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diff --git a/1999/HdU-6bKqhzk.en.srt b/1999/HdU-6bKqhzk.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..f649e9ee833edc80a13e87eea01a304a4e10c0fe
--- /dev/null
+++ b/1999/HdU-6bKqhzk.en.srt
@@ -0,0 +1,335 @@
+1
+00:00:01,120 --> 00:00:02,949
+
+why is it my
+
+2
+00:00:02,949 --> 00:00:02,959
+why is it my
+ 
+
+3
+00:00:02,959 --> 00:00:06,789
+why is it my
+fault I'm telling you I didn't I did not
+
+4
+00:00:06,789 --> 00:00:06,799
+fault I'm telling you I didn't I did not
+ 
+
+5
+00:00:06,799 --> 00:00:10,749
+fault I'm telling you I didn't I did not
+neural surge I didn't I didn't feel any
+
+6
+00:00:10,749 --> 00:00:10,759
+neural surge I didn't I didn't feel any
+ 
+
+7
+00:00:10,759 --> 00:00:14,110
+neural surge I didn't I didn't feel any
+surging it's not your
+
+8
+00:00:14,110 --> 00:00:14,120
+surging it's not your
+ 
+
+9
+00:00:14,120 --> 00:00:17,950
+surging it's not your
+fault it's my
+
+10
+00:00:17,950 --> 00:00:17,960
+
+ 
+
+11
+00:00:17,960 --> 00:00:22,230
+
+fault oh no gas not you I wouldn't try
+
+12
+00:00:22,230 --> 00:00:22,240
+fault oh no gas not you I wouldn't try
+ 
+
+13
+00:00:22,240 --> 00:00:25,470
+fault oh no gas not you I wouldn't try
+to use that bort again except maybe for
+
+14
+00:00:25,470 --> 00:00:25,480
+to use that bort again except maybe for
+ 
+
+15
+00:00:25,480 --> 00:00:28,950
+to use that bort again except maybe for
+a toast or
+
+16
+00:00:28,950 --> 00:00:28,960
+
+ 
+
+17
+00:00:28,960 --> 00:00:31,470
+
+something what's going
+
+18
+00:00:31,470 --> 00:00:31,480
+something what's going
+ 
+
+19
+00:00:31,480 --> 00:00:35,990
+something what's going
+on you're worth a lot of money if you're
+
+20
+00:00:35,990 --> 00:00:36,000
+on you're worth a lot of money if you're
+ 
+
+21
+00:00:36,000 --> 00:00:38,630
+on you're worth a lot of money if you're
+dead what are you talking about you know
+
+22
+00:00:38,630 --> 00:00:38,640
+dead what are you talking about you know
+ 
+
+23
+00:00:38,640 --> 00:00:40,950
+dead what are you talking about you know
+what I'm talking about it's all over the
+
+24
+00:00:40,950 --> 00:00:40,960
+what I'm talking about it's all over the
+ 
+
+25
+00:00:40,960 --> 00:00:44,709
+what I'm talking about it's all over the
+countryside $5 million for her dead body
+
+26
+00:00:44,709 --> 00:00:44,719
+countryside $5 million for her dead body
+ 
+
+27
+00:00:44,719 --> 00:00:50,029
+countryside $5 million for her dead body
+no questions
+
+28
+00:00:50,029 --> 00:00:50,039
+
+ 
+
+29
+00:00:50,039 --> 00:00:53,709
+
+asked she changed your life
+
+30
+00:00:53,709 --> 00:00:53,719
+asked she changed your life
+ 
+
+31
+00:00:53,719 --> 00:00:57,150
+asked she changed your life
+yep and now I'm going to change
+
+32
+00:00:57,150 --> 00:00:57,160
+yep and now I'm going to change
+ 
+
+33
+00:00:57,160 --> 00:01:00,389
+yep and now I'm going to change
+hers why why did you insult all bad
+
+34
+00:01:00,389 --> 00:01:00,399
+hers why why did you insult all bad
+ 
+
+35
+00:01:00,399 --> 00:01:03,509
+hers why why did you insult all bad
+poured into me seems there's a big bonus
+
+36
+00:01:03,509 --> 00:01:03,519
+poured into me seems there's a big bonus
+ 
+
+37
+00:01:03,519 --> 00:01:06,230
+poured into me seems there's a big bonus
+for killing Allegra Geller's latest game
+
+38
+00:01:06,230 --> 00:01:06,240
+for killing Allegra Geller's latest game
+ 
+
+39
+00:01:06,240 --> 00:01:10,230
+for killing Allegra Geller's latest game
+or whatever it is I think I just did
+
+40
+00:01:10,230 --> 00:01:10,240
+or whatever it is I think I just did
+ 
+
+41
+00:01:10,240 --> 00:01:14,230
+or whatever it is I think I just did
+that didn't
+
+42
+00:01:14,230 --> 00:01:14,240
+
+ 
+
+43
+00:01:14,240 --> 00:01:16,630
+
+I can you kill me
+
+44
+00:01:16,630 --> 00:01:16,640
+I can you kill me
+ 
+
+45
+00:01:16,640 --> 00:01:18,789
+I can you kill me
+gas can you kill a
+
+46
+00:01:18,789 --> 00:01:18,799
+gas can you kill a
+ 
+
+47
+00:01:18,799 --> 00:01:21,510
+gas can you kill a
+person can you do
+
+48
+00:01:21,510 --> 00:01:21,520
+person can you do
+ 
+
+49
+00:01:21,520 --> 00:01:23,910
+person can you do
+that hide my
+
+50
+00:01:23,910 --> 00:01:23,920
+that hide my
+ 
+
+51
+00:01:23,920 --> 00:01:26,590
+that hide my
+body contact The
+
+52
+00:01:26,590 --> 00:01:26,600
+body contact The
+ 
+
+53
+00:01:26,600 --> 00:01:30,310
+body contact The
+Crazies trust them to pay up
+
+54
+00:01:30,310 --> 00:01:30,320
+Crazies trust them to pay up
+ 
+
+55
+00:01:30,320 --> 00:01:33,069
+Crazies trust them to pay up
+hand over my now decaying Gres
+
+56
+00:01:33,069 --> 00:01:33,079
+hand over my now decaying Gres
+ 
+
+57
+00:01:33,079 --> 00:01:35,670
+hand over my now decaying Gres
+corpse really expect them to hand over 5
+
+58
+00:01:35,670 --> 00:01:35,680
+corpse really expect them to hand over 5
+ 
+
+59
+00:01:35,680 --> 00:01:38,109
+corpse really expect them to hand over 5
+mil
+
+60
+00:01:38,109 --> 00:01:38,119
+
+ 
+
+61
+00:01:38,119 --> 00:01:42,630
+
+cash don't you ever go to the
+
+62
+00:01:42,630 --> 00:01:42,640
+
+ 
+
+63
+00:01:42,640 --> 00:01:48,149
+
+movies I like your
+
+64
+00:01:48,149 --> 00:01:48,159
+
+ 
+
+65
+00:01:48,159 --> 00:02:06,430
+
+script I want to be in it
+
+66
+00:02:06,430 --> 00:02:06,440
+
+ 
+
+67
+00:02:06,440 --> 00:02:37,489
+
+[Music]
+
diff --git a/1999/HurQLHiIVcw.description b/1999/HurQLHiIVcw.description
new file mode 100644
index 0000000000000000000000000000000000000000..f02e4fe31e6f9b5e38e3963c934e79bfccdf8084
--- /dev/null
+++ b/1999/HurQLHiIVcw.description
@@ -0,0 +1,38 @@
+Man on the Moon movie clips: http://j.mp/1yzabOh
+BUY THE MOVIE: http://amzn.to/ufQpXB
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Andy (Jim Carrey) gets into a fight on live television, the network tells him to announce that it was only a prank, but he confesses that it was real.
+
+FILM DESCRIPTION:
+Comedian Andy Kaufman gave performances that were bizarre and difficult to categorize, in which he might do or say almost anything: show cartoons, impersonate Elvis Presley, play conga drums while singing children's songs, read aloud from The Great Gatsby, or take the audience out for milk and cookies. Written by Scott Alexander and Larry Karaszewski and directed by Milos Forman (the team behind The People vs. Larry Flynt (1996)), this biopic takes an in-depth look at Kaufman's life and art, with Jim Carrey as Kaufman, who could (and would) be any number of different people onstage: the quiet and childlike man, the little foreign guy, the overbearing showbiz "professional," the violently obnoxious wrestler, or the world's worst lounge singer. As Kaufman rose from comedy clubs to guest appearances on Saturday Night Live and a spot on the TV sitcom Taxi, his performances became more complex and dangerous -- so much so that when word got out in 1984 that he was suffering from lung cancer, many fans and associates thought it was just another bizarre stunt; the disease took his life later that year. Man on the Moon features Danny De Vito as Kaufman's manager George Shapiro, Courtney Love as his girlfriend Lynne Margulies, Paul Giamatti as his friend Bob Zmuda, and David Letterman, Judd Hirsch, Marilu Henner, Carol Kane, and Christopher Lloyd as themselves.
+
+CREDITS:
+TM & © Universal (1999)
+Cast: Gerry Becker, Jim Carrey, Norm MacDonald, Vincent Schiavelli, Caroline Rhea
+Director: Milos Forman
+Producers: Pamela Abdy, Danny DeVito, George Shapiro, Stacey Sher, Howard West, Bob Zmuda, Scott Ferguson, Michael Shamberg, Michael Hausman
+Screenwriters: Scott Alexander, Larry Karaszewski
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/HurQLHiIVcw.en.srt b/1999/HurQLHiIVcw.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..bf7e5bce06a3aaceb6464c8ef79c49ee263fe632
--- /dev/null
+++ b/1999/HurQLHiIVcw.en.srt
@@ -0,0 +1,455 @@
+1
+00:00:01,000 --> 00:00:20,990
+
+yeah gee and the bathrooms are so
+
+2
+00:00:20,990 --> 00:00:21,000
+
+ 
+
+3
+00:00:21,000 --> 00:00:25,470
+
+colorful everything okay Carl I'm sorry
+
+4
+00:00:25,470 --> 00:00:25,480
+colorful everything okay Carl I'm sorry
+ 
+
+5
+00:00:25,480 --> 00:00:29,070
+colorful everything okay Carl I'm sorry
+I I just can't do it I I can't place
+
+6
+00:00:29,070 --> 00:00:29,080
+I I just can't do it I I can't place
+ 
+
+7
+00:00:29,080 --> 00:00:32,549
+I I just can't do it I I can't place
+Stone
+
+8
+00:00:32,549 --> 00:00:32,559
+
+ 
+
+9
+00:00:32,559 --> 00:00:36,549
+
+read the Q cards I can't play stoned I I
+
+10
+00:00:36,549 --> 00:00:36,559
+read the Q cards I can't play stoned I I
+ 
+
+11
+00:00:36,559 --> 00:00:54,830
+read the Q cards I can't play stoned I I
+feel stupid you feel stupid what about
+
+12
+00:00:54,830 --> 00:00:54,840
+
+ 
+
+13
+00:00:54,840 --> 00:00:57,069
+
+us I'm
+
+14
+00:00:57,069 --> 00:00:57,079
+us I'm
+ 
+
+15
+00:00:57,079 --> 00:01:07,950
+us I'm
+sorry sorry
+
+16
+00:01:07,950 --> 00:01:07,960
+
+ 
+
+17
+00:01:07,960 --> 00:01:09,070
+
+you didn't have to do
+
+18
+00:01:09,070 --> 00:01:09,080
+you didn't have to do
+ 
+
+19
+00:01:09,080 --> 00:01:13,350
+you didn't have to do
+[Applause]
+
+20
+00:01:13,350 --> 00:01:13,360
+[Applause]
+ 
+
+21
+00:01:13,360 --> 00:01:15,190
+[Applause]
+that
+
+22
+00:01:15,190 --> 00:01:15,200
+that
+ 
+
+23
+00:01:15,200 --> 00:01:19,190
+that
+out you shk hey that's it Joey go to
+
+24
+00:01:19,190 --> 00:01:19,200
+out you shk hey that's it Joey go to
+ 
+
+25
+00:01:19,200 --> 00:01:20,749
+out you shk hey that's it Joey go to
+commercial now I told you I didn't want
+
+26
+00:01:20,749 --> 00:01:20,759
+commercial now I told you I didn't want
+ 
+
+27
+00:01:20,759 --> 00:01:22,749
+commercial now I told you I didn't want
+to do the Sketchman get off my stage get
+
+28
+00:01:22,749 --> 00:01:22,759
+to do the Sketchman get off my stage get
+ 
+
+29
+00:01:22,759 --> 00:01:24,830
+to do the Sketchman get off my stage get
+off my stage man
+
+30
+00:01:24,830 --> 00:01:24,840
+off my stage man
+ 
+
+31
+00:01:24,840 --> 00:01:32,510
+off my stage man
+get man touch me you're un you are
+
+32
+00:01:32,510 --> 00:01:32,520
+
+ 
+
+33
+00:01:32,520 --> 00:01:37,870
+
+not oh why does Andy do that why why I
+
+34
+00:01:37,870 --> 00:01:37,880
+not oh why does Andy do that why why I
+ 
+
+35
+00:01:37,880 --> 00:01:41,230
+not oh why does Andy do that why why I
+started using SW we a commercial excuse
+
+36
+00:01:41,230 --> 00:01:41,240
+started using SW we a commercial excuse
+ 
+
+37
+00:01:41,240 --> 00:01:42,469
+started using SW we a commercial excuse
+me they going to
+
+38
+00:01:42,469 --> 00:01:42,479
+me they going to
+ 
+
+39
+00:01:42,479 --> 00:01:46,830
+me they going to
+work excuse me ladies and Gentlemen
+
+40
+00:01:46,830 --> 00:01:46,840
+work excuse me ladies and Gentlemen
+ 
+
+41
+00:01:46,840 --> 00:01:49,870
+work excuse me ladies and Gentlemen
+please you have all just participated in
+
+42
+00:01:49,870 --> 00:01:49,880
+please you have all just participated in
+ 
+
+43
+00:01:49,880 --> 00:02:00,389
+please you have all just participated in
+a happening
+
+44
+00:02:00,389 --> 00:02:00,399
+
+ 
+
+45
+00:02:00,399 --> 00:02:04,109
+
+now okay now to make it real some of you
+
+46
+00:02:04,109 --> 00:02:04,119
+now okay now to make it real some of you
+ 
+
+47
+00:02:04,119 --> 00:02:05,550
+now okay now to make it real some of you
+down there knew what was going on and
+
+48
+00:02:05,550 --> 00:02:05,560
+down there knew what was going on and
+ 
+
+49
+00:02:05,560 --> 00:02:08,150
+down there knew what was going on and
+some of you didn't I'm sorry but we
+
+50
+00:02:08,150 --> 00:02:08,160
+some of you didn't I'm sorry but we
+ 
+
+51
+00:02:08,160 --> 00:02:10,990
+some of you didn't I'm sorry but we
+don't want to upset the folks at home so
+
+52
+00:02:10,990 --> 00:02:11,000
+don't want to upset the folks at home so
+ 
+
+53
+00:02:11,000 --> 00:02:13,630
+don't want to upset the folks at home so
+now Andy is going to tell them that it
+
+54
+00:02:13,630 --> 00:02:13,640
+now Andy is going to tell them that it
+ 
+
+55
+00:02:13,640 --> 00:02:16,070
+now Andy is going to tell them that it
+was all just a
+
+56
+00:02:16,070 --> 00:02:16,080
+was all just a
+ 
+
+57
+00:02:16,080 --> 00:02:23,509
+was all just a
+prank coming back from commercial
+
+58
+00:02:23,509 --> 00:02:23,519
+
+ 
+
+59
+00:02:23,519 --> 00:02:26,750
+
+and during the commercials the people at
+
+60
+00:02:26,750 --> 00:02:26,760
+and during the commercials the people at
+ 
+
+61
+00:02:26,760 --> 00:02:30,070
+and during the commercials the people at
+ABC told me to explain to you that this
+
+62
+00:02:30,070 --> 00:02:30,080
+ABC told me to explain to you that this
+ 
+
+63
+00:02:30,080 --> 00:02:34,150
+ABC told me to explain to you that this
+whole fight episode was staged oh good
+
+64
+00:02:34,150 --> 00:02:34,160
+whole fight episode was staged oh good
+ 
+
+65
+00:02:34,160 --> 00:02:37,110
+whole fight episode was staged oh good
+it's a lie it's a cover up why are you
+
+66
+00:02:37,110 --> 00:02:37,120
+it's a lie it's a cover up why are you
+ 
+
+67
+00:02:37,120 --> 00:02:38,710
+it's a lie it's a cover up why are you
+laughing I don't understand why you're
+
+68
+00:02:38,710 --> 00:02:38,720
+laughing I don't understand why you're
+ 
+
+69
+00:02:38,720 --> 00:02:40,949
+laughing I don't understand why you're
+laughing I'm not being funny now what
+
+70
+00:02:40,949 --> 00:02:40,959
+laughing I'm not being funny now what
+ 
+
+71
+00:02:40,959 --> 00:02:44,030
+laughing I'm not being funny now what
+you saw was real no these these things
+
+72
+00:02:44,030 --> 00:02:44,040
+you saw was real no these these things
+ 
+
+73
+00:02:44,040 --> 00:02:45,670
+you saw was real no these these things
+happen all the time at the networks only
+
+74
+00:02:45,670 --> 00:02:45,680
+happen all the time at the networks only
+ 
+
+75
+00:02:45,680 --> 00:02:48,750
+happen all the time at the networks only
+then cut away cut to commercial you see
+
+76
+00:02:48,750 --> 00:02:48,760
+then cut away cut to commercial you see
+ 
+
+77
+00:02:48,760 --> 00:02:49,509
+then cut away cut to commercial you see
+you
+
+78
+00:02:49,509 --> 00:02:49,519
+you
+ 
+
+79
+00:02:49,519 --> 00:02:51,589
+you
+see now for sure they're going to fire
+
+80
+00:02:51,589 --> 00:02:51,599
+see now for sure they're going to fire
+ 
+
+81
+00:02:51,599 --> 00:02:53,589
+see now for sure they're going to fire
+me so if you want to see me again you'll
+
+82
+00:02:53,589 --> 00:02:53,599
+me so if you want to see me again you'll
+ 
+
+83
+00:02:53,599 --> 00:02:55,910
+me so if you want to see me again you'll
+have to come to
+
+84
+00:02:55,910 --> 00:02:55,920
+have to come to
+ 
+
+85
+00:02:55,920 --> 00:02:59,589
+have to come to
+Memphis ho what's in Memphis the Giants
+
+86
+00:02:59,589 --> 00:02:59,599
+Memphis ho what's in Memphis the Giants
+ 
+
+87
+00:02:59,599 --> 00:03:01,589
+Memphis ho what's in Memphis the Giants
+FL
+
+88
+00:03:01,589 --> 00:03:01,599
+FL
+ 
+
+89
+00:03:01,599 --> 00:03:03,480
+FL
+kid is totally
+
+90
+00:03:03,480 --> 00:03:03,490
+kid is totally
+ 
+
+91
+00:03:03,490 --> 00:03:34,529
+kid is totally
+[Music]
+
diff --git a/1999/ICRVd--TY-U.en.srt b/1999/ICRVd--TY-U.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..46b26990503db8c2ec155744d6fa485d683a3489
--- /dev/null
+++ b/1999/ICRVd--TY-U.en.srt
@@ -0,0 +1,575 @@
+1
+00:00:00,030 --> 00:00:04,760
+
+hi everybody over here hey guys snow
+
+2
+00:00:04,760 --> 00:00:04,770
+hi everybody over here hey guys snow
+ 
+
+3
+00:00:04,770 --> 00:00:08,419
+hi everybody over here hey guys snow
+round up nice going house cat just for
+
+4
+00:00:08,419 --> 00:00:08,429
+round up nice going house cat just for
+ 
+
+5
+00:00:08,429 --> 00:00:10,490
+round up nice going house cat just for
+that when we carve up the mouse you get
+
+6
+00:00:10,490 --> 00:00:10,500
+that when we carve up the mouse you get
+ 
+
+7
+00:00:10,500 --> 00:00:13,850
+that when we carve up the mouse you get
+the big half Hey Snowbell what's he
+
+8
+00:00:13,850 --> 00:00:13,860
+the big half Hey Snowbell what's he
+ 
+
+9
+00:00:13,860 --> 00:00:16,570
+the big half Hey Snowbell what's he
+talking about do you know those cats
+
+10
+00:00:16,570 --> 00:00:16,580
+talking about do you know those cats
+ 
+
+11
+00:00:16,580 --> 00:00:19,250
+talking about do you know those cats
+well not really we went to a few parties
+
+12
+00:00:19,250 --> 00:00:19,260
+well not really we went to a few parties
+ 
+
+13
+00:00:19,260 --> 00:00:21,529
+well not really we went to a few parties
+but what's the matter what are you
+
+14
+00:00:21,529 --> 00:00:21,539
+but what's the matter what are you
+ 
+
+15
+00:00:21,539 --> 00:00:22,160
+but what's the matter what are you
+waiting for
+
+16
+00:00:22,160 --> 00:00:22,170
+waiting for
+ 
+
+17
+00:00:22,170 --> 00:00:24,200
+waiting for
+come on buddy bring him down I'm
+
+18
+00:00:24,200 --> 00:00:24,210
+come on buddy bring him down I'm
+ 
+
+19
+00:00:24,210 --> 00:00:31,009
+come on buddy bring him down I'm
+starving oh sorry kid so let's wait
+
+20
+00:00:31,009 --> 00:00:31,019
+starving oh sorry kid so let's wait
+ 
+
+21
+00:00:31,019 --> 00:00:34,220
+starving oh sorry kid so let's wait
+don't stop wait no put me down buddy hit
+
+22
+00:00:34,220 --> 00:00:34,230
+don't stop wait no put me down buddy hit
+ 
+
+23
+00:00:34,230 --> 00:00:36,740
+don't stop wait no put me down buddy hit
+me I'm open I'll break his fall with my
+
+24
+00:00:36,740 --> 00:00:36,750
+me I'm open I'll break his fall with my
+ 
+
+25
+00:00:36,750 --> 00:00:40,030
+me I'm open I'll break his fall with my
+mouth I guess you do know hey let him go
+
+26
+00:00:40,030 --> 00:00:40,040
+mouth I guess you do know hey let him go
+ 
+
+27
+00:00:40,040 --> 00:00:42,619
+mouth I guess you do know hey let him go
+let's taste them what are you waiting
+
+28
+00:00:42,619 --> 00:00:42,629
+let's taste them what are you waiting
+ 
+
+29
+00:00:42,629 --> 00:00:43,420
+let's taste them what are you waiting
+for
+
+30
+00:00:43,420 --> 00:00:43,430
+for
+ 
+
+31
+00:00:43,430 --> 00:00:46,160
+for
+hey where are you going he's talking to
+
+32
+00:00:46,160 --> 00:00:46,170
+hey where are you going he's talking to
+ 
+
+33
+00:00:46,170 --> 00:00:46,580
+hey where are you going he's talking to
+Mouse
+
+34
+00:00:46,580 --> 00:00:46,590
+Mouse
+ 
+
+35
+00:00:46,590 --> 00:00:52,970
+Mouse
+he ain't cheering get him ok so I will
+
+36
+00:00:52,970 --> 00:00:52,980
+he ain't cheering get him ok so I will
+ 
+
+37
+00:00:52,980 --> 00:00:55,980
+he ain't cheering get him ok so I will
+watch it watch it
+
+38
+00:00:55,980 --> 00:00:55,990
+
+ 
+
+39
+00:00:55,990 --> 00:01:03,259
+
+[Music]
+
+40
+00:01:03,259 --> 00:01:03,269
+
+ 
+
+41
+00:01:03,269 --> 00:01:06,810
+
+Snowbell you saved me
+
+42
+00:01:06,810 --> 00:01:06,820
+Snowbell you saved me
+ 
+
+43
+00:01:06,820 --> 00:01:09,690
+Snowbell you saved me
+yeah yeah look let's get one thing
+
+44
+00:01:09,690 --> 00:01:09,700
+yeah yeah look let's get one thing
+ 
+
+45
+00:01:09,700 --> 00:01:11,820
+yeah yeah look let's get one thing
+straight I'm doing this for the littles
+
+46
+00:01:11,820 --> 00:01:11,830
+straight I'm doing this for the littles
+ 
+
+47
+00:01:11,830 --> 00:01:14,730
+straight I'm doing this for the littles
+all right they love you George loves you
+
+48
+00:01:14,730 --> 00:01:14,740
+all right they love you George loves you
+ 
+
+49
+00:01:14,740 --> 00:01:17,730
+all right they love you George loves you
+they're all miserable without you but
+
+50
+00:01:17,730 --> 00:01:17,740
+they're all miserable without you but
+ 
+
+51
+00:01:17,740 --> 00:01:20,240
+they're all miserable without you but
+Snowbell you said I know what I said
+
+52
+00:01:20,240 --> 00:01:20,250
+Snowbell you said I know what I said
+ 
+
+53
+00:01:20,250 --> 00:01:25,320
+Snowbell you said I know what I said
+right I lied okay welcome to Manhattan
+
+54
+00:01:25,320 --> 00:01:25,330
+right I lied okay welcome to Manhattan
+ 
+
+55
+00:01:25,330 --> 00:01:28,620
+right I lied okay welcome to Manhattan
+I'm the one that hates you Oh
+
+56
+00:01:28,620 --> 00:01:28,630
+I'm the one that hates you Oh
+ 
+
+57
+00:01:28,630 --> 00:01:32,300
+I'm the one that hates you Oh
+Snowbell you don't care
+
+58
+00:01:32,300 --> 00:01:32,310
+Snowbell you don't care
+ 
+
+59
+00:01:32,310 --> 00:01:34,540
+Snowbell you don't care
+[Music]
+
+60
+00:01:34,540 --> 00:01:34,550
+[Music]
+ 
+
+61
+00:01:34,550 --> 00:01:35,020
+[Music]
+[Applause]
+
+62
+00:01:35,020 --> 00:01:35,030
+[Applause]
+ 
+
+63
+00:01:35,030 --> 00:01:36,810
+[Applause]
+[Music]
+
+64
+00:01:36,810 --> 00:01:36,820
+[Music]
+ 
+
+65
+00:01:36,820 --> 00:01:40,810
+[Music]
+yeah yeah okay okay that's enough no
+
+66
+00:01:40,810 --> 00:01:40,820
+yeah yeah okay okay that's enough no
+ 
+
+67
+00:01:40,820 --> 00:01:44,800
+yeah yeah okay okay that's enough no
+what's he doing to your leg I can't help
+
+68
+00:01:44,800 --> 00:01:44,810
+what's he doing to your leg I can't help
+ 
+
+69
+00:01:44,810 --> 00:01:47,080
+what's he doing to your leg I can't help
+to think this is wrong what the hell is
+
+70
+00:01:47,080 --> 00:01:47,090
+to think this is wrong what the hell is
+ 
+
+71
+00:01:47,090 --> 00:01:52,000
+to think this is wrong what the hell is
+going on look smokey yeah call me fickle
+
+72
+00:01:52,000 --> 00:01:52,010
+going on look smokey yeah call me fickle
+ 
+
+73
+00:01:52,010 --> 00:01:54,700
+going on look smokey yeah call me fickle
+but I want to call this whole thing off
+
+74
+00:01:54,700 --> 00:01:54,710
+but I want to call this whole thing off
+ 
+
+75
+00:01:54,710 --> 00:01:59,920
+but I want to call this whole thing off
+okay too late come on smokey can't we
+
+76
+00:01:59,920 --> 00:01:59,930
+okay too late come on smokey can't we
+ 
+
+77
+00:01:59,930 --> 00:02:00,820
+okay too late come on smokey can't we
+talk it over
+
+78
+00:02:00,820 --> 00:02:00,830
+talk it over
+ 
+
+79
+00:02:00,830 --> 00:02:03,100
+talk it over
+you know Stuart's not so bad once you
+
+80
+00:02:03,100 --> 00:02:03,110
+you know Stuart's not so bad once you
+ 
+
+81
+00:02:03,110 --> 00:02:05,290
+you know Stuart's not so bad once you
+get to know him and he's got his own car
+
+82
+00:02:05,290 --> 00:02:05,300
+get to know him and he's got his own car
+ 
+
+83
+00:02:05,300 --> 00:02:08,260
+get to know him and he's got his own car
+careful house cam you're asking for it
+
+84
+00:02:08,260 --> 00:02:08,270
+careful house cam you're asking for it
+ 
+
+85
+00:02:08,270 --> 00:02:10,600
+careful house cam you're asking for it
+snow what are you doing come on he's
+
+86
+00:02:10,600 --> 00:02:10,610
+snow what are you doing come on he's
+ 
+
+87
+00:02:10,610 --> 00:02:11,770
+snow what are you doing come on he's
+just a mouse
+
+88
+00:02:11,770 --> 00:02:11,780
+just a mouse
+ 
+
+89
+00:02:11,780 --> 00:02:19,270
+just a mouse
+he's not just a mouse he's he's he's
+
+90
+00:02:19,270 --> 00:02:19,280
+he's not just a mouse he's he's he's
+ 
+
+91
+00:02:19,280 --> 00:02:22,630
+he's not just a mouse he's he's he's
+family oh yeah I could see the
+
+92
+00:02:22,630 --> 00:02:22,640
+family oh yeah I could see the
+ 
+
+93
+00:02:22,640 --> 00:02:27,460
+family oh yeah I could see the
+resemblance so what you think you have
+
+94
+00:02:27,460 --> 00:02:27,470
+resemblance so what you think you have
+ 
+
+95
+00:02:27,470 --> 00:02:32,110
+resemblance so what you think you have
+to look like to be family you don't have
+
+96
+00:02:32,110 --> 00:02:32,120
+to look like to be family you don't have
+ 
+
+97
+00:02:32,120 --> 00:02:34,420
+to look like to be family you don't have
+to look alike you don't even have to
+
+98
+00:02:34,420 --> 00:02:34,430
+to look alike you don't even have to
+ 
+
+99
+00:02:34,430 --> 00:02:36,820
+to look alike you don't even have to
+like each other look at Snowbell he
+
+100
+00:02:36,820 --> 00:02:36,830
+like each other look at Snowbell he
+ 
+
+101
+00:02:36,830 --> 00:02:39,370
+like each other look at Snowbell he
+hates me and still he's trying to save
+
+102
+00:02:39,370 --> 00:02:39,380
+hates me and still he's trying to save
+ 
+
+103
+00:02:39,380 --> 00:02:41,770
+hates me and still he's trying to save
+me sure you'll probably scratch him up
+
+104
+00:02:41,770 --> 00:02:41,780
+me sure you'll probably scratch him up
+ 
+
+105
+00:02:41,780 --> 00:02:43,720
+me sure you'll probably scratch him up
+pretty bad you'll tear him to shreds you
+
+106
+00:02:43,720 --> 00:02:43,730
+pretty bad you'll tear him to shreds you
+ 
+
+107
+00:02:43,730 --> 00:02:46,300
+pretty bad you'll tear him to shreds you
+may even kill him but Snowbell will not
+
+108
+00:02:46,300 --> 00:02:46,310
+may even kill him but Snowbell will not
+ 
+
+109
+00:02:46,310 --> 00:02:49,479
+may even kill him but Snowbell will not
+run away and that is what family is all
+
+110
+00:02:49,479 --> 00:02:49,489
+run away and that is what family is all
+ 
+
+111
+00:02:49,489 --> 00:02:55,960
+run away and that is what family is all
+about right snow maybe family is too
+
+112
+00:02:55,960 --> 00:02:55,970
+about right snow maybe family is too
+ 
+
+113
+00:02:55,970 --> 00:02:59,580
+about right snow maybe family is too
+strong a word scratch them both
+
+114
+00:02:59,580 --> 00:02:59,590
+strong a word scratch them both
+ 
+
+115
+00:02:59,590 --> 00:03:11,020
+strong a word scratch them both
+[Music]
+
diff --git a/1999/J07_XVy9Hns.en.srt b/1999/J07_XVy9Hns.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..1d873be00ffc038f531c323072fdcceeb36102f7
--- /dev/null
+++ b/1999/J07_XVy9Hns.en.srt
@@ -0,0 +1,505 @@
+1
+00:00:00,840 --> 00:00:02,790
+
+I sure was surprised the day Lisa
+
+2
+00:00:02,790 --> 00:00:02,800
+I sure was surprised the day Lisa
+ 
+
+3
+00:00:02,800 --> 00:00:04,590
+I sure was surprised the day Lisa
+Flanigan asked me for a ride home and
+
+4
+00:00:04,590 --> 00:00:04,600
+Flanigan asked me for a ride home and
+ 
+
+5
+00:00:04,600 --> 00:00:06,909
+Flanigan asked me for a ride home and
+ended up blowing
+
+6
+00:00:06,909 --> 00:00:06,919
+ended up blowing
+ 
+
+7
+00:00:06,919 --> 00:00:10,950
+ended up blowing
+me I've wanted this for so
+
+8
+00:00:10,950 --> 00:00:10,960
+me I've wanted this for so
+ 
+
+9
+00:00:10,960 --> 00:00:14,910
+me I've wanted this for so
+long I mean life is so weird first Lisa
+
+10
+00:00:14,910 --> 00:00:14,920
+long I mean life is so weird first Lisa
+ 
+
+11
+00:00:14,920 --> 00:00:16,990
+long I mean life is so weird first Lisa
+has a big fight with my sister and the
+
+12
+00:00:16,990 --> 00:00:17,000
+has a big fight with my sister and the
+ 
+
+13
+00:00:17,000 --> 00:00:19,710
+has a big fight with my sister and the
+next thing you know she's my
+
+14
+00:00:19,710 --> 00:00:19,720
+next thing you know she's my
+ 
+
+15
+00:00:19,720 --> 00:00:21,950
+next thing you know she's my
+girlfriend since Lisa knew all about
+
+16
+00:00:21,950 --> 00:00:21,960
+girlfriend since Lisa knew all about
+ 
+
+17
+00:00:21,960 --> 00:00:23,790
+girlfriend since Lisa knew all about
+public relations and stuff she offered
+
+18
+00:00:23,790 --> 00:00:23,800
+public relations and stuff she offered
+ 
+
+19
+00:00:23,800 --> 00:00:26,509
+public relations and stuff she offered
+to help me with my campaign we made a
+
+20
+00:00:26,509 --> 00:00:26,519
+to help me with my campaign we made a
+ 
+
+21
+00:00:26,519 --> 00:00:29,390
+to help me with my campaign we made a
+great team it seems so natural the two
+
+22
+00:00:29,390 --> 00:00:29,400
+great team it seems so natural the two
+ 
+
+23
+00:00:29,400 --> 00:00:30,749
+great team it seems so natural the two
+of us together
+
+24
+00:00:30,749 --> 00:00:30,759
+of us together
+ 
+
+25
+00:00:30,759 --> 00:00:34,750
+of us together
+it was like a
+
+26
+00:00:34,750 --> 00:00:34,760
+
+ 
+
+27
+00:00:34,760 --> 00:00:37,229
+
+miracle my leg wasn't bugging me too
+
+28
+00:00:37,229 --> 00:00:37,239
+miracle my leg wasn't bugging me too
+ 
+
+29
+00:00:37,239 --> 00:00:39,350
+miracle my leg wasn't bugging me too
+much and the weather was so nice and
+
+30
+00:00:39,350 --> 00:00:39,360
+much and the weather was so nice and
+ 
+
+31
+00:00:39,360 --> 00:00:40,990
+much and the weather was so nice and
+every day after school Lisa and I would
+
+32
+00:00:40,990 --> 00:00:41,000
+every day after school Lisa and I would
+ 
+
+33
+00:00:41,000 --> 00:00:42,790
+every day after school Lisa and I would
+go to her house to and have a hot
+
+34
+00:00:42,790 --> 00:00:42,800
+go to her house to and have a hot
+ 
+
+35
+00:00:42,800 --> 00:00:44,590
+go to her house to and have a hot
+tub
+
+36
+00:00:44,590 --> 00:00:44,600
+tub
+ 
+
+37
+00:00:44,600 --> 00:00:54,500
+tub
+[Music]
+
+38
+00:00:54,500 --> 00:00:54,510
+
+ 
+
+39
+00:00:54,510 --> 00:01:04,750
+
+[Music]
+
+40
+00:01:04,750 --> 00:01:04,760
+[Music]
+ 
+
+41
+00:01:04,760 --> 00:01:06,510
+[Music]
+if that's the way they wanted it then
+
+42
+00:01:06,510 --> 00:01:06,520
+if that's the way they wanted it then
+ 
+
+43
+00:01:06,520 --> 00:01:08,590
+if that's the way they wanted it then
+that's the way it was going to be but I
+
+44
+00:01:08,590 --> 00:01:08,600
+that's the way it was going to be but I
+ 
+
+45
+00:01:08,600 --> 00:01:10,760
+that's the way it was going to be but I
+wasn't going down without a
+
+46
+00:01:10,760 --> 00:01:10,770
+wasn't going down without a
+ 
+
+47
+00:01:10,770 --> 00:01:16,149
+wasn't going down without a
+[Music]
+
+48
+00:01:16,149 --> 00:01:16,159
+[Music]
+ 
+
+49
+00:01:16,159 --> 00:01:19,310
+[Music]
+fight
+
+50
+00:01:19,310 --> 00:01:19,320
+
+ 
+
+51
+00:01:19,320 --> 00:01:22,910
+
+Tammy Tammy what are you doing if you're
+
+52
+00:01:22,910 --> 00:01:22,920
+Tammy Tammy what are you doing if you're
+ 
+
+53
+00:01:22,920 --> 00:01:24,749
+Tammy Tammy what are you doing if you're
+the adviser you should stop her she's
+
+54
+00:01:24,749 --> 00:01:24,759
+the adviser you should stop her she's
+ 
+
+55
+00:01:24,759 --> 00:01:26,950
+the adviser you should stop her she's
+not qualified she's just a sophomore did
+
+56
+00:01:26,950 --> 00:01:26,960
+not qualified she's just a sophomore did
+ 
+
+57
+00:01:26,960 --> 00:01:28,749
+not qualified she's just a sophomore did
+you know that calm down Tracy just calm
+
+58
+00:01:28,749 --> 00:01:28,759
+you know that calm down Tracy just calm
+ 
+
+59
+00:01:28,759 --> 00:01:31,350
+you know that calm down Tracy just calm
+down we can't both both run can we I
+
+60
+00:01:31,350 --> 00:01:31,360
+down we can't both both run can we I
+ 
+
+61
+00:01:31,360 --> 00:01:33,590
+down we can't both both run can we I
+mean we're brother and sister can we
+
+62
+00:01:33,590 --> 00:01:33,600
+mean we're brother and sister can we
+ 
+
+63
+00:01:33,600 --> 00:01:35,550
+mean we're brother and sister can we
+it's a conflict of interest and Paul was
+
+64
+00:01:35,550 --> 00:01:35,560
+it's a conflict of interest and Paul was
+ 
+
+65
+00:01:35,560 --> 00:01:37,550
+it's a conflict of interest and Paul was
+first anybody who gets signatures in on
+
+66
+00:01:37,550 --> 00:01:37,560
+first anybody who gets signatures in on
+ 
+
+67
+00:01:37,560 --> 00:01:39,590
+first anybody who gets signatures in on
+time can run and she got in just under
+
+68
+00:01:39,590 --> 00:01:39,600
+time can run and she got in just under
+ 
+
+69
+00:01:39,600 --> 00:01:41,910
+time can run and she got in just under
+the
+
+70
+00:01:41,910 --> 00:01:41,920
+
+ 
+
+71
+00:01:41,920 --> 00:01:45,069
+
+wire these are a bunch of burnouts and
+
+72
+00:01:45,069 --> 00:01:45,079
+wire these are a bunch of burnouts and
+ 
+
+73
+00:01:45,079 --> 00:01:47,190
+wire these are a bunch of burnouts and
+what's this one it's eligible I can't
+
+74
+00:01:47,190 --> 00:01:47,200
+what's this one it's eligible I can't
+ 
+
+75
+00:01:47,200 --> 00:01:50,670
+what's this one it's eligible I can't
+even read that that's Tim kobza she's
+
+76
+00:01:50,670 --> 00:01:50,680
+even read that that's Tim kobza she's
+ 
+
+77
+00:01:50,680 --> 00:01:52,310
+even read that that's Tim kobza she's
+doing this to get back at
+
+78
+00:01:52,310 --> 00:01:52,320
+doing this to get back at
+ 
+
+79
+00:01:52,320 --> 00:01:55,270
+doing this to get back at
+me for what I mean at
+
+80
+00:01:55,270 --> 00:01:55,280
+me for what I mean at
+ 
+
+81
+00:01:55,280 --> 00:01:57,230
+me for what I mean at
+you for
+
+82
+00:01:57,230 --> 00:01:57,240
+you for
+ 
+
+83
+00:01:57,240 --> 00:02:00,389
+you for
+what Tim Coba
+
+84
+00:02:00,389 --> 00:02:00,399
+what Tim Coba
+ 
+
+85
+00:02:00,399 --> 00:02:01,990
+what Tim Coba
+Tim kobza who's he I've never even heard
+
+86
+00:02:01,990 --> 00:02:02,000
+Tim kobza who's he I've never even heard
+ 
+
+87
+00:02:02,000 --> 00:02:03,590
+Tim kobza who's he I've never even heard
+of him look look why don't we just
+
+88
+00:02:03,590 --> 00:02:03,600
+of him look look why don't we just
+ 
+
+89
+00:02:03,600 --> 00:02:05,029
+of him look look why don't we just
+forget about Tammy we'll have the
+
+90
+00:02:05,029 --> 00:02:05,039
+forget about Tammy we'll have the
+ 
+
+91
+00:02:05,039 --> 00:02:06,749
+forget about Tammy we'll have the
+assembly tomorrow everybody can make
+
+92
+00:02:06,749 --> 00:02:06,759
+assembly tomorrow everybody can make
+ 
+
+93
+00:02:06,759 --> 00:02:08,389
+assembly tomorrow everybody can make
+their speeches and I'm sure everything's
+
+94
+00:02:08,389 --> 00:02:08,399
+their speeches and I'm sure everything's
+ 
+
+95
+00:02:08,399 --> 00:02:17,900
+their speeches and I'm sure everything's
+going to be just fine
+
+96
+00:02:17,900 --> 00:02:17,910
+
+ 
+
+97
+00:02:17,910 --> 00:02:30,869
+
+[Music]
+
+98
+00:02:30,869 --> 00:02:30,879
+
+ 
+
+99
+00:02:30,879 --> 00:02:34,520
+
+to
+
+100
+00:02:34,520 --> 00:02:34,530
+
+ 
+
+101
+00:02:34,530 --> 00:02:40,479
+
+[Music]
+
diff --git a/1999/JES2fQLPoGU.description b/1999/JES2fQLPoGU.description
new file mode 100644
index 0000000000000000000000000000000000000000..69fa4f8027094f8b3cf8ab8a638247397b7eb93e
--- /dev/null
+++ b/1999/JES2fQLPoGU.description
@@ -0,0 +1,38 @@
+The Cider House Rules movie clips: http://j.mp/1BcPMhM
+BUY THE MOVIE: http://amzn.to/uU9uUx
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Homer (Tobey Maguire) and Dr. Larch (Michael Caine) correspond through letters.
+
+FILM DESCRIPTION:
+John Irving scripted this screen adaptation of his 1985 novel. Set during World War II, The Cider House Rules concerns Homer Wells (Tobey Maguire), an orphan who spent most of his childhood at the St. Cloud Orphanage in rural Maine, where he grew up under the strong but affectionate care of Dr. Wilbur Larch (Michael Caine). Larch has passed along his medical education to Homer, and the young man helps the doctor care for abandoned children and the newborn babies of unwed mothers; however, Homer refuses to assist Larch with the illegal abortions that he performs on the side; Homer has moral objections to abortion, while Larch believes in the rights of the individual and sees it as his duty to keep women in need away from dangerous incompetents. Wally Worthington (Paul Rudd), an air-force pilot, brings his girlfriend Candy (Charlize Theron) to St. Cloud for an abortion, and Homer decides to go with them when they leave, hoping to see the world; however, the three end up going no further than the state line, where Wally's mother (Kate Nelligan) runs an apple orchard and cider mill, and Candy's family traps lobsters. When Wally ships off to battle, Homer grows closer to Candy, and the two fall in love. But their idyllic life at the cider mill is interrupted when Rose Rose (Erykah Badu), a field worker at the orchard, becomes pregnant and her father, cider-house foreman Mr. Rose (Delroy Lindo), turns out to be the father of her unborn child. This news coupled with the death of Dr. Larch, forces Homer to take a long look at both his moral principles and his future. Rapper Heavy D appears in the supporting cast as Peaches.
