Datasets:

nlxpku
/

read-the-room-synethic-data

@@ -1,38 +0,0 @@
-All Quiet on the Western Front movie clips: http://j.mp/15w2NbN
-BUY THE MOVIE: http://amzn.to/tZdc5e
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-A wounded Paul (Lew Ayres) is briefly allowed a trip home, where his spends time with his ailing mother (Beryl Mercer).
-FILM DESCRIPTION:
-One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979.
-CREDITS:
-TM & © Universal (1930)
-Cast: Lew Ayres, Beryl Mercer
-Director: Lewis Milestone
-Producer: Carl Laemmle Jr.
-Screenwriters: Erich Maria Remarque, Maxwell Anderson, George Abbott, Del Andrews, C. Gardner Sullivan, Walter Anthony, Lewis Milestone
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

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-1
-00:00:01,120 --> 00:00:03,430
-be very careful at the front
-2
-00:00:03,430 --> 00:00:03,440
-be very careful at the front
-3
-00:00:03,440 --> 00:00:07,550
-be very careful at the front
-por yes mother I will I'll pray for you
-4
-00:00:07,550 --> 00:00:07,560
-por yes mother I will I'll pray for you
-5
-00:00:07,560 --> 00:00:08,350
-por yes mother I will I'll pray for you
-every
-6
-00:00:08,350 --> 00:00:08,360
-every
-7
-00:00:08,360 --> 00:00:12,390
-every
-day and if you could get a job that's
-8
-00:00:12,390 --> 00:00:12,400
-day and if you could get a job that's
-9
-00:00:12,400 --> 00:00:15,670
-day and if you could get a job that's
-not quite so
-10
-00:00:15,670 --> 00:00:15,680
-11
-00:00:15,680 --> 00:00:18,990
-dangerous yes mother I'll try and get in
-12
-00:00:18,990 --> 00:00:19,000
-dangerous yes mother I'll try and get in
-13
-00:00:19,000 --> 00:00:21,310
-dangerous yes mother I'll try and get in
-the cook house that can easily be done
-14
-00:00:21,310 --> 00:00:21,320
-the cook house that can easily be done
-15
-00:00:21,320 --> 00:00:23,750
-the cook house that can easily be done
-you do it then and if the others say
-16
-00:00:23,750 --> 00:00:23,760
-you do it then and if the others say
-17
-00:00:23,760 --> 00:00:26,109
-you do it then and if the others say
-anything that won't worry me
-18
-00:00:26,109 --> 00:00:26,119
-anything that won't worry me
-19
-00:00:26,119 --> 00:00:28,630
-anything that won't worry me
-mother now you must go to bed and you
-20
-00:00:28,630 --> 00:00:28,640
-mother now you must go to bed and you
-21
-00:00:28,640 --> 00:00:32,910
-mother now you must go to bed and you
-must get well quickly before I come
-22
-00:00:32,910 --> 00:00:32,920
-23
-00:00:32,920 --> 00:00:36,590
-back I've put two sets of underwear new
-24
-00:00:36,590 --> 00:00:36,600
-back I've put two sets of underwear new
-25
-00:00:36,600 --> 00:00:39,630
-back I've put two sets of underwear new
-ones in your pack they'll keep you nice
-26
-00:00:39,630 --> 00:00:39,640
-ones in your pack they'll keep you nice
-27
-00:00:39,640 --> 00:00:44,790
-ones in your pack they'll keep you nice
-and warm they're all war that's sweet of
-28
-00:00:44,790 --> 00:00:44,800
-and warm they're all war that's sweet of
-29
-00:00:44,800 --> 00:00:46,830
-and warm they're all war that's sweet of
-you good
-30
-00:00:46,830 --> 00:00:46,840
-you good
-31
-00:00:46,840 --> 00:00:55,910
-you good
-night my
-32
-00:00:55,910 --> 00:00:55,920
-33
-00:00:55,920 --> 00:00:58,910
-son good night
-34
-00:00:58,910 --> 00:00:58,920
-son good night
-35
-00:00:58,920 --> 00:01:21,350
-son good night
-mother
-36
-00:01:21,350 --> 00:01:21,360
-37
-00:01:21,360 --> 00:01:25,469
-oh mother mother you still think I'm a
-38
-00:01:25,469 --> 00:01:25,479
-oh mother mother you still think I'm a
-39
-00:01:25,479 --> 00:01:28,069
-oh mother mother you still think I'm a
-child why can't I put my head in your
-40
-00:01:28,069 --> 00:01:28,079
-child why can't I put my head in your
-41
-00:01:28,079 --> 00:01:32,390
-child why can't I put my head in your
-lap and cry
-42
-00:01:32,390 --> 00:01:32,400
-43
-00:01:32,400 --> 00:02:03,439
-[Music]

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videos/1930/1m9DjG3QRzs.description DELETED Viewed

@@ -1,37 +0,0 @@
-Animal Crackers movie clips: http://j.mp/1J9IlLT
-BUY THE MOVIE: http://amzn.to/vtu6EQ
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-Signor Emanuel Ravelli (Chico Marx) is caught in the act, but has a few tricks up his sleeve.
-FILM DESCRIPTION:
-Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house.
-CREDITS:
-TM & © Universal (1930)
-Cast: Groucho Marx, Harpo Marx, Chico Marx, Edward Metcalf
-Director: Victor Heerman
-Screenwriters: George S. Kaufman, Morrie Ryskind, Bert Kalmar, Harry Ruby, Pierre Collings
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

videos/1930/1m9DjG3QRzs.en.srt DELETED Viewed

@@ -1,485 +0,0 @@
-1
-00:00:00,359 --> 00:00:02,149
-you better come with me young fellow
-2
-00:00:02,149 --> 00:00:02,159
-you better come with me young fellow
-3
-00:00:02,159 --> 00:00:04,230
-you better come with me young fellow
-don't take him away officer he returned
-4
-00:00:04,230 --> 00:00:04,240
-don't take him away officer he returned
-5
-00:00:04,240 --> 00:00:06,030
-don't take him away officer he returned
-the
-6
-00:00:06,030 --> 00:00:06,040
-the
-7
-00:00:06,040 --> 00:00:08,470
-the
-painties pardon me my name is sping I've
-8
-00:00:08,470 --> 00:00:08,480
-painties pardon me my name is sping I've
-9
-00:00:08,480 --> 00:00:10,709
-painties pardon me my name is sping I've
-always wanted to meet you all right I
-10
-00:00:10,709 --> 00:00:10,719
-always wanted to meet you all right I
-11
-00:00:10,719 --> 00:00:12,749
-always wanted to meet you all right I
-let him go this time but I want to give
-12
-00:00:12,749 --> 00:00:12,759
-let him go this time but I want to give
-13
-00:00:12,759 --> 00:00:14,709
-let him go this time but I want to give
-you some advice you're running around
-14
-00:00:14,709 --> 00:00:14,719
-you some advice you're running around
-15
-00:00:14,719 --> 00:00:16,830
-you some advice you're running around
-with the wrong kind of people do you
-16
-00:00:16,830 --> 00:00:16,840
-with the wrong kind of people do you
-17
-00:00:16,840 --> 00:00:19,029
-with the wrong kind of people do you
-want to be a
-18
-00:00:19,029 --> 00:00:19,039
-want to be a
-19
-00:00:19,039 --> 00:00:21,870
-want to be a
-crook now why don't you go home he's got
-20
-00:00:21,870 --> 00:00:21,880
-crook now why don't you go home he's got
-21
-00:00:21,880 --> 00:00:24,390
-crook now why don't you go home he's got
-no home go home for a few nights and
-22
-00:00:24,390 --> 00:00:24,400
-no home go home for a few nights and
-23
-00:00:24,400 --> 00:00:27,070
-no home go home for a few nights and
-stay home don't you know your poor old
-24
-00:00:27,070 --> 00:00:27,080
-stay home don't you know your poor old
-25
-00:00:27,080 --> 00:00:28,950
-stay home don't you know your poor old
-mother sits
-26
-00:00:28,950 --> 00:00:28,960
-mother sits
-27
-00:00:28,960 --> 00:00:34,790
-mother sits
-there
-28
-00:00:34,790 --> 00:00:34,800
-29
-00:00:34,800 --> 00:00:36,310
-sits there
-30
-00:00:36,310 --> 00:00:36,320
-sits there
-31
-00:00:36,320 --> 00:00:39,069
-sits there
-night night after
-32
-00:00:39,069 --> 00:00:39,079
-night night after
-33
-00:00:39,079 --> 00:00:41,950
-night night after
-night waiting to hear your steps on the
-34
-00:00:41,950 --> 00:00:41,960
-night waiting to hear your steps on the
-35
-00:00:41,960 --> 00:00:45,350
-night waiting to hear your steps on the
-stairs got no stairs and I can see a
-36
-00:00:45,350 --> 00:00:45,360
-stairs got no stairs and I can see a
-37
-00:00:45,360 --> 00:00:48,270
-stairs got no stairs and I can see a
-little light burning in the burning in
-38
-00:00:48,270 --> 00:00:48,280
-little light burning in the burning in
-39
-00:00:48,280 --> 00:00:50,310
-little light burning in the burning in
-the window no you can't the gas company
-40
-00:00:50,310 --> 00:00:50,320
-the window no you can't the gas company
-41
-00:00:50,320 --> 00:00:52,910
-the window no you can't the gas company
-turned it off now what I'm telling you
-42
-00:00:52,910 --> 00:00:52,920
-turned it off now what I'm telling you
-43
-00:00:52,920 --> 00:00:53,950
-turned it off now what I'm telling you
-is for your
-44
-00:00:53,950 --> 00:00:53,960
-is for your
-45
-00:00:53,960 --> 00:00:55,229
-is for your
-[Music]
-46
-00:00:55,229 --> 00:00:55,239
-[Music]
-47
-00:00:55,239 --> 00:00:57,790
-[Music]
-own and if you listen to
-48
-00:00:57,790 --> 00:00:57,800
-own and if you listen to
-49
-00:00:57,800 --> 00:01:05,550
-own and if you listen to
-me you can't hold wrong
-50
-00:01:05,550 --> 00:01:05,560
-51
-00:01:05,560 --> 00:01:08,030
-this may go on for years now there's
-52
-00:01:08,030 --> 00:01:08,040
-this may go on for years now there's
-53
-00:01:08,040 --> 00:01:12,270
-this may go on for years now there's
-just
-54
-00:01:12,270 --> 00:01:12,280
-55
-00:01:12,280 --> 00:01:14,830
-one I can't understand why delaying that
-56
-00:01:14,830 --> 00:01:14,840
-one I can't understand why delaying that
-57
-00:01:14,840 --> 00:01:16,190
-one I can't understand why delaying that
-coffee
-58
-00:01:16,190 --> 00:01:16,200
-coffee
-59
-00:01:16,200 --> 00:01:20,510
-coffee
-pot where's the cream Well you certainly
-60
-00:01:20,510 --> 00:01:20,520
-pot where's the cream Well you certainly
-61
-00:01:20,520 --> 00:01:23,069
-pot where's the cream Well you certainly
-surprised me me too I thought he had
-62
-00:01:23,069 --> 00:01:23,079
-surprised me me too I thought he had
-63
-00:01:23,079 --> 00:01:24,789
-surprised me me too I thought he had
-more than that there's no use giving you
-64
-00:01:24,789 --> 00:01:24,799
-more than that there's no use giving you
-65
-00:01:24,799 --> 00:01:27,590
-more than that there's no use giving you
-any advice Captain this time I'm afraid
-66
-00:01:27,590 --> 00:01:27,600
-any advice Captain this time I'm afraid
-67
-00:01:27,600 --> 00:01:29,550
-any advice Captain this time I'm afraid
-I'll have to take them come on here come
-68
-00:01:29,550 --> 00:01:29,560
-I'll have to take them come on here come
-69
-00:01:29,560 --> 00:01:30,469
-I'll have to take them come on here come
-on
-70
-00:01:30,469 --> 00:01:30,479
-on
-71
-00:01:30,479 --> 00:01:33,010
-on
-come
-72
-00:01:33,010 --> 00:01:33,020
-73
-00:01:33,020 --> 00:01:37,190
-[Applause]
-74
-00:01:37,190 --> 00:01:37,200
-75
-00:01:37,200 --> 00:01:40,190
-on hey what's the idea take a letter to
-76
-00:01:40,190 --> 00:01:40,200
-on hey what's the idea take a letter to
-77
-00:01:40,200 --> 00:01:43,870
-on hey what's the idea take a letter to
-my lawyer no no oh no oh no no not to
-78
-00:01:43,870 --> 00:01:43,880
-my lawyer no no oh no oh no no not to
-79
-00:01:43,880 --> 00:01:46,789
-my lawyer no no oh no oh no no not to
-anybody oh oh to think that I got to go
-80
-00:01:46,789 --> 00:01:46,799
-anybody oh oh to think that I got to go
-81
-00:01:46,799 --> 00:01:54,270
-anybody oh oh to think that I got to go
-so
-82
-00:01:54,270 --> 00:01:54,280
-83
-00:01:54,280 --> 00:01:56,590
-young good come on now let's get out of
-84
-00:01:56,590 --> 00:01:56,600
-young good come on now let's get out of
-85
-00:01:56,600 --> 00:01:58,109
-young good come on now let's get out of
-here before before they all wake up
-86
-00:01:58,109 --> 00:01:58,119
-here before before they all wake up
-87
-00:01:58,119 --> 00:01:59,830
-here before before they all wake up
-hurry up come on come on come on come
-88
-00:01:59,830 --> 00:01:59,840
-hurry up come on come on come on come
-89
-00:01:59,840 --> 00:02:01,650
-hurry up come on come on come on come
-come
-90
-00:02:01,650 --> 00:02:01,660
-come
-91
-00:02:01,660 --> 00:02:10,450
-come
-[Music]
-92
-00:02:10,450 --> 00:02:10,460
-93
-00:02:10,460 --> 00:02:28,750
-[Music]
-94
-00:02:28,750 --> 00:02:28,760
-[Music]
-95
-00:02:28,760 --> 00:02:30,590
-[Music]
-on
-96
-00:02:30,590 --> 00:02:30,600
-on
-97
-00:02:30,600 --> 00:02:50,500
-on
-[Music]

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@@ -1,3 +0,0 @@
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videos/1930/368Nrtkmrls.description DELETED Viewed

