Add files using upload-large-folder tool

1934/9zUaNKBQ04c.mp4

@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:64eba6d7e98b5bba8e0eac7c9acb9771c691c2cc585c2b2afe9e534a12ac9a2a
+size 6583056

1982/AALREbJZEZk.en.srt

@@ -0,0 +1,535 @@
+1
+00:00:00,000 --> 00:00:02,879
+
+[Music]
+
+2
+00:00:02,879 --> 00:00:02,889
+
+ 
+
+3
+00:00:02,889 --> 00:00:05,590
+
+fella Texans
+
+4
+00:00:05,590 --> 00:00:05,600
+fella Texans
+ 
+
+5
+00:00:05,600 --> 00:00:12,150
+fella Texans
+I am proudly standing here to humbly see
+
+6
+00:00:12,150 --> 00:00:12,160
+I am proudly standing here to humbly see
+ 
+
+7
+00:00:12,160 --> 00:00:19,870
+I am proudly standing here to humbly see
+I sure you and I mean it now says I
+
+8
+00:00:19,870 --> 00:00:19,880
+I sure you and I mean it now says I
+ 
+
+9
+00:00:19,880 --> 00:00:23,500
+I sure you and I mean it now says I
+don't speak out as plain as day and
+
+10
+00:00:23,500 --> 00:00:23,510
+don't speak out as plain as day and
+ 
+
+11
+00:00:23,510 --> 00:00:28,930
+don't speak out as plain as day and
+fellow Texans I'm a progress in the flag
+
+12
+00:00:28,930 --> 00:00:28,940
+fellow Texans I'm a progress in the flag
+ 
+
+13
+00:00:28,940 --> 00:00:36,910
+fellow Texans I'm a progress in the flag
+now made fly I'm a poor boy come to
+
+14
+00:00:36,910 --> 00:00:36,920
+now made fly I'm a poor boy come to
+ 
+
+15
+00:00:36,920 --> 00:00:39,170
+now made fly I'm a poor boy come to
+greatness
+
+16
+00:00:39,170 --> 00:00:39,180
+greatness
+ 
+
+17
+00:00:39,180 --> 00:00:44,600
+greatness
+so it follows that I cannot tell a lie
+
+18
+00:00:44,600 --> 00:00:44,610
+so it follows that I cannot tell a lie
+ 
+
+19
+00:00:44,610 --> 00:00:48,150
+so it follows that I cannot tell a lie
+the LBD shirt same as usual not a damn
+
+20
+00:00:48,150 --> 00:00:48,160
+the LBD shirt same as usual not a damn
+ 
+
+21
+00:00:48,160 --> 00:00:54,430
+the LBD shirt same as usual not a damn
+thing
+
+22
+00:00:54,430 --> 00:00:54,440
+
+ 
+
+23
+00:00:54,440 --> 00:00:57,300
+
+I love to dance little sidestep
+
+24
+00:00:57,300 --> 00:00:57,310
+I love to dance little sidestep
+ 
+
+25
+00:00:57,310 --> 00:01:01,990
+I love to dance little sidestep
+[Music]
+
+26
+00:01:01,990 --> 00:01:02,000
+[Music]
+ 
+
+27
+00:01:02,000 --> 00:01:04,550
+[Music]
+I love the sweet
+
+28
+00:01:04,550 --> 00:01:04,560
+I love the sweet
+ 
+
+29
+00:01:04,560 --> 00:01:16,859
+I love the sweet
+[Music]
+
+30
+00:01:16,859 --> 00:01:16,869
+
+ 
+
+31
+00:01:16,869 --> 00:01:19,180
+
+you plan to take action against the
+
+32
+00:01:19,180 --> 00:01:19,190
+you plan to take action against the
+ 
+
+33
+00:01:19,190 --> 00:01:24,100
+you plan to take action against the
+chicken range now grandmas it behooves
+
+34
+00:01:24,100 --> 00:01:24,110
+chicken range now grandmas it behooves
+ 
+
+35
+00:01:24,110 --> 00:01:27,160
+chicken range now grandmas it behooves
+me to the solemn
+
+36
+00:01:27,160 --> 00:01:27,170
+me to the solemn
+ 
+
+37
+00:01:27,170 --> 00:01:29,390
+me to the solemn
+flare
+
+38
+00:01:29,390 --> 00:01:29,400
+flare
+ 
+
+39
+00:01:29,400 --> 00:01:33,290
+flare
+for goodness and for profit and for
+
+40
+00:01:33,290 --> 00:01:33,300
+for goodness and for profit and for
+ 
+
+41
+00:01:33,300 --> 00:01:34,740
+for goodness and for profit and for
+living
+
+42
+00:01:34,740 --> 00:01:34,750
+living
+ 
+
+43
+00:01:34,750 --> 00:01:38,040
+living
+say daily prayer and now my good friend
+
+44
+00:01:38,040 --> 00:01:38,050
+say daily prayer and now my good friend
+ 
+
+45
+00:01:38,050 --> 00:01:45,480
+say daily prayer and now my good friend
+you can sleep lights
+
+46
+00:01:45,480 --> 00:01:45,490
+
+ 
+
+47
+00:01:45,490 --> 00:01:50,220
+
+for I promise
+
+48
+00:01:50,220 --> 00:01:50,230
+
+ 
+
+49
+00:01:50,230 --> 00:01:56,320
+
+upon young
+
+50
+00:01:56,320 --> 00:01:56,330
+
+ 
+
+51
+00:01:56,330 --> 00:02:00,780
+
+I hear him talking but he don't come in
+
+52
+00:02:00,780 --> 00:02:00,790
+
+ 
+
+53
+00:02:00,790 --> 00:02:03,250
+
+I love to dance a little sidestep
+
+54
+00:02:03,250 --> 00:02:03,260
+I love to dance a little sidestep
+ 
+
+55
+00:02:03,260 --> 00:02:15,750
+I love to dance a little sidestep
+[Music]
+
+56
+00:02:15,750 --> 00:02:15,760
+
+ 
+
+57
+00:02:15,760 --> 00:02:17,190
+
+come on boys
+
+58
+00:02:17,190 --> 00:02:17,200
+come on boys
+ 
+
+59
+00:02:17,200 --> 00:02:19,770
+come on boys
+[Music]
+
+60
+00:02:19,770 --> 00:02:19,780
+[Music]
+ 
+
+61
+00:02:19,780 --> 00:02:22,309
+[Music]
+people watch
+
+62
+00:02:22,309 --> 00:02:22,319
+people watch
+ 
+
+63
+00:02:22,319 --> 00:02:24,380
+people watch
+has the chicken ranch operation been so
+
+64
+00:02:24,380 --> 00:02:24,390
+has the chicken ranch operation been so
+ 
+
+65
+00:02:24,390 --> 00:02:26,390
+has the chicken ranch operation been so
+long ignored we shouldn't be having some
+
+66
+00:02:26,390 --> 00:02:26,400
+long ignored we shouldn't be having some
+ 
+
+67
+00:02:26,400 --> 00:02:28,160
+long ignored we shouldn't be having some
+acoustic problems in here aren't you
+
+68
+00:02:28,160 --> 00:02:28,170
+acoustic problems in here aren't you
+ 
+
+69
+00:02:28,170 --> 00:02:29,890
+acoustic problems in here aren't you
+afraid of possible payoffs and bribes
+
+70
+00:02:29,890 --> 00:02:29,900
+afraid of possible payoffs and bribes
+ 
+
+71
+00:02:29,900 --> 00:02:33,349
+afraid of possible payoffs and bribes
+Bevan I'm sorry enough for this
+
+72
+00:02:33,349 --> 00:02:33,359
+Bevan I'm sorry enough for this
+ 
+
+73
+00:02:33,359 --> 00:02:35,000
+Bevan I'm sorry enough for this
+puddin god no what do you intend to do
+
+74
+00:02:35,000 --> 00:02:35,010
+puddin god no what do you intend to do
+ 
+
+75
+00:02:35,010 --> 00:02:37,350
+puddin god no what do you intend to do
+about Miss Maura and the chicken range
+
+76
+00:02:37,350 --> 00:02:37,360
+about Miss Maura and the chicken range
+ 
+
+77
+00:02:37,360 --> 00:02:48,180
+about Miss Maura and the chicken range
+[Music]
+
+78
+00:02:48,180 --> 00:02:48,190
+[Music]
+ 
+
+79
+00:02:48,190 --> 00:02:54,150
+[Music]
+now Miss Mona I don't know her no I've
+
+80
+00:02:54,150 --> 00:02:54,160
+now Miss Mona I don't know her no I've
+ 
+
+81
+00:02:54,160 --> 00:03:01,680
+now Miss Mona I don't know her no I've
+heard movies but of course I know close
+
+82
+00:03:01,680 --> 00:03:01,690
+heard movies but of course I know close
+ 
+
+83
+00:03:01,690 --> 00:03:07,320
+heard movies but of course I know close
+contact so what she's doing I can only
+
+84
+00:03:07,320 --> 00:03:07,330
+contact so what she's doing I can only
+ 
+
+85
+00:03:07,330 --> 00:03:11,490
+contact so what she's doing I can only
+guess and now Miss Mona she's a blemish
+
+86
+00:03:11,490 --> 00:03:11,500
+guess and now Miss Mona she's a blemish
+ 
+
+87
+00:03:11,500 --> 00:03:17,610
+guess and now Miss Mona she's a blemish
+on the face of that good town
+
+88
+00:03:17,610 --> 00:03:17,620
+on the face of that good town
+ 
+
+89
+00:03:17,620 --> 00:03:23,509
+on the face of that good town
+I am taking certain spectator
+
+90
+00:03:23,509 --> 00:03:23,519
+I am taking certain spectator
+ 
+
+91
+00:03:23,519 --> 00:03:25,950
+I am taking certain spectator
+someone somewhere
+
+92
+00:03:25,950 --> 00:03:25,960
+someone somewhere
+ 
+
+93
+00:03:25,960 --> 00:03:31,220
+someone somewhere
+the closer down
+
+94
+00:03:31,220 --> 00:03:31,230
+
+ 
+
+95
+00:03:31,230 --> 00:03:34,110
+
+believe that mean that a yes or no
+
+96
+00:03:34,110 --> 00:03:34,120
+believe that mean that a yes or no
+ 
+
+97
+00:03:34,120 --> 00:03:37,680
+believe that mean that a yes or no
+that's impossible maybe
+
+98
+00:03:37,680 --> 00:03:37,690
+that's impossible maybe
+ 
+
+99
+00:03:37,690 --> 00:03:42,030
+that's impossible maybe
+I love to get salute sidestep now they
+
+100
+00:03:42,030 --> 00:03:42,040
+I love to get salute sidestep now they
+ 
+
+101
+00:03:42,040 --> 00:03:44,930
+I love to get salute sidestep now they
+see me now they don't up
+
+102
+00:03:44,930 --> 00:03:44,940
+see me now they don't up
+ 
+
+103
+00:03:44,940 --> 00:03:49,640
+see me now they don't up
+I love to sweep around the right step a
+
+104
+00:03:49,640 --> 00:03:49,650
+I love to sweep around the right step a
+ 
+
+105
+00:03:49,650 --> 00:03:52,350
+I love to sweep around the right step a
+little swampy the beep
+
+106
+00:03:52,350 --> 00:03:52,360
+little swampy the beep
+ 
+
+107
+00:03:52,360 --> 00:04:31,060
+little swampy the beep
+[Music]
+

1982/ALGW3PA12XE.description

@@ -0,0 +1,38 @@
+48 Hrs. movie clips: http://j.mp/1L5P8YN
+BUY THE MOVIE: http://amzn.to/tBCHCa
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jack (Nick Nolte) and Reggie (Eddie Murphy) finally catch up with Ganz (James Remar) aboard a speeding bus. They chase him down in the Caddy.
+
+FILM DESCRIPTION:
+A variation on the "buddy-cop" hybridized genre, 48 HRS. greatly bolstered the career of Nick Nolte and made comedian Eddie Murphy a bonafide box-office sensation. When a pair of reckless cop-killers break out of prison, grizzled detective Jack Cates (Nolte) is left no alternative but to spring fast-talking hustler Reggie Hammond (Murphy) from the penitentiary in order to find the criminals. The catch: the pair only have 48 hours to complete their assignment before Hammond must return to prison. Naturally, the two despise each other and even engage in fisticuffs, but eventually the danger facing them proves a strong enough common bond for them to play on the same team, and even achieve a little mutual admiration.
+
+CREDITS:
+TM & © Paramount (1982)
+Cast: Eddie Murphy, Nick Nolte, David Patrick Kelly, Sonny Landham, James Remar, Kerry Sherman
+Director: Walter Hill
+Producers: D. Constantine Conte, Lawrence Gordon, Joel Silver
+Screenwriters: Roger Spottiswoode, Walter Hill, Larry Gross, Steven E. de Souza
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/ALGW3PA12XE.en.srt

@@ -0,0 +1,46 @@
+1
+00:00:22,466 --> 00:00:24,434
+Open your coat.
+
+2
+00:00:25,902 --> 00:00:27,770
+Both sides.
+
+3
+00:00:29,406 --> 00:00:31,407
+Let her go.
+
+4
+00:00:31,475 --> 00:00:33,676
+Money first.
+
+5
+00:00:33,978 --> 00:00:35,678
+Just show me!
+
+6
+00:00:38,482 --> 00:00:40,116
+Set it there.
+
+7
+00:00:40,484 --> 00:00:42,785
+Rosalie, are you o.K.?
+
+8
+00:00:42,987 --> 00:00:44,187
+Luther!
+
+9
+00:00:44,254 --> 00:00:45,788
+What are you
+talking about?
+
+10
+00:00:45,990 --> 00:00:48,591
+I said I wouldn't
+hurt her.
+
+11
+00:00:48,942 --> 00:00:50,242
+Aah!
+

1982/Asm-9UXAOog.description

@@ -0,0 +1,44 @@
+The Verdict movie clips: http://j.mp/1ixkMUU
+BUY THE MOVIE:
+FandangoNOW - https://www.fandangonow.com/details/movie/the-verdict-1982/1MV43815672f6f32631cead956f497e2336?cmp=Movieclips_YT_Description
+iTunes - http://apple.co/1dQq10g
+Google Play - http://bit.ly/1dQpZ8G
+Amazon - http://amzn.to/1KPoAwt
+Fox Movies - http://bit.ly/1FXwkIx
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Frank (Paul Newman) decides that he cannot take the settlement money, but must fight for the victim's rights.
+
+FILM DESCRIPTION:
+In Sidney Lumet's powerful courtroom drama The Verdict, Paul Newman stars as Frank Galvin, an alcoholic Boston lawyer who tries to redeem his personal and professional reputation by winning a difficult medical malpractice case. Frank, down on his luck, is presented with the case of his life when he is approached by the family of a woman who has been left in a coma following an operation in a large Catholic hospital. Helped by his assistant Mickey (Jack Warden), he agrees to take the case, hoping for a fast settlement. When he visits the victim in the hospital, he becomes emotionally involved, turns down a sizable settlement offer made by the hospital, and decides to bring the case to trial despite the formidable opposition of the Church and its lawyer, Newman (James Mason). He is also assisted by his new girlfriend, Laura (Charlotte Rampling), a woman who turns out to have an unusual past. Oscar-nominated for "Best Picture" and "Best Director" (Lumet) as well as for "Best Adapted Screenplay" (David Mamet from a novel by Barry Reed), The Verdict is an outstanding, if not very legally accurate, courtroom drama; Frank's decision to try the case without telling the family of the victim of the settlement offer would probably lead to his real-life disbarment. Paul Newman and James Mason give fine, Oscar-nominated performances, and Charlotte Rampling is quite good as the deceitful Laura, who never seems to turn down a drink.
+
+CREDITS:
+TM & © Fox (1982)
+Courtesy of Twentieth Century Fox Film Corporation
+Cast: Ed Binns, Paul Newman
+Director: Sidney Lumet
+Producers: Burtt Harris, Richard D. Zanuck, David Brown
+Screenwriters: Barry Reed, David Mamet
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/Asm-9UXAOog.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:04,560 --> 00:00:08,030
+
+and no one will know the
+
+2
+00:00:08,030 --> 00:00:08,040
+
+ 
+
+3
+00:00:08,040 --> 00:00:14,230
+
+truth what is the
+
+4
+00:00:14,230 --> 00:00:14,240
+
+ 
+
+5
+00:00:14,240 --> 00:00:19,230
+
+truth that poor girl put her trust into
+
+6
+00:00:19,230 --> 00:00:19,240
+
+ 
+
+7
+00:00:19,240 --> 00:00:22,990
+
+the the hands of two men who took her
+
+8
+00:00:22,990 --> 00:00:23,000
+the the hands of two men who took her
+ 
+
+9
+00:00:23,000 --> 00:00:27,550
+the the hands of two men who took her
+life she's in a
+
+10
+00:00:27,550 --> 00:00:27,560
+
+ 
+
+11
+00:00:27,560 --> 00:00:33,190
+
+coma her life is gone
+
+12
+00:00:33,190 --> 00:00:33,200
+
+ 
+
+13
+00:00:33,200 --> 00:00:37,350
+
+she has no home no
+
+14
+00:00:37,350 --> 00:00:37,360
+
+ 
+
+15
+00:00:37,360 --> 00:00:41,190
+
+family she's tied to a
+
+16
+00:00:41,190 --> 00:00:41,200
+family she's tied to a
+ 
+
+17
+00:00:41,200 --> 00:00:46,150
+family she's tied to a
+machine she has no
+
+18
+00:00:46,150 --> 00:00:46,160
+
+ 
+
+19
+00:00:46,160 --> 00:00:48,470
+
+friends and the people who should care
+
+20
+00:00:48,470 --> 00:00:48,480
+friends and the people who should care
+ 
+
+21
+00:00:48,480 --> 00:00:53,229
+friends and the people who should care
+for her are
+
+22
+00:00:53,229 --> 00:00:53,239
+
+ 
+
+23
+00:00:53,239 --> 00:01:00,549
+
+doctors and you and me
+
+24
+00:01:00,549 --> 00:01:00,559
+
+ 
+
+25
+00:01:00,559 --> 00:01:02,830
+
+have been bought off to look the other
+
+26
+00:01:02,830 --> 00:01:02,840
+have been bought off to look the other
+ 
+
+27
+00:01:02,840 --> 00:01:10,429
+have been bought off to look the other
+way or we've been paid to look the other
+
+28
+00:01:10,429 --> 00:01:10,439
+
+ 
+
+29
+00:01:10,439 --> 00:01:16,990
+
+way I came here to take your
+
+30
+00:01:16,990 --> 00:01:17,000
+
+ 
+
+31
+00:01:17,000 --> 00:01:20,429
+
+money I brought snapshots to show you so
+
+32
+00:01:20,429 --> 00:01:20,439
+money I brought snapshots to show you so
+ 
+
+33
+00:01:20,439 --> 00:01:23,950
+money I brought snapshots to show you so
+I could get your
+
+34
+00:01:23,950 --> 00:01:23,960
+
+ 
+
+35
+00:01:23,960 --> 00:01:30,390
+
+money I can't do it I can't take it
+
+36
+00:01:30,390 --> 00:01:30,400
+
+ 
+
+37
+00:01:30,400 --> 00:01:34,350
+
+because if I take the money I'm
+
+38
+00:01:34,350 --> 00:01:34,360
+
+ 
+
+39
+00:01:34,360 --> 00:01:37,590
+
+lost I'll just be
+
+40
+00:01:37,590 --> 00:01:37,600
+lost I'll just be
+ 
+
+41
+00:01:37,600 --> 00:01:40,910
+lost I'll just be
+a
+
+42
+00:01:40,910 --> 00:01:40,920
+
+ 
+
+43
+00:01:40,920 --> 00:01:48,590
+
+rich ambulance
+
+44
+00:01:48,590 --> 00:01:48,600
+
+ 
+
+45
+00:01:48,600 --> 00:01:53,630
+
+Chaser I can't do it I can't take
+
+46
+00:01:53,630 --> 00:01:53,640
+
+ 
+
+47
+00:01:53,640 --> 00:01:58,149
+
+it we may discuss money Mr gon how's
+
+48
+00:01:58,149 --> 00:01:58,159
+it we may discuss money Mr gon how's
+ 
+
+49
+00:01:58,159 --> 00:02:02,350
+it we may discuss money Mr gon how's
+your law practice
+
+50
+00:02:02,350 --> 00:02:02,360
+
+ 
+
+51
+00:02:02,360 --> 00:02:06,870
+
+not too
+
+52
+00:02:06,870 --> 00:02:06,880
+
+ 
+
+53
+00:02:06,880 --> 00:02:14,650
+
+good I only got the one client
+
+54
+00:02:14,650 --> 00:02:14,660
+
+ 
+
+55
+00:02:14,660 --> 00:02:41,750
+
+[Music]
+

1982/BrRdy4BAYp0.description

@@ -0,0 +1,38 @@
+Airplane II: The Sequel movie clips: http://j.mp/1uw9RQW
+BUY THE MOVIE: http://amzn.to/zqIhyW
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Captain Oveur (Peter Graves), Navigator Unger (Kent McCord), and First Officer Dunn (James A. Watson Jr.) discuss the Oveur-Unger-Dunn hierarchy. Ted Striker (Robert Hays) buys a Lunar Shuttle ticket from a scalper (Clint Smith).
+
+FILM DESCRIPTION:
+With the Jerry Zucker-Jim Abrahams-David Zucker team absent, this sequel to the cash-cow 1980 spoof Airplane once again finds garrulous man-with-a-past Ted Striker (Robert Hays) compelled to take over the controls of crippled aircraft, all the while trying to patch up his relationship with stewardess Elaine (Julie Hagerty). This time, the first passenger space shuttle is launched into orbit -- and takes off for the moon - but the on-board computer malfunctions and sends the craft hurtling toward the sun, threatening the lives of everyone on board. Lloyd Bridges and Peter Graves return from the first Airplane, while William Shatner, Chad Everett, Sonny Bono, Raymond Burr and Chuck Conners join the cast, as they too lampoon their established images.
+
+CREDITS:
+TM & © Paramount (1982)
+Cast: Chad Everett, Peter Graves, Kent McCord, James A. Watson Jr., Madeleine Fisher, Clint Smith
+Director: Ken Finkleman
+Producers: Mel Dellar, Howard W. Koch
+Screenwriter: Ken Finkleman
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/BrRdy4BAYp0.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:01,120 --> 00:00:02,310
+
+gentlemen I'd like you to meet your
+
+2
+00:00:02,310 --> 00:00:02,320
+gentlemen I'd like you to meet your
+ 
+
+3
+00:00:02,320 --> 00:00:05,590
+gentlemen I'd like you to meet your
+captain captain over gentlemen welcome
+
+4
+00:00:05,590 --> 00:00:05,600
+captain captain over gentlemen welcome
+ 
+
+5
+00:00:05,600 --> 00:00:08,310
+captain captain over gentlemen welcome
+aboard Captain your Navigator Mr rer and
+
+6
+00:00:08,310 --> 00:00:08,320
+aboard Captain your Navigator Mr rer and
+ 
+
+7
+00:00:08,320 --> 00:00:11,669
+aboard Captain your Navigator Mr rer and
+your first officer Mr dun H over over
+
+8
+00:00:11,669 --> 00:00:11,679
+your first officer Mr dun H over over
+ 
+
+9
+00:00:11,679 --> 00:00:15,029
+your first officer Mr dun H over over
+done Gentlemen let's get to
+
+10
+00:00:15,029 --> 00:00:15,039
+done Gentlemen let's get to
+ 
+
+11
+00:00:15,039 --> 00:00:17,790
+done Gentlemen let's get to
+work H didn't you serve under over in
+
+12
+00:00:17,790 --> 00:00:17,800
+work H didn't you serve under over in
+ 
+
+13
+00:00:17,800 --> 00:00:19,990
+work H didn't you serve under over in
+the Air Force not directly technically
+
+14
+00:00:19,990 --> 00:00:20,000
+the Air Force not directly technically
+ 
+
+15
+00:00:20,000 --> 00:00:21,950
+the Air Force not directly technically
+dun was under over and I was under dun
+
+16
+00:00:21,950 --> 00:00:21,960
+dun was under over and I was under dun
+ 
+
+17
+00:00:21,960 --> 00:00:25,109
+dun was under over and I was under dun
+yep so Dunn you were under over and over
+
+18
+00:00:25,109 --> 00:00:25,119
+yep so Dunn you were under over and over
+ 
+
+19
+00:00:25,119 --> 00:00:28,189
+yep so Dunn you were under over and over
+Hunger yep uh that's right dun was over
+
+20
+00:00:28,189 --> 00:00:28,199
+Hunger yep uh that's right dun was over
+ 
+
+21
+00:00:28,199 --> 00:00:30,509
+Hunger yep uh that's right dun was over
+hunger and I was over done
+
+22
+00:00:30,509 --> 00:00:30,519
+hunger and I was over done
+ 
+
+23
+00:00:30,519 --> 00:00:32,109
+hunger and I was over done
+so you see both dun and I were under
+
+24
+00:00:32,109 --> 00:00:32,119
+so you see both dun and I were under
+ 
+
+25
+00:00:32,119 --> 00:00:34,310
+so you see both dun and I were under
+over even though I was
+
+26
+00:00:34,310 --> 00:00:34,320
+over even though I was
+ 
+
+27
+00:00:34,320 --> 00:00:38,869
+over even though I was
+underd dun was over hunger and I was
+
+28
+00:00:38,869 --> 00:00:38,879
+
+ 
+
+29
+00:00:38,879 --> 00:00:40,830
+
+overdone do you have any tickets for the
+
+30
+00:00:40,830 --> 00:00:40,840
+overdone do you have any tickets for the
+ 
+
+31
+00:00:40,840 --> 00:00:42,190
+overdone do you have any tickets for the
+lunar shuttle oh I'm afraid there
+
+32
+00:00:42,190 --> 00:00:42,200
+lunar shuttle oh I'm afraid there
+ 
+
+33
+00:00:42,200 --> 00:00:43,470
+lunar shuttle oh I'm afraid there
+haven't been any available seats on that
+
+34
+00:00:43,470 --> 00:00:43,480
+haven't been any available seats on that
+ 
+
+35
+00:00:43,480 --> 00:00:45,189
+haven't been any available seats on that
+shuttle for weeks now
+
+36
+00:00:45,189 --> 00:00:45,199
+shuttle for weeks now
+ 
+
+37
+00:00:45,199 --> 00:00:48,270
+shuttle for weeks now
+sir what you want I got PS I got singles
+
+38
+00:00:48,270 --> 00:00:48,280
+sir what you want I got PS I got singles
+ 
+
+39
+00:00:48,280 --> 00:00:50,270
+sir what you want I got PS I got singles
+check them out y'all $400 luny shuttle
+
+40
+00:00:50,270 --> 00:00:50,280
+check them out y'all $400 luny shuttle
+ 
+
+41
+00:00:50,280 --> 00:00:52,349
+check them out y'all $400 luny shuttle
+ticket check them out luny shuttle
+
+42
+00:00:52,349 --> 00:00:52,359
+ticket check them out luny shuttle
+ 
+
+43
+00:00:52,359 --> 00:00:54,069
+ticket check them out luny shuttle
+smoking what you want what have you got
+
+44
+00:00:54,069 --> 00:00:54,079
+smoking what you want what have you got
+ 
+
+45
+00:00:54,079 --> 00:00:56,869
+smoking what you want what have you got
+luny shuttle tickets $400 I got smoking
+
+46
+00:00:56,869 --> 00:00:56,879
+luny shuttle tickets $400 I got smoking
+ 
+
+47
+00:00:56,879 --> 00:00:59,709
+luny shuttle tickets $400 I got smoking
+nonsmoking first class coach economy by
+
+48
+00:00:59,709 --> 00:00:59,719
+nonsmoking first class coach economy by
+ 
+
+49
+00:00:59,719 --> 00:01:11,830
+nonsmoking first class coach economy by
+the by the window take it easy my man
+
+50
+00:01:11,830 --> 00:01:11,840
+
+ 
+
+51
+00:01:11,840 --> 00:01:34,430
+
+[Music]
+

