
+
+49
+00:00:51,300 --> 00:00:54,979
+the moment you have an excellent chance
+of being hanged will answer anything you
+
+50
+00:00:54,979 --> 00:00:54,989
+of being hanged will answer anything you
+ 
+
+51
+00:00:54,989 --> 00:00:58,010
+of being hanged will answer anything you
+want to know mr. Greenwald all right mr.
+
+52
+00:00:58,010 --> 00:00:58,020
+want to know mr. Greenwald all right mr.
+ 
+
+53
+00:00:58,020 --> 00:01:00,020
+want to know mr. Greenwald all right mr.
+Merrick which are you a fool or a
+
+54
+00:01:00,020 --> 00:01:00,030
+Merrick which are you a fool or a
+ 
+
+55
+00:01:00,030 --> 00:01:02,540
+Merrick which are you a fool or a
+mutineer there's no third possibility
+
+56
+00:01:02,540 --> 00:01:02,550
+mutineer there's no third possibility
+ 
+
+57
+00:01:02,550 --> 00:01:04,609
+mutineer there's no third possibility
+well I guess the only way I could prove
+
+58
+00:01:04,609 --> 00:01:04,619
+well I guess the only way I could prove
+ 
+
+59
+00:01:04,619 --> 00:01:06,429
+well I guess the only way I could prove
+I was right was to let the ship go down
+
+60
+00:01:06,429 --> 00:01:06,439
+I was right was to let the ship go down
+ 
+
+61
+00:01:06,439 --> 00:01:08,990
+I was right was to let the ship go down
+three ships were lost in the typhoon you
+
+62
+00:01:08,990 --> 00:01:09,000
+three ships were lost in the typhoon you
+ 
+
+63
+00:01:09,000 --> 00:01:12,380
+three ships were lost in the typhoon you
+know sure and 194 stayed afloat without
+
+64
+00:01:12,380 --> 00:01:12,390
+know sure and 194 stayed afloat without
+ 
+
+65
+00:01:12,390 --> 00:01:13,730
+know sure and 194 stayed afloat without
+the executive officer relieving the
+
+66
+00:01:13,730 --> 00:01:13,740
+the executive officer relieving the
+ 
+
+67
+00:01:13,740 --> 00:01:15,170
+the executive officer relieving the
+skipper there wasn't any other choice
+
+68
+00:01:15,170 --> 00:01:15,180
+skipper there wasn't any other choice
+ 
+
+69
+00:01:15,180 --> 00:01:18,950
+skipper there wasn't any other choice
+hold it Willy okay maybe I was a fool
+
+70
+00:01:18,950 --> 00:01:18,960
+hold it Willy okay maybe I was a fool
+ 
+
+71
+00:01:18,960 --> 00:01:21,289
+hold it Willy okay maybe I was a fool
+but I'm not a mutineer you should get a
+
+72
+00:01:21,289 --> 00:01:21,299
+but I'm not a mutineer you should get a
+ 
+
+73
+00:01:21,299 --> 00:01:23,300
+but I'm not a mutineer you should get a
+medal for what he did he had a paranoid
+
+74
+00:01:23,300 --> 00:01:23,310
+medal for what he did he had a paranoid
+ 
+
+75
+00:01:23,310 --> 00:01:24,890
+medal for what he did he had a paranoid
+skipper who went to pieces when the ship
+
+76
+00:01:24,890 --> 00:01:24,900
+skipper who went to pieces when the ship
+ 
+
+77
+00:01:24,900 --> 00:01:27,620
+skipper who went to pieces when the ship
+was in danger and he saved the ship that
+
+78
+00:01:27,620 --> 00:01:27,630
+was in danger and he saved the ship that
+ 
+
+79
+00:01:27,630 --> 00:01:29,330
+was in danger and he saved the ship that
+amy has three psychiatrists who prepared
+
+80
+00:01:29,330 --> 00:01:29,340
+amy has three psychiatrists who prepared
+ 
+
+81
+00:01:29,340 --> 00:01:30,830
+amy has three psychiatrists who prepared
+to testify that captain queeg is
+
+82
+00:01:30,830 --> 00:01:30,840
+to testify that captain queeg is
+ 
+
+83
+00:01:30,840 --> 00:01:33,620
+to testify that captain queeg is
+completely sane sure paranoia clever
+
+84
+00:01:33,620 --> 00:01:33,630
+completely sane sure paranoia clever
+ 
+
+85
+00:01:33,630 --> 00:01:35,840
+completely sane sure paranoia clever
+they walk a thin dividing line between
+
+86
+00:01:35,840 --> 00:01:35,850
+they walk a thin dividing line between
+ 
+
+87
+00:01:35,850 --> 00:01:40,249
+they walk a thin dividing line between
+sanity and lunacy are you a psychiatrist
+
+88
+00:01:40,249 --> 00:01:40,259
+sanity and lunacy are you a psychiatrist
+ 
+
+89
+00:01:40,259 --> 00:01:42,050
+sanity and lunacy are you a psychiatrist
+mr. Keefe room no I'm a writer there
+
+90
+00:01:42,050 --> 00:01:42,060
+mr. Keefe room no I'm a writer there
+ 
+
+91
+00:01:42,060 --> 00:01:44,179
+mr. Keefe room no I'm a writer there
+it's my business to be a judge of human
+
+92
+00:01:44,179 --> 00:01:44,189
+it's my business to be a judge of human
+ 
+
+93
+00:01:44,189 --> 00:01:46,609
+it's my business to be a judge of human
+behavior I see and you were the first
+
+94
+00:01:46,609 --> 00:01:46,619
+behavior I see and you were the first
+ 
+
+95
+00:01:46,619 --> 00:01:48,649
+behavior I see and you were the first
+one to notice the captain's psychotic
+
+96
+00:01:48,649 --> 00:01:48,659
+one to notice the captain's psychotic
+ 
+
+97
+00:01:48,659 --> 00:01:52,370
+one to notice the captain's psychotic
+symptoms yes you explained all this very
+
+98
+00:01:52,370 --> 00:01:52,380
+symptoms yes you explained all this very
+ 
+
+99
+00:01:52,380 --> 00:01:54,050
+symptoms yes you explained all this very
+carefully mr. Merrick of course I
+
+100
+00:01:54,050 --> 00:01:54,060
+carefully mr. Merrick of course I
+ 
+
+101
+00:01:54,060 --> 00:01:56,480
+carefully mr. Merrick of course I
+discussed it yet well that's an
+
+102
+00:01:56,480 --> 00:01:56,490
+discussed it yet well that's an
+ 
+
+103
+00:01:56,490 --> 00:01:58,670
+discussed it yet well that's an
+interesting point would you be prepared
+
+104
+00:01:58,670 --> 00:01:58,680
