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0000000000000000000000000000000000000000..794b67e6a15de84607f978e85b65af4a64dde32d --- /dev/null +++ b/2001/xs3_hNYAVRw.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:b61af4643c69316ea943aece6e963492f5b35d46b4e19e5d630c8a64d524cfe7 +size 7079818 diff --git a/2002/441D9uXF1ac.en.srt b/2002/441D9uXF1ac.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..503caaa06a9bd11d95e431933b916a5169a9dabd --- /dev/null +++ b/2002/441D9uXF1ac.en.srt @@ -0,0 +1,83 @@ +1 +00:00:00,709 --> 00:00:18,130 + +Ah + +2 +00:00:18,130 --> 00:00:18,140 + + + +3 +00:00:18,140 --> 00:00:40,450 + +[Music] + +4 +00:00:40,450 --> 00:00:40,460 + + + +5 +00:00:40,460 --> 00:00:50,630 + +and a + +6 +00:00:50,630 --> 00:00:50,640 + + + +7 +00:00:50,640 --> 00:01:00,350 + + +8 +00:01:00,350 --> 00:01:00,360 + + + +9 +00:01:00,360 --> 00:01:02,660 + +half Chesterton flowers + +10 +00:01:02,660 --> 00:01:02,670 +half Chesterton flowers + + +11 +00:01:02,670 --> 00:01:05,730 +half Chesterton flowers + +12 +00:01:05,730 --> 00:01:05,740 + + + +13 +00:01:05,740 --> 00:01:35,410 + +not + +14 +00:01:35,410 --> 00:01:35,420 + + + +15 +00:01:35,420 --> 00:01:37,540 + +to chemicals + +16 +00:01:37,540 --> 00:01:37,550 +to chemicals + + +17 +00:01:37,550 --> 00:02:06,770 +to chemicals +[Music] + diff --git a/2002/4RhqR2ZGkc0.en.srt b/2002/4RhqR2ZGkc0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d2a70d774536b4a9ba98f11df44a90ca70911c27 --- /dev/null +++ b/2002/4RhqR2ZGkc0.en.srt @@ -0,0 +1,70 @@ +1 +00:00:00,000 --> 00:00:00,740 +ALL: Doom on you... + +2 +00:00:00,740 --> 00:00:03,120 +- Oh, no! No! +- (COOING) + +3 +00:00:03,200 --> 00:00:04,700 +Retrieve the melon! + +4 +00:00:05,020 --> 00:00:07,300 +(STUTTERS) Tae kwan dodos! Attack! + +5 +00:00:08,960 --> 00:00:10,960 +(ALL EXCLAIMING) + +6 +00:00:19,000 --> 00:00:19,760 +The melon! + +7 +00:00:20,120 --> 00:00:22,800 +ALL: The melon! The melon! +The melon! The melon! The melon! + +8 +00:00:24,140 --> 00:00:26,580 +- There goes our last female. +- (GULPS) + +9 +00:00:28,580 --> 00:00:30,000 +(ALL EXCLAIM) + +10 +00:00:34,000 --> 00:00:36,820 +ALL: We got it, got it, got it, got it, +got it, got it, got it. Don't got it. + +11 +00:00:38,160 --> 00:00:41,280 +ALL: (GASP) The last melon. + +12 +00:00:41,960 --> 00:00:45,440 +(ALL CLUCKING) + +13 +00:00:52,700 --> 00:00:54,700 +- (CHOMP) +- (SCREAMING) + +14 +00:01:49,200 --> 00:01:51,200 +(♪♪♪) + +15 +00:01:54,040 --> 00:01:56,040 +(LAUGHING) + +16 +00:02:07,440 --> 00:02:11,240 +Ah! Sid. Now we +gotta find more food. + diff --git a/2002/4WNq9Yy9m_g.en.srt b/2002/4WNq9Yy9m_g.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..92c587a1970c3578533627ebb7fccc50fbd90e92 --- /dev/null +++ b/2002/4WNq9Yy9m_g.en.srt @@ -0,0 +1,325 @@ +1 +00:00:05,690 --> 00:00:14,209 + +he'll hear us he's upstairs he wants you + +2 +00:00:14,209 --> 00:00:14,219 +he'll hear us he's upstairs he wants you + + +3 +00:00:14,219 --> 00:00:16,930 +he'll hear us he's upstairs he wants you +Eva + +4 +00:00:16,930 --> 00:00:16,940 + + + +5 +00:00:16,940 --> 00:00:19,140 + +I thought he was gone but now he's back + +6 +00:00:19,140 --> 00:00:19,150 +I thought he was gone but now he's back + + +7 +00:00:19,150 --> 00:00:25,510 +I thought he was gone but now he's back +you're scaring me I didn't want to keep + +8 +00:00:25,510 --> 00:00:25,520 +you're scaring me I didn't want to keep + + +9 +00:00:25,520 --> 00:00:28,420 +you're scaring me I didn't want to keep +you to him they did a thing for you + +10 +00:00:28,420 --> 00:00:28,430 +you to him they did a thing for you + + +11 +00:00:28,430 --> 00:00:32,229 +you to him they did a thing for you +today so he couldn't have you I was + +12 +00:00:32,229 --> 00:00:32,239 +today so he couldn't have you I was + + +13 +00:00:32,239 --> 00:00:33,900 +today so he couldn't have you I was +wrong + +14 +00:00:33,900 --> 00:00:33,910 +wrong + + +15 +00:00:33,910 --> 00:00:38,700 +wrong +you made me weak and then you hurt me + +16 +00:00:38,700 --> 00:00:38,710 +you made me weak and then you hurt me + + +17 +00:00:38,710 --> 00:00:46,400 +you made me weak and then you hurt me +[Music] + +18 +00:00:46,400 --> 00:00:46,410 + + + +19 +00:00:46,410 --> 00:00:59,540 + +[Music] + +20 +00:00:59,540 --> 00:00:59,550 + + + +21 +00:00:59,550 --> 00:01:02,020 + +No + +22 +00:01:02,020 --> 00:01:02,030 +No + + +23 +00:01:02,030 --> 00:01:08,860 +No +no please don't let him have me you + +24 +00:01:08,860 --> 00:01:08,870 +no please don't let him have me you + + +25 +00:01:08,870 --> 00:01:13,990 +no please don't let him have me you +won't I'm for you you like me I know + +26 +00:01:13,990 --> 00:01:14,000 +won't I'm for you you like me I know + + +27 +00:01:14,000 --> 00:01:18,420 +won't I'm for you you like me I know +you'd like me take me with you + +28 +00:01:18,420 --> 00:01:18,430 + + + +29 +00:01:18,430 --> 00:01:22,620 + +take you with me yes put out your hand + +30 +00:01:22,620 --> 00:01:22,630 +take you with me yes put out your hand + + +31 +00:01:22,630 --> 00:01:25,440 +take you with me yes put out your hand +feel this that's a shotgun Reba the + +32 +00:01:25,440 --> 00:01:25,450 +feel this that's a shotgun Reba the + + +33 +00:01:25,450 --> 00:01:27,330 +feel this that's a shotgun Reba the +12-gauge Magnum do you know what it'll + +34 +00:01:27,330 --> 00:01:27,340 +12-gauge Magnum do you know what it'll + + +35 +00:01:27,340 --> 00:01:30,990 +12-gauge Magnum do you know what it'll +do I wish I could have trusted you I + +36 +00:01:30,990 --> 00:01:31,000 +do I wish I could have trusted you I + + +37 +00:01:31,000 --> 00:01:36,630 +do I wish I could have trusted you I +wanted to trust you you you felt so good + +38 +00:01:36,630 --> 00:01:36,640 +wanted to trust you you you felt so good + + +39 +00:01:36,640 --> 00:01:42,410 +wanted to trust you you you felt so good +[Music] + +40 +00:01:42,410 --> 00:01:42,420 + + + +41 +00:01:42,420 --> 00:01:48,120 + +it's all over for me + +42 +00:01:48,120 --> 00:01:48,130 + + + +43 +00:01:48,130 --> 00:01:57,880 + +[Music] + +44 +00:01:57,880 --> 00:01:57,890 + + + +45 +00:01:57,890 --> 00:02:00,280 + +you know what he'll do he'll fight you + +46 +00:02:00,280 --> 00:02:00,290 +you know what he'll do he'll fight you + + +47 +00:02:00,290 --> 00:02:04,180 +you know what he'll do he'll fight you +to death he'll hurt you so bad I can't + +48 +00:02:04,180 --> 00:02:04,190 +to death he'll hurt you so bad I can't + + +49 +00:02:04,190 --> 00:02:06,940 +to death he'll hurt you so bad I can't +let that happen it's better if you go + +50 +00:02:06,940 --> 00:02:06,950 +let that happen it's better if you go + + +51 +00:02:06,950 --> 00:02:18,060 +let that happen it's better if you go +with me suits you and then myself + +52 +00:02:18,060 --> 00:02:18,070 + + + +53 +00:02:18,070 --> 00:02:20,910 + +[Music] + +54 +00:02:20,910 --> 00:02:20,920 +[Music] + + +55 +00:02:20,920 --> 00:02:28,630 +[Music] +I can't do it + +56 +00:02:28,630 --> 00:02:28,640 + + + +57 +00:02:28,640 --> 00:02:30,330 + +I can do it + +58 +00:02:30,330 --> 00:02:30,340 +I can do it + + +59 +00:02:30,340 --> 00:03:00,270 +I can do it +[Music] + +60 +00:03:00,270 --> 00:03:00,280 + + + +61 +00:03:00,280 --> 00:03:06,150 + +[Music] + +62 +00:03:06,150 --> 00:03:06,160 + + + +63 +00:03:06,160 --> 00:03:06,740 + +you + +64 +00:03:06,740 --> 00:03:06,750 +you + + +65 +00:03:06,750 --> 00:03:18,189 +you +[Music] + diff --git a/2002/4dW0aROYEk4.description b/2002/4dW0aROYEk4.description new file mode 100644 index 0000000000000000000000000000000000000000..2d7d01e2ec3a81229cc2263ac8814454d05f1f15 --- /dev/null +++ b/2002/4dW0aROYEk4.description @@ -0,0 +1,38 @@ +Heaven movie clips: http://j.mp/1BcUAnj +BUY THE MOVIE: http://amzn.to/rONtS5 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Filippo (Giovanni Ribisi), afraid at first that Philippa (Cate Blanchett) is referring to the bag he has hidden in the toilet for her escape, translates for Philippa as she explains her reason for bombing the building. + +FILM DESCRIPTION: +German filmmaker Tom Tykwer helmed this feature, which was adapted from a screenplay co-authored by the late Krzysztof Kieslowski. Philippa (Cate Blanchett) is a British schoolteacher living in Italy, whose husband fell victim to a drug overdose, as have several of her students. Marco Vendice (Stefano Santospago) is a powerful local drug dealer who sold the dope which killed Philippa's husband, as well as a number of neighborhood teens. Disgusted with the inability of the police to bring Vendice to justice, Philippa takes the law into her own hands, planting a bomb which is intended to kill the dealer. However, Philippa's plan goes awry, and instead the bomb kills four innocent bystanders. Philippa is arrested and brought before the police for questioning, not knowing that the interrogating officer in charge of the case, Pini (Mattia Sbragia), is one of Vendice's secret business associates. More comfortable with English than Italian, Philippa requests a translator, and multilingual officer Filippo (Giovanni Ribisi) is brought in to serve as interpreter. Filippo finds himself falling in love with Philippa, and with his help she's able to escape and go into hiding; however, despite her deep regrets about the loss of four lives in the bombing, she is still bound and determined to see Vendice dead. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Giovanni Ribisi, Cate Blanchett +Director: Tom Tykwer +Producers: Stefan Arndt, Marc Baschet, Mario Cotone, Frédérique Dumas-Zajdela, Marco Guidone, William Horberg, Cédomir Kolar, Maria Köpf, Agnès Mentre, Anthony Minghella, Teresa Moneo, Sydney Pollack, Stefaan Schieder, Manuela Stehr, Harvey Weinstein +Screenwriters: Krzysztof Kieslowski, Krzysztof Piesiewicz + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/4dW0aROYEk4.en.srt b/2002/4dW0aROYEk4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..26ff7ab83d21dd7101ed3c6790f09834791e6811 --- /dev/null +++ b/2002/4dW0aROYEk4.en.srt @@ -0,0 +1,255 @@ +1 +00:00:00,359 --> 00:00:02,830 + +I found a + +2 +00:00:02,830 --> 00:00:02,840 +I found a + + +3 +00:00:02,840 --> 00:00:04,710 +I found a +bag a + +4 +00:00:04,710 --> 00:00:04,720 +bag a + + +5 +00:00:04,720 --> 00:00:07,430 +bag a +note and a + +6 +00:00:07,430 --> 00:00:07,440 +note and a + + +7 +00:00:07,440 --> 00:00:28,950 +note and a +key in the + +8 +00:00:28,950 --> 00:00:28,960 + + + +9 +00:00:28,960 --> 00:00:47,910 + +toilet + +10 +00:00:47,910 --> 00:00:47,920 + + + +11 +00:00:47,920 --> 00:00:54,750 + +a week + +12 +00:00:54,750 --> 00:00:54,760 + + + +13 +00:00:54,760 --> 00:00:57,630 + +ago in the + +14 +00:00:57,630 --> 00:00:57,640 +ago in the + + +15 +00:00:57,640 --> 00:01:00,670 +ago in the +bag was a syringe and and the test + +16 +00:01:00,670 --> 00:01:00,680 +bag was a syringe and and the test + + +17 +00:01:00,680 --> 00:01:07,190 +bag was a syringe and and the test +results from an HIV + +18 +00:01:07,190 --> 00:01:07,200 + + + +19 +00:01:07,200 --> 00:01:14,510 + +Clinic just three + +20 +00:01:14,510 --> 00:01:14,520 + + + +21 +00:01:14,520 --> 00:01:17,030 + +words the key opened the door to the + +22 +00:01:17,030 --> 00:01:17,040 +words the key opened the door to the + + +23 +00:01:17,040 --> 00:01:22,350 +words the key opened the door to the +school Glass House one of my + +24 +00:01:22,350 --> 00:01:22,360 + + + +25 +00:01:22,360 --> 00:01:28,350 + +pupil she'd been hanging there for three + +26 +00:01:28,350 --> 00:01:28,360 + + + +27 +00:01:28,360 --> 00:01:32,069 + +days me out with the + +28 +00:01:32,069 --> 00:01:32,079 + + + +29 +00:01:32,079 --> 00:01:35,469 + +parents had to read + +30 +00:01:35,469 --> 00:01:35,479 + + + +31 +00:01:35,479 --> 00:01:39,069 + +that the car + +32 +00:01:39,069 --> 00:01:39,079 +that the car + + +33 +00:01:39,079 --> 00:01:43,469 +that the car +came said there was nothing for them to + +34 +00:01:43,469 --> 00:01:43,479 +came said there was nothing for them to + + +35 +00:01:43,479 --> 00:01:48,749 +came said there was nothing for them to +do so last Tuesday I went to her funeral + +36 +00:01:48,749 --> 00:01:48,759 +do so last Tuesday I went to her funeral + + +37 +00:01:48,759 --> 00:01:53,389 +do so last Tuesday I went to her funeral +in the + +38 +00:01:53,389 --> 00:01:53,399 + + + +39 +00:01:53,399 --> 00:01:55,670 + +morning in the afternoon I went to + +40 +00:01:55,670 --> 00:01:55,680 +morning in the afternoon I went to + + +41 +00:01:55,680 --> 00:01:58,830 +morning in the afternoon I went to +vendor's + +42 +00:01:58,830 --> 00:01:58,840 + + + +43 +00:01:58,840 --> 00:02:03,149 + +office + +44 +00:02:03,149 --> 00:02:03,159 + + + +45 +00:02:03,159 --> 00:02:07,430 + +for where's the + +46 +00:02:07,430 --> 00:02:07,440 + + + +47 +00:02:07,440 --> 00:02:28,750 + +[Music] + +48 +00:02:28,750 --> 00:02:28,760 + + + +49 +00:02:28,760 --> 00:02:32,520 + +pom + +50 +00:02:32,520 --> 00:02:32,530 + + + +51 +00:02:32,530 --> 00:02:38,490 + +[Music] + diff --git a/2002/4fwQKF64AWY.en.srt b/2002/4fwQKF64AWY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..261ddf3b7d53acfc0b3337d2d459908bd0e4ee9f --- /dev/null +++ b/2002/4fwQKF64AWY.en.srt @@ -0,0 +1,565 @@ +1 +00:00:06,069 --> 00:00:08,879 + +that's the same atrocious aftershave you + +2 +00:00:08,879 --> 00:00:08,889 +that's the same atrocious aftershave you + + +3 +00:00:08,889 --> 00:00:13,020 +that's the same atrocious aftershave you +wore in court I keep getting it for + +4 +00:00:13,020 --> 00:00:13,030 +wore in court I keep getting it for + + +5 +00:00:13,030 --> 00:00:17,490 +wore in court I keep getting it for +Christmas Christmas yes did you get my + +6 +00:00:17,490 --> 00:00:17,500 +Christmas Christmas yes did you get my + + +7 +00:00:17,500 --> 00:00:21,750 +Christmas Christmas yes did you get my +card I got it thank you so nice of the + +8 +00:00:21,750 --> 00:00:21,760 +card I got it thank you so nice of the + + +9 +00:00:21,760 --> 00:00:25,620 +card I got it thank you so nice of the +bureau's crime lab to forward that they + +10 +00:00:25,620 --> 00:00:25,630 +bureau's crime lab to forward that they + + +11 +00:00:25,630 --> 00:00:29,760 +bureau's crime lab to forward that they +wouldn't give me a home address dr. + +12 +00:00:29,760 --> 00:00:29,770 +wouldn't give me a home address dr. + + +13 +00:00:29,770 --> 00:00:31,260 +wouldn't give me a home address dr. +bloom sent me your article on surgical + +14 +00:00:31,260 --> 00:00:31,270 +bloom sent me your article on surgical + + +15 +00:00:31,270 --> 00:00:32,490 +bloom sent me your article on surgical +addiction in the Journal of forensic + +16 +00:00:32,490 --> 00:00:32,500 +addiction in the Journal of forensic + + +17 +00:00:32,500 --> 00:00:38,579 +addiction in the Journal of forensic +psychiatry and very interesting even to + +18 +00:00:38,579 --> 00:00:38,589 +psychiatry and very interesting even to + + +19 +00:00:38,589 --> 00:00:54,389 +psychiatry and very interesting even to +a layman you say you're Elena but as you + +20 +00:00:54,389 --> 00:00:54,399 +a layman you say you're Elena but as you + + +21 +00:00:54,399 --> 00:00:59,910 +a layman you say you're Elena but as you +who caught me wasn't it well do you know + +22 +00:00:59,910 --> 00:00:59,920 +who caught me wasn't it well do you know + + +23 +00:00:59,920 --> 00:01:04,530 +who caught me wasn't it well do you know +how you did it I got lucky I don't think + +24 +00:01:04,530 --> 00:01:04,540 +how you did it I got lucky I don't think + + +25 +00:01:04,540 --> 00:01:08,310 +how you did it I got lucky I don't think +you believe that it's in the transcript + +26 +00:01:08,310 --> 00:01:08,320 +you believe that it's in the transcript + + +27 +00:01:08,320 --> 00:01:10,440 +you believe that it's in the transcript +what does it matter now doesn't matter + +28 +00:01:10,440 --> 00:01:10,450 +what does it matter now doesn't matter + + +29 +00:01:10,450 --> 00:01:16,700 +what does it matter now doesn't matter +to me well I need your advice dr. Lecter + +30 +00:01:16,700 --> 00:01:16,710 + + + +31 +00:01:16,710 --> 00:01:20,670 + +Birmingham and Atlanta you want to know + +32 +00:01:20,670 --> 00:01:20,680 +Birmingham and Atlanta you want to know + + +33 +00:01:20,680 --> 00:01:23,010 +Birmingham and Atlanta you want to know +how he's choosing them don't you I + +34 +00:01:23,010 --> 00:01:23,020 +how he's choosing them don't you I + + +35 +00:01:23,020 --> 00:01:24,930 +how he's choosing them don't you I +thought you'd have some ideas I'm asking + +36 +00:01:24,930 --> 00:01:24,940 +thought you'd have some ideas I'm asking + + +37 +00:01:24,940 --> 00:01:26,790 +thought you'd have some ideas I'm asking +you to tell me what they are why should + +38 +00:01:26,790 --> 00:01:26,800 +you to tell me what they are why should + + +39 +00:01:26,800 --> 00:01:27,180 +you to tell me what they are why should +I + +40 +00:01:27,180 --> 00:01:27,190 +I + + +41 +00:01:27,190 --> 00:01:29,640 +I +there are things you don't have research + +42 +00:01:29,640 --> 00:01:29,650 +there are things you don't have research + + +43 +00:01:29,650 --> 00:01:31,920 +there are things you don't have research +materials maybe even computer access I'd + +44 +00:01:31,920 --> 00:01:31,930 +materials maybe even computer access I'd + + +45 +00:01:31,930 --> 00:01:34,920 +materials maybe even computer access I'd +speak to the chief of staff oh yes dr. + +46 +00:01:34,920 --> 00:01:34,930 +speak to the chief of staff oh yes dr. + + +47 +00:01:34,930 --> 00:01:39,540 +speak to the chief of staff oh yes dr. +Chilton gruesome isn't a he fumbles that + +48 +00:01:39,540 --> 00:01:39,550 +Chilton gruesome isn't a he fumbles that + + +49 +00:01:39,550 --> 00:01:41,100 +Chilton gruesome isn't a he fumbles that +you had like a freshman pulling at a + +50 +00:01:41,100 --> 00:01:41,110 +you had like a freshman pulling at a + + +51 +00:01:41,110 --> 00:01:46,020 +you had like a freshman pulling at a +panty girdle if you recall well our last + +52 +00:01:46,020 --> 00:01:46,030 +panty girdle if you recall well our last + + +53 +00:01:46,030 --> 00:01:51,450 +panty girdle if you recall well our last +collaboration ended rather messily he + +54 +00:01:51,450 --> 00:01:51,460 +collaboration ended rather messily he + + +55 +00:01:51,460 --> 00:01:54,330 +collaboration ended rather messily he +gets through the file on this case and + +56 +00:01:54,330 --> 00:01:54,340 +gets through the file on this case and + + +57 +00:01:54,340 --> 00:01:57,980 +gets through the file on this case and +there's another reason I'm all year + +58 +00:01:57,980 --> 00:01:57,990 +there's another reason I'm all year + + +59 +00:01:57,990 --> 00:02:00,190 +there's another reason I'm all year +I thought you might enjoy the challenge + +60 +00:02:00,190 --> 00:02:00,200 +I thought you might enjoy the challenge + + +61 +00:02:00,200 --> 00:02:02,030 +I thought you might enjoy the challenge +find out if you're smarter than the + +62 +00:02:02,030 --> 00:02:02,040 +find out if you're smarter than the + + +63 +00:02:02,040 --> 00:02:10,440 +find out if you're smarter than the +person I'm looking for + +64 +00:02:10,440 --> 00:02:10,450 + + + +65 +00:02:10,450 --> 00:02:13,000 + +then by implication you think you're + +66 +00:02:13,000 --> 00:02:13,010 +then by implication you think you're + + +67 +00:02:13,010 --> 00:02:16,089 +then by implication you think you're +smarter than I am since it was you will + +68 +00:02:16,089 --> 00:02:16,099 +smarter than I am since it was you will + + +69 +00:02:16,099 --> 00:02:18,489 +smarter than I am since it was you will +call it me no I know I'm not smarter + +70 +00:02:18,489 --> 00:02:18,499 +call it me no I know I'm not smarter + + +71 +00:02:18,499 --> 00:02:21,489 +call it me no I know I'm not smarter +than you then how did you catch me you + +72 +00:02:21,489 --> 00:02:21,499 +than you then how did you catch me you + + +73 +00:02:21,499 --> 00:02:23,830 +than you then how did you catch me you +had disadvantages + +74 +00:02:23,830 --> 00:02:23,840 +had disadvantages + + +75 +00:02:23,840 --> 00:02:32,470 +had disadvantages +what disadvantages you're insane + +76 +00:02:32,470 --> 00:02:32,480 + + + +77 +00:02:32,480 --> 00:02:36,400 + +you're very tanned will your hands are + +78 +00:02:36,400 --> 00:02:36,410 +you're very tanned will your hands are + + +79 +00:02:36,410 --> 00:02:38,979 +you're very tanned will your hands are +so rough not like a cop's hands anymore + +80 +00:02:38,979 --> 00:02:38,989 +so rough not like a cop's hands anymore + + +81 +00:02:38,989 --> 00:02:40,930 +so rough not like a cop's hands anymore +and that shaving lotion is something a + +82 +00:02:40,930 --> 00:02:40,940 +and that shaving lotion is something a + + +83 +00:02:40,940 --> 00:02:43,449 +and that shaving lotion is something a +child would select has a little ship on + +84 +00:02:43,449 --> 00:02:43,459 +child would select has a little ship on + + +85 +00:02:43,459 --> 00:02:45,540 +child would select has a little ship on +the bottle does it not + +86 +00:02:45,540 --> 00:02:45,550 +the bottle does it not + + +87 +00:02:45,550 --> 00:02:49,320 +the bottle does it not +and how is young Josh and the lovely my + +88 +00:02:49,320 --> 00:02:49,330 +and how is young Josh and the lovely my + + +89 +00:02:49,330 --> 00:02:52,839 +and how is young Josh and the lovely my +there always in my thoughts you know you + +90 +00:02:52,839 --> 00:02:52,849 +there always in my thoughts you know you + + +91 +00:02:52,849 --> 00:02:54,670 +there always in my thoughts you know you +will not dismayed me with appeals to my + +92 +00:02:54,670 --> 00:02:54,680 +will not dismayed me with appeals to my + + +93 +00:02:54,680 --> 00:02:56,860 +will not dismayed me with appeals to my +intellectual vanity I don't think I'll + +94 +00:02:56,860 --> 00:02:56,870 +intellectual vanity I don't think I'll + + +95 +00:02:56,870 --> 00:02:58,420 +intellectual vanity I don't think I'll +persuade you at all your other do it or + +96 +00:02:58,420 --> 00:02:58,430 +persuade you at all your other do it or + + +97 +00:02:58,430 --> 00:03:02,949 +persuade you at all your other do it or +you want is that the case file yes with + +98 +00:03:02,949 --> 00:03:02,959 +you want is that the case file yes with + + +99 +00:03:02,959 --> 00:03:05,080 +you want is that the case file yes with +photos let me keep them and I might + +100 +00:03:05,080 --> 00:03:05,090 +photos let me keep them and I might + + +101 +00:03:05,090 --> 00:03:11,880 +photos let me keep them and I might +consider it No do you dream much well + +102 +00:03:11,880 --> 00:03:11,890 +consider it No do you dream much well + + +103 +00:03:11,890 --> 00:03:14,770 +consider it No do you dream much well +goodbye dr. Lecter you haven't + +104 +00:03:14,770 --> 00:03:14,780 +goodbye dr. Lecter you haven't + + +105 +00:03:14,780 --> 00:03:16,979 +goodbye dr. Lecter you haven't +threatened to take away my books yet + +106 +00:03:16,979 --> 00:03:16,989 +threatened