Add files using upload-large-folder tool

1932/39Bnk6VU53Y.mp4

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+size 6718258

1933/1vNv-pE8I_c.mp4

@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
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+size 7304191

1974/boCpijI2k5I.en.srt

@@ -0,0 +1,435 @@
+1
+00:00:00,080 --> 00:00:00,990
+
+what do you
+
+2
+00:00:00,990 --> 00:00:01,000
+what do you
+ 
+
+3
+00:00:01,000 --> 00:00:04,990
+what do you
+want a bucket of blood I want the
+
+4
+00:00:04,990 --> 00:00:05,000
+want a bucket of blood I want the
+ 
+
+5
+00:00:05,000 --> 00:00:08,830
+want a bucket of blood I want the
+that wasted Gator hey now wait a minute
+
+6
+00:00:08,830 --> 00:00:08,840
+that wasted Gator hey now wait a minute
+ 
+
+7
+00:00:08,840 --> 00:00:10,310
+that wasted Gator hey now wait a minute
+now we're in the business of running
+
+8
+00:00:10,310 --> 00:00:10,320
+now we're in the business of running
+ 
+
+9
+00:00:10,320 --> 00:00:13,990
+now we're in the business of running
+hoes not killing the gator was a friend
+
+10
+00:00:13,990 --> 00:00:14,000
+hoes not killing the gator was a friend
+ 
+
+11
+00:00:14,000 --> 00:00:15,029
+hoes not killing the gator was a friend
+of
+
+12
+00:00:15,029 --> 00:00:15,039
+of
+ 
+
+13
+00:00:15,039 --> 00:00:19,070
+of
+ours it would show respect respect
+
+14
+00:00:19,070 --> 00:00:19,080
+ours it would show respect respect
+ 
+
+15
+00:00:19,080 --> 00:00:20,830
+ours it would show respect respect
+oh come off it
+
+16
+00:00:20,830 --> 00:00:20,840
+oh come off it
+ 
+
+17
+00:00:20,840 --> 00:00:23,029
+oh come off it
+man what kind of money you paying for a
+
+18
+00:00:23,029 --> 00:00:23,039
+man what kind of money you paying for a
+ 
+
+19
+00:00:23,039 --> 00:00:25,589
+man what kind of money you paying for a
+hit like this truck Turner ain't exactly
+
+20
+00:00:25,589 --> 00:00:25,599
+hit like this truck Turner ain't exactly
+ 
+
+21
+00:00:25,599 --> 00:00:29,150
+hit like this truck Turner ain't exactly
+a poop butt you know well it's been nice
+
+22
+00:00:29,150 --> 00:00:29,160
+a poop butt you know well it's been nice
+ 
+
+23
+00:00:29,160 --> 00:00:33,630
+a poop butt you know well it's been nice
+but I wasn't even here you godamn
+
+24
+00:00:33,630 --> 00:00:33,640
+but I wasn't even here you godamn
+ 
+
+25
+00:00:33,640 --> 00:00:36,190
+but I wasn't even here you godamn
+rabbits what the hell do you think I'm
+
+26
+00:00:36,190 --> 00:00:36,200
+rabbits what the hell do you think I'm
+ 
+
+27
+00:00:36,200 --> 00:00:40,590
+rabbits what the hell do you think I'm
+running here chicken
+
+28
+00:00:40,590 --> 00:00:40,600
+
+ 
+
+29
+00:00:40,600 --> 00:00:43,590
+
+coup gentlemen this is my
+
+30
+00:00:43,590 --> 00:00:43,600
+coup gentlemen this is my
+ 
+
+31
+00:00:43,600 --> 00:00:46,950
+coup gentlemen this is my
+family these all Prime Cut
+
+32
+00:00:46,950 --> 00:00:46,960
+family these all Prime Cut
+ 
+
+33
+00:00:46,960 --> 00:00:49,150
+family these all Prime Cut
+$238,000 worth of dynamite it's Fort
+
+34
+00:00:49,150 --> 00:00:49,160
+$238,000 worth of dynamite it's Fort
+ 
+
+35
+00:00:49,160 --> 00:00:50,310
+$238,000 worth of dynamite it's Fort
+Knox and
+
+36
+00:00:50,310 --> 00:00:50,320
+Knox and
+ 
+
+37
+00:00:50,320 --> 00:00:54,869
+Knox and
+panties candy did 17,000 last year
+
+38
+00:00:54,869 --> 00:00:54,879
+panties candy did 17,000 last year
+ 
+
+39
+00:00:54,879 --> 00:00:57,869
+panties candy did 17,000 last year
+velvet Miss sophisticate did
+
+40
+00:00:57,869 --> 00:00:57,879
+velvet Miss sophisticate did
+ 
+
+41
+00:00:57,879 --> 00:01:01,590
+velvet Miss sophisticate did
+20 used to be a par of
+
+42
+00:01:01,590 --> 00:01:01,600
+20 used to be a par of
+ 
+
+43
+00:01:01,600 --> 00:01:04,750
+20 used to be a par of
+model Jess an an nette each did
+
+44
+00:01:04,750 --> 00:01:04,760
+model Jess an an nette each did
+ 
+
+45
+00:01:04,760 --> 00:01:08,710
+model Jess an an nette each did
+225 show them your we
+
+46
+00:01:08,710 --> 00:01:08,720
+225 show them your we
+ 
+
+47
+00:01:08,720 --> 00:01:11,190
+225 show them your we
+ see what you can get if you're
+
+48
+00:01:11,190 --> 00:01:11,200
+see what you can get if you're
+ 
+
+49
+00:01:11,200 --> 00:01:15,270
+see what you can get if you're
+good that's Turnpike she did 265 she's
+
+50
+00:01:15,270 --> 00:01:15,280
+good that's Turnpike she did 265 she's
+ 
+
+51
+00:01:15,280 --> 00:01:17,149
+good that's Turnpike she did 265 she's
+called Turnpike cuz you got to pay to
+
+52
+00:01:17,149 --> 00:01:17,159
+called Turnpike cuz you got to pay to
+ 
+
+53
+00:01:17,159 --> 00:01:19,910
+called Turnpike cuz you got to pay to
+get on and pay to get off China come
+
+54
+00:01:19,910 --> 00:01:19,920
+get on and pay to get off China come
+ 
+
+55
+00:01:19,920 --> 00:01:22,590
+get on and pay to get off China come
+here baby China did
+
+56
+00:01:22,590 --> 00:01:22,600
+here baby China did
+ 
+
+57
+00:01:22,600 --> 00:01:27,390
+here baby China did
+29 sweet piece of Oriental
+
+58
+00:01:27,390 --> 00:01:27,400
+
+ 
+
+59
+00:01:27,400 --> 00:01:31,270
+
+meat this is Frenchy Gator used to call
+
+60
+00:01:31,270 --> 00:01:31,280
+meat this is Frenchy Gator used to call
+ 
+
+61
+00:01:31,280 --> 00:01:32,749
+meat this is Frenchy Gator used to call
+her Bing
+
+62
+00:01:32,749 --> 00:01:32,759
+her Bing
+ 
+
+63
+00:01:32,759 --> 00:01:36,190
+her Bing
+747 show them why a
+
+64
+00:01:36,190 --> 00:01:36,200
+747 show them why a
+ 
+
+65
+00:01:36,200 --> 00:01:39,670
+747 show them why a
+ she did
+
+66
+00:01:39,670 --> 00:01:39,680
+she did
+ 
+
+67
+00:01:39,680 --> 00:01:42,870
+she did
+275 and that sweet and net showing that
+
+68
+00:01:42,870 --> 00:01:42,880
+275 and that sweet and net showing that
+ 
+
+69
+00:01:42,880 --> 00:01:47,950
+275 and that sweet and net showing that
+smile you sweet thing she did 30 th last
+
+70
+00:01:47,950 --> 00:01:47,960
+smile you sweet thing she did 30 th last
+ 
+
+71
+00:01:47,960 --> 00:01:51,950
+smile you sweet thing she did 30 th last
+year and where's my baby right
+
+72
+00:01:51,950 --> 00:01:51,960
+year and where's my baby right
+ 
+
+73
+00:01:51,960 --> 00:01:54,990
+year and where's my baby right
+here that's
+
+74
+00:01:54,990 --> 00:01:55,000
+here that's
+ 
+
+75
+00:01:55,000 --> 00:01:58,830
+here that's
+Taffy this grows $
+
+76
+00:01:58,830 --> 00:01:58,840
+Taffy this grows $
+ 
+
+77
+00:01:58,840 --> 00:02:03,190
+Taffy this grows $
+37,500 dollar working part time and
+
+78
+00:02:03,190 --> 00:02:03,200
+37,500 dollar working part time and
+ 
+
+79
+00:02:03,200 --> 00:02:05,910
+37,500 dollar working part time and
+her clients think she's too good to
+
+80
+00:02:05,910 --> 00:02:05,920
+her clients think she's too good to
+ 
+
+81
+00:02:05,920 --> 00:02:08,949
+her clients think she's too good to
+they call her Colonel Sanders cuz she's
+
+82
+00:02:08,949 --> 00:02:08,959
+they call her Colonel Sanders cuz she's
+ 
+
+83
+00:02:08,959 --> 00:02:13,229
+they call her Colonel Sanders cuz she's
+finger licking girl oh mama you got
+
+84
+00:02:13,229 --> 00:02:13,239
+finger licking girl oh mama you got
+ 
+
+85
+00:02:13,239 --> 00:02:33,560
+finger licking girl oh mama you got
+yourself a family you got to believe it
+
+86
+00:02:33,560 --> 00:02:33,570
+
+ 
+
+87
+00:02:33,570 --> 00:02:47,490
+
+[Music]
+

1974/e-5SVm2NUe8.en.srt

@@ -0,0 +1,445 @@
+1
+00:00:00,880 --> 00:00:03,030
+
+$500,000 in50s
+
+2
+00:00:03,030 --> 00:00:03,040
+$500,000 in50s
+ 
+
+3
+00:00:03,040 --> 00:00:05,349
+$500,000 in50s
+$500,000 in hundreds
+
+4
+00:00:05,349 --> 00:00:05,359
+$500,000 in hundreds
+ 
+
+5
+00:00:05,359 --> 00:00:08,830
+$500,000 in hundreds
+right 500,000 in50s $500,000 and
+
+6
+00:00:08,830 --> 00:00:08,840
+right 500,000 in50s $500,000 and
+ 
+
+7
+00:00:08,840 --> 00:00:10,509
+right 500,000 in50s $500,000 and
+hundreds right which will then be put in
+
+8
+00:00:10,509 --> 00:00:10,519
+hundreds right which will then be put in
+ 
+
+9
+00:00:10,519 --> 00:00:12,990
+hundreds right which will then be put in
+stacks of 200 bills each bound with two
+
+10
+00:00:12,990 --> 00:00:13,000
+stacks of 200 bills each bound with two
+ 
+
+11
+00:00:13,000 --> 00:00:15,189
+stacks of 200 bills each bound with two
+thick elastic
+
+12
+00:00:15,189 --> 00:00:15,199
+thick elastic
+ 
+
+13
+00:00:15,199 --> 00:00:18,630
+thick elastic
+bands uh two stacks of bills Bound in
+
+14
+00:00:18,630 --> 00:00:18,640
+bands uh two stacks of bills Bound in
+ 
+
+15
+00:00:18,640 --> 00:00:22,429
+bands uh two stacks of bills Bound in
+what bound with thick elastic bands
+
+16
+00:00:22,429 --> 00:00:22,439
+what bound with thick elastic bands
+ 
+
+17
+00:00:22,439 --> 00:00:24,269
+what bound with thick elastic bands
+point two all of the bills will be old
+
+18
+00:00:24,269 --> 00:00:24,279
+point two all of the bills will be old
+ 
+
+19
+00:00:24,279 --> 00:00:26,750
+point two all of the bills will be old
+bills their serial numbers to be random
+
+20
+00:00:26,750 --> 00:00:26,760
+bills their serial numbers to be random
+ 
+
+21
+00:00:26,760 --> 00:00:28,589
+bills their serial numbers to be random
+now that's all when the delivery arrives
+
+22
+00:00:28,589 --> 00:00:28,599
+now that's all when the delivery arrives
+ 
+
+23
+00:00:28,599 --> 00:00:29,669
+now that's all when the delivery arrives
+we'll contact you with further
+
+24
+00:00:29,669 --> 00:00:29,679
+we'll contact you with further
+ 
+
+25
+00:00:29,679 --> 00:00:31,269
+we'll contact you with further
+instruction
+
+26
+00:00:31,269 --> 00:00:31,279
+instruction
+ 
+
+27
+00:00:31,279 --> 00:00:34,750
+instruction
+right oh what you get away signing off
+
+28
+00:00:34,750 --> 00:00:34,760
+right oh what you get away signing off
+ 
+
+29
+00:00:34,760 --> 00:00:39,510
+right oh what you get away signing off
+now son of a crazy hey tell him
+
+30
+00:00:39,510 --> 00:00:39,520
+now son of a crazy hey tell him
+ 
+
+31
+00:00:39,520 --> 00:00:40,950
+now son of a crazy hey tell him
+might interest you to know I figured out
+
+32
+00:00:40,950 --> 00:00:40,960
+might interest you to know I figured out
+ 
+
+33
+00:00:40,960 --> 00:00:45,229
+might interest you to know I figured out
+how you're going to do
+
+34
+00:00:45,229 --> 00:00:45,239
+
+ 
+
+35
+00:00:45,239 --> 00:00:49,029
+
+it yes it would interest me very much
+
+36
+00:00:49,029 --> 00:00:49,039
+it yes it would interest me very much
+ 
+
+37
+00:00:49,039 --> 00:00:50,750
+it yes it would interest me very much
+you're going to make every man woman and
+
+38
+00:00:50,750 --> 00:00:50,760
+you're going to make every man woman and
+ 
+
+39
+00:00:50,760 --> 00:00:52,510
+you're going to make every man woman and
+child in New York City close their eyes
+
+40
+00:00:52,510 --> 00:00:52,520
+child in New York City close their eyes
+ 
+
+41
+00:00:52,520 --> 00:00:56,750
+child in New York City close their eyes
+and count to 100 right it is now 2:47
+
+42
+00:00:56,750 --> 00:00:56,760
+and count to 100 right it is now 2:47
+ 
+
+43
+00:00:56,760 --> 00:00:59,069
+and count to 100 right it is now 2:47
+that means you have got 26 minutes hey
+
+44
+00:00:59,069 --> 00:00:59,079
+that means you have got 26 minutes hey
+ 
+
+45
+00:00:59,079 --> 00:01:00,470
+that means you have got 26 minutes hey
+wait a minute pal wait a a minute we
+
+46
+00:01:00,470 --> 00:01:00,480
+wait a minute pal wait a a minute we
+ 
+
+47
+00:01:00,480 --> 00:01:01,910
+wait a minute pal wait a a minute we
+agreed to pay you the money now turn
+
+48
+00:01:01,910 --> 00:01:01,920
+agreed to pay you the money now turn
+ 
+
+49
+00:01:01,920 --> 00:01:04,630
+agreed to pay you the money now turn
+your clock off will you 26 minutes look
+
+50
+00:01:04,630 --> 00:01:04,640
+your clock off will you 26 minutes look
+ 
+
+51
+00:01:04,640 --> 00:01:06,550
+your clock off will you 26 minutes look
+pal your instructions were complicated
+
+52
+00:01:06,550 --> 00:01:06,560
+pal your instructions were complicated
+ 
+
+53
+00:01:06,560 --> 00:01:08,510
+pal your instructions were complicated
+the money has to be counted stack tied
+
+54
+00:01:08,510 --> 00:01:08,520
+the money has to be counted stack tied
+ 
+
+55
+00:01:08,520 --> 00:01:10,030
+the money has to be counted stack tied
+transported up town it just isn't
+
+56
+00:01:10,030 --> 00:01:10,040
+transported up town it just isn't
+ 
+
+57
+00:01:10,040 --> 00:01:11,590
+transported up town it just isn't
+physically
+
+58
+00:01:11,590 --> 00:01:11,600
+physically
+ 
+
+59
+00:01:11,600 --> 00:01:13,830
+physically
+possible you'll be surprised what's
+
+60
+00:01:13,830 --> 00:01:13,840
+possible you'll be surprised what's
+ 
+
+61
+00:01:13,840 --> 00:01:17,350
+possible you'll be surprised what's
+physically possible the clock's
+
+62
+00:01:17,350 --> 00:01:17,360
+physically possible the clock's
+ 
+
+63
+00:01:17,360 --> 00:01:20,109
+physically possible the clock's
+running 26 minutes after that we can
+
+64
+00:01:20,109 --> 00:01:20,119
+running 26 minutes after that we can
+ 
+
+65
+00:01:20,119 --> 00:01:34,789
+running 26 minutes after that we can
+start scratching them off one per minute
+
+66
+00:01:34,789 --> 00:01:34,799
+
+ 
+
+67
+00:01:34,799 --> 00:01:37,749
+
+your attention please ladies and
+
+68
+00:01:37,749 --> 00:01:37,759
+your attention please ladies and
+ 
+
+69
+00:01:37,759 --> 00:01:40,749
+your attention please ladies and
+gentlemen I'd interest you to know the
+
+70
+00:01:40,749 --> 00:01:40,759
+gentlemen I'd interest you to know the
+ 
+
+71
+00:01:40,759 --> 00:01:42,469
+gentlemen I'd interest you to know the
+city of New York has agreed to pay for
+
+72
+00:01:42,469 --> 00:01:42,479
+city of New York has agreed to pay for
+ 
+
+73
+00:01:42,479 --> 00:01:46,510
+city of New York has agreed to pay for
+your
+
+74
+00:01:46,510 --> 00:01:46,520
+
+ 
+
+75
+00:01:46,520 --> 00:01:49,149
+
+release as soon as the money gets here
+
+76
+00:01:49,149 --> 00:01:49,159
+release as soon as the money gets here
+ 
+
+77
+00:01:49,159 --> 00:01:53,310
+release as soon as the money gets here
+will you let us go soon after excuse me
+
+78
+00:01:53,310 --> 00:01:53,320
+will you let us go soon after excuse me
+ 
+
+79
+00:01:53,320 --> 00:01:56,149
+will you let us go soon after excuse me
+sir would you mind telling us now how
+
+80
+00:01:56,149 --> 00:01:56,159
+sir would you mind telling us now how
+ 
+
+81
+00:01:56,159 --> 00:01:58,590
+sir would you mind telling us now how
+much you're getting why is that of
+
+82
+00:01:58,590 --> 00:01:58,600
+much you're getting why is that of
+ 
+
+83
+00:01:58,600 --> 00:02:01,109
+much you're getting why is that of
+interest to you sir well a person likes
+
+84
+00:02:01,109 --> 00:02:01,119
+interest to you sir well a person likes
+ 
+
+85
+00:02:01,119 --> 00:02:03,910
+interest to you sir well a person likes
+to know it's worth $1
+
+86
+00:02:03,910 --> 00:02:03,920
+to know it's worth $1
+ 
+
+87
+00:02:03,920 --> 00:02:23,550
+to know it's worth $1
+million that's not so terrific
+
+88
+00:02:23,550 --> 00:02:23,560
+
+ 
+
+89
+00:02:23,560 --> 00:02:37,479
+
+[Music]
+

1974/efqBAU-lT5Q.description

@@ -0,0 +1,38 @@
+The Taking of Pelham One Two Three movie clips: http://j.mp/16Vxz6M
+BUY THE MOVIE: http://j.mp/1b6TIGV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Mr. Blue (Robert Shaw) informs the passengers that they have been taken hostage.
+
+FILM DESCRIPTION:
+On a quiet midday in New York, along the Lexington Avenue subway line, the train designated "Pelham One Two Three" -- so named for its station of origin and time of departure -- makes its way down the East Side of Manhattan. One by one, three men board the train, and at 28th Street, a fourth man approaches the motorman (James Broderick) and points a pistol at him, ordering him to unlock the door to his cab and admit the man waiting there; meanwhile, another man points a gun at the conductor and threatens to kill him unless he holds the doors open and then closes them when the man talking to the motorman is aboard. Once on board, "Mr. Blue" (Robert Shaw) and "Mr. Green" (Martin Balsam) halt the train between stations, while "Mr. Brown" (Earl Hindeman) and "Mr. Gray" (Hector Elizondo) seal off the lead car. With Mr. Green at the controls, the front car is separated and isolated in the tunnel with 17 passengers aboard, and then Mr. Blue presents their demands over the radio: one million dollars in cash, within one hour, or they will start shooting one passenger each minute. On the other end, Transit Police Lieutenant Zachary Garber (Walter Matthau) must overcome his initial disbelief to deal with this threat, amid the confusion of a subway system that's chaotic even when it's running normally. With the mayor reluctantly aboard to pay the ransom, Garber must keep the hijackers from carrying out their threat while the money is transported, and keep the hotheads around him and on the police force under control -- and figure out how they intend to get away with a million dollars from inside a subway tunnel with police on all sides.
+
+CREDITS:
+TM & © MGM (1974)
+Cast: James Broderick, Hector Elizondo, Earl Hindman, Thomas La Fleur, Eric O'Hanian, Robert Shaw, Anna Berger, María Landa
+Director: Joseph Sargent
+Producers: Gabriel Katzka, Stephen F. Kesten, Edgar J. Scherick
+Screenwriters: John Godey, Peter Stone
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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+Extras: http://bit.ly/1u431fr
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+Fandango FrontRunners: http://bit.ly/1CggQfC
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1974/lE4UQ5gh5Zo.en.srt

@@ -0,0 +1,28 @@
+1
+00:00:51,361 --> 00:00:53,029
+Daisy?
+
+2
+00:01:11,932 --> 00:01:16,336
+( gunshots )
+
+3
+00:01:21,542 --> 00:01:24,060
+( music continuing )
+
+4
+00:01:42,997 --> 00:01:45,165
+( song ends )
+
+5
+00:01:45,199 --> 00:01:47,200
+( needle scratching )
+
+6
+00:01:59,513 --> 00:02:00,680
+( gunshot )
+
+7
+00:02:00,714 --> 00:02:02,715
+( body thuds )
+

1974/nCgg5XIxxjY.en.srt

@@ -0,0 +1,175 @@
+1
+00:00:02,310 --> 00:00:14,760
+
+[Music]
+
+2
+00:00:14,760 --> 00:00:14,770
+
+ 
+
+3
+00:00:14,770 --> 00:00:21,429
+
+[Music]
+
+4
+00:00:21,429 --> 00:00:21,439
+[Music]
+ 
+
+5
+00:00:21,439 --> 00:00:23,790
+[Music]
+he
+
+6
+00:00:23,790 --> 00:00:23,800
+he
+ 
+
+7
+00:00:23,800 --> 00:00:59,470
+he
+[Music]
+
+8
+00:00:59,470 --> 00:00:59,480
+
+ 
+
+9
+00:00:59,480 --> 00:01:00,390
+
+a
+
+10
+00:01:00,390 --> 00:01:00,400
+a
+ 
+
+11
+00:01:00,400 --> 00:01:23,789
+a
+[Music]
+
+12
+00:01:23,789 --> 00:01:23,799
+
+ 
+
+13
+00:01:23,799 --> 00:01:35,230
+
+ all right y the stage move
+
+14
+00:01:35,230 --> 00:01:35,240
+
+ 
+
+15
+00:01:35,240 --> 00:01:38,670
+
+cing headache number 39 suer man he said
+
+16
+00:01:38,670 --> 00:01:38,680
+cing headache number 39 suer man he said
+ 
+
+17
+00:01:38,680 --> 00:01:42,510
+cing headache number 39 suer man he said
+you was pumped we are so every man drop
+
+18
+00:01:42,510 --> 00:01:42,520
+you was pumped we are so every man drop
+ 
+
+19
+00:01:42,520 --> 00:01:44,990
+you was pumped we are so every man drop
+his pants everybody drop
+
+20
+00:01:44,990 --> 00:01:45,000
+his pants everybody drop
+ 
+
+21
+00:01:45,000 --> 00:01:47,630
+his pants everybody drop
+them come on you heard him anybody ask
+
+22
+00:01:47,630 --> 00:01:47,640
+them come on you heard him anybody ask
+ 
+
+23
+00:01:47,640 --> 00:01:48,789
+them come on you heard him anybody ask
+you what happened tell them you've been
+
+24
+00:01:48,789 --> 00:01:48,799
+you what happened tell them you've been
+ 
+
+25
+00:01:48,799 --> 00:01:52,270
+you what happened tell them you've been
+hit by a truck Matt truck
+
+26
+00:01:52,270 --> 00:01:52,280
+hit by a truck Matt truck
+ 
+
+27
+00:01:52,280 --> 00:01:59,990
+hit by a truck Matt truck
+Turner what's going on here huh
+
+28
+00:01:59,990 --> 00:02:00,000
+
+ 
+
+29
+00:02:00,000 --> 00:02:02,069
+
+ if I have known that was truck
+
+30
+00:02:02,069 --> 00:02:02,079
+if I have known that was truck
+ 
+
+31
+00:02:02,079 --> 00:02:04,069
+if I have known that was truck
+Turner you'd have to pay me more than
+
+32
+00:02:04,069 --> 00:02:04,079
+Turner you'd have to pay me more than
+ 
+
+33
+00:02:04,079 --> 00:02:27,520
+Turner you'd have to pay me more than
+$50
+
+34
+00:02:27,520 --> 00:02:27,530
+
+ 
+
+35
+00:02:27,530 --> 00:02:36,479
+
+[Music]
+