+interesting point would you be prepared
+ 
+
+105
+00:01:58,680 --> 00:02:00,590
+interesting point would you be prepared
+to repeat it on the witness stand why
+
+106
+00:02:00,590 --> 00:02:00,600
+to repeat it on the witness stand why
+ 
+
+107
+00:02:00,600 --> 00:02:04,700
+to repeat it on the witness stand why
+not mr. Keefer you want to take a look
+
+108
+00:02:04,700 --> 00:02:04,710
+not mr. Keefer you want to take a look
+ 
+
+109
+00:02:04,710 --> 00:02:09,050
+not mr. Keefer you want to take a look
+at article 186 of Navy regulations an
+
+110
+00:02:09,050 --> 00:02:09,060
+at article 186 of Navy regulations an
+ 
+
+111
+00:02:09,060 --> 00:02:10,940
+at article 186 of Navy regulations an
+officer relieving his commanding officer
+
+112
+00:02:10,940 --> 00:02:10,950
+officer relieving his commanding officer
+ 
+
+113
+00:02:10,950 --> 00:02:12,660
+officer relieving his commanding officer
+or recommending so Jack
+
+114
+00:02:12,660 --> 00:02:12,670
+or recommending so Jack
+ 
+
+115
+00:02:12,670 --> 00:02:15,220
+or recommending so Jack
+together with all others who so counsel
+
+116
+00:02:15,220 --> 00:02:15,230
+together with all others who so counsel
+ 
+
+117
+00:02:15,230 --> 00:02:17,530
+together with all others who so counsel
+must bear the legitimate responsibility
+
+118
+00:02:17,530 --> 00:02:17,540
+must bear the legitimate responsibility
+ 
+
+119
+00:02:17,540 --> 00:02:19,930
+must bear the legitimate responsibility
+for and must be prepared to justify such
+
+120
+00:02:19,930 --> 00:02:19,940
+for and must be prepared to justify such
+ 
+
+121
+00:02:19,940 --> 00:02:23,830
+for and must be prepared to justify such
+action that's confusing the issue I'm
+
+122
+00:02:23,830 --> 00:02:23,840
+action that's confusing the issue I'm
+ 
+
+123
+00:02:23,840 --> 00:02:25,390
+action that's confusing the issue I'm
+not on trial if I were I take the rap
+
+124
+00:02:25,390 --> 00:02:25,400
+not on trial if I were I take the rap
+ 
+
+125
+00:02:25,400 --> 00:02:27,700
+not on trial if I were I take the rap
+with the others it's too bad we can't
+
+126
+00:02:27,700 --> 00:02:27,710
+with the others it's too bad we can't
+ 
+
+127
+00:02:27,710 --> 00:02:30,070
+with the others it's too bad we can't
+use you as an expert on psychiatry after
+
+128
+00:02:30,070 --> 00:02:30,080
+use you as an expert on psychiatry after
+ 
+
+129
+00:02:30,080 --> 00:02:36,580
+use you as an expert on psychiatry after
+all you made the diagnosis yes the
+
+130
+00:02:36,580 --> 00:02:36,590
+all you made the diagnosis yes the
+ 
+
+131
+00:02:36,590 --> 00:02:37,510
+all you made the diagnosis yes the
+atmosphere is getting a little thick in
+
+132
+00:02:37,510 --> 00:02:37,520
+atmosphere is getting a little thick in
+ 
+
+133
+00:02:37,520 --> 00:02:41,050
+atmosphere is getting a little thick in
+here you can get along without me I'll
+
+134
+00:02:41,050 --> 00:02:41,060
+here you can get along without me I'll
+ 
+
+135
+00:02:41,060 --> 00:02:43,650
+here you can get along without me I'll
+wait in the hall
+
+136
+00:02:43,650 --> 00:02:43,660
+
+ 
+
+137
+00:02:43,660 --> 00:02:46,210
+
+Tom had nothing to do with it it was my
+
+138
+00:02:46,210 --> 00:02:46,220
+Tom had nothing to do with it it was my
+ 
+
+139
+00:02:46,220 --> 00:02:46,870
+Tom had nothing to do with it it was my
+decision
+
+140
+00:02:46,870 --> 00:02:46,880
+decision
+ 
+
+141
+00:02:46,880 --> 00:02:48,760
+decision
+nobody cancelled me nobody told me what
+
+142
+00:02:48,760 --> 00:02:48,770
+nobody cancelled me nobody told me what
+ 
+
+143
+00:02:48,770 --> 00:02:52,230
+nobody cancelled me nobody told me what
+to do sure will you take the case
+
+144
+00:02:52,230 --> 00:02:52,240
+to do sure will you take the case
+ 
+
+145
+00:02:52,240 --> 00:02:56,700
+to do sure will you take the case
+I'd much rather prosecute
+
+146
+00:02:56,700 --> 00:02:56,710
+
+ 
+
+147
+00:02:56,710 --> 00:03:04,020
+
+well I guess I can't blame you
+
+148
+00:03:04,020 --> 00:03:04,030
+
+ 
+
+149
+00:03:04,030 --> 00:03:06,430
+
+I'll tell you
+
+150
+00:03:06,430 --> 00:03:06,440
+I'll tell you
+ 
+
+151
+00:03:06,440 --> 00:03:09,340
+I'll tell you
+how do we plead your case depends on
+
+152
+00:03:09,340 --> 00:03:09,350
+how do we plead your case depends on
+ 
+
+153
+00:03:09,350 --> 00:03:12,760
+how do we plead your case depends on
+Merrick well then how do I plead not
+
+154
+00:03:12,760 --> 00:03:12,770
+Merrick well then how do I plead not
+ 
+
+155
+00:03:12,770 --> 00:03:15,790
+Merrick well then how do I plead not
+guilty of course there are a great naval
+
+156
+00:03:15,790 --> 00:03:15,800
+guilty of course there are a great naval
+ 
+
+157
+00:03:15,800 --> 00:03:16,820
+guilty of course there are a great naval
+hero
+
+158
+00:03:16,820 --> 00:03:16,830
+hero
+ 
+
+159
+00:03:16,830 --> 00:03:28,159
+hero
+[Music]
+
diff --git a/1954/oDjuY9KCsI8.en.srt b/1954/oDjuY9KCsI8.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..d69abc52f9b463b299d04bdbcda368eb7f0b2930
--- /dev/null
+++ b/1954/oDjuY9KCsI8.en.srt
@@ -0,0 +1,715 @@
+1
+00:00:00,000 --> 00:00:03,130
+
+[Music]
+
+2
+00:00:03,130 --> 00:00:03,140
+
+ 
+
+3
+00:00:03,140 --> 00:00:07,010
+
+unsatisfactory sorry captain we kept the
+
+4
+00:00:07,010 --> 00:00:07,020
+unsatisfactory sorry captain we kept the
+ 
+
+5
+00:00:07,020 --> 00:00:08,600
+unsatisfactory sorry captain we kept the