1982/GA4Ozqt7338.description

@@ -0,0 +1,38 @@
+The Thing movie clips: http://j.mp/15vUXyS
+BUY THE MOVIE: http://amzn.to/smRO82
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+With the polar climate closing in around them, MacReady (Kurt Russell) and Childs (Keith David) acknowledge the futility of their distrust, and share a drink, as the camp burns.
+
+FILM DESCRIPTION:
+John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves.
+
+CREDITS:
+TM & © Universal (1982)
+Cast: Kurt Russell, Keith David
+Director: John Carpenter
+Producers: Stuart Cohen, David Foster, Larry J. Franco, Wilbur Stark, Lawrence Turman
+Screenwriters: Bill Lancaster, John W. Campbell Jr
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/GA4Ozqt7338.en.srt

@@ -0,0 +1,255 @@
+1
+00:00:03,199 --> 00:00:05,389
+
+you the only one who made
+
+2
+00:00:05,389 --> 00:00:05,399
+you the only one who made
+ 
+
+3
+00:00:05,399 --> 00:00:09,190
+you the only one who made
+it not the only
+
+4
+00:00:09,190 --> 00:00:09,200
+
+ 
+
+5
+00:00:09,200 --> 00:00:12,230
+
+one did you kill
+
+6
+00:00:12,230 --> 00:00:12,240
+one did you kill
+ 
+
+7
+00:00:12,240 --> 00:00:15,550
+one did you kill
+it where were you
+
+8
+00:00:15,550 --> 00:00:15,560
+it where were you
+ 
+
+9
+00:00:15,560 --> 00:00:18,710
+it where were you
+child thought I saw
+
+10
+00:00:18,710 --> 00:00:18,720
+child thought I saw
+ 
+
+11
+00:00:18,720 --> 00:00:21,269
+child thought I saw
+Blair I went out after
+
+12
+00:00:21,269 --> 00:00:21,279
+Blair I went out after
+ 
+
+13
+00:00:21,279 --> 00:00:34,310
+Blair I went out after
+him got lost in the Stone
+
+14
+00:00:34,310 --> 00:00:34,320
+
+ 
+
+15
+00:00:34,320 --> 00:00:35,869
+
+Fire's got the temperature up all over
+
+16
+00:00:35,869 --> 00:00:35,879
+Fire's got the temperature up all over
+ 
+
+17
+00:00:35,879 --> 00:00:38,590
+Fire's got the temperature up all over
+the
+
+18
+00:00:38,590 --> 00:00:38,600
+
+ 
+
+19
+00:00:38,600 --> 00:00:41,389
+
+camp won't last long
+
+20
+00:00:41,389 --> 00:00:41,399
+camp won't last long
+ 
+
+21
+00:00:41,399 --> 00:00:45,150
+camp won't last long
+though neither will
+
+22
+00:00:45,150 --> 00:00:45,160
+
+ 
+
+23
+00:00:45,160 --> 00:00:49,229
+
+we how will we make
+
+24
+00:00:49,229 --> 00:00:49,239
+
+ 
+
+25
+00:00:49,239 --> 00:00:56,110
+
+it maybe we
+
+26
+00:00:56,110 --> 00:00:56,120
+
+ 
+
+27
+00:00:56,120 --> 00:00:58,790
+
+should if you're worried about me if
+
+28
+00:00:58,790 --> 00:00:58,800
+should if you're worried about me if
+ 
+
+29
+00:00:58,800 --> 00:01:02,430
+should if you're worried about me if
+we've got any surprises for each
+
+30
+00:01:02,430 --> 00:01:02,440
+we've got any surprises for each
+ 
+
+31
+00:01:02,440 --> 00:01:04,509
+we've got any surprises for each
+other I don't think we're in much shape
+
+32
+00:01:04,509 --> 00:01:04,519
+other I don't think we're in much shape
+ 
+
+33
+00:01:04,519 --> 00:01:09,910
+other I don't think we're in much shape
+to do anything about
+
+34
+00:01:09,910 --> 00:01:09,920
+
+ 
+
+35
+00:01:09,920 --> 00:01:12,870
+
+it
+
+36
+00:01:12,870 --> 00:01:12,880
+it
+ 
+
+37
+00:01:12,880 --> 00:01:15,070
+it
+well what do we
+
+38
+00:01:15,070 --> 00:01:15,080
+well what do we
+ 
+
+39
+00:01:15,080 --> 00:01:18,590
+well what do we
+do why don't we
+
+40
+00:01:18,590 --> 00:01:18,600
+do why don't we
+ 
+
+41
+00:01:18,600 --> 00:01:23,310
+do why don't we
+just wait here for a little
+
+42
+00:01:23,310 --> 00:01:23,320
+
+ 
+
+43
+00:01:23,320 --> 00:01:53,050
+
+while see what happens
+
+44
+00:01:53,050 --> 00:01:53,060
+
+ 
+
+45
+00:01:53,060 --> 00:02:10,430
+
+[Music]
+
+46
+00:02:10,430 --> 00:02:10,440
+
+ 
+
+47
+00:02:10,440 --> 00:02:31,750
+
+[Music]
+
+48
+00:02:31,750 --> 00:02:31,760
+
+ 
+
+49
+00:02:31,760 --> 00:02:35,520
+
+St
+
+50
+00:02:35,520 --> 00:02:35,530
+
+ 
+
+51
+00:02:35,530 --> 00:02:41,490
+
+[Music]
+

1982/GTqz4duPdYQ.en.srt

@@ -0,0 +1,395 @@
+1
+00:00:00,560 --> 00:00:02,389
+
+we don't usually find homes quite this
+
+2
+00:00:02,389 --> 00:00:02,399
+we don't usually find homes quite this
+ 
+
+3
+00:00:02,399 --> 00:00:05,070
+we don't usually find homes quite this
+lovely in this quiet a location isn't
+
+4
+00:00:05,070 --> 00:00:05,080
+lovely in this quiet a location isn't
+ 
+
+5
+00:00:05,080 --> 00:00:08,950
+lovely in this quiet a location isn't
+this nice isn't this a beautiful Street
+
+6
+00:00:08,950 --> 00:00:08,960
+this nice isn't this a beautiful Street
+ 
+
+7
+00:00:08,960 --> 00:00:11,669
+this nice isn't this a beautiful Street
+yeah and the Landscaping they've done
+
+8
+00:00:11,669 --> 00:00:11,679
+yeah and the Landscaping they've done
+ 
+
+9
+00:00:11,679 --> 00:00:14,430
+yeah and the Landscaping they've done
+lovely things here with the lawn it's a
+
+10
+00:00:14,430 --> 00:00:14,440
+lovely things here with the lawn it's a
+ 
+
+11
+00:00:14,440 --> 00:00:18,189
+lovely things here with the lawn it's a
+lovely Place lovely just the ticket for
+
+12
+00:00:18,189 --> 00:00:18,199
+lovely Place lovely just the ticket for
+ 
+
+13
+00:00:18,199 --> 00:00:19,310
+lovely Place lovely just the ticket for
+young
+
+14
+00:00:19,310 --> 00:00:19,320
+young
+ 
+
+15
+00:00:19,320 --> 00:00:22,109
+young
+marrieds and my firm will even Finance
+
+16
+00:00:22,109 --> 00:00:22,119
+marrieds and my firm will even Finance
+ 
+
+17
+00:00:22,119 --> 00:00:24,870
+marrieds and my firm will even Finance
+the mortgage my mother's paying for it
+
+18
+00:00:24,870 --> 00:00:24,880
+the mortgage my mother's paying for it
+ 
+
+19
+00:00:24,880 --> 00:00:30,470
+the mortgage my mother's paying for it
+he's become a firm these days
+
+20
+00:00:30,470 --> 00:00:30,480
+
+ 
+
+21
+00:00:30,480 --> 00:00:31,990
+
+well what do you think
+
+22
+00:00:31,990 --> 00:00:32,000
+well what do you think
+ 
+
+23
+00:00:32,000 --> 00:00:35,470
+well what do you think
+Helen is it a
+
+24
+00:00:35,470 --> 00:00:35,480
+
+ 
+
+25
+00:00:35,480 --> 00:00:37,590
+
+home it's close to the college where
+
+26
+00:00:37,590 --> 00:00:37,600
+home it's close to the college where
+ 
+
+27
+00:00:37,600 --> 00:00:40,270
+home it's close to the college where
+I'll be teaching Coastal Supermarket
+
+28
+00:00:40,270 --> 00:00:40,280
+I'll be teaching Coastal Supermarket
+ 
+
+29
+00:00:40,280 --> 00:00:41,430
+I'll be teaching Coastal Supermarket
+while I'll be
+
+30
+00:00:41,430 --> 00:00:41,440
+while I'll be
+ 
+
+31
+00:00:41,440 --> 00:00:44,389
+while I'll be
+shopping just like our house I work and
+
+32
+00:00:44,389 --> 00:00:44,399
+shopping just like our house I work and
+ 
+
+33
+00:00:44,399 --> 00:00:46,869
+shopping just like our house I work and
+my husband Putters around the
+
+34
+00:00:46,869 --> 00:00:46,879
+my husband Putters around the
+ 
+
+35
+00:00:46,879 --> 00:00:50,350
+my husband Putters around the
+house my husband doesn't putter he's a
+
+36
+00:00:50,350 --> 00:00:50,360
+house my husband doesn't putter he's a
+ 
+
+37
+00:00:50,360 --> 00:00:52,830
+house my husband doesn't putter he's a
+writer this novel was just published
+
+38
+00:00:52,830 --> 00:00:52,840
+writer this novel was just published
+ 
+
+39
+00:00:52,840 --> 00:00:57,990
+writer this novel was just published
+procrastination by TS GARP TS GARP not
+
+40
+00:00:57,990 --> 00:00:58,000
+procrastination by TS GARP TS GARP not
+ 
+
+41
+00:00:58,000 --> 00:01:00,509
+procrastination by TS GARP TS GARP not
+the bastard son of Jenny Fe
+
+42
+00:01:00,509 --> 00:01:00,519
+the bastard son of Jenny Fe
+ 
+
+43
+00:01:00,519 --> 00:01:04,590
+the bastard son of Jenny Fe
+oh I loved your mother's book loved
+
+44
+00:01:04,590 --> 00:01:04,600
+oh I loved your mother's book loved
+ 
+
+45
+00:01:04,600 --> 00:01:06,830
+oh I loved your mother's book loved
+it I keep buying them and my husband
+
+46
+00:01:06,830 --> 00:01:06,840
+it I keep buying them and my husband
+ 
+
+47
+00:01:06,840 --> 00:01:07,770
+it I keep buying them and my husband
+keeps burning
+
+48
+00:01:07,770 --> 00:01:07,780
+keeps burning
+ 
+
+49
+00:01:07,780 --> 00:01:11,429
+keeps burning
+[Laughter]
+
+50
+00:01:11,429 --> 00:01:11,439
+[Laughter]
+ 
+
+51
+00:01:11,439 --> 00:01:16,710
+[Laughter]
+them you right too isn't that nice you
+
+52
+00:01:16,710 --> 00:01:16,720
+them you right too isn't that nice you
+ 
+
+53
+00:01:16,720 --> 00:01:19,910
+them you right too isn't that nice you
+must be so proud of your mother oh I'm
+
+54
+00:01:19,910 --> 00:01:19,920
+must be so proud of your mother oh I'm
+ 
+
+55
+00:01:19,920 --> 00:01:30,740
+must be so proud of your mother oh I'm
+very very proud of mom
+
+56
+00:01:30,740 --> 00:01:30,750
+
+ 
+
+57
+00:01:30,750 --> 00:01:56,429
+
+[Applause]
+
+58
+00:01:56,429 --> 00:01:56,439
+
+ 
+
+59
+00:01:56,439 --> 00:01:58,630
+
+you folks all right down there yeah I'm
+
+60
+00:01:58,630 --> 00:01:58,640
+you folks all right down there yeah I'm
+ 
+
+61
+00:01:58,640 --> 00:02:00,990
+you folks all right down there yeah I'm
+okay we're all right but you all right
+
+62
+00:02:00,990 --> 00:02:01,000
+okay we're all right but you all right
+ 
+
+63
+00:02:01,000 --> 00:02:02,270
+okay we're all right but you all right
+oh I'm
+
+64
+00:02:02,270 --> 00:02:02,280
+oh I'm
+ 
+
+65
+00:02:02,280 --> 00:02:05,149
+oh I'm
+fine you mind if I use your phone sure
+
+66
+00:02:05,149 --> 00:02:05,159
+fine you mind if I use your phone sure
+ 
+
+67
+00:02:05,159 --> 00:02:09,350
+fine you mind if I use your phone sure
+if you can find it thanks a
+
+68
+00:02:09,350 --> 00:02:09,360
+if you can find it thanks a
+ 
+
+69
+00:02:09,360 --> 00:02:13,229
+if you can find it thanks a
+lot we'll take the house GARP honey
+
+70
+00:02:13,229 --> 00:02:13,239
+lot we'll take the house GARP honey
+ 
+
+71
+00:02:13,239 --> 00:02:14,430
+lot we'll take the house GARP honey
+honey the chances of another plane
+
+72
+00:02:14,430 --> 00:02:14,440
+honey the chances of another plane
+ 
+
+73
+00:02:14,440 --> 00:02:16,270
+honey the chances of another plane
+hitting this house are astronomical see
+
+74
+00:02:16,270 --> 00:02:16,280
+hitting this house are astronomical see
+ 
+
+75
+00:02:16,280 --> 00:02:18,589
+hitting this house are astronomical see
+it's been pre disaster I'm going to be
+
+76
+00:02:18,589 --> 00:02:18,599
+it's been pre disaster I'm going to be
+ 
+
+77
+00:02:18,599 --> 00:02:24,360
+it's been pre disaster I'm going to be
+safe here
+
+78
+00:02:24,360 --> 00:02:24,370
+
+ 
+
+79
+00:02:24,370 --> 00:02:53,580
+
+[Music]
+

1982/KqpcmQhnl48.en.srt

@@ -0,0 +1,185 @@
+1
+00:00:03,100 --> 00:00:15,509
+
+[Music]
+
+2
+00:00:15,509 --> 00:00:15,519
+
+ 
+
+3
+00:00:15,519 --> 00:00:48,910
+
+Spark
+
+4
+00:00:48,910 --> 00:00:48,920
+
+ 
+
+5
+00:00:48,920 --> 00:00:52,310
+
+ship out of
+
+6
+00:00:52,310 --> 00:00:52,320
+ship out of
+ 
+
+7
+00:00:52,320 --> 00:00:56,910
+ship out of
+danger
+
+8
+00:00:56,910 --> 00:00:56,920
+
+ 
+
+9
+00:00:56,920 --> 00:01:02,750
+
+yes don't grieve Admiral
+
+10
+00:01:02,750 --> 00:01:02,760
+
+ 
+
+11
+00:01:02,760 --> 00:01:06,990
+
+just
+
+12
+00:01:06,990 --> 00:01:07,000
+
+ 
+
+13
+00:01:07,000 --> 00:01:12,469
+
+logical the needs of the many
+
+14
+00:01:12,469 --> 00:01:12,479
+
+ 
+
+15
+00:01:12,479 --> 00:01:15,510
+
+outweigh the needs of the
+
+16
+00:01:15,510 --> 00:01:15,520
+outweigh the needs of the
+ 
+
+17
+00:01:15,520 --> 00:01:17,700
+outweigh the needs of the
+few or the
+
+18
+00:01:17,700 --> 00:01:17,710
+few or the
+ 
+
+19
+00:01:17,710 --> 00:01:25,870
+few or the
+[Music]
+
+20
+00:01:25,870 --> 00:01:25,880
+
+ 
+
+21
+00:01:25,880 --> 00:01:28,109
+
+one I never took
+
+22
+00:01:28,109 --> 00:01:28,119
+one I never took
+ 
+
+23
+00:01:28,119 --> 00:01:31,789
+one I never took
+it the kop as karot
+
+24
+00:01:31,789 --> 00:01:31,799
+it the kop as karot
+ 
+
+25
+00:01:31,799 --> 00:01:35,429
+it the kop as karot
+test until
+
+26
+00:01:35,429 --> 00:01:35,439
+
+ 
+
+27
+00:01:35,439 --> 00:01:40,710
+
+now what do you think of my
+
+28
+00:01:40,710 --> 00:01:40,720
+
+ 
+
+29
+00:01:40,720 --> 00:01:43,040
+
+solution
+
+30
+00:01:43,040 --> 00:01:43,050
+solution
+ 
+
+31
+00:01:43,050 --> 00:01:53,630
+solution
+[Music]
+
+32
+00:01:53,630 --> 00:01:53,640
+[Music]
+ 
+
+33
+00:01:53,640 --> 00:01:58,069
+[Music]
+spark I have been and always shall
+
+34
+00:01:58,069 --> 00:01:58,079
+spark I have been and always shall
+ 
+
+35
+00:01:58,079 --> 00:02:05,450
+spark I have been and always shall
+be your friend okay
+
+36
+00:02:05,450 --> 00:02:05,460
+
+ 
+
+37
+00:02:05,460 --> 00:02:36,489
+
+[Music]
+

1982/KrBI7YdIPYk.en.srt

@@ -0,0 +1,135 @@
+1
+00:00:08,890 --> 00:00:17,100
+
+[Music]
+
+2
+00:00:17,100 --> 00:00:17,110
+
+ 
+
+3
+00:00:17,110 --> 00:00:33,470
+
+[Music]
+
+4
+00:00:33,470 --> 00:00:33,480
+
+ 
+
+5
+00:00:33,480 --> 00:00:43,260
+
+Alex
+
+6
+00:00:43,260 --> 00:00:43,270
+
+ 
+
+7
+00:00:43,270 --> 00:00:57,520
+
+[Music]
+
+8
+00:00:57,520 --> 00:00:57,530
+
+ 
+
+9
+00:00:57,530 --> 00:01:04,780
+
+[Music
+
+10
+00:01:04,780 --> 00:01:04,790
+
+ 
+
+11
+00:01:04,790 --> 00:01:10,770
+
+] [Music]
+
+12
+00:01:10,770 --> 00:01:10,780
+
+ 
+
+13
+00:01:10,780 --> 00:01:16,990
+
+[Music] [
+
+14
+00:01:16,990 --> 00:01:17,000
+
+ 
+
+15
+00:01:17,000 --> 00:01:41,160
+
+Music] [
+
+16
+00:01:41,160 --> 00:01:41,170
+
+ 
+
+17
+00:01:41,170 --> 00:02:15,040
+
+Music]
+
+18
+00:02:15,040 --> 00:02:15,050
+
+ 
+
+19
+00:02:15,050 --> 00:02:18,710
+
+[Music]
+
+20
+00:02:18,710 --> 00:02:18,720
+[Music]
+ 
+
+21
+00:02:18,720 --> 00:02:22,080
+[Music]
+behind you
+
+22
+00:02:22,080 --> 00:02:22,090
+behind you
+ 
+
+23
+00:02:22,090 --> 00:02:52,550
+behind you
+[Music]
+
+24
+00:02:52,550 --> 00:02:52,560
+
+ 
+
+25
+00:02:52,560 --> 00:03:08,540
+
+[Music]
+
+26
+00:03:08,540 --> 00:03:08,550
+
+ 
+
+27
+00:03:08,550 --> 00:03:52,580
+
+[Music]
+

1982/L1YN9QMKpBo.description

@@ -0,0 +1,38 @@
+Blade Runner movie clips: http://j.mp/1uvWGzg
+BUY THE MOVIE: http://amzn.to/2cyUhQy
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Leon (Brion James) corners Deckard (Harrison Ford) and tries to kill him.
+
+FILM DESCRIPTION:
+In this futuristic science fiction drama, two firms are both on the working overtime to see who can be first to perfect a new and groundbreaking invention -- a technology that can perfectly recreate human tissue, allowing people to be replicated at will. One of the companies is a small, cutting-edge concern, while the other is a major multinational conglomerate, and in a world where such companies control the legal and judicial system (hey, are you sure this is science fiction?), beating them to the punch can have deadly consequences. The larger firm sends a team of thugs to destroy the smaller company's offices, just as inventor Ludo (Michael St. Gerard) is using himself as a guinea pig for his final tests on the replication system; things go haywire during the assault, and soon Ludo finds himself chasing his own manmade evil twin. Replikator also stars Ned Beatty, Brigitte Bako, and Ilona Staller, the latter better known as Cicciolina, the Italian adult film star who was elected to that nation's Parliament.
+
+CREDITS:
+TM & © Warner Bros. (1982)
+Cast: Harrison Ford, Brion James, Sean Young
+Director: Ridley Scott
+Producers: Charles de Lauzirika, Hampton Fancher, Jerry Perenchio, Ridley Scott, Run Run Shaw, Paul Prischman, Bud Yorkin, Brian Kelly, Ivor Powell, Michael Deeley
+Screenwriters: Philip K. Dick, Hampton Fancher, David Webb Peoples
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/L1YN9QMKpBo.en.srt

@@ -0,0 +1,215 @@
+1
+00:00:03,860 --> 00:00:08,860
+
+[Music]
+
+2
+00:00:08,860 --> 00:00:08,870
+
+ 
+
+3
+00:00:08,870 --> 00:00:12,910
+
+Leon how old am I
+
+4
+00:00:12,910 --> 00:00:12,920
+Leon how old am I
+ 
+
+5
+00:00:12,920 --> 00:00:15,810
+Leon how old am I
+I
+
+6
+00:00:15,810 --> 00:00:15,820
+
+ 
+
+7
+00:00:15,820 --> 00:00:19,890
+
+don't know
+
+8
+00:00:19,890 --> 00:00:19,900
+
+ 
+
+9
+00:00:19,900 --> 00:00:23,170
+
+my birthday is April 10 2017 how long do
+
+10
+00:00:23,170 --> 00:00:23,180
+my birthday is April 10 2017 how long do
+ 
+
+11
+00:00:23,180 --> 00:00:26,370
+my birthday is April 10 2017 how long do
+I live for years
+
+12
+00:00:26,370 --> 00:00:26,380
+I live for years
+ 
+
+13
+00:00:26,380 --> 00:00:32,120
+I live for years
+[Music]
+
+14
+00:00:32,120 --> 00:00:32,130
+
+ 
+
+15
+00:00:32,130 --> 00:00:38,600
+
+more than you
+
+16
+00:00:38,600 --> 00:00:38,610
+
+ 
+
+17
+00:00:38,610 --> 00:00:46,790
+
+painful living fear isn't it
+
+18
+00:00:46,790 --> 00:00:46,800
+
+ 
+
+19
+00:00:46,800 --> 00:00:49,380
+
+nothing is worse than having an itch you
+
+20
+00:00:49,380 --> 00:00:49,390
+nothing is worse than having an itch you
+ 
+
+21
+00:00:49,390 --> 00:00:51,110
+nothing is worse than having an itch you
+can never scratch I
+
+22
+00:00:51,110 --> 00:00:51,120
+can never scratch I
+ 
+
+23
+00:00:51,120 --> 00:01:03,580
+can never scratch I
+agree
+
+24
+00:01:03,580 --> 00:01:03,590
+
+ 
+
+25
+00:01:03,590 --> 00:01:40,649
+
+wake up time to die
+
+26
+00:01:40,649 --> 00:01:40,659
+
+ 
+
+27
+00:01:40,659 --> 00:01:43,770
+
+shakes
+
+28
+00:01:43,770 --> 00:01:43,780
+
+ 
+
+29
+00:01:43,780 --> 00:01:48,350
+
+me too
+
+30
+00:01:48,350 --> 00:01:48,360
+
+ 
+
+31
+00:01:48,360 --> 00:01:49,480
+
+I
+
+32
+00:01:49,480 --> 00:01:49,490
+I
+ 
+
+33
+00:01:49,490 --> 00:01:57,620
+I
+get a bad
+
+34
+00:01:57,620 --> 00:01:57,630
+
+ 
+
+35
+00:01:57,630 --> 00:02:06,220
+
+part of the business
+
+36
+00:02:06,220 --> 00:02:06,230
+
+ 
+
+37
+00:02:06,230 --> 00:02:13,430
+
+I'm not in the business
+
+38
+00:02:13,430 --> 00:02:13,440
+
+ 
+
+39
+00:02:13,440 --> 00:02:36,550
+
+[Music]
+
+40
+00:02:36,550 --> 00:02:36,560
+
+ 
+
+41
+00:02:36,560 --> 00:02:38,520
+
+you
+
+42
+00:02:38,520 --> 00:02:38,530
+you
+ 
+
+43
+00:02:38,530 --> 00:02:44,509
+you
+[Music]
+