1974/pcyg0H7EU3c.en.srt

@@ -0,0 +1,555 @@
+1
+00:00:00,160 --> 00:00:02,629
+
+hey come on what's up leslie 144. center
+
+2
+00:00:02,629 --> 00:00:02,639
+hey come on what's up leslie 144. center
+ 
+
+3
+00:00:02,639 --> 00:00:04,630
+hey come on what's up leslie 144. center
+calling fellas
+
+4
+00:00:04,630 --> 00:00:04,640
+calling fellas
+ 
+
+5
+00:00:04,640 --> 00:00:06,630
+calling fellas
+hey frank you're hugging all my circuits
+
+6
+00:00:06,630 --> 00:00:06,640
+hey frank you're hugging all my circuits
+ 
+
+7
+00:00:06,640 --> 00:00:07,909
+hey frank you're hugging all my circuits
+what do you want from me i got motive
+
+8
+00:00:07,909 --> 00:00:07,919
+what do you want from me i got motive
+ 
+
+9
+00:00:07,919 --> 00:00:09,270
+what do you want from me i got motive
+calling me from all over the line i'll
+
+10
+00:00:09,270 --> 00:00:09,280
+calling me from all over the line i'll
+ 
+
+11
+00:00:09,280 --> 00:00:10,549
+calling me from all over the line i'll
+tell them to shout out to get off the
+
+12
+00:00:10,549 --> 00:00:10,559
+tell them to shout out to get off the
+ 
+
+13
+00:00:10,559 --> 00:00:12,790
+tell them to shout out to get off the
+air and eat some more lines over here
+
+14
+00:00:12,790 --> 00:00:12,800
+air and eat some more lines over here
+ 
+
+15
+00:00:12,800 --> 00:00:14,150
+air and eat some more lines over here
+i never thought i'd see the day when
+
+16
+00:00:14,150 --> 00:00:14,160
+i never thought i'd see the day when
+ 
+
+17
+00:00:14,160 --> 00:00:15,749
+i never thought i'd see the day when
+talking to murderers took priority over
+
+18
+00:00:15,749 --> 00:00:15,759
+talking to murderers took priority over
+ 
+
+19
+00:00:15,759 --> 00:00:17,269
+talking to murderers took priority over
+running a railway no but will you frank
+
+20
+00:00:17,269 --> 00:00:17,279
+running a railway no but will you frank
+ 
+
+21
+00:00:17,279 --> 00:00:19,029
+running a railway no but will you frank
+my only priority is saving the lives of
+
+22
+00:00:19,029 --> 00:00:19,039
+my only priority is saving the lives of
+ 
+
+23
+00:00:19,039 --> 00:00:20,710
+my only priority is saving the lives of
+these passengers screwed up god damn
+
+24
+00:00:20,710 --> 00:00:20,720
+these passengers screwed up god damn
+ 
+
+25
+00:00:20,720 --> 00:00:21,830
+these passengers screwed up god damn
+fashion what the hell they expect for
+
+26
+00:00:21,830 --> 00:00:21,840
+fashion what the hell they expect for
+ 
+
+27
+00:00:21,840 --> 00:00:24,390
+fashion what the hell they expect for
+that lousy 35 cents to live forever oh
+
+28
+00:00:24,390 --> 00:00:24,400
+that lousy 35 cents to live forever oh
+ 
+
+29
+00:00:24,400 --> 00:00:26,070
+that lousy 35 cents to live forever oh
+yeah
+
+30
+00:00:26,070 --> 00:00:26,080
+yeah
+ 
+
+31
+00:00:26,080 --> 00:00:27,429
+yeah
+if you read me pelham one two three i
+
+32
+00:00:27,429 --> 00:00:27,439
+if you read me pelham one two three i
+ 
+
+33
+00:00:27,439 --> 00:00:28,550
+if you read me pelham one two three i
+was running things like when there were
+
+34
+00:00:28,550 --> 00:00:28,560
+was running things like when there were
+ 
+
+35
+00:00:28,560 --> 00:00:30,390
+was running things like when there were
+guns and tear gas to blast them out yeah
+
+36
+00:00:30,390 --> 00:00:30,400
+guns and tear gas to blast them out yeah
+ 
+
+37
+00:00:30,400 --> 00:00:31,669
+guns and tear gas to blast them out yeah
+well you're not running things so why
+
+38
+00:00:31,669 --> 00:00:31,679
+well you're not running things so why
+ 
+
+39
+00:00:31,679 --> 00:00:32,950
+well you're not running things so why
+don't you start doing your own work and
+
+40
+00:00:32,950 --> 00:00:32,960
+don't you start doing your own work and
+ 
+
+41
+00:00:32,960 --> 00:00:34,630
+don't you start doing your own work and
+let the police do theirs huh like that
+
+42
+00:00:34,630 --> 00:00:34,640
+let the police do theirs huh like that
+ 
+
+43
+00:00:34,640 --> 00:00:36,150
+let the police do theirs huh like that
+lily livid cop on the train huh where
+
+44
+00:00:36,150 --> 00:00:36,160
+lily livid cop on the train huh where
+ 
+
+45
+00:00:36,160 --> 00:00:37,510
+lily livid cop on the train huh where
+the hell's he gonna start shooting you
+
+46
+00:00:37,510 --> 00:00:37,520
+the hell's he gonna start shooting you
+ 
+
+47
+00:00:37,520 --> 00:00:39,750
+the hell's he gonna start shooting you
+don't even know if it is a he you read
+
+48
+00:00:39,750 --> 00:00:39,760
+don't even know if it is a he you read
+ 
+
+49
+00:00:39,760 --> 00:00:41,840
+don't even know if it is a he you read
+me tell him one two three
+
+50
+00:00:41,840 --> 00:00:41,850
+me tell him one two three
+ 
+
+51
+00:00:41,850 --> 00:00:45,110
+me tell him one two three
+[Music]
+
+52
+00:00:45,110 --> 00:00:45,120
+
+ 
+
+53
+00:00:45,120 --> 00:00:47,029
+
+tell him one two three any news to
+
+54
+00:00:47,029 --> 00:00:47,039
+tell him one two three any news to
+ 
+
+55
+00:00:47,039 --> 00:00:49,350
+tell him one two three any news to
+report what's that about news here say
+
+56
+00:00:49,350 --> 00:00:49,360
+report what's that about news here say
+ 
+
+57
+00:00:49,360 --> 00:00:52,310
+report what's that about news here say
+again about news i said have you any
+
+58
+00:00:52,310 --> 00:00:52,320
+again about news i said have you any
+ 
+
+59
+00:00:52,320 --> 00:00:54,229
+again about news i said have you any
+news to report
+
+60
+00:00:54,229 --> 00:00:54,239
+news to report
+ 
+
+61
+00:00:54,239 --> 00:00:57,350
+news to report
+oh no nothing yet
+
+62
+00:00:57,350 --> 00:00:57,360
+
+ 
+
+63
+00:00:57,360 --> 00:00:59,189
+
+gizzard heights
+
+64
+00:00:59,189 --> 00:00:59,199
+gizzard heights
+ 
+
+65
+00:00:59,199 --> 00:01:00,869
+gizzard heights
+what are you calling about
+
+66
+00:01:00,869 --> 00:01:00,879
+what are you calling about
+ 
+
+67
+00:01:00,879 --> 00:01:02,950
+what are you calling about
+uh pelham we need more time shut the
+
+68
+00:01:02,950 --> 00:01:02,960
+uh pelham we need more time shut the
+ 
+
+69
+00:01:02,960 --> 00:01:06,710
+uh pelham we need more time shut the
+door please
+
+70
+00:01:06,710 --> 00:01:06,720
+
+ 
+
+71
+00:01:06,720 --> 00:01:09,030
+
+it is 224 lieutenant you've got 49
+
+72
+00:01:09,030 --> 00:01:09,040
+it is 224 lieutenant you've got 49
+ 
+
+73
+00:01:09,040 --> 00:01:10,149
+it is 224 lieutenant you've got 49
+minutes left
+
+74
+00:01:10,149 --> 00:01:10,159
+minutes left
+ 
+
+75
+00:01:10,159 --> 00:01:11,510
+minutes left
+be reasonable we're
+
+76
+00:01:11,510 --> 00:01:11,520
+be reasonable we're
+ 
+
+77
+00:01:11,520 --> 00:01:13,030
+be reasonable we're
+we're trying to cooperate with you but
+
+78
+00:01:13,030 --> 00:01:13,040
+we're trying to cooperate with you but
+ 
+
+79
+00:01:13,040 --> 00:01:14,469
+we're trying to cooperate with you but
+we can't do anything if you don't give
+
+80
+00:01:14,469 --> 00:01:14,479
+we can't do anything if you don't give
+ 
+
+81
+00:01:14,479 --> 00:01:17,429
+we can't do anything if you don't give
+us enough time to wait with 49 minutes
+
+82
+00:01:17,429 --> 00:01:17,439
+us enough time to wait with 49 minutes
+ 
+
+83
+00:01:17,439 --> 00:01:19,109
+us enough time to wait with 49 minutes
+we're dealing with city hall for god's
+
+84
+00:01:19,109 --> 00:01:19,119
+we're dealing with city hall for god's
+ 
+
+85
+00:01:19,119 --> 00:01:20,469
+we're dealing with city hall for god's
+sake you know what a mess of red tape
+
+86
+00:01:20,469 --> 00:01:20,479
+sake you know what a mess of red tape
+ 
+
+87
+00:01:20,479 --> 00:01:23,109
+sake you know what a mess of red tape
+that is 49 minutes
+
+88
+00:01:23,109 --> 00:01:23,119
+that is 49 minutes
+ 
+
+89
+00:01:23,119 --> 00:01:25,030
+that is 49 minutes
+look fella we know how to tell time here
+
+90
+00:01:25,030 --> 00:01:25,040
+look fella we know how to tell time here
+ 
+
+91
+00:01:25,040 --> 00:01:26,469
+look fella we know how to tell time here
+as well as you do but we aren't gonna
+
+92
+00:01:26,469 --> 00:01:26,479
+as well as you do but we aren't gonna
+ 
+
+93
+00:01:26,479 --> 00:01:28,710
+as well as you do but we aren't gonna
+get any place if all you do is repeat 49
+
+94
+00:01:28,710 --> 00:01:28,720
+get any place if all you do is repeat 49
+ 
+
+95
+00:01:28,720 --> 00:01:29,749
+get any place if all you do is repeat 49
+minutes
+
+96
+00:01:29,749 --> 00:01:29,759
+minutes
+ 
+
+97
+00:01:29,759 --> 00:01:31,670
+minutes
+48 minutes
+
+98
+00:01:31,670 --> 00:01:31,680
+48 minutes
+ 
+
+99
+00:01:31,680 --> 00:01:33,429
+48 minutes
+yeah all right all right uh we'll get
+
+100
+00:01:33,429 --> 00:01:33,439
+yeah all right all right uh we'll get
+ 
+
+101
+00:01:33,439 --> 00:01:38,630
+yeah all right all right uh we'll get
+back to you okay
+
+102
+00:01:38,630 --> 00:01:38,640
+
+ 
+
+103
+00:01:38,640 --> 00:01:40,230
+
+nice to hear you clean with that chicken
+
+104
+00:01:40,230 --> 00:01:40,240
+nice to hear you clean with that chicken
+ 
+
+105
+00:01:40,240 --> 00:01:42,149
+nice to hear you clean with that chicken
+ makes me ashamed to be an american
+
+106
+00:01:42,149 --> 00:01:42,159
+makes me ashamed to be an american
+ 
+
+107
+00:01:42,159 --> 00:02:06,500
+makes me ashamed to be an american
+where you frank go play with your trade
+
+108
+00:02:06,500 --> 00:02:06,510
+
+ 
+
+109
+00:02:06,510 --> 00:02:13,430
+
+[Music]
+
+110
+00:02:13,430 --> 00:02:13,440
+
+ 
+
+111
+00:02:13,440 --> 00:02:15,520
+
+you
+

1974/ppGd-2nEOVQ.description

@@ -0,0 +1,38 @@
+Chinatown movie clips: http://j.mp/15vKcwj
+BUY THE MOVIE: http://amzn.to/upfytN
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jake (Jack Nicholson) learns the awful truth about Noah Cross (John Huston), but is helpless to stop him.
+
+FILM DESCRIPTION:
+"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score.
+
+CREDITS:
+TM & © Paramount (1974)
+Cast: John Huston, Jack Nicholson
+Director: Roman Polanski
+Producers: C.O. Erickson, Robert Evans
+Screenwriters: Roman Polanski, Robert Towne
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
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+Movie News: http://bit.ly/1C3Ncd2
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+
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+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
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+Tumblr: http://bit.ly/1vUwhH7

1974/qBWbxMv6v_s.en.srt

@@ -0,0 +1,155 @@
+1
+00:00:21,560 --> 00:00:28,950
+
+know you guys ain't half bad you're
+
+2
+00:00:28,950 --> 00:00:28,960
+
+ 
+
+3
+00:00:28,960 --> 00:00:41,869
+
+right you boy not today
+
+4
+00:00:41,869 --> 00:00:41,879
+
+ 
+
+5
+00:00:41,879 --> 00:00:45,430
+
+boys
+
+6
+00:00:45,430 --> 00:00:45,440
+
+ 
+
+7
+00:00:45,440 --> 00:00:58,029
+
+hisory we be number one we are number
+
+8
+00:00:58,029 --> 00:00:58,039
+
+ 
+
+9
+00:00:58,039 --> 00:01:01,709
+
+one whoe your goddamn power Theory now
+
+10
+00:01:01,709 --> 00:01:01,719
+one whoe your goddamn power Theory now
+ 
+
+11
+00:01:01,719 --> 00:01:03,950
+one whoe your goddamn power Theory now
+huh he's trying to
+
+12
+00:01:03,950 --> 00:01:03,960
+huh he's trying to
+ 
+
+13
+00:01:03,960 --> 00:01:06,950
+huh he's trying to
+escape oh
+
+14
+00:01:06,950 --> 00:01:06,960
+escape oh
+ 
+
+15
+00:01:06,960 --> 00:01:11,550
+escape oh
+officer crew I'm talking to
+
+16
+00:01:11,550 --> 00:01:11,560
+
+ 
+
+17
+00:01:11,560 --> 00:01:13,109
+
+you
+
+18
+00:01:13,109 --> 00:01:13,119
+you
+ 
+
+19
+00:01:13,119 --> 00:01:16,190
+you
+KW he's trying to escape here shoot
+
+20
+00:01:16,190 --> 00:01:16,200
+KW he's trying to escape here shoot
+ 
+
+21
+00:01:16,200 --> 00:01:18,910
+KW he's trying to escape here shoot
+him KW you're going to let him get away
+
+22
+00:01:18,910 --> 00:01:18,920
+him KW you're going to let him get away
+ 
+
+23
+00:01:18,920 --> 00:01:24,390
+him KW you're going to let him get away
+shoot him grw shoot him your grw shoot
+
+24
+00:01:24,390 --> 00:01:24,400
+shoot him grw shoot him your grw shoot
+ 
+
+25
+00:01:24,400 --> 00:01:29,149
+shoot him grw shoot him your grw shoot
+him kill him kill a son of a shoot
+
+26
+00:01:29,149 --> 00:01:29,159
+him kill him kill a son of a shoot
+ 
+
+27
+00:01:29,159 --> 00:01:51,270
+him kill him kill a son of a shoot
+him
+
+28
+00:01:51,270 --> 00:01:51,280
+
+ 
+
+29
+00:01:51,280 --> 00:02:08,630
+
+game B
+
+30
+00:02:08,630 --> 00:02:08,640
+
+ 
+
+31
+00:02:08,640 --> 00:02:12,800
+
+stick this in your trophy case
+

1974/qVhCNgct9JQ.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:00,060 --> 00:00:02,119
+
+now what the hell do you think you're
+
+2
+00:00:02,119 --> 00:00:02,129
+now what the hell do you think you're
+ 
+
+3
+00:00:02,129 --> 00:00:04,730
+now what the hell do you think you're
+doing is that team star boy watch that
+
+4
+00:00:04,730 --> 00:00:04,740
+doing is that team star boy watch that
+ 
+
+5
+00:00:04,740 --> 00:00:07,400
+doing is that team star boy watch that
+boys redneck you're talking to the
+
+6
+00:00:07,400 --> 00:00:07,410
+boys redneck you're talking to the
+ 
+
+7
+00:00:07,410 --> 00:00:11,020
+boys redneck you're talking to the
+sheriff of Rock Ridge
+
+8
+00:00:11,020 --> 00:00:11,030
+
+ 
+
+9
+00:00:11,030 --> 00:00:13,100
+
+fat don't beat all
+
+10
+00:00:13,100 --> 00:00:13,110
+fat don't beat all
+ 
+
+11
+00:00:13,110 --> 00:00:15,740
+fat don't beat all
+here we take the good time and trouble
+
+12
+00:00:15,740 --> 00:00:15,750
+here we take the good time and trouble
+ 
+
+13
+00:00:15,750 --> 00:00:18,710
+here we take the good time and trouble
+to slaughter everlasting in the West and
+
+14
+00:00:18,710 --> 00:00:18,720
+to slaughter everlasting in the West and
+ 
+
+15
+00:00:18,720 --> 00:00:22,070
+to slaughter everlasting in the West and
+for what something the point is sheriff
+
+16
+00:00:22,070 --> 00:00:22,080
+for what something the point is sheriff
+ 
+
+17
+00:00:22,080 --> 00:00:27,019
+for what something the point is sheriff
+that's black Indian I am depressed
+
+18
+00:00:27,019 --> 00:00:27,029
+that's black Indian I am depressed
+ 
+
+19
+00:00:27,029 --> 00:00:30,259
+that's black Indian I am depressed
+excuse me mr. Taggart sir but I sure do
+
+20
+00:00:30,259 --> 00:00:30,269
+excuse me mr. Taggart sir but I sure do
+ 
+
+21
+00:00:30,269 --> 00:00:31,849
+excuse me mr. Taggart sir but I sure do
+hate to see you like this what if me and
+
+22
+00:00:31,849 --> 00:00:31,859
+hate to see you like this what if me and
+ 
+
+23
+00:00:31,859 --> 00:00:34,160
+hate to see you like this what if me and
+the boys was just shoot that dead
+
+24
+00:00:34,160 --> 00:00:34,170
+the boys was just shoot that dead
+ 
+
+25
+00:00:34,170 --> 00:00:37,790
+the boys was just shoot that dead
+would that pick up some Batman Hill all
+
+26
+00:00:37,790 --> 00:00:37,800
+would that pick up some Batman Hill all
+ 
+
+27
+00:00:37,800 --> 00:00:40,520
+would that pick up some Batman Hill all
+right boys on a count of three
+
+28
+00:00:40,520 --> 00:00:40,530
+right boys on a count of three
+ 
+
+29
+00:00:40,530 --> 00:00:44,510
+right boys on a count of three
+I wouldn't do that if I were you don't
+
+30
+00:00:44,510 --> 00:00:44,520
+I wouldn't do that if I were you don't
+ 
+
+31
+00:00:44,520 --> 00:00:46,700
+I wouldn't do that if I were you don't
+play no tension that alkie he can't even
+
+32
+00:00:46,700 --> 00:00:46,710
+play no tension that alkie he can't even
+ 
+
+33
+00:00:46,710 --> 00:00:51,300
+play no tension that alkie he can't even
+hold a gun much less shoot it
+
+34
+00:00:51,300 --> 00:00:51,310
+
+ 
+
+35
+00:00:51,310 --> 00:01:12,859
+
+like I said on the count of three one
+
+36
+00:01:12,859 --> 00:01:12,869
+
+ 
+
+37
+00:01:12,869 --> 00:01:16,020
+
+sit there looking stupid grasp in your
+
+38
+00:01:16,020 --> 00:01:16,030
+sit there looking stupid grasp in your
+ 
+
+39
+00:01:16,030 --> 00:01:19,969
+sit there looking stupid grasp in your
+hands in pain how about a little
+
+40
+00:01:19,969 --> 00:01:19,979
+hands in pain how about a little
+ 
+
+41
+00:01:19,979 --> 00:01:24,119
+hands in pain how about a little
+applause or the way Koki
+

1974/s-Sx_dMw8oA.description

@@ -0,0 +1,38 @@
+The Taking of Pelham One Two Three movie clips: http://j.mp/16Vxz6M
+BUY THE MOVIE: http://j.mp/1b6TIGV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Mr. Blue (Robert Shaw) and his heavily armed men take control of a subway car.
+
+FILM DESCRIPTION:
+On a quiet midday in New York, along the Lexington Avenue subway line, the train designated "Pelham One Two Three" -- so named for its station of origin and time of departure -- makes its way down the East Side of Manhattan. One by one, three men board the train, and at 28th Street, a fourth man approaches the motorman (James Broderick) and points a pistol at him, ordering him to unlock the door to his cab and admit the man waiting there; meanwhile, another man points a gun at the conductor and threatens to kill him unless he holds the doors open and then closes them when the man talking to the motorman is aboard. Once on board, "Mr. Blue" (Robert Shaw) and "Mr. Green" (Martin Balsam) halt the train between stations, while "Mr. Brown" (Earl Hindeman) and "Mr. Gray" (Hector Elizondo) seal off the lead car. With Mr. Green at the controls, the front car is separated and isolated in the tunnel with 17 passengers aboard, and then Mr. Blue presents their demands over the radio: one million dollars in cash, within one hour, or they will start shooting one passenger each minute. On the other end, Transit Police Lieutenant Zachary Garber (Walter Matthau) must overcome his initial disbelief to deal with this threat, amid the confusion of a subway system that's chaotic even when it's running normally. With the mayor reluctantly aboard to pay the ransom, Garber must keep the hijackers from carrying out their threat while the money is transported, and keep the hotheads around him and on the police force under control -- and figure out how they intend to get away with a million dollars from inside a subway tunnel with police on all sides.
+
+CREDITS:
+TM & © MGM (1974)
+Cast: Martin Balsam, Hector Elizondo, Earl Hindman, Robert Shaw
+Director: Joseph Sargent
+Producers: Gabriel Katzka, Stephen F. Kesten, Edgar J. Scherick
+Screenwriters: John Godey, Peter Stone
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
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+Tumblr: http://bit.ly/1vUwhH7

1974/s-Sx_dMw8oA.en.srt

@@ -0,0 +1,165 @@
+1
+00:00:04,090 --> 00:00:08,480
+
+and
+
+2
+00:00:08,480 --> 00:00:08,490
+
+ 
+
+3
+00:00:08,490 --> 00:00:09,920
+
+if yes the
+
+4
+00:00:09,920 --> 00:00:09,930
+if yes the
+ 
+
+5
+00:00:09,930 --> 00:00:12,080
+if yes the
+[Music]
+
+6
+00:00:12,080 --> 00:00:12,090
+[Music]
+ 
+
+7
+00:00:12,090 --> 00:00:13,280
+[Music]
+guen
+
+8
+00:00:13,280 --> 00:00:13,290
+guen
+ 
+
+9
+00:00:13,290 --> 00:00:35,830
+guen
+[Music]
+
+10
+00:00:35,830 --> 00:00:35,840
+
+ 
+
+11
+00:00:35,840 --> 00:00:39,850
+
+[Music]
+
+12
+00:00:39,850 --> 00:00:39,860
+
+ 
+
+13
+00:00:39,860 --> 00:00:49,930
+
+6
+
+14
+00:00:49,930 --> 00:00:49,940
+
+ 
+
+15
+00:00:49,940 --> 00:00:58,120
+
+[Music]
+
+16
+00:00:58,120 --> 00:00:58,130
+[Music]
+ 
+
+17
+00:00:58,130 --> 00:01:03,150
+[Music]
+1
+
+18
+00:01:03,150 --> 00:01:03,160
+
+ 
+
+19
+00:01:03,160 --> 00:01:05,089
+
+new york
+
+20
+00:01:05,089 --> 00:01:05,099
+new york
+ 
+
+21
+00:01:05,099 --> 00:01:08,060
+new york
+[Music]
+
+22
+00:01:08,060 --> 00:01:08,070
+[Music]
+ 
+
+23
+00:01:08,070 --> 00:01:13,090
+[Music]
+until the baccalaureate to all and each
+
+24
+00:01:13,090 --> 00:01:13,100
+
+ 
+
+25
+00:01:13,100 --> 00:01:18,640
+
+[Music]
+
+26
+00:01:18,640 --> 00:01:18,650
+
+ 
+
+27
+00:01:18,650 --> 00:01:30,520
+
+[Music]
+
+28
+00:01:30,520 --> 00:01:30,530
+[Music]
+ 
+
+29
+00:01:30,530 --> 00:01:32,090
+[Music]
+another
+
+30
+00:01:32,090 --> 00:01:32,100
+another
+ 
+
+31
+00:01:32,100 --> 00:01:59,070
+another
+[Music]
+
+32
+00:01:59,070 --> 00:01:59,080
+
+ 
+
+33
+00:01:59,080 --> 00:02:35,469
+
+[Music]
+