+
+CREDITS:
+TM & © Miramax Films (1999)
+Cast: Tobey Maguire, Charlize Theron, Michael Caine, Jane Alexander, Kathy Baker, Kieran Culkin, J.K. Simmons
+Director: Lasse Hallström
+Producers: Alan C. Blomquist, Bobby Cohen, Richard N. Gladstein, Leslie Holleran, Michele Platt, Meryl Poster, Bob Weinstein, Harvey Weinstein, Lila Yacoub
+Screenwriter: John Irving
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/Q1WdlXsvk3U.mp4 b/1999/Q1WdlXsvk3U.mp4
new file mode 100644
index 0000000000000000000000000000000000000000..7b30effa5bf35e3af93b16b6acd8196d3a349957
--- /dev/null
+++ b/1999/Q1WdlXsvk3U.mp4
@@ -0,0 +1,3 @@
+version https://git-lfs.github.com/spec/v1
+oid sha256:4793191e87152228e1a81d35e424652bc95ae4356ac9434f7ca01d519067614f
+size 8531829
diff --git a/1999/kxBu82Dte10.en.srt b/1999/kxBu82Dte10.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..eb44ca891329c3ff3bf73d5dfcf9a6895b40f8a5
--- /dev/null
+++ b/1999/kxBu82Dte10.en.srt
@@ -0,0 +1,125 @@
+1
+00:00:00,539 --> 00:00:23,290
+
+foreign
+
+2
+00:00:23,290 --> 00:00:23,300
+
+ 
+
+3
+00:00:23,300 --> 00:00:26,509
+
+I live just over the street I have um
+
+4
+00:00:26,509 --> 00:00:26,519
+I live just over the street I have um
+ 
+
+5
+00:00:26,519 --> 00:00:28,790
+I live just over the street I have um
+water and soak you can get cleaned up
+
+6
+00:00:28,790 --> 00:00:28,800
+water and soak you can get cleaned up
+ 
+
+7
+00:00:28,800 --> 00:00:31,910
+water and soak you can get cleaned up
+thank you I just need to get my car back
+
+8
+00:00:31,910 --> 00:00:31,920
+thank you I just need to get my car back
+ 
+
+9
+00:00:31,920 --> 00:00:34,130
+thank you I just need to get my car back
+I also have a phone I'm confident that
+
+10
+00:00:34,130 --> 00:00:34,140
+I also have a phone I'm confident that
+ 
+
+11
+00:00:34,140 --> 00:00:35,510
+I also have a phone I'm confident that
+in five minutes we can have you and
+
+12
+00:00:35,510 --> 00:00:35,520
+in five minutes we can have you and
+ 
+
+13
+00:00:35,520 --> 00:00:37,790
+in five minutes we can have you and
+span and back on the street again in the
+
+14
+00:00:37,790 --> 00:00:37,800
+span and back on the street again in the
+ 
+
+15
+00:00:37,800 --> 00:00:43,090
+span and back on the street again in the
+non-prostitute sense obviously
+
+16
+00:00:43,090 --> 00:00:43,100
+
+ 
+
+17
+00:00:43,100 --> 00:00:45,470
+
+all right
+
+18
+00:00:45,470 --> 00:00:45,480
+all right
+ 
+
+19
+00:00:45,480 --> 00:00:46,790
+all right
+what do you mean just over the street
+
+20
+00:00:46,790 --> 00:00:46,800
+what do you mean just over the street
+ 
+
+21
+00:00:46,800 --> 00:00:48,950
+what do you mean just over the street
+give it to me in the yards
+
+22
+00:00:48,950 --> 00:00:48,960
+give it to me in the yards
+ 
+
+23
+00:00:48,960 --> 00:00:52,130
+give it to me in the yards
+uh 18 yards that's my house there with
+
+24
+00:00:52,130 --> 00:00:52,140
+uh 18 yards that's my house there with
+ 
+
+25
+00:00:52,140 --> 00:00:54,800
+uh 18 yards that's my house there with
+the blue front door
+
diff --git a/1999/lscdNc0qTnI.description b/1999/lscdNc0qTnI.description
new file mode 100644
index 0000000000000000000000000000000000000000..ed4fc8bbaeaddf3a6675cd4cc1f6739985504db7
--- /dev/null
+++ b/1999/lscdNc0qTnI.description
@@ -0,0 +1,38 @@
+American Beauty movie clips: http://j.mp/1CLJe9p
+BUY THE MOVIE: http://amzn.to/tEbnYN
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+A now-deceased Lester (Kevin Spacey) marvels at the beauty of his average American life.
+
+FILM DESCRIPTION:
+Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman's turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he's grown cynical and is convinced that he has no reason to go on. Lester's relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she's in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she's unattractive. Her problems aren't helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn't the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.
+
+CREDITS:
+TM & © Dreamworks (1999)
+Cast: Kevin Spacey, Annette Bening, Thora Birch, Mena Suvari, Chris Cooper, Erin Cathryn Strubbe
+Director: Sam Mendes
+Producers: Alan Ball, Bruce Cohen, Dan Jinks, Stan Wlodkowski
+Screenwriter: Alan Ball
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/nDw_DOEdai8.en.srt b/1999/nDw_DOEdai8.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..595822ba5349cea1dddefe062370be157257302d
--- /dev/null
+++ b/1999/nDw_DOEdai8.en.srt
@@ -0,0 +1,445 @@
+1
+00:00:00,560 --> 00:00:01,990
+
+Julian come
+
+2
+00:00:01,990 --> 00:00:02,000
+Julian come
+ 
+
+3
+00:00:02,000 --> 00:00:05,269
+Julian come
+here come here pal
+
+4
+00:00:05,269 --> 00:00:05,279
+here come here pal
+ 
+
+5
+00:00:05,279 --> 00:00:09,190
+here come here pal
+Vanessa I want you to meet Julian my
+
+6
+00:00:09,190 --> 00:00:09,200
+Vanessa I want you to meet Julian my
+ 
+
+7
+00:00:09,200 --> 00:00:12,390
+Vanessa I want you to meet Julian my
+son our son I adopted
+
+8
+00:00:12,390 --> 00:00:12,400
+son our son I adopted
+ 
+
+9
+00:00:12,400 --> 00:00:15,549
+son our son I adopted
+him I don't know what to say you don't
+
+10
+00:00:15,549 --> 00:00:15,559
+him I don't know what to say you don't
+ 
+
+11
+00:00:15,559 --> 00:00:17,150
+him I don't know what to say you don't
+have to say
+
+12
+00:00:17,150 --> 00:00:17,160
+have to say
+ 
+
+13
+00:00:17,160 --> 00:00:19,310
+have to say
+anything
+
+14
+00:00:19,310 --> 00:00:19,320
+anything
+ 
+
+15
+00:00:19,320 --> 00:00:22,070
+anything
+uh is somebody in the
+
+16
+00:00:22,070 --> 00:00:22,080
+uh is somebody in the
+ 
+
+17
+00:00:22,080 --> 00:00:25,550
+uh is somebody in the
+bathroom no why is the door shut I don't
+
+18
+00:00:25,550 --> 00:00:25,560
+bathroom no why is the door shut I don't
+ 
+
+19
+00:00:25,560 --> 00:00:28,390
+bathroom no why is the door shut I don't
+know you
+
+20
+00:00:28,390 --> 00:00:28,400
+know you
+ 
+
+21
+00:00:28,400 --> 00:00:33,470
+know you
+don't I don't know
+
+22
+00:00:33,470 --> 00:00:33,480
+
+ 
+
+23
+00:00:33,480 --> 00:00:35,910
+
+sunny I can't believe
+
+24
+00:00:35,910 --> 00:00:35,920
+sunny I can't believe
+ 
+
+25
+00:00:35,920 --> 00:00:41,590
+sunny I can't believe
+this hey open up Sunny hello open the
+
+26
+00:00:41,590 --> 00:00:41,600
+this hey open up Sunny hello open the
+ 
+
+27
+00:00:41,600 --> 00:00:42,830
+this hey open up Sunny hello open the
+door
+
+28
+00:00:42,830 --> 00:00:42,840
+door
+ 
+
+29
+00:00:42,840 --> 00:00:46,709
+door
+Sunny is everything okay oh my
+
+30
+00:00:46,709 --> 00:00:46,719
+Sunny is everything okay oh my
+ 
+
+31
+00:00:46,719 --> 00:00:49,430
+Sunny is everything okay oh my
+God man I'm sorry I was freaking out
+
+32
+00:00:49,430 --> 00:00:49,440
+God man I'm sorry I was freaking out
+ 
+
+33
+00:00:49,440 --> 00:00:52,830
+God man I'm sorry I was freaking out
+there I'm Sunny hey sh I had an
+
+34
+00:00:52,830 --> 00:00:52,840
+there I'm Sunny hey sh I had an
+ 
+
+35
+00:00:52,840 --> 00:00:54,389
+there I'm Sunny hey sh I had an
+attack of paranoia I thought you were
+
+36
+00:00:54,389 --> 00:00:54,399
+attack of paranoia I thought you were
+ 
+
+37
+00:00:54,399 --> 00:00:58,670
+attack of paranoia I thought you were
+sleeping with my girl I am what
+
+38
+00:00:58,670 --> 00:00:58,680
+sleeping with my girl I am what
+ 
+
+39
+00:00:58,680 --> 00:01:00,990
+sleeping with my girl I am what
+that I
+
+40
+00:01:00,990 --> 00:01:01,000
+that I
+ 
+
+41
+00:01:01,000 --> 00:01:02,270
+that I
+Sunny that's what I was trying to tell
+
+42
+00:01:02,270 --> 00:01:02,280
+Sunny that's what I was trying to tell
+ 
+
+43
+00:01:02,280 --> 00:01:05,910
+Sunny that's what I was trying to tell
+you before I found someone this old guy
+
+44
+00:01:05,910 --> 00:01:05,920
+you before I found someone this old guy
+ 
+
+45
+00:01:05,920 --> 00:01:09,109
+you before I found someone this old guy
+Sid he's already a chief so much and yet
+
+46
+00:01:09,109 --> 00:01:09,119
+Sid he's already a chief so much and yet
+ 
+
+47
+00:01:09,119 --> 00:01:11,230
+Sid he's already a chief so much and yet
+he's still goal oriented and still
+
+48
+00:01:11,230 --> 00:01:11,240
+he's still goal oriented and still
+ 
+
+49
+00:01:11,240 --> 00:01:14,109
+he's still goal oriented and still
+focused and he has a 5year plan what is
+
+50
+00:01:14,109 --> 00:01:14,119
+focused and he has a 5year plan what is
+ 
+
+51
+00:01:14,119 --> 00:01:17,270
+focused and he has a 5year plan what is
+it don't die I can't believe this
+
+52
+00:01:17,270 --> 00:01:17,280
+it don't die I can't believe this
+ 
+
+53
+00:01:17,280 --> 00:01:19,350
+it don't die I can't believe this
+we got a family now I thought this is
+
+54
+00:01:19,350 --> 00:01:19,360
+we got a family now I thought this is
+ 
+
+55
+00:01:19,360 --> 00:01:21,390
+we got a family now I thought this is
+what you wanted Sunny you surprising me
+
+56
+00:01:21,390 --> 00:01:21,400
+what you wanted Sunny you surprising me
+ 
+
+57
+00:01:21,400 --> 00:01:23,069
+what you wanted Sunny you surprising me
+with a kid that you adopted while I was
+
+58
+00:01:23,069 --> 00:01:23,079
+with a kid that you adopted while I was
+ 
+
+59
+00:01:23,079 --> 00:01:24,990
+with a kid that you adopted while I was
+away wasn't what I said I wanted I did
+
+60
+00:01:24,990 --> 00:01:25,000
+away wasn't what I said I wanted I did
+ 
+
+61
+00:01:25,000 --> 00:01:27,390
+away wasn't what I said I wanted I did
+this for you you wanted me to be more
+
+62
+00:01:27,390 --> 00:01:27,400
+this for you you wanted me to be more
+ 
+
+63
+00:01:27,400 --> 00:01:29,510
+this for you you wanted me to be more
+responsible I I can't raise this kid
+
+64
+00:01:29,510 --> 00:01:29,520
+responsible I I can't raise this kid
+ 
+
+65
+00:01:29,520 --> 00:01:31,270
+responsible I I can't raise this kid
+alone you know you remind me of my
+
+66
+00:01:31,270 --> 00:01:31,280
+alone you know you remind me of my
+ 
+
+67
+00:01:31,280 --> 00:01:33,190
+alone you know you remind me of my
+oldest grandson you don't think things
+
+68
+00:01:33,190 --> 00:01:33,200
+oldest grandson you don't think things
+ 
+
+69
+00:01:33,200 --> 00:01:35,789
+oldest grandson you don't think things
+through hey Old Man River Zip It or I'll
+
+70
+00:01:35,789 --> 00:01:35,799
+through hey Old Man River Zip It or I'll
+ 
+
+71
+00:01:35,799 --> 00:01:37,789
+through hey Old Man River Zip It or I'll
+break your hip I'd like to see you try
+
+72
+00:01:37,789 --> 00:01:37,799
+break your hip I'd like to see you try
+ 
+
+73
+00:01:37,799 --> 00:01:40,350
+break your hip I'd like to see you try
+it shut upid How Could You misconstrue
+
+74
+00:01:40,350 --> 00:01:40,360
+it shut upid How Could You misconstrue
+ 
+
+75
+00:01:40,360 --> 00:01:43,469
+it shut upid How Could You misconstrue
+the situation so badly I don't
+
+76
+00:01:43,469 --> 00:01:43,479
+the situation so badly I don't
+ 
+
+77
+00:01:43,479 --> 00:01:45,870
+the situation so badly I don't
+know come on you know deep down you must
+
+78
+00:01:45,870 --> 00:01:45,880
+know come on you know deep down you must
+ 
+
+79
+00:01:45,880 --> 00:01:47,870
+know come on you know deep down you must
+have known this day was going to come
+
+80
+00:01:47,870 --> 00:01:47,880
+have known this day was going to come
+ 
+
+81
+00:01:47,880 --> 00:01:50,230
+have known this day was going to come
+hey you just made the biggest mistake of
+
+82
+00:01:50,230 --> 00:01:50,240
+hey you just made the biggest mistake of
+ 
+
+83
+00:01:50,240 --> 00:01:52,389
+hey you just made the biggest mistake of
+your life baby I know you're going to be
+
+84
+00:01:52,389 --> 00:01:52,399
+your life baby I know you're going to be
+ 
+
+85
+00:01:52,399 --> 00:01:55,709
+your life baby I know you're going to be
+missing me when you got that big white
+
+86
+00:01:55,709 --> 00:01:55,719
+missing me when you got that big white
+ 
+
+87
+00:01:55,719 --> 00:01:58,190
+missing me when you got that big white
+wrinkly body on top of you with his
+
+88
+00:01:58,190 --> 00:01:58,200
+wrinkly body on top of you with his
+ 
+
+89
+00:01:58,200 --> 00:02:05,320
+wrinkly body on top of you with his
+loose skin and old balls gross
+
diff --git a/1999/nF_6OfgbF7c.description b/1999/nF_6OfgbF7c.description
new file mode 100644
index 0000000000000000000000000000000000000000..84fbaf466bb256de63e71881e659dfb44b9e35bb
--- /dev/null
+++ b/1999/nF_6OfgbF7c.description
@@ -0,0 +1,38 @@
+Galaxy Quest movie clips: http://j.mp/1JdtUXi
+BUY THE MOVIE: http://amzn.to/rDMsDE
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Obsessive Galaxy Quest" fan Brandon ("Justin Long) receives a radio transmission from his hero Jason (Tim Allen) that confirms his beliefs.
+
+FILM DESCRIPTION:
+A team of intrepid adventurers travels through the outer reaches of the galaxy, each week finding excitement and adventure on Galaxy Quest! Or at least that's the way it was in the mid-1970s, when brave if reckless Captain Peter Quincy Taggart, lovely Lieutenant Tawny Madison, and inscrutable alien Dr. Lazarus were the leaders of an interstellar law enforcement team on the TV series of that name. Twenty years later, the show is still in reruns, and Jason Nesmith (Tim Allen), Gwen DeMarco (Sigourney Weaver), and Alexander Dane (Alan Rickman) prop up their sagging careers by making appearances at sci-fi conventions, where they grudgingly shake hands and give autographs for the show's socially inept following. However, it turns out that nerdy sci-fi fans aren't the only ones watching: somewhere in another solar system, a group of alien rebels living under a regime of violence and repression have picked up broadcasts of Galaxy Quest, and they aren't aware that it's fiction. They travel to Earth and encounter the Galaxy Quest cast, who figure that they're just another bunch of guys who like to dress funny. However, they soon realize that they're being hired not for another autograph-signing session but for a real-life outer space rescue mission. Galaxy Quest was directed by Dean Parisot, who had a background in TV directing before his theatrical debut with the dark comedy Home Fries.
+
+CREDITS:
+TM & © Dreamworks (1999)
+Cast: Tim Allen, Justin Long, Sigourney Weaver
+Director: Dean Parisot
+Producers: Elizabeth Cantillon, Allegra Clegg, Suzann Ellis, Sona Gourgouris, Janet Lewin, Charles Newirth, Mark Johnson
+Screenwriter: Robert Gordon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/nF_6OfgbF7c.en.srt b/1999/nF_6OfgbF7c.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..d2b0ca35f877558c22faf5bc0a0417485b07e4c8
--- /dev/null
+++ b/1999/nF_6OfgbF7c.en.srt
@@ -0,0 +1,275 @@
+1
+00:00:00,599 --> 00:00:03,510
+
+hello anybody
+
+2
+00:00:03,510 --> 00:00:03,520
+hello anybody
+ 
+
+3
+00:00:03,520 --> 00:00:06,990
+hello anybody
+there
+
+4
+00:00:06,990 --> 00:00:07,000
+
+ 
+
+5
+00:00:07,000 --> 00:00:11,310
+
+hello hello got him listen to me this is
+
+6
+00:00:11,310 --> 00:00:11,320
+hello hello got him listen to me this is
+ 
+
+7
+00:00:11,320 --> 00:00:14,350
+hello hello got him listen to me this is
+Jason Nesmith I play Commander Peter
+
+8
+00:00:14,350 --> 00:00:14,360
+Jason Nesmith I play Commander Peter
+ 
+
+9
+00:00:14,360 --> 00:00:17,310
+Jason Nesmith I play Commander Peter
+Quincy tager of nsea protector we
+
+10
+00:00:17,310 --> 00:00:17,320
+Quincy tager of nsea protector we
+ 
+
+11
+00:00:17,320 --> 00:00:19,070
+Quincy tager of nsea protector we
+accidentally traded voxes the other day
+
+12
+00:00:19,070 --> 00:00:19,080
+accidentally traded voxes the other day
+ 
+
+13
+00:00:19,080 --> 00:00:21,630
+accidentally traded voxes the other day
+when we bumped into each other
+
+14
+00:00:21,630 --> 00:00:21,640
+when we bumped into each other
+ 
+
+15
+00:00:21,640 --> 00:00:24,950
+when we bumped into each other
+oh oh Commander I
+
+16
+00:00:24,950 --> 00:00:24,960
+oh oh Commander I
+ 
+
+17
+00:00:24,960 --> 00:00:30,349
+oh oh Commander I
+see okay what's your name son
+
+18
+00:00:30,349 --> 00:00:30,359
+see okay what's your name son
+ 
+
+19
+00:00:30,359 --> 00:00:32,910
+see okay what's your name son
+Brandon Brandon I remember you from the
+
+20
+00:00:32,910 --> 00:00:32,920
+Brandon Brandon I remember you from the
+ 
+
+21
+00:00:32,920 --> 00:00:35,030
+Brandon Brandon I remember you from the
+convention right you asked all those
+
+22
+00:00:35,030 --> 00:00:35,040
+convention right you asked all those
+ 
+
+23
+00:00:35,040 --> 00:00:36,750
+convention right you asked all those
+little technical questions about the
+
+24
+00:00:36,750 --> 00:00:36,760
+little technical questions about the
+ 
+
+25
+00:00:36,760 --> 00:00:40,029
+little technical questions about the
+ship and I was a little short with you
+
+26
+00:00:40,029 --> 00:00:40,039
+ship and I was a little short with you
+ 
+
+27
+00:00:40,039 --> 00:00:43,270
+ship and I was a little short with you
+yes yes I I know commander and uh I
+
+28
+00:00:43,270 --> 00:00:43,280
+yes yes I I know commander and uh I
+ 
+
+29
+00:00:43,280 --> 00:00:45,510
+yes yes I I know commander and uh I
+actually want to just wanted to tell you
+
+30
+00:00:45,510 --> 00:00:45,520
+actually want to just wanted to tell you
+ 
+
+31
+00:00:45,520 --> 00:00:46,910
+actually want to just wanted to tell you
+that I I thought a lot about what you
+
+32
+00:00:46,910 --> 00:00:46,920
+that I I thought a lot about what you
+ 
+
+33
+00:00:46,920 --> 00:00:49,110
+that I I thought a lot about what you
+said it's okay now listen but but I want
+
+34
+00:00:49,110 --> 00:00:49,120
+said it's okay now listen but but I want
+ 
+
+35
+00:00:49,120 --> 00:00:50,869
+said it's okay now listen but but I want
+you to know that I'm not a complete
+
+36
+00:00:50,869 --> 00:00:50,879
+you to know that I'm not a complete
+ 
+
+37
+00:00:50,879 --> 00:00:52,709
+you to know that I'm not a complete
+brain case
+
+38
+00:00:52,709 --> 00:00:52,719
+brain case
+ 
+
+39
+00:00:52,719 --> 00:00:55,189
+brain case
+okay I understand completely that it's
+
+40
+00:00:55,189 --> 00:00:55,199
+okay I understand completely that it's
+ 
+
+41
+00:00:55,199 --> 00:00:59,389
+okay I understand completely that it's
+just a TV show hold I know there's no
+
+42
+00:00:59,389 --> 00:00:59,399
+just a TV show hold I know there's no
+ 
+
+43
+00:00:59,399 --> 00:01:02,349
+just a TV show hold I know there's no
+stop for a second conveyor no ship it's
+
+44
+00:01:02,349 --> 00:01:02,359
+stop for a second conveyor no ship it's
+ 
+
+45
+00:01:02,359 --> 00:01:05,750
+stop for a second conveyor no ship it's
+all real oh my God I knew it I knew it I
+
+46
+00:01:05,750 --> 00:01:05,760
+all real oh my God I knew it I knew it I
+ 
+
+47
+00:01:05,760 --> 00:01:08,510
+all real oh my God I knew it I knew it I
+knew it the crew and I are in a lot of
+
+48
+00:01:08,510 --> 00:01:08,520
+knew it the crew and I are in a lot of
+ 
+
+49
+00:01:08,520 --> 00:01:18,840
+knew it the crew and I are in a lot of
+trouble and we need your help
+
+50
+00:01:18,840 --> 00:01:18,850
+
+ 
+
+51
+00:01:18,850 --> 00:01:31,670
+
+[Music]
+
+52
+00:01:31,670 --> 00:01:31,680
+
+ 
+
+53
+00:01:31,680 --> 00:01:35,460
+
+St
+
+54
+00:01:35,460 --> 00:01:35,470
+
+ 
+
+55
+00:01:35,470 --> 00:01:41,430
+
+[Music]
+
diff --git a/1999/nW-NiGp1gys.description b/1999/nW-NiGp1gys.description
new file mode 100644
index 0000000000000000000000000000000000000000..e8cbbb1f094979db8835bd539a9822ea31041ff1
--- /dev/null
+++ b/1999/nW-NiGp1gys.description
@@ -0,0 +1,38 @@
+Galaxy Quest movie clips: http://j.mp/1JdtUXi
+BUY THE MOVIE: http://amzn.to/rDMsDE
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The crew beams up a pig lizard to test out whether they can rescue Jason (Tim Allen), but the alien creature dies a horrible death.
+
+FILM DESCRIPTION:
+A team of intrepid adventurers travels through the outer reaches of the galaxy, each week finding excitement and adventure on Galaxy Quest! Or at least that's the way it was in the mid-1970s, when brave if reckless Captain Peter Quincy Taggart, lovely Lieutenant Tawny Madison, and inscrutable alien Dr. Lazarus were the leaders of an interstellar law enforcement team on the TV series of that name. Twenty years later, the show is still in reruns, and Jason Nesmith (Tim Allen), Gwen DeMarco (Sigourney Weaver), and Alexander Dane (Alan Rickman) prop up their sagging careers by making appearances at sci-fi conventions, where they grudgingly shake hands and give autographs for the show's socially inept following. However, it turns out that nerdy sci-fi fans aren't the only ones watching: somewhere in another solar system, a group of alien rebels living under a regime of violence and repression have picked up broadcasts of Galaxy Quest, and they aren't aware that it's fiction. They travel to Earth and encounter the Galaxy Quest cast, who figure that they're just another bunch of guys who like to dress funny. However, they soon realize that they're being hired not for another autograph-signing session but for a real-life outer space rescue mission. Galaxy Quest was directed by Dean Parisot, who had a background in TV directing before his theatrical debut with the dark comedy Home Fries.
+
+CREDITS:
+TM & © Dreamworks (1999)
+Cast: Tim Allen, Enrico Colantoni, Daryl Mitchell, Alan Rickman, Sam Rockwell, Tony Shalhoub, Sigourney Weaver
+Director: Dean Parisot
+Producers: Elizabeth Cantillon, Allegra Clegg, Suzann Ellis, Sona Gourgouris, Janet Lewin, Charles Newirth, Mark Johnson
+Screenwriter: Robert Gordon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/nW-NiGp1gys.en.srt b/1999/nW-NiGp1gys.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..2250e9c72ca7a02cbc141731d35bec477ebb39d7
--- /dev/null
+++ b/1999/nW-NiGp1gys.en.srt
@@ -0,0 +1,365 @@
+1
+00:00:00,000 --> 00:00:03,320
+
+Jason can you hear me yeah glad you got
+
+2
+00:00:03,320 --> 00:00:03,330
+Jason can you hear me yeah glad you got
+ 
+
+3
+00:00:03,330 --> 00:00:06,950
+Jason can you hear me yeah glad you got
+me thank God are you okay yeah matter of
+
+4
+00:00:06,950 --> 00:00:06,960
+me thank God are you okay yeah matter of
+ 
+
+5
+00:00:06,960 --> 00:00:08,629
+me thank God are you okay yeah matter of
+fact I've got Rick nack staring me in
+
+6
+00:00:08,629 --> 00:00:08,639
+fact I've got Rick nack staring me in
+ 
+
+7
+00:00:08,639 --> 00:00:12,470
+fact I've got Rick nack staring me in
+the face right now you how much I can
+
+8
+00:00:12,470 --> 00:00:12,480
+the face right now you how much I can
+ 
+
+9
+00:00:12,480 --> 00:00:13,160
+the face right now you how much I can
+take it
+
+10
+00:00:13,160 --> 00:00:13,170
+take it
+ 
+
+11
+00:00:13,170 --> 00:00:16,700
+take it
+Oh Jason we're gonna use the digital
+
+12
+00:00:16,700 --> 00:00:16,710
+Oh Jason we're gonna use the digital
+ 
+
+13
+00:00:16,710 --> 00:00:18,710
+Oh Jason we're gonna use the digital
+conveyor to get you out of there the
+
+14
+00:00:18,710 --> 00:00:18,720
+conveyor to get you out of there the
+ 
+
+15
+00:00:18,720 --> 00:00:23,179
+conveyor to get you out of there the
+digital conveyor diced into cubes can
+
+16
+00:00:23,179 --> 00:00:23,189
+digital conveyor diced into cubes can
+ 
+
+17
+00:00:23,189 --> 00:00:25,359
+digital conveyor diced into cubes can
+sit up there in a million pieces right
+
+18
+00:00:25,359 --> 00:00:25,369
+sit up there in a million pieces right
+ 
+
+19
+00:00:25,369 --> 00:00:28,640
+sit up there in a million pieces right
+well you know what they don't take my
+
+20
+00:00:28,640 --> 00:00:28,650
+well you know what they don't take my
+ 
+
+21
+00:00:28,650 --> 00:00:29,330
+well you know what they don't take my
+chances
+
+22
+00:00:29,330 --> 00:00:29,340
+chances
+ 
+
+23
+00:00:29,340 --> 00:00:32,749
+chances
+go ringneck we're getting you out right
+
+24
+00:00:32,749 --> 00:00:32,759
+go ringneck we're getting you out right
+ 
+
+25
+00:00:32,759 --> 00:00:35,959
+go ringneck we're getting you out right
+now it's perfectly safe isn't it - it
+
+26
+00:00:35,959 --> 00:00:35,969
+now it's perfectly safe isn't it - it
+ 
+
+27
+00:00:35,969 --> 00:00:38,420
+now it's perfectly safe isn't it - it
+has never been successfully tested what
+
+28
+00:00:38,420 --> 00:00:38,430
+has never been successfully tested what
+ 
+
+29
+00:00:38,430 --> 00:00:42,170
+has never been successfully tested what
+do you say hold please theoretically the
+
+30
+00:00:42,170 --> 00:00:42,180
+do you say hold please theoretically the
+ 
+
+31
+00:00:42,180 --> 00:00:44,209
+do you say hold please theoretically the
+mechanism is fully operational however
+
+32
+00:00:44,209 --> 00:00:44,219
+mechanism is fully operational however
+ 
+
+33
+00:00:44,219 --> 00:00:46,310
+mechanism is fully operational however
+it was built to accommodate your hmm and
+
+34
+00:00:46,310 --> 00:00:46,320
+it was built to accommodate your hmm and
+ 
+
+35
+00:00:46,320 --> 00:00:48,319
+it was built to accommodate your hmm and
+that's me not ours but now that tech
+
+36
+00:00:48,319 --> 00:00:48,329
+that's me not ours but now that tech
+ 
+
+37
+00:00:48,329 --> 00:00:50,119
+that's me not ours but now that tech
+sergeant Chen is here he can operate it
+
+38
+00:00:50,119 --> 00:00:50,129
+sergeant Chen is here he can operate it
+ 
+
+39
+00:00:50,129 --> 00:00:51,740
+sergeant Chen is here he can operate it
+it was designed watching his motions
+
+40
+00:00:51,740 --> 00:00:51,750
+it was designed watching his motions
+ 
+
+41
+00:00:51,750 --> 00:00:55,670
+it was designed watching his motions
+from the historical documents hey I mean
+
+42
+00:00:55,670 --> 00:00:55,680
+from the historical documents hey I mean
+ 
+
+43
+00:00:55,680 --> 00:00:58,729
+from the historical documents hey I mean
+I can't I I can supervise a son we're
+
+44
+00:00:58,729 --> 00:00:58,739
+I can't I I can supervise a son we're
+ 
+
+45
+00:00:58,739 --> 00:01:02,330
+I can't I I can supervise a son we're
+gonna test it on what how about that pig
+
+46
+00:01:02,330 --> 00:01:02,340
+gonna test it on what how about that pig
+ 
+
+47
+00:01:02,340 --> 00:01:06,200
+gonna test it on what how about that pig
+lizard with a a lizard he's Fred and
+
+48
+00:01:06,200 --> 00:01:06,210
+lizard with a a lizard he's Fred and
+ 
+
+49
+00:01:06,210 --> 00:01:12,500
+lizard with a a lizard he's Fred and
+Hari oh I'm sorry it's very exciting to
+
+50
+00:01:12,500 --> 00:01:12,510
+Hari oh I'm sorry it's very exciting to
+ 
+
+51
+00:01:12,510 --> 00:01:14,210
+Hari oh I'm sorry it's very exciting to
+watch the master at the controls the
+
+52
+00:01:14,210 --> 00:01:14,220
+watch the master at the controls the
+ 
+
+53
+00:01:14,220 --> 00:01:15,679
+watch the master at the controls the
+operation of the conveyors much more
+
+54
+00:01:15,679 --> 00:01:15,689
+operation of the conveyors much more
+ 
+
+55
+00:01:15,689 --> 00:01:17,330
+operation of the conveyors much more
+hoof art than science
+
+56
+00:01:17,330 --> 00:01:17,340
+hoof art than science
+ 
+
+57
+00:01:17,340 --> 00:01:43,780
+hoof art than science
+stand back Jason
+
+58
+00:01:43,780 --> 00:01:43,790
+
+ 
+
+59
+00:01:43,790 --> 00:01:48,020
+
+what what was that nothing I heard some
+
+60
+00:01:48,020 --> 00:01:48,030
+what what was that nothing I heard some
+ 
+
+61
+00:01:48,030 --> 00:01:49,790
+what what was that nothing I heard some
+squealing or something oh no
+
+62
+00:01:49,790 --> 00:01:49,800
+squealing or something oh no
+ 
+
+63
+00:01:49,800 --> 00:01:51,950
+squealing or something oh no
+everything's fine but the animal is
+
+64
+00:01:51,950 --> 00:01:51,960
+everything's fine but the animal is
+ 
+
+65
+00:01:51,960 --> 00:01:54,950
+everything's fine but the animal is
+inside that I heard that it turned
+
+66
+00:01:54,950 --> 00:01:54,960
+inside that I heard that it turned
+ 
+
+67
+00:01:54,960 --> 00:01:58,390
+inside that I heard that it turned
+inside out
+
+68
+00:01:58,390 --> 00:01:58,400
+
+ 
+
+69
+00:01:58,400 --> 00:02:02,960
+
+and it exploded daddy's here the dead
+
+70
+00:02:02,960 --> 00:02:02,970
+and it exploded daddy's here the dead
+ 
+
+71
+00:02:02,970 --> 00:02:04,790
+and it exploded daddy's here the dead
+animal turned inside out and then it
+
+72
+00:02:04,790 --> 00:02:04,800
+animal turned inside out and then it
+ 
+
+73
+00:02:04,800 --> 00:02:12,440
+animal turned inside out and then it
+exploded hello oh please
+
diff --git a/1999/o3f521sUTaE.description b/1999/o3f521sUTaE.description
new file mode 100644
index 0000000000000000000000000000000000000000..252076496774264bfe2fce1ab0fb07c7f332ba8f
--- /dev/null
+++ b/1999/o3f521sUTaE.description
@@ -0,0 +1,38 @@
+eXistenZ movie clips: http://j.mp/1uxe9ax
+BUY THE MOVIE: http://amzn.to/vkQ13l
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+After finishing the game tranCendenZ, Allegra Geller (Jennifer Jason Leigh) and Ted Pikul (Jude Law) reveal that they are realists and assassinate Yevgeny Nourish.
+
+FILM DESCRIPTION:
+Canadian filmmaker David Cronenberg, who has long been fascinated by the ways new technology shapes and manipulates the human beings who believe they are its masters, is in familiar territory with eXistenZ, a futuristic thriller which combines elements of science fiction, horror and action-adventure. What is eXistenZ? According to the glossary Cronenberg put together for this film, it is a new organic game system that, when downloaded into humans, accesses their central nervous system, transporting them on a wild ride in and out of reality. What's more, it changes every time it is played, by adapting to the individual user -- you have to play the game to find out why you are playing the game. More than one person can plug into the same game and set out on a series of bizarre and surrealistic adventures together. The narrative takes place sometime in the near future, when game designers are worshipped as superstars and players can organically enter inside the games. Allegra Geller (Jennifer Jason Leigh), the goddess among computer game designers whose latest invention, 'eXistenZ,' taps deeply into its users' fears and desires by blurring the boundaries between reality and escapism, is subject to an assassination attempt and forced to flee. Her sole ally is Ted Pikul (Jude Law), a novice security guard sworn to protect her. Persuading Ted to play the game, Allegra draws them both into a phantasmagoric world where existence ends and eXistenZ begins. Jennifer Jason Leigh, who is supposedly something of a computer nerd in real life, is hip and sexily alluring as Allegra Geller. When she and Pikul make love and are transported to the bizarre setting of a trout farm which has been converted to an assembly line production plant for games, they delve deeper into the dangerously intriguing game. Soon the forces of Anti-eXistenZialism will close in on Pikul and Allegra. eXistenZ marks the first time since Videodrome that Cronenberg has written a completely original screenplay. eXistenZ was inspired by the tribulations of the fugitive writer Salman Rushdie, author of the Satanic Verses. After interviewing the author for a magazine article in 1995, Cronenberg was struck with the idea of an artist who suddenly finds himself on a hit list for religious or philosophical reasons and is forced to go into hiding. The idea of a game came later on, for which he created a new vocabulary. According to Cronenberg, eXistenZ thematically connects to Crash, Videodrome, Naked Lunch and even M. Butterfly in terms of exploring the extent to which we create our own levels of reality and the idea of a creative act being dangerous to the creator. This is the second film on which Alliance Atlantis has been associated with Cronenberg, after Crash, which won the Special Jury Prize at the 1996 International Cannes Film Festival. On the occasion of the presentation of eXistenZ, Cronenberg received a Silver Bear for his outstanding artistic achievements at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez
+
+CREDITS:
+TM & © Miramax Films (1999)
+Cast: Jennifer Jason Leigh, Jude Law, Don McKellar, Sarah Polley
+Director: David Cronenberg
+Producers: Bradley Adams, Damon Bryant, David Cronenberg, Andras Hamori, Robert Lantos, Michael MacDonald, Sandra Tucker
+Screenwriter: David Cronenberg
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/o3f521sUTaE.en.srt b/1999/o3f521sUTaE.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..647fe568cde500aa21d8a6aed718ac10e652176d
--- /dev/null
+++ b/1999/o3f521sUTaE.en.srt
@@ -0,0 +1,335 @@
+1
+00:00:00,400 --> 00:00:14,549
+
+thank you for looking after my dog
+
+2
+00:00:14,549 --> 00:00:14,559
+
+ 
+
+3
+00:00:14,559 --> 00:00:18,630
+
+hi
+
+4
+00:00:18,630 --> 00:00:18,640
+
+ 
+
+5
+00:00:18,640 --> 00:00:21,109
+
+we just wanted to ask Mr norish some
+
+6
+00:00:21,109 --> 00:00:21,119
+we just wanted to ask Mr norish some
+ 
+
+7
+00:00:21,119 --> 00:00:23,429
+we just wanted to ask Mr norish some
+questions away from the others
+
+8
+00:00:23,429 --> 00:00:23,439
+questions away from the others
+ 
+
+9
+00:00:23,439 --> 00:00:26,630
+questions away from the others
+sure shoot as long as you don't ask me
+
+10
+00:00:26,630 --> 00:00:26,640
+sure shoot as long as you don't ask me
+ 
+
+11
+00:00:26,640 --> 00:00:31,589
+sure shoot as long as you don't ask me
+to fill in your questionnaires
+
+12
+00:00:31,589 --> 00:00:31,599
+
+ 
+
+13
+00:00:31,599 --> 00:00:33,430
+
+we've played your game now so we can
+
+14
+00:00:33,430 --> 00:00:33,440
+we've played your game now so we can
+ 
+
+15
+00:00:33,440 --> 00:00:34,709
+we've played your game now so we can
+finally agree with the others that you
+
+16
+00:00:34,709 --> 00:00:34,719
+finally agree with the others that you
+ 
+
+17
+00:00:34,719 --> 00:00:36,630
+finally agree with the others that you
+are indeed the world's greatest game
+
+18
+00:00:36,630 --> 00:00:36,640
+are indeed the world's greatest game
+ 
+
+19
+00:00:36,640 --> 00:00:39,470
+are indeed the world's greatest game
+artist we weren't
+
+20
+00:00:39,470 --> 00:00:39,480
+artist we weren't
+ 
+
+21
+00:00:39,480 --> 00:00:41,950
+artist we weren't
+sure
+
+22
+00:00:41,950 --> 00:00:41,960
+sure
+ 
+
+23
+00:00:41,960 --> 00:00:45,310
+sure
+before thanks so much you
+
+24
+00:00:45,310 --> 00:00:45,320
+before thanks so much you
+ 
+
+25
+00:00:45,320 --> 00:00:47,190
+before thanks so much you
+Guinea don't you think you should have
+
+26
+00:00:47,190 --> 00:00:47,200
+Guinea don't you think you should have
+ 
+
+27
+00:00:47,200 --> 00:00:48,709
+Guinea don't you think you should have
+to suffer for all the harm you've done
+
+28
+00:00:48,709 --> 00:00:48,719
+to suffer for all the harm you've done
+ 
+
+29
+00:00:48,719 --> 00:00:52,389
+to suffer for all the harm you've done
+and intend to do to the human race
+
+30
+00:00:52,389 --> 00:00:52,399
+and intend to do to the human race
+ 
+
+31
+00:00:52,399 --> 00:00:55,110
+and intend to do to the human race
+what yes
+
+32
+00:00:55,110 --> 00:00:55,120
+what yes
+ 
+
+33
+00:00:55,120 --> 00:00:56,470
+what yes
+don't you think the world's greatest
+
+34
+00:00:56,470 --> 00:00:56,480
+don't you think the world's greatest
+ 
+
+35
+00:00:56,480 --> 00:00:59,029
+don't you think the world's greatest
+game artists ought to be punished
+
+36
+00:00:59,029 --> 00:00:59,039
+game artists ought to be punished
+ 
+
+37
+00:00:59,039 --> 00:01:02,630
+game artists ought to be punished
+for the most effective deforming of
+
+38
+00:01:02,630 --> 00:01:02,640
+for the most effective deforming of
+ 
+
+39
+00:01:02,640 --> 00:01:05,429
+for the most effective deforming of
+reality i I don't think this is very
+
+40
+00:01:05,429 --> 00:01:05,439
+reality i I don't think this is very
+ 
+
+41
+00:01:05,439 --> 00:01:20,840
+reality i I don't think this is very
+Guys can you come over here right now
+
+42
+00:01:20,840 --> 00:01:20,850
+
+ 
+
+43
+00:01:20,850 --> 00:01:23,789
+
+[Music]
+
+44
+00:01:23,789 --> 00:01:23,799
+[Music]
+ 
+
+45
+00:01:23,799 --> 00:01:26,870
+[Music]
+please death to the demon i am getting
+
+46
+00:01:26,870 --> 00:01:26,880
+please death to the demon i am getting
+ 
+
+47
+00:01:26,880 --> 00:01:28,789
+please death to the demon i am getting
+nourish
+
+48
+00:01:28,789 --> 00:01:28,799
+nourish
+ 
+
+49
+00:01:28,799 --> 00:01:33,950
+nourish
+death to build the death to
+
+50
+00:01:33,950 --> 00:01:33,960
+death to build the death to
+ 
+
+51
+00:01:33,960 --> 00:01:53,550
+death to build the death to
+[Music]
+
+52
+00:01:53,550 --> 00:01:53,560
+
+ 
+
+53
+00:01:53,560 --> 00:01:55,910
+
+transcendence no no no no you'd rather
+
+54
+00:01:55,910 --> 00:01:55,920
+transcendence no no no no you'd rather
+ 
+
+55
+00:01:55,920 --> 00:01:56,550
+transcendence no no no no you'd rather
+shoot
+
+56
+00:01:56,550 --> 00:01:56,560
+shoot
+ 
+
+57
+00:01:56,560 --> 00:01:59,389
+shoot
+[Music]
+
+58
+00:01:59,389 --> 00:01:59,399
+[Music]
+ 
+
+59
+00:01:59,399 --> 00:02:03,350
+[Music]
+me hey tell me the truth but are we
+
+60
+00:02:03,350 --> 00:02:03,360
+me hey tell me the truth but are we
+ 
+
+61
+00:02:03,360 --> 00:02:05,340
+me hey tell me the truth but are we
+still in the
+
+62
+00:02:05,340 --> 00:02:05,350
+still in the
+ 
+
+63
+00:02:05,350 --> 00:02:19,630
+still in the
+[Music]
+
+64
+00:02:19,630 --> 00:02:19,640
+[Music]
+ 
+
+65
+00:02:19,640 --> 00:02:27,430
+[Music]
+game heat heat
+
+66
+00:02:27,430 --> 00:02:27,440
+
+ 
+
+67
+00:02:27,440 --> 00:02:41,479
+
+[Music]
+
diff --git a/1999/oMx6C31dCeo.description b/1999/oMx6C31dCeo.description
new file mode 100644
index 0000000000000000000000000000000000000000..9ad93a2d893336086778d03d12cd3ffcd3b41b32
--- /dev/null
+++ b/1999/oMx6C31dCeo.description
@@ -0,0 +1,38 @@
+Being John Malkovich movie clips: http://j.mp/15vNU9d
+BUY THE MOVIE: http://amzn.to/tSpQeK
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Craig (John Cusack) convinces Maxine (Catherine Keener) to have a drink with him when he successfully guesses her name.
+
+FILM DESCRIPTION:
+Would you pay money to journey into the mind of the star of Con Air, The Killing Fields, and In The Line of Fire? Puppeteer Craig Schwartz (John Cusack) is having money problems, so he takes a temporary job as a file clerk on the seventh-and-a-half floor of a large office building. One day, while rummaging behind a cabinet, he finds a small door that leads to the center of the mind of actor John Malkovich (played by, you guessed it, John Malkovich). Craig discovers that entering the portal allows him to become John Malkovich for a brief spell, and in time he and his beautiful but aloof co-worker Maxine (Catherine Keener) get the bright idea to charge admission for the privilege of spending 15 minutes inside the head of a well-known actor. Malkovich realizes that something strange is happening to him, but can do little to stop it, as strangers take over his mind for a quarter-hour at a time. Craig's wife, Lotte (Cameron Diaz), eventually takes a trip into Malkovich's psyche, and she soon finds herself in love with Maxine, with whom Malkovich has an affair; meanwhile, Maxine in time becomes infatuated with both Craig and Lotte, but only when they're inside Malkovich. Being John Malkovich marked the feature-length debut of director Spike Jonze, who previously made acclaimed music videos for Weezer, the Beastie Boys, and the Breeders, among others.