+mist boys in the cook most of the night
+
+6
+00:00:08,600 --> 00:00:08,610
+mist boys in the cook most of the night
+ 
+
+7
+00:00:08,610 --> 00:00:10,790
+mist boys in the cook most of the night
+they may be lying but it's a dead end
+
+8
+00:00:10,790 --> 00:00:10,800
+they may be lying but it's a dead end
+ 
+
+9
+00:00:10,800 --> 00:00:12,770
+they may be lying but it's a dead end
+we couldn't keep covering the same
+
+10
+00:00:12,770 --> 00:00:12,780
+we couldn't keep covering the same
+ 
+
+11
+00:00:12,780 --> 00:00:13,999
+we couldn't keep covering the same
+ground endlessly sir
+
+12
+00:00:13,999 --> 00:00:14,009
+ground endlessly sir
+ 
+
+13
+00:00:14,009 --> 00:00:16,039
+ground endlessly sir
+gentlemen you spent the entire night and
+
+14
+00:00:16,039 --> 00:00:16,049
+gentlemen you spent the entire night and
+ 
+
+15
+00:00:16,049 --> 00:00:17,599
+gentlemen you spent the entire night and
+accomplished nothing while I've thought
+
+16
+00:00:17,599 --> 00:00:17,609
+accomplished nothing while I've thought
+ 
+
+17
+00:00:17,609 --> 00:00:20,300
+accomplished nothing while I've thought
+the whole thing out very clearly did it
+
+18
+00:00:20,300 --> 00:00:20,310
+the whole thing out very clearly did it
+ 
+
+19
+00:00:20,310 --> 00:00:22,310
+the whole thing out very clearly did it
+ever occur to you that some bright boy
+
+20
+00:00:22,310 --> 00:00:22,320
+ever occur to you that some bright boy
+ 
+
+21
+00:00:22,320 --> 00:00:24,050
+ever occur to you that some bright boy
+might have made a duplicate key to the
+
+22
+00:00:24,050 --> 00:00:24,060
+might have made a duplicate key to the
+ 
+
+23
+00:00:24,060 --> 00:00:26,089
+might have made a duplicate key to the
+wardroom icebox no sir there's no
+
+24
+00:00:26,089 --> 00:00:26,099
+wardroom icebox no sir there's no
+ 
+
+25
+00:00:26,099 --> 00:00:28,070
+wardroom icebox no sir there's no
+indication there are some things we must
+
+26
+00:00:28,070 --> 00:00:28,080
+indication there are some things we must
+ 
+
+27
+00:00:28,080 --> 00:00:29,929
+indication there are some things we must
+assume mr. maryk in order to be a good
+
+28
+00:00:29,929 --> 00:00:29,939
+assume mr. maryk in order to be a good
+ 
+
+29
+00:00:29,939 --> 00:00:33,979
+assume mr. maryk in order to be a good
+officer back in 37 when I was a lowly
+
+30
+00:00:33,979 --> 00:00:33,989
+officer back in 37 when I was a lowly
+ 
+
+31
+00:00:33,989 --> 00:00:36,889
+officer back in 37 when I was a lowly
+ensign on a cruiser five pounds of
+
+32
+00:00:36,889 --> 00:00:36,899
+ensign on a cruiser five pounds of
+ 
+
+33
+00:00:36,899 --> 00:00:39,740
+ensign on a cruiser five pounds of
+cheese was missing everybody was willing
+
+34
+00:00:39,740 --> 00:00:39,750
+cheese was missing everybody was willing
+ 
+
+35
+00:00:39,750 --> 00:00:42,110
+cheese was missing everybody was willing
+to forget about it but not me i snooped
+
+36
+00:00:42,110 --> 00:00:42,120
+to forget about it but not me i snooped
+ 
+
+37
+00:00:42,120 --> 00:00:45,619
+to forget about it but not me i snooped
+around found some Chowhound and made a
+
+38
+00:00:45,619 --> 00:00:45,629
+around found some Chowhound and made a
+ 
+
+39
+00:00:45,629 --> 00:00:47,750
+around found some Chowhound and made a
+wax impression of the icebox key I made
+
+40
+00:00:47,750 --> 00:00:47,760
+wax impression of the icebox key I made
+ 
+
+41
+00:00:47,760 --> 00:00:49,340
+wax impression of the icebox key I made
+him confess and got myself a nice letter
+
+42
+00:00:49,340 --> 00:00:49,350
+him confess and got myself a nice letter
+ 
+
+43
+00:00:49,350 --> 00:00:51,290
+him confess and got myself a nice letter
+of commendation this looks to me like
+
+44
+00:00:51,290 --> 00:00:51,300
+of commendation this looks to me like
+ 
+
+45
+00:00:51,300 --> 00:00:53,660
+of commendation this looks to me like
+exactly the same situation but sir we
+
+46
+00:00:53,660 --> 00:00:53,670
+exactly the same situation but sir we
+ 
+
+47
+00:00:53,670 --> 00:00:55,639
+exactly the same situation but sir we
+can't be sure there's a w tried every
+
+48
+00:00:55,639 --> 00:00:55,649
+can't be sure there's a w tried every
+ 
+
+49
+00:00:55,649 --> 00:00:57,470
+can't be sure there's a w tried every
+other solution haven't you now I've
+
+50
+00:00:57,470 --> 00:00:57,480
+other solution haven't you now I've
+ 
+
+51
+00:00:57,480 --> 00:01:00,110
+other solution haven't you now I've
+worked out a very simple plan first we
+
+52
+00:01:00,110 --> 00:01:00,120
+worked out a very simple plan first we
+ 
+
+53
+00:01:00,120 --> 00:01:02,299
+worked out a very simple plan first we
+collect every key on this ship and tag
+
+54
+00:01:02,299 --> 00:01:02,309
+collect every key on this ship and tag
+ 
+
+55
+00:01:02,309 --> 00:01:04,729
+collect every key on this ship and tag
+it with the name of the owner second we
+
+56
+00:01:04,729 --> 00:01:04,739
+it with the name of the owner second we
+ 
+
+57
+00:01:04,739 --> 00:01:06,770
+it with the name of the owner second we
+strip all hands to make sure we've got
+
+58
+00:01:06,770 --> 00:01:06,780
+strip all hands to make sure we've got
+ 
+
+59
+00:01:06,780 --> 00:01:10,160
+strip all hands to make sure we've got
+all the keys third we test each key on
+
+60
+00:01:10,160 --> 00:01:10,170
+all the keys third we test each key on
+ 
+
+61
+00:01:10,170 --> 00:01:12,830
+all the keys third we test each key on