1982/Lw5Ss6z8IoM.en.srt

@@ -0,0 +1,305 @@
+1
+00:00:00,000 --> 00:00:03,610
+
+[Music]
+
+2
+00:00:03,610 --> 00:00:03,620
+[Music]
+ 
+
+3
+00:00:03,620 --> 00:00:08,410
+[Music]
+late look they gave me the cover Oh
+
+4
+00:00:08,410 --> 00:00:08,420
+late look they gave me the cover Oh
+ 
+
+5
+00:00:08,420 --> 00:00:11,959
+late look they gave me the cover Oh
+perfect next month Geri Nichols on crime
+
+6
+00:00:11,959 --> 00:00:11,969
+perfect next month Geri Nichols on crime
+ 
+
+7
+00:00:11,969 --> 00:00:13,970
+perfect next month Geri Nichols on crime
+and punishment in Los Angeles that's
+
+8
+00:00:13,970 --> 00:00:13,980
+and punishment in Los Angeles that's
+ 
+
+9
+00:00:13,980 --> 00:00:15,099
+and punishment in Los Angeles that's
+terrific
+
+10
+00:00:15,099 --> 00:00:15,109
+terrific
+ 
+
+11
+00:00:15,109 --> 00:00:17,240
+terrific
+do you think Elliot will give me a race
+
+12
+00:00:17,240 --> 00:00:17,250
+do you think Elliot will give me a race
+ 
+
+13
+00:00:17,250 --> 00:00:20,179
+do you think Elliot will give me a race
+he might give you a reduction of all the
+
+14
+00:00:20,179 --> 00:00:20,189
+he might give you a reduction of all the
+ 
+
+15
+00:00:20,189 --> 00:00:22,730
+he might give you a reduction of all the
+hours you've spent at the hospital well
+
+16
+00:00:22,730 --> 00:00:22,740
+hours you've spent at the hospital well
+ 
+
+17
+00:00:22,740 --> 00:00:25,730
+hours you've spent at the hospital well
+you spend enough time there you must
+
+18
+00:00:25,730 --> 00:00:25,740
+you spend enough time there you must
+ 
+
+19
+00:00:25,740 --> 00:00:26,960
+you spend enough time there you must
+know the place nearly as well as I do
+
+20
+00:00:26,960 --> 00:00:26,970
+know the place nearly as well as I do
+ 
+
+21
+00:00:26,970 --> 00:00:29,210
+know the place nearly as well as I do
+yeah but I'm still not diverted all
+
+22
+00:00:29,210 --> 00:00:29,220
+yeah but I'm still not diverted all
+ 
+
+23
+00:00:29,220 --> 00:00:33,130
+yeah but I'm still not diverted all
+those theories or just that theories
+
+24
+00:00:33,130 --> 00:00:33,140
+those theories or just that theories
+ 
+
+25
+00:00:33,140 --> 00:00:38,600
+those theories or just that theories
+don't carry me on enjoy can't be my
+
+26
+00:00:38,600 --> 00:00:38,610
+don't carry me on enjoy can't be my
+ 
+
+27
+00:00:38,610 --> 00:00:40,970
+don't carry me on enjoy can't be my
+birthday that was last month and you
+
+28
+00:00:40,970 --> 00:00:40,980
+birthday that was last month and you
+ 
+
+29
+00:00:40,980 --> 00:00:44,240
+birthday that was last month and you
+forgotten but that's all right
+
+30
+00:00:44,240 --> 00:00:44,250
+forgotten but that's all right
+ 
+
+31
+00:00:44,250 --> 00:00:47,590
+forgotten but that's all right
+[Music]
+
+32
+00:00:47,590 --> 00:00:47,600
+[Music]
+ 
+
+33
+00:00:47,600 --> 00:00:56,959
+[Music]
+will you marry me are you serious yes
+
+34
+00:00:56,959 --> 00:00:56,969
+will you marry me are you serious yes
+ 
+
+35
+00:00:56,969 --> 00:00:58,720
+will you marry me are you serious yes
+I'm serious
+
+36
+00:00:58,720 --> 00:00:58,730
+I'm serious
+ 
+
+37
+00:00:58,730 --> 00:01:02,029
+I'm serious
+you're not sick might be after I see the
+
+38
+00:01:02,029 --> 00:01:02,039
+you're not sick might be after I see the
+ 
+
+39
+00:01:02,039 --> 00:01:03,950
+you're not sick might be after I see the
+check but I feel fine now
+
+40
+00:01:03,950 --> 00:01:03,960
+check but I feel fine now
+ 
+
+41
+00:01:03,960 --> 00:01:07,969
+check but I feel fine now
+easy easy this stuff cost $3 a drop that
+
+42
+00:01:07,969 --> 00:01:07,979
+easy easy this stuff cost $3 a drop that
+ 
+
+43
+00:01:07,979 --> 00:01:09,109
+easy easy this stuff cost $3 a drop that
+was a $9 kiss
+
+44
+00:01:09,109 --> 00:01:09,119
+was a $9 kiss
+ 
+
+45
+00:01:09,119 --> 00:01:14,990
+was a $9 kiss
+I accept that'll teach you
+
+46
+00:01:14,990 --> 00:01:15,000
+
+ 
+
+47
+00:01:15,000 --> 00:01:17,690
+
+this is the way it'll go next Wednesday
+
+48
+00:01:17,690 --> 00:01:17,700
+this is the way it'll go next Wednesday
+ 
+
+49
+00:01:17,700 --> 00:01:19,250
+this is the way it'll go next Wednesday
+we'll catch the midnight flight actor
+
+50
+00:01:19,250 --> 00:01:19,260
+we'll catch the midnight flight actor
+ 
+
+51
+00:01:19,260 --> 00:01:22,160
+we'll catch the midnight flight actor
+Coco get married in Mexico and I thought
+
+52
+00:01:22,160 --> 00:01:22,170
+Coco get married in Mexico and I thought
+ 
+
+53
+00:01:22,170 --> 00:01:24,500
+Coco get married in Mexico and I thought
+you weren't a romantic after the program
+
+54
+00:01:24,500 --> 00:01:24,510
+you weren't a romantic after the program
+ 
+
+55
+00:01:24,510 --> 00:01:27,340
+you weren't a romantic after the program
+you'd drive to my place and off we go
+
+56
+00:01:27,340 --> 00:01:27,350
+you'd drive to my place and off we go
+ 
+
+57
+00:01:27,350 --> 00:01:31,220
+you'd drive to my place and off we go
+let's get smashed then I wanted a
+
+58
+00:01:31,220 --> 00:01:31,230
+let's get smashed then I wanted a
+ 
+
+59
+00:01:31,230 --> 00:01:32,670
+let's get smashed then I wanted a
+writing
+
+60
+00:01:32,670 --> 00:01:32,680
+writing
+ 
+
+61
+00:01:32,680 --> 00:01:44,019
+writing
+[Music]
+

1982/ME2S71b553U.description

@@ -0,0 +1,44 @@
+The Verdict movie clips: http://j.mp/1ixkMUU
+BUY THE MOVIE:
+FandangoNOW - https://www.fandangonow.com/details/movie/the-verdict-1982/1MV43815672f6f32631cead956f497e2336?cmp=Movieclips_YT_Description
+iTunes - http://apple.co/1dQq10g
+Google Play - http://bit.ly/1dQpZ8G
+Amazon - http://amzn.to/1KPoAwt
+Fox Movies - http://bit.ly/1FXwkIx
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Kevin Doneghy (James Handy) confronts Frank (Paul Newman) and blames him for destroying his life.
+
+FILM DESCRIPTION:
+In Sidney Lumet's powerful courtroom drama The Verdict, Paul Newman stars as Frank Galvin, an alcoholic Boston lawyer who tries to redeem his personal and professional reputation by winning a difficult medical malpractice case. Frank, down on his luck, is presented with the case of his life when he is approached by the family of a woman who has been left in a coma following an operation in a large Catholic hospital. Helped by his assistant Mickey (Jack Warden), he agrees to take the case, hoping for a fast settlement. When he visits the victim in the hospital, he becomes emotionally involved, turns down a sizable settlement offer made by the hospital, and decides to bring the case to trial despite the formidable opposition of the Church and its lawyer, Newman (James Mason). He is also assisted by his new girlfriend, Laura (Charlotte Rampling), a woman who turns out to have an unusual past. Oscar-nominated for "Best Picture" and "Best Director" (Lumet) as well as for "Best Adapted Screenplay" (David Mamet from a novel by Barry Reed), The Verdict is an outstanding, if not very legally accurate, courtroom drama; Frank's decision to try the case without telling the family of the victim of the settlement offer would probably lead to his real-life disbarment. Paul Newman and James Mason give fine, Oscar-nominated performances, and Charlotte Rampling is quite good as the deceitful Laura, who never seems to turn down a drink.
+
+CREDITS:
+TM & © Fox (1982)
+Courtesy of Twentieth Century Fox Film Corporation
+Cast: James Handy, Paul Newman, Jack Warden, Roxanne Hart
+Director: Sidney Lumet
+Producers: Burtt Harris, Richard D. Zanuck, David Brown
+Screenwriters: Barry Reed, David Mamet
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/ME2S71b553U.en.srt

@@ -0,0 +1,395 @@
+1
+00:00:05,279 --> 00:00:08,830
+
+who do you think you are
+
+2
+00:00:08,830 --> 00:00:08,840
+
+ 
+
+3
+00:00:08,840 --> 00:00:11,110
+
+huh they tell me I can have you the spot
+
+4
+00:00:11,110 --> 00:00:11,120
+huh they tell me I can have you the spot
+ 
+
+5
+00:00:11,120 --> 00:00:12,350
+huh they tell me I can have you the spot
+I am going to have your ticket do you
+
+6
+00:00:12,350 --> 00:00:12,360
+I am going to have your ticket do you
+ 
+
+7
+00:00:12,360 --> 00:00:13,829
+I am going to have your ticket do you
+know what you
+
+8
+00:00:13,829 --> 00:00:13,839
+know what you
+ 
+
+9
+00:00:13,839 --> 00:00:16,870
+know what you
+did I said do you know what you did EAS
+
+10
+00:00:16,870 --> 00:00:16,880
+did I said do you know what you did EAS
+ 
+
+11
+00:00:16,880 --> 00:00:21,109
+did I said do you know what you did EAS
+EAS take it easy it's
+
+12
+00:00:21,109 --> 00:00:21,119
+
+ 
+
+13
+00:00:21,119 --> 00:00:23,589
+
+okay you ruined my life
+
+14
+00:00:23,589 --> 00:00:23,599
+okay you ruined my life
+ 
+
+15
+00:00:23,599 --> 00:00:26,230
+okay you ruined my life
+Mister me and my wife and now I'm going
+
+16
+00:00:26,230 --> 00:00:26,240
+Mister me and my wife and now I'm going
+ 
+
+17
+00:00:26,240 --> 00:00:28,429
+Mister me and my wife and now I'm going
+to ruin
+
+18
+00:00:28,429 --> 00:00:28,439
+to ruin
+ 
+
+19
+00:00:28,439 --> 00:00:30,429
+to ruin
+yours you don't have to go out there to
+
+20
+00:00:30,429 --> 00:00:30,439
+yours you don't have to go out there to
+ 
+
+21
+00:00:30,439 --> 00:00:33,190
+yours you don't have to go out there to
+see that girl we've been going for 4
+
+22
+00:00:33,190 --> 00:00:33,200
+see that girl we've been going for 4
+ 
+
+23
+00:00:33,200 --> 00:00:38,790
+see that girl we've been going for 4
+years
+
+24
+00:00:38,790 --> 00:00:38,800
+
+ 
+
+25
+00:00:38,800 --> 00:00:41,229
+
+now see 4
+
+26
+00:00:41,229 --> 00:00:41,239
+now see 4
+ 
+
+27
+00:00:41,239 --> 00:00:44,950
+now see 4
+years my wife has been crying herself to
+
+28
+00:00:44,950 --> 00:00:44,960
+years my wife has been crying herself to
+ 
+
+29
+00:00:44,960 --> 00:00:48,470
+years my wife has been crying herself to
+sleep what they did to her
+
+30
+00:00:48,470 --> 00:00:48,480
+sleep what they did to her
+ 
+
+31
+00:00:48,480 --> 00:00:51,950
+sleep what they did to her
+sister look I swear to you I wouldn't uh
+
+32
+00:00:51,950 --> 00:00:51,960
+sister look I swear to you I wouldn't uh
+ 
+
+33
+00:00:51,960 --> 00:00:53,349
+sister look I swear to you I wouldn't uh
+I wouldn't turn down the offer if I
+
+34
+00:00:53,349 --> 00:00:53,359
+I wouldn't turn down the offer if I
+ 
+
+35
+00:00:53,359 --> 00:00:54,709
+I wouldn't turn down the offer if I
+thought I couldn't win the case you know
+
+36
+00:00:54,709 --> 00:00:54,719
+thought I couldn't win the case you know
+ 
+
+37
+00:00:54,719 --> 00:00:55,990
+thought I couldn't win the case you know
+what you
+
+38
+00:00:55,990 --> 00:00:56,000
+what you
+ 
+
+39
+00:00:56,000 --> 00:00:58,229
+what you
+thought I am a working man and I am
+
+40
+00:00:58,229 --> 00:00:58,239
+thought I am a working man and I am
+ 
+
+41
+00:00:58,239 --> 00:01:00,389
+thought I am a working man and I am
+trying to get my wife out of town now we
+
+42
+00:01:00,389 --> 00:01:00,399
+trying to get my wife out of town now we
+ 
+
+43
+00:01:00,399 --> 00:01:02,549
+trying to get my wife out of town now we
+hired you and I am paying you and I got
+
+44
+00:01:02,549 --> 00:01:02,559
+hired you and I am paying you and I got
+ 
+
+45
+00:01:02,559 --> 00:01:03,750
+hired you and I am paying you and I got
+to find out from the other side that
+
+46
+00:01:03,750 --> 00:01:03,760
+to find out from the other side that
+ 
+
+47
+00:01:03,760 --> 00:01:05,710
+to find out from the other side that
+they offered
+
+48
+00:01:05,710 --> 00:01:05,720
+they offered
+ 
+
+49
+00:01:05,720 --> 00:01:09,190
+they offered
+$200,000 I want to win this I'm going to
+
+50
+00:01:09,190 --> 00:01:09,200
+$200,000 I want to win this I'm going to
+ 
+
+51
+00:01:09,200 --> 00:01:12,070
+$200,000 I want to win this I'm going to
+the jury with a solid case I got a I got
+
+52
+00:01:12,070 --> 00:01:12,080
+the jury with a solid case I got a I got
+ 
+
+53
+00:01:12,080 --> 00:01:14,149
+the jury with a solid case I got a I got
+a famous doctor for an expert
+
+54
+00:01:14,149 --> 00:01:14,159
+a famous doctor for an expert
+ 
+
+55
+00:01:14,159 --> 00:01:16,830
+a famous doctor for an expert
+witness you're going to get what five
+
+56
+00:01:16,830 --> 00:01:16,840
+witness you're going to get what five
+ 
+
+57
+00:01:16,840 --> 00:01:19,190
+witness you're going to get what five
+six times
+
+58
+00:01:19,190 --> 00:01:19,200
+six times
+ 
+
+59
+00:01:19,200 --> 00:01:23,149
+six times
+what you
+
+60
+00:01:23,149 --> 00:01:23,159
+
+ 
+
+61
+00:01:23,159 --> 00:01:27,749
+
+guys you guys are all the
+
+62
+00:01:27,749 --> 00:01:27,759
+
+ 
+
+63
+00:01:27,759 --> 00:01:30,149
+
+same the doctor's at the hospital you
+
+64
+00:01:30,149 --> 00:01:30,159
+same the doctor's at the hospital you
+ 
+
+65
+00:01:30,159 --> 00:01:32,910
+same the doctor's at the hospital you
+it's always what I'm going to do for you
+
+66
+00:01:32,910 --> 00:01:32,920
+it's always what I'm going to do for you
+ 
+
+67
+00:01:32,920 --> 00:01:35,910
+it's always what I'm going to do for you
+and then you screw up and it's
+
+68
+00:01:35,910 --> 00:01:35,920
+and then you screw up and it's
+ 
+
+69
+00:01:35,920 --> 00:01:38,270
+and then you screw up and it's
+uh we did the best that we could I'm
+
+70
+00:01:38,270 --> 00:01:38,280
+uh we did the best that we could I'm
+ 
+
+71
+00:01:38,280 --> 00:01:40,350
+uh we did the best that we could I'm
+dreadfully
+
+72
+00:01:40,350 --> 00:01:40,360
+dreadfully
+ 
+
+73
+00:01:40,360 --> 00:01:42,910
+dreadfully
+sorry and people like us live with your
+
+74
+00:01:42,910 --> 00:01:42,920
+sorry and people like us live with your
+ 
+
+75
+00:01:42,920 --> 00:01:50,230
+sorry and people like us live with your
+mistakes the rest of our
+
+76
+00:01:50,230 --> 00:01:50,240
+
+ 
+
+77
+00:01:50,240 --> 00:02:13,480
+
+lives I took back the offer
+
+78
+00:02:13,480 --> 00:02:13,490
+
+ 
+
+79
+00:02:13,490 --> 00:02:40,580
+
+[Music]
+

1982/OE8Tc1cvSYM.description

@@ -0,0 +1,38 @@
+Airplane II: The Sequel movie clips: http://j.mp/1uw9RQW
+BUY THE MOVIE: http://amzn.to/zqIhyW
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Commander Buck Murdock (William Shatner) takes charge and gives orders.
+
+FILM DESCRIPTION:
+With the Jerry Zucker-Jim Abrahams-David Zucker team absent, this sequel to the cash-cow 1980 spoof Airplane once again finds garrulous man-with-a-past Ted Striker (Robert Hays) compelled to take over the controls of crippled aircraft, all the while trying to patch up his relationship with stewardess Elaine (Julie Hagerty). This time, the first passenger space shuttle is launched into orbit -- and takes off for the moon - but the on-board computer malfunctions and sends the craft hurtling toward the sun, threatening the lives of everyone on board. Lloyd Bridges and Peter Graves return from the first Airplane, while William Shatner, Chad Everett, Sonny Bono, Raymond Burr and Chuck Conners join the cast, as they too lampoon their established images.
+
+CREDITS:
+TM & © Paramount (1982)
+Cast: William Shatner, Richard Gilliland, Steven Hirsch
+Director: Ken Finkleman
+Producers: Mel Dellar, Howard W. Koch
+Screenwriter: Ken Finkleman
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/OE8Tc1cvSYM.en.srt

@@ -0,0 +1,535 @@
+1
+00:00:00,120 --> 00:00:02,790
+
+we were like brothers we flew together
+
+2
+00:00:02,790 --> 00:00:02,800
+we were like brothers we flew together
+ 
+
+3
+00:00:02,800 --> 00:00:04,150
+we were like brothers we flew together
+during the
+
+4
+00:00:04,150 --> 00:00:04,160
+during the
+ 
+
+5
+00:00:04,160 --> 00:00:08,430
+during the
+war we were close real close until until
+
+6
+00:00:08,430 --> 00:00:08,440
+war we were close real close until until
+ 
+
+7
+00:00:08,440 --> 00:00:11,270
+war we were close real close until until
+sir until that day over Macho Grande
+
+8
+00:00:11,270 --> 00:00:11,280
+sir until that day over Macho Grande
+ 
+
+9
+00:00:11,280 --> 00:00:13,350
+sir until that day over Macho Grande
+over Macho Grande sir no I'm afraid I'll
+
+10
+00:00:13,350 --> 00:00:13,360
+over Macho Grande sir no I'm afraid I'll
+ 
+
+11
+00:00:13,360 --> 00:00:15,470
+over Macho Grande sir no I'm afraid I'll
+never get over Macho Grande forget it
+
+12
+00:00:15,470 --> 00:00:15,480
+never get over Macho Grande forget it
+ 
+
+13
+00:00:15,480 --> 00:00:17,189
+never get over Macho Grande forget it
+Lieutenant it wasn't a pretty picture
+
+14
+00:00:17,189 --> 00:00:17,199
+Lieutenant it wasn't a pretty picture
+ 
+
+15
+00:00:17,199 --> 00:00:22,349
+Lieutenant it wasn't a pretty picture
+let's go right
+
+16
+00:00:22,349 --> 00:00:22,359
+
+ 
+
+17
+00:00:22,359 --> 00:00:25,109
+
+sir what do you found all I found is
+
+18
+00:00:25,109 --> 00:00:25,119
+sir what do you found all I found is
+ 
+
+19
+00:00:25,119 --> 00:00:26,630
+sir what do you found all I found is
+that these red lights keep moving back
+
+20
+00:00:26,630 --> 00:00:26,640
+that these red lights keep moving back
+ 
+
+21
+00:00:26,640 --> 00:00:28,070
+that these red lights keep moving back
+and forth aside from that this thing
+
+22
+00:00:28,070 --> 00:00:28,080
+and forth aside from that this thing
+ 
+
+23
+00:00:28,080 --> 00:00:29,230
+and forth aside from that this thing
+seems to have no other function
+
+24
+00:00:29,230 --> 00:00:29,240
+seems to have no other function
+ 
+
+25
+00:00:29,240 --> 00:00:30,790
+seems to have no other function
+whatsoever sir is impossible it must
+
+26
+00:00:30,790 --> 00:00:30,800
+whatsoever sir is impossible it must
+ 
+
+27
+00:00:30,800 --> 00:00:32,269
+whatsoever sir is impossible it must
+have some sort of function I mean why
+
+28
+00:00:32,269 --> 00:00:32,279
+have some sort of function I mean why
+ 
+
+29
+00:00:32,279 --> 00:00:33,270
+have some sort of function I mean why
+would the government put all that money
+
+30
+00:00:33,270 --> 00:00:33,280
+would the government put all that money
+ 
+
+31
+00:00:33,280 --> 00:00:34,709
+would the government put all that money
+into a thing with red lights that keep
+
+32
+00:00:34,709 --> 00:00:34,719
+into a thing with red lights that keep
+ 
+
+33
+00:00:34,719 --> 00:00:36,069
+into a thing with red lights that keep
+going back and forth doesn't make any
+
+34
+00:00:36,069 --> 00:00:36,079
+going back and forth doesn't make any
+ 
+
+35
+00:00:36,079 --> 00:00:37,470
+going back and forth doesn't make any
+sense keep working on us sir these
+
+36
+00:00:37,470 --> 00:00:37,480
+sense keep working on us sir these
+ 
+
+37
+00:00:37,480 --> 00:00:39,590
+sense keep working on us sir these
+lights keep blinking out of sequence sir
+
+38
+00:00:39,590 --> 00:00:39,600
+lights keep blinking out of sequence sir
+ 
+
+39
+00:00:39,600 --> 00:00:42,190
+lights keep blinking out of sequence sir
+I see what should we do about it sir get
+
+40
+00:00:42,190 --> 00:00:42,200
+I see what should we do about it sir get
+ 
+
+41
+00:00:42,200 --> 00:00:45,750
+I see what should we do about it sir get
+them to Blink in sequence you rojack
+
+42
+00:00:45,750 --> 00:00:45,760
+them to Blink in sequence you rojack
+ 
+
+43
+00:00:45,760 --> 00:00:47,029
+them to Blink in sequence you rojack
+what do you got well we've run these
+
+44
+00:00:47,029 --> 00:00:47,039
+what do you got well we've run these
+ 
+
+45
+00:00:47,039 --> 00:00:48,389
+what do you got well we've run these
+tests sir thank you Ro Shack what do you
+
+46
+00:00:48,389 --> 00:00:48,399
+tests sir thank you Ro Shack what do you
+ 
+
+47
+00:00:48,399 --> 00:00:50,069
+tests sir thank you Ro Shack what do you
+make of these Captain it's a bird it's a
+
+48
+00:00:50,069 --> 00:00:50,079
+make of these Captain it's a bird it's a
+ 
+
+49
+00:00:50,079 --> 00:00:51,910
+make of these Captain it's a bird it's a
+cow that's a horse with a hat on it sir
+
+50
+00:00:51,910 --> 00:00:51,920
+cow that's a horse with a hat on it sir
+ 
+
+51
+00:00:51,920 --> 00:00:54,910
+cow that's a horse with a hat on it sir
+I pulled Ted Striker's record and I
+
+52
+00:00:54,910 --> 00:00:54,920
+I pulled Ted Striker's record and I
+ 
+
+53
+00:00:54,920 --> 00:00:56,950
+I pulled Ted Striker's record and I
+don't think you're going to like it my
+
+54
+00:00:56,950 --> 00:00:56,960
+don't think you're going to like it my
+ 
+
+55
+00:00:56,960 --> 00:01:00,750
+don't think you're going to like it my
+God that's worse than I thought sir
+
+56
+00:01:00,750 --> 00:01:00,760
+God that's worse than I thought sir
+ 
+
+57
+00:01:00,760 --> 00:01:02,069
+God that's worse than I thought sir
+they should hit our atmosphere in about
+
+58
+00:01:02,069 --> 00:01:02,079
+they should hit our atmosphere in about
+ 
+
+59
+00:01:02,079 --> 00:01:04,149
+they should hit our atmosphere in about
+3 minutes how do you want to play it I
+
+60
+00:01:04,149 --> 00:01:04,159
+3 minutes how do you want to play it I
+ 
+
+61
+00:01:04,159 --> 00:01:07,109
+3 minutes how do you want to play it I
+want a 6t trench dug around the entire
+
+62
+00:01:07,109 --> 00:01:07,119
+want a 6t trench dug around the entire
+ 
+
+63
+00:01:07,119 --> 00:01:09,830
+want a 6t trench dug around the entire
+base Phill of gasoline sir you yes sir
+
+64
+00:01:09,830 --> 00:01:09,840
+base Phill of gasoline sir you yes sir
+ 
+
+65
+00:01:09,840 --> 00:01:10,990
+base Phill of gasoline sir you yes sir
+get the women and children to the lower
+
+66
+00:01:10,990 --> 00:01:11,000
+get the women and children to the lower
+ 
+
+67
+00:01:11,000 --> 00:01:13,149
+get the women and children to the lower
+shelters contact the Japanese Ambassador
+
+68
+00:01:13,149 --> 00:01:13,159
+shelters contact the Japanese Ambassador
+ 
+
+69
+00:01:13,159 --> 00:01:16,749
+shelters contact the Japanese Ambassador
+sir rojac yes sir get me a complete file
+
+70
+00:01:16,749 --> 00:01:16,759
+sir rojac yes sir get me a complete file
+ 
+
+71
+00:01:16,759 --> 00:01:17,950
+sir rojac yes sir get me a complete file
+on everyone who's seen The Sound of
+
+72
+00:01:17,950 --> 00:01:17,960
+on everyone who's seen The Sound of
+ 
+
+73
+00:01:17,960 --> 00:01:20,510
+on everyone who's seen The Sound of
+Music more than four times yes sir on
+
+74
+00:01:20,510 --> 00:01:20,520
+Music more than four times yes sir on
+ 
+
+75
+00:01:20,520 --> 00:01:24,420
+Music more than four times yes sir on
+second thought kill those orders down
+
+76
+00:01:24,420 --> 00:01:24,430
+second thought kill those orders down
+ 
+
+77
+00:01:24,430 --> 00:01:26,510
+second thought kill those orders down
+[Music]
+
+78
+00:01:26,510 --> 00:01:26,520
+[Music]
+ 
+
+79
+00:01:26,520 --> 00:01:29,350
+[Music]
+scope fate can play a strange game
+
+80
+00:01:29,350 --> 00:01:29,360
+scope fate can play a strange game
+ 
+
+81
+00:01:29,360 --> 00:01:30,630
+scope fate can play a strange game
+sometimes liutenant
+
+82
+00:01:30,630 --> 00:01:30,640
+sometimes liutenant
+ 
+
+83
+00:01:30,640 --> 00:01:31,590
+sometimes liutenant
+fate
+
+84
+00:01:31,590 --> 00:01:31,600
+fate
+ 
+
+85
+00:01:31,600 --> 00:01:34,389
+fate
+sir Striker wipes out his entire
+
+86
+00:01:34,389 --> 00:01:34,399
+sir Striker wipes out his entire
+ 
+
+87
+00:01:34,399 --> 00:01:36,310
+sir Striker wipes out his entire
+Squadron over Macho
+
+88
+00:01:36,310 --> 00:01:36,320
+Squadron over Macho
+ 
+
+89
+00:01:36,320 --> 00:01:38,830
+Squadron over Macho
+Grande and now those people's lives up
+
+90
+00:01:38,830 --> 00:01:38,840
+Grande and now those people's lives up
+ 
+
+91
+00:01:38,840 --> 00:01:41,310
+Grande and now those people's lives up
+there are in his
+
+92
+00:01:41,310 --> 00:01:41,320
+there are in his
+ 
+
+93
+00:01:41,320 --> 00:01:46,789
+there are in his
+hands I guess irony can be pretty ironic
+
+94
+00:01:46,789 --> 00:01:46,799
+hands I guess irony can be pretty ironic
+ 
+
+95
+00:01:46,799 --> 00:01:49,389
+hands I guess irony can be pretty ironic
+sometimes but it's his ship
+
+96
+00:01:49,389 --> 00:01:49,399
+sometimes but it's his ship
+ 
+
+97
+00:01:49,399 --> 00:01:52,310
+sometimes but it's his ship
+now he's the top
+
+98
+00:01:52,310 --> 00:01:52,320
+now he's the top
+ 
+
+99
+00:01:52,320 --> 00:01:54,550
+now he's the top
+dog the big
+
+100
+00:01:54,550 --> 00:01:54,560
+dog the big
+ 
+
+101
+00:01:54,560 --> 00:01:59,950
+dog the big
+man Numero Uno Honcho
+
+102
+00:01:59,950 --> 00:01:59,960
+
+ 
+
+103
+00:01:59,960 --> 00:02:10,029
+
+the head
+
+104
+00:02:10,029 --> 00:02:10,039
+
+ 
+
+105
+00:02:10,039 --> 00:02:13,430
+
+cheese just hope he has the right stuff
+
+106
+00:02:13,430 --> 00:02:13,440
+cheese just hope he has the right stuff
+ 
+
+107
+00:02:13,440 --> 00:02:44,490
+cheese just hope he has the right stuff
+[Music]
+

