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--> 00:00:54,399 +رأيتك بعد أن غادرنا كما تعلم + + +39 +00:00:54,399 --> 00:00:57,189 +رأيتك بعد أن غادرنا كما تعلم +كنت مستعدًا للبكاء مثل الكلبة أوه هاه هل + +40 +00:00:57,189 --> 00:00:57,199 +كنت مستعدًا للبكاء مثل الكلبة أوه هاه هل + + +41 +00:00:57,199 --> 00:01:00,630 +كنت مستعدًا للبكاء مثل الكلبة أوه هاه هل +تعتقد أنني لم أر ذلك على الرغم من أن + +42 +00:01:00,630 --> 00:01:00,640 +تعتقد أنني لم أر ذلك على الرغم من أن + + +43 +00:01:00,640 --> 00:01:04,189 +تعتقد أنني لم أر ذلك على الرغم من أن +هؤلاء الزنوج انسحبوا يا بني تبدو غاضبًا ومؤذًا + +44 +00:01:04,189 --> 00:01:04,199 +هؤلاء الزنوج انسحبوا يا بني تبدو غاضبًا ومؤذًا + + +45 +00:01:04,199 --> 00:01:07,310 +هؤلاء الزنوج انسحبوا يا بني تبدو غاضبًا ومؤذًا +أنت تعرف ما أعنيه في المقدمة لكنك + +46 +00:01:07,310 --> 00:01:07,320 +أنت تعرف ما أعنيه في المقدمة لكنك + + +47 +00:01:07,320 --> 00:01:09,510 +أنت تعرف ما أعنيه في المقدمة لكنك +لا تريدني أن أسحب سيارتك اللعينة + +48 +00:01:09,510 --> 00:01:09,520 +لا تريدني أن أسحب سيارتك اللعينة + + +49 +00:01:09,520 --> 00:01:12,590 +لا تريدني أن أسحب سيارتك اللعينة +أمام الكعكات واللعنة فقط + +50 +00:01:12,590 --> 00:01:12,600 +أمام الكعكات واللعنة فقط + + +51 +00:01:12,600 --> 00:01:15,230 +أمام الكعكات واللعنة فقط +حافظ على حقيقتها يا أعلم أنك لن + +52 +00:01:15,230 --> 00:01:15,240 +حافظ على حقيقتها يا أعلم أنك لن + + +53 +00:01:15,240 --> 00:01:16,910 +حافظ على حقيقتها يا أعلم أنك لن +تدع هذا الرجل يتحدث إليك بهذه الطريقة يا + +54 +00:01:16,910 --> 00:01:16,920 +تدع هذا الرجل يتحدث إليك بهذه الطريقة يا + + +55 +00:01:16,920 --> 00:01:19,469 +تدع هذا الرجل يتحدث إليك بهذه الطريقة يا +رجل، ما الذي يحدث يا رجل، لا يا رجل، هذا الرجل + +56 +00:01:19,469 --> 00:01:19,479 +رجل، ما الذي يحدث يا رجل، لا يا رجل، هذا الرجل + + +57 +00:01:19,479 --> 00:01:25,990 +رجل، ما الذي يحدث يا رجل، لا يا رجل، هذا الرجل +لا يضايقني، هذا هو ما + +58 +00:01:25,990 --> 00:01:26,000 + + + +59 +00:01:26,000 --> 00:01:28,469 + +أتحدث عنه يا + +60 +00:01:28,469 --> 00:01:28,479 +أتحدث عنه يا + + +61 +00:01:28,479 --> 00:01:31,230 +أتحدث عنه يا +رجل، ما هذا + +62 +00:01:31,230 --> 00:01:31,240 +رجل، ما هذا + + +63 +00:01:31,240 --> 00:01:34,350 +رجل، ما هذا +الهراء الحقيقي الآن، ما هذا الهدوء، + +64 +00:01:34,350 --> 00:01:34,360 +الهراء الحقيقي الآن، ما هذا الهدوء، + + +65 +00:01:34,360 --> 00:01:36,030 +الهراء الحقيقي الآن، ما هذا الهدوء، +هذا الرجل يهدأ، هذا الرجل يتصرف كالمجانين + +66 +00:01:36,030 --> 00:01:36,040 +هذا الرجل يهدأ، هذا الرجل يتصرف كالمجانين + + +67 +00:01:36,040 --> 00:01:37,429 +هذا الرجل يهدأ، هذا الرجل يتصرف كالمجانين +ويرتكبون أخطاء، لا توجد + +68 +00:01:37,429 --> 00:01:37,439 +ويرتكبون أخطاء، لا توجد + + +69 +00:01:37,439 --> 00:01:39,310 +ويرتكبون أخطاء، لا توجد +أخطاء يا رجل، هذا الوغد يتحدث + +70 +00:01:39,310 --> 00:01:39,320 +أخطاء يا رجل، هذا الوغد يتحدث + + +71 +00:01:39,320 --> 00:01:56,310 +أخطاء يا رجل، هذا الوغد يتحدث +كثيرًا، كان عليّ إسكاته تمامًا + +72 +00:01:56,310 --> 00:01:56,320 + + + +73 +00:01:56,320 --> 00:02:07,350 + +[موسيقى] + +74 +00:02:07,350 --> 00:02:07,360 + + + +75 +00:02:07,360 --> 00:02:32,750 + +[موسيقى] + +76 +00:02:32,750 --> 00:02:32,760 + + + +77 +00:02:32,760 --> 00:02:36,530 + +شارع + +78 +00:02:36,530 --> 00:02:36,540 + + + +79 +00:02:36,540 --> 00:02:42,509 + +[موسيقى] + diff --git a/1998/HGL0CEjSHog.description b/1998/HGL0CEjSHog.description new file mode 100644 index 0000000000000000000000000000000000000000..0a2cd4e40b061b0860bba1af1aa51f1e05cedadd --- /dev/null +++ b/1998/HGL0CEjSHog.description @@ -0,0 +1,34 @@ +The Avengers - Never Trust the Weather: While exploring a hedge maze, Emma Peel (Uma Thurman) falls into a trap and John Steed (Ralph Fiennes) finally meets Sir August de Wynter (Sean Connery). +BUY THE MOVIE: https://www.fandangonow.com/details/movie/the-avengers-1998/1MV39e1e73c679dd82c9e864534a0abafe3?cmp=Movieclips_YT_Description + +Watch the best The Avengers scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqrtILsLlKtgt1arZdpbGm0y + +FILM DESCRIPTION: +A charismatic evil genius named Sir August de Wynter (Sean Connery) discovers a way to harness the weather and utilize it as a weapon against London and the world at large. The posh and droll combo of secret agents John Steed (Ralph Fiennes) and Emma Peel (Uma Thurman) are on the case. But then Peel is implicated in the sabotage of a government scientific experiment. Steed and Peel try to clear her name, while also trying to stop de Wynter for good. + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Uma Thurman, Sean Connery, Ralph Fiennes + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/HGL0CEjSHog.en.srt b/1998/HGL0CEjSHog.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e04c747880737be583603552154686cb7ceabf5e --- /dev/null +++ b/1998/HGL0CEjSHog.en.srt @@ -0,0 +1,165 @@ +1 +00:00:03,040 --> 00:00:06,990 + +over here by your side ah I was worried + +2 +00:00:06,990 --> 00:00:07,000 +over here by your side ah I was worried + + +3 +00:00:07,000 --> 00:00:09,150 +over here by your side ah I was worried +how touching afraid you'd lost me no + +4 +00:00:09,150 --> 00:00:09,160 +how touching afraid you'd lost me no + + +5 +00:00:09,160 --> 00:00:12,030 +how touching afraid you'd lost me no +that you might Escape still suspicious + +6 +00:00:12,030 --> 00:00:12,040 +that you might Escape still suspicious + + +7 +00:00:12,040 --> 00:00:13,709 +that you might Escape still suspicious +just wondering if You' brought me here + +8 +00:00:13,709 --> 00:00:13,719 +just wondering if You' brought me here + + +9 +00:00:13,719 --> 00:00:17,590 +just wondering if You' brought me here +under false pretenses frankly I'm amazed + +10 +00:00:17,590 --> 00:00:17,600 +under false pretenses frankly I'm amazed + + +11 +00:00:17,600 --> 00:00:19,830 +under false pretenses frankly I'm amazed +perhaps I should run away I'll have to + +12 +00:00:19,830 --> 00:00:19,840 +perhaps I should run away I'll have to + + +13 +00:00:19,840 --> 00:00:40,950 +perhaps I should run away I'll have to +give Chase I'll hide how romantic do try + +14 +00:00:40,950 --> 00:00:40,960 + + + +15 +00:00:40,960 --> 00:00:47,709 + +sagus the winter John + +16 +00:00:47,709 --> 00:00:47,719 + + + +17 +00:00:47,719 --> 00:00:50,029 + +Ste an old trick I learned from a + +18 +00:00:50,029 --> 00:00:50,039 +Ste an old trick I learned from a + + +19 +00:00:50,039 --> 00:00:52,950 +Ste an old trick I learned from a +dervish in Istanbul Turkish + +20 +00:00:52,950 --> 00:00:52,960 +dervish in Istanbul Turkish + + +21 +00:00:52,960 --> 00:00:58,910 +dervish in Istanbul Turkish +rules if you insist then try + +22 +00:00:58,910 --> 00:00:58,920 + + + +23 +00:00:58,920 --> 00:01:02,310 + +this a man with an umbrella is a man + +24 +00:01:02,310 --> 00:01:02,320 +this a man with an umbrella is a man + + +25 +00:01:02,320 --> 00:01:04,670 +this a man with an umbrella is a man +praying for rain and a man without one + +26 +00:01:04,670 --> 00:01:04,680 +praying for rain and a man without one + + +27 +00:01:04,680 --> 00:01:07,670 +praying for rain and a man without one +is a fool never trust the weather sir + +28 +00:01:07,670 --> 00:01:07,680 +is a fool never trust the weather sir + + +29 +00:01:07,680 --> 00:01:12,440 +is a fool never trust the weather sir +August rain or shine All Is Mine + +30 +00:01:12,440 --> 00:01:12,450 +August rain or shine All Is Mine + + +31 +00:01:12,450 --> 00:01:35,380 +August rain or shine All Is Mine +[Music] + +32 +00:01:35,380 --> 00:01:35,390 + + + +33 +00:01:35,390 --> 00:01:46,730 + +[Music] + diff --git a/1998/HgTsJ7hBQ-4.en.srt b/1998/HgTsJ7hBQ-4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8f986733161aa69fea6721847ca990870d1537d3 --- /dev/null +++ b/1998/HgTsJ7hBQ-4.en.srt @@ -0,0 +1,305 @@ +1 +00:00:04,160 --> 00:00:09,509 + +Barnet Barnet on The Wire your + +2 +00:00:09,509 --> 00:00:09,519 + + + +3 +00:00:09,519 --> 00:00:12,150 + +friend he caught his one night coming + +4 +00:00:12,150 --> 00:00:12,160 +friend he caught his one night coming + + +5 +00:00:12,160 --> 00:00:14,749 +friend he caught his one night coming +back from + +6 +00:00:14,749 --> 00:00:14,759 + + + +7 +00:00:14,759 --> 00:00:16,870 + +reconnaissance I wouldn't take him but + +8 +00:00:16,870 --> 00:00:16,880 +reconnaissance I wouldn't take him but + + +9 +00:00:16,880 --> 00:00:20,950 +reconnaissance I wouldn't take him but +Mill did just to give the lady a + +10 +00:00:20,950 --> 00:00:20,960 +Mill did just to give the lady a + + +11 +00:00:20,960 --> 00:00:23,189 +Mill did just to give the lady a +taste and they were nearly home when a + +12 +00:00:23,189 --> 00:00:23,199 +taste and they were nearly home when a + + +13 +00:00:23,199 --> 00:00:30,429 +taste and they were nearly home when a +Maxim gun opened far + +14 +00:00:30,429 --> 00:00:30,439 + + + +15 +00:00:30,439 --> 00:00:33,510 + +baret's body landed on uh this wire that + +16 +00:00:33,510 --> 00:00:33,520 +baret's body landed on uh this wire that + + +17 +00:00:33,520 --> 00:00:35,430 +baret's body landed on uh this wire that +was as thick as BR as it was hanging + +18 +00:00:35,430 --> 00:00:35,440 +was as thick as BR as it was hanging + + +19 +00:00:35,440 --> 00:00:38,030 +was as thick as BR as it was hanging +there the next morning was only 100 + +20 +00:00:38,030 --> 00:00:38,040 +there the next morning was only 100 + + +21 +00:00:38,040 --> 00:00:40,590 +there the next morning was only 100 +yards from the line but too + +22 +00:00:40,590 --> 00:00:40,600 +yards from the line but too + + +23 +00:00:40,600 --> 00:00:45,910 +yards from the line but too +far for anyone to fetch + +24 +00:00:45,910 --> 00:00:45,920 + + + +25 +00:00:45,920 --> 00:00:49,189 + +it so we saw him every morning stanto + +26 +00:00:49,189 --> 00:00:49,199 +it so we saw him every morning stanto + + +27 +00:00:49,199 --> 00:00:51,389 +it so we saw him every morning stanto +and every evening stanto good morning + +28 +00:00:51,389 --> 00:00:51,399 +and every evening stanto good morning + + +29 +00:00:51,399 --> 00:00:54,430 +and every evening stanto good morning +Barnet you to say + +30 +00:00:54,430 --> 00:00:54,440 +Barnet you to say + + +31 +00:00:54,440 --> 00:00:57,069 +Barnet you to say +to how's El baret looking today when + +32 +00:00:57,069 --> 00:00:57,079 +to how's El baret looking today when + + +33 +00:00:57,079 --> 00:00:58,630 +to how's El baret looking today when +seems a little peaky it looks a little + +34 +00:00:58,630 --> 00:00:58,640 +seems a little peaky it looks a little + + +35 +00:00:58,640 --> 00:01:01,630 +seems a little peaky it looks a little +plumper + +36 +00:01:01,630 --> 00:01:01,640 +plumper + + +37 +00:01:01,640 --> 00:01:04,789 +plumper +and he hung + +38 +00:01:04,789 --> 00:01:04,799 +and he hung + + +39 +00:01:04,799 --> 00:01:07,230 +and he hung +there well at least until we were + +40 +00:01:07,230 --> 00:01:07,240 +there well at least until we were + + +41 +00:01:07,240 --> 00:01:09,030 +there well at least until we were +relieved we introduced him to the new + +42 +00:01:09,030 --> 00:01:09,040 +relieved we introduced him to the new + + +43 +00:01:09,040 --> 00:01:11,910 +relieved we introduced him to the new +unit before marching out speaking highly + +44 +00:01:11,910 --> 00:01:11,920 +unit before marching out speaking highly + + +45 +00:01:11,920 --> 00:01:15,870 +unit before marching out speaking highly +of his + +46 +00:01:15,870 --> 00:01:15,880 + + + +47 +00:01:15,880 --> 00:01:19,590 + +companionship God we were a witty + +48 +00:01:19,590 --> 00:01:19,600 +companionship God we were a witty + + +49 +00:01:19,600 --> 00:01:23,510 +companionship God we were a witty +lot laughing at our dead feeling that it + +50 +00:01:23,510 --> 00:01:23,520 +lot laughing at our dead feeling that it + + +51 +00:01:23,520 --> 00:01:25,710 +lot laughing at our dead feeling that it +was our death too but I tell you for + +52 +00:01:25,710 --> 00:01:25,720 +was our death too but I tell you for + + +53 +00:01:25,720 --> 00:01:29,670 +was our death too but I tell you for +each man who died I thought a better you + +54 +00:01:29,670 --> 00:01:29,680 +each man who died I thought a better you + + +55 +00:01:29,680 --> 00:01:34,069 +each man who died I thought a better you +than me poor + +56 +00:01:34,069 --> 00:01:34,079 + + + +57 +00:01:34,079 --> 00:01:36,910 + +s you know whole generation was wiped + +58 +00:01:36,910 --> 00:01:36,920 +s you know whole generation was wiped + + +59 +00:01:36,920 --> 00:01:46,870 +s you know whole generation was wiped +out by that war + +60 +00:01:46,870 --> 00:01:46,880 + + + +61 +00:01:46,880 --> 00:02:09,459 + +[Music] + diff --git a/1998/Iqiyy26sW-Q.description b/1998/Iqiyy26sW-Q.description new file mode 100644 index 0000000000000000000000000000000000000000..8f29eb072dc8d97a1a7650bf1b5ae26b8343dace --- /dev/null +++ b/1998/Iqiyy26sW-Q.description @@ -0,0 +1,34 @@ +The Avengers - I Hope He Was a Baddie: John Steed (Ralph Fiennes) and Emma Peel (Uma Thurman) barely escape a swarm of weaponized bugs only to run into a tommy gun packing older woman. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/the-avengers-1998/1MV39e1e73c679dd82c9e864534a0abafe3?cmp=Movieclips_YT_Description + +Watch the best The Avengers scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqrtILsLlKtgt1arZdpbGm0y + +FILM DESCRIPTION: +A charismatic evil genius named Sir August de Wynter (Sean Connery) discovers a way to harness the weather and utilize it as a weapon against London and the world at large. The posh and droll combo of secret agents John Steed (Ralph Fiennes) and Emma Peel (Uma Thurman) are on the case. But then Peel is implicated in the sabotage of a government scientific experiment. Steed and Peel try to clear her name, while also trying to stop de Wynter for good. + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Ralph Fiennes, Uma Thurman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/Iqiyy26sW-Q.en.srt b/1998/Iqiyy26sW-Q.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..024bf25b535e1fdc7c2671a9ac8134c7673dc3eb --- /dev/null +++ b/1998/Iqiyy26sW-Q.en.srt @@ -0,0 +1,225 @@ +1 +00:00:01,050 --> 00:00:12,820 + +[Music] + +2 +00:00:12,820 --> 00:00:12,830 + + + +3 +00:00:12,830 --> 00:00:21,070 + +[Music] + +4 +00:00:21,070 --> 00:00:21,080 + + + +5 +00:00:21,080 --> 00:00:25,610 + +head down + +6 +00:00:25,610 --> 00:00:25,620 + + + +7 +00:00:25,620 --> 00:00:33,230 + +[Music] + +8 +00:00:33,230 --> 00:00:33,240 + + + +9 +00:00:33,240 --> 00:00:38,950 + +[Music] + +10 +00:00:38,950 --> 00:00:38,960 + + + +11 +00:00:38,960 --> 00:00:40,590 + +de + +12 +00:00:40,590 --> 00:00:40,600 +de + + +13 +00:00:40,600 --> 00:00:52,980 +de +[Music] + +14 +00:00:52,980 --> 00:00:52,990 + + + +15 +00:00:52,990 --> 00:01:04,509 + +[Applause] + +16 +00:01:04,509 --> 00:01:04,519 + + + +17 +00:01:04,519 --> 00:01:06,270 + +would you please be so kind as to hit + +18 +00:01:06,270 --> 00:01:06,280 +would you please be so kind as to hit + + +19 +00:01:06,280 --> 00:01:17,230 +would you please be so kind as to hit +the ground if it's not too much + +20 +00:01:17,230 --> 00:01:17,240 + + + +21 +00:01:17,240 --> 00:01:20,870 + +trouble I hope it was a baddy my name's + +22 +00:01:20,870 --> 00:01:20,880 +trouble I hope it was a baddy my name's + + +23 +00:01:20,880 --> 00:01:22,710 +trouble I hope it was a baddy my name's +Alice mother said you'd be on your way + +24 +00:01:22,710 --> 00:01:22,720 +Alice mother said you'd be on your way + + +25 +00:01:22,720 --> 00:01:25,469 +Alice mother said you'd be on your way +John Steed and this must be Mrs Peele + +26 +00:01:25,469 --> 00:01:25,479 +John Steed and this must be Mrs Peele + + +27 +00:01:25,479 --> 00:01:28,910 +John Steed and this must be Mrs Peele +Mrs Peele + +28 +00:01:28,910 --> 00:01:28,920 + + + +29 +00:01:28,920 --> 00:01:36,870 + +Alice how do you + +30 +00:01:36,870 --> 00:01:36,880 + + + +31 +00:01:36,880 --> 00:01:41,270 + +do cocky little bastard indeed are you + +32 +00:01:41,270 --> 00:01:41,280 +do cocky little bastard indeed are you + + +33 +00:01:41,280 --> 00:01:43,670 +do cocky little bastard indeed are you +with mother or father both actually I'm + +34 +00:01:43,670 --> 00:01:43,680 +with mother or father both actually I'm + + +35 +00:01:43,680 --> 00:01:45,310 +with mother or father both actually I'm +glad to hear they're together at last + +36 +00:01:45,310 --> 00:01:45,320 +glad to hear they're together at last + + +37 +00:01:45,320 --> 00:01:48,709 +glad to hear they're together at last +they don't get along promotion top job + +38 +00:01:48,709 --> 00:01:48,719 +they don't get along promotion top job + + +39 +00:01:48,719 --> 00:01:51,429 +they don't get along promotion top job +most unfair quite a fuss at the ministry + +40 +00:01:51,429 --> 00:01:51,439 +most unfair quite a fuss at the ministry + + +41 +00:01:51,439 --> 00:01:53,630 +most unfair quite a fuss at the ministry +you don't say I think we should be on + +42 +00:01:53,630 --> 00:01:53,640 +you don't say I think we should be on + + +43 +00:01:53,640 --> 00:01:55,230 +you don't say I think we should be on +our way + +44 +00:01:55,230 --> 00:01:55,240 +our way + + +45 +00:01:55,240 --> 00:02:06,579 +our way +[Music] + diff --git a/1998/J03lpGKZ0xc.en.srt b/1998/J03lpGKZ0xc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8b7d7dbdab7034d70033acc687c88c134401aac5 --- /dev/null +++ b/1998/J03lpGKZ0xc.en.srt @@ -0,0 +1,285 @@ +1 +00:00:01,480 --> 00:00:03,270 + +but think of all the wonderful things + +2 +00:00:03,270 --> 00:00:03,280 +but think of all the wonderful things + + +3 +00:00:03,280 --> 00:00:05,869 +but think of all the wonderful things +you could do for your country for the + +4 +00:00:05,869 --> 00:00:05,879 +you could do for your country for the + + +5 +00:00:05,879 --> 00:00:08,830 +you could do for your country for the +world yes but to be so defined by your + +6 +00:00:08,830 --> 00:00:08,840 +world yes but to be so defined by your + + +7 +00:00:08,840 --> 00:00:11,190 +world yes but to be so defined by your +position to never be seen as who you are + +8 +00:00:11,190 --> 00:00:11,200 +position to never be seen as who you are + + +9 +00:00:11,200 --> 00:00:12,749 +position to never be seen as who you are +but what you are you have no idea how + +10 +00:00:12,749 --> 00:00:12,759 +but what you are you have no idea how + + +11 +00:00:12,759 --> 00:00:14,350 +but what you are you have no idea how +insufferable that + +12 +00:00:14,350 --> 00:00:14,360 +insufferable that + + +13 +00:00:14,360 --> 00:00:18,510 +insufferable that +is you might be surprised + +14 +00:00:18,510 --> 00:00:18,520 +is you might be surprised + + +15 +00:00:18,520 --> 00:00:21,910 +is you might be surprised +really a gypsy for example is rarely + +16 +00:00:21,910 --> 00:00:21,920 +really a gypsy for example is rarely + + +17 +00:00:21,920 --> 00:00:24,230 +really a gypsy for example is rarely +painted as anything else they are + +18 +00:00:24,230 --> 00:00:24,240 +painted as anything else they are + + +19 +00:00:24,240 --> 00:00:26,310 +painted as anything else they are +defined by their status as your title + +20 +00:00:26,310 --> 00:00:26,320 +defined by their status as your title + + +21 +00:00:26,320 --> 00:00:28,790 +defined by their status as your title +defines you yet it is not who they + +22 +00:00:28,790 --> 00:00:28,800 +defines you yet it is not who they + + +23 +00:00:28,800 --> 00:00:30,910 +defines you yet it is not who they +are you you have been borned of + +24 +00:00:30,910 --> 00:00:30,920 +are you you have been borned of + + +25 +00:00:30,920 --> 00:00:38,030 +are you you have been borned of +privilege and with that comes specific + +26 +00:00:38,030 --> 00:00:38,040 + + + +27 +00:00:38,040 --> 00:00:41,590 + +obligations I am sorry my mouth has run + +28 +00:00:41,590 --> 00:00:41,600 +obligations I am sorry my mouth has run + + +29 +00:00:41,600 --> 00:00:44,950 +obligations I am sorry my mouth has run +away with me again no my + +30 +00:00:44,950 --> 00:00:44,960 +away with me again no my + + +31 +00:00:44,960 --> 00:00:48,470 +away with me again no my +lady it is your mouth that has me + +32 +00:00:48,470 --> 00:00:48,480 +lady it is your mouth that has me + + +33 +00:00:48,480 --> 00:00:52,700 +lady it is your mouth that has me +hypnotized + +34 +00:00:52,700 --> 00:00:52,710 + + + +35 +00:00:52,710 --> 00:01:14,429 + +[Music] + +36 +00:01:14,429 --> 00:01:14,439 + + + +37 +00:01:14,439 --> 00:01:19,240 + +oh + +38 +00:01:19,240 --> 00:01:19,250 + + + +39 +00:01:19,250 --> 00:01:21,480 + +[Applause] + +40 +00:01:21,480 --> 00:01:21,490 +[Applause] + + +41 +00:01:21,490 --> 00:01:34,310 +[Applause] +[Laughter] + +42 +00:01:34,310 --> 00:01:34,320 + + + +43 +00:01:34,320 --> 00:01:36,270 + +oh right here please I don't want to + +44 +00:01:36,270 --> 00:01:36,280 +oh right here please I don't want to + + +45 +00:01:36,280 --> 00:01:37,740 +oh right here please I don't want to +wake anybody + +46 +00:01:37,740 --> 00:01:37,750 +wake anybody + + +47 +00:01:37,750 --> 00:01:49,550 +wake anybody +[Music] + +48 +00:01:49,550 --> 00:01:49,560 + + + +49 +00:01:49,560 --> 00:01:53,990 + +up you saved my life you know back there + +50 +00:01:53,990 --> 00:01:54,000 +up you saved my life you know back there + + +51 +00:01:54,000 --> 00:01:55,230 +up you saved my life you know back there +in the + +52 +00:01:55,230 --> 00:01:55,240 +in the + + +53 +00:01:55,240 --> 00:02:02,870 +in the +woods a girl does what she can s Henry + +54 +00:02:02,870 --> 00:02:02,880 + + + +55 +00:02:02,880 --> 00:02:14,610 + +Henry + +56 +00:02:14,610 --> 00:02:14,620 + + + +57 +00:02:14,620 --> 00:02:43,820 + +[Music] + diff --git a/1998/J2ZnJvnPgRY.en.srt b/1998/J2ZnJvnPgRY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..32460d6349ddefc3648928f26c18396458775013 --- /dev/null +++ b/1998/J2ZnJvnPgRY.en.srt @@ -0,0 +1,435 @@ +1 +00:00:00,760 --> 00:00:02,270 + +by is everything all right it sounds + +2 +00:00:02,270 --> 00:00:02,280 +by is everything all right it sounds + + +3 +00:00:02,280 --> 00:00:04,630 +by is everything all right it sounds +that there's a battle going on out + +4 +00:00:04,630 --> 00:00:04,640 +that there's a battle going on out + + +5 +00:00:04,640 --> 00:00:06,990 +that there's a battle going on out +there don't worry my + +6 +00:00:06,990 --> 00:00:07,000 +there don't worry my + + +7 +00:00:07,000 --> 00:00:09,990 +there don't worry my +dear you are safe in the house of the + +8 +00:00:09,990 --> 00:00:10,000 +dear you are safe in the house of the + + +9 +00:00:10,000 --> 00:00:12,629 +dear you are safe in the house of the +Lord of course + +10 +00:00:12,629 --> 00:00:12,639 +Lord of course + + +11 +00:00:12,639 --> 00:00:15,629 +Lord of course +B forgive me Father for I have sinned it + +12 +00:00:15,629 --> 00:00:15,639 +B forgive me Father for I have sinned it + + +13 +00:00:15,639 --> 00:00:16,950 +B forgive me Father for I have sinned it +has been three days since my last + +14 +00:00:16,950 --> 00:00:16,960 +has been three days since my last + + +15 +00:00:16,960 --> 00:00:19,429 +has been three days since my last +confession three days how many sins + +16 +00:00:19,429 --> 00:00:19,439 +confession three days how many sins + + +17 +00:00:19,439 --> 00:00:20,790 +confession three days how many sins +could you have committed in 3 days come + +18 +00:00:20,790 --> 00:00:20,800 +could you have committed in 3 days come + + +19 +00:00:20,800 --> 00:00:22,990 +could you have committed in 3 days come +back will you have more time + +20 +00:00:22,990 --> 00:00:23,000 +back will you have more time + + +21 +00:00:23,000 --> 00:00:25,710 +back will you have more time +please excuse + +22 +00:00:25,710 --> 00:00:25,720 +please excuse + + +23 +00:00:25,720 --> 00:00:31,749 +please excuse +me listen senorita + +24 +00:00:31,749 --> 00:00:31,759 + + + +25 +00:00:31,759 --> 00:00:33,190 + +then + +26 +00:00:33,190 --> 00:00:33,200 +then + + +27 +00:00:33,200 --> 00:00:35,310 +then +please go + +28 +00:00:35,310 --> 00:00:35,320 +please go + + +29 +00:00:35,320 --> 00:00:38,830 +please go +on I have broken the fourth Commandment + +30 +00:00:38,830 --> 00:00:38,840 +on I have broken the fourth Commandment + + +31 +00:00:38,840 --> 00:00:41,670 +on I have broken the fourth Commandment +P you kill somebody no that is not the + +32 +00:00:41,670 --> 00:00:41,680 +P you kill somebody no that is not the + + +33 +00:00:41,680 --> 00:00:43,150 +P you kill somebody no that is not the +first + +34 +00:00:43,150 --> 00:00:43,160 +first + + +35 +00:00:43,160 --> 00:00:46,470 +first +commandment of course not + +36 +00:00:46,470 --> 00:00:46,480 +commandment of course not + + +37 +00:00:46,480 --> 00:00:50,310 +commandment of course not +you in what way did you break the most + +38 +00:00:50,310 --> 00:00:50,320 +you in what way did you break the most + + +39 +00:00:50,320 --> 00:00:52,189 +you in what way did you break the most +sacred of + +40 +00:00:52,189 --> 00:00:52,199 +sacred of + + +41 +00:00:52,199 --> 00:00:55,670 +sacred of +Commandments I Dishonored my + +42 +00:00:55,670 --> 00:00:55,680 +Commandments I Dishonored my + + +43 +00:00:55,680 --> 00:00:58,910 +Commandments I Dishonored my +father that is not so bad maybe your + +44 +00:00:58,910 --> 00:00:58,920 +father that is not so bad maybe your + + +45 +00:00:58,920 --> 00:01:01,709 +father that is not so bad maybe your +father deserved it what did you + +46 +00:01:01,709 --> 00:01:01,719 +father deserved it what did you + + +47 +00:01:01,719 --> 00:01:04,710 +father deserved it what did you +say I said tell me + +48 +00:01:04,710 --> 00:01:04,720 +say I said tell me + + +49 +00:01:04,720 --> 00:01:06,550 +say I said tell me +more my + +50 +00:01:06,550 --> 00:01:06,560 +more my + + +51 +00:01:06,560 --> 00:01:09,550 +more my +child well I try to behave properly the + +52 +00:01:09,550 --> 00:01:09,560 +child well I try to behave properly the + + +53 +00:01:09,560 --> 00:01:12,350 +child well I try to behave properly the +way my father would like me to but I'm + +54 +00:01:12,350 --> 00:01:12,360 +way my father would like me to but I'm + + +55 +00:01:12,360 --> 00:01:14,149 +way my father would like me to but I'm +afraid my heart is too + +56 +00:01:14,149 --> 00:01:14,159 +afraid my heart is too + + +57 +00:01:14,159 --> 00:01:19,190 +afraid my heart is too +wild too wild yes could you be a little + +58 +00:01:19,190 --> 00:01:19,200 +wild too wild yes could you be a little + + +59 +00:01:19,200 --> 00:01:22,230 +wild too wild yes could you be a little +more specific about that I had impure + +60 +00:01:22,230 --> 00:01:22,240 +more specific about that I had impure + + +61 +00:01:22,240 --> 00:01:25,149 +more specific about that I had impure +thoughts about a man I did I think he + +62 +00:01:25,149 --> 00:01:25,159 +thoughts about a man I did I think he + + +63 +00:01:25,159 --> 00:01:27,910 +thoughts about a man I did I think he +was a bandit or something he wore a + +64 +00:01:27,910 --> 00:01:27,920 +was a bandit or something he wore a + + +65 +00:01:27,920 --> 00:01:31,270 +was a bandit or something he wore a +black mask + +66 +00:01:31,270 --> 00:01:31,280 + + + +67 +00:01:31,280 --> 00:01:32,510 + +he + +68 +00:01:32,510 --> 00:01:32,520 +he + + +69 +00:01:32,520 --> 00:01:34,990 +he +had deep + +70 +00:01:34,990 --> 00:01:35,000 +had deep + + +71 +00:01:35,000 --> 00:01:38,990 +had deep +voice yes rapidly + +72 +00:01:38,990 --> 00:01:39,000 +voice yes rapidly + + +73 +00:01:39,000 --> 00:01:42,910 +voice yes rapidly +handsome I do not know his face was half + +74 +00:01:42,910 --> 00:01:42,920 +handsome I do not know his face was half + + +75 +00:01:42,920 --> 00:01:45,709 +handsome I do not know his face was half +covered but something in his eyes + +76 +00:01:45,709 --> 00:01:45,719 +covered but something in his eyes + + +77 +00:01:45,719 --> 00:01:52,870 +covered but something in his eyes +captured me capture you I felt warm and + +78 +00:01:52,870 --> 00:01:52,880 +captured me capture you I felt warm and + + +79 +00:01:52,880 --> 00:01:57,630 +captured me capture you I felt warm and +feverish + +80 +00:01:57,630 --> 00:01:57,640 + + + +81 +00:01:57,640 --> 00:02:03,870 + +lustful yes lustful + +82 +00:02:03,870 --> 00:02:03,880 + + + +83 +00:02:03,880 --> 00:02:09,070 + +forgive + +84 +00:02:09,070 --> 00:02:09,080 + + + +85 +00:02:09,080 --> 00:02:12,430 + +me I forgive you + +86 +00:02:12,430 --> 00:02:12,440 +me I forgive you + + +87 +00:02:12,440 --> 00:02:43,509 +me I forgive you +[Music] + diff --git a/1998/JYp5uIodwEE.description b/1998/JYp5uIodwEE.description new file mode 100644 index 0000000000000000000000000000000000000000..a6988ebbd4daa7db01d5fa0229ffda46885cb19d --- /dev/null +++ b/1998/JYp5uIodwEE.description @@ -0,0 +1,38 @@ +Phantoms movie clips: http://j.mp/1ydbK2Z +BUY THE MOVIE: http://j.mp/1vyh27o +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Dr. Timothy Flyte (Peter O'Toole) calls out the creature so that Sheriff Bryce Hammond (Ben Affleck) and Jennifer Pailey (Joanna Going) can fire at it with their special weapon. + +FILM DESCRIPTION: +Dean Koontz scripted this adaptation of his fantasy novel. The tale begins when two sisters, Lisa (Rose McGowan) and Jenny (Joanna Going) arrive for a ski vacation in the mountain resort town of Snowfield, Colorado, where they discover their landlady is dead and the town is deserted except for a single dead police officer. Lisa and Jenny are soon joined by Sheriff Bryce Hammond (Ben Affleck) and his deputies Stu Wargle (Liev Schreiber) and Steve Shanning (Nicky Katt). The five conclude that the entire town is missing or dead, but after they head for a local hotel, they hear a Patsy Cline tune emanating from the second floor -- where a scribbled message mentions "Timothy Flyte" and the "Ancient Enemy." After Wargle is attacked by a bizarre creature that sucks out his brain, Hammond radios for help. The Feds find Flyte (Peter O'Toole), a British professor who explains his theory of an Ancient Enemy, periodically emerging from inside the Earth to decimate civilizations. Human extinction looms, but Flyte and an Army commando unit arrive in Colorado with a plan of action. Directed by Joe Chappelle, who made Thieves Quartet (1994). + +CREDITS: +TM & © Miramax Films (1998) +Cast: Peter O'Toole, Rose McGowan, Joanna Going, Ben Affleck +Director: Joe Chappelle +Producers: Laurie Borg, Enrique Cerezo, Dean R. Koontz, Yoji Kurokami, Steven A. Lane, Michael Leahy, Richard Potter, Robert Pringle, Andrew Rona, Joel Soisson, Bob Weinstein, Harvey Weinstein +Screenwriter: Dean R. Koontz + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/JYp5uIodwEE.en.srt b/1998/JYp5uIodwEE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..35524f74d20560333a854245ededa1909b62c08e --- /dev/null +++ b/1998/JYp5uIodwEE.en.srt @@ -0,0 +1,365 @@ +1 +00:00:06,799 --> 00:00:08,990 + +I'm + +2 +00:00:08,990 --> 00:00:09,000 +I'm + + +3 +00:00:09,000 --> 00:00:15,070 +I'm +here your + +4 +00:00:15,070 --> 00:00:15,080 + + + +5 +00:00:15,080 --> 00:00:18,429 + +witness if I'm to tell the world I need + +6 +00:00:18,429 --> 00:00:18,439 +witness if I'm to tell the world I need + + +7 +00:00:18,439 --> 00:00:20,429 +witness if I'm to tell the world I need +to + +8 +00:00:20,429 --> 00:00:20,439 +to + + +9 +00:00:20,439 --> 00:00:34,709 +to +see all of you not just a drone + +10 +00:00:34,709 --> 00:00:34,719 + + + +11 +00:00:34,719 --> 00:00:37,069 + +you wonder what's going on in + +12 +00:00:37,069 --> 00:00:37,079 +you wonder what's going on in + + +13 +00:00:37,079 --> 00:00:40,310 +you wonder what's going on in +there they're preparing a + +14 +00:00:40,310 --> 00:00:40,320 +there they're preparing a + + +15 +00:00:40,320 --> 00:00:44,270 +there they're preparing a +weapon possibly a means to destroy you I + +16 +00:00:44,270 --> 00:00:44,280 +weapon possibly a means to destroy you I + + +17 +00:00:44,280 --> 00:00:46,950 +weapon possibly a means to destroy you I +don't believe him he's selling + +18 +00:00:46,950 --> 00:00:46,960 +don't believe him he's selling + + +19 +00:00:46,960 --> 00:00:48,590 +don't believe him he's selling +us out this son of a is just out + +20 +00:00:48,590 --> 00:00:48,600 +us out this son of a is just out + + +21 +00:00:48,600 --> 00:00:50,350 +us out this son of a is just out +there trying to save his own ass for + +22 +00:00:50,350 --> 00:00:50,360 +there trying to save his own ass for + + +23 +00:00:50,360 --> 00:00:53,110 +there trying to save his own ass for +what for him to play his hand + +24 +00:00:53,110 --> 00:00:53,120 +what for him to play his hand + + +25 +00:00:53,120 --> 00:00:54,869 +what for him to play his hand +specifically it's a genetically + +26 +00:00:54,869 --> 00:00:54,879 +specifically it's a genetically + + +27 +00:00:54,879 --> 00:00:57,630 +specifically it's a genetically +engineered bacterium capable of + +28 +00:00:57,630 --> 00:00:57,640 +engineered bacterium capable of + + +29 +00:00:57,640 --> 00:01:02,069 +engineered bacterium capable of +devouring your flesh capable they think + +30 +00:01:02,069 --> 00:01:02,079 +devouring your flesh capable they think + + +31 +00:01:02,079 --> 00:01:04,670 +devouring your flesh capable they think +of killing + +32 +00:01:04,670 --> 00:01:04,680 +of killing + + +33 +00:01:04,680 --> 00:01:07,789 +of killing +you what they don't understand is that + +34 +00:01:07,789 --> 00:01:07,799 +you what they don't understand is that + + +35 +00:01:07,799 --> 00:01:11,630 +you what they don't understand is that +death is for Mortals not for + +36 +00:01:11,630 --> 00:01:11,640 +death is for Mortals not for + + +37 +00:01:11,640 --> 00:01:14,510 +death is for Mortals not for +Gods even after all they've witnessed + +38 +00:01:14,510 --> 00:01:14,520 +Gods even after all they've witnessed + + +39 +00:01:14,520 --> 00:01:17,230 +Gods even after all they've witnessed +tonight they still don't believe they + +40 +00:01:17,230 --> 00:01:17,240 +tonight they still don't believe they + + +41 +00:01:17,240 --> 00:01:28,190 +tonight they still don't believe they +still think you're only an animal only a + +42 +00:01:28,190 --> 00:01:28,200 + + + +43 +00:01:28,200 --> 00:01:32,870 + +thing show your + +44 +00:01:32,870 --> 00:01:32,880 + + + +45 +00:01:32,880 --> 00:01:42,910 + +yourself gods have nothing to + +46 +00:01:42,910 --> 00:01:42,920 + + + +47 +00:01:42,920 --> 00:02:15,320 + +fear or do they + +48 +00:02:15,320 --> 00:02:15,330 + + + +49 +00:02:15,330 --> 00:02:29,309 + +[Music] + +50 +00:02:29,309 --> 00:02:29,319 + + + +51 +00:02:29,319 --> 00:02:39,640 + +show + +52 +00:02:39,640 --> 00:02:39,650 + + + +53 +00:02:39,650 --> 00:02:49,350 + +[Music] + +54 +00:02:49,350 --> 00:02:49,360 + + + +55 +00:02:49,360 --> 00:02:56,550 + +[Music] + +56 +00:02:56,550 --> 00:02:56,560 + + + +57 +00:02:56,560 --> 00:03:00,780 + +now now now would be a good + +58 +00:03:00,780 --> 00:03:00,790 +now now now would be a good + + +59 +00:03:00,790 --> 00:03:03,309 +now now now would be a good +[Music] + +60 +00:03:03,309 --> 00:03:03,319 +[Music] + + +61 +00:03:03,319 --> 00:03:15,309 +[Music] +time + +62 +00:03:15,309 --> 00:03:15,319 + + + +63 +00:03:15,319 --> 00:03:20,830 + +no really ped off infected shenny Lisa + +64 +00:03:20,830 --> 00:03:20,840 +no really ped off infected shenny Lisa + + +65 +00:03:20,840 --> 00:03:27,390 +no really ped off infected shenny Lisa +in the + +66 +00:03:27,390 --> 00:03:27,400 + + + +67 +00:03:27,400 --> 00:03:32,030 + +lab run + +68 +00:03:32,030 --> 00:03:32,040 + + + +69 +00:03:32,040 --> 00:03:34,030 + +I think we got it Jenny we got to get + +70 +00:03:34,030 --> 00:03:34,040 +I think we got it Jenny we got to get + + +71 +00:03:34,040 --> 00:03:39,520 +I think we got it Jenny we got to get +off the street come on come on + +72 +00:03:39,520 --> 00:03:39,530 + + + +73 +00:03:39,530 --> 00:04:08,740 + +[Music] + diff --git a/1998/JanwLiyFPAU.en.srt b/1998/JanwLiyFPAU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a6d63c3e0dc93643cf35b45058bddda4188940ac --- /dev/null +++ b/1998/JanwLiyFPAU.en.srt @@ -0,0 +1,375 @@ +1 +00:00:13,719 --> 00:00:15,230 + +thought you said he wasn't coming he + +2 +00:00:15,230 --> 00:00:15,240 +thought you said he wasn't coming he + + +3 +00:00:15,240 --> 00:00:18,230 +thought you said he wasn't coming he +changed his mind I tried to call you + +4 +00:00:18,230 --> 00:00:18,240 +changed his mind I tried to call you + + +5 +00:00:18,240 --> 00:00:20,390 +changed his mind I tried to call you +what are we going to + +6 +00:00:20,390 --> 00:00:20,400 +what are we going to + + +7 +00:00:20,400 --> 00:00:23,550 +what are we going to +do nothing just + +8 +00:00:23,550 --> 00:00:23,560 +do nothing just + + +9 +00:00:23,560 --> 00:00:27,870 +do nothing just +relax you doesn't know who I am right + +10 +00:00:27,870 --> 00:00:27,880 +relax you doesn't know who I am right + + +11 +00:00:27,880 --> 00:00:31,749 +relax you doesn't know who I am right +no you're a + +12 +00:00:31,749 --> 00:00:31,759 +no you're a + + +13 +00:00:31,759 --> 00:00:32,990 +no you're a +lunch + +14 +00:00:32,990 --> 00:00:33,000 +lunch + + +15 +00:00:33,000 --> 00:00:34,990 +lunch +tomorrow and + +16 +00:00:34,990 --> 00:00:35,000 +tomorrow and + + +17 +00:00:35,000 --> 00:00:37,030 +tomorrow and +tomorrow + +18 +00:00:37,030 --> 00:00:37,040 +tomorrow + + +19 +00:00:37,040 --> 00:00:39,790 +tomorrow +tomorrow so I leave you alone for 30 + +20 +00:00:39,790 --> 00:00:39,800 +tomorrow so I leave you alone for 30 + + +21 +00:00:39,800 --> 00:00:42,150 +tomorrow so I leave you alone for 30 +seconds and you lope with a younger man + +22 +00:00:42,150 --> 00:00:42,160 +seconds and you lope with a younger man + + +23 +00:00:42,160 --> 00:00:44,310 +seconds and you lope with a younger man +Stephen I i' I'd like to introduce you + +24 +00:00:44,310 --> 00:00:44,320 +Stephen I i' I'd like to introduce you + + +25 +00:00:44,320 --> 00:00:46,310 +Stephen I i' I'd like to introduce you +to David cha pleasure nice to meet you + +26 +00:00:46,310 --> 00:00:46,320 +to David cha pleasure nice to meet you + + +27 +00:00:46,320 --> 00:00:48,470 +to David cha pleasure nice to meet you +nice to meet you David is a painter I + +28 +00:00:48,470 --> 00:00:48,480 +nice to meet you David is a painter I + + +29 +00:00:48,480 --> 00:00:50,790 +nice to meet you David is a painter I +saw some of his pieces downtown and I + +30 +00:00:50,790 --> 00:00:50,800 +saw some of his pieces downtown and I + + +31 +00:00:50,800 --> 00:00:52,389 +saw some of his pieces downtown and I +thought they were amazing oh it brings + +32 +00:00:52,389 --> 00:00:52,399 +thought they were amazing oh it brings + + +33 +00:00:52,399 --> 00:00:55,229 +thought they were amazing oh it brings +you up town to our little inbred Suare + +34 +00:00:55,229 --> 00:00:55,239 +you up town to our little inbred Suare + + +35 +00:00:55,239 --> 00:00:57,229 +you up town to our little inbred Suare +well actually Emily was kind enough to + +36 +00:00:57,229 --> 00:00:57,239 +well actually Emily was kind enough to + + +37 +00:00:57,239 --> 00:01:02,310 +well actually Emily was kind enough to +Wrangle me an invite so me too + +38 +00:01:02,310 --> 00:01:02,320 + + + +39 +00:01:02,320 --> 00:01:06,230 + +so tell me about your work David David a + +40 +00:01:06,230 --> 00:01:06,240 +so tell me about your work David David a + + +41 +00:01:06,240 --> 00:01:07,710 +so tell me about your work David David a +couple small galleries carrying me on + +42 +00:01:07,710 --> 00:01:07,720 +couple small galleries carrying me on + + +43 +00:01:07,720 --> 00:01:10,190 +couple small galleries carrying me on +their space and you studied formally + +44 +00:01:10,190 --> 00:01:10,200 +their space and you studied formally + + +45 +00:01:10,200 --> 00:01:12,670 +their space and you studied formally +Berkeley Cal Arts almost formally + +46 +00:01:12,670 --> 00:01:12,680 +Berkeley Cal Arts almost formally + + +47 +00:01:12,680 --> 00:01:14,630 +Berkeley Cal Arts almost formally +graduated + +48 +00:01:14,630 --> 00:01:14,640 +graduated + + +49 +00:01:14,640 --> 00:01:16,950 +graduated +to not too much studing complete the + +50 +00:01:16,950 --> 00:01:16,960 +to not too much studing complete the + + +51 +00:01:16,960 --> 00:01:19,270 +to not too much studing complete the +soul and he's good you say I he's + +52 +00:01:19,270 --> 00:01:19,280 +soul and he's good you say I he's + + +53 +00:01:19,280 --> 00:01:20,789 +soul and he's good you say I he's +wonderful well I'd love to see your + +54 +00:01:20,789 --> 00:01:20,799 +wonderful well I'd love to see your + + +55 +00:01:20,799 --> 00:01:23,590 +wonderful well I'd love to see your +pieces so maybe we can arrange a time + +56 +00:01:23,590 --> 00:01:23,600 +pieces so maybe we can arrange a time + + +57 +00:01:23,600 --> 00:01:27,230 +pieces so maybe we can arrange a time +whenever you want Emily has your + +58 +00:01:27,230 --> 00:01:27,240 +whenever you want Emily has your + + +59 +00:01:27,240 --> 00:01:30,270 +whenever you want Emily has your +number no with the gallery can get a + +60 +00:01:30,270 --> 00:01:30,280 +number no with the gallery can get a + + +61 +00:01:30,280 --> 00:01:32,870 +number no with the gallery can get a +hold of me you know which one right oh + +62 +00:01:32,870 --> 00:01:32,880 +hold of me you know which one right oh + + +63 +00:01:32,880 --> 00:01:35,550 +hold of me you know which one right oh +yes yes and if you're as good as she + +64 +00:01:35,550 --> 00:01:35,560 +yes yes and if you're as good as she + + +65 +00:01:35,560 --> 00:01:37,429 +yes yes and if you're as good as she +says you are then I'll be glad to pass + +66 +00:01:37,429 --> 00:01:37,439 +says you are then I'll be glad to pass + + +67 +00:01:37,439 --> 00:01:40,190 +says you are then I'll be glad to pass +the word on to my more acquisitive + +68 +00:01:40,190 --> 00:01:40,200 +the word on to my more acquisitive + + +69 +00:01:40,200 --> 00:01:43,109 +the word on to my more acquisitive +friends thanks it's very generous it's + +70 +00:01:43,109 --> 00:01:43,119 +friends thanks it's very generous it's + + +71 +00:01:43,119 --> 00:01:46,270 +friends thanks it's very generous it's +very nice to meet you you too pleasure + +72 +00:01:46,270 --> 00:01:46,280 +very nice to meet you you too pleasure + + +73 +00:01:46,280 --> 00:01:54,270 +very nice to meet you you too pleasure +to see you + +74 +00:01:54,270 --> 00:01:54,280 + + + +75 +00:01:54,280 --> 00:02:05,620 + +[Music] + diff --git a/1998/Jd0XiJie7Lo.description b/1998/Jd0XiJie7Lo.description new file mode 100644 index 0000000000000000000000000000000000000000..dd410733ed0574f1ccbebe8d9df561e94dda3e56 --- /dev/null +++ b/1998/Jd0XiJie7Lo.description @@ -0,0 +1,38 @@ +I Still Know What You Did Last Summer movie clips: http://j.mp/2nGWaQy +BUY THE MOVIE: http://bit.ly/2mQG3zS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +While preparing for a relaxing night of getting high, Titus (Jack Black) gets a suprise visit from the hooded killer (Muse Watson). + +FILM DESCRIPTION: +I Still Know What You Did Last Summer is the continuation of Julie James (Jennifer Love Hewitt), a tortured college co-ed who accidentally almost killed a man and left him for dead one night. One year later, that man, named Ben Willis, came back to kill all of Julie's friends. Now, another year later, she still suffers from nightmares over the horrible incidents. When Julie's roommate Kate (Brandy) wins an all-expenses paid trip to the Bahamas on a radio promotion by guessing the capital of Brazil, she decides to take her roommate Julie, her boyfriend (Mekhi Phifer), and their new friend (Matthew Settle) on the retreat. Once there, they discover that besides being the rainy season, they were also followed by Julie's nemesis who is still seeking revenge. Slowly the islanders turn up murdered, leaving Julie no choice but to explain her past actions to her friends and fight to stay alive. It will entail the final showdown between her and Ben Willis once and for all. + +CREDITS: +TM & © Sony (1998) +Cast: Muse Watson, Jack Black +Director: Danny Cannon +Producers: William S. Beasley, Stokely Chaffin, Erik Feig, Jose Ludlow, Neal H. Moritz +Screenwriters: Lois Duncan, Trey Callaway + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/Jd0XiJie7Lo.en.srt b/1998/Jd0XiJie7Lo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..586de87f40348579a264141daaaf275129ea1456 --- /dev/null +++ b/1998/Jd0XiJie7Lo.en.srt @@ -0,0 +1,145 @@ +1 +00:00:03,800 --> 00:00:07,150 + +yeah that's my babies y'all growed up + +2 +00:00:07,150 --> 00:00:07,160 +yeah that's my babies y'all growed up + + +3 +00:00:07,160 --> 00:00:22,429 +yeah that's my babies y'all growed up +good y'all grow up real + +4 +00:00:22,429 --> 00:00:22,439 + + + +5 +00:00:22,439 --> 00:00:26,790 + +good now where you hiding it come to + +6 +00:00:26,790 --> 00:00:26,800 +good now where you hiding it come to + + +7 +00:00:26,800 --> 00:00:31,549 +good now where you hiding it come to +Papa Come to Papa + +8 +00:00:31,549 --> 00:00:31,559 + + + +9 +00:00:31,559 --> 00:00:34,190 + +yeah that's + +10 +00:00:34,190 --> 00:00:34,200 +yeah that's + + +11 +00:00:34,200 --> 00:00:48,270 +yeah that's + find a damn light out + +12 +00:00:48,270 --> 00:00:48,280 + + + +13 +00:00:48,280 --> 00:00:52,549 + +again can I help + +14 +00:00:52,549 --> 00:00:52,559 + + + +15 +00:00:52,559 --> 00:01:00,389 + +you God damn it + +16 +00:01:00,389 --> 00:01:00,399 + + + +17 +00:01:00,399 --> 00:01:02,230 + +oh + +18 +00:01:02,230 --> 00:01:02,240 +oh + + +19 +00:01:02,240 --> 00:01:04,390 +oh +[Music] + +20 +00:01:04,390 --> 00:01:04,400 +[Music] + + +21 +00:01:04,400 --> 00:01:08,390 +[Music] +God what are you doing no seriously + +22 +00:01:08,390 --> 00:01:08,400 +God what are you doing no seriously + + +23 +00:01:08,400 --> 00:01:12,109 +God what are you doing no seriously +don't do + +24 +00:01:12,109 --> 00:01:12,119 + + + +25 +00:01:12,119 --> 00:01:20,110 + +that oh God I J no it's all good + +26 +00:01:20,110 --> 00:01:20,120 + + + +27 +00:01:20,120 --> 00:01:23,430 + +[Applause] + +28 +00:01:23,430 --> 00:01:23,440 + + + +29 +00:01:23,440 --> 00:01:50,530 + +[Music] + diff --git a/1998/KKiVFZcwx6g.en.srt b/1998/KKiVFZcwx6g.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..5a54f74f8a86fc46fd187957fdc730f295be5faa --- /dev/null +++ b/1998/KKiVFZcwx6g.en.srt @@ -0,0 +1,175 @@ +1 +00:00:10,559 --> 00:00:13,030 + +hi I wonder if you could help me I have + +2 +00:00:13,030 --> 00:00:13,040 +hi I wonder if you could help me I have + + +3 +00:00:13,040 --> 00:00:15,470 +hi I wonder if you could help me I have +a friend and she got herself in a bit of + +4 +00:00:15,470 --> 00:00:15,480 +a friend and she got herself in a bit of + + +5 +00:00:15,480 --> 00:00:18,269 +a friend and she got herself in a bit of +a situation and I was wondering if maybe + +6 +00:00:18,269 --> 00:00:18,279 +a situation and I was wondering if maybe + + +7 +00:00:18,279 --> 00:00:20,830 +a situation and I was wondering if maybe +she might have been in to see you we + +8 +00:00:20,830 --> 00:00:20,840 +she might have been in to see you we + + +9 +00:00:20,840 --> 00:00:23,390 +she might have been in to see you we +have a very broad-based clientele sir if + +10 +00:00:23,390 --> 00:00:23,400 +have a very broad-based clientele sir if + + +11 +00:00:23,400 --> 00:00:27,230 +have a very broad-based clientele sir if +this was her um clam check exactly clam + +12 +00:00:27,230 --> 00:00:27,240 +this was her um clam check exactly clam + + +13 +00:00:27,240 --> 00:00:29,749 +this was her um clam check exactly clam +check if this was her clan check could + +14 +00:00:29,749 --> 00:00:29,759 +check if this was her clan check could + + +15 +00:00:29,759 --> 00:00:32,470 +check if this was her clan check could +you find her name and where she lives in + +16 +00:00:32,470 --> 00:00:32,480 +you find her name and where she lives in + + +17 +00:00:32,480 --> 00:00:33,549 +you find her name and where she lives in +that + +18 +00:00:33,549 --> 00:00:33,559 +that + + +19 +00:00:33,559 --> 00:00:39,110 +that +uh uh whatever it is of course + +20 +00:00:39,110 --> 00:00:39,120 + + + +21 +00:00:39,120 --> 00:00:41,029 + +exactly this laundry's already been + +22 +00:00:41,029 --> 00:00:41,039 +exactly this laundry's already been + + +23 +00:00:41,039 --> 00:00:42,190 +exactly this laundry's already been +picked + +24 +00:00:42,190 --> 00:00:42,200 +picked + + +25 +00:00:42,200 --> 00:00:44,910 +picked +up so I can't get that information out + +26 +00:00:44,910 --> 00:00:44,920 +up so I can't get that information out + + +27 +00:00:44,920 --> 00:00:47,830 +up so I can't get that information out +well she wouldn't mind we're family you + +28 +00:00:47,830 --> 00:00:47,840 +well she wouldn't mind we're family you + + +29 +00:00:47,840 --> 00:00:49,950 +well she wouldn't mind we're family you +just said you were friends caught me + +30 +00:00:49,950 --> 00:00:49,960 +just said you were friends caught me + + +31 +00:00:49,960 --> 00:00:53,790 +just said you were friends caught me +very good Martin don't ask me how I know + +32 +00:00:53,790 --> 00:00:53,800 +very good Martin don't ask me how I know + + +33 +00:00:53,800 --> 00:01:18,290 +very good Martin don't ask me how I know +sh + +34 +00:01:18,290 --> 00:01:18,300 + + + +35 +00:01:18,300 --> 00:01:47,510 + +[Music] + diff --git a/1998/KOxmixap5yw.description b/1998/KOxmixap5yw.description new file mode 100644 index 0000000000000000000000000000000000000000..c5b33794a6ce1ebed9bd6e9aba0ebf8f85d893a9 --- /dev/null +++ b/1998/KOxmixap5yw.description @@ -0,0 +1,38 @@ +Sphere movie clips: http://j.mp/1KYFsgE +BUY THE MOVIE: http://j.mp/1PVszLF +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Harry (Samuel L. Jackson) explains his theories about the alien Sphere to Norman (Dustin Hoffman). + +FILM DESCRIPTION: +Dr. Goodman, biochemist Halperin, and astrophysicist Fielding are selected by the government to study a huge spacecraft located on the Pacific ocean floor. Evidence suggest that this craft comes from the future, and inside is a threatening glowing sphere that sends e-mail messages such as,"I will kill you all" + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Dustin Hoffman, Samuel L. Jackson +Director: Barry Levinson +Producers: Michael Crichton, Patricia Churchill, Barry Levinson, Peter Giuliano, Andrew Wald +Screenwriters: Paul Attanasio, Michael Crichton, Stephen Hauser, Kurt Wimmer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/KTuGK7Ob2QI.description b/1998/KTuGK7Ob2QI.description new file mode 100644 index 0000000000000000000000000000000000000000..64f3f44a1e4f08b1a5f476ef6c9870dabdc3d54c --- /dev/null +++ b/1998/KTuGK7Ob2QI.description @@ -0,0 +1,38 @@ +Blade movie clips: http://j.mp/1uunT5v +BUY THE MOVIE: http://bit.ly/2bRfOyT +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Inside the vampire club, Quinn (Donal Logue) starts a fight and demands that Blade (Wesley Snipes) be hurt badly. + +FILM DESCRIPTION: +British director Stephen Norrington helmed this David S. Goyer adaptation of the Marvel Comics character created in 1973 by scripter Marv Wolfman and artist Gene Colan. In the Tomb of Dracula comic book origin, just before Blade's mother gave birth to Blade, she was bitten by a vampire, which made Blade immune to vampires. Now a vampire hunter, Blade, joined by vampire detective Hannibal King and Dracula-descendent Frank Drake, stalks vampires. In the 1990s (in Marvel's Nightstalkers), Blade teamed with Drake and King in an agency created to fight a variety of supernatural beings. The Marvel origin is retold in this 1998 Norrington film, with Blade's mother dying as he is born. Thirty-some years later, Blade now exists somewhere between the two worlds, not human but not fully vampire. He has become a relentless and superhuman vampire hunter, out to avenge the death of his mother and protect the rest of humankind from the evil vampire race. In this pursuit, Blade storms a notorious vampire nightclub and in a virtual bloodbath manages to wipe out most of the blood-lusting denizens. But the burnt corpse of vampire Quinn (Donal Logue) is reanimated at the hospital morgue and bites hematologist Karen Jenson (N'Bushe Wright). Blade magically appears at the hospital just in time to whisk Karen to his hideaway, a machine-shop run by his mentor Abraham Whistler (Kris Kristofferson), who once rescued Blade and who now produces a antidote to keep Blade from turning into a full-fledged vampire and who builds custom weapons for Blade to use against his evil foes. Meanwhile, Blade's vampire arch-nemesis Deacon Frost (Stephen Dorff) uses computers to translate the Book of Erebus, with the ultimate aim of bringing down the old-guard vampire council, headed by Dragonetti (Udo Kier), and triggering the Blood Tide -- an event in which everyone in the world becomes a vampire. + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Donal Logue, Wesley Snipes +Director: Stephen Norrington +Producers: Avi Arad, Joseph Calamari, Michael De Luca, Robert Engelman, Jon Divens, Peter Frankfurt, Andrew J. Horne, Stan Lee, Wesley Snipes, Lynn Harris +Screenwriter: David S. Goyer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/KTuGK7Ob2QI.en.srt b/1998/KTuGK7Ob2QI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..dd50c96cc9ba7ed9c374c1f658a5ad35b2dfd8eb --- /dev/null +++ b/1998/KTuGK7Ob2QI.en.srt @@ -0,0 +1,165 @@ +1 +00:00:04,200 --> 00:00:07,190 + +that's him that's him get him him + +2 +00:00:07,190 --> 00:00:07,200 +that's him that's him get him him + + +3 +00:00:07,200 --> 00:00:09,950 +that's him that's him get him him +up we're going to jack you up make him + +4 +00:00:09,950 --> 00:00:09,960 +up we're going to jack you up make him + + +5 +00:00:09,960 --> 00:00:13,410 +up we're going to jack you up make him +hurt bad + +6 +00:00:13,410 --> 00:00:13,420 +hurt bad + + +7 +00:00:13,420 --> 00:00:30,109 +hurt bad +[Music] + +8 +00:00:30,109 --> 00:00:30,119 +[Music] + + +9 +00:00:30,119 --> 00:00:32,260 +[Music] +a + +10 +00:00:32,260 --> 00:00:32,270 +a + + +11 +00:00:32,270 --> 00:00:53,160 +a +[Music] + +12 +00:00:53,160 --> 00:00:53,170 + + + +13 +00:00:53,170 --> 00:01:10,410 + +[Music] + +14 +00:01:10,410 --> 00:01:10,420 + + + +15 +00:01:10,420 --> 00:01:18,190 + +[Music] + +16 +00:01:18,190 --> 00:01:18,200 + + + +17 +00:01:18,200 --> 00:01:19,870 + +[Music] + +18 +00:01:19,870 --> 00:01:19,880 +[Music] + + +19 +00:01:19,880 --> 00:01:26,630 +[Music] +quick I'm getting a little tired + +20 +00:01:26,630 --> 00:01:26,640 + + + +21 +00:01:26,640 --> 00:01:33,149 + +Cho thought of my try fire + +22 +00:01:33,149 --> 00:01:33,159 + + + +23 +00:01:33,159 --> 00:01:39,190 + +change give my regards to + +24 +00:01:39,190 --> 00:01:39,200 + + + +25 +00:01:39,200 --> 00:01:42,170 + +frost please + +26 +00:01:42,170 --> 00:01:42,180 +frost please + + +27 +00:01:42,180 --> 00:01:49,430 +frost please +[Music] + +28 +00:01:49,430 --> 00:01:49,440 + + + +29 +00:01:49,440 --> 00:01:55,230 + +[Music] + +30 +00:01:55,230 --> 00:01:55,240 + + + +31 +00:01:55,240 --> 00:02:06,430 + +don't put him out yes sir + +32 +00:02:06,430 --> 00:02:06,440 + + + +33 +00:02:06,440 --> 00:02:37,479 + +[Music] + diff --git a/1998/KfxQi9_BfHI.description b/1998/KfxQi9_BfHI.description new file mode 100644 index 0000000000000000000000000000000000000000..4326dec9481a2f0fb0728a63a00e153fa263fae0 --- /dev/null +++ b/1998/KfxQi9_BfHI.description @@ -0,0 +1,32 @@ +Antz - Flooding The Colony: General Mandible's evil plan comes to fruition as the worker ants inadvertently flood the colony. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/antz-1998/1MV216b23edb7e73a2df9e8f49dd565dce1?cmp=Movieclips_YT_Description + +Watch the best Antz scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqq4RR5pGR5pY3EilSK3Ojov + +FILM DESCRIPTION: +Z the worker ant (Woody Allen) strives to reconcile his own individuality with the communal work-ethic of the ant colony. He falls in love with ant-Princess Bala (Sharon Stone), Z strives to make social inroads, and then must save the ant colony from the treacherous scheming of the evil General Mandible (Gene Hackman) that threaten to wipe out the entire worker population. + +CREDITS: +TM & © Dreamworks (1998) +Cast: Anne Bancroft, Grant Shaud, Jennifer Lopez, Sharon Stone, Sylvester Stallone, Woody Allen +Director: Eric Darnell, Tim Johnson + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file diff --git a/1998/KfxQi9_BfHI.en.srt b/1998/KfxQi9_BfHI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7f219e7259a6c1d8e2b1c582ed35536feed79266 --- /dev/null +++ b/1998/KfxQi9_BfHI.en.srt @@ -0,0 +1,255 @@ +1 +00:00:06,830 --> 00:00:10,159 + +[Music] + +2 +00:00:10,159 --> 00:00:10,169 +[Music] + + +3 +00:00:10,169 --> 00:00:14,070 +[Music] +put your backs into it people wait oh + +4 +00:00:14,070 --> 00:00:14,080 +put your backs into it people wait oh + + +5 +00:00:14,080 --> 00:00:14,910 +put your backs into it people wait oh +hey + +6 +00:00:14,910 --> 00:00:14,920 +hey + + +7 +00:00:14,920 --> 00:00:26,180 +hey +stop digging is that you + +8 +00:00:26,180 --> 00:00:26,190 + + + +9 +00:00:26,190 --> 00:00:30,470 + +oh hold up everyone stop stop digging on + +10 +00:00:30,470 --> 00:00:30,480 +oh hold up everyone stop stop digging on + + +11 +00:00:30,480 --> 00:00:32,810 +oh hold up everyone stop stop digging on +whose authority and your own authority + +12 +00:00:32,810 --> 00:00:32,820 +whose authority and your own authority + + +13 +00:00:32,820 --> 00:00:34,940 +whose authority and your own authority +if you break through that wall we're all + +14 +00:00:34,940 --> 00:00:34,950 +if you break through that wall we're all + + +15 +00:00:34,950 --> 00:00:35,990 +if you break through that wall we're all +gonna drown + +16 +00:00:35,990 --> 00:00:36,000 +gonna drown + + +17 +00:00:36,000 --> 00:00:38,390 +gonna drown +this tunnel is going to flood and we've + +18 +00:00:38,390 --> 00:00:38,400 +this tunnel is going to flood and we've + + +19 +00:00:38,400 --> 00:00:42,799 +this tunnel is going to flood and we've +got to get everyone out of here look I + +20 +00:00:42,799 --> 00:00:42,809 +got to get everyone out of here look I + + +21 +00:00:42,809 --> 00:00:45,650 +got to get everyone out of here look I +got orders and those orders save dig + +22 +00:00:45,650 --> 00:00:45,660 +got orders and those orders save dig + + +23 +00:00:45,660 --> 00:00:47,240 +got orders and those orders save dig +what if someone ordered you to jump off + +24 +00:00:47,240 --> 00:00:47,250 +what if someone ordered you to jump off + + +25 +00:00:47,250 --> 00:00:50,450 +what if someone ordered you to jump off +a bridge who'd you get oh brother I'm + +26 +00:00:50,450 --> 00:00:50,460 +a bridge who'd you get oh brother I'm + + +27 +00:00:50,460 --> 00:00:53,360 +a bridge who'd you get oh brother I'm +asking the wrong guy here look think for + +28 +00:00:53,360 --> 00:00:53,370 +asking the wrong guy here look think for + + +29 +00:00:53,370 --> 00:00:54,140 +asking the wrong guy here look think for +yourselves + +30 +00:00:54,140 --> 00:00:54,150 +yourselves + + +31 +00:00:54,150 --> 00:00:56,780 +yourselves +give me that I've had enough out of you + +32 +00:00:56,780 --> 00:00:56,790 +give me that I've had enough out of you + + +33 +00:00:56,790 --> 00:01:04,119 +give me that I've had enough out of you +just get back to work + +34 +00:01:04,119 --> 00:01:04,129 + + + +35 +00:01:04,129 --> 00:01:11,389 + +[Music] + +36 +00:01:11,389 --> 00:01:11,399 + + + +37 +00:01:11,399 --> 00:01:14,700 + +everyone listen to me we've all been + +38 +00:01:14,700 --> 00:01:14,710 +everyone listen to me we've all been + + +39 +00:01:14,710 --> 00:01:16,340 +everyone listen to me we've all been +deceived + +40 +00:01:16,340 --> 00:01:16,350 +deceived + + +41 +00:01:16,350 --> 00:01:21,200 +deceived +we need to calmly head towards the exit + +42 +00:01:21,200 --> 00:01:21,210 +we need to calmly head towards the exit + + +43 +00:01:21,210 --> 00:01:32,340 +we need to calmly head towards the exit +no don't panic don't panic + +44 +00:01:32,340 --> 00:01:32,350 + + + +45 +00:01:32,350 --> 00:01:33,400 + +[Applause] + +46 +00:01:33,400 --> 00:01:33,410 +[Applause] + + +47 +00:01:33,410 --> 00:01:35,940 +[Applause] +[Music] + +48 +00:01:35,940 --> 00:01:35,950 +[Music] + + +49 +00:01:35,950 --> 00:01:52,260 +[Music] +oh the extra floor we're trapped + +50 +00:01:52,260 --> 00:01:52,270 + + + +51 +00:01:52,270 --> 00:02:11,210 + +[Music] + diff --git a/1998/KuoC25LQrdM.en.srt b/1998/KuoC25LQrdM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..96959b50af714d69e409062b11141dc3bf3e2581 --- /dev/null +++ b/1998/KuoC25LQrdM.en.srt @@ -0,0 +1,225 @@ +1 +00:00:00,080 --> 00:00:03,510 + +is that iced tea Hannah yes Mr de + +2 +00:00:03,510 --> 00:00:03,520 +is that iced tea Hannah yes Mr de + + +3 +00:00:03,520 --> 00:00:04,550 +is that iced tea Hannah yes Mr de +cucumber + +4 +00:00:04,550 --> 00:00:04,560 +cucumber + + +5 +00:00:04,560 --> 00:00:07,190 +cucumber +sandwiches an interview after so many + +6 +00:00:07,190 --> 00:00:07,200 +sandwiches an interview after so many + + +7 +00:00:07,200 --> 00:00:09,830 +sandwiches an interview after so many +years very exciting I don't B doubt it's + +8 +00:00:09,830 --> 00:00:09,840 +years very exciting I don't B doubt it's + + +9 +00:00:09,840 --> 00:00:25,029 +years very exciting I don't B doubt it's +just a student from the + +10 +00:00:25,029 --> 00:00:25,039 + + + +11 +00:00:25,039 --> 00:00:27,750 + +University Mr K + +12 +00:00:27,750 --> 00:00:27,760 +University Mr K + + +13 +00:00:27,760 --> 00:00:32,150 +University Mr K +sir oh yes of course Mr okay I'd almost + +14 +00:00:32,150 --> 00:00:32,160 +sir oh yes of course Mr okay I'd almost + + +15 +00:00:32,160 --> 00:00:36,510 +sir oh yes of course Mr okay I'd almost +forgotten my Tea Time guest Mr whale + +16 +00:00:36,510 --> 00:00:36,520 +forgotten my Tea Time guest Mr whale + + +17 +00:00:36,520 --> 00:00:38,590 +forgotten my Tea Time guest Mr whale +this is such an honor you're one of my + +18 +00:00:38,590 --> 00:00:38,600 +this is such an honor you're one of my + + +19 +00:00:38,600 --> 00:00:40,830 +this is such an honor you're one of my +favorite all-time + +20 +00:00:40,830 --> 00:00:40,840 +favorite all-time + + +21 +00:00:40,840 --> 00:00:43,709 +favorite all-time +directors can't believe I'm meeting you + +22 +00:00:43,709 --> 00:00:43,719 +directors can't believe I'm meeting you + + +23 +00:00:43,719 --> 00:00:46,990 +directors can't believe I'm meeting you +I don't suppose you can and this is your + +24 +00:00:46,990 --> 00:00:47,000 +I don't suppose you can and this is your + + +25 +00:00:47,000 --> 00:00:49,670 +I don't suppose you can and this is your +house house of + +26 +00:00:49,670 --> 00:00:49,680 +house house of + + +27 +00:00:49,680 --> 00:00:52,069 +house house of +Frankenstein I bet you'd live in a great + +28 +00:00:52,069 --> 00:00:52,079 +Frankenstein I bet you'd live in a great + + +29 +00:00:52,079 --> 00:00:55,229 +Frankenstein I bet you'd live in a great +big Villa or a mansion oh well one likes + +30 +00:00:55,229 --> 00:00:55,239 +big Villa or a mansion oh well one likes + + +31 +00:00:55,239 --> 00:00:58,630 +big Villa or a mansion oh well one likes +to live simply I know people's movies + +32 +00:00:58,630 --> 00:00:58,640 +to live simply I know people's movies + + +33 +00:00:58,640 --> 00:01:01,670 +to live simply I know people's movies +aren't their lives + +34 +00:01:01,670 --> 00:01:01,680 +aren't their lives + + +35 +00:01:01,680 --> 00:01:05,050 +aren't their lives +Love dead hate + +36 +00:01:05,050 --> 00:01:05,060 +Love dead hate + + +37 +00:01:05,060 --> 00:01:06,990 +Love dead hate +[Laughter] + +38 +00:01:06,990 --> 00:01:07,000 +[Laughter] + + +39 +00:01:07,000 --> 00:01:09,550 +[Laughter] +living that's my favorite line in in my + +40 +00:01:09,550 --> 00:01:09,560 +living that's my favorite line in in my + + +41 +00:01:09,560 --> 00:01:10,990 +living that's my favorite line in in my +favorite movie of yours Bri of + +42 +00:01:10,990 --> 00:01:11,000 +favorite movie of yours Bri of + + +43 +00:01:11,000 --> 00:01:13,370 +favorite movie of yours Bri of +Frankenstein is it indeed + +44 +00:01:13,370 --> 00:01:13,380 +Frankenstein is it indeed + + +45 +00:01:13,380 --> 00:01:44,420 +Frankenstein is it indeed +[Music] + diff --git a/1998/LCt7YtB6P7g.ar.srt b/1998/LCt7YtB6P7g.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..156b23e8f65cf2c2ff5a06a0e482ae792d0ca6dc --- /dev/null +++ b/1998/LCt7YtB6P7g.ar.srt @@ -0,0 +1,188 @@ +1 +00:00:04,080 --> 00:00:06,909 + +يؤلمك أنك ستكون بخير ستكون + +2 +00:00:06,909 --> 00:00:06,919 +يؤلمك أنك ستكون بخير ستكون + + +3 +00:00:06,919 --> 00:00:09,709 +يؤلمك أنك ستكون بخير ستكون +بخير السيد م يعرف + +4 +00:00:09,709 --> 00:00:09,719 +بخير السيد م يعرف + + +5 +00:00:09,719 --> 00:00:10,990 +بخير السيد م يعرف +هذه الأشياء ويعتقد أنك ستكون بخير + +6 +00:00:10,990 --> 00:00:11,000 +هذه الأشياء ويعتقد أنك ستكون بخير + + +7 +00:00:11,000 --> 00:00:13,910 +هذه الأشياء ويعتقد أنك ستكون بخير +هل هذا صحيح السيد م ألا تعتقد أنه سيكون بخير + +8 +00:00:13,910 --> 00:00:17,830 +هل هذا صحيح السيد م ألا تعتقد أنه سيكون بخير + + +9 +00:00:17,830 --> 00:00:17,840 + + + +10 +00:00:17,840 --> 00:00:20,070 + +نعم نعم كيني ستكون بخير أنت + +11 +00:00:20,070 --> 00:00:20,080 +نعم نعم كيني ستكون بخير أنت + + +12 +00:00:20,080 --> 00:00:22,189 +نعم نعم كيني ستكون بخير أنت + +13 +00:00:22,189 --> 00:00:22,199 + + + +14 +00:00:22,199 --> 00:00:25,830 + +لم تريدني أن آتي جيم + +15 +00:00:25,830 --> 00:00:25,840 +لم تريدني أن آتي جيم + + +16 +00:00:25,840 --> 00:00:28,550 +لم تريدني أن آتي جيم +ما الذي تتحدث عنه لم نكن + +17 +00:00:28,550 --> 00:00:28,560 +ما الذي تتحدث عنه لم نكن + + +18 +00:00:28,560 --> 00:00:34,990 +ما الذي تتحدث عنه لم نكن +لنفعل أي شيء بدونك + +19 +00:00:34,990 --> 00:00:35,000 + + + +20 +00:00:35,000 --> 00:00:38,430 + +الألم يزول الألم + +21 +00:00:38,430 --> 00:00:38,440 +الألم يزول الألم + + +22 +00:00:38,440 --> 00:00:48,990 +الألم يزول الألم +يزول أنا بخير آه انظر ماذا قلت + +23 +00:00:48,990 --> 00:00:49,000 + + + +24 +00:00:49,000 --> 00:00:51,069 + +لك عندما + +25 +00:00:51,069 --> 00:00:51,079 +لك عندما + + +26 +00:00:51,079 --> 00:00:53,349 +لك عندما +قلت أنني سأكون بخير + +27 +00:00:53,349 --> 00:00:53,359 +قلت أنني سأكون بخير + + +28 +00:00:53,359 --> 00:00:56,590 +قلت أنني سأكون بخير +اعتقدت أنك تمزح معي لن + +29 +00:00:56,590 --> 00:00:56,600 +اعتقدت أنك تمزح معي لن + + +30 +00:00:56,600 --> 00:01:01,150 +اعتقدت أنك تمزح معي لن +تمزح معك يا فتى لن تمزح معك انظر عليك + +31 +00:01:01,150 --> 00:01:01,160 +تمزح معك يا فتى لن تمزح معك انظر عليك + + +32 +00:01:01,160 --> 00:01:02,069 +تمزح معك يا فتى لن تمزح معك انظر عليك +فقط أن + +33 +00:01:02,069 --> 00:01:02,079 +فقط أن + + +34 +00:01:02,079 --> 00:01:07,190 +فقط أن + +35 +00:01:07,190 --> 00:01:07,200 + + + +36 +00:01:07,200 --> 00:01:22,380 + +تثق بي + +37 +00:01:22,380 --> 00:01:22,390 + + + +38 +00:01:22,390 --> 00:01:53,430 + +[موسيقى] + diff --git a/1998/LCt7YtB6P7g.description b/1998/LCt7YtB6P7g.description new file mode 100644 index 0000000000000000000000000000000000000000..4ea42393060c607616547579847a733044d56c9c --- /dev/null +++ b/1998/LCt7YtB6P7g.description @@ -0,0 +1,38 @@ +Hard Rain movie clips: http://j.mp/1BcZsIX +BUY THE MOVIE: http://amzn.to/wKVsyx +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Jim (Morgan Freeman) comforts his wounded companion. + +FILM DESCRIPTION: +A natural disaster breeds man-made treachery in this suspense thriller. Severe flooding threatens an Indiana town after a massive rainstorm taxes dams to the breaking point. As part of an emergency evacuation effort, armored car driver Tom (Christian Slater) and his uncle Charlie (Edward Asner) are recruited to collect cash from the town's banks and drive it to safety. However, a gang of thieves led by Jim (Morgan Freeman) plan to lay siege to the truck and steal the $3 million on board. After Jim attempts to ambush the truck, Tom hides the cash and reports the attempted theft to the local sheriff (Randy Quaid). However, the sheriff's lack of honesty soon becomes apparent; he puts Tom in a lockup and sets out to take the money for himself. As the flood waters rise, Tom has to escape from jail if he is to save both the townspeople's savings and his own life. Meanwhile, Jim and the sheriff are locked in a race to see who can find the $3 million first. Minnie Driver, Richard A. Dysart, and Betty White highlight Hard Rain's supporting cast. + +CREDITS: +TM & © Paramount (1998) +Cast: Dann Florek, Morgan Freeman, Michael A. Goorjian, Ricky Harris +Director: Mikael Salomon +Producers: Ian Bryce, Gary Levinsohn, Christian Slater, Allison Lyon Segan, Mark Gordon, Art Levinson +Screenwriter: Graham Yost + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/LCt7YtB6P7g.en.srt b/1998/LCt7YtB6P7g.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..538a565b51999ba071ecc6c1e8ab8276816c27cb --- /dev/null +++ b/1998/LCt7YtB6P7g.en.srt @@ -0,0 +1,195 @@ +1 +00:00:04,080 --> 00:00:06,909 + +it hurts you're going to be all right + +2 +00:00:06,909 --> 00:00:06,919 +it hurts you're going to be all right + + +3 +00:00:06,919 --> 00:00:09,709 +it hurts you're going to be all right +you're going to be all right Mr M knows + +4 +00:00:09,709 --> 00:00:09,719 +you're going to be all right Mr M knows + + +5 +00:00:09,719 --> 00:00:10,990 +you're going to be all right Mr M knows +about these things and he thinks you're + +6 +00:00:10,990 --> 00:00:11,000 +about these things and he thinks you're + + +7 +00:00:11,000 --> 00:00:13,910 +about these things and he thinks you're +going to be all right is that right Mr M + +8 +00:00:13,910 --> 00:00:13,920 +going to be all right is that right Mr M + + +9 +00:00:13,920 --> 00:00:17,830 +going to be all right is that right Mr M +don't you thinking he's going to be all + +10 +00:00:17,830 --> 00:00:17,840 + + + +11 +00:00:17,840 --> 00:00:20,070 + +right yeah yeah Kenny you're going to be + +12 +00:00:20,070 --> 00:00:20,080 +right yeah yeah Kenny you're going to be + + +13 +00:00:20,080 --> 00:00:22,189 +right yeah yeah Kenny you're going to be +just + +14 +00:00:22,189 --> 00:00:22,199 +just + + +15 +00:00:22,199 --> 00:00:25,830 +just +fine you you didn't want me to come Jim + +16 +00:00:25,830 --> 00:00:25,840 +fine you you didn't want me to come Jim + + +17 +00:00:25,840 --> 00:00:28,550 +fine you you didn't want me to come Jim +what are you talking about we couldn't + +18 +00:00:28,550 --> 00:00:28,560 +what are you talking about we couldn't + + +19 +00:00:28,560 --> 00:00:34,990 +what are you talking about we couldn't +have done anything without you + +20 +00:00:34,990 --> 00:00:35,000 + + + +21 +00:00:35,000 --> 00:00:38,430 + +the pain is going away the pain is + +22 +00:00:38,430 --> 00:00:38,440 +the pain is going away the pain is + + +23 +00:00:38,440 --> 00:00:48,990 +the pain is going away the pain is +going I'm okay ah see what did I tell + +24 +00:00:48,990 --> 00:00:49,000 + + + +25 +00:00:49,000 --> 00:00:51,069 + +you when you + +26 +00:00:51,069 --> 00:00:51,079 +you when you + + +27 +00:00:51,079 --> 00:00:53,349 +you when you +said I was going to be all right I + +28 +00:00:53,349 --> 00:00:53,359 +said I was going to be all right I + + +29 +00:00:53,359 --> 00:00:56,590 +said I was going to be all right I +thought you you me I wouldn't + +30 +00:00:56,590 --> 00:00:56,600 +thought you you me I wouldn't + + +31 +00:00:56,600 --> 00:01:01,150 +thought you you me I wouldn't + you kid I wouldn't you see you + +32 +00:01:01,150 --> 00:01:01,160 +you kid I wouldn't you see you + + +33 +00:01:01,160 --> 00:01:02,069 +you kid I wouldn't you see you +just got + +34 +00:01:02,069 --> 00:01:02,079 +just got + + +35 +00:01:02,079 --> 00:01:07,190 +just got +to + +36 +00:01:07,190 --> 00:01:07,200 + + + +37 +00:01:07,200 --> 00:01:22,380 + +just trust me + +38 +00:01:22,380 --> 00:01:22,390 + + + +39 +00:01:22,390 --> 00:01:53,430 + +[Music] + diff --git a/1998/Le9uGkbtxHk.description b/1998/Le9uGkbtxHk.description new file mode 100644 index 0000000000000000000000000000000000000000..f0fa4e566bcbb555169407679d9955842375846b --- /dev/null +++ b/1998/Le9uGkbtxHk.description @@ -0,0 +1,38 @@ +Saving Private Ryan movie clips: http://j.mp/1uvAl4X +BUY THE MOVIE: http://amzn.to/uAEFMq +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +As Caparzo (Vin Diesel) lies bleeding to death, Jackson (Barry Pepper) takes out the sniper in the bell tower. + +FILM DESCRIPTION: +Steven Spielberg directed this powerful, realistic re-creation of WWII's D-day invasion and the immediate aftermath. The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller's men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name "Ryan" stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States. Capt. Miller gets the assignment, and he chooses a translator, Cpl. Upham (Jeremy Davis), skilled in language but not in combat, to join his squad of right-hand man Sgt. Horvath (Tom Sizemore), plus privates Mellish (Adam Goldberg), Medic Wade (Giovanni Ribisi), cynical Reiben (Edward Burns) from Brooklyn, Italian-American Caparzo (Vin Diesel), and religious Southerner Jackson (Barry Pepper), an ace sharpshooter who calls on the Lord while taking aim. Having previously experienced action in Italy and North Africa, the close-knit squad sets out through areas still thick with Nazis. After they lose one man in a skirmish at a bombed village, some in the group begin to question the logic of losing more lives to save a single soldier. The film's historical consultant is Stephen E. Ambrose, and the incident is based on a true occurance in Ambrose's 1994 bestseller D-Day: June 6, 1944. + +CREDITS: +TM & © Dreamworks (1998) +Cast: Edward Burns, Jeremy Davies, Vin Diesel, Adam Goldberg, Tom Hanks, Barry Pepper, Giovanni Ribisi, Tom Sizemore +Director: Steven Spielberg +Producers: Ian Bryce, Bonnie Curtis, Kevin De La Noy, Mark Huffam, Gary Levinsohn, Allison Lyon Segan, Steven Spielberg, Mark Gordon +Screenwriter: Robert Rodat + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/Le9uGkbtxHk.en.srt b/1998/Le9uGkbtxHk.