+the icebox padlock and the one that fits
+
+62
+00:01:12,830 --> 00:01:12,840
+the icebox padlock and the one that fits
+ 
+
+63
+00:01:12,840 --> 00:01:14,780
+the icebox padlock and the one that fits
+will give us the name of the owner but
+
+64
+00:01:14,780 --> 00:01:14,790
+will give us the name of the owner but
+ 
+
+65
+00:01:14,790 --> 00:01:16,940
+will give us the name of the owner but
+captain how do we know this such a key I
+
+66
+00:01:16,940 --> 00:01:16,950
+captain how do we know this such a key I
+ 
+
+67
+00:01:16,950 --> 00:01:20,450
+captain how do we know this such a key I
+say that a key captain what's to prevent
+
+68
+00:01:20,450 --> 00:01:20,460
+say that a key captain what's to prevent
+ 
+
+69
+00:01:20,460 --> 00:01:22,160
+say that a key captain what's to prevent
+this bright boy from tossing the key
+
+70
+00:01:22,160 --> 00:01:22,170
+this bright boy from tossing the key
+ 
+
+71
+00:01:22,170 --> 00:01:25,010
+this bright boy from tossing the key
+over boy no no no he'd never taught that
+
+72
+00:01:25,010 --> 00:01:25,020
+over boy no no no he'd never taught that
+ 
+
+73
+00:01:25,020 --> 00:01:26,330
+over boy no no no he'd never taught that
+overboard after he's gone to all the
+
+74
+00:01:26,330 --> 00:01:26,340
+overboard after he's gone to all the
+ 
+
+75
+00:01:26,340 --> 00:01:28,670
+overboard after he's gone to all the
+trouble of making it he he may try to
+
+76
+00:01:28,670 --> 00:01:28,680
+trouble of making it he he may try to
+ 
+
+77
+00:01:28,680 --> 00:01:32,149
+trouble of making it he he may try to
+hide it but we'll find it I never
+
+78
+00:01:32,149 --> 00:01:32,159
+hide it but we'll find it I never
+ 
+
+79
+00:01:32,159 --> 00:01:34,429
+hide it but we'll find it I never
+thought of that sir don't stand there
+
+80
+00:01:34,429 --> 00:01:34,439
+thought of that sir don't stand there
+ 
+
+81
+00:01:34,439 --> 00:01:35,719
+thought of that sir don't stand there
+get on the ball we ought to have a
+
+82
+00:01:35,719 --> 00:01:35,729
+get on the ball we ought to have a
+ 
+
+83
+00:01:35,729 --> 00:01:37,010
+get on the ball we ought to have a
+little fun for a change now that we've
+
+84
+00:01:37,010 --> 00:01:37,020
+little fun for a change now that we've
+ 
+
+85
+00:01:37,020 --> 00:01:45,690
+little fun for a change now that we've
+some detective work to do yes sir
+
+86
+00:01:45,690 --> 00:01:45,700
+
+ 
+
+87
+00:01:45,700 --> 00:01:49,660
+
+Steve turn me in if you want her but
+
+88
+00:01:49,660 --> 00:01:49,670
+Steve turn me in if you want her but
+ 
+
+89
+00:01:49,670 --> 00:01:51,969
+Steve turn me in if you want her but
+this is it this is over the line tweed
+
+90
+00:01:51,969 --> 00:01:51,979
+this is it this is over the line tweed
+ 
+
+91
+00:01:51,979 --> 00:01:53,620
+this is it this is over the line tweed
+is a paranoid or there's no such thing
+
+92
+00:01:53,620 --> 00:01:53,630
+is a paranoid or there's no such thing
+ 
+
+93
+00:01:53,630 --> 00:01:55,779
+is a paranoid or there's no such thing
+as paranoia mom I want ya to see what
+
+94
+00:01:55,779 --> 00:01:55,789
+as paranoia mom I want ya to see what
+ 
+
+95
+00:01:55,789 --> 00:01:57,880
+as paranoia mom I want ya to see what
+he's doing he's reenacting the big
+
+96
+00:01:57,880 --> 00:01:57,890
+he's doing he's reenacting the big
+ 
+
+97
+00:01:57,890 --> 00:01:59,649
+he's doing he's reenacting the big
+triumph of his career the cheese
+
+98
+00:01:59,649 --> 00:01:59,659
+triumph of his career the cheese
+ 
+
+99
+00:01:59,659 --> 00:02:01,749
+triumph of his career the cheese
+investigation he still wants to prove
+
+100
+00:02:01,749 --> 00:02:01,759
+investigation he still wants to prove
+ 
+
+101
+00:02:01,759 --> 00:02:03,959
+investigation he still wants to prove
+he's the red-hot instant week of 1937
+
+102
+00:02:03,959 --> 00:02:03,969
+he's the red-hot instant week of 1937
+ 
+
+103
+00:02:03,969 --> 00:02:07,719
+he's the red-hot instant week of 1937
+there is no key what happened to the
+
+104
+00:02:07,719 --> 00:02:07,729
+there is no key what happened to the
+ 
+
+105
+00:02:07,729 --> 00:02:09,039
+there is no key what happened to the
+strawberry does it matter
+
+106
+00:02:09,039 --> 00:02:09,049
+strawberry does it matter
+ 
+
+107
+00:02:09,049 --> 00:02:11,460
+strawberry does it matter
+is it worth turning a ship upside down
+
+108
+00:02:11,460 --> 00:02:11,470
+is it worth turning a ship upside down
+ 
+
+109
+00:02:11,470 --> 00:02:18,390
+is it worth turning a ship upside down
+would anyone but a crazy man do it Steve
+
+110
+00:02:18,390 --> 00:02:18,400
+would anyone but a crazy man do it Steve
+ 
+
+111
+00:02:18,400 --> 00:02:21,190
+would anyone but a crazy man do it Steve
+are you familiar with Article 184 of
+
+112
+00:02:21,190 --> 00:02:21,200
+are you familiar with Article 184 of
+ 
+
+113
+00:02:21,200 --> 00:02:25,220
+are you familiar with Article 184 of
+Navy regulations
+
+114
+00:02:25,220 --> 00:02:25,230
+
+ 
+
+115
+00:02:25,230 --> 00:02:30,580
+
+[Music]
+
+116
+00:02:30,580 --> 00:02:30,590
+
+ 
+
+117
+00:02:30,590 --> 00:02:34,640
+
+listen to this on the cane it's required
+
+118
+00:02:34,640 --> 00:02:34,650
+listen to this on the cane it's required
+ 
+
+119
+00:02:34,650 --> 00:02:39,230
+listen to this on the cane it's required
+reading article 184 it is conceivable
+
+120
+00:02:39,230 --> 00:02:39,240