1982/ONit4ATZmhw.en.srt

@@ -0,0 +1,325 @@
+1
+00:00:00,080 --> 00:00:02,070
+
+he's just another fighter no he ain't
+
+2
+00:00:02,070 --> 00:00:02,080
+he's just another fighter no he ain't
+ 
+
+3
+00:00:02,080 --> 00:00:04,590
+he's just another fighter no he ain't
+just another fighter this guy is a
+
+4
+00:00:04,590 --> 00:00:04,600
+just another fighter this guy is a
+ 
+
+5
+00:00:04,600 --> 00:00:07,309
+just another fighter this guy is a
+wrecking machine and he's hungry hell
+
+6
+00:00:07,309 --> 00:00:07,319
+wrecking machine and he's hungry hell
+ 
+
+7
+00:00:07,319 --> 00:00:09,230
+wrecking machine and he's hungry hell
+you ain't been hungry since you won that
+
+8
+00:00:09,230 --> 00:00:09,240
+you ain't been hungry since you won that
+ 
+
+9
+00:00:09,240 --> 00:00:10,629
+you ain't been hungry since you won that
+belt oh what are you talking about I've
+
+10
+00:00:10,629 --> 00:00:10,639
+belt oh what are you talking about I've
+ 
+
+11
+00:00:10,639 --> 00:00:13,230
+belt oh what are you talking about I've
+had 10 title defenses that was easy what
+
+12
+00:00:13,230 --> 00:00:13,240
+had 10 title defenses that was easy what
+ 
+
+13
+00:00:13,240 --> 00:00:18,470
+had 10 title defenses that was easy what
+do you mean easy they was hand
+
+14
+00:00:18,470 --> 00:00:18,480
+
+ 
+
+15
+00:00:18,480 --> 00:00:22,349
+
+picked setups yeah they W setups there
+
+16
+00:00:22,349 --> 00:00:22,359
+picked setups yeah they W setups there
+ 
+
+17
+00:00:22,359 --> 00:00:24,029
+picked setups yeah they W setups there
+was good Fighters but they wasn't
+
+18
+00:00:24,029 --> 00:00:24,039
+was good Fighters but they wasn't
+ 
+
+19
+00:00:24,039 --> 00:00:26,830
+was good Fighters but they wasn't
+Killers like this guy he'll knock you in
+
+20
+00:00:26,830 --> 00:00:26,840
+Killers like this guy he'll knock you in
+ 
+
+21
+00:00:26,840 --> 00:00:52,270
+Killers like this guy he'll knock you in
+tomorrow Rock
+
+22
+00:00:52,270 --> 00:00:52,280
+
+ 
+
+23
+00:00:52,280 --> 00:00:55,470
+
+why' you do
+
+24
+00:00:55,470 --> 00:00:55,480
+
+ 
+
+25
+00:00:55,480 --> 00:00:59,189
+
+it because the beating that you got from
+
+26
+00:00:59,189 --> 00:00:59,199
+it because the beating that you got from
+ 
+
+27
+00:00:59,199 --> 00:01:02,389
+it because the beating that you got from
+a polisher killed you kid it didn't it
+
+28
+00:01:02,389 --> 00:01:02,399
+a polisher killed you kid it didn't it
+ 
+
+29
+00:01:02,399 --> 00:01:05,710
+a polisher killed you kid it didn't it
+was my job to keep you winning and to
+
+30
+00:01:05,710 --> 00:01:05,720
+was my job to keep you winning and to
+ 
+
+31
+00:01:05,720 --> 00:01:11,710
+was my job to keep you winning and to
+keep you
+
+32
+00:01:11,710 --> 00:01:11,720
+
+ 
+
+33
+00:01:11,720 --> 00:01:14,149
+
+healthy really don't think I got nothing
+
+34
+00:01:14,149 --> 00:01:14,159
+healthy really don't think I got nothing
+ 
+
+35
+00:01:14,159 --> 00:01:15,749
+healthy really don't think I got nothing
+left do
+
+36
+00:01:15,749 --> 00:01:15,759
+left do
+ 
+
+37
+00:01:15,759 --> 00:01:21,469
+left do
+you well let let's put it this
+
+38
+00:01:21,469 --> 00:01:21,479
+you well let let's put it this
+ 
+
+39
+00:01:21,479 --> 00:01:25,030
+you well let let's put it this
+way three years ago you were
+
+40
+00:01:25,030 --> 00:01:25,040
+way three years ago you were
+ 
+
+41
+00:01:25,040 --> 00:01:28,390
+way three years ago you were
+Supernatural you was it was hard and you
+
+42
+00:01:28,390 --> 00:01:28,400
+Supernatural you was it was hard and you
+ 
+
+43
+00:01:28,400 --> 00:01:32,670
+Supernatural you was it was hard and you
+was nasty and yet just Cast Iron
+
+44
+00:01:32,670 --> 00:01:32,680
+was nasty and yet just Cast Iron
+ 
+
+45
+00:01:32,680 --> 00:01:34,510
+was nasty and yet just Cast Iron
+Jaw but
+
+46
+00:01:34,510 --> 00:01:34,520
+Jaw but
+ 
+
+47
+00:01:34,520 --> 00:01:38,109
+Jaw but
+then the worst thing happened to you
+
+48
+00:01:38,109 --> 00:01:38,119
+then the worst thing happened to you
+ 
+
+49
+00:01:38,119 --> 00:01:40,149
+then the worst thing happened to you
+that could happen to any
+
+50
+00:01:40,149 --> 00:01:40,159
+that could happen to any
+ 
+
+51
+00:01:40,159 --> 00:01:48,030
+that could happen to any
+fighter you got
+
+52
+00:01:48,030 --> 00:01:48,040
+
+ 
+
+53
+00:01:48,040 --> 00:01:50,069
+
+civilized I don't
+
+54
+00:01:50,069 --> 00:01:50,079
+civilized I don't
+ 
+
+55
+00:01:50,079 --> 00:01:54,749
+civilized I don't
+work you know presidents retire generals
+
+56
+00:01:54,749 --> 00:01:54,759
+work you know presidents retire generals
+ 
+
+57
+00:01:54,759 --> 00:01:58,870
+work you know presidents retire generals
+retired horses retired man of war
+
+58
+00:01:58,870 --> 00:01:58,880
+retired horses retired man of war
+ 
+
+59
+00:01:58,880 --> 00:02:02,310
+retired horses retired man of war
+retired they put him out the
+
+60
+00:02:02,310 --> 00:02:02,320
+retired they put him out the
+ 
+
+61
+00:02:02,320 --> 00:02:04,910
+retired they put him out the
+stud that's what you should have done
+
+62
+00:02:04,910 --> 00:02:04,920
+stud that's what you should have done
+ 
+
+63
+00:02:04,920 --> 00:02:08,969
+stud that's what you should have done
+retire
+
+64
+00:02:08,969 --> 00:02:08,979
+
+ 
+
+65
+00:02:08,979 --> 00:02:38,189
+
+[Music]
+

1982/OeLnS8O08ng.description

@@ -0,0 +1,38 @@
+Airplane II: The Sequel movie clips: http://j.mp/1uw9RQW
+BUY THE MOVIE: http://amzn.to/zqIhyW
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Elaine Dickinson (Julie Hagerty) helps Ted Striker (Robert Hays) find a piece of metal to shove into the panel per Commander Murdock's (William Shatner) orders.
+
+FILM DESCRIPTION:
+With the Jerry Zucker-Jim Abrahams-David Zucker team absent, this sequel to the cash-cow 1980 spoof Airplane once again finds garrulous man-with-a-past Ted Striker (Robert Hays) compelled to take over the controls of crippled aircraft, all the while trying to patch up his relationship with stewardess Elaine (Julie Hagerty). This time, the first passenger space shuttle is launched into orbit -- and takes off for the moon - but the on-board computer malfunctions and sends the craft hurtling toward the sun, threatening the lives of everyone on board. Lloyd Bridges and Peter Graves return from the first Airplane, while William Shatner, Chad Everett, Sonny Bono, Raymond Burr and Chuck Conners join the cast, as they too lampoon their established images.
+
+CREDITS:
+TM & © Paramount (1982)
+Cast: Robert Hays, Julie Hagerty, William Shatner, Craig Berenson, Richard Gilliland
+Director: Ken Finkleman
+Producers: Mel Dellar, Howard W. Koch
+Screenwriter: Ken Finkleman
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/OeLnS8O08ng.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:00,160 --> 00:00:03,590
+
+oh cut the bleeding hard crap will you
+
+2
+00:00:03,590 --> 00:00:03,600
+oh cut the bleeding hard crap will you
+ 
+
+3
+00:00:03,600 --> 00:00:04,950
+oh cut the bleeding hard crap will you
+we've all got our switches lights and
+
+4
+00:00:04,950 --> 00:00:04,960
+we've all got our switches lights and
+ 
+
+5
+00:00:04,960 --> 00:00:06,990
+we've all got our switches lights and
+knobs to deal with Striker I mean down
+
+6
+00:00:06,990 --> 00:00:07,000
+knobs to deal with Striker I mean down
+ 
+
+7
+00:00:07,000 --> 00:00:09,070
+knobs to deal with Striker I mean down
+here there are literally hundreds and
+
+8
+00:00:09,070 --> 00:00:09,080
+here there are literally hundreds and
+ 
+
+9
+00:00:09,080 --> 00:00:11,070
+here there are literally hundreds and
+thousands of blinking beeping and
+
+10
+00:00:11,070 --> 00:00:11,080
+thousands of blinking beeping and
+ 
+
+11
+00:00:11,080 --> 00:00:14,070
+thousands of blinking beeping and
+flashing lights blinking and beeping and
+
+12
+00:00:14,070 --> 00:00:14,080
+flashing lights blinking and beeping and
+ 
+
+13
+00:00:14,080 --> 00:00:16,550
+flashing lights blinking and beeping and
+flashing they're flashing and they're
+
+14
+00:00:16,550 --> 00:00:16,560
+flashing they're flashing and they're
+ 
+
+15
+00:00:16,560 --> 00:00:18,630
+flashing they're flashing and they're
+beeping I can't stand it anymore they're
+
+16
+00:00:18,630 --> 00:00:18,640
+beeping I can't stand it anymore they're
+ 
+
+17
+00:00:18,640 --> 00:00:20,509
+beeping I can't stand it anymore they're
+blinking and beeping and fling why
+
+18
+00:00:20,509 --> 00:00:20,519
+blinking and beeping and fling why
+ 
+
+19
+00:00:20,519 --> 00:00:21,790
+blinking and beeping and fling why
+doesn't somebody
+
+20
+00:00:21,790 --> 00:00:21,800
+doesn't somebody
+ 
+
+21
+00:00:21,800 --> 00:00:25,750
+doesn't somebody
+P I'm all right I'm all right all right
+
+22
+00:00:25,750 --> 00:00:25,760
+P I'm all right I'm all right all right
+ 
+
+23
+00:00:25,760 --> 00:00:28,509
+P I'm all right I'm all right all right
+Striker you're going to have to pull
+
+24
+00:00:28,509 --> 00:00:28,519
+Striker you're going to have to pull
+ 
+
+25
+00:00:28,519 --> 00:00:31,109
+Striker you're going to have to pull
+that lever panel off do you understand
+
+26
+00:00:31,109 --> 00:00:31,119
+that lever panel off do you understand
+ 
+
+27
+00:00:31,119 --> 00:00:35,560
+that lever panel off do you understand
+just rip it off Roger Elaine
+
+28
+00:00:35,560 --> 00:00:35,570
+just rip it off Roger Elaine
+ 
+
+29
+00:00:35,570 --> 00:00:55,349
+just rip it off Roger Elaine
+[Music]
+
+30
+00:00:55,349 --> 00:00:55,359
+[Music]
+ 
+
+31
+00:00:55,359 --> 00:00:58,470
+[Music]
+screwdriver okay the panel's off Striker
+
+32
+00:00:58,470 --> 00:00:58,480
+screwdriver okay the panel's off Striker
+ 
+
+33
+00:00:58,480 --> 00:01:00,310
+screwdriver okay the panel's off Striker
+find a piece of metal and shove it in
+
+34
+00:01:00,310 --> 00:01:00,320
+find a piece of metal and shove it in
+ 
+
+35
+00:01:00,320 --> 00:01:04,109
+find a piece of metal and shove it in
+there piece of metal hurry Striker any
+
+36
+00:01:04,109 --> 00:01:04,119
+there piece of metal hurry Striker any
+ 
+
+37
+00:01:04,119 --> 00:01:05,670
+there piece of metal hurry Striker any
+piece of metal will do I give my right
+
+38
+00:01:05,670 --> 00:01:05,680
+piece of metal will do I give my right
+ 
+
+39
+00:01:05,680 --> 00:01:06,830
+piece of metal will do I give my right
+arm to get a piece of metal from this
+
+40
+00:01:06,830 --> 00:01:06,840
+arm to get a piece of metal from this
+ 
+
+41
+00:01:06,840 --> 00:01:08,710
+arm to get a piece of metal from this
+room up to that poor boob right now I
+
+42
+00:01:08,710 --> 00:01:08,720
+room up to that poor boob right now I
+ 
+
+43
+00:01:08,720 --> 00:01:11,149
+room up to that poor boob right now I
+mean here we are surrounded by metal FIS
+
+44
+00:01:11,149 --> 00:01:11,159
+mean here we are surrounded by metal FIS
+ 
+
+45
+00:01:11,159 --> 00:01:13,630
+mean here we are surrounded by metal FIS
+and it's useless as as well write them
+
+46
+00:01:13,630 --> 00:01:13,640
+and it's useless as as well write them
+ 
+
+47
+00:01:13,640 --> 00:01:17,070
+and it's useless as as well write them
+off let's close up the bridge let's get
+
+48
+00:01:17,070 --> 00:01:17,080
+off let's close up the bridge let's get
+ 
+
+49
+00:01:17,080 --> 00:01:18,109
+off let's close up the bridge let's get
+out of
+
+50
+00:01:18,109 --> 00:01:18,119
+out of
+ 
+
+51
+00:01:18,119 --> 00:01:20,990
+out of
+here close it up lights
+
+52
+00:01:20,990 --> 00:01:21,000
+here close it up lights
+ 
+
+53
+00:01:21,000 --> 00:01:23,429
+here close it up lights
+out where am I going to find a piece of
+
+54
+00:01:23,429 --> 00:01:23,439
+out where am I going to find a piece of
+ 
+
+55
+00:01:23,439 --> 00:01:27,230
+out where am I going to find a piece of
+metal here in
+
+56
+00:01:27,230 --> 00:01:27,240
+metal here in
+ 
+
+57
+00:01:27,240 --> 00:01:35,550
+metal here in
+space at this hour
+
+58
+00:01:35,550 --> 00:01:35,560
+
+ 
+
+59
+00:01:35,560 --> 00:01:51,030
+
+[Music]
+
+60
+00:01:51,030 --> 00:01:51,040
+[Music]
+ 
+
+61
+00:01:51,040 --> 00:01:55,789
+[Music]
+will this work
+
+62
+00:01:55,789 --> 00:01:55,799
+
+ 
+
+63
+00:01:55,799 --> 00:02:01,310
+
+T thanks
+
+64
+00:02:01,310 --> 00:02:01,320
+
+ 
+
+65
+00:02:01,320 --> 00:02:03,870
+
+hold it foru I think I've got something
+
+66
+00:02:03,870 --> 00:02:03,880
+hold it foru I think I've got something
+ 
+
+67
+00:02:03,880 --> 00:02:08,550
+hold it foru I think I've got something
+that just might work wait a bobby pin a
+
+68
+00:02:08,550 --> 00:02:08,560
+that just might work wait a bobby pin a
+ 
+
+69
+00:02:08,560 --> 00:02:11,350
+that just might work wait a bobby pin a
+bobby pin what the hell's a man doing
+
+70
+00:02:11,350 --> 00:02:11,360
+bobby pin what the hell's a man doing
+ 
+
+71
+00:02:11,360 --> 00:02:20,900
+bobby pin what the hell's a man doing
+with a bobby pin
+
+72
+00:02:20,900 --> 00:02:20,910
+
+ 
+
+73
+00:02:20,910 --> 00:02:43,500
+
+[Music]
+

1982/OofMJ6cwzLM.description

@@ -0,0 +1,38 @@
+Star Trek: The Wrath of Khan movie clips: http://j.mp/1L74E6N
+BUY THE MOVIE: http://amzn.to/sRa1qV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Khan (Ricardo Montalban) inserts his pets into Chekov (Walter Koenig) and Terrell (Paul Winfield) in order to get them to talk.
+
+FILM DESCRIPTION:
+Star Trek II: The Wrath of Khan is fondly regarded as being the closest in spirit to the 1966-69 TV series that spawned it. Admiral Kirk (William Shatner) escapes the tedium of a desk job to join Mr. Spock (Leonard Nimoy) and Dr. Leonard "Bones" McCoy (DeForest Kelley) on another space mission. While boldly going where no man etc. etc., Kirk crosses the path of his old enemy Khan (Ricardo Montalban), who as any die-hard Trekker can tell you, was the chief antagonist in the 1966 Trek TV episode "Space Seed." Leading a crew of near-savage space prisoners, Khan insinuates himself into the Genesis Project, which is designed to introduce living organisms on long-dead planets. Intending to harness this program for his own despotic purposes, Khan engages in battle with the Enterprise crew.
+
+CREDITS:
+TM & © Paramount (1982)
+Cast: Walter Koenig, Ricardo Montalban, Paul Winfield
+Director: Nicholas Meyer
+Producers: Harve Bennett, William F. Phillips, Robert Sallin
+Screenwriters: Harve Bennett, Nicholas Meyer, Gene Roddenberry, Jack B. Sowards, Samuel A. Peeples, Ramon Sanchez
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/OofMJ6cwzLM.en.srt

@@ -0,0 +1,235 @@
+1
+00:00:11,700 --> 00:00:15,350
+
+[Music]
+
+2
+00:00:15,350 --> 00:00:15,360
+[Music]
+ 
+
+3
+00:00:15,360 --> 00:00:20,070
+[Music]
+oh not all at
+
+4
+00:00:20,070 --> 00:00:20,080
+
+ 
+
+5
+00:00:20,080 --> 00:00:22,189
+
+once and
+
+6
+00:00:22,189 --> 00:00:22,199
+once and
+ 
+
+7
+00:00:22,199 --> 00:00:36,750
+once and
+not instantly to be sure
+
+8
+00:00:36,750 --> 00:00:36,760
+
+ 
+
+9
+00:00:36,760 --> 00:00:41,670
+
+you see they're young enter through the
+
+10
+00:00:41,670 --> 00:00:41,680
+you see they're young enter through the
+ 
+
+11
+00:00:41,680 --> 00:00:44,190
+you see they're young enter through the
+ears and wrap themselves around the
+
+12
+00:00:44,190 --> 00:00:44,200
+ears and wrap themselves around the
+ 
+
+13
+00:00:44,200 --> 00:00:45,630
+ears and wrap themselves around the
+cerebral
+
+14
+00:00:45,630 --> 00:00:45,640
+cerebral
+ 
+
+15
+00:00:45,640 --> 00:00:47,869
+cerebral
+cortex this has the effect of rendering
+
+16
+00:00:47,869 --> 00:00:47,879
+cortex this has the effect of rendering
+ 
+
+17
+00:00:47,879 --> 00:00:53,510
+cortex this has the effect of rendering
+the victim extremely susceptible to uh
+
+18
+00:00:53,510 --> 00:00:53,520
+
+ 
+
+19
+00:00:53,520 --> 00:00:56,110
+
+suggestion later as
+
+20
+00:00:56,110 --> 00:00:56,120
+suggestion later as
+ 
+
+21
+00:00:56,120 --> 00:00:58,910
+suggestion later as
+they
+
+22
+00:00:58,910 --> 00:00:58,920
+they
+ 
+
+23
+00:00:58,920 --> 00:01:03,350
+they
+grow follows
+
+24
+00:01:03,350 --> 00:01:03,360
+
+ 
+
+25
+00:01:03,360 --> 00:01:12,630
+
+Madness
+
+26
+00:01:12,630 --> 00:01:12,640
+
+ 
+
+27
+00:01:12,640 --> 00:01:20,910
+
+death KH listen to me these are pets of
+
+28
+00:01:20,910 --> 00:01:20,920
+
+ 
+
+29
+00:01:20,920 --> 00:01:23,390
+
+course not
+
+30
+00:01:23,390 --> 00:01:23,400
+course not
+ 
+
+31
+00:01:23,400 --> 00:01:25,550
+course not
+quite
+
+32
+00:01:25,550 --> 00:01:25,560
+quite
+ 
+
+33
+00:01:25,560 --> 00:01:28,510
+quite
+domesticated KH Captain Kirk was only
+
+34
+00:01:28,510 --> 00:01:28,520
+domesticated KH Captain Kirk was only
+ 
+
+35
+00:01:28,520 --> 00:01:30,680
+domesticated KH Captain Kirk was only
+doing his duty
+
+36
+00:01:30,680 --> 00:01:30,690
+doing his duty
+ 
+
+37
+00:01:30,690 --> 00:01:48,130
+doing his duty
+[Music]
+
+38
+00:01:48,130 --> 00:01:48,140
+
+ 
+
+39
+00:01:48,140 --> 00:01:58,709
+
+[Music]
+
+40
+00:01:58,709 --> 00:01:58,719
+
+ 
+
+41
+00:01:58,719 --> 00:02:02,230
+
+no that that's
+
+42
+00:02:02,230 --> 00:02:02,240
+
+ 
+
+43
+00:02:02,240 --> 00:02:05,029
+
+better now tell
+
+44
+00:02:05,029 --> 00:02:05,039
+better now tell
+ 
+
+45
+00:02:05,039 --> 00:02:15,900
+better now tell
+me why are you here
+
+46
+00:02:15,900 --> 00:02:15,910
+
+ 
+
+47
+00:02:15,910 --> 00:02:38,479
+
+[Music]
+