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..26517304fbcf256e94dc7bb9c1c40d4f0cd310c1 --- /dev/null +++ b/1998/Le9uGkbtxHk.en.srt @@ -0,0 +1,155 @@ +1 +00:00:00,990 --> 00:00:03,030 + +[Applause] + +2 +00:00:03,030 --> 00:00:03,040 +[Applause] + + +3 +00:00:03,040 --> 00:00:05,070 +[Applause] +oh my God I trust in + +4 +00:00:05,070 --> 00:00:05,080 +oh my God I trust in + + +5 +00:00:05,080 --> 00:00:07,830 +oh my God I trust in +me let me not be + +6 +00:00:07,830 --> 00:00:07,840 +me let me not be + + +7 +00:00:07,840 --> 00:00:20,630 +me let me not be +ashamed let not my enemies triumph over + +8 +00:00:20,630 --> 00:00:20,640 + + + +9 +00:00:20,640 --> 00:00:25,990 + +me cop it cop it and S itory C you're + +10 +00:00:25,990 --> 00:00:26,000 +me cop it cop it and S itory C you're + + +11 +00:00:26,000 --> 00:00:28,349 +me cop it cop it and S itory C you're +going to send it yourself put it down I + +12 +00:00:28,349 --> 00:00:28,359 +going to send it yourself put it down I + + +13 +00:00:28,359 --> 00:00:36,270 +going to send it yourself put it down I +see Cy I see it + +14 +00:00:36,270 --> 00:00:36,280 + + + +15 +00:00:36,280 --> 00:00:39,510 + +it's it's to my dad it's got blood on it + +16 +00:00:39,510 --> 00:00:39,520 +it's it's to my dad it's got blood on it + + +17 +00:00:39,520 --> 00:01:08,550 +it's it's to my dad it's got blood on it +B + +18 +00:01:08,550 --> 00:01:08,560 + + + +19 +00:01:08,560 --> 00:01:13,300 + +we got him stay down + +20 +00:01:13,300 --> 00:01:13,310 + + + +21 +00:01:13,310 --> 00:01:39,270 + +[Music] + +22 +00:01:39,270 --> 00:01:39,280 + + + +23 +00:01:39,280 --> 00:02:05,670 + +get that 30 up the street + +24 +00:02:05,670 --> 00:02:05,680 + + + +25 +00:02:05,680 --> 00:02:11,430 + +that's why we can't take children + +26 +00:02:11,430 --> 00:02:11,440 + + + +27 +00:02:11,440 --> 00:02:32,750 + +[Music] + +28 +00:02:32,750 --> 00:02:32,760 + + + +29 +00:02:32,760 --> 00:02:36,530 + +St + +30 +00:02:36,530 --> 00:02:36,540 + + + +31 +00:02:36,540 --> 00:02:42,500 + +[Music] + diff --git a/1998/LgKIQbxZZgY.description b/1998/LgKIQbxZZgY.description new file mode 100644 index 0000000000000000000000000000000000000000..f9d4d8c36a6c53c18f93068c9e82b55a25a7d66c --- /dev/null +++ b/1998/LgKIQbxZZgY.description @@ -0,0 +1,38 @@ +I Still Know What You Did Last Summer movie clips: http://j.mp/2nGWaQy +BUY THE MOVIE: http://bit.ly/2mQG3zS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Julie (Jennifer Love Hewitt) and Ray (Freddie Prinze Jr.) have a final face off against the Fisherman (Muse Watson) and his son, Will (Matthew Settle). + +FILM DESCRIPTION: +I Still Know What You Did Last Summer is the continuation of Julie James (Jennifer Love Hewitt), a tortured college co-ed who accidentally almost killed a man and left him for dead one night. One year later, that man, named Ben Willis, came back to kill all of Julie's friends. Now, another year later, she still suffers from nightmares over the horrible incidents. When Julie's roommate Kate (Brandy) wins an all-expenses paid trip to the Bahamas on a radio promotion by guessing the capital of Brazil, she decides to take her roommate Julie, her boyfriend (Mekhi Phifer), and their new friend (Matthew Settle) on the retreat. Once there, they discover that besides being the rainy season, they were also followed by Julie's nemesis who is still seeking revenge. Slowly the islanders turn up murdered, leaving Julie no choice but to explain her past actions to her friends and fight to stay alive. It will entail the final showdown between her and Ben Willis once and for all. + +CREDITS: +TM & © Sony (1998) +Cast: Muse Watson, Matthew Settle, Freddie Prinze Jr., Jennifer Love Hewitt +Director: Danny Cannon +Producers: William S. Beasley, Stokely Chaffin, Erik Feig, Jose Ludlow, Neal H. Moritz +Screenwriters: Lois Duncan, Trey Callaway + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/LgKIQbxZZgY.en.srt b/1998/LgKIQbxZZgY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1881ccd6141bde478418a1431795735b070596cc --- /dev/null +++ b/1998/LgKIQbxZZgY.en.srt @@ -0,0 +1,325 @@ +1 +00:00:00,799 --> 00:00:03,750 + +just tell me why why can't you think + +2 +00:00:03,750 --> 00:00:03,760 +just tell me why why can't you think + + +3 +00:00:03,760 --> 00:00:08,589 +just tell me why why can't you think +about it you'll get it will + +4 +00:00:08,589 --> 00:00:08,599 + + + +5 +00:00:08,599 --> 00:00:13,190 + +Benson Ben + +6 +00:00:13,190 --> 00:00:13,200 + + + +7 +00:00:13,200 --> 00:00:14,430 + +Sun hi + +8 +00:00:14,430 --> 00:00:14,440 +Sun hi + + +9 +00:00:14,440 --> 00:00:21,940 +Sun hi +[Music] + +10 +00:00:21,940 --> 00:00:21,950 + + + +11 +00:00:21,950 --> 00:00:26,230 + +[Music] + +12 +00:00:26,230 --> 00:00:26,240 + + + +13 +00:00:26,240 --> 00:00:31,109 + +Dad hush now no more screaming no more + +14 +00:00:31,109 --> 00:00:31,119 +Dad hush now no more screaming no more + + +15 +00:00:31,119 --> 00:00:35,790 +Dad hush now no more screaming no more +running it's time to die let it + +16 +00:00:35,790 --> 00:00:35,800 +running it's time to die let it + + +17 +00:00:35,800 --> 00:00:41,790 +running it's time to die let it +go let it go oh you got to be shutting + +18 +00:00:41,790 --> 00:00:41,800 +go let it go oh you got to be shutting + + +19 +00:00:41,800 --> 00:00:44,549 +go let it go oh you got to be shutting +me what are you going to do boy call us + +20 +00:00:44,549 --> 00:00:44,559 +me what are you going to do boy call us + + +21 +00:00:44,559 --> 00:00:49,470 +me what are you going to do boy call us +names let her go now think about it boy + +22 +00:00:49,470 --> 00:00:49,480 +names let her go now think about it boy + + +23 +00:00:49,480 --> 00:00:54,349 +names let her go now think about it boy +you're no killer that's my + +24 +00:00:54,349 --> 00:00:54,359 + + + +25 +00:00:54,359 --> 00:01:00,750 + +job you don't have it in you + +26 +00:01:00,750 --> 00:01:00,760 + + + +27 +00:01:00,760 --> 00:01:15,030 + +[Music] + +28 +00:01:15,030 --> 00:01:15,040 + + + +29 +00:01:15,040 --> 00:01:16,060 + +go + +30 +00:01:16,060 --> 00:01:16,070 +go + + +31 +00:01:16,070 --> 00:01:24,740 +go +[Music] + +32 +00:01:24,740 --> 00:01:24,750 + + + +33 +00:01:24,750 --> 00:01:31,630 + +[Applause] + +34 +00:01:31,630 --> 00:01:31,640 + + + +35 +00:01:31,640 --> 00:01:34,109 + +sure have miss you down here + +36 +00:01:34,109 --> 00:01:34,119 +sure have miss you down here + + +37 +00:01:34,119 --> 00:01:37,429 +sure have miss you down here +R it's too bad we could have been + +38 +00:01:37,429 --> 00:01:37,439 +R it's too bad we could have been + + +39 +00:01:37,439 --> 00:01:40,310 +R it's too bad we could have been +friends I mean really man I would have + +40 +00:01:40,310 --> 00:01:40,320 +friends I mean really man I would have + + +41 +00:01:40,320 --> 00:01:43,360 +friends I mean really man I would have +shared it with + +42 +00:01:43,360 --> 00:01:43,370 + + + +43 +00:01:43,370 --> 00:01:47,789 + +[Music] + +44 +00:01:47,789 --> 00:01:47,799 + + + +45 +00:01:47,799 --> 00:01:51,230 + +you come on Ray stay with me you see + +46 +00:01:51,230 --> 00:01:51,240 +you come on Ray stay with me you see + + +47 +00:01:51,240 --> 00:01:54,270 +you come on Ray stay with me you see +that now I want you to think about all + +48 +00:01:54,270 --> 00:01:54,280 +that now I want you to think about all + + +49 +00:01:54,280 --> 00:02:00,630 +that now I want you to think about all +the things we're going to do to her + +50 +00:02:00,630 --> 00:02:00,640 + + + +51 +00:02:00,640 --> 00:02:01,630 + +you want him + +52 +00:02:01,630 --> 00:02:01,640 +you want him + + +53 +00:02:01,640 --> 00:02:07,870 +you want him +dead stand him up + +54 +00:02:07,870 --> 00:02:07,880 + + + +55 +00:02:07,880 --> 00:02:24,970 + +[Music] + +56 +00:02:24,970 --> 00:02:24,980 + + + +57 +00:02:24,980 --> 00:02:36,360 + +[Music] + +58 +00:02:36,360 --> 00:02:36,370 + + + +59 +00:02:36,370 --> 00:02:41,110 + +[Music] + +60 +00:02:41,110 --> 00:02:41,120 + + + +61 +00:02:41,120 --> 00:02:47,140 + +just die + +62 +00:02:47,140 --> 00:02:47,150 + + + +63 +00:02:47,150 --> 00:03:12,850 + +[Music] + +64 +00:03:12,850 --> 00:03:12,860 + + + +65 +00:03:12,860 --> 00:03:49,110 + +[Music] + diff --git a/1998/LlQXhEOzLW0.en.srt b/1998/LlQXhEOzLW0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..514c9bb0a6dce78c3a73449df25bcfb59e99a8ae --- /dev/null +++ b/1998/LlQXhEOzLW0.en.srt @@ -0,0 +1,345 @@ +1 +00:00:00,599 --> 00:00:02,590 + +right now you kind of hot you know want + +2 +00:00:02,590 --> 00:00:02,600 +right now you kind of hot you know want + + +3 +00:00:02,600 --> 00:00:06,110 +right now you kind of hot you know want +to want want with + +4 +00:00:06,110 --> 00:00:06,120 +to want want with + + +5 +00:00:06,120 --> 00:00:10,270 +to want want with +you police all watch you see the good I + +6 +00:00:10,270 --> 00:00:10,280 +you police all watch you see the good I + + +7 +00:00:10,280 --> 00:00:12,549 +you police all watch you see the good I +watch you right blood CL now I ain't + +8 +00:00:12,549 --> 00:00:12,559 +watch you right blood CL now I ain't + + +9 +00:00:12,559 --> 00:00:15,070 +watch you right blood CL now I ain't +going back to jail + +10 +00:00:15,070 --> 00:00:15,080 +going back to jail + + +11 +00:00:15,080 --> 00:00:17,830 +going back to jail +dog I a going back to jail next time + +12 +00:00:17,830 --> 00:00:17,840 +dog I a going back to jail next time + + +13 +00:00:17,840 --> 00:00:19,189 +dog I a going back to jail next time +County of the state see me it's going to + +14 +00:00:19,189 --> 00:00:19,199 +County of the state see me it's going to + + +15 +00:00:19,199 --> 00:00:20,509 +County of the state see me it's going to +be in the + +16 +00:00:20,509 --> 00:00:20,519 +be in the + + +17 +00:00:20,519 --> 00:00:23,509 +be in the +back I'm thinking you as a real dread + +18 +00:00:23,509 --> 00:00:23,519 +back I'm thinking you as a real dread + + +19 +00:00:23,519 --> 00:00:26,589 +back I'm thinking you as a real dread +man you scared cuz cuz you good hold on + +20 +00:00:26,589 --> 00:00:26,599 +man you scared cuz cuz you good hold on + + +21 +00:00:26,599 --> 00:00:28,790 +man you scared cuz cuz you good hold on +hold on hold on you're coming to my + +22 +00:00:28,790 --> 00:00:28,800 +hold on hold on you're coming to my + + +23 +00:00:28,800 --> 00:00:32,310 +hold on hold on you're coming to my +house don't you ever bring scared + +24 +00:00:32,310 --> 00:00:32,320 +house don't you ever bring scared + + +25 +00:00:32,320 --> 00:00:34,389 +house don't you ever bring scared +business to me you're looking at the + +26 +00:00:34,389 --> 00:00:34,399 +business to me you're looking at the + + +27 +00:00:34,399 --> 00:00:37,510 +business to me you're looking at the +toughest R CL Jamaican in the united + +28 +00:00:37,510 --> 00:00:37,520 +toughest R CL Jamaican in the united + + +29 +00:00:37,520 --> 00:00:40,790 +toughest R CL Jamaican in the united +stat of America I run I kill for + +30 +00:00:40,790 --> 00:00:40,800 +stat of America I run I kill for + + +31 +00:00:40,800 --> 00:00:42,750 +stat of America I run I kill for +nothing and I make lots of money I deal + +32 +00:00:42,750 --> 00:00:42,760 +nothing and I make lots of money I deal + + +33 +00:00:42,760 --> 00:00:44,150 +nothing and I make lots of money I deal +with the business don't bring that + +34 +00:00:44,150 --> 00:00:44,160 +with the business don't bring that + + +35 +00:00:44,160 --> 00:00:47,549 +with the business don't bring that +to me again you hear I + +36 +00:00:47,549 --> 00:00:47,559 +to me again you hear I + + +37 +00:00:47,559 --> 00:00:50,270 +to me again you hear I +me I'm saying though it wasn't like that + +38 +00:00:50,270 --> 00:00:50,280 +me I'm saying though it wasn't like that + + +39 +00:00:50,280 --> 00:00:51,350 +me I'm saying though it wasn't like that +you know what I'm saying I'm just I'm + +40 +00:00:51,350 --> 00:00:51,360 +you know what I'm saying I'm just I'm + + +41 +00:00:51,360 --> 00:00:53,790 +you know what I'm saying I'm just I'm +trying to get on man I'm hungry I need + +42 +00:00:53,790 --> 00:00:53,800 +trying to get on man I'm hungry I need + + +43 +00:00:53,800 --> 00:00:55,430 +trying to get on man I'm hungry I need +this sh you know how I get down man you + +44 +00:00:55,430 --> 00:00:55,440 +this sh you know how I get down man you + + +45 +00:00:55,440 --> 00:00:57,389 +this sh you know how I get down man you +know what I'm saying you know how I get + +46 +00:00:57,389 --> 00:00:57,399 +know what I'm saying you know how I get + + +47 +00:00:57,399 --> 00:01:03,549 +know what I'm saying you know how I get +down dog I need the shot + +48 +00:01:03,549 --> 00:01:03,559 + + + +49 +00:01:03,559 --> 00:01:05,390 + +so you think you can handle that I know + +50 +00:01:05,390 --> 00:01:05,400 +so you think you can handle that I know + + +51 +00:01:05,400 --> 00:01:09,390 +so you think you can handle that I know +I can I know + +52 +00:01:09,390 --> 00:01:09,400 + + + +53 +00:01:09,400 --> 00:01:13,590 + +it think about it still you understand + +54 +00:01:13,590 --> 00:01:13,600 +it think about it still you understand + + +55 +00:01:13,600 --> 00:01:16,870 +it think about it still you understand +say do it but think about it you + +56 +00:01:16,870 --> 00:01:16,880 +say do it but think about it you + + +57 +00:01:16,880 --> 00:01:19,030 +say do it but think about it you +understand me yeah so just just just + +58 +00:01:19,030 --> 00:01:19,040 +understand me yeah so just just just + + +59 +00:01:19,040 --> 00:01:20,310 +understand me yeah so just just just +just helping N Out man that's all I'm + +60 +00:01:20,310 --> 00:01:20,320 +just helping N Out man that's all I'm + + +61 +00:01:20,320 --> 00:01:26,030 +just helping N Out man that's all I'm +trying to do you a big anything + +62 +00:01:26,030 --> 00:01:26,040 + + + +63 +00:01:26,040 --> 00:01:31,030 + +anything you understand me + +64 +00:01:31,030 --> 00:01:31,040 + + + +65 +00:01:31,040 --> 00:01:40,860 + +I'm going to let you down + +66 +00:01:40,860 --> 00:01:40,870 + + + +67 +00:01:40,870 --> 00:02:00,870 + +[Music] + +68 +00:02:00,870 --> 00:02:00,880 + + + +69 +00:02:00,880 --> 00:02:03,600 + +ch + diff --git a/1998/Ls5834hbssM.en.srt b/1998/Ls5834hbssM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..53f15ea062a372525ee72106e5c97a0f99da9fb8 --- /dev/null +++ b/1998/Ls5834hbssM.en.srt @@ -0,0 +1,255 @@ +1 +00:00:07,430 --> 00:00:07,710 + +[Music] + +2 +00:00:07,710 --> 00:00:07,720 +[Music] + + +3 +00:00:07,720 --> 00:00:14,370 +[Music] +[Applause] + +4 +00:00:14,370 --> 00:00:14,380 + + + +5 +00:00:14,380 --> 00:00:24,630 + +[Music] + +6 +00:00:24,630 --> 00:00:24,640 + + + +7 +00:00:24,640 --> 00:00:28,189 + +Commandos + +8 +00:00:28,189 --> 00:00:28,199 + + + +9 +00:00:28,199 --> 00:00:32,390 + +te Commando Elite follow + +10 +00:00:32,390 --> 00:00:32,400 +te Commando Elite follow + + +11 +00:00:32,400 --> 00:00:41,690 +te Commando Elite follow +[Music] + +12 +00:00:41,690 --> 00:00:41,700 + + + +13 +00:00:41,700 --> 00:00:45,310 + +[Music] + +14 +00:00:45,310 --> 00:00:45,320 + + + +15 +00:00:45,320 --> 00:00:49,310 + +him s off soldiers which me hook sniper + +16 +00:00:49,310 --> 00:00:49,320 +him s off soldiers which me hook sniper + + +17 +00:00:49,320 --> 00:00:51,549 +him s off soldiers which me hook sniper +lethal from any distance sir good to + +18 +00:00:51,549 --> 00:00:51,559 +lethal from any distance sir good to + + +19 +00:00:51,559 --> 00:00:54,750 +lethal from any distance sir good to +have you aboard IGN Nitro demolition is + +20 +00:00:54,750 --> 00:00:54,760 +have you aboard IGN Nitro demolition is + + +21 +00:00:54,760 --> 00:00:57,110 +have you aboard IGN Nitro demolition is +my mission save with your father he's a + +22 +00:00:57,110 --> 00:00:57,120 +my mission save with your father he's a + + +23 +00:00:57,120 --> 00:00:59,750 +my mission save with your father he's a +good man Breck bazooka artillery ready + +24 +00:00:59,750 --> 00:00:59,760 +good man Breck bazooka artillery ready + + +25 +00:00:59,760 --> 00:01:02,150 +good man Breck bazooka artillery ready +to Go full boore sir save it for the + +26 +00:01:02,150 --> 00:01:02,160 +to Go full boore sir save it for the + + +27 +00:01:02,160 --> 00:01:04,789 +to Go full boore sir save it for the +enemy link static Communications + +28 +00:01:04,789 --> 00:01:04,799 +enemy link static Communications + + +29 +00:01:04,799 --> 00:01:07,230 +enemy link static Communications +awaiting dispatch of orders sir double + +30 +00:01:07,230 --> 00:01:07,240 +awaiting dispatch of orders sir double + + +31 +00:01:07,240 --> 00:01:10,190 +awaiting dispatch of orders sir double +up on your rations Sparky Kip killigan + +32 +00:01:10,190 --> 00:01:10,200 +up on your rations Sparky Kip killigan + + +33 +00:01:10,200 --> 00:01:13,469 +up on your rations Sparky Kip killigan +covert Insurgent Sharp As a Razor sir + +34 +00:01:13,469 --> 00:01:13,479 +covert Insurgent Sharp As a Razor sir + + +35 +00:01:13,479 --> 00:01:16,350 +covert Insurgent Sharp As a Razor sir +let me see that + +36 +00:01:16,350 --> 00:01:16,360 + + + +37 +00:01:16,360 --> 00:01:18,910 + +weapon standard issue is + +38 +00:01:18,910 --> 00:01:18,920 +weapon standard issue is + + +39 +00:01:18,920 --> 00:01:21,190 +weapon standard issue is +insufficient all right ladies now listen + +40 +00:01:21,190 --> 00:01:21,200 +insufficient all right ladies now listen + + +41 +00:01:21,200 --> 00:01:23,990 +insufficient all right ladies now listen +and listen good our mission destroy the + +42 +00:01:23,990 --> 00:01:24,000 +and listen good our mission destroy the + + +43 +00:01:24,000 --> 00:01:27,990 +and listen good our mission destroy the +Gorgan eyed enemy defeat him yes sir + +44 +00:01:27,990 --> 00:01:28,000 +Gorgan eyed enemy defeat him yes sir + + +45 +00:01:28,000 --> 00:01:30,710 +Gorgan eyed enemy defeat him yes sir +there will be no mercy + +46 +00:01:30,710 --> 00:01:30,720 +there will be no mercy + + +47 +00:01:30,720 --> 00:01:33,149 +there will be no mercy +search the area and secure new arms + +48 +00:01:33,149 --> 00:01:33,159 +search the area and secure new arms + + +49 +00:01:33,159 --> 00:01:35,420 +search the area and secure new arms +command for + +50 +00:01:35,420 --> 00:01:35,430 +command for + + +51 +00:01:35,430 --> 00:02:06,470 +command for +[Music] + diff --git a/1998/Ls9p2CEVQMo.description b/1998/Ls9p2CEVQMo.description new file mode 100644 index 0000000000000000000000000000000000000000..6a019ed9eafb5a9d83d42c57e2e809ab44555248 --- /dev/null +++ b/1998/Ls9p2CEVQMo.description @@ -0,0 +1,38 @@ +A Night at the Roxbury movie clips: http://j.mp/1L6gWMX +BUY THE MOVIE: http://amzn.to/uqyg0u +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Doug (Chris Kattan) and Steve (Will Ferrell) ask the girls out again, but the Butabis are rejected when the girls realize that they are not rich. + +FILM DESCRIPTION: +In this film, brothers Steve and Doug Butabi always fail to pick up women in their hapless nightclub jaunts. They are always denied entrance to the Roxbury, a leading discotheque, but an auto accident with Richard Grieco gives them a foot in the door. + +CREDITS: +TM & © Paramount (1998) +Cast: Gigi Rice +Directors: Amy Heckerling, John Fortenberry +Producers: Marie Cantin, Erin Fraser, Amy Heckerling, Steve Koren, Lorne Michaels, Robert K. Weiss +Screenwriters: Steve Koren, Will Ferrell, Chris Kattan + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/Ls9p2CEVQMo.en.srt b/1998/Ls9p2CEVQMo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f54672f70eff53bb60efd5e10b5b9b14e08c5c99 --- /dev/null +++ b/1998/Ls9p2CEVQMo.en.srt @@ -0,0 +1,395 @@ +1 +00:00:03,279 --> 00:00:06,470 + +hello Cami it's your boyfriend look I + +2 +00:00:06,470 --> 00:00:06,480 +hello Cami it's your boyfriend look I + + +3 +00:00:06,480 --> 00:00:07,990 +hello Cami it's your boyfriend look I +need to see + +4 +00:00:07,990 --> 00:00:08,000 +need to see + + +5 +00:00:08,000 --> 00:00:12,709 +need to see +you uh well I'm at the Sky Bar we'll be + +6 +00:00:12,709 --> 00:00:12,719 +you uh well I'm at the Sky Bar we'll be + + +7 +00:00:12,719 --> 00:00:16,390 +you uh well I'm at the Sky Bar we'll be +right there nice I know it's nice I + +8 +00:00:16,390 --> 00:00:16,400 +right there nice I know it's nice I + + +9 +00:00:16,400 --> 00:00:18,510 +right there nice I know it's nice I +focused the whole time + +10 +00:00:18,510 --> 00:00:18,520 +focused the whole time + + +11 +00:00:18,520 --> 00:00:21,269 +focused the whole time +God so did you guys have as good a time + +12 +00:00:21,269 --> 00:00:21,279 +God so did you guys have as good a time + + +13 +00:00:21,279 --> 00:00:23,910 +God so did you guys have as good a time +last night as we did I had a great time + +14 +00:00:23,910 --> 00:00:23,920 +last night as we did I had a great time + + +15 +00:00:23,920 --> 00:00:26,550 +last night as we did I had a great time +Viva in fact I think we've reached a + +16 +00:00:26,550 --> 00:00:26,560 +Viva in fact I think we've reached a + + +17 +00:00:26,560 --> 00:00:28,230 +Viva in fact I think we've reached a +point where I can comfortably call you + +18 +00:00:28,230 --> 00:00:28,240 +point where I can comfortably call you + + +19 +00:00:28,240 --> 00:00:30,669 +point where I can comfortably call you +Viv and leave out the AA + +20 +00:00:30,669 --> 00:00:30,679 +Viv and leave out the AA + + +21 +00:00:30,679 --> 00:00:33,790 +Viv and leave out the AA +do you guys want to hang out or do what + +22 +00:00:33,790 --> 00:00:33,800 +do you guys want to hang out or do what + + +23 +00:00:33,800 --> 00:00:37,709 +do you guys want to hang out or do what +we did last night or or eat and uh do + +24 +00:00:37,709 --> 00:00:37,719 +we did last night or or eat and uh do + + +25 +00:00:37,719 --> 00:00:41,470 +we did last night or or eat and uh do +what we did last night sounds good + +26 +00:00:41,470 --> 00:00:41,480 +what we did last night sounds good + + +27 +00:00:41,480 --> 00:00:45,189 +what we did last night sounds good +okay ladies have your boarding passes + +28 +00:00:45,189 --> 00:00:45,199 +okay ladies have your boarding passes + + +29 +00:00:45,199 --> 00:00:47,110 +okay ladies have your boarding passes +ready uh ma'am you're going to have to + +30 +00:00:47,110 --> 00:00:47,120 +ready uh ma'am you're going to have to + + +31 +00:00:47,120 --> 00:00:49,670 +ready uh ma'am you're going to have to +check your bag the movie on this flight + +32 +00:00:49,670 --> 00:00:49,680 +check your bag the movie on this flight + + +33 +00:00:49,680 --> 00:00:55,709 +check your bag the movie on this flight +will be uh I don't know I can't think of + +34 +00:00:55,709 --> 00:00:55,719 + + + +35 +00:00:55,719 --> 00:00:58,150 + +anymore where's your + +36 +00:00:58,150 --> 00:00:58,160 +anymore where's your + + +37 +00:00:58,160 --> 00:01:03,069 +anymore where's your +car our dad got D took it away your dad + +38 +00:01:03,069 --> 00:01:03,079 +car our dad got D took it away your dad + + +39 +00:01:03,079 --> 00:01:05,070 +car our dad got D took it away your dad +yeah we used to work for him but we quit + +40 +00:01:05,070 --> 00:01:05,080 +yeah we used to work for him but we quit + + +41 +00:01:05,080 --> 00:01:07,870 +yeah we used to work for him but we quit +today so actually we're unemployed right + +42 +00:01:07,870 --> 00:01:07,880 +today so actually we're unemployed right + + +43 +00:01:07,880 --> 00:01:10,149 +today so actually we're unemployed right +yeah you're not in business with Mr + +44 +00:01:10,149 --> 00:01:10,159 +yeah you're not in business with Mr + + +45 +00:01:10,159 --> 00:01:12,950 +yeah you're not in business with Mr +Sadir oh no we are we're just you know + +46 +00:01:12,950 --> 00:01:12,960 +Sadir oh no we are we're just you know + + +47 +00:01:12,960 --> 00:01:15,109 +Sadir oh no we are we're just you know +we just met him last night so we will be + +48 +00:01:15,109 --> 00:01:15,119 +we just met him last night so we will be + + +49 +00:01:15,119 --> 00:01:19,190 +we just met him last night so we will be +so no but yes especially if we ever get + +50 +00:01:19,190 --> 00:01:19,200 +so no but yes especially if we ever get + + +51 +00:01:19,200 --> 00:01:22,789 +so no but yes especially if we ever get +to see him again right + +52 +00:01:22,789 --> 00:01:22,799 + + + +53 +00:01:22,799 --> 00:01:26,429 + +yeah oh hey we were just kidding about + +54 +00:01:26,429 --> 00:01:26,439 +yeah oh hey we were just kidding about + + +55 +00:01:26,439 --> 00:01:28,190 +yeah oh hey we were just kidding about +the boarding passes you can get in get + +56 +00:01:28,190 --> 00:01:28,200 +the boarding passes you can get in get + + +57 +00:01:28,200 --> 00:01:30,550 +the boarding passes you can get in get +away from us what's wrong + +58 +00:01:30,550 --> 00:01:30,560 +away from us what's wrong + + +59 +00:01:30,560 --> 00:01:33,950 +away from us what's wrong +you guys are a big waste of time coma + +60 +00:01:33,950 --> 00:01:33,960 +you guys are a big waste of time coma + + +61 +00:01:33,960 --> 00:01:37,149 +you guys are a big waste of time coma +what Steve you're a jerk off well I'm + +62 +00:01:37,149 --> 00:01:37,159 +what Steve you're a jerk off well I'm + + +63 +00:01:37,159 --> 00:01:40,069 +what Steve you're a jerk off well I'm +glad you shared that with me it's a big + +64 +00:01:40,069 --> 00:01:40,079 +glad you shared that with me it's a big + + +65 +00:01:40,079 --> 00:01:42,870 +glad you shared that with me it's a big +step for both of us guys consider what + +66 +00:01:42,870 --> 00:01:42,880 +step for both of us guys consider what + + +67 +00:01:42,880 --> 00:01:45,590 +step for both of us guys consider what +we did for you last night a favor now do + +68 +00:01:45,590 --> 00:01:45,600 +we did for you last night a favor now do + + +69 +00:01:45,600 --> 00:01:48,910 +we did for you last night a favor now do +us a favor and never talk to us again + +70 +00:01:48,910 --> 00:01:48,920 +us a favor and never talk to us again + + +71 +00:01:48,920 --> 00:01:51,230 +us a favor and never talk to us again +what what did we do wrong we'll change + +72 +00:01:51,230 --> 00:01:51,240 +what what did we do wrong we'll change + + +73 +00:01:51,240 --> 00:01:53,910 +what what did we do wrong we'll change +you can't change you and your brother + +74 +00:01:53,910 --> 00:01:53,920 +you can't change you and your brother + + +75 +00:01:53,920 --> 00:01:57,310 +you can't change you and your brother +are ugly pathetic losers I can't believe + +76 +00:01:57,310 --> 00:01:57,320 +are ugly pathetic losers I can't believe + + +77 +00:01:57,320 --> 00:02:08,890 +are ugly pathetic losers I can't believe +we actually had sex with these ass sads + +78 +00:02:08,890 --> 00:02:08,900 + + + +79 +00:02:08,900 --> 00:02:31,469 + +[Music] + diff --git a/1998/M9CgWWkwvdw.description b/1998/M9CgWWkwvdw.description new file mode 100644 index 0000000000000000000000000000000000000000..a561c5ea50c85c18fd00708f764dffab44734c6b --- /dev/null +++ b/1998/M9CgWWkwvdw.description @@ -0,0 +1,32 @@ +Antz - Kidnapping The Princess: While he is being honored as a war hero, Z (Woody Allen) hits on Princess Bala (Sharon Stone). +BUY THE MOVIE: https://www.fandangonow.com/details/movie/antz-1998/1MV216b23edb7e73a2df9e8f49dd565dce1?cmp=Movieclips_YT_Description + +Watch the best Antz scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqq4RR5pGR5pY3EilSK3Ojov + +FILM DESCRIPTION: +Z the worker ant (Woody Allen) strives to reconcile his own individuality with the communal work-ethic of the ant colony. He falls in love with ant-Princess Bala (Sharon Stone), Z strives to make social inroads, and then must save the ant colony from the treacherous scheming of the evil General Mandible (Gene Hackman) that threaten to wipe out the entire worker population. + +CREDITS: +TM & © Dreamworks (1998) +Cast: Anne Bancroft, Christopher Walken, Gene Hackman, Sharon Stone, Woody Allen +Director: Eric Darnell, Tim Johnson + +Watch More: +► Fresh New Clips: http://bit.ly/2taDWqW +► Classic Trailers: http://bit.ly/2qTCxHF +► Hot New Trailers: http://bit.ly/2qThrsF +► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL +► Indie Movie Clips: http://bit.ly/2qTZMRE +► Deleted Scenes: http://bit.ly/2ARbLPJ +► Bloopers: http://bit.ly/2qYmBnc +► Celebrity Interviews: http://bit.ly/2D4tzw4 + +Fuel Your Movie Obsession: +► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490 +► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV +► Like us on FACEBOOK: http://bit.ly/2DikvkY +► Follow us on TWITTER: http://bit.ly/2mgkaHb +► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU + +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans. \ No newline at end of file diff --git a/1998/M9CgWWkwvdw.en.srt b/1998/M9CgWWkwvdw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..21e0de229d642da0e75d201a0d7fff00af19f8c8 --- /dev/null +++ b/1998/M9CgWWkwvdw.en.srt @@ -0,0 +1,475 @@ +1 +00:00:04,850 --> 00:00:09,220 + +may I present Her Majesty the Queen + +2 +00:00:09,220 --> 00:00:09,230 +may I present Her Majesty the Queen + + +3 +00:00:09,230 --> 00:00:12,110 +may I present Her Majesty the Queen +charmed charmed and the royal princess + +4 +00:00:12,110 --> 00:00:12,120 +charmed charmed and the royal princess + + +5 +00:00:12,120 --> 00:00:18,200 +charmed charmed and the royal princess +Bala welcome home soldier we cannot + +6 +00:00:18,200 --> 00:00:18,210 +Bala welcome home soldier we cannot + + +7 +00:00:18,210 --> 00:00:20,390 +Bala welcome home soldier we cannot +begin to express our gratitude for your + +8 +00:00:20,390 --> 00:00:20,400 +begin to express our gratitude for your + + +9 +00:00:20,400 --> 00:00:22,580 +begin to express our gratitude for your +heroic efforts the private has asked me + +10 +00:00:22,580 --> 00:00:22,590 +heroic efforts the private has asked me + + +11 +00:00:22,590 --> 00:00:23,840 +heroic efforts the private has asked me +to convey is the most humble + +12 +00:00:23,840 --> 00:00:23,850 +to convey is the most humble + + +13 +00:00:23,850 --> 00:00:26,150 +to convey is the most humble +appreciation for this these these hint + +14 +00:00:26,150 --> 00:00:26,160 +appreciation for this these these hint + + +15 +00:00:26,160 --> 00:00:28,580 +appreciation for this these these hint +was nothing really just your average + +16 +00:00:28,580 --> 00:00:28,590 +was nothing really just your average + + +17 +00:00:28,590 --> 00:00:31,429 +was nothing really just your average +run-of-the-mill valor and extraordinary + +18 +00:00:31,429 --> 00:00:31,439 +run-of-the-mill valor and extraordinary + + +19 +00:00:31,439 --> 00:00:33,740 +run-of-the-mill valor and extraordinary +courageousness you know in the heat of + +20 +00:00:33,740 --> 00:00:33,750 +courageousness you know in the heat of + + +21 +00:00:33,750 --> 00:00:35,720 +courageousness you know in the heat of +battle there's there's very little time + +22 +00:00:35,720 --> 00:00:35,730 +battle there's there's very little time + + +23 +00:00:35,730 --> 00:00:38,690 +battle there's there's very little time +to think you know one must attack attack + +24 +00:00:38,690 --> 00:00:38,700 +to think you know one must attack attack + + +25 +00:00:38,700 --> 00:00:43,459 +to think you know one must attack attack +attack indeed as you can see your heart + +26 +00:00:43,459 --> 00:00:43,469 +attack indeed as you can see your heart + + +27 +00:00:43,469 --> 00:00:45,380 +attack indeed as you can see your heart +is the battlefield it's still fresh in + +28 +00:00:45,380 --> 00:00:45,390 +is the battlefield it's still fresh in + + +29 +00:00:45,390 --> 00:00:48,170 +is the battlefield it's still fresh in +his mind so begging your pardon but I + +30 +00:00:48,170 --> 00:00:48,180 +his mind so begging your pardon but I + + +31 +00:00:48,180 --> 00:00:50,450 +his mind so begging your pardon but I +think this is a perfect time to debrief + +32 +00:00:50,450 --> 00:00:50,460 +think this is a perfect time to debrief + + +33 +00:00:50,460 --> 00:00:53,750 +think this is a perfect time to debrief +the private please general not on our + +34 +00:00:53,750 --> 00:00:53,760 +the private please general not on our + + +35 +00:00:53,760 --> 00:00:58,220 +the private please general not on our +first date first date haven't I seen you + +36 +00:00:58,220 --> 00:00:58,230 +first date first date haven't I seen you + + +37 +00:00:58,230 --> 00:01:01,520 +first date first date haven't I seen you +somewhere before yes maybe and then + +38 +00:01:01,520 --> 00:01:01,530 +somewhere before yes maybe and then + + +39 +00:01:01,530 --> 00:01:05,859 +somewhere before yes maybe and then +again maybe not and then again yeah + +40 +00:01:05,859 --> 00:01:05,869 +again maybe not and then again yeah + + +41 +00:01:05,869 --> 00:01:09,490 +again maybe not and then again yeah +that's it you're that guy from the bar + +42 +00:01:09,490 --> 00:01:09,500 +that's it you're that guy from the bar + + +43 +00:01:09,500 --> 00:01:11,030 +that's it you're that guy from the bar +bah + +44 +00:01:11,030 --> 00:01:11,040 +bah + + +45 +00:01:11,040 --> 00:01:14,090 +bah +what bah I danced with this guy at the + +46 +00:01:14,090 --> 00:01:14,100 +what bah I danced with this guy at the + + +47 +00:01:14,100 --> 00:01:16,999 +what bah I danced with this guy at the +bar the other night he was just a worker + +48 +00:01:16,999 --> 00:01:17,009 +bar the other night he was just a worker + + +49 +00:01:17,009 --> 00:01:19,070 +bar the other night he was just a worker +then what were you doing at a bar + +50 +00:01:19,070 --> 00:01:19,080 +then what were you doing at a bar + + +51 +00:01:19,080 --> 00:01:22,219 +then what were you doing at a bar +precisely what I want to know no this + +52 +00:01:22,219 --> 00:01:22,229 +precisely what I want to know no this + + +53 +00:01:22,229 --> 00:01:24,320 +precisely what I want to know no this +isn't about me I mean look at this + +54 +00:01:24,320 --> 00:01:24,330 +isn't about me I mean look at this + + +55 +00:01:24,330 --> 00:01:26,780 +isn't about me I mean look at this +worker look what he's done I think + +56 +00:01:26,780 --> 00:01:26,790 +worker look what he's done I think + + +57 +00:01:26,790 --> 00:01:27,710 +worker look what he's done I think +you're thinking of someone else + +58 +00:01:27,710 --> 00:01:27,720 +you're thinking of someone else + + +59 +00:01:27,720 --> 00:01:31,069 +you're thinking of someone else +after all I am a soldier exactly you + +60 +00:01:31,069 --> 00:01:31,079 +after all I am a soldier exactly you + + +61 +00:01:31,079 --> 00:01:35,289 +after all I am a soldier exactly you +were a worker but now you're a war hero + +62 +00:01:35,289 --> 00:01:35,299 +were a worker but now you're a war hero + + +63 +00:01:35,299 --> 00:01:38,870 +were a worker but now you're a war hero +he's a worker a worker dance with my + +64 +00:01:38,870 --> 00:01:38,880 +he's a worker a worker dance with my + + +65 +00:01:38,880 --> 00:01:43,700 +he's a worker a worker dance with my +fiancee fiancee what wait a minute + +66 +00:01:43,700 --> 00:01:43,710 +fiancee fiancee what wait a minute + + +67 +00:01:43,710 --> 00:01:45,830 +fiancee fiancee what wait a minute +this is not how it looks I can explain + +68 +00:01:45,830 --> 00:01:45,840 +this is not how it looks I can explain + + +69 +00:01:45,840 --> 00:01:47,179 +this is not how it looks I can explain +this Hey + +70 +00:01:47,179 --> 00:01:47,189 +this Hey + + +71 +00:01:47,189 --> 00:01:48,819 +this Hey +she was the one making all the moves + +72 +00:01:48,819 --> 00:01:48,829 +she was the one making all the moves + + +73 +00:01:48,829 --> 00:01:50,940 +she was the one making all the moves +arrest him + +74 +00:01:50,940 --> 00:01:50,950 +arrest him + + +75 +00:01:50,950 --> 00:01:53,100 +arrest him +hey hey wait a minute take it easy can't + +76 +00:01:53,100 --> 00:01:53,110 +hey hey wait a minute take it easy can't + + +77 +00:01:53,110 --> 00:01:55,770 +hey hey wait a minute take it easy can't +we discuss this what are you doing my + +78 +00:01:55,770 --> 00:01:55,780 +we discuss this what are you doing my + + +79 +00:01:55,780 --> 00:01:59,429 +we discuss this what are you doing my +daughter he's taking our hostage no no + +80 +00:01:59,429 --> 00:01:59,439 +daughter he's taking our hostage no no + + +81 +00:01:59,439 --> 00:02:02,370 +daughter he's taking our hostage no no +I'm not I mean yes yes I am + +82 +00:02:02,370 --> 00:02:02,380 +I'm