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1933/td3p2XKHP2M.en.srt

@@ -0,0 +1,355 @@
+1
+00:00:00,120 --> 00:00:02,090
+
+have you anyone here to defend you it's
+
+2
+00:00:02,090 --> 00:00:02,100
+have you anyone here to defend you it's
+ 
+
+3
+00:00:02,100 --> 00:00:03,050
+have you anyone here to defend you it's
+a no use
+
+4
+00:00:03,050 --> 00:00:03,060
+a no use
+ 
+
+5
+00:00:03,060 --> 00:00:05,869
+a no use
+I even over to play as high as $18 but I
+
+6
+00:00:05,869 --> 00:00:05,879
+I even over to play as high as $18 but I
+ 
+
+7
+00:00:05,879 --> 00:00:07,940
+I even over to play as high as $18 but I
+know cooter get somebody to defend me my
+
+8
+00:00:07,940 --> 00:00:07,950
+know cooter get somebody to defend me my
+ 
+
+9
+00:00:07,950 --> 00:00:12,039
+know cooter get somebody to defend me my
+friends this man's case moves me deeply
+
+10
+00:00:12,039 --> 00:00:12,049
+friends this man's case moves me deeply
+ 
+
+11
+00:00:12,049 --> 00:00:17,150
+friends this man's case moves me deeply
+look at chicolini he sits there alone an
+
+12
+00:00:17,150 --> 00:00:17,160
+look at chicolini he sits there alone an
+ 
+
+13
+00:00:17,160 --> 00:00:21,710
+look at chicolini he sits there alone an
+object figure I object I say look at
+
+14
+00:00:21,710 --> 00:00:21,720
+object figure I object I say look at
+ 
+
+15
+00:00:21,720 --> 00:00:24,769
+object figure I object I say look at
+chicolini he sits there alone a pitiable
+
+16
+00:00:24,769 --> 00:00:24,779
+chicolini he sits there alone a pitiable
+ 
+
+17
+00:00:24,779 --> 00:00:26,950
+chicolini he sits there alone a pitiable
+object let's see you get out of this one
+
+18
+00:00:26,950 --> 00:00:26,960
+object let's see you get out of this one
+ 
+
+19
+00:00:26,960 --> 00:00:30,169
+object let's see you get out of this one
+surrounded by a sea of unfriendly faces
+
+20
+00:00:30,169 --> 00:00:30,179
+surrounded by a sea of unfriendly faces
+ 
+
+21
+00:00:30,179 --> 00:00:32,299
+surrounded by a sea of unfriendly faces
+chicolini give me another one two ten
+
+22
+00:00:32,299 --> 00:00:32,309
+chicolini give me another one two ten
+ 
+
+23
+00:00:32,309 --> 00:00:35,900
+chicolini give me another one two ten
+eleven right now I ask you one why does
+
+24
+00:00:35,900 --> 00:00:35,910
+eleven right now I ask you one why does
+ 
+
+25
+00:00:35,910 --> 00:00:38,990
+eleven right now I ask you one why does
+it has a throne but no key weighs 2,000
+
+26
+00:00:38,990 --> 00:00:39,000
+it has a throne but no key weighs 2,000
+ 
+
+27
+00:00:39,000 --> 00:00:40,160
+it has a throne but no key weighs 2,000
+pounds and lives in a cycle that's
+
+28
+00:00:40,160 --> 00:00:40,170
+pounds and lives in a cycle that's
+ 
+
+29
+00:00:40,170 --> 00:00:42,709
+pounds and lives in a cycle that's
+irrelevant irrelevant hey that's the
+
+30
+00:00:42,709 --> 00:00:42,719
+irrelevant irrelevant hey that's the
+ 
+
+31
+00:00:42,719 --> 00:00:44,720
+irrelevant irrelevant hey that's the
+answer there's a whole lot of relevance
+
+32
+00:00:44,720 --> 00:00:44,730
+answer there's a whole lot of relevance
+ 
+
+33
+00:00:44,730 --> 00:00:47,029
+answer there's a whole lot of relevance
+in the circus that sort of testimony we
+
+34
+00:00:47,029 --> 00:00:47,039
+in the circus that sort of testimony we
+ 
+
+35
+00:00:47,039 --> 00:00:48,860
+in the circus that sort of testimony we
+can eliminate that's so fine I'll take
+
+36
+00:00:48,860 --> 00:00:48,870
+can eliminate that's so fine I'll take
+ 
+
+37
+00:00:48,870 --> 00:00:51,560
+can eliminate that's so fine I'll take
+some you'll take what eliminate the nice
+
+38
+00:00:51,560 --> 00:00:51,570
+some you'll take what eliminate the nice
+ 
+
+39
+00:00:51,570 --> 00:00:53,689
+some you'll take what eliminate the nice
+cold glass of lemonade hey boss I'm
+
+40
+00:00:53,689 --> 00:00:53,699
+cold glass of lemonade hey boss I'm
+ 
+
+41
+00:00:53,699 --> 00:00:57,049
+cold glass of lemonade hey boss I'm
+going to good yeah gentlemen chicolini
+
+42
+00:00:57,049 --> 00:00:57,059
+going to good yeah gentlemen chicolini
+ 
+
+43
+00:00:57,059 --> 00:00:59,090
+going to good yeah gentlemen chicolini
+here may talk like an idiot and look
+
+44
+00:00:59,090 --> 00:00:59,100
+here may talk like an idiot and look
+ 
+
+45
+00:00:59,100 --> 00:01:01,010
+here may talk like an idiot and look
+like an idiot but don't let that fool
+
+46
+00:01:01,010 --> 00:01:01,020
+like an idiot but don't let that fool
+ 
+
+47
+00:01:01,020 --> 00:01:01,250
+like an idiot but don't let that fool
+you
+
+48
+00:01:01,250 --> 00:01:01,260
+you
+ 
+
+49
+00:01:01,260 --> 00:01:04,609
+you
+he really is an idiot I implore you send
+
+50
+00:01:04,609 --> 00:01:04,619
+he really is an idiot I implore you send
+ 
+
+51
+00:01:04,619 --> 00:01:06,649
+he really is an idiot I implore you send
+him back to his father and brothers who
+
+52
+00:01:06,649 --> 00:01:06,659
+him back to his father and brothers who
+ 
+
+53
+00:01:06,659 --> 00:01:08,390
+him back to his father and brothers who
+are waiting for him with open arms in
+
+54
+00:01:08,390 --> 00:01:08,400
+are waiting for him with open arms in
+ 
+
+55
+00:01:08,400 --> 00:01:10,789
+are waiting for him with open arms in
+the penitentiary I suggest that we give
+
+56
+00:01:10,789 --> 00:01:10,799
+the penitentiary I suggest that we give
+ 
+
+57
+00:01:10,799 --> 00:01:12,620
+the penitentiary I suggest that we give
+him ten years in Leavenworth or 11 years
+
+58
+00:01:12,620 --> 00:01:12,630
+him ten years in Leavenworth or 11 years
+ 
+
+59
+00:01:12,630 --> 00:01:14,570
+him ten years in Leavenworth or 11 years
+in 12 oh I'll tell you what I'll do I'll
+
+60
+00:01:14,570 --> 00:01:14,580
+in 12 oh I'll tell you what I'll do I'll
+ 
+
+61
+00:01:14,580 --> 00:01:16,580
+in 12 oh I'll tell you what I'll do I'll
+take five and ten in wool boy I want to
+
+62
+00:01:16,580 --> 00:01:16,590
+take five and ten in wool boy I want to
+ 
+
+63
+00:01:16,590 --> 00:01:18,080
+take five and ten in wool boy I want to
+get rid of habeas corpus but I should
+
+64
+00:01:18,080 --> 00:01:18,090
+get rid of habeas corpus but I should
+ 
+
+65
+00:01:18,090 --> 00:01:19,640
+get rid of habeas corpus but I should
+have gotten rid of you instead I object
+
+66
+00:01:19,640 --> 00:01:19,650
+have gotten rid of you instead I object
+ 
+
+67
+00:01:19,650 --> 00:01:21,530
+have gotten rid of you instead I object
+even I object and I object to your
+
+68
+00:01:21,530 --> 00:01:21,540
+even I object and I object to your
+ 
+
+69
+00:01:21,540 --> 00:01:22,250
+even I object and I object to your
+untied
+
+70
+00:01:22,250 --> 00:01:22,260
+untied
+ 
+
+71
+00:01:22,260 --> 00:01:53,489
+untied
+[Music]
+

1933/uSsUoxlSADk.description

@@ -0,0 +1,38 @@
+Duck Soup movie clips: http://j.mp/1xG3OER
+BUY THE MOVIE: http://amzn.to/rCYHpQ
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Rufus T. Firefly (Groucho Marx) lays out the strict rules of his country through song and dance... much to everyone's pleasure.
+
+FILM DESCRIPTION:
+In this 1933 Marx Brothers film, the mythical country of Freedonia is broke and on the verge of revolution. Mrs. Teasdale (Margaret Dumont), Freedonia's principal benefactress, will lend the country 20 million dollars if the president withdraws and places the government in the hands of the "fearless, progressive" Rufus T. Firefly (Groucho Marx). At his inauguration, Firefly shows up late, insults everyone in sight, and sings a song about how he intends to abuse his power. Naturally, the crowd cheers wildly. Meanwhile, Ambassador Trentino (Louis Calhern) of neighboring Sylvania schemes to oust Firefly and take over Freedonia himself. To gather enough evidence to discredit Firefly, he sends his most trusted spies, Chicolini (Chico Marx) and Pinky (Harpo Marx). Five minutes after they show up in Freedonia, both spies become important members of Firefly's cabinet, though Chicolini keeps his day job as a peanut vendor. Firefly eventually declares war on Sylvania, an absurd farrago with Firefly changing uniforms from scene to scene, Chicolini going to the other side because the food is better, and Pinky parading around the battlefield with a sandwich board reading "Join the army and see the navy."
+
+CREDITS:
+TM & © Universal (1933)
+Cast: Groucho Marx, Margaret Dumont
+Director: Leo McCarey
+Producer: Herman J. Mankiewicz
+Screenwriters: Bert Kalmar, Nat Perrin, Harry Ruby, Arthur Sheekman
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
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+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
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1933/uSsUoxlSADk.en.srt

@@ -0,0 +1,445 @@
+1
+00:00:00,280 --> 00:00:04,110
+
+if it's not asking too much for our
+
+2
+00:00:04,110 --> 00:00:04,120
+if it's not asking too much for our
+ 
+
+3
+00:00:04,120 --> 00:00:07,390
+if it's not asking too much for our
+information just for
+
+4
+00:00:07,390 --> 00:00:07,400
+information just for
+ 
+
+5
+00:00:07,400 --> 00:00:11,870
+information just for
+illustration how you intend to run the
+
+6
+00:00:11,870 --> 00:00:11,880
+illustration how you intend to run the
+ 
+
+7
+00:00:11,880 --> 00:00:16,710
+illustration how you intend to run the
+nation these are the laws of my
+
+8
+00:00:16,710 --> 00:00:16,720
+
+ 
+
+9
+00:00:16,720 --> 00:00:19,310
+
+Administration no one's allowed to smoke
+
+10
+00:00:19,310 --> 00:00:19,320
+Administration no one's allowed to smoke
+ 
+
+11
+00:00:19,320 --> 00:00:21,750
+Administration no one's allowed to smoke
+or tell a d joke and whistling is
+
+12
+00:00:21,750 --> 00:00:21,760
+or tell a d joke and whistling is
+ 
+
+13
+00:00:21,760 --> 00:00:25,840
+or tell a d joke and whistling is
+forbidden we're not allow to tell
+
+14
+00:00:25,840 --> 00:00:25,850
+forbidden we're not allow to tell
+ 
+
+15
+00:00:25,850 --> 00:00:28,070
+forbidden we're not allow to tell
+[Music]
+
+16
+00:00:28,070 --> 00:00:28,080
+[Music]
+ 
+
+17
+00:00:28,080 --> 00:00:30,550
+[Music]
+a if Che gum is
+
+18
+00:00:30,550 --> 00:00:30,560
+a if Che gum is
+ 
+
+19
+00:00:30,560 --> 00:00:33,069
+a if Che gum is
+the chewer is pursued and in the H
+
+20
+00:00:33,069 --> 00:00:33,079
+the chewer is pursued and in the H
+ 
+
+21
+00:00:33,079 --> 00:00:35,950
+the chewer is pursued and in the H
+hidden if we choose tow be
+
+22
+00:00:35,950 --> 00:00:35,960
+hidden if we choose tow be
+ 
+
+23
+00:00:35,960 --> 00:00:38,950
+hidden if we choose tow be
+pursued if any form of pleasure is
+
+24
+00:00:38,950 --> 00:00:38,960
+pursued if any form of pleasure is
+ 
+
+25
+00:00:38,960 --> 00:00:41,590
+pursued if any form of pleasure is
+exhibited report to me and it will be
+
+26
+00:00:41,590 --> 00:00:41,600
+exhibited report to me and it will be
+ 
+
+27
+00:00:41,600 --> 00:00:44,270
+exhibited report to me and it will be
+prohibited I'll put my foot down so
+
+28
+00:00:44,270 --> 00:00:44,280
+prohibited I'll put my foot down so
+ 
+
+29
+00:00:44,280 --> 00:00:49,430
+prohibited I'll put my foot down so
+shall it be this is the land of the free
+
+30
+00:00:49,430 --> 00:00:49,440
+shall it be this is the land of the free
+ 
+
+31
+00:00:49,440 --> 00:00:51,110
+shall it be this is the land of the free
+the last man nearly ruined this place he
+
+32
+00:00:51,110 --> 00:00:51,120
+the last man nearly ruined this place he
+ 
+
+33
+00:00:51,120 --> 00:00:52,590
+the last man nearly ruined this place he
+didn't know what to do with it if you
+
+34
+00:00:52,590 --> 00:00:52,600
+didn't know what to do with it if you
+ 
+
+35
+00:00:52,600 --> 00:00:54,110
+didn't know what to do with it if you
+think this country's bad off now just
+
+36
+00:00:54,110 --> 00:00:54,120
+think this country's bad off now just
+ 
+
+37
+00:00:54,120 --> 00:00:56,960
+think this country's bad off now just
+wait till I gets over it
+
+38
+00:00:56,960 --> 00:00:56,970
+wait till I gets over it
+ 
+
+39
+00:00:56,970 --> 00:01:00,310
+wait till I gets over it
+[Music]
+
+40
+00:01:00,310 --> 00:01:00,320
+[Music]
+ 
+
+41
+00:01:00,320 --> 00:01:02,150
+[Music]
+the country's taxes must be fixed and I
+
+42
+00:01:02,150 --> 00:01:02,160
+the country's taxes must be fixed and I
+ 
+
+43
+00:01:02,160 --> 00:01:03,590
+the country's taxes must be fixed and I
+know what to do with it if you think
+
+44
+00:01:03,590 --> 00:01:03,600
+know what to do with it if you think
+ 
+
+45
+00:01:03,600 --> 00:01:05,109
+know what to do with it if you think
+you're paying too much now just wait
+
+46
+00:01:05,109 --> 00:01:05,119
+you're paying too much now just wait
+ 
+
+47
+00:01:05,119 --> 00:01:05,950
+you're paying too much now just wait
+till I get through with
+
+48
+00:01:05,950 --> 00:01:05,960
+till I get through with
+ 
+
+49
+00:01:05,960 --> 00:01:11,789
+till I get through with
+[Music]
+
+50
+00:01:11,789 --> 00:01:11,799
+
+ 
+
+51
+00:01:11,799 --> 00:01:14,429
+
+it I will not stand for anything that's
+
+52
+00:01:14,429 --> 00:01:14,439
+it I will not stand for anything that's
+ 
+
+53
+00:01:14,439 --> 00:01:16,950
+it I will not stand for anything that's
+crooked or unfair I'm strictly on the up
+
+54
+00:01:16,950 --> 00:01:16,960
+crooked or unfair I'm strictly on the up
+ 
+
+55
+00:01:16,960 --> 00:01:19,670
+crooked or unfair I'm strictly on the up
+and up so everyone beware if anyone's
+
+56
+00:01:19,670 --> 00:01:19,680
+and up so everyone beware if anyone's
+ 
+
+57
+00:01:19,680 --> 00:01:21,590
+and up so everyone beware if anyone's
+caught taking graft and I don't get my
+
+58
+00:01:21,590 --> 00:01:21,600
+caught taking graft and I don't get my
+ 
+
+59
+00:01:21,600 --> 00:01:23,870
+caught taking graft and I don't get my
+share we stand them up against the wall
+
+60
+00:01:23,870 --> 00:01:23,880
+share we stand them up against the wall
+ 
+
+61
+00:01:23,880 --> 00:01:28,400
+share we stand them up against the wall
+and goes the weasel
+
+62
+00:01:28,400 --> 00:01:28,410
+
+ 
+
+63
+00:01:28,410 --> 00:01:35,109
+
+[Music]
+
+64
+00:01:35,109 --> 00:01:35,119
+
+ 
+
+65
+00:01:35,119 --> 00:01:37,069
+
+If any man should come between a husband
+
+66
+00:01:37,069 --> 00:01:37,079
+If any man should come between a husband
+ 
+
+67
+00:01:37,079 --> 00:01:39,230
+If any man should come between a husband
+and his bride we find out which one she
+
+68
+00:01:39,230 --> 00:01:39,240
+and his bride we find out which one she
+ 
+
+69
+00:01:39,240 --> 00:01:41,510
+and his bride we find out which one she
+prefers by letting her decide if she
+
+70
+00:01:41,510 --> 00:01:41,520
+prefers by letting her decide if she
+ 
+
+71
+00:01:41,520 --> 00:01:43,469
+prefers by letting her decide if she
+prefers the other man the husband steps
+
+72
+00:01:43,469 --> 00:01:43,479
+prefers the other man the husband steps
+ 
+
+73
+00:01:43,479 --> 00:01:45,590
+prefers the other man the husband steps
+outside we stand them up against the
+
+74
+00:01:45,590 --> 00:01:45,600
+outside we stand them up against the
+ 
+
+75
+00:01:45,600 --> 00:01:47,100
+outside we stand them up against the
+wall and po Goes the
+
+76
+00:01:47,100 --> 00:01:47,110
+wall and po Goes the
+ 
+
+77
+00:01:47,110 --> 00:01:56,469
+wall and po Goes the
+[Music]
+
+78
+00:01:56,469 --> 00:01:56,479
+[Music]
+ 
+
+79
+00:01:56,479 --> 00:01:58,389
+[Music]
+Weasel you have an appointment at the
+
+80
+00:01:58,389 --> 00:01:58,399
+Weasel you have an appointment at the
+ 
+
+81
+00:01:58,399 --> 00:02:01,109
+Weasel you have an appointment at the
+House of Representatives
+
+82
+00:02:01,109 --> 00:02:01,119
+House of Representatives
+ 
+
+83
+00:02:01,119 --> 00:02:02,990
+House of Representatives
+good Heavens you can't go with your
+
+84
+00:02:02,990 --> 00:02:03,000
+good Heavens you can't go with your
+ 
+
+85
+00:02:03,000 --> 00:02:05,310
+good Heavens you can't go with your
+trouses up I can eh well they never
+
+86
+00:02:05,310 --> 00:02:05,320
+trouses up I can eh well they never
+ 
+
+87
+00:02:05,320 --> 00:02:14,900
+trouses up I can eh well they never
+catch me any other way
+
+88
+00:02:14,900 --> 00:02:14,910
+
+ 
+
+89
+00:02:14,910 --> 00:02:37,479
+
+[Music]
+