to take away my books yet + + +107 +00:03:16,989 --> 00:03:21,880 +threatened to take away my books yet +give me the file then and I'll tell you + +108 +00:03:21,880 --> 00:03:21,890 +give me the file then and I'll tell you + + +109 +00:03:21,890 --> 00:03:34,770 +give me the file then and I'll tell you +what I think I need one hour and privacy + +110 +00:03:34,770 --> 00:03:34,780 + + + +111 +00:03:34,780 --> 00:03:38,590 + +just like old times and well + +112 +00:03:38,590 --> 00:03:38,600 +just like old times and well + + +113 +00:03:38,600 --> 00:03:49,930 +just like old times and well +[Music] + diff --git a/2002/4jv8ZCoQyZE.description b/2002/4jv8ZCoQyZE.description new file mode 100644 index 0000000000000000000000000000000000000000..7b6e15d82368289b51283ce951b2ea584f728a9e --- /dev/null +++ b/2002/4jv8ZCoQyZE.description @@ -0,0 +1,38 @@ +Confessions of a Dangerous Mind movie clips: http://j.mp/1CNfB7s +BUY THE MOVIE: http://amzn.to/rIkFap +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +A naked Chuck (Sam Rockwell) stands by the refrigerator looking for a late-night snack, and meets the charming and vibrant roommate named Penny (Drew Barrymore). The two hit it off immediately. + +FILM DESCRIPTION: +Chuck Barris is best known to most Americans as the guy who used to host The Gong Show. He was also the creator and producer of The Dating Game, The Newlywed Game, and a handful of other successful game shows in the 1960s and 1970s. But was he also a hired killer working with the CIA? That's the take-it-or-leave-it premise of Confessions of a Dangerous Mind, based on the memoir of the same name by Chuck Barris. Barris (Sam Rockwell) grows up dreaming of success in show biz and winning the hearts of beautiful women, but early on, he meets with plenty of resistance from both women and the television industry, despite writing the hit tune "Palisades Park" and scoring a job with Dick Clark on American Bandstand. The 1960s proves more fortunate for Barris; he meets the love of his life, Penny (Drew Barrymore), and sells ABC on the idea of The Dating Game. However, after the show has made him wealthy and successful, Barris is approached by the mysterious Jim Byrd (George Clooney), a CIA agent who wants to recruit Barris as a covert operative. Barris finds the notion of playing spy games intriguing and agrees, but soon discovers what Byrd and his partners really want is for Barris to assassinate uncooperative figures around the world. Soon, Barris finds that his life has been all but taken over by Byrd and another CIA agent, the mysterious and sexy Patricia (Julia Roberts). As he hops the globe, killing people in the name of American security (using his status as a Dating Game chaperone as a cover), Barris learns that the KGB has discovered his not-so-little secret and that his own life is in great danger. Confessions of a Dangerous Mind marked the directorial debut of actor George Clooney, working from a screenplay adapted by Charlie Kaufman from Barris' book. Dick Clark, Dating Game host Jim Lange, frequent Gong Show panelist Jaye P. Morgan, and Gene Gene Patton appear as themselves. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Sam Rockwell, Drew Barrymore +Director: George Clooney +Producers: Amy Minda Cohen, Stephen Evans, Jonathan Gordon, Gym Hinderer, Andrew Lazar, Rand Ravich, Far Shariat, Steven Soderbergh, Jeffrey Sudzin, Bob Weinstein, Harvey Weinstein +Screenwriters: Chuck Barris, Charlie Kaufman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/4jv8ZCoQyZE.en.srt b/2002/4jv8ZCoQyZE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..184d7edd1c7937944b0a29a1be42e6d8dd0af5cc --- /dev/null +++ b/2002/4jv8ZCoQyZE.en.srt @@ -0,0 +1,415 @@ +1 +00:00:08,200 --> 00:00:12,150 + +hello + +2 +00:00:12,150 --> 00:00:12,160 + + + +3 +00:00:12,160 --> 00:00:15,790 + +hi uh don't be alarmed I'm here with + +4 +00:00:15,790 --> 00:00:15,800 +hi uh don't be alarmed I'm here with + + +5 +00:00:15,800 --> 00:00:21,390 +hi uh don't be alarmed I'm here with +Debbie yeah I figured that hungry um no + +6 +00:00:21,390 --> 00:00:21,400 +Debbie yeah I figured that hungry um no + + +7 +00:00:21,400 --> 00:00:23,150 +Debbie yeah I figured that hungry um no +thanks + +8 +00:00:23,150 --> 00:00:23,160 +thanks + + +9 +00:00:23,160 --> 00:00:28,950 +thanks +thirsty sure if you have a + +10 +00:00:28,950 --> 00:00:28,960 + + + +11 +00:00:28,960 --> 00:00:34,470 + +beer + +12 +00:00:34,470 --> 00:00:34,480 + + + +13 +00:00:34,480 --> 00:00:36,110 + +so how was sex with Debbie I always + +14 +00:00:36,110 --> 00:00:36,120 +so how was sex with Debbie I always + + +15 +00:00:36,120 --> 00:00:39,670 +so how was sex with Debbie I always +wanted to know it was good fine thanks + +16 +00:00:39,670 --> 00:00:39,680 +wanted to know it was good fine thanks + + +17 +00:00:39,680 --> 00:00:42,190 +wanted to know it was good fine thanks +for asking no + +18 +00:00:42,190 --> 00:00:42,200 +for asking no + + +19 +00:00:42,200 --> 00:00:44,190 +for asking no +problem I just got by this + +20 +00:00:44,190 --> 00:00:44,200 +problem I just got by this + + +21 +00:00:44,200 --> 00:00:47,229 +problem I just got by this +drummer cat a real righteous sneaker + +22 +00:00:47,229 --> 00:00:47,239 +drummer cat a real righteous sneaker + + +23 +00:00:47,239 --> 00:00:49,549 +drummer cat a real righteous sneaker +hipster inter thing I'm into the + +24 +00:00:49,549 --> 00:00:49,559 +hipster inter thing I'm into the + + +25 +00:00:49,559 --> 00:00:51,869 +hipster inter thing I'm into the +Brotherhood of Man I in oriento + +26 +00:00:51,869 --> 00:00:51,879 +Brotherhood of Man I in oriento + + +27 +00:00:51,879 --> 00:00:56,189 +Brotherhood of Man I in oriento +last week what are you je oh I had one + +28 +00:00:56,189 --> 00:00:56,199 +last week what are you je oh I had one + + +29 +00:00:56,199 --> 00:00:58,709 +last week what are you je oh I had one +of those ones but he was seph you look + +30 +00:00:58,709 --> 00:00:58,719 +of those ones but he was seph you look + + +31 +00:00:58,719 --> 00:01:00,470 +of those ones but he was seph you look +Ash Kazi + +32 +00:01:00,470 --> 00:01:00,480 +Ash Kazi + + +33 +00:01:00,480 --> 00:01:02,750 +Ash Kazi +ashkanazi right + +34 +00:01:02,750 --> 00:01:02,760 +ashkanazi right + + +35 +00:01:02,760 --> 00:01:06,149 +ashkanazi right +ashkanazi I haven't had one of those yet + +36 +00:01:06,149 --> 00:01:06,159 +ashkanazi I haven't had one of those yet + + +37 +00:01:06,159 --> 00:01:07,109 +ashkanazi I haven't had one of those yet +you're + +38 +00:01:07,109 --> 00:01:07,119 +you're + + +39 +00:01:07,119 --> 00:01:09,310 +you're +romantic I just don't get into all the + +40 +00:01:09,310 --> 00:01:09,320 +romantic I just don't get into all the + + +41 +00:01:09,320 --> 00:01:11,670 +romantic I just don't get into all the + between cats and chicks I know + +42 +00:01:11,670 --> 00:01:11,680 +between cats and chicks I know + + +43 +00:01:11,680 --> 00:01:12,910 +between cats and chicks I know +what you mean you know what I mean I + +44 +00:01:12,910 --> 00:01:12,920 +what you mean you know what I mean I + + +45 +00:01:12,920 --> 00:01:14,270 +what you mean you know what I mean I +know what you mean besides you just give + +46 +00:01:14,270 --> 00:01:14,280 +know what you mean besides you just give + + +47 +00:01:14,280 --> 00:01:16,149 +know what you mean besides you just give +your heart to one cat and you know you + +48 +00:01:16,149 --> 00:01:16,159 +your heart to one cat and you know you + + +49 +00:01:16,159 --> 00:01:21,990 +your heart to one cat and you know you +get hurt don't I know + +50 +00:01:21,990 --> 00:01:22,000 + + + +51 +00:01:22,000 --> 00:01:28,910 + +it we could ball if you + +52 +00:01:28,910 --> 00:01:28,920 + + + +53 +00:01:28,920 --> 00:01:31,310 + +want + +54 +00:01:31,310 --> 00:01:31,320 +want + + +55 +00:01:31,320 --> 00:01:34,710 +want +that would be + +56 +00:01:34,710 --> 00:01:34,720 + + + +57 +00:01:34,720 --> 00:01:39,630 + +good oh God H was Debbie doesn't seem + +58 +00:01:39,630 --> 00:01:39,640 +good oh God H was Debbie doesn't seem + + +59 +00:01:39,640 --> 00:01:44,030 +good oh God H was Debbie doesn't seem +[Laughter] + +60 +00:01:44,030 --> 00:01:44,040 +[Laughter] + + +61 +00:01:44,040 --> 00:01:48,310 +[Laughter] +right that's true I didn't think of + +62 +00:01:48,310 --> 00:01:48,320 +right that's true I didn't think of + + +63 +00:01:48,320 --> 00:01:50,550 +right that's true I didn't think of +that oh I'm going to go to bed it was + +64 +00:01:50,550 --> 00:01:50,560 +that oh I'm going to go to bed it was + + +65 +00:01:50,560 --> 00:01:53,149 +that oh I'm going to go to bed it was +nice meeting you hey hey what what's + +66 +00:01:53,149 --> 00:01:53,159 +nice meeting you hey hey what what's + + +67 +00:01:53,159 --> 00:01:54,950 +nice meeting you hey hey what what's +what's your + +68 +00:01:54,950 --> 00:01:54,960 +what's your + + +69 +00:01:54,960 --> 00:01:57,230 +what's your +name I'm + +70 +00:01:57,230 --> 00:01:57,240 +name I'm + + +71 +00:01:57,240 --> 00:02:01,550 +name I'm +Kenny I'm chuck chuck Baris yeah yeah + +72 +00:02:01,550 --> 00:02:01,560 +Kenny I'm chuck chuck Baris yeah yeah + + +73 +00:02:01,560 --> 00:02:03,310 +Kenny I'm chuck chuck Baris yeah yeah +you wrote that Palisade song I really + +74 +00:02:03,310 --> 00:02:03,320 +you wrote that Palisade song I really + + +75 +00:02:03,320 --> 00:02:05,870 +you wrote that Palisade song I really +like that song Oh thanks yeah it's real + +76 +00:02:05,870 --> 00:02:05,880 +like that song Oh thanks yeah it's real + + +77 +00:02:05,880 --> 00:02:09,430 +like that song Oh thanks yeah it's real +sentimental oh + +78 +00:02:09,430 --> 00:02:09,440 +sentimental oh + + +79 +00:02:09,440 --> 00:02:28,830 +sentimental oh +[Music] + +80 +00:02:28,830 --> 00:02:28,840 + + + +81 +00:02:28,840 --> 00:02:37,630 + +right + +82 +00:02:37,630 --> 00:02:37,640 + + + +83 +00:02:37,640 --> 00:02:40,640 + +to + diff --git a/2002/4ot1Y-WYGCU.ar.srt b/2002/4ot1Y-WYGCU.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..633f37f6dbcceb0f4ffeeebc4ca15b6ce740d1f7 --- /dev/null +++ b/2002/4ot1Y-WYGCU.ar.srt @@ -0,0 +1,343 @@ +1 +00:00:00,560 --> 00:00:03,110 + +كانت هذه + +2 +00:00:03,110 --> 00:00:03,120 +كانت هذه + + +3 +00:00:03,120 --> 00:00:07,750 +كانت هذه +حياتي كل شيء جيد كان + +4 +00:00:07,750 --> 00:00:07,760 +حياتي كل شيء جيد كان + + +5 +00:00:07,760 --> 00:00:11,110 +حياتي كل شيء جيد كان +خدعة حتى أتيت + +6 +00:00:11,110 --> 00:00:11,120 +خدعة حتى أتيت + + +7 +00:00:11,120 --> 00:00:15,269 +خدعة حتى أتيت +أنت ومع ذلك أخشى أن آخذ + +8 +00:00:15,269 --> 00:00:15,279 +أنت ومع ذلك أخشى أن آخذ + + +9 +00:00:15,279 --> 00:00:17,310 +أنت ومع ذلك أخشى أن آخذ +يدك ماذا لو لم + +10 +00:00:17,310 --> 00:00:17,320 +يدك ماذا لو لم + + +11 +00:00:17,320 --> 00:00:20,630 +يدك ماذا لو لم +تستطع أو لن + +12 +00:00:20,630 --> 00:00:20,640 +تستطع أو لن + + +13 +00:00:20,640 --> 00:00:23,429 +تستطع أو لن +تنقذني يمكنني أن أتحمل سوء المعاملة من قبل + +14 +00:00:23,429 --> 00:00:23,439 +تنقذني يمكنني أن أتحمل سوء المعاملة من قبل + + +15 +00:00:23,439 --> 00:00:25,630 +تنقذني يمكنني أن أتحمل سوء المعاملة من قبل +الجشعين أو + +16 +00:00:25,630 --> 00:00:25,640 +الجشعين أو + + +17 +00:00:25,640 --> 00:00:28,630 +الجشعين أو +الأسبوع ولكن أن + +18 +00:00:28,630 --> 00:00:28,640 +الأسبوع ولكن أن + + +19 +00:00:28,640 --> 00:00:32,069 +الأسبوع ولكن أن +يخذلوني الملاك أنا لست + +20 +00:00:32,069 --> 00:00:32,079 +يخذلوني الملاك أنا لست + + +21 +00:00:32,079 --> 00:00:34,590 +يخذلوني الملاك أنا لست +ملاكًا أعيش بعيدًا عن هذا + +22 +00:00:34,590 --> 00:00:34,600 +ملاكًا أعيش بعيدًا عن هذا + + +23 +00:00:34,600 --> 00:00:37,350 +ملاكًا أعيش بعيدًا عن هذا +المنصب الرفيع مثل أي رجل مزاجي وحده نفاد صبري + +24 +00:00:37,350 --> 00:00:37,360 +المنصب الرفيع مثل أي رجل مزاجي وحده نفاد صبري + + +25 +00:00:37,360 --> 00:00:38,950 +المنصب الرفيع مثل أي رجل مزاجي وحده نفاد صبري + +26 +00:00:38,950 --> 00:00:38,960 + + + +27 +00:00:38,960 --> 00:00:41,229 + +حسنًا ربما لا يجب أن أسرد جميع + +28 +00:00:41,229 --> 00:00:41,239 +حسنًا ربما لا يجب أن أسرد جميع + + +29 +00:00:41,239 --> 00:00:43,029 +حسنًا ربما لا يجب أن أسرد جميع +أخطائي في حالة كنت + +30 +00:00:43,029 --> 00:00:43,039 +أخطائي في حالة كنت + + +31 +00:00:43,039 --> 00:00:46,189 +أخطائي في حالة كنت +مقنعًا للغاية أنت الشخص الذي كان + +32 +00:00:46,189 --> 00:00:46,199 +مقنعًا للغاية أنت الشخص الذي كان + + +33 +00:00:46,199 --> 00:00:47,940 +مقنعًا للغاية أنت الشخص الذي كان +قادرًا بشكل مثير للإعجاب و + +34 +00:00:47,940 --> 00:00:47,950 +قادرًا بشكل مثير للإعجاب و + + +35 +00:00:47,950 --> 00:00:55,790 +قادرًا بشكل مثير للإعجاب و +[موسيقى] + +36 +00:00:55,790 --> 00:00:55,800 + + + +37 +00:00:55,800 --> 00:01:00,869 + +قوي لقد سئمت من كوني قويًا + +38 +00:01:00,869 --> 00:01:00,879 +قوي لقد سئمت من كوني قويًا + + +39 +00:01:00,879 --> 00:01:05,189 +قوي لقد سئمت من كوني قويًا +كما أنا الضعف متعب لكن القوة + +40 +00:01:05,189 --> 00:01:05,199 +كما أنا الضعف متعب لكن القوة + + +41 +00:01:05,199 --> 00:01:08,910 +كما أنا الضعف متعب لكن القوة + +42 +00:01:08,910 --> 00:01:08,920 + + + +43 +00:01:08,920 --> 00:01:12,469 + +مرهقة كما ترى لا يمكنني إنقاذك + +44 +00:01:12,469 --> 00:01:12,479 +مرهقة كما ترى لا يمكنني إنقاذك + + +45 +00:01:12,479 --> 00:01:16,950 +مرهقة كما ترى لا يمكنني إنقاذك +لأنني بحاجة إلى الإنقاذ + +46 +00:01:16,950 --> 00:01:16,960 + + + +47 +00:01:16,960 --> 00:01:19,670 + +أيضًا ماذا + +48 +00:01:19,670 --> 00:01:19,680 +أيضًا ماذا + + +49 +00:01:19,680 --> 00:01:22,030 +أيضًا ماذا +تقترح فقط + +50 +00:01:22,030 --> 00:01:22,040 +تقترح فقط + + +51 +00:01:22,040 --> 00:01:24,830 +تقترح فقط +هذا أن ننقذ + +52 +00:01:24,830 --> 00:01:24,840 +هذا أن ننقذ + + +53 +00:01:24,840 --> 00:01:26,670 +هذا أن ننقذ +أنفسنا + +54 +00:01:26,670 --> 00:01:26,680 +أنفسنا + + +55 +00:01:26,680 --> 00:01:28,910 +أنفسنا +[موسيقى] + +56 +00:01:28,910 --> 00:01:28,920 +[موسيقى] + + +57 +00:01:28,920 --> 00:01:31,100 +[موسيقى] +معًا + +58 +00:01:31,100 --> 00:01:31,110 +معًا + + +59 +00:01:31,110 --> 00:01:40,550 +معًا +[موسيقى] + +60 +00:01:40,550 --> 00:01:40,560 + + + +61 +00:01:40,560 --> 00:01:42,950 + +نيكولاس من فضلك فكر في الآخرين + +62 +00:01:42,950 --> 00:01:42,960 +نيكولاس من فضلك فكر في الآخرين + + +63 +00:01:42,960 --> 00:01:44,990 +نيكولاس من فضلك فكر في الآخرين +قد + +64 +00:01:44,990 --> 00:01:45,000 +قد + + +65 +00:01:45,000 --> 00:01:58,830 +قد +يراهم الناس لا يهمني لا + +66 +00:01:58,830 --> 00:01:58,840 + + + +67 +00:01:58,840 --> 00:02:01,750 + +يهمني + +68 +00:02:01,750 --> 00:02:01,760 +يهمني + + +69 +00:02:01,760 --> 00:02:33,660 +يهمني +[موسيقى] + diff --git a/2002/4uaPFQxS6pU.description b/2002/4uaPFQxS6pU.description new file mode 100644 index 0000000000000000000000000000000000000000..e04102aec2a304f3829efb32df51484f4f92de12 --- /dev/null +++ b/2002/4uaPFQxS6pU.description @@ -0,0 +1,43 @@ +Phone Booth movie clips: http://j.mp/1Ip5Y3e +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/phone-booth-2003/1MV3081ed5e8f33a178fbff68d1571698e5?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1FwzVLl +Google Play - http://bit.ly/1JtIQSk +Amazon - http://amzn.to/1JoQKhz +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +When pressure mounts, Stu (Colin Farrell) decides to hang up the phone and surrender. + +FILM DESCRIPTION: +One man's life is thrown into turmoil by picking up a telephone in this claustrophobic thriller. Stu Shepard (Colin Farrell) is a brash, cynical, and self-centered public relations man who juggles a busy career with both a wife, Kelly (Radha Mitchell), and a mistress, Pamela (Katie Holmes). Stu steps into a phone booth on a busy New York street to make a call to Pamela without Kelly being the wiser, but as soon as Stu hangs up, the phone begins to ring. Curious, Stu picks it up -- and a stranger on the other end (voice of Kiefer Sutherland) informs him that if he hangs up the phone, he'll be shot. The red dot of an infrared rifle scope convinces Stu that the caller means business, and when another man tries to make his way into the booth, he's shot mere inches from Stu, calling the attention of the police. Captain Ramey (Forest Whitaker) naturally assumes that Stu was the killer, as Stu struggles to find a way to convince the police of what's happening before more lives are lost, without leaving the booth and putting his own life on the line. At one time proposed as a vehicle for Jim Carrey, Phone Booth was directed by Joel Schumacher, from a screenplay by exploitation icon Larry Cohen. + +CREDITS: +TM & © Fox (2002) +Courtesy of Twentieth Century Fox Film Corporation +Cast: Colin Farrell, Kiefer Sutherland, Forest Whitaker, Radha Mitchell +Director: Joel Schumacher +Producers: Ted Kurdyla, Gil Netter, Eli Richbourg, David Zucker +Screenwriter: Larry Cohen + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/4uaPFQxS6pU.en.srt b/2002/4uaPFQxS6pU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..db9f99288c33fbed5faeb58bc2d6006ffc87fe48 --- /dev/null +++ b/2002/4uaPFQxS6pU.en.srt @@ -0,0 +1,435 @@ +1 +00:00:00,280 --> 00:00:03,110 + +I've had enough of this game I + +2 +00:00:03,110 --> 00:00:03,120 +I've had enough of this game I + + +3 +00:00:03,120 --> 00:00:06,510 +I've had enough of this game I +haven't you said you let us