diff --git a/1932/3ce2e-d1ZEc.mp4 b/1932/3ce2e-d1ZEc.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..2f46f4d13465016f080f68871829be5690e4193e --- /dev/null +++ b/1932/3ce2e-d1ZEc.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:7499eb2f88dacdf94fcfc0f1d272d17a4f07af1f4aae09566ce3a97e03310108 +size 5953548 diff --git a/1975/te366vMoW0E.en.srt b/1975/te366vMoW0E.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..396913fefe82d5fdbe679b9bc638efe5bb306bdb --- /dev/null +++ b/1975/te366vMoW0E.en.srt @@ -0,0 +1,455 @@ +1 +00:00:00,280 --> 00:00:02,350 + +just because you're practically a virgin + +2 +00:00:02,350 --> 00:00:02,360 +just because you're practically a virgin + + +3 +00:00:02,360 --> 00:00:05,269 +just because you're practically a virgin +and already endangered species don't + +4 +00:00:05,269 --> 00:00:05,279 +and already endangered species don't + + +5 +00:00:05,279 --> 00:00:08,270 +and already endangered species don't +keep giving me that holier than now + +6 +00:00:08,270 --> 00:00:08,280 +keep giving me that holier than now + + +7 +00:00:08,280 --> 00:00:09,990 +keep giving me that holier than now +there isn't a man I've slept with that + +8 +00:00:09,990 --> 00:00:10,000 +there isn't a man I've slept with that + + +9 +00:00:10,000 --> 00:00:12,150 +there isn't a man I've slept with that +hasn't meant something to this + +10 +00:00:12,150 --> 00:00:12,160 +hasn't meant something to this + + +11 +00:00:12,160 --> 00:00:16,590 +hasn't meant something to this +magazine also I happen to like screwing + +12 +00:00:16,590 --> 00:00:16,600 +magazine also I happen to like screwing + + +13 +00:00:16,600 --> 00:00:18,870 +magazine also I happen to like screwing +I think it's + +14 +00:00:18,870 --> 00:00:18,880 +I think it's + + +15 +00:00:18,880 --> 00:00:21,470 +I think it's +terrific and I don't know + +16 +00:00:21,470 --> 00:00:21,480 +terrific and I don't know + + +17 +00:00:21,480 --> 00:00:24,269 +terrific and I don't know +uh even with my nose job and all I still + +18 +00:00:24,269 --> 00:00:24,279 +uh even with my nose job and all I still + + +19 +00:00:24,279 --> 00:00:26,589 +uh even with my nose job and all I still +feel ugly that's why I screw around a + +20 +00:00:26,589 --> 00:00:26,599 +feel ugly that's why I screw around a + + +21 +00:00:26,599 --> 00:00:30,109 +feel ugly that's why I screw around a +lot it makes me feel attractive + +22 +00:00:30,109 --> 00:00:30,119 +lot it makes me feel attractive + + +23 +00:00:30,119 --> 00:00:31,910 +lot it makes me feel attractive +everybody's got their + +24 +00:00:31,910 --> 00:00:31,920 +everybody's got their + + +25 +00:00:31,920 --> 00:00:36,549 +everybody's got their +reasons and with you my sweet Goldilocks + +26 +00:00:36,549 --> 00:00:36,559 +reasons and with you my sweet Goldilocks + + +27 +00:00:36,559 --> 00:00:38,910 +reasons and with you my sweet Goldilocks +everything relates to your father even + +28 +00:00:38,910 --> 00:00:38,920 +everything relates to your father even + + +29 +00:00:38,920 --> 00:00:40,869 +everything relates to your father even +that accident on the motorcycle you got + +30 +00:00:40,869 --> 00:00:40,879 +that accident on the motorcycle you got + + +31 +00:00:40,879 --> 00:00:42,670 +that accident on the motorcycle you got +on that damn thing just to punish him + +32 +00:00:42,670 --> 00:00:42,680 +on that damn thing just to punish him + + +33 +00:00:42,680 --> 00:00:44,190 +on that damn thing just to punish him +for being in bed with his Leading Lady + +34 +00:00:44,190 --> 00:00:44,200 +for being in bed with his Leading Lady + + +35 +00:00:44,200 --> 00:00:46,830 +for being in bed with his Leading Lady +and You Know It please Linda I've had + +36 +00:00:46,830 --> 00:00:46,840 +and You Know It please Linda I've had + + +37 +00:00:46,840 --> 00:00:49,430 +and You Know It please Linda I've had +enough analysis especially amateur + +38 +00:00:49,430 --> 00:00:49,440 +enough analysis especially amateur + + +39 +00:00:49,440 --> 00:00:52,229 +enough analysis especially amateur +analysis I'm not analyzing I'm talking + +40 +00:00:52,229 --> 00:00:52,239 +analysis I'm not analyzing I'm talking + + +41 +00:00:52,239 --> 00:00:54,950 +analysis I'm not analyzing I'm talking +about reasons you think you're in love + +42 +00:00:54,950 --> 00:00:54,960 +about reasons you think you're in love + + +43 +00:00:54,960 --> 00:00:56,990 +about reasons you think you're in love +with Tom cold because you relate him to + +44 +00:00:56,990 --> 00:00:57,000 +with Tom cold because you relate him to + + +45 +00:00:57,000 --> 00:00:59,189 +with Tom cold because you relate him to +your father if I hear that word relate + +46 +00:00:59,189 --> 00:00:59,199 +your father if I hear that word relate + + +47 +00:00:59,199 --> 00:01:01,110 +your father if I hear that word relate +just once more okay forget the word + +48 +00:01:01,110 --> 00:01:01,120 +just once more okay forget the word + + +49 +00:01:01,120 --> 00:01:04,109 +just once more okay forget the word +relate I'll tell you something it would + +50 +00:01:04,109 --> 00:01:04,119 +relate I'll tell you something it would + + +51 +00:01:04,119 --> 00:01:06,550 +relate I'll tell you something it would +be a lot healthier if you just got it + +52 +00:01:06,550 --> 00:01:06,560 +be a lot healthier if you just got it + + +53 +00:01:06,560 --> 00:01:07,990 +be a lot healthier if you just got it +over with and went to bed with your + +54 +00:01:07,990 --> 00:01:08,000 +over with and went to bed with your + + +55 +00:01:08,000 --> 00:01:10,270 +over with and went to bed with your +father why don't you ask him all he can + +56 +00:01:10,270 --> 00:01:10,280 +father why don't you ask him all he can + + +57 +00:01:10,280 --> 00:01:18,630 +father why don't you ask him all he can +do is say no oh shut up + +58 +00:01:18,630 --> 00:01:18,640 + + + +59 +00:01:18,640 --> 00:01:21,069 + +Linda okay makes you feel any better I'm + +60 +00:01:21,069 --> 00:01:21,079 +Linda okay makes you feel any better I'm + + +61 +00:01:21,079 --> 00:01:22,749 +Linda okay makes you feel any better I'm +spending the weekend with Tom and West + +62 +00:01:22,749 --> 00:01:22,759 +spending the weekend with Tom and West + + +63 +00:01:22,759 --> 00:01:25,310 +spending the weekend with Tom and West +Hampton the TV reception there is + +64 +00:01:25,310 --> 00:01:25,320 +Hampton the TV reception there is + + +65 +00:01:25,320 --> 00:01:26,830 +Hampton the TV reception there is +terrible you won't be able to watch + +66 +00:01:26,830 --> 00:01:26,840 +terrible you won't be able to watch + + +67 +00:01:26,840 --> 00:01:31,630 +terrible you won't be able to watch +football + +68 +00:01:31,630 --> 00:01:31,640 + + + +69 +00:01:31,640 --> 00:01:33,389 + +I just don't know + +70 +00:01:33,389 --> 00:01:33,399 +I just don't know + + +71 +00:01:33,399 --> 00:01:36,310 +I just don't know +Linda I mean he says he loves + +72 +00:01:36,310 --> 00:01:36,320 +Linda I mean he says he loves + + +73 +00:01:36,320 --> 00:01:40,870 +Linda I mean he says he loves +me but after a whole week he seems well + +74 +00:01:40,870 --> 00:01:40,880 +me but after a whole week he seems well + + +75 +00:01:40,880 --> 00:01:44,990 +me but after a whole week he seems well +he he seems you mean his Dingle is like + +76 +00:01:44,990 --> 00:01:45,000 +he he seems you mean his Dingle is like + + +77 +00:01:45,000 --> 00:01:47,789 +he he seems you mean his Dingle is like +spaghetti oh God Linda must you put + +78 +00:01:47,789 --> 00:01:47,799 +spaghetti oh God Linda must you put + + +79 +00:01:47,799 --> 00:01:49,870 +spaghetti oh God Linda must you put +everything so + +80 +00:01:49,870 --> 00:01:49,880 +everything so + + +81 +00:01:49,880 --> 00:01:52,789 +everything so +crudely listen my dear despite women's + +82 +00:01:52,789 --> 00:01:52,799 +crudely listen my dear despite women's + + +83 +00:01:52,799 --> 00:01:55,870 +crudely listen my dear despite women's +Li here here I'm all for it it is still + +84 +00:01:55,870 --> 00:01:55,880 +Li here here I'm all for it it is still + + +85 +00:01:55,880 --> 00:01:58,310 +Li here here I'm all for it it is still +part of the female's responsibility to + +86 +00:01:58,310 --> 00:01:58,320 +part of the female's responsibility to + + +87 +00:01:58,320 --> 00:02:00,350 +part of the female's responsibility to +get the old show on the road if you know + +88 +00:02:00,350 --> 00:02:00,360 +get the old show on the road if you know + + +89 +00:02:00,360 --> 00:02:03,749 +get the old show on the road if you know +what I mean do you know what I mean only + +90 +00:02:03,749 --> 00:02:03,759 +what I mean do you know what I mean only + + +91 +00:02:03,759 --> 00:02:07,200 +what I mean do you know what I mean only +too well + diff --git a/1975/u9S41Kplsbs.en.srt b/1975/u9S41Kplsbs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..4863f7528d4e798e480966ab2995e6617199596b --- /dev/null +++ b/1975/u9S41Kplsbs.en.srt @@ -0,0 +1,685 @@ +1 +00:00:01,120 --> 00:00:03,709 + +Japanese submarine slamed two Torpedoes + +2 +00:00:03,709 --> 00:00:03,719 +Japanese submarine slamed two Torpedoes + + +3 +00:00:03,719 --> 00:00:05,510 +Japanese submarine slamed two Torpedoes +into our side + +4 +00:00:05,510 --> 00:00:05,520 +into our side + + +5 +00:00:05,520 --> 00:00:09,270 +into our side +Chief was coming back from the island of + +6 +00:00:09,270 --> 00:00:09,280 +Chief was coming back from the island of + + +7 +00:00:09,280 --> 00:00:11,990 +Chief was coming back from the island of +tin and Del lady just delivered the bomb + +8 +00:00:11,990 --> 00:00:12,000 +tin and Del lady just delivered the bomb + + +9 +00:00:12,000 --> 00:00:15,670 +tin and Del lady just delivered the bomb +the Hiroshima + +10 +00:00:15,670 --> 00:00:15,680 + + + +11 +00:00:15,680 --> 00:00:19,830 + +bom 1100 men went into the water vessel + +12 +00:00:19,830 --> 00:00:19,840 +bom 1100 men went into the water vessel + + +13 +00:00:19,840 --> 00:00:22,870 +bom 1100 men went into the water vessel +went down in 12 + +14 +00:00:22,870 --> 00:00:22,880 +went down in 12 + + +15 +00:00:22,880 --> 00:00:25,189 +went down in 12 +minutes didn't see the first shock for + +16 +00:00:25,189 --> 00:00:25,199 +minutes didn't see the first shock for + + +17 +00:00:25,199 --> 00:00:28,990 +minutes didn't see the first shock for +about half an hour Tiger 13 footer you + +18 +00:00:28,990 --> 00:00:29,000 +about half an hour Tiger 13 footer you + + +19 +00:00:29,000 --> 00:00:30,589 +about half an hour Tiger 13 footer you +know you know that when you're water + +20 +00:00:30,589 --> 00:00:30,599 +know you know that when you're water + + +21 +00:00:30,599 --> 00:00:32,830 +know you know that when you're water +Chief you tell by looking from the + +22 +00:00:32,830 --> 00:00:32,840 +Chief you tell by looking from the + + +23 +00:00:32,840 --> 00:00:35,830 +Chief you tell by looking from the +dorsal to the + +24 +00:00:35,830 --> 00:00:35,840 + + + +25 +00:00:35,840 --> 00:00:37,990 + +tail well we didn't + +26 +00:00:37,990 --> 00:00:38,000 +tail well we didn't + + +27 +00:00:38,000 --> 00:00:41,990 +tail well we didn't +know but our bom Mission had been so + +28 +00:00:41,990 --> 00:00:42,000 +know but our bom Mission had been so + + +29 +00:00:42,000 --> 00:00:51,069 +know but our bom Mission had been so +secret no distress signal had been + +30 +00:00:51,069 --> 00:00:51,079 + + + +31 +00:00:51,079 --> 00:00:53,630 + +sent they didn't even list this overdue + +32 +00:00:53,630 --> 00:00:53,640 +sent they didn't even list this overdue + + +33 +00:00:53,640 --> 00:00:55,510 +sent they didn't even list this overdue +for a + +34 +00:00:55,510 --> 00:00:55,520 +for a + + +35 +00:00:55,520 --> 00:00:59,229 +for a +week very first light Chief sharks come + +36 +00:00:59,229 --> 00:00:59,239 +week very first light Chief sharks come + + +37 +00:00:59,239 --> 00:01:00,430 +week very first light Chief sharks come +cruising + +38 +00:01:00,430 --> 00:01:00,440 +cruising + + +39 +00:01:00,440 --> 00:01:03,189 +cruising +so we formed ourselves into tight + +40 +00:01:03,189 --> 00:01:03,199 +so we formed ourselves into tight + + +41 +00:01:03,199 --> 00:01:06,789 +so we formed ourselves into tight +groups you know kind of like old squares + +42 +00:01:06,789 --> 00:01:06,799 +groups you know kind of like old squares + + +43 +00:01:06,799 --> 00:01:08,870 +groups you know kind of like old squares +in a battle like you see in a calendar + +44 +00:01:08,870 --> 00:01:08,880 +in a battle like you see in a calendar + + +45 +00:01:08,880 --> 00:01:10,830 +in a battle like you see in a calendar +like the Battle of water and the idea + +46 +00:01:10,830 --> 00:01:10,840 +like the Battle of water and the idea + + +47 +00:01:10,840 --> 00:01:13,469 +like the Battle of water and the idea +was Shar comes the nearest man that man + +48 +00:01:13,469 --> 00:01:13,479 +was Shar comes the nearest man that man + + +49 +00:01:13,479 --> 00:01:15,429 +was Shar comes the nearest man that man +he start pounding and hollering and + +50 +00:01:15,429 --> 00:01:15,439 +he start pounding and hollering and + + +51 +00:01:15,439 --> 00:01:19,230 +he start pounding and hollering and +screaming sometimes the shark go + +52 +00:01:19,230 --> 00:01:19,240 +screaming sometimes the shark go + + +53 +00:01:19,240 --> 00:01:22,230 +screaming sometimes the shark go +away sometimes he wouldn't go away + +54 +00:01:22,230 --> 00:01:22,240 +away sometimes he wouldn't go away + + +55 +00:01:22,240 --> 00:01:23,950 +away sometimes he wouldn't go away +sometimes that shark he looks right into + +56 +00:01:23,950 --> 00:01:23,960 +sometimes that shark he looks right into + + +57 +00:01:23,960 --> 00:01:26,550 +sometimes that shark he looks right into +you right into your + +58 +00:01:26,550 --> 00:01:26,560 +you right into your + + +59 +00:01:26,560 --> 00:01:29,190 +you right into your +eyes you know thing about a shark he's + +60 +00:01:29,190 --> 00:01:29,200 +eyes you know thing about a shark he's + + +61 +00:01:29,200 --> 00:01:30,990 +eyes you know thing about a shark he's +got + +62 +00:01:30,990 --> 00:01:31,000 +got + + +63 +00:01:31,000 --> 00:01:35,350 +got +lifeless eyes black eyes like a doll's + +64 +00:01:35,350 --> 00:01:35,360 +lifeless eyes black eyes like a doll's + + +65 +00:01:35,360 --> 00:01:38,149 +lifeless eyes black eyes like a doll's +eyes when he comes at you doesn't seem + +66 +00:01:38,149 --> 00:01:38,159 +eyes when he comes at you doesn't seem + + +67 +00:01:38,159 --> 00:01:39,190 +eyes when he comes at you doesn't seem +to be + +68 +00:01:39,190 --> 00:01:39,200 +to be + + +69 +00:01:39,200 --> 00:01:42,190 +to be +living until he bites you and those + +70 +00:01:42,190 --> 00:01:42,200 +living until he bites you and those + + +71 +00:01:42,200 --> 00:01:45,950 +living until he bites you and those +black eyes roll over white and + +72 +00:01:45,950 --> 00:01:45,960 +black eyes roll over white and + + +73 +00:01:45,960 --> 00:01:48,830 +black eyes roll over white and +then oh then you hear that terrible high + +74 +00:01:48,830 --> 00:01:48,840 +then oh then you hear that terrible high + + +75 +00:01:48,840 --> 00:01:53,069 +then oh then you hear that terrible high +pitch screaming the ocean turns red + +76 +00:01:53,069 --> 00:01:53,079 +pitch screaming the ocean turns red + + +77 +00:01:53,079 --> 00:01:55,510 +pitch screaming the ocean turns red +spite of all the pounding and hollering + +78 +00:01:55,510 --> 00:01:55,520 +spite of all the pounding and hollering + + +79 +00:01:55,520 --> 00:01:57,429 +spite of all the pounding and hollering +they all come in + +80 +00:01:57,429 --> 00:01:57,439 +they all come in + + +81 +00:01:57,439 --> 00:02:04,950 +they all come in +they rip you to pieces + +82 +00:02:04,950 --> 00:02:04,960 + + + +83 +00:02:04,960 --> 00:02:08,270 + +you know by the end of that first + +84 +00:02:08,270 --> 00:02:08,280 +you know by the end of that first + + +85 +00:02:08,280 --> 00:02:11,430 +you know by the end of that first +Dawn lost 100 + +86 +00:02:11,430 --> 00:02:11,440 +Dawn lost 100 + + +87 +00:02:11,440 --> 00:02:14,350 +Dawn lost 100 +men I don't know how many sharks maybe a + +88 +00:02:14,350 --> 00:02:14,360 +men I don't know how many sharks maybe a + + +89 +00:02:14,360 --> 00:02:15,910 +men I don't know how many sharks maybe a +thousand I don't know how many men they + +90 +00:02:15,910 --> 00:02:15,920 +thousand I don't know how many men they + + +91 +00:02:15,920 --> 00:02:17,550 +thousand I don't know how many men they +average six an + +92 +00:02:17,550 --> 00:02:17,560 +average six an + + +93 +00:02:17,560 --> 00:02:20,509 +average six an +hour on Thursday morning Chief I bumped + +94 +00:02:20,509 --> 00:02:20,519 +hour on Thursday morning Chief I bumped + + +95 +00:02:20,519 --> 00:02:24,309 +hour on Thursday morning Chief I bumped +into a friend of mine HBY Robinson from + +96 +00:02:24,309 --> 00:02:24,319 +into a friend of mine HBY Robinson from + + +97 +00:02:24,319 --> 00:02:30,070 +into a friend of mine HBY Robinson from +Cleveland baseball player bosen's m + +98 +00:02:30,070 --> 00:02:30,080 +Cleveland baseball player bosen's m + + +99 +00:02:30,080 --> 00:02:31,670 +Cleveland baseball player bosen's m +I thought he was + +100 +00:02:31,670 --> 00:02:31,680 +I thought he was + + +101 +00:02:31,680 --> 00:02:34,710 +I thought he was +asleep reached over to wake him + +102 +00:02:34,710 --> 00:02:34,720 +asleep reached over to wake him + + +103 +00:02:34,720 --> 00:02:37,550 +asleep reached over to wake him +up bobbed up down in the water it was + +104 +00:02:37,550 --> 00:02:37,560 +up bobbed up down in the water it was + + +105 +00:02:37,560 --> 00:02:39,190 +up bobbed up down in the water it was +like a kind of + +106 +00:02:39,190 --> 00:02:39,200 +like a kind of + + +107 +00:02:39,200 --> 00:02:42,630 +like a kind of +top + +108 +00:02:42,630 --> 00:02:42,640 + + + +109 +00:02:42,640 --> 00:02:44,509 + +upended + +110 +00:02:44,509 --> 00:02:44,519 +upended + + +111 +00:02:44,519 --> 00:02:51,070 +upended +well he'd been bitten in half below the + +112 +00:02:51,070 --> 00:02:51,080 + + + +113 +00:02:51,080 --> 00:02:55,589 + +waist noing the fifth day Mr L ventur + +114 +00:02:55,589 --> 00:02:55,599 +waist noing the fifth day Mr L ventur + + +115 +00:02:55,599 --> 00:02:58,070 +waist noing the fifth day Mr L ventur +saw he swung and low and he saw to a + +116 +00:02:58,070 --> 00:02:58,080 +saw he swung and low and he saw to a + + +117 +00:02:58,080 --> 00:03:00,589 +saw he swung and low and he saw to a +young pil of lot younger Mr Hooper + +118 +00:03:00,589 --> 00:03:00,599 +young pil of lot younger Mr Hooper + + +119 +00:03:00,599 --> 00:03:02,550 +young pil of lot younger Mr Hooper +anyway he saw us and he come in low and + +120 +00:03:02,550 --> 00:03:02,560 +anyway he saw us and he come in low and + + +121 +00:03:02,560 --> 00:03:05,390 +anyway he saw us and he come in low and +3 hours later a big fat PB comes down + +122 +00:03:05,390 --> 00:03:05,400 +3 hours later a big fat PB comes down + + +123 +00:03:05,400 --> 00:03:07,589 +3 hours later a big fat PB comes down +and start to pick us up you know that + +124 +00:03:07,589 --> 00:03:07,599 +and start to pick us up you know that + + +125 +00:03:07,599 --> 00:03:10,710 +and start to pick us up you know that +was the time I was most frightened + +126 +00:03:10,710 --> 00:03:10,720 +was the time I was most frightened + + +127 +00:03:10,720 --> 00:03:12,949 +was the time I was most frightened +waiting for my + +128 +00:03:12,949 --> 00:03:12,959 +waiting for my + + +129 +00:03:12,959 --> 00:03:17,550 +waiting for my +turn I'll never put on a life jacket + +130 +00:03:17,550 --> 00:03:17,560 +turn I'll never put on a life jacket + + +131 +00:03:17,560 --> 00:03:22,710 +turn I'll never put on a life jacket +again so 1100 men went in the war 316 + +132 +00:03:22,710 --> 00:03:22,720 +again so 1100 men went in the war 316 + + +133 +00:03:22,720 --> 00:03:24,869 +again so 1100 men went in the war 316 +men come out the Sharks took the rest + +134 +00:03:24,869 --> 00:03:24,879 +men come out the Sharks took the rest + + +135 +00:03:24,879 --> 00:03:31,750 +men come out the Sharks took the rest +June the 29th 1945 + +136 +00:03:31,750 --> 00:03:31,760 + + + +137 +00:03:31,760 --> 00:03:36,640 + +anyway we delivered the bomb + diff --git a/1975/wb1HDnYPPoo.description b/1975/wb1HDnYPPoo.description new file mode 100644 index 0000000000000000000000000000000000000000..392cd0e497fccd6f6ff66f024efd41375815c03f --- /dev/null +++ b/1975/wb1HDnYPPoo.description @@ -0,0 +1,43 @@ +The Rocky Horror Picture Show movie clips: http://j.mp/1MQZTAS +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/the-rocky-horror-picture-show-1975/1MV484124d402f74b8487ead563caaf5835?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1KHcsuj +Google Play - http://bit.ly/1H5gVrO +Fox Movies - http://fox.co/2yS3NFO +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +A jealous Frank (Tim Curry) corners ex-delivery boy Eddie (Meat Loaf) and kills him. + +FILM DESCRIPTION: +This low-budget freak show/cult classic/cultural institution concerns the misadventures of Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) inside a strange mansion that they come across on a rainy night. After the wholesome pair profess their love through an opening song, their car breaks down in the woods, and they seek refuge in a towering castle nearby. Greeting them at the door is a ghoulish butler named Riff Raff (Richard O'Brien), who introduces them to a bacchanalian collection of partygoers dressed in outfits from some sort of interplanetary thrift shop. The host of this gathering is a transvestite clad in lingerie, Dr. Frank N. Furter (Tim Curry), a mad scientist who claims to be from another planet. With assistants Columbia (Nell Campbell) and Magenta (Patricia Quinn) looking on, Frank unveils his latest creation -- a figure wrapped in gauze and submerged in a tank full of liquid. With the addition of colored dyes and some assistance from the weather, Frank brings to life a blonde young beefcake wearing nothing but skimpy shorts, who launches into song in his first minute of life. Just when Brad and Janet think things couldn't get any stranger, a biker (Meat Loaf) bursts onto the scene to reclaim Columbia, his ex-girlfriend. When Frank kills the biker, it's clear that Brad and Janet will be guests for the night, and that they may be next on Frank's list -- whether for murder or carnal delights is uncertain. And just what is that mystery meat they're eating for dinner, anyway? In addition to playing Riff Raff, O'Brien wrote the catchy songs, with John Barry and Richard Hartley composing the score. + +CREDITS: +TM & © Fox (1975) +Courtesy of Twentieth Century Fox Film Corporation +Cast: Barry Bostwick, Tim Curry, Peter Hinwood, Meat Loaf, Richard O'Brien, Nell Campbell, Patricia Quinn, Susan Sarandon +Director: Jim Sharman +Producers: Lou Adler, John Goldstone, Michael White +Screenwriters: Richard O'Brien, Jim Sharman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/42sANL2ap9A.description b/1976/42sANL2ap9A.description new file mode 100644 index 0000000000000000000000000000000000000000..6ab9ea92624a92e286de0543e6a1c6d2c1e17929 --- /dev/null +++ b/1976/42sANL2ap9A.description @@ -0,0 +1,38 @@ +All the President's Men movie clips: http://j.mp/1JdpCit +BUY THE MOVIE: http://j.mp/QXy4pD +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Security guard Frank Wills (Frank Wills) discovers a break-in at the Watergate office complex. + +FILM DESCRIPTION: +Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. + +CREDITS: +TM & © Warner Bros. (1976) +Cast: F. Murray Abraham, Anthony Mannino, Lelan Smith, Frank Wills, Richard Herd +Director: Alan J. Pakula +Producers: Jon Boorstin, Michael Britton, Walter Coblenz +Screenwriters: Carl Bernstein, William Goldman, Bob Woodard + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/4NLUpuo3HGo.description b/1976/4NLUpuo3HGo.description new file mode 100644 index 0000000000000000000000000000000000000000..6ef996cfcb5994ba2b51e186ca426414f93035f3 --- /dev/null +++ b/1976/4NLUpuo3HGo.description @@ -0,0 +1,38 @@ +Rocky movie clips: http://j.mp/111pZZc +BUY THE MOVIE: http://j.mp/150JrGu +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Mickey (Burgess Meredith) warns Rocky (Sylvester Stallone) about the dangers of chasing women and losing focus. + +FILM DESCRIPTION: +Rocky Balboa (Sylvester Stallone), a Philadelphia boxer, is but one step removed from total bum-hood. A once-promising pugilist, Rocky is now taking nickel-and-dime bouts and running strongarm errands for local loan sharks to survive. Even his supportive trainer, Mickey (Burgess Meredith), has given up on Rocky. All this changes thanks to Muhammad Ali-like super-boxer Apollo Creed (Carl Weathers). With the Bicentennial celebration coming up, Creed must find a "Cinderella" opponent for the big July 4th bout -- some unknown whom Creed can "glorify" for a few minutes before knocking him cold. Rocky Balboa was not the only Cinderella involved here: writer/director Sylvester Stallone, himself a virtual unknown, managed to sell his Rocky script (one of 35 that he'd written over the years) on the proviso that he be given the starring role. Since the film was to be made on a shoestring and marketed on a low-level basis, the risk factor to United Artists was small. For Stallone, this was a make-or-break opportunity -- just like Rocky's million-to-one shot with Apollo Creed. Costing under a million dollars, Rocky managed to register with audiences everywhere, earning back 60 times its cost. The film won several Academy Awards, including Best Picture. + +CREDITS: +TM & © MGM (1976) +Cast: Burgess Meredith, Sylvester Stallone +Director: John G. Avildsen +Producers: Robert Chartoff, Gene Kirkwood, Irwin Winkler +Screenwriter: Sylvester Stallone + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/4NLUpuo3HGo.en.srt b/1976/4NLUpuo3HGo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..b7a37198ee3200d83f37cc6e8aa8ef90ca6de2d3 --- /dev/null +++ b/1976/4NLUpuo3HGo.en.srt @@ -0,0 +1,255 @@ +1 +00:00:16,160 --> 00:00:18,029 + +underneath underneath underneath now + +2 +00:00:18,029 --> 00:00:18,039 +underneath underneath underneath now + + +3 +00:00:18,039 --> 00:00:19,390 +underneath underneath underneath now +come on come + +4 +00:00:19,390 --> 00:00:19,400 +come on come + + +5 +00:00:19,400 --> 00:00:22,950 +come on come +on hold it Rock will you drive me crazy + +6 +00:00:22,950 --> 00:00:22,960 +on hold it Rock will you drive me crazy + + +7 +00:00:22,960 --> 00:00:25,509 +on hold it Rock will you drive me crazy +as a sloppy because you're off Balan + +8 +00:00:25,509 --> 00:00:25,519 +as a sloppy because you're off Balan + + +9 +00:00:25,519 --> 00:00:27,150 +as a sloppy because you're off Balan +let's try this now take this string + +10 +00:00:27,150 --> 00:00:27,160 +let's try this now take this string + + +11 +00:00:27,160 --> 00:00:30,029 +let's try this now take this string +tired to both ankles leave about 2 fet + +12 +00:00:30,029 --> 00:00:30,039 +tired to both ankles leave about 2 fet + + +13 +00:00:30,039 --> 00:00:32,229 +tired to both ankles leave about 2 fet +SL I ain't never had good footwork never + +14 +00:00:32,229 --> 00:00:32,239 +SL I ain't never had good footwork never + + +15 +00:00:32,239 --> 00:00:34,229 +SL I ain't never had good footwork never +mind footwork now you're all balanced + +16 +00:00:34,229 --> 00:00:34,239 +mind footwork now you're all balanced + + +17 +00:00:34,239 --> 00:00:37,510 +mind footwork now you're all balanced +out marcian and the same problem and + +18 +00:00:37,510 --> 00:00:37,520 +out marcian and the same problem and + + +19 +00:00:37,520 --> 00:00:40,790 +out marcian and the same problem and +this string cured it and the idea that + +20 +00:00:40,790 --> 00:00:40,800 +this string cured it and the idea that + + +21 +00:00:40,800 --> 00:00:43,229 +this string cured it and the idea that +if you can move and you can hit without + +22 +00:00:43,229 --> 00:00:43,239 +if you can move and you can hit without + + +23 +00:00:43,239 --> 00:00:45,389 +if you can move and you can hit without +breaking the string you can balance + +24 +00:00:45,389 --> 00:00:45,399 +breaking the string you can balance + + +25 +00:00:45,399 --> 00:00:48,470 +breaking the string you can balance +become a very dangerous place we're + +26 +00:00:48,470 --> 00:00:48,480 +become a very dangerous place we're + + +27 +00:00:48,480 --> 00:00:51,389 +become a very dangerous place we're +looking good rock nice let's go that's + +28 +00:00:51,389 --> 00:00:51,399 +looking good rock nice let's go that's + + +29 +00:00:51,399 --> 00:00:54,630 +looking good rock nice let's go that's +it that's it I don't need to rock what + +30 +00:00:54,630 --> 00:00:54,640 +it that's it I don't need to rock what + + +31 +00:00:54,640 --> 00:00:56,349 +it that's it I don't need to rock what +how about you give us your get out of + +32 +00:00:56,349 --> 00:00:56,359 +how about you give us your get out of + + +33 +00:00:56,359 --> 00:00:58,509 +how about you give us your get out of +here don't you ever interrupt me while + +34 +00:00:58,509 --> 00:00:58,519 +here don't you ever interrupt me while + + +35 +00:00:58,519 --> 00:01:00,509 +here don't you ever interrupt me while +I'm conducting business move your little + +36 +00:01:00,509 --> 00:01:00,519 +I'm conducting business move your little + + +37 +00:01:00,519 --> 00:01:04,829 +I'm conducting business move your little +chicken asses out listen kid you you lay + +38 +00:01:04,829 --> 00:01:04,839 +chicken asses out listen kid you you lay + + +39 +00:01:04,839 --> 00:01:09,710 +chicken asses out listen kid you you lay +off that pet shop day women weaken + +40 +00:01:09,710 --> 00:01:09,720 +off that pet shop day women weaken + + +41 +00:01:09,720 --> 00:01:12,190 +off that pet shop day women weaken +legs yeah but I really like this girl + +42 +00:01:12,190 --> 00:01:12,200 +legs yeah but I really like this girl + + +43 +00:01:12,200 --> 00:01:16,670 +legs yeah but I really like this girl +you know and let her train + +44 +00:01:16,670 --> 00:01:16,680 + + + +45 +00:01:16,680 --> 00:01:21,950 + +you okay no more fooling around okay I + +46 +00:01:21,950 --> 00:01:21,960 +you okay no more fooling around okay I + + +47 +00:01:21,960 --> 00:01:28,830 +you okay no more fooling around okay I +hit women weak leg + +48 +00:01:28,830 --> 00:01:28,840 + + + +49 +00:01:28,840 --> 00:01:42,550 + +huh + +50 +00:01:42,550 --> 00:01:42,560 + + + +51 +00:01:42,560 --> 00:01:56,519 + +[Music] + diff --git a/1976/5TbuwxXBfoA.en.srt b/1976/5TbuwxXBfoA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..07b33f103dbb944802aa2a91ceea5cb909056048 --- /dev/null +++ b/1976/5TbuwxXBfoA.en.srt @@ -0,0 +1,375 @@ +1 +00:00:00,210 --> 00:00:06,470 + +[Music] + +2 +00:00:06,470 --> 00:00:06,480 +[Music] + + +3 +00:00:06,480 --> 00:00:09,950 +[Music] +[Applause] + +4 +00:00:09,950 --> 00:00:09,960 +[Applause] + + +5 +00:00:09,960 --> 00:00:12,749 +[Applause] +oh hey you hold it right there you right + +6 +00:00:12,749 --> 00:00:12,759 +oh hey you hold it right there you right + + +7 +00:00:12,759 --> 00:00:14,990 +oh hey you hold it right there you right +there on that spot you ain't he's all + +8 +00:00:14,990 --> 00:00:15,000 +there on that spot you ain't he's all + + +9 +00:00:15,000 --> 00:00:17,150 +there on that spot you ain't he's all +right he's up here a couple days ago and + +10 +00:00:17,150 --> 00:00:17,160 +right he's up here a couple days ago and + + +11 +00:00:17,160 --> 00:00:18,670 +right he's up here a couple days ago and +Thor says it's + +12 +00:00:18,670 --> 00:00:18,680 +Thor says it's + + +13 +00:00:18,680 --> 00:00:22,230 +Thor says it's +okay did you eat J I had a little lunch + +14 +00:00:22,230 --> 00:00:22,240 +okay did you eat J I had a little lunch + + +15 +00:00:22,240 --> 00:00:24,429 +okay did you eat J I had a little lunch +what you trying to say Thor didn't tell + +16 +00:00:24,429 --> 00:00:24,439 +what you trying to say Thor didn't tell + + +17 +00:00:24,439 --> 00:00:26,669 +what you trying to say Thor didn't tell +me nothing about it you he told me it's + +18 +00:00:26,669 --> 00:00:26,679 +me nothing about it you he told me it's + + +19 +00:00:26,679 --> 00:00:27,830 +me nothing about it you he told me it's +better if you don't have nothing on your + +20 +00:00:27,830 --> 00:00:27,840 +better if you don't have nothing on your + + +21 +00:00:27,840 --> 00:00:31,429 +better if you don't have nothing on your +stomach good better not be no I say I + +22 +00:00:31,429 --> 00:00:31,439 +stomach good better not be no I say I + + +23 +00:00:31,439 --> 00:00:33,910 +stomach good better not be no I say I +better not be no + +24 +00:00:33,910 --> 00:00:33,920 +better not be no + + +25 +00:00:33,920 --> 00:00:39,830 +better not be no +spy better not be no spy I say nothing + +26 +00:00:39,830 --> 00:00:39,840 +spy better not be no spy I say nothing + + +27 +00:00:39,840 --> 00:00:43,430 +spy better not be no spy I say nothing +please what's this contest Mr Universe + +28 +00:00:43,430 --> 00:00:43,440 +please what's this contest Mr Universe + + +29 +00:00:43,440 --> 00:00:45,790 +please what's this contest Mr Universe +next month Thor's been saving Joe up for + +30 +00:00:45,790 --> 00:00:45,800 +next month Thor's been saving Joe up for + + +31 +00:00:45,800 --> 00:00:47,590 +next month Thor's been saving Joe up for +it he uh he don't want the wrong people + +32 +00:00:47,590 --> 00:00:47,600 +it he uh he don't want the wrong people + + +33 +00:00:47,600 --> 00:00:50,470 +it he uh he don't want the wrong people +seeing him or wouldn't nobody enter are + +34 +00:00:50,470 --> 00:00:50,480 +seeing him or wouldn't nobody enter are + + +35 +00:00:50,480 --> 00:00:55,310 +seeing him or wouldn't nobody enter are +you his trainer uh I'm his grease + +36 +00:00:55,310 --> 00:00:55,320 +you his trainer uh I'm his grease + + +37 +00:00:55,320 --> 00:00:58,549 +you his trainer uh I'm his grease +man oil him up before + +38 +00:00:58,549 --> 00:00:58,559 +man oil him up before + + +39 +00:00:58,559 --> 00:01:08,830 +man oil him up before +exhibition oh + +40 +00:01:08,830 --> 00:01:08,840 + + + +41 +00:01:08,840 --> 00:01:10,469 + +you call LIF them itty bitty things + +42 +00:01:10,469 --> 00:01:10,479 +you call LIF them itty bitty things + + +43 +00:01:10,479 --> 00:01:11,090 +you call LIF them itty bitty things +working + +44 +00:01:11,090 --> 00:01:11,100 +working + + +45 +00:01:11,100 --> 00:01:14,030 +working +[Laughter] + +46 +00:01:14,030 --> 00:01:14,040 +[Laughter] + + +47 +00:01:14,040 --> 00:01:17,190 +[Laughter] +out yeah I think the man is doing fine + +48 +00:01:17,190 --> 00:01:17,200 +out yeah I think the man is doing fine + + +49 +00:01:17,200 --> 00:01:19,910 +out yeah I think the man is doing fine +he just fine we have been watching him + +50 +00:01:19,910 --> 00:01:19,920 +he just fine we have been watching him + + +51 +00:01:19,920 --> 00:01:22,109 +he just fine we have been watching him +now for a while and uh he's really + +52 +00:01:22,109 --> 00:01:22,119 +now for a while and uh he's really + + +53 +00:01:22,119 --> 00:01:25,630 +now for a while and uh he's really +moving big he moves like he used to play + +54 +00:01:25,630 --> 00:01:25,640 +moving big he moves like he used to play + + +55 +00:01:25,640 --> 00:01:28,870 +moving big he moves like he used to play +hockey hey Franken ask him if he used to + +56 +00:01:28,870 --> 00:01:28,880 +hockey hey Franken ask him if he used to + + +57 +00:01:28,880 --> 00:01:30,469 +hockey hey Franken ask him if he used to +play hockey + +58 +00:01:30,469 --> 00:01:30,479 +play hockey + + +59 +00:01:30,479 --> 00:01:32,469 +play hockey +you play hockey tell Batman it was + +60 +00:01:32,469 --> 00:01:32,479 +you play hockey tell Batman it was + + +61 +00:01:32,479 --> 00:01:36,069 +you play hockey tell Batman it was +lacrosse but I can see how he got + +62 +00:01:36,069 --> 00:01:36,079 + + + +63 +00:01:36,079 --> 00:01:39,030 + +confused Hey Joe you can belong marry + +64 +00:01:39,030 --> 00:01:39,040 +confused Hey Joe you can belong marry + + +65 +00:01:39,040 --> 00:01:41,350 +confused Hey Joe you can belong marry +Tate and Denita over at the club so why + +66 +00:01:41,350 --> 00:01:41,360 +Tate and Denita over at the club so why + + +67 +00:01:41,360 --> 00:01:44,149 +Tate and Denita over at the club so why +don't you all go ahead and uh I'll catch + +68 +00:01:44,149 --> 00:01:44,159 +don't you all go ahead and uh I'll catch + + +69 +00:01:44,159 --> 00:01:47,749 +don't you all go ahead and uh I'll catch +up with you later okay listen uh we got + +70 +00:01:47,749 --> 00:01:47,759 +up with you later okay listen uh we got + + +71 +00:01:47,759 --> 00:01:58,830 +up with you later okay listen uh we got +a pool table over there you uh you + +72 +00:01:58,830 --> 00:01:58,840 + + + +73 +00:01:58,840 --> 00:02:07,550 + +play + +74 +00:02:07,550 --> 00:02:07,560 + + + +75 +00:02:07,560 --> 00:02:21,460 + +[Music] + diff --git a/1976/5wS_6ok9u2c.en.srt b/1976/5wS_6ok9u2c.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7482182cf47fd370c16bbec275bfa2f7a9f32e15 --- /dev/null +++ b/1976/5wS_6ok9u2c.en.srt @@ -0,0 +1,375 @@ +1 +00:00:05,640 --> 00:00:09,310 + +sir Coroner's reporter it's amazing even + +2 +00:00:09,310 --> 00:00:09,320 +sir Coroner's reporter it's amazing even + + +3 +00:00:09,320 --> 00:00:10,870 +sir Coroner's reporter it's amazing even +after he' been stabbed twice he was + +4 +00:00:10,870 --> 00:00:10,880 +after he' been stabbed twice he was + + +5 +00:00:10,880 --> 00:00:12,990 +after he' been stabbed twice he was +still able to break the kidnapper's neck + +6 +00:00:12,990 --> 00:00:13,000 +still able to break the kidnapper's neck + + +7 +00:00:13,000 --> 00:00:17,470 +still able to break the kidnapper's neck +ah pity yes he had a lovely + +8 +00:00:17,470 --> 00:00:17,480 +ah pity yes he had a lovely + + +9 +00:00:17,480 --> 00:00:19,870 +ah pity yes he had a lovely +voice no I mean pity that the kidnappers + +10 +00:00:19,870 --> 00:00:19,880 +voice no I mean pity that the kidnappers + + +11 +00:00:19,880 --> 00:00:21,590 +voice no I mean pity that the kidnappers +dead we might have got something out of + +12 +00:00:21,590 --> 00:00:21,600 +dead we might have got something out of + + +13 +00:00:21,600 --> 00:00:25,150 +dead we might have got something out of +him I did get something out of + +14 +00:00:25,150 --> 00:00:25,160 +him I did get something out of + + +15 +00:00:25,160 --> 00:00:28,950 +him I did get something out of +him what was + +16 +00:00:28,950 --> 00:00:28,960 + + + +17 +00:00:28,960 --> 00:00:33,709 + +that a clear clear + +18 +00:00:33,709 --> 00:00:33,719 +that a clear clear + + +19 +00:00:33,719 --> 00:00:38,110 +that a clear clear +what you said a clear yes yes a brush + +20 +00:00:38,110 --> 00:00:38,120 +what you said a clear yes yes a brush + + +21 +00:00:38,120 --> 00:00:40,950 +what you said a clear yes yes a brush +clear advertising the October Fest in + +22 +00:00:40,950 --> 00:00:40,960 +clear advertising the October Fest in + + +23 +00:00:40,960 --> 00:00:44,709 +clear advertising the October Fest in +Munich it begins the day after tomorrow + +24 +00:00:44,709 --> 00:00:44,719 +Munich it begins the day after tomorrow + + +25 +00:00:44,719 --> 00:00:46,430 +Munich it begins the day after tomorrow +and you think the dead man was planning + +26 +00:00:46,430 --> 00:00:46,440 +and you think the dead man was planning + + +27 +00:00:46,440 --> 00:00:49,389 +and you think the dead man was planning +to go there perhaps to meet someone yes + +28 +00:00:49,389 --> 00:00:49,399 +to go there perhaps to meet someone yes + + +29 +00:00:49,399 --> 00:00:50,670 +to go there perhaps to meet someone yes +perhaps to + +30 +00:00:50,670 --> 00:00:50,680 +perhaps to + + +31 +00:00:50,680 --> 00:00:54,510 +perhaps to +meet the lunatic + +32 +00:00:54,510 --> 00:00:54,520 +meet the lunatic + + +33 +00:00:54,520 --> 00:00:57,349 +meet the lunatic +ders at one time Partners in the world + +34 +00:00:57,349 --> 00:00:57,359 +ders at one time Partners in the world + + +35 +00:00:57,359 --> 00:00:58,549 +ders at one time Partners in the world +against + +36 +00:00:58,549 --> 00:00:58,559 +against + + +37 +00:00:58,559 --> 00:01:01,270 +against +Crime now + +38 +00:01:01,270 --> 00:01:01,280 +Crime now + + +39 +00:01:01,280 --> 00:01:06,190 +Crime now +AR + +40 +00:01:06,190 --> 00:01:06,200 + + + +41 +00:01:06,200 --> 00:01:09,070 + +enemies you'll need + +42 +00:01:09,070 --> 00:01:09,080 +enemies you'll need + + +43 +00:01:09,080 --> 00:01:12,310 +enemies you'll need +help I prefer to do this Al yes but if + +44 +00:01:12,310 --> 00:01:12,320 +help I prefer to do this Al yes but if + + +45 +00:01:12,320 --> 00:01:14,590 +help I prefer to do this Al yes but if +draus is what we suspect is he probably + +46 +00:01:14,590 --> 00:01:14,600 +draus is what we suspect is he probably + + +47 +00:01:14,600 --> 00:01:16,350 +draus is what we suspect is he probably +has an army behind him no of course it + +48 +00:01:16,350 --> 00:01:16,360 +has an army behind him no of course it + + +49 +00:01:16,360 --> 00:01:18,429 +has an army behind him no of course it +won't be easy but nothing worthwhile + +50 +00:01:18,429 --> 00:01:18,439 +won't be easy but nothing worthwhile + + +51 +00:01:18,439 --> 00:01:20,749 +won't be easy but nothing worthwhile +ever is that is why I have always failed + +52 +00:01:20,749 --> 00:01:20,759 +ever is that is why I have always failed + + +53 +00:01:20,759 --> 00:01:23,670 +ever is that is why I have always failed +where others have succeeded for me the + +54 +00:01:23,670 --> 00:01:23,680 +where others have succeeded for me the + + +55 +00:01:23,680 --> 00:01:27,670 +where others have succeeded for me the +greater the hers the greater the + +56 +00:01:27,670 --> 00:01:27,680 +greater the hers the greater the + + +57 +00:01:27,680 --> 00:01:31,870 +greater the hers the greater the +shange and as always I accept this + +58 +00:01:31,870 --> 00:01:31,880 +shange and as always I accept this + + +59 +00:01:31,880 --> 00:01:33,870 +shange and as always I accept this +challeng + +60 +00:01:33,870 --> 00:01:33,880 +challeng + + +61 +00:01:33,880 --> 00:01:41,630 +challeng +well I am off to + +62 +00:01:41,630 --> 00:01:41,640 + + + +63 +00:01:41,640 --> 00:01:45,709 + +Munich most genius the old + +64 +00:01:45,709 --> 00:01:45,719 +Munich most genius the old + + +65 +00:01:45,719 --> 00:01:48,190 +Munich most genius the old +CL I really must congratulate you if + +66 +00:01:48,190 --> 00:01:48,200 +CL I really must congratulate you if + + +67 +00:01:48,200 --> 00:01:50,749 +CL I really must congratulate you if +there's one thing I do enjoy it's a good + +68 +00:01:50,749 --> 00:01:50,759 +there's one thing I do enjoy it's a good + + +69 +00:01:50,759 --> 00:01:57,709 +there's one thing I do enjoy it's a good +CET play well until we meet again in the + +70 +00:01:57,709 --> 00:01:57,719 + + + +71 +00:01:57,719 --> 00:02:01,130 + +cas the cas is so + +72 +00:02:01,130 --> 00:02:01,140 +cas the cas is so + + +73 +00:02:01,140 --> 00:02:27,470 +cas the cas is so +[Music] + +74 +00:02:27,470 --> 00:02:27,480 + + + +75 +00:02:27,480 --> 00:02:30,480 + +B + diff --git a/1976/9l07Tr1w4Ls.en.srt b/1976/9l07Tr1w4Ls.