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+4 +00:00:32,310 --> 00:00:32,320 + + + +5 +00:00:32,320 --> 00:01:05,789 + +go + +6 +00:01:05,789 --> 00:01:05,799 + + + +7 +00:01:05,799 --> 00:01:35,310 + +God + +8 +00:01:35,310 --> 00:01:35,320 + + + +9 +00:01:35,320 --> 00:01:45,230 + +[Applause] + +10 +00:01:45,230 --> 00:01:45,240 + + + +11 +00:01:45,240 --> 00:02:03,190 + +you're nothing + +12 +00:02:03,190 --> 00:02:03,200 + + + +13 +00:02:03,200 --> 00:02:06,149 + +you're right Jay this does change our + +14 +00:02:06,149 --> 00:02:06,159 +you're right Jay this does change our + + +15 +00:02:06,159 --> 00:02:10,110 +you're right Jay this does change our +relationship this is my + +16 +00:02:10,110 --> 00:02:10,120 + + + +17 +00:02:10,120 --> 00:02:14,980 + +town you're under arrest + +18 +00:02:14,980 --> 00:02:14,990 + + + +19 +00:02:14,990 --> 00:02:42,080 + +[Music] + diff --git a/2004/bY-jTccddQo.description b/2004/bY-jTccddQo.description new file mode 100644 index 0000000000000000000000000000000000000000..1e915d74e6cd70a9902ed56508106d0d06741699 --- /dev/null +++ b/2004/bY-jTccddQo.description @@ -0,0 +1,35 @@ +Hotel Rwanda - The Hutu Arrive: The situation becomes dire when the Hutu deliver the helmet of one of Oliver’s (Nick Nolte) men to the hotel gate. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/hotel-rwanda-2004/MMVCCEAA982EDD62CB9AC50E03E1E5168882?cmp=Movieclips_YT_Description + +Watch the best Hotel Rwanda scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqoSH8_ahmsrKsN5JZZzG1hG + +FILM DESCRIPTION: +Paul Rusesabagina (Don Cheadle), a Hutu, manages the Hôtel des Mille Collines and lives a happy life with his Tutsi wife (Sophie Okonedo) and their three children. But when Hutu military forces initiate a campaign of ethnic cleansing against the Tutsi minority, Paul is compelled to allow refugees to take shelter in his hotel. As the U.N. pulls out, Paul must struggle alone to protect the Tutsi refugees in the face of the escalating violence later known as the Rwandan genocide. + +CREDITS: +TM & © MGM (2004) +Cast: Desmond Dube, Don Cheadle, Joaquin Phoenix, Nick Nolte +Director: Terry George + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2004/bY-jTccddQo.en.srt b/2004/bY-jTccddQo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..148e2d737ee6dc97d9cd2c8754bb3f65424bd070 --- /dev/null +++ b/2004/bY-jTccddQo.en.srt @@ -0,0 +1,245 @@ +1 +00:00:00,560 --> 00:00:03,790 + +help please us please please we've got + +2 +00:00:03,790 --> 00:00:03,800 +help please us please please we've got + + +3 +00:00:03,800 --> 00:00:07,150 +help please us please please we've got +trouble at the + +4 +00:00:07,150 --> 00:00:07,160 + + + +5 +00:00:07,160 --> 00:00:19,470 + +gate weic assistance + +6 +00:00:19,470 --> 00:00:19,480 + + + +7 +00:00:19,480 --> 00:00:21,670 + +here they're killing + +8 +00:00:21,670 --> 00:00:21,680 +here they're killing + + +9 +00:00:21,680 --> 00:00:24,310 +here they're killing +everyone have surrounded the + +10 +00:00:24,310 --> 00:00:24,320 +everyone have surrounded the + + +11 +00:00:24,320 --> 00:00:26,029 +everyone have surrounded the +hotel come + +12 +00:00:26,029 --> 00:00:26,039 +hotel come + + +13 +00:00:26,039 --> 00:00:27,750 +hotel come +on + +14 +00:00:27,750 --> 00:00:27,760 +on + + +15 +00:00:27,760 --> 00:00:34,350 +on +C way + +16 +00:00:34,350 --> 00:00:34,360 + + + +17 +00:00:34,360 --> 00:01:03,229 + +do not shoot do not shoot + +18 +00:01:03,229 --> 00:01:03,239 + + + +19 +00:01:03,239 --> 00:01:06,910 + +Lieutenant guard this gate yes sir you + +20 +00:01:06,910 --> 00:01:06,920 +Lieutenant guard this gate yes sir you + + +21 +00:01:06,920 --> 00:01:09,429 +Lieutenant guard this gate yes sir you +two take our positions behind those sand + +22 +00:01:09,429 --> 00:01:09,439 +two take our positions behind those sand + + +23 +00:01:09,439 --> 00:01:12,789 +two take our positions behind those sand +they murdered my man I lost 10 Belgian + +24 +00:01:12,789 --> 00:01:12,799 +they murdered my man I lost 10 Belgian + + +25 +00:01:12,799 --> 00:01:13,749 +they murdered my man I lost 10 Belgian +un + +26 +00:01:13,749 --> 00:01:13,759 +un + + +27 +00:01:13,759 --> 00:01:16,390 +un +soldiers they were protecting lady Grand + +28 +00:01:16,390 --> 00:01:16,400 +soldiers they were protecting lady Grand + + +29 +00:01:16,400 --> 00:01:19,789 +soldiers they were protecting lady Grand +Master she is dead yeah she's + +30 +00:01:19,789 --> 00:01:19,799 +Master she is dead yeah she's + + +31 +00:01:19,799 --> 00:01:22,350 +Master she is dead yeah she's +dead the Europeans are putting together + +32 +00:01:22,350 --> 00:01:22,360 +dead the Europeans are putting together + + +33 +00:01:22,360 --> 00:01:25,030 +dead the Europeans are putting together +an intervention Force they'll be here in + +34 +00:01:25,030 --> 00:01:25,040 +an intervention Force they'll be here in + + +35 +00:01:25,040 --> 00:01:27,149 +an intervention Force they'll be here in +a few days yes I understand that Colonel + +36 +00:01:27,149 --> 00:01:27,159 +a few days yes I understand that Colonel + + +37 +00:01:27,159 --> 00:01:28,630 +a few days yes I understand that Colonel +but there is simply no place for me to + +38 +00:01:28,630 --> 00:01:28,640 +but there is simply no place for me to + + +39 +00:01:28,640 --> 00:01:31,109 +but there is simply no place for me to +put all of this what what can I do I'll + +40 +00:01:31,109 --> 00:01:31,119 +put all of this what what can I do I'll + + +41 +00:01:31,119 --> 00:01:33,109 +put all of this what what can I do I'll +put two more men on the gate two of my + +42 +00:01:33,109 --> 00:01:33,119 +put two more men on the gate two of my + + +43 +00:01:33,119 --> 00:01:34,429 +put two more men on the gate two of my +best + +44 +00:01:34,429 --> 00:01:34,439 +best + + +45 +00:01:34,439 --> 00:01:37,149 +best +lieutenants all right all right I + +46 +00:01:37,149 --> 00:01:37,159 +lieutenants all right all right I + + +47 +00:01:37,159 --> 00:01:40,600 +lieutenants all right all right I +understand thank you man + +48 +00:01:40,600 --> 00:01:40,610 +understand thank you man + + +49 +00:01:40,610 --> 00:01:51,940 +understand thank you man +[Music] + diff --git a/2004/btfIH4Q2BQA.description b/2004/btfIH4Q2BQA.description new file mode 100644 index 0000000000000000000000000000000000000000..85325964c045ad50bf6b65d6f7fc269ac3a2934f --- /dev/null +++ b/2004/btfIH4Q2BQA.description @@ -0,0 +1,35 @@ +Hotel Rwanda - A Grave Situation: In a last ditch effort, Paul (Don Cheadle) calls the owner of the hotel, Mr. Tillens (Jean Reno), for help. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/hotel-rwanda-2004/MMVCCEAA982EDD62CB9AC50E03E1E5168882?cmp=Movieclips_YT_Description + +Watch the best Hotel Rwanda scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqoSH8_ahmsrKsN5JZZzG1hG + +FILM DESCRIPTION: +Paul Rusesabagina (Don Cheadle), a Hutu, manages the Hôtel des Mille Collines and lives a happy life with his Tutsi wife (Sophie Okonedo) and their three children. But when Hutu military forces initiate a campaign of ethnic cleansing against the Tutsi minority, Paul is compelled to allow refugees to take shelter in his hotel. As the U.N. pulls out, Paul must struggle alone to protect the Tutsi refugees in the face of the escalating violence later known as the Rwandan genocide. + +CREDITS: +TM & © MGM (2004) +Cast: Desmond Dube, Don Cheadle +Director: Terry George + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2004/btfIH4Q2BQA.en.srt b/2004/btfIH4Q2BQA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..dc878eb4335119abf8febd8507b43765b586be25 --- /dev/null +++ b/2004/btfIH4Q2BQA.en.srt @@ -0,0 +1,375 @@ +1 +00:00:00,199 --> 00:00:03,630 + +yes good day General bongu + +2 +00:00:03,630 --> 00:00:03,640 +yes good day General bongu + + +3 +00:00:03,640 --> 00:00:07,110 +yes good day General bongu +please he is where no that is + +4 +00:00:07,110 --> 00:00:07,120 +please he is where no that is + + +5 +00:00:07,120 --> 00:00:11,230 +please he is where no that is +unacceptable who would order such a + +6 +00:00:11,230 --> 00:00:11,240 + + + +7 +00:00:11,240 --> 00:00:16,710 + +thing yes did you find the + +8 +00:00:16,710 --> 00:00:16,720 + + + +9 +00:00:16,720 --> 00:00:20,109 + +general Gentlemen please have some beer + +10 +00:00:20,109 --> 00:00:20,119 +general Gentlemen please have some beer + + +11 +00:00:20,119 --> 00:00:22,150 +general Gentlemen please have some beer +get me the guest + +12 +00:00:22,150 --> 00:00:22,160 +get me the guest + + +13 +00:00:22,160 --> 00:00:26,150 +get me the guest +list yes + +14 +00:00:26,150 --> 00:00:26,160 + + + +15 +00:00:26,160 --> 00:00:29,150 + +sir yes sorry sir but I have a call from + +16 +00:00:29,150 --> 00:00:29,160 +sir yes sorry sir but I have a call from + + +17 +00:00:29,160 --> 00:00:30,509 +sir yes sorry sir but I have a call from +Paul in k + +18 +00:00:30,509 --> 00:00:30,519 +Paul in k + + +19 +00:00:30,519 --> 00:00:32,950 +Paul in k +he says it's urgent Paul are you all + +20 +00:00:32,950 --> 00:00:32,960 +he says it's urgent Paul are you all + + +21 +00:00:32,960 --> 00:00:36,670 +he says it's urgent Paul are you all +right we have a big problem sir what the + +22 +00:00:36,670 --> 00:00:36,680 +right we have a big problem sir what the + + +23 +00:00:36,680 --> 00:00:39,670 +right we have a big problem sir what the +Hutu Army have come they've ordered us + +24 +00:00:39,670 --> 00:00:39,680 +Hutu Army have come they've ordered us + + +25 +00:00:39,680 --> 00:00:42,430 +Hutu Army have come they've ordered us +all of us out of the hotel why are they + +26 +00:00:42,430 --> 00:00:42,440 +all of us out of the hotel why are they + + +27 +00:00:42,440 --> 00:00:45,270 +all of us out of the hotel why are they +doing this they think they will kill us + +28 +00:00:45,270 --> 00:00:45,280 +doing this they think they will kill us + + +29 +00:00:45,280 --> 00:00:47,670 +doing this they think they will kill us +all + +30 +00:00:47,670 --> 00:00:47,680 +all + + +31 +00:00:47,680 --> 00:00:49,510 +all +kill what do you + +32 +00:00:49,510 --> 00:00:49,520 +kill what do you + + +33 +00:00:49,520 --> 00:00:55,270 +kill what do you +mean all how many we have 100 step and + +34 +00:00:55,270 --> 00:00:55,280 +mean all how many we have 100 step and + + +35 +00:00:55,280 --> 00:00:59,270 +mean all how many we have 100 step and +now more than 800 guests 800 yes sir + +36 +00:00:59,270 --> 00:00:59,280 +now more than 800 guests 800 yes sir + + +37 +00:00:59,280 --> 00:01:01,950 +now more than 800 guests 800 yes sir +there are now 8 toti and hu + +38 +00:01:01,950 --> 00:01:01,960 +there are now 8 toti and hu + + +39 +00:01:01,960 --> 00:01:06,350 +there are now 8 toti and hu +refugees I do not have much time left + +40 +00:01:06,350 --> 00:01:06,360 + + + +41 +00:01:06,360 --> 00:01:11,030 + +sir I um I want to thank you for + +42 +00:01:11,030 --> 00:01:11,040 +sir I um I want to thank you for + + +43 +00:01:11,040 --> 00:01:12,469 +sir I um I want to thank you for +everything that you have done for me and + +44 +00:01:12,469 --> 00:01:12,479 +everything that you have done for me and + + +45 +00:01:12,479 --> 00:01:14,710 +everything that you have done for me and +my family and please thank all of my + +46 +00:01:14,710 --> 00:01:14,720 +my family and please thank all of my + + +47 +00:01:14,720 --> 00:01:17,190 +my family and please thank all of my +friends at + +48 +00:01:17,190 --> 00:01:17,200 +friends at + + +49 +00:01:17,200 --> 00:01:20,789 +friends at +Sabina Paul wait I'm going to put you on + +50 +00:01:20,789 --> 00:01:20,799 +Sabina Paul wait I'm going to put you on + + +51 +00:01:20,799 --> 00:01:22,990 +Sabina Paul wait I'm going to put you on +hold stay by the + +52 +00:01:22,990 --> 00:01:23,000 +hold stay by the + + +53 +00:01:23,000 --> 00:01:28,830 +hold stay by the +phone where are + +54 +00:01:28,830 --> 00:01:28,840 + + + +55 +00:01:28,840 --> 00:01:31,069 + +your + +56 +00:01:31,069 --> 00:01:31,079 +your + + +57 +00:01:31,079 --> 00:01:33,270 +your +Lou get on to the UN tell them what's + +58 +00:01:33,270 --> 00:01:33,280 +Lou get on to the UN tell them what's + + +59 +00:01:33,280 --> 00:01:35,149 +Lou get on to the UN tell them what's +happening did you need something sir + +60 +00:01:35,149 --> 00:01:35,159 +happening did you need something sir + + +61 +00:01:35,159 --> 00:01:37,630 +happening did you need something sir +Mary call the prime minister's office + +62 +00:01:37,630 --> 00:01:37,640 +Mary call the prime minister's office + + +63 +00:01:37,640 --> 00:01:43,350 +Mary call the prime minister's office +tell them I must speak with him now + +64 +00:01:43,350 --> 00:01:43,360 + + + +65 +00:01:43,360 --> 00:01:45,870 + +okay Paul are you + +66 +00:01:45,870 --> 00:01:45,880 +okay Paul are you + + +67 +00:01:45,880 --> 00:01:51,149 +okay Paul are you +there yes sir who can I call to stop + +68 +00:01:51,149 --> 00:01:51,159 + + + +69 +00:01:51,159 --> 00:01:55,429 + +this the French they Supply the Hutu + +70 +00:01:55,429 --> 00:01:55,439 +this the French they Supply the Hutu + + +71 +00:01:55,439 --> 00:01:58,429 +this the French they Supply the Hutu +Army do everything you can to BU time + +72 +00:01:58,429 --> 00:01:58,439 +Army do everything you can to BU time + + +73 +00:01:58,439 --> 00:02:00,280 +Army do everything you can to BU time +I'll call you right back + +74 +00:02:00,280 --> 00:02:00,290 +I'll call you right back + + +75 +00:02:00,290 --> 00:02:11,629 +I'll call you right back +[Music] + diff --git a/2004/cNiuEFffzf4.description b/2004/cNiuEFffzf4.description new file mode 100644 index 0000000000000000000000000000000000000000..c793a1f7b89364aab810287245a5df547755c671 --- /dev/null +++ b/2004/cNiuEFffzf4.description @@ -0,0 +1,38 @@ +The Butterfly Effect movie clips: http://j.mp/1BvrLDI +BUY THE MOVIE: http://bit.ly/2cyYMHT +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Evan (Ashton Kutcher) visits Kayleigh (Amy Smart) to ask her about some memories from their childhood. + +FILM DESCRIPTION: +Final Destination 2 screenwriters Eric Bress and J. Mackye Gruber make their directorial debut with the sci-fi thriller The Butterfly Effect. Evan Treborn (Ashton Kutcher with facial hair) wants to free himself from his disturbing childhood memories. As a kid, he often blacked out for long periods of time and tried to detail his life in a journal. As a young adult, he revisits the journal entries to figure out the truth about his troubled childhood friends Kayleigh (Amy Smart), Lenny (Elden Henson), and Tommy (William Lee Scott). When he discovers he can travel back in time in order to set things right, he tries to save his beloved friends. However, he finds out that relatively minor changes can make major problems for the future. The Butterfly Effect also stars Eric Stoltz, Ethan Suplee, and Melora Walters. The title was inspired by the story A Sound of Thunder by Ray Bradbury. + +CREDITS: +TM & © Warner Bros. (2004) +Cast: Ashton Kutcher, Amy Smart +Directors: Eric Bress, J. Mackye Gruber +Producers: Chris Bender, Cale Boyter, Richard Brener, A.J. Dix, Toby Emmerich, Johnny Fountain, Jason Goldberg, David Krintzman, Ashton Kutcher, Anthony Rhulen, Lisa Richardson, William Shively, J.C. Spink +Screenwriters: J. Mackye Gruber, Eric Bress + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2004/cNiuEFffzf4.en.srt b/2004/cNiuEFffzf4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..073e565569f86ab0276abc5083fc2c02ce3c336a --- /dev/null +++ b/2004/cNiuEFffzf4.en.srt @@ -0,0 +1,475 @@ +1 +00:00:01,160 --> 00:00:02,590 + +still living with your + +2 +00:00:02,590 --> 00:00:02,600 +still living with your + + +3 +00:00:02,600 --> 00:00:08,549 +still living with your +dad no I emancipated myself at + +4 +00:00:08,549 --> 00:00:08,559 + + + +5 +00:00:08,559 --> 00:00:11,230 + +15 was taking a lot of + +6 +00:00:11,230 --> 00:00:11,240 +15 was taking a lot of + + +7 +00:00:11,240 --> 00:00:17,070 +15 was taking a lot of +Courage not if you remember my + +8 +00:00:17,070 --> 00:00:17,080 + + + +9 +00:00:17,080 --> 00:00:19,189 + +dad well couldn't you just moved in with + +10 +00:00:19,189 --> 00:00:19,199 +dad well couldn't you just moved in with + + +11 +00:00:19,199 --> 00:00:20,790 +dad well couldn't you just moved in with +your + +12 +00:00:20,790 --> 00:00:20,800 +your + + +13 +00:00:20,800 --> 00:00:23,589 +your +mom no she had a new family wasn't + +14 +00:00:23,589 --> 00:00:23,599 +mom no she had a new family wasn't + + +15 +00:00:23,599 --> 00:00:24,550 +mom no she had a new family wasn't +enough + +16 +00:00:24,550 --> 00:00:24,560 +enough + + +17 +00:00:24,560 --> 00:00:26,269 +enough +room + +18 +00:00:26,269 --> 00:00:26,279 +room + + +19 +00:00:26,279 --> 00:00:29,310 +room +whatever well look the reason I came + +20 +00:00:29,310 --> 00:00:29,320 +whatever well look the reason I came + + +21 +00:00:29,320 --> 00:00:34,869 +whatever well look the reason I came +back to town is hot to you to me + +22 +00:00:34,869 --> 00:00:34,879 +back to town is hot to you to me + + +23 +00:00:34,879 --> 00:00:37,910 +back to town is hot to you to me +why + +24 +00:00:37,910 --> 00:00:37,920 + + + +25 +00:00:37,920 --> 00:00:40,549 + +well remember when we were kids and I + +26 +00:00:40,549 --> 00:00:40,559 +well remember when we were kids and I + + +27 +00:00:40,559 --> 00:00:42,510 +well remember when we were kids and I +used to have those + +28 +00:00:42,510 --> 00:00:42,520 +used to have those + + +29 +00:00:42,520 --> 00:00:44,869 +used to have those +blackouts yeah of + +30 +00:00:44,869 --> 00:00:44,879 +blackouts yeah of + + +31 +00:00:44,879 --> 00:00:47,709 +blackouts yeah of +course well some of those memories have + +32 +00:00:47,709 --> 00:00:47,719 +course well some of those memories have + + +33 +00:00:47,719 --> 00:00:50,189 +course well some of those memories have +been coming back to me + +34 +00:00:50,189 --> 00:00:50,199 +been coming back to me + + +35 +00:00:50,199 --> 00:00:52,590 +been coming back to me +and I just I wanted to talk to you about + +36 +00:00:52,590 --> 00:00:52,600 +and I just I wanted to talk to you about + + +37 +00:00:52,600 --> 00:00:54,950 +and I just I wanted to talk to you about +one of them in particular well I'll try + +38 +00:00:54,950 --> 00:00:54,960 +one of them in particular well I'll try + + +39 +00:00:54,960 --> 00:00:58,910 +one of them in particular well I'll try +to + +40 +00:00:58,910 --> 00:00:58,920 + + + +41 +00:00:58,920 --> 00:01:00,869 + +remember + +42 +00:01:00,869 --> 00:01:00,879 +remember + + +43 +00:01:00,879 --> 00:01:03,790 +remember +when we were kids uh your dad was making + +44 +00:01:03,790 --> 00:01:03,800 +when we were kids uh your dad was making + + +45 +00:01:03,800 --> 00:01:08,749 +when we were kids uh your dad was making +a movie about Robin Hood something what + +46 +00:01:08,749 --> 00:01:08,759 +a movie about Robin Hood something what + + +47 +00:01:08,759 --> 00:01:13,670 +a movie about Robin Hood something what +do you want to know + +48 +00:01:13,670 --> 00:01:13,680 + + + +49 +00:01:13,680 --> 00:01:17,350 + +Evan is did + +50 +00:01:17,350 --> 00:01:17,360 +Evan is did + + +51 +00:01:17,360 --> 00:01:21,390 +Evan is did +he what happened in the basement look it + +52 +00:01:21,390 --> 00:01:21,400 +he what happened in the basement look it + + +53 +00:01:21,400 --> 00:01:24,310 +he what happened in the basement look it +was a long time + +54 +00:01:24,310 --> 00:01:24,320 + + + +55 +00:01:24,320 --> 00:01:26,109 + +ago I + +56 +00:01:26,109 --> 00:01:26,119 +ago I + + +57 +00:01:26,119 --> 00:01:28,469 +ago I +know is that why you came all the way + +58 +00:01:28,469 --> 00:01:28,479 +know is that why you came all the way + + +59 +00:01:28,479 --> 00:01:31,149 +know is that why you came all the way +back here to ask a lot of stupid + +60 +00:01:31,149 --> 00:01:31,159 +back here to ask a lot of stupid + + +61 +00:01:31,159 --> 00:01:34,590 +back here to ask a lot of stupid +questions about Robin Hood no + +62 +00:01:34,590 --> 00:01:34,600 +questions about Robin Hood no + + +63 +00:01:34,600 --> 00:01:37,950 +questions about Robin Hood no +I I just think that something really bad + +64 +00:01:37,950 --> 00:01:37,960 +I I just think that something really bad + + +65 +00:01:37,960 --> 00:01:42,550 +I I just think that something really bad +might happen is there a point to any of + +66 +00:01:42,550 --> 00:01:42,560 + + + +67 +00:01:42,560 --> 00:01:44,870 + +this whatever happened it wasn't our + +68 +00:01:44,870 --> 00:01:44,880 +this whatever happened it wasn't our + + +69 +00:01:44,880 --> 00:01:46,910 +this whatever happened it wasn't our +fault we were kids I mean there's + +70 +00:01:46,910 --> 00:01:46,920 +fault we were kids I mean there's + + +71 +00:01:46,920 --> 00:01:48,749 +fault we were kids I mean there's +nothing that we could do to deserve get + +72 +00:01:48,749 --> 00:01:48,759 +nothing that we could do to deserve get + + +73 +00:01:48,759 --> 00:01:51,670 +nothing that we could do to deserve get +it done just shut up Evan you're wasting + +74 +00:01:51,670 --> 00:01:51,680 +it done just shut up Evan you're wasting + + +75 +00:01:51,680 --> 00:01:54,550 +it done just shut up Evan you're wasting +your breath you can't hate yourself cuz + +76 +00:01:54,550 --> 00:01:54,560 +your breath you can't hate yourself cuz + + +77 +00:01:54,560 --> 00:01:57,310 +your breath you can't hate yourself cuz +your dad's a twisted freak who are you + +78 +00:01:57,310 --> 00:01:57,320 +your dad's a twisted freak who are you + + +79 +00:01:57,320 --> 00:02:00,350 +your dad's a twisted freak who are you +trying to convince Evan you come all the + +80 +00:02:00,350 --> 00:02:00,360 +trying to convince Evan you come all the + + +81 +00:02:00,360 --> 00:02:02,230 +trying to convince Evan you come all the +way back here to stir up my just + +82 +00:02:02,230 --> 00:02:02,240 +way back here to stir up my just + + +83 +00:02:02,240 --> 00:02:05,190 +way back here to stir up my just +because you have a bad memory what do + +84 +00:02:05,190 --> 00:02:05,200 +because you have a bad memory what do + + +85 +00:02:05,200 --> 00:02:07,310 +because you have a bad memory what do +you want me to just cry on your shoulder + +86 +00:02:07,310 --> 00:02:07,320 +you want me to just cry on your shoulder + + +87 +00:02:07,320 --> 00:02:09,669 +you want me to just cry on your shoulder +and tell you everything's all better now + +88 +00:02:09,669 --> 00:02:09,679 +and tell you everything's all better now + + +89 +00:02:09,679 --> 00:02:13,309 +and tell you everything's all better now +well you Evan nothing's all better + +90 +00:02:13,309 --> 00:02:13,319 +well you Evan nothing's all better + + +91 +00:02:13,319 --> 00:02:28,750 +well you Evan nothing's all better +okay nothing ever gets + +92 +00:02:28,750 --> 00:02:28,760 + + + +93 +00:02:28,760 --> 00:02:38,720 + +better + +94 +00:02:38,720 --> 00:02:38,730 + + + +95 +00:02:38,730 --> 00:02:47,659 + +[Music] + diff --git a/2004/crB4KD3p8HU.description b/2004/crB4KD3p8HU.description new file mode 100644 index 0000000000000000000000000000000000000000..cb87895a2fa80acadc3f9c391aea383979792d53 --- /dev/null +++ b/2004/crB4KD3p8HU.description @@ -0,0 +1,43 @@ +Man on Fire movie clips: http://j.mp/1IjsYxp +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/man-on-fire-2004/1MV7167c505d6914f3ca39d80bd97b14991?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1KabPLL +Google Play - http://bit.ly/1Q7hIy8 +Fox Movies - http://fox.co/2zLvAeM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Creasy (Denzel Washington) sees that Pita (Dakota Fanning) is alive at the exchange. + +FILM DESCRIPTION: +A man whose ideals have been shattered for the last time is out for violent justice in this thriller. Creasy (Denzel Washington) is a former United State intelligence agent-turned-mercenary who has seen too much of the violence and corruption in the world and has become jaded and withdrawn. Creasy is hired to act as a bodyguard for Lupita (nicknamed "Pita", played by (Dakota Fanning), a ten-year-old girl whose wealthy family (a Mexican father and American mother) currently lives in Mexico City, where kidnapping has become a near epidemic. While watching over Pita, Creasy becomes fond of the girl, and finds himself regaining some of his faith in humanity. But things take an ugly turn when Pita is abducted by gunmen who shoot Creasy and leave him to die in the streets. Enraged beyond reason, Creasy recovers and sets out to find the men responsible for kidnapping Pita, no matter who he has to kill along the way. Man on Fire is based on a novel by A.J. Quinnell, which was previously filmed in 1987 with Scott Glenn as Creasy. Christopher Walken, Radha Mitchell, Giancarlo Giannini, and Mickey Rourke highlight the supporting cast for this remake. + +CREDITS: +TM & © Fox (2004) +Courtesy of Twentieth Century Fox Film Corporation +Cast: Denzel Washington, Dakota Fanning, Radha Mitchell +Director: Tony Scott +Producers: Don Ferrarone, Conrad Hool, Lance Hool, Arnon Milchan, James W. Skotchdopole, Peter Toumasis, Lucas Foster, Tony Scott +Screenwriters: Brian Helgeland, A.J. Quinnell + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2004/z8fwAxhgA-A.description b/2004/z8fwAxhgA-A.description new file mode 100644 index 0000000000000000000000000000000000000000..033a8723ec2ccc9249d7684ffd5817cda3e975e5 --- /dev/null +++ b/2004/z8fwAxhgA-A.description @@ -0,0 +1,38 @@ +Spartan movie clips: http://j.mp/1CNIBvX +BUY THE MOVIE: http://j.mp/Q4wvL8 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Laura (Kristen Bell) expresses the depth of her anger and hatred for her father. + +FILM DESCRIPTION: +David Mamet writes and directs the political thriller Spartan. Respected Secret Service agent Robert Scott (Val Kilmer) is assigned to the kidnapping case of Laura Newton (Kristen Bell), the missing daughter of a high-ranking political figure. Scott is teamed up with rookie Curtis (Derek Luke). Aided by the FBI and the CIA, the team discovers a human trafficking operation that may lead to Laura's kidnappers. Meanwhile, political operative Stoddard (William H. Macy) refuses to cooperate with the rescue mission. Scott and Curtis are forced to quit the investigation when the media reports Laura's death. Believing her to be alive, Curtis is motivated to start up a dangerous unofficial investigation of his own. Spartan premiered at the Bangkok International Film Festival in 2004. + +CREDITS: +TM & © Warner Bros. (2004) +Cast: Val Kilmer, Kristen Bell +Director: David Mamet +Producers: David Bergstein, Kareem Elseify, Jan Fantl, Moshe Diamant, James A. Holt, Jerry P. Jacobs, Joseph Merhi, Rick Nathanson, Elie Samaha, Paul Tivers, Tracee Stanley, Frank Hübner, Art Linson +Screenwriter: David Mamet + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2004/zQydroqGFbA.description b/2004/zQydroqGFbA.description new file mode 100644 index 0000000000000000000000000000000000000000..dde9d99a390f86de8bc34e1e98f4912ebe4954fa --- /dev/null +++ b/2004/zQydroqGFbA.description @@ -0,0 +1,38 @@ +Alfie movie clips: http://j.mp/1CLPU7k +BUY THE MOVIE: http://j.mp/wNjEDV +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Alfie (Jude Law) introduces us to his start-of-the-day rituals. + +FILM DESCRIPTION: +This remake of Lewis Gilbert's 1966 film of the same name features Jude Law filling the shoes Michael Caine once wore in the title role of Alfie. As with the original, Law occasionally speaks directly to the camera while his character talks of the opposite sex. Under the direction of Charles Shyer, Alfie follows a charming, if morally lacking, womanizer from one bed to the next. While his actions arise more from nonchalance than malice, Alfie nonetheless faces a moral dilemma when considering that he's impregnated one of his latest girlfriends. Alfie also includes performances from Marisa Tomei, Susan Sarandon, and Nia Long. + +CREDITS: +TM & © Paramount (2004) +Cast: Renée Taylor, Jude Law +Director: Charles Shyer +Producers: Sean Daniel, Diana Phillips, Elaine Pope, Charles Shyer +Screenwriters: Bill Naughton, Elaine Pope, Charles Shyer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2004/zQydroqGFbA.en.srt b/2004/zQydroqGFbA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a6afb381533dfbee7c36e7471cba9a645b102d62 --- /dev/null +++ b/2004/zQydroqGFbA.en.srt @@ -0,0 +1,495 @@ +1 +00:00:00,080 --> 00:00:01,829 + +it's been said that clothes speak the + +2 +00:00:01,829 --> 00:00:01,839 +it's been said that clothes speak the + + +3 +00:00:01,839 --> 00:00:03,790 +it's been said that clothes speak the +international language and I have to + +4 +00:00:03,790 --> 00:00:03,800 +international language and I have to + + +5 +00:00:03,800 --> 00:00:07,309 +international language and I have to +admit I'm a bit of a fashion + +6 +00:00:07,309 --> 00:00:07,319 +admit I'm a bit of a fashion + + +7 +00:00:07,319 --> 00:00:09,470 +admit I'm a bit of a fashion +Unfortunately today I got work and I've + +8 +00:00:09,470 --> 00:00:09,480 +Unfortunately today I got work and I've + + +9 +00:00:09,480 --> 00:00:10,990 +Unfortunately today I got work and I've +tone it down a little bit but that's all + +10 +00:00:10,990 --> 00:00:11,000 +tone it down a little bit but that's all + + +11 +00:00:11,000 --> 00:00:14,230 +tone it down a little bit but that's all +right gu in the summer sale very + +12 +00:00:14,230 --> 00:00:14,240 +right gu in the summer sale very + + +13 +00:00:14,240 --> 00:00:18,349 +right gu in the summer sale very +understated and I can easily spice it up + +14 +00:00:18,349 --> 00:00:18,359 +understated and I can easily spice it up + + +15 +00:00:18,359 --> 00:00:21,429 +understated and I can easily spice it up +with what no no I know what you're + +16 +00:00:21,429 --> 00:00:21,439 +with what no no I know what you're + + +17 +00:00:21,439 --> 00:00:24,029 +with what no no I know what you're +thinking you lose masculinity like some + +18 +00:00:24,029 --> 00:00:24,039 +thinking you lose masculinity like some + + +19 +00:00:24,039 --> 00:00:28,509 +thinking you lose masculinity like some +of us do you have no reason to fear pink + +20 +00:00:28,509 --> 00:00:28,519 +of us do you have no reason to fear pink + + +21 +00:00:28,519 --> 00:00:31,150 +of us do you have no reason to fear pink +smashing now in the cologne department + +22 +00:00:31,150 --> 00:00:31,160 +smashing now in the cologne department + + +23 +00:00:31,160 --> 00:00:34,549 +smashing now in the cologne department +most men overdo it Americans practically + +24 +00:00:34,549 --> 00:00:34,559 +most men overdo it Americans practically + + +25 +00:00:34,559 --> 00:00:36,590 +most men overdo it Americans practically +spray it on with a crop + +26 +00:00:36,590 --> 00:00:36,600 +spray it on with a crop + + +27 +00:00:36,600 --> 00:00:41,190 +spray it on with a crop +duster my rule nothing above the neck + +28 +00:00:41,190 --> 00:00:41,200 +duster my rule nothing above the neck + + +29 +00:00:41,200 --> 00:00:44,029 +duster my rule nothing above the neck +though I do like a little splash on Big + +30 +00:00:44,029 --> 00:00:44,039 +though I do like a little splash on Big + + +31 +00:00:44,039 --> 00:00:46,470 +though I do like a little splash on Big +Ben you never know where the day may + +32 +00:00:46,470 --> 00:00:46,480 +Ben you never know where the day may + + +33 +00:00:46,480 --> 00:00:49,670 +Ben you never know where the day may +take + +34 +00:00:49,670 --> 00:00:49,680 + + + +35 +00:00:49,680 --> 00:00:52,310 + +you almost + +36 +00:00:52,310 --> 00:00:52,320 +you almost + + +37 +00:00:52,320 --> 00:00:55,590 +you almost +forgot new word for the + +38 +00:00:55,590 --> 00:00:55,600 +forgot new word for the + + +39 +00:00:55,600 --> 00:00:58,029 +forgot new word for the +day + +40 +00:00:58,029 --> 00:00:58,039 +day + + +41 +00:00:58,039 --> 00:01:00,430 +day +ostentatious the attempt to attract + +42 +00:01:00,430 --> 00:01:00,440 +ostentatious the attempt to attract + + +43 +00:01:00,440 --> 00:01:02,110 +ostentatious the attempt to attract +attention to + +44 +00:01:02,110 --> 00:01:02,120 +attention to + + +45 +00:01:02,120 --> 00:01:03,829 +attention to +oneself + +46 +00:01:03,829 --> 00:01:03,839 +oneself + + +47 +00:01:03,839 --> 00:01:06,789 +oneself +who + +48 +00:01:06,789 --> 00:01:06,799 +who + + +49 +00:01:06,799 --> 00:01:09,950 +who +me oh fly me I'm so rude I haven't + +50 +00:01:09,950 --> 00:01:09,960 +me oh fly me I'm so rude I haven't + + +51 +00:01:09,960 --> 00:01:13,310 +me oh fly me I'm so rude I haven't +introduced myself I'm + +52 +00:01:13,310 --> 00:01:13,320 +introduced myself I'm + + +53 +00:01:13,320 --> 00:01:15,749 +introduced myself I'm +Alfie there you go + +54 +00:01:15,749 --> 00:01:15,759 +Alfie there you go + + +55 +00:01:15,759 --> 00:01:19,030 +Alfie there you go +Alfie are you the little elf that left + +56 +00:01:19,030 --> 00:01:19,040 +Alfie are you the little elf that left + + +57 +00:01:19,040 --> 00:01:22,030 +Alfie are you the little elf that left +these mocha B Bonds on my doorstep no no + +58 +00:01:22,030 --> 00:01:22,040 +these mocha B Bonds on my doorstep no no + + +59 +00:01:22,040 --> 00:01:24,390 +these mocha B Bonds on my doorstep no no +no no no no no no you must have a secret + +60 +00:01:24,390 --> 00:01:24,400 +no no no no no no you must have a secret + + +61 +00:01:24,400 --> 00:01:28,030 +no no no no no no you must have a secret +admire you are such a dll Alfie but I'm + +62 +00:01:28,030 --> 00:01:28,040 +admire you are such a dll Alfie but I'm + + +63 +00:01:28,040 --> 00:01:31,230 +admire you are such a dll Alfie but I'm +supposed to be on a diet oh want a diet + +64 +00:01:31,230 --> 00:01:31,240 +supposed to be on a diet oh want a diet + + +65 +00:01:31,240 --> 00:01:34,310 +supposed to be on a diet oh want a diet +a diet you yeah I don't mean to be + +66 +00:01:34,310 --> 00:01:34,320 +a diet you yeah I don't mean to be + + +67 +00:01:34,320 --> 00:01:37,109 +a diet you yeah I don't mean to be +forward Lou but you should know by now + +68 +00:01:37,109 --> 00:01:37,119 +forward Lou but you should know by now + + +69 +00:01:37,119 --> 00:01:38,870 +forward Lou but you should know by now +that a full figure girl like yourself + +70 +00:01:38,870 --> 00:01:38,880 +that a full figure girl like yourself + + +71 +00:01:38,880 --> 00:01:41,350 +that a full figure girl like yourself +it's every guy secret + +72 +00:01:41,350 --> 00:01:41,360 +it's every guy secret + + +73 +00:01:41,360 --> 00:01:44,310 +it's every guy secret +FY so she's a tub of L the ship's + +74 +00:01:44,310 --> 00:01:44,320 +FY so she's a tub of L the ship's + + +75 +00:01:44,320 --> 00:01:45,870 +FY so she's a tub of L the ship's +already sailed so why not make her feel + +76 +00:01:45,870 --> 00:01:45,880 +already sailed so why not make her feel + + +77 +00:01:45,880 --> 00:01:49,109 +already sailed so why not make her feel +good about herself right oh Lou yes + +78 +00:01:49,109 --> 00:01:49,119 +good about herself right oh Lou yes + + +79 +00:01:49,119 --> 00:01:50,429 +good about herself right oh Lou yes +angel I'm working the night spot at the + +80 +00:01:50,429 --> 00:01:50,439 +angel I'm working the night spot at the + + +81 +00:01:50,439 --> 00:01:52,469 +angel I'm working the night spot at the +moment and my apartment is a horror show + +82 +00:01:52,469 --> 00:01:52,479 +moment and my apartment is a horror show + + +83 +00:01:52,479 --> 00:01:54,149 +moment and my apartment is a horror show +so I'm sorry if I keep you up with the + +84 +00:01:54,149 --> 00:01:54,159 +so I'm sorry if I keep you up with the + + +85 +00:01:54,159 --> 00:01:56,149 +so I'm sorry if I keep you up with the +dust busting at 2: a.m. oh don't you + +86 +00:01:56,149 --> 00:01:56,159 +dust busting at 2: a.m. oh don't you + + +87 +00:01:56,159 --> 00:01:58,830 +dust busting at 2: a.m. oh don't you +worry I'll give it a quick strain oh no + +88 +00:01:58,830 --> 00:01:58,840 +worry I'll give it a quick strain oh no + + +89 +00:01:58,840 --> 00:02:00,429 +worry I'll give it a quick strain oh no +no no no you don't need to do that that + +90 +00:02:00,429 --> 00:02:00,439 +no no no you don't need to do that that + + +91 +00:02:00,439 --> 00:02:03,310 +no no no you don't need to do that that +nonsense I like doing things for you + +92 +00:02:03,310 --> 00:02:03,320 +nonsense I like doing things for you + + +93 +00:02:03,320 --> 00:02:08,389 +nonsense I like doing things for you +Alie I'm a blessed man having you in my + +94 +00:02:08,389 --> 00:02:08,399 +Alie I'm a blessed man having you in my + + +95 +00:02:08,399 --> 00:02:11,630 +Alie I'm a blessed man having you in my +life thank you keys are in the usual + +96 +00:02:11,630 --> 00:02:11,640 +life thank you keys are in the usual + + +97 +00:02:11,640 --> 00:02:13,430 +life thank you keys are in the usual +spot + +98 +00:02:13,430 --> 00:02:13,440 +spot + + +99 +00:02:13,440 --> 00:02:44,490 +spot +[Music] + diff --git a/2004/zal_hU83ruo.description b/2004/zal_hU83ruo.description new file mode 100644 index 0000000000000000000000000000000000000000..21756f24df1b9e0d3c3b9b62c6cd535068d3adc4 --- /dev/null +++ b/2004/zal_hU83ruo.description @@ -0,0 +1,44 @@ +Taxi movie clips: http://j.mp/1POMIPs +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/taxi-2004/1MV4a716127068a08a2a80ea0afa40681aa?