1974/s9JqbCH4aVw.en.srt

@@ -0,0 +1,375 @@
+1
+00:00:03,280 --> 00:00:05,590
+
+won't you excuse me for a moment while I
+
+2
+00:00:05,590 --> 00:00:05,600
+won't you excuse me for a moment while I
+ 
+
+3
+00:00:05,600 --> 00:00:10,430
+won't you excuse me for a moment while I
+slip into something a little bit more
+
+4
+00:00:10,430 --> 00:00:10,440
+
+ 
+
+5
+00:00:10,440 --> 00:00:12,749
+
+comfortable bitter
+
+6
+00:00:12,749 --> 00:00:12,759
+comfortable bitter
+ 
+
+7
+00:00:12,759 --> 00:00:17,390
+comfortable bitter
+baby
+
+8
+00:00:17,390 --> 00:00:17,400
+
+ 
+
+9
+00:00:17,400 --> 00:00:19,390
+
+oh
+
+10
+00:00:19,390 --> 00:00:19,400
+oh
+ 
+
+11
+00:00:19,400 --> 00:00:28,710
+oh
+uh why don't you uh loosen your
+
+12
+00:00:28,710 --> 00:00:28,720
+
+ 
+
+13
+00:00:28,720 --> 00:00:30,749
+
+bullets ah
+
+14
+00:00:30,749 --> 00:00:30,759
+bullets ah
+ 
+
+15
+00:00:30,759 --> 00:00:32,150
+bullets ah
+I feel
+
+16
+00:00:32,150 --> 00:00:32,160
+I feel
+ 
+
+17
+00:00:32,160 --> 00:00:41,029
+I feel
+refreshed isn't it bright in
+
+18
+00:00:41,029 --> 00:00:41,039
+
+ 
+
+19
+00:00:41,039 --> 00:00:45,869
+
+here there isn't that
+
+20
+00:00:45,869 --> 00:00:45,879
+
+ 
+
+21
+00:00:45,879 --> 00:00:48,549
+
+better pardon me I'll be back in a
+
+22
+00:00:48,549 --> 00:00:48,559
+better pardon me I'll be back in a
+ 
+
+23
+00:00:48,559 --> 00:00:52,150
+better pardon me I'll be back in a
+moment God damn
+
+24
+00:00:52,150 --> 00:00:52,160
+moment God damn
+ 
+
+25
+00:00:52,160 --> 00:00:55,709
+moment God damn
+it how's it going it's like wet Squad in
+
+26
+00:00:55,709 --> 00:00:55,719
+it how's it going it's like wet Squad in
+ 
+
+27
+00:00:55,719 --> 00:00:58,869
+it how's it going it's like wet Squad in
+my hands by morning he will be my slave
+
+28
+00:00:58,869 --> 00:00:58,879
+my hands by morning he will be my slave
+ 
+
+29
+00:00:58,879 --> 00:01:02,229
+my hands by morning he will be my slave
+splendid just like me have a little Fe
+
+30
+00:01:02,229 --> 00:01:02,239
+splendid just like me have a little Fe
+ 
+
+31
+00:01:02,239 --> 00:01:06,350
+splendid just like me have a little Fe
+here where were we where are you oh oh
+
+32
+00:01:06,350 --> 00:01:06,360
+here where were we where are you oh oh
+ 
+
+33
+00:01:06,360 --> 00:01:10,469
+here where were we where are you oh oh
+yes uh let me sit down next to
+
+34
+00:01:10,469 --> 00:01:10,479
+yes uh let me sit down next to
+ 
+
+35
+00:01:10,479 --> 00:01:13,510
+yes uh let me sit down next to
+you uh tell me
+
+36
+00:01:13,510 --> 00:01:13,520
+you uh tell me
+ 
+
+37
+00:01:13,520 --> 00:01:16,910
+you uh tell me
+Shi is it true what I say about the way
+
+38
+00:01:16,910 --> 00:01:16,920
+Shi is it true what I say about the way
+ 
+
+39
+00:01:16,920 --> 00:01:20,590
+Shi is it true what I say about the way
+you people are
+
+40
+00:01:20,590 --> 00:01:20,600
+
+ 
+
+41
+00:01:20,600 --> 00:01:22,710
+
+gifted oh it's
+
+42
+00:01:22,710 --> 00:01:22,720
+gifted oh it's
+ 
+
+43
+00:01:22,720 --> 00:01:30,749
+gifted oh it's
+true it's true it's true it's true
+
+44
+00:01:30,749 --> 00:01:30,759
+
+ 
+
+45
+00:01:30,759 --> 00:01:32,270
+
+would you care for another Schnitz and
+
+46
+00:01:32,270 --> 00:01:32,280
+would you care for another Schnitz and
+ 
+
+47
+00:01:32,280 --> 00:01:36,230
+would you care for another Schnitz and
+grouin no thank you 15 is my limit on
+
+48
+00:01:36,230 --> 00:01:36,240
+grouin no thank you 15 is my limit on
+ 
+
+49
+00:01:36,240 --> 00:01:39,870
+grouin no thank you 15 is my limit on
+Schnitz and grouin but then hop out a
+
+50
+00:01:39,870 --> 00:01:39,880
+Schnitz and grouin but then hop out a
+ 
+
+51
+00:01:39,880 --> 00:01:43,310
+Schnitz and grouin but then hop out a
+little
+
+52
+00:01:43,310 --> 00:01:43,320
+
+ 
+
+53
+00:01:43,320 --> 00:01:47,310
+
+uh baby please I am not from
+
+54
+00:01:47,310 --> 00:01:47,320
+uh baby please I am not from
+ 
+
+55
+00:01:47,320 --> 00:01:51,230
+uh baby please I am not from
+Havana excuse me hone besides I'm laid
+
+56
+00:01:51,230 --> 00:01:51,240
+Havana excuse me hone besides I'm laid
+ 
+
+57
+00:01:51,240 --> 00:01:54,749
+Havana excuse me hone besides I'm laid
+for work I got some heavy chores to do
+
+58
+00:01:54,749 --> 00:01:54,759
+for work I got some heavy chores to do
+ 
+
+59
+00:01:54,759 --> 00:01:58,749
+for work I got some heavy chores to do
+will I will I see you later well it all
+
+60
+00:01:58,749 --> 00:01:58,759
+will I will I see you later well it all
+ 
+
+61
+00:01:58,759 --> 00:02:01,069
+will I will I see you later well it all
+depends on how much vitamin E I can get
+
+62
+00:02:01,069 --> 00:02:01,079
+depends on how much vitamin E I can get
+ 
+
+63
+00:02:01,079 --> 00:02:04,630
+depends on how much vitamin E I can get
+my hands on
+
+64
+00:02:04,630 --> 00:02:04,640
+my hands on
+ 
+
+65
+00:02:04,640 --> 00:02:08,029
+my hands on
+N no no you mustn't go I I need you I
+
+66
+00:02:08,029 --> 00:02:08,039
+N no no you mustn't go I I need you I
+ 
+
+67
+00:02:08,039 --> 00:02:10,150
+N no no you mustn't go I I need you I
+never met nobody like you I can't live
+
+68
+00:02:10,150 --> 00:02:10,160
+never met nobody like you I can't live
+ 
+
+69
+00:02:10,160 --> 00:02:12,710
+never met nobody like you I can't live
+without you the mar my
+
+70
+00:02:12,710 --> 00:02:12,720
+without you the mar my
+ 
+
+71
+00:02:12,720 --> 00:02:15,869
+without you the mar my
+entire please you're making the German
+
+72
+00:02:15,869 --> 00:02:15,879
+entire please you're making the German
+ 
+
+73
+00:02:15,879 --> 00:02:38,750
+entire please you're making the German
+spectacle of yourself
+
+74
+00:02:38,750 --> 00:02:38,760
+
+ 
+
+75
+00:02:38,760 --> 00:02:41,760
+
+SC
+

1974/sXtlR_7l6xQ.description

@@ -0,0 +1,38 @@
+The Taking of Pelham One Two Three movie clips: http://j.mp/16Vxz6M
+BUY THE MOVIE: http://j.mp/1b6TIGV
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Lt. Garber (Walter Matthau) speaks to Mr. Blue (Robert Shaw) for the first time, and Blue gives his demands.
+
+FILM DESCRIPTION:
+On a quiet midday in New York, along the Lexington Avenue subway line, the train designated "Pelham One Two Three" -- so named for its station of origin and time of departure -- makes its way down the East Side of Manhattan. One by one, three men board the train, and at 28th Street, a fourth man approaches the motorman (James Broderick) and points a pistol at him, ordering him to unlock the door to his cab and admit the man waiting there; meanwhile, another man points a gun at the conductor and threatens to kill him unless he holds the doors open and then closes them when the man talking to the motorman is aboard. Once on board, "Mr. Blue" (Robert Shaw) and "Mr. Green" (Martin Balsam) halt the train between stations, while "Mr. Brown" (Earl Hindeman) and "Mr. Gray" (Hector Elizondo) seal off the lead car. With Mr. Green at the controls, the front car is separated and isolated in the tunnel with 17 passengers aboard, and then Mr. Blue presents their demands over the radio: one million dollars in cash, within one hour, or they will start shooting one passenger each minute. On the other end, Transit Police Lieutenant Zachary Garber (Walter Matthau) must overcome his initial disbelief to deal with this threat, amid the confusion of a subway system that's chaotic even when it's running normally. With the mayor reluctantly aboard to pay the ransom, Garber must keep the hijackers from carrying out their threat while the money is transported, and keep the hotheads around him and on the police force under control -- and figure out how they intend to get away with a million dollars from inside a subway tunnel with police on all sides.
+
+CREDITS:
+TM & © MGM (1974)
+Cast: Walter Matthau, Dick O'Neill, Robert Shaw, Jerry Stiller
+Director: Joseph Sargent
+Producers: Gabriel Katzka, Stephen F. Kesten, Edgar J. Scherick
+Screenwriters: John Godey, Peter Stone
+
+WHO ARE WE?
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1974/sXtlR_7l6xQ.en.srt

@@ -0,0 +1,655 @@
+1
+00:00:02,320 --> 00:00:04,710
+
+pelham one two three the command center
+
+2
+00:00:04,710 --> 00:00:04,720
+pelham one two three the command center
+ 
+
+3
+00:00:04,720 --> 00:00:06,309
+pelham one two three the command center
+you read me you ready to take down our
+
+4
+00:00:06,309 --> 00:00:06,319
+you read me you ready to take down our
+ 
+
+5
+00:00:06,319 --> 00:00:07,909
+you read me you ready to take down our
+list of demands now
+
+6
+00:00:07,909 --> 00:00:07,919
+list of demands now
+ 
+
+7
+00:00:07,919 --> 00:00:09,350
+list of demands now
+i'm listening you animal what do you
+
+8
+00:00:09,350 --> 00:00:09,360
+i'm listening you animal what do you
+ 
+
+9
+00:00:09,360 --> 00:00:10,070
+i'm listening you animal what do you
+want
+
+10
+00:00:10,070 --> 00:00:10,080
+want
+ 
+
+11
+00:00:10,080 --> 00:00:11,509
+want
+do you have your pen
+
+12
+00:00:11,509 --> 00:00:11,519
+do you have your pen
+ 
+
+13
+00:00:11,519 --> 00:00:14,150
+do you have your pen
+go on for pete's sake
+
+14
+00:00:14,150 --> 00:00:14,160
+go on for pete's sake
+ 
+
+15
+00:00:14,160 --> 00:00:15,509
+go on for pete's sake
+to begin with it's important that you
+
+16
+00:00:15,509 --> 00:00:15,519
+to begin with it's important that you
+ 
+
+17
+00:00:15,519 --> 00:00:17,430
+to begin with it's important that you
+understand three things one
+
+18
+00:00:17,430 --> 00:00:17,440
+understand three things one
+ 
+
+19
+00:00:17,440 --> 00:00:19,349
+understand three things one
+panel one two three is completely within
+
+20
+00:00:19,349 --> 00:00:19,359
+panel one two three is completely within
+ 
+
+21
+00:00:19,359 --> 00:00:21,590
+panel one two three is completely within
+our control two we're all armed with
+
+22
+00:00:21,590 --> 00:00:21,600
+our control two we're all armed with
+ 
+
+23
+00:00:21,600 --> 00:00:23,509
+our control two we're all armed with
+automatic weapons three we have no
+
+24
+00:00:23,509 --> 00:00:23,519
+automatic weapons three we have no
+ 
+
+25
+00:00:23,519 --> 00:00:25,509
+automatic weapons three we have no
+scruples whatsoever about killing do you
+
+26
+00:00:25,509 --> 00:00:25,519
+scruples whatsoever about killing do you
+ 
+
+27
+00:00:25,519 --> 00:00:27,349
+scruples whatsoever about killing do you
+understand me so far oh i understand
+
+28
+00:00:27,349 --> 00:00:27,359
+understand me so far oh i understand
+ 
+
+29
+00:00:27,359 --> 00:00:28,950
+understand me so far oh i understand
+you're fine you lunatic you'll never get
+
+30
+00:00:28,950 --> 00:00:28,960
+you're fine you lunatic you'll never get
+ 
+
+31
+00:00:28,960 --> 00:00:30,950
+you're fine you lunatic you'll never get
+away with this you know please inform
+
+32
+00:00:30,950 --> 00:00:30,960
+away with this you know please inform
+ 
+
+33
+00:00:30,960 --> 00:00:32,630
+away with this you know please inform
+the mayor that we demand one million
+
+34
+00:00:32,630 --> 00:00:32,640
+the mayor that we demand one million
+ 
+
+35
+00:00:32,640 --> 00:00:34,389
+the mayor that we demand one million
+dollars cash for the release of the car
+
+36
+00:00:34,389 --> 00:00:34,399
+dollars cash for the release of the car
+ 
+
+37
+00:00:34,399 --> 00:00:36,229
+dollars cash for the release of the car
+and all the hostages right
+
+38
+00:00:36,229 --> 00:00:36,239
+and all the hostages right
+ 
+
+39
+00:00:36,239 --> 00:00:37,670
+and all the hostages right
+that'll be the day
+
+40
+00:00:37,670 --> 00:00:37,680
+that'll be the day
+ 
+
+41
+00:00:37,680 --> 00:00:40,869
+that'll be the day
+the time is now 2 13. the money must be
+
+42
+00:00:40,869 --> 00:00:40,879
+the time is now 2 13. the money must be
+ 
+
+43
+00:00:40,879 --> 00:00:43,270
+the time is now 2 13. the money must be
+in our hands not later than 3 13. one
+
+44
+00:00:43,270 --> 00:00:43,280
+in our hands not later than 3 13. one
+ 
+
+45
+00:00:43,280 --> 00:00:44,630
+in our hands not later than 3 13. one
+hour from now
+
+46
+00:00:44,630 --> 00:00:44,640
+hour from now
+ 
+
+47
+00:00:44,640 --> 00:00:46,470
+hour from now
+now if the money is not in our hands
+
+48
+00:00:46,470 --> 00:00:46,480
+now if the money is not in our hands
+ 
+
+49
+00:00:46,480 --> 00:00:48,709
+now if the money is not in our hands
+we'll kill one hostage for every minute
+
+50
+00:00:48,709 --> 00:00:48,719
+we'll kill one hostage for every minute
+ 
+
+51
+00:00:48,719 --> 00:00:50,869
+we'll kill one hostage for every minute
+you're late
+
+52
+00:00:50,869 --> 00:00:50,879
+you're late
+ 
+
+53
+00:00:50,879 --> 00:00:53,350
+you're late
+keep dreaming maniac furthermore if
+
+54
+00:00:53,350 --> 00:00:53,360
+keep dreaming maniac furthermore if
+ 
+
+55
+00:00:53,360 --> 00:00:55,350
+keep dreaming maniac furthermore if
+anybody attempts to interfere anyone in
+
+56
+00:00:55,350 --> 00:00:55,360
+anybody attempts to interfere anyone in
+ 
+
+57
+00:00:55,360 --> 00:00:56,549
+anybody attempts to interfere anyone in
+any way
+
+58
+00:00:56,549 --> 00:00:56,559
+any way
+ 
+
+59
+00:00:56,559 --> 00:00:58,389
+any way
+we will begin killing the hostages
+
+60
+00:00:58,389 --> 00:00:58,399
+we will begin killing the hostages
+ 
+
+61
+00:00:58,399 --> 00:00:59,910
+we will begin killing the hostages
+immediately
+
+62
+00:00:59,910 --> 00:00:59,920
+immediately
+ 
+
+63
+00:00:59,920 --> 00:01:01,430
+immediately
+confirm please
+
+64
+00:01:01,430 --> 00:01:01,440
+confirm please
+ 
+
+65
+00:01:01,440 --> 00:01:03,149
+confirm please
+zack zack
+
+66
+00:01:03,149 --> 00:01:03,159
+zack zack
+ 
+
+67
+00:01:03,159 --> 00:01:05,750
+zack zack
+alam123 come in please
+
+68
+00:01:05,750 --> 00:01:05,760
+alam123 come in please
+ 
+
+69
+00:01:05,760 --> 00:01:07,190
+alam123 come in please
+there's this pelham
+
+70
+00:01:07,190 --> 00:01:07,200
+there's this pelham
+ 
+
+71
+00:01:07,200 --> 00:01:09,350
+there's this pelham
+identify yourself please oh this is
+
+72
+00:01:09,350 --> 00:01:09,360
+identify yourself please oh this is
+ 
+
+73
+00:01:09,360 --> 00:01:11,670
+identify yourself please oh this is
+lieutenant zachary garber the transit
+
+74
+00:01:11,670 --> 00:01:11,680
+lieutenant zachary garber the transit
+ 
+
+75
+00:01:11,680 --> 00:01:12,550
+lieutenant zachary garber the transit
+police
+
+76
+00:01:12,550 --> 00:01:12,560
+police
+ 
+
+77
+00:01:12,560 --> 00:01:14,870
+police
+identify yourself please
+
+78
+00:01:14,870 --> 00:01:14,880
+identify yourself please
+ 
+
+79
+00:01:14,880 --> 00:01:16,870
+identify yourself please
+i'm the man who stole your train
+
+80
+00:01:16,870 --> 00:01:16,880
+i'm the man who stole your train
+ 
+
+81
+00:01:16,880 --> 00:01:18,550
+i'm the man who stole your train
+well sir there is no way you can get
+
+82
+00:01:18,550 --> 00:01:18,560
+well sir there is no way you can get
+ 
+
+83
+00:01:18,560 --> 00:01:20,630
+well sir there is no way you can get
+away with this you are underground in a
+
+84
+00:01:20,630 --> 00:01:20,640
+away with this you are underground in a
+ 
+
+85
+00:01:20,640 --> 00:01:23,109
+away with this you are underground in a
+tunnel why do you concern yourself with
+
+86
+00:01:23,109 --> 00:01:23,119
+tunnel why do you concern yourself with
+ 
+
+87
+00:01:23,119 --> 00:01:24,230
+tunnel why do you concern yourself with
+that
+
+88
+00:01:24,230 --> 00:01:24,240
+that
+ 
+
+89
+00:01:24,240 --> 00:01:26,550
+that
+at precisely 3 13 we are going to begin
+
+90
+00:01:26,550 --> 00:01:26,560
+at precisely 3 13 we are going to begin
+ 
+
+91
+00:01:26,560 --> 00:01:28,149
+at precisely 3 13 we are going to begin
+executing the hostages don't you think
+
+92
+00:01:28,149 --> 00:01:28,159
+executing the hostages don't you think
+ 
+
+93
+00:01:28,159 --> 00:01:29,670
+executing the hostages don't you think
+you better get in touch with the mayor
+
+94
+00:01:29,670 --> 00:01:29,680
+you better get in touch with the mayor
+ 
+
+95
+00:01:29,680 --> 00:01:31,350
+you better get in touch with the mayor
+and get back to me for my further
+
+96
+00:01:31,350 --> 00:01:31,360
+and get back to me for my further
+ 
+
+97
+00:01:31,360 --> 00:01:34,069
+and get back to me for my further
+instructions over and out that son of a
+
+98
+00:01:34,069 --> 00:01:34,079
+instructions over and out that son of a
+ 
+
+99
+00:01:34,079 --> 00:01:35,350
+instructions over and out that son of a
+ has got me backed up all the way
+
+100
+00:01:35,350 --> 00:01:35,360
+has got me backed up all the way
+ 
+
+101
+00:01:35,360 --> 00:01:36,630
+has got me backed up all the way
+to the front
+
+102
+00:01:36,630 --> 00:01:36,640
+to the front
+ 
+
+103
+00:01:36,640 --> 00:01:38,230
+to the front
+all right what is the circus come on for
+
+104
+00:01:38,230 --> 00:01:38,240
+all right what is the circus come on for
+ 
+
+105
+00:01:38,240 --> 00:01:39,749
+all right what is the circus come on for
+pricing let's get back to work we go did
+
+106
+00:01:39,749 --> 00:01:39,759
+pricing let's get back to work we go did
+ 
+
+107
+00:01:39,759 --> 00:01:41,910
+pricing let's get back to work we go did
+you get that i only got your end of it
+
+108
+00:01:41,910 --> 00:01:41,920
+you get that i only got your end of it
+ 
+
+109
+00:01:41,920 --> 00:01:42,789
+you get that i only got your end of it
+but i could piece the rest of it
+
+110
+00:01:42,789 --> 00:01:42,799
+but i could piece the rest of it
+ 
+
+111
+00:01:42,799 --> 00:01:45,030
+but i could piece the rest of it
+together jesus crazy well the guy who's
+
+112
+00:01:45,030 --> 00:01:45,040
+together jesus crazy well the guy who's
+ 
+
+113
+00:01:45,040 --> 00:01:47,109
+together jesus crazy well the guy who's
+talking has got a heavy english accent
+
+114
+00:01:47,109 --> 00:01:47,119
+talking has got a heavy english accent
+ 
+
+115
+00:01:47,119 --> 00:01:49,670
+talking has got a heavy english accent
+he could be a fruitcake we got anybody
+
+116
+00:01:49,670 --> 00:01:49,680
+he could be a fruitcake we got anybody
+ 
+
+117
+00:01:49,680 --> 00:01:52,230
+he could be a fruitcake we got anybody
+at 28th street
+
+118
+00:01:52,230 --> 00:01:52,240
+at 28th street
+ 
+
+119
+00:01:52,240 --> 00:01:54,710
+at 28th street
+just checking in out uh yeah he's around
+
+120
+00:01:54,710 --> 00:01:54,720
+just checking in out uh yeah he's around
+ 
+
+121
+00:01:54,720 --> 00:01:56,069
+just checking in out uh yeah he's around
+there somewhere right well tell them the
+
+122
+00:01:56,069 --> 00:01:56,079
+there somewhere right well tell them the
+ 
+
+123
+00:01:56,079 --> 00:01:57,670
+there somewhere right well tell them the
+whole afford his life will be all day
+
+124
+00:01:57,670 --> 00:01:57,680
+whole afford his life will be all day
+ 
+
+125
+00:01:57,680 --> 00:01:59,429
+whole afford his life will be all day
+before the city cops show up they're
+
+126
+00:01:59,429 --> 00:01:59,439
+before the city cops show up they're
+ 
+
+127
+00:01:59,439 --> 00:02:23,510
+before the city cops show up they're
+never around when you need them
+
+128
+00:02:23,510 --> 00:02:23,520
+
+ 
+
+129
+00:02:23,520 --> 00:02:30,390
+
+[Music]
+
+130
+00:02:30,390 --> 00:02:30,400
+
+ 
+
+131
+00:02:30,400 --> 00:02:32,480
+
+you
+

1974/sZ0nA_2qOWc.en.srt

@@ -0,0 +1,175 @@
+1
+00:00:00,919 --> 00:00:02,750
+
+the warden expecting new wound to come
+
+2
+00:00:02,750 --> 00:00:02,760
+the warden expecting new wound to come
+ 
+
+3
+00:00:02,760 --> 00:00:03,789
+the warden expecting new wound to come
+this
+
+4
+00:00:03,789 --> 00:00:03,799
+this
+ 
+
+5
+00:00:03,799 --> 00:00:13,669
+this
+way thank you Captain thank
+
+6
+00:00:13,669 --> 00:00:13,679
+
+ 
+
+7
+00:00:13,679 --> 00:00:15,990
+
+you I'm glad you're not in the swamp
+
+8
+00:00:15,990 --> 00:00:16,000
+you I'm glad you're not in the swamp
+ 
+
+9
+00:00:16,000 --> 00:00:18,990
+you I'm glad you're not in the swamp
+anymore that can ruin a
+
+10
+00:00:18,990 --> 00:00:19,000
+anymore that can ruin a
+ 
+
+11
+00:00:19,000 --> 00:00:22,710
+anymore that can ruin a
+man sure can we don't have a great deal
+
+12
+00:00:22,710 --> 00:00:22,720
+man sure can we don't have a great deal
+ 
+
+13
+00:00:22,720 --> 00:00:24,029
+man sure can we don't have a great deal
+of
+
+14
+00:00:24,029 --> 00:00:24,039
+of
+ 
+
+15
+00:00:24,039 --> 00:00:28,150
+of
+time we have 15
+
+16
+00:00:28,150 --> 00:00:28,160
+
+ 
+
+17
+00:00:28,160 --> 00:00:30,990
+
+minutes the game film thank you that's
+
+18
+00:00:30,990 --> 00:00:31,000
+minutes the game film thank you that's
+ 
+
+19
+00:00:31,000 --> 00:00:35,709
+minutes the game film thank you that's
+that's
+
+20
+00:00:35,709 --> 00:00:35,719
+
+ 
+
+21
+00:00:35,719 --> 00:00:41,350
+
+terrific like I said we only have 15
+
+22
+00:00:41,350 --> 00:00:41,360
+terrific like I said we only have 15
+ 
+
+23
+00:00:41,360 --> 00:00:43,389
+terrific like I said we only have 15
+minutes
+
+24
+00:00:43,389 --> 00:00:43,399
+minutes
+ 
+
+25
+00:00:43,399 --> 00:00:46,750
+minutes
+oh
+
+26
+00:00:46,750 --> 00:00:46,760
+
+ 
+
+27
+00:00:46,760 --> 00:01:02,189
+
+oh oh
+
+28
+00:01:02,189 --> 00:01:02,199
+
+ 
+
+29
+00:01:02,199 --> 00:01:03,869
+
+W go over the
+
+30
+00:01:03,869 --> 00:01:03,879
+W go over the
+ 
+
+31
+00:01:03,879 --> 00:01:09,870
+W go over the
+Cuffs
+
+32
+00:01:09,870 --> 00:01:09,880
+
+ 
+
+33
+00:01:09,880 --> 00:01:14,149
+
+oh uh you do this very often I'm just as
+
+34
+00:01:14,149 --> 00:01:14,159
+oh uh you do this very often I'm just as
+ 
+
+35
+00:01:14,159 --> 00:01:19,040
+oh uh you do this very often I'm just as
+ften tah as you are honey
+