+reading article 184 it is conceivable
+ 
+
+121
+00:02:39,240 --> 00:02:40,780
+reading article 184 it is conceivable
+that most unusual and extraordinary
+
+122
+00:02:40,780 --> 00:02:40,790
+that most unusual and extraordinary
+ 
+
+123
+00:02:40,790 --> 00:02:42,770
+that most unusual and extraordinary
+circumstances may arise in which the
+
+124
+00:02:42,770 --> 00:02:42,780
+circumstances may arise in which the
+ 
+
+125
+00:02:42,780 --> 00:02:44,300
+circumstances may arise in which the
+relief from duty of a commanding officer
+
+126
+00:02:44,300 --> 00:02:44,310
+relief from duty of a commanding officer
+ 
+
+127
+00:02:44,310 --> 00:02:46,210
+relief from duty of a commanding officer
+by a support that becomes necessary
+
+128
+00:02:46,210 --> 00:02:46,220
+by a support that becomes necessary
+ 
+
+129
+00:02:46,220 --> 00:02:48,590
+by a support that becomes necessary
+either by placing him under arrest or on
+
+130
+00:02:48,590 --> 00:02:48,600
+either by placing him under arrest or on
+ 
+
+131
+00:02:48,600 --> 00:02:51,260
+either by placing him under arrest or on
+the sick list such action shall never be
+
+132
+00:02:51,260 --> 00:02:51,270
+the sick list such action shall never be
+ 
+
+133
+00:02:51,270 --> 00:02:52,730
+the sick list such action shall never be
+taken without the approval of the Navy
+
+134
+00:02:52,730 --> 00:02:52,740
+taken without the approval of the Navy
+ 
+
+135
+00:02:52,740 --> 00:02:55,160
+taken without the approval of the Navy
+department except when it is
+
+136
+00:02:55,160 --> 00:02:55,170
+department except when it is
+ 
+
+137
+00:02:55,170 --> 00:02:56,660
+department except when it is
+impracticable because of the delay
+
+138
+00:02:56,660 --> 00:02:56,670
+impracticable because of the delay
+ 
+
+139
+00:02:56,670 --> 00:03:01,550
+impracticable because of the delay
+involved if I were you Steve I'd
+
+140
+00:03:01,550 --> 00:03:01,560
+involved if I were you Steve I'd
+ 
+
+141
+00:03:01,560 --> 00:03:06,640
+involved if I were you Steve I'd
+memorize it
+
+142
+00:03:06,640 --> 00:03:06,650
+
+ 
+
+143
+00:03:06,650 --> 00:03:17,979
+
+[Music]
+
diff --git a/1955/-rkhqMzCUnA.en.srt b/1955/-rkhqMzCUnA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..60300cbe36f820a8fbe7f814ff735835be7588c0
--- /dev/null
+++ b/1955/-rkhqMzCUnA.en.srt
@@ -0,0 +1,535 @@
+1
+00:00:00,030 --> 00:00:04,539
+
+Grima on what you mean turn on the radio
+
+2
+00:00:04,539 --> 00:00:04,549
+Grima on what you mean turn on the radio
+ 
+
+3
+00:00:04,549 --> 00:00:06,950
+Grima on what you mean turn on the radio
+this broadcast will bring you a special
+
+4
+00:00:06,950 --> 00:00:06,960
+this broadcast will bring you a special
+ 
+
+5
+00:00:06,960 --> 00:00:10,400
+this broadcast will bring you a special
+news flash the war is over in Europe the
+
+6
+00:00:10,400 --> 00:00:10,410
+news flash the war is over in Europe the
+ 
+
+7
+00:00:10,410 --> 00:00:13,100
+news flash the war is over in Europe the
+war is over in Europe Germany has
+
+8
+00:00:13,100 --> 00:00:13,110
+war is over in Europe Germany has
+ 
+
+9
+00:00:13,110 --> 00:00:14,839
+war is over in Europe Germany has
+surrendered unconditionally to the
+
+10
+00:00:14,839 --> 00:00:14,849
+surrendered unconditionally to the
+ 
+
+11
+00:00:14,849 --> 00:00:16,490
+surrendered unconditionally to the
+Allied armies the surrender was signed
+
+12
+00:00:16,490 --> 00:00:16,500
+Allied armies the surrender was signed
+ 
+
+13
+00:00:16,500 --> 00:00:19,689
+Allied armies the surrender was signed
+in a schoolhouse in the city of Rennes I
+
+14
+00:00:19,689 --> 00:00:19,699
+in a schoolhouse in the city of Rennes I
+ 
+
+15
+00:00:19,699 --> 00:00:22,010
+in a schoolhouse in the city of Rennes I
+would remind you that there's still a
+
+16
+00:00:22,010 --> 00:00:22,020
+would remind you that there's still a
+ 
+
+17
+00:00:22,020 --> 00:00:24,560
+would remind you that there's still a
+minor skirmish here in the Pacific I'll
+
+18
+00:00:24,560 --> 00:00:24,570
+minor skirmish here in the Pacific I'll
+ 
+
+19
+00:00:24,570 --> 00:00:27,980
+minor skirmish here in the Pacific I'll
+miss that too but this is the greatest
+
+20
+00:00:27,980 --> 00:00:27,990
+miss that too but this is the greatest
+ 
+
+21
+00:00:27,990 --> 00:00:30,679
+miss that too but this is the greatest
+day in the world we gotta celebrate how
+
+22
+00:00:30,679 --> 00:00:30,689
+day in the world we gotta celebrate how
+ 
+
+23
+00:00:30,689 --> 00:00:31,460
+day in the world we gotta celebrate how
+about it Frank
+
+24
+00:00:31,460 --> 00:00:31,470
+about it Frank
+ 
+
+25
+00:00:31,470 --> 00:00:33,290
+about it Frank
+yeah Dawg we gotta celebrate what would
+
+26
+00:00:33,290 --> 00:00:33,300
+yeah Dawg we gotta celebrate what would
+ 
+
+27
+00:00:33,300 --> 00:00:35,240
+yeah Dawg we gotta celebrate what would
+be a lot of orange juice or orange juice
+
+28
+00:00:35,240 --> 00:00:35,250
+be a lot of orange juice or orange juice
+ 
+
+29
+00:00:35,250 --> 00:00:37,220
+be a lot of orange juice or orange juice
+and alcohol Jack that's not good enough
+
+30
+00:00:37,220 --> 00:00:37,230
+and alcohol Jack that's not good enough
+ 
+
+31
+00:00:37,230 --> 00:00:39,170
+and alcohol Jack that's not good enough
+yeah it's not good enough no you gotta
+
+32
+00:00:39,170 --> 00:00:39,180
+yeah it's not good enough no you gotta
+ 
+
+33
+00:00:39,180 --> 00:00:40,639