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7b08e67546b49779108e90efe4af3fd77d8d5d86 --- /dev/null +++ b/1976/9l07Tr1w4Ls.en.srt @@ -0,0 +1,375 @@ +1 +00:00:00,080 --> 00:00:02,470 + +and lock the door high he does not wish + +2 +00:00:02,470 --> 00:00:02,480 +and lock the door high he does not wish + + +3 +00:00:02,480 --> 00:00:04,870 +and lock the door high he does not wish +to be disturbed you know please Dr hurry + +4 +00:00:04,870 --> 00:00:04,880 +to be disturbed you know please Dr hurry + + +5 +00:00:04,880 --> 00:00:09,030 +to be disturbed you know please Dr hurry +I can't stand the pain yes yes yes yes + +6 +00:00:09,030 --> 00:00:09,040 +I can't stand the pain yes yes yes yes + + +7 +00:00:09,040 --> 00:00:13,470 +I can't stand the pain yes yes yes yes +now then let me see ow what my eye your + +8 +00:00:13,470 --> 00:00:13,480 +now then let me see ow what my eye your + + +9 +00:00:13,480 --> 00:00:16,150 +now then let me see ow what my eye your +eye I thought it was your tooth but it + +10 +00:00:16,150 --> 00:00:16,160 +eye I thought it was your tooth but it + + +11 +00:00:16,160 --> 00:00:17,870 +eye I thought it was your tooth but it +is my too I wish you would make your + +12 +00:00:17,870 --> 00:00:17,880 +is my too I wish you would make your + + +13 +00:00:17,880 --> 00:00:20,390 +is my too I wish you would make your +mind up I don't normally make castle + +14 +00:00:20,390 --> 00:00:20,400 +mind up I don't normally make castle + + +15 +00:00:20,400 --> 00:00:28,950 +mind up I don't normally make castle +calls in the middle of the + +16 +00:00:28,950 --> 00:00:28,960 + + + +17 +00:00:28,960 --> 00:00:34,030 + +night wait + +18 +00:00:34,030 --> 00:00:34,040 + + + +19 +00:00:34,040 --> 00:00:35,790 + +for yes + +20 +00:00:35,790 --> 00:00:35,800 +for yes + + +21 +00:00:35,800 --> 00:00:43,389 +for yes +[Music] + +22 +00:00:43,389 --> 00:00:43,399 + + + +23 +00:00:43,399 --> 00:00:47,069 + +that's open right + +24 +00:00:47,069 --> 00:00:47,079 +that's open right + + +25 +00:00:47,079 --> 00:00:50,470 +that's open right +this now let me + +26 +00:00:50,470 --> 00:00:50,480 +this now let me + + +27 +00:00:50,480 --> 00:00:53,590 +this now let me +see tell me when there's + +28 +00:00:53,590 --> 00:00:53,600 +see tell me when there's + + +29 +00:00:53,600 --> 00:00:56,910 +see tell me when there's +HS is it that + +30 +00:00:56,910 --> 00:00:56,920 +HS is it that + + +31 +00:00:56,920 --> 00:01:02,670 +HS is it that +one is it that one H is it that one + +32 +00:01:02,670 --> 00:01:02,680 +one is it that one H is it that one + + +33 +00:01:02,680 --> 00:01:04,070 +one is it that one H is it that one +there's the + +34 +00:01:04,070 --> 00:01:04,080 +there's the + + +35 +00:01:04,080 --> 00:01:08,310 +there's the +notan are you going to pull it pull it + +36 +00:01:08,310 --> 00:01:08,320 +notan are you going to pull it pull it + + +37 +00:01:08,320 --> 00:01:10,789 +notan are you going to pull it pull it +yes of course I will pull it yes yes yes + +38 +00:01:10,789 --> 00:01:10,799 +yes of course I will pull it yes yes yes + + +39 +00:01:10,799 --> 00:01:13,310 +yes of course I will pull it yes yes yes +please give me something to put me out + +40 +00:01:13,310 --> 00:01:13,320 +please give me something to put me out + + +41 +00:01:13,320 --> 00:01:16,270 +please give me something to put me out +put you + +42 +00:01:16,270 --> 00:01:16,280 + + + +43 +00:01:16,280 --> 00:01:19,109 + +out yes here first you must wear this + +44 +00:01:19,109 --> 00:01:19,119 +out yes here first you must wear this + + +45 +00:01:19,119 --> 00:01:22,789 +out yes here first you must wear this +special anesthetic cotton wood in here + +46 +00:01:22,789 --> 00:01:22,799 +special anesthetic cotton wood in here + + +47 +00:01:22,799 --> 00:01:25,230 +special anesthetic cotton wood in here +wear it over the eyes on no account look + +48 +00:01:25,230 --> 00:01:25,240 +wear it over the eyes on no account look + + +49 +00:01:25,240 --> 00:01:27,789 +wear it over the eyes on no account look +out from under the anesthetic carton + +50 +00:01:27,789 --> 00:01:27,799 +out from under the anesthetic carton + + +51 +00:01:27,799 --> 00:01:29,510 +out from under the anesthetic carton +because that ruins the whole effect of + +52 +00:01:29,510 --> 00:01:29,520 +because that ruins the whole effect of + + +53 +00:01:29,520 --> 00:01:31,550 +because that ruins the whole effect of +the anes aesthetic on the eyes you know + +54 +00:01:31,550 --> 00:01:31,560 +the anes aesthetic on the eyes you know + + +55 +00:01:31,560 --> 00:01:33,350 +the anes aesthetic on the eyes you know +what be to hold it like that hold it + +56 +00:01:33,350 --> 00:01:33,360 +what be to hold it like that hold it + + +57 +00:01:33,360 --> 00:01:36,190 +what be to hold it like that hold it +like that on the eyes can I get some + +58 +00:01:36,190 --> 00:01:36,200 +like that on the eyes can I get some + + +59 +00:01:36,200 --> 00:01:40,149 +like that on the eyes can I get some +more please I I can't stand the pain yes + +60 +00:01:40,149 --> 00:01:40,159 +more please I I can't stand the pain yes + + +61 +00:01:40,159 --> 00:01:49,310 +more please I I can't stand the pain yes +coming + +62 +00:01:49,310 --> 00:01:49,320 + + + +63 +00:01:49,320 --> 00:01:53,870 + +soon what are you doing just rearranging + +64 +00:01:53,870 --> 00:01:53,880 +soon what are you doing just rearranging + + +65 +00:01:53,880 --> 00:01:55,709 +soon what are you doing just rearranging +the furniture in order to give you the + +66 +00:01:55,709 --> 00:01:55,719 +the furniture in order to give you the + + +67 +00:01:55,719 --> 00:01:58,389 +the furniture in order to give you the +full effect of the + +68 +00:01:58,389 --> 00:01:58,399 +full effect of the + + +69 +00:01:58,399 --> 00:02:00,590 +full effect of the +anesthetic doctor + +70 +00:02:00,590 --> 00:02:00,600 +anesthetic doctor + + +71 +00:02:00,600 --> 00:02:28,830 +anesthetic doctor +I'm in agony not for much + +72 +00:02:28,830 --> 00:02:28,840 + + + +73 +00:02:28,840 --> 00:02:36,510 + +longer + +74 +00:02:36,510 --> 00:02:36,520 + + + +75 +00:02:36,520 --> 00:02:42,899 + +[Music] + diff --git a/1976/Adh_8pva10k.en.srt b/1976/Adh_8pva10k.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..61bcde1b86f9b0eb5bd9bf8556435dce43257cf0 --- /dev/null +++ b/1976/Adh_8pva10k.en.srt @@ -0,0 +1,163 @@ +1 +00:00:06,240 --> 00:00:09,070 + +we set some bed + +2 +00:00:09,070 --> 00:00:09,080 +we set some bed + + +3 +00:00:09,080 --> 00:00:10,690 +we set some bed +so that within that successful show you had + +4 +00:00:10,690 --> 00:00:10,700 +so that within that successful show you had + + +5 +00:00:10,700 --> 00:00:13,750 +so that within that successful show you had +at least want it will intro and + +6 +00:00:13,750 --> 00:00:13,760 +at least want it will intro and + + +7 +00:00:13,760 --> 00:00:20,090 +at least want it will intro and +connect + +8 +00:00:20,090 --> 00:00:20,100 + + + +9 +00:00:20,100 --> 00:00:23,600 + +if you what you + +10 +00:00:23,600 --> 00:00:23,610 + + + +11 +00:00:23,610 --> 00:00:27,940 + +[Music] + +12 +00:00:27,940 --> 00:00:27,950 + + + +13 +00:00:27,950 --> 00:00:30,440 + +[Applause] + +14 +00:00:30,440 --> 00:00:30,450 +[Applause] + + +15 +00:00:30,450 --> 00:00:39,990 +[Applause] +joy + +16 +00:00:39,990 --> 00:00:40,000 + + + +17 +00:00:40,000 --> 00:00:51,250 + +[Music] + +18 +00:00:51,250 --> 00:00:51,260 + + + +19 +00:00:51,260 --> 00:00:54,450 + +[Music] + +20 +00:00:54,450 --> 00:00:54,460 + + + +21 +00:00:54,460 --> 00:00:55,100 + +ah + +22 +00:00:55,100 --> 00:00:55,110 +ah + + +23 +00:00:55,110 --> 00:01:03,660 +ah +[Music] [Music] [Music] [ + +24 +00:01:03,660 --> 00:01:03,670 + + + +25 +00:01:03,670 --> 00:01:09,830 + + +26 +00:01:09,830 --> 00:01:09,840 + + + +27 +00:01:09,840 --> 00:01:27,210 + + +28 +00:01:27,210 --> 00:01:27,220 + + + +29 +00:01:27,220 --> 00:01:52,050 + +Music] + +30 +00:01:52,050 --> 00:01:52,060 + + + +31 +00:01:52,060 --> 00:02:13,430 + +[Applause] + +32 +00:02:13,430 --> 00:02:13,440 + + + +33 +00:02:13,440 --> 00:02:44,509 + +[Music] + diff --git a/1976/BkZ6lFCzAwM.en.srt b/1976/BkZ6lFCzAwM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..ecbc993f9464be0ee0898bdb6173b85d434d2225 --- /dev/null +++ b/1976/BkZ6lFCzAwM.en.srt @@ -0,0 +1,164 @@ +1 +00:00:00,860 --> 00:00:20,790 + +[Music] + +2 +00:00:20,790 --> 00:00:20,800 + + + +3 +00:00:20,800 --> 00:00:22,540 + +Tokyo I + +4 +00:00:22,540 --> 00:00:22,550 +Tokyo I + + +5 +00:00:22,550 --> 00:00:25,450 +Tokyo I +found it beautiful slower and less for not + +6 +00:00:25,450 --> 00:00:25,460 +found it beautiful slower and less for not + + +7 +00:00:25,460 --> 00:00:28,720 +found it beautiful slower and less for not +taking care of them but what is certain is that + +8 +00:00:28,720 --> 00:00:28,730 +taking care of them but what is certain is that + + +9 +00:00:28,730 --> 00:00:33,670 +taking care of them but what is certain is that +the problem link will not even like gil that the + +10 +00:00:33,670 --> 00:00:33,680 +the problem link will not even like gil that the + + +11 +00:00:33,680 --> 00:00:43,509 +the problem link will not even like gil that the +Brazilian is a taxi driver there are also many with + +12 +00:00:43,509 --> 00:00:43,519 +Brazilian is a taxi driver there are also many with + + +13 +00:00:43,519 --> 00:00:44,200 +Brazilian is a taxi driver there are also many with +little + +14 +00:00:44,200 --> 00:00:44,210 +little + + +15 +00:00:44,210 --> 00:00:51,270 +little +or in other words the state + +16 +00:00:51,270 --> 00:00:51,280 + + + +17 +00:00:51,280 --> 00:00:55,130 + +[Music] + +18 +00:00:55,130 --> 00:00:55,140 + + + +19 +00:00:55,140 --> 00:00:58,890 + +each one goes [Music] + +20 +00:00:58,890 --> 00:00:58,900 + + + +21 +00:00:58,900 --> 00:01:12,490 + + +22 +00:01:12,490 --> 00:01:12,500 + + + +23 +00:01:12,500 --> 00:01:36,190 + +[Music] + +24 +00:01:36,190 --> 00:01:36,200 +[Music] + + +25 +00:01:36,200 --> 00:01:40,760 +[Music] +I think he little so why + +26 +00:01:40,760 --> 00:01:40,770 +I think he little so why + + +27 +00:01:40,770 --> 00:01:42,890 +I think he little so why +was this the python childish plantation + +28 +00:01:42,890 --> 00:01:42,900 +was this the python childish plantation + + +29 +00:01:42,900 --> 00:01:46,700 +was this the python childish plantation +waiting to play ball leaving the girl already + +30 +00:01:46,700 --> 00:01:46,710 +waiting to play ball leaving the girl already + + +31 +00:01:46,710 --> 00:01:49,190 +waiting to play ball leaving the girl already +back to this absence + +32 +00:01:49,190 --> 00:01:49,200 +back to this absence + + +33 +00:01:49,200 --> 00:02:00,530 +back to this absence +[Music] + diff --git a/1976/BuPdA_CDITw.en.srt b/1976/BuPdA_CDITw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f867e4da95f19faf1daa1ed3966f4eeb4b7aaf0c --- /dev/null +++ b/1976/BuPdA_CDITw.en.srt @@ -0,0 +1,205 @@ +1 +00:00:00,900 --> 00:00:09,480 + +piece of country + +2 +00:00:09,480 --> 00:00:09,490 + + + +3 +00:00:09,490 --> 00:00:13,470 + +you really know what you're doing + +4 +00:00:13,470 --> 00:00:13,480 +you really know what you're doing + + +5 +00:00:13,480 --> 00:00:17,260 +you really know what you're doing +I've been watching you + +6 +00:00:17,260 --> 00:00:17,270 + + + +7 +00:00:17,270 --> 00:00:21,220 + +I'm Tracy ballade how do you do + +8 +00:00:21,220 --> 00:00:21,230 +I'm Tracy ballade how do you do + + +9 +00:00:21,230 --> 00:00:25,060 +I'm Tracy ballade how do you do +Stephen Stephen I'm doing a video + +10 +00:00:25,060 --> 00:00:25,070 +Stephen Stephen I'm doing a video + + +11 +00:00:25,070 --> 00:00:28,630 +Stephen Stephen I'm doing a video +special and demos and it's so confusing + +12 +00:00:28,630 --> 00:00:28,640 +special and demos and it's so confusing + + +13 +00:00:28,640 --> 00:00:32,710 +special and demos and it's so confusing +you know I thought maybe later on we + +14 +00:00:32,710 --> 00:00:32,720 +you know I thought maybe later on we + + +15 +00:00:32,720 --> 00:00:34,090 +you know I thought maybe later on we +could get together you couldn't sort of + +16 +00:00:34,090 --> 00:00:34,100 +could get together you couldn't sort of + + +17 +00:00:34,100 --> 00:00:37,150 +could get together you couldn't sort of +help me out I'm sorry that's not + +18 +00:00:37,150 --> 00:00:37,160 +help me out I'm sorry that's not + + +19 +00:00:37,160 --> 00:00:37,689 +help me out I'm sorry that's not +possible + +20 +00:00:37,689 --> 00:00:37,699 +possible + + +21 +00:00:37,699 --> 00:00:47,890 +possible +uh you're married huh no ma'am she is a + +22 +00:00:47,890 --> 00:00:47,900 +uh you're married huh no ma'am she is a + + +23 +00:00:47,900 --> 00:00:49,479 +uh you're married huh no ma'am she is a +wonderful job but don't you kind of get + +24 +00:00:49,479 --> 00:00:49,489 +wonderful job but don't you kind of get + + +25 +00:00:49,489 --> 00:00:56,530 +wonderful job but don't you kind of get +the room no ma'am I'm not making this + +26 +00:00:56,530 --> 00:00:56,540 +the room no ma'am I'm not making this + + +27 +00:00:56,540 --> 00:01:00,070 +the room no ma'am I'm not making this +easy Stephen tell me do you think I'm + +28 +00:01:00,070 --> 00:01:00,080 +easy Stephen tell me do you think I'm + + +29 +00:01:00,080 --> 00:01:00,700 +easy Stephen tell me do you think I'm +pretty + +30 +00:01:00,700 --> 00:01:00,710 +pretty + + +31 +00:01:00,710 --> 00:01:10,120 +pretty +yes ma'am I like it I'm sorry ma'am all + +32 +00:01:10,120 --> 00:01:10,130 +yes ma'am I like it I'm sorry ma'am all + + +33 +00:01:10,130 --> 00:01:12,460 +yes ma'am I like it I'm sorry ma'am all +right begin the space walk sequence on + +34 +00:01:12,460 --> 00:01:12,470 +right begin the space walk sequence on + + +35 +00:01:12,470 --> 00:01:13,210 +right begin the space walk sequence on +my mark + +36 +00:01:13,210 --> 00:01:13,220 +my mark + + +37 +00:01:13,220 --> 00:01:15,600 +my mark +bring the moon up a little fuller please + +38 +00:01:15,600 --> 00:01:15,610 +bring the moon up a little fuller please + + +39 +00:01:15,610 --> 00:01:21,120 +bring the moon up a little fuller please +three two one mark + +40 +00:01:21,120 --> 00:01:21,130 +three two one mark + + +41 +00:01:21,130 --> 00:01:32,459 +three two one mark +[Music] + diff --git a/1976/CSwnlwsBAFU.en.srt b/1976/CSwnlwsBAFU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..420de50e1e22cdf4e788857e0d03cf60a80a9c6b --- /dev/null +++ b/1976/CSwnlwsBAFU.en.srt @@ -0,0 +1,270 @@ +1 +00:00:00,280 --> 00:00:13,950 + +bye + +2 +00:00:13,950 --> 00:00:13,960 + + + +3 +00:00:13,960 --> 00:00:23,630 + +darling you want me to go + +4 +00:00:23,630 --> 00:00:23,640 + + + +5 +00:00:23,640 --> 00:00:28,669 + +yes + +6 +00:00:28,669 --> 00:00:28,679 + + + +7 +00:00:28,679 --> 00:00:31,470 + +no cut + +8 +00:00:31,470 --> 00:00:31,480 +no cut + + +9 +00:00:31,480 --> 00:00:33,709 +no cut +that's a print that was really good I + +10 +00:00:33,709 --> 00:00:33,719 +that's a print that was really good I + + +11 +00:00:33,719 --> 00:00:36,389 +that's a print that was really good I +mean very very good give me a finder all + +12 +00:00:36,389 --> 00:00:36,399 +mean very very good give me a finder all + + +13 +00:00:36,399 --> 00:00:38,030 +mean very very good give me a finder all +right take it + +14 +00:00:38,030 --> 00:00:38,040 +right take it + + +15 +00:00:38,040 --> 00:00:50,069 +right take it +up you're + +16 +00:00:50,069 --> 00:00:50,079 + + + +17 +00:00:50,079 --> 00:00:53,029 + +ass how + +18 +00:00:53,029 --> 00:00:53,039 +ass how + + +19 +00:00:53,039 --> 00:00:57,910 +ass how +about and watch that cable up that was + +20 +00:00:57,910 --> 00:00:57,920 +about and watch that cable up that was + + +21 +00:00:57,920 --> 00:01:00,709 +about and watch that cable up that was +really very good indeed up you think so + +22 +00:01:00,709 --> 00:01:00,719 +really very good indeed up you think so + + +23 +00:01:00,719 --> 00:01:03,030 +really very good indeed up you think so +it was absolutely terrific it was really + +24 +00:01:03,030 --> 00:01:03,040 +it was absolutely terrific it was really + + +25 +00:01:03,040 --> 00:01:05,789 +it was absolutely terrific it was really +wonderful it was + +26 +00:01:05,789 --> 00:01:05,799 +wonderful it was + + +27 +00:01:05,799 --> 00:01:09,109 +wonderful it was + there we go again Billy listen Dei + +28 +00:01:09,109 --> 00:01:09,119 +there we go again Billy listen Dei + + +29 +00:01:09,119 --> 00:01:11,070 +there we go again Billy listen Dei +I have to tell you it was + +30 +00:01:11,070 --> 00:01:11,080 +I have to tell you it was + + +31 +00:01:11,080 --> 00:01:15,789 +I have to tell you it was +Exquisite it was fake it was false + +32 +00:01:15,789 --> 00:01:15,799 +Exquisite it was fake it was false + + +33 +00:01:15,799 --> 00:01:23,429 +Exquisite it was fake it was false +didn't you + +34 +00:01:23,429 --> 00:01:23,439 + + + +35 +00:01:23,439 --> 00:01:26,469 + +notice I want to do it again you'll + +36 +00:01:26,469 --> 00:01:26,479 +notice I want to do it again you'll + + +37 +00:01:26,479 --> 00:01:29,230 +notice I want to do it again you'll +never do it better I know I can play + +38 +00:01:29,230 --> 00:01:29,240 +never do it better I know I can play + + +39 +00:01:29,240 --> 00:01:30,429 +never do it better I know I can play +that scene + +40 +00:01:30,429 --> 00:01:30,439 +that scene + + +41 +00:01:30,439 --> 00:01:34,990 +that scene +I want to do it again it's good for me + +42 +00:01:34,990 --> 00:01:35,000 +I want to do it again it's good for me + + +43 +00:01:35,000 --> 00:01:48,510 +I want to do it again it's good for me +what D trust + +44 +00:01:48,510 --> 00:01:48,520 + + + +45 +00:01:48,520 --> 00:01:52,469 + +me thank + +46 +00:01:52,469 --> 00:01:52,479 + + + +47 +00:01:52,479 --> 00:01:58,149 + +you I'm + +48 +00:01:58,149 --> 00:01:58,159 + + + +49 +00:01:58,159 --> 00:02:02,029 + +ready chief + +50 +00:02:02,029 --> 00:02:02,039 + + + +51 +00:02:02,039 --> 00:02:05,950 + +let's do it again we're g to do it again + +52 +00:02:05,950 --> 00:02:08,689 +let's do it again we're g to do it again + + +53 +00:02:08,689 --> 00:02:08,699 + + + +54 +00:02:08,699 --> 00:02:43,509 + +[Music] + diff --git a/1976/CWN1xWdKbHY.en.srt b/1976/CWN1xWdKbHY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8565282a83320f211c92349e33240b5355dc019a --- /dev/null +++ b/1976/CWN1xWdKbHY.en.srt @@ -0,0 +1,455 @@ +1 +00:00:00,240 --> 00:00:03,830 + +hey angle bir what there's chocolate all + +2 +00:00:03,830 --> 00:00:03,840 +hey angle bir what there's chocolate all + + +3 +00:00:03,840 --> 00:00:06,829 +hey angle bir what there's chocolate all +over this ball look Mr buttermaker quit + +4 +00:00:06,829 --> 00:00:06,839 +over this ball look Mr buttermaker quit + + +5 +00:00:06,839 --> 00:00:08,830 +over this ball look Mr buttermaker quit +bugging me about my food people are + +6 +00:00:08,830 --> 00:00:08,840 +bugging me about my food people are + + +7 +00:00:08,840 --> 00:00:10,629 +bugging me about my food people are +always bugging me about it my shink says + +8 +00:00:10,629 --> 00:00:10,639 +always bugging me about it my shink says + + +9 +00:00:10,639 --> 00:00:12,310 +always bugging me about it my shink says +that's why I'm so fat so you're not + +10 +00:00:12,310 --> 00:00:12,320 +that's why I'm so fat so you're not + + +11 +00:00:12,320 --> 00:00:15,870 +that's why I'm so fat so you're not +doing me any good so let quit it okay + +12 +00:00:15,870 --> 00:00:15,880 +doing me any good so let quit it okay + + +13 +00:00:15,880 --> 00:00:20,630 +doing me any good so let quit it okay +okay + +14 +00:00:20,630 --> 00:00:20,640 + + + +15 +00:00:20,640 --> 00:00:24,070 + +[Applause] + +16 +00:00:24,070 --> 00:00:24,080 + + + +17 +00:00:24,080 --> 00:00:26,910 + +okay all right look alive let's get one + +18 +00:00:26,910 --> 00:00:26,920 +okay all right look alive let's get one + + +19 +00:00:26,920 --> 00:00:33,150 +okay all right look alive let's get one +are you ready let's get one out there + +20 +00:00:33,150 --> 00:00:33,160 + + + +21 +00:00:33,160 --> 00:00:38,470 + +engleberg what that is a bunt B NT the + +22 +00:00:38,470 --> 00:00:38,480 +engleberg what that is a bunt B NT the + + +23 +00:00:38,480 --> 00:00:40,790 +engleberg what that is a bunt B NT the +catcher is supposed to pick up the bunt + +24 +00:00:40,790 --> 00:00:40,800 +catcher is supposed to pick up the bunt + + +25 +00:00:40,800 --> 00:00:42,990 +catcher is supposed to pick up the bunt +and throw it to first base what hell was + +26 +00:00:42,990 --> 00:00:43,000 +and throw it to first base what hell was + + +27 +00:00:43,000 --> 00:00:44,389 +and throw it to first base what hell was +I supposed to know you make turn a big + +28 +00:00:44,389 --> 00:00:44,399 +I supposed to know you make turn a big + + +29 +00:00:44,399 --> 00:00:46,830 +I supposed to know you make turn a big +deal yelling after them diversionary + +30 +00:00:46,830 --> 00:00:46,840 +deal yelling after them diversionary + + +31 +00:00:46,840 --> 00:00:48,790 +deal yelling after them diversionary +tactic angle BG now get the ball why you + +32 +00:00:48,790 --> 00:00:48,800 +tactic angle BG now get the ball why you + + +33 +00:00:48,800 --> 00:00:50,389 +tactic angle BG now get the ball why you +always picking on me what did I do to + +34 +00:00:50,389 --> 00:00:50,399 +always picking on me what did I do to + + +35 +00:00:50,399 --> 00:00:53,069 +always picking on me what did I do to +you angle CR you cby belly a and a throw + +36 +00:00:53,069 --> 00:00:53,079 +you angle CR you cby belly a and a throw + + +37 +00:00:53,079 --> 00:01:07,590 +you angle CR you cby belly a and a throw +the ball a first BAS + +38 +00:01:07,590 --> 00:01:07,600 + + + +39 +00:01:07,600 --> 00:01:09,390 + +don't play me I didn't even know it was + +40 +00:01:09,390 --> 00:01:09,400 +don't play me I didn't even know it was + + +41 +00:01:09,400 --> 00:01:11,950 +don't play me I didn't even know it was +your car it's D thing parking it so + +42 +00:01:11,950 --> 00:01:11,960 +your car it's D thing parking it so + + +43 +00:01:11,960 --> 00:01:14,510 +your car it's D thing parking it so +close to the field + +44 +00:01:14,510 --> 00:01:14,520 +close to the field + + +45 +00:01:14,520 --> 00:01:17,270 +close to the field +anyway all right boys let's get Back to + +46 +00:01:17,270 --> 00:01:17,280 +anyway all right boys let's get Back to + + +47 +00:01:17,280 --> 00:01:20,990 +anyway all right boys let's get Back to +Basics this is a baseball the object of + +48 +00:01:20,990 --> 00:01:21,000 +Basics this is a baseball the object of + + +49 +00:01:21,000 --> 00:01:23,550 +Basics this is a baseball the object of +the game is to keep the baseball within + +50 +00:01:23,550 --> 00:01:23,560 +the game is to keep the baseball within + + +51 +00:01:23,560 --> 00:01:26,069 +the game is to keep the baseball within +the confines of the + +52 +00:01:26,069 --> 00:01:26,079 +the confines of the + + +53 +00:01:26,079 --> 00:01:28,590 +the confines of the +plane one wild thr you don't think we + +54 +00:01:28,590 --> 00:01:28,600 +plane one wild thr you don't think we + + +55 +00:01:28,600 --> 00:01:31,069 +plane one wild thr you don't think we +know what a ball is I don't think I like + +56 +00:01:31,069 --> 00:01:31,079 +know what a ball is I don't think I like + + +57 +00:01:31,079 --> 00:01:33,590 +know what a ball is I don't think I like +the + +58 +00:01:33,590 --> 00:01:33,600 + + + +59 +00:01:33,600 --> 00:01:36,550 + +C you enough fights this week already we + +60 +00:01:36,550 --> 00:01:36,560 +C you enough fights this week already we + + +61 +00:01:36,560 --> 00:01:37,950 +C you enough fights this week already we +keep playing like this will be the last + +62 +00:01:37,950 --> 00:01:37,960 +keep playing like this will be the last + + +63 +00:01:37,960 --> 00:01:39,670 +keep playing like this will be the last +thing stock the League what do you + +64 +00:01:39,670 --> 00:01:39,680 +thing stock the League what do you + + +65 +00:01:39,680 --> 00:01:41,310 +thing stock the League what do you +expect oh we got on this team was a + +66 +00:01:41,310 --> 00:01:41,320 +expect oh we got on this team was a + + +67 +00:01:41,320 --> 00:01:45,069 +expect oh we got on this team was a +bunch of juice bcks nigers pansies and a + +68 +00:01:45,069 --> 00:01:45,079 +bunch of juice bcks nigers pansies and a + + +69 +00:01:45,079 --> 00:01:47,429 +bunch of juice bcks nigers pansies and a +booger EA more on Tanner I think you + +70 +00:01:47,429 --> 00:01:47,439 +booger EA more on Tanner I think you + + +71 +00:01:47,439 --> 00:01:49,429 +booger EA more on Tanner I think you +should be reminded from time to time + +72 +00:01:49,429 --> 00:01:49,439 +should be reminded from time to time + + +73 +00:01:49,439 --> 00:01:50,950 +should be reminded from time to time +that you're one of the few people on + +74 +00:01:50,950 --> 00:01:50,960 +that you're one of the few people on + + +75 +00:01:50,960 --> 00:01:52,789 +that you're one of the few people on +this team who's not a juice big ner + +76 +00:01:52,789 --> 00:01:52,799 +this team who's not a juice big ner + + +77 +00:01:52,799 --> 00:01:55,069 +this team who's not a juice big ner +pansy or booger eaing so you'd + +78 +00:01:55,069 --> 00:01:55,079 +pansy or booger eaing so you'd + + +79 +00:01:55,079 --> 00:01:56,709 +pansy or booger eaing so you'd +better cool it or we may be disposed to + +80 +00:01:56,709 --> 00:01:56,719 +better cool it or we may be disposed to + + +81 +00:01:56,719 --> 00:02:00,630 +better cool it or we may be disposed to +beat the crap out of you oh yeah yeah + +82 +00:02:00,630 --> 00:02:00,640 +beat the crap out of you oh yeah yeah + + +83 +00:02:00,640 --> 00:02:03,190 +beat the crap out of you oh yeah yeah +come on cut it + +84 +00:02:03,190 --> 00:02:03,200 +come on cut it + + +85 +00:02:03,200 --> 00:02:06,109 +come on cut it +out now guys somebody's going to pay for + +86 +00:02:06,109 --> 00:02:06,119 +out now guys somebody's going to pay for + + +87 +00:02:06,119 --> 00:02:08,109 +out now guys somebody's going to pay for +this windshield and I think Ang leberg + +88 +00:02:08,109 --> 00:02:08,119 +this windshield and I think Ang leberg + + +89 +00:02:08,119 --> 00:02:13,430 +this windshield and I think Ang leberg +it's going to be your father + +90 +00:02:13,430 --> 00:02:13,440 + + + +91 +00:02:13,440 --> 00:02:44,509 + +[Music] + diff --git a/1976/CXacLvKGrQ0.description b/1976/CXacLvKGrQ0.description new file mode 100644 index 0000000000000000000000000000000000000000..223d69e789bcab27b2b6ef66679e5028df6b6537 --- /dev/null +++ b/1976/CXacLvKGrQ0.description @@ -0,0 +1,38 @@ +All the President's Men movie clips: http://j.mp/1JdpCit +BUY THE MOVIE: http://j.mp/QXy4pD +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Harry Rosenfeld (Jack Warden) informs Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) that they'll be covering the Watergate scandal together. + +FILM DESCRIPTION: +Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. + +CREDITS: +TM & © Warner Bros. (1976) +Cast: Dustin Hoffman, Robert Redford, Jack Warden +Director: Alan J. Pakula +Producers: Jon Boorstin, Michael Britton, Walter Coblenz +Screenwriters: Carl Bernstein, William Goldman, Bob Woodard + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/CXacLvKGrQ0.en.srt b/1976/CXacLvKGrQ0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..48afbd153e7fa9e98943c0acab1c6506e13f0799 --- /dev/null +++ b/1976/CXacLvKGrQ0.en.srt @@ -0,0 +1,405 @@ +1 +00:00:20,279 --> 00:00:22,070 + +you get me + +2 +00:00:22,070 --> 00:00:22,080 +you get me + + +3 +00:00:22,080 --> 00:00:41,750 +you get me +Mand all right listen I want + +4 +00:00:41,750 --> 00:00:41,760 + + + +5 +00:00:41,760 --> 00:00:43,830 + +how's it going what you + +6 +00:00:43,830 --> 00:00:43,840 +how's it going what you + + +7 +00:00:43,840 --> 00:00:47,029 +how's it going what you +doing what poish what's wrong with it + +8 +00:00:47,029 --> 00:00:47,039 +doing what poish what's wrong with it + + +9 +00:00:47,039 --> 00:00:49,029 +doing what poish what's wrong with it +nothing nothing it's good then what are + +10 +00:00:49,029 --> 00:00:49,039 +nothing nothing it's good then what are + + +11 +00:00:49,039 --> 00:00:50,630 +nothing nothing it's good then what are +you doing with it I'm just helping it's + +12 +00:00:50,630 --> 00:00:50,640 +you doing with it I'm just helping it's + + +13 +00:00:50,640 --> 00:00:52,069 +you doing with it I'm just helping it's +a little + +14 +00:00:52,069 --> 00:00:52,079 +a little + + +15 +00:00:52,079 --> 00:00:54,830 +a little +fuzzy may I have it I don't think you're + +16 +00:00:54,830 --> 00:00:54,840 +fuzzy may I have it I don't think you're + + +17 +00:00:54,840 --> 00:00:56,750 +fuzzy may I have it I don't think you're +saying what you mean I know exactly what + +18 +00:00:56,750 --> 00:00:56,760 +saying what you mean I know exactly what + + +19 +00:00:56,760 --> 00:00:58,990 +saying what you mean I know exactly what +I mean not here I can't tell from this + +20 +00:00:58,990 --> 00:00:59,000 +I mean not here I can't tell from this + + +21 +00:00:59,000 --> 00:01:00,549 +I mean not here I can't tell from this +where the Hunt works for cold or Coulson + +22 +00:01:00,549 --> 00:01:00,559 +where the Hunt works for cold or Coulson + + +23 +00:01:00,559 --> 00:01:01,950 +where the Hunt works for cold or Coulson +works for H may I have it and some of + +24 +00:01:01,950 --> 00:01:01,960 +works for H may I have it and some of + + +25 +00:01:01,960 --> 00:01:04,350 +works for H may I have it and some of +your conclusions AR yes I'm not looking + +26 +00:01:04,350 --> 00:01:04,360 +your conclusions AR yes I'm not looking + + +27 +00:01:04,360 --> 00:01:05,870 +your conclusions AR yes I'm not looking +for a fight I'm not looking for a fight + +28 +00:01:05,870 --> 00:01:05,880 +for a fight I'm not looking for a fight + + +29 +00:01:05,880 --> 00:01:07,030 +for a fight I'm not looking for a fight +either I'm just aware of the fact that + +30 +00:01:07,030 --> 00:01:07,040 +either I'm just aware of the fact that + + +31 +00:01:07,040 --> 00:01:09,390 +either I'm just aware of the fact that +you only been here 9 + +32 +00:01:09,390 --> 00:01:09,400 +you only been here 9 + + +33 +00:01:09,400 --> 00:01:11,469 +you only been here 9 +months what does that got to do with it + +34 +00:01:11,469 --> 00:01:11,479 +months what does that got to do with it + + +35 +00:01:11,479 --> 00:01:12,550 +months what does that got to do with it +well I've been in the business since I'm + +36 +00:01:12,550 --> 00:01:12,560 +well I've been in the business since I'm + + +37 +00:01:12,560 --> 00:01:14,710 +well I've been in the business since I'm +16 what are you saying well I'm trying + +38 +00:01:14,710 --> 00:01:14,720 +16 what are you saying well I'm trying + + +39 +00:01:14,720 --> 00:01:16,429 +16 what are you saying well I'm trying +to tell you that if you'd read mine and + +40 +00:01:16,429 --> 00:01:16,439 +to tell you that if you'd read mine and + + +41 +00:01:16,439 --> 00:01:18,710 +to tell you that if you'd read mine and +then read yours read yours + +42 +00:01:18,710 --> 00:01:18,720 +then read yours read yours + + +43 +00:01:18,720 --> 00:01:21,230 +then read yours read yours +yeah I walked by gave yours a glance it + +44 +00:01:21,230 --> 00:01:21,240 +yeah I walked by gave yours a glance it + + +45 +00:01:21,240 --> 00:01:22,510 +yeah I walked by gave yours a glance it +didn't look right so I just figured I'd + +46 +00:01:22,510 --> 00:01:22,520 +didn't look right so I just figured I'd + + +47 +00:01:22,520 --> 00:01:24,350 +didn't look right so I just figured I'd +refine it a little at first paragraph + +48 +00:01:24,350 --> 00:01:24,360 +refine it a little at first paragraph + + +49 +00:01:24,360 --> 00:01:26,069 +refine it a little at first paragraph +has to have more clarity the reader is + +50 +00:01:26,069 --> 00:01:26,079 +has to have more clarity the reader is + + +51 +00:01:26,079 --> 00:01:27,350 +has to have more clarity the reader is +going to understand you don't mention + +52 +00:01:27,350 --> 00:01:27,360 +going to understand you don't mention + + +53 +00:01:27,360 --> 00:01:30,310 +going to understand you don't mention +coulson's name to the third paragraph + +54 +00:01:30,310 --> 00:01:30,320 +coulson's name to the third paragraph + + +55 +00:01:30,320 --> 00:01:31,550 +coulson's name to the third paragraph +I think mine's better but you go ahead + +56 +00:01:31,550 --> 00:01:31,560 +I think mine's better but you go ahead + + +57 +00:01:31,560 --> 00:01:32,710 +I think mine's better but you go ahead +and read it if you think yours is better + +58 +00:01:32,710 --> 00:01:32,720 +and read it if you think yours is better + + +59 +00:01:32,720 --> 00:01:34,469 +and read it if you think yours is better +we'll give yours to the desk I've got + +60 +00:01:34,469 --> 00:01:34,479 +we'll give yours to the desk I've got + + +61 +00:01:34,479 --> 00:01:36,870 +we'll give yours to the desk I've got +coulson's name up + +62 +00:01:36,870 --> 00:01:36,880 +coulson's name up + + +63 +00:01:36,880 --> 00:01:38,990 +coulson's name up +front there's a White House consultant + +64 +00:01:38,990 --> 00:01:39,000 +front there's a White House consultant + + +65 +00:01:39,000 --> 00:01:40,870 +front there's a White House consultant +and nobody knows + +66 +00:01:40,870 --> 00:01:40,880 +and nobody knows + + +67 +00:01:40,880 --> 00:01:54,270 +and nobody knows +it yours is + +68 +00:01:54,270 --> 00:01:54,280 + + + +69 +00:01:54,280 --> 00:01:56,230 + +better if you're going to do it do it + +70 +00:01:56,230 --> 00:01:56,240 +better if you're going to do it do it + + +71 +00:01:56,240 --> 00:01:57,830 +better if you're going to do it do it +right here my notes if you're going to + +72 +00:01:57,830 --> 00:01:57,840 +right here my notes if you're going to + + +73 +00:01:57,840 --> 00:01:59,469 +right here my notes if you're going to +Hype it hype it with the facts I don't + +74 +00:01:59,469 --> 00:01:59,479 +Hype it hype it with the facts I don't + + +75 +00:01:59,479 --> 00:02:03,109 +Hype it hype it with the facts I don't +mind you did I mind the way you + +76 +00:02:03,109 --> 00:02:03,119 +mind you did I mind the way you + + +77 +00:02:03,119 --> 00:02:06,270 +mind you did I mind the way you +did Woodward Burstein your both on the + +78 +00:02:06,270 --> 00:02:06,280 +did Woodward Burstein your both on the + + +79 +00:02:06,280 --> 00:02:08,430 +did Woodward Burstein your both on the +story now don't it up + +80 +00:02:08,430 --> 00:02:08,440 +story now don't it up + + +81 +00:02:08,440 --> 00:02:39,490 +story now don't it up +[Music] + diff --git a/1976/Cq2Wzdd_PYs.en.srt b/1976/Cq2Wzdd_PYs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..bb705589ac45997a441b2082e05ce88f853836e2 --- /dev/null +++ b/1976/Cq2Wzdd_PYs.en.srt @@ -0,0 +1,465 @@ +1 +00:00:00,030 --> 00:00:01,760 + +the idea is to actually make a videotape + +2 +00:00:01,760 --> 00:00:01,770 +the idea is to actually make a videotape + + +3 +00:00:01,770 --> 00:00:03,710 +the idea is to actually make a videotape +of a dream you take it with you + +4 +00:00:03,710 --> 00:00:03,720 +of a dream you take it with you + + +5 +00:00:03,720 --> 00:00:05,660 +of a dream you take it with you +play it back final 250 bucks that is + +6 +00:00:05,660 --> 00:00:05,670 +play it back final 250 bucks that is + + +7 +00:00:05,670 --> 00:00:07,579 +play it back final 250 bucks that is +absolutely incredible you want to try it + +8 +00:00:07,579 --> 00:00:07,589 +absolutely incredible you want to try it + + +9 +00:00:07,589 --> 00:00:10,790 +absolutely incredible you want to try it +go ahead socks go for it but yes yes I + +10 +00:00:10,790 --> 00:00:10,800 +go ahead socks go for it but yes yes I + + +11 +00:00:10,800 --> 00:00:12,049 +go ahead socks go for it but yes yes I +do you know maybe I could use it on the + +12 +00:00:12,049 --> 00:00:12,059 +do you know maybe I could use it on the + + +13 +00:00:12,059 --> 00:00:13,879 +do you know maybe I could use it on the +program I think you'll find us a unique + +14 +00:00:13,879 --> 00:00:13,889 +program I think you'll find us a unique + + +15 +00:00:13,889 --> 00:00:14,600 +program I think you'll find us a unique +experience + +16 +00:00:14,600 --> 00:00:14,610 +experience + + +17 +00:00:14,610 --> 00:00:16,910 +experience +dr. beaut this way for you Ben I got to + +18 +00:00:16,910 --> 00:00:16,920 +dr. beaut this way for you Ben I got to + + +19 +00:00:16,920 --> 00:00:19,609 +dr. beaut this way for you Ben I got to +see this wait a minute you mean he can + +20 +00:00:19,609 --> 00:00:19,619 +see this wait a minute you mean he can + + +21 +00:00:19,619 --> 00:00:23,269 +see this wait a minute you mean he can +watch unless you object well I don't + +22 +00:00:23,269 --> 00:00:23,279 +watch unless you object well I don't + + +23 +00:00:23,279 --> 00:00:24,439 +watch unless you object well I don't +know whether I do or not I mean it + +24 +00:00:24,439 --> 00:00:24,449 +know whether I do or not I mean it + + +25 +00:00:24,449 --> 00:00:26,210 +know whether I do or not I mean it +depends on what I dream doesn't it well + +26 +00:00:26,210 --> 00:00:26,220 +depends on what I dream doesn't it well + + +27 +00:00:26,220 --> 00:00:28,070 +depends on what I dream doesn't it well +don't you worry about it I won't tell + +28 +00:00:28,070 --> 00:00:28,080 +don't you worry about it I won't tell + + +29 +00:00:28,080 --> 00:00:31,519 +don't you worry about it I won't tell +anybody all right wise guy it's about + +30 +00:00:31,519 --> 00:00:31,529 +anybody all right wise guy it's about + + +31 +00:00:31,529 --> 00:00:41,830 +anybody all right wise guy it's about +time you learned something about women + +32 +00:00:41,830 --> 00:00:41,840 + + + +33 +00:00:41,840 --> 00:00:44,529 + +are you sure I won't have a night matter + +34 +00:00:44,529 --> 00:00:44,539 +are you sure I won't have a night matter + + +35 +00:00:44,539 --> 00:00:46,610 +are you sure I won't have a night matter +in this thing looks pretty frightening + +36 +00:00:46,610 --> 00:00:46,620 +in this thing looks pretty frightening + + +37 +00:00:46,620 --> 00:00:48,260 +in this thing looks pretty frightening +Oh we'll see to it if that doesn't + +38 +00:00:48,260 --> 00:00:48,270 +Oh we'll see to it if that doesn't + + +39 +00:00:48,270 --> 00:00:50,540 +Oh we'll see to it if that doesn't +happen the couch is designed to remove + +40 +00:00:50,540 --> 00:00:50,550 +happen the couch is designed to remove + + +41 +00:00:50,550 --> 00:00:52,340 +happen the couch is designed to remove +any pressure along than your own spinal + +42 +00:00:52,340 --> 00:00:52,350 +any pressure along than your own spinal + + +43 +00:00:52,350 --> 00:00:54,740 +any pressure along than your own spinal +column and the material bleeds air at + +44 +00:00:54,740 --> 00:00:54,750 +column and the material bleeds air at + + +45 +00:00:54,750 --> 00:00:56,779 +column and the material bleeds air at +the exact temperature of your body so + +46 +00:00:56,779 --> 00:00:56,789 +the exact temperature of your body so + + +47 +00:00:56,789 --> 00:00:58,819 +the exact temperature of your body so +you'll see nothing feel nothing hear + +48 +00:00:58,819 --> 00:00:58,829 +you'll see nothing feel nothing hear + + +49 +00:00:58,829 --> 00:00:59,299 +you'll see nothing feel nothing hear +nothing + +50 +00:00:59,299 --> 00:00:59,309 +nothing + + +51 +00:00:59,309 --> 00:01:10,920 +nothing +your mind will begin to feed on itself + +52 +00:01:10,920 --> 00:01:10,930 + + + +53 +00:01:10,930 --> 00:01:13,620 + +every thought like every eye blink for a + +54 +00:01:13,620 --> 00:01:13,630 +every thought like every eye blink for a + + +55 +00:01:13,630 --> 00:01:16,280 +every thought like every eye blink for a +car key releases currents of electricity + +56 +00:01:16,280 --> 00:01:16,290 +car key releases currents of electricity + + +57 +00:01:16,290 --> 00:01:19,160 +car key releases currents of electricity +which can be transformed into waves + +58 +00:01:19,160 --> 00:01:19,170 +which can be transformed into waves + + +59 +00:01:19,170 --> 00:01:21,260 +which can be transformed into waves +she's got a lot on her mind huh + +60 +00:01:21,260 --> 00:01:21,270 +she's got a lot on her mind huh + + +61 +00:01:21,270 --> 00:01:24,840 +she's got a lot on her mind huh +recording