+
+CREDITS:
+TM & © Universal (1999)
+Cast: Orson Bean, John Cusack, Catherine Keener
+Director: Spike Jonze
+Producers: Steve Golin, Charlie Kaufman, Michael Kuhn, Vincent Landay, Sandy Stern, Michael Stipe
+Screenwriter: Charlie Kaufman
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/oMx6C31dCeo.en.srt b/1999/oMx6C31dCeo.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..c9836ddb421ee59efbb8ff40e99d562418c7baeb
--- /dev/null
+++ b/1999/oMx6C31dCeo.en.srt
@@ -0,0 +1,475 @@
+1
+00:00:00,399 --> 00:00:03,030
+
+I want to feel flores's naked thighs
+
+2
+00:00:03,030 --> 00:00:03,040
+I want to feel flores's naked thighs
+ 
+
+3
+00:00:03,040 --> 00:00:06,349
+I want to feel flores's naked thighs
+next to mine I want my body to inspire
+
+4
+00:00:06,349 --> 00:00:06,359
+next to mine I want my body to inspire
+ 
+
+5
+00:00:06,359 --> 00:00:09,750
+next to mine I want my body to inspire
+lust in that beautiful complex woman I
+
+6
+00:00:09,750 --> 00:00:09,760
+lust in that beautiful complex woman I
+ 
+
+7
+00:00:09,760 --> 00:00:12,430
+lust in that beautiful complex woman I
+want her to shiver with a spasm of
+
+8
+00:00:12,430 --> 00:00:12,440
+want her to shiver with a spasm of
+ 
+
+9
+00:00:12,440 --> 00:00:16,150
+want her to shiver with a spasm of
+ecstasy Schwarz as I penetrate her ler
+
+10
+00:00:16,150 --> 00:00:16,160
+ecstasy Schwarz as I penetrate her ler
+ 
+
+11
+00:00:16,160 --> 00:00:17,510
+ecstasy Schwarz as I penetrate her ler
+while I'm flattered you would share your
+
+12
+00:00:17,510 --> 00:00:17,520
+while I'm flattered you would share your
+ 
+
+13
+00:00:17,520 --> 00:00:19,550
+while I'm flattered you would share your
+feelings with me perhaps the workplace
+
+14
+00:00:19,550 --> 00:00:19,560
+feelings with me perhaps the workplace
+ 
+
+15
+00:00:19,560 --> 00:00:21,349
+feelings with me perhaps the workplace
+is not the most suitable environment for
+
+16
+00:00:21,349 --> 00:00:21,359
+is not the most suitable environment for
+ 
+
+17
+00:00:21,359 --> 00:00:23,630
+is not the most suitable environment for
+this type of discussion all right you're
+
+18
+00:00:23,630 --> 00:00:23,640
+this type of discussion all right you're
+ 
+
+19
+00:00:23,640 --> 00:00:25,429
+this type of discussion all right you're
+right all right I tell you what meet me
+
+20
+00:00:25,429 --> 00:00:25,439
+right all right I tell you what meet me
+ 
+
+21
+00:00:25,439 --> 00:00:28,390
+right all right I tell you what meet me
+after work today at Jerry's juiceria on
+
+22
+00:00:28,390 --> 00:00:28,400
+after work today at Jerry's juiceria on
+ 
+
+23
+00:00:28,400 --> 00:00:33,790
+after work today at Jerry's juiceria on
+Lex and I'll spill my goddamn guts for
+
+24
+00:00:33,790 --> 00:00:33,800
+
+ 
+
+25
+00:00:33,800 --> 00:00:36,310
+
+you no no I won't be late lot I just
+
+26
+00:00:36,310 --> 00:00:36,320
+you no no I won't be late lot I just
+ 
+
+27
+00:00:36,320 --> 00:00:39,310
+you no no I won't be late lot I just
+have to you know listen to Lester sexual
+
+28
+00:00:39,310 --> 00:00:39,320
+have to you know listen to Lester sexual
+ 
+
+29
+00:00:39,320 --> 00:00:40,950
+have to you know listen to Lester sexual
+fantasies and bring carrot juice for a
+
+30
+00:00:40,950 --> 00:00:40,960
+fantasies and bring carrot juice for a
+ 
+
+31
+00:00:40,960 --> 00:00:45,549
+fantasies and bring carrot juice for a
+while you know it's a job thing
+
+32
+00:00:45,549 --> 00:00:45,559
+
+ 
+
+33
+00:00:45,559 --> 00:00:48,150
+
+really yeah so um I'll talk to you later
+
+34
+00:00:48,150 --> 00:00:48,160
+really yeah so um I'll talk to you later
+ 
+
+35
+00:00:48,160 --> 00:00:51,430
+really yeah so um I'll talk to you later
+okay yep you too got to go back to work
+
+36
+00:00:51,430 --> 00:00:51,440
+okay yep you too got to go back to work
+ 
+
+37
+00:00:51,440 --> 00:00:53,830
+okay yep you too got to go back to work
+okay
+
+38
+00:00:53,830 --> 00:00:53,840
+
+ 
+
+39
+00:00:53,840 --> 00:00:56,310
+
+bye hi do you know that I don't even
+
+40
+00:00:56,310 --> 00:00:56,320
+bye hi do you know that I don't even
+ 
+
+41
+00:00:56,320 --> 00:00:58,270
+bye hi do you know that I don't even
+know your name or where you
+
+42
+00:00:58,270 --> 00:00:58,280
+know your name or where you
+ 
+
+43
+00:00:58,280 --> 00:01:03,189
+know your name or where you
+work yeah
+
+44
+00:01:03,189 --> 00:01:03,199
+
+ 
+
+45
+00:01:03,199 --> 00:01:06,070
+
+um okay how about this if I can guess
+
+46
+00:01:06,070 --> 00:01:06,080
+um okay how about this if I can guess
+ 
+
+47
+00:01:06,080 --> 00:01:07,590
+um okay how about this if I can guess
+your name in three tries you have to
+
+48
+00:01:07,590 --> 00:01:07,600
+your name in three tries you have to
+ 
+
+49
+00:01:07,600 --> 00:01:10,550
+your name in three tries you have to
+come have a drink with me
+
+50
+00:01:10,550 --> 00:01:10,560
+
+ 
+
+51
+00:01:10,560 --> 00:01:12,789
+
+tonight why
+
+52
+00:01:12,789 --> 00:01:12,799
+tonight why
+ 
+
+53
+00:01:12,799 --> 00:01:15,149
+tonight why
+not
+
+54
+00:01:15,149 --> 00:01:15,159
+not
+ 
+
+55
+00:01:15,159 --> 00:01:17,490
+not
+okay you look like
+
+56
+00:01:17,490 --> 00:01:17,500
+okay you look like
+ 
+
+57
+00:01:17,500 --> 00:01:20,710
+okay you look like
+[Music]
+
+58
+00:01:20,710 --> 00:01:20,720
+
+ 
+
+59
+00:01:20,720 --> 00:01:26,990
+
+a
+
+60
+00:01:26,990 --> 00:01:27,000
+
+ 
+
+61
+00:01:27,000 --> 00:01:28,830
+
+bar
+
+62
+00:01:28,830 --> 00:01:28,840
+bar
+ 
+
+63
+00:01:28,840 --> 00:01:30,429
+bar
+B
+
+64
+00:01:30,429 --> 00:01:30,439
+B
+ 
+
+65
+00:01:30,439 --> 00:01:32,660
+B
+L
+
+66
+00:01:32,660 --> 00:01:32,670
+L
+ 
+
+67
+00:01:32,670 --> 00:01:33,830
+L
+[Music]
+
+68
+00:01:33,830 --> 00:01:33,840
+[Music]
+ 
+
+69
+00:01:33,840 --> 00:01:37,760
+[Music]
+Car
+
+70
+00:01:37,760 --> 00:01:37,770
+
+ 
+
+71
+00:01:37,770 --> 00:01:45,310
+
+[Music]
+
+72
+00:01:45,310 --> 00:01:45,320
+
+ 
+
+73
+00:01:45,320 --> 00:01:47,190
+
+Shar
+
+74
+00:01:47,190 --> 00:01:47,200
+Shar
+ 
+
+75
+00:01:47,200 --> 00:01:48,830
+Shar
+ma
+
+76
+00:01:48,830 --> 00:01:48,840
+ma
+ 
+
+77
+00:01:48,840 --> 00:01:52,389
+ma
+Maxine yeah who told you nobody told me
+
+78
+00:01:52,389 --> 00:01:52,399
+Maxine yeah who told you nobody told me
+ 
+
+79
+00:01:52,399 --> 00:01:53,670
+Maxine yeah who told you nobody told me
+that just came
+
+80
+00:01:53,670 --> 00:01:53,680
+that just came
+ 
+
+81
+00:01:53,680 --> 00:01:56,670
+that just came
+out don't you think that isn't that
+
+82
+00:01:56,670 --> 00:01:56,680
+out don't you think that isn't that
+ 
+
+83
+00:01:56,680 --> 00:02:00,670
+out don't you think that isn't that
+odd so where where do you live in stuff
+
+84
+00:02:00,670 --> 00:02:00,680
+odd so where where do you live in stuff
+ 
+
+85
+00:02:00,680 --> 00:02:03,429
+odd so where where do you live in stuff
+I am dubious but I don't
+
+86
+00:02:03,429 --> 00:02:03,439
+I am dubious but I don't
+ 
+
+87
+00:02:03,439 --> 00:02:07,150
+I am dubious but I don't
+Welsh okay meet me at this duck pig
+
+88
+00:02:07,150 --> 00:02:07,160
+Welsh okay meet me at this duck pig
+ 
+
+89
+00:02:07,160 --> 00:02:10,430
+Welsh okay meet me at this duck pig
+7:00 if you're late I
+
+90
+00:02:10,430 --> 00:02:10,440
+7:00 if you're late I
+ 
+
+91
+00:02:10,440 --> 00:02:28,750
+7:00 if you're late I
+[Music]
+
+92
+00:02:28,750 --> 00:02:28,760
+[Music]
+ 
+
+93
+00:02:28,760 --> 00:02:38,589
+[Music]
+walk
+
+94
+00:02:38,589 --> 00:02:38,599
+
+ 
+
+95
+00:02:38,599 --> 00:02:41,599
+
+St
+
diff --git a/1999/omy5TVA-fY0.description b/1999/omy5TVA-fY0.description
new file mode 100644
index 0000000000000000000000000000000000000000..f835be8f827053709c46d11a9feca418920e7c96
--- /dev/null
+++ b/1999/omy5TVA-fY0.description
@@ -0,0 +1,38 @@
+The Mummy movie clips: http://j.mp/1uuMKpH
+BUY THE MOVIE: http://amzn.to/rSTSru
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Rick (Brendan Fraser), Jonathan (John Hannah), and Ardeth (Oded Fehr) get ambushed by Imhotep's (Arnold Vosloo) priests who have risen from the grave.
+
+FILM DESCRIPTION:
+Loosely adapted from the classic 1932 horror film starring Boris Karloff, The Mummy is set in Egypt, where over 3,000 years ago the high priest Imhotep (played by Arnold Vosloo) was given the all-important assignment of preparing the recently dead for their journey into the afterlife. However, Imhotep made one terrible mistake - he became smitten with Anck-Su-Namun, the mistress of the Pharaoh himself. Driven mad by jealousy and love, Imhotep murdered the Pharaoh, and his punishment was to be buried alive and suffer the torment of an eternal life in his wretched tomb. In 1925, a band of adventurers seeking fame and fortune - led by Rick O'Connel (Brendan Fraser), an American expatriate who has joined the foreign legion, and Evelyn Carnarvon (Rachel Weisz), an amateur archeologist - find a previously unknown burial site in Egypt. The team starts to dig, hoping to find lost riches, but instead they disturb the tomb of Imhotep, and soon the cursed priest rises from his grave to wreck vengeance on humanity. The Mummy was written and directed by Stephen Sommers, whose previous cinematic journeys into the past include The Jungle Book and The Adventures Of Huck Finn.
+
+CREDITS:
+TM & © Universal (1999)
+Cast: Oded Fehr, Brendan Fraser, John Hannah, Kevin J. O'Connor, Arnold Vosloo, Rachel Weisz
+Director: Stephen Sommers
+Producers: Kevin Jarre, Megan Moran, Sean Daniel, James Jacks, Patricia Carr
+Screenwriters: John L. Balderston, Lloyd Fonvielle, Kevin Jarre, Stephen Sommers, Nina Wilcox Putnam, Richard Schayer
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/omy5TVA-fY0.en.srt b/1999/omy5TVA-fY0.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..9fe63a6de3e7e9d98af2aebbb8b2c7212d3425b7
--- /dev/null
+++ b/1999/omy5TVA-fY0.en.srt
@@ -0,0 +1,79 @@
+1
+00:00:00,297 --> 00:00:02,668
+O'Connell.
+
+2
+00:00:07,136 --> 00:00:10,744
+Shatay Wapay Ku Ra Eck!
+
+3
+00:00:10,807 --> 00:00:13,746
+[ Groaning ]
+
+4
+00:00:18,715 --> 00:00:20,652
+[ Groaning Continues ]
+
+5
+00:00:24,120 --> 00:00:27,527
+[ Both Moaning, Groaning ]
+
+6
+00:00:27,591 --> 00:00:30,162
+Bembridge scholars
+never wrote about this.
+
+7
+00:00:30,226 --> 00:00:34,167
+[ Groaning Continues ]
+
+8
+00:00:35,599 --> 00:00:38,170
+Get off me.
+Get off!
+
+9
+00:01:24,314 --> 00:01:26,151
+Wha-- Wha--
+
+10
+00:01:47,069 --> 00:01:49,139
+- Can you see--
+- Yeah.
+
+11
+00:01:49,205 --> 00:01:51,676
+- Can you believe--
+- Yeah.
+
+12
+00:01:51,740 --> 00:01:54,413
+- Can we iust--
+- No.
+
+13
+00:01:54,477 --> 00:01:56,514
+[ Croaking Sound ]
+
+14
+00:01:59,548 --> 00:02:01,519
+[ Croaking ]
+
+15
+00:02:04,520 --> 00:02:07,358
+- Who the hell are these guys?
+- Priests.
+
+16
+00:02:07,423 --> 00:02:09,794
+lmhotep's priests.
+
+17
+00:02:09,859 --> 00:02:12,029
+- All right then.
+- [ Shrieking ]
+
+18
+00:02:33,615 --> 00:02:36,053
+[ Laughing ]
+
diff --git a/1999/pDWR5RkWRTY.description b/1999/pDWR5RkWRTY.description
new file mode 100644
index 0000000000000000000000000000000000000000..65b8023d835e6ed080a4486ddf350b01c493d6e7
--- /dev/null
+++ b/1999/pDWR5RkWRTY.description
@@ -0,0 +1,38 @@
+The Mummy movie clips: http://j.mp/1uuMKpH
+BUY THE MOVIE: http://amzn.to/rSTSru
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Beni (Kevin J. O'Connor) gets cornered by the mummy during their first meeting.
+
+FILM DESCRIPTION:
+Loosely adapted from the classic 1932 horror film starring Boris Karloff, The Mummy is set in Egypt, where over 3,000 years ago the high priest Imhotep (played by Arnold Vosloo) was given the all-important assignment of preparing the recently dead for their journey into the afterlife. However, Imhotep made one terrible mistake - he became smitten with Anck-Su-Namun, the mistress of the Pharaoh himself. Driven mad by jealousy and love, Imhotep murdered the Pharaoh, and his punishment was to be buried alive and suffer the torment of an eternal life in his wretched tomb. In 1925, a band of adventurers seeking fame and fortune - led by Rick O'Connel (Brendan Fraser), an American expatriate who has joined the foreign legion, and Evelyn Carnarvon (Rachel Weisz), an amateur archeologist - find a previously unknown burial site in Egypt. The team starts to dig, hoping to find lost riches, but instead they disturb the tomb of Imhotep, and soon the cursed priest rises from his grave to wreck vengeance on humanity. The Mummy was written and directed by Stephen Sommers, whose previous cinematic journeys into the past include The Jungle Book and The Adventures Of Huck Finn.
+
+CREDITS:
+TM & © Universal (1999)
+Cast: Kevin J. O'Connor
+Director: Stephen Sommers
+Producers: Kevin Jarre, Megan Moran, Sean Daniel, James Jacks, Patricia Carr
+Screenwriters: John L. Balderston, Lloyd Fonvielle, Kevin Jarre, Stephen Sommers, Nina Wilcox Putnam, Richard Schayer
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/pDWR5RkWRTY.en.srt b/1999/pDWR5RkWRTY.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..3e187800cff879f176ff13fae74f5e4ded9f5af3
--- /dev/null
+++ b/1999/pDWR5RkWRTY.en.srt
@@ -0,0 +1,58 @@
+1
+00:00:05,974 --> 00:00:07,911
+[ Gasping ]
+
+2
+00:00:09,177 --> 00:00:11,949
+[ Whimpering ]
+
+3
+00:00:20,121 --> 00:00:22,292
+- [ Growls ]
+- [ Yelps ]
+
+4
+00:00:26,428 --> 00:00:28,933
+[ Growling Continues ]
+
+5
+00:00:31,900 --> 00:00:34,671
+May the good Lord protect
+and watch over me...
+
+6
+00:00:34,736 --> 00:00:37,274
+as a shepherd
+watches over his flock.
+
+7
+00:00:46,281 --> 00:00:50,689
+[ Chanting In Arabic ]
+
+8
+00:00:50,752 --> 00:00:54,059
+No? Okay.
+[ Panting ]
+
+9
+00:00:54,122 --> 00:00:58,797
+- [ Growls ]
+- [ Speaking Chinese ]
+
+10
+00:00:58,860 --> 00:01:03,536
+[ Panting,
+Chinese Continues ]
+
+11
+00:01:05,967 --> 00:01:08,572
+[ Roaring ]
+
+12
+00:01:09,637 --> 00:01:12,108
+[ Speaking Hebrew ]
+
+13
+00:01:28,188 --> 00:01:30,126
+My prince.
+
diff --git a/1999/pJ6XiEEJndw.description b/1999/pJ6XiEEJndw.description
new file mode 100644
index 0000000000000000000000000000000000000000..85c302157f66b53fa14f20e5895d1eec82db36e9
--- /dev/null
+++ b/1999/pJ6XiEEJndw.description
@@ -0,0 +1,38 @@
+Runaway Bride movie clips: http://j.mp/1L5stMt
+BUY THE MOVIE: http://amzn.to/t1C06A
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ike (Richard Gere) rehearses his version of an authentic marriage proposal to Maggie (Julia Roberts).
+
+FILM DESCRIPTION:
+In 1990, Pretty Woman turned Julia Roberts into a star and gave Richard Gere's career a much-needed boost; for 1999, Roberts and Gere reunited with director Garry Marshall for the romantic comedy Runaway Bride. Roberts plays Maggie, who has left so many prospective husbands at the altar that she has gained notoriety as "the Runaway Bride," and a reporter (played by Richard Gere) is assigned to write a story about her. He tracks her down to a small town in Maryland where she's spending time with her family and preparing to give marriage another try. However, the more time she spends with the persistent reporter, the more second thoughts she has about her fiancé (Christopher Meloni). Hector Elizondo, another Pretty Woman alumnus, appears in the supporting cast alongside Joan Cusack, Paul Dooley, and Rita Wilson.
+
+CREDITS:
+TM & © Paramount (1999)
+Cast: Julia Roberts, Richard Gere
+Director: Garry Marshall
+Producers: Robert W. Cort, Ted Field, Mario Iscovich, Scott Kroopf, Gary Lucchesi, David Madden, Tom Rosenberg, Ellen H. Schwartz, Karen Stirgwolt, Ted Tannebaum, Richard S. Wright
+Screenwriters: Josann McGibbon, Sara Parriott
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/pJ6XiEEJndw.en.srt b/1999/pJ6XiEEJndw.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..5ae37690abf0b7feee6b06346881f77645f41f22
--- /dev/null
+++ b/1999/pJ6XiEEJndw.en.srt
@@ -0,0 +1,365 @@
+1
+00:00:00,089 --> 00:00:06,769
+
+this is Brian Oh father Brian and gills
+
+2
+00:00:06,769 --> 00:00:06,779
+this is Brian Oh father Brian and gills
+ 
+
+3
+00:00:06,779 --> 00:00:13,610
+this is Brian Oh father Brian and gills
+of course yeah well and George he
+
+4
+00:00:13,610 --> 00:00:13,620
+of course yeah well and George he
+ 
+
+5
+00:00:13,620 --> 00:00:15,799
+of course yeah well and George he
+proposed at a butterfly farm in st.
+
+6
+00:00:15,799 --> 00:00:15,809
+proposed at a butterfly farm in st.
+ 
+
+7
+00:00:15,809 --> 00:00:19,300
+proposed at a butterfly farm in st.
+Thomas the ring was inside the cocoon ah
+
+8
+00:00:19,300 --> 00:00:19,310
+Thomas the ring was inside the cocoon ah
+ 
+
+9
+00:00:19,310 --> 00:00:22,040
+Thomas the ring was inside the cocoon ah
+to Silence of the Lambs for my taste oh
+
+10
+00:00:22,040 --> 00:00:22,050
+to Silence of the Lambs for my taste oh
+ 
+
+11
+00:00:22,050 --> 00:00:25,340
+to Silence of the Lambs for my taste oh
+no he's an entomology but it was very
+
+12
+00:00:25,340 --> 00:00:25,350
+no he's an entomology but it was very
+ 
+
+13
+00:00:25,350 --> 00:00:26,150
+no he's an entomology but it was very
+unique
+
+14
+00:00:26,150 --> 00:00:26,160
+unique
+ 
+
+15
+00:00:26,160 --> 00:00:30,500
+unique
+and finally he proposed during the
+
+16
+00:00:30,500 --> 00:00:30,510
+and finally he proposed during the
+ 
+
+17
+00:00:30,510 --> 00:00:36,370
+and finally he proposed during the
+seventh-inning stretch at an Oriole game
+
+18
+00:00:36,370 --> 00:00:36,380
+seventh-inning stretch at an Oriole game
+ 
+
+19
+00:00:36,380 --> 00:00:39,830
+seventh-inning stretch at an Oriole game
+wait wait wait don't tell me
+
+20
+00:00:39,830 --> 00:00:39,840
+wait wait wait don't tell me
+ 
+
+21
+00:00:39,840 --> 00:00:43,910
+wait wait wait don't tell me
+scoreboard lit up with Mary me Maggie it
+
+22
+00:00:43,910 --> 00:00:43,920
+scoreboard lit up with Mary me Maggie it
+ 
+
+23
+00:00:43,920 --> 00:00:45,709
+scoreboard lit up with Mary me Maggie it
+was one of the most wonderful moments of
+
+24
+00:00:45,709 --> 00:00:45,719
+was one of the most wonderful moments of
+ 
+
+25
+00:00:45,719 --> 00:00:46,900
+was one of the most wonderful moments of
+my life
+
+26
+00:00:46,900 --> 00:00:46,910
+my life
+ 
+
+27
+00:00:46,910 --> 00:00:49,819
+my life
+highly suspect what do you mean it was
+
+28
+00:00:49,819 --> 00:00:49,829
+highly suspect what do you mean it was
+ 
+
+29
+00:00:49,829 --> 00:00:53,420
+highly suspect what do you mean it was
+incredibly romantic look maybe it's just
+
+30
+00:00:53,420 --> 00:00:53,430
+incredibly romantic look maybe it's just
+ 
+
+31
+00:00:53,430 --> 00:00:56,660
+incredibly romantic look maybe it's just
+me but yeah if you got to dress it up
+
+32
+00:00:56,660 --> 00:00:56,670
+me but yeah if you got to dress it up
+ 
+
+33
+00:00:56,670 --> 00:01:00,110
+me but yeah if you got to dress it up
+like that it just doesn't ring true you
+
+34
+00:01:00,110 --> 00:01:00,120
+like that it just doesn't ring true you
+ 
+
+35
+00:01:00,120 --> 00:01:04,250
+like that it just doesn't ring true you
+know I I think the most that anybody can
+
+36
+00:01:04,250 --> 00:01:04,260
+know I I think the most that anybody can
+ 
+
+37
+00:01:04,260 --> 00:01:09,200
+know I I think the most that anybody can
+honestly say is look I guarantee they'll
+
+38
+00:01:09,200 --> 00:01:09,210
+honestly say is look I guarantee they'll
+ 
+
+39
+00:01:09,210 --> 00:01:11,840
+honestly say is look I guarantee they'll
+be tough times I guarantee that at some
+
+40
+00:01:11,840 --> 00:01:11,850
+be tough times I guarantee that at some
+ 
+
+41
+00:01:11,850 --> 00:01:15,020
+be tough times I guarantee that at some
+point one or both of us is gonna want to
+
+42
+00:01:15,020 --> 00:01:15,030
+point one or both of us is gonna want to
+ 
+
+43
+00:01:15,030 --> 00:01:16,340
+point one or both of us is gonna want to
+get out of this thing but I also
+
+44
+00:01:16,340 --> 00:01:16,350
+get out of this thing but I also
+ 
+
+45
+00:01:16,350 --> 00:01:19,010
+get out of this thing but I also
+guarantee that if I don't ask you to be
+
+46
+00:01:19,010 --> 00:01:19,020
+guarantee that if I don't ask you to be
+ 
+
+47
+00:01:19,020 --> 00:01:23,710
+guarantee that if I don't ask you to be
+mine I regret it the rest of my life
+
+48
+00:01:23,710 --> 00:01:23,720
+mine I regret it the rest of my life
+ 
+
+49
+00:01:23,720 --> 00:01:29,719
+mine I regret it the rest of my life
+because I know in my heart you're the
+
+50
+00:01:29,719 --> 00:01:29,729
+because I know in my heart you're the
+ 
+
+51
+00:01:29,729 --> 00:01:33,620
+because I know in my heart you're the
+only one for me
+
+52
+00:01:33,620 --> 00:01:33,630
+
+ 
+
+53
+00:01:33,630 --> 00:01:39,350
+
+I like it I'd like it better on
+
+54
+00:01:39,350 --> 00:01:39,360
+I like it I'd like it better on
+ 
+
+55
+00:01:39,360 --> 00:01:45,289
+I like it I'd like it better on
+scoreboard so is that what you said when
+
+56
+00:01:45,289 --> 00:01:45,299
+scoreboard so is that what you said when
+ 
+
+57
+00:01:45,299 --> 00:01:49,039
+scoreboard so is that what you said when
+you asked your wife to marry don't look
+
+58
+00:01:49,039 --> 00:01:49,049
+you asked your wife to marry don't look
+ 
+
+59
+00:01:49,049 --> 00:01:50,539
+you asked your wife to marry don't look
+so surprised you get divorce written all
+
+60
+00:01:50,539 --> 00:01:50,549
+so surprised you get divorce written all
+ 
+
+61
+00:01:50,549 --> 00:01:54,880
+so surprised you get divorce written all
+over you I'm a work in progress
+
+62
+00:01:54,880 --> 00:01:54,890
+over you I'm a work in progress
+ 
+
+63
+00:01:54,890 --> 00:01:59,300
+over you I'm a work in progress
+so is that what she said to her no I
+
+64
+00:01:59,300 --> 00:01:59,310
+so is that what she said to her no I
+ 
+
+65
+00:01:59,310 --> 00:02:01,210
+so is that what she said to her no I
+guess it's something very eloquent like
+
+66
+00:02:01,210 --> 00:02:01,220
+guess it's something very eloquent like
+ 
+
+67
+00:02:01,220 --> 00:02:06,639
+guess it's something very eloquent like
+so um maybe you and I should you know
+
+68
+00:02:06,639 --> 00:02:06,649
+so um maybe you and I should you know
+ 
+
+69
+00:02:06,649 --> 00:02:12,080
+so um maybe you and I should you know
+what do you think huh now that's
+
+70
+00:02:12,080 --> 00:02:12,090
+what do you think huh now that's
+ 
+
+71
+00:02:12,090 --> 00:02:13,430
+what do you think huh now that's
+romantic
+
+72
+00:02:13,430 --> 00:02:13,440
+romantic
+ 
+
+73
+00:02:13,440 --> 00:02:44,509
+romantic
+[Music]
+
diff --git a/1999/pLbS8f9IplI.description b/1999/pLbS8f9IplI.description
new file mode 100644
index 0000000000000000000000000000000000000000..1e703f92f3fc7a99b671035fbdffc9aa98bf4bb2
--- /dev/null
+++ b/1999/pLbS8f9IplI.description
@@ -0,0 +1,38 @@
+The Green Mile movie clips: http://j.mp/1LgPA6L
+BUY THE MOVIE: http://bit.ly/2c8JNoY
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Coffey (Michael Clarke Duncan) heals Melinda Moores (Patricia Clarkson) by sucking the illness from her mouth.
+
+FILM DESCRIPTION:
+Director Frank Darabont, who made an acclaimed feature film debut with The Shawshank Redemption (1994), based on a Stephen King novel set in a prison, returns for a second feature, based on King's 1996 serialized novel set in a prison. In 1935, inmates at the Cold Mountain Correctional Facility call Death Row "The Green Mile" because of the dark green linoleum that tiles the floor. Paul Edgecomb (Tom Hanks) is the head guard on the Green Mile when a new inmate is brought into his custody: John Coffey (Michael Clarke Duncan), convicted of the sadistic murder of two young girls. Despite his size and the fearsome crimes for which he's serving time, Coffey seems to be a kind and well-mannered person who behaves more like an innocent child than a hardened criminal. Soon Edgecomb and two of his fellow guards, Howell (David Morse) and Stanton Barry Pepper), notice something odd about Coffey: he's able to perform what seem to be miracles of healing among his fellow inmates, leading them to wonder just what sort of person he could be, and if he could have committed the crimes with which he was charged. The Green Mile also stars James Cromwell as the warden; Michael Jeter, Sam Rockwell, and Graham Greene as inmates awaiting dates with the electric chair; and Harry Dean Stanton as a clever trustee.
+
+CREDITS:
+TM & © Warner Bros. (1999)
+Cast: James Cromwell, Jeffrey DeMunn, Michael Clarke Duncan, Tom Hanks, David Morse, Patricia Clarkson
+Director: Frank Darabont
+Producers: Frank Darabont, David Valdes
+Screenwriters: Stephen King, Frank Darabont
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/pLbS8f9IplI.en.srt b/1999/pLbS8f9IplI.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..534c246d8d5688f21db4447d7bfb32c899f5c518
--- /dev/null
+++ b/1999/pLbS8f9IplI.en.srt
@@ -0,0 +1,85 @@
+1
+00:00:07,587 --> 00:00:09,255
+[bed creaks]
+
+2
+00:00:15,195 --> 00:00:17,096
+Why do you...
+
+3
+00:00:17,164 --> 00:00:19,465
+Have so many scars?
+
+4
+00:00:20,968 --> 00:00:24,603
+Who hurt you so badly?
+Huh?
+
+5
+00:00:24,671 --> 00:00:27,039
+Don't hardly
+remember, ma'am.
+
+6
+00:00:29,609 --> 00:00:31,910
+What's your name, huh?
+
+7
+00:00:31,979 --> 00:00:33,946
+John coffey, ma'am.
+
+8
+00:00:34,014 --> 00:00:35,948
+Like the drink...
+
+9
+00:00:36,016 --> 00:00:38,184
+Only not spelt
+the same.
+
+10
+00:00:44,524 --> 00:00:45,958
+Ma'am...
+
+11
+00:00:52,832 --> 00:00:55,901
+Yes, john coffey?
+
+12
+00:00:57,137 --> 00:00:59,005
+I see it.
+
+13
+00:00:59,072 --> 00:01:00,839
+I see it.
+
+14
+00:01:00,907 --> 00:01:03,009
+[crying]
+
+15
+00:01:07,514 --> 00:01:09,615
+What's...Happening?
+
+16
+00:01:09,682 --> 00:01:11,350
+[crying]
+
+17
+00:01:11,418 --> 00:01:13,952
+Shh.
+You be still now.
+
+18
+00:01:14,021 --> 00:01:17,589
+You be so quiet
+and so still.
+
+19
+00:01:20,927 --> 00:01:23,095
+[whimpering]
+
+20
+00:01:44,717 --> 00:01:49,021
+[inhales]
+
diff --git a/1999/plGWKSHrzCk.en.srt b/1999/plGWKSHrzCk.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..9db8d4dab3c53e01778f1907daabae5c7de65475
--- /dev/null
+++ b/1999/plGWKSHrzCk.en.srt
@@ -0,0 +1,85 @@
+1
+00:01:53,039 --> 00:01:59,609
+
+see guess he won his case here more
+
+2
+00:01:59,609 --> 00:01:59,619
+see guess he won his case here more
+ 
+
+3
+00:01:59,619 --> 00:02:03,120
+see guess he won his case here more
+friend no well who then
+
+4
+00:02:03,120 --> 00:02:03,130
+friend no well who then
+ 
+
+5
+00:02:03,130 --> 00:02:11,430
+friend no well who then
+he's a singer rock'n'roll I suppose own
+
+6
+00:02:11,430 --> 00:02:11,440
+he's a singer rock'n'roll I suppose own
+ 
+
+7
+00:02:11,440 --> 00:02:19,880
+he's a singer rock'n'roll I suppose own
+style well ed said some kind of a record
+
+8
+00:02:19,880 --> 00:02:19,890
+style well ed said some kind of a record
+ 
+
+9
+00:02:19,890 --> 00:02:22,890
+style well ed said some kind of a record
+hunter any singer's named now or ahead
+
+10
+00:02:22,890 --> 00:02:22,900
+hunter any singer's named now or ahead
+ 
+
+11
+00:02:22,900 --> 00:02:26,070
+hunter any singer's named now or ahead
+well first name is drum strikes unless
+
+12
+00:02:26,070 --> 00:02:26,080
+well first name is drum strikes unless
+ 
+
+13
+00:02:26,080 --> 00:02:27,750
+well first name is drum strikes unless
+blue she did the best she could
+
+14
+00:02:27,750 --> 00:02:27,760
+blue she did the best she could
+ 
+
+15
+00:02:27,760 --> 00:02:33,030
+blue she did the best she could
+you know it's backwards you got a name
+
+16
+00:02:33,030 --> 00:02:33,040
+you know it's backwards you got a name
+ 
+
+17
+00:02:33,040 --> 00:02:35,730
+you know it's backwards you got a name
+backwards
+
diff --git a/1999/pvNA2JkMfSI.en.srt b/1999/pvNA2JkMfSI.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..c3ff7a973ce8cc08b80b80b680b092ed7f4c86f8
--- /dev/null
+++ b/1999/pvNA2JkMfSI.en.srt
@@ -0,0 +1,485 @@
+1
+00:00:03,230 --> 00:00:06,170
+
+am I in trouble for kissing and orderly
+
+2
+00:00:06,170 --> 00:00:06,180
+am I in trouble for kissing and orderly
+ 
+
+3
+00:00:06,180 --> 00:00:11,570
+am I in trouble for kissing and orderly
+or giving my boyfriend a Melvin
+
+4
+00:00:11,570 --> 00:00:11,580
+or giving my boyfriend a Melvin
+ 
+
+5
+00:00:11,580 --> 00:00:14,839
+or giving my boyfriend a Melvin
+says you've some very interesting
+
+6
+00:00:14,839 --> 00:00:14,849
+says you've some very interesting
+ 
+
+7
+00:00:14,849 --> 00:00:18,230
+says you've some very interesting
+theories about your illness you believe
+
+8
+00:00:18,230 --> 00:00:18,240
+theories about your illness you believe
+ 
+
+9
+00:00:18,240 --> 00:00:21,279
+theories about your illness you believe
+there is a mystical undertow in life
+
+10
+00:00:21,279 --> 00:00:21,289
+there is a mystical undertow in life
+ 
+
+11
+00:00:21,289 --> 00:00:26,060
+there is a mystical undertow in life
+quick sins of shadows yeah and another
+
+12
+00:00:26,060 --> 00:00:26,070
+quick sins of shadows yeah and another
+ 
+
+13
+00:00:26,070 --> 00:00:27,800
+quick sins of shadows yeah and another
+one of my theories is that you people
+
+14
+00:00:27,800 --> 00:00:27,810
+one of my theories is that you people
+ 
+
+15
+00:00:27,810 --> 00:00:29,230
+one of my theories is that you people
+don't know what you're doing
+
+16
+00:00:29,230 --> 00:00:29,240
+don't know what you're doing
+ 
+
+17
+00:00:29,240 --> 00:00:31,640
+don't know what you're doing
+still you acknowledge there is a problem
+
+18
+00:00:31,640 --> 00:00:31,650
+still you acknowledge there is a problem
+ 
+
+19
+00:00:31,650 --> 00:00:33,380
+still you acknowledge there is a problem
+coping with this quicksand you know I
+
+20
+00:00:33,380 --> 00:00:33,390
+coping with this quicksand you know I
+ 
+
+21
+00:00:33,390 --> 00:00:35,090
+coping with this quicksand you know I
+have a problem coping with this hospital
+
+22
+00:00:35,090 --> 00:00:35,100
+have a problem coping with this hospital
+ 
+
+23
+00:00:35,100 --> 00:00:40,910
+have a problem coping with this hospital
+I want to leave I can't do that I signed
+
+24
+00:00:40,910 --> 00:00:40,920
+I want to leave I can't do that I signed
+ 
+
+25
+00:00:40,920 --> 00:00:42,500
+I want to leave I can't do that I signed
+myself in I should be able to sign
+
+26
+00:00:42,500 --> 00:00:42,510
+myself in I should be able to sign
+ 
+
+27
+00:00:42,510 --> 00:00:44,569
+myself in I should be able to sign
+myself out and you signed yourself into
+
+28
+00:00:44,569 --> 00:00:44,579
+myself out and you signed yourself into
+ 
+
+29
+00:00:44,579 --> 00:00:47,330
+myself out and you signed yourself into
+okay we decide when you leave you're not
+
+30
+00:00:47,330 --> 00:00:47,340
+okay we decide when you leave you're not
+ 
+
+31
+00:00:47,340 --> 00:00:50,540
+okay we decide when you leave you're not
+ready for it Susana your progress has
+
+32
+00:00:50,540 --> 00:00:50,550
+ready for it Susana your progress has
+ 
+
+33
+00:00:50,550 --> 00:00:56,840
+ready for it Susana your progress has
+played out does that disappoint you I'm
+
+34
+00:00:56,840 --> 00:00:56,850
+played out does that disappoint you I'm
+ 
+
+35
+00:00:56,850 --> 00:00:59,840
+played out does that disappoint you I'm
+ambivalent in fact that's my new
+
+36
+00:00:59,840 --> 00:00:59,850
+ambivalent in fact that's my new
+ 
+
+37
+00:00:59,850 --> 00:01:02,150
+ambivalent in fact that's my new
+favorite word do you know what that
+
+38
+00:01:02,150 --> 00:01:02,160
+favorite word do you know what that
+ 
+
+39
+00:01:02,160 --> 00:01:02,930
+favorite word do you know what that
+means
+
+40
+00:01:02,930 --> 00:01:02,940
+means
+ 
+
+41
+00:01:02,940 --> 00:01:06,500
+means
+ambivalence I don't care it's your
+
+42
+00:01:06,500 --> 00:01:06,510
+ambivalence I don't care it's your
+ 
+
+43
+00:01:06,510 --> 00:01:08,450
+ambivalence I don't care it's your
+favorite word I would have thought it
+
+44
+00:01:08,450 --> 00:01:08,460
+favorite word I would have thought it
+ 
+
+45
+00:01:08,460 --> 00:01:11,000
+favorite word I would have thought it
+means I don't care that's what it means
+
+46
+00:01:11,000 --> 00:01:11,010
+means I don't care that's what it means
+ 
+
+47
+00:01:11,010 --> 00:01:14,539
+means I don't care that's what it means
+on the contrary Susana ambivalence
+
+48
+00:01:14,539 --> 00:01:14,549
+on the contrary Susana ambivalence
+ 
+
+49
+00:01:14,549 --> 00:01:18,219
+on the contrary Susana ambivalence
+suggests strong feelings in opposition
+
+50
+00:01:18,219 --> 00:01:18,229
+suggests strong feelings in opposition
+ 
+
+51
+00:01:18,229 --> 00:01:23,800
+suggests strong feelings in opposition
+the prefixes in ambidextrous means both
+
+52
+00:01:23,800 --> 00:01:23,810
+the prefixes in ambidextrous means both
+ 
+
+53
+00:01:23,810 --> 00:01:27,819
+the prefixes in ambidextrous means both
+the rest of it and Latin means figure
+
+54
+00:01:27,819 --> 00:01:27,829
+the rest of it and Latin means figure
+ 
+
+55
+00:01:27,829 --> 00:01:31,390
+the rest of it and Latin means figure
+the word suggests that you are torn
+
+56
+00:01:31,390 --> 00:01:31,400
+the word suggests that you are torn
+ 
+
+57
+00:01:31,400 --> 00:01:37,569
+the word suggests that you are torn
+between two opposing courses of action
+
+58
+00:01:37,569 --> 00:01:37,579
+
+ 
+
+59
+00:01:37,579 --> 00:01:42,859
+
+well I stare will I go am i sane or am I
+
+60
+00:01:42,859 --> 00:01:42,869
+well I stare will I go am i sane or am I
+ 
+
+61
+00:01:42,869 --> 00:01:43,870
+well I stare will I go am i sane or am I
+crazy
+
+62
+00:01:43,870 --> 00:01:43,880
+crazy
+ 
+
+63
+00:01:43,880 --> 00:01:47,749
+crazy
+those aren't courses of action they can
+
+64
+00:01:47,749 --> 00:01:47,759
+those aren't courses of action they can
+ 
+
+65
+00:01:47,759 --> 00:01:52,280
+those aren't courses of action they can
+be dear for some well then it's the
+
+66
+00:01:52,280 --> 00:01:52,290
+be dear for some well then it's the
+ 
+
+67
+00:01:52,290 --> 00:02:02,210
+be dear for some well then it's the
+wrong word no I think it's perfect
+
+68
+00:02:02,210 --> 00:02:02,220
+
+ 
+
+69
+00:02:02,220 --> 00:02:09,810
+
+quiz hake loca Squire Akio Kwai Mundus
+
+70
+00:02:09,810 --> 00:02:09,820
+quiz hake loca Squire Akio Kwai Mundus
+ 
+
+71
+00:02:09,820 --> 00:02:16,250
+quiz hake loca Squire Akio Kwai Mundus
+blogger what world is this what Kingdom
+
+72
+00:02:16,250 --> 00:02:16,260
+blogger what world is this what Kingdom
+ 
+
+73
+00:02:16,260 --> 00:02:21,690
+blogger what world is this what Kingdom
+what shows of what world it's a very
+
+74
+00:02:21,690 --> 00:02:21,700
+what shows of what world it's a very
+ 
+
+75
+00:02:21,700 --> 00:02:25,220
+what shows of what world it's a very
+vague question you're faced with Susana
+
+76
+00:02:25,220 --> 00:02:25,230
+vague question you're faced with Susana
+ 
+
+77
+00:02:25,230 --> 00:02:30,930
+vague question you're faced with Susana
+the choice of your life how much will
+
+78
+00:02:30,930 --> 00:02:30,940
+the choice of your life how much will
+ 
+
+79
+00:02:30,940 --> 00:02:33,830
+the choice of your life how much will
+you indulge in your flaws
+
+80
+00:02:33,830 --> 00:02:33,840
+you indulge in your flaws
+ 
+
+81
+00:02:33,840 --> 00:02:38,580
+you indulge in your flaws
+what are your flaws are they flaws if
+
+82
+00:02:38,580 --> 00:02:38,590
+what are your flaws are they flaws if
+ 
+
+83
+00:02:38,590 --> 00:02:40,920
+what are your flaws are they flaws if
+you embrace them will you commit
+
+84
+00:02:40,920 --> 00:02:40,930
+you embrace them will you commit
+ 
+
+85
+00:02:40,930 --> 00:02:45,150
+you embrace them will you commit
+yourself to hospital for life three
+
+86
+00:02:45,150 --> 00:02:45,160
+yourself to hospital for life three
+ 
+
+87
+00:02:45,160 --> 00:02:50,760
+yourself to hospital for life three
+questions big decisions not surprising
+
+88
+00:02:50,760 --> 00:02:50,770
+questions big decisions not surprising
+ 
+
+89
+00:02:50,770 --> 00:03:01,140
+questions big decisions not surprising
+you profess carelessness about them is
+
+90
+00:03:01,140 --> 00:03:01,150
+you profess carelessness about them is
+ 
+
+91
+00:03:01,150 --> 00:03:08,280
+you profess carelessness about them is
+that it for now
+
+92
+00:03:08,280 --> 00:03:08,290
+
+ 
+
+93
+00:03:08,290 --> 00:03:21,559
+
+[Music]
+
+94
+00:03:21,559 --> 00:03:21,569
+
+ 
+
+95
+00:03:21,569 --> 00:03:29,450
+
+you
+
+96
+00:03:29,450 --> 00:03:29,460
+
+ 
+
+97
+00:03:29,460 --> 00:03:35,379
+
+[Music]
+
diff --git a/1999/pyDG32yotmk.description b/1999/pyDG32yotmk.description
new file mode 100644
index 0000000000000000000000000000000000000000..17d350f8cec8964f9cd89058278a9663f91209cc
--- /dev/null
+++ b/1999/pyDG32yotmk.description
@@ -0,0 +1,38 @@
+The Ninth Gate movie clips: http://j.mp/1CXmAe5
+BUY THE MOVIE: http://j.mp/15yt43n
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The Girl (Emmanuelle Seigner) rescues Dean (Johnny Depp) from an attack.
+
+FILM DESCRIPTION:
+An authority on rare books is drawn into a confrontation with the forces of darkness in this thriller directed by Roman Polanski. Dean Corso (Johnny Depp) is a rare book broker who makes his living tracking down valuable items for rich bibliophiles. Corso is hired by Boris Balkan (Frank Langella), a millionaire New Yorker with a vast collection of occult literature and a keen interest in "The Nine Gates to the Kingdom of Shadows." Legend has it that the book was co-written by Satan in the 17th century, and only three copies are known to exist; the owner of one recently sold the book to Balkan a few days before killing himself. Balkan wants Corso to find the other two copies (one owned by a Mr. Fargas in Portugal and the other by a French collector named Kessler) and examine them to determine if they are forgeries. Corso is told to be thorough and spare no expense. He begins by visiting Liana Telfer (Lena Olin), the widow of the man who once owned Balkan's copy of the book, who has an unusually strong desire to get the book back, and confers with his friend Bernie (James Russo), who soon turns up dead, in a manner much like an illustration from the book. Corso learns that the book contains clues to a puzzle that will allow people to call up the devil, and certain people will stop at nothing to find the missing parts of the formula.