1933/vsQak7aKH30.en.srt

@@ -0,0 +1,625 @@
+1
+00:00:00,060 --> 00:00:02,830
+
+you've been crying I want to help you
+
+2
+00:00:02,830 --> 00:00:02,840
+you've been crying I want to help you
+ 
+
+3
+00:00:02,840 --> 00:00:06,650
+you've been crying I want to help you
+why did you do this are you shorter for
+
+4
+00:00:06,650 --> 00:00:06,660
+why did you do this are you shorter for
+ 
+
+5
+00:00:06,660 --> 00:00:09,890
+why did you do this are you shorter for
+me yes for you my darling I wanted to do
+
+6
+00:00:09,890 --> 00:00:09,900
+me yes for you my darling I wanted to do
+ 
+
+7
+00:00:09,900 --> 00:00:12,350
+me yes for you my darling I wanted to do
+something tremendous to achieve what men
+
+8
+00:00:12,350 --> 00:00:12,360
+something tremendous to achieve what men
+ 
+
+9
+00:00:12,360 --> 00:00:13,940
+something tremendous to achieve what men
+of science have dreamt of since the
+
+10
+00:00:13,940 --> 00:00:13,950
+of science have dreamt of since the
+ 
+
+11
+00:00:13,950 --> 00:00:16,340
+of science have dreamt of since the
+world began the gain wealth and fame and
+
+12
+00:00:16,340 --> 00:00:16,350
+world began the gain wealth and fame and
+ 
+
+13
+00:00:16,350 --> 00:00:18,290
+world began the gain wealth and fame and
+honor to write my name above the
+
+14
+00:00:18,290 --> 00:00:18,300
+honor to write my name above the
+ 
+
+15
+00:00:18,300 --> 00:00:21,769
+honor to write my name above the
+greatest scientists of all time I was so
+
+16
+00:00:21,769 --> 00:00:21,779
+greatest scientists of all time I was so
+ 
+
+17
+00:00:21,779 --> 00:00:24,650
+greatest scientists of all time I was so
+pitifully poor I had nothing to offer
+
+18
+00:00:24,650 --> 00:00:24,660
+pitifully poor I had nothing to offer
+ 
+
+19
+00:00:24,660 --> 00:00:27,950
+pitifully poor I had nothing to offer
+you flora I was just a poor struggling
+
+20
+00:00:27,950 --> 00:00:27,960
+you flora I was just a poor struggling
+ 
+
+21
+00:00:27,960 --> 00:00:30,380
+you flora I was just a poor struggling
+chemist I shall come back to you flora
+
+22
+00:00:30,380 --> 00:00:30,390
+chemist I shall come back to you flora
+ 
+
+23
+00:00:30,390 --> 00:00:32,060
+chemist I shall come back to you flora
+very soon now
+
+24
+00:00:32,060 --> 00:00:32,070
+very soon now
+ 
+
+25
+00:00:32,070 --> 00:00:34,490
+very soon now
+the secret of invisibility lies there in
+
+26
+00:00:34,490 --> 00:00:34,500
+the secret of invisibility lies there in
+ 
+
+27
+00:00:34,500 --> 00:00:36,470
+the secret of invisibility lies there in
+my books why to work in Kent's
+
+28
+00:00:36,470 --> 00:00:36,480
+my books why to work in Kent's
+ 
+
+29
+00:00:36,480 --> 00:00:37,910
+my books why to work in Kent's
+laboratory till I find the way back
+
+30
+00:00:37,910 --> 00:00:37,920
+laboratory till I find the way back
+ 
+
+31
+00:00:37,920 --> 00:00:41,209
+laboratory till I find the way back
+there is a way back Laura and then I
+
+32
+00:00:41,209 --> 00:00:41,219
+there is a way back Laura and then I
+ 
+
+33
+00:00:41,219 --> 00:00:42,950
+there is a way back Laura and then I
+shall come to you I should offer my
+
+34
+00:00:42,950 --> 00:00:42,960
+shall come to you I should offer my
+ 
+
+35
+00:00:42,960 --> 00:00:44,750
+shall come to you I should offer my
+secret to the world with all its
+
+36
+00:00:44,750 --> 00:00:44,760
+secret to the world with all its
+ 
+
+37
+00:00:44,760 --> 00:00:47,330
+secret to the world with all its
+terrible power the nation's the world
+
+38
+00:00:47,330 --> 00:00:47,340
+terrible power the nation's the world
+ 
+
+39
+00:00:47,340 --> 00:00:49,760
+terrible power the nation's the world
+would bid for it thousands millions the
+
+40
+00:00:49,760 --> 00:00:49,770
+would bid for it thousands millions the
+ 
+
+41
+00:00:49,770 --> 00:00:56,630
+would bid for it thousands millions the
+nation wins my secret Jack I want you to
+
+42
+00:00:56,630 --> 00:00:56,640
+nation wins my secret Jack I want you to
+ 
+
+43
+00:00:56,640 --> 00:00:58,220
+nation wins my secret Jack I want you to
+let my father help you you know how
+
+44
+00:00:58,220 --> 00:00:58,230
+let my father help you you know how
+ 
+
+45
+00:00:58,230 --> 00:01:00,319
+let my father help you you know how
+clever he is he'll work with you day and
+
+46
+00:01:00,319 --> 00:01:00,329
+clever he is he'll work with you day and
+ 
+
+47
+00:01:00,329 --> 00:01:02,420
+clever he is he'll work with you day and
+night until you find that second secret
+
+48
+00:01:02,420 --> 00:01:02,430
+night until you find that second secret
+ 
+
+49
+00:01:02,430 --> 00:01:03,920
+night until you find that second secret
+the one that'll bring you back to us
+
+50
+00:01:03,920 --> 00:01:03,930
+the one that'll bring you back to us
+ 
+
+51
+00:01:03,930 --> 00:01:05,660
+the one that'll bring you back to us
+then we'll have those lovely peaceful
+
+52
+00:01:05,660 --> 00:01:05,670
+then we'll have those lovely peaceful
+ 
+
+53
+00:01:05,670 --> 00:01:08,420
+then we'll have those lovely peaceful
+days again out under the trees after
+
+54
+00:01:08,420 --> 00:01:08,430
+days again out under the trees after
+ 
+
+55
+00:01:08,430 --> 00:01:10,310
+days again out under the trees after
+your work in the evening your father
+
+56
+00:01:10,310 --> 00:01:10,320
+your work in the evening your father
+ 
+
+57
+00:01:10,320 --> 00:01:14,030
+your work in the evening your father
+ha ha ha you think he can help me he's
+
+58
+00:01:14,030 --> 00:01:14,040
+ha ha ha you think he can help me he's
+ 
+
+59
+00:01:14,040 --> 00:01:16,310
+ha ha ha you think he can help me he's
+got the brain of a tapeworm a maggot
+
+60
+00:01:16,310 --> 00:01:16,320
+got the brain of a tapeworm a maggot
+ 
+
+61
+00:01:16,320 --> 00:01:19,160
+got the brain of a tapeworm a maggot
+beside mine don't you see what it means
+
+62
+00:01:19,160 --> 00:01:19,170
+beside mine don't you see what it means
+ 
+
+63
+00:01:19,170 --> 00:01:23,510
+beside mine don't you see what it means
+power part rule to make the world grovel
+
+64
+00:01:23,510 --> 00:01:23,520
+power part rule to make the world grovel
+ 
+
+65
+00:01:23,520 --> 00:01:24,320
+power part rule to make the world grovel
+at my feet
+
+66
+00:01:24,320 --> 00:01:24,330
+at my feet
+ 
+
+67
+00:01:24,330 --> 00:01:28,160
+at my feet
+Jack listen to me listen my father found
+
+68
+00:01:28,160 --> 00:01:28,170
+Jack listen to me listen my father found
+ 
+
+69
+00:01:28,170 --> 00:01:29,990
+Jack listen to me listen my father found
+a note in your room he knows something
+
+70
+00:01:29,990 --> 00:01:30,000
+a note in your room he knows something
+ 
+
+71
+00:01:30,000 --> 00:01:31,910
+a note in your room he knows something
+about mama Kane even you don't know it
+
+72
+00:01:31,910 --> 00:01:31,920
+about mama Kane even you don't know it
+ 
+
+73
+00:01:31,920 --> 00:01:34,520
+about mama Kane even you don't know it
+alters you changes you makes you feel
+
+74
+00:01:34,520 --> 00:01:34,530
+alters you changes you makes you feel
+ 
+
+75
+00:01:34,530 --> 00:01:36,679
+alters you changes you makes you feel
+differently father believes the power of
+
+76
+00:01:36,679 --> 00:01:36,689
+differently father believes the power of
+ 
+
+77
+00:01:36,689 --> 00:01:37,760
+differently father believes the power of
+it will go if you know what you're
+
+78
+00:01:37,760 --> 00:01:37,770
+it will go if you know what you're
+ 
+
+79
+00:01:37,770 --> 00:01:39,710
+it will go if you know what you're
+fighting I'll come and stay with us
+
+80
+00:01:39,710 --> 00:01:39,720
+fighting I'll come and stay with us
+ 
+
+81
+00:01:39,720 --> 00:01:41,420
+fighting I'll come and stay with us
+let's fight this thing out together
+
+82
+00:01:41,420 --> 00:01:41,430
+let's fight this thing out together
+ 
+
+83
+00:01:41,430 --> 00:01:45,800
+let's fight this thing out together
+power I said power to walk into the gold
+
+84
+00:01:45,800 --> 00:01:45,810
+power I said power to walk into the gold
+ 
+
+85
+00:01:45,810 --> 00:01:48,139
+power I said power to walk into the gold
+vaults of the nation's into the secrets
+
+86
+00:01:48,139 --> 00:01:48,149
+vaults of the nation's into the secrets
+ 
+
+87
+00:01:48,149 --> 00:01:51,380
+vaults of the nation's into the secrets
+of Kings into the Holy of Holies power
+
+88
+00:01:51,380 --> 00:01:51,390
+of Kings into the Holy of Holies power
+ 
+
+89
+00:01:51,390 --> 00:01:53,840
+of Kings into the Holy of Holies power
+to make multi-ton the squealing in
+
+90
+00:01:53,840 --> 00:01:53,850
+to make multi-ton the squealing in
+ 
+
+91
+00:01:53,850 --> 00:01:55,670
+to make multi-ton the squealing in
+terror at the touch of my little
+
+92
+00:01:55,670 --> 00:01:55,680
+terror at the touch of my little
+ 
+
+93
+00:01:55,680 --> 00:01:58,639
+terror at the touch of my little
+invisible finger even the moon's
+
+94
+00:01:58,639 --> 00:01:58,649
+invisible finger even the moon's
+ 
+
+95
+00:01:58,649 --> 00:02:01,670
+invisible finger even the moon's
+frightened of me frightened to death the
+
+96
+00:02:01,670 --> 00:02:01,680
+frightened of me frightened to death the
+ 
+
+97
+00:02:01,680 --> 00:02:17,860
+frightened of me frightened to death the
+whole world's frightened to death
+
+98
+00:02:17,860 --> 00:02:17,870
+
+ 
+
+99
+00:02:17,870 --> 00:02:22,660
+
+so I see Kemp couldn't sleep he had to
+
+100
+00:02:22,660 --> 00:02:22,670
+so I see Kemp couldn't sleep he had to
+ 
+
+101
+00:02:22,670 --> 00:02:25,720
+so I see Kemp couldn't sleep he had to
+go downstairs he was frightened I put my
+
+102
+00:02:25,720 --> 00:02:25,730
+go downstairs he was frightened I put my
+ 
+
+103
+00:02:25,730 --> 00:02:28,150
+go downstairs he was frightened I put my
+trust in Kemp I told him my secret and
+
+104
+00:02:28,150 --> 00:02:28,160
+trust in Kemp I told him my secret and
+ 
+
+105
+00:02:28,160 --> 00:02:30,729
+trust in Kemp I told him my secret and
+he gave me his word of honor you must go
+
+106
+00:02:30,729 --> 00:02:30,739
+he gave me his word of honor you must go
+ 
+
+107
+00:02:30,739 --> 00:02:32,860
+he gave me his word of honor you must go
+now flora I want to help you there is
+
+108
+00:02:32,860 --> 00:02:32,870
+now flora I want to help you there is
+ 
+
+109
+00:02:32,870 --> 00:02:34,479
+now flora I want to help you there is
+nothing for you to do my dear except to
+
+110
+00:02:34,479 --> 00:02:34,489
+nothing for you to do my dear except to
+ 
+
+111
+00:02:34,489 --> 00:02:36,970
+nothing for you to do my dear except to
+go I shall come back I swear I shall
+
+112
+00:02:36,970 --> 00:02:36,980
+go I shall come back I swear I shall
+ 
+
+113
+00:02:36,980 --> 00:02:43,930
+go I shall come back I swear I shall
+come back because I shall defeat them no
+
+114
+00:02:43,930 --> 00:02:43,940
+come back because I shall defeat them no
+ 
+
+115
+00:02:43,940 --> 00:02:47,229
+come back because I shall defeat them no
+no my dear no I want to stay you must
+
+116
+00:02:47,229 --> 00:02:47,239
+no my dear no I want to stay you must
+ 
+
+117
+00:02:47,239 --> 00:02:49,900
+no my dear no I want to stay you must
+time don't worry the whole worlds by
+
+118
+00:02:49,900 --> 00:02:49,910
+time don't worry the whole worlds by
+ 
+
+119
+00:02:49,910 --> 00:02:51,850
+time don't worry the whole worlds by
+hiding place I can stand out there
+
+120
+00:02:51,850 --> 00:02:51,860
+hiding place I can stand out there
+ 
+
+121
+00:02:51,860 --> 00:02:53,080
+hiding place I can stand out there
+amongst them in the day or night and
+
+122
+00:02:53,080 --> 00:02:53,090
+amongst them in the day or night and
+ 
+
+123
+00:02:53,090 --> 00:02:54,580
+amongst them in the day or night and
+laugh at them
+
+124
+00:02:54,580 --> 00:02:54,590
+laugh at them
+ 
+
+125
+00:02:54,590 --> 00:03:05,930
+laugh at them
+[Music]
+

1933/yZ773W4UICY.en.srt

@@ -0,0 +1,295 @@
+1
+00:00:00,680 --> 00:00:03,619
+
+ten o'clock ten o'clock he wanted them
+
+2
+00:00:03,619 --> 00:00:03,629
+ten o'clock ten o'clock he wanted them
+ 
+
+3
+00:00:03,629 --> 00:00:05,960
+ten o'clock ten o'clock he wanted them
+rather me I think this will do nicely
+
+4
+00:00:05,960 --> 00:00:05,970
+rather me I think this will do nicely
+ 
+
+5
+00:00:05,970 --> 00:00:10,250
+rather me I think this will do nicely
+Kim will stop here it's ten o'clock I
+
+6
+00:00:10,250 --> 00:00:10,260
+Kim will stop here it's ten o'clock I
+ 
+
+7
+00:00:10,260 --> 00:00:13,910
+Kim will stop here it's ten o'clock I
+came with you to keep my promise no it's
+
+8
+00:00:13,910 --> 00:00:13,920
+came with you to keep my promise no it's
+ 
+
+9
+00:00:13,920 --> 00:00:16,820
+came with you to keep my promise no it's
+almost I swear I never told the police I
+
+10
+00:00:16,820 --> 00:00:16,830
+almost I swear I never told the police I
+ 
+
+11
+00:00:16,830 --> 00:00:18,349
+almost I swear I never told the police I
+want to help you let me be your partner
+
+12
+00:00:18,349 --> 00:00:18,359
+want to help you let me be your partner
+ 
+
+13
+00:00:18,359 --> 00:00:20,120
+want to help you let me be your partner
+I've had a cold and uncomfortable
+
+14
+00:00:20,120 --> 00:00:20,130
+I've had a cold and uncomfortable
+ 
+
+15
+00:00:20,130 --> 00:00:22,519
+I've had a cold and uncomfortable
+journey just to keep my promise at 10
+
+16
+00:00:22,519 --> 00:00:22,529
+journey just to keep my promise at 10
+ 
+
+17
+00:00:22,529 --> 00:00:24,320
+journey just to keep my promise at 10
+o'clock I went into the police station
+
+18
+00:00:24,320 --> 00:00:24,330
+o'clock I went into the police station
+ 
+
+19
+00:00:24,330 --> 00:00:26,689
+o'clock I went into the police station
+with you Kemp I stood by while you
+
+20
+00:00:26,689 --> 00:00:26,699
+with you Kemp I stood by while you
+ 
+
+21
+00:00:26,699 --> 00:00:29,210
+with you Kemp I stood by while you
+change into that coat I rode on the
+
+22
+00:00:29,210 --> 00:00:29,220
+change into that coat I rode on the
+ 
+
+23
+00:00:29,220 --> 00:00:30,919
+change into that coat I rode on the
+running board of the car that took you
+
+24
+00:00:30,919 --> 00:00:30,929
+running board of the car that took you
+ 
+
+25
+00:00:30,929 --> 00:01:00,110
+running board of the car that took you
+home again I hope your car's in short
+
+26
+00:01:00,110 --> 00:01:00,120
+home again I hope your car's in short
+ 
+
+27
+00:01:00,120 --> 00:01:02,599
+home again I hope your car's in short
+Kim I'm afraid there's going to be a
+
+28
+00:01:02,599 --> 00:01:02,609
+Kim I'm afraid there's going to be a
+ 
+
+29
+00:01:02,609 --> 00:01:08,690
+Kim I'm afraid there's going to be a
+nasty accident in a minute everything
+
+30
+00:01:08,690 --> 00:01:08,700
+nasty accident in a minute everything
+ 
+
+31
+00:01:08,700 --> 00:01:11,600
+nasty accident in a minute everything
+was you will that's fine just sit where
+
+32
+00:01:11,600 --> 00:01:11,610
+was you will that's fine just sit where
+ 
+
+33
+00:01:11,610 --> 00:01:13,520
+was you will that's fine just sit where
+you are I'll get out and take the
+
+34
+00:01:13,520 --> 00:01:13,530
+you are I'll get out and take the
+ 
+
+35
+00:01:13,530 --> 00:01:14,750
+you are I'll get out and take the
+handbrake off and give you a little
+
+36
+00:01:14,750 --> 00:01:14,760
+handbrake off and give you a little
+ 
+
+37
+00:01:14,760 --> 00:01:16,969
+handbrake off and give you a little
+shove to help you on you'll run gently
+
+38
+00:01:16,969 --> 00:01:16,979
+shove to help you on you'll run gently
+ 
+
+39
+00:01:16,979 --> 00:01:18,770
+shove to help you on you'll run gently
+down and through the railings then
+
+40
+00:01:18,770 --> 00:01:18,780
+down and through the railings then
+ 
+
+41
+00:01:18,780 --> 00:01:20,179
+down and through the railings then
+you'll have a big thrill for a hundred
+
+42
+00:01:20,179 --> 00:01:20,189
+you'll have a big thrill for a hundred
+ 
+
+43
+00:01:20,189 --> 00:01:22,070
+you'll have a big thrill for a hundred
+yards or so till you hit a boulder then
+
+44
+00:01:22,070 --> 00:01:22,080
+yards or so till you hit a boulder then
+ 
+
+45
+00:01:22,080 --> 00:01:23,630
+yards or so till you hit a boulder then
+you'll do a somersault and probably
+
+46
+00:01:23,630 --> 00:01:23,640
+you'll do a somersault and probably
+ 
+
+47
+00:01:23,640 --> 00:01:25,789
+you'll do a somersault and probably
+break your arms then a grand finish up
+
+48
+00:01:25,789 --> 00:01:25,799
+break your arms then a grand finish up
+ 
+
+49
+00:01:25,799 --> 00:01:28,190
+break your arms then a grand finish up
+with a broken neck well good-bye Kemp I
+
+50
+00:01:28,190 --> 00:01:28,200
+with a broken neck well good-bye Kemp I
+ 
+
+51
+00:01:28,200 --> 00:01:30,260
+with a broken neck well good-bye Kemp I
+always said you were a dirty little card
+
+52
+00:01:30,260 --> 00:01:30,270
+always said you were a dirty little card
+ 
+
+53
+00:01:30,270 --> 00:01:32,359
+always said you were a dirty little card
+you're a dirty sneaking little rat as
+
+54
+00:01:32,359 --> 00:01:32,369
+you're a dirty sneaking little rat as
+ 
+
+55
+00:01:32,369 --> 00:01:46,400
+you're a dirty sneaking little rat as
+well goodbye
+
+56
+00:01:46,400 --> 00:01:46,410
+
+ 
+
+57
+00:01:46,410 --> 00:01:50,150
+
+[Applause]
+
+58
+00:01:50,150 --> 00:01:50,160
+
+ 
+
+59
+00:01:50,160 --> 00:02:01,490
+
+[Music]
+

