Add files using upload-large-folder tool

1930/_SQr8I3lcW8.mp4

@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:e6e9ffc4c96b5c3defa4fb27b7ec628e923fc09e3f8b231523fad6ecb936c410
+size 5963830

1960/Kk6l301jwOk.en.srt

@@ -0,0 +1,265 @@
+1
+00:00:02,639 --> 00:00:05,470
+
+then all like to buy a
+
+2
+00:00:05,470 --> 00:00:05,480
+then all like to buy a
+ 
+
+3
+00:00:05,480 --> 00:00:07,070
+then all like to buy a
+drink
+
+4
+00:00:07,070 --> 00:00:07,080
+drink
+ 
+
+5
+00:00:07,080 --> 00:00:09,910
+drink
+whiskey got anything lined
+
+6
+00:00:09,910 --> 00:00:09,920
+whiskey got anything lined
+ 
+
+7
+00:00:09,920 --> 00:00:11,990
+whiskey got anything lined
+up
+
+8
+00:00:11,990 --> 00:00:12,000
+up
+ 
+
+9
+00:00:12,000 --> 00:00:14,230
+up
+yeah going to take a job in a grocery
+
+10
+00:00:14,230 --> 00:00:14,240
+yeah going to take a job in a grocery
+ 
+
+11
+00:00:14,240 --> 00:00:16,310
+yeah going to take a job in a grocery
+store F says I'm going to make a
+
+12
+00:00:16,310 --> 00:00:16,320
+store F says I'm going to make a
+ 
+
+13
+00:00:16,320 --> 00:00:17,590
+store F says I'm going to make a
+crackerjack
+
+14
+00:00:17,590 --> 00:00:17,600
+crackerjack
+ 
+
+15
+00:00:17,600 --> 00:00:19,670
+crackerjack
+clerk Cracker
+
+16
+00:00:19,670 --> 00:00:19,680
+clerk Cracker
+ 
+
+17
+00:00:19,680 --> 00:00:23,310
+clerk Cracker
+Jack that's your
+
+18
+00:00:23,310 --> 00:00:23,320
+
+ 
+
+19
+00:00:23,320 --> 00:00:25,429
+
+taste I did hear of a job below the
+
+20
+00:00:25,429 --> 00:00:25,439
+taste I did hear of a job below the
+ 
+
+21
+00:00:25,439 --> 00:00:26,790
+taste I did hear of a job below the
+Border shooting some flies away from a
+
+22
+00:00:26,790 --> 00:00:26,800
+Border shooting some flies away from a
+ 
+
+23
+00:00:26,800 --> 00:00:28,150
+Border shooting some flies away from a
+village but I can't find out what it
+
+24
+00:00:28,150 --> 00:00:28,160
+village but I can't find out what it
+ 
+
+25
+00:00:28,160 --> 00:00:30,749
+village but I can't find out what it
+pays $20
+
+26
+00:00:30,749 --> 00:00:30,759
+pays $20
+ 
+
+27
+00:00:30,759 --> 00:00:37,709
+pays $20
+week 6 weeks the whole job oh that's
+
+28
+00:00:37,709 --> 00:00:37,719
+
+ 
+
+29
+00:00:37,719 --> 00:00:40,670
+
+ridiculous have you heard of anything
+
+30
+00:00:40,670 --> 00:00:40,680
+ridiculous have you heard of anything
+ 
+
+31
+00:00:40,680 --> 00:00:42,990
+ridiculous have you heard of anything
+yeah below the Border Sho some flies
+
+32
+00:00:42,990 --> 00:00:43,000
+yeah below the Border Sho some flies
+ 
+
+33
+00:00:43,000 --> 00:00:44,470
+yeah below the Border Sho some flies
+away from a little
+
+34
+00:00:44,470 --> 00:00:44,480
+away from a little
+ 
+
+35
+00:00:44,480 --> 00:00:48,110
+away from a little
+village their
+
+36
+00:00:48,110 --> 00:00:48,120
+
+ 
+
+37
+00:00:48,120 --> 00:00:51,029
+
+Village PE
+
+38
+00:00:51,029 --> 00:00:51,039
+Village PE
+ 
+
+39
+00:00:51,039 --> 00:00:55,389
+Village PE
+$20 looking for in right
+
+40
+00:00:55,389 --> 00:00:55,399
+
+ 
+
+41
+00:00:55,399 --> 00:00:58,110
+
+now I wouldn't even pay for my bullets
+
+42
+00:00:58,110 --> 00:00:58,120
+now I wouldn't even pay for my bullets
+ 
+
+43
+00:00:58,120 --> 00:01:01,470
+now I wouldn't even pay for my bullets
+ours is a poor Village we understand you
+
+44
+00:01:01,470 --> 00:01:01,480
+ours is a poor Village we understand you
+ 
+
+45
+00:01:01,480 --> 00:01:03,430
+ours is a poor Village we understand you
+could get much more in a grocery store
+
+46
+00:01:03,430 --> 00:01:03,440
+could get much more in a grocery store
+ 
+
+47
+00:01:03,440 --> 00:01:05,390
+could get much more in a grocery store
+and it's good steady
+
+48
+00:01:05,390 --> 00:01:05,400
+and it's good steady
+ 
+
+49
+00:01:05,400 --> 00:01:09,109
+and it's good steady
+work
+
+50
+00:01:09,109 --> 00:01:09,119
+
+ 
+
+51
+00:01:09,119 --> 00:01:12,250
+
+Y how many you got
+
+52
+00:01:12,250 --> 00:01:12,260
+Y how many you got
+ 
+
+53
+00:01:12,260 --> 00:01:49,439
+Y how many you got
+[Music]
+

1960/MeQCLsUrCXo.description

@@ -0,0 +1,38 @@
+The Apartment movie clips: http://j.mp/16VfcPi
+BUY THE MOVIE: http://j.mp/1bGrXUX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Baxter (Jack Lemmon) tells Miss Kubelik (Shirley MacLaine) about his own suicide attempt.
+
+FILM DESCRIPTION:
+Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for The Apartment stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person's apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical Promises, Promises.
+
+CREDITS:
+TM & © MGM (1960)
+Cast: Jack Lemmon, Shirley MacLaine
+Director: Billy Wilder
+Producers: I.A.L. Diamond, Doane Harrison, Billy Wilder
+Screenwriters: I.A.L. Diamond, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/MeQCLsUrCXo.en.srt

@@ -0,0 +1,375 @@
+1
+00:00:00,120 --> 00:00:01,710
+
+I went through exactly the same thing
+
+2
+00:00:01,710 --> 00:00:01,720
+I went through exactly the same thing
+ 
+
+3
+00:00:01,720 --> 00:00:04,430
+I went through exactly the same thing
+myself you did well maybe not exactly
+
+4
+00:00:04,430 --> 00:00:04,440
+myself you did well maybe not exactly
+ 
+
+5
+00:00:04,440 --> 00:00:06,630
+myself you did well maybe not exactly
+the same I tried to do it with a gun
+
+6
+00:00:06,630 --> 00:00:06,640
+the same I tried to do it with a gun
+ 
+
+7
+00:00:06,640 --> 00:00:08,509
+the same I tried to do it with a gun
+over a girl the worst than night it was
+
+8
+00:00:08,509 --> 00:00:08,519
+over a girl the worst than night it was
+ 
+
+9
+00:00:08,519 --> 00:00:11,070
+over a girl the worst than night it was
+the wife of my best friend and I was mad
+
+10
+00:00:11,070 --> 00:00:11,080
+the wife of my best friend and I was mad
+ 
+
+11
+00:00:11,080 --> 00:00:13,030
+the wife of my best friend and I was mad
+about her but I knew it was hopeless and
+
+12
+00:00:13,030 --> 00:00:13,040
+about her but I knew it was hopeless and
+ 
+
+13
+00:00:13,040 --> 00:00:15,990
+about her but I knew it was hopeless and
+I decided to end it all I went to a porn
+
+14
+00:00:15,990 --> 00:00:16,000
+I decided to end it all I went to a porn
+ 
+
+15
+00:00:16,000 --> 00:00:17,870
+I decided to end it all I went to a porn
+shop and I bought a 45 automatic and I
+
+16
+00:00:17,870 --> 00:00:17,880
+shop and I bought a 45 automatic and I
+ 
+
+17
+00:00:17,880 --> 00:00:19,950
+shop and I bought a 45 automatic and I
+drove up to Eden Park you know
+
+18
+00:00:19,950 --> 00:00:19,960
+drove up to Eden Park you know
+ 
+
+19
+00:00:19,960 --> 00:00:22,349
+drove up to Eden Park you know
+Cincinnati no I don't well anyway I
+
+20
+00:00:22,349 --> 00:00:22,359
+Cincinnati no I don't well anyway I
+ 
+
+21
+00:00:22,359 --> 00:00:24,509
+Cincinnati no I don't well anyway I
+parked the car and I loaded that gun
+
+22
+00:00:24,509 --> 00:00:24,519
+parked the car and I loaded that gun
+ 
+
+23
+00:00:24,519 --> 00:00:25,589
+parked the car and I loaded that gun
+you're reading the papers all the time
+
+24
+00:00:25,589 --> 00:00:25,599
+you're reading the papers all the time
+ 
+
+25
+00:00:25,599 --> 00:00:27,630
+you're reading the papers all the time
+that people shoot themselves believe me
+
+26
+00:00:27,630 --> 00:00:27,640
+that people shoot themselves believe me
+ 
+
+27
+00:00:27,640 --> 00:00:29,589
+that people shoot themselves believe me
+it's not that easy I mean how do you do
+
+28
+00:00:29,589 --> 00:00:29,599
+it's not that easy I mean how do you do
+ 
+
+29
+00:00:29,599 --> 00:00:30,669
+it's not that easy I mean how do you do
+it
+
+30
+00:00:30,669 --> 00:00:30,679
+it
+ 
+
+31
+00:00:30,679 --> 00:00:32,869
+it
+here here
+
+32
+00:00:32,869 --> 00:00:32,879
+here here
+ 
+
+33
+00:00:32,879 --> 00:00:34,990
+here here
+here you know where I finally shot
+
+34
+00:00:34,990 --> 00:00:35,000
+here you know where I finally shot
+ 
+
+35
+00:00:35,000 --> 00:00:39,549
+here you know where I finally shot
+myself where here in the KN while I was
+
+36
+00:00:39,549 --> 00:00:39,559
+myself where here in the KN while I was
+ 
+
+37
+00:00:39,559 --> 00:00:41,310
+myself where here in the KN while I was
+sitting there trying to make up my mind
+
+38
+00:00:41,310 --> 00:00:41,320
+sitting there trying to make up my mind
+ 
+
+39
+00:00:41,320 --> 00:00:42,910
+sitting there trying to make up my mind
+a cop stuck his head in the car because
+
+40
+00:00:42,910 --> 00:00:42,920
+a cop stuck his head in the car because
+ 
+
+41
+00:00:42,920 --> 00:00:44,350
+a cop stuck his head in the car because
+I was illegally parked and I tried to
+
+42
+00:00:44,350 --> 00:00:44,360
+I was illegally parked and I tried to
+ 
+
+43
+00:00:44,360 --> 00:00:46,709
+I was illegally parked and I tried to
+hide the gun under the seat and it went
+
+44
+00:00:46,709 --> 00:00:46,719
+hide the gun under the seat and it went
+ 
+
+45
+00:00:46,719 --> 00:00:49,750
+hide the gun under the seat and it went
+off that's terrible it was a year before
+
+46
+00:00:49,750 --> 00:00:49,760
+off that's terrible it was a year before
+ 
+
+47
+00:00:49,760 --> 00:00:52,950
+off that's terrible it was a year before
+I could bend the knee but I got over the
+
+48
+00:00:52,950 --> 00:00:52,960
+I could bend the knee but I got over the
+ 
+
+49
+00:00:52,960 --> 00:00:54,830
+I could bend the knee but I got over the
+girl in 3
+
+50
+00:00:54,830 --> 00:00:54,840
+girl in 3
+ 
+
+51
+00:00:54,840 --> 00:00:57,790
+girl in 3
+weeks still lives in Cincinnati has four
+
+52
+00:00:57,790 --> 00:00:57,800
+weeks still lives in Cincinnati has four
+ 
+
+53
+00:00:57,800 --> 00:01:00,430
+weeks still lives in Cincinnati has four
+kids and gained 20 lb send me a fruit
+
+54
+00:01:00,430 --> 00:01:00,440
+kids and gained 20 lb send me a fruit
+ 
+
+55
+00:01:00,440 --> 00:01:03,229
+kids and gained 20 lb send me a fruit
+cake every Christmas are you just making
+
+56
+00:01:03,229 --> 00:01:03,239
+cake every Christmas are you just making
+ 
+
+57
+00:01:03,239 --> 00:01:05,310
+cake every Christmas are you just making
+this up to make me feel better of course
+
+58
+00:01:05,310 --> 00:01:05,320
+this up to make me feel better of course
+ 
+
+59
+00:01:05,320 --> 00:01:07,429
+this up to make me feel better of course
+not here's the fruit cake you want see
+
+60
+00:01:07,429 --> 00:01:07,439
+not here's the fruit cake you want see
+ 
+
+61
+00:01:07,439 --> 00:01:10,190
+not here's the fruit cake you want see
+my KN no thank you if that was in the
+
+62
+00:01:10,190 --> 00:01:10,200
+my KN no thank you if that was in the
+ 
+
+63
+00:01:10,200 --> 00:01:11,789
+my KN no thank you if that was in the
+office might get the wrong idea how I
+
+64
+00:01:11,789 --> 00:01:11,799
+office might get the wrong idea how I
+ 
+
+65
+00:01:11,799 --> 00:01:14,070
+office might get the wrong idea how I
+found out let them look I'm going to
+
+66
+00:01:14,070 --> 00:01:14,080
+found out let them look I'm going to
+ 
+
+67
+00:01:14,080 --> 00:01:15,630
+found out let them look I'm going to
+cook dinner for us tonight and you have
+
+68
+00:01:15,630 --> 00:01:15,640
+cook dinner for us tonight and you have
+ 
+
+69
+00:01:15,640 --> 00:01:18,030
+cook dinner for us tonight and you have
+the food cake for dessert you just sit
+
+70
+00:01:18,030 --> 00:01:18,040
+the food cake for dessert you just sit
+ 
+
+71
+00:01:18,040 --> 00:01:19,429
+the food cake for dessert you just sit
+there and rest you've done enough for
+
+72
+00:01:19,429 --> 00:01:19,439
+there and rest you've done enough for
+ 
+
+73
+00:01:19,439 --> 00:01:37,540
+there and rest you've done enough for
+today
+
+74
+00:01:37,540 --> 00:01:37,550
+
+ 
+
+75
+00:01:37,550 --> 00:01:51,620
+
+[Music]
+

1960/Nv88ASiLmgk.description

@@ -0,0 +1,38 @@
+Psycho movie clips: http://j.mp/1JbaT7L
+BUY THE MOVIE: http://amzn.to/uuIP9s
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Norman (Anthony Perkins) debates sending his mother to the "madhouse."
+
+FILM DESCRIPTION:
+In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998.
+
+CREDITS:
+TM & © Universal (1960)
+Cast: Anthony Perkins, Janet Leigh
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Joseph Stefano, Robert Bloch
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/Nv88ASiLmgk.en.srt

@@ -0,0 +1,334 @@
+1
+00:00:02,570 --> 00:00:05,210
+
+Geyser
+
+2
+00:00:05,210 --> 00:00:05,220
+Geyser
+ 
+
+3
+00:00:05,220 --> 00:00:08,509
+Geyser
+the car is sinful
+
+4
+00:00:08,509 --> 00:00:08,519
+the car is sinful
+ 
+
+5
+00:00:08,519 --> 00:00:11,560
+the car is sinful
+olives I
+
+6
+00:00:11,560 --> 00:00:11,570
+
+ 
+
+7
+00:00:11,570 --> 00:00:15,920
+
+'m going to remove the sunrise report
+
+8
+00:00:15,920 --> 00:00:15,930
+
+ 
+
+9
+00:00:15,930 --> 00:00:20,760
+
+
+10
+00:00:20,760 --> 00:00:20,770
+
+ 
+
+11
+00:00:20,770 --> 00:00:28,050
+
+and look at the chamber institution
+
+12
+00:00:28,050 --> 00:00:28,060
+
+ 
+
+13
+00:00:28,060 --> 00:00:31,670
+
+linked to the media they have put
+
+14
+00:00:31,670 --> 00:00:31,680
+linked to the media they have put
+ 
+
+15
+00:00:31,680 --> 00:00:35,740
+linked to the media they have put
+in sunrise who
+
+16
+00:00:35,740 --> 00:00:35,750
+
+ 
+
+17
+00:00:35,750 --> 00:00:39,130
+
+knows
+
+18
+00:00:39,130 --> 00:00:39,140
+knows
+ 
+
+19
+00:00:39,140 --> 00:00:41,650
+knows
+why not anyone
+
+20
+00:00:41,650 --> 00:00:41,660
+why not anyone
+ 
+
+21
+00:00:41,660 --> 00:00:45,050
+why not anyone
+who lives without Jens Arpón 2 places
+
+22
+00:00:45,050 --> 00:00:45,060
+who lives without Jens Arpón 2 places
+ 
+
+23
+00:00:45,060 --> 00:00:47,930
+who lives without Jens Arpón 2 places
+in La Bengala Tears
+
+24
+00:00:47,930 --> 00:00:47,940
+in La Bengala Tears
+ 
+
+25
+00:00:47,940 --> 00:00:53,950
+in La Bengala Tears
+a strange bad Madrid
+
+26
+00:00:53,950 --> 00:00:53,960
+
+ 
+
+27
+00:00:53,960 --> 00:00:55,150
+
+[Music]
+
+28
+00:00:55,150 --> 00:00:55,160
+[Music]
+ 
+
+29
+00:00:55,160 --> 00:00:59,250
+[Music]
+but if sheets
+
+30
+00:00:59,250 --> 00:00:59,260
+
+ 
+
+31
+00:00:59,260 --> 00:01:03,590
+
+that's what it's called they add up to two strippers
+
+32
+00:01:03,590 --> 00:01:03,600
+
+ 
+
+33
+00:01:03,600 --> 00:01:05,720
+
+to Insight
+
+34
+00:01:05,720 --> 00:01:05,730
+to Insight
+ 
+
+35
+00:01:05,730 --> 00:01:08,620
+to Insight
+there's a son
+
+36
+00:01:08,620 --> 00:01:08,630
+
+ 
+
+37
+00:01:08,630 --> 00:01:11,330
+
+without a card griñón
+
+38
+00:01:11,330 --> 00:01:11,340
+without a card griñón
+ 
+
+39
+00:01:11,340 --> 00:01:12,300
+without a card griñón
+often
+
+40
+00:01:12,300 --> 00:01:12,310
+often
+ 
+
+41
+00:01:12,310 --> 00:01:14,270
+often
+[Applause]
+
+42
+00:01:14,270 --> 00:01:14,280
+[Applause]
+ 
+
+43
+00:01:14,280 --> 00:01:17,370
+[Applause]
+[Music]
+
+44
+00:01:17,370 --> 00:01:17,380
+
+ 
+
+45
+00:01:17,380 --> 00:01:25,900
+
+in these software
+
+46
+00:01:25,900 --> 00:01:25,910
+
+ 
+
+47
+00:01:25,910 --> 00:01:28,080
+
+[Music]
+
+48
+00:01:28,080 --> 00:01:28,090
+[Music]
+ 
+
+49
+00:01:28,090 --> 00:01:32,300
+[Music]
+things like that are already shown to you
+
+50
+00:01:32,300 --> 00:01:32,310
+things like that are already shown to you
+ 
+
+51
+00:01:32,310 --> 00:01:35,750
+things like that are already shown to you
+to say yourself they say that father
+
+52
+00:01:35,750 --> 00:01:35,760
+to say yourself they say that father
+ 
+
+53
+00:01:35,760 --> 00:01:43,310
+to say yourself they say that father
+yes
+
+54
+00:01:43,310 --> 00:01:43,320
+
+ 
+
+55
+00:01:43,320 --> 00:01:48,790
+
+maini greyving times
+
+56
+00:01:48,790 --> 00:01:48,800
+
+ 
+
+57
+00:01:48,800 --> 00:01:52,580
+
+if things like Marsans
+
+58
+00:01:52,580 --> 00:01:52,590
+if things like Marsans
+ 
+
+59
+00:01:52,590 --> 00:01:54,690
+if things like Marsans
+[Music]
+
+60
+00:01:54,690 --> 00:01:54,700
+[Music]
+ 
+
+61
+00:01:54,700 --> 00:01:59,880
+[Music]
+careful like the tallest ones
+
+62
+00:01:59,880 --> 00:01:59,890
+
+ 
+
+63
+00:01:59,890 --> 00:02:03,420
+
+like that
+
+64
+00:02:03,420 --> 00:02:03,430
+
+ 
+
+65
+00:02:03,430 --> 00:02:31,460
+
+[Music]
+
+66
+00:02:31,460 --> 00:02:31,470
+
+ 
+
+67
+00:02:31,470 --> 00:02:34,190
+
+8
+

1960/PkLpd8Eaah0.en.srt

@@ -0,0 +1,295 @@
+1
+00:00:00,000 --> 00:00:00,670
+
+[Music]
+
+2
+00:00:00,670 --> 00:00:00,680
+[Music]
+ 
+
+3
+00:00:00,680 --> 00:00:02,270
+[Music]
+all
+
+4
+00:00:02,270 --> 00:00:02,280
+all
+ 
+
+5
+00:00:02,280 --> 00:00:05,820
+all
+[Applause]
+
+6
+00:00:05,820 --> 00:00:05,830
+
+ 
+
+7
+00:00:05,830 --> 00:00:08,450
+
+[Music]
+
+8
+00:00:08,450 --> 00:00:08,460
+[Music]
+ 
+
+9
+00:00:08,460 --> 00:00:11,860
+[Music]
+[Applause]
+
+10
+00:00:11,860 --> 00:00:11,870
+[Applause]
+ 
+
+11
+00:00:11,870 --> 00:00:15,440
+[Applause]
+[Music]
+
+12
+00:00:15,440 --> 00:00:15,450
+[Music]
+ 
+
+13
+00:00:15,450 --> 00:00:18,170
+[Music]
+[Applause]
+
+14
+00:00:18,170 --> 00:00:18,180
+[Applause]
+ 
+
+15
+00:00:18,180 --> 00:00:46,150
+[Applause]
+[Music]
+
+16
+00:00:46,150 --> 00:00:46,160
+
+ 
+
+17
+00:00:46,160 --> 00:00:49,189
+
+cable it's a second time this month stay
+
+18
+00:00:49,189 --> 00:00:49,199
+cable it's a second time this month stay
+ 
+
+19
+00:00:49,199 --> 00:00:51,029
+cable it's a second time this month stay
+where you are the lights will be back on
+
+20
+00:00:51,029 --> 00:00:51,039
+where you are the lights will be back on
+ 
+
+21
+00:00:51,039 --> 00:00:53,750
+where you are the lights will be back on
+any minute once more George from the top
+
+22
+00:00:53,750 --> 00:00:53,760
+any minute once more George from the top
+ 
+
+23
+00:00:53,760 --> 00:00:55,510
+any minute once more George from the top
+and keep playing until the lights come
+
+24
+00:00:55,510 --> 00:00:55,520
+and keep playing until the lights come
+ 
+
+25
+00:00:55,520 --> 00:00:58,180
+and keep playing until the lights come
+on
+
+26
+00:00:58,180 --> 00:00:58,190
+on
+ 
+
+27
+00:00:58,190 --> 00:01:03,069
+on
+[Music]
+
+28
+00:01:03,069 --> 00:01:03,079
+[Music]
+ 
+
+29
+00:01:03,079 --> 00:01:05,130
+[Music]
+oh pardon me wrong
+
+30
+00:01:05,130 --> 00:01:05,140
+oh pardon me wrong
+ 
+
+31
+00:01:05,140 --> 00:01:06,290
+oh pardon me wrong
+[Music]
+
+32
+00:01:06,290 --> 00:01:06,300
+[Music]
+ 
+
+33
+00:01:06,300 --> 00:01:07,080
+[Music]
+[Applause]
+
+34
+00:01:07,080 --> 00:01:07,090
+[Applause]
+ 
+
+35
+00:01:07,090 --> 00:01:22,990
+[Applause]
+[Music]
+
+36
+00:01:22,990 --> 00:01:23,000
+
+ 
+
+37
+00:01:23,000 --> 00:01:26,870
+
+girl those lights good now sing loud and
+
+38
+00:01:26,870 --> 00:01:26,880
+girl those lights good now sing loud and
+ 
+
+39
+00:01:26,880 --> 00:01:31,429
+girl those lights good now sing loud and
+clear should all the
+
+40
+00:01:31,429 --> 00:01:31,439
+clear should all the
+ 
+
+41
+00:01:31,439 --> 00:01:34,270
+clear should all the
+forgot in days
+
+42
+00:01:34,270 --> 00:01:34,280
+forgot in days
+ 
+
+43
+00:01:34,280 --> 00:01:36,990
+forgot in days
+of sing
+
+44
+00:01:36,990 --> 00:01:37,000
+of sing
+ 
+
+45
+00:01:37,000 --> 00:01:40,550
+of sing
+louder with the music now when shouldn't
+
+46
+00:01:40,550 --> 00:01:40,560
+louder with the music now when shouldn't
+ 
+
+47
+00:01:40,560 --> 00:01:44,990
+louder with the music now when shouldn't
+it be forgotten in days of old
+
+48
+00:01:44,990 --> 00:01:45,000
+it be forgotten in days of old
+ 
+
+49
+00:01:45,000 --> 00:01:48,910
+it be forgotten in days of old
+an blow out the candle
+
+50
+00:01:48,910 --> 00:01:48,920
+an blow out the candle
+ 
+
+51
+00:01:48,920 --> 00:01:51,870
+an blow out the candle
+blow all right now sing It's a Party
+
+52
+00:01:51,870 --> 00:01:51,880
+blow all right now sing It's a Party
+ 
+
+53
+00:01:51,880 --> 00:01:54,709
+blow all right now sing It's a Party
+loud and clear man says Charlie trick or
+
+54
+00:01:54,709 --> 00:01:54,719
+loud and clear man says Charlie trick or
+ 
+
+55
+00:01:54,719 --> 00:02:00,670
+loud and clear man says Charlie trick or
+treat sh you to let's make it a du
+
+56
+00:02:00,670 --> 00:02:00,680
+
+ 
+
+57
+00:02:00,680 --> 00:02:02,350
+
+little louder
+
+58
+00:02:02,350 --> 00:02:02,360
+little louder
+ 
+
+59
+00:02:02,360 --> 00:02:54,919
+little louder
+[Music]
+

1960/Rf7NrtrHs1U.description

@@ -0,0 +1,38 @@
+The Apartment movie clips: http://j.mp/16VfcPi
+BUY THE MOVIE: http://j.mp/1bGrXUX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After abusing his apartment privileges, Mr. Kirkeby (David Lewis) assures Baxter (Jack Lemmon) he'll be rewarded.
+
+FILM DESCRIPTION:
+Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for The Apartment stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person's apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical Promises, Promises.
+
+CREDITS:
+TM & © MGM (1960)
+Cast: Jack Lemmon, David Lewis
+Director: Billy Wilder
+Producers: I.A.L. Diamond, Doane Harrison, Billy Wilder
+Screenwriters: I.A.L. Diamond, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/Rf7NrtrHs1U.en.srt