+
+CREDITS:
+TM & © Lionsgate (1999)
+Cast: Tony Amoni, Johnny Depp, Emmanuelle Seigner
+Director: Roman Polanski
+Producers: Mark Allan, Antonio Cardenal, Michel Cheyko, Wolfgang Glattes, Adam Kempton, Iñaki Núñez, Roman Polanski, Alain Vannier, Suzanne Wiesenfeld
+Screenwriters: Arturo Pérez-Reverte, John Brownjohn, Enrique Urbizu, Roman Polanski
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/q7V1sM0VNaw.en.srt b/1999/q7V1sM0VNaw.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..7e0e1f34b698e0290526d70b5172740a5215223a
--- /dev/null
+++ b/1999/q7V1sM0VNaw.en.srt
@@ -0,0 +1,375 @@
+1
+00:00:00,590 --> 00:00:04,690
+
+[Music]
+
+2
+00:00:04,690 --> 00:00:04,700
+[Music]
+ 
+
+3
+00:00:04,700 --> 00:00:08,299
+[Music]
+good morning word is the Jen Lafleur is
+
+4
+00:00:08,299 --> 00:00:08,309
+good morning word is the Jen Lafleur is
+ 
+
+5
+00:00:08,309 --> 00:00:09,680
+good morning word is the Jen Lafleur is
+bringing a big shipment of heroin
+
+6
+00:00:09,680 --> 00:00:09,690
+bringing a big shipment of heroin
+ 
+
+7
+00:00:09,690 --> 00:00:18,290
+bringing a big shipment of heroin
+through town shutting down the harbor
+
+8
+00:00:18,290 --> 00:00:18,300
+through town shutting down the harbor
+ 
+
+9
+00:00:18,300 --> 00:00:28,849
+through town shutting down the harbor
+and the airport's on hello detective
+
+10
+00:00:28,849 --> 00:00:28,859
+and the airport's on hello detective
+ 
+
+11
+00:00:28,859 --> 00:00:30,169
+and the airport's on hello detective
+Malloy just transferred from West Covina
+
+12
+00:00:30,169 --> 00:00:30,179
+Malloy just transferred from West Covina
+ 
+
+13
+00:00:30,179 --> 00:00:31,999
+Malloy just transferred from West Covina
+he's gonna be heading up our burglary
+
+14
+00:00:31,999 --> 00:00:32,009
+he's gonna be heading up our burglary
+ 
+
+15
+00:00:32,009 --> 00:00:36,049
+he's gonna be heading up our burglary
+division detective tell us a little
+
+16
+00:00:36,049 --> 00:00:36,059
+division detective tell us a little
+ 
+
+17
+00:00:36,059 --> 00:00:37,190
+division detective tell us a little
+about your plans
+
+18
+00:00:37,190 --> 00:00:37,200
+about your plans
+ 
+
+19
+00:00:37,200 --> 00:00:48,410
+about your plans
+ah all right a planner fight crime no
+
+20
+00:00:48,410 --> 00:00:48,420
+ah all right a planner fight crime no
+ 
+
+21
+00:00:48,420 --> 00:00:49,279
+ah all right a planner fight crime no
+ like that
+
+22
+00:00:49,279 --> 00:00:49,289
+like that
+ 
+
+23
+00:00:49,289 --> 00:00:52,700
+like that
+great then great all right anybody have
+
+24
+00:00:52,700 --> 00:00:52,710
+great then great all right anybody have
+ 
+
+25
+00:00:52,710 --> 00:00:54,619
+great then great all right anybody have
+any questions for detective Malone yeah
+
+26
+00:00:54,619 --> 00:00:54,629
+any questions for detective Malone yeah
+ 
+
+27
+00:00:54,629 --> 00:00:57,020
+any questions for detective Malone yeah
+I got a question what do you think about
+
+28
+00:00:57,020 --> 00:00:57,030
+I got a question what do you think about
+ 
+
+29
+00:00:57,030 --> 00:01:05,149
+I got a question what do you think about
+the P 31 P 31 what do you think things a
+
+30
+00:01:05,149 --> 00:01:05,159
+the P 31 P 31 what do you think things a
+ 
+
+31
+00:01:05,159 --> 00:01:06,940
+the P 31 P 31 what do you think things a
+piece of yes
+
+32
+00:01:06,940 --> 00:01:06,950
+piece of yes
+ 
+
+33
+00:01:06,950 --> 00:01:09,380
+piece of yes
+what I mean to say it's we've all been
+
+34
+00:01:09,380 --> 00:01:09,390
+what I mean to say it's we've all been
+ 
+
+35
+00:01:09,390 --> 00:01:12,170
+what I mean to say it's we've all been
+having problems with a P 31 right yeah
+
+36
+00:01:12,170 --> 00:01:12,180
+having problems with a P 31 right yeah
+ 
+
+37
+00:01:12,180 --> 00:01:14,090
+having problems with a P 31 right yeah
+I'm just wondering what the new lead
+
+38
+00:01:14,090 --> 00:01:14,100
+I'm just wondering what the new lead
+ 
+
+39
+00:01:14,100 --> 00:01:16,690
+I'm just wondering what the new lead
+detective here plans to do about all
+
+40
+00:01:16,690 --> 00:01:16,700
+detective here plans to do about all
+ 
+
+41
+00:01:16,700 --> 00:01:21,080
+detective here plans to do about all
+right well Diaz is it - what do you
+
+42
+00:01:21,080 --> 00:01:21,090
+right well Diaz is it - what do you
+ 
+
+43
+00:01:21,090 --> 00:01:22,609
+right well Diaz is it - what do you
+think we should do about it
+
+44
+00:01:22,609 --> 00:01:22,619
+think we should do about it
+ 
+
+45
+00:01:22,619 --> 00:01:26,749
+think we should do about it
+Diaz I think we should scrap it how many
+
+46
+00:01:26,749 --> 00:01:26,759
+Diaz I think we should scrap it how many
+ 
+
+47
+00:01:26,759 --> 00:01:31,300
+Diaz I think we should scrap it how many
+people think we should scrap the P 31
+
+48
+00:01:31,300 --> 00:01:31,310
+
+ 
+
+49
+00:01:31,310 --> 00:01:34,969
+
+that is scrapped you know why cuz you
+
+50
+00:01:34,969 --> 00:01:34,979
+that is scrapped you know why cuz you
+ 
+
+51
+00:01:34,979 --> 00:01:36,740
+that is scrapped you know why cuz you
+want it scrapped it's out of there
+
+52
+00:01:36,740 --> 00:01:36,750
+want it scrapped it's out of there
+ 
+
+53
+00:01:36,750 --> 00:01:40,039
+want it scrapped it's out of there
+P 31 out of there no more gone you want
+
+54
+00:01:40,039 --> 00:01:40,049
+P 31 out of there no more gone you want
+ 
+
+55
+00:01:40,049 --> 00:01:43,370
+P 31 out of there no more gone you want
+31 flavors Baskin and Robbins is where
+
+56
+00:01:43,370 --> 00:01:43,380
+31 flavors Baskin and Robbins is where
+ 
+
+57
+00:01:43,380 --> 00:01:52,160
+31 flavors Baskin and Robbins is where
+you want to be be cool detective what is
+
+58
+00:01:52,160 --> 00:01:52,170
+you want to be be cool detective what is
+ 
+
+59
+00:01:52,170 --> 00:01:55,760
+you want to be be cool detective what is
+it I'd like to work with the p40 yeah
+
+60
+00:01:55,760 --> 00:01:55,770
+it I'd like to work with the p40 yeah
+ 
+
+61
+00:01:55,770 --> 00:02:00,040
+it I'd like to work with the p40 yeah
+the pay forties good P 40 it is
+
+62
+00:02:00,040 --> 00:02:00,050
+the pay forties good P 40 it is
+ 
+
+63
+00:02:00,050 --> 00:02:03,870
+the pay forties good P 40 it is
+[Applause]
+
+64
+00:02:03,870 --> 00:02:03,880
+
+ 
+
+65
+00:02:03,880 --> 00:02:05,800
+
+what the hell you doing
+
+66
+00:02:05,800 --> 00:02:05,810
+what the hell you doing
+ 
+
+67
+00:02:05,810 --> 00:02:07,630
+what the hell you doing
+we've just got those things and shaking
+
+68
+00:02:07,630 --> 00:02:07,640
+we've just got those things and shaking
+ 
+
+69
+00:02:07,640 --> 00:02:09,520
+we've just got those things and shaking
+things up maybe that's exactly what we
+
+70
+00:02:09,520 --> 00:02:09,530
+things up maybe that's exactly what we
+ 
+
+71
+00:02:09,530 --> 00:02:10,070
+things up maybe that's exactly what we
+need
+
+72
+00:02:10,070 --> 00:02:10,080
+need
+ 
+
+73
+00:02:10,080 --> 00:02:12,560
+need
+[Applause]
+
+74
+00:02:12,560 --> 00:02:12,570
+[Applause]
+ 
+
+75
+00:02:12,570 --> 00:02:24,009
+[Applause]
+[Music]
+
diff --git a/1999/qBGFAnbZS_M.ar.srt b/1999/qBGFAnbZS_M.ar.srt
new file mode 100644
index 0000000000000000000000000000000000000000..699d50a7f902cee0395cdbfe99a2c15c6c4e633d
--- /dev/null
+++ b/1999/qBGFAnbZS_M.ar.srt
@@ -0,0 +1,305 @@
+1
+00:00:00,230 --> 00:00:07,330
+
+ميغان نحن نحبك نحن جميعًا نحبك
+
+2
+00:00:07,330 --> 00:00:07,340
+ميغان نحن نحبك نحن جميعًا نحبك
+ 
+
+3
+00:00:07,340 --> 00:00:10,070
+ميغان نحن نحبك نحن جميعًا نحبك
+ومؤخرًا أصبحنا قلقين بشأن
+
+4
+00:00:10,070 --> 00:00:10,080
+ومؤخرًا أصبحنا قلقين بشأن
+ 
+
+5
+00:00:10,080 --> 00:00:14,390
+ومؤخرًا أصبحنا قلقين بشأن
+بعض السلوكيات التي نخشى أن
+
+6
+00:00:14,390 --> 00:00:14,400
+بعض السلوكيات التي نخشى أن
+ 
+
+7
+00:00:14,400 --> 00:00:17,590
+بعض السلوكيات التي نخشى أن
+تتأثر بها بطريقة تفكير
+
+8
+00:00:17,590 --> 00:00:17,600
+تتأثر بها بطريقة تفكير
+ 
+
+9
+00:00:17,600 --> 00:00:22,250
+تتأثر بها بطريقة تفكير
+غير طبيعية هل تتذكر المرأة
+
+10
+00:00:22,250 --> 00:00:22,260
+غير طبيعية هل تتذكر المرأة
+ 
+
+11
+00:00:22,260 --> 00:00:23,120
+غير طبيعية هل تتذكر المرأة
+على شاشة التلفزيون يا
+
+12
+00:00:23,120 --> 00:00:23,130
+على شاشة التلفزيون يا
+ 
+
+13
+00:00:23,130 --> 00:00:31,900
+على شاشة التلفزيون يا
+عزيزتي نعتقد أن أوروبا مثلية أنا نفسي
+
+14
+00:00:31,900 --> 00:00:31,910
+عزيزتي نعتقد أن أوروبا مثلية أنا نفسي
+ 
+
+15
+00:00:31,910 --> 00:00:37,240
+عزيزتي نعتقد أن أوروبا مثلية أنا نفسي
+كنت مرة أخرى الآن أنا مثلي الجنس سابقًا ميغان
+
+16
+00:00:37,240 --> 00:00:37,250
+كنت مرة أخرى الآن أنا مثلي الجنس سابقًا ميغان
+ 
+
+17
+00:00:37,250 --> 00:00:40,639
+كنت مرة أخرى الآن أنا مثلي الجنس سابقًا ميغان
+أعمل في مكان يسمى الاتجاهات الحقيقية
+
+18
+00:00:40,639 --> 00:00:40,649
+أعمل في مكان يسمى الاتجاهات الحقيقية
+ 
+
+19
+00:00:40,649 --> 00:00:44,690
+أعمل في مكان يسمى الاتجاهات الحقيقية
+الذي يساعد الأشخاص مثلك على تعلم
+
+20
+00:00:44,690 --> 00:00:44,700
+الذي يساعد الأشخاص مثلك على تعلم
+ 
+
+21
+00:00:44,700 --> 00:00:47,450
+الذي يساعد الأشخاص مثلك على تعلم
+فهم الأسباب وراء
+
+22
+00:00:47,450 --> 00:00:47,460
+فهم الأسباب وراء
+ 
+
+23
+00:00:47,460 --> 00:00:50,990
+فهم الأسباب وراء
+الميول المثلية وشفائها
+
+24
+00:00:50,990 --> 00:00:51,000
+الميول المثلية وشفائها
+ 
+
+25
+00:00:51,000 --> 00:00:54,920
+الميول المثلية وشفائها
+ما هي الميول لماذا تفكر
+
+26
+00:00:54,920 --> 00:00:54,930
+ما هي الميول لماذا تفكر
+ 
+
+27
+00:00:54,930 --> 00:00:57,799
+ما هي الميول لماذا تفكر
+بي لقد كنت تحاول جعلنا نأكل
+
+28
+00:00:57,799 --> 00:00:57,809
+بي لقد كنت تحاول جعلنا نأكل
+ 
+
+29
+00:00:57,809 --> 00:01:01,450
+بي لقد كنت تحاول جعلنا نأكل
+هذا التوفو في نظام غذائي تم تحويلنا إلى
+
+30
+00:01:01,450 --> 00:01:01,460
+هذا التوفو في نظام غذائي تم تحويلنا إلى
+ 
+
+31
+00:01:01,460 --> 00:01:04,910
+هذا التوفو في نظام غذائي تم تحويلنا إلى
+نظام نباتي ليس لديك أي
+
+32
+00:01:04,910 --> 00:01:04,920
+نظام نباتي ليس لديك أي
+ 
+
+33
+00:01:04,920 --> 00:01:06,410
+نظام نباتي ليس لديك أي
+صور للرجال في خزانتك
+
+34
+00:01:06,410 --> 00:01:06,420
+صور للرجال في خزانتك
+ 
+
+35
+00:01:06,420 --> 00:01:08,380
+صور للرجال في خزانتك
+فقط هذه
+
+36
+00:01:08,380 --> 00:01:08,390
+فقط هذه
+ 
+
+37
+00:01:08,390 --> 00:01:10,639
+فقط هذه
+[تصفيق]
+
+38
+00:01:10,639 --> 00:01:10,649
+[تصفيق]
+ 
+
+39
+00:01:10,649 --> 00:01:14,240
+[تصفيق]
+الزخارف الجنسية حتى المهبلية في الأعمال الفنية
+
+40
+00:01:14,240 --> 00:01:14,250
+الزخارف الجنسية حتى المهبلية في الأعمال الفنية
+ 
+
+41
+00:01:14,250 --> 00:01:21,950
+الزخارف الجنسية حتى المهبلية في الأعمال الفنية
+وتزيين الأيقونات المثلية أنت لا
+
+42
+00:01:21,950 --> 00:01:21,960
+وتزيين الأيقونات المثلية أنت لا
+ 
+
+43
+00:01:21,960 --> 00:01:23,599
+وتزيين الأيقونات المثلية أنت لا
+تحب حتى تقبيلي
+
+44
+00:01:23,599 --> 00:01:23,609
+تحب حتى تقبيلي
+ 
+
+45
+00:01:23,609 --> 00:01:30,050
+تحب حتى تقبيلي
+إنها حقيقة من فضلك الإنكار هو جزء طبيعي
+
+46
+00:01:30,050 --> 00:01:30,060
+إنها حقيقة من فضلك الإنكار هو جزء طبيعي
+ 
+
+47
+00:01:30,060 --> 00:01:32,029
+إنها حقيقة من فضلك الإنكار هو جزء طبيعي
+من عملية الشفاء التي
+
+48
+00:01:32,029 --> 00:01:32,039
+من عملية الشفاء التي
+ 
+
+49
+00:01:32,039 --> 00:01:37,309
+من عملية الشفاء التي
+سنستكشفها والتي لديك اتجاهات الشفاء مثل
+
+50
+00:01:37,309 --> 00:01:37,319
+سنستكشفها والتي لديك اتجاهات الشفاء مثل
+ 
+
+51
+00:01:37,319 --> 00:01:40,609
+سنستكشفها والتي لديك اتجاهات الشفاء مثل
+إعادة التأهيل يا عزيزتي أوه كاما الجنسيات
+
+52
+00:01:40,609 --> 00:01:40,619
+إعادة التأهيل يا عزيزتي أوه كاما الجنسيات
+ 
+
+53
+00:01:40,619 --> 00:01:44,809
+إعادة التأهيل يا عزيزتي أوه كاما الجنسيات
+بودل مجهول إنه لبضعة أشهر فقط
+
+54
+00:01:44,809 --> 00:01:44,819
+بودل مجهول إنه لبضعة أشهر فقط
+ 
+
+55
+00:01:44,819 --> 00:01:47,410
+بودل مجهول إنه لبضعة أشهر فقط
+لا توجد طريقة أذهب بها
+
+56
+00:01:47,410 --> 00:01:47,420
+لا توجد طريقة أذهب بها
+ 
+
+57
+00:01:47,420 --> 00:02:10,510
+لا توجد طريقة أذهب بها
+[موسيقى]
+
+58
+00:02:10,510 --> 00:02:10,520
+
+ 
+
+59
+00:02:10,520 --> 00:02:12,500
+
+أنت
+
+60
+00:02:12,500 --> 00:02:12,510
+أنت
+ 
+
+61
+00:02:12,510 --> 00:02:18,460
+أنت
+[موسيقى]
+
diff --git a/1999/qPbOVPtdaZs.description b/1999/qPbOVPtdaZs.description
new file mode 100644
index 0000000000000000000000000000000000000000..af0a9e8c18421c09bd750d6c235911af3074902a
--- /dev/null
+++ b/1999/qPbOVPtdaZs.description
@@ -0,0 +1,37 @@
+The Limey movie clips: http://j.mp/11i0t22
+BUY THE MOVIE: http://j.mp/11i0sLH
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Wilson (Terence Stamp) and Eduardo Roel (Luis Guzmán) flee Terry Valentine's house through the Hollywood Hills with Jim Avery (Barry Newman) in hot pursuit.
+
+FILM DESCRIPTION:
+Two actors best known for their work in the late 1960s, Terence Stamp and Peter Fonda, star in The Limey, a drama in which a recently released felon contemplates the gulf between aging criminals like himself and their modern counterparts. Wilson (Stamp) is a British career criminal who has been released after nine years in prison. He has learned that his daughter Jenny died under suspicious circumstances in Los Angeles, so he travels to America for the first time to find out what happened and who's responsible. With the help of an ex-con named Ed (Luis Guzman), Wilson discovers Jenny was romantically involved with Valentine (Fonda), a middle-aged record producer with a shady past and a fondness for young women. In hopes of getting the truth -- and getting to Valentine -- Wilson finds himself doing battle with some of the worst criminals to crawl from the underbelly of Los Angeles; along the way, he also meets Elaine (Lesley Ann Warren), an older actress who knew Jenny and reminds Wilson of how little he really did for his daughter while she was alive. Steven Soderbergh's first film after his commercial comeback with 1998's Out Of Sight, The Limey features, along with Stamp and Fonda, two other notable 60's actors in supporting roles, Barry Newman and Joe Dallesandro.
+
+CREDITS:
+TM & © Lionsgate (1999)
+Cast: Luis Guzmán, Barry Newman, Terence Stamp, Melissa George
+Director: Steven Soderbergh
+Screenwriter: Lem Dobbs
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/qWiGcXSaKUc.en.srt b/1999/qWiGcXSaKUc.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..8a9de55ae5ee298694d64e0622543d24cf2d8a00
--- /dev/null
+++ b/1999/qWiGcXSaKUc.en.srt
@@ -0,0 +1,455 @@
+1
+00:00:00,680 --> 00:00:08,950
+
+night of the prom 73 people died
+
+2
+00:00:08,950 --> 00:00:08,960
+
+ 
+
+3
+00:00:08,960 --> 00:00:13,220
+
+feel the survive but I've never talked
+
+4
+00:00:13,220 --> 00:00:13,230
+feel the survive but I've never talked
+ 
+
+5
+00:00:13,230 --> 00:00:20,240
+feel the survive but I've never talked
+about that night that's why I ended up
+
+6
+00:00:20,240 --> 00:00:20,250
+about that night that's why I ended up
+ 
+
+7
+00:00:20,250 --> 00:00:22,580
+about that night that's why I ended up
+at Arkham you wonder
+
+8
+00:00:22,580 --> 00:00:22,590
+at Arkham you wonder
+ 
+
+9
+00:00:22,590 --> 00:00:24,650
+at Arkham you wonder
+I witness something I can't even begin
+
+10
+00:00:24,650 --> 00:00:24,660
+I witness something I can't even begin
+ 
+
+11
+00:00:24,660 --> 00:00:28,430
+I witness something I can't even begin
+to tell you about but look around see
+
+12
+00:00:28,430 --> 00:00:28,440
+to tell you about but look around see
+ 
+
+13
+00:00:28,440 --> 00:00:31,670
+to tell you about but look around see
+for yourself this was the original high
+
+14
+00:00:31,670 --> 00:00:31,680
+for yourself this was the original high
+ 
+
+15
+00:00:31,680 --> 00:00:35,150
+for yourself this was the original high
+school I'm just a to tear this place
+
+16
+00:00:35,150 --> 00:00:35,160
+school I'm just a to tear this place
+ 
+
+17
+00:00:35,160 --> 00:00:37,940
+school I'm just a to tear this place
+down it's like some twisted memorial to
+
+18
+00:00:37,940 --> 00:00:37,950
+down it's like some twisted memorial to
+ 
+
+19
+00:00:37,950 --> 00:00:43,460
+down it's like some twisted memorial to
+that night I haven't been here in over
+
+20
+00:00:43,460 --> 00:00:43,470
+that night I haven't been here in over
+ 
+
+21
+00:00:43,470 --> 00:00:47,380
+that night I haven't been here in over
+20 years happy homecoming
+
+22
+00:00:47,380 --> 00:00:47,390
+20 years happy homecoming
+ 
+
+23
+00:00:47,390 --> 00:00:50,770
+20 years happy homecoming
+you've heard of Carrie White haven't you
+
+24
+00:00:50,770 --> 00:00:50,780
+you've heard of Carrie White haven't you
+ 
+
+25
+00:00:50,780 --> 00:00:54,259
+you've heard of Carrie White haven't you
+supposedly she set the fire as some type
+
+26
+00:00:54,259 --> 00:00:54,269
+supposedly she set the fire as some type
+ 
+
+27
+00:00:54,269 --> 00:00:59,120
+supposedly she set the fire as some type
+of revenge suicide thing Elvis was her
+
+28
+00:00:59,120 --> 00:00:59,130
+of revenge suicide thing Elvis was her
+ 
+
+29
+00:00:59,130 --> 00:01:04,790
+of revenge suicide thing Elvis was her
+date and they escaped in the UFO I know
+
+30
+00:01:04,790 --> 00:01:04,800
+date and they escaped in the UFO I know
+ 
+
+31
+00:01:04,800 --> 00:01:06,499
+date and they escaped in the UFO I know
+what happened to that snow dome on my
+
+32
+00:01:06,499 --> 00:01:06,509
+what happened to that snow dome on my
+ 
+
+33
+00:01:06,509 --> 00:01:09,460
+what happened to that snow dome on my
+desk
+
+34
+00:01:09,460 --> 00:01:09,470
+
+ 
+
+35
+00:01:09,470 --> 00:01:17,680
+
+Oh
+
+36
+00:01:17,680 --> 00:01:17,690
+
+ 
+
+37
+00:01:17,690 --> 00:01:23,930
+
+Rachel its Jesse Ryan pressuring look I
+
+38
+00:01:23,930 --> 00:01:23,940
+Rachel its Jesse Ryan pressuring look I
+ 
+
+39
+00:01:23,940 --> 00:01:26,000
+Rachel its Jesse Ryan pressuring look I
+know everything there is to know about
+
+40
+00:01:26,000 --> 00:01:26,010
+know everything there is to know about
+ 
+
+41
+00:01:26,010 --> 00:01:34,400
+know everything there is to know about
+Carrie White it began with something
+
+42
+00:01:34,400 --> 00:01:34,410
+Carrie White it began with something
+ 
+
+43
+00:01:34,410 --> 00:01:35,810
+Carrie White it began with something
+like what you did with the snow dome and
+
+44
+00:01:35,810 --> 00:01:35,820
+like what you did with the snow dome and
+ 
+
+45
+00:01:35,820 --> 00:01:39,710
+like what you did with the snow dome and
+then it got out of control I'm leaving
+
+46
+00:01:39,710 --> 00:01:39,720
+then it got out of control I'm leaving
+ 
+
+47
+00:01:39,720 --> 00:01:43,820
+then it got out of control I'm leaving
+Rachel Rachel it's it's a genetic
+
+48
+00:01:43,820 --> 00:01:43,830
+Rachel Rachel it's it's a genetic
+ 
+
+49
+00:01:43,830 --> 00:01:45,590
+Rachel Rachel it's it's a genetic
+recessive trait and what are you saying
+
+50
+00:01:45,590 --> 00:01:45,600
+recessive trait and what are you saying
+ 
+
+51
+00:01:45,600 --> 00:01:48,790
+recessive trait and what are you saying
+I have I'm saying you're not crazy and
+
+52
+00:01:48,790 --> 00:01:48,800
+I have I'm saying you're not crazy and
+ 
+
+53
+00:01:48,800 --> 00:01:52,370
+I have I'm saying you're not crazy and
+it's not the devil it's a trait Rachel
+
+54
+00:01:52,370 --> 00:01:52,380
+it's not the devil it's a trait Rachel
+ 
+
+55
+00:01:52,380 --> 00:01:56,000
+it's not the devil it's a trait Rachel
+you've inherited telekinesis the ability
+
+56
+00:01:56,000 --> 00:01:56,010
+you've inherited telekinesis the ability
+ 
+
+57
+00:01:56,010 --> 00:01:59,480
+you've inherited telekinesis the ability
+to move objects with your mind for years
+
+58
+00:01:59,480 --> 00:01:59,490
+to move objects with your mind for years
+ 
+
+59
+00:01:59,490 --> 00:02:02,210
+to move objects with your mind for years
+I didn't believe it existed but there
+
+60
+00:02:02,210 --> 00:02:02,220
+I didn't believe it existed but there
+ 
+
+61
+00:02:02,220 --> 00:02:04,609
+I didn't believe it existed but there
+are places that study it there's a lab
+
+62
+00:02:04,609 --> 00:02:04,619
+are places that study it there's a lab
+ 
+
+63
+00:02:04,619 --> 00:02:06,370
+are places that study it there's a lab
+at Princeton but I can take you all
+
+64
+00:02:06,370 --> 00:02:06,380
+at Princeton but I can take you all
+ 
+
+65
+00:02:06,380 --> 00:02:11,120
+at Princeton but I can take you all
+respect lady you are seriously batshit
+
+66
+00:02:11,120 --> 00:02:11,130
+respect lady you are seriously batshit
+ 
+
+67
+00:02:11,130 --> 00:02:13,220
+respect lady you are seriously batshit
+I'm walking back to the real world now
+
+68
+00:02:13,220 --> 00:02:13,230
+I'm walking back to the real world now
+ 
+
+69
+00:02:13,230 --> 00:02:15,290
+I'm walking back to the real world now
+your mother told me your father is
+
+70
+00:02:15,290 --> 00:02:15,300
+your mother told me your father is
+ 
+
+71
+00:02:15,300 --> 00:02:18,830
+your mother told me your father is
+Carey's father no my father's name was
+
+72
+00:02:18,830 --> 00:02:18,840
+Carey's father no my father's name was
+ 
+
+73
+00:02:18,840 --> 00:02:20,750
+Carey's father no my father's name was
+Bill Kirk he left when I was three
+
+74
+00:02:20,750 --> 00:02:20,760
+Bill Kirk he left when I was three
+ 
+
+75
+00:02:20,760 --> 00:02:23,509
+Bill Kirk he left when I was three
+months old it's a lie my mother wouldn't
+
+76
+00:02:23,509 --> 00:02:23,519
+months old it's a lie my mother wouldn't
+ 
+
+77
+00:02:23,519 --> 00:02:24,259
+months old it's a lie my mother wouldn't
+lie to me
+
+78
+00:02:24,259 --> 00:02:24,269
+lie to me
+ 
+
+79
+00:02:24,269 --> 00:02:27,170
+lie to me
+Rachel believe me you need help like
+
+80
+00:02:27,170 --> 00:02:27,180
+Rachel believe me you need help like
+ 
+
+81
+00:02:27,180 --> 00:02:30,199
+Rachel believe me you need help like
+what like they helped you Rachel I can
+
+82
+00:02:30,199 --> 00:02:30,209
+what like they helped you Rachel I can
+ 
+
+83
+00:02:30,209 --> 00:02:32,330
+what like they helped you Rachel I can
+help you to get it under control I don't
+
+84
+00:02:32,330 --> 00:02:32,340
+help you to get it under control I don't
+ 
+
+85
+00:02:32,340 --> 00:02:40,590
+help you to get it under control I don't
+want or need your help
+
+86
+00:02:40,590 --> 00:02:40,600
+
+ 
+
+87
+00:02:40,600 --> 00:02:54,660
+
+[Music]
+
+88
+00:02:54,660 --> 00:02:54,670
+
+ 
+
+89
+00:02:54,670 --> 00:03:01,760
+
+you
+
+90
+00:03:01,760 --> 00:03:01,770
+
+ 
+
+91
+00:03:01,770 --> 00:03:07,689
+
+[Music]
+
diff --git a/1999/qYbwQoq9XfI.description b/1999/qYbwQoq9XfI.description
new file mode 100644
index 0000000000000000000000000000000000000000..530be019d6bf61936896cb62cbd9b65ab6747697
--- /dev/null
+++ b/1999/qYbwQoq9XfI.description
@@ -0,0 +1,38 @@
+Runaway Bride movie clips: http://j.mp/1L5stMt
+BUY THE MOVIE: http://amzn.to/t1C06A
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+As friends and family roast Maggie (Julia Roberts) at the luau party, Ike (Richard Gere) comes to her defense.
+
+FILM DESCRIPTION:
+In 1990, Pretty Woman turned Julia Roberts into a star and gave Richard Gere's career a much-needed boost; for 1999, Roberts and Gere reunited with director Garry Marshall for the romantic comedy Runaway Bride. Roberts plays Maggie, who has left so many prospective husbands at the altar that she has gained notoriety as "the Runaway Bride," and a reporter (played by Richard Gere) is assigned to write a story about her. He tracks her down to a small town in Maryland where she's spending time with her family and preparing to give marriage another try. However, the more time she spends with the persistent reporter, the more second thoughts she has about her fiancé (Christopher Meloni). Hector Elizondo, another Pretty Woman alumnus, appears in the supporting cast alongside Joan Cusack, Paul Dooley, and Rita Wilson.
+
+CREDITS:
+TM & © Paramount (1999)
+Cast: Julia Roberts, Richard Gere, Joan Cusack, Paul Dooley, Christopher Meloni, Laurie Metcalf
+Director: Garry Marshall
+Producers: Robert W. Cort, Ted Field, Mario Iscovich, Scott Kroopf, Gary Lucchesi, David Madden, Tom Rosenberg, Ellen H. Schwartz, Karen Stirgwolt, Ted Tannebaum, Richard S. Wright
+Screenwriters: Josann McGibbon, Sara Parriott
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/qYbwQoq9XfI.en.srt b/1999/qYbwQoq9XfI.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..e61e6d26d0dd48ef327805de702bdb277fe8da4c
--- /dev/null
+++ b/1999/qYbwQoq9XfI.en.srt
@@ -0,0 +1,185 @@
+1
+00:00:01,293 --> 00:00:04,028
+<i>In the tradition...</i>
+
+2
+00:00:04,096 --> 00:00:07,566
+That has grown over the years,
+it is now toast time.
+
+3
+00:00:07,633 --> 00:00:09,734
+<i>First up, our host,</i>
+
+4
+00:00:09,802 --> 00:00:12,537
+Lou "a honey
+of a beekeeper" trout.
+
+5
+00:00:12,605 --> 00:00:14,906
+<i>[ applause ]</i>
+
+6
+00:00:14,974 --> 00:00:16,942
+[ whistles ]
+
+7
+00:00:17,009 --> 00:00:20,078
+May the groom's heart
+be filled with hope,
+
+8
+00:00:20,145 --> 00:00:22,547
+And the bride's feet
+filled with lead.
+
+9
+00:00:22,615 --> 00:00:25,917
+<i>[ crowd laughing ]</i>
+
+10
+00:00:25,985 --> 00:00:30,221
+May the pitter-patter
+of little feet
+not be maggie's.
+
+11
+00:00:30,289 --> 00:00:32,791
+<i>[ crowd laughing ]</i>
+
+12
+00:00:35,661 --> 00:00:40,231
+- May the gifts be returnable.
+- <i>[ man ]  I took mine back.</i>
+
+13
+00:00:40,299 --> 00:00:43,969
+You know the old saying,
+"you're not losing a daughter" ?
+
+14
+00:00:44,036 --> 00:00:46,070
+Well, I'd like to.
+
+15
+00:00:46,138 --> 00:00:48,607
+<i>[ crowd laughing ]</i>
+
+16
+00:00:48,674 --> 00:00:51,977
+<i>[ walter ]</i>
+<i>maggie may not be hale's</i>
+<i>longest running joke,</i>
+
+17
+00:00:52,044 --> 00:00:55,814
+<i>But she is certainly</i>
+<i>the fastest.</i>
+<i>[ mouthing words ]</i>
+
+18
+00:00:57,182 --> 00:00:59,217
+Good one, dad.
+
+19
+00:00:59,284 --> 00:01:03,254
+[ cindy ]
+walter, maybe mr. Graham
+will say something.
+
+20
+00:01:03,322 --> 00:01:06,591
+Ah, here we are.
+Would you like to say
+something, mr. Graham ?
+
+21
+00:01:06,659 --> 00:01:10,896
+Yeah, just a minute.
+I don't know yet.
+You okay ?
+
+22
+00:01:10,963 --> 00:01:14,799
+Come on, ike,
+take a shot at maggie live.
+It's more fun than print.
+
+23
+00:01:14,867 --> 00:01:17,435
+Excuse me ?
+
+24
+00:01:17,503 --> 00:01:19,671
+It's a joke.
+They're kidding, ike.
+
+25
+00:01:19,739 --> 00:01:23,608
+Yeah, come on.
+Let's go.
+[ banging cups ]
+
+26
+00:01:23,676 --> 00:01:26,912
+<i>[ banging continues ]</i>
+<i>all right.</i>
+<i>We'll have a toast !</i>
+
+27
+00:01:26,979 --> 00:01:30,515
+[ all shouting agreement ]
+
+28
+00:01:30,582 --> 00:01:33,018
+To maggie's family
+and friends.
+
+29
+00:01:33,085 --> 00:01:36,821
+<i>May you find yourselves...</i>
+
+30
+00:01:36,889 --> 00:01:39,490
+The bull's-eye
+of an easy target.
+
+31
+00:01:41,260 --> 00:01:46,865
+May you be publicly flogged
+for all of your bad choices,
+
+32
+00:01:46,933 --> 00:01:51,269
+And may your noses be rubbed
+in all of your mistakes.
+
+33
+00:01:56,408 --> 00:01:59,377
+Well, that was funny,
+but enough toasting.
+Let's hula !
+
+34
+00:01:59,445 --> 00:02:04,849
+<i>Everybody !</i>
+<i>Let's get up and</i>
+<i>start the band !</i>
+
+35
+00:02:04,917 --> 00:02:07,452
+<i>We're gonna make a line</i>
+<i>right down here.</i>
+
+36
+00:02:07,519 --> 00:02:10,121
+Maggie.
+Maggie ?
+
+37
+00:02:10,189 --> 00:02:12,824
+<i>[ betty trout ]</i>
+<i>lou, where are</i>
+<i>those hula dancers ?</i>
+
diff --git a/1999/qeytg9JLx-o.en.srt b/1999/qeytg9JLx-o.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..b6b567dbb66f3bc48401ae0b9d1d60a56782d0dc
--- /dev/null
+++ b/1999/qeytg9JLx-o.en.srt
@@ -0,0 +1,405 @@
+1
+00:00:05,630 --> 00:00:08,590
+
+that's cool it isn't true so lies
+
+2
+00:00:08,590 --> 00:00:08,600
+that's cool it isn't true so lies
+ 
+
+3
+00:00:08,600 --> 00:00:10,330
+that's cool it isn't true so lies
+Samantha was here she was here in your
+
+4
+00:00:10,330 --> 00:00:10,340
+Samantha was here she was here in your
+ 
+
+5
+00:00:10,340 --> 00:00:13,150
+Samantha was here she was here in your
+house her team I was she here
+
+6
+00:00:13,150 --> 00:00:13,160
+house her team I was she here
+ 
+
+7
+00:00:13,160 --> 00:00:15,549
+house her team I was she here
+let go of me come on you're coming with
+
+8
+00:00:15,549 --> 00:00:15,559
+let go of me come on you're coming with
+ 
+
+9
+00:00:15,559 --> 00:01:41,170
+let go of me come on you're coming with
+me let's go
+
+10
+00:01:41,170 --> 00:01:41,180
+
+ 
+
+11
+00:01:41,180 --> 00:02:30,820
+
+he's in there
+
+12
+00:02:30,820 --> 00:02:30,830
+
+ 
+
+13
+00:02:30,830 --> 00:02:33,559
+
+I'm askin about that boy who sure cell
+
+14
+00:02:33,559 --> 00:02:33,569
+I'm askin about that boy who sure cell
+ 
+
+15
+00:02:33,569 --> 00:02:34,970
+I'm askin about that boy who sure cell
+doesn't look like he belongs to you I
+
+16
+00:02:34,970 --> 00:02:34,980
+doesn't look like he belongs to you I
+ 
+
+17
+00:02:34,980 --> 00:02:36,559
+doesn't look like he belongs to you I
+can explain this all right I'm not
+
+18
+00:02:36,559 --> 00:02:36,569
+can explain this all right I'm not
+ 
+
+19
+00:02:36,569 --> 00:02:38,509
+can explain this all right I'm not
+talking to you I'm talking to her is
+
+20
+00:02:38,509 --> 00:02:38,519
+talking to you I'm talking to her is
+ 
+
+21
+00:02:38,519 --> 00:02:41,270
+talking to you I'm talking to her is
+that boy your child no she was
+
+22
+00:02:41,270 --> 00:02:41,280
+that boy your child no she was
+ 
+
+23
+00:02:41,280 --> 00:02:42,979
+that boy your child no she was
+babysitting for us we never used her
+
+24
+00:02:42,979 --> 00:02:42,989
+babysitting for us we never used her
+ 
+
+25
+00:02:42,989 --> 00:02:44,000
+babysitting for us we never used her
+performance do you know what you've done
+
+26
+00:02:44,000 --> 00:02:44,010
+performance do you know what you've done
+ 
+
+27
+00:02:44,010 --> 00:02:45,800
+performance do you know what you've done
+is a felony young lady you can go to
+
+28
+00:02:45,800 --> 00:02:45,810
+is a felony young lady you can go to
+ 
+
+29
+00:02:45,810 --> 00:02:46,699
+is a felony young lady you can go to
+jail for this
+
+30
+00:02:46,699 --> 00:02:46,709
+jail for this
+ 
+
+31
+00:02:46,709 --> 00:02:48,920
+jail for this
+what were you thinking I wasn't taking
+
+32
+00:02:48,920 --> 00:02:48,930
+what were you thinking I wasn't taking
+ 
+
+33
+00:02:48,930 --> 00:02:50,809
+what were you thinking I wasn't taking
+him anywhere do I dare him to a train
+
+34
+00:02:50,809 --> 00:02:50,819
+him anywhere do I dare him to a train
+ 
+
+35
+00:02:50,819 --> 00:02:53,600
+him anywhere do I dare him to a train
+station look she came here because of me
+
+36
+00:02:53,600 --> 00:02:53,610
+station look she came here because of me
+ 
+
+37
+00:02:53,610 --> 00:02:55,640
+station look she came here because of me
+all right I work here I'm her mother her
+
+38
+00:02:55,640 --> 00:02:55,650
+all right I work here I'm her mother her
+ 
+
+39
+00:02:55,650 --> 00:02:57,470
+all right I work here I'm her mother her
+mother when are you gonna ask them some
+
+40
+00:02:57,470 --> 00:02:57,480
+mother when are you gonna ask them some
+ 
+
+41
+00:02:57,480 --> 00:02:58,729
+mother when are you gonna ask them some
+questions what are you gonna ask them
+
+42
+00:02:58,729 --> 00:02:58,739
+questions what are you gonna ask them
+ 
+
+43
+00:02:58,739 --> 00:03:01,460
+questions what are you gonna ask them
+about Samantha Oh Samantha is my oldest
+
+44
+00:03:01,460 --> 00:03:01,470
+about Samantha Oh Samantha is my oldest
+ 
+
+45
+00:03:01,470 --> 00:03:03,770
+about Samantha Oh Samantha is my oldest
+daughter she ran away by the way she was
+
+46
+00:03:03,770 --> 00:03:03,780
+daughter she ran away by the way she was
+ 
+
+47
+00:03:03,780 --> 00:03:05,150
+daughter she ran away by the way she was
+kidnapped or something and the little
+
+48
+00:03:05,150 --> 00:03:05,160
+kidnapped or something and the little
+ 
+
+49
+00:03:05,160 --> 00:03:06,680
+kidnapped or something and the little
+boy said he saw her we haven't heard
+
+50
+00:03:06,680 --> 00:03:06,690
+boy said he saw her we haven't heard
+ 
+
+51
+00:03:06,690 --> 00:03:08,180
+boy said he saw her we haven't heard
+from her in a long time we filed a
+
+52
+00:03:08,180 --> 00:03:08,190
+from her in a long time we filed a
+ 
+
+53
+00:03:08,190 --> 00:03:09,349
+from her in a long time we filed a
+police report there's this open
+
+54
+00:03:09,349 --> 00:03:09,359
+police report there's this open
+ 
+
+55
+00:03:09,359 --> 00:03:11,240
+police report there's this open
+investigation nobody wants to return any
+
+56
+00:03:11,240 --> 00:03:11,250
+investigation nobody wants to return any
+ 
+
+57
+00:03:11,250 --> 00:03:12,920
+investigation nobody wants to return any
+birthday I talked to her he said he saw
+
+58
+00:03:12,920 --> 00:03:12,930
+birthday I talked to her he said he saw
+ 
+
+59
+00:03:12,930 --> 00:03:14,240
+birthday I talked to her he said he saw
+her all the time is how these and
+
+60
+00:03:14,240 --> 00:03:14,250
+her all the time is how these and
+ 
+
+61
+00:03:14,250 --> 00:03:16,660
+her all the time is how these and
+Samantha's in their house is that a
+
+62
+00:03:16,660 --> 00:03:16,670
+Samantha's in their house is that a
+ 
+
+63
+00:03:16,670 --> 00:03:20,810
+Samantha's in their house is that a
+little picture will you just look at the
+
+64
+00:03:20,810 --> 00:03:20,820
+little picture will you just look at the
+ 
+
+65
+00:03:20,820 --> 00:03:22,580
+little picture will you just look at the
+picture oh this is ridiculous you
+
+66
+00:03:22,580 --> 00:03:22,590
+picture oh this is ridiculous you
+ 
+
+67
+00:03:22,590 --> 00:03:24,319
+picture oh this is ridiculous you
+actually think we well you look in the
+
+68
+00:03:24,319 --> 00:03:24,329
+actually think we well you look in the
+ 
+
+69
+00:03:24,329 --> 00:03:26,960
+actually think we well you look in the
+picture please
+
+70
+00:03:26,960 --> 00:03:26,970
+
+ 
+
+71
+00:03:26,970 --> 00:03:31,210
+
+I have never seen her before in my life
+
+72
+00:03:31,210 --> 00:03:31,220
+I have never seen her before in my life
+ 
+
+73
+00:03:31,220 --> 00:03:35,070
+I have never seen her before in my life
+what about you
+
+74
+00:03:35,070 --> 00:03:35,080
+
+ 
+
+75
+00:03:35,080 --> 00:03:40,200
+
+sorry never seen no lying
+
+76
+00:03:40,200 --> 00:03:40,210
+sorry never seen no lying
+ 
+
+77
+00:03:40,210 --> 00:03:45,450
+sorry never seen no lying
+what a five charges yes what come on
+
+78
+00:03:45,450 --> 00:03:45,460
+what a five charges yes what come on
+ 
+
+79
+00:03:45,460 --> 00:03:47,520
+what a five charges yes what come on
+let's just forget about it
+
+80
+00:03:47,520 --> 00:03:47,530
+let's just forget about it
+ 
+
+81
+00:03:47,530 --> 00:03:50,490
+let's just forget about it
+let's go home
+
diff --git a/1999/qfym2Neaz4c.description b/1999/qfym2Neaz4c.description
new file mode 100644
index 0000000000000000000000000000000000000000..0314d86bdade75c6a0b73c715ae5442fb73f8e99
--- /dev/null
+++ b/1999/qfym2Neaz4c.description
@@ -0,0 +1,38 @@
+eXistenZ movie clips: http://j.mp/1uxe9ax
+BUY THE MOVIE: http://amzn.to/vkQ13l
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When Ted Pikul (Jude Law) and Allegra Geller (Jennifer Jason Leigh) plug Micro-Pods into their bio-ports, their game characters develop an overwhelming sensual attraction to one another.