mm different waves from 5000 + +62 +00:01:24,840 --> 00:01:24,850 +recording mm different waves from 5000 + + +63 +00:01:24,850 --> 00:01:25,890 +recording mm different waves from 5000 +suffered brain locations + +64 +00:01:25,890 --> 00:01:25,900 +suffered brain locations + + +65 +00:01:25,900 --> 00:01:28,920 +suffered brain locations +Wow millions of bits of information take + +66 +00:01:28,920 --> 00:01:28,930 +Wow millions of bits of information take + + +67 +00:01:28,930 --> 00:01:33,240 +Wow millions of bits of information take +it all in put it back together on this + +68 +00:01:33,240 --> 00:01:33,250 +it all in put it back together on this + + +69 +00:01:33,250 --> 00:01:34,440 +it all in put it back together on this +what's this + +70 +00:01:34,440 --> 00:01:34,450 +what's this + + +71 +00:01:34,450 --> 00:01:48,350 +what's this +take a look you know what you see I + +72 +00:01:48,350 --> 00:01:48,360 +take a look you know what you see I + + +73 +00:01:48,360 --> 00:01:51,900 +take a look you know what you see I +can't believe it you're looking directly + +74 +00:01:51,900 --> 00:01:51,910 +can't believe it you're looking directly + + +75 +00:01:51,910 --> 00:01:54,840 +can't believe it you're looking directly +into her mind we learn how to convert + +76 +00:01:54,840 --> 00:01:54,850 +into her mind we learn how to convert + + +77 +00:01:54,850 --> 00:01:57,030 +into her mind we learn how to convert +soft waves back into the images of mine + +78 +00:01:57,030 --> 00:01:57,040 +soft waves back into the images of mine + + +79 +00:01:57,040 --> 00:02:00,180 +soft waves back into the images of mine +create it isn't perfect of course it'll + +80 +00:02:00,180 --> 00:02:00,190 +create it isn't perfect of course it'll + + +81 +00:02:00,190 --> 00:02:04,950 +create it isn't perfect of course it'll +do activate the pain pleasure gradient + +82 +00:02:04,950 --> 00:02:04,960 +do activate the pain pleasure gradient + + +83 +00:02:04,960 --> 00:02:11,960 +do activate the pain pleasure gradient +please + +84 +00:02:11,960 --> 00:02:11,970 + + + +85 +00:02:11,970 --> 00:02:13,370 + +[Applause] + +86 +00:02:13,370 --> 00:02:13,380 +[Applause] + + +87 +00:02:13,380 --> 00:02:15,250 +[Applause] +[Music] + +88 +00:02:15,250 --> 00:02:15,260 +[Music] + + +89 +00:02:15,260 --> 00:02:20,390 +[Music] +who's that Reverend a fantasy lover I'm + +90 +00:02:20,390 --> 00:02:20,400 +who's that Reverend a fantasy lover I'm + + +91 +00:02:20,400 --> 00:02:21,930 +who's that Reverend a fantasy lover I'm +not sure I'm ready for this + +92 +00:02:21,930 --> 00:02:21,940 +not sure I'm ready for this + + +93 +00:02:21,940 --> 00:02:33,270 +not sure I'm ready for this +[Music] + diff --git a/1976/DJcTG-VnLrI.description b/1976/DJcTG-VnLrI.description new file mode 100644 index 0000000000000000000000000000000000000000..f6739b03f2fc199e9edb90d75cd29f8e83eafc60 --- /dev/null +++ b/1976/DJcTG-VnLrI.description @@ -0,0 +1,38 @@ +Carrie movie clips: http://j.mp/1D3lVdv +BUY THE MOVIE: http://j.mp/12MXUT5 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After winning Prom Queen, Carrie (Sissy Spacek) is doused with a bucket of pig's blood. + +FILM DESCRIPTION: +This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager who is the butt of practical jokes at her small-town high school. Her blind panic at her first menstruation, a result of ignorance and religious guilt drummed into her by her fanatical mother, Margaret (Piper Laurie), only causes her classmates' vicious cruelty to escalate, despite the attentions of her overly solicitous gym teacher (Betty Buckley). Finally, when the venomous Chris Hargenson (Nancy Allen) engineers a reprehensible prank at the school prom, Carrie lashes out in a horrifying display of her heretofore minor telekinetic powers. Many films had featured school bullies, but Carrie was one of the first to focus on the special brand of cruelty unique to teenage girls. Carrie's world is presented as a snake pit, where the well-to-do female students all have fangs -- even the reticent Sue Snell (Amy Irving) -- and all the males are blind pawns, sexually twisted around the fingers of Chris and her evil cronies. The talented supporting cast includes John Travolta, P.J. Soles, and William Katt. One of the genre's true classics, the film was followed by a sequel in 1999, as well as by a famously unsuccessful Broadway musical adaptation that starred Betty Buckley, the movie's gym teacher, as Margaret White. + +CREDITS: +TM & © MGM (1976) +Cast: William Katt, John Travolta, Nancy Allen, Betty Buckley, Amy Irving, Sissy Spacek +Director: Brian De Palma +Producers: Paul Monash, Louis A. Stroller, Brian De Palma +Screenwriters: Stephen King, Lawrence D. Cohen + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/EshEWL1ZhCc.en.srt b/1976/EshEWL1ZhCc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..332069e88c379ce434fcfd43db1161abcac80966 --- /dev/null +++ b/1976/EshEWL1ZhCc.en.srt @@ -0,0 +1,405 @@ +1 +00:00:00,199 --> 00:00:05,590 + +mediums let's go hey we got come on up + +2 +00:00:05,590 --> 00:00:05,600 +mediums let's go hey we got come on up + + +3 +00:00:05,600 --> 00:00:07,629 +mediums let's go hey we got come on up +up + +4 +00:00:07,629 --> 00:00:07,639 +up + + +5 +00:00:07,639 --> 00:00:11,629 +up +S get I told you come on come on hey + +6 +00:00:11,629 --> 00:00:11,639 +S get I told you come on come on hey + + +7 +00:00:11,639 --> 00:00:13,669 +S get I told you come on come on hey +Leroy I told + +8 +00:00:13,669 --> 00:00:13,679 +Leroy I told + + +9 +00:00:13,679 --> 00:00:16,710 +Leroy I told +you he not a medium hey you're number + +10 +00:00:16,710 --> 00:00:16,720 +you he not a medium hey you're number + + +11 +00:00:16,720 --> 00:00:20,310 +you he not a medium hey you're number +three I don't know number + +12 +00:00:20,310 --> 00:00:20,320 +three I don't know number + + +13 +00:00:20,320 --> 00:00:23,150 +three I don't know number +two number three get out how many POS we + +14 +00:00:23,150 --> 00:00:23,160 +two number three get out how many POS we + + +15 +00:00:23,160 --> 00:00:26,790 +two number three get out how many POS we +got to do seven or eight eight poses say + +16 +00:00:26,790 --> 00:00:26,800 +got to do seven or eight eight poses say + + +17 +00:00:26,800 --> 00:00:28,390 +got to do seven or eight eight poses say +any of you seen Joe + +18 +00:00:28,390 --> 00:00:28,400 +any of you seen Joe + + +19 +00:00:28,400 --> 00:00:32,670 +any of you seen Joe +santor yes do thank you H up what do you + +20 +00:00:32,670 --> 00:00:32,680 +santor yes do thank you H up what do you + + +21 +00:00:32,680 --> 00:00:35,270 +santor yes do thank you H up what do you +mean mediums we need five more minutes + +22 +00:00:35,270 --> 00:00:35,280 +mean mediums we need five more minutes + + +23 +00:00:35,280 --> 00:00:38,950 +mean mediums we need five more minutes +Hey Joe do the four stps you know one + +24 +00:00:38,950 --> 00:00:38,960 +Hey Joe do the four stps you know one + + +25 +00:00:38,960 --> 00:00:40,549 +Hey Joe do the four stps you know one +year they should do + +26 +00:00:40,549 --> 00:00:40,559 +year they should do + + +27 +00:00:40,559 --> 00:00:43,750 +year they should do +it you good glad to see you and don't + +28 +00:00:43,750 --> 00:00:43,760 +it you good glad to see you and don't + + +29 +00:00:43,760 --> 00:00:46,910 +it you good glad to see you and don't +forget keep dancing the thighs did you + +30 +00:00:46,910 --> 00:00:46,920 +forget keep dancing the thighs did you + + +31 +00:00:46,920 --> 00:00:49,310 +forget keep dancing the thighs did you +uh have a good time with + +32 +00:00:49,310 --> 00:00:49,320 +uh have a good time with + + +33 +00:00:49,320 --> 00:00:52,110 +uh have a good time with +zo fine all right you think you'll see + +34 +00:00:52,110 --> 00:00:52,120 +zo fine all right you think you'll see + + +35 +00:00:52,120 --> 00:00:52,950 +zo fine all right you think you'll see +her + +36 +00:00:52,950 --> 00:00:52,960 +her + + +37 +00:00:52,960 --> 00:00:54,869 +her +again + +38 +00:00:54,869 --> 00:00:54,879 +again + + +39 +00:00:54,879 --> 00:00:57,830 +again +nope why not I don't like being too + +40 +00:00:57,830 --> 00:00:57,840 +nope why not I don't like being too + + +41 +00:00:57,840 --> 00:01:00,069 +nope why not I don't like being too +comfortable + +42 +00:01:00,069 --> 00:01:00,079 +comfortable + + +43 +00:01:00,079 --> 00:01:02,189 +comfortable +once you get used to it it's hard to + +44 +00:01:02,189 --> 00:01:02,199 +once you get used to it it's hard to + + +45 +00:01:02,199 --> 00:01:06,469 +once you get used to it it's hard to +give up I rather stay hungry hey s when + +46 +00:01:06,469 --> 00:01:06,479 +give up I rather stay hungry hey s when + + +47 +00:01:06,479 --> 00:01:09,070 +give up I rather stay hungry hey s when +you guys show me what you got terrific + +48 +00:01:09,070 --> 00:01:09,080 +you guys show me what you got terrific + + +49 +00:01:09,080 --> 00:01:11,789 +you guys show me what you got terrific +dog are you going to do that on stage + +50 +00:01:11,789 --> 00:01:11,799 +dog are you going to do that on stage + + +51 +00:01:11,799 --> 00:01:15,109 +dog are you going to do that on stage +you'll see when we get out there + +52 +00:01:15,109 --> 00:01:15,119 +you'll see when we get out there + + +53 +00:01:15,119 --> 00:01:16,830 +you'll see when we get out there +ah + +54 +00:01:16,830 --> 00:01:16,840 +ah + + +55 +00:01:16,840 --> 00:01:20,310 +ah +J hey Franklin + +56 +00:01:20,310 --> 00:01:20,320 +J hey Franklin + + +57 +00:01:20,320 --> 00:01:23,590 +J hey Franklin +what is it authentic enough for you back + +58 +00:01:23,590 --> 00:01:23,600 +what is it authentic enough for you back + + +59 +00:01:23,600 --> 00:01:28,910 +what is it authentic enough for you back +here what's in your + +60 +00:01:28,910 --> 00:01:28,920 + + + +61 +00:01:28,920 --> 00:01:32,069 + +mind you know that's what I uh I am came + +62 +00:01:32,069 --> 00:01:32,079 +mind you know that's what I uh I am came + + +63 +00:01:32,079 --> 00:01:32,870 +mind you know that's what I uh I am came +over here + +64 +00:01:32,870 --> 00:01:32,880 +over here + + +65 +00:01:32,880 --> 00:01:36,190 +over here +to rhymes with quick that's my boy over + +66 +00:01:36,190 --> 00:01:36,200 +to rhymes with quick that's my boy over + + +67 +00:01:36,200 --> 00:01:38,990 +to rhymes with quick that's my boy over +there Le is oil on the floor look uh + +68 +00:01:38,990 --> 00:01:39,000 +there Le is oil on the floor look uh + + +69 +00:01:39,000 --> 00:01:40,870 +there Le is oil on the floor look uh +I've been worrying a little bit about + +70 +00:01:40,870 --> 00:01:40,880 +I've been worrying a little bit about + + +71 +00:01:40,880 --> 00:01:43,109 +I've been worrying a little bit about +Ericson now I'm not implying that he + +72 +00:01:43,109 --> 00:01:43,119 +Ericson now I'm not implying that he + + +73 +00:01:43,119 --> 00:01:44,630 +Ericson now I'm not implying that he +would head south with all that entry + +74 +00:01:44,630 --> 00:01:44,640 +would head south with all that entry + + +75 +00:01:44,640 --> 00:01:46,109 +would head south with all that entry +money but him not being here just makes + +76 +00:01:46,109 --> 00:01:46,119 +money but him not being here just makes + + +77 +00:01:46,119 --> 00:01:47,870 +money but him not being here just makes +me nervous you know and I'm not usually + +78 +00:01:47,870 --> 00:01:47,880 +me nervous you know and I'm not usually + + +79 +00:01:47,880 --> 00:02:06,530 +me nervous you know and I'm not usually +a nervous individual + +80 +00:02:06,530 --> 00:02:06,540 + + + +81 +00:02:06,540 --> 00:02:20,460 + +[Music] + diff --git a/1976/FEdL1_zOyz4.description b/1976/FEdL1_zOyz4.description new file mode 100644 index 0000000000000000000000000000000000000000..4d1961cf8328a3fe06c2106d77067bdb24a4b0dd --- /dev/null +++ b/1976/FEdL1_zOyz4.description @@ -0,0 +1,38 @@ +All the President's Men movie clips: http://j.mp/1JdpCit +BUY THE MOVIE: http://j.mp/QXy4pD +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Woodward (Robert Redford) and Bernstein (Dustin Hoffman) consult with Ben Bradlee (Jason Robards) about whether they should push the Watergate story in the face of serious threats against their lives. + +FILM DESCRIPTION: +Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. + +CREDITS: +TM & © Warner Bros. (1976) +Cast: Dustin Hoffman, Robert Redford, Jason Robards +Director: Alan J. Pakula +Producers: Jon Boorstin, Michael Britton, Walter Coblenz +Screenwriters: Carl Bernstein, William Goldman, Bob Woodard + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/FEdL1_zOyz4.en.srt b/1976/FEdL1_zOyz4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..df00cab966f37f320206d06360bc028a2db2658c --- /dev/null +++ b/1976/FEdL1_zOyz4.en.srt @@ -0,0 +1,435 @@ +1 +00:00:01,040 --> 00:00:02,510 + +why the hell could you tell me I about a + +2 +00:00:02,510 --> 00:00:02,520 +why the hell could you tell me I about a + + +3 +00:00:02,520 --> 00:00:04,190 +why the hell could you tell me I about a +phone Woodward says phones aren't safe + +4 +00:00:04,190 --> 00:00:04,200 +phone Woodward says phones aren't safe + + +5 +00:00:04,200 --> 00:00:06,190 +phone Woodward says phones aren't safe +can't trust them come on in we can't + +6 +00:00:06,190 --> 00:00:06,200 +can't trust them come on in we can't + + +7 +00:00:06,200 --> 00:00:25,710 +can't trust them come on in we can't +come in sirry Woodward says electronic + +8 +00:00:25,710 --> 00:00:25,720 + + + +9 +00:00:25,720 --> 00:00:27,870 + +surveill surveillance who's doing it + +10 +00:00:27,870 --> 00:00:27,880 +surveill surveillance who's doing it + + +11 +00:00:27,880 --> 00:00:29,669 +surveill surveillance who's doing it +it's being done people's lives are in + +12 +00:00:29,669 --> 00:00:29,679 +it's being done people's lives are in + + +13 +00:00:29,679 --> 00:00:31,669 +it's being done people's lives are in +danger wa AE maybe even ours what + +14 +00:00:31,669 --> 00:00:31,679 +danger wa AE maybe even ours what + + +15 +00:00:31,679 --> 00:00:33,389 +danger wa AE maybe even ours what +happened to that justice sourc of yours + +16 +00:00:33,389 --> 00:00:33,399 +happened to that justice sourc of yours + + +17 +00:00:33,399 --> 00:00:34,709 +happened to that justice sourc of yours +well I guess I made the instructions too + +18 +00:00:34,709 --> 00:00:34,719 +well I guess I made the instructions too + + +19 +00:00:34,719 --> 00:00:35,950 +well I guess I made the instructions too +complicated because he thought I said + +20 +00:00:35,950 --> 00:00:35,960 +complicated because he thought I said + + +21 +00:00:35,960 --> 00:00:37,670 +complicated because he thought I said +hang up when I just said hang on oh + +22 +00:00:37,670 --> 00:00:37,680 +hang up when I just said hang on oh + + +23 +00:00:37,680 --> 00:00:40,430 +hang up when I just said hang on oh +Jesus the story is Right Alderman was + +24 +00:00:40,430 --> 00:00:40,440 +Jesus the story is Right Alderman was + + +25 +00:00:40,440 --> 00:00:41,830 +Jesus the story is Right Alderman was +the fifth name to control that fund and + +26 +00:00:41,830 --> 00:00:41,840 +the fifth name to control that fund and + + +27 +00:00:41,840 --> 00:00:43,470 +the fifth name to control that fund and +Sloan would have told the grand jury + +28 +00:00:43,470 --> 00:00:43,480 +Sloan would have told the grand jury + + +29 +00:00:43,480 --> 00:00:45,150 +Sloan would have told the grand jury +wanted to tell the grand jury why didn't + +30 +00:00:45,150 --> 00:00:45,160 +wanted to tell the grand jury why didn't + + +31 +00:00:45,160 --> 00:00:48,069 +wanted to tell the grand jury why didn't +he because nobody asked nobody asked him + +32 +00:00:48,069 --> 00:00:48,079 +he because nobody asked nobody asked him + + +33 +00:00:48,079 --> 00:00:49,709 +he because nobody asked nobody asked him +cover up had little to do with a Breakin + +34 +00:00:49,709 --> 00:00:49,719 +cover up had little to do with a Breakin + + +35 +00:00:49,719 --> 00:00:51,389 +cover up had little to do with a Breakin +it was to protect covert operations the + +36 +00:00:51,389 --> 00:00:51,399 +it was to protect covert operations the + + +37 +00:00:51,399 --> 00:00:53,029 +it was to protect covert operations the +covert activities involving the entire + +38 +00:00:53,029 --> 00:00:53,039 +covert activities involving the entire + + +39 +00:00:53,039 --> 00:00:55,310 +covert activities involving the entire +us intelligence community did deep + +40 +00:00:55,310 --> 00:00:55,320 +us intelligence community did deep + + +41 +00:00:55,320 --> 00:00:57,270 +us intelligence community did deep +throat say that people's lives are in + +42 +00:00:57,270 --> 00:00:57,280 +throat say that people's lives are in + + +43 +00:00:57,280 --> 00:01:01,029 +throat say that people's lives are in +danger yes what else did he say + +44 +00:01:01,029 --> 00:01:01,039 +danger yes what else did he say + + +45 +00:01:01,039 --> 00:01:09,390 +danger yes what else did he say +you said everyone is + +46 +00:01:09,390 --> 00:01:09,400 + + + +47 +00:01:09,400 --> 00:01:11,390 + +involved you know the results of the + +48 +00:01:11,390 --> 00:01:11,400 +involved you know the results of the + + +49 +00:01:11,400 --> 00:01:14,030 +involved you know the results of the +latest Gallop pole half the country + +50 +00:01:14,030 --> 00:01:14,040 +latest Gallop pole half the country + + +51 +00:01:14,040 --> 00:01:16,070 +latest Gallop pole half the country +never even heard of the word Watergate + +52 +00:01:16,070 --> 00:01:16,080 +never even heard of the word Watergate + + +53 +00:01:16,080 --> 00:01:19,350 +never even heard of the word Watergate +nobody gives a + +54 +00:01:19,350 --> 00:01:19,360 + + + +55 +00:01:19,360 --> 00:01:22,469 + + you guys are probably pretty tired + +56 +00:01:22,469 --> 00:01:22,479 +you guys are probably pretty tired + + +57 +00:01:22,479 --> 00:01:26,469 +you guys are probably pretty tired +right well you should be go on home get + +58 +00:01:26,469 --> 00:01:26,479 +right well you should be go on home get + + +59 +00:01:26,479 --> 00:01:29,749 +right well you should be go on home get +a nice hot bath rest up 15 minutes and + +60 +00:01:29,749 --> 00:01:29,759 +a nice hot bath rest up 15 minutes and + + +61 +00:01:29,759 --> 00:01:32,550 +a nice hot bath rest up 15 minutes and +get get your asses back in gear we're + +62 +00:01:32,550 --> 00:01:32,560 +get get your asses back in gear we're + + +63 +00:01:32,560 --> 00:01:33,990 +get get your asses back in gear we're +under a lot of pressure you know and you + +64 +00:01:33,990 --> 00:01:34,000 +under a lot of pressure you know and you + + +65 +00:01:34,000 --> 00:01:36,590 +under a lot of pressure you know and you +put us + +66 +00:01:36,590 --> 00:01:36,600 + + + +67 +00:01:36,600 --> 00:01:39,389 + +there nothing's writing on this except + +68 +00:01:39,389 --> 00:01:39,399 +there nothing's writing on this except + + +69 +00:01:39,399 --> 00:01:41,190 +there nothing's writing on this except +the uh First Amendment of the + +70 +00:01:41,190 --> 00:01:41,200 +the uh First Amendment of the + + +71 +00:01:41,200 --> 00:01:43,389 +the uh First Amendment of the +Constitution freedom of the press and + +72 +00:01:43,389 --> 00:01:43,399 +Constitution freedom of the press and + + +73 +00:01:43,399 --> 00:01:46,990 +Constitution freedom of the press and +maybe the future of the + +74 +00:01:46,990 --> 00:01:47,000 + + + +75 +00:01:47,000 --> 00:01:50,590 + +country not that any of that matters but + +76 +00:01:50,590 --> 00:01:50,600 +country not that any of that matters but + + +77 +00:01:50,600 --> 00:01:52,310 +country not that any of that matters but +if you guys up again I'm going to + +78 +00:01:52,310 --> 00:01:52,320 +if you guys up again I'm going to + + +79 +00:01:52,320 --> 00:01:55,029 +if you guys up again I'm going to +get + +80 +00:01:55,029 --> 00:01:55,039 + + + +81 +00:01:55,039 --> 00:02:10,430 + +mad night + +82 +00:02:10,430 --> 00:02:10,440 + + + +83 +00:02:10,440 --> 00:02:31,750 + +[Music] + +84 +00:02:31,750 --> 00:02:31,760 + + + +85 +00:02:31,760 --> 00:02:35,520 + +St + +86 +00:02:35,520 --> 00:02:35,530 + + + +87 +00:02:35,530 --> 00:02:41,490 + +[Music] + diff --git a/1976/FGwRe_5L1WM.description b/1976/FGwRe_5L1WM.description new file mode 100644 index 0000000000000000000000000000000000000000..fd5b7421c5e5e3be2bcc387831fbf9d3f490cc3d --- /dev/null +++ b/1976/FGwRe_5L1WM.description @@ -0,0 +1,38 @@ +Taxi Driver movie clips: http://j.mp/1iS0mkM +BUY THE MOVIE: http://amzn.to/rUvwen +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Travis (Robert De Niro) goes on a shooting rampage throughout the motel as a terrified Iris (Jodie Foster) listens on in another room. + +FILM DESCRIPTION: +"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. + +CREDITS: +TM & © Sony (1976) +Cast: Robert De Niro, Harvey Keitel +Director: Martin Scorsese +Producers: Phillip M. Goldfarb, Julia Phillips, Michael Phillips +Screenwriter: Paul Schrader + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/FGwRe_5L1WM.en.srt b/1976/FGwRe_5L1WM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7c08bb8c8d241f3793d1ce020e45b30ef24e7cb8 --- /dev/null +++ b/1976/FGwRe_5L1WM.en.srt @@ -0,0 +1,195 @@ +1 +00:00:01,120 --> 00:00:05,190 + +how's Iris you know Iris no I don't know + +2 +00:00:05,190 --> 00:00:05,200 +how's Iris you know Iris no I don't know + + +3 +00:00:05,200 --> 00:00:06,389 +how's Iris you know Iris no I don't know +nobody named + +4 +00:00:06,389 --> 00:00:06,399 +nobody named + + +5 +00:00:06,399 --> 00:00:09,950 +nobody named +Iris Iris come on get out of here man + +6 +00:00:09,950 --> 00:00:09,960 +Iris Iris come on get out of here man + + +7 +00:00:09,960 --> 00:00:12,310 +Iris Iris come on get out of here man +you don't know anybody by name Iris I + +8 +00:00:12,310 --> 00:00:12,320 +you don't know anybody by name Iris I + + +9 +00:00:12,320 --> 00:00:14,270 +you don't know anybody by name Iris I +don't know nobody named + +10 +00:00:14,270 --> 00:00:14,280 +don't know nobody named + + +11 +00:00:14,280 --> 00:00:17,670 +don't know nobody named +Iris no hey get back to your + +12 +00:00:17,670 --> 00:00:17,680 +Iris no hey get back to your + + +13 +00:00:17,680 --> 00:00:19,230 +Iris no hey get back to your +tribe before you get hurt huh man do me + +14 +00:00:19,230 --> 00:00:19,240 +tribe before you get hurt huh man do me + + +15 +00:00:19,240 --> 00:00:22,269 +tribe before you get hurt huh man do me +a favor I don't want no trouble huh + +16 +00:00:22,269 --> 00:00:22,279 +a favor I don't want no trouble huh + + +17 +00:00:22,279 --> 00:00:25,029 +a favor I don't want no trouble huh +okay you got a + +18 +00:00:25,029 --> 00:00:25,039 +okay you got a + + +19 +00:00:25,039 --> 00:00:27,990 +okay you got a +gun get the out of here man get out + +20 +00:00:27,990 --> 00:00:28,000 +gun get the out of here man get out + + +21 +00:00:28,000 --> 00:00:34,540 +gun get the out of here man get out +of here suck on this + +22 +00:00:34,540 --> 00:00:34,550 + + + +23 +00:00:34,550 --> 00:01:06,870 + +[Music] + +24 +00:01:06,870 --> 00:01:06,880 + + + +25 +00:01:06,880 --> 00:01:40,190 + +hey + +26 +00:01:40,190 --> 00:01:40,200 + + + +27 +00:01:40,200 --> 00:01:46,630 + +[Music] + +28 +00:01:46,630 --> 00:01:46,640 + + + +29 +00:01:46,640 --> 00:01:49,310 + +son of a son of a + +30 +00:01:49,310 --> 00:01:49,320 +son of a son of a + + +31 +00:01:49,320 --> 00:01:51,990 +son of a son of a +you I'll kill you I'll kill you I'll + +32 +00:01:51,990 --> 00:01:52,000 +you I'll kill you I'll kill you I'll + + +33 +00:01:52,000 --> 00:01:55,789 +you I'll kill you I'll kill you I'll +kill you I'll kill you I'll kill you + +34 +00:01:55,789 --> 00:01:55,799 +kill you I'll kill you I'll kill you + + +35 +00:01:55,799 --> 00:01:58,749 +kill you I'll kill you I'll kill you +I'll fuing kill you you crazy son of a + +36 +00:01:58,749 --> 00:01:58,759 +I'll fuing kill you you crazy son of a + + +37 +00:01:58,759 --> 00:02:11,940 +I'll fuing kill you you crazy son of a + I'll kill you my + +38 +00:02:11,940 --> 00:02:11,950 + + + +39 +00:02:11,950 --> 00:02:43,650 + +[Music] + diff --git a/1976/FIGm0YdXotI.en.srt b/1976/FIGm0YdXotI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f5140ee87a21937aea824095e094fae81d4d2a45 --- /dev/null +++ b/1976/FIGm0YdXotI.en.srt @@ -0,0 +1,385 @@ +1 +00:00:04,279 --> 00:00:07,670 + +yeah you found the name oh good work + +2 +00:00:07,670 --> 00:00:07,680 +yeah you found the name oh good work + + +3 +00:00:07,680 --> 00:00:10,910 +yeah you found the name oh good work +good + +4 +00:00:10,910 --> 00:00:10,920 + + + +5 +00:00:10,920 --> 00:00:12,990 + +work + +6 +00:00:12,990 --> 00:00:13,000 +work + + +7 +00:00:13,000 --> 00:00:15,310 +work +uhhuh well no divide the name between + +8 +00:00:15,310 --> 00:00:15,320 +uhhuh well no divide the name between + + +9 +00:00:15,320 --> 00:00:17,630 +uhhuh well no divide the name between +yourselves and try everyone in the book + +10 +00:00:17,630 --> 00:00:17,640 +yourselves and try everyone in the book + + +11 +00:00:17,640 --> 00:00:19,269 +yourselves and try everyone in the book +okay good + +12 +00:00:19,269 --> 00:00:19,279 +okay good + + +13 +00:00:19,279 --> 00:00:23,710 +okay good +work + +14 +00:00:23,710 --> 00:00:23,720 + + + +15 +00:00:23,720 --> 00:00:25,750 + +hi will you go to the ball with me + +16 +00:00:25,750 --> 00:00:25,760 +hi will you go to the ball with me + + +17 +00:00:25,760 --> 00:00:27,230 +hi will you go to the ball with me +tomorrow night what + +18 +00:00:27,230 --> 00:00:27,240 +tomorrow night what + + +19 +00:00:27,240 --> 00:00:30,710 +tomorrow night what +ball screenwriter's ball + +20 +00:00:30,710 --> 00:00:30,720 +ball screenwriter's ball + + +21 +00:00:30,720 --> 00:00:33,030 +ball screenwriter's ball +down at the Ambassador oh yeah no I + +22 +00:00:33,030 --> 00:00:33,040 +down at the Ambassador oh yeah no I + + +23 +00:00:33,040 --> 00:00:44,229 +down at the Ambassador oh yeah no I +don't think so I might just come in late + +24 +00:00:44,229 --> 00:00:44,239 + + + +25 +00:00:44,239 --> 00:00:47,910 + +oh + +26 +00:00:47,910 --> 00:00:47,920 + + + +27 +00:00:47,920 --> 00:00:49,790 + +so + +28 +00:00:49,790 --> 00:00:49,800 +so + + +29 +00:00:49,800 --> 00:00:52,470 +so +uh so when do you go back to college + +30 +00:00:52,470 --> 00:00:52,480 +uh so when do you go back to college + + +31 +00:00:52,480 --> 00:00:54,270 +uh so when do you go back to college +I've just got + +32 +00:00:54,270 --> 00:00:54,280 +I've just got + + +33 +00:00:54,280 --> 00:00:57,189 +I've just got +home get the whole summer + +34 +00:00:57,189 --> 00:00:57,199 +home get the whole summer + + +35 +00:00:57,199 --> 00:01:00,950 +home get the whole summer +off I'm sorry I'll go back as soon as I + +36 +00:01:00,950 --> 00:01:00,960 +off I'm sorry I'll go back as soon as I + + +37 +00:01:00,960 --> 00:01:04,030 +off I'm sorry I'll go back as soon as I +can't well don't you want + +38 +00:01:04,030 --> 00:01:04,040 +can't well don't you want + + +39 +00:01:04,040 --> 00:01:07,070 +can't well don't you want +to well I don't + +40 +00:01:07,070 --> 00:01:07,080 +to well I don't + + +41 +00:01:07,080 --> 00:01:10,149 +to well I don't +know I'm pretty well + +42 +00:01:10,149 --> 00:01:10,159 +know I'm pretty well + + +43 +00:01:10,159 --> 00:01:13,070 +know I'm pretty well +educated maybe I should get married well + +44 +00:01:13,070 --> 00:01:13,080 +educated maybe I should get married well + + +45 +00:01:13,080 --> 00:01:16,630 +educated maybe I should get married well +I'd marry I'm lonely but I'm too old and + +46 +00:01:16,630 --> 00:01:16,640 +I'd marry I'm lonely but I'm too old and + + +47 +00:01:16,640 --> 00:01:27,710 +I'd marry I'm lonely but I'm too old and +tired to undertake anything undertake me + +48 +00:01:27,710 --> 00:01:27,720 + + + +49 +00:01:27,720 --> 00:01:30,789 + +what undertake me + +50 +00:01:30,789 --> 00:01:30,799 +what undertake me + + +51 +00:01:30,799 --> 00:01:33,710 +what undertake me +oh no + +52 +00:01:33,710 --> 00:01:33,720 + + + +53 +00:01:33,720 --> 00:01:35,990 + +Cecilia I've known you so long I've + +54 +00:01:35,990 --> 00:01:36,000 +Cecilia I've known you so long I've + + +55 +00:01:36,000 --> 00:01:38,429 +Cecilia I've known you so long I've +never thought of you that + +56 +00:01:38,429 --> 00:01:38,439 +never thought of you that + + +57 +00:01:38,439 --> 00:01:43,230 +never thought of you that +way we don't use that line this year + +58 +00:01:43,230 --> 00:01:43,240 +way we don't use that line this year + + +59 +00:01:43,240 --> 00:01:46,030 +way we don't use that line this year +what + +60 +00:01:46,030 --> 00:01:46,040 +what + + +61 +00:01:46,040 --> 00:01:47,630 +what +[Applause] + +62 +00:01:47,630 --> 00:01:47,640 +[Applause] + + +63 +00:01:47,640 --> 00:01:50,870 +[Applause] +nothing yeah Mr Star Mr Rodriguez is + +64 +00:01:50,870 --> 00:01:50,880 +nothing yeah Mr Star Mr Rodriguez is + + +65 +00:01:50,880 --> 00:01:52,670 +nothing yeah Mr Star Mr Rodriguez is +still waiting to see you oh yeah send + +66 +00:01:52,670 --> 00:01:52,680 +still waiting to see you oh yeah send + + +67 +00:01:52,680 --> 00:01:55,670 +still waiting to see you oh yeah send +them in I'm sorry these actors did you + +68 +00:01:55,670 --> 00:01:55,680 +them in I'm sorry these actors did you + + +69 +00:01:55,680 --> 00:01:58,350 +them in I'm sorry these actors did you +press that buz with your foot + +70 +00:01:58,350 --> 00:01:58,360 +press that buz with your foot + + +71 +00:01:58,360 --> 00:02:00,830 +press that buz with your foot +yes of course + +72 +00:02:00,830 --> 00:02:00,840 +yes of course + + +73 +00:02:00,840 --> 00:02:02,870 +yes of course +but you will dance with me at the + +74 +00:02:02,870 --> 00:02:02,880 +but you will dance with me at the + + +75 +00:02:02,880 --> 00:02:06,430 +but you will dance with me at the +ball sure I will + +76 +00:02:06,430 --> 00:02:06,440 +ball sure I will + + +77 +00:02:06,440 --> 00:02:37,489 +ball sure I will +[Music] + diff --git a/1976/GZeehXqOYVI.en.srt b/1976/GZeehXqOYVI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..20618025e3bcecba5d1d013be5c4c22afa2c1f3d --- /dev/null +++ b/1976/GZeehXqOYVI.en.srt @@ -0,0 +1,335 @@ +1 +00:00:00,120 --> 00:00:01,710 + +sit + +2 +00:00:01,710 --> 00:00:01,720 +sit + + +3 +00:00:01,720 --> 00:00:03,949 +sit +sit I think you should realize that + +4 +00:00:03,949 --> 00:00:03,959 +sit I think you should realize that + + +5 +00:00:03,959 --> 00:00:05,829 +sit I think you should realize that +we're only authorized to go to certain + +6 +00:00:05,829 --> 00:00:05,839 +we're only authorized to go to certain + + +7 +00:00:05,839 --> 00:00:09,270 +we're only authorized to go to certain +limits well cut the and tell me + +8 +00:00:09,270 --> 00:00:09,280 +limits well cut the and tell me + + +9 +00:00:09,280 --> 00:00:12,669 +limits well cut the and tell me +resence why'd you let us get so + +10 +00:00:12,669 --> 00:00:12,679 +resence why'd you let us get so + + +11 +00:00:12,679 --> 00:00:15,990 +resence why'd you let us get so +close you're all in my killing range now + +12 +00:00:15,990 --> 00:00:16,000 +close you're all in my killing range now + + +13 +00:00:16,000 --> 00:00:18,150 +close you're all in my killing range now +taking a little target practice have you + +14 +00:00:18,150 --> 00:00:18,160 +taking a little target practice have you + + +15 +00:00:18,160 --> 00:00:20,990 +taking a little target practice have you +wizard at hitting paper it's not the + +16 +00:00:20,990 --> 00:00:21,000 +wizard at hitting paper it's not the + + +17 +00:00:21,000 --> 00:00:23,790 +wizard at hitting paper it's not the +same with flesh smashing bone is + +18 +00:00:23,790 --> 00:00:23,800 +same with flesh smashing bone is + + +19 +00:00:23,800 --> 00:00:28,950 +same with flesh smashing bone is +different I want to know where + +20 +00:00:28,950 --> 00:00:28,960 + + + +21 +00:00:28,960 --> 00:00:30,910 + +hey sell + +22 +00:00:30,910 --> 00:00:30,920 +hey sell + + +23 +00:00:30,920 --> 00:00:33,150 +hey sell +is if the police were coming I don't + +24 +00:00:33,150 --> 00:00:33,160 +is if the police were coming I don't + + +25 +00:00:33,160 --> 00:00:34,950 +is if the police were coming I don't +think you'd be so panicky oh they're + +26 +00:00:34,950 --> 00:00:34,960 +think you'd be so panicky oh they're + + +27 +00:00:34,960 --> 00:00:38,830 +think you'd be so panicky oh they're +coming somehow I don't believe + +28 +00:00:38,830 --> 00:00:38,840 + + + +29 +00:00:38,840 --> 00:00:40,990 + +that + +30 +00:00:40,990 --> 00:00:41,000 +that + + +31 +00:00:41,000 --> 00:00:44,069 +that +no easy + +32 +00:00:44,069 --> 00:00:44,079 +no easy + + +33 +00:00:44,079 --> 00:00:46,830 +no easy +easy we're all going to take it easy + +34 +00:00:46,830 --> 00:00:46,840 +easy we're all going to take it easy + + +35 +00:00:46,840 --> 00:00:49,590 +easy we're all going to take it easy +isn't that right + +36 +00:00:49,590 --> 00:00:49,600 + + + +37 +00:00:49,600 --> 00:00:51,910 + +aart all just going to sit here and wait + +38 +00:00:51,910 --> 00:00:51,920 +aart all just going to sit here and wait + + +39 +00:00:51,920 --> 00:00:56,750 +aart all just going to sit here and wait +for the police and relax right + +40 +00:00:56,750 --> 00:00:56,760 + + + +41 +00:00:56,760 --> 00:01:01,349 + +Carl where where is he + +42 +00:01:01,349 --> 00:01:01,359 +Carl where where is he + + +43 +00:01:01,359 --> 00:01:03,029 +Carl where where is he +Elsa why don't you move away from him a + +44 +00:01:03,029 --> 00:01:03,039 +Elsa why don't you move away from him a + + +45 +00:01:03,039 --> 00:01:04,829 +Elsa why don't you move away from him a +little bit and give the boy some room to + +46 +00:01:04,829 --> 00:01:04,839 +little bit and give the boy some room to + + +47 +00:01:04,839 --> 00:01:12,789 +little bit and give the boy some room to +breathe get away from her + +48 +00:01:12,789 --> 00:01:12,799 + + + +49 +00:01:12,799 --> 00:01:15,789 + +no drop it drop it get it down get it + +50 +00:01:15,789 --> 00:01:15,799 +no drop it drop it get it down get it + + +51 +00:01:15,799 --> 00:01:17,749 +no drop it drop it get it down get it +down all right all right it's down I + +52 +00:01:17,749 --> 00:01:17,759 +down all right all right it's down I + + +53 +00:01:17,759 --> 00:01:18,950 +down all right all right it's down I +didn't want this to happen but I + +54 +00:01:18,950 --> 00:01:18,960 +didn't want this to happen but I + + +55 +00:01:18,960 --> 00:01:21,069 +didn't want this to happen but I +couldn't trust them I'll give you a zel + +56 +00:01:21,069 --> 00:01:21,079 +couldn't trust them I'll give you a zel + + +57 +00:01:21,079 --> 00:01:23,670 +couldn't trust them I'll give you a zel +for your brother he's out of a bank at + +58 +00:01:23,670 --> 00:01:23,680 +for your brother he's out of a bank at + + +59 +00:01:23,680 --> 00:01:31,510 +for your brother he's out of a bank at +58 the madis + +60 +00:01:31,510 --> 00:01:31,520 + + + +61 +00:01:31,520 --> 00:01:53,550 + +go + +62 +00:01:53,550 --> 00:01:53,560 + + + +63 +00:01:53,560 --> 00:02:00,310 + +go Bab + +64 +00:02:00,310 --> 00:02:00,320 + + + +65 +00:02:00,320 --> 00:02:13,430 + +St + +66 +00:02:13,430 --> 00:02:13,440 + + + +67 +00:02:13,440 --> 00:02:44,509 + +[Music] + diff --git a/1976/I68rpTRe8CE.description b/1976/I68rpTRe8CE.description new file mode 100644 index 0000000000000000000000000000000000000000..0ccdf1b06337b9f80b0871895817aa1f783ec2e0 --- /dev/null +++ b/1976/I68rpTRe8CE.description @@ -0,0 +1,38 @@ +Carrie movie clips: http://j.mp/1D3lVdv +BUY THE MOVIE: http://j.mp/12MXUT5 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Carrie (Sissy Spacek) affirms that she is going to Prom while her mom (Piper Laurie) disapproves of her powers which she believes are from Satan. + +FILM DESCRIPTION: +This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager who is the butt of practical jokes at her small-town high school. Her blind panic at her first menstruation, a result of ignorance and religious guilt drummed into her by her fanatical mother, Margaret (Piper Laurie), only causes her classmates' vicious cruelty to escalate, despite the attentions of her overly solicitous gym teacher (Betty Buckley). Finally, when the venomous Chris Hargenson (Nancy Allen) engineers a reprehensible prank at the school prom, Carrie lashes out in a horrifying display of her heretofore minor telekinetic powers. Many films had featured school bullies, but Carrie was one of the first to focus on the special brand of cruelty unique to teenage girls. Carrie's world is presented as a snake pit, where the well-to-do female students all have fangs -- even the reticent Sue Snell (Amy Irving) -- and all the males are blind pawns, sexually twisted around the fingers of Chris and her evil cronies. The talented supporting cast includes John Travolta, P.J. Soles, and William Katt. One of the genre's true classics, the film was followed by a sequel in 1999, as well as by a famously unsuccessful Broadway musical adaptation that starred Betty Buckley, the movie's gym teacher, as Margaret White. + +CREDITS: +TM & © MGM (1976) +Cast: Piper Laurie, Sissy Spacek +Director: Brian De Palma +Producers: Paul Monash, Louis A. Stroller, Brian De Palma +Screenwriters: Stephen King, Lawrence D. Cohen + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/I68rpTRe8CE.en.srt b/1976/I68rpTRe8CE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d0a1c950780c7143313f9563b00544ead5a7979d --- /dev/null +++ b/1976/I68rpTRe8CE.en.srt @@ -0,0 +1,235 @@ +1 +00:00:01,760 --> 00:00:04,269 + +I'm going + +2 +00:00:04,269 --> 00:00:04,279 +I'm going + + +3 +00:00:04,279 --> 00:00:06,470 +I'm going +Mama and things are going to change + +4 +00:00:06,470 --> 00:00:06,480 +Mama and things are going to change + + +5 +00:00:06,480 --> 00:00:08,509 +Mama and things are going to change +around + +6 +00:00:08,509 --> 00:00:08,519 +around + + +7 +00:00:08,519 --> 00:00:11,310 +around +here + +8 +00:00:11,310 --> 00:00:11,320 +here + + +9 +00:00:11,320 --> 00:00:13,910 +here +which got Satan's + +10 +00:00:13,910 --> 00:00:13,920 +which got Satan's + + +11 +00:00:13,920 --> 00:00:17,070 +which got Satan's +power has nothing to do with sat Mama + +12 +00:00:17,070 --> 00:00:17,080 +power has nothing to do with sat Mama + + +13 +00:00:17,080 --> 00:00:21,390 +power has nothing to do with sat Mama +it's me me if I concentrate hard enough + +14 +00:00:21,390 --> 00:00:21,400 +it's me me if I concentrate hard enough + + +15 +00:00:21,400 --> 00:00:25,910 +it's me me if I concentrate hard enough +I can move things say this clever + +16 +00:00:25,910 --> 00:00:25,920 +I can move things say this clever + + +17 +00:00:25,920 --> 00:00:28,630 +I can move things say this clever +Mama I'm not the only + +18 +00:00:28,630 --> 00:00:28,640 +Mama I'm not the only + + +19 +00:00:28,640 --> 00:00:32,590 +Mama I'm not the only +one other people can do it I read about + +20 +00:00:32,590 --> 00:00:32,600 +one other people can do it I read about + + +21 +00:00:32,600 --> 00:00:36,150 +one other people can do it I read about +it oh you poor child don't you know he + +22 +00:00:36,150 --> 00:00:36,160 +it oh you poor child don't you know he + + +23 +00:00:36,160 --> 00:00:37,549 +it oh you poor child don't you know he +doesn't let you know he's working + +24 +00:00:37,549 --> 00:00:37,559 +doesn't let you know he's working + + +25 +00:00:37,559 --> 00:00:39,430 +doesn't let you know he's working +through + +26 +00:00:39,430 --> 00:00:39,440 +through + + +27 +00:00:39,440 --> 00:00:42,670 +through +you I know he entered your father and + +28 +00:00:42,670 --> 00:00:42,680 +you I know he entered your father and + + +29 +00:00:42,680 --> 00:00:44,869 +you I know he entered your father and +carried him + +30 +00:00:44,869 --> 00:00:44,879 +carried him + + +31 +00:00:44,879 --> 00:00:48,229 +carried him +off he ran away Mama the devil tempted + +32 +00:00:48,229 --> 00:00:48,239 +off he ran away Mama the devil tempted + + +33 +00:00:48,239 --> 00:00:51,510 +off he ran away Mama the devil tempted +him he ran away with a woman Mama + +34 +00:00:51,510 --> 00:00:51,520 +him he ran away with a woman Mama + + +35 +00:00:51,520 --> 00:00:54,750 +him he ran away with a woman Mama +everybody knows that must renounce this + +36 +00:00:54,750 --> 00:00:54,760 +everybody knows that must renounce this + + +37 +00:00:54,760 --> 00:00:56,430 +everybody knows that must renounce this +power you must give it up you must never + +38 +00:00:56,430 --> 00:00:56,440 +power you must give it up you must never + + +39 +00:00:56,440 --> 00:00:58,910 +power you must give it up you must never +use + +40 +00:00:58,910 --> 00:00:58,920 + + + +41 +00:00:58,920 --> 00:01:02,310 + +it I'm + +42 +00:01:02,310 --> 00:01:02,320 + + + +43 +00:01:02,320 --> 00:01:05,429 + +going you can't stop + +44 +00:01:05,429 --> 00:01:05,439 +going you can't stop + + +45 +00:01:05,439 --> 00:01:08,740 +going you can't stop +me I don't want to talk about it anymore + +46 +00:01:08,740 --> 00:01:08,750 +me I don't want to talk about it anymore + + +47 +00:01:08,750 --> 00:01:37,980 +me I don't want to talk about it anymore +[Music] + diff --git a/1976/IIBg9UQ_mMU.description b/1976/IIBg9UQ_mMU.description new file mode 100644 index 0000000000000000000000000000000000000000..b1c4a1528f3053ddeb6736b1b3a9b841dc235b05 --- /dev/null +++ b/1976/IIBg9UQ_mMU.description @@ -0,0 +1,38 @@ +Carrie movie clips: http://j.mp/1D3lVdv +BUY THE MOVIE: http://j.mp/12MXUT5 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Carrie (Sissy Spacek) sets fire to her school's Prom, killing and terrifying her classmates. + +FILM DESCRIPTION: +This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager who is the butt of practical jokes at her small-town high school. Her blind panic at her first