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1SZoGUI +Google Play - http://bit.ly/1RNmUEM +Amazon - http://amzn.to/1JueL52 +Fox Movies - http://bit.ly/1KPmPiM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Andy (Jimmy Fallon) and Belle (Queen Latifah) try to trade Lt. Robbins (Jennifer Esposito) for the money while driving down the freeway. + +FILM DESCRIPTION: +An inept cop suddenly gets a new partner in the person of a cabbie with attitude in this high-rolling comedy. Washburn (Jimmy Fallon) is a police officer who becomes the laughingstock of the department after a series of traffic accidents cause him to lose his driver's license. One day, Washburn gets an urgent call to head out to the location of a bank robbery; unable to drive himself there, he hails a cab. As it happens, the taxi is being driven by Belle (Queen Latifah), a single mom who, after making a name for herself as the fastest pizza delivery person in New York, has moved up to driving a hack. What begins as a wild ride to the scene of the crime gets even wilder as Washburn and Belle become unexpected allies while following the trail of a team of beautiful but reckless female bank robbers led by Vanessa (Gisele Bundchen). Adapted from a popular French action comedy with the same name, Taxi was Jimmy Fallon's first big-screen vehicle after leaving the cast of the popular sketch comedy series Saturday Night Live. + +CREDITS: +TM & © Fox (2004) +Courtesy of Twentieth Century Fox Film Corporation +Cast: Jimmy Fallon, Magali Amadei, Gisele Bndchen, Ana Cristina de Oliveira, Jennifer Esposito, Queen Latifah, Ingrid Vandebosch +Director: Tim Story +Producers: Luc Besson, Steve Chasman, Ira Shuman, Robert Simonds, Aaron Wilder +Screenwriters: Luc Besson, Robert Ben Garant, Thomas Lennon, Jim Kouf + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2004/zgQsfeosMf0.description b/2004/zgQsfeosMf0.description new file mode 100644 index 0000000000000000000000000000000000000000..25c6333194c53dd45d99ac39eed7988711b8271d --- /dev/null +++ b/2004/zgQsfeosMf0.description @@ -0,0 +1,38 @@ +The Butterfly Effect movie clips: http://j.mp/1BvrLDI +BUY THE MOVIE: http://bit.ly/2cyYMHT +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +At age 13, Evan (Logan Lerman) comforts Kayleigh (Irene Gorovaia) about her father's abuse, but her brother Tommy (Jesse James) is supremely jealous. + +FILM DESCRIPTION: +Final Destination 2 screenwriters Eric Bress and J. Mackye Gruber make their directorial debut with the sci-fi thriller The Butterfly Effect. Evan Treborn (Ashton Kutcher with facial hair) wants to free himself from his disturbing childhood memories. As a kid, he often blacked out for long periods of time and tried to detail his life in a journal. As a young adult, he revisits the journal entries to figure out the truth about his troubled childhood friends Kayleigh (Amy Smart), Lenny (Elden Henson), and Tommy (William Lee Scott). When he discovers he can travel back in time in order to set things right, he tries to save his beloved friends. However, he finds out that relatively minor changes can make major problems for the future. The Butterfly Effect also stars Eric Stoltz, Ethan Suplee, and Melora Walters. The title was inspired by the story A Sound of Thunder by Ray Bradbury. + +CREDITS: +TM & © Warner Bros. (2004) +Cast: John Patrick Amedori, Irene Gorovaia +Directors: Eric Bress, J. Mackye Gruber +Producers: Chris Bender, Cale Boyter, Richard Brener, A.J. Dix, Toby Emmerich, Johnny Fountain, Jason Goldberg, David Krintzman, Ashton Kutcher, Anthony Rhulen, Lisa Richardson, William Shively, J.C. Spink +Screenwriters: J. Mackye Gruber, Eric Bress + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/0CQi2Bb7WE8.en.srt b/2005/0CQi2Bb7WE8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9dfb04bf80cd83e0244ddc6a2812c1cbe3ada36f --- /dev/null +++ b/2005/0CQi2Bb7WE8.en.srt @@ -0,0 +1,375 @@ +1 +00:00:00,590 --> 00:00:00,909 + +[Music] + +2 +00:00:00,909 --> 00:00:00,919 +[Music] + + +3 +00:00:00,919 --> 00:00:02,990 +[Music] +hotlanta Helen be talking to you + +4 +00:00:02,990 --> 00:00:03,000 +hotlanta Helen be talking to you + + +5 +00:00:03,000 --> 00:00:05,309 +hotlanta Helen be talking to you +standing up cuz I just went and got me a + +6 +00:00:05,309 --> 00:00:05,319 +standing up cuz I just went and got me a + + +7 +00:00:05,319 --> 00:00:08,589 +standing up cuz I just went and got me a +bikini wax damn that ain't natural doing + +8 +00:00:08,589 --> 00:00:08,599 +bikini wax damn that ain't natural doing + + +9 +00:00:08,599 --> 00:00:10,270 +bikini wax damn that ain't natural doing +that torture to yourself what's the big + +10 +00:00:10,270 --> 00:00:10,280 +that torture to yourself what's the big + + +11 +00:00:10,280 --> 00:00:12,030 +that torture to yourself what's the big +deal about some straight hair you be + +12 +00:00:12,030 --> 00:00:12,040 +deal about some straight hair you be + + +13 +00:00:12,040 --> 00:00:13,870 +deal about some straight hair you be +doing it to look all clean for your man + +14 +00:00:13,870 --> 00:00:13,880 +doing it to look all clean for your man + + +15 +00:00:13,880 --> 00:00:15,589 +doing it to look all clean for your man +but it hurts so damn much you don't want + +16 +00:00:15,589 --> 00:00:15,599 +but it hurts so damn much you don't want + + +17 +00:00:15,599 --> 00:00:17,990 +but it hurts so damn much you don't want +him coming nowhere near it man Gina you + +18 +00:00:17,990 --> 00:00:18,000 +him coming nowhere near it man Gina you + + +19 +00:00:18,000 --> 00:00:19,670 +him coming nowhere near it man Gina you +can make some serious bling you start + +20 +00:00:19,670 --> 00:00:19,680 +can make some serious bling you start + + +21 +00:00:19,680 --> 00:00:21,870 +can make some serious bling you start +doing some waxes up in here girl you + +22 +00:00:21,870 --> 00:00:21,880 +doing some waxes up in here girl you + + +23 +00:00:21,880 --> 00:00:23,429 +doing some waxes up in here girl you +like Landscaping why don't you plant + +24 +00:00:23,429 --> 00:00:23,439 +like Landscaping why don't you plant + + +25 +00:00:23,439 --> 00:00:26,429 +like Landscaping why don't you plant +yourself a guard please honey my man + +26 +00:00:26,429 --> 00:00:26,439 +yourself a guard please honey my man + + +27 +00:00:26,439 --> 00:00:28,830 +yourself a guard please honey my man +loves it I know that's right and it + +28 +00:00:28,830 --> 00:00:28,840 +loves it I know that's right and it + + +29 +00:00:28,840 --> 00:00:30,470 +loves it I know that's right and it +helps him know where they going girl + +30 +00:00:30,470 --> 00:00:30,480 +helps him know where they going girl + + +31 +00:00:30,480 --> 00:00:31,589 +helps him know where they going girl +ain't nobody going to come over to your + +32 +00:00:31,589 --> 00:00:31,599 +ain't nobody going to come over to your + + +33 +00:00:31,599 --> 00:00:34,310 +ain't nobody going to come over to your +house if they can't find it Well my man + +34 +00:00:34,310 --> 00:00:34,320 +house if they can't find it Well my man + + +35 +00:00:34,320 --> 00:00:36,389 +house if they can't find it Well my man +found my door just fine that's a + +36 +00:00:36,389 --> 00:00:36,399 +found my door just fine that's a + + +37 +00:00:36,399 --> 00:00:39,790 +found my door just fine that's a +revolving though okay nasty he a real + +38 +00:00:39,790 --> 00:00:39,800 +revolving though okay nasty he a real + + +39 +00:00:39,800 --> 00:00:42,110 +revolving though okay nasty he a real +man like a woman natural and + +40 +00:00:42,110 --> 00:00:42,120 +man like a woman natural and + + +41 +00:00:42,120 --> 00:00:45,029 +man like a woman natural and +wild girl please you are preaching to + +42 +00:00:45,029 --> 00:00:45,039 +wild girl please you are preaching to + + +43 +00:00:45,039 --> 00:00:46,869 +wild girl please you are preaching to +your damn self honey my man likes it + +44 +00:00:46,869 --> 00:00:46,879 +your damn self honey my man likes it + + +45 +00:00:46,879 --> 00:00:49,950 +your damn self honey my man likes it +trimmed and perfect he waxes his own + +46 +00:00:49,950 --> 00:00:49,960 +trimmed and perfect he waxes his own + + +47 +00:00:49,960 --> 00:00:52,229 +trimmed and perfect he waxes his own +brows oh girl you got one of them crying + +48 +00:00:52,229 --> 00:00:52,239 +brows oh girl you got one of them crying + + +49 +00:00:52,239 --> 00:00:55,510 +brows oh girl you got one of them crying +men don't you uh no no I don't you show + +50 +00:00:55,510 --> 00:00:55,520 +men don't you uh no no I don't you show + + +51 +00:00:55,520 --> 00:00:57,029 +men don't you uh no no I don't you show +me a man can't cry and I show you one + +52 +00:00:57,029 --> 00:00:57,039 +me a man can't cry and I show you one + + +53 +00:00:57,039 --> 00:00:58,910 +me a man can't cry and I show you one +that's hitting + +54 +00:00:58,910 --> 00:00:58,920 +that's hitting + + +55 +00:00:58,920 --> 00:01:01,790 +that's hitting +somebody cry I only got time for one + +56 +00:01:01,790 --> 00:01:01,800 +somebody cry I only got time for one + + +57 +00:01:01,800 --> 00:01:04,350 +somebody cry I only got time for one +crying man and in my house it better be + +58 +00:01:04,350 --> 00:01:04,360 +crying man and in my house it better be + + +59 +00:01:04,360 --> 00:01:08,030 +crying man and in my house it better be +the one wearing the diapers well how + +60 +00:01:08,030 --> 00:01:08,040 +the one wearing the diapers well how + + +61 +00:01:08,040 --> 00:01:10,749 +the one wearing the diapers well how +about when you're making mad passionate + +62 +00:01:10,749 --> 00:01:10,759 +about when you're making mad passionate + + +63 +00:01:10,759 --> 00:01:14,350 +about when you're making mad passionate +love and he reaches his Climax and that + +64 +00:01:14,350 --> 00:01:14,360 +love and he reaches his Climax and that + + +65 +00:01:14,360 --> 00:01:16,590 +love and he reaches his Climax and that +one little tear starts rolling down his + +66 +00:01:16,590 --> 00:01:16,600 +one little tear starts rolling down his + + +67 +00:01:16,600 --> 00:01:22,550 +one little tear starts rolling down his +face like Denzel Washington and + +68 +00:01:22,550 --> 00:01:22,560 + + + +69 +00:01:22,560 --> 00:01:25,510 + +Glory you got them + +70 +00:01:25,510 --> 00:01:25,520 +Glory you got them + + +71 +00:01:25,520 --> 00:01:28,830 +Glory you got them +whooped mm she had to say + +72 +00:01:28,830 --> 00:01:28,840 +whooped mm she had to say + + +73 +00:01:28,840 --> 00:01:31,320 +whooped mm she had to say +Denzel + +74 +00:01:31,320 --> 00:01:31,330 +Denzel + + +75 +00:01:31,330 --> 00:01:58,420 +Denzel +[Music] + diff --git a/2005/0IyuK069I-w.description b/2005/0IyuK069I-w.description new file mode 100644 index 0000000000000000000000000000000000000000..36f2b29234f2211b46b8014bb656d79215ed6b2d --- /dev/null +++ b/2005/0IyuK069I-w.description @@ -0,0 +1,38 @@ +V for Vendetta movie clips: http://j.mp/2nMaKXf +BUY THE MOVIE: http://bit.ly/2oh1jOS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +V (Hugo Weaving) breaks into BTN and speaks to the entire population about the problem with politics in London. + +FILM DESCRIPTION: +Based on the graphic novel by Alan Moore, V for Vendetta takes place in an alternate vision of Britain in which a corrupt and abusive totalitarian government has risen to complete power. During a threatening run in with the secret police, an unassuming young woman named Evey (Natalie Portman) is rescued by a vigilante named V (Hugo Weaving) -- a caped figure both articulate and skilled in combat. V embodies the principles of rebellion from an authoritarian state, donning a mask of vilified would-be terrorist of British history Guy Fawkes and leading a revolution sparked by assassination and destruction. Evey becomes his unlikely ally, newly aware of the cruelty of her own society and her role in it. + +CREDITS: +TM & © Warner Bros. (2005) +Cast: Stephen Rea, Hugo Weaving, Natalie Portman, Ben Miles, Mark Longhurst, Patricia Gannon +Director: James McTeigue +Producers: Jessica Alan, Roberto Malerba, Henning Molfenter, Lorne Orleans, Joel Silver, Andy Wachowski, Lana Wachowski, Ben Waisbren, Charlie Woebcken, Grant Hill +Screenwriters: Andy Wachowski, Lana Wachowski, David Lloyd + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/0IyuK069I-w.en.srt b/2005/0IyuK069I-w.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..0c595d25259d7ab2b25977f90b8aee7c1ec3366f --- /dev/null +++ b/2005/0IyuK069I-w.en.srt @@ -0,0 +1,775 @@ +1 +00:00:01,680 --> 00:00:04,670 + +good evening London allow me first to + +2 +00:00:04,670 --> 00:00:04,680 +good evening London allow me first to + + +3 +00:00:04,680 --> 00:00:07,190 +good evening London allow me first to +apologize for this emergency challenge I + +4 +00:00:07,190 --> 00:00:07,200 +apologize for this emergency challenge I + + +5 +00:00:07,200 --> 00:00:09,270 +apologize for this emergency challenge I +do like many of you appreciate the + +6 +00:00:09,270 --> 00:00:09,280 +do like many of you appreciate the + + +7 +00:00:09,280 --> 00:00:11,470 +do like many of you appreciate the +Comforts of everyday routine the + +8 +00:00:11,470 --> 00:00:11,480 +Comforts of everyday routine the + + +9 +00:00:11,480 --> 00:00:14,990 +Comforts of everyday routine the +security of the familiar the Tranquility + +10 +00:00:14,990 --> 00:00:15,000 +security of the familiar the Tranquility + + +11 +00:00:15,000 --> 00:00:17,830 +security of the familiar the Tranquility +repetition H I enjoy them as much as any + +12 +00:00:17,830 --> 00:00:17,840 +repetition H I enjoy them as much as any + + +13 +00:00:17,840 --> 00:00:20,870 +repetition H I enjoy them as much as any +bloke but in the spirit of commemoration + +14 +00:00:20,870 --> 00:00:20,880 +bloke but in the spirit of commemoration + + +15 +00:00:20,880 --> 00:00:22,509 +bloke but in the spirit of commemoration +whereby those important events of the + +16 +00:00:22,509 --> 00:00:22,519 +whereby those important events of the + + +17 +00:00:22,519 --> 00:00:24,990 +whereby those important events of the +past usually associated with someone's + +18 +00:00:24,990 --> 00:00:25,000 +past usually associated with someone's + + +19 +00:00:25,000 --> 00:00:26,830 +past usually associated with someone's +death or the end of some awful bloody + +20 +00:00:26,830 --> 00:00:26,840 +death or the end of some awful bloody + + +21 +00:00:26,840 --> 00:00:29,150 +death or the end of some awful bloody +struggle as celebrated with a nice + +22 +00:00:29,150 --> 00:00:29,160 +struggle as celebrated with a nice + + +23 +00:00:29,160 --> 00:00:30,509 +struggle as celebrated with a nice +holiday + +24 +00:00:30,509 --> 00:00:30,519 +holiday + + +25 +00:00:30,519 --> 00:00:32,389 +holiday +I thought we could mark this November + +26 +00:00:32,389 --> 00:00:32,399 +I thought we could mark this November + + +27 +00:00:32,399 --> 00:00:34,990 +I thought we could mark this November +the 5th a day that is sadly no longer + +28 +00:00:34,990 --> 00:00:35,000 +the 5th a day that is sadly no longer + + +29 +00:00:35,000 --> 00:00:37,229 +the 5th a day that is sadly no longer +remembered by taking some time out of + +30 +00:00:37,229 --> 00:00:37,239 +remembered by taking some time out of + + +31 +00:00:37,239 --> 00:00:39,310 +remembered by taking some time out of +our daily lives to sit down and have a + +32 +00:00:39,310 --> 00:00:39,320 +our daily lives to sit down and have a + + +33 +00:00:39,320 --> 00:00:41,709 +our daily lives to sit down and have a +little chat there are of course those + +34 +00:00:41,709 --> 00:00:41,719 +little chat there are of course those + + +35 +00:00:41,719 --> 00:00:44,069 +little chat there are of course those +who do not want us to speak let me think + +36 +00:00:44,069 --> 00:00:44,079 +who do not want us to speak let me think + + +37 +00:00:44,079 --> 00:00:45,670 +who do not want us to speak let me think +just let me think I expect even now + +38 +00:00:45,670 --> 00:00:45,680 +just let me think I expect even now + + +39 +00:00:45,680 --> 00:00:47,670 +just let me think I expect even now +orders are being shouted into telephones + +40 +00:00:47,670 --> 00:00:47,680 +orders are being shouted into telephones + + +41 +00:00:47,680 --> 00:00:49,910 +orders are being shouted into telephones +and men with guns will soon be on their + +42 +00:00:49,910 --> 00:00:49,920 +and men with guns will soon be on their + + +43 +00:00:49,920 --> 00:00:53,270 +and men with guns will soon be on their +way it's chanc settler damn it why + +44 +00:00:53,270 --> 00:00:53,280 +way it's chanc settler damn it why + + +45 +00:00:53,280 --> 00:00:55,110 +way it's chanc settler damn it why +because while the trunion may be used in + +46 +00:00:55,110 --> 00:00:55,120 +because while the trunion may be used in + + +47 +00:00:55,120 --> 00:00:58,189 +because while the trunion may be used in +Li of conversation words will always + +48 +00:00:58,189 --> 00:00:58,199 +Li of conversation words will always + + +49 +00:00:58,199 --> 00:01:00,990 +Li of conversation words will always +retain their power words offer the means + +50 +00:01:00,990 --> 00:01:01,000 +retain their power words offer the means + + +51 +00:01:01,000 --> 00:01:03,590 +retain their power words offer the means +to meaning and for those who will listen + +52 +00:01:03,590 --> 00:01:03,600 +to meaning and for those who will listen + + +53 +00:01:03,600 --> 00:01:06,310 +to meaning and for those who will listen +the enunciation of truth and the truth + +54 +00:01:06,310 --> 00:01:06,320 +the enunciation of truth and the truth + + +55 +00:01:06,320 --> 00:01:09,390 +the enunciation of truth and the truth +is there is something terribly wrong + +56 +00:01:09,390 --> 00:01:09,400 +is there is something terribly wrong + + +57 +00:01:09,400 --> 00:01:10,830 +is there is something terribly wrong +with this country isn't there you + +58 +00:01:10,830 --> 00:01:10,840 +with this country isn't there you + + +59 +00:01:10,840 --> 00:01:12,630 +with this country isn't there you +designed it sir you wanted it foolproof + +60 +00:01:12,630 --> 00:01:12,640 +designed it sir you wanted it foolproof + + +61 +00:01:12,640 --> 00:01:14,310 +designed it sir you wanted it foolproof +you taught me every television in London + +62 +00:01:14,310 --> 00:01:14,320 +you taught me every television in London + + +63 +00:01:14,320 --> 00:01:17,270 +you taught me every television in London +cruelty and Injustice intolerance and + +64 +00:01:17,270 --> 00:01:17,280 +cruelty and Injustice intolerance and + + +65 +00:01:17,280 --> 00:01:18,870 +cruelty and Injustice intolerance and +depression and where once you had the + +66 +00:01:18,870 --> 00:01:18,880 +depression and where once you had the + + +67 +00:01:18,880 --> 00:01:21,190 +depression and where once you had the +freedom to object to think and speak as + +68 +00:01:21,190 --> 00:01:21,200 +freedom to object to think and speak as + + +69 +00:01:21,200 --> 00:01:23,590 +freedom to object to think and speak as +you saw fit you now have sensors and + +70 +00:01:23,590 --> 00:01:23,600 +you saw fit you now have sensors and + + +71 +00:01:23,600 --> 00:01:25,670 +you saw fit you now have sensors and +systems of surveillance coercing your + +72 +00:01:25,670 --> 00:01:25,680 +systems of surveillance coercing your + + +73 +00:01:25,680 --> 00:01:28,190 +systems of surveillance coercing your +Conformity and seling your submission we + +74 +00:01:28,190 --> 00:01:28,200 +Conformity and seling your submission we + + +75 +00:01:28,200 --> 00:01:30,429 +Conformity and seling your submission we +need cameras how did this happen + +76 +00:01:30,429 --> 00:01:30,439 +need cameras how did this happen + + +77 +00:01:30,439 --> 00:01:32,990 +need cameras how did this happen +who's to blame well certainly there are + +78 +00:01:32,990 --> 00:01:33,000 +who's to blame well certainly there are + + +79 +00:01:33,000 --> 00:01:34,469 +who's to blame well certainly there are +those who are more responsible than + +80 +00:01:34,469 --> 00:01:34,479 +those who are more responsible than + + +81 +00:01:34,479 --> 00:01:37,190 +those who are more responsible than +others and they will be held accountable + +82 +00:01:37,190 --> 00:01:37,200 +others and they will be held accountable + + +83 +00:01:37,200 --> 00:01:39,230 +others and they will be held accountable +but again truth be told if you're + +84 +00:01:39,230 --> 00:01:39,240 +but again truth be told if you're + + +85 +00:01:39,240 --> 00:01:41,510 +but again truth be told if you're +looking for the guilty you need only + +86 +00:01:41,510 --> 00:01:41,520 +looking for the guilty you need only + + +87 +00:01:41,520 --> 00:01:45,789 +looking for the guilty you need only +look into a mirror I know why you did it + +88 +00:01:45,789 --> 00:01:45,799 +look into a mirror I know why you did it + + +89 +00:01:45,799 --> 00:01:48,630 +look into a mirror I know why you did it +I know you were afraid who wouldn't be + +90 +00:01:48,630 --> 00:01:48,640 +I know you were afraid who wouldn't be + + +91 +00:01:48,640 --> 00:01:51,670 +I know you were afraid who wouldn't be +War Terror and disease there were a + +92 +00:01:51,670 --> 00:01:51,680 +War Terror and disease there were a + + +93 +00:01:51,680 --> 00:01:53,870 +War Terror and disease there were a +myriad of problems which conspired to + +94 +00:01:53,870 --> 00:01:53,880 +myriad of problems which conspired to + + +95 +00:01:53,880 --> 00:01:56,350 +myriad of problems which conspired to +corrupt your reason and Rob you of your + +96 +00:01:56,350 --> 00:01:56,360 +corrupt your reason and Rob you of your + + +97 +00:01:56,360 --> 00:01:59,429 +corrupt your reason and Rob you of your +common sense fear got the best of you + +98 +00:01:59,429 --> 00:01:59,439 +common sense fear got the best of you + + +99 +00:01:59,439 --> 00:02:01,270 +common sense fear got the best of you +and in your Panic you turn to the Now + +100 +00:02:01,270 --> 00:02:01,280 +and in your Panic you turn to the Now + + +101 +00:02:01,280 --> 00:02:04,510 +and in your Panic you turn to the Now +High Chancellor Adam Sutler he promised + +102 +00:02:04,510 --> 00:02:04,520 +High Chancellor Adam Sutler he promised + + +103 +00:02:04,520 --> 00:02:06,870 +High Chancellor Adam Sutler he promised +you order he promised you peace and all + +104 +00:02:06,870 --> 00:02:06,880 +you order he promised you peace and all + + +105 +00:02:06,880 --> 00:02:09,070 +you order he promised you peace and all +he demanded in return was your silent + +106 +00:02:09,070 --> 00:02:09,080 +he demanded in return was your silent + + +107 +00:02:09,080 --> 00:02:11,350 +he demanded in return was your silent +obedient consent inspector you're almost + +108 +00:02:11,350 --> 00:02:11,360 +obedient consent inspector you're almost + + +109 +00:02:11,360 --> 00:02:13,630 +obedient consent inspector you're almost +through last night I sought to end that + +110 +00:02:13,630 --> 00:02:13,640 +through last night I sought to end that + + +111 +00:02:13,640 --> 00:02:16,550 +through last night I sought to end that +silence last night I destroyed the Old + +112 +00:02:16,550 --> 00:02:16,560 +silence last night I destroyed the Old + + +113 +00:02:16,560 --> 00:02:18,589 +silence last night I destroyed the Old +Bailey to remind this country of what it + +114 +00:02:18,589 --> 00:02:18,599 +Bailey to remind this country of what it + + +115 +00:02:18,599 --> 00:02:20,150 +Bailey to remind this country of what it +has + +116 +00:02:20,150 --> 00:02:20,160 +has + + +117 +00:02:20,160 --> 00:02:23,229 +has +forgotten more than 400 years ago a + +118 +00:02:23,229 --> 00:02:23,239 +forgotten more than 400 years ago a + + +119 +00:02:23,239 --> 00:02:25,470 +forgotten more than 400 years ago a +great citizen wished to embed the 5th of + +120 +00:02:25,470 --> 00:02:25,480 +great citizen wished to embed the 5th of + + +121 +00:02:25,480 --> 00:02:28,110 +great citizen wished to embed the 5th of +November forever in our memory his Hope + +122 +00:02:28,110 --> 00:02:28,120 +November forever in our memory his Hope + + +123 +00:02:28,120 --> 00:02:30,309 +November forever in our memory his Hope +was to remind the world that fed + +124 +00:02:30,309 --> 00:02:30,319 +was to remind the world that fed + + +125 +00:02:30,319 --> 00:02:33,190 +was to remind the world that fed +Justice and freedom are more than words + +126 +00:02:33,190 --> 00:02:33,200 +Justice and freedom are more than words + + +127 +00:02:33,200 --> 00:02:34,390 +Justice and freedom are more than words +they are + +128 +00:02:34,390 --> 00:02:34,400 +they are + + +129 +00:02:34,400 --> 00:02:37,430 +they are +perspectives so if you've seen nothing + +130 +00:02:37,430 --> 00:02:37,440 +perspectives so if you've seen nothing + + +131 +00:02:37,440 --> 00:02:40,030 +perspectives so if you've seen nothing +if the crimes of this government remain + +132 +00:02:40,030 --> 00:02:40,040 +if the crimes of this government remain + + +133 +00:02:40,040 --> 00:02:42,509 +if the crimes of this government remain +unknown to you then I would suggest that + +134 +00:02:42,509 --> 00:02:42,519 +unknown to you then I would suggest that + + +135 +00:02:42,519 --> 00:02:44,869 +unknown to you then I would suggest that +you allow the 5th of November to pass + +136 +00:02:44,869 --> 00:02:44,879 +you allow the 5th of November to pass + + +137 +00:02:44,879 --> 00:02:48,750 +you allow the 5th of November to pass +unmarked but if you see what I see if + +138 +00:02:48,750 --> 00:02:48,760 +unmarked but if you see what I see if + + +139 +00:02:48,760 --> 00:02:52,309 +unmarked but if you see what I see if +you feel as I feel and if you would seek + +140 +00:02:52,309 --> 00:02:52,319 +you feel as I feel and if you would seek + + +141 +00:02:52,319 --> 00:02:55,350 +you feel as I feel and if you would seek +as I seek then I ask you to stand beside + +142 +00:02:55,350 --> 00:02:55,360 +as I seek then I ask you to stand beside + + +143 +00:02:55,360 --> 00:02:57,710 +as I seek then I ask you to stand beside +me one year from tonight outside the + +144 +00:02:57,710 --> 00:02:57,720 +me one year from tonight outside the + + +145 +00:02:57,720 --> 00:02:59,790 +me one year from tonight outside the +gates of Parliament and together + +146 +00:02:59,790 --> 00:02:59,800 +gates of Parliament and together + + +147 +00:02:59,800 --> 00:03:01,509 +gates of Parliament and together +together we shall give them a fifth of + +148 +00:03:01,509 --> 00:03:01,519 +together we shall give them a fifth of + + +149 +00:03:01,519 --> 00:03:09,240 +together we shall give them a fifth of +November that shall never ever be + +150 +00:03:09,240 --> 00:03:09,250 + + + +151 +00:03:09,250 --> 00:03:28,670 + +[Music] + +152 +00:03:28,670 --> 00:03:28,680 +[Music] + + +153 +00:03:28,680 --> 00:03:30,410 +[Music] +forgotten + +154 +00:03:30,410 --> 00:03:30,420 +forgotten + + +155 +00:03:30,420 --> 00:03:36,340 +forgotten +[Music] + diff --git a/2005/0NAWQvMZpO8.description b/2005/0NAWQvMZpO8.description new file mode 100644 index 0000000000000000000000000000000000000000..0eb867224ae2b103915f7a7d59807f47165affdc --- /dev/null +++ b/2005/0NAWQvMZpO8.description @@ -0,0 +1,34 @@ +Memoirs of a Geisha - You Have Ruined Me: Sayuri (Ziyi Zhang) returns to help Nobu (Koji Yakusho) and the Chairman win the approval of Colonel Derricks (Ted Levine). +BUY THE MOVIE: https://www.fandangonow.com/details/movie/memoirs-of-a-geisha-2005/1MV6972c37eedc81b848793f22f114a8147?cmp=Movieclips_YT_Description + +Watch the best Memoirs of a Geisha scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqo_OpuvvS6R7cesmf_lNsTU + +FILM DESCRIPTION: +In the 1920s, 9-year-old Chiyo (Suzuka Ohgo) gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri (Ziyi Zhang), a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. + +CREDITS: +TM & © Sony (2005) +Cast: Kôji Yakusho, Ziyi Zhang +Director: Rob Marshall +Screenwriter: Robin Swicord +Producer: Steven Spielberg + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file diff --git