1933/yvD3X3RcK3Y.description

@@ -0,0 +1,38 @@
+King Kong movie clips: http://j.mp/2ige8qn
+BUY THE MOVIE: http://bit.ly/2hxtp6w
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Kong protects Ann Darrow (Fay Wray) from an attacking Tyrannosaurus Rex.
+
+FILM DESCRIPTION:
+The film introduces us to flamboyant, foolhardy documentary filmmaker Carl Denham (Robert Armstrong), who sails off to parts unknown to film his latest epic with leading lady Darrow in tow. Disembarking at Skull Island, they stumble on a ceremony in which the native dancers circle around a terrified-looking young girl, chanting, "Kong! Kong!" The chief (Noble Johnson) and witch doctor (Steve Clemente) spot Denham and company and order them to leave. But upon seeing Ann, the chief offers to buy the "golden woman" to serve as the "bride of Kong." Denham refuses, and he and the others beat a hasty retreat to their ship. Late that night, a party of native warriors sneak on board the ship and kidnap Ann. They strap her to a huge sacrificial altar just outside the gate, then summon Kong, who winds up saving Ann instead of devouring her. Kong is eventually taken back to New York, where he breaks loose on the night of his Broadway premiere, thinking that his beloved Ann is being hurt by the reporters' flash bulbs. Now at large in New York, Kong searches high and low for Ann (in another long-censored scene, he plucks a woman from her high-rise apartment, then drops her to her death when he realizes she isn't the girl he's looking for). After proving his devotion by wrecking an elevated train, Kong winds up at the top of the Empire State Building, facing off against a fleet of World War I fighter planes.
+
+CREDITS:
+TM & © Warner Bros. (1933)
+Cast: Fay Wray
+Directors: Merian C. Cooper, Ernest B. Schoedsack
+Producers: David O. Selznick, Merian C. Cooper, Ernest B. Schoedsack
+Screenwriters: James Ashmore Creelman, Ruth Rose, Merian C. Cooper, Edgar Wallace, Leon Gordon
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
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+Twitter: http://bit.ly/1ghOWmt
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+Tumblr: http://bit.ly/1vUwhH7

1933/zZcYZmsSGs0.en.srt

@@ -0,0 +1,155 @@
+1
+00:00:00,510 --> 00:00:30,120
+
+[Music]
+
+2
+00:00:30,120 --> 00:00:30,130
+
+ 
+
+3
+00:00:30,130 --> 00:00:34,990
+
+here you are Kim nice from beginning to
+
+4
+00:00:34,990 --> 00:00:35,000
+here you are Kim nice from beginning to
+ 
+
+5
+00:00:35,000 --> 00:00:37,210
+here you are Kim nice from beginning to
+end I have a good mind to prosecute a
+
+6
+00:00:37,210 --> 00:00:37,220
+end I have a good mind to prosecute a
+ 
+
+7
+00:00:37,220 --> 00:00:39,130
+end I have a good mind to prosecute a
+whole lot of it for conspiracy I shall
+
+8
+00:00:39,130 --> 00:00:39,140
+whole lot of it for conspiracy I shall
+ 
+
+9
+00:00:39,140 --> 00:00:40,810
+whole lot of it for conspiracy I shall
+announce this evening that the whole
+
+10
+00:00:40,810 --> 00:00:40,820
+announce this evening that the whole
+ 
+
+11
+00:00:40,820 --> 00:00:42,280
+announce this evening that the whole
+thing's are hoaxes and you'll be the
+
+12
+00:00:42,280 --> 00:00:42,290
+thing's are hoaxes and you'll be the
+ 
+
+13
+00:00:42,290 --> 00:01:45,100
+thing's are hoaxes and you'll be the
+laughingstock of the entire country all
+
+14
+00:01:45,100 --> 00:01:45,110
+laughingstock of the entire country all
+ 
+
+15
+00:01:45,110 --> 00:01:47,609
+laughingstock of the entire country all
+right off you go
+
+16
+00:01:47,609 --> 00:01:47,619
+right off you go
+ 
+
+17
+00:01:47,619 --> 00:01:50,040
+right off you go
+don't fear life too
+
+18
+00:01:50,040 --> 00:01:50,050
+don't fear life too
+ 
+
+19
+00:01:50,050 --> 00:01:52,450
+don't fear life too
+[Music]
+
+20
+00:01:52,450 --> 00:01:52,460
+[Music]
+ 
+
+21
+00:01:52,460 --> 00:01:54,160
+[Music]
+did you hear some shouting and screaming
+
+22
+00:01:54,160 --> 00:01:54,170
+did you hear some shouting and screaming
+ 
+
+23
+00:01:54,170 --> 00:01:56,680
+did you hear some shouting and screaming
+what was that screaming had to take some
+
+24
+00:01:56,680 --> 00:01:56,690
+what was that screaming had to take some
+ 
+
+25
+00:01:56,690 --> 00:01:58,630
+what was that screaming had to take some
+exercise to keep warm appealing the
+
+26
+00:01:58,630 --> 00:01:58,640
+exercise to keep warm appealing the
+ 
+
+27
+00:01:58,640 --> 00:02:01,200
+exercise to keep warm appealing the
+stupid and peaceful smashed his head in
+
+28
+00:02:01,200 --> 00:02:01,210
+stupid and peaceful smashed his head in
+ 
+
+29
+00:02:01,210 --> 00:02:06,040
+stupid and peaceful smashed his head in
+we start in earnest tomorrow morning him
+
+30
+00:02:06,040 --> 00:02:06,050
+
+ 
+
+31
+00:02:06,050 --> 00:02:17,379
+
+[Music]
+

1933/zct1tPK1Zk0.en.srt

@@ -0,0 +1,145 @@
+1
+00:00:00,000 --> 00:00:11,110
+
+[Music]
+
+2
+00:00:11,110 --> 00:00:11,120
+[Music]
+ 
+
+3
+00:00:11,120 --> 00:00:26,260
+[Music]
+Bill and Melinda Chan
+
+4
+00:00:26,260 --> 00:00:26,270
+Bill and Melinda Chan
+ 
+
+5
+00:00:26,270 --> 00:00:35,960
+Bill and Melinda Chan
+[Music]
+
+6
+00:00:35,960 --> 00:00:35,970
+
+ 
+
+7
+00:00:35,970 --> 00:00:39,480
+
+The ship fell from the bridge, the story of the Boed
+
+8
+00:00:39,480 --> 00:00:39,490
+The ship fell from the bridge, the story of the Boed
+ 
+
+9
+00:00:39,490 --> 00:00:43,710
+The ship fell from the bridge, the story of the Boed
+in the STJ, in the field, only orders, the
+
+10
+00:00:43,710 --> 00:00:43,720
+in the STJ, in the field, only orders, the
+ 
+
+11
+00:00:43,720 --> 00:00:46,110
+in the STJ, in the field, only orders, the
+same problem, alone facing the
+
+12
+00:00:46,110 --> 00:00:46,120
+same problem, alone facing the
+ 
+
+13
+00:00:46,120 --> 00:00:46,770
+same problem, alone facing the
+goal,
+
+14
+00:00:46,770 --> 00:00:46,780
+goal,
+ 
+
+15
+00:00:46,780 --> 00:01:15,110
+goal,
+Hannah, redeem the check
+
+16
+00:01:15,110 --> 00:01:15,120
+
+ 
+
+17
+00:01:15,120 --> 00:01:19,610
+
+yesterday, she didn't have a camera ready, uncle
+
+18
+00:01:19,610 --> 00:01:19,620
+yesterday, she didn't have a camera ready, uncle
+ 
+
+19
+00:01:19,620 --> 00:01:25,190
+yesterday, she didn't have a camera ready, uncle
+[Music] I
+
+20
+00:01:25,190 --> 00:01:25,200
+
+ 
+
+21
+00:01:25,200 --> 00:01:28,410
+
+was fighting with a higher limit in
+
+22
+00:01:28,410 --> 00:01:28,420
+was fighting with a higher limit in
+ 
+
+23
+00:01:28,420 --> 00:01:30,220
+was fighting with a higher limit in
+Luanda
+
+24
+00:01:30,220 --> 00:01:30,230
+Luanda
+ 
+
+25
+00:01:30,230 --> 00:02:38,980
+Luanda
+[Music]
+
+26
+00:02:38,980 --> 00:02:38,990
+
+ 
+
+27
+00:02:38,990 --> 00:02:41,740
+
+Now I remember getting out of the car
+
+28
+00:02:41,740 --> 00:02:41,750
+Now I remember getting out of the car
+ 
+
+29
+00:02:41,750 --> 00:03:18,690
+Now I remember getting out of the car
+[Music]
+

1934/qFWptPtHG78.description

@@ -0,0 +1,38 @@
+It Happened One Night movie clips: http://j.mp/1JdtYGx
+BUY THE MOVIE: http://amzn.to/rDJHKd
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Peter (Clark Gable) carries Ellie (Claudette Colbert) across a stream as they discuss the particulars of piggyback rides.
+
+FILM DESCRIPTION:
+Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991).
+
+CREDITS:
+TM & © Sony (1934)
+Cast: Clark Gable, Claudette Colbert
+Director: Frank Capra
+Producers: Frank Capra, Harry Cohn
+Screenwriters: Robert Riskin, Samuel Hopkins Adams
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Tumblr: http://bit.ly/1vUwhH7

1934/vEt5MqYD_3s.description

@@ -0,0 +1,38 @@
+It Happened One Night movie clips: http://j.mp/1JdtYGx
+BUY THE MOVIE: http://amzn.to/rDJHKd
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Peter (Clark Gable) and Ellie (Claudette Colbert) pretend to be an arguing married couple in order to fool a pair of nosy detectives.
+
+FILM DESCRIPTION:
+Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991).
+
+CREDITS:
+TM & © Sony (1934)
+Cast: James Burke, Joseph Crehan, Oliver Eckhardt, Clark Gable, Claudette Colbert
+Director: Frank Capra
+Producers: Frank Capra, Harry Cohn
+Screenwriters: Robert Riskin, Samuel Hopkins Adams
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1935/31vkz05skoc.description

@@ -0,0 +1,33 @@
+A Midsummer Night's Dream - What Fools These Mortals Be: Hermia (Olivia de Haviland) awakens to find that Lysander (Dick Powell) is gone.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: Dick Powell, Mickey Rooney, Olivia de Havilland
+Producer: Henry Blanke, Max Reinhardt
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
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+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/31vkz05skoc.en.srt

@@ -0,0 +1,165 @@
+1
+00:00:00,179 --> 00:00:12,879
+
+help me hi Sandra do your best to pluck
+
+2
+00:00:12,879 --> 00:00:12,889
+help me hi Sandra do your best to pluck
+ 
+
+3
+00:00:12,889 --> 00:00:26,230
+help me hi Sandra do your best to pluck
+this chronic statement from my best oh
+
+4
+00:00:26,230 --> 00:00:26,240
+
+ 
+
+5
+00:00:26,240 --> 00:00:34,400
+
+hi me pity what a dream was here I said
+
+6
+00:00:34,400 --> 00:00:34,410
+hi me pity what a dream was here I said
+ 
+
+7
+00:00:34,410 --> 00:00:40,430
+hi me pity what a dream was here I said
+the look lighters take with fear my
+
+8
+00:00:40,430 --> 00:00:40,440
+the look lighters take with fear my
+ 
+
+9
+00:00:40,440 --> 00:00:46,520
+the look lighters take with fear my
+heart and you said smiling at my agony
+
+10
+00:00:46,520 --> 00:00:46,530
+heart and you said smiling at my agony
+ 
+
+11
+00:00:46,530 --> 00:00:57,349
+heart and you said smiling at my agony
+my sender
+
+12
+00:00:57,349 --> 00:00:57,359
+
+ 
+
+13
+00:00:57,359 --> 00:01:06,150
+
+what not here
+
+14
+00:01:06,150 --> 00:01:06,160
+
+ 
+
+15
+00:01:06,160 --> 00:01:14,810
+
+[Music]
+
+16
+00:01:14,810 --> 00:01:14,820
+
+ 
+
+17
+00:01:14,820 --> 00:01:24,210
+
+he's swimming almost with fear no no no
+
+18
+00:01:24,210 --> 00:01:24,220
+he's swimming almost with fear no no no
+ 
+
+19
+00:01:24,220 --> 00:01:28,440
+he's swimming almost with fear no no no
+then I will believe it you are gone
+
+20
+00:01:28,440 --> 00:01:28,450
+
+ 
+
+21
+00:01:28,450 --> 00:01:34,910
+
+[Music]
+
+22
+00:01:34,910 --> 00:01:34,920
+[Music]
+ 
+
+23
+00:01:34,920 --> 00:01:39,630
+[Music]
+[Applause]
+
+24
+00:01:39,630 --> 00:01:39,640
+
+ 
+
+25
+00:01:39,640 --> 00:01:52,180
+
+[Music]
+
+26
+00:01:52,180 --> 00:01:52,190
+[Music]
+ 
+
+27
+00:01:52,190 --> 00:01:55,620
+[Music]
+[Applause]
+
+28
+00:01:55,620 --> 00:01:55,630
+
+ 
+
+29
+00:01:55,630 --> 00:02:11,990
+
+[Music]
+
+30
+00:02:11,990 --> 00:02:12,000
+[Music]
+ 
+
+31
+00:02:12,000 --> 00:02:18,270
+[Music]
+what fools these mortals be
+
+32
+00:02:18,270 --> 00:02:18,280
+
+ 
+
+33
+00:02:18,280 --> 00:02:30,599
+
+[Music]
+

1935/3rcxMDaDYL4.description

@@ -0,0 +1,38 @@
+Bride of Frankenstein movie clips: http://j.mp/1CMO9a7
+BUY THE MOVIE: http://amzn.to/vf2H4F
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dr. Pretorius (Ernest Thesiger) tells The Monster (Boris Karloff) that he can make him a companion.
+
+FILM DESCRIPTION:
+This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.
+
+CREDITS:
+TM & © Universal (1935)
+Cast: Boris Karloff, Ernest Thesiger
+Director: James Whale
+Producer: Carl Laemmle Jr.
+Screenwriters: John L. Balderston, Josef Berne, Lawrence G. Blochman, Morton Covan, Robert Florey, William Hurlbut, Tom Reed, Edmund Pearson, R.C. Sherriff, Philip MacDonald, Mary Shelley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
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+Fandango FrontRunners: http://bit.ly/1CggQfC
+
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+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1935/3rcxMDaDYL4.en.srt

@@ -0,0 +1,375 @@
+1
+00:00:07,660 --> 00:00:08,010
+
+[Music]
+
+2
+00:00:08,010 --> 00:00:08,020
+[Music]
+ 
+
+3
+00:00:08,020 --> 00:00:10,840
+[Music]
+[Laughter]
+
+4
+00:00:10,840 --> 00:00:10,850
+[Laughter]
+ 
+
+5
+00:00:10,850 --> 00:00:22,269
+[Laughter]
+[Music]
+
+6
+00:00:22,269 --> 00:00:22,279
+[Music]
+ 
+
+7
+00:00:22,279 --> 00:00:25,109
+[Music]
+Oh I thought I was
+
+8
+00:00:25,109 --> 00:00:25,119
+Oh I thought I was
+ 
+
+9
+00:00:25,119 --> 00:00:28,950
+Oh I thought I was
+alone good evening
+
+10
+00:00:28,950 --> 00:00:28,960
+alone good evening
+ 
+
+11
+00:00:28,960 --> 00:00:32,670
+alone good evening
+smoke
+
+12
+00:00:32,670 --> 00:00:32,680
+
+ 
+
+13
+00:00:32,680 --> 00:00:36,990
+
+friend yes I hope so have a cigar
+
+14
+00:00:36,990 --> 00:00:37,000
+friend yes I hope so have a cigar
+ 
+
+15
+00:00:37,000 --> 00:00:38,610
+friend yes I hope so have a cigar
+they're my only
+
+16
+00:00:38,610 --> 00:00:38,620
+they're my only
+ 
+
+17
+00:00:38,620 --> 00:00:42,389
+they're my only
+[Music]
+
+18
+00:00:42,389 --> 00:00:42,399
+[Music]
+ 
+
+19
+00:00:42,399 --> 00:00:43,860
+[Music]
+weakness
+
+20
+00:00:43,860 --> 00:00:43,870
+weakness
+ 
+
+21
+00:00:43,870 --> 00:00:49,350
+weakness
+[Music]
+
+22
+00:00:49,350 --> 00:00:49,360
+[Music]
+ 
+
+23
+00:00:49,360 --> 00:00:53,830
+[Music]
+[Applause]
+
+24
+00:00:53,830 --> 00:00:53,840
+
+ 
+
+25
+00:00:53,840 --> 00:00:55,349
+
+God
+
+26
+00:00:55,349 --> 00:00:55,359
+God
+ 
+
+27
+00:00:55,359 --> 00:00:58,910
+God
+drink good
+
+28
+00:00:58,910 --> 00:00:58,920
+drink good
+ 
+
+29
+00:00:58,920 --> 00:01:01,870
+drink good
+good
+
+30
+00:01:01,870 --> 00:01:01,880
+good
+ 
+
+31
+00:01:01,880 --> 00:01:13,990
+good
+[Music]
+
+32
+00:01:13,990 --> 00:01:14,000
+[Music]
+ 
+
+33
+00:01:14,000 --> 00:01:19,270
+[Music]
+you make man like me
+
+34
+00:01:19,270 --> 00:01:19,280
+you make man like me
+ 
+
+35
+00:01:19,280 --> 00:01:20,789
+you make man like me
+no
+
+36
+00:01:20,789 --> 00:01:20,799
+no
+ 
+
+37
+00:01:20,799 --> 00:01:24,990
+no
+woman friend for you
+
+38
+00:01:24,990 --> 00:01:25,000
+woman friend for you
+ 
+
+39
+00:01:25,000 --> 00:01:26,910
+woman friend for you
+woman
+
+40
+00:01:26,910 --> 00:01:26,920
+woman
+ 
+
+41
+00:01:26,920 --> 00:01:28,469
+woman
+friend
+
+42
+00:01:28,469 --> 00:01:28,479
+friend
+ 
+
+43
+00:01:28,479 --> 00:01:33,990
+friend
+yes I want friend like me I think you
+
+44
+00:01:33,990 --> 00:01:34,000
+yes I want friend like me I think you
+ 
+
+45
+00:01:34,000 --> 00:01:36,590
+yes I want friend like me I think you
+can be very useful and you will add a
+
+46
+00:01:36,590 --> 00:01:36,600
+can be very useful and you will add a
+ 
+
+47
+00:01:36,600 --> 00:01:39,389
+can be very useful and you will add a
+little Force to the argument if
+
+48
+00:01:39,389 --> 00:01:39,399
+little Force to the argument if
+ 
+
+49
+00:01:39,399 --> 00:01:41,789
+little Force to the argument if
+necessary do you know who Henry
+
+50
+00:01:41,789 --> 00:01:41,799
+necessary do you know who Henry
+ 
+
+51
+00:01:41,799 --> 00:01:47,670
+necessary do you know who Henry
+Frankenstein is and who you are H I
+
+52
+00:01:47,670 --> 00:01:47,680
+Frankenstein is and who you are H I
+ 
+
+53
+00:01:47,680 --> 00:01:51,870
+Frankenstein is and who you are H I
+know made me from
+
+54
+00:01:51,870 --> 00:01:51,880
+know made me from
+ 
+
+55
+00:01:51,880 --> 00:01:55,230
+know made me from
+dead I love
+
+56
+00:01:55,230 --> 00:01:55,240
+dead I love
+ 
+
+57
+00:01:55,240 --> 00:01:59,429
+dead I love
+dead hate living you're wise in your
+
+58
+00:01:59,429 --> 00:01:59,439
+dead hate living you're wise in your
+ 
+
+59
+00:01:59,439 --> 00:02:02,190
+dead hate living you're wise in your
+generation ation we must have a long
+
+60
+00:02:02,190 --> 00:02:02,200
+generation ation we must have a long
+ 
+
+61
+00:02:02,200 --> 00:02:05,109
+generation ation we must have a long
+talk and then I have an important call
+
+62
+00:02:05,109 --> 00:02:05,119
+talk and then I have an important call
+ 
+
+63
+00:02:05,119 --> 00:02:09,389
+talk and then I have an important call
+to
+
+64
+00:02:09,389 --> 00:02:09,399
+
+ 
+
+65
+00:02:09,399 --> 00:02:11,670
+
+make
+
+66
+00:02:11,670 --> 00:02:11,680
+make
+ 
+
+67
+00:02:11,680 --> 00:02:15,430
+make
+woman
+
+68
+00:02:15,430 --> 00:02:15,440
+
+ 
+
+69
+00:02:15,440 --> 00:02:16,900
+
+friend
+
+70
+00:02:16,900 --> 00:02:16,910
+friend
+ 
+
+71
+00:02:16,910 --> 00:02:28,750
+friend
+[Music]
+
+72
+00:02:28,750 --> 00:02:28,760
+
+ 
+
+73
+00:02:28,760 --> 00:02:31,590
+
+why
+
+74
+00:02:31,590 --> 00:02:31,600
+why
+ 
+
+75
+00:02:31,600 --> 00:02:51,520
+why
+[Music]
+