@@ -0,0 +1,295 @@
+1
+00:00:00,040 --> 00:00:06,520
+
+[Music]
+
+2
+00:00:06,520 --> 00:00:06,530
+
+ 
+
+3
+00:00:06,530 --> 00:00:08,390
+
+[Music]
+
+4
+00:00:08,390 --> 00:00:08,400
+[Music]
+ 
+
+5
+00:00:08,400 --> 00:00:09,910
+[Music]
+sorry to bother you buddy boy but the
+
+6
+00:00:09,910 --> 00:00:09,920
+sorry to bother you buddy boy but the
+ 
+
+7
+00:00:09,920 --> 00:00:12,190
+sorry to bother you buddy boy but the
+little lady forgot a
+
+8
+00:00:12,190 --> 00:00:12,200
+little lady forgot a
+ 
+
+9
+00:00:12,200 --> 00:00:14,950
+little lady forgot a
+gashes Mr Kirby I don't like to complain
+
+10
+00:00:14,950 --> 00:00:14,960
+gashes Mr Kirby I don't like to complain
+ 
+
+11
+00:00:14,960 --> 00:00:16,230
+gashes Mr Kirby I don't like to complain
+but you were supposed to be out of here
+
+12
+00:00:16,230 --> 00:00:16,240
+but you were supposed to be out of here
+ 
+
+13
+00:00:16,240 --> 00:00:18,269
+but you were supposed to be out of here
+by 8 I know buddy boy I know but those
+
+14
+00:00:18,269 --> 00:00:18,279
+by 8 I know buddy boy I know but those
+ 
+
+15
+00:00:18,279 --> 00:00:19,830
+by 8 I know buddy boy I know but those
+things don't always run on schedule like
+
+16
+00:00:19,830 --> 00:00:19,840
+things don't always run on schedule like
+ 
+
+17
+00:00:19,840 --> 00:00:22,349
+things don't always run on schedule like
+a Greyhound bus well I don't mind in the
+
+18
+00:00:22,349 --> 00:00:22,359
+a Greyhound bus well I don't mind in the
+ 
+
+19
+00:00:22,359 --> 00:00:24,550
+a Greyhound bus well I don't mind in the
+summer it's on a rainy nights I haven't
+
+20
+00:00:24,550 --> 00:00:24,560
+summer it's on a rainy nights I haven't
+ 
+
+21
+00:00:24,560 --> 00:00:28,509
+summer it's on a rainy nights I haven't
+had any dinner yet sure sure um
+
+22
+00:00:28,509 --> 00:00:28,519
+had any dinner yet sure sure um
+ 
+
+23
+00:00:28,519 --> 00:00:31,189
+had any dinner yet sure sure um
+oh uh look kid I I put in a good word
+
+24
+00:00:31,189 --> 00:00:31,199
+oh uh look kid I I put in a good word
+ 
+
+25
+00:00:31,199 --> 00:00:32,990
+oh uh look kid I I put in a good word
+for you with sheld and Personnel Mr
+
+26
+00:00:32,990 --> 00:00:33,000
+for you with sheld and Personnel Mr
+ 
+
+27
+00:00:33,000 --> 00:00:34,510
+for you with sheld and Personnel Mr
+sheldrake that's right we were
+
+28
+00:00:34,510 --> 00:00:34,520
+sheldrake that's right we were
+ 
+
+29
+00:00:34,520 --> 00:00:36,350
+sheldrake that's right we were
+discussing our department Manpower wise
+
+30
+00:00:36,350 --> 00:00:36,360
+discussing our department Manpower wise
+ 
+
+31
+00:00:36,360 --> 00:00:37,750
+discussing our department Manpower wise
+promotion wise I told him what a bright
+
+32
+00:00:37,750 --> 00:00:37,760
+promotion wise I told him what a bright
+ 
+
+33
+00:00:37,760 --> 00:00:39,389
+promotion wise I told him what a bright
+boy are they're always on the lookout
+
+34
+00:00:39,389 --> 00:00:39,399
+boy are they're always on the lookout
+ 
+
+35
+00:00:39,399 --> 00:00:41,549
+boy are they're always on the lookout
+for young Executives thank you you're on
+
+36
+00:00:41,549 --> 00:00:41,559
+for young Executives thank you you're on
+ 
+
+37
+00:00:41,559 --> 00:00:43,190
+for young Executives thank you you're on
+your way up buddy boy and you're also
+
+38
+00:00:43,190 --> 00:00:43,200
+your way up buddy boy and you're also
+ 
+
+39
+00:00:43,200 --> 00:00:45,990
+your way up buddy boy and you're also
+out of liquor oh I know Mr Eichelberger
+
+40
+00:00:45,990 --> 00:00:46,000
+out of liquor oh I know Mr Eichelberger
+ 
+
+41
+00:00:46,000 --> 00:00:47,310
+out of liquor oh I know Mr Eichelberger
+mortgage and loan department last night
+
+42
+00:00:47,310 --> 00:00:47,320
+mortgage and loan department last night
+ 
+
+43
+00:00:47,320 --> 00:00:48,869
+mortgage and loan department last night
+he had a little Halloween party here
+
+44
+00:00:48,869 --> 00:00:48,879
+he had a little Halloween party here
+ 
+
+45
+00:00:48,879 --> 00:00:50,549
+he had a little Halloween party here
+well lay in some vodka and some bouth
+
+46
+00:00:50,549 --> 00:00:50,559
+well lay in some vodka and some bouth
+ 
+
+47
+00:00:50,559 --> 00:00:52,310
+well lay in some vodka and some bouth
+and put my name on it yes Mr kirab you
+
+48
+00:00:52,310 --> 00:00:52,320
+and put my name on it yes Mr kirab you
+ 
+
+49
+00:00:52,320 --> 00:00:53,990
+and put my name on it yes Mr kirab you
+still owe me for the last two bottles
+
+50
+00:00:53,990 --> 00:00:54,000
+still owe me for the last two bottles
+ 
+
+51
+00:00:54,000 --> 00:00:56,790
+still owe me for the last two bottles
+I'll pay you on Friday oh and um what
+
+52
+00:00:56,790 --> 00:00:56,800
+I'll pay you on Friday oh and um what
+ 
+
+53
+00:00:56,800 --> 00:00:58,189
+I'll pay you on Friday oh and um what
+ever happened to those little cheese
+
+54
+00:00:58,189 --> 00:00:58,199
+ever happened to those little cheese
+ 
+
+55
+00:00:58,199 --> 00:01:03,270
+ever happened to those little cheese
+crackers you used to have around
+
+56
+00:01:03,270 --> 00:01:03,280
+
+ 
+
+57
+00:01:03,280 --> 00:01:04,850
+
+jesz Christ
+
+58
+00:01:04,850 --> 00:01:04,860
+jesz Christ
+ 
+
+59
+00:01:04,860 --> 00:01:36,599
+jesz Christ
+[Music]
+

1960/SeqT3GyDb2k.description

@@ -0,0 +1,38 @@
+The Apartment movie clips: http://j.mp/16VfcPi
+BUY THE MOVIE: http://j.mp/1bGrXUX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Miss Kubelik (Shirley MacLaine) wonders why she can't fall for a nice guy like Baxter (Jack Lemmon).
+
+FILM DESCRIPTION:
+Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for The Apartment stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person's apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical Promises, Promises.
+
+CREDITS:
+TM & © MGM (1960)
+Cast: Jack Lemmon, Shirley MacLaine
+Director: Billy Wilder
+Producers: I.A.L. Diamond, Doane Harrison, Billy Wilder
+Screenwriters: I.A.L. Diamond, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/SeqT3GyDb2k.en.srt

@@ -0,0 +1,195 @@
+1
+00:00:00,440 --> 00:00:02,189
+
+who is
+
+2
+00:00:02,189 --> 00:00:02,199
+who is
+ 
+
+3
+00:00:02,199 --> 00:00:04,430
+who is
+that just somebody delivering a bottle
+
+4
+00:00:04,430 --> 00:00:04,440
+that just somebody delivering a bottle
+ 
+
+5
+00:00:04,440 --> 00:00:06,630
+that just somebody delivering a bottle
+of champagne do you like
+
+6
+00:00:06,630 --> 00:00:06,640
+of champagne do you like
+ 
+
+7
+00:00:06,640 --> 00:00:09,240
+of champagne do you like
+some would you mind opening that
+
+8
+00:00:09,240 --> 00:00:09,250
+some would you mind opening that
+ 
+
+9
+00:00:09,250 --> 00:00:12,030
+some would you mind opening that
+[Music]
+
+10
+00:00:12,030 --> 00:00:12,040
+[Music]
+ 
+
+11
+00:00:12,040 --> 00:00:14,910
+[Music]
+window now don't go getting any ideas
+
+12
+00:00:14,910 --> 00:00:14,920
+window now don't go getting any ideas
+ 
+
+13
+00:00:14,920 --> 00:00:16,109
+window now don't go getting any ideas
+Miss
+
+14
+00:00:16,109 --> 00:00:16,119
+Miss
+ 
+
+15
+00:00:16,119 --> 00:00:18,470
+Miss
+cubing I just want some fresh air
+
+16
+00:00:18,470 --> 00:00:18,480
+cubing I just want some fresh air
+ 
+
+17
+00:00:18,480 --> 00:00:19,870
+cubing I just want some fresh air
+there's only one story down the best you
+
+18
+00:00:19,870 --> 00:00:19,880
+there's only one story down the best you
+ 
+
+19
+00:00:19,880 --> 00:00:22,630
+there's only one story down the best you
+could do is break a leg so they'll shoot
+
+20
+00:00:22,630 --> 00:00:22,640
+could do is break a leg so they'll shoot
+ 
+
+21
+00:00:22,640 --> 00:00:26,189
+could do is break a leg so they'll shoot
+me like a horse please miss cuck you got
+
+22
+00:00:26,189 --> 00:00:26,199
+me like a horse please miss cuck you got
+ 
+
+23
+00:00:26,199 --> 00:00:27,550
+me like a horse please miss cuck you got
+to promise me you won't do anything
+
+24
+00:00:27,550 --> 00:00:27,560
+to promise me you won't do anything
+ 
+
+25
+00:00:27,560 --> 00:00:33,870
+to promise me you won't do anything
+foolish who'd care I
+
+26
+00:00:33,870 --> 00:00:33,880
+
+ 
+
+27
+00:00:33,880 --> 00:00:35,830
+
+[Music]
+
+28
+00:00:35,830 --> 00:00:35,840
+[Music]
+ 
+
+29
+00:00:35,840 --> 00:00:38,590
+[Music]
+would why can't I ever fall in love with
+
+30
+00:00:38,590 --> 00:00:38,600
+would why can't I ever fall in love with
+ 
+
+31
+00:00:38,600 --> 00:00:40,790
+would why can't I ever fall in love with
+somebody nice like
+
+32
+00:00:40,790 --> 00:00:40,800
+somebody nice like
+ 
+
+33
+00:00:40,800 --> 00:00:43,310
+somebody nice like
+you yeah
+
+34
+00:00:43,310 --> 00:00:43,320
+you yeah
+ 
+
+35
+00:00:43,320 --> 00:00:47,630
+you yeah
+well that's the way it crumbles cookie
+
+36
+00:00:47,630 --> 00:00:47,640
+well that's the way it crumbles cookie
+ 
+
+37
+00:00:47,640 --> 00:01:11,460
+well that's the way it crumbles cookie
+wise go to sleep
+
+38
+00:01:11,460 --> 00:01:11,470
+
+ 
+
+39
+00:01:11,470 --> 00:01:20,599
+
+[Music]
+

1960/TSCcj7mYuhc.en.srt

@@ -0,0 +1,465 @@
+1
+00:00:00,719 --> 00:00:03,030
+
+that's the very book he read to you in
+
+2
+00:00:03,030 --> 00:00:03,040
+that's the very book he read to you in
+ 
+
+3
+00:00:03,040 --> 00:00:04,710
+that's the very book he read to you in
+your
+
+4
+00:00:04,710 --> 00:00:04,720
+your
+ 
+
+5
+00:00:04,720 --> 00:00:08,190
+your
+classroom now hard tell
+
+6
+00:00:08,190 --> 00:00:08,200
+classroom now hard tell
+ 
+
+7
+00:00:08,200 --> 00:00:11,070
+classroom now hard tell
+me you think there was anything wrong in
+
+8
+00:00:11,070 --> 00:00:11,080
+me you think there was anything wrong in
+ 
+
+9
+00:00:11,080 --> 00:00:15,350
+me you think there was anything wrong in
+that well I don't know objection your
+
+10
+00:00:15,350 --> 00:00:15,360
+that well I don't know objection your
+ 
+
+11
+00:00:15,360 --> 00:00:17,670
+that well I don't know objection your
+honor the defense is asking that a
+
+12
+00:00:17,670 --> 00:00:17,680
+honor the defense is asking that a
+ 
+
+13
+00:00:17,680 --> 00:00:20,070
+honor the defense is asking that a
+15-year-old boy hand down an opinion on
+
+14
+00:00:20,070 --> 00:00:20,080
+15-year-old boy hand down an opinion on
+ 
+
+15
+00:00:20,080 --> 00:00:22,670
+15-year-old boy hand down an opinion on
+a question of morality I am trying to
+
+16
+00:00:22,670 --> 00:00:22,680
+a question of morality I am trying to
+ 
+
+17
+00:00:22,680 --> 00:00:25,390
+a question of morality I am trying to
+establish that Howard or Colonel Brady
+
+18
+00:00:25,390 --> 00:00:25,400
+establish that Howard or Colonel Brady
+ 
+
+19
+00:00:25,400 --> 00:00:27,509
+establish that Howard or Colonel Brady
+or Charles Darwin or anyone sitting in
+
+20
+00:00:27,509 --> 00:00:27,519
+or Charles Darwin or anyone sitting in
+ 
+
+21
+00:00:27,519 --> 00:00:29,509
+or Charles Darwin or anyone sitting in
+this courtroom or you sir has the right
+
+22
+00:00:29,509 --> 00:00:29,519
+this courtroom or you sir has the right
+ 
+
+23
+00:00:29,519 --> 00:00:31,070
+this courtroom or you sir has the right
+to think
+
+24
+00:00:31,070 --> 00:00:31,080
+to think
+ 
+
+25
+00:00:31,080 --> 00:00:33,709
+to think
+Drummond the right to think is not on
+
+26
+00:00:33,709 --> 00:00:33,719
+Drummond the right to think is not on
+ 
+
+27
+00:00:33,719 --> 00:00:35,229
+Drummond the right to think is not on
+trial
+
+28
+00:00:35,229 --> 00:00:35,239
+trial
+ 
+
+29
+00:00:35,239 --> 00:00:37,950
+trial
+here well with all due respect to the
+
+30
+00:00:37,950 --> 00:00:37,960
+here well with all due respect to the
+ 
+
+31
+00:00:37,960 --> 00:00:40,310
+here well with all due respect to the
+court I think the right to think is very
+
+32
+00:00:40,310 --> 00:00:40,320
+court I think the right to think is very
+ 
+
+33
+00:00:40,320 --> 00:00:43,549
+court I think the right to think is very
+much on trial here and it is fearfully
+
+34
+00:00:43,549 --> 00:00:43,559
+much on trial here and it is fearfully
+ 
+
+35
+00:00:43,559 --> 00:00:45,229
+much on trial here and it is fearfully
+in danger in the proceedings of this
+
+36
+00:00:45,229 --> 00:00:45,239
+in danger in the proceedings of this
+ 
+
+37
+00:00:45,239 --> 00:00:48,990
+in danger in the proceedings of this
+courtroom a man is on trial a thinking
+
+38
+00:00:48,990 --> 00:00:49,000
+courtroom a man is on trial a thinking
+ 
+
+39
+00:00:49,000 --> 00:00:51,590
+courtroom a man is on trial a thinking
+man and he's faced with fine and
+
+40
+00:00:51,590 --> 00:00:51,600
+man and he's faced with fine and
+ 
+
+41
+00:00:51,600 --> 00:00:53,790
+man and he's faced with fine and
+imprisonment because he chooses to speak
+
+42
+00:00:53,790 --> 00:00:53,800
+imprisonment because he chooses to speak
+ 
+
+43
+00:00:53,800 --> 00:00:55,029
+imprisonment because he chooses to speak
+what he
+
+44
+00:00:55,029 --> 00:00:55,039
+what he
+ 
+
+45
+00:00:55,039 --> 00:00:57,950
+what he
+thinks colon Drummond would you please
+
+46
+00:00:57,950 --> 00:00:57,960
+thinks colon Drummond would you please
+ 
+
+47
+00:00:57,960 --> 00:01:01,670
+thinks colon Drummond would you please
+rephrase your question
+
+48
+00:01:01,670 --> 00:01:01,680
+rephrase your question
+ 
+
+49
+00:01:01,680 --> 00:01:03,750
+rephrase your question
+well now let's put it this way how all
+
+50
+00:01:03,750 --> 00:01:03,760
+well now let's put it this way how all
+ 
+
+51
+00:01:03,760 --> 00:01:06,910
+well now let's put it this way how all
+this fuss and Feathers about Evolution
+
+52
+00:01:06,910 --> 00:01:06,920
+this fuss and Feathers about Evolution
+ 
+
+53
+00:01:06,920 --> 00:01:09,710
+this fuss and Feathers about Evolution
+you think it'll hurt you any sir did it
+
+54
+00:01:09,710 --> 00:01:09,720
+you think it'll hurt you any sir did it
+ 
+
+55
+00:01:09,720 --> 00:01:13,550
+you think it'll hurt you any sir did it
+do you any harm still feel reasonably
+
+56
+00:01:13,550 --> 00:01:13,560
+do you any harm still feel reasonably
+ 
+
+57
+00:01:13,560 --> 00:01:17,590
+do you any harm still feel reasonably
+fit what Mr katees told you did it uh
+
+58
+00:01:17,590 --> 00:01:17,600
+fit what Mr katees told you did it uh
+ 
+
+59
+00:01:17,600 --> 00:01:20,870
+fit what Mr katees told you did it uh
+did it hurt your baseball game any did
+
+60
+00:01:20,870 --> 00:01:20,880
+did it hurt your baseball game any did
+ 
+
+61
+00:01:20,880 --> 00:01:24,789
+did it hurt your baseball game any did
+affect your pitching arm no sir I'm a
+
+62
+00:01:24,789 --> 00:01:24,799
+affect your pitching arm no sir I'm a
+ 
+
+63
+00:01:24,799 --> 00:01:28,510
+affect your pitching arm no sir I'm a
+lefty a Southall huh still honor your
+
+64
+00:01:28,510 --> 00:01:28,520
+lefty a Southall huh still honor your
+ 
+
+65
+00:01:28,520 --> 00:01:30,510
+lefty a Southall huh still honor your
+father and your mother sure haven't
+
+66
+00:01:30,510 --> 00:01:30,520
+father and your mother sure haven't
+ 
+
+67
+00:01:30,520 --> 00:01:32,069
+father and your mother sure haven't
+murdered anybody since breakfast have
+
+68
+00:01:32,069 --> 00:01:32,079
+murdered anybody since breakfast have
+ 
+
+69
+00:01:32,079 --> 00:01:43,069
+murdered anybody since breakfast have
+you objection this is an absurd piece of
+
+70
+00:01:43,069 --> 00:01:43,079
+
+ 
+
+71
+00:01:43,079 --> 00:01:45,910
+
+jactitation council uses a word with
+
+72
+00:01:45,910 --> 00:01:45,920
+jactitation council uses a word with
+ 
+
+73
+00:01:45,920 --> 00:01:49,789
+jactitation council uses a word with
+which the banch is not familiar Jack
+
+74
+00:01:49,789 --> 00:01:49,799
+which the banch is not familiar Jack
+ 
+
+75
+00:01:49,799 --> 00:01:52,990
+which the banch is not familiar Jack
+dation a specious or false premise in
+
+76
+00:01:52,990 --> 00:01:53,000
+dation a specious or false premise in
+ 
+
+77
+00:01:53,000 --> 00:01:54,910
+dation a specious or false premise in
+this instance as to the murder of known
+
+78
+00:01:54,910 --> 00:01:54,920
+this instance as to the murder of known
+ 
+
+79
+00:01:54,920 --> 00:01:56,950
+this instance as to the murder of known
+or unknown
+
+80
+00:01:56,950 --> 00:01:56,960
+or unknown
+ 
+
+81
+00:01:56,960 --> 00:02:01,789
+or unknown
+persons objection sustained
+
+82
+00:02:01,789 --> 00:02:01,799
+
+ 
+
+83
+00:02:01,799 --> 00:02:03,429
+
+ask him if his faith in the Holy
+
+84
+00:02:03,429 --> 00:02:03,439
+ask him if his faith in the Holy
+ 
+
+85
+00:02:03,439 --> 00:02:06,469
+ask him if his faith in the Holy
+scriptures has been
+
+86
+00:02:06,469 --> 00:02:06,479
+
+ 
+
+87
+00:02:06,479 --> 00:02:09,550
+
+shattered when I need your help Colonel
+
+88
+00:02:09,550 --> 00:02:09,560
+shattered when I need your help Colonel
+ 
+
+89
+00:02:09,560 --> 00:02:11,710
+shattered when I need your help Colonel
+Brady you may rest assured I shall
+
+90
+00:02:11,710 --> 00:02:11,720
+Brady you may rest assured I shall
+ 
+
+91
+00:02:11,720 --> 00:02:15,310
+Brady you may rest assured I shall
+humbly ask for it
+
+92
+00:02:15,310 --> 00:02:15,320
+humbly ask for it
+ 
+
+93
+00:02:15,320 --> 00:02:42,409
+humbly ask for it
+[Music]
+

1960/U-7MSowBlG8.en.srt

@@ -0,0 +1,265 @@
+1
+00:00:00,160 --> 00:00:01,390
+
+I think the only reason why I got into
+
+2
+00:00:01,390 --> 00:00:01,400
+I think the only reason why I got into
+ 
+
+3
+00:00:01,400 --> 00:00:02,990
+I think the only reason why I got into
+this cape is so I could see you again
+
+4
+00:00:02,990 --> 00:00:03,000
+this cape is so I could see you again
+ 
+
+5
+00:00:03,000 --> 00:00:04,430
+this cape is so I could see you again
+sounds like a hell of a price and I
+
+6
+00:00:04,430 --> 00:00:04,440
+sounds like a hell of a price and I
+ 
+
+7
+00:00:04,440 --> 00:00:06,550
+sounds like a hell of a price and I
+agree with you I'm worth it you're just
+
+8
+00:00:06,550 --> 00:00:06,560
+agree with you I'm worth it you're just
+ 
+
+9
+00:00:06,560 --> 00:00:07,750
+agree with you I'm worth it you're just
+in time for the
+
+10
+00:00:07,750 --> 00:00:07,760
+in time for the
+ 
+
+11
+00:00:07,760 --> 00:00:16,710
+in time for the
+jokes for you Mr cus very
+
+12
+00:00:16,710 --> 00:00:16,720
+
+ 
+
+13
+00:00:16,720 --> 00:00:19,510
+
+important hello this is the Los Angeles
+
+14
+00:00:19,510 --> 00:00:19,520
+important hello this is the Los Angeles
+ 
+
+15
+00:00:19,520 --> 00:00:23,670
+important hello this is the Los Angeles
+County morg Los Angeles County morg yes
+
+16
+00:00:23,670 --> 00:00:23,680
+County morg Los Angeles County morg yes
+ 
+
+17
+00:00:23,680 --> 00:00:25,830
+County morg Los Angeles County morg yes
+we have a couple of men down here one is
+
+18
+00:00:25,830 --> 00:00:25,840
+we have a couple of men down here one is
+ 
+
+19
+00:00:25,840 --> 00:00:27,269
+we have a couple of men down here one is
+well muscled and the other one is rather
+
+20
+00:00:27,269 --> 00:00:27,279
+well muscled and the other one is rather
+ 
+
+21
+00:00:27,279 --> 00:00:30,230
+well muscled and the other one is rather
+slender built oh my goodness my these
+
+22
+00:00:30,230 --> 00:00:30,240
+slender built oh my goodness my these
+ 
+
+23
+00:00:30,240 --> 00:00:31,630
+slender built oh my goodness my these
+two young fellas were traveling Mighty
+
+24
+00:00:31,630 --> 00:00:31,640
+two young fellas were traveling Mighty
+ 
+
+25
+00:00:31,640 --> 00:00:32,990
+two young fellas were traveling Mighty
+fast in an automobile looked like they
+
+26
+00:00:32,990 --> 00:00:33,000
+fast in an automobile looked like they
+ 
+
+27
+00:00:33,000 --> 00:00:34,229
+fast in an automobile looked like they
+were trying to keep an engagement
+
+28
+00:00:34,229 --> 00:00:34,239
+were trying to keep an engagement
+ 
+
+29
+00:00:34,239 --> 00:00:37,229
+were trying to keep an engagement
+somewhere uh the names are uh never mind
+
+30
+00:00:37,229 --> 00:00:37,239
+somewhere uh the names are uh never mind
+ 
+
+31
+00:00:37,239 --> 00:00:39,350
+somewhere uh the names are uh never mind
+never mind their names I
+
+32
+00:00:39,350 --> 00:00:39,360
+never mind their names I
+ 
+
+33
+00:00:39,360 --> 00:00:42,190
+never mind their names I
+know I knew
+
+34
+00:00:42,190 --> 00:00:42,200
+know I knew
+ 
+
+35
+00:00:42,200 --> 00:00:44,790
+know I knew
+them would you be willing to identify
+
+36
+00:00:44,790 --> 00:00:44,800
+them would you be willing to identify
+ 
+
+37
+00:00:44,800 --> 00:00:48,029
+them would you be willing to identify
+them I'm willing I'll I'll come down
+
+38
+00:00:48,029 --> 00:00:48,039
+them I'm willing I'll I'll come down
+ 
+
+39
+00:00:48,039 --> 00:00:51,790
+them I'm willing I'll I'll come down
+I'll be right there oh my goodness yes
+
+40
+00:00:51,790 --> 00:00:51,800
+I'll be right there oh my goodness yes
+ 
+
+41
+00:00:51,800 --> 00:00:54,950
+I'll be right there oh my goodness yes
+and uh what is your name please uh just
+
+42
+00:00:54,950 --> 00:00:54,960
+and uh what is your name please uh just
+ 
+
+43
+00:00:54,960 --> 00:01:01,260
+and uh what is your name please uh just
+ask for uh detective lieutenant branagan
+
+44
+00:01:01,260 --> 00:01:01,270
+
+ 
+
+45
+00:01:01,270 --> 00:01:03,389
+
+[Music]
+
+46
+00:01:03,389 --> 00:01:03,399
+[Music]
+ 
+
+47
+00:01:03,399 --> 00:01:05,590
+[Music]
+detective
+
+48
+00:01:05,590 --> 00:01:05,600
+detective
+ 
+
+49
+00:01:05,600 --> 00:01:08,030
+detective
+Lieutenant
+
+50
+00:01:08,030 --> 00:01:08,040
+Lieutenant
+ 
+
+51
+00:01:08,040 --> 00:01:18,520
+Lieutenant
+I how did he get my name
+
+52
+00:01:18,520 --> 00:01:18,530
+
+ 
+
+53
+00:01:18,530 --> 00:01:24,450
+
+[Music]
+

1960/YoQeksBRPLI.en.srt

@@ -0,0 +1,235 @@
+1
+00:00:00,440 --> 00:00:02,620
+
+I've never had a
+
+2
+00:00:02,620 --> 00:00:02,630
+I've never had a
+ 
+
+3
+00:00:02,630 --> 00:00:26,950
+I've never had a
+[Music]
+
+4
+00:00:26,950 --> 00:00:26,960
+
+ 
+
+5
+00:00:26,960 --> 00:00:29,790
+
+woman you have one now but you must take
+
+6
+00:00:29,790 --> 00:00:29,800
+woman you have one now but you must take
+ 
+
+7
+00:00:29,800 --> 00:00:30,990
+woman you have one now but you must take
+up
+
+8
+00:00:30,990 --> 00:00:31,000
+up
+ 
+
+9
+00:00:31,000 --> 00:00:33,310
+up
+go away what will she think of you
+
+10
+00:00:33,310 --> 00:00:33,320
+go away what will she think of you
+ 
+
+11
+00:00:33,320 --> 00:00:36,709
+go away what will she think of you
+indeed what will I think of you go
+
+12
+00:00:36,709 --> 00:00:36,719
+indeed what will I think of you go
+ 
+
+13
+00:00:36,719 --> 00:00:39,549
+indeed what will I think of you go
+away come come be generous we must learn
+
+14
+00:00:39,549 --> 00:00:39,559
+away come come be generous we must learn
+ 
+
+15
+00:00:39,559 --> 00:00:42,709
+away come come be generous we must learn
+to share our
+
+16
+00:00:42,709 --> 00:00:42,719
+
+ 
+
+17
+00:00:42,719 --> 00:00:47,170
+
+Pleasures not an now now I'm
+
+18
+00:00:47,170 --> 00:00:47,180
+Pleasures not an now now I'm
+ 
+
+19
+00:00:47,180 --> 00:00:48,549
+Pleasures not an now now I'm
+[Music]
+
+20
+00:00:48,549 --> 00:00:48,559
+[Music]
+ 
+
+21
+00:00:48,559 --> 00:00:54,430
+[Music]
+try direct your courage to the girl
+
+22
+00:00:54,430 --> 00:00:54,440
+
+ 
+
+23
+00:00:54,440 --> 00:01:02,709
+
+Spartacus I'm not an animal
+
+24
+00:01:02,709 --> 00:01:02,719
+
+ 
+
+25
+00:01:02,719 --> 00:01:04,109
+
+I'm not an
+
+26
+00:01:04,109 --> 00:01:04,119
+I'm not an
+ 
+
+27
+00:01:04,119 --> 00:01:07,730
+I'm not an
+animal neither am I
+
+28
+00:01:07,730 --> 00:01:07,740
+animal neither am I
+ 
+
+29
+00:01:07,740 --> 00:01:43,510
+animal neither am I
+[Music]
+
+30
+00:01:43,510 --> 00:01:43,520
+[Music]
+ 
+
+31
+00:01:43,520 --> 00:01:46,670
+[Music]
+what's your
+
+32
+00:01:46,670 --> 00:01:46,680
+
+ 
+
+33
+00:01:46,680 --> 00:01:47,850
+
+name
+
+34
+00:01:47,850 --> 00:01:47,860
+name
+ 
+
+35
+00:01:47,860 --> 00:01:50,789
+name
+[Music]
+
+36
+00:01:50,789 --> 00:01:50,799
+[Music]
+ 
+
+37
+00:01:50,799 --> 00:01:52,830
+[Music]
+theia you'll have to take her out of
+
+38
+00:01:52,830 --> 00:01:52,840
+theia you'll have to take her out of
+ 
+
+39
+00:01:52,840 --> 00:01:55,230
+theia you'll have to take her out of
+here marelis you may not be an animal
+
+40
+00:01:55,230 --> 00:01:55,240
+here marelis you may not be an animal
+ 
+
+41
+00:01:55,240 --> 00:01:57,670
+here marelis you may not be an animal
+Spartacus but this sorry show gives me
+
+42
+00:01:57,670 --> 00:01:57,680
+Spartacus but this sorry show gives me
+ 
+
+43
+00:01:57,680 --> 00:01:59,550
+Spartacus but this sorry show gives me
+very little hope that you'll ever be a
+
+44
+00:01:59,550 --> 00:01:59,560
+very little hope that you'll ever be a
+ 
+
+45
+00:01:59,560 --> 00:02:04,270
+very little hope that you'll ever be a
+man m
+
+46
+00:02:04,270 --> 00:02:04,280
+
+ 
+
+47
+00:02:04,280 --> 00:02:43,500
+
+[Music]
+