a/2005/0NAWQvMZpO8.en.srt b/2005/0NAWQvMZpO8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..ebe2e4867e082292c02643351f1d5d4a9029fb46 --- /dev/null +++ b/2005/0NAWQvMZpO8.en.srt @@ -0,0 +1,325 @@ +1 +00:00:00,050 --> 00:00:04,820 + +what is the point excuse me + +2 +00:00:04,820 --> 00:00:04,830 +what is the point excuse me + + +3 +00:00:04,830 --> 00:00:08,299 +what is the point excuse me +suppose I wanted to see you in private + +4 +00:00:08,299 --> 00:00:08,309 +suppose I wanted to see you in private + + +5 +00:00:08,309 --> 00:00:10,910 +suppose I wanted to see you in private +I beg your pardon colonel that is + +6 +00:00:10,910 --> 00:00:10,920 +I beg your pardon colonel that is + + +7 +00:00:10,920 --> 00:00:17,300 +I beg your pardon colonel that is +notifications customer it's a question + +8 +00:00:17,300 --> 00:00:17,310 +notifications customer it's a question + + +9 +00:00:17,310 --> 00:00:20,000 +notifications customer it's a question +of price if they wore a prize you can + +10 +00:00:20,000 --> 00:00:20,010 +of price if they wore a prize you can + + +11 +00:00:20,010 --> 00:00:26,839 +of price if they wore a prize you can +never afford it I saw the two of you + +12 +00:00:26,839 --> 00:00:26,849 +never afford it I saw the two of you + + +13 +00:00:26,849 --> 00:00:28,880 +never afford it I saw the two of you +whisper you have arranged some kind of + +14 +00:00:28,880 --> 00:00:28,890 +whisper you have arranged some kind of + + +15 +00:00:28,890 --> 00:00:30,080 +whisper you have arranged some kind of +twist haven't you + +16 +00:00:30,080 --> 00:00:30,090 +twist haven't you + + +17 +00:00:30,090 --> 00:00:32,690 +twist haven't you +what did you promise him your company + +18 +00:00:32,690 --> 00:00:32,700 +what did you promise him your company + + +19 +00:00:32,700 --> 00:00:35,060 +what did you promise him your company +nothing war he seemed to expect a great + +20 +00:00:35,060 --> 00:00:35,070 +nothing war he seemed to expect a great + + +21 +00:00:35,070 --> 00:00:37,970 +nothing war he seemed to expect a great +deal if I'd wanted to come in or I could + +22 +00:00:37,970 --> 00:00:37,980 +deal if I'd wanted to come in or I could + + +23 +00:00:37,980 --> 00:00:39,920 +deal if I'd wanted to come in or I could +have hired one what are you trying to + +24 +00:00:39,920 --> 00:00:39,930 +have hired one what are you trying to + + +25 +00:00:39,930 --> 00:00:43,580 +have hired one what are you trying to +say just the idea over you itself with + +26 +00:00:43,580 --> 00:00:43,590 +say just the idea over you itself with + + +27 +00:00:43,590 --> 00:00:57,860 +say just the idea over you itself with +any man you'd be dead to me + +28 +00:00:57,860 --> 00:00:57,870 + + + +29 +00:00:57,870 --> 00:01:01,780 + +can't you see that I want you for myself + +30 +00:01:01,780 --> 00:01:01,790 +can't you see that I want you for myself + + +31 +00:01:01,790 --> 00:01:06,290 +can't you see that I want you for myself +you have ruined me before we met I was a + +32 +00:01:06,290 --> 00:01:06,300 +you have ruined me before we met I was a + + +33 +00:01:06,300 --> 00:01:11,930 +you have ruined me before we met I was a +disciplined man I should not have are + +34 +00:01:11,930 --> 00:01:11,940 +disciplined man I should not have are + + +35 +00:01:11,940 --> 00:01:14,570 +disciplined man I should not have are +see the camera the Chairman was against + +36 +00:01:14,570 --> 00:01:14,580 +see the camera the Chairman was against + + +37 +00:01:14,580 --> 00:01:30,499 +see the camera the Chairman was against +it I should have listened him I must beg + +38 +00:01:30,499 --> 00:01:30,509 +it I should have listened him I must beg + + +39 +00:01:30,509 --> 00:01:33,350 +it I should have listened him I must beg +your forgiveness no pasa I was foolish + +40 +00:01:33,350 --> 00:01:33,360 +your forgiveness no pasa I was foolish + + +41 +00:01:33,360 --> 00:01:37,310 +your forgiveness no pasa I was foolish +to think you would barter me away then + +42 +00:01:37,310 --> 00:01:37,320 +to think you would barter me away then + + +43 +00:01:37,320 --> 00:01:38,960 +to think you would barter me away then +you may have no arrangement with the + +44 +00:01:38,960 --> 00:01:38,970 +you may have no arrangement with the + + +45 +00:01:38,970 --> 00:01:43,760 +you may have no arrangement with the +colonies don't he started me again if + +46 +00:01:43,760 --> 00:01:43,770 +colonies don't he started me again if + + +47 +00:01:43,770 --> 00:01:47,540 +colonies don't he started me again if +you artifice our contact then I will be + +48 +00:01:47,540 --> 00:01:47,550 +you artifice our contact then I will be + + +49 +00:01:47,550 --> 00:01:50,779 +you artifice our contact then I will be +a man of means again there is nothing I + +50 +00:01:50,779 --> 00:01:50,789 +a man of means again there is nothing I + + +51 +00:01:50,789 --> 00:01:56,240 +a man of means again there is nothing I +want more say than to become you are + +52 +00:01:56,240 --> 00:01:56,250 +want more say than to become you are + + +53 +00:01:56,250 --> 00:02:02,570 +want more say than to become you are +done I already owe you far too much + +54 +00:02:02,570 --> 00:02:02,580 +done I already owe you far too much + + +55 +00:02:02,580 --> 00:02:05,600 +done I already owe you far too much +I would not be refused this we're tight + +56 +00:02:05,600 --> 00:02:05,610 +I would not be refused this we're tight + + +57 +00:02:05,610 --> 00:02:08,750 +I would not be refused this we're tight +each other I know you feel it too I + +58 +00:02:08,750 --> 00:02:08,760 +each other I know you feel it too I + + +59 +00:02:08,760 --> 00:02:17,640 +each other I know you feel it too I +never meant to mislead you + +60 +00:02:17,640 --> 00:02:17,650 + + + +61 +00:02:17,650 --> 00:02:21,030 + +I do not like being served up before me + +62 +00:02:21,030 --> 00:02:21,040 +I do not like being served up before me + + +63 +00:02:21,040 --> 00:02:27,560 +I do not like being served up before me +that I cannot have + +64 +00:02:27,560 --> 00:02:27,570 + + + +65 +00:02:27,570 --> 00:02:38,900 + +[Music] + diff --git a/2005/0bR6pUOhZo4.description b/2005/0bR6pUOhZo4.description new file mode 100644 index 0000000000000000000000000000000000000000..55bb8316c3265b6d3eb88af92e68501b7650b283 --- /dev/null +++ b/2005/0bR6pUOhZo4.description @@ -0,0 +1,33 @@ +Munich - Did I Commit Murder?: Avner (Eric Bana) and Ephraim (Geoffrey Rush) discuss the assassinations they carried out together. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/munich-2005/MMV2ADD3D2AA387C9E173815CAF08CA263D8?cmp=Movieclips_YT_Description + +Watch the best Munich scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqowbrn_5XyGF66xvZLWxO1t + +FILM DESCRIPTION: +After the murder of 11 Israeli athletes and their coach at the 1972 Olympics, the Israeli government secretly assigns Avner Kaufman (Eric Bana) to carry out a series of strategic retaliations. With the help of a driver (Daniel Craig), a forger (Hanns Zischler), a bomb-maker (Mathieu Kassovitz) and a former soldier (Ciarán Hinds), Avner conducts a worldwide operation, targeting 11 individuals. As the assassinations pile up, Avner begins to doubt the morality of his actions. + +CREDITS: +TM & © Universal (2005) +Cast: Eric Bana, Geoffrey Rush +Producer: Kathleen Kennedy, Steven Spielberg +Director: Steven Spielberg + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file diff --git a/2005/0bR6pUOhZo4.en.srt b/2005/0bR6pUOhZo4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..07a8ed4b47d54d79d0411fd029574cb8cbab1bde --- /dev/null +++ b/2005/0bR6pUOhZo4.en.srt @@ -0,0 +1,515 @@ +1 +00:00:00,089 --> 00:00:06,050 + +did I come with murder I want you to + +2 +00:00:06,050 --> 00:00:06,060 +did I come with murder I want you to + + +3 +00:00:06,060 --> 00:00:07,550 +did I come with murder I want you to +give me proof that everyone we killed + +4 +00:00:07,550 --> 00:00:07,560 +give me proof that everyone we killed + + +5 +00:00:07,560 --> 00:00:09,169 +give me proof that everyone we killed +had a hand in Munich I don't discuss + +6 +00:00:09,169 --> 00:00:09,179 +had a hand in Munich I don't discuss + + +7 +00:00:09,179 --> 00:00:10,700 +had a hand in Munich I don't discuss +such things those people who don't exist + +8 +00:00:10,700 --> 00:00:10,710 +such things those people who don't exist + + +9 +00:00:10,710 --> 00:00:12,200 +such things those people who don't exist +you want to discuss come back to + +10 +00:00:12,200 --> 00:00:12,210 +you want to discuss come back to + + +11 +00:00:12,210 --> 00:00:14,720 +you want to discuss come back to +existence you want your daughter to grow + +12 +00:00:14,720 --> 00:00:14,730 +existence you want your daughter to grow + + +13 +00:00:14,730 --> 00:00:21,230 +existence you want your daughter to grow +up in exile and what evidence professor + +14 +00:00:21,230 --> 00:00:21,240 +up in exile and what evidence professor + + +15 +00:00:21,240 --> 00:00:23,740 +up in exile and what evidence professor +hamshari with a beautiful wife and child + +16 +00:00:23,740 --> 00:00:23,750 +hamshari with a beautiful wife and child + + +17 +00:00:23,750 --> 00:00:25,939 +hamshari with a beautiful wife and child +he was implicated in a failed + +18 +00:00:25,939 --> 00:00:25,949 +he was implicated in a failed + + +19 +00:00:25,949 --> 00:00:28,099 +he was implicated in a failed +assassination attempt on ben-gurion it + +20 +00:00:28,099 --> 00:00:28,109 +assassination attempt on ben-gurion it + + +21 +00:00:28,109 --> 00:00:30,769 +assassination attempt on ben-gurion it +was the recruiting visit Air Force you + +22 +00:00:30,769 --> 00:00:30,779 +was the recruiting visit Air Force you + + +23 +00:00:30,779 --> 00:00:32,600 +was the recruiting visit Air Force you +stopped him we should have tried to + +24 +00:00:32,600 --> 00:00:32,610 +stopped him we should have tried to + + +25 +00:00:32,610 --> 00:00:34,100 +stopped him we should have tried to +bring him to Israel as iater you're a + +26 +00:00:34,100 --> 00:00:34,110 +bring him to Israel as iater you're a + + +27 +00:00:34,110 --> 00:00:35,510 +bring him to Israel as iater you're a +harmless little writer in Rome it was + +28 +00:00:35,510 --> 00:00:35,520 +harmless little writer in Rome it was + + +29 +00:00:35,520 --> 00:00:38,600 +harmless little writer in Rome it was +behind the bomb on ll slide 76 in 1968 + +30 +00:00:38,600 --> 00:00:38,610 +behind the bomb on ll slide 76 in 1968 + + +31 +00:00:38,610 --> 00:00:40,280 +behind the bomb on ll slide 76 in 1968 +he was working on another bomb last + +32 +00:00:40,280 --> 00:00:40,290 +he was working on another bomb last + + +33 +00:00:40,290 --> 00:00:42,200 +he was working on another bomb last +August I could go on and on according to + +34 +00:00:42,200 --> 00:00:42,210 +August I could go on and on according to + + +35 +00:00:42,210 --> 00:00:43,850 +August I could go on and on according to +evidence nobody has seen + +36 +00:00:43,850 --> 00:00:43,860 +evidence nobody has seen + + +37 +00:00:43,860 --> 00:00:46,069 +evidence nobody has seen +if these people committed crimes we + +38 +00:00:46,069 --> 00:00:46,079 +if these people committed crimes we + + +39 +00:00:46,079 --> 00:00:48,430 +if these people committed crimes we +should have arrested them like Eichmann + +40 +00:00:48,430 --> 00:00:48,440 +should have arrested them like Eichmann + + +41 +00:00:48,440 --> 00:00:51,470 +should have arrested them like Eichmann +if these guys live Israelis die whatever + +42 +00:00:51,470 --> 00:00:51,480 +if these guys live Israelis die whatever + + +43 +00:00:51,480 --> 00:00:54,889 +if these guys live Israelis die whatever +doubts you have Avner you know this is + +44 +00:00:54,889 --> 00:00:54,899 +doubts you have Avner you know this is + + +45 +00:00:54,899 --> 00:01:04,600 +doubts you have Avner you know this is +true + +46 +00:01:04,600 --> 00:01:04,610 + + + +47 +00:01:04,610 --> 00:01:07,660 + +you did well but you're unhappy I killed + +48 +00:01:07,660 --> 00:01:07,670 +you did well but you're unhappy I killed + + +49 +00:01:07,670 --> 00:01:09,720 +you did well but you're unhappy I killed +seven men not salami + +50 +00:01:09,720 --> 00:01:09,730 +seven men not salami + + +51 +00:01:09,730 --> 00:01:15,850 +seven men not salami +we'll get him of course you think you + +52 +00:01:15,850 --> 00:01:15,860 +we'll get him of course you think you + + +53 +00:01:15,860 --> 00:01:18,670 +we'll get him of course you think you +were the only team it's a big operation + +54 +00:01:18,670 --> 00:01:18,680 +were the only team it's a big operation + + +55 +00:01:18,680 --> 00:01:21,700 +were the only team it's a big operation +who are only a part does thatis ways + +56 +00:01:21,700 --> 00:01:21,710 +who are only a part does thatis ways + + +57 +00:01:21,710 --> 00:01:25,240 +who are only a part does thatis ways +your guilt did we accomplish anything at + +58 +00:01:25,240 --> 00:01:25,250 +your guilt did we accomplish anything at + + +59 +00:01:25,250 --> 00:01:27,430 +your guilt did we accomplish anything at +all every man would kill has been + +60 +00:01:27,430 --> 00:01:27,440 +all every man would kill has been + + +61 +00:01:27,440 --> 00:01:29,680 +all every man would kill has been +replaced by worse why can't two my + +62 +00:01:29,680 --> 00:01:29,690 +replaced by worse why can't two my + + +63 +00:01:29,690 --> 00:01:31,320 +replaced by worse why can't two my +fingernails that grow back + +64 +00:01:31,320 --> 00:01:31,330 +fingernails that grow back + + +65 +00:01:31,330 --> 00:01:34,030 +fingernails that grow back +did we kill to replace the terrorists + +66 +00:01:34,030 --> 00:01:34,040 +did we kill to replace the terrorists + + +67 +00:01:34,040 --> 00:01:35,890 +did we kill to replace the terrorists +leadership or the Palestinian leadership + +68 +00:01:35,890 --> 00:01:35,900 +leadership or the Palestinian leadership + + +69 +00:01:35,900 --> 00:01:38,320 +leadership or the Palestinian leadership +you tell me what we've done you killed + +70 +00:01:38,320 --> 00:01:38,330 +you tell me what we've done you killed + + +71 +00:01:38,330 --> 00:01:39,790 +you tell me what we've done you killed +them for the sake of a country you now + +72 +00:01:39,790 --> 00:01:39,800 +them for the sake of a country you now + + +73 +00:01:39,800 --> 00:01:43,120 +them for the sake of a country you now +choose to abandon the country your + +74 +00:01:43,120 --> 00:01:43,130 +choose to abandon the country your + + +75 +00:01:43,130 --> 00:01:44,680 +choose to abandon the country your +mother and father built that you were + +76 +00:01:44,680 --> 00:01:44,690 +mother and father built that you were + + +77 +00:01:44,690 --> 00:01:47,500 +mother and father built that you were +born into you killed them for Munich for + +78 +00:01:47,500 --> 00:01:47,510 +born into you killed them for Munich for + + +79 +00:01:47,510 --> 00:01:52,000 +born into you killed them for Munich for +the future of peace there's no peace at + +80 +00:01:52,000 --> 00:01:52,010 +the future of peace there's no peace at + + +81 +00:01:52,010 --> 00:01:53,320 +the future of peace there's no peace at +the end of this no matter what you + +82 +00:01:53,320 --> 00:01:53,330 +the end of this no matter what you + + +83 +00:01:53,330 --> 00:01:56,500 +the end of this no matter what you +believe you know this is true here's + +84 +00:01:56,500 --> 00:01:56,510 +believe you know this is true here's + + +85 +00:01:56,510 --> 00:01:58,660 +believe you know this is true here's +what I know your father is sick your + +86 +00:01:58,660 --> 00:01:58,670 +what I know your father is sick your + + +87 +00:01:58,670 --> 00:02:00,550 +what I know your father is sick your +mother will be alone you're a Sabra your + +88 +00:02:00,550 --> 00:02:00,560 +mother will be alone you're a Sabra your + + +89 +00:02:00,560 --> 00:02:03,970 +mother will be alone you're a Sabra your +wife and daughter are sabra's what I + +90 +00:02:03,970 --> 00:02:03,980 +wife and daughter are sabra's what I + + +91 +00:02:03,980 --> 00:02:22,580 +wife and daughter are sabra's what I +came to say is this come home + +92 +00:02:22,580 --> 00:02:22,590 + + + +93 +00:02:22,590 --> 00:02:26,230 + +come to my house for dinner tonight + +94 +00:02:26,230 --> 00:02:26,240 + + + +95 +00:02:26,240 --> 00:02:28,600 + +come on you're a Jew you're a stranger + +96 +00:02:28,600 --> 00:02:28,610 +come on you're a Jew you're a stranger + + +97 +00:02:28,610 --> 00:02:30,130 +come on you're a Jew you're a stranger +it's Ruth in some place or rather that I + +98 +00:02:30,130 --> 00:02:30,140 +it's Ruth in some place or rather that I + + +99 +00:02:30,140 --> 00:02:32,650 +it's Ruth in some place or rather that I +meant to ask you to come and break bread + +100 +00:02:32,650 --> 00:02:32,660 +meant to ask you to come and break bread + + +101 +00:02:32,660 --> 00:02:53,120 +meant to ask you to come and break bread +with me so break bread with me and frien + +102 +00:02:53,120 --> 00:02:53,130 + + + +103 +00:02:53,130 --> 00:03:04,469 + +[Music] + diff --git a/2005/0rgfZzE6Ulg.description b/2005/0rgfZzE6Ulg.description new file mode 100644 index 0000000000000000000000000000000000000000..d603e1fc91db64924594248c37d6991cddb8d533 --- /dev/null +++ b/2005/0rgfZzE6Ulg.description @@ -0,0 +1,38 @@ +Elizabethtown movie clips: http://j.mp/1JcwVXT +BUY THE MOVIE: http://amzn.to/vAAzw4 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Drew (Orlando Bloom) gets to know his musical cousin Jessie (Paul Schneider), who once opened for Lynyrd Skynyrd. + +FILM DESCRIPTION: +A young man in need of a fresh start gets one under highly unexpected circumstances in this emotionally resonant comedy drama from writer and director Cameron Crowe. Drew Baylor (Orlando Bloom) is considered the big success story in his family, having moved away from the small Kentucky town where he was born to California, where he works as a designer for Mercury, the nation's biggest athletic shoe company. But success has begun to elude Drew -- his most recent design was a resounding flop that has cost him his job, and his girlfriend, Ellen (Jessica Biel), has given him his walking papers. Drew is contemplating suicide when he gets word that his father has died, and that he's needed back home in Elizabethtown, KY, to help organize the funeral. With his mother, Hollie (Susan Sarandon), deep in denial about her husband's passing, Drew comes home to discover no one knows about his recent poor fortune, and he's greeted like a conquering hero. As Drew reconnects with his family and helps his sister, Heather (Judy Greer), look after Hollie, Drew gets a new lease on life and is reminded about what's really important to him. Helping him learn these valuable lessons is Claire Colburn (Kirsten Dunst), a pretty and optimistic flight attendant Drew meets on his flight home who has her own philosophies about positive thinking and the curative powers of travel. Elizabethtown also stars Alec Baldwin, Paul Schneider, Bruce McGill, Loudon Wainwright III, and Paula Deen. + +CREDITS: +TM & © Paramount (2005) +Cast: Orlando Bloom, Paul Schneider +Director: Cameron Crowe +Producers: Cameron Crowe, Tom Cruise, Donald J. Lee Jr., Paula Wagner, Andy Fischer +Screenwriter: Cameron Crowe + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/0rgfZzE6Ulg.en.srt b/2005/0rgfZzE6Ulg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..dfda99504a8a5857af2e5273b5c7b7412c2a078a --- /dev/null +++ b/2005/0rgfZzE6Ulg.en.srt @@ -0,0 +1,225 @@ +1 +00:00:00,320 --> 00:00:02,350 + +that was my + +2 +00:00:02,350 --> 00:00:02,360 +that was my + + +3 +00:00:02,360 --> 00:00:05,590 +that was my +ban this was the show we opened for + +4 +00:00:05,590 --> 00:00:05,600 +ban this was the show we opened for + + +5 +00:00:05,600 --> 00:00:08,190 +ban this was the show we opened for +Leonard + +6 +00:00:08,190 --> 00:00:08,200 +Leonard + + +7 +00:00:08,200 --> 00:00:14,629 +Leonard +skinnard two of the original members + +8 +00:00:14,629 --> 00:00:14,639 + + + +9 +00:00:14,639 --> 00:00:18,269 + +cool + +10 +00:00:18,269 --> 00:00:18,279 + + + +11 +00:00:18,279 --> 00:00:21,910 + +Ruckus keep going keep + +12 +00:00:21,910 --> 00:00:21,920 +Ruckus keep going keep + + +13 +00:00:21,920 --> 00:00:26,070 +Ruckus keep going keep +going right below the rate triby look at + +14 +00:00:26,070 --> 00:00:26,080 +going right below the rate triby look at + + +15 +00:00:26,080 --> 00:00:28,070 +going right below the rate triby look at +that + +16 +00:00:28,070 --> 00:00:28,080 +that + + +17 +00:00:28,080 --> 00:00:30,990 +that +Ruckus but we almost + +18 +00:00:30,990 --> 00:00:31,000 +Ruckus but we almost + + +19 +00:00:31,000 --> 00:00:33,670 +Ruckus but we almost +form it's a really long story we never + +20 +00:00:33,670 --> 00:00:33,680 +form it's a really long story we never + + +21 +00:00:33,680 --> 00:00:36,229 +form it's a really long story we never +played and we never played + +22 +00:00:36,229 --> 00:00:36,239 +played and we never played + + +23 +00:00:36,239 --> 00:00:40,869 +played and we never played +since and now you fix + +24 +00:00:40,869 --> 00:00:40,879 + + + +25 +00:00:40,879 --> 00:00:44,740 + +computers all those postcards I sent to + +26 +00:00:44,740 --> 00:00:44,750 +computers all those postcards I sent to + + +27 +00:00:44,750 --> 00:00:45,910 +computers all those postcards I sent to +[Music] + +28 +00:00:45,910 --> 00:00:45,920 +[Music] + + +29 +00:00:45,920 --> 00:00:48,470 +[Music] +Birmingham all the way from those + +30 +00:00:48,470 --> 00:00:48,480 +Birmingham all the way from those + + +31 +00:00:48,480 --> 00:00:52,150 +Birmingham all the way from those +windows of + +32 +00:00:52,150 --> 00:00:52,160 +windows of + + +33 +00:00:52,160 --> 00:00:56,910 +windows of +Amsterdam cop the ground from Dapper + +34 +00:00:56,910 --> 00:00:56,920 +Amsterdam cop the ground from Dapper + + +35 +00:00:56,920 --> 00:01:02,310 +Amsterdam cop the ground from Dapper +s just a fourl man in another + +36 +00:01:02,310 --> 00:01:02,320 +s just a fourl man in another + + +37 +00:01:02,320 --> 00:01:08,070 +s just a fourl man in another +jam oh + +38 +00:01:08,070 --> 00:01:08,080 + + + +39 +00:01:08,080 --> 00:01:15,380 + +yeah oh oh + +40 +00:01:15,380 --> 00:01:15,390 + + + +41 +00:01:15,390 --> 00:01:28,830 + +[Music] + +42 +00:01:28,830 --> 00:01:28,840 + + + +43 +00:01:28,840 --> 00:01:32,380 + +yeah + +44 +00:01:32,380 --> 00:01:32,390 + + + +45 +00:01:32,390 --> 00:01:46,420 + +[Music] + diff --git a/2005/139c6HgY7jA.description b/2005/139c6HgY7jA.description new file mode 100644 index 0000000000000000000000000000000000000000..1b1bb79fb564b65c0a252945c1a06dca69a12c5b --- /dev/null +++ b/2005/139c6HgY7jA.description @@ -0,0 +1,38 @@ +The Island movie clips: http://j.mp/1CNvvic +BUY THE MOVIE: http://amzn.to/vfodCi +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Lincoln (Ewan McGregor) dreams of a boat ride with Jordan (Scarlett Johansson), but it quickly becomes a nightmare of mysterious creatures and scientific experiments. + +FILM DESCRIPTION: +Blockbuster action director Michael Bay delivers a striking look at a strange world of the future in this sci-fi action drama. Midway through the 21st century, Lincoln Six Echo (Ewan McGregor) lives in a confined indoor community after ongoing abuse of the Earth has rendered most of the planet uninhabitable. One of the only places in the outside world still capable of sustaining life is an idyllic island where citizens are chosen to live through a lottery. Or at least that's what Lincoln and his fellow citizens are taught to believe; the truth is that Lincoln, like everyone he knows, is actually a clone who is kept under wraps to provide needed organs when the person who supplied his or her DNA falls ill. When he becomes aware that his existence is a fraud, Lincoln escapes to the outside world with a fellow clone, Jordan Two Delta (Scarlett Johansson), though the powers that be are determined to see that no one gets away alive. The Island also stars Steve Buscemi, Djimon Hounsou, Michael Clarke Duncan, and Sean Bean. + +CREDITS: +TM & © Dreamworks (2005) +Cast: Don Creech, Ewan McGregor, Scarlett Johansson +Director: Michael Bay +Producers: Kenny Bates, Michael Bay, Ian Bryce, Heidi Fugeman, Josh McLaglen, Walter F. Parkes, Steven P. Saeta, Matthew Cohan, Laurie MacDonald +Screenwriters: Alex Kurtzman, Roberto Orci, Caspian Tredwell-Owen + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/139c6HgY7jA.en.srt b/2005/139c6HgY7jA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..80c08757e28967c560dbf01d1c70d57ee47c4920 --- /dev/null +++ b/2005/139c6HgY7jA.en.srt @@ -0,0 +1,55 @@ +1 +00:00:01,710 --> 00:00:03,444 +[rattling] + +2 +00:00:15,640 --> 00:00:17,958 +[screaming] + +3 +00:00:21,863 --> 00:00:23,631 +You're special. + +4 +00:00:24,600 --> 00:00:28,452 +You have a very special +purpose in life. + +5 +00:00:30,622 --> 00:00:32,357 +You've been chosen. + +6 +00:00:33,308 --> 00:00:35,092 +[sparking] + +7 +00:00:36,178 --> 00:00:38,696 +[groaning] + +8 +00:00:38,797 --> 00:00:40,982 +[engine revving] + +9 +00:00:41,083 --> 00:00:43,401 +- [sparking continues] +- [baby crying] + +10 +00:00:43,536 --> 00:00:46,687 +The island awaits you. +[laughing] + +11 +00:00:46,788 --> 00:00:48,406 +[gasping] + +12 +00:00:50,442 --> 00:00:55,179 +[slurping] + +13 +00:01:01,019 --> 00:01:05,690 +[gasping, panting] + diff --git a/2005/1KbamNWEfdw.description b/2005/1KbamNWEfdw.description new file mode 100644 index 0000000000000000000000000000000000000000..f3dda6ba79c37791fc92f22c05e8eb93b84e1a9c --- /dev/null +++ b/2005/1KbamNWEfdw.description @@ -0,0 +1,38 @@ +Wedding Crashers movie clips: http://j.mp/1LaLmh5 +BUY THE MOVIE: http://bit.ly/2celOHp +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Mr. Cleary (Christopher Walken) reminds Jeremy (Vince Vaughn) that he is a very powerful man, and his daughter isn't just another notch on the belt. + +FILM DESCRIPTION: +Two guys find out the hard way that sneaking into the wrong party can cause serious problems in this comedy. Jeremy Klein (Vince Vaughn) and John Beckwith (Owen Wilson) are a pair of longtime friends who work for a law firm, helping contentious couples mediate their divorces. Their job has given them a cynical attitude about marriage, and as a hobby each weekend the two make a point of crashing weddings reception, where they load up on free food and booze and try their luck at seducing the bridesmaids. When William Cleary (Christopher Walken), the nation's Secretary of the Treasury and a possible candidate for the Presidency, announces his daughter is to wed, the nuptials are billed as the social event of the year, and Jeremy and John decide they must attend the reception. However, John makes the mistake of falling head over heels for Claire (Rachel McAdams), the bride's sister, while Jeremy attracts the attentions of a woman he'd prefer not to be involved with, and soon their romantic peccadilloes get them in very hot water. + +CREDITS: +TM & © Warner Bros. (2005) +Cast: Vince Vaughn, Christopher Walken, Isla Fisher +Director: David Dobkin +Producers: Peter Abrams, Cale Boyter, Richard Brener, Toby Emmerich, Robert L. Levy, Andrew Panay, Guy Riedel +Screenwriters: Steve Faber, Bob Fisher + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/1KbamNWEfdw.en.srt b/2005/1KbamNWEfdw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..82aaea3be8bb7b5427a2265af73951502d37476b --- /dev/null +++ b/2005/1KbamNWEfdw.en.srt @@ -0,0 +1,185 @@ +1 +00:00:00,240 --> 00:00:01,949 + +of course like all kids I had imaginary + +2 +00:00:01,949 --> 00:00:01,959 +of course like all kids I had imaginary + + +3 +00:00:01,959 --> 00:00:03,909 +of course like all kids I had imaginary +friends but not just one I had hundreds + +4 +00:00:03,909 --> 00:00:03,919 +friends but not just one I had hundreds + + +5 +00:00:03,919 --> 00:00:05,110 +friends but not just one I had hundreds +and hundreds and all of them from + +6 +00:00:05,110 --> 00:00:05,120 +and hundreds and all of them from + + +7 +00:00:05,120 --> 00:00:06,190 +and hundreds and all of them from +different backgrounds who spoke + +8 +00:00:06,190 --> 00:00:06,200 +different backgrounds who spoke + + +9 +00:00:06,200 --> 00:00:07,710 +different backgrounds who spoke +different languages and one of them his + +10 +00:00:07,710 --> 00:00:07,720 +different languages and one of them his + + +11 +00:00:07,720 --> 00:00:09,669 +different languages and one of them his +name was Caleb he spoke a magical + +12 +00:00:09,669 --> 00:00:09,679 +name was Caleb he spoke a magical + + +13 +00:00:09,679 --> 00:00:15,550 +name was Caleb he spoke a magical +language that only I could + +14 +00:00:15,550 --> 00:00:15,560 + + + +15 +00:00:15,560 --> 00:00:18,029 + +understand get them all patched up I + +16 +00:00:18,029 --> 00:00:18,039 +understand get them all patched up I + + +17 +00:00:18,039 --> 00:00:19,950 +understand get them all patched up I +sure did + +18 +00:00:19,950 --> 00:00:19,960 +sure did + + +19 +00:00:19,960 --> 00:00:24,589 +sure did +daddy Sor bug you go change for + +20 +00:00:24,589 --> 00:00:24,599 +daddy Sor bug you go change for + + +21 +00:00:24,599 --> 00:00:28,950 +daddy Sor bug you go change for +dinner + +22 +00:00:28,950 --> 00:00:28,960 + + + +23 +00:00:28,960 --> 00:00:31,230 + +okay + +24 +00:00:31,230 --> 00:00:31,240 +okay + + +25 +00:00:31,240 --> 00:00:34,110 +okay +you know she's not just another notch on + +26 +00:00:34,110 --> 00:00:34,120 +you know she's not just another notch on + + +27 +00:00:34,120 --> 00:00:36,830 +you know she's not just another notch on +the old + +28 +00:00:36,830 --> 00:00:36,840 + + + +29 +00:00:36,840 --> 00:00:40,670 + +belt I even wear Bel + +30 +00:00:40,670 --> 00:00:40,680 +belt I even wear Bel + + +31 +00:00:40,680 --> 00:00:43,709 +belt I even wear Bel +Bas a very powerful + +32 +00:00:43,709 --> 00:00:43,719 +Bas a very powerful + + +33 +00:00:43,719 --> 00:00:58,910 +Bas a very powerful +man yes you + +34 +00:00:58,910 --> 00:00:58,920 + + + +35 +00:00:58,920 --> 00:01:05,350 + +are + +36 +00:01:05,350 --> 00:01:05,360 + + + +37 +00:01:05,360 --> 00:01:19,400 + +[Music] + diff --git a/2005/1niI0J4kdI4.description b/2005/1niI0J4kdI4.description new file mode 100644 index 0000000000000000000000000000000000000000..d69536eeb445b9aeb7686afbeaa67406704df465 --- /dev/null +++ b/2005/1niI0J4kdI4.description @@ -0,0 +1,38 @@ +Hustle & Flow movie clips: http://j.mp/1L5Bvc5 +BUY THE MOVIE: http://j.mp/LuByQ3 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Djay (Terrence Howard) talks to Nola (Taryn Manning) about the difference between men and dogs. + +FILM DESCRIPTION: +One man's struggle to rise above his circumstances prompts him to try a career in music in this acclaimed drama from writer and director Craig Brewer. Djay (Terrence Howard) is a low-level pimp and drug dealer who scraped together a living in the ghettos of Memphis, TN. Djay isn't happy with his life, and the realization that he's reached the same age when his father unexpectedly died has made him start thinking about changing his ways. Djay has always had a gift for spinning stories, and after picking up a cheap keyboard, he begins picking out beats to go along with his rhymes. After bumping into an old high-school buddy who works in gospel music, Key (Anthony Anderson), Djay decided to take the plunge and remake himself as a rapper. With the technical know-how of Key and the musical input of a local beat maker named Shelby (DJ Qualls), Djay begins turning his way with words and his first-hand knowledge of the street life into music, as his two live-in girlfriends, Lexus (Paula Jai Parker) and Shug (Taraji P. Henson), add their musical input and emotional support and Nola (Taryn Manning) continues to turn tricks to pay the bills. When local boy-turned-nationwide hip-hop star Skinny Black (Ludacris) comes to town to pay a visit to Arnel (Isaac Hayes), a club owner friendly with Djay, he sees an opportunity to put his demo in the hands of someone who can bring his music to the masses, though it turns out to be far more difficult than he expected. Hustle & Flow had its world premiere at the 2005 Sundance Film Festival, where it received a number of rave reviews and took home the Audience Award. + +CREDITS: +TM & © Paramount (2005) +Cast: Terrence Howard, Taryn Manning +Director: Craig Brewer +Producers: Stephanie Allain, Preston L. Holmes, John Singleton, Dwight Williams +Screenwriter: Craig Brewer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/1niI0J4kdI4.en.srt b/2005/1niI0J4kdI4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a4074bca68c57f7241dcd9631df95c1b2a92da4e --- /dev/null +++ b/2005/1niI0J4kdI4.en.srt @@ -0,0 +1,375 @@ +1 +00:00:00,230 --> 00:00:12,390 + +[Music] + +2 +00:00:12,390 --> 00:00:12,400 + + + +3 +00:00:12,400 --> 00:00:14,910 + +see man ain't like it + +4 +00:00:14,910 --> 00:00:14,920 +see man ain't like it + + +5 +00:00:14,920 --> 00:00:17,189 +see man ain't like it +do and when I say + +6 +00:00:17,189 --> 00:00:17,199 +do and when I say + + +7 +00:00:17,199 --> 00:00:20,230 +do and when I say +man I'm talking about man as in mankind + +8 +00:00:20,230 --> 00:00:20,240 +man I'm talking about man as in mankind + + +9 +00:00:20,240 --> 00:00:24,390 +man I'm talking about man as in mankind +not man as in man as men but we a lot + +10 +00:00:24,390 --> 00:00:24,400 +not man as in man as men but we a lot + + +11 +00:00:24,400 --> 00:00:27,269 +not man as in man as men but we a lot +like it though you know we like to piss + +12 +00:00:27,269 --> 00:00:27,279 +like it though you know we like to piss + + +13 +00:00:27,279 --> 00:00:28,950 +like it though you know we like to piss +on + +14 +00:00:28,950 --> 00:00:28,960 +on + + +15 +00:00:28,960 --> 00:00:32,310 +on +things when we can even get a + +16 +00:00:32,310 --> 00:00:32,320 +things when we can even get a + + +17 +00:00:32,320 --> 00:00:35,030 +things when we can even get a +little pink heart on the way they do and + +18 +00:00:35,030 --> 00:00:35,040 +little pink heart on the way they do and + + +19 +00:00:35,040 --> 00:00:36,950 +little pink heart on the way they do and +we ter to as you know we going to + +20 +00:00:36,950 --> 00:00:36,960 +we ter to as you know we going to + + +21 +00:00:36,960 --> 00:00:38,190 +we ter to as you know we going to +protect our + +22 +00:00:38,190 --> 00:00:38,200 +protect our + + +23 +00:00:38,200 --> 00:00:40,670 +protect our +own but + +24 +00:00:40,670 --> 00:00:40,680 +own but + + +25 +00:00:40,680 --> 00:00:43,270 +own but +man he know about + +26 +00:00:43,270 --> 00:00:43,280 +man he know about + + +27 +00:00:43,280 --> 00:00:46,229 +man he know about +death got him a sense of + +28 +00:00:46,229 --> 00:00:46,239 +death got him a sense of + + +29 +00:00:46,239 --> 00:00:48,029 +death got him a sense of +History got + +30 +00:00:48,029 --> 00:00:48,039 +History got + + +31 +00:00:48,039 --> 00:00:49,750 +History got +religion + +32 +00:00:49,750 --> 00:00:49,760 +religion + + +33 +00:00:49,760 --> 00:00:51,270 +religion +see + +34 +00:00:51,270 --> 00:00:51,280 +see + + +35 +00:00:51,280 --> 00:00:54,310 +see +dog man dog don't know about no + +36 +00:00:54,310 --> 00:00:54,320 +dog man dog don't know about no + + +37 +00:00:54,320 --> 00:00:57,790 +dog man dog don't know about no +birthdays or Christmas or Easter Bunny + +38 +00:00:57,790 --> 00:00:57,800 +birthdays or Christmas or Easter Bunny + + +39 +00:00:57,800 --> 00:01:00,310 +birthdays or Christmas or Easter Bunny +none of that one day God going to + +40 +00:01:00,310 --> 00:01:00,320 +none of that one day God going to + + +41 +00:01:00,320 --> 00:01:01,790 +none of that one day God going to +come calling so you know they going + +42 +00:01:01,790 --> 00:01:01,800 +come calling so you know they going + + +43 +00:01:01,800 --> 00:01:04,070 +come calling so you know they going +through life care free but people like + +44 +00:01:04,070 --> 00:01:04,080 +through life care free but people like + + +45 +00:01:04,080 --> 00:01:06,990 +through life care free but people like +you and me man we we we always guessing + +46 +00:01:06,990 --> 00:01:07,000 +you and me man we we we always guessing + + +47 +00:01:07,000 --> 00:01:10,950 +you and me man we we we always guessing +wondering whatever you know what I + +48 +00:01:10,950 --> 00:01:10,960 + + + +49 +00:01:10,960 --> 00:01:14,749 + +mean so when you say to me hey I don't + +50 +00:01:14,749 --> 00:01:14,759 +mean so when you say to me hey I don't + + +51 +00:01:14,759 --> 00:01:16,550 +mean so when you say to me hey I don't +think we should be doing this I got to + +52 +00:01:16,550 --> 00:01:16,560 +think we should be doing this I got to + + +53 +00:01:16,560 --> 00:01:18,070 +think we should be doing this I got to +say baby I don't think we need to be + +54 +00:01:18,070 --> 00:01:18,080 +say baby I don't think we need to be + + +55 +00:01:18,080 --> 00:01:19,950 +say baby I don't think we need to be +doing this neither but we ain't going to + +56 +00:01:19,950 --> 00:01:19,960 +doing this neither but we ain't going to + + +57 +00:01:19,960 --> 00:01:21,630 +doing this neither but we ain't going to +get no move on in this world lying + +58 +00:01:21,630 --> 00:01:21,640 +get no move on in this world lying + + +59 +00:01:21,640 --> 00:01:24,789 +get no move on in this world lying +around the Sun licking our ass all day I + +60 +00:01:24,789 --> 00:01:24,799 +around the Sun licking our ass all day I + + +61 +00:01:24,799 --> 00:01:25,870 +around the Sun licking our ass all day I +mean we + +62 +00:01:25,870 --> 00:01:25,880 +mean we + + +63 +00:01:25,880 --> 00:01:31,469 +mean we +man you a woman all but we man + +64 +00:01:31,469 --> 00:01:31,479 +man you a woman all but we man + + +65 +00:01:31,479 --> 00:01:33,230 +man you a woman all but we man +so with this + +66 +00:01:33,230 --> 00:01:33,240 +so with this + + +67 +00:01:33,240 --> 00:01:37,149 +so with this +said you tell me what it is you want to + +68 +00:01:37,149 --> 00:01:37,159 +said you tell me what it is you want to + + +69 +00:01:37,159 --> 00:01:51,590 +said you tell me what it is you want to +do with your + +70 +00:01:51,590 --> 00:01:51,600 + + + +71 +00:01:51,600 --> 00:01:58,830 + +life I don't + +72 +00:01:58,830 --> 00:01:58,840 + + + +73 +00:01:58,840 --> 00:02:02,890 + +know + +74 +00:02:02,890 --> 00:02:02,900 + + + +75 +00:02:02,900 --> 00:02:25,490 + +[Music] + diff --git a/2005/1pq96OQlUWs.description b/2005/1pq96OQlUWs.description new file mode 100644 index 0000000000000000000000000000000000000000..d38270320d5e060dc5bc83980fe3e8d7759cf99a --- /dev/null +++ b/2005/1pq96OQlUWs.description @@ -0,0 +1,38 @@ +Hustle & Flow movie clips: http://j.mp/1L5Bvc5 +BUY THE MOVIE: http://j.mp/LuByQ3 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Djay (Terrence Howard) stands up to Skinny Black (Ludacris) about turning his back on Memphis. + +FILM DESCRIPTION: +One man's struggle to rise above his circumstances prompts him to try a career in music in this acclaimed drama from writer and director Craig Brewer. Djay (Terrence Howard) is a low-level pimp and drug dealer who scraped together a living in the ghettos of Memphis, TN. Djay isn't happy with his life, and the realization that he's reached the same age when his father unexpectedly died has made him start thinking about changing his ways. Djay has always had a gift for spinning stories, and after picking up a cheap keyboard, he begins picking out beats to go along with his rhymes. After bumping into an old high-school buddy who works in gospel music, Key (Anthony Anderson), Djay decided to take the plunge and remake himself as a rapper. With the technical know-how of Key and the musical input of a local beat maker named Shelby (DJ Qualls), Djay begins turning his way with words and his first-hand knowledge of the street life into music, as his two live-in girlfriends, Lexus (Paula Jai Parker) and Shug (Taraji P. Henson), add their musical input and emotional support and Nola (Taryn Manning) continues to turn tricks to pay the bills. When local boy-turned-nationwide hip-hop star Skinny Black (Ludacris) comes to town to pay a visit to Arnel (Isaac Hayes), a club owner friendly with Djay, he sees an opportunity to put his demo in the hands of someone who can bring his music to the masses, though it turns out to be far more difficult than he expected. Hustle & Flow had its world premiere at the 2005 Sundance Film Festival, where it received a number of rave reviews and took home the Audience Award. + +CREDITS: +TM & © Paramount (2005) +Cast: Terrence Howard, Ludacris, Erica Miller +Director: Craig Brewer +Producers: Stephanie Allain, Preston L. Holmes, John Singleton, Dwight Williams +Screenwriter: Craig Brewer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/1pq96OQlUWs.en.srt b/2005/1pq96OQlUWs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..74e7315f9f60157e08dd8c7e61b29cea95ea62fb --- /dev/null +++ b/2005/1pq96OQlUWs.en.srt @@ -0,0 +1,430 @@ +1 +00:00:00,100 --> 00:00:18,850 + +[Music] + +2 +00:00:18,850 --> 00:00:18,860 + + + +3 +00:00:18,860 --> 00:00:23,750 + +[Music] + +4 +00:00:23,750 --> 00:00:23,760 + + + +5 +00:00:23,760 --> 00:00:27,589 + +hey + +6 +00:00:27,589 --> 00:00:27,599 + + + +7 +00:00:27,599 --> 00:00:32,590 + +skinny what the happened to you man + +8 +00:00:32,590 --> 00:00:32,600 + + + +9 +00:00:32,600 --> 00:00:36,310 + +huh the happened to you man the + +10 +00:00:36,310 --> 00:00:36,320 +huh the happened to you man the + + +11 +00:00:36,320 --> 00:00:40,590 +huh the happened to you man the + did you just + +12 +00:00:40,590 --> 00:00:40,600 + + + +13 +00:00:40,600 --> 00:00:43,630 + +say I don't mean no disrespect + +14 +00:00:43,630 --> 00:00:43,640 +say I don't mean no disrespect + + +15 +00:00:43,640 --> 00:00:47,350 +say I don't mean no disrespect +no I just remember when your first + +16 +00:00:47,350 --> 00:00:47,360 +no I just remember when your first + + +17 +00:00:47,360 --> 00:00:49,510 +no I just remember when your first +underground crunk hit the + +18 +00:00:49,510 --> 00:00:49,520 +underground crunk hit the + + +19 +00:00:49,520 --> 00:00:51,950 +underground crunk hit the +streets man that flew through + +20 +00:00:51,950 --> 00:00:51,960 +streets man that flew through + + +21 +00:00:51,960 --> 00:00:54,389 +streets man that flew through +Memphis like a typhoon + +22 +00:00:54,389 --> 00:00:54,399 +Memphis like a typhoon + + +23 +00:00:54,399 --> 00:00:56,670 +Memphis like a typhoon +yall was there man couldn't even + +24 +00:00:56,670 --> 00:00:56,680 +yall was there man couldn't even + + +25 +00:00:56,680 --> 00:00:58,830 +yall was there man couldn't even +walk halfway down the block without the + +26 +00:00:58,830 --> 00:00:58,840 +walk halfway down the block without the + + +27 +00:00:58,840 --> 00:01:01,470 +walk halfway down the block without the +pavement pring unath his feet cuz some + +28 +00:01:01,470 --> 00:01:01,480 +pavement pring unath his feet cuz some + + +29 +00:01:01,480 --> 00:01:03,270 +pavement pring unath his feet cuz some +cat was bumping your out the back + +30 +00:01:03,270 --> 00:01:03,280 +cat was bumping your out the back + + +31 +00:01:03,280 --> 00:01:04,789 +cat was bumping your out the back +of his C + +32 +00:01:04,789 --> 00:01:04,799 +of his C + + +33 +00:01:04,799 --> 00:01:07,830 +of his C +man we just miss you skinny that's all + +34 +00:01:07,830 --> 00:01:07,840 +man we just miss you skinny that's all + + +35 +00:01:07,840 --> 00:01:10,109 +man we just miss you skinny that's all +miss me get up hold up hold up + +36 +00:01:10,109 --> 00:01:10,119 +miss me get up hold up hold up + + +37 +00:01:10,119 --> 00:01:13,910 +miss me get up hold up hold up +hold up miss me I don't even + +38 +00:01:13,910 --> 00:01:13,920 +hold up miss me I don't even + + +39 +00:01:13,920 --> 00:01:15,469 +hold up miss me I don't even +this man so wait wait wait wait + +40 +00:01:15,469 --> 00:01:15,479 +this man so wait wait wait wait + + +41 +00:01:15,479 --> 00:01:17,429 +this man so wait wait wait wait +wait you trying to say I can't cut it no + +42 +00:01:17,429 --> 00:01:17,439 +wait you trying to say I can't cut it no + + +43 +00:01:17,439 --> 00:01:19,789 +wait you trying to say I can't cut it no +more like I ain't the that's what + +44 +00:01:19,789 --> 00:01:19,799 +more like I ain't the that's what + + +45 +00:01:19,799 --> 00:01:21,590 +more like I ain't the that's what +you trying to tell me I ain't say + +46 +00:01:21,590 --> 00:01:21,600 +you trying to tell me I ain't say + + +47 +00:01:21,600 --> 00:01:22,950 +you trying to tell me I ain't say +nothing like that man then what the + +48 +00:01:22,950 --> 00:01:22,960 +nothing like that man then what the + + +49 +00:01:22,960 --> 00:01:28,910 +nothing like that man then what the +is you saying huh what is you saying + +50 +00:01:28,910 --> 00:01:28,920 + + + +51 +00:01:28,920 --> 00:01:31,469 + +then + +52 +00:01:31,469 --> 00:01:31,479 +then + + +53 +00:01:31,479 --> 00:01:33,710 +then +dig this right here + +54 +00:01:33,710 --> 00:01:33,720 +dig this right here + + +55 +00:01:33,720 --> 00:01:36,230 +dig this right here +man one day this whole + +56 +00:01:36,230 --> 00:01:36,240 +man one day this whole + + +57 +00:01:36,240 --> 00:01:39,870 +man one day this whole +place is going to be gone this club this + +58 +00:01:39,870 --> 00:01:39,880 +place is going to be gone this club this + + +59 +00:01:39,880 --> 00:01:42,990 +place is going to be gone this club this +city man this whole us OFA man is just + +60 +00:01:42,990 --> 00:01:43,000 +city man this whole us OFA man is just + + +61 +00:01:43,000 --> 00:01:45,030 +city man this whole us OFA man is just +going to turn to dust right and a whole + +62 +00:01:45,030 --> 00:01:45,040 +going to turn to dust right and a whole + + +63 +00:01:45,040 --> 00:01:47,030 +going to turn to dust right and a whole +new civilization is going to rise from + +64 +00:01:47,030 --> 00:01:47,040 +new civilization is going to rise from + + +65 +00:01:47,040 --> 00:01:48,950 +new civilization is going to rise from +this one and they going to start digging + +66 +00:01:48,950 --> 00:01:48,960 +this one and they going to start digging + + +67 +00:01:48,960 --> 00:01:50,069 +this one and they going to start digging +you know they going to dig up the + +68 +00:01:50,069 --> 00:01:50,079 +you know they going to dig up the + + +69 +00:01:50,079 --> 00:01:52,149 +you know they going to dig up the +pyramids over in Egypt they going to dig + +70 +00:01:52,149 --> 00:01:52,159 +pyramids over in Egypt they going to dig + + +71 +00:01:52,159 --> 00:01:54,510 +pyramids over in Egypt they going to dig +up the Eiffel Tower Statue liberty in + +72 +00:01:54,510 --> 00:01:54,520 +up the Eiffel Tower Statue liberty in + + +73 +00:01:54,520 --> 00:01:56,670 +up the Eiffel Tower Statue liberty in +the Empire State but if a won't + +74 +00:01:56,670 --> 00:01:56,680 +the Empire State but if a won't + + +75 +00:01:56,680 --> 00:02:00,429 +the Empire State but if a won't +know about me won't know about Memphis + +76 +00:02:00,429 --> 00:02:00,439 +know about me won't know about Memphis + + +77 +00:02:00,439 --> 00:02:02,910 +know about me won't know about Memphis +all they got to do is find your first + +78 +00:02:02,910 --> 00:02:02,920 +all they got to do is find your first + + +79 +00:02:02,920 --> 00:02:07,109 +all they got to do is find your first +underground type North Third thugs + +80 +00:02:07,109 --> 00:02:07,119 +underground type North Third thugs + + +81 +00:02:07,119 --> 00:02:09,430 +underground type North Third thugs + man that was the + +82 +00:02:09,430 --> 00:02:09,440 +man that was the + + +83 +00:02:09,440 --> 00:02:28,830 +man that was the +[Music] + +84 +00:02:28,830 --> 00:02:37,630 + + + +85 +00:02:37,630 --> 00:02:37,640 + + + +86 +00:02:37,640 --> 00:02:40,640 + +St + diff --git a/2005/1s-qZUCH3xY.description b/2005/1s-qZUCH3xY.description new file mode 100644 index 0000000000000000000000000000000000000000..3f820086abe6647ee5b95b59319fbc466e9cd3f4 --- /dev/null +++ b/2005/1s-qZUCH3xY.description @@ -0,0 +1,32 @@ +Land of the Dead - The Zombie War Begins: Zombies carve their way into Fiddler's Green. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/oceans-8-2018/MMV846B96CC3F390C71E1DD53B1603757F95?cmp=Movieclips_YT_Description + +Watch the best Land of the Dead scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqrphMAuQd5nI6t9SY2AM7zM + +FILM DESCRIPTION: +In a world where zombies form the majority of the population, the remaining humans build a feudal society away from the undead. Ruthless Paul Kaufman (Dennis Hopper) rules and protects this microcosm but enforces painful class distinctions. Second-in-command Cholo DeMora (John Leguizamo) attempts to lead a secret rebellion against Kaufman's tyranny, but when the zombies begin to evolve, the survivors must discover a way to protect themselves from a zombie hoard that can learn and adapt. + +CREDITS: +TM & © Universal (2005) +Cast: Asia Argento, John Leguizamo, Simon Baker +Director: George Romero + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file diff --git a/2005/1s-qZUCH3xY.en.srt b/2005/1s-qZUCH3xY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..b5799f2fe5218638a1ccb6ba3790411db597ba1c --- /dev/null +++ b/2005/1s-qZUCH3xY.en.srt @@ -0,0 +1,65 @@ +1 +00:00:00,120 --> 00:00:55,680 + +it's back on the main road really help + +2 +00:00:55,680 --> 00:00:55,690 + + + +3 +00:00:55,690 --> 00:00:57,690 + +what was built to keep people safe is + +4 +00:00:57,690 --> 00:00:57,700 +what was built to keep people safe is + + +5 +00:00:57,700 --> 00:01:02,780 +what was built to keep people safe is +gonna trap them inside though indirectly + +6 +00:01:02,780 --> 00:01:02,790 +gonna trap them inside though indirectly + + +7 +00:01:02,790 --> 00:01:05,009 +gonna trap them inside though indirectly +open up those fences and let the people + +8 +00:01:05,009 --> 00:01:05,019 +open up those fences and let the people + + +9 +00:01:05,019 --> 00:01:11,450 +open up those fences and let the people +out over there get the out here + +10 +00:01:11,450 --> 00:01:11,460 +out over there get the out here + + +11 +00:01:11,460 --> 00:01:16,460 +out over there get the out here +tell you what there's no one left + +12 +00:01:16,460 --> 00:01:16,470 + + + +13 +00:01:16,470 --> 00:01:27,920 + +[Music] + diff --git a/2005/2w8LYlDlls4.description b/2005/2w8LYlDlls4.description new file mode 100644 index 0000000000000000000000000000000000000000..a4fccd07828b4c060d05cbc2f5b6eb3a5f617d5f --- /dev/null +++ b/2005/2w8LYlDlls4.description @@ -0,0 +1,32 @@ +Land of the Dead - Zombie Arena: Riley (Simon Baker) visits an underground casino where Slack's (Asia Argento) arena fight is the main attraction. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/oceans-8-2018/MMV846B96CC3F390C71E1DD53B1603757F95?cmp=Movieclips_YT_Description + +Watch the best Land of the Dead scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqrphMAuQd5nI6t9SY2AM7zM + +FILM DESCRIPTION: +In a world where zombies form the majority of the population, the remaining humans build a feudal society away from the undead. Ruthless Paul Kaufman (Dennis Hopper) rules and protects this microcosm but enforces painful class distinctions. Second-in-command Cholo DeMora (John Leguizamo) attempts to lead a secret rebellion against Kaufman's tyranny, but when the zombies begin to evolve, the survivors must discover a way to protect themselves from a zombie hoard that can learn and adapt. + +CREDITS: +TM & © Universal (2005) +Cast: Asia Argento, Phil Fondacaro, Robert Joy, Simon Baker +Director: George Romero + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file diff --git a/2005/2w8LYlDlls4.en.srt b/2005/2w8LYlDlls4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..53cc1b3f2bcd23f5869c7e352cc0c2f3c5dab3dd --- /dev/null +++ b/2005/2w8LYlDlls4.en.srt @@ -0,0 +1,235 @@ +1 +00:00:00,030 --> 00:00:04,309 + +they bet me black and red who wins the + +2 +00:00:04,309 --> 00:00:04,319 +they bet me black and red who wins the + + +3 +00:00:04,319 --> 00:00:06,230 +they bet me black and red who wins the +fight Finch is coming + +4 +00:00:06,230 --> 00:00:06,240 +fight Finch is coming + + +5 +00:00:06,240 --> 00:00:08,900 +fight Finch is coming +hi bacon when there's food what's on the + +6 +00:00:08,900 --> 00:00:08,910 +hi bacon when there's food what's on the + + +7 +00:00:08,910 --> 00:00:11,720 +hi bacon when there's food what's on the +menu cat or dog I told you today it's + +8 +00:00:11,720 --> 00:00:11,730 +menu cat or dog I told you today it's + + +9 +00:00:11,730 --> 00:00:14,829 +menu cat or dog I told you today it's +something new who do you want like a red + +10 +00:00:14,829 --> 00:00:14,839 +something new who do you want like a red + + +11 +00:00:14,839 --> 00:00:17,800 +something new who do you want like a red +60 I'm black + +12 +00:00:17,800 --> 00:00:17,810 +60 I'm black + + +13 +00:00:17,810 --> 00:00:33,640 +60 I'm black +[Applause] + +14 +00:00:33,640 --> 00:00:33,650 + + + +15 +00:00:33,650 --> 00:00:40,900 + +[Music] + +16 +00:00:40,900 --> 00:00:40,910 + + + +17 +00:00:40,910 --> 00:00:52,710 + +[Applause] + +18 +00:00:52,710 --> 00:00:52,720 + + + +19 +00:00:52,720 --> 00:00:56,080 + +no no no I went to the garage there's + +20 +00:00:56,080 --> 00:00:56,090 +no no no I went to the garage there's + + +21 +00:00:56,090 --> 00:00:56,830 +no no no I went to the garage there's +nothing there + +22 +00:00:56,830 --> 00:00:56,840 +nothing there + + +23 +00:00:56,840 --> 00:01:03,819 +nothing there +your guys weren't there and my car will + +24 +00:01:03,819 --> 00:01:03,829 +your guys weren't there and my car will + + +25 +00:01:03,829 --> 00:01:05,410 +your guys weren't there and my car will +be my friend and get my car back + +26 +00:01:05,410 --> 00:01:05,420 +be my friend and get my car back + + +27 +00:01:05,420 --> 00:01:19,680 +be my friend and get my car back +girl to carry you out of her sight + +28 +00:01:19,680 --> 00:01:19,690 + + + +29 +00:01:19,690 --> 00:01:26,450 + +keeping busy imagery + +30 +00:01:26,450 --> 00:01:26,460 + + + +31 +00:01:26,460 --> 00:01:31,500 + +oh my god + +32 +00:01:31,500 --> 00:01:31,510 + + + +33 +00:01:31,510 --> 00:01:31,970 + +[Applause] + +34 +00:01:31,970 --> 00:01:31,980 +[Applause] + + +35 +00:01:31,980 --> 00:01:33,770 +[Applause] +[Music] + +36 +00:01:33,770 --> 00:01:33,780 +[Music] + + +37 +00:01:33,780 --> 00:01:39,950 +[Music] +I run last night I already got some + +38 +00:01:39,950 --> 00:01:39,960 +I run last night I already got some + + +39 +00:01:39,960 --> 00:01:42,080 +I run last night I already got some +money you're not oh Justin can show you + +40 +00:01:42,080 --> 00:01:42,090 +money you're not oh Justin can show you + + +41 +00:01:42,090 --> 00:01:43,520 +money you're not oh Justin can show you +how to turn that money into said I'm not + +42 +00:01:43,520 --> 00:01:43,530 +how to turn that money into said I'm not + + +43 +00:01:43,530 --> 00:01:43,990 +how to turn that money into said I'm not +interested + +44 +00:01:43,990 --> 00:01:44,000 +interested + + +45 +00:01:44,000 --> 00:02:04,640 +interested +[Applause] + +46 +00:02:04,640 --> 00:02:04,650 + + + +47 +00:02:04,650 --> 00:02:16,090 + +[Music] + diff --git a/2005/3FOUAKr22K4.description b/2005/3FOUAKr22K4.description new file mode 100644 index 0000000000000000000000000000000000000000..4b1cbf6718163c8c99584eec28a3e3887c95c766 --- /dev/null +++ b/2005/3FOUAKr22K4.description @@ -0,0 +1,38 @@ +Beauty Shop movie clips: http://j.mp/13agVCi +BUY THE MOVIE: http://j.mp/13a8mHm +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Gina (Queen Latifah) introduces Lynn (Alicia Silverstone) a white girl to the beauty shop staff, but she isn't given a very warm welcome. + +FILM DESCRIPTION: +While the men of Barbershop and Barbershop 2 have plenty to mouth off about, they may have met their match in the female staff and clientele of a nearby beauty shop. Directed by Bille Woodruff, Beauty Shop revolves around these women led by Gina (Queen Latifah), who opened Beauty Shop to give all the females in the community, from a conservative Southern socialite (Andie MacDowell) to a poetry-reciting stylist, a place to talk about life, love, and the issues of the day, all while getting their hair done. Bryce Wilson puts in a supporting performance, as does Kevin Bacon, who plays the snooty owner of a rival salon. + +CREDITS: +TM & © MGM (2005) +Cast: Tawny Dahl, Joyful Drake, Sherri Shepherd, Queen Latifah, Alfre Woodard, Golden Brooks, Alicia Silverstone +Director: Bille Woodruff +Producers: Matt Alvarez, Otis Best, Shakim Compere, Ice Cube, David Hoberman, Queen Latifah, Todd Lieberman, Louise Rosner, Robert Teitel, George Tillman Jr. +Screenwriters: Elizabeth Hunter, Kate Lanier, Norman Vance Jr. + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/3FOUAKr22K4.en.srt b/2005/3FOUAKr22K4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..764ecbbcbf1745de9dcbd17dd44817fcecfe483c --- /dev/null +++ b/2005/3FOUAKr22K4.en.srt @@ -0,0 +1,395 @@ +1 +00:00:03,120 --> 00:00:05,150 + +he + +2 +00:00:05,150 --> 00:00:05,160 +he + + +3 +00:00:05,160 --> 00:00:08,270 +he +Lynn hey no no no you right on time girl + +4 +00:00:08,270 --> 00:00:08,280 +Lynn hey no no no you right on time girl + + +5 +00:00:08,280 --> 00:00:11,110 +Lynn hey no no no you right on time girl +come on in everybody this is Lynn Lynn + +6 +00:00:11,110 --> 00:00:11,120 +come on in everybody this is Lynn Lynn + + +7 +00:00:11,120 --> 00:00:13,190 +come on in everybody this is Lynn Lynn +is one of the baddest hair stylist to + +8 +00:00:13,190 --> 00:00:13,200 +is one of the baddest hair stylist to + + +9 +00:00:13,200 --> 00:00:16,109 +is one of the baddest hair stylist to +ever set foot out of a gusta blidge Blue + +10 +00:00:16,109 --> 00:00:16,119 +ever set foot out of a gusta blidge Blue + + +11 +00:00:16,119 --> 00:00:18,910 +ever set foot out of a gusta blidge Blue +Ridge Georgia she got mad skills a girl + +12 +00:00:18,910 --> 00:00:18,920 +Ridge Georgia she got mad skills a girl + + +13 +00:00:18,920 --> 00:00:20,590 +Ridge Georgia she got mad skills a girl +is talented and she going to be working + +14 +00:00:20,590 --> 00:00:20,600 +is talented and she going to be working + + +15 +00:00:20,600 --> 00:00:23,910 +is talented and she going to be working +here in the shop with us working here is + +16 +00:00:23,910 --> 00:00:23,920 +here in the shop with us working here is + + +17 +00:00:23,920 --> 00:00:25,790 +here in the shop with us working here is +what as a + +18 +00:00:25,790 --> 00:00:25,800 +what as a + + +19 +00:00:25,800 --> 00:00:31,389 +what as a +stylist oh hell no hell no Gina come + +20 +00:00:31,389 --> 00:00:31,399 +stylist oh hell no hell no Gina come + + +21 +00:00:31,399 --> 00:00:33,869 +stylist oh hell no hell no Gina come +on okay you know what I'm sorry but you + +22 +00:00:33,869 --> 00:00:33,879 +on okay you know what I'm sorry but you + + +23 +00:00:33,879 --> 00:00:36,310 +on okay you know what I'm sorry but you +doing a little too much around here okay + +24 +00:00:36,310 --> 00:00:36,320 +doing a little too much around here okay + + +25 +00:00:36,320 --> 00:00:38,190 +doing a little too much around here okay +I mean you ain't trying to what brighten + +26 +00:00:38,190 --> 00:00:38,200 +I mean you ain't trying to what brighten + + +27 +00:00:38,200 --> 00:00:40,790 +I mean you ain't trying to what brighten +up the place you trying to whiten up the + +28 +00:00:40,790 --> 00:00:40,800 +up the place you trying to whiten up the + + +29 +00:00:40,800 --> 00:00:43,990 +up the place you trying to whiten up the +place for real so here's what I'm going + +30 +00:00:43,990 --> 00:00:44,000 +place for real so here's what I'm going + + +31 +00:00:44,000 --> 00:00:47,389 +place for real so here's what I'm going +do you I'mma let you a love Miss Blue + +32 +00:00:47,389 --> 00:00:47,399 +do you I'mma let you a love Miss Blue + + +33 +00:00:47,399 --> 00:00:50,350 +do you I'mma let you a love Miss Blue +Ridge here you don't have the shop do + +34 +00:00:50,350 --> 00:00:50,360 +Ridge here you don't have the shop do + + +35 +00:00:50,360 --> 00:00:53,630 +Ridge here you don't have the shop do +your thing go on girl do your thing cuz + +36 +00:00:53,630 --> 00:00:53,640 +your thing go on girl do your thing cuz + + +37 +00:00:53,640 --> 00:00:56,590 +your thing go on girl do your thing cuz +I can't be a part of this okay Porsche + +38 +00:00:56,590 --> 00:00:56,600 +I can't be a part of this okay Porsche + + +39 +00:00:56,600 --> 00:00:58,750 +I can't be a part of this okay Porsche +are you + +40 +00:00:58,750 --> 00:00:58,760 +are you + + +41 +00:00:58,760 --> 00:01:00,990 +are you +rolling yeah I ain't going to be able to + +42 +00:01:00,990 --> 00:01:01,000 +rolling yeah I ain't going to be able to + + +43 +00:01:01,000 --> 00:01:03,430 +rolling yeah I ain't going to be able to +do it either Gina I a't you need to run + +44 +00:01:03,430 --> 00:01:03,440 +do it either Gina I a't you need to run + + +45 +00:01:03,440 --> 00:01:04,990 +do it either Gina I a't you need to run +out no no no no don't don't even worry + +46 +00:01:04,990 --> 00:01:05,000 +out no no no no don't don't even worry + + +47 +00:01:05,000 --> 00:01:06,910 +out no no no no don't don't even worry +about it better we get rid of the bad + +48 +00:01:06,910 --> 00:01:06,920 +about it better we get rid of the bad + + +49 +00:01:06,920 --> 00:01:09,510 +about it better we get rid of the bad +apples now besides some girls got too + +50 +00:01:09,510 --> 00:01:09,520 +apples now besides some girls got too + + +51 +00:01:09,520 --> 00:01:11,390 +apples now besides some girls got too +much attitude I can to slap the out + +52 +00:01:11,390 --> 00:01:11,400 +much attitude I can to slap the out + + +53 +00:01:11,400 --> 00:01:12,670 +much attitude I can to slap the out +of + +54 +00:01:12,670 --> 00:01:12,680 +of + + +55 +00:01:12,680 --> 00:01:15,550 +of +my all right anybody else leaving cuz + +56 +00:01:15,550 --> 00:01:15,560 +my all right anybody else leaving cuz + + +57 +00:01:15,560 --> 00:01:17,429 +my all right anybody else leaving cuz +this white here + +58 +00:01:17,429 --> 00:01:17,439 +this white here + + +59 +00:01:17,439 --> 00:01:20,149 +this white here +stay Chanel you know no white girl is + +60 +00:01:20,149 --> 00:01:20,159 +stay Chanel you know no white girl is + + +61 +00:01:20,159 --> 00:01:22,510 +stay Chanel you know no white girl is +going to mess up me in my money y'all + +62 +00:01:22,510 --> 00:01:22,520 +going to mess up me in my money y'all + + +63 +00:01:22,520 --> 00:01:26,109 +going to mess up me in my money y'all +can go whatever all + +64 +00:01:26,109 --> 00:01:26,119 +can go whatever all + + +65 +00:01:26,119 --> 00:01:29,910 +can go whatever all +right all right y'all you want to fly + +66 +00:01:29,910 --> 00:01:29,920 +right all right y'all you want to fly + + +67 +00:01:29,920 --> 00:01:31,910 +right all right y'all you want to fly +out of here with them Birds cuz I got a + +68 +00:01:31,910 --> 00:01:31,920 +out of here with them Birds cuz I got a + + +69 +00:01:31,920 --> 00:01:35,950 +out of here with them Birds cuz I got a +business to run I need to know + +70 +00:01:35,950 --> 00:01:35,960 + + + +71 +00:01:35,960 --> 00:01:38,670 + +something that's what I'm talking about + +72 +00:01:38,670 --> 00:01:38,680 +something that's what I'm talking about + + +73 +00:01:38,680 --> 00:01:41,950 +something that's what I'm talking about +all + +74 +00:01:41,950 --> 00:01:41,960 + + + +75 +00:01:41,960 --> 00:01:58,830 + +[Music] + +76 +00:01:58,830 --> 00:01:58,840 + + + +77 +00:01:58,840 --> 00:02:03,120 + +right + +78 +00:02:03,120 --> 00:02:03,130 + + + +79 +00:02:03,130 --> 00:02:08,900 + +[Music] + diff --git a/2005/3eJ8A1W3jqM.description b/2005/3eJ8A1W3jqM.description new file mode 100644 index 0000000000000000000000000000000000000000..35c8b353418d59d34d91d4bf482c707ed9f5d853 --- /dev/null +++ b/2005/3eJ8A1W3jqM.description @@ -0,0 +1,38 @@ +Elizabethtown movie clips: http://j.mp/1JcwVXT +BUY THE MOVIE: http://amzn.to/vAAzw4 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Drew (Orlando Bloom) and Claire (Kirsten Dunst) discuss the expectations of other people. + +FILM DESCRIPTION: +A young man in need of a fresh start gets one under highly unexpected circumstances in this emotionally resonant comedy drama from writer and director Cameron Crowe. Drew Baylor (Orlando Bloom) is considered the big success story in his family, having moved away from the small Kentucky town where he was born to California, where he works as a designer for Mercury, the nation's biggest athletic shoe company. But success has begun to elude Drew -- his most recent design was a resounding flop that has cost him his job, and his girlfriend, Ellen (Jessica Biel), has given him his walking papers. Drew is contemplating suicide when he gets word that his father has died, and that he's needed back home in Elizabethtown, KY, to help organize the funeral. With his mother, Hollie (Susan Sarandon), deep in denial about her husband's passing, Drew comes home to discover no one knows about his recent poor fortune, and he's greeted like a conquering hero. As Drew reconnects with his family and helps his sister, Heather (Judy Greer), look after Hollie, Drew gets a