@@ -1,38 +0,0 @@
-All Quiet on the Western Front movie clips: http://j.mp/15w2NbN
-BUY THE MOVIE: http://amzn.to/tZdc5e
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-When only half of the soldiers come back to camp, the cook (William Irving) hesitates offering all of the rations for the whole company.
-FILM DESCRIPTION:
-One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979.
-CREDITS:
-TM & © Universal (1930)
-Cast: William Irving
-Director: Lewis Milestone
-Producer: Carl Laemmle Jr.
-Screenwriters: Erich Maria Remarque, Maxwell Anderson, George Abbott, Del Andrews, C. Gardner Sullivan, Walter Anthony, Lewis Milestone
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

videos/1930/368Nrtkmrls.en.srt DELETED Viewed

@@ -1,505 +0,0 @@
-1
-00:00:00,280 --> 00:00:03,590
-what do you want be you Hy looking son
-2
-00:00:03,590 --> 00:00:03,600
-what do you want be you Hy looking son
-3
-00:00:03,600 --> 00:00:05,890
-what do you want be you Hy looking son
-of a frog's leg what do you think I
-4
-00:00:05,890 --> 00:00:05,900
-of a frog's leg what do you think I
-5
-00:00:05,900 --> 00:00:11,230
-of a frog's leg what do you think I
-[Music]
-6
-00:00:11,230 --> 00:00:11,240
-7
-00:00:11,240 --> 00:00:14,190
-want up I'll feed you when you're all
-8
-00:00:14,190 --> 00:00:14,200
-want up I'll feed you when you're all
-9
-00:00:14,200 --> 00:00:17,670
-want up I'll feed you when you're all
-here we're all here now only half the
-10
-00:00:17,670 --> 00:00:17,680
-here we're all here now only half the
-11
-00:00:17,680 --> 00:00:21,109
-here we're all here now only half the
-company's here get the rest wake them
-12
-00:00:21,109 --> 00:00:21,119
-company's here get the rest wake them
-13
-00:00:21,119 --> 00:00:24,630
-company's here get the rest wake them
-up I wish I could wake him up there's 80
-14
-00:00:24,630 --> 00:00:24,640
-up I wish I could wake him up there's 80
-15
-00:00:24,640 --> 00:00:26,830
-up I wish I could wake him up there's 80
-of us left the rest is in dressing
-16
-00:00:26,830 --> 00:00:26,840
-of us left the rest is in dressing
-17
-00:00:26,840 --> 00:00:30,790
-of us left the rest is in dressing
-stations or pushing up d 80
-18
-00:00:30,790 --> 00:00:30,800
-stations or pushing up d 80
-19
-00:00:30,800 --> 00:00:32,750
-stations or pushing up d 80
-and I cook for
-20
-00:00:32,750 --> 00:00:32,760
-and I cook for
-21
-00:00:32,760 --> 00:00:35,590
-and I cook for
-150 all right we'll have enough for one
-22
-00:00:35,590 --> 00:00:35,600
-150 all right we'll have enough for one
-23
-00:00:35,600 --> 00:00:38,229
-150 all right we'll have enough for one
-come on Dish off you mean you cooked
-24
-00:00:38,229 --> 00:00:38,239
-come on Dish off you mean you cooked
-25
-00:00:38,239 --> 00:00:41,869
-come on Dish off you mean you cooked
-beans for 150 and you got bread for 150
-26
-00:00:41,869 --> 00:00:41,879
-beans for 150 and you got bread for 150
-27
-00:00:41,879 --> 00:00:45,630
-beans for 150 and you got bread for 150
-and sausage for 150 and tobacco for 150
-28
-00:00:45,630 --> 00:00:45,640
-and sausage for 150 and tobacco for 150
-29
-00:00:45,640 --> 00:00:48,029
-and sausage for 150 and tobacco for 150
-everything it's all wrong I should have
-30
-00:00:48,029 --> 00:00:48,039
-everything it's all wrong I should have
-31
-00:00:48,039 --> 00:00:51,830
-everything it's all wrong I should have
-been notified what a feast everyone gets
-32
-00:00:51,830 --> 00:00:51,840
-been notified what a feast everyone gets
-33
-00:00:51,840 --> 00:00:53,110
-been notified what a feast everyone gets
-two
-34
-00:00:53,110 --> 00:00:53,120
-two
-35
-00:00:53,120 --> 00:00:56,029
-two
-issues back in line get back in line oh
-36
-00:00:56,029 --> 00:00:56,039
-issues back in line get back in line oh
-37
-00:00:56,039 --> 00:00:59,670
-issues back in line get back in line oh
-no that won't do I can't give 80 men
-38
-00:00:59,670 --> 00:00:59,680
-no that won't do I can't give 80 men
-39
-00:00:59,680 --> 00:01:02,590
-no that won't do I can't give 80 men
-what men for
-40
-00:01:02,590 --> 00:01:02,600
-41
-00:01:02,600 --> 00:01:04,550
-150
-42
-00:01:04,550 --> 00:01:04,560
-150
-43
-00:01:04,560 --> 00:01:07,350
-150
-listen you drew rations for the second
-44
-00:01:07,350 --> 00:01:07,360
-listen you drew rations for the second
-45
-00:01:07,360 --> 00:01:11,670
-listen you drew rations for the second
-company didn't you yeah all right we're
-46
-00:01:11,670 --> 00:01:11,680
-company didn't you yeah all right we're
-47
-00:01:11,680 --> 00:01:13,590
-company didn't you yeah all right we're
-the second
-48
-00:01:13,590 --> 00:01:13,600
-the second
-49
-00:01:13,600 --> 00:01:17,230
-the second
-company I've got my orders that's right
-50
-00:01:17,230 --> 00:01:17,240
-company I've got my orders that's right
-51
-00:01:17,240 --> 00:01:19,149
-company I've got my orders that's right
-we're the second company and if only
-52
-00:01:19,149 --> 00:01:19,159
-we're the second company and if only
-53
-00:01:19,159 --> 00:01:20,830
-we're the second company and if only
-half of us get back that's our good luck
-54
-00:01:20,830 --> 00:01:20,840
-half of us get back that's our good luck
-55
-00:01:20,840 --> 00:01:25,630
-half of us get back that's our good luck
-come on dish it
-56
-00:01:25,630 --> 00:01:25,640
-57
-00:01:25,640 --> 00:01:28,670
-out you're the yellowest b Boon that
-58
-00:01:28,670 --> 00:01:28,680
-out you're the yellowest b Boon that
-59
-00:01:28,680 --> 00:01:31,149
-out you're the yellowest b Boon that
-ever drew a cook wagon and you're scared
-60
-00:01:31,149 --> 00:01:31,159
-ever drew a cook wagon and you're scared
-61
-00:01:31,159 --> 00:01:34,109
-ever drew a cook wagon and you're scared
-as shells all we want to hear out of you
-62
-00:01:34,109 --> 00:01:34,119
-as shells all we want to hear out of you
-63
-00:01:34,119 --> 00:01:36,590
-as shells all we want to hear out of you
-is one more little Yip and we'll cut you
-64
-00:01:36,590 --> 00:01:36,600
-is one more little Yip and we'll cut you
-65
-00:01:36,600 --> 00:01:39,590
-is one more little Yip and we'll cut you
-up and eat you raw why you keep your
-66
-00:01:39,590 --> 00:01:39,600
-up and eat you raw why you keep your
-67
-00:01:39,600 --> 00:01:41,469
-up and eat you raw why you keep your
-kitchen so far back in the lanes we
-68
-00:01:41,469 --> 00:01:41,479
-kitchen so far back in the lanes we
-69
-00:01:41,479 --> 00:01:42,830
-kitchen so far back in the lanes we
-never get anything to eat until it's
-70
-00:01:42,830 --> 00:01:42,840
-never get anything to eat until it's
-71
-00:01:42,840 --> 00:01:46,429
-never get anything to eat until it's
-cold and we're asleep now you Al down
-72
-00:01:46,429 --> 00:01:46,439
-cold and we're asleep now you Al down
-73
-00:01:46,439 --> 00:01:49,510
-cold and we're asleep now you Al down
-rat give out or we wreck the Dr the help
-74
-00:01:49,510 --> 00:01:49,520
-rat give out or we wreck the Dr the help
-75
-00:01:49,520 --> 00:01:52,430
-rat give out or we wreck the Dr the help
-back come
-76
-00:01:52,430 --> 00:01:52,440
-back come
-77
-00:01:52,440 --> 00:01:58,830
-back come
-[Music]
-78
-00:01:58,830 --> 00:01:58,840
-79
-00:01:58,840 --> 00:02:03,910
-on
-80
-00:02:03,910 --> 00:02:03,920
-81
-00:02:03,920 --> 00:02:06,230
-what's going on here he's cooked for 150
-82
-00:02:06,230 --> 00:02:06,240
-what's going on here he's cooked for 150
-83
-00:02:06,240 --> 00:02:11,750
-what's going on here he's cooked for 150
-sir and he only wants to give us
-84
-00:02:11,750 --> 00:02:11,760
-85
-00:02:11,760 --> 00:02:15,350
-half looks pretty good yes sir serve the
-86
-00:02:15,350 --> 00:02:15,360
-half looks pretty good yes sir serve the
-87
-00:02:15,360 --> 00:02:19,550
-half looks pretty good yes sir serve the
-whole issue the men can use it yes sir
-88
-00:02:19,550 --> 00:02:19,560
-whole issue the men can use it yes sir
-89
-00:02:19,560 --> 00:02:22,869
-whole issue the men can use it yes sir
-and bring me a plate too
-90
-00:02:22,869 --> 00:02:22,879
-and bring me a plate too
-91
-00:02:22,879 --> 00:02:25,790
-and bring me a plate too
-yes all right take it all take
-92
-00:02:25,790 --> 00:02:25,800
-yes all right take it all take
-93
-00:02:25,800 --> 00:02:27,550
-yes all right take it all take
-everything give them honey give them
-94
-00:02:27,550 --> 00:02:27,560
-everything give them honey give them
-95
-00:02:27,560 --> 00:02:28,830
-everything give them honey give them
-what they
-96
-00:02:28,830 --> 00:02:28,840
-what they
-97
-00:02:28,840 --> 00:02:32,450
-what they
-want good enough good
-98
-00:02:32,450 --> 00:02:32,460
-want good enough good
-99
-00:02:32,460 --> 00:02:58,830
-want good enough good
-[Music]
-100
-00:02:58,830 --> 00:02:58,840
-101
-00:02:58,840 --> 00:03:01,840
-enough

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-Animal Crackers movie clips: http://j.mp/1J9IlLT
-BUY THE MOVIE: http://amzn.to/vtu6EQ
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-The party is given the honor of the The Professor's (Harpo Marx) presence, who makes a grand entrance.
-FILM DESCRIPTION:
-Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house.
-CREDITS:
-TM & © Universal (1930)
-Cast: Groucho Marx, Harpo Marx, Chico Marx, Margaret Dumont, Robert Greig
-Director: Victor Heerman
-Screenwriters: George S. Kaufman, Morrie Ryskind, Bert Kalmar, Harry Ruby, Pierre Collings
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
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-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
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-Fandango: http://bit.ly/1Bl79ye
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-Tumblr: http://bit.ly/1vUwhH7

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-1
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-the
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-[Music]
-4
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-[Music]
-5
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-[Music]
-professor the gate swung open and a fig
-6
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-professor the gate swung open and a fig
-7
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-professor the gate swung open and a fig
-newton ended how do you
-8
-00:00:27,070 --> 00:00:27,080
-newton ended how do you
-9
-00:00:27,080 --> 00:00:28,950
-newton ended how do you
-do
-10
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-do
-11
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-do
-goodness
-12
-00:00:42,990 --> 00:00:43,000
-13
-00:00:43,000 --> 00:00:46,670
-you haven't got chocolate have
-14
-00:00:46,670 --> 00:00:46,680
-15
-00:00:46,680 --> 00:00:50,150
-you he's got everything take the
-16
-00:00:50,150 --> 00:00:50,160
-you he's got everything take the
-17
-00:00:50,160 --> 00:00:52,670
-you he's got everything take the
-professor's hat and coat and send for
-18
-00:00:52,670 --> 00:00:52,680
-professor's hat and coat and send for
-19
-00:00:52,680 --> 00:00:58,910
-professor's hat and coat and send for
-the
-20
-00:00:58,910 --> 00:00:58,920
-21
-00:00:58,920 --> 00:01:01,189
-fumigators say don't you see there're a
-22
-00:01:01,189 --> 00:01:01,199
-fumigators say don't you see there're a
-23
-00:01:01,199 --> 00:01:02,310
-fumigators say don't you see there're a
-lady's present what do you think this
-24
-00:01:02,310 --> 00:01:02,320
-lady's present what do you think this
-25
-00:01:02,320 --> 00:01:04,189
-lady's present what do you think this
-isn't put that hat down will you what
-26
-00:01:04,189 --> 00:01:04,199
-isn't put that hat down will you what
-27
-00:01:04,199 --> 00:01:28,910
-isn't put that hat down will you what
-are you do there get out
-28
-00:01:28,910 --> 00:01:28,920
-29
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-of
-30
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-he
-32
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-33
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-[Music]

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-All Quiet on the Western Front movie clips: http://j.mp/15w2NbN
-BUY THE MOVIE: http://amzn.to/tZdc5e
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-Hearing the whistle, Second Company readies itself and anticipates the French invasion.
-FILM DESCRIPTION:
-One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979.
-CREDITS:
-TM & © Universal (1930)
-Cast: Lew Ayres
-Director: Lewis Milestone
-Producer: Carl Laemmle Jr.
-Screenwriters: Erich Maria Remarque, Maxwell Anderson, George Abbott, Del Andrews, C. Gardner Sullivan, Walter Anthony, Lewis Milestone
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
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-Twitter: http://bit.ly/1ghOWmt
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-Tumblr: http://bit.ly/1vUwhH7

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-[Music]
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-[Music]
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-[Music]
-[Applause]
-4
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-00:00:25,840 --> 00:01:08,390
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-00:01:08,390 --> 00:01:08,400
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-[Music]

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@@ -1,37 +0,0 @@
-Animal Crackers movie clips: http://j.mp/1J9IlLT
-BUY THE MOVIE: http://amzn.to/vtu6EQ
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-The Professor (Harpo Marx) and Signor Emanuel Ravelli (Chico Marx) pull the deck out for a game of bridge.
-FILM DESCRIPTION:
-Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house.
-CREDITS:
-TM & © Universal (1930)
-Cast: Harpo Marx, Chico Marx, Margaret Dumont, Kathryn Reece
-Director: Victor Heerman
-Screenwriters: George S. Kaufman, Morrie Ryskind, Bert Kalmar, Harry Ruby, Pierre Collings
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