+yeah it's not good enough no you gotta
+think of some lift this right up
+
+34
+00:00:40,639 --> 00:00:40,649
+think of some lift this right up
+ 
+
+35
+00:00:40,649 --> 00:00:42,139
+think of some lift this right up
+out of the water and turn it around the
+
+36
+00:00:42,139 --> 00:00:42,149
+out of the water and turn it around the
+ 
+
+37
+00:00:42,149 --> 00:00:42,830
+out of the water and turn it around the
+other way
+
+38
+00:00:42,830 --> 00:00:42,840
+other way
+ 
+
+39
+00:00:42,840 --> 00:00:46,700
+other way
+doc doc you're gonna pull your legs when
+
+40
+00:00:46,700 --> 00:00:46,710
+doc doc you're gonna pull your legs when
+ 
+
+41
+00:00:46,710 --> 00:00:49,119
+doc doc you're gonna pull your legs when
+you hear this idea oh what a sweet eye
+
+42
+00:00:49,119 --> 00:00:49,129
+you hear this idea oh what a sweet eye
+ 
+
+43
+00:00:49,129 --> 00:00:51,350
+you hear this idea oh what a sweet eye
+you said I never finished anything I
+
+44
+00:00:51,350 --> 00:00:51,360
+you said I never finished anything I
+ 
+
+45
+00:00:51,360 --> 00:00:53,000
+you said I never finished anything I
+started all boy you're wrong tonight I
+
+46
+00:00:53,000 --> 00:00:53,010
+started all boy you're wrong tonight I
+ 
+
+47
+00:00:53,010 --> 00:00:54,590
+started all boy you're wrong tonight I
+started something I'm gonna finish it
+
+48
+00:00:54,590 --> 00:00:54,600
+started something I'm gonna finish it
+ 
+
+49
+00:00:54,600 --> 00:00:55,910
+started something I'm gonna finish it
+right wait in there what is it a
+
+50
+00:00:55,910 --> 00:00:55,920
+right wait in there what is it a
+ 
+
+51
+00:00:55,920 --> 00:00:58,160
+right wait in there what is it a
+firecracker we're gonna heave a
+
+52
+00:00:58,160 --> 00:00:58,170
+firecracker we're gonna heave a
+ 
+
+53
+00:00:58,170 --> 00:01:00,229
+firecracker we're gonna heave a
+firecracker under that old man's bunk
+
+54
+00:01:00,229 --> 00:01:00,239
+firecracker under that old man's bunk
+ 
+
+55
+00:01:00,239 --> 00:01:02,569
+firecracker under that old man's bunk
+and Bam Bam Bam
+
+56
+00:01:02,569 --> 00:01:02,579
+and Bam Bam Bam
+ 
+
+57
+00:01:02,579 --> 00:01:05,479
+and Bam Bam Bam
+wake up you unpatriotic old slob it's VE
+
+58
+00:01:05,479 --> 00:01:05,489
+wake up you unpatriotic old slob it's VE
+ 
+
+59
+00:01:05,489 --> 00:01:08,450
+wake up you unpatriotic old slob it's VE
+day right but did you ever see such a
+
+60
+00:01:08,450 --> 00:01:08,460
+day right but did you ever see such a
+ 
+
+61
+00:01:08,460 --> 00:01:10,969
+day right but did you ever see such a
+hand-painted hand pack firecracker in
+
+62
+00:01:10,969 --> 00:01:10,979
+hand-painted hand pack firecracker in
+ 
+
+63
+00:01:10,979 --> 00:01:11,480
+hand-painted hand pack firecracker in
+your life
+
+64
+00:01:11,480 --> 00:01:11,490
+your life
+ 
+
+65
+00:01:11,490 --> 00:01:12,530
+your life
+no Frank that's the most beautiful
+
+66
+00:01:12,530 --> 00:01:12,540
+no Frank that's the most beautiful
+ 
+
+67
+00:01:12,540 --> 00:01:14,240
+no Frank that's the most beautiful
+firecracker I ever saw in my life but
+
+68
+00:01:14,240 --> 00:01:14,250
+firecracker I ever saw in my life but
+ 
+
+69
+00:01:14,250 --> 00:01:16,969
+firecracker I ever saw in my life but
+will it work sure work well I think it
+
+70
+00:01:16,969 --> 00:01:16,979
+will it work sure work well I think it
+ 
+
+71
+00:01:16,979 --> 00:01:18,560
+will it work sure work well I think it
+will have you should test to the Frank
+
+72
+00:01:18,560 --> 00:01:18,570
+will have you should test to the Frank
+ 
+
+73
+00:01:18,570 --> 00:01:20,270
+will have you should test to the Frank
+it's gotta work it's just gotta work
+
+74
+00:01:20,270 --> 00:01:20,280
+it's gotta work it's just gotta work
+ 
+
+75
+00:01:20,280 --> 00:01:21,740
+it's gotta work it's just gotta work
+take it down to the laundry that's my
+
+76
+00:01:21,740 --> 00:01:21,750
+take it down to the laundry that's my
+ 
+
+77
+00:01:21,750 --> 00:01:23,359
+take it down to the laundry that's my
+laboratory I got all the makings down
+
+78
+00:01:23,359 --> 00:01:23,369
+laboratory I got all the makings down
+ 
+
+79
+00:01:23,369 --> 00:01:24,770
+laboratory I got all the makings down
+there this one works I can make another
+
+80
+00:01:24,770 --> 00:01:24,780
+there this one works I can make another
+ 
+
+81
+00:01:24,780 --> 00:01:25,490
+there this one works I can make another
+one in two minutes
+
+82
+00:01:25,490 --> 00:01:25,500
+one in two minutes
+ 
+
+83
+00:01:25,500 --> 00:01:26,810
+one in two minutes
+eh Frank take off we'll wait here for
+
+84
+00:01:26,810 --> 00:01:26,820
+eh Frank take off we'll wait here for
+ 
+
+85
+00:01:26,820 --> 00:01:28,640
+eh Frank take off we'll wait here for
+you be sure you got to make it a lot of
+
+86
+00:01:28,640 --> 00:01:28,650
+you be sure you got to make it a lot of
+ 
+
+87
+00:01:28,650 --> 00:01:31,340
+you be sure you got to make it a lot of
+fun use for powder powder this ain't no
+
+88
+00:01:31,340 --> 00:01:31,350
+fun use for powder powder this ain't no
+ 
+
+89
+00:01:31,350 --> 00:01:32,990
+fun use for powder powder this ain't no
+pop gun it's a firecracker
+
+90
+00:01:32,990 --> 00:01:33,000
+pop gun it's a firecracker
+ 
+
+91
+00:01:33,000 --> 00:01:34,880
+pop gun it's a firecracker
+I used fulminate of mercury I'll be back
+
+92
+00:01:34,880 --> 00:01:34,890
+I used fulminate of mercury I'll be back
