diff --git a/1939/qYf35nBq8Oo.description b/1939/qYf35nBq8Oo.description new file mode 100644 index 0000000000000000000000000000000000000000..b29058275a795938c313ad01641e34b5657b233b --- /dev/null +++ b/1939/qYf35nBq8Oo.description @@ -0,0 +1,38 @@ +Mr. Smith Goes to Washington movie clips: http://j.mp/1JaLRWs +BUY THE MOVIE: http://amzn.to/u7g6YE +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Governor Hubert Hopper (Guy Kibbee) describes the genius of appointing simpleton Jefferson Smith (James Stewart) as a the state's next Senator. + +FILM DESCRIPTION: +Frank Capra's classic comedy-drama established James Stewart as a lead actor in one of his finest (and most archetypal) roles. The film opens as a succession of reporters shout into telephones announcing the death of Senator Samuel Foley. Senator Joseph Paine (Claude Rains), the state's senior senator, puts in a call to Governor Hubert "Happy" Hopper (Guy Kibbee) reporting the news. Hopper then calls powerful media magnate Jim Taylor (Edward Arnold), who controls the state -- along with the lawmakers. Taylor orders Hopper to appoint an interim senator to fill out Foley's term; Taylor has proposed a pork barrel bill to finance an unneeded dam at Willet Creek, so he warns Hopper he wants a senator who "can't ask any questions or talk out of turn." After having a number of his appointees rejected, at the suggestion of his children Hopper nominates local hero Jefferson Smith (James Stewart), leader of the state's Boy Rangers group. Smith is an innocent, wide-eyed idealist who quotes Jefferson and Lincoln and idolizes Paine, who had known his crusading editor father. In Washington, after a humiliating introduction to the press corps, Smith threatens to resign, but Paine encourages him to stay and work on a bill for a national boy's camp. With the help of his cynical secretary Clarissa Sanders (Jean Arthur), Smith prepares to introduce his boy's camp bill to the Senate. But when he proposes to build the camp on the Willets Creek site, Taylor and Paine force him to drop the measure. Smith discovers Taylor and Paine want the Willets Creek site for graft and he attempts to expose them, but Paine deflects Smith's charges by accusing Smith of stealing money from the boy rangers. Defeated, Smith is ready to depart Washington, but Saunders, whose patriotic zeal has been renewed by Smith, exhorts him to stay and fight. Smith returns to the Senate chamber and, while Taylor musters the media forces in his state to destroy him, Smith engages in a climactic filibuster to speak his piece: "I've got a few things I want to say to this body. I tried to say them once before and I got stopped colder than a mackerel. Well, I'd like to get them said this time, sir. And as a matter of fact, I'm not gonna leave this body until I do get them said." + +CREDITS: +TM & © Sony (1939) +Cast: Edward Arnold, Guy Kibbee, Eugene Pallette, Claude Rains +Director: Frank Capra +Producer: Frank Capra +Screenwriters: Sidney Buchman, Lewis R. Foster, Myles Connolly + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1939/tNuPwipxx94.en.srt b/1939/tNuPwipxx94.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c5978b4389d5c5f2d6e7f4f0e384d37bf826636c --- /dev/null +++ b/1939/tNuPwipxx94.en.srt @@ -0,0 +1,385 @@ +1 +00:00:00,030 --> 00:00:04,100 + +well you have oh nothing for me you + +2 +00:00:04,100 --> 00:00:04,110 +well you have oh nothing for me you + + +3 +00:00:04,110 --> 00:00:05,180 +well you have oh nothing for me you +don't have to be afraid of this stuff + +4 +00:00:05,180 --> 00:00:05,190 +don't have to be afraid of this stuff + + +5 +00:00:05,190 --> 00:00:07,700 +don't have to be afraid of this stuff +this is a McCoy I drink it myself it + +6 +00:00:07,700 --> 00:00:07,710 +this is a McCoy I drink it myself it + + +7 +00:00:07,710 --> 00:00:08,810 +this is a McCoy I drink it myself it +doesn't make any difference I don't like + +8 +00:00:08,810 --> 00:00:08,820 +doesn't make any difference I don't like + + +9 +00:00:08,820 --> 00:00:10,100 +doesn't make any difference I don't like +it if you like it well enough to knock + +10 +00:00:10,100 --> 00:00:10,110 +it if you like it well enough to knock + + +11 +00:00:10,110 --> 00:00:11,450 +it if you like it well enough to knock +over this boat for a hundred thousand + +12 +00:00:11,450 --> 00:00:11,460 +over this boat for a hundred thousand + + +13 +00:00:11,460 --> 00:00:13,070 +over this boat for a hundred thousand +bucks whatever address + +14 +00:00:13,070 --> 00:00:13,080 +bucks whatever address + + +15 +00:00:13,080 --> 00:00:14,209 +bucks whatever address +evam doesn't have to wear dresses does + +16 +00:00:14,209 --> 00:00:14,219 +evam doesn't have to wear dresses does + + +17 +00:00:14,219 --> 00:00:17,029 +evam doesn't have to wear dresses does +he cuz I have to flip you George + +18 +00:00:17,029 --> 00:00:17,039 +he cuz I have to flip you George + + +19 +00:00:17,039 --> 00:00:18,769 +he cuz I have to flip you George +you ain't clipping me you're clipping + +20 +00:00:18,769 --> 00:00:18,779 +you ain't clipping me you're clipping + + +21 +00:00:18,779 --> 00:00:20,540 +you ain't clipping me you're clipping +Nick Brown a guy I work for + +22 +00:00:20,540 --> 00:00:20,550 +Nick Brown a guy I work for + + +23 +00:00:20,550 --> 00:00:23,630 +Nick Brown a guy I work for +it's gonna be awful sore at you ready to + +24 +00:00:23,630 --> 00:00:23,640 +it's gonna be awful sore at you ready to + + +25 +00:00:23,640 --> 00:00:24,769 +it's gonna be awful sore at you ready to +much of a hurry to worry about anybody + +26 +00:00:24,769 --> 00:00:24,779 +much of a hurry to worry about anybody + + +27 +00:00:24,779 --> 00:00:26,990 +much of a hurry to worry about anybody +hidden sore at me the main guy + +28 +00:00:26,990 --> 00:00:27,000 +hidden sore at me the main guy + + +29 +00:00:27,000 --> 00:00:33,770 +hidden sore at me the main guy +don't take my chances you know I think + +30 +00:00:33,770 --> 00:00:33,780 +don't take my chances you know I think + + +31 +00:00:33,780 --> 00:00:35,930 +don't take my chances you know I think +I'd like to take mine with you between + +32 +00:00:35,930 --> 00:00:35,940 +I'd like to take mine with you between + + +33 +00:00:35,940 --> 00:00:37,160 +I'd like to take mine with you between +the two of us we ought to do all right + +34 +00:00:37,160 --> 00:00:37,170 +the two of us we ought to do all right + + +35 +00:00:37,170 --> 00:00:39,650 +the two of us we ought to do all right +together I'm doing all right now look + +36 +00:00:39,650 --> 00:00:39,660 +together I'm doing all right now look + + +37 +00:00:39,660 --> 00:00:41,330 +together I'm doing all right now look +here Eddie it ain't gonna be so easy to + +38 +00:00:41,330 --> 00:00:41,340 +here Eddie it ain't gonna be so easy to + + +39 +00:00:41,340 --> 00:00:43,459 +here Eddie it ain't gonna be so easy to +next time Ronnie gonna stand for you + +40 +00:00:43,459 --> 00:00:43,469 +next time Ronnie gonna stand for you + + +41 +00:00:43,469 --> 00:00:44,990 +next time Ronnie gonna stand for you +hijacking his boats like this and that + +42 +00:00:44,990 --> 00:00:45,000 +hijacking his boats like this and that + + +43 +00:00:45,000 --> 00:00:47,330 +hijacking his boats like this and that +can t be ready for you one fine night a + +44 +00:00:47,330 --> 00:00:47,340 +can t be ready for you one fine night a + + +45 +00:00:47,340 --> 00:00:49,430 +can t be ready for you one fine night a +5-inch shell is gonna blow the top of + +46 +00:00:49,430 --> 00:00:49,440 +5-inch shell is gonna blow the top of + + +47 +00:00:49,440 --> 00:00:51,799 +5-inch shell is gonna blow the top of +your head right off you can't spend your + +48 +00:00:51,799 --> 00:00:51,809 +your head right off you can't spend your + + +49 +00:00:51,809 --> 00:00:54,729 +your head right off you can't spend your +profits in the bottom of the ocean + +50 +00:00:54,729 --> 00:00:54,739 +profits in the bottom of the ocean + + +51 +00:00:54,739 --> 00:00:59,540 +profits in the bottom of the ocean +it's like this I got the organization to + +52 +00:00:59,540 --> 00:00:59,550 +it's like this I got the organization to + + +53 +00:00:59,550 --> 00:01:00,799 +it's like this I got the organization to +bring the stuff in and I know where to + +54 +00:01:00,799 --> 00:01:00,809 +bring the stuff in and I know where to + + +55 +00:01:00,809 --> 00:01:01,220 +bring the stuff in and I know where to +get it + +56 +00:01:01,220 --> 00:01:01,230 +get it + + +57 +00:01:01,230 --> 00:01:06,730 +get it +you've got the organization to peddle it + +58 +00:01:06,730 --> 00:01:06,740 + + + +59 +00:01:06,740 --> 00:01:08,539 + +why do you mean he's you want to + +60 +00:01:08,539 --> 00:01:08,549 +why do you mean he's you want to + + +61 +00:01:08,549 --> 00:01:10,969 +why do you mean he's you want to +double-cross Brown and done before you + +62 +00:01:10,969 --> 00:01:10,979 +double-cross Brown and done before you + + +63 +00:01:10,979 --> 00:01:15,850 +double-cross Brown and done before you +know mm-hmm + +64 +00:01:15,850 --> 00:01:15,860 + + + +65 +00:01:15,860 --> 00:01:18,890 + +what do you say + +66 +00:01:18,890 --> 00:01:18,900 + + + +67 +00:01:18,900 --> 00:01:23,990 + +I don't trust you George you could stand + +68 +00:01:23,990 --> 00:01:24,000 +I don't trust you George you could stand + + +69 +00:01:24,000 --> 00:01:26,840 +I don't trust you George you could stand +a little watching yourself mm-hmm + +70 +00:01:26,840 --> 00:01:26,850 +a little watching yourself mm-hmm + + +71 +00:01:26,850 --> 00:01:28,640 +a little watching yourself mm-hmm +that sounds like a pretty good basis for + +72 +00:01:28,640 --> 00:01:28,650 +that sounds like a pretty good basis for + + +73 +00:01:28,650 --> 00:01:31,510 +that sounds like a pretty good basis for +a partnership you're on it's a deal + +74 +00:01:31,510 --> 00:01:31,520 +a partnership you're on it's a deal + + +75 +00:01:31,520 --> 00:01:37,340 +a partnership you're on it's a deal +right + +76 +00:01:37,340 --> 00:01:37,350 + + + +77 +00:01:37,350 --> 00:01:48,689 + +[Music] + diff --git a/1939/vQLNS3HWfCM.description b/1939/vQLNS3HWfCM.description new file mode 100644 index 0000000000000000000000000000000000000000..772d65046c002530304f7c4f9ad90334d14b630d --- /dev/null +++ b/1939/vQLNS3HWfCM.description @@ -0,0 +1,38 @@ +The Wizard of Oz movie clips: http://j.mp/1L5gtKP +BUY THE MOVIE: http://bit.ly/2cmiEyC +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Dorothy (Judy Garland) and Toto (Terry) find themselves in a strange and wonderful new place over the rainbow where they meet Glinda (Billie Burke). + +FILM DESCRIPTION: +Not to be confused with the cinematic classic starring Judy Garland that would follow six years later, this animated short film is one of countless other celluloid adaptations of L. Frank Baum's best-loved story, The Wizard of Oz. Directed by Ted Eshbaugh, the Canadian film features no dialogue and tells the story of Dorothy, Toto, Scarecrow, and Tin Man's adventures in Oz with a mix of black & white and color animation. + +CREDITS: +TM & © Warner Bros. (1939) +Cast: Billie Burke, Judy Garland, Terry +Directors: George Cukor, Victor Fleming, Mervyn LeRoy, Norman Taurog, King Vidor +Producers: Mervyn LeRoy, Arthur Freed +Screenwriters: Noel Langley, Florence Ryerson, Edgar Allan Woolf, L. Frank Baum, Irving Brecher, William H. Cannon, Herbert Fields, Arthur Freed, Jack Haley, E.Y. Harburg, Samuel Hoffenstein, Bert Lahr, John Lee Mahin, Herman J. Mankiewicz, Jack Mintz, Ogden Nash, Robert Pirosh, George Seaton, Sid Silvers + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1939/vQLNS3HWfCM.en.srt b/1939/vQLNS3HWfCM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d55c2b293f74b6d7d7eb74e60cf71d7d537cea13 --- /dev/null +++ b/1939/vQLNS3HWfCM.en.srt @@ -0,0 +1,16 @@ +1 +00:00:00,420 --> 00:00:01,760 +Toto.. + +2 +00:00:02,100 --> 00:00:04,500 +I've a feeling we're not in Kansas anymore. + +3 +00:00:15,680 --> 00:00:17,680 +We must be over the rainbow! + +4 +00:00:46,680 --> 00:00:50,380 +Now, I know we're not in Kansas... + diff --git a/1939/yNvuIuWY3Sw.en.srt b/1939/yNvuIuWY3Sw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8a4c87693e56156aac20de9749c7443a60a4dd16 --- /dev/null +++ b/1939/yNvuIuWY3Sw.en.srt @@ -0,0 +1,365 @@ +1 +00:00:02,929 --> 00:00:05,780 + +please don't go you can't leave me + +2 +00:00:05,780 --> 00:00:05,790 +please don't go you can't leave me + + +3 +00:00:05,790 --> 00:00:08,540 +please don't go you can't leave me +please I'll never forgive you I'm not + +4 +00:00:08,540 --> 00:00:08,550 +please I'll never forgive you I'm not + + +5 +00:00:08,550 --> 00:00:10,370 +please I'll never forgive you I'm not +asking you to forgive me I'll never + +6 +00:00:10,370 --> 00:00:10,380 +asking you to forgive me I'll never + + +7 +00:00:10,380 --> 00:00:12,650 +asking you to forgive me I'll never +understand it forgive myself and if a + +8 +00:00:12,650 --> 00:00:12,660 +understand it forgive myself and if a + + +9 +00:00:12,660 --> 00:00:14,299 +understand it forgive myself and if a +bullet gets me so help me I'll laugh at + +10 +00:00:14,299 --> 00:00:14,309 +bullet gets me so help me I'll laugh at + + +11 +00:00:14,309 --> 00:00:17,420 +bullet gets me so help me I'll laugh at +myself for being an idiot there's one + +12 +00:00:17,420 --> 00:00:17,430 +myself for being an idiot there's one + + +13 +00:00:17,430 --> 00:00:19,849 +myself for being an idiot there's one +thing I do know that is that I love your + +14 +00:00:19,849 --> 00:00:19,859 +thing I do know that is that I love your + + +15 +00:00:19,859 --> 00:00:22,099 +thing I do know that is that I love your +skeleton despite of you and me and the + +16 +00:00:22,099 --> 00:00:22,109 +skeleton despite of you and me and the + + +17 +00:00:22,109 --> 00:00:23,540 +skeleton despite of you and me and the +whole silly world going to pieces around + +18 +00:00:23,540 --> 00:00:23,550 +whole silly world going to pieces around + + +19 +00:00:23,550 --> 00:00:26,599 +whole silly world going to pieces around +us I love you because we're alike bad + +20 +00:00:26,599 --> 00:00:26,609 +us I love you because we're alike bad + + +21 +00:00:26,609 --> 00:00:30,560 +us I love you because we're alike bad +lots both of us selfie should shrew but + +22 +00:00:30,560 --> 00:00:30,570 +lots both of us selfie should shrew but + + +23 +00:00:30,570 --> 00:00:32,120 +lots both of us selfie should shrew but +able to look things in the eyes and call + +24 +00:00:32,120 --> 00:00:32,130 +able to look things in the eyes and call + + +25 +00:00:32,130 --> 00:00:34,280 +able to look things in the eyes and call +him by the right names don't hold me + +26 +00:00:34,280 --> 00:00:34,290 +him by the right names don't hold me + + +27 +00:00:34,290 --> 00:00:39,680 +him by the right names don't hold me +like their garlic look at me more than + +28 +00:00:39,680 --> 00:00:39,690 +like their garlic look at me more than + + +29 +00:00:39,690 --> 00:00:41,810 +like their garlic look at me more than +I've ever loved any more I've waited + +30 +00:00:41,810 --> 00:00:41,820 +I've ever loved any more I've waited + + +31 +00:00:41,820 --> 00:00:43,430 +I've ever loved any more I've waited +longer for you that I've ever waited for + +32 +00:00:43,430 --> 00:00:43,440 +longer for you that I've ever waited for + + +33 +00:00:43,440 --> 00:00:47,869 +longer for you that I've ever waited for +any woman let me know is a soldier the + +34 +00:00:47,869 --> 00:00:47,879 +any woman let me know is a soldier the + + +35 +00:00:47,879 --> 00:00:49,970 +any woman let me know is a soldier the +south and love you scarlet was to feel + +36 +00:00:49,970 --> 00:00:49,980 +south and love you scarlet was to feel + + +37 +00:00:49,980 --> 00:00:51,709 +south and love you scarlet was to feel +your arms about it was to carry the + +38 +00:00:51,709 --> 00:00:51,719 +your arms about it was to carry the + + +39 +00:00:51,719 --> 00:00:53,119 +your arms about it was to carry the +memory of your kisses into battle with + +40 +00:00:53,119 --> 00:00:53,129 +memory of your kisses into battle with + + +41 +00:00:53,129 --> 00:00:56,090 +memory of your kisses into battle with +it never mind about loving me you're a + +42 +00:00:56,090 --> 00:00:56,100 +it never mind about loving me you're a + + +43 +00:00:56,100 --> 00:00:57,650 +it never mind about loving me you're a +woman sending a soldier to his death + +44 +00:00:57,650 --> 00:00:57,660 +woman sending a soldier to his death + + +45 +00:00:57,660 --> 00:01:00,970 +woman sending a soldier to his death +with a beautiful memory + +46 +00:01:00,970 --> 00:01:00,980 + + + +47 +00:01:00,980 --> 00:01:08,940 + +kiss me kiss me + +48 +00:01:08,940 --> 00:01:08,950 + + + +49 +00:01:08,950 --> 00:01:12,849 + +no Dom Conde Naste Finn you never write + +50 +00:01:12,849 --> 00:01:12,859 +no Dom Conde Naste Finn you never write + + +51 +00:01:12,859 --> 00:01:14,770 +no Dom Conde Naste Finn you never write +everybody was right you you are a + +52 +00:01:14,770 --> 00:01:14,780 +everybody was right you you are a + + +53 +00:01:14,780 --> 00:01:22,109 +everybody was right you you are a +gentleman a minor point is such a moment + +54 +00:01:22,109 --> 00:01:22,119 +gentleman a minor point is such a moment + + +55 +00:01:22,119 --> 00:01:26,050 +gentleman a minor point is such a moment +here anyone lays a hand on that neg + +56 +00:01:26,050 --> 00:01:26,060 +here anyone lays a hand on that neg + + +57 +00:01:26,060 --> 00:01:28,029 +here anyone lays a hand on that neg +shoot him but don't make a mistake in + +58 +00:01:28,029 --> 00:01:28,039 +shoot him but don't make a mistake in + + +59 +00:01:28,039 --> 00:01:31,719 +shoot him but don't make a mistake in +shootin a oh go on I want you to go home + +60 +00:01:31,719 --> 00:01:31,729 +shootin a oh go on I want you to go home + + +61 +00:01:31,729 --> 00:01:33,730 +shootin a oh go on I want you to go home +accountable and slap on bottle deployed + +62 +00:01:33,730 --> 00:01:33,740 +accountable and slap on bottle deployed + + +63 +00:01:33,740 --> 00:01:35,830 +accountable and slap on bottle deployed +in a million pieces I hide the rest I + +64 +00:01:35,830 --> 00:01:35,840 +in a million pieces I hide the rest I + + +65 +00:01:35,840 --> 00:01:38,529 +in a million pieces I hide the rest I +follow your general idea and when I'm + +66 +00:01:38,529 --> 00:01:38,539 +follow your general idea and when I'm + + +67 +00:01:38,539 --> 00:01:40,389 +follow your general idea and when I'm +dead on the order of my country I hope + +68 +00:01:40,389 --> 00:01:40,399 +dead on the order of my country I hope + + +69 +00:01:40,399 --> 00:02:09,760 +dead on the order of my country I hope +you're conscious urging goodbyes go + +70 +00:02:09,760 --> 00:02:09,770 + + + +71 +00:02:09,770 --> 00:02:11,480 + +come on you + +72 +00:02:11,480 --> 00:02:11,490 +come on you + + +73 +00:02:11,490 --> 00:02:14,870 +come on you +we're going home + diff --git a/1940/e5cg1EeFISo.description b/1940/e5cg1EeFISo.description new file mode 100644 index 0000000000000000000000000000000000000000..7fa949e82ef48c8bb952d6c850312e4dff42959e --- /dev/null +++ b/1940/e5cg1EeFISo.description @@ -0,0 +1,38 @@ +His Girl Friday movie clips: http://j.mp/2jVCDXb +BUY THE MOVIE: http://j.mp/1rTMwXd +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Walter (Cary Grant) hires a poet (Ernest Truex) just to keep him out of the press room. + +FILM DESCRIPTION: +The second screen version of the Ben Hecht/Charles MacArthur play The Front Page, His Girl Friday changed hard-driving newspaper reporter Hildy Johnson from a man to a woman, transforming the story into a scintillating battle of the sexes. Rosalind Russell plays Hildy, about to foresake journalism for marriage to cloddish Bruce Baldwin (Ralph Bellamy). Cary Grant plays Walter Burns, Hildy's editor and ex-husband, who feigns happiness about her impending marriage as a ploy to win her back. The ace up Walter's sleeve is a late-breaking news story concerning the impending execution of anarchist Earl Williams (John Qualen), a blatant example of political chicanery that Hildy can't pass up. The story gets hotter when Williams escapes and is hidden from the cops by Hildy and Walter--right in the prison pressroom. His Girl Friday may well be the fastest comedy of the 1930s, with kaleidoscope action, instantaneous plot twists, and overlapping dialogue. And if you listen closely, you'll hear a couple of "in" jokes, one concerning Cary Grant's real name (Archie Leach), and another poking fun at Ralph Bellamy's patented "poor sap" screen image. Subsequent versions of The Front Page included Billy Wilder's 1974 adaptation, which restored Hildy Johnson's manhood in the form of Jack Lemmon, and 1988's Switching Channels, which cast Burt Reynolds in the Walter Burns role and Kathleen Turner as the Hildy Johnson counterpart. + +CREDITS: +TM & © Public Domain (1940) +Cast: Cary Grant, Ernest Truex, Rosalind Russell +Director: Howard Hawks +Producer: Howard Hawks +Screenwriters: Ben Hecht, Charles MacArthur, Charles Lederer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1940/f-vA6GMMKgQ.description b/1940/f-vA6GMMKgQ.description new file mode 100644 index 0000000000000000000000000000000000000000..aa29238370205098effb347fe26af3feb80b14aa --- /dev/null +++ b/1940/f-vA6GMMKgQ.description @@ -0,0 +1,38 @@ +The Philadelphia Story movie clips: http://j.mp/1zgE8BD +BUY THE MOVIE: http://j.mp/12OlLle +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Tracy (Katharine Hepburn) goes through with the wedding, but to her former husband Dexter (Cary Grant). + +FILM DESCRIPTION: +We open on Philadelphia socialite C.K. Dexter Haven (Cary Grant) as he's being tossed out of his palatial home by his wife, Tracy Lord (Katharine Hepburn). Adding insult to injury, Tracy breaks one of C.K.'s precious golf clubs. He gallantly responds by knocking her down on her million-dollar keester. A couple of years after the breakup, Tracy is about to marry George Kittridge (John Howard), a wealthy stuffed shirt whose principal recommendation is that he's not a Philadelphia "mainliner," as C.K. was. Still holding a torch for Tracy, C.K. is galvanized into action when he learns that Sidney Kidd (Henry Daniell), the publisher of Spy Magazine, plans to publish an expos concerning Tracy's philandering father (John Halliday). To keep Kidd from spilling the beans, C.K. agrees to smuggle Spy reporter Macauley Connor (James Stewart) and photographer Elizabeth Imbrie (Ruth Hussey) into the exclusive Lord-Kittridge wedding ceremony. How could C.K. have foreseen that Connor would fall in love with Tracy, thereby nearly lousing up the nuptials? As it turns out, of course, it is C.K. himself who pulls the "louse-up," reclaiming Tracy as his bride. A consistently bright, bubbly, witty delight, The Philadelphia Story could just as well have been titled "The Revenge of Katharine Hepburn." Having been written off as "box-office poison" in 1938, Hepburn returned to Broadway in a vehicle tailor-made for her talents by playwright Philip Barry. That property, of course, was The Philadelphia Story; and when MGM bought the rights to this sure-fire box-office success, it had to take Hepburn along with the package -- and also her veto as to who her producer, director, and co-stars would be. Her strategy paid off: after the film's release, Hepburn was back on top of the Hollywood heap. While she didn't win the Oscar that many thought she richly deserved, the little gold statuette was bestowed upon her co-star Stewart, perhaps as compensation for his non-win for 1939's Mr. Smith Goes to Washington. Donald Ogden Stewart (no relation to Jimmy) also copped an Oscar for Best Adapted Screenplay. The Philadelphia Story was remade in 1956 with a Cole Porter musical score as High Society. + +CREDITS: +TM & © Warner Bros. (1940) +Cast: Cary Grant, John Halliday, James Stewart, Katharine Hepburn +Director: George Cukor +Producer: Joseph L. Mankiewicz +Screenwriters: Waldo Salt, Donald Ogden Stewart, Philip Barry + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1942/buRR_o85qhQ.description b/1942/buRR_o85qhQ.description new file mode 100644 index 0000000000000000000000000000000000000000..f28fece6b1262b1528a7c13ca26a11f2d6bb5367 --- /dev/null +++ b/1942/buRR_o85qhQ.description @@ -0,0 +1,38 @@ +Casablanca movie clips: http://j.mp/1JbaWQQ +BUY THE MOVIE: http://bit.ly/2cEuSGc +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Rick (Humphrey Bogart) makes plans to flee to Paris with Ilsa (Ingrid Bergman) but she is overcome with sadness and fear. + +FILM DESCRIPTION: +One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's cafà (C) has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. + +CREDITS: +TM & © Warner Bros. (1942) +Cast: Humphrey Bogart, Dooley Wilson, Ingrid Bergman +Director: Michael Curtiz +Producers: Hal B. Wallis, Jack L. Warner +Screenwriters: Joan Alison, Julius J. Epstein, Philip G. Epstein, Howard Koch, Casey Robinson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1942/d9K2p6NtV40.en.srt b/1942/d9K2p6NtV40.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..51e4a42dd99d013b2fa2f76053da473ed7cf13fb --- /dev/null +++ b/1942/d9K2p6NtV40.en.srt @@ -0,0 +1,445 @@ +1 +00:00:02,080 --> 00:00:07,830 + +[Music] + +2 +00:00:07,830 --> 00:00:07,840 + + + +3 +00:00:07,840 --> 00:00:10,470 + +[Music] + +4 +00:00:10,470 --> 00:00:10,480 +[Music] + + +5 +00:00:10,480 --> 00:00:12,430 +[Music] +do you believe in + +6 +00:00:12,430 --> 00:00:12,440 +do you believe in + + +7 +00:00:12,440 --> 00:00:16,390 +do you believe in +immortality I don't + +8 +00:00:16,390 --> 00:00:16,400 + + + +9 +00:00:16,400 --> 00:00:19,070 + +know do you I want to believe that + +10 +00:00:19,070 --> 00:00:19,080 +know do you I want to believe that + + +11 +00:00:19,080 --> 00:00:20,790 +know do you I want to believe that +there's a chance for such happiness to + +12 +00:00:20,790 --> 00:00:20,800 +there's a chance for such happiness to + + +13 +00:00:20,800 --> 00:00:24,189 +there's a chance for such happiness to +be carried on somehow somewhere are you + +14 +00:00:24,189 --> 00:00:24,199 +be carried on somehow somewhere are you + + +15 +00:00:24,199 --> 00:00:27,509 +be carried on somehow somewhere are you +so happy then close to it getting warmer + +16 +00:00:27,509 --> 00:00:27,519 +so happy then close to it getting warmer + + +17 +00:00:27,519 --> 00:00:29,550 +so happy then close to it getting warmer +and warmer as we used to say as kids + +18 +00:00:29,550 --> 00:00:29,560 +and warmer as we used to say as kids + + +19 +00:00:29,560 --> 00:00:30,710 +and warmer as we used to say as kids +remember + +20 +00:00:30,710 --> 00:00:30,720 +remember + + +21 +00:00:30,720 --> 00:00:32,510 +remember +look out you'll get burned we used to + +22 +00:00:32,510 --> 00:00:32,520 +look out you'll get burned we used to + + +23 +00:00:32,520 --> 00:00:34,950 +look out you'll get burned we used to +say are you afraid of getting burned if + +24 +00:00:34,950 --> 00:00:34,960 +say are you afraid of getting burned if + + +25 +00:00:34,960 --> 00:00:37,069 +say are you afraid of getting burned if +you get too close to happiness mercy no + +26 +00:00:37,069 --> 00:00:37,079 +you get too close to happiness mercy no + + +27 +00:00:37,079 --> 00:00:38,750 +you get too close to happiness mercy no +I'm immune to happiness and therefore to + +28 +00:00:38,750 --> 00:00:38,760 +I'm immune to happiness and therefore to + + +29 +00:00:38,760 --> 00:00:41,110 +I'm immune to happiness and therefore to +Burns you Wen imun that night on the + +30 +00:00:41,110 --> 00:00:41,120 +Burns you Wen imun that night on the + + +31 +00:00:41,120 --> 00:00:43,549 +Burns you Wen imun that night on the +mountain do you call that + +32 +00:00:43,549 --> 00:00:43,559 +mountain do you call that + + +33 +00:00:43,559 --> 00:00:46,590 +mountain do you call that +happiness only a small part they're + +34 +00:00:46,590 --> 00:00:46,600 +happiness only a small part they're + + +35 +00:00:46,600 --> 00:00:47,549 +happiness only a small part they're +other + +36 +00:00:47,549 --> 00:00:47,559 +other + + +37 +00:00:47,559 --> 00:00:52,349 +other +kinds such as having fun together + +38 +00:00:52,349 --> 00:00:52,359 +kinds such as having fun together + + +39 +00:00:52,359 --> 00:00:53,910 +kinds such as having fun together +getting a kick out of simple little + +40 +00:00:53,910 --> 00:00:53,920 +getting a kick out of simple little + + +41 +00:00:53,920 --> 00:00:57,670 +getting a kick out of simple little +things out of beauty like this sharing + +42 +00:00:57,670 --> 00:00:57,680 +things out of beauty like this sharing + + +43 +00:00:57,680 --> 00:00:58,910 +things out of beauty like this sharing +confidences we wouldn't share with + +44 +00:00:58,910 --> 00:00:58,920 +confidences we wouldn't share with + + +45 +00:00:58,920 --> 00:01:05,030 +confidences we wouldn't share with +anybody else in all the world + +46 +00:01:05,030 --> 00:01:05,040 + + + +47 +00:01:05,040 --> 00:01:07,070 + +Charlotte won't you be honest and tell + +48 +00:01:07,070 --> 00:01:07,080 +Charlotte won't you be honest and tell + + +49 +00:01:07,080 --> 00:01:09,270 +Charlotte won't you be honest and tell +me that you are happy too since that + +50 +00:01:09,270 --> 00:01:09,280 +me that you are happy too since that + + +51 +00:01:09,280 --> 00:01:10,550 +me that you are happy too since that +night on the boat when you told me about + +52 +00:01:10,550 --> 00:01:10,560 +night on the boat when you told me about + + +53 +00:01:10,560 --> 00:01:14,230 +night on the boat when you told me about +your illness I I can't get you out of my + +54 +00:01:14,230 --> 00:01:14,240 +your illness I I can't get you out of my + + +55 +00:01:14,240 --> 00:01:18,149 +your illness I I can't get you out of my +mind not out of my heart + +56 +00:01:18,149 --> 00:01:18,159 +mind not out of my heart + + +57 +00:01:18,159 --> 00:01:20,429 +mind not out of my heart +either if I were + +58 +00:01:20,429 --> 00:01:20,439 +either if I were + + +59 +00:01:20,439 --> 00:01:22,510 +either if I were +free there would be only one thing I + +60 +00:01:22,510 --> 00:01:22,520 +free there would be only one thing I + + +61 +00:01:22,520 --> 00:01:26,789 +free there would be only one thing I +want to do prove you're not immune to + +62 +00:01:26,789 --> 00:01:26,799 +want to do prove you're not immune to + + +63 +00:01:26,799 --> 00:01:28,789 +want to do prove you're not immune to +happiness would you want me to prove it + +64 +00:01:28,789 --> 00:01:28,799 +happiness would you want me to prove it + + +65 +00:01:28,799 --> 00:01:30,630 +happiness would you want me to prove it +charlot + +66 +00:01:30,630 --> 00:01:30,640 +charlot + + +67 +00:01:30,640 --> 00:01:31,710 +charlot +tell me you + +68 +00:01:31,710 --> 00:01:31,720 +tell me you + + +69 +00:01:31,720 --> 00:01:37,469 +tell me you +would then I'll + +70 +00:01:37,469 --> 00:01:37,479 + + + +71 +00:01:37,479 --> 00:01:43,469 + +go my darling you are + +72 +00:01:43,469 --> 00:01:43,479 + + + +73 +00:01:43,479 --> 00:01:46,270 + +crying I'm such a + +74 +00:01:46,270 --> 00:01:46,280 +crying I'm such a + + +75 +00:01:46,280 --> 00:01:50,149 +crying I'm such a +fool such an old + +76 +00:01:50,149 --> 00:01:50,159 +fool such an old + + +77 +00:01:50,159 --> 00:01:53,510 +fool such an old +fool these are only tears of + +78 +00:01:53,510 --> 00:01:53,520 +fool these are only tears of + + +79 +00:01:53,520 --> 00:01:56,630 +fool these are only tears of +gratitude an Old Maid's gratitude for + +80 +00:01:56,630 --> 00:01:56,640 +gratitude an Old Maid's gratitude for + + +81 +00:01:56,640 --> 00:01:59,990 +gratitude an Old Maid's gratitude for +the crumbs offer don't talk like that + +82 +00:01:59,990 --> 00:02:00,000 +the crumbs offer don't talk like that + + +83 +00:02:00,000 --> 00:02:04,480 +the crumbs offer don't talk like that +you see no one ever call me + +84 +00:02:04,480 --> 00:02:04,490 + + + +85 +00:02:04,490 --> 00:02:07,190 + +[Music] + +86 +00:02:07,190 --> 00:02:07,200 +[Music] + + +87 +00:02:07,200 --> 00:02:12,910 +[Music] +darling let me go + +88 +00:02:12,910 --> 00:02:12,920 + + + +89 +00:02:12,920 --> 00:02:44,669 + +[Music] + diff --git a/1942/iYetsX9JdIU.en.srt b/1942/iYetsX9JdIU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..44b0c5bf0f4c1c04c2e52014aa4dbf99310ac2f7 --- /dev/null +++ b/1942/iYetsX9JdIU.en.srt @@ -0,0 +1,525 @@ +1 +00:00:03,120 --> 00:00:04,710 + +well it's as I said isn't it just + +2 +00:00:04,710 --> 00:00:04,720 +well it's as I said isn't it just + + +3 +00:00:04,720 --> 00:00:07,070 +well it's as I said isn't it just +nonsense she is most seriously + +4 +00:00:07,070 --> 00:00:07,080 +nonsense she is most seriously + + +5 +00:00:07,080 --> 00:00:11,190 +nonsense she is most seriously +ill Char it is thanks to you did you say + +6 +00:00:11,190 --> 00:00:11,200 +ill Char it is thanks to you did you say + + +7 +00:00:11,200 --> 00:00:12,310 +ill Char it is thanks to you did you say +My Dear Mrs veale if you had + +8 +00:00:12,310 --> 00:00:12,320 +My Dear Mrs veale if you had + + +9 +00:00:12,320 --> 00:00:13,789 +My Dear Mrs veale if you had +deliberately and maliciously planned to + +10 +00:00:13,789 --> 00:00:13,799 +deliberately and maliciously planned to + + +11 +00:00:13,799 --> 00:00:14,950 +deliberately and maliciously planned to +destroy your daughter's life you + +12 +00:00:14,950 --> 00:00:14,960 +destroy your daughter's life you + + +13 +00:00:14,960 --> 00:00:16,830 +destroy your daughter's life you +couldn't have done it more completely + +14 +00:00:16,830 --> 00:00:16,840 +couldn't have done it more completely + + +15 +00:00:16,840 --> 00:00:18,790 +couldn't have done it more completely +how are having exercised a mother's + +16 +00:00:18,790 --> 00:00:18,800 +how are having exercised a mother's + + +17 +00:00:18,800 --> 00:00:21,390 +how are having exercised a mother's +rights a mother's rights twaddle a child + +18 +00:00:21,390 --> 00:00:21,400 +rights a mother's rights twaddle a child + + +19 +00:00:21,400 --> 00:00:24,310 +rights a mother's rights twaddle a child +has rights a person has rights to + +20 +00:00:24,310 --> 00:00:24,320 +has rights a person has rights to + + +21 +00:00:24,320 --> 00:00:25,589 +has rights a person has rights to +discover her own mistakes to make her + +22 +00:00:25,589 --> 00:00:25,599 +discover her own mistakes to make her + + +23 +00:00:25,599 --> 00:00:27,109 +discover her own mistakes to make her +own way to grow and Blossom in her own + +24 +00:00:27,109 --> 00:00:27,119 +own way to grow and Blossom in her own + + +25 +00:00:27,119 --> 00:00:29,310 +own way to grow and Blossom in her own +particular soil are we getting into + +26 +00:00:29,310 --> 00:00:29,320 +particular soil are we getting into + + +27 +00:00:29,320 --> 00:00:30,630 +particular soil are we getting into +botany doct + +28 +00:00:30,630 --> 00:00:30,640 +botany doct + + +29 +00:00:30,640 --> 00:00:32,630 +botany doct +are we + +30 +00:00:32,630 --> 00:00:32,640 +are we + + +31 +00:00:32,640 --> 00:00:36,590 +are we +flowers hello William gloy William good + +32 +00:00:36,590 --> 00:00:36,600 +flowers hello William gloy William good + + +33 +00:00:36,600 --> 00:00:38,750 +flowers hello William gloy William good +afternoon you know I've been thinking + +34 +00:00:38,750 --> 00:00:38,760 +afternoon you know I've been thinking + + +35 +00:00:38,760 --> 00:00:40,750 +afternoon you know I've been thinking +you should get yourself a top piece one + +36 +00:00:40,750 --> 00:00:40,760 +you should get yourself a top piece one + + +37 +00:00:40,760 --> 00:00:42,670 +you should get yourself a top piece one +like Mrs Vincent Adams has put on her + +38 +00:00:42,670 --> 00:00:42,680 +like Mrs Vincent Adams has put on her + + +39 +00:00:42,680 --> 00:00:45,389 +like Mrs Vincent Adams has put on her +Charles it's a project worth considering + +40 +00:00:45,389 --> 00:00:45,399 +Charles it's a project worth considering + + +41 +00:00:45,399 --> 00:00:47,709 +Charles it's a project worth considering +I myself I've been worried black I think + +42 +00:00:47,709 --> 00:00:47,719 +I myself I've been worried black I think + + +43 +00:00:47,719 --> 00:00:51,029 +I myself I've been worried black I think +or uh well maybe red anyway we'll think + +44 +00:00:51,029 --> 00:00:51,039 +or uh well maybe red anyway we'll think + + +45 +00:00:51,039 --> 00:00:53,069 +or uh well maybe red anyway we'll think +about it oh hello Aunt + +46 +00:00:53,069 --> 00:00:53,079 +about it oh hello Aunt + + +47 +00:00:53,079 --> 00:00:55,549 +about it oh hello Aunt +Charlotte hello June you look ravishing + +48 +00:00:55,549 --> 00:00:55,559 +Charlotte hello June you look ravishing + + +49 +00:00:55,559 --> 00:00:56,830 +Charlotte hello June you look ravishing +new + +50 +00:00:56,830 --> 00:00:56,840 +new + + +51 +00:00:56,840 --> 00:01:00,910 +new +dress no June well any anyway it's + +52 +00:01:00,910 --> 00:01:00,920 +dress no June well any anyway it's + + +53 +00:01:00,920 --> 00:01:02,950 +dress no June well any anyway it's +devastating and Charlotte do you think + +54 +00:01:02,950 --> 00:01:02,960 +devastating and Charlotte do you think + + +55 +00:01:02,960 --> 00:01:04,229 +devastating and Charlotte do you think +even at our age we should wear our + +56 +00:01:04,229 --> 00:01:04,239 +even at our age we should wear our + + +57 +00:01:04,239 --> 00:01:06,550 +even at our age we should wear our +skirts so short June M your manners + +58 +00:01:06,550 --> 00:01:06,560 +skirts so short June M your manners + + +59 +00:01:06,560 --> 00:01:08,550 +skirts so short June M your manners +hello Grandma why you always late I'm + +60 +00:01:08,550 --> 00:01:08,560 +hello Grandma why you always late I'm + + +61 +00:01:08,560 --> 00:01:10,950 +hello Grandma why you always late I'm +sorry Charlotte Will you pour tea hello + +62 +00:01:10,950 --> 00:01:10,960 +sorry Charlotte Will you pour tea hello + + +63 +00:01:10,960 --> 00:01:13,030 +sorry Charlotte Will you pour tea hello +dear will you have tea with us tea I'm + +64 +00:01:13,030 --> 00:01:13,040 +dear will you have tea with us tea I'm + + +65 +00:01:13,040 --> 00:01:16,230 +dear will you have tea with us tea I'm +heading for cocktails later who's this + +66 +00:01:16,230 --> 00:01:16,240 +heading for cocktails later who's this + + +67 +00:01:16,240 --> 00:01:19,149 +heading for cocktails later who's this +this is Dr Jack with and I'm June you've + +68 +00:01:19,149 --> 00:01:19,159 +this is Dr Jack with and I'm June you've + + +69 +00:01:19,159 --> 00:01:21,789 +this is Dr Jack with and I'm June you've +heard about us June and December my + +70 +00:01:21,789 --> 00:01:21,799 +heard about us June and December my + + +71 +00:01:21,799 --> 00:01:24,910 +heard about us June and December my +infant what's + +72 +00:01:24,910 --> 00:01:24,920 +infant what's + + +73 +00:01:24,920 --> 00:01:27,469 +infant what's +that don't tell me Charlotte gave it to + +74 +00:01:27,469 --> 00:01:27,479 +that don't tell me Charlotte gave it to + + +75 +00:01:27,479 --> 00:01:30,510 +that don't tell me Charlotte gave it to +you June one of her own precious + +76 +00:01:30,510 --> 00:01:30,520 +you June one of her own precious + + +77 +00:01:30,520 --> 00:01:33,149 +you June one of her own precious +private why a Charlotte fess up a + +78 +00:01:33,149 --> 00:01:33,159 +private why a Charlotte fess up a + + +79 +00:01:33,159 --> 00:01:35,030 +private why a Charlotte fess up a +romance isn't this something to be + +80 +00:01:35,030 --> 00:01:35,040 +romance isn't this something to be + + +81 +00:01:35,040 --> 00:01:37,270 +romance isn't this something to be +discussed with the family Jude will you + +82 +00:01:37,270 --> 00:01:37,280 +discussed with the family Jude will you + + +83 +00:01:37,280 --> 00:01:40,630 +discussed with the family Jude will you +please what's this a hangover I believe + +84 +00:01:40,630 --> 00:01:40,640 +please what's this a hangover I believe + + +85 +00:01:40,640 --> 00:01:44,149 +please what's this a hangover I believe +it is and Charlotte's got the + +86 +00:01:44,149 --> 00:01:44,159 +it is and Charlotte's got the + + +87 +00:01:44,159 --> 00:01:47,910 +it is and Charlotte's got the +shakes God do me go on T to me you like + +88 +00:01:47,910 --> 00:01:47,920 +shakes God do me go on T to me you like + + +89 +00:01:47,920 --> 00:01:49,389 +shakes God do me go on T to me you like +making fun of me don't you you think + +90 +00:01:49,389 --> 00:01:49,399 +making fun of me don't you you think + + +91 +00:01:49,399 --> 00:01:53,910 +making fun of me don't you you think +it's fun making fun of me don't + +92 +00:01:53,910 --> 00:01:53,920 + + + +93 +00:01:53,920 --> 00:01:57,270 + +you nice work infant why didn't + +94 +00:01:57,270 --> 00:01:57,280 +you nice work infant why didn't + + +95 +00:01:57,280 --> 00:02:00,429 +you nice work infant why didn't +me we've always r that charot + +96 +00:02:00,429 --> 00:02:00,439 +me we've always r that charot + + +97 +00:02:00,439 --> 00:02:03,469 +me we've always r that charot +was just a game a nervous breakdown no + +98 +00:02:03,469 --> 00:02:03,479 +was just a game a nervous breakdown no + + +99 +00:02:03,479 --> 00:02:05,149 +was just a game a nervous breakdown no +member of the veil family has ever had a + +100 +00:02:05,149 --> 00:02:05,159 +member of the veil family has ever had a + + +101 +00:02:05,159 --> 00:02:07,350 +member of the veil family has ever had a +nervous breakdown well there's one + +102 +00:02:07,350 --> 00:02:07,360 +nervous breakdown well there's one + + +103 +00:02:07,360 --> 00:02:09,909 +nervous breakdown well there's one +having one now + +104 +00:02:09,909 --> 00:02:09,919 +having one now + + +105 +00:02:09,919 --> 00:02:41,580 +having one now +[Music] + diff --git a/1942/jDD8IQgUPEU.en.srt b/1942/jDD8IQgUPEU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..0fe8141da5251682e815c694803a5555b51966db --- /dev/null +++ b/1942/jDD8IQgUPEU.en.srt @@ -0,0 +1,515 @@ +1 +00:00:00,160 --> 00:00:02,830 + +George Amberson Miner the Major's one + +2 +00:00:02,830 --> 00:00:02,840 +George Amberson Miner the Major's one + + +3 +00:00:02,840 --> 00:00:06,909 +George Amberson Miner the Major's one +grandchild was a princely terror + +4 +00:00:06,909 --> 00:00:06,919 +grandchild was a princely terror + + +5 +00:00:06,919 --> 00:00:10,110 +grandchild was a princely terror +hey goly I guess you think you own this + +6 +00:00:10,110 --> 00:00:10,120 +hey goly I guess you think you own this + + +7 +00:00:10,120 --> 00:00:13,350 +hey goly I guess you think you own this +town there were people grown people they + +8 +00:00:13,350 --> 00:00:13,360 +town there were people grown people they + + +9 +00:00:13,360 --> 00:00:16,150 +town there were people grown people they +were who expressed themselves + +10 +00:00:16,150 --> 00:00:16,160 +were who expressed themselves + + +11 +00:00:16,160 --> 00:00:18,790 +were who expressed themselves +longingly they did hope to live to see + +12 +00:00:18,790 --> 00:00:18,800 +longingly they did hope to live to see + + +13 +00:00:18,800 --> 00:00:21,390 +longingly they did hope to live to see +the day they said when that boy would + +14 +00:00:21,390 --> 00:00:21,400 +the day they said when that boy would + + +15 +00:00:21,400 --> 00:00:24,990 +the day they said when that boy would +get his comeuppence his what his + +16 +00:00:24,990 --> 00:00:25,000 +get his comeuppence his what his + + +17 +00:00:25,000 --> 00:00:27,390 +get his comeuppence his what his +comeuppence something's bound to take + +18 +00:00:27,390 --> 00:00:27,400 +comeuppence something's bound to take + + +19 +00:00:27,400 --> 00:00:30,790 +comeuppence something's bound to take +him down someday I only want to be yeah + +20 +00:00:30,790 --> 00:00:30,800 +him down someday I only want to be yeah + + +21 +00:00:30,800 --> 00:00:33,150 +him down someday I only want to be yeah +and look at the girly curries look at + +22 +00:00:33,150 --> 00:00:33,160 +and look at the girly curries look at + + +23 +00:00:33,160 --> 00:00:35,549 +and look at the girly curries look at +the girly curries say Bob where' you + +24 +00:00:35,549 --> 00:00:35,559 +the girly curries say Bob where' you + + +25 +00:00:35,559 --> 00:00:37,709 +the girly curries say Bob where' you +steal your mother's all sash your sister + +26 +00:00:37,709 --> 00:00:37,719 +steal your mother's all sash your sister + + +27 +00:00:37,719 --> 00:00:40,310 +steal your mother's all sash your sister +stole it for me she stole it off her old + +28 +00:00:40,310 --> 00:00:40,320 +stole it for me she stole it off her old + + +29 +00:00:40,320 --> 00:00:42,310 +stole it for me she stole it off her old +clothes line and gave it to me you going + +30 +00:00:42,310 --> 00:00:42,320 +clothes line and gave it to me you going + + +31 +00:00:42,320 --> 00:00:44,310 +clothes line and gave it to me you going +to get your haircut yeah and I haven't + +32 +00:00:44,310 --> 00:00:44,320 +to get your haircut yeah and I haven't + + +33 +00:00:44,320 --> 00:00:46,389 +to get your haircut yeah and I haven't +got any sister yeah I know you haven't + +34 +00:00:46,389 --> 00:00:46,399 +got any sister yeah I know you haven't + + +35 +00:00:46,399 --> 00:00:48,990 +got any sister yeah I know you haven't +it home I mean the one that's in jail I + +36 +00:00:48,990 --> 00:00:49,000 +it home I mean the one that's in jail I + + +37 +00:00:49,000 --> 00:00:51,069 +it home I mean the one that's in jail I +dare you to get out of that Pony + +38 +00:00:51,069 --> 00:00:51,079 +dare you to get out of that Pony + + +39 +00:00:51,079 --> 00:00:53,709 +dare you to get out of that Pony +cart I dare you outside that gate dare + +40 +00:00:53,709 --> 00:00:53,719 +cart I dare you outside that gate dare + + +41 +00:00:53,719 --> 00:00:56,869 +cart I dare you outside that gate dare +you halfway here I dare you here I come + +42 +00:00:56,869 --> 00:00:56,879 +you halfway here I dare you here I come + + +43 +00:00:56,879 --> 00:01:07,190 +you halfway here I dare you here I come +you + +44 +00:01:07,190 --> 00:01:07,200 + + + +45 +00:01:07,200 --> 00:01:16,830 + +SC your own you + +46 +00:01:16,830 --> 00:01:16,840 + + + +47 +00:01:16,840 --> 00:01:20,830 + +big that'll be enough of that you stop + +48 +00:01:20,830 --> 00:01:20,840 +big that'll be enough of that you stop + + +49 +00:01:20,840 --> 00:01:22,550 +big that'll be enough of that you stop +that + +50 +00:01:22,550 --> 00:01:22,560 +that + + +51 +00:01:22,560 --> 00:01:24,990 +that +you I guess you don't know who I am yes + +52 +00:01:24,990 --> 00:01:25,000 +you I guess you don't know who I am yes + + +53 +00:01:25,000 --> 00:01:26,870 +you I guess you don't know who I am yes +I do and you're a disgrace to your + +54 +00:01:26,870 --> 00:01:26,880 +I do and you're a disgrace to your + + +55 +00:01:26,880 --> 00:01:29,990 +I do and you're a disgrace to your +mother you shut up about my mother she + +56 +00:01:29,990 --> 00:01:30,000 +mother you shut up about my mother she + + +57 +00:01:30,000 --> 00:01:31,510 +mother you shut up about my mother she +be ashamed that's little bad little boy + +58 +00:01:31,510 --> 00:01:31,520 +be ashamed that's little bad little boy + + +59 +00:01:31,520 --> 00:01:33,710 +be ashamed that's little bad little boy +like you pull down your V you Billy go + +60 +00:01:33,710 --> 00:01:33,720 +like you pull down your V you Billy go + + +61 +00:01:33,720 --> 00:01:36,030 +like you pull down your V you Billy go +you pull down your vest and wipe up your + +62 +00:01:36,030 --> 00:01:36,040 +you pull down your vest and wipe up your + + +63 +00:01:36,040 --> 00:01:39,910 +you pull down your vest and wipe up your +chin and and go what this was heard not + +64 +00:01:39,910 --> 00:01:39,920 +chin and and go what this was heard not + + +65 +00:01:39,920 --> 00:01:43,069 +chin and and go what this was heard not +only by myself but by my wife and the + +66 +00:01:43,069 --> 00:01:43,079 +only by myself but by my wife and the + + +67 +00:01:43,079 --> 00:01:44,910 +only by myself but by my wife and the +lady who lives next door he's an old + +68 +00:01:44,910 --> 00:01:44,920 +lady who lives next door he's an old + + +69 +00:01:44,920 --> 00:01:48,030 +lady who lives next door he's an old +liar Georgy you must say + +70 +00:01:48,030 --> 00:01:48,040 +liar Georgy you must say + + +71 +00:01:48,040 --> 00:01:52,630 +liar Georgy you must say +liar dear did you say what he says you + +72 +00:01:52,630 --> 00:01:52,640 +liar dear did you say what he says you + + +73 +00:01:52,640 --> 00:01:55,910 +liar dear did you say what he says you +did well Grandpa wouldn't wipe his shoe + +74 +00:01:55,910 --> 00:01:55,920 +did well Grandpa wouldn't wipe his shoe + + +75 +00:01:55,920 --> 00:01:58,389 +did well Grandpa wouldn't wipe his shoe +on that old St you must I mean none of + +76 +00:01:58,389 --> 00:01:58,399 +on that old St you must I mean none of + + +77 +00:01:58,399 --> 00:02:00,310 +on that old St you must I mean none of +us erson wouldn't have anything to do + +78 +00:02:00,310 --> 00:02:00,320 +us erson wouldn't have anything to do + + +79 +00:02:00,320 --> 00:02:01,429 +us erson wouldn't have anything to do +with him that's not what we're talking + +80 +00:02:01,429 --> 00:02:01,439 +with him that's not what we're talking + + +81 +00:02:01,439 --> 00:02:03,429 +with him that's not what we're talking +about bet if he wanted to see any of us + +82 +00:02:03,429 --> 00:02:03,439 +about bet if he wanted to see any of us + + +83 +00:02:03,439 --> 00:02:07,190 +about bet if he wanted to see any of us +he' have to go around to the side + +84 +00:02:07,190 --> 00:02:07,200 + + + +85 +00:02:07,200 --> 00:02:09,630 + +door from his letter he doesn't seem a + +86 +00:02:09,630 --> 00:02:09,640 +door from his letter he doesn't seem a + + +87 +00:02:09,640 --> 00:02:12,710 +door from his letter he doesn't seem a +very tactful person but he's just RI you + +88 +00:02:12,710 --> 00:02:12,720 +very tactful person but he's just RI you + + +89 +00:02:12,720 --> 00:02:14,710 +very tactful person but he's just RI you +mustn't say + +90 +00:02:14,710 --> 00:02:14,720 +mustn't say + + +91 +00:02:14,720 --> 00:02:17,270 +mustn't say +so and you must promise me never to use + +92 +00:02:17,270 --> 00:02:17,280 +so and you must promise me never to use + + +93 +00:02:17,280 --> 00:02:22,150 +so and you must promise me never to use +those bad words again I promise not + +94 +00:02:22,150 --> 00:02:22,160 + + + +95 +00:02:22,160 --> 00:02:25,670 + +to unless I get mad at + +96 +00:02:25,670 --> 00:02:25,680 +to unless I get mad at + + +97 +00:02:25,680 --> 00:02:28,350 +to unless I get mad at +somebody wa till they send him away to + +98 +00:02:28,350 --> 00:02:28,360 +somebody wa till they send him away to + + +99 +00:02:28,360 --> 00:02:32,470 +somebody wa till they send him away to +school then he get it they'll knock the + +100 +00:02:32,470 --> 00:02:32,480 +school then he get it they'll knock the + + +101 +00:02:32,480 --> 00:02:39,180 +school then he get it they'll knock the +stuffing out of him + +102 +00:02:39,180 --> 00:02:39,190 + + + +103 +00:02:39,190 --> 00:02:45,120 + +[Music] + diff --git a/1942/k_uINM_XI6I.description b/1942/k_uINM_XI6I.description new file mode 100644 index 0000000000000000000000000000000000000000..3c84dfa3982be56a01f7eba066c0581c2248fb4f --- /dev/null +++ b/1942/k_uINM_XI6I.description @@ -0,0 +1,38 @@ +Casablanca movie clips: http://j.mp/1JbaWQQ +BUY THE MOVIE: http://bit.ly/2cEuSGc +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Ilsa (Ingrid Bergman) pulls a gun on Rick (Humphrey Bogart) in an effort to get the travel papers, but ends up confessing her love for him. + +FILM DESCRIPTION: +One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's cafà (C) has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. + +CREDITS: +TM & © Warner Bros. (1942) +Cast: Humphrey Bogart, Ingrid Bergman +Director: Michael Curtiz +Producers: Hal B. Wallis, Jack L. Warner +Screenwriters: Joan Alison, Julius J. Epstein, Philip G. Epstein, Howard Koch, Casey Robinson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1942/k_uINM_XI6I.en.srt b/1942/k_uINM_XI6I.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8279dcb57b80f457ada425e708c56ae0ea04dabe --- /dev/null +++ b/1942/k_uINM_XI6I.en.srt @@ -0,0 +1,325 @@ +1 +00:00:00,080 --> 00:00:01,589 + +with so much at stake all you can think + +2 +00:00:01,589 --> 00:00:01,599 +with so much at stake all you can think + + +3 +00:00:01,599 --> 00:00:04,070 +with so much at stake all you can think +of is your own feeling one woman has + +4 +00:00:04,070 --> 00:00:04,080 +of is your own feeling one woman has + + +5 +00:00:04,080 --> 00:00:05,390 +of is your own feeling one woman has +hurt you and you take your avenge on the + +6 +00:00:05,390 --> 00:00:05,400 +hurt you and you take your avenge on the + + +7 +00:00:05,400 --> 00:00:08,509 +hurt you and you take your avenge on the +rest of the world you're you're a coward + +8 +00:00:08,509 --> 00:00:08,519 +rest of the world you're you're a coward + + +9 +00:00:08,519 --> 00:00:12,709 +rest of the world you're you're a coward +and + +10 +00:00:12,709 --> 00:00:12,719 + + + +11 +00:00:12,719 --> 00:00:16,750 + +weakly no no Richard I'm + +12 +00:00:16,750 --> 00:00:16,760 +weakly no no Richard I'm + + +13 +00:00:16,760 --> 00:00:20,070 +weakly no no Richard I'm +sorry I'm sorry but but you you are our + +14 +00:00:20,070 --> 00:00:20,080 +sorry I'm sorry but but you you are our + + +15 +00:00:20,080 --> 00:00:21,870 +sorry I'm sorry but but you you are our +last hope if you don't help us Victor + +16 +00:00:21,870 --> 00:00:21,880 +last hope if you don't help us Victor + + +17 +00:00:21,880 --> 00:00:24,830 +last hope if you don't help us Victor +ller will die in Casablanca what up it + +18 +00:00:24,830 --> 00:00:24,840 +ller will die in Casablanca what up it + + +19 +00:00:24,840 --> 00:00:26,470 +ller will die in Casablanca what up it +I'm going to die in C A blankets a good + +20 +00:00:26,470 --> 00:00:26,480 +I'm going to die in C A blankets a good + + +21 +00:00:26,480 --> 00:00:34,389 +I'm going to die in C A blankets a good +spot for it + +22 +00:00:34,389 --> 00:00:34,399 + + + +23 +00:00:34,399 --> 00:00:37,630 + +now if + +24 +00:00:37,630 --> 00:00:37,640 + + + +25 +00:00:37,640 --> 00:00:42,389 + +you all right I tried to reason with you + +26 +00:00:42,389 --> 00:00:42,399 +you all right I tried to reason with you + + +27 +00:00:42,399 --> 00:00:43,830 +you all right I tried to reason with you +I tried everything now I want those + +28 +00:00:43,830 --> 00:00:43,840 +I tried everything now I want those + + +29 +00:00:43,840 --> 00:00:46,790 +I tried everything now I want those +letters get them for me I don't have to + +30 +00:00:46,790 --> 00:00:46,800 +letters get them for me I don't have to + + +31 +00:00:46,800 --> 00:00:48,750 +letters get them for me I don't have to +I got them right + +32 +00:00:48,750 --> 00:00:48,760 +I got them right + + +33 +00:00:48,760 --> 00:00:52,470 +I got them right +here put them on the + +34 +00:00:52,470 --> 00:00:52,480 + + + +35 +00:00:52,480 --> 00:00:54,389 + +table + +36 +00:00:54,389 --> 00:00:54,399 +table + + +37 +00:00:54,399 --> 00:00:57,910 +table +no for the last time put them on the + +38 +00:00:57,910 --> 00:00:57,920 +no for the last time put them on the + + +39 +00:00:57,920 --> 00:01:00,869 +no for the last time put them on the +table if llo on the yours mean so much + +40 +00:01:00,869 --> 00:01:00,879 +table if llo on the yours mean so much + + +41 +00:01:00,879 --> 00:01:03,270 +table if llo on the yours mean so much +to you you won't stop at + +42 +00:01:03,270 --> 00:01:03,280 +to you you won't stop at + + +43 +00:01:03,280 --> 00:01:05,509 +to you you won't stop at +anything all right I'll make it easier + +44 +00:01:05,509 --> 00:01:05,519 +anything all right I'll make it easier + + +45 +00:01:05,519 --> 00:01:07,749 +anything all right I'll make it easier +for + +46 +00:01:07,749 --> 00:01:07,759 + + + +47 +00:01:07,759 --> 00:01:10,550 + +you go ahead and shoot you'll be doing + +48 +00:01:10,550 --> 00:01:10,560 +you go ahead and shoot you'll be doing + + +49 +00:01:10,560 --> 00:01:16,350 +you go ahead and shoot you'll be doing +me a + +50 +00:01:16,350 --> 00:01:16,360 + + + +51 +00:01:16,360 --> 00:01:18,469 + +favor + +52 +00:01:18,469 --> 00:01:18,479 +favor + + +53 +00:01:18,479 --> 00:01:21,030 +favor +Richard I tried to stay + +54 +00:01:21,030 --> 00:01:21,040 +Richard I tried to stay + + +55 +00:01:21,040 --> 00:01:24,950 +Richard I tried to stay +away I thought I would never see you + +56 +00:01:24,950 --> 00:01:24,960 +away I thought I would never see you + + +57 +00:01:24,960 --> 00:01:48,749 +away I thought I would never see you +again that you're out of my life + +58 +00:01:48,749 --> 00:01:48,759 + + + +59 +00:01:48,759 --> 00:01:51,389 + +the day you left + +60 +00:01:51,389 --> 00:01:51,399 +the day you left + + +61 +00:01:51,399 --> 00:01:54,709 +the day you left +Paris if you knew what I went + +62 +00:01:54,709 --> 00:01:54,719 +Paris if you knew what I went + + +63 +00:01:54,719 --> 00:01:58,550 +Paris if you knew what I went +through if you knew how much I loved + +64 +00:01:58,550 --> 00:01:58,560 +through if you knew how much I loved + + +65 +00:01:58,560 --> 00:02:04,079 +through if you knew how much I loved +you how much I still love you + diff --git a/1942/lz98akbX_NE.description b/1942/lz98akbX_NE.description new file mode 100644 index 0000000000000000000000000000000000000000..54fa2d107f92cb6432fc699139fe30e62261a15d --- /dev/null +++ b/1942/lz98akbX_NE.description @@ -0,0 +1,36 @@ +Cat People - Pool of Terror: Alice Moore (Jane Randolph) is stalked by an animal while swimming in her apartment building's pool. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/cat-people-1942/1MV2000ce07418a9cfbd68ee72968567098?cmp=Movieclips_YT_Description + +Watch the best Cat People scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqrGvzfxp1Yqspfn5HS7KVFb + +FILM DESCRIPTION: +Irena Dubrovna (Simone Simon), a New York City--based fashion designer who hails from Serbia, begins a romance with marine engineer Oliver Reed (Kent Smith). After the couple gets married, Oliver becomes concerned about Irena's notion that she is cursed and may transform into a large cat in the heat of passion. Confiding in his beautiful assistant, Alice Moore (Jane Randolph), about his marital issues, Oliver unwittingly triggers Irena's curse, with tragic results. + +CREDITS: +TM & © Warner Bros. (1942) +Cast: Jane Randolph, Simone Simon +Director: Jacques Tourneur +Producer: Val Lewton + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1942/mK10Ze-mcQo.description b/1942/mK10Ze-mcQo.description new file mode 100644 index 0000000000000000000000000000000000000000..15e6382d26cce71f5febb65a6c1787f95fec3990 --- /dev/null +++ b/1942/mK10Ze-mcQo.description @@ -0,0 +1,38 @@ +Casablanca movie clips: http://j.mp/1JbaWQQ +BUY THE MOVIE: http://bit.ly/2cEuSGc +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Ilsa (Ingrid Bergman) tries to explain the past to Rick (Humphrey Bogart), but she has secrets to hide and he is still too heartbroken to listen. + +FILM DESCRIPTION: +One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's cafà (C) has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. + +CREDITS: +TM & © Warner Bros. (1942) +Cast: Humphrey Bogart, Ingrid Bergman +Director: Michael Curtiz +Producers: Hal B. Wallis, Jack L. Warner +Screenwriters: Joan Alison, Julius J. Epstein, Philip G. Epstein, Howard Koch, Casey Robinson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1942/mK10Ze-mcQo.en.srt b/1942/mK10Ze-mcQo.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8cb7560dfc743dd9fb7beda449e23a7ecf402d56 --- /dev/null +++ b/1942/mK10Ze-mcQo.en.srt @@ -0,0 +1,505 @@ +1 +00:00:00,080 --> 00:00:02,709 + +no Rick not tonight especially + +2 +00:00:02,709 --> 00:00:02,719 +no Rick not tonight especially + + +3 +00:00:02,719 --> 00:00:04,710 +no Rick not tonight especially +tonight why did you have to come to + +4 +00:00:04,710 --> 00:00:04,720 +tonight why did you have to come to + + +5 +00:00:04,720 --> 00:00:07,550 +tonight why did you have to come to +cassablanca there are other places I + +6 +00:00:07,550 --> 00:00:07,560 +cassablanca there are other places I + + +7 +00:00:07,560 --> 00:00:08,790 +cassablanca there are other places I +wouldn't have come if I know that you + +8 +00:00:08,790 --> 00:00:08,800 +wouldn't have come if I know that you + + +9 +00:00:08,800 --> 00:00:11,789 +wouldn't have come if I know that you +were here believe me Rick it's true I + +10 +00:00:11,789 --> 00:00:11,799 +were here believe me Rick it's true I + + +11 +00:00:11,799 --> 00:00:13,390 +were here believe me Rick it's true I +didn't know it's funny about your voice + +12 +00:00:13,390 --> 00:00:13,400 +didn't know it's funny about your voice + + +13 +00:00:13,400 --> 00:00:15,350 +didn't know it's funny about your voice +how it hasn't changed I can still hear + +14 +00:00:15,350 --> 00:00:15,360 +how it hasn't changed I can still hear + + +15 +00:00:15,360 --> 00:00:18,029 +how it hasn't changed I can still hear +it Richard dear I'll go with you any + +16 +00:00:18,029 --> 00:00:18,039 +it Richard dear I'll go with you any + + +17 +00:00:18,039 --> 00:00:20,230 +it Richard dear I'll go with you any +place we'll get on a train together and + +18 +00:00:20,230 --> 00:00:20,240 +place we'll get on a train together and + + +19 +00:00:20,240 --> 00:00:21,990 +place we'll get on a train together and +never stop don't + +20 +00:00:21,990 --> 00:00:22,000 +never stop don't + + +21 +00:00:22,000 --> 00:00:25,710 +never stop don't +Rick I can understand how you feel huh + +22 +00:00:25,710 --> 00:00:25,720 +Rick I can understand how you feel huh + + +23 +00:00:25,720 --> 00:00:27,589 +Rick I can understand how you feel huh +you understand how I + +24 +00:00:27,589 --> 00:00:27,599 +you understand how I + + +25 +00:00:27,599 --> 00:00:31,230 +you understand how I +feel how long was it we had honey + +26 +00:00:31,230 --> 00:00:31,240 +feel how long was it we had honey + + +27 +00:00:31,240 --> 00:00:34,270 +feel how long was it we had honey +I didn't count the days well I did every + +28 +00:00:34,270 --> 00:00:34,280 +I didn't count the days well I did every + + +29 +00:00:34,280 --> 00:00:37,790 +I didn't count the days well I did every +one of them mostly I remember the last + +30 +00:00:37,790 --> 00:00:37,800 +one of them mostly I remember the last + + +31 +00:00:37,800 --> 00:00:40,950 +one of them mostly I remember the last +one a while finish a guy standing on a + +32 +00:00:40,950 --> 00:00:40,960 +one a while finish a guy standing on a + + +33 +00:00:40,960 --> 00:00:43,029 +one a while finish a guy standing on a +station platform in the rain with a + +34 +00:00:43,029 --> 00:00:43,039 +station platform in the rain with a + + +35 +00:00:43,039 --> 00:00:44,750 +station platform in the rain with a +comical look in his face because his + +36 +00:00:44,750 --> 00:00:44,760 +comical look in his face because his + + +37 +00:00:44,760 --> 00:00:47,790 +comical look in his face because his +insides have been kicked + +38 +00:00:47,790 --> 00:00:47,800 +insides have been kicked + + +39 +00:00:47,800 --> 00:00:51,310 +insides have been kicked +out can I tell you a story Rick it got a + +40 +00:00:51,310 --> 00:00:51,320 +out can I tell you a story Rick it got a + + +41 +00:00:51,320 --> 00:00:52,670 +out can I tell you a story Rick it got a +while + +42 +00:00:52,670 --> 00:00:52,680 +while + + +43 +00:00:52,680 --> 00:00:56,349 +while +finish I don't know the finish yet go on + +44 +00:00:56,349 --> 00:00:56,359 +finish I don't know the finish yet go on + + +45 +00:00:56,359 --> 00:00:57,950 +finish I don't know the finish yet go on +and tell us maybe when it'll come to you + +46 +00:00:57,950 --> 00:00:57,960 +and tell us maybe when it'll come to you + + +47 +00:00:57,960 --> 00:01:01,869 +and tell us maybe when it'll come to you +as you go along + +48 +00:01:01,869 --> 00:01:01,879 + + + +49 +00:01:01,879 --> 00:01:03,590 + +it's about a girl who had just come to + +50 +00:01:03,590 --> 00:01:03,600 +it's about a girl who had just come to + + +51 +00:01:03,600 --> 00:01:06,350 +it's about a girl who had just come to +Paris from her home in Oso at the house + +52 +00:01:06,350 --> 00:01:06,360 +Paris from her home in Oso at the house + + +53 +00:01:06,360 --> 00:01:09,070 +Paris from her home in Oso at the house +of some friends she met a man about whom + +54 +00:01:09,070 --> 00:01:09,080 +of some friends she met a man about whom + + +55 +00:01:09,080 --> 00:01:11,190 +of some friends she met a man about whom +she had heard her whole life a very + +56 +00:01:11,190 --> 00:01:11,200 +she had heard her whole life a very + + +57 +00:01:11,200 --> 00:01:13,350 +she had heard her whole life a very +great and courageous + +58 +00:01:13,350 --> 00:01:13,360 +great and courageous + + +59 +00:01:13,360 --> 00:01:15,630 +great and courageous +man he opened up for her a whole + +60 +00:01:15,630 --> 00:01:15,640 +man he opened up for her a whole + + +61 +00:01:15,640 --> 00:01:17,830 +man he opened up for her a whole +beautiful world full of knowledge and + +62 +00:01:17,830 --> 00:01:17,840 +beautiful world full of knowledge and + + +63 +00:01:17,840 --> 00:01:20,830 +beautiful world full of knowledge and +thoughts and ideals everything she knew + +64 +00:01:20,830 --> 00:01:20,840 +thoughts and ideals everything she knew + + +65 +00:01:20,840 --> 00:01:22,950 +thoughts and ideals everything she knew +or ever became was because of + +66 +00:01:22,950 --> 00:01:22,960 +or ever became was because of + + +67 +00:01:22,960 --> 00:01:26,069 +or ever became was because of +him and she looked up to him and + +68 +00:01:26,069 --> 00:01:26,079 +him and she looked up to him and + + +69 +00:01:26,079 --> 00:01:28,550 +him and she looked up to him and +worshiped him with a feeling she + +70 +00:01:28,550 --> 00:01:28,560 +worshiped him with a feeling she + + +71 +00:01:28,560 --> 00:01:30,670 +worshiped him with a feeling she +supposed was love + +72 +00:01:30,670 --> 00:01:30,680 +supposed was love + + +73 +00:01:30,680 --> 00:01:33,670 +supposed was love +yes it's very pretty I heard a story + +74 +00:01:33,670 --> 00:01:33,680 +yes it's very pretty I heard a story + + +75 +00:01:33,680 --> 00:01:35,030 +yes it's very pretty I heard a story +once as a matter of fact I've heard a + +76 +00:01:35,030 --> 00:01:35,040 +once as a matter of fact I've heard a + + +77 +00:01:35,040 --> 00:01:36,749 +once as a matter of fact I've heard a +lot of stories in my time they went + +78 +00:01:36,749 --> 00:01:36,759 +lot of stories in my time they went + + +79 +00:01:36,759 --> 00:01:39,429 +lot of stories in my time they went +along with the sound of a tiny piano + +80 +00:01:39,429 --> 00:01:39,439 +along with the sound of a tiny piano + + +81 +00:01:39,439 --> 00:01:41,469 +along with the sound of a tiny piano +playing in The Parlor + +82 +00:01:41,469 --> 00:01:41,479 +playing in The Parlor + + +83 +00:01:41,479 --> 00:01:44,630 +playing in The Parlor +downstairs Mr I met a man once when I + +84 +00:01:44,630 --> 00:01:44,640 +downstairs Mr I met a man once when I + + +85 +00:01:44,640 --> 00:01:46,900 +downstairs Mr I met a man once when I +was a kid it always + +86 +00:01:46,900 --> 00:01:46,910 +was a kid it always + + +87 +00:01:46,910 --> 00:01:49,069 +was a kid it always +[Music] + +88 +00:01:49,069 --> 00:01:49,079 +[Music] + + +89 +00:01:49,079 --> 00:01:51,630 +[Music] +begin I guess neither one of our stories + +90 +00:01:51,630 --> 00:01:51,640 +begin I guess neither one of our stories + + +91 +00:01:51,640 --> 00:01:52,910 +begin I guess neither one of our stories +is very + +92 +00:01:52,910 --> 00:01:52,920 +is very + + +93 +00:01:52,920 --> 00:01:54,709 +is very +funny tell + +94 +00:01:54,709 --> 00:01:54,719 +funny tell + + +95 +00:01:54,719 --> 00:01:59,029 +funny tell +me who was it you left me for was it llo + +96 +00:01:59,029 --> 00:01:59,039 +me who was it you left me for was it llo + + +97 +00:01:59,039 --> 00:02:01,510 +me who was it you left me for was it llo +or were there others in between or + +98 +00:02:01,510 --> 00:02:01,520 +or were there others in between or + + +99 +00:02:01,520 --> 00:02:10,779 +or were there others in between or +aren't you the kind that tells + +100 +00:02:10,779 --> 00:02:10,789 + + + +101 +00:02:10,789 --> 00:02:44,490 + +[Music] + diff --git a/1942/nDKhoXEpIq8.en.srt b/1942/nDKhoXEpIq8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1af6e7e3620e4850cfe74f9fba072a9f687baced --- /dev/null +++ b/1942/nDKhoXEpIq8.en.srt @@ -0,0 +1,465 @@ +1 +00:00:00,240 --> 00:00:03,439 + +what are you doing in this room I'm + +2 +00:00:03,439 --> 00:00:03,449 +what are you doing in this room I'm + + +3 +00:00:03,449 --> 00:00:08,960 +what are you doing in this room I'm +going to sleep here we go yes didn't you + +4 +00:00:08,960 --> 00:00:08,970 +going to sleep here we go yes didn't you + + +5 +00:00:08,970 --> 00:00:10,850 +going to sleep here we go yes didn't you +understand I wish someone to sleep on + +6 +00:00:10,850 --> 00:00:10,860 +understand I wish someone to sleep on + + +7 +00:00:10,860 --> 00:00:13,160 +understand I wish someone to sleep on +the same floor with me we can get one of + +8 +00:00:13,160 --> 00:00:13,170 +the same floor with me we can get one of + + +9 +00:00:13,170 --> 00:00:14,990 +the same floor with me we can get one of +the maids mother perhaps we can get the + +10 +00:00:14,990 --> 00:00:15,000 +the maids mother perhaps we can get the + + +11 +00:00:15,000 --> 00:00:17,990 +the maids mother perhaps we can get the +nurse back we so long as I pay the bills + +12 +00:00:17,990 --> 00:00:18,000 +nurse back we so long as I pay the bills + + +13 +00:00:18,000 --> 00:00:20,390 +nurse back we so long as I pay the bills +I'm running this house please remember + +14 +00:00:20,390 --> 00:00:20,400 +I'm running this house please remember + + +15 +00:00:20,400 --> 00:00:23,300 +I'm running this house please remember +your guest Charlotte well if I am one + +16 +00:00:23,300 --> 00:00:23,310 +your guest Charlotte well if I am one + + +17 +00:00:23,310 --> 00:00:24,890 +your guest Charlotte well if I am one +then please treat me like one mother + +18 +00:00:24,890 --> 00:00:24,900 +then please treat me like one mother + + +19 +00:00:24,900 --> 00:00:27,670 +then please treat me like one mother +your guest prefers to sleep in this room + +20 +00:00:27,670 --> 00:00:27,680 +your guest prefers to sleep in this room + + +21 +00:00:27,680 --> 00:00:30,859 +your guest prefers to sleep in this room +if you don't mind this is no time for + +22 +00:00:30,859 --> 00:00:30,869 +if you don't mind this is no time for + + +23 +00:00:30,869 --> 00:00:33,709 +if you don't mind this is no time for +humor it so happens I do mind where did + +24 +00:00:33,709 --> 00:00:33,719 +humor it so happens I do mind where did + + +25 +00:00:33,719 --> 00:00:36,350 +humor it so happens I do mind where did +these flowers come from from New York + +26 +00:00:36,350 --> 00:00:36,360 +these flowers come from from New York + + +27 +00:00:36,360 --> 00:00:39,319 +these flowers come from from New York +who sent them I forgotten the name of + +28 +00:00:39,319 --> 00:00:39,329 +who sent them I forgotten the name of + + +29 +00:00:39,329 --> 00:00:42,440 +who sent them I forgotten the name of +the florist I think it's on the box I've + +30 +00:00:42,440 --> 00:00:42,450 +the florist I think it's on the box I've + + +31 +00:00:42,450 --> 00:00:44,720 +the florist I think it's on the box I've +seen it I had the box brought to me + +32 +00:00:44,720 --> 00:00:44,730 +seen it I had the box brought to me + + +33 +00:00:44,730 --> 00:00:46,520 +seen it I had the box brought to me +first you know perfectly well what I + +34 +00:00:46,520 --> 00:00:46,530 +first you know perfectly well what I + + +35 +00:00:46,530 --> 00:00:49,180 +first you know perfectly well what I +mean what person was sent the flowers + +36 +00:00:49,180 --> 00:00:49,190 +mean what person was sent the flowers + + +37 +00:00:49,190 --> 00:00:53,060 +mean what person was sent the flowers +there wasn't any card in other words you + +38 +00:00:53,060 --> 00:00:53,070 +there wasn't any card in other words you + + +39 +00:00:53,070 --> 00:00:56,869 +there wasn't any card in other words you +don't intend to tell me mother I don't + +40 +00:00:56,869 --> 00:00:56,879 +don't intend to tell me mother I don't + + +41 +00:00:56,879 --> 00:01:00,020 +don't intend to tell me mother I don't +want to be disagreeable or unkind I've + +42 +00:01:00,020 --> 00:01:00,030 +want to be disagreeable or unkind I've + + +43 +00:01:00,030 --> 00:01:01,729 +want to be disagreeable or unkind I've +come home to live with you again here in + +44 +00:01:01,729 --> 00:01:01,739 +come home to live with you again here in + + +45 +00:01:01,739 --> 00:01:04,219 +come home to live with you again here in +the same house but it can't be in the + +46 +00:01:04,219 --> 00:01:04,229 +the same house but it can't be in the + + +47 +00:01:04,229 --> 00:01:06,590 +the same house but it can't be in the +same way I've been living my own life + +48 +00:01:06,590 --> 00:01:06,600 +same way I've been living my own life + + +49 +00:01:06,600 --> 00:01:09,230 +same way I've been living my own life +making my own decisions for a long while + +50 +00:01:09,230 --> 00:01:09,240 +making my own decisions for a long while + + +51 +00:01:09,240 --> 00:01:11,990 +making my own decisions for a long while +now it's impossible to go back to being + +52 +00:01:11,990 --> 00:01:12,000 +now it's impossible to go back to being + + +53 +00:01:12,000 --> 00:01:14,810 +now it's impossible to go back to being +treated like a child again I don't think + +54 +00:01:14,810 --> 00:01:14,820 +treated like a child again I don't think + + +55 +00:01:14,820 --> 00:01:16,999 +treated like a child again I don't think +I'll do anything of importance that will + +56 +00:01:16,999 --> 00:01:17,009 +I'll do anything of importance that will + + +57 +00:01:17,009 --> 00:01:17,990 +I'll do anything of importance that will +displease you + +58 +00:01:17,990 --> 00:01:18,000 +displease you + + +59 +00:01:18,000 --> 00:01:20,800 +displease you +but mother from now on you must give me + +60 +00:01:20,800 --> 00:01:20,810 +but mother from now on you must give me + + +61 +00:01:20,810 --> 00:01:24,590 +but mother from now on you must give me +complete freedom including deciding what + +62 +00:01:24,590 --> 00:01:24,600 +complete freedom including deciding what + + +63 +00:01:24,600 --> 00:01:28,100 +complete freedom including deciding what +I wear where I sleep what I read where + +64 +00:01:28,100 --> 00:01:28,110 +I wear where I sleep what I read where + + +65 +00:01:28,110 --> 00:01:30,649 +I wear where I sleep what I read where +did you get that dress at least and I + +66 +00:01:30,649 --> 00:01:30,659 +did you get that dress at least and I + + +67 +00:01:30,659 --> 00:01:32,450 +did you get that dress at least and I +bought it in New York today it's + +68 +00:01:32,450 --> 00:01:32,460 +bought it in New York today it's + + +69 +00:01:32,460 --> 00:01:34,149 +bought it in New York today it's +outrageous + +70 +00:01:34,149 --> 00:01:34,159 +outrageous + + +71 +00:01:34,159 --> 00:01:36,490 +outrageous +where's the black and white blood I gave + +72 +00:01:36,490 --> 00:01:36,500 +where's the black and white blood I gave + + +73 +00:01:36,500 --> 00:01:40,410 +where's the black and white blood I gave +it to mr. till she was so grateful + +74 +00:01:40,410 --> 00:01:40,420 + + + +75 +00:01:40,420 --> 00:01:45,300 + +please be fair I don't meet me halfway + +76 +00:01:45,300 --> 00:01:45,310 + + + +77 +00:01:45,310 --> 00:01:47,620 + +they told me before you were born that + +78 +00:01:47,620 --> 00:01:47,630 +they told me before you were born that + + +79 +00:01:47,630 --> 00:01:49,510 +they told me before you were born that +my recompense for having a late child + +80 +00:01:49,510 --> 00:01:49,520 +my recompense for having a late child + + +81 +00:01:49,520 --> 00:01:51,280 +my recompense for having a late child +who's become for the child would be to + +82 +00:01:51,280 --> 00:01:51,290 +who's become for the child would be to + + +83 +00:01:51,290 --> 00:01:55,210 +who's become for the child would be to +be my own age especially to travail and + +84 +00:01:55,210 --> 00:01:55,220 +be my own age especially to travail and + + +85 +00:01:55,220 --> 00:01:57,070 +be my own age especially to travail and +on your first day home after six months + +86 +00:01:57,070 --> 00:01:57,080 +on your first day home after six months + + +87 +00:01:57,080 --> 00:02:01,970 +on your first day home after six months +absence you'll behave like this + +88 +00:02:01,970 --> 00:02:01,980 + + + +89 +00:02:01,980 --> 00:02:03,830 + +mother wait for me and I'll go down with + +90 +00:02:03,830 --> 00:02:03,840 +mother wait for me and I'll go down with + + +91 +00:02:03,840 --> 00:02:10,890 +mother wait for me and I'll go down with +you + +92 +00:02:10,890 --> 00:02:10,900 + + + +93 +00:02:10,900 --> 00:02:42,659 + +[Music] + diff --git a/1942/pE0vTejjWuk.description b/1942/pE0vTejjWuk.description new file mode 100644 index 0000000000000000000000000000000000000000..320b63b3b72320a3478185f4c7ebc002badc3d50 --- /dev/null +++ b/1942/pE0vTejjWuk.description @@ -0,0 +1,36 @@ +Cat People - Instrument of Death: Irena (Simone Simon) runs into Dr. Judd (Tom Conway) at the zoo. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/cat-people-1942/1MV2000ce07418a9cfbd68ee72968567098?cmp=Movieclips_YT_Description + +Watch the best Cat People scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqrGvzfxp1Yqspfn5HS7KVFb + +FILM DESCRIPTION: +Irena Dubrovna (Simone Simon), a New York City--based fashion designer who hails from Serbia, begins a romance with marine engineer Oliver Reed (Kent Smith). After the couple gets married, Oliver becomes concerned about Irena's notion that she is cursed and may transform into a large cat in the heat of passion. Confiding in his beautiful assistant, Alice Moore (Jane Randolph), about his marital issues, Oliver unwittingly triggers Irena's curse, with tragic results. + +CREDITS: +TM & © Warner Bros. (1942) +Cast: Simone Simon, Tom Conway +Director: Jacques Tourneur +Producer: Val Lewton + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1942/pE0vTejjWuk.en.srt b/1942/pE0vTejjWuk.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7cdbf95310ffc04a1ed0cfc11fd69a7fee704b83 --- /dev/null +++ b/1942/pE0vTejjWuk.en.srt @@ -0,0 +1,245 @@ +1 +00:00:02,210 --> 00:00:28,000 + +[Music] + +2 +00:00:28,000 --> 00:00:28,010 + + + +3 +00:00:28,010 --> 00:00:30,800 + +I'm always forgetting it ain't no worry + +4 +00:00:30,800 --> 00:00:30,810 +I'm always forgetting it ain't no worry + + +5 +00:00:30,810 --> 00:00:32,630 +I'm always forgetting it ain't no worry +in it nobody want to steal one of them + +6 +00:00:32,630 --> 00:00:32,640 +in it nobody want to steal one of them + + +7 +00:00:32,640 --> 00:00:44,139 +in it nobody want to steal one of them +critters you resist temptation admirably + +8 +00:00:44,139 --> 00:00:44,149 +critters you resist temptation admirably + + +9 +00:00:44,149 --> 00:00:48,139 +critters you resist temptation admirably +temptation the year key oh why would I + +10 +00:00:48,139 --> 00:00:48,149 +temptation the year key oh why would I + + +11 +00:00:48,149 --> 00:00:51,260 +temptation the year key oh why would I +want it for many reasons there is in + +12 +00:00:51,260 --> 00:00:51,270 +want it for many reasons there is in + + +13 +00:00:51,270 --> 00:00:54,080 +want it for many reasons there is in +some cases a psychic need to lose evil + +14 +00:00:54,080 --> 00:00:54,090 +some cases a psychic need to lose evil + + +15 +00:00:54,090 --> 00:00:56,389 +some cases a psychic need to lose evil +upon the world and with all of us carry + +16 +00:00:56,389 --> 00:00:56,399 +upon the world and with all of us carry + + +17 +00:00:56,399 --> 00:00:59,060 +upon the world and with all of us carry +within us a desire for death you who + +18 +00:00:59,060 --> 00:00:59,070 +within us a desire for death you who + + +19 +00:00:59,070 --> 00:01:01,520 +within us a desire for death you who +fear the panther yet you're drawn to him + +20 +00:01:01,520 --> 00:01:01,530 +fear the panther yet you're drawn to him + + +21 +00:01:01,530 --> 00:01:04,549 +fear the panther yet you're drawn to him +cannot again couldn't you turn to him as + +22 +00:01:04,549 --> 00:01:04,559 +cannot again couldn't you turn to him as + + +23 +00:01:04,559 --> 00:01:08,480 +cannot again couldn't you turn to him as +an instrument of death you didn't come + +24 +00:01:08,480 --> 00:01:08,490 +an instrument of death you didn't come + + +25 +00:01:08,490 --> 00:01:10,580 +an instrument of death you didn't come +back to see me Friday I had to come to + +26 +00:01:10,580 --> 00:01:10,590 +back to see me Friday I had to come to + + +27 +00:01:10,590 --> 00:01:13,250 +back to see me Friday I had to come to +you how did you know what a fine thing + +28 +00:01:13,250 --> 00:01:13,260 +you how did you know what a fine thing + + +29 +00:01:13,260 --> 00:01:17,600 +you how did you know what a fine thing +you told me anything why didn't you come + +30 +00:01:17,600 --> 00:01:17,610 +you told me anything why didn't you come + + +31 +00:01:17,610 --> 00:01:21,530 +you told me anything why didn't you come +back don't think you can help me you're + +32 +00:01:21,530 --> 00:01:21,540 +back don't think you can help me you're + + +33 +00:01:21,540 --> 00:01:24,499 +back don't think you can help me you're +very wise you know a great deal yet when + +34 +00:01:24,499 --> 00:01:24,509 +very wise you know a great deal yet when + + +35 +00:01:24,509 --> 00:01:26,480 +very wise you know a great deal yet when +you speak of the soul you mean the mind + +36 +00:01:26,480 --> 00:01:26,490 +you speak of the soul you mean the mind + + +37 +00:01:26,490 --> 00:01:30,140 +you speak of the soul you mean the mind +and it is not my mind that is troubled + +38 +00:01:30,140 --> 00:01:30,150 +and it is not my mind that is troubled + + +39 +00:01:30,150 --> 00:01:33,230 +and it is not my mind that is troubled +what a clever girl all the psychologists + +40 +00:01:33,230 --> 00:01:33,240 +what a clever girl all the psychologists + + +41 +00:01:33,240 --> 00:01:35,060 +what a clever girl all the psychologists +have tried for years to find that subtle + +42 +00:01:35,060 --> 00:01:35,070 +have tried for years to find that subtle + + +43 +00:01:35,070 --> 00:01:37,580 +have tried for years to find that subtle +difference between mind and soul and you + +44 +00:01:37,580 --> 00:01:37,590 +difference between mind and soul and you + + +45 +00:01:37,590 --> 00:01:40,899 +difference between mind and soul and you +found it Dustin presume to Sameera + +46 +00:01:40,899 --> 00:01:40,909 +found it Dustin presume to Sameera + + +47 +00:01:40,909 --> 00:01:44,690 +found it Dustin presume to Sameera +goodbye doctor + +48 +00:01:44,690 --> 00:01:44,700 + + + +49 +00:01:44,700 --> 00:01:56,040 + +[Music] + diff --git a/1942/rEWaqUVac3M.description b/1942/rEWaqUVac3M.description new file mode 100644 index 0000000000000000000000000000000000000000..7bc6ff3859b1e78fb1f650a6f09cb3a69b23ae48 --- /dev/null +++ b/1942/rEWaqUVac3M.description @@ -0,0 +1,38 @@ +Casablanca movie clips: http://j.mp/1JbaWQQ +BUY THE MOVIE: http://bit.ly/2cEuSGc +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Rick (Humphrey Bogart) prepares the travel papers for Ilsa (Ingrid Bergman) and Victor instead of himself, and says goodbye. + +FILM DESCRIPTION: +One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's cafà (C) has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. + +CREDITS: +TM & © Warner Bros. (1942) +Cast: Humphrey Bogart, Paul Henreid, Claude Rains, Ingrid Bergman +Director: Michael Curtiz +Producers: Hal B. Wallis, Jack L. Warner +Screenwriters: Joan Alison, Julius J. Epstein, Philip G. Epstein, Howard Koch, Casey Robinson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1942/rEWaqUVac3M.en.srt b/1942/rEWaqUVac3M.