1935/3zhqCccFsGc.description

@@ -0,0 +1,38 @@
+Bride of Frankenstein movie clips: http://j.mp/1CMO9a7
+BUY THE MOVIE: http://amzn.to/vf2H4F
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The Bride of Frankenstein (Elisa Lanchester) rises from the table and walks. She's alive!!
+
+FILM DESCRIPTION:
+This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.
+
+CREDITS:
+TM & © Universal (1935)
+Cast: Colin Clive, Ernest Thesiger, Elsa Lanchester
+Director: James Whale
+Producer: Carl Laemmle Jr.
+Screenwriters: John L. Balderston, Josef Berne, Lawrence G. Blochman, Morton Covan, Robert Florey, William Hurlbut, Tom Reed, Edmund Pearson, R.C. Sherriff, Philip MacDonald, Mary Shelley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
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1935/3zhqCccFsGc.en.srt

@@ -0,0 +1,20 @@
+1
+00:00:26,976 --> 00:00:29,069
+Raise the cosmic diffuser.
+
+2
+00:00:35,185 --> 00:00:37,312
+Remove the diffuser bands.
+
+3
+00:00:51,768 --> 00:00:54,430
+[Low Moan]
+
+4
+00:01:01,177 --> 00:01:03,975
+She's alive! Alive!
+
+5
+00:01:53,663 --> 00:01:56,427
+The bride of Frankenstein.
+

1935/7dgOcvrxxac.description

@@ -0,0 +1,32 @@
+A Midsummer Night's Dream - Puck's Epilogue: Puck (Mickey Rooney) addresses the audience at the conclusion of the story.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: Mickey Rooney
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/7dgOcvrxxac.en.srt

@@ -0,0 +1,195 @@
+1
+00:00:00,000 --> 00:00:01,130
+
+[Music]
+
+2
+00:00:01,130 --> 00:00:01,140
+[Music]
+ 
+
+3
+00:00:01,140 --> 00:00:04,660
+[Music]
+Ireland tongue of midnight tattletale
+
+4
+00:00:04,660 --> 00:00:04,670
+Ireland tongue of midnight tattletale
+ 
+
+5
+00:00:04,670 --> 00:00:06,950
+Ireland tongue of midnight tattletale
+mother's stupid
+
+6
+00:00:06,950 --> 00:00:06,960
+mother's stupid
+ 
+
+7
+00:00:06,960 --> 00:00:12,470
+mother's stupid
+it's almost fairy time here we shall I
+
+8
+00:00:12,470 --> 00:00:12,480
+it's almost fairy time here we shall I
+ 
+
+9
+00:00:12,480 --> 00:00:15,319
+it's almost fairy time here we shall I
+sleep becoming more as much as we this
+
+10
+00:00:15,319 --> 00:00:15,329
+sleep becoming more as much as we this
+ 
+
+11
+00:00:15,329 --> 00:00:18,890
+sleep becoming more as much as we this
+night have over watch sweet friends to
+
+12
+00:00:18,890 --> 00:00:18,900
+night have over watch sweet friends to
+ 
+
+13
+00:00:18,900 --> 00:00:21,370
+night have over watch sweet friends to
+bed a fortnight hold with the solemnity
+
+14
+00:00:21,370 --> 00:00:21,380
+bed a fortnight hold with the solemnity
+ 
+
+15
+00:00:21,380 --> 00:00:24,450
+bed a fortnight hold with the solemnity
+unlikely rebels and majority
+
+16
+00:00:24,450 --> 00:00:24,460
+unlikely rebels and majority
+ 
+
+17
+00:00:24,460 --> 00:00:47,720
+unlikely rebels and majority
+[Music]
+
+18
+00:00:47,720 --> 00:00:47,730
+[Music]
+ 
+
+19
+00:00:47,730 --> 00:00:51,050
+[Music]
+if we shadows have offended think but
+
+20
+00:00:51,050 --> 00:00:51,060
+if we shadows have offended think but
+ 
+
+21
+00:00:51,060 --> 00:00:54,100
+if we shadows have offended think but
+this and all is mended that you have but
+
+22
+00:00:54,100 --> 00:00:54,110
+this and all is mended that you have but
+ 
+
+23
+00:00:54,110 --> 00:00:56,900
+this and all is mended that you have but
+slumber'd here while these visions did
+
+24
+00:00:56,900 --> 00:00:56,910
+slumber'd here while these visions did
+ 
+
+25
+00:00:56,910 --> 00:00:57,500
+slumber'd here while these visions did
+appear
+
+26
+00:00:57,500 --> 00:00:57,510
+appear
+ 
+
+27
+00:00:57,510 --> 00:01:00,620
+appear
+and this weak and idle theme no more
+
+28
+00:01:00,620 --> 00:01:00,630
+and this weak and idle theme no more
+ 
+
+29
+00:01:00,630 --> 00:01:04,790
+and this weak and idle theme no more
+yielding but a dream gentles do not
+
+30
+00:01:04,790 --> 00:01:04,800
+yielding but a dream gentles do not
+ 
+
+31
+00:01:04,800 --> 00:01:08,780
+yielding but a dream gentles do not
+reprehend if you pardon we will end else
+
+32
+00:01:08,780 --> 00:01:08,790
+reprehend if you pardon we will end else
+ 
+
+33
+00:01:08,790 --> 00:01:12,980
+reprehend if you pardon we will end else
+the puck a liar call so good night unto
+
+34
+00:01:12,980 --> 00:01:12,990
+the puck a liar call so good night unto
+ 
+
+35
+00:01:12,990 --> 00:01:17,570
+the puck a liar call so good night unto
+you all give me your hands if we be
+
+36
+00:01:17,570 --> 00:01:17,580
+you all give me your hands if we be
+ 
+
+37
+00:01:17,580 --> 00:01:24,370
+you all give me your hands if we be
+friends and Robin shall restore amends
+
+38
+00:01:24,370 --> 00:01:24,380
+friends and Robin shall restore amends
+ 
+
+39
+00:01:24,380 --> 00:01:42,010
+friends and Robin shall restore amends
+[Music]
+

1935/9dN7jGSbsVE.description

@@ -0,0 +1,33 @@
+A Midsummer Night's Dream - The Love-In-Idleness Flower: Oberon (Victor Jory) gives the mischievous Puck (Mickey Rooney) a task to perform.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: Mickey Rooney, Victor Jory
+Producer: Henry Blanke
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/9dN7jGSbsVE.en.srt

@@ -0,0 +1,265 @@
+1
+00:00:00,030 --> 00:00:02,480
+
+welcome wonder has thought the flower
+
+2
+00:00:02,480 --> 00:00:02,490
+welcome wonder has thought the flower
+ 
+
+3
+00:00:02,490 --> 00:00:10,129
+welcome wonder has thought the flower
+there I pray thee give it me I know a
+
+4
+00:00:10,129 --> 00:00:10,139
+there I pray thee give it me I know a
+ 
+
+5
+00:00:10,139 --> 00:00:12,160
+there I pray thee give it me I know a
+bank where the wild thyme blows where
+
+6
+00:00:12,160 --> 00:00:12,170
+bank where the wild thyme blows where
+ 
+
+7
+00:00:12,170 --> 00:00:15,340
+bank where the wild thyme blows where
+oxlips and the nodding violet grows
+
+8
+00:00:15,340 --> 00:00:15,350
+oxlips and the nodding violet grows
+ 
+
+9
+00:00:15,350 --> 00:00:17,900
+oxlips and the nodding violet grows
+quite over canopy dwith luscious
+
+10
+00:00:17,900 --> 00:00:17,910
+quite over canopy dwith luscious
+ 
+
+11
+00:00:17,910 --> 00:00:21,290
+quite over canopy dwith luscious
+woodbine with sweet musk-roses and with
+
+12
+00:00:21,290 --> 00:00:21,300
+woodbine with sweet musk-roses and with
+ 
+
+13
+00:00:21,300 --> 00:00:25,700
+woodbine with sweet musk-roses and with
+eglantine there sleeps titania sometime
+
+14
+00:00:25,700 --> 00:00:25,710
+eglantine there sleeps titania sometime
+ 
+
+15
+00:00:25,710 --> 00:00:28,429
+eglantine there sleeps titania sometime
+of the night lulled in these flowers
+
+16
+00:00:28,429 --> 00:00:28,439
+of the night lulled in these flowers
+ 
+
+17
+00:00:28,439 --> 00:00:31,790
+of the night lulled in these flowers
+with dances and delight and with the
+
+18
+00:00:31,790 --> 00:00:31,800
+with dances and delight and with the
+ 
+
+19
+00:00:31,800 --> 00:00:33,860
+with dances and delight and with the
+juice of this I'll streak her eyes and
+
+20
+00:00:33,860 --> 00:00:33,870
+juice of this I'll streak her eyes and
+ 
+
+21
+00:00:33,870 --> 00:00:38,620
+juice of this I'll streak her eyes and
+make her full of hay
+
+22
+00:00:38,620 --> 00:00:38,630
+
+ 
+
+23
+00:00:38,630 --> 00:00:40,490
+
+[Music]
+
+24
+00:00:40,490 --> 00:00:40,500
+[Music]
+ 
+
+25
+00:00:40,500 --> 00:00:42,800
+[Music]
+the next thing then she waking looks
+
+26
+00:00:42,800 --> 00:00:42,810
+the next thing then she waking looks
+ 
+
+27
+00:00:42,810 --> 00:00:46,130
+the next thing then she waking looks
+upon she shall pursue it with the soul
+
+28
+00:00:46,130 --> 00:00:46,140
+upon she shall pursue it with the soul
+ 
+
+29
+00:00:46,140 --> 00:00:49,880
+upon she shall pursue it with the soul
+of love and before I take this charm off
+
+30
+00:00:49,880 --> 00:00:49,890
+of love and before I take this charm off
+ 
+
+31
+00:00:49,890 --> 00:00:59,000
+of love and before I take this charm off
+from the sight this boy take thou some
+
+32
+00:00:59,000 --> 00:00:59,010
+from the sight this boy take thou some
+ 
+
+33
+00:00:59,010 --> 00:01:01,070
+from the sight this boy take thou some
+of it and seek through this Grove over
+
+34
+00:01:01,070 --> 00:01:01,080
+of it and seek through this Grove over
+ 
+
+35
+00:01:01,080 --> 00:01:03,740
+of it and seek through this Grove over
+sweida Fenian lady is in love with a
+
+36
+00:01:03,740 --> 00:01:03,750
+sweida Fenian lady is in love with a
+ 
+
+37
+00:01:03,750 --> 00:01:06,650
+sweida Fenian lady is in love with a
+disdainful youth anoint his eyes but do
+
+38
+00:01:06,650 --> 00:01:06,660
+disdainful youth anoint his eyes but do
+ 
+
+39
+00:01:06,660 --> 00:01:08,030
+disdainful youth anoint his eyes but do
+it when the next thing he espies may be
+
+40
+00:01:08,030 --> 00:01:08,040
+it when the next thing he espies may be
+ 
+
+41
+00:01:08,040 --> 00:01:10,070
+it when the next thing he espies may be
+the lady thou shalt know the man by the
+
+42
+00:01:10,070 --> 00:01:10,080
+the lady thou shalt know the man by the
+ 
+
+43
+00:01:10,080 --> 00:01:12,440
+the lady thou shalt know the man by the
+Athenian garments he hath on effect it
+
+44
+00:01:12,440 --> 00:01:12,450
+Athenian garments he hath on effect it
+ 
+
+45
+00:01:12,450 --> 00:01:14,510
+Athenian garments he hath on effect it
+was some care so he may prove more fond
+
+46
+00:01:14,510 --> 00:01:14,520
+was some care so he may prove more fond
+ 
+
+47
+00:01:14,520 --> 00:01:16,700
+was some care so he may prove more fond
+of her than she is of her love look how
+
+48
+00:01:16,700 --> 00:01:16,710
+of her than she is of her love look how
+ 
+
+49
+00:01:16,710 --> 00:01:21,800
+of her than she is of her love look how
+we meet before the first crow your
+
+50
+00:01:21,800 --> 00:01:21,810
+we meet before the first crow your
+ 
+
+51
+00:01:21,810 --> 00:01:24,910
+we meet before the first crow your
+servant shall do so
+
+52
+00:01:24,910 --> 00:01:24,920
+servant shall do so
+ 
+
+53
+00:01:24,920 --> 00:01:36,260
+servant shall do so
+[Music]
+

1935/9nwSOUvKyys.description

@@ -0,0 +1,33 @@
+A Midsummer Night's Dream - Puck Makes a Mistake: Puck (Mickey Rooney) puts a spell on Lysander (Dick Powell) when he mistakes him for the Athenian.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: Dick Powell, Mickey Rooney, Olivia de Havilland, Victor Jory
+Producer: Henry Blanke
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
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+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
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+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/9nwSOUvKyys.en.srt

@@ -0,0 +1,205 @@
+1
+00:00:00,030 --> 00:00:02,180
+
+after you charm the Athenians eyes with
+
+2
+00:00:02,180 --> 00:00:02,190
+after you charm the Athenians eyes with
+ 
+
+3
+00:00:02,190 --> 00:00:03,860
+after you charm the Athenians eyes with
+the love-juice is I did but they do I
+
+4
+00:00:03,860 --> 00:00:03,870
+the love-juice is I did but they do I
+ 
+
+5
+00:00:03,870 --> 00:00:06,499
+the love-juice is I did but they do I
+took him sleeping that is finished too
+
+6
+00:00:06,499 --> 00:00:06,509
+took him sleeping that is finished too
+ 
+
+7
+00:00:06,509 --> 00:00:09,169
+took him sleeping that is finished too
+and the Athenian woman by his side so
+
+8
+00:00:09,169 --> 00:00:09,179
+and the Athenian woman by his side so
+ 
+
+9
+00:00:09,179 --> 00:00:15,160
+and the Athenian woman by his side so
+when he wakes by him she must be I what
+
+10
+00:00:15,160 --> 00:00:15,170
+when he wakes by him she must be I what
+ 
+
+11
+00:00:15,170 --> 00:00:17,800
+when he wakes by him she must be I what
+hast thou done
+
+12
+00:00:17,800 --> 00:00:17,810
+hast thou done
+ 
+
+13
+00:00:17,810 --> 00:00:22,460
+hast thou done
+thou hast mistaken quite and laid the
+
+14
+00:00:22,460 --> 00:00:22,470
+thou hast mistaken quite and laid the
+ 
+
+15
+00:00:22,470 --> 00:00:25,880
+thou hast mistaken quite and laid the
+love-juice on some Truelove's site leave
+
+16
+00:00:25,880 --> 00:00:25,890
+love-juice on some Truelove's site leave
+ 
+
+17
+00:00:25,890 --> 00:00:29,689
+love-juice on some Truelove's site leave
+me King Of Shadows I mistook did not you
+
+18
+00:00:29,689 --> 00:00:29,699
+me King Of Shadows I mistook did not you
+ 
+
+19
+00:00:29,699 --> 00:00:31,279
+me King Of Shadows I mistook did not you
+tell me I should know the man by the
+
+20
+00:00:31,279 --> 00:00:31,289
+tell me I should know the man by the
+ 
+
+21
+00:00:31,289 --> 00:00:37,069
+tell me I should know the man by the
+Athenian garments he had on and so far
+
+22
+00:00:37,069 --> 00:00:37,079
+Athenian garments he had on and so far
+ 
+
+23
+00:00:37,079 --> 00:00:40,490
+Athenian garments he had on and so far
+am I glad this so did sort for this pair
+
+24
+00:00:40,490 --> 00:00:40,500
+am I glad this so did sort for this pair
+ 
+
+25
+00:00:40,500 --> 00:01:02,750
+am I glad this so did sort for this pair
+jangling high esteem us me run away for
+
+26
+00:01:02,750 --> 00:01:02,760
+jangling high esteem us me run away for
+ 
+
+27
+00:01:02,760 --> 00:01:21,170
+jangling high esteem us me run away for
+you Demetrius should like a monster who
+
+28
+00:01:21,170 --> 00:01:21,180
+you Demetrius should like a monster who
+ 
+
+29
+00:01:21,180 --> 00:01:29,990
+you Demetrius should like a monster who
+was here by standing on the ground dead
+
+30
+00:01:29,990 --> 00:01:30,000
+was here by standing on the ground dead
+ 
+
+31
+00:01:30,000 --> 00:01:30,950
+was here by standing on the ground dead
+or asleep
+
+32
+00:01:30,950 --> 00:01:30,960
+or asleep
+ 
+
+33
+00:01:30,960 --> 00:01:43,960
+or asleep
+I see no blood no wound
+
+34
+00:01:43,960 --> 00:01:43,970
+
+ 
+
+35
+00:01:43,970 --> 00:01:46,959
+
+[Music]
+
+36
+00:01:46,959 --> 00:01:46,969
+[Music]
+ 
+
+37
+00:01:46,969 --> 00:01:58,910
+[Music]
+by standard there's I will put your
+
+38
+00:01:58,910 --> 00:01:58,920
+by standard there's I will put your
+ 
+
+39
+00:01:58,920 --> 00:02:03,200
+by standard there's I will put your
+sweet sake
+
+40
+00:02:03,200 --> 00:02:03,210
+
+ 
+
+41
+00:02:03,210 --> 00:02:14,550
+
+[Music]
+