menstruation, a result of ignorance and religious guilt drummed into her by her fanatical mother, Margaret (Piper Laurie), only causes her classmates' vicious cruelty to escalate, despite the attentions of her overly solicitous gym teacher (Betty Buckley). Finally, when the venomous Chris Hargenson (Nancy Allen) engineers a reprehensible prank at the school prom, Carrie lashes out in a horrifying display of her heretofore minor telekinetic powers. Many films had featured school bullies, but Carrie was one of the first to focus on the special brand of cruelty unique to teenage girls. Carrie's world is presented as a snake pit, where the well-to-do female students all have fangs -- even the reticent Sue Snell (Amy Irving) -- and all the males are blind pawns, sexually twisted around the fingers of Chris and her evil cronies. The talented supporting cast includes John Travolta, P.J. Soles, and William Katt. One of the genre's true classics, the film was followed by a sequel in 1999, as well as by a famously unsuccessful Broadway musical adaptation that starred Betty Buckley, the movie's gym teacher, as Margaret White. + +CREDITS: +TM & © MGM (1976) +Cast: John Travolta, Betty Buckley, Cindy Daly, Amy Irving, Piper Laurie, Edie McClurg, Noelle North +Director: Brian De Palma +Producers: Paul Monash, Louis A. Stroller, Brian De Palma +Screenwriters: Stephen King, Lawrence D. Cohen + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/ImZ2LrvQcCY.description b/1976/ImZ2LrvQcCY.description new file mode 100644 index 0000000000000000000000000000000000000000..fb00538f625c0df521a4874d02abf27264651fbf --- /dev/null +++ b/1976/ImZ2LrvQcCY.description @@ -0,0 +1,38 @@ +Carrie movie clips: http://j.mp/1D3lVdv +BUY THE MOVIE: http://j.mp/12MXUT5 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Carrie (Sissy Spacek) gets ready for Prom while her mom Margaret (Piper Laurie) tries to convince her not to go. + +FILM DESCRIPTION: +This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager who is the butt of practical jokes at her small-town high school. Her blind panic at her first menstruation, a result of ignorance and religious guilt drummed into her by her fanatical mother, Margaret (Piper Laurie), only causes her classmates' vicious cruelty to escalate, despite the attentions of her overly solicitous gym teacher (Betty Buckley). Finally, when the venomous Chris Hargenson (Nancy Allen) engineers a reprehensible prank at the school prom, Carrie lashes out in a horrifying display of her heretofore minor telekinetic powers. Many films had featured school bullies, but Carrie was one of the first to focus on the special brand of cruelty unique to teenage girls. Carrie's world is presented as a snake pit, where the well-to-do female students all have fangs -- even the reticent Sue Snell (Amy Irving) -- and all the males are blind pawns, sexually twisted around the fingers of Chris and her evil cronies. The talented supporting cast includes John Travolta, P.J. Soles, and William Katt. One of the genre's true classics, the film was followed by a sequel in 1999, as well as by a famously unsuccessful Broadway musical adaptation that starred Betty Buckley, the movie's gym teacher, as Margaret White. + +CREDITS: +TM & © MGM (1976) +Cast: William Katt, Piper Laurie, Sissy Spacek +Director: Brian De Palma +Producers: Paul Monash, Louis A. Stroller, Brian De Palma +Screenwriters: Stephen King, Lawrence D. Cohen + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/ImZ2LrvQcCY.en.srt b/1976/ImZ2LrvQcCY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f6c8c86aceb4153314e8479ffb26c6b8d560c4ed --- /dev/null +++ b/1976/ImZ2LrvQcCY.en.srt @@ -0,0 +1,335 @@ +1 +00:00:01,380 --> 00:00:10,789 + +[Music] + +2 +00:00:10,789 --> 00:00:10,799 + + + +3 +00:00:10,799 --> 00:00:13,910 + +red I might have known it would be + +4 +00:00:13,910 --> 00:00:13,920 +red I might have known it would be + + +5 +00:00:13,920 --> 00:00:17,630 +red I might have known it would be +red it's paint + +6 +00:00:17,630 --> 00:00:17,640 +red it's paint + + +7 +00:00:17,640 --> 00:00:27,269 + +mama what Tommy gave me Mama aren't they + +8 +00:00:27,269 --> 00:00:27,279 + + + +9 +00:00:27,279 --> 00:00:31,630 + +beautiful I can see your dirty pillows + +10 +00:00:31,630 --> 00:00:31,640 +beautiful I can see your dirty pillows + + +11 +00:00:31,640 --> 00:00:33,190 +beautiful I can see your dirty pillows +everyone + +12 +00:00:33,190 --> 00:00:33,200 +everyone + + +13 +00:00:33,200 --> 00:00:37,030 +everyone +will breast Mama you're called + +14 +00:00:37,030 --> 00:00:37,040 +will breast Mama you're called + + +15 +00:00:37,040 --> 00:00:43,670 +will breast Mama you're called +breast and every woman + +16 +00:00:43,670 --> 00:00:43,680 + + + +17 +00:00:43,680 --> 00:00:46,590 + +has take off that + +18 +00:00:46,590 --> 00:00:46,600 +has take off that + + +19 +00:00:46,600 --> 00:00:48,950 +has take off that +dress we'll burn it together and pray + +20 +00:00:48,950 --> 00:00:48,960 +dress we'll burn it together and pray + + +21 +00:00:48,960 --> 00:00:57,110 +dress we'll burn it together and pray +for forgiveness no mama + +22 +00:00:57,110 --> 00:00:57,120 + + + +23 +00:00:57,120 --> 00:01:05,509 + +[Music] + +24 +00:01:05,509 --> 00:01:05,519 + + + +25 +00:01:05,519 --> 00:01:07,749 + +well he's not coming he is coming Mama + +26 +00:01:07,749 --> 00:01:07,759 +well he's not coming he is coming Mama + + +27 +00:01:07,759 --> 00:01:10,280 +well he's not coming he is coming Mama +now stop it I'm nervous + +28 +00:01:10,280 --> 00:01:10,290 +now stop it I'm nervous + + +29 +00:01:10,290 --> 00:01:15,109 +now stop it I'm nervous +[Music] + +30 +00:01:15,109 --> 00:01:15,119 +[Music] + + +31 +00:01:15,119 --> 00:01:18,830 +[Music] +enough no he's not + +32 +00:01:18,830 --> 00:01:18,840 +enough no he's not + + +33 +00:01:18,840 --> 00:01:26,469 +enough no he's not +coming he's not going to + +34 +00:01:26,469 --> 00:01:26,479 + + + +35 +00:01:26,479 --> 00:01:30,590 + +come go away + +36 +00:01:30,590 --> 00:01:30,600 +come go away + + +37 +00:01:30,600 --> 00:01:34,830 +come go away +stop it mama stop hurting yourself + +38 +00:01:34,830 --> 00:01:34,840 +stop it mama stop hurting yourself + + +39 +00:01:34,840 --> 00:01:37,670 +stop it mama stop hurting yourself +Mama He's going to laugh at you they're + +40 +00:01:37,670 --> 00:01:37,680 +Mama He's going to laugh at you they're + + +41 +00:01:37,680 --> 00:01:40,270 +Mama He's going to laugh at you they're +all going to laugh with you me it's not + +42 +00:01:40,270 --> 00:01:40,280 +all going to laugh with you me it's not + + +43 +00:01:40,280 --> 00:01:42,389 +all going to laugh with you me it's not +too late you can stay here with me I + +44 +00:01:42,389 --> 00:01:42,399 +too late you can stay here with me I + + +45 +00:01:42,399 --> 00:01:44,670 +too late you can stay here with me I +don't want to stay with you mama look + +46 +00:01:44,670 --> 00:01:44,680 +don't want to stay with you mama look + + +47 +00:01:44,680 --> 00:01:46,350 +don't want to stay with you mama look +I'll answer the door and I'll tell him + +48 +00:01:46,350 --> 00:01:46,360 +I'll answer the door and I'll tell him + + +49 +00:01:46,360 --> 00:01:48,030 +I'll answer the door and I'll tell him +that you s I'll tell him that you + +50 +00:01:48,030 --> 00:01:48,040 +that you s I'll tell him that you + + +51 +00:01:48,040 --> 00:02:04,389 +that you s I'll tell him that you +changed your mind sit down and be quiet + +52 +00:02:04,389 --> 00:02:04,399 + + + +53 +00:02:04,399 --> 00:02:08,109 + +look I'll tell him that you change your + +54 +00:02:08,109 --> 00:02:08,119 + + + +55 +00:02:08,119 --> 00:02:11,430 + +mind just sit there mama and don't say a + +56 +00:02:11,430 --> 00:02:11,440 +mind just sit there mama and don't say a + + +57 +00:02:11,440 --> 00:02:13,310 +mind just sit there mama and don't say a +word until I'm + +58 +00:02:13,310 --> 00:02:13,320 +word until I'm + + +59 +00:02:13,320 --> 00:02:15,150 +word until I'm +[Music] + +60 +00:02:15,150 --> 00:02:15,160 +[Music] + + +61 +00:02:15,160 --> 00:02:20,030 +[Music] +gone be home + +62 +00:02:20,030 --> 00:02:20,040 + + + +63 +00:02:20,040 --> 00:02:24,949 + +early love you + +64 +00:02:24,949 --> 00:02:24,959 + + + +65 +00:02:24,959 --> 00:02:28,780 + +Mama Thou shalt not suffer which to live + +66 +00:02:28,780 --> 00:02:28,790 +Mama Thou shalt not suffer which to live + + +67 +00:02:28,790 --> 00:02:58,009 +Mama Thou shalt not suffer which to live +[Music] + diff --git a/1976/JWMjQEyfaQ8.en.srt b/1976/JWMjQEyfaQ8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8d904f61f6333e43e0be28d1f18d7d173fef41a7 --- /dev/null +++ b/1976/JWMjQEyfaQ8.en.srt @@ -0,0 +1,465 @@ +1 +00:00:06,000 --> 00:00:08,870 + +miss + +2 +00:00:08,870 --> 00:00:08,880 +miss + + +3 +00:00:08,880 --> 00:00:10,629 +miss +miss this + +4 +00:00:10,629 --> 00:00:10,639 +miss this + + +5 +00:00:10,639 --> 00:00:13,430 +miss this +op hi + +6 +00:00:13,430 --> 00:00:13,440 +op hi + + +7 +00:00:13,440 --> 00:00:17,510 +op hi +sorry sorry you you forgot your book I I + +8 +00:00:17,510 --> 00:00:17,520 +sorry sorry you you forgot your book I I + + +9 +00:00:17,520 --> 00:00:20,349 +sorry sorry you you forgot your book I I +thought it might be important thank you + +10 +00:00:20,349 --> 00:00:20,359 +thought it might be important thank you + + +11 +00:00:20,359 --> 00:00:21,830 +thought it might be important thank you +bye + +12 +00:00:21,830 --> 00:00:21,840 +bye + + +13 +00:00:21,840 --> 00:00:25,870 +bye +bye uh your uh Dam dress were on the + +14 +00:00:25,870 --> 00:00:25,880 +bye uh your uh Dam dress were on the + + +15 +00:00:25,880 --> 00:00:27,589 +bye uh your uh Dam dress were on the +inside of it in case you were wondering + +16 +00:00:27,589 --> 00:00:27,599 +inside of it in case you were wondering + + +17 +00:00:27,599 --> 00:00:31,830 +inside of it in case you were wondering +how I knew where you lived I + +18 +00:00:31,830 --> 00:00:31,840 +how I knew where you lived I + + +19 +00:00:31,840 --> 00:00:36,389 +how I knew where you lived I +wasn't thank you again bye + +20 +00:00:36,389 --> 00:00:36,399 +wasn't thank you again bye + + +21 +00:00:36,399 --> 00:00:38,389 +wasn't thank you again bye +bye + +22 +00:00:38,389 --> 00:00:38,399 +bye + + +23 +00:00:38,399 --> 00:00:41,590 +bye +bye + +24 +00:00:41,590 --> 00:00:41,600 + + + +25 +00:00:41,600 --> 00:00:44,470 + +bye you say good night but you don't go + +26 +00:00:44,470 --> 00:00:44,480 +bye you say good night but you don't go + + +27 +00:00:44,480 --> 00:00:46,069 +bye you say good night but you don't go +anywhere well that's cuz I twisted my + +28 +00:00:46,069 --> 00:00:46,079 +anywhere well that's cuz I twisted my + + +29 +00:00:46,079 --> 00:00:47,709 +anywhere well that's cuz I twisted my +ankle on the way down here so I was just + +30 +00:00:47,709 --> 00:00:47,719 +ankle on the way down here so I was just + + +31 +00:00:47,719 --> 00:00:49,590 +ankle on the way down here so I was just +hoping to give it a little rest but you + +32 +00:00:49,590 --> 00:00:49,600 +hoping to give it a little rest but you + + +33 +00:00:49,600 --> 00:00:51,790 +hoping to give it a little rest but you +are not limping well I'm a marathon + +34 +00:00:51,790 --> 00:00:51,800 +are not limping well I'm a marathon + + +35 +00:00:51,800 --> 00:00:53,349 +are not limping well I'm a marathon +runner when you race 26 Mi you don't + +36 +00:00:53,349 --> 00:00:53,359 +runner when you race 26 Mi you don't + + +37 +00:00:53,359 --> 00:00:57,110 +runner when you race 26 Mi you don't +give into pain it hurts but I I don't + +38 +00:00:57,110 --> 00:00:57,120 +give into pain it hurts but I I don't + + +39 +00:00:57,120 --> 00:00:59,590 +give into pain it hurts but I I don't +pay any attention and you want in this + +40 +00:00:59,590 --> 00:00:59,600 +pay any attention and you want in this + + +41 +00:00:59,600 --> 00:01:00,670 +pay any attention and you want in this +yeah I mean I haven't run a whole + +42 +00:01:00,670 --> 00:01:00,680 +yeah I mean I haven't run a whole + + +43 +00:01:00,680 --> 00:01:03,990 +yeah I mean I haven't run a whole +Marathon yet but I I hope so wish you + +44 +00:01:03,990 --> 00:01:04,000 +Marathon yet but I I hope so wish you + + +45 +00:01:04,000 --> 00:01:06,510 +Marathon yet but I I hope so wish you +good luck + +46 +00:01:06,510 --> 00:01:06,520 +good luck + + +47 +00:01:06,520 --> 00:01:10,270 +good luck +bye I'm sorry I stole your book what I + +48 +00:01:10,270 --> 00:01:10,280 +bye I'm sorry I stole your book what I + + +49 +00:01:10,280 --> 00:01:11,590 +bye I'm sorry I stole your book what I +took your book and put it underneath + +50 +00:01:11,590 --> 00:01:11,600 +took your book and put it underneath + + +51 +00:01:11,600 --> 00:01:13,390 +took your book and put it underneath +mine I I didn't know how to talk to you + +52 +00:01:13,390 --> 00:01:13,400 +mine I I didn't know how to talk to you + + +53 +00:01:13,400 --> 00:01:15,710 +mine I I didn't know how to talk to you +I was embarrassed so I I took your book + +54 +00:01:15,710 --> 00:01:15,720 +I was embarrassed so I I took your book + + +55 +00:01:15,720 --> 00:01:18,230 +I was embarrassed so I I took your book +and you unass now yeah I'm I'm + +56 +00:01:18,230 --> 00:01:18,240 +and you unass now yeah I'm I'm + + +57 +00:01:18,240 --> 00:01:20,590 +and you unass now yeah I'm I'm +humiliated so why do you pursue people + +58 +00:01:20,590 --> 00:01:20,600 +humiliated so why do you pursue people + + +59 +00:01:20,600 --> 00:01:22,710 +humiliated so why do you pursue people +who sit at your library table I don't + +60 +00:01:22,710 --> 00:01:22,720 +who sit at your library table I don't + + +61 +00:01:22,720 --> 00:01:24,109 +who sit at your library table I don't +it's just + +62 +00:01:24,109 --> 00:01:24,119 +it's just + + +63 +00:01:24,119 --> 00:01:27,429 +it's just +a you're + +64 +00:01:27,429 --> 00:01:27,439 + + + +65 +00:01:27,439 --> 00:01:29,910 + +pretty I can't talk about how smart you + +66 +00:01:29,910 --> 00:01:29,920 +pretty I can't talk about how smart you + + +67 +00:01:29,920 --> 00:01:32,030 +pretty I can't talk about how smart you +you are I don't even know you anyway I'm + +68 +00:01:32,030 --> 00:01:32,040 +you are I don't even know you anyway I'm + + +69 +00:01:32,040 --> 00:01:34,350 +you are I don't even know you anyway I'm +done lying with you are you always so + +70 +00:01:34,350 --> 00:01:34,360 +done lying with you are you always so + + +71 +00:01:34,360 --> 00:01:36,350 +done lying with you are you always so +incompetent with women oh yes today's + +72 +00:01:36,350 --> 00:01:36,360 +incompetent with women oh yes today's + + +73 +00:01:36,360 --> 00:01:39,350 +incompetent with women oh yes today's +way above average for me congratulations + +74 +00:01:39,350 --> 00:01:39,360 +way above average for me congratulations + + +75 +00:01:39,360 --> 00:01:42,389 +way above average for me congratulations +good night it's too bad I could make you + +76 +00:01:42,389 --> 00:01:42,399 +good night it's too bad I could make you + + +77 +00:01:42,399 --> 00:01:45,270 +good night it's too bad I could make you +so happy I'm smart as a whip you want me + +78 +00:01:45,270 --> 00:01:45,280 +so happy I'm smart as a whip you want me + + +79 +00:01:45,280 --> 00:01:47,230 +so happy I'm smart as a whip you want me +another thief like me in the library + +80 +00:01:47,230 --> 00:01:47,240 +another thief like me in the library + + +81 +00:01:47,240 --> 00:01:48,709 +another thief like me in the library +again come on why don't you say you'll + +82 +00:01:48,709 --> 00:01:48,719 +again come on why don't you say you'll + + +83 +00:01:48,719 --> 00:01:53,709 +again come on why don't you say you'll +see me huh all right I see you + +84 +00:01:53,709 --> 00:01:53,719 +see me huh all right I see you + + +85 +00:01:53,719 --> 00:01:56,550 +see me huh all right I see you +again bet it won't come to anything you + +86 +00:01:56,550 --> 00:01:56,560 +again bet it won't come to anything you + + +87 +00:01:56,560 --> 00:01:58,469 +again bet it won't come to anything you +can't + +88 +00:01:58,469 --> 00:01:58,479 +can't + + +89 +00:01:58,479 --> 00:02:07,500 +can't +tell he say come + +90 +00:02:07,500 --> 00:02:07,510 + + + +91 +00:02:07,510 --> 00:02:13,430 + +[Applause] + +92 +00:02:13,430 --> 00:02:13,440 + + + +93 +00:02:13,440 --> 00:02:44,490 + +[Music] + diff --git a/1976/K2qNJ7IzzqE.en.srt b/1976/K2qNJ7IzzqE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..cf74a2e4b51cc42fa9935b601f79dfe4c6a1cc32 --- /dev/null +++ b/1976/K2qNJ7IzzqE.en.srt @@ -0,0 +1,235 @@ +1 +00:00:05,370 --> 00:00:06,450 + +[Music] + +2 +00:00:06,450 --> 00:00:06,460 +[Music] + + +3 +00:00:06,460 --> 00:00:11,430 +[Music] +[Applause] + +4 +00:00:11,430 --> 00:00:11,440 +[Applause] + + +5 +00:00:11,440 --> 00:00:14,669 +[Applause] +I told you not to swing you idiot get + +6 +00:00:14,669 --> 00:00:14,679 +I told you not to swing you idiot get + + +7 +00:00:14,679 --> 00:00:16,550 +I told you not to swing you idiot get +back here move + +8 +00:00:16,550 --> 00:00:16,560 +back here move + + +9 +00:00:16,560 --> 00:00:20,189 +back here move +it hey Stein get back in here God Dam it + +10 +00:00:20,189 --> 00:00:20,199 +it hey Stein get back in here God Dam it + + +11 +00:00:20,199 --> 00:00:23,429 +it hey Stein get back in here God Dam it +you Yanke Bears + +12 +00:00:23,429 --> 00:00:23,439 +you Yanke Bears + + +13 +00:00:23,439 --> 00:00:26,910 +you Yanke Bears +Too everybody sit down come on sit down + +14 +00:00:26,910 --> 00:00:26,920 +Too everybody sit down come on sit down + + +15 +00:00:26,920 --> 00:00:30,109 +Too everybody sit down come on sit down +sit down angle + +16 +00:00:30,109 --> 00:00:30,119 +sit down angle + + +17 +00:00:30,119 --> 00:00:31,470 +sit down angle +the matter with you next time I tell you + +18 +00:00:31,470 --> 00:00:31,480 +the matter with you next time I tell you + + +19 +00:00:31,480 --> 00:00:33,110 +the matter with you next time I tell you +to do something godamn it you do it or + +20 +00:00:33,110 --> 00:00:33,120 +to do something godamn it you do it or + + +21 +00:00:33,120 --> 00:00:35,709 +to do something godamn it you do it or +else you're off this + +22 +00:00:35,709 --> 00:00:35,719 +else you're off this + + +23 +00:00:35,719 --> 00:00:37,630 +else you're off this +team and the rest of you what's the + +24 +00:00:37,630 --> 00:00:37,640 +team and the rest of you what's the + + +25 +00:00:37,640 --> 00:00:40,190 +team and the rest of you what's the +matter with you all season long you've + +26 +00:00:40,190 --> 00:00:40,200 +matter with you all season long you've + + +27 +00:00:40,200 --> 00:00:42,790 +matter with you all season long you've +been laughed at crapped on now you got a + +28 +00:00:42,790 --> 00:00:42,800 +been laughed at crapped on now you got a + + +29 +00:00:42,800 --> 00:00:44,430 +been laughed at crapped on now you got a +chance to spit it back in their faces + +30 +00:00:44,430 --> 00:00:44,440 +chance to spit it back in their faces + + +31 +00:00:44,440 --> 00:00:47,069 +chance to spit it back in their faces +and what do you do you're out there like + +32 +00:00:47,069 --> 00:00:47,079 +and what do you do you're out there like + + +33 +00:00:47,079 --> 00:00:48,750 +and what do you do you're out there like +a bunch of dead fish not listening + +34 +00:00:48,750 --> 00:00:48,760 +a bunch of dead fish not listening + + +35 +00:00:48,760 --> 00:00:51,670 +a bunch of dead fish not listening +bonehead plays mistakes I mean don't you + +36 +00:00:51,670 --> 00:00:51,680 +bonehead plays mistakes I mean don't you + + +37 +00:00:51,680 --> 00:01:29,710 +bonehead plays mistakes I mean don't you +want to beat those bastards + +38 +00:01:29,710 --> 00:01:29,720 + + + +39 +00:01:29,720 --> 00:01:33,950 + +all all right get out there now and do + +40 +00:01:33,950 --> 00:01:33,960 +all all right get out there now and do + + +41 +00:01:33,960 --> 00:01:46,410 +all all right get out there now and do +the best you can + +42 +00:01:46,410 --> 00:01:46,420 + + + +43 +00:01:46,420 --> 00:02:00,550 + +[Music] + +44 +00:02:00,550 --> 00:02:00,560 +[Music] + + +45 +00:02:00,560 --> 00:02:06,410 +[Music] +sh + +46 +00:02:06,410 --> 00:02:06,420 + + + +47 +00:02:06,420 --> 00:02:20,460 + +[Music] + diff --git a/1976/KDQqlRIFcAQ.en.srt b/1976/KDQqlRIFcAQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f307192cbabd5e90cf7a0c7120e664c7108c48b2 --- /dev/null +++ b/1976/KDQqlRIFcAQ.en.srt @@ -0,0 +1,435 @@ +1 +00:00:00,320 --> 00:00:02,990 + +what was your father he was a scopt and + +2 +00:00:02,990 --> 00:00:03,000 +what was your father he was a scopt and + + +3 +00:00:03,000 --> 00:00:05,030 +what was your father he was a scopt and +the + +4 +00:00:05,030 --> 00:00:05,040 +the + + +5 +00:00:05,040 --> 00:00:08,110 +the +teacher excuse me for being so direct + +6 +00:00:08,110 --> 00:00:08,120 +teacher excuse me for being so direct + + +7 +00:00:08,120 --> 00:00:11,350 +teacher excuse me for being so direct +I've always heard that + +8 +00:00:11,350 --> 00:00:11,360 +I've always heard that + + +9 +00:00:11,360 --> 00:00:15,430 +I've always heard that +uh that uh all people of your profession + +10 +00:00:15,430 --> 00:00:15,440 +uh that uh all people of your profession + + +11 +00:00:15,440 --> 00:00:19,349 +uh that uh all people of your profession +were uh + +12 +00:00:19,349 --> 00:00:19,359 + + + +13 +00:00:19,359 --> 00:00:22,310 + +homosexual uh I can only speak for + +14 +00:00:22,310 --> 00:00:22,320 +homosexual uh I can only speak for + + +15 +00:00:22,320 --> 00:00:28,150 +homosexual uh I can only speak for +myself but if you want me to uh prove it + +16 +00:00:28,150 --> 00:00:28,160 +myself but if you want me to uh prove it + + +17 +00:00:28,160 --> 00:00:32,389 +myself but if you want me to uh prove it +uh more fish + +18 +00:00:32,389 --> 00:00:32,399 + + + +19 +00:00:32,399 --> 00:00:38,430 + +do you know the Russian Rider + +20 +00:00:38,430 --> 00:00:38,440 + + + +21 +00:00:38,440 --> 00:00:42,470 + +TV he's so + +22 +00:00:42,470 --> 00:00:42,480 + + + +23 +00:00:42,480 --> 00:00:45,790 + +moving I just feel too much + +24 +00:00:45,790 --> 00:00:45,800 +moving I just feel too much + + +25 +00:00:45,800 --> 00:00:49,510 +moving I just feel too much +Joe see the Junior League which by the + +26 +00:00:49,510 --> 00:00:49,520 +Joe see the Junior League which by the + + +27 +00:00:49,520 --> 00:00:54,110 +Joe see the Junior League which by the +way Craig I'm no longer a member + +28 +00:00:54,110 --> 00:00:54,120 +way Craig I'm no longer a member + + +29 +00:00:54,120 --> 00:00:57,430 +way Craig I'm no longer a member +of the Junior League teaches you to to + +30 +00:00:57,430 --> 00:00:57,440 +of the Junior League teaches you to to + + +31 +00:00:57,440 --> 00:01:00,910 +of the Junior League teaches you to to +respect and and to love all of God's + +32 +00:01:00,910 --> 00:01:00,920 +respect and and to love all of God's + + +33 +00:01:00,920 --> 00:01:04,750 +respect and and to love all of God's +Little + +34 +00:01:04,750 --> 00:01:04,760 + + + +35 +00:01:04,760 --> 00:01:08,030 + +Creatures even this little thing here + +36 +00:01:08,030 --> 00:01:08,040 +Creatures even this little thing here + + +37 +00:01:08,040 --> 00:01:09,550 +Creatures even this little thing here +the boat's back I'm to ski the course + +38 +00:01:09,550 --> 00:01:09,560 +the boat's back I'm to ski the course + + +39 +00:01:09,560 --> 00:01:12,149 +the boat's back I'm to ski the course +Joe that's a wonderful idea I think I'm + +40 +00:01:12,149 --> 00:01:12,159 +Joe that's a wonderful idea I think I'm + + +41 +00:01:12,159 --> 00:01:14,270 +Joe that's a wonderful idea I think I'm +going to go too why don't you stay here + +42 +00:01:14,270 --> 00:01:14,280 +going to go too why don't you stay here + + +43 +00:01:14,280 --> 00:01:17,350 +going to go too why don't you stay here +and uh keep the + +44 +00:01:17,350 --> 00:01:17,360 + + + +45 +00:01:17,360 --> 00:01:19,310 + +company I think I'm going too I'll see + +46 +00:01:19,310 --> 00:01:19,320 +company I think I'm going too I'll see + + +47 +00:01:19,320 --> 00:01:20,310 +company I think I'm going too I'll see +y'all + +48 +00:01:20,310 --> 00:01:20,320 +y'all + + +49 +00:01:20,320 --> 00:01:23,630 +y'all +later what's the course slom down river + +50 +00:01:23,630 --> 00:01:23,640 +later what's the course slom down river + + +51 +00:01:23,640 --> 00:01:26,390 +later what's the course slom down river +you man if I come with you you know how + +52 +00:01:26,390 --> 00:01:26,400 +you man if I come with you you know how + + +53 +00:01:26,400 --> 00:01:27,429 +you man if I come with you you know how +I'll give it a + +54 +00:01:27,429 --> 00:01:27,439 +I'll give it a + + +55 +00:01:27,439 --> 00:01:30,230 +I'll give it a +try how'd you get so good had to do + +56 +00:01:30,230 --> 00:01:30,240 +try how'd you get so good had to do + + +57 +00:01:30,240 --> 00:01:32,069 +try how'd you get so good had to do +something to get out of Prattville did + +58 +00:01:32,069 --> 00:01:32,079 +something to get out of Prattville did + + +59 +00:01:32,079 --> 00:01:34,149 +something to get out of Prattville did +you ski professionally skied Cypress + +60 +00:01:34,149 --> 00:01:34,159 +you ski professionally skied Cypress + + +61 +00:01:34,159 --> 00:01:36,510 +you ski professionally skied Cypress +Gardens last year really best damn time + +62 +00:01:36,510 --> 00:01:36,520 +Gardens last year really best damn time + + +63 +00:01:36,520 --> 00:01:38,789 +Gardens last year really best damn time +I ever had you never get up on that get + +64 +00:01:38,789 --> 00:01:38,799 +I ever had you never get up on that get + + +65 +00:01:38,799 --> 00:01:41,149 +I ever had you never get up on that get +this one oh all right why' you quit I + +66 +00:01:41,149 --> 00:01:41,159 +this one oh all right why' you quit I + + +67 +00:01:41,159 --> 00:01:44,109 +this one oh all right why' you quit I +didn't I broke my ankle hey wait Mar + +68 +00:01:44,109 --> 00:01:44,119 +didn't I broke my ankle hey wait Mar + + +69 +00:01:44,119 --> 00:01:46,830 +didn't I broke my ankle hey wait Mar +Tate let me explain about Dorothy hey + +70 +00:01:46,830 --> 00:01:46,840 +Tate let me explain about Dorothy hey + + +71 +00:01:46,840 --> 00:01:48,510 +Tate let me explain about Dorothy hey +look you don't have to worry about me + +72 +00:01:48,510 --> 00:01:48,520 +look you don't have to worry about me + + +73 +00:01:48,520 --> 00:01:50,310 +look you don't have to worry about me +I'm not going to mess with your little + +74 +00:01:50,310 --> 00:01:50,320 +I'm not going to mess with your little + + +75 +00:01:50,320 --> 00:01:52,510 +I'm not going to mess with your little +lady that's not what I meant well then + +76 +00:01:52,510 --> 00:01:52,520 +lady that's not what I meant well then + + +77 +00:01:52,520 --> 00:02:00,830 +lady that's not what I meant well then +what did you mean + +78 +00:02:00,830 --> 00:02:00,840 + + + +79 +00:02:00,840 --> 00:02:03,990 + +do Dorothy and I we've been uh been + +80 +00:02:03,990 --> 00:02:04,000 +do Dorothy and I we've been uh been + + +81 +00:02:04,000 --> 00:02:07,109 +do Dorothy and I we've been uh been +friends for a long time this is hey + +82 +00:02:07,109 --> 00:02:07,119 +friends for a long time this is hey + + +83 +00:02:07,119 --> 00:02:09,389 +friends for a long time this is hey +swamp that's a real pretty house you + +84 +00:02:09,389 --> 00:02:09,399 +swamp that's a real pretty house you + + +85 +00:02:09,399 --> 00:02:34,520 +swamp that's a real pretty house you +live in I been mean to tell you that + +86 +00:02:34,520 --> 00:02:34,530 + + + +87 +00:02:34,530 --> 00:02:43,479 + +[Music] + diff --git a/1976/LvtFcK8BaY8.description b/1976/LvtFcK8BaY8.description new file mode 100644 index 0000000000000000000000000000000000000000..c2c31a0d5a26c9aebda06e729a2c1b722af5bdfb --- /dev/null +++ b/1976/LvtFcK8BaY8.description @@ -0,0 +1,38 @@ +Taxi Driver movie clips: http://j.mp/1iS0mkM +BUY THE MOVIE: http://amzn.to/rUvwen +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Travis (Robert De Niro) expresses his feelings about the filth of the city with his politician passenger, Palantine (Leonard Harris). + +FILM DESCRIPTION: +"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. + +CREDITS: +TM & © Sony (1976) +Cast: Robert De Niro, Leonard Harris +Director: Martin Scorsese +Producers: Phillip M. Goldfarb, Julia Phillips, Michael Phillips +Screenwriter: Paul Schrader + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/LvtFcK8BaY8.en.srt b/1976/LvtFcK8BaY8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2b1e9e21e5a73a295e8d0eeedec43a9676381546 --- /dev/null +++ b/1976/LvtFcK8BaY8.en.srt @@ -0,0 +1,545 @@ +1 +00:00:00,120 --> 00:00:01,670 + +the right preparation that's going to + +2 +00:00:01,670 --> 00:00:01,680 +the right preparation that's going to + + +3 +00:00:01,680 --> 00:00:03,310 +the right preparation that's going to +get us in trouble I'll tell you are you + +4 +00:00:03,310 --> 00:00:03,320 +get us in trouble I'll tell you are you + + +5 +00:00:03,320 --> 00:00:05,909 +get us in trouble I'll tell you are you +Charles palentine a + +6 +00:00:05,909 --> 00:00:05,919 +Charles palentine a + + +7 +00:00:05,919 --> 00:00:08,950 +Charles palentine a +candidate yes I + +8 +00:00:08,950 --> 00:00:08,960 +candidate yes I + + +9 +00:00:08,960 --> 00:00:11,230 +candidate yes I +am I'm one of your biggest supporters + +10 +00:00:11,230 --> 00:00:11,240 +am I'm one of your biggest supporters + + +11 +00:00:11,240 --> 00:00:12,749 +am I'm one of your biggest supporters +you know I tell everybody that comes in + +12 +00:00:12,749 --> 00:00:12,759 +you know I tell everybody that comes in + + +13 +00:00:12,759 --> 00:00:15,390 +you know I tell everybody that comes in +this taxi that they have to vote for you + +14 +00:00:15,390 --> 00:00:15,400 +this taxi that they have to vote for you + + +15 +00:00:15,400 --> 00:00:17,630 +this taxi that they have to vote for you +my thank + +16 +00:00:17,630 --> 00:00:17,640 +my thank + + +17 +00:00:17,640 --> 00:00:20,710 +my thank +you Travis I'm sure you're going to win + +18 +00:00:20,710 --> 00:00:20,720 +you Travis I'm sure you're going to win + + +19 +00:00:20,720 --> 00:00:22,189 +you Travis I'm sure you're going to win +sir everybody I know is going to vote + +20 +00:00:22,189 --> 00:00:22,199 +sir everybody I know is going to vote + + +21 +00:00:22,199 --> 00:00:24,150 +sir everybody I know is going to vote +for you you know in fact I was going to + +22 +00:00:24,150 --> 00:00:24,160 +for you you know in fact I was going to + + +23 +00:00:24,160 --> 00:00:25,950 +for you you know in fact I was going to +put one of your stickers in my taxi but + +24 +00:00:25,950 --> 00:00:25,960 +put one of your stickers in my taxi but + + +25 +00:00:25,960 --> 00:00:27,349 +put one of your stickers in my taxi but +you know the company said it was against + +26 +00:00:27,349 --> 00:00:27,359 +you know the company said it was against + + +27 +00:00:27,359 --> 00:00:28,630 +you know the company said it was against +their policy but they don't know + +28 +00:00:28,630 --> 00:00:28,640 +their policy but they don't know + + +29 +00:00:28,640 --> 00:00:30,189 +their policy but they don't know +anything you know they're a bunch of a + +30 +00:00:30,189 --> 00:00:30,199 +anything you know they're a bunch of a + + +31 +00:00:30,199 --> 00:00:32,069 +anything you know they're a bunch of a +jerks let me tell you something I have + +32 +00:00:32,069 --> 00:00:32,079 +jerks let me tell you something I have + + +33 +00:00:32,079 --> 00:00:34,229 +jerks let me tell you something I have +learned more about America from riding + +34 +00:00:34,229 --> 00:00:34,239 +learned more about America from riding + + +35 +00:00:34,239 --> 00:00:36,229 +learned more about America from riding +in taxi cabs than in all the limos in + +36 +00:00:36,229 --> 00:00:36,239 +in taxi cabs than in all the limos in + + +37 +00:00:36,239 --> 00:00:37,950 +in taxi cabs than in all the limos in +the + +38 +00:00:37,950 --> 00:00:37,960 +the + + +39 +00:00:37,960 --> 00:00:41,150 +the +country oh yeah that's + +40 +00:00:41,150 --> 00:00:41,160 +country oh yeah that's + + +41 +00:00:41,160 --> 00:00:44,990 +country oh yeah that's +true can I ask you something Travis sure + +42 +00:00:44,990 --> 00:00:45,000 +true can I ask you something Travis sure + + +43 +00:00:45,000 --> 00:00:46,750 +true can I ask you something Travis sure +what is the one thing about this country + +44 +00:00:46,750 --> 00:00:46,760 +what is the one thing about this country + + +45 +00:00:46,760 --> 00:00:48,869 +what is the one thing about this country +that bugs you the + +46 +00:00:48,869 --> 00:00:48,879 +that bugs you the + + +47 +00:00:48,879 --> 00:00:50,869 +that bugs you the +most well I don't know you know I don't + +48 +00:00:50,869 --> 00:00:50,879 +most well I don't know you know I don't + + +49 +00:00:50,879 --> 00:00:53,029 +most well I don't know you know I don't +follow political issues that closely sir + +50 +00:00:53,029 --> 00:00:53,039 +follow political issues that closely sir + + +51 +00:00:53,039 --> 00:00:54,229 +follow political issues that closely sir +I don't + +52 +00:00:54,229 --> 00:00:54,239 +I don't + + +53 +00:00:54,239 --> 00:00:56,750 +I don't +know oh well there must be + +54 +00:00:56,750 --> 00:00:56,760 +know oh well there must be + + +55 +00:00:56,760 --> 00:00:58,670 +know oh well there must be +something + +56 +00:00:58,670 --> 00:00:58,680 +something + + +57 +00:00:58,680 --> 00:01:01,029 +something +well what whatever it is he should clean + +58 +00:01:01,029 --> 00:01:01,039 +well what whatever it is he should clean + + +59 +00:01:01,039 --> 00:01:02,790 +well what whatever it is he should clean +up this city here because this city here + +60 +00:01:02,790 --> 00:01:02,800 +up this city here because this city here + + +61 +00:01:02,800 --> 00:01:05,109 +up this city here because this city here +is like an open sewer you know it's full + +62 +00:01:05,109 --> 00:01:05,119 +is like an open sewer you know it's full + + +63 +00:01:05,119 --> 00:01:07,590 +is like an open sewer you know it's full +of Filth and scum and sometimes I can + +64 +00:01:07,590 --> 00:01:07,600 +of Filth and scum and sometimes I can + + +65 +00:01:07,600 --> 00:01:09,990 +of Filth and scum and sometimes I can +hardly Take It Whatever ever becomes the + +66 +00:01:09,990 --> 00:01:10,000 +hardly Take It Whatever ever becomes the + + +67 +00:01:10,000 --> 00:01:11,710 +hardly Take It Whatever ever becomes the +President should + +68 +00:01:11,710 --> 00:01:11,720 +President should + + +69 +00:01:11,720 --> 00:01:14,469 +President should +just really clean it up you know what I + +70 +00:01:14,469 --> 00:01:14,479 +just really clean it up you know what I + + +71 +00:01:14,479 --> 00:01:16,590 +just really clean it up you know what I +mean sometimes I go out and I smell it I + +72 +00:01:16,590 --> 00:01:16,600 +mean sometimes I go out and I smell it I + + +73 +00:01:16,600 --> 00:01:18,710 +mean sometimes I go out and I smell it I +get headaches it's so bad you know and + +74 +00:01:18,710 --> 00:01:18,720 +get headaches it's so bad you know and + + +75 +00:01:18,720 --> 00:01:20,910 +get headaches it's so bad you know and +they just like they just never go away + +76 +00:01:20,910 --> 00:01:20,920 +they just like they just never go away + + +77 +00:01:20,920 --> 00:01:23,429 +they just like they just never go away +you know it's like think that the + +78 +00:01:23,429 --> 00:01:23,439 +you know it's like think that the + + +79 +00:01:23,439 --> 00:01:25,469 +you know it's like think that the +President should just clean up this + +80 +00:01:25,469 --> 00:01:25,479 +President should just clean up this + + +81 +00:01:25,479 --> 00:01:27,069 +President should just clean up this +whole mess here you should just flush it + +82 +00:01:27,069 --> 00:01:27,079 +whole mess here you should just flush it + + +83 +00:01:27,079 --> 00:01:33,540 +whole mess here you should just flush it +right down the toilet + +84 +00:01:33,540 --> 00:01:33,550 + + + +85 +00:01:33,550 --> 00:01:35,550 + +[Music] + +86 +00:01:35,550 --> 00:01:35,560 +[Music] + + +87 +00:01:35,560 --> 00:01:39,469 +[Music] +well uh I think I know what you mean + +88 +00:01:39,469 --> 00:01:39,479 +well uh I think I know what you mean + + +89 +00:01:39,479 --> 00:01:42,510 +well uh I think I know what you mean +Travis but it's not going to be easy + +90 +00:01:42,510 --> 00:01:42,520 +Travis but it's not going to be easy + + +91 +00:01:42,520 --> 00:01:44,030 +Travis but it's not going to be easy +we're going to have to make some radical + +92 +00:01:44,030 --> 00:01:44,040 +we're going to have to make some radical + + +93 +00:01:44,040 --> 00:01:46,709 +we're going to have to make some radical +changes damn + +94 +00:01:46,709 --> 00:01:46,719 +changes damn + + +95 +00:01:46,719 --> 00:01:48,870 +changes damn +straight here you go Travis keep the + +96 +00:01:48,870 --> 00:01:48,880 +straight here you go Travis keep the + + +97 +00:01:48,880 --> 00:01:50,210 +straight here you go Travis keep the +change thank + +98 +00:01:50,210 --> 00:01:50,220 +change thank + + +99 +00:01:50,220 --> 00:01:53,429 +change thank +[Music] + +100 +00:01:53,429 --> 00:01:53,439 +[Music] + + +101 +00:01:53,439 --> 00:01:55,789 +[Music] +you nice talking to you Travis nice + +102 +00:01:55,789 --> 00:01:55,799 +you nice talking to you Travis nice + + +103 +00:01:55,799 --> 00:01:57,469 +you nice talking to you Travis nice +talking to you sir you're a good man I + +104 +00:01:57,469 --> 00:01:57,479 +talking to you sir you're a good man I + + +105 +00:01:57,479 --> 00:01:58,510 +talking to you sir you're a good man I +know you're going to + +106 +00:01:58,510 --> 00:01:58,520 +know you're going to + + +107 +00:01:58,520 --> 00:02:03,870 +know you're going to +win thank you than + +108 +00:02:03,870 --> 00:02:03,880 + + + +109 +00:02:03,880 --> 00:02:35,649 + +[Music] + diff --git a/1976/Lw0Nn1xSMHk.en.srt b/1976/Lw0Nn1xSMHk.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..106920bfe401f859161d932c1de39fd9f6631cf4 --- /dev/null +++ b/1976/Lw0Nn1xSMHk.en.srt @@ -0,0 +1,275 @@ +1 +00:00:00,680 --> 00:00:03,750 + +waywayne I mean I mean Abdullah you know + +2 +00:00:03,750 --> 00:00:03,760 +waywayne I mean I mean Abdullah you know + + +3 +00:00:03,760 --> 00:00:05,150 +waywayne I mean I mean Abdullah you know +what I'm talking about right I mean you + +4 +00:00:05,150 --> 00:00:05,160 +what I'm talking about right I mean you + + +5 +00:00:05,160 --> 00:00:06,909 +what I'm talking about right I mean you +know where I'm coming from Revolution is + +6 +00:00:06,909 --> 00:00:06,919 +know where I'm coming from Revolution is + + +7 +00:00:06,919 --> 00:00:10,270 +know where I'm coming from Revolution is +the anti my brain right right I'm going + +8 +00:00:10,270 --> 00:00:10,280 +the anti my brain right right I'm going + + +9 +00:00:10,280 --> 00:00:13,110 +the anti my brain right right I'm going +to let you you know that Revolution you + +10 +00:00:13,110 --> 00:00:13,120 +to let you you know that Revolution you + + +11 +00:00:13,120 --> 00:00:16,150 +to let you you know that Revolution you +keep talking about all the time when it + +12 +00:00:16,150 --> 00:00:16,160 +keep talking about all the time when it + + +13 +00:00:16,160 --> 00:00:18,470 +keep talking about all the time when it +happens and it's going to happen then + +14 +00:00:18,470 --> 00:00:18,480 +happens and it's going to happen then + + +15 +00:00:18,480 --> 00:00:20,109 +happens and it's going to happen then +you're going to be working here for real + +16 +00:00:20,109 --> 00:00:20,119 +you're going to be working here for real + + +17 +00:00:20,119 --> 00:00:22,269 +you're going to be working here for real +not just playing around splashing in the + +18 +00:00:22,269 --> 00:00:22,279 +not just playing around splashing in the + + +19 +00:00:22,279 --> 00:00:24,550 +not just playing around splashing in the +water you understand we get a chance to + +20 +00:00:24,550 --> 00:00:24,560 +water you understand we get a chance to + + +21 +00:00:24,560 --> 00:00:27,029 +water you understand we get a chance to +run your white ass and yall get a chance + +22 +00:00:27,029 --> 00:00:27,039 +run your white ass and yall get a chance + + +23 +00:00:27,039 --> 00:00:31,950 +run your white ass and yall get a chance +to sing We Shall Overcome and Chinese + +24 +00:00:31,950 --> 00:00:31,960 +to sing We Shall Overcome and Chinese + + +25 +00:00:31,960 --> 00:00:33,430 +to sing We Shall Overcome and Chinese +that's not what I + +26 +00:00:33,430 --> 00:00:33,440 +that's not what I + + +27 +00:00:33,440 --> 00:00:36,150 +that's not what I +meant look I'm so tired of you running + +28 +00:00:36,150 --> 00:00:36,160 +meant look I'm so tired of you running + + +29 +00:00:36,160 --> 00:00:38,069 +meant look I'm so tired of you running +off at your mouth is getting me down + +30 +00:00:38,069 --> 00:00:38,079 +off at your mouth is getting me down + + +31 +00:00:38,079 --> 00:00:41,630 +off at your mouth is getting me down +honey why don't you just leave and be an + +32 +00:00:41,630 --> 00:00:41,640 +honey why don't you just leave and be an + + +33 +00:00:41,640 --> 00:00:43,549 +honey why don't you just leave and be an +assassin well the only thing you're good + +34 +00:00:43,549 --> 00:00:43,559 +assassin well the only thing you're good + + +35 +00:00:43,559 --> 00:00:46,270 +assassin well the only thing you're good +at shooting off is your big mouth would + +36 +00:00:46,270 --> 00:00:46,280 +at shooting off is your big mouth would + + +37 +00:00:46,280 --> 00:00:49,270 +at shooting off is your big mouth would +you please get out of my face you sorry + +38 +00:00:49,270 --> 00:00:49,280 +you please get out of my face you sorry + + +39 +00:00:49,280 --> 00:00:50,549 +you please get out of my face you sorry +looking + +40 +00:00:50,549 --> 00:00:50,559 +looking + + +41 +00:00:50,559 --> 00:00:54,750 +looking + Who you calling sorry + +42 +00:00:54,750 --> 00:00:54,760 +Who you calling sorry + + +43 +00:00:54,760 --> 00:00:57,349 +Who you calling sorry +looking can't yall see that she ain't + +44 +00:00:57,349 --> 00:00:57,359 +looking can't yall see that she ain't + + +45 +00:00:57,359 --> 00:00:59,990 +looking can't yall see that she ain't +funny she's just another poor examp + +46 +00:00:59,990 --> 00:01:00,000 +funny she's just another poor examp + + +47 +00:01:00,000 --> 00:01:02,029 +funny she's just another poor examp +example of how the system has are + +48 +00:01:02,029 --> 00:01:02,039 +example of how the system has are + + +49 +00:01:02,039 --> 00:01:05,710 +example of how the system has are +destroying our men honey I am more man + +50 +00:01:05,710 --> 00:01:05,720 +destroying our men honey I am more man + + +51 +00:01:05,720 --> 00:01:07,670 +destroying our men honey I am more man +than you'll ever be and more woman than + +52 +00:01:07,670 --> 00:01:07,680 +than you'll ever be and more woman than + + +53 +00:01:07,680 --> 00:01:16,400 +than you'll ever be and more woman than +you ever again + +54 +00:01:16,400 --> 00:01:16,410 + + + +55 +00:01:16,410 --> 00:01:47,439 + +[Music] + diff --git a/1976/Lxfe0cKOx3g.description b/1976/Lxfe0cKOx3g.description new file mode 100644 index 0000000000000000000000000000000000000000..35d5520b020069a658957b3b97f5141fc014d40d --- /dev/null +++ b/1976/Lxfe0cKOx3g.description @@ -0,0 +1,38 @@ +Rocky movie clips: http://j.mp/111pZZc +BUY THE MOVIE: http://j.mp/150JrGu +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Rocky (Sylvester Stallone) has a heated argument with Mickey (Burgess Meredith) through the doors of his apartment. + +FILM DESCRIPTION: +Rocky Balboa (Sylvester Stallone), a Philadelphia boxer, is but one step removed from total bum-hood. A once-promising pugilist, Rocky is now taking nickel-and-dime bouts and running strongarm errands for local loan sharks to survive. Even his supportive trainer, Mickey (Burgess Meredith), has given up on Rocky. All this changes thanks to Muhammad Ali-like super-boxer Apollo Creed (Carl Weathers). With the Bicentennial celebration coming up, Creed must find a "Cinderella" opponent for the big July 4th bout -- some unknown whom Creed can "glorify" for a few minutes before knocking him cold. Rocky Balboa was not the only Cinderella involved here: writer/director Sylvester Stallone, himself a virtual unknown, managed to sell his Rocky script (one of 35 that he'd written over the years) on the proviso that he be given the starring role. Since the film was to be made on a shoestring and marketed on a low-level basis, the risk factor to United Artists was small. For Stallone, this was a make-or-break opportunity -- just like Rocky's million-to-one shot with Apollo Creed. Costing under a million dollars, Rocky managed to register with audiences everywhere, earning back 60 times its cost. The film won several Academy Awards, including Best Picture. + +CREDITS: +TM & © MGM (1976) +Cast: Burgess Meredith, Sylvester Stallone +Director: John G. Avildsen +Producers: Robert Chartoff, Gene Kirkwood, Irwin Winkler +Screenwriter: Sylvester Stallone + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/Lxfe0cKOx3g.en.srt b/1976/Lxfe0cKOx3g.