1982/QN_Nod65e7o.description

@@ -0,0 +1,38 @@
+Fast Times at Ridgemont High movie clips: http://j.mp/1COZtCp
+BUY THE MOVIE: http://amzn.to/rvTf1k
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Spicoli (Sean Penn) trashes Jefferson's car while toking and driving, but he assures him that he can fix it.
+
+FILM DESCRIPTION:
+Amy Heckerling's adaptation of Cameron Crowe's Fast Times at Ridgemont High is often considered one of the finest films of a disreputable genre (the teen sex comedy), and kick-started the careers of many future stars. The center of this ensemble film is Jennifer Jason Leigh as Stacy Hamilton. She is a young, innocent high-school student who, as the film opens, is asking for advice from her friend, the sexually outspoken Linda Barrett (Phoebe Cates). Stacy takes a liking to nebbish Mark Ratner (Brian Backer), but he is too afraid to make a move even after Stacy all but throws herself at him. She eventually hooks up with Mark's more confident best friend, Mike Damone (Robert Romanus). When not concerning itself with these four characters, the film spends time with stoned surfer dude Jeff Spicoli (Sean Penn) and his ongoing feud with history teacher Mr. Hand (Ray Walston). The film includes brief appearances by such future stars as Nicolas Cage, Eric Stoltz, and Forest Whitaker.
+
+CREDITS:
+TM & © Universal (1982)
+Cast: Stanley Davis Jr., Sean Penn
+Director: Amy Heckerling
+Producers: Irving Azoff, C.O. Erickson, Art Linson
+Screenwriter: Cameron Crowe
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/QN_Nod65e7o.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:00,000 --> 00:00:02,690
+
+[Music]
+
+2
+00:00:02,690 --> 00:00:02,700
+[Music]
+ 
+
+3
+00:00:02,700 --> 00:00:07,990
+[Music]
+[Applause]
+
+4
+00:00:07,990 --> 00:00:08,000
+
+ 
+
+5
+00:00:08,000 --> 00:00:14,190
+
+seeing the new Playboy good oh D TI all
+
+6
+00:00:14,190 --> 00:00:14,200
+seeing the new Playboy good oh D TI all
+ 
+
+7
+00:00:14,200 --> 00:00:17,360
+seeing the new Playboy good oh D TI all
+right I like
+
+8
+00:00:17,360 --> 00:00:17,370
+right I like
+ 
+
+9
+00:00:17,370 --> 00:00:19,269
+right I like
+[Music]
+
+10
+00:00:19,269 --> 00:00:19,279
+[Music]
+ 
+
+11
+00:00:19,279 --> 00:00:24,269
+[Music]
+SS people on N should not drive I got
+
+12
+00:00:24,269 --> 00:00:24,279
+SS people on N should not drive I got
+ 
+
+13
+00:00:24,279 --> 00:00:28,470
+SS people on N should not drive I got
+the strange
+
+14
+00:00:28,470 --> 00:00:28,480
+
+ 
+
+15
+00:00:28,480 --> 00:00:31,269
+
+Fascination for this
+
+16
+00:00:31,269 --> 00:00:31,279
+Fascination for this
+ 
+
+17
+00:00:31,279 --> 00:00:33,430
+Fascination for this
+hey hey this is no brother's
+
+18
+00:00:33,430 --> 00:00:33,440
+hey hey this is no brother's
+ 
+
+19
+00:00:33,440 --> 00:00:36,270
+hey hey this is no brother's
+car you said he was out of time and he
+
+20
+00:00:36,270 --> 00:00:36,280
+car you said he was out of time and he
+ 
+
+21
+00:00:36,280 --> 00:00:39,549
+car you said he was out of time and he
+is all right don't
+
+22
+00:00:39,549 --> 00:00:39,559
+is all right don't
+ 
+
+23
+00:00:39,559 --> 00:00:46,670
+is all right don't
+H she the
+
+24
+00:00:46,670 --> 00:00:46,680
+
+ 
+
+25
+00:00:46,680 --> 00:00:50,630
+
+ball be cheing it
+
+26
+00:00:50,630 --> 00:00:50,640
+ball be cheing it
+ 
+
+27
+00:00:50,640 --> 00:00:53,709
+ball be cheing it
+[Applause]
+
+28
+00:00:53,709 --> 00:00:53,719
+[Applause]
+ 
+
+29
+00:00:53,719 --> 00:00:57,549
+[Applause]
+out hey you crazy that light was red was
+
+30
+00:00:57,549 --> 00:00:57,559
+out hey you crazy that light was red was
+ 
+
+31
+00:00:57,559 --> 00:01:00,709
+out hey you crazy that light was red was
+yellow a minute ago AR sure got speci
+
+32
+00:01:00,709 --> 00:01:00,719
+yellow a minute ago AR sure got speci
+ 
+
+33
+00:01:00,719 --> 00:01:01,709
+yellow a minute ago AR sure got speci
+bu's
+
+34
+00:01:01,709 --> 00:01:01,719
+bu's
+ 
+
+35
+00:01:01,719 --> 00:01:04,469
+bu's
+car no I'm
+
+36
+00:01:04,469 --> 00:01:04,479
+car no I'm
+ 
+
+37
+00:01:04,479 --> 00:01:09,950
+car no I'm
+not now look I'm driving you
+
+38
+00:01:09,950 --> 00:01:09,960
+not now look I'm driving you
+ 
+
+39
+00:01:09,960 --> 00:01:13,270
+not now look I'm driving you
+again where is this
+
+40
+00:01:13,270 --> 00:01:13,280
+again where is this
+ 
+
+41
+00:01:13,280 --> 00:01:16,310
+again where is this
+party hey make a ride right here here
+
+42
+00:01:16,310 --> 00:01:16,320
+party hey make a ride right here here
+ 
+
+43
+00:01:16,320 --> 00:01:33,870
+party hey make a ride right here here
+here
+
+44
+00:01:33,870 --> 00:01:33,880
+
+ 
+
+45
+00:01:33,880 --> 00:01:35,990
+
+my brother's going to kill us he's going
+
+46
+00:01:35,990 --> 00:01:36,000
+my brother's going to kill us he's going
+ 
+
+47
+00:01:36,000 --> 00:01:38,270
+my brother's going to kill us he's going
+to kill us he's going to kill you and
+
+48
+00:01:38,270 --> 00:01:38,280
+to kill us he's going to kill you and
+ 
+
+49
+00:01:38,280 --> 00:01:40,469
+to kill us he's going to kill you and
+he's going to kill me he's going to kill
+
+50
+00:01:40,469 --> 00:01:40,479
+he's going to kill me he's going to kill
+ 
+
+51
+00:01:40,479 --> 00:01:43,190
+he's going to kill me he's going to kill
+us hey man just be glad I had fast
+
+52
+00:01:43,190 --> 00:01:43,200
+us hey man just be glad I had fast
+ 
+
+53
+00:01:43,200 --> 00:01:46,069
+us hey man just be glad I had fast
+reflexes my brother's going to make
+
+54
+00:01:46,069 --> 00:01:46,079
+reflexes my brother's going to make
+ 
+
+55
+00:01:46,079 --> 00:01:47,990
+reflexes my brother's going to make
+up your mind dude is he going to or
+
+56
+00:01:47,990 --> 00:01:48,000
+up your mind dude is he going to or
+ 
+
+57
+00:01:48,000 --> 00:01:49,789
+up your mind dude is he going to or
+is he going to kill us first he's going
+
+58
+00:01:49,789 --> 00:01:49,799
+is he going to kill us first he's going
+ 
+
+59
+00:01:49,799 --> 00:01:52,230
+is he going to kill us first he's going
+to then he's going to kill
+
+60
+00:01:52,230 --> 00:01:52,240
+to then he's going to kill
+ 
+
+61
+00:01:52,240 --> 00:01:56,789
+to then he's going to kill
+us relax all right my old man it's a
+
+62
+00:01:56,789 --> 00:01:56,799
+us relax all right my old man it's a
+ 
+
+63
+00:01:56,799 --> 00:01:59,389
+us relax all right my old man it's a
+television repair man got this ultimate
+
+64
+00:01:59,389 --> 00:01:59,399
+television repair man got this ultimate
+ 
+
+65
+00:01:59,399 --> 00:02:03,630
+television repair man got this ultimate
+set of tools I can fix it you can't fix
+
+66
+00:02:03,630 --> 00:02:03,640
+set of tools I can fix it you can't fix
+ 
+
+67
+00:02:03,640 --> 00:02:08,790
+set of tools I can fix it you can't fix
+this
+
+68
+00:02:08,790 --> 00:02:08,800
+
+ 
+
+69
+00:02:08,800 --> 00:02:12,430
+
+Caroli I can fix it
+
+70
+00:02:12,430 --> 00:02:12,440
+Caroli I can fix it
+ 
+
+71
+00:02:12,440 --> 00:02:43,509
+Caroli I can fix it
+[Music]
+

1982/RNPPrvhTKuc.en.srt

@@ -0,0 +1,115 @@
+1
+00:00:03,140 --> 00:00:07,709
+
+[Music]
+
+2
+00:00:07,709 --> 00:00:07,719
+
+ 
+
+3
+00:00:07,719 --> 00:00:32,160
+
+this place easy my man we got business
+
+4
+00:00:32,160 --> 00:00:32,170
+this place easy my man we got business
+ 
+
+5
+00:00:32,170 --> 00:00:45,690
+this place easy my man we got business
+[Music]
+
+6
+00:00:45,690 --> 00:00:45,700
+
+ 
+
+7
+00:00:45,700 --> 00:01:04,219
+
+[Music]
+
+8
+00:01:04,219 --> 00:01:04,229
+
+ 
+
+9
+00:01:04,229 --> 00:01:08,130
+
+look I thought you liked coming oh you
+
+10
+00:01:08,130 --> 00:01:08,140
+look I thought you liked coming oh you
+ 
+
+11
+00:01:08,140 --> 00:01:25,559
+look I thought you liked coming oh you
+know I wouldn't lose it I got a delivery
+
+12
+00:01:25,559 --> 00:01:25,569
+know I wouldn't lose it I got a delivery
+ 
+
+13
+00:01:25,569 --> 00:01:28,219
+know I wouldn't lose it I got a delivery
+for mr. Kersey
+
+14
+00:01:28,219 --> 00:01:28,229
+for mr. Kersey
+ 
+
+15
+00:01:28,229 --> 00:01:34,170
+for mr. Kersey
+who from
+
+16
+00:01:34,170 --> 00:01:34,180
+
+ 
+
+17
+00:01:34,180 --> 00:02:04,080
+
+who is this delivery from just had no
+
+18
+00:02:04,080 --> 00:02:04,090
+who is this delivery from just had no
+ 
+
+19
+00:02:04,090 --> 00:02:07,320
+who is this delivery from just had no
+one else here and we wanted to give mr.
+
+20
+00:02:07,320 --> 00:02:07,330
+one else here and we wanted to give mr.
+ 
+
+21
+00:02:07,330 --> 00:02:10,930
+one else here and we wanted to give mr.
+Kersey his wallet back
+
+22
+00:02:10,930 --> 00:02:10,940
+
+ 
+
+23
+00:02:10,940 --> 00:02:22,280
+
+[Music]
+

1982/RVFpy5UwsAU.en.srt

@@ -0,0 +1,155 @@
+1
+00:00:00,000 --> 00:00:18,710
+
+[Music]
+
+2
+00:00:18,710 --> 00:00:18,720
+
+ 
+
+3
+00:00:18,720 --> 00:00:25,650
+
+[Music]
+
+4
+00:00:25,650 --> 00:00:25,660
+
+ 
+
+5
+00:00:25,660 --> 00:01:26,749
+
+[Music]
+
+6
+00:01:26,749 --> 00:01:26,759
+[Music]
+ 
+
+7
+00:01:26,759 --> 00:01:31,109
+[Music]
+crom I have never prayed you before
+
+8
+00:01:31,109 --> 00:01:31,119
+crom I have never prayed you before
+ 
+
+9
+00:01:31,119 --> 00:01:32,630
+crom I have never prayed you before
+I have no tongue for
+
+10
+00:01:32,630 --> 00:01:32,640
+I have no tongue for
+ 
+
+11
+00:01:32,640 --> 00:01:36,510
+I have no tongue for
+it no one not even you will remember if
+
+12
+00:01:36,510 --> 00:01:36,520
+it no one not even you will remember if
+ 
+
+13
+00:01:36,520 --> 00:01:40,550
+it no one not even you will remember if
+we were good men or bad why we fought or
+
+14
+00:01:40,550 --> 00:01:40,560
+we were good men or bad why we fought or
+ 
+
+15
+00:01:40,560 --> 00:01:41,550
+we were good men or bad why we fought or
+why we
+
+16
+00:01:41,550 --> 00:01:41,560
+why we
+ 
+
+17
+00:01:41,560 --> 00:01:45,630
+why we
+died no all that matters is that two
+
+18
+00:01:45,630 --> 00:01:45,640
+died no all that matters is that two
+ 
+
+19
+00:01:45,640 --> 00:01:49,230
+died no all that matters is that two
+stood against many that's what's
+
+20
+00:01:49,230 --> 00:01:49,240
+stood against many that's what's
+ 
+
+21
+00:01:49,240 --> 00:01:52,069
+stood against many that's what's
+important B pleases you
+
+22
+00:01:52,069 --> 00:01:52,079
+important B pleases you
+ 
+
+23
+00:01:52,079 --> 00:01:55,590
+important B pleases you
+CR so grant me one
+
+24
+00:01:55,590 --> 00:01:55,600
+CR so grant me one
+ 
+
+25
+00:01:55,600 --> 00:02:00,109
+CR so grant me one
+request grant me Revenge
+
+26
+00:02:00,109 --> 00:02:00,119
+request grant me Revenge
+ 
+
+27
+00:02:00,119 --> 00:02:01,550
+request grant me Revenge
+and if you do not
+
+28
+00:02:01,550 --> 00:02:01,560
+and if you do not
+ 
+
+29
+00:02:01,560 --> 00:02:05,080
+and if you do not
+listen then the hell with you
+
+30
+00:02:05,080 --> 00:02:05,090
+listen then the hell with you
+ 
+
+31
+00:02:05,090 --> 00:02:37,479
+listen then the hell with you
+[Music]
+

1982/Rc8ybU83qHU.en.srt

@@ -0,0 +1,585 @@
+1
+00:00:00,040 --> 00:00:01,870
+
+and that's when he wakes from the dream
+
+2
+00:00:01,870 --> 00:00:01,880
+and that's when he wakes from the dream
+ 
+
+3
+00:00:01,880 --> 00:00:04,070
+and that's when he wakes from the dream
+okay let's have one last go at the
+
+4
+00:00:04,070 --> 00:00:04,080
+okay let's have one last go at the
+ 
+
+5
+00:00:04,080 --> 00:00:06,510
+okay let's have one last go at the
+traditional stuff box woman green
+
+6
+00:00:06,510 --> 00:00:06,520
+traditional stuff box woman green
+ 
+
+7
+00:00:06,520 --> 00:00:08,830
+traditional stuff box woman green
+jealousy so we St by considering the
+
+8
+00:00:08,830 --> 00:00:08,840
+jealousy so we St by considering the
+ 
+
+9
+00:00:08,840 --> 00:00:10,030
+jealousy so we St by considering the
+possibility that we're dealing with a
+
+10
+00:00:10,030 --> 00:00:10,040
+possibility that we're dealing with a
+ 
+
+11
+00:00:10,040 --> 00:00:11,990
+possibility that we're dealing with a
+jealous woman since George vam puts the
+
+12
+00:00:11,990 --> 00:00:12,000
+jealous woman since George vam puts the
+ 
+
+13
+00:00:12,000 --> 00:00:13,709
+jealous woman since George vam puts the
+Box in his pocket I can only assume that
+
+14
+00:00:13,709 --> 00:00:13,719
+Box in his pocket I can only assume that
+ 
+
+15
+00:00:13,719 --> 00:00:15,070
+Box in his pocket I can only assume that
+he thinks he has some sort of control
+
+16
+00:00:15,070 --> 00:00:15,080
+he thinks he has some sort of control
+ 
+
+17
+00:00:15,080 --> 00:00:16,790
+he thinks he has some sort of control
+over the jealous woman until something
+
+18
+00:00:16,790 --> 00:00:16,800
+over the jealous woman until something
+ 
+
+19
+00:00:16,800 --> 00:00:19,710
+over the jealous woman until something
+goes wrong and she gets loose what about
+
+20
+00:00:19,710 --> 00:00:19,720
+goes wrong and she gets loose what about
+ 
+
+21
+00:00:19,720 --> 00:00:21,150
+goes wrong and she gets loose what about
+the little girl did he tell you why he
+
+22
+00:00:21,150 --> 00:00:21,160
+the little girl did he tell you why he
+ 
+
+23
+00:00:21,160 --> 00:00:23,990
+the little girl did he tell you why he
+was frightened of her M he gave me the
+
+24
+00:00:23,990 --> 00:00:24,000
+was frightened of her M he gave me the
+ 
+
+25
+00:00:24,000 --> 00:00:26,710
+was frightened of her M he gave me the
+dream that's all I can only think that
+
+26
+00:00:26,710 --> 00:00:26,720
+dream that's all I can only think that
+ 
+
+27
+00:00:26,720 --> 00:00:29,310
+dream that's all I can only think that
+she's some sort of displacement for the
+
+28
+00:00:29,310 --> 00:00:29,320
+she's some sort of displacement for the
+ 
+
+29
+00:00:29,320 --> 00:00:31,150
+she's some sort of displacement for the
+mother or the sister oh no no no not at
+
+30
+00:00:31,150 --> 00:00:31,160
+mother or the sister oh no no no not at
+ 
+
+31
+00:00:31,160 --> 00:00:33,670
+mother or the sister oh no no no not at
+all we're probably dealing with a woman
+
+32
+00:00:33,670 --> 00:00:33,680
+all we're probably dealing with a woman
+ 
+
+33
+00:00:33,680 --> 00:00:35,630
+all we're probably dealing with a woman
+who on the surface seems childlike and
+
+34
+00:00:35,630 --> 00:00:35,640
+who on the surface seems childlike and
+ 
+
+35
+00:00:35,640 --> 00:00:38,270
+who on the surface seems childlike and
+innocent but underneath is capable of
+
+36
+00:00:38,270 --> 00:00:38,280
+innocent but underneath is capable of
+ 
+
+37
+00:00:38,280 --> 00:00:39,750
+innocent but underneath is capable of
+extreme
+
+38
+00:00:39,750 --> 00:00:39,760
+extreme
+ 
+
+39
+00:00:39,760 --> 00:00:42,069
+extreme
+violence Sam I still think you should go
+
+40
+00:00:42,069 --> 00:00:42,079
+violence Sam I still think you should go
+ 
+
+41
+00:00:42,079 --> 00:00:43,150
+violence Sam I still think you should go
+to the
+
+42
+00:00:43,150 --> 00:00:43,160
+to the
+ 
+
+43
+00:00:43,160 --> 00:00:46,110
+to the
+police with what what kind of evidence
+
+44
+00:00:46,110 --> 00:00:46,120
+police with what what kind of evidence
+ 
+
+45
+00:00:46,120 --> 00:00:48,270
+police with what what kind of evidence
+do I have a green box and the little
+
+46
+00:00:48,270 --> 00:00:48,280
+do I have a green box and the little
+ 
+
+47
+00:00:48,280 --> 00:00:50,110
+do I have a green box and the little
+girls mean to her teddy bear come on
+
+48
+00:00:50,110 --> 00:00:50,120
+girls mean to her teddy bear come on
+ 
+
+49
+00:00:50,120 --> 00:00:52,029
+girls mean to her teddy bear come on
+Grace you know better than that well if
+
+50
+00:00:52,029 --> 00:00:52,039
+Grace you know better than that well if
+ 
+
+51
+00:00:52,039 --> 00:00:53,229
+Grace you know better than that well if
+you're not going to the police why are
+
+52
+00:00:53,229 --> 00:00:53,239
+you're not going to the police why are
+ 
+
+53
+00:00:53,239 --> 00:00:56,389
+you're not going to the police why are
+you getting mixed up in this I told you
+
+54
+00:00:56,389 --> 00:00:56,399
+you getting mixed up in this I told you
+ 
+
+55
+00:00:56,399 --> 00:00:59,509
+you getting mixed up in this I told you
+before I spent almost 2 years two hours
+
+56
+00:00:59,509 --> 00:00:59,519
+before I spent almost 2 years two hours
+ 
+
+57
+00:00:59,519 --> 00:01:02,029
+before I spent almost 2 years two hours
+a week talking to this man I want to
+
+58
+00:01:02,029 --> 00:01:02,039
+a week talking to this man I want to
+ 
+
+59
+00:01:02,039 --> 00:01:04,350
+a week talking to this man I want to
+find out why he was killed Sam you're
+
+60
+00:01:04,350 --> 00:01:04,360
+find out why he was killed Sam you're
+ 
+
+61
+00:01:04,360 --> 00:01:05,750
+find out why he was killed Sam you're
+not equipped to deal with this sort of
+
+62
+00:01:05,750 --> 00:01:05,760
+not equipped to deal with this sort of
+ 
+
+63
+00:01:05,760 --> 00:01:07,630
+not equipped to deal with this sort of
+thing if you don't look out you're going
+
+64
+00:01:07,630 --> 00:01:07,640
+thing if you don't look out you're going
+ 
+
+65
+00:01:07,640 --> 00:01:10,070
+thing if you don't look out you're going
+to push yourself in a very dangerous
+
+66
+00:01:10,070 --> 00:01:10,080
+to push yourself in a very dangerous
+ 
+
+67
+00:01:10,080 --> 00:01:12,749
+to push yourself in a very dangerous
+position go to the police please I'll
+
+68
+00:01:12,749 --> 00:01:12,759
+position go to the police please I'll
+ 
+
+69
+00:01:12,759 --> 00:01:14,429
+position go to the police please I'll
+think about
+
+70
+00:01:14,429 --> 00:01:14,439
+think about
+ 
+
+71
+00:01:14,439 --> 00:01:16,109
+think about
+it
+
+72
+00:01:16,109 --> 00:01:16,119
+it
+ 
+
+73
+00:01:16,119 --> 00:01:18,510
+it
+Sam
+
+74
+00:01:18,510 --> 00:01:18,520
+Sam
+ 
+
+75
+00:01:18,520 --> 00:01:20,630
+Sam
+mom you remember when I wanted to quit
+
+76
+00:01:20,630 --> 00:01:20,640
+mom you remember when I wanted to quit
+ 
+
+77
+00:01:20,640 --> 00:01:23,109
+mom you remember when I wanted to quit
+school and play Pro Bowl when I got that
+
+78
+00:01:23,109 --> 00:01:23,119
+school and play Pro Bowl when I got that
+ 
+
+79
+00:01:23,119 --> 00:01:24,950
+school and play Pro Bowl when I got that
+offer from the class A team in
+
+80
+00:01:24,950 --> 00:01:24,960
+offer from the class A team in
+ 
+
+81
+00:01:24,960 --> 00:01:26,950
+offer from the class A team in
+Knoxville called you up and I told you
+
+82
+00:01:26,950 --> 00:01:26,960
+Knoxville called you up and I told you
+ 
+
+83
+00:01:26,960 --> 00:01:28,990
+Knoxville called you up and I told you
+what I wanted to do and you got on the
+
+84
+00:01:28,990 --> 00:01:29,000
+what I wanted to do and you got on the
+ 
+
+85
+00:01:29,000 --> 00:01:30,670
+what I wanted to do and you got on the
+first train to New
+
+86
+00:01:30,670 --> 00:01:30,680
+first train to New
+ 
+
+87
+00:01:30,680 --> 00:01:32,630
+first train to New
+if you had really wanted to quit I
+
+88
+00:01:32,630 --> 00:01:32,640
+if you had really wanted to quit I
+ 
+
+89
+00:01:32,640 --> 00:01:35,749
+if you had really wanted to quit I
+wouldn't have called okay and you sat
+
+90
+00:01:35,749 --> 00:01:35,759
+wouldn't have called okay and you sat
+ 
+
+91
+00:01:35,759 --> 00:01:38,030
+wouldn't have called okay and you sat
+with me for 6 hours and you let me talk
+
+92
+00:01:38,030 --> 00:01:38,040
+with me for 6 hours and you let me talk
+ 
+
+93
+00:01:38,040 --> 00:01:40,550
+with me for 6 hours and you let me talk
+myself out of it you were right and I'm
+
+94
+00:01:40,550 --> 00:01:40,560
+myself out of it you were right and I'm
+ 
+
+95
+00:01:40,560 --> 00:01:43,030
+myself out of it you were right and I'm
+not sorry I mean I'm a much better
+
+96
+00:01:43,030 --> 00:01:43,040
+not sorry I mean I'm a much better
+ 
+
+97
+00:01:43,040 --> 00:01:44,190
+not sorry I mean I'm a much better
+shrink than I ever would have been a
+
+98
+00:01:44,190 --> 00:01:44,200
+shrink than I ever would have been a
+ 
+
+99
+00:01:44,200 --> 00:01:46,350
+shrink than I ever would have been a
+second
+
+100
+00:01:46,350 --> 00:01:46,360
+second
+ 
+
+101
+00:01:46,360 --> 00:01:48,469
+second
+basement but I closed some kind of a
+
+102
+00:01:48,469 --> 00:01:48,479
+basement but I closed some kind of a
+ 
+
+103
+00:01:48,479 --> 00:01:49,870
+basement but I closed some kind of a
+door that
+
+104
+00:01:49,870 --> 00:01:49,880
+door that
+ 
+
+105
+00:01:49,880 --> 00:01:52,870
+door that
+day I've been closing them ever
+
+106
+00:01:52,870 --> 00:01:52,880
+day I've been closing them ever
+ 
+
+107
+00:01:52,880 --> 00:01:55,510
+day I've been closing them ever
+since what I'm doing now
+
+108
+00:01:55,510 --> 00:01:55,520
+since what I'm doing now
+ 
+
+109
+00:01:55,520 --> 00:01:57,469
+since what I'm doing now
+maybe maybe
+
+110
+00:01:57,469 --> 00:01:57,479
+maybe maybe
+ 
+
+111
+00:01:57,479 --> 00:02:01,630
+maybe maybe
+irrational maybe it is foolish
+
+112
+00:02:01,630 --> 00:02:01,640
+irrational maybe it is foolish
+ 
+
+113
+00:02:01,640 --> 00:02:03,350
+irrational maybe it is foolish
+but I got to do
+
+114
+00:02:03,350 --> 00:02:03,360
+but I got to do
+ 
+
+115
+00:02:03,360 --> 00:02:08,890
+but I got to do
+it oh Sam
+
+116
+00:02:08,890 --> 00:02:08,900
+
+ 
+
+117
+00:02:08,900 --> 00:02:40,489
+
+[Music]
+

1982/RdL23CR9K5w.en.srt

@@ -0,0 +1,185 @@
+1
+00:00:00,570 --> 00:00:02,990
+
+[Music]
+
+2
+00:00:02,990 --> 00:00:03,000
+
+ 
+
+3
+00:00:03,000 --> 00:00:05,749
+
+cover the back
+
+4
+00:00:05,749 --> 00:00:05,759
+cover the back
+ 
+
+5
+00:00:05,759 --> 00:00:08,910
+cover the back
+J Sheriff lock me in here it's the only
+
+6
+00:00:08,910 --> 00:00:08,920
+J Sheriff lock me in here it's the only
+ 
+
+7
+00:00:08,920 --> 00:00:09,910
+J Sheriff lock me in here it's the only
+safe
+
+8
+00:00:09,910 --> 00:00:09,920
+safe
+ 
+
+9
+00:00:09,920 --> 00:00:12,890
+safe
+place D shut him up
+
+10
+00:00:12,890 --> 00:00:12,900
+place D shut him up
+ 
+
+11
+00:00:12,900 --> 00:00:28,030
+place D shut him up
+[Music]
+
+12
+00:00:28,030 --> 00:00:28,040
+
+ 
+
+13
+00:00:28,040 --> 00:00:35,470
+
+[Music]
+
+14
+00:00:35,470 --> 00:00:35,480
+[Music]
+ 
+
+15
+00:00:35,480 --> 00:00:38,630
+[Music]
+a gun give me a gun he's coming through
+
+16
+00:00:38,630 --> 00:00:38,640
+a gun give me a gun he's coming through
+ 
+
+17
+00:00:38,640 --> 00:00:41,190
+a gun give me a gun he's coming through
+I know it for God sake give me a gun
+
+18
+00:00:41,190 --> 00:00:41,200
+I know it for God sake give me a gun
+ 
+
+19
+00:00:41,200 --> 00:00:42,980
+I know it for God sake give me a gun
+give it to him
+
+20
+00:00:42,980 --> 00:00:42,990
+give it to him
+ 
+
+21
+00:00:42,990 --> 00:01:04,670
+give it to him
+[Music]
+
+22
+00:01:04,670 --> 00:01:04,680
+
+ 
+
+23
+00:01:04,680 --> 00:01:07,510
+
+what's that
+
+24
+00:01:07,510 --> 00:01:07,520
+what's that
+ 
+
+25
+00:01:07,520 --> 00:01:10,789
+what's that
+so comeing after
+
+26
+00:01:10,789 --> 00:01:10,799
+so comeing after
+ 
+
+27
+00:01:10,799 --> 00:01:15,030
+so comeing after
+me after me your gutless hide is safe it
+
+28
+00:01:15,030 --> 00:01:15,040
+me after me your gutless hide is safe it
+ 
+
+29
+00:01:15,040 --> 00:01:16,950
+me after me your gutless hide is safe it
+have to kill us first got to come
+
+30
+00:01:16,950 --> 00:01:16,960
+have to kill us first got to come
+ 
+
+31
+00:01:16,960 --> 00:01:32,200
+have to kill us first got to come
+through that door there's no other way
+
+32
+00:01:32,200 --> 00:01:32,210
+
+ 
+
+33
+00:01:32,210 --> 00:01:46,270
+
+[Music]
+
+34
+00:01:46,270 --> 00:01:46,280
+
+ 
+
+35
+00:01:46,280 --> 00:01:49,290
+
+yeah let's go
+
+36
+00:01:49,290 --> 00:01:49,300
+yeah let's go
+ 
+
+37
+00:01:49,300 --> 00:02:24,470
+yeah let's go
+[Music]
+