1974/t9P2B7NUPfM.en.srt

@@ -0,0 +1,275 @@
+1
+00:00:05,520 --> 00:00:06,869
+
+good morning
+
+2
+00:00:06,869 --> 00:00:06,879
+good morning
+ 
+
+3
+00:00:06,879 --> 00:00:11,190
+good morning
+ma'am and is't it a lovely morning up
+
+4
+00:00:11,190 --> 00:00:11,200
+ma'am and is't it a lovely morning up
+ 
+
+5
+00:00:11,200 --> 00:00:16,029
+ma'am and is't it a lovely morning up
+yours
+
+6
+00:00:16,029 --> 00:00:16,039
+
+ 
+
+7
+00:00:16,039 --> 00:00:20,310
+
+ what did you expect welcome
+
+8
+00:00:20,310 --> 00:00:20,320
+what did you expect welcome
+ 
+
+9
+00:00:20,320 --> 00:00:23,269
+what did you expect welcome
+Sunny make yourself at
+
+10
+00:00:23,269 --> 00:00:23,279
+Sunny make yourself at
+ 
+
+11
+00:00:23,279 --> 00:00:26,429
+Sunny make yourself at
+home marry my daughter you got to
+
+12
+00:00:26,429 --> 00:00:26,439
+home marry my daughter you got to
+ 
+
+13
+00:00:26,439 --> 00:00:27,990
+home marry my daughter you got to
+remember that these are just simple
+
+14
+00:00:27,990 --> 00:00:28,000
+remember that these are just simple
+ 
+
+15
+00:00:28,000 --> 00:00:30,230
+remember that these are just simple
+farmers
+
+16
+00:00:30,230 --> 00:00:30,240
+farmers
+ 
+
+17
+00:00:30,240 --> 00:00:32,510
+farmers
+these are people of the
+
+18
+00:00:32,510 --> 00:00:32,520
+these are people of the
+ 
+
+19
+00:00:32,520 --> 00:00:37,470
+these are people of the
+land the common clay of the new
+
+20
+00:00:37,470 --> 00:00:37,480
+land the common clay of the new
+ 
+
+21
+00:00:37,480 --> 00:00:40,709
+land the common clay of the new
+West you
+
+22
+00:00:40,709 --> 00:00:40,719
+West you
+ 
+
+23
+00:00:40,719 --> 00:00:46,189
+West you
+know
+
+24
+00:00:46,189 --> 00:00:46,199
+
+ 
+
+25
+00:00:46,199 --> 00:00:53,440
+
+morons what the hell is that
+
+26
+00:00:53,440 --> 00:00:53,450
+
+ 
+
+27
+00:00:53,450 --> 00:01:04,550
+
+[Music]
+
+28
+00:01:04,550 --> 00:01:04,560
+[Music]
+ 
+
+29
+00:01:04,560 --> 00:01:08,350
+[Music]
+Mong Santa
+
+30
+00:01:08,350 --> 00:01:08,360
+
+ 
+
+31
+00:01:08,360 --> 00:01:10,510
+
+Maria that's I don't believe it and
+
+32
+00:01:10,510 --> 00:01:10,520
+Maria that's I don't believe it and
+ 
+
+33
+00:01:10,520 --> 00:01:11,749
+Maria that's I don't believe it and
+ain't one of you friends and neighbors
+
+34
+00:01:11,749 --> 00:01:11,759
+ain't one of you friends and neighbors
+ 
+
+35
+00:01:11,759 --> 00:01:19,789
+ain't one of you friends and neighbors
+kind to gather around and holy
+
+36
+00:01:19,789 --> 00:01:19,799
+
+ 
+
+37
+00:01:19,799 --> 00:01:23,469
+
+ and they say that now in Paris
+
+38
+00:01:23,469 --> 00:01:23,479
+and they say that now in Paris
+ 
+
+39
+00:01:23,479 --> 00:01:28,270
+and they say that now in Paris
+France even as we speak Lis Pastor has
+
+40
+00:01:28,270 --> 00:01:28,280
+France even as we speak Lis Pastor has
+ 
+
+41
+00:01:28,280 --> 00:01:30,550
+France even as we speak Lis Pastor has
+devised a new vaccine that will
+
+42
+00:01:30,550 --> 00:01:30,560
+devised a new vaccine that will
+ 
+
+43
+00:01:30,560 --> 00:01:33,470
+devised a new vaccine that will
+obliterate Anthrax once and for
+
+44
+00:01:33,470 --> 00:01:33,480
+obliterate Anthrax once and for
+ 
+
+45
+00:01:33,480 --> 00:01:37,550
+obliterate Anthrax once and for
+[Music]
+
+46
+00:01:37,550 --> 00:01:37,560
+[Music]
+ 
+
+47
+00:01:37,560 --> 00:01:40,630
+[Music]
+all hey you can't park that animal over
+
+48
+00:01:40,630 --> 00:01:40,640
+all hey you can't park that animal over
+ 
+
+49
+00:01:40,640 --> 00:01:49,410
+all hey you can't park that animal over
+there it's illegal
+
+50
+00:01:49,410 --> 00:01:49,420
+
+ 
+
+51
+00:01:49,420 --> 00:02:00,550
+
+[Music]
+
+52
+00:02:00,550 --> 00:02:00,560
+[Music]
+ 
+
+53
+00:02:00,560 --> 00:02:06,410
+[Music]
+sh
+
+54
+00:02:06,410 --> 00:02:06,420
+
+ 
+
+55
+00:02:06,420 --> 00:02:20,460
+
+[Music]
+

1974/vBhBkvkofjk.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:01,040 --> 00:00:02,790
+
+ladies and gentlemen
+
+2
+00:00:02,790 --> 00:00:02,800
+ladies and gentlemen
+ 
+
+3
+00:00:02,800 --> 00:00:06,700
+ladies and gentlemen
+lenny bruce
+
+4
+00:00:06,700 --> 00:00:06,710
+
+ 
+
+5
+00:00:06,710 --> 00:00:28,070
+
+[Applause]
+
+6
+00:00:28,070 --> 00:00:28,080
+
+ 
+
+7
+00:00:28,080 --> 00:00:29,910
+
+the ecumenical council has given the
+
+8
+00:00:29,910 --> 00:00:29,920
+the ecumenical council has given the
+ 
+
+9
+00:00:29,920 --> 00:00:34,150
+the ecumenical council has given the
+pope permission to become a nun
+
+10
+00:00:34,150 --> 00:00:34,160
+
+ 
+
+11
+00:00:34,160 --> 00:00:41,190
+
+but only on fridays
+
+12
+00:00:41,190 --> 00:00:41,200
+
+ 
+
+13
+00:00:41,200 --> 00:00:43,670
+
+what's that
+
+14
+00:00:43,670 --> 00:00:43,680
+what's that
+ 
+
+15
+00:00:43,680 --> 00:00:46,389
+what's that
+king kong is ready now
+
+16
+00:00:46,389 --> 00:00:46,399
+king kong is ready now
+ 
+
+17
+00:00:46,399 --> 00:00:49,430
+king kong is ready now
+oh he's almost ready oh uh we're gonna
+
+18
+00:00:49,430 --> 00:00:49,440
+oh he's almost ready oh uh we're gonna
+ 
+
+19
+00:00:49,440 --> 00:00:52,229
+oh he's almost ready oh uh we're gonna
+have king for the second show
+
+20
+00:00:52,229 --> 00:00:52,239
+have king for the second show
+ 
+
+21
+00:00:52,239 --> 00:00:55,510
+have king for the second show
+look i gotta warn you photographers not
+
+22
+00:00:55,510 --> 00:00:55,520
+look i gotta warn you photographers not
+ 
+
+23
+00:00:55,520 --> 00:00:57,750
+look i gotta warn you photographers not
+to take any flash bubbles cool it with
+
+24
+00:00:57,750 --> 00:00:57,760
+to take any flash bubbles cool it with
+ 
+
+25
+00:00:57,760 --> 00:01:00,470
+to take any flash bubbles cool it with
+the flash balls man because
+
+26
+00:01:00,470 --> 00:01:00,480
+the flash balls man because
+ 
+
+27
+00:01:00,480 --> 00:01:02,549
+the flash balls man because
+otherwise king gets a little shitty you
+
+28
+00:01:02,549 --> 00:01:02,559
+otherwise king gets a little shitty you
+ 
+
+29
+00:01:02,559 --> 00:01:03,240
+otherwise king gets a little shitty you
+know
+
+30
+00:01:03,240 --> 00:01:03,250
+know
+ 
+
+31
+00:01:03,250 --> 00:01:04,549
+know
+[Music]
+
+32
+00:01:04,549 --> 00:01:04,559
+[Music]
+ 
+
+33
+00:01:04,559 --> 00:01:06,710
+[Music]
+so just give them a
+
+34
+00:01:06,710 --> 00:01:06,720
+so just give them a
+ 
+
+35
+00:01:06,720 --> 00:01:08,230
+so just give them a
+uh
+
+36
+00:01:08,230 --> 00:01:08,240
+uh
+ 
+
+37
+00:01:08,240 --> 00:01:09,270
+uh
+air
+
+38
+00:01:09,270 --> 00:01:09,280
+air
+ 
+
+39
+00:01:09,280 --> 00:01:12,390
+air
+a building to play with her airplane to
+
+40
+00:01:12,390 --> 00:01:12,400
+a building to play with her airplane to
+ 
+
+41
+00:01:12,400 --> 00:01:15,590
+a building to play with her airplane to
+squeeze and
+
+42
+00:01:15,590 --> 00:01:15,600
+
+ 
+
+43
+00:01:15,600 --> 00:01:18,469
+
+beyond
+
+44
+00:01:18,469 --> 00:01:18,479
+
+ 
+
+45
+00:01:18,479 --> 00:01:35,990
+
+where the was
+
+46
+00:01:35,990 --> 00:01:36,000
+
+ 
+
+47
+00:01:36,000 --> 00:01:38,230
+
+you know it's really wild man because
+
+48
+00:01:38,230 --> 00:01:38,240
+you know it's really wild man because
+ 
+
+49
+00:01:38,240 --> 00:01:40,230
+you know it's really wild man because
+the judge can get away with that man he
+
+50
+00:01:40,230 --> 00:01:40,240
+the judge can get away with that man he
+ 
+
+51
+00:01:40,240 --> 00:01:42,390
+the judge can get away with that man he
+just sits up there man
+
+52
+00:01:42,390 --> 00:01:42,400
+just sits up there man
+ 
+
+53
+00:01:42,400 --> 00:01:43,270
+just sits up there man
+just
+
+54
+00:01:43,270 --> 00:01:43,280
+just
+ 
+
+55
+00:01:43,280 --> 00:01:45,910
+just
+jumped out of his head man he says i'll
+
+56
+00:01:45,910 --> 00:01:45,920
+jumped out of his head man he says i'll
+ 
+
+57
+00:01:45,920 --> 00:01:49,590
+jumped out of his head man he says i'll
+take that under his eyes
+
+58
+00:01:49,590 --> 00:01:49,600
+
+ 
+
+59
+00:01:49,600 --> 00:01:52,710
+
+where was i now let me see where was i
+
+60
+00:01:52,710 --> 00:01:52,720
+where was i now let me see where was i
+ 
+
+61
+00:01:52,720 --> 00:01:54,950
+where was i now let me see where was i
+oh yeah i know oh yeah i know i know
+
+62
+00:01:54,950 --> 00:01:54,960
+oh yeah i know oh yeah i know i know
+ 
+
+63
+00:01:54,960 --> 00:01:56,149
+oh yeah i know oh yeah i know i know
+what i want to do i know what i want to
+
+64
+00:01:56,149 --> 00:01:56,159
+what i want to do i know what i want to
+ 
+
+65
+00:01:56,159 --> 00:02:14,540
+what i want to do i know what i want to
+do i know one
+
+66
+00:02:14,540 --> 00:02:14,550
+
+ 
+
+67
+00:02:14,550 --> 00:02:26,470
+
+[Music]
+
+68
+00:02:26,470 --> 00:02:26,480
+[Music]
+ 
+
+69
+00:02:26,480 --> 00:02:28,560
+[Music]
+you
+

1974/vgZ-MV0YbMU.en.srt

@@ -0,0 +1,245 @@
+1
+00:00:08,680 --> 00:00:16,630
+
+I'm an extreme
+
+2
+00:00:16,630 --> 00:00:16,640
+
+ 
+
+3
+00:00:16,640 --> 00:00:18,620
+
+I'll meet you in the city
+
+4
+00:00:18,620 --> 00:00:18,630
+I'll meet you in the city
+ 
+
+5
+00:00:18,630 --> 00:00:22,070
+I'll meet you in the city
+I really could use that car think I
+
+6
+00:00:22,070 --> 00:00:22,080
+I really could use that car think I
+ 
+
+7
+00:00:22,080 --> 00:00:26,690
+I really could use that car think I
+gotta buy it for that's fine fine
+
+8
+00:00:26,690 --> 00:00:26,700
+gotta buy it for that's fine fine
+ 
+
+9
+00:00:26,700 --> 00:00:28,460
+gotta buy it for that's fine fine
+I'll make sure that my man stays right
+
+10
+00:00:28,460 --> 00:00:28,470
+I'll make sure that my man stays right
+ 
+
+11
+00:00:28,470 --> 00:00:36,870
+I'll make sure that my man stays right
+on it Nick mrs. Wilson nice to see you
+
+12
+00:00:36,870 --> 00:00:36,880
+
+ 
+
+13
+00:00:36,880 --> 00:00:50,500
+
+[Music]
+
+14
+00:00:50,500 --> 00:00:50,510
+
+ 
+
+15
+00:00:50,510 --> 00:00:51,190
+
+[Applause]
+
+16
+00:00:51,190 --> 00:00:51,200
+[Applause]
+ 
+
+17
+00:00:51,200 --> 00:00:52,680
+[Applause]
+[Music]
+
+18
+00:00:52,680 --> 00:00:52,690
+[Music]
+ 
+
+19
+00:00:52,690 --> 00:00:53,450
+[Music]
+[Applause]
+
+20
+00:00:53,450 --> 00:00:53,460
+[Applause]
+ 
+
+21
+00:00:53,460 --> 00:00:58,120
+[Applause]
+[Music]
+
+22
+00:00:58,120 --> 00:00:58,130
+[Music]
+ 
+
+23
+00:00:58,130 --> 00:00:59,260
+[Music]
+[Applause]
+
+24
+00:00:59,260 --> 00:00:59,270
+[Applause]
+ 
+
+25
+00:00:59,270 --> 00:01:12,820
+[Applause]
+[Music]
+
+26
+00:01:12,820 --> 00:01:12,830
+[Music]
+ 
+
+27
+00:01:12,830 --> 00:01:22,850
+[Music]
+hello
+
+28
+00:01:22,850 --> 00:01:22,860
+
+ 
+
+29
+00:01:22,860 --> 00:01:27,539
+
+stop here I want to throw the apartment
+
+30
+00:01:27,539 --> 00:01:27,549
+stop here I want to throw the apartment
+ 
+
+31
+00:01:27,549 --> 00:01:30,569
+stop here I want to throw the apartment
+that's a nice thing to have a game what
+
+32
+00:01:30,569 --> 00:01:30,579
+that's a nice thing to have a game what
+ 
+
+33
+00:01:30,579 --> 00:01:34,679
+that's a nice thing to have a game what
+kind are they all kinds what kind would
+
+34
+00:01:34,679 --> 00:01:34,689
+kind are they all kinds what kind would
+ 
+
+35
+00:01:34,689 --> 00:01:37,139
+kind are they all kinds what kind would
+you like lady I'd like one of those
+
+36
+00:01:37,139 --> 00:01:37,149
+you like lady I'd like one of those
+ 
+
+37
+00:01:37,149 --> 00:01:42,550
+you like lady I'd like one of those
+three storms
+
+38
+00:01:42,550 --> 00:01:42,560
+
+ 
+
+39
+00:01:42,560 --> 00:01:46,630
+
+that's not a police dog it's not exactly
+
+40
+00:01:46,630 --> 00:01:46,640
+that's not a police dog it's not exactly
+ 
+
+41
+00:01:46,640 --> 00:01:48,640
+that's not a police dog it's not exactly
+a police dog that do ups more of an
+
+42
+00:01:48,640 --> 00:01:48,650
+a police dog that do ups more of an
+ 
+
+43
+00:01:48,650 --> 00:01:54,420
+a police dog that do ups more of an
+Airedale Hey look at that coat some coat
+
+44
+00:01:54,420 --> 00:01:54,430
+Airedale Hey look at that coat some coat
+ 
+
+45
+00:01:54,430 --> 00:01:57,039
+Airedale Hey look at that coat some coat
+will never bother you with catching your
+
+46
+00:01:57,039 --> 00:01:57,049
+will never bother you with catching your
+ 
+
+47
+00:01:57,049 --> 00:01:59,420
+will never bother you with catching your
+cold
+
+48
+00:01:59,420 --> 00:01:59,430
+
+ 
+
+49
+00:01:59,430 --> 00:02:30,469
+
+[Music]
+

1974/vozS5ppNzAM.en.srt

@@ -0,0 +1,155 @@
+1
+00:00:25,439 --> 00:00:35,350
+
+bridge navy's rigged see this off
+
+2
+00:00:35,350 --> 00:00:35,360
+
+ 
+
+3
+00:00:35,360 --> 00:00:39,620
+
+closing ten
+
+4
+00:00:39,620 --> 00:00:39,630
+
+ 
+
+5
+00:00:39,630 --> 00:00:55,670
+
+[Music]
+
+6
+00:00:55,670 --> 00:00:55,680
+
+ 
+
+7
+00:00:55,680 --> 00:00:57,670
+
+what are you doing down here you're
+
+8
+00:00:57,670 --> 00:00:57,680
+what are you doing down here you're
+ 
+
+9
+00:00:57,680 --> 00:01:01,670
+what are you doing down here you're
+talking funny okay elf
+
+10
+00:01:01,670 --> 00:01:01,680
+
+ 
+
+11
+00:01:01,680 --> 00:01:06,789
+
+that's wrong
+
+12
+00:01:06,789 --> 00:01:06,799
+
+ 
+
+13
+00:01:06,799 --> 00:01:10,740
+
+call me liquid on
+
+14
+00:01:10,740 --> 00:01:10,750
+
+ 
+
+15
+00:01:10,750 --> 00:01:20,710
+
+[Music]
+
+16
+00:01:20,710 --> 00:01:20,720
+[Music]
+ 
+
+17
+00:01:20,720 --> 00:01:24,870
+[Music]
+bridges
+
+18
+00:01:24,870 --> 00:01:24,880
+
+ 
+
+19
+00:01:24,880 --> 00:01:27,109
+
+they're
+
+20
+00:01:27,109 --> 00:01:27,119
+
+ 
+
+21
+00:01:27,119 --> 00:01:31,670
+
+someone down there open all doors
+
+22
+00:01:31,670 --> 00:01:31,680
+someone down there open all doors
+ 
+
+23
+00:01:31,680 --> 00:01:49,030
+someone down there open all doors
+[Music]
+
+24
+00:01:49,030 --> 00:01:49,040
+
+ 
+
+25
+00:01:49,040 --> 00:01:51,910
+
+charlie the emergency
+
+26
+00:01:51,910 --> 00:01:51,920
+charlie the emergency
+ 
+
+27
+00:01:51,920 --> 00:01:57,950
+charlie the emergency
+turn it off
+
+28
+00:01:57,950 --> 00:01:57,960
+
+ 
+
+29
+00:01:57,960 --> 00:02:27,430
+
+[Music]
+
+30
+00:02:27,430 --> 00:02:27,440
+
+ 
+
+31
+00:02:27,440 --> 00:02:29,520
+
+you
+

1974/wPmTp9up26w.description

@@ -0,0 +1,38 @@
+The Godfather: Part II movie clips: http://bit.ly/2sR1CT5
+BUY THE MOVIE: http://amzn.to/w0shCi
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Senator Geary (G.D. Spradlin) tries to strong arm Michael (Al Pacino), but the threat fails to work.
+
+FILM DESCRIPTION:
+Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption.
+
+CREDITS:
+TM & © Paramount (1974)
+Cast: Robert Duvall, Al Pacino, G.D. Spradlin
+Director: Francis Ford Coppola
+Producers: Francis Ford Coppola, Gray Frederickson, Fred Roos, Mona Skager, Robert Evans
+Screenwriters: Francis Ford Coppola, Mario Puzo
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
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+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1974/wPmTp9up26w.en.srt

@@ -0,0 +1,395 @@
+1
+00:00:02,560 --> 00:00:05,230
+
+now the price for the license is less
+
+2
+00:00:05,230 --> 00:00:05,240
+now the price for the license is less
+ 
+
+3
+00:00:05,240 --> 00:00:08,910
+now the price for the license is less
+than $20,000 am I right that's
+
+4
+00:00:08,910 --> 00:00:08,920
+than $20,000 am I right that's
+ 
+
+5
+00:00:08,920 --> 00:00:11,350
+than $20,000 am I right that's
+right now why would I ever consider
+
+6
+00:00:11,350 --> 00:00:11,360
+right now why would I ever consider
+ 
+
+7
+00:00:11,360 --> 00:00:13,390
+right now why would I ever consider
+paying more than that because I intend
+
+8
+00:00:13,390 --> 00:00:13,400
+paying more than that because I intend
+ 
+
+9
+00:00:13,400 --> 00:00:14,549
+paying more than that because I intend
+to squeeze
+
+10
+00:00:14,549 --> 00:00:14,559
+to squeeze
+ 
+
+11
+00:00:14,559 --> 00:00:18,310
+to squeeze
+you I don't like your kind of people I
+
+12
+00:00:18,310 --> 00:00:18,320
+you I don't like your kind of people I
+ 
+
+13
+00:00:18,320 --> 00:00:19,870
+you I don't like your kind of people I
+don't like to see you come out to this
+
+14
+00:00:19,870 --> 00:00:19,880
+don't like to see you come out to this
+ 
+
+15
+00:00:19,880 --> 00:00:22,830
+don't like to see you come out to this
+clean country and oily
+
+16
+00:00:22,830 --> 00:00:22,840
+clean country and oily
+ 
+
+17
+00:00:22,840 --> 00:00:26,390
+clean country and oily
+hair dressed up in those silk suits you
+
+18
+00:00:26,390 --> 00:00:26,400
+hair dressed up in those silk suits you
+ 
+
+19
+00:00:26,400 --> 00:00:28,349
+hair dressed up in those silk suits you
+try to pass yourselves off as decent
+
+20
+00:00:28,349 --> 00:00:28,359
+try to pass yourselves off as decent
+ 
+
+21
+00:00:28,359 --> 00:00:30,269
+try to pass yourselves off as decent
+Americans
+
+22
+00:00:30,269 --> 00:00:30,279
+Americans
+ 
+
+23
+00:00:30,279 --> 00:00:32,470
+Americans
+I'll do business with you but the fact
+
+24
+00:00:32,470 --> 00:00:32,480
+I'll do business with you but the fact
+ 
+
+25
+00:00:32,480 --> 00:00:36,430
+I'll do business with you but the fact
+is that I despise your masquerade the
+
+26
+00:00:36,430 --> 00:00:36,440
+is that I despise your masquerade the
+ 
+
+27
+00:00:36,440 --> 00:00:39,590
+is that I despise your masquerade the
+dishonest way you pose yourself yourself
+
+28
+00:00:39,590 --> 00:00:39,600
+dishonest way you pose yourself yourself
+ 
+
+29
+00:00:39,600 --> 00:00:48,270
+dishonest way you pose yourself yourself
+and your whole
+
+30
+00:00:48,270 --> 00:00:48,280
+
+ 
+
+31
+00:00:48,280 --> 00:00:51,110
+
+family
+
+32
+00:00:51,110 --> 00:00:51,120
+family
+ 
+
+33
+00:00:51,120 --> 00:00:55,750
+family
+Senator we're both part of the same
+
+34
+00:00:55,750 --> 00:00:55,760
+
+ 
+
+35
+00:00:55,760 --> 00:00:58,790
+
+hypocrisy but never think it applies to
+
+36
+00:00:58,790 --> 00:00:58,800
+hypocrisy but never think it applies to
+ 
+
+37
+00:00:58,800 --> 00:01:00,869
+hypocrisy but never think it applies to
+my family
+
+38
+00:01:00,869 --> 00:01:00,879
+my family
+ 
+
+39
+00:01:00,879 --> 00:01:03,149
+my family
+all right all
+
+40
+00:01:03,149 --> 00:01:03,159
+all right all
+ 
+
+41
+00:01:03,159 --> 00:01:06,310
+all right all
+right some people have to play little
+
+42
+00:01:06,310 --> 00:01:06,320
+right some people have to play little
+ 
+
+43
+00:01:06,320 --> 00:01:10,469
+right some people have to play little
+games you play
+
+44
+00:01:10,469 --> 00:01:10,479
+
+ 
+
+45
+00:01:10,479 --> 00:01:12,950
+
+yours so let's just say that you'll pay
+
+46
+00:01:12,950 --> 00:01:12,960
+yours so let's just say that you'll pay
+ 
+
+47
+00:01:12,960 --> 00:01:15,149
+yours so let's just say that you'll pay
+me because it's in your interest to pay
+
+48
+00:01:15,149 --> 00:01:15,159
+me because it's in your interest to pay
+ 
+
+49
+00:01:15,159 --> 00:01:17,630
+me because it's in your interest to pay
+me but I want your answering the money
+
+50
+00:01:17,630 --> 00:01:17,640
+me but I want your answering the money
+ 
+
+51
+00:01:17,640 --> 00:01:20,590
+me but I want your answering the money
+by noon tomorrow and one more thing
+
+52
+00:01:20,590 --> 00:01:20,600
+by noon tomorrow and one more thing
+ 
+
+53
+00:01:20,600 --> 00:01:23,190
+by noon tomorrow and one more thing
+don't you contact me again
+
+54
+00:01:23,190 --> 00:01:23,200
+don't you contact me again
+ 
+
+55
+00:01:23,200 --> 00:01:26,270
+don't you contact me again
+ever from now on you deal with
+
+56
+00:01:26,270 --> 00:01:26,280
+ever from now on you deal with
+ 
+
+57
+00:01:26,280 --> 00:01:30,590
+ever from now on you deal with
+turn open that door shut senator
+
+58
+00:01:30,590 --> 00:01:30,600
+turn open that door shut senator
+ 
+
+59
+00:01:30,600 --> 00:01:34,270
+turn open that door shut senator
+you can have my answer now if you
+
+60
+00:01:34,270 --> 00:01:34,280
+
+ 
+
+61
+00:01:34,280 --> 00:01:37,190
+
+like my offer is
+
+62
+00:01:37,190 --> 00:01:37,200
+like my offer is
+ 
+
+63
+00:01:37,200 --> 00:01:40,350
+like my offer is
+this
+
+64
+00:01:40,350 --> 00:01:40,360
+
+ 
+
+65
+00:01:40,360 --> 00:01:42,710
+
+nothing not even the fee for the gaming
+
+66
+00:01:42,710 --> 00:01:42,720
+nothing not even the fee for the gaming
+ 
+
+67
+00:01:42,720 --> 00:01:45,030
+nothing not even the fee for the gaming
+license which I would appreciate if you
+
+68
+00:01:45,030 --> 00:01:45,040
+license which I would appreciate if you
+ 
+
+69
+00:01:45,040 --> 00:01:51,350
+license which I would appreciate if you
+would put up
+
+70
+00:01:51,350 --> 00:01:51,360
+
+ 
+
+71
+00:01:51,360 --> 00:01:57,270
+
+personally good afternoon
+
+72
+00:01:57,270 --> 00:01:57,280
+
+ 
+
+73
+00:01:57,280 --> 00:01:59,670
+
+gentlemen I didn't know you were out
+
+74
+00:01:59,670 --> 00:01:59,680
+gentlemen I didn't know you were out
+ 
+
+75
+00:01:59,680 --> 00:02:05,149
+gentlemen I didn't know you were out
+here here honey we have to go
+
+76
+00:02:05,149 --> 00:02:05,159
+
+ 
+
+77
+00:02:05,159 --> 00:02:32,750
+
+really our thank you so much
+
+78
+00:02:32,750 --> 00:02:32,760
+
+ 
+
+79
+00:02:32,760 --> 00:02:35,760
+
+St
+