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a3989d79674a365a95b843f34724e029cd40d837 --- /dev/null +++ b/1976/Lxfe0cKOx3g.en.srt @@ -0,0 +1,495 @@ +1 +00:00:00,240 --> 00:00:02,710 + +I want to be your manager you follow + +2 +00:00:02,710 --> 00:00:02,720 +I want to be your manager you follow + + +3 +00:00:02,720 --> 00:00:04,950 +I want to be your manager you follow +that do you fight said I don't need no + +4 +00:00:04,950 --> 00:00:04,960 +that do you fight said I don't need no + + +5 +00:00:04,960 --> 00:00:07,590 +that do you fight said I don't need no +manager but you can't buy what I'm going + +6 +00:00:07,590 --> 00:00:07,600 +manager but you can't buy what I'm going + + +7 +00:00:07,600 --> 00:00:09,709 +manager but you can't buy what I'm going +to give you I mean I've got pain and + +8 +00:00:09,709 --> 00:00:09,719 +to give you I mean I've got pain and + + +9 +00:00:09,719 --> 00:00:11,910 +to give you I mean I've got pain and +I've got experience I got pain I got + +10 +00:00:11,910 --> 00:00:11,920 +I've got experience I got pain I got + + +11 +00:00:11,920 --> 00:00:13,350 +I've got experience I got pain I got +experience + +12 +00:00:13,350 --> 00:00:13,360 +experience + + +13 +00:00:13,360 --> 00:00:17,870 +experience +too listen kid hey look hey M what I + +14 +00:00:17,870 --> 00:00:17,880 +too listen kid hey look hey M what I + + +15 +00:00:17,880 --> 00:00:19,750 +too listen kid hey look hey M what I +need your help about 10 years ago right + +16 +00:00:19,750 --> 00:00:19,760 +need your help about 10 years ago right + + +17 +00:00:19,760 --> 00:00:21,750 +need your help about 10 years ago right +10 years ago right you never helped me + +18 +00:00:21,750 --> 00:00:21,760 +10 years ago right you never helped me + + +19 +00:00:21,760 --> 00:00:24,310 +10 years ago right you never helped me +now you didn't care well if you want to + +20 +00:00:24,310 --> 00:00:24,320 +now you didn't care well if you want to + + +21 +00:00:24,320 --> 00:00:27,029 +now you didn't care well if you want to +help I say if you wanted help why didn't + +22 +00:00:27,029 --> 00:00:27,039 +help I say if you wanted help why didn't + + +23 +00:00:27,039 --> 00:00:29,509 +help I say if you wanted help why didn't +you ask why didn't you just ask me kid + +24 +00:00:29,509 --> 00:00:29,519 +you ask why didn't you just ask me kid + + +25 +00:00:29,519 --> 00:00:32,229 +you ask why didn't you just ask me kid +look I but you never heard + +26 +00:00:32,229 --> 00:00:32,239 +look I but you never heard + + +27 +00:00:32,239 --> 00:00:35,150 +look I but you never heard +nothing + +28 +00:00:35,150 --> 00:00:35,160 +nothing + + +29 +00:00:35,160 --> 00:00:44,630 +nothing +well I uh I know I'm 76 years + +30 +00:00:44,630 --> 00:00:44,640 + + + +31 +00:00:44,640 --> 00:01:22,469 + +old and uh + +32 +00:01:22,469 --> 00:01:22,479 + + + +33 +00:01:22,479 --> 00:01:24,590 + +took long enough to get + +34 +00:01:24,590 --> 00:01:24,600 +took long enough to get + + +35 +00:01:24,600 --> 00:01:27,670 +took long enough to get +here Contin years to come to my house + +36 +00:01:27,670 --> 00:01:27,680 +here Contin years to come to my house + + +37 +00:01:27,680 --> 00:01:29,030 +here Contin years to come to my house +huh what's the matter you don't like my + +38 +00:01:29,030 --> 00:01:29,040 +huh what's the matter you don't like my + + +39 +00:01:29,040 --> 00:01:30,630 +huh what's the matter you don't like my +house + +40 +00:01:30,630 --> 00:01:30,640 +house + + +41 +00:01:30,640 --> 00:01:32,030 +house +my + +42 +00:01:32,030 --> 00:01:32,040 +my + + +43 +00:01:32,040 --> 00:01:34,550 +my +stink that's right it + +44 +00:01:34,550 --> 00:01:34,560 +stink that's right it + + +45 +00:01:34,560 --> 00:01:39,670 +stink that's right it +stinks I from you don't SL around + +46 +00:01:39,670 --> 00:01:39,680 +stinks I from you don't SL around + + +47 +00:01:39,680 --> 00:01:43,710 +stinks I from you don't SL around +me talk about your Prime what about my + +48 +00:01:43,710 --> 00:01:43,720 +me talk about your Prime what about my + + +49 +00:01:43,720 --> 00:01:46,789 +me talk about your Prime what about my +Prime Meck least you out a + +50 +00:01:46,789 --> 00:01:46,799 +Prime Meck least you out a + + +51 +00:01:46,799 --> 00:01:49,310 +Prime Meck least you out a +prime I ain't had no Prime I ain't + +52 +00:01:49,310 --> 00:01:49,320 +prime I ain't had no Prime I ain't + + +53 +00:01:49,320 --> 00:01:51,270 +prime I ain't had no Prime I ain't +nothing legs are going everything is + +54 +00:01:51,270 --> 00:01:51,280 +nothing legs are going everything is + + +55 +00:01:51,280 --> 00:01:53,310 +nothing legs are going everything is +going no he's getting them nothing guy + +56 +00:01:53,310 --> 00:01:53,320 +going no he's getting them nothing guy + + +57 +00:01:53,320 --> 00:01:55,590 +going no he's getting them nothing guy +comes up off be a fight big deal want to + +58 +00:01:55,590 --> 00:01:55,600 +comes up off be a fight big deal want to + + +59 +00:01:55,600 --> 00:01:57,230 +comes up off be a fight big deal want to +fight the fight yeah I'll fight the big + +60 +00:01:57,230 --> 00:01:57,240 +fight the fight yeah I'll fight the big + + +61 +00:01:57,240 --> 00:01:59,389 +fight the fight yeah I'll fight the big +fight I wouldn't want to fight that big + +62 +00:01:59,389 --> 00:01:59,399 +fight I wouldn't want to fight that big + + +63 +00:01:59,399 --> 00:02:02,069 +fight I wouldn't want to fight that big +fight was to me I want to get that I + +64 +00:02:02,069 --> 00:02:02,079 +fight was to me I want to get that I + + +65 +00:02:02,079 --> 00:02:03,950 +fight was to me I want to get that I +want to get + +66 +00:02:03,950 --> 00:02:03,960 +want to get + + +67 +00:02:03,960 --> 00:02:07,190 +want to get +that and you want to be rited and see it + +68 +00:02:07,190 --> 00:02:07,200 +that and you want to be rited and see it + + +69 +00:02:07,200 --> 00:02:10,830 +that and you want to be rited and see it +do you you want to help me out help see + +70 +00:02:10,830 --> 00:02:10,840 +do you you want to help me out help see + + +71 +00:02:10,840 --> 00:02:13,550 +do you you want to help me out help see +my face legs ain't working nothing's + +72 +00:02:13,550 --> 00:02:13,560 +my face legs ain't working nothing's + + +73 +00:02:13,560 --> 00:02:16,110 +my face legs ain't working nothing's +working they go go Bight the + +74 +00:02:16,110 --> 00:02:16,120 +working they go go Bight the + + +75 +00:02:16,120 --> 00:02:20,470 +working they go go Bight the +chair yeah I'll fight + +76 +00:02:20,470 --> 00:02:20,480 + + + +77 +00:02:20,480 --> 00:02:23,270 + +him I face kicked + +78 +00:02:23,270 --> 00:02:23,280 +him I face kicked + + +79 +00:02:23,280 --> 00:02:25,670 +him I face kicked +it you come around here you want to move + +80 +00:02:25,670 --> 00:02:25,680 +it you come around here you want to move + + +81 +00:02:25,680 --> 00:02:28,470 +it you come around here you want to move +in here with me come on here myce + +82 +00:02:28,470 --> 00:02:28,480 +in here with me come on here myce + + +83 +00:02:28,480 --> 00:02:32,630 +in here with me come on here myce +house real come on in the move it's + +84 +00:02:32,630 --> 00:02:32,640 +house real come on in the move it's + + +85 +00:02:32,640 --> 00:02:35,430 +house real come on in the move it's +staks to place + +86 +00:02:35,430 --> 00:02:35,440 +staks to place + + +87 +00:02:35,440 --> 00:02:39,030 +staks to place +stinks want to help me out well help me + +88 +00:02:39,030 --> 00:02:39,040 +stinks want to help me out well help me + + +89 +00:02:39,040 --> 00:02:41,430 +stinks want to help me out well help me +out come on help me out I'm standing + +90 +00:02:41,430 --> 00:02:41,440 +out come on help me out I'm standing + + +91 +00:02:41,440 --> 00:02:51,200 +out come on help me out I'm standing +there + +92 +00:02:51,200 --> 00:02:51,210 + + + +93 +00:02:51,210 --> 00:02:57,560 + +[Music] + +94 +00:02:57,560 --> 00:02:57,570 + + + +95 +00:02:57,570 --> 00:03:21,140 + +[Music] + +96 +00:03:21,140 --> 00:03:21,150 + + + +97 +00:03:21,150 --> 00:03:30,990 + +[Music] + +98 +00:03:30,990 --> 00:03:31,000 + + + +99 +00:03:31,000 --> 00:04:02,750 + +[Music] + diff --git a/1976/NBfCeTdLDbQ.en.srt b/1976/NBfCeTdLDbQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..3fbd471a7e3f68d790ae682d6354820660b663c4 --- /dev/null +++ b/1976/NBfCeTdLDbQ.en.srt @@ -0,0 +1,375 @@ +1 +00:00:00,030 --> 00:00:02,480 + +two years ago worst day in the history + +2 +00:00:02,480 --> 00:00:02,490 +two years ago worst day in the history + + +3 +00:00:02,490 --> 00:00:04,999 +two years ago worst day in the history +of Delos began with no obvious signs + +4 +00:00:04,999 --> 00:00:05,009 +of Delos began with no obvious signs + + +5 +00:00:05,009 --> 00:00:07,550 +of Delos began with no obvious signs +that anything would go wrong robots were + +6 +00:00:07,550 --> 00:00:07,560 +that anything would go wrong robots were + + +7 +00:00:07,560 --> 00:00:10,160 +that anything would go wrong robots were +behaving as program and although there + +8 +00:00:10,160 --> 00:00:10,170 +behaving as program and although there + + +9 +00:00:10,170 --> 00:00:12,049 +behaving as program and although there +was some evidence of circuit malfunction + +10 +00:00:12,049 --> 00:00:12,059 +was some evidence of circuit malfunction + + +11 +00:00:12,059 --> 00:00:14,450 +was some evidence of circuit malfunction +it was well within the normal parameters + +12 +00:00:14,450 --> 00:00:14,460 +it was well within the normal parameters + + +13 +00:00:14,460 --> 00:00:16,730 +it was well within the normal parameters +the mr. Duffy are you saying that + +14 +00:00:16,730 --> 00:00:16,740 +the mr. Duffy are you saying that + + +15 +00:00:16,740 --> 00:00:18,740 +the mr. Duffy are you saying that +despite your sophisticated sensors you + +16 +00:00:18,740 --> 00:00:18,750 +despite your sophisticated sensors you + + +17 +00:00:18,750 --> 00:00:24,009 +despite your sophisticated sensors you +had absolutely no been quite suddenly + +18 +00:00:24,009 --> 00:00:24,019 +had absolutely no been quite suddenly + + +19 +00:00:24,019 --> 00:00:26,300 +had absolutely no been quite suddenly +one of our most complicated robot + +20 +00:00:26,300 --> 00:00:26,310 +one of our most complicated robot + + +21 +00:00:26,310 --> 00:00:29,929 +one of our most complicated robot +gunslingers began to act in a most + +22 +00:00:29,929 --> 00:00:29,939 +gunslingers began to act in a most + + +23 +00:00:29,939 --> 00:00:32,330 +gunslingers began to act in a most +vicious manner for the first time in our + +24 +00:00:32,330 --> 00:00:32,340 +vicious manner for the first time in our + + +25 +00:00:32,340 --> 00:00:34,819 +vicious manner for the first time in our +history a robot actually killed a guest + +26 +00:00:34,819 --> 00:00:34,829 +history a robot actually killed a guest + + +27 +00:00:34,829 --> 00:00:38,750 +history a robot actually killed a guest +within a few moments Delos was in + +28 +00:00:38,750 --> 00:00:38,760 +within a few moments Delos was in + + +29 +00:00:38,760 --> 00:00:41,569 +within a few moments Delos was in +turmoil I thought your only problem was + +30 +00:00:41,569 --> 00:00:41,579 +turmoil I thought your only problem was + + +31 +00:00:41,579 --> 00:00:45,260 +turmoil I thought your only problem was +in West world no thanks to your mr. + +32 +00:00:45,260 --> 00:00:45,270 +in West world no thanks to your mr. + + +33 +00:00:45,270 --> 00:00:47,510 +in West world no thanks to your mr. +browning what's forgot the brunt of the + +34 +00:00:47,510 --> 00:00:47,520 +browning what's forgot the brunt of the + + +35 +00:00:47,520 --> 00:00:50,060 +browning what's forgot the brunt of the +bad publicity but the breakdown occurred + +36 +00:00:50,060 --> 00:00:50,070 +bad publicity but the breakdown occurred + + +37 +00:00:50,070 --> 00:00:52,729 +bad publicity but the breakdown occurred +throughout the resort mr. Duffy I don't + +38 +00:00:52,729 --> 00:00:52,739 +throughout the resort mr. Duffy I don't + + +39 +00:00:52,739 --> 00:00:54,110 +throughout the resort mr. Duffy I don't +quite understand why you didn't shut off + +40 +00:00:54,110 --> 00:00:54,120 +quite understand why you didn't shut off + + +41 +00:00:54,120 --> 00:00:56,990 +quite understand why you didn't shut off +the power supply to your robots we did + +42 +00:00:56,990 --> 00:00:57,000 +the power supply to your robots we did + + +43 +00:00:57,000 --> 00:00:59,209 +the power supply to your robots we did +but they ran on reserve long enough to + +44 +00:00:59,209 --> 00:00:59,219 +but they ran on reserve long enough to + + +45 +00:00:59,219 --> 00:01:01,369 +but they ran on reserve long enough to +do a great deal of damage how many + +46 +00:01:01,369 --> 00:01:01,379 +do a great deal of damage how many + + +47 +00:01:01,379 --> 00:01:03,799 +do a great deal of damage how many +guests were killed more than 50 of + +48 +00:01:03,799 --> 00:01:03,809 +guests were killed more than 50 of + + +49 +00:01:03,809 --> 00:01:06,050 +guests were killed more than 50 of +course many of our own technicians also + +50 +00:01:06,050 --> 00:01:06,060 +course many of our own technicians also + + +51 +00:01:06,060 --> 00:01:11,149 +course many of our own technicians also +done in fact by the time we regained + +52 +00:01:11,149 --> 00:01:11,159 +done in fact by the time we regained + + +53 +00:01:11,159 --> 00:01:13,760 +done in fact by the time we regained +control 95 members of our technical and + +54 +00:01:13,760 --> 00:01:13,770 +control 95 members of our technical and + + +55 +00:01:13,770 --> 00:01:15,350 +control 95 members of our technical and +maintenance staff had either been killed + +56 +00:01:15,350 --> 00:01:15,360 +maintenance staff had either been killed + + +57 +00:01:15,360 --> 00:01:18,289 +maintenance staff had either been killed +or wounded aside from the human loss it + +58 +00:01:18,289 --> 00:01:18,299 +or wounded aside from the human loss it + + +59 +00:01:18,299 --> 00:01:19,490 +or wounded aside from the human loss it +was a financial and public relations + +60 +00:01:19,490 --> 00:01:19,500 +was a financial and public relations + + +61 +00:01:19,500 --> 00:01:23,920 +was a financial and public relations +disaster the first magnitude + +62 +00:01:23,920 --> 00:01:23,930 + + + +63 +00:01:23,930 --> 00:01:26,899 + +ladies and gentlemen those of us who + +64 +00:01:26,899 --> 00:01:26,909 +ladies and gentlemen those of us who + + +65 +00:01:26,909 --> 00:01:29,090 +ladies and gentlemen those of us who +have devoted our lives to creating Delos + +66 +00:01:29,090 --> 00:01:29,100 +have devoted our lives to creating Delos + + +67 +00:01:29,100 --> 00:01:31,490 +have devoted our lives to creating Delos +were stunned by the events I just shown + +68 +00:01:31,490 --> 00:01:31,500 +were stunned by the events I just shown + + +69 +00:01:31,500 --> 00:01:32,090 +were stunned by the events I just shown +you + +70 +00:01:32,090 --> 00:01:32,100 +you + + +71 +00:01:32,100 --> 00:01:34,240 +you +[Music] + +72 +00:01:34,240 --> 00:01:34,250 +[Music] + + +73 +00:01:34,250 --> 00:01:37,500 +[Music] +you + +74 +00:01:37,500 --> 00:01:37,510 + + + +75 +00:01:37,510 --> 00:01:43,430 + +[Music] + diff --git a/1976/O4itfvSP7-c.description b/1976/O4itfvSP7-c.description new file mode 100644 index 0000000000000000000000000000000000000000..da751d51174b1190af61484ac7a5921a40863d9b --- /dev/null +++ b/1976/O4itfvSP7-c.description @@ -0,0 +1,38 @@ +All the President's Men movie clips: http://j.mp/1JdpCit +BUY THE MOVIE: http://j.mp/QXy4pD +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) are taken aback when one of their key contacts suddenly denies having any involvement with them. + +FILM DESCRIPTION: +Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. + +CREDITS: +TM & © Warner Bros. (1976) +Cast: James Murtaugh, Dustin Hoffman, Robert Redford +Director: Alan J. Pakula +Producers: Jon Boorstin, Michael Britton, Walter Coblenz +Screenwriters: Carl Bernstein, William Goldman, Bob Woodard + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/O4itfvSP7-c.en.srt b/1976/O4itfvSP7-c.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..33a983eef7b483defbb6be0f792a698b0f2c3320 --- /dev/null +++ b/1976/O4itfvSP7-c.en.srt @@ -0,0 +1,805 @@ +1 +00:00:01,800 --> 00:00:05,590 + +Mr Bernstein yes ma'am I was wrong I be + +2 +00:00:05,590 --> 00:00:05,600 +Mr Bernstein yes ma'am I was wrong I be + + +3 +00:00:05,600 --> 00:00:08,310 +Mr Bernstein yes ma'am I was wrong I be +your pardon the truth is I don't have a + +4 +00:00:08,310 --> 00:00:08,320 +your pardon the truth is I don't have a + + +5 +00:00:08,320 --> 00:00:10,589 +your pardon the truth is I don't have a +a card that says Mr Hunt to many + +6 +00:00:10,589 --> 00:00:10,599 +a card that says Mr Hunt to many + + +7 +00:00:10,599 --> 00:00:13,589 +a card that says Mr Hunt to many +material m i uh I don't remember getting + +8 +00:00:13,589 --> 00:00:13,599 +material m i uh I don't remember getting + + +9 +00:00:13,599 --> 00:00:15,190 +material m i uh I don't remember getting +the material for I do remember getting + +10 +00:00:15,190 --> 00:00:15,200 +the material for I do remember getting + + +11 +00:00:15,200 --> 00:00:16,590 +the material for I do remember getting +material for somebody but it wasn't for + +12 +00:00:16,590 --> 00:00:16,600 +material for somebody but it wasn't for + + +13 +00:00:16,600 --> 00:00:18,670 +material for somebody but it wasn't for +Mr Hunt + +14 +00:00:18,670 --> 00:00:18,680 +Mr Hunt + + +15 +00:00:18,680 --> 00:00:20,950 +Mr Hunt +right the truth is I didn't have any + +16 +00:00:20,950 --> 00:00:20,960 +right the truth is I didn't have any + + +17 +00:00:20,960 --> 00:00:26,109 +right the truth is I didn't have any +requests at all from Mr + +18 +00:00:26,109 --> 00:00:26,119 + + + +19 +00:00:26,119 --> 00:00:28,630 + +Hunt the truth is I don't know any Mr + +20 +00:00:28,630 --> 00:00:28,640 +Hunt the truth is I don't know any Mr + + +21 +00:00:28,640 --> 00:00:33,790 +Hunt the truth is I don't know any Mr +Hunt + +22 +00:00:33,790 --> 00:00:33,800 + + + +23 +00:00:33,800 --> 00:00:36,950 + +um uh I was just wondering if any uh if + +24 +00:00:36,950 --> 00:00:36,960 +um uh I was just wondering if any uh if + + +25 +00:00:36,960 --> 00:00:42,110 +um uh I was just wondering if any uh if +you have any books checked out + +26 +00:00:42,110 --> 00:00:42,120 + + + +27 +00:00:42,120 --> 00:00:43,950 + +hello yes we're checking that + +28 +00:00:43,950 --> 00:00:43,960 +hello yes we're checking that + + +29 +00:00:43,960 --> 00:00:44,950 +hello yes we're checking that +information + +30 +00:00:44,950 --> 00:00:44,960 +information + + +31 +00:00:44,960 --> 00:00:47,549 +information +now we' just like to find out just what + +32 +00:00:47,549 --> 00:00:47,559 +now we' just like to find out just what + + +33 +00:00:47,559 --> 00:00:49,389 +now we' just like to find out just what +it was that hunt did when he worked out + +34 +00:00:49,389 --> 00:00:49,399 +it was that hunt did when he worked out + + +35 +00:00:49,399 --> 00:00:50,750 +it was that hunt did when he worked out +as a White House consultant on the + +36 +00:00:50,750 --> 00:00:50,760 +as a White House consultant on the + + +37 +00:00:50,760 --> 00:00:53,229 +as a White House consultant on the +Pentagon papers yes I would appreciate + +38 +00:00:53,229 --> 00:00:53,239 +Pentagon papers yes I would appreciate + + +39 +00:00:53,239 --> 00:00:56,549 +Pentagon papers yes I would appreciate +that if you could yes sir thank you just + +40 +00:00:56,549 --> 00:00:56,559 +that if you could yes sir thank you just + + +41 +00:00:56,559 --> 00:00:58,189 +that if you could yes sir thank you just +got off the with white house libran you + +42 +00:00:58,189 --> 00:00:58,199 +got off the with white house libran you + + +43 +00:00:58,199 --> 00:01:02,189 +got off the with white house libran you +want to look at the notes on it + +44 +00:01:02,189 --> 00:01:02,199 + + + +45 +00:01:02,199 --> 00:01:04,710 + +oh this is some stuff in the Eisenhower + +46 +00:01:04,710 --> 00:01:04,720 +oh this is some stuff in the Eisenhower + + +47 +00:01:04,720 --> 00:01:09,510 +oh this is some stuff in the Eisenhower +campaign 1952 that hunt was connected + +48 +00:01:09,510 --> 00:01:09,520 + + + +49 +00:01:09,520 --> 00:01:11,550 + +with did you call the White House + +50 +00:01:11,550 --> 00:01:11,560 +with did you call the White House + + +51 +00:01:11,560 --> 00:01:12,990 +with did you call the White House +communications office no I just got off + +52 +00:01:12,990 --> 00:01:13,000 +communications office no I just got off + + +53 +00:01:13,000 --> 00:01:15,429 +communications office no I just got off +the phone with a + +54 +00:01:15,429 --> 00:01:15,439 + + + +55 +00:01:15,439 --> 00:01:19,590 + +librarian 52474 I know that + +56 +00:01:19,590 --> 00:01:19,600 +librarian 52474 I know that + + +57 +00:01:19,600 --> 00:01:21,510 +librarian 52474 I know that +number between the first and second + +58 +00:01:21,510 --> 00:01:21,520 +number between the first and second + + +59 +00:01:21,520 --> 00:01:23,350 +number between the first and second +quote there is a complete contradiction + +60 +00:01:23,350 --> 00:01:23,360 +quote there is a complete contradiction + + +61 +00:01:23,360 --> 00:01:25,630 +quote there is a complete contradiction +there's a space of about 5 Seconds my + +62 +00:01:25,630 --> 00:01:25,640 +there's a space of about 5 Seconds my + + +63 +00:01:25,640 --> 00:01:27,990 +there's a space of about 5 Seconds my +feeling is is this all one office this + +64 +00:01:27,990 --> 00:01:28,000 +feeling is is this all one office this + + +65 +00:01:28,000 --> 00:01:29,510 +feeling is is this all one office this +is Bob Woodward of the Washington Post + +66 +00:01:29,510 --> 00:01:29,520 +is Bob Woodward of the Washington Post + + +67 +00:01:29,520 --> 00:01:31,390 +is Bob Woodward of the Washington Post +can I talk talk to Mr Clawson please one + +68 +00:01:31,390 --> 00:01:31,400 +can I talk talk to Mr Clawson please one + + +69 +00:01:31,400 --> 00:01:33,469 +can I talk talk to Mr Clawson please one +moment please thank + +70 +00:01:33,469 --> 00:01:33,479 +moment please thank + + +71 +00:01:33,479 --> 00:01:35,870 +moment please thank +you she came back on the phone she said + +72 +00:01:35,870 --> 00:01:35,880 +you she came back on the phone she said + + +73 +00:01:35,880 --> 00:01:37,550 +you she came back on the phone she said +she didn't even know Mr Clawson this is + +74 +00:01:37,550 --> 00:01:37,560 +she didn't even know Mr Clawson this is + + +75 +00:01:37,560 --> 00:01:39,550 +she didn't even know Mr Clawson this is +Bob Woodward Carl Bernstein at the + +76 +00:01:39,550 --> 00:01:39,560 +Bob Woodward Carl Bernstein at the + + +77 +00:01:39,560 --> 00:01:41,429 +Bob Woodward Carl Bernstein at the +Washington Post had a conversation with + +78 +00:01:41,429 --> 00:01:41,439 +Washington Post had a conversation with + + +79 +00:01:41,439 --> 00:01:43,190 +Washington Post had a conversation with +the White House librarian on some books + +80 +00:01:43,190 --> 00:01:43,200 +the White House librarian on some books + + +81 +00:01:43,200 --> 00:01:45,350 +the White House librarian on some books +a Mr Howard hunt took out on Senator + +82 +00:01:45,350 --> 00:01:45,360 +a Mr Howard hunt took out on Senator + + +83 +00:01:45,360 --> 00:01:47,109 +a Mr Howard hunt took out on Senator +Edward Kennedy she first said that + +84 +00:01:47,109 --> 00:01:47,119 +Edward Kennedy she first said that + + +85 +00:01:47,119 --> 00:01:48,510 +Edward Kennedy she first said that +Howard hunt had taken out books on + +86 +00:01:48,510 --> 00:01:48,520 +Howard hunt had taken out books on + + +87 +00:01:48,520 --> 00:01:51,109 +Howard hunt had taken out books on +Senator Kennedy and then she denied even + +88 +00:01:51,109 --> 00:01:51,119 +Senator Kennedy and then she denied even + + +89 +00:01:51,119 --> 00:01:52,670 +Senator Kennedy and then she denied even +knowing who he was I was wondering if + +90 +00:01:52,670 --> 00:01:52,680 +knowing who he was I was wondering if + + +91 +00:01:52,680 --> 00:01:55,230 +knowing who he was I was wondering if +you'd like to comment on this confusion + +92 +00:01:55,230 --> 00:01:55,240 +you'd like to comment on this confusion + + +93 +00:01:55,240 --> 00:01:57,230 +you'd like to comment on this confusion +listen let me uh let me call you back on + +94 +00:01:57,230 --> 00:01:57,240 +listen let me uh let me call you back on + + +95 +00:01:57,240 --> 00:01:58,469 +listen let me uh let me call you back on +this matter I'm going to check on it + +96 +00:01:58,469 --> 00:01:58,479 +this matter I'm going to check on it + + +97 +00:01:58,479 --> 00:02:01,109 +this matter I'm going to check on it +fine thank you bye + +98 +00:02:01,109 --> 00:02:01,119 +fine thank you bye + + +99 +00:02:01,119 --> 00:02:03,230 +fine thank you bye +there yes this was all one conversation + +100 +00:02:03,230 --> 00:02:03,240 +there yes this was all one conversation + + +101 +00:02:03,240 --> 00:02:05,910 +there yes this was all one conversation +yeah he says uh first of all I think I + +102 +00:02:05,910 --> 00:02:05,920 +yeah he says uh first of all I think I + + +103 +00:02:05,920 --> 00:02:07,590 +yeah he says uh first of all I think I +got a bunch of books on Hunt like 5 + +104 +00:02:07,590 --> 00:02:07,600 +got a bunch of books on Hunt like 5 + + +105 +00:02:07,600 --> 00:02:09,589 +got a bunch of books on Hunt like 5 +seconds later she says I don't even know + +106 +00:02:09,589 --> 00:02:09,599 +seconds later she says I don't even know + + +107 +00:02:09,599 --> 00:02:11,029 +seconds later she says I don't even know +Mr Hunt and it's obvious that someone + +108 +00:02:11,029 --> 00:02:11,039 +Mr Hunt and it's obvious that someone + + +109 +00:02:11,039 --> 00:02:12,470 +Mr Hunt and it's obvious that someone +got that's not enough proof I mean if + +110 +00:02:12,470 --> 00:02:12,480 +got that's not enough proof I mean if + + +111 +00:02:12,480 --> 00:02:13,869 +got that's not enough proof I mean if +there was just a piece of paper that + +112 +00:02:13,869 --> 00:02:13,879 +there was just a piece of paper that + + +113 +00:02:13,879 --> 00:02:15,869 +there was just a piece of paper that +said that hunt was taking out books on + +114 +00:02:15,869 --> 00:02:15,879 +said that hunt was taking out books on + + +115 +00:02:15,879 --> 00:02:18,350 +said that hunt was taking out books on +Kennedy and champ qu like a I don't know + +116 +00:02:18,350 --> 00:02:18,360 +Kennedy and champ qu like a I don't know + + +117 +00:02:18,360 --> 00:02:19,990 +Kennedy and champ qu like a I don't know +Library H also took out books from the + +118 +00:02:19,990 --> 00:02:20,000 +Library H also took out books from the + + +119 +00:02:20,000 --> 00:02:21,430 +Library H also took out books from the +library at Congress but what's more + +120 +00:02:21,430 --> 00:02:21,440 +library at Congress but what's more + + +121 +00:02:21,440 --> 00:02:23,229 +library at Congress but what's more +important is that somebody got to her in + +122 +00:02:23,229 --> 00:02:23,239 +important is that somebody got to her in + + +123 +00:02:23,239 --> 00:02:25,190 +important is that somebody got to her in +that space of know somebody got because + +124 +00:02:25,190 --> 00:02:25,200 +that space of know somebody got because + + +125 +00:02:25,200 --> 00:02:27,110 +that space of know somebody got because +she said that hunt G had a lot there was + +126 +00:02:27,110 --> 00:02:27,120 +she said that hunt G had a lot there was + + +127 +00:02:27,120 --> 00:02:28,910 +she said that hunt G had a lot there was +a lot of books that hunt checked out and + +128 +00:02:28,910 --> 00:02:28,920 +a lot of books that hunt checked out and + + +129 +00:02:28,920 --> 00:02:31,030 +a lot of books that hunt checked out and +then she comes back even know Woodward + +130 +00:02:31,030 --> 00:02:31,040 +then she comes back even know Woodward + + +131 +00:02:31,040 --> 00:02:34,229 +then she comes back even know Woodward +Mr Woodward Ken Clauson calling back + +132 +00:02:34,229 --> 00:02:34,239 +Mr Woodward Ken Clauson calling back + + +133 +00:02:34,239 --> 00:02:36,430 +Mr Woodward Ken Clauson calling back +I've just talked with the librarian yes + +134 +00:02:36,430 --> 00:02:36,440 +I've just talked with the librarian yes + + +135 +00:02:36,440 --> 00:02:39,149 +I've just talked with the librarian yes +sir as she denies that the conversation + +136 +00:02:39,149 --> 00:02:39,159 +sir as she denies that the conversation + + +137 +00:02:39,159 --> 00:02:41,309 +sir as she denies that the conversation +with Mr Bernstein ever took place and + +138 +00:02:41,309 --> 00:02:41,319 +with Mr Bernstein ever took place and + + +139 +00:02:41,319 --> 00:02:43,710 +with Mr Bernstein ever took place and +she said she referred excuse me sorry + +140 +00:02:43,710 --> 00:02:43,720 +she said she referred excuse me sorry + + +141 +00:02:43,720 --> 00:02:45,949 +she said she referred excuse me sorry +you say she denies even knowing about + +142 +00:02:45,949 --> 00:02:45,959 +you say she denies even knowing about + + +143 +00:02:45,959 --> 00:02:48,070 +you say she denies even knowing about +the conversation taking place that's + +144 +00:02:48,070 --> 00:02:48,080 +the conversation taking place that's + + +145 +00:02:48,080 --> 00:02:51,270 +the conversation taking place that's +right uh she said someone did call her + +146 +00:02:51,270 --> 00:02:51,280 +right uh she said someone did call her + + +147 +00:02:51,280 --> 00:02:53,710 +right uh she said someone did call her +asking about Mr Hunt but all she did was + +148 +00:02:53,710 --> 00:02:53,720 +asking about Mr Hunt but all she did was + + +149 +00:02:53,720 --> 00:02:55,910 +asking about Mr Hunt but all she did was +refer him to the Press office and she + +150 +00:02:55,910 --> 00:02:55,920 +refer him to the Press office and she + + +151 +00:02:55,920 --> 00:02:58,830 +refer him to the Press office and she +denies that any other took + +152 +00:02:58,830 --> 00:02:58,840 +denies that any other took + + +153 +00:02:58,840 --> 00:03:01,309 +denies that any other took +place I hope that's been some help to + +154 +00:03:01,309 --> 00:03:01,319 +place I hope that's been some help to + + +155 +00:03:01,319 --> 00:03:05,070 +place I hope that's been some help to +you thank + +156 +00:03:05,070 --> 00:03:05,080 + + + +157 +00:03:05,080 --> 00:03:08,070 + +you got to get something on paper my + +158 +00:03:08,070 --> 00:03:08,080 +you got to get something on paper my + + +159 +00:03:08,080 --> 00:03:11,490 +you got to get something on paper my +very + +160 +00:03:11,490 --> 00:03:11,500 + + + +161 +00:03:11,500 --> 00:03:42,539 + +[Music] + diff --git a/1976/OHAVcgjGDqM.en.srt b/1976/OHAVcgjGDqM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2f2fd237aed79d884af6a89d7128d11fce492b83 --- /dev/null +++ b/1976/OHAVcgjGDqM.en.srt @@ -0,0 +1,265 @@ +1 +00:00:03,480 --> 00:00:11,030 + +[Music] + +2 +00:00:11,030 --> 00:00:11,040 +[Music] + + +3 +00:00:11,040 --> 00:00:12,230 +[Music] +[Applause] + +4 +00:00:12,230 --> 00:00:12,240 +[Applause] + + +5 +00:00:12,240 --> 00:00:14,910 +[Applause] +what are you doing watching what why why + +6 +00:00:14,910 --> 00:00:14,920 +what are you doing watching what why why + + +7 +00:00:14,920 --> 00:00:17,150 +what are you doing watching what why why +you floa in the + +8 +00:00:17,150 --> 00:00:17,160 +you floa in the + + +9 +00:00:17,160 --> 00:00:20,189 +you floa in the +door it's so noisy out here Leon I + +10 +00:00:20,189 --> 00:00:20,199 +door it's so noisy out here Leon I + + +11 +00:00:20,199 --> 00:00:22,189 +door it's so noisy out here Leon I +thought it might disturb + +12 +00:00:22,189 --> 00:00:22,199 +thought it might disturb + + +13 +00:00:22,199 --> 00:00:27,600 +thought it might disturb +you you're a sweet girl watch + +14 +00:00:27,600 --> 00:00:27,610 + + + +15 +00:00:27,610 --> 00:00:40,389 + +[Music] + +16 +00:00:40,389 --> 00:00:40,399 + + + +17 +00:00:40,399 --> 00:00:41,830 + +with a guest that's + +18 +00:00:41,830 --> 00:00:41,840 +with a guest that's + + +19 +00:00:41,840 --> 00:00:46,709 +with a guest that's +550 what's your name Mara hi I'm + +20 +00:00:46,709 --> 00:00:46,719 +550 what's your name Mara hi I'm + + +21 +00:00:46,719 --> 00:00:50,030 +550 what's your name Mara hi I'm +Kenny + +22 +00:00:50,030 --> 00:00:50,040 + + + +23 +00:00:50,040 --> 00:00:51,430 + +[Music] + +24 +00:00:51,430 --> 00:00:51,440 +[Music] + + +25 +00:00:51,440 --> 00:00:54,920 +[Music] +Hi here's your + +26 +00:00:54,920 --> 00:00:54,930 + + + +27 +00:00:54,930 --> 00:00:56,470 + +[Music] + +28 +00:00:56,470 --> 00:00:56,480 +[Music] + + +29 +00:00:56,480 --> 00:01:00,189 +[Music] +change and here's your rain check + +30 +00:01:00,189 --> 00:01:00,199 +change and here's your rain check + + +31 +00:01:00,199 --> 00:01:02,229 +change and here's your rain check +you get a free car wash if it rains uh + +32 +00:01:02,229 --> 00:01:02,239 +you get a free car wash if it rains uh + + +33 +00:01:02,239 --> 00:01:03,310 +you get a free car wash if it rains uh +what if rains + +34 +00:01:03,310 --> 00:01:03,320 +what if rains + + +35 +00:01:03,320 --> 00:01:06,190 +what if rains +today then come back tomorrow well what + +36 +00:01:06,190 --> 00:01:06,200 +today then come back tomorrow well what + + +37 +00:01:06,200 --> 00:01:07,670 +today then come back tomorrow well what +if I can't wait until tomorrow let's say + +38 +00:01:07,670 --> 00:01:07,680 +if I can't wait until tomorrow let's say + + +39 +00:01:07,680 --> 00:01:10,270 +if I can't wait until tomorrow let's say +I come back tonight around + +40 +00:01:10,270 --> 00:01:10,280 +I come back tonight around + + +41 +00:01:10,280 --> 00:01:11,910 +I come back tonight around +uh + +42 +00:01:11,910 --> 00:01:11,920 +uh + + +43 +00:01:11,920 --> 00:01:14,990 +uh +600 oh well it would be too late you + +44 +00:01:14,990 --> 00:01:15,000 +600 oh well it would be too late you + + +45 +00:01:15,000 --> 00:01:17,469 +600 oh well it would be too late you +couldn't get your car washed then yeah + +46 +00:01:17,469 --> 00:01:17,479 +couldn't get your car washed then yeah + + +47 +00:01:17,479 --> 00:01:20,789 +couldn't get your car washed then yeah +but let's say I was to come back at 6:00 + +48 +00:01:20,789 --> 00:01:20,799 +but let's say I was to come back at 6:00 + + +49 +00:01:20,799 --> 00:01:31,469 +but let's say I was to come back at 6:00 +anyway hey come on what it + +50 +00:01:31,469 --> 00:01:31,479 + + + +51 +00:01:31,479 --> 00:01:33,420 + +to + +52 +00:01:33,420 --> 00:01:33,430 +to + + +53 +00:01:33,430 --> 00:02:04,440 +to +[Music] + diff --git a/1976/ONRLZIY7gbs.en.srt b/1976/ONRLZIY7gbs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8e7f3c8316c8daa1d249d7dd4628d31072f9189b --- /dev/null +++ b/1976/ONRLZIY7gbs.en.srt @@ -0,0 +1,155 @@ +1 +00:00:00,000 --> 00:00:02,750 + +[Music] + +2 +00:00:02,750 --> 00:00:02,760 +[Music] + + +3 +00:00:02,760 --> 00:00:04,190 +[Music] +don't worry we'll catch him at the + +4 +00:00:04,190 --> 00:00:04,200 +don't worry we'll catch him at the + + +5 +00:00:04,200 --> 00:00:06,590 +don't worry we'll catch him at the +bottom of the six + +6 +00:00:06,590 --> 00:00:06,600 +bottom of the six + + +7 +00:00:06,600 --> 00:00:08,110 +bottom of the six +congratulations looks like the + +8 +00:00:08,110 --> 00:00:08,120 +congratulations looks like the + + +9 +00:00:08,120 --> 00:00:10,669 +congratulations looks like the +Championships in the bag huh that's + +10 +00:00:10,669 --> 00:00:10,679 +Championships in the bag huh that's + + +11 +00:00:10,679 --> 00:00:18,020 +Championships in the bag huh that's +great huh that's + +12 +00:00:18,020 --> 00:00:18,030 + + + +13 +00:00:18,030 --> 00:00:24,589 + +[Music] + +14 +00:00:24,589 --> 00:00:24,599 + + + +15 +00:00:24,599 --> 00:00:28,530 + +great come on + +16 +00:00:28,530 --> 00:00:28,540 +great come on + + +17 +00:00:28,540 --> 00:00:31,040 +great come on +[Applause] + +18 +00:00:31,040 --> 00:00:31,050 +[Applause] + + +19 +00:00:31,050 --> 00:00:52,709 +[Applause] +[Music] + +20 +00:00:52,709 --> 00:00:52,719 + + + +21 +00:00:52,719 --> 00:00:54,910 + +everybody gets a hit we win the game but + +22 +00:00:54,910 --> 00:00:54,920 +everybody gets a hit we win the game but + + +23 +00:00:54,920 --> 00:00:58,189 +everybody gets a hit we win the game but +we need five runs five runs easy no + +24 +00:00:58,189 --> 00:00:58,199 +we need five runs five runs easy no + + +25 +00:00:58,199 --> 00:01:01,389 +we need five runs five runs easy no +chance what's everybody about Stein + +26 +00:01:01,389 --> 00:01:01,399 +chance what's everybody about Stein + + +27 +00:01:01,399 --> 00:01:03,030 +chance what's everybody about Stein +you're up aren't + +28 +00:01:03,030 --> 00:01:03,040 +you're up aren't + + +29 +00:01:03,040 --> 00:01:08,360 +you're up aren't +you grab ay B watch your fers let's go + +30 +00:01:08,360 --> 00:01:08,370 +you grab ay B watch your fers let's go + + +31 +00:01:08,370 --> 00:01:39,430 +you grab ay B watch your fers let's go +[Music] + diff --git a/1976/Oc2xTMnIwrI.en.srt b/1976/Oc2xTMnIwrI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..ead1667c9cf2e61885f2cbb8bb1601255977d3e2 --- /dev/null +++ b/1976/Oc2xTMnIwrI.en.srt @@ -0,0 +1,355 @@ +1 +00:00:00,320 --> 00:00:01,270 + +how does it + +2 +00:00:01,270 --> 00:00:01,280 +how does it + + +3 +00:00:01,280 --> 00:00:03,590 +how does it +feel why do you always change a subject + +4 +00:00:03,590 --> 00:00:03,600 +feel why do you always change a subject + + +5 +00:00:03,600 --> 00:00:04,910 +feel why do you always change a subject +you're always pulling that number far as + +6 +00:00:04,910 --> 00:00:04,920 +you're always pulling that number far as + + +7 +00:00:04,920 --> 00:00:06,869 +you're always pulling that number far as +I'm concern the subject is your arm + +8 +00:00:06,869 --> 00:00:06,879 +I'm concern the subject is your arm + + +9 +00:00:06,879 --> 00:00:08,350 +I'm concern the subject is your arm +you're pitching tomorrow but what about + +10 +00:00:08,350 --> 00:00:08,360 +you're pitching tomorrow but what about + + +11 +00:00:08,360 --> 00:00:10,509 +you're pitching tomorrow but what about +after tomorrow after tomorrow we do what + +12 +00:00:10,509 --> 00:00:10,519 +after tomorrow after tomorrow we do what + + +13 +00:00:10,519 --> 00:00:13,270 +after tomorrow after tomorrow we do what +all ball players do we shake hands till + +14 +00:00:13,270 --> 00:00:13,280 +all ball players do we shake hands till + + +15 +00:00:13,280 --> 00:00:15,030 +all ball players do we shake hands till +we see each other next season then we go + +16 +00:00:15,030 --> 00:00:15,040 +we see each other next season then we go + + +17 +00:00:15,040 --> 00:00:17,470 +we see each other next season then we go +fishing or hunting make some personal + +18 +00:00:17,470 --> 00:00:17,480 +fishing or hunting make some personal + + +19 +00:00:17,480 --> 00:00:19,070 +fishing or hunting make some personal +appearances get to know the wife and + +20 +00:00:19,070 --> 00:00:19,080 +appearances get to know the wife and + + +21 +00:00:19,080 --> 00:00:22,750 +appearances get to know the wife and +kids again I don't have a wife and kids + +22 +00:00:22,750 --> 00:00:22,760 +kids again I don't have a wife and kids + + +23 +00:00:22,760 --> 00:00:24,870 +kids again I don't have a wife and kids +neither do I but I got my pools to clean + +24 +00:00:24,870 --> 00:00:24,880 +neither do I but I got my pools to clean + + +25 +00:00:24,880 --> 00:00:26,349 +neither do I but I got my pools to clean +you got your maps to sell and your + +26 +00:00:26,349 --> 00:00:26,359 +you got your maps to sell and your + + +27 +00:00:26,359 --> 00:00:28,669 +you got your maps to sell and your +ballet to learn I can help you with your + +28 +00:00:28,669 --> 00:00:28,679 +ballet to learn I can help you with your + + +29 +00:00:28,679 --> 00:00:31,429 +ballet to learn I can help you with your +pools well you cut it out Amanda no it + +30 +00:00:31,429 --> 00:00:31,439 +pools well you cut it out Amanda no it + + +31 +00:00:31,439 --> 00:00:32,709 +pools well you cut it out Amanda no it +wouldn't be like you taking me anywhere + +32 +00:00:32,709 --> 00:00:32,719 +wouldn't be like you taking me anywhere + + +33 +00:00:32,719 --> 00:00:35,510 +wouldn't be like you taking me anywhere +it'd be like work you could use the help + +34 +00:00:35,510 --> 00:00:35,520 +it'd be like work you could use the help + + +35 +00:00:35,520 --> 00:00:37,990 +it'd be like work you could use the help +no I couldn't and besides you shouldn't + +36 +00:00:37,990 --> 00:00:38,000 +no I couldn't and besides you shouldn't + + +37 +00:00:38,000 --> 00:00:40,310 +no I couldn't and besides you shouldn't +be wasting your time cleaning + +38 +00:00:40,310 --> 00:00:40,320 +be wasting your time cleaning + + +39 +00:00:40,320 --> 00:00:42,830 +be wasting your time cleaning +pools look Amanda you're a terrific kid + +40 +00:00:42,830 --> 00:00:42,840 +pools look Amanda you're a terrific kid + + +41 +00:00:42,840 --> 00:00:44,670 +pools look Amanda you're a terrific kid +you shouldn't be hanging around with me + +42 +00:00:44,670 --> 00:00:44,680 +you shouldn't be hanging around with me + + +43 +00:00:44,680 --> 00:00:46,830 +you shouldn't be hanging around with me +I mean I'm an old broken down Third Rate + +44 +00:00:46,830 --> 00:00:46,840 +I mean I'm an old broken down Third Rate + + +45 +00:00:46,840 --> 00:00:48,470 +I mean I'm an old broken down Third Rate +ball player I like to drink too much I + +46 +00:00:48,470 --> 00:00:48,480 +ball player I like to drink too much I + + +47 +00:00:48,480 --> 00:00:50,430 +ball player I like to drink too much I +like to smoke my cigars without anybody + +48 +00:00:50,430 --> 00:00:50,440 +like to smoke my cigars without anybody + + +49 +00:00:50,440 --> 00:00:53,150 +like to smoke my cigars without anybody +bothering me including you I'm happy + +50 +00:00:53,150 --> 00:00:53,160 +bothering me including you I'm happy + + +51 +00:00:53,160 --> 00:00:54,229 +bothering me including you I'm happy +that + +52 +00:00:54,229 --> 00:00:54,239 +that + + +53 +00:00:54,239 --> 00:00:57,910 +that +way I'm a bum no you're not you taught + +54 +00:00:57,910 --> 00:00:57,920 +way I'm a bum no you're not you taught + + +55 +00:00:57,920 --> 00:01:00,229 +way I'm a bum no you're not you taught +me how to pitch you taught me how to + +56 +00:01:00,229 --> 00:01:00,239 +me how to pitch you taught me how to + + +57 +00:01:00,239 --> 00:01:01,910 +me how to pitch you taught me how to +can't you get it through your thick head + +58 +00:01:01,910 --> 00:01:01,920 +can't you get it through your thick head + + +59 +00:01:01,920 --> 00:01:03,910 +can't you get it through your thick head +that I don't want your company if I did + +60 +00:01:03,910 --> 00:01:03,920 +that I don't want your company if I did + + +61 +00:01:03,920 --> 00:01:05,469 +that I don't want your company if I did +I would have looked you up two years ago + +62 +00:01:05,469 --> 00:01:05,479 +I would have looked you up two years ago + + +63 +00:01:05,479 --> 00:01:11,060 +I would have looked you up two years ago +I wouldn't have waited two goddamn + +64 +00:01:11,060 --> 00:01:11,070 + + + +65 +00:01:11,070 --> 00:01:13,070 + +[Music] + +66 +00:01:13,070 --> 00:01:13,080 +[Music] + + +67 +00:01:13,080 --> 00:01:17,510 +[Music] +years did you ever think of + +68 +00:01:17,510 --> 00:01:17,520 + + + +69 +00:01:17,520 --> 00:01:26,410 + +that that's where you feel fun help + +70 +00:01:26,410 --> 00:01:26,420 + + + +71 +00:01:26,420 --> 00:02:43,500 + +[Music] + diff --git a/1976/PZGS6N3zG4o.en.srt b/1976/PZGS6N3zG4o.