not I mean yes yes I am + + +83 +00:02:02,380 --> 00:02:04,859 +I'm not I mean yes yes I am +one more step in then the princess gets + +84 +00:02:04,859 --> 00:02:04,869 +one more step in then the princess gets + + +85 +00:02:04,869 --> 00:02:17,810 +one more step in then the princess gets +it let's go of me + +86 +00:02:17,810 --> 00:02:17,820 + + + +87 +00:02:17,820 --> 00:02:21,630 + +[Music] + +88 +00:02:21,630 --> 00:02:21,640 + + + +89 +00:02:21,640 --> 00:02:22,690 + +[Applause] + +90 +00:02:22,690 --> 00:02:22,700 +[Applause] + + +91 +00:02:22,700 --> 00:02:27,840 +[Applause] +[Music] + +92 +00:02:27,840 --> 00:02:27,850 + + + +93 +00:02:27,850 --> 00:02:31,440 + +what are you doing you creep + +94 +00:02:31,440 --> 00:02:31,450 +what are you doing you creep + + +95 +00:02:31,450 --> 00:02:42,779 +what are you doing you creep +[Music] + diff --git a/1998/MOKKPloglVE.en.srt b/1998/MOKKPloglVE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..956b269a85b3d95ed244a2354b8ade4609ccea65 --- /dev/null +++ b/1998/MOKKPloglVE.en.srt @@ -0,0 +1,108 @@ +1 +00:00:00,040 --> 00:00:00,740 +( beeping ) + +2 +00:00:01,260 --> 00:00:02,300 +( Didi does her lamaze breathing ) + +3 +00:00:03,080 --> 00:00:05,080 +DR. LUCY: Alright, Did, You can do it. Push now! + +4 +00:00:06,200 --> 00:00:07,860 +Have we got a good reading on the EFM? + +5 +00:00:08,000 --> 00:00:09,860 +( screaming ) + +6 +00:00:15,420 --> 00:00:16,540 +( dinosaur roaring ) + +7 +00:00:24,520 --> 00:00:25,300 +Here it comes. + +8 +00:00:25,960 --> 00:00:26,460 +Gorgeous! + +9 +00:00:26,560 --> 00:00:31,220 +Didi, she's so beautiful. She's... she's a boy! + +10 +00:00:33,120 --> 00:00:37,020 +Hello, my wonderful, sweet baby boy. + +11 +00:00:37,120 --> 00:00:40,040 +( baby crying ) + +12 +00:00:44,800 --> 00:00:47,540 +STU: Well, I guess we won't be naming him after my mother. + +13 +00:00:47,580 --> 00:00:51,560 +DIDI: He doesn't look much like a Trixie. What about my cousin Dylan? + +14 +00:00:51,600 --> 00:00:53,560 +Dylan Prescott Pickles. + +15 +00:00:53,800 --> 00:00:55,280 +Dil Pickles. + +16 +00:00:56,040 --> 00:00:58,040 +Yeah, I like it. + +17 +00:01:03,800 --> 00:01:05,500 +GRANDPA LOU: Here you go, sprout. + +18 +00:01:09,040 --> 00:01:17,380 +Tommy, I want you to meet someone very special. This is your brother, Dylan. Dil, this is Tommy. + +19 +00:01:18,700 --> 00:01:20,180 +( gasps ) + +20 +00:01:20,820 --> 00:01:22,320 +Baby... + +21 +00:01:23,760 --> 00:01:27,140 +See, they already love each other. + +22 +00:01:27,760 --> 00:01:28,400 +( hiccups ) + +23 +00:01:29,320 --> 00:01:30,500 +Uhh! ( groaning ) + +24 +00:01:30,780 --> 00:01:32,400 +( crying ) + +25 +00:01:33,300 --> 00:01:34,760 +( bawling ) + +26 +00:01:35,360 --> 00:01:36,760 +( both crying ) + +27 +00:01:38,860 --> 00:01:40,580 +Well, that's a start. + diff --git a/1998/MZhNDpll2Vg.en.srt b/1998/MZhNDpll2Vg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7374663f3425eafcefae83fc73e844c52333067e --- /dev/null +++ b/1998/MZhNDpll2Vg.en.srt @@ -0,0 +1,425 @@ +1 +00:00:00,480 --> 00:00:02,669 + +do you like westerns + +2 +00:00:02,669 --> 00:00:02,679 +do you like westerns + + +3 +00:00:02,679 --> 00:00:04,910 +do you like westerns +Frost what the is that supposed to + +4 +00:00:04,910 --> 00:00:04,920 +Frost what the is that supposed to + + +5 +00:00:04,920 --> 00:00:06,070 +Frost what the is that supposed to +mean + +6 +00:00:06,070 --> 00:00:06,080 +mean + + +7 +00:00:06,080 --> 00:00:09,390 +mean +huh I like Western I can't get enough of + +8 +00:00:09,390 --> 00:00:09,400 +huh I like Western I can't get enough of + + +9 +00:00:09,400 --> 00:00:11,390 +huh I like Western I can't get enough of +them watch them all the time my + +10 +00:00:11,390 --> 00:00:11,400 +them watch them all the time my + + +11 +00:00:11,400 --> 00:00:12,549 +them watch them all the time my +favorites have always been the ones + +12 +00:00:12,549 --> 00:00:12,559 +favorites have always been the ones + + +13 +00:00:12,559 --> 00:00:16,150 +favorites have always been the ones +where the hero dies at the + +14 +00:00:16,150 --> 00:00:16,160 + + + +15 +00:00:16,160 --> 00:00:20,429 + +end you remember Shane Danny what I + +16 +00:00:20,429 --> 00:00:20,439 +end you remember Shane Danny what I + + +17 +00:00:20,439 --> 00:00:32,150 +end you remember Shane Danny what I +think you're right Shane died at the end + +18 +00:00:32,150 --> 00:00:32,160 + + + +19 +00:00:32,160 --> 00:00:34,270 + +so you killed + +20 +00:00:34,270 --> 00:00:34,280 +so you killed + + +21 +00:00:34,280 --> 00:00:38,790 +so you killed +Nathan I killed + +22 +00:00:38,790 --> 00:00:38,800 + + + +23 +00:00:38,800 --> 00:00:41,910 + +Danny and now my hands are just as dirty + +24 +00:00:41,910 --> 00:00:41,920 +Danny and now my hands are just as dirty + + +25 +00:00:41,920 --> 00:00:45,310 +Danny and now my hands are just as dirty +as yours only I still have the evidence + +26 +00:00:45,310 --> 00:00:45,320 +as yours only I still have the evidence + + +27 +00:00:45,320 --> 00:00:47,189 +as yours only I still have the evidence +so I'd say I'm in a very good position + +28 +00:00:47,189 --> 00:00:47,199 +so I'd say I'm in a very good position + + +29 +00:00:47,199 --> 00:00:48,750 +so I'd say I'm in a very good position +to + +30 +00:00:48,750 --> 00:00:48,760 +to + + +31 +00:00:48,760 --> 00:00:51,229 +to +negotiate so you want to + +32 +00:00:51,229 --> 00:00:51,239 +negotiate so you want to + + +33 +00:00:51,239 --> 00:00:54,229 +negotiate so you want to +deal you deal with + +34 +00:00:54,229 --> 00:00:54,239 +deal you deal with + + +35 +00:00:54,239 --> 00:00:57,150 +deal you deal with +me and uh there's a time limit on these + +36 +00:00:57,150 --> 00:00:57,160 +me and uh there's a time limit on these + + +37 +00:00:57,160 --> 00:00:58,630 +me and uh there's a time limit on these +negotiations cuz we're about to be + +38 +00:00:58,630 --> 00:00:58,640 +negotiations cuz we're about to be + + +39 +00:00:58,640 --> 00:01:00,830 +negotiations cuz we're about to be +interrupted so let's do this quickly I + +40 +00:01:00,830 --> 00:01:00,840 +interrupted so let's do this quickly I + + +41 +00:01:00,840 --> 00:01:09,310 +interrupted so let's do this quickly I +want in 60% of everything you've + +42 +00:01:09,310 --> 00:01:09,320 + + + +43 +00:01:09,320 --> 00:01:12,670 + +taken well I can't give you what I don't + +44 +00:01:12,670 --> 00:01:12,680 +taken well I can't give you what I don't + + +45 +00:01:12,680 --> 00:01:16,070 +taken well I can't give you what I don't +have you see I spent a lot of my + +46 +00:01:16,070 --> 00:01:16,080 +have you see I spent a lot of my + + +47 +00:01:16,080 --> 00:01:18,350 +have you see I spent a lot of my +take also I don't know how much Alan + +48 +00:01:18,350 --> 00:01:18,360 +take also I don't know how much Alan + + +49 +00:01:18,360 --> 00:01:20,350 +take also I don't know how much Alan +Helman and Argento have left we use a + +50 +00:01:20,350 --> 00:01:20,360 +Helman and Argento have left we use a + + +51 +00:01:20,360 --> 00:01:24,030 +Helman and Argento have left we use a +lot of it to sit rolling up all right + +52 +00:01:24,030 --> 00:01:24,040 +lot of it to sit rolling up all right + + +53 +00:01:24,040 --> 00:01:26,030 +lot of it to sit rolling up all right +50% of what you don't + +54 +00:01:26,030 --> 00:01:26,040 +50% of what you don't + + +55 +00:01:26,040 --> 00:01:33,149 +50% of what you don't +have 30% 45 + +56 +00:01:33,149 --> 00:01:33,159 + + + +57 +00:01:33,159 --> 00:01:38,429 + +35 you should have been a + +58 +00:01:38,429 --> 00:01:38,439 + + + +59 +00:01:38,439 --> 00:01:39,990 + +negotiator + +60 +00:01:39,990 --> 00:01:40,000 +negotiator + + +61 +00:01:40,000 --> 00:01:43,230 +negotiator +right I want all the evidence + +62 +00:01:43,230 --> 00:01:43,240 +right I want all the evidence + + +63 +00:01:43,240 --> 00:01:47,310 +right I want all the evidence +destroyed + +64 +00:01:47,310 --> 00:01:47,320 + + + +65 +00:01:47,320 --> 00:01:52,069 + +deal this is everything + +66 +00:01:52,069 --> 00:01:52,079 + + + +67 +00:01:52,079 --> 00:02:10,570 + +huh what do you think + +68 +00:02:10,570 --> 00:02:10,580 + + + +69 +00:02:10,580 --> 00:02:20,270 + +[Music] + +70 +00:02:20,270 --> 00:02:20,280 +[Music] + + +71 +00:02:20,280 --> 00:02:28,070 +[Music] +Danny Roman's been + +72 +00:02:28,070 --> 00:02:28,080 + + + +73 +00:02:28,080 --> 00:02:30,670 + +shot his dad + +74 +00:02:30,670 --> 00:02:30,680 +shot his dad + + +75 +00:02:30,680 --> 00:02:33,509 +shot his dad +let's get you some + +76 +00:02:33,509 --> 00:02:33,519 + + + +77 +00:02:33,519 --> 00:02:36,509 + +help come on here we + +78 +00:02:36,509 --> 00:02:36,519 +help come on here we + + +79 +00:02:36,519 --> 00:02:41,490 +help come on here we +go that's it come on there you + +80 +00:02:41,490 --> 00:02:41,500 +go that's it come on there you + + +81 +00:02:41,500 --> 00:02:54,670 +go that's it come on there you +[Music] + +82 +00:02:54,670 --> 00:02:54,680 +[Music] + + +83 +00:02:54,680 --> 00:02:59,480 +[Music] +go we got an officer down in here + +84 +00:02:59,480 --> 00:02:59,490 +go we got an officer down in here + + +85 +00:02:59,490 --> 00:03:30,539 +go we got an officer down in here +[Music] + diff --git a/1998/MdwuW8n3JYA.description b/1998/MdwuW8n3JYA.description new file mode 100644 index 0000000000000000000000000000000000000000..c833f87b289372262abfa72501af84b377a5c401 --- /dev/null +++ b/1998/MdwuW8n3JYA.description @@ -0,0 +1,38 @@ +The Truman Show movie clips: http://j.mp/15vKx22 +BUY THE MOVIE: http://amzn.to/tZMnTl +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Truman (Jim Carrey) is confused by a lighting rig that falls from the sky, but the radio announcer provides an easy explanation. + +FILM DESCRIPTION: +Peter Weir directed this comedy-drama, a commentary on all-pervasive media manipulation. Scripted by Andrew M. Niccol (Gattaca), the film plays like a combination of the British TV series The Prisoner and Paul Bartel's The Secret Cinema. Truman Burbank (Jim Carrey) is unaware that his entire life is a hugely popular 24-hour-a-day TV series. In this real-time documentary, every moment of Truman's existence is captured by concealed cameras and telecast to a giant global audience. His friends and family are actors who smile pleasantly at Truman's familiar catchphrase greeting, "In case I don't see you later, good afternoon, good evening, and good night!" Employed at an insurance company, Truman is married to merry Meryl (Laura Linney), and they live in the cheerful community of Seahaven, an island "paradise" where the weather is always mild and no unpleasantness intrudes. This is the basic situation of the series, which has grown over the years into a billion-dollar franchise for the TV network. As an unwanted pregnancy, Truman was adopted by the network and raised in the zoolike environment of a TV soundstage. Thus, the TV audience became hooked when Truman was very young. Now, at age 30, he still doesn't know he's a prisoner on an immense domed city-size soundstage, simulating Seahaven. Both the illusion and the ratings will collapse if Truman ever leaves Seahaven. In addition to elaborate events staged to make sure he stays put, Truman is given constant reminders of how wonderful Seahaven is compared to dangers in other parts of the world. However, his growing suspicions make him curious enough to try to leave, and the show's director and master manipulator Christof (Ed Harris) must constantly devise ways to thwart Truman's escape attempts. To enter the harbor, Truman must overcome his fear of water, intentionally instilled in him when his father "died" in a boating accident and was written out of the script. Exteriors were filmed in the Victorian-styled upscale community of Seaside, Florida. In addition to the Burkhard Dallwitz score, original music by Philip Glass and classical excerpts are also featured. + +CREDITS: +TM & © Paramount (1998) +Cast: Jim Carrey, Mal Jones, Ted Raymond, Don Taylor, Ron Taylor +Director: Peter Weir +Producers: Edward S. Feldman, Andrew Niccol, Richard Luke Rothschild, Scott Rudin, Lynn Pleshette, Adam Schroeder +Screenwriter: Andrew Niccol + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/MdwuW8n3JYA.en.srt b/1998/MdwuW8n3JYA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..28dff0aa9feb0aa571d6a1eb0b1f0f1e51156144 --- /dev/null +++ b/1998/MdwuW8n3JYA.en.srt @@ -0,0 +1,345 @@ +1 +00:00:01,160 --> 00:00:04,390 + +good morning morning good morning oh and + +2 +00:00:04,390 --> 00:00:04,400 +good morning morning good morning oh and + + +3 +00:00:04,400 --> 00:00:06,349 +good morning morning good morning oh and +in case I don't see you good afternoon + +4 +00:00:06,349 --> 00:00:06,359 +in case I don't see you good afternoon + + +5 +00:00:06,359 --> 00:00:08,950 +in case I don't see you good afternoon +good evening and good + +6 +00:00:08,950 --> 00:00:08,960 +good evening and good + + +7 +00:00:08,960 --> 00:00:11,950 +good evening and good +night yeah yeah morning Truman morning + +8 +00:00:11,950 --> 00:00:11,960 +night yeah yeah morning Truman morning + + +9 +00:00:11,960 --> 00:00:14,789 +night yeah yeah morning Truman morning +Spencer Hey Pluto no no no get down he + +10 +00:00:14,789 --> 00:00:14,799 +Spencer Hey Pluto no no no get down he + + +11 +00:00:14,799 --> 00:00:18,550 +Spencer Hey Pluto no no no get down he +won't hurt you get down yeah I know it's + +12 +00:00:18,550 --> 00:00:18,560 +won't hurt you get down yeah I know it's + + +13 +00:00:18,560 --> 00:00:42,990 +won't hurt you get down yeah I know it's +just me come on Pluto + +14 +00:00:42,990 --> 00:00:43,000 + + + +15 +00:00:43,000 --> 00:01:05,109 + +this + +16 +00:01:05,109 --> 00:01:05,119 + + + +17 +00:01:05,119 --> 00:01:06,830 + +here's a news flash just then an + +18 +00:01:06,830 --> 00:01:06,840 +here's a news flash just then an + + +19 +00:01:06,840 --> 00:01:09,429 +here's a news flash just then an +aircraft in trouble began shedding Parts + +20 +00:01:09,429 --> 00:01:09,439 +aircraft in trouble began shedding Parts + + +21 +00:01:09,439 --> 00:01:11,030 +aircraft in trouble began shedding Parts +as it flew over sea Haven just a few + +22 +00:01:11,030 --> 00:01:11,040 +as it flew over sea Haven just a few + + +23 +00:01:11,040 --> 00:01:14,390 +as it flew over sea Haven just a few +moments ago wow luckily no one was hurt + +24 +00:01:14,390 --> 00:01:14,400 +moments ago wow luckily no one was hurt + + +25 +00:01:14,400 --> 00:01:16,350 +moments ago wow luckily no one was hurt +but hey how do you feel + +26 +00:01:16,350 --> 00:01:16,360 +but hey how do you feel + + +27 +00:01:16,360 --> 00:01:18,469 +but hey how do you feel +today that's good you think I'm flying + +28 +00:01:18,469 --> 00:01:18,479 +today that's good you think I'm flying + + +29 +00:01:18,479 --> 00:01:21,630 +today that's good you think I'm flying +somewhere nope oh good this is classical + +30 +00:01:21,630 --> 00:01:21,640 +somewhere nope oh good this is classical + + +31 +00:01:21,640 --> 00:01:23,270 +somewhere nope oh good this is classical +fly with classical drive so why don't + +32 +00:01:23,270 --> 00:01:23,280 +fly with classical drive so why don't + + +33 +00:01:23,280 --> 00:01:25,510 +fly with classical drive so why don't +you forget about the pearls of flying + +34 +00:01:25,510 --> 00:01:25,520 +you forget about the pearls of flying + + +35 +00:01:25,520 --> 00:01:27,870 +you forget about the pearls of flying +settle back and let this music calm you + +36 +00:01:27,870 --> 00:01:27,880 +settle back and let this music calm you + + +37 +00:01:27,880 --> 00:01:32,990 +settle back and let this music calm you +down + +38 +00:01:32,990 --> 00:01:33,000 + + + +39 +00:01:33,000 --> 00:01:36,149 + +dog Fancy please do fancy good thank + +40 +00:01:36,149 --> 00:01:36,159 +dog Fancy please do fancy good thank + + +41 +00:01:36,159 --> 00:01:37,670 +dog Fancy please do fancy good thank +thank you very + +42 +00:01:37,670 --> 00:01:37,680 +thank you very + + +43 +00:01:37,680 --> 00:01:39,950 +thank you very +much give me a paper there will you + +44 +00:01:39,950 --> 00:01:39,960 +much give me a paper there will you + + +45 +00:01:39,960 --> 00:01:44,389 +much give me a paper there will you +arrol oh and uh one of these the wife + +46 +00:01:44,389 --> 00:01:44,399 +arrol oh and uh one of these the wife + + +47 +00:01:44,399 --> 00:01:47,069 +arrol oh and uh one of these the wife +loves her fashion mags that'd be all for + +48 +00:01:47,069 --> 00:01:47,079 +loves her fashion mags that'd be all for + + +49 +00:01:47,079 --> 00:01:48,590 +loves her fashion mags that'd be all for +you tman that's the whole kitten + +50 +00:01:48,590 --> 00:01:48,600 +you tman that's the whole kitten + + +51 +00:01:48,600 --> 00:01:50,749 +you tman that's the whole kitten +Kaboodle CCH you L + +52 +00:01:50,749 --> 00:01:50,759 +Kaboodle CCH you L + + +53 +00:01:50,759 --> 00:01:52,810 +Kaboodle CCH you L +got + +54 +00:01:52,810 --> 00:01:52,820 +got + + +55 +00:01:52,820 --> 00:01:58,310 +got +[Music] + +56 +00:01:58,310 --> 00:01:58,320 +[Music] + + +57 +00:01:58,320 --> 00:02:01,870 +[Music] +yeah warning + +58 +00:02:01,870 --> 00:02:01,880 + + + +59 +00:02:01,880 --> 00:02:03,389 + +hey morning + +60 +00:02:03,389 --> 00:02:03,399 +hey morning + + +61 +00:02:03,399 --> 00:02:05,550 +hey morning +Truman good morning Trum good morning + +62 +00:02:05,550 --> 00:02:05,560 +Truman good morning Trum good morning + + +63 +00:02:05,560 --> 00:02:07,630 +Truman good morning Trum good morning +Truman hey how are you guys beautiful + +64 +00:02:07,630 --> 00:02:07,640 +Truman hey how are you guys beautiful + + +65 +00:02:07,640 --> 00:02:10,949 +Truman hey how are you guys beautiful +day isn't always and how's your lovely + +66 +00:02:10,949 --> 00:02:10,959 +day isn't always and how's your lovely + + +67 +00:02:10,959 --> 00:02:12,430 +day isn't always and how's your lovely +wife + +68 +00:02:12,430 --> 00:02:12,440 +wife + + +69 +00:02:12,440 --> 00:02:43,509 +wife +[Music] + diff --git a/1998/MeHr3ZYy_g8.en.srt b/1998/MeHr3ZYy_g8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..410c85747321d8736f8756dc83a983c3eef7156b --- /dev/null +++ b/1998/MeHr3ZYy_g8.en.srt @@ -0,0 +1,255 @@ +1 +00:00:00,280 --> 00:00:02,470 + +it's too weird man you can't open that + +2 +00:00:02,470 --> 00:00:02,480 +it's too weird man you can't open that + + +3 +00:00:02,480 --> 00:00:04,710 +it's too weird man you can't open that +door what is it Steve I don't know what + +4 +00:00:04,710 --> 00:00:04,720 +door what is it Steve I don't know what + + +5 +00:00:04,720 --> 00:00:06,990 +door what is it Steve I don't know what +you got Richie I don't know it could be + +6 +00:00:06,990 --> 00:00:07,000 +you got Richie I don't know it could be + + +7 +00:00:07,000 --> 00:00:10,070 +you got Richie I don't know it could be +squeaky Let me see let me see what are + +8 +00:00:10,070 --> 00:00:10,080 +squeaky Let me see let me see what are + + +9 +00:00:10,080 --> 00:00:12,230 +squeaky Let me see let me see what are +you doing what the hell is + +10 +00:00:12,230 --> 00:00:12,240 +you doing what the hell is + + +11 +00:00:12,240 --> 00:00:14,869 +you doing what the hell is +that open the door open the door open + +12 +00:00:14,869 --> 00:00:14,879 +that open the door open the door open + + +13 +00:00:14,879 --> 00:00:42,950 +that open the door open the door open +the door open the + +14 +00:00:42,950 --> 00:00:42,960 + + + +15 +00:00:42,960 --> 00:00:45,940 + +squeak help me for God sake + +16 +00:00:45,940 --> 00:00:45,950 +squeak help me for God sake + + +17 +00:00:45,950 --> 00:00:48,670 +squeak help me for God sake +[Applause] + +18 +00:00:48,670 --> 00:00:48,680 +[Applause] + + +19 +00:00:48,680 --> 00:00:51,940 +[Applause] +R + +20 +00:00:51,940 --> 00:00:51,950 +R + + +21 +00:00:51,950 --> 00:01:08,149 +R +[Music] + +22 +00:01:08,149 --> 00:01:08,159 + + + +23 +00:01:08,159 --> 00:01:14,040 + +this way this way Steve come + +24 +00:01:14,040 --> 00:01:14,050 + + + +25 +00:01:14,050 --> 00:01:16,469 + +[Music] + +26 +00:01:16,469 --> 00:01:16,479 +[Music] + + +27 +00:01:16,479 --> 00:01:19,510 +[Music] +on where are we Communications room good + +28 +00:01:19,510 --> 00:01:19,520 +on where are we Communications room good + + +29 +00:01:19,520 --> 00:01:22,270 +on where are we Communications room good +I'm calling for + +30 +00:01:22,270 --> 00:01:22,280 + + + +31 +00:01:22,280 --> 00:01:25,310 + +help did you trash this we destroyed + +32 +00:01:25,310 --> 00:01:25,320 +help did you trash this we destroyed + + +33 +00:01:25,320 --> 00:01:33,030 +help did you trash this we destroyed +every transmitter on the ship + +34 +00:01:33,030 --> 00:01:33,040 + + + +35 +00:01:33,040 --> 00:01:37,230 + +that's that's + +36 +00:01:37,230 --> 00:01:37,240 + + + +37 +00:01:37,240 --> 00:01:39,789 + +I I tell you what you need smash this + +38 +00:01:39,789 --> 00:01:39,799 +I I tell you what you need smash this + + +39 +00:01:39,799 --> 00:01:41,190 +I I tell you what you need smash this +mayele mele + +40 +00:01:41,190 --> 00:01:41,200 +mayele mele + + +41 +00:01:41,200 --> 00:01:44,230 +mayele mele +Mele what the hell is wrong with you are + +42 +00:01:44,230 --> 00:01:44,240 +Mele what the hell is wrong with you are + + +43 +00:01:44,240 --> 00:01:47,670 +Mele what the hell is wrong with you are +you out of your M no one else is + +44 +00:01:47,670 --> 00:01:47,680 +you out of your M no one else is + + +45 +00:01:47,680 --> 00:01:50,310 +you out of your M no one else is +going to claim Salvage on this vessel + +46 +00:01:50,310 --> 00:01:50,320 +going to claim Salvage on this vessel + + +47 +00:01:50,320 --> 00:01:53,350 +going to claim Salvage on this vessel +but + +48 +00:01:53,350 --> 00:01:53,360 + + + +49 +00:01:53,360 --> 00:02:00,450 + +us you're no longer in charge + +50 +00:02:00,450 --> 00:02:00,460 + + + +51 +00:02:00,460 --> 00:02:11,789 + +[Music] + diff --git a/1998/NH_wHu33CMw.en.srt b/1998/NH_wHu33CMw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a2ae45c8caa008b9720e8a33c5d4dea519216727 --- /dev/null +++ b/1998/NH_wHu33CMw.en.srt @@ -0,0 +1,455 @@ +1 +00:00:00,599 --> 00:00:03,110 + +what's your name young man my name is + +2 +00:00:03,110 --> 00:00:03,120 +what's your name young man my name is + + +3 +00:00:03,120 --> 00:00:05,710 +what's your name young man my name is +Winston Winston + +4 +00:00:05,710 --> 00:00:05,720 +Winston Winston + + +5 +00:00:05,720 --> 00:00:08,230 +Winston Winston +Shakespeare and yours young lady my + +6 +00:00:08,230 --> 00:00:08,240 +Shakespeare and yours young lady my + + +7 +00:00:08,240 --> 00:00:10,910 +Shakespeare and yours young lady my +name's Stella Winston mhm see I gave you + +8 +00:00:10,910 --> 00:00:10,920 +name's Stella Winston mhm see I gave you + + +9 +00:00:10,920 --> 00:00:12,870 +name's Stella Winston mhm see I gave you +two names you only gave me one well the + +10 +00:00:12,870 --> 00:00:12,880 +two names you only gave me one well the + + +11 +00:00:12,880 --> 00:00:15,509 +two names you only gave me one well the +one I gave you was real Mr Shakespeare + +12 +00:00:15,509 --> 00:00:15,519 +one I gave you was real Mr Shakespeare + + +13 +00:00:15,519 --> 00:00:17,269 +one I gave you was real Mr Shakespeare +you didn't know Shakespeare was really + +14 +00:00:17,269 --> 00:00:17,279 +you didn't know Shakespeare was really + + +15 +00:00:17,279 --> 00:00:20,790 +you didn't know Shakespeare was really +black yeah man Socrates + +16 +00:00:20,790 --> 00:00:20,800 +black yeah man Socrates + + +17 +00:00:20,800 --> 00:00:24,830 +black yeah man Socrates +too so um where's your + +18 +00:00:24,830 --> 00:00:24,840 +too so um where's your + + +19 +00:00:24,840 --> 00:00:28,269 +too so um where's your +husband what makes you think I have one + +20 +00:00:28,269 --> 00:00:28,279 +husband what makes you think I have one + + +21 +00:00:28,279 --> 00:00:30,589 +husband what makes you think I have one +okay where's your boyfriend + +22 +00:00:30,589 --> 00:00:30,599 +okay where's your boyfriend + + +23 +00:00:30,599 --> 00:00:32,269 +okay where's your boyfriend +you know you ask a lot of questions to + +24 +00:00:32,269 --> 00:00:32,279 +you know you ask a lot of questions to + + +25 +00:00:32,279 --> 00:00:34,549 +you know you ask a lot of questions to +be so young where are your parents and + +26 +00:00:34,549 --> 00:00:34,559 +be so young where are your parents and + + +27 +00:00:34,559 --> 00:00:37,549 +be so young where are your parents and +how old are you my parents are at home + +28 +00:00:37,549 --> 00:00:37,559 +how old are you my parents are at home + + +29 +00:00:37,559 --> 00:00:38,670 +how old are you my parents are at home +when they + +30 +00:00:38,670 --> 00:00:38,680 +when they + + +31 +00:00:38,680 --> 00:00:41,470 +when they +belong and how old do you think I + +32 +00:00:41,470 --> 00:00:41,480 +belong and how old do you think I + + +33 +00:00:41,480 --> 00:00:43,029 +belong and how old do you think I +am + +34 +00:00:43,029 --> 00:00:43,039 +am + + +35 +00:00:43,039 --> 00:00:47,270 +am +25 really + +36 +00:00:47,270 --> 00:00:47,280 + + + +37 +00:00:47,280 --> 00:00:49,790 + +mhm well I'll be 21 on my next birthday + +38 +00:00:49,790 --> 00:00:49,800 +mhm well I'll be 21 on my next birthday + + +39 +00:00:49,800 --> 00:00:53,630 +mhm well I'll be 21 on my next birthday +so that makes me 20 he's not even legal + +40 +00:00:53,630 --> 00:00:53,640 +so that makes me 20 he's not even legal + + +41 +00:00:53,640 --> 00:00:55,029 +so that makes me 20 he's not even legal +and you + +42 +00:00:55,029 --> 00:00:55,039 +and you + + +43 +00:00:55,039 --> 00:00:56,790 +and you +are + +44 +00:00:56,790 --> 00:00:56,800 +are + + +45 +00:00:56,800 --> 00:01:01,310 +are +40 no truthfully + +46 +00:01:01,310 --> 00:01:01,320 + + + +47 +00:01:01,320 --> 00:01:04,829 + +oh let's not go there okay you look + +48 +00:01:04,829 --> 00:01:04,839 +oh let's not go there okay you look + + +49 +00:01:04,839 --> 00:01:07,469 +oh let's not go there okay you look +really really good I mean I never seen a + +50 +00:01:07,469 --> 00:01:07,479 +really really good I mean I never seen a + + +51 +00:01:07,479 --> 00:01:09,350 +really really good I mean I never seen a +40-year-old woman who looks like + +52 +00:01:09,350 --> 00:01:09,360 +40-year-old woman who looks like + + +53 +00:01:09,360 --> 00:01:14,230 +40-year-old woman who looks like +you + +54 +00:01:14,230 --> 00:01:14,240 + + + +55 +00:01:14,240 --> 00:01:17,469 + +thanks um so what + +56 +00:01:17,469 --> 00:01:17,479 +thanks um so what + + +57 +00:01:17,479 --> 00:01:20,749 +thanks um so what +um what brings you here to + +58 +00:01:20,749 --> 00:01:20,759 +um what brings you here to + + +59 +00:01:20,759 --> 00:01:22,990 +um what brings you here to +Jamaica I needed a + +60 +00:01:22,990 --> 00:01:23,000 +Jamaica I needed a + + +61 +00:01:23,000 --> 00:01:26,510 +Jamaica I needed a +vacation what about you why are you here + +62 +00:01:26,510 --> 00:01:26,520 +vacation what about you why are you here + + +63 +00:01:26,520 --> 00:01:27,950 +vacation what about you why are you here +oh I'm here staying with a friend of + +64 +00:01:27,950 --> 00:01:27,960 +oh I'm here staying with a friend of + + +65 +00:01:27,960 --> 00:01:30,830 +oh I'm here staying with a friend of +mine who works at the resort I just got + +66 +00:01:30,830 --> 00:01:30,840 +mine who works at the resort I just got + + +67 +00:01:30,840 --> 00:01:33,670 +mine who works at the resort I just got +my degree in biology uh but I don't know + +68 +00:01:33,670 --> 00:01:33,680 +my degree in biology uh but I don't know + + +69 +00:01:33,680 --> 00:01:36,350 +my degree in biology uh but I don't know +what to do with it so I'm here trying to + +70 +00:01:36,350 --> 00:01:36,360 +what to do with it so I'm here trying to + + +71 +00:01:36,360 --> 00:01:40,870 +what to do with it so I'm here trying to +land a summer job possibly learn to be a + +72 +00:01:40,870 --> 00:01:40,880 + + + +73 +00:01:40,880 --> 00:01:46,749 + +chef oh Winston is it yes that's + +74 +00:01:46,749 --> 00:01:46,759 +chef oh Winston is it yes that's + + +75 +00:01:46,759 --> 00:01:49,789 +chef oh Winston is it yes that's +nice wait uh you haven't finished your + +76 +00:01:49,789 --> 00:01:49,799 +nice wait uh you haven't finished your + + +77 +00:01:49,799 --> 00:01:53,270 +nice wait uh you haven't finished your +breakfast yet oh yes I + +78 +00:01:53,270 --> 00:01:53,280 +breakfast yet oh yes I + + +79 +00:01:53,280 --> 00:01:58,270 +breakfast yet oh yes I +have okay uh will you be going to the uh + +80 +00:01:58,270 --> 00:01:58,280 +have okay uh will you be going to the uh + + +81 +00:01:58,280 --> 00:02:01,469 +have okay uh will you be going to the uh +the pajama disco tonight what we wee our + +82 +00:02:01,469 --> 00:02:01,479 +the pajama disco tonight what we wee our + + +83 +00:02:01,479 --> 00:02:04,069 +the pajama disco tonight what we wee our +bed clothes and uh well we party you + +84 +00:02:04,069 --> 00:02:04,079 +bed clothes and uh well we party you + + +85 +00:02:04,079 --> 00:02:06,670 +bed clothes and uh well we party you +know we dance we have a good time you + +86 +00:02:06,670 --> 00:02:06,680 +know we dance we have a good time you + + +87 +00:02:06,680 --> 00:02:09,309 +know we dance we have a good time you +can't be serious no come on now I mean + +88 +00:02:09,309 --> 00:02:09,319 +can't be serious no come on now I mean + + +89 +00:02:09,319 --> 00:02:11,880 +can't be serious no come on now I mean +it's your first night in Jamaica + +90 +00:02:11,880 --> 00:02:11,890 +it's your first night in Jamaica + + +91 +00:02:11,890 --> 00:02:41,150 +it's your first night in Jamaica +[Music] + diff --git a/1998/NieC8KA0EvI.en.srt b/1998/NieC8KA0EvI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..04d26a3ad096feee0923c8a1ba18224b240c6083 --- /dev/null +++ b/1998/NieC8KA0EvI.en.srt @@ -0,0 +1,266 @@ +1 +00:00:00,240 --> 00:00:03,320 +Many nights we've prayed ... + +2 +00:00:04,400 --> 00:00:08,760 +... with no proof anyone could hear. + +3 +00:00:09,200 --> 00:00:13,020 +In our hearts a hopeful song ... + +4 +00:00:13,620 --> 00:00:17,140 +... we barely understood. + +5 +00:00:18,040 --> 00:00:22,280 +Now we are not afraid. + +6 +00:00:22,820 --> 00:00:26,600 +Although we know there's much to fear. + +7 +00:00:27,340 --> 00:00:30,600 +We were moving mountains ... + +8 +00:00:30,900 --> 00:00:36,280 +... long before we knew we could. + +9 +00:00:36,980 --> 00:00:40,500 +There can be miracles + +10 +00:00:41,000 --> 00:00:44,480 +When you believe. + +11 +00:00:44,840 --> 00:00:47,820 +Though hope is frail. + +12 +00:00:48,140 --> 00:00:50,320 +It's hard to kill. + +13 +00:00:53,140 --> 00:00:56,740 +Who knows what miracles, + +14 +00:00:57,000 --> 00:01:00,660 +You can achieve. + +15 +00:01:01,160 --> 00:01:04,160 +When you believe. + +16 +00:01:04,300 --> 00:01:07,200 +Somehow you will. + +17 +00:01:09,580 --> 00:01:15,000 +You will when you believe. + +18 +00:01:17,560 --> 00:01:19,840 +In this time of fear, + +19 +00:01:20,900 --> 00:01:24,140 +When prayer so often proved in vain. + +20 +00:01:25,220 --> 00:01:28,240 +Hope seemed like the summer birds . + +21 +00:01:28,480 --> 00:01:31,280 +Too swiftly flown away. + +22 +00:01:32,640 --> 00:01:35,120 +Yet now I'm standing here. + +23 +00:01:35,120 --> 00:01:37,300 +(Now I'm standing here) + +24 +00:01:37,300 --> 00:01:40,620 +With heart so full I can't explain + +25 +00:01:41,140 --> 00:01:44,240 +Seeking faith and speaking words + +26 +00:01:44,520 --> 00:01:47,900 +I never thought I'd say. + +27 +00:01:49,700 --> 00:01:53,040 +There can be miracles + +28 +00:01:53,340 --> 00:01:55,340 +When you believe + +29 +00:01:55,340 --> 00:01:56,920 +(When you believe) + +30 +00:01:57,500 --> 00:02:00,040 +Though hope is frail + +31 +00:02:00,480 --> 00:02:02,620 +Its hard to kill + +32 +00:02:02,700 --> 00:02:04,520 +(Its hard to kill) + +33 +00:02:05,280 --> 00:02:08,840 +Who knows what miracles + +34 +00:02:09,120 --> 00:02:11,060 +You can achieve. + +35 +00:02:11,060 --> 00:02:12,860 +(You can achieve) + +36 +00:02:12,860 --> 00:02:15,900 +When you believe + +37 +00:02:16,360 --> 00:02:20,240 +Somehow you will + +38 +00:02:20,980 --> 00:02:24,640 +You will when you believe. + +39 +00:02:24,860 --> 00:02:31,480 +A-shi-ra la-do-nai ki ga-oh ga-ah. +(I will sing to the Lord for He has triumphed gloriously) + +40 +00:02:31,920 --> 00:02:38,560 +A-shi-ra la-do-nai ki ga-oh ga-ah. +(I will sing to the Lord for He has triumphed gloriously) + +41 +00:02:39,140 --> 00:02:44,520 +Mi-cha-mo-cha ba-e-lim adonai. +(Who is like You, oh Lord, among the celestials) + +42 +00:02:44,660 --> 00:02:49,680 +Mi-cha-mo-cha ne-dar-ba-ko-desh. +(Who is like You, majestic in holiness) + +43 +00:02:49,760 --> 00:02:54,220 +Na-chi-tah v'-chas-d'-cha am zu ga-al-ta. +(In Your love, You lead the people You redeemed) + +44 +00:02:54,720 --> 00:02:58,900 +Na-chi-tah v'-chas-d'-cha am zu ga-al-ta. +(In Your love, You lead the people You redeemed) + +45 +00:02:59,400 --> 00:03:03,060 +A-shi-ra, A-shi-ra, A-shi-ra... + +46 +00:03:03,060 --> 00:03:06,400 +A-shir-ra I'a-do-nai ki ga-oh ga-ah. + +47 +00:03:06,680 --> 00:03:10,240 +A-shir-ra I'a-do-nai ki ga-oh ga-ah. + +48 +00:03:10,320 --> 00:03:13,540 +Mi-cha-mo-cha ba-e-lim adonai. + +49 +00:03:13,540 --> 00:03:17,080 +Mi-cha-mo-cha ne-dar-ba-ko-desh. + +50 +00:03:17,080 --> 00:03:20,540 +Na-chi-tah v'-chas-d'-cha am zu ga-al-ta. + +51 +00:03:20,620 --> 00:03:24,080 +Na-chi-tah v'-chas-d'-cha am zu ga-al-ta. + +52 +00:03:24,320 --> 00:03:30,960 +A-shi-ra, A-shi-ra, A-shi-ra. + +53 +00:03:31,140 --> 00:03:34,640 +There can be miracles + +54 +00:03:34,820 --> 00:03:38,740 +When you believe + +55 +00:03:39,000 --> 00:03:41,900 +Though hope is frail. + +56 +00:03:42,200 --> 00:03:44,060 +It's hard to kill. + +57 +00:03:44,060 --> 00:03:46,540 +(It's hard to kill) + +58 +00:03:46,820 --> 00:03:50,820 +Who knows what miracles + +59 +00:03:50,900 --> 00:03:52,900 +You can achieve. + +60 +00:03:52,900 --> 00:03:54,540 +(You can achieve) + +61 +00:03:54,640 --> 00:03:57,640 +When you believe + +62 +00:03:57,740 --> 00:04:01,880 +Somehow you will + +63 +00:04:02,080 --> 00:04:06,560 +(Now you will) + +64 +00:04:06,680 --> 00:04:11,980 +You will when you believe. + +65 +00:04:15,140 --> 00:04:22,040 +You will when you believe. + diff --git a/1998/NrXQSp7Uz0A.en.srt b/1998/NrXQSp7Uz0A.