+ 
+
+93
+00:01:34,890 --> 00:01:40,100
+I used fulminate of mercury I'll be back
+in a minute fulminate of mercury that
+
+94
+00:01:40,100 --> 00:01:40,110
+in a minute fulminate of mercury that
+ 
+
+95
+00:01:40,110 --> 00:01:42,469
+in a minute fulminate of mercury that
+stuff's murdered you suppose he means it
+
+96
+00:01:42,469 --> 00:01:42,479
+stuff's murdered you suppose he means it
+ 
+
+97
+00:01:42,479 --> 00:01:45,050
+stuff's murdered you suppose he means it
+god of course not where do you get
+
+98
+00:01:45,050 --> 00:01:45,060
+god of course not where do you get
+ 
+
+99
+00:01:45,060 --> 00:01:47,450
+god of course not where do you get
+fallen ater mercury but I don't know
+
+100
+00:01:47,450 --> 00:01:47,460
+fallen ater mercury but I don't know
+ 
+
+101
+00:01:47,460 --> 00:01:50,230
+fallen ater mercury but I don't know
+he's pretty resourceful
+
+102
+00:01:50,230 --> 00:01:50,240
+he's pretty resourceful
+ 
+
+103
+00:01:50,240 --> 00:01:52,320
+he's pretty resourceful
+[Music]
+
+104
+00:01:52,320 --> 00:01:52,330
+[Music]
+ 
+
+105
+00:01:52,330 --> 00:01:55,640
+[Music]
+you
+
+106
+00:01:55,640 --> 00:01:55,650
+
+ 
+
+107
+00:01:55,650 --> 00:02:01,569
+
+[Music]
+
diff --git a/1955/-utei4CzIzc.en.srt b/1955/-utei4CzIzc.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..30cef47695555b4d16e9a3f3556ded0b4802097d
--- /dev/null
+++ b/1955/-utei4CzIzc.en.srt
@@ -0,0 +1,545 @@
+1
+00:00:00,320 --> 00:00:03,310
+
+yes gentlemen what can I do for you uh
+
+2
+00:00:03,310 --> 00:00:03,320
+yes gentlemen what can I do for you uh
+ 
+
+3
+00:00:03,320 --> 00:00:06,150
+yes gentlemen what can I do for you uh
+how much can we get on
+
+4
+00:00:06,150 --> 00:00:06,160
+how much can we get on
+ 
+
+5
+00:00:06,160 --> 00:00:11,150
+how much can we get on
+this no no it is evil it's a curse take
+
+6
+00:00:11,150 --> 00:00:11,160
+this no no it is evil it's a curse take
+ 
+
+7
+00:00:11,160 --> 00:00:15,990
+this no no it is evil it's a curse take
+it away take it away protect me protect
+
+8
+00:00:15,990 --> 00:00:16,000
+it away take it away protect me protect
+ 
+
+9
+00:00:16,000 --> 00:00:20,029
+it away take it away protect me protect
+me from the curse of Cl it means
+
+10
+00:00:20,029 --> 00:00:20,039
+me from the curse of Cl it means
+ 
+
+11
+00:00:20,039 --> 00:00:24,790
+me from the curse of Cl it means
+death take it away take it away there's
+
+12
+00:00:24,790 --> 00:00:24,800
+death take it away take it away there's
+ 
+
+13
+00:00:24,800 --> 00:00:26,669
+death take it away take it away there's
+something wrong with him let's find
+
+14
+00:00:26,669 --> 00:00:26,679
+something wrong with him let's find
+ 
+
+15
+00:00:26,679 --> 00:00:28,950
+something wrong with him let's find
+another
+
+16
+00:00:28,950 --> 00:00:28,960
+another
+ 
+
+17
+00:00:28,960 --> 00:00:31,390
+another
+place are you two gentlemen the
+
+18
+00:00:31,390 --> 00:00:31,400
+place are you two gentlemen the
+ 
+
+19
+00:00:31,400 --> 00:00:33,830
+place are you two gentlemen the
+Proprietors no we're customers the
+
+20
+00:00:33,830 --> 00:00:33,840
+Proprietors no we're customers the
+ 
+
+21
+00:00:33,840 --> 00:00:35,830
+Proprietors no we're customers the
+proprietor left in a hurry all we did
+
+22
+00:00:35,830 --> 00:00:35,840
+proprietor left in a hurry all we did
+ 
+
+23
+00:00:35,840 --> 00:00:37,790
+proprietor left in a hurry all we did
+was show them this away don't show it to
+
+24
+00:00:37,790 --> 00:00:37,800
+was show them this away don't show it to
+ 
+
+25
+00:00:37,800 --> 00:00:40,069
+was show them this away don't show it to
+me please oh protect me protect me take
+
+26
+00:00:40,069 --> 00:00:40,079
+me please oh protect me protect me take
+ 
+
+27
+00:00:40,079 --> 00:00:41,910
+me please oh protect me protect me take
+away don't let me look don't let me look
+
+28
+00:00:41,910 --> 00:00:41,920
+away don't let me look don't let me look
+ 
+
+29
+00:00:41,920 --> 00:00:44,430
+away don't let me look don't let me look
+oh protect me from the Cur of clouds oh
+
+30
+00:00:44,430 --> 00:00:44,440
+oh protect me from the Cur of clouds oh
+ 
+
+31
+00:00:44,440 --> 00:00:47,189
+oh protect me from the Cur of clouds oh
+please a't you scared of course not it's
+
+32
+00:00:47,189 --> 00:00:47,199
+please a't you scared of course not it's
+ 
+
+33
+00:00:47,199 --> 00:00:48,950
+please a't you scared of course not it's
+only a valueless piece of costume
+
+34
+00:00:48,950 --> 00:00:48,960
+only a valueless piece of costume
+ 
+
+35
+00:00:48,960 --> 00:00:51,029
+only a valueless piece of costume
+jewelry but of course if you need money
+
+36
+00:00:51,029 --> 00:00:51,039
+jewelry but of course if you need money
+ 
+
+37
+00:00:51,039 --> 00:00:54,349
+jewelry but of course if you need money
+how much would a $100 help you you mean
+
+38
+00:00:54,349 --> 00:00:54,359
+how much would a $100 help you you mean
+ 
+
+39
+00:00:54,359 --> 00:00:57,310
+how much would a $100 help you you mean
+$100 for this well no it's not worth
+
+40
+00:00:57,310 --> 00:00:57,320
+$100 for this well no it's not worth
+ 
+
+41
+00:00:57,320 --> 00:00:59,549
+$100 for this well no it's not worth
+that but it would always remind me of
+
+42
+00:00:59,549 --> 00:00:59,559
+that but it would always remind me of
+ 
+
+43
+00:00:59,559 --> 00:01:02,229
+that but it would always remind me of
+you well let's make the price 5,000 so