1935/Fe4JvbxKwR4.description

@@ -0,0 +1,38 @@
+Bride of Frankenstein movie clips: http://j.mp/1CMO9a7
+BUY THE MOVIE: http://amzn.to/vf2H4F
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dr. Pretorius (Ernest Thesiger) and Dr. Frankenstein (Colin Clive) realize they need a young woman's heart to continue his experiments.
+
+FILM DESCRIPTION:
+This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.
+
+CREDITS:
+TM & © Universal (1935)
+Cast: Ted Billings, Colin Clive, Ernest Thesiger
+Director: James Whale
+Producer: Carl Laemmle Jr.
+Screenwriters: John L. Balderston, Josef Berne, Lawrence G. Blochman, Morton Covan, Robert Florey, William Hurlbut, Tom Reed, Edmund Pearson, R.C. Sherriff, Philip MacDonald, Mary Shelley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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+Tumblr: http://bit.ly/1vUwhH7

1935/Fe4JvbxKwR4.en.srt

@@ -0,0 +1,415 @@
+1
+00:00:00,270 --> 00:00:07,510
+
+[Music]
+
+2
+00:00:07,510 --> 00:00:07,520
+
+ 
+
+3
+00:00:07,520 --> 00:00:11,110
+
+[Music]
+
+4
+00:00:11,110 --> 00:00:11,120
+[Music]
+ 
+
+5
+00:00:11,120 --> 00:00:14,150
+[Music]
+mind the steps a slightly I expected I
+
+6
+00:00:14,150 --> 00:00:14,160
+mind the steps a slightly I expected I
+ 
+
+7
+00:00:14,160 --> 00:00:16,690
+mind the steps a slightly I expected I
+think it's a Charming house
+
+8
+00:00:16,690 --> 00:00:16,700
+think it's a Charming house
+ 
+
+9
+00:00:16,700 --> 00:00:26,080
+think it's a Charming house
+[Music]
+
+10
+00:00:26,080 --> 00:00:26,090
+
+ 
+
+11
+00:00:26,090 --> 00:00:30,109
+
+[Applause]
+
+12
+00:00:30,109 --> 00:00:30,119
+[Applause]
+ 
+
+13
+00:00:30,119 --> 00:00:32,310
+[Applause]
+it is interesting to think Henry that
+
+14
+00:00:32,310 --> 00:00:32,320
+it is interesting to think Henry that
+ 
+
+15
+00:00:32,320 --> 00:00:33,830
+it is interesting to think Henry that
+once upon a time we should have been
+
+16
+00:00:33,830 --> 00:00:33,840
+once upon a time we should have been
+ 
+
+17
+00:00:33,840 --> 00:00:36,510
+once upon a time we should have been
+burnt at the staker's Wizards for this
+
+18
+00:00:36,510 --> 00:00:36,520
+burnt at the staker's Wizards for this
+ 
+
+19
+00:00:36,520 --> 00:00:40,460
+burnt at the staker's Wizards for this
+experiment doctor I think the heart is
+
+20
+00:00:40,460 --> 00:00:40,470
+experiment doctor I think the heart is
+ 
+
+21
+00:00:40,470 --> 00:00:43,750
+experiment doctor I think the heart is
+[Applause]
+
+22
+00:00:43,750 --> 00:00:43,760
+[Applause]
+ 
+
+23
+00:00:43,760 --> 00:00:48,350
+[Applause]
+beating look it's beating but the rhythm
+
+24
+00:00:48,350 --> 00:00:48,360
+beating look it's beating but the rhythm
+ 
+
+25
+00:00:48,360 --> 00:00:54,790
+beating look it's beating but the rhythm
+of the beat is uneven increase the sine
+
+26
+00:00:54,790 --> 00:00:54,800
+
+ 
+
+27
+00:00:54,800 --> 00:00:58,790
+
+solution is there any life yet no not
+
+28
+00:00:58,790 --> 00:00:58,800
+solution is there any life yet no not
+ 
+
+29
+00:00:58,800 --> 00:01:00,470
+solution is there any life yet no not
+life itself yet
+
+30
+00:01:00,470 --> 00:01:00,480
+life itself yet
+ 
+
+31
+00:01:00,480 --> 00:01:03,470
+life itself yet
+this is only the smum of life this
+
+32
+00:01:03,470 --> 00:01:03,480
+this is only the smum of life this
+ 
+
+33
+00:01:03,480 --> 00:01:06,030
+this is only the smum of life this
+action only responds when the current is
+
+34
+00:01:06,030 --> 00:01:06,040
+action only responds when the current is
+ 
+
+35
+00:01:06,040 --> 00:01:08,789
+action only responds when the current is
+applied we must the patient the human
+
+36
+00:01:08,789 --> 00:01:08,799
+applied we must the patient the human
+ 
+
+37
+00:01:08,799 --> 00:01:10,550
+applied we must the patient the human
+heart is more complex than any other
+
+38
+00:01:10,550 --> 00:01:10,560
+heart is more complex than any other
+ 
+
+39
+00:01:10,560 --> 00:01:11,710
+heart is more complex than any other
+part of the
+
+40
+00:01:11,710 --> 00:01:11,720
+part of the
+ 
+
+41
+00:01:11,720 --> 00:01:14,630
+part of the
+body look the beat is
+
+42
+00:01:14,630 --> 00:01:14,640
+body look the beat is
+ 
+
+43
+00:01:14,640 --> 00:01:17,429
+body look the beat is
+increasing
+
+44
+00:01:17,429 --> 00:01:17,439
+increasing
+ 
+
+45
+00:01:17,439 --> 00:01:23,190
+increasing
+yes it stopped should I increase the
+
+46
+00:01:23,190 --> 00:01:23,200
+
+ 
+
+47
+00:01:23,200 --> 00:01:25,990
+
+current this heart is
+
+48
+00:01:25,990 --> 00:01:26,000
+current this heart is
+ 
+
+49
+00:01:26,000 --> 00:01:29,390
+current this heart is
+useless I must have another and it must
+
+50
+00:01:29,390 --> 00:01:29,400
+useless I must have another and it must
+ 
+
+51
+00:01:29,400 --> 00:01:31,350
+useless I must have another and it must
+be sound
+
+52
+00:01:31,350 --> 00:01:31,360
+be sound
+ 
+
+53
+00:01:31,360 --> 00:01:33,670
+be sound
+and
+
+54
+00:01:33,670 --> 00:01:33,680
+
+ 
+
+55
+00:01:33,680 --> 00:01:35,110
+
+young
+
+56
+00:01:35,110 --> 00:01:35,120
+young
+ 
+
+57
+00:01:35,120 --> 00:01:36,590
+young
+[Applause]
+
+58
+00:01:36,590 --> 00:01:36,600
+[Applause]
+ 
+
+59
+00:01:36,600 --> 00:01:38,870
+[Applause]
+Carl you must go to your friend at the
+
+60
+00:01:38,870 --> 00:01:38,880
+Carl you must go to your friend at the
+ 
+
+61
+00:01:38,880 --> 00:01:40,030
+Carl you must go to your friend at the
+accident
+
+62
+00:01:40,030 --> 00:01:40,040
+accident
+ 
+
+63
+00:01:40,040 --> 00:01:43,069
+accident
+Hospital what we need is a female victim
+
+64
+00:01:43,069 --> 00:01:43,079
+Hospital what we need is a female victim
+ 
+
+65
+00:01:43,079 --> 00:01:46,069
+Hospital what we need is a female victim
+of sudden death can you do it you
+
+66
+00:01:46,069 --> 00:01:46,079
+of sudden death can you do it you
+ 
+
+67
+00:01:46,079 --> 00:01:49,030
+of sudden death can you do it you
+promised me 1,000 crowns it will be well
+
+68
+00:01:49,030 --> 00:01:49,040
+promised me 1,000 crowns it will be well
+ 
+
+69
+00:01:49,040 --> 00:01:52,510
+promised me 1,000 crowns it will be well
+worth it and the baron will pay yes yes
+
+70
+00:01:52,510 --> 00:01:52,520
+worth it and the baron will pay yes yes
+ 
+
+71
+00:01:52,520 --> 00:01:56,880
+worth it and the baron will pay yes yes
+go and get it I'll try
+
+72
+00:01:56,880 --> 00:01:56,890
+go and get it I'll try
+ 
+
+73
+00:01:56,890 --> 00:02:03,950
+go and get it I'll try
+[Applause]
+
+74
+00:02:03,950 --> 00:02:03,960
+[Applause]
+ 
+
+75
+00:02:03,960 --> 00:02:06,310
+[Applause]
+there are always accidental deaths
+
+76
+00:02:06,310 --> 00:02:06,320
+there are always accidental deaths
+ 
+
+77
+00:02:06,320 --> 00:02:09,430
+there are always accidental deaths
+occurring always
+
+78
+00:02:09,430 --> 00:02:09,440
+occurring always
+ 
+
+79
+00:02:09,440 --> 00:02:30,869
+occurring always
+[Music]
+
+80
+00:02:30,869 --> 00:02:30,879
+
+ 
+
+81
+00:02:30,879 --> 00:02:34,520
+
+to
+
+82
+00:02:34,520 --> 00:02:34,530
+
+ 
+
+83
+00:02:34,530 --> 00:02:40,490
+
+[Music]
+

1935/K7AKLKQqfj4.description

@@ -0,0 +1,38 @@
+Bride of Frankenstein movie clips: http://j.mp/1CMO9a7
+BUY THE MOVIE: http://amzn.to/vf2H4F
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dr. Pretorius (Ernest Thesiger) shows off his specimens to Dr. Frankenstein (Colin Clive) who is shocked to see their small stature.
+
+FILM DESCRIPTION:
+This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.
+
+CREDITS:
+TM & © Universal (1935)
+Cast: Colin Clive, Ernest Thesiger
+Director: James Whale
+Producer: Carl Laemmle Jr.
+Screenwriters: John L. Balderston, Josef Berne, Lawrence G. Blochman, Morton Covan, Robert Florey, William Hurlbut, Tom Reed, Edmund Pearson, R.C. Sherriff, Philip MacDonald, Mary Shelley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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1935/K7AKLKQqfj4.en.srt

@@ -0,0 +1,495 @@
+1
+00:00:00,620 --> 00:00:18,109
+
+[Music]
+
+2
+00:00:18,109 --> 00:00:18,119
+
+ 
+
+3
+00:00:18,119 --> 00:00:20,390
+
+my experiments did not turn out quite
+
+4
+00:00:20,390 --> 00:00:20,400
+my experiments did not turn out quite
+ 
+
+5
+00:00:20,400 --> 00:00:22,109
+my experiments did not turn out quite
+like yours
+
+6
+00:00:22,109 --> 00:00:22,119
+like yours
+ 
+
+7
+00:00:22,119 --> 00:00:25,830
+like yours
+Henry but science like love has her
+
+8
+00:00:25,830 --> 00:00:25,840
+Henry but science like love has her
+ 
+
+9
+00:00:25,840 --> 00:00:29,349
+Henry but science like love has her
+little surprises as you shall see good
+
+10
+00:00:29,349 --> 00:00:29,359
+little surprises as you shall see good
+ 
+
+11
+00:00:29,359 --> 00:00:30,950
+little surprises as you shall see good
+Heavens doctor
+
+12
+00:00:30,950 --> 00:00:30,960
+Heavens doctor
+ 
+
+13
+00:00:30,960 --> 00:00:33,110
+Heavens doctor
+what are these there is a pleasing
+
+14
+00:00:33,110 --> 00:00:33,120
+what are these there is a pleasing
+ 
+
+15
+00:00:33,120 --> 00:00:36,110
+what are these there is a pleasing
+variety about my
+
+16
+00:00:36,110 --> 00:00:36,120
+variety about my
+ 
+
+17
+00:00:36,120 --> 00:00:38,670
+variety about my
+exhibits my first experiment was so
+
+18
+00:00:38,670 --> 00:00:38,680
+exhibits my first experiment was so
+ 
+
+19
+00:00:38,680 --> 00:00:40,980
+exhibits my first experiment was so
+lovely that we made her a
+
+20
+00:00:40,980 --> 00:00:40,990
+lovely that we made her a
+ 
+
+21
+00:00:40,990 --> 00:00:45,000
+lovely that we made her a
+[Applause]
+
+22
+00:00:45,000 --> 00:00:45,010
+[Applause]
+ 
+
+23
+00:00:45,010 --> 00:00:46,910
+[Applause]
+[Music]
+
+24
+00:00:46,910 --> 00:00:46,920
+[Music]
+ 
+
+25
+00:00:46,920 --> 00:00:49,750
+[Music]
+queen charm don't you
+
+26
+00:00:49,750 --> 00:00:49,760
+queen charm don't you
+ 
+
+27
+00:00:49,760 --> 00:00:52,780
+queen charm don't you
+think then of course we had to have a
+
+28
+00:00:52,780 --> 00:00:52,790
+think then of course we had to have a
+ 
+
+29
+00:00:52,790 --> 00:00:54,430
+think then of course we had to have a
+[Music]
+
+30
+00:00:54,430 --> 00:00:54,440
+[Music]
+ 
+
+31
+00:00:54,440 --> 00:00:57,549
+[Music]
+king now he's so madly in love with her
+
+32
+00:00:57,549 --> 00:00:57,559
+king now he's so madly in love with her
+ 
+
+33
+00:00:57,559 --> 00:01:01,110
+king now he's so madly in love with her
+that we have to segregate them
+
+34
+00:01:01,110 --> 00:01:01,120
+that we have to segregate them
+ 
+
+35
+00:01:01,120 --> 00:01:07,630
+that we have to segregate them
+n now I have to be very careful with the
+
+36
+00:01:07,630 --> 00:01:07,640
+
+ 
+
+37
+00:01:07,640 --> 00:01:09,749
+
+king I
+
+38
+00:01:09,749 --> 00:01:09,759
+king I
+ 
+
+39
+00:01:09,759 --> 00:01:12,950
+king I
+behave my next production looked so
+
+40
+00:01:12,950 --> 00:01:12,960
+behave my next production looked so
+ 
+
+41
+00:01:12,960 --> 00:01:15,190
+behave my next production looked so
+disapprovingly at the other two that
+
+42
+00:01:15,190 --> 00:01:15,200
+disapprovingly at the other two that
+ 
+
+43
+00:01:15,200 --> 00:01:16,429
+disapprovingly at the other two that
+they made him an
+
+44
+00:01:16,429 --> 00:01:16,439
+they made him an
+ 
+
+45
+00:01:16,439 --> 00:01:19,190
+they made him an
+Archbishop he seems to be asleep I must
+
+46
+00:01:19,190 --> 00:01:19,200
+Archbishop he seems to be asleep I must
+ 
+
+47
+00:01:19,200 --> 00:01:22,429
+Archbishop he seems to be asleep I must
+wake him
+
+48
+00:01:22,429 --> 00:01:22,439
+
+ 
+
+49
+00:01:22,439 --> 00:01:27,270
+
+up as the next one is the very devil
+
+50
+00:01:27,270 --> 00:01:27,280
+up as the next one is the very devil
+ 
+
+51
+00:01:27,280 --> 00:01:29,670
+up as the next one is the very devil
+very bizarre this little chap there's a
+
+52
+00:01:29,670 --> 00:01:29,680
+very bizarre this little chap there's a
+ 
+
+53
+00:01:29,680 --> 00:01:31,310
+very bizarre this little chap there's a
+certain certain resemblance to me don't
+
+54
+00:01:31,310 --> 00:01:31,320
+certain certain resemblance to me don't
+ 
+
+55
+00:01:31,320 --> 00:01:34,429
+certain certain resemblance to me don't
+you think or do I shatter myself I took
+
+56
+00:01:34,429 --> 00:01:34,439
+you think or do I shatter myself I took
+ 
+
+57
+00:01:34,439 --> 00:01:37,510
+you think or do I shatter myself I took
+a great deal of pains with him sometimes
+
+58
+00:01:37,510 --> 00:01:37,520
+a great deal of pains with him sometimes
+ 
+
+59
+00:01:37,520 --> 00:01:39,749
+a great deal of pains with him sometimes
+I have wondered whether life wouldn't be
+
+60
+00:01:39,749 --> 00:01:39,759
+I have wondered whether life wouldn't be
+ 
+
+61
+00:01:39,759 --> 00:01:42,990
+I have wondered whether life wouldn't be
+much more amusing if we were all devils
+
+62
+00:01:42,990 --> 00:01:43,000
+much more amusing if we were all devils
+ 
+
+63
+00:01:43,000 --> 00:01:46,590
+much more amusing if we were all devils
+and no nonsense about angels and being
+
+64
+00:01:46,590 --> 00:01:46,600
+and no nonsense about angels and being
+ 
+
+65
+00:01:46,600 --> 00:01:49,550
+and no nonsense about angels and being
+good oh there's the king out
+
+66
+00:01:49,550 --> 00:01:49,560
+good oh there's the king out
+ 
+
+67
+00:01:49,560 --> 00:01:51,469
+good oh there's the king out
+[Music]
+
+68
+00:01:51,469 --> 00:01:51,479
+[Music]
+ 
+
+69
+00:01:51,479 --> 00:01:56,270
+[Music]
+again even Royal Amur of a nuance
+
+70
+00:01:56,270 --> 00:01:56,280
+again even Royal Amur of a nuance
+ 
+
+71
+00:01:56,280 --> 00:02:06,190
+again even Royal Amur of a nuance
+[Music]
+
+72
+00:02:06,190 --> 00:02:06,200
+
+ 
+
+73
+00:02:06,200 --> 00:02:08,990
+
+poor Arch Bishop he has his hands
+
+74
+00:02:08,990 --> 00:02:09,000
+poor Arch Bishop he has his hands
+ 
+
+75
+00:02:09,000 --> 00:02:12,430
+poor Arch Bishop he has his hands
+full there that'll keep you
+
+76
+00:02:12,430 --> 00:02:12,440
+full there that'll keep you
+ 
+
+77
+00:02:12,440 --> 00:02:15,589
+full there that'll keep you
+quiet My Little Ballerina is charming
+
+78
+00:02:15,589 --> 00:02:15,599
+quiet My Little Ballerina is charming
+ 
+
+79
+00:02:15,599 --> 00:02:17,750
+quiet My Little Ballerina is charming
+but such a ball she won't dance to
+
+80
+00:02:17,750 --> 00:02:17,760
+but such a ball she won't dance to
+ 
+
+81
+00:02:17,760 --> 00:02:20,110
+but such a ball she won't dance to
+anything but melon's spring song and it
+
+82
+00:02:20,110 --> 00:02:20,120
+anything but melon's spring song and it
+ 
+
+83
+00:02:20,120 --> 00:02:21,509
+anything but melon's spring song and it
+gets so
+
+84
+00:02:21,509 --> 00:02:21,519
+gets so
+ 
+
+85
+00:02:21,519 --> 00:02:24,150
+gets so
+monotonous my next is very conventional
+
+86
+00:02:24,150 --> 00:02:24,160
+monotonous my next is very conventional
+ 
+
+87
+00:02:24,160 --> 00:02:26,270
+monotonous my next is very conventional
+I'm afraid but you can never tell how
+
+88
+00:02:26,270 --> 00:02:26,280
+I'm afraid but you can never tell how
+ 
+
+89
+00:02:26,280 --> 00:02:28,710
+I'm afraid but you can never tell how
+these things will turn out it was an
+
+90
+00:02:28,710 --> 00:02:28,720
+these things will turn out it was an
+ 
+
+91
+00:02:28,720 --> 00:02:30,350
+these things will turn out it was an
+experiment with SE
+
+92
+00:02:30,350 --> 00:02:30,360
+experiment with SE
+ 
+
+93
+00:02:30,360 --> 00:02:34,150
+experiment with SE
+e normal size has been my difficulty you
+
+94
+00:02:34,150 --> 00:02:34,160
+e normal size has been my difficulty you
+ 
+
+95
+00:02:34,160 --> 00:02:37,589
+e normal size has been my difficulty you
+did achieve size I need to work that out
+
+96
+00:02:37,589 --> 00:02:37,599
+did achieve size I need to work that out
+ 
+
+97
+00:02:37,599 --> 00:02:45,470
+did achieve size I need to work that out
+with you
+
+98
+00:02:45,470 --> 00:02:45,480
+
+ 
+
+99
+00:02:45,480 --> 00:03:16,509
+
+[Music]
+