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9f6a1306951950f7e508ea5cfdec2f07b2a85ff8 --- /dev/null +++ b/1942/rEWaqUVac3M.en.srt @@ -0,0 +1,485 @@ +1 +00:00:09,240 --> 00:00:10,910 + +will you have your man go with Mr llo + +2 +00:00:10,910 --> 00:00:10,920 +will you have your man go with Mr llo + + +3 +00:00:10,920 --> 00:00:12,390 +will you have your man go with Mr llo +and take care of his luggage certainly + +4 +00:00:12,390 --> 00:00:12,400 +and take care of his luggage certainly + + +5 +00:00:12,400 --> 00:00:15,110 +and take care of his luggage certainly +Rick anything you say find Mr laslo's + +6 +00:00:15,110 --> 00:00:15,120 +Rick anything you say find Mr laslo's + + +7 +00:00:15,120 --> 00:00:17,830 +Rick anything you say find Mr laslo's +luggage and put it on the plane yes sir + +8 +00:00:17,830 --> 00:00:17,840 +luggage and put it on the plane yes sir + + +9 +00:00:17,840 --> 00:00:19,710 +luggage and put it on the plane yes sir +this + +10 +00:00:19,710 --> 00:00:19,720 +this + + +11 +00:00:19,720 --> 00:00:21,910 +this +way if you don't mind you fill in the + +12 +00:00:21,910 --> 00:00:21,920 +way if you don't mind you fill in the + + +13 +00:00:21,920 --> 00:00:23,750 +way if you don't mind you fill in the +names that'll make it even more official + +14 +00:00:23,750 --> 00:00:23,760 +names that'll make it even more official + + +15 +00:00:23,760 --> 00:00:26,310 +names that'll make it even more official +they think of everything don't you and + +16 +00:00:26,310 --> 00:00:26,320 +they think of everything don't you and + + +17 +00:00:26,320 --> 00:00:30,109 +they think of everything don't you and +the names are Mr and Mrs Victor llo but + +18 +00:00:30,109 --> 00:00:30,119 +the names are Mr and Mrs Victor llo but + + +19 +00:00:30,119 --> 00:00:31,550 +the names are Mr and Mrs Victor llo but +my name Richard because you're getting + +20 +00:00:31,550 --> 00:00:31,560 +my name Richard because you're getting + + +21 +00:00:31,560 --> 00:00:33,590 +my name Richard because you're getting +on that plane I don't understand what + +22 +00:00:33,590 --> 00:00:33,600 +on that plane I don't understand what + + +23 +00:00:33,600 --> 00:00:35,110 +on that plane I don't understand what +about you I'm staying here with him till + +24 +00:00:35,110 --> 00:00:35,120 +about you I'm staying here with him till + + +25 +00:00:35,120 --> 00:00:37,069 +about you I'm staying here with him till +the plane gets safely away no Richard + +26 +00:00:37,069 --> 00:00:37,079 +the plane gets safely away no Richard + + +27 +00:00:37,079 --> 00:00:38,630 +the plane gets safely away no Richard +know what has happened to you last night + +28 +00:00:38,630 --> 00:00:38,640 +know what has happened to you last night + + +29 +00:00:38,640 --> 00:00:40,750 +know what has happened to you last night +last night we said a great many things + +30 +00:00:40,750 --> 00:00:40,760 +last night we said a great many things + + +31 +00:00:40,760 --> 00:00:42,150 +last night we said a great many things +you said I was to do the thinking for + +32 +00:00:42,150 --> 00:00:42,160 +you said I was to do the thinking for + + +33 +00:00:42,160 --> 00:00:43,510 +you said I was to do the thinking for +both of us well I've done a lot of it + +34 +00:00:43,510 --> 00:00:43,520 +both of us well I've done a lot of it + + +35 +00:00:43,520 --> 00:00:45,229 +both of us well I've done a lot of it +since then it all adds up to one thing + +36 +00:00:45,229 --> 00:00:45,239 +since then it all adds up to one thing + + +37 +00:00:45,239 --> 00:00:46,630 +since then it all adds up to one thing +you're getting on that plane with Victor + +38 +00:00:46,630 --> 00:00:46,640 +you're getting on that plane with Victor + + +39 +00:00:46,640 --> 00:00:48,670 +you're getting on that plane with Victor +where you belong Richard no I now you've + +40 +00:00:48,670 --> 00:00:48,680 +where you belong Richard no I now you've + + +41 +00:00:48,680 --> 00:00:51,229 +where you belong Richard no I now you've +got to listen to me you have any idea + +42 +00:00:51,229 --> 00:00:51,239 +got to listen to me you have any idea + + +43 +00:00:51,239 --> 00:00:52,389 +got to listen to me you have any idea +what you'd have to look forward to if + +44 +00:00:52,389 --> 00:00:52,399 +what you'd have to look forward to if + + +45 +00:00:52,399 --> 00:00:54,470 +what you'd have to look forward to if +you stayed here nine chances out of 10 + +46 +00:00:54,470 --> 00:00:54,480 +you stayed here nine chances out of 10 + + +47 +00:00:54,480 --> 00:00:56,270 +you stayed here nine chances out of 10 +we both wind up at a concentration camp + +48 +00:00:56,270 --> 00:00:56,280 +we both wind up at a concentration camp + + +49 +00:00:56,280 --> 00:00:57,990 +we both wind up at a concentration camp +isn't that true Louie I'm afraid major + +50 +00:00:57,990 --> 00:00:58,000 +isn't that true Louie I'm afraid major + + +51 +00:00:58,000 --> 00:00:59,990 +isn't that true Louie I'm afraid major +struss I would insist you're saying this + +52 +00:00:59,990 --> 00:01:00,000 +struss I would insist you're saying this + + +53 +00:01:00,000 --> 00:01:01,549 +struss I would insist you're saying this +wanted to make me go I'm saying it + +54 +00:01:01,549 --> 00:01:01,559 +wanted to make me go I'm saying it + + +55 +00:01:01,559 --> 00:01:03,869 +wanted to make me go I'm saying it +because it's true inside of us we both + +56 +00:01:03,869 --> 00:01:03,879 +because it's true inside of us we both + + +57 +00:01:03,879 --> 00:01:05,550 +because it's true inside of us we both +know you belong with Victor you're part + +58 +00:01:05,550 --> 00:01:05,560 +know you belong with Victor you're part + + +59 +00:01:05,560 --> 00:01:06,910 +know you belong with Victor you're part +of his work the thing that keeps him + +60 +00:01:06,910 --> 00:01:06,920 +of his work the thing that keeps him + + +61 +00:01:06,920 --> 00:01:08,910 +of his work the thing that keeps him +going and that plane leaves the ground + +62 +00:01:08,910 --> 00:01:08,920 +going and that plane leaves the ground + + +63 +00:01:08,920 --> 00:01:10,910 +going and that plane leaves the ground +and you're not with him you'll regret it + +64 +00:01:10,910 --> 00:01:10,920 +and you're not with him you'll regret it + + +65 +00:01:10,920 --> 00:01:12,870 +and you're not with him you'll regret it +maybe not today maybe not tomorrow but + +66 +00:01:12,870 --> 00:01:12,880 +maybe not today maybe not tomorrow but + + +67 +00:01:12,880 --> 00:01:15,630 +maybe not today maybe not tomorrow but +soon and for the rest of your life but + +68 +00:01:15,630 --> 00:01:15,640 +soon and for the rest of your life but + + +69 +00:01:15,640 --> 00:01:19,310 +soon and for the rest of your life but +what about us we'll always have Paris we + +70 +00:01:19,310 --> 00:01:19,320 +what about us we'll always have Paris we + + +71 +00:01:19,320 --> 00:01:21,350 +what about us we'll always have Paris we +didn't have we we lost it until you came + +72 +00:01:21,350 --> 00:01:21,360 +didn't have we we lost it until you came + + +73 +00:01:21,360 --> 00:01:24,350 +didn't have we we lost it until you came +to Casablanca we got it back last + +74 +00:01:24,350 --> 00:01:24,360 +to Casablanca we got it back last + + +75 +00:01:24,360 --> 00:01:26,910 +to Casablanca we got it back last +night when I said I would never leave + +76 +00:01:26,910 --> 00:01:26,920 +night when I said I would never leave + + +77 +00:01:26,920 --> 00:01:30,230 +night when I said I would never leave +you and you never will I've got a a job + +78 +00:01:30,230 --> 00:01:30,240 +you and you never will I've got a a job + + +79 +00:01:30,240 --> 00:01:32,350 +you and you never will I've got a a job +to do too where I'm going you can't + +80 +00:01:32,350 --> 00:01:32,360 +to do too where I'm going you can't + + +81 +00:01:32,360 --> 00:01:33,870 +to do too where I'm going you can't +follow what I've got to do you can't be + +82 +00:01:33,870 --> 00:01:33,880 +follow what I've got to do you can't be + + +83 +00:01:33,880 --> 00:01:36,469 +follow what I've got to do you can't be +any part of ela I'm no good at being + +84 +00:01:36,469 --> 00:01:36,479 +any part of ela I'm no good at being + + +85 +00:01:36,479 --> 00:01:38,389 +any part of ela I'm no good at being +Noble but it doesn't take much to see + +86 +00:01:38,389 --> 00:01:38,399 +Noble but it doesn't take much to see + + +87 +00:01:38,399 --> 00:01:39,990 +Noble but it doesn't take much to see +that the problems of three little people + +88 +00:01:39,990 --> 00:01:40,000 +that the problems of three little people + + +89 +00:01:40,000 --> 00:01:41,710 +that the problems of three little people +don't amount to a hill of beans in this + +90 +00:01:41,710 --> 00:01:41,720 +don't amount to a hill of beans in this + + +91 +00:01:41,720 --> 00:01:42,710 +don't amount to a hill of beans in this +crazy + +92 +00:01:42,710 --> 00:01:42,720 +crazy + + +93 +00:01:42,720 --> 00:01:46,550 +crazy +world someday you'll understand + +94 +00:01:46,550 --> 00:01:46,560 +world someday you'll understand + + +95 +00:01:46,560 --> 00:01:49,950 +world someday you'll understand +that n + +96 +00:01:49,950 --> 00:01:49,960 + + + +97 +00:01:49,960 --> 00:01:54,920 + +no he's looking at you kid + diff --git a/1942/vA1fVHBWuBU.en.srt b/1942/vA1fVHBWuBU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8b28786ce4270d20c293b51f7e9833f1d170e921 --- /dev/null +++ b/1942/vA1fVHBWuBU.en.srt @@ -0,0 +1,595 @@ +1 +00:00:00,000 --> 00:00:05,660 + +I missed my best girl we all do + +2 +00:00:05,660 --> 00:00:05,670 +I missed my best girl we all do + + +3 +00:00:05,670 --> 00:00:07,670 +I missed my best girl we all do +Lucy's on a visit father she's spending + +4 +00:00:07,670 --> 00:00:07,680 +Lucy's on a visit father she's spending + + +5 +00:00:07,680 --> 00:00:09,320 +Lucy's on a visit father she's spending +a week with a school friend she'll be + +6 +00:00:09,320 --> 00:00:09,330 +a week with a school friend she'll be + + +7 +00:00:09,330 --> 00:00:12,169 +a week with a school friend she'll be +back Monday George how does it happen + +8 +00:00:12,169 --> 00:00:12,179 +back Monday George how does it happen + + +9 +00:00:12,179 --> 00:00:15,140 +back Monday George how does it happen +you didn't tell us before he never said + +10 +00:00:15,140 --> 00:00:15,150 +you didn't tell us before he never said + + +11 +00:00:15,150 --> 00:00:16,970 +you didn't tell us before he never said +a word to us about Lucy's going away + +12 +00:00:16,970 --> 00:00:16,980 +a word to us about Lucy's going away + + +13 +00:00:16,980 --> 00:00:19,730 +a word to us about Lucy's going away +probably prayed to his note what am i + +14 +00:00:19,730 --> 00:00:19,740 +probably prayed to his note what am i + + +15 +00:00:19,740 --> 00:00:22,340 +probably prayed to his note what am i +breakdown cry be tried to speak of it is + +16 +00:00:22,340 --> 00:00:22,350 +breakdown cry be tried to speak of it is + + +17 +00:00:22,350 --> 00:00:26,689 +breakdown cry be tried to speak of it is +that so Georgie she was going she told + +18 +00:00:26,689 --> 00:00:26,699 +that so Georgie she was going she told + + +19 +00:00:26,699 --> 00:00:29,179 +that so Georgie she was going she told +me at any rate Georgie didn't approve I + +20 +00:00:29,179 --> 00:00:29,189 +me at any rate Georgie didn't approve I + + +21 +00:00:29,189 --> 00:00:33,590 +me at any rate Georgie didn't approve I +suppose you two are speaking again Jean + +22 +00:00:33,590 --> 00:00:33,600 +suppose you two are speaking again Jean + + +23 +00:00:33,600 --> 00:00:35,240 +suppose you two are speaking again Jean +what's this I hear about someone else + +24 +00:00:35,240 --> 00:00:35,250 +what's this I hear about someone else + + +25 +00:00:35,250 --> 00:00:36,770 +what's this I hear about someone else +opening up a horseless carriage shop + +26 +00:00:36,770 --> 00:00:36,780 +opening up a horseless carriage shop + + +27 +00:00:36,780 --> 00:00:38,840 +opening up a horseless carriage shop +somewhere out the suburbs I suppose + +28 +00:00:38,840 --> 00:00:38,850 +somewhere out the suburbs I suppose + + +29 +00:00:38,850 --> 00:00:40,040 +somewhere out the suburbs I suppose +they'll drive you out of business + +30 +00:00:40,040 --> 00:00:40,050 +they'll drive you out of business + + +31 +00:00:40,050 --> 00:00:42,170 +they'll drive you out of business +perhaps the two of you'll get together + +32 +00:00:42,170 --> 00:00:42,180 +perhaps the two of you'll get together + + +33 +00:00:42,180 --> 00:00:44,389 +perhaps the two of you'll get together +and drive all the rest others over the + +34 +00:00:44,389 --> 00:00:44,399 +and drive all the rest others over the + + +35 +00:00:44,399 --> 00:00:46,819 +and drive all the rest others over the +street well we'll even things up by + +36 +00:00:46,819 --> 00:00:46,829 +street well we'll even things up by + + +37 +00:00:46,829 --> 00:00:49,100 +street well we'll even things up by +making the streets bigger automobiles + +38 +00:00:49,100 --> 00:00:49,110 +making the streets bigger automobiles + + +39 +00:00:49,110 --> 00:00:50,779 +making the streets bigger automobiles +will carry our streets clear out to the + +40 +00:00:50,779 --> 00:00:50,789 +will carry our streets clear out to the + + +41 +00:00:50,789 --> 00:00:52,610 +will carry our streets clear out to the +county line well I hope you're wrong + +42 +00:00:52,610 --> 00:00:52,620 +county line well I hope you're wrong + + +43 +00:00:52,620 --> 00:00:54,470 +county line well I hope you're wrong +because if people go to moving that far + +44 +00:00:54,470 --> 00:00:54,480 +because if people go to moving that far + + +45 +00:00:54,480 --> 00:00:56,270 +because if people go to moving that far +our real estate values here in the old + +46 +00:00:56,270 --> 00:00:56,280 +our real estate values here in the old + + +47 +00:00:56,280 --> 00:00:58,670 +our real estate values here in the old +residence part of town will be stretched + +48 +00:00:58,670 --> 00:00:58,680 +residence part of town will be stretched + + +49 +00:00:58,680 --> 00:01:00,830 +residence part of town will be stretched +pretty thin so your devilish machines + +50 +00:01:00,830 --> 00:01:00,840 +pretty thin so your devilish machines + + +51 +00:01:00,840 --> 00:01:02,450 +pretty thin so your devilish machines +you're gonna ruin all your old friend + +52 +00:01:02,450 --> 00:01:02,460 +you're gonna ruin all your old friend + + +53 +00:01:02,460 --> 00:01:04,460 +you're gonna ruin all your old friend +Leigh Jean do you really think they're + +54 +00:01:04,460 --> 00:01:04,470 +Leigh Jean do you really think they're + + +55 +00:01:04,470 --> 00:01:06,130 +Leigh Jean do you really think they're +gonna change the face of the land + +56 +00:01:06,130 --> 00:01:06,140 +gonna change the face of the land + + +57 +00:01:06,140 --> 00:01:08,240 +gonna change the face of the land +they're already doing it major and it + +58 +00:01:08,240 --> 00:01:08,250 +they're already doing it major and it + + +59 +00:01:08,250 --> 00:01:09,310 +they're already doing it major and it +can't be stopped + +60 +00:01:09,310 --> 00:01:09,320 +can't be stopped + + +61 +00:01:09,320 --> 00:01:11,539 +can't be stopped +automobile more bills are a useless + +62 +00:01:11,539 --> 00:01:11,549 +automobile more bills are a useless + + +63 +00:01:11,549 --> 00:01:17,420 +automobile more bills are a useless +nuisance what did you say George + +64 +00:01:17,420 --> 00:01:17,430 +nuisance what did you say George + + +65 +00:01:17,430 --> 00:01:19,580 +nuisance what did you say George +I said automobiles are a useless + +66 +00:01:19,580 --> 00:01:19,590 +I said automobiles are a useless + + +67 +00:01:19,590 --> 00:01:21,679 +I said automobiles are a useless +nuisance never amount to anything but a + +68 +00:01:21,679 --> 00:01:21,689 +nuisance never amount to anything but a + + +69 +00:01:21,689 --> 00:01:23,270 +nuisance never amount to anything but a +nuisance they had no business to be + +70 +00:01:23,270 --> 00:01:23,280 +nuisance they had no business to be + + +71 +00:01:23,280 --> 00:01:23,870 +nuisance they had no business to be +invented + +72 +00:01:23,870 --> 00:01:23,880 +invented + + +73 +00:01:23,880 --> 00:01:25,670 +invented +of course you forget mr. Morgan makes + +74 +00:01:25,670 --> 00:01:25,680 +of course you forget mr. Morgan makes + + +75 +00:01:25,680 --> 00:01:28,929 +of course you forget mr. Morgan makes +them also did he Sheeran inventing them + +76 +00:01:28,929 --> 00:01:28,939 +them also did he Sheeran inventing them + + +77 +00:01:28,939 --> 00:01:31,130 +them also did he Sheeran inventing them +if you weren't so thoughtless he might + +78 +00:01:31,130 --> 00:01:31,140 +if you weren't so thoughtless he might + + +79 +00:01:31,140 --> 00:01:36,350 +if you weren't so thoughtless he might +think you're rather offensive I'm not + +80 +00:01:36,350 --> 00:01:36,360 +think you're rather offensive I'm not + + +81 +00:01:36,360 --> 00:01:39,730 +think you're rather offensive I'm not +sure George is wrong about automobiles + +82 +00:01:39,730 --> 00:01:39,740 +sure George is wrong about automobiles + + +83 +00:01:39,740 --> 00:01:42,679 +sure George is wrong about automobiles +with all their speed forward they may be + +84 +00:01:42,679 --> 00:01:42,689 +with all their speed forward they may be + + +85 +00:01:42,689 --> 00:01:47,120 +with all their speed forward they may be +a step backward in civilization maybe + +86 +00:01:47,120 --> 00:01:47,130 +a step backward in civilization maybe + + +87 +00:01:47,130 --> 00:01:49,100 +a step backward in civilization maybe +that they won't add to the beauty of the + +88 +00:01:49,100 --> 00:01:49,110 +that they won't add to the beauty of the + + +89 +00:01:49,110 --> 00:01:52,249 +that they won't add to the beauty of the +world or the life of men's souls I'm not + +90 +00:01:52,249 --> 00:01:52,259 +world or the life of men's souls I'm not + + +91 +00:01:52,259 --> 00:01:57,980 +world or the life of men's souls I'm not +sure but automobiles have come in almost + +92 +00:01:57,980 --> 00:01:57,990 +sure but automobiles have come in almost + + +93 +00:01:57,990 --> 00:01:59,660 +sure but automobiles have come in almost +all output things are going to be + +94 +00:01:59,660 --> 00:01:59,670 +all output things are going to be + + +95 +00:01:59,670 --> 00:02:02,590 +all output things are going to be +different because of what they bring + +96 +00:02:02,590 --> 00:02:02,600 +different because of what they bring + + +97 +00:02:02,600 --> 00:02:05,090 +different because of what they bring +they're going to alter war and they're + +98 +00:02:05,090 --> 00:02:05,100 +they're going to alter war and they're + + +99 +00:02:05,100 --> 00:02:08,779 +they're going to alter war and they're +going to all the piece I think men's + +100 +00:02:08,779 --> 00:02:08,789 +going to all the piece I think men's + + +101 +00:02:08,789 --> 00:02:10,669 +going to all the piece I think men's +minds are going to be changed in subtle + +102 +00:02:10,669 --> 00:02:10,679 +minds are going to be changed in subtle + + +103 +00:02:10,679 --> 00:02:13,809 +minds are going to be changed in subtle +ways because of automobile + +104 +00:02:13,809 --> 00:02:13,819 +ways because of automobile + + +105 +00:02:13,819 --> 00:02:18,709 +ways because of automobile +and it may be the judges right maybe + +106 +00:02:18,709 --> 00:02:18,719 +and it may be the judges right maybe + + +107 +00:02:18,719 --> 00:02:21,649 +and it may be the judges right maybe +that in 10 or 20 years from now if we + +108 +00:02:21,649 --> 00:02:21,659 +that in 10 or 20 years from now if we + + +109 +00:02:21,659 --> 00:02:23,990 +that in 10 or 20 years from now if we +can see the inward change in men by that + +110 +00:02:23,990 --> 00:02:24,000 +can see the inward change in men by that + + +111 +00:02:24,000 --> 00:02:27,380 +can see the inward change in men by that +time I shouldn't be able to defend the + +112 +00:02:27,380 --> 00:02:27,390 +time I shouldn't be able to defend the + + +113 +00:02:27,390 --> 00:02:28,910 +time I shouldn't be able to defend the +gasoline engine but would have to agree + +114 +00:02:28,910 --> 00:02:28,920 +gasoline engine but would have to agree + + +115 +00:02:28,920 --> 00:02:32,390 +gasoline engine but would have to agree +with George that automobiles had no + +116 +00:02:32,390 --> 00:02:32,400 +with George that automobiles had no + + +117 +00:02:32,400 --> 00:02:36,570 +with George that automobiles had no +business to be invented + +118 +00:02:36,570 --> 00:02:36,580 + + + +119 +00:02:36,580 --> 00:02:47,919 + +[Music] + diff --git a/1942/vf6PZfksmfg.en.srt b/1942/vf6PZfksmfg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..777075d586774ec3a28479cf1573c66363c4110e --- /dev/null +++ b/1942/vf6PZfksmfg.en.srt @@ -0,0 +1,495 @@ +1 +00:00:00,030 --> 00:00:02,780 + +why are you lying you love him not like + +2 +00:00:02,780 --> 00:00:02,790 +why are you lying you love him not like + + +3 +00:00:02,790 --> 00:00:05,990 +why are you lying you love him not like +we do not like us I thought it might + +4 +00:00:05,990 --> 00:00:06,000 +we do not like us I thought it might + + +5 +00:00:06,000 --> 00:00:08,560 +we do not like us I thought it might +grow to be or something like it I + +6 +00:00:08,560 --> 00:00:08,570 +grow to be or something like it I + + +7 +00:00:08,570 --> 00:00:11,060 +grow to be or something like it I +thought I was getting over you Jerri I + +8 +00:00:11,060 --> 00:00:11,070 +thought I was getting over you Jerri I + + +9 +00:00:11,070 --> 00:00:13,520 +thought I was getting over you Jerri I +didn't think I'd ever see you again we'd + +10 +00:00:13,520 --> 00:00:13,530 +didn't think I'd ever see you again we'd + + +11 +00:00:13,530 --> 00:00:14,990 +didn't think I'd ever see you again we'd +made our pact and we were living up to + +12 +00:00:14,990 --> 00:00:15,000 +made our pact and we were living up to + + +13 +00:00:15,000 --> 00:00:18,260 +made our pact and we were living up to +us about living sleep what sort of man + +14 +00:00:18,260 --> 00:00:18,270 +us about living sleep what sort of man + + +15 +00:00:18,270 --> 00:00:20,900 +us about living sleep what sort of man +is he who like you in many ways oh not + +16 +00:00:20,900 --> 00:00:20,910 +is he who like you in many ways oh not + + +17 +00:00:20,910 --> 00:00:22,700 +is he who like you in many ways oh not +your sense of humor I know your your + +18 +00:00:22,700 --> 00:00:22,710 +your sense of humor I know your your + + +19 +00:00:22,710 --> 00:00:24,620 +your sense of humor I know your your +sense of beauty no your sense of play + +20 +00:00:24,620 --> 00:00:24,630 +sense of beauty no your sense of play + + +21 +00:00:24,630 --> 00:00:28,400 +sense of beauty no your sense of play +but a fine man and the kind of refuge I + +22 +00:00:28,400 --> 00:00:28,410 +but a fine man and the kind of refuge I + + +23 +00:00:28,410 --> 00:00:31,070 +but a fine man and the kind of refuge I +thought I could never have we are not + +24 +00:00:31,070 --> 00:00:31,080 +thought I could never have we are not + + +25 +00:00:31,080 --> 00:00:36,229 +thought I could never have we are not +angry only with myself I was a CAD to + +26 +00:00:36,229 --> 00:00:36,239 +angry only with myself I was a CAD to + + +27 +00:00:36,239 --> 00:00:37,819 +angry only with myself I was a CAD to +make you care for me and then because of + +28 +00:00:37,819 --> 00:00:37,829 +make you care for me and then because of + + +29 +00:00:37,829 --> 00:00:39,500 +make you care for me and then because of +some noble sense of duty to Devia to get + +30 +00:00:39,500 --> 00:00:39,510 +some noble sense of duty to Devia to get + + +31 +00:00:39,510 --> 00:00:42,350 +some noble sense of duty to Devia to get +over at the best you can and there's the + +32 +00:00:42,350 --> 00:00:42,360 +over at the best you can and there's the + + +33 +00:00:42,360 --> 00:00:43,790 +over at the best you can and there's the +thing I can do about it + +34 +00:00:43,790 --> 00:00:43,800 +thing I can do about it + + +35 +00:00:43,800 --> 00:00:45,770 +thing I can do about it +Isabelle depends on me more and more + +36 +00:00:45,770 --> 00:00:45,780 +Isabelle depends on me more and more + + +37 +00:00:45,780 --> 00:00:47,360 +Isabelle depends on me more and more +she's still anything worse + +38 +00:00:47,360 --> 00:00:47,370 +she's still anything worse + + +39 +00:00:47,370 --> 00:00:51,020 +she's still anything worse +there's Tina give me if I could chuck + +40 +00:00:51,020 --> 00:00:51,030 +there's Tina give me if I could chuck + + +41 +00:00:51,030 --> 00:00:52,490 +there's Tina give me if I could chuck +everything shut up I wouldn't let you + +42 +00:00:52,490 --> 00:00:52,500 +everything shut up I wouldn't let you + + +43 +00:00:52,500 --> 00:00:53,950 +everything shut up I wouldn't let you +Terry + +44 +00:00:53,950 --> 00:00:53,960 +Terry + + +45 +00:00:53,960 --> 00:00:56,050 +Terry +Jerry what's the feminine for your wood + +46 +00:00:56,050 --> 00:00:56,060 +Jerry what's the feminine for your wood + + +47 +00:00:56,060 --> 00:00:59,170 +Jerry what's the feminine for your wood +that's what I am I knew you were married + +48 +00:00:59,170 --> 00:00:59,180 +that's what I am I knew you were married + + +49 +00:00:59,180 --> 00:01:00,670 +that's what I am I knew you were married +and I walk right in with my eyes wide + +50 +00:01:00,670 --> 00:01:00,680 +and I walk right in with my eyes wide + + +51 +00:01:00,680 --> 00:01:03,190 +and I walk right in with my eyes wide +open but you said it would make you + +52 +00:01:03,190 --> 00:01:03,200 +open but you said it would make you + + +53 +00:01:03,200 --> 00:01:06,280 +open but you said it would make you +happier and it has I've got make my work + +54 +00:01:06,280 --> 00:01:06,290 +happier and it has I've got make my work + + +55 +00:01:06,290 --> 00:01:09,040 +happier and it has I've got make my work +let's do to you I'll be hoping you'd say + +56 +00:01:09,040 --> 00:01:09,050 +let's do to you I'll be hoping you'd say + + +57 +00:01:09,050 --> 00:01:09,520 +let's do to you I'll be hoping you'd say +that + +58 +00:01:09,520 --> 00:01:09,530 +that + + +59 +00:01:09,530 --> 00:01:11,920 +that +I've more understanding for Tina I'm + +60 +00:01:11,920 --> 00:01:11,930 +I've more understanding for Tina I'm + + +61 +00:01:11,930 --> 00:01:14,350 +I've more understanding for Tina I'm +even kind of to Isabel so don't blame + +62 +00:01:14,350 --> 00:01:14,360 +even kind of to Isabel so don't blame + + +63 +00:01:14,360 --> 00:01:17,020 +even kind of to Isabel so don't blame +yourself then don't you it's different + +64 +00:01:17,020 --> 00:01:17,030 +yourself then don't you it's different + + +65 +00:01:17,030 --> 00:01:19,399 +yourself then don't you it's different +it's not + +66 +00:01:19,399 --> 00:01:19,409 +it's not + + +67 +00:01:19,409 --> 00:01:22,670 +it's not +shall I tell you what you've given me on + +68 +00:01:22,670 --> 00:01:22,680 +shall I tell you what you've given me on + + +69 +00:01:22,680 --> 00:01:24,950 +shall I tell you what you've given me on +that very first day a little bottle of + +70 +00:01:24,950 --> 00:01:24,960 +that very first day a little bottle of + + +71 +00:01:24,960 --> 00:01:27,800 +that very first day a little bottle of +perfume made me feel important you're my + +72 +00:01:27,800 --> 00:01:27,810 +perfume made me feel important you're my + + +73 +00:01:27,810 --> 00:01:30,530 +perfume made me feel important you're my +first friend and then when you fell in + +74 +00:01:30,530 --> 00:01:30,540 +first friend and then when you fell in + + +75 +00:01:30,540 --> 00:01:34,550 +first friend and then when you fell in +love with me I was so proud and when I + +76 +00:01:34,550 --> 00:01:34,560 +love with me I was so proud and when I + + +77 +00:01:34,560 --> 00:01:36,649 +love with me I was so proud and when I +came home I needed something to make me + +78 +00:01:36,649 --> 00:01:36,659 +came home I needed something to make me + + +79 +00:01:36,659 --> 00:01:40,820 +came home I needed something to make me +feel proud your camellias arrived and I + +80 +00:01:40,820 --> 00:01:40,830 +feel proud your camellias arrived and I + + +81 +00:01:40,830 --> 00:01:43,609 +feel proud your camellias arrived and I +knew you were thinking I could have + +82 +00:01:43,609 --> 00:01:43,619 +knew you were thinking I could have + + +83 +00:01:43,619 --> 00:01:45,440 +knew you were thinking I could have +walked into a den of lions + +84 +00:01:45,440 --> 00:01:45,450 +walked into a den of lions + + +85 +00:01:45,450 --> 00:01:47,450 +walked into a den of lions +it's a matter of fact I did and the + +86 +00:01:47,450 --> 00:01:47,460 +it's a matter of fact I did and the + + +87 +00:01:47,460 --> 00:01:50,930 +it's a matter of fact I did and the +Lions didn't hurt me please take back + +88 +00:01:50,930 --> 00:01:50,940 +Lions didn't hurt me please take back + + +89 +00:01:50,940 --> 00:01:52,950 +Lions didn't hurt me please take back +what you said + +90 +00:01:52,950 --> 00:01:52,960 +what you said + + +91 +00:01:52,960 --> 00:01:55,320 +what you said +if you can marry that man have a full + +92 +00:01:55,320 --> 00:01:55,330 +if you can marry that man have a full + + +93 +00:01:55,330 --> 00:02:03,990 +if you can marry that man have a full +and happy life ever + +94 +00:02:03,990 --> 00:02:04,000 + + + +95 +00:02:04,000 --> 00:02:07,080 + +I look for you around every corner + +96 +00:02:07,080 --> 00:02:07,090 +I look for you around every corner + + +97 +00:02:07,090 --> 00:03:04,559 +I look for you around every corner +goodbye Danny bye da + +98 +00:03:04,559 --> 00:03:04,569 + + + +99 +00:03:04,569 --> 00:03:06,629 + +you + diff --git a/1942/yiOUEU4KG6s.description b/1942/yiOUEU4KG6s.description new file mode 100644 index 0000000000000000000000000000000000000000..f0266a59f712166147ac863b2963a8dbb121f963 --- /dev/null +++ b/1942/yiOUEU4KG6s.description @@ -0,0 +1,36 @@ +Cat People - Leave Us in Peace: While working late one night, Alice (Jane Randolph) and Oliver (Kent Smith) are attacked by a panther. +BUY THE MOVIE: https://www.fandangonow.com/details/movie/cat-people-1942/1MV2000ce07418a9cfbd68ee72968567098?cmp=Movieclips_YT_Description + +Watch the best Cat People scenes & clips: +https://www.youtube.com/playlist?list=PLZbXA4lyCtqrGvzfxp1Yqspfn5HS7KVFb + +FILM DESCRIPTION: +Irena Dubrovna (Simone Simon), a New York City--based fashion designer who hails from Serbia, begins a romance with marine engineer Oliver Reed (Kent Smith). After the couple gets married, Oliver becomes concerned about Irena's notion that she is cursed and may transform into a large cat in the heat of passion. Confiding in his beautiful assistant, Alice Moore (Jane Randolph), about his marital issues, Oliver unwittingly triggers Irena's curse, with tragic results. + +CREDITS: +TM & © Warner Bros. (1942) +Cast: Jane Randolph, Kent Smith +Director: Jacques Tourneur +Producer: Val Lewton + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1943/2H7XknY3PMA.description b/1943/2H7XknY3PMA.description new file mode 100644 index 0000000000000000000000000000000000000000..aa0f76f47979a55b3bd25e0d8fc97afeebace035 --- /dev/null +++ b/1943/2H7XknY3PMA.description @@ -0,0 +1,38 @@ +Lassie Come Home movie clips: http://j.mp/1B3na9g +BUY THE MOVIE: http://j.mp/T8fueo +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After being taken to Scotland against her will, Lassie manages to escape her new owners with a little help from Priscilla (Elizabeth Taylor). + +FILM DESCRIPTION: +Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. + +CREDITS: +TM & © Warner Bros. (1943) +Cast: Nigel Bruce, J. Pat O'Malley, Pal, Elizabeth Taylor +Director: Fred M. Wilcox +Producers: Samuel Marx, Harry Rapf, Dore Schary +Screenwriters: Hugo Butler, Eric Knight + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1943/2H7XknY3PMA.en.srt b/1943/2H7XknY3PMA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..40427a46cf34bccb65d016cee8022419a172ba16 --- /dev/null +++ b/1943/2H7XknY3PMA.en.srt @@ -0,0 +1,345 @@ +1 +00:00:00,640 --> 00:00:02,590 + +come on come on I suppose you like to + +2 +00:00:02,590 --> 00:00:02,600 +come on come on I suppose you like to + + +3 +00:00:02,600 --> 00:00:05,749 +come on come on I suppose you like to +have me late for me te come + +4 +00:00:05,749 --> 00:00:05,759 +have me late for me te come + + +5 +00:00:05,759 --> 00:00:10,830 +have me late for me te come +on hurry up will you're always hanging + +6 +00:00:10,830 --> 00:00:10,840 + + + +7 +00:00:10,840 --> 00:00:12,950 + +behind come on + +8 +00:00:12,950 --> 00:00:12,960 +behind come on + + +9 +00:00:12,960 --> 00:00:15,589 +behind come on +Willam here here what's the matter down + +10 +00:00:15,589 --> 00:00:15,599 +Willam here here what's the matter down + + +11 +00:00:15,599 --> 00:00:17,830 +Willam here here what's the matter down +down just I tell you can't you I'll + +12 +00:00:17,830 --> 00:00:17,840 +down just I tell you can't you I'll + + +13 +00:00:17,840 --> 00:00:19,349 +down just I tell you can't you I'll +break your nasty neck if you don't be + +14 +00:00:19,349 --> 00:00:19,359 +break your nasty neck if you don't be + + +15 +00:00:19,359 --> 00:00:23,429 +break your nasty neck if you don't be +out yourself go + +16 +00:00:23,429 --> 00:00:23,439 + + + +17 +00:00:23,439 --> 00:00:25,950 + +on + +18 +00:00:25,950 --> 00:00:25,960 +on + + +19 +00:00:25,960 --> 00:00:30,310 +on +miey yeah messy nice girl nice dog don't + +20 +00:00:30,310 --> 00:00:30,320 +miey yeah messy nice girl nice dog don't + + +21 +00:00:30,320 --> 00:00:33,389 +miey yeah messy nice girl nice dog don't +you move stay there stay there Bassie + +22 +00:00:33,389 --> 00:00:33,399 +you move stay there stay there Bassie + + +23 +00:00:33,399 --> 00:00:36,190 +you move stay there stay there Bassie +here here nice girl stay there now don't + +24 +00:00:36,190 --> 00:00:36,200 +here here nice girl stay there now don't + + +25 +00:00:36,200 --> 00:00:38,790 +here here nice girl stay there now don't +you move come on come on Lassie as a + +26 +00:00:38,790 --> 00:00:38,800 +you move come on come on Lassie as a + + +27 +00:00:38,800 --> 00:00:41,549 +you move come on come on Lassie as a +nice do + +28 +00:00:41,549 --> 00:00:41,559 +nice do + + +29 +00:00:41,559 --> 00:00:46,029 +nice do +here come on + +30 +00:00:46,029 --> 00:00:46,039 + + + +31 +00:00:46,039 --> 00:00:48,229 + +here Lassie come + +32 +00:00:48,229 --> 00:00:48,239 +here Lassie come + + +33 +00:00:48,239 --> 00:00:51,790 +here Lassie come +here come + +34 +00:00:51,790 --> 00:00:51,800 + + + +35 +00:00:51,800 --> 00:00:53,549 + +here come + +36 +00:00:53,549 --> 00:00:53,559 +here come + + +37 +00:00:53,559 --> 00:00:58,349 +here come +here come + +38 +00:00:58,349 --> 00:00:58,359 + + + +39 +00:00:58,359 --> 00:01:00,790 + +here come here + +40 +00:01:00,790 --> 00:01:00,800 +here come here + + +41 +00:01:00,800 --> 00:01:02,470 +here come here +B come + +42 +00:01:02,470 --> 00:01:02,480 +B come + + +43 +00:01:02,480 --> 00:01:05,070 +B come +here I ever get me hands on you my lady + +44 +00:01:05,070 --> 00:01:05,080 +here I ever get me hands on you my lady + + +45 +00:01:05,080 --> 00:01:07,749 +here I ever get me hands on you my lady +you'll never get away again I'll tell + +46 +00:01:07,749 --> 00:01:07,759 +you'll never get away again I'll tell + + +47 +00:01:07,759 --> 00:01:10,390 +you'll never get away again I'll tell +you exercise exercise that's what I get + +48 +00:01:10,390 --> 00:01:10,400 +you exercise exercise that's what I get + + +49 +00:01:10,400 --> 00:01:12,150 +you exercise exercise that's what I get +for walking + +50 +00:01:12,150 --> 00:01:12,160 +for walking + + +51 +00:01:12,160 --> 00:01:18,990 +for walking +[Music] + +52 +00:01:18,990 --> 00:01:19,000 + + + +53 +00:01:19,000 --> 00:01:22,670 + +you close the gate close the gate don't + +54 +00:01:22,670 --> 00:01:22,680 +you close the gate close the gate don't + + +55 +00:01:22,680 --> 00:01:27,429 +you close the gate close the gate don't +let it get out close it close + +56 +00:01:27,429 --> 00:01:27,439 + + + +57 +00:01:27,439 --> 00:01:35,950 + +again Priscilla + +58 +00:01:35,950 --> 00:01:35,960 + + + +59 +00:01:35,960 --> 00:01:37,870 + +you've let her go that's what she's done + +60 +00:01:37,870 --> 00:01:37,880 +you've let her go that's what she's done + + +61 +00:01:37,880 --> 00:01:40,429 +you've let her go that's what she's done +she's let her go she's going toward + +62 +00:01:40,429 --> 00:01:40,439 +she's let her go she's going toward + + +63 +00:01:40,439 --> 00:01:43,670 +she's let her go she's going toward +south grandfather she's going toward + +64 +00:01:43,670 --> 00:01:43,680 +south grandfather she's going toward + + +65 +00:01:43,680 --> 00:01:58,830 +south grandfather she's going toward +Yorkshire Hey Joe tell look you're + +66 +00:01:58,830 --> 00:01:58,840 + + + +67 +00:01:58,840 --> 00:02:11,690 + +right + +68 +00:02:11,690 --> 00:02:11,700 + + + +69 +00:02:11,700 --> 00:02:20,639 + +[Music] + diff --git a/1943/BV1Nyf_u1AA.description b/1943/BV1Nyf_u1AA.description new file mode 100644 index 0000000000000000000000000000000000000000..5c8be914c0f7b9d66a4be8f714c783a953ac8731 --- /dev/null +++ b/1943/BV1Nyf_u1AA.description @@ -0,0 +1,38 @@ +Lassie Come Home movie clips: http://j.mp/1B3na9g +BUY THE MOVIE: http://j.mp/T8fueo +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Like every morning, Lassie wakes Joe (Roddy McDowall) up and escorts him to school. + +FILM DESCRIPTION: +Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. + +CREDITS: +TM & © Warner Bros. (1943) +Cast: Donald Crisp, Roddy McDowall, Pal +Director: Fred M. Wilcox +Producers: Samuel Marx, Harry Rapf, Dore Schary +Screenwriters: Hugo Butler, Eric Knight + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1943/BV1Nyf_u1AA.en.srt b/1943/BV1Nyf_u1AA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..5b68adac41c9db66462c29fcc8c9de67397a877c --- /dev/null +++ b/1943/BV1Nyf_u1AA.en.srt @@ -0,0 +1,275 @@ +1 +00:00:01,510 --> 00:00:13,810 + +[Music] + +2 +00:00:13,810 --> 00:00:13,820 + + + +3 +00:00:13,820 --> 00:00:21,269 + +[Music] + +4 +00:00:21,269 --> 00:00:21,279 +[Music] + + +5 +00:00:21,279 --> 00:00:25,440 +[Music] +hello messie + +6 +00:00:25,440 --> 00:00:25,450 + + + +7 +00:00:25,450 --> 00:00:30,390 + +[Music] + +8 +00:00:30,390 --> 00:00:30,400 + + + +9 +00:00:30,400 --> 00:00:32,510 + +all right + +10 +00:00:32,510 --> 00:00:32,520 +all right + + +11 +00:00:32,520 --> 00:00:34,270 +all right +girl + +12 +00:00:34,270 --> 00:00:34,280 +girl + + +13 +00:00:34,280 --> 00:00:37,630 +girl +downstairs come on downstairs + +14 +00:00:37,630 --> 00:00:37,640 +downstairs come on downstairs + + +15 +00:00:37,640 --> 00:00:48,780 +downstairs come on downstairs +[Music] + +16 +00:00:48,780 --> 00:00:48,790 + + + +17 +00:00:48,790 --> 00:00:56,600 + +[Music] + +18 +00:00:56,600 --> 00:00:56,610 + + + +19 +00:00:56,610 --> 00:01:04,189 + +[Music] + +20 +00:01:04,189 --> 00:01:04,199 + + + +21 +00:01:04,199 --> 00:01:09,149 + +all right I'll get + +22 +00:01:09,149 --> 00:01:09,159 + + + +23 +00:01:09,159 --> 00:01:13,390 + +up my + +24 +00:01:13,390 --> 00:01:13,400 + + + +25 +00:01:13,400 --> 00:01:25,149 + +father look father look what I've taught + +26 +00:01:25,149 --> 00:01:25,159 + + + +27 +00:01:25,159 --> 00:01:28,550 + +Lassie you seem worried father is it + +28 +00:01:28,550 --> 00:01:28,560 +Lassie you seem worried father is it + + +29 +00:01:28,560 --> 00:01:30,510 +Lassie you seem worried father is it +about your work + +30 +00:01:30,510 --> 00:01:30,520 +about your work + + +31 +00:01:30,520 --> 00:01:32,789 +about your work +oh no no lad it's not + +32 +00:01:32,789 --> 00:01:32,799 +oh no no lad it's not + + +33 +00:01:32,799 --> 00:01:36,630 +oh no no lad it's not +that but whatever Trouble Comes remember + +34 +00:01:36,630 --> 00:01:36,640 +that but whatever Trouble Comes remember + + +35 +00:01:36,640 --> 00:01:38,230 +that but whatever Trouble Comes remember +we've got to be men + +36 +00:01:38,230 --> 00:01:38,240 +we've got to be men + + +37 +00:01:38,240 --> 00:01:41,950 +we've got to be men +together do you see hi + +38 +00:01:41,950 --> 00:01:41,960 +together do you see hi + + +39 +00:01:41,960 --> 00:01:43,990 +together do you see hi +Father we'll make haste now you'll be + +40 +00:01:43,990 --> 00:01:44,000 +Father we'll make haste now you'll be + + +41 +00:01:44,000 --> 00:01:48,700 +Father we'll make haste now you'll be +late for school come + +42 +00:01:48,700 --> 00:01:48,710 + + + +43 +00:01:48,710 --> 00:02:18,350 + +[Music] + +44 +00:02:18,350 --> 00:02:18,360 + + + +45 +00:02:18,360 --> 00:02:22,710 + +thank you + +46 +00:02:22,710 --> 00:02:22,720 + + + +47 +00:02:22,720 --> 00:02:25,589 + +Lassie what's the matter + +48 +00:02:25,589 --> 00:02:25,599 +Lassie what's the matter + + +49 +00:02:25,599 --> 00:02:28,550 +Lassie what's the matter +Lassie don't you want me to go I'll be + +50 +00:02:28,550 --> 00:02:28,560 +Lassie don't you want me to go I'll be + + +51 +00:02:28,560 --> 00:02:32,430 +Lassie don't you want me to go I'll be +out for as usual + +52 +00:02:32,430 --> 00:02:32,440 + + + +53 +00:02:32,440 --> 00:02:40,960 + +by well Lassie + +54 +00:02:40,960 --> 00:02:40,970 + + + +55 +00:02:40,970 --> 00:03:10,189 + +[Music] + diff --git a/1943/NBRHljOdrh0.description b/1943/NBRHljOdrh0.description new file mode 100644 index 0000000000000000000000000000000000000000..79fcd65574372eebe82d618482558cf98844df00 --- /dev/null +++ b/1943/NBRHljOdrh0.description @@ -0,0 +1,38 @@ +Lassie Come Home movie clips: http://j.mp/1B3na9g +BUY THE MOVIE: http://j.mp/T8fueo +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Tootsie and Lassie risk their lives to save Rowlie (Edmund Gwenn) when two bandits attack from the woods. + +FILM DESCRIPTION: +Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. + +CREDITS: +TM & © Warner Bros. (1943) +Cast: Alec Craig, Edmund Gwenn, Pal, John Rogers +Director: Fred M. Wilcox +Producers: Samuel Marx, Harry Rapf, Dore Schary +Screenwriters: Hugo Butler, Eric Knight + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1943/O2VkpNsOM4o.description b/1943/O2VkpNsOM4o.description new file mode 100644 index 0000000000000000000000000000000000000000..7227c9bda467c8c24d55002c4ba54f0c8f117e51 --- /dev/null +++ b/1943/O2VkpNsOM4o.description @@ -0,0 +1,38 @@ +Lassie Come Home movie clips: http://j.mp/1B3na9g +BUY THE MOVIE: http://j.mp/T8fueo +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After a long journey home full of perils, Lassie is finally reunited with Joe (Roddy McDowall). + +FILM DESCRIPTION: +Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. + +CREDITS: +TM & © Warner Bros. (1943) +Cast: Roddy McDowall, Pal +Director: Fred M. Wilcox +Producers: Samuel Marx, Harry Rapf, Dore Schary +Screenwriters: Hugo Butler, Eric Knight + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1943/O2VkpNsOM4o.en.srt b/1943/O2VkpNsOM4o.