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f00cd86d871b9134f696dd4ed892d387bac7726e --- /dev/null +++ b/1976/PZGS6N3zG4o.en.srt @@ -0,0 +1,175 @@ +1 +00:00:00,680 --> 00:00:03,990 + +you can keep as many as you can + +2 +00:00:03,990 --> 00:00:04,000 +you can keep as many as you can + + +3 +00:00:04,000 --> 00:00:07,870 +you can keep as many as you can +swallow I'm not quite sure what you said + +4 +00:00:07,870 --> 00:00:07,880 +swallow I'm not quite sure what you said + + +5 +00:00:07,880 --> 00:00:10,470 +swallow I'm not quite sure what you said +swallow yeah + +6 +00:00:10,470 --> 00:00:10,480 +swallow yeah + + +7 +00:00:10,480 --> 00:00:13,070 +swallow yeah +swallow + +8 +00:00:13,070 --> 00:00:13,080 +swallow + + +9 +00:00:13,080 --> 00:00:16,630 +swallow +eat + +10 +00:00:16,630 --> 00:00:16,640 + + + +11 +00:00:16,640 --> 00:00:32,830 + +Essen you're joking no I don't think so + +12 +00:00:32,830 --> 00:00:32,840 + + + +13 +00:00:32,840 --> 00:00:34,590 + +not + +14 +00:00:34,590 --> 00:00:34,600 +not + + +15 +00:00:34,600 --> 00:00:41,150 +not +joking + +16 +00:00:41,150 --> 00:00:41,160 + + + +17 +00:00:41,160 --> 00:00:44,229 + +ESS + +18 +00:00:44,229 --> 00:00:44,239 + + + +19 +00:00:44,239 --> 00:00:47,069 + +way that man who was here he show your + +20 +00:00:47,069 --> 00:00:47,079 +way that man who was here he show your + + +21 +00:00:47,079 --> 00:00:50,470 +way that man who was here he show your +gun he'll come back and bring + +22 +00:00:50,470 --> 00:00:50,480 + + + +23 +00:00:50,480 --> 00:00:53,510 + +others + +24 +00:00:53,510 --> 00:00:53,520 + + + +25 +00:00:53,520 --> 00:00:56,189 + +swallow this is + +26 +00:00:56,189 --> 00:00:56,199 +swallow this is + + +27 +00:00:56,199 --> 00:01:09,070 +swallow this is +m m + +28 +00:01:09,070 --> 00:01:09,080 + + + +29 +00:01:09,080 --> 00:01:28,910 + +it's + +30 +00:01:28,910 --> 00:01:28,920 + + + +31 +00:01:28,920 --> 00:02:06,870 + +waterall for + +32 +00:02:06,870 --> 00:02:06,880 + + + +33 +00:02:06,880 --> 00:02:12,430 + +again + +34 +00:02:12,430 --> 00:02:12,440 + + + +35 +00:02:12,440 --> 00:02:43,500 + +[Music] + diff --git a/1976/Pbr6HpxJYm4.en.srt b/1976/Pbr6HpxJYm4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7f6919a938375ab29b0f94d7d436854d9bca4969 --- /dev/null +++ b/1976/Pbr6HpxJYm4.en.srt @@ -0,0 +1,225 @@ +1 +00:00:00,000 --> 00:00:01,030 + +[Music] + +2 +00:00:01,030 --> 00:00:01,040 +[Music] + + +3 +00:00:01,040 --> 00:00:03,510 +[Music] +real authentic huh well I reckon you can + +4 +00:00:03,510 --> 00:00:03,520 +real authentic huh well I reckon you can + + +5 +00:00:03,520 --> 00:00:15,320 +real authentic huh well I reckon you can +call it that if you want to + +6 +00:00:15,320 --> 00:00:15,330 + + + +7 +00:00:15,330 --> 00:00:52,549 + +[Music] + +8 +00:00:52,549 --> 00:00:52,559 + + + +9 +00:00:52,559 --> 00:00:55,189 + +surpr + +10 +00:00:55,189 --> 00:00:55,199 +surpr + + +11 +00:00:55,199 --> 00:00:57,830 +surpr +you I think I wanted to show off today + +12 +00:00:57,830 --> 00:00:57,840 +you I think I wanted to show off today + + +13 +00:00:57,840 --> 00:01:00,630 +you I think I wanted to show off today +that's why you + +14 +00:01:00,630 --> 00:01:00,640 +that's why you + + +15 +00:01:00,640 --> 00:01:03,560 +that's why you +thank you really I love you + +16 +00:01:03,560 --> 00:01:03,570 +thank you really I love you + + +17 +00:01:03,570 --> 00:01:28,220 +thank you really I love you +[Music] + +18 +00:01:28,220 --> 00:01:28,230 +[Music] + + +19 +00:01:28,230 --> 00:01:29,690 +[Music] +[Applause] + +20 +00:01:29,690 --> 00:01:29,700 +[Applause] + + +21 +00:01:29,700 --> 00:01:37,990 +[Applause] +[Music] + +22 +00:01:37,990 --> 00:01:38,000 +[Music] + + +23 +00:01:38,000 --> 00:01:41,310 +[Music] +you realize I had absolutely no no + +24 +00:01:41,310 --> 00:01:41,320 +you realize I had absolutely no no + + +25 +00:01:41,320 --> 00:01:43,950 +you realize I had absolutely no no +intention that's + +26 +00:01:43,950 --> 00:01:43,960 +intention that's + + +27 +00:01:43,960 --> 00:01:47,030 +intention that's +cool no but do you really hey I've never + +28 +00:01:47,030 --> 00:01:47,040 +cool no but do you really hey I've never + + +29 +00:01:47,040 --> 00:01:48,030 +cool no but do you really hey I've never +seen a + +30 +00:01:48,030 --> 00:01:48,040 +seen a + + +31 +00:01:48,040 --> 00:01:56,109 +seen a +happier it's + +32 +00:01:56,109 --> 00:01:56,119 + + + +33 +00:01:56,119 --> 00:01:58,350 + +terrific you know I've heard about this + +34 +00:01:58,350 --> 00:01:58,360 +terrific you know I've heard about this + + +35 +00:01:58,360 --> 00:02:00,950 +terrific you know I've heard about this +stuff all my life + +36 +00:02:00,950 --> 00:02:00,960 +stuff all my life + + +37 +00:02:00,960 --> 00:02:04,029 +stuff all my life +kind of grows on it doesn't it yeah but + +38 +00:02:04,029 --> 00:02:04,039 +kind of grows on it doesn't it yeah but + + +39 +00:02:04,039 --> 00:02:05,789 +kind of grows on it doesn't it yeah but +it's like a lot of good + +40 +00:02:05,789 --> 00:02:05,799 +it's like a lot of good + + +41 +00:02:05,799 --> 00:02:09,430 +it's like a lot of good +things can't get too much of it in the + +42 +00:02:09,430 --> 00:02:09,440 +things can't get too much of it in the + + +43 +00:02:09,440 --> 00:02:34,520 +things can't get too much of it in the +hurry better be careful + +44 +00:02:34,520 --> 00:02:34,530 + + + +45 +00:02:34,530 --> 00:02:43,479 + +[Music] + diff --git a/1976/PruSWq_FycA.en.srt b/1976/PruSWq_FycA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f986804f21825704014c60a645cf37defa99a5d0 --- /dev/null +++ b/1976/PruSWq_FycA.en.srt @@ -0,0 +1,255 @@ +1 +00:00:00,359 --> 00:00:02,990 + +what was your name again uh Jarvis + +2 +00:00:02,990 --> 00:00:03,000 +what was your name again uh Jarvis + + +3 +00:00:03,000 --> 00:00:04,789 +what was your name again uh Jarvis +Jarvis that's right perhaps you'll be + +4 +00:00:04,789 --> 00:00:04,799 +Jarvis that's right perhaps you'll be + + +5 +00:00:04,799 --> 00:00:07,230 +Jarvis that's right perhaps you'll be +kind enough to sh me around the house + +6 +00:00:07,230 --> 00:00:07,240 +kind enough to sh me around the house + + +7 +00:00:07,240 --> 00:00:13,430 +kind enough to sh me around the house +very good + +8 +00:00:13,430 --> 00:00:13,440 + + + +9 +00:00:13,440 --> 00:00:17,349 + +sir I suggest we start with the upstairs + +10 +00:00:17,349 --> 00:00:17,359 +sir I suggest we start with the upstairs + + +11 +00:00:17,359 --> 00:00:19,670 +sir I suggest we start with the upstairs +this is the upstairs sir yes I know that + +12 +00:00:19,670 --> 00:00:19,680 +this is the upstairs sir yes I know that + + +13 +00:00:19,680 --> 00:00:43,670 +this is the upstairs sir yes I know that +I know that + +14 +00:00:43,670 --> 00:00:43,680 + + + +15 +00:00:43,680 --> 00:00:47,950 + +this is a d uh yes that is a door yes I + +16 +00:00:47,950 --> 00:00:47,960 +this is a d uh yes that is a door yes I + + +17 +00:00:47,960 --> 00:00:51,990 +this is a d uh yes that is a door yes I +know that I know that it's not blocked + +18 +00:00:51,990 --> 00:00:52,000 +know that I know that it's not blocked + + +19 +00:00:52,000 --> 00:00:54,709 +know that I know that it's not blocked +sir + +20 +00:00:54,709 --> 00:00:54,719 +sir + + +21 +00:00:54,719 --> 00:00:57,510 +sir +obviously stay where you are I prefer to + +22 +00:00:57,510 --> 00:00:57,520 +obviously stay where you are I prefer to + + +23 +00:00:57,520 --> 00:01:12,990 +obviously stay where you are I prefer to +handle thisam + +24 +00:01:12,990 --> 00:01:13,000 + + + +25 +00:01:13,000 --> 00:01:14,830 + +is there anybody hiding there in the + +26 +00:01:14,830 --> 00:01:14,840 +is there anybody hiding there in the + + +27 +00:01:14,840 --> 00:01:33,749 +is there anybody hiding there in the +dark + +28 +00:01:33,749 --> 00:01:33,759 + + + +29 +00:01:33,759 --> 00:01:35,990 + +nothing like a good warm up when you're + +30 +00:01:35,990 --> 00:01:36,000 +nothing like a good warm up when you're + + +31 +00:01:36,000 --> 00:01:39,990 +nothing like a good warm up when you're +on a case you know tell me which switch + +32 +00:01:39,990 --> 00:01:40,000 +on a case you know tell me which switch + + +33 +00:01:40,000 --> 00:01:43,389 +on a case you know tell me which switch +did you use to turn on the lads the + +34 +00:01:43,389 --> 00:01:43,399 +did you use to turn on the lads the + + +35 +00:01:43,399 --> 00:01:49,270 +did you use to turn on the lads the +light switch + +36 +00:01:49,270 --> 00:01:49,280 + + + +37 +00:01:49,280 --> 00:01:52,789 + +sir then it didn't work for + +38 +00:01:52,789 --> 00:01:52,799 +sir then it didn't work for + + +39 +00:01:52,799 --> 00:01:55,029 +sir then it didn't work for +me + +40 +00:01:55,029 --> 00:01:55,039 +me + + +41 +00:01:55,039 --> 00:01:56,749 +me +ah + +42 +00:01:56,749 --> 00:01:56,759 +ah + + +43 +00:01:56,759 --> 00:02:00,029 +ah +yes unless I miss my guess this would be + +44 +00:02:00,029 --> 00:02:00,039 +yes unless I miss my guess this would be + + +45 +00:02:00,039 --> 00:02:05,670 +yes unless I miss my guess this would be +the uh gymnasium room huh I guess yes it + +46 +00:02:05,670 --> 00:02:05,680 +the uh gymnasium room huh I guess yes it + + +47 +00:02:05,680 --> 00:02:07,029 +the uh gymnasium room huh I guess yes it +is a good + +48 +00:02:07,029 --> 00:02:07,039 +is a good + + +49 +00:02:07,039 --> 00:02:13,100 +is a good +room yes + +50 +00:02:13,100 --> 00:02:13,110 + + + +51 +00:02:13,110 --> 00:02:42,310 + +[Music] + diff --git a/1976/QC5re6k5nLk.en.srt b/1976/QC5re6k5nLk.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..520fd7d8783109745269bc78896e52f30b407873 --- /dev/null +++ b/1976/QC5re6k5nLk.en.srt @@ -0,0 +1,225 @@ +1 +00:00:00,030 --> 00:00:02,240 + +what's your name Ron furlough Rob the + +2 +00:00:02,240 --> 00:00:02,250 +what's your name Ron furlough Rob the + + +3 +00:00:02,250 --> 00:00:05,090 +what's your name Ron furlough Rob the +big bundle you know Chuck brownie hi Ron + +4 +00:00:05,090 --> 00:00:05,100 +big bundle you know Chuck brownie hi Ron + + +5 +00:00:05,100 --> 00:00:07,160 +big bundle you know Chuck brownie hi Ron +you don't read do you mean oh I'm a tube + +6 +00:00:07,160 --> 00:00:07,170 +you don't read do you mean oh I'm a tube + + +7 +00:00:07,170 --> 00:00:08,629 +you don't read do you mean oh I'm a tube +freak right well you just sit right + +8 +00:00:08,629 --> 00:00:08,639 +freak right well you just sit right + + +9 +00:00:08,639 --> 00:00:10,040 +freak right well you just sit right +there cuz I know this about her loves to + +10 +00:00:10,040 --> 00:00:10,050 +there cuz I know this about her loves to + + +11 +00:00:10,050 --> 00:00:11,870 +there cuz I know this about her loves to +get close to her viewers oh thanks you + +12 +00:00:11,870 --> 00:00:11,880 +get close to her viewers oh thanks you + + +13 +00:00:11,880 --> 00:00:16,189 +get close to her viewers oh thanks you +bet ya Joe let's see ya nice fella now + +14 +00:00:16,189 --> 00:00:16,199 +bet ya Joe let's see ya nice fella now + + +15 +00:00:16,199 --> 00:00:17,960 +bet ya Joe let's see ya nice fella now +listen here's the deal miss Ballard you + +16 +00:00:17,960 --> 00:00:17,970 +listen here's the deal miss Ballard you + + +17 +00:00:17,970 --> 00:00:20,660 +listen here's the deal miss Ballard you +see now I'm a common type man but you + +18 +00:00:20,660 --> 00:00:20,670 +see now I'm a common type man but you + + +19 +00:00:20,670 --> 00:00:22,910 +see now I'm a common type man but you +see right now well I'm a big winner now + +20 +00:00:22,910 --> 00:00:22,920 +see right now well I'm a big winner now + + +21 +00:00:22,920 --> 00:00:24,830 +see right now well I'm a big winner now +that that's news right yes that's what + +22 +00:00:24,830 --> 00:00:24,840 +that that's news right yes that's what + + +23 +00:00:24,840 --> 00:00:26,390 +that that's news right yes that's what +happened but but let me tell you + +24 +00:00:26,390 --> 00:00:26,400 +happened but but let me tell you + + +25 +00:00:26,400 --> 00:00:28,009 +happened but but let me tell you +something that you see the video crew + +26 +00:00:28,009 --> 00:00:28,019 +something that you see the video crew + + +27 +00:00:28,019 --> 00:00:29,660 +something that you see the video crew +isn't here on this trip this is just a + +28 +00:00:29,660 --> 00:00:29,670 +isn't here on this trip this is just a + + +29 +00:00:29,670 --> 00:00:34,010 +isn't here on this trip this is just a +research trip oh yeah yeah oh god that's + +30 +00:00:34,010 --> 00:00:34,020 +research trip oh yeah yeah oh god that's + + +31 +00:00:34,020 --> 00:00:37,310 +research trip oh yeah yeah oh god that's +too bad hey do you know what this fella + +32 +00:00:37,310 --> 00:00:37,320 +too bad hey do you know what this fella + + +33 +00:00:37,320 --> 00:00:39,590 +too bad hey do you know what this fella +told me he told me once you make it with + +34 +00:00:39,590 --> 00:00:39,600 +told me he told me once you make it with + + +35 +00:00:39,600 --> 00:00:41,600 +told me he told me once you make it with +a robot chick that's it you don't never + +36 +00:00:41,600 --> 00:00:41,610 +a robot chick that's it you don't never + + +37 +00:00:41,610 --> 00:00:44,299 +a robot chick that's it you don't never +go on nothing else I swear to god that's + +38 +00:00:44,299 --> 00:00:44,309 +go on nothing else I swear to god that's + + +39 +00:00:44,309 --> 00:00:50,389 +go on nothing else I swear to god that's +what he told me are you gonna do it do + +40 +00:00:50,389 --> 00:00:50,399 +what he told me are you gonna do it do + + +41 +00:00:50,399 --> 00:00:52,110 +what he told me are you gonna do it do +what run + +42 +00:00:52,110 --> 00:00:52,120 +what run + + +43 +00:00:52,120 --> 00:00:58,190 +what run +have sex with a robot not this kid run + +44 +00:00:58,190 --> 00:00:58,200 +have sex with a robot not this kid run + + +45 +00:00:58,200 --> 00:01:09,530 +have sex with a robot not this kid run +[Music] + diff --git a/1976/R9goLghpPBg.en.srt b/1976/R9goLghpPBg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d5802f7b9bd907986761e431fead25d507fa7cdc --- /dev/null +++ b/1976/R9goLghpPBg.en.srt @@ -0,0 +1,285 @@ +1 +00:00:19,039 --> 00:00:21,230 + +lus could you go somewhere else while I + +2 +00:00:21,230 --> 00:00:21,240 +lus could you go somewhere else while I + + +3 +00:00:21,240 --> 00:00:30,749 +lus could you go somewhere else while I +mean you make me sick + +4 +00:00:30,749 --> 00:00:30,759 + + + +5 +00:00:30,759 --> 00:00:33,510 + +hey alus man how's it going give it what + +6 +00:00:33,510 --> 00:00:33,520 +hey alus man how's it going give it what + + +7 +00:00:33,520 --> 00:00:35,389 +hey alus man how's it going give it what +do you need it for you hardly ever play + +8 +00:00:35,389 --> 00:00:35,399 +do you need it for you hardly ever play + + +9 +00:00:35,399 --> 00:00:38,670 +do you need it for you hardly ever play +anyways sit down we was only kidding + +10 +00:00:38,670 --> 00:00:38,680 +anyways sit down we was only kidding + + +11 +00:00:38,680 --> 00:00:41,630 +anyways sit down we was only kidding +anyways hey did you see how that looks s + +12 +00:00:41,630 --> 00:00:41,640 +anyways hey did you see how that looks s + + +13 +00:00:41,640 --> 00:00:42,910 +anyways hey did you see how that looks s +hey if we had to do that to all the + +14 +00:00:42,910 --> 00:00:42,920 +hey if we had to do that to all the + + +15 +00:00:42,920 --> 00:00:46,470 +hey if we had to do that to all the +Bears it might play + +16 +00:00:46,470 --> 00:00:46,480 + + + +17 +00:00:46,480 --> 00:00:49,750 + +better hey Joey you hungry you want my + +18 +00:00:49,750 --> 00:00:49,760 +better hey Joey you hungry you want my + + +19 +00:00:49,760 --> 00:00:51,670 +better hey Joey you hungry you want my +burrito I wouldn't eat your burrito if + +20 +00:00:51,670 --> 00:00:51,680 +burrito I wouldn't eat your burrito if + + +21 +00:00:51,680 --> 00:00:54,790 +burrito I wouldn't eat your burrito if +you paid me to a go on it's take it it's + +22 +00:00:54,790 --> 00:00:54,800 +you paid me to a go on it's take it it's + + +23 +00:00:54,800 --> 00:01:01,470 +you paid me to a go on it's take it it's +the best way to eat it + +24 +00:01:01,470 --> 00:01:01,480 + + + +25 +00:01:01,480 --> 00:01:02,950 + +I'm going to kill you I'm going to knock + +26 +00:01:02,950 --> 00:01:02,960 +I'm going to kill you I'm going to knock + + +27 +00:01:02,960 --> 00:01:04,310 +I'm going to kill you I'm going to knock +your down so far you're going to have to + +28 +00:01:04,310 --> 00:01:04,320 +your down so far you're going to have to + + +29 +00:01:04,320 --> 00:01:07,230 +your down so far you're going to have to +take off your hat beat the crap out of + +30 +00:01:07,230 --> 00:01:07,240 +take off your hat beat the crap out of + + +31 +00:01:07,240 --> 00:01:10,429 +take off your hat beat the crap out of +you oh yeah take out all the Y after + +32 +00:01:10,429 --> 00:01:10,439 +you oh yeah take out all the Y after + + +33 +00:01:10,439 --> 00:01:13,469 +you oh yeah take out all the Y after +this hey I'm going to take your + +34 +00:01:13,469 --> 00:01:13,479 +this hey I'm going to take your + + +35 +00:01:13,479 --> 00:01:17,749 +this hey I'm going to take your +butt you owe me 30 cents for that + +36 +00:01:17,749 --> 00:01:17,759 +butt you owe me 30 cents for that + + +37 +00:01:17,759 --> 00:01:23,469 +butt you owe me 30 cents for that +burrito you in the + +38 +00:01:23,469 --> 00:01:23,479 + + + +39 +00:01:23,479 --> 00:01:26,109 + +mou little + +40 +00:01:26,109 --> 00:01:26,119 +mou little + + +41 +00:01:26,119 --> 00:01:28,830 +mou little + well that's one be down and 11 to + +42 +00:01:28,830 --> 00:01:28,840 +well that's one be down and 11 to + + +43 +00:01:28,840 --> 00:01:37,830 +well that's one be down and 11 to +go but come think of a thing + +44 +00:01:37,830 --> 00:01:37,840 + + + +45 +00:01:37,840 --> 00:01:40,550 + +work thanks nobody ever stuck up for me + +46 +00:01:40,550 --> 00:01:40,560 +work thanks nobody ever stuck up for me + + +47 +00:01:40,560 --> 00:01:43,030 +work thanks nobody ever stuck up for me +before well lopus if you wiped your nose + +48 +00:01:43,030 --> 00:01:43,040 +before well lopus if you wiped your nose + + +49 +00:01:43,040 --> 00:01:44,429 +before well lopus if you wiped your nose +once in a while people wouldn't give you + +50 +00:01:44,429 --> 00:01:44,439 +once in a while people wouldn't give you + + +51 +00:01:44,439 --> 00:01:50,410 +once in a while people wouldn't give you +so much Crow all the time + +52 +00:01:50,410 --> 00:01:50,420 + + + +53 +00:01:50,420 --> 00:02:11,710 + +[Music] + +54 +00:02:11,710 --> 00:02:11,720 + + + +55 +00:02:11,720 --> 00:02:15,500 + +St + +56 +00:02:15,500 --> 00:02:15,510 + + + +57 +00:02:15,510 --> 00:02:21,460 + +[Music] + diff --git a/1976/RSUmB80GqDM.description b/1976/RSUmB80GqDM.description new file mode 100644 index 0000000000000000000000000000000000000000..6953c86d7aaf4244cc4ee93ec5b11ddbf8221d57 --- /dev/null +++ b/1976/RSUmB80GqDM.description @@ -0,0 +1,38 @@ +Rocky movie clips: http://j.mp/111pZZc +BUY THE MOVIE: http://j.mp/150JrGu +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Rocky (Sylvester Stallone) gives Champion Apollo Creed (Carl Weathers) his first knock down with one good punch. + +FILM DESCRIPTION: +Rocky Balboa (Sylvester Stallone), a Philadelphia boxer, is but one step removed from total bum-hood. A once-promising pugilist, Rocky is now taking nickel-and-dime bouts and running strongarm errands for local loan sharks to survive. Even his supportive trainer, Mickey (Burgess Meredith), has given up on Rocky. All this changes thanks to Muhammad Ali-like super-boxer Apollo Creed (Carl Weathers). With the Bicentennial celebration coming up, Creed must find a "Cinderella" opponent for the big July 4th bout -- some unknown whom Creed can "glorify" for a few minutes before knocking him cold. Rocky Balboa was not the only Cinderella involved here: writer/director Sylvester Stallone, himself a virtual unknown, managed to sell his Rocky script (one of 35 that he'd written over the years) on the proviso that he be given the starring role. Since the film was to be made on a shoestring and marketed on a low-level basis, the risk factor to United Artists was small. For Stallone, this was a make-or-break opportunity -- just like Rocky's million-to-one shot with Apollo Creed. Costing under a million dollars, Rocky managed to register with audiences everywhere, earning back 60 times its cost. The film won several Academy Awards, including Best Picture. + +CREDITS: +TM & © MGM (1976) +Cast: Sylvester Stallone, Carl Weathers +Director: John G. Avildsen +Producers: Robert Chartoff, Gene Kirkwood, Irwin Winkler +Screenwriter: Sylvester Stallone + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/RSUmB80GqDM.en.srt b/1976/RSUmB80GqDM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..95a50e28dc617e54007f22c110a42bd256e86237 --- /dev/null +++ b/1976/RSUmB80GqDM.en.srt @@ -0,0 +1,535 @@ +1 +00:00:00,280 --> 00:00:01,190 + +the + +2 +00:00:01,190 --> 00:00:01,200 +the + + +3 +00:00:01,200 --> 00:00:04,670 +the +Challenger white DS weighing + +4 +00:00:04,670 --> 00:00:04,680 +Challenger white DS weighing + + +5 +00:00:04,680 --> 00:00:11,190 +Challenger white DS weighing +190 lb Philadelphia's St s the Italian + +6 +00:00:11,190 --> 00:00:11,200 +190 lb Philadelphia's St s the Italian + + +7 +00:00:11,200 --> 00:00:18,550 +190 lb Philadelphia's St s the Italian +Stallion Rocky + +8 +00:00:18,550 --> 00:00:18,560 + + + +9 +00:00:18,560 --> 00:00:20,310 + +[Music] + +10 +00:00:20,310 --> 00:00:20,320 +[Music] + + +11 +00:00:20,320 --> 00:00:24,790 +[Music] +baloa and on my right verying red white + +12 +00:00:24,790 --> 00:00:24,800 +baloa and on my right verying red white + + +13 +00:00:24,800 --> 00:00:33,110 +baloa and on my right verying red white +and blue weighing 210 lb undef in 46 by + +14 +00:00:33,110 --> 00:00:33,120 +and blue weighing 210 lb undef in 46 by + + +15 +00:00:33,120 --> 00:00:34,990 +and blue weighing 210 lb undef in 46 by +the master of + +16 +00:00:34,990 --> 00:00:35,000 +the master of + + +17 +00:00:35,000 --> 00:00:38,110 +the master of +disaster the Undisputed heavyweight + +18 +00:00:38,110 --> 00:00:38,120 +disaster the Undisputed heavyweight + + +19 +00:00:38,120 --> 00:00:48,110 +disaster the Undisputed heavyweight +champion of the world + +20 +00:00:48,110 --> 00:00:48,120 + + + +21 +00:00:48,120 --> 00:00:52,430 + +Apollo you jump I want you you boys both + +22 +00:00:52,430 --> 00:00:52,440 +Apollo you jump I want you you boys both + + +23 +00:00:52,440 --> 00:00:54,549 +Apollo you jump I want you you boys both +fought Philadelphia you know the rules + +24 +00:00:54,549 --> 00:00:54,559 +fought Philadelphia you know the rules + + +25 +00:00:54,559 --> 00:00:57,029 +fought Philadelphia you know the rules +you have no low blows watch your heads + +26 +00:00:57,029 --> 00:00:57,039 +you have no low blows watch your heads + + +27 +00:00:57,039 --> 00:00:59,509 +you have no low blows watch your heads +no button shake hands now come on fight + +28 +00:00:59,509 --> 00:00:59,519 +no button shake hands now come on fight + + +29 +00:00:59,519 --> 00:01:02,110 +no button shake hands now come on fight +put your hand up there CH I'm out figh + +30 +00:01:02,110 --> 00:01:02,120 +put your hand up there CH I'm out figh + + +31 +00:01:02,120 --> 00:01:03,710 +put your hand up there CH I'm out figh +come on come + +32 +00:01:03,710 --> 00:01:03,720 +come on come + + +33 +00:01:03,720 --> 00:01:07,030 +come on come +on there Rocky just taking the care + +34 +00:01:07,030 --> 00:01:07,040 +on there Rocky just taking the care + + +35 +00:01:07,040 --> 00:01:08,990 +on there Rocky just taking the care +though he's he's just going over and + +36 +00:01:08,990 --> 00:01:09,000 +though he's he's just going over and + + +37 +00:01:09,000 --> 00:01:11,910 +though he's he's just going over and +being calm it looks like from here there + +38 +00:01:11,910 --> 00:01:11,920 +being calm it looks like from here there + + +39 +00:01:11,920 --> 00:01:15,710 +being calm it looks like from here there +goes the big + +40 +00:01:15,710 --> 00:01:15,720 + + + +41 +00:01:15,720 --> 00:01:18,350 + +hat I've never seen a fighter that + +42 +00:01:18,350 --> 00:01:18,360 +hat I've never seen a fighter that + + +43 +00:01:18,360 --> 00:01:23,600 +hat I've never seen a fighter that +concerned about his + +44 +00:01:23,600 --> 00:01:23,610 + + + +45 +00:01:23,610 --> 00:01:27,990 + +[Music] + +46 +00:01:27,990 --> 00:01:28,000 + + + +47 +00:01:28,000 --> 00:01:30,670 + +hair and there's the veler round one the + +48 +00:01:30,670 --> 00:01:30,680 +hair and there's the veler round one the + + +49 +00:01:30,680 --> 00:01:32,550 +hair and there's the veler round one the +most publicized fight of the ages the + +50 +00:01:32,550 --> 00:01:32,560 +most publicized fight of the ages the + + +51 +00:01:32,560 --> 00:01:33,870 +most publicized fight of the ages the +fighters come out come into the center + +52 +00:01:33,870 --> 00:01:33,880 +fighters come out come into the center + + +53 +00:01:33,880 --> 00:01:35,830 +fighters come out come into the center +of the Ring looking at each other Rocky + +54 +00:01:35,830 --> 00:01:35,840 +of the Ring looking at each other Rocky + + +55 +00:01:35,840 --> 00:01:38,630 +of the Ring looking at each other Rocky +just looking fre the champion siing ping + +56 +00:01:38,630 --> 00:01:38,640 +just looking fre the champion siing ping + + +57 +00:01:38,640 --> 00:01:40,710 +just looking fre the champion siing ping +those Jabs out there left-handed Jabs + +58 +00:01:40,710 --> 00:01:40,720 +those Jabs out there left-handed Jabs + + +59 +00:01:40,720 --> 00:01:42,830 +those Jabs out there left-handed Jabs +righte + +60 +00:01:42,830 --> 00:01:42,840 +righte + + +61 +00:01:42,840 --> 00:01:45,550 +righte +bangs the champ stinging the slower + +62 +00:01:45,550 --> 00:01:45,560 +bangs the champ stinging the slower + + +63 +00:01:45,560 --> 00:01:47,990 +bangs the champ stinging the slower +Challenger of Jabs and will in fact it + +64 +00:01:47,990 --> 00:01:48,000 +Challenger of Jabs and will in fact it + + +65 +00:01:48,000 --> 00:01:50,270 +Challenger of Jabs and will in fact it +just looks like Rocky blocking the blows + +66 +00:01:50,270 --> 00:01:50,280 +just looks like Rocky blocking the blows + + +67 +00:01:50,280 --> 00:01:53,030 +just looks like Rocky blocking the blows +with his face the champion doesn't look + +68 +00:01:53,030 --> 00:01:53,040 +with his face the champion doesn't look + + +69 +00:01:53,040 --> 00:01:54,670 +with his face the champion doesn't look +the best he's ever been but he's really + +70 +00:01:54,670 --> 00:01:54,680 +the best he's ever been but he's really + + +71 +00:01:54,680 --> 00:01:56,789 +the best he's ever been but he's really +moving smoothly now well that champion + +72 +00:01:56,789 --> 00:01:56,799 +moving smoothly now well that champion + + +73 +00:01:56,799 --> 00:01:58,830 +moving smoothly now well that champion +is smiling now he's crying with his man + +74 +00:01:58,830 --> 00:01:58,840 +is smiling now he's crying with his man + + +75 +00:01:58,840 --> 00:02:01,590 +is smiling now he's crying with his man +he's trying to give the the fans the + +76 +00:02:01,590 --> 00:02:01,600 +he's trying to give the the fans the + + +77 +00:02:01,600 --> 00:02:04,950 +he's trying to give the the fans the +money's worth do and make a show of it + +78 +00:02:04,950 --> 00:02:04,960 +money's worth do and make a show of it + + +79 +00:02:04,960 --> 00:02:07,910 +money's worth do and make a show of it +with a very badly out Challenger right + +80 +00:02:07,910 --> 00:02:07,920 +with a very badly out Challenger right + + +81 +00:02:07,920 --> 00:02:09,869 +with a very badly out Challenger right +[Applause] + +82 +00:02:09,869 --> 00:02:09,879 +[Applause] + + +83 +00:02:09,879 --> 00:02:12,470 +[Applause] +now he just trying to make his man make + +84 +00:02:12,470 --> 00:02:12,480 +now he just trying to make his man make + + +85 +00:02:12,480 --> 00:02:15,430 +now he just trying to make his man make +the first move see make a Miss like + +86 +00:02:15,430 --> 00:02:15,440 +the first move see make a Miss like + + +87 +00:02:15,440 --> 00:02:17,509 +the first move see make a Miss like +that he's just The champ is just + +88 +00:02:17,509 --> 00:02:17,519 +that he's just The champ is just + + +89 +00:02:17,519 --> 00:02:20,869 +that he's just The champ is just +taunting him + +90 +00:02:20,869 --> 00:02:20,879 + + + +91 +00:02:20,879 --> 00:02:24,150 + +now re dancing + +92 +00:02:24,150 --> 00:02:24,160 +now re dancing + + +93 +00:02:24,160 --> 00:02:27,589 +now re dancing +around hey I don't believe The champ is + +94 +00:02:27,589 --> 00:02:27,599 +around hey I don't believe The champ is + + +95 +00:02:27,599 --> 00:02:35,190 +around hey I don't believe The champ is +down yes he is + +96 +00:02:35,190 --> 00:02:35,200 + + + +97 +00:02:35,200 --> 00:02:38,750 + +fre is down what a surise this + +98 +00:02:38,750 --> 00:02:38,760 +fre is down what a surise this + + +99 +00:02:38,760 --> 00:02:41,430 +fre is down what a surise this +is this is the first time the champion + +100 +00:02:41,430 --> 00:02:41,440 +is this is the first time the champion + + +101 +00:02:41,440 --> 00:02:44,190 +is this is the first time the champion +has ever been knocked down Bo getting + +102 +00:02:44,190 --> 00:02:44,200 +has ever been knocked down Bo getting + + +103 +00:02:44,200 --> 00:02:47,070 +has ever been knocked down Bo getting +him the to + +104 +00:02:47,070 --> 00:02:47,080 +him the to + + +105 +00:02:47,080 --> 00:03:13,580 +him the to +six appears to be all right last okay + +106 +00:03:13,580 --> 00:03:13,590 + + + +107 +00:03:13,590 --> 00:03:22,699 + +[Music] + diff --git a/1976/Rq4ucbgrV6U.description b/1976/Rq4ucbgrV6U.description new file mode 100644 index 0000000000000000000000000000000000000000..6b0dbb446ef08067d6044f1ad5b6e15c46ecb059 --- /dev/null +++ b/1976/Rq4ucbgrV6U.description @@ -0,0 +1,38 @@ +Taxi Driver movie clips: http://j.mp/1iS0mkM +BUY THE MOVIE: http://amzn.to/rUvwen +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Travis (Robert De Niro) fantasizes about being praised for performing heroic acts throughout the city. + +FILM DESCRIPTION: +"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. + +CREDITS: +TM & © Sony (1976) +Cast: Robert De Niro +Director: Martin Scorsese +Producers: Phillip M. Goldfarb, Julia Phillips, Michael Phillips +Screenwriter: Paul Schrader + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/Rq4ucbgrV6U.en.srt b/1976/Rq4ucbgrV6U.