1982/S8mfOyCySKg.description

@@ -0,0 +1,38 @@
+Gandhi movie clips: http://j.mp/1uv2UQ3
+BUY THE MOVIE: http://amzn.to/vTGqrO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Gandhi (Ben Kingsley) and Rev. Andrews (Ian Charleson) encounter a racist youth (Daniel Day-Lewis) in the street.
+
+FILM DESCRIPTION:
+It was Richard Attenborough's lifelong dream to bring the life story of Indian political and spiritual leader Mahatma Gandhi to the screen. When it finally reached fruition in 1982, the 188-minute, Oscar-winning Gandhi was one of the most exhaustively thorough biopics ever made. The film begins in the early part of the 20th century, when Mohandas K. Gandhi (Ben Kingsley), a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of "passive resistance," endeavoring to win freedom for his people without resorting to bloodshed. In the horrendous "slaughter" sequence, more extras appear on screen than in any previous historical epic. The supporting cast includes Candice Bergen as photographer Margaret Bourke-White, Athol Fugard as General Smuts, John Gielgud as Lord Irwin, John Mills as the viceroy, Martin Sheen as Walker, Trevor Howard as Judge Broomfield, and, in a tiny part as a street bully, star-to-be Daniel Day-Lewis. Gandhi won eight Academy Awards, including Best Picture, Best Actor, and Best Director.
+
+CREDITS:
+TM & © Sony (1982)
+Cast: Ray Burdis, Ian Charleson, Daniel Day-Lewis, Ben Kingsley, Daniel Peacock
+Director: Richard Attenborough
+Producers: Richard Attenborough, Suresh Jindal, Michael Stanley-Evans
+Screenwriter: John Briley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1982/S8mfOyCySKg.en.srt

@@ -0,0 +1,435 @@
+1
+00:00:00,399 --> 00:00:01,669
+
+my name is Charlie
+
+2
+00:00:01,669 --> 00:00:01,679
+my name is Charlie
+ 
+
+3
+00:00:01,679 --> 00:00:04,550
+my name is Charlie
+Andrews I've come from
+
+4
+00:00:04,550 --> 00:00:04,560
+Andrews I've come from
+ 
+
+5
+00:00:04,560 --> 00:00:07,310
+Andrews I've come from
+India I've read a great deal about
+
+6
+00:00:07,310 --> 00:00:07,320
+India I've read a great deal about
+ 
+
+7
+00:00:07,320 --> 00:00:10,509
+India I've read a great deal about
+you some of it good I
+
+8
+00:00:10,509 --> 00:00:10,519
+you some of it good I
+ 
+
+9
+00:00:10,519 --> 00:00:14,749
+you some of it good I
+hope you care to
+
+10
+00:00:14,749 --> 00:00:14,759
+
+ 
+
+11
+00:00:14,759 --> 00:00:17,990
+
+walk you're a clergyman yes uh I met
+
+12
+00:00:17,990 --> 00:00:18,000
+walk you're a clergyman yes uh I met
+ 
+
+13
+00:00:18,000 --> 00:00:19,790
+walk you're a clergyman yes uh I met
+some remarkable people in India and when
+
+14
+00:00:19,790 --> 00:00:19,800
+some remarkable people in India and when
+ 
+
+15
+00:00:19,800 --> 00:00:21,910
+some remarkable people in India and when
+I read what you were doing here I um I
+
+16
+00:00:21,910 --> 00:00:21,920
+I read what you were doing here I um I
+ 
+
+17
+00:00:21,920 --> 00:00:24,429
+I read what you were doing here I um I
+wanted to help is that surprising not
+
+18
+00:00:24,429 --> 00:00:24,439
+wanted to help is that surprising not
+ 
+
+19
+00:00:24,439 --> 00:00:27,509
+wanted to help is that surprising not
+anymore at first I was amazed but when
+
+20
+00:00:27,509 --> 00:00:27,519
+anymore at first I was amazed but when
+ 
+
+21
+00:00:27,519 --> 00:00:30,630
+anymore at first I was amazed but when
+you're fighting in a just cause people
+
+22
+00:00:30,630 --> 00:00:30,640
+you're fighting in a just cause people
+ 
+
+23
+00:00:30,640 --> 00:00:34,150
+you're fighting in a just cause people
+seem to pop up like you right out of the
+
+24
+00:00:34,150 --> 00:00:34,160
+seem to pop up like you right out of the
+ 
+
+25
+00:00:34,160 --> 00:00:39,830
+seem to pop up like you right out of the
+pavement even when it's dangerous
+
+26
+00:00:39,830 --> 00:00:39,840
+
+ 
+
+27
+00:00:39,840 --> 00:00:43,029
+
+or hey look what's coming a watch
+
+28
+00:00:43,029 --> 00:00:43,039
+or hey look what's coming a watch
+ 
+
+29
+00:00:43,039 --> 00:00:45,310
+or hey look what's coming a watch
+Shepherd leading a brown
+
+30
+00:00:45,310 --> 00:00:45,320
+Shepherd leading a brown
+ 
+
+31
+00:00:45,320 --> 00:00:49,430
+Shepherd leading a brown
+Sammy uh perhaps we should um doesn't
+
+32
+00:00:49,430 --> 00:00:49,440
+Sammy uh perhaps we should um doesn't
+ 
+
+33
+00:00:49,440 --> 00:00:51,110
+Sammy uh perhaps we should um doesn't
+the New Testament say if your enemy
+
+34
+00:00:51,110 --> 00:00:51,120
+the New Testament say if your enemy
+ 
+
+35
+00:00:51,120 --> 00:00:52,830
+the New Testament say if your enemy
+strikes you on the right cheek offer in
+
+36
+00:00:52,830 --> 00:00:52,840
+strikes you on the right cheek offer in
+ 
+
+37
+00:00:52,840 --> 00:00:55,069
+strikes you on the right cheek offer in
+the left well I think perhaps the phrase
+
+38
+00:00:55,069 --> 00:00:55,079
+the left well I think perhaps the phrase
+ 
+
+39
+00:00:55,079 --> 00:00:56,630
+the left well I think perhaps the phrase
+was used metaphorically I I don't think
+
+40
+00:00:56,630 --> 00:00:56,640
+was used metaphorically I I don't think
+ 
+
+41
+00:00:56,640 --> 00:00:59,270
+was used metaphorically I I don't think
+that I'm not so sure I have thought
+
+42
+00:00:59,270 --> 00:00:59,280
+that I'm not so sure I have thought
+ 
+
+43
+00:00:59,280 --> 00:01:01,790
+that I'm not so sure I have thought
+about it a great deal and I suspect he
+
+44
+00:01:01,790 --> 00:01:01,800
+about it a great deal and I suspect he
+ 
+
+45
+00:01:01,800 --> 00:01:03,990
+about it a great deal and I suspect he
+meant you must show courage be willing
+
+46
+00:01:03,990 --> 00:01:04,000
+meant you must show courage be willing
+ 
+
+47
+00:01:04,000 --> 00:01:06,750
+meant you must show courage be willing
+to take a blow several blows to show you
+
+48
+00:01:06,750 --> 00:01:06,760
+to take a blow several blows to show you
+ 
+
+49
+00:01:06,760 --> 00:01:08,270
+to take a blow several blows to show you
+will not strike back nor will you be
+
+50
+00:01:08,270 --> 00:01:08,280
+will not strike back nor will you be
+ 
+
+51
+00:01:08,280 --> 00:01:10,710
+will not strike back nor will you be
+turned aside and when you do that it
+
+52
+00:01:10,710 --> 00:01:10,720
+turned aside and when you do that it
+ 
+
+53
+00:01:10,720 --> 00:01:12,630
+turned aside and when you do that it
+calls on something in human nature
+
+54
+00:01:12,630 --> 00:01:12,640
+calls on something in human nature
+ 
+
+55
+00:01:12,640 --> 00:01:14,990
+calls on something in human nature
+something that makes his hatred for you
+
+56
+00:01:14,990 --> 00:01:15,000
+something that makes his hatred for you
+ 
+
+57
+00:01:15,000 --> 00:01:17,630
+something that makes his hatred for you
+decrease and his respect increased I
+
+58
+00:01:17,630 --> 00:01:17,640
+decrease and his respect increased I
+ 
+
+59
+00:01:17,640 --> 00:01:19,830
+decrease and his respect increased I
+think Christ grasped that and I have
+
+60
+00:01:19,830 --> 00:01:19,840
+think Christ grasped that and I have
+ 
+
+61
+00:01:19,840 --> 00:01:23,030
+think Christ grasped that and I have
+seen it work good morning get off the
+
+62
+00:01:23,030 --> 00:01:23,040
+seen it work good morning get off the
+ 
+
+63
+00:01:23,040 --> 00:01:28,069
+seen it work good morning get off the
+pag with you bloody yeah get off
+
+64
+00:01:28,069 --> 00:01:28,079
+
+ 
+
+65
+00:01:28,079 --> 00:01:31,550
+
+care what you doing nothing come out
+
+66
+00:01:31,550 --> 00:01:31,560
+care what you doing nothing come out
+ 
+
+67
+00:01:31,560 --> 00:01:36,350
+care what you doing nothing come out
+when I can see
+
+68
+00:01:36,350 --> 00:01:36,360
+
+ 
+
+69
+00:01:36,360 --> 00:01:40,270
+
+you I said what you doing we were just
+
+70
+00:01:40,270 --> 00:01:40,280
+you I said what you doing we were just
+ 
+
+71
+00:01:40,280 --> 00:01:42,109
+you I said what you doing we were just
+trying to clean up the neighborhood a
+
+72
+00:01:42,109 --> 00:01:42,119
+trying to clean up the neighborhood a
+ 
+
+73
+00:01:42,119 --> 00:01:44,429
+trying to clean up the neighborhood a
+little you're late for work already I
+
+74
+00:01:44,429 --> 00:01:44,439
+little you're late for work already I
+ 
+
+75
+00:01:44,439 --> 00:01:52,870
+little you're late for work already I
+thought you'd gone 10 minutes ago get
+
+76
+00:01:52,870 --> 00:01:52,880
+
+ 
+
+77
+00:01:52,880 --> 00:02:04,270
+
+on you'll find there's room for us all
+
+78
+00:02:04,270 --> 00:02:04,280
+
+ 
+
+79
+00:02:04,280 --> 00:02:06,190
+
+that was lucky I thought you were a man
+
+80
+00:02:06,190 --> 00:02:06,200
+that was lucky I thought you were a man
+ 
+
+81
+00:02:06,200 --> 00:02:08,309
+that was lucky I thought you were a man
+of gone I am but I'm not so egotistical
+
+82
+00:02:08,309 --> 00:02:08,319
+of gone I am but I'm not so egotistical
+ 
+
+83
+00:02:08,319 --> 00:02:11,270
+of gone I am but I'm not so egotistical
+as to think he plans his day around my
+
+84
+00:02:11,270 --> 00:02:11,280
+as to think he plans his day around my
+ 
+
+85
+00:02:11,280 --> 00:02:13,430
+as to think he plans his day around my
+dilemas would
+
+86
+00:02:13,430 --> 00:02:13,440
+dilemas would
+ 
+
+87
+00:02:13,440 --> 00:02:44,509
+dilemas would
+[Music]
+

1982/TaLsQSCK0Jo.description

@@ -0,0 +1,38 @@
+E.T. the Extra-Terrestrial movie clips: http://j.mp/1uyfX39
+BUY THE MOVIE: http://amzn.to/rRiGrZ
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+While drunk", Elliot ("Henry Thomas) gets the crazy idea that all the lab frogs need to be set free. Chaos erupts. He kisses a pretty blonde girl (Erika Eleniak).
+
+FILM DESCRIPTION:
+Both a classic movie for kids and a remarkable portrait of childhood, E.T. is a sci-fi adventure that captures that strange moment in youth when the world is a place of mysterious possibilities (some wonderful, some awful), and the universe seems somehow separate from the one inhabited by grown-ups. Henry Thomas plays Elliott, a young boy living with his single mother (Dee Wallace), his older brother Michael (Robert MacNaughton), and his younger sister Gertie (Drew Barrymore). Elliott often seems lonely and out of sorts, lost in his own world. One day, while looking for something in the back yard, he senses something mysterious in the woods watching him. And he's right: an alien spacecraft on a scientific mission mistakenly left behind an aging botanist who isn't sure how to get home. Eventually Elliott puts his fears aside and makes contact with the "little squashy guy," perhaps the least threatening alien invader ever to hit a movie screen. As Elliott tries to keep the alien under wraps and help him figure out a way to get home, he discovers that the creature can communicate with him telepathically. Soon they begin to learn from each other, and Elliott becomes braver and less threatened by life. E.T. rigs up a communication device from junk he finds around the house, but no one knows if he'll be rescued before a group of government scientists gets hold of him. In 2002, Steven Spielberg re-released E.T. The Extra-Terrestrial in a revised edition, with several deleted scenes restored and digitally refurbished special effects.
+
+CREDITS:
+TM & © Universal (1982)
+Cast: Henry Thomas, Erika Eleniak
+Director: Steven Spielberg
+Producers: Melissa Mathison, Steven Spielberg, Kathleen Kennedy
+Screenwriter: Melissa Mathison
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1982/TaLsQSCK0Jo.en.srt

@@ -0,0 +1,75 @@
+1
+00:00:01,946 --> 00:00:04,380
+<i>Let me talk to</i>
+<i>that little fella, huh?</i>
+
+2
+00:00:04,482 --> 00:00:05,414
+<i>Lou, it's Uncle Ralph.</i>
+
+3
+00:00:05,516 --> 00:00:07,416
+<i>Hello, Uncle Ralph.</i>
+
+4
+00:00:28,136 --> 00:00:29,603
+Save him.
+
+5
+00:00:36,677 --> 00:00:39,543
+Run for your life!
+Back to the river!
+
+6
+00:00:39,645 --> 00:00:41,078
+Back to the forest!
+
+7
+00:00:41,180 --> 00:00:43,740
+Run! I want to save you!
+
+8
+00:00:43,849 --> 00:00:45,874
+Let's get out of here!
+
+9
+00:00:48,019 --> 00:00:49,646
+Get out!
+
+10
+00:00:49,754 --> 00:00:51,722
+I got to let him go!
+
+11
+00:00:58,996 --> 00:01:00,930
+You've got to save him!
+
+12
+00:01:24,752 --> 00:01:25,809
+Aah!
+Aah!
+
+13
+00:01:25,919 --> 00:01:27,318
+Let me handle this!
+
+14
+00:01:27,420 --> 00:01:29,411
+Let me handle this!
+
+15
+00:01:29,522 --> 00:01:31,217
+I can handle this.
+
+16
+00:01:31,358 --> 00:01:32,790
+Let me get this.
+
+17
+00:01:34,627 --> 00:01:36,117
+<i>Aah!</i>
+
+18
+00:01:37,997 --> 00:01:39,294
+Aah!
+

1982/UlddepR-iRg.en.srt

@@ -0,0 +1,425 @@
+1
+00:00:00,880 --> 00:00:05,430
+
+now don't Tire him out no be brief yes
+
+2
+00:00:05,430 --> 00:00:05,440
+now don't Tire him out no be brief yes
+ 
+
+3
+00:00:05,440 --> 00:00:07,789
+now don't Tire him out no be brief yes
+say what you want then leave I won't be
+
+4
+00:00:07,789 --> 00:00:07,799
+say what you want then leave I won't be
+ 
+
+5
+00:00:07,799 --> 00:00:09,030
+say what you want then leave I won't be
+a
+
+6
+00:00:09,030 --> 00:00:09,040
+a
+ 
+
+7
+00:00:09,040 --> 00:00:11,629
+a
+B Justin bothers him enough with all his
+
+8
+00:00:11,629 --> 00:00:11,639
+B Justin bothers him enough with all his
+ 
+
+9
+00:00:11,639 --> 00:00:13,669
+B Justin bothers him enough with all his
+silly
+
+10
+00:00:13,669 --> 00:00:13,679
+silly
+ 
+
+11
+00:00:13,679 --> 00:00:16,950
+silly
+nonsense are thank you Mr ages I don't
+
+12
+00:00:16,950 --> 00:00:16,960
+nonsense are thank you Mr ages I don't
+ 
+
+13
+00:00:16,960 --> 00:00:19,470
+nonsense are thank you Mr ages I don't
+know what Nicodemus sees in that boy
+
+14
+00:00:19,470 --> 00:00:19,480
+know what Nicodemus sees in that boy
+ 
+
+15
+00:00:19,480 --> 00:00:24,589
+know what Nicodemus sees in that boy
+I'll come back for
+
+16
+00:00:24,589 --> 00:00:24,599
+
+ 
+
+17
+00:00:24,599 --> 00:00:37,950
+
+you brief brief
+
+18
+00:00:37,950 --> 00:00:37,960
+
+ 
+
+19
+00:00:37,960 --> 00:00:39,240
+
+is
+
+20
+00:00:39,240 --> 00:00:39,250
+is
+ 
+
+21
+00:00:39,250 --> 00:01:02,389
+is
+[Music]
+
+22
+00:01:02,389 --> 00:01:02,399
+
+ 
+
+23
+00:01:02,399 --> 00:01:04,630
+
+come closer my
+
+24
+00:01:04,630 --> 00:01:04,640
+come closer my
+ 
+
+25
+00:01:04,640 --> 00:01:08,429
+come closer my
+child don't be
+
+26
+00:01:08,429 --> 00:01:08,439
+
+ 
+
+27
+00:01:08,439 --> 00:01:10,990
+
+frightened
+
+28
+00:01:10,990 --> 00:01:11,000
+frightened
+ 
+
+29
+00:01:11,000 --> 00:01:18,830
+frightened
+sir the great owl sent me to you oh did
+
+30
+00:01:18,830 --> 00:01:18,840
+sir the great owl sent me to you oh did
+ 
+
+31
+00:01:18,840 --> 00:01:22,469
+sir the great owl sent me to you oh did
+he he is a dear
+
+32
+00:01:22,469 --> 00:01:22,479
+he he is a dear
+ 
+
+33
+00:01:22,479 --> 00:01:26,270
+he he is a dear
+comrade
+
+34
+00:01:26,270 --> 00:01:26,280
+
+ 
+
+35
+00:01:26,280 --> 00:01:31,030
+
+closer ah Mrs Jonathan
+
+36
+00:01:31,030 --> 00:01:31,040
+closer ah Mrs Jonathan
+ 
+
+37
+00:01:31,040 --> 00:01:36,030
+closer ah Mrs Jonathan
+brisbee what an honor this is how how is
+
+38
+00:01:36,030 --> 00:01:36,040
+brisbee what an honor this is how how is
+ 
+
+39
+00:01:36,040 --> 00:01:39,190
+brisbee what an honor this is how how is
+it but everyone not know knows Jonathan
+
+40
+00:01:39,190 --> 00:01:39,200
+it but everyone not know knows Jonathan
+ 
+
+41
+00:01:39,200 --> 00:01:42,710
+it but everyone not know knows Jonathan
+he was a great friend to the Rats of
+
+42
+00:01:42,710 --> 00:01:42,720
+he was a great friend to the Rats of
+ 
+
+43
+00:01:42,720 --> 00:01:47,350
+he was a great friend to the Rats of
+nim he himself came from n
+
+44
+00:01:47,350 --> 00:01:47,360
+nim he himself came from n
+ 
+
+45
+00:01:47,360 --> 00:01:52,069
+nim he himself came from n
+Majesty my family I know of your
+
+46
+00:01:52,069 --> 00:01:52,079
+Majesty my family I know of your
+ 
+
+47
+00:01:52,079 --> 00:01:56,389
+Majesty my family I know of your
+needs there is a book there read the
+
+48
+00:01:56,389 --> 00:01:56,399
+needs there is a book there read the
+ 
+
+49
+00:01:56,399 --> 00:02:00,270
+needs there is a book there read the
+words I can read a little John Jonathan
+
+50
+00:02:00,270 --> 00:02:00,280
+words I can read a little John Jonathan
+ 
+
+51
+00:02:00,280 --> 00:02:01,190
+words I can read a little John Jonathan
+taught
+
+52
+00:02:01,190 --> 00:02:01,200
+taught
+ 
+
+53
+00:02:01,200 --> 00:02:05,310
+taught
+me the children are
+
+54
+00:02:05,310 --> 00:02:05,320
+
+ 
+
+55
+00:02:05,320 --> 00:02:08,060
+
+better than I
+
+56
+00:02:08,060 --> 00:02:08,070
+better than I
+ 
+
+57
+00:02:08,070 --> 00:02:09,630
+better than I
+[Music]
+
+58
+00:02:09,630 --> 00:02:09,640
+[Music]
+ 
+
+59
+00:02:09,640 --> 00:02:13,550
+[Music]
+am
+
+60
+00:02:13,550 --> 00:02:13,560
+
+ 
+
+61
+00:02:13,560 --> 00:02:16,509
+
+read Jonathan
+
+62
+00:02:16,509 --> 00:02:16,519
+read Jonathan
+ 
+
+63
+00:02:16,519 --> 00:02:18,869
+read Jonathan
+brisbee
+
+64
+00:02:18,869 --> 00:02:18,879
+brisbee
+ 
+
+65
+00:02:18,879 --> 00:02:20,910
+brisbee
+made
+
+66
+00:02:20,910 --> 00:02:20,920
+made
+ 
+
+67
+00:02:20,920 --> 00:02:24,350
+made
+possible the rat's
+
+68
+00:02:24,350 --> 00:02:24,360
+possible the rat's
+ 
+
+69
+00:02:24,360 --> 00:02:26,350
+possible the rat's
+escape from
+
+70
+00:02:26,350 --> 00:02:26,360
+escape from
+ 
+
+71
+00:02:26,360 --> 00:02:31,190
+escape from
+the terrible cruelty of nim
+
+72
+00:02:31,190 --> 00:02:31,200
+the terrible cruelty of nim
+ 
+
+73
+00:02:31,200 --> 00:02:35,470
+the terrible cruelty of nim
+Jonathan he was
+
+74
+00:02:35,470 --> 00:02:35,480
+
+ 
+
+75
+00:02:35,480 --> 00:02:38,790
+
+killed killed
+
+76
+00:02:38,790 --> 00:02:38,800
+killed killed
+ 
+
+77
+00:02:38,800 --> 00:02:42,630
+killed killed
+today while drugging the farmer's
+
+78
+00:02:42,630 --> 00:02:42,640
+today while drugging the farmer's
+ 
+
+79
+00:02:42,640 --> 00:02:46,390
+today while drugging the farmer's
+cat
+
+80
+00:02:46,390 --> 00:02:46,400
+
+ 
+
+81
+00:02:46,400 --> 00:02:50,710
+
+dragon oh I I never
+
+82
+00:02:50,710 --> 00:02:50,720
+dragon oh I I never
+ 
+
+83
+00:02:50,720 --> 00:02:56,770
+dragon oh I I never
+knew just what happened
+
+84
+00:02:56,770 --> 00:02:56,780
+
+ 
+
+85
+00:02:56,780 --> 00:03:23,870
+
+[Music]
+

1982/VrVEHszxL7E.description

@@ -0,0 +1,38 @@
+E.T. the Extra-Terrestrial movie clips: http://j.mp/1uyfX39
+BUY THE MOVIE: http://amzn.to/rRiGrZ
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+While trick-or-treating, E.T. sees a kid dressed as Yoda and thinks it is one of his own kind.
+
+FILM DESCRIPTION:
+Both a classic movie for kids and a remarkable portrait of childhood, E.T. is a sci-fi adventure that captures that strange moment in youth when the world is a place of mysterious possibilities (some wonderful, some awful), and the universe seems somehow separate from the one inhabited by grown-ups. Henry Thomas plays Elliott, a young boy living with his single mother (Dee Wallace), his older brother Michael (Robert MacNaughton), and his younger sister Gertie (Drew Barrymore). Elliott often seems lonely and out of sorts, lost in his own world. One day, while looking for something in the back yard, he senses something mysterious in the woods watching him. And he's right: an alien spacecraft on a scientific mission mistakenly left behind an aging botanist who isn't sure how to get home. Eventually Elliott puts his fears aside and makes contact with the "little squashy guy," perhaps the least threatening alien invader ever to hit a movie screen. As Elliott tries to keep the alien under wraps and help him figure out a way to get home, he discovers that the creature can communicate with him telepathically. Soon they begin to learn from each other, and Elliott becomes braver and less threatened by life. E.T. rigs up a communication device from junk he finds around the house, but no one knows if he'll be rescued before a group of government scientists gets hold of him. In 2002, Steven Spielberg re-released E.T. The Extra-Terrestrial in a revised edition, with several deleted scenes restored and digitally refurbished special effects.
+
+CREDITS:
+TM & © Universal (1982)
+Cast: Robert MacNaughton, Henry Thomas, Dee Wallace
+Director: Steven Spielberg
+Producers: Melissa Mathison, Steven Spielberg, Kathleen Kennedy
+Screenwriter: Melissa Mathison
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/VrVEHszxL7E.en.srt