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..4fa4febaa7d992888a836f7c3d7f89758ba8deaf --- /dev/null +++ b/1943/O2VkpNsOM4o.en.srt @@ -0,0 +1,145 @@ +1 +00:00:03,380 --> 00:00:18,189 + +[music] + +2 +00:00:18,189 --> 00:00:18,199 + + + +3 +00:00:18,199 --> 00:00:22,189 + +meet so + +4 +00:00:22,189 --> 00:00:22,199 +meet so + + +5 +00:00:22,199 --> 00:00:30,669 +meet so +let walked + +6 +00:00:30,669 --> 00:00:30,679 + + + +7 +00:00:30,679 --> 00:00:34,080 + +so + +8 +00:00:34,080 --> 00:00:34,090 + + + +9 +00:00:34,090 --> 00:00:40,389 + +[music] + +10 +00:00:40,389 --> 00:00:40,399 + + + +11 +00:00:40,399 --> 00:00:47,060 + +he a + +12 +00:00:47,060 --> 00:00:47,070 + + + +13 +00:00:47,070 --> 00:01:00,110 + +[music] + +14 +00:01:00,110 --> 00:01:00,120 +[music] + + +15 +00:01:00,120 --> 00:01:01,670 +[music] +m + +16 +00:01:01,670 --> 00:01:01,680 +m + + +17 +00:01:01,680 --> 00:01:55,630 +m +[music] + +18 +00:01:55,630 --> 00:01:55,640 + + + +19 +00:01:55,640 --> 00:01:56,670 + +ei + +20 +00:01:56,670 --> 00:01:56,680 +ei + + +21 +00:01:56,680 --> 00:02:04,910 +ei +[music] + +22 +00:02:04,910 --> 00:02:04,920 + + + +23 +00:02:04,920 --> 00:02:06,470 + +my ly come + +24 +00:02:06,470 --> 00:02:06,480 +my ly come + + +25 +00:02:06,480 --> 00:02:28,830 +my ly come +[music] + +26 +00:02:28,830 --> 00:02:28,840 + + + +27 +00:02:28,840 --> 00:02:33,150 + +home y + +28 +00:02:33,150 --> 00:02:33,160 + + + +29 +00:02:33,160 --> 00:02:39,569 + +[music] + diff --git a/1943/P6PLrI4R4x4.description b/1943/P6PLrI4R4x4.description new file mode 100644 index 0000000000000000000000000000000000000000..7cb69cc44fbf51c9a1bc3133595b6ca4d0c221b6 --- /dev/null +++ b/1943/P6PLrI4R4x4.description @@ -0,0 +1,38 @@ +Lassie Come Home movie clips: http://j.mp/1B3na9g +BUY THE MOVIE: http://j.mp/T8fueo +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Lassie is almost home when she encounters a couple of determined dog catchers. + +FILM DESCRIPTION: +Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. + +CREDITS: +TM & © Warner Bros. (1943) +Cast: Pal +Director: Fred M. Wilcox +Producers: Samuel Marx, Harry Rapf, Dore Schary +Screenwriters: Hugo Butler, Eric Knight + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1943/P7JKRDjM_Vk.description b/1943/P7JKRDjM_Vk.description new file mode 100644 index 0000000000000000000000000000000000000000..f020414cd0a794c9707767c6e2fdd75e3152342c --- /dev/null +++ b/1943/P7JKRDjM_Vk.description @@ -0,0 +1,38 @@ +Lassie Come Home movie clips: http://j.mp/1B3na9g +BUY THE MOVIE: http://j.mp/T8fueo +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Rowlie (Edmund Gwenn) and his dog Tootsie put on an entertaining show with help from Lassie. + +FILM DESCRIPTION: +Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. + +CREDITS: +TM & © Warner Bros. (1943) +Cast: Edmund Gwenn, Pal +Director: Fred M. Wilcox +Producers: Samuel Marx, Harry Rapf, Dore Schary +Screenwriters: Hugo Butler, Eric Knight + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1943/P7JKRDjM_Vk.en.srt b/1943/P7JKRDjM_Vk.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..4b7842e9fe957d45e01cfbae01695eaa270ecccb --- /dev/null +++ b/1943/P7JKRDjM_Vk.en.srt @@ -0,0 +1,325 @@ +1 +00:00:00,120 --> 00:00:06,869 + +or + +2 +00:00:06,869 --> 00:00:06,879 + + + +3 +00:00:06,879 --> 00:00:09,950 + +TOS to you can begin + +4 +00:00:09,950 --> 00:00:09,960 +TOS to you can begin + + +5 +00:00:09,960 --> 00:00:14,709 +TOS to you can begin +now why what's the matter eh oh you're + +6 +00:00:14,709 --> 00:00:14,719 +now why what's the matter eh oh you're + + +7 +00:00:14,719 --> 00:00:16,550 +now why what's the matter eh oh you're +waiting for someone + +8 +00:00:16,550 --> 00:00:16,560 +waiting for someone + + +9 +00:00:16,560 --> 00:00:19,349 +waiting for someone +eh Her Majesty hasn't arrived for + +10 +00:00:19,349 --> 00:00:19,359 +eh Her Majesty hasn't arrived for + + +11 +00:00:19,359 --> 00:00:22,670 +eh Her Majesty hasn't arrived for +Command Performance is that it e why + +12 +00:00:22,670 --> 00:00:22,680 +Command Performance is that it e why + + +13 +00:00:22,680 --> 00:00:25,669 +Command Performance is that it e why +here she comes + +14 +00:00:25,669 --> 00:00:25,679 +here she comes + + +15 +00:00:25,679 --> 00:00:31,060 +here she comes +now now toots go and pick up blue ring + +16 +00:00:31,060 --> 00:00:31,070 +now now toots go and pick up blue ring + + +17 +00:00:31,070 --> 00:00:35,670 +now now toots go and pick up blue ring +[Music] + +18 +00:00:35,670 --> 00:00:35,680 + + + +19 +00:00:35,680 --> 00:00:40,270 + +come on come on come on come on + +20 +00:00:40,270 --> 00:00:40,280 +come on come on come on come on + + +21 +00:00:40,280 --> 00:00:43,389 +come on come on come on come on +there now then not many little dogs + +22 +00:00:43,389 --> 00:00:43,399 +there now then not many little dogs + + +23 +00:00:43,399 --> 00:00:45,190 +there now then not many little dogs +could go through this oop but you could + +24 +00:00:45,190 --> 00:00:45,200 +could go through this oop but you could + + +25 +00:00:45,200 --> 00:00:47,630 +could go through this oop but you could +couldn't your toots hey come + +26 +00:00:47,630 --> 00:00:47,640 +couldn't your toots hey come + + +27 +00:00:47,640 --> 00:00:55,630 +couldn't your toots hey come +on come on then come + +28 +00:00:55,630 --> 00:00:55,640 + + + +29 +00:00:55,640 --> 00:00:59,310 + +on now toots how about a nice ride on + +30 +00:00:59,310 --> 00:00:59,320 +on now toots how about a nice ride on + + +31 +00:00:59,320 --> 00:01:03,240 +on now toots how about a nice ride on +ball + +32 +00:01:03,240 --> 00:01:03,250 + + + +33 +00:01:03,250 --> 00:01:20,830 + +[Music] + +34 +00:01:20,830 --> 00:01:20,840 + + + +35 +00:01:20,840 --> 00:01:23,990 + +but doesn't the collie do anything why + +36 +00:01:23,990 --> 00:01:24,000 +but doesn't the collie do anything why + + +37 +00:01:24,000 --> 00:01:26,350 +but doesn't the collie do anything why +you wouldn't expect royalty to perform + +38 +00:01:26,350 --> 00:01:26,360 +you wouldn't expect royalty to perform + + +39 +00:01:26,360 --> 00:01:28,630 +you wouldn't expect royalty to perform +would + +40 +00:01:28,630 --> 00:01:28,640 + + + +41 +00:01:28,640 --> 00:01:31,990 + +you would you like to do some work girl + +42 +00:01:31,990 --> 00:01:32,000 +you would you like to do some work girl + + +43 +00:01:32,000 --> 00:01:34,910 +you would you like to do some work girl +would you like to pick up these + +44 +00:01:34,910 --> 00:01:34,920 +would you like to pick up these + + +45 +00:01:34,920 --> 00:01:37,510 +would you like to pick up these +things pick up these + +46 +00:01:37,510 --> 00:01:37,520 +things pick up these + + +47 +00:01:37,520 --> 00:01:39,950 +things pick up these +[Music] + +48 +00:01:39,950 --> 00:01:39,960 +[Music] + + +49 +00:01:39,960 --> 00:01:44,270 +[Music] +things may it please your majesty as a + +50 +00:01:44,270 --> 00:01:44,280 +things may it please your majesty as a + + +51 +00:01:44,280 --> 00:01:48,550 +things may it please your majesty as a +favor to me will you please pick up the + +52 +00:01:48,550 --> 00:01:48,560 +favor to me will you please pick up the + + +53 +00:01:48,560 --> 00:01:52,290 +favor to me will you please pick up the +things + +54 +00:01:52,290 --> 00:01:52,300 + + + +55 +00:01:52,300 --> 00:02:09,309 + +[Music] + +56 +00:02:09,309 --> 00:02:09,319 + + + +57 +00:02:09,319 --> 00:02:11,430 + +you see always remember to say please + +58 +00:02:11,430 --> 00:02:11,440 +you see always remember to say please + + +59 +00:02:11,440 --> 00:02:14,030 +you see always remember to say please +and you get more in this world well + +60 +00:02:14,030 --> 00:02:14,040 +and you get more in this world well + + +61 +00:02:14,040 --> 00:02:15,910 +and you get more in this world well +thank you ladies goodbye one and all + +62 +00:02:15,910 --> 00:02:15,920 +thank you ladies goodbye one and all + + +63 +00:02:15,920 --> 00:02:24,280 +thank you ladies goodbye one and all +shows over I'll be back again next year + +64 +00:02:24,280 --> 00:02:24,290 + + + +65 +00:02:24,290 --> 00:02:53,499 + +[Music] + diff --git a/1943/TvSS_-BohSc.description b/1943/TvSS_-BohSc.description new file mode 100644 index 0000000000000000000000000000000000000000..0f69ab21415298241e7ebf815ef18a17c1823b97 --- /dev/null +++ b/1943/TvSS_-BohSc.description @@ -0,0 +1,38 @@ +Lassie Come Home movie clips: http://j.mp/1B3na9g +BUY THE MOVIE: http://j.mp/T8fueo +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Lassie is mistaken as a danger when she passes through a herd of sheep on her way home. + +FILM DESCRIPTION: +Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. + +CREDITS: +TM & © Warner Bros. (1943) +Cast: Pal +Director: Fred M. Wilcox +Producers: Samuel Marx, Harry Rapf, Dore Schary +Screenwriters: Hugo Butler, Eric Knight + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1943/TvSS_-BohSc.en.srt b/1943/TvSS_-BohSc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6a6a19807bf522c79b0232b9ad3bd0dcfa05fe49 --- /dev/null +++ b/1943/TvSS_-BohSc.en.srt @@ -0,0 +1,295 @@ +1 +00:00:03,070 --> 00:00:20,630 + +[Music] + +2 +00:00:20,630 --> 00:00:20,640 + + + +3 +00:00:20,640 --> 00:00:22,750 + +go + +4 +00:00:22,750 --> 00:00:22,760 +go + + +5 +00:00:22,760 --> 00:00:28,310 +go +there let him out lad fly lad let + +6 +00:00:28,310 --> 00:00:28,320 + + + +7 +00:00:28,320 --> 00:00:32,030 + +fly I can I do it it doesn't look like + +8 +00:00:32,030 --> 00:00:32,040 +fly I can I do it it doesn't look like + + +9 +00:00:32,040 --> 00:00:34,350 +fly I can I do it it doesn't look like +one of they Devils to me what a stray + +10 +00:00:34,350 --> 00:00:34,360 +one of they Devils to me what a stray + + +11 +00:00:34,360 --> 00:00:36,270 +one of they Devils to me what a stray +you've got a right to shoot well let's + +12 +00:00:36,270 --> 00:00:36,280 +you've got a right to shoot well let's + + +13 +00:00:36,280 --> 00:00:37,709 +you've got a right to shoot well let's +see whether it gangs near the sheep + +14 +00:00:37,709 --> 00:00:37,719 +see whether it gangs near the sheep + + +15 +00:00:37,719 --> 00:00:45,389 +see whether it gangs near the sheep +first if it does oh shoot + +16 +00:00:45,389 --> 00:00:45,399 + + + +17 +00:00:45,399 --> 00:00:48,430 + +it there it's seen + +18 +00:00:48,430 --> 00:00:48,440 +it there it's seen + + +19 +00:00:48,440 --> 00:00:51,389 +it there it's seen +us let him + +20 +00:00:51,389 --> 00:00:51,399 +us let him + + +21 +00:00:51,399 --> 00:00:57,760 +us let him +h i did yet didn't go go on get sick + +22 +00:00:57,760 --> 00:00:57,770 +h i did yet didn't go go on get sick + + +23 +00:00:57,770 --> 00:01:00,189 +h i did yet didn't go go on get sick +[Music] + +24 +00:01:00,189 --> 00:01:00,199 +[Music] + + +25 +00:01:00,199 --> 00:01:01,340 +[Music] +a + +26 +00:01:01,340 --> 00:01:01,350 +a + + +27 +00:01:01,350 --> 00:01:31,660 +a +[Music] + +28 +00:01:31,660 --> 00:01:31,670 +[Music] + + +29 +00:01:31,670 --> 00:01:32,190 +[Music] +[Applause] + +30 +00:01:32,190 --> 00:01:32,200 +[Applause] + + +31 +00:01:32,200 --> 00:01:51,910 +[Applause] +[Music] + +32 +00:01:51,910 --> 00:01:51,920 + + + +33 +00:01:51,920 --> 00:01:55,880 + +a try shoot no jo he might hit + +34 +00:01:55,880 --> 00:01:55,890 +a try shoot no jo he might hit + + +35 +00:01:55,890 --> 00:01:58,429 +a try shoot no jo he might hit +[Music] + +36 +00:01:58,429 --> 00:01:58,439 +[Music] + + +37 +00:01:58,439 --> 00:02:01,749 +[Music] +meran unless mistaken Andrew there goes + +38 +00:02:01,749 --> 00:02:01,759 +meran unless mistaken Andrew there goes + + +39 +00:02:01,759 --> 00:02:06,870 +meran unless mistaken Andrew there goes +your sat + +40 +00:02:06,870 --> 00:02:06,880 + + + +41 +00:02:06,880 --> 00:02:11,790 + +now no CH no + +42 +00:02:11,790 --> 00:02:11,800 + + + +43 +00:02:11,800 --> 00:02:17,230 + +[Music] + +44 +00:02:17,230 --> 00:02:17,240 + + + +45 +00:02:17,240 --> 00:02:20,509 + +[Music] + +46 +00:02:20,509 --> 00:02:20,519 +[Music] + + +47 +00:02:20,519 --> 00:02:24,030 +[Music] +shoot Lush man why did you know shoot + +48 +00:02:24,030 --> 00:02:24,040 +shoot Lush man why did you know shoot + + +49 +00:02:24,040 --> 00:02:26,630 +shoot Lush man why did you know shoot +well she were a brave dog and she were + +50 +00:02:26,630 --> 00:02:26,640 +well she were a brave dog and she were + + +51 +00:02:26,640 --> 00:02:27,949 +well she were a brave dog and she were +going + +52 +00:02:27,949 --> 00:02:27,959 +going + + +53 +00:02:27,959 --> 00:02:31,030 +going +somewhere and besides I couldn't shoot + +54 +00:02:31,030 --> 00:02:31,040 +somewhere and besides I couldn't shoot + + +55 +00:02:31,040 --> 00:02:33,490 +somewhere and besides I couldn't shoot +but I forgot to load up + +56 +00:02:33,490 --> 00:02:33,500 +but I forgot to load up + + +57 +00:02:33,500 --> 00:02:58,830 +but I forgot to load up +[Music] + +58 +00:02:58,830 --> 00:02:58,840 + + + +59 +00:02:58,840 --> 00:03:02,879 + +again ch + diff --git a/1943/VRxRsbDfLaw.description b/1943/VRxRsbDfLaw.description new file mode 100644 index 0000000000000000000000000000000000000000..4b6ab00f20658a9f333d490b942627416dbae990 --- /dev/null +++ b/1943/VRxRsbDfLaw.description @@ -0,0 +1,38 @@ +Lassie Come Home movie clips: http://j.mp/1B3na9g +BUY THE MOVIE: http://j.mp/T8fueo +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After her first escape, Lassie is returned to the kennel, but she resorts to jumping the fence. + +FILM DESCRIPTION: +Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. + +CREDITS: +TM & © Warner Bros. (1943) +Cast: J. Pat O'Malley, Pal +Director: Fred M. Wilcox +Producers: Samuel Marx, Harry Rapf, Dore Schary +Screenwriters: Hugo Butler, Eric Knight + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1943/jVsXMF9sbVQ.description b/1943/jVsXMF9sbVQ.description new file mode 100644 index 0000000000000000000000000000000000000000..5cd13a50c59fc4c4fca26c4270fd2e3aa3907689 --- /dev/null +++ b/1943/jVsXMF9sbVQ.description @@ -0,0 +1,38 @@ +Lassie Come Home movie clips: http://j.mp/1B3na9g +BUY THE MOVIE: http://j.mp/T8fueo +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Exhausted after swimming across the river, Lassie is saved by Dan'l (Ben Webster) and Dally Fadden's (Dame May Whitty) kind hospitality. + +FILM DESCRIPTION: +Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. + +CREDITS: +TM & © Warner Bros. (1943) +Cast: Pal, Ben Webster, Dame May Whitty +Director: Fred M. Wilcox +Producers: Samuel Marx, Harry Rapf, Dore Schary +Screenwriters: Hugo Butler, Eric Knight + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1943/jVsXMF9sbVQ.en.srt b/1943/jVsXMF9sbVQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..478131063778bdcb37b0fa7742a52c7ae36027d1 --- /dev/null +++ b/1943/jVsXMF9sbVQ.en.srt @@ -0,0 +1,195 @@ +1 +00:00:00,000 --> 00:00:43,750 + +[Music] + +2 +00:00:43,750 --> 00:00:43,760 + + + +3 +00:00:43,760 --> 00:00:46,310 + +and don't you hear something huh D with + +4 +00:00:46,310 --> 00:00:46,320 +and don't you hear something huh D with + + +5 +00:00:46,320 --> 00:00:47,229 +and don't you hear something huh D with +the + +6 +00:00:47,229 --> 00:00:47,239 +the + + +7 +00:00:47,239 --> 00:00:50,510 +the +chickens D the chicken cop's a bit + +8 +00:00:50,510 --> 00:00:50,520 +chickens D the chicken cop's a bit + + +9 +00:00:50,520 --> 00:00:52,750 +chickens D the chicken cop's a bit +loose if I weren't so lazy I'd have + +10 +00:00:52,750 --> 00:00:52,760 +loose if I weren't so lazy I'd have + + +11 +00:00:52,760 --> 00:01:00,349 +loose if I weren't so lazy I'd have +fixed it long since + +12 +00:01:00,349 --> 00:01:00,359 + + + +13 +00:01:00,359 --> 00:01:04,030 + +there again there is something if you + +14 +00:01:04,030 --> 00:01:04,040 +there again there is something if you + + +15 +00:01:04,040 --> 00:01:05,270 +there again there is something if you +won't go and see who's after your + +16 +00:01:05,270 --> 00:01:05,280 +won't go and see who's after your + + +17 +00:01:05,280 --> 00:01:08,390 +won't go and see who's after your +chickens Daniel F I will no no no sit + +18 +00:01:08,390 --> 00:01:08,400 +chickens Daniel F I will no no no sit + + +19 +00:01:08,400 --> 00:01:12,590 +chickens Daniel F I will no no no sit +you down if you want me to go I'll go + +20 +00:01:12,590 --> 00:01:12,600 +you down if you want me to go I'll go + + +21 +00:01:12,600 --> 00:01:14,950 +you down if you want me to go I'll go +I'll look around or you won't be + +22 +00:01:14,950 --> 00:01:14,960 +I'll look around or you won't be + + +23 +00:01:14,960 --> 00:01:26,440 +I'll look around or you won't be +sleeping tonight + +24 +00:01:26,440 --> 00:01:26,450 + + + +25 +00:01:26,450 --> 00:01:40,630 + +[Music] + +26 +00:01:40,630 --> 00:01:40,640 + + + +27 +00:01:40,640 --> 00:01:46,250 + +Dy Dy all right there I'm coming + +28 +00:01:46,250 --> 00:01:46,260 +Dy Dy all right there I'm coming + + +29 +00:01:46,260 --> 00:02:01,069 +Dy Dy all right there I'm coming +[Music] + +30 +00:02:01,069 --> 00:02:01,079 + + + +31 +00:02:01,079 --> 00:02:03,190 + +oh + +32 +00:02:03,190 --> 00:02:03,200 +oh + + +33 +00:02:03,200 --> 00:02:08,150 +oh +oh oh oh you poor poor now who left you + +34 +00:02:08,150 --> 00:02:08,160 +oh oh oh you poor poor now who left you + + +35 +00:02:08,160 --> 00:02:09,630 +oh oh oh you poor poor now who left you +out tonight like + +36 +00:02:09,630 --> 00:02:09,640 +out tonight like + + +37 +00:02:09,640 --> 00:02:13,640 +out tonight like +you I think have + +38 +00:02:13,640 --> 00:02:13,650 +you I think have + + +39 +00:02:13,650 --> 00:02:42,870 +you I think have +[Music] + diff --git a/1943/voYRf2GVXbc.description b/1943/voYRf2GVXbc.description new file mode 100644 index 0000000000000000000000000000000000000000..045042110595d2221943bbed47d7f98adcfc8692 --- /dev/null +++ b/1943/voYRf2GVXbc.description @@ -0,0 +1,38 @@ +Lassie Come Home movie clips: http://j.mp/1B3na9g +BUY THE MOVIE: http://j.mp/T8fueo +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Lassie escapes her new home just in time to meet Joe (Roddy McDowall) after school. + +FILM DESCRIPTION: +Female dogs tend to shed while in heat; this is why all the collies who've played doggy heroine Lassie in the movies have actually been well-disguised males. A magnificent animal named Pal was the screen's first Lassie in 1943's Lassie Come Home. Set in Yorkshire during the first World War, the film gets under way when the poverty-stricken parents (Donald Crisp, Elsa Lanchester) of young Joe Carraclough (Roddy McDowall) are forced to sell his beloved Lassie. While her new master, the duke of Rudling (Nigel Bruce), is pleasant enough, Lassie prefers the company of Joe and repeatedly escapes. Even when cared for by the duke's affectionate granddaughter, Priscilla (Elizabeth Taylor), Lassie insists upon heading back to her original home. This time, however, the trip is much longer, and Lassie must depend upon the kindness of strangers, notably farmers Dally (Dame May Whitty) and Dan'l Fadden (Ben Webster) and handyman Rowlie (Edmund Gwenn). Based on the novel by Eric Knight (originally serialized in The Saturday Evening Post), Lassie Come Home was released quite some time after Knight's death. Like all the Lassie sequels turned out by MGM between 1943 and 1951, Lassie Come Home was lensed in Technicolor. + +CREDITS: +TM & © Warner Bros. (1943) +Cast: Roddy McDowall, Pal +Director: Fred M. Wilcox +Producers: Samuel Marx, Harry Rapf, Dore Schary +Screenwriters: Hugo Butler, Eric Knight + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/-r_jjQ_idz8.description b/1944/-r_jjQ_idz8.description new file mode 100644 index 0000000000000000000000000000000000000000..647231d59ea33d77d789e52f2b3952c276e37bd7 --- /dev/null +++ b/1944/-r_jjQ_idz8.description @@ -0,0 +1,38 @@ +Double Indemnity movie clips: http://j.mp/1BcRm39 +BUY THE MOVIE: http://amzn.to/ts2Y3g +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Walter (Fred MacMurray) tries to convince Keyes (Edward G. Robinson) to not call the cops and let him escape, but he doesn't have the strength to get out the door. + +FILM DESCRIPTION: +Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. + +CREDITS: +TM & © Universal (1944) +Cast: Edward G. Robinson +Director: Billy Wilder +Producers: Buddy G. DeSylva, Joseph Sistrom +Screenwriters: Raymond Chandler, James M. Cain, Billy Wilder + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/-r_jjQ_idz8.en.srt b/1944/-r_jjQ_idz8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c9d918beeec0d17f80f1778322f19184e44a33bf --- /dev/null +++ b/1944/-r_jjQ_idz8.en.srt @@ -0,0 +1,455 @@ +1 +00:00:02,080 --> 00:00:05,389 + +I'm going to call for a + +2 +00:00:05,389 --> 00:00:05,399 + + + +3 +00:00:05,399 --> 00:00:09,950 + +doctor what for so they can patch me up + +4 +00:00:09,950 --> 00:00:09,960 +doctor what for so they can patch me up + + +5 +00:00:09,960 --> 00:00:11,270 +doctor what for so they can patch me up +so they can nurse me along to I it back + +6 +00:00:11,270 --> 00:00:11,280 +so they can nurse me along to I it back + + +7 +00:00:11,280 --> 00:00:13,709 +so they can nurse me along to I it back +in my feet so I can walk into that gas + +8 +00:00:13,709 --> 00:00:13,719 +in my feet so I can walk into that gas + + +9 +00:00:13,719 --> 00:00:15,189 +in my feet so I can walk into that gas +chamber of of San Quinton on my own + +10 +00:00:15,189 --> 00:00:15,199 +chamber of of San Quinton on my own + + +11 +00:00:15,199 --> 00:00:18,550 +chamber of of San Quinton on my own +power is that it Keys something like + +12 +00:00:18,550 --> 00:00:18,560 +power is that it Keys something like + + +13 +00:00:18,560 --> 00:00:23,710 +power is that it Keys something like +that I I got a different idea yeah look + +14 +00:00:23,710 --> 00:00:23,720 +that I I got a different idea yeah look + + +15 +00:00:23,720 --> 00:00:26,070 +that I I got a different idea yeah look +Keys suppose you went back to bed and + +16 +00:00:26,070 --> 00:00:26,080 +Keys suppose you went back to bed and + + +17 +00:00:26,080 --> 00:00:27,150 +Keys suppose you went back to bed and +didn't find these cylinders till + +18 +00:00:27,150 --> 00:00:27,160 +didn't find these cylinders till + + +19 +00:00:27,160 --> 00:00:29,550 +didn't find these cylinders till +tomorrow morning when the office opens + +20 +00:00:29,550 --> 00:00:29,560 +tomorrow morning when the office opens + + +21 +00:00:29,560 --> 00:00:31,109 +tomorrow morning when the office opens +after that you can play it anyway you + +22 +00:00:31,109 --> 00:00:31,119 +after that you can play it anyway you + + +23 +00:00:31,119 --> 00:00:34,150 +after that you can play it anyway you +like would you do that much for me + +24 +00:00:34,150 --> 00:00:34,160 +like would you do that much for me + + +25 +00:00:34,160 --> 00:00:37,470 +like would you do that much for me +Keys give me one good reason I need 4 + +26 +00:00:37,470 --> 00:00:37,480 +Keys give me one good reason I need 4 + + +27 +00:00:37,480 --> 00:00:39,430 +Keys give me one good reason I need 4 +hours to get where I'm going you're not + +28 +00:00:39,430 --> 00:00:39,440 +hours to get where I'm going you're not + + +29 +00:00:39,440 --> 00:00:43,190 +hours to get where I'm going you're not +going anywhere Walder you bet I am I'm + +30 +00:00:43,190 --> 00:00:43,200 +going anywhere Walder you bet I am I'm + + +31 +00:00:43,200 --> 00:00:44,790 +going anywhere Walder you bet I am I'm +going across the border you haven't got + +32 +00:00:44,790 --> 00:00:44,800 +going across the border you haven't got + + +33 +00:00:44,800 --> 00:00:47,709 +going across the border you haven't got +a chance Walder good enough to try for + +34 +00:00:47,709 --> 00:00:47,719 +a chance Walder good enough to try for + + +35 +00:00:47,719 --> 00:00:50,150 +a chance Walder good enough to try for +you'll never make the Border that's what + +36 +00:00:50,150 --> 00:00:50,160 +you'll never make the Border that's what + + +37 +00:00:50,160 --> 00:00:50,950 +you'll never make the Border that's what +you + +38 +00:00:50,950 --> 00:00:50,960 +you + + +39 +00:00:50,960 --> 00:00:54,389 +you +think just watch me you'll never even + +40 +00:00:54,389 --> 00:00:54,399 +think just watch me you'll never even + + +41 +00:00:54,399 --> 00:00:55,310 +think just watch me you'll never even +make the + +42 +00:00:55,310 --> 00:00:55,320 +make the + + +43 +00:00:55,320 --> 00:00:58,910 +make the +elevator so long + +44 +00:00:58,910 --> 00:00:58,920 + + + +45 +00:00:58,920 --> 00:01:00,790 + +Keys + +46 +00:01:00,790 --> 00:01:00,800 +Keys + + +47 +00:01:00,800 --> 00:01:27,590 +Keys +[Music] + +48 +00:01:27,590 --> 00:01:27,600 + + + +49 +00:01:27,600 --> 00:01:30,429 + +hello uh send an ambulance building on + +50 +00:01:30,429 --> 00:01:30,439 +hello uh send an ambulance building on + + +51 +00:01:30,439 --> 00:01:32,310 +hello uh send an ambulance building on +Olive + +52 +00:01:32,310 --> 00:01:32,320 +Olive + + +53 +00:01:32,320 --> 00:01:38,880 +Olive +Street yeah it's a police + +54 +00:01:38,880 --> 00:01:38,890 + + + +55 +00:01:38,890 --> 00:01:53,830 + +[Music] + +56 +00:01:53,830 --> 00:01:53,840 + + + +57 +00:01:53,840 --> 00:01:56,109 + +job how you doing + +58 +00:01:56,109 --> 00:01:56,119 +job how you doing + + +59 +00:01:56,119 --> 00:01:58,830 +job how you doing +Walder + +60 +00:01:58,830 --> 00:01:58,840 +Walder + + +61 +00:01:58,840 --> 00:02:01,270 +Walder +fine somebody moved the elevator a + +62 +00:02:01,270 --> 00:02:01,280 +fine somebody moved the elevator a + + +63 +00:02:01,280 --> 00:02:02,709 +fine somebody moved the elevator a +couple of miles + +64 +00:02:02,709 --> 00:02:02,719 +couple of miles + + +65 +00:02:02,719 --> 00:02:08,790 +couple of miles +away they're on the + +66 +00:02:08,790 --> 00:02:08,800 + + + +67 +00:02:08,800 --> 00:02:10,710 + +way you know why you couldn't figure + +68 +00:02:10,710 --> 00:02:10,720 +way you know why you couldn't figure + + +69 +00:02:10,720 --> 00:02:11,550 +way you know why you couldn't figure +this one + +70 +00:02:11,550 --> 00:02:11,560 +this one + + +71 +00:02:11,560 --> 00:02:13,550 +this one +keys I'll tell + +72 +00:02:13,550 --> 00:02:13,560 +keys I'll tell + + +73 +00:02:13,560 --> 00:02:15,790 +keys I'll tell +you because the guy you were looking for + +74 +00:02:15,790 --> 00:02:15,800 +you because the guy you were looking for + + +75 +00:02:15,800 --> 00:02:17,270 +you because the guy you were looking for +was too + +76 +00:02:17,270 --> 00:02:17,280 +was too + + +77 +00:02:17,280 --> 00:02:19,790 +was too +close right across the desk from + +78 +00:02:19,790 --> 00:02:19,800 +close right across the desk from + + +79 +00:02:19,800 --> 00:02:23,000 +close right across the desk from +you closer than that + +80 +00:02:23,000 --> 00:02:23,010 +you closer than that + + +81 +00:02:23,010 --> 00:02:25,869 +you closer than that +[Music] + +82 +00:02:25,869 --> 00:02:25,879 +[Music] + + +83 +00:02:25,879 --> 00:02:28,750 +[Music] +Waller I love you + +84 +00:02:28,750 --> 00:02:28,760 +Waller I love you + + +85 +00:02:28,760 --> 00:02:34,790 +Waller I love you +too + +86 +00:02:34,790 --> 00:02:34,800 + + + +87 +00:02:34,800 --> 00:02:58,750 + +[Music] + +88 +00:02:58,750 --> 00:02:58,760 + + + +89 +00:02:58,760 --> 00:03:02,950 + +what + +90 +00:03:02,950 --> 00:03:02,960 + + + +91 +00:03:02,960 --> 00:03:25,539 + +[Music] + diff --git a/1944/1WRLqzGkzNw.description b/1944/1WRLqzGkzNw.description new file mode 100644 index 0000000000000000000000000000000000000000..354c269dca4281d58b204149b4c566e72f010329 --- /dev/null +++ b/1944/1WRLqzGkzNw.description @@ -0,0 +1,38 @@ +Double Indemnity movie clips: http://j.mp/1BcRm39 +BUY THE MOVIE: http://amzn.to/ts2Y3g +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Walter (Fred MacMurray) confronts Phyllis (Barbara Stanwyck) about her manipulative ways, but ends up on the wrong side of her gun. + +FILM DESCRIPTION: +Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. + +CREDITS: +TM & © Universal (1944) +Cast: Barbara Stanwyck +Director: Billy Wilder +Producers: Buddy G. DeSylva, Joseph Sistrom +Screenwriters: Raymond Chandler, James M. Cain, Billy Wilder + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/1WRLqzGkzNw.en.srt b/1944/1WRLqzGkzNw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..99d240b3aebfd47715223270ee8337a16ef264cd --- /dev/null +++ b/1944/1WRLqzGkzNw.en.srt @@ -0,0 +1,355 @@ +1 +00:00:01,439 --> 00:00:03,830 + +we're both rten only you're a little + +2 +00:00:03,830 --> 00:00:03,840 +we're both rten only you're a little + + +3 +00:00:03,840 --> 00:00:05,990 +we're both rten only you're a little +more Rutten you got me to take care of + +4 +00:00:05,990 --> 00:00:06,000 +more Rutten you got me to take care of + + +5 +00:00:06,000 --> 00:00:07,429 +more Rutten you got me to take care of +your husband for you and then you get + +6 +00:00:07,429 --> 00:00:07,439 +your husband for you and then you get + + +7 +00:00:07,439 --> 00:00:09,110 +your husband for you and then you get +STI to take care of alola maybe take + +8 +00:00:09,110 --> 00:00:09,120 +STI to take care of alola maybe take + + +9 +00:00:09,120 --> 00:00:11,350 +STI to take care of alola maybe take +care of me too then somebody else would + +10 +00:00:11,350 --> 00:00:11,360 +care of me too then somebody else would + + +11 +00:00:11,360 --> 00:00:12,589 +care of me too then somebody else would +have come along to take care of zetti + +12 +00:00:12,589 --> 00:00:12,599 +have come along to take care of zetti + + +13 +00:00:12,599 --> 00:00:14,789 +have come along to take care of zetti +for you that's the way you operate isn't + +14 +00:00:14,789 --> 00:00:14,799 +for you that's the way you operate isn't + + +15 +00:00:14,799 --> 00:00:17,109 +for you that's the way you operate isn't +it baby suppose it is is what you've got + +16 +00:00:17,109 --> 00:00:17,119 +it baby suppose it is is what you've got + + +17 +00:00:17,119 --> 00:00:19,750 +it baby suppose it is is what you've got +cooked up for tonight any + +18 +00:00:19,750 --> 00:00:19,760 +cooked up for tonight any + + +19 +00:00:19,760 --> 00:00:22,429 +cooked up for tonight any +better I don't like that music + +20 +00:00:22,429 --> 00:00:22,439 +better I don't like that music + + +21 +00:00:22,439 --> 00:00:28,950 +better I don't like that music +anymore mind if I close the + +22 +00:00:28,950 --> 00:00:28,960 + + + +23 +00:00:28,960 --> 00:00:44,790 + +window + +24 +00:00:44,790 --> 00:00:44,800 + + + +25 +00:00:44,800 --> 00:00:46,950 + +you can do better than that can't you + +26 +00:00:46,950 --> 00:00:46,960 +you can do better than that can't you + + +27 +00:00:46,960 --> 00:00:51,549 +you can do better than that can't you +baby better try it + +28 +00:00:51,549 --> 00:00:51,559 + + + +29 +00:00:51,559 --> 00:00:58,910 + +again maybe if I came a Little + +30 +00:00:58,910 --> 00:00:58,920 + + + +31 +00:00:58,920 --> 00:01:05,270 + +Closer + +32 +00:01:05,270 --> 00:01:05,280 + + + +33 +00:01:05,280 --> 00:01:15,749 + +how's this think you can do it + +34 +00:01:15,749 --> 00:01:15,759 + + + +35 +00:01:15,759 --> 00:01:23,990 + +now why didn't you shoot again + +36 +00:01:23,990 --> 00:01:24,000 + + + +37 +00:01:24,000 --> 00:01:25,870 + +baby don't tell me it's because you've + +38 +00:01:25,870 --> 00:01:25,880 +baby don't tell me it's because you've + + +39 +00:01:25,880 --> 00:01:28,109 +baby don't tell me it's because you've +been in love with me all this + +40 +00:01:28,109 --> 00:01:28,119 +been in love with me all this + + +41 +00:01:28,119 --> 00:01:30,710 +been in love with me all this +time no I never love you Walter not you + +42 +00:01:30,710 --> 00:01:30,720 +time no I never love you Walter not you + + +43 +00:01:30,720 --> 00:01:33,710 +time no I never love you Walter not you +or anybody else I'm rotten to the heart + +44 +00:01:33,710 --> 00:01:33,720 +or anybody else I'm rotten to the heart + + +45 +00:01:33,720 --> 00:01:36,190 +or anybody else I'm rotten to the heart +I used you just as you said that's all + +46 +00:01:36,190 --> 00:01:36,200 +I used you just as you said that's all + + +47 +00:01:36,200 --> 00:01:38,630 +I used you just as you said that's all +you ever meant to + +48 +00:01:38,630 --> 00:01:38,640 +you ever meant to + + +49 +00:01:38,640 --> 00:01:41,310 +you ever meant to +me until a minute + +50 +00:01:41,310 --> 00:01:41,320 +me until a minute + + +51 +00:01:41,320 --> 00:01:45,630 +me until a minute +ago when I couldn't fire that second + +52 +00:01:45,630 --> 00:01:45,640 +ago when I couldn't fire that second + + +53 +00:01:45,640 --> 00:01:47,950 +ago when I couldn't fire that second +shot I never thought that could happen + +54 +00:01:47,950 --> 00:01:47,960 +shot I never thought that could happen + + +55 +00:01:47,960 --> 00:01:49,389 +shot I never thought that could happen +to + +56 +00:01:49,389 --> 00:01:49,399 +to + + +57 +00:01:49,399 --> 00:01:52,310 +to +me sorry baby I'm not buying I'm not + +58 +00:01:52,310 --> 00:01:52,320 +me sorry baby I'm not buying I'm not + + +59 +00:01:52,320 --> 00:01:58,830 +me sorry baby I'm not buying I'm not +asking you to buy just hold me + +60 +00:01:58,830 --> 00:01:58,840 + + + +61 +00:01:58,840 --> 00:02:01,270 + +close + +62 +00:02:01,270 --> 00:02:01,280 +close + + +63 +00:02:01,280 --> 00:02:06,310 +close +goodbye + +64 +00:02:06,310 --> 00:02:06,320 + + + +65 +00:02:06,320 --> 00:02:14,630 + +[Music] + +66 +00:02:14,630 --> 00:02:14,640 + + + +67 +00:02:14,640 --> 00:02:28,750 + +[Music] + +68 +00:02:28,750 --> 00:02:28,760 +[Music] + + +69 +00:02:28,760 --> 00:02:36,920 +[Music] +baby + +70 +00:02:36,920 --> 00:02:36,930 + + + +71 +00:02:36,930 --> 00:02:59,509 + +[Music] + diff --git a/1944/6o8Eq0LEpf0.en.srt b/1944/6o8Eq0LEpf0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d0eff62db519f577687d6d22c57c4744b4986489 --- /dev/null +++ b/1944/6o8Eq0LEpf0.en.srt @@ -0,0 +1,365 @@ +1 +00:00:02,659 --> 00:00:06,019 + +all right I don't want to upset you if + +2 +00:00:06,019 --> 00:00:06,029 +all right I don't want to upset you if + + +3 +00:00:06,029 --> 00:00:07,519 +all right I don't want to upset you if +you will put things right when I'm not + +4 +00:00:07,519 --> 00:00:07,529 +you will put things right when I'm not + + +5 +00:00:07,529 --> 00:00:09,129 +you will put things right when I'm not +looking with us sure we did not happen + +6 +00:00:09,129 --> 00:00:09,139 +looking with us sure we did not happen + + +7 +00:00:09,139 --> 00:00:13,730 +looking with us sure we did not happen +what Gregory what oh please don't turn + +8 +00:00:13,730 --> 00:00:13,740 +what Gregory what oh please don't turn + + +9 +00:00:13,740 --> 00:00:16,779 +what Gregory what oh please don't turn +your back on me what has happened + +10 +00:00:16,779 --> 00:00:16,789 +your back on me what has happened + + +11 +00:00:16,789 --> 00:00:38,430 +your back on me what has happened +you mean you don't know no right look + +12 +00:00:38,430 --> 00:00:38,440 + + + +13 +00:00:38,440 --> 00:00:41,940 + +yes + +14 +00:00:41,940 --> 00:00:41,950 + + + +15 +00:00:41,950 --> 00:00:48,520 + +little big just been taken down who took + +16 +00:00:48,520 --> 00:00:48,530 +little big just been taken down who took + + +17 +00:00:48,530 --> 00:00:53,350 +little big just been taken down who took +it done why has it been taken down why + +18 +00:00:53,350 --> 00:00:53,360 +it done why has it been taken down why + + +19 +00:00:53,360 --> 00:00:59,830 +it done why has it been taken down why +indeed why was it taken down before will + +20 +00:00:59,830 --> 00:00:59,840 +indeed why was it taken down before will + + +21 +00:00:59,840 --> 00:01:01,540 +indeed why was it taken down before will +you please get it from wherever you've + +22 +00:01:01,540 --> 00:01:01,550 +you please get it from wherever you've + + +23 +00:01:01,550 --> 00:01:04,890 +you please get it from wherever you've +hidden it and put it back in its place I + +24 +00:01:04,890 --> 00:01:04,900 +hidden it and put it back in its place I + + +25 +00:01:04,900 --> 00:01:06,580 +hidden it and put it back in its place I +swear I haven't + +26 +00:01:06,580 --> 00:01:06,590 +swear I haven't + + +27 +00:01:06,590 --> 00:01:10,719 +swear I haven't +why should i I should don't look at me + +28 +00:01:10,719 --> 00:01:10,729 +why should i I should don't look at me + + +29 +00:01:10,729 --> 00:01:15,900 +why should i I should don't look at me +like that someone else must have done it + +30 +00:01:15,900 --> 00:01:15,910 +like that someone else must have done it + + +31 +00:01:15,910 --> 00:01:18,130 +like that someone else must have done it +no don't bring up please don't drink + +32 +00:01:18,130 --> 00:01:18,140 +no don't bring up please don't drink + + +33 +00:01:18,140 --> 00:01:21,190 +no don't bring up please don't drink +your cracker we don't shame me stop + +34 +00:01:21,190 --> 00:01:21,200 +your cracker we don't shame me stop + + +35 +00:01:21,200 --> 00:01:27,520 +your cracker we don't shame me stop +being hysterical Oh No sit down and calm + +36 +00:01:27,520 --> 00:01:27,530 +being hysterical Oh No sit down and calm + + +37 +00:01:27,530 --> 00:01:31,210 +being hysterical Oh No sit down and calm +yourself before they come you must get + +38 +00:01:31,210 --> 00:01:31,220 +yourself before they come you must get + + +39 +00:01:31,220 --> 00:01:35,520 +yourself before they come you must get +to the bottom of this once and for all + +40 +00:01:35,520 --> 00:01:35,530 + + + +41 +00:01:35,530 --> 00:01:40,870 + +please come in Elizabeth Elizabeth do + +42 +00:01:40,870 --> 00:01:40,880 +please come in Elizabeth Elizabeth do + + +43 +00:01:40,880 --> 00:01:42,310 +please come in Elizabeth Elizabeth do +you notice anything missing from this + +44 +00:01:42,310 --> 00:01:42,320 +you notice anything missing from this + + +45 +00:01:42,320 --> 00:01:46,960 +you notice anything missing from this +one missing sir no I don't think so sir + +46 +00:01:46,960 --> 00:01:46,970 +one missing sir no I don't think so sir + + +47 +00:01:46,970 --> 00:01:52,559 +one missing sir no I don't think so sir +look carefully around the walls well oh + +48 +00:01:52,559 --> 00:01:52,569 +look carefully around the walls well oh + + +49 +00:01:52,569 --> 00:01:54,880 +look carefully around the walls well oh +there's a little picture missing sir + +50 +00:01:54,880 --> 00:01:54,890 +there's a little picture missing sir + + +51 +00:01:54,890 --> 00:01:56,160 +there's a little picture missing sir +exactly + +52 +00:01:56,160 --> 00:01:56,170 +exactly + + +53 +00:01:56,170 --> 00:01:58,930 +exactly +did you take it away no sir + +54 +00:01:58,930 --> 00:01:58,940 +did you take it away no sir + + +55 +00:01:58,940 --> 00:02:01,300 +did you take it away no sir +have you ever taken it down from where + +56 +00:02:01,300 --> 00:02:01,310 +have you ever taken it down from where + + +57 +00:02:01,310 --> 00:02:01,990 +have you ever taken it down from where +it belongs + +58 +00:02:01,990 --> 00:02:02,000 +it belongs + + +59 +00:02:02,000 --> 00:02:10,149 +it belongs +oh no sir why ever should I why did + +60 +00:02:10,149 --> 00:02:10,159 + + + +61 +00:02:10,159 --> 00:02:15,349 + +Elizabeth you go to church don't you to + +62 +00:02:15,349 --> 00:02:15,359 +Elizabeth you go to church don't you to + + +63 +00:02:15,359 --> 00:02:17,839 +Elizabeth you go to church don't you to +water Church yes sir + +64 +00:02:17,839 --> 00:02:17,849 +water Church yes sir + + +65 +00:02:17,849 --> 00:02:21,050 +water Church yes sir +please kiss this Bible as a solemn oath + +66 +00:02:21,050 --> 00:02:21,060 +please kiss this Bible as a solemn oath + + +67 +00:02:21,060 --> 00:02:26,860 +please kiss this Bible as a solemn oath +that you've told the truth + +68 +00:02:26,860 --> 00:02:26,870 + + + +69 +00:02:26,870 --> 00:02:29,149 + +Thank You Elizabeth you may go now + +70 +00:02:29,149 --> 00:02:29,159 +Thank You Elizabeth you may go now + + +71 +00:02:29,159 --> 00:02:31,940 +Thank You Elizabeth you may go now +and send Nessie in here at once + +72 +00:02:31,940 --> 00:02:31,950 +and send Nessie in here at once + + +73 +00:02:31,950 --> 00:02:43,289 +and send Nessie in here at once +[Music] + diff --git a/1944/7vZy9ra8kdM.description b/1944/7vZy9ra8kdM.description new file mode 100644 index 0000000000000000000000000000000000000000..5d5a3e502f8f4ae8544a8b6fd000f791edfb80da --- /dev/null +++ b/1944/7vZy9ra8kdM.description @@ -0,0 +1,38 @@ +Double Indemnity movie clips: http://j.mp/1BcRm39 +BUY THE MOVIE: http://amzn.to/ts2Y3g +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Walter (Fred MacMurray) confesses to murder on Keyes' office recorder. + +FILM DESCRIPTION: +Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. + +CREDITS: +TM & © Universal (1944) +Cast: Fred MacMurray +Director: Billy Wilder +Producers: Buddy G. DeSylva, Joseph Sistrom +Screenwriters: Raymond Chandler, James M. Cain, Billy Wilder + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/7vZy9ra8kdM.en.srt b/1944/7vZy9ra8kdM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..fecb72c1942c202016af91fc75f8717718699332 --- /dev/null +++ b/1944/7vZy9ra8kdM.en.srt @@ -0,0 +1,485 @@ +1 +00:00:00,000 --> 00:00:01,709 + +[Music] + +2 +00:00:01,709 --> 00:00:01,719 +[Music] + + +3 +00:00:01,719 --> 00:00:03,430 +[Music] +office + +4 +00:00:03,430 --> 00:00:03,440 +office + + +5 +00:00:03,440 --> 00:00:07,629 +office +memorandum W NE to Barton Keys claims + +6 +00:00:07,629 --> 00:00:07,639 +memorandum W NE to Barton Keys claims + + +7 +00:00:07,639 --> 00:00:11,789 +memorandum W NE to Barton Keys claims +manager Los Angeles July 16th + +8 +00:00:11,789 --> 00:00:11,799 +manager Los Angeles July 16th + + +9 +00:00:11,799 --> 00:00:14,829 +manager Los Angeles July 16th +1938 dear + +10 +00:00:14,829 --> 00:00:14,839 +1938 dear + + +11 +00:00:14,839 --> 00:00:16,670 +1938 dear +Keys suppose you'll call this a + +12 +00:00:16,670 --> 00:00:16,680 +Keys suppose you'll call this a + + +13 +00:00:16,680 --> 00:00:18,029 +Keys suppose you'll call this a +confession when you hear + +14 +00:00:18,029 --> 00:00:18,039 +confession when you hear + + +15 +00:00:18,039 --> 00:00:20,710 +confession when you hear +it well I don't like the word + +16 +00:00:20,710 --> 00:00:20,720 +it well I don't like the word + + +17 +00:00:20,720 --> 00:00:22,590 +it well I don't like the word +confession I just want to set you right + +18 +00:00:22,590 --> 00:00:22,600 +confession I just want to set you right + + +19 +00:00:22,600 --> 00:00:23,670 +confession I just want to set you right +about something you couldn't see because + +20 +00:00:23,670 --> 00:00:23,680 +about something you couldn't see because + + +21 +00:00:23,680 --> 00:00:25,630 +about something you couldn't see because +I was smack up against your + +22 +00:00:25,630 --> 00:00:25,640 +I was smack up against your + + +23 +00:00:25,640 --> 00:00:27,790 +I was smack up against your +nose you think you're such a hot potato + +24 +00:00:27,790 --> 00:00:27,800 +nose you think you're such a hot potato + + +25 +00:00:27,800 --> 00:00:29,470 +nose you think you're such a hot potato +as a claims manager such a wolf on a + +26 +00:00:29,470 --> 00:00:29,480 +as a claims manager such a wolf on a + + +27 +00:00:29,480 --> 00:00:30,870 +as a claims manager such a wolf on a +phony CL + +28 +00:00:30,870 --> 00:00:30,880 +phony CL + + +29 +00:00:30,880 --> 00:00:32,990 +phony CL +claim maybe + +30 +00:00:32,990 --> 00:00:33,000 +claim maybe + + +31 +00:00:33,000 --> 00:00:34,790 +claim maybe +are but let's take a look at that + +32 +00:00:34,790 --> 00:00:34,800 +are but let's take a look at that + + +33 +00:00:34,800 --> 00:00:36,229 +are but let's take a look at that +dedrickson + +34 +00:00:36,229 --> 00:00:36,239 +dedrickson + + +35 +00:00:36,239 --> 00:00:39,229 +dedrickson +claim accident in Dublin + +36 +00:00:39,229 --> 00:00:39,239 +claim accident in Dublin + + +37 +00:00:39,239 --> 00:00:41,229 +claim accident in Dublin +dity you were pretty good in there for a + +38 +00:00:41,229 --> 00:00:41,239 +dity you were pretty good in there for a + + +39 +00:00:41,239 --> 00:00:42,389 +dity you were pretty good in there for a +while + +40 +00:00:42,389 --> 00:00:42,399 +while + + +41 +00:00:42,399 --> 00:00:45,510 +while +Keys you said it wasn't an accident + +42 +00:00:45,510 --> 00:00:45,520 +Keys you said it wasn't an accident + + +43 +00:00:45,520 --> 00:00:48,830 +Keys you said it wasn't an accident +check he said it wasn't suicide + +44 +00:00:48,830 --> 00:00:48,840 +check he said it wasn't suicide + + +45 +00:00:48,840 --> 00:00:51,750 +check he said it wasn't suicide +check he said it was + +46 +00:00:51,750 --> 00:00:51,760 +check he said it was + + +47 +00:00:51,760 --> 00:00:54,029 +check he said it was +murder + +48 +00:00:54,029 --> 00:00:54,039 +murder + + +49 +00:00:54,039 --> 00:00:56,670 +murder +check you thought you haded coal didn't + +50 +00:00:56,670 --> 00:00:56,680 +check you thought you haded coal didn't + + +51 +00:00:56,680 --> 00:00:58,910 +check you thought you haded coal didn't +she all wrapped up in tissue paper with + +52 +00:00:58,910 --> 00:00:58,920 +she all wrapped up in tissue paper with + + +53 +00:00:58,920 --> 00:01:01,150 +she all wrapped up in tissue paper with +pink ribbons around it + +54 +00:01:01,150 --> 00:01:01,160 +pink ribbons around it + + +55 +00:01:01,160 --> 00:01:02,110 +pink ribbons around it +was + +56 +00:01:02,110 --> 00:01:02,120 +was + + +57 +00:01:02,120 --> 00:01:04,030 +was +perfect except it wasn't because you + +58 +00:01:04,030 --> 00:01:04,040 +perfect except it wasn't because you + + +59 +00:01:04,040 --> 00:01:05,149 +perfect except it wasn't because you +made one + +60 +00:01:05,149 --> 00:01:05,159 +made one + + +61 +00:01:05,159 --> 00:01:08,310 +made one +mistake just one little + +62 +00:01:08,310 --> 00:01:08,320 +mistake just one little + + +63 +00:01:08,320 --> 00:01:10,149 +mistake just one little +mistake when it came to picking the + +64 +00:01:10,149 --> 00:01:10,159 +mistake when it came to picking the + + +65 +00:01:10,159 --> 00:01:13,230 +mistake when it came to picking the +killer you picked the wrong + +66 +00:01:13,230 --> 00:01:13,240 + + + +67 +00:01:13,240 --> 00:01:16,590 + +guy you want to know who killed + +68 +00:01:16,590 --> 00:01:16,600 +guy you want to know who killed + + +69 +00:01:16,600 --> 00:01:19,190 +guy you want to know who killed +dedon hold tight to that cheap cigar of + +70 +00:01:19,190 --> 00:01:19,200 +dedon hold tight to that cheap cigar of + + +71 +00:01:19,200 --> 00:01:21,030 +dedon hold tight to that cheap cigar of +your + +72 +00:01:21,030 --> 00:01:21,040 +your + + +73 +00:01:21,040 --> 00:01:25,630 +your +keys I killed drickson May Walder NE + +74 +00:01:25,630 --> 00:01:25,640 +keys I killed drickson May Walder NE + + +75 +00:01:25,640 --> 00:01:27,670 +keys I killed drickson May Walder NE +insurance salesman 35 years old + +76 +00:01:27,670 --> 00:01:27,680 +insurance salesman 35 years old + + +77 +00:01:27,680 --> 00:01:31,830 +insurance salesman 35 years old +unmarried no visible scars + +78 +00:01:31,830 --> 00:01:31,840 +unmarried no visible scars + + +79 +00:01:31,840 --> 00:01:34,550 +unmarried no visible scars +until a while ago that + +80 +00:01:34,550 --> 00:01:34,560 +until a while ago that + + +81 +00:01:34,560 --> 00:01:37,749 +until a while ago that +is yes I killed + +82 +00:01:37,749 --> 00:01:37,759 +is yes I killed + + +83 +00:01:37,759 --> 00:01:39,870 +is yes I killed +him I killed him for + +84 +00:01:39,870 --> 00:01:39,880 +him I killed him for + + +85 +00:01:39,880 --> 00:01:43,190 +him I killed him for +money and for a + +86 +00:01:43,190 --> 00:01:43,200 +money and for a + + +87 +00:01:43,200 --> 00:01:46,590 +money and for a +woman and I didn't get the money + +88 +00:01:46,590 --> 00:01:46,600 +woman and I didn't get the money + + +89 +00:01:46,600 --> 00:01:49,830 +woman and I didn't get the money +and I didn't get the + +90 +00:01:49,830 --> 00:01:49,840 +and I didn't get the + + +91 +00:01:49,840 --> 00:01:58,830 +and I didn't get the +woman pretty isn't + +92 +00:01:58,830 --> 00:01:58,840 + + + +93 +00:01:58,840 --> 00:02:01,420 + +it + +94 +00:02:01,420 --> 00:02:01,430 +it + + +95 +00:02:01,430 --> 00:02:29,949 +it +[Music] + +96 +00:02:29,949 --> 00:02:29,959 + + + +97 +00:02:29,959 --> 00:02:32,640 + +ch + diff --git a/1944/BGyfOMCRBn0.description b/1944/BGyfOMCRBn0.description new file mode 100644 index 0000000000000000000000000000000000000000..7ae38362c3dddf4f2be398ded71a543af65a4ebb --- /dev/null +++ b/1944/BGyfOMCRBn0.description @@ -0,0 +1,38 @@ +Arsenic and Old Lace movie clips: http://j.mp/13URcOk +BUY THE MOVIE: http://j.mp/13URaWM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Trying to explain to Elaine (Priscilla Lane) why his family's history of insanity should stop them from being married, Mortimer (Cary Grant) falls in love with her again, and then back out. + +FILM DESCRIPTION: +Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II. + +CREDITS: +TM & © Warner Bros. (1944) +Cast: Chester Clute, Cary Grant, Priscilla Lane, John Alexander +Director: Frank Capra +Producers: Jack L. Warner, Frank Capra +Screenwriters: Julius J. Epstein, Philip G. Epstein, Joseph Kesselring + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/In_UKcRXzHs.en.srt b/1944/In_UKcRXzHs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1a8505b9dcec1c57de3c4ab6e93e3c288b9ac8ba --- /dev/null +++ b/1944/In_UKcRXzHs.en.srt @@ -0,0 +1,205 @@ +1 +00:00:02,840 --> 00:00:04,789 + +morer + +2 +00:00:04,789 --> 00:00:04,799 +morer + + +3 +00:00:04,799 --> 00:00:07,670 +morer +morer morer it's true it's true I saw + +4 +00:00:07,670 --> 00:00:07,680 +morer morer it's true it's true I saw + + +5 +00:00:07,680 --> 00:00:09,790 +morer morer it's true it's true I saw +them it's true it's true I just there + +6 +00:00:09,790 --> 00:00:09,800 +them it's true it's true I just there + + +7 +00:00:09,800 --> 00:00:14,390 +them it's true it's true I just there +are 13 buies down there but I saw + +8 +00:00:14,390 --> 00:00:14,400 +are 13 buies down there but I saw + + +9 +00:00:14,400 --> 00:00:17,830 +are 13 buies down there but I saw +them what's all the screaming a but I pr + +10 +00:00:17,830 --> 00:00:17,840 +them what's all the screaming a but I pr + + +11 +00:00:17,840 --> 00:00:20,050 +them what's all the screaming a but I pr +it's way past her + +12 +00:00:20,050 --> 00:00:20,060 +it's way past her + + +13 +00:00:20,060 --> 00:00:25,189 +it's way past her +[Music] + +14 +00:00:25,189 --> 00:00:25,199 +[Music] + + +15 +00:00:25,199 --> 00:00:32,910 +[Music] +bedtime good morning goodbye byebye + +16 +00:00:32,910 --> 00:00:32,920 + + + +17 +00:00:32,920 --> 00:00:35,510 + +what is all this they're going on their + +18 +00:00:35,510 --> 00:00:35,520 +what is all this they're going on their + + +19 +00:00:35,520 --> 00:00:40,869 +what is all this they're going on their +honeymoon well they're off to a Flying + +20 +00:00:40,869 --> 00:00:40,879 + + + +21 +00:00:40,879 --> 00:00:45,869 + +Star my gun + +22 +00:00:45,869 --> 00:00:45,879 + + + +23 +00:00:45,879 --> 00:00:50,670 + +hey uh you'll own two cabs M you I mean + +24 +00:00:50,670 --> 00:00:50,680 +hey uh you'll own two cabs M you I mean + + +25 +00:00:50,680 --> 00:01:01,229 +hey uh you'll own two cabs M you I mean +the meter oh morer + +26 +00:01:01,229 --> 00:01:01,239 + + + +27 +00:01:01,239 --> 00:01:04,149 + +oh + +28 +00:01:04,149 --> 00:01:04,159 + + + +29 +00:01:04,159 --> 00:01:06,550 + +morer oh we're going to Niagra Falls + +30 +00:01:06,550 --> 00:01:06,560 +morer oh we're going to Niagra Falls + + +31 +00:01:06,560 --> 00:01:09,270 +morer oh we're going to Niagra Falls +call me a cab dear yes + +32 +00:01:09,270 --> 00:01:09,280 +call me a cab dear yes + + +33 +00:01:09,280 --> 00:01:12,789 +call me a cab dear yes +love but Mr Brewster no no I'm not a + +34 +00:01:12,789 --> 00:01:12,799 +love but Mr Brewster no no I'm not a + + +35 +00:01:12,799 --> 00:01:18,550 +love but Mr Brewster no no I'm not a +Brewster I'm a son of a SE + +36 +00:01:18,550 --> 00:01:18,560 + + + +37 +00:01:18,560 --> 00:01:22,190 + +cook I'm not a cab driver I'm a coffee + +38 +00:01:22,190 --> 00:01:22,200 +cook I'm not a cab driver I'm a coffee + + +39 +00:01:22,200 --> 00:01:23,280 +cook I'm not a cab driver I'm a coffee +pot + +40 +00:01:23,280 --> 00:01:23,290 +pot + + +41 +00:01:23,290 --> 00:01:57,309 +pot +[Music] + diff --git a/1944/KPAnWhVV5dI.description b/1944/KPAnWhVV5dI.description new file mode 100644 index 0000000000000000000000000000000000000000..1445db163c64f80467742f0a22d285babc2d162d --- /dev/null +++ b/1944/KPAnWhVV5dI.description @@ -0,0 +1,38 @@ +Arsenic and Old Lace movie clips: http://j.mp/13URcOk +BUY THE MOVIE: http://j.mp/13URaWM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Mortimer (Cary Grant) slowly uncovers that it's his aunts Martha (Jean Adair) and Abby (Josephine Hull) who have provided the dead body in the window seat. + +FILM DESCRIPTION: +Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II. + +CREDITS: +TM & © Warner Bros. (1944) +Cast: Cary Grant, Josephine Hull, Jean Adair +Director: Frank Capra +Producers: Jack L. Warner, Frank Capra +Screenwriters: Julius J. Epstein, Philip G. Epstein, Joseph Kesselring + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/KPAnWhVV5dI.en.srt b/1944/KPAnWhVV5dI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..20d948436eb93dd6a9797cc9fcf304f07d9f6ce7 --- /dev/null +++ b/1944/KPAnWhVV5dI.en.srt @@ -0,0 +1,475 @@ +1 +00:00:00,799 --> 00:00:03,030 + +no no Teddy's got to go to happydale now + +2 +00:00:03,030 --> 00:00:03,040 +no no Teddy's got to go to happydale now + + +3 +00:00:03,040 --> 00:00:04,630 +no no Teddy's got to go to happydale now +at once now he's down in the cellar get + +4 +00:00:04,630 --> 00:00:04,640 +at once now he's down in the cellar get + + +5 +00:00:04,640 --> 00:00:06,230 +at once now he's down in the cellar get +him up here right away well there's no + +6 +00:00:06,230 --> 00:00:06,240 +him up here right away well there's no + + +7 +00:00:06,240 --> 00:00:08,990 +him up here right away well there's no +such hurry as that no when Ted is + +8 +00:00:08,990 --> 00:00:09,000 +such hurry as that no when Ted is + + +9 +00:00:09,000 --> 00:00:11,150 +such hurry as that no when Ted is +working on the canal you can't get his + +10 +00:00:11,150 --> 00:00:11,160 +working on the canal you can't get his + + +11 +00:00:11,160 --> 00:00:14,709 +working on the canal you can't get his +mind on anything else well look Darlings + +12 +00:00:14,709 --> 00:00:14,719 +mind on anything else well look Darlings + + +13 +00:00:14,719 --> 00:00:16,470 +mind on anything else well look Darlings +look I I'm frightfully sorry but I've + +14 +00:00:16,470 --> 00:00:16,480 +look I I'm frightfully sorry but I've + + +15 +00:00:16,480 --> 00:00:18,990 +look I I'm frightfully sorry but I've +got an awful shock for you Ted's killed + +16 +00:00:18,990 --> 00:00:19,000 +got an awful shock for you Ted's killed + + +17 +00:00:19,000 --> 00:00:20,630 +got an awful shock for you Ted's killed +a man + +18 +00:00:20,630 --> 00:00:20,640 +a man + + +19 +00:00:20,640 --> 00:00:23,750 +a man +Darlings nonsense but there's a body in + +20 +00:00:23,750 --> 00:00:23,760 +Darlings nonsense but there's a body in + + +21 +00:00:23,760 --> 00:00:30,269 +Darlings nonsense but there's a body in +the window seat Yes dear we know + +22 +00:00:30,269 --> 00:00:30,279 + + + +23 +00:00:30,279 --> 00:00:33,670 + +you know of course yes but it has + +24 +00:00:33,670 --> 00:00:33,680 +you know of course yes but it has + + +25 +00:00:33,680 --> 00:00:35,830 +you know of course yes but it has +nothing to do with + +26 +00:00:35,830 --> 00:00:35,840 +nothing to do with + + +27 +00:00:35,840 --> 00:00:39,150 +nothing to do with +Deddy mortima you just forget about it + +28 +00:00:39,150 --> 00:00:39,160 +Deddy mortima you just forget about it + + +29 +00:00:39,160 --> 00:00:43,150 +Deddy mortima you just forget about it +forget you ever saw the gentleman forget + +30 +00:00:43,150 --> 00:00:43,160 +forget you ever saw the gentleman forget + + +31 +00:00:43,160 --> 00:00:45,389 +forget you ever saw the gentleman forget +we never dreamed you'd + +32 +00:00:45,389 --> 00:00:45,399 +we never dreamed you'd + + +33 +00:00:45,399 --> 00:00:47,630 +we never dreamed you'd +Peak what + +34 +00:00:47,630 --> 00:00:47,640 +Peak what + + +35 +00:00:47,640 --> 00:00:52,549 +Peak what +the who is he he's Mr Hoskins Adam + +36 +00:00:52,549 --> 00:00:52,559 +the who is he he's Mr Hoskins Adam + + +37 +00:00:52,559 --> 00:00:55,150 +the who is he he's Mr Hoskins Adam +Hoskins that's really all I know about + +38 +00:00:55,150 --> 00:00:55,160 +Hoskins that's really all I know about + + +39 +00:00:55,160 --> 00:00:57,950 +Hoskins that's really all I know about +him except that he's a Methodist he's a + +40 +00:00:57,950 --> 00:00:57,960 +him except that he's a Methodist he's a + + +41 +00:00:57,960 --> 00:01:01,150 +him except that he's a Methodist he's a +Methodist oh isn't that nice know but + +42 +00:01:01,150 --> 00:01:01,160 +Methodist oh isn't that nice know but + + +43 +00:01:01,160 --> 00:01:02,630 +Methodist oh isn't that nice know but +what's he doing here what happened to + +44 +00:01:02,630 --> 00:01:02,640 +what's he doing here what happened to + + +45 +00:01:02,640 --> 00:01:03,950 +what's he doing here what happened to +him he + +46 +00:01:03,950 --> 00:01:03,960 +him he + + +47 +00:01:03,960 --> 00:01:06,429 +him he +died look Aunt Martha men just don't get + +48 +00:01:06,429 --> 00:01:06,439 +died look Aunt Martha men just don't get + + +49 +00:01:06,439 --> 00:01:09,990 +died look Aunt Martha men just don't get +into window seats and die no dear he + +50 +00:01:09,990 --> 00:01:10,000 +into window seats and die no dear he + + +51 +00:01:10,000 --> 00:01:13,749 +into window seats and die no dear he +died first oh wait a minute stop all + +52 +00:01:13,749 --> 00:01:13,759 +died first oh wait a minute stop all + + +53 +00:01:13,759 --> 00:01:16,749 +died first oh wait a minute stop all +this look darling how did he die oh + +54 +00:01:16,749 --> 00:01:16,759 +this look darling how did he die oh + + +55 +00:01:16,759 --> 00:01:18,830 +this look darling how did he die oh +Mortimer don't be so + +56 +00:01:18,830 --> 00:01:18,840 +Mortimer don't be so + + +57 +00:01:18,840 --> 00:01:21,630 +Mortimer don't be so +inquisitive the gentleman died because + +58 +00:01:21,630 --> 00:01:21,640 +inquisitive the gentleman died because + + +59 +00:01:21,640 --> 00:01:25,710 +inquisitive the gentleman died because +he drank some wine with poison in + +60 +00:01:25,710 --> 00:01:25,720 +he drank some wine with poison in + + +61 +00:01:25,720 --> 00:01:28,030 +he drank some wine with poison in +it well how did the poison get in the + +62 +00:01:28,030 --> 00:01:28,040 +it well how did the poison get in the + + +63 +00:01:28,040 --> 00:01:30,670 +it well how did the poison get in the +wine well we put it in fine because it's + +64 +00:01:30,670 --> 00:01:30,680 +wine well we put it in fine because it's + + +65 +00:01:30,680 --> 00:01:32,590 +wine well we put it in fine because it's +less noticeable when it's in tea it has + +66 +00:01:32,590 --> 00:01:32,600 +less noticeable when it's in tea it has + + +67 +00:01:32,600 --> 00:01:34,429 +less noticeable when it's in tea it has +a distinct + +68 +00:01:34,429 --> 00:01:34,439 +a distinct + + +69 +00:01:34,439 --> 00:01:36,870 +a distinct +odor you mean + +70 +00:01:36,870 --> 00:01:36,880 +odor you mean + + +71 +00:01:36,880 --> 00:01:40,870 +odor you mean +you you put it in the wine yes and I put + +72 +00:01:40,870 --> 00:01:40,880 +you you put it in the wine yes and I put + + +73 +00:01:40,880 --> 00:01:43,270 +you you put it in the wine yes and I put +Mr huskins in the window seat because + +74 +00:01:43,270 --> 00:01:43,280 +Mr huskins in the window seat because + + +75 +00:01:43,280 --> 00:01:47,429 +Mr huskins in the window seat because +Reverend Harper was coming + +76 +00:01:47,429 --> 00:01:47,439 +Reverend Harper was coming + + +77 +00:01:47,439 --> 00:01:49,510 +Reverend Harper was coming +oh oh look at me + +78 +00:01:49,510 --> 00:01:49,520 +oh oh look at me + + +79 +00:01:49,520 --> 00:01:52,789 +oh oh look at me +darling you mean you mean you knew what + +80 +00:01:52,789 --> 00:01:52,799 +darling you mean you mean you knew what + + +81 +00:01:52,799 --> 00:01:53,990 +darling you mean you mean you knew what +You' done and you didn't want the + +82 +00:01:53,990 --> 00:01:54,000 +You' done and you didn't want the + + +83 +00:01:54,000 --> 00:01:56,429 +You' done and you didn't want the +Reverend Harper to see the body well not + +84 +00:01:56,429 --> 00:01:56,439 +Reverend Harper to see the body well not + + +85 +00:01:56,439 --> 00:02:00,709 +Reverend Harper to see the body well not +a tea that wouldn't have been very nice + +86 +00:02:00,709 --> 00:02:00,719 +a tea that wouldn't have been very nice + + +87 +00:02:00,719 --> 00:02:04,910 +a tea that wouldn't have been very nice +oh his first degree now mortima you know + +88 +00:02:04,910 --> 00:02:04,920 +oh his first degree now mortima you know + + +89 +00:02:04,920 --> 00:02:07,670 +oh his first degree now mortima you know +all about it and just forget about it I + +90 +00:02:07,670 --> 00:02:07,680 +all about it and just forget about it I + + +91 +00:02:07,680 --> 00:02:09,749 +all about it and just forget about it I +do think that Martha and I have the + +92 +00:02:09,749 --> 00:02:09,759 +do think that Martha and I have the + + +93 +00:02:09,759 --> 00:02:13,470 +do think that Martha and I have the +right to our own little secrets + +94 +00:02:13,470 --> 00:02:13,480 +right to our own little secrets + + +95 +00:02:13,480 --> 00:02:42,710 +right to our own little secrets +[Music] + diff --git a/1944/KWAQRU2PeeM.description b/1944/KWAQRU2PeeM.description new file mode 100644 index 0000000000000000000000000000000000000000..410f8e91e317f8e7c0448a22b74d6936ce1cb977 --- /dev/null +++ b/1944/KWAQRU2PeeM.description @@ -0,0 +1,38 @@ +Arsenic and Old Lace movie clips: http://j.mp/13URcOk +BUY THE MOVIE: http://j.mp/13URaWM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Elaine (Priscilla Lane) is trapped in the house with Jonathan (Raymond Massey) and Dr. Einstein (Peter Lorre), who realize that she may have seen them unload a corpse from their car. + +FILM DESCRIPTION: +Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II. + +CREDITS: +TM & © Warner Bros. (1944) +Cast: Priscilla Lane, Raymond Massey, Peter Lorre, John Alexander +Director: Frank Capra +Producers: Jack L. Warner, Frank Capra +Screenwriters: Julius J. Epstein, Philip G. Epstein, Joseph Kesselring + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/KWAQRU2PeeM.en.srt b/1944/KWAQRU2PeeM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2c942494b24d097dfb6b310349d7f4262f1db9c6 --- /dev/null +++ b/1944/KWAQRU2PeeM.en.srt @@ -0,0 +1,425 @@ +1 +00:00:00,520 --> 00:00:03,070 + +who are you I'm elain Harper I live next + +2 +00:00:03,070 --> 00:00:03,080 +who are you I'm elain Harper I live next + + +3 +00:00:03,080 --> 00:00:06,510 +who are you I'm elain Harper I live next +door what are you doing here I came here + +4 +00:00:06,510 --> 00:00:06,520 +door what are you doing here I came here + + +5 +00:00:06,520 --> 00:00:08,950 +door what are you doing here I came here +to see my husband Mortimer why did you + +6 +00:00:08,950 --> 00:00:08,960 +to see my husband Mortimer why did you + + +7 +00:00:08,960 --> 00:00:10,950 +to see my husband Mortimer why did you +say your name was Harper well it is + +8 +00:00:10,950 --> 00:00:10,960 +say your name was Harper well it is + + +9 +00:00:10,960 --> 00:00:13,270 +say your name was Harper well it is +Harper I I mean it's Brewster I'm not + +10 +00:00:13,270 --> 00:00:13,280 +Harper I I mean it's Brewster I'm not + + +11 +00:00:13,280 --> 00:00:16,990 +Harper I I mean it's Brewster I'm not +very used to it I'm a brand new Brewster + +12 +00:00:16,990 --> 00:00:17,000 +very used to it I'm a brand new Brewster + + +13 +00:00:17,000 --> 00:00:28,950 +very used to it I'm a brand new Brewster +doctor it's all right JY it's + +14 +00:00:28,950 --> 00:00:28,960 + + + +15 +00:00:28,960 --> 00:00:31,269 + +okay you'd better explain what you're + +16 +00:00:31,269 --> 00:00:31,279 +okay you'd better explain what you're + + +17 +00:00:31,279 --> 00:00:34,750 +okay you'd better explain what you're +doing here we happen to live here you + +18 +00:00:34,750 --> 00:00:34,760 +doing here we happen to live here you + + +19 +00:00:34,760 --> 00:00:37,069 +doing here we happen to live here you +don't live here I'm in this house every + +20 +00:00:37,069 --> 00:00:37,079 +don't live here I'm in this house every + + +21 +00:00:37,079 --> 00:00:39,150 +don't live here I'm in this house every +day and I've never seen you before where + +22 +00:00:39,150 --> 00:00:39,160 +day and I've never seen you before where + + +23 +00:00:39,160 --> 00:00:40,709 +day and I've never seen you before where +are Miss Martha and Miss Abby what have + +24 +00:00:40,709 --> 00:00:40,719 +are Miss Martha and Miss Abby what have + + +25 +00:00:40,719 --> 00:00:42,270 +are Miss Martha and Miss Abby what have +you done to + +26 +00:00:42,270 --> 00:00:42,280 +you done to + + +27 +00:00:42,280 --> 00:00:45,310 +you done to +them perhaps we'd better introduce + +28 +00:00:45,310 --> 00:00:45,320 +them perhaps we'd better introduce + + +29 +00:00:45,320 --> 00:00:48,470 +them perhaps we'd better introduce +ourselves may I present Dr + +30 +00:00:48,470 --> 00:00:48,480 +ourselves may I present Dr + + +31 +00:00:48,480 --> 00:00:50,549 +ourselves may I present Dr +Einstein Dr + +32 +00:00:50,549 --> 00:00:50,559 +Einstein Dr + + +33 +00:00:50,559 --> 00:00:55,510 +Einstein Dr +Einstein a surgeon of great + +34 +00:00:55,510 --> 00:00:55,520 + + + +35 +00:00:55,520 --> 00:00:58,430 + +distinction and something of a + +36 +00:00:58,430 --> 00:00:58,440 +distinction and something of a + + +37 +00:00:58,440 --> 00:01:00,549 +distinction and something of a +magician now I suppose you're going to + +38 +00:01:00,549 --> 00:01:00,559 +magician now I suppose you're going to + + +39 +00:01:00,559 --> 00:01:03,270 +magician now I suppose you're going to +tell me that your Bor I am Jonathan + +40 +00:01:03,270 --> 00:01:03,280 +tell me that your Bor I am Jonathan + + +41 +00:01:03,280 --> 00:01:07,230 +tell me that your Bor I am Jonathan +Brewster oh you're Jonathan you've heard + +42 +00:01:07,230 --> 00:01:07,240 +Brewster oh you're Jonathan you've heard + + +43 +00:01:07,240 --> 00:01:10,070 +Brewster oh you're Jonathan you've heard +of me yes they talk about you what do + +44 +00:01:10,070 --> 00:01:10,080 +of me yes they talk about you what do + + +45 +00:01:10,080 --> 00:01:12,149 +of me yes they talk about you what do +they say about me well just that there's + +46 +00:01:12,149 --> 00:01:12,159 +they say about me well just that there's + + +47 +00:01:12,159 --> 00:01:13,550 +they say about me well just that there's +another brother named Jonathan that's + +48 +00:01:13,550 --> 00:01:13,560 +another brother named Jonathan that's + + +49 +00:01:13,560 --> 00:01:16,630 +another brother named Jonathan that's +all they say well that explains + +50 +00:01:16,630 --> 00:01:16,640 +all they say well that explains + + +51 +00:01:16,640 --> 00:01:18,670 +all they say well that explains +everything now that I know who you are + +52 +00:01:18,670 --> 00:01:18,680 +everything now that I know who you are + + +53 +00:01:18,680 --> 00:01:20,149 +everything now that I know who you are +I'll just be running along if you'll + +54 +00:01:20,149 --> 00:01:20,159 +I'll just be running along if you'll + + +55 +00:01:20,159 --> 00:01:35,590 +I'll just be running along if you'll +kindly unlock the door + +56 +00:01:35,590 --> 00:01:35,600 + + + +57 +00:01:35,600 --> 00:01:38,069 + +that explains everything just what do + +58 +00:01:38,069 --> 00:01:38,079 +that explains everything just what do + + +59 +00:01:38,079 --> 00:01:40,350 +that explains everything just what do +you mean by that why do you come here at + +60 +00:01:40,350 --> 00:01:40,360 +you mean by that why do you come here at + + +61 +00:01:40,360 --> 00:01:42,990 +you mean by that why do you come here at +this time of night well I I just thought + +62 +00:01:42,990 --> 00:01:43,000 +this time of night well I I just thought + + +63 +00:01:43,000 --> 00:01:48,069 +this time of night well I I just thought +I saw Mortimer drive up I suppose it was + +64 +00:01:48,069 --> 00:01:48,079 + + + +65 +00:01:48,079 --> 00:01:51,469 + +you you thought you saw someone drive + +66 +00:01:51,469 --> 00:01:51,479 +you you thought you saw someone drive + + +67 +00:01:51,479 --> 00:01:53,910 +you you thought you saw someone drive +up yes weren't you just outside isn't + +68 +00:01:53,910 --> 00:01:53,920 +up yes weren't you just outside isn't + + +69 +00:01:53,920 --> 00:01:56,789 +up yes weren't you just outside isn't +that your car you saw someone at the car + +70 +00:01:56,789 --> 00:01:56,799 +that your car you saw someone at the car + + +71 +00:01:56,799 --> 00:02:00,830 +that your car you saw someone at the car +yes what else did you see just that + +72 +00:02:00,830 --> 00:02:00,840 +yes what else did you see just that + + +73 +00:02:00,840 --> 00:02:03,990 +yes what else did you see just that +all is that why you came over here oh no + +74 +00:02:03,990 --> 00:02:04,000 +all is that why you came over here oh no + + +75 +00:02:04,000 --> 00:02:05,590 +all is that why you came over here oh no +I came to see Mortimer but if he's not + +76 +00:02:05,590 --> 00:02:05,600 +I came to see Mortimer but if he's not + + +77 +00:02:05,600 --> 00:02:08,589 +I came to see Mortimer but if he's not +home I'll run giving two names for + +78 +00:02:08,589 --> 00:02:08,599 +home I'll run giving two names for + + +79 +00:02:08,599 --> 00:02:10,589 +home I'll run giving two names for +hurting me I think she's + +80 +00:02:10,589 --> 00:02:10,599 +hurting me I think she's + + +81 +00:02:10,599 --> 00:02:12,869 +hurting me I think she's +dangerous no visitors it's going to be a + +82 +00:02:12,869 --> 00:02:12,879 +dangerous no visitors it's going to be a + + +83 +00:02:12,879 --> 00:02:14,270 +dangerous no visitors it's going to be a +private funeral + +84 +00:02:14,270 --> 00:02:14,280 +private funeral + + +85 +00:02:14,280 --> 00:02:43,499 +private funeral +[Music] + diff --git a/1944/LJq1auJq_gc.description b/1944/LJq1auJq_gc.description new file mode 100644 index 0000000000000000000000000000000000000000..c914c8f9139aefe2c77541508f929f15516884aa --- /dev/null +++ b/1944/LJq1auJq_gc.description @@ -0,0 +1,38 @@ +Double Indemnity movie clips: http://j.mp/1BcRm39 +BUY THE MOVIE: http://amzn.to/ts2Y3g +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Walter (Fred MacMurray) realizes that Phyllis (Barbara Stanwyck) wants him to kill her husband, but he's not that crazy. Or is he? + +FILM DESCRIPTION: +Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. + +CREDITS: +TM & © Universal (1944) +Cast: Barbara Stanwyck +Director: Billy Wilder +Producers: Buddy G. DeSylva, Joseph Sistrom +Screenwriters: Raymond Chandler, James M. Cain, Billy Wilder + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/LJq1auJq_gc.en.srt b/1944/LJq1auJq_gc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f3b9ea2a4f2dc71db45098260917da9e000f84f5 --- /dev/null +++ b/1944/LJq1auJq_gc.en.srt @@ -0,0 +1,705 @@ +1 +00:00:00,199 --> 00:00:02,470 + +see what I mean Walter sure I got good + +2 +00:00:02,470 --> 00:00:02,480 +see what I mean Walter sure I got good + + +3 +00:00:02,480 --> 00:00:04,349 +see what I mean Walter sure I got good +eyesight you mean you want him to have + +4 +00:00:04,349 --> 00:00:04,359 +eyesight you mean you want him to have + + +5 +00:00:04,359 --> 00:00:06,470 +eyesight you mean you want him to have +the policy without him knowing it that + +6 +00:00:06,470 --> 00:00:06,480 +the policy without him knowing it that + + +7 +00:00:06,480 --> 00:00:07,590 +the policy without him knowing it that +means without the insurance company + +8 +00:00:07,590 --> 00:00:07,600 +means without the insurance company + + +9 +00:00:07,600 --> 00:00:09,589 +means without the insurance company +knowing that he doesn't know it that's a + +10 +00:00:09,589 --> 00:00:09,599 +knowing that he doesn't know it that's a + + +11 +00:00:09,599 --> 00:00:11,789 +knowing that he doesn't know it that's a +setup isn't it is there anything wrong + +12 +00:00:11,789 --> 00:00:11,799 +setup isn't it is there anything wrong + + +13 +00:00:11,799 --> 00:00:14,030 +setup isn't it is there anything wrong +with it no I think it's lovely then if + +14 +00:00:14,030 --> 00:00:14,040 +with it no I think it's lovely then if + + +15 +00:00:14,040 --> 00:00:15,709 +with it no I think it's lovely then if +some dark wet night that Crown block did + +16 +00:00:15,709 --> 00:00:15,719 +some dark wet night that Crown block did + + +17 +00:00:15,719 --> 00:00:17,310 +some dark wet night that Crown block did +fall on him what Crown block only + +18 +00:00:17,310 --> 00:00:17,320 +fall on him what Crown block only + + +19 +00:00:17,320 --> 00:00:18,390 +fall on him what Crown block only +sometimes it can't quite make it on its + +20 +00:00:18,390 --> 00:00:18,400 +sometimes it can't quite make it on its + + +21 +00:00:18,400 --> 00:00:20,630 +sometimes it can't quite make it on its +own it has to have a little help I don't + +22 +00:00:20,630 --> 00:00:20,640 +own it has to have a little help I don't + + +23 +00:00:20,640 --> 00:00:21,950 +own it has to have a little help I don't +know what you're talking about of course + +24 +00:00:21,950 --> 00:00:21,960 +know what you're talking about of course + + +25 +00:00:21,960 --> 00:00:23,189 +know what you're talking about of course +it doesn't have to be a crown block it + +26 +00:00:23,189 --> 00:00:23,199 +it doesn't have to be a crown block it + + +27 +00:00:23,199 --> 00:00:24,710 +it doesn't have to be a crown block it +can be a car backing over make it fall + +28 +00:00:24,710 --> 00:00:24,720 +can be a car backing over make it fall + + +29 +00:00:24,720 --> 00:00:26,750 +can be a car backing over make it fall +out of the upstairs window any little + +30 +00:00:26,750 --> 00:00:26,760 +out of the upstairs window any little + + +31 +00:00:26,760 --> 00:00:28,669 +out of the upstairs window any little +thing like that just so it's a morg job + +32 +00:00:28,669 --> 00:00:28,679 +thing like that just so it's a morg job + + +33 +00:00:28,679 --> 00:00:31,830 +thing like that just so it's a morg job +are you crazy not that + +34 +00:00:31,830 --> 00:00:31,840 +are you crazy not that + + +35 +00:00:31,840 --> 00:00:36,150 +are you crazy not that +crazy Goodbye Mr Dedrick what's the + +36 +00:00:36,150 --> 00:00:36,160 +crazy Goodbye Mr Dedrick what's the + + +37 +00:00:36,160 --> 00:00:40,470 +crazy Goodbye Mr Dedrick what's the +matter look baby you can't get away with + +38 +00:00:40,470 --> 00:00:40,480 + + + +39 +00:00:40,480 --> 00:00:43,069 + +it you want to knock him off don't you + +40 +00:00:43,069 --> 00:00:43,079 +it you want to knock him off don't you + + +41 +00:00:43,079 --> 00:00:45,029 +it you want to knock him off don't you +that's a horrible thing to say what' you + +42 +00:00:45,029 --> 00:00:45,039 +that's a horrible thing to say what' you + + +43 +00:00:45,039 --> 00:00:46,910 +that's a horrible thing to say what' you +think I was anyway a guy that walks into + +44 +00:00:46,910 --> 00:00:46,920 +think I was anyway a guy that walks into + + +45 +00:00:46,920 --> 00:00:48,069 +think I was anyway a guy that walks into +a good-looking Dame's front parlor and + +46 +00:00:48,069 --> 00:00:48,079 +a good-looking Dame's front parlor and + + +47 +00:00:48,079 --> 00:00:49,350 +a good-looking Dame's front parlor and +says good afternoon I sell accident + +48 +00:00:49,350 --> 00:00:49,360 +says good afternoon I sell accident + + +49 +00:00:49,360 --> 00:00:50,990 +says good afternoon I sell accident +Insurance on husbands you got one that's + +50 +00:00:50,990 --> 00:00:51,000 +Insurance on husbands you got one that's + + +51 +00:00:51,000 --> 00:00:52,069 +Insurance on husbands you got one that's +been around too long one you'd like to + +52 +00:00:52,069 --> 00:00:52,079 +been around too long one you'd like to + + +53 +00:00:52,079 --> 00:00:53,830 +been around too long one you'd like to +turn into a little hard cash just give + +54 +00:00:53,830 --> 00:00:53,840 +turn into a little hard cash just give + + +55 +00:00:53,840 --> 00:00:55,830 +turn into a little hard cash just give +me a smile and I'll help you collect boy + +56 +00:00:55,830 --> 00:00:55,840 +me a smile and I'll help you collect boy + + +57 +00:00:55,840 --> 00:00:57,750 +me a smile and I'll help you collect boy +what a dope you must think I am I think + +58 +00:00:57,750 --> 00:00:57,760 +what a dope you must think I am I think + + +59 +00:00:57,760 --> 00:01:00,549 +what a dope you must think I am I think +you're rotten I think you're swell as + +60 +00:01:00,549 --> 00:01:00,559 +you're rotten I think you're swell as + + +61 +00:01:00,559 --> 00:01:02,150 +you're rotten I think you're swell as +long as I'm not your husband get out of + +62 +00:01:02,150 --> 00:01:02,160 +long as I'm not your husband get out of + + +63 +00:01:02,160 --> 00:01:04,710 +long as I'm not your husband get out of +here you bet I'll get out of here baby I + +64 +00:01:04,710 --> 00:01:04,720 +here you bet I'll get out of here baby I + + +65 +00:01:04,720 --> 00:01:08,460 +here you bet I'll get out of here baby I +get out of here but + +66 +00:01:08,460 --> 00:01:08,470 + + + +67 +00:01:08,470 --> 00:01:15,789 + +[Music] + +68 +00:01:15,789 --> 00:01:15,799 +[Music] + + +69 +00:01:15,799 --> 00:01:17,910 +[Music] +quick so I let her have it straight + +70 +00:01:17,910 --> 00:01:17,920 +quick so I let her have it straight + + +71 +00:01:17,920 --> 00:01:19,990 +quick so I let her have it straight +between the eyes she didn't fool me for + +72 +00:01:19,990 --> 00:01:20,000 +between the eyes she didn't fool me for + + +73 +00:01:20,000 --> 00:01:22,749 +between the eyes she didn't fool me for +a minute not this time I knew I had hold + +74 +00:01:22,749 --> 00:01:22,759 +a minute not this time I knew I had hold + + +75 +00:01:22,759 --> 00:01:24,390 +a minute not this time I knew I had hold +of a red hot poker in the time to drop + +76 +00:01:24,390 --> 00:01:24,400 +of a red hot poker in the time to drop + + +77 +00:01:24,400 --> 00:01:27,030 +of a red hot poker in the time to drop +it was before it burned my hand off I + +78 +00:01:27,030 --> 00:01:27,040 +it was before it burned my hand off I + + +79 +00:01:27,040 --> 00:01:28,630 +it was before it burned my hand off I +stopped at a drive in for a bottle of + +80 +00:01:28,630 --> 00:01:28,640 +stopped at a drive in for a bottle of + + +81 +00:01:28,640 --> 00:01:31,230 +stopped at a drive in for a bottle of +beer the one I had wanted all along only + +82 +00:01:31,230 --> 00:01:31,240 +beer the one I had wanted all along only + + +83 +00:01:31,240 --> 00:01:33,190 +beer the one I had wanted all along only +I wanted it worse now to get rid of the + +84 +00:01:33,190 --> 00:01:33,200 +I wanted it worse now to get rid of the + + +85 +00:01:33,200 --> 00:01:35,030 +I wanted it worse now to get rid of the +sour taste of her iced tea and + +86 +00:01:35,030 --> 00:01:35,040 +sour taste of her iced tea and + + +87 +00:01:35,040 --> 00:01:36,389 +sour taste of her iced tea and +everything that went with + +88 +00:01:36,389 --> 00:01:36,399 +everything that went with + + +89 +00:01:36,399 --> 00:01:38,389 +everything that went with +it I didn't want to go back to the + +90 +00:01:38,389 --> 00:01:38,399 +it I didn't want to go back to the + + +91 +00:01:38,399 --> 00:01:40,190 +it I didn't want to go back to the +office so I dropped by a bowling alley + +92 +00:01:40,190 --> 00:01:40,200 +office so I dropped by a bowling alley + + +93 +00:01:40,200 --> 00:01:41,950 +office so I dropped by a bowling alley +at third and Western and rolled a few + +94 +00:01:41,950 --> 00:01:41,960 +at third and Western and rolled a few + + +95 +00:01:41,960 --> 00:01:44,069 +at third and Western and rolled a few +lines get my mind thinking about + +96 +00:01:44,069 --> 00:01:44,079 +lines get my mind thinking about + + +97 +00:01:44,079 --> 00:01:45,709 +lines get my mind thinking about +something else for a + +98 +00:01:45,709 --> 00:01:45,719 +something else for a + + +99 +00:01:45,719 --> 00:01:47,789 +something else for a +while I didn't feel like eating dinner + +100 +00:01:47,789 --> 00:01:47,799 +while I didn't feel like eating dinner + + +101 +00:01:47,799 --> 00:01:49,990 +while I didn't feel like eating dinner +when I left and I didn't feel like a + +102 +00:01:49,990 --> 00:01:50,000 +when I left and I didn't feel like a + + +103 +00:01:50,000 --> 00:01:52,670 +when I left and I didn't feel like a +show so I drove home put the car away + +104 +00:01:52,670 --> 00:01:52,680 +show so I drove home put the car away + + +105 +00:01:52,680 --> 00:01:55,310 +show so I drove home put the car away +and went up to my + +106 +00:01:55,310 --> 00:01:55,320 +and went up to my + + +107 +00:01:55,320 --> 00:01:57,630 +and went up to my +apartment it had begun to rain outside + +108 +00:01:57,630 --> 00:01:57,640 +apartment it had begun to rain outside + + +109 +00:01:57,640 --> 00:01:59,190 +apartment it had begun to rain outside +and I watched it get dark and didn't + +110 +00:01:59,190 --> 00:01:59,200 +and I watched it get dark and didn't + + +111 +00:01:59,200 --> 00:02:00,350 +and I watched it get dark and didn't +even turn on the + +112 +00:02:00,350 --> 00:02:00,360 +even turn on the + + +113 +00:02:00,360 --> 00:02:03,590 +even turn on the +light that didn't help me either I was + +114 +00:02:03,590 --> 00:02:03,600 +light that didn't help me either I was + + +115 +00:02:03,600 --> 00:02:05,149 +light that didn't help me either I was +all twisted up inside and I was still + +116 +00:02:05,149 --> 00:02:05,159 +all twisted up inside and I was still + + +117 +00:02:05,159 --> 00:02:06,990 +all twisted up inside and I was still +holding on to that red hot + +118 +00:02:06,990 --> 00:02:07,000 +holding on to that red hot + + +119 +00:02:07,000 --> 00:02:09,190 +holding on to that red hot +poker and right then it came over me + +120 +00:02:09,190 --> 00:02:09,200 +poker and right then it came over me + + +121 +00:02:09,200 --> 00:02:10,949 +poker and right then it came over me +that I hadn't walked out on anything at + +122 +00:02:10,949 --> 00:02:10,959 +that I hadn't walked out on anything at + + +123 +00:02:10,959 --> 00:02:14,470 +that I hadn't walked out on anything at +all that the hook was too strong that + +124 +00:02:14,470 --> 00:02:14,480 +all that the hook was too strong that + + +125 +00:02:14,480 --> 00:02:17,030 +all that the hook was too strong that +this wasn't the end between her and me + +126 +00:02:17,030 --> 00:02:17,040 +this wasn't the end between her and me + + +127 +00:02:17,040 --> 00:02:18,670 +this wasn't the end between her and me +it was only the + +128 +00:02:18,670 --> 00:02:18,680 +it was only the + + +129 +00:02:18,680 --> 00:02:21,150 +it was only the +beginning so at 8:00 the Bell would ring + +130 +00:02:21,150 --> 00:02:21,160 +beginning so at 8:00 the Bell would ring + + +131 +00:02:21,160 --> 00:02:22,550 +beginning so at 8:00 the Bell would ring +and I'd know who it was without even + +132 +00:02:22,550 --> 00:02:22,560 +and I'd know who it was without even + + +133 +00:02:22,560 --> 00:02:23,589 +and I'd know who it was without even +having to + +134 +00:02:23,589 --> 00:02:23,599 +having to + + +135 +00:02:23,599 --> 00:02:25,830 +having to +think as if it was the most natural + +136 +00:02:25,830 --> 00:02:25,840 +think as if it was the most natural + + +137 +00:02:25,840 --> 00:02:30,910 +think as if it was the most natural +thing in the world + +138 +00:02:30,910 --> 00:02:30,920 + + + +139 +00:02:30,920 --> 00:02:32,450 + +hello + +140 +00:02:32,450 --> 00:02:32,460 +hello + + +141 +00:02:32,460 --> 00:03:03,509 +hello +[Music] + diff --git a/1944/LVflxqHuw2I.description b/1944/LVflxqHuw2I.description new file mode 100644 index 0000000000000000000000000000000000000000..e091bcacb6b65a975f0eeb2e493fa2bdb3e6bfb9 --- /dev/null +++ b/1944/LVflxqHuw2I.description @@ -0,0 +1,38 @@ +Arsenic and Old Lace movie clips: http://j.mp/13URcOk +BUY THE MOVIE: http://j.mp/13URaWM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +While Mortimer (Cary Grant) tries to get a connection to Happydale Sanitarium, his Aunts Abby (Josephine Hull) and Martha (Jean Adair) prepare to dispatch another lonely soul with their arsenic-laced wine. + +FILM DESCRIPTION: +Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II. + +CREDITS: +TM & © Warner Bros. (1944) +Cast: Edward McWade, Cary Grant, Josephine Hull, Jean Adair +Director: Frank Capra +Producers: Jack L. Warner, Frank Capra +Screenwriters: Julius J. Epstein, Philip G. Epstein, Joseph Kesselring + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/LVflxqHuw2I.en.srt b/1944/LVflxqHuw2I.