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..123d0738f82dc8e69f22ae62bb832e569104822a --- /dev/null +++ b/1976/Rq4ucbgrV6U.en.srt @@ -0,0 +1,275 @@ +1 +00:00:10,280 --> 00:00:14,350 + +Dear Mr ble I can't say how happy Mrs + +2 +00:00:14,350 --> 00:00:14,360 +Dear Mr ble I can't say how happy Mrs + + +3 +00:00:14,360 --> 00:00:17,029 +Dear Mr ble I can't say how happy Mrs +Steensma and I were to here that you are + +4 +00:00:17,029 --> 00:00:17,039 +Steensma and I were to here that you are + + +5 +00:00:17,039 --> 00:00:18,310 +Steensma and I were to here that you are +well and + +6 +00:00:18,310 --> 00:00:18,320 +well and + + +7 +00:00:18,320 --> 00:00:21,109 +well and +recuperating we tried to visit you at + +8 +00:00:21,109 --> 00:00:21,119 +recuperating we tried to visit you at + + +9 +00:00:21,119 --> 00:00:23,990 +recuperating we tried to visit you at +the hospital when we were in New York to + +10 +00:00:23,990 --> 00:00:24,000 +the hospital when we were in New York to + + +11 +00:00:24,000 --> 00:00:27,269 +the hospital when we were in New York to +pick up Iris but you were still in a + +12 +00:00:27,269 --> 00:00:27,279 +pick up Iris but you were still in a + + +13 +00:00:27,279 --> 00:00:30,950 +pick up Iris but you were still in a +coma there is no way we can pay you for + +14 +00:00:30,950 --> 00:00:30,960 +coma there is no way we can pay you for + + +15 +00:00:30,960 --> 00:00:34,750 +coma there is no way we can pay you for +returning our Iris to us we thought we + +16 +00:00:34,750 --> 00:00:34,760 +returning our Iris to us we thought we + + +17 +00:00:34,760 --> 00:00:38,470 +returning our Iris to us we thought we +had lost her and now our lives are full + +18 +00:00:38,470 --> 00:00:38,480 +had lost her and now our lives are full + + +19 +00:00:38,480 --> 00:00:42,310 +had lost her and now our lives are full +again needless to say you are something + +20 +00:00:42,310 --> 00:00:42,320 +again needless to say you are something + + +21 +00:00:42,320 --> 00:00:45,389 +again needless to say you are something +of a hero around this + +22 +00:00:45,389 --> 00:00:45,399 +of a hero around this + + +23 +00:00:45,399 --> 00:00:48,430 +of a hero around this +household I'm sure you want to know + +24 +00:00:48,430 --> 00:00:48,440 +household I'm sure you want to know + + +25 +00:00:48,440 --> 00:00:52,150 +household I'm sure you want to know +about Iris she's back in school and + +26 +00:00:52,150 --> 00:00:52,160 +about Iris she's back in school and + + +27 +00:00:52,160 --> 00:00:55,389 +about Iris she's back in school and +working hard that transition has been + +28 +00:00:55,389 --> 00:00:55,399 +working hard that transition has been + + +29 +00:00:55,399 --> 00:00:58,189 +working hard that transition has been +very hard for her as you can well + +30 +00:00:58,189 --> 00:00:58,199 +very hard for her as you can well + + +31 +00:00:58,199 --> 00:01:01,069 +very hard for her as you can well +imagine but we have taken in steps to + +32 +00:01:01,069 --> 00:01:01,079 +imagine but we have taken in steps to + + +33 +00:01:01,079 --> 00:01:05,429 +imagine but we have taken in steps to +see she has never caused to run away + +34 +00:01:05,429 --> 00:01:05,439 +see she has never caused to run away + + +35 +00:01:05,439 --> 00:01:10,070 +see she has never caused to run away +again in conclusion Mrs Steensma and I + +36 +00:01:10,070 --> 00:01:10,080 +again in conclusion Mrs Steensma and I + + +37 +00:01:10,080 --> 00:01:12,350 +again in conclusion Mrs Steensma and I +would like to again thank you from the + +38 +00:01:12,350 --> 00:01:12,360 +would like to again thank you from the + + +39 +00:01:12,360 --> 00:01:13,950 +would like to again thank you from the +bottom of our + +40 +00:01:13,950 --> 00:01:13,960 +bottom of our + + +41 +00:01:13,960 --> 00:01:17,310 +bottom of our +hearts unfortunately we cannot afford to + +42 +00:01:17,310 --> 00:01:17,320 +hearts unfortunately we cannot afford to + + +43 +00:01:17,320 --> 00:01:20,429 +hearts unfortunately we cannot afford to +come to New York again to thank you in + +44 +00:01:20,429 --> 00:01:20,439 +come to New York again to thank you in + + +45 +00:01:20,439 --> 00:01:24,310 +come to New York again to thank you in +person or we surely would but if you + +46 +00:01:24,310 --> 00:01:24,320 +person or we surely would but if you + + +47 +00:01:24,320 --> 00:01:26,910 +person or we surely would but if you +should ever come to Pittsburgh you would + +48 +00:01:26,910 --> 00:01:26,920 +should ever come to Pittsburgh you would + + +49 +00:01:26,920 --> 00:01:29,510 +should ever come to Pittsburgh you would +find yourself a most welcome guest in + +50 +00:01:29,510 --> 00:01:29,520 +find yourself a most welcome guest in + + +51 +00:01:29,520 --> 00:01:33,910 +find yourself a most welcome guest in +our home home our deepest thanks Bert + +52 +00:01:33,910 --> 00:01:33,920 +our home home our deepest thanks Bert + + +53 +00:01:33,920 --> 00:01:35,790 +our home home our deepest thanks Bert +and Ivy Steensma + +54 +00:01:35,790 --> 00:01:35,800 +and Ivy Steensma + + +55 +00:01:35,800 --> 00:02:07,609 +and Ivy Steensma +[Music] + diff --git a/1976/SNruq88Dlpg.en.srt b/1976/SNruq88Dlpg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..fe7e0b967fb9e61ceb739ab2a2a5b04258fd0734 --- /dev/null +++ b/1976/SNruq88Dlpg.en.srt @@ -0,0 +1,73 @@ +1 +00:00:00,085 --> 00:00:01,819 +[creak] + +2 +00:00:01,887 --> 00:00:04,772 +[whispering] +all right. + +3 +00:00:10,763 --> 00:00:12,096 +No. Wait. + +4 +00:00:15,934 --> 00:00:17,635 +Shh. + +5 +00:00:32,985 --> 00:00:34,302 +Shh. + +6 +00:00:56,675 --> 00:00:58,393 +[creaking] + +7 +00:01:31,443 --> 00:01:33,944 +Help! + +8 +00:01:41,103 --> 00:01:43,521 +Help! Help! + +9 +00:01:43,588 --> 00:01:45,573 +Police! + +10 +00:01:45,641 --> 00:01:46,908 +Somebody help me! + +11 +00:01:50,029 --> 00:01:52,380 +Help! + +12 +00:01:55,584 --> 00:01:57,335 +Help! + +13 +00:01:59,939 --> 00:02:00,939 +Aah! + +14 +00:02:01,006 --> 00:02:02,606 +Help! + +15 +00:02:02,674 --> 00:02:04,475 +Help! + +16 +00:02:04,543 --> 00:02:05,844 +Help! + +17 +00:02:05,911 --> 00:02:07,545 +Aah! + +18 +00:02:07,612 --> 00:02:09,047 +Aah! + diff --git a/1976/SQ_rMhKlNFE.en.srt b/1976/SQ_rMhKlNFE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..3fbdd422fe1243d290bd2cf9218f5a8b4bdb2d4a --- /dev/null +++ b/1976/SQ_rMhKlNFE.en.srt @@ -0,0 +1,235 @@ +1 +00:00:02,000 --> 00:00:04,150 + +your friend bule he taught me a lovely + +2 +00:00:04,150 --> 00:00:04,160 +your friend bule he taught me a lovely + + +3 +00:00:04,160 --> 00:00:06,829 +your friend bule he taught me a lovely +song y'all want to hear my + +4 +00:00:06,829 --> 00:00:06,839 +song y'all want to hear my + + +5 +00:00:06,839 --> 00:00:09,749 +song y'all want to hear my +song Oh God what a + +6 +00:00:09,749 --> 00:00:09,759 +song Oh God what a + + +7 +00:00:09,759 --> 00:00:15,829 +song Oh God what a +song oh oh my number is one and the fun + +8 +00:00:15,829 --> 00:00:15,839 +song oh oh my number is one and the fun + + +9 +00:00:15,839 --> 00:00:20,269 +song oh oh my number is one and the fun +is just beg roll me over Lay Me Down do + +10 +00:00:20,269 --> 00:00:20,279 +is just beg roll me over Lay Me Down do + + +11 +00:00:20,279 --> 00:00:23,070 +is just beg roll me over Lay Me Down do +it again roll me + +12 +00:00:23,070 --> 00:00:23,080 +it again roll me + + +13 +00:00:23,080 --> 00:00:25,790 +it again roll me +over in the + +14 +00:00:25,790 --> 00:00:25,800 +over in the + + +15 +00:00:25,800 --> 00:00:28,109 +over in the +Clover I'm not getting out of the car I + +16 +00:00:28,109 --> 00:00:28,119 +Clover I'm not getting out of the car I + + +17 +00:00:28,119 --> 00:00:30,950 +Clover I'm not getting out of the car I +have too good of a time I want + +18 +00:00:30,950 --> 00:00:30,960 +have too good of a time I want + + +19 +00:00:30,960 --> 00:00:35,310 +have too good of a time I want +true what a lovely day Craig do you mind + +20 +00:00:35,310 --> 00:00:35,320 +true what a lovely day Craig do you mind + + +21 +00:00:35,320 --> 00:00:37,190 +true what a lovely day Craig do you mind +taking Merit Tate + +22 +00:00:37,190 --> 00:00:37,200 +taking Merit Tate + + +23 +00:00:37,200 --> 00:00:38,750 +taking Merit Tate +home + +24 +00:00:38,750 --> 00:00:38,760 +home + + +25 +00:00:38,760 --> 00:00:40,830 +home +uh + +26 +00:00:40,830 --> 00:00:40,840 +uh + + +27 +00:00:40,840 --> 00:00:44,069 +uh +no good night honey get a good night's + +28 +00:00:44,069 --> 00:00:44,079 +no good night honey get a good night's + + +29 +00:00:44,079 --> 00:00:46,310 +no good night honey get a good night's +rest what about her + +30 +00:00:46,310 --> 00:00:46,320 +rest what about her + + +31 +00:00:46,320 --> 00:00:48,430 +rest what about her +fo why don't you put the top off it's + +32 +00:00:48,430 --> 00:00:48,440 +fo why don't you put the top off it's + + +33 +00:00:48,440 --> 00:00:49,830 +fo why don't you put the top off it's +getting + +34 +00:00:49,830 --> 00:00:49,840 +getting + + +35 +00:00:49,840 --> 00:00:55,069 +getting +chilly H Joe thanks a lot oh + +36 +00:00:55,069 --> 00:00:55,079 +chilly H Joe thanks a lot oh + + +37 +00:00:55,079 --> 00:00:58,120 +chilly H Joe thanks a lot oh +great dthy I'll see you tomorrow + +38 +00:00:58,120 --> 00:00:58,130 +great dthy I'll see you tomorrow + + +39 +00:00:58,130 --> 00:01:02,590 +great dthy I'll see you tomorrow +[Applause] + +40 +00:01:02,590 --> 00:01:02,600 +[Applause] + + +41 +00:01:02,600 --> 00:01:05,429 +[Applause] +isn't that what they call + +42 +00:01:05,429 --> 00:01:05,439 +isn't that what they call + + +43 +00:01:05,439 --> 00:01:07,749 +isn't that what they call +Pimping there's no telling where you're + +44 +00:01:07,749 --> 00:01:07,759 +Pimping there's no telling where you're + + +45 +00:01:07,759 --> 00:01:27,850 +Pimping there's no telling where you're +taking me now I think it + +46 +00:01:27,850 --> 00:01:27,860 + + + +47 +00:01:27,860 --> 00:01:59,449 + +[Music] + diff --git a/1976/Tc7H9s4PdSI.description b/1976/Tc7H9s4PdSI.description new file mode 100644 index 0000000000000000000000000000000000000000..18a6152b6bf7ceba871bc0f2e7af3eb4a6559c4a --- /dev/null +++ b/1976/Tc7H9s4PdSI.description @@ -0,0 +1,38 @@ +Rocky movie clips: http://j.mp/111pZZc +BUY THE MOVIE: http://j.mp/150JrGu +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Rocky (Sylvester Stallone) goes the distance with Apollo Creed (Carl Weathers) but in the end, he only wants one thing — Adrian (Talia Shire). + +FILM DESCRIPTION: +Rocky Balboa (Sylvester Stallone), a Philadelphia boxer, is but one step removed from total bum-hood. A once-promising pugilist, Rocky is now taking nickel-and-dime bouts and running strongarm errands for local loan sharks to survive. Even his supportive trainer, Mickey (Burgess Meredith), has given up on Rocky. All this changes thanks to Muhammad Ali-like super-boxer Apollo Creed (Carl Weathers). With the Bicentennial celebration coming up, Creed must find a "Cinderella" opponent for the big July 4th bout -- some unknown whom Creed can "glorify" for a few minutes before knocking him cold. Rocky Balboa was not the only Cinderella involved here: writer/director Sylvester Stallone, himself a virtual unknown, managed to sell his Rocky script (one of 35 that he'd written over the years) on the proviso that he be given the starring role. Since the film was to be made on a shoestring and marketed on a low-level basis, the risk factor to United Artists was small. For Stallone, this was a make-or-break opportunity -- just like Rocky's million-to-one shot with Apollo Creed. Costing under a million dollars, Rocky managed to register with audiences everywhere, earning back 60 times its cost. The film won several Academy Awards, including Best Picture. + +CREDITS: +TM & © MGM (1976) +Cast: Burgess Meredith, Stu Nahan, Joe Spinell, Sylvester Stallone, Carl Weathers, Burt Young, Talia Shire +Director: John G. Avildsen +Producers: Robert Chartoff, Gene Kirkwood, Irwin Winkler +Screenwriter: Sylvester Stallone + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/Tg4_lfm5VrQ.description b/1976/Tg4_lfm5VrQ.description new file mode 100644 index 0000000000000000000000000000000000000000..ade23b414a851ed010fcb6447863974e0bb81d11 --- /dev/null +++ b/1976/Tg4_lfm5VrQ.description @@ -0,0 +1,38 @@ +\All the President's Men movie clips: http://j.mp/1JdpCit +BUY THE MOVIE: http://j.mp/QXy4pD +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Ben Bradlee (Jason Robards) tells Carl Bernstein (Dustin Hoffman) and Bob Woodward (Robert Redford) to run the story about Mitchell. + +FILM DESCRIPTION: +Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. + +CREDITS: +TM & © Warner Bros. (1976) +Cast: Dustin Hoffman, Robert Redford, Jason Robards +Director: Alan J. Pakula +Producers: Jon Boorstin, Michael Britton, Walter Coblenz +Screenwriters: Carl Bernstein, William Goldman, Bob Woodard + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/Tg4_lfm5VrQ.en.srt b/1976/Tg4_lfm5VrQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6abf304e2842a52b59133bf02f1e6be51f33b881 --- /dev/null +++ b/1976/Tg4_lfm5VrQ.en.srt @@ -0,0 +1,295 @@ +1 +00:00:01,319 --> 00:00:02,750 + +Mitchell know he was talking to a + +2 +00:00:02,750 --> 00:00:02,760 +Mitchell know he was talking to a + + +3 +00:00:02,760 --> 00:00:05,110 +Mitchell know he was talking to a +reporter yeah but I think I woke him + +4 +00:00:05,110 --> 00:00:05,120 +reporter yeah but I think I woke him + + +5 +00:00:05,120 --> 00:00:08,910 +reporter yeah but I think I woke him +up in good notes forba + +6 +00:00:08,910 --> 00:00:08,920 +up in good notes forba + + +7 +00:00:08,920 --> 00:00:13,270 +up in good notes forba +him he really said that about Mrs + +8 +00:00:13,270 --> 00:00:13,280 +him he really said that about Mrs + + +9 +00:00:13,280 --> 00:00:15,669 +him he really said that about Mrs +gr I'll cut the words her tit and + +10 +00:00:15,669 --> 00:00:15,679 +gr I'll cut the words her tit and + + +11 +00:00:15,679 --> 00:00:21,830 +gr I'll cut the words her tit and +printed what it was a family + +12 +00:00:21,830 --> 00:00:21,840 + + + +13 +00:00:21,840 --> 00:00:23,670 + +newspaper you know once when I was + +14 +00:00:23,670 --> 00:00:23,680 +newspaper you know once when I was + + +15 +00:00:23,680 --> 00:00:25,630 +newspaper you know once when I was +reporting Lyndon Johnson's top guy gave + +16 +00:00:25,630 --> 00:00:25,640 +reporting Lyndon Johnson's top guy gave + + +17 +00:00:25,640 --> 00:00:28,269 +reporting Lyndon Johnson's top guy gave +me the word they're looking for a + +18 +00:00:28,269 --> 00:00:28,279 +me the word they're looking for a + + +19 +00:00:28,279 --> 00:00:30,710 +me the word they're looking for a +successor for Jay Edgar Hoover + +20 +00:00:30,710 --> 00:00:30,720 +successor for Jay Edgar Hoover + + +21 +00:00:30,720 --> 00:00:33,069 +successor for Jay Edgar Hoover +I wrote it and the day it appeared + +22 +00:00:33,069 --> 00:00:33,079 +I wrote it and the day it appeared + + +23 +00:00:33,079 --> 00:00:34,670 +I wrote it and the day it appeared +Johnson held a press conference and + +24 +00:00:34,670 --> 00:00:34,680 +Johnson held a press conference and + + +25 +00:00:34,680 --> 00:00:37,030 +Johnson held a press conference and +appointed Hoover head of the FBI for + +26 +00:00:37,030 --> 00:00:37,040 +appointed Hoover head of the FBI for + + +27 +00:00:37,040 --> 00:00:40,430 +appointed Hoover head of the FBI for +life when he was done turned to his top + +28 +00:00:40,430 --> 00:00:40,440 +life when he was done turned to his top + + +29 +00:00:40,440 --> 00:00:42,069 +life when he was done turned to his top +guy and the president said call Ben + +30 +00:00:42,069 --> 00:00:42,079 +guy and the president said call Ben + + +31 +00:00:42,079 --> 00:00:44,110 +guy and the president said call Ben +Bradley and tell him + +32 +00:00:44,110 --> 00:00:44,120 +Bradley and tell him + + +33 +00:00:44,120 --> 00:00:46,869 +Bradley and tell him +you H everybody said you did it ban you + +34 +00:00:46,869 --> 00:00:46,879 +you H everybody said you did it ban you + + +35 +00:00:46,879 --> 00:00:50,069 +you H everybody said you did it ban you +screwed up you stuck us with Hoover + +36 +00:00:50,069 --> 00:00:50,079 +screwed up you stuck us with Hoover + + +37 +00:00:50,079 --> 00:00:56,630 +screwed up you stuck us with Hoover +forever I screwed up but I wasn't + +38 +00:00:56,630 --> 00:00:56,640 + + + +39 +00:00:56,640 --> 00:00:58,750 + +wrong how much can you tell me about + +40 +00:00:58,750 --> 00:00:58,760 +wrong how much can you tell me about + + +41 +00:00:58,760 --> 00:01:01,549 +wrong how much can you tell me about +deep throat + +42 +00:01:01,549 --> 00:01:01,559 +deep throat + + +43 +00:01:01,559 --> 00:01:06,390 +deep throat +how much do you need to know you trust + +44 +00:01:06,390 --> 00:01:06,400 + + + +45 +00:01:06,400 --> 00:01:09,469 + +him + +46 +00:01:09,469 --> 00:01:09,479 + + + +47 +00:01:09,479 --> 00:01:12,310 + +yeah I can't do the reporting for my + +48 +00:01:12,310 --> 00:01:12,320 +yeah I can't do the reporting for my + + +49 +00:01:12,320 --> 00:01:15,749 +yeah I can't do the reporting for my +reporters which means I have to trust + +50 +00:01:15,749 --> 00:01:15,759 +reporters which means I have to trust + + +51 +00:01:15,759 --> 00:01:26,310 +reporters which means I have to trust +them and I hate trusting + +52 +00:01:26,310 --> 00:01:26,320 + + + +53 +00:01:26,320 --> 00:01:39,400 + +anybody run that baby + +54 +00:01:39,400 --> 00:01:39,410 + + + +55 +00:01:39,410 --> 00:02:00,789 + +[Music] + +56 +00:02:00,789 --> 00:02:00,799 + + + +57 +00:02:00,799 --> 00:02:04,490 + +St + +58 +00:02:04,490 --> 00:02:04,500 + + + +59 +00:02:04,500 --> 00:02:10,449 + +[Music] + diff --git a/1976/TqL70V8rn9I.en.srt b/1976/TqL70V8rn9I.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9e0882025e3258ab7e9a01f9d31a22ec096b5d00 --- /dev/null +++ b/1976/TqL70V8rn9I.en.srt @@ -0,0 +1,305 @@ +1 +00:00:00,799 --> 00:00:04,550 + +this is + +2 +00:00:04,550 --> 00:00:04,560 + + + +3 +00:00:04,560 --> 00:00:07,350 + +you + +4 +00:00:07,350 --> 00:00:07,360 +you + + +5 +00:00:07,360 --> 00:00:13,190 +you +now she has two dimes a matchbox and a + +6 +00:00:13,190 --> 00:00:13,200 +now she has two dimes a matchbox and a + + +7 +00:00:13,200 --> 00:00:15,990 +now she has two dimes a matchbox and a +nickel she leaves the nickel on the + +8 +00:00:15,990 --> 00:00:16,000 +nickel she leaves the nickel on the + + +9 +00:00:16,000 --> 00:00:18,550 +nickel she leaves the nickel on the +table she puts the two dimes back into + +10 +00:00:18,550 --> 00:00:18,560 +table she puts the two dimes back into + + +11 +00:00:18,560 --> 00:00:24,269 +table she puts the two dimes back into +her purse she takes the gloves they're + +12 +00:00:24,269 --> 00:00:24,279 +her purse she takes the gloves they're + + +13 +00:00:24,279 --> 00:00:26,870 +her purse she takes the gloves they're +black puts them into the + +14 +00:00:26,870 --> 00:00:26,880 +black puts them into the + + +15 +00:00:26,880 --> 00:00:30,150 +black puts them into the +stove lights a match + +16 +00:00:30,150 --> 00:00:30,160 +stove lights a match + + +17 +00:00:30,160 --> 00:00:37,869 +stove lights a match +suddenly the telephone + +18 +00:00:37,869 --> 00:00:37,879 + + + +19 +00:00:37,879 --> 00:00:40,670 + +rings she picks it + +20 +00:00:40,670 --> 00:00:40,680 +rings she picks it + + +21 +00:00:40,680 --> 00:00:42,950 +rings she picks it +up she + +22 +00:00:42,950 --> 00:00:42,960 +up she + + +23 +00:00:42,960 --> 00:00:44,869 +up she +listens she + +24 +00:00:44,869 --> 00:00:44,879 +listens she + + +25 +00:00:44,879 --> 00:00:46,910 +listens she +says I've never owned a pair of black + +26 +00:00:46,910 --> 00:00:46,920 +says I've never owned a pair of black + + +27 +00:00:46,920 --> 00:00:50,069 +says I've never owned a pair of black +gloves in my life hangs up peels by the + +28 +00:00:50,069 --> 00:00:50,079 +gloves in my life hangs up peels by the + + +29 +00:00:50,079 --> 00:00:52,510 +gloves in my life hangs up peels by the +stove lights another + +30 +00:00:52,510 --> 00:00:52,520 +stove lights another + + +31 +00:00:52,520 --> 00:00:57,150 +stove lights another +match suddenly you + +32 +00:00:57,150 --> 00:00:57,160 + + + +33 +00:00:57,160 --> 00:01:04,869 + +notice there's another man in the room + +34 +00:01:04,869 --> 00:01:04,879 + + + +35 +00:01:04,879 --> 00:01:40,469 + +watching every move the girl makes + +36 +00:01:40,469 --> 00:01:40,479 + + + +37 +00:01:40,479 --> 00:01:41,630 + +what + +38 +00:01:41,630 --> 00:01:41,640 +what + + +39 +00:01:41,640 --> 00:01:45,749 +what +happened I don't know I was just making + +40 +00:01:45,749 --> 00:01:45,759 +happened I don't know I was just making + + +41 +00:01:45,759 --> 00:01:48,310 +happened I don't know I was just making +pictures what was the nickel + +42 +00:01:48,310 --> 00:01:48,320 +pictures what was the nickel + + +43 +00:01:48,320 --> 00:01:51,149 +pictures what was the nickel +for Jan what was the nickel + +44 +00:01:51,149 --> 00:01:51,159 +for Jan what was the nickel + + +45 +00:01:51,159 --> 00:02:00,789 +for Jan what was the nickel +for the nickel was for the movies + +46 +00:02:00,789 --> 00:02:00,799 + + + +47 +00:02:00,799 --> 00:02:02,670 + +what do you pay me + +48 +00:02:02,670 --> 00:02:02,680 +what do you pay me + + +49 +00:02:02,680 --> 00:02:06,230 +what do you pay me +for I don't understand the damn stuff + +50 +00:02:06,230 --> 00:02:06,240 +for I don't understand the damn stuff + + +51 +00:02:06,240 --> 00:02:07,190 +for I don't understand the damn stuff +yes you + +52 +00:02:07,190 --> 00:02:07,200 +yes you + + +53 +00:02:07,200 --> 00:02:09,469 +yes you +do or you wouldn't have asked about the + +54 +00:02:09,469 --> 00:02:09,479 +do or you wouldn't have asked about the + + +55 +00:02:09,479 --> 00:02:11,430 +do or you wouldn't have asked about the +nickel + +56 +00:02:11,430 --> 00:02:11,440 +nickel + + +57 +00:02:11,440 --> 00:02:32,750 +nickel +[Music] + +58 +00:02:32,750 --> 00:02:32,760 + + + +59 +00:02:32,760 --> 00:02:36,530 + +St + +60 +00:02:36,530 --> 00:02:36,540 + + + +61 +00:02:36,540 --> 00:02:42,500 + +[Music] + diff --git a/1976/Tu1RZaFnkKs.en.srt b/1976/Tu1RZaFnkKs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..91b545b6f6e0c5df6e0782d896a2b37c218678db --- /dev/null +++ b/1976/Tu1RZaFnkKs.en.srt @@ -0,0 +1,135 @@ +1 +00:00:08,940 --> 00:00:16,870 + +[Music] + +2 +00:00:16,870 --> 00:00:16,880 + + + +3 +00:00:16,880 --> 00:00:30,109 + +son + +4 +00:00:30,109 --> 00:00:30,119 + + + +5 +00:00:30,119 --> 00:00:42,010 + +a + +6 +00:00:42,010 --> 00:00:42,020 + + + +7 +00:00:42,020 --> 00:00:58,820 + +[Applause] + +8 +00:00:58,820 --> 00:00:58,830 + + + +9 +00:00:58,830 --> 00:01:00,150 + +[Music] + +10 +00:01:00,150 --> 00:01:00,160 +[Music] + + +11 +00:01:00,160 --> 00:01:19,920 +[Music] +a + +12 +00:01:19,920 --> 00:01:19,930 + + + +13 +00:01:19,930 --> 00:01:48,630 + +[Music] + +14 +00:01:48,630 --> 00:01:48,640 + + + +15 +00:01:48,640 --> 00:01:54,220 + +St + +16 +00:01:54,220 --> 00:01:54,230 + + + +17 +00:01:54,230 --> 00:02:16,390 + +[Music] + +18 +00:02:16,390 --> 00:02:16,400 + + + +19 +00:02:16,400 --> 00:02:36,070 + +what + +20 +00:02:36,070 --> 00:02:36,080 + + + +21 +00:02:36,080 --> 00:02:39,149 + +it's the + +22 +00:02:39,149 --> 00:02:39,159 + + + +23 +00:02:39,159 --> 00:02:48,309 + +F the fan is + +24 +00:02:48,309 --> 00:02:48,319 + + + +25 +00:02:48,319 --> 00:02:52,680 + +ringing relax I'll get it + +26 +00:02:52,680 --> 00:02:52,690 +ringing relax I'll get it + + +27 +00:02:52,690 --> 00:03:21,900 +ringing relax I'll get it +[Music] + diff --git a/1976/UneHDzMhbbw.description b/1976/UneHDzMhbbw.description new file mode 100644 index 0000000000000000000000000000000000000000..53c7b40399fc03ea89c45ec26f309c375fdf3775 --- /dev/null +++ b/1976/UneHDzMhbbw.description @@ -0,0 +1,38 @@ +Taxi Driver movie clips: http://j.mp/1iS0mkM +BUY THE MOVIE: http://amzn.to/rUvwen +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Travis (Robert De Niro) eats breakfast with Iris (Jodie Foster) at a diner and thoughtfully gives her advice about her life. + +FILM DESCRIPTION: +"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. + +CREDITS: +TM & © Sony (1976) +Cast: Robert De Niro, Jodie Foster +Director: Martin Scorsese +Producers: Phillip M. Goldfarb, Julia Phillips, Michael Phillips +Screenwriter: Paul Schrader + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/UneHDzMhbbw.en.srt b/1976/UneHDzMhbbw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..fbbd6a7406303eb88e6b63986df1726b98b9557c --- /dev/null +++ b/1976/UneHDzMhbbw.en.srt @@ -0,0 +1,465 @@ +1 +00:00:00,060 --> 00:00:01,340 + +how do you want me to go back to my + +2 +00:00:01,340 --> 00:00:01,350 +how do you want me to go back to my + + +3 +00:00:01,350 --> 00:00:04,340 +how do you want me to go back to my +parents I mean they hate me + +4 +00:00:04,340 --> 00:00:04,350 +parents I mean they hate me + + +5 +00:00:04,350 --> 00:00:05,990 +parents I mean they hate me +what do you think I split the first + +6 +00:00:05,990 --> 00:00:06,000 +what do you think I split the first + + +7 +00:00:06,000 --> 00:00:08,660 +what do you think I split the first +place there ain't nothing there yeah but + +8 +00:00:08,660 --> 00:00:08,670 +place there ain't nothing there yeah but + + +9 +00:00:08,670 --> 00:00:12,470 +place there ain't nothing there yeah but +you can't live like this no girls you + +10 +00:00:12,470 --> 00:00:12,480 +you can't live like this no girls you + + +11 +00:00:12,480 --> 00:00:15,589 +you can't live like this no girls you +live at home didn't you ever hear of + +12 +00:00:15,589 --> 00:00:15,599 +live at home didn't you ever hear of + + +13 +00:00:15,599 --> 00:00:19,279 +live at home didn't you ever hear of +women's lib we mean women's lib you sure + +14 +00:00:19,279 --> 00:00:19,289 +women's lib we mean women's lib you sure + + +15 +00:00:19,289 --> 00:00:21,529 +women's lib we mean women's lib you sure +a young girl you should be at home now + +16 +00:00:21,529 --> 00:00:21,539 +a young girl you should be at home now + + +17 +00:00:21,539 --> 00:00:23,420 +a young girl you should be at home now +you should be dressed up you should be + +18 +00:00:23,420 --> 00:00:23,430 +you should be dressed up you should be + + +19 +00:00:23,430 --> 00:00:24,980 +you should be dressed up you should be +going out with boys you should be going + +20 +00:00:24,980 --> 00:00:24,990 +going out with boys you should be going + + +21 +00:00:24,990 --> 00:00:27,279 +going out with boys you should be going +to school you know that kind of stuff + +22 +00:00:27,279 --> 00:00:27,289 +to school you know that kind of stuff + + +23 +00:00:27,289 --> 00:00:29,210 +to school you know that kind of stuff +you square + +24 +00:00:29,210 --> 00:00:29,220 +you square + + +25 +00:00:29,220 --> 00:00:31,609 +you square +hey I'm not square you don't want to + +26 +00:00:31,609 --> 00:00:31,619 +hey I'm not square you don't want to + + +27 +00:00:31,619 --> 00:00:33,610 +hey I'm not square you don't want to +square just full of man + +28 +00:00:33,610 --> 00:00:33,620 +square just full of man + + +29 +00:00:33,620 --> 00:00:36,110 +square just full of man +what are you talking about you walk out + +30 +00:00:36,110 --> 00:00:36,120 +what are you talking about you walk out + + +31 +00:00:36,120 --> 00:00:37,910 +what are you talking about you walk out +with those creeps and lowlifes + +32 +00:00:37,910 --> 00:00:37,920 +with those creeps and lowlifes + + +33 +00:00:37,920 --> 00:00:39,440 +with those creeps and lowlifes +and degenerates out on the street and + +34 +00:00:39,440 --> 00:00:39,450 +and degenerates out on the street and + + +35 +00:00:39,450 --> 00:00:41,569 +and degenerates out on the street and +you sell you setting a little for + +36 +00:00:41,569 --> 00:00:41,579 +you sell you setting a little for + + +37 +00:00:41,579 --> 00:00:45,470 +you sell you setting a little for +nothing man but some lowlife pimp stands + +38 +00:00:45,470 --> 00:00:45,480 +nothing man but some lowlife pimp stands + + +39 +00:00:45,480 --> 00:00:50,119 +nothing man but some lowlife pimp stands +in a hole I'm the I'm squared you're the + +40 +00:00:50,119 --> 00:00:50,129 +in a hole I'm the I'm squared you're the + + +41 +00:00:50,129 --> 00:00:52,520 +in a hole I'm the I'm squared you're the +one that's square man I don't go school + +42 +00:00:52,520 --> 00:00:52,530 +one that's square man I don't go school + + +43 +00:00:52,530 --> 00:00:53,840 +one that's square man I don't go school +and with a bunch of killers and + +44 +00:00:53,840 --> 00:00:53,850 +and with a bunch of killers and + + +45 +00:00:53,850 --> 00:00:56,569 +and with a bunch of killers and +junkies the way you do you call that + +46 +00:00:56,569 --> 00:00:56,579 +junkies the way you do you call that + + +47 +00:00:56,579 --> 00:01:05,369 +junkies the way you do you call that +being hip what world you from + +48 +00:01:05,369 --> 00:01:05,379 + + + +49 +00:01:05,379 --> 00:01:07,620 + +there's a killer next I sports a killer + +50 +00:01:07,620 --> 00:01:07,630 +there's a killer next I sports a killer + + +51 +00:01:07,630 --> 00:01:10,050 +there's a killer next I sports a killer +that's who's a killer sport never killed + +52 +00:01:10,050 --> 00:01:10,060 +that's who's a killer sport never killed + + +53 +00:01:10,060 --> 00:01:13,800 +that's who's a killer sport never killed +me he kills me bro he's a what I'm a + +54 +00:01:13,800 --> 00:01:13,810 +me he kills me bro he's a what I'm a + + +55 +00:01:13,810 --> 00:01:18,500 +me he kills me bro he's a what I'm a +leaver - that's why we get along so well + +56 +00:01:18,500 --> 00:01:18,510 + + + +57 +00:01:18,510 --> 00:01:22,770 + +it looks like a killer to me I think + +58 +00:01:22,770 --> 00:01:22,780 +it looks like a killer to me I think + + +59 +00:01:22,780 --> 00:01:25,380 +it looks like a killer to me I think +that that cancers make the best lovers + +60 +00:01:25,380 --> 00:01:25,390 +that that cancers make the best lovers + + +61 +00:01:25,390 --> 00:01:28,109 +that that cancers make the best lovers +but God my whole family are air signs + +62 +00:01:28,109 --> 00:01:28,119 +but God my whole family are air signs + + +63 +00:01:28,119 --> 00:01:31,260 +but God my whole family are air signs +he's also a dope shooter so what makes + +64 +00:01:31,260 --> 00:01:31,270 +he's also a dope shooter so what makes + + +65 +00:01:31,270 --> 00:01:32,850 +he's also a dope shooter so what makes +you so high and mighty will you tell me + +66 +00:01:32,850 --> 00:01:32,860 +you so high and mighty will you tell me + + +67 +00:01:32,860 --> 00:01:35,700 +you so high and mighty will you tell me +that didn't you ever try looking at your + +68 +00:01:35,700 --> 00:01:35,710 +that didn't you ever try looking at your + + +69 +00:01:35,710 --> 00:01:43,859 +that didn't you ever try looking at your +own eyeballs in the mirror so what are + +70 +00:01:43,859 --> 00:01:43,869 +own eyeballs in the mirror so what are + + +71 +00:01:43,869 --> 00:01:44,940 +own eyeballs in the mirror so what are +you gonna do about supporting an old + +72 +00:01:44,940 --> 00:01:44,950 +you gonna do about supporting an old + + +73 +00:01:44,950 --> 00:01:52,050 +you gonna do about supporting an old +bastard what when you leave I don't know + +74 +00:01:52,050 --> 00:01:52,060 +bastard what when you leave I don't know + + +75 +00:01:52,060 --> 00:01:55,529 +bastard what when you leave I don't know +just leaving my guests to leave yeah but + +76 +00:01:55,529 --> 00:01:55,539 +just leaving my guests to leave yeah but + + +77 +00:01:55,539 --> 00:01:56,700 +just leaving my guests to leave yeah but +you just can't do that what are you + +78 +00:01:56,700 --> 00:01:56,710 +you just can't do that what are you + + +79 +00:01:56,710 --> 00:02:01,950 +you just can't do that what are you +gonna do what do you want me to do call + +80 +00:02:01,950 --> 00:02:01,960 +gonna do what do you want me to do call + + +81 +00:02:01,960 --> 00:02:02,430 +gonna do what do you want me to do call +the cops + +82 +00:02:02,430 --> 00:02:02,440 +the cops + + +83 +00:02:02,440 --> 00:02:04,940 +the cops +well the cops don't do nothing you know + +84 +00:02:04,940 --> 00:02:04,950 +well the cops don't do nothing you know + + +85 +00:02:04,950 --> 00:02:07,260 +well the cops don't do nothing you know +hey look sport never treated me bad I + +86 +00:02:07,260 --> 00:02:07,270 +hey look sport never treated me bad I + + +87 +00:02:07,270 --> 00:02:08,609 +hey look sport never treated me bad I +mean he didn't beat me up or anything + +88 +00:02:08,609 --> 00:02:08,619 +mean he didn't beat me up or anything + + +89 +00:02:08,619 --> 00:02:10,650 +mean he didn't beat me up or anything +like that once but you can't allow him + +90 +00:02:10,650 --> 00:02:10,660 +like that once but you can't allow him + + +91 +00:02:10,660 --> 00:02:34,550 +like that once but you can't allow him +to do the same that a girl + +92 +00:02:34,550 --> 00:02:34,560 + + + +93 +00:02:34,560 --> 00:02:43,670 + +[Music] + diff --git a/1976/UpLg7Ma-c4g.en.srt b/1976/UpLg7Ma-c4g.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..bdacb72853be9e8ca6d9ef9e2e2317dfef44d22e --- /dev/null +++ b/1976/UpLg7Ma-c4g.en.srt @@ -0,0 +1,355 @@ +1 +00:00:03,240 --> 00:00:07,070 + +D come here I'm serious + +2 +00:00:07,070 --> 00:00:07,080 +D come here I'm serious + + +3 +00:00:07,080 --> 00:00:12,270 +D come here I'm serious +man DC what is it hippo DC come + +4 +00:00:12,270 --> 00:00:12,280 +man DC what is it hippo DC come + + +5 +00:00:12,280 --> 00:00:15,349 +man DC what is it hippo DC come +here + +6 +00:00:15,349 --> 00:00:15,359 + + + +7 +00:00:15,359 --> 00:00:18,109 + +damn what is it hippo see that cat down + +8 +00:00:18,109 --> 00:00:18,119 +damn what is it hippo see that cat down + + +9 +00:00:18,119 --> 00:00:21,189 +damn what is it hippo see that cat down +there yeah do you know what he got that + +10 +00:00:21,189 --> 00:00:21,199 +there yeah do you know what he got that + + +11 +00:00:21,199 --> 00:00:26,550 +there yeah do you know what he got that +bag no I don't know uh a pop bottle you + +12 +00:00:26,550 --> 00:00:26,560 +bag no I don't know uh a pop bottle you + + +13 +00:00:26,560 --> 00:00:27,990 +bag no I don't know uh a pop bottle you +call me over here to tell me that cat + +14 +00:00:27,990 --> 00:00:28,000 +call me over here to tell me that cat + + +15 +00:00:28,000 --> 00:00:31,550 +call me over here to tell me that cat +got a pop bottle wait wait wait wait a + +16 +00:00:31,550 --> 00:00:31,560 +got a pop bottle wait wait wait wait a + + +17 +00:00:31,560 --> 00:00:33,750 +got a pop bottle wait wait wait wait a +pop bottle with silver foil on the top + +18 +00:00:33,750 --> 00:00:33,760 +pop bottle with silver foil on the top + + +19 +00:00:33,760 --> 00:00:36,869 +pop bottle with silver foil on the top +so what so so what look just take a look + +20 +00:00:36,869 --> 00:00:36,879 +so what so so what look just take a look + + +21 +00:00:36,879 --> 00:00:40,680 +so what so so what look just take a look +at this look at + +22 +00:00:40,680 --> 00:00:40,690 +at this look at + + +23 +00:00:40,690 --> 00:00:46,229 +at this look at +[Music] + +24 +00:00:46,229 --> 00:00:46,239 +[Music] + + +25 +00:00:46,239 --> 00:00:51,670 +[Music] +that just be cool hippo follow me follow + +26 +00:00:51,670 --> 00:00:51,680 + + + +27 +00:00:51,680 --> 00:00:53,590 + +me you think key ain't going to see you + +28 +00:00:53,590 --> 00:00:53,600 +me you think key ain't going to see you + + +29 +00:00:53,600 --> 00:00:55,069 +me you think key ain't going to see you +fing against the wall like that man come + +30 +00:00:55,069 --> 00:00:55,079 +fing against the wall like that man come + + +31 +00:00:55,079 --> 00:00:57,310 +fing against the wall like that man come +on come on + +32 +00:00:57,310 --> 00:00:57,320 +on come on + + +33 +00:00:57,320 --> 00:01:05,710 +on come on +[Music] + +34 +00:01:05,710 --> 00:01:05,720 +[Music] + + +35 +00:01:05,720 --> 00:01:07,070 +[Music] +oh how you doing I like your he man it's + +36 +00:01:07,070 --> 00:01:07,080 +oh how you doing I like your he man it's + + +37 +00:01:07,080 --> 00:01:10,109 +oh how you doing I like your he man it's +bad it's + +38 +00:01:10,109 --> 00:01:10,119 + + + +39 +00:01:10,119 --> 00:01:12,710 + +bad it's him him always got the B we + +40 +00:01:12,710 --> 00:01:12,720 +bad it's him him always got the B we + + +41 +00:01:12,720 --> 00:01:14,930 +bad it's him him always got the B we +next victim he going to blow us up + +42 +00:01:14,930 --> 00:01:14,940 +next victim he going to blow us up + + +43 +00:01:14,940 --> 00:01:26,510 +next victim he going to blow us up +[Music] + +44 +00:01:26,510 --> 00:01:26,520 +[Music] + + +45 +00:01:26,520 --> 00:01:28,749 +[Music] +up what we going to do man what we going + +46 +00:01:28,749 --> 00:01:28,759 +up what we going to do man what we going + + +47 +00:01:28,759 --> 00:01:40,190 +up what we going to do man what we going +to do quiet this is the job for the + +48 +00:01:40,190 --> 00:01:40,200 + + + +49 +00:01:40,200 --> 00:01:44,910 + +fly you're worthless man I + +50 +00:01:44,910 --> 00:01:44,920 + + + +51 +00:01:44,920 --> 00:01:48,670 + +swear gas dis charge + +52 +00:01:48,670 --> 00:01:48,680 +swear gas dis charge + + +53 +00:01:48,680 --> 00:01:53,910 +swear gas dis charge +yeah with the uh with the uh the blue + +54 +00:01:53,910 --> 00:01:53,920 +yeah with the uh with the uh the blue + + +55 +00:01:53,920 --> 00:02:08,170 +yeah with the uh with the uh the blue +uhop my + +56 +00:02:08,170 --> 00:02:08,180 + + + +57 +00:02:08,180 --> 00:02:10,430 + +[Applause] + +58 +00:02:10,430 --> 00:02:10,440 +[Applause] + + +59 +00:02:10,440 --> 00:02:14,880 +[Applause] +out hey T what's going on man + +60 +00:02:14,880 --> 00:02:14,890 +out hey T what's going on man + + +61 +00:02:14,890 --> 00:02:28,940 +out hey T what's going on man +[Applause] + +62 +00:02:28,940 --> 00:02:28,950 + + + +63 +00:02:28,950 --> 00:02:45,910 + +[Applause] + +64 +00:02:45,910 --> 00:02:45,920 + + + +65 +00:02:45,920 --> 00:02:55,710 + +my bag oh my + +66 +00:02:55,710 --> 00:02:55,720 + + + +67 +00:02:55,720 --> 00:02:58,229 + +B + +68 +00:02:58,229 --> 00:02:58,239 +B + + +69 +00:02:58,239 --> 00:03:00,480 +B +piss piss + +70 +00:03:00,480 --> 00:03:00,490 +piss piss + + +71 +00:03:00,490 --> 00:03:31,539 +piss piss +[Music] + diff --git a/1976/V2wuTBrkBpU.en.srt b/1976/V2wuTBrkBpU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c5bbe8442d4741226f7849b0acfc0bb2373f8bd2 --- /dev/null +++ b/1976/V2wuTBrkBpU.en.srt @@ -0,0 +1,295 @@ +1 +00:00:13,360 --> 00:00:18,510 + +I can't + +2 +00:00:18,510 --> 00:00:18,520 + + + +3 +00:00:18,520 --> 00:00:21,950 + +say honest I can't when I was 10 years + +4 +00:00:21,950 --> 00:00:21,960 +say honest I can't when I was 10 years + + +5 +00:00:21,960 --> 00:00:23,589 +say honest I can't when I was 10 years +old it took me up in the Empire State + +6 +00:00:23,589 --> 00:00:23,599 +old it took me up in the Empire State + + +7 +00:00:23,599 --> 00:00:27,980 +old it took me up in the Empire State +Building and I got sick in the elevator + +8 +00:00:27,980 --> 00:00:27,990 + + + +9 +00:00:27,990 --> 00:00:33,030 + +[Music] + +10 +00:00:33,030 --> 00:00:33,040 +[Music] + + +11 +00:00:33,040 --> 00:00:34,830 +[Music] +put me + +12 +00:00:34,830 --> 00:00:34,840 +put me + + +13 +00:00:34,840 --> 00:00:39,830 +put me +[Music] + +14 +00:00:39,830 --> 00:00:39,840 +[Music] + + +15 +00:00:39,840 --> 00:00:45,600 +[Music] +down you put me + +16 +00:00:45,600 --> 00:00:45,610 + + + +17 +00:00:45,610 --> 00:00:48,350 + +[Music] + +18 +00:00:48,350 --> 00:00:48,360 +[Music] + + +19 +00:00:48,360 --> 00:00:54,670 +[Music] +down you put me + +20 +00:00:54,670 --> 00:00:54,680 + + + +21 +00:00:54,680 --> 00:00:59,750 + +down put me down + +22 +00:00:59,750 --> 00:00:59,760 + + + +23 +00:00:59,760 --> 00:01:04,590 + +[Music] + +24 +00:01:04,590 --> 00:01:04,600 + + + +25 +00:01:04,600 --> 00:01:06,040 + +please put me + +26 +00:01:06,040 --> 00:01:06,050 +please put me + + +27 +00:01:06,050 --> 00:01:16,690 +please put me +[Music] + +28 +00:01:16,690 --> 00:01:16,700 + + + +29 +00:01:16,700 --> 00:01:21,630 + +[Music] + +30 +00:01:21,630 --> 00:01:21,640 + + + +31 +00:01:21,640 --> 00:01:26,789 + +down were you godamn sh's pig AE what + +32 +00:01:26,789 --> 00:01:26,799 +down were you godamn sh's pig AE what + + +33 +00:01:26,799 --> 00:01:28,710 +down were you godamn sh's pig AE what +are you waiting + +34 +00:01:28,710 --> 00:01:28,720 +are you waiting + + +35 +00:01:28,720 --> 00:01:31,550 +are you waiting +for you you want to eat + +36 +00:01:31,550 --> 00:01:31,560 +for you you want to eat + + +37 +00:01:31,560 --> 00:01:35,469 +for you you want to eat +me then go ahead do + +38 +00:01:35,469 --> 00:01:35,479 +me then go ahead do + + +39 +00:01:35,479 --> 00:01:39,670 +me then go ahead do +it go ahead and eat + +40 +00:01:39,670 --> 00:01:39,680 +it go ahead and eat + + +41 +00:01:39,680 --> 00:01:48,109 +it go ahead and eat +go choke on + +42 +00:01:48,109 --> 00:01:48,119 + + + +43 +00:01:48,119 --> 00:01:51,550 + +me oh I didn't mean that honestly I + +44 +00:01:51,550 --> 00:01:51,560 +me oh I didn't mean that honestly I + + +45 +00:01:51,560 --> 00:01:54,469 +me oh I didn't mean that honestly I +didn't sometimes I get too physical it's + +46 +00:01:54,469 --> 00:01:54,479 +didn't sometimes I get too physical it's + + +47 +00:01:54,479 --> 00:01:56,910 +didn't sometimes I get too physical it's +a sign of insecurity you know like like + +48 +00:01:56,910 --> 00:01:56,920 +a sign of insecurity you know like like + + +49 +00:01:56,920 --> 00:02:02,190 +a sign of insecurity you know like like +when you knock down trees + +50 +00:02:02,190 --> 00:02:02,200 + + + +51 +00:02:02,200 --> 00:02:07,190 + +such a nice safe such a nice sweet nice + +52 +00:02:07,190 --> 00:02:07,200 +such a nice safe such a nice sweet nice + + +53 +00:02:07,200 --> 00:02:09,630 +such a nice safe such a nice sweet nice +sweet sweet + +54 +00:02:09,630 --> 00:02:09,640 +sweet sweet + + +55 +00:02:09,640 --> 00:02:11,910 +sweet sweet +monkey you know we're going to be great + +56 +00:02:11,910 --> 00:02:11,920 +monkey you know we're going to be great + + +57 +00:02:11,920 --> 00:02:13,430 +monkey you know we're going to be great +friends + +58 +00:02:13,430 --> 00:02:13,440 +friends + + +59 +00:02:13,440 --> 00:02:44,490 +friends +[Music] + diff --git a/1976/VKE_B4jMF5Q.description b/1976/VKE_B4jMF5Q.description new file mode 100644 index 0000000000000000000000000000000000000000..cdb8fd58e28e3227632868a7e4c010c5b1e38c91 --- /dev/null +++ b/1976/VKE_B4jMF5Q.description @@ -0,0 +1,38 @@ +Taxi Driver movie clips: http://j.mp/1iS0mkM +BUY THE MOVIE: http://amzn.to/rUvwen +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Travis (Robert De Niro) comes into the Palantine volunteer headquarters and asks Betsy (Cybill Shepherd) out for coffee. + +FILM DESCRIPTION: +"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. + +CREDITS: +TM & © Sony (1976) +Cast: Albert Brooks, Robert De Niro, Cybill Shepherd +Director: Martin Scorsese +Producers: Phillip M. Goldfarb, Julia Phillips, Michael Phillips +Screenwriter: Paul Schrader + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/VKE_B4jMF5Q.en.srt b/1976/VKE_B4jMF5Q.