+
+FILM DESCRIPTION:
+Canadian filmmaker David Cronenberg, who has long been fascinated by the ways new technology shapes and manipulates the human beings who believe they are its masters, is in familiar territory with eXistenZ, a futuristic thriller which combines elements of science fiction, horror and action-adventure. What is eXistenZ? According to the glossary Cronenberg put together for this film, it is a new organic game system that, when downloaded into humans, accesses their central nervous system, transporting them on a wild ride in and out of reality. What's more, it changes every time it is played, by adapting to the individual user -- you have to play the game to find out why you are playing the game. More than one person can plug into the same game and set out on a series of bizarre and surrealistic adventures together. The narrative takes place sometime in the near future, when game designers are worshipped as superstars and players can organically enter inside the games. Allegra Geller (Jennifer Jason Leigh), the goddess among computer game designers whose latest invention, 'eXistenZ,' taps deeply into its users' fears and desires by blurring the boundaries between reality and escapism, is subject to an assassination attempt and forced to flee. Her sole ally is Ted Pikul (Jude Law), a novice security guard sworn to protect her. Persuading Ted to play the game, Allegra draws them both into a phantasmagoric world where existence ends and eXistenZ begins. Jennifer Jason Leigh, who is supposedly something of a computer nerd in real life, is hip and sexily alluring as Allegra Geller. When she and Pikul make love and are transported to the bizarre setting of a trout farm which has been converted to an assembly line production plant for games, they delve deeper into the dangerously intriguing game. Soon the forces of Anti-eXistenZialism will close in on Pikul and Allegra. eXistenZ marks the first time since Videodrome that Cronenberg has written a completely original screenplay. eXistenZ was inspired by the tribulations of the fugitive writer Salman Rushdie, author of the Satanic Verses. After interviewing the author for a magazine article in 1995, Cronenberg was struck with the idea of an artist who suddenly finds himself on a hit list for religious or philosophical reasons and is forced to go into hiding. The idea of a game came later on, for which he created a new vocabulary. According to Cronenberg, eXistenZ thematically connects to Crash, Videodrome, Naked Lunch and even M. Butterfly in terms of exploring the extent to which we create our own levels of reality and the idea of a creative act being dangerous to the creator. This is the second film on which Alliance Atlantis has been associated with Cronenberg, after Crash, which won the Special Jury Prize at the 1996 International Cannes Film Festival. On the occasion of the presentation of eXistenZ, Cronenberg received a Silver Bear for his outstanding artistic achievements at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez
+
+CREDITS:
+TM & © Miramax Films (1999)
+Cast: Jennifer Jason Leigh, Jude Law
+Director: David Cronenberg
+Producers: Bradley Adams, Damon Bryant, David Cronenberg, Andras Hamori, Robert Lantos, Michael MacDonald, Sandra Tucker
+Screenwriter: David Cronenberg
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/qhH634B4jGg.description b/1999/qhH634B4jGg.description
new file mode 100644
index 0000000000000000000000000000000000000000..98d7ac56f247b2e73646620a44a01426e9803e07
--- /dev/null
+++ b/1999/qhH634B4jGg.description
@@ -0,0 +1,38 @@
+Three Kings movie clips: http://j.mp/1CSyUwq
+BUY THE MOVIE: http://amzn.to/uDplFB
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Soldier turned thief Troy (Mark Wahlberg) finds a cell phone with enough juice to call his wife (Liz Stauber), just before he gets pinched by the bad guys.
+
+FILM DESCRIPTION:
+Three stars team up for this unusual look at America's role in the war against Iraq. In 1991, as the Gulf War winds to a close, three American servicemen find themselves happy to have achieved victory but wondering about the ultimate importance of what they've done (especially since Saddam Hussein is still in power). Major Archie Gates (George Clooney) is a decorated Vietnam veteran and special forces officer with two weeks to go before he retires; Sgt. Troy Barlow (Mark Wahlberg) has a new baby at home; and Chief Elgin (Ice Cube) is probably just going to end up back in Detroit. So when one of them comes across a map that seems to point out where Saddam's forces have stashed a large cache of gold they stole from Kuwait, they decide to follow the trail and take some of the war booty for themselves. However, the deeper they journey into Iraq, the more they see of the consequences of America's policies in the Middle East. Although President George Bush and the American military urged Iraqi citizens to rise up against Saddam Hussein, and pledged their support to a people's movement against the leader, Iraqis found that when they took to the streets against Saddam, the United States did not back them up, and the loss of Iraqi lives was fearsome. When Gates, Barlow and Elgin become aware of what's happening, they're torn between their desire to grab the fortune they came for and the demands of their conscience to help the people they came to liberate. Three Kings was directed by David O. Russell and marked a significant change of direction after his dark-humored relationship comedies, Spanking the Monkey and Flirting with Disaster.
+
+CREDITS:
+TM & © Warner Bros. (1999)
+Cast: Mark Wahlberg, Liz Stauber
+Director: David O. Russell
+Producers: Bruce Berman, Alan Glazer, Gregory Goodman, Paul Junger Witt, Edward McDonnell, John Ridley, Kim Roth, Charles Roven, Kelley Smith-Wait, Doug Segal
+Screenwriters: John Ridley, David O. Russell
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/qhH634B4jGg.en.srt b/1999/qhH634B4jGg.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..768ce5daa197d29e518f6af929b2b815a98c69d6
--- /dev/null
+++ b/1999/qhH634B4jGg.en.srt
@@ -0,0 +1,285 @@
+1
+00:00:18,500 --> 00:00:21,429
+
+do you speak English
+
+2
+00:00:21,429 --> 00:00:21,439
+do you speak English
+ 
+
+3
+00:00:21,439 --> 00:00:24,349
+do you speak English
+could you but I have a little problem I
+
+4
+00:00:24,349 --> 00:00:24,359
+could you but I have a little problem I
+ 
+
+5
+00:00:24,359 --> 00:00:31,849
+could you but I have a little problem I
+need Operation Desert Storm the big Army
+
+6
+00:00:31,849 --> 00:00:31,859
+need Operation Desert Storm the big Army
+ 
+
+7
+00:00:31,859 --> 00:00:35,170
+need Operation Desert Storm the big Army
+in the desert come on it's an emergency
+
+8
+00:00:35,170 --> 00:00:35,180
+in the desert come on it's an emergency
+ 
+
+9
+00:00:35,180 --> 00:00:59,500
+in the desert come on it's an emergency
+ maybe it's me
+
+10
+00:00:59,500 --> 00:00:59,510
+
+ 
+
+11
+00:00:59,510 --> 00:01:04,009
+
+Oh baby I was hoping it was you it's me
+
+12
+00:01:04,009 --> 00:01:04,019
+Oh baby I was hoping it was you it's me
+ 
+
+13
+00:01:04,019 --> 00:01:06,920
+Oh baby I was hoping it was you it's me
+oh god the baby's crying how's she doing
+
+14
+00:01:06,920 --> 00:01:06,930
+oh god the baby's crying how's she doing
+ 
+
+15
+00:01:06,930 --> 00:01:09,230
+oh god the baby's crying how's she doing
+she hasn't been sleeping too good and my
+
+16
+00:01:09,230 --> 00:01:09,240
+she hasn't been sleeping too good and my
+ 
+
+17
+00:01:09,240 --> 00:01:10,820
+she hasn't been sleeping too good and my
+mom had to go back to work so I'm real
+
+18
+00:01:10,820 --> 00:01:10,830
+mom had to go back to work so I'm real
+ 
+
+19
+00:01:10,830 --> 00:01:11,719
+mom had to go back to work so I'm real
+tired baby
+
+20
+00:01:11,719 --> 00:01:11,729
+tired baby
+ 
+
+21
+00:01:11,729 --> 00:01:18,530
+tired baby
+oh sure help Cody Burt baby I saw an ad
+
+22
+00:01:18,530 --> 00:01:18,540
+oh sure help Cody Burt baby I saw an ad
+ 
+
+23
+00:01:18,540 --> 00:01:20,149
+oh sure help Cody Burt baby I saw an ad
+for a computer job you want me to call
+
+24
+00:01:20,149 --> 00:01:20,159
+for a computer job you want me to call
+ 
+
+25
+00:01:20,159 --> 00:01:22,280
+for a computer job you want me to call
+and set up an interview listen honey
+
+26
+00:01:22,280 --> 00:01:22,290
+and set up an interview listen honey
+ 
+
+27
+00:01:22,290 --> 00:01:26,600
+and set up an interview listen honey
+what date are you coming home maybe if I
+
+28
+00:01:26,600 --> 00:01:26,610
+what date are you coming home maybe if I
+ 
+
+29
+00:01:26,610 --> 00:01:27,950
+what date are you coming home maybe if I
+had an exact date I could call and set
+
+30
+00:01:27,950 --> 00:01:27,960
+had an exact date I could call and set
+ 
+
+31
+00:01:27,960 --> 00:01:29,600
+had an exact date I could call and set
+up this every listen to me please
+
+32
+00:01:29,600 --> 00:01:29,610
+up this every listen to me please
+ 
+
+33
+00:01:29,610 --> 00:01:31,959
+up this every listen to me please
+what's happening
+
+34
+00:01:31,959 --> 00:01:31,969
+what's happening
+ 
+
+35
+00:01:31,969 --> 00:01:34,700
+what's happening
+all just exploded I thought the war was
+
+36
+00:01:34,700 --> 00:01:34,710
+all just exploded I thought the war was
+ 
+
+37
+00:01:34,710 --> 00:01:36,410
+all just exploded I thought the war was
+over honey well it isn't it isn't babe
+
+38
+00:01:36,410 --> 00:01:36,420
+over honey well it isn't it isn't babe
+ 
+
+39
+00:01:36,420 --> 00:01:37,700
+over honey well it isn't it isn't babe
+could you do me a favor call the reserve
+
+40
+00:01:37,700 --> 00:01:37,710
+could you do me a favor call the reserve
+ 
+
+41
+00:01:37,710 --> 00:01:40,069
+could you do me a favor call the reserve
+center what do you want me to do do DNC
+
+42
+00:01:40,069 --> 00:01:40,079
+center what do you want me to do do DNC
+ 
+
+43
+00:01:40,079 --> 00:01:41,899
+center what do you want me to do do DNC
+oh I'm stuck in a bunker near two to
+
+44
+00:01:41,899 --> 00:01:41,909
+oh I'm stuck in a bunker near two to
+ 
+
+45
+00:01:41,909 --> 00:01:44,569
+oh I'm stuck in a bunker near two to
+three north outside Karbala outside
+
+46
+00:01:44,569 --> 00:01:44,579
+three north outside Karbala outside
+ 
+
+47
+00:01:44,579 --> 00:01:47,959
+three north outside Karbala outside
+Karbala you're okay right everything's
+
+48
+00:01:47,959 --> 00:01:47,969
+Karbala you're okay right everything's
+ 
+
+49
+00:01:47,969 --> 00:01:48,529
+Karbala you're okay right everything's
+okay
+
+50
+00:01:48,529 --> 00:01:48,539
+okay
+ 
+
+51
+00:01:48,539 --> 00:01:51,199
+okay
+I tried to do something for the family
+
+52
+00:01:51,199 --> 00:01:51,209
+I tried to do something for the family
+ 
+
+53
+00:01:51,209 --> 00:01:54,889
+I tried to do something for the family
+and I just want you to know know what I
+
+54
+00:01:54,889 --> 00:01:54,899
+and I just want you to know know what I
+ 
+
+55
+00:01:54,899 --> 00:01:57,080
+and I just want you to know know what I
+love you okay tell me what's going on
+
+56
+00:01:57,080 --> 00:01:57,090
+love you okay tell me what's going on
+ 
+
+57
+00:01:57,090 --> 00:02:00,439
+love you okay tell me what's going on
+tell Chris Troy
+
diff --git a/1999/qopdYE3_QoU.description b/1999/qopdYE3_QoU.description
new file mode 100644
index 0000000000000000000000000000000000000000..b084d386df7c5606a5ffccf30d7cba3131934485
--- /dev/null
+++ b/1999/qopdYE3_QoU.description
@@ -0,0 +1,38 @@
+Galaxy Quest movie clips: http://j.mp/1JdtUXi
+BUY THE MOVIE: http://amzn.to/rDMsDE
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Guy Fleegman (Sam Rockwell) is sure he's going to die as the crew lands on an unknown alien planet.
+
+FILM DESCRIPTION:
+A team of intrepid adventurers travels through the outer reaches of the galaxy, each week finding excitement and adventure on Galaxy Quest! Or at least that's the way it was in the mid-1970s, when brave if reckless Captain Peter Quincy Taggart, lovely Lieutenant Tawny Madison, and inscrutable alien Dr. Lazarus were the leaders of an interstellar law enforcement team on the TV series of that name. Twenty years later, the show is still in reruns, and Jason Nesmith (Tim Allen), Gwen DeMarco (Sigourney Weaver), and Alexander Dane (Alan Rickman) prop up their sagging careers by making appearances at sci-fi conventions, where they grudgingly shake hands and give autographs for the show's socially inept following. However, it turns out that nerdy sci-fi fans aren't the only ones watching: somewhere in another solar system, a group of alien rebels living under a regime of violence and repression have picked up broadcasts of Galaxy Quest, and they aren't aware that it's fiction. They travel to Earth and encounter the Galaxy Quest cast, who figure that they're just another bunch of guys who like to dress funny. However, they soon realize that they're being hired not for another autograph-signing session but for a real-life outer space rescue mission. Galaxy Quest was directed by Dean Parisot, who had a background in TV directing before his theatrical debut with the dark comedy Home Fries.
+
+CREDITS:
+TM & © Dreamworks (1999)
+Cast: Tim Allen, Daryl Mitchell, Alan Rickman, Sam Rockwell, Tony Shalhoub, Sigourney Weaver
+Director: Dean Parisot
+Producers: Elizabeth Cantillon, Allegra Clegg, Suzann Ellis, Sona Gourgouris, Janet Lewin, Charles Newirth, Mark Johnson
+Screenwriter: Robert Gordon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/qopdYE3_QoU.en.srt b/1999/qopdYE3_QoU.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..a1777e81395cf8c9b80634cb80ce4d683dadb854
--- /dev/null
+++ b/1999/qopdYE3_QoU.en.srt
@@ -0,0 +1,145 @@
+1
+00:00:00,030 --> 00:00:01,819
+
+you're not gonna die on the planet guy
+
+2
+00:00:01,819 --> 00:00:01,829
+you're not gonna die on the planet guy
+ 
+
+3
+00:00:01,829 --> 00:00:08,839
+you're not gonna die on the planet guy
+I'm not what's my last name nobody knows
+
+4
+00:00:08,839 --> 00:00:08,849
+I'm not what's my last name nobody knows
+ 
+
+5
+00:00:08,849 --> 00:00:11,450
+I'm not what's my last name nobody knows
+do you know why because my character
+
+6
+00:00:11,450 --> 00:00:11,460
+do you know why because my character
+ 
+
+7
+00:00:11,460 --> 00:00:13,249
+do you know why because my character
+isn't important enough for a last name
+
+8
+00:00:13,249 --> 00:00:13,259
+isn't important enough for a last name
+ 
+
+9
+00:00:13,259 --> 00:00:14,930
+isn't important enough for a last name
+because I'm gonna die
+
+10
+00:00:14,930 --> 00:00:14,940
+because I'm gonna die
+ 
+
+11
+00:00:14,940 --> 00:00:19,189
+because I'm gonna die
+five minutes it guy you have a last name
+
+12
+00:00:19,189 --> 00:00:19,199
+five minutes it guy you have a last name
+ 
+
+13
+00:00:19,199 --> 00:00:27,150
+five minutes it guy you have a last name
+do I I just come in number six
+
+14
+00:00:27,150 --> 00:00:27,160
+do I I just come in number six
+ 
+
+15
+00:00:27,160 --> 00:00:46,430
+do I I just come in number six
+[Music]
+
+16
+00:00:46,430 --> 00:00:46,440
+
+ 
+
+17
+00:00:46,440 --> 00:01:00,170
+
+[Music]
+
+18
+00:01:00,170 --> 00:01:00,180
+[Music]
+ 
+
+19
+00:01:00,180 --> 00:01:03,540
+[Music]
+heylia planet he's their heir you don't
+
+20
+00:01:03,540 --> 00:01:03,550
+heylia planet he's their heir you don't
+ 
+
+21
+00:01:03,550 --> 00:01:33,920
+heylia planet he's their heir you don't
+know seems okay here we go
+
+22
+00:01:33,920 --> 00:01:33,930
+
+ 
+
+23
+00:01:33,930 --> 00:01:56,550
+
+which way Alexander this way right you
+
+24
+00:01:56,550 --> 00:01:56,560
+which way Alexander this way right you
+ 
+
+25
+00:01:56,560 --> 00:01:57,810
+which way Alexander this way right you
+know with all that makeup and stuff I
+
+26
+00:01:57,810 --> 00:01:57,820
+know with all that makeup and stuff I
+ 
+
+27
+00:01:57,820 --> 00:01:59,420
+know with all that makeup and stuff I
+actually thought you were smart
+
+28
+00:01:59,420 --> 00:01:59,430
+actually thought you were smart
+ 
+
+29
+00:01:59,430 --> 00:02:30,479
+actually thought you were smart
+[Music]
+
diff --git a/1999/qrONj6Srq7M.en.srt b/1999/qrONj6Srq7M.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..cf51e3168005ac51eac44f3b9d110ce7c94062b6
--- /dev/null
+++ b/1999/qrONj6Srq7M.en.srt
@@ -0,0 +1,275 @@
+1
+00:00:00,060 --> 00:00:01,610
+
+we're gonna start with this Shirley
+
+2
+00:00:01,610 --> 00:00:01,620
+we're gonna start with this Shirley
+ 
+
+3
+00:00:01,620 --> 00:00:07,930
+we're gonna start with this Shirley
+Shirley
+
+4
+00:00:07,930 --> 00:00:07,940
+
+ 
+
+5
+00:00:07,940 --> 00:00:14,990
+
+yeah it's complicated I know he's
+
+6
+00:00:14,990 --> 00:00:15,000
+yeah it's complicated I know he's
+ 
+
+7
+00:00:15,000 --> 00:00:16,180
+yeah it's complicated I know he's
+married
+
+8
+00:00:16,180 --> 00:00:16,190
+married
+ 
+
+9
+00:00:16,190 --> 00:00:21,970
+married
+there's two kids daddy Gamble's
+
+10
+00:00:21,970 --> 00:00:21,980
+there's two kids daddy Gamble's
+ 
+
+11
+00:00:21,980 --> 00:00:27,099
+there's two kids daddy Gamble's
+you know both sports
+
+12
+00:00:27,099 --> 00:00:27,109
+you know both sports
+ 
+
+13
+00:00:27,109 --> 00:00:29,509
+you know both sports
+he always needs money for new storm
+
+14
+00:00:29,509 --> 00:00:29,519
+he always needs money for new storm
+ 
+
+15
+00:00:29,519 --> 00:00:31,849
+he always needs money for new storm
+windows or something for his kids
+
+16
+00:00:31,849 --> 00:00:31,859
+windows or something for his kids
+ 
+
+17
+00:00:31,859 --> 00:00:33,319
+windows or something for his kids
+you know so he says what it's for
+
+18
+00:00:33,319 --> 00:00:33,329
+you know so he says what it's for
+ 
+
+19
+00:00:33,329 --> 00:00:41,450
+you know so he says what it's for
+gambling and I know he Gamble's with
+
+20
+00:00:41,450 --> 00:00:41,460
+gambling and I know he Gamble's with
+ 
+
+21
+00:00:41,460 --> 00:00:43,240
+gambling and I know he Gamble's with
+your money
+
+22
+00:00:43,240 --> 00:00:43,250
+your money
+ 
+
+23
+00:00:43,250 --> 00:00:47,520
+your money
+yeah Gamble's is my money
+
+24
+00:00:47,520 --> 00:00:47,530
+
+ 
+
+25
+00:00:47,530 --> 00:00:55,080
+
+so you pay the fact the honey there's no
+
+26
+00:00:55,080 --> 00:00:55,090
+so you pay the fact the honey there's no
+ 
+
+27
+00:00:55,090 --> 00:00:59,670
+so you pay the fact the honey there's no
+romance without finance uh no I don't
+
+28
+00:00:59,670 --> 00:00:59,680
+romance without finance uh no I don't
+ 
+
+29
+00:00:59,680 --> 00:01:10,650
+romance without finance uh no I don't
+think of you you got a wifey or a
+
+30
+00:01:10,650 --> 00:01:10,660
+think of you you got a wifey or a
+ 
+
+31
+00:01:10,660 --> 00:01:12,750
+think of you you got a wifey or a
+girlfriend you don't panic honey honey
+
+32
+00:01:12,750 --> 00:01:12,760
+girlfriend you don't panic honey honey
+ 
+
+33
+00:01:12,760 --> 00:01:14,900
+girlfriend you don't panic honey honey
+your pay all right
+
+34
+00:01:14,900 --> 00:01:14,910
+your pay all right
+ 
+
+35
+00:01:14,910 --> 00:01:18,120
+your pay all right
+I've never been married I don't answer
+
+36
+00:01:18,120 --> 00:01:18,130
+I've never been married I don't answer
+ 
+
+37
+00:01:18,130 --> 00:01:18,719
+I've never been married I don't answer
+that
+
+38
+00:01:18,719 --> 00:01:18,729
+that
+ 
+
+39
+00:01:18,729 --> 00:01:20,130
+that
+that's why I died is a horrible disease
+
+40
+00:01:20,130 --> 00:01:20,140
+that's why I died is a horrible disease
+ 
+
+41
+00:01:20,140 --> 00:01:23,870
+that's why I died is a horrible disease
+and made you what you are
+
+42
+00:01:23,870 --> 00:01:23,880
+
+ 
+
+43
+00:01:23,880 --> 00:01:31,940
+
+well you are the dancer I worshipped her
+
+44
+00:01:31,940 --> 00:01:31,950
+
+ 
+
+45
+00:01:31,950 --> 00:01:46,430
+
+she ran off with some guy okay doctor
+
+46
+00:01:46,430 --> 00:01:46,440
+
+ 
+
+47
+00:01:46,440 --> 00:01:52,160
+
+it's okay big day everything the dogs
+
+48
+00:01:52,160 --> 00:01:52,170
+it's okay big day everything the dogs
+ 
+
+49
+00:01:52,170 --> 00:01:59,310
+it's okay big day everything the dogs
+arrey honey you should have gotten
+
+50
+00:01:59,310 --> 00:01:59,320
+arrey honey you should have gotten
+ 
+
+51
+00:01:59,320 --> 00:02:00,950
+arrey honey you should have gotten
+another dog
+
+52
+00:02:00,950 --> 00:02:00,960
+another dog
+ 
+
+53
+00:02:00,960 --> 00:02:06,950
+another dog
+[Music]
+
+54
+00:02:06,950 --> 00:02:06,960
+
+ 
+
+55
+00:02:06,960 --> 00:02:09,020
+
+you
+
diff --git a/1999/qw0kuEG7NR8.description b/1999/qw0kuEG7NR8.description
new file mode 100644
index 0000000000000000000000000000000000000000..eb0a8eee71a87f0a41429702520eaa55f200f98b
--- /dev/null
+++ b/1999/qw0kuEG7NR8.description
@@ -0,0 +1,38 @@
+American Beauty movie clips: http://j.mp/1CLJe9p
+BUY THE MOVIE: http://amzn.to/tEbnYN
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Lester (Kevin Spacey) buys a new car to feel better about his life and asks Carolyn (Annette Bening) why she is so joyless.
+
+FILM DESCRIPTION:
+Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman's turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he's grown cynical and is convinced that he has no reason to go on. Lester's relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she's in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she's unattractive. Her problems aren't helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn't the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.
+
+CREDITS:
+TM & © Dreamworks (1999)
+Cast: Kevin Spacey, Annette Bening
+Director: Sam Mendes
+Producers: Alan Ball, Bruce Cohen, Dan Jinks, Stan Wlodkowski
+Screenwriter: Alan Ball
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/qw0kuEG7NR8.en.srt b/1999/qw0kuEG7NR8.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..e8f97372622462c0729b3e6c9cd56ba9670414a8
--- /dev/null
+++ b/1999/qw0kuEG7NR8.en.srt
@@ -0,0 +1,122 @@
+1
+00:00:01,350 --> 00:00:03,650
+[ yells ]
+
+2
+00:00:05,087 --> 00:00:07,688
+[ sighs ]
+
+3
+00:00:07,755 --> 00:00:09,723
+[ fingernails tapping ]
+
+4
+00:00:09,791 --> 00:00:11,725
+What ?
+
+5
+00:00:11,793 --> 00:00:14,462
+Uh, whose car is that
+out front ?
+
+6
+00:00:14,529 --> 00:00:17,031
+Mine.
+1970 pontiac firebird,
+
+7
+00:00:17,099 --> 00:00:19,967
+The car I've always wanted,
+and now I have it.
+
+8
+00:00:20,035 --> 00:00:22,736
+I rule !
+Uh-huh.
+Where's the camry ?
+
+9
+00:00:22,804 --> 00:00:24,905
+I traded it in.
+
+10
+00:00:24,973 --> 00:00:29,310
+Shouldn't you have
+consulted me first ?
+Hm, let me think.
+
+11
+00:00:29,378 --> 00:00:31,678
+No.  You never drove it.
+
+12
+00:00:33,415 --> 00:00:36,484
+Have you done
+something different ?
+You look great.
+
+13
+00:00:39,521 --> 00:00:41,489
+[ sighs ]
+
+14
+00:00:41,556 --> 00:00:43,491
+Where's jane ?
+
+15
+00:00:43,558 --> 00:00:45,826
+Jane not home.
+
+16
+00:00:52,300 --> 00:00:54,301
+We have...
+
+17
+00:00:56,838 --> 00:00:59,907
+The whole house...
+
+18
+00:00:59,974 --> 00:01:02,609
+To ourselves.
+
+19
+00:01:04,712 --> 00:01:07,548
+Christ, carolyn.
+
+20
+00:01:07,615 --> 00:01:10,117
+When did you
+become so...
+
+21
+00:01:11,686 --> 00:01:14,755
+Joyless ?
+
+22
+00:01:14,822 --> 00:01:17,425
+Joyless ?
+
+23
+00:01:17,492 --> 00:01:20,061
+I am not joyless.
+
+24
+00:01:20,128 --> 00:01:22,729
+There happens to be
+a lot about me...
+
+25
+00:01:22,797 --> 00:01:26,733
+That you don't know,
+mr. Smarty man.
+
+26
+00:01:26,801 --> 00:01:30,204
+There's plenty of joy
+in my life.
+
+27
+00:01:32,541 --> 00:01:35,109
+Whatever happened
+to that girl...
+
diff --git a/1999/r9w5dIeVamA.en.srt b/1999/r9w5dIeVamA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..ca8c2405da1113dbfd91b154e37aa6828db19cef
--- /dev/null
+++ b/1999/r9w5dIeVamA.en.srt
@@ -0,0 +1,445 @@
+1
+00:00:00,120 --> 00:00:02,990
+
+because baby and she walked around the
+
+2
+00:00:02,990 --> 00:00:03,000
+because baby and she walked around the
+ 
+
+3
+00:00:03,000 --> 00:00:06,170
+because baby and she walked around the
+aisle and there is a man he's wearing a
+
+4
+00:00:06,170 --> 00:00:06,180
+aisle and there is a man he's wearing a
+ 
+
+5
+00:00:06,180 --> 00:00:07,849
+aisle and there is a man he's wearing a
+big red smile
+
+6
+00:00:07,849 --> 00:00:07,859
+big red smile
+ 
+
+7
+00:00:07,859 --> 00:00:09,530
+big red smile
+honey I do think that this is the most
+
+8
+00:00:09,530 --> 00:00:09,540
+honey I do think that this is the most
+ 
+
+9
+00:00:09,540 --> 00:00:15,530
+honey I do think that this is the most
+exciting day of my life
+
+10
+00:00:15,530 --> 00:00:15,540
+
+ 
+
+11
+00:00:15,540 --> 00:00:17,750
+
+yeah right are you kidding me don't you
+
+12
+00:00:17,750 --> 00:00:17,760
+yeah right are you kidding me don't you
+ 
+
+13
+00:00:17,760 --> 00:00:20,330
+yeah right are you kidding me don't you
+touch that now all we need is something
+
+14
+00:00:20,330 --> 00:00:20,340
+touch that now all we need is something
+ 
+
+15
+00:00:20,340 --> 00:00:23,210
+touch that now all we need is something
+blue
+
+16
+00:00:23,210 --> 00:00:23,220
+
+ 
+
+17
+00:00:23,220 --> 00:00:24,890
+
+what do you think you're doing I was
+
+18
+00:00:24,890 --> 00:00:24,900
+what do you think you're doing I was
+ 
+
+19
+00:00:24,900 --> 00:00:27,050
+what do you think you're doing I was
+standing my tradition that hold
+
+20
+00:00:27,050 --> 00:00:27,060
+standing my tradition that hold
+ 
+
+21
+00:00:27,060 --> 00:00:28,849
+standing my tradition that hold
+something new something tomorrow this
+
+22
+00:00:28,849 --> 00:00:28,859
+something new something tomorrow this
+ 
+
+23
+00:00:28,859 --> 00:00:29,990
+something new something tomorrow this
+whole thing is against my better
+
+24
+00:00:29,990 --> 00:00:30,000
+whole thing is against my better
+ 
+
+25
+00:00:30,000 --> 00:00:31,849
+whole thing is against my better
+judgment you just want you all know that
+
+26
+00:00:31,849 --> 00:00:31,859
+judgment you just want you all know that
+ 
+
+27
+00:00:31,859 --> 00:00:34,490
+judgment you just want you all know that
+yeah we know he thinks we shouldn't be
+
+28
+00:00:34,490 --> 00:00:34,500
+yeah we know he thinks we shouldn't be
+ 
+
+29
+00:00:34,500 --> 00:00:36,229
+yeah we know he thinks we shouldn't be
+getting married oh geez that's the first
+
+30
+00:00:36,229 --> 00:00:36,239
+getting married oh geez that's the first
+ 
+
+31
+00:00:36,239 --> 00:00:37,670
+getting married oh geez that's the first
+time I've seen you two on speaking terms
+
+32
+00:00:37,670 --> 00:00:37,680
+time I've seen you two on speaking terms
+ 
+
+33
+00:00:37,680 --> 00:00:39,170
+time I've seen you two on speaking terms
+here we are driving to your wedding but
+
+34
+00:00:39,170 --> 00:00:39,180
+here we are driving to your wedding but
+ 
+
+35
+00:00:39,180 --> 00:00:41,030
+here we are driving to your wedding but
+other than that you're wrong it's not
+
+36
+00:00:41,030 --> 00:00:41,040
+other than that you're wrong it's not
+ 
+
+37
+00:00:41,040 --> 00:00:44,330
+other than that you're wrong it's not
+the first time
+
+38
+00:00:44,330 --> 00:00:44,340
+
+ 
+
+39
+00:00:44,340 --> 00:00:46,130
+
+I don't see anyone asking for your
+
+40
+00:00:46,130 --> 00:00:46,140
+I don't see anyone asking for your
+ 
+
+41
+00:00:46,140 --> 00:00:59,630
+I don't see anyone asking for your
+advice
+
+42
+00:00:59,630 --> 00:00:59,640
+
+ 
+
+43
+00:00:59,640 --> 00:01:01,189
+
+inside a month you'll be a full-time gas
+
+44
+00:01:01,189 --> 00:01:01,199
+inside a month you'll be a full-time gas
+ 
+
+45
+00:01:01,199 --> 00:01:02,750
+inside a month you'll be a full-time gas
+station attendant we kiss what's left of
+
+46
+00:01:02,750 --> 00:01:02,760
+station attendant we kiss what's left of
+ 
+
+47
+00:01:02,760 --> 00:01:04,690
+station attendant we kiss what's left of
+our career goodbye
+
+48
+00:01:04,690 --> 00:01:04,700
+our career goodbye
+ 
+
+49
+00:01:04,700 --> 00:01:06,830
+our career goodbye
+hey don't look at me that way Edie I'm
+
+50
+00:01:06,830 --> 00:01:06,840
+hey don't look at me that way Edie I'm
+ 
+
+51
+00:01:06,840 --> 00:01:10,670
+hey don't look at me that way Edie I'm
+saying this for your own good too
+
+52
+00:01:10,670 --> 00:01:10,680
+
+ 
+
+53
+00:01:10,680 --> 00:01:12,289
+
+here we are we're about to get my best
+
+54
+00:01:12,289 --> 00:01:12,299
+here we are we're about to get my best
+ 
+
+55
+00:01:12,299 --> 00:01:13,609
+here we are we're about to get my best
+girlfriend friend Meridian you are
+
+56
+00:01:13,609 --> 00:01:13,619
+girlfriend friend Meridian you are
+ 
+
+57
+00:01:13,619 --> 00:01:15,890
+girlfriend friend Meridian you are
+talking about horse wagons you know what
+
+58
+00:01:15,890 --> 00:01:15,900
+talking about horse wagons you know what
+ 
+
+59
+00:01:15,900 --> 00:01:17,510
+talking about horse wagons you know what
+pull over and let us out we will walk
+
+60
+00:01:17,510 --> 00:01:17,520
+pull over and let us out we will walk
+ 
+
+61
+00:01:17,520 --> 00:01:18,950
+pull over and let us out we will walk
+the rest of the way
+
+62
+00:01:18,950 --> 00:01:18,960
+the rest of the way
+ 
+
+63
+00:01:18,960 --> 00:01:24,590
+the rest of the way
+be my guest Twinkle Toes
+
+64
+00:01:24,590 --> 00:01:24,600
+
+ 
+
+65
+00:01:24,600 --> 00:01:25,850
+
+hey
+
+66
+00:01:25,850 --> 00:01:25,860
+hey
+ 
+
+67
+00:01:25,860 --> 00:01:28,070
+hey
+things are getting out of hand here oh
+
+68
+00:01:28,070 --> 00:01:28,080
+things are getting out of hand here oh
+ 
+
+69
+00:01:28,080 --> 00:01:29,749
+things are getting out of hand here oh
+now it's time to back out well you just
+
+70
+00:01:29,749 --> 00:01:29,759
+now it's time to back out well you just
+ 
+
+71
+00:01:29,759 --> 00:01:31,910
+now it's time to back out well you just
+shut up any climb out here walking wait
+
+72
+00:01:31,910 --> 00:01:31,920
+shut up any climb out here walking wait
+ 
+
+73
+00:01:31,920 --> 00:01:34,010
+shut up any climb out here walking wait
+we are not walking anywhere
+
+74
+00:01:34,010 --> 00:01:34,020
+we are not walking anywhere
+ 
+
+75
+00:01:34,020 --> 00:01:35,749
+we are not walking anywhere
+I plan to have a normal ordinary wedding
+
+76
+00:01:35,749 --> 00:01:35,759
+I plan to have a normal ordinary wedding
+ 
+
+77
+00:01:35,759 --> 00:01:37,850
+I plan to have a normal ordinary wedding
+with Witnesses no fighting
+
+78
+00:01:37,850 --> 00:01:37,860
+with Witnesses no fighting
+ 
+
+79
+00:01:37,860 --> 00:01:39,770
+with Witnesses no fighting
+we're gonna do this one thing the way it
+
+80
+00:01:39,770 --> 00:01:39,780
+we're gonna do this one thing the way it
+ 
+
+81
+00:01:39,780 --> 00:01:41,090
+we're gonna do this one thing the way it
+ought to be done and afterwards we can
+
+82
+00:01:41,090 --> 00:01:41,100
+ought to be done and afterwards we can
+ 
+
+83
+00:01:41,100 --> 00:01:43,490
+ought to be done and afterwards we can
+celebrate with a bottle of champagne
+
+84
+00:01:43,490 --> 00:01:43,500
+celebrate with a bottle of champagne
+ 
+
+85
+00:01:43,500 --> 00:01:48,109
+celebrate with a bottle of champagne
+now is that too much to ask nope
+
+86
+00:01:48,109 --> 00:01:48,119
+
+ 
+
+87
+00:01:48,119 --> 00:02:25,990
+
+it's good to me
+
+88
+00:02:25,990 --> 00:02:26,000
+
+ 
+
+89
+00:02:26,000 --> 00:02:29,000
+
+thank you
+
diff --git a/1999/rwwMn3Y6rUA.description b/1999/rwwMn3Y6rUA.description
new file mode 100644
index 0000000000000000000000000000000000000000..a462afceec5621bb29133eb1af874154ab28ceba
--- /dev/null
+++ b/1999/rwwMn3Y6rUA.description
@@ -0,0 +1,38 @@
+Cruel Intentions movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqpRziNM77mncVcLTneo9lNP
+BUY THE MOVIE: http://j.mp/SLSQrQ
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Kathryn (Sarah Michelle Gellar) teaches Cecile (Selma Blair) how to french kiss.
+
+FILM DESCRIPTION:
+In an adaptation of Choderlos de Laclos' novel, Les Liaisons Dangereuses, Kathryn Merteuil (Sarah Michelle Gellar) and Sebastian Valmont (Ryan Phillippe) are step-brother and step-sister living in Manhattan. With their absent parents travelling in Europe, the wealthy pair have the family penthouse to themselves as they while away their summer break before beginning senior year at a private high school. Sebastian, bad-boy lothario, has apparently slept with all the girls in town and appears numb to it all. Kathryn, who appears to be the good girl class president, is actually far more amoral and malicious than Sebastian, but maintains appearances to the contrary. When she is dumped by her boyfriend, Court Reynolds (Charlie O'Connell), for the innocent Cecile Caldwell (Selma Blair), she schemes revenge by destroying Cecile's reputation. She challenges Sebastian to deflower Cecile and transform her into a tramp to humiliate Court. Sebastian isn't as interested as Cecile -- she's spent her whole life in a Catholic girl's school and presents no challenge. The girl who has caught his attention is Annette Hargrove (Reese Witherspoon), the new headmaster's daughter. Annette had written an article for Seventeen Magazine on her plans to stay a virgin until she finds her one true love. Kathryn makes a wager. If Sebastian fails to lure Annette into bed before the summer is over, Kathryn gets his car. If he succeeds, Sebastian gets Kathryn, whom he wants anyway. Sebastian accepts the bet, but Annette turns out to be more than either of them bargained for.