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-1
-00:00:00,160 --> 00:00:02,869
-now uh that this game is over how about
-2
-00:00:02,869 --> 00:00:02,879
-now uh that this game is over how about
-3
-00:00:02,879 --> 00:00:04,910
-now uh that this game is over how about
-playing some Bridge you play bridge I
-4
-00:00:04,910 --> 00:00:04,920
-playing some Bridge you play bridge I
-5
-00:00:04,920 --> 00:00:06,510
-playing some Bridge you play bridge I
-play bridge a little what do you play
-6
-00:00:06,510 --> 00:00:06,520
-play bridge a little what do you play
-7
-00:00:06,520 --> 00:00:09,310
-play bridge a little what do you play
-for oh we just play for small steaks and
-8
-00:00:09,310 --> 00:00:09,320
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-9
-00:00:09,320 --> 00:00:11,150
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-french fried
-10
-00:00:11,150 --> 00:00:11,160
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-11
-00:00:11,160 --> 00:00:13,669
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-potatoes set it up right over there hi
-12
-00:00:13,669 --> 00:00:13,679
-potatoes set it up right over there hi
-13
-00:00:13,679 --> 00:00:15,269
-potatoes set it up right over there hi
-very good
-14
-00:00:15,269 --> 00:00:15,279
-very good
-15
-00:00:15,279 --> 00:00:19,189
-very good
-madam are
-16
-00:00:19,189 --> 00:00:19,199
-17
-00:00:19,199 --> 00:00:22,470
-you now what the world be up to look at
-18
-00:00:22,470 --> 00:00:22,480
-you now what the world be up to look at
-19
-00:00:22,480 --> 00:00:27,830
-you now what the world be up to look at
-this whole house will be absolutely one
-20
-00:00:27,830 --> 00:00:27,840
-this whole house will be absolutely one
-21
-00:00:27,840 --> 00:00:31,870
-this whole house will be absolutely one
-thing I just
-22
-00:00:31,870 --> 00:00:31,880
-thing I just
-23
-00:00:31,880 --> 00:00:35,389
-thing I just
-take it away H stay over here now how do
-24
-00:00:35,389 --> 00:00:35,399
-take it away H stay over here now how do
-25
-00:00:35,399 --> 00:00:36,590
-take it away H stay over here now how do
-you want to play
-26
-00:00:36,590 --> 00:00:36,600
-you want to play
-27
-00:00:36,600 --> 00:00:41,750
-you want to play
-honest will I hope so you put that right
-28
-00:00:41,750 --> 00:00:41,760
-honest will I hope so you put that right
-29
-00:00:41,760 --> 00:00:45,470
-honest will I hope so you put that right
-away it's your own
-30
-00:00:45,470 --> 00:00:45,480
-away it's your own
-31
-00:00:45,480 --> 00:00:47,549
-away it's your own
-fault come along now we've cut for
-32
-00:00:47,549 --> 00:00:47,559
-fault come along now we've cut for
-33
-00:00:47,559 --> 00:00:49,590
-fault come along now we've cut for
-partners oh he's my partner that's the
-34
-00:00:49,590 --> 00:00:49,600
-partners oh he's my partner that's the
-35
-00:00:49,600 --> 00:00:51,830
-partners oh he's my partner that's the
-only way we play I'm sorry but it's
-36
-00:00:51,830 --> 00:00:51,840
-only way we play I'm sorry but it's
-37
-00:00:51,840 --> 00:00:53,389
-only way we play I'm sorry but it's
-against the rules of the game we have to
-38
-00:00:53,389 --> 00:00:53,399
-against the rules of the game we have to
-39
-00:00:53,399 --> 00:00:56,069
-against the rules of the game we have to
-cut for partn all right we cut for
-40
-00:00:56,069 --> 00:00:56,079
-cut for partn all right we cut for
-41
-00:00:56,079 --> 00:00:59,110
-cut for partn all right we cut for
-partners I got Ace of Spades he's got
-42
-00:00:59,110 --> 00:00:59,120
-partners I got Ace of Spades he's got
-43
-00:00:59,120 --> 00:01:01,670
-partners I got Ace of Spades he's got
-Ace of Spades
-44
-00:01:01,670 --> 00:01:01,680
-Ace of Spades
-45
-00:01:01,680 --> 00:01:03,830
-Ace of Spades
-that's what you call coincidences two
-46
-00:01:03,830 --> 00:01:03,840
-that's what you call coincidences two
-47
-00:01:03,840 --> 00:01:06,149
-that's what you call coincidences two
-aces of spade yeah he's got thousands of
-48
-00:01:06,149 --> 00:01:06,159
-aces of spade yeah he's got thousands of
-49
-00:01:06,159 --> 00:01:08,109
-aces of spade yeah he's got thousands of
-them well I suppose that gives him the
-50
-00:01:08,109 --> 00:01:08,119
-them well I suppose that gives him the
-51
-00:01:08,119 --> 00:01:11,230
-them well I suppose that gives him the
-choice of seats you have the choice of
-52
-00:01:11,230 --> 00:01:11,240
-choice of seats you have the choice of
-53
-00:01:11,240 --> 00:01:17,070
-choice of seats you have the choice of
-seats good on her down matter don't know
-54
-00:01:17,070 --> 00:01:17,080
-seats good on her down matter don't know
-55
-00:01:17,080 --> 00:01:19,590
-seats good on her down matter don't know
-he thought it was contact Bridge just a
-56
-00:01:19,590 --> 00:01:19,600
-he thought it was contact Bridge just a
-57
-00:01:19,600 --> 00:01:21,870
-he thought it was contact Bridge just a
-minute now Shuffle the card yeah you got
-58
-00:01:21,870 --> 00:01:21,880
-minute now Shuffle the card yeah you got
-59
-00:01:21,880 --> 00:01:23,390
-minute now Shuffle the card yeah you got
-to scrumble them up a little bit you
-60
-00:01:23,390 --> 00:01:23,400
-to scrumble them up a little bit you
-61
-00:01:23,400 --> 00:01:37,910
-to scrumble them up a little bit you
-know
-62
-00:01:37,910 --> 00:01:37,920
-63
-00:01:37,920 --> 00:01:39,230
-just a moment I'd like to cut those
-64
-00:01:39,230 --> 00:01:39,240
-just a moment I'd like to cut those
-65
-00:01:39,240 --> 00:02:01,910
-just a moment I'd like to cut those
-cards
-66
-00:02:01,910 --> 00:02:01,920
-67
-00:02:01,920 --> 00:02:25,589
-he that's some
-68
-00:02:25,589 --> 00:02:25,599
-69
-00:02:25,599 --> 00:02:28,270
-Lea um your bid
-70
-00:02:28,270 --> 00:02:28,280
-Lea um your bid
-71
-00:02:28,280 --> 00:02:32,190
-Lea um your bid
-partner your pass
-72
-00:02:32,190 --> 00:02:32,200
-73
-00:02:32,200 --> 00:02:33,350
-Miss
-74
-00:02:33,350 --> 00:02:33,360
-Miss
-75
-00:02:33,360 --> 00:02:38,869
-Miss
-deal you pass I did one Spade I pass
-76
-00:02:38,869 --> 00:02:38,879
-deal you pass I did one Spade I pass
-77
-00:02:38,879 --> 00:02:40,070
-deal you pass I did one Spade I pass
-three
-78
-00:02:40,070 --> 00:02:40,080
-three
-79
-00:02:40,080 --> 00:02:43,270
-three
-Spades four
-80
-00:02:43,270 --> 00:02:43,280
-Spades four
-81
-00:02:43,280 --> 00:02:47,470
-Spades four
-Spades one Club I don't understand this
-82
-00:02:47,470 --> 00:02:47,480
-Spades one Club I don't understand this
-83
-00:02:47,480 --> 00:02:48,430
-Spades one Club I don't understand this
-kind of
-84
-00:02:48,430 --> 00:02:48,440
-kind of
-85
-00:02:48,440 --> 00:02:50,710
-kind of
-bidding well you don't have to
-86
-00:02:50,710 --> 00:02:50,720
-bidding well you don't have to
-87
-00:02:50,720 --> 00:02:53,470
-bidding well you don't have to
-understand
-88
-00:02:53,470 --> 00:02:53,480
-understand
-89
-00:02:53,480 --> 00:03:24,539
-understand
-[Music]

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-All Quiet on the Western Front movie clips: http://j.mp/15w2NbN
-BUY THE MOVIE: http://amzn.to/tZdc5e
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-The soldiers of Second Company await the attack from the French on the front.
-FILM DESCRIPTION:
-One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979.
-CREDITS:
-TM & © Universal (1930)
-Cast: Lew Ayres
-Director: Lewis Milestone
-Producer: Carl Laemmle Jr.
-Screenwriters: Erich Maria Remarque, Maxwell Anderson, George Abbott, Del Andrews, C. Gardner Sullivan, Walter Anthony, Lewis Milestone
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
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-Extras: http://bit.ly/1u431fr
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-Tumblr: http://bit.ly/1vUwhH7

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-Animal Crackers movie clips: http://j.mp/1J9IlLT
-BUY THE MOVIE: http://amzn.to/vtu6EQ
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-The Professor (Harpo Marx) and Signor Ravelli (Chico Marx) get into a scuffle with the ladies of the house.
-FILM DESCRIPTION:
-Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house.
-CREDITS:
-TM & © Universal (1930)
-Cast: Harpo Marx, Chico Marx, Margaret Dumont, Margaret Irving
-Director: Victor Heerman
-Screenwriters: George S. Kaufman, Morrie Ryskind, Bert Kalmar, Harry Ruby, Pierre Collings
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
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-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

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@@ -1,375 +0,0 @@
-1
-00:00:00,199 --> 00:00:02,830
-hey got up get up come here that's all
-2
-00:00:02,830 --> 00:00:02,840
-hey got up get up come here that's all
-3
-00:00:02,840 --> 00:00:07,110
-hey got up get up come here that's all
-you do Chase of the women look oh stop
-4
-00:00:07,110 --> 00:00:07,120
-you do Chase of the women look oh stop
-5
-00:00:07,120 --> 00:00:08,709
-you do Chase of the women look oh stop
-everybody here plays cards they don't
-6
-00:00:08,709 --> 00:00:08,719
-everybody here plays cards they don't
-7
-00:00:08,719 --> 00:00:10,790
-everybody here plays cards they don't
-ask us here we are a waste all the time
-8
-00:00:10,790 --> 00:00:10,800
-ask us here we are a waste all the time
-9
-00:00:10,800 --> 00:00:12,990
-ask us here we are a waste all the time
-we've been here all day
-10
-00:00:12,990 --> 00:00:13,000
-we've been here all day
-11
-00:00:13,000 --> 00:00:15,910
-we've been here all day
-eh how much do we make we make a not
-12
-00:00:15,910 --> 00:00:15,920
-eh how much do we make we make a not
-13
-00:00:15,920 --> 00:00:17,510
-eh how much do we make we make a not
-team the first thing you know we're
-14
-00:00:17,510 --> 00:00:17,520
-team the first thing you know we're
-15
-00:00:17,520 --> 00:00:18,950
-team the first thing you know we're
-going to live on a charity then we go to
-16
-00:00:18,950 --> 00:00:18,960
-going to live on a charity then we go to
-17
-00:00:18,960 --> 00:00:22,509
-going to live on a charity then we go to
-the old lady's home how do you like that
-18
-00:00:22,509 --> 00:00:22,519
-the old lady's home how do you like that
-19
-00:00:22,519 --> 00:00:25,310
-the old lady's home how do you like that
-no no that's a no
-20
-00:00:25,310 --> 00:00:25,320
-no no that's a no
-21
-00:00:25,320 --> 00:00:28,269
-no no that's a no
-good these people here all got the money
-22
-00:00:28,269 --> 00:00:28,279
-good these people here all got the money
-23
-00:00:28,279 --> 00:00:29,830
-good these people here all got the money
-now we got to get us someone to play
-24
-00:00:29,830 --> 00:00:29,840
-now we got to get us someone to play
-25
-00:00:29,840 --> 00:00:33,030
-now we got to get us someone to play
-with us see I play anything
-26
-00:00:33,030 --> 00:00:33,040
-with us see I play anything
-27
-00:00:33,040 --> 00:00:35,190
-with us see I play anything
-po I want to speak to you about the
-28
-00:00:35,190 --> 00:00:35,200
-po I want to speak to you about the
-29
-00:00:35,200 --> 00:00:38,709
-po I want to speak to you about the
-music yeah how you world better with you
-30
-00:00:38,709 --> 00:00:38,719
-music yeah how you world better with you
-31
-00:00:38,719 --> 00:00:40,990
-music yeah how you world better with you
-I thought it would be nice go away from
-32
-00:00:40,990 --> 00:00:41,000
-I thought it would be nice go away from
-33
-00:00:41,000 --> 00:00:44,430
-I thought it would be nice go away from
-me what is this I just oh my dear I
-34
-00:00:44,430 --> 00:00:44,440
-me what is this I just oh my dear I
-35
-00:00:44,440 --> 00:00:46,510
-me what is this I just oh my dear I
-don't know what hello Professor good
-36
-00:00:46,510 --> 00:00:46,520
-don't know what hello Professor good
-37
-00:00:46,520 --> 00:00:48,110
-don't know what hello Professor good
-Heavens what's the matter with his feet
-38
-00:00:48,110 --> 00:00:48,120
-Heavens what's the matter with his feet
-39
-00:00:48,120 --> 00:00:50,350
-Heavens what's the matter with his feet
-have you ever play all kinds of games we
-40
-00:00:50,350 --> 00:00:50,360
-have you ever play all kinds of games we
-41
-00:00:50,360 --> 00:00:53,630
-have you ever play all kinds of games we
-play Blackjack
-42
-00:00:53,630 --> 00:00:53,640
-play Blackjack
-43
-00:00:53,640 --> 00:01:05,070
-play Blackjack
-soccer sor
-44
-00:01:05,070 --> 00:01:05,080
-45
-00:01:05,080 --> 00:01:09,390
-I would this for
-46
-00:01:09,390 --> 00:01:09,400
-47
-00:01:09,400 --> 00:01:11,910
-the you go
-48
-00:01:11,910 --> 00:01:11,920
-the you go
-49
-00:01:11,920 --> 00:01:15,870
-the you go
-this 1 2
-50
-00:01:15,870 --> 00:01:15,880
-this 1 2
-51
-00:01:15,880 --> 00:01:20,830
-this 1 2
-3 away dear I must out I must get out
-52
-00:01:20,830 --> 00:01:20,840
-3 away dear I must out I must get out
-53
-00:01:20,840 --> 00:01:23,710
-3 away dear I must out I must get out
-here so look see how terrible he looks
-54
-00:01:23,710 --> 00:01:23,720
-here so look see how terrible he looks
-55
-00:01:23,720 --> 00:01:26,069
-here so look see how terrible he looks
-look this is look
-56
-00:01:26,069 --> 00:01:26,079
-look this is look
-57
-00:01:26,079 --> 00:01:30,190
-look this is look
-so I don't know I better get high
-58
-00:01:30,190 --> 00:01:30,200
-so I don't know I better get high
-59
-00:01:30,200 --> 00:01:34,870
-so I don't know I better get high
-get I'm just trying to watch my
-60
-00:01:34,870 --> 00:01:34,880
-61
-00:01:34,880 --> 00:01:38,230
-CH oh this is terrible this is dis she
-62
-00:01:38,230 --> 00:01:38,240
-CH oh this is terrible this is dis she
-63
-00:01:38,240 --> 00:01:39,670
-CH oh this is terrible this is dis she
-can't take it there
-64
-00:01:39,670 --> 00:01:39,680
-can't take it there
-65
-00:01:39,680 --> 00:01:43,069
-can't take it there
-is where
-66
-00:01:43,069 --> 00:01:43,079
-67
-00:01:43,079 --> 00:01:46,870
-is go away can do
-68
-00:01:46,870 --> 00:01:46,880
-is go away can do
-69
-00:01:46,880 --> 00:01:50,389
-is go away can do
-oh oh this is
-70
-00:01:50,389 --> 00:01:50,399
-oh oh this is
-71
-00:01:50,399 --> 00:01:52,550
-oh oh this is
-Dreadful well why don't you leave him
-72
-00:01:52,550 --> 00:01:52,560
-Dreadful well why don't you leave him
-73
-00:01:52,560 --> 00:01:55,420
-Dreadful well why don't you leave him
-alone
-74
-00:01:55,420 --> 00:01:55,430
-alone
-75
-00:01:55,430 --> 00:02:26,490
-alone
-[Music]

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@@ -1,37 +0,0 @@
-Animal Crackers movie clips: http://j.mp/1J9IlLT
-BUY THE MOVIE: http://amzn.to/vtu6EQ
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-Captain Spaulding (Groucho Marx) recounts his voyage to Africa.
-FILM DESCRIPTION:
-Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house.
-CREDITS:
-TM & © Universal (1930)
-Cast: Groucho Marx, Margaret Dumont
-Director: Victor Heerman
-Screenwriters: George S. Kaufman, Morrie Ryskind, Bert Kalmar, Harry Ruby, Pierre Collings
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