new lease on life and is reminded about what's really important to him. Helping him learn these valuable lessons is Claire Colburn (Kirsten Dunst), a pretty and optimistic flight attendant Drew meets on his flight home who has her own philosophies about positive thinking and the curative powers of travel. Elizabethtown also stars Alec Baldwin, Paul Schneider, Bruce McGill, Loudon Wainwright III, and Paula Deen. + +CREDITS: +TM & © Paramount (2005) +Cast: Orlando Bloom, Kirsten Dunst +Director: Cameron Crowe +Producers: Cameron Crowe, Tom Cruise, Donald J. Lee Jr., Paula Wagner, Andy Fischer +Screenwriter: Cameron Crowe + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/3eJ8A1W3jqM.en.srt b/2005/3eJ8A1W3jqM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c34896462a342b78ec7e4298d34c593d52762dfe --- /dev/null +++ b/2005/3eJ8A1W3jqM.en.srt @@ -0,0 +1,345 @@ +1 +00:00:00,080 --> 00:00:02,629 + +it will hit you it could be 10 minutes + +2 +00:00:02,629 --> 00:00:02,639 +it will hit you it could be 10 minutes + + +3 +00:00:02,639 --> 00:00:04,829 +it will hit you it could be 10 minutes +or it could be 10 years from now so it's + +4 +00:00:04,829 --> 00:00:04,839 +or it could be 10 years from now so it's + + +5 +00:00:04,839 --> 00:00:06,990 +or it could be 10 years from now so it's +good that you talk about it or don't + +6 +00:00:06,990 --> 00:00:07,000 +good that you talk about it or don't + + +7 +00:00:07,000 --> 00:00:10,230 +good that you talk about it or don't +talk about it well we have talked about + +8 +00:00:10,230 --> 00:00:10,240 +talk about it well we have talked about + + +9 +00:00:10,240 --> 00:00:12,950 +talk about it well we have talked about +it but that's what they say that's what + +10 +00:00:12,950 --> 00:00:12,960 +it but that's what they say that's what + + +11 +00:00:12,960 --> 00:00:16,990 +it but that's what they say that's what +they say huh yes that's what they say + +12 +00:00:16,990 --> 00:00:17,000 +they say huh yes that's what they say + + +13 +00:00:17,000 --> 00:00:20,429 +they say huh yes that's what they say +I've always wondered this who are they + +14 +00:00:20,429 --> 00:00:20,439 +I've always wondered this who are they + + +15 +00:00:20,439 --> 00:00:21,230 +I've always wondered this who are they +you + +16 +00:00:21,230 --> 00:00:21,240 +you + + +17 +00:00:21,240 --> 00:00:25,910 +you +know them them mm the inimitable + +18 +00:00:25,910 --> 00:00:25,920 +know them them mm the inimitable + + +19 +00:00:25,920 --> 00:00:28,990 +know them them mm the inimitable +Collective them who says we're supposed + +20 +00:00:28,990 --> 00:00:29,000 +Collective them who says we're supposed + + +21 +00:00:29,000 --> 00:00:30,830 +Collective them who says we're supposed +to listen to them + +22 +00:00:30,830 --> 00:00:30,840 +to listen to them + + +23 +00:00:30,840 --> 00:00:33,950 +to listen to them +they + +24 +00:00:33,950 --> 00:00:33,960 + + + +25 +00:00:33,960 --> 00:00:36,549 + +do doesn't your hair + +26 +00:00:36,549 --> 00:00:36,559 +do doesn't your hair + + +27 +00:00:36,559 --> 00:00:40,389 +do doesn't your hair +hurt yes it does and I have to get up in + +28 +00:00:40,389 --> 00:00:40,399 +hurt yes it does and I have to get up in + + +29 +00:00:40,399 --> 00:00:44,510 +hurt yes it does and I have to get up in +2 hours and be Charming going to + +30 +00:00:44,510 --> 00:00:44,520 +2 hours and be Charming going to + + +31 +00:00:44,520 --> 00:00:46,950 +2 hours and be Charming going to +Hawaii you'll get there and have fun + +32 +00:00:46,950 --> 00:00:46,960 +Hawaii you'll get there and have fun + + +33 +00:00:46,960 --> 00:00:49,670 +Hawaii you'll get there and have fun +I'll get there and sleep it's just a + +34 +00:00:49,670 --> 00:00:49,680 +I'll get there and sleep it's just a + + +35 +00:00:49,680 --> 00:00:54,820 +I'll get there and sleep it's just a +little vacation I traded roots + +36 +00:00:54,820 --> 00:00:54,830 + + + +37 +00:00:54,830 --> 00:00:58,910 + +[Music] + +38 +00:00:58,910 --> 00:00:58,920 + + + +39 +00:00:58,920 --> 00:01:02,509 + +for + +40 +00:01:02,509 --> 00:01:02,519 + + + +41 +00:01:02,519 --> 00:01:03,910 + +I'll let you + +42 +00:01:03,910 --> 00:01:03,920 +I'll let you + + +43 +00:01:03,920 --> 00:01:06,230 +I'll let you +go + +44 +00:01:06,230 --> 00:01:06,240 +go + + +45 +00:01:06,240 --> 00:01:08,149 +go +wait + +46 +00:01:08,149 --> 00:01:08,159 +wait + + +47 +00:01:08,159 --> 00:01:12,830 +wait +um when will you be + +48 +00:01:12,830 --> 00:01:12,840 + + + +49 +00:01:12,840 --> 00:01:19,149 + +back + +50 +00:01:19,149 --> 00:01:19,159 + + + +51 +00:01:19,159 --> 00:01:22,510 + +hello still + +52 +00:01:22,510 --> 00:01:22,520 +hello still + + +53 +00:01:22,520 --> 00:01:24,270 +hello still +there + +54 +00:01:24,270 --> 00:01:24,280 +there + + +55 +00:01:24,280 --> 00:01:26,910 +there +yeah I'm just wondering if this whole + +56 +00:01:26,910 --> 00:01:26,920 +yeah I'm just wondering if this whole + + +57 +00:01:26,920 --> 00:01:28,590 +yeah I'm just wondering if this whole +thing is better on the + +58 +00:01:28,590 --> 00:01:28,600 +thing is better on the + + +59 +00:01:28,600 --> 00:01:31,429 +thing is better on the +phone she so much better on the + +60 +00:01:31,429 --> 00:01:31,439 +phone she so much better on the + + +61 +00:01:31,439 --> 00:01:33,950 +phone she so much better on the +phone maybe we should never face each + +62 +00:01:33,950 --> 00:01:33,960 +phone maybe we should never face each + + +63 +00:01:33,960 --> 00:01:35,400 +phone maybe we should never face each +other + +64 +00:01:35,400 --> 00:01:35,410 +other + + +65 +00:01:35,410 --> 00:01:58,830 +other +[Music] + +66 +00:01:58,830 --> 00:01:58,840 + + + +67 +00:01:58,840 --> 00:02:00,480 + +again + +68 +00:02:00,480 --> 00:02:00,490 +again + + +69 +00:02:00,490 --> 00:02:06,470 +again +[Music] + diff --git a/2005/3kaShGPva2Q.description b/2005/3kaShGPva2Q.description new file mode 100644 index 0000000000000000000000000000000000000000..d98901285c104ee06bbf32ac3e60900a5e768b32 --- /dev/null +++ b/2005/3kaShGPva2Q.description @@ -0,0 +1,38 @@ +Wedding Crashers movie clips: http://j.mp/1LaLmh5 +BUY THE MOVIE: http://bit.ly/2celOHp +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +When Janice (Stephanie Nevin) offers to set Jeremy (Vince Vaughn) up on a date, he proceeds to say no by listing all possible perils of dating. + +FILM DESCRIPTION: +Two guys find out the hard way that sneaking into the wrong party can cause serious problems in this comedy. Jeremy Klein (Vince Vaughn) and John Beckwith (Owen Wilson) are a pair of longtime friends who work for a law firm, helping contentious couples mediate their divorces. Their job has given them a cynical attitude about marriage, and as a hobby each weekend the two make a point of crashing weddings reception, where they load up on free food and booze and try their luck at seducing the bridesmaids. When William Cleary (Christopher Walken), the nation's Secretary of the Treasury and a possible candidate for the Presidency, announces his daughter is to wed, the nuptials are billed as the social event of the year, and Jeremy and John decide they must attend the reception. However, John makes the mistake of falling head over heels for Claire (Rachel McAdams), the bride's sister, while Jeremy attracts the attentions of a woman he'd prefer not to be involved with, and soon their romantic peccadilloes get them in very hot water. + +CREDITS: +TM & © Warner Bros. (2005) +Cast: Vince Vaughn, Stephanie Nevin +Director: David Dobkin +Producers: Peter Abrams, Cale Boyter, Richard Brener, Toby Emmerich, Robert L. Levy, Andrew Panay, Guy Riedel +Screenwriters: Steve Faber, Bob Fisher + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/3kaShGPva2Q.en.srt b/2005/3kaShGPva2Q.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2b59327c77ba7219e29d6272d170d0e3a43e9dc8 --- /dev/null +++ b/2005/3kaShGPva2Q.en.srt @@ -0,0 +1,365 @@ +1 +00:00:00,199 --> 00:00:03,149 + +I've got the perfect girl for you Janice + +2 +00:00:03,149 --> 00:00:03,159 +I've got the perfect girl for you Janice + + +3 +00:00:03,159 --> 00:00:04,870 +I've got the perfect girl for you Janice +I apologize to you if I don't seem real + +4 +00:00:04,870 --> 00:00:04,880 +I apologize to you if I don't seem real + + +5 +00:00:04,880 --> 00:00:07,030 +I apologize to you if I don't seem real +eager to jump into a forced awkward + +6 +00:00:07,030 --> 00:00:07,040 +eager to jump into a forced awkward + + +7 +00:00:07,040 --> 00:00:08,790 +eager to jump into a forced awkward +intimate situation that people like to + +8 +00:00:08,790 --> 00:00:08,800 +intimate situation that people like to + + +9 +00:00:08,800 --> 00:00:10,629 +intimate situation that people like to +call dating I don't like the feeling + +10 +00:00:10,629 --> 00:00:10,639 +call dating I don't like the feeling + + +11 +00:00:10,639 --> 00:00:11,549 +call dating I don't like the feeling +you're sitting there you're wondering do + +12 +00:00:11,549 --> 00:00:11,559 +you're sitting there you're wondering do + + +13 +00:00:11,559 --> 00:00:13,350 +you're sitting there you're wondering do +I have food on my face am I eating am I + +14 +00:00:13,350 --> 00:00:13,360 +I have food on my face am I eating am I + + +15 +00:00:13,360 --> 00:00:14,869 +I have food on my face am I eating am I +talking too much are they talking enough + +16 +00:00:14,869 --> 00:00:14,879 +talking too much are they talking enough + + +17 +00:00:14,879 --> 00:00:15,789 +talking too much are they talking enough +am I interested I'm not really + +18 +00:00:15,789 --> 00:00:15,799 +am I interested I'm not really + + +19 +00:00:15,799 --> 00:00:16,830 +am I interested I'm not really +interested should I play like I'm + +20 +00:00:16,830 --> 00:00:16,840 +interested should I play like I'm + + +21 +00:00:16,840 --> 00:00:18,029 +interested should I play like I'm +interested but I'm not that interested + +22 +00:00:18,029 --> 00:00:18,039 +interested but I'm not that interested + + +23 +00:00:18,039 --> 00:00:19,230 +interested but I'm not that interested +but I think she might be interested but + +24 +00:00:19,230 --> 00:00:19,240 +but I think she might be interested but + + +25 +00:00:19,240 --> 00:00:20,429 +but I think she might be interested but +do I want to be interested but now she's + +26 +00:00:20,429 --> 00:00:20,439 +do I want to be interested but now she's + + +27 +00:00:20,439 --> 00:00:21,950 +do I want to be interested but now she's +not interested so now all of a sudden + +28 +00:00:21,950 --> 00:00:21,960 +not interested so now all of a sudden + + +29 +00:00:21,960 --> 00:00:22,870 +not interested so now all of a sudden +I'm getting I'm starting to get + +30 +00:00:22,870 --> 00:00:22,880 +I'm getting I'm starting to get + + +31 +00:00:22,880 --> 00:00:24,230 +I'm getting I'm starting to get +interested and what am I supposed to + +32 +00:00:24,230 --> 00:00:24,240 +interested and what am I supposed to + + +33 +00:00:24,240 --> 00:00:25,550 +interested and what am I supposed to +kiss her have to wait for the door cuz + +34 +00:00:25,550 --> 00:00:25,560 +kiss her have to wait for the door cuz + + +35 +00:00:25,560 --> 00:00:26,589 +kiss her have to wait for the door cuz +then it's awkward it's like well good + +36 +00:00:26,589 --> 00:00:26,599 +then it's awkward it's like well good + + +37 +00:00:26,599 --> 00:00:28,910 +then it's awkward it's like well good +night do you do like the ass out hug + +38 +00:00:28,910 --> 00:00:28,920 +night do you do like the ass out hug + + +39 +00:00:28,920 --> 00:00:30,349 +night do you do like the ass out hug +where you like you hug each other like + +40 +00:00:30,349 --> 00:00:30,359 +where you like you hug each other like + + +41 +00:00:30,359 --> 00:00:31,669 +where you like you hug each other like +this and the ass sticks out because + +42 +00:00:31,669 --> 00:00:31,679 +this and the ass sticks out because + + +43 +00:00:31,679 --> 00:00:32,830 +this and the ass sticks out because +you're trying not to get too close you + +44 +00:00:32,830 --> 00:00:32,840 +you're trying not to get too close you + + +45 +00:00:32,840 --> 00:00:33,830 +you're trying not to get too close you +just go right in and kiss him on the + +46 +00:00:33,830 --> 00:00:33,840 +just go right in and kiss him on the + + +47 +00:00:33,840 --> 00:00:35,630 +just go right in and kiss him on the +lips so don't kiss them at all it's very + +48 +00:00:35,630 --> 00:00:35,640 +lips so don't kiss them at all it's very + + +49 +00:00:35,640 --> 00:00:37,069 +lips so don't kiss them at all it's very +difficult trying to read the situation + +50 +00:00:37,069 --> 00:00:37,079 +difficult trying to read the situation + + +51 +00:00:37,079 --> 00:00:38,069 +difficult trying to read the situation +and all the while you just really + +52 +00:00:38,069 --> 00:00:38,079 +and all the while you just really + + +53 +00:00:38,079 --> 00:00:39,310 +and all the while you just really +wondering are we going to get hopped up + +54 +00:00:39,310 --> 00:00:39,320 +wondering are we going to get hopped up + + +55 +00:00:39,320 --> 00:00:41,869 +wondering are we going to get hopped up +enough to make some bad decisions and + +56 +00:00:41,869 --> 00:00:41,879 +enough to make some bad decisions and + + +57 +00:00:41,879 --> 00:00:43,630 +enough to make some bad decisions and +perhaps play a little game called just a + +58 +00:00:43,630 --> 00:00:43,640 +perhaps play a little game called just a + + +59 +00:00:43,640 --> 00:00:45,470 +perhaps play a little game called just a +tip just for a second just to see how it + +60 +00:00:45,470 --> 00:00:45,480 +tip just for a second just to see how it + + +61 +00:00:45,480 --> 00:00:49,990 +tip just for a second just to see how it +feels or ouch OU you're on my hair okay + +62 +00:00:49,990 --> 00:00:50,000 +feels or ouch OU you're on my hair okay + + +63 +00:00:50,000 --> 00:00:51,510 +feels or ouch OU you're on my hair okay +okay can can you can you put that so he + +64 +00:00:51,510 --> 00:00:51,520 +okay can can you can you put that so he + + +65 +00:00:51,520 --> 00:00:54,750 +okay can can you can you put that so he +he can't see it and thank you hey Janice + +66 +00:00:54,750 --> 00:00:54,760 +he can't see it and thank you hey Janice + + +67 +00:00:54,760 --> 00:00:55,920 +he can't see it and thank you hey Janice +great + +68 +00:00:55,920 --> 00:00:55,930 +great + + +69 +00:00:55,930 --> 00:00:58,910 +great +[Music] + +70 +00:00:58,910 --> 00:00:58,920 +[Music] + + +71 +00:00:58,920 --> 00:01:05,830 +[Music] +talk + +72 +00:01:05,830 --> 00:01:05,840 + + + +73 +00:01:05,840 --> 00:01:28,410 + +[Music] + diff --git a/2005/3rb5s-BoCFM.description b/2005/3rb5s-BoCFM.description new file mode 100644 index 0000000000000000000000000000000000000000..2ef362b8625560e23f863c468d5eb41f02b695bc --- /dev/null +++ b/2005/3rb5s-BoCFM.description @@ -0,0 +1,34 @@ +Memoirs of a Geisha - Sweet, Shaved Ice: Chiyo (Suzuka Ohgo) receives kindness from the Chairman (Ken Watanabe). +BUY THE MOVIE: https://www.fandangonow.com/details/movie/memoirs-of-a-geisha-2005/1MV6972c37eedc81b848793f22f114a8147?cmp=Movieclips_YT_Description + +Watch the best Memoirs of a Geisha scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqo_OpuvvS6R7cesmf_lNsTU + +FILM DESCRIPTION: +In the 1920s, 9-year-old Chiyo (Suzuka Ohgo) gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri (Ziyi Zhang), a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. + +CREDITS: +TM & © Sony (2005) +Cast: Suzuka Ohgo +Director: Rob Marshall +Screenwriter: Robin Swicord +Producer: Steven Spielberg + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file diff --git a/2005/3rb5s-BoCFM.en.srt b/2005/3rb5s-BoCFM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..58954b949ea5f2fa8f17c57558767951ac0b75da --- /dev/null +++ b/2005/3rb5s-BoCFM.en.srt @@ -0,0 +1,255 @@ +1 +00:00:00,060 --> 00:00:05,539 + +what's your name don't be afraid to look + +2 +00:00:05,539 --> 00:00:05,549 +what's your name don't be afraid to look + + +3 +00:00:05,549 --> 00:00:13,470 +what's your name don't be afraid to look +at me + +4 +00:00:13,470 --> 00:00:13,480 + + + +5 +00:00:13,480 --> 00:00:18,500 + +do you like sweet Rome which area I mean + +6 +00:00:18,500 --> 00:00:18,510 +do you like sweet Rome which area I mean + + +7 +00:00:18,510 --> 00:00:25,970 +do you like sweet Rome which area I mean +to eat I like sweet about myself + +8 +00:00:25,970 --> 00:00:25,980 + + + +9 +00:00:25,980 --> 00:00:28,499 + +none of us find out much kindness in + +10 +00:00:28,499 --> 00:00:28,509 +none of us find out much kindness in + + +11 +00:00:28,509 --> 00:00:32,249 +none of us find out much kindness in +this life as we should hi + +12 +00:00:32,249 --> 00:00:32,259 +this life as we should hi + + +13 +00:00:32,259 --> 00:00:38,580 +this life as we should hi +what kind peace my children wait for + +14 +00:00:38,580 --> 00:00:38,590 +what kind peace my children wait for + + +15 +00:00:38,590 --> 00:00:51,160 +what kind peace my children wait for +deserve esteem + +16 +00:00:51,160 --> 00:00:51,170 + + + +17 +00:00:51,170 --> 00:00:56,920 + +[Music] + +18 +00:00:56,920 --> 00:00:56,930 + + + +19 +00:00:56,930 --> 00:01:03,500 + +now I'm not gonna - and so yeah how did + +20 +00:01:03,500 --> 00:01:03,510 +now I'm not gonna - and so yeah how did + + +21 +00:01:03,510 --> 00:01:08,300 +now I'm not gonna - and so yeah how did +you come by such surprising eyes my + +22 +00:01:08,300 --> 00:01:08,310 +you come by such surprising eyes my + + +23 +00:01:08,310 --> 00:01:10,100 +you come by such surprising eyes my +mother gave them to me + +24 +00:01:10,100 --> 00:01:10,110 +mother gave them to me + + +25 +00:01:10,110 --> 00:01:13,850 +mother gave them to me +generous of her wasn't it as you have + +26 +00:01:13,850 --> 00:01:13,860 +generous of her wasn't it as you have + + +27 +00:01:13,860 --> 00:01:18,020 +generous of her wasn't it as you have +been + +28 +00:01:18,020 --> 00:01:18,030 + + + +29 +00:01:18,030 --> 00:01:23,150 + +smile for me want you there are that is + +30 +00:01:23,150 --> 00:01:23,160 +smile for me want you there are that is + + +31 +00:01:23,160 --> 00:01:29,870 +smile for me want you there are that is +a gift to me + +32 +00:01:29,870 --> 00:01:29,880 + + + +33 +00:01:29,880 --> 00:01:33,240 + +this will buy your supper now promise me + +34 +00:01:33,240 --> 00:01:33,250 +this will buy your supper now promise me + + +35 +00:01:33,250 --> 00:01:37,020 +this will buy your supper now promise me +one thing next time you take a tumble no + +36 +00:01:37,020 --> 00:01:37,030 +one thing next time you take a tumble no + + +37 +00:01:37,030 --> 00:01:41,650 +one thing next time you take a tumble no +brows that's better + +38 +00:01:41,650 --> 00:01:41,660 +brows that's better + + +39 +00:01:41,660 --> 00:01:52,370 +brows that's better +[Music] + +40 +00:01:52,370 --> 00:01:52,380 + + + +41 +00:01:52,380 --> 00:01:56,310 + +in that moment I changed from a girl + +42 +00:01:56,310 --> 00:01:56,320 +in that moment I changed from a girl + + +43 +00:01:56,320 --> 00:01:59,820 +in that moment I changed from a girl +facing nothing but emptiness to someone + +44 +00:01:59,820 --> 00:01:59,830 +facing nothing but emptiness to someone + + +45 +00:01:59,830 --> 00:02:04,640 +facing nothing but emptiness to someone +with purpose I saw that to be a Geisha + +46 +00:02:04,640 --> 00:02:04,650 +with purpose I saw that to be a Geisha + + +47 +00:02:04,650 --> 00:02:07,530 +with purpose I saw that to be a Geisha +could be a stepping stone to something + +48 +00:02:07,530 --> 00:02:07,540 +could be a stepping stone to something + + +49 +00:02:07,540 --> 00:02:11,460 +could be a stepping stone to something +else a place in his world + +50 +00:02:11,460 --> 00:02:11,470 +else a place in his world + + +51 +00:02:11,470 --> 00:02:22,810 +else a place in his world +[Music] + diff --git a/2005/3rnomffKi0I.description b/2005/3rnomffKi0I.description new file mode 100644 index 0000000000000000000000000000000000000000..bf84b114f2425c2399f8d56ffc424ab119211836 --- /dev/null +++ b/2005/3rnomffKi0I.description @@ -0,0 +1,38 @@ +Lord of War movie clips: http://j.mp/15w4yFI +BUY THE MOVIE: http://j.mp/L1xqoE +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Special Agent Jack Valentine (Ethan Hawke) catches Yuri Orlov (Nicolas Cage) on a plane transporting his illegal cargo and he's forced to make an emergency landing. + +FILM DESCRIPTION: +One man demonstrates how to get rich selling warring nations the tools of their deadly trade in this dark comedy drama. Yuri Orlov (Nicolas Cage) is an opportunistic businessman who stumbled into a gold mine after the end of the Cold War and the collapse of the Soviet Union. Huge caches of Soviet weapons became available at bargain prices (and even for free if one wasn't above stealing), and as literally billions of dollars' worth of Soviet military technology disappeared, it began finding its way into the hands of weapons dealers eager to sell it to the highest bidder. Orlov was one such dealer who found plenty of buyers for guns and military gear in unstable Third World nations, who paid cash and didn't appreciate too many questions. Orlov's exploits in the arms business quickly made him a very rich man, but they've also led to some unwanted attention from Jack Valentine (Ethan Hawke), an Interpol agent who is convinced Orlov isn't playing by the rules. Inspired by a true story, Lord of War also features Jared Leto, Ian Holm, Bridget Moynahan, and Donald Sutherland. + +CREDITS: +TM & © Lionsgate (2005) +Cast: Nicolas Cage, Hlomla Dandala, Konstantin Egorov, David Harman, Ethan Hawke, Donald Sutherland, Neil Tweddle +Director: Andrew Niccol +Producers: Artemio Benki, Nicolas Cage, Greig Buckle, Bradley Cramp, Christopher Eberts, Norman Golightly, Fabrice Gianfermi, Douglas Hansen, Andreas Grosch, Andrew Niccol, Michael Mendelsohn, Philippe Rousselet, Teri-Lin Robertson, James D. Stern, Ronaldo Vasconcellos, Jim Vidal +Screenwriter: Andrew Niccol + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/3rnomffKi0I.en.srt b/2005/3rnomffKi0I.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..cf55665947374523ce88fbb640509f3b9ed36c03 --- /dev/null +++ b/2005/3rnomffKi0I.en.srt @@ -0,0 +1,415 @@ +1 +00:00:00,280 --> 00:00:03,389 + +Charlie Echo India reroute to cabala + +2 +00:00:03,389 --> 00:00:03,399 +Charlie Echo India reroute to cabala + + +3 +00:00:03,399 --> 00:00:05,110 +Charlie Echo India reroute to cabala +airport on heading + +4 +00:00:05,110 --> 00:00:05,120 +airport on heading + + +5 +00:00:05,120 --> 00:00:20,269 +airport on heading +029 comply + +6 +00:00:20,269 --> 00:00:20,279 + + + +7 +00:00:20,279 --> 00:00:22,750 + +immediately colel Southern it's Yuri I'm + +8 +00:00:22,750 --> 00:00:22,760 +immediately colel Southern it's Yuri I'm + + +9 +00:00:22,760 --> 00:00:23,990 +immediately colel Southern it's Yuri I'm +sorry to call you on this number but + +10 +00:00:23,990 --> 00:00:24,000 +sorry to call you on this number but + + +11 +00:00:24,000 --> 00:00:25,830 +sorry to call you on this number but +I've got interpool all over my ass I + +12 +00:00:25,830 --> 00:00:25,840 +I've got interpool all over my ass I + + +13 +00:00:25,840 --> 00:00:28,710 +I've got interpool all over my ass I +can't know you right now it's a not a + +14 +00:00:28,710 --> 00:00:28,720 +can't know you right now it's a not a + + +15 +00:00:28,720 --> 00:00:31,349 +can't know you right now it's a not a +good time + +16 +00:00:31,349 --> 00:00:31,359 +good time + + +17 +00:00:31,359 --> 00:00:40,910 +good time +not a Good + +18 +00:00:40,910 --> 00:00:40,920 + + + +19 +00:00:40,920 --> 00:00:44,069 + +Time Charlie Echo India comply + +20 +00:00:44,069 --> 00:00:44,079 +Time Charlie Echo India comply + + +21 +00:00:44,079 --> 00:00:46,350 +Time Charlie Echo India comply +immediately this is your last warning + +22 +00:00:46,350 --> 00:00:46,360 +immediately this is your last warning + + +23 +00:00:46,360 --> 00:00:47,910 +immediately this is your last warning +where was the first warning Rock + +24 +00:00:47,910 --> 00:00:47,920 +where was the first warning Rock + + +25 +00:00:47,920 --> 00:00:49,670 +where was the first warning Rock +Your Wings if you intend to comply I'm + +26 +00:00:49,670 --> 00:00:49,680 +Your Wings if you intend to comply I'm + + +27 +00:00:49,680 --> 00:00:55,310 +Your Wings if you intend to comply I'm +boting us + +28 +00:00:55,310 --> 00:00:55,320 + + + +29 +00:00:55,320 --> 00:00:57,790 + +down you land we're all going away I + +30 +00:00:57,790 --> 00:00:57,800 +down you land we're all going away I + + +31 +00:00:57,800 --> 00:00:59,389 +down you land we're all going away I +don't have paperwork we're in a flame + +32 +00:00:59,389 --> 00:00:59,399 +don't have paperwork we're in a flame + + +33 +00:00:59,399 --> 00:01:00,990 +don't have paperwork we're in a flame + bomb they're firing bullets at + +34 +00:01:00,990 --> 00:01:01,000 +bomb they're firing bullets at + + +35 +00:01:01,000 --> 00:01:04,030 +bomb they're firing bullets at +our bullets I'm putting us down okay + +36 +00:01:04,030 --> 00:01:04,040 +our bullets I'm putting us down okay + + +37 +00:01:04,040 --> 00:01:05,390 +our bullets I'm putting us down okay +okay + +38 +00:01:05,390 --> 00:01:05,400 +okay + + +39 +00:01:05,400 --> 00:01:08,350 +okay + this is Charlie Echo India request + +40 +00:01:08,350 --> 00:01:08,360 +this is Charlie Echo India request + + +41 +00:01:08,360 --> 00:01:10,950 +this is Charlie Echo India request +rout to cabala airport on bearing + +42 +00:01:10,950 --> 00:01:10,960 +rout to cabala airport on bearing + + +43 +00:01:10,960 --> 00:01:14,670 +rout to cabala airport on bearing +029 no not the airport there the highway + +44 +00:01:14,670 --> 00:01:14,680 +029 no not the airport there the highway + + +45 +00:01:14,680 --> 00:01:17,670 +029 no not the airport there the highway +it's our only hope are you mad a + +46 +00:01:17,670 --> 00:01:17,680 +it's our only hope are you mad a + + +47 +00:01:17,680 --> 00:01:19,670 +it's our only hope are you mad a +PO hole will set us off you + +48 +00:01:19,670 --> 00:01:19,680 +PO hole will set us off you + + +49 +00:01:19,680 --> 00:01:21,710 +PO hole will set us off you +underestimate yourself Alexi you're the + +50 +00:01:21,710 --> 00:01:21,720 +underestimate yourself Alexi you're the + + +51 +00:01:21,720 --> 00:01:23,510 +underestimate yourself Alexi you're the +best you're the Alexi you're the + +52 +00:01:23,510 --> 00:01:23,520 +best you're the Alexi you're the + + +53 +00:01:23,520 --> 00:01:26,149 +best you're the Alexi you're the + you're the you're the + +54 +00:01:26,149 --> 00:01:26,159 +you're the you're the + + +55 +00:01:26,159 --> 00:01:29,230 +you're the you're the + of course Alexi wasn't the best he + +56 +00:01:29,230 --> 00:01:29,240 +of course Alexi wasn't the best he + + +57 +00:01:29,240 --> 00:01:31,550 +of course Alexi wasn't the best he +come 47 second out of 43 at the Moscow + +58 +00:01:31,550 --> 00:01:31,560 +come 47 second out of 43 at the Moscow + + +59 +00:01:31,560 --> 00:01:34,480 +come 47 second out of 43 at the Moscow +flight + +60 +00:01:34,480 --> 00:01:34,490 + + + +61 +00:01:34,490 --> 00:01:39,749 + +[Music] + +62 +00:01:39,749 --> 00:01:39,759 + + + +63 +00:01:39,759 --> 00:01:42,270 + +school oh God what's he + +64 +00:01:42,270 --> 00:01:42,280 +school oh God what's he + + +65 +00:01:42,280 --> 00:01:45,749 +school oh God what's he +doing is this guy + +66 +00:01:45,749 --> 00:01:45,759 +doing is this guy + + +67 +00:01:45,759 --> 00:01:48,550 +doing is this guy +nuts I can't land there sir cabala is + +68 +00:01:48,550 --> 00:01:48,560 +nuts I can't land there sir cabala is + + +69 +00:01:48,560 --> 00:01:51,230 +nuts I can't land there sir cabala is +only 15 minutes away he can't get far I + +70 +00:01:51,230 --> 00:01:51,240 +only 15 minutes away he can't get far I + + +71 +00:01:51,240 --> 00:01:58,830 +only 15 minutes away he can't get far I +want to drop on the + +72 +00:01:58,830 --> 00:01:58,840 + + + +73 +00:01:58,840 --> 00:02:22,870 + +tarmac + +74 +00:02:22,870 --> 00:02:22,880 + + + +75 +00:02:22,880 --> 00:02:28,750 + +[Music] + +76 +00:02:28,750 --> 00:02:28,760 + + + +77 +00:02:28,760 --> 00:02:55,610 + +thee + +78 +00:02:55,610 --> 00:02:55,620 + + + +79 +00:02:55,620 --> 00:02:58,750 + +[Music] + +80 +00:02:58,750 --> 00:02:58,760 +[Music] + + +81 +00:02:58,760 --> 00:03:00,480 +[Music] +ting + +82 +00:03:00,480 --> 00:03:00,490 +ting + + +83 +00:03:00,490 --> 00:03:31,549 +ting +[Music] + diff --git a/2005/45wce6oSr0M.description b/2005/45wce6oSr0M.description new file mode 100644 index 0000000000000000000000000000000000000000..c6283197ef1668855bacd6fa901469dfc16af8f2 --- /dev/null +++ b/2005/45wce6oSr0M.description @@ -0,0 +1,38 @@ +Lord of War movie clips: http://j.mp/15w4yFI +BUY THE MOVIE: http://j.mp/L1xqoE +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After the fall of the Berlin Wall, Yuri Orlov (Nicolas Cage) visits his Uncle Dimitri (Yevgeni Lazarev) and cuts a deal for a Soviet stock pile of weapons kept in the Ukraine. + +FILM DESCRIPTION: +One man demonstrates how to get rich selling warring nations the tools of their deadly trade in this dark comedy drama. Yuri Orlov (Nicolas Cage) is an opportunistic businessman who stumbled into a gold mine after the end of the Cold War and the collapse of the Soviet Union. Huge caches of Soviet weapons became available at bargain prices (and even for free if one wasn't above stealing), and as literally billions of dollars' worth of Soviet military technology disappeared, it began finding its way into the hands of weapons dealers eager to sell it to the highest bidder. Orlov was one such dealer who found plenty of buyers for guns and military gear in unstable Third World nations, who paid cash and didn't appreciate too many questions. Orlov's exploits in the arms business quickly made him a very rich man, but they've also led to some unwanted attention from Jack Valentine (Ethan Hawke), an Interpol agent who is convinced Orlov isn't playing by the rules. Inspired by a true story, Lord of War also features Jared Leto, Ian Holm, Bridget Moynahan, and Donald Sutherland. + +CREDITS: +TM & © Lionsgate (2005) +Cast: Nicolas Cage, Yevgeni Lazarev +Director: Andrew Niccol +Producers: Artemio Benki, Nicolas Cage, Greig Buckle, Bradley Cramp, Christopher Eberts, Norman Golightly, Fabrice Gianfermi, Douglas Hansen, Andreas Grosch, Andrew Niccol, Michael Mendelsohn, Philippe Rousselet, Teri-Lin Robertson, James D. Stern, Ronaldo Vasconcellos, Jim Vidal +Screenwriter: Andrew Niccol + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/45wce6oSr0M.en.srt b/2005/45wce6oSr0M.