+
+CREDITS:
+TM & © Sony (1999)
+Cast: Selma Blair, Sarah Michelle Gellar
+Director: Roger Kumble
+Producers: Michael Fottrell, Neal H. Moritz, Bruce Mellon, William Tyrer, Heather Zeegen, Christopher Ball
+Screenwriters: Roger Kumble, Choderlos de Laclos
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/rwwMn3Y6rUA.en.srt b/1999/rwwMn3Y6rUA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..01eb8a132905b568c6beb328b35078f3130f0edf
--- /dev/null
+++ b/1999/rwwMn3Y6rUA.en.srt
@@ -0,0 +1,335 @@
+1
+00:00:00,080 --> 00:00:02,070
+
+so rumor has it that you went on a date
+
+2
+00:00:02,070 --> 00:00:02,080
+so rumor has it that you went on a date
+ 
+
+3
+00:00:02,080 --> 00:00:04,710
+so rumor has it that you went on a date
+with court Reynolds I hear he's very
+
+4
+00:00:04,710 --> 00:00:04,720
+with court Reynolds I hear he's very
+ 
+
+5
+00:00:04,720 --> 00:00:08,110
+with court Reynolds I hear he's very
+nice he's all right he kept talking
+
+6
+00:00:08,110 --> 00:00:08,120
+nice he's all right he kept talking
+ 
+
+7
+00:00:08,120 --> 00:00:10,110
+nice he's all right he kept talking
+about this bimc head case he dumped over
+
+8
+00:00:10,110 --> 00:00:10,120
+about this bimc head case he dumped over
+ 
+
+9
+00:00:10,120 --> 00:00:11,430
+about this bimc head case he dumped over
+the 4th of
+
+10
+00:00:11,430 --> 00:00:11,440
+the 4th of
+ 
+
+11
+00:00:11,440 --> 00:00:16,470
+the 4th of
+July really bimc Head Case yeah what a
+
+12
+00:00:16,470 --> 00:00:16,480
+July really bimc Head Case yeah what a
+ 
+
+13
+00:00:16,480 --> 00:00:18,429
+July really bimc Head Case yeah what a
+loser she must
+
+14
+00:00:18,429 --> 00:00:18,439
+loser she must
+ 
+
+15
+00:00:18,439 --> 00:00:20,349
+loser she must
+be
+
+16
+00:00:20,349 --> 00:00:20,359
+be
+ 
+
+17
+00:00:20,359 --> 00:00:24,429
+be
+sorry any who courts invited me to the
+
+18
+00:00:24,429 --> 00:00:24,439
+sorry any who courts invited me to the
+ 
+
+19
+00:00:24,439 --> 00:00:27,230
+sorry any who courts invited me to the
+Hampton for Labor Day weekend that's
+
+20
+00:00:27,230 --> 00:00:27,240
+Hampton for Labor Day weekend that's
+ 
+
+21
+00:00:27,240 --> 00:00:31,150
+Hampton for Labor Day weekend that's
+great you think so I don't know I guess
+
+22
+00:00:31,150 --> 00:00:31,160
+great you think so I don't know I guess
+ 
+
+23
+00:00:31,160 --> 00:00:34,510
+great you think so I don't know I guess
+I'm just scared of
+
+24
+00:00:34,510 --> 00:00:34,520
+I'm just scared of
+ 
+
+25
+00:00:34,520 --> 00:00:37,670
+I'm just scared of
+what duh boys never even gotone to first
+
+26
+00:00:37,670 --> 00:00:37,680
+what duh boys never even gotone to first
+ 
+
+27
+00:00:37,680 --> 00:00:39,869
+what duh boys never even gotone to first
+base with a guy haven't you ever
+
+28
+00:00:39,869 --> 00:00:39,879
+base with a guy haven't you ever
+ 
+
+29
+00:00:39,879 --> 00:00:42,430
+base with a guy haven't you ever
+practiced on one of your
+
+30
+00:00:42,430 --> 00:00:42,440
+practiced on one of your
+ 
+
+31
+00:00:42,440 --> 00:00:46,189
+practiced on one of your
+girlfriends e no it's gross it's not
+
+32
+00:00:46,189 --> 00:00:46,199
+girlfriends e no it's gross it's not
+ 
+
+33
+00:00:46,199 --> 00:00:48,110
+girlfriends e no it's gross it's not
+gross how else do you think girls learn
+
+34
+00:00:48,110 --> 00:00:48,120
+gross how else do you think girls learn
+ 
+
+35
+00:00:48,120 --> 00:00:50,950
+gross how else do you think girls learn
+okay face
+
+36
+00:00:50,950 --> 00:00:50,960
+okay face
+ 
+
+37
+00:00:50,960 --> 00:00:56,750
+okay face
+me now close your eyes and wet your lips
+
+38
+00:00:56,750 --> 00:00:56,760
+me now close your eyes and wet your lips
+ 
+
+39
+00:00:56,760 --> 00:00:59,229
+me now close your eyes and wet your lips
+are you for real you want to learn or
+
+40
+00:00:59,229 --> 00:00:59,239
+are you for real you want to learn or
+ 
+
+41
+00:00:59,239 --> 00:01:00,830
+are you for real you want to learn or
+not
+
+42
+00:01:00,830 --> 00:01:00,840
+not
+ 
+
+43
+00:01:00,840 --> 00:01:11,910
+not
+I
+
+44
+00:01:11,910 --> 00:01:11,920
+
+ 
+
+45
+00:01:11,920 --> 00:01:14,310
+
+guess see that wasn't so
+
+46
+00:01:14,310 --> 00:01:14,320
+guess see that wasn't so
+ 
+
+47
+00:01:14,320 --> 00:01:18,550
+guess see that wasn't so
+scary it was nothing okay let's try it
+
+48
+00:01:18,550 --> 00:01:18,560
+scary it was nothing okay let's try it
+ 
+
+49
+00:01:18,560 --> 00:01:21,469
+scary it was nothing okay let's try it
+again only this time I'm going to stick
+
+50
+00:01:21,469 --> 00:01:21,479
+again only this time I'm going to stick
+ 
+
+51
+00:01:21,479 --> 00:01:23,510
+again only this time I'm going to stick
+my tongue in your mouth and when I do
+
+52
+00:01:23,510 --> 00:01:23,520
+my tongue in your mouth and when I do
+ 
+
+53
+00:01:23,520 --> 00:01:25,230
+my tongue in your mouth and when I do
+that I want you to massage my tongue
+
+54
+00:01:25,230 --> 00:01:25,240
+that I want you to massage my tongue
+ 
+
+55
+00:01:25,240 --> 00:01:31,069
+that I want you to massage my tongue
+with yours and that's what first Bas is
+
+56
+00:01:31,069 --> 00:01:31,079
+
+ 
+
+57
+00:01:31,079 --> 00:01:57,789
+
+okay eyes
+
+58
+00:01:57,789 --> 00:01:57,799
+
+ 
+
+59
+00:01:57,799 --> 00:02:00,910
+
+closed not bad
+
+60
+00:02:00,910 --> 00:02:00,920
+closed not bad
+ 
+
+61
+00:02:00,920 --> 00:02:04,350
+closed not bad
+that was
+
+62
+00:02:04,350 --> 00:02:04,360
+
+ 
+
+63
+00:02:04,360 --> 00:02:06,749
+
+cool maybe you should try it on your
+
+64
+00:02:06,749 --> 00:02:06,759
+cool maybe you should try it on your
+ 
+
+65
+00:02:06,759 --> 00:02:31,750
+cool maybe you should try it on your
+friend rald sometime
+
+66
+00:02:31,750 --> 00:02:31,760
+
+ 
+
+67
+00:02:31,760 --> 00:02:34,760
+
+St
+
diff --git a/1999/s4KQbOrnRYs.en.srt b/1999/s4KQbOrnRYs.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..03c0a30f7fee99e1cc886007b7d52f7f56457bdb
--- /dev/null
+++ b/1999/s4KQbOrnRYs.en.srt
@@ -0,0 +1,145 @@
+1
+00:00:29,390 --> 00:00:32,510
+
+yeah you want a gin fixer did you say
+
+2
+00:00:32,510 --> 00:00:32,520
+yeah you want a gin fixer did you say
+ 
+
+3
+00:00:32,520 --> 00:01:13,200
+yeah you want a gin fixer did you say
+Jim
+
+4
+00:01:13,200 --> 00:01:13,210
+
+ 
+
+5
+00:01:13,210 --> 00:01:17,950
+
+no Phil Phil Phil do you know what time
+
+6
+00:01:17,950 --> 00:01:17,960
+no Phil Phil Phil do you know what time
+ 
+
+7
+00:01:17,960 --> 00:01:20,140
+no Phil Phil Phil do you know what time
+it is I'm sure you're gonna tell me it's
+
+8
+00:01:20,140 --> 00:01:20,150
+it is I'm sure you're gonna tell me it's
+ 
+
+9
+00:01:20,150 --> 00:01:21,130
+it is I'm sure you're gonna tell me it's
+9:30
+
+10
+00:01:21,130 --> 00:01:21,140
+9:30
+ 
+
+11
+00:01:21,140 --> 00:01:23,200
+9:30
+so what feelings so what we started at
+
+12
+00:01:23,200 --> 00:01:23,210
+so what feelings so what we started at
+ 
+
+13
+00:01:23,210 --> 00:01:25,030
+so what feelings so what we started at
+7:00 he's not coming well he said he'd
+
+14
+00:01:25,030 --> 00:01:25,040
+7:00 he's not coming well he said he'd
+ 
+
+15
+00:01:25,040 --> 00:01:26,800
+7:00 he's not coming well he said he'd
+be here well he decent kidding all right
+
+16
+00:01:26,800 --> 00:01:26,810
+be here well he decent kidding all right
+ 
+
+17
+00:01:26,810 --> 00:01:28,390
+be here well he decent kidding all right
+because he's not here he's not here what
+
+18
+00:01:28,390 --> 00:01:28,400
+because he's not here he's not here what
+ 
+
+19
+00:01:28,400 --> 00:01:30,370
+because he's not here he's not here what
+do you want me to do act a little
+
+20
+00:01:30,370 --> 00:01:30,380
+do you want me to do act a little
+ 
+
+21
+00:01:30,380 --> 00:01:33,100
+do you want me to do act a little
+concern I'm concerned oh really because
+
+22
+00:01:33,100 --> 00:01:33,110
+concern I'm concerned oh really because
+ 
+
+23
+00:01:33,110 --> 00:01:34,810
+concern I'm concerned oh really because
+you know what you hide it really really
+
+24
+00:01:34,810 --> 00:01:34,820
+you know what you hide it really really
+ 
+
+25
+00:01:34,820 --> 00:01:42,580
+you know what you hide it really really
+well well just have faith would you just
+
+26
+00:01:42,580 --> 00:01:42,590
+well well just have faith would you just
+ 
+
+27
+00:01:42,590 --> 00:03:26,940
+well well just have faith would you just
+once
+
+28
+00:03:26,940 --> 00:03:26,950
+
+ 
+
+29
+00:03:26,950 --> 00:03:29,010
+
+you
+
diff --git a/1999/s6DlYFmuJXw.en.srt b/1999/s6DlYFmuJXw.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..5816c33b56f6e9f277eab52b246628ce9d189f34
--- /dev/null
+++ b/1999/s6DlYFmuJXw.en.srt
@@ -0,0 +1,235 @@
+1
+00:00:03,120 --> 00:00:04,990
+
+what
+
+2
+00:00:04,990 --> 00:00:05,000
+what
+ 
+
+3
+00:00:05,000 --> 00:00:08,110
+what
+well it's a far far better thing I do
+
+4
+00:00:08,110 --> 00:00:08,120
+well it's a far far better thing I do
+ 
+
+5
+00:00:08,120 --> 00:00:10,470
+well it's a far far better thing I do
+than I have ever
+
+6
+00:00:10,470 --> 00:00:10,480
+than I have ever
+ 
+
+7
+00:00:10,480 --> 00:00:24,189
+than I have ever
+done right it was all scam yeah or
+
+8
+00:00:24,189 --> 00:00:24,199
+
+ 
+
+9
+00:00:24,199 --> 00:00:28,189
+
+worked dad what are you doing
+
+10
+00:00:28,189 --> 00:00:28,199
+worked dad what are you doing
+ 
+
+11
+00:00:28,199 --> 00:00:32,670
+worked dad what are you doing
+here dancing what are you doing
+
+12
+00:00:32,670 --> 00:00:32,680
+here dancing what are you doing
+ 
+
+13
+00:00:32,680 --> 00:00:34,470
+here dancing what are you doing
+here
+
+14
+00:00:34,470 --> 00:00:34,480
+here
+ 
+
+15
+00:00:34,480 --> 00:00:57,869
+here
+dancing very
+
+16
+00:00:57,869 --> 00:00:57,879
+
+ 
+
+17
+00:00:57,879 --> 00:01:00,750
+
+good I was going to ask to cut in
+
+18
+00:01:00,750 --> 00:01:00,760
+good I was going to ask to cut in
+ 
+
+19
+00:01:00,760 --> 00:01:01,590
+good I was going to ask to cut in
+where's
+
+20
+00:01:01,590 --> 00:01:01,600
+where's
+ 
+
+21
+00:01:01,600 --> 00:01:05,149
+where's
+Ray he's gone but you've got my
+
+22
+00:01:05,149 --> 00:01:05,159
+Ray he's gone but you've got my
+ 
+
+23
+00:01:05,159 --> 00:01:09,749
+Ray he's gone but you've got my
+permission I'm sure you can still catch
+
+24
+00:01:09,749 --> 00:01:09,759
+
+ 
+
+25
+00:01:09,759 --> 00:01:12,710
+
+him actually I was going to ask to dance
+
+26
+00:01:12,710 --> 00:01:12,720
+him actually I was going to ask to dance
+ 
+
+27
+00:01:12,720 --> 00:01:16,149
+him actually I was going to ask to dance
+with
+
+28
+00:01:16,149 --> 00:01:16,159
+
+ 
+
+29
+00:01:16,159 --> 00:01:27,950
+
+you
+
+30
+00:01:27,950 --> 00:01:27,960
+
+ 
+
+31
+00:01:27,960 --> 00:01:33,429
+
+really everyone
+
+32
+00:01:33,429 --> 00:01:33,439
+
+ 
+
+33
+00:01:33,439 --> 00:01:35,109
+
+so who are we making
+
+34
+00:01:35,109 --> 00:01:35,119
+so who are we making
+ 
+
+35
+00:01:35,119 --> 00:01:37,710
+so who are we making
+jealous everyone
+
+36
+00:01:37,710 --> 00:01:37,720
+jealous everyone
+ 
+
+37
+00:01:37,720 --> 00:01:43,870
+jealous everyone
+Nicole everyone I'm
+
+38
+00:01:43,870 --> 00:01:43,880
+
+ 
+
+39
+00:01:43,880 --> 00:01:49,469
+
+going it's the only thing I want to
+
+40
+00:01:49,469 --> 00:01:49,479
+going it's the only thing I want to
+ 
+
+41
+00:01:49,479 --> 00:01:54,069
+going it's the only thing I want to
+do I don't want to sleep I just want to
+
+42
+00:01:54,069 --> 00:01:54,079
+do I don't want to sleep I just want to
+ 
+
+43
+00:01:54,079 --> 00:01:58,149
+do I don't want to sleep I just want to
+keep on loving
+
+44
+00:01:58,149 --> 00:01:58,159
+
+ 
+
+45
+00:01:58,159 --> 00:02:03,069
+
+you I want to keep on Ling
+
+46
+00:02:03,069 --> 00:02:03,079
+you I want to keep on Ling
+ 
+
+47
+00:02:03,079 --> 00:02:10,360
+you I want to keep on Ling
+you I want to keep on Ling you
+
diff --git a/1999/sBpNA3HWj6Y.description b/1999/sBpNA3HWj6Y.description
new file mode 100644
index 0000000000000000000000000000000000000000..7b6af694e899ab7c6a0b1679a1d9d571c98c615b
--- /dev/null
+++ b/1999/sBpNA3HWj6Y.description
@@ -0,0 +1,38 @@
+Bringing Out the Dead movie clips: http://j.mp/1uunQ9D
+BUY THE MOVIE: http://j.mp/KfrsBr
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The Dispatcher (Martin Scorsese) sends Frank (Nicolas Cage) and Larry (John Goodman) to help the local drunk -- Mr. O.
+
+FILM DESCRIPTION:
+This tense urban drama stars Nicolas Cage as Frank Pierce, a paramedic on the brink of physical and emotional collapse. Frank has worked for years in one of New York's most brutal neighborhoods, and the pressure of his job has taken its toll; plagued with self-doubt, he is haunted by the spirits of the people he couldn't save, and while he desperately wants to quit his job, outside forces won't let him walk away. Bringing Out the Dead brought director Martin Scorsese back to the streets of contemporary New York, one of his favorite locations, after three films set elsewhere: Kundun, Casino, and The Age of Innocence. The film also reunited Scorsese with screenwriter Paul Schrader, who scripted Taxi Driver, Raging Bull, and The Last Temptation of Christ. The supporting cast includes Patricia Arquette as the daughter of a heart attack victim that Frank has fallen in love with, and John Goodman and Ving Rhames as two of Frank's fellow drivers.
+
+CREDITS:
+TM & © Paramount (1999)
+Cast: Nicolas Cage, John Goodman, Martin Scorsese
+Director: Martin Scorsese
+Producers: Barbara De Fina, Jeff Levine, Bruce S. Pustin, Joseph P. Reidy, Mark Roybal, Scott Rudin, Adam Schroeder, Eric Steel
+Screenwriters: Joe Connelly, Paul Schrader
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/sBpNA3HWj6Y.en.srt b/1999/sBpNA3HWj6Y.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..101e3bf31fecc37d9a9f375c76aac6acb7ecdc3a
--- /dev/null
+++ b/1999/sBpNA3HWj6Y.en.srt
@@ -0,0 +1,385 @@
+1
+00:00:03,930 --> 00:00:08,700
+
+turn it off what you don't want the
+
+2
+00:00:08,700 --> 00:00:08,710
+turn it off what you don't want the
+ 
+
+3
+00:00:08,710 --> 00:00:11,430
+turn it off what you don't want the
+radio it's not the police pan it's your
+
+4
+00:00:11,430 --> 00:00:11,440
+radio it's not the police pan it's your
+ 
+
+5
+00:00:11,440 --> 00:00:12,600
+radio it's not the police pan it's your
+fire department scanner
+
+6
+00:00:12,600 --> 00:00:12,610
+fire department scanner
+ 
+
+7
+00:00:12,610 --> 00:00:20,279
+fire department scanner
+your back let's do it it might be a good
+
+8
+00:00:20,279 --> 00:00:20,289
+your back let's do it it might be a good
+ 
+
+9
+00:00:20,289 --> 00:00:23,099
+your back let's do it it might be a good
+one there are no good fires people die
+
+10
+00:00:23,099 --> 00:00:23,109
+one there are no good fires people die
+ 
+
+11
+00:00:23,109 --> 00:00:25,050
+one there are no good fires people die
+in fires people get burned up in fires
+
+12
+00:00:25,050 --> 00:00:25,060
+in fires people get burned up in fires
+ 
+
+13
+00:00:25,060 --> 00:00:28,380
+in fires people get burned up in fires
+people can't breathe that's what we're
+
+14
+00:00:28,380 --> 00:00:28,390
+people can't breathe that's what we're
+ 
+
+15
+00:00:28,390 --> 00:00:30,810
+people can't breathe that's what we're
+here for let's go six weeks please don't
+
+16
+00:00:30,810 --> 00:00:30,820
+here for let's go six weeks please don't
+ 
+
+17
+00:00:30,820 --> 00:00:31,769
+here for let's go six weeks please don't
+push it Larry
+
+18
+00:00:31,769 --> 00:00:31,779
+push it Larry
+ 
+
+19
+00:00:31,779 --> 00:00:34,590
+push it Larry
+well you burned out me and your scorched
+
+20
+00:00:34,590 --> 00:00:34,600
+well you burned out me and your scorched
+ 
+
+21
+00:00:34,600 --> 00:00:36,690
+well you burned out me and your scorched
+yeah I'm still burning you get any
+
+22
+00:00:36,690 --> 00:00:36,700
+yeah I'm still burning you get any
+ 
+
+23
+00:00:36,700 --> 00:00:49,200
+yeah I'm still burning you get any
+closer me to flip over to you no no no
+
+24
+00:00:49,200 --> 00:00:49,210
+closer me to flip over to you no no no
+ 
+
+25
+00:00:49,210 --> 00:00:51,900
+closer me to flip over to you no no no
+no three o'clock in the morning that can
+
+26
+00:00:51,900 --> 00:00:51,910
+no three o'clock in the morning that can
+ 
+
+27
+00:00:51,910 --> 00:00:53,130
+no three o'clock in the morning that can
+only mean one thing
+
+28
+00:00:53,130 --> 00:00:53,140
+only mean one thing
+ 
+
+29
+00:00:53,140 --> 00:00:55,709
+only mean one thing
+mister Oh mister oh I'm not answering
+
+30
+00:00:55,709 --> 00:00:55,719
+mister Oh mister oh I'm not answering
+ 
+
+31
+00:00:55,719 --> 00:00:59,939
+mister Oh mister oh I'm not answering
+that four times this week I've hit a
+
+32
+00:00:59,939 --> 00:00:59,949
+that four times this week I've hit a
+ 
+
+33
+00:00:59,949 --> 00:01:01,740
+that four times this week I've hit a
+mark there any other units all right
+
+34
+00:01:01,740 --> 00:01:01,750
+mark there any other units all right
+ 
+
+35
+00:01:01,750 --> 00:01:04,380
+mark there any other units all right
+don't answer don't get somebody else 63
+
+36
+00:01:04,380 --> 00:01:04,390
+don't answer don't get somebody else 63
+ 
+
+37
+00:01:04,390 --> 00:01:06,149
+don't answer don't get somebody else 63
+zebra answer me now or I'm sending a
+
+38
+00:01:06,149 --> 00:01:06,159
+zebra answer me now or I'm sending a
+ 
+
+39
+00:01:06,159 --> 00:01:09,030
+zebra answer me now or I'm sending a
+captain to your location Frank when I
+
+40
+00:01:09,030 --> 00:01:09,040
+captain to your location Frank when I
+ 
+
+41
+00:01:09,040 --> 00:01:10,469
+captain to your location Frank when I
+say to answer at their means answered he
+
+42
+00:01:10,469 --> 00:01:10,479
+say to answer at their means answered he
+ 
+
+43
+00:01:10,479 --> 00:01:12,359
+say to answer at their means answered he
+couldn't do me their favor at least six
+
+44
+00:01:12,359 --> 00:01:12,369
+couldn't do me their favor at least six
+ 
+
+45
+00:01:12,369 --> 00:01:14,730
+couldn't do me their favor at least six
+three zebra yes cebra you'll be driving
+
+46
+00:01:14,730 --> 00:01:14,740
+three zebra yes cebra you'll be driving
+ 
+
+47
+00:01:14,740 --> 00:01:16,350
+three zebra yes cebra you'll be driving
+to the man who needs no introduction
+
+48
+00:01:16,350 --> 00:01:16,360
+to the man who needs no introduction
+ 
+
+49
+00:01:16,360 --> 00:01:18,030
+to the man who needs no introduction
+chronic caller of the year three
+
+50
+00:01:18,030 --> 00:01:18,040
+chronic caller of the year three
+ 
+
+51
+00:01:18,040 --> 00:01:19,710
+chronic caller of the year three
+straight and shooting for number four
+
+52
+00:01:19,710 --> 00:01:19,720
+straight and shooting for number four
+ 
+
+53
+00:01:19,720 --> 00:01:22,410
+straight and shooting for number four
+Duke up drunk the king of stink our
+
+54
+00:01:22,410 --> 00:01:22,420
+Duke up drunk the king of stink our
+ 
+
+55
+00:01:22,420 --> 00:01:27,210
+Duke up drunk the king of stink our
+frequent flyer mister Oh ten-four go to
+
+56
+00:01:27,210 --> 00:01:27,220
+frequent flyer mister Oh ten-four go to
+ 
+
+57
+00:01:27,220 --> 00:01:29,219
+frequent flyer mister Oh ten-four go to
+it that's the stuff Oh actually the
+
+58
+00:01:29,219 --> 00:01:29,229
+it that's the stuff Oh actually the
+ 
+
+59
+00:01:29,229 --> 00:01:31,289
+it that's the stuff Oh actually the
+street job it's easy except for the
+
+60
+00:01:31,289 --> 00:01:31,299
+street job it's easy except for the
+ 
+
+61
+00:01:31,299 --> 00:01:33,840
+street job it's easy except for the
+smell just throwing in the back zip over
+
+62
+00:01:33,840 --> 00:01:33,850
+smell just throwing in the back zip over
+ 
+
+63
+00:01:33,850 --> 00:01:37,469
+smell just throwing in the back zip over
+to Mercy no blood no done that's how I
+
+64
+00:01:37,469 --> 00:01:37,479
+to Mercy no blood no done that's how I
+ 
+
+65
+00:01:37,479 --> 00:01:39,600
+to Mercy no blood no done that's how I
+look at it just the drugs not our job to
+
+66
+00:01:39,600 --> 00:01:39,610
+look at it just the drugs not our job to
+ 
+
+67
+00:01:39,610 --> 00:01:41,100
+look at it just the drugs not our job to
+taxi drugs are wrong yeah but they're
+
+68
+00:01:41,100 --> 00:01:41,110
+taxi drugs are wrong yeah but they're
+ 
+
+69
+00:01:41,110 --> 00:01:42,810
+taxi drugs are wrong yeah but they're
+just gonna keep calling someone's gonna
+
+70
+00:01:42,810 --> 00:01:42,820
+just gonna keep calling someone's gonna
+ 
+
+71
+00:01:42,820 --> 00:01:44,399
+just gonna keep calling someone's gonna
+die someday because of this bump gonna
+
+72
+00:01:44,399 --> 00:01:44,409
+die someday because of this bump gonna
+ 
+
+73
+00:01:44,409 --> 00:01:45,959
+die someday because of this bump gonna
+have a cardiac and the only medics will
+
+74
+00:01:45,959 --> 00:01:45,969
+have a cardiac and the only medics will
+ 
+
+75
+00:01:45,969 --> 00:01:47,410
+have a cardiac and the only medics will
+be taking care of mr. Oh
+
+76
+00:01:47,410 --> 00:01:47,420
+be taking care of mr. Oh
+ 
+
+77
+00:01:47,420 --> 00:02:18,479
+be taking care of mr. Oh
+[Music]
+
diff --git a/1999/sGS5r7NK5ZA.en.srt b/1999/sGS5r7NK5ZA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..307c4d6d633c1f4e5879c9c948423c909ded2d08
--- /dev/null
+++ b/1999/sGS5r7NK5ZA.en.srt
@@ -0,0 +1,240 @@
+1
+00:00:56,430 --> 00:01:02,990
+
+BAM hey can you lift that's right I'm
+
+2
+00:01:02,990 --> 00:01:03,000
+BAM hey can you lift that's right I'm
+ 
+
+3
+00:01:03,000 --> 00:01:04,610
+BAM hey can you lift that's right I'm
+not going that far
+
+4
+00:01:04,610 --> 00:01:04,620
+not going that far
+ 
+
+5
+00:01:04,620 --> 00:01:07,590
+not going that far
+no problem
+
+6
+00:01:07,590 --> 00:01:07,600
+
+ 
+
+7
+00:01:07,600 --> 00:01:18,410
+
+Thanks
+
+8
+00:01:18,410 --> 00:01:18,420
+
+ 
+
+9
+00:01:18,420 --> 00:01:22,410
+
+you're gonna win either that or die
+
+10
+00:01:22,410 --> 00:01:22,420
+you're gonna win either that or die
+ 
+
+11
+00:01:22,420 --> 00:01:26,160
+you're gonna win either that or die
+if the coach doesn't kill us first yeah
+
+12
+00:01:26,160 --> 00:01:26,170
+if the coach doesn't kill us first yeah
+ 
+
+13
+00:01:26,170 --> 00:01:31,020
+if the coach doesn't kill us first yeah
+football must be pretty rough yeah that
+
+14
+00:01:31,020 --> 00:01:31,030
+football must be pretty rough yeah that
+ 
+
+15
+00:01:31,030 --> 00:01:34,109
+football must be pretty rough yeah that
+booze yeah what happens if you had an
+
+16
+00:01:34,109 --> 00:01:34,119
+booze yeah what happens if you had an
+ 
+
+17
+00:01:34,119 --> 00:01:37,890
+booze yeah what happens if you had an
+injury coach wants us to problem is if
+
+18
+00:01:37,890 --> 00:01:37,900
+injury coach wants us to problem is if
+ 
+
+19
+00:01:37,900 --> 00:01:39,570
+injury coach wants us to problem is if
+we don't get injured he thinks we're not
+
+20
+00:01:39,570 --> 00:01:39,580
+we don't get injured he thinks we're not
+ 
+
+21
+00:01:39,580 --> 00:01:41,310
+we don't get injured he thinks we're not
+given 110%
+
+22
+00:01:41,310 --> 00:01:41,320
+given 110%
+ 
+
+23
+00:01:41,320 --> 00:01:45,590
+given 110%
+you know he does that's asking a lot
+
+24
+00:01:45,590 --> 00:01:45,600
+you know he does that's asking a lot
+ 
+
+25
+00:01:45,600 --> 00:01:47,910
+you know he does that's asking a lot
+it's supposed to raise our pain
+
+26
+00:01:47,910 --> 00:01:47,920
+it's supposed to raise our pain
+ 
+
+27
+00:01:47,920 --> 00:01:50,969
+it's supposed to raise our pain
+threshold or something I better probably
+
+28
+00:01:50,969 --> 00:01:50,979
+threshold or something I better probably
+ 
+
+29
+00:01:50,979 --> 00:01:55,920
+threshold or something I better probably
+does did you ever play mean I played a
+
+30
+00:01:55,920 --> 00:01:55,930
+does did you ever play mean I played a
+ 
+
+31
+00:01:55,930 --> 00:02:07,530
+does did you ever play mean I played a
+little it was a scat back it's
+
+32
+00:02:07,530 --> 00:02:07,540
+
+ 
+
+33
+00:02:07,540 --> 00:02:09,930
+
+can't get a swig
+
+34
+00:02:09,930 --> 00:02:09,940
+can't get a swig
+ 
+
+35
+00:02:09,940 --> 00:02:24,030
+can't get a swig
+yeah
+
+36
+00:02:24,030 --> 00:02:24,040
+
+ 
+
+37
+00:02:24,040 --> 00:02:33,729
+
+you want some
+
+38
+00:02:33,729 --> 00:02:33,739
+
+ 
+
+39
+00:02:33,739 --> 00:02:36,540
+
+it's too sweet
+
+40
+00:02:36,540 --> 00:02:36,550
+it's too sweet
+ 
+
+41
+00:02:36,550 --> 00:02:55,730
+
+I'm just turn right up there bigger
+
+42
+00:02:55,730 --> 00:03:00,960
+
+ 
+
+43
+00:03:00,960 --> 00:03:00,970
+
+ 
+
+44
+00:03:00,970 --> 00:03:04,860
+
+team
+
+45
+00:03:04,860 --> 00:03:04,870
+
+ 
+
+46
+00:03:04,870 --> 00:03:09,360
+
+where's your house gene
+
+47
+00:03:09,360 --> 00:03:09,370
+
+ 
+
+48
+00:03:09,370 --> 00:03:12,630
+
+where's your house gene
+
diff --git a/1999/sKfQGRwlm9Q.description b/1999/sKfQGRwlm9Q.description
new file mode 100644
index 0000000000000000000000000000000000000000..3f324b9850622a346d2820f8c25f86ffeab226cd
--- /dev/null
+++ b/1999/sKfQGRwlm9Q.description
@@ -0,0 +1,38 @@
+American Pie movie clips: http://j.mp/1uvLCCk
+BUY THE MOVIE: http://amzn.to/sZ6QCe
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Jim (Jason Biggs) sets up a web cam so he and his buddies can watch sexy Nadia (Shannon Elizabeth) undress.
+
+FILM DESCRIPTION:
+In this coming-of-age comedy, a group of friends at the end of their senior year make a pact to lose their virginity by prom night. In their outrageous attempts to fulfill this mission, they come to some surprising, hilarious and often touching realizations about themselves, their friendships, their notions of love, romance and their relations with the opposite sex.
+
+CREDITS:
+TM & © Universal (1999)
+Cast: Jason Biggs, Thomas Ian Nicholas, Eddie Kaye Thomas, Seann William Scott, Eugene Levy, Eli Marienthal, Shannon Elizabeth
+Directors: Chris Weitz, Paul Weitz
+Producers: Chris Bender, Louis G. Friedman, Chris Moore, Craig Perry, J.B. Rogers, Chris Weitz, Warren Zide, Adam Herz
+Screenwriter: Adam Herz
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/sKfQGRwlm9Q.en.srt b/1999/sKfQGRwlm9Q.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..9291950091e43a5c33c56ef88c2c15f5cb42a912
--- /dev/null
+++ b/1999/sKfQGRwlm9Q.en.srt
@@ -0,0 +1,235 @@
+1
+00:00:04,310 --> 00:00:11,270
+
+come in Jim there's a young lady here to
+
+2
+00:00:11,270 --> 00:00:11,280
+come in Jim there's a young lady here to
+ 
+
+3
+00:00:11,280 --> 00:00:11,780
+come in Jim there's a young lady here to
+see you
+
+4
+00:00:11,780 --> 00:00:11,790
+see you
+ 
+
+5
+00:00:11,790 --> 00:00:14,629
+see you
+hey Nadia hi James ready to study oh
+
+6
+00:00:14,629 --> 00:00:14,639
+hey Nadia hi James ready to study oh
+ 
+
+7
+00:00:14,639 --> 00:00:16,310
+hey Nadia hi James ready to study oh
+he's always ready to study he's a real
+
+8
+00:00:16,310 --> 00:00:16,320
+he's always ready to study he's a real
+ 
+
+9
+00:00:16,320 --> 00:00:18,830
+he's always ready to study he's a real
+bookworm this kid dad that mean he's not
+
+10
+00:00:18,830 --> 00:00:18,840
+bookworm this kid dad that mean he's not
+ 
+
+11
+00:00:18,840 --> 00:00:21,820
+bookworm this kid dad that mean he's not
+not that one of those nerdy guys but dad
+
+12
+00:00:21,820 --> 00:00:21,830
+not that one of those nerdy guys but dad
+ 
+
+13
+00:00:21,830 --> 00:00:24,830
+not that one of those nerdy guys but dad
+well I'll uh I'll let you two hit the
+
+14
+00:00:24,830 --> 00:00:24,840
+well I'll uh I'll let you two hit the
+ 
+
+15
+00:00:24,840 --> 00:00:29,080
+well I'll uh I'll let you two hit the
+books
+
+16
+00:00:29,080 --> 00:00:29,090
+
+ 
+
+17
+00:00:29,090 --> 00:00:36,370
+
+you want a beer there we go come on move
+
+18
+00:00:36,370 --> 00:00:36,380
+you want a beer there we go come on move
+ 
+
+19
+00:00:36,380 --> 00:00:41,000
+you want a beer there we go come on move
+Steve it's my computer and I want to use
+
+20
+00:00:41,000 --> 00:00:41,010
+Steve it's my computer and I want to use
+ 
+
+21
+00:00:41,010 --> 00:00:45,049
+Steve it's my computer and I want to use
+it shut up uh you need to you need to
+
+22
+00:00:45,049 --> 00:00:45,059
+it shut up uh you need to you need to
+ 
+
+23
+00:00:45,059 --> 00:00:48,410
+it shut up uh you need to you need to
+change right do you mind no no no not at
+
+24
+00:00:48,410 --> 00:00:48,420
+change right do you mind no no no not at
+ 
+
+25
+00:00:48,420 --> 00:00:50,900
+change right do you mind no no no not at
+all um please you know just go ahead and
+
+26
+00:00:50,900 --> 00:00:50,910
+all um please you know just go ahead and
+ 
+
+27
+00:00:50,910 --> 00:00:53,720
+all um please you know just go ahead and
+get on get changed hmm I'll uh I'll go
+
+28
+00:00:53,720 --> 00:00:53,730
+get on get changed hmm I'll uh I'll go
+ 
+
+29
+00:00:53,730 --> 00:00:55,959
+get on get changed hmm I'll uh I'll go
+downstairs and I'll start studying up
+
+30
+00:00:55,959 --> 00:00:55,969
+downstairs and I'll start studying up
+ 
+
+31
+00:00:55,969 --> 00:01:02,430
+downstairs and I'll start studying up
+yeah
+
+32
+00:01:02,430 --> 00:01:02,440
+
+ 
+
+33
+00:01:02,440 --> 00:01:30,530
+
+[Music]
+
+34
+00:01:30,530 --> 00:01:30,540
+
+ 
+
+35
+00:01:30,540 --> 00:01:34,590
+
+I miss anything
+
+36
+00:01:34,590 --> 00:01:34,600
+I miss anything
+ 
+
+37
+00:01:34,600 --> 00:01:39,060
+I miss anything
+no sure just in time oh this is
+
+38
+00:01:39,060 --> 00:01:39,070
+no sure just in time oh this is
+ 
+
+39
+00:01:39,070 --> 00:01:39,840
+no sure just in time oh this is
+incredible
+
+40
+00:01:39,840 --> 00:01:39,850
+incredible
+ 
+
+41
+00:01:39,850 --> 00:01:43,620
+incredible
+oh god this is too much
+
+42
+00:01:43,620 --> 00:01:43,630
+oh god this is too much
+ 
+
+43
+00:01:43,630 --> 00:01:47,640
+oh god this is too much
+Oh oh there there that goes oh geez god
+
+44
+00:01:47,640 --> 00:01:47,650
+Oh oh there there that goes oh geez god
+ 
+
+45
+00:01:47,650 --> 00:01:49,410
+Oh oh there there that goes oh geez god
+bless the Internet
+
+46
+00:01:49,410 --> 00:01:49,420
+bless the Internet
+ 
+
+47
+00:01:49,420 --> 00:02:20,470
+bless the Internet
+[Music]
+
diff --git a/1999/sM3PgyGpO7Q.description b/1999/sM3PgyGpO7Q.description
new file mode 100644
index 0000000000000000000000000000000000000000..70e2349dd97c55f2c3571af385469dc0d791b15f
--- /dev/null
+++ b/1999/sM3PgyGpO7Q.description
@@ -0,0 +1,38 @@
+Runaway Bride movie clips: http://j.mp/1L5stMt
+BUY THE MOVIE: http://amzn.to/t1C06A
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Maggie (Julia Roberts) and Ike (Richard Gere) romantically kiss during the wedding rehearsal in front of the groom (Christopher Meloni).
+
+FILM DESCRIPTION:
+In 1990, Pretty Woman turned Julia Roberts into a star and gave Richard Gere's career a much-needed boost; for 1999, Roberts and Gere reunited with director Garry Marshall for the romantic comedy Runaway Bride. Roberts plays Maggie, who has left so many prospective husbands at the altar that she has gained notoriety as "the Runaway Bride," and a reporter (played by Richard Gere) is assigned to write a story about her. He tracks her down to a small town in Maryland where she's spending time with her family and preparing to give marriage another try. However, the more time she spends with the persistent reporter, the more second thoughts she has about her fiancé (Christopher Meloni). Hector Elizondo, another Pretty Woman alumnus, appears in the supporting cast alongside Joan Cusack, Paul Dooley, and Rita Wilson.
+
+CREDITS:
+TM & © Paramount (1999)
+Cast: Julia Roberts, Richard Gere, Joan Cusack, Christopher Meloni, Kathleen Marshall
+Director: Garry Marshall
+Producers: Robert W. Cort, Ted Field, Mario Iscovich, Scott Kroopf, Gary Lucchesi, David Madden, Tom Rosenberg, Ellen H. Schwartz, Karen Stirgwolt, Ted Tannebaum, Richard S. Wright
+Screenwriters: Josann McGibbon, Sara Parriott
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/sM3PgyGpO7Q.en.srt b/1999/sM3PgyGpO7Q.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..23797b335a0b3d37840b578d763d921f4c213683
--- /dev/null
+++ b/1999/sM3PgyGpO7Q.en.srt
@@ -0,0 +1,285 @@
+1
+00:00:00,000 --> 00:00:19,600
+
+i spiraling through the air
+
+2
+00:00:19,600 --> 00:00:19,610
+i spiraling through the air
+ 
+
+3
+00:00:19,610 --> 00:00:24,260
+i spiraling through the air
+[Music]
+
+4
+00:00:24,260 --> 00:00:24,270
+
+ 
+
+5
+00:00:24,270 --> 00:00:26,640
+
+streaking
+
+6
+00:00:26,640 --> 00:00:26,650
+streaking
+ 
+
+7
+00:00:26,650 --> 00:00:31,280
+streaking
+toward the goal line
+
+8
+00:00:31,280 --> 00:00:31,290
+toward the goal line
+ 
+
+9
+00:00:31,290 --> 00:00:36,470
+toward the goal line
+[Music]
+
+10
+00:00:36,470 --> 00:00:36,480
+[Music]
+ 
+
+11
+00:00:36,480 --> 00:00:40,380
+[Music]
+keep eye contact keep eye contact I'll
+
+12
+00:00:40,380 --> 00:00:40,390
+keep eye contact keep eye contact I'll
+ 
+
+13
+00:00:40,390 --> 00:00:45,180
+keep eye contact keep eye contact I'll
+land on the goal line good good okay and
+
+14
+00:00:45,180 --> 00:00:45,190
+land on the goal line good good okay and
+ 
+
+15
+00:00:45,190 --> 00:00:47,820
+land on the goal line good good okay and
+I'm the pastor and I say dearly beloved
+
+16
+00:00:47,820 --> 00:00:47,830
+I'm the pastor and I say dearly beloved
+ 
+
+17
+00:00:47,830 --> 00:00:49,680
+I'm the pastor and I say dearly beloved
+we're gathered here blah blah blah blah
+
+18
+00:00:49,680 --> 00:00:49,690
+we're gathered here blah blah blah blah
+ 
+
+19
+00:00:49,690 --> 00:00:51,900
+we're gathered here blah blah blah blah
+so on and so forth Ratatat that yabba
+
+20
+00:00:51,900 --> 00:00:51,910
+so on and so forth Ratatat that yabba
+ 
+
+21
+00:00:51,910 --> 00:00:54,150
+so on and so forth Ratatat that yabba
+dabba I now pronounce you man and wife
+
+22
+00:00:54,150 --> 00:00:54,160
+dabba I now pronounce you man and wife
+ 
+
+23
+00:00:54,160 --> 00:00:56,190
+dabba I now pronounce you man and wife
+kiss the bride we have the organ
+
+24
+00:00:56,190 --> 00:00:56,200
+kiss the bride we have the organ
+ 
+
+25
+00:00:56,200 --> 00:00:57,960
+kiss the bride we have the organ
+crescendo that just leads us right on
+
+26
+00:00:57,960 --> 00:00:57,970
+crescendo that just leads us right on
+ 
+
+27
+00:00:57,970 --> 00:01:01,300
+crescendo that just leads us right on
+down the aisle and we are Manor
+
+28
+00:01:01,300 --> 00:01:01,310
+down the aisle and we are Manor
+ 
+
+29
+00:01:01,310 --> 00:01:20,750
+down the aisle and we are Manor
+[Music]
+
+30
+00:01:20,750 --> 00:01:20,760
+
+ 
+
+31
+00:01:20,760 --> 00:01:33,270
+
+Maggie up Mac okay okay okay okay so
+
+32
+00:01:33,270 --> 00:01:33,280
+Maggie up Mac okay okay okay okay so
+ 
+
+33
+00:01:33,280 --> 00:01:35,969
+Maggie up Mac okay okay okay okay so
+you'd be duh if you're imagining me you
+
+34
+00:01:35,969 --> 00:01:35,979
+you'd be duh if you're imagining me you
+ 
+
+35
+00:01:35,979 --> 00:01:37,590
+you'd be duh if you're imagining me you
+did great what the hell were you doing
+
+36
+00:01:37,590 --> 00:01:37,600
+did great what the hell were you doing
+ 
+
+37
+00:01:37,600 --> 00:01:40,320
+did great what the hell were you doing
+Bob I'm really sorry about that she kiss
+
+38
+00:01:40,320 --> 00:01:40,330
+Bob I'm really sorry about that she kiss
+ 
+
+39
+00:01:40,330 --> 00:01:44,040
+Bob I'm really sorry about that she kiss
+me back I kissed you back yes you kiss
+
+40
+00:01:44,040 --> 00:01:44,050
+me back I kissed you back yes you kiss
+ 
+
+41
+00:01:44,050 --> 00:01:44,370
+me back I kissed you back yes you kiss
+me
+
+42
+00:01:44,370 --> 00:01:44,380
+me
+ 
+
+43
+00:01:44,380 --> 00:01:47,670
+me
+ya caught that you want to tell me how
+
+44
+00:01:47,670 --> 00:01:47,680
+ya caught that you want to tell me how
+ 
+
+45
+00:01:47,680 --> 00:01:53,010
+ya caught that you want to tell me how
+long this has been going on longer for
+
+46
+00:01:53,010 --> 00:01:53,020
+long this has been going on longer for
+ 
+
+47
+00:01:53,020 --> 00:01:56,490
+long this has been going on longer for
+me were you think what do you expect me
+
+48
+00:01:56,490 --> 00:01:56,500
+me were you think what do you expect me
+ 
+
+49
+00:01:56,500 --> 00:02:00,810
+me were you think what do you expect me
+to say to this hello well Bob you could
+
+50
+00:02:00,810 --> 00:02:00,820
+to say to this hello well Bob you could
+ 
+
+51
+00:02:00,820 --> 00:02:03,690
+to say to this hello well Bob you could
+say yeah well I hope you two will be
+
+52
+00:02:03,690 --> 00:02:03,700
+say yeah well I hope you two will be
+ 
+
+53
+00:02:03,700 --> 00:02:08,490
+say yeah well I hope you two will be
+really happy together I hope you do be
+
+54
+00:02:08,490 --> 00:02:08,500
+really happy together I hope you do be
+ 
+
+55
+00:02:08,500 --> 00:02:11,430
+really happy together I hope you do be
+really happy together
+
+56
+00:02:11,430 --> 00:02:11,440
+
+ 
+
+57
+00:02:11,440 --> 00:02:42,509
+
+[Music]
+
diff --git a/1999/t8DHTGsC528.en.srt b/1999/t8DHTGsC528.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..421f2b3056742af60119fb8bb632f58816011075
--- /dev/null
+++ b/1999/t8DHTGsC528.en.srt
@@ -0,0 +1,255 @@
+1
+00:00:00,800 --> 00:00:22,870
+
+can I get you something banner soldiers
+
+2
+00:00:22,870 --> 00:00:22,880
+
+ 
+
+3
+00:00:22,880 --> 00:00:34,960
+
+Oh give what's he giving up
+
+4
+00:00:34,960 --> 00:00:34,970
+
+ 
+
+5
+00:00:34,970 --> 00:00:38,000
+
+what he means vanna's you're just giving
+
+6
+00:00:38,000 --> 00:00:38,010
+what he means vanna's you're just giving
+ 
+
+7
+00:00:38,010 --> 00:00:40,940
+what he means vanna's you're just giving
+us stock answers well I think one thing
+
+8
+00:00:40,940 --> 00:00:40,950
+us stock answers well I think one thing
+ 
+
+9
+00:00:40,950 --> 00:00:42,710
+us stock answers well I think one thing
+you guys all learn is that the story is
+
+10
+00:00:42,710 --> 00:00:42,720
+you guys all learn is that the story is
+ 
+
+11
+00:00:42,720 --> 00:00:46,520
+you guys all learn is that the story is
+mine it belongs to V so I I think I'll
+
+12
+00:00:46,520 --> 00:00:46,530
+mine it belongs to V so I I think I'll
+ 
+
+13
+00:00:46,530 --> 00:00:49,790
+mine it belongs to V so I I think I'll
+tell him my way no matter which
+
+14
+00:00:49,790 --> 00:00:49,800
+tell him my way no matter which
+ 
+
+15
+00:00:49,800 --> 00:00:52,910
+tell him my way no matter which
+way you tell it gas chambers where
+
+16
+00:00:52,910 --> 00:00:52,920
+way you tell it gas chambers where
+ 
+
+17
+00:00:52,920 --> 00:00:53,840
+way you tell it gas chambers where
+you're headed seated
+
+18
+00:00:53,840 --> 00:00:53,850
+you're headed seated
+ 
+
+19
+00:00:53,850 --> 00:01:00,890
+you're headed seated
+that's one gasps it's like Ted Bundy you
+
+20
+00:01:00,890 --> 00:01:00,900
+that's one gasps it's like Ted Bundy you
+ 
+
+21
+00:01:00,900 --> 00:01:02,240
+that's one gasps it's like Ted Bundy you
+talk real big too
+
+22
+00:01:02,240 --> 00:01:02,250
+talk real big too
+ 
+
+23
+00:01:02,250 --> 00:01:05,899
+talk real big too
+but in the end took two deputies that
+
+24
+00:01:05,899 --> 00:01:05,909
+but in the end took two deputies that
+ 
+
+25
+00:01:05,909 --> 00:01:07,130
+but in the end took two deputies that
+hold him down
+
+26
+00:01:07,130 --> 00:01:07,140
+hold him down
+ 
+
+27
+00:01:07,140 --> 00:01:14,529
+hold him down
+you get any friends van it's not just us
+
+28
+00:01:14,529 --> 00:01:14,539
+
+ 
+
+29
+00:01:14,539 --> 00:01:16,270
+
+my she captured this we're not gonna be
+
+30
+00:01:16,270 --> 00:01:16,280
+my she captured this we're not gonna be
+ 
+
+31
+00:01:16,280 --> 00:01:18,780
+my she captured this we're not gonna be
+able to help ya
+
+32
+00:01:18,780 --> 00:01:18,790
+
+ 
+
+33
+00:01:18,790 --> 00:01:24,990
+
+once when I was young
+
+34
+00:01:24,990 --> 00:01:25,000
+
+ 
+
+35
+00:01:25,000 --> 00:01:28,350
+
+I was laying in the grass and a spider
+
+36
+00:01:28,350 --> 00:01:28,360
+I was laying in the grass and a spider
+ 
+
+37
+00:01:28,360 --> 00:01:36,260
+I was laying in the grass and a spider
+crawled in my ear
+
+38
+00:01:36,260 --> 00:01:36,270
+
+ 
+
+39
+00:01:36,270 --> 00:01:39,030
+
+boy crawled out again
+
+40
+00:01:39,030 --> 00:01:39,040
+boy crawled out again
+ 
+
+41
+00:01:39,040 --> 00:01:41,240
+boy crawled out again
+nobody home
+
+42
+00:01:41,240 --> 00:01:41,250
+nobody home
+ 
+
+43
+00:01:41,250 --> 00:01:43,410
+nobody home
+frankly man
+
+44
+00:01:43,410 --> 00:01:43,420
+frankly man
+ 
+
+45
+00:01:43,420 --> 00:01:46,230
+frankly man
+I think he was hoping for something a
+
+46
+00:01:46,230 --> 00:01:46,240
+I think he was hoping for something a
+ 
+
+47
+00:01:46,240 --> 00:01:54,620
+I think he was hoping for something a
+little more substantial a cipher a zero
+
+48
+00:01:54,620 --> 00:01:54,630
+little more substantial a cipher a zero
+ 
+
+49
+00:01:54,630 --> 00:02:14,010
+little more substantial a cipher a zero
+anyone cystic killing does daddy
+
+50
+00:02:14,010 --> 00:02:14,020
+
+ 
+
+51
+00:02:14,020 --> 00:02:16,590
+
+Hey
+
diff --git a/1999/tB0th8vNLxo.description b/1999/tB0th8vNLxo.description
new file mode 100644
index 0000000000000000000000000000000000000000..7c7348835abf61800cf95d97f3096af9857ca6cf
--- /dev/null
+++ b/1999/tB0th8vNLxo.description
@@ -0,0 +1,38 @@
+American Beauty movie clips: http://j.mp/1CLJe9p
+BUY THE MOVIE: http://amzn.to/tEbnYN
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Ricky (Wes Bentley) shows Jane (Thora Birch) his most beautiful video: a plastic bag dancing in the wind.