@@ -0,0 +1,175 @@
+1
+00:00:00,240 --> 00:00:13,759
+
+oh wait mom don't look okay okay mom you
+
+2
+00:00:13,759 --> 00:00:13,769
+oh wait mom don't look okay okay mom you
+ 
+
+3
+00:00:13,769 --> 00:00:21,330
+oh wait mom don't look okay okay mom you
+can look now
+
+4
+00:00:21,330 --> 00:00:21,340
+
+ 
+
+5
+00:00:21,340 --> 00:00:36,800
+
+[Laughter]
+
+6
+00:00:36,800 --> 00:00:36,810
+
+ 
+
+7
+00:00:36,810 --> 00:00:37,990
+
+[Music]
+
+8
+00:00:37,990 --> 00:00:38,000
+[Music]
+ 
+
+9
+00:00:38,000 --> 00:01:05,620
+[Music]
+oh thank you thank you
+
+10
+00:01:05,620 --> 00:01:05,630
+
+ 
+
+11
+00:01:05,630 --> 00:01:07,960
+
+[Applause]
+
+12
+00:01:07,960 --> 00:01:07,970
+[Applause]
+ 
+
+13
+00:01:07,970 --> 00:01:16,310
+[Applause]
+be back one hour after sundown no later
+
+14
+00:01:16,310 --> 00:01:16,320
+
+ 
+
+15
+00:01:16,320 --> 00:01:40,390
+
+hi dirty come here come on
+
+16
+00:01:40,390 --> 00:01:40,400
+
+ 
+
+17
+00:01:40,400 --> 00:01:44,070
+
+[Music]
+
+18
+00:01:44,070 --> 00:01:44,080
+[Music]
+ 
+
+19
+00:01:44,080 --> 00:01:44,670
+[Music]
+[Applause]
+
+20
+00:01:44,670 --> 00:01:44,680
+[Applause]
+ 
+
+21
+00:01:44,680 --> 00:01:56,850
+[Applause]
+[Music]
+
+22
+00:01:56,850 --> 00:01:56,860
+
+ 
+
+23
+00:01:56,860 --> 00:02:05,600
+
+[Music]
+
+24
+00:02:05,600 --> 00:02:05,610
+
+ 
+
+25
+00:02:05,610 --> 00:02:10,260
+
+[Music]
+
+26
+00:02:10,260 --> 00:02:10,270
+[Music]
+ 
+
+27
+00:02:10,270 --> 00:02:15,370
+[Music]
+[Applause]
+
+28
+00:02:15,370 --> 00:02:15,380
+
+ 
+
+29
+00:02:15,380 --> 00:02:25,070
+
+[Music]
+
+30
+00:02:25,070 --> 00:02:25,080
+
+ 
+
+31
+00:02:25,080 --> 00:02:50,500
+
+[Music]
+
+32
+00:02:50,500 --> 00:02:50,510
+
+ 
+
+33
+00:02:50,510 --> 00:02:52,540
+
+you
+
+34
+00:02:52,540 --> 00:02:52,550
+you
+ 
+
+35
+00:02:52,550 --> 00:02:58,509
+you
+[Music]
+

1982/WlhyiskKER8.description

@@ -0,0 +1,38 @@
+Star Trek: The Wrath of Khan movie clips: http://j.mp/1L74E6N
+BUY THE MOVIE: http://amzn.to/sRa1qV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Kirk (William Shatner) ponders the life he could have had with his former love, Carol Marcus (Bibi Besch).
+
+FILM DESCRIPTION:
+Star Trek II: The Wrath of Khan is fondly regarded as being the closest in spirit to the 1966-69 TV series that spawned it. Admiral Kirk (William Shatner) escapes the tedium of a desk job to join Mr. Spock (Leonard Nimoy) and Dr. Leonard "Bones" McCoy (DeForest Kelley) on another space mission. While boldly going where no man etc. etc., Kirk crosses the path of his old enemy Khan (Ricardo Montalban), who as any die-hard Trekker can tell you, was the chief antagonist in the 1966 Trek TV episode "Space Seed." Leading a crew of near-savage space prisoners, Khan insinuates himself into the Genesis Project, which is designed to introduce living organisms on long-dead planets. Intending to harness this program for his own despotic purposes, Khan engages in battle with the Enterprise crew.
+
+CREDITS:
+TM & © Paramount (1982)
+Cast: William Shatner, Bibi Besch
+Director: Nicholas Meyer
+Producers: Harve Bennett, William F. Phillips, Robert Sallin
+Screenwriters: Harve Bennett, Nicholas Meyer, Gene Roddenberry, Jack B. Sowards, Samuel A. Peeples, Ramon Sanchez
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/WlhyiskKER8.en.srt

@@ -0,0 +1,245 @@
+1
+00:00:00,840 --> 00:00:02,389
+
+I did what you
+
+2
+00:00:02,389 --> 00:00:02,399
+I did what you
+ 
+
+3
+00:00:02,399 --> 00:00:06,470
+I did what you
+wanted I stayed
+
+4
+00:00:06,470 --> 00:00:06,480
+
+ 
+
+5
+00:00:06,480 --> 00:00:09,549
+
+away why didn't you
+
+6
+00:00:09,549 --> 00:00:09,559
+away why didn't you
+ 
+
+7
+00:00:09,559 --> 00:00:12,509
+away why didn't you
+tell how can you ask me
+
+8
+00:00:12,509 --> 00:00:12,519
+tell how can you ask me
+ 
+
+9
+00:00:12,519 --> 00:00:15,070
+tell how can you ask me
+that were we
+
+10
+00:00:15,070 --> 00:00:15,080
+that were we
+ 
+
+11
+00:00:15,080 --> 00:00:17,550
+that were we
+together were we going to
+
+12
+00:00:17,550 --> 00:00:17,560
+together were we going to
+ 
+
+13
+00:00:17,560 --> 00:00:21,870
+together were we going to
+be you had your world and I had
+
+14
+00:00:21,870 --> 00:00:21,880
+be you had your world and I had
+ 
+
+15
+00:00:21,880 --> 00:00:25,589
+be you had your world and I had
+mine and I wanted him in mine not
+
+16
+00:00:25,589 --> 00:00:25,599
+mine and I wanted him in mine not
+ 
+
+17
+00:00:25,599 --> 00:00:27,269
+mine and I wanted him in mine not
+chasing through the universe with his
+
+18
+00:00:27,269 --> 00:00:27,279
+chasing through the universe with his
+ 
+
+19
+00:00:27,279 --> 00:00:40,510
+chasing through the universe with his
+father
+
+20
+00:00:40,510 --> 00:00:40,520
+
+ 
+
+21
+00:00:40,520 --> 00:00:43,310
+
+actually he's a lot like
+
+22
+00:00:43,310 --> 00:00:43,320
+actually he's a lot like
+ 
+
+23
+00:00:43,320 --> 00:00:48,430
+actually he's a lot like
+you in many
+
+24
+00:00:48,430 --> 00:00:48,440
+
+ 
+
+25
+00:00:48,440 --> 00:00:54,270
+
+ways please tell me what you're
+
+26
+00:00:54,270 --> 00:00:54,280
+
+ 
+
+27
+00:00:54,280 --> 00:00:56,310
+
+feeling there's a man out there I
+
+28
+00:00:56,310 --> 00:00:56,320
+feeling there's a man out there I
+ 
+
+29
+00:00:56,320 --> 00:00:59,069
+feeling there's a man out there I
+haven't seen in 15 years was trying to
+
+30
+00:00:59,069 --> 00:00:59,079
+haven't seen in 15 years was trying to
+ 
+
+31
+00:00:59,079 --> 00:01:02,869
+haven't seen in 15 years was trying to
+kill me
+
+32
+00:01:02,869 --> 00:01:02,879
+
+ 
+
+33
+00:01:02,879 --> 00:01:04,429
+
+you show me your son that'd be happy to
+
+34
+00:01:04,429 --> 00:01:04,439
+you show me your son that'd be happy to
+ 
+
+35
+00:01:04,439 --> 00:01:08,230
+you show me your son that'd be happy to
+help
+
+36
+00:01:08,230 --> 00:01:08,240
+
+ 
+
+37
+00:01:08,240 --> 00:01:13,710
+
+him my
+
+38
+00:01:13,710 --> 00:01:13,720
+
+ 
+
+39
+00:01:13,720 --> 00:01:17,310
+
+son my life that could have
+
+40
+00:01:17,310 --> 00:01:17,320
+son my life that could have
+ 
+
+41
+00:01:17,320 --> 00:01:21,630
+son my life that could have
+been it
+
+42
+00:01:21,630 --> 00:01:21,640
+
+ 
+
+43
+00:01:21,640 --> 00:01:27,550
+
+wasn't what am I
+
+44
+00:01:27,550 --> 00:01:27,560
+
+ 
+
+45
+00:01:27,560 --> 00:01:33,230
+
+feeling oh
+
+46
+00:01:33,230 --> 00:01:33,240
+
+ 
+
+47
+00:01:33,240 --> 00:01:36,400
+
+worn out
+
+48
+00:01:36,400 --> 00:01:36,410
+worn out
+ 
+
+49
+00:01:36,410 --> 00:02:07,459
+worn out
+[Music]
+

1982/XlZUBUSKbFk.en.srt

@@ -0,0 +1,765 @@
+1
+00:00:09,000 --> 00:00:11,430
+
+don't touch me don't touch me don't
+
+2
+00:00:11,430 --> 00:00:11,440
+don't touch me don't touch me don't
+ 
+
+3
+00:00:11,440 --> 00:00:12,709
+don't touch me don't touch me don't
+touch
+
+4
+00:00:12,709 --> 00:00:12,719
+touch
+ 
+
+5
+00:00:12,719 --> 00:00:15,750
+touch
+me it's all right darling it's all
+
+6
+00:00:15,750 --> 00:00:15,760
+me it's all right darling it's all
+ 
+
+7
+00:00:15,760 --> 00:00:19,230
+me it's all right darling it's all
+right
+
+8
+00:00:19,230 --> 00:00:19,240
+
+ 
+
+9
+00:00:19,240 --> 00:00:21,349
+
+touched I'm sorry I mean all I did was
+
+10
+00:00:21,349 --> 00:00:21,359
+touched I'm sorry I mean all I did was
+ 
+
+11
+00:00:21,359 --> 00:00:22,990
+touched I'm sorry I mean all I did was
+just touch her oh it's all right she
+
+12
+00:00:22,990 --> 00:00:23,000
+just touch her oh it's all right she
+ 
+
+13
+00:00:23,000 --> 00:00:24,990
+just touch her oh it's all right she
+can't bear to have a man's hand touching
+
+14
+00:00:24,990 --> 00:00:25,000
+can't bear to have a man's hand touching
+ 
+
+15
+00:00:25,000 --> 00:00:27,870
+can't bear to have a man's hand touching
+her or she got problems yes she does I
+
+16
+00:00:27,870 --> 00:00:27,880
+her or she got problems yes she does I
+ 
+
+17
+00:00:27,880 --> 00:00:28,870
+her or she got problems yes she does I
+mean it's going to be kind of hard to
+
+18
+00:00:28,870 --> 00:00:28,880
+mean it's going to be kind of hard to
+ 
+
+19
+00:00:28,880 --> 00:00:31,310
+mean it's going to be kind of hard to
+avoid being touched isn't it yes it is
+
+20
+00:00:31,310 --> 00:00:31,320
+avoid being touched isn't it yes it is
+ 
+
+21
+00:00:31,320 --> 00:00:34,910
+avoid being touched isn't it yes it is
+that's why she's here my name's Roberta
+
+22
+00:00:34,910 --> 00:00:34,920
+that's why she's here my name's Roberta
+ 
+
+23
+00:00:34,920 --> 00:00:39,350
+that's why she's here my name's Roberta
+I'm GARP you're Jenny's son yes I am oh
+
+24
+00:00:39,350 --> 00:00:39,360
+I'm GARP you're Jenny's son yes I am oh
+ 
+
+25
+00:00:39,360 --> 00:00:41,590
+I'm GARP you're Jenny's son yes I am oh
+I just finished reading your novel I
+
+26
+00:00:41,590 --> 00:00:41,600
+I just finished reading your novel I
+ 
+
+27
+00:00:41,600 --> 00:00:44,630
+I just finished reading your novel I
+think it's wonderful I adored it what
+
+28
+00:00:44,630 --> 00:00:44,640
+think it's wonderful I adored it what
+ 
+
+29
+00:00:44,640 --> 00:00:46,750
+think it's wonderful I adored it what
+happened oh it's all right Garb just
+
+30
+00:00:46,750 --> 00:00:46,760
+happened oh it's all right Garb just
+ 
+
+31
+00:00:46,760 --> 00:00:48,470
+happened oh it's all right Garb just
+frightened Alice for a bit but she's
+
+32
+00:00:48,470 --> 00:00:48,480
+frightened Alice for a bit but she's
+ 
+
+33
+00:00:48,480 --> 00:00:50,069
+frightened Alice for a bit but she's
+fine Mom I'm sorry all I did was just
+
+34
+00:00:50,069 --> 00:00:50,079
+fine Mom I'm sorry all I did was just
+ 
+
+35
+00:00:50,079 --> 00:00:52,150
+fine Mom I'm sorry all I did was just
+touch her it's all right d it's all
+
+36
+00:00:52,150 --> 00:00:52,160
+touch her it's all right d it's all
+ 
+
+37
+00:00:52,160 --> 00:00:54,069
+touch her it's all right d it's all
+right everyone it's all right just go
+
+38
+00:00:54,069 --> 00:00:54,079
+right everyone it's all right just go
+ 
+
+39
+00:00:54,079 --> 00:00:56,110
+right everyone it's all right just go
+back to do what you were doing before if
+
+40
+00:00:56,110 --> 00:00:56,120
+back to do what you were doing before if
+ 
+
+41
+00:00:56,120 --> 00:00:59,110
+back to do what you were doing before if
+everything is fine Barbara Barb Barbara
+
+42
+00:00:59,110 --> 00:00:59,120
+everything is fine Barbara Barb Barbara
+ 
+
+43
+00:00:59,120 --> 00:01:01,349
+everything is fine Barbara Barb Barbara
+it's all right Mama I'm sorry I didn't
+
+44
+00:01:01,349 --> 00:01:01,359
+it's all right Mama I'm sorry I didn't
+ 
+
+45
+00:01:01,359 --> 00:01:03,030
+it's all right Mama I'm sorry I didn't
+know he's my
+
+46
+00:01:03,030 --> 00:01:03,040
+know he's my
+ 
+
+47
+00:01:03,040 --> 00:01:05,670
+know he's my
+son what's her problem she's an Ellen
+
+48
+00:01:05,670 --> 00:01:05,680
+son what's her problem she's an Ellen
+ 
+
+49
+00:01:05,680 --> 00:01:08,310
+son what's her problem she's an Ellen
+James here what does that mean you don't
+
+50
+00:01:08,310 --> 00:01:08,320
+James here what does that mean you don't
+ 
+
+51
+00:01:08,320 --> 00:01:10,390
+James here what does that mean you don't
+know what an Ellen Jamesy is no Mom I
+
+52
+00:01:10,390 --> 00:01:10,400
+know what an Ellen Jamesy is no Mom I
+ 
+
+53
+00:01:10,400 --> 00:01:11,550
+know what an Ellen Jamesy is no Mom I
+don't I mean what she taking a vow
+
+54
+00:01:11,550 --> 00:01:11,560
+don't I mean what she taking a vow
+ 
+
+55
+00:01:11,560 --> 00:01:14,070
+don't I mean what she taking a vow
+frowns or something what's all this she
+
+56
+00:01:14,070 --> 00:01:14,080
+frowns or something what's all this she
+ 
+
+57
+00:01:14,080 --> 00:01:16,590
+frowns or something what's all this she
+has no tongue what do you mean she has
+
+58
+00:01:16,590 --> 00:01:16,600
+has no tongue what do you mean she has
+ 
+
+59
+00:01:16,600 --> 00:01:18,990
+has no tongue what do you mean she has
+no tongue I mean she has no tongue it
+
+60
+00:01:18,990 --> 00:01:19,000
+no tongue I mean she has no tongue it
+ 
+
+61
+00:01:19,000 --> 00:01:21,910
+no tongue I mean she has no tongue it
+was cut off oh Christ I'm sorry it was
+
+62
+00:01:21,910 --> 00:01:21,920
+was cut off oh Christ I'm sorry it was
+ 
+
+63
+00:01:21,920 --> 00:01:24,069
+was cut off oh Christ I'm sorry it was
+cut off on purpose because of what
+
+64
+00:01:24,069 --> 00:01:24,079
+cut off on purpose because of what
+ 
+
+65
+00:01:24,079 --> 00:01:25,710
+cut off on purpose because of what
+happened to a little girl named Ellen
+
+66
+00:01:25,710 --> 00:01:25,720
+happened to a little girl named Ellen
+ 
+
+67
+00:01:25,720 --> 00:01:28,590
+happened to a little girl named Ellen
+James two men raped her when she was 11
+
+68
+00:01:28,590 --> 00:01:28,600
+James two men raped her when she was 11
+ 
+
+69
+00:01:28,600 --> 00:01:30,950
+James two men raped her when she was 11
+years old they cut off her tongue so she
+
+70
+00:01:30,950 --> 00:01:30,960
+years old they cut off her tongue so she
+ 
+
+71
+00:01:30,960 --> 00:01:32,469
+years old they cut off her tongue so she
+wouldn't tell anyone who they were or
+
+72
+00:01:32,469 --> 00:01:32,479
+wouldn't tell anyone who they were or
+ 
+
+73
+00:01:32,479 --> 00:01:34,389
+wouldn't tell anyone who they were or
+what they looked like some of these
+
+74
+00:01:34,389 --> 00:01:34,399
+what they looked like some of these
+ 
+
+75
+00:01:34,399 --> 00:01:36,710
+what they looked like some of these
+women formed a society in her honor I
+
+76
+00:01:36,710 --> 00:01:36,720
+women formed a society in her honor I
+ 
+
+77
+00:01:36,720 --> 00:01:38,510
+women formed a society in her honor I
+mean this Ellen James Society goes
+
+78
+00:01:38,510 --> 00:01:38,520
+mean this Ellen James Society goes
+ 
+
+79
+00:01:38,520 --> 00:01:39,830
+mean this Ellen James Society goes
+around not talking as if they had no
+
+80
+00:01:39,830 --> 00:01:39,840
+around not talking as if they had no
+ 
+
+81
+00:01:39,840 --> 00:01:41,429
+around not talking as if they had no
+tongues no I mean they don't have any
+
+82
+00:01:41,429 --> 00:01:41,439
+tongues no I mean they don't have any
+ 
+
+83
+00:01:41,439 --> 00:01:43,429
+tongues no I mean they don't have any
+tongues the women in the society have
+
+84
+00:01:43,429 --> 00:01:43,439
+tongues the women in the society have
+ 
+
+85
+00:01:43,439 --> 00:01:45,590
+tongues the women in the society have
+their tongues cut off to protest what
+
+86
+00:01:45,590 --> 00:01:45,600
+their tongues cut off to protest what
+ 
+
+87
+00:01:45,600 --> 00:01:48,109
+their tongues cut off to protest what
+happened to Ellen James what you mean
+
+88
+00:01:48,109 --> 00:01:48,119
+happened to Ellen James what you mean
+ 
+
+89
+00:01:48,119 --> 00:01:49,990
+happened to Ellen James what you mean
+they actually have their own tongues cut
+
+90
+00:01:49,990 --> 00:01:50,000
+they actually have their own tongues cut
+ 
+
+91
+00:01:50,000 --> 00:01:53,230
+they actually have their own tongues cut
+off yes the society oh Mom I don't want
+
+92
+00:01:53,230 --> 00:01:53,240
+off yes the society oh Mom I don't want
+ 
+
+93
+00:01:53,240 --> 00:01:55,310
+off yes the society oh Mom I don't want
+to hear about this you're a little
+
+94
+00:01:55,310 --> 00:01:55,320
+to hear about this you're a little
+ 
+
+95
+00:01:55,320 --> 00:01:57,510
+to hear about this you're a little
+short on sympathy son no M I got a lot
+
+96
+00:01:57,510 --> 00:01:57,520
+short on sympathy son no M I got a lot
+ 
+
+97
+00:01:57,520 --> 00:01:58,630
+short on sympathy son no M I got a lot
+of sympathy for a little girl who gets
+
+98
+00:01:58,630 --> 00:01:58,640
+of sympathy for a little girl who gets
+ 
+
+99
+00:01:58,640 --> 00:02:00,550
+of sympathy for a little girl who gets
+raped but M God this this is self
+
+100
+00:02:00,550 --> 00:02:00,560
+raped but M God this this is self
+ 
+
+101
+00:02:00,560 --> 00:02:02,350
+raped but M God this this is self
+mulation I mean suppose the next time
+
+102
+00:02:02,350 --> 00:02:02,360
+mulation I mean suppose the next time
+ 
+
+103
+00:02:02,360 --> 00:02:03,550
+mulation I mean suppose the next time
+there's a rape I cut off my prick and I
+
+104
+00:02:03,550 --> 00:02:03,560
+there's a rape I cut off my prick and I
+ 
+
+105
+00:02:03,560 --> 00:02:08,510
+there's a rape I cut off my prick and I
+wear around my
+
+106
+00:02:08,510 --> 00:02:08,520
+
+ 
+
+107
+00:02:08,520 --> 00:02:10,550
+
+neck well I got a good idea too why
+
+108
+00:02:10,550 --> 00:02:10,560
+neck well I got a good idea too why
+ 
+
+109
+00:02:10,560 --> 00:02:12,949
+neck well I got a good idea too why
+don't you that
+
+110
+00:02:12,949 --> 00:02:12,959
+don't you that
+ 
+
+111
+00:02:12,959 --> 00:02:15,869
+don't you that
+youit it's all right Jesus Christ no
+
+112
+00:02:15,869 --> 00:02:15,879
+youit it's all right Jesus Christ no
+ 
+
+113
+00:02:15,879 --> 00:02:17,390
+youit it's all right Jesus Christ no
+sense making things any worse than they
+
+114
+00:02:17,390 --> 00:02:17,400
+sense making things any worse than they
+ 
+
+115
+00:02:17,400 --> 00:02:20,710
+sense making things any worse than they
+are this whole house is full of I know I
+
+116
+00:02:20,710 --> 00:02:20,720
+are this whole house is full of I know I
+ 
+
+117
+00:02:20,720 --> 00:02:23,110
+are this whole house is full of I know I
+know everyone here has something missing
+
+118
+00:02:23,110 --> 00:02:23,120
+know everyone here has something missing
+ 
+
+119
+00:02:23,120 --> 00:02:26,150
+know everyone here has something missing
+or some wound that won't heal and your
+
+120
+00:02:26,150 --> 00:02:26,160
+or some wound that won't heal and your
+ 
+
+121
+00:02:26,160 --> 00:02:27,910
+or some wound that won't heal and your
+mother tries to nurse them back to
+
+122
+00:02:27,910 --> 00:02:27,920
+mother tries to nurse them back to
+ 
+
+123
+00:02:27,920 --> 00:02:30,589
+mother tries to nurse them back to
+health she's a wonderful
+
+124
+00:02:30,589 --> 00:02:30,599
+health she's a wonderful
+ 
+
+125
+00:02:30,599 --> 00:02:33,470
+health she's a wonderful
+person are you visiting somebody here no
+
+126
+00:02:33,470 --> 00:02:33,480
+person are you visiting somebody here no
+ 
+
+127
+00:02:33,480 --> 00:02:35,589
+person are you visiting somebody here no
+why well you just seem like the only
+
+128
+00:02:35,589 --> 00:02:35,599
+why well you just seem like the only
+ 
+
+129
+00:02:35,599 --> 00:02:38,070
+why well you just seem like the only
+normal person around the place oh I
+
+130
+00:02:38,070 --> 00:02:38,080
+normal person around the place oh I
+ 
+
+131
+00:02:38,080 --> 00:02:40,470
+normal person around the place oh I
+don't
+
+132
+00:02:40,470 --> 00:02:40,480
+
+ 
+
+133
+00:02:40,480 --> 00:02:43,869
+
+know Ford me I hate to use a corny line
+
+134
+00:02:43,869 --> 00:02:43,879
+know Ford me I hate to use a corny line
+ 
+
+135
+00:02:43,879 --> 00:02:46,430
+know Ford me I hate to use a corny line
+like this but haven't I seen you
+
+136
+00:02:46,430 --> 00:02:46,440
+like this but haven't I seen you
+ 
+
+137
+00:02:46,440 --> 00:02:48,949
+like this but haven't I seen you
+before you like football oh yeah I used
+
+138
+00:02:48,949 --> 00:02:48,959
+before you like football oh yeah I used
+ 
+
+139
+00:02:48,959 --> 00:02:50,270
+before you like football oh yeah I used
+to watch it quite a bit well you might
+
+140
+00:02:50,270 --> 00:02:50,280
+to watch it quite a bit well you might
+ 
+
+141
+00:02:50,280 --> 00:02:52,309
+to watch it quite a bit well you might
+have seen me I was a tight end with the
+
+142
+00:02:52,309 --> 00:02:52,319
+have seen me I was a tight end with the
+ 
+
+143
+00:02:52,319 --> 00:02:56,830
+have seen me I was a tight end with the
+Philadelphia Eagles number 90 Robert
+
+144
+00:02:56,830 --> 00:02:56,840
+Philadelphia Eagles number 90 Robert
+ 
+
+145
+00:02:56,840 --> 00:03:01,070
+Philadelphia Eagles number 90 Robert
+maldon oh oh yeah I had a great Pair of
+
+146
+00:03:01,070 --> 00:03:01,080
+maldon oh oh yeah I had a great Pair of
+ 
+
+147
+00:03:01,080 --> 00:03:04,110
+maldon oh oh yeah I had a great Pair of
+Hands yes you
+
+148
+00:03:04,110 --> 00:03:04,120
+Hands yes you
+ 
+
+149
+00:03:04,120 --> 00:03:28,670
+Hands yes you
+did
+
+150
+00:03:28,670 --> 00:03:28,680
+
+ 
+
+151
+00:03:28,680 --> 00:03:30,580
+
+yeah
+
+152
+00:03:30,580 --> 00:03:30,590
+yeah
+ 
+
+153
+00:03:30,590 --> 00:03:37,050
+yeah
+[Music]
+