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..b2c6e00d048cb6a9f8b15a7da3f8887751634ec0 --- /dev/null +++ b/1976/VKE_B4jMF5Q.en.srt @@ -0,0 +1,415 @@ +1 +00:00:00,060 --> 00:00:03,470 + +hi I'd like to volunteer Greg I'll take + +2 +00:00:03,470 --> 00:00:03,480 +hi I'd like to volunteer Greg I'll take + + +3 +00:00:03,480 --> 00:00:04,400 +hi I'd like to volunteer Greg I'll take +you right over here sir I'd rather + +4 +00:00:04,400 --> 00:00:04,410 +you right over here sir I'd rather + + +5 +00:00:04,410 --> 00:00:11,089 +you right over here sir I'd rather +volunteer to I feel my why do you feel + +6 +00:00:11,089 --> 00:00:11,099 +volunteer to I feel my why do you feel + + +7 +00:00:11,099 --> 00:00:13,249 +volunteer to I feel my why do you feel +that you have to volunteer to me because + +8 +00:00:13,249 --> 00:00:13,259 +that you have to volunteer to me because + + +9 +00:00:13,259 --> 00:00:14,990 +that you have to volunteer to me because +I think that you are the most beautiful + +10 +00:00:14,990 --> 00:00:15,000 +I think that you are the most beautiful + + +11 +00:00:15,000 --> 00:00:19,029 +I think that you are the most beautiful +woman I've ever seen + +12 +00:00:19,029 --> 00:00:19,039 + + + +13 +00:00:19,039 --> 00:00:28,140 + +Thanks what do you think of Valentine + +14 +00:00:28,140 --> 00:00:28,150 + + + +15 +00:00:28,150 --> 00:00:30,100 + +Charles Palantine man you're + +16 +00:00:30,100 --> 00:00:30,110 +Charles Palantine man you're + + +17 +00:00:30,110 --> 00:00:33,820 +Charles Palantine man you're +volunteering to help elect presents well + +18 +00:00:33,820 --> 00:00:33,830 +volunteering to help elect presents well + + +19 +00:00:33,830 --> 00:00:35,229 +volunteering to help elect presents well +I'm sure he'll make a good present I + +20 +00:00:35,229 --> 00:00:35,239 +I'm sure he'll make a good present I + + +21 +00:00:35,239 --> 00:00:36,790 +I'm sure he'll make a good present I +don't know exactly what his policies are + +22 +00:00:36,790 --> 00:00:36,800 +don't know exactly what his policies are + + +23 +00:00:36,800 --> 00:00:39,720 +don't know exactly what his policies are +but I'm sure we'll make a good one + +24 +00:00:39,720 --> 00:00:39,730 +but I'm sure we'll make a good one + + +25 +00:00:39,730 --> 00:00:43,540 +but I'm sure we'll make a good one +you want to canvass now Candace how do + +26 +00:00:43,540 --> 00:00:43,550 +you want to canvass now Candace how do + + +27 +00:00:43,550 --> 00:00:44,920 +you want to canvass now Candace how do +you feel about the senators stand and + +28 +00:00:44,920 --> 00:00:44,930 +you feel about the senators stand and + + +29 +00:00:44,930 --> 00:00:47,619 +you feel about the senators stand and +Welfare I don't really know this senator + +30 +00:00:47,619 --> 00:00:47,629 +Welfare I don't really know this senator + + +31 +00:00:47,629 --> 00:00:49,000 +Welfare I don't really know this senator +stand on welfare but I'm sure it's a + +32 +00:00:49,000 --> 00:00:49,010 +stand on welfare but I'm sure it's a + + +33 +00:00:49,010 --> 00:00:56,799 +stand on welfare but I'm sure it's a +good stand for sure yeah well we all + +34 +00:00:56,799 --> 00:00:56,809 +good stand for sure yeah well we all + + +35 +00:00:56,809 --> 00:00:58,299 +good stand for sure yeah well we all +work together you're full time day and + +36 +00:00:58,299 --> 00:00:58,309 +work together you're full time day and + + +37 +00:00:58,309 --> 00:00:59,619 +work together you're full time day and +night so if you just like to step over + +38 +00:00:59,619 --> 00:00:59,629 +night so if you just like to step over + + +39 +00:00:59,629 --> 00:01:01,299 +night so if you just like to step over +there I'm sure that the general will + +40 +00:01:01,299 --> 00:01:01,309 +there I'm sure that the general will + + +41 +00:01:01,309 --> 00:01:03,250 +there I'm sure that the general will +find you please I I Drive a taxi at + +42 +00:01:03,250 --> 00:01:03,260 +find you please I I Drive a taxi at + + +43 +00:01:03,260 --> 00:01:05,760 +find you please I I Drive a taxi at +night so it's kind of hard for me to uh + +44 +00:01:05,760 --> 00:01:05,770 +night so it's kind of hard for me to uh + + +45 +00:01:05,770 --> 00:01:10,719 +night so it's kind of hard for me to uh +to work in the day so then what exactly + +46 +00:01:10,719 --> 00:01:10,729 +to work in the day so then what exactly + + +47 +00:01:10,729 --> 00:01:12,969 +to work in the day so then what exactly +do you want would you like to come have + +48 +00:01:12,969 --> 00:01:12,979 +do you want would you like to come have + + +49 +00:01:12,979 --> 00:01:17,529 +do you want would you like to come have +some coffee and pie with me why why yeah + +50 +00:01:17,529 --> 00:01:17,539 +some coffee and pie with me why why yeah + + +51 +00:01:17,539 --> 00:01:20,920 +some coffee and pie with me why why yeah +I'll tell you why I think you're a + +52 +00:01:20,920 --> 00:01:20,930 +I'll tell you why I think you're a + + +53 +00:01:20,930 --> 00:01:23,770 +I'll tell you why I think you're a +lonely person I Drive by this place a + +54 +00:01:23,770 --> 00:01:23,780 +lonely person I Drive by this place a + + +55 +00:01:23,780 --> 00:01:25,719 +lonely person I Drive by this place a +lot I see you here I see a lot of people + +56 +00:01:25,719 --> 00:01:25,729 +lot I see you here I see a lot of people + + +57 +00:01:25,729 --> 00:01:28,060 +lot I see you here I see a lot of people +around you and I see all these phones + +58 +00:01:28,060 --> 00:01:28,070 +around you and I see all these phones + + +59 +00:01:28,070 --> 00:01:30,370 +around you and I see all these phones +and all this stuff on your desk that + +60 +00:01:30,370 --> 00:01:30,380 +and all this stuff on your desk that + + +61 +00:01:30,380 --> 00:01:33,370 +and all this stuff on your desk that +means nothing then when I came inside I + +62 +00:01:33,370 --> 00:01:33,380 +means nothing then when I came inside I + + +63 +00:01:33,380 --> 00:01:36,160 +means nothing then when I came inside I +met you I saw in your eyes I saw the way + +64 +00:01:36,160 --> 00:01:36,170 +met you I saw in your eyes I saw the way + + +65 +00:01:36,170 --> 00:01:38,050 +met you I saw in your eyes I saw the way +you carried yourself but you're not a + +66 +00:01:38,050 --> 00:01:38,060 +you carried yourself but you're not a + + +67 +00:01:38,060 --> 00:01:41,550 +you carried yourself but you're not a +happy person I think you need something + +68 +00:01:41,550 --> 00:01:41,560 +happy person I think you need something + + +69 +00:01:41,560 --> 00:01:43,780 +happy person I think you need something +and if you want to call it a friend you + +70 +00:01:43,780 --> 00:01:43,790 +and if you want to call it a friend you + + +71 +00:01:43,790 --> 00:01:46,690 +and if you want to call it a friend you +can call a friend you're gonna be my + +72 +00:01:46,690 --> 00:01:46,700 +can call a friend you're gonna be my + + +73 +00:01:46,700 --> 00:01:57,120 +can call a friend you're gonna be my +friend yeah + +74 +00:01:57,120 --> 00:01:57,130 + + + +75 +00:01:57,130 --> 00:02:02,270 + +leacy + +76 +00:02:02,270 --> 00:02:02,280 + + + +77 +00:02:02,280 --> 00:02:04,499 + +it's a little hard standing here and + +78 +00:02:04,499 --> 00:02:04,509 +it's a little hard standing here and + + +79 +00:02:04,509 --> 00:02:04,910 +it's a little hard standing here and +asking + +80 +00:02:04,910 --> 00:02:04,920 +asking + + +81 +00:02:04,920 --> 00:02:38,520 +asking +[Music] + +82 +00:02:38,520 --> 00:02:38,530 + + + +83 +00:02:38,530 --> 00:02:40,560 + +Oh + diff --git a/1976/WhT70B0c7TE.en.srt b/1976/WhT70B0c7TE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a412ecf87e1971d667d97eb4c04d18e5653a3afa --- /dev/null +++ b/1976/WhT70B0c7TE.en.srt @@ -0,0 +1,275 @@ +1 +00:00:05,359 --> 00:00:07,179 + +thank you + +2 +00:00:07,179 --> 00:00:07,189 +thank you + + +3 +00:00:07,189 --> 00:00:10,879 +thank you +it's just been a fabulous time really I + +4 +00:00:10,879 --> 00:00:10,889 +it's just been a fabulous time really I + + +5 +00:00:10,889 --> 00:00:13,100 +it's just been a fabulous time really I +look forward to coming back with a video + +6 +00:00:13,100 --> 00:00:13,110 +look forward to coming back with a video + + +7 +00:00:13,110 --> 00:00:15,470 +look forward to coming back with a video +crew next week really it was just a + +8 +00:00:15,470 --> 00:00:15,480 +crew next week really it was just a + + +9 +00:00:15,480 --> 00:00:18,170 +crew next week really it was just a +wonderful time and I hope you'll thank + +10 +00:00:18,170 --> 00:00:18,180 +wonderful time and I hope you'll thank + + +11 +00:00:18,180 --> 00:00:21,550 +wonderful time and I hope you'll thank +mr. Duffy for us I certainly will + +12 +00:00:21,550 --> 00:00:21,560 +mr. Duffy for us I certainly will + + +13 +00:00:21,560 --> 00:00:24,320 +mr. Duffy for us I certainly will +what about you chuck have we satisfied + +14 +00:00:24,320 --> 00:00:24,330 +what about you chuck have we satisfied + + +15 +00:00:24,330 --> 00:00:27,380 +what about you chuck have we satisfied +your suspicions I'd like to apologize + +16 +00:00:27,380 --> 00:00:27,390 +your suspicions I'd like to apologize + + +17 +00:00:27,390 --> 00:00:29,779 +your suspicions I'd like to apologize +for that but I think your patience with + +18 +00:00:29,779 --> 00:00:29,789 +for that but I think your patience with + + +19 +00:00:29,789 --> 00:00:32,120 +for that but I think your patience with +me will be rewarded I intend to write a + +20 +00:00:32,120 --> 00:00:32,130 +me will be rewarded I intend to write a + + +21 +00:00:32,130 --> 00:00:34,100 +me will be rewarded I intend to write a +story that will make everyone who can + +22 +00:00:34,100 --> 00:00:34,110 +story that will make everyone who can + + +23 +00:00:34,110 --> 00:00:49,580 +story that will make everyone who can +afford it that's that's gone so long + +24 +00:00:49,580 --> 00:00:49,590 +afford it that's that's gone so long + + +25 +00:00:49,590 --> 00:00:54,410 +afford it that's that's gone so long +please Senor T is Senor ting is your + +26 +00:00:54,410 --> 00:00:54,420 +please Senor T is Senor ting is your + + +27 +00:00:54,420 --> 00:00:56,960 +please Senor T is Senor ting is your +name + +28 +00:00:56,960 --> 00:00:56,970 + + + +29 +00:00:56,970 --> 00:01:00,120 + +see a la gente del Valle an oven race a + +30 +00:01:00,120 --> 00:01:00,130 +see a la gente del Valle an oven race a + + +31 +00:01:00,130 --> 00:01:14,320 +see a la gente del Valle an oven race a +[Music] + +32 +00:01:14,320 --> 00:01:14,330 +[Music] + + +33 +00:01:14,330 --> 00:01:15,110 +[Music] +[Applause] + +34 +00:01:15,110 --> 00:01:15,120 +[Applause] + + +35 +00:01:15,120 --> 00:01:27,150 +[Applause] +[Music] + +36 +00:01:27,150 --> 00:01:27,160 +[Music] + + +37 +00:01:27,160 --> 00:01:30,990 +[Music] +the wrong lines + +38 +00:01:30,990 --> 00:01:31,000 +the wrong lines + + +39 +00:01:31,000 --> 00:01:47,890 +the wrong lines +[Music] + +40 +00:01:47,890 --> 00:01:47,900 +[Music] + + +41 +00:01:47,900 --> 00:01:51,080 +[Music] +did you talk to Arthur yeah told him the + +42 +00:01:51,080 --> 00:01:51,090 +did you talk to Arthur yeah told him the + + +43 +00:01:51,090 --> 00:01:52,550 +did you talk to Arthur yeah told him the +whole story it'll be all news by the + +44 +00:01:52,550 --> 00:01:52,560 +whole story it'll be all news by the + + +45 +00:01:52,560 --> 00:01:55,520 +whole story it'll be all news by the +time we get home hey you know I still + +46 +00:01:55,520 --> 00:01:55,530 +time we get home hey you know I still + + +47 +00:01:55,530 --> 00:01:56,870 +time we get home hey you know I still +don't think that kissing me was a very + +48 +00:01:56,870 --> 00:01:56,880 +don't think that kissing me was a very + + +49 +00:01:56,880 --> 00:01:58,700 +don't think that kissing me was a very +scientific way of finding out who was + +50 +00:01:58,700 --> 00:01:58,710 +scientific way of finding out who was + + +51 +00:01:58,710 --> 00:01:59,270 +scientific way of finding out who was +fool + +52 +00:01:59,270 --> 00:01:59,280 +fool + + +53 +00:01:59,280 --> 00:02:03,090 +fool +well there's something's just kidding + +54 +00:02:03,090 --> 00:02:03,100 +well there's something's just kidding + + +55 +00:02:03,100 --> 00:02:17,340 +well there's something's just kidding +[Music] + diff --git a/1976/X6frLQWOSlQ.description b/1976/X6frLQWOSlQ.description new file mode 100644 index 0000000000000000000000000000000000000000..fbcc6bdd8f26633608cd3095fb07d2b928d6ee7d --- /dev/null +++ b/1976/X6frLQWOSlQ.description @@ -0,0 +1,38 @@ +Taxi Driver movie clips: http://j.mp/1iS0mkM +BUY THE MOVIE: http://amzn.to/rUvwen +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Travis (Robert De Niro) sits quietly as his passenger (Martin Scorsese) describes what it would be like to kill his adulterous wife. + +FILM DESCRIPTION: +"All the animals come out at night" -- and one of them is a cabby about to snap. In Martin Scorsese's classic 1970s drama, insomniac ex-Marine Travis Bickle (Robert De Niro) works the nightshift, driving his cab throughout decaying mid-'70s New York City, wishing for a "real rain" to wash the "scum" off the neon-lit streets. Chronically alone, Travis cannot connect with anyone, not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd), who agrees to a date and then spurns Travis when he cluelessly takes her to a porno movie. After an encounter with a malevolent fare (played by Scorsese), the increasingly paranoid Travis begins to condition (and arm) himself for his imagined destiny, a mission that mutates from assassinating Betsy's candidate, Charles Palatine (Leonard Harris), to violently "saving" teen hooker Iris (Jodie Foster) from her pimp, Sport (Harvey Keitel). Travis' bloodbath turns him into a media hero; but has it truly calmed his mind? Written by Paul Schrader, Taxi Driver is an homage to and reworking of cinematic influences, a study of individual psychosis, and an acute diagnosis of the latently violent, media-fixated Vietnam era. Scorsese and Schrader structure Travis' mission to save Iris as a film noir version of John Ford's late Western The Searchers (1956), aligning Travis with a mythology of American heroism while exposing that myth's obsessively violent underpinnings. Yet Travis' military record and assassination attempt, as well as Palatine's political platitudes, also ground Taxi Driver in its historical moment of American in the 1970s. Employing such techniques as Godardian jump cuts and ellipses, expressive camera moves and angles, and garish colors, all punctuated by Bernard Herrmann's eerie final score (finished the day he died), Scorsese presents a Manhattan skewed through Travis' point-of-view, where De Niro's now-famous "You talkin' to me" improv becomes one more sign of Travis' madness. Shot during a New York summer heat wave and garbage strike, Taxi Driver got into trouble with the MPAA for its violence. Scorsese desaturated the color in the final shoot-out and got an R, and Taxi Driver surprised its unenthusiastic studio by becoming a box-office hit. Released in the Bicentennial year, after Vietnam, Watergate, and attention-getting attempts on President Ford's life, Taxi Driver's intense portrait of a man and a society unhinged spoke resonantly to the mid-'70s audience -- too resonantly in the case of attempted Reagan assassin and Foster fan John W. Hinckley. Taxi Driver went on to win the Palme d'Or at the Cannes Film Festival, but it lost the Best Picture Oscar to the more comforting Rocky. Anchored by De Niro's disturbing embodiment of "God's lonely man," Taxi Driver remains a striking milestone of both Scorsese's career and 1970s Hollywood. + +CREDITS: +TM & © Sony (1976) +Cast: Robert De Niro, Martin Scorsese +Director: Martin Scorsese +Producers: Phillip M. Goldfarb, Julia Phillips, Michael Phillips +Screenwriter: Paul Schrader + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/Z4wZt4J3Q5k.en.srt b/1976/Z4wZt4J3Q5k.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f322b31509f86d96e8cddf9ea8c7464007fb52b8 --- /dev/null +++ b/1976/Z4wZt4J3Q5k.en.srt @@ -0,0 +1,195 @@ +1 +00:00:01,470 --> 00:00:09,589 + +[Music] + +2 +00:00:09,589 --> 00:00:09,599 +[Music] + + +3 +00:00:09,599 --> 00:00:11,830 +[Music] +now we'll see who has the last laugh + +4 +00:00:11,830 --> 00:00:11,840 +now we'll see who has the last laugh + + +5 +00:00:11,840 --> 00:00:13,190 +now we'll see who has the last laugh +they won't betray me and now they will + +6 +00:00:13,190 --> 00:00:13,200 +they won't betray me and now they will + + +7 +00:00:13,200 --> 00:00:15,509 +they won't betray me and now they will +have to pay what shall I destroy bucking + +8 +00:00:15,509 --> 00:00:15,519 +have to pay what shall I destroy bucking + + +9 +00:00:15,519 --> 00:00:18,189 +have to pay what shall I destroy bucking +imp Palace too small oh but London not + +10 +00:00:18,189 --> 00:00:18,199 +imp Palace too small oh but London not + + +11 +00:00:18,199 --> 00:00:23,750 +imp Palace too small oh but London not +big enough England yes England goodbye P + +12 +00:00:23,750 --> 00:00:23,760 +big enough England yes England goodbye P + + +13 +00:00:23,760 --> 00:00:26,490 +big enough England yes England goodbye P +Fair will the square + +14 +00:00:26,490 --> 00:00:26,500 +Fair will the square + + +15 +00:00:26,500 --> 00:00:33,670 +Fair will the square +[Music] + +16 +00:00:33,670 --> 00:00:33,680 + + + +17 +00:00:33,680 --> 00:00:36,790 + +you are just in time Professor within 5 + +18 +00:00:36,790 --> 00:00:36,800 +you are just in time Professor within 5 + + +19 +00:00:36,800 --> 00:00:40,910 +you are just in time Professor within 5 +minutes I shall destroy England + +20 +00:00:40,910 --> 00:00:40,920 +minutes I shall destroy England + + +21 +00:00:40,920 --> 00:00:43,510 +minutes I shall destroy England +England no more + +22 +00:00:43,510 --> 00:00:43,520 +England no more + + +23 +00:00:43,520 --> 00:00:47,590 +England no more +Cricket no more warm beer Professor no + +24 +00:00:47,590 --> 00:00:47,600 +Cricket no more warm beer Professor no + + +25 +00:00:47,600 --> 00:00:58,150 +Cricket no more warm beer Professor no +more fent chips no + +26 +00:00:58,150 --> 00:00:58,160 + + + +27 +00:00:58,160 --> 00:01:02,800 + +more England + +28 +00:01:02,800 --> 00:01:02,810 + + + +29 +00:01:02,810 --> 00:01:27,550 + +[Music] + +30 +00:01:27,550 --> 00:01:27,560 +[Music] + + +31 +00:01:27,560 --> 00:01:32,970 +[Music] +uh + +32 +00:01:32,970 --> 00:01:32,980 + + + +33 +00:01:32,980 --> 00:01:58,550 + +[Music] + +34 +00:01:58,550 --> 00:01:58,560 + + + +35 +00:01:58,560 --> 00:02:02,069 + +do something it on yourself it's too + +36 +00:02:02,069 --> 00:02:02,079 +do something it on yourself it's too + + +37 +00:02:02,079 --> 00:02:09,439 +do something it on yourself it's too +late way do come help me look + +38 +00:02:09,439 --> 00:02:09,449 +late way do come help me look + + +39 +00:02:09,449 --> 00:02:41,889 +late way do come help me look +[Music] + diff --git a/1976/ZpX0rril7QA.en.srt b/1976/ZpX0rril7QA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..902534b5316c122fb704ce05ccd359d8c1bb2cfe --- /dev/null +++ b/1976/ZpX0rril7QA.en.srt @@ -0,0 +1,435 @@ +1 +00:00:00,000 --> 00:00:09,270 + +[Music] + +2 +00:00:09,270 --> 00:00:09,280 + + + +3 +00:00:09,280 --> 00:00:11,110 + +[Music] + +4 +00:00:11,110 --> 00:00:11,120 +[Music] + + +5 +00:00:11,120 --> 00:00:14,030 +[Music] +har you haven't touched your Apple Cy + +6 +00:00:14,030 --> 00:00:14,040 +har you haven't touched your Apple Cy + + +7 +00:00:14,040 --> 00:00:17,029 +har you haven't touched your Apple Cy +gives me pimples M pimples are the + +8 +00:00:17,029 --> 00:00:17,039 +gives me pimples M pimples are the + + +9 +00:00:17,039 --> 00:00:19,630 +gives me pimples M pimples are the +Lord's way of + +10 +00:00:19,630 --> 00:00:19,640 + + + +11 +00:00:19,640 --> 00:00:23,750 + +chastising Mama yeah M please say that + +12 +00:00:23,750 --> 00:00:23,760 +chastising Mama yeah M please say that + + +13 +00:00:23,760 --> 00:00:25,509 +chastising Mama yeah M please say that +I've got to start to try and get along + +14 +00:00:25,509 --> 00:00:25,519 +I've got to start to try and get along + + +15 +00:00:25,519 --> 00:00:28,029 +I've got to start to try and get along +with people better when are you going + +16 +00:00:28,029 --> 00:00:28,039 +with people better when are you going + + +17 +00:00:28,039 --> 00:00:30,830 +with people better when are you going +out about car + +18 +00:00:30,830 --> 00:00:30,840 +out about car + + +19 +00:00:30,840 --> 00:00:34,270 +out about car +I've been invited to the + +20 +00:00:34,270 --> 00:00:34,280 + + + +21 +00:00:34,280 --> 00:00:36,150 + +prom + +22 +00:00:36,150 --> 00:00:36,160 +prom + + +23 +00:00:36,160 --> 00:00:39,470 +prom +prom yeah the senior prom you know + +24 +00:00:39,470 --> 00:00:39,480 +prom yeah the senior prom you know + + +25 +00:00:39,480 --> 00:00:42,190 +prom yeah the senior prom you know +everybody's going it's that teacher that + +26 +00:00:42,190 --> 00:00:42,200 +everybody's going it's that teacher that + + +27 +00:00:42,200 --> 00:00:45,510 +everybody's going it's that teacher that +called wasn't it please see that I'm not + +28 +00:00:45,510 --> 00:00:45,520 +called wasn't it please see that I'm not + + +29 +00:00:45,520 --> 00:00:48,470 +called wasn't it please see that I'm not +like you Mom I'm funny I mean all the + +30 +00:00:48,470 --> 00:00:48,480 +like you Mom I'm funny I mean all the + + +31 +00:00:48,480 --> 00:00:50,029 +like you Mom I'm funny I mean all the +kids think I'm funny I don't want to be + +32 +00:00:50,029 --> 00:00:50,039 +kids think I'm funny I don't want to be + + +33 +00:00:50,039 --> 00:00:52,229 +kids think I'm funny I don't want to be +I want to be normal I want to start to + +34 +00:00:52,229 --> 00:00:52,239 +I want to be normal I want to start to + + +35 +00:00:52,239 --> 00:00:53,990 +I want to be normal I want to start to +try and be a whole person before it's + +36 +00:00:53,990 --> 00:00:54,000 +try and be a whole person before it's + + +37 +00:00:54,000 --> 00:00:57,069 +try and be a whole person before it's +too late for me + +38 +00:00:57,069 --> 00:00:57,079 + + + +39 +00:00:57,079 --> 00:01:00,069 + +to his name is Tommy Ross and he's very + +40 +00:01:00,069 --> 00:01:00,079 +to his name is Tommy Ross and he's very + + +41 +00:01:00,079 --> 00:01:02,349 +to his name is Tommy Ross and he's very +nice boy mama and he promised to stop + +42 +00:01:02,349 --> 00:01:02,359 +nice boy mama and he promised to stop + + +43 +00:01:02,359 --> 00:01:06,750 +nice boy mama and he promised to stop +him you for me in my mama accepted mama + +44 +00:01:06,750 --> 00:01:06,760 +him you for me in my mama accepted mama + + +45 +00:01:06,760 --> 00:01:09,550 +him you for me in my mama accepted mama +I accepted mama I accept it come to your + +46 +00:01:09,550 --> 00:01:09,560 +I accepted mama I accept it come to your + + +47 +00:01:09,560 --> 00:01:10,710 +I accepted mama I accept it come to your +closet + +48 +00:01:10,710 --> 00:01:10,720 +closet + + +49 +00:01:10,720 --> 00:01:13,390 +closet +no After all you've been talking + +50 +00:01:13,390 --> 00:01:13,400 +no After all you've been talking + + +51 +00:01:13,400 --> 00:01:15,990 +no After all you've been talking +everyone in Bad Mama everything in the + +52 +00:01:15,990 --> 00:01:16,000 +everyone in Bad Mama everything in the + + +53 +00:01:16,000 --> 00:01:18,429 +everyone in Bad Mama everything in the +Sin come to your closet and pray ask to + +54 +00:01:18,429 --> 00:01:18,439 +Sin come to your closet and pray ask to + + +55 +00:01:18,439 --> 00:01:19,310 +Sin come to your closet and pray ask to +be + +56 +00:01:19,310 --> 00:01:19,320 +be + + +57 +00:01:19,320 --> 00:01:22,069 +be +forgiven he's a nice boy mom you like + +58 +00:01:22,069 --> 00:01:22,079 +forgiven he's a nice boy mom you like + + +59 +00:01:22,079 --> 00:01:27,590 +forgiven he's a nice boy mom you like +him you really like him Mama + +60 +00:01:27,590 --> 00:01:27,600 + + + +61 +00:01:27,600 --> 00:01:32,069 + +Boys the boys the bo boys yes the + +62 +00:01:32,069 --> 00:01:32,079 +Boys the boys the bo boys yes the + + +63 +00:01:32,079 --> 00:01:36,069 +Boys the boys the bo boys yes the +boys after the blood come the boys like + +64 +00:01:36,069 --> 00:01:36,079 +boys after the blood come the boys like + + +65 +00:01:36,079 --> 00:01:39,030 +boys after the blood come the boys like +sniffing dogs burning and slobbering + +66 +00:01:39,030 --> 00:01:39,040 +sniffing dogs burning and slobbering + + +67 +00:01:39,040 --> 00:01:40,590 +sniffing dogs burning and slobbering +trying to find out where that smell + +68 +00:01:40,590 --> 00:01:40,600 +trying to find out where that smell + + +69 +00:01:40,600 --> 00:01:43,230 +trying to find out where that smell +comes from where the smell is it + +70 +00:01:43,230 --> 00:01:43,240 +comes from where the smell is it + + +71 +00:01:43,240 --> 00:01:45,870 +comes from where the smell is it +smell L I know where they take you and + +72 +00:01:45,870 --> 00:01:45,880 +smell L I know where they take you and + + +73 +00:01:45,880 --> 00:01:47,990 +smell L I know where they take you and +that gosh I see it all right well you're + +74 +00:01:47,990 --> 00:01:48,000 +that gosh I see it all right well you're + + +75 +00:01:48,000 --> 00:01:51,590 +that gosh I see it all right well you're +not going oh he said I would tell that + +76 +00:01:51,590 --> 00:01:51,600 +not going oh he said I would tell that + + +77 +00:01:51,600 --> 00:01:53,389 +not going oh he said I would tell that +boy you're not going or going to move + +78 +00:01:53,389 --> 00:01:53,399 +boy you're not going or going to move + + +79 +00:01:53,399 --> 00:01:57,069 +boy you're not going or going to move +from here no move from here and you'll + +80 +00:01:57,069 --> 00:01:57,079 +from here no move from here and you'll + + +81 +00:01:57,079 --> 00:01:59,950 +from here no move from here and you'll +never see that boy again's coming in + +82 +00:01:59,950 --> 00:01:59,960 +never see that boy again's coming in + + +83 +00:01:59,960 --> 00:02:03,350 +never see that boy again's coming in +please talk to window Mama I'll get him + +84 +00:02:03,350 --> 00:02:03,360 +please talk to window Mama I'll get him + + +85 +00:02:03,360 --> 00:02:07,090 +please talk to window Mama I'll get him +please and talk to me + +86 +00:02:07,090 --> 00:02:07,100 +please and talk to me + + +87 +00:02:07,100 --> 00:02:42,729 +please and talk to me +[Music] + diff --git a/1976/_8GB76HyNNU.en.srt b/1976/_8GB76HyNNU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..99db060d3377b49cf8817101e2655481c800cb8e --- /dev/null +++ b/1976/_8GB76HyNNU.en.srt @@ -0,0 +1,275 @@ +1 +00:00:00,640 --> 00:00:03,430 + +hey you're pretty good you're not so bad + +2 +00:00:03,430 --> 00:00:03,440 +hey you're pretty good you're not so bad + + +3 +00:00:03,440 --> 00:00:17,710 +hey you're pretty good you're not so bad +asell + +4 +00:00:17,710 --> 00:00:17,720 + + + +5 +00:00:17,720 --> 00:00:21,150 + +yeah I'm going to beat up Brimmer I'm + +6 +00:00:21,150 --> 00:00:21,160 +yeah I'm going to beat up Brimmer I'm + + +7 +00:00:21,160 --> 00:00:27,910 +yeah I'm going to beat up Brimmer I'm +going to handle this thing + +8 +00:00:27,910 --> 00:00:27,920 + + + +9 +00:00:27,920 --> 00:00:30,189 + +personally can't you pay somebody ready + +10 +00:00:30,189 --> 00:00:30,199 +personally can't you pay somebody ready + + +11 +00:00:30,199 --> 00:00:33,350 +personally can't you pay somebody ready +to do it no I do my own dirty work I'm + +12 +00:00:33,350 --> 00:00:33,360 +to do it no I do my own dirty work I'm + + +13 +00:00:33,360 --> 00:00:34,830 +to do it no I do my own dirty work I'm +going to beat the hell out of you and + +14 +00:00:34,830 --> 00:00:34,840 +going to beat the hell out of you and + + +15 +00:00:34,840 --> 00:00:36,950 +going to beat the hell out of you and +I'm going to put you on a train Mr + +16 +00:00:36,950 --> 00:00:36,960 +I'm going to put you on a train Mr + + +17 +00:00:36,960 --> 00:00:41,029 +I'm going to put you on a train Mr +Brimmer now stop this now stop + +18 +00:00:41,029 --> 00:00:41,039 +Brimmer now stop this now stop + + +19 +00:00:41,039 --> 00:00:46,150 +Brimmer now stop this now stop +it this man has an influence on + +20 +00:00:46,150 --> 00:00:46,160 + + + +21 +00:00:46,160 --> 00:00:49,110 + +you it's influence on all you young + +22 +00:00:49,110 --> 00:00:49,120 +you it's influence on all you young + + +23 +00:00:49,120 --> 00:00:51,750 +you it's influence on all you young +people you don't know what you're + +24 +00:00:51,750 --> 00:00:51,760 +people you don't know what you're + + +25 +00:00:51,760 --> 00:00:58,910 +people you don't know what you're +doing please go + +26 +00:00:58,910 --> 00:00:58,920 + + + +27 +00:00:58,920 --> 00:01:11,310 + +home + +28 +00:01:11,310 --> 00:01:11,320 + + + +29 +00:01:11,320 --> 00:01:14,749 + +I always wanted to hit $10 + +30 +00:01:14,749 --> 00:01:14,759 + + + +31 +00:01:14,759 --> 00:01:17,070 + +million + +32 +00:01:17,070 --> 00:01:17,080 +million + + +33 +00:01:17,080 --> 00:01:21,390 +million +please go + +34 +00:01:21,390 --> 00:01:21,400 + + + +35 +00:01:21,400 --> 00:01:28,830 + +home can I do anything oh + +36 +00:01:28,830 --> 00:01:28,840 + + + +37 +00:01:28,840 --> 00:01:31,149 + +really + +38 +00:01:31,149 --> 00:01:31,159 +really + + +39 +00:01:31,159 --> 00:01:32,190 +really +well + +40 +00:01:32,190 --> 00:01:32,200 +well + + +41 +00:01:32,200 --> 00:01:37,990 +well +uh thanks + +42 +00:01:37,990 --> 00:01:38,000 + + + +43 +00:01:38,000 --> 00:01:50,709 + +uh thanks for the + +44 +00:01:50,709 --> 00:01:50,719 + + + +45 +00:01:50,719 --> 00:01:55,550 + +game what happened he's + +46 +00:01:55,550 --> 00:01:55,560 +game what happened he's + + +47 +00:01:55,560 --> 00:01:57,190 +game what happened he's +gone + +48 +00:01:57,190 --> 00:01:57,200 +gone + + +49 +00:01:57,200 --> 00:02:12,430 +gone +uh did I hit him oh yes quite + +50 +00:02:12,430 --> 00:02:12,440 + + + +51 +00:02:12,440 --> 00:02:28,750 + +[Music] + +52 +00:02:28,750 --> 00:02:28,760 + + + +53 +00:02:28,760 --> 00:02:37,530 + +badly + +54 +00:02:37,530 --> 00:02:37,540 + + + +55 +00:02:37,540 --> 00:02:43,500 + +[Music] + diff --git a/1976/dApRtXZRw1Y.en.srt b/1976/dApRtXZRw1Y.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..4269aef1ce2b735f977725074be7e36d56c9863c --- /dev/null +++ b/1976/dApRtXZRw1Y.en.srt @@ -0,0 +1,405 @@ +1 +00:00:00,730 --> 00:00:09,910 + +[Music] + +2 +00:00:09,910 --> 00:00:09,920 +[Music] + + +3 +00:00:09,920 --> 00:00:19,560 +[Music] +oh the B the + +4 +00:00:19,560 --> 00:00:19,570 + + + +5 +00:00:19,570 --> 00:00:23,070 + +[Music] + +6 +00:00:23,070 --> 00:00:23,080 +[Music] + + +7 +00:00:23,080 --> 00:00:28,029 +[Music] +B Chief Inspector + +8 +00:00:28,029 --> 00:00:28,039 + + + +9 +00:00:28,039 --> 00:00:32,350 + +cler yes this is is Chief Inspector clel + +10 +00:00:32,350 --> 00:00:32,360 +cler yes this is is Chief Inspector clel + + +11 +00:00:32,360 --> 00:00:33,270 +cler yes this is is Chief Inspector clel +who is + +12 +00:00:33,270 --> 00:00:33,280 +who is + + +13 +00:00:33,280 --> 00:00:38,549 +who is +speaking my name my name is + +14 +00:00:38,549 --> 00:00:38,559 + + + +15 +00:00:38,559 --> 00:00:40,950 + +dual Claude + +16 +00:00:40,950 --> 00:00:40,960 +dual Claude + + +17 +00:00:40,960 --> 00:00:45,430 +dual Claude +dual I have the honor to be + +18 +00:00:45,430 --> 00:00:45,440 +dual I have the honor to be + + +19 +00:00:45,440 --> 00:00:48,830 +dual I have the honor to be +chairman of the Jac cluzo presentation + +20 +00:00:48,830 --> 00:00:48,840 +chairman of the Jac cluzo presentation + + +21 +00:00:48,840 --> 00:00:53,750 +chairman of the Jac cluzo presentation +committee the presentation committee to + +22 +00:00:53,750 --> 00:00:53,760 +committee the presentation committee to + + +23 +00:00:53,760 --> 00:00:57,990 +committee the presentation committee to +me for what uh purpose may I ask for + +24 +00:00:57,990 --> 00:00:58,000 +me for what uh purpose may I ask for + + +25 +00:00:58,000 --> 00:01:00,750 +me for what uh purpose may I ask for +what purpose you ask + +26 +00:01:00,750 --> 00:01:00,760 +what purpose you ask + + +27 +00:01:00,760 --> 00:01:05,390 +what purpose you ask +how modest of you the purpose m is to + +28 +00:01:05,390 --> 00:01:05,400 +how modest of you the purpose m is to + + +29 +00:01:05,400 --> 00:01:09,749 +how modest of you the purpose m is to +honor one of the city's most dedicated + +30 +00:01:09,749 --> 00:01:09,759 +honor one of the city's most dedicated + + +31 +00:01:09,759 --> 00:01:13,310 +honor one of the city's most dedicated +Brave and selfless public servants you + +32 +00:01:13,310 --> 00:01:13,320 +Brave and selfless public servants you + + +33 +00:01:13,320 --> 00:01:14,950 +Brave and selfless public servants you +are + +34 +00:01:14,950 --> 00:01:14,960 +are + + +35 +00:01:14,960 --> 00:01:17,270 +are +generous yes I must admit I've often + +36 +00:01:17,270 --> 00:01:17,280 +generous yes I must admit I've often + + +37 +00:01:17,280 --> 00:01:19,749 +generous yes I must admit I've often +wondered considering my years on the + +38 +00:01:19,749 --> 00:01:19,759 +wondered considering my years on the + + +39 +00:01:19,759 --> 00:01:22,390 +wondered considering my years on the +force of my numerous accomplishments my + +40 +00:01:22,390 --> 00:01:22,400 +force of my numerous accomplishments my + + +41 +00:01:22,400 --> 00:01:25,230 +force of my numerous accomplishments my +recognition was not forthcoming earlier + +42 +00:01:25,230 --> 00:01:25,240 +recognition was not forthcoming earlier + + +43 +00:01:25,240 --> 00:01:29,149 +recognition was not forthcoming earlier +absolutely right 9 years faithful + +44 +00:01:29,149 --> 00:01:29,159 +absolutely right 9 years faithful + + +45 +00:01:29,159 --> 00:01:32,109 +absolutely right 9 years faithful +service at Sur have you had as much as a + +46 +00:01:32,109 --> 00:01:32,119 +service at Sur have you had as much as a + + +47 +00:01:32,119 --> 00:01:35,830 +service at Sur have you had as much as a +single decoration in all that + +48 +00:01:35,830 --> 00:01:35,840 +single decoration in all that + + +49 +00:01:35,840 --> 00:01:39,230 +single decoration in all that +time that is quite correct however as + +50 +00:01:39,230 --> 00:01:39,240 +time that is quite correct however as + + +51 +00:01:39,240 --> 00:01:42,910 +time that is quite correct however as +you made up aware I have recently + +52 +00:01:42,910 --> 00:01:42,920 +you made up aware I have recently + + +53 +00:01:42,920 --> 00:01:46,950 +you made up aware I have recently +received an important permission really + +54 +00:01:46,950 --> 00:01:46,960 +received an important permission really + + +55 +00:01:46,960 --> 00:01:49,830 +received an important permission really +I have replaced the lunatic ders as + +56 +00:01:49,830 --> 00:01:49,840 +I have replaced the lunatic ders as + + +57 +00:01:49,840 --> 00:01:53,950 +I have replaced the lunatic ders as +Chief Inspector I know that's sure Paris + +58 +00:01:53,950 --> 00:01:53,960 +Chief Inspector I know that's sure Paris + + +59 +00:01:53,960 --> 00:01:56,709 +Chief Inspector I know that's sure Paris +sleeps the most a because of the change + +60 +00:01:56,709 --> 00:01:56,719 +sleeps the most a because of the change + + +61 +00:01:56,719 --> 00:02:00,149 +sleeps the most a because of the change +you're really n can but I can assure you + +62 +00:02:00,149 --> 00:02:00,159 +you're really n can but I can assure you + + +63 +00:02:00,159 --> 00:02:02,149 +you're really n can but I can assure you +when it comes to matters of giving the + +64 +00:02:02,149 --> 00:02:02,159 +when it comes to matters of giving the + + +65 +00:02:02,159 --> 00:02:05,109 +when it comes to matters of giving the +tears I'm always on my tears Chief + +66 +00:02:05,109 --> 00:02:05,119 +tears I'm always on my tears Chief + + +67 +00:02:05,119 --> 00:02:09,029 +tears I'm always on my tears Chief +Inspector one please can't you see that + +68 +00:02:09,029 --> 00:02:09,039 +Inspector one please can't you see that + + +69 +00:02:09,039 --> 00:02:18,490 +Inspector one please can't you see that +I'm on the + +70 +00:02:18,490 --> 00:02:18,500 + + + +71 +00:02:18,500 --> 00:02:25,950 + +[Music] + +72 +00:02:25,950 --> 00:02:25,960 + + + +73 +00:02:25,960 --> 00:02:28,750 + +[Music] + +74 +00:02:28,750 --> 00:02:28,760 +[Music] + + +75 +00:02:28,760 --> 00:02:38,920 +[Music] +film come be + +76 +00:02:38,920 --> 00:02:38,930 + + + +77 +00:02:38,930 --> 00:02:58,750 + +[Music] + +78 +00:02:58,750 --> 00:02:58,760 + + + +79 +00:02:58,760 --> 00:03:07,220 + +happy + +80 +00:03:07,220 --> 00:03:07,230 + + + +81 +00:03:07,230 --> 00:03:13,650 + +[Music] + diff --git a/1976/dTM13gYxkoQ.en.srt b/1976/dTM13gYxkoQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d1e9e4f9ec87eb46834c4a6e02a77492b8c9ce67 --- /dev/null +++ b/1976/dTM13gYxkoQ.en.srt @@ -0,0 +1,215 @@ +1 +00:00:00,000 --> 00:00:17,310 + +[Music] + +2 +00:00:17,310 --> 00:00:17,320 + + + +3 +00:00:17,320 --> 00:00:19,790 + +oh forgive me darling I just washed my + +4 +00:00:19,790 --> 00:00:19,800 +oh forgive me darling I just washed my + + +5 +00:00:19,800 --> 00:00:23,670 +oh forgive me darling I just washed my +hands oh they must have been + +6 +00:00:23,670 --> 00:00:23,680 +hands oh they must have been + + +7 +00:00:23,680 --> 00:00:27,269 +hands oh they must have been +freezing freezing yes yes something + +8 +00:00:27,269 --> 00:00:27,279 +freezing freezing yes yes something + + +9 +00:00:27,279 --> 00:00:31,830 +freezing freezing yes yes something +wrong wrong uh no + +10 +00:00:31,830 --> 00:00:31,840 +wrong wrong uh no + + +11 +00:00:31,840 --> 00:00:35,190 +wrong wrong uh no +what could be + +12 +00:00:35,190 --> 00:00:35,200 + + + +13 +00:00:35,200 --> 00:00:36,750 + +wrong + +14 +00:00:36,750 --> 00:00:36,760 +wrong + + +15 +00:00:36,760 --> 00:00:41,709 +wrong +then come back to bed yes yes of course + +16 +00:00:41,709 --> 00:00:41,719 +then come back to bed yes yes of course + + +17 +00:00:41,719 --> 00:00:44,069 +then come back to bed yes yes of course +into the + +18 +00:00:44,069 --> 00:00:44,079 +into the + + +19 +00:00:44,079 --> 00:00:49,350 +into the +bed and take off those so silly + +20 +00:00:49,350 --> 00:00:49,360 +bed and take off those so silly + + +21 +00:00:49,360 --> 00:00:51,910 +bed and take off those so silly +pajamas you may rest assured you will + +22 +00:00:51,910 --> 00:00:51,920 +pajamas you may rest assured you will + + +23 +00:00:51,920 --> 00:00:55,510 +pajamas you may rest assured you will +never see these silly pajamas again that + +24 +00:00:55,510 --> 00:00:55,520 +never see these silly pajamas again that + + +25 +00:00:55,520 --> 00:01:13,469 +never see these silly pajamas again that +I can to show you + +26 +00:01:13,469 --> 00:01:13,479 + + + +27 +00:01:13,479 --> 00:01:16,230 + +darling yes I won't be a + +28 +00:01:16,230 --> 00:01:16,240 +darling yes I won't be a + + +29 +00:01:16,240 --> 00:01:22,550 +darling yes I won't be a +moment + +30 +00:01:22,550 --> 00:01:22,560 + + + +31 +00:01:22,560 --> 00:01:27,710 + +darling I'm uh just going to take a + +32 +00:01:27,710 --> 00:01:27,720 + + + +33 +00:01:27,720 --> 00:01:38,630 + +bath excuse me + +34 +00:01:38,630 --> 00:01:38,640 + + + +35 +00:01:38,640 --> 00:01:42,350 + +yes hello this is Chief Inspector CL + +36 +00:01:42,350 --> 00:01:42,360 +yes hello this is Chief Inspector CL + + +37 +00:01:42,360 --> 00:01:44,270 +yes hello this is Chief Inspector CL +there is a beautiful woman in my bed and + +38 +00:01:44,270 --> 00:01:44,280 +there is a beautiful woman in my bed and + + +39 +00:01:44,280 --> 00:01:54,429 +there is a beautiful woman in my bed and +a dead man in my + +40 +00:01:54,429 --> 00:01:54,439 + + + +41 +00:01:54,439 --> 00:01:58,390 + +bath take a I want to one with + +42 +00:01:58,390 --> 00:01:58,400 +bath take a I want to one with + + +43 +00:01:58,400 --> 00:02:27,590 +bath take a I want to one with +[Music] + diff --git a/1976/gvKBHCBBdf0.description b/1976/gvKBHCBBdf0.description new file mode 100644 index 0000000000000000000000000000000000000000..1a7aaa838ed44535a7b34c08bc48c8d3d3f18c8a --- /dev/null +++ b/1976/gvKBHCBBdf0.description @@ -0,0 +1,38 @@ +All the President's Men movie clips: http://j.mp/1JdpCit +BUY THE MOVIE: http://j.mp/QXy4pD +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After confirming that Haldeman was indeed the fifth man involved with Watergate, Ben Bradlee (Jason Robards) gives Carl Bernstein (Dustin Hoffman) and Bob Woodward (Robert Redford) permission to run the story. + +FILM DESCRIPTION: +Conspiracy film specialist Alan J. Pakula turned journalists Bob Woodward and Carl Bernstein's best-selling account of their Watergate investigation into one of the hit films of Bicentennial year 1976. While researching a story about a botched 1972 burglary of Democratic Party headquarters at the Watergate apartment complex, green Washington Post reporters/rivals Woodward (Robert Redford, who also exec produced) and Bernstein (Dustin Hoffman) stumble on a possible connection between the burglars and a White House staffer. With the circumspect approval of executive editor Ben Bradlee (Jason Robards), the pair digs deeper. Aided by a guilt-ridden turncoat bookkeeper (Jane Alexander) and the vital if cryptic guidance of Woodward's mystery source, Deep Throat (Hal Holbrook), Woodward and Bernstein "follow the money" all the way to the top of the Nixon administration. Despite Deep Throat's warnings that their lives are in danger, and the reluctance of older Post editors, Woodward and Bernstein are determined to get out the story of the crime and its presidential cover-up. Once Bradlee is convinced, the final teletype impassively taps out the historically explosive results. + +CREDITS: +TM & © Warner Bros. (1976) +Cast: Dustin Hoffman, Robert Redford, Jack Warden, Martin Balsam, Jason Robards +Director: Alan J. Pakula +Producers: Jon Boorstin, Michael Britton, Walter Coblenz +Screenwriters: Carl Bernstein, William Goldman, Bob Woodard + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1976/hfzsR-3PLcg.en.srt b/1976/hfzsR-3PLcg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..627996da5b1a6312dc6a8f0ea642b50cc6c7fbdc --- /dev/null +++ b/1976/hfzsR-3PLcg.en.srt @@ -0,0 +1,225 @@ +1 +00:00:00,030 --> 00:00:02,869 + +ladies and gentlemen all guests are + +2 +00:00:02,869 --> 00:00:02,879 +ladies and gentlemen all guests are + + +3 +00:00:02,879 --> 00:00:04,880 +ladies and gentlemen all guests are +encouraged to request the host or + +4 +00:00:04,880 --> 00:00:04,890 +encouraged to request the host or + + +5 +00:00:04,890 --> 00:00:06,530 +encouraged to request the host or +hostess of their choice + +6 +00:00:06,530 --> 00:00:06,540 +hostess of their choice + + +7 +00:00:06,540 --> 00:00:08,810 +hostess of their choice +why can't you catalog because I'm too + +8 +00:00:08,810 --> 00:00:08,820 +why can't you catalog because I'm too + + +9 +00:00:08,820 --> 00:00:14,360 +why can't you catalog because I'm too +old I feel like a fool not at all you + +10 +00:00:14,360 --> 00:00:14,370 +old I feel like a fool not at all you + + +11 +00:00:14,370 --> 00:00:16,609 +old I feel like a fool not at all you +must remember I've been programmed for + +12 +00:00:16,609 --> 00:00:16,619 +must remember I've been programmed for + + +13 +00:00:16,619 --> 00:00:19,730 +must remember I've been programmed for +your pleasure in my eyes you want very + +14 +00:00:19,730 --> 00:00:19,740 +your pleasure in my eyes you want very + + +15 +00:00:19,740 --> 00:00:23,689 +your pleasure in my eyes you want very +beautiful quarter on the table ha you + +16 +00:00:23,689 --> 00:00:23,699 +beautiful quarter on the table ha you + + +17 +00:00:23,699 --> 00:00:33,200 +beautiful quarter on the table ha you +will get now I'll be there to say yes + +18 +00:00:33,200 --> 00:00:33,210 +will get now I'll be there to say yes + + +19 +00:00:33,210 --> 00:00:35,420 +will get now I'll be there to say yes +sir may I get you something you have + +20 +00:00:35,420 --> 00:00:35,430 +sir may I get you something you have + + +21 +00:00:35,430 --> 00:00:37,610 +sir may I get you something you have +pretty good memory banks I'm a 500 sir + +22 +00:00:37,610 --> 00:00:37,620 +pretty good memory banks I'm a 500 sir + + +23 +00:00:37,620 --> 00:00:41,150 +pretty good memory banks I'm a 500 sir +we have quite excellent memories you + +24 +00:00:41,150 --> 00:00:41,160 +we have quite excellent memories you + + +25 +00:00:41,160 --> 00:00:46,400 +we have quite excellent memories you +ever seen that color before no sir + +26 +00:00:46,400 --> 00:00:46,410 +ever seen that color before no sir + + +27 +00:00:46,410 --> 00:00:48,650 +ever seen that color before no sir +is he a guest I guess you'd call him an + +28 +00:00:48,650 --> 00:00:48,660 +is he a guest I guess you'd call him an + + +29 +00:00:48,660 --> 00:00:54,130 +is he a guest I guess you'd call him an +operative Thanks + +30 +00:00:54,130 --> 00:00:54,140 + + + +31 +00:00:54,140 --> 00:00:56,810 + +now are you sure that they are robots + +32 +00:00:56,810 --> 00:00:56,820 +now are you sure that they are robots + + +33 +00:00:56,820 --> 00:00:58,279 +now are you sure that they are robots +they're not gonna get hurt or any part + +34 +00:00:58,279 --> 00:00:58,289 +they're not gonna get hurt or any part + + +35 +00:00:58,289 --> 00:00:58,760 +they're not gonna get hurt or any part +of it + +36 +00:00:58,760 --> 00:00:58,770 +of it + + +37 +00:00:58,770 --> 00:01:04,460 +of it +just pick up the gloves honey okay yep + +38 +00:01:04,460 --> 00:01:04,470 +just pick up the gloves honey okay yep + + +39 +00:01:04,470 --> 00:01:24,419 +just pick up the gloves honey okay yep +[Music] + +40 +00:01:24,419 --> 00:01:24,429 + + + +41 +00:01:24,429 --> 00:01:27,639 + +give you everything did you see that did + +42 +00:01:27,639 --> 00:01:27,649 +give you everything did you see that did + + +43 +00:01:27,649 --> 00:01:29,180 +give you everything did you see that did +you see that left + +44 +00:01:29,180 --> 00:01:29,190 +you see that left + + +45 +00:01:29,190 --> 00:01:40,640 +you see that left +[Music] +