+
+FILM DESCRIPTION:
+Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman's turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he's grown cynical and is convinced that he has no reason to go on. Lester's relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she's in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she's unattractive. Her problems aren't helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn't the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball.
+
+CREDITS:
+TM & © Dreamworks (1999)
+Cast: Thora Birch, Wes Bentley
+Director: Sam Mendes
+Producers: Alan Ball, Bruce Cohen, Dan Jinks, Stan Wlodkowski
+Screenwriter: Alan Ball
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/tB0th8vNLxo.en.srt b/1999/tB0th8vNLxo.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..ad74e14fc38948e8eaa74ddf662171223c59230c
--- /dev/null
+++ b/1999/tB0th8vNLxo.en.srt
@@ -0,0 +1,275 @@
+1
+00:00:00,680 --> 00:00:01,990
+
+you want to see the most beautiful thing
+
+2
+00:00:01,990 --> 00:00:02,000
+you want to see the most beautiful thing
+ 
+
+3
+00:00:02,000 --> 00:00:27,029
+you want to see the most beautiful thing
+I've ever
+
+4
+00:00:27,029 --> 00:00:27,039
+
+ 
+
+5
+00:00:27,039 --> 00:00:30,509
+
+filmed it was one of those days where
+
+6
+00:00:30,509 --> 00:00:30,519
+filmed it was one of those days where
+ 
+
+7
+00:00:30,519 --> 00:00:34,590
+filmed it was one of those days where
+it's a minute away from
+
+8
+00:00:34,590 --> 00:00:34,600
+
+ 
+
+9
+00:00:34,600 --> 00:00:36,990
+
+snowing and there's this electricity in
+
+10
+00:00:36,990 --> 00:00:37,000
+snowing and there's this electricity in
+ 
+
+11
+00:00:37,000 --> 00:00:40,110
+snowing and there's this electricity in
+the
+
+12
+00:00:40,110 --> 00:00:40,120
+
+ 
+
+13
+00:00:40,120 --> 00:00:42,869
+
+air you can almost hear
+
+14
+00:00:42,869 --> 00:00:42,879
+air you can almost hear
+ 
+
+15
+00:00:42,879 --> 00:00:48,510
+air you can almost hear
+it
+
+16
+00:00:48,510 --> 00:00:48,520
+
+ 
+
+17
+00:00:48,520 --> 00:00:52,389
+
+right and this bag was
+
+18
+00:00:52,389 --> 00:00:52,399
+right and this bag was
+ 
+
+19
+00:00:52,399 --> 00:00:57,310
+right and this bag was
+just dancing with
+
+20
+00:00:57,310 --> 00:00:57,320
+
+ 
+
+21
+00:00:57,320 --> 00:00:59,790
+
+me like a little kid begging me to play
+
+22
+00:00:59,790 --> 00:00:59,800
+me like a little kid begging me to play
+ 
+
+23
+00:00:59,800 --> 00:01:02,270
+me like a little kid begging me to play
+with with
+
+24
+00:01:02,270 --> 00:01:02,280
+
+ 
+
+25
+00:01:02,280 --> 00:01:08,310
+
+it for 15
+
+26
+00:01:08,310 --> 00:01:08,320
+
+ 
+
+27
+00:01:08,320 --> 00:01:10,590
+
+minutes yesterday I realized that there
+
+28
+00:01:10,590 --> 00:01:10,600
+minutes yesterday I realized that there
+ 
+
+29
+00:01:10,600 --> 00:01:12,590
+minutes yesterday I realized that there
+was
+
+30
+00:01:12,590 --> 00:01:12,600
+was
+ 
+
+31
+00:01:12,600 --> 00:01:19,550
+was
+this entire life behind
+
+32
+00:01:19,550 --> 00:01:19,560
+
+ 
+
+33
+00:01:19,560 --> 00:01:21,469
+
+things and this
+
+34
+00:01:21,469 --> 00:01:21,479
+things and this
+ 
+
+35
+00:01:21,479 --> 00:01:23,670
+things and this
+incredibly benevolent
+
+36
+00:01:23,670 --> 00:01:23,680
+incredibly benevolent
+ 
+
+37
+00:01:23,680 --> 00:01:25,830
+incredibly benevolent
+force that wanted me to know that there
+
+38
+00:01:25,830 --> 00:01:25,840
+force that wanted me to know that there
+ 
+
+39
+00:01:25,840 --> 00:01:34,030
+force that wanted me to know that there
+was no reason to be afraid
+
+40
+00:01:34,030 --> 00:01:34,040
+
+ 
+
+41
+00:01:34,040 --> 00:01:39,350
+
+ever videoos a poor excuse I
+
+42
+00:01:39,350 --> 00:01:39,360
+
+ 
+
+43
+00:01:39,360 --> 00:01:45,630
+
+know but it helps me
+
+44
+00:01:45,630 --> 00:01:45,640
+
+ 
+
+45
+00:01:45,640 --> 00:01:55,069
+
+remember I need to
+
+46
+00:01:55,069 --> 00:01:55,079
+
+ 
+
+47
+00:01:55,079 --> 00:01:58,270
+
+remember sometimes there is so
+
+48
+00:01:58,270 --> 00:01:58,280
+remember sometimes there is so
+ 
+
+49
+00:01:58,280 --> 00:02:02,109
+remember sometimes there is so
+much Beauty
+
+50
+00:02:02,109 --> 00:02:02,119
+
+ 
+
+51
+00:02:02,119 --> 00:02:05,069
+
+in the
+
+52
+00:02:05,069 --> 00:02:05,079
+
+ 
+
+53
+00:02:05,079 --> 00:02:30,869
+
+world I feel like I can't take it
+
+54
+00:02:30,869 --> 00:02:30,879
+
+ 
+
+55
+00:02:30,879 --> 00:02:33,879
+
+to
+
diff --git a/1999/tGs4xAZJkps.description b/1999/tGs4xAZJkps.description
new file mode 100644
index 0000000000000000000000000000000000000000..b4f14048baabe957e00916a996954b71345d6099
--- /dev/null
+++ b/1999/tGs4xAZJkps.description
@@ -0,0 +1,38 @@
+The Cider House Rules movie clips: http://j.mp/1BcPMhM
+BUY THE MOVIE: http://amzn.to/uU9uUx
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Homer (Tobey Maguire) questions Arthur (Delroy Lindo) about his incestuous affairs.
+
+FILM DESCRIPTION:
+John Irving scripted this screen adaptation of his 1985 novel. Set during World War II, The Cider House Rules concerns Homer Wells (Tobey Maguire), an orphan who spent most of his childhood at the St. Cloud Orphanage in rural Maine, where he grew up under the strong but affectionate care of Dr. Wilbur Larch (Michael Caine). Larch has passed along his medical education to Homer, and the young man helps the doctor care for abandoned children and the newborn babies of unwed mothers; however, Homer refuses to assist Larch with the illegal abortions that he performs on the side; Homer has moral objections to abortion, while Larch believes in the rights of the individual and sees it as his duty to keep women in need away from dangerous incompetents. Wally Worthington (Paul Rudd), an air-force pilot, brings his girlfriend Candy (Charlize Theron) to St. Cloud for an abortion, and Homer decides to go with them when they leave, hoping to see the world; however, the three end up going no further than the state line, where Wally's mother (Kate Nelligan) runs an apple orchard and cider mill, and Candy's family traps lobsters. When Wally ships off to battle, Homer grows closer to Candy, and the two fall in love. But their idyllic life at the cider mill is interrupted when Rose Rose (Erykah Badu), a field worker at the orchard, becomes pregnant and her father, cider-house foreman Mr. Rose (Delroy Lindo), turns out to be the father of her unborn child. This news coupled with the death of Dr. Larch, forces Homer to take a long look at both his moral principles and his future. Rapper Heavy D appears in the supporting cast as Peaches.
+
+CREDITS:
+TM & © Miramax Films (1999)
+Cast: Tobey Maguire, Delroy Lindo
+Director: Lasse Hallström
+Producers: Alan C. Blomquist, Bobby Cohen, Richard N. Gladstein, Leslie Holleran, Michele Platt, Meryl Poster, Bob Weinstein, Harvey Weinstein, Lila Yacoub
+Screenwriter: John Irving
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/tGs4xAZJkps.en.srt b/1999/tGs4xAZJkps.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..3f27171b94ebda9ae87446655736aba97972d966
--- /dev/null
+++ b/1999/tGs4xAZJkps.en.srt
@@ -0,0 +1,275 @@
+1
+00:00:04,080 --> 00:00:06,190
+
+Mr Rose
+
+2
+00:00:06,190 --> 00:00:06,200
+Mr Rose
+ 
+
+3
+00:00:06,200 --> 00:00:11,150
+Mr Rose
+om I know you ain't ready for lunch
+
+4
+00:00:11,150 --> 00:00:11,160
+
+ 
+
+5
+00:00:11,160 --> 00:00:16,349
+
+boy is it uh true what's that
+
+6
+00:00:16,349 --> 00:00:16,359
+boy is it uh true what's that
+ 
+
+7
+00:00:16,359 --> 00:00:18,710
+boy is it uh true what's that
+uh are
+
+8
+00:00:18,710 --> 00:00:18,720
+uh are
+ 
+
+9
+00:00:18,720 --> 00:00:44,110
+uh are
+you sleeping with your own daughter
+
+10
+00:00:44,110 --> 00:00:44,120
+
+ 
+
+11
+00:00:44,120 --> 00:00:45,470
+
+I think you've been staying up too late
+
+12
+00:00:45,470 --> 00:00:45,480
+I think you've been staying up too late
+ 
+
+13
+00:00:45,480 --> 00:00:55,790
+I think you've been staying up too late
+at night
+
+14
+00:00:55,790 --> 00:00:55,800
+
+ 
+
+15
+00:00:55,800 --> 00:00:57,910
+
+H you're having sex with your own
+
+16
+00:00:57,910 --> 00:00:57,920
+H you're having sex with your own
+ 
+
+17
+00:00:57,920 --> 00:00:59,709
+H you're having sex with your own
+daughter ain't nobody having sex with my
+
+18
+00:00:59,709 --> 00:00:59,719
+daughter ain't nobody having sex with my
+ 
+
+19
+00:00:59,719 --> 00:01:00,509
+daughter ain't nobody having sex with my
+daughter
+
+20
+00:01:00,509 --> 00:01:00,519
+daughter
+ 
+
+21
+00:01:00,519 --> 00:01:03,469
+daughter
+father me just tell you that you're
+
+22
+00:01:03,469 --> 00:01:03,479
+father me just tell you that you're
+ 
+
+23
+00:01:03,479 --> 00:01:08,950
+father me just tell you that you're
+lying aren't you ashamed of
+
+24
+00:01:08,950 --> 00:01:08,960
+
+ 
+
+25
+00:01:08,960 --> 00:01:12,030
+
+yourself what do you care who hears I
+
+26
+00:01:12,030 --> 00:01:12,040
+yourself what do you care who hears I
+ 
+
+27
+00:01:12,040 --> 00:01:13,749
+yourself what do you care who hears I
+mean come on they know already don't
+
+28
+00:01:13,749 --> 00:01:13,759
+mean come on they know already don't
+ 
+
+29
+00:01:13,759 --> 00:01:16,390
+mean come on they know already don't
+they they know Mr Rose you know what
+
+30
+00:01:16,390 --> 00:01:16,400
+they they know Mr Rose you know what
+ 
+
+31
+00:01:16,400 --> 00:01:18,390
+they they know Mr Rose you know what
+your business is
+
+32
+00:01:18,390 --> 00:01:18,400
+your business is
+ 
+
+33
+00:01:18,400 --> 00:01:20,710
+your business is
+boy I know you don't want to be no kind
+
+34
+00:01:20,710 --> 00:01:20,720
+boy I know you don't want to be no kind
+ 
+
+35
+00:01:20,720 --> 00:01:23,230
+boy I know you don't want to be no kind
+of business with me that's what I know
+
+36
+00:01:23,230 --> 00:01:23,240
+of business with me that's what I know
+ 
+
+37
+00:01:23,240 --> 00:01:25,230
+of business with me that's what I know
+yeah well go on cut my clothes I've got
+
+38
+00:01:25,230 --> 00:01:25,240
+yeah well go on cut my clothes I've got
+ 
+
+39
+00:01:25,240 --> 00:01:26,630
+yeah well go on cut my clothes I've got
+other clothes you going to come here
+
+40
+00:01:26,630 --> 00:01:26,640
+other clothes you going to come here
+ 
+
+41
+00:01:26,640 --> 00:01:29,030
+other clothes you going to come here
+talk to me about lies and shame when
+
+42
+00:01:29,030 --> 00:01:29,040
+talk to me about lies and shame when
+ 
+
+43
+00:01:29,040 --> 00:01:30,510
+talk to me about lies and shame when
+those people took you in and that boy
+
+44
+00:01:30,510 --> 00:01:30,520
+those people took you in and that boy
+ 
+
+45
+00:01:30,520 --> 00:01:32,590
+those people took you in and that boy
+Wally is away at War yeah well she's
+
+46
+00:01:32,590 --> 00:01:32,600
+Wally is away at War yeah well she's
+ 
+
+47
+00:01:32,600 --> 00:01:36,590
+Wally is away at War yeah well she's
+your daughter and I love
+
+48
+00:01:36,590 --> 00:01:36,600
+
+ 
+
+49
+00:01:36,600 --> 00:01:38,870
+
+her a't never going to do nothing to
+
+50
+00:01:38,870 --> 00:01:38,880
+her a't never going to do nothing to
+ 
+
+51
+00:01:38,880 --> 00:01:45,310
+her a't never going to do nothing to
+harm
+
+52
+00:01:45,310 --> 00:01:45,320
+
+ 
+
+53
+00:01:45,320 --> 00:01:47,749
+
+her she's pregnant you know that she's
+
+54
+00:01:47,749 --> 00:01:47,759
+her she's pregnant you know that she's
+ 
+
+55
+00:01:47,759 --> 00:01:50,759
+her she's pregnant you know that she's
+pregnant
+
diff --git a/1999/tJLdaKUBGzo.description b/1999/tJLdaKUBGzo.description
new file mode 100644
index 0000000000000000000000000000000000000000..014cb8568743525622a340d48afd0b922d190fc0
--- /dev/null
+++ b/1999/tJLdaKUBGzo.description
@@ -0,0 +1,37 @@
+The Limey movie clips: http://j.mp/11i0t22
+BUY THE MOVIE: http://j.mp/11i0sLH
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Returning to London, Wilson (Terence Stamp) recalls his trip to Los Angeles, before drifting off into a memory of his younger days in the 1960s.
+
+FILM DESCRIPTION:
+Two actors best known for their work in the late 1960s, Terence Stamp and Peter Fonda, star in The Limey, a drama in which a recently released felon contemplates the gulf between aging criminals like himself and their modern counterparts. Wilson (Stamp) is a British career criminal who has been released after nine years in prison. He has learned that his daughter Jenny died under suspicious circumstances in Los Angeles, so he travels to America for the first time to find out what happened and who's responsible. With the help of an ex-con named Ed (Luis Guzman), Wilson discovers Jenny was romantically involved with Valentine (Fonda), a middle-aged record producer with a shady past and a fondness for young women. In hopes of getting the truth -- and getting to Valentine -- Wilson finds himself doing battle with some of the worst criminals to crawl from the underbelly of Los Angeles; along the way, he also meets Elaine (Lesley Ann Warren), an older actress who knew Jenny and reminds Wilson of how little he really did for his daughter while she was alive. Steven Soderbergh's first film after his commercial comeback with 1998's Out Of Sight, The Limey features, along with Stamp and Fonda, two other notable 60's actors in supporting roles, Barry Newman and Joe Dallesandro.
+
+CREDITS:
+TM & © Lionsgate (1999)
+Cast: Luis Guzmán, Terence Stamp, Nancy Lenehan, Lesley Ann Warren
+Director: Steven Soderbergh
+Screenwriter: Lem Dobbs
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/tJLdaKUBGzo.en.srt b/1999/tJLdaKUBGzo.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..671cdb08bd5e474f44375858dbbecb904dde40ab
--- /dev/null
+++ b/1999/tJLdaKUBGzo.en.srt
@@ -0,0 +1,245 @@
+1
+00:00:06,840 --> 00:00:10,730
+
+so
+
+2
+00:00:10,730 --> 00:00:10,740
+
+ 
+
+3
+00:00:10,740 --> 00:00:13,010
+
+your English
+
+4
+00:00:13,010 --> 00:00:13,020
+your English
+ 
+
+5
+00:00:13,020 --> 00:00:15,890
+your English
+yeah that's right
+
+6
+00:00:15,890 --> 00:00:15,900
+yeah that's right
+ 
+
+7
+00:00:15,900 --> 00:00:18,310
+yeah that's right
+I can never decide what I like better
+
+8
+00:00:18,310 --> 00:00:18,320
+I can never decide what I like better
+ 
+
+9
+00:00:18,320 --> 00:00:24,950
+I can never decide what I like better
+leaving home or coming back
+
+10
+00:00:24,950 --> 00:00:24,960
+
+ 
+
+11
+00:00:24,960 --> 00:00:30,589
+
+I prefer staying I mean oh so you are a
+
+12
+00:00:30,589 --> 00:00:30,599
+I prefer staying I mean oh so you are a
+ 
+
+13
+00:00:30,599 --> 00:00:34,090
+I prefer staying I mean oh so you are a
+reluctant traveler
+
+14
+00:00:34,090 --> 00:00:34,100
+
+ 
+
+15
+00:00:34,100 --> 00:00:39,799
+
+got called out to LA unexpected life do
+
+16
+00:00:39,799 --> 00:00:39,809
+got called out to LA unexpected life do
+ 
+
+17
+00:00:39,809 --> 00:00:46,180
+got called out to LA unexpected life do
+a job of work no rest for the wicked'
+
+18
+00:00:46,180 --> 00:00:46,190
+
+ 
+
+19
+00:00:46,190 --> 00:00:58,869
+
+been away a lot where else
+
+20
+00:00:58,869 --> 00:00:58,879
+
+ 
+
+21
+00:00:58,879 --> 00:01:04,570
+
+on an oil rig in the North Sea nine
+
+22
+00:01:04,570 --> 00:01:04,580
+on an oil rig in the North Sea nine
+ 
+
+23
+00:01:04,580 --> 00:01:09,670
+on an oil rig in the North Sea nine
+years is that legal
+
+24
+00:01:09,670 --> 00:01:09,680
+years is that legal
+ 
+
+25
+00:01:09,680 --> 00:01:14,760
+years is that legal
+well time off for good behavior I
+
+26
+00:01:14,760 --> 00:01:14,770
+well time off for good behavior I
+ 
+
+27
+00:01:14,770 --> 00:01:18,279
+well time off for good behavior I
+shouldn't have even been there it was
+
+28
+00:01:18,279 --> 00:01:18,289
+shouldn't have even been there it was
+ 
+
+29
+00:01:18,289 --> 00:01:20,230
+shouldn't have even been there it was
+these other lads what should have been
+
+30
+00:01:20,230 --> 00:01:20,240
+these other lads what should have been
+ 
+
+31
+00:01:20,240 --> 00:01:25,660
+these other lads what should have been
+there in my place and then just when I
+
+32
+00:01:25,660 --> 00:01:25,670
+there in my place and then just when I
+ 
+
+33
+00:01:25,670 --> 00:01:31,950
+there in my place and then just when I
+finished me nine years contract wallop
+
+34
+00:01:31,950 --> 00:01:31,960
+finished me nine years contract wallop
+ 
+
+35
+00:01:31,960 --> 00:01:38,020
+finished me nine years contract wallop
+right a bugger off to the states sounds
+
+36
+00:01:38,020 --> 00:01:38,030
+right a bugger off to the states sounds
+ 
+
+37
+00:01:38,030 --> 00:01:42,950
+right a bugger off to the states sounds
+like you need a rest
+
+38
+00:01:42,950 --> 00:01:42,960
+
+ 
+
+39
+00:01:42,960 --> 00:01:50,160
+
+yeah could be
+
+40
+00:01:50,160 --> 00:01:50,170
+
+ 
+
+41
+00:01:50,170 --> 00:01:55,380
+
+freedom is a word already used without
+
+42
+00:01:55,380 --> 00:01:55,390
+freedom is a word already used without
+ 
+
+43
+00:01:55,390 --> 00:02:07,830
+freedom is a word already used without
+thinking without thinking of the time of
+
+44
+00:02:07,830 --> 00:02:07,840
+thinking without thinking of the time of
+ 
+
+45
+00:02:07,840 --> 00:02:16,890
+thinking without thinking of the time of
+the time when I was loved
+
+46
+00:02:16,890 --> 00:02:16,900
+
+ 
+
+47
+00:02:16,900 --> 00:02:52,640
+
+very good yeah getting better or not
+
+48
+00:02:52,640 --> 00:02:52,650
+
+ 
+
+49
+00:02:52,650 --> 00:02:54,709
+
+you
+
diff --git a/1999/tLzcAofC4WA.en.srt b/1999/tLzcAofC4WA.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..b6b5a81ac2b792be28743b136f135cee2a0f4fe3
--- /dev/null
+++ b/1999/tLzcAofC4WA.en.srt
@@ -0,0 +1,480 @@
+1
+00:00:09,440 --> 00:00:11,350
+
+I saw a grill roll up on his cat with
+
+2
+00:00:11,350 --> 00:00:11,360
+I saw a grill roll up on his cat with
+ 
+
+3
+00:00:11,360 --> 00:00:12,310
+I saw a grill roll up on his cat with
+leather
+
+4
+00:00:12,310 --> 00:00:12,320
+leather
+ 
+
+5
+00:00:12,320 --> 00:00:15,990
+leather
+pants why a dude from the
+
+6
+00:00:15,990 --> 00:00:16,000
+pants why a dude from the
+ 
+
+7
+00:00:16,000 --> 00:00:18,990
+pants why a dude from the
+bust saw G pick him
+
+8
+00:00:18,990 --> 00:00:19,000
+bust saw G pick him
+ 
+
+9
+00:00:19,000 --> 00:00:21,349
+bust saw G pick him
+up I mean it was the same guy I saw at
+
+10
+00:00:21,349 --> 00:00:21,359
+up I mean it was the same guy I saw at
+ 
+
+11
+00:00:21,359 --> 00:00:23,550
+up I mean it was the same guy I saw at
+the bus last week man cop was helping
+
+12
+00:00:23,550 --> 00:00:23,560
+the bus last week man cop was helping
+ 
+
+13
+00:00:23,560 --> 00:00:24,750
+the bus last week man cop was helping
+him get
+
+14
+00:00:24,750 --> 00:00:24,760
+him get
+ 
+
+15
+00:00:24,760 --> 00:00:28,589
+him get
+away dude are you sure it was
+
+16
+00:00:28,589 --> 00:00:28,599
+away dude are you sure it was
+ 
+
+17
+00:00:28,599 --> 00:00:32,510
+away dude are you sure it was
+gr look like his car bro every car looks
+
+18
+00:00:32,510 --> 00:00:32,520
+gr look like his car bro every car looks
+ 
+
+19
+00:00:32,520 --> 00:00:35,270
+gr look like his car bro every car looks
+like his car that's the point of the car
+
+20
+00:00:35,270 --> 00:00:35,280
+like his car that's the point of the car
+ 
+
+21
+00:00:35,280 --> 00:00:37,069
+like his car that's the point of the car
+dude you're
+
+22
+00:00:37,069 --> 00:00:37,079
+dude you're
+ 
+
+23
+00:00:37,079 --> 00:00:39,350
+dude you're
+paranoid nice
+
+24
+00:00:39,350 --> 00:00:39,360
+paranoid nice
+ 
+
+25
+00:00:39,360 --> 00:00:42,510
+paranoid nice
+job okay I I really did not like that at
+
+26
+00:00:42,510 --> 00:00:42,520
+job okay I I really did not like that at
+ 
+
+27
+00:00:42,520 --> 00:00:45,270
+job okay I I really did not like that at
+all all right let me just explain
+
+28
+00:00:45,270 --> 00:00:45,280
+all all right let me just explain
+ 
+
+29
+00:00:45,280 --> 00:00:47,950
+all all right let me just explain
+something I was blending yeah you just
+
+30
+00:00:47,950 --> 00:00:47,960
+something I was blending yeah you just
+ 
+
+31
+00:00:47,960 --> 00:00:49,790
+something I was blending yeah you just
+Blended your ass right out of the club
+
+32
+00:00:49,790 --> 00:00:49,800
+Blended your ass right out of the club
+ 
+
+33
+00:00:49,800 --> 00:00:52,150
+Blended your ass right out of the club
+man oh come on they're going to let me
+
+34
+00:00:52,150 --> 00:00:52,160
+man oh come on they're going to let me
+ 
+
+35
+00:00:52,160 --> 00:00:54,189
+man oh come on they're going to let me
+back in the club oh no I believe the
+
+36
+00:00:54,189 --> 00:00:54,199
+back in the club oh no I believe the
+ 
+
+37
+00:00:54,199 --> 00:00:56,709
+back in the club oh no I believe the
+words were you're gone for ever
+
+38
+00:00:56,709 --> 00:00:56,719
+words were you're gone for ever
+ 
+
+39
+00:00:56,719 --> 00:00:58,990
+words were you're gone for ever
+G's going to kick your ass hey you know
+
+40
+00:00:58,990 --> 00:00:59,000
+G's going to kick your ass hey you know
+ 
+
+41
+00:00:59,000 --> 00:01:00,590
+G's going to kick your ass hey you know
+what eat me
+
+42
+00:01:00,590 --> 00:01:00,600
+what eat me
+ 
+
+43
+00:01:00,600 --> 00:01:01,709
+what eat me
+come on let's go you want to lose
+
+44
+00:01:01,709 --> 00:01:01,719
+come on let's go you want to lose
+ 
+
+45
+00:01:01,719 --> 00:01:03,869
+come on let's go you want to lose
+another fight pety no who was the guy
+
+46
+00:01:03,869 --> 00:01:03,879
+another fight pety no who was the guy
+ 
+
+47
+00:01:03,879 --> 00:01:06,149
+another fight pety no who was the guy
+that you were talking to all night what
+
+48
+00:01:06,149 --> 00:01:06,159
+that you were talking to all night what
+ 
+
+49
+00:01:06,159 --> 00:01:09,230
+that you were talking to all night what
+guy yeah what guy what guy
+
+50
+00:01:09,230 --> 00:01:09,240
+guy yeah what guy what guy
+ 
+
+51
+00:01:09,240 --> 00:01:11,390
+guy yeah what guy what guy
+suspect what no I don't even know what
+
+52
+00:01:11,390 --> 00:01:11,400
+suspect what no I don't even know what
+ 
+
+53
+00:01:11,400 --> 00:01:13,670
+suspect what no I don't even know what
+he's talking about God how could you
+
+54
+00:01:13,670 --> 00:01:13,680
+he's talking about God how could you
+ 
+
+55
+00:01:13,680 --> 00:01:15,270
+he's talking about God how could you
+even see anything you had your head
+
+56
+00:01:15,270 --> 00:01:15,280
+even see anything you had your head
+ 
+
+57
+00:01:15,280 --> 00:01:17,630
+even see anything you had your head
+buried in a pair of tits on I can see
+
+58
+00:01:17,630 --> 00:01:17,640
+buried in a pair of tits on I can see
+ 
+
+59
+00:01:17,640 --> 00:01:19,830
+buried in a pair of tits on I can see
+things cuz I got eyes behind my head all
+
+60
+00:01:19,830 --> 00:01:19,840
+things cuz I got eyes behind my head all
+ 
+
+61
+00:01:19,840 --> 00:01:23,789
+things cuz I got eyes behind my head all
+right yeah Julie's got a boyfriend Julie
+
+62
+00:01:23,789 --> 00:01:23,799
+right yeah Julie's got a boyfriend Julie
+ 
+
+63
+00:01:23,799 --> 00:01:27,069
+right yeah Julie's got a boyfriend Julie
+that's all together all in harmony J
+
+64
+00:01:27,069 --> 00:01:27,079
+that's all together all in harmony J
+ 
+
+65
+00:01:27,079 --> 00:01:29,190
+that's all together all in harmony J
+yeah Mommy where you going with that
+
+66
+00:01:29,190 --> 00:01:29,200
+yeah Mommy where you going with that
+ 
+
+67
+00:01:29,200 --> 00:01:30,749
+yeah Mommy where you going with that
+fine Little P
+
+68
+00:01:30,749 --> 00:01:30,759
+fine Little P
+ 
+
+69
+00:01:30,759 --> 00:01:32,590
+fine Little P
+ass baby you get out in the street earn
+
+70
+00:01:32,590 --> 00:01:32,600
+ass baby you get out in the street earn
+ 
+
+71
+00:01:32,600 --> 00:01:35,710
+ass baby you get out in the street earn
+a real living huh start hustling what
+
+72
+00:01:35,710 --> 00:01:35,720
+a real living huh start hustling what
+ 
+
+73
+00:01:35,720 --> 00:01:37,789
+a real living huh start hustling what
+she digs me you have your hall pass
+
+74
+00:01:37,789 --> 00:01:37,799
+she digs me you have your hall pass
+ 
+
+75
+00:01:37,799 --> 00:01:40,230
+she digs me you have your hall pass
+young lady yeah you want to see my H
+
+76
+00:01:40,230 --> 00:01:40,240
+young lady yeah you want to see my H
+ 
+
+77
+00:01:40,240 --> 00:01:41,830
+young lady yeah you want to see my H
+pass yeah man I want to see you in
+
+78
+00:01:41,830 --> 00:01:41,840
+pass yeah man I want to see you in
+ 
+
+79
+00:01:41,840 --> 00:01:44,190
+pass yeah man I want to see you in
+detention hey hey hey hey hey why why do
+
+80
+00:01:44,190 --> 00:01:44,200
+detention hey hey hey hey hey why why do
+ 
+
+81
+00:01:44,200 --> 00:01:45,469
+detention hey hey hey hey hey why why do
+you have to be such a huh leave
+
+82
+00:01:45,469 --> 00:01:45,479
+you have to be such a huh leave
+ 
+
+83
+00:01:45,479 --> 00:01:47,109
+you have to be such a huh leave
+her alone all right well Who you calling
+
+84
+00:01:47,109 --> 00:01:50,270
+her alone all right well Who you calling
+ 
+
+85
+00:01:50,270 --> 00:01:50,280
+
+ 
+
+86
+00:01:50,280 --> 00:01:53,030
+
+ oh God you terrify me tricky man
+
+87
+00:01:53,030 --> 00:01:53,040
+oh God you terrify me tricky man
+ 
+
+88
+00:01:53,040 --> 00:01:54,630
+oh God you terrify me tricky man
+just just back off hey man don't you
+
+89
+00:01:54,630 --> 00:01:54,640
+just just back off hey man don't you
+ 
+
+90
+00:01:54,640 --> 00:01:57,429
+just just back off hey man don't you
+just get out of my face boy what all
+
+91
+00:01:57,429 --> 00:01:57,439
+just get out of my face boy what all
+ 
+
+92
+00:01:57,439 --> 00:01:59,029
+just get out of my face boy what all
+right let's go in my office let's go
+
+93
+00:01:59,029 --> 00:01:59,039
+right let's go in my office let's go
+ 
+
+94
+00:01:59,039 --> 00:02:03,630
+right let's go in my office let's go
+move your ass let's go my move your
+
+95
+00:02:03,630 --> 00:02:03,640
+move your ass let's go my move your
+ 
+
+96
+00:02:03,640 --> 00:02:07,799
+move your ass let's go my move your
+ass come on
+
diff --git a/1999/tfqqS90iYKY.en.srt b/1999/tfqqS90iYKY.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..7b460ce9a3a647144637b46908ac8e82b433bfdb
--- /dev/null
+++ b/1999/tfqqS90iYKY.en.srt
@@ -0,0 +1,275 @@
+1
+00:00:00,599 --> 00:00:03,270
+
+it'll never fly I'll arrange the whole
+
+2
+00:00:03,270 --> 00:00:03,280
+it'll never fly I'll arrange the whole
+ 
+
+3
+00:00:03,280 --> 00:00:13,390
+it'll never fly I'll arrange the whole
+thing you can't arrange
+
+4
+00:00:13,390 --> 00:00:13,400
+
+ 
+
+5
+00:00:13,400 --> 00:00:17,630
+
+drum Dr hey hey what's going on would
+
+6
+00:00:17,630 --> 00:00:17,640
+drum Dr hey hey what's going on would
+ 
+
+7
+00:00:17,640 --> 00:00:18,630
+drum Dr hey hey what's going on would
+you like a
+
+8
+00:00:18,630 --> 00:00:18,640
+you like a
+ 
+
+9
+00:00:18,640 --> 00:00:21,310
+you like a
+cracker
+
+10
+00:00:21,310 --> 00:00:21,320
+cracker
+ 
+
+11
+00:00:21,320 --> 00:00:23,790
+cracker
+no I got
+
+12
+00:00:23,790 --> 00:00:23,800
+no I got
+ 
+
+13
+00:00:23,800 --> 00:00:27,029
+no I got
+it going on it's a kidna and it'll be on
+
+14
+00:00:27,029 --> 00:00:27,039
+it going on it's a kidna and it'll be on
+ 
+
+15
+00:00:27,039 --> 00:00:30,070
+it going on it's a kidna and it'll be on
+all the radio stations
+
+16
+00:00:30,070 --> 00:00:30,080
+all the radio stations
+ 
+
+17
+00:00:30,080 --> 00:00:31,429
+all the radio stations
+come
+
+18
+00:00:31,429 --> 00:00:31,439
+come
+ 
+
+19
+00:00:31,439 --> 00:00:34,110
+come
+on for publicity drop please don't tell
+
+20
+00:00:34,110 --> 00:00:34,120
+on for publicity drop please don't tell
+ 
+
+21
+00:00:34,120 --> 00:00:35,430
+on for publicity drop please don't tell
+the police a bunch of crazy fans got you
+
+22
+00:00:35,430 --> 00:00:35,440
+the police a bunch of crazy fans got you
+ 
+
+23
+00:00:35,440 --> 00:00:36,950
+the police a bunch of crazy fans got you
+they won't bring you back just just
+
+24
+00:00:36,950 --> 00:00:36,960
+they won't bring you back just just
+ 
+
+25
+00:00:36,960 --> 00:00:46,830
+they won't bring you back just just
+think of it as a field
+
+26
+00:00:46,830 --> 00:00:46,840
+
+ 
+
+27
+00:00:46,840 --> 00:00:49,990
+
+trip
+
+28
+00:00:49,990 --> 00:00:50,000
+
+ 
+
+29
+00:00:50,000 --> 00:01:01,549
+
+e e
+
+30
+00:01:01,549 --> 00:01:01,559
+
+ 
+
+31
+00:01:01,559 --> 00:01:03,790
+
+Eevee it's me Mr Harrison oh Mr Harris
+
+32
+00:01:03,790 --> 00:01:03,800
+Eevee it's me Mr Harrison oh Mr Harris
+ 
+
+33
+00:01:03,800 --> 00:01:05,030
+Eevee it's me Mr Harrison oh Mr Harris
+I'm just on my way out drum's been
+
+34
+00:01:05,030 --> 00:01:05,040
+I'm just on my way out drum's been
+ 
+
+35
+00:01:05,040 --> 00:01:06,590
+I'm just on my way out drum's been
+kidnapped not for real but a bunch of
+
+36
+00:01:06,590 --> 00:01:06,600
+kidnapped not for real but a bunch of
+ 
+
+37
+00:01:06,600 --> 00:01:08,469
+kidnapped not for real but a bunch of
+fans got him well drum can wait your
+
+38
+00:01:08,469 --> 00:01:08,479
+fans got him well drum can wait your
+ 
+
+39
+00:01:08,479 --> 00:01:10,670
+fans got him well drum can wait your
+father's sick and I want to to take you
+
+40
+00:01:10,670 --> 00:01:10,680
+father's sick and I want to to take you
+ 
+
+41
+00:01:10,680 --> 00:01:12,109
+father's sick and I want to to take you
+with me right now but but John's been
+
+42
+00:01:12,109 --> 00:01:12,119
+with me right now but but John's been
+ 
+
+43
+00:01:12,119 --> 00:01:13,749
+with me right now but but John's been
+kidnapped well we don't have time for
+
+44
+00:01:13,749 --> 00:01:13,759
+kidnapped well we don't have time for
+ 
+
+45
+00:01:13,759 --> 00:01:15,550
+kidnapped well we don't have time for
+that your father has had another heart
+
+46
+00:01:15,550 --> 00:01:15,560
+that your father has had another heart
+ 
+
+47
+00:01:15,560 --> 00:01:18,789
+that your father has had another heart
+attack Eevee he's
+
+48
+00:01:18,789 --> 00:01:18,799
+attack Eevee he's
+ 
+
+49
+00:01:18,799 --> 00:01:22,149
+attack Eevee he's
+dying he's
+
+50
+00:01:22,149 --> 00:01:22,159
+
+ 
+
+51
+00:01:22,159 --> 00:01:27,190
+
+dying it's there
+
+52
+00:01:27,190 --> 00:01:27,200
+
+ 
+
+53
+00:01:27,200 --> 00:01:32,069
+
+there how is he oh leave you dear he
+
+54
+00:01:32,069 --> 00:01:32,079
+there how is he oh leave you dear he
+ 
+
+55
+00:01:32,079 --> 00:01:35,600
+there how is he oh leave you dear he
+passed dear
+
diff --git a/1999/tz56LhvDFho.description b/1999/tz56LhvDFho.description
new file mode 100644
index 0000000000000000000000000000000000000000..a147216262cf4b5dd746fea8797c07c72872163f
--- /dev/null
+++ b/1999/tz56LhvDFho.description
@@ -0,0 +1,38 @@
+Runaway Bride movie clips: http://j.mp/1L5stMt
+BUY THE MOVIE: http://amzn.to/t1C06A
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+In discovering that Ike (Richard Gere) is a reporter, Peggy (Joan Cusack) and Maggie (Julia Roberts) dye his hair with crazy colors.
+
+FILM DESCRIPTION:
+In 1990, Pretty Woman turned Julia Roberts into a star and gave Richard Gere's career a much-needed boost; for 1999, Roberts and Gere reunited with director Garry Marshall for the romantic comedy Runaway Bride. Roberts plays Maggie, who has left so many prospective husbands at the altar that she has gained notoriety as "the Runaway Bride," and a reporter (played by Richard Gere) is assigned to write a story about her. He tracks her down to a small town in Maryland where she's spending time with her family and preparing to give marriage another try. However, the more time she spends with the persistent reporter, the more second thoughts she has about her fiancé (Christopher Meloni). Hector Elizondo, another Pretty Woman alumnus, appears in the supporting cast alongside Joan Cusack, Paul Dooley, and Rita Wilson.
+
+CREDITS:
+TM & © Paramount (1999)
+Cast: Julia Roberts, Richard Gere, Joan Cusack, Jane Morris, Kathleen Marshall
+Director: Garry Marshall
+Producers: Robert W. Cort, Ted Field, Mario Iscovich, Scott Kroopf, Gary Lucchesi, David Madden, Tom Rosenberg, Ellen H. Schwartz, Karen Stirgwolt, Ted Tannebaum, Richard S. Wright
+Screenwriters: Josann McGibbon, Sara Parriott
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/tz56LhvDFho.en.srt b/1999/tz56LhvDFho.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..9346c741bc8fe1bbbd05b22b9447ad32515dcb1d
--- /dev/null
+++ b/1999/tz56LhvDFho.en.srt
@@ -0,0 +1,425 @@
+1
+00:00:00,060 --> 00:00:01,670
+
+no one interviews Maggie in here without
+
+2
+00:00:01,670 --> 00:00:01,680
+no one interviews Maggie in here without
+ 
+
+3
+00:00:01,680 --> 00:00:05,059
+no one interviews Maggie in here without
+a haircut sorry no just got one excuse
+
+4
+00:00:05,059 --> 00:00:05,069
+a haircut sorry no just got one excuse
+ 
+
+5
+00:00:05,069 --> 00:00:09,129
+a haircut sorry no just got one excuse
+me sir I have a fact for you actual fact
+
+6
+00:00:09,129 --> 00:00:09,139
+me sir I have a fact for you actual fact
+ 
+
+7
+00:00:09,139 --> 00:00:12,379
+me sir I have a fact for you actual fact
+yes mr. Pressman you know this is
+
+8
+00:00:12,379 --> 00:00:12,389
+yes mr. Pressman you know this is
+ 
+
+9
+00:00:12,389 --> 00:00:13,669
+yes mr. Pressman you know this is
+actually her fourth wedding not her
+
+10
+00:00:13,669 --> 00:00:13,679
+actually her fourth wedding not her
+ 
+
+11
+00:00:13,679 --> 00:00:16,550
+actually her fourth wedding not her
+seventh like they said I know but tell
+
+12
+00:00:16,550 --> 00:00:16,560
+seventh like they said I know but tell
+ 
+
+13
+00:00:16,560 --> 00:00:18,439
+seventh like they said I know but tell
+me something do you think I think she's
+
+14
+00:00:18,439 --> 00:00:18,449
+me something do you think I think she's
+ 
+
+15
+00:00:18,449 --> 00:00:19,970
+me something do you think I think she's
+gonna make it all the way this time I
+
+16
+00:00:19,970 --> 00:00:19,980
+gonna make it all the way this time I
+ 
+
+17
+00:00:19,980 --> 00:00:26,960
+gonna make it all the way this time I
+don't know she swallowed her gum she
+
+18
+00:00:26,960 --> 00:00:26,970
+don't know she swallowed her gum she
+ 
+
+19
+00:00:26,970 --> 00:00:30,890
+don't know she swallowed her gum she
+tests that mr. Chilean he runs the
+
+20
+00:00:30,890 --> 00:00:30,900
+tests that mr. Chilean he runs the
+ 
+
+21
+00:00:30,900 --> 00:00:32,420
+tests that mr. Chilean he runs the
+newsstand he's also a local bookie and
+
+22
+00:00:32,420 --> 00:00:32,430
+newsstand he's also a local bookie and
+ 
+
+23
+00:00:32,430 --> 00:00:33,110
+newsstand he's also a local bookie and
+yes
+
+24
+00:00:33,110 --> 00:00:33,120
+yes
+ 
+
+25
+00:00:33,120 --> 00:00:36,459
+yes
+excu an 8 to 1 odds that she won't okay
+
+26
+00:00:36,459 --> 00:00:36,469
+excu an 8 to 1 odds that she won't okay
+ 
+
+27
+00:00:36,469 --> 00:00:38,959
+excu an 8 to 1 odds that she won't okay
+instead of a of a haircut how about a
+
+28
+00:00:38,959 --> 00:00:38,969
+instead of a of a haircut how about a
+ 
+
+29
+00:00:38,969 --> 00:00:40,700
+instead of a of a haircut how about a
+wash get all that
+
+30
+00:00:40,700 --> 00:00:40,710
+wash get all that
+ 
+
+31
+00:00:40,710 --> 00:00:43,130
+wash get all that
+city crews out of your hair you'll
+
+32
+00:00:43,130 --> 00:00:43,140
+city crews out of your hair you'll
+ 
+
+33
+00:00:43,140 --> 00:00:48,500
+city crews out of your hair you'll
+answer my questions fine you wash I'll
+
+34
+00:00:48,500 --> 00:00:48,510
+answer my questions fine you wash I'll
+ 
+
+35
+00:00:48,510 --> 00:00:53,360
+answer my questions fine you wash I'll
+ask so what do you want to know when is
+
+36
+00:00:53,360 --> 00:00:53,370
+ask so what do you want to know when is
+ 
+
+37
+00:00:53,370 --> 00:00:55,459
+ask so what do you want to know when is
+the big day a week from Sunday let's
+
+38
+00:00:55,459 --> 00:00:55,469
+the big day a week from Sunday let's
+ 
+
+39
+00:00:55,469 --> 00:00:58,700
+the big day a week from Sunday let's
+just put this up here like this because
+
+40
+00:00:58,700 --> 00:00:58,710
+just put this up here like this because
+ 
+
+41
+00:00:58,710 --> 00:01:00,650
+just put this up here like this because
+this aromatherapy can get a little
+
+42
+00:01:00,650 --> 00:01:00,660
+this aromatherapy can get a little
+ 
+
+43
+00:01:00,660 --> 00:01:02,750
+this aromatherapy can get a little
+strong the lavender we don't want to put
+
+44
+00:01:02,750 --> 00:01:02,760
+strong the lavender we don't want to put
+ 
+
+45
+00:01:02,760 --> 00:01:05,299
+strong the lavender we don't want to put
+you to sleep you're nervous no I've
+
+46
+00:01:05,299 --> 00:01:05,309
+you to sleep you're nervous no I've
+ 
+
+47
+00:01:05,309 --> 00:01:06,590
+you to sleep you're nervous no I've
+never been more certain anything in my
+
+48
+00:01:06,590 --> 00:01:06,600
+never been more certain anything in my
+ 
+
+49
+00:01:06,600 --> 00:01:09,620
+never been more certain anything in my
+life except I've been having all kinds
+
+50
+00:01:09,620 --> 00:01:09,630
+life except I've been having all kinds
+ 
+
+51
+00:01:09,630 --> 00:01:12,149
+life except I've been having all kinds
+of weird dream
+
+52
+00:01:12,149 --> 00:01:12,159
+of weird dream
+ 
+
+53
+00:01:12,159 --> 00:01:18,039
+of weird dream
+would you like to tell me about another
+
+54
+00:01:18,039 --> 00:01:18,049
+would you like to tell me about another
+ 
+
+55
+00:01:18,049 --> 00:01:19,990
+would you like to tell me about another
+one hey Pete I'll be right with ya
+
+56
+00:01:19,990 --> 00:01:20,000
+one hey Pete I'll be right with ya
+ 
+
+57
+00:01:20,000 --> 00:01:22,149
+one hey Pete I'll be right with ya
+III go inside the church and everyone I
+
+58
+00:01:22,149 --> 00:01:22,159
+III go inside the church and everyone I
+ 
+
+59
+00:01:22,159 --> 00:01:24,580
+III go inside the church and everyone I
+know is there and the creepiest part is
+
+60
+00:01:24,580 --> 00:01:24,590
+know is there and the creepiest part is
+ 
+
+61
+00:01:24,590 --> 00:01:27,730
+know is there and the creepiest part is
+I look down at my dress and it's red I
+
+62
+00:01:27,730 --> 00:01:27,740
+I look down at my dress and it's red I
+ 
+
+63
+00:01:27,740 --> 00:01:29,260
+I look down at my dress and it's red I
+don't know what that means
+
+64
+00:01:29,260 --> 00:01:29,270
+don't know what that means
+ 
+
+65
+00:01:29,270 --> 00:01:35,100
+don't know what that means
+red is not my color what do you think I
+
+66
+00:01:35,100 --> 00:01:35,110
+red is not my color what do you think I
+ 
+
+67
+00:01:35,110 --> 00:01:41,770
+red is not my color what do you think I
+think you'd look good in red about your
+
+68
+00:01:41,770 --> 00:01:41,780
+think you'd look good in red about your
+ 
+
+69
+00:01:41,780 --> 00:01:57,490
+think you'd look good in red about your
+hair my jacket please
+
+70
+00:01:57,490 --> 00:01:57,500
+
+ 
+
+71
+00:01:57,500 --> 00:02:00,050
+
+excuse me sir you know where I could get
+
+72
+00:02:00,050 --> 00:02:00,060
+excuse me sir you know where I could get
+ 
+
+73
+00:02:00,060 --> 00:02:02,870
+excuse me sir you know where I could get
+some shampoo some strong shampoo ducts
+
+74
+00:02:02,870 --> 00:02:02,880
+some shampoo some strong shampoo ducts
+ 
+
+75
+00:02:02,880 --> 00:02:05,539
+some shampoo some strong shampoo ducts
+pharmacy third and elves tell them Pete
+
+76
+00:02:05,539 --> 00:02:05,549
+pharmacy third and elves tell them Pete
+ 
+
+77
+00:02:05,549 --> 00:02:06,109
+pharmacy third and elves tell them Pete
+sent you
+
+78
+00:02:06,109 --> 00:02:06,119
+sent you
+ 
+
+79
+00:02:06,119 --> 00:02:09,729
+sent you
+you want my hat no no I'm fine
+
+80
+00:02:09,729 --> 00:02:09,739
+you want my hat no no I'm fine
+ 
+
+81
+00:02:09,739 --> 00:02:34,290
+you want my hat no no I'm fine
+you might need it
+
+82
+00:02:34,290 --> 00:02:34,300
+
+ 
+
+83
+00:02:34,300 --> 00:02:37,990
+
+you
+
+84
+00:02:37,990 --> 00:02:38,000
+
+ 
+
+85
+00:02:38,000 --> 00:02:43,620
+
+[Music]
+
diff --git a/1999/u3XXKF0oDtU.description b/1999/u3XXKF0oDtU.description
new file mode 100644
index 0000000000000000000000000000000000000000..19b8761a3b65c960e74237a35fdacbd6cc9fa2ec
--- /dev/null
+++ b/1999/u3XXKF0oDtU.description
@@ -0,0 +1,38 @@
+The Mummy movie clips: http://j.mp/1uuMKpH
+BUY THE MOVIE: http://amzn.to/rSTSru
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Anck Su Namun (Patricia Velasquez) and High Priest Imhotep (Arnold Vosloo) kill the Pharaoh (Ahraon Ipalé).