1960/ZtHl67Oeb5I.en.srt

@@ -0,0 +1,375 @@
+1
+00:00:01,980 --> 00:00:19,400
+
+[Music]
+
+2
+00:00:19,400 --> 00:00:19,410
+
+ 
+
+3
+00:00:19,410 --> 00:00:27,060
+
+[Music]
+
+4
+00:00:27,060 --> 00:00:27,070
+
+ 
+
+5
+00:00:27,070 --> 00:00:28,950
+
+[Music]
+
+6
+00:00:28,950 --> 00:00:28,960
+[Music]
+ 
+
+7
+00:00:28,960 --> 00:00:30,710
+[Music]
+back
+
+8
+00:00:30,710 --> 00:00:30,720
+back
+ 
+
+9
+00:00:30,720 --> 00:00:33,990
+back
+sorry hi you oh hello Mr skeleton oh you
+
+10
+00:00:33,990 --> 00:00:34,000
+sorry hi you oh hello Mr skeleton oh you
+ 
+
+11
+00:00:34,000 --> 00:00:36,549
+sorry hi you oh hello Mr skeleton oh you
+remember me huh I remember what you told
+
+12
+00:00:36,549 --> 00:00:36,559
+remember me huh I remember what you told
+ 
+
+13
+00:00:36,559 --> 00:00:39,430
+remember me huh I remember what you told
+me too what I told you oh by putting a
+
+14
+00:00:39,430 --> 00:00:39,440
+me too what I told you oh by putting a
+ 
+
+15
+00:00:39,440 --> 00:00:40,790
+me too what I told you oh by putting a
+limit on myself well he didn't take that
+
+16
+00:00:40,790 --> 00:00:40,800
+limit on myself well he didn't take that
+ 
+
+17
+00:00:40,800 --> 00:00:42,750
+limit on myself well he didn't take that
+seriously did you you said you'd break
+
+18
+00:00:42,750 --> 00:00:42,760
+seriously did you you said you'd break
+ 
+
+19
+00:00:42,760 --> 00:00:44,990
+seriously did you you said you'd break
+me like a dry twig if I cashed another
+
+20
+00:00:44,990 --> 00:00:45,000
+me like a dry twig if I cashed another
+ 
+
+21
+00:00:45,000 --> 00:00:47,510
+me like a dry twig if I cashed another
+one of your checks oh well don't pay any
+
+22
+00:00:47,510 --> 00:00:47,520
+one of your checks oh well don't pay any
+ 
+
+23
+00:00:47,520 --> 00:00:49,189
+one of your checks oh well don't pay any
+attention to that kind of talk I this is
+
+24
+00:00:49,189 --> 00:00:49,199
+attention to that kind of talk I this is
+ 
+
+25
+00:00:49,199 --> 00:00:51,310
+attention to that kind of talk I this is
+all solid flab you know I actually
+
+26
+00:00:51,310 --> 00:00:51,320
+all solid flab you know I actually
+ 
+
+27
+00:00:51,320 --> 00:00:52,310
+all solid flab you know I actually
+haven't got the strength to pull the
+
+28
+00:00:52,310 --> 00:00:52,320
+haven't got the strength to pull the
+ 
+
+29
+00:00:52,320 --> 00:00:53,630
+haven't got the strength to pull the
+Wings off of a dead
+
+30
+00:00:53,630 --> 00:00:53,640
+Wings off of a dead
+ 
+
+31
+00:00:53,640 --> 00:00:57,029
+Wings off of a dead
+bee no use arguing Mr Skelton we won't
+
+32
+00:00:57,029 --> 00:00:57,039
+bee no use arguing Mr Skelton we won't
+ 
+
+33
+00:00:57,039 --> 00:00:59,430
+bee no use arguing Mr Skelton we won't
+let you exceed your limit well this is
+
+34
+00:00:59,430 --> 00:00:59,440
+let you exceed your limit well this is
+ 
+
+35
+00:00:59,440 --> 00:01:02,310
+let you exceed your limit well this is
+unbelievable a get a load of this guy
+
+36
+00:01:02,310 --> 00:01:02,320
+unbelievable a get a load of this guy
+ 
+
+37
+00:01:02,320 --> 00:01:03,349
+unbelievable a get a load of this guy
+the way he actually think we're going to
+
+38
+00:01:03,349 --> 00:01:03,359
+the way he actually think we're going to
+ 
+
+39
+00:01:03,359 --> 00:01:05,390
+the way he actually think we're going to
+stick up the joint we wouldn't do that
+
+40
+00:01:05,390 --> 00:01:05,400
+stick up the joint we wouldn't do that
+ 
+
+41
+00:01:05,400 --> 00:01:07,590
+stick up the joint we wouldn't do that
+would we no it's ridiculous Cas the
+
+42
+00:01:07,590 --> 00:01:07,600
+would we no it's ridiculous Cas the
+ 
+
+43
+00:01:07,600 --> 00:01:10,390
+would we no it's ridiculous Cas the
+check Please Mr Skelton this gentleman
+
+44
+00:01:10,390 --> 00:01:10,400
+check Please Mr Skelton this gentleman
+ 
+
+45
+00:01:10,400 --> 00:01:13,510
+check Please Mr Skelton this gentleman
+is waiting like a tree buddy boy I'm
+
+46
+00:01:13,510 --> 00:01:13,520
+is waiting like a tree buddy boy I'm
+ 
+
+47
+00:01:13,520 --> 00:01:15,469
+is waiting like a tree buddy boy I'm
+standing right here like a leafy Elm
+
+48
+00:01:15,469 --> 00:01:15,479
+standing right here like a leafy Elm
+ 
+
+49
+00:01:15,479 --> 00:01:17,789
+standing right here like a leafy Elm
+until you cash that perfectly good
+
+50
+00:01:17,789 --> 00:01:17,799
+until you cash that perfectly good
+ 
+
+51
+00:01:17,799 --> 00:01:19,830
+until you cash that perfectly good
+check you ought to be a little more
+
+52
+00:01:19,830 --> 00:01:19,840
+check you ought to be a little more
+ 
+
+53
+00:01:19,840 --> 00:01:21,510
+check you ought to be a little more
+careful you know I may hit a lucky
+
+54
+00:01:21,510 --> 00:01:21,520
+careful you know I may hit a lucky
+ 
+
+55
+00:01:21,520 --> 00:01:23,069
+careful you know I may hit a lucky
+streak and win this casino it could
+
+56
+00:01:23,069 --> 00:01:23,079
+streak and win this casino it could
+ 
+
+57
+00:01:23,079 --> 00:01:24,510
+streak and win this casino it could
+happen you know the whole joint could be
+
+58
+00:01:24,510 --> 00:01:24,520
+happen you know the whole joint could be
+ 
+
+59
+00:01:24,520 --> 00:01:26,230
+happen you know the whole joint could be
+mine then what little cashier's little
+
+60
+00:01:26,230 --> 00:01:26,240
+mine then what little cashier's little
+ 
+
+61
+00:01:26,240 --> 00:01:28,310
+mine then what little cashier's little
+old nose would be out of joint what's up
+
+62
+00:01:28,310 --> 00:01:28,320
+old nose would be out of joint what's up
+ 
+
+63
+00:01:28,320 --> 00:01:31,230
+old nose would be out of joint what's up
+hey pal oh no guts huh huh head sent for
+
+64
+00:01:31,230 --> 00:01:31,240
+hey pal oh no guts huh huh head sent for
+ 
+
+65
+00:01:31,240 --> 00:01:33,469
+hey pal oh no guts huh huh head sent for
+white herb little fat brother okay
+
+66
+00:01:33,469 --> 00:01:33,479
+white herb little fat brother okay
+ 
+
+67
+00:01:33,479 --> 00:01:35,069
+white herb little fat brother okay
+that's the arm that's my the slop
+
+68
+00:01:35,069 --> 00:01:35,079
+that's the arm that's my the slop
+ 
+
+69
+00:01:35,079 --> 00:01:38,940
+that's the arm that's my the slop
+machine arm what silver
+
+70
+00:01:38,940 --> 00:01:38,950
+machine arm what silver
+ 
+
+71
+00:01:38,950 --> 00:01:46,340
+machine arm what silver
+[Music]
+
+72
+00:01:46,340 --> 00:01:46,350
+
+ 
+
+73
+00:01:46,350 --> 00:01:56,029
+
+[Music]
+
+74
+00:01:56,029 --> 00:01:56,039
+
+ 
+
+75
+00:01:56,039 --> 00:01:59,039
+
+dollar
+

1960/_gOQq1ygJgY.description

@@ -0,0 +1,38 @@
+The Apartment movie clips: http://j.mp/16VfcPi
+BUY THE MOVIE: http://j.mp/1bGrXUX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Convinced of his love, Miss Kubelik (Shirley MacLaine) races back to Baxter's (Jack Lemmon) apartment.
+
+FILM DESCRIPTION:
+Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for The Apartment stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person's apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical Promises, Promises.
+
+CREDITS:
+TM & © MGM (1960)
+Cast: Jack Lemmon, Shirley MacLaine
+Director: Billy Wilder
+Producers: I.A.L. Diamond, Doane Harrison, Billy Wilder
+Screenwriters: I.A.L. Diamond, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/_gOQq1ygJgY.en.srt

@@ -0,0 +1,95 @@
+1
+00:00:02,450 --> 00:00:19,220
+
+[music]
+
+2
+00:00:19,220 --> 00:00:19,230
+
+ 
+
+3
+00:00:19,230 --> 00:00:20,300
+
+no
+
+4
+00:00:20,300 --> 00:00:20,310
+no
+ 
+
+5
+00:00:20,310 --> 00:00:29,540
+no
+[music] a
+
+6
+00:00:29,540 --> 00:00:29,550
+
+ 
+
+7
+00:00:29,550 --> 00:00:32,510
+
+regret about
+
+8
+00:00:32,510 --> 00:00:32,520
+regret about
+ 
+
+9
+00:00:32,520 --> 00:00:41,970
+regret about
+file in line
+
+10
+00:00:41,970 --> 00:00:41,980
+
+ 
+
+11
+00:00:41,980 --> 00:01:27,340
+
+[applause]
+
+12
+00:01:27,340 --> 00:01:27,350
+
+ 
+
+13
+00:01:27,350 --> 00:01:33,360
+
+ilayview meskiyu black
+
+14
+00:01:33,360 --> 00:01:33,370
+
+ 
+
+15
+00:01:33,370 --> 00:01:40,429
+
+figure farm black absolute I give
+
+16
+00:01:40,429 --> 00:01:40,439
+
+ 
+
+17
+00:01:40,439 --> 00:01:46,000
+
+shtl
+
+18
+00:01:46,000 --> 00:01:46,010
+
+ 
+
+19
+00:01:46,010 --> 00:02:31,659
+
+[music]
+

1960/aKUcMTQgl5E.description

@@ -0,0 +1,38 @@
+The Apartment movie clips: http://j.mp/16VfcPi
+BUY THE MOVIE: http://j.mp/1bGrXUX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Baxter (Jack Lemmon) encounters Miss Kubelik (Shirley MacLaine), a charming elevator operator.
+
+FILM DESCRIPTION:
+Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for The Apartment stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person's apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical Promises, Promises.
+
+CREDITS:
+TM & © MGM (1960)
+Cast: Jack Lemmon, David Lewis, Shirley MacLaine
+Director: Billy Wilder
+Producers: I.A.L. Diamond, Doane Harrison, Billy Wilder
+Screenwriters: I.A.L. Diamond, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/aKUcMTQgl5E.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:00,480 --> 00:00:02,510
+
+morning Mr K morning M good morning Mr
+
+2
+00:00:02,510 --> 00:00:02,520
+morning Mr K morning M good morning Mr
+ 
+
+3
+00:00:02,520 --> 00:00:05,869
+morning Mr K morning M good morning Mr
+ma morning M CU that's all take it away
+
+4
+00:00:05,869 --> 00:00:05,879
+ma morning M CU that's all take it away
+ 
+
+5
+00:00:05,879 --> 00:00:10,789
+ma morning M CU that's all take it away
+watch the door please blasting
+
+6
+00:00:10,789 --> 00:00:10,799
+
+ 
+
+7
+00:00:10,799 --> 00:00:13,390
+
+off what did you do to your hair was
+
+8
+00:00:13,390 --> 00:00:13,400
+off what did you do to your hair was
+ 
+
+9
+00:00:13,400 --> 00:00:15,270
+off what did you do to your hair was
+making me nervous so I chopped it off
+
+10
+00:00:15,270 --> 00:00:15,280
+making me nervous so I chopped it off
+ 
+
+11
+00:00:15,280 --> 00:00:18,790
+making me nervous so I chopped it off
+big mistake huh no I sort of like it you
+
+12
+00:00:18,790 --> 00:00:18,800
+big mistake huh no I sort of like it you
+ 
+
+13
+00:00:18,800 --> 00:00:20,950
+big mistake huh no I sort of like it you
+got a Lulu huh yeah I better not get too
+
+14
+00:00:20,950 --> 00:00:20,960
+got a Lulu huh yeah I better not get too
+ 
+
+15
+00:00:20,960 --> 00:00:23,750
+got a Lulu huh yeah I better not get too
+close I never catch CL really I was
+
+16
+00:00:23,750 --> 00:00:23,760
+close I never catch CL really I was
+ 
+
+17
+00:00:23,760 --> 00:00:25,349
+close I never catch CL really I was
+reading some figures from the sickness a
+
+18
+00:00:25,349 --> 00:00:25,359
+reading some figures from the sickness a
+ 
+
+19
+00:00:25,359 --> 00:00:26,910
+reading some figures from the sickness a
+claims division do you know that the
+
+20
+00:00:26,910 --> 00:00:26,920
+claims division do you know that the
+ 
+
+21
+00:00:26,920 --> 00:00:28,470
+claims division do you know that the
+average New Yorker between the ages of
+
+22
+00:00:28,470 --> 00:00:28,480
+average New Yorker between the ages of
+ 
+
+23
+00:00:28,480 --> 00:00:30,990
+average New Yorker between the ages of
+20 and 50 has 2 and a half colds a year
+
+24
+00:00:30,990 --> 00:00:31,000
+20 and 50 has 2 and a half colds a year
+ 
+
+25
+00:00:31,000 --> 00:00:33,389
+20 and 50 has 2 and a half colds a year
+H now that makes me feel just terrible
+
+26
+00:00:33,389 --> 00:00:33,399
+H now that makes me feel just terrible
+ 
+
+27
+00:00:33,399 --> 00:00:35,030
+H now that makes me feel just terrible
+why what to make the figures come out
+
+28
+00:00:35,030 --> 00:00:35,040
+why what to make the figures come out
+ 
+
+29
+00:00:35,040 --> 00:00:36,709
+why what to make the figures come out
+even if I have no colds a year some poor
+
+30
+00:00:36,709 --> 00:00:36,719
+even if I have no colds a year some poor
+ 
+
+31
+00:00:36,719 --> 00:00:38,670
+even if I have no colds a year some poor
+slob must have five colds a year yeah
+
+32
+00:00:38,670 --> 00:00:38,680
+slob must have five colds a year yeah
+ 
+
+33
+00:00:38,680 --> 00:00:40,950
+slob must have five colds a year yeah
+it's me should have stayed in bed this
+
+34
+00:00:40,950 --> 00:00:40,960
+it's me should have stayed in bed this
+ 
+
+35
+00:00:40,960 --> 00:00:44,190
+it's me should have stayed in bed this
+morning I should have stayed in bed last
+
+36
+00:00:44,190 --> 00:00:44,200
+morning I should have stayed in bed last
+ 
+
+37
+00:00:44,200 --> 00:00:49,029
+morning I should have stayed in bed last
+night
+
+38
+00:00:49,029 --> 00:00:49,039
+
+ 
+
+39
+00:00:49,039 --> 00:00:51,029
+
+19 watch your
+
+40
+00:00:51,029 --> 00:00:51,039
+19 watch your
+ 
+
+41
+00:00:51,039 --> 00:00:54,189
+19 watch your
+step and watch your hands Mr Kirby I beg
+
+42
+00:00:54,189 --> 00:00:54,199
+step and watch your hands Mr Kirby I beg
+ 
+
+43
+00:00:54,199 --> 00:00:55,590
+step and watch your hands Mr Kirby I beg
+your pardon one of these days I'm going
+
+44
+00:00:55,590 --> 00:00:55,600
+your pardon one of these days I'm going
+ 
+
+45
+00:00:55,600 --> 00:01:00,270
+your pardon one of these days I'm going
+to shut these doors on you and
+
+46
+00:01:00,270 --> 00:01:00,280
+to shut these doors on you and
+ 
+
+47
+00:01:00,280 --> 00:01:01,750
+to shut these doors on you and
+20
+
+48
+00:01:01,750 --> 00:01:01,760
+20
+ 
+
+49
+00:01:01,760 --> 00:01:04,750
+20
+next that cuck boy would I like to get
+
+50
+00:01:04,750 --> 00:01:04,760
+next that cuck boy would I like to get
+ 
+
+51
+00:01:04,760 --> 00:01:06,789
+next that cuck boy would I like to get
+her on a slow elevator to China yeah
+
+52
+00:01:06,789 --> 00:01:06,799
+her on a slow elevator to China yeah
+ 
+
+53
+00:01:06,799 --> 00:01:08,270
+her on a slow elevator to China yeah
+she's the best operator of the building
+
+54
+00:01:08,270 --> 00:01:08,280
+she's the best operator of the building
+ 
+
+55
+00:01:08,280 --> 00:01:10,550
+she's the best operator of the building
+well I'm pretty good operator myself she
+
+56
+00:01:10,550 --> 00:01:10,560
+well I'm pretty good operator myself she
+ 
+
+57
+00:01:10,560 --> 00:01:12,310
+well I'm pretty good operator myself she
+just won't give me a tumble date wise
+
+58
+00:01:12,310 --> 00:01:12,320
+just won't give me a tumble date wise
+ 
+
+59
+00:01:12,320 --> 00:01:13,749
+just won't give me a tumble date wise
+maybe you're using the wrong approach a
+
+60
+00:01:13,749 --> 00:01:13,759
+maybe you're using the wrong approach a
+ 
+
+61
+00:01:13,759 --> 00:01:15,310
+maybe you're using the wrong approach a
+lot of guys around here have tried it
+
+62
+00:01:15,310 --> 00:01:15,320
+lot of guys around here have tried it
+ 
+
+63
+00:01:15,320 --> 00:01:17,710
+lot of guys around here have tried it
+all kinds of approaches no dice what's
+
+64
+00:01:17,710 --> 00:01:17,720
+all kinds of approaches no dice what's
+ 
+
+65
+00:01:17,720 --> 00:01:19,429
+all kinds of approaches no dice what's
+she trying to prove well could be she's
+
+66
+00:01:19,429 --> 00:01:19,439
+she trying to prove well could be she's
+ 
+
+67
+00:01:19,439 --> 00:01:20,870
+she trying to prove well could be she's
+just a nice respectable girl there
+
+68
+00:01:20,870 --> 00:01:20,880
+just a nice respectable girl there
+ 
+
+69
+00:01:20,880 --> 00:01:22,710
+just a nice respectable girl there
+millions of them listen to him little
+
+70
+00:01:22,710 --> 00:01:22,720
+millions of them listen to him little
+ 
+
+71
+00:01:22,720 --> 00:01:25,960
+millions of them listen to him little
+Lord fontleroy
+

1960/c--eNhRG5B4.description

@@ -0,0 +1,38 @@
+The Apartment movie clips: http://j.mp/16VfcPi
+BUY THE MOVIE: http://j.mp/1bGrXUX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Miss Kubelik (Shirley MacLaine) learns that Baxter quit his job rather than loan out his apartment.
+
+FILM DESCRIPTION:
+Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for The Apartment stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person's apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical Promises, Promises.
+
+CREDITS:
+TM & © MGM (1960)
+Cast: Fred MacMurray, Shirley MacLaine
+Director: Billy Wilder
+Producers: I.A.L. Diamond, Doane Harrison, Billy Wilder
+Screenwriters: I.A.L. Diamond, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/c--eNhRG5B4.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:10,360 --> 00:00:11,549
+
+all right sorry I took so long in the
+
+2
+00:00:11,549 --> 00:00:11,559
+all right sorry I took so long in the
+ 
+
+3
+00:00:11,559 --> 00:00:13,470
+all right sorry I took so long in the
+phone but we're all set all set for what
+
+4
+00:00:13,470 --> 00:00:13,480
+phone but we're all set all set for what
+ 
+
+5
+00:00:13,480 --> 00:00:15,310
+phone but we're all set all set for what
+I rented a car to be here at 1:00 we're
+
+6
+00:00:15,310 --> 00:00:15,320
+I rented a car to be here at 1:00 we're
+ 
+
+7
+00:00:15,320 --> 00:00:17,830
+I rented a car to be here at 1:00 we're
+driving down to Atlantic City Atlantic
+
+8
+00:00:17,830 --> 00:00:17,840
+driving down to Atlantic City Atlantic
+ 
+
+9
+00:00:17,840 --> 00:00:19,390
+driving down to Atlantic City Atlantic
+City oh I know it's a drag but you can't
+
+10
+00:00:19,390 --> 00:00:19,400
+City oh I know it's a drag but you can't
+ 
+
+11
+00:00:19,400 --> 00:00:20,790
+City oh I know it's a drag but you can't
+find a hotel room in town not on New
+
+12
+00:00:20,790 --> 00:00:20,800
+find a hotel room in town not on New
+ 
+
+13
+00:00:20,800 --> 00:00:23,070
+find a hotel room in town not on New
+Year's
+
+14
+00:00:23,070 --> 00:00:23,080
+
+ 
+
+15
+00:00:23,080 --> 00:00:26,189
+
+Eve ring out the old year ring in the
+
+16
+00:00:26,189 --> 00:00:26,199
+Eve ring out the old year ring in the
+ 
+
+17
+00:00:26,199 --> 00:00:28,630
+Eve ring out the old year ring in the
+new ring a ding
+
+18
+00:00:28,630 --> 00:00:28,640
+new ring a ding
+ 
+
+19
+00:00:28,640 --> 00:00:31,230
+new ring a ding
+ding I didn't Planet this way friend
+
+20
+00:00:31,230 --> 00:00:31,240
+ding I didn't Planet this way friend
+ 
+
+21
+00:00:31,240 --> 00:00:34,470
+ding I didn't Planet this way friend
+actually it's all Baxter's fa Baer hey
+
+22
+00:00:34,470 --> 00:00:34,480
+actually it's all Baxter's fa Baer hey
+ 
+
+23
+00:00:34,480 --> 00:00:37,069
+actually it's all Baxter's fa Baer hey
+wouldn't give me the key to the
+
+24
+00:00:37,069 --> 00:00:37,079
+wouldn't give me the key to the
+ 
+
+25
+00:00:37,079 --> 00:00:39,350
+wouldn't give me the key to the
+apartment he wouldn't no he just walked
+
+26
+00:00:39,350 --> 00:00:39,360
+apartment he wouldn't no he just walked
+ 
+
+27
+00:00:39,360 --> 00:00:41,549
+apartment he wouldn't no he just walked
+out at me quit threw that big fat job
+
+28
+00:00:41,549 --> 00:00:41,559
+out at me quit threw that big fat job
+ 
+
+29
+00:00:41,559 --> 00:00:44,229
+out at me quit threw that big fat job
+right in my
+
+30
+00:00:44,229 --> 00:00:44,239
+
+ 
+
+31
+00:00:44,239 --> 00:00:48,389
+
+face the nerd yeah little punk after all
+
+32
+00:00:48,389 --> 00:00:48,399
+face the nerd yeah little punk after all
+ 
+
+33
+00:00:48,399 --> 00:00:49,950
+face the nerd yeah little punk after all
+I did for him said I couldn't bring
+
+34
+00:00:49,950 --> 00:00:49,960
+I did for him said I couldn't bring
+ 
+
+35
+00:00:49,960 --> 00:00:51,630
+I did for him said I couldn't bring
+anybody to the apartment especially not
+
+36
+00:00:51,630 --> 00:00:51,640
+anybody to the apartment especially not
+ 
+
+37
+00:00:51,640 --> 00:00:52,790
+anybody to the apartment especially not
+miss
+
+38
+00:00:52,790 --> 00:00:52,800
+miss
+ 
+
+39
+00:00:52,800 --> 00:00:56,150
+miss
+Cub what's he got against you
+
+40
+00:00:56,150 --> 00:00:56,160
+Cub what's he got against you
+ 
+
+41
+00:00:56,160 --> 00:00:59,750
+Cub what's he got against you
+anyway I don't know I guess that's the
+
+42
+00:00:59,750 --> 00:00:59,760
+anyway I don't know I guess that's the
+ 
+
+43
+00:00:59,760 --> 00:01:00,470
+anyway I don't know I guess that's the
+way
+
+44
+00:01:00,470 --> 00:01:00,480
+way
+ 
+
+45
+00:01:00,480 --> 00:01:03,630
+way
+crumbles cookie
+
+46
+00:01:03,630 --> 00:01:03,640
+crumbles cookie
+ 
+
+47
+00:01:03,640 --> 00:01:07,230
+crumbles cookie
+wise what are you talking
+
+48
+00:01:07,230 --> 00:01:07,240
+wise what are you talking
+ 
+
+49
+00:01:07,240 --> 00:01:10,070
+
+about I'd spell it out for you only I
+
+50
+00:01:10,070 --> 00:01:10,080
+about I'd spell it out for you only I
+ 
+
+51
+00:01:10,080 --> 00:01:14,440
+about I'd spell it out for you only I
+can't
+
+52
+00:01:14,440 --> 00:01:14,450
+
+ 
+
+53
+00:01:14,450 --> 00:01:27,109
+
+[Music]
+
+54
+00:01:27,109 --> 00:01:27,119
+[Music]
+ 
+
+55
+00:01:27,119 --> 00:01:31,789
+[Music]
+spell Happy New Year friend
+
+56
+00:01:31,789 --> 00:01:31,799
+spell Happy New Year friend
+ 
+
+57
+00:01:31,799 --> 00:01:37,389
+spell Happy New Year friend
+God and
+
+58
+00:01:37,389 --> 00:01:37,399
+
+ 
+
+59
+00:01:37,399 --> 00:01:42,069
+
+of
+
+60
+00:01:42,069 --> 00:01:42,079
+
+ 
+
+61
+00:01:42,079 --> 00:01:47,120
+
+all for all
+
+62
+00:01:47,120 --> 00:01:47,130
+
+ 
+
+63
+00:01:47,130 --> 00:02:02,930
+
+[Music]
+
+64
+00:02:02,930 --> 00:02:02,940
+
+ 
+
+65
+00:02:02,940 --> 00:02:10,749
+
+[Applause]
+
+66
+00:02:10,749 --> 00:02:10,759
+[Applause]
+ 
+
+67
+00:02:10,759 --> 00:02:11,980
+[Applause]
+plan
+
+68
+00:02:11,980 --> 00:02:11,990
+plan
+ 
+
+69
+00:02:11,990 --> 00:02:43,669
+plan
+[Music]
+

1960/dYDxxHrlmUg.description

@@ -0,0 +1,38 @@
+Psycho movie clips: http://j.mp/1JbaT7L
+BUY THE MOVIE: http://amzn.to/uuIP9s
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+In Norman's (Anthony Perkins) twisted mind, he is Mrs. Bates; her thoughts are his.
+
+FILM DESCRIPTION:
+In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998.
+
+CREDITS:
+TM & © Universal (1960)
+Cast: Anthony Perkins
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Joseph Stefano, Robert Bloch
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/dYDxxHrlmUg.en.srt