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8d0be880b2bf409f946b63fa14d197b0ed394a42 --- /dev/null +++ b/2005/45wce6oSr0M.en.srt @@ -0,0 +1,315 @@ +1 +00:00:05,400 --> 00:00:07,749 + +those 45 years of mutual hatred between + +2 +00:00:07,749 --> 00:00:07,759 +those 45 years of mutual hatred between + + +3 +00:00:07,759 --> 00:00:09,669 +those 45 years of mutual hatred between +the East and the West had generated the + +4 +00:00:09,669 --> 00:00:09,679 +the East and the West had generated the + + +5 +00:00:09,679 --> 00:00:12,390 +the East and the West had generated the +highest weapons built up in history the + +6 +00:00:12,390 --> 00:00:12,400 +highest weapons built up in history the + + +7 +00:00:12,400 --> 00:00:14,350 +highest weapons built up in history the +Soviets had guns coming out of the demon + +8 +00:00:14,350 --> 00:00:14,360 +Soviets had guns coming out of the demon + + +9 +00:00:14,360 --> 00:00:18,189 +Soviets had guns coming out of the demon +hole huge stockpiles and now no + +10 +00:00:18,189 --> 00:00:18,199 +hole huge stockpiles and now no + + +11 +00:00:18,199 --> 00:00:22,670 +hole huge stockpiles and now no +enemy how many cols do you + +12 +00:00:22,670 --> 00:00:22,680 +enemy how many cols do you + + +13 +00:00:22,680 --> 00:00:24,950 +enemy how many cols do you +have + +14 +00:00:24,950 --> 00:00:24,960 +have + + +15 +00:00:24,960 --> 00:00:28,429 +have +4,000 is that a four doesn't look like a + +16 +00:00:28,429 --> 00:00:28,439 +4,000 is that a four doesn't look like a + + +17 +00:00:28,439 --> 00:00:31,749 +4,000 is that a four doesn't look like a +four to me looks more like a one + +18 +00:00:31,749 --> 00:00:31,759 +four to me looks more like a one + + +19 +00:00:31,759 --> 00:00:33,910 +four to me looks more like a one +no it's a four it's whatever we say it + +20 +00:00:33,910 --> 00:00:33,920 +no it's a four it's whatever we say it + + +21 +00:00:33,920 --> 00:00:38,670 +no it's a four it's whatever we say it +is because no one else will know the + +22 +00:00:38,670 --> 00:00:38,680 + + + +23 +00:00:38,680 --> 00:00:42,670 + +difference 10,000 kalashnikovs for a + +24 +00:00:42,670 --> 00:00:42,680 +difference 10,000 kalashnikovs for a + + +25 +00:00:42,680 --> 00:00:44,830 +difference 10,000 kalashnikovs for a +battalion your stocks are dangerously + +26 +00:00:44,830 --> 00:00:44,840 +battalion your stocks are dangerously + + +27 +00:00:44,840 --> 00:00:47,270 +battalion your stocks are dangerously +depleted Demitri you should order more + +28 +00:00:47,270 --> 00:00:47,280 +depleted Demitri you should order more + + +29 +00:00:47,280 --> 00:00:48,630 +depleted Demitri you should order more +from the + +30 +00:00:48,630 --> 00:00:48,640 +from the + + +31 +00:00:48,640 --> 00:00:52,069 +from the +factory someone will work it + +32 +00:00:52,069 --> 00:00:52,079 +factory someone will work it + + +33 +00:00:52,079 --> 00:00:57,869 +factory someone will work it +down what happens then we'll cut them + +34 +00:00:57,869 --> 00:00:57,879 + + + +35 +00:00:57,879 --> 00:01:00,310 + +in the end of the Cold War was the + +36 +00:01:00,310 --> 00:01:00,320 +in the end of the Cold War was the + + +37 +00:01:00,320 --> 00:01:02,069 +in the end of the Cold War was the +beginning of the hottest time in arms + +38 +00:01:02,069 --> 00:01:02,079 +beginning of the hottest time in arms + + +39 +00:01:02,079 --> 00:01:06,190 +beginning of the hottest time in arms +dealing the arms Bazaar was open guided + +40 +00:01:06,190 --> 00:01:06,200 +dealing the arms Bazaar was open guided + + +41 +00:01:06,200 --> 00:01:09,310 +dealing the arms Bazaar was open guided +missiles unguided missiles mortars mines + +42 +00:01:09,310 --> 00:01:09,320 +missiles unguided missiles mortars mines + + +43 +00:01:09,320 --> 00:01:17,190 +missiles unguided missiles mortars mines +armored personnel carriers whole tank + +44 +00:01:17,190 --> 00:01:17,200 + + + +45 +00:01:17,200 --> 00:01:19,630 + +divisions I even landed a squadron of + +46 +00:01:19,630 --> 00:01:19,640 +divisions I even landed a squadron of + + +47 +00:01:19,640 --> 00:01:22,040 +divisions I even landed a squadron of +helicopter + +48 +00:01:22,040 --> 00:01:22,050 +helicopter + + +49 +00:01:22,050 --> 00:01:28,910 +helicopter +[Music] + +50 +00:01:28,910 --> 00:01:28,920 + + + +51 +00:01:28,920 --> 00:01:33,950 + +gunships + +52 +00:01:33,950 --> 00:01:33,960 + + + +53 +00:01:33,960 --> 00:01:36,389 + +the most sophisticated Fighting Machines + +54 +00:01:36,389 --> 00:01:36,399 +the most sophisticated Fighting Machines + + +55 +00:01:36,399 --> 00:01:44,400 +the most sophisticated Fighting Machines +built for a war with America that never + +56 +00:01:44,400 --> 00:01:44,410 + + + +57 +00:01:44,410 --> 00:01:58,830 + +[Music] + +58 +00:01:58,830 --> 00:01:58,840 + + + +59 +00:01:58,840 --> 00:02:01,410 + +happened + +60 +00:02:01,410 --> 00:02:01,420 +happened + + +61 +00:02:01,420 --> 00:02:12,630 +happened +[Music] + +62 +00:02:12,630 --> 00:02:12,640 + + + +63 +00:02:12,640 --> 00:02:15,640 + +sh + diff --git a/2005/5AJvo1pc3sw.description b/2005/5AJvo1pc3sw.description new file mode 100644 index 0000000000000000000000000000000000000000..c1df28434b2ddd811c950741510db2d45176e5cb --- /dev/null +++ b/2005/5AJvo1pc3sw.description @@ -0,0 +1,38 @@ +Capote movie clips: http://j.mp/1znWn8r +BUY THE MOVIE: http://j.mp/12MVio3 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Perry (Clifton Collins Jr.) is angry about the title of Truman's (Philip Seymour Hoffman) book, and they discuss their friendship. + +FILM DESCRIPTION: +The creation of one of the most memorable books of the 1960s -- and the impact the writing and research would have on its author -- is explored in this drama based on a true story. In 1959, Truman Capote (played by Philip Seymour Hoffman) was a critically acclaimed novelist who had earned a small degree of celebrity for his work when he read a short newspaper item about a multiple murder in a small Kansas town. For some reason, the story fascinated Capote, and he asked William Shawn (Bob Balaban), his editor at The New Yorker, to let him write a piece about the case. Capote had long believed that in the right hands, a true story could be molded into a tale as compelling as any fiction, and he believed this event, in which the brutal and unimaginable was visited upon a community where it was least expected, could be just the right material. Capote traveled to Kansas with his close friend Harper Lee (Catherine Keener), herself becoming a major literary figure with the success of To Kill a Mockingbird, and while Capote's effete and mannered personal style stuck out like a sore thumb in Kansas, in time he gained the trust of Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent investigating the murder of the Clutter family, and with his help Capote's magazine piece grew into a full-length book. Capote also became familiar with the petty criminals who killed the Clutter family, Dick Hickock (Mark Pellegrino) and Perry Smith (Clifton Collins Jr.), and in Smith he found a troubling kindred spirit more like himself than he wanted to admit. After attaining a sort of friendship with Smith under the assumption that the man would be executed before the book was ever published, Capote finds himself forced to directly confront the moral implications of his actions with regards to both his role in the man's death, and the way that he would be remembered. Capote also co-stars Bruce Greenwood as Capote's longtime companion Jack Dunphy, and Amy Ryan as Mary Dewey, Alvin's wife who became a confidante of Capote's. + +CREDITS: +TM & © MGM (2005) +Cast: Clifton Collins Jr., Philip Seymour Hoffman +Director: Bennett Miller +Producers: Dan Futterman, Philip Seymour Hoffman, Karen Gorodetzky, Kyle Irving, Michael Ohoven, Kerry Rock, Danny Rosett, William Vince, David Valleau, Emily Ziff, Caroline Baron, Jacques Mth, Kyle Mann +Screenwriter: Dan Futterman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/5AJvo1pc3sw.en.srt b/2005/5AJvo1pc3sw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..98af5edc980cd351a39cc2f1aec703bac9f6021c --- /dev/null +++ b/2005/5AJvo1pc3sw.en.srt @@ -0,0 +1,355 @@ +1 +00:00:10,639 --> 00:00:18,990 + +what's the name of your + +2 +00:00:18,990 --> 00:00:19,000 + + + +3 +00:00:19,000 --> 00:00:23,109 + +book what's the name of your + +4 +00:00:23,109 --> 00:00:23,119 +book what's the name of your + + +5 +00:00:23,119 --> 00:00:28,950 +book what's the name of your +book I don't know what you're talking + +6 +00:00:28,950 --> 00:00:28,960 + + + +7 +00:00:28,960 --> 00:00:34,830 + +about + +8 +00:00:34,830 --> 00:00:34,840 + + + +9 +00:00:34,840 --> 00:00:36,069 + +trumman + +10 +00:00:36,069 --> 00:00:36,079 +trumman + + +11 +00:00:36,079 --> 00:00:39,830 +trumman +capot read last night before a packed + +12 +00:00:39,830 --> 00:00:39,840 +capot read last night before a packed + + +13 +00:00:39,840 --> 00:00:42,830 +capot read last night before a packed +audience from his non-fiction + +14 +00:00:42,830 --> 00:00:42,840 +audience from his non-fiction + + +15 +00:00:42,840 --> 00:00:47,709 +audience from his non-fiction +book in Cold + +16 +00:00:47,709 --> 00:00:47,719 + + + +17 +00:00:47,719 --> 00:00:50,470 + +Blood The True Crime novel tells of + +18 +00:00:50,470 --> 00:00:50,480 +Blood The True Crime novel tells of + + +19 +00:00:50,480 --> 00:00:52,270 +Blood The True Crime novel tells of +killers Richard hickcock + +20 +00:00:52,270 --> 00:00:52,280 +killers Richard hickcock + + +21 +00:00:52,280 --> 00:00:55,029 +killers Richard hickcock +and Perry + +22 +00:00:55,029 --> 00:00:55,039 +and Perry + + +23 +00:00:55,039 --> 00:00:57,790 +and Perry +Smith who brutally murdered a Kansas + +24 +00:00:57,790 --> 00:00:57,800 +Smith who brutally murdered a Kansas + + +25 +00:00:57,800 --> 00:01:01,869 +Smith who brutally murdered a Kansas +family three years ago + +26 +00:01:01,869 --> 00:01:01,879 +family three years ago + + +27 +00:01:01,879 --> 00:01:04,429 +family three years ago +who sent that to you it's not your + +28 +00:01:04,429 --> 00:01:04,439 +who sent that to you it's not your + + +29 +00:01:04,439 --> 00:01:06,789 +who sent that to you it's not your +goddamn business it is my business + +30 +00:01:06,789 --> 00:01:06,799 +goddamn business it is my business + + +31 +00:01:06,799 --> 00:01:08,789 +goddamn business it is my business +because it's not true the organizers of + +32 +00:01:08,789 --> 00:01:08,799 +because it's not true the organizers of + + +33 +00:01:08,799 --> 00:01:11,510 +because it's not true the organizers of +the reading needed a title they picked + +34 +00:01:11,510 --> 00:01:11,520 +the reading needed a title they picked + + +35 +00:01:11,520 --> 00:01:15,030 +the reading needed a title they picked +one is it a sensational one I admit to + +36 +00:01:15,030 --> 00:01:15,040 +one is it a sensational one I admit to + + +37 +00:01:15,040 --> 00:01:21,190 +one is it a sensational one I admit to +attract a + +38 +00:01:21,190 --> 00:01:21,200 + + + +39 +00:01:21,200 --> 00:01:23,230 + +crowd they picked + +40 +00:01:23,230 --> 00:01:23,240 +crowd they picked + + +41 +00:01:23,240 --> 00:01:25,710 +crowd they picked +it + +42 +00:01:25,710 --> 00:01:25,720 +it + + +43 +00:01:25,720 --> 00:01:28,749 +it +yes it's not your title bar I haven't + +44 +00:01:28,749 --> 00:01:28,759 +yes it's not your title bar I haven't + + +45 +00:01:28,759 --> 00:01:32,270 +yes it's not your title bar I haven't +chosen one yet + +46 +00:01:32,270 --> 00:01:32,280 + + + +47 +00:01:32,280 --> 00:01:34,109 + +how could I choose a title when we still + +48 +00:01:34,109 --> 00:01:34,119 +how could I choose a title when we still + + +49 +00:01:34,119 --> 00:01:36,109 +how could I choose a title when we still +haven't talked about that night how + +50 +00:01:36,109 --> 00:01:36,119 +haven't talked about that night how + + +51 +00:01:36,119 --> 00:01:38,710 +haven't talked about that night how +could I I + +52 +00:01:38,710 --> 00:01:38,720 +could I I + + +53 +00:01:38,720 --> 00:01:45,550 +could I I +couldn't + +54 +00:01:45,550 --> 00:01:45,560 + + + +55 +00:01:45,560 --> 00:01:49,270 + +possibly you pretend to be my + +56 +00:01:49,270 --> 00:01:49,280 +possibly you pretend to be my + + +57 +00:01:49,280 --> 00:01:52,429 +possibly you pretend to be my +friend I'm + +58 +00:01:52,429 --> 00:01:52,439 +friend I'm + + +59 +00:01:52,439 --> 00:01:55,630 +friend I'm +sorry I should have told + +60 +00:01:55,630 --> 00:01:55,640 +sorry I should have told + + +61 +00:01:55,640 --> 00:01:58,830 +sorry I should have told +you I couldn't pretend to be your + +62 +00:01:58,830 --> 00:01:58,840 +you I couldn't pretend to be your + + +63 +00:01:58,840 --> 00:02:00,709 +you I couldn't pretend to be your +friend + +64 +00:02:00,709 --> 00:02:00,719 +friend + + +65 +00:02:00,719 --> 00:02:06,970 +friend +and the truth is I can't help wanting to + +66 +00:02:06,970 --> 00:02:06,980 + + + +67 +00:02:06,980 --> 00:02:28,750 + +[Music] + +68 +00:02:28,750 --> 00:02:28,760 +[Music] + + +69 +00:02:28,760 --> 00:02:29,790 +[Music] +be + +70 +00:02:29,790 --> 00:02:29,800 +be + + +71 +00:02:29,800 --> 00:02:36,189 +be +[Music] + diff --git a/2005/5paBdZiLhqQ.description b/2005/5paBdZiLhqQ.description new file mode 100644 index 0000000000000000000000000000000000000000..ab086452976f066f9fe13a9f1cf45f9f772b11b0 --- /dev/null +++ b/2005/5paBdZiLhqQ.description @@ -0,0 +1,38 @@ +The Island movie clips: http://j.mp/1CNvvic +BUY THE MOVIE: http://amzn.to/vfodCi +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Lincoln (Ewan McGregor) returns to save his fellow clones, but Dr. Merrick (Sean Bean) proves to be a worthy opponent. + +FILM DESCRIPTION: +Blockbuster action director Michael Bay delivers a striking look at a strange world of the future in this sci-fi action drama. Midway through the 21st century, Lincoln Six Echo (Ewan McGregor) lives in a confined indoor community after ongoing abuse of the Earth has rendered most of the planet uninhabitable. One of the only places in the outside world still capable of sustaining life is an idyllic island where citizens are chosen to live through a lottery. Or at least that's what Lincoln and his fellow citizens are taught to believe; the truth is that Lincoln, like everyone he knows, is actually a clone who is kept under wraps to provide needed organs when the person who supplied his or her DNA falls ill. When he becomes aware that his existence is a fraud, Lincoln escapes to the outside world with a fellow clone, Jordan Two Delta (Scarlett Johansson), though the powers that be are determined to see that no one gets away alive. The Island also stars Steve Buscemi, Djimon Hounsou, Michael Clarke Duncan, and Sean Bean. + +CREDITS: +TM & © Dreamworks (2005) +Cast: Sean Bean, Ewan McGregor +Director: Michael Bay +Producers: Kenny Bates, Michael Bay, Ian Bryce, Heidi Fugeman, Josh McLaglen, Walter F. Parkes, Steven P. Saeta, Matthew Cohan, Laurie MacDonald +Screenwriters: Alex Kurtzman, Roberto Orci, Caspian Tredwell-Owen + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/5paBdZiLhqQ.en.srt b/2005/5paBdZiLhqQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8c6056c422666c27e87fa5d6a90d5fe797ce75b4 --- /dev/null +++ b/2005/5paBdZiLhqQ.en.srt @@ -0,0 +1,88 @@ +1 +00:00:08,610 --> 00:00:10,644 +Ahhh! + +2 +00:00:11,212 --> 00:00:14,348 +Ahhh! + +3 +00:00:14,450 --> 00:00:16,617 +[groaning] + +4 +00:00:16,718 --> 00:00:18,085 +You could have +taken over his life, + +5 +00:00:18,186 --> 00:00:21,338 +But you chose +to come back. + +6 +00:00:21,440 --> 00:00:25,043 +You truly are +unique, six echo. + +7 +00:00:25,060 --> 00:00:27,545 +My name is lincoln! + +8 +00:00:35,120 --> 00:00:36,804 +[whirring] + +9 +00:00:36,905 --> 00:00:40,074 +[lincoln grunting] + +10 +00:00:46,848 --> 00:00:51,151 +[lincoln grunting] + +11 +00:00:51,252 --> 00:00:55,723 +[screaming] + +12 +00:00:56,108 --> 00:00:57,525 +[whirring] + +13 +00:00:57,626 --> 00:01:00,294 +[exploding] + +14 +00:01:39,217 --> 00:01:41,018 +Ahh! + +15 +00:01:43,538 --> 00:01:46,023 +[grunts] + +16 +00:01:46,124 --> 00:01:48,292 +I brought you into this world... + +17 +00:01:52,114 --> 00:01:54,565 +[choking] + +18 +00:01:54,666 --> 00:01:56,567 +...And I can take you out of it. + +19 +00:02:07,930 --> 00:02:10,364 +[gasping] + +20 +00:02:10,465 --> 00:02:11,749 +[exploding] + +21 +00:02:11,850 --> 00:02:14,952 +[lincoln and merrick +struggling] + diff --git a/2005/6-s02HyO3XA.description b/2005/6-s02HyO3XA.description new file mode 100644 index 0000000000000000000000000000000000000000..bb3ff0005e01d0e8ed9815fa654f7c73bb8d833f --- /dev/null +++ b/2005/6-s02HyO3XA.description @@ -0,0 +1,32 @@ +Land of the Dead - Anti-Zombie Fireworks: Big Daddy (Eugene Clark) watches as his zombie brethren are killed by marauders. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/land-of-the-dead-2005/1MV6b5b1231d64ee6bfc9089dc17babc649?cmp=Movieclips_YT_Description + +Watch the best Land of the Dead scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqrphMAuQd5nI6t9SY2AM7zM + +FILM DESCRIPTION: +In a world where zombies form the majority of the population, the remaining humans build a feudal society away from the undead. Ruthless Paul Kaufman (Dennis Hopper) rules and protects this microcosm but enforces painful class distinctions. Second-in-command Cholo DeMora (John Leguizamo) attempts to lead a secret rebellion against Kaufman's tyranny, but when the zombies begin to evolve, the survivors must discover a way to protect themselves from a zombie hoard that can learn and adapt. + +CREDITS: +TM & © Universal (2005) +Cast: Eugene Clark, John Leguizamo, Simon Baker +Director: George Romero + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file diff --git a/2005/68XJpm3q2b4.description b/2005/68XJpm3q2b4.description new file mode 100644 index 0000000000000000000000000000000000000000..9b3f902ba1db0b3a110e8f6355f334e345f19b56 --- /dev/null +++ b/2005/68XJpm3q2b4.description @@ -0,0 +1,38 @@ +Hostage movie clips: http://j.mp/15vNTlR +BUY THE MOVIE: http://amzn.to/rSQppK +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Talley (Bruce Willis) negotiates with Dennis (Jonathan Tucker) for half of the money in the house. + +FILM DESCRIPTION: +A cop looking for a quieter way of life is thrown into the most dangerous crisis of his life in this thriller based on the novel by Robert Crais. Jeff Talley (Bruce Willis) used to be a hostage negotiator with the Los Angeles Police Department, but after a standoff goes horribly wrong, Talley moves himself and his family to a small, quiet town of Bristo Camino, where he serves as chief of police. When three young criminals attempt to steal a car from a wealthy accountant, the situation quickly spins out of control and the thieves are trapped inside the heavily fortified home, taking the accountant and his family hostage. The Ventura County Sheriff's Department soon arrives on the scene, and Talley eagerly hands over the situation to them, but when he unexpectedly finds himself in telephone contact with one of the children inside, he begins to suspect that the cops are in over their heads. After he's approached by a masked stranger who has an agenda of his own, Talley is forced to decide if he should protect the safety of the family in the house or his own wife and kids. Hostage was the first English-language film from director Florent Emilio Siri. + +CREDITS: +TM & © Miramax Films (2005) +Cast: Jonathan Tucker, Bruce Willis +Director: Florent Emilio Siri +Producers: Susanne Bohnet, Stephen J. Eads, Mark Gordon, Manfred D. Heid, Hawk Koch, Gerd Koechlin, Josef Lautenschlager, Arnold Rifkin, Josef Steinberger, Andreas Thiesmeyer, David J. Wally, Bruce Willis, David Willis, Bob Yari +Screenwriters: Robert Crais, Doug Richardson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/68XJpm3q2b4.en.srt b/2005/68XJpm3q2b4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..eb3ccee39f3ae85ab5aed9d0c6927b5d5a7096a9 --- /dev/null +++ b/2005/68XJpm3q2b4.en.srt @@ -0,0 +1,475 @@ +1 +00:00:00,199 --> 00:00:01,869 + +we got a problem + +2 +00:00:01,869 --> 00:00:01,879 +we got a problem + + +3 +00:00:01,879 --> 00:00:03,749 +we got a problem +Denis oh + +4 +00:00:03,749 --> 00:00:03,759 +Denis oh + + +5 +00:00:03,759 --> 00:00:06,869 +Denis oh +yeah + +6 +00:00:06,869 --> 00:00:06,879 + + + +7 +00:00:06,879 --> 00:00:14,070 + +yeah wter Smith just + +8 +00:00:14,070 --> 00:00:14,080 + + + +9 +00:00:14,080 --> 00:00:16,670 + +died you hear what I + +10 +00:00:16,670 --> 00:00:16,680 +died you hear what I + + +11 +00:00:16,680 --> 00:00:19,509 +died you hear what I +said + +12 +00:00:19,509 --> 00:00:19,519 +said + + +13 +00:00:19,519 --> 00:00:22,509 +said +yeah I know Mars killed my + +14 +00:00:22,509 --> 00:00:22,519 +yeah I know Mars killed my + + +15 +00:00:22,519 --> 00:00:26,710 +yeah I know Mars killed my +cop but Smith's death is on you + +16 +00:00:26,710 --> 00:00:26,720 +cop but Smith's death is on you + + +17 +00:00:26,720 --> 00:00:28,830 +cop but Smith's death is on you +man things just got a lot more + +18 +00:00:28,830 --> 00:00:28,840 +man things just got a lot more + + +19 +00:00:28,840 --> 00:00:31,870 +man things just got a lot more +complicated didn't they Dennis + +20 +00:00:31,870 --> 00:00:31,880 +complicated didn't they Dennis + + +21 +00:00:31,880 --> 00:00:33,510 +complicated didn't they Dennis +not to mention the fact that helicopters + +22 +00:00:33,510 --> 00:00:33,520 +not to mention the fact that helicopters + + +23 +00:00:33,520 --> 00:00:34,990 +not to mention the fact that helicopters +are very + +24 +00:00:34,990 --> 00:00:35,000 +are very + + +25 +00:00:35,000 --> 00:00:37,470 +are very +expensive got to pay for the + +26 +00:00:37,470 --> 00:00:37,480 +expensive got to pay for the + + +27 +00:00:37,480 --> 00:00:39,389 +expensive got to pay for the +fuel + +28 +00:00:39,389 --> 00:00:39,399 +fuel + + +29 +00:00:39,399 --> 00:00:41,990 +fuel +pilot chief of + +30 +00:00:41,990 --> 00:00:42,000 +pilot chief of + + +31 +00:00:42,000 --> 00:00:44,069 +pilot chief of +police you know what cops do when + +32 +00:00:44,069 --> 00:00:44,079 +police you know what cops do when + + +33 +00:00:44,079 --> 00:00:45,430 +police you know what cops do when +they're retired + +34 +00:00:45,430 --> 00:00:45,440 +they're retired + + +35 +00:00:45,440 --> 00:00:47,709 +they're retired +Dennis they play + +36 +00:00:47,709 --> 00:00:47,719 +Dennis they play + + +37 +00:00:47,719 --> 00:00:50,950 +Dennis they play +golf I don't want to play golf I hate + +38 +00:00:50,950 --> 00:00:53,150 +golf I don't want to play golf I hate + + +39 +00:00:53,150 --> 00:00:53,160 + + + +40 +00:00:53,160 --> 00:00:56,430 + +golf want a house on the golf + +41 +00:00:56,430 --> 00:00:56,440 +golf want a house on the golf + + +42 +00:00:56,440 --> 00:00:58,910 +golf want a house on the golf +course want + +43 +00:00:58,910 --> 00:00:58,920 +course want + + +44 +00:00:58,920 --> 00:01:00,950 +course want +that + +45 +00:01:00,950 --> 00:01:00,960 +that + + +46 +00:01:00,960 --> 00:01:04,830 +that +L Smith talked to me before he + +47 +00:01:04,830 --> 00:01:04,840 + + + +48 +00:01:04,840 --> 00:01:08,350 + +died I know about the money I don't know + +49 +00:01:08,350 --> 00:01:08,360 +died I know about the money I don't know + + +50 +00:01:08,360 --> 00:01:09,910 +died I know about the money I don't know + about money man I don't know + +51 +00:01:09,910 --> 00:01:09,920 +about money man I don't know + + +52 +00:01:09,920 --> 00:01:11,950 +about money man I don't know +about what you're talking about talking + +53 +00:01:11,950 --> 00:01:11,960 +about what you're talking about talking + + +54 +00:01:11,960 --> 00:01:14,109 +about what you're talking about talking +about a transaction you want a + +55 +00:01:14,109 --> 00:01:14,119 +about a transaction you want a + + +56 +00:01:14,119 --> 00:01:21,550 +about a transaction you want a +helicopter I want a house on the golf + +57 +00:01:21,550 --> 00:01:21,560 + + + +58 +00:01:21,560 --> 00:01:24,149 + +course + +59 +00:01:24,149 --> 00:01:24,159 +course + + +60 +00:01:24,159 --> 00:01:26,310 +course +50,000 maybe you can negotiate with the + +61 +00:01:26,310 --> 00:01:26,320 +50,000 maybe you can negotiate with the + + +62 +00:01:26,320 --> 00:01:35,510 +50,000 maybe you can negotiate with the +sheriff's for that no no no + +63 +00:01:35,510 --> 00:01:37,870 + + + +64 +00:01:37,870 --> 00:01:37,880 + + + +65 +00:01:37,880 --> 00:01:42,149 + +half I'll give you half + +66 +00:01:42,149 --> 00:01:42,159 + + + +67 +00:01:42,159 --> 00:01:44,149 + +okay it's + +68 +00:01:44,149 --> 00:01:44,159 +okay it's + + +69 +00:01:44,159 --> 00:01:48,389 +okay it's +like 2 million okay half is good all + +70 +00:01:48,389 --> 00:01:48,399 +like 2 million okay half is good all + + +71 +00:01:48,399 --> 00:01:50,550 +like 2 million okay half is good all +right sell it to your + +72 +00:01:50,550 --> 00:01:50,560 +right sell it to your + + +73 +00:01:50,560 --> 00:01:53,149 +right sell it to your +crew Jennifer and Tommy stay in the + +74 +00:01:53,149 --> 00:01:53,159 +crew Jennifer and Tommy stay in the + + +75 +00:01:53,159 --> 00:01:56,149 +crew Jennifer and Tommy stay in the +house three of you down here in the + +76 +00:01:56,149 --> 00:01:56,159 +house three of you down here in the + + +77 +00:01:56,159 --> 00:01:58,830 +house three of you down here in the +courtyard trade the helicopter for the + +78 +00:01:58,830 --> 00:01:58,840 +courtyard trade the helicopter for the + + +79 +00:01:58,840 --> 00:02:01,109 +courtyard trade the helicopter for the +cash how do I know the Pilot's not going + +80 +00:02:01,109 --> 00:02:01,119 +cash how do I know the Pilot's not going + + +81 +00:02:01,119 --> 00:02:04,950 +cash how do I know the Pilot's not going +to shoot me let me worry about the + +82 +00:02:04,950 --> 00:02:04,960 +to shoot me let me worry about the + + +83 +00:02:04,960 --> 00:02:07,270 +to shoot me let me worry about the +pilot he just makes sure he gets that + +84 +00:02:07,270 --> 00:02:07,280 +pilot he just makes sure he gets that + + +85 +00:02:07,280 --> 00:02:08,669 +pilot he just makes sure he gets that +bag + +86 +00:02:08,669 --> 00:02:08,679 +bag + + +87 +00:02:08,679 --> 00:02:11,190 +bag +understand + +88 +00:02:11,190 --> 00:02:11,200 +understand + + +89 +00:02:11,200 --> 00:02:13,430 +understand +yeah half an + +90 +00:02:13,430 --> 00:02:13,440 +yeah half an + + +91 +00:02:13,440 --> 00:02:28,830 +yeah half an +[Music] + +92 +00:02:28,830 --> 00:02:28,840 + + + +93 +00:02:28,840 --> 00:02:30,440 + +hour + +94 +00:02:30,440 --> 00:02:30,450 +hour + + +95 +00:02:30,450 --> 00:02:44,490 +hour +[Music] + diff --git a/2005/6FJfcqLCkIc.description b/2005/6FJfcqLCkIc.description new file mode 100644 index 0000000000000000000000000000000000000000..8829d7d742bccb412a9364090ea40a8c6f924ad9 --- /dev/null +++ b/2005/6FJfcqLCkIc.description @@ -0,0 +1,38 @@ +Lord of War movie clips: http://j.mp/15w4yFI +BUY THE MOVIE: http://j.mp/L1xqoE +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +In a race against time, Yuri Orlov (Nicolas Cage) gives away all of his illegal cargo before Special Agent Jack Valentine (Ethan Hawke) arrives to arrest him. + +FILM DESCRIPTION: +One man demonstrates how to get rich selling warring nations the tools of their deadly trade in this dark comedy drama. Yuri Orlov (Nicolas Cage) is an opportunistic businessman who stumbled into a gold mine after the end of the Cold War and the collapse of the Soviet Union. Huge caches of Soviet weapons became available at bargain prices (and even for free if one wasn't above stealing), and as literally billions of dollars' worth of Soviet military technology disappeared, it began finding its way into the hands of weapons dealers eager to sell it to the highest bidder. Orlov was one such dealer who found plenty of buyers for guns and military gear in unstable Third World nations, who paid cash and didn't appreciate too many questions. Orlov's exploits in the arms business quickly made him a very rich man, but they've also led to some unwanted attention from Jack Valentine (Ethan Hawke), an Interpol agent who is convinced Orlov isn't playing by the rules. Inspired by a true story, Lord of War also features Jared Leto, Ian Holm, Bridget Moynahan, and Donald Sutherland. + +CREDITS: +TM & © Lionsgate (2005) +Cast: Nicolas Cage, Ethan Hawke, Tony Kgoroge +Director: Andrew Niccol +Producers: Artemio Benki, Nicolas Cage, Greig Buckle, Bradley Cramp, Christopher Eberts, Norman Golightly, Fabrice Gianfermi, Douglas Hansen, Andreas Grosch, Andrew Niccol, Michael Mendelsohn, Philippe Rousselet, Teri-Lin Robertson, James D. Stern, Ronaldo Vasconcellos, Jim Vidal +Screenwriter: Andrew Niccol + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/6FJfcqLCkIc.en.srt b/2005/6FJfcqLCkIc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..df518a52aed266e689626e7e8982d47abfd74a0f --- /dev/null +++ b/2005/6FJfcqLCkIc.en.srt @@ -0,0 +1,355 @@ +1 +00:00:06,480 --> 00:00:10,110 + +come here come + +2 +00:00:10,110 --> 00:00:10,120 + + + +3 +00:00:10,120 --> 00:00:14,150 + +here hey go be shy here look free sample + +4 +00:00:14,150 --> 00:00:14,160 +here hey go be shy here look free sample + + +5 +00:00:14,160 --> 00:00:16,710 +here hey go be shy here look free sample +help yourself okay free sample tell your + +6 +00:00:16,710 --> 00:00:16,720 +help yourself okay free sample tell your + + +7 +00:00:16,720 --> 00:00:20,950 +help yourself okay free sample tell your +friends watch look RPG all for you all + +8 +00:00:20,950 --> 00:00:20,960 +friends watch look RPG all for you all + + +9 +00:00:20,960 --> 00:00:22,870 +friends watch look RPG all for you all +right happy times come on help + +10 +00:00:22,870 --> 00:00:22,880 +right happy times come on help + + +11 +00:00:22,880 --> 00:00:25,670 +right happy times come on help +yourselves no charge everything goes + +12 +00:00:25,670 --> 00:00:25,680 +yourselves no charge everything goes + + +13 +00:00:25,680 --> 00:00:28,150 +yourselves no charge everything goes +guys guys guys yes come + +14 +00:00:28,150 --> 00:00:28,160 +guys guys guys yes come + + +15 +00:00:28,160 --> 00:00:35,370 +guys guys guys yes come +on now you f now + +16 +00:00:35,370 --> 00:00:35,380 + + + +17 +00:00:35,380 --> 00:00:52,400 + +[Applause] + +18 +00:00:52,400 --> 00:00:52,410 + + + +19 +00:00:52,410 --> 00:00:53,590 + +[Music] + +20 +00:00:53,590 --> 00:00:53,600 +[Music] + + +21 +00:00:53,600 --> 00:00:56,110 +[Music] +huh I almost got your name on you want + +22 +00:00:56,110 --> 00:00:56,120 +huh I almost got your name on you want + + +23 +00:00:56,120 --> 00:00:58,189 +huh I almost got your name on you want +one two come + +24 +00:00:58,189 --> 00:00:58,199 +one two come + + +25 +00:00:58,199 --> 00:01:00,590 +one two come +on don't forget the bu + +26 +00:01:00,590 --> 00:01:00,600 +on don't forget the bu + + +27 +00:01:00,600 --> 00:01:02,069 +on don't forget the bu +how can you shoot a gun if you don't + +28 +00:01:02,069 --> 00:01:02,079 +how can you shoot a gun if you don't + + +29 +00:01:02,079 --> 00:01:06,610 +how can you shoot a gun if you don't +have bullets everything goes for + +30 +00:01:06,610 --> 00:01:06,620 + + + +31 +00:01:06,620 --> 00:01:15,109 + +[Music] + +32 +00:01:15,109 --> 00:01:15,119 + + + +33 +00:01:15,119 --> 00:01:17,630 + +free what a cargo crew at Heathrow + +34 +00:01:17,630 --> 00:01:17,640 +free what a cargo crew at Heathrow + + +35 +00:01:17,640 --> 00:01:20,230 +free what a cargo crew at Heathrow +Airport does in a day took a bunch of + +36 +00:01:20,230 --> 00:01:20,240 +Airport does in a day took a bunch of + + +37 +00:01:20,240 --> 00:01:23,789 +Airport does in a day took a bunch of +malnourish Sierra leonian locals 10 + +38 +00:01:23,789 --> 00:01:23,799 +malnourish Sierra leonian locals 10 + + +39 +00:01:23,799 --> 00:01:26,630 +malnourish Sierra leonian locals 10 +minutes by the time agent Valentine got + +40 +00:01:26,630 --> 00:01:26,640 +minutes by the time agent Valentine got + + +41 +00:01:26,640 --> 00:01:28,190 +minutes by the time agent Valentine got +there you could find more guns on a + +42 +00:01:28,190 --> 00:01:28,200 +there you could find more guns on a + + +43 +00:01:28,200 --> 00:01:37,149 +there you could find more guns on a +Plane full of Quakers + +44 +00:01:37,149 --> 00:01:37,159 + + + +45 +00:01:37,159 --> 00:01:38,350 + +yri + +46 +00:01:38,350 --> 00:01:38,360 +yri + + +47 +00:01:38,360 --> 00:01:44,149 +yri +or ow run from us no Andy no can + +48 +00:01:44,149 --> 00:01:44,159 +or ow run from us no Andy no can + + +49 +00:01:44,159 --> 00:01:45,630 +or ow run from us no Andy no can +you run with no + +50 +00:01:45,630 --> 00:01:45,640 +you run with no + + +51 +00:01:45,640 --> 00:01:47,709 +you run with no +legs let me make him disappear Mr + +52 +00:01:47,709 --> 00:01:47,719 +legs let me make him disappear Mr + + +53 +00:01:47,719 --> 00:01:49,350 +legs let me make him disappear Mr +Valentine around here people disappear + +54 +00:01:49,350 --> 00:01:49,360 +Valentine around here people disappear + + +55 +00:01:49,360 --> 00:01:51,749 +Valentine around here people disappear +all the time I can't do that look where + +56 +00:01:51,749 --> 00:01:51,759 +all the time I can't do that look where + + +57 +00:01:51,759 --> 00:01:55,670 +all the time I can't do that look where +we are who will + +58 +00:01:55,670 --> 00:01:55,680 + + + +59 +00:01:55,680 --> 00:01:58,830 + +know we + +60 +00:01:58,830 --> 00:01:58,840 +know we + + +61 +00:01:58,840 --> 00:02:04,510 +know we +will + +62 +00:02:04,510 --> 00:02:04,520 + + + +63 +00:02:04,520 --> 00:02:06,830 + +he's going to get what's coming to him + +64 +00:02:06,830 --> 00:02:06,840 +he's going to get what's coming to him + + +65 +00:02:06,840 --> 00:02:13,430 +he's going to get what's coming to him +I'm not a + +66 +00:02:13,430 --> 00:02:13,440 + + + +67 +00:02:13,440 --> 00:02:28,830 + +[Music] + +68 +00:02:28,830 --> 00:02:28,840 + + + +69 +00:02:28,840 --> 00:02:30,440 + +certain + +70 +00:02:30,440 --> 00:02:30,450 +certain + + +71 +00:02:30,450 --> 00:02:44,509 +certain +[Music] + diff --git a/2005/6hiEMyCIoQ0.description b/2005/6hiEMyCIoQ0.description new file mode 100644 index 0000000000000000000000000000000000000000..d3670723c79bb276788826309ee214d8ecb26632 --- /dev/null +++ b/2005/6hiEMyCIoQ0.description @@ -0,0 +1,38 @@ +Capote movie clips: http://j.mp/1znWn8r +BUY THE MOVIE: http://j.mp/12MVio3 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +When Truman (Philip Seymour Hoffman) visits Perry (Clifton Collins Jr.) and Dick (Mark Pellegrino) before their execution he is overcome with