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@@ -1,785 +0,0 @@
-1
-00:00:00,120 --> 00:00:02,430
-and now my friend before we start the
-2
-00:00:02,430 --> 00:00:02,440
-and now my friend before we start the
-3
-00:00:02,440 --> 00:00:04,749
-and now my friend before we start the
-musical program Captain Spalding has
-4
-00:00:04,749 --> 00:00:04,759
-musical program Captain Spalding has
-5
-00:00:04,759 --> 00:00:06,349
-musical program Captain Spalding has
-kindly consented to tell us about his
-6
-00:00:06,349 --> 00:00:06,359
-kindly consented to tell us about his
-7
-00:00:06,359 --> 00:00:11,990
-kindly consented to tell us about his
-trip to Africa Captain SP
-8
-00:00:11,990 --> 00:00:12,000
-9
-00:00:12,000 --> 00:00:15,190
-me friends I'm going to tell you of that
-10
-00:00:15,190 --> 00:00:15,200
-me friends I'm going to tell you of that
-11
-00:00:15,200 --> 00:00:16,990
-me friends I'm going to tell you of that
-great mysterious wonderful continent
-12
-00:00:16,990 --> 00:00:17,000
-great mysterious wonderful continent
-13
-00:00:17,000 --> 00:00:20,029
-great mysterious wonderful continent
-known as Africa Africa is God's country
-14
-00:00:20,029 --> 00:00:20,039
-known as Africa Africa is God's country
-15
-00:00:20,039 --> 00:00:23,710
-known as Africa Africa is God's country
-and he can have it well sir we left New
-16
-00:00:23,710 --> 00:00:23,720
-and he can have it well sir we left New
-17
-00:00:23,720 --> 00:00:25,189
-and he can have it well sir we left New
-York drunken early on the morning of
-18
-00:00:25,189 --> 00:00:25,199
-York drunken early on the morning of
-19
-00:00:25,199 --> 00:00:26,269
-York drunken early on the morning of
-February
-20
-00:00:26,269 --> 00:00:26,279
-February
-21
-00:00:26,279 --> 00:00:29,070
-February
-2nd after 15 days on the water and six
-22
-00:00:29,070 --> 00:00:29,080
-2nd after 15 days on the water and six
-23
-00:00:29,080 --> 00:00:30,950
-2nd after 15 days on the water and six
-on the boat we finally arrived on the
-24
-00:00:30,950 --> 00:00:30,960
-on the boat we finally arrived on the
-25
-00:00:30,960 --> 00:00:33,510
-on the boat we finally arrived on the
-shores of Africa we had once proceeded
-26
-00:00:33,510 --> 00:00:33,520
-shores of Africa we had once proceeded
-27
-00:00:33,520 --> 00:00:35,470
-shores of Africa we had once proceeded
-300 mil into the heart of the Jungle
-28
-00:00:35,470 --> 00:00:35,480
-300 mil into the heart of the Jungle
-29
-00:00:35,480 --> 00:00:37,709
-300 mil into the heart of the Jungle
-where I shot a polar bear this bear was
-30
-00:00:37,709 --> 00:00:37,719
-where I shot a polar bear this bear was
-31
-00:00:37,719 --> 00:00:39,389
-where I shot a polar bear this bear was
-6 foot s in his stocking feet and had
-32
-00:00:39,389 --> 00:00:39,399
-6 foot s in his stocking feet and had
-33
-00:00:39,399 --> 00:00:42,069
-6 foot s in his stocking feet and had
-shoes on par me just a moment Captain
-34
-00:00:42,069 --> 00:00:42,079
-shoes on par me just a moment Captain
-35
-00:00:42,079 --> 00:00:43,950
-shoes on par me just a moment Captain
-just a moment I always thought that
-36
-00:00:43,950 --> 00:00:43,960
-just a moment I always thought that
-37
-00:00:43,960 --> 00:00:46,229
-just a moment I always thought that
-polar bears lived in the Frozen North oh
-38
-00:00:46,229 --> 00:00:46,239
-polar bears lived in the Frozen North oh
-39
-00:00:46,239 --> 00:00:47,869
-polar bears lived in the Frozen North oh
-you did well this bear was anemic and he
-40
-00:00:47,869 --> 00:00:47,879
-you did well this bear was anemic and he
-41
-00:00:47,879 --> 00:00:50,150
-you did well this bear was anemic and he
-couldn't stand the cold climber he was a
-42
-00:00:50,150 --> 00:00:50,160
-couldn't stand the cold climber he was a
-43
-00:00:50,160 --> 00:00:51,470
-couldn't stand the cold climber he was a
-rich bear and he could afford to go away
-44
-00:00:51,470 --> 00:00:51,480
-rich bear and he could afford to go away
-45
-00:00:51,480 --> 00:00:53,830
-rich bear and he could afford to go away
-in the winter you take care of your
-46
-00:00:53,830 --> 00:00:53,840
-in the winter you take care of your
-47
-00:00:53,840 --> 00:00:56,029
-in the winter you take care of your
-animals and I'll take care of mine
-48
-00:00:56,029 --> 00:00:56,039
-animals and I'll take care of mine
-49
-00:00:56,039 --> 00:00:58,630
-animals and I'll take care of mine
-Frozen North my
-50
-00:00:58,630 --> 00:00:58,640
-Frozen North my
-51
-00:00:58,640 --> 00:01:01,270
-Frozen North my
-eye from the day of our arrival we LED
-52
-00:01:01,270 --> 00:01:01,280
-eye from the day of our arrival we LED
-53
-00:01:01,280 --> 00:01:03,470
-eye from the day of our arrival we LED
-an act of Life the first morning saw us
-54
-00:01:03,470 --> 00:01:03,480
-an act of Life the first morning saw us
-55
-00:01:03,480 --> 00:01:05,390
-an act of Life the first morning saw us
-up at 6:00 breakfasted and back in bed
-56
-00:01:05,390 --> 00:01:05,400
-up at 6:00 breakfasted and back in bed
-57
-00:01:05,400 --> 00:01:07,510
-up at 6:00 breakfasted and back in bed
-at 7:00 this was our routine for the
-58
-00:01:07,510 --> 00:01:07,520
-at 7:00 this was our routine for the
-59
-00:01:07,520 --> 00:01:09,870
-at 7:00 this was our routine for the
-first 3 months we finally got so we were
-60
-00:01:09,870 --> 00:01:09,880
-first 3 months we finally got so we were
-61
-00:01:09,880 --> 00:01:12,510
-first 3 months we finally got so we were
-back in bed at 6:30 one morning I was
-62
-00:01:12,510 --> 00:01:12,520
-back in bed at 6:30 one morning I was
-63
-00:01:12,520 --> 00:01:13,990
-back in bed at 6:30 one morning I was
-sitting in front of the cabin smoking
-64
-00:01:13,990 --> 00:01:14,000
-sitting in front of the cabin smoking
-65
-00:01:14,000 --> 00:01:16,710
-sitting in front of the cabin smoking
-some meat when smoking some meat yes
-66
-00:01:16,710 --> 00:01:16,720
-some meat when smoking some meat yes
-67
-00:01:16,720 --> 00:01:17,830
-some meat when smoking some meat yes
-there wasn't a cigar store in the
-68
-00:01:17,830 --> 00:01:17,840
-there wasn't a cigar store in the
-69
-00:01:17,840 --> 00:01:19,749
-there wasn't a cigar store in the
-neighborhood as I say I was sitting in
-70
-00:01:19,749 --> 00:01:19,759
-neighborhood as I say I was sitting in
-71
-00:01:19,759 --> 00:01:21,789
-neighborhood as I say I was sitting in
-front of the cabin when I bagged six
-72
-00:01:21,789 --> 00:01:21,799
-front of the cabin when I bagged six
-73
-00:01:21,799 --> 00:01:24,270
-front of the cabin when I bagged six
-Tigers of the biggest Captain did you
-74
-00:01:24,270 --> 00:01:24,280
-Tigers of the biggest Captain did you
-75
-00:01:24,280 --> 00:01:26,910
-Tigers of the biggest Captain did you
-catch six Tigers I begged them I I
-76
-00:01:26,910 --> 00:01:26,920
-catch six Tigers I begged them I I
-77
-00:01:26,920 --> 00:01:28,270
-catch six Tigers I begged them I I
-begged them to go away but they hung
-78
-00:01:28,270 --> 00:01:28,280
-begged them to go away but they hung
-79
-00:01:28,280 --> 00:01:30,190
-begged them to go away but they hung
-around all afternoon they they were the
-80
-00:01:30,190 --> 00:01:30,200
-around all afternoon they they were the
-81
-00:01:30,200 --> 00:01:32,109
-around all afternoon they they were the
-most persistent Tigers I've ever
-82
-00:01:32,109 --> 00:01:32,119
-most persistent Tigers I've ever
-83
-00:01:32,119 --> 00:01:34,429
-most persistent Tigers I've ever
-seen the principal animals inhabiting
-84
-00:01:34,429 --> 00:01:34,439
-seen the principal animals inhabiting
-85
-00:01:34,439 --> 00:01:37,429
-seen the principal animals inhabiting
-the African jungle are moose Elks and N
-86
-00:01:37,429 --> 00:01:37,439
-the African jungle are moose Elks and N
-87
-00:01:37,439 --> 00:01:39,670
-the African jungle are moose Elks and N
-ofus of course you all know what a moose
-88
-00:01:39,670 --> 00:01:39,680
-ofus of course you all know what a moose
-89
-00:01:39,680 --> 00:01:42,109
-ofus of course you all know what a moose
-is that's big game the first day I shot
-90
-00:01:42,109 --> 00:01:42,119
-is that's big game the first day I shot
-91
-00:01:42,119 --> 00:01:43,749
-is that's big game the first day I shot
-two bucks that was the biggest game we
-92
-00:01:43,749 --> 00:01:43,759
-two bucks that was the biggest game we
-93
-00:01:43,759 --> 00:01:46,230
-two bucks that was the biggest game we
-had as I say you all know what a moose
-94
-00:01:46,230 --> 00:01:46,240
-had as I say you all know what a moose
-95
-00:01:46,240 --> 00:01:48,429
-had as I say you all know what a moose
-is a moose runs around on the floor and
-96
-00:01:48,429 --> 00:01:48,439
-is a moose runs around on the floor and
-97
-00:01:48,439 --> 00:01:50,870
-is a moose runs around on the floor and
-eats cheese and is chased by the cats
-98
-00:01:50,870 --> 00:01:50,880
-eats cheese and is chased by the cats
-99
-00:01:50,880 --> 00:01:52,350
-eats cheese and is chased by the cats
-the Elks on the other hand live up in
-100
-00:01:52,350 --> 00:01:52,360
-the Elks on the other hand live up in
-101
-00:01:52,360 --> 00:01:54,389
-the Elks on the other hand live up in
-the hills and in the spring they come
-102
-00:01:54,389 --> 00:01:54,399
-the hills and in the spring they come
-103
-00:01:54,399 --> 00:01:56,749
-the hills and in the spring they come
-down for their annual convention it is
-104
-00:01:56,749 --> 00:01:56,759
-down for their annual convention it is
-105
-00:01:56,759 --> 00:01:57,990
-down for their annual convention it is
-very interesting to watch them come to
-106
-00:01:57,990 --> 00:01:58,000
-very interesting to watch them come to
-107
-00:01:58,000 --> 00:01:59,910
-very interesting to watch them come to
-the water hole and you should see them
-108
-00:01:59,910 --> 00:01:59,920
-the water hole and you should see them
-109
-00:01:59,920 --> 00:02:01,469
-the water hole and you should see them
-run when they find it is only a water
-110
-00:02:01,469 --> 00:02:01,479
-run when they find it is only a water
-111
-00:02:01,479 --> 00:02:04,389
-run when they find it is only a water
-hole what they're looking for is an
-112
-00:02:04,389 --> 00:02:04,399
-hole what they're looking for is an
-113
-00:02:04,399 --> 00:02:06,749
-hole what they're looking for is an
-alcohol one morning I shot an elephant
-114
-00:02:06,749 --> 00:02:06,759
-alcohol one morning I shot an elephant
-115
-00:02:06,759 --> 00:02:09,430
-alcohol one morning I shot an elephant
-in my pajamas how he got in my pajamas I
-116
-00:02:09,430 --> 00:02:09,440
-in my pajamas how he got in my pajamas I
-117
-00:02:09,440 --> 00:02:11,630
-in my pajamas how he got in my pajamas I
-don't know then we try to remove the
-118
-00:02:11,630 --> 00:02:11,640
-don't know then we try to remove the
-119
-00:02:11,640 --> 00:02:14,589
-don't know then we try to remove the
-tusks the tusks that's not so easy to
-120
-00:02:14,589 --> 00:02:14,599
-tusks the tusks that's not so easy to
-121
-00:02:14,599 --> 00:02:16,750
-tusks the tusks that's not so easy to
-say Tusk you try that some sometimes tus
-122
-00:02:16,750 --> 00:02:16,760
-say Tusk you try that some sometimes tus
-123
-00:02:16,760 --> 00:02:19,350
-say Tusk you try that some sometimes tus
-oh simple tusks pardon me my name is
-124
-00:02:19,350 --> 00:02:19,360
-oh simple tusks pardon me my name is
-125
-00:02:19,360 --> 00:02:21,150
-oh simple tusks pardon me my name is
-sping I've always wanted to meet you Mr
-126
-00:02:21,150 --> 00:02:21,160
-sping I've always wanted to meet you Mr
-127
-00:02:21,160 --> 00:02:23,470
-sping I've always wanted to meet you Mr
-Chandler as I say we try to remove the
-128
-00:02:23,470 --> 00:02:23,480
-Chandler as I say we try to remove the
-129
-00:02:23,480 --> 00:02:25,869
-Chandler as I say we try to remove the
-tusks but they were embedded in so firly
-130
-00:02:25,869 --> 00:02:25,879
-tusks but they were embedded in so firly
-131
-00:02:25,879 --> 00:02:27,710
-tusks but they were embedded in so firly
-that we couldn't budge them of course in
-132
-00:02:27,710 --> 00:02:27,720
-that we couldn't budge them of course in
-133
-00:02:27,720 --> 00:02:30,589
-that we couldn't budge them of course in
-Alabama the Tuscaloosa but uh that's
-134
-00:02:30,589 --> 00:02:30,599
-Alabama the Tuscaloosa but uh that's
-135
-00:02:30,599 --> 00:02:32,070
-Alabama the Tuscaloosa but uh that's
-entirely irrelevant to what I was
-136
-00:02:32,070 --> 00:02:32,080
-entirely irrelevant to what I was
-137
-00:02:32,080 --> 00:02:34,550
-entirely irrelevant to what I was
-talking about we took some pictures of
-138
-00:02:34,550 --> 00:02:34,560
-talking about we took some pictures of
-139
-00:02:34,560 --> 00:02:35,869
-talking about we took some pictures of
-the Native girls but they weren't
-140
-00:02:35,869 --> 00:02:35,879
-the Native girls but they weren't
-141
-00:02:35,879 --> 00:02:37,750
-the Native girls but they weren't
-developed but we're going back again in
-142
-00:02:37,750 --> 00:02:37,760
-developed but we're going back again in
-143
-00:02:37,760 --> 00:02:40,110
-developed but we're going back again in
-a couple of weeks very inting speech
-144
-00:02:40,110 --> 00:02:40,120
-a couple of weeks very inting speech
-145
-00:02:40,120 --> 00:02:43,470
-a couple of weeks very inting speech
-Captain very for Captain sping three
-146
-00:02:43,470 --> 00:02:43,480
-Captain very for Captain sping three
-147
-00:02:43,480 --> 00:02:46,350
-Captain very for Captain sping three
-cheers for Captain spolding three
-148
-00:02:46,350 --> 00:02:46,360
-cheers for Captain spolding three
-149
-00:02:46,360 --> 00:02:49,350
-cheers for Captain spolding three
-cheairs for Captain sping really three
-150
-00:02:49,350 --> 00:02:49,360
-cheairs for Captain sping really three
-151
-00:02:49,360 --> 00:02:51,550
-cheairs for Captain sping really three
-cheers no one asked for the chairs put
-152
-00:02:51,550 --> 00:02:51,560
-cheers no one asked for the chairs put
-153
-00:02:51,560 --> 00:02:52,949
-cheers no one asked for the chairs put
-them right where you found them now go
-154
-00:02:52,949 --> 00:02:52,959
-them right where you found them now go
-155
-00:02:52,959 --> 00:02:57,480
-them right where you found them now go
-down go going with your CHS get up
-156
-00:02:57,480 --> 00:02:57,490
-down go going with your CHS get up
-157
-00:02:57,490 --> 00:03:28,549
-down go going with your CHS get up
-[Music]

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videos/1930/T6RkPxawpY0.description DELETED Viewed