1935/U0HHhK_MrWg.description

@@ -0,0 +1,33 @@
+A Midsummer Night's Dream - Lysander Plans to Elope: Hermia (Olivia de Havilland) makes a fuss about being pressured to marry Demitrius (Ross Alexander) when she really loves Lysander (Dick Powell).
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: Dick Powell, Olivia de Havilland, Ross Alexander
+Producer: Henry Blanke, Max Reinhardt
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/U0HHhK_MrWg.en.srt

@@ -0,0 +1,134 @@
+1
+00:00:01,970 --> 00:01:02,400
+
+bm
+
+2
+00:01:02,400 --> 00:01:02,410
+
+ 
+
+3
+00:01:02,410 --> 00:01:19,760
+
+[Music]
+
+4
+00:01:19,760 --> 00:01:19,770
+
+ 
+
+5
+00:01:19,770 --> 00:01:22,310
+
+end
+
+6
+00:01:22,310 --> 00:01:22,320
+
+ 
+
+7
+00:01:22,320 --> 00:01:28,270
+
+[Music]
+
+8
+00:01:28,270 --> 00:01:28,280
+
+ 
+
+9
+00:01:28,280 --> 00:01:35,560
+
+[Music
+
+10
+00:01:35,560 --> 00:01:35,570
+
+ 
+
+11
+00:01:35,570 --> 00:01:43,630
+
+] [Music]
+
+12
+00:01:43,630 --> 00:01:43,640
+
+ 
+
+13
+00:01:43,640 --> 00:01:49,150
+
+[Music] there
+
+14
+00:01:49,150 --> 00:01:49,160
+
+ 
+
+15
+00:01:49,160 --> 00:01:53,400
+
+was his
+
+16
+00:01:53,400 --> 00:01:53,410
+
+ 
+
+17
+00:01:53,410 --> 00:01:56,050
+
+[Music] the
+
+18
+00:01:56,050 --> 00:01:56,060
+[Music] the
+ 
+
+19
+00:01:56,060 --> 00:01:57,570
+[Music] the
+
+20
+00:01:57,570 --> 00:01:57,580
+
+ 
+
+21
+00:01:57,580 --> 00:02:01,250
+
+[Music]
+
+22
+00:02:01,250 --> 00:02:01,260
+
+ 
+
+23
+00:02:01,260 --> 00:02:21,220
+
+my going well yes
+
+24
+00:02:21,220 --> 00:02:21,230
+
+ 
+
+25
+00:02:21,230 --> 00:02:25,150
+
+yes
+
+26
+00:02:25,150 --> 00:02:25,160
+yes
+ 
+
+27
+00:02:25,160 --> 00:02:44,249
+yes
+[Music]
+

1935/Xurw2Ar9NNk.description

@@ -0,0 +1,33 @@
+A Midsummer Night's Dream - Oberon Listens In: Oberon (Victor Jory) plans to meddle with the affairs of Demetrius (Ross Alexander) and Helena (Jean Muir) after eavesdropping on their quarrel.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: Jean Muir, Ross Alexander, Victor Jory
+Producer: Henry Blanke, Max Reinhardt
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/Xurw2Ar9NNk.en.srt

@@ -0,0 +1,285 @@
+1
+00:00:01,010 --> 00:00:03,230
+
+you told me they were stolen into this
+
+2
+00:00:03,230 --> 00:00:03,240
+you told me they were stolen into this
+ 
+
+3
+00:00:03,240 --> 00:00:07,039
+you told me they were stolen into this
+wood and here am I like wood within this
+
+4
+00:00:07,039 --> 00:00:07,049
+wood and here am I like wood within this
+ 
+
+5
+00:00:07,049 --> 00:00:11,030
+wood and here am I like wood within this
+wood because I cannot meet my Hermia
+
+6
+00:00:11,030 --> 00:00:11,040
+wood because I cannot meet my Hermia
+ 
+
+7
+00:00:11,040 --> 00:00:22,670
+wood because I cannot meet my Hermia
+I will overhear their conference I love
+
+8
+00:00:22,670 --> 00:00:22,680
+I will overhear their conference I love
+ 
+
+9
+00:00:22,680 --> 00:00:25,720
+I will overhear their conference I love
+you loved therefore pursue me not
+
+10
+00:00:25,720 --> 00:00:25,730
+you loved therefore pursue me not
+ 
+
+11
+00:00:25,730 --> 00:00:29,480
+you loved therefore pursue me not
+where are my silent fair Hermia when I
+
+12
+00:00:29,480 --> 00:00:29,490
+where are my silent fair Hermia when I
+ 
+
+13
+00:00:29,490 --> 00:00:35,060
+where are my silent fair Hermia when I
+slay slay me you draw me you
+
+14
+00:00:35,060 --> 00:00:35,070
+slay slay me you draw me you
+ 
+
+15
+00:00:35,070 --> 00:00:39,350
+slay slay me you draw me you
+hard-hearted adamant give up your power
+
+16
+00:00:39,350 --> 00:00:39,360
+hard-hearted adamant give up your power
+ 
+
+17
+00:00:39,360 --> 00:00:42,860
+hard-hearted adamant give up your power
+to draw and I shall have no power to
+
+18
+00:00:42,860 --> 00:00:42,870
+to draw and I shall have no power to
+ 
+
+19
+00:00:42,870 --> 00:00:48,560
+to draw and I shall have no power to
+follow you do i entice you do I speak
+
+20
+00:00:48,560 --> 00:00:48,570
+follow you do i entice you do I speak
+ 
+
+21
+00:00:48,570 --> 00:00:51,080
+follow you do i entice you do I speak
+you fair or rather do I have in plainest
+
+22
+00:00:51,080 --> 00:00:51,090
+you fair or rather do I have in plainest
+ 
+
+23
+00:00:51,090 --> 00:00:54,139
+you fair or rather do I have in plainest
+truth tell you I do not nor I cannot
+
+24
+00:00:54,139 --> 00:00:54,149
+truth tell you I do not nor I cannot
+ 
+
+25
+00:00:54,149 --> 00:01:01,549
+truth tell you I do not nor I cannot
+love you do I love you the more I run
+
+26
+00:01:01,549 --> 00:01:01,559
+love you do I love you the more I run
+ 
+
+27
+00:01:01,559 --> 00:01:03,290
+love you do I love you the more I run
+from you and hide me in the brakes and
+
+28
+00:01:03,290 --> 00:01:03,300
+from you and hide me in the brakes and
+ 
+
+29
+00:01:03,300 --> 00:01:05,380
+from you and hide me in the brakes and
+leave you to the mercy of wild beasts
+
+30
+00:01:05,380 --> 00:01:05,390
+leave you to the mercy of wild beasts
+ 
+
+31
+00:01:05,390 --> 00:01:12,649
+leave you to the mercy of wild beasts
+not such a hard as you if you follow me
+
+32
+00:01:12,649 --> 00:01:12,659
+not such a hard as you if you follow me
+ 
+
+33
+00:01:12,659 --> 00:01:14,719
+not such a hard as you if you follow me
+you may be sure that I shall do you
+
+34
+00:01:14,719 --> 00:01:14,729
+you may be sure that I shall do you
+ 
+
+35
+00:01:14,729 --> 00:01:17,149
+you may be sure that I shall do you
+mischief in the wood by the temple in
+
+36
+00:01:17,149 --> 00:01:17,159
+mischief in the wood by the temple in
+ 
+
+37
+00:01:17,159 --> 00:01:19,870
+mischief in the wood by the temple in
+the town in the field you do me mischief
+
+38
+00:01:19,870 --> 00:01:19,880
+the town in the field you do me mischief
+ 
+
+39
+00:01:19,880 --> 00:01:23,230
+the town in the field you do me mischief
+we cannot fight for love as men may do
+
+40
+00:01:23,230 --> 00:01:23,240
+we cannot fight for love as men may do
+ 
+
+41
+00:01:23,240 --> 00:01:26,719
+we cannot fight for love as men may do
+we should be wooed and were not made to
+
+42
+00:01:26,719 --> 00:01:26,729
+we should be wooed and were not made to
+ 
+
+43
+00:01:26,729 --> 00:01:28,520
+we should be wooed and were not made to
+woo
+
+44
+00:01:28,520 --> 00:01:28,530
+woo
+ 
+
+45
+00:01:28,530 --> 00:01:32,100
+woo
+[Applause]
+
+46
+00:01:32,100 --> 00:01:32,110
+[Applause]
+ 
+
+47
+00:01:32,110 --> 00:01:37,060
+[Applause]
+I'll follow you and make a heaven of
+
+48
+00:01:37,060 --> 00:01:37,070
+I'll follow you and make a heaven of
+ 
+
+49
+00:01:37,070 --> 00:01:46,210
+I'll follow you and make a heaven of
+Hell to die upon my hand I loved so fare
+
+50
+00:01:46,210 --> 00:01:46,220
+Hell to die upon my hand I loved so fare
+ 
+
+51
+00:01:46,220 --> 00:01:51,460
+Hell to die upon my hand I loved so fare
+thee well nymph before he leaves this
+
+52
+00:01:51,460 --> 00:01:51,470
+thee well nymph before he leaves this
+ 
+
+53
+00:01:51,470 --> 00:01:57,040
+thee well nymph before he leaves this
+Grove thou shalt fly him and he shall
+
+54
+00:01:57,040 --> 00:01:57,050
+Grove thou shalt fly him and he shall
+ 
+
+55
+00:01:57,050 --> 00:01:59,780
+Grove thou shalt fly him and he shall
+seek thy
+
+56
+00:01:59,780 --> 00:01:59,790
+
+ 
+
+57
+00:01:59,790 --> 00:02:11,129
+
+[Music]
+

1935/cS3cT6vgiT4.description

@@ -0,0 +1,38 @@
+Bride of Frankenstein movie clips: http://j.mp/1CMO9a7
+BUY THE MOVIE: http://amzn.to/vf2H4F
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dr. Pretorious (Ernest Thesiger) blackmails Dr. Frankenstein (Colin Clive) into helping him by kidnapping Elizabeth (Valerie Hobson).
+
+FILM DESCRIPTION:
+This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.
+
+CREDITS:
+TM & © Universal (1935)
+Cast: Ted Billings, Colin Clive, Ernest Thesiger, Valerie Hobson
+Director: James Whale
+Producer: Carl Laemmle Jr.
+Screenwriters: John L. Balderston, Josef Berne, Lawrence G. Blochman, Morton Covan, Robert Florey, William Hurlbut, Tom Reed, Edmund Pearson, R.C. Sherriff, Philip MacDonald, Mary Shelley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
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+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
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+
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+Tumblr: http://bit.ly/1vUwhH7

1935/cS3cT6vgiT4.en.srt

@@ -0,0 +1,165 @@
+1
+00:00:00,839 --> 00:00:04,230
+
+Elizabeth she's dead Elizabeth is alive
+
+2
+00:00:04,230 --> 00:00:04,240
+Elizabeth she's dead Elizabeth is alive
+ 
+
+3
+00:00:04,240 --> 00:00:08,190
+Elizabeth she's dead Elizabeth is alive
+and she is well I don't believe you I
+
+4
+00:00:08,190 --> 00:00:08,200
+and she is well I don't believe you I
+ 
+
+5
+00:00:08,200 --> 00:00:12,070
+and she is well I don't believe you I
+have proof proof in a few moments from
+
+6
+00:00:12,070 --> 00:00:12,080
+have proof proof in a few moments from
+ 
+
+7
+00:00:12,080 --> 00:00:14,190
+have proof proof in a few moments from
+now she will speak to you from where she
+
+8
+00:00:14,190 --> 00:00:14,200
+now she will speak to you from where she
+ 
+
+9
+00:00:14,200 --> 00:00:17,189
+now she will speak to you from where she
+is through this electrical machine where
+
+10
+00:00:17,189 --> 00:00:17,199
+is through this electrical machine where
+ 
+
+11
+00:00:17,199 --> 00:00:21,550
+is through this electrical machine where
+is she not far from
+
+12
+00:00:21,550 --> 00:00:21,560
+
+ 
+
+13
+00:00:21,560 --> 00:00:25,429
+
+here speak and she will hear you and
+
+14
+00:00:25,429 --> 00:00:25,439
+here speak and she will hear you and
+ 
+
+15
+00:00:25,439 --> 00:00:26,990
+here speak and she will hear you and
+answer
+
+16
+00:00:26,990 --> 00:00:27,000
+answer
+ 
+
+17
+00:00:27,000 --> 00:00:31,189
+answer
+yes yes this is Henry Henry I'm safe no
+
+18
+00:00:31,189 --> 00:00:31,199
+yes yes this is Henry Henry I'm safe no
+ 
+
+19
+00:00:31,199 --> 00:00:35,510
+yes yes this is Henry Henry I'm safe no
+hry have long come for me I'm the kid
+
+20
+00:00:35,510 --> 00:00:35,520
+hry have long come for me I'm the kid
+ 
+
+21
+00:00:35,520 --> 00:00:39,350
+hry have long come for me I'm the kid
+Elizabeth Elizabeth she's gone that is
+
+22
+00:00:39,350 --> 00:00:39,360
+Elizabeth Elizabeth she's gone that is
+ 
+
+23
+00:00:39,360 --> 00:00:43,110
+Elizabeth Elizabeth she's gone that is
+all now but you heard her yes she's
+
+24
+00:00:43,110 --> 00:00:43,120
+all now but you heard her yes she's
+ 
+
+25
+00:00:43,120 --> 00:00:45,670
+all now but you heard her yes she's
+alive as soon as our work is completed
+
+26
+00:00:45,670 --> 00:00:45,680
+alive as soon as our work is completed
+ 
+
+27
+00:00:45,680 --> 00:00:47,350
+alive as soon as our work is completed
+she will be returned to
+
+28
+00:00:47,350 --> 00:00:47,360
+she will be returned to
+ 
+
+29
+00:00:47,360 --> 00:00:58,910
+she will be returned to
+[Music]
+
+30
+00:00:58,910 --> 00:00:58,920
+[Music]
+ 
+
+31
+00:00:58,920 --> 00:01:04,350
+[Music]
+you
+
+32
+00:01:04,350 --> 00:01:04,360
+
+ 
+
+33
+00:01:04,360 --> 00:01:18,409
+
+[Music]
+

1935/cv8yjJQg4Nc.description

@@ -0,0 +1,33 @@
+A Midsummer Night's Dream - Hermia Is Shunned by All: Hermia (Olivia de Haviland) is confounded by Lysander's (Dick Powell) change of heart, and Helena (Jean Muir) is convinced that her suitors are mocking her since neither loved her before the spell.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: Anita Louise, Dick Powell, Jean Muir, Olivia de Havilland, Ross Alexander
+Producer: Henry Blanke, Max Reinhardt
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
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+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/g3E69dpurZA.description

@@ -0,0 +1,38 @@
+Bride of Frankenstein movie clips: http://j.mp/1CMO9a7
+BUY THE MOVIE: http://amzn.to/vf2H4F
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+The machines are all activated and the sparks fly as Dr. Frankenstein (Colin Clive) and Dr. Pretorious (Ernest Thesiger) begin the re-animation.
+
+FILM DESCRIPTION:
+This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.
+
+CREDITS:
+TM & © Universal (1935)
+Cast: Ted Billings, Colin Clive, Ernest Thesiger
+Director: James Whale
+Producer: Carl Laemmle Jr.
+Screenwriters: John L. Balderston, Josef Berne, Lawrence G. Blochman, Morton Covan, Robert Florey, William Hurlbut, Tom Reed, Edmund Pearson, R.C. Sherriff, Philip MacDonald, Mary Shelley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1935/g3E69dpurZA.en.srt

@@ -0,0 +1,61 @@
+1
+00:00:02,731 --> 00:00:04,665
+[Karl]
+Ludwig!
+
+2
+00:00:17,012 --> 00:00:19,845
+He wants the kites!
+
+3
+00:00:22,551 --> 00:00:24,485
+Stand back.
+
+4
+00:00:36,264 --> 00:00:38,198
+Stand by the roof!
+
+5
+00:00:38,266 --> 00:00:40,496
+[Lightning Crackling]
+
+6
+00:00:45,240 --> 00:00:47,970
+Cosmic diffuser!
+
+7
+00:00:57,953 --> 00:01:00,478
+Wires!
+Send down your wires!
+
+8
+00:01:08,630 --> 00:01:11,190
+All right, stop your windlass.
+I'm coming up.
+
+9
+00:01:21,209 --> 00:01:25,168
+- Now up with the kites.
+- You take number two, Ludwig.
+
+10
+00:01:25,247 --> 00:01:28,512
+- You've checked your connections?
+- Yes.
+
+11
+00:01:28,583 --> 00:01:30,517
+Stand by!
+
+12
+00:01:31,586 --> 00:01:33,520
+Let go number one.
+
+13
+00:01:36,758 --> 00:01:38,692
+Let it go!
+
+14
+00:02:37,952 --> 00:02:40,147
+It's coming up!
+

1935/o1Izq-E3o7Y.description

@@ -0,0 +1,38 @@
+Bride of Frankenstein movie clips: http://j.mp/1CMO9a7
+BUY THE MOVIE: http://amzn.to/vf2H4F
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When The Monster (Boris Karloff) realizes that his Bride (Elsa Lanchester) hates him like everyone else, he blows up the castle.
+
+FILM DESCRIPTION:
+This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.
+
+CREDITS:
+TM & © Universal (1935)
+Cast: Colin Clive, Boris Karloff, Ernest Thesiger, Valerie Hobson, Elsa Lanchester
+Director: James Whale
+Producer: Carl Laemmle Jr.
+Screenwriters: John L. Balderston, Josef Berne, Lawrence G. Blochman, Morton Covan, Robert Florey, William Hurlbut, Tom Reed, Edmund Pearson, R.C. Sherriff, Philip MacDonald, Mary Shelley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1935/o1Izq-E3o7Y.en.srt

@@ -0,0 +1,145 @@
+1
+00:00:21,600 --> 00:00:25,029
+
+and
+
+2
+00:00:25,029 --> 00:00:25,039
+
+ 
+
+3
+00:00:25,039 --> 00:00:47,790
+
+back friend
+
+4
+00:00:47,790 --> 00:00:47,800
+
+ 
+
+5
+00:00:47,800 --> 00:01:16,910
+
+stand back stand back
+
+6
+00:01:16,910 --> 00:01:16,920
+
+ 
+
+7
+00:01:16,920 --> 00:01:34,350
+
+she hate me like others
+
+8
+00:01:34,350 --> 00:01:34,360
+
+ 
+
+9
+00:01:34,360 --> 00:01:37,990
+
+look out the lever get we next L you'll
+
+10
+00:01:37,990 --> 00:01:38,000
+look out the lever get we next L you'll
+ 
+
+11
+00:01:38,000 --> 00:01:41,270
+look out the lever get we next L you'll
+blow us all to
+
+12
+00:01:41,270 --> 00:01:41,280
+
+ 
+
+13
+00:01:41,280 --> 00:01:43,230
+
+atoms
+
+14
+00:01:43,230 --> 00:01:43,240
+atoms
+ 
+
+15
+00:01:43,240 --> 00:01:48,030
+atoms
+Henri I on the door Henri get back get
+
+16
+00:01:48,030 --> 00:01:48,040
+Henri I on the door Henri get back get
+ 
+
+17
+00:01:48,040 --> 00:01:50,870
+Henri I on the door Henri get back get
+back I want to let you
+
+18
+00:01:50,870 --> 00:01:50,880
+back I want to let you
+ 
+
+19
+00:01:50,880 --> 00:01:55,550
+back I want to let you
+come but I can't leave them I can't yes
+
+20
+00:01:55,550 --> 00:01:55,560
+come but I can't leave them I can't yes
+ 
+
+21
+00:01:55,560 --> 00:01:57,590
+come but I can't leave them I can't yes
+go you
+
+22
+00:01:57,590 --> 00:01:57,600
+go you
+ 
+
+23
+00:01:57,600 --> 00:02:01,870
+go you
+live go
+
+24
+00:02:01,870 --> 00:02:01,880
+
+ 
+
+25
+00:02:01,880 --> 00:02:03,149
+
+you
+
+26
+00:02:03,149 --> 00:02:03,159
+you
+ 
+
+27
+00:02:03,159 --> 00:02:53,670
+you
+stay we belong dead
+
+28
+00:02:53,670 --> 00:02:53,680
+
+ 
+
+29
+00:02:53,680 --> 00:02:57,640
+
+D Johnny
+