emotion. + +FILM DESCRIPTION: +The creation of one of the most memorable books of the 1960s -- and the impact the writing and research would have on its author -- is explored in this drama based on a true story. In 1959, Truman Capote (played by Philip Seymour Hoffman) was a critically acclaimed novelist who had earned a small degree of celebrity for his work when he read a short newspaper item about a multiple murder in a small Kansas town. For some reason, the story fascinated Capote, and he asked William Shawn (Bob Balaban), his editor at The New Yorker, to let him write a piece about the case. Capote had long believed that in the right hands, a true story could be molded into a tale as compelling as any fiction, and he believed this event, in which the brutal and unimaginable was visited upon a community where it was least expected, could be just the right material. Capote traveled to Kansas with his close friend Harper Lee (Catherine Keener), herself becoming a major literary figure with the success of To Kill a Mockingbird, and while Capote's effete and mannered personal style stuck out like a sore thumb in Kansas, in time he gained the trust of Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent investigating the murder of the Clutter family, and with his help Capote's magazine piece grew into a full-length book. Capote also became familiar with the petty criminals who killed the Clutter family, Dick Hickock (Mark Pellegrino) and Perry Smith (Clifton Collins Jr.), and in Smith he found a troubling kindred spirit more like himself than he wanted to admit. After attaining a sort of friendship with Smith under the assumption that the man would be executed before the book was ever published, Capote finds himself forced to directly confront the moral implications of his actions with regards to both his role in the man's death, and the way that he would be remembered. Capote also co-stars Bruce Greenwood as Capote's longtime companion Jack Dunphy, and Amy Ryan as Mary Dewey, Alvin's wife who became a confidante of Capote's. + +CREDITS: +TM & © MGM (2005) +Cast: Clifton Collins Jr., Philip Seymour Hoffman, Mark Pellegrino +Director: Bennett Miller +Producers: Dan Futterman, Philip Seymour Hoffman, Karen Gorodetzky, Kyle Irving, Michael Ohoven, Kerry Rock, Danny Rosett, William Vince, David Valleau, Emily Ziff, Caroline Baron, Jacques Mth, Kyle Mann +Screenwriter: Dan Futterman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/6hiEMyCIoQ0.en.srt b/2005/6hiEMyCIoQ0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..46c6e838386d2fb6de049cb7b50bd729bf6314c5 --- /dev/null +++ b/2005/6hiEMyCIoQ0.en.srt @@ -0,0 +1,275 @@ +1 +00:00:01,970 --> 00:00:04,660 + +it's true I + +2 +00:00:04,660 --> 00:00:04,670 +it's true I + + +3 +00:00:04,670 --> 00:00:08,080 +it's true I +understand why you didn't want to come I + +4 +00:00:08,080 --> 00:00:08,090 +understand why you didn't want to come I + + +5 +00:00:08,090 --> 00:00:10,190 +understand why you didn't want to come I +wouldn't be here either if I didn't have + +6 +00:00:10,190 --> 00:00:10,200 +wouldn't be here either if I didn't have + + +7 +00:00:10,200 --> 00:00:16,510 +wouldn't be here either if I didn't have +to you got that right + +8 +00:00:16,510 --> 00:00:16,520 + + + +9 +00:00:16,520 --> 00:00:19,040 + +you know Ricardo donated his eyes to + +10 +00:00:19,040 --> 00:00:19,050 +you know Ricardo donated his eyes to + + +11 +00:00:19,050 --> 00:00:21,099 +you know Ricardo donated his eyes to +science + +12 +00:00:21,099 --> 00:00:21,109 +science + + +13 +00:00:21,109 --> 00:00:24,230 +science +next week some blind man will be seeing + +14 +00:00:24,230 --> 00:00:24,240 +next week some blind man will be seeing + + +15 +00:00:24,240 --> 00:00:25,750 +next week some blind man will be seeing +Dickey's to see + +16 +00:00:25,750 --> 00:00:25,760 +Dickey's to see + + +17 +00:00:25,760 --> 00:00:28,070 +Dickey's to see +hey you could be walking in Denver + +18 +00:00:28,070 --> 00:00:28,080 +hey you could be walking in Denver + + +19 +00:00:28,080 --> 00:00:30,230 +hey you could be walking in Denver +somewhere Truman suddenly these uh + +20 +00:00:30,230 --> 00:00:30,240 +somewhere Truman suddenly these uh + + +21 +00:00:30,240 --> 00:00:32,830 +somewhere Truman suddenly these uh +they'll be fair Angie + +22 +00:00:32,830 --> 00:00:32,840 +they'll be fair Angie + + +23 +00:00:32,840 --> 00:00:36,069 +they'll be fair Angie +happy song wouldn't + +24 +00:00:36,069 --> 00:00:36,079 +happy song wouldn't + + +25 +00:00:36,079 --> 00:00:38,500 +happy song wouldn't +it would be + +26 +00:00:38,500 --> 00:00:38,510 +it would be + + +27 +00:00:38,510 --> 00:00:53,740 +it would be +it would be + +28 +00:00:53,740 --> 00:00:53,750 + + + +29 +00:00:53,750 --> 00:00:56,460 + +I'll be watching + +30 +00:00:56,460 --> 00:00:56,470 +I'll be watching + + +31 +00:00:56,470 --> 00:01:00,630 +I'll be watching +that amount + +32 +00:01:00,630 --> 00:01:00,640 + + + +33 +00:01:00,640 --> 00:01:07,170 + +do you want me to + +34 +00:01:07,170 --> 00:01:07,180 + + + +35 +00:01:07,180 --> 00:01:10,880 + +like have a friend there + +36 +00:01:10,880 --> 00:01:10,890 +like have a friend there + + +37 +00:01:10,890 --> 00:01:23,480 +like have a friend there +okay then + +38 +00:01:23,480 --> 00:01:23,490 + + + +39 +00:01:23,490 --> 00:01:40,160 + +it's alright + +40 +00:01:40,160 --> 00:01:40,170 + + + +41 +00:01:40,170 --> 00:01:44,560 + +I + +42 +00:01:44,560 --> 00:01:44,570 + + + +43 +00:01:44,570 --> 00:01:47,469 + +did everything I could + +44 +00:01:47,469 --> 00:01:47,479 +did everything I could + + +45 +00:01:47,479 --> 00:01:56,620 +did everything I could +okay + +46 +00:01:56,620 --> 00:01:56,630 + + + +47 +00:01:56,630 --> 00:01:58,710 + +I + +48 +00:01:58,710 --> 00:01:58,720 + + + +49 +00:01:58,720 --> 00:02:01,920 + +truly did I + +50 +00:02:01,920 --> 00:02:01,930 +truly did I + + +51 +00:02:01,930 --> 00:02:27,460 +truly did I +know + +52 +00:02:27,460 --> 00:02:27,470 + + + +53 +00:02:27,470 --> 00:02:32,230 + +you + +54 +00:02:32,230 --> 00:02:32,240 + + + +55 +00:02:32,240 --> 00:02:38,649 + +[Music] + diff --git a/2005/6qxQ2l1DC6Y.description b/2005/6qxQ2l1DC6Y.description new file mode 100644 index 0000000000000000000000000000000000000000..35329c2cd36fd983f01586a6c8d5392dfc456699 --- /dev/null +++ b/2005/6qxQ2l1DC6Y.description @@ -0,0 +1,38 @@ +V for Vendetta movie clips: http://j.mp/2nMaKXf +BUY THE MOVIE: http://bit.ly/2oh1jOS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Evey (Natalie Portman) finds out that her captor was actually V (Hugo Weaving) and her prison was fake. + +FILM DESCRIPTION: +Based on the graphic novel by Alan Moore, V for Vendetta takes place in an alternate vision of Britain in which a corrupt and abusive totalitarian government has risen to complete power. During a threatening run in with the secret police, an unassuming young woman named Evey (Natalie Portman) is rescued by a vigilante named V (Hugo Weaving) -- a caped figure both articulate and skilled in combat. V embodies the principles of rebellion from an authoritarian state, donning a mask of vilified would-be terrorist of British history Guy Fawkes and leading a revolution sparked by assassination and destruction. Evey becomes his unlikely ally, newly aware of the cruelty of her own society and her role in it. + +CREDITS: +TM & © Warner Bros. (2005) +Cast: Natalie Portman, Hugo Weaving +Director: James McTeigue +Producers: Jessica Alan, Roberto Malerba, Henning Molfenter, Lorne Orleans, Joel Silver, Andy Wachowski, Lana Wachowski, Ben Waisbren, Charlie Woebcken, Grant Hill +Screenwriters: Andy Wachowski, Lana Wachowski, David Lloyd + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/87idpAngKc0.description b/2005/87idpAngKc0.description new file mode 100644 index 0000000000000000000000000000000000000000..fca80553ca8b8e71635ce4759936265eae756979 --- /dev/null +++ b/2005/87idpAngKc0.description @@ -0,0 +1,38 @@ +Elizabethtown movie clips: http://j.mp/1JcwVXT +BUY THE MOVIE: http://amzn.to/vAAzw4 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Drew (Orlando Bloom) has a very complicated and stressful three-way call. + +FILM DESCRIPTION: +A young man in need of a fresh start gets one under highly unexpected circumstances in this emotionally resonant comedy drama from writer and director Cameron Crowe. Drew Baylor (Orlando Bloom) is considered the big success story in his family, having moved away from the small Kentucky town where he was born to California, where he works as a designer for Mercury, the nation's biggest athletic shoe company. But success has begun to elude Drew -- his most recent design was a resounding flop that has cost him his job, and his girlfriend, Ellen (Jessica Biel), has given him his walking papers. Drew is contemplating suicide when he gets word that his father has died, and that he's needed back home in Elizabethtown, KY, to help organize the funeral. With his mother, Hollie (Susan Sarandon), deep in denial about her husband's passing, Drew comes home to discover no one knows about his recent poor fortune, and he's greeted like a conquering hero. As Drew reconnects with his family and helps his sister, Heather (Judy Greer), look after Hollie, Drew gets a new lease on life and is reminded about what's really important to him. Helping him learn these valuable lessons is Claire Colburn (Kirsten Dunst), a pretty and optimistic flight attendant Drew meets on his flight home who has her own philosophies about positive thinking and the curative powers of travel. Elizabethtown also stars Alec Baldwin, Paul Schneider, Bruce McGill, Loudon Wainwright III, and Paula Deen. + +CREDITS: +TM & © Paramount (2005) +Cast: Orlando Bloom, Jessica Biel, Kirsten Dunst, Judy Greer, Susan Sarandon +Director: Cameron Crowe +Producers: Cameron Crowe, Tom Cruise, Donald J. Lee Jr., Paula Wagner, Andy Fischer +Screenwriter: Cameron Crowe + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/87idpAngKc0.en.srt b/2005/87idpAngKc0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..4fa1c5c30c50bc3b1a173f1f6ca0c87ac593f0a8 --- /dev/null +++ b/2005/87idpAngKc0.en.srt @@ -0,0 +1,475 @@ +1 +00:00:00,280 --> 00:00:01,830 + +you you should come home she's out of + +2 +00:00:01,830 --> 00:00:01,840 +you you should come home she's out of + + +3 +00:00:01,840 --> 00:00:04,309 +you you should come home she's out of +control wait a second I'll be right back + +4 +00:00:04,309 --> 00:00:04,319 +control wait a second I'll be right back + + +5 +00:00:04,319 --> 00:00:06,470 +control wait a second I'll be right back +please come home hello great to hear + +6 +00:00:06,470 --> 00:00:06,480 +please come home hello great to hear + + +7 +00:00:06,480 --> 00:00:08,430 +please come home hello great to hear +from you I didn't expect you to call + +8 +00:00:08,430 --> 00:00:08,440 +from you I didn't expect you to call + + +9 +00:00:08,440 --> 00:00:09,790 +from you I didn't expect you to call +then again I did leave you a few + +10 +00:00:09,790 --> 00:00:09,800 +then again I did leave you a few + + +11 +00:00:09,800 --> 00:00:13,070 +then again I did leave you a few +thousand numbers it's Claire Culver + +12 +00:00:13,070 --> 00:00:13,080 +thousand numbers it's Claire Culver + + +13 +00:00:13,080 --> 00:00:14,990 +thousand numbers it's Claire Culver +Claire American Airlines can I call you + +14 +00:00:14,990 --> 00:00:15,000 +Claire American Airlines can I call you + + +15 +00:00:15,000 --> 00:00:20,070 +Claire American Airlines can I call you +right back oh okay hello please come + +16 +00:00:20,070 --> 00:00:20,080 +right back oh okay hello please come + + +17 +00:00:20,080 --> 00:00:22,790 +right back oh okay hello please come +home I want to learn to cook I want to + +18 +00:00:22,790 --> 00:00:22,800 +home I want to learn to cook I want to + + +19 +00:00:22,800 --> 00:00:26,390 +home I want to learn to cook I want to +learn to laugh I want to tap dance it + +20 +00:00:26,390 --> 00:00:26,400 +learn to laugh I want to tap dance it + + +21 +00:00:26,400 --> 00:00:29,669 +learn to laugh I want to tap dance it +will be my salvation she won't stop + +22 +00:00:29,669 --> 00:00:29,679 +will be my salvation she won't stop + + +23 +00:00:29,679 --> 00:00:31,390 +will be my salvation she won't stop +moving + +24 +00:00:31,390 --> 00:00:31,400 +moving + + +25 +00:00:31,400 --> 00:00:33,110 +moving +we need a decision here what's your + +26 +00:00:33,110 --> 00:00:33,120 +we need a decision here what's your + + +27 +00:00:33,120 --> 00:00:34,630 +we need a decision here what's your +opinion on the whole burial issue + +28 +00:00:34,630 --> 00:00:34,640 +opinion on the whole burial issue + + +29 +00:00:34,640 --> 00:00:35,750 +opinion on the whole burial issue +because there's a lot of people here + +30 +00:00:35,750 --> 00:00:35,760 +because there's a lot of people here + + +31 +00:00:35,760 --> 00:00:37,590 +because there's a lot of people here +with big opinions and there's a problem + +32 +00:00:37,590 --> 00:00:37,600 +with big opinions and there's a problem + + +33 +00:00:37,600 --> 00:00:39,270 +with big opinions and there's a problem +with the blue sup that I can't put my + +34 +00:00:39,270 --> 00:00:39,280 +with the blue sup that I can't put my + + +35 +00:00:39,280 --> 00:00:40,350 +with the blue sup that I can't put my +finger + +36 +00:00:40,350 --> 00:00:40,360 +finger + + +37 +00:00:40,360 --> 00:00:42,590 +finger +on wait wait wait wait wait how you + +38 +00:00:42,590 --> 00:00:42,600 +on wait wait wait wait wait how you + + +39 +00:00:42,600 --> 00:00:44,910 +on wait wait wait wait wait how you +doing Mom great I'm great we are going + +40 +00:00:44,910 --> 00:00:44,920 +doing Mom great I'm great we are going + + +41 +00:00:44,920 --> 00:00:48,069 +doing Mom great I'm great we are going +to make it hello Drew it's Ellen you + +42 +00:00:48,069 --> 00:00:48,079 +to make it hello Drew it's Ellen you + + +43 +00:00:48,079 --> 00:00:48,830 +to make it hello Drew it's Ellen you +called + +44 +00:00:48,830 --> 00:00:48,840 +called + + +45 +00:00:48,840 --> 00:00:53,110 +called +me Ellen Ellen Ellen thank you for + +46 +00:00:53,110 --> 00:00:53,120 +me Ellen Ellen Ellen thank you for + + +47 +00:00:53,120 --> 00:00:57,069 +me Ellen Ellen Ellen thank you for +calling me back I'm so happy you + +48 +00:00:57,069 --> 00:00:57,079 +calling me back I'm so happy you + + +49 +00:00:57,079 --> 00:01:00,310 +calling me back I'm so happy you +called could you just hold on one second + +50 +00:01:00,310 --> 00:01:00,320 +called could you just hold on one second + + +51 +00:01:00,320 --> 00:01:02,470 +called could you just hold on one second +hello you need to come home Drew I'll be + +52 +00:01:02,470 --> 00:01:02,480 +hello you need to come home Drew I'll be + + +53 +00:01:02,480 --> 00:01:06,950 +hello you need to come home Drew I'll be +right back hello Drew Ellen I called you + +54 +00:01:06,950 --> 00:01:06,960 +right back hello Drew Ellen I called you + + +55 +00:01:06,960 --> 00:01:09,550 +right back hello Drew Ellen I called you +about that silly goodbye could you hold + +56 +00:01:09,550 --> 00:01:09,560 +about that silly goodbye could you hold + + +57 +00:01:09,560 --> 00:01:11,030 +about that silly goodbye could you hold +on for just one second yeah but I'm + +58 +00:01:11,030 --> 00:01:11,040 +on for just one second yeah but I'm + + +59 +00:01:11,040 --> 00:01:12,350 +on for just one second yeah but I'm +actually on my way out to dinner just + +60 +00:01:12,350 --> 00:01:12,360 +actually on my way out to dinner just + + +61 +00:01:12,360 --> 00:01:14,550 +actually on my way out to dinner just +just hold a second can we just in the + +62 +00:01:14,550 --> 00:01:14,560 +just hold a second can we just in the + + +63 +00:01:14,560 --> 00:01:17,870 +just hold a second can we just in the +middle ell just call me later can don't + +64 +00:01:17,870 --> 00:01:17,880 +middle ell just call me later can don't + + +65 +00:01:17,880 --> 00:01:21,310 +middle ell just call me later can don't +go + +66 +00:01:21,310 --> 00:01:21,320 + + + +67 +00:01:21,320 --> 00:01:25,789 + +okay hello hello stranger so here what's + +68 +00:01:25,789 --> 00:01:25,799 +okay hello hello stranger so here what's + + +69 +00:01:25,799 --> 00:01:27,390 +okay hello hello stranger so here what's +great about the Nashville Airport I just + +70 +00:01:27,390 --> 00:01:27,400 +great about the Nashville Airport I just + + +71 +00:01:27,400 --> 00:01:28,630 +great about the Nashville Airport I just +wanted to call you and thank you so you + +72 +00:01:28,630 --> 00:01:28,640 +wanted to call you and thank you so you + + +73 +00:01:28,640 --> 00:01:31,270 +wanted to call you and thank you so you +know goodbye thank you and I'll hold + +74 +00:01:31,270 --> 00:01:31,280 +know goodbye thank you and I'll hold + + +75 +00:01:31,280 --> 00:01:34,069 +know goodbye thank you and I'll hold +okay hello discuss that created don't + +76 +00:01:34,069 --> 00:01:34,079 +okay hello discuss that created don't + + +77 +00:01:34,079 --> 00:01:36,789 +okay hello discuss that created don't +you agree Heather they really love him + +78 +00:01:36,789 --> 00:01:36,799 +you agree Heather they really love him + + +79 +00:01:36,799 --> 00:01:39,270 +you agree Heather they really love him +here they're not buying cremation they + +80 +00:01:39,270 --> 00:01:39,280 +here they're not buying cremation they + + +81 +00:01:39,280 --> 00:01:41,510 +here they're not buying cremation they +don't even acknowledge the word but I + +82 +00:01:41,510 --> 00:01:41,520 +don't even acknowledge the word but I + + +83 +00:01:41,520 --> 00:01:43,670 +don't even acknowledge the word but I +need to call you right back is there + +84 +00:01:43,670 --> 00:01:43,680 +need to call you right back is there + + +85 +00:01:43,680 --> 00:01:44,870 +need to call you right back is there +anything more important than the + +86 +00:01:44,870 --> 00:01:44,880 +anything more important than the + + +87 +00:01:44,880 --> 00:01:46,389 +anything more important than the +conversation we're having I will call + +88 +00:01:46,389 --> 00:01:46,399 +conversation we're having I will call + + +89 +00:01:46,399 --> 00:01:49,429 +conversation we're having I will call +you you right back no problem just dial + +90 +00:01:49,429 --> 00:01:49,439 +you you right back no problem just dial + + +91 +00:01:49,439 --> 00:01:58,830 +you you right back no problem just dial +hell and I'll answer I'll call you right + +92 +00:01:58,830 --> 00:01:58,840 + + + +93 +00:01:58,840 --> 00:02:02,890 + +back + +94 +00:02:02,890 --> 00:02:02,900 + + + +95 +00:02:02,900 --> 00:02:25,490 + +[Music] + diff --git a/2005/8U56CTlGkx8.description b/2005/8U56CTlGkx8.description new file mode 100644 index 0000000000000000000000000000000000000000..b766116b0d1a876c38bd1e2fcc6257c421c922a8 --- /dev/null +++ b/2005/8U56CTlGkx8.description @@ -0,0 +1,38 @@ +Pride & Prejudice movie clips: http://j.mp/15vV8Kr +BUY THE MOVIE: http://amzn.to/thLCMc +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Darcy (Matthew Macfayden) delivers a letter explaining his past to a catatonic Elizabeth (Keira Knightley). + +FILM DESCRIPTION: +Jane Austen's perennially popular story of the game of love among the British upper classes returns to the screen in this polished film adaptation. The Bennets (Brenda Blethyn and Donald Sutherland) are the parents of five daughters near the close of the 18th century. Comfortable within their means but well short of rich, Mr. and Mrs. Bennet are looking for suitable husbands for their girls, and they are encouraged to learn that an eligible young bachelor from a wealthy family, Charles Bingley (Simon Woods), has moved into a nearby estate. Eager to see if a match can be made, the Bennets bring their daughters Elizabeth (Keira Knightley) and Jane (Rosamund Pike) to a ball thrown by their new neighbor to see if sparks will fly. Jane seems to like Charles, and he appears to feel the same, but Elizabeth takes an immediate dislike to Darcy (Matthew Macfadyen), Charles' egocentric best friend. While Elizabeth is infatuated with military man Lt. Wickham (Rupert Friend) and finds herself courted by William Collins (Tom Hollander), a well-meaning but drab man of the cloth, fate causes Elizabeth and Darcy to frequently cross paths, and while they don't care for one another, they can't stop thinking about each other, either. Pride & Prejudice also stars Jena Malone, Judi Dench, and Penelope Wilton. + +CREDITS: +TM & © Universal (2005) +Cast: Matthew Macfadyen, Keira Knightley +Director: Joe Wright +Producers: Liza Chasin, Eric Fellner, Jane Frazer, Debra Hayward, Paul Webster, Tim Bevan +Screenwriters: Jane Austen, Deborah Moggach, Emma Thompson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/8U56CTlGkx8.en.srt b/2005/8U56CTlGkx8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..998e3021d492e15971d12fd5b6c2a3c1e42cd637 --- /dev/null +++ b/2005/8U56CTlGkx8.en.srt @@ -0,0 +1,385 @@ +1 +00:00:00,930 --> 00:00:06,230 + +[Music] + +2 +00:00:06,230 --> 00:00:06,240 + + + +3 +00:00:06,240 --> 00:00:12,000 + +[Music] + +4 +00:00:12,000 --> 00:00:12,010 + + + +5 +00:00:12,010 --> 00:00:29,460 + +[Music] + +6 +00:00:29,460 --> 00:00:29,470 + + + +7 +00:00:29,470 --> 00:00:37,030 + +I came to leave you this + +8 +00:00:37,030 --> 00:00:37,040 + + + +9 +00:00:37,040 --> 00:00:39,170 + +[Music] + +10 +00:00:39,170 --> 00:00:39,180 +[Music] + + +11 +00:00:39,180 --> 00:00:43,760 +[Music] +I shall not renew the sediments which + +12 +00:00:43,760 --> 00:00:43,770 +I shall not renew the sediments which + + +13 +00:00:43,770 --> 00:00:47,060 +I shall not renew the sediments which +was so disgusting to you but if I may I + +14 +00:00:47,060 --> 00:00:47,070 +was so disgusting to you but if I may I + + +15 +00:00:47,070 --> 00:00:48,710 +was so disgusting to you but if I may I +will address the two offenses you have + +16 +00:00:48,710 --> 00:00:48,720 +will address the two offenses you have + + +17 +00:00:48,720 --> 00:00:53,780 +will address the two offenses you have +laid against me + +18 +00:00:53,780 --> 00:00:53,790 + + + +19 +00:00:53,790 --> 00:00:56,740 + +[Music] + +20 +00:00:56,740 --> 00:00:56,750 +[Music] + + +21 +00:00:56,750 --> 00:00:59,390 +[Music] +my father loved mr. Wickham was a son + +22 +00:00:59,390 --> 00:00:59,400 +my father loved mr. Wickham was a son + + +23 +00:00:59,400 --> 00:01:02,360 +my father loved mr. Wickham was a son +and consequence we left him a generous + +24 +00:01:02,360 --> 00:01:02,370 +and consequence we left him a generous + + +25 +00:01:02,370 --> 00:01:05,060 +and consequence we left him a generous +living but upon my father's death mr. + +26 +00:01:05,060 --> 00:01:05,070 +living but upon my father's death mr. + + +27 +00:01:05,070 --> 00:01:06,740 +living but upon my father's death mr. +Wickham announced he had no intention of + +28 +00:01:06,740 --> 00:01:06,750 +Wickham announced he had no intention of + + +29 +00:01:06,750 --> 00:01:08,899 +Wickham announced he had no intention of +taking orders + +30 +00:01:08,899 --> 00:01:08,909 +taking orders + + +31 +00:01:08,909 --> 00:01:10,910 +taking orders +he demanded the value of the living + +32 +00:01:10,910 --> 00:01:10,920 +he demanded the value of the living + + +33 +00:01:10,920 --> 00:01:13,039 +he demanded the value of the living +which he was given and which he gambled + +34 +00:01:13,039 --> 00:01:13,049 +which he was given and which he gambled + + +35 +00:01:13,049 --> 00:01:18,200 +which he was given and which he gambled +away within weeks he then wrote + +36 +00:01:18,200 --> 00:01:18,210 +away within weeks he then wrote + + +37 +00:01:18,210 --> 00:01:20,349 +away within weeks he then wrote +demanding more money which I refused + +38 +00:01:20,349 --> 00:01:20,359 +demanding more money which I refused + + +39 +00:01:20,359 --> 00:01:23,440 +demanding more money which I refused +after which she severed all acquaintance + +40 +00:01:23,440 --> 00:01:23,450 +after which she severed all acquaintance + + +41 +00:01:23,450 --> 00:01:26,539 +after which she severed all acquaintance +he came back to see us last summer at + +42 +00:01:26,539 --> 00:01:26,549 +he came back to see us last summer at + + +43 +00:01:26,549 --> 00:01:28,010 +he came back to see us last summer at +which point he declared passionate love + +44 +00:01:28,010 --> 00:01:28,020 +which point he declared passionate love + + +45 +00:01:28,020 --> 00:01:29,630 +which point he declared passionate love +for my sister whom he tried to persuade + +46 +00:01:29,630 --> 00:01:29,640 +for my sister whom he tried to persuade + + +47 +00:01:29,640 --> 00:01:33,589 +for my sister whom he tried to persuade +to elope with him she is to inherit + +48 +00:01:33,589 --> 00:01:33,599 +to elope with him she is to inherit + + +49 +00:01:33,599 --> 00:01:37,309 +to elope with him she is to inherit +thirty thousand pounds when it was made + +50 +00:01:37,309 --> 00:01:37,319 +thirty thousand pounds when it was made + + +51 +00:01:37,319 --> 00:01:38,990 +thirty thousand pounds when it was made +clear he would never receive a penny of + +52 +00:01:38,990 --> 00:01:39,000 +clear he would never receive a penny of + + +53 +00:01:39,000 --> 00:01:42,619 +clear he would never receive a penny of +that inheritance he disappeared I will + +54 +00:01:42,619 --> 00:01:42,629 +that inheritance he disappeared I will + + +55 +00:01:42,629 --> 00:01:43,999 +that inheritance he disappeared I will +not attempt to convey the depth of + +56 +00:01:43,999 --> 00:01:44,009 +not attempt to convey the depth of + + +57 +00:01:44,009 --> 00:01:46,969 +not attempt to convey the depth of +Georgiana's despair she was fifteen + +58 +00:01:46,969 --> 00:01:46,979 +Georgiana's despair she was fifteen + + +59 +00:01:46,979 --> 00:01:50,400 +Georgiana's despair she was fifteen +years old + +60 +00:01:50,400 --> 00:01:50,410 + + + +61 +00:01:50,410 --> 00:01:52,570 + +as to the other matter that of your + +62 +00:01:52,570 --> 00:01:52,580 +as to the other matter that of your + + +63 +00:01:52,580 --> 00:01:55,720 +as to the other matter that of your +sister mr. Bingley though the motives + +64 +00:01:55,720 --> 00:01:55,730 +sister mr. Bingley though the motives + + +65 +00:01:55,730 --> 00:01:57,160 +sister mr. Bingley though the motives +which governed me major you appear + +66 +00:01:57,160 --> 00:01:57,170 +which governed me major you appear + + +67 +00:01:57,170 --> 00:01:59,830 +which governed me major you appear +insufficient they were in the service of + +68 +00:01:59,830 --> 00:01:59,840 +insufficient they were in the service of + + +69 +00:01:59,840 --> 00:02:02,330 +insufficient they were in the service of +a friend + +70 +00:02:02,330 --> 00:02:02,340 + + + +71 +00:02:02,340 --> 00:02:13,430 + +is he you all right + +72 +00:02:13,430 --> 00:02:13,440 + + + +73 +00:02:13,440 --> 00:02:36,440 + +[Music] + +74 +00:02:36,440 --> 00:02:36,450 + + + +75 +00:02:36,450 --> 00:02:38,520 + +you + +76 +00:02:38,520 --> 00:02:38,530 + + + +77 +00:02:38,530 --> 00:02:44,509 + +[Music] + diff --git a/2005/9yEylIfDkms.description b/2005/9yEylIfDkms.description new file mode 100644 index 0000000000000000000000000000000000000000..e3e9cc54c9200d99336818de9ccc90752864a2d1 --- /dev/null +++ b/2005/9yEylIfDkms.description @@ -0,0 +1,38 @@ +Pride & Prejudice movie clips: http://j.mp/15vV8Kr +BUY THE MOVIE: http://amzn.to/thLCMc +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Elizabeth (Keira Knightley) definitively refuses a marriage proposal from Mr. Collins (Tom Hollander). + +FILM DESCRIPTION: +Jane Austen's perennially popular story of the game of love among the British upper classes returns to the screen in this polished film adaptation. The Bennets (Brenda Blethyn and Donald Sutherland) are the parents of five daughters near the close of the 18th century. Comfortable within their means but well short of rich, Mr. and Mrs. Bennet are looking for suitable husbands for their girls, and they are encouraged to learn that an eligible young bachelor from a wealthy family, Charles Bingley (Simon Woods), has moved into a nearby estate. Eager to see if a match can be made, the Bennets bring their daughters Elizabeth (Keira Knightley) and Jane (Rosamund Pike) to a ball thrown by their new neighbor to see if sparks will fly. Jane seems to like Charles, and he appears to feel the same, but Elizabeth takes an immediate dislike to Darcy (Matthew Macfadyen), Charles' egocentric best friend. While Elizabeth is infatuated with military man Lt. Wickham (Rupert Friend) and finds herself courted by William Collins (Tom Hollander), a well-meaning but drab man of the cloth, fate causes Elizabeth and Darcy to frequently cross paths, and while they don't care for one another, they can't stop thinking about each other, either. Pride & Prejudice also stars Jena Malone, Judi Dench, and Penelope Wilton. + +CREDITS: +TM & © Universal (2005) +Cast: Tom Hollander, Brenda Blethyn, Keira Knightley, Carey Mulligan, Rosamund Pike, Talulah Riley +Director: Joe Wright +Producers: Liza Chasin, Eric Fellner, Jane Frazer, Debra Hayward, Paul Webster, Tim Bevan +Screenwriters: Jane Austen, Deborah Moggach, Emma Thompson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/9yEylIfDkms.en.srt b/2005/9yEylIfDkms.