1974/wZheb1gbe58.en.srt

@@ -0,0 +1,95 @@
+1
+00:00:00,000 --> 00:00:02,480
+
+Enter the code something I see that I am the
+
+2
+00:00:02,480 --> 00:00:02,490
+Enter the code something I see that I am the
+ 
+
+3
+00:00:02,490 --> 00:00:05,570
+Enter the code something I see that I am the
+smallest WhatsApp Vanessa How to I am that I
+
+4
+00:00:05,570 --> 00:00:05,580
+smallest WhatsApp Vanessa How to I am that I
+ 
+
+5
+00:00:05,580 --> 00:00:08,450
+smallest WhatsApp Vanessa How to I am that I
+am Steaua Louis turcanu apart
+
+6
+00:00:08,450 --> 00:00:08,460
+am Steaua Louis turcanu apart
+ 
+
+7
+00:00:08,460 --> 00:00:12,499
+am Steaua Louis turcanu apart
+from the mood to have a network that Honestly I didn't
+
+8
+00:00:12,499 --> 00:00:12,509
+from the mood to have a network that Honestly I didn't
+ 
+
+9
+00:00:12,509 --> 00:00:14,040
+from the mood to have a network that Honestly I didn't
+think that Kino
+
+10
+00:00:14,040 --> 00:00:14,050
+think that Kino
+ 
+
+11
+00:00:14,050 --> 00:00:16,810
+think that Kino
+Apolodor of sound to force you have a place shoot
+
+12
+00:00:16,810 --> 00:00:16,820
+Apolodor of sound to force you have a place shoot
+ 
+
+13
+00:00:16,820 --> 00:00:19,210
+Apolodor of sound to force you have a place shoot
+of but we really let You tell me who knows
+
+14
+00:00:19,210 --> 00:00:19,220
+of but we really let You tell me who knows
+ 
+
+15
+00:00:19,220 --> 00:00:20,640
+of but we really let You tell me who knows
+this
+
+16
+00:00:20,640 --> 00:00:20,650
+this
+ 
+
+17
+00:00:20,650 --> 00:00:50,810
+this
+explosion says
+
+18
+00:00:50,810 --> 00:00:50,820
+
+ 
+
+19
+00:00:50,820 --> 00:01:22,409
+
+[Music]
+

1974/wnrdetFAo1o.description

@@ -0,0 +1,38 @@
+Chinatown movie clips: http://j.mp/15vKcwj
+BUY THE MOVIE: http://amzn.to/upfytN
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Confronted by Jake (Jack Nicholson), Evelyn (Faye Dunaway) makes a startling revelation.
+
+FILM DESCRIPTION:
+"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score.
+
+CREDITS:
+TM & © Paramount (1974)
+Cast: James Hong, Jack Nicholson, Faye Dunaway
+Director: Roman Polanski
+Producers: C.O. Erickson, Robert Evans
+Screenwriters: Roman Polanski, Robert Towne
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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+Movie News: http://bit.ly/1C3Ncd2
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+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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+Tumblr: http://bit.ly/1vUwhH7

1974/wnrdetFAo1o.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:02,600 --> 00:00:05,630
+
+I found these in your backyard in the
+
+2
+00:00:05,630 --> 00:00:05,640
+I found these in your backyard in the
+ 
+
+3
+00:00:05,640 --> 00:00:08,509
+I found these in your backyard in the
+pond they belong to your husband didn't
+
+4
+00:00:08,509 --> 00:00:08,519
+pond they belong to your husband didn't
+ 
+
+5
+00:00:08,519 --> 00:00:10,950
+pond they belong to your husband didn't
+they didn't
+
+6
+00:00:10,950 --> 00:00:10,960
+they didn't
+ 
+
+7
+00:00:10,960 --> 00:00:14,270
+they didn't
+they I don't know yes probably yes
+
+8
+00:00:14,270 --> 00:00:14,280
+they I don't know yes probably yes
+ 
+
+9
+00:00:14,280 --> 00:00:17,070
+they I don't know yes probably yes
+positively it's where he was
+
+10
+00:00:17,070 --> 00:00:17,080
+positively it's where he was
+ 
+
+11
+00:00:17,080 --> 00:00:19,429
+positively it's where he was
+drowned what there's no time to be
+
+12
+00:00:19,429 --> 00:00:19,439
+drowned what there's no time to be
+ 
+
+13
+00:00:19,439 --> 00:00:22,070
+drowned what there's no time to be
+shocked by the truth the coroner's
+
+14
+00:00:22,070 --> 00:00:22,080
+shocked by the truth the coroner's
+ 
+
+15
+00:00:22,080 --> 00:00:24,150
+shocked by the truth the coroner's
+report proves that he had saltwater in
+
+16
+00:00:24,150 --> 00:00:24,160
+report proves that he had saltwater in
+ 
+
+17
+00:00:24,160 --> 00:00:25,870
+report proves that he had saltwater in
+his lungs when he was killed just take
+
+18
+00:00:25,870 --> 00:00:25,880
+his lungs when he was killed just take
+ 
+
+19
+00:00:25,880 --> 00:00:27,269
+his lungs when he was killed just take
+my word for it all right now I want to
+
+20
+00:00:27,269 --> 00:00:27,279
+my word for it all right now I want to
+ 
+
+21
+00:00:27,279 --> 00:00:28,870
+my word for it all right now I want to
+know how it happened and I want to know
+
+22
+00:00:28,870 --> 00:00:28,880
+know how it happened and I want to know
+ 
+
+23
+00:00:28,880 --> 00:00:30,509
+know how it happened and I want to know
+why and I want to know before Escobar
+
+24
+00:00:30,509 --> 00:00:30,519
+why and I want to know before Escobar
+ 
+
+25
+00:00:30,519 --> 00:00:32,229
+why and I want to know before Escobar
+gets here because I don't want to lose
+
+26
+00:00:32,229 --> 00:00:32,239
+gets here because I don't want to lose
+ 
+
+27
+00:00:32,239 --> 00:00:34,590
+gets here because I don't want to lose
+my license I don't know what you are
+
+28
+00:00:34,590 --> 00:00:34,600
+my license I don't know what you are
+ 
+
+29
+00:00:34,600 --> 00:00:36,630
+my license I don't know what you are
+talking about this is the craziest the
+
+30
+00:00:36,630 --> 00:00:36,640
+talking about this is the craziest the
+ 
+
+31
+00:00:36,640 --> 00:00:39,270
+talking about this is the craziest the
+most insane thing stop it I'm going to
+
+32
+00:00:39,270 --> 00:00:39,280
+most insane thing stop it I'm going to
+ 
+
+33
+00:00:39,280 --> 00:00:41,310
+most insane thing stop it I'm going to
+make it easy for you you were jealous
+
+34
+00:00:41,310 --> 00:00:41,320
+make it easy for you you were jealous
+ 
+
+35
+00:00:41,320 --> 00:00:43,630
+make it easy for you you were jealous
+you had a fight he fell he hit his head
+
+36
+00:00:43,630 --> 00:00:43,640
+you had a fight he fell he hit his head
+ 
+
+37
+00:00:43,640 --> 00:00:45,750
+you had a fight he fell he hit his head
+it was an accident but his girl is a
+
+38
+00:00:45,750 --> 00:00:45,760
+it was an accident but his girl is a
+ 
+
+39
+00:00:45,760 --> 00:00:47,670
+it was an accident but his girl is a
+witness so you had to shut her up you
+
+40
+00:00:47,670 --> 00:00:47,680
+witness so you had to shut her up you
+ 
+
+41
+00:00:47,680 --> 00:00:49,150
+witness so you had to shut her up you
+don't have the guts to harm her but you
+
+42
+00:00:49,150 --> 00:00:49,160
+don't have the guts to harm her but you
+ 
+
+43
+00:00:49,160 --> 00:00:51,069
+don't have the guts to harm her but you
+got the money to keep her mouth shut yes
+
+44
+00:00:51,069 --> 00:00:51,079
+got the money to keep her mouth shut yes
+ 
+
+45
+00:00:51,079 --> 00:00:52,750
+got the money to keep her mouth shut yes
+or no
+
+46
+00:00:52,750 --> 00:00:52,760
+or no
+ 
+
+47
+00:00:52,760 --> 00:00:55,110
+or no
+no who is she and don't give me that
+
+48
+00:00:55,110 --> 00:00:55,120
+no who is she and don't give me that
+ 
+
+49
+00:00:55,120 --> 00:00:56,590
+no who is she and don't give me that
+crap about your sister because you don't
+
+50
+00:00:56,590 --> 00:00:56,600
+crap about your sister because you don't
+ 
+
+51
+00:00:56,600 --> 00:01:00,389
+crap about your sister because you don't
+have a sister I'll tell you
+
+52
+00:01:00,389 --> 00:01:00,399
+have a sister I'll tell you
+ 
+
+53
+00:01:00,399 --> 00:01:03,509
+have a sister I'll tell you
+I'll tell you the
+
+54
+00:01:03,509 --> 00:01:03,519
+
+ 
+
+55
+00:01:03,519 --> 00:01:07,270
+
+truth good what's her
+
+56
+00:01:07,270 --> 00:01:07,280
+truth good what's her
+ 
+
+57
+00:01:07,280 --> 00:01:08,990
+truth good what's her
+name
+
+58
+00:01:08,990 --> 00:01:09,000
+name
+ 
+
+59
+00:01:09,000 --> 00:01:12,350
+name
+Catherine Catherine
+
+60
+00:01:12,350 --> 00:01:12,360
+Catherine Catherine
+ 
+
+61
+00:01:12,360 --> 00:01:15,350
+Catherine Catherine
+who she's my
+
+62
+00:01:15,350 --> 00:01:15,360
+who she's my
+ 
+
+63
+00:01:15,360 --> 00:01:17,789
+who she's my
+daughter I said I want the
+
+64
+00:01:17,789 --> 00:01:17,799
+daughter I said I want the
+ 
+
+65
+00:01:17,799 --> 00:01:20,870
+daughter I said I want the
+truth she's my
+
+66
+00:01:20,870 --> 00:01:20,880
+truth she's my
+ 
+
+67
+00:01:20,880 --> 00:01:23,749
+truth she's my
+sister she's my
+
+68
+00:01:23,749 --> 00:01:23,759
+sister she's my
+ 
+
+69
+00:01:23,759 --> 00:01:26,590
+sister she's my
+daughter my sister my
+
+70
+00:01:26,590 --> 00:01:26,600
+daughter my sister my
+ 
+
+71
+00:01:26,600 --> 00:01:32,990
+daughter my sister my
+daughter I said I want the truth
+
+72
+00:01:32,990 --> 00:01:33,000
+
+ 
+
+73
+00:01:33,000 --> 00:01:38,870
+
+she's my sister and my
+
+74
+00:01:38,870 --> 00:01:38,880
+
+ 
+
+75
+00:01:38,880 --> 00:01:42,630
+
+daughter God please go back oh God's
+
+76
+00:01:42,630 --> 00:01:42,640
+daughter God please go back oh God's
+ 
+
+77
+00:01:42,640 --> 00:01:51,310
+daughter God please go back oh God's
+said keep her upstairs go
+
+78
+00:01:51,310 --> 00:01:51,320
+
+ 
+
+79
+00:01:51,320 --> 00:01:57,990
+
+back my father and
+
+80
+00:01:57,990 --> 00:01:58,000
+
+ 
+
+81
+00:01:58,000 --> 00:02:00,789
+
+I understand
+
+82
+00:02:00,789 --> 00:02:00,799
+I understand
+ 
+
+83
+00:02:00,799 --> 00:02:04,960
+I understand
+or is it too tough for you
+

1975/-w0WPkB3XJ4.description

@@ -0,0 +1,43 @@
+The Rocky Horror Picture Show movie clips: http://j.mp/1MQZTAS
+BUY THE MOVIE:
+FandangoNOW - https://www.fandangonow.com/details/movie/the-rocky-horror-picture-show-1975/1MV484124d402f74b8487ead563caaf5835?cmp=Movieclips_YT_Description
+iTunes - http://apple.co/1KHcsuj
+Google Play - http://bit.ly/1H5gVrO
+Fox Movies -http://fox.co/2yS3NFO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Brad (Barry Bostwick) and Janet (Susan Sarandon) watch as the Transylvanians sing and dance.
+
+FILM DESCRIPTION:
+This low-budget freak show/cult classic/cultural institution concerns the misadventures of Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) inside a strange mansion that they come across on a rainy night. After the wholesome pair profess their love through an opening song, their car breaks down in the woods, and they seek refuge in a towering castle nearby. Greeting them at the door is a ghoulish butler named Riff Raff (Richard O'Brien), who introduces them to a bacchanalian collection of partygoers dressed in outfits from some sort of interplanetary thrift shop. The host of this gathering is a transvestite clad in lingerie, Dr. Frank N. Furter (Tim Curry), a mad scientist who claims to be from another planet. With assistants Columbia (Nell Campbell) and Magenta (Patricia Quinn) looking on, Frank unveils his latest creation -- a figure wrapped in gauze and submerged in a tank full of liquid. With the addition of colored dyes and some assistance from the weather, Frank brings to life a blonde young beefcake wearing nothing but skimpy shorts, who launches into song in his first minute of life. Just when Brad and Janet think things couldn't get any stranger, a biker (Meat Loaf) bursts onto the scene to reclaim Columbia, his ex-girlfriend. When Frank kills the biker, it's clear that Brad and Janet will be guests for the night, and that they may be next on Frank's list -- whether for murder or carnal delights is uncertain. And just what is that mystery meat they're eating for dinner, anyway? In addition to playing Riff Raff, O'Brien wrote the catchy songs, with John Barry and Richard Hartley composing the score.
+
+CREDITS:
+TM & © Fox (1975)
+Courtesy of Twentieth Century Fox Film Corporation
+Cast: Barry Bostwick, Charles Gray, Richard O'Brien, Nell Campbell, Patricia Quinn, Susan Sarandon
+Director: Jim Sharman
+Producers: Lou Adler, John Goldstone, Michael White
+Screenwriters: Richard O'Brien, Jim Sharman
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
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+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
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+Tumblr: http://bit.ly/1vUwhH7

1975/-w0WPkB3XJ4.en.srt

@@ -0,0 +1,132 @@
+1
+00:00:00,540 --> 00:00:02,820
+♫ You're spaced out on sensation ♫
+
+2
+00:00:03,200 --> 00:00:06,320
+♫ Like you're under sedation ♫
+
+3
+00:00:06,920 --> 00:00:11,280
+♫ Let's do the time warp again! ♫
+
+4
+00:00:12,360 --> 00:00:16,580
+♫ Let's do the time warp again! ♫
+
+5
+00:00:17,400 --> 00:00:20,080
+♫ Well, I was walking down the street just having a think ♫
+
+6
+00:00:20,140 --> 00:00:22,740
+♫ When a snake of a guy gave me an evil wink ♫
+
+7
+00:00:22,940 --> 00:00:25,240
+♫ He shook-a me up, it took me by surprise ♫
+
+8
+00:00:25,240 --> 00:00:28,160
+♫ He had a pickup truck and the devil's eyes ♫
+
+9
+00:00:28,240 --> 00:00:30,880
+♫ He stared at me and I felt a change ♫
+
+10
+00:00:31,100 --> 00:00:33,400
+♫ Time meant nothing, never would again ♫
+
+11
+00:00:33,700 --> 00:00:37,720
+♫ Let's do the time warp again! ♫
+
+12
+00:00:39,120 --> 00:00:43,140
+♫ Let's do the time warp again! ♫
+
+13
+00:00:43,320 --> 00:00:44,840
+It's just a jump to the left
+
+14
+00:00:46,960 --> 00:00:49,500
+♫ And then a step to the right ♫
+
+15
+00:00:49,660 --> 00:00:50,960
+With your hands on your hips
+
+16
+00:00:52,340 --> 00:00:54,620
+♫ You bring your knees in tight ♫
+
+17
+00:00:55,040 --> 00:00:57,240
+♫ But it's the pelvic thrust ♫
+
+18
+00:00:57,660 --> 00:01:00,440
+♫ That really drives you insane ♫
+
+19
+00:01:01,240 --> 00:01:05,500
+♫ Let's do the time warp again! ♫
+
+20
+00:01:06,900 --> 00:01:11,220
+♫ Let's do the time warp again! ♫
+
+21
+00:01:14,920 --> 00:01:15,420
+Ah!
+
+22
+00:01:17,280 --> 00:01:18,280
+Oh! Oh!
+
+23
+00:01:22,400 --> 00:01:23,780
+Yeeeooowwww!
+
+24
+00:01:29,340 --> 00:01:33,640
+♫ Let's do the time warp again! ♫
+
+25
+00:01:34,940 --> 00:01:39,040
+♫ Let's do the time warp again! ♫
+
+26
+00:01:39,340 --> 00:01:40,640
+It's just a jump to the left
+
+27
+00:01:42,520 --> 00:01:45,180
+♫ And then a step to the right ♫
+
+28
+00:01:45,320 --> 00:01:46,520
+With your hands on your hips
+
+29
+00:01:48,080 --> 00:01:50,200
+♫ You bring your knees in tight ♫
+
+30
+00:01:50,760 --> 00:01:52,920
+♫ But it's the pelvic thrust ♫
+
+31
+00:01:53,220 --> 00:01:56,120
+♫ That really drives you insane ♫
+
+32
+00:01:57,080 --> 00:02:01,300
+♫ Let's do the time warp again! ♫
+
+33
+00:02:02,520 --> 00:02:06,780
+♫ Let's do the time warp again! ♫
+

1975/0u0P8j4vLyw.description

@@ -0,0 +1,38 @@
+Three Days of the Condor movie clips: http://j.mp/1utq75d
+BUY THE MOVIE: http://amzn.to/vf9u7A
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Turner (Robert Redford) confronts J. Higgins (Cliff Robertson), and gets little consolation in return.
+
+FILM DESCRIPTION:
+"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible -- by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations. The challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen.
+
+CREDITS:
+TM & © Paramount (1975)
+Cast: Robert Redford, Cliff Robertson
+Director: Sydney Pollack
+Producers: Stanley Schneider, Dino De Laurentiis, Sydney Pollack
+Screenwriters: James Grady, Lorenzo Semple Jr., David Rayfiel
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1975/0u0P8j4vLyw.en.srt

@@ -0,0 +1,195 @@
+1
+00:00:02,440 --> 00:00:04,309
+
+I'm
+
+2
+00:00:04,309 --> 00:00:04,319
+I'm
+ 
+
+3
+00:00:04,319 --> 00:00:12,789
+I'm
+sorry you're
+
+4
+00:00:12,789 --> 00:00:12,799
+
+ 
+
+5
+00:00:12,799 --> 00:00:18,230
+
+sorry you're
+
+6
+00:00:18,230 --> 00:00:18,240
+
+ 
+
+7
+00:00:18,240 --> 00:00:21,590
+
+sorry oh I get
+
+8
+00:00:21,590 --> 00:00:21,600
+sorry oh I get
+ 
+
+9
+00:00:21,600 --> 00:00:24,990
+sorry oh I get
+it I get it you expect me to draw a
+
+10
+00:00:24,990 --> 00:00:25,000
+it I get it you expect me to draw a
+ 
+
+11
+00:00:25,000 --> 00:00:27,390
+it I get it you expect me to draw a
+fire like one of those Penny Arcade
+
+12
+00:00:27,390 --> 00:00:27,400
+fire like one of those Penny Arcade
+ 
+
+13
+00:00:27,400 --> 00:00:29,269
+fire like one of those Penny Arcade
+bears that parades back and forth
+
+14
+00:00:29,269 --> 00:00:29,279
+bears that parades back and forth
+ 
+
+15
+00:00:29,279 --> 00:00:30,910
+bears that parades back and forth
+waiting for something Budd somebody very
+
+16
+00:00:30,910 --> 00:00:30,920
+waiting for something Budd somebody very
+ 
+
+17
+00:00:30,920 --> 00:00:32,670
+waiting for something Budd somebody very
+good just to take another shot and
+
+18
+00:00:32,670 --> 00:00:32,680
+good just to take another shot and
+ 
+
+19
+00:00:32,680 --> 00:00:33,869
+good just to take another shot and
+you're just going to hang around and
+
+20
+00:00:33,869 --> 00:00:33,879
+you're just going to hang around and
+ 
+
+21
+00:00:33,879 --> 00:00:35,709
+you're just going to hang around and
+pick him up before he does it or just
+
+22
+00:00:35,709 --> 00:00:35,719
+pick him up before he does it or just
+ 
+
+23
+00:00:35,719 --> 00:00:37,110
+pick him up before he does it or just
+after I'm going to try and find out
+
+24
+00:00:37,110 --> 00:00:37,120
+after I'm going to try and find out
+ 
+
+25
+00:00:37,120 --> 00:00:38,549
+after I'm going to try and find out
+what's going on I'm going to cross check
+
+26
+00:00:38,549 --> 00:00:38,559
+what's going on I'm going to cross check
+ 
+
+27
+00:00:38,559 --> 00:00:40,029
+what's going on I'm going to cross check
+all those names nice talking to you
+
+28
+00:00:40,029 --> 00:00:40,039
+all those names nice talking to you
+ 
+
+29
+00:00:40,039 --> 00:00:41,630
+all those names nice talking to you
+Higgins oh wait a minute have a nice day
+
+30
+00:00:41,630 --> 00:00:41,640
+Higgins oh wait a minute have a nice day
+ 
+
+31
+00:00:41,640 --> 00:00:43,270
+Higgins oh wait a minute have a nice day
+where you going where will I find
+
+32
+00:00:43,270 --> 00:00:43,280
+where you going where will I find
+ 
+
+33
+00:00:43,280 --> 00:00:45,230
+where you going where will I find
+you I'll find
+
+34
+00:00:45,230 --> 00:00:45,240
+you I'll find
+ 
+
+35
+00:00:45,240 --> 00:00:58,910
+you I'll find
+[Music]
+
+36
+00:00:58,910 --> 00:00:58,920
+
+ 
+
+37
+00:00:58,920 --> 00:01:02,350
+
+you
+
+38
+00:01:02,350 --> 00:01:02,360
+
+ 
+
+39
+00:01:02,360 --> 00:01:16,400
+
+[Music]
+

1975/2I91DJZKRxs.description

@@ -0,0 +1,38 @@
+Jaws movie clips: http://j.mp/1uu4l18
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/jaws-1975/1MVa171c4b69f851a36586f541ba67570b9?cmp=Movieclips_YT_Description
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The crew gets their first face-to-face look at the massive shark.
+
+FILM DESCRIPTION:
+Based on Peter Benchley's best-selling novel, Steven Spielberg's 1975 shark saga set the standard for the New Hollywood popcorn blockbuster while frightening millions of moviegoers out of the water. One early summer night on fictional Atlantic resort Amity Island, Chrissie decides to take a moonlight skinny dip while her friends party on the beach. Yanked suddenly below the ocean surface, she never returns. When pieces of her wash ashore, Police Chief Brody (Roy Scheider) suspects the worst, but Mayor Vaughn (Murray Hamilton), mindful of the lucrative tourist trade and the approaching July 4th holiday, refuses to put the island on a business-killing shark alert. After the shark dines on a few more victims, the Mayor orders the local fishermen to catch the culprit. Satisfied with the shark they find, the greedy Mayor reopens the beaches, despite the warning from visiting ichthyologist Hooper (Richard Dreyfuss) that the attacks were probably caused by a far more formidable Great White. One more fatality later, Brody and Hooper join forces with flinty old salt Quint (Robert Shaw), the only local fisherman willing to take on a Great White--especially since the price is right. The three ride off on Quint's boat "The Orca," soon coming face to teeth with the enemy.
+
+CREDITS:
+TM & © Universal (1975)
+Cast: Richard Dreyfuss, Roy Scheider, Robert Shaw
+Director: Steven Spielberg
+Producers: Richard D. Zanuck, David Brown
+Screenwriters: Peter Benchley, Carl Gottlieb
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1975/2I91DJZKRxs.en.srt

@@ -0,0 +1,34 @@
+1
+00:00:00,110 --> 00:00:03,381
+Ya heard him.
+Slow ahead.
+
+2
+00:00:10,251 --> 00:00:12,923
+Slow ahead.
+
+3
+00:00:13,021 --> 00:00:16,260
+l can go slow ahead.
+Come on down and chum
+some of this shit.
+
+4
+00:00:34,272 --> 00:00:37,177
+You're gonna
+need a bigger boat.
+
+5
+00:00:49,620 --> 00:00:52,725
+Shut off
+that engine !
+
+6
+00:01:20,245 --> 00:01:23,952
+- That's a twenty-footer.
+- Twenty-five.
+
+7
+00:01:24,049 --> 00:01:26,219
+Three tons of him.
+