@@ -0,0 +1,265 @@
+1
+00:00:01,160 --> 00:00:03,030
+
+he feels a little chill can I bring him
+
+2
+00:00:03,030 --> 00:00:03,040
+he feels a little chill can I bring him
+ 
+
+3
+00:00:03,040 --> 00:00:04,070
+he feels a little chill can I bring him
+this
+
+4
+00:00:04,070 --> 00:00:04,080
+this
+ 
+
+5
+00:00:04,080 --> 00:00:18,510
+this
+blanket sure all
+
+6
+00:00:18,510 --> 00:00:18,520
+
+ 
+
+7
+00:00:18,520 --> 00:00:27,550
+
+right thank
+
+8
+00:00:27,550 --> 00:00:27,560
+
+ 
+
+9
+00:00:27,560 --> 00:00:30,950
+
+you it's sad when mother has to speak
+
+10
+00:00:30,950 --> 00:00:30,960
+you it's sad when mother has to speak
+ 
+
+11
+00:00:30,960 --> 00:00:34,030
+you it's sad when mother has to speak
+the words that condemn her own son but I
+
+12
+00:00:34,030 --> 00:00:34,040
+the words that condemn her own son but I
+ 
+
+13
+00:00:34,040 --> 00:00:35,670
+the words that condemn her own son but I
+couldn't allow them to believe that I
+
+14
+00:00:35,670 --> 00:00:35,680
+couldn't allow them to believe that I
+ 
+
+15
+00:00:35,680 --> 00:00:38,709
+couldn't allow them to believe that I
+would commit murder they'll put him away
+
+16
+00:00:38,709 --> 00:00:38,719
+would commit murder they'll put him away
+ 
+
+17
+00:00:38,719 --> 00:00:42,549
+would commit murder they'll put him away
+now as I should have years ago he was
+
+18
+00:00:42,549 --> 00:00:42,559
+now as I should have years ago he was
+ 
+
+19
+00:00:42,559 --> 00:00:46,029
+now as I should have years ago he was
+always bad and in the end he intended to
+
+20
+00:00:46,029 --> 00:00:46,039
+always bad and in the end he intended to
+ 
+
+21
+00:00:46,039 --> 00:00:48,670
+always bad and in the end he intended to
+tell them I killed those girls and that
+
+22
+00:00:48,670 --> 00:00:48,680
+tell them I killed those girls and that
+ 
+
+23
+00:00:48,680 --> 00:00:51,630
+tell them I killed those girls and that
+man as if I could do anything except
+
+24
+00:00:51,630 --> 00:00:51,640
+man as if I could do anything except
+ 
+
+25
+00:00:51,640 --> 00:00:54,389
+man as if I could do anything except
+just sit and stare like one of his
+
+26
+00:00:54,389 --> 00:00:54,399
+just sit and stare like one of his
+ 
+
+27
+00:00:54,399 --> 00:00:57,510
+just sit and stare like one of his
+stuffed birds well they know I can't
+
+28
+00:00:57,510 --> 00:00:57,520
+stuffed birds well they know I can't
+ 
+
+29
+00:00:57,520 --> 00:01:00,470
+stuffed birds well they know I can't
+even move a finger and I won't I'll just
+
+30
+00:01:00,470 --> 00:01:00,480
+even move a finger and I won't I'll just
+ 
+
+31
+00:01:00,480 --> 00:01:03,469
+even move a finger and I won't I'll just
+sit here and be quiet just in case they
+
+32
+00:01:03,469 --> 00:01:03,479
+sit here and be quiet just in case they
+ 
+
+33
+00:01:03,479 --> 00:01:07,749
+sit here and be quiet just in case they
+do suspect
+
+34
+00:01:07,749 --> 00:01:07,759
+
+ 
+
+35
+00:01:07,759 --> 00:01:11,670
+
+me they're probably watching me well let
+
+36
+00:01:11,670 --> 00:01:11,680
+me they're probably watching me well let
+ 
+
+37
+00:01:11,680 --> 00:01:14,510
+me they're probably watching me well let
+them let them see what kind of a person
+
+38
+00:01:14,510 --> 00:01:14,520
+them let them see what kind of a person
+ 
+
+39
+00:01:14,520 --> 00:01:15,630
+them let them see what kind of a person
+I
+
+40
+00:01:15,630 --> 00:01:15,640
+I
+ 
+
+41
+00:01:15,640 --> 00:01:19,350
+I
+am I'm not even going to swat that fly I
+
+42
+00:01:19,350 --> 00:01:19,360
+am I'm not even going to swat that fly I
+ 
+
+43
+00:01:19,360 --> 00:01:22,429
+am I'm not even going to swat that fly I
+hope they are watching they'll see
+
+44
+00:01:22,429 --> 00:01:22,439
+hope they are watching they'll see
+ 
+
+45
+00:01:22,439 --> 00:01:25,109
+hope they are watching they'll see
+they'll see and they'll know and they'll
+
+46
+00:01:25,109 --> 00:01:25,119
+they'll see and they'll know and they'll
+ 
+
+47
+00:01:25,119 --> 00:01:29,480
+they'll see and they'll know and they'll
+say why she wouldn't even harm a fly
+
+48
+00:01:29,480 --> 00:01:29,490
+say why she wouldn't even harm a fly
+ 
+
+49
+00:01:29,490 --> 00:01:34,850
+say why she wouldn't even harm a fly
+[Music]
+
+50
+00:01:34,850 --> 00:01:34,860
+
+ 
+
+51
+00:01:34,860 --> 00:01:43,400
+
+[Applause]
+
+52
+00:01:43,400 --> 00:01:43,410
+
+ 
+
+53
+00:01:43,410 --> 00:02:14,479
+
+[Music]
+

1960/dwzoyEaHxSM.en.srt

@@ -0,0 +1,635 @@
+1
+00:00:00,960 --> 00:00:03,429
+
+I asked you a question why are you here
+
+2
+00:00:03,429 --> 00:00:03,439
+I asked you a question why are you here
+ 
+
+3
+00:00:03,439 --> 00:00:04,870
+I asked you a question why are you here
+well I got scared I'd get Stoop
+
+4
+00:00:04,870 --> 00:00:04,880
+well I got scared I'd get Stoop
+ 
+
+5
+00:00:04,880 --> 00:00:06,389
+well I got scared I'd get Stoop
+shouldered from all those lays hanging
+
+6
+00:00:06,389 --> 00:00:06,399
+shouldered from all those lays hanging
+ 
+
+7
+00:00:06,399 --> 00:00:09,750
+shouldered from all those lays hanging
+around my neck same sweet Talking Sam
+
+8
+00:00:09,750 --> 00:00:09,760
+around my neck same sweet Talking Sam
+ 
+
+9
+00:00:09,760 --> 00:00:11,910
+around my neck same sweet Talking Sam
+Danny still in bed no not exactly he's
+
+10
+00:00:11,910 --> 00:00:11,920
+Danny still in bed no not exactly he's
+ 
+
+11
+00:00:11,920 --> 00:00:13,950
+Danny still in bed no not exactly he's
+not in the hospital is he oh no no
+
+12
+00:00:13,950 --> 00:00:13,960
+not in the hospital is he oh no no
+ 
+
+13
+00:00:13,960 --> 00:00:16,269
+not in the hospital is he oh no no
+because some doctor called the place I
+
+14
+00:00:16,269 --> 00:00:16,279
+because some doctor called the place I
+ 
+
+15
+00:00:16,279 --> 00:00:18,950
+because some doctor called the place I
+work and said Danny was very sick well
+
+16
+00:00:18,950 --> 00:00:18,960
+work and said Danny was very sick well
+ 
+
+17
+00:00:18,960 --> 00:00:22,070
+work and said Danny was very sick well
+frankly that doctor was me in fact the
+
+18
+00:00:22,070 --> 00:00:22,080
+frankly that doctor was me in fact the
+ 
+
+19
+00:00:22,080 --> 00:00:23,470
+frankly that doctor was me in fact the
+message said he was
+
+20
+00:00:23,470 --> 00:00:23,480
+message said he was
+ 
+
+21
+00:00:23,480 --> 00:00:25,710
+message said he was
+dying I want to make sure you'd come
+
+22
+00:00:25,710 --> 00:00:25,720
+dying I want to make sure you'd come
+ 
+
+23
+00:00:25,720 --> 00:00:28,029
+dying I want to make sure you'd come
+over dying was the touch that gave it
+
+24
+00:00:28,029 --> 00:00:28,039
+over dying was the touch that gave it
+ 
+
+25
+00:00:28,039 --> 00:00:30,710
+over dying was the touch that gave it
+away well you knew it was a gas
+
+26
+00:00:30,710 --> 00:00:30,720
+away well you knew it was a gas
+ 
+
+27
+00:00:30,720 --> 00:00:32,350
+away well you knew it was a gas
+it's the sort of stunt Danny usually
+
+28
+00:00:32,350 --> 00:00:32,360
+it's the sort of stunt Danny usually
+ 
+
+29
+00:00:32,360 --> 00:00:34,590
+it's the sort of stunt Danny usually
+pulls when he wants to see me why'd you
+
+30
+00:00:34,590 --> 00:00:34,600
+pulls when he wants to see me why'd you
+ 
+
+31
+00:00:34,600 --> 00:00:37,030
+pulls when he wants to see me why'd you
+come over if you knew it was a
+
+32
+00:00:37,030 --> 00:00:37,040
+come over if you knew it was a
+ 
+
+33
+00:00:37,040 --> 00:00:39,069
+come over if you knew it was a
+gag but it's
+
+34
+00:00:39,069 --> 00:00:39,079
+gag but it's
+ 
+
+35
+00:00:39,079 --> 00:00:41,430
+gag but it's
+Christmas and I have a present for him
+
+36
+00:00:41,430 --> 00:00:41,440
+Christmas and I have a present for him
+ 
+
+37
+00:00:41,440 --> 00:00:42,869
+Christmas and I have a present for him
+as simple as
+
+38
+00:00:42,869 --> 00:00:42,879
+as simple as
+ 
+
+39
+00:00:42,879 --> 00:00:45,709
+as simple as
+that now what's your excuse I was
+
+40
+00:00:45,709 --> 00:00:45,719
+that now what's your excuse I was
+ 
+
+41
+00:00:45,719 --> 00:00:47,790
+that now what's your excuse I was
+wondering what it is I come to the
+
+42
+00:00:47,790 --> 00:00:47,800
+wondering what it is I come to the
+ 
+
+43
+00:00:47,800 --> 00:00:51,470
+wondering what it is I come to the
+conclusion there must be love Mother
+
+44
+00:00:51,470 --> 00:00:51,480
+conclusion there must be love Mother
+ 
+
+45
+00:00:51,480 --> 00:00:55,470
+conclusion there must be love Mother
+Love I'll consider mistress play thing
+
+46
+00:00:55,470 --> 00:00:55,480
+Love I'll consider mistress play thing
+ 
+
+47
+00:00:55,480 --> 00:00:57,549
+Love I'll consider mistress play thing
+toy for a night but I refuse to be your
+
+48
+00:00:57,549 --> 00:00:57,559
+toy for a night but I refuse to be your
+ 
+
+49
+00:00:57,559 --> 00:00:59,349
+toy for a night but I refuse to be your
+mother that's out no you got it all
+
+50
+00:00:59,349 --> 00:00:59,359
+mother that's out no you got it all
+ 
+
+51
+00:00:59,359 --> 00:01:01,830
+mother that's out no you got it all
+wrong I'm the mother I just don't like
+
+52
+00:01:01,830 --> 00:01:01,840
+wrong I'm the mother I just don't like
+ 
+
+53
+00:01:01,840 --> 00:01:04,109
+wrong I'm the mother I just don't like
+you and Danny busting
+
+54
+00:01:04,109 --> 00:01:04,119
+you and Danny busting
+ 
+
+55
+00:01:04,119 --> 00:01:05,950
+you and Danny busting
+up
+
+56
+00:01:05,950 --> 00:01:05,960
+up
+ 
+
+57
+00:01:05,960 --> 00:01:08,910
+up
+yeah we're sort of eye to eye
+
+58
+00:01:08,910 --> 00:01:08,920
+yeah we're sort of eye to eye
+ 
+
+59
+00:01:08,920 --> 00:01:12,149
+yeah we're sort of eye to eye
+there I'd like to straighten him
+
+60
+00:01:12,149 --> 00:01:12,159
+there I'd like to straighten him
+ 
+
+61
+00:01:12,159 --> 00:01:14,230
+there I'd like to straighten him
+out no
+
+62
+00:01:14,230 --> 00:01:14,240
+out no
+ 
+
+63
+00:01:14,240 --> 00:01:17,350
+out no
+mother he's the only one who can do
+
+64
+00:01:17,350 --> 00:01:17,360
+mother he's the only one who can do
+ 
+
+65
+00:01:17,360 --> 00:01:20,710
+mother he's the only one who can do
+that what happened to your marriage
+
+66
+00:01:20,710 --> 00:01:20,720
+that what happened to your marriage
+ 
+
+67
+00:01:20,720 --> 00:01:24,350
+that what happened to your marriage
+be a drown in Champagne I knew you were
+
+68
+00:01:24,350 --> 00:01:24,360
+be a drown in Champagne I knew you were
+ 
+
+69
+00:01:24,360 --> 00:01:26,230
+be a drown in Champagne I knew you were
+both up on cloud n but I didn't think it
+
+70
+00:01:26,230 --> 00:01:26,240
+both up on cloud n but I didn't think it
+ 
+
+71
+00:01:26,240 --> 00:01:28,910
+both up on cloud n but I didn't think it
+got boring up there boring
+
+72
+00:01:28,910 --> 00:01:28,920
+got boring up there boring
+ 
+
+73
+00:01:28,920 --> 00:01:31,310
+got boring up there boring
+no I just woke up one morning and
+
+74
+00:01:31,310 --> 00:01:31,320
+no I just woke up one morning and
+ 
+
+75
+00:01:31,320 --> 00:01:33,149
+no I just woke up one morning and
+realized there was nothing underneath us
+
+76
+00:01:33,149 --> 00:01:33,159
+realized there was nothing underneath us
+ 
+
+77
+00:01:33,159 --> 00:01:34,710
+realized there was nothing underneath us
+but thin
+
+78
+00:01:34,710 --> 00:01:34,720
+but thin
+ 
+
+79
+00:01:34,720 --> 00:01:38,030
+but thin
+air so I got off at the next Mountain
+
+80
+00:01:38,030 --> 00:01:38,040
+air so I got off at the next Mountain
+ 
+
+81
+00:01:38,040 --> 00:01:39,510
+air so I got off at the next Mountain
+walked down and got a
+
+82
+00:01:39,510 --> 00:01:39,520
+walked down and got a
+ 
+
+83
+00:01:39,520 --> 00:01:42,990
+walked down and got a
+job Danny didn't like that very
+
+84
+00:01:42,990 --> 00:01:43,000
+job Danny didn't like that very
+ 
+
+85
+00:01:43,000 --> 00:01:45,910
+job Danny didn't like that very
+well a little later I left
+
+86
+00:01:45,910 --> 00:01:45,920
+well a little later I left
+ 
+
+87
+00:01:45,920 --> 00:01:50,270
+well a little later I left
+him how do he feel about that oh he he
+
+88
+00:01:50,270 --> 00:01:50,280
+him how do he feel about that oh he he
+ 
+
+89
+00:01:50,280 --> 00:01:52,429
+him how do he feel about that oh he he
+wants me back but not enough to give me
+
+90
+00:01:52,429 --> 00:01:52,439
+wants me back but not enough to give me
+ 
+
+91
+00:01:52,439 --> 00:01:55,270
+wants me back but not enough to give me
+what I want such
+
+92
+00:01:55,270 --> 00:01:55,280
+what I want such
+ 
+
+93
+00:01:55,280 --> 00:01:57,749
+what I want such
+ass I want a life that doesn't depend on
+
+94
+00:01:57,749 --> 00:01:57,759
+ass I want a life that doesn't depend on
+ 
+
+95
+00:01:57,759 --> 00:01:59,350
+ass I want a life that doesn't depend on
+the color of a car to the length of a
+
+96
+00:01:59,350 --> 00:01:59,360
+the color of a car to the length of a
+ 
+
+97
+00:01:59,360 --> 00:02:00,789
+the color of a car to the length of a
+horse's nose
+
+98
+00:02:00,789 --> 00:02:00,799
+horse's nose
+ 
+
+99
+00:02:00,799 --> 00:02:04,789
+horse's nose
+knows Danny ran into a little bad luck
+
+100
+00:02:04,789 --> 00:02:04,799
+knows Danny ran into a little bad luck
+ 
+
+101
+00:02:04,799 --> 00:02:07,229
+knows Danny ran into a little bad luck
+huh if only he
+
+102
+00:02:07,229 --> 00:02:07,239
+huh if only he
+ 
+
+103
+00:02:07,239 --> 00:02:09,430
+huh if only he
+had a little bad luck might have made
+
+104
+00:02:09,430 --> 00:02:09,440
+had a little bad luck might have made
+ 
+
+105
+00:02:09,440 --> 00:02:11,029
+had a little bad luck might have made
+him realize what things can mean when
+
+106
+00:02:11,029 --> 00:02:11,039
+him realize what things can mean when
+ 
+
+107
+00:02:11,039 --> 00:02:12,110
+him realize what things can mean when
+you earn
+
+108
+00:02:12,110 --> 00:02:12,120
+you earn
+ 
+
+109
+00:02:12,120 --> 00:02:14,630
+you earn
+them we didn't have a home Sam we had a
+
+110
+00:02:14,630 --> 00:02:14,640
+them we didn't have a home Sam we had a
+ 
+
+111
+00:02:14,640 --> 00:02:16,509
+them we didn't have a home Sam we had a
+floating crap
+
+112
+00:02:16,509 --> 00:02:16,519
+floating crap
+ 
+
+113
+00:02:16,519 --> 00:02:18,750
+floating crap
+game that's no life it's a way of
+
+114
+00:02:18,750 --> 00:02:18,760
+game that's no life it's a way of
+ 
+
+115
+00:02:18,760 --> 00:02:20,190
+game that's no life it's a way of
+running away from
+
+116
+00:02:20,190 --> 00:02:20,200
+running away from
+ 
+
+117
+00:02:20,200 --> 00:02:21,710
+running away from
+it
+
+118
+00:02:21,710 --> 00:02:21,720
+it
+ 
+
+119
+00:02:21,720 --> 00:02:24,869
+it
+well I better be going and he'll be here
+
+120
+00:02:24,869 --> 00:02:24,879
+well I better be going and he'll be here
+ 
+
+121
+00:02:24,879 --> 00:02:28,190
+well I better be going and he'll be here
+in a minute I have a job to get back to
+
+122
+00:02:28,190 --> 00:02:28,200
+in a minute I have a job to get back to
+ 
+
+123
+00:02:28,200 --> 00:02:30,630
+in a minute I have a job to get back to
+I don't really want to see him anyway s
+
+124
+00:02:30,630 --> 00:02:30,640
+I don't really want to see him anyway s
+ 
+
+125
+00:02:30,640 --> 00:02:32,350
+I don't really want to see him anyway s
+just make point
+
+126
+00:02:32,350 --> 00:02:32,360
+just make point
+ 
+
+127
+00:02:32,360 --> 00:02:43,699
+just make point
+[Music]
+

1960/dyxcQ4FV6KM.description

@@ -0,0 +1,38 @@
+Psycho movie clips: http://j.mp/1JbaT7L
+BUY THE MOVIE: http://amzn.to/uuIP9s
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+From the Bates home, Norman (Anthony Perkins) cries out in horror -- "Mother, blood!" -- and races to the murder scene.
+
+FILM DESCRIPTION:
+In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998.
+
+CREDITS:
+TM & © Universal (1960)
+Cast: Anthony Perkins
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Joseph Stefano, Robert Bloch
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/dyxcQ4FV6KM.en.srt

@@ -0,0 +1,4 @@
+1
+00:00:27,811 --> 00:00:30,750
+[ Shower Continues Running ]
+

1960/ex_KPw6bVwQ.en.srt

@@ -0,0 +1,105 @@
+1
+00:00:00,880 --> 00:00:05,349
+
+well aren't you going to kiss me
+
+2
+00:00:05,349 --> 00:00:05,359
+
+ 
+
+3
+00:00:05,359 --> 00:00:08,430
+
+Charlie ain't he kind of close well
+
+4
+00:00:08,430 --> 00:00:08,440
+Charlie ain't he kind of close well
+ 
+
+5
+00:00:08,440 --> 00:00:25,220
+Charlie ain't he kind of close well
+you're going to kiss me not him
+
+6
+00:00:25,220 --> 00:00:25,230
+
+ 
+
+7
+00:00:25,230 --> 00:00:29,540
+
+[Music]
+
+8
+00:00:29,540 --> 00:00:29,550
+[Music]
+ 
+
+9
+00:00:29,550 --> 00:00:41,510
+[Music]
+[Applause]
+
+10
+00:00:41,510 --> 00:00:41,520
+
+ 
+
+11
+00:00:41,520 --> 00:00:44,229
+
+Ben I just kissed Charlie so I'm going
+
+12
+00:00:44,229 --> 00:00:44,239
+Ben I just kissed Charlie so I'm going
+ 
+
+13
+00:00:44,239 --> 00:00:45,910
+Ben I just kissed Charlie so I'm going
+to have to marry him I
+
+14
+00:00:45,910 --> 00:00:45,920
+to have to marry him I
+ 
+
+15
+00:00:45,920 --> 00:00:49,310
+to have to marry him I
+suppose how do you say
+
+16
+00:00:49,310 --> 00:00:49,320
+suppose how do you say
+ 
+
+17
+00:00:49,320 --> 00:00:53,590
+suppose how do you say
+Ben I'll think on it no say yes or no
+
+18
+00:00:53,590 --> 00:00:53,600
+Ben I'll think on it no say yes or no
+ 
+
+19
+00:00:53,600 --> 00:00:58,340
+Ben I'll think on it no say yes or no
+right now right this minute Ben Zachary
+
+20
+00:00:58,340 --> 00:00:58,350
+
+ 
+
+21
+00:00:58,350 --> 00:01:37,420
+
+[Music]
+

1960/f-PnGRaJaSA.description

@@ -0,0 +1,38 @@
+Psycho movie clips: http://j.mp/1JbaT7L
+BUY THE MOVIE: http://amzn.to/uuIP9s
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Consumed with thoughts of her misdeeds, Marion (Janet Leigh) comes upon the Bates Motel.
+
+FILM DESCRIPTION:
+In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998.
+
+CREDITS:
+TM & © Universal (1960)
+Cast: Janet Leigh
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Joseph Stefano, Robert Bloch
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/f-PnGRaJaSA.en.srt

@@ -0,0 +1,495 @@
+1
+00:00:00,440 --> 00:00:05,190
+
+[Music]
+
+2
+00:00:05,190 --> 00:00:05,200
+
+ 
+
+3
+00:00:05,200 --> 00:00:09,190
+
+yes Mr Larry Carolyn m still isn't in no
+
+4
+00:00:09,190 --> 00:00:09,200
+yes Mr Larry Carolyn m still isn't in no
+ 
+
+5
+00:00:09,200 --> 00:00:10,990
+yes Mr Larry Carolyn m still isn't in no
+Mr Larry but then she's always a bit
+
+6
+00:00:10,990 --> 00:00:11,000
+Mr Larry but then she's always a bit
+ 
+
+7
+00:00:11,000 --> 00:00:13,110
+Mr Larry but then she's always a bit
+late on Monday mornings buzz me the
+
+8
+00:00:13,110 --> 00:00:13,120
+late on Monday mornings buzz me the
+ 
+
+9
+00:00:13,120 --> 00:00:14,210
+late on Monday mornings buzz me the
+minute she comes
+
+10
+00:00:14,210 --> 00:00:14,220
+minute she comes
+ 
+
+11
+00:00:14,220 --> 00:00:15,990
+minute she comes
+[Music]
+
+12
+00:00:15,990 --> 00:00:16,000
+[Music]
+ 
+
+13
+00:00:16,000 --> 00:00:18,830
+[Music]
+in call her sister no one's asking me at
+
+14
+00:00:18,830 --> 00:00:18,840
+in call her sister no one's asking me at
+ 
+
+15
+00:00:18,840 --> 00:00:21,029
+in call her sister no one's asking me at
+the house I called her sister Mr Larry
+
+16
+00:00:21,029 --> 00:00:21,039
+the house I called her sister Mr Larry
+ 
+
+17
+00:00:21,039 --> 00:00:23,109
+the house I called her sister Mr Larry
+where she works the music maker music
+
+18
+00:00:23,109 --> 00:00:23,119
+where she works the music maker music
+ 
+
+19
+00:00:23,119 --> 00:00:24,910
+where she works the music maker music
+store you know and she doesn't know
+
+20
+00:00:24,910 --> 00:00:24,920
+store you know and she doesn't know
+ 
+
+21
+00:00:24,920 --> 00:00:26,990
+store you know and she doesn't know
+where Maran is any more than we do you
+
+22
+00:00:26,990 --> 00:00:27,000
+where Maran is any more than we do you
+ 
+
+23
+00:00:27,000 --> 00:00:29,310
+where Maran is any more than we do you
+better run out to the house she may be
+
+24
+00:00:29,310 --> 00:00:29,320
+better run out to the house she may be
+ 
+
+25
+00:00:29,320 --> 00:00:30,910
+better run out to the house she may be
+unable to answer to the Pharm her
+
+26
+00:00:30,910 --> 00:00:30,920
+unable to answer to the Pharm her
+ 
+
+27
+00:00:30,920 --> 00:00:32,350
+unable to answer to the Pharm her
+sister's going to do that she's as
+
+28
+00:00:32,350 --> 00:00:32,360
+sister's going to do that she's as
+ 
+
+29
+00:00:32,360 --> 00:00:37,030
+sister's going to do that she's as
+worried as we
+
+30
+00:00:37,030 --> 00:00:37,040
+
+ 
+
+31
+00:00:37,040 --> 00:00:40,270
+
+are no I haven't the faintest idea as I
+
+32
+00:00:40,270 --> 00:00:40,280
+are no I haven't the faintest idea as I
+ 
+
+33
+00:00:40,280 --> 00:00:41,670
+are no I haven't the faintest idea as I
+said I last saw your sister when she
+
+34
+00:00:41,670 --> 00:00:41,680
+said I last saw your sister when she
+ 
+
+35
+00:00:41,680 --> 00:00:43,430
+said I last saw your sister when she
+left this office on Friday she said she
+
+36
+00:00:43,430 --> 00:00:43,440
+left this office on Friday she said she
+ 
+
+37
+00:00:43,440 --> 00:00:45,549
+left this office on Friday she said she
+didn't feel well wanted to leave early I
+
+38
+00:00:45,549 --> 00:00:45,559
+didn't feel well wanted to leave early I
+ 
+
+39
+00:00:45,559 --> 00:00:48,549
+didn't feel well wanted to leave early I
+said you good that was the last I saw
+
+40
+00:00:48,549 --> 00:00:48,559
+said you good that was the last I saw
+ 
+
+41
+00:00:48,559 --> 00:00:50,709
+said you good that was the last I saw
+wait a minute I did see her sometime
+
+42
+00:00:50,709 --> 00:00:50,719
+wait a minute I did see her sometime
+ 
+
+43
+00:00:50,719 --> 00:00:52,349
+wait a minute I did see her sometime
+later
+
+44
+00:00:52,349 --> 00:00:52,359
+later
+ 
+
+45
+00:00:52,359 --> 00:00:54,549
+later
+driving uh I think you'd better come
+
+46
+00:00:54,549 --> 00:00:54,559
+driving uh I think you'd better come
+ 
+
+47
+00:00:54,559 --> 00:00:56,310
+driving uh I think you'd better come
+over here to my office
+
+48
+00:00:56,310 --> 00:00:56,320
+over here to my office
+ 
+
+49
+00:00:56,320 --> 00:01:02,709
+over here to my office
+quick Carolyn get Mr Cassidy for me
+
+50
+00:01:02,709 --> 00:01:02,719
+
+ 
+
+51
+00:01:02,719 --> 00:01:05,590
+
+after all Cassidy I told you all that
+
+52
+00:01:05,590 --> 00:01:05,600
+after all Cassidy I told you all that
+ 
+
+53
+00:01:05,600 --> 00:01:07,990
+after all Cassidy I told you all that
+cash I'm not taking the
+
+54
+00:01:07,990 --> 00:01:08,000
+cash I'm not taking the
+ 
+
+55
+00:01:08,000 --> 00:01:10,710
+cash I'm not taking the
+responsibility oh For Heaven's Sake girl
+
+56
+00:01:10,710 --> 00:01:10,720
+responsibility oh For Heaven's Sake girl
+ 
+
+57
+00:01:10,720 --> 00:01:13,510
+responsibility oh For Heaven's Sake girl
+works for you for 10 years you trust her
+
+58
+00:01:13,510 --> 00:01:13,520
+works for you for 10 years you trust her
+ 
+
+59
+00:01:13,520 --> 00:01:16,830
+works for you for 10 years you trust her
+all right yeah you better come
+
+60
+00:01:16,830 --> 00:01:16,840
+
+ 
+
+61
+00:01:16,840 --> 00:01:19,990
+
+over well I ain't about to kiss off
+
+62
+00:01:19,990 --> 00:01:20,000
+over well I ain't about to kiss off
+ 
+
+63
+00:01:20,000 --> 00:01:22,230
+over well I ain't about to kiss off
+$40,000 I'll get it back and if any of
+
+64
+00:01:22,230 --> 00:01:22,240
+$40,000 I'll get it back and if any of
+ 
+
+65
+00:01:22,240 --> 00:01:23,630
+$40,000 I'll get it back and if any of
+it's missing I'll replace it with her
+
+66
+00:01:23,630 --> 00:01:23,640
+it's missing I'll replace it with her
+ 
+
+67
+00:01:23,640 --> 00:01:26,149
+it's missing I'll replace it with her
+fine soft flesh I'll track her never you
+
+68
+00:01:26,149 --> 00:01:26,159
+fine soft flesh I'll track her never you
+ 
+
+69
+00:01:26,159 --> 00:01:29,109
+fine soft flesh I'll track her never you
+doubt it oh hold on Cassie I still can't
+
+70
+00:01:29,109 --> 00:01:29,119
+doubt it oh hold on Cassie I still can't
+ 
+
+71
+00:01:29,119 --> 00:01:30,510
+doubt it oh hold on Cassie I still can't
+believe
+
+72
+00:01:30,510 --> 00:01:30,520
+believe
+ 
+
+73
+00:01:30,520 --> 00:01:33,230
+believe
+it must be some kind of a mystery I
+
+74
+00:01:33,230 --> 00:01:33,240
+it must be some kind of a mystery I
+ 
+
+75
+00:01:33,240 --> 00:01:35,270
+it must be some kind of a mystery I
+can't you check with the bank no they
+
+76
+00:01:35,270 --> 00:01:35,280
+can't you check with the bank no they
+ 
+
+77
+00:01:35,280 --> 00:01:37,149
+can't you check with the bank no they
+never laid eyes on her no you still
+
+78
+00:01:37,149 --> 00:01:37,159
+never laid eyes on her no you still
+ 
+
+79
+00:01:37,159 --> 00:01:39,910
+never laid eyes on her no you still
+trusting hot creeper she sat there while
+
+80
+00:01:39,910 --> 00:01:39,920
+trusting hot creeper she sat there while
+ 
+
+81
+00:01:39,920 --> 00:01:42,429
+trusting hot creeper she sat there while
+I dumped it out hardly even looked at it
+
+82
+00:01:42,429 --> 00:01:42,439
+I dumped it out hardly even looked at it
+ 
+
+83
+00:01:42,439 --> 00:01:49,090
+I dumped it out hardly even looked at it
+planning and and even flirting with me
+
+84
+00:01:49,090 --> 00:01:49,100
+
+ 
+
+85
+00:01:49,100 --> 00:02:00,069
+
+[Music]
+
+86
+00:02:00,069 --> 00:02:00,079
+[Music]
+ 
+
+87
+00:02:00,079 --> 00:02:06,490
+[Music]
+he
+
+88
+00:02:06,490 --> 00:02:06,500
+
+ 
+
+89
+00:02:06,500 --> 00:02:10,950
+
+[Music]
+
+90
+00:02:10,950 --> 00:02:10,960
+[Music]
+ 
+
+91
+00:02:10,960 --> 00:02:13,990
+[Music]
+[Applause]
+
+92
+00:02:13,990 --> 00:02:14,000
+[Applause]
+ 
+
+93
+00:02:14,000 --> 00:02:16,970
+[Applause]
+[Music]
+
+94
+00:02:16,970 --> 00:02:16,980
+[Music]
+ 
+
+95
+00:02:16,980 --> 00:02:19,390
+[Music]
+[Applause]
+
+96
+00:02:19,390 --> 00:02:19,400
+[Applause]
+ 
+
+97
+00:02:19,400 --> 00:02:55,480
+[Applause]
+[Music]
+
+98
+00:02:55,480 --> 00:02:55,490
+
+ 
+
+99
+00:02:55,490 --> 00:03:26,530
+
+[Music]
+