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d0ee3b35821dd0cfca2bd28ab215c9c04af7ddbe --- /dev/null +++ b/1998/NrXQSp7Uz0A.en.srt @@ -0,0 +1,545 @@ +1 +00:00:00,320 --> 00:00:02,389 + +by now Sandra and I were deep into the + +2 +00:00:02,389 --> 00:00:02,399 +by now Sandra and I were deep into the + + +3 +00:00:02,399 --> 00:00:05,110 +by now Sandra and I were deep into the +shray oops sorry I dropped the eyes I'll + +4 +00:00:05,110 --> 00:00:05,120 +shray oops sorry I dropped the eyes I'll + + +5 +00:00:05,120 --> 00:00:07,110 +shray oops sorry I dropped the eyes I'll +give you a typical day she wakes up at + +6 +00:00:07,110 --> 00:00:07,120 +give you a typical day she wakes up at + + +7 +00:00:07,120 --> 00:00:12,150 +give you a typical day she wakes up at +7:00 heads to work going + +8 +00:00:12,150 --> 00:00:12,160 + + + +9 +00:00:12,160 --> 00:00:15,070 + +get 2 hours later I slime out of bed and + +10 +00:00:15,070 --> 00:00:15,080 +get 2 hours later I slime out of bed and + + +11 +00:00:15,080 --> 00:00:17,029 +get 2 hours later I slime out of bed and +start my + +12 +00:00:17,029 --> 00:00:17,039 +start my + + +13 +00:00:17,039 --> 00:00:21,050 +start my +regim wake up cross my + +14 +00:00:21,050 --> 00:00:21,060 +regim wake up cross my + + +15 +00:00:21,060 --> 00:00:23,750 +regim wake up cross my +[Music] + +16 +00:00:23,750 --> 00:00:23,760 +[Music] + + +17 +00:00:23,760 --> 00:00:25,950 +[Music] +eyes followed by a little weat grass + +18 +00:00:25,950 --> 00:00:25,960 +eyes followed by a little weat grass + + +19 +00:00:25,960 --> 00:00:31,990 +eyes followed by a little weat grass +because healthy eating is life + +20 +00:00:31,990 --> 00:00:32,000 + + + +21 +00:00:32,000 --> 00:00:34,990 + +then it's outside for a 5 Mile jog wait + +22 +00:00:34,990 --> 00:00:35,000 +then it's outside for a 5 Mile jog wait + + +23 +00:00:35,000 --> 00:00:37,310 +then it's outside for a 5 Mile jog wait +a minute you shoot heroin and Run 5 + +24 +00:00:37,310 --> 00:00:37,320 +a minute you shoot heroin and Run 5 + + +25 +00:00:37,320 --> 00:00:40,950 +a minute you shoot heroin and Run 5 +miles hey it was an LA J stay fit then + +26 +00:00:40,950 --> 00:00:40,960 +miles hey it was an LA J stay fit then + + +27 +00:00:40,960 --> 00:00:42,510 +miles hey it was an LA J stay fit then +it was off to Beverly Hills to crank out + +28 +00:00:42,510 --> 00:00:42,520 +it was off to Beverly Hills to crank out + + +29 +00:00:42,520 --> 00:00:47,470 +it was off to Beverly Hills to crank out +the snappy + +30 +00:00:47,470 --> 00:00:47,480 + + + +31 +00:00:47,480 --> 00:00:50,350 + +pattern my God where have you been did + +32 +00:00:50,350 --> 00:00:50,360 +pattern my God where have you been did + + +33 +00:00:50,360 --> 00:00:52,189 +pattern my God where have you been did +you read my notes no Craig I did not + +34 +00:00:52,189 --> 00:00:52,199 +you read my notes no Craig I did not + + +35 +00:00:52,199 --> 00:00:53,830 +you read my notes no Craig I did not +read the notes because I just got here + +36 +00:00:53,830 --> 00:00:53,840 +read the notes because I just got here + + +37 +00:00:53,840 --> 00:00:56,029 +read the notes because I just got here +but i' would be happy to them can sort + +38 +00:00:56,029 --> 00:00:56,039 +but i' would be happy to them can sort + + +39 +00:00:56,039 --> 00:01:01,069 +but i' would be happy to them can sort +this out it's obviously lisal cre please + +40 +00:01:01,069 --> 00:01:01,079 +this out it's obviously lisal cre please + + +41 +00:01:01,079 --> 00:01:04,229 +this out it's obviously lisal cre please +hello Jerry this show sucks and you're + +42 +00:01:04,229 --> 00:01:04,239 +hello Jerry this show sucks and you're + + +43 +00:01:04,239 --> 00:01:06,469 +hello Jerry this show sucks and you're +the only that can help us + +44 +00:01:06,469 --> 00:01:06,479 +the only that can help us + + +45 +00:01:06,479 --> 00:01:08,109 +the only that can help us +he's freaking me out Craig he's freaking + +46 +00:01:08,109 --> 00:01:08,119 +he's freaking me out Craig he's freaking + + +47 +00:01:08,119 --> 00:01:09,950 +he's freaking me out Craig he's freaking +me out with the puppet okay we start the + +48 +00:01:09,950 --> 00:01:09,960 +me out with the puppet okay we start the + + +49 +00:01:09,960 --> 00:01:11,550 +me out with the puppet okay we start the +First Act with a flashback to see Mr + +50 +00:01:11,550 --> 00:01:11,560 +First Act with a flashback to see Mr + + +51 +00:01:11,560 --> 00:01:12,910 +First Act with a flashback to see Mr +Chomper seeing Brad and Katie having + +52 +00:01:12,910 --> 00:01:12,920 +Chomper seeing Brad and Katie having + + +53 +00:01:12,920 --> 00:01:14,550 +Chomper seeing Brad and Katie having +their first fight only we age Brad and + +54 +00:01:14,550 --> 00:01:14,560 +their first fight only we age Brad and + + +55 +00:01:14,560 --> 00:01:16,350 +their first fight only we age Brad and +Katie back 5 years and then begin the + +56 +00:01:16,350 --> 00:01:16,360 +Katie back 5 years and then begin the + + +57 +00:01:16,360 --> 00:01:18,149 +Katie back 5 years and then begin the +second act exactly the same way we have + +58 +00:01:18,149 --> 00:01:18,159 +second act exactly the same way we have + + +59 +00:01:18,159 --> 00:01:20,069 +second act exactly the same way we have +little Mr Choppers here goting everybody + +60 +00:01:20,069 --> 00:01:20,079 +little Mr Choppers here goting everybody + + +61 +00:01:20,079 --> 00:01:22,270 +little Mr Choppers here goting everybody +on he goes to the freezer come on man + +62 +00:01:22,270 --> 00:01:22,280 +on he goes to the freezer come on man + + +63 +00:01:22,280 --> 00:01:23,429 +on he goes to the freezer come on man +give it to me give it to me give it to + +64 +00:01:23,429 --> 00:01:23,439 +give it to me give it to me give it to + + +65 +00:01:23,439 --> 00:01:30,270 +give it to me give it to me give it to +me to prepare randolin flesh trans + +66 +00:01:30,270 --> 00:01:30,280 +me to prepare randolin flesh trans + + +67 +00:01:30,280 --> 00:01:32,870 +me to prepare randolin flesh trans +I like that I love that get better Jerry + +68 +00:01:32,870 --> 00:01:32,880 +I like that I love that get better Jerry + + +69 +00:01:32,880 --> 00:01:34,149 +I like that I love that get better Jerry +dig in you're going to have to walk him + +70 +00:01:34,149 --> 00:01:34,159 +dig in you're going to have to walk him + + +71 +00:01:34,159 --> 00:01:35,990 +dig in you're going to have to walk him +through it I got to call the network I + +72 +00:01:35,990 --> 00:01:36,000 +through it I got to call the network I + + +73 +00:01:36,000 --> 00:01:36,870 +through it I got to call the network I +got + +74 +00:01:36,870 --> 00:01:36,880 +got + + +75 +00:01:36,880 --> 00:01:39,550 +got +to then I'd leave the office hop into + +76 +00:01:39,550 --> 00:01:39,560 +to then I'd leave the office hop into + + +77 +00:01:39,560 --> 00:01:42,230 +to then I'd leave the office hop into +caddy turn on some Twisted talk radio + +78 +00:01:42,230 --> 00:01:42,240 +caddy turn on some Twisted talk radio + + +79 +00:01:42,240 --> 00:01:43,749 +caddy turn on some Twisted talk radio +Hollywood the only town in America with + +80 +00:01:43,749 --> 00:01:43,759 +Hollywood the only town in America with + + +81 +00:01:43,759 --> 00:01:46,910 +Hollywood the only town in America with +a 24-hour selfhelp + +82 +00:01:46,910 --> 00:01:46,920 +a 24-hour selfhelp + + +83 +00:01:46,920 --> 00:01:49,510 +a 24-hour selfhelp +station shoot back across town to East + +84 +00:01:49,510 --> 00:01:49,520 +station shoot back across town to East + + +85 +00:01:49,520 --> 00:01:51,630 +station shoot back across town to East +LA not too much traffic headed in that + +86 +00:01:51,630 --> 00:01:51,640 +LA not too much traffic headed in that + + +87 +00:01:51,640 --> 00:01:53,550 +LA not too much traffic headed in that +direction just in time to hook up with + +88 +00:01:53,550 --> 00:01:53,560 +direction just in time to hook up with + + +89 +00:01:53,560 --> 00:01:55,230 +direction just in time to hook up with +my regular connection and Sur good + +90 +00:01:55,230 --> 00:01:55,240 +my regular connection and Sur good + + +91 +00:01:55,240 --> 00:01:58,429 +my regular connection and Sur good +family daa and her son + +92 +00:01:58,429 --> 00:01:58,439 +family daa and her son + + +93 +00:01:58,439 --> 00:02:00,670 +family daa and her son +Miguel oh + +94 +00:02:00,670 --> 00:02:00,680 +Miguel oh + + +95 +00:02:00,680 --> 00:02:02,389 +Miguel oh +you didn't have to do that hey I'm + +96 +00:02:02,389 --> 00:02:02,399 +you didn't have to do that hey I'm + + +97 +00:02:02,399 --> 00:02:03,870 +you didn't have to do that hey I'm +Jewish I never got to do this when I was + +98 +00:02:03,870 --> 00:02:03,880 +Jewish I never got to do this when I was + + +99 +00:02:03,880 --> 00:02:05,990 +Jewish I never got to do this when I was +a kid you didn't have a Christmas tree + +100 +00:02:05,990 --> 00:02:06,000 +a kid you didn't have a Christmas tree + + +101 +00:02:06,000 --> 00:02:07,029 +a kid you didn't have a Christmas tree +how + +102 +00:02:07,029 --> 00:02:07,039 +how + + +103 +00:02:07,039 --> 00:02:10,070 +how +come you heard of the Jews Miguel right + +104 +00:02:10,070 --> 00:02:10,080 +come you heard of the Jews Miguel right + + +105 +00:02:10,080 --> 00:02:12,750 +come you heard of the Jews Miguel right +yeah so what don't worry we'll talk + +106 +00:02:12,750 --> 00:02:12,760 +yeah so what don't worry we'll talk + + +107 +00:02:12,760 --> 00:02:35,550 +yeah so what don't worry we'll talk +about it + +108 +00:02:35,550 --> 00:02:35,560 + + + +109 +00:02:35,560 --> 00:02:44,669 + +[Music] + diff --git a/1998/OG9EDE_bnws.en.srt b/1998/OG9EDE_bnws.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d23e69e2c8f865fb78d6aea276190c46e62e3375 --- /dev/null +++ b/1998/OG9EDE_bnws.en.srt @@ -0,0 +1,485 @@ +1 +00:00:00,520 --> 00:00:01,829 + +I mean they drive around in their porch + +2 +00:00:01,829 --> 00:00:01,839 +I mean they drive around in their porch + + +3 +00:00:01,839 --> 00:00:04,349 +I mean they drive around in their porch +to 90 mph right where my kids play + +4 +00:00:04,349 --> 00:00:04,359 +to 90 mph right where my kids play + + +5 +00:00:04,359 --> 00:00:06,230 +to 90 mph right where my kids play +blasting their music and they have these + +6 +00:00:06,230 --> 00:00:06,240 +blasting their music and they have these + + +7 +00:00:06,240 --> 00:00:08,190 +blasting their music and they have these +loud wild parties that are still going + +8 +00:00:08,190 --> 00:00:08,200 +loud wild parties that are still going + + +9 +00:00:08,200 --> 00:00:10,150 +loud wild parties that are still going +on when I get up for work that sounds + +10 +00:00:10,150 --> 00:00:10,160 +on when I get up for work that sounds + + +11 +00:00:10,160 --> 00:00:13,150 +on when I get up for work that sounds +awful it's unbearable it's unbearable to + +12 +00:00:13,150 --> 00:00:13,160 +awful it's unbearable it's unbearable to + + +13 +00:00:13,160 --> 00:00:14,629 +awful it's unbearable it's unbearable to +live next door to that + +14 +00:00:14,629 --> 00:00:14,639 +live next door to that + + +15 +00:00:14,639 --> 00:00:17,109 +live next door to that +house well then we'll make it unbearable + +16 +00:00:17,109 --> 00:00:17,119 +house well then we'll make it unbearable + + +17 +00:00:17,119 --> 00:00:18,610 +house well then we'll make it unbearable +to live in that + +18 +00:00:18,610 --> 00:00:18,620 +to live in that + + +19 +00:00:18,620 --> 00:00:25,630 +to live in that +[Music] + +20 +00:00:25,630 --> 00:00:25,640 +[Music] + + +21 +00:00:25,640 --> 00:00:29,349 +[Music] +house this how to do the trick oh Mitch + +22 +00:00:29,349 --> 00:00:29,359 +house this how to do the trick oh Mitch + + +23 +00:00:29,359 --> 00:00:32,030 +house this how to do the trick oh Mitch +this is brugal we hide these fish all + +24 +00:00:32,030 --> 00:00:32,040 +this is brugal we hide these fish all + + +25 +00:00:32,040 --> 00:00:34,110 +this is brugal we hide these fish all +over the house and they'll stink for + +26 +00:00:34,110 --> 00:00:34,120 +over the house and they'll stink for + + +27 +00:00:34,120 --> 00:00:36,930 +over the house and they'll stink for +days okay let's + +28 +00:00:36,930 --> 00:00:36,940 +days okay let's + + +29 +00:00:36,940 --> 00:00:52,060 +days okay let's +[Music] + +30 +00:00:52,060 --> 00:00:52,070 + + + +31 +00:00:52,070 --> 00:00:54,990 + +[Music] + +32 +00:00:54,990 --> 00:00:55,000 +[Music] + + +33 +00:00:55,000 --> 00:00:57,670 +[Music] +go + +34 +00:00:57,670 --> 00:00:57,680 +go + + +35 +00:00:57,680 --> 00:01:01,910 +go +on doesn't leave for an hour + +36 +00:01:01,910 --> 00:01:01,920 +on doesn't leave for an hour + + +37 +00:01:01,920 --> 00:01:10,310 +on doesn't leave for an hour +nice place you got yeah yeah let's + +38 +00:01:10,310 --> 00:01:10,320 + + + +39 +00:01:10,320 --> 00:01:14,429 + +go you want it check it + +40 +00:01:14,429 --> 00:01:14,439 +go you want it check it + + +41 +00:01:14,439 --> 00:01:18,789 +go you want it check it +out looks + +42 +00:01:18,789 --> 00:01:18,799 + + + +43 +00:01:18,799 --> 00:01:21,469 + +good what's the + +44 +00:01:21,469 --> 00:01:21,479 +good what's the + + +45 +00:01:21,479 --> 00:01:23,830 +good what's the +problem smells like fish in here what is + +46 +00:01:23,830 --> 00:01:23,840 +problem smells like fish in here what is + + +47 +00:01:23,840 --> 00:01:25,310 +problem smells like fish in here what is +that what what was that some sort of + +48 +00:01:25,310 --> 00:01:25,320 +that what what was that some sort of + + +49 +00:01:25,320 --> 00:01:27,310 +that what what was that some sort of +signal huh is that a signal you're + +50 +00:01:27,310 --> 00:01:27,320 +signal huh is that a signal you're + + +51 +00:01:27,320 --> 00:01:29,310 +signal huh is that a signal you're +wearing a wire no it really does smell + +52 +00:01:29,310 --> 00:01:29,320 +wearing a wire no it really does smell + + +53 +00:01:29,320 --> 00:01:31,230 +wearing a wire no it really does smell +like fish in here here you're a damn cop + +54 +00:01:31,230 --> 00:01:31,240 +like fish in here here you're a damn cop + + +55 +00:01:31,240 --> 00:01:33,030 +like fish in here here you're a damn cop +ain't you that's it show these guys what + +56 +00:01:33,030 --> 00:01:33,040 +ain't you that's it show these guys what + + +57 +00:01:33,040 --> 00:01:34,069 +ain't you that's it show these guys what +we do to + +58 +00:01:34,069 --> 00:01:34,079 +we do to + + +59 +00:01:34,079 --> 00:01:37,510 +we do to +cops say hello to the devil for + +60 +00:01:37,510 --> 00:01:37,520 +cops say hello to the devil for + + +61 +00:01:37,520 --> 00:01:40,190 +cops say hello to the devil for +me behind + +62 +00:01:40,190 --> 00:01:40,200 +me behind + + +63 +00:01:40,200 --> 00:01:44,789 +me behind +you I've been hit problem kill them kill + +64 +00:01:44,789 --> 00:01:44,799 +you I've been hit problem kill them kill + + +65 +00:01:44,799 --> 00:01:48,550 +you I've been hit problem kill them kill +them make your gun F like the Devil + +66 +00:01:48,550 --> 00:01:48,560 +them make your gun F like the Devil + + +67 +00:01:48,560 --> 00:01:52,149 +them make your gun F like the Devil +Himself in hell you + +68 +00:01:52,149 --> 00:01:52,159 +Himself in hell you + + +69 +00:01:52,159 --> 00:01:55,230 +Himself in hell you +bastard s Jesus he got + +70 +00:01:55,230 --> 00:01:55,240 +bastard s Jesus he got + + +71 +00:01:55,240 --> 00:01:59,310 +bastard s Jesus he got +me over there grab it I use it to cut + +72 +00:01:59,310 --> 00:01:59,320 +me over there grab it I use it to cut + + +73 +00:01:59,320 --> 00:02:03,190 +me over there grab it I use it to cut +firewor + +74 +00:02:03,190 --> 00:02:03,200 + + + +75 +00:02:03,200 --> 00:02:08,910 + +now you're killing me with that + +76 +00:02:08,910 --> 00:02:08,920 + + + +77 +00:02:08,920 --> 00:02:12,030 + +chainsaw he took away my chainsaw and + +78 +00:02:12,030 --> 00:02:12,040 +chainsaw he took away my chainsaw and + + +79 +00:02:12,040 --> 00:02:15,229 +chainsaw he took away my chainsaw and +now he's using it on + +80 +00:02:15,229 --> 00:02:15,239 +now he's using it on + + +81 +00:02:15,239 --> 00:02:33,550 +now he's using it on +me oh my God is that a hand grenade + +82 +00:02:33,550 --> 00:02:33,560 + + + +83 +00:02:33,560 --> 00:02:34,430 + +good + +84 +00:02:34,430 --> 00:02:34,440 +good + + +85 +00:02:34,440 --> 00:02:36,869 +good +Lord we got to get out of + +86 +00:02:36,869 --> 00:02:36,879 +Lord we got to get out of + + +87 +00:02:36,879 --> 00:02:46,869 +Lord we got to get out of +here will you come + +88 +00:02:46,869 --> 00:02:46,879 + + + +89 +00:02:46,879 --> 00:02:51,589 + +on that's it this noise has got to + +90 +00:02:51,589 --> 00:02:51,599 +on that's it this noise has got to + + +91 +00:02:51,599 --> 00:02:55,110 +on that's it this noise has got to +stop oh my God I never asked you to do + +92 +00:02:55,110 --> 00:02:55,120 +stop oh my God I never asked you to do + + +93 +00:02:55,120 --> 00:02:58,149 +stop oh my God I never asked you to do +this oh hey Ed uh listen we got to go + +94 +00:02:58,149 --> 00:02:58,159 +this oh hey Ed uh listen we got to go + + +95 +00:02:58,159 --> 00:03:02,280 +this oh hey Ed uh listen we got to go +you think you can pay us now + +96 +00:03:02,280 --> 00:03:02,290 + + + +97 +00:03:02,290 --> 00:03:29,380 + +[Music] + diff --git a/1998/OGKPmBtBpBo.description b/1998/OGKPmBtBpBo.description new file mode 100644 index 0000000000000000000000000000000000000000..9c777587cb28bbdeb9afc109c8710e082d0f8534 --- /dev/null +++ b/1998/OGKPmBtBpBo.description @@ -0,0 +1,38 @@ +Pi movie clips: http://j.mp/1yzoSkp +BUY THE MOVIE: http://j.mp/KS1NkV +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Sol (Mark Margolis) lectures Max (Sean Gullette) about the legend of Archimedes. + +FILM DESCRIPTION: +Darren Aronofsky scripted and made his directorial debut with this experimental feature with mathematical plot threads hinting at science-fictional elements. In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions. Filmed in 16mm black-and-white, the Kafkaesque film features music by Clint Mansell (of the UK's Pop Will Eat Itself band). Shown at the 1998 Sundance Film Festival where Aronofsky won the drama directing award. + +CREDITS: +TM & © Lionsgate (1998) +Cast: Sean Gullette, Mark Margolis +Director: Darren Aronofsky +Producers: Tyler Brodie, Scott Franklin, David Godbout, Katie King, Richard Lifschutz, Randy Simon, Jonah Smith, Scott Vogel, Eric Watson +Screenwriters: Darren Aronofsky, Sean Gullette, Eric Watson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/OGKPmBtBpBo.en.srt b/1998/OGKPmBtBpBo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..fdbc58fde0077a28ef336b1a4106ab0f2fa3ba8a --- /dev/null +++ b/1998/OGKPmBtBpBo.en.srt @@ -0,0 +1,335 @@ +1 +00:00:00,160 --> 00:00:02,830 + +have you met + +2 +00:00:02,830 --> 00:00:02,840 + + + +3 +00:00:02,840 --> 00:00:05,309 + +Archimedes the one with the black spots + +4 +00:00:05,309 --> 00:00:05,319 +Archimedes the one with the black spots + + +5 +00:00:05,319 --> 00:00:06,429 +Archimedes the one with the black spots +you + +6 +00:00:06,429 --> 00:00:06,439 +you + + +7 +00:00:06,439 --> 00:00:11,150 +you +see you remember Archimedes of + +8 +00:00:11,150 --> 00:00:11,160 +see you remember Archimedes of + + +9 +00:00:11,160 --> 00:00:15,030 +see you remember Archimedes of +Syracuse the King asks Archimedes to + +10 +00:00:15,030 --> 00:00:15,040 +Syracuse the King asks Archimedes to + + +11 +00:00:15,040 --> 00:00:17,670 +Syracuse the King asks Archimedes to +determine if a present has received is + +12 +00:00:17,670 --> 00:00:17,680 +determine if a present has received is + + +13 +00:00:17,680 --> 00:00:20,790 +determine if a present has received is +actually solid gold unsolved problem at + +14 +00:00:20,790 --> 00:00:20,800 +actually solid gold unsolved problem at + + +15 +00:00:20,800 --> 00:00:23,710 +actually solid gold unsolved problem at +the time it tortures the great Greek + +16 +00:00:23,710 --> 00:00:23,720 +the time it tortures the great Greek + + +17 +00:00:23,720 --> 00:00:27,349 +the time it tortures the great Greek +mathematician for weeks insomnia haunts + +18 +00:00:27,349 --> 00:00:27,359 +mathematician for weeks insomnia haunts + + +19 +00:00:27,359 --> 00:00:30,029 +mathematician for weeks insomnia haunts +him and he twists and turns in his bed + +20 +00:00:30,029 --> 00:00:30,039 +him and he twists and turns in his bed + + +21 +00:00:30,039 --> 00:00:32,270 +him and he twists and turns in his bed +for nights on and + +22 +00:00:32,270 --> 00:00:32,280 +for nights on and + + +23 +00:00:32,280 --> 00:00:35,910 +for nights on and +finally his equally exhausted wife she's + +24 +00:00:35,910 --> 00:00:35,920 +finally his equally exhausted wife she's + + +25 +00:00:35,920 --> 00:00:38,670 +finally his equally exhausted wife she's +forced to share a bed with his genius + +26 +00:00:38,670 --> 00:00:38,680 +forced to share a bed with his genius + + +27 +00:00:38,680 --> 00:00:42,310 +forced to share a bed with his genius +convinces him to take a bath to + +28 +00:00:42,310 --> 00:00:42,320 +convinces him to take a bath to + + +29 +00:00:42,320 --> 00:00:46,430 +convinces him to take a bath to +relax while he's entering the tub ared + +30 +00:00:46,430 --> 00:00:46,440 +relax while he's entering the tub ared + + +31 +00:00:46,440 --> 00:00:49,670 +relax while he's entering the tub ared +this no this is the B water + +32 +00:00:49,670 --> 00:00:49,680 +this no this is the B water + + +33 +00:00:49,680 --> 00:00:52,229 +this no this is the B water +rise + +34 +00:00:52,229 --> 00:00:52,239 +rise + + +35 +00:00:52,239 --> 00:00:55,510 +rise +displacement a way to determine volume + +36 +00:00:55,510 --> 00:00:55,520 +displacement a way to determine volume + + +37 +00:00:55,520 --> 00:00:59,549 +displacement a way to determine volume +and thus a way to determine density wait + +38 +00:00:59,549 --> 00:00:59,559 +and thus a way to determine density wait + + +39 +00:00:59,559 --> 00:01:04,270 +and thus a way to determine density wait +over volume and thus aramides solves the + +40 +00:01:04,270 --> 00:01:04,280 +over volume and thus aramides solves the + + +41 +00:01:04,280 --> 00:01:07,710 +over volume and thus aramides solves the +problem he screams eure and the so + +42 +00:01:07,710 --> 00:01:07,720 +problem he screams eure and the so + + +43 +00:01:07,720 --> 00:01:09,830 +problem he screams eure and the so +overwhelmed he runs dripping naked + +44 +00:01:09,830 --> 00:01:09,840 +overwhelmed he runs dripping naked + + +45 +00:01:09,840 --> 00:01:12,190 +overwhelmed he runs dripping naked +through the streets to the king's Palace + +46 +00:01:12,190 --> 00:01:12,200 +through the streets to the king's Palace + + +47 +00:01:12,200 --> 00:01:15,590 +through the streets to the king's Palace +to report his + +48 +00:01:15,590 --> 00:01:15,600 + + + +49 +00:01:15,600 --> 00:01:17,590 + +Discovery + +50 +00:01:17,590 --> 00:01:17,600 +Discovery + + +51 +00:01:17,600 --> 00:01:22,190 +Discovery +now what is the moral of this + +52 +00:01:22,190 --> 00:01:22,200 + + + +53 +00:01:22,200 --> 00:01:25,270 + +story that a breakthrough will + +54 +00:01:25,270 --> 00:01:25,280 +story that a breakthrough will + + +55 +00:01:25,280 --> 00:01:29,069 +story that a breakthrough will +wrong the point of the story is the wife + +56 +00:01:29,069 --> 00:01:29,079 +wrong the point of the story is the wife + + +57 +00:01:29,079 --> 00:01:30,749 +wrong the point of the story is the wife +you listen to your wife she will give + +58 +00:01:30,749 --> 00:01:30,759 +you listen to your wife she will give + + +59 +00:01:30,759 --> 00:01:34,069 +you listen to your wife she will give +you perspective meaning you need a break + +60 +00:01:34,069 --> 00:01:34,079 +you perspective meaning you need a break + + +61 +00:01:34,079 --> 00:01:36,429 +you perspective meaning you need a break +you have to take a bath or you will get + +62 +00:01:36,429 --> 00:01:36,439 +you have to take a bath or you will get + + +63 +00:01:36,439 --> 00:01:39,830 +you have to take a bath or you will get +nowhere there will be no order only + +64 +00:01:39,830 --> 00:01:39,840 +nowhere there will be no order only + + +65 +00:01:39,840 --> 00:01:41,400 +nowhere there will be no order only +chaos + +66 +00:01:41,400 --> 00:01:41,410 +chaos + + +67 +00:01:41,410 --> 00:02:12,449 +chaos +[Music] + diff --git a/1998/OJZhDHdlk3w.description b/1998/OJZhDHdlk3w.description new file mode 100644 index 0000000000000000000000000000000000000000..da7924fa603f56839801e6f2b5d1a265c52c6623 --- /dev/null +++ b/1998/OJZhDHdlk3w.description @@ -0,0 +1,38 @@ +Shakespeare in Love movie clips: http://j.mp/1uuza5O +BUY THE MOVIE: http://amzn.to/t8X4Kd +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Shakespeare (Joseph Fiennes) falls deeper in love with Viola (Gwyneth Paltrow) during rehearsal, and as they steal kisses together backstage. + +FILM DESCRIPTION: +William Shakespeare (Joseph Fiennes) is on a cold streak. Not only is he writing for Philip Henslowe (Geoffrey Rush), owner of "The Rose," a theatre whose doors are about to be closed by sadistic creditors, but he's got a nasty case of writer's block. Shakespeare hasn't written a hit in years. In fact, he hasn't written much of anything recently. Thus, the Bard finds himself in quite a bind when Henslowe, desperate to stave off another round of hot-coals-to-feet application, stakes The Rose's solvency on Shakespeare's new comedy, "Romeo and Ethel, the Pirate's Daughter." The problem is, "Romeo" is safely "locked away" in Shakespeare's head, which is to say that not a word of it is written. Meanwhile, the lovely Lady Viola (Gwyneth Paltrow) is an ardent theatre-goer -- scandalous for a woman of her breeding -- who especially admires Shakespeare's plays and, not incidentally, Bill himself. Alas, she's about to be sold as property into a loveless marriage by her mercenary father and shipped off to a Virginia tobacco plantation. But not before dressing up as a young man and winning the part of Romeo in the embryonic play. Shakespeare soon discovers the deception and goes along with it, using the blossoming love affair to ignite his muse. As William and Viola's romance grows in intensity and spirals towards its inevitable culmination, so, too, does the farcical comedy about Romeo and pirates transform into the timeless tragedy that is Romeo and Juliet. + +CREDITS: +TM & © Miramax Films (1998) +Cast: Ben Affleck, Daniel Brocklebank, Jim Carter, Joseph Fiennes, Gwyneth Paltrow +Director: John Madden +Producers: Linda Bruce, Mark Cooper, Donna Gigliotti, Julie Goldstein, Marc Norman, David Parfitt, Bob Weinstein, Harvey Weinstein, Edward Zwick +Screenwriters: Marc Norman, Tom Stoppard + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/OJZhDHdlk3w.en.srt b/1998/OJZhDHdlk3w.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f5a0ad4656d9ed165e0bd583bc66ebaebf5f348b --- /dev/null +++ b/1998/OJZhDHdlk3w.en.srt @@ -0,0 +1,585 @@ +1 +00:00:02,800 --> 00:00:05,470 + +my lady the house is stirring it is a + +2 +00:00:05,470 --> 00:00:05,480 +my lady the house is stirring it is a + + +3 +00:00:05,480 --> 00:00:06,470 +my lady the house is stirring it is a +new + +4 +00:00:06,470 --> 00:00:06,480 +new + + +5 +00:00:06,480 --> 00:00:09,350 +new +day it is a new + +6 +00:00:09,350 --> 00:00:09,360 +day it is a new + + +7 +00:00:09,360 --> 00:00:11,830 +day it is a new +world good Pilgrim you do wrong your + +8 +00:00:11,830 --> 00:00:11,840 +world good Pilgrim you do wrong your + + +9 +00:00:11,840 --> 00:00:14,509 +world good Pilgrim you do wrong your +hand too much which manly devotion shows + +10 +00:00:14,509 --> 00:00:14,519 +hand too much which manly devotion shows + + +11 +00:00:14,519 --> 00:00:17,109 +hand too much which manly devotion shows +in this for Saints have hands that + +12 +00:00:17,109 --> 00:00:17,119 +in this for Saints have hands that + + +13 +00:00:17,119 --> 00:00:20,189 +in this for Saints have hands that +pilgrims hands do touch and palm to Palm + +14 +00:00:20,189 --> 00:00:20,199 +pilgrims hands do touch and palm to Palm + + +15 +00:00:20,199 --> 00:00:23,630 +pilgrims hands do touch and palm to Palm +is Holy Palmer's kiss have not Saints + +16 +00:00:23,630 --> 00:00:23,640 +is Holy Palmer's kiss have not Saints + + +17 +00:00:23,640 --> 00:00:28,230 +is Holy Palmer's kiss have not Saints +lips and holy Palmer too eye pilgrims + +18 +00:00:28,230 --> 00:00:28,240 +lips and holy Palmer too eye pilgrims + + +19 +00:00:28,240 --> 00:00:30,509 +lips and holy Palmer too eye pilgrims +lips that they must use in prayer + +20 +00:00:30,509 --> 00:00:30,519 +lips that they must use in prayer + + +21 +00:00:30,519 --> 00:00:32,830 +lips that they must use in prayer +oh then dear Saint let lips do what + +22 +00:00:32,830 --> 00:00:32,840 +oh then dear Saint let lips do what + + +23 +00:00:32,840 --> 00:00:34,990 +oh then dear Saint let lips do what +hands do I + +24 +00:00:34,990 --> 00:00:35,000 +hands do I + + +25 +00:00:35,000 --> 00:00:38,590 +hands do I +pray Grant thou lest Faith turn to + +26 +00:00:38,590 --> 00:00:38,600 +pray Grant thou lest Faith turn to + + +27 +00:00:38,600 --> 00:00:41,590 +pray Grant thou lest Faith turn to +despair Saints do not move though grant + +28 +00:00:41,590 --> 00:00:41,600 +despair Saints do not move though grant + + +29 +00:00:41,600 --> 00:00:43,790 +despair Saints do not move though grant +for prayer's + +30 +00:00:43,790 --> 00:00:43,800 +for prayer's + + +31 +00:00:43,800 --> 00:00:48,229 +for prayer's +sake it's you suffering + +32 +00:00:48,229 --> 00:00:48,239 +sake it's you suffering + + +33 +00:00:48,239 --> 00:00:51,869 +sake it's you suffering +cats then move not while my prayers + +34 +00:00:51,869 --> 00:00:51,879 +cats then move not while my prayers + + +35 +00:00:51,879 --> 00:00:53,420 +cats then move not while my prayers +effect I + +36 +00:00:53,420 --> 00:00:53,430 +effect I + + +37 +00:00:53,430 --> 00:00:57,869 +effect I +[Music] + +38 +00:00:57,869 --> 00:00:57,879 +[Music] + + +39 +00:00:57,879 --> 00:01:01,270 +[Music] +take as from my lips by thine my sin is + +40 +00:01:01,270 --> 00:01:01,280 +take as from my lips by thine my sin is + + +41 +00:01:01,280 --> 00:01:03,630 +take as from my lips by thine my sin is +purged then have my lips the sin that + +42 +00:01:03,630 --> 00:01:03,640 +purged then have my lips the sin that + + +43 +00:01:03,640 --> 00:01:06,350 +purged then have my lips the sin that +they have took Sin from my lips oh + +44 +00:01:06,350 --> 00:01:06,360 +they have took Sin from my lips oh + + +45 +00:01:06,360 --> 00:01:09,109 +they have took Sin from my lips oh +trespass sweetly urged give me my sin + +46 +00:01:09,109 --> 00:01:09,119 +trespass sweetly urged give me my sin + + +47 +00:01:09,119 --> 00:01:13,149 +trespass sweetly urged give me my sin +again yes yes um not quite right it is + +48 +00:01:13,149 --> 00:01:13,159 +again yes yes um not quite right it is + + +49 +00:01:13,159 --> 00:01:16,469 +again yes yes um not quite right it is +more let me then have my lips the sin + +50 +00:01:16,469 --> 00:01:16,479 +more let me then have my lips the sin + + +51 +00:01:16,479 --> 00:01:18,789 +more let me then have my lips the sin +that they have took Sin from my lips oh + +52 +00:01:18,789 --> 00:01:18,799 +that they have took Sin from my lips oh + + +53 +00:01:18,799 --> 00:01:22,330 +that they have took Sin from my lips oh +trespass sweetly urged give me my sin + +54 +00:01:22,330 --> 00:01:22,340 +trespass sweetly urged give me my sin + + +55 +00:01:22,340 --> 00:01:27,670 +trespass sweetly urged give me my sin +[Music] + +56 +00:01:27,670 --> 00:01:27,680 +[Music] + + +57 +00:01:27,680 --> 00:01:31,390 +[Music] +again you kiss by the book well will it + +58 +00:01:31,390 --> 00:01:31,400 +again you kiss by the book well will it + + +59 +00:01:31,400 --> 00:01:34,069 +again you kiss by the book well will it +was lucky you were here why do not I + +60 +00:01:34,069 --> 00:01:34,079 +was lucky you were here why do not I + + +61 +00:01:34,079 --> 00:01:36,030 +was lucky you were here why do not I +write the rest of your yes yes H + +62 +00:01:36,030 --> 00:01:36,040 +write the rest of your yes yes H + + +63 +00:01:36,040 --> 00:01:39,350 +write the rest of your yes yes H +continue now the nurse where is + +64 +00:01:39,350 --> 00:01:39,360 +continue now the nurse where is + + +65 +00:01:39,360 --> 00:01:42,550 +continue now the nurse where is +Ralph Madam your mother craves a word + +66 +00:01:42,550 --> 00:01:42,560 +Ralph Madam your mother craves a word + + +67 +00:01:42,560 --> 00:01:44,990 +Ralph Madam your mother craves a word +with + +68 +00:01:44,990 --> 00:01:45,000 + + + +69 +00:01:45,000 --> 00:01:48,389 + +you what is her mother Mary Bachelor her + +70 +00:01:48,389 --> 00:01:48,399 +you what is her mother Mary Bachelor her + + +71 +00:01:48,399 --> 00:01:50,749 +you what is her mother Mary Bachelor her +mother is the Lady of the house and a + +72 +00:01:50,749 --> 00:01:50,759 +mother is the Lady of the house and a + + +73 +00:01:50,759 --> 00:01:54,469 +mother is the Lady of the house and a +good lady and wise and virtuous I nured + +74 +00:01:54,469 --> 00:01:54,479 +good lady and wise and virtuous I nured + + +75 +00:01:54,479 --> 00:01:56,870 +good lady and wise and virtuous I nured +her daughter that you talked with all I + +76 +00:01:56,870 --> 00:01:56,880 +her daughter that you talked with all I + + +77 +00:01:56,880 --> 00:01:59,550 +her daughter that you talked with all I +tell you he that can lay hold of her + +78 +00:01:59,550 --> 00:01:59,560 +tell you he that can lay hold of her + + +79 +00:01:59,560 --> 00:02:02,670 +tell you he that can lay hold of her +shall have the chinks is she a + +80 +00:02:02,670 --> 00:02:02,680 +shall have the chinks is she a + + +81 +00:02:02,680 --> 00:02:05,749 +shall have the chinks is she a +Capulet oh dear account my life is my + +82 +00:02:05,749 --> 00:02:05,759 +Capulet oh dear account my life is my + + +83 +00:02:05,759 --> 00:02:09,550 +Capulet oh dear account my life is my +fo's death wa be gone the sport is at + +84 +00:02:09,550 --> 00:02:09,560 +fo's death wa be gone the sport is at + + +85 +00:02:09,560 --> 00:02:13,670 +fo's death wa be gone the sport is at +the best I so I fear the more is my + +86 +00:02:13,670 --> 00:02:13,680 +the best I so I fear the more is my + + +87 +00:02:13,680 --> 00:02:17,309 +the best I so I fear the more is my +unrest come here the nurse what is y + +88 +00:02:17,309 --> 00:02:17,319 +unrest come here the nurse what is y + + +89 +00:02:17,319 --> 00:02:20,949 +unrest come here the nurse what is y +Gentleman the son and air of old + +90 +00:02:20,949 --> 00:02:20,959 +Gentleman the son and air of old + + +91 +00:02:20,959 --> 00:02:23,470 +Gentleman the son and air of old +tiberio let it be light what see that + +92 +00:02:23,470 --> 00:02:23,480 +tiberio let it be light what see that + + +93 +00:02:23,480 --> 00:02:26,430 +tiberio let it be light what see that +follows here that would not dance I know + +94 +00:02:26,430 --> 00:02:26,440 +follows here that would not dance I know + + +95 +00:02:26,440 --> 00:02:30,670 +follows here that would not dance I know +not go ask his name + +96 +00:02:30,670 --> 00:02:30,680 +not go ask his name + + +97 +00:02:30,680 --> 00:02:32,750 +not go ask his name +if he be married my grave is like to be + +98 +00:02:32,750 --> 00:02:32,760 +if he be married my grave is like to be + + +99 +00:02:32,760 --> 00:02:34,949 +if he be married my grave is like to be +my wedding + +100 +00:02:34,949 --> 00:02:34,959 +my wedding + + +101 +00:02:34,959 --> 00:02:38,309 +my wedding +bed no do not + +102 +00:02:38,309 --> 00:02:38,319 +bed no do not + + +103 +00:02:38,319 --> 00:02:41,910 +bed no do not +girl the only son of your great enemy + +104 +00:02:41,910 --> 00:02:41,920 +girl the only son of your great enemy + + +105 +00:02:41,920 --> 00:02:48,090 +girl the only son of your great enemy +terrible simply + +106 +00:02:48,090 --> 00:02:48,100 + + + +107 +00:02:48,100 --> 00:02:50,710 + +[Music] + +108 +00:02:50,710 --> 00:02:50,720 +[Music] + + +109 +00:02:50,720 --> 00:02:54,110 +[Music] +terrible but soft what light through + +110 +00:02:54,110 --> 00:02:54,120 +terrible but soft what light through + + +111 +00:02:54,120 --> 00:02:55,869 +terrible but soft what light through +yonder window + +112 +00:02:55,869 --> 00:02:55,879 +yonder window + + +113 +00:02:55,879 --> 00:02:59,350 +yonder window +breaks it is the East and Juliet is the + +114 +00:02:59,350 --> 00:02:59,360 +breaks it is the East and Juliet is the + + +115 +00:02:59,360 --> 00:03:00,480 +breaks it is the East and Juliet is the +Sun + +116 +00:03:00,480 --> 00:03:00,490 +Sun + + +117 +00:03:00,490 --> 00:03:31,539 +Sun +[Music] + diff --git a/1998/OL0I-Tf0QRU.en.srt b/1998/OL0I-Tf0QRU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e5c9fe88c91ed1052bc381e021df7d7a4830a4b2 --- /dev/null +++ b/1998/OL0I-Tf0QRU.en.srt @@ -0,0 +1,195 @@ +1 +00:00:02,040 --> 00:00:03,390 + +oh + +2 +00:00:03,390 --> 00:00:03,400 +oh + + +3 +00:00:03,400 --> 00:00:14,270 +oh +you beside from + +4 +00:00:14,270 --> 00:00:14,280 + + + +5 +00:00:14,280 --> 00:00:17,870 + +God if porthos is determined to end his + +6 +00:00:17,870 --> 00:00:17,880 +God if porthos is determined to end his + + +7 +00:00:17,880 --> 00:00:20,109 +God if porthos is determined to end his +life then he's bound to find the + +8 +00:00:20,109 --> 00:00:20,119 +life then he's bound to find the + + +9 +00:00:20,119 --> 00:00:26,630 +life then he's bound to find the +opportunity isn't + +10 +00:00:26,630 --> 00:00:26,640 + + + +11 +00:00:26,640 --> 00:00:30,710 + +he Goodbye cruel world + +12 +00:00:30,710 --> 00:00:30,720 +he Goodbye cruel world + + +13 +00:00:30,720 --> 00:00:40,510 +he Goodbye cruel world +farewell to useless + +14 +00:00:40,510 --> 00:00:40,520 + + + +15 +00:00:40,520 --> 00:00:43,229 + +portals what was that it's all right I + +16 +00:00:43,229 --> 00:00:43,239 +portals what was that it's all right I + + +17 +00:00:43,239 --> 00:00:48,790 +portals what was that it's all right I +saw the + +18 +00:00:48,790 --> 00:00:48,800 + + + +19 +00:00:48,800 --> 00:01:00,470 + +beam well I'm a genius not an engineer + +20 +00:01:00,470 --> 00:01:00,480 + + + +21 +00:01:00,480 --> 00:01:04,630 + +Aries you can you I would try Hing + +22 +00:01:04,630 --> 00:01:04,640 +Aries you can you I would try Hing + + +23 +00:01:04,640 --> 00:01:07,710 +Aries you can you I would try Hing +myself and you s the beam and miss it + +24 +00:01:07,710 --> 00:01:07,720 +myself and you s the beam and miss it + + +25 +00:01:07,720 --> 00:01:10,030 +myself and you s the beam and miss it +and of course I knew you've been moping + +26 +00:01:10,030 --> 00:01:10,040 +and of course I knew you've been moping + + +27 +00:01:10,040 --> 00:01:12,030 +and of course I knew you've been moping +around for months maybe now you got the + +28 +00:01:12,030 --> 00:01:12,040 +around for months maybe now you got the + + +29 +00:01:12,040 --> 00:01:13,510 +around for months maybe now you got the +idea of killing yourself out of your + +30 +00:01:13,510 --> 00:01:13,520 +idea of killing yourself out of your + + +31 +00:01:13,520 --> 00:01:15,429 +idea of killing yourself out of your +head you can stop boring everybody and + +32 +00:01:15,429 --> 00:01:15,439 +head you can stop boring everybody and + + +33 +00:01:15,439 --> 00:01:17,469 +head you can stop boring everybody and +be useful for a + +34 +00:01:17,469 --> 00:01:17,479 +be useful for a + + +35 +00:01:17,479 --> 00:01:23,230 +be useful for a +change well you put some clothes + +36 +00:01:23,230 --> 00:01:23,240 + + + +37 +00:01:23,240 --> 00:01:26,870 + +on well okay + +38 +00:01:26,870 --> 00:01:26,880 +on well okay + + +39 +00:01:26,880 --> 00:01:58,639 +on well okay +[Music] + diff --git a/1998/OWXlfOnU6tc.en.srt b/1998/OWXlfOnU6tc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..498ae2f5acc8d46ab1e105bdd3ab48cf2fc711b7 --- /dev/null +++ b/1998/OWXlfOnU6tc.en.srt @@ -0,0 +1,485 @@ +1 +00:00:00,080 --> 00:00:01,670 + +what you going somewhere no my kids's + +2 +00:00:01,670 --> 00:00:01,680 +what you going somewhere no my kids's + + +3 +00:00:01,680 --> 00:00:03,230 +what you going somewhere no my kids's +got Pony lessons in an + +4 +00:00:03,230 --> 00:00:03,240 +got Pony lessons in an + + +5 +00:00:03,240 --> 00:00:05,470 +got Pony lessons in an +hour I'm here though I'm here you're + +6 +00:00:05,470 --> 00:00:05,480 +hour I'm here though I'm here you're + + +7 +00:00:05,480 --> 00:00:07,470 +hour I'm here though I'm here you're +right you're absolutely correct uh it's + +8 +00:00:07,470 --> 00:00:07,480 +right you're absolutely correct uh it's + + +9 +00:00:07,480 --> 00:00:11,030 +right you're absolutely correct uh it's +great write it down no + +10 +00:00:11,030 --> 00:00:11,040 + + + +11 +00:00:11,040 --> 00:00:15,789 + +radio you okay jar hi yeah I'm cool hey + +12 +00:00:15,789 --> 00:00:15,799 +radio you okay jar hi yeah I'm cool hey + + +13 +00:00:15,799 --> 00:00:17,390 +radio you okay jar hi yeah I'm cool hey +did you do me a favor could you please + +14 +00:00:17,390 --> 00:00:17,400 +did you do me a favor could you please + + +15 +00:00:17,400 --> 00:00:19,230 +did you do me a favor could you please +give me a glass of water thank you very + +16 +00:00:19,230 --> 00:00:19,240 +give me a glass of water thank you very + + +17 +00:00:19,240 --> 00:00:23,150 +give me a glass of water thank you very +much l okay so where we at next season's + +18 +00:00:23,150 --> 00:00:23,160 +much l okay so where we at next season's + + +19 +00:00:23,160 --> 00:00:26,310 +much l okay so where we at next season's +notes okay I really like the idea of + +20 +00:00:26,310 --> 00:00:26,320 +notes okay I really like the idea of + + +21 +00:00:26,320 --> 00:00:27,950 +notes okay I really like the idea of +breaking the fourth wall in a new way I + +22 +00:00:27,950 --> 00:00:27,960 +breaking the fourth wall in a new way I + + +23 +00:00:27,960 --> 00:00:29,589 +breaking the fourth wall in a new way I +just I'm a little concerned that it's + +24 +00:00:29,589 --> 00:00:29,599 +just I'm a little concerned that it's + + +25 +00:00:29,599 --> 00:00:31,550 +just I'm a little concerned that it's +going to get before the season's over no + +26 +00:00:31,550 --> 00:00:31,560 +going to get before the season's over no + + +27 +00:00:31,560 --> 00:00:34,430 +going to get before the season's over no +no no no no Pam thank you very much okay + +28 +00:00:34,430 --> 00:00:34,440 +no no no no Pam thank you very much okay + + +29 +00:00:34,440 --> 00:00:36,950 +no no no no Pam thank you very much okay +hates me right let me tell you something + +30 +00:00:36,950 --> 00:00:36,960 +hates me right let me tell you something + + +31 +00:00:36,960 --> 00:00:39,270 +hates me right let me tell you something +have you ever seen no feratu or like + +32 +00:00:39,270 --> 00:00:39,280 +have you ever seen no feratu or like + + +33 +00:00:39,280 --> 00:00:41,029 +have you ever seen no feratu or like +Fritz Lang's + +34 +00:00:41,029 --> 00:00:41,039 +Fritz Lang's + + +35 +00:00:41,039 --> 00:00:43,270 +Fritz Lang's +M okay okay all right how about like + +36 +00:00:43,270 --> 00:00:43,280 +M okay okay all right how about like + + +37 +00:00:43,280 --> 00:00:44,470 +M okay okay all right how about like +Patty Duke Show first time I saw that + +38 +00:00:44,470 --> 00:00:44,480 +Patty Duke Show first time I saw that + + +39 +00:00:44,480 --> 00:00:45,950 +Patty Duke Show first time I saw that +thing gave me nightmares for three + +40 +00:00:45,950 --> 00:00:45,960 +thing gave me nightmares for three + + +41 +00:00:45,960 --> 00:00:56,630 +thing gave me nightmares for three +nights point is + +42 +00:00:56,630 --> 00:00:56,640 + + + +43 +00:00:56,640 --> 00:00:59,670 + +realism it's dead expressionism is where + +44 +00:00:59,670 --> 00:00:59,680 +realism it's dead expressionism is where + + +45 +00:00:59,680 --> 00:01:01,430 +realism it's dead expressionism is where +it's at you know what I'm talking + +46 +00:01:01,430 --> 00:01:01,440 +it's at you know what I'm talking + + +47 +00:01:01,440 --> 00:01:04,590 +it's at you know what I'm talking +about I don't know I'm just a product of + +48 +00:01:04,590 --> 00:01:04,600 +about I don't know I'm just a product of + + +49 +00:01:04,600 --> 00:01:06,190 +about I don't know I'm just a product of +public education I don't know what the + +50 +00:01:06,190 --> 00:01:06,200 +public education I don't know what the + + +51 +00:01:06,200 --> 00:01:07,749 +public education I don't know what the +hell you're talking + +52 +00:01:07,749 --> 00:01:07,759 +hell you're talking + + +53 +00:01:07,759 --> 00:01:09,870 +hell you're talking +about I think what Jerry's trying to say + +54 +00:01:09,870 --> 00:01:09,880 +about I think what Jerry's trying to say + + +55 +00:01:09,880 --> 00:01:12,350 +about I think what Jerry's trying to say +is he wants to express the emotions + +56 +00:01:12,350 --> 00:01:12,360 +is he wants to express the emotions + + +57 +00:01:12,360 --> 00:01:14,070 +is he wants to express the emotions +externally you know like in the set in + +58 +00:01:14,070 --> 00:01:14,080 +externally you know like in the set in + + +59 +00:01:14,080 --> 00:01:16,190 +externally you know like in the set in +the music music music music that's what + +60 +00:01:16,190 --> 00:01:16,200 +the music music music music that's what + + +61 +00:01:16,200 --> 00:01:18,070 +the music music music music that's what +it's about I'm talking about why can't + +62 +00:01:18,070 --> 00:01:18,080 +it's about I'm talking about why can't + + +63 +00:01:18,080 --> 00:01:20,550 +it's about I'm talking about why can't +why can't Pamela just walk in one day + +64 +00:01:20,550 --> 00:01:20,560 +why can't Pamela just walk in one day + + +65 +00:01:20,560 --> 00:01:21,950 +why can't Pamela just walk in one day +belt it out and sing it just in the + +66 +00:01:21,950 --> 00:01:21,960 +belt it out and sing it just in the + + +67 +00:01:21,960 --> 00:01:23,109 +belt it out and sing it just in the +middle of a show for no reason + +68 +00:01:23,109 --> 00:01:23,119 +middle of a show for no reason + + +69 +00:01:23,119 --> 00:01:24,630 +middle of a show for no reason +whatsoever we're talking it's you and BT + +70 +00:01:24,630 --> 00:01:24,640 +whatsoever we're talking it's you and BT + + +71 +00:01:24,640 --> 00:01:25,990 +whatsoever we're talking it's you and BT +you and b boom boom boom and then all of + +72 +00:01:25,990 --> 00:01:26,000 +you and b boom boom boom and then all of + + +73 +00:01:26,000 --> 00:01:27,350 +you and b boom boom boom and then all of +a sudden boom she pops out and she + +74 +00:01:27,350 --> 00:01:27,360 +a sudden boom she pops out and she + + +75 +00:01:27,360 --> 00:01:28,950 +a sudden boom she pops out and she +starts singing okay I don't know what + +76 +00:01:28,950 --> 00:01:28,960 +starts singing okay I don't know what + + +77 +00:01:28,960 --> 00:01:31,390 +starts singing okay I don't know what +she's doing like an e merid I love a + +78 +00:01:31,390 --> 00:01:31,400 +she's doing like an e merid I love a + + +79 +00:01:31,400 --> 00:01:32,590 +she's doing like an e merid I love a +parade or something like that you turn + +80 +00:01:32,590 --> 00:01:32,600 +parade or something like that you turn + + +81 +00:01:32,600 --> 00:01:34,270 +parade or something like that you turn +around and a swimming pool opens up + +82 +00:01:34,270 --> 00:01:34,280 +around and a swimming pool opens up + + +83 +00:01:34,280 --> 00:01:36,030 +around and a swimming pool opens up +below everybody and then we go right + +84 +00:01:36,030 --> 00:01:36,040 +below everybody and then we go right + + +85 +00:01:36,040 --> 00:01:37,429 +below everybody and then we go right +back into the scene you never even make + +86 +00:01:37,429 --> 00:01:37,439 +back into the scene you never even make + + +87 +00:01:37,439 --> 00:01:39,870 +back into the scene you never even make +any mention of it it's all unsa you know + +88 +00:01:39,870 --> 00:01:39,880 +any mention of it it's all unsa you know + + +89 +00:01:39,880 --> 00:01:41,230 +any mention of it it's all unsa you know +what that is you know what that is + +90 +00:01:41,230 --> 00:01:41,240 +what that is you know what that is + + +91 +00:01:41,240 --> 00:01:45,880 +what that is you know what that is +that's hot + +92 +00:01:45,880 --> 00:01:45,890 + + + +93 +00:01:45,890 --> 00:02:07,870 + +[Music] + +94 +00:02:07,870 --> 00:02:07,880 +[Music] + + +95 +00:02:07,880 --> 00:02:11,570 +[Music] +for + +96 +00:02:11,570 --> 00:02:11,580 + + + +97 +00:02:11,580 --> 00:02:17,639 + +[Music] + diff --git a/1998/ObbLapUaZd4.description b/1998/ObbLapUaZd4.description new file mode 100644 index 0000000000000000000000000000000000000000..642998189fc778c51d0b8ca6f4a93d51b97ef372 --- /dev/null +++ b/1998/ObbLapUaZd4.description @@ -0,0 +1,38 @@ +Fear and Loathing in Las Vegas movie clips: http://j.mp/1yzoXod +BUY THE MOVIE: http://amzn.to/ufvdw9 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Duke (Johnny Depp) and Dr. Gonzo (Benicio Del Toro) attend the DA's Convention and listen to Dr. Bumquist's (Michael Jeter) bizarre speech on drugs. + +FILM DESCRIPTION: +Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson's alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of "gonzo journalism." Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. "This is not a good town for psychedelic drugs," says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether "you can actually watch yourself behaving this terrible way, but you can't control it." The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko's Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke's intro to the drug scene jump back to love-Haight relationships in San Francisco's Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson's book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival. + +CREDITS: +TM & © Universal (1998) +Cast: Johnny Depp, Benicio Del Toro, Michael Jeter +Director: Terry Gilliam +Producers: Harold Bronson, Patrick Cassavetti, Richard Foos, John Jergens, Laila Nabulsi, Stephen Nemeth, Elliot Lewis Rosenblatt +Screenwriters: Hunter S. Thompson, Terry Gilliam, Tony Grisoni, Tod Davies, Alex Cox + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/ObbLapUaZd4.en.srt b/1998/ObbLapUaZd4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c3beee1edd51d74e5fc112627e46da9f74b14ddd --- /dev/null +++ b/1998/ObbLapUaZd4.en.srt @@ -0,0 +1,585 @@ +1 +00:00:00,960 --> 00:00:05,110 + +I welcome you to the third National DA's + +2 +00:00:05,110 --> 00:00:05,120 +I welcome you to the third National DA's + + +3 +00:00:05,120 --> 00:00:08,709 +I welcome you to the third National DA's +convention on narcotics and dangerous + +4 +00:00:08,709 --> 00:00:08,719 +convention on narcotics and dangerous + + +5 +00:00:08,719 --> 00:00:12,310 +convention on narcotics and dangerous +drugs and now without further Ado the + +6 +00:00:12,310 --> 00:00:12,320 +drugs and now without further Ado the + + +7 +00:00:12,320 --> 00:00:14,669 +drugs and now without further Ado the +man who will Define this cancer eating + +8 +00:00:14,669 --> 00:00:14,679 +man who will Define this cancer eating + + +9 +00:00:14,679 --> 00:00:18,070 +man who will Define this cancer eating +at the heart of America Dr elron + +10 +00:00:18,070 --> 00:00:18,080 +at the heart of America Dr elron + + +11 +00:00:18,080 --> 00:00:21,200 +at the heart of America Dr elron +bumquist + +12 +00:00:21,200 --> 00:00:21,210 + + + +13 +00:00:21,210 --> 00:00:24,170 + +[Applause] + +14 +00:00:24,170 --> 00:00:24,180 +[Applause] + + +15 +00:00:24,180 --> 00:00:26,310 +[Applause] +[Music] + +16 +00:00:26,310 --> 00:00:26,320 +[Music] + + +17 +00:00:26,320 --> 00:00:28,910 +[Music] +so this bastards an easy writer I didn't + +18 +00:00:28,910 --> 00:00:28,920 +so this bastards an easy writer I didn't + + +19 +00:00:28,920 --> 00:00:31,150 +so this bastards an easy writer I didn't +believe they were real like this man not + +20 +00:00:31,150 --> 00:00:31,160 +believe they were real like this man not + + +21 +00:00:31,160 --> 00:00:33,750 +believe they were real like this man not +hundreds of them because we must they're + +22 +00:00:33,750 --> 00:00:33,760 +hundreds of them because we must they're + + +23 +00:00:33,760 --> 00:00:34,990 +hundreds of them because we must they're +actually pretty nice people once you get + +24 +00:00:34,990 --> 00:00:35,000 +actually pretty nice people once you get + + +25 +00:00:35,000 --> 00:00:37,510 +actually pretty nice people once you get +to know them know them man these people + +26 +00:00:37,510 --> 00:00:37,520 +to know them know them man these people + + +27 +00:00:37,520 --> 00:00:39,510 +to know them know them man these people +my God damn blood don't say that word + +28 +00:00:39,510 --> 00:00:39,520 +my God damn blood don't say that word + + +29 +00:00:39,520 --> 00:00:42,590 +my God damn blood don't say that word +around here get them excited right the + +30 +00:00:42,590 --> 00:00:42,600 +around here get them excited right the + + +31 +00:00:42,600 --> 00:00:44,110 +around here get them excited right the +most efficient way for us to do this is + +32 +00:00:44,110 --> 00:00:44,120 +most efficient way for us to do this is + + +33 +00:00:44,120 --> 00:00:48,510 +most efficient way for us to do this is +for each one of us to try and + +34 +00:00:48,510 --> 00:00:48,520 +for each one of us to try and + + +35 +00:00:48,520 --> 00:00:52,229 +for each one of us to try and +attempt to imagine what it is like + +36 +00:00:52,229 --> 00:00:52,239 +attempt to imagine what it is like + + +37 +00:00:52,239 --> 00:00:54,750 +attempt to imagine what it is like +inside of the + +38 +00:00:54,750 --> 00:00:54,760 +inside of the + + +39 +00:00:54,760 --> 00:00:58,750 +inside of the +possessed mind of the edit for example a + +40 +00:00:58,750 --> 00:00:58,760 +possessed mind of the edit for example a + + +41 +00:00:58,760 --> 00:01:01,670 +possessed mind of the edit for example a +dope fiend + +42 +00:01:01,670 --> 00:01:01,680 +dope fiend + + +43 +00:01:01,680 --> 00:01:06,310 +dope fiend +refers to the reefer butt as a + +44 +00:01:06,310 --> 00:01:06,320 +refers to the reefer butt as a + + +45 +00:01:06,320 --> 00:01:08,270 +refers to the reefer butt as a +roach + +46 +00:01:08,270 --> 00:01:08,280 +roach + + +47 +00:01:08,280 --> 00:01:11,990 +roach +because it resembles a + +48 +00:01:11,990 --> 00:01:12,000 +because it resembles a + + +49 +00:01:12,000 --> 00:01:14,190 +because it resembles a +cockroach what the is people are + +50 +00:01:14,190 --> 00:01:14,200 +cockroach what the is people are + + +51 +00:01:14,200 --> 00:01:16,950 +cockroach what the is people are +talking about you got be crazy ass I + +52 +00:01:16,950 --> 00:01:16,960 +talking about you got be crazy ass I + + +53 +00:01:16,960 --> 00:01:19,789 +talking about you got be crazy ass I +think the auditorium today you will + +54 +00:01:19,789 --> 00:01:19,799 +think the auditorium today you will + + +55 +00:01:19,799 --> 00:01:23,190 +think the auditorium today you will +notice that I have distinguished + +56 +00:01:23,190 --> 00:01:23,200 +notice that I have distinguished + + +57 +00:01:23,200 --> 00:01:27,870 +notice that I have distinguished +four four distinct states of being in + +58 +00:01:27,870 --> 00:01:27,880 +four four distinct states of being in + + +59 +00:01:27,880 --> 00:01:30,830 +four four distinct states of being in +the Cannabis or marijuana Society + +60 +00:01:30,830 --> 00:01:30,840 +the Cannabis or marijuana Society + + +61 +00:01:30,840 --> 00:01:31,830 +the Cannabis or marijuana Society +they are + +62 +00:01:31,830 --> 00:01:31,840 +they are + + +63 +00:01:31,840 --> 00:01:33,590 +they are +cool + +64 +00:01:33,590 --> 00:01:33,600 +cool + + +65 +00:01:33,600 --> 00:01:39,749 +cool +groovy hip and square s if ever too + +66 +00:01:39,749 --> 00:01:39,759 +groovy hip and square s if ever too + + +67 +00:01:39,759 --> 00:01:42,910 +groovy hip and square s if ever too +crazy man you're too crazy sh you down + +68 +00:01:42,910 --> 00:01:42,920 +crazy man you're too crazy sh you down + + +69 +00:01:42,920 --> 00:01:46,310 +crazy man you're too crazy sh you down +and what a M if he figures out + +70 +00:01:46,310 --> 00:01:46,320 +and what a M if he figures out + + +71 +00:01:46,320 --> 00:01:49,590 +and what a M if he figures out +what is happening then he can rise one + +72 +00:01:49,590 --> 00:01:49,600 +what is happening then he can rise one + + +73 +00:01:49,600 --> 00:01:54,950 +what is happening then he can rise one +notch and become hip and then if he can + +74 +00:01:54,950 --> 00:01:54,960 +notch and become hip and then if he can + + +75 +00:01:54,960 --> 00:01:59,029 +notch and become hip and then if he can +convince himself to approve of what is + +76 +00:01:59,029 --> 00:01:59,039 +convince himself to approve of what is + + +77 +00:01:59,039 --> 00:02:01,069 +convince himself to approve of what is +happening + +78 +00:02:01,069 --> 00:02:01,079 +happening + + +79 +00:02:01,079 --> 00:02:04,069 +happening +then he becomes + +80 +00:02:04,069 --> 00:02:04,079 +then he becomes + + +81 +00:02:04,079 --> 00:02:07,389 +then he becomes +groovy + +82 +00:02:07,389 --> 00:02:07,399 + + + +83 +00:02:07,399 --> 00:02:10,190 + +groovy and then after that he can + +84 +00:02:10,190 --> 00:02:10,200 +groovy and then after that he can + + +85 +00:02:10,200 --> 00:02:13,750 +groovy and then after that he can +actually raise himself to the rank of + +86 +00:02:13,750 --> 00:02:13,760 +actually raise himself to the rank of + + +87 +00:02:13,760 --> 00:02:17,110 +actually raise himself to the rank of +cool he can become one of + +88 +00:02:17,110 --> 00:02:17,120 +cool he can become one of + + +89 +00:02:17,120 --> 00:02:21,390 +cool he can become one of +those cool guys Dr + +90 +00:02:21,390 --> 00:02:21,400 +those cool guys Dr + + +91 +00:02:21,400 --> 00:02:23,589 +those cool guys Dr +Bloomquist do you think the uh + +92 +00:02:23,589 --> 00:02:23,599 +Bloomquist do you think the uh + + +93 +00:02:23,599 --> 00:02:26,509 +Bloomquist do you think the uh +Anthropologist Margaret me's strange + +94 +00:02:26,509 --> 00:02:26,519 +Anthropologist Margaret me's strange + + +95 +00:02:26,519 --> 00:02:29,470 +Anthropologist Margaret me's strange +behavior of late could be explained by a + +96 +00:02:29,470 --> 00:02:29,480 +behavior of late could be explained by a + + +97 +00:02:29,480 --> 00:02:32,470 +behavior of late could be explained by a +private marijuana addiction good + +98 +00:02:32,470 --> 00:02:32,480 +private marijuana addiction good + + +99 +00:02:32,480 --> 00:02:34,509 +private marijuana addiction good +question I'm not really sure I can + +100 +00:02:34,509 --> 00:02:34,519 +question I'm not really sure I can + + +101 +00:02:34,519 --> 00:02:37,750 +question I'm not really sure I can +answer that but what I can tell you sir + +102 +00:02:37,750 --> 00:02:37,760 +answer that but what I can tell you sir + + +103 +00:02:37,760 --> 00:02:40,949 +answer that but what I can tell you sir +is if Margaret me at her + +104 +00:02:40,949 --> 00:02:40,959 +is if Margaret me at her + + +105 +00:02:40,959 --> 00:02:44,430 +is if Margaret me at her +age smoked + +106 +00:02:44,430 --> 00:02:44,440 +age smoked + + +107 +00:02:44,440 --> 00:02:47,050 +age smoked +grass she have one hell of a + +108 +00:02:47,050 --> 00:02:47,060 +grass she have one hell of a + + +109 +00:02:47,060 --> 00:02:51,670 +grass she have one hell of a +[Laughter] + +110 +00:02:51,670 --> 00:02:51,680 +[Laughter] + + +111 +00:02:51,680 --> 00:02:55,390 +[Laughter] +trip one more layer of devian to the + +112 +00:02:55,390 --> 00:02:55,400 +trip one more layer of devian to the + + +113 +00:02:55,400 --> 00:02:56,830 +trip one more layer of devian to the +woman + +114 +00:02:56,830 --> 00:02:56,840 +woman + + +115 +00:02:56,840 --> 00:02:59,480 +woman + I'll be + +116 +00:02:59,480 --> 00:02:59,490 +I'll be + + +117 +00:02:59,490 --> 00:03:30,549 +I'll be +[Music] + diff --git a/1998/Olt04UetqMA.en.srt b/1998/Olt04UetqMA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..77d00d17ab1c4833d9665bfb41e6c2641b445694 --- /dev/null +++ b/1998/Olt04UetqMA.en.srt @@ -0,0 +1,105 @@ +1 +00:00:21,220 --> 00:00:24,160 + +and + +2 +00:00:24,160 --> 00:00:24,170 + + + +3 +00:00:24,170 --> 00:00:40,490 + +lady + +4 +00:00:40,490 --> 00:00:40,500 + + + +5 +00:00:40,500 --> 00:00:44,500 + +and then womb + +6 +00:00:44,500 --> 00:00:44,510 + + + +7 +00:00:44,510 --> 00:00:48,240 + +both by one hundred + +8 +00:00:48,240 --> 00:00:48,250 + + + +9 +00:00:48,250 --> 00:01:02,390 + +need sample + +10 +00:01:02,390 --> 00:01:02,400 + + + +11 +00:01:02,400 --> 00:01:08,270 + +starts without earthquake this prostate + +12 +00:01:08,270 --> 00:01:08,280 + + + +13 +00:01:08,280 --> 00:01:17,630 + +yes no + +14 +00:01:17,630 --> 00:01:17,640 + + + +15 +00:01:17,640 --> 00:01:34,420 + +[Music] + +16 +00:01:34,420 --> 00:01:34,430 + + + +17 +00:01:34,430 --> 00:01:46,360 + +[Music] + +18 +00:01:46,360 --> 00:01:46,370 + + + +19 +00:01:46,370 --> 00:02:04,340 + +[Music] + +20 +00:02:04,340 --> 00:02:04,350 + + + +21 +00:02:04,350 --> 00:02:15,800 + +[Music] + diff --git a/1998/OofNBvo-ABU.description b/1998/OofNBvo-ABU.description new file mode 100644 index 0000000000000000000000000000000000000000..7a49e065353080c3c0f385e56569a9627ce2e799 --- /dev/null +++ b/1998/OofNBvo-ABU.description @@ -0,0 +1,38 @@ +Rush Hour movie clips: http://j.mp/1BcYFYI +BUY THE MOVIE: http://bit.ly/2cbcAu3 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Lee (Jackie Chan) and Carter (Chris Tucker) have a tag team fight at a Chinese restaurant. + +FILM DESCRIPTION: +Brett Ratner directed this action-comedy that found box-office success by teaming Chris Tucker with Jackie Chan -- performing his own stunts as per his earlier films. As the story begins, Hong-Kong supercop Lee's (Chan), detective savvy leads to the confiscation of $500 million in weapons, drugs, and Chinese art. When Hong Kong Chinese Consul Han (Tzi Ma), is sent on a diplomatic mission to Los Angeles, his 11-year-old daughter, Soo Young (Julia Hsu), is abducted by an international criminal mastermind. The FBI assures Han they will find the kidnappers and return her safely, yet Han only trusts his longtime friend and ally (also his daughter's beloved martial arts teacher) Inspector Lee, who immediately flies in to help. Unwilling to have an outsider interfere in their investigation, the FBI assigns rogue LAPD detective (and buffoon) James Carter (Chris Tucker) to the case. Hoping to impress the FBI, Carter enthusiastically reports for work but is dismayed to discover his real mission is only to keep Lee away from the case (read b-a-b-y-s-i-t-t-e-r). The arrogant Carter reacts by embarking on a one-man crusade to solve the case, but he must first distract Lee. It doesn't take Carter long before he realizes he has greatly underestimated his Hong Kong counterpart, who sees what's going on and slips away. Impatient FBI agents try to cast off these unwanted misfit cops, but with an assist from LAPD bomb expert Tania Johnson (Elizabeth Pena), Carter and Lee eventually confront the bad guys in a full-tilt action sequence. + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Jackie Chan, Andy Cheng, Chan Man Ching, Ken Leung, Chung Chi Li, Chris Tucker, Stuart W. Yee +Director: Brett Ratner +Producers: Roger Birnbaum, Leon Dudevoir, James M. Freitag, Jonathan Glickman, Wayne Morris, Arthur M. Sarkissian, Art Schaeffer, Jay Stern +Screenwriters: Ross LaManna, Jim Kouf + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/OofNBvo-ABU.en.srt b/1998/OofNBvo-ABU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..5dc218a2677329177d0c4345474736386073d077 --- /dev/null +++ b/1998/OofNBvo-ABU.en.srt @@ -0,0 +1,95 @@ +1 +00:00:03,240 --> 00:00:05,190 + +oh hell no no he just playing man he + +2 +00:00:05,190 --> 00:00:05,200 +oh hell no no he just playing man he + + +3 +00:00:05,200 --> 00:00:07,190 +oh hell no no he just playing man he +playing he mean that he meant cut me + +4 +00:00:07,190 --> 00:00:07,200 +playing he mean that he meant cut me + + +5 +00:00:07,200 --> 00:00:21,260 +playing he mean that he meant cut me +loose let me go + +6 +00:00:21,260 --> 00:00:21,270 + + + +7 +00:00:21,270 --> 00:00:39,070 + +[Music] + +8 +00:00:39,070 --> 00:00:39,080 + + + +9 +00:00:39,080 --> 00:00:46,189 + +[Music] + +10 +00:00:46,189 --> 00:00:46,199 + + + +11 +00:00:46,199 --> 00:01:09,950 + +see + +12 +00:01:09,950 --> 00:01:09,960 + + + +13 +00:01:09,960 --> 00:01:17,310 + +out behind + +14 +00:01:17,310 --> 00:01:17,320 + + + +15 +00:01:17,320 --> 00:01:20,350 + +you + +16 +00:01:20,350 --> 00:01:20,360 + + + +17 +00:01:20,360 --> 00:01:25,390 + +freeze we kick y'all ass all y'all + +18 +00:01:25,390 --> 00:01:25,400 +freeze we kick y'all ass all y'all + + +19 +00:01:25,400 --> 00:01:56,459 +freeze we kick y'all ass all y'all +[Music] + diff --git a/1998/OqSg7WO4tT4.description b/1998/OqSg7WO4tT4.description new file mode 100644 index 0000000000000000000000000000000000000000..e9c2c6c1ad3669791027201b278474483154554f --- /dev/null +++ b/1998/OqSg7WO4tT4.description @@ -0,0 +1,38 @@ +Saving Private Ryan movie clips: http://j.mp/1uvAl4X +BUY THE MOVIE: http://amzn.to/uAEFMq +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Capt. Miller (Tom Hanks) pauses to survey the pure chaos on the beach, before regrouping and ordering his men to move on. + +FILM DESCRIPTION: +Steven Spielberg directed this powerful, realistic re-creation of WWII's D-day invasion and the immediate aftermath. The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller's men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name "Ryan" stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States. Capt. Miller gets the assignment, and he chooses a translator, Cpl. Upham (Jeremy Davis), skilled in language but not in combat, to join his squad of right-hand man Sgt. Horvath (Tom Sizemore), plus privates Mellish (Adam Goldberg), Medic Wade (Giovanni Ribisi), cynical Reiben (Edward Burns) from Brooklyn, Italian-American Caparzo (Vin Diesel), and religious Southerner Jackson (Barry Pepper), an ace sharpshooter who calls on the Lord while taking aim. Having previously experienced action in Italy and North Africa, the close-knit squad sets out through areas still thick with Nazis. After they lose one man in a skirmish at a bombed village, some in the group begin to question the logic of losing more lives to save a single soldier. The film's historical consultant is Stephen E. Ambrose, and the incident is based on a true occurance in Ambrose's 1994 bestseller D-Day: June 6, 1944. + +CREDITS: +TM & © Dreamworks (1998) +Cast: Tom Hanks, Tom Sizemore +Director: Steven Spielberg +Producers: Ian Bryce, Bonnie Curtis, Kevin De La Noy, Mark Huffam, Gary Levinsohn, Allison Lyon Segan, Steven Spielberg, Mark Gordon +Screenwriter: Robert Rodat + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/OrZB5n0tNAI.description b/1998/OrZB5n0tNAI.description new file mode 100644 index 0000000000000000000000000000000000000000..7508ce0619b87201af83c236df6c6cd46f24901f --- /dev/null +++ b/1998/OrZB5n0tNAI.description @@ -0,0 +1,38 @@ +Ronin movie clips: http://j.mp/150HERA +BUY THE MOVIE: http://j.mp/111oOco +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Sam (Robert De Niro) exposes Spence (Sean Bean) as a fraud. + +FILM DESCRIPTION: +John Frankenheimer directed this $20 million international action thriller from a screenplay by Richard Weisz (pseudonym for David Mamet) and J.D. Zeik. In Paris, Irish organizer Deidre (Natascha McElhone) assembles a team to grab a mysterious briefcase from criminals. They are never told who hired them or the true identity of their targets. The hired specialists: Former CIA officer Sam (Robert De Niro), former Euro intelligence agent Vincent (Jean Reno), German electronics expert Gregor (Stellan Skarsgard), driver Larry (Skip Sudduth), and British weapons wrangler Spence (Sean Bean). After a Seine shootout, the action moves to the South of France, with a recon mission in Cannes, and a chase that brings everyone to Nice. Inevitable betrayals ensue, along with more pursuits. + +CREDITS: +TM & © MGM (1998) +Cast: Sean Bean, Robert De Niro, Jean Reno, Stellan Skarsgård, Skipp Sudduth, Natascha McElhone +Director: John Frankenheimer +Producers: Paul Kelmenson, Frank Mancuso Jr., Ethel Winant +Screenwriters: J.D. Zeik, David Mamet + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/OrZB5n0tNAI.en.srt b/1998/OrZB5n0tNAI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..85a7ca9ade74af09cd3db7f90fb02260e504fc84 --- /dev/null +++ b/1998/OrZB5n0tNAI.en.srt @@ -0,0 +1,415 @@ +1 +00:00:00,199 --> 00:00:01,949 + +what's in the case that information + +2 +00:00:01,949 --> 00:00:01,959 +what's in the case that information + + +3 +00:00:01,959 --> 00:00:03,510 +what's in the case that information +isn't necessary is it heavy is it + +4 +00:00:03,510 --> 00:00:03,520 +isn't necessary is it heavy is it + + +5 +00:00:03,520 --> 00:00:05,670 +isn't necessary is it heavy is it +explosive is it chain to some unlucky + +6 +00:00:05,670 --> 00:00:05,680 +explosive is it chain to some unlucky + + +7 +00:00:05,680 --> 00:00:07,190 +explosive is it chain to some unlucky +blow wrist we're going to have to chop + +8 +00:00:07,190 --> 00:00:07,200 +blow wrist we're going to have to chop + + +9 +00:00:07,200 --> 00:00:09,669 +blow wrist we're going to have to chop +it off I what is it but I am not under + +10 +00:00:09,669 --> 00:00:09,679 +it off I what is it but I am not under + + +11 +00:00:09,679 --> 00:00:11,150 +it off I what is it but I am not under +any obligation to let you know if you + +12 +00:00:11,150 --> 00:00:11,160 +any obligation to let you know if you + + +13 +00:00:11,160 --> 00:00:13,589 +any obligation to let you know if you +are not then the price has got to go up + +14 +00:00:13,589 --> 00:00:13,599 +are not then the price has got to go up + + +15 +00:00:13,599 --> 00:00:14,990 +are not then the price has got to go up +I'll get you the case but the price has + +16 +00:00:14,990 --> 00:00:15,000 +I'll get you the case but the price has + + +17 +00:00:15,000 --> 00:00:16,750 +I'll get you the case but the price has +got to go up if it's going to be amate T + +18 +00:00:16,750 --> 00:00:16,760 +got to go up if it's going to be amate T + + +19 +00:00:16,760 --> 00:00:19,310 +got to go up if it's going to be amate T +night I want $100,000 I want it up front + +20 +00:00:19,310 --> 00:00:19,320 +night I want $100,000 I want it up front + + +21 +00:00:19,320 --> 00:00:20,990 +night I want $100,000 I want it up front +I want it in a bank account I want + +22 +00:00:20,990 --> 00:00:21,000 +I want it in a bank account I want + + +23 +00:00:21,000 --> 00:00:56,990 +I want it in a bank account I want +another $100,000 when you get the case + +24 +00:00:56,990 --> 00:00:57,000 + + + +25 +00:00:57,000 --> 00:01:00,229 + +okay + +26 +00:01:00,229 --> 00:01:00,239 + + + +27 +00:01:00,239 --> 00:01:02,470 + +we've got Shooters + +28 +00:01:02,470 --> 00:01:02,480 +we've got Shooters + + +29 +00:01:02,480 --> 00:01:06,149 +we've got Shooters +here Shooters here I'll tell you an old + +30 +00:01:06,149 --> 00:01:06,159 +here Shooters here I'll tell you an old + + +31 +00:01:06,159 --> 00:01:16,350 +here Shooters here I'll tell you an old +trick + +32 +00:01:16,350 --> 00:01:16,360 + + + +33 +00:01:16,360 --> 00:01:20,390 + +hey what's your problem draw it + +34 +00:01:20,390 --> 00:01:20,400 +hey what's your problem draw it + + +35 +00:01:20,400 --> 00:01:23,670 +hey what's your problem draw it +again draw it again you're the ace field + +36 +00:01:23,670 --> 00:01:23,680 +again draw it again you're the ace field + + +37 +00:01:23,680 --> 00:01:26,390 +again draw it again you're the ace field +man draw it again a simple diagram just + +38 +00:01:26,390 --> 00:01:26,400 +man draw it again a simple diagram just + + +39 +00:01:26,400 --> 00:01:27,950 +man draw it again a simple diagram just +draw it again draw what you + +40 +00:01:27,950 --> 00:01:27,960 +draw it again draw what you + + +41 +00:01:27,960 --> 00:01:31,710 +draw it again draw what you +saw draw it again + +42 +00:01:31,710 --> 00:01:31,720 +saw draw it again + + +43 +00:01:31,720 --> 00:01:35,109 +saw draw it again +draw it + +44 +00:01:35,109 --> 00:01:35,119 + + + +45 +00:01:35,119 --> 00:01:36,870 + +again two + +46 +00:01:36,870 --> 00:01:36,880 +again two + + +47 +00:01:36,880 --> 00:01:39,749 +again two +Shooters car comes through here Shooters + +48 +00:01:39,749 --> 00:01:39,759 +Shooters car comes through here Shooters + + +49 +00:01:39,759 --> 00:01:41,230 +Shooters car comes through here Shooters +across from each other kill each other + +50 +00:01:41,230 --> 00:01:41,240 +across from each other kill each other + + +51 +00:01:41,240 --> 00:01:43,950 +across from each other kill each other +dead oh my where'd you learn that huh in + +52 +00:01:43,950 --> 00:01:43,960 +dead oh my where'd you learn that huh in + + +53 +00:01:43,960 --> 00:01:46,030 +dead oh my where'd you learn that huh in +a regiment what regiment was that the 20 + +54 +00:01:46,030 --> 00:01:46,040 +a regiment what regiment was that the 20 + + +55 +00:01:46,040 --> 00:01:47,510 +a regiment what regiment was that the 20 +second Special Air Service what's the + +56 +00:01:47,510 --> 00:01:47,520 +second Special Air Service what's the + + +57 +00:01:47,520 --> 00:01:49,270 +second Special Air Service what's the +color of the boat house at + +58 +00:01:49,270 --> 00:01:49,280 +color of the boat house at + + +59 +00:01:49,280 --> 00:01:51,550 +color of the boat house at +Hereford what's the color of the boat + +60 +00:01:51,550 --> 00:01:51,560 +Hereford what's the color of the boat + + +61 +00:01:51,560 --> 00:01:53,109 +Hereford what's the color of the boat +house at Hereford I don't like your + +62 +00:01:53,109 --> 00:01:53,119 +house at Hereford I don't like your + + +63 +00:01:53,119 --> 00:01:56,230 +house at Hereford I don't like your +attitud the color of the boat house + +64 +00:01:56,230 --> 00:01:56,240 +attitud the color of the boat house + + +65 +00:01:56,240 --> 00:01:58,230 +attitud the color of the boat house +you got the gun I'm on arm do something + +66 +00:01:58,230 --> 00:01:58,240 +you got the gun I'm on arm do something + + +67 +00:01:58,240 --> 00:02:07,790 +you got the gun I'm on arm do something +go ahead do something do something + +68 +00:02:07,790 --> 00:02:07,800 + + + +69 +00:02:07,800 --> 00:02:13,030 + +[Music] + +70 +00:02:13,030 --> 00:02:13,040 + + + +71 +00:02:13,040 --> 00:02:15,150 + +tell me about an ambush tell me about an + +72 +00:02:15,150 --> 00:02:15,160 +tell me about an ambush tell me about an + + +73 +00:02:15,160 --> 00:02:21,509 +tell me about an ambush tell me about an +ambush I am shooting a cup of + +74 +00:02:21,509 --> 00:02:21,519 + + + +75 +00:02:21,519 --> 00:02:23,869 + +coffee you'll get your money when we get + +76 +00:02:23,869 --> 00:02:23,879 +coffee you'll get your money when we get + + +77 +00:02:23,879 --> 00:02:27,070 +coffee you'll get your money when we get +the kiss the others twoo that is what I + +78 +00:02:27,070 --> 00:02:27,080 +the kiss the others twoo that is what I + + +79 +00:02:27,080 --> 00:02:29,190 +the kiss the others twoo that is what I +understood come on we've gotten the word + +80 +00:02:29,190 --> 00:02:29,200 +understood come on we've gotten the word + + +81 +00:02:29,200 --> 00:02:34,000 +understood come on we've gotten the word +we're moving + +82 +00:02:34,000 --> 00:02:34,010 + + + +83 +00:02:34,010 --> 00:03:05,509 + +[Music] + diff --git a/1998/OvRYeeFT7BA.description b/1998/OvRYeeFT7BA.description new file mode 100644 index 0000000000000000000000000000000000000000..ce7207ab33cc6c0671b13e8638c4d5de0672f9a4 --- /dev/null +++ b/1998/OvRYeeFT7BA.description @@ -0,0 +1,38 @@ +Lock, Stock and Two Smoking