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f3d57461b822a5903857d9bbad22e7d95c3130ae --- /dev/null +++ b/1944/LVflxqHuw2I.en.srt @@ -0,0 +1,475 @@ +1 +00:00:00,080 --> 00:00:03,070 + +do step in why are you the lady of the + +2 +00:00:03,070 --> 00:00:03,080 +do step in why are you the lady of the + + +3 +00:00:03,080 --> 00:00:05,710 +do step in why are you the lady of the +house yes I'm Miss Brewster Hello + +4 +00:00:05,710 --> 00:00:05,720 +house yes I'm Miss Brewster Hello + + +5 +00:00:05,720 --> 00:00:07,829 +house yes I'm Miss Brewster Hello +Operator give me long distance please + +6 +00:00:07,829 --> 00:00:07,839 +Operator give me long distance please + + +7 +00:00:07,839 --> 00:00:10,030 +Operator give me long distance please +and this is my sister another Miss + +8 +00:00:10,030 --> 00:00:10,040 +and this is my sister another Miss + + +9 +00:00:10,040 --> 00:00:14,589 +and this is my sister another Miss +Brewster my name is GBS well do sit down + +10 +00:00:14,589 --> 00:00:14,599 +Brewster my name is GBS well do sit down + + +11 +00:00:14,599 --> 00:00:16,390 +Brewster my name is GBS well do sit down +I'm sorry we're just setting the table + +12 +00:00:16,390 --> 00:00:16,400 +I'm sorry we're just setting the table + + +13 +00:00:16,400 --> 00:00:18,429 +I'm sorry we're just setting the table +for + +14 +00:00:18,429 --> 00:00:18,439 +for + + +15 +00:00:18,439 --> 00:00:21,429 +for +dinner this would be a nice comfortable + +16 +00:00:21,429 --> 00:00:21,439 +dinner this would be a nice comfortable + + +17 +00:00:21,439 --> 00:00:24,189 +dinner this would be a nice comfortable +chair oh hello long distance how about + +18 +00:00:24,189 --> 00:00:24,199 +chair oh hello long distance how about + + +19 +00:00:24,199 --> 00:00:26,230 +chair oh hello long distance how about +the happydale sanitarium happydale New + +20 +00:00:26,230 --> 00:00:26,240 +the happydale sanitarium happydale New + + +21 +00:00:26,240 --> 00:00:29,029 +the happydale sanitarium happydale New +York is Brooklyn your home I haven't got + +22 +00:00:29,029 --> 00:00:29,039 +York is Brooklyn your home I haven't got + + +23 +00:00:29,039 --> 00:00:31,230 +York is Brooklyn your home I haven't got +a home living a hotel hell don't like it + +24 +00:00:31,230 --> 00:00:31,240 +a home living a hotel hell don't like it + + +25 +00:00:31,240 --> 00:00:34,310 +a home living a hotel hell don't like it +are are your family Brooklyn people + +26 +00:00:34,310 --> 00:00:34,320 +are are your family Brooklyn people + + +27 +00:00:34,320 --> 00:00:35,869 +are are your family Brooklyn people +hello hav't haven't got any family what + +28 +00:00:35,869 --> 00:00:35,879 +hello hav't haven't got any family what + + +29 +00:00:35,879 --> 00:00:40,510 +hello hav't haven't got any family what +up all alone in the world yep no no well + +30 +00:00:40,510 --> 00:00:40,520 +up all alone in the world yep no no well + + +31 +00:00:40,520 --> 00:00:43,790 +up all alone in the world yep no no well +mother oh happy Dale yes well you've + +32 +00:00:43,790 --> 00:00:43,800 +mother oh happy Dale yes well you've + + +33 +00:00:43,800 --> 00:00:47,270 +mother oh happy Dale yes well you've +come to just the right house do sit down + +34 +00:00:47,270 --> 00:00:47,280 +come to just the right house do sit down + + +35 +00:00:47,280 --> 00:00:49,750 +come to just the right house do sit down +d d like in dig you know when you dig a + +36 +00:00:49,750 --> 00:00:49,760 +d d like in dig you know when you dig a + + +37 +00:00:49,760 --> 00:00:52,349 +d d like in dig you know when you dig a +lock that's right and yeah a like in + +38 +00:00:52,349 --> 00:00:52,359 +lock that's right and yeah a like in + + +39 +00:00:52,359 --> 00:00:54,869 +lock that's right and yeah a like in +arsenate got that is there always this + +40 +00:00:54,869 --> 00:00:54,879 +arsenate got that is there always this + + +41 +00:00:54,879 --> 00:00:58,189 +arsenate got that is there always this +much noise he doesn't live with us do + +42 +00:00:58,189 --> 00:00:58,199 +much noise he doesn't live with us do + + +43 +00:00:58,199 --> 00:01:01,189 +much noise he doesn't live with us do +the headlines oh please + +44 +00:01:01,189 --> 00:01:01,199 +the headlines oh please + + +45 +00:01:01,199 --> 00:01:03,790 +the headlines oh please +hello I'd really like to see the room I + +46 +00:01:03,790 --> 00:01:03,800 +hello I'd really like to see the room I + + +47 +00:01:03,800 --> 00:01:05,550 +hello I'd really like to see the room I +don't think they'll like it the room's + +48 +00:01:05,550 --> 00:01:05,560 +don't think they'll like it the room's + + +49 +00:01:05,560 --> 00:01:08,149 +don't think they'll like it the room's +upstairs won't you try a glass of our + +50 +00:01:08,149 --> 00:01:08,159 +upstairs won't you try a glass of our + + +51 +00:01:08,159 --> 00:01:11,910 +upstairs won't you try a glass of our +wine before we start up never touch it + +52 +00:01:11,910 --> 00:01:11,920 +wine before we start up never touch it + + +53 +00:01:11,920 --> 00:01:14,870 +wine before we start up never touch it +oh we make this ourselves it's + +54 +00:01:14,870 --> 00:01:14,880 +oh we make this ourselves it's + + +55 +00:01:14,880 --> 00:01:16,350 +oh we make this ourselves it's +Elderberry + +56 +00:01:16,350 --> 00:01:16,360 +Elderberry + + +57 +00:01:16,360 --> 00:01:20,310 +Elderberry +wine + +58 +00:01:20,310 --> 00:01:20,320 + + + +59 +00:01:20,320 --> 00:01:22,670 + +Elderberry I haven't tasted Elderberry + +60 +00:01:22,670 --> 00:01:22,680 +Elderberry I haven't tasted Elderberry + + +61 +00:01:22,680 --> 00:01:24,789 +Elderberry I haven't tasted Elderberry +wine since I was a boy oh thank you + +62 +00:01:24,789 --> 00:01:24,799 +wine since I was a boy oh thank you + + +63 +00:01:24,799 --> 00:01:26,510 +wine since I was a boy oh thank you +operator look I don't want the Happy + +64 +00:01:26,510 --> 00:01:26,520 +operator look I don't want the Happy + + +65 +00:01:26,520 --> 00:01:28,270 +operator look I don't want the Happy +Dale laundry I want the Happy Dale + +66 +00:01:28,270 --> 00:01:28,280 +Dale laundry I want the Happy Dale + + +67 +00:01:28,280 --> 00:01:30,710 +Dale laundry I want the Happy Dale +sanitarium Sanitarium sanitarium + +68 +00:01:30,710 --> 00:01:30,720 +sanitarium Sanitarium sanitarium + + +69 +00:01:30,720 --> 00:01:33,230 +sanitarium Sanitarium sanitarium +sanitarium yes like a broken record have + +70 +00:01:33,230 --> 00:01:33,240 +sanitarium yes like a broken record have + + +71 +00:01:33,240 --> 00:01:35,749 +sanitarium yes like a broken record have +your own Elderberry bushes no but the + +72 +00:01:35,749 --> 00:01:35,759 +your own Elderberry bushes no but the + + +73 +00:01:35,759 --> 00:01:40,469 +your own Elderberry bushes no but the +cemeter is full of them oh well scho + +74 +00:01:40,469 --> 00:01:40,479 +cemeter is full of them oh well scho + + +75 +00:01:40,479 --> 00:01:42,550 +cemeter is full of them oh well scho +hello operator look operator what's + +76 +00:01:42,550 --> 00:01:42,560 +hello operator look operator what's + + +77 +00:01:42,560 --> 00:01:44,069 +hello operator look operator what's +taking you so long it's only across the + +78 +00:01:44,069 --> 00:01:44,079 +taking you so long it's only across the + + +79 +00:01:44,079 --> 00:01:47,109 +taking you so long it's only across the +river I can swim it faster + +80 +00:01:47,109 --> 00:01:47,119 +river I can swim it faster + + +81 +00:01:47,119 --> 00:01:52,709 +river I can swim it faster +yes hello hello what what they're busy + +82 +00:01:52,709 --> 00:01:52,719 +yes hello hello what what they're busy + + +83 +00:01:52,719 --> 00:01:55,630 +yes hello hello what what they're busy +busy look they're busy and you're dizzy + +84 +00:01:55,630 --> 00:01:55,640 +busy look they're busy and you're dizzy + + +85 +00:01:55,640 --> 00:01:57,350 +busy look they're busy and you're dizzy +no I'm not drunk Madam but you give me + +86 +00:01:57,350 --> 00:01:57,360 +no I'm not drunk Madam but you give me + + +87 +00:01:57,360 --> 00:02:05,029 +no I'm not drunk Madam but you give me +an idea + +88 +00:02:05,029 --> 00:02:05,039 + + + +89 +00:02:05,039 --> 00:02:07,870 + +Mortimer T don't I'm nervous now don't + +90 +00:02:07,870 --> 00:02:07,880 +Mortimer T don't I'm nervous now don't + + +91 +00:02:07,880 --> 00:02:08,710 +Mortimer T don't I'm nervous now don't +do + +92 +00:02:08,710 --> 00:02:08,720 +do + + +93 +00:02:08,720 --> 00:02:16,060 +do +that not that + +94 +00:02:16,060 --> 00:02:16,070 + + + +95 +00:02:16,070 --> 00:02:45,279 + +[Music] + diff --git a/1944/SojaL9M5Pqs.description b/1944/SojaL9M5Pqs.description new file mode 100644 index 0000000000000000000000000000000000000000..5a1c8694ac9590fcf02e3d2cc10f99ac5a85a0a0 --- /dev/null +++ b/1944/SojaL9M5Pqs.description @@ -0,0 +1,38 @@ +Double Indemnity movie clips: http://j.mp/1BcRm39 +BUY THE MOVIE: http://amzn.to/ts2Y3g +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Keyes (Edward G. Robinson) stops by Walter's (Fred MacMurray) apartment to tell him his theory about the murder and almost sees Phyllis (Barbara Stanwyck) hiding in the shadows. + +FILM DESCRIPTION: +Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. + +CREDITS: +TM & © Universal (1944) +Cast: Edward G. Robinson, Barbara Stanwyck +Director: Billy Wilder +Producers: Buddy G. DeSylva, Joseph Sistrom +Screenwriters: Raymond Chandler, James M. Cain, Billy Wilder + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/SojaL9M5Pqs.en.srt b/1944/SojaL9M5Pqs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..603f7e5259e04882c848971bc98fbb58d4c9b978 --- /dev/null +++ b/1944/SojaL9M5Pqs.en.srt @@ -0,0 +1,695 @@ +1 +00:00:00,440 --> 00:00:03,790 + +what's on your mind that broken leg the + +2 +00:00:03,790 --> 00:00:03,800 +what's on your mind that broken leg the + + +3 +00:00:03,800 --> 00:00:06,230 +what's on your mind that broken leg the +guy had a broken leg what are you + +4 +00:00:06,230 --> 00:00:06,240 +guy had a broken leg what are you + + +5 +00:00:06,240 --> 00:00:07,870 +guy had a broken leg what are you +talking about talking about + +6 +00:00:07,870 --> 00:00:07,880 +talking about talking about + + +7 +00:00:07,880 --> 00:00:10,070 +talking about talking about +drion he had accident Insurance didn't + +8 +00:00:10,070 --> 00:00:10,080 +drion he had accident Insurance didn't + + +9 +00:00:10,080 --> 00:00:12,749 +drion he had accident Insurance didn't +he yeah then he broke his leg didn't he + +10 +00:00:12,749 --> 00:00:12,759 +he yeah then he broke his leg didn't he + + +11 +00:00:12,759 --> 00:00:15,030 +he yeah then he broke his leg didn't he +so what and he didn't put in a claim why + +12 +00:00:15,030 --> 00:00:15,040 +so what and he didn't put in a claim why + + +13 +00:00:15,040 --> 00:00:17,670 +so what and he didn't put in a claim why +didn't he put in a claim why what are + +14 +00:00:17,670 --> 00:00:17,680 +didn't he put in a claim why what are + + +15 +00:00:17,680 --> 00:00:20,509 +didn't he put in a claim why what are +you driving at w then I had dinner 2 + +16 +00:00:20,509 --> 00:00:20,519 +you driving at w then I had dinner 2 + + +17 +00:00:20,519 --> 00:00:21,390 +you driving at w then I had dinner 2 +hours + +18 +00:00:21,390 --> 00:00:21,400 +hours + + +19 +00:00:21,400 --> 00:00:24,349 +hours +ago and it's stuck halfway little man of + +20 +00:00:24,349 --> 00:00:24,359 +ago and it's stuck halfway little man of + + +21 +00:00:24,359 --> 00:00:25,630 +ago and it's stuck halfway little man of +yours is acting up again there's + +22 +00:00:25,630 --> 00:00:25,640 +yours is acting up again there's + + +23 +00:00:25,640 --> 00:00:27,950 +yours is acting up again there's +something wrong with the drion case why + +24 +00:00:27,950 --> 00:00:27,960 +something wrong with the drion case why + + +25 +00:00:27,960 --> 00:00:30,390 +something wrong with the drion case why +because you didn't file a claim maybe he + +26 +00:00:30,390 --> 00:00:30,400 +because you didn't file a claim maybe he + + +27 +00:00:30,400 --> 00:00:32,069 +because you didn't file a claim maybe he +just didn't have time maybe he just + +28 +00:00:32,069 --> 00:00:32,079 +just didn't have time maybe he just + + +29 +00:00:32,079 --> 00:00:35,910 +just didn't have time maybe he just +didn't know that he was + +30 +00:00:35,910 --> 00:00:35,920 + + + +31 +00:00:35,920 --> 00:00:38,750 + +insured no no that couldn't be it uh you + +32 +00:00:38,750 --> 00:00:38,760 +insured no no that couldn't be it uh you + + +33 +00:00:38,760 --> 00:00:40,350 +insured no no that couldn't be it uh you +delivered the policy to him personally + +34 +00:00:40,350 --> 00:00:40,360 +delivered the policy to him personally + + +35 +00:00:40,360 --> 00:00:42,709 +delivered the policy to him personally +didn't you yeah you got his check sure I + +36 +00:00:42,709 --> 00:00:42,719 +didn't you yeah you got his check sure I + + +37 +00:00:42,719 --> 00:00:47,470 +didn't you yeah you got his check sure I +did got any babinet of soda no I haven't + +38 +00:00:47,470 --> 00:00:47,480 +did got any babinet of soda no I haven't + + +39 +00:00:47,480 --> 00:00:49,470 +did got any babinet of soda no I haven't +wer I've been living with this little + +40 +00:00:49,470 --> 00:00:49,480 +wer I've been living with this little + + +41 +00:00:49,480 --> 00:00:52,349 +wer I've been living with this little +man for 26 years he's never failed me + +42 +00:00:52,349 --> 00:00:52,359 +man for 26 years he's never failed me + + +43 +00:00:52,359 --> 00:00:54,229 +man for 26 years he's never failed me +yet there's got to be something wrong + +44 +00:00:54,229 --> 00:00:54,239 +yet there's got to be something wrong + + +45 +00:00:54,239 --> 00:00:56,270 +yet there's got to be something wrong +well maybe Norton was right maybe it was + +46 +00:00:56,270 --> 00:00:56,280 +well maybe Norton was right maybe it was + + +47 +00:00:56,280 --> 00:00:58,069 +well maybe Norton was right maybe it was +suicide no not + +48 +00:00:58,069 --> 00:00:58,079 +suicide no not + + +49 +00:00:58,079 --> 00:01:00,670 +suicide no not +suicide but not an accident + +50 +00:01:00,670 --> 00:01:00,680 +suicide but not an accident + + +51 +00:01:00,680 --> 00:01:04,630 +suicide but not an accident +either what else now look Waldo a guy + +52 +00:01:04,630 --> 00:01:04,640 +either what else now look Waldo a guy + + +53 +00:01:04,640 --> 00:01:05,870 +either what else now look Waldo a guy +takes out an accident policy that's + +54 +00:01:05,870 --> 00:01:05,880 +takes out an accident policy that's + + +55 +00:01:05,880 --> 00:01:07,510 +takes out an accident policy that's +worth $100,000 if he's killed on the + +56 +00:01:07,510 --> 00:01:07,520 +worth $100,000 if he's killed on the + + +57 +00:01:07,520 --> 00:01:09,310 +worth $100,000 if he's killed on the +train and two weeks later he is killed + +58 +00:01:09,310 --> 00:01:09,320 +train and two weeks later he is killed + + +59 +00:01:09,320 --> 00:01:10,630 +train and two weeks later he is killed +on the train and not in the train + +60 +00:01:10,630 --> 00:01:10,640 +on the train and not in the train + + +61 +00:01:10,640 --> 00:01:12,350 +on the train and not in the train +accident mind you but falling off some + +62 +00:01:12,350 --> 00:01:12,360 +accident mind you but falling off some + + +63 +00:01:12,360 --> 00:01:14,710 +accident mind you but falling off some +silly observation car you know what the + +64 +00:01:14,710 --> 00:01:14,720 +silly observation car you know what the + + +65 +00:01:14,720 --> 00:01:17,070 +silly observation car you know what the +mathematical probability of that is one + +66 +00:01:17,070 --> 00:01:17,080 +mathematical probability of that is one + + +67 +00:01:17,080 --> 00:01:20,469 +mathematical probability of that is one +out of oh I don't know how many billions + +68 +00:01:20,469 --> 00:01:20,479 +out of oh I don't know how many billions + + +69 +00:01:20,479 --> 00:01:23,310 +out of oh I don't know how many billions +and add to that the broken leg now it + +70 +00:01:23,310 --> 00:01:23,320 +and add to that the broken leg now it + + +71 +00:01:23,320 --> 00:01:25,910 +and add to that the broken leg now it +just it just can't be the way it looks + +72 +00:01:25,910 --> 00:01:25,920 +just it just can't be the way it looks + + +73 +00:01:25,920 --> 00:01:28,149 +just it just can't be the way it looks +something has been worked on + +74 +00:01:28,149 --> 00:01:28,159 +something has been worked on + + +75 +00:01:28,159 --> 00:01:38,429 +something has been worked on +us such as what + +76 +00:01:38,429 --> 00:01:38,439 + + + +77 +00:01:38,439 --> 00:01:40,710 + +ready don't you have any peppermint or + +78 +00:01:40,710 --> 00:01:40,720 +ready don't you have any peppermint or + + +79 +00:01:40,720 --> 00:01:42,830 +ready don't you have any peppermint or +something oh sorry want a little soda + +80 +00:01:42,830 --> 00:01:42,840 +something oh sorry want a little soda + + +81 +00:01:42,840 --> 00:01:44,950 +something oh sorry want a little soda +water no no + +82 +00:01:44,950 --> 00:01:44,960 +water no no + + +83 +00:01:44,960 --> 00:01:47,510 +water no no +no who do you suspect well maybe I like + +84 +00:01:47,510 --> 00:01:47,520 +no who do you suspect well maybe I like + + +85 +00:01:47,520 --> 00:01:48,990 +no who do you suspect well maybe I like +to make things easy for myself but I + +86 +00:01:48,990 --> 00:01:49,000 +to make things easy for myself but I + + +87 +00:01:49,000 --> 00:01:51,389 +to make things easy for myself but I +always tend to suspect the beneficiary + +88 +00:01:51,389 --> 00:01:51,399 +always tend to suspect the beneficiary + + +89 +00:01:51,399 --> 00:01:53,510 +always tend to suspect the beneficiary +mean why yeah that wide-eyed Dame that + +90 +00:01:53,510 --> 00:01:53,520 +mean why yeah that wide-eyed Dame that + + +91 +00:01:53,520 --> 00:01:55,069 +mean why yeah that wide-eyed Dame that +just didn't know anything about anything + +92 +00:01:55,069 --> 00:01:55,079 +just didn't know anything about anything + + +93 +00:01:55,079 --> 00:01:56,310 +just didn't know anything about anything +oh you're crazy key she wasn't even on + +94 +00:01:56,310 --> 00:01:56,320 +oh you're crazy key she wasn't even on + + +95 +00:01:56,320 --> 00:01:58,270 +oh you're crazy key she wasn't even on +the train I know she wasn't Walter I + +96 +00:01:58,270 --> 00:01:58,280 +the train I know she wasn't Walter I + + +97 +00:01:58,280 --> 00:01:59,670 +the train I know she wasn't Walter I +don't claim to know how it was worked + +98 +00:01:59,670 --> 00:01:59,680 +don't claim to know how it was worked + + +99 +00:01:59,680 --> 00:02:01,149 +don't claim to know how it was worked +who worked it but all I know is that it + +100 +00:02:01,149 --> 00:02:01,159 +who worked it but all I know is that it + + +101 +00:02:01,159 --> 00:02:03,510 +who worked it but all I know is that it +was worked I've got to get to a + +102 +00:02:03,510 --> 00:02:03,520 +was worked I've got to get to a + + +103 +00:02:03,520 --> 00:02:04,950 +was worked I've got to get to a +drugstore this thing feels like a hunk + +104 +00:02:04,950 --> 00:02:04,960 +drugstore this thing feels like a hunk + + +105 +00:02:04,960 --> 00:02:06,590 +drugstore this thing feels like a hunk +of concrete inside + +106 +00:02:06,590 --> 00:02:06,600 +of concrete inside + + +107 +00:02:06,600 --> 00:02:09,630 +of concrete inside +me good night waler good night + +108 +00:02:09,630 --> 00:02:09,640 +me good night waler good night + + +109 +00:02:09,640 --> 00:02:13,670 +me good night waler good night +Keys see at the office in the morning + +110 +00:02:13,670 --> 00:02:13,680 +Keys see at the office in the morning + + +111 +00:02:13,680 --> 00:02:16,430 +Keys see at the office in the morning +yeah I like to move in on a right now + +112 +00:02:16,430 --> 00:02:16,440 +yeah I like to move in on a right now + + +113 +00:02:16,440 --> 00:02:18,470 +yeah I like to move in on a right now +tonight it wasn't for nland his Tri + +114 +00:02:18,470 --> 00:02:18,480 +tonight it wasn't for nland his Tri + + +115 +00:02:18,480 --> 00:02:20,550 +tonight it wasn't for nland his Tri +pants's ideas about company + +116 +00:02:20,550 --> 00:02:20,560 +pants's ideas about company + + +117 +00:02:20,560 --> 00:02:22,910 +pants's ideas about company +policy I'd have the police after her so + +118 +00:02:22,910 --> 00:02:22,920 +policy I'd have the police after her so + + +119 +00:02:22,920 --> 00:02:24,710 +policy I'd have the police after her so +fast to make a head spin they put it + +120 +00:02:24,710 --> 00:02:24,720 +fast to make a head spin they put it + + +121 +00:02:24,720 --> 00:02:27,030 +fast to make a head spin they put it +through the ringer and B the things they + +122 +00:02:27,030 --> 00:02:27,040 +through the ringer and B the things they + + +123 +00:02:27,040 --> 00:02:28,150 +through the ringer and B the things they +would squeeze + +124 +00:02:28,150 --> 00:02:28,160 +would squeeze + + +125 +00:02:28,160 --> 00:02:30,430 +would squeeze +out we haven't got a single to go on + +126 +00:02:30,430 --> 00:02:30,440 +out we haven't got a single to go on + + +127 +00:02:30,440 --> 00:02:32,910 +out we haven't got a single to go on +Keys oh not too much it's 26 years + +128 +00:02:32,910 --> 00:02:32,920 +Keys oh not too much it's 26 years + + +129 +00:02:32,920 --> 00:02:34,390 +Keys oh not too much it's 26 years +experience all the percentage there is + +130 +00:02:34,390 --> 00:02:34,400 +experience all the percentage there is + + +131 +00:02:34,400 --> 00:02:38,869 +experience all the percentage there is +and this hunk of concrete in my + +132 +00:02:38,869 --> 00:02:38,879 + + + +133 +00:02:38,879 --> 00:02:42,920 + +stomach you want of those + +134 +00:02:42,920 --> 00:02:42,930 + + + +135 +00:02:42,930 --> 00:02:51,790 + +[Music] + +136 +00:02:51,790 --> 00:02:51,800 +[Music] + + +137 +00:02:51,800 --> 00:02:59,480 +[Music] +things good night keys so long water + +138 +00:02:59,480 --> 00:02:59,490 + + + +139 +00:02:59,490 --> 00:03:30,539 + +[Music] + diff --git a/1944/ZKdcYnlkhx8.description b/1944/ZKdcYnlkhx8.description new file mode 100644 index 0000000000000000000000000000000000000000..12a9b301efbcf57f2e9ba9fafdb573947360577e --- /dev/null +++ b/1944/ZKdcYnlkhx8.description @@ -0,0 +1,38 @@ +Double Indemnity movie clips: http://j.mp/1BcRm39 +BUY THE MOVIE: http://amzn.to/ts2Y3g +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Walter (Fred MacMurray) makes some passes at Mrs. Dietrichson (Barbara Stanwyck), but she rebuffs him. + +FILM DESCRIPTION: +Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. + +CREDITS: +TM & © Universal (1944) +Cast: Barbara Stanwyck +Director: Billy Wilder +Producers: Buddy G. DeSylva, Joseph Sistrom +Screenwriters: Raymond Chandler, James M. Cain, Billy Wilder + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/ZKdcYnlkhx8.en.srt b/1944/ZKdcYnlkhx8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1a7d39a231ba66d2dd46eeb642882d229dde9709 --- /dev/null +++ b/1944/ZKdcYnlkhx8.en.srt @@ -0,0 +1,475 @@ +1 +00:00:02,000 --> 00:00:03,590 + +you're a smart insurance man aren't you + +2 +00:00:03,590 --> 00:00:03,600 +you're a smart insurance man aren't you + + +3 +00:00:03,600 --> 00:00:06,150 +you're a smart insurance man aren't you +Mr nef well I've been at it 11 years + +4 +00:00:06,150 --> 00:00:06,160 +Mr nef well I've been at it 11 years + + +5 +00:00:06,160 --> 00:00:08,589 +Mr nef well I've been at it 11 years +doing pretty well it's a + +6 +00:00:08,589 --> 00:00:08,599 +doing pretty well it's a + + +7 +00:00:08,599 --> 00:00:11,509 +doing pretty well it's a +living you handle just automobile + +8 +00:00:11,509 --> 00:00:11,519 +living you handle just automobile + + +9 +00:00:11,519 --> 00:00:13,990 +living you handle just automobile +insurance or all kinds all kinds fire + +10 +00:00:13,990 --> 00:00:14,000 +insurance or all kinds all kinds fire + + +11 +00:00:14,000 --> 00:00:16,109 +insurance or all kinds all kinds fire +earthquake theft public liability Group + +12 +00:00:16,109 --> 00:00:16,119 +earthquake theft public liability Group + + +13 +00:00:16,119 --> 00:00:17,390 +earthquake theft public liability Group +Insurance industrial stuff and so on + +14 +00:00:17,390 --> 00:00:17,400 +Insurance industrial stuff and so on + + +15 +00:00:17,400 --> 00:00:20,470 +Insurance industrial stuff and so on +Right Down the Line accident Insurance + +16 +00:00:20,470 --> 00:00:20,480 +Right Down the Line accident Insurance + + +17 +00:00:20,480 --> 00:00:23,509 +Right Down the Line accident Insurance +accident Insurance sure Mr + +18 +00:00:23,509 --> 00:00:23,519 +accident Insurance sure Mr + + +19 +00:00:23,519 --> 00:00:25,470 +accident Insurance sure Mr +diix what should tell me what's engraved + +20 +00:00:25,470 --> 00:00:25,480 +diix what should tell me what's engraved + + +21 +00:00:25,480 --> 00:00:27,269 +diix what should tell me what's engraved +on that + +22 +00:00:27,269 --> 00:00:27,279 +on that + + +23 +00:00:27,279 --> 00:00:31,229 +on that +anklet just my name as for + +24 +00:00:31,229 --> 00:00:31,239 +anklet just my name as for + + +25 +00:00:31,239 --> 00:00:36,069 +anklet just my name as for +instance TS TS huh I think I like that + +26 +00:00:36,069 --> 00:00:36,079 +instance TS TS huh I think I like that + + +27 +00:00:36,079 --> 00:00:37,869 +instance TS TS huh I think I like that +but you're not sure i''d have to drive + +28 +00:00:37,869 --> 00:00:37,879 +but you're not sure i''d have to drive + + +29 +00:00:37,879 --> 00:00:39,590 +but you're not sure i''d have to drive +it around the block a couple of + +30 +00:00:39,590 --> 00:00:39,600 +it around the block a couple of + + +31 +00:00:39,600 --> 00:00:41,830 +it around the block a couple of +times Mr nef why don't you drop by + +32 +00:00:41,830 --> 00:00:41,840 +times Mr nef why don't you drop by + + +33 +00:00:41,840 --> 00:00:44,110 +times Mr nef why don't you drop by +tomorrow evening around 8:30 he'll be in + +34 +00:00:44,110 --> 00:00:44,120 +tomorrow evening around 8:30 he'll be in + + +35 +00:00:44,120 --> 00:00:47,430 +tomorrow evening around 8:30 he'll be in +then who my husband you were anxious to + +36 +00:00:47,430 --> 00:00:47,440 +then who my husband you were anxious to + + +37 +00:00:47,440 --> 00:00:49,709 +then who my husband you were anxious to +talk to him weren't you yeah I was but + +38 +00:00:49,709 --> 00:00:49,719 +talk to him weren't you yeah I was but + + +39 +00:00:49,719 --> 00:00:51,990 +talk to him weren't you yeah I was but +uh I'm sort of getting over the idea if + +40 +00:00:51,990 --> 00:00:52,000 +uh I'm sort of getting over the idea if + + +41 +00:00:52,000 --> 00:00:53,590 +uh I'm sort of getting over the idea if +you know what I mean there's a speed + +42 +00:00:53,590 --> 00:00:53,600 +you know what I mean there's a speed + + +43 +00:00:53,600 --> 00:00:57,029 +you know what I mean there's a speed +limit in this state Mr nef 45 M hour how + +44 +00:00:57,029 --> 00:00:57,039 +limit in this state Mr nef 45 M hour how + + +45 +00:00:57,039 --> 00:00:59,189 +limit in this state Mr nef 45 M hour how +fast was I going officer I'd say around + +46 +00:00:59,189 --> 00:00:59,199 +fast was I going officer I'd say around + + +47 +00:00:59,199 --> 00:01:01,069 +fast was I going officer I'd say around +90 suppose you get down off your + +48 +00:01:01,069 --> 00:01:01,079 +90 suppose you get down off your + + +49 +00:01:01,079 --> 00:01:02,910 +90 suppose you get down off your +motorcycle and give me a ticket suppose + +50 +00:01:02,910 --> 00:01:02,920 +motorcycle and give me a ticket suppose + + +51 +00:01:02,920 --> 00:01:05,030 +motorcycle and give me a ticket suppose +I let you off with a warning this time + +52 +00:01:05,030 --> 00:01:05,040 +I let you off with a warning this time + + +53 +00:01:05,040 --> 00:01:07,230 +I let you off with a warning this time +suppose it doesn't take suppose I have + +54 +00:01:07,230 --> 00:01:07,240 +suppose it doesn't take suppose I have + + +55 +00:01:07,240 --> 00:01:09,510 +suppose it doesn't take suppose I have +to whack you over the knuckles suppose I + +56 +00:01:09,510 --> 00:01:09,520 +to whack you over the knuckles suppose I + + +57 +00:01:09,520 --> 00:01:11,149 +to whack you over the knuckles suppose I +bust out crying and put my head on your + +58 +00:01:11,149 --> 00:01:11,159 +bust out crying and put my head on your + + +59 +00:01:11,159 --> 00:01:13,270 +bust out crying and put my head on your +shoulder suppose you try putting it on + +60 +00:01:13,270 --> 00:01:13,280 +shoulder suppose you try putting it on + + +61 +00:01:13,280 --> 00:01:14,550 +shoulder suppose you try putting it on +my husband's + +62 +00:01:14,550 --> 00:01:14,560 +my husband's + + +63 +00:01:14,560 --> 00:01:20,190 +my husband's +shoulder I've tears + +64 +00:01:20,190 --> 00:01:20,200 + + + +65 +00:01:20,200 --> 00:01:22,990 + +it 8:30 tomorrow evening then that's + +66 +00:01:22,990 --> 00:01:23,000 +it 8:30 tomorrow evening then that's + + +67 +00:01:23,000 --> 00:01:26,069 +it 8:30 tomorrow evening then that's +what I suggested will you be here too I + +68 +00:01:26,069 --> 00:01:26,079 +what I suggested will you be here too I + + +69 +00:01:26,079 --> 00:01:28,310 +what I suggested will you be here too I +guess so I usually am same chair same + +70 +00:01:28,310 --> 00:01:28,320 +guess so I usually am same chair same + + +71 +00:01:28,320 --> 00:01:30,789 +guess so I usually am same chair same +perfume same anklet I wonder if I know + +72 +00:01:30,789 --> 00:01:30,799 +perfume same anklet I wonder if I know + + +73 +00:01:30,799 --> 00:01:31,950 +perfume same anklet I wonder if I know +what you + +74 +00:01:31,950 --> 00:01:31,960 +what you + + +75 +00:01:31,960 --> 00:01:37,510 +what you +mean I wonder if you + +76 +00:01:37,510 --> 00:01:37,520 + + + +77 +00:01:37,520 --> 00:01:39,910 + +wonder it was a hot afternoon and I can + +78 +00:01:39,910 --> 00:01:39,920 +wonder it was a hot afternoon and I can + + +79 +00:01:39,920 --> 00:01:41,550 +wonder it was a hot afternoon and I can +still remember the smell of honeysuckle + +80 +00:01:41,550 --> 00:01:41,560 +still remember the smell of honeysuckle + + +81 +00:01:41,560 --> 00:01:42,950 +still remember the smell of honeysuckle +all along that + +82 +00:01:42,950 --> 00:01:42,960 +all along that + + +83 +00:01:42,960 --> 00:01:44,789 +all along that +street how could I have known that + +84 +00:01:44,789 --> 00:01:44,799 +street how could I have known that + + +85 +00:01:44,799 --> 00:01:47,350 +street how could I have known that +murder can sometimes smell like + +86 +00:01:47,350 --> 00:01:47,360 +murder can sometimes smell like + + +87 +00:01:47,360 --> 00:01:49,190 +murder can sometimes smell like +honeysuckle maybe you would have known + +88 +00:01:49,190 --> 00:01:49,200 +honeysuckle maybe you would have known + + +89 +00:01:49,200 --> 00:01:50,870 +honeysuckle maybe you would have known +Keys the minute she mentioned accident + +90 +00:01:50,870 --> 00:01:50,880 +Keys the minute she mentioned accident + + +91 +00:01:50,880 --> 00:01:58,830 +Keys the minute she mentioned accident +insurance but I didn't I felt like a + +92 +00:01:58,830 --> 00:01:58,840 + + + +93 +00:01:58,840 --> 00:02:03,890 + +million + +94 +00:02:03,890 --> 00:02:03,900 + + + +95 +00:02:03,900 --> 00:02:26,490 + +[Music] + diff --git a/1944/_HoKFu0orAs.en.srt b/1944/_HoKFu0orAs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..91f43f394a51604fedf6787a4dcedc217458672e --- /dev/null +++ b/1944/_HoKFu0orAs.en.srt @@ -0,0 +1,335 @@ +1 +00:00:00,170 --> 00:00:29,440 + +[Music] + +2 +00:00:29,440 --> 00:00:29,450 + + + +3 +00:00:29,450 --> 00:00:42,710 + +so you're doing it twice all the time + +4 +00:00:42,710 --> 00:00:42,720 + + + +5 +00:00:42,720 --> 00:00:47,010 + +didn't know I only looked there because + +6 +00:00:47,010 --> 00:00:47,020 +didn't know I only looked there because + + +7 +00:00:47,020 --> 00:00:49,220 +didn't know I only looked there because +that's what was farmed twice before I + +8 +00:00:49,220 --> 00:00:49,230 +that's what was farmed twice before I + + +9 +00:00:49,230 --> 00:00:55,050 +that's what was farmed twice before I +didn't know her go hunting wait no but I + +10 +00:00:55,050 --> 00:00:55,060 +didn't know her go hunting wait no but I + + +11 +00:00:55,060 --> 00:00:58,590 +didn't know her go hunting wait no but I +think you better go to you we're not + +12 +00:00:58,590 --> 00:00:58,600 +think you better go to you we're not + + +13 +00:00:58,600 --> 00:01:01,440 +think you better go to you we're not +going to the theater oh my dear I'm + +14 +00:01:01,440 --> 00:01:01,450 +going to the theater oh my dear I'm + + +15 +00:01:01,450 --> 00:01:03,240 +going to the theater oh my dear I'm +afraid you're far from well enough for + +16 +00:01:03,240 --> 00:01:03,250 +afraid you're far from well enough for + + +17 +00:01:03,250 --> 00:01:08,940 +afraid you're far from well enough for +the theater not come on Gregory if it + +18 +00:01:08,940 --> 00:01:08,950 +the theater not come on Gregory if it + + +19 +00:01:08,950 --> 00:01:12,240 +the theater not come on Gregory if it +was I who took that picture down yes if + +20 +00:01:12,240 --> 00:01:12,250 +was I who took that picture down yes if + + +21 +00:01:12,250 --> 00:01:13,620 +was I who took that picture down yes if +it was I who took it down the other + +22 +00:01:13,620 --> 00:01:13,630 +it was I who took it down the other + + +23 +00:01:13,630 --> 00:01:15,840 +it was I who took it down the other +times if I do all these senseless + +24 +00:01:15,840 --> 00:01:15,850 +times if I do all these senseless + + +25 +00:01:15,850 --> 00:01:19,410 +times if I do all these senseless +meaningless things so meaningless why + +26 +00:01:19,410 --> 00:01:19,420 +meaningless things so meaningless why + + +27 +00:01:19,420 --> 00:01:23,219 +meaningless things so meaningless why +should I take a picture town well then I + +28 +00:01:23,219 --> 00:01:23,229 +should I take a picture town well then I + + +29 +00:01:23,229 --> 00:01:25,230 +should I take a picture town well then I +don't know what I do anymore + +30 +00:01:25,230 --> 00:01:25,240 +don't know what I do anymore + + +31 +00:01:25,240 --> 00:01:28,410 +don't know what I do anymore +I know Paula that's just a total but + +32 +00:01:28,410 --> 00:01:28,420 +I know Paula that's just a total but + + +33 +00:01:28,420 --> 00:01:31,620 +I know Paula that's just a total but +then if that's true then you must be + +34 +00:01:31,620 --> 00:01:31,630 +then if that's true then you must be + + +35 +00:01:31,630 --> 00:01:42,650 +then if that's true then you must be +gentle with me please please + +36 +00:01:42,650 --> 00:01:42,660 + + + +37 +00:01:42,660 --> 00:01:48,010 + +now come on + +38 +00:01:48,010 --> 00:01:48,020 + + + +39 +00:01:48,020 --> 00:01:50,410 + +you better go to your room what are you + +40 +00:01:50,410 --> 00:01:50,420 +you better go to your room what are you + + +41 +00:01:50,420 --> 00:01:52,959 +you better go to your room what are you +going to door I'm going out to work + +42 +00:01:52,959 --> 00:01:52,969 +going to door I'm going out to work + + +43 +00:01:52,969 --> 00:01:56,139 +going to door I'm going out to work +forget all this no please don't leave me + +44 +00:01:56,139 --> 00:01:56,149 +forget all this no please don't leave me + + +45 +00:01:56,149 --> 00:01:58,389 +forget all this no please don't leave me +here all by myself now I get so + +46 +00:01:58,389 --> 00:01:58,399 +here all by myself now I get so + + +47 +00:01:58,399 --> 00:01:59,980 +here all by myself now I get so +frightened when I am here alone and you + +48 +00:01:59,980 --> 00:01:59,990 +frightened when I am here alone and you + + +49 +00:01:59,990 --> 00:02:03,219 +frightened when I am here alone and you +go out night after night right you never + +50 +00:02:03,219 --> 00:02:03,229 +go out night after night right you never + + +51 +00:02:03,229 --> 00:02:05,800 +go out night after night right you never +told me that before but I'm telling you + +52 +00:02:05,800 --> 00:02:05,810 +told me that before but I'm telling you + + +53 +00:02:05,810 --> 00:02:17,140 +told me that before but I'm telling you +now i frighten people over the house I'm + +54 +00:02:17,140 --> 00:02:17,150 +now i frighten people over the house I'm + + +55 +00:02:17,150 --> 00:02:20,009 +now i frighten people over the house I'm +frightened of myself too Gregori please + +56 +00:02:20,009 --> 00:02:20,019 +frightened of myself too Gregori please + + +57 +00:02:20,019 --> 00:02:22,710 +frightened of myself too Gregori please +please don't leave me stay with me + +58 +00:02:22,710 --> 00:02:22,720 +please don't leave me stay with me + + +59 +00:02:22,720 --> 00:02:25,000 +please don't leave me stay with me +correctly take me two rounds please + +60 +00:02:25,000 --> 00:02:25,010 +correctly take me two rounds please + + +61 +00:02:25,010 --> 00:02:28,150 +correctly take me two rounds please +please please take me your arms Gregorek + +62 +00:02:28,150 --> 00:02:28,160 +please please take me your arms Gregorek + + +63 +00:02:28,160 --> 00:02:34,059 +please please