1960/gKpPQ6SqHvQ.en.srt

@@ -0,0 +1,545 @@
+1
+00:00:00,080 --> 00:00:02,110
+
+put the funerals
+
+2
+00:00:02,110 --> 00:00:02,120
+put the funerals
+ 
+
+3
+00:00:02,120 --> 00:00:05,749
+put the funerals
+off now how do you like that I want him
+
+4
+00:00:05,749 --> 00:00:05,759
+off now how do you like that I want him
+ 
+
+5
+00:00:05,759 --> 00:00:07,590
+off now how do you like that I want him
+buried you want him buried and if he
+
+6
+00:00:07,590 --> 00:00:07,600
+buried you want him buried and if he
+ 
+
+7
+00:00:07,600 --> 00:00:09,030
+buried you want him buried and if he
+could sit up and talk he'd second
+
+8
+00:00:09,030 --> 00:00:09,040
+could sit up and talk he'd second
+ 
+
+9
+00:00:09,040 --> 00:00:10,910
+could sit up and talk he'd second
+emotion now that's as unanimous as you
+
+10
+00:00:10,910 --> 00:00:10,920
+emotion now that's as unanimous as you
+ 
+
+11
+00:00:10,920 --> 00:00:13,270
+emotion now that's as unanimous as you
+can get friend you behave like a brother
+
+12
+00:00:13,270 --> 00:00:13,280
+can get friend you behave like a brother
+ 
+
+13
+00:00:13,280 --> 00:00:14,669
+can get friend you behave like a brother
+and a Christian but you just don't
+
+14
+00:00:14,669 --> 00:00:14,679
+and a Christian but you just don't
+ 
+
+15
+00:00:14,679 --> 00:00:16,710
+and a Christian but you just don't
+understand look I'm not looking for any
+
+16
+00:00:16,710 --> 00:00:16,720
+understand look I'm not looking for any
+ 
+
+17
+00:00:16,720 --> 00:00:18,990
+understand look I'm not looking for any
+praise I'm a traveling salesman ladies
+
+18
+00:00:18,990 --> 00:00:19,000
+praise I'm a traveling salesman ladies
+ 
+
+19
+00:00:19,000 --> 00:00:20,910
+praise I'm a traveling salesman ladies
+corses I'm walking down the street and a
+
+20
+00:00:20,910 --> 00:00:20,920
+corses I'm walking down the street and a
+ 
+
+21
+00:00:20,920 --> 00:00:22,710
+corses I'm walking down the street and a
+man drops dead right in front of me for
+
+22
+00:00:22,710 --> 00:00:22,720
+man drops dead right in front of me for
+ 
+
+23
+00:00:22,720 --> 00:00:24,390
+man drops dead right in front of me for
+2 hours people kept stepping over and
+
+24
+00:00:24,390 --> 00:00:24,400
+2 hours people kept stepping over and
+ 
+
+25
+00:00:24,400 --> 00:00:26,630
+2 hours people kept stepping over and
+around him without lifting a finger I'm
+
+26
+00:00:26,630 --> 00:00:26,640
+around him without lifting a finger I'm
+ 
+
+27
+00:00:26,640 --> 00:00:28,669
+around him without lifting a finger I'm
+just doing what any decent man would
+
+28
+00:00:28,669 --> 00:00:28,679
+just doing what any decent man would
+ 
+
+29
+00:00:28,679 --> 00:00:30,230
+just doing what any decent man would
+come on Henry let's get on the St wait a
+
+30
+00:00:30,230 --> 00:00:30,240
+come on Henry let's get on the St wait a
+ 
+
+31
+00:00:30,240 --> 00:00:31,669
+come on Henry let's get on the St wait a
+minute this man has to be buried and
+
+32
+00:00:31,669 --> 00:00:31,679
+minute this man has to be buried and
+ 
+
+33
+00:00:31,679 --> 00:00:33,630
+minute this man has to be buried and
+soon he's not turning into any nose gay
+
+34
+00:00:33,630 --> 00:00:33,640
+soon he's not turning into any nose gay
+ 
+
+35
+00:00:33,640 --> 00:00:35,910
+soon he's not turning into any nose gay
+I know I know I would if I could but
+
+36
+00:00:35,910 --> 00:00:35,920
+I know I know I would if I could but
+ 
+
+37
+00:00:35,920 --> 00:00:38,190
+I know I know I would if I could but
+there's an element in town that objects
+
+38
+00:00:38,190 --> 00:00:38,200
+there's an element in town that objects
+ 
+
+39
+00:00:38,200 --> 00:00:41,670
+there's an element in town that objects
+objects to what they say he isn't fit to
+
+40
+00:00:41,670 --> 00:00:41,680
+objects to what they say he isn't fit to
+ 
+
+41
+00:00:41,680 --> 00:00:44,950
+objects to what they say he isn't fit to
+be buried there what in booill well
+
+42
+00:00:44,950 --> 00:00:44,960
+be buried there what in booill well
+ 
+
+43
+00:00:44,960 --> 00:00:46,470
+be buried there what in booill well
+there's nothing up there but murderers
+
+44
+00:00:46,470 --> 00:00:46,480
+there's nothing up there but murderers
+ 
+
+45
+00:00:46,480 --> 00:00:48,790
+there's nothing up there but murderers
+Cutthroats and derelict old barflies and
+
+46
+00:00:48,790 --> 00:00:48,800
+Cutthroats and derelict old barflies and
+ 
+
+47
+00:00:48,800 --> 00:00:50,470
+Cutthroats and derelict old barflies and
+if they ever felt exclusive brother they
+
+48
+00:00:50,470 --> 00:00:50,480
+if they ever felt exclusive brother they
+ 
+
+49
+00:00:50,480 --> 00:00:53,470
+if they ever felt exclusive brother they
+passed it now they happen to be white
+
+50
+00:00:53,470 --> 00:00:53,480
+passed it now they happen to be white
+ 
+
+51
+00:00:53,480 --> 00:00:56,790
+passed it now they happen to be white
+friend and old
+
+52
+00:00:56,790 --> 00:00:56,800
+friend and old
+ 
+
+53
+00:00:56,800 --> 00:01:01,270
+friend and old
+Sam old Sam was an Indian
+
+54
+00:01:01,270 --> 00:01:01,280
+Sam old Sam was an Indian
+ 
+
+55
+00:01:01,280 --> 00:01:02,509
+Sam old Sam was an Indian
+well I'll be
+
+56
+00:01:02,509 --> 00:01:02,519
+well I'll be
+ 
+
+57
+00:01:02,519 --> 00:01:04,509
+well I'll be
+damned I never knew you had to be
+
+58
+00:01:04,509 --> 00:01:04,519
+damned I never knew you had to be
+ 
+
+59
+00:01:04,519 --> 00:01:06,510
+damned I never knew you had to be
+anything but a corpse to get in a boot
+
+60
+00:01:06,510 --> 00:01:06,520
+anything but a corpse to get in a boot
+ 
+
+61
+00:01:06,520 --> 00:01:09,749
+anything but a corpse to get in a boot
+Hill how long's this been going on since
+
+62
+00:01:09,749 --> 00:01:09,759
+Hill how long's this been going on since
+ 
+
+63
+00:01:09,759 --> 00:01:12,270
+Hill how long's this been going on since
+the town got civilized oh it's not my
+
+64
+00:01:12,270 --> 00:01:12,280
+the town got civilized oh it's not my
+ 
+
+65
+00:01:12,280 --> 00:01:14,830
+the town got civilized oh it's not my
+doing boys I don't like it no sir I've
+
+66
+00:01:14,830 --> 00:01:14,840
+doing boys I don't like it no sir I've
+ 
+
+67
+00:01:14,840 --> 00:01:16,350
+doing boys I don't like it no sir I've
+always treated every man the same just
+
+68
+00:01:16,350 --> 00:01:16,360
+always treated every man the same just
+ 
+
+69
+00:01:16,360 --> 00:01:18,390
+always treated every man the same just
+as another future customer well in that
+
+70
+00:01:18,390 --> 00:01:18,400
+as another future customer well in that
+ 
+
+71
+00:01:18,400 --> 00:01:20,149
+as another future customer well in that
+case get that hearse rolling I can't my
+
+72
+00:01:20,149 --> 00:01:20,159
+case get that hearse rolling I can't my
+ 
+
+73
+00:01:20,159 --> 00:01:23,149
+case get that hearse rolling I can't my
+driv is quit he's Prejudice too huh well
+
+74
+00:01:23,149 --> 00:01:23,159
+driv is quit he's Prejudice too huh well
+ 
+
+75
+00:01:23,159 --> 00:01:24,270
+driv is quit he's Prejudice too huh well
+when it comes to chance of getting his
+
+76
+00:01:24,270 --> 00:01:24,280
+when it comes to chance of getting his
+ 
+
+77
+00:01:24,280 --> 00:01:25,910
+when it comes to chance of getting his
+head blown off he's downright bigoted
+
+78
+00:01:25,910 --> 00:01:25,920
+head blown off he's downright bigoted
+ 
+
+79
+00:01:25,920 --> 00:01:27,109
+head blown off he's downright bigoted
+well get somebody else there isn't
+
+80
+00:01:27,109 --> 00:01:27,119
+well get somebody else there isn't
+ 
+
+81
+00:01:27,119 --> 00:01:29,910
+well get somebody else there isn't
+anybody else who'll drive it so here oh
+
+82
+00:01:29,910 --> 00:01:29,920
+anybody else who'll drive it so here oh
+ 
+
+83
+00:01:29,920 --> 00:01:30,670
+anybody else who'll drive it so here oh
+oh
+
+84
+00:01:30,670 --> 00:01:30,680
+oh
+ 
+
+85
+00:01:30,680 --> 00:01:32,950
+oh
+hell that's all is holding things up
+
+86
+00:01:32,950 --> 00:01:32,960
+hell that's all is holding things up
+ 
+
+87
+00:01:32,960 --> 00:01:35,030
+hell that's all is holding things up
+I'll drive the
+
+88
+00:01:35,030 --> 00:01:35,040
+I'll drive the
+ 
+
+89
+00:01:35,040 --> 00:01:41,870
+I'll drive the
+[Music]
+
+90
+00:01:41,870 --> 00:01:41,880
+[Music]
+ 
+
+91
+00:01:41,880 --> 00:01:44,429
+[Music]
+rig going to B that scatter
+
+92
+00:01:44,429 --> 00:01:44,439
+rig going to B that scatter
+ 
+
+93
+00:01:44,439 --> 00:01:52,350
+rig going to B that scatter
+gun you're more than
+
+94
+00:01:52,350 --> 00:01:52,360
+
+ 
+
+95
+00:01:52,360 --> 00:01:55,389
+
+one hey now wait a minute there listen
+
+96
+00:01:55,389 --> 00:01:55,399
+one hey now wait a minute there listen
+ 
+
+97
+00:01:55,399 --> 00:01:57,709
+one hey now wait a minute there listen
+now this hearse cost me $840 in Denver
+
+98
+00:01:57,709 --> 00:01:57,719
+now this hearse cost me $840 in Denver
+ 
+
+99
+00:01:57,719 --> 00:01:59,109
+now this hearse cost me $840 in Denver
+it's the only one in the county I'll be
+
+100
+00:01:59,109 --> 00:01:59,119
+it's the only one in the county I'll be
+ 
+
+101
+00:01:59,119 --> 00:02:00,270
+it's the only one in the county I'll be
+done if I'm going to turn over to
+
+102
+00:02:00,270 --> 00:02:00,280
+done if I'm going to turn over to
+ 
+
+103
+00:02:00,280 --> 00:02:02,350
+done if I'm going to turn over to
+strangers to be shot at I'll pay for the
+
+104
+00:02:02,350 --> 00:02:02,360
+strangers to be shot at I'll pay for the
+ 
+
+105
+00:02:02,360 --> 00:02:07,910
+strangers to be shot at I'll pay for the
+damages I want to see this me
+
+106
+00:02:07,910 --> 00:02:07,920
+
+ 
+
+107
+00:02:07,920 --> 00:02:15,460
+
+too never Road shotgun in a hear before
+
+108
+00:02:15,460 --> 00:02:15,470
+
+ 
+
+109
+00:02:15,470 --> 00:02:47,490
+
+[Music]
+

1960/ghew-s2zPjE.description

@@ -0,0 +1,38 @@
+Psycho movie clips: http://j.mp/1JbaT7L
+BUY THE MOVIE: http://amzn.to/uuIP9s
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Norman (Anthony Perkins) watches Marion (Janet Leigh) undress.
+
+FILM DESCRIPTION:
+In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998.
+
+CREDITS:
+TM & © Universal (1960)
+Cast: Anthony Perkins, Janet Leigh
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Joseph Stefano, Robert Bloch
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/iFpB2_WOk0Q.description

@@ -0,0 +1,38 @@
+The Apartment movie clips: http://j.mp/16VfcPi
+BUY THE MOVIE: http://j.mp/1bGrXUX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Mr. Sheldrake (Fred MacMurray) swaps a pair of Broadway tickets for the use of Baxter's (Jack Lemmon) apartment.
+
+FILM DESCRIPTION:
+Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for The Apartment stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person's apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical Promises, Promises.
+
+CREDITS:
+TM & © MGM (1960)
+Cast: Jack Lemmon, Fred MacMurray
+Director: Billy Wilder
+Producers: I.A.L. Diamond, Doane Harrison, Billy Wilder
+Screenwriters: I.A.L. Diamond, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/iFpB2_WOk0Q.en.srt

@@ -0,0 +1,455 @@
+1
+00:00:00,000 --> 00:00:02,540
+
+never again nobody is gonna use my
+
+2
+00:00:02,540 --> 00:00:02,550
+never again nobody is gonna use my
+ 
+
+3
+00:00:02,550 --> 00:00:03,800
+never again nobody is gonna use my
+apartment from now on
+
+4
+00:00:03,800 --> 00:00:03,810
+apartment from now on
+ 
+
+5
+00:00:03,810 --> 00:00:06,470
+apartment from now on
+what is your apartment back to West 67th
+
+6
+00:00:06,470 --> 00:00:06,480
+what is your apartment back to West 67th
+ 
+
+7
+00:00:06,480 --> 00:00:08,600
+what is your apartment back to West 67th
+Street you have no idea what I've been
+
+8
+00:00:08,600 --> 00:00:08,610
+Street you have no idea what I've been
+ 
+
+9
+00:00:08,610 --> 00:00:10,490
+Street you have no idea what I've been
+going through with the neighbors and the
+
+10
+00:00:10,490 --> 00:00:10,500
+going through with the neighbors and the
+ 
+
+11
+00:00:10,500 --> 00:00:13,129
+going through with the neighbors and the
+landlady and the liquor into tea and how
+
+12
+00:00:13,129 --> 00:00:13,139
+landlady and the liquor into tea and how
+ 
+
+13
+00:00:13,139 --> 00:00:15,680
+landlady and the liquor into tea and how
+are you working with the key you slipper
+
+14
+00:00:15,680 --> 00:00:15,690
+are you working with the key you slipper
+ 
+
+15
+00:00:15,690 --> 00:00:17,630
+are you working with the key you slipper
+to office let me leave it under a mat
+
+16
+00:00:17,630 --> 00:00:17,640
+to office let me leave it under a mat
+ 
+
+17
+00:00:17,640 --> 00:00:23,689
+to office let me leave it under a mat
+never again I could promise you that yes
+
+18
+00:00:23,689 --> 00:00:23,699
+never again I could promise you that yes
+ 
+
+19
+00:00:23,699 --> 00:00:25,609
+never again I could promise you that yes
+miss Olson mrs. Sheldrake returning your
+
+20
+00:00:25,609 --> 00:00:25,619
+miss Olson mrs. Sheldrake returning your
+ 
+
+21
+00:00:25,619 --> 00:00:35,660
+miss Olson mrs. Sheldrake returning your
+call on - oh you had to take Tommy to
+
+22
+00:00:35,660 --> 00:00:35,670
+call on - oh you had to take Tommy to
+ 
+
+23
+00:00:35,670 --> 00:00:38,930
+call on - oh you had to take Tommy to
+the dentist no cavities good hold it
+
+24
+00:00:38,930 --> 00:00:38,940
+the dentist no cavities good hold it
+ 
+
+25
+00:00:38,940 --> 00:00:41,360
+the dentist no cavities good hold it
+dear what are you going back to I don't
+
+26
+00:00:41,360 --> 00:00:41,370
+dear what are you going back to I don't
+ 
+
+27
+00:00:41,370 --> 00:00:43,250
+dear what are you going back to I don't
+want to intrude I thought since
+
+28
+00:00:43,250 --> 00:00:43,260
+want to intrude I thought since
+ 
+
+29
+00:00:43,260 --> 00:00:44,479
+want to intrude I thought since
+everything was straightened out anyway
+
+30
+00:00:44,479 --> 00:00:44,489
+everything was straightened out anyway
+ 
+
+31
+00:00:44,489 --> 00:00:46,610
+everything was straightened out anyway
+I'm not through with you yet the reason
+
+32
+00:00:46,610 --> 00:00:46,620
+I'm not through with you yet the reason
+ 
+
+33
+00:00:46,620 --> 00:00:47,779
+I'm not through with you yet the reason
+I called is I won't be home for dinner
+
+34
+00:00:47,779 --> 00:00:47,789
+I called is I won't be home for dinner
+ 
+
+35
+00:00:47,789 --> 00:00:48,290
+I called is I won't be home for dinner
+tonight
+
+36
+00:00:48,290 --> 00:00:48,300
+tonight
+ 
+
+37
+00:00:48,300 --> 00:00:50,540
+tonight
+the branch manager from Kansas City's in
+
+38
+00:00:50,540 --> 00:00:50,550
+the branch manager from Kansas City's in
+ 
+
+39
+00:00:50,550 --> 00:00:53,150
+the branch manager from Kansas City's in
+town I'm taking him to the theater music
+
+40
+00:00:53,150 --> 00:00:53,160
+town I'm taking him to the theater music
+ 
+
+41
+00:00:53,160 --> 00:00:55,520
+town I'm taking him to the theater music
+man what else no don't wait up for me
+
+42
+00:00:55,520 --> 00:00:55,530
+man what else no don't wait up for me
+ 
+
+43
+00:00:55,530 --> 00:00:56,000
+man what else no don't wait up for me
+Tommy
+
+44
+00:00:56,000 --> 00:00:56,010
+Tommy
+ 
+
+45
+00:00:56,010 --> 00:01:00,170
+Tommy
+goodbye tell me Baxter maybe you see
+
+46
+00:01:00,170 --> 00:01:00,180
+goodbye tell me Baxter maybe you see
+ 
+
+47
+00:01:00,180 --> 00:01:03,110
+goodbye tell me Baxter maybe you see
+music man mm-hmm yeah the head of it
+
+48
+00:01:03,110 --> 00:01:03,120
+music man mm-hmm yeah the head of it
+ 
+
+49
+00:01:03,120 --> 00:01:05,240
+music man mm-hmm yeah the head of it
+here it's once well sure how would you
+
+50
+00:01:05,240 --> 00:01:05,250
+here it's once well sure how would you
+ 
+
+51
+00:01:05,250 --> 00:01:08,390
+here it's once well sure how would you
+like to go tonight people you would be I
+
+52
+00:01:08,390 --> 00:01:08,400
+like to go tonight people you would be I
+ 
+
+53
+00:01:08,400 --> 00:01:09,770
+like to go tonight people you would be I
+thought you were taking the branch
+
+54
+00:01:09,770 --> 00:01:09,780
+thought you were taking the branch
+ 
+
+55
+00:01:09,780 --> 00:01:12,350
+thought you were taking the branch
+manager from Kansas City no I have other
+
+56
+00:01:12,350 --> 00:01:12,360
+manager from Kansas City no I have other
+ 
+
+57
+00:01:12,360 --> 00:01:15,380
+manager from Kansas City no I have other
+plans you could have both tickets well
+
+58
+00:01:15,380 --> 00:01:15,390
+plans you could have both tickets well
+ 
+
+59
+00:01:15,390 --> 00:01:17,690
+plans you could have both tickets well
+that's very kind of you but I'm not
+
+60
+00:01:17,690 --> 00:01:17,700
+that's very kind of you but I'm not
+ 
+
+61
+00:01:17,700 --> 00:01:20,090
+that's very kind of you but I'm not
+feeling well I suck at this cold I will
+
+62
+00:01:20,090 --> 00:01:20,100
+feeling well I suck at this cold I will
+ 
+
+63
+00:01:20,100 --> 00:01:22,880
+feeling well I suck at this cold I will
+go right back to you're not reading me I
+
+64
+00:01:22,880 --> 00:01:22,890
+go right back to you're not reading me I
+ 
+
+65
+00:01:22,890 --> 00:01:24,700
+go right back to you're not reading me I
+told you I have plans
+
+66
+00:01:24,700 --> 00:01:24,710
+told you I have plans
+ 
+
+67
+00:01:24,710 --> 00:01:28,370
+told you I have plans
+so do I had good take four aspirin get
+
+68
+00:01:28,370 --> 00:01:28,380
+so do I had good take four aspirin get
+ 
+
+69
+00:01:28,380 --> 00:01:29,870
+so do I had good take four aspirin get
+into bed so you might as well give the
+
+70
+00:01:29,870 --> 00:01:29,880
+into bed so you might as well give the
+ 
+
+71
+00:01:29,880 --> 00:01:31,100
+into bed so you might as well give the
+tickets to somebody else
+
+72
+00:01:31,100 --> 00:01:31,110
+tickets to somebody else
+ 
+
+73
+00:01:31,110 --> 00:01:33,590
+tickets to somebody else
+look Baxter I'm not just giving these
+
+74
+00:01:33,590 --> 00:01:33,600
+look Baxter I'm not just giving these
+ 
+
+75
+00:01:33,600 --> 00:01:37,130
+look Baxter I'm not just giving these
+tickets I want to swap them swap for
+
+76
+00:01:37,130 --> 00:01:37,140
+tickets I want to swap them swap for
+ 
+
+77
+00:01:37,140 --> 00:01:42,080
+tickets I want to swap them swap for
+what it also says here that you are
+
+78
+00:01:42,080 --> 00:01:42,090
+what it also says here that you are
+ 
+
+79
+00:01:42,090 --> 00:01:51,920
+what it also says here that you are
+alert astute and quite imaginative Oh
+
+80
+00:01:51,920 --> 00:01:51,930
+
+ 
+
+81
+00:01:51,930 --> 00:02:04,510
+
+Oh
+
+82
+00:02:04,510 --> 00:02:04,520
+
+ 
+
+83
+00:02:04,520 --> 00:02:06,530
+
+that's good thinking Baxter
+
+84
+00:02:06,530 --> 00:02:06,540
+that's good thinking Baxter
+ 
+
+85
+00:02:06,540 --> 00:02:08,240
+that's good thinking Baxter
+there's going to be a shift in personnel
+
+86
+00:02:08,240 --> 00:02:08,250
+there's going to be a shift in personnel
+ 
+
+87
+00:02:08,250 --> 00:02:10,040
+there's going to be a shift in personnel
+around here next month as far as I'm
+
+88
+00:02:10,040 --> 00:02:10,050
+around here next month as far as I'm
+ 
+
+89
+00:02:10,050 --> 00:02:36,750
+around here next month as far as I'm
+concerned you are executive material
+
+90
+00:02:36,750 --> 00:02:36,760
+
+ 
+
+91
+00:02:36,760 --> 00:02:38,819
+
+you
+

1960/iPt2PNpjOq4.description

@@ -0,0 +1,38 @@
+Psycho movie clips: http://j.mp/1JbaT7L
+BUY THE MOVIE: http://amzn.to/uuIP9s
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Norman (Anthony Perkins) pushes Marion's car into a nearby swamp.
+
+FILM DESCRIPTION:
+In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998.
+
+CREDITS:
+TM & © Universal (1960)
+Cast: Anthony Perkins
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Joseph Stefano, Robert Bloch
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/iPt2PNpjOq4.en.srt

@@ -0,0 +1,75 @@
+1
+00:00:00,199 --> 00:00:30,150
+
+Ah
+
+2
+00:00:30,150 --> 00:00:30,160
+
+ 
+
+3
+00:00:30,160 --> 00:00:31,680
+
+T
+
+4
+00:00:31,680 --> 00:00:31,690
+T
+ 
+
+5
+00:00:31,690 --> 00:00:44,460
+T
+[clap]
+
+6
+00:00:44,460 --> 00:00:44,470
+
+ 
+
+7
+00:00:44,470 --> 00:01:00,069
+
+[clap]
+
+8
+00:01:00,069 --> 00:01:00,079
+
+ 
+
+9
+00:01:00,079 --> 00:01:36,400
+
+Ah
+
+10
+00:01:36,400 --> 00:01:36,410
+
+ 
+
+11
+00:01:36,410 --> 00:01:58,830
+
+[music]
+
+12
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+13
+00:01:58,840 --> 00:02:01,480
+
+SHne
+
+14
+00:02:01,480 --> 00:02:01,490
+SHne
+ 
+
+15
+00:02:01,490 --> 00:02:07,459
+SHne
+[music]
+

1960/iTLUzEjV3Bg.description

@@ -0,0 +1,38 @@
+Psycho movie clips: http://j.mp/1JbaT7L
+BUY THE MOVIE: http://amzn.to/uuIP9s
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Norman (Anthony Perkins) bristles at the suggestion that Marion fooled him; he won't allow Arbogast (Martin Balsam) to question his mother.
+
+FILM DESCRIPTION:
+In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998.
+
+CREDITS:
+TM & © Universal (1960)
+Cast: Martin Balsam, Anthony Perkins
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Joseph Stefano, Robert Bloch
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/iTLUzEjV3Bg.en.srt