@@ -1,37 +0,0 @@
-Animal Crackers movie clips: http://j.mp/1J9IlLT
-BUY THE MOVIE: http://amzn.to/vtu6EQ
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-The Captain (Groucho Marx) imposes his charm on the ladies of the house.
-FILM DESCRIPTION:
-Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house.
-CREDITS:
-TM & © Universal (1930)
-Cast: Groucho Marx, Margaret Dumont, Margaret Irving
-Director: Victor Heerman
-Screenwriters: George S. Kaufman, Morrie Ryskind, Bert Kalmar, Harry Ruby, Pierre Collings
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
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@@ -1,675 +0,0 @@
-1
-00:00:00,719 --> 00:00:03,510
-this is written
-2
-00:00:03,510 --> 00:00:03,520
-3
-00:00:03,520 --> 00:00:08,310
-house W Oh Captain sping how are
-4
-00:00:08,310 --> 00:00:08,320
-house W Oh Captain sping how are
-5
-00:00:08,320 --> 00:00:13,270
-house W Oh Captain sping how are
-you tell me are you alone Captain I
-6
-00:00:13,270 --> 00:00:13,280
-you tell me are you alone Captain I
-7
-00:00:13,280 --> 00:00:15,669
-you tell me are you alone Captain I
-don't understand what you don't
-8
-00:00:15,669 --> 00:00:15,679
-don't understand what you don't
-9
-00:00:15,679 --> 00:00:16,990
-don't understand what you don't
-understand being alone don't give me
-10
-00:00:16,990 --> 00:00:17,000
-understand being alone don't give me
-11
-00:00:17,000 --> 00:00:18,950
-understand being alone don't give me
-that innocent stuff or you'll be alone
-12
-00:00:18,950 --> 00:00:18,960
-that innocent stuff or you'll be alone
-13
-00:00:18,960 --> 00:00:21,070
-that innocent stuff or you'll be alone
-what a big cluck like you turning cute
-14
-00:00:21,070 --> 00:00:21,080
-what a big cluck like you turning cute
-15
-00:00:21,080 --> 00:00:24,310
-what a big cluck like you turning cute
-on
-16
-00:00:24,310 --> 00:00:24,320
-17
-00:00:24,320 --> 00:00:29,109
-me Mrs ritten house yes oh pardon pardon
-18
-00:00:29,109 --> 00:00:29,119
-me Mrs ritten house yes oh pardon pardon
-19
-00:00:29,119 --> 00:00:31,029
-me Mrs ritten house yes oh pardon pardon
-me you've been affected like this
-20
-00:00:31,029 --> 00:00:31,039
-me you've been affected like this
-21
-00:00:31,039 --> 00:00:34,549
-me you've been affected like this
-yourself haven't you at times no get
-22
-00:00:34,549 --> 00:00:34,559
-yourself haven't you at times no get
-23
-00:00:34,559 --> 00:00:36,990
-yourself haven't you at times no get
-right you will be Mrs ritten
-24
-00:00:36,990 --> 00:00:37,000
-right you will be Mrs ritten
-25
-00:00:37,000 --> 00:00:40,310
-right you will be Mrs ritten
-house ever since I've met you I've swept
-26
-00:00:40,310 --> 00:00:40,320
-house ever since I've met you I've swept
-27
-00:00:40,320 --> 00:00:42,190
-house ever since I've met you I've swept
-you off my feet something has been
-28
-00:00:42,190 --> 00:00:42,200
-you off my feet something has been
-29
-00:00:42,200 --> 00:00:44,190
-you off my feet something has been
-throbbing within me oh it's been beating
-30
-00:00:44,190 --> 00:00:44,200
-throbbing within me oh it's been beating
-31
-00:00:44,200 --> 00:00:45,630
-throbbing within me oh it's been beating
-like the incessant TomTom in the
-32
-00:00:45,630 --> 00:00:45,640
-like the incessant TomTom in the
-33
-00:00:45,640 --> 00:00:48,150
-like the incessant TomTom in the
-Primitive jungle something that I must
-34
-00:00:48,150 --> 00:00:48,160
-Primitive jungle something that I must
-35
-00:00:48,160 --> 00:00:51,470
-Primitive jungle something that I must
-ask you what is it Captain would you
-36
-00:00:51,470 --> 00:00:51,480
-ask you what is it Captain would you
-37
-00:00:51,480 --> 00:00:54,150
-ask you what is it Captain would you
-wash out a pair of socks for me Captain
-38
-00:00:54,150 --> 00:00:54,160
-wash out a pair of socks for me Captain
-39
-00:00:54,160 --> 00:00:56,630
-wash out a pair of socks for me Captain
-I'm surprised well it may be a surprise
-40
-00:00:56,630 --> 00:00:56,640
-I'm surprised well it may be a surprise
-41
-00:00:56,640 --> 00:00:57,910
-I'm surprised well it may be a surprise
-to you but it's been on my mind for
-42
-00:00:57,910 --> 00:00:57,920
-to you but it's been on my mind for
-43
-00:00:57,920 --> 00:00:59,430
-to you but it's been on my mind for
-weeks it's just my way of telling you
-44
-00:00:59,430 --> 00:00:59,440
-weeks it's just my way of telling you
-45
-00:00:59,440 --> 00:01:02,670
-weeks it's just my way of telling you
-that I love you that's all I love you
-46
-00:01:02,670 --> 00:01:02,680
-that I love you that's all I love you
-47
-00:01:02,680 --> 00:01:04,910
-that I love you that's all I love you
-you I your pardon there's never been I
-48
-00:01:04,910 --> 00:01:04,920
-you I your pardon there's never been I
-49
-00:01:04,920 --> 00:01:07,550
-you I your pardon there's never been I
-beg your pardon am I intruding are you
-50
-00:01:07,550 --> 00:01:07,560
-beg your pardon am I intruding are you
-51
-00:01:07,560 --> 00:01:09,830
-beg your pardon am I intruding are you
-intruding just when I had her on the 5
-52
-00:01:09,830 --> 00:01:09,840
-intruding just when I had her on the 5
-53
-00:01:09,840 --> 00:01:13,429
-intruding just when I had her on the 5
-yd line I should say you are intruding I
-54
-00:01:13,429 --> 00:01:13,439
-yd line I should say you are intruding I
-55
-00:01:13,439 --> 00:01:15,429
-yd line I should say you are intruding I
-should say you are intruding pardon me I
-56
-00:01:15,429 --> 00:01:15,439
-should say you are intruding pardon me I
-57
-00:01:15,439 --> 00:01:17,030
-should say you are intruding pardon me I
-was using the subjunctive instead of the
-58
-00:01:17,030 --> 00:01:17,040
-was using the subjunctive instead of the
-59
-00:01:17,040 --> 00:01:19,429
-was using the subjunctive instead of the
-past tense yes we're away past tense
-60
-00:01:19,429 --> 00:01:19,439
-past tense yes we're away past tense
-61
-00:01:19,439 --> 00:01:21,469
-past tense yes we're away past tense
-we're living in Bungalows now this is a
-62
-00:01:21,469 --> 00:01:21,479
-we're living in Bungalows now this is a
-63
-00:01:21,479 --> 00:01:23,550
-we're living in Bungalows now this is a
-mechanical age of course and Mrs
-64
-00:01:23,550 --> 00:01:23,560
-mechanical age of course and Mrs
-65
-00:01:23,560 --> 00:01:25,390
-mechanical age of course and Mrs
-Whitehead you haven't met Captain
-66
-00:01:25,390 --> 00:01:25,400
-Whitehead you haven't met Captain
-67
-00:01:25,400 --> 00:01:28,310
-Whitehead you haven't met Captain
-scalding have you why no I haven't how
-68
-00:01:28,310 --> 00:01:28,320
-scalding have you why no I haven't how
-69
-00:01:28,320 --> 00:01:31,390
-scalding have you why no I haven't how
-are you how are you I'm fine thank you
-70
-00:01:31,390 --> 00:01:31,400
-are you how are you I'm fine thank you
-71
-00:01:31,400 --> 00:01:34,230
-are you how are you I'm fine thank you
-and how are you and how are you that
-72
-00:01:34,230 --> 00:01:34,240
-and how are you and how are you that
-73
-00:01:34,240 --> 00:01:35,389
-and how are you and how are you that
-leaves you one
-74
-00:01:35,389 --> 00:01:35,399
-leaves you one
-75
-00:01:35,399 --> 00:01:38,190
-leaves you one
-up did anyone ever tell you you had the
-76
-00:01:38,190 --> 00:01:38,200
-up did anyone ever tell you you had the
-77
-00:01:38,200 --> 00:01:42,910
-up did anyone ever tell you you had the
-beautiful eyes no well you have and so
-78
-00:01:42,910 --> 00:01:42,920
-beautiful eyes no well you have and so
-79
-00:01:42,920 --> 00:01:45,630
-beautiful eyes no well you have and so
-have you he shot her a
-80
-00:01:45,630 --> 00:01:45,640
-have you he shot her a
-81
-00:01:45,640 --> 00:01:49,590
-have you he shot her a
-glance has a smile played around his
-82
-00:01:49,590 --> 00:01:49,600
-glance has a smile played around his
-83
-00:01:49,600 --> 00:01:51,789
-glance has a smile played around his
-lips yes I don't think I've ever seen
-84
-00:01:51,789 --> 00:01:51,799
-lips yes I don't think I've ever seen
-85
-00:01:51,799 --> 00:01:54,230
-lips yes I don't think I've ever seen
-four more beautiful eyes in my life well
-86
-00:01:54,230 --> 00:01:54,240
-four more beautiful eyes in my life well
-87
-00:01:54,240 --> 00:01:56,749
-four more beautiful eyes in my life well
-three anyway you know you two girls have
-88
-00:01:56,749 --> 00:01:56,759
-three anyway you know you two girls have
-89
-00:01:56,759 --> 00:01:58,270
-three anyway you know you two girls have
-everything you're tall and short and
-90
-00:01:58,270 --> 00:01:58,280
-everything you're tall and short and
-91
-00:01:58,280 --> 00:02:00,469
-everything you're tall and short and
-slim and stout and blond and brunette
-92
-00:02:00,469 --> 00:02:00,479
-slim and stout and blond and brunette
-93
-00:02:00,479 --> 00:02:03,149
-slim and stout and blond and brunette
-and that's just a kind of a girl I crave
-94
-00:02:03,149 --> 00:02:03,159
-and that's just a kind of a girl I crave
-95
-00:02:03,159 --> 00:02:05,350
-and that's just a kind of a girl I crave
-we three would make an ideal couple
-96
-00:02:05,350 --> 00:02:05,360
-we three would make an ideal couple
-97
-00:02:05,360 --> 00:02:07,550
-we three would make an ideal couple
-while you've got Beauty charm money you
-98
-00:02:07,550 --> 00:02:07,560
-while you've got Beauty charm money you
-99
-00:02:07,560 --> 00:02:09,270
-while you've got Beauty charm money you
-have got money haven't you course if you
-100
-00:02:09,270 --> 00:02:09,280
-have got money haven't you course if you
-101
-00:02:09,280 --> 00:02:11,350
-have got money haven't you course if you
-haven't we can quit right now the
-102
-00:02:11,350 --> 00:02:11,360
-haven't we can quit right now the
-103
-00:02:11,360 --> 00:02:13,869
-haven't we can quit right now the
-captain is charming isn't he I'm
-104
-00:02:13,869 --> 00:02:13,879
-captain is charming isn't he I'm
-105
-00:02:13,879 --> 00:02:16,550
-captain is charming isn't he I'm
-fascinated I'm fascinated too right on
-106
-00:02:16,550 --> 00:02:16,560
-fascinated I'm fascinated too right on
-107
-00:02:16,560 --> 00:02:17,390
-fascinated I'm fascinated too right on
-the
-108
-00:02:17,390 --> 00:02:17,400
-the
-109
-00:02:17,400 --> 00:02:21,710
-the
-arm fascinated whm Wham if I were Eugene
-110
-00:02:21,710 --> 00:02:21,720
-arm fascinated whm Wham if I were Eugene
-111
-00:02:21,720 --> 00:02:23,110
-arm fascinated whm Wham if I were Eugene
-O'Neal I could tell you what I really
-112
-00:02:23,110 --> 00:02:23,120
-O'Neal I could tell you what I really
-113
-00:02:23,120 --> 00:02:25,390
-O'Neal I could tell you what I really
-think of you two you know you're very
-114
-00:02:25,390 --> 00:02:25,400
-think of you two you know you're very
-115
-00:02:25,400 --> 00:02:26,949
-think of you two you know you're very
-fortunate the theater Gill isn't putting
-116
-00:02:26,949 --> 00:02:26,959
-fortunate the theater Gill isn't putting
-117
-00:02:26,959 --> 00:02:32,070
-fortunate the theater Gill isn't putting
-this on and so is the guild
-118
-00:02:32,070 --> 00:02:32,080
-119
-00:02:32,080 --> 00:02:35,430
-pardon me while I have a strange
-120
-00:02:35,430 --> 00:02:35,440
-121
-00:02:35,440 --> 00:02:37,990
-inoue why you couple of
-122
-00:02:37,990 --> 00:02:38,000
-inoue why you couple of
-123
-00:02:38,000 --> 00:02:39,949
-inoue why you couple of
-baboons what makes you think I'd marry
-124
-00:02:39,949 --> 00:02:39,959
-baboons what makes you think I'd marry
-125
-00:02:39,959 --> 00:02:42,509
-baboons what makes you think I'd marry
-either one of you strange how the wind
-126
-00:02:42,509 --> 00:02:42,519
-either one of you strange how the wind
-127
-00:02:42,519 --> 00:02:45,270
-either one of you strange how the wind
-blows tonight it has a thiny voice that
-128
-00:02:45,270 --> 00:02:45,280
-blows tonight it has a thiny voice that
-129
-00:02:45,280 --> 00:02:48,070
-blows tonight it has a thiny voice that
-reminds me of poor old Mazen how happy I
-130
-00:02:48,070 --> 00:02:48,080
-reminds me of poor old Mazen how happy I
-131
-00:02:48,080 --> 00:02:50,470
-reminds me of poor old Mazen how happy I
-could be with either of these two if
-132
-00:02:50,470 --> 00:02:50,480
-could be with either of these two if
-133
-00:02:50,480 --> 00:02:53,470
-could be with either of these two if
-both of them just went away
-134
-00:02:53,470 --> 00:02:53,480
-both of them just went away
-135
-00:02:53,480 --> 00:03:24,530
-both of them just went away
-[Music]

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videos/1930/ZuVe3leQQgE.description DELETED Viewed

@@ -1,37 +0,0 @@
-Animal Crackers movie clips: http://j.mp/1J9IlLT
-BUY THE MOVIE: http://amzn.to/vtu6EQ
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-When a priceless painting winds up missing during the party, the Captain (Groucho Marx) makes a point to message his lawyer through his secretary (Zeppo Marx).
-FILM DESCRIPTION:
-Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house.
-CREDITS:
-TM & © Universal (1930)
-Cast: Groucho Marx, Zeppo Marx, Margaret Dumont
-Director: Victor Heerman
-Screenwriters: George S. Kaufman, Morrie Ryskind, Bert Kalmar, Harry Ruby, Pierre Collings
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
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-Fandango: http://bit.ly/1Bl79ye
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-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
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-Tumblr: http://bit.ly/1vUwhH7