1975/4ca0T6jbhHo.description

@@ -0,0 +1,38 @@
+Dog Day Afternoon movie clips: http://j.mp/1BcYGMi
+BUY THE MOVIE: http://j.mp/WCUkcG
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Sonny (Al Pacino) tells Sal (John Cazale) of his plan to leave the country on a jet.
+
+FILM DESCRIPTION:
+Based on a true 1972 story, Sidney Lumet's 1975 drama chronicles a unique bank robbery on a hot summer afternoon in New York City. Shortly before closing time, scheming loser Sonny (Al Pacino) and his slow-witted buddy, Sal (John Cazale), burst into a Brooklyn bank for what should be a run-of-the-mill robbery, but everything goes wrong, beginning with the fact that there is almost no money in the bank. The situation swiftly escalates, as Sonny and Sal take hostages; enough cops to police the tristate area surround the bank; a large Sonny-sympathetic crowd gathers to watch; the media arrive to complete the circus; and police captain Moretti (Charles Durning) tries to negotiate with Sonny while keeping the volatile spectacle under control. When Sonny's lover, Leon (Chris Sarandon), tries to talk Sonny out of the bank, we learn the robbery's motive: to finance Leon's sex-change operation. Sonny demands a plane to escape, but the end is near once menacingly cool FBI agent Sheldon (James Broderick) arrives to take over the negotiations.
+
+CREDITS:
+TM & © Warner Bros. (1975)
+Cast: Sully Boyar, John Cazale, Charles Durning, Al Pacino, Carol Kane
+Director: Sidney Lumet
+Producers: Martin Bregman, Martin Elfand, Robert Greenhut
+Screenwriters: P.F. Kluge, Frank Pierson, Leslie Waller
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1975/4ca0T6jbhHo.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:01,959 --> 00:00:03,390
+
+we get a
+
+2
+00:00:03,390 --> 00:00:03,400
+we get a
+ 
+
+3
+00:00:03,400 --> 00:00:06,030
+we get a
+helicopter we get a helicopter here it
+
+4
+00:00:06,030 --> 00:00:06,040
+helicopter we get a helicopter here it
+ 
+
+5
+00:00:06,040 --> 00:00:07,270
+helicopter we get a helicopter here it
+lands on the
+
+6
+00:00:07,270 --> 00:00:07,280
+lands on the
+ 
+
+7
+00:00:07,280 --> 00:00:11,030
+lands on the
+roof and takes us to a jet and we fly
+
+8
+00:00:11,030 --> 00:00:11,040
+roof and takes us to a jet and we fly
+ 
+
+9
+00:00:11,040 --> 00:00:13,110
+roof and takes us to a jet and we fly
+the out of the
+
+10
+00:00:13,110 --> 00:00:13,120
+the out of the
+ 
+
+11
+00:00:13,120 --> 00:00:15,470
+the out of the
+country
+
+12
+00:00:15,470 --> 00:00:15,480
+country
+ 
+
+13
+00:00:15,480 --> 00:00:16,990
+country
+s
+
+14
+00:00:16,990 --> 00:00:17,000
+s
+ 
+
+15
+00:00:17,000 --> 00:00:23,509
+s
+s we can do
+
+16
+00:00:23,509 --> 00:00:23,519
+
+ 
+
+17
+00:00:23,519 --> 00:00:28,349
+
+it Sam Sam look we got him we don't even
+
+18
+00:00:28,349 --> 00:00:28,359
+it Sam Sam look we got him we don't even
+ 
+
+19
+00:00:28,359 --> 00:00:30,550
+it Sam Sam look we got him we don't even
+know it do you know we got the
+
+20
+00:00:30,550 --> 00:00:30,560
+know it do you know we got the
+ 
+
+21
+00:00:30,560 --> 00:00:32,429
+know it do you know we got the
+hostages you know we've been looking at
+
+22
+00:00:32,429 --> 00:00:32,439
+hostages you know we've been looking at
+ 
+
+23
+00:00:32,439 --> 00:00:35,670
+hostages you know we've been looking at
+this the wrong way we make the demands
+
+24
+00:00:35,670 --> 00:00:35,680
+this the wrong way we make the demands
+ 
+
+25
+00:00:35,680 --> 00:00:43,310
+this the wrong way we make the demands
+they're going to give us anything we
+
+26
+00:00:43,310 --> 00:00:43,320
+
+ 
+
+27
+00:00:43,320 --> 00:00:52,590
+
+want I'm flying to the tropics the
+
+28
+00:00:52,590 --> 00:00:52,600
+
+ 
+
+29
+00:00:52,600 --> 00:00:55,189
+
+snow Hey where's the
+
+30
+00:00:55,189 --> 00:00:55,199
+snow Hey where's the
+ 
+
+31
+00:00:55,199 --> 00:00:58,709
+snow Hey where's the
+M you ready to go to Algeria
+
+32
+00:00:58,709 --> 00:00:58,719
+M you ready to go to Algeria
+ 
+
+33
+00:00:58,719 --> 00:01:01,430
+M you ready to go to Algeria
+Algeria yeah sure we're all going to
+
+34
+00:01:01,430 --> 00:01:01,440
+Algeria yeah sure we're all going to
+ 
+
+35
+00:01:01,440 --> 00:01:04,670
+Algeria yeah sure we're all going to
+Sunny climbs S I can make it happen I
+
+36
+00:01:04,670 --> 00:01:04,680
+Sunny climbs S I can make it happen I
+ 
+
+37
+00:01:04,680 --> 00:01:07,510
+Sunny climbs S I can make it happen I
+can make it happen I made it happen so
+
+38
+00:01:07,510 --> 00:01:07,520
+can make it happen I made it happen so
+ 
+
+39
+00:01:07,520 --> 00:01:16,550
+can make it happen I made it happen so
+far right I can make it
+
+40
+00:01:16,550 --> 00:01:16,560
+
+ 
+
+41
+00:01:16,560 --> 00:01:21,510
+
+happen yeah give me my ready
+
+42
+00:01:21,510 --> 00:01:21,520
+happen yeah give me my ready
+ 
+
+43
+00:01:21,520 --> 00:01:25,469
+happen yeah give me my ready
+s ol go ahead make phone calls call home
+
+44
+00:01:25,469 --> 00:01:25,479
+s ol go ahead make phone calls call home
+ 
+
+45
+00:01:25,479 --> 00:01:28,190
+s ol go ahead make phone calls call home
+or whatever we all going on a trip yeah
+
+46
+00:01:28,190 --> 00:01:28,200
+or whatever we all going on a trip yeah
+ 
+
+47
+00:01:28,200 --> 00:01:30,990
+or whatever we all going on a trip yeah
+shny yeah uh I want to T you I'm coming
+
+48
+00:01:30,990 --> 00:01:31,000
+shny yeah uh I want to T you I'm coming
+ 
+
+49
+00:01:31,000 --> 00:01:34,350
+shny yeah uh I want to T you I'm coming
+out good good okay I'll be there let's
+
+50
+00:01:34,350 --> 00:01:34,360
+out good good okay I'll be there let's
+ 
+
+51
+00:01:34,360 --> 00:01:36,710
+out good good okay I'll be there let's
+go come on it's coming
+
+52
+00:01:36,710 --> 00:01:36,720
+go come on it's coming
+ 
+
+53
+00:01:36,720 --> 00:01:40,510
+go come on it's coming
+up now you got to understand something
+
+54
+00:01:40,510 --> 00:01:40,520
+up now you got to understand something
+ 
+
+55
+00:01:40,520 --> 00:01:42,149
+up now you got to understand something
+if we leave the country there's no
+
+56
+00:01:42,149 --> 00:01:42,159
+if we leave the country there's no
+ 
+
+57
+00:01:42,159 --> 00:01:43,709
+if we leave the country there's no
+coming back
+
+58
+00:01:43,709 --> 00:01:43,719
+coming back
+ 
+
+59
+00:01:43,719 --> 00:01:45,709
+coming back
+here you know what I mean there's no
+
+60
+00:01:45,709 --> 00:01:45,719
+here you know what I mean there's no
+ 
+
+61
+00:01:45,719 --> 00:01:47,590
+here you know what I mean there's no
+coming back so that if there's anybody
+
+62
+00:01:47,590 --> 00:01:47,600
+coming back so that if there's anybody
+ 
+
+63
+00:01:47,600 --> 00:01:49,630
+coming back so that if there's anybody
+now that you want to talk to you want to
+
+64
+00:01:49,630 --> 00:01:49,640
+now that you want to talk to you want to
+ 
+
+65
+00:01:49,640 --> 00:01:58,830
+now that you want to talk to you want to
+say goodbye to do it
+
+66
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+67
+00:01:58,840 --> 00:02:00,429
+
+now
+
+68
+00:02:00,429 --> 00:02:00,439
+now
+ 
+
+69
+00:02:00,439 --> 00:02:01,910
+now
+is there any special country you want to
+
+70
+00:02:01,910 --> 00:02:01,920
+is there any special country you want to
+ 
+
+71
+00:02:01,920 --> 00:02:08,589
+is there any special country you want to
+go
+
+72
+00:02:08,589 --> 00:02:08,599
+
+ 
+
+73
+00:02:08,599 --> 00:02:12,750
+
+tooming no wayomi this not a
+
+74
+00:02:12,750 --> 00:02:12,760
+tooming no wayomi this not a
+ 
+
+75
+00:02:12,760 --> 00:02:14,750
+tooming no wayomi this not a
+country that's all right I'm going to
+
+76
+00:02:14,750 --> 00:02:14,760
+country that's all right I'm going to
+ 
+
+77
+00:02:14,760 --> 00:02:16,440
+country that's all right I'm going to
+take care of
+
+78
+00:02:16,440 --> 00:02:16,450
+take care of
+ 
+
+79
+00:02:16,450 --> 00:02:28,830
+take care of
+[Music]
+
+80
+00:02:28,830 --> 00:02:28,840
+[Music]
+ 
+
+81
+00:02:28,840 --> 00:02:33,440
+[Music]
+it
+
+82
+00:02:33,440 --> 00:02:33,450
+
+ 
+
+83
+00:02:33,450 --> 00:02:47,499
+
+[Music]
+

1975/8fbZvje4A58.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:00,359 --> 00:00:01,870
+
+I just come from the Atkinson's in New
+
+2
+00:00:01,870 --> 00:00:01,880
+I just come from the Atkinson's in New
+ 
+
+3
+00:00:01,880 --> 00:00:04,870
+I just come from the Atkinson's in New
+York and he loves my stuff well not
+
+4
+00:00:04,870 --> 00:00:04,880
+York and he loves my stuff well not
+ 
+
+5
+00:00:04,880 --> 00:00:06,789
+York and he loves my stuff well not
+loves maybe but he's genuinely
+
+6
+00:00:06,789 --> 00:00:06,799
+loves maybe but he's genuinely
+ 
+
+7
+00:00:06,799 --> 00:00:09,549
+loves maybe but he's genuinely
+interested in my work the gallery for
+
+8
+00:00:09,549 --> 00:00:09,559
+interested in my work the gallery for
+ 
+
+9
+00:00:09,559 --> 00:00:12,910
+interested in my work the gallery for
+photographers that's wonderful
+
+10
+00:00:12,910 --> 00:00:12,920
+photographers that's wonderful
+ 
+
+11
+00:00:12,920 --> 00:00:15,190
+photographers that's wonderful
+Joanna if you're going to tell me you
+
+12
+00:00:15,190 --> 00:00:15,200
+Joanna if you're going to tell me you
+ 
+
+13
+00:00:15,200 --> 00:00:17,470
+Joanna if you're going to tell me you
+don't like this dress I'm sticking my
+
+14
+00:00:17,470 --> 00:00:17,480
+don't like this dress I'm sticking my
+ 
+
+15
+00:00:17,480 --> 00:00:19,269
+don't like this dress I'm sticking my
+head right in the oven Dave bought it
+
+16
+00:00:19,269 --> 00:00:19,279
+head right in the oven Dave bought it
+ 
+
+17
+00:00:19,279 --> 00:00:21,429
+head right in the oven Dave bought it
+for me for the weekend he spent a ton on
+
+18
+00:00:21,429 --> 00:00:21,439
+for me for the weekend he spent a ton on
+ 
+
+19
+00:00:21,439 --> 00:00:23,750
+for me for the weekend he spent a ton on
+me how about the
+
+20
+00:00:23,750 --> 00:00:23,760
+me how about the
+ 
+
+21
+00:00:23,760 --> 00:00:27,550
+me how about the
+shape paded uplift bra it's true what
+
+22
+00:00:27,550 --> 00:00:27,560
+shape paded uplift bra it's true what
+ 
+
+23
+00:00:27,560 --> 00:00:31,070
+shape paded uplift bra it's true what
+they say in the ads oh Joanna Dave
+
+24
+00:00:31,070 --> 00:00:31,080
+they say in the ads oh Joanna Dave
+ 
+
+25
+00:00:31,080 --> 00:00:33,670
+they say in the ads oh Joanna Dave
+turned me loose in Berg offs and I went
+
+26
+00:00:33,670 --> 00:00:33,680
+turned me loose in Berg offs and I went
+ 
+
+27
+00:00:33,680 --> 00:00:36,709
+turned me loose in Berg offs and I went
+mad me at the plaza some guy tried
+
+28
+00:00:36,709 --> 00:00:36,719
+mad me at the plaza some guy tried
+ 
+
+29
+00:00:36,719 --> 00:00:39,030
+mad me at the plaza some guy tried
+picking me up in the lobby you know how
+
+30
+00:00:39,030 --> 00:00:39,040
+picking me up in the lobby you know how
+ 
+
+31
+00:00:39,040 --> 00:00:40,990
+picking me up in the lobby you know how
+long it's been since that
+
+32
+00:00:40,990 --> 00:00:41,000
+long it's been since that
+ 
+
+33
+00:00:41,000 --> 00:00:43,910
+long it's been since that
+happened of course I did look terrific I
+
+34
+00:00:43,910 --> 00:00:43,920
+happened of course I did look terrific I
+ 
+
+35
+00:00:43,920 --> 00:00:45,350
+happened of course I did look terrific I
+you're not at the plaza now I mean so
+
+36
+00:00:45,350 --> 00:00:45,360
+you're not at the plaza now I mean so
+ 
+
+37
+00:00:45,360 --> 00:00:47,430
+you're not at the plaza now I mean so
+why are you wearing all that makeup I
+
+38
+00:00:47,430 --> 00:00:47,440
+why are you wearing all that makeup I
+ 
+
+39
+00:00:47,440 --> 00:00:48,549
+why are you wearing all that makeup I
+mean you never even used to clean your
+
+40
+00:00:48,549 --> 00:00:48,559
+mean you never even used to clean your
+ 
+
+41
+00:00:48,559 --> 00:00:51,389
+mean you never even used to clean your
+kitchen much less wear
+
+42
+00:00:51,389 --> 00:00:51,399
+kitchen much less wear
+ 
+
+43
+00:00:51,399 --> 00:00:55,869
+kitchen much less wear
+makeup admited Joanna that was a joke
+
+44
+00:00:55,869 --> 00:00:55,879
+makeup admited Joanna that was a joke
+ 
+
+45
+00:00:55,879 --> 00:00:58,349
+makeup admited Joanna that was a joke
+Dave works hard all day long and what
+
+46
+00:00:58,349 --> 00:00:58,359
+Dave works hard all day long and what
+ 
+
+47
+00:00:58,359 --> 00:01:01,029
+Dave works hard all day long and what
+does he come home to a slob
+
+48
+00:01:01,029 --> 00:01:01,039
+does he come home to a slob
+ 
+
+49
+00:01:01,039 --> 00:01:03,709
+does he come home to a slob
+Bobby it's gotten to you now nothing's
+
+50
+00:01:03,709 --> 00:01:03,719
+Bobby it's gotten to you now nothing's
+ 
+
+51
+00:01:03,719 --> 00:01:06,030
+Bobby it's gotten to you now nothing's
+gotten me I just want to look like a
+
+52
+00:01:06,030 --> 00:01:06,040
+gotten me I just want to look like a
+ 
+
+53
+00:01:06,040 --> 00:01:08,510
+gotten me I just want to look like a
+woman and keep my house looking decent
+
+54
+00:01:08,510 --> 00:01:08,520
+woman and keep my house looking decent
+ 
+
+55
+00:01:08,520 --> 00:01:12,109
+woman and keep my house looking decent
+too you're just like charmain will you
+
+56
+00:01:12,109 --> 00:01:12,119
+too you're just like charmain will you
+ 
+
+57
+00:01:12,119 --> 00:01:13,910
+too you're just like charmain will you
+stop and you're not going to leave
+
+58
+00:01:13,910 --> 00:01:13,920
+stop and you're not going to leave
+ 
+
+59
+00:01:13,920 --> 00:01:16,390
+stop and you're not going to leave
+Stepford either are you leave Stepford
+
+60
+00:01:16,390 --> 00:01:16,400
+Stepford either are you leave Stepford
+ 
+
+61
+00:01:16,400 --> 00:01:19,429
+Stepford either are you leave Stepford
+good schools low taxes clean
+
+62
+00:01:19,429 --> 00:01:19,439
+good schools low taxes clean
+ 
+
+63
+00:01:19,439 --> 00:01:23,510
+good schools low taxes clean
+air no you're right shall I make us a
+
+64
+00:01:23,510 --> 00:01:23,520
+air no you're right shall I make us a
+ 
+
+65
+00:01:23,520 --> 00:01:25,950
+air no you're right shall I make us a
+nice pot of coffee no no I've really got
+
+66
+00:01:25,950 --> 00:01:25,960
+nice pot of coffee no no I've really got
+ 
+
+67
+00:01:25,960 --> 00:01:30,200
+nice pot of coffee no no I've really got
+to go now stop by anytime I'll be here
+
+68
+00:01:30,200 --> 00:01:30,210
+to go now stop by anytime I'll be here
+ 
+
+69
+00:01:30,210 --> 00:01:58,830
+to go now stop by anytime I'll be here
+[Music]
+
+70
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+71
+00:01:58,840 --> 00:02:07,589
+
+here
+
+72
+00:02:07,589 --> 00:02:07,599
+
+ 
+
+73
+00:02:07,599 --> 00:02:10,599
+
+to
+

1975/8yDjtE3wmFs.description

@@ -0,0 +1,38 @@
+Three Days of the Condor movie clips: http://j.mp/1utq75d
+BUY THE MOVIE: http://amzn.to/vf9u7A
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Kathy (Faye Dunaway) and Turner (Robert Redford) share an intimate moment on the street together.
+
+FILM DESCRIPTION:
+"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible -- by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations. The challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen.
+
+CREDITS:
+TM & © Paramount (1975)
+Cast: Robert Redford, Faye Dunaway
+Director: Sydney Pollack
+Producers: Stanley Schneider, Dino De Laurentiis, Sydney Pollack
+Screenwriters: James Grady, Lorenzo Semple Jr., David Rayfiel
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1975/8yDjtE3wmFs.en.srt

@@ -0,0 +1,78 @@
+1
+00:00:00,517 --> 00:00:03,519
+You've a lot of very
+fine qualities...
+
+2
+00:00:05,455 --> 00:00:06,522
+But--
+
+3
+00:00:06,590 --> 00:00:08,391
+What fine qualities?
+
+4
+00:00:17,033 --> 00:00:18,567
+You have good eyes.
+
+5
+00:00:19,736 --> 00:00:23,773
+Not kind, but...
+
+6
+00:00:23,840 --> 00:00:25,274
+They don't lie,
+
+7
+00:00:25,342 --> 00:00:27,777
+And they don't
+look away much,
+
+8
+00:00:27,844 --> 00:00:29,845
+And they don't
+miss anything.
+
+9
+00:00:32,081 --> 00:00:35,050
+I could use
+eyes like that.
+
+10
+00:00:36,353 --> 00:00:38,554
+But you're overdue
+in vermont.
+
+11
+00:00:45,061 --> 00:00:47,296
+Is he a tough guy?
+
+12
+00:00:48,498 --> 00:00:50,366
+He's pretty tough.
+
+13
+00:00:52,235 --> 00:00:53,736
+What will he do?
+
+14
+00:00:55,104 --> 00:00:57,440
+U-understand, probably.
+
+15
+00:00:59,309 --> 00:01:01,009
+Boy,
+
+16
+00:01:01,077 --> 00:01:02,511
+That is tough.
+
+17
+00:01:02,579 --> 00:01:04,380
+<i>Last call, train six.</i>
+
+18
+00:01:04,448 --> 00:01:06,181
+<i>Newark connects</i>
+<i>to penn central</i>
+

1975/9w3E3eFMsLg.description

@@ -0,0 +1,38 @@
+Three Days of the Condor movie clips: http://j.mp/1utq75d
+BUY THE MOVIE: http://amzn.to/vf9u7A
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Turner (Robert Redford) confronts Higgins (Cliff Robertson) about the murder of seven innocent people, and the consequences of political games.
+
+FILM DESCRIPTION:
+"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible -- by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations. The challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen.
+
+CREDITS:
+TM & © Paramount (1975)
+Cast: Robert Redford, Cliff Robertson
+Director: Sydney Pollack
+Producers: Stanley Schneider, Dino De Laurentiis, Sydney Pollack
+Screenwriters: James Grady, Lorenzo Semple Jr., David Rayfiel
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1975/9w3E3eFMsLg.en.srt

@@ -0,0 +1,445 @@
+1
+00:00:00,520 --> 00:00:04,829
+
+we have games that's all we play games
+
+2
+00:00:04,829 --> 00:00:04,839
+we have games that's all we play games
+ 
+
+3
+00:00:04,839 --> 00:00:09,070
+we have games that's all we play games
+what if how many men what would it take
+
+4
+00:00:09,070 --> 00:00:09,080
+what if how many men what would it take
+ 
+
+5
+00:00:09,080 --> 00:00:11,190
+what if how many men what would it take
+is there a cheaper way to destabilize a
+
+6
+00:00:11,190 --> 00:00:11,200
+is there a cheaper way to destabilize a
+ 
+
+7
+00:00:11,200 --> 00:00:15,349
+is there a cheaper way to destabilize a
+regime that's what we're paid to do walk
+
+8
+00:00:15,349 --> 00:00:15,359
+regime that's what we're paid to do walk
+ 
+
+9
+00:00:15,359 --> 00:00:20,830
+regime that's what we're paid to do walk
+on go
+
+10
+00:00:20,830 --> 00:00:20,840
+
+ 
+
+11
+00:00:20,840 --> 00:00:23,630
+
+on so adwood just took the games too
+
+12
+00:00:23,630 --> 00:00:23,640
+on so adwood just took the games too
+ 
+
+13
+00:00:23,640 --> 00:00:25,550
+on so adwood just took the games too
+seriously he was really going to do it
+
+14
+00:00:25,550 --> 00:00:25,560
+seriously he was really going to do it
+ 
+
+15
+00:00:25,560 --> 00:00:28,390
+seriously he was really going to do it
+wasn't he the Renegade
+
+16
+00:00:28,390 --> 00:00:28,400
+wasn't he the Renegade
+ 
+
+17
+00:00:28,400 --> 00:00:31,189
+wasn't he the Renegade
+operation Edwood knew 5412 would never
+
+18
+00:00:31,189 --> 00:00:31,199
+operation Edwood knew 5412 would never
+ 
+
+19
+00:00:31,199 --> 00:00:32,870
+operation Edwood knew 5412 would never
+authorize it there was no way not with
+
+20
+00:00:32,870 --> 00:00:32,880
+authorize it there was no way not with
+ 
+
+21
+00:00:32,880 --> 00:00:34,350
+authorize it there was no way not with
+the heat on the company what if there
+
+22
+00:00:34,350 --> 00:00:34,360
+the heat on the company what if there
+ 
+
+23
+00:00:34,360 --> 00:00:36,069
+the heat on the company what if there
+hadn't been any heat supposing I hadn't
+
+24
+00:00:36,069 --> 00:00:36,079
+hadn't been any heat supposing I hadn't
+ 
+
+25
+00:00:36,079 --> 00:00:39,069
+hadn't been any heat supposing I hadn't
+stumbled on a plan say nobody
+
+26
+00:00:39,069 --> 00:00:39,079
+stumbled on a plan say nobody
+ 
+
+27
+00:00:39,079 --> 00:00:41,389
+stumbled on a plan say nobody
+had different ball
+
+28
+00:00:41,389 --> 00:00:41,399
+had different ball
+ 
+
+29
+00:00:41,399 --> 00:00:43,549
+had different ball
+game Fact is there was nothing wrong
+
+30
+00:00:43,549 --> 00:00:43,559
+game Fact is there was nothing wrong
+ 
+
+31
+00:00:43,559 --> 00:00:46,350
+game Fact is there was nothing wrong
+with the plan oh the plan was all right
+
+32
+00:00:46,350 --> 00:00:46,360
+with the plan oh the plan was all right
+ 
+
+33
+00:00:46,360 --> 00:00:49,270
+with the plan oh the plan was all right
+the plan would have
+
+34
+00:00:49,270 --> 00:00:49,280
+
+ 
+
+35
+00:00:49,280 --> 00:00:52,790
+
+worked boy what is it with you people do
+
+36
+00:00:52,790 --> 00:00:52,800
+worked boy what is it with you people do
+ 
+
+37
+00:00:52,800 --> 00:00:54,630
+worked boy what is it with you people do
+you think not getting caught in a lie is
+
+38
+00:00:54,630 --> 00:00:54,640
+you think not getting caught in a lie is
+ 
+
+39
+00:00:54,640 --> 00:00:57,590
+you think not getting caught in a lie is
+the same thing as telling the truth no
+
+40
+00:00:57,590 --> 00:00:57,600
+the same thing as telling the truth no
+ 
+
+41
+00:00:57,600 --> 00:01:00,310
+the same thing as telling the truth no
+it's simple economics today it's all oil
+
+42
+00:01:00,310 --> 00:01:00,320
+it's simple economics today it's all oil
+ 
+
+43
+00:01:00,320 --> 00:01:04,789
+it's simple economics today it's all oil
+right in 10 or 15 years food plutonium
+
+44
+00:01:04,789 --> 00:01:04,799
+right in 10 or 15 years food plutonium
+ 
+
+45
+00:01:04,799 --> 00:01:06,870
+right in 10 or 15 years food plutonium
+and maybe even sooner now what do you
+
+46
+00:01:06,870 --> 00:01:06,880
+and maybe even sooner now what do you
+ 
+
+47
+00:01:06,880 --> 00:01:08,350
+and maybe even sooner now what do you
+think the people are going to want us to
+
+48
+00:01:08,350 --> 00:01:08,360
+think the people are going to want us to
+ 
+
+49
+00:01:08,360 --> 00:01:09,910
+think the people are going to want us to
+do
+
+50
+00:01:09,910 --> 00:01:09,920
+do
+ 
+
+51
+00:01:09,920 --> 00:01:13,910
+do
+then ask them not now then ask them when
+
+52
+00:01:13,910 --> 00:01:13,920
+then ask them not now then ask them when
+ 
+
+53
+00:01:13,920 --> 00:01:15,950
+then ask them not now then ask them when
+they're running out ask them when
+
+54
+00:01:15,950 --> 00:01:15,960
+they're running out ask them when
+ 
+
+55
+00:01:15,960 --> 00:01:17,149
+they're running out ask them when
+there's no heat in their homes and
+
+56
+00:01:17,149 --> 00:01:17,159
+there's no heat in their homes and
+ 
+
+57
+00:01:17,159 --> 00:01:19,390
+there's no heat in their homes and
+they're cold asking when their engines
+
+58
+00:01:19,390 --> 00:01:19,400
+they're cold asking when their engines
+ 
+
+59
+00:01:19,400 --> 00:01:21,590
+they're cold asking when their engines
+stop asking when people who've never
+
+60
+00:01:21,590 --> 00:01:21,600
+stop asking when people who've never
+ 
+
+61
+00:01:21,600 --> 00:01:24,069
+stop asking when people who've never
+known hunger start going hungry you want
+
+62
+00:01:24,069 --> 00:01:24,079
+known hunger start going hungry you want
+ 
+
+63
+00:01:24,079 --> 00:01:26,190
+known hunger start going hungry you want
+to know something they won't want us to
+
+64
+00:01:26,190 --> 00:01:26,200
+to know something they won't want us to
+ 
+
+65
+00:01:26,200 --> 00:01:27,910
+to know something they won't want us to
+ask them they'll just want us to get it
+
+66
+00:01:27,910 --> 00:01:27,920
+ask them they'll just want us to get it
+ 
+
+67
+00:01:27,920 --> 00:01:28,910
+ask them they'll just want us to get it
+for
+
+68
+00:01:28,910 --> 00:01:28,920
+for
+ 
+
+69
+00:01:28,920 --> 00:01:31,590
+for
+them
+
+70
+00:01:31,590 --> 00:01:31,600
+them
+ 
+
+71
+00:01:31,600 --> 00:01:35,670
+them
+boy have you found a
+
+72
+00:01:35,670 --> 00:01:35,680
+
+ 
+
+73
+00:01:35,680 --> 00:01:38,590
+
+home seven people killed Higgins the
+
+74
+00:01:38,590 --> 00:01:38,600
+home seven people killed Higgins the
+ 
+
+75
+00:01:38,600 --> 00:01:40,710
+home seven people killed Higgins the
+company didn't order Atwood
+
+76
+00:01:40,710 --> 00:01:40,720
+company didn't order Atwood
+ 
+
+77
+00:01:40,720 --> 00:01:42,910
+company didn't order Atwood
+did Atwood
+
+78
+00:01:42,910 --> 00:01:42,920
+did Atwood
+ 
+
+79
+00:01:42,920 --> 00:01:45,749
+did Atwood
+did and who the hell is Atwood he's you
+
+80
+00:01:45,749 --> 00:01:45,759
+did and who the hell is Atwood he's you
+ 
+
+81
+00:01:45,759 --> 00:01:49,030
+did and who the hell is Atwood he's you
+he's all you guys seven people killed
+
+82
+00:01:49,030 --> 00:01:49,040
+he's all you guys seven people killed
+ 
+
+83
+00:01:49,040 --> 00:01:53,230
+he's all you guys seven people killed
+and you play games right and the
+
+84
+00:01:53,230 --> 00:01:53,240
+and you play games right and the
+ 
+
+85
+00:01:53,240 --> 00:01:58,830
+and you play games right and the
+other side does
+
+86
+00:01:58,830 --> 00:01:58,840
+
+ 
+
+87
+00:01:58,840 --> 00:02:03,890
+
+too
+
+88
+00:02:03,890 --> 00:02:03,900
+
+ 
+
+89
+00:02:03,900 --> 00:02:26,490
+
+[Music]
+