take me your arms Gregorek +please I hope to find you better in the + +64 +00:02:34,059 --> 00:02:34,069 +please I hope to find you better in the + + +65 +00:02:34,069 --> 00:02:38,280 +please I hope to find you better in the +morning + +66 +00:02:38,280 --> 00:02:38,290 + + + +67 +00:02:38,290 --> 00:02:49,620 + +[Music] + diff --git a/1944/_m9qecEehqY.description b/1944/_m9qecEehqY.description new file mode 100644 index 0000000000000000000000000000000000000000..e2da2f244c3f0c0d25caaec56530927d0e039ddd --- /dev/null +++ b/1944/_m9qecEehqY.description @@ -0,0 +1,38 @@ +Double Indemnity movie clips: http://j.mp/1BcRm39 +BUY THE MOVIE: http://amzn.to/ts2Y3g +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Keyes (Edward G. Robinson) tells Walter (Fred MacMurray) that people cannot get away with murder because they're stuck with each other. + +FILM DESCRIPTION: +Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. + +CREDITS: +TM & © Universal (1944) +Cast: Edward G. Robinson +Director: Billy Wilder +Producers: Buddy G. DeSylva, Joseph Sistrom +Screenwriters: Raymond Chandler, James M. Cain, Billy Wilder + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/_m9qecEehqY.en.srt b/1944/_m9qecEehqY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c8ac77ccfeabdefa9230f297915efd03158f6444 --- /dev/null +++ b/1944/_m9qecEehqY.en.srt @@ -0,0 +1,285 @@ +1 +00:00:00,199 --> 00:00:02,070 + +yeah there it is Walter it's beginning + +2 +00:00:02,070 --> 00:00:02,080 +yeah there it is Walter it's beginning + + +3 +00:00:02,080 --> 00:00:04,349 +yeah there it is Walter it's beginning +to come apart of the seams already + +4 +00:00:04,349 --> 00:00:04,359 +to come apart of the seams already + + +5 +00:00:04,359 --> 00:00:05,869 +to come apart of the seams already +murder is never perfect always comes + +6 +00:00:05,869 --> 00:00:05,879 +murder is never perfect always comes + + +7 +00:00:05,879 --> 00:00:07,590 +murder is never perfect always comes +apart sooner or later and when two + +8 +00:00:07,590 --> 00:00:07,600 +apart sooner or later and when two + + +9 +00:00:07,600 --> 00:00:09,750 +apart sooner or later and when two +people are involved it's usually sooner + +10 +00:00:09,750 --> 00:00:09,760 +people are involved it's usually sooner + + +11 +00:00:09,760 --> 00:00:11,870 +people are involved it's usually sooner +now we know the drix Dame is in it and + +12 +00:00:11,870 --> 00:00:11,880 +now we know the drix Dame is in it and + + +13 +00:00:11,880 --> 00:00:13,829 +now we know the drix Dame is in it and +of somebody else pretty soon we'll know + +14 +00:00:13,829 --> 00:00:13,839 +of somebody else pretty soon we'll know + + +15 +00:00:13,839 --> 00:00:15,150 +of somebody else pretty soon we'll know +who that somebody else is he'll show + +16 +00:00:15,150 --> 00:00:15,160 +who that somebody else is he'll show + + +17 +00:00:15,160 --> 00:00:16,670 +who that somebody else is he'll show +he's got to show sometime somewhere + +18 +00:00:16,670 --> 00:00:16,680 +he's got to show sometime somewhere + + +19 +00:00:16,680 --> 00:00:18,109 +he's got to show sometime somewhere +they've got to meet their emotions are + +20 +00:00:18,109 --> 00:00:18,119 +they've got to meet their emotions are + + +21 +00:00:18,119 --> 00:00:20,070 +they've got to meet their emotions are +all kicked up whether it's love or hate + +22 +00:00:20,070 --> 00:00:20,080 +all kicked up whether it's love or hate + + +23 +00:00:20,080 --> 00:00:21,670 +all kicked up whether it's love or hate +doesn't matter they can't keep away from + +24 +00:00:21,670 --> 00:00:21,680 +doesn't matter they can't keep away from + + +25 +00:00:21,680 --> 00:00:23,550 +doesn't matter they can't keep away from +each other they may think it's twice to + +26 +00:00:23,550 --> 00:00:23,560 +each other they may think it's twice to + + +27 +00:00:23,560 --> 00:00:25,470 +each other they may think it's twice to +say because they're two of them but it + +28 +00:00:25,470 --> 00:00:25,480 +say because they're two of them but it + + +29 +00:00:25,480 --> 00:00:27,669 +say because they're two of them but it +isn't twice as safe it's 10 times twice + +30 +00:00:27,669 --> 00:00:27,679 +isn't twice as safe it's 10 times twice + + +31 +00:00:27,679 --> 00:00:30,630 +isn't twice as safe it's 10 times twice +as dangerous they've committed a murder + +32 +00:00:30,630 --> 00:00:30,640 +as dangerous they've committed a murder + + +33 +00:00:30,640 --> 00:00:32,109 +as dangerous they've committed a murder +and it's not like taking a trolley ride + +34 +00:00:32,109 --> 00:00:32,119 +and it's not like taking a trolley ride + + +35 +00:00:32,119 --> 00:00:33,030 +and it's not like taking a trolley ride +together where they can get off at + +36 +00:00:33,030 --> 00:00:33,040 +together where they can get off at + + +37 +00:00:33,040 --> 00:00:34,549 +together where they can get off at +different stops they're stuck with each + +38 +00:00:34,549 --> 00:00:34,559 +different stops they're stuck with each + + +39 +00:00:34,559 --> 00:00:35,630 +different stops they're stuck with each +other and they've got to ride all the + +40 +00:00:35,630 --> 00:00:35,640 +other and they've got to ride all the + + +41 +00:00:35,640 --> 00:00:36,830 +other and they've got to ride all the +way to the end of the line that's a + +42 +00:00:36,830 --> 00:00:36,840 +way to the end of the line that's a + + +43 +00:00:36,840 --> 00:00:39,150 +way to the end of the line that's a +one-way trip and the last stop is the + +44 +00:00:39,150 --> 00:00:39,160 +one-way trip and the last stop is the + + +45 +00:00:39,160 --> 00:00:41,630 +one-way trip and the last stop is the +cemetery she put in her + +46 +00:00:41,630 --> 00:00:41,640 +cemetery she put in her + + +47 +00:00:41,640 --> 00:00:44,069 +cemetery she put in her +claim I'm going to throw it right back + +48 +00:00:44,069 --> 00:00:44,079 +claim I'm going to throw it right back + + +49 +00:00:44,079 --> 00:00:49,830 +claim I'm going to throw it right back +at + +50 +00:00:49,830 --> 00:00:49,840 + + + +51 +00:00:49,840 --> 00:00:52,990 + +her let us sew us if she dares I'll be + +52 +00:00:52,990 --> 00:00:53,000 +her let us sew us if she dares I'll be + + +53 +00:00:53,000 --> 00:00:55,430 +her let us sew us if she dares I'll be +ready for her and that's somebody else + +54 +00:00:55,430 --> 00:00:55,440 +ready for her and that's somebody else + + +55 +00:00:55,440 --> 00:01:00,360 +ready for her and that's somebody else +they'll be digging their own Graves + +56 +00:01:00,360 --> 00:01:00,370 + + + +57 +00:01:00,370 --> 00:01:31,420 + +[Music] + diff --git a/1944/ctd3NPx1pdM.en.srt b/1944/ctd3NPx1pdM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6958b4bdd053b09489c373f9455baa52614eb2aa --- /dev/null +++ b/1944/ctd3NPx1pdM.en.srt @@ -0,0 +1,455 @@ +1 +00:00:00,030 --> 00:00:03,139 + +look into my eyes if I ever meant + +2 +00:00:03,139 --> 00:00:03,149 +look into my eyes if I ever meant + + +3 +00:00:03,149 --> 00:00:06,430 +look into my eyes if I ever meant +anything to you and I believe I did + +4 +00:00:06,430 --> 00:00:06,440 +anything to you and I believe I did + + +5 +00:00:06,440 --> 00:00:10,339 +anything to you and I believe I did +then help me Paulo give me another + +6 +00:00:10,339 --> 00:00:10,349 +then help me Paulo give me another + + +7 +00:00:10,349 --> 00:00:15,160 +then help me Paulo give me another +chance + +8 +00:00:15,160 --> 00:00:15,170 + + + +9 +00:00:15,170 --> 00:00:18,230 + +look in the door of that cupboard over + +10 +00:00:18,230 --> 00:00:18,240 +look in the door of that cupboard over + + +11 +00:00:18,240 --> 00:00:19,849 +look in the door of that cupboard over +there is a knife + +12 +00:00:19,849 --> 00:00:19,859 +there is a knife + + +13 +00:00:19,859 --> 00:00:28,600 +there is a knife +daddy don't cut me free + +14 +00:00:28,600 --> 00:00:28,610 + + + +15 +00:00:28,610 --> 00:00:31,360 + +be quite Bora get me the knife cut me + +16 +00:00:31,360 --> 00:00:31,370 +be quite Bora get me the knife cut me + + +17 +00:00:31,370 --> 00:00:37,570 +be quite Bora get me the knife cut me +free would you get it for me yes I'll + +18 +00:00:37,570 --> 00:00:37,580 +free would you get it for me yes I'll + + +19 +00:00:37,580 --> 00:00:40,530 +free would you get it for me yes I'll +get it I'll get it for you + +20 +00:00:40,530 --> 00:00:40,540 +get it I'll get it for you + + +21 +00:00:40,540 --> 00:00:47,350 +get it I'll get it for you +hurry Bora there's no knife here yes I + +22 +00:00:47,350 --> 00:00:47,360 +hurry Bora there's no knife here yes I + + +23 +00:00:47,360 --> 00:00:49,450 +hurry Bora there's no knife here yes I +put it there I don't see any knife I put + +24 +00:00:49,450 --> 00:00:49,460 +put it there I don't see any knife I put + + +25 +00:00:49,460 --> 00:00:51,760 +put it there I don't see any knife I put +it there tonight it isn't here you must + +26 +00:00:51,760 --> 00:00:51,770 +it there tonight it isn't here you must + + +27 +00:00:51,770 --> 00:00:56,530 +it there tonight it isn't here you must +have dreamed you put it there are you + +28 +00:00:56,530 --> 00:00:56,540 +have dreamed you put it there are you + + +29 +00:00:56,540 --> 00:00:58,299 +have dreamed you put it there are you +suggesting that this is a knife I hold + +30 +00:00:58,299 --> 00:00:58,309 +suggesting that this is a knife I hold + + +31 +00:00:58,309 --> 00:01:01,620 +suggesting that this is a knife I hold +in my hand have you gone mad my husband + +32 +00:01:01,620 --> 00:01:01,630 +in my hand have you gone mad my husband + + +33 +00:01:01,630 --> 00:01:04,960 +in my hand have you gone mad my husband +or is it I Who am I yes of course that's + +34 +00:01:04,960 --> 00:01:04,970 +or is it I Who am I yes of course that's + + +35 +00:01:04,970 --> 00:01:11,170 +or is it I Who am I yes of course that's +it I am mad I'm always losing things and + +36 +00:01:11,170 --> 00:01:11,180 +it I am mad I'm always losing things and + + +37 +00:01:11,180 --> 00:01:12,880 +it I am mad I'm always losing things and +I think things and I can never find them + +38 +00:01:12,880 --> 00:01:12,890 +I think things and I can never find them + + +39 +00:01:12,890 --> 00:01:14,380 +I think things and I can never find them +I don't know where I bought them + +40 +00:01:14,380 --> 00:01:14,390 +I don't know where I bought them + + +41 +00:01:14,390 --> 00:01:16,300 +I don't know where I bought them +that was a knife wasn't it and I have + +42 +00:01:16,300 --> 00:01:16,310 +that was a knife wasn't it and I have + + +43 +00:01:16,310 --> 00:01:17,410 +that was a knife wasn't it and I have +lost it + +44 +00:01:17,410 --> 00:01:17,420 +lost it + + +45 +00:01:17,420 --> 00:01:19,600 +lost it +I must look for it mustn't die if I + +46 +00:01:19,600 --> 00:01:19,610 +I must look for it mustn't die if I + + +47 +00:01:19,610 --> 00:01:20,859 +I must look for it mustn't die if I +don't find it you'll put me in the + +48 +00:01:20,859 --> 00:01:20,869 +don't find it you'll put me in the + + +49 +00:01:20,869 --> 00:01:25,180 +don't find it you'll put me in the +madhouse where could it be now perhaps + +50 +00:01:25,180 --> 00:01:25,190 +madhouse where could it be now perhaps + + +51 +00:01:25,190 --> 00:01:27,249 +madhouse where could it be now perhaps +it's behind this picture yes it must be + +52 +00:01:27,249 --> 00:01:27,259 +it's behind this picture yes it must be + + +53 +00:01:27,259 --> 00:01:30,550 +it's behind this picture yes it must be +here no no where shall I look now + +54 +00:01:30,550 --> 00:01:30,560 +here no no where shall I look now + + +55 +00:01:30,560 --> 00:01:32,680 +here no no where shall I look now +perhaps I put it over here yes I must + +56 +00:01:32,680 --> 00:01:32,690 +perhaps I put it over here yes I must + + +57 +00:01:32,690 --> 00:01:40,120 +perhaps I put it over here yes I must +have done that my brooch the brooch I + +58 +00:01:40,120 --> 00:01:40,130 +have done that my brooch the brooch I + + +59 +00:01:40,130 --> 00:01:43,539 +have done that my brooch the brooch I +lost at the Tower I found it at last you + +60 +00:01:43,539 --> 00:01:43,549 +lost at the Tower I found it at last you + + +61 +00:01:43,549 --> 00:01:45,100 +lost at the Tower I found it at last you +see but it doesn't help you desert and + +62 +00:01:45,100 --> 00:01:45,110 +see but it doesn't help you desert and + + +63 +00:01:45,110 --> 00:01:46,660 +see but it doesn't help you desert and +I'm trying to help you aren't I tried to + +64 +00:01:46,660 --> 00:01:46,670 +I'm trying to help you aren't I tried to + + +65 +00:01:46,670 --> 00:01:47,289 +I'm trying to help you aren't I tried to +hide you to escape + +66 +00:01:47,289 --> 00:01:47,299 +hide you to escape + + +67 +00:01:47,299 --> 00:01:49,180 +hide you to escape +how can a madwoman have her husband to + +68 +00:01:49,180 --> 00:01:49,190 +how can a madwoman have her husband to + + +69 +00:01:49,190 --> 00:01:51,160 +how can a madwoman have her husband to +escape but you're not mad yes I am mad + +70 +00:01:51,160 --> 00:01:51,170 +escape but you're not mad yes I am mad + + +71 +00:01:51,170 --> 00:01:53,469 +escape but you're not mad yes I am mad +my mother was mad no Paula that wasn't + +72 +00:01:53,469 --> 00:01:53,479 +my mother was mad no Paula that wasn't + + +73 +00:01:53,479 --> 00:02:01,480 +my mother was mad no Paula that wasn't +true whatever you were done I could have + +74 +00:02:01,480 --> 00:02:01,490 +true whatever you were done I could have + + +75 +00:02:01,490 --> 00:02:04,719 +true whatever you were done I could have +pitied and protected you but because I + +76 +00:02:04,719 --> 00:02:04,729 +pitied and protected you but because I + + +77 +00:02:04,729 --> 00:02:07,660 +pitied and protected you but because I +am mad I hate you because I am mad I + +78 +00:02:07,660 --> 00:02:07,670 +am mad I hate you because I am mad I + + +79 +00:02:07,670 --> 00:02:09,609 +am mad I hate you because I am mad I +have betrayed you and because I am mad + +80 +00:02:09,609 --> 00:02:09,619 +have betrayed you and because I am mad + + +81 +00:02:09,619 --> 00:02:11,350 +have betrayed you and because I am mad +and rejoicing in my heart without a + +82 +00:02:11,350 --> 00:02:11,360 +and rejoicing in my heart without a + + +83 +00:02:11,360 --> 00:02:13,449 +and rejoicing in my heart without a +shred of pity without a shred of regret + +84 +00:02:13,449 --> 00:02:13,459 +shred of pity without a shred of regret + + +85 +00:02:13,459 --> 00:02:16,949 +shred of pity without a shred of regret +watching you go with glory in my heart + +86 +00:02:16,949 --> 00:02:16,959 +watching you go with glory in my heart + + +87 +00:02:16,959 --> 00:02:20,860 +watching you go with glory in my heart +mr. Cameron come come mr. Cameron take + +88 +00:02:20,860 --> 00:02:20,870 +mr. Cameron come come mr. Cameron take + + +89 +00:02:20,870 --> 00:02:25,560 +mr. Cameron come come mr. Cameron take +this man away take this man away + +90 +00:02:25,560 --> 00:02:25,570 + + + +91 +00:02:25,570 --> 00:02:36,900 + +[Music] + diff --git a/1944/eIlzY-UcYZU.en.srt b/1944/eIlzY-UcYZU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..bd13f237ae336e41ed86695546843bd1eadcf8f2 --- /dev/null +++ b/1944/eIlzY-UcYZU.en.srt @@ -0,0 +1,405 @@ +1 +00:00:02,990 --> 00:00:08,650 + +did you ring sir no you are mr. Strang + +2 +00:00:08,650 --> 00:00:08,660 + + + +3 +00:00:08,660 --> 00:00:10,850 + +we're going my dear why don't you tell + +4 +00:00:10,850 --> 00:00:10,860 +we're going my dear why don't you tell + + +5 +00:00:10,860 --> 00:00:13,759 +we're going my dear why don't you tell +Nancy what you aim for a little coal on + +6 +00:00:13,759 --> 00:00:13,769 +Nancy what you aim for a little coal on + + +7 +00:00:13,769 --> 00:00:20,320 +Nancy what you aim for a little coal on +the fire please Nancy very good madam + +8 +00:00:20,320 --> 00:00:20,330 + + + +9 +00:00:20,330 --> 00:00:22,310 + +you're looking very pretty this + +10 +00:00:22,310 --> 00:00:22,320 +you're looking very pretty this + + +11 +00:00:22,320 --> 00:00:27,140 +you're looking very pretty this +afternoon I'm sure tonight is your night + +12 +00:00:27,140 --> 00:00:27,150 +afternoon I'm sure tonight is your night + + +13 +00:00:27,150 --> 00:00:28,910 +afternoon I'm sure tonight is your night +isn't it that's right + +14 +00:00:28,910 --> 00:00:28,920 +isn't it that's right + + +15 +00:00:28,920 --> 00:00:31,759 +isn't it that's right +are you meeting tonight you might like + +16 +00:00:31,759 --> 00:00:31,769 +are you meeting tonight you might like + + +17 +00:00:31,769 --> 00:00:34,430 +are you meeting tonight you might like +the gas to an Icee Icee have changed the + +18 +00:00:34,430 --> 00:00:34,440 +the gas to an Icee Icee have changed the + + +19 +00:00:34,440 --> 00:00:36,920 +the gas to an Icee Icee have changed the +policeman on the beat is his heart going + +20 +00:00:36,920 --> 00:00:36,930 +policeman on the beat is his heart going + + +21 +00:00:36,930 --> 00:00:38,900 +policeman on the beat is his heart going +to be added to the list of those you've + +22 +00:00:38,900 --> 00:00:38,910 +to be added to the list of those you've + + +23 +00:00:38,910 --> 00:00:41,990 +to be added to the list of those you've +broken not broken in it I know I'm sure + +24 +00:00:41,990 --> 00:00:42,000 +broken not broken in it I know I'm sure + + +25 +00:00:42,000 --> 00:00:43,040 +broken not broken in it I know I'm sure +that's not true + +26 +00:00:43,040 --> 00:00:43,050 +that's not true + + +27 +00:00:43,050 --> 00:00:46,970 +that's not true +and that completion of yours that's + +28 +00:00:46,970 --> 00:00:46,980 +and that completion of yours that's + + +29 +00:00:46,980 --> 00:00:48,290 +and that completion of yours that's +something that's not quite true either + +30 +00:00:48,290 --> 00:00:48,300 +something that's not quite true either + + +31 +00:00:48,300 --> 00:00:50,510 +something that's not quite true either +oh you know it very clever they are + +32 +00:00:50,510 --> 00:00:50,520 +oh you know it very clever they are + + +33 +00:00:50,520 --> 00:00:55,910 +oh you know it very clever they are +guide you in fact I was wondering + +34 +00:00:55,910 --> 00:00:55,920 +guide you in fact I was wondering + + +35 +00:00:55,920 --> 00:00:57,770 +guide you in fact I was wondering +whether you might not care to pass some + +36 +00:00:57,770 --> 00:00:57,780 +whether you might not care to pass some + + +37 +00:00:57,780 --> 00:00:59,779 +whether you might not care to pass some +of your secrets on to your mistress and + +38 +00:00:59,779 --> 00:00:59,789 +of your secrets on to your mistress and + + +39 +00:00:59,789 --> 00:01:03,380 +of your secrets on to your mistress and +help her get rid of a fella very pleased + +40 +00:01:03,380 --> 00:01:03,390 +help her get rid of a fella very pleased + + +41 +00:01:03,390 --> 00:01:05,440 +help her get rid of a fella very pleased +to do anything I can sir + +42 +00:01:05,440 --> 00:01:05,450 +to do anything I can sir + + +43 +00:01:05,450 --> 00:01:08,450 +to do anything I can sir +will that be all you're wanting yes + +44 +00:01:08,450 --> 00:01:08,460 +will that be all you're wanting yes + + +45 +00:01:08,460 --> 00:01:10,520 +will that be all you're wanting yes +accept EU money too Sadie + +46 +00:01:10,520 --> 00:01:10,530 +accept EU money too Sadie + + +47 +00:01:10,530 --> 00:01:20,539 +accept EU money too Sadie +very good sir Gregory how can you talk + +48 +00:01:20,539 --> 00:01:20,549 +very good sir Gregory how can you talk + + +49 +00:01:20,549 --> 00:01:23,810 +very good sir Gregory how can you talk +to an asset like that perceive it you + +50 +00:01:23,810 --> 00:01:23,820 +to an asset like that perceive it you + + +51 +00:01:23,820 --> 00:01:25,999 +to an asset like that perceive it you +seem so anxious to a goddess servants as + +52 +00:01:25,999 --> 00:01:26,009 +seem so anxious to a goddess servants as + + +53 +00:01:26,009 --> 00:01:27,920 +seem so anxious to a goddess servants as +your equals I thought they would see to + +54 +00:01:27,920 --> 00:01:27,930 +your equals I thought they would see to + + +55 +00:01:27,930 --> 00:01:30,700 +your equals I thought they would see to +us one wish sighs I was only trying with + +56 +00:01:30,700 --> 00:01:30,710 +us one wish sighs I was only trying with + + +57 +00:01:30,710 --> 00:01:39,039 +us one wish sighs I was only trying with +my sister will you encourage her in + +58 +00:01:39,039 --> 00:01:39,049 + + + +59 +00:01:39,049 --> 00:01:40,999 + +the way she talks to me the way she + +60 +00:01:40,999 --> 00:01:41,009 +the way she talks to me the way she + + +61 +00:01:41,009 --> 00:01:49,310 +the way she talks to me the way she +looks at me looks at you Paula I hope + +62 +00:01:49,310 --> 00:01:49,320 +looks at me looks at you Paula I hope + + +63 +00:01:49,320 --> 00:01:50,929 +looks at me looks at you Paula I hope +you're not starting to imagine things + +64 +00:01:50,929 --> 00:01:50,939 +you're not starting to imagine things + + +65 +00:01:50,939 --> 00:01:53,270 +you're not starting to imagine things +again you're not how you Paula + +66 +00:01:53,270 --> 00:01:53,280 +again you're not how you Paula + + +67 +00:01:53,280 --> 00:01:56,749 +again you're not how you Paula +of course I'm not I hope you're not but + +68 +00:01:56,749 --> 00:01:56,759 +of course I'm not I hope you're not but + + +69 +00:01:56,759 --> 00:01:58,969 +of course I'm not I hope you're not but +if you start talking about the witness + +70 +00:01:58,969 --> 00:01:58,979 +if you start talking about the witness + + +71 +00:01:58,979 --> 00:02:01,670 +if you start talking about the witness +he looks at you turn away Paula + +72 +00:02:01,670 --> 00:02:01,680 +he looks at you turn away Paula + + +73 +00:02:01,680 --> 00:02:06,410 +he looks at you turn away Paula +we must have this out do you really + +74 +00:02:06,410 --> 00:02:06,420 +we must have this out do you really + + +75 +00:02:06,420 --> 00:02:11,119 +we must have this out do you really +think Nancy despises you well I'm sorry + +76 +00:02:11,119 --> 00:02:11,129 +think Nancy despises you well I'm sorry + + +77 +00:02:11,129 --> 00:02:14,650 +think Nancy despises you well I'm sorry +Paula do you + +78 +00:02:14,650 --> 00:02:14,660 +Paula do you + + +79 +00:02:14,660 --> 00:02:16,630 +Paula do you +No + +80 +00:02:16,630 --> 00:02:16,640 +No + + +81 +00:02:16,640 --> 00:02:27,979 +No +[Music] + diff --git a/1944/gP_GbzDWoY0.en.srt b/1944/gP_GbzDWoY0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..5b8aaa1a668fd886a7837a09415a1d9a53cd65a2 --- /dev/null +++ b/1944/gP_GbzDWoY0.en.srt @@ -0,0 +1,545 @@ +1 +00:00:05,200 --> 00:00:07,750 + +look I thought I told + +2 +00:00:07,750 --> 00:00:07,760 +look I thought I told + + +3 +00:00:07,760 --> 00:00:15,070 +look I thought I told +you Jonathan Jonathan Jonathan yes + +4 +00:00:15,070 --> 00:00:15,080 + + + +5 +00:00:15,080 --> 00:00:17,390 + +M what are you two doing still here I + +6 +00:00:17,390 --> 00:00:17,400 +M what are you two doing still here I + + +7 +00:00:17,400 --> 00:00:19,349 +M what are you two doing still here I +thought I told you to beat it we're not + +8 +00:00:19,349 --> 00:00:19,359 +thought I told you to beat it we're not + + +9 +00:00:19,359 --> 00:00:23,550 +thought I told you to beat it we're not +going you're not going no no you say is + +10 +00:00:23,550 --> 00:00:23,560 +going you're not going no no you say is + + +11 +00:00:23,560 --> 00:00:27,310 +going you're not going no no you say is +all right you asked for + +12 +00:00:27,310 --> 00:00:27,320 + + + +13 +00:00:27,320 --> 00:00:30,310 + +itara no if you tell O'Hara what's in + +14 +00:00:30,310 --> 00:00:30,320 +itara no if you tell O'Hara what's in + + +15 +00:00:30,320 --> 00:00:32,350 +itara no if you tell O'Hara what's in +the window seat I'll tell him what's + +16 +00:00:32,350 --> 00:00:32,360 +the window seat I'll tell him what's + + +17 +00:00:32,360 --> 00:00:35,190 +the window seat I'll tell him what's +down in the cellar cellar there's an + +18 +00:00:35,190 --> 00:00:35,200 +down in the cellar cellar there's an + + +19 +00:00:35,200 --> 00:00:37,229 +down in the cellar cellar there's an +elderly gentleman down there who seems + +20 +00:00:37,229 --> 00:00:37,239 +elderly gentleman down there who seems + + +21 +00:00:37,239 --> 00:00:39,110 +elderly gentleman down there who seems +to be very + +22 +00:00:39,110 --> 00:00:39,120 +to be very + + +23 +00:00:39,120 --> 00:00:41,549 +to be very +dead what were you doing down the cellar + +24 +00:00:41,549 --> 00:00:41,559 +dead what were you doing down the cellar + + +25 +00:00:41,559 --> 00:00:43,430 +dead what were you doing down the cellar +what is he doing in the cellar now what + +26 +00:00:43,430 --> 00:00:43,440 +what is he doing in the cellar now what + + +27 +00:00:43,440 --> 00:00:44,790 +what is he doing in the cellar now what +are you going to tell + +28 +00:00:44,790 --> 00:00:44,800 +are you going to tell + + +29 +00:00:44,800 --> 00:00:47,150 +are you going to tell +O'Hara your eyes s my opening as SW they + +30 +00:00:47,150 --> 00:00:47,160 +O'Hara your eyes s my opening as SW they + + +31 +00:00:47,160 --> 00:00:48,229 +O'Hara your eyes s my opening as SW they +want to hear the rest of us bring them + +32 +00:00:48,229 --> 00:00:48,239 +want to hear the rest of us bring them + + +33 +00:00:48,239 --> 00:00:49,950 +want to hear the rest of us bring them +in here no no no no you can't do that + +34 +00:00:49,950 --> 00:00:49,960 +in here no no no no you can't do that + + +35 +00:00:49,960 --> 00:00:51,590 +in here no no no no you can't do that +you can't do that now uh you better ring + +36 +00:00:51,590 --> 00:00:51,600 +you can't do that now uh you better ring + + +37 +00:00:51,600 --> 00:00:53,029 +you can't do that now uh you better ring +in oh the heck with ringing in you got + +38 +00:00:53,029 --> 00:00:53,039 +in oh the heck with ringing in you got + + +39 +00:00:53,039 --> 00:00:54,270 +in oh the heck with ringing in you got +to be rolling now I want to tell you the + +40 +00:00:54,270 --> 00:00:54,280 +to be rolling now I want to tell you the + + +41 +00:00:54,280 --> 00:00:55,590 +to be rolling now I want to tell you the +whole plot yeah well you can't tell me + +42 +00:00:55,590 --> 00:00:55,600 +whole plot yeah well you can't tell me + + +43 +00:00:55,600 --> 00:00:56,389 +whole plot yeah well you can't tell me +in front of those two Fells they + +44 +00:00:56,389 --> 00:00:56,399 +in front of those two Fells they + + +45 +00:00:56,399 --> 00:00:58,670 +in front of those two Fells they +wouldn't appreciate it oh low Bron H + +46 +00:00:58,670 --> 00:00:58,680 +wouldn't appreciate it oh low Bron H + + +47 +00:00:58,680 --> 00:00:59,990 +wouldn't appreciate it oh low Bron H +yeah let's go someplace where we can be + +48 +00:00:59,990 --> 00:01:00,000 +yeah let's go someplace where we can be + + +49 +00:01:00,000 --> 00:01:01,950 +yeah let's go someplace where we can be +alone you I'll meet you there later say + +50 +00:01:01,950 --> 00:01:01,960 +alone you I'll meet you there later say + + +51 +00:01:01,960 --> 00:01:03,790 +alone you I'll meet you there later say +okay say how about the back room at + +52 +00:01:03,790 --> 00:01:03,800 +okay say how about the back room at + + +53 +00:01:03,800 --> 00:01:06,070 +okay say how about the back room at +Kelly's Kelly's yeah oh you fine Place + +54 +00:01:06,070 --> 00:01:06,080 +Kelly's Kelly's yeah oh you fine Place + + +55 +00:01:06,080 --> 00:01:07,789 +Kelly's Kelly's yeah oh you fine Place +Bohemian your Genius at work that's the + +56 +00:01:07,789 --> 00:01:07,799 +Bohemian your Genius at work that's the + + +57 +00:01:07,799 --> 00:01:09,109 +Bohemian your Genius at work that's the +place now you ring in I'll meet you + +58 +00:01:09,109 --> 00:01:09,119 +place now you ring in I'll meet you + + +59 +00:01:09,119 --> 00:01:10,910 +place now you ring in I'll meet you +Kelly all right fine why don't you both + +60 +00:01:10,910 --> 00:01:10,920 +Kelly all right fine why don't you both + + +61 +00:01:10,920 --> 00:01:13,230 +Kelly all right fine why don't you both +go down in the cellar well that's all + +62 +00:01:13,230 --> 00:01:13,240 +go down in the cellar well that's all + + +63 +00:01:13,240 --> 00:01:14,870 +go down in the cellar well that's all +right with me no no no no there's a much + +64 +00:01:14,870 --> 00:01:14,880 +right with me no no no no there's a much + + +65 +00:01:14,880 --> 00:01:16,550 +right with me no no no no there's a much +more literary atmosphere in Kelly's I + +66 +00:01:16,550 --> 00:01:16,560 +more literary atmosphere in Kelly's I + + +67 +00:01:16,560 --> 00:01:19,270 +more literary atmosphere in Kelly's I +assure you this opening on Kell you will + +68 +00:01:19,270 --> 00:01:19,280 +assure you this opening on Kell you will + + +69 +00:01:19,280 --> 00:01:20,670 +assure you this opening on Kell you will +I'm waiting to be born see the doctor + +70 +00:01:20,670 --> 00:01:20,680 +I'm waiting to be born see the doctor + + +71 +00:01:20,680 --> 00:01:22,830 +I'm waiting to be born see the doctor +comes in and starts oh the doctor yeah + +72 +00:01:22,830 --> 00:01:22,840 +comes in and starts oh the doctor yeah + + +73 +00:01:22,840 --> 00:01:24,190 +comes in and starts oh the doctor yeah +yeah well now look you ring in I'll see + +74 +00:01:24,190 --> 00:01:24,200 +yeah well now look you ring in I'll see + + +75 +00:01:24,200 --> 00:01:26,270 +yeah well now look you ring in I'll see +you later okay you won't stand me up + +76 +00:01:26,270 --> 00:01:26,280 +you later okay you won't stand me up + + +77 +00:01:26,280 --> 00:01:28,069 +you later okay you won't stand me up +will you Mr Bru this is a great play + +78 +00:01:28,069 --> 00:01:28,079 +will you Mr Bru this is a great play + + +79 +00:01:28,079 --> 00:01:29,710 +will you Mr Bru this is a great play +you'll like it I'm I'll see you on there + +80 +00:01:29,710 --> 00:01:29,720 +you'll like it I'm I'll see you on there + + +81 +00:01:29,720 --> 00:01:32,630 +you'll like it I'm I'll see you on there +wa I can't wait I doctor doctor where + +82 +00:01:32,630 --> 00:01:32,640 +wa I can't wait I doctor doctor where + + +83 +00:01:32,640 --> 00:01:34,950 +wa I can't wait I doctor doctor where +where those + +84 +00:01:34,950 --> 00:01:34,960 +where those + + +85 +00:01:34,960 --> 00:01:37,910 +where those +oh oh oh you smug aren't you you think + +86 +00:01:37,910 --> 00:01:37,920 +oh oh oh you smug aren't you you think + + +87 +00:01:37,920 --> 00:01:40,389 +oh oh oh you smug aren't you you think +you got it over me but you haven't you + +88 +00:01:40,389 --> 00:01:40,399 +you got it over me but you haven't you + + +89 +00:01:40,399 --> 00:01:41,310 +you got it over me but you haven't you +think I'm afraid to go to the police + +90 +00:01:41,310 --> 00:01:41,320 +think I'm afraid to go to the police + + +91 +00:01:41,320 --> 00:01:42,789 +think I'm afraid to go to the police +about spinzo because you blab about + +92 +00:01:42,789 --> 00:01:42,799 +about spinzo because you blab about + + +93 +00:01:42,799 --> 00:01:44,870 +about spinzo because you blab about +Hoskins well I'm not the moment I get + +94 +00:01:44,870 --> 00:01:44,880 +Hoskins well I'm not the moment I get + + +95 +00:01:44,880 --> 00:01:46,510 +Hoskins well I'm not the moment I get +spinzo I mean the moment the doctor + +96 +00:01:46,510 --> 00:01:46,520 +spinzo I mean the moment the doctor + + +97 +00:01:46,520 --> 00:01:47,910 +spinzo I mean the moment the doctor +signs this I don't care who knows about + +98 +00:01:47,910 --> 00:01:47,920 +signs this I don't care who knows about + + +99 +00:01:47,920 --> 00:01:49,709 +signs this I don't care who knows about +him Hoskins I mean and you better feel + +100 +00:01:49,709 --> 00:01:49,719 +him Hoskins I mean and you better feel + + +101 +00:01:49,719 --> 00:01:51,429 +him Hoskins I mean and you better feel +the same way about spinzo I mean yes + +102 +00:01:51,429 --> 00:01:51,439 +the same way about spinzo I mean yes + + +103 +00:01:51,439 --> 00:01:53,709 +the same way about spinzo I mean yes +spinzo better where are you going the + +104 +00:01:53,709 --> 00:01:53,719 +spinzo better where are you going the + + +105 +00:01:53,719 --> 00:01:56,510 +spinzo better where are you going the +doctor ready oh when I come back I + +106 +00:01:56,510 --> 00:01:56,520 +doctor ready oh when I come back I + + +107 +00:01:56,520 --> 00:01:59,460 +doctor ready oh when I come back I +expect to find you gone wait for me + +108 +00:01:59,460 --> 00:01:59,470 +expect to find you gone wait for me + + +109 +00:01:59,470 --> 00:02:28,679 +expect to find you gone wait for me +[Music] + diff --git a/1944/hjuYfeA2prM.description b/1944/hjuYfeA2prM.description new file mode 100644 index 0000000000000000000000000000000000000000..031c6cb171bae7663b3680d421f65c0f6b349b68 --- /dev/null +++ b/1944/hjuYfeA2prM.description @@ -0,0 +1,38 @@ +Double Indemnity movie clips: http://j.mp/1BcRm39 +BUY THE MOVIE: http://amzn.to/ts2Y3g +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Keyes (Edward G. Robinson) tries to promote Walter (Fred MacMurray) to claims, but Walter prefers being a lowly salesman. + +FILM DESCRIPTION: +Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. + +CREDITS: +TM & © Universal (1944) +Cast: Edward G. Robinson, Barbara Stanwyck +Director: Billy Wilder +Producers: Buddy G. DeSylva, Joseph Sistrom +Screenwriters: Raymond Chandler, James M. Cain, Billy Wilder + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1944/hjuYfeA2prM.en.srt b/1944/hjuYfeA2prM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..83fea251196ba0c3a3f41296374ce62e645dd56f --- /dev/null +++ b/1944/hjuYfeA2prM.en.srt @@ -0,0 +1,825 @@ +1 +00:00:00,760 --> 00:00:02,669 + +how would you like the $50 cut in + +2 +00:00:02,669 --> 00:00:02,679 +how would you like the $50 cut in + + +3 +00:00:02,679 --> 00:00:05,030 +how would you like the $50 cut in +salary do I laugh now or way gets funny + +4 +00:00:05,030 --> 00:00:05,040 +salary do I laugh now or way gets funny + + +5 +00:00:05,040 --> 00:00:06,389 +salary do I laugh now or way gets funny +no I'm serious I've just been talking to + +6 +00:00:06,389 --> 00:00:06,399 +no I'm serious I've just been talking to + + +7 +00:00:06,399 --> 00:00:08,750 +no I'm serious I've just been talking to +Norton too much stuff piling up on my + +8 +00:00:08,750 --> 00:00:08,760 +Norton too much stuff piling up on my + + +9 +00:00:08,760 --> 00:00:10,830 +Norton too much stuff piling up on my +desk too much pressure on my nerves I + +10 +00:00:10,830 --> 00:00:10,840 +desk too much pressure on my nerves I + + +11 +00:00:10,840 --> 00:00:12,030 +desk too much pressure on my nerves I +spent half the night walking up and down + +12 +00:00:12,030 --> 00:00:12,040 +spent half the night walking up and down + + +13 +00:00:12,040 --> 00:00:13,589 +spent half the night walking up and down +in my bed I've got to have an assistant + +14 +00:00:13,589 --> 00:00:13,599 +in my bed I've got to have an assistant + + +15 +00:00:13,599 --> 00:00:16,109 +in my bed I've got to have an assistant +than I thought of you me why pick on me + +16 +00:00:16,109 --> 00:00:16,119 +than I thought of you me why pick on me + + +17 +00:00:16,119 --> 00:00:17,390 +than I thought of you me why pick on me +well because I've got a crazy idea you + +18 +00:00:17,390 --> 00:00:17,400 +well because I've got a crazy idea you + + +19 +00:00:17,400 --> 00:00:18,870 +well because I've got a crazy idea you +might be good at the job that's crazy + +20 +00:00:18,870 --> 00:00:18,880 +might be good at the job that's crazy + + +21 +00:00:18,880 --> 00:00:21,710 +might be good at the job that's crazy +all right I'm a Salesman yeah pedler + +22 +00:00:21,710 --> 00:00:21,720 +all right I'm a Salesman yeah pedler + + +23 +00:00:21,720 --> 00:00:24,349 +all right I'm a Salesman yeah pedler +glad hander backs slapper you're too + +24 +00:00:24,349 --> 00:00:24,359 +glad hander backs slapper you're too + + +25 +00:00:24,359 --> 00:00:25,990 +glad hander backs slapper you're too +good to be a Salesman nobody's too good + +26 +00:00:25,990 --> 00:00:26,000 +good to be a Salesman nobody's too good + + +27 +00:00:26,000 --> 00:00:28,029 +good to be a Salesman nobody's too good +to be a Salesman oh we all you guys do + +28 +00:00:28,029 --> 00:00:28,039 +to be a Salesman oh we all you guys do + + +29 +00:00:28,039 --> 00:00:29,310 +to be a Salesman oh we all you guys do +is just ring doorbells and dish out a + +30 +00:00:29,310 --> 00:00:29,320 +is just ring doorbells and dish out a + + +31 +00:00:29,320 --> 00:00:31,150 +is just ring doorbells and dish out a +smooth line of monkey dog what's + +32 +00:00:31,150 --> 00:00:31,160 +smooth line of monkey dog what's + + +33 +00:00:31,160 --> 00:00:32,749 +smooth line of monkey dog what's +troubling you is that 50 Buck cut isn't + +34 +00:00:32,749 --> 00:00:32,759 +troubling you is that 50 Buck cut isn't + + +35 +00:00:32,759 --> 00:00:34,630 +troubling you is that 50 Buck cut isn't +it well let it trouble anybody now look + +36 +00:00:34,630 --> 00:00:34,640 +it well let it trouble anybody now look + + +37 +00:00:34,640 --> 00:00:36,389 +it well let it trouble anybody now look +Walter the job I'm talking about takes + +38 +00:00:36,389 --> 00:00:36,399 +Walter the job I'm talking about takes + + +39 +00:00:36,399 --> 00:00:38,590 +Walter the job I'm talking about takes +brains and integrity it takes more guts + +40 +00:00:38,590 --> 00:00:38,600 +brains and integrity it takes more guts + + +41 +00:00:38,600 --> 00:00:39,990 +brains and integrity it takes more guts +than there is in 50 salesman it's the + +42 +00:00:39,990 --> 00:00:40,000 +than there is in 50 salesman it's the + + +43 +00:00:40,000 --> 00:00:41,229 +than there is in 50 salesman it's the +hottest job in the business yeah but + +44 +00:00:41,229 --> 00:00:41,239 +hottest job in the business yeah but + + +45 +00:00:41,239 --> 00:00:42,350 +hottest job in the business yeah but +it's still a desk job I don't want to be + +46 +00:00:42,350 --> 00:00:42,360 +it's still a desk job I don't want to be + + +47 +00:00:42,360 --> 00:00:44,830 +it's still a desk job I don't want to be +nailed to a desk desk job is that all + +48 +00:00:44,830 --> 00:00:44,840 +nailed to a desk desk job is that all + + +49 +00:00:44,840 --> 00:00:47,029 +nailed to a desk desk job is that all +you can see in it just a hard chair to + +50 +00:00:47,029 --> 00:00:47,039 +you can see in it just a hard chair to + + +51 +00:00:47,039 --> 00:00:49,430 +you can see in it just a hard chair to +park your pants on to 9 to five huh just + +52 +00:00:49,430 --> 00:00:49,440 +park your pants on to 9 to five huh just + + +53 +00:00:49,440 --> 00:00:51,229 +park your pants on to 9 to five huh just +a pile of papers to shuffle around and + +54 +00:00:51,229 --> 00:00:51,239 +a pile of papers to shuffle around and + + +55 +00:00:51,239 --> 00:00:53,389 +a pile of papers to shuffle around and +five sharp pencils and a scratch B to + +56 +00:00:53,389 --> 00:00:53,399 +five sharp pencils and a scratch B to + + +57 +00:00:53,399 --> 00:00:55,069 +five sharp pencils and a scratch B to +make figures on maybe a little doodling + +58 +00:00:55,069 --> 00:00:55,079 +make figures on maybe a little doodling + + +59 +00:00:55,079 --> 00:00:57,310 +make figures on maybe a little doodling +on the side well that's not the way I + +60 +00:00:57,310 --> 00:00:57,320 +on the side well that's not the way I + + +61 +00:00:57,320 --> 00:00:59,950 +on the side well that's not the way I +look at it Walter to me a claims man is + +62 +00:00:59,950 --> 00:00:59,960 +look at it Walter to me a claims man is + + +63 +00:00:59,960 --> 00:01:02,270 +look at it Walter to me a claims man is +is a surgeon that desk is an operating + +64 +00:01:02,270 --> 00:01:02,280 +is a surgeon that desk is an operating + + +65 +00:01:02,280 --> 00:01:04,429 +is a surgeon that desk is an operating +table and those pencils are scalpers and + +66 +00:01:04,429 --> 00:01:04,439 +table and those pencils are scalpers and + + +67 +00:01:04,439 --> 00:01:06,590 +table and those pencils are scalpers and +Bone chisels and those papers are not + +68 +00:01:06,590 --> 00:01:06,600 +Bone chisels and those papers are not + + +69 +00:01:06,600 --> 00:01:08,590 +Bone chisels and those papers are not +just forms and statistics and claims for + +70 +00:01:08,590 --> 00:01:08,600 +just forms and statistics and claims for + + +71 +00:01:08,600 --> 00:01:11,429 +just forms and statistics and claims for +compensation they're alive they're + +72 +00:01:11,429 --> 00:01:11,439 +compensation they're alive they're + + +73 +00:01:11,439 --> 00:01:13,789 +compensation they're alive they're +packed with drama with Twisted hopes and + +74 +00:01:13,789 --> 00:01:13,799 +packed with drama with Twisted hopes and + + +75 +00:01:13,799 --> 00:01:16,950 +packed with drama with Twisted hopes and +crooked dreams a claims man Walter is a + +76 +00:01:16,950 --> 00:01:16,960 +crooked dreams a claims man Walter is a + + +77 +00:01:16,960 --> 00:01:19,990 +crooked dreams a claims man Walter is a +is a is a doctor and a blood hound and + +78 +00:01:19,990 --> 00:01:20,000 +is a is a doctor and a blood hound and + + +79 +00:01:20,000 --> 00:01:24,069 +is a is a doctor and a blood hound and +a who okay hold on a minute a claims man + +80 +00:01:24,069 --> 00:01:24,079 +a who okay hold on a minute a claims man + + +81 +00:01:24,079 --> 00:01:25,429 +a who okay hold on a minute a claims man +is a doctor and the blood hound and a + +82 +00:01:25,429 --> 00:01:25,439 +is a doctor and the blood hound and a + + +83 +00:01:25,439 --> 