+
+44
+00:01:02,229 --> 00:01:02,239
+you well let's make the price 5,000 so
+ 
+
+45
+00:01:02,239 --> 00:01:04,910
+you well let's make the price 5,000 so
+you don't forget me even if I was
+
+46
+00:01:04,910 --> 00:01:04,920
+you don't forget me even if I was
+ 
+
+47
+00:01:04,920 --> 00:01:06,870
+you don't forget me even if I was
+willing to pay 5,000 it's too large an
+
+48
+00:01:06,870 --> 00:01:06,880
+willing to pay 5,000 it's too large an
+ 
+
+49
+00:01:06,880 --> 00:01:08,710
+willing to pay 5,000 it's too large an
+amount to carry around with me where do
+
+50
+00:01:08,710 --> 00:01:08,720
+amount to carry around with me where do
+ 
+
+51
+00:01:08,720 --> 00:01:11,109
+amount to carry around with me where do
+you want to make the payoff suppose we
+
+52
+00:01:11,109 --> 00:01:11,119
+you want to make the payoff suppose we
+ 
+
+53
+00:01:11,119 --> 00:01:14,429
+you want to make the payoff suppose we
+talk it over at the cafe Baghdad at 6
+
+54
+00:01:14,429 --> 00:01:14,439
+talk it over at the cafe Baghdad at 6
+ 
+
+55
+00:01:14,439 --> 00:01:18,310
+talk it over at the cafe Baghdad at 6
+the name is Madame ronw I'll be there
+
+56
+00:01:18,310 --> 00:01:18,320
+the name is Madame ronw I'll be there
+ 
+
+57
+00:01:18,320 --> 00:01:23,789
+the name is Madame ronw I'll be there
+good I'll be there too I can hardly wait
+
+58
+00:01:23,789 --> 00:01:23,799
+good I'll be there too I can hardly wait
+ 
+
+59
+00:01:23,799 --> 00:01:27,069
+good I'll be there too I can hardly wait
+$5,000 oh boy I'll have to figure this
+
+60
+00:01:27,069 --> 00:01:27,079
+$5,000 oh boy I'll have to figure this
+ 
+
+61
+00:01:27,079 --> 00:01:29,950
+$5,000 oh boy I'll have to figure this
+thing out $5,000 will take us to the
+
+62
+00:01:29,950 --> 00:01:29,960
+thing out $5,000 will take us to the
+ 
+
+63
+00:01:29,960 --> 00:01:32,429
+thing out $5,000 will take us to the
+States now I got to figure out the fair
+
+64
+00:01:32,429 --> 00:01:32,439
+States now I got to figure out the fair
+ 
+
+65
+00:01:32,439 --> 00:01:35,149
+States now I got to figure out the fair
+let's see a first class ticket for me
+
+66
+00:01:35,149 --> 00:01:35,159
+let's see a first class ticket for me
+ 
+
+67
+00:01:35,159 --> 00:01:38,670
+let's see a first class ticket for me
+third class ticket for you a new suit of
+
+68
+00:01:38,670 --> 00:01:38,680
+third class ticket for you a new suit of
+ 
+
+69
+00:01:38,680 --> 00:01:40,990
+third class ticket for you a new suit of
+clothes for me of course you'll have to
+
+70
+00:01:40,990 --> 00:01:41,000
+clothes for me of course you'll have to
+ 
+
+71
+00:01:41,000 --> 00:01:43,789
+clothes for me of course you'll have to
+have your shoe shine well I'll have to
+
+72
+00:01:43,789 --> 00:01:43,799
+have your shoe shine well I'll have to
+ 
+
+73
+00:01:43,799 --> 00:01:46,109
+have your shoe shine well I'll have to
+buy some expensive gifts to take home to
+
+74
+00:01:46,109 --> 00:01:46,119
+buy some expensive gifts to take home to
+ 
+
+75
+00:01:46,119 --> 00:01:48,670
+buy some expensive gifts to take home to
+the folks well you can send home a
+
+76
+00:01:48,670 --> 00:01:48,680
+the folks well you can send home a
+ 
+
+77
+00:01:48,680 --> 00:01:50,960
+the folks well you can send home a
+couple of
+
+78
+00:01:50,960 --> 00:01:50,970
+couple of
+ 
+
+79
+00:01:50,970 --> 00:01:58,830
+couple of
+[Music]
+
+80
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+81
+00:01:58,840 --> 00:02:02,220
+
+postcards
+
+82
+00:02:02,220 --> 00:02:02,230
+
+ 
+
+83
+00:02:02,230 --> 00:02:28,750
+
+[Music]
+
+84
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+85
+00:02:28,760 --> 00:02:31,950
+
+a
+
+86
+00:02:31,950 --> 00:02:31,960
+
+ 
+
+87
+00:02:31,960 --> 00:02:49,110
+
+[Music]
+
+88
+00:02:49,110 --> 00:02:49,120
+
+ 
+
+89
+00:02:49,120 --> 00:02:51,309
+
+oh excuse me I owe you a thousand
+
+90
+00:02:51,309 --> 00:02:51,319
+oh excuse me I owe you a thousand
+ 
+
+91
+00:02:51,319 --> 00:02:53,869
+oh excuse me I owe you a thousand
+apologies for my unwarranted Behavior I
+
+92
+00:02:53,869 --> 00:02:53,879
+apologies for my unwarranted Behavior I
+ 
+
+93
+00:02:53,879 --> 00:02:56,110
+apologies for my unwarranted Behavior I
+will buy The Medallion I'm sorry we have
+
+94
+00:02:56,110 --> 00:02:56,120
+will buy The Medallion I'm sorry we have
+ 
+
+95
+00:02:56,120 --> 00:02:58,390
+will buy The Medallion I'm sorry we have
+another buyer and she's prettier than
+
+96
+00:02:58,390 --> 00:02:58,400
+another buyer and she's prettier than
+ 
+
+97
+00:02:58,400 --> 00:03:00,190
+another buyer and she's prettier than
+you are and tonight I'm going to meet
+
+98
+00:03:00,190 --> 00:03:00,200
+you are and tonight I'm going to meet
+ 
+
+99
+00:03:00,200 --> 00:03:01,770
+you are and tonight I'm going to meet
+her at the cafe
+
+100
+00:03:01,770 --> 00:03:01,780
+her at the cafe
+ 
+
+101
+00:03:01,780 --> 00:03:04,910
+her at the cafe
+[Music]
+
+102
+00:03:04,910 --> 00:03:04,920
+[Music]
+ 
+
+103
+00:03:04,920 --> 00:03:06,550
+[Music]
+Baghdad get in
+
+104
+00:03:06,550 --> 00:03:06,560
+Baghdad get in
+ 
+
+105
+00:03:06,560 --> 00:03:28,670
+Baghdad get in
+[Music]
+
+106
+00:03:28,670 --> 00:03:28,680
+[Music]
+ 
+
+107
+00:03:28,680 --> 00:03:31,490
+[Music]
+here
+
+108
+00:03:31,490 --> 00:03:31,500
+here
+ 
+
+109
+00:03:31,500 --> 00:03:37,430
+here
+[Music]
+