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@@ -1,705 +0,0 @@
-1
-00:00:00,240 --> 00:00:05,269
-good morning Captain did you enjoy your
-2
-00:00:05,269 --> 00:00:05,279
-3
-00:00:05,279 --> 00:00:07,710
-ride what in the world are you looking
-4
-00:00:07,710 --> 00:00:07,720
-ride what in the world are you looking
-5
-00:00:07,720 --> 00:00:09,629
-ride what in the world are you looking
-for I lost my
-6
-00:00:09,629 --> 00:00:09,639
-for I lost my
-7
-00:00:09,639 --> 00:00:11,669
-for I lost my
-horse yes he slipped right out from
-8
-00:00:11,669 --> 00:00:11,679
-horse yes he slipped right out from
-9
-00:00:11,679 --> 00:00:14,589
-horse yes he slipped right out from
-between me I can't understand it I had
-10
-00:00:14,589 --> 00:00:14,599
-between me I can't understand it I had
-11
-00:00:14,599 --> 00:00:17,230
-between me I can't understand it I had
-my feet in the syrups too I don't know I
-12
-00:00:17,230 --> 00:00:17,240
-my feet in the syrups too I don't know I
-13
-00:00:17,240 --> 00:00:18,670
-my feet in the syrups too I don't know I
-don't know how I got I didn't care about
-14
-00:00:18,670 --> 00:00:18,680
-don't know how I got I didn't care about
-15
-00:00:18,680 --> 00:00:20,550
-don't know how I got I didn't care about
-that but I lost a bit you loow me never
-16
-00:00:20,550 --> 00:00:20,560
-that but I lost a bit you loow me never
-17
-00:00:20,560 --> 00:00:22,590
-that but I lost a bit you loow me never
-mind I'll get you another bit well I'll
-18
-00:00:22,590 --> 00:00:22,600
-mind I'll get you another bit well I'll
-19
-00:00:22,600 --> 00:00:25,670
-mind I'll get you another bit well I'll
-be two bits I owe you then Captain I
-20
-00:00:25,670 --> 00:00:25,680
-be two bits I owe you then Captain I
-21
-00:00:25,680 --> 00:00:27,429
-be two bits I owe you then Captain I
-hope you weren't distressed by last
-22
-00:00:27,429 --> 00:00:27,439
-hope you weren't distressed by last
-23
-00:00:27,439 --> 00:00:29,349
-hope you weren't distressed by last
-night's unfortunate urage you mean that
-24
-00:00:29,349 --> 00:00:29,359
-night's unfortunate urage you mean that
-25
-00:00:29,359 --> 00:00:31,349
-night's unfortunate urage you mean that
-didn't you sir no the painting that was
-26
-00:00:31,349 --> 00:00:31,359
-didn't you sir no the painting that was
-27
-00:00:31,359 --> 00:00:32,790
-didn't you sir no the painting that was
-stolen was there a painting stolen I
-28
-00:00:32,790 --> 00:00:32,800
-stolen was there a painting stolen I
-29
-00:00:32,800 --> 00:00:34,910
-stolen was there a painting stolen I
-haven't seen a pment in 3 weeks jamson
-30
-00:00:34,910 --> 00:00:34,920
-haven't seen a pment in 3 weeks jamson
-31
-00:00:34,920 --> 00:00:36,389
-haven't seen a pment in 3 weeks jamson
-as my secretary why didn't you inform me
-32
-00:00:36,389 --> 00:00:36,399
-as my secretary why didn't you inform me
-33
-00:00:36,399 --> 00:00:37,549
-as my secretary why didn't you inform me
-there was a painting stolen why do you
-34
-00:00:37,549 --> 00:00:37,559
-there was a painting stolen why do you
-35
-00:00:37,559 --> 00:00:39,310
-there was a painting stolen why do you
-think I engaged you for well Captain I
-36
-00:00:39,310 --> 00:00:39,320
-think I engaged you for well Captain I
-37
-00:00:39,320 --> 00:00:40,310
-think I engaged you for well Captain I
-didn't know it well you should have
-38
-00:00:40,310 --> 00:00:40,320
-didn't know it well you should have
-39
-00:00:40,320 --> 00:00:42,910
-didn't know it well you should have
-asked me I didn't know it well I'm sorry
-40
-00:00:42,910 --> 00:00:42,920
-asked me I didn't know it well I'm sorry
-41
-00:00:42,920 --> 00:00:46,189
-asked me I didn't know it well I'm sorry
-you're sorry you're a contemptible Cur I
-42
-00:00:46,189 --> 00:00:46,199
-you're sorry you're a contemptible Cur I
-43
-00:00:46,199 --> 00:00:49,029
-you're sorry you're a contemptible Cur I
-repeat sir you're a contemptible C oh if
-44
-00:00:49,029 --> 00:00:49,039
-repeat sir you're a contemptible C oh if
-45
-00:00:49,039 --> 00:00:51,670
-repeat sir you're a contemptible C oh if
-I were a man you'd resent that please
-46
-00:00:51,670 --> 00:00:51,680
-I were a man you'd resent that please
-47
-00:00:51,680 --> 00:00:54,349
-I were a man you'd resent that please
-keep quiet will you I can get along
-48
-00:00:54,349 --> 00:00:54,359
-keep quiet will you I can get along
-49
-00:00:54,359 --> 00:00:55,590
-keep quiet will you I can get along
-without you you know I got along without
-50
-00:00:55,590 --> 00:00:55,600
-without you you know I got along without
-51
-00:00:55,600 --> 00:00:56,790
-without you you know I got along without
-your father didn't I yes and your
-52
-00:00:56,790 --> 00:00:56,800
-your father didn't I yes and your
-53
-00:00:56,800 --> 00:00:58,830
-your father didn't I yes and your
-grandfather yes and your uncle yes and
-54
-00:00:58,830 --> 00:00:58,840
-grandfather yes and your uncle yes and
-55
-00:00:58,840 --> 00:01:01,270
-grandfather yes and your uncle yes and
-your uncle yes and my uncle Captain I
-56
-00:01:01,270 --> 00:01:01,280
-your uncle yes and my uncle Captain I
-57
-00:01:01,280 --> 00:01:03,509
-your uncle yes and my uncle Captain I
-didn't come here to be exonerated a big
-58
-00:01:03,509 --> 00:01:03,519
-didn't come here to be exonerated a big
-59
-00:01:03,519 --> 00:01:06,190
-didn't come here to be exonerated a big
-pardon Mrs ritten house oh you do a but
-60
-00:01:06,190 --> 00:01:06,200
-pardon Mrs ritten house oh you do a but
-61
-00:01:06,200 --> 00:01:10,030
-pardon Mrs ritten house oh you do a but
-I like to see you crawl out of a rumble
-62
-00:01:10,030 --> 00:01:10,040
-63
-00:01:10,040 --> 00:01:13,070
-seat the police are here Madam oh the
-64
-00:01:13,070 --> 00:01:13,080
-seat the police are here Madam oh the
-65
-00:01:13,080 --> 00:01:15,109
-seat the police are here Madam oh the
-police have them come in oh so that's
-66
-00:01:15,109 --> 00:01:15,119
-police have them come in oh so that's
-67
-00:01:15,119 --> 00:01:17,670
-police have them come in oh so that's
-your game is well you can't shut me up
-68
-00:01:17,670 --> 00:01:17,680
-your game is well you can't shut me up
-69
-00:01:17,680 --> 00:01:19,870
-your game is well you can't shut me up
-no you can talk to my attorneys Jamon
-70
-00:01:19,870 --> 00:01:19,880
-no you can talk to my attorneys Jamon
-71
-00:01:19,880 --> 00:01:21,789
-no you can talk to my attorneys Jamon
-yes take a letter to my lawyers I'll
-72
-00:01:21,789 --> 00:01:21,799
-yes take a letter to my lawyers I'll
-73
-00:01:21,799 --> 00:01:24,950
-yes take a letter to my lawyers I'll
-show you a thing or two or three sure
-74
-00:01:24,950 --> 00:01:24,960
-show you a thing or two or three sure
-75
-00:01:24,960 --> 00:01:27,069
-show you a thing or two or three sure
-you a thing or three sending for the
-76
-00:01:27,069 --> 00:01:27,079
-you a thing or three sending for the
-77
-00:01:27,079 --> 00:01:30,149
-you a thing or three sending for the
-police take that to my lawyers send for
-78
-00:01:30,149 --> 00:01:30,159
-police take that to my lawyers send for
-79
-00:01:30,159 --> 00:01:32,429
-police take that to my lawyers send for
-the police eh I say take out of my
-80
-00:01:32,429 --> 00:01:32,439
-the police eh I say take out of my
-81
-00:01:32,439 --> 00:01:35,190
-the police eh I say take out of my
-lawyers well I am taking it well read me
-82
-00:01:35,190 --> 00:01:35,200
-lawyers well I am taking it well read me
-83
-00:01:35,200 --> 00:01:37,910
-lawyers well I am taking it well read me
-what you have so
-84
-00:01:37,910 --> 00:01:37,920
-85
-00:01:37,920 --> 00:01:41,710
-far Honorable Charles ate your hunger
-86
-00:01:41,710 --> 00:01:41,720
-far Honorable Charles ate your hunger
-87
-00:01:41,720 --> 00:01:45,709
-far Honorable Charles ate your hunger
-care of hunger hunga Hunger Hunger and
-88
-00:01:45,709 --> 00:01:45,719
-care of hunger hunga Hunger Hunger and
-89
-00:01:45,719 --> 00:01:47,990
-care of hunger hunga Hunger Hunger and
-mic
-90
-00:01:47,990 --> 00:01:48,000
-mic
-91
-00:01:48,000 --> 00:01:51,230
-mic
-semicolon how do you spell semicolon all
-92
-00:01:51,230 --> 00:01:51,240
-semicolon how do you spell semicolon all
-93
-00:01:51,240 --> 00:01:53,910
-semicolon how do you spell semicolon all
-right make it a
-94
-00:01:53,910 --> 00:01:53,920
-95
-00:01:53,920 --> 00:01:58,149
-comma Honorable Charles H hung hung H
-96
-00:01:58,149 --> 00:01:58,159
-comma Honorable Charles H hung hung H
-97
-00:01:58,159 --> 00:02:02,469
-comma Honorable Charles H hung hung H
-mcing gentleman question question
-98
-00:02:02,469 --> 00:02:02,479
-99
-00:02:02,479 --> 00:02:06,350
-mark do you want that uh in the letter
-100
-00:02:06,350 --> 00:02:06,360
-mark do you want that uh in the letter
-101
-00:02:06,360 --> 00:02:07,589
-mark do you want that uh in the letter
-no put that in an
-102
-00:02:07,589 --> 00:02:07,599
-no put that in an
-103
-00:02:07,599 --> 00:02:09,389
-no put that in an
-envelope now
-104
-00:02:09,389 --> 00:02:09,399
-envelope now
-105
-00:02:09,399 --> 00:02:12,270
-envelope now
-then in Ray yours of the fifth inst
-106
-00:02:12,270 --> 00:02:12,280
-then in Ray yours of the fifth inst
-107
-00:02:12,280 --> 00:02:14,309
-then in Ray yours of the fifth inst
-yours to hand and beg to
-108
-00:02:14,309 --> 00:02:14,319
-yours to hand and beg to
-109
-00:02:14,319 --> 00:02:16,070
-yours to hand and beg to
-rep
-110
-00:02:16,070 --> 00:02:16,080
-rep
-111
-00:02:16,080 --> 00:02:18,509
-rep
-brackets at uh we have gone over the
-112
-00:02:18,509 --> 00:02:18,519
-brackets at uh we have gone over the
-113
-00:02:18,519 --> 00:02:21,030
-brackets at uh we have gone over the
-ground carefully and we seem to believe
-114
-00:02:21,030 --> 00:02:21,040
-ground carefully and we seem to believe
-115
-00:02:21,040 --> 00:02:26,710
-ground carefully and we seem to believe
-IE to it EG inl that uh despite all our
-116
-00:02:26,710 --> 00:02:26,720
-IE to it EG inl that uh despite all our
-117
-00:02:26,720 --> 00:02:28,750
-IE to it EG inl that uh despite all our
-precautionary measures which have been
-118
-00:02:28,750 --> 00:02:28,760
-precautionary measures which have been
-119
-00:02:28,760 --> 00:02:31,229
-precautionary measures which have been
-involved
-120
-00:02:31,229 --> 00:02:31,239
-involved
-121
-00:02:31,239 --> 00:02:33,910
-involved
-uh we seem to believe that it is hardly
-122
-00:02:33,910 --> 00:02:33,920
-uh we seem to believe that it is hardly
-123
-00:02:33,920 --> 00:02:37,190
-uh we seem to believe that it is hardly
-necessary for us to proceed unless we uh
-124
-00:02:37,190 --> 00:02:37,200
-necessary for us to proceed unless we uh
-125
-00:02:37,200 --> 00:02:39,350
-necessary for us to proceed unless we uh
-receive an iof facto that is not
-126
-00:02:39,350 --> 00:02:39,360
-receive an iof facto that is not
-127
-00:02:39,360 --> 00:02:41,990
-receive an iof facto that is not
-negligible at this moment quotes un
-128
-00:02:41,990 --> 00:02:42,000
-negligible at this moment quotes un
-129
-00:02:42,000 --> 00:02:44,070
-negligible at this moment quotes un
-quotes and
-130
-00:02:44,070 --> 00:02:44,080
-quotes and
-131
-00:02:44,080 --> 00:02:47,270
-quotes and
-quotes uh hoping this finds you I beg to
-132
-00:02:47,270 --> 00:02:47,280
-quotes uh hoping this finds you I beg to
-133
-00:02:47,280 --> 00:02:49,430
-quotes uh hoping this finds you I beg to
-this finds him where well let him worry
-134
-00:02:49,430 --> 00:02:49,440
-this finds him where well let him worry
-135
-00:02:49,440 --> 00:02:51,710
-this finds him where well let him worry
-about that don't be so inquisitive
-136
-00:02:51,710 --> 00:02:51,720
-about that don't be so inquisitive
-137
-00:02:51,720 --> 00:02:58,750
-about that don't be so inquisitive
-jamson
-138
-00:02:58,750 --> 00:02:58,760
-139
-00:02:58,760 --> 00:03:01,940
-sneak
-140
-00:03:01,940 --> 00:03:01,950
-141
-00:03:01,950 --> 00:03:24,539
-[Music]

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videos/1930/_SQr8I3lcW8.description DELETED Viewed

@@ -1,38 +0,0 @@
-All Quiet on the Western Front movie clips: http://j.mp/15w2NbN
-BUY THE MOVIE: http://amzn.to/tZdc5e
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-Franz (Ben Alexander) discovers his right leg has been amputated, while Mueller (Russell Gleason) tries to convince him to give up his boots.
-FILM DESCRIPTION:
-One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979.
-CREDITS:
-TM & © Universal (1930)
-Cast: Russell Gleason
-Director: Lewis Milestone
-Producer: Carl Laemmle Jr.
-Screenwriters: Erich Maria Remarque, Maxwell Anderson, George Abbott, Del Andrews, C. Gardner Sullivan, Walter Anthony, Lewis Milestone
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