1975/A1Tgrq5wLAw.description

@@ -0,0 +1,38 @@
+Dog Day Afternoon movie clips: http://j.mp/1BcYGMi
+BUY THE MOVIE: http://j.mp/WCUkcG
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Sonny (Al Pacino) receives a surprise phone call from Detective Moretti (Charles Durning) as the cops arrive at the scene.
+
+FILM DESCRIPTION:
+Based on a true 1972 story, Sidney Lumet's 1975 drama chronicles a unique bank robbery on a hot summer afternoon in New York City. Shortly before closing time, scheming loser Sonny (Al Pacino) and his slow-witted buddy, Sal (John Cazale), burst into a Brooklyn bank for what should be a run-of-the-mill robbery, but everything goes wrong, beginning with the fact that there is almost no money in the bank. The situation swiftly escalates, as Sonny and Sal take hostages; enough cops to police the tristate area surround the bank; a large Sonny-sympathetic crowd gathers to watch; the media arrive to complete the circus; and police captain Moretti (Charles Durning) tries to negotiate with Sonny while keeping the volatile spectacle under control. When Sonny's lover, Leon (Chris Sarandon), tries to talk Sonny out of the bank, we learn the robbery's motive: to finance Leon's sex-change operation. Sonny demands a plane to escape, but the end is near once menacingly cool FBI agent Sheldon (James Broderick) arrives to take over the negotiations.
+
+CREDITS:
+TM & © Warner Bros. (1975)
+Cast: Sully Boyar, John Cazale, Charles Durning, Al Pacino, Penelope Allen, Beulah Garrick, Carol Kane, Sandra Kazan, Marcia Jean Kurtz, Amy Levitt, Estelle Omens
+Director: Sidney Lumet
+Producers: Martin Bregman, Martin Elfand, Robert Greenhut
+Screenwriters: P.F. Kluge, Frank Pierson, Leslie Waller
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1975/A1Tgrq5wLAw.en.srt

@@ -0,0 +1,185 @@
+1
+00:00:03,640 --> 00:00:06,670
+
+speaking all right m m here's your
+
+2
+00:00:06,670 --> 00:00:06,680
+speaking all right m m here's your
+ 
+
+3
+00:00:06,680 --> 00:00:11,549
+speaking all right m m here's your
+toilet it's for you what telephone call
+
+4
+00:00:11,549 --> 00:00:11,559
+toilet it's for you what telephone call
+ 
+
+5
+00:00:11,559 --> 00:00:28,950
+toilet it's for you what telephone call
+uh for
+
+6
+00:00:28,950 --> 00:00:28,960
+
+ 
+
+7
+00:00:28,960 --> 00:00:35,709
+
+you
+
+8
+00:00:35,709 --> 00:00:35,719
+
+ 
+
+9
+00:00:35,719 --> 00:00:37,990
+
+yeah what are you doing in there who
+
+10
+00:00:37,990 --> 00:00:38,000
+yeah what are you doing in there who
+ 
+
+11
+00:00:38,000 --> 00:00:40,229
+yeah what are you doing in there who
+this this is detective Sergeant Eugene
+
+12
+00:00:40,229 --> 00:00:40,239
+this this is detective Sergeant Eugene
+ 
+
+13
+00:00:40,239 --> 00:00:42,470
+this this is detective Sergeant Eugene
+mer we got you completely about
+
+14
+00:00:42,470 --> 00:00:42,480
+mer we got you completely about
+ 
+
+15
+00:00:42,480 --> 00:00:44,790
+mer we got you completely about
+of balls you don't believe me I'm
+
+16
+00:00:44,790 --> 00:00:44,800
+of balls you don't believe me I'm
+ 
+
+17
+00:00:44,800 --> 00:00:46,830
+of balls you don't believe me I'm
+looking you right in the eye right now I
+
+18
+00:00:46,830 --> 00:00:46,840
+looking you right in the eye right now I
+ 
+
+19
+00:00:46,840 --> 00:00:51,990
+looking you right in the eye right now I
+can see it who is it
+
+20
+00:00:51,990 --> 00:00:52,000
+
+ 
+
+21
+00:00:52,000 --> 00:00:58,910
+
+[Applause]
+
+22
+00:00:58,910 --> 00:00:58,920
+[Applause]
+ 
+
+23
+00:00:58,920 --> 00:01:00,240
+[Applause]
+cops
+
+24
+00:01:00,240 --> 00:01:00,250
+cops
+ 
+
+25
+00:01:00,250 --> 00:01:04,440
+cops
+[Applause]
+
+26
+00:01:04,440 --> 00:01:04,450
+
+ 
+
+27
+00:01:04,450 --> 00:01:07,640
+
+[Music]
+
+28
+00:01:07,640 --> 00:01:07,650
+[Music]
+ 
+
+29
+00:01:07,650 --> 00:01:10,870
+[Music]
+[Applause]
+
+30
+00:01:10,870 --> 00:01:10,880
+[Applause]
+ 
+
+31
+00:01:10,880 --> 00:01:12,830
+[Applause]
+you come to the front door with hands
+
+32
+00:01:12,830 --> 00:01:12,840
+you come to the front door with hands
+ 
+
+33
+00:01:12,840 --> 00:01:28,910
+you come to the front door with hands
+follow hang it
+
+34
+00:01:28,910 --> 00:01:28,920
+
+ 
+
+35
+00:01:28,920 --> 00:01:31,850
+
+down
+
+36
+00:01:31,850 --> 00:01:31,860
+down
+ 
+
+37
+00:01:31,860 --> 00:01:54,439
+down
+[Music]
+

1975/BF4-iXXZE-s.en.srt

@@ -0,0 +1,305 @@
+1
+00:00:01,520 --> 00:00:10,950
+
+you're biting the
+
+2
+00:00:10,950 --> 00:00:10,960
+
+ 
+
+3
+00:00:10,960 --> 00:00:18,510
+
+goods
+
+4
+00:00:18,510 --> 00:00:18,520
+
+ 
+
+5
+00:00:18,520 --> 00:00:24,800
+
+Mike let him Al St M St it
+
+6
+00:00:24,800 --> 00:00:24,810
+Mike let him Al St M St it
+ 
+
+7
+00:00:24,810 --> 00:00:30,589
+Mike let him Al St M St it
+[Music]
+
+8
+00:00:30,589 --> 00:00:30,599
+
+ 
+
+9
+00:00:30,599 --> 00:00:32,990
+
+put some cloth
+
+10
+00:00:32,990 --> 00:00:33,000
+put some cloth
+ 
+
+11
+00:00:33,000 --> 00:00:35,950
+put some cloth
+out I'll wait in the other room I never
+
+12
+00:00:35,950 --> 00:00:35,960
+out I'll wait in the other room I never
+ 
+
+13
+00:00:35,960 --> 00:00:38,270
+out I'll wait in the other room I never
+burst into your bedroom did I I never
+
+14
+00:00:38,270 --> 00:00:38,280
+burst into your bedroom did I I never
+ 
+
+15
+00:00:38,280 --> 00:00:45,410
+burst into your bedroom did I I never
+beat up deep did
+
+16
+00:00:45,410 --> 00:00:45,420
+
+ 
+
+17
+00:00:45,420 --> 00:00:55,029
+
+[Music]
+
+18
+00:00:55,029 --> 00:00:55,039
+
+ 
+
+19
+00:00:55,039 --> 00:00:58,270
+
+I couple of loose
+
+20
+00:00:58,270 --> 00:00:58,280
+I couple of loose
+ 
+
+21
+00:00:58,280 --> 00:01:02,189
+I couple of loose
+caps maybe a bu knows God that's all
+
+22
+00:01:02,189 --> 00:01:02,199
+caps maybe a bu knows God that's all
+ 
+
+23
+00:01:02,199 --> 00:01:04,789
+caps maybe a bu knows God that's all
+right this he been busted
+
+24
+00:01:04,789 --> 00:01:04,799
+right this he been busted
+ 
+
+25
+00:01:04,799 --> 00:01:08,270
+right this he been busted
+before Father's got a hell of a punch
+
+26
+00:01:08,270 --> 00:01:08,280
+before Father's got a hell of a punch
+ 
+
+27
+00:01:08,280 --> 00:01:12,510
+before Father's got a hell of a punch
+give me some
+
+28
+00:01:12,510 --> 00:01:12,520
+
+ 
+
+29
+00:01:12,520 --> 00:01:15,670
+
+clean we'll forget any of this happened
+
+30
+00:01:15,670 --> 00:01:15,680
+clean we'll forget any of this happened
+ 
+
+31
+00:01:15,680 --> 00:01:17,830
+clean we'll forget any of this happened
+you come back to Palm Beach with
+
+32
+00:01:17,830 --> 00:01:17,840
+you come back to Palm Beach with
+ 
+
+33
+00:01:17,840 --> 00:01:21,270
+you come back to Palm Beach with
+me now listen I'll be in the polar
+
+34
+00:01:21,270 --> 00:01:21,280
+me now listen I'll be in the polar
+ 
+
+35
+00:01:21,280 --> 00:01:23,469
+me now listen I'll be in the polar
+Lounge for half an hour if you don't
+
+36
+00:01:23,469 --> 00:01:23,479
+Lounge for half an hour if you don't
+ 
+
+37
+00:01:23,479 --> 00:01:24,749
+Lounge for half an hour if you don't
+come by then I'll
+
+38
+00:01:24,749 --> 00:01:24,759
+come by then I'll
+ 
+
+39
+00:01:24,759 --> 00:01:28,030
+come by then I'll
+leave January he's a bum if you have any
+
+40
+00:01:28,030 --> 00:01:28,040
+leave January he's a bum if you have any
+ 
+
+41
+00:01:28,040 --> 00:01:29,550
+leave January he's a bum if you have any
+brains you'll pack his things and call
+
+42
+00:01:29,550 --> 00:01:29,560
+brains you'll pack his things and call
+ 
+
+43
+00:01:29,560 --> 00:01:35,830
+brains you'll pack his things and call
+his wife have to pick him
+
+44
+00:01:35,830 --> 00:01:35,840
+
+ 
+
+45
+00:01:35,840 --> 00:01:37,550
+
+up I
+
+46
+00:01:37,550 --> 00:01:37,560
+up I
+ 
+
+47
+00:01:37,560 --> 00:01:47,630
+up I
+remember I'm leaving in exactly half an
+
+48
+00:01:47,630 --> 00:01:47,640
+
+ 
+
+49
+00:01:47,640 --> 00:01:50,190
+
+hour I'm really sorry
+
+50
+00:01:50,190 --> 00:01:50,200
+hour I'm really sorry
+ 
+
+51
+00:01:50,200 --> 00:01:53,230
+hour I'm really sorry
+Tom I forget it I might have done the
+
+52
+00:01:53,230 --> 00:01:53,240
+Tom I forget it I might have done the
+ 
+
+53
+00:01:53,240 --> 00:01:56,149
+Tom I forget it I might have done the
+same thing if you were my da
+
+54
+00:01:56,149 --> 00:01:56,159
+same thing if you were my da
+ 
+
+55
+00:01:56,159 --> 00:01:58,789
+same thing if you were my da
+it he just doesn't know how I feel about
+
+56
+00:01:58,789 --> 00:01:58,799
+it he just doesn't know how I feel about
+ 
+
+57
+00:01:58,799 --> 00:02:09,890
+it he just doesn't know how I feel about
+you write him a letter
+
+58
+00:02:09,890 --> 00:02:09,900
+
+ 
+
+59
+00:02:09,900 --> 00:02:29,949
+
+[Music]
+
+60
+00:02:29,949 --> 00:02:29,959
+
+ 
+
+61
+00:02:29,959 --> 00:02:32,640
+
+ch
+

1975/CwdGYMM2bHM.description

@@ -0,0 +1,38 @@
+Jaws movie clips: http://j.mp/1uu4l18
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/jaws-1975/1MVa171c4b69f851a36586f541ba67570b9?cmp=Movieclips_YT_Description
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+To prevent the shark from submerging, Quint (Robert Shaw) harpoons it with a line attached to a floating barrel.
+
+FILM DESCRIPTION:
+Based on Peter Benchley's best-selling novel, Steven Spielberg's 1975 shark saga set the standard for the New Hollywood popcorn blockbuster while frightening millions of moviegoers out of the water. One early summer night on fictional Atlantic resort Amity Island, Chrissie decides to take a moonlight skinny dip while her friends party on the beach. Yanked suddenly below the ocean surface, she never returns. When pieces of her wash ashore, Police Chief Brody (Roy Scheider) suspects the worst, but Mayor Vaughn (Murray Hamilton), mindful of the lucrative tourist trade and the approaching July 4th holiday, refuses to put the island on a business-killing shark alert. After the shark dines on a few more victims, the Mayor orders the local fishermen to catch the culprit. Satisfied with the shark they find, the greedy Mayor reopens the beaches, despite the warning from visiting ichthyologist Hooper (Richard Dreyfuss) that the attacks were probably caused by a far more formidable Great White. One more fatality later, Brody and Hooper join forces with flinty old salt Quint (Robert Shaw), the only local fisherman willing to take on a Great White--especially since the price is right. The three ride off on Quint's boat "The Orca," soon coming face to teeth with the enemy.
+
+CREDITS:
+TM & © Universal (1975)
+Cast: Richard Dreyfuss, Roy Scheider, Robert Shaw
+Director: Steven Spielberg
+Producers: Richard D. Zanuck, David Brown
+Screenwriters: Peter Benchley, Carl Gottlieb
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1975/Er3iFTlMpmc.en.srt

@@ -0,0 +1,435 @@
+1
+00:00:00,560 --> 00:00:03,189
+
+I screwed every guy in this organization
+
+2
+00:00:03,189 --> 00:00:03,199
+I screwed every guy in this organization
+ 
+
+3
+00:00:03,199 --> 00:00:06,070
+I screwed every guy in this organization
+literally and figuratively and I gave
+
+4
+00:00:06,070 --> 00:00:06,080
+literally and figuratively and I gave
+ 
+
+5
+00:00:06,080 --> 00:00:07,670
+literally and figuratively and I gave
+the shaft to every woman who stood in my
+
+6
+00:00:07,670 --> 00:00:07,680
+the shaft to every woman who stood in my
+ 
+
+7
+00:00:07,680 --> 00:00:09,669
+the shaft to every woman who stood in my
+way now at
+
+8
+00:00:09,669 --> 00:00:09,679
+way now at
+ 
+
+9
+00:00:09,679 --> 00:00:12,110
+way now at
+28 I am the youngest editor gloss
+
+10
+00:00:12,110 --> 00:00:12,120
+28 I am the youngest editor gloss
+ 
+
+11
+00:00:12,120 --> 00:00:14,270
+28 I am the youngest editor gloss
+magazine has ever had or any woman's
+
+12
+00:00:14,270 --> 00:00:14,280
+magazine has ever had or any woman's
+ 
+
+13
+00:00:14,280 --> 00:00:18,029
+magazine has ever had or any woman's
+magazine I think ask me if I'm happy are
+
+14
+00:00:18,029 --> 00:00:18,039
+magazine I think ask me if I'm happy are
+ 
+
+15
+00:00:18,039 --> 00:00:20,109
+magazine I think ask me if I'm happy are
+you happy
+
+16
+00:00:20,109 --> 00:00:20,119
+you happy
+ 
+
+17
+00:00:20,119 --> 00:00:22,830
+you happy
+deliriously today that is yesterday I
+
+18
+00:00:22,830 --> 00:00:22,840
+deliriously today that is yesterday I
+ 
+
+19
+00:00:22,840 --> 00:00:24,790
+deliriously today that is yesterday I
+was miserable and I might be miserable
+
+20
+00:00:24,790 --> 00:00:24,800
+was miserable and I might be miserable
+ 
+
+21
+00:00:24,800 --> 00:00:28,950
+was miserable and I might be miserable
+again tomorrow who knows it's crazy yeah
+
+22
+00:00:28,950 --> 00:00:28,960
+again tomorrow who knows it's crazy yeah
+ 
+
+23
+00:00:28,960 --> 00:00:31,669
+again tomorrow who knows it's crazy yeah
+put him on hold
+
+24
+00:00:31,669 --> 00:00:31,679
+put him on hold
+ 
+
+25
+00:00:31,679 --> 00:00:33,150
+put him on hold
+this has turned into one of my busiest
+
+26
+00:00:33,150 --> 00:00:33,160
+this has turned into one of my busiest
+ 
+
+27
+00:00:33,160 --> 00:00:35,630
+this has turned into one of my busiest
+days and we've got so much to talk over
+
+28
+00:00:35,630 --> 00:00:35,640
+days and we've got so much to talk over
+ 
+
+29
+00:00:35,640 --> 00:00:38,470
+days and we've got so much to talk over
+January I'm really glad to see you why
+
+30
+00:00:38,470 --> 00:00:38,480
+January I'm really glad to see you why
+ 
+
+31
+00:00:38,480 --> 00:00:40,510
+January I'm really glad to see you why
+don't we have dinner tomorrow night oh I
+
+32
+00:00:40,510 --> 00:00:40,520
+don't we have dinner tomorrow night oh I
+ 
+
+33
+00:00:40,520 --> 00:00:43,190
+don't we have dinner tomorrow night oh I
+have a date with David Milford David
+
+34
+00:00:43,190 --> 00:00:43,200
+have a date with David Milford David
+ 
+
+35
+00:00:43,200 --> 00:00:45,630
+have a date with David Milford David
+Milford he's the biggest stud in town
+
+36
+00:00:45,630 --> 00:00:45,640
+Milford he's the biggest stud in town
+ 
+
+37
+00:00:45,640 --> 00:00:47,350
+Milford he's the biggest stud in town
+how did you manage it so
+
+38
+00:00:47,350 --> 00:00:47,360
+how did you manage it so
+ 
+
+39
+00:00:47,360 --> 00:00:50,790
+how did you manage it so
+soon well he's my dad's wife's cousin of
+
+40
+00:00:50,790 --> 00:00:50,800
+soon well he's my dad's wife's cousin of
+ 
+
+41
+00:00:50,800 --> 00:00:54,790
+soon well he's my dad's wife's cousin of
+course otherwise you'd be on the waiting
+
+42
+00:00:54,790 --> 00:00:54,800
+course otherwise you'd be on the waiting
+ 
+
+43
+00:00:54,800 --> 00:00:58,549
+course otherwise you'd be on the waiting
+list I said put him on
+
+44
+00:00:58,549 --> 00:00:58,559
+list I said put him on
+ 
+
+45
+00:00:58,559 --> 00:01:00,709
+list I said put him on
+hold you said on the phone yesterday
+
+46
+00:01:00,709 --> 00:01:00,719
+hold you said on the phone yesterday
+ 
+
+47
+00:01:00,719 --> 00:01:04,350
+hold you said on the phone yesterday
+you'd like to model or act right well I
+
+48
+00:01:04,350 --> 00:01:04,360
+you'd like to model or act right well I
+ 
+
+49
+00:01:04,360 --> 00:01:06,070
+you'd like to model or act right well I
+called this agency and they're looking
+
+50
+00:01:06,070 --> 00:01:06,080
+called this agency and they're looking
+ 
+
+51
+00:01:06,080 --> 00:01:08,429
+called this agency and they're looking
+for a fresh face for a commercial I've
+
+52
+00:01:08,429 --> 00:01:08,439
+for a fresh face for a commercial I've
+ 
+
+53
+00:01:08,439 --> 00:01:10,469
+for a fresh face for a commercial I've
+got the name of the agency who to see
+
+54
+00:01:10,469 --> 00:01:10,479
+got the name of the agency who to see
+ 
+
+55
+00:01:10,479 --> 00:01:12,590
+got the name of the agency who to see
+the address All That Jazz now you know
+
+56
+00:01:12,590 --> 00:01:12,600
+the address All That Jazz now you know
+ 
+
+57
+00:01:12,600 --> 00:01:14,990
+the address All That Jazz now you know
+what I want from you what I'd love to
+
+58
+00:01:14,990 --> 00:01:15,000
+what I want from you what I'd love to
+ 
+
+59
+00:01:15,000 --> 00:01:17,230
+what I want from you what I'd love to
+get a Story on D and your father now I
+
+60
+00:01:17,230 --> 00:01:17,240
+get a Story on D and your father now I
+ 
+
+61
+00:01:17,240 --> 00:01:19,190
+get a Story on D and your father now I
+have tried and tried but she always
+
+62
+00:01:19,190 --> 00:01:19,200
+have tried and tried but she always
+ 
+
+63
+00:01:19,200 --> 00:01:22,710
+have tried and tried but she always
+turns us down it's all here don't forget
+
+64
+00:01:22,710 --> 00:01:22,720
+turns us down it's all here don't forget
+ 
+
+65
+00:01:22,720 --> 00:01:24,630
+turns us down it's all here don't forget
+to tell them I sent
+
+66
+00:01:24,630 --> 00:01:24,640
+to tell them I sent
+ 
+
+67
+00:01:24,640 --> 00:01:28,270
+to tell them I sent
+you thank you Linda listen I love
+
+68
+00:01:28,270 --> 00:01:28,280
+you thank you Linda listen I love
+ 
+
+69
+00:01:28,280 --> 00:01:30,590
+you thank you Linda listen I love
+it okay what line
+
+70
+00:01:30,590 --> 00:01:30,600
+it okay what line
+ 
+
+71
+00:01:30,600 --> 00:01:34,670
+it okay what line
+on right January I want you to call me I
+
+72
+00:01:34,670 --> 00:01:34,680
+on right January I want you to call me I
+ 
+
+73
+00:01:34,680 --> 00:01:36,069
+on right January I want you to call me I
+want to hear all about your date with
+
+74
+00:01:36,069 --> 00:01:36,079
+want to hear all about your date with
+ 
+
+75
+00:01:36,079 --> 00:01:39,429
+want to hear all about your date with
+David Milford everything take
+
+76
+00:01:39,429 --> 00:01:39,439
+David Milford everything take
+ 
+
+77
+00:01:39,439 --> 00:01:42,030
+David Milford everything take
+notes hello Bruce you want to know
+
+78
+00:01:42,030 --> 00:01:42,040
+notes hello Bruce you want to know
+ 
+
+79
+00:01:42,040 --> 00:01:43,950
+notes hello Bruce you want to know
+something you're a
+
+80
+00:01:43,950 --> 00:01:43,960
+something you're a
+ 
+
+81
+00:01:43,960 --> 00:01:47,410
+something you're a
+ or a reasonable fact simile
+
+82
+00:01:47,410 --> 00:01:47,420
+or a reasonable fact simile
+ 
+
+83
+00:01:47,420 --> 00:02:08,710
+or a reasonable fact simile
+[Music]
+
+84
+00:02:08,710 --> 00:02:08,720
+
+ 
+
+85
+00:02:08,720 --> 00:02:12,500
+
+SC
+
+86
+00:02:12,500 --> 00:02:12,510
+
+ 
+
+87
+00:02:12,510 --> 00:02:18,479
+
+[Music]
+