Barrels movie clips: http://j.mp/15vUYCM +BUY THE MOVIE: http://amzn.to/uIybfi +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +With Barry the Baptist (Lenny McLean) feeding him information, Hatchet Harry (P.H. Moriarty) raises Eddie (Nick Moran) into a no-win situation. + +FILM DESCRIPTION: +Making its American premiere at the 1999 Sundance Film Festival, Lock, Stock And Two Smoking Barrels (already a huge hit in its homeland of Great Britain) has been described as a cross between Trainspotting and Pulp Fiction. Tom, Bacon and Soap give their best friend Eddie a wad of cash for a high stakes poker game. It turns out to be a set-up, and Eddie loses it all. Now they all owe an additional $800,000 in one week or gangsters will foreclose on Eddie's father's bar ... and their fingers. What happens from here on is best kept a secret to those who haven't seen the film, as a wild ride of craziness takes these four blokes to the brink of madness, honor, mayhem and trust, as they battle hell-bent to get that money back. + +CREDITS: +TM & © Universal (1998) +Cast: Lenny McLean, Nick Moran, P.H. Moriarty +Director: Guy Ritchie +Producers: Stephen Marks, Georgia Masters, Peter Morton, Angad Paul, Sebastian Pearson, Jan Roldanus, Trudie Styler, Steve Tisch, Ronaldo Vasconcellos, Matthew Vaughn, Jon Slan +Screenwriter: Guy Ritchie + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/OvRYeeFT7BA.en.srt b/1998/OvRYeeFT7BA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..b1749c758e8510e20380787f84f5afa11354dd75 --- /dev/null +++ b/1998/OvRYeeFT7BA.en.srt @@ -0,0 +1,445 @@ +1 +00:00:04,040 --> 00:00:07,709 + +fuy bastard oh my good + +2 +00:00:07,709 --> 00:00:07,719 +fuy bastard oh my good + + +3 +00:00:07,719 --> 00:00:18,750 +fuy bastard oh my good +God we'll take you to the + +4 +00:00:18,750 --> 00:00:18,760 + + + +5 +00:00:18,760 --> 00:00:22,230 + +cleaners 20 grand + +6 +00:00:22,230 --> 00:00:22,240 +cleaners 20 grand + + +7 +00:00:22,240 --> 00:00:24,429 +cleaners 20 grand +open + +8 +00:00:24,429 --> 00:00:24,439 +open + + +9 +00:00:24,439 --> 00:00:28,390 +open +30,000 back to you already + +10 +00:00:28,390 --> 00:00:28,400 +30,000 back to you already + + +11 +00:00:28,400 --> 00:00:30,460 +30,000 back to you already +Eddie 50 Grand + +12 +00:00:30,460 --> 00:00:30,470 +Eddie 50 Grand + + +13 +00:00:30,470 --> 00:00:32,590 +Eddie 50 Grand +[Music] + +14 +00:00:32,590 --> 00:00:32,600 +[Music] + + +15 +00:00:32,600 --> 00:00:36,630 +[Music] +Grand 80 + +16 +00:00:36,630 --> 00:00:36,640 + + + +17 +00:00:36,640 --> 00:00:40,709 + +grand 100 Grand whoa whoa whoa look + +18 +00:00:40,709 --> 00:00:40,719 +grand 100 Grand whoa whoa whoa look + + +19 +00:00:40,719 --> 00:00:42,950 +grand 100 Grand whoa whoa whoa look +fellas I know I know you're not in which + +20 +00:00:42,950 --> 00:00:42,960 +fellas I know I know you're not in which + + +21 +00:00:42,960 --> 00:00:46,150 +fellas I know I know you're not in which +means no one cares what you + +22 +00:00:46,150 --> 00:00:46,160 +means no one cares what you + + +23 +00:00:46,160 --> 00:00:51,310 +means no one cares what you +know + +24 +00:00:51,310 --> 00:00:51,320 + + + +25 +00:00:51,320 --> 00:00:54,349 + +250 that's quite a + +26 +00:00:54,349 --> 00:00:54,359 +250 that's quite a + + +27 +00:00:54,359 --> 00:00:59,950 +250 that's quite a +rise that's 150 on my 100 yeah and it's + +28 +00:00:59,950 --> 00:00:59,960 +rise that's 150 on my 100 yeah and it's + + +29 +00:00:59,960 --> 00:01:02,310 +rise that's 150 on my 100 yeah and it's +is there anything else you want to + +30 +00:01:02,310 --> 00:01:02,320 +is there anything else you want to + + +31 +00:01:02,320 --> 00:01:04,789 +is there anything else you want to +say as you know this puts us in an + +32 +00:01:04,789 --> 00:01:04,799 +say as you know this puts us in an + + +33 +00:01:04,799 --> 00:01:06,990 +say as you know this puts us in an +awkward + +34 +00:01:06,990 --> 00:01:07,000 +awkward + + +35 +00:01:07,000 --> 00:01:09,990 +awkward +position I don't have enough to continue + +36 +00:01:09,990 --> 00:01:10,000 +position I don't have enough to continue + + +37 +00:01:10,000 --> 00:01:11,910 +position I don't have enough to continue +we will have to see both your cards if + +38 +00:01:11,910 --> 00:01:11,920 +we will have to see both your cards if + + +39 +00:01:11,920 --> 00:01:13,910 +we will have to see both your cards if +no one loans Ed the money to continue + +40 +00:01:13,910 --> 00:01:13,920 +no one loans Ed the money to continue + + +41 +00:01:13,920 --> 00:01:21,830 +no one loans Ed the money to continue +it's a loan or we see both your + +42 +00:01:21,830 --> 00:01:21,840 + + + +43 +00:01:21,840 --> 00:01:25,590 + +cards I + +44 +00:01:25,590 --> 00:01:25,600 + + + +45 +00:01:25,600 --> 00:01:28,910 + +will you will + +46 +00:01:28,910 --> 00:01:28,920 +will you will + + +47 +00:01:28,920 --> 00:01:34,230 +will you will +what I will own you the + +48 +00:01:34,230 --> 00:01:34,240 + + + +49 +00:01:34,240 --> 00:01:36,670 + +money no I think I'd rather just turn + +50 +00:01:36,670 --> 00:01:36,680 +money no I think I'd rather just turn + + +51 +00:01:36,680 --> 00:01:37,590 +money no I think I'd rather just turn +them + +52 +00:01:37,590 --> 00:01:37,600 +them + + +53 +00:01:37,600 --> 00:01:39,670 +them +over I'm not interested in what you + +54 +00:01:39,670 --> 00:01:39,680 +over I'm not interested in what you + + +55 +00:01:39,680 --> 00:01:42,590 +over I'm not interested in what you +would rather I want to keep + +56 +00:01:42,590 --> 00:01:42,600 +would rather I want to keep + + +57 +00:01:42,600 --> 00:01:46,030 +would rather I want to keep +going I'm also offering you the + +58 +00:01:46,030 --> 00:01:46,040 +going I'm also offering you the + + +59 +00:01:46,040 --> 00:01:48,469 +going I'm also offering you the +money so we don't have to turn them over + +60 +00:01:48,469 --> 00:01:48,479 +money so we don't have to turn them over + + +61 +00:01:48,479 --> 00:01:51,030 +money so we don't have to turn them over +because you can + +62 +00:01:51,030 --> 00:01:51,040 +because you can + + +63 +00:01:51,040 --> 00:01:54,270 +because you can +borrow I need 250 + +64 +00:01:54,270 --> 00:01:54,280 +borrow I need 250 + + +65 +00:01:54,280 --> 00:01:57,630 +borrow I need 250 +Grand no you need five underground to + +66 +00:01:57,630 --> 00:01:57,640 +Grand no you need five underground to + + +67 +00:01:57,640 --> 00:02:00,190 +Grand no you need five underground to +see me + +68 +00:02:00,190 --> 00:02:00,200 +see me + + +69 +00:02:00,200 --> 00:02:02,429 +see me +that's if I want to see you well you're + +70 +00:02:02,429 --> 00:02:02,439 +that's if I want to see you well you're + + +71 +00:02:02,439 --> 00:02:07,749 +that's if I want to see you well you're +going to have a problem carrying on Ain + +72 +00:02:07,749 --> 00:02:07,759 + + + +73 +00:02:07,759 --> 00:02:11,190 + +you I'll see + +74 +00:02:11,190 --> 00:02:11,200 +you I'll see + + +75 +00:02:11,200 --> 00:02:15,869 +you I'll see +you okay before I loan you this I expect + +76 +00:02:15,869 --> 00:02:15,879 +you okay before I loan you this I expect + + +77 +00:02:15,879 --> 00:02:18,550 +you okay before I loan you this I expect +if you lose a course my money back + +78 +00:02:18,550 --> 00:02:18,560 +if you lose a course my money back + + +79 +00:02:18,560 --> 00:02:19,750 +if you lose a course my money back +within a + +80 +00:02:19,750 --> 00:02:19,760 +within a + + +81 +00:02:19,760 --> 00:02:52,270 +within a +week Crystal at Sunday okay + +82 +00:02:52,270 --> 00:02:52,280 + + + +83 +00:02:52,280 --> 00:02:54,990 + +is that it now let's see these + +84 +00:02:54,990 --> 00:02:55,000 +is that it now let's see these + + +85 +00:02:55,000 --> 00:03:02,589 +is that it now let's see these +cards + +86 +00:03:02,589 --> 00:03:02,599 + + + +87 +00:03:02,599 --> 00:03:08,490 + +down + +88 +00:03:08,490 --> 00:03:08,500 + + + +89 +00:03:08,500 --> 00:03:39,550 + +[Music] + diff --git a/1998/P2pgWsYSyUA.description b/1998/P2pgWsYSyUA.description new file mode 100644 index 0000000000000000000000000000000000000000..4c8c67e2dd759f85efef89a3e88aacfa9ad40627 --- /dev/null +++ b/1998/P2pgWsYSyUA.description @@ -0,0 +1,38 @@ +Fear and Loathing in Las Vegas movie clips: http://j.mp/1yzoXod +BUY THE MOVIE: http://amzn.to/ufvdw9 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Driving to Vegas in a convertible, Duke (Johnny Depp) and Dr. Gonzo (Benicio Del Toro) start to hallucinate when their drugs begin to take hold. + +FILM DESCRIPTION: +Terry Gilliam (Brazil, Twelve Monkeys, The Fisher King) directed this colorful, stylized, pseudo-psychedelic $21-million adaptation of the 1971 Hunter S. Thompson classic, Fear and Loathing in Las Vegas: A Savage Journey into the Heart of the American Dream, about stoned sportswriter Raoul Duke, Thompson's alter ego, on a wild drug-crazed road trip, a paranoid plummet into the belly of the beast, with his pal, lawyer Oscar Zeta Acosta. Originally serialized in Rolling Stone (November 1971), the book catapulted Thompson headfirst toward the Kerouac-Mailer-Capote pantheon and jump-started the entire movement of "gonzo journalism." Carrying a suitcase of drugs, Raoul Duke (Johnny Depp with shaved pate) and his attorney Dr. Gonzo (Benicio Del Toro) drive a red convertible across the Mojave from L.A. to Vegas, where Duke has an assignment to cover the Mint 400 desert motorcycle race. As the drugs kick in, Duke ventures into voiceover, filling in the blank spots and narrative gaps. "This is not a good town for psychedelic drugs," says Duke, but even so, they consume vast quantities, eventually escalating to ether. Duke notes that with ether "you can actually watch yourself behaving this terrible way, but you can't control it." The two trash their hotel room, and Gonzo goes back to L.A. Thinking the hotel room holocaust will lead to an arrest, Duke begins a drive back to L.A., but after an odd encounter with a highway patrolman (Gary Busey) and a telephone conversation with Gonzo, he returns to Vegas to cover the District Attorney Convention on Narcotics and Dangerous Drugs in the glitzy Flamingo Hotel. This time the drugged-out duo trash their Flamingo room. The crazed carnival atmosphere segues into a carney casino, Bazooko's Circus, where a barker (Penn Jillette) spiels amid aerialists, clowns, and a rotating carousel bar. Gonzo worries over runaway teen Lucy (Christina Ricci), who paints portraits of Barbra Streisand. Soon the hallucinations begin: Duke sees Gonzo transmogrify into a demon with breasts on its back, and an acid vision of a Vegas bar features large legit lounge lizards (courtesy of monster makeup man Rob Bottin). Flashbacks depicting Duke's intro to the drug scene jump back to love-Haight relationships in San Francisco's Summer of Love. Cameos and guest stars include Mark Harmon, Cameron Diaz, Flea, Lyle Lovett, Harry Dean Stanton, Ellen Barkin, Tobey Maguire, and Hunter S. Thompson himself. The film features a Geffen Records soundtrack mixing rock of the period with Vegas lounge tunes. Over the years, various script adaptations came and went as did numerous talents; people connected with past efforts to film Thompson's book include Martin Scorsese, Jack Nicholson, Dan Aykroyd, John Belushi, and writer-director Alex Cox. Shown in competition at the 1998 Cannes Film Festival. + +CREDITS: +TM & © Universal (1998) +Cast: Johnny Depp, Benicio Del Toro +Director: Terry Gilliam +Producers: Harold Bronson, Patrick Cassavetti, Richard Foos, John Jergens, Laila Nabulsi, Stephen Nemeth, Elliot Lewis Rosenblatt +Screenwriters: Hunter S. Thompson, Terry Gilliam, Tony Grisoni, Tod Davies, Alex Cox + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/P2pgWsYSyUA.en.srt b/1998/P2pgWsYSyUA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9597f0f37c4d983f5e1fab4e26d9466cb995ccff --- /dev/null +++ b/1998/P2pgWsYSyUA.en.srt @@ -0,0 +1,470 @@ +1 +00:00:02,080 --> 00:00:04,110 + +we were somewhere around barsto on the + +2 +00:00:04,110 --> 00:00:04,120 +we were somewhere around barsto on the + + +3 +00:00:04,120 --> 00:00:06,430 +we were somewhere around barsto on the +edge of the desert when the drugs began + +4 +00:00:06,430 --> 00:00:06,440 +edge of the desert when the drugs began + + +5 +00:00:06,440 --> 00:00:08,910 +edge of the desert when the drugs began +to take + +6 +00:00:08,910 --> 00:00:08,920 + + + +7 +00:00:08,920 --> 00:00:20,509 + +[Music] + +8 +00:00:20,509 --> 00:00:20,519 + + + +9 +00:00:20,519 --> 00:00:23,150 + +hold I remember saying something like I + +10 +00:00:23,150 --> 00:00:23,160 +hold I remember saying something like I + + +11 +00:00:23,160 --> 00:00:24,230 +hold I remember saying something like I +do with + +12 +00:00:24,230 --> 00:00:24,240 +do with + + +13 +00:00:24,240 --> 00:00:27,280 +do with +lightheaded maybe you should drive + +14 +00:00:27,280 --> 00:00:27,290 +lightheaded maybe you should drive + + +15 +00:00:27,290 --> 00:00:30,230 +lightheaded maybe you should drive +[Applause] + +16 +00:00:30,230 --> 00:00:30,240 +[Applause] + + +17 +00:00:30,240 --> 00:00:31,910 +[Applause] +suddenly there was a terrible Roar all + +18 +00:00:31,910 --> 00:00:31,920 +suddenly there was a terrible Roar all + + +19 +00:00:31,920 --> 00:00:34,190 +suddenly there was a terrible Roar all +around us and the sky was full of what + +20 +00:00:34,190 --> 00:00:34,200 +around us and the sky was full of what + + +21 +00:00:34,200 --> 00:00:36,510 +around us and the sky was full of what +looked like huge bats all swooping and + +22 +00:00:36,510 --> 00:00:36,520 +looked like huge bats all swooping and + + +23 +00:00:36,520 --> 00:00:39,030 +looked like huge bats all swooping and +screeching and Diving around the car and + +24 +00:00:39,030 --> 00:00:39,040 +screeching and Diving around the car and + + +25 +00:00:39,040 --> 00:00:40,790 +screeching and Diving around the car and +a voice was screaming holy Jesus what + +26 +00:00:40,790 --> 00:00:40,800 +a voice was screaming holy Jesus what + + +27 +00:00:40,800 --> 00:00:45,229 +a voice was screaming holy Jesus what +are these goddamn + +28 +00:00:45,229 --> 00:00:45,239 + + + +29 +00:00:45,239 --> 00:00:47,670 + +animal say + +30 +00:00:47,670 --> 00:00:47,680 +animal say + + +31 +00:00:47,680 --> 00:00:51,590 +animal say +something never mind it's your turn to + +32 +00:00:51,590 --> 00:00:51,600 +something never mind it's your turn to + + +33 +00:00:51,600 --> 00:00:53,950 +something never mind it's your turn to +drive no point mentioning these bats I + +34 +00:00:53,950 --> 00:00:53,960 +drive no point mentioning these bats I + + +35 +00:00:53,960 --> 00:00:58,270 +drive no point mentioning these bats I +thought poor bastard will see them soon + +36 +00:00:58,270 --> 00:00:58,280 + + + +37 +00:00:58,280 --> 00:01:00,690 + +enough you + +38 +00:01:00,690 --> 00:01:00,700 +enough you + + +39 +00:01:00,700 --> 00:01:08,830 +enough you +[Music] + +40 +00:01:08,830 --> 00:01:13,749 + + + +41 +00:01:13,749 --> 00:01:13,759 + + + +42 +00:01:13,759 --> 00:01:17,550 + +fish we had two bags of grass 75 pellets + +43 +00:01:17,550 --> 00:01:17,560 +fish we had two bags of grass 75 pellets + + +44 +00:01:17,560 --> 00:01:19,910 +fish we had two bags of grass 75 pellets +of masculine five sheets of high powered + +45 +00:01:19,910 --> 00:01:19,920 +of masculine five sheets of high powered + + +46 +00:01:19,920 --> 00:01:22,830 +of masculine five sheets of high powered +blad acid a salt shaker half full of + +47 +00:01:22,830 --> 00:01:22,840 +blad acid a salt shaker half full of + + +48 +00:01:22,840 --> 00:01:25,310 +blad acid a salt shaker half full of +cocaine a whole galaxy of multicolored + +49 +00:01:25,310 --> 00:01:25,320 +cocaine a whole galaxy of multicolored + + +50 +00:01:25,320 --> 00:01:28,270 +cocaine a whole galaxy of multicolored +uppers downers screamers laughers also a + +51 +00:01:28,270 --> 00:01:28,280 +uppers downers screamers laughers also a + + +52 +00:01:28,280 --> 00:01:31,950 +uppers downers screamers laughers also a +quarter tequila qu rum case of beer Pine + +53 +00:01:31,950 --> 00:01:31,960 +quarter tequila qu rum case of beer Pine + + +54 +00:01:31,960 --> 00:01:34,590 +quarter tequila qu rum case of beer Pine +of raw ether two dozen + +55 +00:01:34,590 --> 00:01:34,600 +of raw ether two dozen + + +56 +00:01:34,600 --> 00:01:36,749 +of raw ether two dozen +Amal not that we needed all that for the + +57 +00:01:36,749 --> 00:01:36,759 +Amal not that we needed all that for the + + +58 +00:01:36,759 --> 00:01:38,749 +Amal not that we needed all that for the +trip but once you get locked into a + +59 +00:01:38,749 --> 00:01:38,759 +trip but once you get locked into a + + +60 +00:01:38,759 --> 00:01:41,069 +trip but once you get locked into a +serious drug collection the tendency is + +61 +00:01:41,069 --> 00:01:41,079 +serious drug collection the tendency is + + +62 +00:01:41,079 --> 00:01:43,389 +serious drug collection the tendency is +to push it as far as you + +63 +00:01:43,389 --> 00:01:43,399 +to push it as far as you + + +64 +00:01:43,399 --> 00:01:45,350 +to push it as far as you +can the only thing that really worried + +65 +00:01:45,350 --> 00:01:45,360 +can the only thing that really worried + + +66 +00:01:45,360 --> 00:01:47,830 +can the only thing that really worried +me was The Ether there is nothing in the + +67 +00:01:47,830 --> 00:01:47,840 +me was The Ether there is nothing in the + + +68 +00:01:47,840 --> 00:01:49,510 +me was The Ether there is nothing in the +world more helpless and irresponsible + +69 +00:01:49,510 --> 00:01:49,520 +world more helpless and irresponsible + + +70 +00:01:49,520 --> 00:01:52,030 +world more helpless and irresponsible +and depraved than a man in the depths of + +71 +00:01:52,030 --> 00:01:52,040 +and depraved than a man in the depths of + + +72 +00:01:52,040 --> 00:01:53,069 +and depraved than a man in the depths of +an ether + +73 +00:01:53,069 --> 00:01:53,079 +an ether + + +74 +00:01:53,079 --> 00:01:55,109 +an ether +binge and I knew we'd get into that + +75 +00:01:55,109 --> 00:01:55,119 +binge and I knew we'd get into that + + +76 +00:01:55,119 --> 00:01:57,109 +binge and I knew we'd get into that +rotten stuff pretty soon a house + +77 +00:01:57,109 --> 00:01:57,119 +rotten stuff pretty soon a house + + +78 +00:01:57,119 --> 00:01:59,350 +rotten stuff pretty soon a house +subcommittee report says illegal drugs + +79 +00:01:59,350 --> 00:01:59,360 +subcommittee report says illegal drugs + + +80 +00:01:59,360 --> 00:02:03,630 +subcommittee report says illegal drugs +killed 160 American GIS last year 40 of + +81 +00:02:03,630 --> 00:02:03,640 +killed 160 American GIS last year 40 of + + +82 +00:02:03,640 --> 00:02:06,670 +killed 160 American GIS last year 40 of +them in Vietnam + +83 +00:02:06,670 --> 00:02:06,680 +them in Vietnam + + +84 +00:02:06,680 --> 00:02:13,110 +them in Vietnam +drugs one man one over the + +85 +00:02:13,110 --> 00:02:13,120 +drugs one man one over the + + +86 +00:02:13,120 --> 00:02:17,869 +drugs one man one over the +L A Rail + +87 +00:02:17,869 --> 00:02:17,879 + + + +88 +00:02:17,879 --> 00:02:20,670 + +station one to you poor + +89 +00:02:20,670 --> 00:02:20,680 +station one to you poor + + +90 +00:02:20,680 --> 00:02:23,190 +station one to you poor +fool where do you see those goddamn bats + +91 +00:02:23,190 --> 00:02:23,200 +fool where do you see those goddamn bats + + +92 +00:02:23,200 --> 00:02:25,450 +fool where do you see those goddamn bats +man + +93 +00:02:25,450 --> 00:02:25,460 +man + + +94 +00:02:25,460 --> 00:02:56,509 +man +[Music] + diff --git a/1998/P9e_I-fkJ6c.description b/1998/P9e_I-fkJ6c.description new file mode 100644 index 0000000000000000000000000000000000000000..68873090031a1a37343ee1304c75f9da8806fad6 --- /dev/null +++ b/1998/P9e_I-fkJ6c.description @@ -0,0 +1,38 @@ +Pi movie clips: http://j.mp/1yzoSkp +BUY THE MOVIE: http://j.mp/KS1NkV +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +As Max's (Sean Gullette) mental illness grows stronger, he finds a human brain in a New York subway station and pokes it. + +FILM DESCRIPTION: +Darren Aronofsky scripted and made his directorial debut with this experimental feature with mathematical plot threads hinting at science-fictional elements. In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions. Filmed in 16mm black-and-white, the Kafkaesque film features music by Clint Mansell (of the UK's Pop Will Eat Itself band). Shown at the 1998 Sundance Film Festival where Aronofsky won the drama directing award. + +CREDITS: +TM & © Lionsgate (1998) +Cast: Sean Gullette +Director: Darren Aronofsky +Producers: Tyler Brodie, Scott Franklin, David Godbout, Katie King, Richard Lifschutz, Randy Simon, Jonah Smith, Scott Vogel, Eric Watson +Screenwriters: Darren Aronofsky, Sean Gullette, Eric Watson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/PGqBHvtmtgE.description b/1998/PGqBHvtmtgE.description new file mode 100644 index 0000000000000000000000000000000000000000..0e739dfb2ad6e036b4e50f9677b9dd3c0e8dfa2d --- /dev/null +++ b/1998/PGqBHvtmtgE.description @@ -0,0 +1,38 @@ +Lock, Stock and Two Smoking Barrels movie clips: http://j.mp/15vUYCM +BUY THE MOVIE: http://amzn.to/uIybfi +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Things come full circle when Big Chris (Vinnie Jones) brings the bag of money back to Eddie (Nick Moran) and the lads. + +FILM DESCRIPTION: +Making its American premiere at the 1999 Sundance Film Festival, Lock, Stock And Two Smoking Barrels (already a huge hit in its homeland of Great Britain) has been described as a cross between Trainspotting and Pulp Fiction. Tom, Bacon and Soap give their best friend Eddie a wad of cash for a high stakes poker game. It turns out to be a set-up, and Eddie loses it all. Now they all owe an additional $800,000 in one week or gangsters will foreclose on Eddie's father's bar ... and their fingers. What happens from here on is best kept a secret to those who haven't seen the film, as a wild ride of craziness takes these four blokes to the brink of madness, honor, mayhem and trust, as they battle hell-bent to get that money back. + +CREDITS: +TM & © Universal (1998) +Cast: Jason Flemyng, Dexter Fletcher, Vinnie Jones, Peter McNicholl, Nick Moran, Jason Statham, Sting +Director: Guy Ritchie +Producers: Stephen Marks, Georgia Masters, Peter Morton, Angad Paul, Sebastian Pearson, Jan Roldanus, Trudie Styler, Steve Tisch, Ronaldo Vasconcellos, Matthew Vaughn, Jon Slan +Screenwriter: Guy Ritchie + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/PGqBHvtmtgE.en.srt b/1998/PGqBHvtmtgE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..cf22e4d32dca3138f84a77ff86a1f0e88ae04726 --- /dev/null +++ b/1998/PGqBHvtmtgE.en.srt @@ -0,0 +1,375 @@ +1 +00:00:00,399 --> 00:00:03,230 + +you dippy bastard + +2 +00:00:03,230 --> 00:00:03,240 +you dippy bastard + + +3 +00:00:03,240 --> 00:00:07,470 +you dippy bastard +so the only thing connecting us with the + +4 +00:00:07,470 --> 00:00:07,480 +so the only thing connecting us with the + + +5 +00:00:07,480 --> 00:00:10,230 +so the only thing connecting us with the +case is in the back of your car which is + +6 +00:00:10,230 --> 00:00:10,240 +case is in the back of your car which is + + +7 +00:00:10,240 --> 00:00:13,549 +case is in the back of your car which is +parked outside they cost us 700 quid I'm + +8 +00:00:13,549 --> 00:00:13,559 +parked outside they cost us 700 quid I'm + + +9 +00:00:13,559 --> 00:00:14,869 +parked outside they cost us 700 quid I'm +not going to throw them + +10 +00:00:14,869 --> 00:00:14,879 +not going to throw them + + +11 +00:00:14,879 --> 00:00:16,830 +not going to throw them +away and they're hardly lik to trace + +12 +00:00:16,830 --> 00:00:16,840 +away and they're hardly lik to trace + + +13 +00:00:16,840 --> 00:00:19,710 +away and they're hardly lik to trace +them back to us are they do you really + +14 +00:00:19,710 --> 00:00:19,720 +them back to us are they do you really + + +15 +00:00:19,720 --> 00:00:21,390 +them back to us are they do you really +think it's worth taking the risk for + +16 +00:00:21,390 --> 00:00:21,400 +think it's worth taking the risk for + + +17 +00:00:21,400 --> 00:00:23,950 +think it's worth taking the risk for +£700 Tom you're a + +18 +00:00:23,950 --> 00:00:23,960 +£700 Tom you're a + + +19 +00:00:23,960 --> 00:00:26,109 +£700 Tom you're a +dick now you take those guns and you + +20 +00:00:26,109 --> 00:00:26,119 +dick now you take those guns and you + + +21 +00:00:26,119 --> 00:00:28,429 +dick now you take those guns and you +throw them off a bridge and throw + +22 +00:00:28,429 --> 00:00:28,439 +throw them off a bridge and throw + + +23 +00:00:28,439 --> 00:00:35,709 +throw them off a bridge and throw +yourself off while you're at + +24 +00:00:35,709 --> 00:00:35,719 + + + +25 +00:00:35,719 --> 00:00:44,950 + +n + +26 +00:00:44,950 --> 00:00:44,960 + + + +27 +00:00:44,960 --> 00:00:48,150 + +look can I have a beer please Dad I'm + +28 +00:00:48,150 --> 00:00:48,160 +look can I have a beer please Dad I'm + + +29 +00:00:48,160 --> 00:01:06,789 +look can I have a beer please Dad I'm +busy get it yourself + +30 +00:01:06,789 --> 00:01:06,799 + + + +31 +00:01:06,799 --> 00:01:08,870 + +it seemed that under estimated + +32 +00:01:08,870 --> 00:01:08,880 +it seemed that under estimated + + +33 +00:01:08,880 --> 00:01:11,990 +it seemed that under estimated +dulock and it seems to have cost + +34 +00:01:11,990 --> 00:01:12,000 +dulock and it seems to have cost + + +35 +00:01:12,000 --> 00:01:13,910 +dulock and it seems to have cost +him but I ain't going to make the same + +36 +00:01:13,910 --> 00:01:13,920 +him but I ain't going to make the same + + +37 +00:01:13,920 --> 00:01:15,429 +him but I ain't going to make the same +mistake now am + +38 +00:01:15,429 --> 00:01:15,439 +mistake now am + + +39 +00:01:15,439 --> 00:01:19,990 +mistake now am +I so I've decided to bring your bag + +40 +00:01:19,990 --> 00:01:20,000 + + + +41 +00:01:20,000 --> 00:01:21,910 + +back I think the words you're looking + +42 +00:01:21,910 --> 00:01:21,920 +back I think the words you're looking + + +43 +00:01:21,920 --> 00:01:24,590 +back I think the words you're looking +for gentleman is thank + +44 +00:01:24,590 --> 00:01:24,600 +for gentleman is thank + + +45 +00:01:24,600 --> 00:01:27,109 +for gentleman is thank +you thank + +46 +00:01:27,109 --> 00:01:27,119 +you thank + + +47 +00:01:27,119 --> 00:01:29,230 +you thank +you now you've presented me with a + +48 +00:01:29,230 --> 00:01:29,240 +you now you've presented me with a + + +49 +00:01:29,240 --> 00:01:31,149 +you now you've presented me with a +problem + +50 +00:01:31,149 --> 00:01:31,159 +problem + + +51 +00:01:31,159 --> 00:01:33,789 +problem +I've lost my + +52 +00:01:33,789 --> 00:01:33,799 + + + +53 +00:01:33,799 --> 00:01:37,069 + +employer so I've taken care of myself + +54 +00:01:37,069 --> 00:01:37,079 +employer so I've taken care of myself + + +55 +00:01:37,079 --> 00:01:38,510 +employer so I've taken care of myself +and my + +56 +00:01:38,510 --> 00:01:38,520 +and my + + +57 +00:01:38,520 --> 00:01:41,389 +and my +son now if you think that's unfair you + +58 +00:01:41,389 --> 00:01:41,399 +son now if you think that's unfair you + + +59 +00:01:41,399 --> 00:01:43,870 +son now if you think that's unfair you +come and pay me a little visit but you + +60 +00:01:43,870 --> 00:01:43,880 +come and pay me a little visit but you + + +61 +00:01:43,880 --> 00:01:46,510 +come and pay me a little visit but you +better be waving a white flag high and + +62 +00:01:46,510 --> 00:01:46,520 +better be waving a white flag high and + + +63 +00:01:46,520 --> 00:01:48,830 +better be waving a white flag high and +clear as as I can see + +64 +00:01:48,830 --> 00:01:48,840 +clear as as I can see + + +65 +00:01:48,840 --> 00:01:52,670 +clear as as I can see +it or be the last little visit you ever + +66 +00:01:52,670 --> 00:01:52,680 +it or be the last little visit you ever + + +67 +00:01:52,680 --> 00:01:56,270 +it or be the last little visit you ever +make you + +68 +00:01:56,270 --> 00:01:56,280 + + + +69 +00:01:56,280 --> 00:02:01,510 + +understand that's all I've come to say + +70 +00:02:01,510 --> 00:02:01,520 + + + +71 +00:02:01,520 --> 00:02:04,709 + +there is one more + +72 +00:02:04,709 --> 00:02:04,719 + + + +73 +00:02:04,719 --> 00:02:07,430 + +thing it's been emotional + +74 +00:02:07,430 --> 00:02:07,440 +thing it's been emotional + + +75 +00:02:07,440 --> 00:02:38,479 +thing it's been emotional +[Music] + diff --git a/1998/PKnfWnfvSGM.mp4 b/1998/PKnfWnfvSGM.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..1c04c404d291ebaa452bfa8912276b1ce1b6c1ac --- /dev/null +++ b/1998/PKnfWnfvSGM.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:aeff309c12a4ef95bf892dc87bce87e41231f6c43b0ed4ab760de42dedcf5328 +size 6645251 diff --git a/1998/PSNqibKHIys.en.srt b/1998/PSNqibKHIys.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c24448708d31a09be64ab38c1b90761b420bb811 --- /dev/null +++ b/1998/PSNqibKHIys.en.srt @@ -0,0 +1,475 @@ +1 +00:00:00,199 --> 00:00:01,870 + +it's a really cool play Jerry wrote it + +2 +00:00:01,870 --> 00:00:01,880 +it's a really cool play Jerry wrote it + + +3 +00:00:01,880 --> 00:00:04,150 +it's a really cool play Jerry wrote it +three years ago but + +4 +00:00:04,150 --> 00:00:04,160 +three years ago but + + +5 +00:00:04,160 --> 00:00:07,990 +three years ago but +it's it's 50% it's hard to describe it's + +6 +00:00:07,990 --> 00:00:08,000 +it's it's 50% it's hard to describe it's + + +7 +00:00:08,000 --> 00:00:12,030 +it's it's 50% it's hard to describe it's +50% Al pop 50% Sam + +8 +00:00:12,030 --> 00:00:12,040 +50% Al pop 50% Sam + + +9 +00:00:12,040 --> 00:00:13,829 +50% Al pop 50% Sam +shepher + +10 +00:00:13,829 --> 00:00:13,839 +shepher + + +11 +00:00:13,839 --> 00:00:17,390 +shepher +meets we said it to him now he's going + +12 +00:00:17,390 --> 00:00:17,400 +meets we said it to him now he's going + + +13 +00:00:17,400 --> 00:00:21,630 +meets we said it to him now he's going +around town R back to other networks do + +14 +00:00:21,630 --> 00:00:21,640 +around town R back to other networks do + + +15 +00:00:21,640 --> 00:00:23,470 +around town R back to other networks do +that the guy slim I mean he actually has + +16 +00:00:23,470 --> 00:00:23,480 +that the guy slim I mean he actually has + + +17 +00:00:23,480 --> 00:00:25,550 +that the guy slim I mean he actually has +a secretary WR his scripts for him what + +18 +00:00:25,550 --> 00:00:25,560 +a secretary WR his scripts for him what + + +19 +00:00:25,560 --> 00:00:27,070 +a secretary WR his scripts for him what +I'm saying is it's very difficult to + +20 +00:00:27,070 --> 00:00:27,080 +I'm saying is it's very difficult to + + +21 +00:00:27,080 --> 00:00:28,710 +I'm saying is it's very difficult to +come to these parties right and + +22 +00:00:28,710 --> 00:00:28,720 +come to these parties right and + + +23 +00:00:28,720 --> 00:00:30,589 +come to these parties right and +everybody's talking about work + +24 +00:00:30,589 --> 00:00:30,599 +everybody's talking about work + + +25 +00:00:30,599 --> 00:00:32,990 +everybody's talking about work +what going have a life yeah you + +26 +00:00:32,990 --> 00:00:33,000 +what going have a life yeah you + + +27 +00:00:33,000 --> 00:00:34,350 +what going have a life yeah you +know I'd like to think that I have a + +28 +00:00:34,350 --> 00:00:34,360 +know I'd like to think that I have a + + +29 +00:00:34,360 --> 00:00:36,270 +know I'd like to think that I have a +really rich civilian life I'd like to + +30 +00:00:36,270 --> 00:00:36,280 +really rich civilian life I'd like to + + +31 +00:00:36,280 --> 00:00:38,350 +really rich civilian life I'd like to +think you do too you know most + +32 +00:00:38,350 --> 00:00:38,360 +think you do too you know most + + +33 +00:00:38,360 --> 00:00:39,630 +think you do too you know most +definitely + +34 +00:00:39,630 --> 00:00:39,640 +definitely + + +35 +00:00:39,640 --> 00:00:42,389 +definitely +am so tell me what are your + +36 +00:00:42,389 --> 00:00:42,399 +am so tell me what are your + + +37 +00:00:42,399 --> 00:00:47,270 +am so tell me what are your +passions my passions um everything I do + +38 +00:00:47,270 --> 00:00:47,280 +passions my passions um everything I do + + +39 +00:00:47,280 --> 00:00:49,310 +passions my passions um everything I do +everything hey would you excuse me for a + +40 +00:00:49,310 --> 00:00:49,320 +everything hey would you excuse me for a + + +41 +00:00:49,320 --> 00:00:51,790 +everything hey would you excuse me for a +second uh no I won't I won't you blew me + +42 +00:00:51,790 --> 00:00:51,800 +second uh no I won't I won't you blew me + + +43 +00:00:51,800 --> 00:00:53,510 +second uh no I won't I won't you blew me +off for dinner you don't call me I give + +44 +00:00:53,510 --> 00:00:53,520 +off for dinner you don't call me I give + + +45 +00:00:53,520 --> 00:00:55,510 +off for dinner you don't call me I give +you my card you're now obligated to + +46 +00:00:55,510 --> 00:00:55,520 +you my card you're now obligated to + + +47 +00:00:55,520 --> 00:00:58,670 +you my card you're now obligated to +stand here and give me 5 + +48 +00:00:58,670 --> 00:00:58,680 + + + +49 +00:00:58,680 --> 00:01:02,750 + +minutes you're have me back right 10% + +50 +00:01:02,750 --> 00:01:02,760 +minutes you're have me back right 10% + + +51 +00:01:02,760 --> 00:01:04,270 +minutes you're have me back right 10% +naked + +52 +00:01:04,270 --> 00:01:04,280 +naked + + +53 +00:01:04,280 --> 00:01:06,390 +naked +Jer Jerry Jerry Jerry Jerry tell her how + +54 +00:01:06,390 --> 00:01:06,400 +Jer Jerry Jerry Jerry Jerry tell her how + + +55 +00:01:06,400 --> 00:01:09,670 +Jer Jerry Jerry Jerry Jerry tell her how +great the play is that's great tell me + +56 +00:01:09,670 --> 00:01:09,680 +great the play is that's great tell me + + +57 +00:01:09,680 --> 00:01:10,990 +great the play is that's great tell me +about your improv group that you're in + +58 +00:01:10,990 --> 00:01:11,000 +about your improv group that you're in + + +59 +00:01:11,000 --> 00:01:23,270 +about your improv group that you're in +what is that + +60 +00:01:23,270 --> 00:01:23,280 + + + +61 +00:01:23,280 --> 00:01:28,990 + +like so neria no is he here oh yes yes + +62 +00:01:28,990 --> 00:01:29,000 +like so neria no is he here oh yes yes + + +63 +00:01:29,000 --> 00:01:30,749 +like so neria no is he here oh yes yes +he's here but he's he's very shy he + +64 +00:01:30,749 --> 00:01:30,759 +he's here but he's he's very shy he + + +65 +00:01:30,759 --> 00:01:43,230 +he's here but he's he's very shy he +probably sort of you hiding in a corner + +66 +00:01:43,230 --> 00:01:43,240 + + + +67 +00:01:43,240 --> 00:01:46,830 + +somewhere busy hey Jerry let me in will + +68 +00:01:46,830 --> 00:01:46,840 +somewhere busy hey Jerry let me in will + + +69 +00:01:46,840 --> 00:01:48,670 +somewhere busy hey Jerry let me in will +you come on open it + +70 +00:01:48,670 --> 00:01:48,680 +you come on open it + + +71 +00:01:48,680 --> 00:01:50,670 +you come on open it +door Mr + +72 +00:01:50,670 --> 00:01:50,680 +door Mr + + +73 +00:01:50,680 --> 00:01:54,429 +door Mr +Chompers don't be an come on you + +74 +00:01:54,429 --> 00:01:54,439 +Chompers don't be an come on you + + +75 +00:01:54,439 --> 00:01:56,709 +Chompers don't be an come on you +I nobody can ride this you ride + +76 +00:01:56,709 --> 00:01:56,719 +I nobody can ride this you ride + + +77 +00:01:56,719 --> 00:02:01,029 +I nobody can ride this you ride +straight you owee me a taste + +78 +00:02:01,029 --> 00:02:01,039 +straight you owee me a taste + + +79 +00:02:01,039 --> 00:02:04,990 +straight you owee me a taste +stop D let me this isn't funny no wonder + +80 +00:02:04,990 --> 00:02:05,000 +stop D let me this isn't funny no wonder + + +81 +00:02:05,000 --> 00:02:07,550 +stop D let me this isn't funny no wonder +you don't right for me anymore you don't + +82 +00:02:07,550 --> 00:02:07,560 +you don't right for me anymore you don't + + +83 +00:02:07,560 --> 00:02:09,949 +you don't right for me anymore you don't +want the stand basic of + +84 +00:02:09,949 --> 00:02:09,959 +want the stand basic of + + +85 +00:02:09,959 --> 00:02:27,750 +want the stand basic of +Comedy + +86 +00:02:27,750 --> 00:02:27,760 + + + +87 +00:02:27,760 --> 00:02:30,430 + +junky what was that sound the one that + +88 +00:02:30,430 --> 00:02:30,440 +junky what was that sound the one that + + +89 +00:02:30,440 --> 00:02:32,309 +junky what was that sound the one that +we that came up with the other day that + +90 +00:02:32,309 --> 00:02:32,319 +we that came up with the other day that + + +91 +00:02:32,319 --> 00:02:44,670 +we that came up with the other day that +great sound was like you + +92 +00:02:44,670 --> 00:02:44,680 + + + +93 +00:02:44,680 --> 00:03:09,580 + +know it wasn't that + +94 +00:03:09,580 --> 00:03:09,590 + + + +95 +00:03:09,590 --> 00:03:18,700 + +[Music] + diff --git a/1998/PTEskprXZOg.description b/1998/PTEskprXZOg.description new file mode 100644 index 0000000000000000000000000000000000000000..7b4528e3bb269cef487a47d748e2e42873c0c534 --- /dev/null +++ b/1998/PTEskprXZOg.description @@ -0,0 +1,38 @@ +Blade movie clips: http://j.mp/1uunT5v +BUY THE MOVIE: http://bit.ly/2bRfOyT +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Deacon Frost (Stephen Dorff) has turned into La Magra and fights with Blade (Wesley Snipes). + +FILM DESCRIPTION: +British director Stephen Norrington helmed this David S. Goyer adaptation of the Marvel Comics character created in 1973 by scripter Marv Wolfman and artist Gene Colan. In the Tomb of Dracula comic book origin, just before Blade's mother gave birth to Blade, she was bitten by a vampire, which made Blade immune to vampires. Now a vampire hunter, Blade, joined by vampire detective Hannibal King and Dracula-descendent Frank Drake, stalks vampires. In the 1990s (in Marvel's Nightstalkers), Blade teamed with Drake and King in an agency created to fight a variety of supernatural beings. The Marvel origin is retold in this 1998 Norrington film, with Blade's mother dying as he is born. Thirty-some years later, Blade now exists somewhere between the two worlds, not human but not fully vampire. He has become a relentless and superhuman vampire hunter, out to avenge the death of his mother and protect the rest of humankind from the evil vampire race. In this pursuit, Blade storms a notorious vampire nightclub and in a virtual bloodbath manages to wipe out most of the blood-lusting denizens. But the burnt corpse of vampire Quinn (Donal Logue) is reanimated at the hospital morgue and bites hematologist Karen Jenson (N'Bushe Wright). Blade magically appears at the hospital just in time to whisk Karen to his hideaway, a machine-shop run by his mentor Abraham Whistler (Kris Kristofferson), who once rescued Blade and who now produces a antidote to keep Blade from turning into a full-fledged vampire and who builds custom weapons for Blade to use against his evil foes. Meanwhile, Blade's vampire arch-nemesis Deacon Frost (Stephen Dorff) uses computers to translate the Book of Erebus, with the ultimate aim of bringing down the old-guard vampire council, headed by Dragonetti (Udo Kier), and triggering the Blood Tide -- an event in which everyone in the world becomes a vampire. + +CREDITS: +TM & © Warner Bros. (1998) +Cast: Stephen Dorff, Wesley Snipes +Director: Stephen Norrington +Producers: Avi Arad, Joseph Calamari, Michael De Luca, Robert Engelman, Jon Divens, Peter Frankfurt, Andrew J. Horne, Stan Lee, Wesley Snipes, Lynn Harris +Screenwriter: David S. Goyer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/PTEskprXZOg.en.srt b/1998/PTEskprXZOg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..52a153214841eb17ca456f141533b5c0eec075c2 --- /dev/null +++ b/1998/PTEskprXZOg.en.srt @@ -0,0 +1,145 @@ +1 +00:00:01,000 --> 00:00:04,349 + +hey + +2 +00:00:04,349 --> 00:00:04,359 + + + +3 +00:00:04,359 --> 00:00:08,780 + +blade let's do this + +4 +00:00:08,780 --> 00:00:08,790 +blade let's do this + + +5 +00:00:08,790 --> 00:00:29,930 +blade let's do this +[Music] + +6 +00:00:29,930 --> 00:00:29,940 + + + +7 +00:00:29,940 --> 00:00:40,040 + +[Music] + +8 +00:00:40,040 --> 00:00:40,050 + + + +9 +00:00:40,050 --> 00:00:50,760 + +[Music] + +10 +00:00:50,760 --> 00:00:50,770 + + + +11 +00:00:50,770 --> 00:00:53,670 + +[Music] + +12 +00:00:53,670 --> 00:00:53,680 +[Music] + + +13 +00:00:53,680 --> 00:01:00,509 +[Music] +die + +14 +00:01:00,509 --> 00:01:00,519 + + + +15 +00:01:00,519 --> 00:01:13,230 + +you're too late + +16 +00:01:13,230 --> 00:01:13,240 + + + +17 +00:01:13,240 --> 00:01:20,630 + +[Music] + +18 +00:01:20,630 --> 00:01:20,640 + + + +19 +00:01:20,640 --> 00:01:28,910 + +blade right + +20 +00:01:28,910 --> 00:01:28,920 + + + +21 +00:01:28,920 --> 00:01:37,140 + +turn m + +22 +00:01:37,140 --> 00:01:37,150 + + + +23 +00:01:37,150 --> 00:01:48,410 + +[Music] + +24 +00:01:48,410 --> 00:01:48,420 + + + +25 +00:01:48,420 --> 00:02:09,710 + +[Music] + +26 +00:02:09,710 --> 00:02:09,720 + + + +27 +00:02:09,720 --> 00:02:13,500 + +St + +28 +00:02:13,500 --> 00:02:13,510 + + + +29 +00:02:13,510 --> 00:02:19,460 + +[Music] + diff --git a/1998/PbwgDqZazAU.en.srt b/1998/PbwgDqZazAU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a78694b2acee558dc4b0d15b46de71f0a45c59cf --- /dev/null +++ b/1998/PbwgDqZazAU.en.srt @@ -0,0 +1,145 @@ +1 +00:00:03,600 --> 00:00:07,070 + +hurry up + +2 +00:00:07,070 --> 00:00:07,080 + + + +3 +00:00:07,080 --> 00:00:10,150 + +baby don't let him take B don't let him + +4 +00:00:10,150 --> 00:00:10,160 +baby don't let him take B don't let him + + +5 +00:00:10,160 --> 00:00:12,549 +baby don't let him take B don't let him +take CIA I don't think they're going to + +6 +00:00:12,549 --> 00:00:12,559 +take CIA I don't think they're going to + + +7 +00:00:12,559 --> 00:00:19,830 +take CIA I don't think they're going to +take anyone + +8 +00:00:19,830 --> 00:00:19,840 + + + +9 +00:00:19,840 --> 00:00:26,300 + +look + +10 +00:00:26,300 --> 00:00:26,310 + + + +11 +00:00:26,310 --> 00:00:28,950 + +[Music] + +12 +00:00:28,950 --> 00:00:28,960 +[Music] + + +13 +00:00:28,960 --> 00:00:33,650 +[Music] +mon we want to go we want to go home + +14 +00:00:33,650 --> 00:00:33,660 +mon we want to go we want to go home + + +15 +00:00:33,660 --> 00:00:51,800 +mon we want to go we want to go home +[Music] + +16 +00:00:51,800 --> 00:00:51,810 + + + +17 +00:00:51,810 --> 00:00:57,140 + +[Music] + +18 +00:00:57,140 --> 00:00:57,150 + + + +19 +00:00:57,150 --> 00:01:07,640 + +[Music] + +20 +00:01:07,640 --> 00:01:07,650 + + + +21 +00:01:07,650 --> 00:01:08,370 + +[Applause] + +22 +00:01:08,370 --> 00:01:08,380 +[Applause] + + +23 +00:01:08,380 --> 00:01:24,030 +[Applause] +[Music] + +24 +00:01:24,030 --> 00:01:24,040 + + + +25 +00:01:24,040 --> 00:01:30,030 + +spike dog why' you have to go + +26 +00:01:30,030 --> 00:01:30,040 +spike dog why' you have to go + + +27 +00:01:30,040 --> 00:01:38,860 +spike dog why' you have to go +h + +28 +00:01:38,860 --> 00:01:38,870 + + + +29 +00:01:38,870 --> 00:02:01,459 + +[Music] + diff --git a/1998/PoBD69ANBUg.description b/1998/PoBD69ANBUg.description new file mode 100644 index 0000000000000000000000000000000000000000..0205b0265c7bf594062e6aec77d91acab6f13ea1 --- /dev/null +++ b/1998/PoBD69ANBUg.description @@ -0,0 +1,38 @@ +Lock, Stock and Two Smoking Barrels movie clips: http://j.mp/15vUYCM +BUY THE MOVIE: http://amzn.to/uIybfi +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Gary (Victor McGuire) and Dean (Jake Abraham) come for the guns, but get Hatchet Harry (P.H. Moriarty) and Barry (Lenny McLean) instead. + +FILM DESCRIPTION: +Making its American premiere at the 1999 Sundance Film Festival, Lock, Stock And Two Smoking Barrels (already a huge hit in its homeland of Great Britain) has been described as a cross between Trainspotting and Pulp Fiction. Tom, Bacon and Soap give their best friend Eddie a wad of cash for a high stakes poker game. It turns out to be a set-up, and Eddie loses it all. Now they all owe an additional $800,000 in one week or gangsters will foreclose on Eddie's father's bar ... and their fingers. What happens from here on is best kept a secret to those who haven't seen the film, as a wild ride of craziness takes these four blokes to the brink of madness, honor, mayhem and trust, as they battle hell-bent to get that money back. + +CREDITS: +TM & © Universal (1998) +Cast: Jake Abraham, Stephen Callender-Ferrier, Lenny McLean, P.H. Moriarty +Director: Guy Ritchie +Producers: Stephen Marks, Georgia Masters, Peter Morton, Angad Paul, Sebastian Pearson, Jan Roldanus, Trudie Styler, Steve Tisch, Ronaldo Vasconcellos, Matthew Vaughn, Jon Slan +Screenwriter: Guy Ritchie + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1998/PoBD69ANBUg.en.srt b/1998/PoBD69ANBUg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..195d8940bdde6c0edabc1fda2a9c434f90a73616 --- /dev/null +++ b/1998/PoBD69ANBUg.en.srt @@ -0,0 +1,30 @@ +1 +00:00:19,961 --> 00:00:22,486 +Ugh! + +2 +00:00:29,472 --> 00:00:30,632 +GARY: Bastard! + +3 +00:00:30,673 --> 00:00:33,540 +You fuckĄng bastard! + +4 +00:00:33,576 --> 00:00:35,305 +FuckĄng bastard! + +5 +00:00:37,980 --> 00:00:40,175 +Ah! + +6 +00:00:42,518 --> 00:00:45,249 +What the fuck +are you doĄng here? + +7 +00:00:46,656 --> 00:00:49,955 +What the fuck +are you doĄng here? + diff --git a/1998/Pv4M77BcywE.en.srt b/1998/Pv4M77BcywE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6c5b657bb6d190718965dcfbbfdffb5ae9fb43d0 --- /dev/null +++ b/1998/Pv4M77BcywE.en.srt @@ -0,0 +1,335 @@ +1 +00:00:05,919 --> 00:00:08,030 + +Oscar + +2 +00:00:08,030 --> 00:00:08,040 +Oscar + + +3 +00:00:08,040 --> 00:00:11,270 +Oscar +fix + +4 +00:00:11,270 --> 00:00:11,280 + + + +5 +00:00:11,280 --> 00:00:28,070 + +[Music] + +6 +00:00:28,070 --> 00:00:28,080 +[Music] + + +7 +00:00:28,080 --> 00:00:31,390 +[Music] +Oscar look + +8 +00:00:31,390 --> 00:00:31,400 +Oscar look + + +9 +00:00:31,400 --> 00:00:38,110 +Oscar look +[Music] + +10 +00:00:38,110 --> 00:00:38,120 +[Music] + + +11 +00:00:38,120 --> 00:00:41,990 +[Music] +oh God we haven't even said hello and + +12 +00:00:41,990 --> 00:00:42,000 +oh God we haven't even said hello and + + +13 +00:00:42,000 --> 00:00:44,430 +oh God we haven't even said hello and +I've got a broken leg not broken it's + +14 +00:00:44,430 --> 00:00:44,440 +I've got a broken leg not broken it's + + +15 +00:00:44,440 --> 00:00:47,189 +I've got a broken leg not broken it's +just a spring hello let me know when + +16 +00:00:47,189 --> 00:00:47,199 +just a spring hello let me know when + + +17 +00:00:47,199 --> 00:00:50,350 +just a spring hello let me know when +you're going to hit a bump oh oh oh oh + +18 +00:00:50,350 --> 00:00:50,360 +you're going to hit a bump oh oh oh oh + + +19 +00:00:50,360 --> 00:00:58,270 +you're going to hit a bump oh oh oh oh +okay that was a + +20 +00:00:58,270 --> 00:00:58,280 + + + +21 +00:00:58,280 --> 00:01:01,750 + +bump here you go fa we're all + +22 +00:01:01,750 --> 00:01:01,760 +bump here you go fa we're all + + +23 +00:01:01,760 --> 00:01:04,950 +bump here you go fa we're all +set yeah hey maybe we can stop and get a + +24 +00:01:04,950 --> 00:01:04,960 +set yeah hey maybe we can stop and get a + + +25 +00:01:04,960 --> 00:01:08,270 +set yeah hey maybe we can stop and get a +pair of crutches + +26 +00:01:08,270 --> 00:01:08,280 + + + +27 +00:01:08,280 --> 00:01:11,030 + +someplace yeah I'll keep my eye open for + +28 +00:01:11,030 --> 00:01:11,040 +someplace yeah I'll keep my eye open for + + +29 +00:01:11,040 --> 00:01:12,950 +someplace yeah I'll keep my eye open for +crutch though I'm sure there's a lot of + +30 +00:01:12,950 --> 00:01:12,960 +crutch though I'm sure there's a lot of + + +31 +00:01:12,960 --> 00:01:13,990 +crutch though I'm sure there's a lot of +them on the + +32 +00:01:13,990 --> 00:01:14,000 +them on the + + +33 +00:01:14,000 --> 00:01:17,870 +them on the +freeway now hold hold on to me and let's + +34 +00:01:17,870 --> 00:01:17,880 +freeway now hold hold on to me and let's + + +35 +00:01:17,880 --> 00:01:20,910 +freeway now hold hold on to me and let's +hop over to the car that's + +36 +00:01:20,910 --> 00:01:20,920 +hop over to the car that's + + +37 +00:01:20,920 --> 00:01:25,350 +hop over to the car that's +it that's it now you got it + +38 +00:01:25,350 --> 00:01:25,360 +it that's it now you got it + + +39 +00:01:25,360 --> 00:01:29,590 +it that's it now you got it +okay now bend down and slide into the + +40 +00:01:29,590 --> 00:01:29,600 +okay now bend down and slide into the + + +41 +00:01:29,600 --> 00:01:32,310 +okay now bend down and slide into the +sea you know what I mean and tell me + +42 +00:01:32,310 --> 00:01:32,320 +sea you know what I mean and tell me + + +43 +00:01:32,320 --> 00:01:35,190 +sea you know what I mean and tell me +when tell me when it hurts that hurts + +44 +00:01:35,190 --> 00:01:35,200 +when tell me when it hurts that hurts + + +45 +00:01:35,200 --> 00:01:37,710 +when tell me when it hurts that hurts +all right I got a good idea what don't + +46 +00:01:37,710 --> 00:01:37,720 +all right I got a good idea what don't + + +47 +00:01:37,720 --> 00:01:39,389 +all right I got a good idea what don't +tell me when it hurts cuz it's going to + +48 +00:01:39,389 --> 00:01:39,399 +tell me when it hurts cuz it's going to + + +49 +00:01:39,399 --> 00:01:42,270 +tell me when it hurts cuz it's going to +hurt anyway so when I count to three + +50 +00:01:42,270 --> 00:01:42,280 +hurt anyway so when I count to three + + +51 +00:01:42,280 --> 00:01:46,469 +hurt anyway so when I count to three +we'll do it all in one big move one two + +52 +00:01:46,469 --> 00:01:46,479 +we'll do it all in one big move one two + + +53 +00:01:46,479 --> 00:01:51,870 +we'll do it all in one big move one two +three oh oh God I like it hurts better + +54 +00:01:51,870 --> 00:01:51,880 +three oh oh God I like it hurts better + + +55 +00:01:51,880 --> 00:01:54,270 +three oh oh God I like it hurts better +oh oh + +56 +00:01:54,270 --> 00:01:54,280 +oh oh + + +57 +00:01:54,280 --> 00:01:58,550 +oh oh +god oh got you some ice from the machine + +58 +00:01:58,550 --> 00:01:58,560 +god oh got you some ice from the machine + + +59 +00:01:58,560 --> 00:02:00,550 +god oh got you some ice from the machine +it'll keep the swelling down + +60 +00:02:00,550 --> 00:02:00,560 +it'll keep the swelling down + + +61 +00:02:00,560 --> 00:02:02,350 +it'll keep the swelling down +what I I need something to put the ice + +62 +00:02:02,350 --> 00:02:02,360 +what I I need something to put the ice + + +63 +00:02:02,360 --> 00:02:04,830 +what I I need something to put the ice +in put it in your sock what am I an + +64 +00:02:04,830 --> 00:02:04,840 +in put it in your sock what am I an + + +65 +00:02:04,840 --> 00:02:12,430 +in put it in your sock what am I an +orthopedic + +66 +00:02:12,430 --> 00:02:12,440 + + + +67 +00:02:12,440 --> 00:02:43,500 + +[Music] + diff --git a/1998/Pwv4avomXYo.en.srt b/1998/Pwv4avomXYo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9ef31423b897a415361286af62f2572f2c3a476b --- /dev/null +++ b/1998/Pwv4avomXYo.en.srt @@ -0,0 +1,335 @@ +1 +00:00:00,320 --> 00:00:02,070 + +you little Spooks find some extra cash + +2 +00:00:02,070 --> 00:00:02,080 +you little Spooks find some extra cash + + +3 +00:00:02,080 --> 00:00:12,110 +you little Spooks find some extra cash +today + +4 +00:00:12,110 --> 00:00:12,120 + + + +5 +00:00:12,120 --> 00:00:14,549 + +you you little black piece of did + +6 +00:00:14,549 --> 00:00:14,559 +you you little black piece of did + + +7 +00:00:14,559 --> 00:00:20,269 +you you little black piece of did +you say you to me no + +8 +00:00:20,269 --> 00:00:20,279 + + + +9 +00:00:20,279 --> 00:00:40,549 + +sir said your mama + +10 +00:00:40,549 --> 00:00:40,559 + + + +11 +00:00:40,559 --> 00:00:42,670 + +hey hey hey hey hey hey hey hey hey come + +12 +00:00:42,670 --> 00:00:42,680 +hey hey hey hey hey hey hey hey hey come + + +13 +00:00:42,680 --> 00:00:48,350 +hey hey hey hey hey hey hey hey hey come +on hey come here somebody freeze freeze + +14 +00:00:48,350 --> 00:00:48,360 +on hey come here somebody freeze freeze + + +15 +00:00:48,360 --> 00:00:51,750 +on hey come here somebody freeze freeze +freeze on the ground nobody move hey you + +16 +00:00:51,750 --> 00:00:51,760 +freeze on the ground nobody move hey you + + +17 +00:00:51,760 --> 00:00:54,310 +freeze on the ground nobody move hey you +freeze you chicken hawk you're on + +18 +00:00:54,310 --> 00:00:54,320 +freeze you chicken hawk you're on + + +19 +00:00:54,320 --> 00:00:56,709 +freeze you chicken hawk you're on +the ground or I'mma pull your bra out I + +20 +00:00:56,709 --> 00:00:56,719 +the ground or I'mma pull your bra out I + + +21 +00:00:56,719 --> 00:00:58,950 +the ground or I'mma pull your bra out I +have your badge number kiss my ass badge + +22 +00:00:58,950 --> 00:00:58,960 +have your badge number kiss my ass badge + + +23 +00:00:58,960 --> 00:01:01,630 +have your badge number kiss my ass badge +number on the ground right now I think + +24 +00:01:01,630 --> 00:01:01,640 +number on the ground right now I think + + +25 +00:01:01,640 --> 00:01:03,869 +number on the ground right now I think +you want to give me your name my name + +26 +00:01:03,869 --> 00:01:03,879 +you want to give me your name my name + + +27 +00:01:03,879 --> 00:01:07,030 +you want to give me your name my name +shut up get on the ground and do it now + +28 +00:01:07,030 --> 00:01:07,040 +shut up get on the ground and do it now + + +29 +00:01:07,040 --> 00:01:09,550 +shut up get on the ground and do it now +get on the ground right now get on the + +30 +00:01:09,550 --> 00:01:09,560 +get on the ground right now get on the + + +31 +00:01:09,560 --> 00:01:12,510 +get on the ground right now get on the +ground I'mma pull your bre down + +32 +00:01:12,510 --> 00:01:12,520 +ground I'mma pull your bre down + + +33 +00:01:12,520 --> 00:01:15,950 +ground I'mma pull your bre down +Mark no no no Mark it's Jay + +34 +00:01:15,950 --> 00:01:15,960 +Mark no no no Mark it's Jay + + +35 +00:01:15,960 --> 00:01:18,870 +Mark no no no Mark it's Jay +bullworth this is Jay Borth Mark it's + +36 +00:01:18,870 --> 00:01:18,880 +bullworth this is Jay Borth Mark it's + + +37 +00:01:18,880 --> 00:01:21,910 +bullworth this is Jay Borth Mark it's +Senator J Bor I don't give about Senator + +38 +00:01:21,910 --> 00:01:21,920 +Senator J Bor I don't give about Senator + + +39 +00:01:21,920 --> 00:01:25,550 +Senator J Bor I don't give about Senator +Senator Borth this is my partner + +40 +00:01:25,550 --> 00:01:25,560 +Senator Borth this is my partner + + +41 +00:01:25,560 --> 00:01:27,429 +Senator Borth this is my partner +Mark hi + +42 +00:01:27,429 --> 00:01:27,439 +Mark hi + + +43 +00:01:27,439 --> 00:01:30,030 +Mark hi +Mark all what the is going on here + +44 +00:01:30,030 --> 00:01:30,040 +Mark all what the is going on here + + +45 +00:01:30,040 --> 00:01:32,710 +Mark all what the is going on here +here sir I think if you two get in your + +46 +00:01:32,710 --> 00:01:32,720 +here sir I think if you two get in your + + +47 +00:01:32,720 --> 00:01:33,950 +here sir I think if you two get in your +car there's a chance I wouldn't be able + +48 +00:01:33,950 --> 00:01:33,960 +car there's a chance I wouldn't be able + + +49 +00:01:33,960 --> 00:01:35,190 +car there's a chance I wouldn't be able +to pick you out of a lineup come on + +50 +00:01:35,190 --> 00:01:35,200 +to pick you out of a lineup come on + + +51 +00:01:35,200 --> 00:01:37,310 +to pick you out of a lineup come on +let's go and I think it'd be a good idea + +52 +00:01:37,310 --> 00:01:37,320 +let's go and I think it'd be a good idea + + +53 +00:01:37,320 --> 00:01:38,990 +let's go and I think it'd be a good idea +to say I'm sorry + +54 +00:01:38,990 --> 00:01:39,000 +to say I'm sorry + + +55 +00:01:39,000 --> 00:01:41,630 +to say I'm sorry +huh oh man I waited my whole life for + +56 +00:01:41,630 --> 00:01:41,640 +huh oh man I waited my whole life for + + +57 +00:01:41,640 --> 00:01:42,710 +huh oh man I waited my whole life for +this + +58 +00:01:42,710 --> 00:01:42,720 +this + + +59 +00:01:42,720 --> 00:01:44,310 +this +moment + +60 +00:01:44,310 --> 00:01:44,320 +moment + + +61 +00:01:44,320 --> 00:01:48,789 +moment +I'm sorry say no problem officer oh + +62 +00:01:48,789 --> 00:01:48,799 +I'm sorry say no problem officer oh + + +63 +00:01:48,799 --> 00:01:51,030 +I'm sorry say no problem officer oh +your mom you pig + +64 +00:01:51,030 --> 00:01:51,040 +your mom you pig + + +65 +00:01:51,040 --> 00:02:00,180 +your mom you pig +that's good enough take off take off huh + +66 +00:02:00,180 --> 00:02:00,190 + + + +67 +00:02:00,190 --> 00:02:29,399 + +[Music] + diff --git a/1998/Q0xqrvefO7Q.en.srt b/1998/Q0xqrvefO7Q.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..b5e2ca7567b6bdabcc494977e27576bce64b10c4 --- /dev/null +++ b/1998/Q0xqrvefO7Q.en.srt @@ -0,0 +1,455 @@ +1 +00:00:00,680 --> 00:00:02,669 + +I want you to look me in the eye + +2 +00:00:02,669 --> 00:00:02,679 +I want you to look me in the eye + + +3 +00:00:02,679 --> 00:00:05,349 +I want you to look me in the eye +Neon right + +4 +00:00:05,349 --> 00:00:05,359 +Neon right + + +5 +00:00:05,359 --> 00:00:08,070 +Neon right +here now tell + +6 +00:00:08,070 --> 00:00:08,080 +here now tell + + +7 +00:00:08,080 --> 00:00:11,230 +here now tell +me when did you find out Nate was + +8 +00:00:11,230 --> 00:00:11,240 +me when did you find out Nate was + + +9 +00:00:11,240 --> 00:00:21,150 +me when did you find out Nate was +investigating the + +10 +00:00:21,150 --> 00:00:21,160 + + + +11 +00:00:21,160 --> 00:00:23,830 + +fund I first found that Nathan was + +12 +00:00:23,830 --> 00:00:23,840 +fund I first found that Nathan was + + +13 +00:00:23,840 --> 00:00:25,870 +fund I first found that Nathan was +conducting the investigation after I + +14 +00:00:25,870 --> 00:00:25,880 +conducting the investigation after I + + +15 +00:00:25,880 --> 00:00:27,950 +conducting the investigation after I +spoke with you after he was + +16 +00:00:27,950 --> 00:00:27,960 +spoke with you after he was + + +17 +00:00:27,960 --> 00:00:31,109 +spoke with you after he was +killed you're lying and I know you're + +18 +00:00:31,109 --> 00:00:31,119 +killed you're lying and I know you're + + +19 +00:00:31,119 --> 00:00:33,389 +killed you're lying and I know you're +lying oh you know it huh well you could + +20 +00:00:33,389 --> 00:00:33,399 +lying oh you know it huh well you could + + +21 +00:00:33,399 --> 00:00:36,670 +lying oh you know it huh well you could +read my mind Romans at it no I'm not I'm + +22 +00:00:36,670 --> 00:00:36,680 +read my mind Romans at it no I'm not I'm + + +23 +00:00:36,680 --> 00:00:39,990 +read my mind Romans at it no I'm not I'm +reading your eyes the eyes can't + +24 +00:00:39,990 --> 00:00:40,000 +reading your eyes the eyes can't + + +25 +00:00:40,000 --> 00:00:42,830 +reading your eyes the eyes can't +lie didn't you know what I was + +26 +00:00:42,830 --> 00:00:42,840 +lie didn't you know what I was + + +27 +00:00:42,840 --> 00:00:45,790 +lie didn't you know what I was +doing a quick lesson in line see this is + +28 +00:00:45,790 --> 00:00:45,800 +doing a quick lesson in line see this is + + +29 +00:00:45,800 --> 00:00:49,830 +doing a quick lesson in line see this is +what US real cops do we study Liars + +30 +00:00:49,830 --> 00:00:49,840 +what US real cops do we study Liars + + +31 +00:00:49,840 --> 00:00:52,150 +what US real cops do we study Liars +example if I ask you a question about + +32 +00:00:52,150 --> 00:00:52,160 +example if I ask you a question about + + +33 +00:00:52,160 --> 00:00:54,150 +example if I ask you a question about +something visual like your favorite + +34 +00:00:54,150 --> 00:00:54,160 +something visual like your favorite + + +35 +00:00:54,160 --> 00:00:56,830 +something visual like your favorite +color and your eyes go up and to the + +36 +00:00:56,830 --> 00:00:56,840 +color and your eyes go up and to the + + +37 +00:00:56,840 --> 00:00:59,310 +color and your eyes go up and to the +left well neurophysiology tells us that + +38 +00:00:59,310 --> 00:00:59,320 +left well neurophysiology tells us that + + +39 +00:00:59,320 --> 00:01:00,709 +left well neurophysiology tells us that +your eyes go up in that direction + +40 +00:01:00,709 --> 00:01:00,719 +your eyes go up in that direction + + +41 +00:01:00,719 --> 00:01:02,470 +your eyes go up in that direction +because you're accessing the visual + +42 +00:01:02,470 --> 00:01:02,480 +because you're accessing the visual + + +43 +00:01:02,480 --> 00:01:04,710 +because you're accessing the visual +cortex therefore you're telling the + +44 +00:01:04,710 --> 00:01:04,720 +cortex therefore you're telling the + + +45 +00:01:04,720 --> 00:01:08,310 +cortex therefore you're telling the +truth if your eyes go up and right then + +46 +00:01:08,310 --> 00:01:08,320 +truth if your eyes go up and right then + + +47 +00:01:08,320 --> 00:01:10,070 +truth if your eyes go up and right then +you're accessing the creative centers of + +48 +00:01:10,070 --> 00:01:10,080 +you're accessing the creative centers of + + +49 +00:01:10,080 --> 00:01:12,109 +you're accessing the creative centers of +the brain and we know you're full + +50 +00:01:12,109 --> 00:01:12,119 +the brain and we know you're full + + +51 +00:01:12,119 --> 00:01:15,630 +the brain and we know you're full + now let's try this again what's + +52 +00:01:15,630 --> 00:01:15,640 +now let's try this again what's + + +53 +00:01:15,640 --> 00:01:18,230 +now let's try this again what's +your favorite television show I'm not + +54 +00:01:18,230 --> 00:01:18,240 +your favorite television show I'm not + + +55 +00:01:18,240 --> 00:01:20,149 +your favorite television show I'm not +going to play your stupid game + +56 +00:01:20,149 --> 00:01:20,159 +going to play your stupid game + + +57 +00:01:20,159 --> 00:01:22,469 +going to play your stupid game +okay Roman oh why he bomb you're afraid + +58 +00:01:22,469 --> 00:01:22,479 +okay Roman oh why he bomb you're afraid + + +59 +00:01:22,479 --> 00:01:26,350 +okay Roman oh why he bomb you're afraid +we'll catch you in a + +60 +00:01:26,350 --> 00:01:26,360 + + + +61 +00:01:26,360 --> 00:01:28,789 + +lie when did you find out Nate was + +62 +00:01:28,789 --> 00:01:28,799 +lie when did you find out Nate was + + +63 +00:01:28,799 --> 00:01:31,190 +lie when did you find out Nate was +investigating the fund + +64 +00:01:31,190 --> 00:01:31,200 +investigating the fund + + +65 +00:01:31,200 --> 00:01:33,469 +investigating the fund +after I spoke with you Wella that is a + +66 +00:01:33,469 --> 00:01:33,479 +after I spoke with you Wella that is a + + +67 +00:01:33,479 --> 00:01:36,590 +after I spoke with you Wella that is a + lie if I've ever seen never even + +68 +00:01:36,590 --> 00:01:36,600 +lie if I've ever seen never even + + +69 +00:01:36,600 --> 00:01:38,429 +lie if I've ever seen never even +blink my eyes you SC you didn't have to + +70 +00:01:38,429 --> 00:01:38,439 +blink my eyes you SC you didn't have to + + +71 +00:01:38,439 --> 00:01:40,069 +blink my eyes you SC you didn't have to +Blink meom it's your body language it + +72 +00:01:40,069 --> 00:01:40,079 +Blink meom it's your body language it + + +73 +00:01:40,079 --> 00:01:42,190 +Blink meom it's your body language it +says you're lying he's nervous Danny + +74 +00:01:42,190 --> 00:01:42,200 +says you're lying he's nervous Danny + + +75 +00:01:42,200 --> 00:01:43,910 +says you're lying he's nervous Danny +what do you expect from him shut up + +76 +00:01:43,910 --> 00:01:43,920 +what do you expect from him shut up + + +77 +00:01:43,920 --> 00:01:46,670 +what do you expect from him shut up +Frost you know how this works it's not + +78 +00:01:46,670 --> 00:01:46,680 +Frost you know how this works it's not + + +79 +00:01:46,680 --> 00:01:48,749 +Frost you know how this works it's not +just your eyes NE bomb it's everything + +80 +00:01:48,749 --> 00:01:48,759 +just your eyes NE bomb it's everything + + +81 +00:01:48,759 --> 00:01:51,030 +just your eyes NE bomb it's everything +if you cough sneeze cross your legs + +82 +00:01:51,030 --> 00:01:51,040 +if you cough sneeze cross your legs + + +83 +00:01:51,040 --> 00:01:53,109 +if you cough sneeze cross your legs +scratch your ass they're all telltale + +84 +00:01:53,109 --> 00:01:53,119 +scratch your ass they're all telltale + + +85 +00:01:53,119 --> 00:01:55,350 +scratch your ass they're all telltale +signs you can't cheat you can stare at + +86 +00:01:55,350 --> 00:01:55,360 +signs you can't cheat you can stare at + + +87 +00:01:55,360 --> 00:01:57,149 +signs you can't cheat you can stare at +me with those dead ass eyes of yours all + +88 +00:01:57,149 --> 00:01:57,159 +me with those dead ass eyes of yours all + + +89 +00:01:57,159 --> 00:02:07,890 +me with those dead ass eyes of yours all +you want can't beat the sstem + +90 +00:02:07,890 --> 00:02:07,900 + + + +91 +00:02:07,900 --> 00:02:30,469 + +[Music] + diff --git a/1998/Q49LEs_bhaU.en.srt b/1998/Q49LEs_bhaU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9f8c2d6119e6e916445e8efe1096cb7a8927f2d2 --- /dev/null +++ b/1998/Q49LEs_bhaU.en.srt @@ -0,0 +1,295 @@ +1 +00:00:03,320 --> 00:00:07,270 + +I was watching Frank and Caroline + +2 +00:00:07,270 --> 00:00:07,280 + + + +3 +00:00:07,280 --> 00:00:11,990 + +today and I just kept + +4 +00:00:11,990 --> 00:00:12,000 + + + +5 +00:00:12,000 --> 00:00:16,470 + +thinking this is + +6 +00:00:16,470 --> 00:00:16,480 + + + +7 +00:00:16,480 --> 00:00:28,509 + +real and George and I are + +8 +00:00:28,509 --> 00:00:28,519 + + + +9 +00:00:28,519 --> 00:00:32,150 + +not we're just + +10 +00:00:32,150 --> 00:00:32,160 + + + +11 +00:00:32,160 --> 00:00:35,190 + +different but I don't think that I am + +12 +00:00:35,190 --> 00:00:35,200 +different but I don't think that I am + + +13 +00:00:35,200 --> 00:00:39,389 +different but I don't think that I am +that + +14 +00:00:39,389 --> 00:00:39,399 + + + +15 +00:00:39,399 --> 00:00:44,350 + +different I want you to be with + +16 +00:00:44,350 --> 00:00:44,360 + + + +17 +00:00:44,360 --> 00:00:48,310 + +me I want you to marry + +18 +00:00:48,310 --> 00:00:48,320 +me I want you to marry + + +19 +00:00:48,320 --> 00:00:51,270 +me I want you to marry +me I want you to love me the way that I + +20 +00:00:51,270 --> 00:00:51,280 +me I want you to love me the way that I + + +21 +00:00:51,280 --> 00:00:54,830 +me I want you to love me the way that I +love + +22 +00:00:54,830 --> 00:00:54,840 + + + +23 +00:00:54,840 --> 00:00:57,310 + +you I don't really want to see who you + +24 +00:00:57,310 --> 00:00:57,320 +you I don't really want to see who you + + +25 +00:00:57,320 --> 00:01:04,640 +you I don't really want to see who you +are at all + +26 +00:01:04,640 --> 00:01:04,650 + + + +27 +00:01:04,650 --> 00:01:09,030 + +[Music] + +28 +00:01:09,030 --> 00:01:09,040 + + + +29 +00:01:09,040 --> 00:01:11,550 + +I think you see + +30 +00:01:11,550 --> 00:01:11,560 +I think you see + + +31 +00:01:11,560 --> 00:01:14,550 +I think you see +me well then tell me the + +32 +00:01:14,550 --> 00:01:14,560 +me well then tell me the + + +33 +00:01:14,560 --> 00:01:23,030 +me well then tell me the +truth what do you + +34 +00:01:23,030 --> 00:01:23,040 + + + +35 +00:01:23,040 --> 00:01:34,350 + +want I want Paul + +36 +00:01:34,350 --> 00:01:34,360 + + + +37 +00:01:34,360 --> 00:01:36,630 + +and I want to be able to look at you and + +38 +00:01:36,630 --> 00:01:36,640 +and I want to be able to look at you and + + +39 +00:01:36,640 --> 00:01:42,910 +and I want to be able to look at you and +not feel so hurt by + +40 +00:01:42,910 --> 00:01:42,920 + + + +41 +00:01:42,920 --> 00:01:45,429 + +you I'm so + +42 +00:01:45,429 --> 00:01:45,439 +you I'm so + + +43 +00:01:45,439 --> 00:01:47,789 +you I'm so +sorry the last person in the world i' + +44 +00:01:47,789 --> 00:01:47,799 +sorry the last person in the world i' + + +45 +00:01:47,799 --> 00:01:53,109 +sorry the last person in the world i' +want to hurt is you I know that I know + +46 +00:01:53,109 --> 00:01:53,119 +want to hurt is you I know that I know + + +47 +00:01:53,119 --> 00:01:57,310 +want to hurt is you I know that I know +can't choose who you + +48 +00:01:57,310 --> 00:01:57,320 + + + +49 +00:01:57,320 --> 00:01:59,590 + +love I think B was the best thing that + +50 +00:01:59,590 --> 00:01:59,600 +love I think B was the best thing that + + +51 +00:01:59,600 --> 00:02:01,350 +love I think B was the best thing that +ever happened to us you know at least he + +52 +00:02:01,350 --> 00:02:01,360 +ever happened to us you know at least he + + +53 +00:02:01,360 --> 00:02:03,469 +ever happened to us you know at least he +got us to tell the + +54 +00:02:03,469 --> 00:02:03,479 +got us to tell the + + +55 +00:02:03,479 --> 00:02:08,229 +got us to tell the +truth but I I don't want to lose + +56 +00:02:08,229 --> 00:02:08,239 + + + +57 +00:02:08,239 --> 00:02:16,440 + +you I can't let things stay the same + +58 +00:02:16,440 --> 00:02:16,450 + + + +59 +00:02:16,450 --> 00:02:43,539 + +[Music] + diff --git a/1998/QOWkXpnwlek.en.srt b/1998/QOWkXpnwlek.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..47762dca8dae06b971849d15f883cba6aecf58dd --- /dev/null +++ b/1998/QOWkXpnwlek.en.srt @@ -0,0 +1,305 @@ +1 +00:00:00,480 --> 00:00:03,310 + +so you didn't see anything hear anything + +2 +00:00:03,310 --> 00:00:03,320 +so you didn't see anything hear anything + + +3 +00:00:03,320 --> 00:00:05,869 +so you didn't see anything hear anything +that I right the fact is Officer I + +4 +00:00:05,869 --> 00:00:05,879 +that I right the fact is Officer I + + +5 +00:00:05,879 --> 00:00:09,110 +that I right the fact is Officer I +wasn't paying much attention see I was + +6 +00:00:09,110 --> 00:00:09,120 +wasn't paying much attention see I was + + +7 +00:00:09,120 --> 00:00:12,990 +wasn't paying much attention see I was +with my + +8 +00:00:12,990 --> 00:00:13,000 + + + +9 +00:00:13,000 --> 00:00:17,550 + +woman3 come yeah this is + +10 +00:00:17,550 --> 00:00:17,560 + + + +11 +00:00:17,560 --> 00:00:20,349 + +Dorfman he I ask you fellas use that to + +12 +00:00:20,349 --> 00:00:20,359 +Dorfman he I ask you fellas use that to + + +13 +00:00:20,359 --> 00:00:23,029 +Dorfman he I ask you fellas use that to +what talk to each other what are you hi + +14 +00:00:23,029 --> 00:00:23,039 +what talk to each other what are you hi + + +15 +00:00:23,039 --> 00:00:24,790 +what talk to each other what are you hi +it's a radio + +16 +00:00:24,790 --> 00:00:24,800 +it's a radio + + +17 +00:00:24,800 --> 00:00:44,950 +it's a radio +yeah mirle + +18 +00:00:44,950 --> 00:00:44,960 + + + +19 +00:00:44,960 --> 00:00:48,950 + +quiz how do you make that + +20 +00:00:48,950 --> 00:00:48,960 + + + +21 +00:00:48,960 --> 00:01:09,630 + +work that + +22 +00:01:09,630 --> 00:01:09,640 + + + +23 +00:01:09,640 --> 00:01:15,350 + +are we having a communication + +24 +00:01:15,350 --> 00:01:15,360 + + + +25 +00:01:15,360 --> 00:01:20,789 + +problem take it + +26 +00:01:20,789 --> 00:01:20,799 + + + +27 +00:01:20,799 --> 00:01:23,870 + +easy come + +28 +00:01:23,870 --> 00:01:23,880 +easy come + + +29 +00:01:23,880 --> 00:01:26,630 +easy come +here it's all right come here come + +30 +00:01:26,630 --> 00:01:26,640 +here it's all right come here come + + +31 +00:01:26,640 --> 00:01:35,350 +here it's all right come here come +here don't be scared + +32 +00:01:35,350 --> 00:01:35,360 + + + +33 +00:01:35,360 --> 00:01:39,990 + +sit I want to be with + +34 +00:01:39,990 --> 00:01:40,000 + + + +35 +00:01:40,000 --> 00:01:43,190 + +Julian can't you just let me + +36 +00:01:43,190 --> 00:01:43,200 +Julian can't you just let me + + +37 +00:01:43,200 --> 00:01:47,149 +Julian can't you just let me +die let understand each other I sang the + +38 +00:01:47,149 --> 00:01:47,159 +die let understand each other I sang the + + +39 +00:01:47,159 --> 00:01:50,550 +die let understand each other I sang the +first Hy the stars were + +40 +00:01:50,550 --> 00:01:50,560 +first Hy the stars were + + +41 +00:01:50,560 --> 00:01:53,550 +first Hy the stars were +born not that long ago I announced to a + +42 +00:01:53,550 --> 00:01:53,560 +born not that long ago I announced to a + + +43 +00:01:53,560 --> 00:01:54,469 +born not that long ago I announced to a +young + +44 +00:01:54,469 --> 00:01:54,479 +young + + +45 +00:01:54,479 --> 00:01:56,029 +young +woman + +46 +00:01:56,029 --> 00:01:56,039 +woman + + +47 +00:01:56,039 --> 00:02:00,990 +woman +Mary who it was she was expecting + +48 +00:02:00,990 --> 00:02:01,000 +Mary who it was she was expecting + + +49 +00:02:01,000 --> 00:02:04,469 +Mary who it was she was expecting +on the other hand I've turned Rivers + +50 +00:02:04,469 --> 00:02:04,479 +on the other hand I've turned Rivers + + +51 +00:02:04,479 --> 00:02:06,389 +on the other hand I've turned Rivers +into + +52 +00:02:06,389 --> 00:02:06,399 +into + + +53 +00:02:06,399 --> 00:02:11,150 +into +blood + +54 +00:02:11,150 --> 00:02:11,160 + + + +55 +00:02:11,160 --> 00:02:15,790 + +Kings cities + +56 +00:02:15,790 --> 00:02:15,800 + + + +57 +00:02:15,800 --> 00:02:19,390 + +Sal so I don't think that I have to + +58 +00:02:19,390 --> 00:02:19,400 +Sal so I don't think that I have to + + +59 +00:02:19,400 --> 00:02:24,530 +Sal so I don't think that I have to +explain myself to you + +60 +00:02:24,530 --> 00:02:24,540 + + + +61 +00:02:24,540 --> 00:02:53,759 + +[Music] + diff --git a/1998/eK20uOpc_AM.mp4 b/1998/eK20uOpc_AM.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..abba596c747ae33a50cc6421bc367eb9f4e06bff --- /dev/null +++ b/1998/eK20uOpc_AM.mp4 @@ -0,0 +1,3 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