@@ -0,0 +1,445 @@
+1
+00:00:00,040 --> 00:00:01,429
+
+listen if you don't believe me come on
+
+2
+00:00:01,429 --> 00:00:01,439
+listen if you don't believe me come on
+ 
+
+3
+00:00:01,439 --> 00:00:02,750
+listen if you don't believe me come on
+come on with me you can help me change
+
+4
+00:00:02,750 --> 00:00:02,760
+come on with me you can help me change
+ 
+
+5
+00:00:02,760 --> 00:00:08,640
+come on with me you can help me change
+BS okay oh no
+
+6
+00:00:08,640 --> 00:00:08,650
+
+ 
+
+7
+00:00:08,650 --> 00:00:15,550
+
+[Music]
+
+8
+00:00:15,550 --> 00:00:15,560
+
+ 
+
+9
+00:00:15,560 --> 00:00:21,910
+
+[Music]
+
+10
+00:00:21,910 --> 00:00:21,920
+
+ 
+
+11
+00:00:21,920 --> 00:00:27,189
+
+thanks uhoh change your
+
+12
+00:00:27,189 --> 00:00:27,199
+
+ 
+
+13
+00:00:27,199 --> 00:00:30,070
+
+mind you know I I think I must have one
+
+14
+00:00:30,070 --> 00:00:30,080
+mind you know I I think I must have one
+ 
+
+15
+00:00:30,080 --> 00:00:31,269
+mind you know I I think I must have one
+of those faces you Just Can't Help
+
+16
+00:00:31,269 --> 00:00:31,279
+of those faces you Just Can't Help
+ 
+
+17
+00:00:31,279 --> 00:00:35,310
+of those faces you Just Can't Help
+Believing is anyone at home no but H is
+
+18
+00:00:35,310 --> 00:00:35,320
+Believing is anyone at home no but H is
+ 
+
+19
+00:00:35,320 --> 00:00:36,950
+Believing is anyone at home no but H is
+somebody sitting up in the window no no
+
+20
+00:00:36,950 --> 00:00:36,960
+somebody sitting up in the window no no
+ 
+
+21
+00:00:36,960 --> 00:00:39,190
+somebody sitting up in the window no no
+no there isn't oh sure yeah take a look
+
+22
+00:00:39,190 --> 00:00:39,200
+no there isn't oh sure yeah take a look
+ 
+
+23
+00:00:39,200 --> 00:00:41,590
+no there isn't oh sure yeah take a look
+oh that that must be my mother she's
+
+24
+00:00:41,590 --> 00:00:41,600
+oh that that must be my mother she's
+ 
+
+25
+00:00:41,600 --> 00:00:44,470
+oh that that must be my mother she's
+she's an an inal an invalid uh it's it's
+
+26
+00:00:44,470 --> 00:00:44,480
+she's an an inal an invalid uh it's it's
+ 
+
+27
+00:00:44,480 --> 00:00:47,510
+she's an an inal an invalid uh it's it's
+practically like living alone oh I
+
+28
+00:00:47,510 --> 00:00:47,520
+practically like living alone oh I
+ 
+
+29
+00:00:47,520 --> 00:00:51,150
+practically like living alone oh I
+see now if this uh girl Mari and crane
+
+30
+00:00:51,150 --> 00:00:51,160
+see now if this uh girl Mari and crane
+ 
+
+31
+00:00:51,160 --> 00:00:52,389
+see now if this uh girl Mari and crane
+were here you wouldn't be hiding her
+
+32
+00:00:52,389 --> 00:00:52,399
+were here you wouldn't be hiding her
+ 
+
+33
+00:00:52,399 --> 00:00:54,910
+were here you wouldn't be hiding her
+would you no not didn't she paid you
+
+34
+00:00:54,910 --> 00:00:54,920
+would you no not didn't she paid you
+ 
+
+35
+00:00:54,920 --> 00:00:56,110
+would you no not didn't she paid you
+well
+
+36
+00:00:56,110 --> 00:00:56,120
+well
+ 
+
+37
+00:00:56,120 --> 00:00:58,470
+well
+no let's just say for the just for the
+
+38
+00:00:58,470 --> 00:00:58,480
+no let's just say for the just for the
+ 
+
+39
+00:00:58,480 --> 00:01:01,069
+no let's just say for the just for the
+sake of argument that she wanted you to
+
+40
+00:01:01,069 --> 00:01:01,079
+sake of argument that she wanted you to
+ 
+
+41
+00:01:01,079 --> 00:01:02,790
+sake of argument that she wanted you to
+gallantly protect her you'd know that
+
+42
+00:01:02,790 --> 00:01:02,800
+gallantly protect her you'd know that
+ 
+
+43
+00:01:02,800 --> 00:01:04,350
+gallantly protect her you'd know that
+you were being used that you you
+
+44
+00:01:04,350 --> 00:01:04,360
+you were being used that you you
+ 
+
+45
+00:01:04,360 --> 00:01:05,990
+you were being used that you you
+wouldn't be made a fool of would you but
+
+46
+00:01:05,990 --> 00:01:06,000
+wouldn't be made a fool of would you but
+ 
+
+47
+00:01:06,000 --> 00:01:08,109
+wouldn't be made a fool of would you but
+I'm not a fool well and I'm not capable
+
+48
+00:01:08,109 --> 00:01:08,119
+I'm not a fool well and I'm not capable
+ 
+
+49
+00:01:08,119 --> 00:01:10,670
+I'm not a fool well and I'm not capable
+of being fooled not even by a woman well
+
+50
+00:01:10,670 --> 00:01:10,680
+of being fooled not even by a woman well
+ 
+
+51
+00:01:10,680 --> 00:01:12,149
+of being fooled not even by a woman well
+this is not a slur on your manhood I'm
+
+52
+00:01:12,149 --> 00:01:12,159
+this is not a slur on your manhood I'm
+ 
+
+53
+00:01:12,159 --> 00:01:13,310
+this is not a slur on your manhood I'm
+sorry let's put it this way she might
+
+54
+00:01:13,310 --> 00:01:13,320
+sorry let's put it this way she might
+ 
+
+55
+00:01:13,320 --> 00:01:15,830
+sorry let's put it this way she might
+have fooled me but she didn't fool my
+
+56
+00:01:15,830 --> 00:01:15,840
+have fooled me but she didn't fool my
+ 
+
+57
+00:01:15,840 --> 00:01:17,830
+have fooled me but she didn't fool my
+mother well then your mother met her
+
+58
+00:01:17,830 --> 00:01:17,840
+mother well then your mother met her
+ 
+
+59
+00:01:17,840 --> 00:01:19,390
+mother well then your mother met her
+could I can I talk to your mother no as
+
+60
+00:01:19,390 --> 00:01:19,400
+could I can I talk to your mother no as
+ 
+
+61
+00:01:19,400 --> 00:01:22,030
+could I can I talk to your mother no as
+I told you she's she's confined yes but
+
+62
+00:01:22,030 --> 00:01:22,040
+I told you she's she's confined yes but
+ 
+
+63
+00:01:22,040 --> 00:01:23,109
+I told you she's she's confined yes but
+just for a few minutes that's all it
+
+64
+00:01:23,109 --> 00:01:23,119
+just for a few minutes that's all it
+ 
+
+65
+00:01:23,119 --> 00:01:24,789
+just for a few minutes that's all it
+might be some hint that you missed out
+
+66
+00:01:24,789 --> 00:01:24,799
+might be some hint that you missed out
+ 
+
+67
+00:01:24,799 --> 00:01:26,429
+might be some hint that you missed out
+on you know sick old women are usually
+
+68
+00:01:26,429 --> 00:01:26,439
+on you know sick old women are usually
+ 
+
+69
+00:01:26,439 --> 00:01:29,630
+on you know sick old women are usually
+pretty Shar can I just Mr AR I would I
+
+70
+00:01:29,630 --> 00:01:29,640
+pretty Shar can I just Mr AR I would I
+ 
+
+71
+00:01:29,640 --> 00:01:31,390
+pretty Shar can I just Mr AR I would I
+think
+
+72
+00:01:31,390 --> 00:01:31,400
+think
+ 
+
+73
+00:01:31,400 --> 00:01:33,429
+think
+I think I've talked to you all I want to
+
+74
+00:01:33,429 --> 00:01:33,439
+I think I've talked to you all I want to
+ 
+
+75
+00:01:33,439 --> 00:01:35,149
+I think I've talked to you all I want to
+yes but I think it'd be much better if
+
+76
+00:01:35,149 --> 00:01:35,159
+yes but I think it'd be much better if
+ 
+
+77
+00:01:35,159 --> 00:01:36,670
+yes but I think it'd be much better if
+you left now
+
+78
+00:01:36,670 --> 00:01:36,680
+you left now
+ 
+
+79
+00:01:36,680 --> 00:01:40,710
+you left now
+thanks well all right you sure would
+
+80
+00:01:40,710 --> 00:01:40,720
+thanks well all right you sure would
+ 
+
+81
+00:01:40,720 --> 00:01:42,270
+thanks well all right you sure would
+save me a lot of leg work if you let me
+
+82
+00:01:42,270 --> 00:01:42,280
+save me a lot of leg work if you let me
+ 
+
+83
+00:01:42,280 --> 00:01:44,310
+save me a lot of leg work if you let me
+talk to I would I need a warrant for
+
+84
+00:01:44,310 --> 00:01:44,320
+talk to I would I need a warrant for
+ 
+
+85
+00:01:44,320 --> 00:01:46,270
+talk to I would I need a warrant for
+that too sure
+
+86
+00:01:46,270 --> 00:01:46,280
+that too sure
+ 
+
+87
+00:01:46,280 --> 00:01:52,930
+that too sure
+MH all right thanks anyway
+
+88
+00:01:52,930 --> 00:01:52,940
+
+ 
+
+89
+00:01:52,940 --> 00:02:29,469
+
+[Music]
+

1960/jH2OKc8HPw8.en.srt

@@ -0,0 +1,295 @@
+1
+00:00:02,360 --> 00:00:04,309
+
+his son is
+
+2
+00:00:04,309 --> 00:00:04,319
+his son is
+ 
+
+3
+00:00:04,319 --> 00:00:08,750
+his son is
+dead killed by the
+
+4
+00:00:08,750 --> 00:00:08,760
+
+ 
+
+5
+00:00:08,760 --> 00:00:12,910
+
+Kyo the very day my my papa found Rachel
+
+6
+00:00:12,910 --> 00:00:12,920
+Kyo the very day my my papa found Rachel
+ 
+
+7
+00:00:12,920 --> 00:00:16,550
+Kyo the very day my my papa found Rachel
+in a Settler's wagon wrapped in a Boston
+
+8
+00:00:16,550 --> 00:00:16,560
+in a Settler's wagon wrapped in a Boston
+ 
+
+9
+00:00:16,560 --> 00:00:18,590
+in a Settler's wagon wrapped in a Boston
+blanket parents were
+
+10
+00:00:18,590 --> 00:00:18,600
+blanket parents were
+ 
+
+11
+00:00:18,600 --> 00:00:22,189
+blanket parents were
+killed by the same cyers that killed his
+
+12
+00:00:22,189 --> 00:00:22,199
+killed by the same cyers that killed his
+ 
+
+13
+00:00:22,199 --> 00:00:25,269
+killed by the same cyers that killed his
+son but he wouldn't believe
+
+14
+00:00:25,269 --> 00:00:25,279
+son but he wouldn't believe
+ 
+
+15
+00:00:25,279 --> 00:00:28,550
+son but he wouldn't believe
+that he came to my papa and he said will
+
+16
+00:00:28,550 --> 00:00:28,560
+that he came to my papa and he said will
+ 
+
+17
+00:00:28,560 --> 00:00:32,589
+that he came to my papa and he said will
+Zachary swaer swap Rachel she's white
+
+18
+00:00:32,589 --> 00:00:32,599
+Zachary swaer swap Rachel she's white
+ 
+
+19
+00:00:32,599 --> 00:00:35,990
+Zachary swaer swap Rachel she's white
+but she's a founding a catch
+
+20
+00:00:35,990 --> 00:00:36,000
+
+ 
+
+21
+00:00:36,000 --> 00:00:38,590
+
+cat give her to the Indians so I can get
+
+22
+00:00:38,590 --> 00:00:38,600
+cat give her to the Indians so I can get
+ 
+
+23
+00:00:38,600 --> 00:00:41,110
+cat give her to the Indians so I can get
+my son back that's what he said to my
+
+24
+00:00:41,110 --> 00:00:41,120
+my son back that's what he said to my
+ 
+
+25
+00:00:41,120 --> 00:00:45,110
+my son back that's what he said to my
+papa and my papa run him off the
+
+26
+00:00:45,110 --> 00:00:45,120
+papa and my papa run him off the
+ 
+
+27
+00:00:45,120 --> 00:00:49,189
+papa and my papa run him off the
+land and a Kelsey rode Vengeance on us
+
+28
+00:00:49,189 --> 00:00:49,199
+land and a Kelsey rode Vengeance on us
+ 
+
+29
+00:00:49,199 --> 00:00:51,510
+land and a Kelsey rode Vengeance on us
+till the people in each Town turned
+
+30
+00:00:51,510 --> 00:00:51,520
+till the people in each Town turned
+ 
+
+31
+00:00:51,520 --> 00:00:52,990
+till the people in each Town turned
+against
+
+32
+00:00:52,990 --> 00:00:53,000
+against
+ 
+
+33
+00:00:53,000 --> 00:00:57,910
+against
+us till my papa was killed by a cow
+
+34
+00:00:57,910 --> 00:00:57,920
+us till my papa was killed by a cow
+ 
+
+35
+00:00:57,920 --> 00:01:03,189
+us till my papa was killed by a cow
+Lance and that old man made you run that
+
+36
+00:01:03,189 --> 00:01:03,199
+Lance and that old man made you run that
+ 
+
+37
+00:01:03,199 --> 00:01:07,469
+Lance and that old man made you run that
+poor old man chased you from town to
+
+38
+00:01:07,469 --> 00:01:07,479
+poor old man chased you from town to
+ 
+
+39
+00:01:07,479 --> 00:01:11,830
+poor old man chased you from town to
+town a poor old man with his
+
+40
+00:01:11,830 --> 00:01:11,840
+town a poor old man with his
+ 
+
+41
+00:01:11,840 --> 00:01:24,310
+town a poor old man with his
+lies no you run from the
+
+42
+00:01:24,310 --> 00:01:24,320
+
+ 
+
+43
+00:01:24,320 --> 00:01:26,390
+
+truth she
+
+44
+00:01:26,390 --> 00:01:26,400
+truth she
+ 
+
+45
+00:01:26,400 --> 00:01:30,830
+truth she
+knows she that wased off that Kow chain
+
+46
+00:01:30,830 --> 00:01:30,840
+knows she that wased off that Kow chain
+ 
+
+47
+00:01:30,840 --> 00:01:35,749
+knows she that wased off that Kow chain
+washed it all off though she still
+
+48
+00:01:35,749 --> 00:01:35,759
+washed it all off though she still
+ 
+
+49
+00:01:35,759 --> 00:01:49,109
+washed it all off though she still
+be as brown as the bo of a
+
+50
+00:01:49,109 --> 00:01:49,119
+
+ 
+
+51
+00:01:49,119 --> 00:01:53,030
+
+tree I hang him I hanged
+
+52
+00:01:53,030 --> 00:01:53,040
+tree I hang him I hanged
+ 
+
+53
+00:01:53,040 --> 00:01:55,870
+tree I hang him I hanged
+him Kelsey won't go on to destroy no one
+
+54
+00:01:55,870 --> 00:01:55,880
+him Kelsey won't go on to destroy no one
+ 
+
+55
+00:01:55,880 --> 00:01:57,590
+him Kelsey won't go on to destroy no one
+else with his
+
+56
+00:01:57,590 --> 00:01:57,600
+else with his
+ 
+
+57
+00:01:57,600 --> 00:02:03,000
+else with his
+lies it's finished in High Time
+
+58
+00:02:03,000 --> 00:02:03,010
+lies it's finished in High Time
+ 
+
+59
+00:02:03,010 --> 00:02:35,479
+lies it's finished in High Time
+[Music]
+

1960/jWt7wiLImmU.description

@@ -0,0 +1,38 @@
+The Apartment movie clips: http://j.mp/16VfcPi
+BUY THE MOVIE: http://j.mp/1bGrXUX
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Mr. Dobisch (Ray Walston) gets lucky with a Marilyn Monroe lookalike, Baxter (Jack Lemmon) gets a wake-up call.
+
+FILM DESCRIPTION:
+Widely regarded as a comedy in 1960, The Apartment seems more melancholy with each passing year. Jack Lemmon plays C.C. Baxter, a go-getting office worker who loans his tiny apartment to his philandering superiors for their romantic trysts. He runs into trouble when he finds himself sharing a girlfriend (Shirley MacLaine) with his callous boss (Fred MacMurray). Director/co-writer Billy Wilder claimed that the idea for The Apartment stemmed from a short scene in the 1945 romantic drama Brief Encounter in which the illicit lovers (Trevor Howard and Celia Johnson) arrange a rendezvous in a third person's apartment. Wilder was intrigued about what sort of person would willingly vacate his residence to allow virtual strangers a playing field for hanky panky. His answer to that question wound up winning 6 Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. The Apartment was adapted by Neil Simon and Burt Bacharach into the 1969 Broadway musical Promises, Promises.
+
+CREDITS:
+TM & © MGM (1960)
+Cast: Jack Lemmon, Ray Walston, Joyce Jameson
+Director: Billy Wilder
+Producers: I.A.L. Diamond, Doane Harrison, Billy Wilder
+Screenwriters: I.A.L. Diamond, Billy Wilder
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/jWt7wiLImmU.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:12,710 --> 00:00:14,089
+
+whoa
+
+2
+00:00:14,089 --> 00:00:14,099
+whoa
+ 
+
+3
+00:00:14,099 --> 00:00:16,640
+whoa
+hi-yah buddy boy I'm in this bar on 61st
+
+4
+00:00:16,640 --> 00:00:16,650
+hi-yah buddy boy I'm in this bar on 61st
+ 
+
+5
+00:00:16,650 --> 00:00:17,810
+hi-yah buddy boy I'm in this bar on 61st
+Street I got to thinking about Jan I
+
+6
+00:00:17,810 --> 00:00:17,820
+Street I got to thinking about Jan I
+ 
+
+7
+00:00:17,820 --> 00:00:19,609
+Street I got to thinking about Jan I
+figured I'll give you a little buzz well
+
+8
+00:00:19,609 --> 00:00:19,619
+figured I'll give you a little buzz well
+ 
+
+9
+00:00:19,619 --> 00:00:21,740
+figured I'll give you a little buzz well
+that's very nice of you but who is this
+
+10
+00:00:21,740 --> 00:00:21,750
+that's very nice of you but who is this
+ 
+
+11
+00:00:21,750 --> 00:00:22,939
+that's very nice of you but who is this
+no
+
+12
+00:00:22,939 --> 00:00:22,949
+no
+ 
+
+13
+00:00:22,949 --> 00:00:26,029
+no
+dodo in administration oh yes mr.
+
+14
+00:00:26,029 --> 00:00:26,039
+dodo in administration oh yes mr.
+ 
+
+15
+00:00:26,039 --> 00:00:27,230
+dodo in administration oh yes mr.
+dobisch I didn't recognize your voice
+
+16
+00:00:27,230 --> 00:00:27,240
+dobisch I didn't recognize your voice
+ 
+
+17
+00:00:27,240 --> 00:00:29,089
+dobisch I didn't recognize your voice
+that's okay buddy boy not like I was
+
+18
+00:00:29,089 --> 00:00:29,099
+that's okay buddy boy not like I was
+ 
+
+19
+00:00:29,099 --> 00:00:31,370
+that's okay buddy boy not like I was
+saying I'm in this joint on 61st and I
+
+20
+00:00:31,370 --> 00:00:31,380
+saying I'm in this joint on 61st and I
+ 
+
+21
+00:00:31,380 --> 00:00:32,510
+saying I'm in this joint on 61st and I
+think I got lucky
+
+22
+00:00:32,510 --> 00:00:32,520
+think I got lucky
+ 
+
+23
+00:00:32,520 --> 00:00:37,040
+think I got lucky
+oh I'm sorry mr. dobisch I'd like to
+
+24
+00:00:37,040 --> 00:00:37,050
+oh I'm sorry mr. dobisch I'd like to
+ 
+
+25
+00:00:37,050 --> 00:00:38,389
+oh I'm sorry mr. dobisch I'd like to
+help you fellas out but it's sort of
+
+26
+00:00:38,389 --> 00:00:38,399
+help you fellas out but it's sort of
+ 
+
+27
+00:00:38,399 --> 00:00:39,979
+help you fellas out but it's sort of
+late so why don't we make it some other
+
+28
+00:00:39,979 --> 00:00:39,989
+late so why don't we make it some other
+ 
+
+29
+00:00:39,989 --> 00:00:40,490
+late so why don't we make it some other
+time
+
+30
+00:00:40,490 --> 00:00:40,500
+time
+ 
+
+31
+00:00:40,500 --> 00:00:43,160
+time
+listen kid I can't pass this up she
+
+32
+00:00:43,160 --> 00:00:43,170
+listen kid I can't pass this up she
+ 
+
+33
+00:00:43,170 --> 00:00:46,549
+listen kid I can't pass this up she
+looks like Marilyn I'm already in bed
+
+34
+00:00:46,549 --> 00:00:46,559
+looks like Marilyn I'm already in bed
+ 
+
+35
+00:00:46,559 --> 00:00:48,709
+looks like Marilyn I'm already in bed
+and I've taken a sleeping pill so I'm
+
+36
+00:00:48,709 --> 00:00:48,719
+and I've taken a sleeping pill so I'm
+ 
+
+37
+00:00:48,719 --> 00:00:51,260
+and I've taken a sleeping pill so I'm
+afraid they've answer is no look Baxter
+
+38
+00:00:51,260 --> 00:00:51,270
+afraid they've answer is no look Baxter
+ 
+
+39
+00:00:51,270 --> 00:00:53,180
+afraid they've answer is no look Baxter
+we're making off the monthly efficiency
+
+40
+00:00:53,180 --> 00:00:53,190
+we're making off the monthly efficiency
+ 
+
+41
+00:00:53,190 --> 00:00:54,500
+we're making off the monthly efficiency
+rating and I'm putting you in the top
+
+42
+00:00:54,500 --> 00:00:54,510
+rating and I'm putting you in the top
+ 
+
+43
+00:00:54,510 --> 00:00:56,150
+rating and I'm putting you in the top
+ten now wha huh you don't wanna wash
+
+44
+00:00:56,150 --> 00:00:56,160
+ten now wha huh you don't wanna wash
+ 
+
+45
+00:00:56,160 --> 00:00:59,029
+ten now wha huh you don't wanna wash
+yourself up do you of course not but how
+
+46
+00:00:59,029 --> 00:00:59,039
+yourself up do you of course not but how
+ 
+
+47
+00:00:59,039 --> 00:01:00,650
+yourself up do you of course not but how
+can I be efficient in the office if I
+
+48
+00:01:00,650 --> 00:01:00,660
+can I be efficient in the office if I
+ 
+
+49
+00:01:00,660 --> 00:01:02,569
+can I be efficient in the office if I
+don't get enough sleep at night it's
+
+50
+00:01:02,569 --> 00:01:02,579
+don't get enough sleep at night it's
+ 
+
+51
+00:01:02,579 --> 00:01:04,850
+don't get enough sleep at night it's
+only 11:00 and I just want the place for
+
+52
+00:01:04,850 --> 00:01:04,860
+only 11:00 and I just want the place for
+ 
+
+53
+00:01:04,860 --> 00:01:11,750
+only 11:00 and I just want the place for
+45 minutes are you talking to anyway my
+
+54
+00:01:11,750 --> 00:01:11,760
+45 minutes are you talking to anyway my
+ 
+
+55
+00:01:11,760 --> 00:01:19,670
+45 minutes are you talking to anyway my
+mother that sweet sweet make it 30
+
+56
+00:01:19,670 --> 00:01:19,680
+mother that sweet sweet make it 30
+ 
+
+57
+00:01:19,680 --> 00:01:22,700
+mother that sweet sweet make it 30
+minutes what do you say bud huh huh I'm
+
+58
+00:01:22,700 --> 00:01:22,710
+minutes what do you say bud huh huh I'm
+ 
+
+59
+00:01:22,710 --> 00:01:24,980
+minutes what do you say bud huh huh I'm
+all out of liquor there's no clean
+
+60
+00:01:24,980 --> 00:01:24,990
+all out of liquor there's no clean
+ 
+
+61
+00:01:24,990 --> 00:01:27,469
+all out of liquor there's no clean
+glasses there's no cheese crackers no
+
+62
+00:01:27,469 --> 00:01:27,479
+glasses there's no cheese crackers no
+ 
+
+63
+00:01:27,479 --> 00:01:29,600
+glasses there's no cheese crackers no
+nothing let me worry about that
+
+64
+00:01:29,600 --> 00:01:29,610
+nothing let me worry about that
+ 
+
+65
+00:01:29,610 --> 00:01:31,069
+nothing let me worry about that
+just leave the key under the mat and
+
+66
+00:01:31,069 --> 00:01:31,079
+just leave the key under the mat and
+ 
+
+67
+00:01:31,079 --> 00:01:37,100
+just leave the key under the mat and
+clear out yes anything you say mr.
+
+68
+00:01:37,100 --> 00:01:37,110
+clear out yes anything you say mr.
+ 
+
+69
+00:01:37,110 --> 00:01:47,869
+clear out yes anything you say mr.
+dobisch my guests foreclose funny boys
+

1960/klt86blKwaA.en.srt

@@ -0,0 +1,285 @@
+1
+00:00:07,880 --> 00:00:10,140
+
+[Music]
+
+2
+00:00:10,140 --> 00:00:10,150
+[Music]
+ 
+
+3
+00:00:10,150 --> 00:00:16,800
+[Music]
+get out of here
+
+4
+00:00:16,800 --> 00:00:16,810
+
+ 
+
+5
+00:00:16,810 --> 00:00:20,620
+
+here you are Missy Happy New Year to you
+
+6
+00:00:20,620 --> 00:00:20,630
+here you are Missy Happy New Year to you
+ 
+
+7
+00:00:20,630 --> 00:00:23,620
+here you are Missy Happy New Year to you
+it so happens that I do not know who you
+
+8
+00:00:23,620 --> 00:00:23,630
+it so happens that I do not know who you
+ 
+
+9
+00:00:23,630 --> 00:00:25,840
+it so happens that I do not know who you
+are my good fellow oh well now who do I
+
+10
+00:00:25,840 --> 00:00:25,850
+are my good fellow oh well now who do I
+ 
+
+11
+00:00:25,850 --> 00:00:29,010
+are my good fellow oh well now who do I
+have to be to wish you a Happy New Year
+
+12
+00:00:29,010 --> 00:00:29,020
+have to be to wish you a Happy New Year
+ 
+
+13
+00:00:29,020 --> 00:00:32,650
+have to be to wish you a Happy New Year
+Ricky Nelson ah I used to be Ricky
+
+14
+00:00:32,650 --> 00:00:32,660
+Ricky Nelson ah I used to be Ricky
+ 
+
+15
+00:00:32,660 --> 00:00:38,050
+Ricky Nelson ah I used to be Ricky
+Nelson I I'm Perry Como now smart girl
+
+16
+00:00:38,050 --> 00:00:38,060
+Nelson I I'm Perry Como now smart girl
+ 
+
+17
+00:00:38,060 --> 00:00:39,790
+Nelson I I'm Perry Como now smart girl
+smart girl now about this night air
+
+18
+00:00:39,790 --> 00:00:39,800
+smart girl now about this night air
+ 
+
+19
+00:00:39,800 --> 00:00:41,590
+smart girl now about this night air
+let's get in out of it fine
+
+20
+00:00:41,590 --> 00:00:41,600
+let's get in out of it fine
+ 
+
+21
+00:00:41,600 --> 00:00:45,280
+let's get in out of it fine
+come on is it New Year's yet too close
+
+22
+00:00:45,280 --> 00:00:45,290
+come on is it New Year's yet too close
+ 
+
+23
+00:00:45,290 --> 00:00:46,000
+come on is it New Year's yet too close
+for comfort
+
+24
+00:00:46,000 --> 00:00:46,010
+for comfort
+ 
+
+25
+00:00:46,010 --> 00:00:48,940
+for comfort
+come on no I hate it too I hate holidays
+
+26
+00:00:48,940 --> 00:00:48,950
+come on no I hate it too I hate holidays
+ 
+
+27
+00:00:48,950 --> 00:00:51,760
+come on no I hate it too I hate holidays
+do you like holiday hey give me a little
+
+28
+00:00:51,760 --> 00:00:51,770
+do you like holiday hey give me a little
+ 
+
+29
+00:00:51,770 --> 00:00:53,950
+do you like holiday hey give me a little
+kiss how about it huh sound I've it's
+
+30
+00:00:53,950 --> 00:00:53,960
+kiss how about it huh sound I've it's
+ 
+
+31
+00:00:53,960 --> 00:00:55,600
+kiss how about it huh sound I've it's
+keys Chuck you wait right there and I'll
+
+32
+00:00:55,600 --> 00:00:55,610
+keys Chuck you wait right there and I'll
+ 
+
+33
+00:00:55,610 --> 00:01:05,140
+keys Chuck you wait right there and I'll
+be there in a minute
+
+34
+00:01:05,140 --> 00:01:05,150
+
+ 
+
+35
+00:01:05,150 --> 00:01:10,260
+
+[Music]
+
+36
+00:01:10,260 --> 00:01:10,270
+[Music]
+ 
+
+37
+00:01:10,270 --> 00:01:13,660
+[Music]
+you know I think I kissed better when I
+
+38
+00:01:13,660 --> 00:01:13,670
+you know I think I kissed better when I
+ 
+
+39
+00:01:13,670 --> 00:01:15,880
+you know I think I kissed better when I
+drunk and I do when I'm sober some other
+
+40
+00:01:15,880 --> 00:01:15,890
+drunk and I do when I'm sober some other
+ 
+
+41
+00:01:15,890 --> 00:01:20,080
+drunk and I do when I'm sober some other
+job where you going no after all that
+
+42
+00:01:20,080 --> 00:01:20,090
+job where you going no after all that
+ 
+
+43
+00:01:20,090 --> 00:01:21,880
+job where you going no after all that
+we've meant to each other I must leave
+
+44
+00:01:21,880 --> 00:01:21,890
+we've meant to each other I must leave
+ 
+
+45
+00:01:21,890 --> 00:01:22,300
+we've meant to each other I must leave
+you
+
+46
+00:01:22,300 --> 00:01:22,310
+you
+ 
+
+47
+00:01:22,310 --> 00:01:25,360
+you
+hey now this is a dirty deal our first
+
+48
+00:01:25,360 --> 00:01:25,370
+hey now this is a dirty deal our first
+ 
+
+49
+00:01:25,370 --> 00:01:27,910
+hey now this is a dirty deal our first
+quarrel I don't fit into your picture
+
+50
+00:01:27,910 --> 00:01:27,920
+quarrel I don't fit into your picture
+ 
+
+51
+00:01:27,920 --> 00:01:31,140
+quarrel I don't fit into your picture
+huh from here on in you don't sweetheart
+
+52
+00:01:31,140 --> 00:01:31,150
+huh from here on in you don't sweetheart
+ 
+
+53
+00:01:31,150 --> 00:01:38,890
+huh from here on in you don't sweetheart
+good night good it's okay man it's okay
+
+54
+00:01:38,890 --> 00:01:38,900
+good night good it's okay man it's okay
+ 
+
+55
+00:01:38,900 --> 00:01:43,220
+good night good it's okay man it's okay
+so happens I'm very much in demand
+
+56
+00:01:43,220 --> 00:01:43,230
+so happens I'm very much in demand
+ 
+
+57
+00:01:43,230 --> 00:01:54,569
+so happens I'm very much in demand
+[Music]
+