1975/HHlf5HhqdOs.en.srt

@@ -0,0 +1,425 @@
+1
+00:00:00,040 --> 00:00:01,230
+
+but I don't understand that when you
+
+2
+00:00:01,230 --> 00:00:01,240
+but I don't understand that when you
+ 
+
+3
+00:00:01,240 --> 00:00:03,709
+but I don't understand that when you
+could have a wonderful guy like David
+
+4
+00:00:03,709 --> 00:00:03,719
+could have a wonderful guy like David
+ 
+
+5
+00:00:03,719 --> 00:00:05,470
+could have a wonderful guy like David
+I'm not looking for a wonderful guy like
+
+6
+00:00:05,470 --> 00:00:05,480
+I'm not looking for a wonderful guy like
+ 
+
+7
+00:00:05,480 --> 00:00:07,749
+I'm not looking for a wonderful guy like
+David I'm looking for a terrible man
+
+8
+00:00:07,749 --> 00:00:07,759
+David I'm looking for a terrible man
+ 
+
+9
+00:00:07,759 --> 00:00:08,830
+David I'm looking for a terrible man
+like my
+
+10
+00:00:08,830 --> 00:00:08,840
+like my
+ 
+
+11
+00:00:08,840 --> 00:00:11,270
+like my
+father and I think I found him you found
+
+12
+00:00:11,270 --> 00:00:11,280
+father and I think I found him you found
+ 
+
+13
+00:00:11,280 --> 00:00:12,749
+father and I think I found him you found
+them all right a man who's had four
+
+14
+00:00:12,749 --> 00:00:12,759
+them all right a man who's had four
+ 
+
+15
+00:00:12,759 --> 00:00:15,749
+them all right a man who's had four
+wives these had five husbands I'm I'm
+
+16
+00:00:15,749 --> 00:00:15,759
+wives these had five husbands I'm I'm
+ 
+
+17
+00:00:15,759 --> 00:00:18,029
+wives these had five husbands I'm I'm
+sorry M Tom Colt's married right now
+
+18
+00:00:18,029 --> 00:00:18,039
+sorry M Tom Colt's married right now
+ 
+
+19
+00:00:18,039 --> 00:00:20,029
+sorry M Tom Colt's married right now
+he's got a wife and a kid he's not
+
+20
+00:00:20,029 --> 00:00:20,039
+he's got a wife and a kid he's not
+ 
+
+21
+00:00:20,039 --> 00:00:22,150
+he's got a wife and a kid he's not
+living with her are
+
+22
+00:00:22,150 --> 00:00:22,160
+living with her are
+ 
+
+23
+00:00:22,160 --> 00:00:26,470
+living with her are
+you I I mean are you living with him
+
+24
+00:00:26,470 --> 00:00:26,480
+you I I mean are you living with him
+ 
+
+25
+00:00:26,480 --> 00:00:27,790
+you I I mean are you living with him
+well if that son of a tries
+
+26
+00:00:27,790 --> 00:00:27,800
+well if that son of a tries
+ 
+
+27
+00:00:27,800 --> 00:00:32,830
+well if that son of a tries
+anything I
+
+28
+00:00:32,830 --> 00:00:32,840
+
+ 
+
+29
+00:00:32,840 --> 00:00:35,510
+
+have you been intimate with him now what
+
+30
+00:00:35,510 --> 00:00:35,520
+have you been intimate with him now what
+ 
+
+31
+00:00:35,520 --> 00:00:36,510
+have you been intimate with him now what
+the hell's
+
+32
+00:00:36,510 --> 00:00:36,520
+the hell's
+ 
+
+33
+00:00:36,520 --> 00:00:38,750
+the hell's
+funny I've been
+
+34
+00:00:38,750 --> 00:00:38,760
+funny I've been
+ 
+
+35
+00:00:38,760 --> 00:00:42,190
+funny I've been
+inent oh what a lovely way to put it
+
+36
+00:00:42,190 --> 00:00:42,200
+inent oh what a lovely way to put it
+ 
+
+37
+00:00:42,200 --> 00:00:45,150
+inent oh what a lovely way to put it
+Mike Wayne the sophisticate and you were
+
+38
+00:00:45,150 --> 00:00:45,160
+Mike Wayne the sophisticate and you were
+ 
+
+39
+00:00:45,160 --> 00:00:47,310
+Mike Wayne the sophisticate and you were
+struggling so and there's so many other
+
+40
+00:00:47,310 --> 00:00:47,320
+struggling so and there's so many other
+ 
+
+41
+00:00:47,320 --> 00:00:49,590
+struggling so and there's so many other
+words you could have used how about
+
+42
+00:00:49,590 --> 00:00:49,600
+words you could have used how about
+ 
+
+43
+00:00:49,600 --> 00:00:52,349
+words you could have used how about
+copulation cohabitation intercourse or
+
+44
+00:00:52,349 --> 00:00:52,359
+copulation cohabitation intercourse or
+ 
+
+45
+00:00:52,359 --> 00:00:54,750
+copulation cohabitation intercourse or
+or even fornication but then of course
+
+46
+00:00:54,750 --> 00:00:54,760
+or even fornication but then of course
+ 
+
+47
+00:00:54,760 --> 00:00:56,470
+or even fornication but then of course
+it's always those four-letter words like
+
+48
+00:00:56,470 --> 00:00:56,480
+it's always those four-letter words like
+ 
+
+49
+00:00:56,480 --> 00:00:59,509
+it's always those four-letter words like
+now stop it my God Janu I hate what that
+
+50
+00:00:59,509 --> 00:00:59,519
+now stop it my God Janu I hate what that
+ 
+
+51
+00:00:59,519 --> 00:01:00,950
+now stop it my God Janu I hate what that
+man's done done to you and I'm not
+
+52
+00:01:00,950 --> 00:01:00,960
+man's done done to you and I'm not
+ 
+
+53
+00:01:00,960 --> 00:01:02,830
+man's done done to you and I'm not
+exactly crazy what de's done to you what
+
+54
+00:01:02,830 --> 00:01:02,840
+exactly crazy what de's done to you what
+ 
+
+55
+00:01:02,840 --> 00:01:05,469
+exactly crazy what de's done to you what
+the hell do you mean by that oh I mean
+
+56
+00:01:05,469 --> 00:01:05,479
+the hell do you mean by that oh I mean
+ 
+
+57
+00:01:05,479 --> 00:01:08,350
+the hell do you mean by that oh I mean
+I've seen you at these dinner parties
+
+58
+00:01:08,350 --> 00:01:08,360
+I've seen you at these dinner parties
+ 
+
+59
+00:01:08,360 --> 00:01:10,109
+I've seen you at these dinner parties
+I've heard you laughing at the same
+
+60
+00:01:10,109 --> 00:01:10,119
+I've heard you laughing at the same
+ 
+
+61
+00:01:10,119 --> 00:01:13,390
+I've heard you laughing at the same
+deadly dull
+
+62
+00:01:13,390 --> 00:01:13,400
+
+ 
+
+63
+00:01:13,400 --> 00:01:16,630
+
+stories all
+
+64
+00:01:16,630 --> 00:01:16,640
+stories all
+ 
+
+65
+00:01:16,640 --> 00:01:20,469
+stories all
+right just paying my dues baby I believe
+
+66
+00:01:20,469 --> 00:01:20,479
+right just paying my dues baby I believe
+ 
+
+67
+00:01:20,479 --> 00:01:23,950
+right just paying my dues baby I believe
+in paying my dues right for
+
+68
+00:01:23,950 --> 00:01:23,960
+in paying my dues right for
+ 
+
+69
+00:01:23,960 --> 00:01:30,510
+in paying my dues right for
+you may I go now no
+
+70
+00:01:30,510 --> 00:01:30,520
+
+ 
+
+71
+00:01:30,520 --> 00:01:34,069
+
+I love you
+
+72
+00:01:34,069 --> 00:01:34,079
+
+ 
+
+73
+00:01:34,079 --> 00:01:37,109
+
+baby I love you
+
+74
+00:01:37,109 --> 00:01:37,119
+baby I love you
+ 
+
+75
+00:01:37,119 --> 00:01:39,510
+baby I love you
+Mike listen don't go looking for me
+
+76
+00:01:39,510 --> 00:01:39,520
+Mike listen don't go looking for me
+ 
+
+77
+00:01:39,520 --> 00:01:40,710
+Mike listen don't go looking for me
+another
+
+78
+00:01:40,710 --> 00:01:40,720
+another
+ 
+
+79
+00:01:40,720 --> 00:01:44,400
+another
+men nothing to look for
+
+80
+00:01:44,400 --> 00:01:44,410
+men nothing to look for
+ 
+
+81
+00:01:44,410 --> 00:02:00,590
+men nothing to look for
+[Music]
+
+82
+00:02:00,590 --> 00:02:00,600
+
+ 
+
+83
+00:02:00,600 --> 00:02:09,490
+
+sh
+
+84
+00:02:09,490 --> 00:02:09,500
+
+ 
+
+85
+00:02:09,500 --> 00:02:15,479
+
+[Music]
+

1975/Iaqusi3cAAc.description

@@ -0,0 +1,38 @@
+Three Days of the Condor movie clips: http://j.mp/1utq75d
+BUY THE MOVIE: http://amzn.to/vf9u7A
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Turner (Robert Redford) gets ambushed by a fake delivery man, and shoots and kills him after a difficult battle.
+
+FILM DESCRIPTION:
+"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible -- by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations. The challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen.
+
+CREDITS:
+TM & © Paramount (1975)
+Cast: Hank Garrett, Robert Redford, Faye Dunaway
+Director: Sydney Pollack
+Producers: Stanley Schneider, Dino De Laurentiis, Sydney Pollack
+Screenwriters: James Grady, Lorenzo Semple Jr., David Rayfiel
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1975/Iaqusi3cAAc.en.srt

@@ -0,0 +1,145 @@
+1
+00:00:04,240 --> 00:00:09,470
+
+yeah insured package for Catherine
+
+2
+00:00:09,470 --> 00:00:09,480
+
+ 
+
+3
+00:00:09,480 --> 00:00:11,749
+
+H
+
+4
+00:00:11,749 --> 00:00:11,759
+H
+ 
+
+5
+00:00:11,759 --> 00:00:14,709
+H
+um could you leave it out in the stoop
+
+6
+00:00:14,709 --> 00:00:14,719
+um could you leave it out in the stoop
+ 
+
+7
+00:00:14,719 --> 00:00:17,950
+um could you leave it out in the stoop
+somebody's got a sign for it well I
+
+8
+00:00:17,950 --> 00:00:17,960
+somebody's got a sign for it well I
+ 
+
+9
+00:00:17,960 --> 00:00:28,589
+somebody's got a sign for it well I
+she's she's not here it's okay you can
+
+10
+00:00:28,589 --> 00:00:28,599
+
+ 
+
+11
+00:00:28,599 --> 00:00:32,229
+
+sign yeah her name on top yours on the
+
+12
+00:00:32,229 --> 00:00:32,239
+sign yeah her name on top yours on the
+ 
+
+13
+00:00:32,239 --> 00:00:34,069
+sign yeah her name on top yours on the
+bottom all
+
+14
+00:00:34,069 --> 00:00:34,079
+bottom all
+ 
+
+15
+00:00:34,079 --> 00:00:37,709
+bottom all
+right oh wonderful government pens look
+
+16
+00:00:37,709 --> 00:00:37,719
+right oh wonderful government pens look
+ 
+
+17
+00:00:37,719 --> 00:00:40,389
+right oh wonderful government pens look
+I don't I don't have another
+
+18
+00:00:40,389 --> 00:00:40,399
+I don't I don't have another
+ 
+
+19
+00:00:40,399 --> 00:01:00,990
+I don't I don't have another
+pen I'll get one
+
+20
+00:01:00,990 --> 00:01:01,000
+
+ 
+
+21
+00:01:01,000 --> 00:01:41,630
+
+a
+
+22
+00:01:41,630 --> 00:01:41,640
+
+ 
+
+23
+00:01:41,640 --> 00:01:58,950
+
+[Applause]
+
+24
+00:01:58,950 --> 00:01:58,960
+
+ 
+
+25
+00:01:58,960 --> 00:02:02,420
+
+a a
+
+26
+00:02:02,420 --> 00:02:02,430
+a a
+ 
+
+27
+00:02:02,430 --> 00:02:30,910
+a a
+[Music]
+
+28
+00:02:30,910 --> 00:02:30,920
+
+ 
+
+29
+00:02:30,920 --> 00:02:33,640
+
+ch
+

1975/IpQkAn4FnkY.en.srt

@@ -0,0 +1,245 @@
+1
+00:00:03,679 --> 00:00:06,030
+
+now please take me back to my hotel
+
+2
+00:00:06,030 --> 00:00:06,040
+now please take me back to my hotel
+ 
+
+3
+00:00:06,040 --> 00:00:10,390
+now please take me back to my hotel
+impossibly senorina January why impos
+
+4
+00:00:10,390 --> 00:00:10,400
+impossibly senorina January why impos
+ 
+
+5
+00:00:10,400 --> 00:00:12,709
+impossibly senorina January why impos
+because in the hotel your papa is in bed
+
+6
+00:00:12,709 --> 00:00:12,719
+because in the hotel your papa is in bed
+ 
+
+7
+00:00:12,719 --> 00:00:16,510
+because in the hotel your papa is in bed
+with me bito how do you know that that's
+
+8
+00:00:16,510 --> 00:00:16,520
+with me bito how do you know that that's
+ 
+
+9
+00:00:16,520 --> 00:00:19,470
+with me bito how do you know that that's
+a damn lie senorina it is an ancient
+
+10
+00:00:19,470 --> 00:00:19,480
+a damn lie senorina it is an ancient
+ 
+
+11
+00:00:19,480 --> 00:00:22,230
+a damn lie senorina it is an ancient
+Roman law the producer is making love
+
+12
+00:00:22,230 --> 00:00:22,240
+Roman law the producer is making love
+ 
+
+13
+00:00:22,240 --> 00:00:24,310
+Roman law the producer is making love
+with the leading lady and the daughter
+
+14
+00:00:24,310 --> 00:00:24,320
+with the leading lady and the daughter
+ 
+
+15
+00:00:24,320 --> 00:00:25,950
+with the leading lady and the daughter
+of the producer is making love with the
+
+16
+00:00:25,950 --> 00:00:25,960
+of the producer is making love with the
+ 
+
+17
+00:00:25,960 --> 00:00:28,470
+of the producer is making love with the
+leading man can't you stop talking about
+
+18
+00:00:28,470 --> 00:00:28,480
+leading man can't you stop talking about
+ 
+
+19
+00:00:28,480 --> 00:00:30,550
+leading man can't you stop talking about
+my father ha
+
+20
+00:00:30,550 --> 00:00:30,560
+my father ha
+ 
+
+21
+00:00:30,560 --> 00:00:32,269
+my father ha
+it is your father you have angle with
+
+22
+00:00:32,269 --> 00:00:32,279
+it is your father you have angle with
+ 
+
+23
+00:00:32,279 --> 00:00:35,630
+it is your father you have angle with
+senorina AO can't you go any faster than
+
+24
+00:00:35,630 --> 00:00:35,640
+senorina AO can't you go any faster than
+ 
+
+25
+00:00:35,640 --> 00:00:38,470
+senorina AO can't you go any faster than
+this Franco hold on senorina hold me
+
+26
+00:00:38,470 --> 00:00:38,480
+this Franco hold on senorina hold me
+ 
+
+27
+00:00:38,480 --> 00:00:40,500
+this Franco hold on senorina hold me
+tight
+
+28
+00:00:40,500 --> 00:00:40,510
+tight
+ 
+
+29
+00:00:40,510 --> 00:00:52,790
+tight
+[Music]
+
+30
+00:00:52,790 --> 00:00:52,800
+
+ 
+
+31
+00:00:52,800 --> 00:00:53,390
+
+[Music]
+
+32
+00:00:53,390 --> 00:00:53,400
+[Music]
+ 
+
+33
+00:00:53,400 --> 00:00:54,580
+[Music]
+[Applause]
+
+34
+00:00:54,580 --> 00:00:54,590
+[Applause]
+ 
+
+35
+00:00:54,590 --> 00:00:54,950
+[Applause]
+[Music]
+
+36
+00:00:54,950 --> 00:00:54,960
+[Music]
+ 
+
+37
+00:00:54,960 --> 00:00:57,340
+[Music]
+[Applause]
+
+38
+00:00:57,340 --> 00:00:57,350
+[Applause]
+ 
+
+39
+00:00:57,350 --> 00:01:00,990
+[Applause]
+[Music]
+
+40
+00:01:00,990 --> 00:01:01,000
+[Music]
+ 
+
+41
+00:01:01,000 --> 00:01:04,729
+[Music]
+go
+
+42
+00:01:04,729 --> 00:01:04,739
+
+ 
+
+43
+00:01:04,739 --> 00:01:10,370
+
+[Applause]
+
+44
+00:01:10,370 --> 00:01:10,380
+
+ 
+
+45
+00:01:10,380 --> 00:01:31,670
+
+[Music]
+
+46
+00:01:31,670 --> 00:01:31,680
+
+ 
+
+47
+00:01:31,680 --> 00:01:35,460
+
+St
+
+48
+00:01:35,460 --> 00:01:35,470
+
+ 
+
+49
+00:01:35,470 --> 00:01:41,430
+
+[Music]
+

1975/JKMpRikJeLI.description

@@ -0,0 +1,43 @@
+The Rocky Horror Picture Show movie clips: http://j.mp/1MQZTAS
+BUY THE MOVIE:
+FandangoNOW - https://www.fandangonow.com/details/movie/the-rocky-horror-picture-show-1975/1MV484124d402f74b8487ead563caaf5835?cmp=Movieclips_YT_Description
+iTunes - http://apple.co/1KHcsuj
+Google Play - http://bit.ly/1H5gVrO
+Fox Movies - http://fox.co/2yS3NFO
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Janet (Susan Sarandon) seduces Rocky Horror (Peter Hinwood).
+
+FILM DESCRIPTION:
+This low-budget freak show/cult classic/cultural institution concerns the misadventures of Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) inside a strange mansion that they come across on a rainy night. After the wholesome pair profess their love through an opening song, their car breaks down in the woods, and they seek refuge in a towering castle nearby. Greeting them at the door is a ghoulish butler named Riff Raff (Richard O'Brien), who introduces them to a bacchanalian collection of partygoers dressed in outfits from some sort of interplanetary thrift shop. The host of this gathering is a transvestite clad in lingerie, Dr. Frank N. Furter (Tim Curry), a mad scientist who claims to be from another planet. With assistants Columbia (Nell Campbell) and Magenta (Patricia Quinn) looking on, Frank unveils his latest creation -- a figure wrapped in gauze and submerged in a tank full of liquid. With the addition of colored dyes and some assistance from the weather, Frank brings to life a blonde young beefcake wearing nothing but skimpy shorts, who launches into song in his first minute of life. Just when Brad and Janet think things couldn't get any stranger, a biker (Meat Loaf) bursts onto the scene to reclaim Columbia, his ex-girlfriend. When Frank kills the biker, it's clear that Brad and Janet will be guests for the night, and that they may be next on Frank's list -- whether for murder or carnal delights is uncertain. And just what is that mystery meat they're eating for dinner, anyway? In addition to playing Riff Raff, O'Brien wrote the catchy songs, with John Barry and Richard Hartley composing the score.
+
+CREDITS:
+TM & © Fox (1975)
+Courtesy of Twentieth Century Fox Film Corporation
+Cast: Meat Loaf, Barry Bostwick, Tim Curry, Peter Hinwood, Richard O'Brien, Nell Campbell, Patricia Quinn, Susan Sarandon
+Director: Jim Sharman
+Producers: Lou Adler, John Goldstone, Michael White
+Screenwriters: Richard O'Brien, Jim Sharman
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1975/JKMpRikJeLI.en.srt

@@ -0,0 +1,345 @@
+1
+00:00:00,599 --> 00:00:03,550
+
+I thought there's no
+
+2
+00:00:03,550 --> 00:00:03,560
+I thought there's no
+ 
+
+3
+00:00:03,560 --> 00:00:06,950
+I thought there's no
+Ting into heavy
+
+4
+00:00:06,950 --> 00:00:06,960
+Ting into heavy
+ 
+
+5
+00:00:06,960 --> 00:00:14,070
+Ting into heavy
+P it only leads to trouble and SE
+
+6
+00:00:14,070 --> 00:00:14,080
+P it only leads to trouble and SE
+ 
+
+7
+00:00:14,080 --> 00:00:17,429
+P it only leads to trouble and SE
+wetting now all I want
+
+8
+00:00:17,429 --> 00:00:17,439
+wetting now all I want
+ 
+
+9
+00:00:17,439 --> 00:00:20,310
+wetting now all I want
+know is how to
+
+10
+00:00:20,310 --> 00:00:20,320
+know is how to
+ 
+
+11
+00:00:20,320 --> 00:00:24,670
+know is how to
+go I've tasted blood and I want more
+
+12
+00:00:24,670 --> 00:00:24,680
+go I've tasted blood and I want more
+ 
+
+13
+00:00:24,680 --> 00:00:30,070
+go I've tasted blood and I want more
+more more more I'll put up no resistance
+
+14
+00:00:30,070 --> 00:00:30,080
+more more more I'll put up no resistance
+ 
+
+15
+00:00:30,080 --> 00:00:33,950
+more more more I'll put up no resistance
+I want to stay the distance I've got an
+
+16
+00:00:33,950 --> 00:00:33,960
+I want to stay the distance I've got an
+ 
+
+17
+00:00:33,960 --> 00:00:37,590
+I want to stay the distance I've got an
+itch to scratch I need
+
+18
+00:00:37,590 --> 00:00:37,600
+itch to scratch I need
+ 
+
+19
+00:00:37,600 --> 00:00:41,510
+itch to scratch I need
+assistance touch touch touch a touch me
+
+20
+00:00:41,510 --> 00:00:41,520
+assistance touch touch touch a touch me
+ 
+
+21
+00:00:41,520 --> 00:00:43,389
+assistance touch touch touch a touch me
+I want to be
+
+22
+00:00:43,389 --> 00:00:43,399
+I want to be
+ 
+
+23
+00:00:43,399 --> 00:00:47,470
+I want to be
+dir me me fulfill
+
+24
+00:00:47,470 --> 00:00:47,480
+dir me me fulfill
+ 
+
+25
+00:00:47,480 --> 00:00:51,060
+dir me me fulfill
+me
+
+26
+00:00:51,060 --> 00:00:51,070
+
+ 
+
+27
+00:00:51,070 --> 00:00:53,670
+
+[Music]
+
+28
+00:00:53,670 --> 00:00:53,680
+[Music]
+ 
+
+29
+00:00:53,680 --> 00:00:56,950
+[Music]
+night then if Anything
+
+30
+00:00:56,950 --> 00:00:56,960
+night then if Anything
+ 
+
+31
+00:00:56,960 --> 00:01:00,509
+night then if Anything
+Grows why you p
+
+32
+00:01:00,509 --> 00:01:00,519
+Grows why you p
+ 
+
+33
+00:01:00,519 --> 00:01:04,590
+Grows why you p
+I'll oil you up and drop you down down
+
+34
+00:01:04,590 --> 00:01:04,600
+I'll oil you up and drop you down down
+ 
+
+35
+00:01:04,600 --> 00:01:08,550
+I'll oil you up and drop you down down
+down down and that's just one small
+
+36
+00:01:08,550 --> 00:01:08,560
+down down and that's just one small
+ 
+
+37
+00:01:08,560 --> 00:01:11,350
+down down and that's just one small
+fraction of the main
+
+38
+00:01:11,350 --> 00:01:11,360
+fraction of the main
+ 
+
+39
+00:01:11,360 --> 00:01:14,429
+fraction of the main
+attraction you need a friendly
+
+40
+00:01:14,429 --> 00:01:14,439
+attraction you need a friendly
+ 
+
+41
+00:01:14,439 --> 00:01:18,270
+attraction you need a friendly
+hand I need action touch it touch it
+
+42
+00:01:18,270 --> 00:01:18,280
+hand I need action touch it touch it
+ 
+
+43
+00:01:18,280 --> 00:01:22,270
+hand I need action touch it touch it
+touch it touch me I want to be
+
+44
+00:01:22,270 --> 00:01:22,280
+touch it touch me I want to be
+ 
+
+45
+00:01:22,280 --> 00:01:27,550
+touch it touch me I want to be
+dir me me for fill me creature of the
+
+46
+00:01:27,550 --> 00:01:27,560
+dir me me for fill me creature of the
+ 
+
+47
+00:01:27,560 --> 00:01:31,429
+dir me me for fill me creature of the
+night touch it touch it touch it
+
+48
+00:01:31,429 --> 00:01:31,439
+night touch it touch it touch it
+ 
+
+49
+00:01:31,439 --> 00:01:34,429
+night touch it touch it touch it
+I want to be
+
+50
+00:01:34,429 --> 00:01:34,439
+I want to be
+ 
+
+51
+00:01:34,439 --> 00:01:38,510
+I want to be
+dir me creature of
+
+52
+00:01:38,510 --> 00:01:38,520
+dir me creature of
+ 
+
+53
+00:01:38,520 --> 00:01:42,630
+dir me creature of
+an touch it touch it touch it touch me I
+
+54
+00:01:42,630 --> 00:01:42,640
+an touch it touch it touch it touch me I
+ 
+
+55
+00:01:42,640 --> 00:01:49,830
+an touch it touch it touch it touch me I
+want to
+
+56
+00:01:49,830 --> 00:01:49,840
+
+ 
+
+57
+00:01:49,840 --> 00:01:52,670
+
+beat of
+
+58
+00:01:52,670 --> 00:01:52,680
+beat of
+ 
+
+59
+00:01:52,680 --> 00:01:57,429
+beat of
+theature of the night creature of the
+
+60
+00:01:57,429 --> 00:01:57,439
+theature of the night creature of the
+ 
+
+61
+00:01:57,439 --> 00:02:01,149
+theature of the night creature of the
+night creature of the night
+
+62
+00:02:01,149 --> 00:02:01,159
+night creature of the night
+ 
+
+63
+00:02:01,159 --> 00:02:02,830
+night creature of the night
+creature of the
+
+64
+00:02:02,830 --> 00:02:02,840
+creature of the
+ 
+
+65
+00:02:02,840 --> 00:02:07,029
+creature of the
+night creature of the night creature of
+
+66
+00:02:07,029 --> 00:02:07,039
+night creature of the night creature of
+ 
+
+67
+00:02:07,039 --> 00:02:15,020
+night creature of the night creature of
+the night
+
+68
+00:02:15,020 --> 00:02:15,030
+
+ 
+
+69
+00:02:15,030 --> 00:02:42,120
+
+[Music]
+