+
+FILM DESCRIPTION:
+Loosely adapted from the classic 1932 horror film starring Boris Karloff, The Mummy is set in Egypt, where over 3,000 years ago the high priest Imhotep (played by Arnold Vosloo) was given the all-important assignment of preparing the recently dead for their journey into the afterlife. However, Imhotep made one terrible mistake - he became smitten with Anck-Su-Namun, the mistress of the Pharaoh himself. Driven mad by jealousy and love, Imhotep murdered the Pharaoh, and his punishment was to be buried alive and suffer the torment of an eternal life in his wretched tomb. In 1925, a band of adventurers seeking fame and fortune - led by Rick O'Connel (Brendan Fraser), an American expatriate who has joined the foreign legion, and Evelyn Carnarvon (Rachel Weisz), an amateur archeologist - find a previously unknown burial site in Egypt. The team starts to dig, hoping to find lost riches, but instead they disturb the tomb of Imhotep, and soon the cursed priest rises from his grave to wreck vengeance on humanity. The Mummy was written and directed by Stephen Sommers, whose previous cinematic journeys into the past include The Jungle Book and The Adventures Of Huck Finn.
+
+CREDITS:
+TM & © Universal (1999)
+Cast: Aharon Ipalé, Arnold Vosloo, Patricia Velasquez
+Director: Stephen Sommers
+Producers: Kevin Jarre, Megan Moran, Sean Daniel, James Jacks, Patricia Carr
+Screenwriters: John L. Balderston, Lloyd Fonvielle, Kevin Jarre, Stephen Sommers, Nina Wilcox Putnam, Richard Schayer
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/u3XXKF0oDtU.en.srt b/1999/u3XXKF0oDtU.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..1ce0615a784b790f9edaa8615ca7a74d1cbd300c
--- /dev/null
+++ b/1999/u3XXKF0oDtU.en.srt
@@ -0,0 +1,225 @@
+1
+00:00:00,949 --> 00:00:04,610
+
+these city of the living
+
+2
+00:00:04,610 --> 00:00:04,620
+these city of the living
+ 
+
+3
+00:00:04,620 --> 00:00:10,180
+these city of the living
+crown jewel of pharaoh seti the first
+
+4
+00:00:10,180 --> 00:00:10,190
+
+ 
+
+5
+00:00:10,190 --> 00:00:14,860
+
+home of imitate Pharaohs high priest
+
+6
+00:00:14,860 --> 00:00:14,870
+home of imitate Pharaohs high priest
+ 
+
+7
+00:00:14,870 --> 00:00:20,450
+home of imitate Pharaohs high priest
+keeper of the Dead birthplace of anak
+
+8
+00:00:20,450 --> 00:00:20,460
+keeper of the Dead birthplace of anak
+ 
+
+9
+00:00:20,460 --> 00:00:23,720
+keeper of the Dead birthplace of anak
+suna moon pharaoh's mistress no other
+
+10
+00:00:23,720 --> 00:00:23,730
+suna moon pharaoh's mistress no other
+ 
+
+11
+00:00:23,730 --> 00:00:27,830
+suna moon pharaoh's mistress no other
+man was allowed to touch her
+
+12
+00:00:27,830 --> 00:00:27,840
+
+ 
+
+13
+00:00:27,840 --> 00:00:43,360
+
+[Music]
+
+14
+00:00:43,360 --> 00:00:43,370
+
+ 
+
+15
+00:00:43,370 --> 00:00:47,770
+
+[Music]
+
+16
+00:00:47,770 --> 00:00:47,780
+[Music]
+ 
+
+17
+00:00:47,780 --> 00:00:50,959
+[Music]
+but for their love they were willing to
+
+18
+00:00:50,959 --> 00:00:50,969
+but for their love they were willing to
+ 
+
+19
+00:00:50,969 --> 00:00:53,520
+but for their love they were willing to
+risk life itself
+
+20
+00:00:53,520 --> 00:00:53,530
+risk life itself
+ 
+
+21
+00:00:53,530 --> 00:01:11,399
+risk life itself
+[Music]
+
+22
+00:01:11,399 --> 00:01:11,409
+
+ 
+
+23
+00:01:11,409 --> 00:01:14,500
+
+Yatta Yatta
+
+24
+00:01:14,500 --> 00:01:14,510
+Yatta Yatta
+ 
+
+25
+00:01:14,510 --> 00:01:22,560
+Yatta Yatta
+[Music]
+
+26
+00:01:22,560 --> 00:01:22,570
+
+ 
+
+27
+00:01:22,570 --> 00:01:32,700
+
+[Music]
+
+28
+00:01:32,700 --> 00:01:32,710
+
+ 
+
+29
+00:01:32,710 --> 00:01:37,520
+
+yes Tommy Tata
+
+30
+00:01:37,520 --> 00:01:37,530
+
+ 
+
+31
+00:01:37,530 --> 00:01:44,270
+
+[Music]
+
+32
+00:01:44,270 --> 00:01:44,280
+
+ 
+
+33
+00:01:44,280 --> 00:01:45,900
+
+Hey
+
+34
+00:01:45,900 --> 00:01:45,910
+Hey
+ 
+
+35
+00:01:45,910 --> 00:02:02,850
+Hey
+[Music]
+
+36
+00:02:02,850 --> 00:02:02,860
+
+ 
+
+37
+00:02:02,860 --> 00:02:09,139
+
+[Music]
+
+38
+00:02:09,139 --> 00:02:09,149
+
+ 
+
+39
+00:02:09,149 --> 00:02:15,020
+
+you're not afraid are you Natsu power
+
+40
+00:02:15,020 --> 00:02:15,030
+
+ 
+
+41
+00:02:15,030 --> 00:02:23,300
+
+good night MA you're not a hugger miss
+
+42
+00:02:23,300 --> 00:02:23,310
+
+ 
+
+43
+00:02:23,310 --> 00:02:33,910
+
+nya nya when the Izod wait
+
+44
+00:02:33,910 --> 00:02:33,920
+
+ 
+
+45
+00:02:33,920 --> 00:03:07,519
+
+[Music]
+
diff --git a/1999/uDJsCE01LYI.description b/1999/uDJsCE01LYI.description
new file mode 100644
index 0000000000000000000000000000000000000000..286f6e9263976da3dfb51ef6473e20fc4fbe22af
--- /dev/null
+++ b/1999/uDJsCE01LYI.description
@@ -0,0 +1,38 @@
+Galaxy Quest movie clips: http://j.mp/1JdtUXi
+BUY THE MOVIE: http://amzn.to/rDMsDE
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Alexander Dane (Alan Rickman) feels like a sell-out as he and the rest of the Galaxy Quest" cast wait for Jason Nesmith ("Tim Allen) at a convention.
+
+FILM DESCRIPTION:
+A team of intrepid adventurers travels through the outer reaches of the galaxy, each week finding excitement and adventure on Galaxy Quest! Or at least that's the way it was in the mid-1970s, when brave if reckless Captain Peter Quincy Taggart, lovely Lieutenant Tawny Madison, and inscrutable alien Dr. Lazarus were the leaders of an interstellar law enforcement team on the TV series of that name. Twenty years later, the show is still in reruns, and Jason Nesmith (Tim Allen), Gwen DeMarco (Sigourney Weaver), and Alexander Dane (Alan Rickman) prop up their sagging careers by making appearances at sci-fi conventions, where they grudgingly shake hands and give autographs for the show's socially inept following. However, it turns out that nerdy sci-fi fans aren't the only ones watching: somewhere in another solar system, a group of alien rebels living under a regime of violence and repression have picked up broadcasts of Galaxy Quest, and they aren't aware that it's fiction. They travel to Earth and encounter the Galaxy Quest cast, who figure that they're just another bunch of guys who like to dress funny. However, they soon realize that they're being hired not for another autograph-signing session but for a real-life outer space rescue mission. Galaxy Quest was directed by Dean Parisot, who had a background in TV directing before his theatrical debut with the dark comedy Home Fries.
+
+CREDITS:
+TM & © Dreamworks (1999)
+Cast: Tim Allen, Daryl Mitchell, Alan Rickman, Sam Rockwell, Tony Shalhoub, Sigourney Weaver
+Director: Dean Parisot
+Producers: Elizabeth Cantillon, Allegra Clegg, Suzann Ellis, Sona Gourgouris, Janet Lewin, Charles Newirth, Mark Johnson
+Screenwriter: Robert Gordon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/uDJsCE01LYI.en.srt b/1999/uDJsCE01LYI.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..abf19789bbd1776c41fb54dead6b7332de0c4c04
--- /dev/null
+++ b/1999/uDJsCE01LYI.en.srt
@@ -0,0 +1,455 @@
+1
+00:00:02,440 --> 00:00:04,910
+
+how did I come to this not again I
+
+2
+00:00:04,910 --> 00:00:04,920
+how did I come to this not again I
+ 
+
+3
+00:00:04,920 --> 00:00:07,550
+how did I come to this not again I
+played Richard theii five curtain calls
+
+4
+00:00:07,550 --> 00:00:07,560
+played Richard theii five curtain calls
+ 
+
+5
+00:00:07,560 --> 00:00:08,990
+played Richard theii five curtain calls
+there were five curtain calls I was an
+
+6
+00:00:08,990 --> 00:00:09,000
+there were five curtain calls I was an
+ 
+
+7
+00:00:09,000 --> 00:00:10,669
+there were five curtain calls I was an
+actor once damn it now look at me look
+
+8
+00:00:10,669 --> 00:00:10,679
+actor once damn it now look at me look
+ 
+
+9
+00:00:10,679 --> 00:00:12,870
+actor once damn it now look at me look
+at me I can't go out there and I won't
+
+10
+00:00:12,870 --> 00:00:12,880
+at me I can't go out there and I won't
+ 
+
+11
+00:00:12,880 --> 00:00:16,269
+at me I can't go out there and I won't
+say that stupid line one more
+
+12
+00:00:16,269 --> 00:00:16,279
+say that stupid line one more
+ 
+
+13
+00:00:16,279 --> 00:00:19,349
+say that stupid line one more
+time I can't I won't well Alex at least
+
+14
+00:00:19,349 --> 00:00:19,359
+time I can't I won't well Alex at least
+ 
+
+15
+00:00:19,359 --> 00:00:21,990
+time I can't I won't well Alex at least
+you had a part okay you had a character
+
+16
+00:00:21,990 --> 00:00:22,000
+you had a part okay you had a character
+ 
+
+17
+00:00:22,000 --> 00:00:24,189
+you had a part okay you had a character
+people loved I mean my TV Guide
+
+18
+00:00:24,189 --> 00:00:24,199
+people loved I mean my TV Guide
+ 
+
+19
+00:00:24,199 --> 00:00:26,429
+people loved I mean my TV Guide
+interview with six paragraphs about my
+
+20
+00:00:26,429 --> 00:00:26,439
+interview with six paragraphs about my
+ 
+
+21
+00:00:26,439 --> 00:00:29,029
+interview with six paragraphs about my
+boobs and how they fit into my suit no
+
+22
+00:00:29,029 --> 00:00:29,039
+boobs and how they fit into my suit no
+ 
+
+23
+00:00:29,039 --> 00:00:31,429
+boobs and how they fit into my suit no
+one even bothered to ask me what I do on
+
+24
+00:00:31,429 --> 00:00:31,439
+one even bothered to ask me what I do on
+ 
+
+25
+00:00:31,439 --> 00:00:32,430
+one even bothered to ask me what I do on
+the
+
+26
+00:00:32,430 --> 00:00:32,440
+the
+ 
+
+27
+00:00:32,440 --> 00:00:34,430
+the
+show you had
+
+28
+00:00:34,430 --> 00:00:34,440
+show you had
+ 
+
+29
+00:00:34,440 --> 00:00:37,510
+show you had
+the wait wait I'll think of it I
+
+30
+00:00:37,510 --> 00:00:37,520
+the wait wait I'll think of it I
+ 
+
+31
+00:00:37,520 --> 00:00:39,790
+the wait wait I'll think of it I
+repeated the computer
+
+32
+00:00:39,790 --> 00:00:39,800
+repeated the computer
+ 
+
+33
+00:00:39,800 --> 00:00:43,350
+repeated the computer
+Fred your commander is UND
+
+34
+00:00:43,350 --> 00:00:43,360
+Fred your commander is UND
+ 
+
+35
+00:00:43,360 --> 00:00:47,069
+Fred your commander is UND
+deck wow that smog is thick today huh am
+
+36
+00:00:47,069 --> 00:00:47,079
+deck wow that smog is thick today huh am
+ 
+
+37
+00:00:47,079 --> 00:00:50,029
+deck wow that smog is thick today huh am
+I too late for Alexander's panic
+
+38
+00:00:50,029 --> 00:00:50,039
+I too late for Alexander's panic
+ 
+
+39
+00:00:50,039 --> 00:00:52,349
+I too late for Alexander's panic
+attack apparently not you know you
+
+40
+00:00:52,349 --> 00:00:52,359
+attack apparently not you know you
+ 
+
+41
+00:00:52,359 --> 00:00:57,990
+attack apparently not you know you
+should get that looked
+
+42
+00:00:57,990 --> 00:00:58,000
+
+ 
+
+43
+00:00:58,000 --> 00:01:02,790
+
+at okay what did I
+
+44
+00:01:02,790 --> 00:01:02,800
+
+ 
+
+45
+00:01:02,800 --> 00:01:07,070
+
+do what for those Four Seasons we
+
+46
+00:01:07,070 --> 00:01:07,080
+do what for those Four Seasons we
+ 
+
+47
+00:01:07,080 --> 00:01:08,990
+do what for those Four Seasons we
+developed the same affection for the
+
+48
+00:01:08,990 --> 00:01:09,000
+developed the same affection for the
+ 
+
+49
+00:01:09,000 --> 00:01:11,590
+developed the same affection for the
+crew as the crew had for each other I me
+
+50
+00:01:11,590 --> 00:01:11,600
+crew as the crew had for each other I me
+ 
+
+51
+00:01:11,600 --> 00:01:14,950
+crew as the crew had for each other I me
+these weren't just venturers exploring
+
+52
+00:01:14,950 --> 00:01:14,960
+these weren't just venturers exploring
+ 
+
+53
+00:01:14,960 --> 00:01:18,270
+these weren't just venturers exploring
+space these are friends unbelievable you
+
+54
+00:01:18,270 --> 00:01:18,280
+space these are friends unbelievable you
+ 
+
+55
+00:01:18,280 --> 00:01:20,789
+space these are friends unbelievable you
+are so full of it man it's not a big
+
+56
+00:01:20,789 --> 00:01:20,799
+are so full of it man it's not a big
+ 
+
+57
+00:01:20,799 --> 00:01:22,030
+are so full of it man it's not a big
+deal these guys put a little set in
+
+58
+00:01:22,030 --> 00:01:22,040
+deal these guys put a little set in
+ 
+
+59
+00:01:22,040 --> 00:01:24,590
+deal these guys put a little set in
+their basement I'm there about an hour
+
+60
+00:01:24,590 --> 00:01:24,600
+their basement I'm there about an hour
+ 
+
+61
+00:01:24,600 --> 00:01:26,910
+their basement I'm there about an hour
+it's nothing Gwen they wanted the
+
+62
+00:01:26,910 --> 00:01:26,920
+it's nothing Gwen they wanted the
+ 
+
+63
+00:01:26,920 --> 00:01:29,109
+it's nothing Gwen they wanted the
+commander there he goes Alexander wait
+
+64
+00:01:29,109 --> 00:01:29,119
+commander there he goes Alexander wait
+ 
+
+65
+00:01:29,119 --> 00:01:33,550
+commander there he goes Alexander wait
+grab him grab him
+
+66
+00:01:33,550 --> 00:01:33,560
+
+ 
+
+67
+00:01:33,560 --> 00:01:38,109
+
+okay yeah here we go come on old friend
+
+68
+00:01:38,109 --> 00:01:38,119
+okay yeah here we go come on old friend
+ 
+
+69
+00:01:38,119 --> 00:01:41,149
+okay yeah here we go come on old friend
+old friend you stole all my best lines
+
+70
+00:01:41,149 --> 00:01:41,159
+old friend you stole all my best lines
+ 
+
+71
+00:01:41,159 --> 00:01:44,310
+old friend you stole all my best lines
+you cut me out of episode two entirely T
+
+72
+00:01:44,310 --> 00:01:44,320
+you cut me out of episode two entirely T
+ 
+
+73
+00:01:44,320 --> 00:01:49,030
+you cut me out of episode two entirely T
+Madison my personal favorite Gwen
+
+74
+00:01:49,030 --> 00:01:49,040
+
+ 
+
+75
+00:01:49,040 --> 00:01:52,950
+
+dearco yeah getting harder Commander
+
+76
+00:01:52,950 --> 00:01:52,960
+dearco yeah getting harder Commander
+ 
+
+77
+00:01:52,960 --> 00:01:54,830
+dearco yeah getting harder Commander
+yeah that's what I'm talking about let's
+
+78
+00:01:54,830 --> 00:01:54,840
+yeah that's what I'm talking about let's
+ 
+
+79
+00:01:54,840 --> 00:01:59,069
+yeah that's what I'm talking about let's
+hear a warm welcome for TR Gunner Leno
+
+80
+00:01:59,069 --> 00:01:59,079
+hear a warm welcome for TR Gunner Leno
+ 
+
+81
+00:01:59,079 --> 00:02:01,310
+hear a warm welcome for TR Gunner Leno
+Tommy
+
+82
+00:02:01,310 --> 00:02:01,320
+Tommy
+ 
+
+83
+00:02:01,320 --> 00:02:04,590
+Tommy
+whoever you will go out there I won't
+
+84
+00:02:04,590 --> 00:02:04,600
+whoever you will go out there I won't
+ 
+
+85
+00:02:04,600 --> 00:02:06,510
+whoever you will go out there I won't
+and nothing you say will make me The
+
+86
+00:02:06,510 --> 00:02:06,520
+and nothing you say will make me The
+ 
+
+87
+00:02:06,520 --> 00:02:11,270
+and nothing you say will make me The
+Show Must Go
+
+88
+00:02:11,270 --> 00:02:11,280
+
+ 
+
+89
+00:02:11,280 --> 00:02:21,900
+
+On DK you
+
+90
+00:02:21,900 --> 00:02:21,910
+
+ 
+
+91
+00:02:21,910 --> 00:02:44,490
+
+[Music]
+
diff --git a/1999/uJPI1qu9bE4.description b/1999/uJPI1qu9bE4.description
new file mode 100644
index 0000000000000000000000000000000000000000..5107d6f067e22929896ac236dae0ca9fee423bb3
--- /dev/null
+++ b/1999/uJPI1qu9bE4.description
@@ -0,0 +1,38 @@
+Notting Hill movie clips: http://j.mp/1JaBLF3
+BUY THE MOVIE: http://amzn.to/shagEm
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+William (Hugh Grant) justifies his decision to break it off with Anna. His friends try to be supportive but he realizes he has made a mistake.
+
+FILM DESCRIPTION:
+Can a beautiful and internationally famous American actress find happiness with a frumpy British bookstore clerk? She can -- at least for a while, it seems -- in Notting Hill. William Thacker (played by Hugh Grant) is a bookseller at a shop in the Notting Hill district in West London, who shares a house with an eccentric Welsh friend, Spike (Rhys Ifans). One day, William is minding the store when in strolls Anna Scott (Julia Roberts), a lovely and well-known actress from the United States who is in London working on a film. She buys a book from William, and she is polite and charming in the way a famous actress would be with a star-struck sales clerk. Their relationship would logically end there, if William didn't run out a few minutes later to buy some juice. While dashing back to the shop, he bumps into Anna on the street, spilling juice all over her blouse. Since he lives nearby, William politely offers to let her stop by his house to clean up; since William seems harmless enough, Anna agrees. When Anna has to stop back to pick up a bag she left at William's house, they kiss -- just in time for Spike to show up. A romance slowly blooms as his friends and family (not to mention the world at large) wonder out loud what he's doing dating a movie star. Notting Hill reunites Hugh Grant with producer Duncan Kenworthy and screenwriter Richard Curtis, who previously worked together on the international hit Four Weddings And A Funeral.
+
+CREDITS:
+TM & © Universal (1999)
+Cast: Hugh Bonneville, Hugh Grant, Rhys Ifans, Tim McInnerny, Emma Chambers, Gina McKee
+Director: Roger Michell
+Producers: Richard Curtis, Eric Fellner, Duncan Kenworthy, Mary Richards, Tim Bevan
+Screenwriter: Richard Curtis
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/uJPI1qu9bE4.en.srt b/1999/uJPI1qu9bE4.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..1ad4ceebde5897870089a1676cb6c76078da7024
--- /dev/null
+++ b/1999/uJPI1qu9bE4.en.srt
@@ -0,0 +1,455 @@
+1
+00:00:01,020 --> 00:00:03,409
+
+yeah good move
+
+2
+00:00:03,409 --> 00:00:03,419
+yeah good move
+ 
+
+3
+00:00:03,419 --> 00:00:04,850
+yeah good move
+I mean when all said and done she's
+
+4
+00:00:04,850 --> 00:00:04,860
+I mean when all said and done she's
+ 
+
+5
+00:00:04,860 --> 00:00:06,349
+I mean when all said and done she's
+nothing special
+
+6
+00:00:06,349 --> 00:00:06,359
+nothing special
+ 
+
+7
+00:00:06,359 --> 00:00:08,509
+nothing special
+I started taking her trousers down and I
+
+8
+00:00:08,509 --> 00:00:08,519
+I started taking her trousers down and I
+ 
+
+9
+00:00:08,519 --> 00:00:10,009
+I started taking her trousers down and I
+definitely glimped some cellulite down
+
+10
+00:00:10,009 --> 00:00:10,019
+definitely glimped some cellulite down
+ 
+
+11
+00:00:10,019 --> 00:00:12,169
+definitely glimped some cellulite down
+there
+
+12
+00:00:12,169 --> 00:00:12,179
+there
+ 
+
+13
+00:00:12,179 --> 00:00:14,930
+there
+decision yeah all actresses are as mad
+
+14
+00:00:14,930 --> 00:00:14,940
+decision yeah all actresses are as mad
+ 
+
+15
+00:00:14,940 --> 00:00:16,189
+decision yeah all actresses are as mad
+as snakes
+
+16
+00:00:16,189 --> 00:00:16,199
+as snakes
+ 
+
+17
+00:00:16,199 --> 00:00:18,109
+as snakes
+turns what do you reckon never met her
+
+18
+00:00:18,109 --> 00:00:18,119
+turns what do you reckon never met her
+ 
+
+19
+00:00:18,119 --> 00:00:21,710
+turns what do you reckon never met her
+never want to brilliant Max absolutely
+
+20
+00:00:21,710 --> 00:00:21,720
+never want to brilliant Max absolutely
+ 
+
+21
+00:00:21,720 --> 00:00:24,230
+never want to brilliant Max absolutely
+never trust a vegetarian great
+
+22
+00:00:24,230 --> 00:00:24,240
+never trust a vegetarian great
+ 
+
+23
+00:00:24,240 --> 00:00:27,849
+never trust a vegetarian great
+thanks brilliant
+
+24
+00:00:27,849 --> 00:00:27,859
+
+ 
+
+25
+00:00:27,859 --> 00:00:30,290
+
+I was caught when I came was it Williams
+
+26
+00:00:30,290 --> 00:00:30,300
+I was caught when I came was it Williams
+ 
+
+27
+00:00:30,300 --> 00:00:33,709
+I was caught when I came was it Williams
+just turned down Anna Scott
+
+28
+00:00:33,709 --> 00:00:33,719
+just turned down Anna Scott
+ 
+
+29
+00:00:33,719 --> 00:00:36,709
+just turned down Anna Scott
+you daft
+
+30
+00:00:36,709 --> 00:00:36,719
+you daft
+ 
+
+31
+00:00:36,719 --> 00:00:43,250
+you daft
+no no no no it's actually quite sensible
+
+32
+00:00:43,250 --> 00:00:43,260
+
+ 
+
+33
+00:00:43,260 --> 00:00:46,069
+
+is that painting isn't the original is
+
+34
+00:00:46,069 --> 00:00:46,079
+is that painting isn't the original is
+ 
+
+35
+00:00:46,079 --> 00:00:47,569
+is that painting isn't the original is
+it
+
+36
+00:00:47,569 --> 00:00:47,579
+it
+ 
+
+37
+00:00:47,579 --> 00:00:48,470
+it
+um
+
+38
+00:00:48,470 --> 00:00:48,480
+um
+ 
+
+39
+00:00:48,480 --> 00:00:52,490
+um
+I think it might be yeah
+
+40
+00:00:52,490 --> 00:00:52,500
+
+ 
+
+41
+00:00:52,500 --> 00:00:54,170
+
+but she said she wanted to go out with
+
+42
+00:00:54,170 --> 00:00:54,180
+but she said she wanted to go out with
+ 
+
+43
+00:00:54,180 --> 00:00:57,470
+but she said she wanted to go out with
+you
+
+44
+00:00:57,470 --> 00:00:57,480
+
+ 
+
+45
+00:00:57,480 --> 00:00:59,150
+
+yeah
+
+46
+00:00:59,150 --> 00:00:59,160
+yeah
+ 
+
+47
+00:00:59,160 --> 00:01:02,389
+yeah
+that's nice
+
+48
+00:01:02,389 --> 00:01:02,399
+
+ 
+
+49
+00:01:02,399 --> 00:01:05,149
+
+what
+
+50
+00:01:05,149 --> 00:01:05,159
+
+ 
+
+51
+00:01:05,159 --> 00:01:07,370
+
+well you know
+
+52
+00:01:07,370 --> 00:01:07,380
+well you know
+ 
+
+53
+00:01:07,380 --> 00:01:09,770
+well you know
+anyone saying they want to go out with
+
+54
+00:01:09,770 --> 00:01:09,780
+anyone saying they want to go out with
+ 
+
+55
+00:01:09,780 --> 00:01:17,270
+anyone saying they want to go out with
+you is pretty great isn't it
+
+56
+00:01:17,270 --> 00:01:17,280
+
+ 
+
+57
+00:01:17,280 --> 00:01:20,090
+
+it was
+
+58
+00:01:20,090 --> 00:01:20,100
+it was
+ 
+
+59
+00:01:20,100 --> 00:01:23,090
+it was
+sort of sweet actually
+
+60
+00:01:23,090 --> 00:01:23,100
+sort of sweet actually
+ 
+
+61
+00:01:23,100 --> 00:01:23,990
+sort of sweet actually
+um
+
+62
+00:01:23,990 --> 00:01:24,000
+um
+ 
+
+63
+00:01:24,000 --> 00:01:25,609
+um
+I mean I know she's an actress and all
+
+64
+00:01:25,609 --> 00:01:25,619
+I mean I know she's an actress and all
+ 
+
+65
+00:01:25,619 --> 00:01:27,530
+I mean I know she's an actress and all
+that so she can
+
+66
+00:01:27,530 --> 00:01:27,540
+that so she can
+ 
+
+67
+00:01:27,540 --> 00:01:31,550
+that so she can
+deliver a line but um
+
+68
+00:01:31,550 --> 00:01:31,560
+
+ 
+
+69
+00:01:31,560 --> 00:01:33,890
+
+she said she might be as famous as it
+
+70
+00:01:33,890 --> 00:01:33,900
+she said she might be as famous as it
+ 
+
+71
+00:01:33,900 --> 00:01:36,950
+she said she might be as famous as it
+can be but also that she was
+
+72
+00:01:36,950 --> 00:01:36,960
+can be but also that she was
+ 
+
+73
+00:01:36,960 --> 00:01:40,429
+can be but also that she was
+just a girl
+
+74
+00:01:40,429 --> 00:01:40,439
+
+ 
+
+75
+00:01:40,439 --> 00:01:44,749
+
+standing in front of a boy
+
+76
+00:01:44,749 --> 00:01:44,759
+
+ 
+
+77
+00:01:44,759 --> 00:01:46,670
+
+asking him
+
+78
+00:01:46,670 --> 00:01:46,680
+asking him
+ 
+
+79
+00:01:46,680 --> 00:02:02,270
+asking him
+to love her
+
+80
+00:02:02,270 --> 00:02:02,280
+
+ 
+
+81
+00:02:02,280 --> 00:02:03,889
+
+oh saw the dog I've made the wrong
+
+82
+00:02:03,889 --> 00:02:03,899
+oh saw the dog I've made the wrong
+ 
+
+83
+00:02:03,899 --> 00:02:10,370
+oh saw the dog I've made the wrong
+decision haven't I
+
+84
+00:02:10,370 --> 00:02:10,380
+
+ 
+
+85
+00:02:10,380 --> 00:02:11,630
+
+Max
+
+86
+00:02:11,630 --> 00:02:11,640
+Max
+ 
+
+87
+00:02:11,640 --> 00:02:21,410
+Max
+fast as your car
+
+88
+00:02:21,410 --> 00:02:21,420
+
+ 
+
+89
+00:02:21,420 --> 00:02:40,869
+
+yeah
+
+90
+00:02:40,869 --> 00:02:40,879
+
+ 
+
+91
+00:02:40,879 --> 00:02:43,940
+
+thank you
+
diff --git a/1999/uiik3zS4y4I.en.srt b/1999/uiik3zS4y4I.en.srt
new file mode 100644
index 0000000000000000000000000000000000000000..f7d0ad0173a640648f222bc338c6df7db620abda
--- /dev/null
+++ b/1999/uiik3zS4y4I.en.srt
@@ -0,0 +1,375 @@
+1
+00:00:01,880 --> 00:00:05,150
+
+no not again I why does it say paper jam
+
+2
+00:00:05,150 --> 00:00:05,160
+no not again I why does it say paper jam
+ 
+
+3
+00:00:05,160 --> 00:00:07,110
+no not again I why does it say paper jam
+when there is no paper jam I swear to
+
+4
+00:00:07,110 --> 00:00:07,120
+when there is no paper jam I swear to
+ 
+
+5
+00:00:07,120 --> 00:00:09,350
+when there is no paper jam I swear to
+God one of these days I I I I just kick
+
+6
+00:00:09,350 --> 00:00:09,360
+God one of these days I I I I just kick
+ 
+
+7
+00:00:09,360 --> 00:00:11,789
+God one of these days I I I I just kick
+this piece of out the window you me
+
+8
+00:00:11,789 --> 00:00:11,799
+this piece of out the window you me
+ 
+
+9
+00:00:11,799 --> 00:00:15,590
+this piece of out the window you me
+both man thing is lucky I'm not
+
+10
+00:00:15,590 --> 00:00:15,600
+both man thing is lucky I'm not
+ 
+
+11
+00:00:15,600 --> 00:00:23,910
+both man thing is lucky I'm not
+armed piece of
+
+12
+00:00:23,910 --> 00:00:23,920
+
+ 
+
+13
+00:00:23,920 --> 00:00:26,870
+
+Sam no
+
+14
+00:00:26,870 --> 00:00:26,880
+Sam no
+ 
+
+15
+00:00:26,880 --> 00:00:30,230
+Sam no
+please Michael
+
+16
+00:00:30,230 --> 00:00:30,240
+please Michael
+ 
+
+17
+00:00:30,240 --> 00:00:33,510
+please Michael
+Bolton that's me wow is that your real
+
+18
+00:00:33,510 --> 00:00:33,520
+Bolton that's me wow is that your real
+ 
+
+19
+00:00:33,520 --> 00:00:35,150
+Bolton that's me wow is that your real
+name
+
+20
+00:00:35,150 --> 00:00:35,160
+name
+ 
+
+21
+00:00:35,160 --> 00:00:38,190
+name
+yeah so are you related to that singer
+
+22
+00:00:38,190 --> 00:00:38,200
+yeah so are you related to that singer
+ 
+
+23
+00:00:38,200 --> 00:00:42,670
+yeah so are you related to that singer
+Guy no it's just a coincidence
+
+24
+00:00:42,670 --> 00:00:42,680
+Guy no it's just a coincidence
+ 
+
+25
+00:00:42,680 --> 00:00:44,790
+Guy no it's just a coincidence
+oh no one in this country can ever
+
+26
+00:00:44,790 --> 00:00:44,800
+oh no one in this country can ever
+ 
+
+27
+00:00:44,800 --> 00:00:46,189
+oh no one in this country can ever
+pronounce my name
+
+28
+00:00:46,189 --> 00:00:46,199
+pronounce my name
+ 
+
+29
+00:00:46,199 --> 00:00:49,790
+pronounce my name
+right it's not that
+
+30
+00:00:49,790 --> 00:00:49,800
+right it's not that
+ 
+
+31
+00:00:49,800 --> 00:00:51,630
+right it's not that
+hard yeah well at least your name is
+
+32
+00:00:51,630 --> 00:00:51,640
+hard yeah well at least your name is
+ 
+
+33
+00:00:51,640 --> 00:00:52,869
+hard yeah well at least your name is
+Michael
+
+34
+00:00:52,869 --> 00:00:52,879
+Michael
+ 
+
+35
+00:00:52,879 --> 00:00:54,830
+Michael
+Bolton you know there's nothing wrong
+
+36
+00:00:54,830 --> 00:00:54,840
+Bolton you know there's nothing wrong
+ 
+
+37
+00:00:54,840 --> 00:00:57,470
+Bolton you know there's nothing wrong
+with that name there was nothing wrong
+
+38
+00:00:57,470 --> 00:00:57,480
+with that name there was nothing wrong
+ 
+
+39
+00:00:57,480 --> 00:00:59,349
+with that name there was nothing wrong
+with it until I was about 12 years old
+
+40
+00:00:59,349 --> 00:00:59,359
+with it until I was about 12 years old
+ 
+
+41
+00:00:59,359 --> 00:01:01,310
+with it until I was about 12 years old
+and that no Talent ass clown became
+
+42
+00:01:01,310 --> 00:01:01,320
+and that no Talent ass clown became
+ 
+
+43
+00:01:01,320 --> 00:01:03,270
+and that no Talent ass clown became
+famous and started winning
+
+44
+00:01:03,270 --> 00:01:03,280
+famous and started winning
+ 
+
+45
+00:01:03,280 --> 00:01:06,789
+famous and started winning
+gramys well why don't you just uh go by
+
+46
+00:01:06,789 --> 00:01:06,799
+gramys well why don't you just uh go by
+ 
+
+47
+00:01:06,799 --> 00:01:09,149
+gramys well why don't you just uh go by
+Mike instead of Michael no way why
+
+48
+00:01:09,149 --> 00:01:09,159
+Mike instead of Michael no way why
+ 
+
+49
+00:01:09,159 --> 00:01:11,310
+Mike instead of Michael no way why
+should I change he's the one who sucks
+
+50
+00:01:11,310 --> 00:01:11,320
+should I change he's the one who sucks
+ 
+
+51
+00:01:11,320 --> 00:01:14,070
+should I change he's the one who sucks
+hey guys what's up G want to go to
+
+52
+00:01:14,070 --> 00:01:14,080
+hey guys what's up G want to go to
+ 
+
+53
+00:01:14,080 --> 00:01:17,550
+hey guys what's up G want to go to
+chachis get some coffee a little early I
+
+54
+00:01:17,550 --> 00:01:17,560
+chachis get some coffee a little early I
+ 
+
+55
+00:01:17,560 --> 00:01:18,710
+chachis get some coffee a little early I
+got to get out of here I think I'm going
+
+56
+00:01:18,710 --> 00:01:18,720
+got to get out of here I think I'm going
+ 
+
+57
+00:01:18,720 --> 00:01:21,670
+got to get out of here I think I'm going
+to lose it uh-oh sounds like somebody's
+
+58
+00:01:21,670 --> 00:01:21,680
+to lose it uh-oh sounds like somebody's
+ 
+
+59
+00:01:21,680 --> 00:01:27,789
+to lose it uh-oh sounds like somebody's
+got a case of the
+
+60
+00:01:27,789 --> 00:01:27,799
+
+ 
+
+61
+00:01:27,799 --> 00:01:31,230
+
+Monday boy I tell you someday days one
+
+62
+00:01:31,230 --> 00:01:31,240
+Monday boy I tell you someday days one
+ 
+
+63
+00:01:31,240 --> 00:01:35,710
+Monday boy I tell you someday days one
+of these days it's just going to be
+
+64
+00:01:35,710 --> 00:01:35,720
+
+ 
+
+65
+00:01:35,720 --> 00:01:37,990
+
+like so can I get you gentleman
+
+66
+00:01:37,990 --> 00:01:38,000
+like so can I get you gentleman
+ 
+
+67
+00:01:38,000 --> 00:01:39,109
+like so can I get you gentleman
+something more to drink or maybe
+
+68
+00:01:39,109 --> 00:01:39,119
+something more to drink or maybe
+ 
+
+69
+00:01:39,119 --> 00:01:40,429
+something more to drink or maybe
+something to nibble on some pizza
+
+70
+00:01:40,429 --> 00:01:40,439
+something to nibble on some pizza
+ 
+
+71
+00:01:40,439 --> 00:01:42,510
+something to nibble on some pizza
+Shooters shrimp poppers or extreme
+
+72
+00:01:42,510 --> 00:01:42,520
+Shooters shrimp poppers or extreme
+ 
+
+73
+00:01:42,520 --> 00:01:45,550
+Shooters shrimp poppers or extreme
+fajitas just coffee okay sounds like a
+
+74
+00:01:45,550 --> 00:01:45,560
+fajitas just coffee okay sounds like a
+ 
+
+75
+00:01:45,560 --> 00:01:48,920
+fajitas just coffee okay sounds like a
+case of the Mondays
+
diff --git a/1999/umK3KRcg1V8.description b/1999/umK3KRcg1V8.description
new file mode 100644
index 0000000000000000000000000000000000000000..920ac603fbb8b51124c68cb7970d3b9d8b8ea9cf
--- /dev/null
+++ b/1999/umK3KRcg1V8.description
@@ -0,0 +1,38 @@
+The Cider House Rules movie clips: http://j.mp/1BcPMhM
+BUY THE MOVIE: http://amzn.to/uU9uUx
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Homer (Tobey Maguire) moves out of the orphanage, destined for greater things.
+
+FILM DESCRIPTION:
+John Irving scripted this screen adaptation of his 1985 novel. Set during World War II, The Cider House Rules concerns Homer Wells (Tobey Maguire), an orphan who spent most of his childhood at the St. Cloud Orphanage in rural Maine, where he grew up under the strong but affectionate care of Dr. Wilbur Larch (Michael Caine). Larch has passed along his medical education to Homer, and the young man helps the doctor care for abandoned children and the newborn babies of unwed mothers; however, Homer refuses to assist Larch with the illegal abortions that he performs on the side; Homer has moral objections to abortion, while Larch believes in the rights of the individual and sees it as his duty to keep women in need away from dangerous incompetents. Wally Worthington (Paul Rudd), an air-force pilot, brings his girlfriend Candy (Charlize Theron) to St. Cloud for an abortion, and Homer decides to go with them when they leave, hoping to see the world; however, the three end up going no further than the state line, where Wally's mother (Kate Nelligan) runs an apple orchard and cider mill, and Candy's family traps lobsters. When Wally ships off to battle, Homer grows closer to Candy, and the two fall in love. But their idyllic life at the cider mill is interrupted when Rose Rose (Erykah Badu), a field worker at the orchard, becomes pregnant and her father, cider-house foreman Mr. Rose (Delroy Lindo), turns out to be the father of her unborn child. This news coupled with the death of Dr. Larch, forces Homer to take a long look at both his moral principles and his future. Rapper Heavy D appears in the supporting cast as Peaches.
+
+CREDITS:
+TM & © Miramax Films (1999)
+Cast: Tobey Maguire, Charlize Theron, Paul Rudd, Michael Caine, Jane Alexander, Kathy Baker, Kieran Culkin, Erik Per Sullivan, Spencer Diamond
+Director: Lasse Hallström
+Producers: Alan C. Blomquist, Bobby Cohen, Richard N. Gladstein, Leslie Holleran, Michele Platt, Meryl Poster, Bob Weinstein, Harvey Weinstein, Lila Yacoub
+Screenwriter: John Irving
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
diff --git a/1999/upwUN92OAQU.description b/1999/upwUN92OAQU.description
new file mode 100644
index 0000000000000000000000000000000000000000..8c1ebdf8e5c9231d63a298b9d2cfee883276fff1
--- /dev/null
+++ b/1999/upwUN92OAQU.description
@@ -0,0 +1,38 @@
+The Haunting movie clips: http://j.mp/1Jd63H8
+BUY THE MOVIE: http://amzn.to/wxhgMa
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Eleanor (Lili Taylor) has help brushing her hair.
+
+FILM DESCRIPTION:
+In the 1860's, industrialist Hugh Crain financed the construction of Hill House, a beautiful but forbidding mansion where Crain hoped to house a wife and children. However, Crain died an unexplained death at Hill House, and ever since tales have circulated that the mansion is haunted by evil spirits. 130 years later, Dr. David Marrow (Liam Neeson), long fascinated by the Hill House legend, brings three people there for what he tells them will be a study in sleep disorders. Theo (Catherine Zeta-Jones) is outwardly brave, but it soon becomes evident that Hill House's sinister reputation has her on edge. Luke (Owen Wilson) quickly finds himself wondering: if this is really about studying sleep, why bring everyone to a haunted house? And Nell (Lili Taylor) finds herself inexplicably drawn to the mansion, with a fascination that soon bears terrifying fruit as the true story of Hill House is revealed. The Haunting was directed by Jan de Bont; the screenplay was written by David Self and based on Shirley Jackson's novel The Haunting Of Hill House, which was also the basis for Robert Wise's 1963 film The Haunting, widely regarded as one of the screen's finest ghost stories.
+
+CREDITS:
+TM & © Dreamworks (1999)
+Cast: Lili Taylor
+Director: Jan de Bont
+Producers: Susan Arnold, Jan de Bont, Marty P. Ewing, Donna Roth, Colin Wilson, Samuel Z. Arkoff, Steven Spielberg
+Screenwriters: David Self, Shirley Jackson
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7
\ No newline at end of file
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