1982/Y5EkcuhBwiU.en.srt

@@ -0,0 +1,485 @@
+1
+00:00:03,410 --> 00:00:12,470
+
+[Music]
+
+2
+00:00:12,470 --> 00:00:12,480
+
+ 
+
+3
+00:00:12,480 --> 00:00:18,099
+
+[Music]
+
+4
+00:00:18,099 --> 00:00:18,109
+[Music]
+ 
+
+5
+00:00:18,109 --> 00:00:21,890
+[Music]
+and now the watchdog man himself the
+
+6
+00:00:21,890 --> 00:00:21,900
+and now the watchdog man himself the
+ 
+
+7
+00:00:21,900 --> 00:00:31,060
+and now the watchdog man himself the
+eyes and ears of Texas Melvin P Thorpe
+
+8
+00:00:31,060 --> 00:00:31,070
+
+ 
+
+9
+00:00:31,070 --> 00:00:33,520
+
+a few fellow Texans and welcome to the
+
+10
+00:00:33,520 --> 00:00:33,530
+a few fellow Texans and welcome to the
+ 
+
+11
+00:00:33,530 --> 00:00:36,730
+a few fellow Texans and welcome to the
+watchdog report miss yours truly Melvin
+
+12
+00:00:36,730 --> 00:00:36,740
+watchdog report miss yours truly Melvin
+ 
+
+13
+00:00:36,740 --> 00:00:39,310
+watchdog report miss yours truly Melvin
+P Thorpe keeping an eye on what's going
+
+14
+00:00:39,310 --> 00:00:39,320
+P Thorpe keeping an eye on what's going
+ 
+
+15
+00:00:39,320 --> 00:00:42,700
+P Thorpe keeping an eye on what's going
+on in this beautiful state of art this
+
+16
+00:00:42,700 --> 00:00:42,710
+on in this beautiful state of art this
+ 
+
+17
+00:00:42,710 --> 00:00:45,460
+on in this beautiful state of art this
+week's pop up will shine on a shameful
+
+18
+00:00:45,460 --> 00:00:45,470
+week's pop up will shine on a shameful
+ 
+
+19
+00:00:45,470 --> 00:00:47,830
+week's pop up will shine on a shameful
+situation that has been allowed to exist
+
+20
+00:00:47,830 --> 00:00:47,840
+situation that has been allowed to exist
+ 
+
+21
+00:00:47,840 --> 00:00:50,560
+situation that has been allowed to exist
+for close to a hundred chickens I'm
+
+22
+00:00:50,560 --> 00:00:50,570
+for close to a hundred chickens I'm
+ 
+
+23
+00:00:50,570 --> 00:00:53,010
+for close to a hundred chickens I'm
+talking about the chicken ranch for ends
+
+24
+00:00:53,010 --> 00:00:53,020
+talking about the chicken ranch for ends
+ 
+
+25
+00:00:53,020 --> 00:00:55,540
+talking about the chicken ranch for ends
+the proprietor of this innocent-looking
+
+26
+00:00:55,540 --> 00:00:55,550
+the proprietor of this innocent-looking
+ 
+
+27
+00:00:55,550 --> 00:00:58,360
+the proprietor of this innocent-looking
+ranch house is a woman known only as
+
+28
+00:00:58,360 --> 00:00:58,370
+ranch house is a woman known only as
+ 
+
+29
+00:00:58,370 --> 00:01:02,290
+ranch house is a woman known only as
+Miss Mona and the man who turns his back
+
+30
+00:01:02,290 --> 00:01:02,300
+Miss Mona and the man who turns his back
+ 
+
+31
+00:01:02,300 --> 00:01:06,790
+Miss Mona and the man who turns his back
+on her illegal operation is Sheriff Ed
+
+32
+00:01:06,790 --> 00:01:06,800
+on her illegal operation is Sheriff Ed
+ 
+
+33
+00:01:06,800 --> 00:01:07,930
+on her illegal operation is Sheriff Ed
+Earl Dodd
+
+34
+00:01:07,930 --> 00:01:07,940
+Earl Dodd
+ 
+
+35
+00:01:07,940 --> 00:01:12,640
+Earl Dodd
+did I say illegal yes I see it I know
+
+36
+00:01:12,640 --> 00:01:12,650
+did I say illegal yes I see it I know
+ 
+
+37
+00:01:12,650 --> 00:01:16,870
+did I say illegal yes I see it I know
+that this is TV so I'm gonna try to be
+
+38
+00:01:16,870 --> 00:01:16,880
+that this is TV so I'm gonna try to be
+ 
+
+39
+00:01:16,880 --> 00:01:20,289
+that this is TV so I'm gonna try to be
+as delicate as I can here goes and may
+
+40
+00:01:20,289 --> 00:01:20,299
+as delicate as I can here goes and may
+ 
+
+41
+00:01:20,299 --> 00:01:25,030
+as delicate as I can here goes and may
+God forgive me Texas has a whorehouse in
+
+42
+00:01:25,030 --> 00:01:25,040
+God forgive me Texas has a whorehouse in
+ 
+
+43
+00:01:25,040 --> 00:01:29,850
+God forgive me Texas has a whorehouse in
+it as a whorehouse
+
+44
+00:01:29,850 --> 00:01:29,860
+it as a whorehouse
+ 
+
+45
+00:01:29,860 --> 00:01:33,990
+it as a whorehouse
+[Music]
+
+46
+00:01:33,990 --> 00:01:34,000
+[Music]
+ 
+
+47
+00:01:34,000 --> 00:01:37,200
+[Music]
+kills me with disgust please excuse the
+
+48
+00:01:37,200 --> 00:01:37,210
+kills me with disgust please excuse the
+ 
+
+49
+00:01:37,210 --> 00:01:39,149
+kills me with disgust please excuse the
+filthy doctor
+
+50
+00:01:39,149 --> 00:01:39,159
+filthy doctor
+ 
+
+51
+00:01:39,159 --> 00:01:46,709
+filthy doctor
+and carnal Oh dancing going on inside it
+
+52
+00:01:46,709 --> 00:01:46,719
+and carnal Oh dancing going on inside it
+ 
+
+53
+00:01:46,719 --> 00:01:48,870
+and carnal Oh dancing going on inside it
+don't you see they've gone from wild I
+
+54
+00:01:48,870 --> 00:01:48,880
+don't you see they've gone from wild I
+ 
+
+55
+00:01:48,880 --> 00:01:52,080
+don't you see they've gone from wild I
+am card no.1 tinnitus now I think I'm
+
+56
+00:01:52,080 --> 00:01:52,090
+am card no.1 tinnitus now I think I'm
+ 
+
+57
+00:01:52,090 --> 00:01:56,690
+am card no.1 tinnitus now I think I'm
+getting wild
+
+58
+00:01:56,690 --> 00:01:56,700
+
+ 
+
+59
+00:01:56,700 --> 00:02:00,469
+
+and the sheriff knows I wrote it down
+
+60
+00:02:00,469 --> 00:02:00,479
+and the sheriff knows I wrote it down
+ 
+
+61
+00:02:00,479 --> 00:02:03,420
+and the sheriff knows I wrote it down
+that's very strange
+
+62
+00:02:03,420 --> 00:02:03,430
+that's very strange
+ 
+
+63
+00:02:03,430 --> 00:02:10,499
+that's very strange
+[Music]
+
+64
+00:02:10,499 --> 00:02:10,509
+
+ 
+
+65
+00:02:10,509 --> 00:02:15,130
+
+[Music]
+
+66
+00:02:15,130 --> 00:02:15,140
+[Music]
+ 
+
+67
+00:02:15,140 --> 00:02:19,100
+[Music]
+never guess with engineer I can all
+
+68
+00:02:19,100 --> 00:02:19,110
+never guess with engineer I can all
+ 
+
+69
+00:02:19,110 --> 00:02:23,030
+never guess with engineer I can all
+defray the losses 190 miles from here
+
+70
+00:02:23,030 --> 00:02:23,040
+defray the losses 190 miles from here
+ 
+
+71
+00:02:23,040 --> 00:02:26,080
+defray the losses 190 miles from here
+and now our own Melvin P Thorpe sail
+
+72
+00:02:26,080 --> 00:02:26,090
+and now our own Melvin P Thorpe sail
+ 
+
+73
+00:02:26,090 --> 00:02:38,660
+and now our own Melvin P Thorpe sail
+[Music]
+
+74
+00:02:38,660 --> 00:02:38,670
+
+ 
+
+75
+00:02:38,670 --> 00:02:39,480
+
+[Applause]
+
+76
+00:02:39,480 --> 00:02:39,490
+[Applause]
+ 
+
+77
+00:02:39,490 --> 00:02:45,190
+[Applause]
+[Music]
+
+78
+00:02:45,190 --> 00:02:45,200
+
+ 
+
+79
+00:02:45,200 --> 00:02:45,700
+
+[Applause]
+
+80
+00:02:45,700 --> 00:02:45,710
+[Applause]
+ 
+
+81
+00:02:45,710 --> 00:03:12,020
+[Applause]
+[Music]
+
+82
+00:03:12,020 --> 00:03:12,030
+[Music]
+ 
+
+83
+00:03:12,030 --> 00:03:15,200
+[Music]
+don't touch that dial this is Melvin P
+
+84
+00:03:15,200 --> 00:03:15,210
+don't touch that dial this is Melvin P
+ 
+
+85
+00:03:15,210 --> 00:03:17,810
+don't touch that dial this is Melvin P
+Thorpe saying I'll be back with new and
+
+86
+00:03:17,810 --> 00:03:17,820
+Thorpe saying I'll be back with new and
+ 
+
+87
+00:03:17,820 --> 00:03:19,640
+Thorpe saying I'll be back with new and
+revealing information about this and
+
+88
+00:03:19,640 --> 00:03:19,650
+revealing information about this and
+ 
+
+89
+00:03:19,650 --> 00:03:25,820
+revealing information about this and
+other cases watchdog Never Sleeps
+
+90
+00:03:25,820 --> 00:03:25,830
+
+ 
+
+91
+00:03:25,830 --> 00:03:27,320
+
+[Applause]
+
+92
+00:03:27,320 --> 00:03:27,330
+[Applause]
+ 
+
+93
+00:03:27,330 --> 00:03:34,550
+[Applause]
+[Music]
+
+94
+00:03:34,550 --> 00:03:34,560
+[Music]
+ 
+
+95
+00:03:34,560 --> 00:03:38,930
+[Music]
+[Applause]
+
+96
+00:03:38,930 --> 00:03:38,940
+[Applause]
+ 
+
+97
+00:03:38,940 --> 00:03:50,389
+[Applause]
+[Music]
+

1982/YDCHojBWEhg.en.srt

@@ -0,0 +1,265 @@
+1
+00:00:00,970 --> 00:00:17,100
+
+[Music]
+
+2
+00:00:17,100 --> 00:00:17,110
+
+ 
+
+3
+00:00:17,110 --> 00:00:19,590
+
+[Music]
+
+4
+00:00:19,590 --> 00:00:19,600
+[Music]
+ 
+
+5
+00:00:19,600 --> 00:00:20,770
+[Music]
+so
+
+6
+00:00:20,770 --> 00:00:20,780
+so
+ 
+
+7
+00:00:20,780 --> 00:00:42,950
+so
+[Music]
+
+8
+00:00:42,950 --> 00:00:42,960
+
+ 
+
+9
+00:00:42,960 --> 00:00:49,350
+
+the hell
+
+10
+00:00:49,350 --> 00:00:49,360
+
+ 
+
+11
+00:00:49,360 --> 00:00:52,310
+
+what the hell you want is our son here
+
+12
+00:00:52,310 --> 00:00:52,320
+what the hell you want is our son here
+ 
+
+13
+00:00:52,320 --> 00:00:57,810
+what the hell you want is our son here
+jesus christ get the hell out of here
+
+14
+00:00:57,810 --> 00:00:57,820
+
+ 
+
+15
+00:00:57,820 --> 00:01:06,870
+
+[Music]
+
+16
+00:01:06,870 --> 00:01:06,880
+
+ 
+
+17
+00:01:06,880 --> 00:01:07,990
+
+michael
+
+18
+00:01:07,990 --> 00:01:08,000
+michael
+ 
+
+19
+00:01:08,000 --> 00:01:09,990
+michael
+what are you doing here
+
+20
+00:01:09,990 --> 00:01:10,000
+what are you doing here
+ 
+
+21
+00:01:10,000 --> 00:01:12,390
+what are you doing here
+there's a murderer running loose i
+
+22
+00:01:12,390 --> 00:01:12,400
+there's a murderer running loose i
+ 
+
+23
+00:01:12,400 --> 00:01:18,550
+there's a murderer running loose i
+didn't want to leave her alone liar
+
+24
+00:01:18,550 --> 00:01:18,560
+
+ 
+
+25
+00:01:18,560 --> 00:01:19,670
+
+come on
+
+26
+00:01:19,670 --> 00:01:19,680
+come on
+ 
+
+27
+00:01:19,680 --> 00:01:21,350
+come on
+he said he was only protecting the girl
+
+28
+00:01:21,350 --> 00:01:21,360
+he said he was only protecting the girl
+ 
+
+29
+00:01:21,360 --> 00:01:24,390
+he said he was only protecting the girl
+hers now settle down
+
+30
+00:01:24,390 --> 00:01:24,400
+hers now settle down
+ 
+
+31
+00:01:24,400 --> 00:01:26,310
+hers now settle down
+next time i'll kill you a little bastard
+
+32
+00:01:26,310 --> 00:01:26,320
+next time i'll kill you a little bastard
+ 
+
+33
+00:01:26,320 --> 00:01:28,310
+next time i'll kill you a little bastard
+you here
+
+34
+00:01:28,310 --> 00:01:28,320
+you here
+ 
+
+35
+00:01:28,320 --> 00:01:29,109
+you here
+no
+
+36
+00:01:29,109 --> 00:01:29,119
+no
+ 
+
+37
+00:01:29,119 --> 00:01:30,230
+no
+don't
+
+38
+00:01:30,230 --> 00:01:30,240
+don't
+ 
+
+39
+00:01:30,240 --> 00:01:31,749
+don't
+don't jab
+
+40
+00:01:31,749 --> 00:01:31,759
+don't jab
+ 
+
+41
+00:01:31,759 --> 00:01:40,230
+don't jab
+get him out of here
+
+42
+00:01:40,230 --> 00:01:40,240
+
+ 
+
+43
+00:01:40,240 --> 00:01:42,310
+
+i'm gonna get that bastard
+
+44
+00:01:42,310 --> 00:01:42,320
+i'm gonna get that bastard
+ 
+
+45
+00:01:42,320 --> 00:02:04,950
+i'm gonna get that bastard
+i'm gonna kill you
+
+46
+00:02:04,950 --> 00:02:04,960
+
+ 
+
+47
+00:02:04,960 --> 00:02:07,350
+
+i'm sorry baby
+
+48
+00:02:07,350 --> 00:02:07,360
+i'm sorry baby
+ 
+
+49
+00:02:07,360 --> 00:02:10,890
+i'm sorry baby
+i'm sorry
+
+50
+00:02:10,890 --> 00:02:10,900
+
+ 
+
+51
+00:02:10,900 --> 00:02:40,470
+
+[Music]
+
+52
+00:02:40,470 --> 00:02:40,480
+[Music]
+ 
+
+53
+00:02:40,480 --> 00:02:42,560
+[Music]
+you
+

1982/YDDzjijc6jY.description

@@ -0,0 +1,38 @@
+The Thing movie clips: http://j.mp/15vUXyS
+BUY THE MOVIE: http://amzn.to/smRO82
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+MacReady (Kurt Russell) administers the blood test on Childs (Keith David) and Garry (Donald Moffat). Both are found to be not infected and demand to be untied from the couch.
+
+FILM DESCRIPTION:
+John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves.
+
+CREDITS:
+TM & © Universal (1982)
+Cast: Kurt Russell, T.K. Carter, Keith David, Donald Moffat
+Director: John Carpenter
+Producers: Stuart Cohen, David Foster, Larry J. Franco, Wilbur Stark, Lawrence Turman
+Screenwriters: Bill Lancaster, John W. Campbell Jr
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/YDDzjijc6jY.en.srt

@@ -0,0 +1,95 @@
+1
+00:00:18,119 --> 00:00:33,430
+
+let's do it
+
+2
+00:00:33,430 --> 00:00:33,440
+
+ 
+
+3
+00:00:33,440 --> 00:00:37,190
+
+get me out of here cut me loose cut me
+
+4
+00:00:37,190 --> 00:00:37,200
+get me out of here cut me loose cut me
+ 
+
+5
+00:00:37,200 --> 00:00:39,310
+get me out of here cut me loose cut me
+the hell come on get me out of here come
+
+6
+00:00:39,310 --> 00:00:39,320
+the hell come on get me out of here come
+ 
+
+7
+00:00:39,320 --> 00:00:41,830
+the hell come on get me out of here come
+on get me out of here cut me loose damn
+
+8
+00:00:41,830 --> 00:00:41,840
+on get me out of here cut me loose damn
+ 
+
+9
+00:00:41,840 --> 00:01:00,869
+on get me out of here cut me loose damn
+it
+
+10
+00:01:00,869 --> 00:01:00,879
+
+ 
+
+11
+00:01:00,879 --> 00:01:03,710
+
+I know you gentlemen have been through a
+
+12
+00:01:03,710 --> 00:01:03,720
+I know you gentlemen have been through a
+ 
+
+13
+00:01:03,720 --> 00:01:06,710
+I know you gentlemen have been through a
+lot and when you find the
+
+14
+00:01:06,710 --> 00:01:06,720
+lot and when you find the
+ 
+
+15
+00:01:06,720 --> 00:01:09,390
+lot and when you find the
+time I'd rather not spend the rest of
+
+16
+00:01:09,390 --> 00:01:09,400
+time I'd rather not spend the rest of
+ 
+
+17
+00:01:09,400 --> 00:01:20,380
+time I'd rather not spend the rest of
+this winter TI to this couch
+
+18
+00:01:20,380 --> 00:01:20,390
+
+ 
+
+19
+00:01:20,390 --> 00:01:51,449
+
+[Music]
+

1982/YYV5f0Aqo4w.description

@@ -0,0 +1,38 @@
+Fast Times at Ridgemont High movie clips: http://j.mp/1COZtCp
+BUY THE MOVIE: http://amzn.to/rvTf1k
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Believing they wrecked his car, Jefferson (Forest Whitaker) takes his anger out on the Lincoln football team.
+
+FILM DESCRIPTION:
+Amy Heckerling's adaptation of Cameron Crowe's Fast Times at Ridgemont High is often considered one of the finest films of a disreputable genre (the teen sex comedy), and kick-started the careers of many future stars. The center of this ensemble film is Jennifer Jason Leigh as Stacy Hamilton. She is a young, innocent high-school student who, as the film opens, is asking for advice from her friend, the sexually outspoken Linda Barrett (Phoebe Cates). Stacy takes a liking to nebbish Mark Ratner (Brian Backer), but he is too afraid to make a move even after Stacy all but throws herself at him. She eventually hooks up with Mark's more confident best friend, Mike Damone (Robert Romanus). When not concerning itself with these four characters, the film spends time with stoned surfer dude Jeff Spicoli (Sean Penn) and his ongoing feud with history teacher Mr. Hand (Ray Walston). The film includes brief appearances by such future stars as Nicolas Cage, Eric Stoltz, and Forest Whitaker.
+
+CREDITS:
+TM & © Universal (1982)
+Cast: Stanley Davis Jr., Sean Penn, Forest Whitaker
+Director: Amy Heckerling
+Producers: Irving Azoff, C.O. Erickson, Art Linson
+Screenwriter: Cameron Crowe
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/YYV5f0Aqo4w.en.srt

@@ -0,0 +1,111 @@
+1
+00:00:02,676 --> 00:00:05,616
+[ Student ] l don't believe
+those guys at Lincoln
+did this toJefferson's car!
+
+2
+00:00:05,680 --> 00:00:08,953
+They totaled it.
+l can't believe it.
+
+3
+00:00:11,287 --> 00:00:14,794
+1efferson's gonna really make
+Lincoln pay for this.
+
+4
+00:00:16,160 --> 00:00:18,665
+That guy's gonna totally
+destroy them.
+
+5
+00:00:18,730 --> 00:00:20,767
+Annihilate.
+You know what l mean?
+
+6
+00:00:22,534 --> 00:00:25,274
+Shit, he is pissed off.
+
+7
+00:00:44,528 --> 00:00:48,637
+#They maywell mean
+what theysayabout you #
+
+8
+00:00:48,700 --> 00:00:51,973
+# You might wander back
+to future friends #
+
+9
+00:00:52,037 --> 00:00:54,609
+[ Grunting, Growling ]
+
+10
+00:00:56,442 --> 00:00:58,947
+- [ Cheering ]
+- [ Shouting ]
+
+11
+00:00:59,013 --> 00:01:04,357
+# Come too close
+and take you by the hand #
+
+12
+00:01:04,419 --> 00:01:08,896
+# 'Cause nowyou see
+there's more to life
+then what we lovers do ##
+
+13
+00:01:08,958 --> 00:01:11,697
+- Oh, shit!
+- Hut. Hut.
+
+14
+00:01:12,529 --> 00:01:15,969
+[ Yelling ]
+
+15
+00:01:20,038 --> 00:01:23,479
+[ P.A. Announcer ]
+Brought down again by 33,
+CharlesIefferson.
+
+16
+00:01:23,543 --> 00:01:27,885
+Hit byJefferson.
+Crunched byJefferson.
+
+17
+00:01:27,948 --> 00:01:32,725
+Man!
+Jefferson. Jefferson.
+Jefferson. Jefferson.
+
+18
+00:01:33,755 --> 00:01:35,593
+)emerson.
+
+19
+00:01:35,658 --> 00:01:37,261
+Stretcher!
+
+20
+00:01:37,327 --> 00:01:40,366
+[ Cheering ]
+
+21
+00:01:41,465 --> 00:01:43,903
+Again byJefferson.
+
+22
+00:01:51,410 --> 00:01:55,452
+[ Crowd ]
+Five, four, three, two, one!
+
+23
+00:01:55,515 --> 00:01:57,720
+[ Cheering ]
+

1982/ZH7hyzPIbp0.description

@@ -0,0 +1,38 @@
+The Thing movie clips: http://j.mp/15vUXyS
+BUY THE MOVIE: http://amzn.to/smRO82
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+In the event that no one survives on the base, MacReady (Kurt Russell) records an audio tape telling of the strange events that are occurring.
+
+FILM DESCRIPTION:
+John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves.
+
+CREDITS:
+TM & © Universal (1982)
+Cast: Kurt Russell
+Director: John Carpenter
+Producers: Stuart Cohen, David Foster, Larry J. Franco, Wilbur Stark, Lawrence Turman
+Screenwriters: Bill Lancaster, John W. Campbell Jr
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1982/ZH7hyzPIbp0.en.srt

@@ -0,0 +1,195 @@
+1
+00:00:01,400 --> 00:00:03,349
+
+I'm going to hide this tape when I'm
+
+2
+00:00:03,349 --> 00:00:03,359
+I'm going to hide this tape when I'm
+ 
+
+3
+00:00:03,359 --> 00:00:05,869
+I'm going to hide this tape when I'm
+finished if none of us make it at least
+
+4
+00:00:05,869 --> 00:00:05,879
+finished if none of us make it at least
+ 
+
+5
+00:00:05,879 --> 00:00:07,750
+finished if none of us make it at least
+there'll be some kind of
+
+6
+00:00:07,750 --> 00:00:07,760
+there'll be some kind of
+ 
+
+7
+00:00:07,760 --> 00:00:10,190
+there'll be some kind of
+record Storm's been hitting us hard now
+
+8
+00:00:10,190 --> 00:00:10,200
+record Storm's been hitting us hard now
+ 
+
+9
+00:00:10,200 --> 00:00:12,030
+record Storm's been hitting us hard now
+for 48
+
+10
+00:00:12,030 --> 00:00:12,040
+for 48
+ 
+
+11
+00:00:12,040 --> 00:00:26,269
+for 48
+hours we still have nothing to go
+
+12
+00:00:26,269 --> 00:00:26,279
+
+ 
+
+13
+00:00:26,279 --> 00:00:30,189
+
+on one other thing I think it rips
+
+14
+00:00:30,189 --> 00:00:30,199
+on one other thing I think it rips
+ 
+
+15
+00:00:30,199 --> 00:00:32,869
+on one other thing I think it rips
+through your clothes when it takes you
+
+16
+00:00:32,869 --> 00:00:32,879
+through your clothes when it takes you
+ 
+
+17
+00:00:32,879 --> 00:00:35,510
+through your clothes when it takes you
+over Windows found some shredded long
+
+18
+00:00:35,510 --> 00:00:35,520
+over Windows found some shredded long
+ 
+
+19
+00:00:35,520 --> 00:00:38,110
+over Windows found some shredded long
+johns but the name tag was
+
+20
+00:00:38,110 --> 00:00:38,120
+johns but the name tag was
+ 
+
+21
+00:00:38,120 --> 00:00:41,590
+johns but the name tag was
+missing they could be
+
+22
+00:00:41,590 --> 00:00:41,600
+missing they could be
+ 
+
+23
+00:00:41,600 --> 00:00:45,549
+missing they could be
+anybody's
+
+24
+00:00:45,549 --> 00:00:45,559
+
+ 
+
+25
+00:00:45,559 --> 00:00:49,350
+
+nobody nobody trusts anybody
+
+26
+00:00:49,350 --> 00:00:49,360
+nobody nobody trusts anybody
+ 
+
+27
+00:00:49,360 --> 00:00:58,630
+nobody nobody trusts anybody
+now we're all very
+
+28
+00:00:58,630 --> 00:00:58,640
+
+ 
+
+29
+00:00:58,640 --> 00:01:05,070
+
+tired no trust anybody
+
+30
+00:01:05,070 --> 00:01:05,080
+
+ 
+
+31
+00:01:05,080 --> 00:01:07,910
+
+now there's nothing else I can
+
+32
+00:01:07,910 --> 00:01:07,920
+now there's nothing else I can
+ 
+
+33
+00:01:07,920 --> 00:01:12,870
+now there's nothing else I can
+do just
+
+34
+00:01:12,870 --> 00:01:12,880
+
+ 
+
+35
+00:01:12,880 --> 00:01:16,070
+
+wait RJ mccre helicopter pilot us
+
+36
+00:01:16,070 --> 00:01:16,080
+wait RJ mccre helicopter pilot us
+ 
+
+37
+00:01:16,080 --> 00:01:18,470
+wait RJ mccre helicopter pilot us
+Outpost number 31
+
+38
+00:01:18,470 --> 00:01:18,480
+Outpost number 31
+ 
+
+39
+00:01:18,480 --> 00:01:54,439
+Outpost number 31
+[Music]
+

1982/ZXHuGyv1KXM.description

@@ -0,0 +1,38 @@
+The Thing movie clips: http://j.mp/15vUXyS
+BUY THE MOVIE: http://amzn.to/smRO82
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+An Alaskan malamute dog runs across the wintery landscape of Antarctica pursued by a Norwegian helicopter.
+
+FILM DESCRIPTION:
+John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves.
+
+CREDITS:
+TM & © Universal (1982)
+Cast: Norbert Weisser, Larry J. Franco, John Carpenter
+Director: John Carpenter
+Producers: Stuart Cohen, David Foster, Larry J. Franco, Wilbur Stark, Lawrence Turman
+Screenwriters: Bill Lancaster, John W. Campbell Jr
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
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