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6501e1c98f91247baa7c48bd200aa0a4d1bc9358 --- /dev/null +++ b/2005/9yEylIfDkms.en.srt @@ -0,0 +1,495 @@ +1 +00:00:00,890 --> 00:00:04,400 + +dear Miss Elizabeth I'm sure my + +2 +00:00:04,400 --> 00:00:04,410 +dear Miss Elizabeth I'm sure my + + +3 +00:00:04,410 --> 00:00:05,780 +dear Miss Elizabeth I'm sure my +attentions have been to Mars to be + +4 +00:00:05,780 --> 00:00:05,790 +attentions have been to Mars to be + + +5 +00:00:05,790 --> 00:00:08,870 +attentions have been to Mars to be +mistaken almost as soon as I entered the + +6 +00:00:08,870 --> 00:00:08,880 +mistaken almost as soon as I entered the + + +7 +00:00:08,880 --> 00:00:11,330 +mistaken almost as soon as I entered the +house I singled you out as the companion + +8 +00:00:11,330 --> 00:00:11,340 +house I singled you out as the companion + + +9 +00:00:11,340 --> 00:00:16,400 +house I singled you out as the companion +of my future life but before I am run + +10 +00:00:16,400 --> 00:00:16,410 +of my future life but before I am run + + +11 +00:00:16,410 --> 00:00:19,519 +of my future life but before I am run +away with my feelings perhaps I may + +12 +00:00:19,519 --> 00:00:19,529 +away with my feelings perhaps I may + + +13 +00:00:19,529 --> 00:00:21,769 +away with my feelings perhaps I may +state my reasons for marriage firstly + +14 +00:00:21,769 --> 00:00:21,779 +state my reasons for marriage firstly + + +15 +00:00:21,779 --> 00:00:23,840 +state my reasons for marriage firstly +that it is the duty of a clergyman to + +16 +00:00:23,840 --> 00:00:23,850 +that it is the duty of a clergyman to + + +17 +00:00:23,850 --> 00:00:25,160 +that it is the duty of a clergyman to +set the example of matrimony in his + +18 +00:00:25,160 --> 00:00:25,170 +set the example of matrimony in his + + +19 +00:00:25,170 --> 00:00:28,609 +set the example of matrimony in his +parish secondly that I am convinced it + +20 +00:00:28,609 --> 00:00:28,619 +parish secondly that I am convinced it + + +21 +00:00:28,619 --> 00:00:30,259 +parish secondly that I am convinced it +will add greatly to my happiness and + +22 +00:00:30,259 --> 00:00:30,269 +will add greatly to my happiness and + + +23 +00:00:30,269 --> 00:00:31,370 +will add greatly to my happiness and +thirdly + +24 +00:00:31,370 --> 00:00:31,380 +thirdly + + +25 +00:00:31,380 --> 00:00:34,700 +thirdly +that it is at the urging of my esteemed + +26 +00:00:34,700 --> 00:00:34,710 +that it is at the urging of my esteemed + + +27 +00:00:34,710 --> 00:00:38,240 +that it is at the urging of my esteemed +patroness Lady Catherine that I select a + +28 +00:00:38,240 --> 00:00:38,250 +patroness Lady Catherine that I select a + + +29 +00:00:38,250 --> 00:00:41,389 +patroness Lady Catherine that I select a +wife my object in coming to Longbourn + +30 +00:00:41,389 --> 00:00:41,399 +wife my object in coming to Longbourn + + +31 +00:00:41,399 --> 00:00:44,389 +wife my object in coming to Longbourn +was to choose such a one from among mr. + +32 +00:00:44,389 --> 00:00:44,399 +was to choose such a one from among mr. + + +33 +00:00:44,399 --> 00:00:47,959 +was to choose such a one from among mr. +Bennet's daughters for I am to inherit + +34 +00:00:47,959 --> 00:00:47,969 +Bennet's daughters for I am to inherit + + +35 +00:00:47,969 --> 00:00:51,020 +Bennet's daughters for I am to inherit +the estate and such an alliance will + +36 +00:00:51,020 --> 00:00:51,030 +the estate and such an alliance will + + +37 +00:00:51,030 --> 00:00:58,520 +the estate and such an alliance will +surely suit everyone and now nothing + +38 +00:00:58,520 --> 00:00:58,530 +surely suit everyone and now nothing + + +39 +00:00:58,530 --> 00:01:00,709 +surely suit everyone and now nothing +remains but for me to assure you in the + +40 +00:01:00,709 --> 00:01:00,719 +remains but for me to assure you in the + + +41 +00:01:00,719 --> 00:01:02,450 +remains but for me to assure you in the +most animated language of the violence + +42 +00:01:02,450 --> 00:01:02,460 +most animated language of the violence + + +43 +00:01:02,460 --> 00:01:04,820 +most animated language of the violence +of my affection he is the Collins and + +44 +00:01:04,820 --> 00:01:04,830 +of my affection he is the Collins and + + +45 +00:01:04,830 --> 00:01:06,500 +of my affection he is the Collins and +then her approach on the subject of + +46 +00:01:06,500 --> 00:01:06,510 +then her approach on the subject of + + +47 +00:01:06,510 --> 00:01:08,090 +then her approach on the subject of +fortune will cross my lips once we're + +48 +00:01:08,090 --> 00:01:08,100 +fortune will cross my lips once we're + + +49 +00:01:08,100 --> 00:01:10,250 +fortune will cross my lips once we're +married you are too hasty sir you forget + +50 +00:01:10,250 --> 00:01:10,260 +married you are too hasty sir you forget + + +51 +00:01:10,260 --> 00:01:11,929 +married you are too hasty sir you forget +that I have given no answer I must add + +52 +00:01:11,929 --> 00:01:11,939 +that I have given no answer I must add + + +53 +00:01:11,939 --> 00:01:14,090 +that I have given no answer I must add +that Lady Catherine was apparently + +54 +00:01:14,090 --> 00:01:14,100 +that Lady Catherine was apparently + + +55 +00:01:14,100 --> 00:01:16,190 +that Lady Catherine was apparently +approved for my speaker of your modesty + +56 +00:01:16,190 --> 00:01:16,200 +approved for my speaker of your modesty + + +57 +00:01:16,200 --> 00:01:21,020 +approved for my speaker of your modesty +economy and other amiable qualities sir + +58 +00:01:21,020 --> 00:01:21,030 +economy and other amiable qualities sir + + +59 +00:01:21,030 --> 00:01:23,780 +economy and other amiable qualities sir +I am honored by your proposal but I + +60 +00:01:23,780 --> 00:01:23,790 +I am honored by your proposal but I + + +61 +00:01:23,790 --> 00:01:27,550 +I am honored by your proposal but I +regret that I must decline it I know + +62 +00:01:27,550 --> 00:01:27,560 +regret that I must decline it I know + + +63 +00:01:27,560 --> 00:01:30,950 +regret that I must decline it I know +ladies don't seek to seem too easy mr. + +64 +00:01:30,950 --> 00:01:30,960 +ladies don't seek to seem too easy mr. + + +65 +00:01:30,960 --> 00:01:33,800 +ladies don't seek to seem too easy mr. +Collins I am perfectly serious you could + +66 +00:01:33,800 --> 00:01:33,810 +Collins I am perfectly serious you could + + +67 +00:01:33,810 --> 00:01:35,270 +Collins I am perfectly serious you could +not make me happy and I'm convinced I'm + +68 +00:01:35,270 --> 00:01:35,280 +not make me happy and I'm convinced I'm + + +69 +00:01:35,280 --> 00:01:36,440 +not make me happy and I'm convinced I'm +the last woman in the world who could + +70 +00:01:36,440 --> 00:01:36,450 +the last woman in the world who could + + +71 +00:01:36,450 --> 00:01:39,109 +the last woman in the world who could +make you happy I've had her myself + +72 +00:01:39,109 --> 00:01:39,119 +make you happy I've had her myself + + +73 +00:01:39,119 --> 00:01:41,270 +make you happy I've had her myself +cousinly a refusal is merely a natural + +74 +00:01:41,270 --> 00:01:41,280 +cousinly a refusal is merely a natural + + +75 +00:01:41,280 --> 00:01:44,300 +cousinly a refusal is merely a natural +delicacy besides you should take into + +76 +00:01:44,300 --> 00:01:44,310 +delicacy besides you should take into + + +77 +00:01:44,310 --> 00:01:45,770 +delicacy besides you should take into +account that despite your manifold + +78 +00:01:45,770 --> 00:01:45,780 +account that despite your manifold + + +79 +00:01:45,780 --> 00:01:47,359 +account that despite your manifold +attractions it's by no means certain + +80 +00:01:47,359 --> 00:01:47,369 +attractions it's by no means certain + + +81 +00:01:47,369 --> 00:01:48,980 +attractions it's by no means certain +that another offer of marriage may have + +82 +00:01:48,980 --> 00:01:48,990 +that another offer of marriage may have + + +83 +00:01:48,990 --> 00:01:50,480 +that another offer of marriage may have +been made to you mr. Collins + +84 +00:01:50,480 --> 00:01:50,490 +been made to you mr. Collins + + +85 +00:01:50,490 --> 00:01:52,700 +been made to you mr. Collins +so I must conclude that you simply seek + +86 +00:01:52,700 --> 00:01:52,710 +so I must conclude that you simply seek + + +87 +00:01:52,710 --> 00:01:54,679 +so I must conclude that you simply seek +to increase my love by suspense sir + +88 +00:01:54,679 --> 00:01:54,689 +to increase my love by suspense sir + + +89 +00:01:54,689 --> 00:01:56,510 +to increase my love by suspense sir +according to the usual practice of + +90 +00:01:56,510 --> 00:01:56,520 +according to the usual practice of + + +91 +00:01:56,520 --> 00:02:00,080 +according to the usual practice of +elegant females sir I am not the sort of + +92 +00:02:00,080 --> 00:02:00,090 +elegant females sir I am not the sort of + + +93 +00:02:00,090 --> 00:02:02,120 +elegant females sir I am not the sort of +female to torment a respectable man + +94 +00:02:02,120 --> 00:02:02,130 +female to torment a respectable man + + +95 +00:02:02,130 --> 00:02:13,180 +female to torment a respectable man +please understand me I cannot accept you + +96 +00:02:13,180 --> 00:02:13,190 + + + +97 +00:02:13,190 --> 00:02:19,440 + +foolish child + +98 +00:02:19,440 --> 00:02:19,450 + + + +99 +00:02:19,450 --> 00:02:50,500 + +[Music] + diff --git a/2005/AFMFZiFr458.description b/2005/AFMFZiFr458.description new file mode 100644 index 0000000000000000000000000000000000000000..75e9e562e329515e5028de868d419fffbd07599d --- /dev/null +++ b/2005/AFMFZiFr458.description @@ -0,0 +1,38 @@ +Capote movie clips: http://j.mp/1znWn8r +BUY THE MOVIE: http://j.mp/12MVio3 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Truman (Philip Seymour Hoffman) asks Perry (Clifton Collins Jr.) for his notebooks so he can understand him better and inform the public. + +FILM DESCRIPTION: +The creation of one of the most memorable books of the 1960s -- and the impact the writing and research would have on its author -- is explored in this drama based on a true story. In 1959, Truman Capote (played by Philip Seymour Hoffman) was a critically acclaimed novelist who had earned a small degree of celebrity for his work when he read a short newspaper item about a multiple murder in a small Kansas town. For some reason, the story fascinated Capote, and he asked William Shawn (Bob Balaban), his editor at The New Yorker, to let him write a piece about the case. Capote had long believed that in the right hands, a true story could be molded into a tale as compelling as any fiction, and he believed this event, in which the brutal and unimaginable was visited upon a community where it was least expected, could be just the right material. Capote traveled to Kansas with his close friend Harper Lee (Catherine Keener), herself becoming a major literary figure with the success of To Kill a Mockingbird, and while Capote's effete and mannered personal style stuck out like a sore thumb in Kansas, in time he gained the trust of Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent investigating the murder of the Clutter family, and with his help Capote's magazine piece grew into a full-length book. Capote also became familiar with the petty criminals who killed the Clutter family, Dick Hickock (Mark Pellegrino) and Perry Smith (Clifton Collins Jr.), and in Smith he found a troubling kindred spirit more like himself than he wanted to admit. After attaining a sort of friendship with Smith under the assumption that the man would be executed before the book was ever published, Capote finds himself forced to directly confront the moral implications of his actions with regards to both his role in the man's death, and the way that he would be remembered. Capote also co-stars Bruce Greenwood as Capote's longtime companion Jack Dunphy, and Amy Ryan as Mary Dewey, Alvin's wife who became a confidante of Capote's. + +CREDITS: +TM & © MGM (2005) +Cast: Clifton Collins Jr., Philip Seymour Hoffman +Director: Bennett Miller +Producers: Dan Futterman, Philip Seymour Hoffman, Karen Gorodetzky, Kyle Irving, Michael Ohoven, Kerry Rock, Danny Rosett, William Vince, David Valleau, Emily Ziff, Caroline Baron, Jacques Mth, Kyle Mann +Screenwriter: Dan Futterman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/AFMFZiFr458.en.srt b/2005/AFMFZiFr458.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d87a57aa9ecd09715281ccc61b3e0147a60d9d3e --- /dev/null +++ b/2005/AFMFZiFr458.en.srt @@ -0,0 +1,265 @@ +1 +00:00:00,880 --> 00:00:03,190 + +who raised you + +2 +00:00:03,190 --> 00:00:03,200 +who raised you + + +3 +00:00:03,200 --> 00:00:08,030 +who raised you +up my + +4 +00:00:08,030 --> 00:00:08,040 + + + +5 +00:00:08,040 --> 00:00:11,509 + +Ants that's where I met now and she + +6 +00:00:11,509 --> 00:00:11,519 +Ants that's where I met now and she + + +7 +00:00:11,519 --> 00:00:19,990 +Ants that's where I met now and she +lived she lived next + +8 +00:00:19,990 --> 00:00:20,000 + + + +9 +00:00:20,000 --> 00:00:24,550 + +door your mother was Indian + +10 +00:00:24,550 --> 00:00:24,560 +door your mother was Indian + + +11 +00:00:24,560 --> 00:00:26,990 +door your mother was Indian +Cherokee said drinking was not a good + +12 +00:00:26,990 --> 00:00:27,000 +Cherokee said drinking was not a good + + +13 +00:00:27,000 --> 00:00:28,950 +Cherokee said drinking was not a good +thing for + +14 +00:00:28,950 --> 00:00:28,960 +thing for + + +15 +00:00:28,960 --> 00:00:41,990 +thing for +her no tolerance for + +16 +00:00:41,990 --> 00:00:42,000 + + + +17 +00:00:42,000 --> 00:00:43,990 + +it we on + +18 +00:00:43,990 --> 00:00:44,000 +it we on + + +19 +00:00:44,000 --> 00:00:46,830 +it we on +the suicide + +20 +00:00:46,830 --> 00:00:46,840 +the suicide + + +21 +00:00:46,840 --> 00:00:48,869 +the suicide +watch that's why they leave the lights + +22 +00:00:48,869 --> 00:00:48,879 +watch that's why they leave the lights + + +23 +00:00:48,879 --> 00:00:52,950 +watch that's why they leave the lights +on at night I hope we're past that now I + +24 +00:00:52,950 --> 00:00:52,960 +on at night I hope we're past that now I + + +25 +00:00:52,960 --> 00:01:05,670 +on at night I hope we're past that now I +do + +26 +00:01:05,670 --> 00:01:05,680 + + + +27 +00:01:05,680 --> 00:01:07,789 + +be careful of + +28 +00:01:07,789 --> 00:01:07,799 +be careful of + + +29 +00:01:07,799 --> 00:01:12,469 +be careful of +Ricardo I think he wants you hold + +30 +00:01:12,469 --> 00:01:12,479 + + + +31 +00:01:12,479 --> 00:01:15,550 + +himself but he's naturally + +32 +00:01:15,550 --> 00:01:15,560 +himself but he's naturally + + +33 +00:01:15,560 --> 00:01:17,870 +himself but he's naturally +mous not to be + +34 +00:01:17,870 --> 00:01:17,880 +mous not to be + + +35 +00:01:17,880 --> 00:01:20,990 +mous not to be +trusted if he had $100 he' still stick a + +36 +00:01:20,990 --> 00:01:21,000 +trusted if he had $100 he' still stick a + + +37 +00:01:21,000 --> 00:01:32,389 +trusted if he had $100 he' still stick a +Jo + +38 +00:01:32,389 --> 00:01:32,399 + + + +39 +00:01:32,399 --> 00:01:36,630 + +Perry I want to take your notebooks with + +40 +00:01:36,630 --> 00:01:36,640 + + + +41 +00:01:36,640 --> 00:01:40,270 + +me I want to read + +42 +00:01:40,270 --> 00:01:40,280 +me I want to read + + +43 +00:01:40,280 --> 00:01:43,030 +me I want to read +them he if I leave here without + +44 +00:01:43,030 --> 00:01:43,040 +them he if I leave here without + + +45 +00:01:43,040 --> 00:01:44,350 +them he if I leave here without +understanding + +46 +00:01:44,350 --> 00:01:44,360 +understanding + + +47 +00:01:44,360 --> 00:01:48,230 +understanding +you the world will see you as a + +48 +00:01:48,230 --> 00:01:48,240 +you the world will see you as a + + +49 +00:01:48,240 --> 00:01:52,389 +you the world will see you as a +monster + +50 +00:01:52,389 --> 00:01:52,399 + + + +51 +00:01:52,399 --> 00:02:00,380 + +always I don't want that + +52 +00:02:00,380 --> 00:02:00,390 + + + +53 +00:02:00,390 --> 00:02:29,599 + +[Music] + diff --git a/2005/Amd3bMqEdjs.description b/2005/Amd3bMqEdjs.description new file mode 100644 index 0000000000000000000000000000000000000000..8d94eb438b0debbea880fde8129e4cb2ce73c7e5 --- /dev/null +++ b/2005/Amd3bMqEdjs.description @@ -0,0 +1,38 @@ +Wedding Crashers movie clips: http://j.mp/1LaLmh5 +BUY THE MOVIE: http://bit.ly/2celOHp +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +John (Owen Wilson) and Jeremy (Vince Vaughn) fight over the rules of wedding crashing when John tries to get some overtime. + +FILM DESCRIPTION: +Two guys find out the hard way that sneaking into the wrong party can cause serious problems in this comedy. Jeremy Klein (Vince Vaughn) and John Beckwith (Owen Wilson) are a pair of longtime friends who work for a law firm, helping contentious couples mediate their divorces. Their job has given them a cynical attitude about marriage, and as a hobby each weekend the two make a point of crashing weddings reception, where they load up on free food and booze and try their luck at seducing the bridesmaids. When William Cleary (Christopher Walken), the nation's Secretary of the Treasury and a possible candidate for the Presidency, announces his daughter is to wed, the nuptials are billed as the social event of the year, and Jeremy and John decide they must attend the reception. However, John makes the mistake of falling head over heels for Claire (Rachel McAdams), the bride's sister, while Jeremy attracts the attentions of a woman he'd prefer not to be involved with, and soon their romantic peccadilloes get them in very hot water. + +CREDITS: +TM & © Warner Bros. (2005) +Cast: Vince Vaughn, Owen Wilson +Director: David Dobkin +Producers: Peter Abrams, Cale Boyter, Richard Brener, Toby Emmerich, Robert L. Levy, Andrew Panay, Guy Riedel +Screenwriters: Steve Faber, Bob Fisher + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/Amd3bMqEdjs.en.srt b/2005/Amd3bMqEdjs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..4df722b25ff2115c9a3f6a9078a5b856cbab63c4 --- /dev/null +++ b/2005/Amd3bMqEdjs.en.srt @@ -0,0 +1,235 @@ +1 +00:00:00,160 --> 00:00:01,910 + +no the Train's going we got to get on oh + +2 +00:00:01,910 --> 00:00:01,920 +no the Train's going we got to get on oh + + +3 +00:00:01,920 --> 00:00:02,830 +no the Train's going we got to get on oh +that's terrific why why don't you just + +4 +00:00:02,830 --> 00:00:02,840 +that's terrific why why don't you just + + +5 +00:00:02,840 --> 00:00:04,749 +that's terrific why why don't you just +feed me to the liance what step on my + +6 +00:00:04,749 --> 00:00:04,759 +feed me to the liance what step on my + + +7 +00:00:04,759 --> 00:00:06,230 +feed me to the liance what step on my +head when I'm drowning what a what a + +8 +00:00:06,230 --> 00:00:06,240 +head when I'm drowning what a what a + + +9 +00:00:06,240 --> 00:00:07,829 +head when I'm drowning what a what a +great friend what do you mean what John + +10 +00:00:07,829 --> 00:00:07,839 +great friend what do you mean what John + + +11 +00:00:07,839 --> 00:00:09,509 +great friend what do you mean what John +this is completely against the rules you + +12 +00:00:09,509 --> 00:00:09,519 +this is completely against the rules you + + +13 +00:00:09,519 --> 00:00:11,230 +this is completely against the rules you +have a wedding and a reception to seal + +14 +00:00:11,230 --> 00:00:11,240 +have a wedding and a reception to seal + + +15 +00:00:11,240 --> 00:00:13,310 +have a wedding and a reception to seal +the deal period there's no overtime no + +16 +00:00:13,310 --> 00:00:13,320 +the deal period there's no overtime no + + +17 +00:00:13,320 --> 00:00:15,070 +the deal period there's no overtime no +overtime no what about the Chang wedding + +18 +00:00:15,070 --> 00:00:15,080 +overtime no what about the Chang wedding + + +19 +00:00:15,080 --> 00:00:17,550 +overtime no what about the Chang wedding +3 years ago oh that's yeah yeah + +20 +00:00:17,550 --> 00:00:17,560 +3 years ago oh that's yeah yeah + + +21 +00:00:17,560 --> 00:00:19,390 +3 years ago oh that's yeah yeah +I thought I forgot about that 2 a.m. you + +22 +00:00:19,390 --> 00:00:19,400 +I thought I forgot about that 2 a.m. you + + +23 +00:00:19,400 --> 00:00:20,950 +I thought I forgot about that 2 a.m. you +dragg me 50 miles to watch you and some + +24 +00:00:20,950 --> 00:00:20,960 +dragg me 50 miles to watch you and some + + +25 +00:00:20,960 --> 00:00:23,230 +dragg me 50 miles to watch you and some +chick play maong with her grandmother at + +26 +00:00:23,230 --> 00:00:23,240 +chick play maong with her grandmother at + + +27 +00:00:23,240 --> 00:00:24,790 +chick play maong with her grandmother at +a retirement home yeah completely + +28 +00:00:24,790 --> 00:00:24,800 +a retirement home yeah completely + + +29 +00:00:24,800 --> 00:00:27,070 +a retirement home yeah completely +different situation how you mean how she + +30 +00:00:27,070 --> 00:00:27,080 +different situation how you mean how she + + +31 +00:00:27,080 --> 00:00:29,109 +different situation how you mean how she +was a very very family oriented girl and + +32 +00:00:29,109 --> 00:00:29,119 +was a very very family oriented girl and + + +33 +00:00:29,119 --> 00:00:31,230 +was a very very family oriented girl and +she was very into her grand the give me + +34 +00:00:31,230 --> 00:00:31,240 +she was very into her grand the give me + + +35 +00:00:31,240 --> 00:00:34,229 +she was very into her grand the give me +a break that was my first asan no + +36 +00:00:34,229 --> 00:00:34,239 +a break that was my first asan no + + +37 +00:00:34,239 --> 00:00:36,430 +a break that was my first asan no +she You better lock it up you better + +38 +00:00:36,430 --> 00:00:36,440 +she You better lock it up you better + + +39 +00:00:36,440 --> 00:00:38,150 +she You better lock it up you better +lock it up no you lock it up you lock it + +40 +00:00:38,150 --> 00:00:38,160 +lock it up no you lock it up you lock it + + +41 +00:00:38,160 --> 00:00:48,810 +lock it up no you lock it up you lock it +up lock it up lock it up + +42 +00:00:48,810 --> 00:00:48,820 + + + +43 +00:00:48,820 --> 00:01:01,630 + +[Music] + +44 +00:01:01,630 --> 00:01:01,640 + + + +45 +00:01:01,640 --> 00:01:05,430 + +St + +46 +00:01:05,430 --> 00:01:05,440 + + + +47 +00:01:05,440 --> 00:01:11,409 + +[Music] + diff --git a/2005/AwLRD7iEEKI.en.srt b/2005/AwLRD7iEEKI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..5bd7d420949272d718e357527553ca98630010af --- /dev/null +++ b/2005/AwLRD7iEEKI.en.srt @@ -0,0 +1,52 @@ +1 +00:00:02,160 --> 00:00:02,860 +Huh? + +2 +00:00:14,940 --> 00:00:29,080 +[grunting] + +3 +00:00:56,520 --> 00:00:58,520 +This is going to get greasy! + +4 +00:01:03,180 --> 00:01:04,620 +Are you thinking what I'm thinking? + +5 +00:01:04,840 --> 00:01:06,420 +I sure am! + +6 +00:01:21,380 --> 00:01:23,380 +See a need, fill a need! + +7 +00:01:23,600 --> 00:01:26,140 +This isn't what I was thinking at all! + +8 +00:01:27,260 --> 00:01:28,000 +Ah! + +9 +00:01:39,660 --> 00:01:42,000 +What are you doing! Get off of me! + +10 +00:01:43,700 --> 00:01:46,500 +Let go! Do as I say! Get off! + +11 +00:01:49,440 --> 00:01:51,420 +Aaaaaah! + +12 +00:01:56,040 --> 00:01:57,440 +Ah! My upgrades! + +13 +00:02:08,080 --> 00:02:13,720 +[cheering] + diff --git a/2005/B7FkLh0uqdc.description b/2005/B7FkLh0uqdc.description new file mode 100644 index 0000000000000000000000000000000000000000..c7f87df65fd9d7d5c5456ef742c67bde29896af4 --- /dev/null +++ b/2005/B7FkLh0uqdc.description @@ -0,0 +1,38 @@ +Asylum movie clips: http://j.mp/1uwMyXa +BUY THE MOVIE: http://j.mp/z2lEnC +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Edgar (Marton Csokas) stows away in the trunk of Brenda's (Judy Parfitt) car. + +FILM DESCRIPTION: +Directed by David Mackenzie, Asylum follows a 1950s family living in a home on the grounds of an asylum after Max (Hugh Bonneville), the patriarch, is assigned to serve as deputy director of a remote psychiatric hospital. Neither his wife, Stella (Natasha Richardson), nor his young son, Charlie (Augustus Jeremiah Lewis), are particularly happy about the arrangements, though Stella finds herself slowly becoming attracted to Edgar Stark (Marton Csokas), a charismatic inmate. Despite the obvious repercussions of an extramarital affair and the sage advice of Dr. Cleave (Ian McKellen), a colleague of her husband, Stella's slow-burning attraction becomes an all out obsession; before long, Stella is barely aware that she is risking her family, her sanity, and even her very life for Edgar. Asylum is based on a novel by Patrick McGrath. + +CREDITS: +TM & © Paramount (2005) +Cast: Marton Csokas, Gus Lewis, Judy Parfitt, Natasha Richardson +Director: David Mackenzie +Producers: David E. Allen, Michael Barlow, Laurie Borg, John Buchanan, David Collins, Chris Curling, Baron Davis, Harmon Kaslow, Steve Markoff, Bruce McNall, Mace Neufeld, Robert Rehme, Natasha Richardson +Screenwriters: Patrick McGrath, Patrick Marber, Chrysanthy Balis + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/C2pUVmGEEeM.description b/2005/C2pUVmGEEeM.description new file mode 100644 index 0000000000000000000000000000000000000000..9b878a1abd91146fe8630759dc7116f59704d240 --- /dev/null +++ b/2005/C2pUVmGEEeM.description @@ -0,0 +1,38 @@ +Elizabethtown movie clips: http://j.mp/1JcwVXT +BUY THE MOVIE: http://amzn.to/vAAzw4 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Drew (Orlando Bloom) convinces Claire (Kirsten Dunst) that she deserves a better man and kisses her. + +FILM DESCRIPTION: +A young man in need of a fresh start gets one under highly unexpected circumstances in this emotionally resonant comedy drama from writer and director Cameron Crowe. Drew Baylor (Orlando Bloom) is considered the big success story in his family, having moved away from the small Kentucky town where he was born to California, where he works as a designer for Mercury, the nation's biggest athletic shoe company. But success has begun to elude Drew -- his most recent design was a resounding flop that has cost him his job, and his girlfriend, Ellen (Jessica Biel), has given him his walking papers. Drew is contemplating suicide when he gets word that his father has died, and that he's needed back home in Elizabethtown, KY, to help organize the funeral. With his mother, Hollie (Susan Sarandon), deep in denial about her husband's passing, Drew comes home to discover no one knows about his recent poor fortune, and he's greeted like a conquering hero. As Drew reconnects with his family and helps his sister, Heather (Judy Greer), look after Hollie, Drew gets a new lease on life and is reminded about what's really important to him. Helping him learn these valuable lessons is Claire Colburn (Kirsten Dunst), a pretty and optimistic flight attendant Drew meets on his flight home who has her own philosophies about positive thinking and the curative powers of travel. Elizabethtown also stars Alec Baldwin, Paul Schneider, Bruce McGill, Loudon Wainwright III, and Paula Deen. + +CREDITS: +TM & © Paramount (2005) +Cast: Orlando Bloom, Kirsten Dunst +Director: Cameron Crowe +Producers: Cameron Crowe, Tom Cruise, Donald J. Lee Jr., Paula Wagner, Andy Fischer +Screenwriter: Cameron Crowe + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/C2pUVmGEEeM.en.srt b/2005/C2pUVmGEEeM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..0576589fbef0c423a452f56ae55b8be91280aa65 --- /dev/null +++ b/2005/C2pUVmGEEeM.en.srt @@ -0,0 +1,315 @@ +1 +00:00:01,719 --> 00:00:02,790 + +come + +2 +00:00:02,790 --> 00:00:02,800 +come + + +3 +00:00:02,800 --> 00:00:05,510 +come +on you know there is nothing greater + +4 +00:00:05,510 --> 00:00:05,520 +on you know there is nothing greater + + +5 +00:00:05,520 --> 00:00:07,150 +on you know there is nothing greater +than deciding in your life that things + +6 +00:00:07,150 --> 00:00:07,160 +than deciding in your life that things + + +7 +00:00:07,160 --> 00:00:10,230 +than deciding in your life that things +may be really are black and white and + +8 +00:00:10,230 --> 00:00:10,240 +may be really are black and white and + + +9 +00:00:10,240 --> 00:00:12,749 +may be really are black and white and +this guy Ben who clearly takes you for + +10 +00:00:12,749 --> 00:00:12,759 +this guy Ben who clearly takes you for + + +11 +00:00:12,759 --> 00:00:15,110 +this guy Ben who clearly takes you for +granted who serly takes advantage of you + +12 +00:00:15,110 --> 00:00:15,120 +granted who serly takes advantage of you + + +13 +00:00:15,120 --> 00:00:18,630 +granted who serly takes advantage of you +is bad and what I am saying is good see + +14 +00:00:18,630 --> 00:00:18,640 +is bad and what I am saying is good see + + +15 +00:00:18,640 --> 00:00:20,189 +is bad and what I am saying is good see +what I + +16 +00:00:20,189 --> 00:00:20,199 +what I + + +17 +00:00:20,199 --> 00:00:23,870 +what I +mean you shouldn't be the substitute for + +18 +00:00:23,870 --> 00:00:23,880 +mean you shouldn't be the substitute for + + +19 +00:00:23,880 --> 00:00:27,429 +mean you shouldn't be the substitute for +anybody this guy should be right here + +20 +00:00:27,429 --> 00:00:27,439 +anybody this guy should be right here + + +21 +00:00:27,439 --> 00:00:41,310 +anybody this guy should be right here +right now doing this + +22 +00:00:41,310 --> 00:00:41,320 + + + +23 +00:00:41,320 --> 00:00:41,790 + +maybe + +24 +00:00:41,790 --> 00:00:41,800 +maybe + + +25 +00:00:41,800 --> 00:00:45,869 +maybe +[Music] + +26 +00:00:45,869 --> 00:00:45,879 + + + +27 +00:00:45,879 --> 00:00:48,389 + +so he's lucky I'm not the right person + +28 +00:00:48,389 --> 00:00:48,399 +so he's lucky I'm not the right person + + +29 +00:00:48,399 --> 00:00:53,029 +so he's lucky I'm not the right person +for + +30 +00:00:53,029 --> 00:00:53,039 + + + +31 +00:00:53,039 --> 00:00:56,670 + +you I know why it's not you but just + +32 +00:00:56,670 --> 00:00:56,680 +you I know why it's not you but just + + +33 +00:00:56,680 --> 00:00:58,910 +you I know why it's not you but just +tell me + +34 +00:00:58,910 --> 00:00:58,920 +tell me + + +35 +00:00:58,920 --> 00:01:03,229 +tell me +so I can see it from your + +36 +00:01:03,229 --> 00:01:03,239 + + + +37 +00:01:03,239 --> 00:01:08,710 + +perspective see I know what you + +38 +00:01:08,710 --> 00:01:08,720 + + + +39 +00:01:08,720 --> 00:01:12,910 + +deserve what do I + +40 +00:01:12,910 --> 00:01:12,920 + + + +41 +00:01:12,920 --> 00:01:18,109 + +Deserve You + +42 +00:01:18,109 --> 00:01:18,119 + + + +43 +00:01:18,119 --> 00:01:24,469 + +Deserve You + +44 +00:01:24,469 --> 00:01:24,479 + + + +45 +00:01:24,479 --> 00:01:34,429 + +Deserve You Deserve + +46 +00:01:34,429 --> 00:01:34,439 + + + +47 +00:01:34,439 --> 00:01:38,190 + +a guy who + +48 +00:01:38,190 --> 00:01:38,200 + + + +49 +00:01:38,200 --> 00:01:43,069 + +says I can't imagine a world without + +50 +00:01:43,069 --> 00:01:43,079 + + + +51 +00:01:43,079 --> 00:01:47,670 + +you we will start a winery when we are + +52 +00:01:47,670 --> 00:01:47,680 +you we will start a winery when we are + + +53 +00:01:47,680 --> 00:01:50,950 +you we will start a winery when we are +70 we will snowboard every December and + +54 +00:01:50,950 --> 00:01:50,960 +70 we will snowboard every December and + + +55 +00:01:50,960 --> 00:01:53,990 +70 we will snowboard every December and +one year take our + +56 +00:01:53,990 --> 00:01:54,000 +one year take our + + +57 +00:01:54,000 --> 00:01:56,550 +one year take our +kids and we will always have the twin + +58 +00:01:56,550 --> 00:01:56,560 +kids and we will always have the twin + + +59 +00:01:56,560 --> 00:02:03,670 +kids and we will always have the twin +red lexuses license place reading check + +60 +00:02:03,670 --> 00:02:03,680 + + + +61 +00:02:03,680 --> 00:02:08,430 + +you deserve all this and more + +62 +00:02:08,430 --> 00:02:08,440 +you deserve all this and more + + +63 +00:02:08,440 --> 00:02:39,490 +you deserve all this and more +[Music] + diff --git a/2005/CHPnFgyg064.description b/2005/CHPnFgyg064.description new file mode 100644 index 0000000000000000000000000000000000000000..480ec2e553569904e180438921557a5bb691a13e --- /dev/null +++ b/2005/CHPnFgyg064.description @@ -0,0 +1,38 @@ +The Island movie clips: http://j.mp/1CNvvic +BUY THE MOVIE: http://amzn.to/vfodCi +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Hiding on a truck, Lincoln (Ewan McGregor) releases some train wheels onto the highway to stop the henchmen in hot pursuit. + +FILM DESCRIPTION: +Blockbuster action director Michael Bay delivers a striking look at a strange world of the future in this sci-fi action drama. Midway through the 21st century, Lincoln Six Echo (Ewan McGregor) lives in a confined indoor community after ongoing abuse of the Earth has rendered most of the planet uninhabitable. One of the only places in the outside world still capable of sustaining life is an idyllic island where citizens are chosen to live through a lottery. Or at least that's what Lincoln and his fellow citizens are taught to believe; the truth is that Lincoln, like everyone he knows, is actually a clone who is kept under wraps to provide needed organs when the person who supplied his or her DNA falls ill. When he becomes aware that his existence is a fraud, Lincoln escapes to the outside world with a fellow clone, Jordan Two Delta (Scarlett Johansson), though the powers that be are determined to see that no one gets away alive. The Island also stars Steve Buscemi, Djimon Hounsou, Michael Clarke Duncan, and Sean Bean. + +CREDITS: +TM & © Dreamworks (2005) +Cast: Troy Blendell, Djimon Hounsou, Jamie McBride, Kevin McCorkle, Ewan McGregor, Gary Nickens, Richard Whiten, Scarlett Johansson +Director: Michael Bay +Producers: Kenny Bates, Michael Bay, Ian Bryce, Heidi Fugeman, Josh McLaglen, Walter F. Parkes, Steven P. Saeta, Matthew Cohan, Laurie MacDonald +Screenwriters: Alex Kurtzman, Roberto Orci, Caspian Tredwell-Owen + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2005/CHPnFgyg064.en.srt b/2005/CHPnFgyg064.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e7c96096e76c461deae05b3c52e33db83af22215 --- /dev/null +++ b/2005/CHPnFgyg064.en.srt @@ -0,0 +1,57 @@ +1 +00:00:17,818 --> 00:00:21,387 +Air-two, +give me status of the targets. + +2 +00:00:21,488 --> 00:00:25,458 +- Targets are +under the train wheels. +- Silently, take them out. + +3 +00:00:27,994 --> 00:00:29,261 +Go! + +4 +00:00:31,881 --> 00:00:33,583 +Move! Go, go! + +5 +00:00:33,767 --> 00:00:35,334 +- I can't fit! +- Move back! + +6 +00:00:35,435 --> 00:00:37,002 +I can't fit! + +7 +00:00:39,389 --> 00:00:41,190 +[jangling] + +8 +00:00:55,122 --> 00:00:56,689 +Look out, look out! + +9 +00:01:02,896 --> 00:01:04,397 +Right, right, right! + +10 +00:01:19,145 --> 00:01:20,479 +Stay on them! + +11 +00:01:22,248 --> 00:01:23,883 +Look out! + +12 +00:01:28,304 --> 00:01:31,307 +Do not let him get away! +Do not let him get away! + +13 +00:01:53,830 --> 00:01:56,949 +Good job! + diff --git a/2005/CToeYdx6SsU.description b/2005/CToeYdx6SsU.description new file mode 100644 index 0000000000000000000000000000000000000000..c92a1ced3aed32acd24e3714029266e85d4783cd --- /dev/null +++ b/2005/CToeYdx6SsU.description @@ -0,0 +1,32 @@ +Munich - The Cross-Dressing Raid: Soldiers disguise themselves as local women to carry out a brutal raid. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/munich-2005/MMV2ADD3D2AA387C9E173815CAF08CA263D8?cmp=Movieclips_YT_Description + +Watch the best Munich scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqowbrn_5XyGF66xvZLWxO1t + +FILM DESCRIPTION: +After the murder of 11 Israeli athletes and their coach at the 1972 Olympics, the Israeli government secretly assigns Avner Kaufman (Eric Bana) to carry out a series of strategic retaliations. With the help of a driver (Daniel Craig), a forger (Hanns Zischler), a bomb-maker (Mathieu Kassovitz) and a former soldier (Ciarán Hinds), Avner conducts a worldwide operation, targeting 11 individuals. As the assassinations pile up, Avner begins to doubt the morality of his actions. + +CREDITS: +TM & © Universal (2005) +Cast: Ciarán Hinds, Daniel Craig, Eric Bana +Director: Steven Spielberg + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file