1960/lBeh1jkanrE.en.srt

@@ -0,0 +1,215 @@
+1
+00:01:24,810 --> 00:01:28,859
+
+first rule you get an instant kill on
+
+2
+00:01:28,859 --> 00:01:28,869
+first rule you get an instant kill on
+ 
+
+3
+00:01:28,869 --> 00:01:33,139
+first rule you get an instant kill on
+the red here here
+
+4
+00:01:33,139 --> 00:01:33,149
+the red here here
+ 
+
+5
+00:01:33,149 --> 00:01:35,819
+the red here here
+always remember go for the red first
+
+6
+00:01:35,819 --> 00:01:35,829
+always remember go for the red first
+ 
+
+7
+00:01:35,829 --> 00:01:38,120
+always remember go for the red first
+because if you don't your opponent will
+
+8
+00:01:38,120 --> 00:01:38,130
+because if you don't your opponent will
+ 
+
+9
+00:01:38,130 --> 00:01:44,089
+because if you don't your opponent will
+the blue you get a yeah yeah
+
+10
+00:01:44,089 --> 00:01:44,099
+the blue you get a yeah yeah
+ 
+
+11
+00:01:44,099 --> 00:01:47,029
+the blue you get a yeah yeah
+yeah yeah
+
+12
+00:01:47,029 --> 00:01:47,039
+yeah yeah
+ 
+
+13
+00:01:47,039 --> 00:01:50,339
+yeah yeah
+second roll go for the before
+
+14
+00:01:50,339 --> 00:01:50,349
+second roll go for the before
+ 
+
+15
+00:01:50,349 --> 00:01:53,580
+second roll go for the before
+the slow killed there's a slow kill on a
+
+16
+00:01:53,580 --> 00:01:53,590
+the slow killed there's a slow kill on a
+ 
+
+17
+00:01:53,590 --> 00:01:59,539
+the slow killed there's a slow kill on a
+yellow hair yeah and here
+
+18
+00:01:59,539 --> 00:01:59,549
+yellow hair yeah and here
+ 
+
+19
+00:01:59,549 --> 00:02:02,940
+yellow hair yeah and here
+remember the slow kill may have enough
+
+20
+00:02:02,940 --> 00:02:02,950
+remember the slow kill may have enough
+ 
+
+21
+00:02:02,950 --> 00:02:05,240
+remember the slow kill may have enough
+left get him to kill you before he dies
+
+22
+00:02:05,240 --> 00:02:05,250
+left get him to kill you before he dies
+ 
+
+23
+00:02:05,250 --> 00:02:07,350
+left get him to kill you before he dies
+with a you know you've got him
+
+24
+00:02:07,350 --> 00:02:07,360
+with a you know you've got him
+ 
+
+25
+00:02:07,360 --> 00:02:08,490
+with a you know you've got him
+if you keep your distance and wear him
+
+26
+00:02:08,490 --> 00:02:08,500
+if you keep your distance and wear him
+ 
+
+27
+00:02:08,500 --> 00:02:11,100
+if you keep your distance and wear him
+down the rest is all right for a public
+
+28
+00:02:11,100 --> 00:02:11,110
+down the rest is all right for a public
+ 
+
+29
+00:02:11,110 --> 00:02:14,190
+down the rest is all right for a public
+spectacle in Rome very capilla we expect
+
+30
+00:02:14,190 --> 00:02:14,200
+spectacle in Rome very capilla we expect
+ 
+
+31
+00:02:14,200 --> 00:02:16,229
+spectacle in Rome very capilla we expect
+more than just simple butchery that we
+
+32
+00:02:16,229 --> 00:02:16,239
+more than just simple butchery that we
+ 
+
+33
+00:02:16,239 --> 00:02:21,750
+more than just simple butchery that we
+get Spartacus why are you looking at
+
+34
+00:02:21,750 --> 00:02:21,760
+get Spartacus why are you looking at
+ 
+
+35
+00:02:21,760 --> 00:02:31,550
+get Spartacus why are you looking at
+that girl Maria - do
+
+36
+00:02:31,550 --> 00:02:31,560
+
+ 
+
+37
+00:02:31,560 --> 00:02:34,880
+
+since all you can do is look at girls
+
+38
+00:02:34,880 --> 00:02:34,890
+since all you can do is look at girls
+ 
+
+39
+00:02:34,890 --> 00:02:40,920
+since all you can do is look at girls
+alright slave go ahead and look I said I
+
+40
+00:02:40,920 --> 00:02:40,930
+alright slave go ahead and look I said I
+ 
+
+41
+00:02:40,930 --> 00:03:08,130
+alright slave go ahead and look I said I
+looked
+
+42
+00:03:08,130 --> 00:03:08,140
+
+ 
+
+43
+00:03:08,140 --> 00:03:10,200
+
+you
+

1960/lV2XAU1JzuI.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:01,420 --> 00:00:12,430
+
+[Music]
+
+2
+00:00:12,430 --> 00:00:12,440
+
+ 
+
+3
+00:00:12,440 --> 00:00:14,549
+
+the Sheriff's Office and the state
+
+4
+00:00:14,549 --> 00:00:14,559
+the Sheriff's Office and the state
+ 
+
+5
+00:00:14,559 --> 00:00:16,109
+the Sheriff's Office and the state
+police have assured us we're going to
+
+6
+00:00:16,109 --> 00:00:16,119
+police have assured us we're going to
+ 
+
+7
+00:00:16,119 --> 00:00:19,790
+police have assured us we're going to
+have a rundown and capture by morning
+
+8
+00:00:19,790 --> 00:00:19,800
+have a rundown and capture by morning
+ 
+
+9
+00:00:19,800 --> 00:00:21,269
+have a rundown and capture by morning
+thank you very much
+
+10
+00:00:21,269 --> 00:00:21,279
+thank you very much
+ 
+
+11
+00:00:21,279 --> 00:00:23,990
+thank you very much
+sir and there you have it millions of
+
+12
+00:00:23,990 --> 00:00:24,000
+sir and there you have it millions of
+ 
+
+13
+00:00:24,000 --> 00:00:25,950
+sir and there you have it millions of
+dollars are missing stolen by an unknown
+
+14
+00:00:25,950 --> 00:00:25,960
+dollars are missing stolen by an unknown
+ 
+
+15
+00:00:25,960 --> 00:00:28,950
+dollars are missing stolen by an unknown
+number of men but at this very minute
+
+16
+00:00:28,950 --> 00:00:28,960
+number of men but at this very minute
+ 
+
+17
+00:00:28,960 --> 00:00:30,349
+number of men but at this very minute
+they are being tracked down as they
+
+18
+00:00:30,349 --> 00:00:30,359
+they are being tracked down as they
+ 
+
+19
+00:00:30,359 --> 00:00:32,429
+they are being tracked down as they
+skulk through the night down dark roads
+
+20
+00:00:32,429 --> 00:00:32,439
+skulk through the night down dark roads
+ 
+
+21
+00:00:32,439 --> 00:00:33,990
+skulk through the night down dark roads
+and lonely alleys where the long arm of
+
+22
+00:00:33,990 --> 00:00:34,000
+and lonely alleys where the long arm of
+ 
+
+23
+00:00:34,000 --> 00:00:35,400
+and lonely alleys where the long arm of
+the law is reaching
+
+24
+00:00:35,400 --> 00:00:35,410
+the law is reaching
+ 
+
+25
+00:00:35,410 --> 00:00:47,340
+the law is reaching
+[Music]
+
+26
+00:00:47,340 --> 00:00:47,350
+[Music]
+ 
+
+27
+00:00:47,350 --> 00:00:54,510
+[Music]
+[Applause]
+
+28
+00:00:54,510 --> 00:00:54,520
+
+ 
+
+29
+00:00:54,520 --> 00:00:56,990
+
+out happy New Year officer yeah happy
+
+30
+00:00:56,990 --> 00:00:57,000
+out happy New Year officer yeah happy
+ 
+
+31
+00:00:57,000 --> 00:00:58,709
+out happy New Year officer yeah happy
+New Year say uh what's going on what's
+
+32
+00:00:58,709 --> 00:00:58,719
+New Year say uh what's going on what's
+ 
+
+33
+00:00:58,719 --> 00:01:00,549
+New Year say uh what's going on what's
+all the excitement we you get this
+
+34
+00:01:00,549 --> 00:01:00,559
+all the excitement we you get this
+ 
+
+35
+00:01:00,559 --> 00:01:03,270
+all the excitement we you get this
+garbage truck on out of here oo I'll be
+
+36
+00:01:03,270 --> 00:01:03,280
+garbage truck on out of here oo I'll be
+ 
+
+37
+00:01:03,280 --> 00:01:05,990
+garbage truck on out of here oo I'll be
+glad to do that
+
+38
+00:01:05,990 --> 00:01:06,000
+glad to do that
+ 
+
+39
+00:01:06,000 --> 00:01:10,950
+glad to do that
+[Music]
+
+40
+00:01:10,950 --> 00:01:10,960
+[Music]
+ 
+
+41
+00:01:10,960 --> 00:01:12,760
+[Music]
+then Happy New
+
+42
+00:01:12,760 --> 00:01:12,770
+then Happy New
+ 
+
+43
+00:01:12,770 --> 00:01:13,170
+then Happy New
+[Applause]
+
+44
+00:01:13,170 --> 00:01:13,180
+[Applause]
+ 
+
+45
+00:01:13,180 --> 00:01:17,630
+[Applause]
+[Music]
+
+46
+00:01:17,630 --> 00:01:17,640
+[Music]
+ 
+
+47
+00:01:17,640 --> 00:01:21,190
+[Music]
+Year e
+
+48
+00:01:21,190 --> 00:01:21,200
+Year e
+ 
+
+49
+00:01:21,200 --> 00:01:25,069
+Year e
+11 e
+
+50
+00:01:25,069 --> 00:01:25,079
+
+ 
+
+51
+00:01:25,079 --> 00:01:30,069
+
+11 he 11
+
+52
+00:01:30,069 --> 00:01:30,079
+
+ 
+
+53
+00:01:30,079 --> 00:01:31,300
+
+and
+
+54
+00:01:31,300 --> 00:01:31,310
+and
+ 
+
+55
+00:01:31,310 --> 00:01:45,599
+and
+[Music]
+

1960/m7mbDPykHoc.description

@@ -0,0 +1,38 @@
+Psycho movie clips: http://j.mp/1JbaT7L
+BUY THE MOVIE: http://amzn.to/uuIP9s
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Arbogast (Martin Balsam) interviews Norman (Anthony Perkins) about Marion; Norman grows increasingly jumpy.
+
+FILM DESCRIPTION:
+In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998.
+
+CREDITS:
+TM & © Universal (1960)
+Cast: Martin Balsam, Anthony Perkins
+Director: Alfred Hitchcock
+Producer: Alfred Hitchcock
+Screenwriters: Joseph Stefano, Robert Bloch
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1960/m7mbDPykHoc.en.srt

@@ -0,0 +1,665 @@
+1
+00:00:02,560 --> 00:00:05,309
+
+there's nobody see now I have a sample
+
+2
+00:00:05,309 --> 00:00:05,319
+there's nobody see now I have a sample
+ 
+
+3
+00:00:05,319 --> 00:00:08,629
+there's nobody see now I have a sample
+of her
+
+4
+00:00:08,629 --> 00:00:08,639
+
+ 
+
+5
+00:00:08,639 --> 00:00:10,709
+
+handwriting oh
+
+6
+00:00:10,709 --> 00:00:10,719
+handwriting oh
+ 
+
+7
+00:00:10,719 --> 00:00:12,549
+handwriting oh
+yes here we
+
+8
+00:00:12,549 --> 00:00:12,559
+yes here we
+ 
+
+9
+00:00:12,559 --> 00:00:16,790
+yes here we
+are Marie Samuels that's an interesting
+
+10
+00:00:16,790 --> 00:00:16,800
+are Marie Samuels that's an interesting
+ 
+
+11
+00:00:16,800 --> 00:00:20,710
+are Marie Samuels that's an interesting
+Ed that her yeah I think so
+
+12
+00:00:20,710 --> 00:00:20,720
+Ed that her yeah I think so
+ 
+
+13
+00:00:20,720 --> 00:00:23,349
+Ed that her yeah I think so
+Marie Marian Samuels your boyfriend's
+
+14
+00:00:23,349 --> 00:00:23,359
+Marie Marian Samuels your boyfriend's
+ 
+
+15
+00:00:23,359 --> 00:00:27,950
+Marie Marian Samuels your boyfriend's
+name is Sam mhm was she in Disguise by
+
+16
+00:00:27,950 --> 00:00:27,960
+name is Sam mhm was she in Disguise by
+ 
+
+17
+00:00:27,960 --> 00:00:30,310
+name is Sam mhm was she in Disguise by
+any chance
+
+18
+00:00:30,310 --> 00:00:30,320
+any chance
+ 
+
+19
+00:00:30,320 --> 00:00:32,510
+any chance
+you want to check the picture again look
+
+20
+00:00:32,510 --> 00:00:32,520
+you want to check the picture again look
+ 
+
+21
+00:00:32,520 --> 00:00:34,510
+you want to check the picture again look
+I I wasn't lying to you Mr oh I know
+
+22
+00:00:34,510 --> 00:00:34,520
+I I wasn't lying to you Mr oh I know
+ 
+
+23
+00:00:34,520 --> 00:00:36,350
+I I wasn't lying to you Mr oh I know
+that I know you would lie you know it's
+
+24
+00:00:36,350 --> 00:00:36,360
+that I know you would lie you know it's
+ 
+
+25
+00:00:36,360 --> 00:00:37,750
+that I know you would lie you know it's
+tough keeping track of the time around
+
+26
+00:00:37,750 --> 00:00:37,760
+tough keeping track of the time around
+ 
+
+27
+00:00:37,760 --> 00:00:39,590
+tough keeping track of the time around
+oh I know I
+
+28
+00:00:39,590 --> 00:00:39,600
+oh I know I
+ 
+
+29
+00:00:39,600 --> 00:00:44,430
+oh I know I
+know oh yeah well it it was raining and
+
+30
+00:00:44,430 --> 00:00:44,440
+know oh yeah well it it was raining and
+ 
+
+31
+00:00:44,440 --> 00:00:47,830
+know oh yeah well it it was raining and
+um her hair was all wor I tell you it's
+
+32
+00:00:47,830 --> 00:00:47,840
+um her hair was all wor I tell you it's
+ 
+
+33
+00:00:47,840 --> 00:00:49,750
+um her hair was all wor I tell you it's
+not it's not really a very good picture
+
+34
+00:00:49,750 --> 00:00:49,760
+not it's not really a very good picture
+ 
+
+35
+00:00:49,760 --> 00:00:52,270
+not it's not really a very good picture
+of her either no I guess not now tell me
+
+36
+00:00:52,270 --> 00:00:52,280
+of her either no I guess not now tell me
+ 
+
+37
+00:00:52,280 --> 00:00:57,029
+of her either no I guess not now tell me
+all about her well um she arrived um
+
+38
+00:00:57,029 --> 00:00:57,039
+all about her well um she arrived um
+ 
+
+39
+00:00:57,039 --> 00:00:58,950
+all about her well um she arrived um
+rather late one night and she went
+
+40
+00:00:58,950 --> 00:00:58,960
+rather late one night and she went
+ 
+
+41
+00:00:58,960 --> 00:01:01,430
+rather late one night and she went
+straight to sleep and uh left early the
+
+42
+00:01:01,430 --> 00:01:01,440
+straight to sleep and uh left early the
+ 
+
+43
+00:01:01,440 --> 00:01:05,030
+straight to sleep and uh left early the
+next morning well how early oh very
+
+44
+00:01:05,030 --> 00:01:05,040
+next morning well how early oh very
+ 
+
+45
+00:01:05,040 --> 00:01:07,990
+next morning well how early oh very
+early mhm which morning was
+
+46
+00:01:07,990 --> 00:01:08,000
+early mhm which morning was
+ 
+
+47
+00:01:08,000 --> 00:01:11,990
+early mhm which morning was
+that the
+
+48
+00:01:11,990 --> 00:01:12,000
+
+ 
+
+49
+00:01:12,000 --> 00:01:16,749
+
+um the next morning Sunday I see mhm uh
+
+50
+00:01:16,749 --> 00:01:16,759
+um the next morning Sunday I see mhm uh
+ 
+
+51
+00:01:16,759 --> 00:01:18,830
+um the next morning Sunday I see mhm uh
+did anyone meet her here no did she
+
+52
+00:01:18,830 --> 00:01:18,840
+did anyone meet her here no did she
+ 
+
+53
+00:01:18,840 --> 00:01:20,030
+did anyone meet her here no did she
+arrive with
+
+54
+00:01:20,030 --> 00:01:20,040
+arrive with
+ 
+
+55
+00:01:20,040 --> 00:01:23,149
+arrive with
+anyone no uhhuh she make any phone calls
+
+56
+00:01:23,149 --> 00:01:23,159
+anyone no uhhuh she make any phone calls
+ 
+
+57
+00:01:23,159 --> 00:01:25,310
+anyone no uhhuh she make any phone calls
+or no
+
+58
+00:01:25,310 --> 00:01:25,320
+or no
+ 
+
+59
+00:01:25,320 --> 00:01:28,230
+or no
+locally did you spend the night with
+
+60
+00:01:28,230 --> 00:01:28,240
+locally did you spend the night with
+ 
+
+61
+00:01:28,240 --> 00:01:31,749
+locally did you spend the night with
+her no well then how would you know that
+
+62
+00:01:31,749 --> 00:01:31,759
+her no well then how would you know that
+ 
+
+63
+00:01:31,759 --> 00:01:34,830
+her no well then how would you know that
+she didn't make any phone
+
+64
+00:01:34,830 --> 00:01:34,840
+
+ 
+
+65
+00:01:34,840 --> 00:01:36,910
+
+calls
+
+66
+00:01:36,910 --> 00:01:36,920
+calls
+ 
+
+67
+00:01:36,920 --> 00:01:40,550
+calls
+oh well she was very tired and uh see
+
+68
+00:01:40,550 --> 00:01:40,560
+oh well she was very tired and uh see
+ 
+
+69
+00:01:40,560 --> 00:01:43,670
+oh well she was very tired and uh see
+now I'm starting to um remember it I'm
+
+70
+00:01:43,670 --> 00:01:43,680
+now I'm starting to um remember it I'm
+ 
+
+71
+00:01:43,680 --> 00:01:44,950
+now I'm starting to um remember it I'm
+making a mental picture of it in my mind
+
+72
+00:01:44,950 --> 00:01:44,960
+making a mental picture of it in my mind
+ 
+
+73
+00:01:44,960 --> 00:01:45,950
+making a mental picture of it in my mind
+you know if you make a mental
+
+74
+00:01:45,950 --> 00:01:45,960
+you know if you make a mental
+ 
+
+75
+00:01:45,960 --> 00:01:47,389
+you know if you make a mental
+picturization of something that's right
+
+76
+00:01:47,389 --> 00:01:47,399
+picturization of something that's right
+ 
+
+77
+00:01:47,399 --> 00:01:50,709
+picturization of something that's right
+that's right take your time um she was
+
+78
+00:01:50,709 --> 00:01:50,719
+that's right take your time um she was
+ 
+
+79
+00:01:50,719 --> 00:01:52,510
+that's right take your time um she was
+she was sitting back there no no she was
+
+80
+00:01:52,510 --> 00:01:52,520
+she was sitting back there no no she was
+ 
+
+81
+00:01:52,520 --> 00:01:53,870
+she was sitting back there no no she was
+standing back there with a sandwich in
+
+82
+00:01:53,870 --> 00:01:53,880
+standing back there with a sandwich in
+ 
+
+83
+00:01:53,880 --> 00:01:56,310
+standing back there with a sandwich in
+her hand and she said she had to go to
+
+84
+00:01:56,310 --> 00:01:56,320
+her hand and she said she had to go to
+ 
+
+85
+00:01:56,320 --> 00:01:59,550
+her hand and she said she had to go to
+sleep early because she had a a long
+
+86
+00:01:59,550 --> 00:01:59,560
+sleep early because she had a a long
+ 
+
+87
+00:01:59,560 --> 00:02:00,389
+sleep early because she had a a long
+drive
+
+88
+00:02:00,389 --> 00:02:00,399
+drive
+ 
+
+89
+00:02:00,399 --> 00:02:03,910
+drive
+uh ahead of her mhm back where back
+
+90
+00:02:03,910 --> 00:02:03,920
+uh ahead of her mhm back where back
+ 
+
+91
+00:02:03,920 --> 00:02:05,310
+uh ahead of her mhm back where back
+where she came from no you said before
+
+92
+00:02:05,310 --> 00:02:05,320
+where she came from no you said before
+ 
+
+93
+00:02:05,320 --> 00:02:08,029
+where she came from no you said before
+that she was sitting back standing back
+
+94
+00:02:08,029 --> 00:02:08,039
+that she was sitting back standing back
+ 
+
+95
+00:02:08,039 --> 00:02:10,150
+that she was sitting back standing back
+back in my uh in my parlor there uh she
+
+96
+00:02:10,150 --> 00:02:10,160
+back in my uh in my parlor there uh she
+ 
+
+97
+00:02:10,160 --> 00:02:11,270
+back in my uh in my parlor there uh she
+was very hungry and I made her a
+
+98
+00:02:11,270 --> 00:02:11,280
+was very hungry and I made her a
+ 
+
+99
+00:02:11,280 --> 00:02:13,350
+was very hungry and I made her a
+sandwich and then she said uh that she
+
+100
+00:02:13,350 --> 00:02:13,360
+sandwich and then she said uh that she
+ 
+
+101
+00:02:13,360 --> 00:02:17,150
+sandwich and then she said uh that she
+was tired and she uh um had to go right
+
+102
+00:02:17,150 --> 00:02:17,160
+was tired and she uh um had to go right
+ 
+
+103
+00:02:17,160 --> 00:02:19,990
+was tired and she uh um had to go right
+to bed oh I see uh how did she pay you
+
+104
+00:02:19,990 --> 00:02:20,000
+to bed oh I see uh how did she pay you
+ 
+
+105
+00:02:20,000 --> 00:02:24,270
+to bed oh I see uh how did she pay you
+cash check cash cash yeah mhm and after
+
+106
+00:02:24,270 --> 00:02:24,280
+cash check cash cash yeah mhm and after
+ 
+
+107
+00:02:24,280 --> 00:02:26,830
+cash check cash cash yeah mhm and after
+she left she didn't come back well why
+
+108
+00:02:26,830 --> 00:02:26,840
+she left she didn't come back well why
+ 
+
+109
+00:02:26,840 --> 00:02:33,229
+she left she didn't come back well why
+should she
+
+110
+00:02:33,229 --> 00:02:33,239
+
+ 
+
+111
+00:02:33,239 --> 00:02:36,110
+
+well Mr argast uh I guess that's about
+
+112
+00:02:36,110 --> 00:02:36,120
+well Mr argast uh I guess that's about
+ 
+
+113
+00:02:36,120 --> 00:02:38,630
+well Mr argast uh I guess that's about
+it I I got some work to do if you don't
+
+114
+00:02:38,630 --> 00:02:38,640
+it I I got some work to do if you don't
+ 
+
+115
+00:02:38,640 --> 00:02:41,670
+it I I got some work to do if you don't
+mind well I tell you the truth I do mind
+
+116
+00:02:41,670 --> 00:02:41,680
+mind well I tell you the truth I do mind
+ 
+
+117
+00:02:41,680 --> 00:02:43,990
+mind well I tell you the truth I do mind
+you see if it doesn't gel it isn't aspic
+
+118
+00:02:43,990 --> 00:02:44,000
+you see if it doesn't gel it isn't aspic
+ 
+
+119
+00:02:44,000 --> 00:02:46,430
+you see if it doesn't gel it isn't aspic
+and this ain't jelling it's not coming
+
+120
+00:02:46,430 --> 00:02:46,440
+and this ain't jelling it's not coming
+ 
+
+121
+00:02:46,440 --> 00:02:48,630
+and this ain't jelling it's not coming
+together something's
+
+122
+00:02:48,630 --> 00:02:48,640
+together something's
+ 
+
+123
+00:02:48,640 --> 00:02:50,830
+together something's
+missing well I don't know what you could
+
+124
+00:02:50,830 --> 00:02:50,840
+missing well I don't know what you could
+ 
+
+125
+00:02:50,840 --> 00:02:51,949
+missing well I don't know what you could
+expect me to
+
+126
+00:02:51,949 --> 00:02:51,959
+expect me to
+ 
+
+127
+00:02:51,959 --> 00:02:54,670
+expect me to
+know people just come and go you know
+
+128
+00:02:54,670 --> 00:02:54,680
+know people just come and go you know
+ 
+
+129
+00:02:54,680 --> 00:02:57,949
+know people just come and go you know
+that's right she isn't still here is she
+
+130
+00:02:57,949 --> 00:02:57,959
+that's right she isn't still here is she
+ 
+
+131
+00:02:57,959 --> 00:02:59,480
+that's right she isn't still here is she
+no
+
+132
+00:02:59,480 --> 00:02:59,490
+no
+ 
+
+133
+00:02:59,490 --> 00:03:30,539
+no
+[Music]
+

1960/mvAkLCKYvwU.en.srt

@@ -0,0 +1,155 @@
+1
+00:00:00,100 --> 00:00:01,670
+
+[Music]
+
+2
+00:00:01,670 --> 00:00:01,680
+[Music]
+ 
+
+3
+00:00:01,680 --> 00:00:04,870
+[Music]
+i kissed
+
+4
+00:00:04,870 --> 00:00:04,880
+
+ 
+
+5
+00:00:04,880 --> 00:00:07,080
+
+i kissed her
+
+6
+00:00:07,080 --> 00:00:07,090
+i kissed her
+ 
+
+7
+00:00:07,090 --> 00:00:13,110
+i kissed her
+[Music]
+
+8
+00:00:13,110 --> 00:00:13,120
+
+ 
+
+9
+00:00:13,120 --> 00:00:18,310
+
+no it ain't possible
+
+10
+00:00:18,310 --> 00:00:18,320
+
+ 
+
+11
+00:00:18,320 --> 00:00:22,230
+
+i did kiss him oh my god i did baby i
+
+12
+00:00:22,230 --> 00:00:22,240
+i did kiss him oh my god i did baby i
+ 
+
+13
+00:00:22,240 --> 00:00:23,910
+i did kiss him oh my god i did baby i
+kissed her
+
+14
+00:00:23,910 --> 00:00:23,920
+kissed her
+ 
+
+15
+00:00:23,920 --> 00:00:24,710
+kissed her
+oh
+
+16
+00:00:24,710 --> 00:00:24,720
+oh
+ 
+
+17
+00:00:24,720 --> 00:00:27,900
+oh
+jester it's true i kissed her
+
+18
+00:00:27,900 --> 00:00:27,910
+jester it's true i kissed her
+ 
+
+19
+00:00:27,910 --> 00:00:30,410
+jester it's true i kissed her
+[Music]
+
+20
+00:00:30,410 --> 00:00:30,420
+[Music]
+ 
+
+21
+00:00:30,420 --> 00:00:32,310
+[Music]
+[Applause]
+
+22
+00:00:32,310 --> 00:00:32,320
+[Applause]
+ 
+
+23
+00:00:32,320 --> 00:00:45,830
+[Applause]
+[Music]
+
+24
+00:00:45,830 --> 00:00:45,840
+
+ 
+
+25
+00:00:45,840 --> 00:00:54,200
+
+so
+
+26
+00:00:54,200 --> 00:00:54,210
+
+ 
+
+27
+00:00:54,210 --> 00:01:03,750
+
+[Music]
+
+28
+00:01:03,750 --> 00:01:03,760
+
+ 
+
+29
+00:01:03,760 --> 00:01:37,350
+
+[Music]
+
+30
+00:01:37,350 --> 00:01:37,360
+
+ 
+
+31
+00:01:37,360 --> 00:01:39,439
+
+you
+