videos/1930/_SQr8I3lcW8.en.srt DELETED Viewed

@@ -1,335 +0,0 @@
-1
-00:00:01,079 --> 00:00:05,510
-I have such a terrible pain my
-2
-00:00:05,510 --> 00:00:05,520
-I have such a terrible pain my
-3
-00:00:05,520 --> 00:00:12,749
-I have such a terrible pain my
-foot every toe in my right foot
-4
-00:00:12,749 --> 00:00:12,759
-5
-00:00:12,759 --> 00:00:15,030
-hurts but how can your foot hurt when
-6
-00:00:15,030 --> 00:00:15,040
-hurts but how can your foot hurt when
-7
-00:00:15,040 --> 00:00:20,349
-hurts but how can your foot hurt when
-your legs
-8
-00:00:20,349 --> 00:00:20,359
-9
-00:00:20,359 --> 00:00:27,509
-been I know what you mean I know I don't
-10
-00:00:27,509 --> 00:00:27,519
-been I know what you mean I know I don't
-11
-00:00:27,519 --> 00:00:31,709
-been I know what you mean I know I don't
-know I've cut my leg
-12
-00:00:31,709 --> 00:00:31,719
-know I've cut my leg
-13
-00:00:31,719 --> 00:00:34,830
-know I've cut my leg
-off why didn't they tell
-14
-00:00:34,830 --> 00:00:34,840
-off why didn't they tell
-15
-00:00:34,840 --> 00:00:39,030
-off why didn't they tell
-me why didn't they tell me they tell me
-16
-00:00:39,030 --> 00:00:39,040
-me why didn't they tell me they tell me
-17
-00:00:39,040 --> 00:00:41,190
-me why didn't they tell me they tell me
-I can't walk anymore FR you must be
-18
-00:00:41,190 --> 00:00:41,200
-I can't walk anymore FR you must be
-19
-00:00:41,200 --> 00:00:49,229
-I can't walk anymore FR you must be
-thankful that you come off with only
-20
-00:00:49,229 --> 00:00:49,239
-21
-00:00:49,239 --> 00:00:53,110
-that I wanted to be a father
-22
-00:00:53,110 --> 00:00:53,120
-that I wanted to be a father
-23
-00:00:53,120 --> 00:00:56,310
-that I wanted to be a father
-one you can yes they make artificial
-24
-00:00:56,310 --> 00:00:56,320
-one you can yes they make artificial
-25
-00:00:56,320 --> 00:00:57,709
-one you can yes they make artificial
-legs that are
-26
-00:00:57,709 --> 00:00:57,719
-legs that are
-27
-00:00:57,719 --> 00:01:00,150
-legs that are
-wonderful and you're through too you can
-28
-00:01:00,150 --> 00:01:00,160
-wonderful and you're through too you can
-29
-00:01:00,160 --> 00:01:02,270
-wonderful and you're through too you can
-go home think of
-30
-00:01:02,270 --> 00:01:02,280
-go home think of
-31
-00:01:02,280 --> 00:01:05,350
-go home think of
-that we brought your things for you
-32
-00:01:05,350 --> 00:01:05,360
-that we brought your things for you
-33
-00:01:05,360 --> 00:01:12,360
-that we brought your things for you
-see put them under the
-34
-00:01:12,360 --> 00:01:12,370
-35
-00:01:12,370 --> 00:01:15,149
-[Applause]
-36
-00:01:15,149 --> 00:01:15,159
-[Applause]
-37
-00:01:15,159 --> 00:01:19,310
-[Applause]
-bed that's a marvelous pair of
-38
-00:01:19,310 --> 00:01:19,320
-bed that's a marvelous pair of
-39
-00:01:19,320 --> 00:01:21,469
-bed that's a marvelous pair of
-boots look at that
-40
-00:01:21,469 --> 00:01:21,479
-boots look at that
-41
-00:01:21,479 --> 00:01:27,789
-boots look at that
-leather what Comfort I was just
-42
-00:01:27,789 --> 00:01:27,799
-43
-00:01:27,799 --> 00:01:30,069
-thinking if you're not going to be using
-44
-00:01:30,069 --> 00:01:30,079
-thinking if you're not going to be using
-45
-00:01:30,079 --> 00:01:31,870
-thinking if you're not going to be using
-these frond why don't you leave them
-46
-00:01:31,870 --> 00:01:31,880
-these frond why don't you leave them
-47
-00:01:31,880 --> 00:01:33,990
-these frond why don't you leave them
-with
-48
-00:01:33,990 --> 00:01:34,000
-with
-49
-00:01:34,000 --> 00:01:37,789
-with
-us what good are they to you I can use
-50
-00:01:37,789 --> 00:01:37,799
-us what good are they to you I can use
-51
-00:01:37,799 --> 00:01:45,950
-us what good are they to you I can use
-them my boots give me blister after
-52
-00:01:45,950 --> 00:01:45,960
-53
-00:01:45,960 --> 00:01:50,190
-blister we'll be going Bron oh don't go
-54
-00:01:50,190 --> 00:01:50,200
-blister we'll be going Bron oh don't go
-55
-00:01:50,200 --> 00:01:52,789
-blister we'll be going Bron oh don't go
-stay just a little while
-56
-00:01:52,789 --> 00:01:52,799
-stay just a little while
-57
-00:01:52,799 --> 00:01:55,749
-stay just a little while
-longer I'll come right back we'll be
-58
-00:01:55,749 --> 00:01:55,759
-longer I'll come right back we'll be
-59
-00:01:55,759 --> 00:01:57,469
-longer I'll come right back we'll be
-coming soon again France I know you'll
-60
-00:01:57,469 --> 00:01:57,479
-coming soon again France I know you'll
-61
-00:01:57,479 --> 00:02:00,590
-coming soon again France I know you'll
-be feeling better fr by
-62
-00:02:00,590 --> 00:02:00,600
-be feeling better fr by
-63
-00:02:00,600 --> 00:02:01,310
-be feeling better fr by
-goodbye
-64
-00:02:01,310 --> 00:02:01,320
-goodbye
-65
-00:02:01,320 --> 00:02:28,750
-goodbye
-[Music]
-66
-00:02:28,750 --> 00:02:28,760
-67
-00:02:28,760 --> 00:02:31,760
-problem

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@@ -1,37 +0,0 @@
-Animal Crackers movie clips: http://j.mp/1J9IlLT
-BUY THE MOVIE: http://amzn.to/vtu6EQ
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-The good Captain (Groucho Marx) bursts into song and dance for his esteemed guests.
-FILM DESCRIPTION:
-Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house.
-CREDITS:
-TM & © Universal (1930)
-Cast: Groucho Marx, Zeppo Marx, Margaret Dumont
-Director: Victor Heerman
-Screenwriters: George S. Kaufman, Morrie Ryskind, Bert Kalmar, Harry Ruby, Pierre Collings
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

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-1
-00:00:00,160 --> 00:00:01,589
-well I'm certainly grateful for This
-2
-00:00:01,589 --> 00:00:01,599
-well I'm certainly grateful for This
-3
-00:00:01,599 --> 00:00:04,510
-well I'm certainly grateful for This
-Magnificent wash out a turnout and uh
-4
-00:00:04,510 --> 00:00:04,520
-Magnificent wash out a turnout and uh
-5
-00:00:04,520 --> 00:00:06,990
-Magnificent wash out a turnout and uh
-now I'd like to say a few words
-6
-00:00:06,990 --> 00:00:07,000
-now I'd like to say a few words
-7
-00:00:07,000 --> 00:00:10,430
-now I'd like to say a few words
-hello I must be going I cannot say I
-8
-00:00:10,430 --> 00:00:10,440
-hello I must be going I cannot say I
-9
-00:00:10,440 --> 00:00:13,350
-hello I must be going I cannot say I
-came to say I must be going I'm glad I
-10
-00:00:13,350 --> 00:00:13,360
-came to say I must be going I'm glad I
-11
-00:00:13,360 --> 00:00:15,910
-came to say I must be going I'm glad I
-came but just the same I must be
-12
-00:00:15,910 --> 00:00:15,920
-came but just the same I must be
-13
-00:00:15,920 --> 00:00:19,189
-came but just the same I must be
-going for my sake you must stay if you
-14
-00:00:19,189 --> 00:00:19,199
-going for my sake you must stay if you
-15
-00:00:19,199 --> 00:00:22,429
-going for my sake you must stay if you
-should go away you spoil this party I am
-16
-00:00:22,429 --> 00:00:22,439
-should go away you spoil this party I am
-17
-00:00:22,439 --> 00:00:26,509
-should go away you spoil this party I am
-the r i stay a week or two I'll stay the
-18
-00:00:26,509 --> 00:00:26,519
-the r i stay a week or two I'll stay the
-19
-00:00:26,519 --> 00:00:31,150
-the r i stay a week or two I'll stay the
-summer through but I am telling you
-20
-00:00:31,150 --> 00:00:31,160
-summer through but I am telling you
-21
-00:00:31,160 --> 00:00:32,550
-summer through but I am telling you
-I must
-22
-00:00:32,550 --> 00:00:32,560
-I must
-23
-00:00:32,560 --> 00:00:41,910
-I must
-[Music]
-24
-00:00:41,910 --> 00:00:41,920
-25
-00:00:41,920 --> 00:00:44,869
-be I'll do anything you say in fact I'll
-26
-00:00:44,869 --> 00:00:44,879
-be I'll do anything you say in fact I'll
-27
-00:00:44,879 --> 00:00:45,990
-be I'll do anything you say in fact I'll
-even
-28
-00:00:45,990 --> 00:00:46,000
-even
-29
-00:00:46,000 --> 00:00:48,630
-even
-say but I must
-30
-00:00:48,630 --> 00:00:48,640
-say but I must
-31
-00:00:48,640 --> 00:00:51,070
-say but I must
-be
-32
-00:00:51,070 --> 00:00:51,080
-be
-33
-00:00:51,080 --> 00:00:53,830
-be
-[Music]
-34
-00:00:53,830 --> 00:00:53,840
-[Music]
-35
-00:00:53,840 --> 00:00:56,029
-[Music]
-going there's something that I'd like to
-36
-00:00:56,029 --> 00:00:56,039
-going there's something that I'd like to
-37
-00:00:56,039 --> 00:00:58,830
-going there's something that I'd like to
-state that he's too modest to relay the
-38
-00:00:58,830 --> 00:00:58,840
-state that he's too modest to relay the
-39
-00:00:58,840 --> 00:01:00,790
-state that he's too modest to relay the
-captain is a maral man
-40
-00:01:00,790 --> 00:01:00,800
-captain is a maral man
-41
-00:01:00,800 --> 00:01:02,790
-captain is a maral man
-sometimes he finds it triy this fact
-42
-00:01:02,790 --> 00:01:02,800
-sometimes he finds it triy this fact
-43
-00:01:02,800 --> 00:01:05,149
-sometimes he finds it triy this fact
-I'll emphasize M stress I never take a
-44
-00:01:05,149 --> 00:01:05,159
-I'll emphasize M stress I never take a
-45
-00:01:05,159 --> 00:01:07,700
-I'll emphasize M stress I never take a
-drink on less somebody's
-46
-00:01:07,700 --> 00:01:07,710
-drink on less somebody's
-47
-00:01:07,710 --> 00:01:09,830
-drink on less somebody's
-[Music]
-48
-00:01:09,830 --> 00:01:09,840
-[Music]
-49
-00:01:09,840 --> 00:01:12,789
-[Music]
-buying if he hears anything of scene
-50
-00:01:12,789 --> 00:01:12,799
-buying if he hears anything of scene
-51
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-buying if he hears anything of scene
-he'll naturally repell it I hate a d
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-he'll naturally repell it I hate a d
-53
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-he'll naturally repell it I hate a d
-joke I do unless it's told by someone
-54
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-joke I do unless it's told by someone
-55
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-joke I do unless it's told by someone
-who knows how to tell
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-it did someone call mear
-58
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-he went into the jungle where all the
-60
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-he went into the jungle where all the
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-he went into the jungle where all the
-monkeys throw nuts if I stay here I'll
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-monkeys throw nuts if I stay here I'll
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-monkeys throw nuts if I stay here I'll
-go
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-go
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-go
-[Music]
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-nuts hey
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-nuts hey
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-nuts hey
-hey the only man every
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-hey the only man every
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-hey the only man every
-[Music]
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-[Music]
-hey
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-[Applause]
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-hey my friends I am highly gratified At
-80
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-hey my friends I am highly gratified At
-81
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-hey my friends I am highly gratified At
-This Magnificent display of a
-82
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-This Magnificent display of a
-83
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-This Magnificent display of a
-and I want you to
-84
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-and I want you to
-85
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-and I want you to
-[Music]
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-[Music]
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-[Music]
-know my friends I am highly gratified At
-88
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-know my friends I am highly gratified At
-89
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-know my friends I am highly gratified At
-This Magnificent display of fusion and I
-90
-00:02:46,790 --> 00:02:46,800
-This Magnificent display of fusion and I
-91
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-This Magnificent display of fusion and I
-want you to know
-92
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-93
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-[Music]
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-[Applause]
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-[Applause]
-[Music]

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-Animal Crackers movie clips: http://j.mp/1J9IlLT
-BUY THE MOVIE: http://amzn.to/vtu6EQ
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-Signor Ravelli (Chico Marx) asks the good Professor (Harpo Marx) to pull out the "flesh."
-FILM DESCRIPTION:
-Animal Crackers, like The Cocoanuts before is an all-but-literal translation to film of a smash-hit Marx Brothers Broadway musical. The aristocratic Mrs. Rittenhouse (Margaret Dumont) holds a weekend party at her Long Island Estate. Her guest of honor is famed (but likely fraudulent) African explorer Geoffrey T. Spaulding (Groucho Marx). Also showing up are renegade musician Signor Emmanuel Ravelli (Chico Marx), the mute, girl-chasing "Professor" (Harpo Marx) and Spaulding's faithful secretary Horatio Jamison (Zeppo Marx). The film, revolving around a stolen painting, finds Groucho lecturing on his most recent safari ("One morning I shot an elephant in my pajamas. How he got in my pajamas, I don't know"), Harpo and Chico unabashedly cheating at bridge, Groucho dictating a wildly nonsequitur letter to the firm of Hungerdunger, Hungerdunger, Hungerdunger and McCormick, and Groucho and Chico drawing up plans to build a house.
-CREDITS:
-TM & © Universal (1930)
-Cast: Chico Marx, Harpo Marx
-Director: Victor Heerman
-Screenwriters: George S. Kaufman, Morrie Ryskind, Bert Kalmar, Harry Ruby, Pierre Collings
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

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-1
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-[Music]
-2
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-3
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-hey hey quiet
-4
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-5
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-quiet
-6
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-quiet
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-quiet
-hide hide somebody
-8
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-9
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-go all right all right I make a mistake
-10
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-go all right all right I make a mistake
-11
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-go all right all right I make a mistake
-get off get off come on hurry
-12
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-get off get off come on hurry
-13
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-get off get off come on hurry
-up come hey hurry up come here you know
-14
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-up come hey hurry up come here you know
-15
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-up come hey hurry up come here you know
-what we do we got to take that picture
-16
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-what we do we got to take that picture
-17
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-what we do we got to take that picture
-out of put this one upstairs for the
-18
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-out of put this one upstairs for the
-19
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-out of put this one upstairs for the
-lady wait to not touch you got
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-lady wait to not touch you got
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-lady wait to not touch you got
-everything ready HH the shovel the axe
-22
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-everything ready HH the shovel the axe
-23
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-everything ready HH the shovel the axe
-the dynamite the pineapples where's the
-24
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-flesh no flesh the flesh there a flesh
-26
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-flesh no flesh the flesh there a flesh
-27
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-flesh no flesh the flesh there a flesh
-flesh that's a flesh flesh yeah that's a
-28
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-flesh that's a flesh flesh yeah that's a
-29
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-flesh that's a flesh flesh yeah that's a
-flesh that's a fish and no one the fish
-30
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-flesh that's a fish and no one the fish
-31
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-flesh that's a fish and no one the fish
-no fish flesh oh stop it this you act
-32
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-no fish flesh oh stop it this you act
-33
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-no fish flesh oh stop it this you act
-crazy when you go out in the night time
-34
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-crazy when you go out in the night time
-35
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-crazy when you go out in the night time
-you got to have it the
-36
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-37
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-flesh it's a flesh that's a flisk flesh
-38
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-flesh it's a flesh that's a flisk flesh
-39
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-flesh it's a flesh that's a flisk flesh
-when you want to see somebody you got to
-40
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-when you want to see somebody you got to
-41
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-when you want to see somebody you got to
-have it a flesh that's a flush what I
-42
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-have it a flesh that's a flush what I
-43
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-have it a flesh that's a flush what I
-going to do with a flush a flesh no
-44
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-going to do with a flush a flesh no
-45
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-going to do with a flush a flesh no
-flitz it's a flitz what I going to do
-46
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-flitz it's a flitz what I going to do
-47
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-flitz it's a flitz what I going to do
-flitz what you
-48
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-flitz what you
-49
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-flitz what you
-got that's what do you call fluts all
-50
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-got that's what do you call fluts all
-51
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-got that's what do you call fluts all
-you got is a fish and the fluts a flits
-52
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-you got is a fish and the fluts a flits
-53
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-you got is a fish and the fluts a flits
-a fluts a flits a fluts a fls fls stop
-54
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-a fluts a flits a fluts a fls fls stop
-55
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-a fluts a flits a fluts a fls fls stop
-this where's the
-56
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-this where's the
-57
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-this where's the
-flesh H look when everything is a light
-58
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-flesh H look when everything is a light
-59
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-and you want to make him a dark what do
-60
-00:01:50,310 --> 00:01:50,320
-and you want to make him a dark what do
-61
-00:01:50,320 --> 00:01:51,709
-and you want to make him a dark what do
-you
-62
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-you
-63
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-you
-do yeah you're crazy no one Blackjack
-64
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-do yeah you're crazy no one Blackjack
-65
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-do yeah you're crazy no one Blackjack
-it's a my mistake I guess when
-66
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-it's a my mistake I guess when
-67
-00:01:57,640 --> 00:01:59,990
-it's a my mistake I guess when
-everything is a a dark you want want to
-68
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-everything is a a dark you want want to
-69
-00:02:00,000 --> 00:02:02,870
-everything is a a dark you want want to
-make him alive yeah that's a place
-70
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-make him alive yeah that's a place
-71
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-that's a place that's
-72
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-that's a place that's
-[Music]
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-a
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-a
-[Music]

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@@ -1,38 +0,0 @@
-All Quiet on the Western Front movie clips: http://j.mp/15w2NbN
-BUY THE MOVIE: http://amzn.to/tZdc5e
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-When French soldiers cross over his trench, Paul (Lew Ayres) stabs one. The soldier slowly dies with him through the night, despite Paul's attempts to save his life.
-FILM DESCRIPTION:
-One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979.
-CREDITS:
-TM & © Universal (1930)
-Cast: Lew Ayres
-Director: Lewis Milestone
-Producer: Carl Laemmle Jr.
-Screenwriters: Erich Maria Remarque, Maxwell Anderson, George Abbott, Del Andrews, C. Gardner Sullivan, Walter Anthony, Lewis Milestone
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