1935/p6IvB-2jYtY.description

@@ -0,0 +1,33 @@
+A Midsummer Night's Dream - Titania Falls In Love: Titania (Anita Louise) wakes from her slumber and falls in love with Bottom (James Cagney), the first thing she sees.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: Anita Louise, James Cagney
+Producer: Henry Blanke, Max Reinhardt
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/p6IvB-2jYtY.en.srt

@@ -0,0 +1,185 @@
+1
+00:00:01,580 --> 00:00:07,789
+
+the pitch the sparrow and the Lark the
+
+2
+00:00:07,789 --> 00:00:07,799
+the pitch the sparrow and the Lark the
+ 
+
+3
+00:00:07,799 --> 00:00:23,780
+the pitch the sparrow and the Lark the
+plainsong cool many Amanda
+
+4
+00:00:23,780 --> 00:00:23,790
+
+ 
+
+5
+00:00:23,790 --> 00:00:32,430
+
+[Music]
+
+6
+00:00:32,430 --> 00:00:32,440
+[Music]
+ 
+
+7
+00:00:32,440 --> 00:00:37,170
+[Music]
+what wakes me from my flowery bed
+
+8
+00:00:37,170 --> 00:00:37,180
+what wakes me from my flowery bed
+ 
+
+9
+00:00:37,180 --> 00:00:53,540
+what wakes me from my flowery bed
+[Music]
+
+10
+00:00:53,540 --> 00:00:53,550
+
+ 
+
+11
+00:00:53,550 --> 00:01:02,060
+
+I crave a gentle
+
+12
+00:01:02,060 --> 00:01:02,070
+I crave a gentle
+ 
+
+13
+00:01:02,070 --> 00:01:17,140
+I crave a gentle
+[Music]
+
+14
+00:01:17,140 --> 00:01:17,150
+[Music]
+ 
+
+15
+00:01:17,150 --> 00:01:22,510
+[Music]
+mine ear is much enamored of unknown and
+
+16
+00:01:22,510 --> 00:01:22,520
+mine ear is much enamored of unknown and
+ 
+
+17
+00:01:22,520 --> 00:01:27,690
+mine ear is much enamored of unknown and
+so is mine I am thrilled by thy shape
+
+18
+00:01:27,690 --> 00:01:27,700
+so is mine I am thrilled by thy shape
+ 
+
+19
+00:01:27,700 --> 00:01:42,230
+so is mine I am thrilled by thy shape
+and I swear I love me
+
+20
+00:01:42,230 --> 00:01:42,240
+and I swear I love me
+ 
+
+21
+00:01:42,240 --> 00:01:47,469
+and I swear I love me
+[Music]
+
+22
+00:01:47,469 --> 00:01:47,479
+[Music]
+ 
+
+23
+00:01:47,479 --> 00:01:51,039
+[Music]
+he thinks mistress you should have
+
+24
+00:01:51,039 --> 00:01:51,049
+he thinks mistress you should have
+ 
+
+25
+00:01:51,049 --> 00:01:55,300
+he thinks mistress you should have
+little reason for that and yet to say
+
+26
+00:01:55,300 --> 00:01:55,310
+little reason for that and yet to say
+ 
+
+27
+00:01:55,310 --> 00:01:58,590
+little reason for that and yet to say
+the truth
+
+28
+00:01:58,590 --> 00:01:58,600
+
+ 
+
+29
+00:01:58,600 --> 00:02:01,230
+
+reason I love keep little company
+
+30
+00:02:01,230 --> 00:02:01,240
+reason I love keep little company
+ 
+
+31
+00:02:01,240 --> 00:02:05,190
+reason I love keep little company
+together nowadays
+
+32
+00:02:05,190 --> 00:02:05,200
+
+ 
+
+33
+00:02:05,200 --> 00:02:09,059
+
+[Music]
+
+34
+00:02:09,059 --> 00:02:09,069
+
+ 
+
+35
+00:02:09,069 --> 00:02:18,670
+
+though art is why know what beautiful
+
+36
+00:02:18,670 --> 00:02:18,680
+
+ 
+
+37
+00:02:18,680 --> 00:02:24,599
+
+[Music]
+

1935/sZ6t_-wKImw.description

@@ -0,0 +1,33 @@
+A Midsummer Night's Dream - Transformed into an Ass: Puck (Mickey Rooney) transforms an unsuspecting Bottom (James Cagney) into a donkey.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: James Cagney, Mickey Rooney
+Producer: Henry Blanke
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
+► Follow us on TWITTER: http://bit.ly/2mgkaHb
+► Follow us on INSTAGRAM: http://bit.ly/2mg0VNU
+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/sZ6t_-wKImw.en.srt

@@ -0,0 +1,75 @@
+1
+00:00:25,680 --> 00:00:32,350
+
+[Music]
+
+2
+00:00:32,350 --> 00:00:32,360
+
+ 
+
+3
+00:00:32,360 --> 00:00:39,020
+
+your cue is past it's never tired if I
+
+4
+00:00:39,020 --> 00:00:39,030
+your cue is past it's never tired if I
+ 
+
+5
+00:00:39,030 --> 00:00:42,650
+your cue is past it's never tired if I
+were fair Thisby I were only thine if I
+
+6
+00:00:42,650 --> 00:00:42,660
+were fair Thisby I were only thine if I
+ 
+
+7
+00:00:42,660 --> 00:00:46,910
+were fair Thisby I were only thine if I
+were fair Thisby if I were fair Thisby I
+
+8
+00:00:46,910 --> 00:00:46,920
+were fair Thisby if I were fair Thisby I
+ 
+
+9
+00:00:46,920 --> 00:00:55,639
+were fair Thisby if I were fair Thisby I
+were only thine
+
+10
+00:00:55,639 --> 00:00:55,649
+
+ 
+
+11
+00:00:55,649 --> 00:01:12,490
+
+Oh Oh monstrous strange we are haunted
+
+12
+00:01:12,490 --> 00:01:12,500
+
+ 
+
+13
+00:01:12,500 --> 00:01:20,910
+
+pray masters fly masters
+
+14
+00:01:20,910 --> 00:01:20,920
+
+ 
+
+15
+00:01:20,920 --> 00:01:37,560
+
+[Music]
+

1935/xKdtuwTr-iM.en.srt

@@ -0,0 +1,375 @@
+1
+00:00:00,550 --> 00:00:03,590
+
+[Applause]
+
+2
+00:00:03,590 --> 00:00:03,600
+[Applause]
+ 
+
+3
+00:00:03,600 --> 00:00:08,589
+[Applause]
+and now for our lesson remember this is
+
+4
+00:00:08,589 --> 00:00:08,599
+and now for our lesson remember this is
+ 
+
+5
+00:00:08,599 --> 00:00:12,669
+and now for our lesson remember this is
+bread
+
+6
+00:00:12,669 --> 00:00:12,679
+
+ 
+
+7
+00:00:12,679 --> 00:00:14,830
+
+bread
+
+8
+00:00:14,830 --> 00:00:14,840
+bread
+ 
+
+9
+00:00:14,840 --> 00:00:16,470
+bread
+[Applause]
+
+10
+00:00:16,470 --> 00:00:16,480
+[Applause]
+ 
+
+11
+00:00:16,480 --> 00:00:20,990
+[Applause]
+bread and this is wine to
+
+12
+00:00:20,990 --> 00:00:21,000
+bread and this is wine to
+ 
+
+13
+00:00:21,000 --> 00:00:26,140
+bread and this is wine to
+drink drink
+
+14
+00:00:26,140 --> 00:00:26,150
+
+ 
+
+15
+00:00:26,150 --> 00:00:28,630
+
+[Applause]
+
+16
+00:00:28,630 --> 00:00:28,640
+[Applause]
+ 
+
+17
+00:00:28,640 --> 00:00:34,069
+[Applause]
+drink go good good we are friends you
+
+18
+00:00:34,069 --> 00:00:34,079
+drink go good good we are friends you
+ 
+
+19
+00:00:34,079 --> 00:00:37,750
+drink go good good we are friends you
+and I friends
+
+20
+00:00:37,750 --> 00:00:37,760
+and I friends
+ 
+
+21
+00:00:37,760 --> 00:00:40,510
+and I friends
+friends good
+
+22
+00:00:40,510 --> 00:00:40,520
+friends good
+ 
+
+23
+00:00:40,520 --> 00:00:49,600
+friends good
+good and now for a
+
+24
+00:00:49,600 --> 00:00:49,610
+
+ 
+
+25
+00:00:49,610 --> 00:00:53,510
+
+[Laughter]
+
+26
+00:00:53,510 --> 00:00:53,520
+
+ 
+
+27
+00:00:53,520 --> 00:00:58,110
+
+smoke no no this is good
+
+28
+00:00:58,110 --> 00:00:58,120
+smoke no no this is good
+ 
+
+29
+00:00:58,120 --> 00:01:08,990
+smoke no no this is good
+smoke you try
+
+30
+00:01:08,990 --> 00:01:09,000
+
+ 
+
+31
+00:01:09,000 --> 00:01:12,990
+
+good
+
+32
+00:01:12,990 --> 00:01:13,000
+
+ 
+
+33
+00:01:13,000 --> 00:01:15,429
+
+[Applause]
+
+34
+00:01:15,429 --> 00:01:15,439
+[Applause]
+ 
+
+35
+00:01:15,439 --> 00:01:20,149
+[Applause]
+good before you came I was all alone it
+
+36
+00:01:20,149 --> 00:01:20,159
+good before you came I was all alone it
+ 
+
+37
+00:01:20,159 --> 00:01:23,749
+good before you came I was all alone it
+is bad to be alone
+
+38
+00:01:23,749 --> 00:01:23,759
+is bad to be alone
+ 
+
+39
+00:01:23,759 --> 00:01:25,390
+is bad to be alone
+alone
+
+40
+00:01:25,390 --> 00:01:25,400
+alone
+ 
+
+41
+00:01:25,400 --> 00:01:30,820
+alone
+bad friend good friend
+
+42
+00:01:30,820 --> 00:01:30,830
+bad friend good friend
+ 
+
+43
+00:01:30,830 --> 00:01:33,069
+bad friend good friend
+[Music]
+
+44
+00:01:33,069 --> 00:01:33,079
+[Music]
+ 
+
+45
+00:01:33,079 --> 00:01:38,830
+[Music]
+good now come
+
+46
+00:01:38,830 --> 00:01:38,840
+
+ 
+
+47
+00:01:38,840 --> 00:01:42,429
+
+here and what is
+
+48
+00:01:42,429 --> 00:01:42,439
+here and what is
+ 
+
+49
+00:01:42,439 --> 00:01:45,550
+here and what is
+this this is wood for the
+
+50
+00:01:45,550 --> 00:01:45,560
+this this is wood for the
+ 
+
+51
+00:01:45,560 --> 00:01:49,429
+this this is wood for the
+fire
+
+52
+00:01:49,429 --> 00:01:49,439
+
+ 
+
+53
+00:01:49,439 --> 00:01:52,709
+
+wood and this is
+
+54
+00:01:52,709 --> 00:01:52,719
+wood and this is
+ 
+
+55
+00:01:52,719 --> 00:01:57,230
+wood and this is
+fire no no fire is
+
+56
+00:01:57,230 --> 00:01:57,240
+fire no no fire is
+ 
+
+57
+00:01:57,240 --> 00:02:01,109
+fire no no fire is
+good fire no good
+
+58
+00:02:01,109 --> 00:02:01,119
+good fire no good
+ 
+
+59
+00:02:01,119 --> 00:02:06,310
+good fire no good
+good there is good and there is bad
+
+60
+00:02:06,310 --> 00:02:06,320
+good there is good and there is bad
+ 
+
+61
+00:02:06,320 --> 00:02:09,949
+good there is good and there is bad
+good
+
+62
+00:02:09,949 --> 00:02:09,959
+
+ 
+
+63
+00:02:09,959 --> 00:02:11,100
+
+bad
+
+64
+00:02:11,100 --> 00:02:11,110
+bad
+ 
+
+65
+00:02:11,110 --> 00:02:14,630
+bad
+[Music]
+
+66
+00:02:14,630 --> 00:02:14,640
+
+ 
+
+67
+00:02:14,640 --> 00:02:18,250
+
+good music
+
+68
+00:02:18,250 --> 00:02:18,260
+good music
+ 
+
+69
+00:02:18,260 --> 00:02:24,720
+good music
+[Applause]
+
+70
+00:02:24,720 --> 00:02:24,730
+[Applause]
+ 
+
+71
+00:02:24,730 --> 00:02:30,110
+[Applause]
+[Music]
+
+72
+00:02:30,110 --> 00:02:30,120
+[Music]
+ 
+
+73
+00:02:30,120 --> 00:02:37,460
+[Music]
+the
+
+74
+00:02:37,460 --> 00:02:37,470
+
+ 
+
+75
+00:02:37,470 --> 00:03:08,499
+
+[Music]
+

1935/xwffHJ_pAM0.description

@@ -0,0 +1,38 @@
+Bride of Frankenstein movie clips: http://j.mp/1CMO9a7
+BUY THE MOVIE: http://amzn.to/vf2H4F
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+When The Monster (Boris Karloff) sneaks up on some gypsies cooking meat on a campfire, chaos ensues.
+
+FILM DESCRIPTION:
+This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.
+
+CREDITS:
+TM & © Universal (1935)
+Cast: Maurice Black, Boris Karloff, Elspeth Dudgeon, Helen Jerome Eddy
+Director: James Whale
+Producer: Carl Laemmle Jr.
+Screenwriters: John L. Balderston, Josef Berne, Lawrence G. Blochman, Morton Covan, Robert Florey, William Hurlbut, Tom Reed, Edmund Pearson, R.C. Sherriff, Philip MacDonald, Mary Shelley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
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1935/xwffHJ_pAM0.en.srt

@@ -0,0 +1,105 @@
+1
+00:00:00,000 --> 00:00:08,360
+
+Bota stay close to me we better get away
+
+2
+00:00:08,360 --> 00:00:08,370
+Bota stay close to me we better get away
+ 
+
+3
+00:00:08,370 --> 00:00:13,009
+Bota stay close to me we better get away
+from these pots it isn't safe why I'm
+
+4
+00:00:13,009 --> 00:00:13,019
+from these pots it isn't safe why I'm
+ 
+
+5
+00:00:13,019 --> 00:00:16,340
+from these pots it isn't safe why I'm
+frightened monster aah
+
+6
+00:00:16,340 --> 00:00:16,350
+frightened monster aah
+ 
+
+7
+00:00:16,350 --> 00:00:18,590
+frightened monster aah
+there's no danger he's safe in jail and
+
+8
+00:00:18,590 --> 00:00:18,600
+there's no danger he's safe in jail and
+ 
+
+9
+00:00:18,600 --> 00:00:20,599
+there's no danger he's safe in jail and
+they're deep in there where's the pepper
+
+10
+00:00:20,599 --> 00:00:20,609
+they're deep in there where's the pepper
+ 
+
+11
+00:00:20,609 --> 00:00:21,380
+they're deep in there where's the pepper
+and salt
+
+12
+00:00:21,380 --> 00:00:21,390
+and salt
+ 
+
+13
+00:00:21,390 --> 00:00:23,840
+and salt
+we got no pepper and salt all right
+
+14
+00:00:23,840 --> 00:00:23,850
+we got no pepper and salt all right
+ 
+
+15
+00:00:23,850 --> 00:00:24,560
+we got no pepper and salt all right
+brother
+
+16
+00:00:24,560 --> 00:00:24,570
+brother
+ 
+
+17
+00:00:24,570 --> 00:00:27,920
+brother
+I'll get it don't worry she'll have your
+
+18
+00:00:27,920 --> 00:00:27,930
+I'll get it don't worry she'll have your
+ 
+
+19
+00:00:27,930 --> 00:01:19,090
+I'll get it don't worry she'll have your
+meat aah
+
+20
+00:01:19,090 --> 00:01:19,100
+
+ 
+
+21
+00:01:19,100 --> 00:01:21,159
+
+you
+

1935/yJ_3DswWIeI.description

@@ -0,0 +1,33 @@
+A Midsummer Night's Dream - Oberon Lifts Titania's Spell: Oberon (Victor Jory) reunites with Titania (Anita Louise) after lifting her spell and fulfilling his plot.
+BUY THE MOVIE: https://www.fandangonow.com/details/movie/a-midsummer-nights-dream-1935/1MV0575923285bf8f2587f21678d52b366b?cmp=Movieclips_YT_Description
+
+Watch the best A Midsummer Night's Dream scenes & clips:
+https://www.youtube.com/playlist?list=PLZbXA4lyCtqoG4vUJJsITUd73bBiuz5wb
+
+FILM DESCRIPTION:
+In this classic screen adaptation of Shakespeare's fantastical play, the royal wedding plans of Theseus, the duke of Athens (Ian Hunter) and Hippolyta overlap with the antics of forest fairies, led by Oberon and Titania, and a ragtag troupe of actors. Meanwhile, young lovers, including Lysander (Dick Powell) and Hermia (Olivia de Havilland), deceive each other in amusing ways, and magic adds a mischievous element to this enchanted romantic comedy.
+
+CREDITS:
+TM & © MGM (1935)
+Cast: Anita Louise, James Cagney, Victor Jory
+Producer: Henry Blanke, Max Reinhardt
+Director: Max Reinhardt, William Dieterle
+
+Watch More:
+► Fresh New Clips: http://bit.ly/2taDWqW
+► Classic Trailers: http://bit.ly/2qTCxHF
+► Hot New Trailers: http://bit.ly/2qThrsF
+► Clips From Movies Coming Soon: http://bit.ly/2FrP8VL
+► Indie Movie Clips: http://bit.ly/2qTZMRE
+► Deleted Scenes: http://bit.ly/2ARbLPJ
+► Bloopers: http://bit.ly/2qYmBnc
+► Celebrity Interviews: http://bit.ly/2D4tzw4
+
+Fuel Your Movie Obsession: 
+► Subscribe to MOVIECLIPS: http://bit.ly/2CZa490
+► Watch Movieclips ORIGINALS: http://bit.ly/2D3sipV
+► Like us on FACEBOOK: http://bit.ly/2DikvkY
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+
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes, and lines from all your favorite films. Made by movie fans, for movie fans.