1960/nepc-GLWtfc.en.srt

@@ -0,0 +1,215 @@
+1
+00:00:00,060 --> 00:00:02,780
+
+let us proceed with the selection of the
+
+2
+00:00:02,780 --> 00:00:02,790
+let us proceed with the selection of the
+ 
+
+3
+00:00:02,790 --> 00:00:05,900
+let us proceed with the selection of the
+final juror tomorrow they should name an
+
+4
+00:00:05,900 --> 00:00:05,910
+final juror tomorrow they should name an
+ 
+
+5
+00:00:05,910 --> 00:00:10,720
+final juror tomorrow they should name an
+occupation Jess Jess eh Dunlop farmer
+
+6
+00:00:10,720 --> 00:00:10,730
+occupation Jess Jess eh Dunlop farmer
+ 
+
+7
+00:00:10,730 --> 00:00:16,670
+occupation Jess Jess eh Dunlop farmer
+this dead bored you will believe in the
+
+8
+00:00:16,670 --> 00:00:16,680
+this dead bored you will believe in the
+ 
+
+9
+00:00:16,680 --> 00:00:20,150
+this dead bored you will believe in the
+Bible mr. Dunham I believe in the Holy
+
+10
+00:00:20,150 --> 00:00:20,160
+Bible mr. Dunham I believe in the Holy
+ 
+
+11
+00:00:20,160 --> 00:00:23,390
+Bible mr. Dunham I believe in the Holy
+Word of God and I believe in Matthew
+
+12
+00:00:23,390 --> 00:00:23,400
+Word of God and I believe in Matthew
+ 
+
+13
+00:00:23,400 --> 00:00:31,700
+Word of God and I believe in Matthew
+Harrison Brady
+
+14
+00:00:31,700 --> 00:00:31,710
+
+ 
+
+15
+00:00:31,710 --> 00:00:35,990
+
+man is acceptable to the prosecution mr.
+
+16
+00:00:35,990 --> 00:00:36,000
+man is acceptable to the prosecution mr.
+ 
+
+17
+00:00:36,000 --> 00:00:36,709
+man is acceptable to the prosecution mr.
+Drummond
+
+18
+00:00:36,709 --> 00:00:36,719
+Drummond
+ 
+
+19
+00:00:36,719 --> 00:00:41,680
+Drummond
+no questions darling something
+
+20
+00:00:41,680 --> 00:00:41,690
+
+ 
+
+21
+00:00:41,690 --> 00:00:44,510
+
+does mr. Drummond refused this man a
+
+22
+00:00:44,510 --> 00:00:44,520
+does mr. Drummond refused this man a
+ 
+
+23
+00:00:44,520 --> 00:00:46,730
+does mr. Drummond refused this man a
+place on the journey simply because he
+
+24
+00:00:46,730 --> 00:00:46,740
+place on the journey simply because he
+ 
+
+25
+00:00:46,740 --> 00:00:48,890
+place on the journey simply because he
+believes in the Bible have you find an
+
+26
+00:00:48,890 --> 00:00:48,900
+believes in the Bible have you find an
+ 
+
+27
+00:00:48,900 --> 00:00:50,690
+believes in the Bible have you find an
+evolutionist in this town you can refuse
+
+28
+00:00:50,690 --> 00:00:50,700
+evolutionist in this town you can refuse
+ 
+
+29
+00:00:50,700 --> 00:00:54,620
+evolutionist in this town you can refuse
+him I object to the defense attorney
+
+30
+00:00:54,620 --> 00:00:54,630
+him I object to the defense attorney
+ 
+
+31
+00:00:54,630 --> 00:00:57,500
+him I object to the defense attorney
+rejecting a worthy citizen without so
+
+32
+00:00:57,500 --> 00:00:57,510
+rejecting a worthy citizen without so
+ 
+
+33
+00:00:57,510 --> 00:01:02,060
+rejecting a worthy citizen without so
+much is asking him a question fine I'll
+
+34
+00:01:02,060 --> 00:01:02,070
+much is asking him a question fine I'll
+ 
+
+35
+00:01:02,070 --> 00:01:20,330
+much is asking him a question fine I'll
+ask him a question how I got a heart me
+
+36
+00:01:20,330 --> 00:01:20,340
+ask him a question how I got a heart me
+ 
+
+37
+00:01:20,340 --> 00:01:23,680
+ask him a question how I got a heart me
+too excused
+
+38
+00:01:23,680 --> 00:01:23,690
+too excused
+ 
+
+39
+00:01:23,690 --> 00:01:36,220
+too excused
+[Applause]
+
+40
+00:01:36,220 --> 00:01:36,230
+
+ 
+
+41
+00:01:36,230 --> 00:01:48,970
+
+you
+
+42
+00:01:48,970 --> 00:01:48,980
+
+ 
+
+43
+00:01:48,980 --> 00:01:52,620
+
+[Music]
+

1960/npvFfvyT8Pc.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:00,199 --> 00:00:02,389
+
+you're a tough guy that gets up with
+
+2
+00:00:02,389 --> 00:00:02,399
+you're a tough guy that gets up with
+ 
+
+3
+00:00:02,399 --> 00:00:04,760
+you're a tough guy that gets up with
+Josh trash is where you find it you got
+
+4
+00:00:04,760 --> 00:00:04,770
+Josh trash is where you find it you got
+ 
+
+5
+00:00:04,770 --> 00:00:06,680
+Josh trash is where you find it you got
+to follow the fleet what happened to
+
+6
+00:00:06,680 --> 00:00:06,690
+to follow the fleet what happened to
+ 
+
+7
+00:00:06,690 --> 00:00:11,150
+to follow the fleet what happened to
+ball playing no hit no see remember you
+
+8
+00:00:11,150 --> 00:00:11,160
+ball playing no hit no see remember you
+ 
+
+9
+00:00:11,160 --> 00:00:12,350
+ball playing no hit no see remember you
+know when I got in the army the only
+
+10
+00:00:12,350 --> 00:00:12,360
+know when I got in the army the only
+ 
+
+11
+00:00:12,360 --> 00:00:15,379
+know when I got in the army the only
+club that was open was down south no
+
+12
+00:00:15,379 --> 00:00:15,389
+club that was open was down south no
+ 
+
+13
+00:00:15,389 --> 00:00:18,380
+club that was open was down south no
+spot in the outfield can you imagine how
+
+14
+00:00:18,380 --> 00:00:18,390
+spot in the outfield can you imagine how
+ 
+
+15
+00:00:18,390 --> 00:00:20,269
+spot in the outfield can you imagine how
+I would have made out a one-eyed third
+
+16
+00:00:20,269 --> 00:00:20,279
+I would have made out a one-eyed third
+ 
+
+17
+00:00:20,279 --> 00:00:21,800
+I would have made out a one-eyed third
+baseman and Moby
+
+18
+00:00:21,800 --> 00:00:21,810
+baseman and Moby
+ 
+
+19
+00:00:21,810 --> 00:00:26,230
+baseman and Moby
+I always level with you tonight Josh
+
+20
+00:00:26,230 --> 00:00:26,240
+
+ 
+
+21
+00:00:26,240 --> 00:00:28,040
+
+well I'm sitting along with the
+
+22
+00:00:28,040 --> 00:00:28,050
+well I'm sitting along with the
+ 
+
+23
+00:00:28,050 --> 00:00:30,439
+well I'm sitting along with the
+separation but I'm scared and it's no
+
+24
+00:00:30,439 --> 00:00:30,449
+separation but I'm scared and it's no
+ 
+
+25
+00:00:30,449 --> 00:00:32,510
+separation but I'm scared and it's no
+panic because just a little something
+
+26
+00:00:32,510 --> 00:00:32,520
+panic because just a little something
+ 
+
+27
+00:00:32,520 --> 00:00:34,549
+panic because just a little something
+gets me but up in there that's the only
+
+28
+00:00:34,549 --> 00:00:34,559
+gets me but up in there that's the only
+ 
+
+29
+00:00:34,559 --> 00:00:38,780
+gets me but up in there that's the only
+way to be make sure careful look Vince
+
+30
+00:00:38,780 --> 00:00:38,790
+way to be make sure careful look Vince
+ 
+
+31
+00:00:38,790 --> 00:00:41,990
+way to be make sure careful look Vince
+the brave ones don't come home you stay
+
+32
+00:00:41,990 --> 00:00:42,000
+the brave ones don't come home you stay
+ 
+
+33
+00:00:42,000 --> 00:00:44,240
+the brave ones don't come home you stay
+scared yeah you're always one of those
+
+34
+00:00:44,240 --> 00:00:44,250
+scared yeah you're always one of those
+ 
+
+35
+00:00:44,250 --> 00:00:45,560
+scared yeah you're always one of those
+guys didn't want any brave ones on
+
+36
+00:00:45,560 --> 00:00:45,570
+guys didn't want any brave ones on
+ 
+
+37
+00:00:45,570 --> 00:00:46,900
+guys didn't want any brave ones on
+patrol with it weren't you
+
+38
+00:00:46,900 --> 00:00:46,910
+patrol with it weren't you
+ 
+
+39
+00:00:46,910 --> 00:00:50,119
+patrol with it weren't you
+that's simple enough in my book bravery
+
+40
+00:00:50,119 --> 00:00:50,129
+that's simple enough in my book bravery
+ 
+
+41
+00:00:50,129 --> 00:00:52,299
+that's simple enough in my book bravery
+rhymed with stupid and it still does
+
+42
+00:00:52,299 --> 00:00:52,309
+rhymed with stupid and it still does
+ 
+
+43
+00:00:52,309 --> 00:00:55,819
+rhymed with stupid and it still does
+yeah you were son yellow-belly imagine a
+
+44
+00:00:55,819 --> 00:00:55,829
+yeah you were son yellow-belly imagine a
+ 
+
+45
+00:00:55,829 --> 00:00:58,400
+yeah you were son yellow-belly imagine a
+damn fool army given you the DSN oh
+
+46
+00:00:58,400 --> 00:00:58,410
+damn fool army given you the DSN oh
+ 
+
+47
+00:00:58,410 --> 00:01:00,349
+damn fool army given you the DSN oh
+don't think I wasn't scared the day I'm
+
+48
+00:01:00,349 --> 00:01:00,359
+don't think I wasn't scared the day I'm
+ 
+
+49
+00:01:00,359 --> 00:01:02,209
+don't think I wasn't scared the day I'm
+on that and do me a favor well you don't
+
+50
+00:01:02,209 --> 00:01:02,219
+on that and do me a favor well you don't
+ 
+
+51
+00:01:02,219 --> 00:01:03,410
+on that and do me a favor well you don't
+even mention it now because my knees
+
+52
+00:01:03,410 --> 00:01:03,420
+even mention it now because my knees
+ 
+
+53
+00:01:03,420 --> 00:01:06,260
+even mention it now because my knees
+start to shake all over again and how
+
+54
+00:01:06,260 --> 00:01:06,270
+start to shake all over again and how
+ 
+
+55
+00:01:06,270 --> 00:01:07,820
+start to shake all over again and how
+come this operation two dandies doesn't
+
+56
+00:01:07,820 --> 00:01:07,830
+come this operation two dandies doesn't
+ 
+
+57
+00:01:07,830 --> 00:01:11,160
+come this operation two dandies doesn't
+make you shake it does
+
+58
+00:01:11,160 --> 00:01:11,170
+make you shake it does
+ 
+
+59
+00:01:11,170 --> 00:01:14,310
+make you shake it does
+million bucks apiece I guess you figure
+
+60
+00:01:14,310 --> 00:01:14,320
+million bucks apiece I guess you figure
+ 
+
+61
+00:01:14,320 --> 00:01:17,850
+million bucks apiece I guess you figure
+the odds are right so Vince baby boy the
+
+62
+00:01:17,850 --> 00:01:17,860
+the odds are right so Vince baby boy the
+ 
+
+63
+00:01:17,860 --> 00:01:20,760
+the odds are right so Vince baby boy the
+way I figure it is like this the 11 of
+
+64
+00:01:20,760 --> 00:01:20,770
+way I figure it is like this the 11 of
+ 
+
+65
+00:01:20,770 --> 00:01:23,390
+way I figure it is like this the 11 of
+us cats against this one little city
+
+66
+00:01:23,390 --> 00:01:23,400
+us cats against this one little city
+ 
+
+67
+00:01:23,400 --> 00:01:28,230
+us cats against this one little city
+we're an overlay okay I'm ready for the
+
+68
+00:01:28,230 --> 00:01:28,240
+we're an overlay okay I'm ready for the
+ 
+
+69
+00:01:28,240 --> 00:01:35,220
+we're an overlay okay I'm ready for the
+breathing then step into my office
+
+70
+00:01:35,220 --> 00:01:35,230
+
+ 
+
+71
+00:01:35,230 --> 00:01:46,569
+
+[Music]
+

1960/nyMtN_aHC_8.en.srt

@@ -0,0 +1,405 @@
+1
+00:00:04,839 --> 00:00:07,829
+
+that was that was the greatest new hat
+
+2
+00:00:07,829 --> 00:00:07,839
+that was that was the greatest new hat
+ 
+
+3
+00:00:07,839 --> 00:00:10,990
+that was that was the greatest new hat
+for
+
+4
+00:00:10,990 --> 00:00:11,000
+
+ 
+
+5
+00:00:11,000 --> 00:00:13,390
+
+sunny
+
+6
+00:00:13,390 --> 00:00:13,400
+sunny
+ 
+
+7
+00:00:13,400 --> 00:00:21,550
+sunny
+hey how do I look huh big
+
+8
+00:00:21,550 --> 00:00:21,560
+
+ 
+
+9
+00:00:21,560 --> 00:00:24,390
+
+Improvement you know what that make up a
+
+10
+00:00:24,390 --> 00:00:24,400
+Improvement you know what that make up a
+ 
+
+11
+00:00:24,400 --> 00:00:26,870
+Improvement you know what that make up a
+song about you and this head Villages
+
+12
+00:00:26,870 --> 00:00:26,880
+song about you and this head Villages
+ 
+
+13
+00:00:26,880 --> 00:00:28,029
+song about you and this head Villages
+like this they make up a song about
+
+14
+00:00:28,029 --> 00:00:28,039
+like this they make up a song about
+ 
+
+15
+00:00:28,039 --> 00:00:30,390
+like this they make up a song about
+every big thing that happens sing him
+
+16
+00:00:30,390 --> 00:00:30,400
+every big thing that happens sing him
+ 
+
+17
+00:00:30,400 --> 00:00:33,830
+every big thing that happens sing him
+for years you think it's worth it don't
+
+18
+00:00:33,830 --> 00:00:33,840
+for years you think it's worth it don't
+ 
+
+19
+00:00:33,840 --> 00:00:35,950
+for years you think it's worth it don't
+you it's only a matter of knowing how to
+
+20
+00:00:35,950 --> 00:00:35,960
+you it's only a matter of knowing how to
+ 
+
+21
+00:00:35,960 --> 00:00:44,270
+you it's only a matter of knowing how to
+shoot a gun nothing big about
+
+22
+00:00:44,270 --> 00:00:44,280
+
+ 
+
+23
+00:00:44,280 --> 00:00:48,830
+
+that hey how can you talk like this your
+
+24
+00:00:48,830 --> 00:00:48,840
+that hey how can you talk like this your
+ 
+
+25
+00:00:48,840 --> 00:00:50,869
+that hey how can you talk like this your
+gun has got you everything you have
+
+26
+00:00:50,869 --> 00:00:50,879
+gun has got you everything you have
+ 
+
+27
+00:00:50,879 --> 00:00:52,270
+gun has got you everything you have
+isn't that
+
+28
+00:00:52,270 --> 00:00:52,280
+isn't that
+ 
+
+29
+00:00:52,280 --> 00:00:54,590
+isn't that
+true
+
+30
+00:00:54,590 --> 00:00:54,600
+true
+ 
+
+31
+00:00:54,600 --> 00:00:58,189
+true
+H but isn't it true yeah sure
+
+32
+00:00:58,189 --> 00:00:58,199
+H but isn't it true yeah sure
+ 
+
+33
+00:00:58,199 --> 00:01:00,150
+H but isn't it true yeah sure
+everything after a while you can all
+
+34
+00:01:00,150 --> 00:01:00,160
+everything after a while you can all
+ 
+
+35
+00:01:00,160 --> 00:01:01,590
+everything after a while you can all
+bartenders and feral dealers by their
+
+36
+00:01:01,590 --> 00:01:01,600
+bartenders and feral dealers by their
+ 
+
+37
+00:01:01,600 --> 00:01:04,149
+bartenders and feral dealers by their
+first name maybe 200 of them rented
+
+38
+00:01:04,149 --> 00:01:04,159
+first name maybe 200 of them rented
+ 
+
+39
+00:01:04,159 --> 00:01:06,670
+first name maybe 200 of them rented
+rooms you live in 500 meals you eat and
+
+40
+00:01:06,670 --> 00:01:06,680
+rooms you live in 500 meals you eat and
+ 
+
+41
+00:01:06,680 --> 00:01:09,469
+rooms you live in 500 meals you eat and
+hash houses a thousand home none wife
+
+42
+00:01:09,469 --> 00:01:09,479
+hash houses a thousand home none wife
+ 
+
+43
+00:01:09,479 --> 00:01:11,350
+hash houses a thousand home none wife
+none
+
+44
+00:01:11,350 --> 00:01:11,360
+none
+ 
+
+45
+00:01:11,360 --> 00:01:13,789
+none
+kids
+
+46
+00:01:13,789 --> 00:01:13,799
+kids
+ 
+
+47
+00:01:13,799 --> 00:01:17,190
+kids
+none prospects
+
+48
+00:01:17,190 --> 00:01:17,200
+none prospects
+ 
+
+49
+00:01:17,200 --> 00:01:21,350
+none prospects
+zero suppose I left anything out
+
+50
+00:01:21,350 --> 00:01:21,360
+zero suppose I left anything out
+ 
+
+51
+00:01:21,360 --> 00:01:24,789
+zero suppose I left anything out
+yeah places you're tied down to
+
+52
+00:01:24,789 --> 00:01:24,799
+yeah places you're tied down to
+ 
+
+53
+00:01:24,799 --> 00:01:28,469
+yeah places you're tied down to
+none people with a hold on you none men
+
+54
+00:01:28,469 --> 00:01:28,479
+none people with a hold on you none men
+ 
+
+55
+00:01:28,479 --> 00:01:31,270
+none people with a hold on you none men
+you step aside for
+
+56
+00:01:31,270 --> 00:01:31,280
+you step aside for
+ 
+
+57
+00:01:31,280 --> 00:01:33,630
+you step aside for
+none insult
+
+58
+00:01:33,630 --> 00:01:33,640
+none insult
+ 
+
+59
+00:01:33,640 --> 00:01:35,550
+none insult
+swallowed
+
+60
+00:01:35,550 --> 00:01:35,560
+swallowed
+ 
+
+61
+00:01:35,560 --> 00:01:37,429
+swallowed
+none
+
+62
+00:01:37,429 --> 00:01:37,439
+none
+ 
+
+63
+00:01:37,439 --> 00:01:39,990
+none
+enemies
+
+64
+00:01:39,990 --> 00:01:40,000
+enemies
+ 
+
+65
+00:01:40,000 --> 00:01:44,870
+enemies
+none no
+
+66
+00:01:44,870 --> 00:01:44,880
+
+ 
+
+67
+00:01:44,880 --> 00:01:49,149
+
+enemies alive well this is the kind of
+
+68
+00:01:49,149 --> 00:01:49,159
+enemies alive well this is the kind of
+ 
+
+69
+00:01:49,159 --> 00:01:51,950
+enemies alive well this is the kind of
+arithmetic I like yeah so did die your
+
+70
+00:01:51,950 --> 00:01:51,960
+arithmetic I like yeah so did die your
+ 
+
+71
+00:01:51,960 --> 00:01:53,990
+arithmetic I like yeah so did die your
+age I'll take these and give them to
+
+72
+00:01:53,990 --> 00:01:54,000
+age I'll take these and give them to
+ 
+
+73
+00:01:54,000 --> 00:01:57,469
+age I'll take these and give them to
+someone who knows how to use them
+
+74
+00:01:57,469 --> 00:01:57,479
+someone who knows how to use them
+ 
+
+75
+00:01:57,479 --> 00:01:59,389
+someone who knows how to use them
+yeah while you're at it why don't you
+
+76
+00:01:59,389 --> 00:01:59,399
+yeah while you're at it why don't you
+ 
+
+77
+00:01:59,399 --> 00:02:00,910
+yeah while you're at it why don't you
+ask tell her what he has in mind for
+
+78
+00:02:00,910 --> 00:02:00,920
+ask tell her what he has in mind for
+ 
+
+79
+00:02:00,920 --> 00:02:03,230
+ask tell her what he has in mind for
+tonight yes do that and I'll write a
+
+80
+00:02:03,230 --> 00:02:03,240
+tonight yes do that and I'll write a
+ 
+
+81
+00:02:03,240 --> 00:02:06,759
+tonight yes do that and I'll write a
+song for you myself
+

1960/oepaVuuBAtA.en.srt

@@ -0,0 +1,465 @@
+1
+00:00:00,560 --> 00:00:03,749
+
+we need help we must buy
+
+2
+00:00:03,749 --> 00:00:03,759
+we need help we must buy
+ 
+
+3
+00:00:03,759 --> 00:00:06,829
+we need help we must buy
+guns we know nothing about
+
+4
+00:00:06,829 --> 00:00:06,839
+guns we know nothing about
+ 
+
+5
+00:00:06,839 --> 00:00:10,709
+guns we know nothing about
+them will you buy guns for us guns are
+
+6
+00:00:10,709 --> 00:00:10,719
+them will you buy guns for us guns are
+ 
+
+7
+00:00:10,719 --> 00:00:13,390
+them will you buy guns for us guns are
+very expensive and hard to
+
+8
+00:00:13,390 --> 00:00:13,400
+very expensive and hard to
+ 
+
+9
+00:00:13,400 --> 00:00:17,950
+very expensive and hard to
+get why don't you hire men men
+
+10
+00:00:17,950 --> 00:00:17,960
+get why don't you hire men men
+ 
+
+11
+00:00:17,960 --> 00:00:20,150
+get why don't you hire men men
+gunmen nowadays men are cheaper than
+
+12
+00:00:20,150 --> 00:00:20,160
+gunmen nowadays men are cheaper than
+ 
+
+13
+00:00:20,160 --> 00:00:22,750
+gunmen nowadays men are cheaper than
+guns would you go it will be a blessing
+
+14
+00:00:22,750 --> 00:00:22,760
+guns would you go it will be a blessing
+ 
+
+15
+00:00:22,760 --> 00:00:24,630
+guns would you go it will be a blessing
+if you came to help
+
+16
+00:00:24,630 --> 00:00:24,640
+if you came to help
+ 
+
+17
+00:00:24,640 --> 00:00:26,750
+if you came to help
+us sorry I'm not in the blessing
+
+18
+00:00:26,750 --> 00:00:26,760
+us sorry I'm not in the blessing
+ 
+
+19
+00:00:26,760 --> 00:00:29,550
+us sorry I'm not in the blessing
+business no no we offer more than that
+
+20
+00:00:29,550 --> 00:00:29,560
+business no no we offer more than that
+ 
+
+21
+00:00:29,560 --> 00:00:31,589
+business no no we offer more than that
+we could Fe you every day and we have
+
+22
+00:00:31,589 --> 00:00:31,599
+we could Fe you every day and we have
+ 
+
+23
+00:00:31,599 --> 00:00:33,750
+we could Fe you every day and we have
+this what's
+
+24
+00:00:33,750 --> 00:00:33,760
+this what's
+ 
+
+25
+00:00:33,760 --> 00:00:37,150
+this what's
+that we can sell this for
+
+26
+00:00:37,150 --> 00:00:37,160
+that we can sell this for
+ 
+
+27
+00:00:37,160 --> 00:00:39,270
+that we can sell this for
+gold everything we
+
+28
+00:00:39,270 --> 00:00:39,280
+gold everything we
+ 
+
+29
+00:00:39,280 --> 00:00:43,389
+gold everything we
+own everything of value in the
+
+30
+00:00:43,389 --> 00:00:43,399
+
+ 
+
+31
+00:00:43,399 --> 00:00:46,389
+
+village I've been offered a lot for my
+
+32
+00:00:46,389 --> 00:00:46,399
+village I've been offered a lot for my
+ 
+
+33
+00:00:46,399 --> 00:00:50,549
+village I've been offered a lot for my
+work but never everything would it be
+
+34
+00:00:50,549 --> 00:00:50,559
+work but never everything would it be
+ 
+
+35
+00:00:50,559 --> 00:00:54,029
+work but never everything would it be
+enough you see if we could drive the
+
+36
+00:00:54,029 --> 00:00:54,039
+enough you see if we could drive the
+ 
+
+37
+00:00:54,039 --> 00:00:56,869
+enough you see if we could drive the
+bandits away life could be very good in
+
+38
+00:00:56,869 --> 00:00:56,879
+bandits away life could be very good in
+ 
+
+39
+00:00:56,879 --> 00:01:00,910
+bandits away life could be very good in
+our village but as it is we ourselves
+
+40
+00:01:00,910 --> 00:01:00,920
+our village but as it is we ourselves
+ 
+
+41
+00:01:00,920 --> 00:01:02,430
+our village but as it is we ourselves
+could stand it a little
+
+42
+00:01:02,430 --> 00:01:02,440
+could stand it a little
+ 
+
+43
+00:01:02,440 --> 00:01:05,990
+could stand it a little
+longer but the children they cry because
+
+44
+00:01:05,990 --> 00:01:06,000
+longer but the children they cry because
+ 
+
+45
+00:01:06,000 --> 00:01:06,950
+longer but the children they cry because
+they're
+
+46
+00:01:06,950 --> 00:01:06,960
+they're
+ 
+
+47
+00:01:06,960 --> 00:01:09,550
+they're
+hungry do they understand what it means
+
+48
+00:01:09,550 --> 00:01:09,560
+hungry do they understand what it means
+ 
+
+49
+00:01:09,560 --> 00:01:11,789
+hungry do they understand what it means
+when you start something like this we
+
+50
+00:01:11,789 --> 00:01:11,799
+when you start something like this we
+ 
+
+51
+00:01:11,799 --> 00:01:14,230
+when you start something like this we
+will fight too every one of us when
+
+52
+00:01:14,230 --> 00:01:14,240
+will fight too every one of us when
+ 
+
+53
+00:01:14,240 --> 00:01:16,149
+will fight too every one of us when
+calva comes the church bell will ring
+
+54
+00:01:16,149 --> 00:01:16,159
+calva comes the church bell will ring
+ 
+
+55
+00:01:16,159 --> 00:01:18,670
+calva comes the church bell will ring
+the alarm we'll fight with guns if we
+
+56
+00:01:18,670 --> 00:01:18,680
+the alarm we'll fight with guns if we
+ 
+
+57
+00:01:18,680 --> 00:01:22,149
+the alarm we'll fight with guns if we
+have them if we don't with machetes axes
+
+58
+00:01:22,149 --> 00:01:22,159
+have them if we don't with machetes axes
+ 
+
+59
+00:01:22,159 --> 00:01:27,310
+have them if we don't with machetes axes
+clubs
+
+60
+00:01:27,310 --> 00:01:27,320
+
+ 
+
+61
+00:01:27,320 --> 00:01:30,390
+
+anything once you begin
+
+62
+00:01:30,390 --> 00:01:30,400
+anything once you begin
+ 
+
+63
+00:01:30,400 --> 00:01:32,350
+anything once you begin
+you've got to be prepared for killing
+
+64
+00:01:32,350 --> 00:01:32,360
+you've got to be prepared for killing
+ 
+
+65
+00:01:32,360 --> 00:01:34,350
+you've got to be prepared for killing
+and more killing and then still more
+
+66
+00:01:34,350 --> 00:01:34,360
+and more killing and then still more
+ 
+
+67
+00:01:34,360 --> 00:01:36,550
+and more killing and then still more
+killing until the reason for it is gone
+
+68
+00:01:36,550 --> 00:01:36,560
+killing until the reason for it is gone
+ 
+
+69
+00:01:36,560 --> 00:01:39,749
+killing until the reason for it is gone
+we understand we've considered that now
+
+70
+00:01:39,749 --> 00:01:39,759
+we understand we've considered that now
+ 
+
+71
+00:01:39,759 --> 00:01:41,749
+we understand we've considered that now
+does every man in the village feel the
+
+72
+00:01:41,749 --> 00:01:41,759
+does every man in the village feel the
+ 
+
+73
+00:01:41,759 --> 00:01:45,749
+does every man in the village feel the
+same every
+
+74
+00:01:45,749 --> 00:01:45,759
+
+ 
+
+75
+00:01:45,759 --> 00:01:48,590
+
+man I'll see what I can do for you
+
+76
+00:01:48,590 --> 00:01:48,600
+man I'll see what I can do for you
+ 
+
+77
+00:01:48,600 --> 00:01:51,389
+man I'll see what I can do for you
+gracias you know what now wait I didn't
+
+78
+00:01:51,389 --> 00:01:51,399
+gracias you know what now wait I didn't
+ 
+
+79
+00:01:51,399 --> 00:01:53,990
+gracias you know what now wait I didn't
+say I'll go I'll just pass the word
+
+80
+00:01:53,990 --> 00:01:54,000
+say I'll go I'll just pass the word
+ 
+
+81
+00:01:54,000 --> 00:01:56,069
+say I'll go I'll just pass the word
+around that you're looking for men it
+
+82
+00:01:56,069 --> 00:01:56,079
+around that you're looking for men it
+ 
+
+83
+00:01:56,079 --> 00:01:58,310
+around that you're looking for men it
+would be hard to find men
+
+84
+00:01:58,310 --> 00:01:58,320
+would be hard to find men
+ 
+
+85
+00:01:58,320 --> 00:02:02,069
+would be hard to find men
+here everyone wears a gun sure same as
+
+86
+00:02:02,069 --> 00:02:02,079
+here everyone wears a gun sure same as
+ 
+
+87
+00:02:02,079 --> 00:02:05,550
+here everyone wears a gun sure same as
+they wear pants that's expected but good
+
+88
+00:02:05,550 --> 00:02:05,560
+they wear pants that's expected but good
+ 
+
+89
+00:02:05,560 --> 00:02:08,469
+they wear pants that's expected but good
+men that's something else again how can
+
+90
+00:02:08,469 --> 00:02:08,479
+men that's something else again how can
+ 
+
+91
+00:02:08,479 --> 00:02:11,550
+men that's something else again how can
+you tell they are
+
+92
+00:02:11,550 --> 00:02:11,560
+
+ 
+
+93
+00:02:11,560 --> 00:02:15,920
+
+good their ways
+