00:01:26,590 +is a doctor and the blood hound and a +cop and the judge and a jury and a + +84 +00:01:26,590 --> 00:01:26,600 +cop and the judge and a jury and a + + +85 +00:01:26,600 --> 00:01:28,670 +cop and the judge and a jury and a +father Confessor all in one and you want + +86 +00:01:28,670 --> 00:01:28,680 +father Confessor all in one and you want + + +87 +00:01:28,680 --> 00:01:29,950 +father Confessor all in one and you want +to tell me you're not interested you you + +88 +00:01:29,950 --> 00:01:29,960 +to tell me you're not interested you you + + +89 +00:01:29,960 --> 00:01:30,910 +to tell me you're not interested you you +don't want to work with your brains all + +90 +00:01:30,910 --> 00:01:30,920 +don't want to work with your brains all + + +91 +00:01:30,920 --> 00:01:32,069 +don't want to work with your brains all +you want to work is with your finger on + +92 +00:01:32,069 --> 00:01:32,079 +you want to work is with your finger on + + +93 +00:01:32,079 --> 00:01:34,030 +you want to work is with your finger on +the doorbell for a few bucks more are we + +94 +00:01:34,030 --> 00:01:34,040 +the doorbell for a few bucks more are we + + +95 +00:01:34,040 --> 00:01:35,870 +the doorbell for a few bucks more are we +there's a name on your + +96 +00:01:35,870 --> 00:01:35,880 +there's a name on your + + +97 +00:01:35,880 --> 00:01:38,870 +there's a name on your +phone want a n speaking I had to call + +98 +00:01:38,870 --> 00:01:38,880 +phone want a n speaking I had to call + + +99 +00:01:38,880 --> 00:01:41,429 +phone want a n speaking I had to call +you Walter it's very urgent are you with + +100 +00:01:41,429 --> 00:01:41,439 +you Walter it's very urgent are you with + + +101 +00:01:41,439 --> 00:01:45,149 +you Walter it's very urgent are you with +somebody yes I am uh can I call you back + +102 +00:01:45,149 --> 00:01:45,159 +somebody yes I am uh can I call you back + + +103 +00:01:45,159 --> 00:01:47,230 +somebody yes I am uh can I call you back +Margie no you can't I've only got a + +104 +00:01:47,230 --> 00:01:47,240 +Margie no you can't I've only got a + + +105 +00:01:47,240 --> 00:01:49,990 +Margie no you can't I've only got a +minute I can't wait listen he's going + +106 +00:01:49,990 --> 00:01:50,000 +minute I can't wait listen he's going + + +107 +00:01:50,000 --> 00:01:52,789 +minute I can't wait listen he's going +tonight on the train are you listening + +108 +00:01:52,789 --> 00:01:52,799 +tonight on the train are you listening + + +109 +00:01:52,799 --> 00:01:55,109 +tonight on the train are you listening +Walter yeah I'm listening + +110 +00:01:55,109 --> 00:01:55,119 +Walter yeah I'm listening + + +111 +00:01:55,119 --> 00:01:58,069 +Walter yeah I'm listening +Margie only uh make a Snappy will you + +112 +00:01:58,069 --> 00:01:58,079 +Margie only uh make a Snappy will you + + +113 +00:01:58,079 --> 00:01:59,590 +Margie only uh make a Snappy will you +he's on crutches the doctor says he can + +114 +00:01:59,590 --> 00:01:59,600 +he's on crutches the doctor says he can + + +115 +00:01:59,600 --> 00:02:00,910 +he's on crutches the doctor says he can +go if he's careful the change will do + +116 +00:02:00,910 --> 00:02:00,920 +go if he's careful the change will do + + +117 +00:02:00,920 --> 00:02:03,109 +go if he's careful the change will do +him good it's wonderful Walter just the + +118 +00:02:03,109 --> 00:02:03,119 +him good it's wonderful Walter just the + + +119 +00:02:03,119 --> 00:02:05,270 +him good it's wonderful Walter just the +way you wanted it on a train only with + +120 +00:02:05,270 --> 00:02:05,280 +way you wanted it on a train only with + + +121 +00:02:05,280 --> 00:02:06,590 +way you wanted it on a train only with +the crutches it makes it much better + +122 +00:02:06,590 --> 00:02:06,600 +the crutches it makes it much better + + +123 +00:02:06,600 --> 00:02:10,510 +the crutches it makes it much better +doesn't it yeah yeah that's 100% + +124 +00:02:10,510 --> 00:02:10,520 +doesn't it yeah yeah that's 100% + + +125 +00:02:10,520 --> 00:02:13,390 +doesn't it yeah yeah that's 100% +better hold on line man will you can you + +126 +00:02:13,390 --> 00:02:13,400 +better hold on line man will you can you + + +127 +00:02:13,400 --> 00:02:14,869 +better hold on line man will you can you +suppose I join you in your office that's + +128 +00:02:14,869 --> 00:02:14,879 +suppose I join you in your office that's + + +129 +00:02:14,879 --> 00:02:16,270 +suppose I join you in your office that's +all right I'll wait only tell her not + +130 +00:02:16,270 --> 00:02:16,280 +all right I'll wait only tell her not + + +131 +00:02:16,280 --> 00:02:19,750 +all right I'll wait only tell her not +take all + +132 +00:02:19,750 --> 00:02:19,760 + + + +133 +00:02:19,760 --> 00:02:22,589 + +day go ahead it's the 10:15 from + +134 +00:02:22,589 --> 00:02:22,599 +day go ahead it's the 10:15 from + + +135 +00:02:22,599 --> 00:02:25,030 +day go ahead it's the 10:15 from +Glendale I'm driving him it's still the + +136 +00:02:25,030 --> 00:02:25,040 +Glendale I'm driving him it's still the + + +137 +00:02:25,040 --> 00:02:26,910 +Glendale I'm driving him it's still the +same dark Street isn't it and the signal + +138 +00:02:26,910 --> 00:02:26,920 +same dark Street isn't it and the signal + + +139 +00:02:26,920 --> 00:02:29,550 +same dark Street isn't it and the signal +is three hungs on the horn okay anything + +140 +00:02:29,550 --> 00:02:29,560 +is three hungs on the horn okay anything + + +141 +00:02:29,560 --> 00:02:30,949 +is three hungs on the horn okay anything +else + +142 +00:02:30,949 --> 00:02:30,959 +else + + +143 +00:02:30,959 --> 00:02:33,190 +else +no oh + +144 +00:02:33,190 --> 00:02:33,200 +no oh + + +145 +00:02:33,200 --> 00:02:36,110 +no oh +uh what color did you pick uh blue navy + +146 +00:02:36,110 --> 00:02:36,120 +uh what color did you pick uh blue navy + + +147 +00:02:36,120 --> 00:02:39,390 +uh what color did you pick uh blue navy +blue and the cast is on his left leg + +148 +00:02:39,390 --> 00:02:39,400 +blue and the cast is on his left leg + + +149 +00:02:39,400 --> 00:02:42,470 +blue and the cast is on his left leg +mhm now that suits me fine this is it + +150 +00:02:42,470 --> 00:02:42,480 +mhm now that suits me fine this is it + + +151 +00:02:42,480 --> 00:02:44,710 +mhm now that suits me fine this is it +Walter I'm shaking like a leaf but it's + +152 +00:02:44,710 --> 00:02:44,720 +Walter I'm shaking like a leaf but it's + + +153 +00:02:44,720 --> 00:02:47,630 +Walter I'm shaking like a leaf but it's +straight down the line for both of us I + +154 +00:02:47,630 --> 00:02:47,640 +straight down the line for both of us I + + +155 +00:02:47,640 --> 00:02:50,910 +straight down the line for both of us I +love you water + +156 +00:02:50,910 --> 00:02:50,920 +love you water + + +157 +00:02:50,920 --> 00:02:53,910 +love you water +goodbye sorry Keys matter name is + +158 +00:02:53,910 --> 00:02:53,920 +goodbye sorry Keys matter name is + + +159 +00:02:53,920 --> 00:02:55,710 +goodbye sorry Keys matter name is +chasing again or still this none of my + +160 +00:02:55,710 --> 00:02:55,720 +chasing again or still this none of my + + +161 +00:02:55,720 --> 00:02:57,670 +chasing again or still this none of my +business if I told you it was a customer + +162 +00:02:57,670 --> 00:02:57,680 +business if I told you it was a customer + + +163 +00:02:57,680 --> 00:03:07,950 +business if I told you it was a customer +Margie I bet you drinks from the BT + +164 +00:03:07,950 --> 00:03:07,960 + + + +165 +00:03:07,960 --> 00:03:30,539 + +[Music] + diff --git a/1944/kFhDGoJh4O4.en.srt b/1944/kFhDGoJh4O4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..b0710a47a6b66d25143e2e2d1f10c2da285468e4 --- /dev/null +++ b/1944/kFhDGoJh4O4.en.srt @@ -0,0 +1,295 @@ +1 +00:00:02,210 --> 00:00:03,640 + +Yussef + +2 +00:00:03,640 --> 00:00:03,650 +Yussef + + +3 +00:00:03,650 --> 00:00:05,809 +Yussef +who was the men who came to see your + +4 +00:00:05,809 --> 00:00:05,819 +who was the men who came to see your + + +5 +00:00:05,819 --> 00:00:12,280 +who was the men who came to see your +mistress when I was out what man sir + +6 +00:00:12,280 --> 00:00:12,290 +mistress when I was out what man sir + + +7 +00:00:12,290 --> 00:00:14,870 +mistress when I was out what man sir +come it is a breath you must have answer + +8 +00:00:14,870 --> 00:00:14,880 +come it is a breath you must have answer + + +9 +00:00:14,880 --> 00:00:15,670 +come it is a breath you must have answer +the bell + +10 +00:00:15,670 --> 00:00:15,680 +the bell + + +11 +00:00:15,680 --> 00:00:23,080 +the bell +no one was here sir while you were out + +12 +00:00:23,080 --> 00:00:23,090 + + + +13 +00:00:23,090 --> 00:00:30,320 + +good Elizabeth but you saw him you open + +14 +00:00:30,320 --> 00:00:30,330 +good Elizabeth but you saw him you open + + +15 +00:00:30,330 --> 00:00:34,780 +good Elizabeth but you saw him you open +the door for him yourself + +16 +00:00:34,780 --> 00:00:34,790 + + + +17 +00:00:34,790 --> 00:00:38,389 + +hello what saying Elizabeth say it no + +18 +00:00:38,389 --> 00:00:38,399 +hello what saying Elizabeth say it no + + +19 +00:00:38,399 --> 00:00:48,799 +hello what saying Elizabeth say it no +ma'am I didn't see anyone at all he was + +20 +00:00:48,799 --> 00:00:48,809 +ma'am I didn't see anyone at all he was + + +21 +00:00:48,809 --> 00:00:57,110 +ma'am I didn't see anyone at all he was +here I know that I know it when he was + +22 +00:00:57,110 --> 00:00:57,120 +here I know that I know it when he was + + +23 +00:00:57,120 --> 00:01:14,450 +here I know that I know it when he was +here I know it died + +24 +00:01:14,450 --> 00:01:14,460 + + + +25 +00:01:14,460 --> 00:01:18,410 + +you see how it is Elizabeth yes sir + +26 +00:01:18,410 --> 00:01:18,420 +you see how it is Elizabeth yes sir + + +27 +00:01:18,420 --> 00:01:24,410 +you see how it is Elizabeth yes sir +I see just how it is I couldn't have + +28 +00:01:24,410 --> 00:01:24,420 +I see just how it is I couldn't have + + +29 +00:01:24,420 --> 00:01:27,410 +I see just how it is I couldn't have +dreamed this I couldn't have dreamed + +30 +00:01:27,410 --> 00:01:27,420 +dreamed this I couldn't have dreamed + + +31 +00:01:27,420 --> 00:01:29,870 +dreamed this I couldn't have dreamed +look I couldn't dream it + +32 +00:01:29,870 --> 00:01:29,880 +look I couldn't dream it + + +33 +00:01:29,880 --> 00:01:41,499 +look I couldn't dream it +I couldn't have dreamed it do you tied + +34 +00:01:41,499 --> 00:01:41,509 + + + +35 +00:01:41,509 --> 00:01:46,880 + +3-3 yes polarize you to him did you tell + +36 +00:01:46,880 --> 00:01:46,890 +3-3 yes polarize you to him did you tell + + +37 +00:01:46,890 --> 00:01:48,859 +3-3 yes polarize you to him did you tell +him to hold a long are you telling me + +38 +00:01:48,859 --> 00:01:48,869 +him to hold a long are you telling me + + +39 +00:01:48,869 --> 00:01:52,760 +him to hold a long are you telling me +that dream everything all that did not + +40 +00:01:52,760 --> 00:01:52,770 +that dream everything all that did not + + +41 +00:01:52,770 --> 00:01:58,609 +that dream everything all that did not +happen my mind is gone haven't I told + +42 +00:01:58,609 --> 00:01:58,619 +happen my mind is gone haven't I told + + +43 +00:01:58,619 --> 00:02:08,600 +happen my mind is gone haven't I told +you it was a dream Michael take me was I + +44 +00:02:08,600 --> 00:02:08,610 +you it was a dream Michael take me was I + + +45 +00:02:08,610 --> 00:02:10,249 +you it was a dream Michael take me was I +any part of this curious dream of yours + +46 +00:02:10,249 --> 00:02:10,259 +any part of this curious dream of yours + + +47 +00:02:10,259 --> 00:02:16,180 +any part of this curious dream of yours +mrs. Anton sure + +48 +00:02:16,180 --> 00:02:16,190 + + + +49 +00:02:16,190 --> 00:02:18,530 + +perhaps my presence here might help you + +50 +00:02:18,530 --> 00:02:18,540 +perhaps my presence here might help you + + +51 +00:02:18,540 --> 00:02:21,849 +perhaps my presence here might help you +to recall it look at Devon are you + +52 +00:02:21,849 --> 00:02:21,859 +to recall it look at Devon are you + + +53 +00:02:21,859 --> 00:02:24,199 +to recall it look at Devon are you +apparently a mere figment of your wife's + +54 +00:02:24,199 --> 00:02:24,209 +apparently a mere figment of your wife's + + +55 +00:02:24,209 --> 00:02:25,310 +apparently a mere figment of your wife's +imagination + +56 +00:02:25,310 --> 00:02:25,320 +imagination + + +57 +00:02:25,320 --> 00:02:31,320 +imagination +[Music] + +58 +00:02:31,320 --> 00:02:31,330 + + + +59 +00:02:31,330 --> 00:02:33,390 + +you + diff --git a/1944/qj0L0g36IXU.en.srt b/1944/qj0L0g36IXU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d4b805130e09d8bec96aa08850fb3e23165e9b71 --- /dev/null +++ b/1944/qj0L0g36IXU.en.srt @@ -0,0 +1,325 @@ +1 +00:00:00,060 --> 00:00:03,560 + +shall we bring him in all right all + +2 +00:00:03,560 --> 00:00:03,570 +shall we bring him in all right all + + +3 +00:00:03,570 --> 00:00:05,889 +shall we bring him in all right all +right we'll hold him right here + +4 +00:00:05,889 --> 00:00:05,899 +right we'll hold him right here + + +5 +00:00:05,899 --> 00:00:10,220 +right we'll hold him right here +the lieutenant is on his way over so + +6 +00:00:10,220 --> 00:00:10,230 +the lieutenant is on his way over so + + +7 +00:00:10,230 --> 00:00:14,959 +the lieutenant is on his way over so +I've been turned in all right you got me + +8 +00:00:14,959 --> 00:00:14,969 +I've been turned in all right you got me + + +9 +00:00:14,969 --> 00:00:18,769 +I've been turned in all right you got me +I suppose you and my stool pigeon + +10 +00:00:18,769 --> 00:00:18,779 +I suppose you and my stool pigeon + + +11 +00:00:18,779 --> 00:00:21,230 +I suppose you and my stool pigeon +brother we'll split the reward yes + +12 +00:00:21,230 --> 00:00:21,240 +brother we'll split the reward yes + + +13 +00:00:21,240 --> 00:00:24,529 +brother we'll split the reward yes +reward no I'll do some turning in no + +14 +00:00:24,529 --> 00:00:24,539 +reward no I'll do some turning in no + + +15 +00:00:24,539 --> 00:00:26,689 +reward no I'll do some turning in no +wait a minute mr. Brewster you think my + +16 +00:00:26,689 --> 00:00:26,699 +wait a minute mr. Brewster you think my + + +17 +00:00:26,699 --> 00:00:29,150 +wait a minute mr. Brewster you think my +answers sweet charming old ladies don't + +18 +00:00:29,150 --> 00:00:29,160 +answers sweet charming old ladies don't + + +19 +00:00:29,160 --> 00:00:29,540 +answers sweet charming old ladies don't +you + +20 +00:00:29,540 --> 00:00:29,550 +you + + +21 +00:00:29,550 --> 00:00:31,580 +you +well there's 13 bodies buried in the + +22 +00:00:31,580 --> 00:00:31,590 +well there's 13 bodies buried in the + + +23 +00:00:31,590 --> 00:00:35,389 +well there's 13 bodies buried in the +cellar 13 they care for what you say + +24 +00:00:35,389 --> 00:00:35,399 +cellar 13 they care for what you say + + +25 +00:00:35,399 --> 00:00:36,709 +cellar 13 they care for what you say +about your aunt's they happen to be + +26 +00:00:36,709 --> 00:00:36,719 +about your aunt's they happen to be + + +27 +00:00:36,719 --> 00:00:38,569 +about your aunt's they happen to be +friends of ours how soon do don't you + +28 +00:00:38,569 --> 00:00:38,579 +friends of ours how soon do don't you + + +29 +00:00:38,579 --> 00:00:40,250 +friends of ours how soon do don't you +make any trouble for them do you hear me + +30 +00:00:40,250 --> 00:00:40,260 +make any trouble for them do you hear me + + +31 +00:00:40,260 --> 00:00:40,790 +make any trouble for them do you hear me +Oh clue + +32 +00:00:40,790 --> 00:00:40,800 +Oh clue + + +33 +00:00:40,800 --> 00:00:42,110 +Oh clue +we're mine mr. Brewster leave him to me + +34 +00:00:42,110 --> 00:00:42,120 +we're mine mr. Brewster leave him to me + + +35 +00:00:42,120 --> 00:00:43,760 +we're mine mr. Brewster leave him to me +I'll take care of him you come down to + +36 +00:00:43,760 --> 00:00:43,770 +I'll take care of him you come down to + + +37 +00:00:43,770 --> 00:00:45,560 +I'll take care of him you come down to +the cellar greater than our waiter who's + +38 +00:00:45,560 --> 00:00:45,570 +the cellar greater than our waiter who's + + +39 +00:00:45,570 --> 00:00:47,389 +the cellar greater than our waiter who's +13 bodies I'll show you where they're + +40 +00:00:47,389 --> 00:00:47,399 +13 bodies I'll show you where they're + + +41 +00:00:47,399 --> 00:00:47,779 +13 bodies I'll show you where they're +buried + +42 +00:00:47,779 --> 00:00:47,789 +buried + + +43 +00:00:47,789 --> 00:00:50,450 +buried +oh yeah on down a cellar with a mohara + +44 +00:00:50,450 --> 00:00:50,460 +oh yeah on down a cellar with a mohara + + +45 +00:00:50,460 --> 00:00:58,580 +oh yeah on down a cellar with a mohara +yes come to the cellar donatello room + +46 +00:00:58,580 --> 00:00:58,590 +yes come to the cellar donatello room + + +47 +00:00:58,590 --> 00:01:00,349 +yes come to the cellar donatello room +but I've leased mr. Brewster I'll tell + +48 +00:01:00,349 --> 00:01:00,359 +but I've leased mr. Brewster I'll tell + + +49 +00:01:00,359 --> 00:01:01,610 +but I've leased mr. Brewster I'll tell +you the rest of my play later + +50 +00:01:01,610 --> 00:01:01,620 +you the rest of my play later + + +51 +00:01:01,620 --> 00:01:05,000 +you the rest of my play later +oh I got a cellar for them gee do I have + +52 +00:01:05,000 --> 00:01:05,010 +oh I got a cellar for them gee do I have + + +53 +00:01:05,010 --> 00:01:06,830 +oh I got a cellar for them gee do I have +to Sarge look at that pause he looks + +54 +00:01:06,830 --> 00:01:06,840 +to Sarge look at that pause he looks + + +55 +00:01:06,840 --> 00:01:34,570 +to Sarge look at that pause he looks +like Boris Karloff Oh Sarge + +56 +00:01:34,570 --> 00:01:34,580 + + + +57 +00:01:34,580 --> 00:01:37,280 + +that's enough that's enough everybody + +58 +00:01:37,280 --> 00:01:37,290 +that's enough that's enough everybody + + +59 +00:01:37,290 --> 00:01:49,410 +that's enough that's enough everybody +off + +60 +00:01:49,410 --> 00:01:49,420 + + + +61 +00:01:49,420 --> 00:01:53,550 + +further find a - all I did was cross the + +62 +00:01:53,550 --> 00:01:53,560 +further find a - all I did was cross the + + +63 +00:01:53,560 --> 00:02:00,550 +further find a - all I did was cross the +reason I was in Brooklyn may be made + +64 +00:02:00,550 --> 00:02:00,560 + + + +65 +00:02:00,560 --> 00:02:03,770 + +goddamn dumb + diff --git a/1945/-ASYRiRflDM.description b/1945/-ASYRiRflDM.description new file mode 100644 index 0000000000000000000000000000000000000000..4369e462349efc364a8ea388e41543a108df9f81 --- /dev/null +++ b/1945/-ASYRiRflDM.description @@ -0,0 +1,38 @@ +Mildred Pierce movie clips: http://j.mp/1e6rb0m +BUY THE MOVIE: http://j.mp/13UbRSF +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Wally (Jack Carson) makes a move on Mildred (Joan Crawford) once he knows that Bert is out of the picture. + +FILM DESCRIPTION: +Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin. + +CREDITS: +TM & © Warner Bros. (1945) +Cast: Jack Carson, Joan Crawford +Director: Michael Curtiz +Producers: Jerry Wald, Jack L. Warner +Screenwriters: James M. Cain, William Faulkner, Ranald MacDougall, Catherine Turney, Albert Maltz, Margaret Gruen, Margaret Buell Wilder, Thames Williamson, Louise Randall Pierson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/1945/-ASYRiRflDM.en.srt b/1945/-ASYRiRflDM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e3d6f5a348b8558f63a1a0f003998693b0f9761a --- /dev/null +++ b/1945/-ASYRiRflDM.en.srt @@ -0,0 +1,675 @@ +1 +00:00:00,680 --> 00:00:04,329 + +you're all alone oh I have the children + +2 +00:00:04,329 --> 00:00:04,339 +you're all alone oh I have the children + + +3 +00:00:04,339 --> 00:00:08,810 +you're all alone oh I have the children +Bert must be crazy you know I uh I never + +4 +00:00:08,810 --> 00:00:08,820 +Bert must be crazy you know I uh I never + + +5 +00:00:08,820 --> 00:00:11,060 +Bert must be crazy you know I uh I never +did mind being around you loaded you + +6 +00:00:11,060 --> 00:00:11,070 +did mind being around you loaded you + + +7 +00:00:11,070 --> 00:00:12,589 +did mind being around you loaded you +don't by any chance here opportunity + +8 +00:00:12,589 --> 00:00:12,599 +don't by any chance here opportunity + + +9 +00:00:12,599 --> 00:00:15,910 +don't by any chance here opportunity +knocking do you me I'm conscientious + +10 +00:00:15,910 --> 00:00:15,920 +knocking do you me I'm conscientious + + +11 +00:00:15,920 --> 00:00:18,140 +knocking do you me I'm conscientious +not too much ice on that drink you're + +12 +00:00:18,140 --> 00:00:18,150 +not too much ice on that drink you're + + +13 +00:00:18,150 --> 00:00:20,080 +not too much ice on that drink you're +about to make for me + +14 +00:00:20,080 --> 00:00:20,090 +about to make for me + + +15 +00:00:20,090 --> 00:00:23,599 +about to make for me +you're moving in maybe any I'm not gonna + +16 +00:00:23,599 --> 00:00:23,609 +you're moving in maybe any I'm not gonna + + +17 +00:00:23,609 --> 00:00:24,980 +you're moving in maybe any I'm not gonna +cry my eyes out about you and Bert + +18 +00:00:24,980 --> 00:00:24,990 +cry my eyes out about you and Bert + + +19 +00:00:24,990 --> 00:00:27,560 +cry my eyes out about you and Bert +splitting up I like the idea makes me + +20 +00:00:27,560 --> 00:00:27,570 +splitting up I like the idea makes me + + +21 +00:00:27,570 --> 00:00:28,990 +splitting up I like the idea makes me +feel good + +22 +00:00:28,990 --> 00:00:29,000 +feel good + + +23 +00:00:29,000 --> 00:00:32,830 +feel good +it made me feel good too I + +24 +00:00:32,830 --> 00:00:32,840 +it made me feel good too I + + +25 +00:00:32,840 --> 00:00:36,010 +it made me feel good too I +like scotch I know what you're like + +26 +00:00:36,010 --> 00:00:36,020 +like scotch I know what you're like + + +27 +00:00:36,020 --> 00:00:38,110 +like scotch I know what you're like +let's soda + +28 +00:00:38,110 --> 00:00:38,120 +let's soda + + +29 +00:00:38,120 --> 00:00:40,100 +let's soda +you know I've always been a little soft + +30 +00:00:40,100 --> 00:00:40,110 +you know I've always been a little soft + + +31 +00:00:40,110 --> 00:00:41,510 +you know I've always been a little soft +in the head where you're concerned you + +32 +00:00:41,510 --> 00:00:41,520 +in the head where you're concerned you + + +33 +00:00:41,520 --> 00:00:43,069 +in the head where you're concerned you +surprise me wow this is on the level + +34 +00:00:43,069 --> 00:00:43,079 +surprise me wow this is on the level + + +35 +00:00:43,079 --> 00:00:45,920 +surprise me wow this is on the level +Bert's gone okay I think maybe there's a + +36 +00:00:45,920 --> 00:00:45,930 +Bert's gone okay I think maybe there's a + + +37 +00:00:45,930 --> 00:00:48,110 +Bert's gone okay I think maybe there's a +chance for me now no I wouldn't drop + +38 +00:00:48,110 --> 00:00:48,120 +chance for me now no I wouldn't drop + + +39 +00:00:48,120 --> 00:00:51,350 +chance for me now no I wouldn't drop +dead at the idea of Murray kidding me no + +40 +00:00:51,350 --> 00:00:51,360 +dead at the idea of Murray kidding me no + + +41 +00:00:51,360 --> 00:00:52,670 +dead at the idea of Murray kidding me no +I figured maybe one of these days you + +42 +00:00:52,670 --> 00:00:52,680 +I figured maybe one of these days you + + +43 +00:00:52,680 --> 00:00:54,560 +I figured maybe one of these days you +might have a weak moment I do I'll send + +44 +00:00:54,560 --> 00:00:54,570 +might have a weak moment I do I'll send + + +45 +00:00:54,570 --> 00:00:57,069 +might have a weak moment I do I'll send +your telegram collect + +46 +00:00:57,069 --> 00:00:57,079 +your telegram collect + + +47 +00:00:57,079 --> 00:01:01,099 +your telegram collect +yeah easy on the eyes for this week no + +48 +00:01:01,099 --> 00:01:01,109 +yeah easy on the eyes for this week no + + +49 +00:01:01,109 --> 00:01:04,250 +yeah easy on the eyes for this week no +soda sorry Fred never had it wrong we'll + +50 +00:01:04,250 --> 00:01:04,260 +soda sorry Fred never had it wrong we'll + + +51 +00:01:04,260 --> 00:01:07,100 +soda sorry Fred never had it wrong we'll +take care of that say when not for me + +52 +00:01:07,100 --> 00:01:07,110 +take care of that say when not for me + + +53 +00:01:07,110 --> 00:01:10,359 +take care of that say when not for me +I'm not used to it take care of that too + +54 +00:01:10,359 --> 00:01:10,369 +I'm not used to it take care of that too + + +55 +00:01:10,369 --> 00:01:12,500 +I'm not used to it take care of that too +you're pretty sure of yourself aren't + +56 +00:01:12,500 --> 00:01:12,510 +you're pretty sure of yourself aren't + + +57 +00:01:12,510 --> 00:01:14,990 +you're pretty sure of yourself aren't +you you gotta be educated oh then you + +58 +00:01:14,990 --> 00:01:15,000 +you you gotta be educated oh then you + + +59 +00:01:15,000 --> 00:01:16,370 +you you gotta be educated oh then you +just shown the biggest time in a world + +60 +00:01:16,370 --> 00:01:16,380 +just shown the biggest time in a world + + +61 +00:01:16,380 --> 00:01:18,050 +just shown the biggest time in a world +the great American institution that + +62 +00:01:18,050 --> 00:01:18,060 +the great American institution that + + +63 +00:01:18,060 --> 00:01:19,219 +the great American institution that +never gets mentioned on the fourth of + +64 +00:01:19,219 --> 00:01:19,229 +never gets mentioned on the fourth of + + +65 +00:01:19,229 --> 00:01:21,530 +never gets mentioned on the fourth of +July a grass widow with two children to + +66 +00:01:21,530 --> 00:01:21,540 +July a grass widow with two children to + + +67 +00:01:21,540 --> 00:01:24,520 +July a grass widow with two children to +support + +68 +00:01:24,520 --> 00:01:24,530 + + + +69 +00:01:24,530 --> 00:01:26,780 + +Wally why don't you make an effort to + +70 +00:01:26,780 --> 00:01:26,790 +Wally why don't you make an effort to + + +71 +00:01:26,790 --> 00:01:28,399 +Wally why don't you make an effort to +grow up I should make an effort to + +72 +00:01:28,399 --> 00:01:28,409 +grow up I should make an effort to + + +73 +00:01:28,409 --> 00:01:30,649 +grow up I should make an effort to +forget bird maybe I don't want to what + +74 +00:01:30,649 --> 00:01:30,659 +forget bird maybe I don't want to what + + +75 +00:01:30,659 --> 00:01:32,480 +forget bird maybe I don't want to what +you belong Simbel right not the kind of + +76 +00:01:32,480 --> 00:01:32,490 +you belong Simbel right not the kind of + + +77 +00:01:32,490 --> 00:01:34,100 +you belong Simbel right not the kind of +a woman to get along by herself I like + +78 +00:01:34,100 --> 00:01:34,110 +a woman to get along by herself I like + + +79 +00:01:34,110 --> 00:01:36,920 +a woman to get along by herself I like +in charge oh come on get wise Wally you + +80 +00:01:36,920 --> 00:01:36,930 +in charge oh come on get wise Wally you + + +81 +00:01:36,930 --> 00:01:38,929 +in charge oh come on get wise Wally you +should be kept on a leash now why can't + +82 +00:01:38,929 --> 00:01:38,939 +should be kept on a leash now why can't + + +83 +00:01:38,939 --> 00:01:41,030 +should be kept on a leash now why can't +you be friendly I am being friends no I + +84 +00:01:41,030 --> 00:01:41,040 +you be friendly I am being friends no I + + +85 +00:01:41,040 --> 00:01:43,160 +you be friendly I am being friends no I +mean it friendships much more lasting + +86 +00:01:43,160 --> 00:01:43,170 +mean it friendships much more lasting + + +87 +00:01:43,170 --> 00:01:44,420 +mean it friendships much more lasting +than love yeah but it is not + +88 +00:01:44,420 --> 00:01:44,430 +than love yeah but it is not + + +89 +00:01:44,430 --> 00:01:46,090 +than love yeah but it is not +entertaining + +90 +00:01:46,090 --> 00:01:46,100 +entertaining + + +91 +00:01:46,100 --> 00:01:48,530 +entertaining +cut it out Wally you make me feel just + +92 +00:01:48,530 --> 00:01:48,540 +cut it out Wally you make me feel just + + +93 +00:01:48,540 --> 00:01:50,060 +cut it out Wally you make me feel just +like Little Red Riding well I'm the big + +94 +00:01:50,060 --> 00:01:50,070 +like Little Red Riding well I'm the big + + +95 +00:01:50,070 --> 00:01:52,730 +like Little Red Riding well I'm the big +bad wolf huh ah they got me wrong I'm a + +96 +00:01:52,730 --> 00:01:52,740 +bad wolf huh ah they got me wrong I'm a + + +97 +00:01:52,740 --> 00:01:55,160 +bad wolf huh ah they got me wrong I'm a +romantic guy when I'm no wolf I'm quit + +98 +00:01:55,160 --> 00:01:55,170 +romantic guy when I'm no wolf I'm quit + + +99 +00:01:55,170 --> 00:01:57,889 +romantic guy when I'm no wolf I'm quit +howling I know you're romantic guys one + +100 +00:01:57,889 --> 00:01:57,899 +howling I know you're romantic guys one + + +101 +00:01:57,899 --> 00:01:59,300 +howling I know you're romantic guys one +crack about the beautiful moon and + +102 +00:01:59,300 --> 00:01:59,310 +crack about the beautiful moon and + + +103 +00:01:59,310 --> 00:02:01,190 +crack about the beautiful moon and +you're off to the races especially when + +104 +00:02:01,190 --> 00:02:01,200 +you're off to the races especially when + + +105 +00:02:01,200 --> 00:02:03,380 +you're off to the races especially when +it looks like a sure thing here we go + +106 +00:02:03,380 --> 00:02:03,390 +it looks like a sure thing here we go + + +107 +00:02:03,390 --> 00:02:04,240 +it looks like a sure thing here we go +again + +108 +00:02:04,240 --> 00:02:04,250 +again + + +109 +00:02:04,250 --> 00:02:06,889 +again +fighters I'm wrong + +110 +00:02:06,889 --> 00:02:06,899 +fighters I'm wrong + + +111 +00:02:06,899 --> 00:02:12,010 +fighters I'm wrong +better go Wally Oh Dyson good night + +112 +00:02:12,010 --> 00:02:12,020 +better go Wally Oh Dyson good night + + +113 +00:02:12,020 --> 00:02:13,320 +better go Wally Oh Dyson good night +last night + +114 +00:02:13,320 --> 00:02:13,330 +last night + + +115 +00:02:13,330 --> 00:02:15,790 +last night +you can't shoot a guy for trying + +116 +00:02:15,790 --> 00:02:15,800 +you can't shoot a guy for trying + + +117 +00:02:15,800 --> 00:02:19,090 +you can't shoot a guy for trying +I just thought maybe it all Mildred I + +118 +00:02:19,090 --> 00:02:19,100 +I just thought maybe it all Mildred I + + +119 +00:02:19,100 --> 00:02:21,130 +I just thought maybe it all Mildred I +was only kidding I wouldn't put on a + +120 +00:02:21,130 --> 00:02:21,140 +was only kidding I wouldn't put on a + + +121 +00:02:21,140 --> 00:02:22,990 +was only kidding I wouldn't put on a +cheap trick like that on you you know + +122 +00:02:22,990 --> 00:02:23,000 +cheap trick like that on you you know + + +123 +00:02:23,000 --> 00:02:26,880 +cheap trick like that on you you know +that yes I know why I + +124 +00:02:26,880 --> 00:02:26,890 +that yes I know why I + + +125 +00:02:26,890 --> 00:02:30,490 +that yes I know why I +said good night Wally okay okay round + +126 +00:02:30,490 --> 00:02:30,500 +said good night Wally okay okay round + + +127 +00:02:30,500 --> 00:02:32,080 +said good night Wally okay okay round +one goes to building pairs there won't + +128 +00:02:32,080 --> 00:02:32,090 +one goes to building pairs there won't + + +129 +00:02:32,090 --> 00:02:34,360 +one goes to building pairs there won't +be any round two we live in hope I'll + +130 +00:02:34,360 --> 00:02:34,370 +be any round two we live in hope I'll + + +131 +00:02:34,370 --> 00:02:37,210 +be any round two we live in hope I'll +keep on trying I know once a week twice + +132 +00:02:37,210 --> 00:02:37,220 +keep on trying I know once a week twice + + +133 +00:02:37,220 --> 00:02:39,420 +keep on trying I know once a week twice +a week + +134 +00:02:39,420 --> 00:02:39,430 +a week + + +135 +00:02:39,430 --> 00:03:08,649 +a week +[Music] + diff --git a/1945/0AspXDFcGlw.en.srt b/1945/0AspXDFcGlw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..715e986c5279fbb5bab715e4c1a14fe7ef6a2499 --- /dev/null +++ b/1945/0AspXDFcGlw.en.srt @@ -0,0 +1,445 @@ +1 +00:00:02,000 --> 00:00:03,189 + +there are a lot of things to remember + +2 +00:00:03,189 --> 00:00:03,199 +there are a lot of things to remember + + +3 +00:00:03,199 --> 00:00:05,430 +there are a lot of things to remember +Eddie lefts and rights and bobbing and + +4 +00:00:05,430 --> 00:00:05,440 +Eddie lefts and rights and bobbing and + + +5 +00:00:05,440 --> 00:00:08,270 +Eddie lefts and rights and bobbing and +weaving let's try them all now move + +6 +00:00:08,270 --> 00:00:08,280 +weaving let's try them all now move + + +7 +00:00:08,280 --> 00:00:10,509 +weaving let's try them all now move +around move around come on here we go + +8 +00:00:10,509 --> 00:00:10,519 +around move around come on here we go + + +9 +00:00:10,519 --> 00:00:11,990 +around move around come on here we go +here we go look me right in the eye see + +10 +00:00:11,990 --> 00:00:12,000 +here we go look me right in the eye see + + +11 +00:00:12,000 --> 00:00:14,629 +here we go look me right in the eye see +if you can anticipate my blows look out + +12 +00:00:14,629 --> 00:00:14,639 +if you can anticipate my blows look out + + +13 +00:00:14,639 --> 00:00:20,230 +if you can anticipate my blows look out +now look out oh well that was very very + +14 +00:00:20,230 --> 00:00:20,240 + + + +15 +00:00:20,240 --> 00:00:22,070 + +good that's + +16 +00:00:22,070 --> 00:00:22,080 +good that's + + +17 +00:00:22,080 --> 00:00:25,470 +good that's +Splendid yes you learn fast that's right + +18 +00:00:25,470 --> 00:00:25,480 +Splendid yes you learn fast that's right + + +19 +00:00:25,480 --> 00:00:28,950 +Splendid yes you learn fast that's right +now let's go again come + +20 +00:00:28,950 --> 00:00:28,960 + + + +21 +00:00:28,960 --> 00:00:30,990 + +on + +22 +00:00:30,990 --> 00:00:31,000 +on + + +23 +00:00:31,000 --> 00:00:32,790 +on +you're so clumsy you have to be up on + +24 +00:00:32,790 --> 00:00:32,800 +you're so clumsy you have to be up on + + +25 +00:00:32,800 --> 00:00:35,270 +you're so clumsy you have to be up on +your toes move around quickly you know + +26 +00:00:35,270 --> 00:00:35,280 +your toes move around quickly you know + + +27 +00:00:35,280 --> 00:00:36,790 +your toes move around quickly you know +oh that's my fault I forgot to tell you + +28 +00:00:36,790 --> 00:00:36,800 +oh that's my fault I forgot to tell you + + +29 +00:00:36,800 --> 00:00:37,950 +oh that's my fault I forgot to tell you +about + +30 +00:00:37,950 --> 00:00:37,960 +about + + +31 +00:00:37,960 --> 00:00:40,310 +about +footwork it says there footwork is + +32 +00:00:40,310 --> 00:00:40,320 +footwork it says there footwork is + + +33 +00:00:40,320 --> 00:00:42,549 +footwork it says there footwork is +almost the last start it's very + +34 +00:00:42,549 --> 00:00:42,559 +almost the last start it's very + + +35 +00:00:42,559 --> 00:00:44,549 +almost the last start it's very +important we have to learn it it's lots + +36 +00:00:44,549 --> 00:00:44,559 +important we have to learn it it's lots + + +37 +00:00:44,559 --> 00:00:46,950 +important we have to learn it it's lots +of fun and you're going to like it + +38 +00:00:46,950 --> 00:00:46,960 +of fun and you're going to like it + + +39 +00:00:46,960 --> 00:00:49,310 +of fun and you're going to like it +sometimes it gets very fancy yes it's + +40 +00:00:49,310 --> 00:00:49,320 +sometimes it gets very fancy yes it's + + +41 +00:00:49,320 --> 00:00:51,869 +sometimes it gets very fancy yes it's +well maybe maybe that's too much for the + +42 +00:00:51,869 --> 00:00:51,879 +well maybe maybe that's too much for the + + +43 +00:00:51,879 --> 00:00:53,389 +well maybe maybe that's too much for the +first + +44 +00:00:53,389 --> 00:00:53,399 +first + + +45 +00:00:53,399 --> 00:00:55,910 +first +lesson yes I think so I think we'll wait + +46 +00:00:55,910 --> 00:00:55,920 +lesson yes I think so I think we'll wait + + +47 +00:00:55,920 --> 00:00:57,510 +lesson yes I think so I think we'll wait +we have enough to think about come on + +48 +00:00:57,510 --> 00:00:57,520 +we have enough to think about come on + + +49 +00:00:57,520 --> 00:00:59,750 +we have enough to think about come on +let's just try now to to um you try to + +50 +00:00:59,750 --> 00:00:59,760 +let's just try now to to um you try to + + +51 +00:00:59,760 --> 00:01:02,549 +let's just try now to to um you try to +hit hit me that's right come on come + +52 +00:01:02,549 --> 00:01:02,559 +hit hit me that's right come on come + + +53 +00:01:02,559 --> 00:01:05,149 +hit hit me that's right come on come +on that's right and then then it's not + +54 +00:01:05,149 --> 00:01:05,159 +on that's right and then then it's not + + +55 +00:01:05,159 --> 00:01:07,070 +on that's right and then then it's not +see you just can't hit me can + +56 +00:01:07,070 --> 00:01:07,080 +see you just can't hit me can + + +57 +00:01:07,080 --> 00:01:09,670 +see you just can't hit me can +you go ahead Eddie go ahead but I don't + +58 +00:01:09,670 --> 00:01:09,680 +you go ahead Eddie go ahead but I don't + + +59 +00:01:09,680 --> 00:01:12,789 +you go ahead Eddie go ahead but I don't +want to hit you oh don't worry come on + +60 +00:01:12,789 --> 00:01:12,799 +want to hit you oh don't worry come on + + +61 +00:01:12,799 --> 00:01:15,630 +want to hit you oh don't worry come on +now come on I won't be there come on hi + +62 +00:01:15,630 --> 00:01:15,640 +now come on I won't be there come on hi + + +63 +00:01:15,640 --> 00:01:28,830 +now come on I won't be there come on hi +you see can you see what I mean you just + +64 +00:01:28,830 --> 00:01:28,840 + + + +65 +00:01:28,840 --> 00:01:40,910 + +said + +66 +00:01:40,910 --> 00:01:40,920 + + + +67 +00:01:40,920 --> 00:01:44,149 + +I'm sorry sister well that's all + +68 +00:01:44,149 --> 00:01:44,159 +I'm sorry sister well that's all + + +69 +00:01:44,159 --> 00:01:46,590 +I'm sorry sister well that's all +right it's enough for first lesson + +70 +00:01:46,590 --> 00:01:46,600 +right it's enough for first lesson + + +71 +00:01:46,600 --> 00:01:49,190 +right it's enough for first lesson +though you forgot your footwork you + +72 +00:01:49,190 --> 00:01:49,200 +though you forgot your footwork you + + +73 +00:01:49,200 --> 00:01:50,910 +though you forgot your footwork you +forgot something didn't + +74 +00:01:50,910 --> 00:01:50,920 +forgot something didn't + + +75 +00:01:50,920 --> 00:01:52,789 +forgot something didn't +you + +76 +00:01:52,789 --> 00:01:52,799 +you + + +77 +00:01:52,799 --> 00:01:56,190 +you +something I forgot everything forgot a + +78 +00:01:56,190 --> 00:01:56,200 +something I forgot everything forgot a + + +79 +00:01:56,200 --> 00:01:57,709 +something I forgot everything forgot a +Bob I forgot the + +80 +00:01:57,709 --> 00:01:57,719 +Bob I forgot the + + +81 +00:01:57,719 --> 00:02:02,590 +Bob I forgot the +weave I had my mouth open + +82 +00:02:02,590 --> 00:02:02,600 + + + +83 +00:02:02,600 --> 00:02:09,430 + +I ran right into the + +84 +00:02:09,430 --> 00:02:09,440 + + + +85 +00:02:09,440 --> 00:02:28,750 + +[Music] + +86 +00:02:28,750 --> 00:02:28,760 + + + +87 +00:02:28,760 --> 00:02:37,630 + +payoff + +88 +00:02:37,630 --> 00:02:37,640 + + + +89 +00:02:37,640 --> 00:02:40,640 + +St + diff --git a/1945/70NH2okaBY4.description b/1945/70NH2okaBY4.description new file mode 100644 index 0000000000000000000000000000000000000000..5c28107694e374310d80a56b60d5af415917ff90 --- /dev/null +++ b/1945/70NH2okaBY4.description @@ -0,0 +1,38 @@ +Mildred Pierce movie clips: http://j.mp/1e6rb0m +BUY THE MOVIE: http://j.mp/13UbRSF +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After returning from a vacation in Mexico, Mildred (Joan Crawford) catches up with Ida (Eve Arden) and admits that she wants to reconcile with her disrespectful daughter. + +FILM DESCRIPTION: +Joan Crawford won an Academy Award for her bravura portrayal of the titular heroine in Mildred Pierce. The original James M. Cain novel concerns a wife and mother who works her way to financial security to provide a rosy future for her beloved daughter, but encounters difficulties and tragedies along the way. Ranald McDougall's screenplay tones down the sexual content, enhancing its film noir value by adding a sordid murder. The film opens with oily lounge lizard Monte Beragon (Zachary Scott) being pumped full of bullets. Croaking out the name "Mildred", he collapses and dies. Both the police and the audience are led to believe that the murderer is chain-restaurant entrepreneur Mildred Pierce (Crawford), who takes the time to relate some of her sordid history. As the flashback begins, we see Mildred unhappily married to philandering Bert Pierce (Bruce Bennett). She divorces him, keeping custody of her two beloved daughters, Veda (Ann Blyth) and Kay (Jo Anne Marlowe). To keep oldest daughter Veda in comparative luxury, Mildred ends up taking a waitressing position at a local restaurant. With the help of slimy real estate agent Wally Fay (Jack Carson), she eventually buys her own establishment, which grows into a chain of restaurants throughout Southern California. Meanwhile, Mildred smothers Veda in affection and creature comforts. She goes so far as to enter into a loveless marriage with the wealthy Monty Beragon in order to improve her social standing; Beragon repays the favor by living the life of a layabout playboy, much to Mildred's dismay -- and possible financial ruin. + +CREDITS: +TM & © Warner Bros. (1945) +Cast: Eve Arden, Joan Crawford, Butterfly McQueen +Director: Michael Curtiz +Producers: Jerry Wald, Jack L. Warner +Screenwriters: James M. Cain, William Faulkner, Ranald MacDougall, Catherine Turney, Albert Maltz, Margaret Gruen, Margaret Buell Wilder, Thames Williamson, Louise Randall Pierson + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file