1935/yJ_3DswWIeI.en.srt

@@ -0,0 +1,184 @@
+1
+00:00:00,000 --> 00:00:04,960
+
+and water laws by chupi
+
+2
+00:00:04,960 --> 00:00:04,970
+and water laws by chupi
+ 
+
+3
+00:00:04,970 --> 00:00:09,420
+and water laws by chupi
+if you are with your children
+
+4
+00:00:09,420 --> 00:00:09,430
+if you are with your children
+ 
+
+5
+00:00:09,430 --> 00:00:13,340
+if you are with your children
+already Spain
+
+6
+00:00:13,340 --> 00:00:13,350
+
+ 
+
+7
+00:00:13,350 --> 00:00:17,810
+
+English Mike and
+
+8
+00:00:17,810 --> 00:00:17,820
+English Mike and
+ 
+
+9
+00:00:17,820 --> 00:00:19,900
+English Mike and
+my sweet
+
+10
+00:00:19,900 --> 00:00:19,910
+my sweet
+ 
+
+11
+00:00:19,910 --> 00:00:21,690
+my sweet
+[Music]
+
+12
+00:00:21,690 --> 00:00:21,700
+[Music]
+ 
+
+13
+00:00:21,700 --> 00:00:22,740
+[Music]
+Bauer
+
+14
+00:00:22,740 --> 00:00:22,750
+Bauer
+ 
+
+15
+00:00:22,750 --> 00:00:39,430
+Bauer
+[Music]
+
+16
+00:00:39,430 --> 00:00:39,440
+
+ 
+
+17
+00:00:39,440 --> 00:00:45,280
+
+Peron like that
+
+18
+00:00:45,280 --> 00:00:45,290
+
+ 
+
+19
+00:00:45,290 --> 00:00:53,330
+
+
+20
+00:00:53,330 --> 00:00:53,340
+
+ 
+
+21
+00:00:53,340 --> 00:00:55,650
+
+something only
+
+22
+00:00:55,650 --> 00:00:55,660
+something only
+ 
+
+23
+00:00:55,660 --> 00:00:58,270
+something only
+3
+
+24
+00:00:58,270 --> 00:00:58,280
+
+ 
+
+25
+00:00:58,280 --> 00:01:20,450
+
+but the lesson
+
+26
+00:01:20,450 --> 00:01:20,460
+
+ 
+
+27
+00:01:20,460 --> 00:01:47,120
+
+well this after that
+
+28
+00:01:47,120 --> 00:01:47,130
+
+ 
+
+29
+00:01:47,130 --> 00:01:50,530
+
+my queen
+
+30
+00:01:50,530 --> 00:01:50,540
+my queen
+ 
+
+31
+00:01:50,540 --> 00:01:52,600
+my queen
+drake
+
+32
+00:01:52,600 --> 00:01:52,610
+drake
+ 
+
+33
+00:01:52,610 --> 00:01:57,500
+drake
+[Music]
+
+34
+00:01:57,500 --> 00:01:57,510
+
+ 
+
+35
+00:01:57,510 --> 00:02:01,140
+
+uu
+
+36
+00:02:01,140 --> 00:02:01,150
+
+ 
+
+37
+00:02:01,150 --> 00:02:12,590
+
+[Music]
+

1935/yQ8PoAkZnew.description

@@ -0,0 +1,38 @@
+Bride of Frankenstein movie clips: http://j.mp/1CMO9a7
+BUY THE MOVIE: http://amzn.to/vf2H4F
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Dr. Pretorious (Ernest Thesiger) tells Dr. Frankenstein (Colin Clive) his plan. When he refuses to help, The Monster (Boris Karloff) persuades him.
+
+FILM DESCRIPTION:
+This greatest of all Frankenstein movies begins during a raging thunderstorm. Warm and cozy inside their palatial villa, Lord Byron (Gavin Gordon), Percy Shelley (Douglas Walton), and Shelley's wife Mary (Elsa Lanchester) engage in morbidly sparkling conversation. The wicked Byron mockingly chastises Mary for frightening the literary world with her recent novel Frankenstein, but Mary insists that her horror tale preached a valuable moral, that man was not meant to dabble in the works of God. Moreover, Mary adds that her story did not end with the death of Frankenstein's monster, whereupon she tells the enthralled Byron and Shelley what happened next. Surviving the windmill fire that brought the original 1931 Frankenstein to a close, the Monster (Boris Karloff) quickly revives and goes on another rampage of death and destruction. Meanwhile, his ailing creator Henry Frankenstein (Colin Clive) discovers that his former mentor, the demented Doctor Praetorius (Ernst Thesiger), plans to create another life-sized monster -- this time a woman! After a wild and wooly "creation" sequence, the bandages are unwrapped, and the Bride of the Monster (Elsa Lanchester again) emerges. Alas, the Monster's tender efforts to connect with his new Mate are rewarded only by her revulsion and hoarse screams. "She hate me," he growls, "Just like others!" Wonderfully acted and directed, The Bride of Frankenstein is further enhanced by the vivid Franz Waxman musical score; even the film's occasional lapses in logic and continuity (it was trimmed from 90 to 75 minutes after the first preview) are oddly endearing. Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters.
+
+CREDITS:
+TM & © Universal (1935)
+Cast: Colin Clive, Boris Karloff, Ernest Thesiger
+Director: James Whale
+Producer: Carl Laemmle Jr.
+Screenwriters: John L. Balderston, Josef Berne, Lawrence G. Blochman, Morton Covan, Robert Florey, William Hurlbut, Tom Reed, Edmund Pearson, R.C. Sherriff, Philip MacDonald, Mary Shelley
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
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+Movie News: http://bit.ly/1C3Ncd2
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+
+HIT US UP:
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+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1935/yQ8PoAkZnew.en.srt

@@ -0,0 +1,154 @@
+1
+00:00:02,170 --> 00:00:05,170
+This mediateam would
+
+2
+00:00:06,660 --> 00:00:08,980
+n't havegonetoSotheby's.
+
+3
+00:00:08,980 --> 00:00:11,539
+MeaghanSimister.Description.
+
+4
+00:00:11,539 --> 00:00:14,919
+Itookalotofstuff fromthe Paris
+prefecture.
+
+5
+00:00:14,919 --> 00:00:17,470
+OlivierBile.She's beenshooting.
+
+6
+00:00:17,470 --> 00:00:21,279
+He's beenusingthe Rhone flood shelter.
+QMIsinceMarchorApril.NicolasBriche
+
+7
+00:00:21,279 --> 00:00:22,710
+Bernard.
+
+8
+00:00:22,710 --> 00:00:25,569
+Twomenwho werewatchingon alarge
+scale,
+
+9
+00:00:25,569 --> 00:00:28,380
+practicallya Pariswedding
+
+10
+00:00:28,380 --> 00:00:29,960
+-oftourists.
+
+11
+00:00:29,960 --> 00:00:33,240
+Heitz Pissydistrict.
+
+12
+00:00:33,240 --> 00:00:36,240
+AccentusMacMinifromthe Amalfitanopost office.
+
+13
+00:00:36,980 --> 00:00:39,710
+Partunderlined
+
+14
+00:00:39,710 --> 00:00:41,700
+the articletowish for a
+
+15
+00:00:41,700 --> 00:00:43,480
+badgirl
+
+16
+00:00:43,480 --> 00:00:47,350
+- for along time,thelatteris
+responsible for
+
+17
+00:00:48,410 --> 00:00:51,890
+thisgoodperformance.
+
+18
+00:00:51,890 --> 00:00:54,890
+Mouron,
+
+19
+00:00:56,620 --> 00:00:59,920
+Germany.
+
+20
+00:00:59,920 --> 00:01:02,920
+Andifwewant tofinishwith thesame
+sensitivity,
+
+21
+00:01:07,010 --> 00:01:10,010
+Google
+
+22
+00:01:13,010 --> 00:01:16,010
+LilyOwens.
+
+23
+00:01:18,370 --> 00:01:19,820
+On theother hand,
+
+24
+00:01:19,820 --> 00:01:22,280
+therecruitment of
+
+25
+00:01:22,280 --> 00:01:24,620
+thesix crewmembers in
+
+26
+00:01:24,620 --> 00:01:27,820
+Parishasbeenrecorded.
+
+27
+00:01:27,820 --> 00:01:30,390
+Here areallthemargins
+
+28
+00:01:30,390 --> 00:01:32,880
+forDominiqueStrauss-Kahn,whoisin
+Istanbul.
+
+29
+00:01:32,880 --> 00:01:35,730
+Leonard,
+
+30
+00:01:35,730 --> 00:01:38,730
+myGod,
+
+31
+00:01:43,190 --> 00:01:47,320
+alonefor ahundred percenttoheat
+
+32
+00:01:54,700 --> 00:01:56,750
+among,butsay
+
+33
+00:01:56,750 --> 00:02:01,720
+MerianeMayor
+
+34
+00:02:01,720 --> 00:02:04,720
+Braaten
+
+35
+00:02:37,279 --> 00:02:40,279
+11
+
+36
+00:02:41,869 --> 00:02:43,349
+m
+
+37
+00:02:43,349 --> 00:02:43,540
+%.
+

1938/0JoIRmQW2es.description

@@ -0,0 +1,38 @@
+Bringing Up Baby movie clips: http://j.mp/2anxvr8
+BUY THE MOVIE: http://j.mp/2aKPQCd
+Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr
+
+CLIP DESCRIPTION:
+Susan Vance (Katharine Hepburn) apologizes to Dr. David Huxley (Cary Grant), but ends up bringing down his precious dinosaur.
+
+FILM DESCRIPTION:
+Katharine Hepburn and Cary Grant star in this inspired comedy about a madcap heiress with a pet leopard who meets an absent-minded paleontologist and unwittingly makes a fiasco of both their lives. David Huxley (Grant) is the stuffy paleontologist who needs to finish an exhibit on dinosaurs and thus land a $1 million grant for his museum. At a golf outing with his potential benefactors, Huxley is spotted by Susan Vance (Hepburn) who decides that she must have the reserved scientist at all costs. She uses her pet leopard, Baby, to trick him into driving to her Connecticut home, where a dog wanders into Huxley's room and steals the vital last bone that he needs to complete his project. The real trouble begins when another leopard escapes from the local zoo and Baby is mistaken for it, leading Huxley and Susan into a series of harebrained and increasingly more insane schemes to save the cat from the authorities. Inevitably, the two end up in the local jail, where things get even more out of hand: Susan pretends to be the gun moll to David's diabolical, supposedly wanted criminal. Naturally, the mismatched pair falls in love through all the lunacy. Director Howard Hawks delivers a funny, fast-paced, and offbeat story, enlivened by animated performances from the two leads, in what has become a definitive screwball comedy.
+
+CREDITS:
+TM & © Warner Bros. (1938)
+Cast: Cary Grant, Katharine Hepburn
+Director: Howard Hawks
+Producers: Cliff Reid, Howard Hawks
+Screenwriters: Dudley Nichols, Hagar Wilde
+
+WHO ARE WE?
+The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.
+
+SUBSCRIBE TO OUR MOVIE CHANNELS:
+MOVIECLIPS: http://bit.ly/1u2yaWd
+ComingSoon: http://bit.ly/1DVpgtR
+Indie & Film Festivals: http://bit.ly/1wbkfYg
+Hero Central: http://bit.ly/1AMUZwv
+Extras: http://bit.ly/1u431fr
+Classic Trailers: http://bit.ly/1u43jDe
+Pop-Up Trailers: http://bit.ly/1z7EtZR
+Movie News: http://bit.ly/1C3Ncd2
+Movie Games: http://bit.ly/1ygDV13
+Fandango: http://bit.ly/1Bl79ye
+Fandango FrontRunners: http://bit.ly/1CggQfC
+
+HIT US UP:
+Facebook: http://on.fb.me/1y8M8ax
+Twitter: http://bit.ly/1ghOWmt
+Pinterest: http://bit.ly/14wL9De
+Tumblr: http://bit.ly/1vUwhH7

1938/0JoIRmQW2es.en.srt

@@ -0,0 +1,365 @@
+1
+00:00:00,030 --> 00:00:02,240
+
+David I follow George around for three
+
+2
+00:00:02,240 --> 00:00:02,250
+David I follow George around for three
+ 
+
+3
+00:00:02,250 --> 00:00:03,770
+David I follow George around for three
+days and I'd have roles with him and he
+
+4
+00:00:03,770 --> 00:00:03,780
+days and I'd have roles with him and he
+ 
+
+5
+00:00:03,780 --> 00:00:05,360
+days and I'd have roles with him and he
+down pillows with me and then he came
+
+6
+00:00:05,360 --> 00:00:05,370
+down pillows with me and then he came
+ 
+
+7
+00:00:05,370 --> 00:00:08,660
+down pillows with me and then he came
+and put it in my shoe Oh
+
+8
+00:00:08,660 --> 00:00:08,670
+and put it in my shoe Oh
+ 
+
+9
+00:00:08,670 --> 00:00:12,350
+and put it in my shoe Oh
+Oh what David don't be mad at me thank
+
+10
+00:00:12,350 --> 00:00:12,360
+Oh what David don't be mad at me thank
+ 
+
+11
+00:00:12,360 --> 00:00:13,999
+Oh what David don't be mad at me thank
+you very much Susan put it down there on
+
+12
+00:00:13,999 --> 00:00:14,009
+you very much Susan put it down there on
+ 
+
+13
+00:00:14,009 --> 00:00:18,529
+you very much Susan put it down there on
+the table and go away I want to talk to
+
+14
+00:00:18,529 --> 00:00:18,539
+the table and go away I want to talk to
+ 
+
+15
+00:00:18,539 --> 00:00:27,800
+the table and go away I want to talk to
+you write me a letter don't please go
+
+16
+00:00:27,800 --> 00:00:27,810
+you write me a letter don't please go
+ 
+
+17
+00:00:27,810 --> 00:00:30,650
+you write me a letter don't please go
+back down the ladder quietly well why
+
+18
+00:00:30,650 --> 00:00:30,660
+back down the ladder quietly well why
+ 
+
+19
+00:00:30,660 --> 00:00:32,600
+back down the ladder quietly well why
+not go down I'll go down quietly David
+
+20
+00:00:32,600 --> 00:00:32,610
+not go down I'll go down quietly David
+ 
+
+21
+00:00:32,610 --> 00:00:35,360
+not go down I'll go down quietly David
+but I want to find out something first
+
+22
+00:00:35,360 --> 00:00:35,370
+but I want to find out something first
+ 
+
+23
+00:00:35,370 --> 00:00:37,160
+but I want to find out something first
+why did you run out that ladder when I
+
+24
+00:00:37,160 --> 00:00:37,170
+why did you run out that ladder when I
+ 
+
+25
+00:00:37,170 --> 00:00:39,020
+why did you run out that ladder when I
+came in here well if you must know I'm
+
+26
+00:00:39,020 --> 00:00:39,030
+came in here well if you must know I'm
+ 
+
+27
+00:00:39,030 --> 00:00:48,889
+came in here well if you must know I'm
+afraid of you every time you say that
+
+28
+00:00:48,889 --> 00:00:48,899
+afraid of you every time you say that
+ 
+
+29
+00:00:48,899 --> 00:00:51,590
+afraid of you every time you say that
+something happens now please go down
+
+30
+00:00:51,590 --> 00:00:51,600
+something happens now please go down
+ 
+
+31
+00:00:51,600 --> 00:00:53,299
+something happens now please go down
+because you've already cost the museum a
+
+32
+00:00:53,299 --> 00:00:53,309
+because you've already cost the museum a
+ 
+
+33
+00:00:53,309 --> 00:00:55,040
+because you've already cost the museum a
+million dollars oh no I haven't dated
+
+34
+00:00:55,040 --> 00:00:55,050
+million dollars oh no I haven't dated
+ 
+
+35
+00:00:55,050 --> 00:00:57,319
+million dollars oh no I haven't dated
+I've got a million dollars on Elizabeth
+
+36
+00:00:57,319 --> 00:00:57,329
+I've got a million dollars on Elizabeth
+ 
+
+37
+00:00:57,329 --> 00:00:59,389
+I've got a million dollars on Elizabeth
+gave it to me and I'm going to give it
+
+38
+00:00:59,389 --> 00:00:59,399
+gave it to me and I'm going to give it
+ 
+
+39
+00:00:59,399 --> 00:01:02,420
+gave it to me and I'm going to give it
+to you for the museum I'm sure they'll
+
+40
+00:01:02,420 --> 00:01:02,430
+to you for the museum I'm sure they'll
+ 
+
+41
+00:01:02,430 --> 00:01:05,179
+to you for the museum I'm sure they'll
+be very pleased aren't you pleased David
+
+42
+00:01:05,179 --> 00:01:05,189
+be very pleased aren't you pleased David
+ 
+
+43
+00:01:05,189 --> 00:01:07,700
+be very pleased aren't you pleased David
+yes I suppose so dear it's too late
+
+44
+00:01:07,700 --> 00:01:07,710
+yes I suppose so dear it's too late
+ 
+
+45
+00:01:07,710 --> 00:01:09,770
+yes I suppose so dear it's too late
+isn't it I've made a mess of everything
+
+46
+00:01:09,770 --> 00:01:09,780
+isn't it I've made a mess of everything
+ 
+
+47
+00:01:09,780 --> 00:01:15,679
+isn't it I've made a mess of everything
+haven't I Oh David if I could only make
+
+48
+00:01:15,679 --> 00:01:15,689
+haven't I Oh David if I could only make
+ 
+
+49
+00:01:15,689 --> 00:01:17,749
+haven't I Oh David if I could only make
+you understand you see all that happened
+
+50
+00:01:17,749 --> 00:01:17,759
+you understand you see all that happened
+ 
+
+51
+00:01:17,759 --> 00:01:19,160
+you understand you see all that happened
+happened because I was trying to keep
+
+52
+00:01:19,160 --> 00:01:19,170
+happened because I was trying to keep
+ 
+
+53
+00:01:19,170 --> 00:01:20,990
+happened because I was trying to keep
+you near me and I just did anything that
+
+54
+00:01:20,990 --> 00:01:21,000
+you near me and I just did anything that
+ 
+
+55
+00:01:21,000 --> 00:01:25,219
+you near me and I just did anything that
+came into my head I'm so sorry I want to
+
+56
+00:01:25,219 --> 00:01:25,229
+came into my head I'm so sorry I want to
+ 
+
+57
+00:01:25,229 --> 00:01:30,109
+came into my head I'm so sorry I want to
+thank you thank me yes well I just
+
+58
+00:01:30,109 --> 00:01:30,119
+thank you thank me yes well I just
+ 
+
+59
+00:01:30,119 --> 00:01:32,060
+thank you thank me yes well I just
+discovered that was the best day I ever
+
+60
+00:01:32,060 --> 00:01:32,070
+discovered that was the best day I ever
+ 
+
+61
+00:01:32,070 --> 00:01:35,359
+discovered that was the best day I ever
+had in my whole life Dave you don't mean
+
+62
+00:01:35,359 --> 00:01:35,369
+had in my whole life Dave you don't mean
+ 
+
+63
+00:01:35,369 --> 00:01:40,010
+had in my whole life Dave you don't mean
+I never had a better time well that's
+
+64
+00:01:40,010 --> 00:01:40,020
+I never had a better time well that's
+ 
+
+65
+00:01:40,020 --> 00:01:47,149
+I never had a better time well that's
+what made it so good that means that
+
+66
+00:01:47,149 --> 00:01:47,159
+what made it so good that means that
+ 
+
+67
+00:01:47,159 --> 00:01:50,210
+what made it so good that means that
+means that you must like me more than
+
+68
+00:01:50,210 --> 00:01:50,220
+means that you must like me more than
+ 
+
+69
+00:01:50,220 --> 00:01:58,149
+means that you must like me more than
+that
+
+70
+00:01:58,149 --> 00:01:58,159
+
+ 
+
+71
+00:01:58,159 --> 00:02:52,770
+
+I'm not Rocking
+
+72
+00:02:52,770 --> 00:02:52,780
+
+ 
+
+73
+00:02:52,780 --> 00:02:55,990
+
+and you
+