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videos/1930/jsLOtv4yqIM.description DELETED Viewed

@@ -1,38 +0,0 @@
-All Quiet on the Western Front movie clips: http://j.mp/15w2NbN
-BUY THE MOVIE: http://amzn.to/tZdc5e
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-When Kat (Louis Wolheim) gets wounded, Paul (Lew Ayres) carries him on their way back to base, only to find that Kat has died on their journey.
-FILM DESCRIPTION:
-One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979.
-CREDITS:
-TM & © Universal (1930)
-Cast: Louis Wolheim, Lew Ayres
-Director: Lewis Milestone
-Producer: Carl Laemmle Jr.
-Screenwriters: Erich Maria Remarque, Maxwell Anderson, George Abbott, Del Andrews, C. Gardner Sullivan, Walter Anthony, Lewis Milestone
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

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-1
-00:00:01,480 --> 00:00:06,869
-come on I'll take you in come here
-2
-00:00:06,869 --> 00:00:06,879
-3
-00:00:06,879 --> 00:00:09,350
-h
-4
-00:00:09,350 --> 00:00:09,360
-h
-5
-00:00:09,360 --> 00:00:13,380
-h
-e all
-6
-00:00:13,380 --> 00:00:13,390
-7
-00:00:13,390 --> 00:00:21,189
-[Music]
-8
-00:00:21,189 --> 00:00:21,199
-[Music]
-9
-00:00:21,199 --> 00:00:25,230
-[Music]
-right work it no we're going to be
-10
-00:00:25,230 --> 00:00:25,240
-right work it no we're going to be
-11
-00:00:25,240 --> 00:00:27,269
-right work it no we're going to be
-separated maybe we can do something
-12
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-separated maybe we can do something
-13
-00:00:27,279 --> 00:00:30,029
-separated maybe we can do something
-together later on when the war is over
-14
-00:00:30,029 --> 00:00:30,039
-together later on when the war is over
-15
-00:00:30,039 --> 00:00:32,990
-together later on when the war is over
-yes kid you'll give me your address I'll
-16
-00:00:32,990 --> 00:00:33,000
-yes kid you'll give me your address I'll
-17
-00:00:33,000 --> 00:00:34,670
-yes kid you'll give me your address I'll
-give you
-18
-00:00:34,670 --> 00:00:34,680
-give you
-19
-00:00:34,680 --> 00:00:36,160
-give you
-[Music]
-20
-00:00:36,160 --> 00:00:36,170
-[Music]
-21
-00:00:36,170 --> 00:00:39,110
-[Music]
-[Applause]
-22
-00:00:39,110 --> 00:00:39,120
-[Applause]
-23
-00:00:39,120 --> 00:00:42,630
-[Applause]
-mine you can't get both of us in one
-24
-00:00:42,630 --> 00:00:42,640
-mine you can't get both of us in one
-25
-00:00:42,640 --> 00:00:46,510
-mine you can't get both of us in one
-day oh we'll surely see each other again
-26
-00:00:46,510 --> 00:00:46,520
-day oh we'll surely see each other again
-27
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-day oh we'll surely see each other again
-cat remember that day when you brought
-28
-00:00:48,549 --> 00:00:48,559
-cat remember that day when you brought
-29
-00:00:48,559 --> 00:00:50,350
-cat remember that day when you brought
-the whole pig into the
-30
-00:00:50,350 --> 00:00:50,360
-the whole pig into the
-31
-00:00:50,360 --> 00:00:52,470
-the whole pig into the
-factory and that day in the woods when
-32
-00:00:52,470 --> 00:00:52,480
-factory and that day in the woods when
-33
-00:00:52,480 --> 00:00:54,630
-factory and that day in the woods when
-you taught us how to dodge
-34
-00:00:54,630 --> 00:00:54,640
-you taught us how to dodge
-35
-00:00:54,640 --> 00:00:56,910
-you taught us how to dodge
-shells my first
-36
-00:00:56,910 --> 00:00:56,920
-shells my first
-37
-00:00:56,920 --> 00:01:00,389
-shells my first
-bombardment how I cried
-38
-00:01:00,389 --> 00:01:00,399
-bombardment how I cried
-39
-00:01:00,399 --> 00:01:05,390
-bombardment how I cried
-that was a young recruit
-40
-00:01:05,390 --> 00:01:05,400
-41
-00:01:05,400 --> 00:01:07,270
-then here we
-42
-00:01:07,270 --> 00:01:07,280
-then here we
-43
-00:01:07,280 --> 00:01:13,230
-then here we
-are there we
-44
-00:01:13,230 --> 00:01:13,240
-45
-00:01:13,240 --> 00:01:18,030
-are all right now
-46
-00:01:18,030 --> 00:01:18,040
-47
-00:01:18,040 --> 00:01:20,109
-cat you're going have spared yourself in
-48
-00:01:20,109 --> 00:01:20,119
-cat you're going have spared yourself in
-49
-00:01:20,119 --> 00:01:23,990
-cat you're going have spared yourself in
-trouble he's dead oh no he just fainted
-50
-00:01:23,990 --> 00:01:24,000
-trouble he's dead oh no he just fainted
-51
-00:01:24,000 --> 00:01:40,749
-trouble he's dead oh no he just fainted
-he was hitting the shin he's dead
-52
-00:01:40,749 --> 00:01:40,759
-53
-00:01:40,759 --> 00:01:44,230
-would you like to take his
-54
-00:01:44,230 --> 00:01:44,240
-55
-00:01:44,240 --> 00:01:47,030
-paybook you're not related are you no
-56
-00:01:47,030 --> 00:01:47,040
-paybook you're not related are you no
-57
-00:01:47,040 --> 00:01:55,910
-paybook you're not related are you no
-we're not
-58
-00:01:55,910 --> 00:01:55,920
-59
-00:01:55,920 --> 00:01:58,910
-related your deal you get his name and
-60
-00:01:58,910 --> 00:01:58,920
-related your deal you get his name and
-61
-00:01:58,920 --> 00:02:07,740
-related your deal you get his name and
-number yeah Stanis Pinsky 306
-62
-00:02:07,740 --> 00:02:07,750
-63
-00:02:07,750 --> 00:02:12,430
-[Applause]
-64
-00:02:12,430 --> 00:02:12,440
-65
-00:02:12,440 --> 00:02:43,500
-[Music]

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videos/1930/mw96cSYo9dU.description DELETED Viewed

@@ -1,38 +0,0 @@
-All Quiet on the Western Front movie clips: http://j.mp/15w2NbN
-BUY THE MOVIE: http://amzn.to/tZdc5e
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-After Paul (Lew Ayers) spends a night with a dying French soldier, he seeks forgiveness from the soldier's corpse.
-FILM DESCRIPTION:
-One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979.
-CREDITS:
-TM & © Universal (1930)
-Cast: Maurice Murphy, David Tyrell
-Director: Lewis Milestone
-Producer: Carl Laemmle Jr.
-Screenwriters: Erich Maria Remarque, Maxwell Anderson, George Abbott, Del Andrews, C. Gardner Sullivan, Walter Anthony, Lewis Milestone
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7

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-1
-00:00:17,400 --> 00:00:19,269
-you know I can't run away that's why you
-2
-00:00:19,269 --> 00:00:19,279
-you know I can't run away that's why you
-3
-00:00:19,279 --> 00:00:20,750
-you know I can't run away that's why you
-accuse
-4
-00:00:20,750 --> 00:00:20,760
-accuse
-5
-00:00:20,760 --> 00:00:23,550
-accuse
-me I tell you I didn't want to kill you
-6
-00:00:23,550 --> 00:00:23,560
-me I tell you I didn't want to kill you
-7
-00:00:23,560 --> 00:00:25,710
-me I tell you I didn't want to kill you
-tried to keep you
-8
-00:00:25,710 --> 00:00:25,720
-tried to keep you
-9
-00:00:25,720 --> 00:00:28,029
-tried to keep you
-alive if you jumped in here again I
-10
-00:00:28,029 --> 00:00:28,039
-alive if you jumped in here again I
-11
-00:00:28,039 --> 00:00:30,710
-alive if you jumped in here again I
-wouldn't do it you see when you jumped
-12
-00:00:30,710 --> 00:00:30,720
-wouldn't do it you see when you jumped
-13
-00:00:30,720 --> 00:00:32,790
-wouldn't do it you see when you jumped
-in here you were my enemy and I was
-14
-00:00:32,790 --> 00:00:32,800
-in here you were my enemy and I was
-15
-00:00:32,800 --> 00:00:34,310
-in here you were my enemy and I was
-afraid of
-16
-00:00:34,310 --> 00:00:34,320
-afraid of
-17
-00:00:34,320 --> 00:00:37,350
-afraid of
-you but you're just a man like me and I
-18
-00:00:37,350 --> 00:00:37,360
-you but you're just a man like me and I
-19
-00:00:37,360 --> 00:00:39,029
-you but you're just a man like me and I
-killed
-20
-00:00:39,029 --> 00:00:39,039
-killed
-21
-00:00:39,039 --> 00:00:41,790
-killed
-you forgive me
-22
-00:00:41,790 --> 00:00:41,800
-you forgive me
-23
-00:00:41,800 --> 00:00:46,029
-you forgive me
-comrade say that for me say you forgive
-24
-00:00:46,029 --> 00:00:46,039
-comrade say that for me say you forgive
-25
-00:00:46,039 --> 00:00:49,389
-comrade say that for me say you forgive
-me Oh no you're
-26
-00:00:49,389 --> 00:00:49,399
-me Oh no you're
-27
-00:00:49,399 --> 00:00:52,709
-me Oh no you're
-dead only you're better off than I am
-28
-00:00:52,709 --> 00:00:52,719
-dead only you're better off than I am
-29
-00:00:52,719 --> 00:00:55,590
-dead only you're better off than I am
-you're through they can't do any more to
-30
-00:00:55,590 --> 00:00:55,600
-you're through they can't do any more to
-31
-00:00:55,600 --> 00:00:57,509
-you're through they can't do any more to
-you
-32
-00:00:57,509 --> 00:00:57,519
-you
-33
-00:00:57,519 --> 00:01:00,990
-you
-now oh God why did they do do this to
-34
-00:01:00,990 --> 00:01:01,000
-now oh God why did they do do this to
-35
-00:01:01,000 --> 00:01:04,310
-now oh God why did they do do this to
-us we only wanted to live you and
-36
-00:01:04,310 --> 00:01:04,320
-us we only wanted to live you and
-37
-00:01:04,320 --> 00:01:06,830
-us we only wanted to live you and
-I why should they send us out to fight
-38
-00:01:06,830 --> 00:01:06,840
-I why should they send us out to fight
-39
-00:01:06,840 --> 00:01:07,670
-I why should they send us out to fight
-each
-40
-00:01:07,670 --> 00:01:07,680
-each
-41
-00:01:07,680 --> 00:01:10,310
-each
-other if we threw away these rifles and
-42
-00:01:10,310 --> 00:01:10,320
-other if we threw away these rifles and
-43
-00:01:10,320 --> 00:01:12,190
-other if we threw away these rifles and
-these uniforms you could be my brother
-44
-00:01:12,190 --> 00:01:12,200
-these uniforms you could be my brother
-45
-00:01:12,200 --> 00:01:14,350
-these uniforms you could be my brother
-just like Captain
-46
-00:01:14,350 --> 00:01:14,360
-just like Captain
-47
-00:01:14,360 --> 00:01:17,310
-just like Captain
-Albert you'll have to forgive me comrade
-48
-00:01:17,310 --> 00:01:17,320
-Albert you'll have to forgive me comrade
-49
-00:01:17,320 --> 00:01:20,069
-Albert you'll have to forgive me comrade
-I'll do all I can I'll write to your
-50
-00:01:20,069 --> 00:01:20,079
-I'll do all I can I'll write to your
-51
-00:01:20,079 --> 00:01:40,260
-I'll do all I can I'll write to your
-parents I'll write to
-52
-00:01:40,260 --> 00:01:40,270
-53
-00:01:40,270 --> 00:01:49,230
-[Applause]
-54
-00:01:49,230 --> 00:01:49,240
-55
-00:01:49,240 --> 00:01:52,870
-I'll write to your wife I'll write to
-56
-00:01:52,870 --> 00:01:52,880
-I'll write to your wife I'll write to
-57
-00:01:52,880 --> 00:01:56,310
-I'll write to your wife I'll write to
-her I promise she'll not want for
-58
-00:01:56,310 --> 00:01:56,320
-her I promise she'll not want for
-59
-00:01:56,320 --> 00:01:58,590
-her I promise she'll not want for
-anything and I'll help her and your
-60
-00:01:58,590 --> 00:01:58,600
-anything and I'll help her and your
-61
-00:01:58,600 --> 00:02:03,990
-anything and I'll help her and your
-parents too only forgive me forgive me
-62
-00:02:03,990 --> 00:02:04,000
-parents too only forgive me forgive me
-63
-00:02:04,000 --> 00:02:10,430
-parents too only forgive me forgive me
-forgive me forgive me
-64
-00:02:10,430 --> 00:02:10,440
-65
-00:02:10,440 --> 00:02:31,750
-[Music]
-66
-00:02:31,750 --> 00:02:31,760
-67
-00:02:31,760 --> 00:02:35,520
-St
-68
-00:02:35,520 --> 00:02:35,530
-69
-00:02:35,530 --> 00:02:41,479
-[Music]

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videos/1930/nMlDPsRwZE4.description DELETED Viewed

@@ -1,38 +0,0 @@
-All Quiet on the Western Front movie clips: http://j.mp/15w2NbN
-BUY THE MOVIE: http://amzn.to/tZdc5e
-Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
-CLIP DESCRIPTION:
-Paul (Lew Ayres) is shot by a sniper while reaching for a butterfly.
-FILM DESCRIPTION:
-One of the most powerful anti-war statements ever put on film, this gut-wrenching story concerns a group of friends who join the Army during World War I and are assigned to the Western Front, where their fiery patriotism is quickly turned to horror and misery by the harsh realities of combat. Director Lewis Milestone pioneered the use of the sweeping crane shot to capture a ghastly battlefield panorama of death and mud, and the cast, led by Lew Ayres, is terrific. It's hard to pick a favorite scene, but the finale, as Ayres stretches from his trench to catch a butterfly, is one of the most devastating sequences of the decade. The film won Oscars for Best Picture and for Milestone's direction -- and trivia buffs should note that the actors were coached by future luminary George Cukor, while Ayres became a conscientious objector in World War II. The Road Back (1937) followed, and the film was remade for television in 1979.
-CREDITS:
-TM & © Universal (1930)
-Cast: Lew Ayres
-Director: Lewis Milestone
-Producer: Carl Laemmle Jr.
-Screenwriters: Erich Maria Remarque, Maxwell Anderson, George Abbott, Del Andrews, C. Gardner Sullivan, Walter Anthony, Lewis Milestone
-WHO ARE WE?
-The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
-SUBSCRIBE TO OUR MOVIE CHANNELS:
-MOVIECLIPS: http://bit.ly/1u2yaWd
-ComingSoon: http://bit.ly/1DVpgtR
-Indie & Film Festivals: http://bit.ly/1wbkfYg
-Hero Central: http://bit.ly/1AMUZwv
-Extras: http://bit.ly/1u431fr
-Classic Trailers: http://bit.ly/1u43jDe
-Pop-Up Trailers: http://bit.ly/1z7EtZR
-Movie News: http://bit.ly/1C3Ncd2
-Movie Games: http://bit.ly/1ygDV13
-Fandango: http://bit.ly/1Bl79ye
-Fandango FrontRunners: http://bit.ly/1CggQfC
-HIT US UP:
-Facebook: http://on.fb.me/1y8M8ax
-Twitter: http://bit.ly/1ghOWmt
-Pinterest: http://bit.ly/14wL9De
-Tumblr: http://bit.ly/1vUwhH7