go I changed + +4 +00:00:06,510 --> 00:00:06,520 +haven't you said you let us go I changed + + +5 +00:00:06,520 --> 00:00:08,470 +haven't you said you let us go I changed +my + +6 +00:00:08,470 --> 00:00:08,480 +my + + +7 +00:00:08,480 --> 00:00:11,589 +my +mind you miserable you can't do + +8 +00:00:11,589 --> 00:00:11,599 +mind you miserable you can't do + + +9 +00:00:11,599 --> 00:00:13,549 +mind you miserable you can't do +this you can't do this to me look I took + +10 +00:00:13,549 --> 00:00:13,559 +this you can't do this to me look I took + + +11 +00:00:13,559 --> 00:00:14,789 +this you can't do this to me look I took +all your I did everything you + +12 +00:00:14,789 --> 00:00:14,799 +all your I did everything you + + +13 +00:00:14,799 --> 00:00:17,349 +all your I did everything you + asked are you lied to me now I'm + +14 +00:00:17,349 --> 00:00:17,359 +asked are you lied to me now I'm + + +15 +00:00:17,359 --> 00:00:18,870 +asked are you lied to me now I'm +done with this game i' had + +16 +00:00:18,870 --> 00:00:18,880 +done with this game i' had + + +17 +00:00:18,880 --> 00:00:23,150 +done with this game i' had +enough you can go yourself + +18 +00:00:23,150 --> 00:00:23,160 + + + +19 +00:00:23,160 --> 00:00:25,710 + +later maybe there are gu Trac ear shoot + +20 +00:00:25,710 --> 00:00:25,720 +later maybe there are gu Trac ear shoot + + +21 +00:00:25,720 --> 00:00:28,950 +later maybe there are gu Trac ear shoot +ear + +22 +00:00:28,950 --> 00:00:28,960 + + + +23 +00:00:28,960 --> 00:00:31,470 + +shoot + +24 +00:00:31,470 --> 00:00:31,480 +shoot + + +25 +00:00:31,480 --> 00:00:34,590 +shoot +I'm giving myself out heads up I want to + +26 +00:00:34,590 --> 00:00:34,600 +I'm giving myself out heads up I want to + + +27 +00:00:34,600 --> 00:00:36,630 +I'm giving myself out heads up I want to +see you toss away your weapon thr the + +28 +00:00:36,630 --> 00:00:36,640 +see you toss away your weapon thr the + + +29 +00:00:36,640 --> 00:00:38,869 +see you toss away your weapon thr the +weapon outside the you stay where you + +30 +00:00:38,869 --> 00:00:38,879 +weapon outside the you stay where you + + +31 +00:00:38,879 --> 00:00:42,549 +weapon outside the you stay where you +are hey first Hur him please don't hurt + +32 +00:00:42,549 --> 00:00:42,559 +are hey first Hur him please don't hurt + + +33 +00:00:42,559 --> 00:00:44,790 +are hey first Hur him please don't hurt +there is no gun you stay right + +34 +00:00:44,790 --> 00:00:44,800 +there is no gun you stay right + + +35 +00:00:44,800 --> 00:00:47,189 +there is no gun you stay right +where you are I want you to turn around + +36 +00:00:47,189 --> 00:00:47,199 +where you are I want you to turn around + + +37 +00:00:47,199 --> 00:00:50,549 +where you are I want you to turn around +interlac your fingers behind your head + +38 +00:00:50,549 --> 00:00:50,559 +interlac your fingers behind your head + + +39 +00:00:50,559 --> 00:00:55,430 +interlac your fingers behind your head +okay please give him the + +40 +00:00:55,430 --> 00:00:55,440 +okay please give him the + + +41 +00:00:55,440 --> 00:00:57,590 +okay please give him the +gun get + +42 +00:00:57,590 --> 00:00:57,600 +gun get + + +43 +00:00:57,600 --> 00:01:01,820 +gun get +back hey up + +44 +00:01:01,820 --> 00:01:01,830 +back hey up + + +45 +00:01:01,830 --> 00:01:06,990 +back hey up +[Applause] + +46 +00:01:06,990 --> 00:01:07,000 + + + +47 +00:01:07,000 --> 00:01:13,510 + +I got answer free don't move hold your + +48 +00:01:13,510 --> 00:01:13,520 +I got answer free don't move hold your + + +49 +00:01:13,520 --> 00:01:16,350 +I got answer free don't move hold your +fire hold your + +50 +00:01:16,350 --> 00:01:16,360 +fire hold your + + +51 +00:01:16,360 --> 00:01:20,429 +fire hold your +fire hold your + +52 +00:01:20,429 --> 00:01:20,439 + + + +53 +00:01:20,439 --> 00:01:24,950 + +fire oh + +54 +00:01:24,950 --> 00:01:24,960 + + + +55 +00:01:24,960 --> 00:01:27,190 + +oh go + +56 +00:01:27,190 --> 00:01:27,200 +oh go + + +57 +00:01:27,200 --> 00:01:29,109 +oh go +ahead what the you doing he's + +58 +00:01:29,109 --> 00:01:29,119 +ahead what the you doing he's + + +59 +00:01:29,119 --> 00:01:31,670 +ahead what the you doing he's +coming out + +60 +00:01:31,670 --> 00:01:31,680 +coming out + + +61 +00:01:31,680 --> 00:01:36,910 +coming out +answer the + +62 +00:01:36,910 --> 00:01:36,920 + + + +63 +00:01:36,920 --> 00:01:39,830 + +phone coward hi + +64 +00:01:39,830 --> 00:01:39,840 +phone coward hi + + +65 +00:01:39,840 --> 00:01:43,350 +phone coward hi +Ste now you've had your little tantrum + +66 +00:01:43,350 --> 00:01:43,360 +Ste now you've had your little tantrum + + +67 +00:01:43,360 --> 00:01:45,149 +Ste now you've had your little tantrum +and you said some things in Anger that I + +68 +00:01:45,149 --> 00:01:45,159 +and you said some things in Anger that I + + +69 +00:01:45,159 --> 00:01:47,350 +and you said some things in Anger that I +am willing to + +70 +00:01:47,350 --> 00:01:47,360 +am willing to + + +71 +00:01:47,360 --> 00:01:49,550 +am willing to +forget get her back in the cup that's + +72 +00:01:49,550 --> 00:01:49,560 +forget get her back in the cup that's + + +73 +00:01:49,560 --> 00:01:50,910 +forget get her back in the cup that's +like he's not the per in the cup + +74 +00:01:50,910 --> 00:01:50,920 +like he's not the per in the cup + + +75 +00:01:50,920 --> 00:01:56,310 +like he's not the per in the cup +if he's not the shooter who the is + +76 +00:01:56,310 --> 00:01:56,320 + + + +77 +00:01:56,320 --> 00:01:58,830 + +huh Captain what the is up with the + +78 +00:01:58,830 --> 00:01:58,840 +huh Captain what the is up with the + + +79 +00:01:58,840 --> 00:02:02,029 +huh Captain what the is up with the +phone calls man so can we start over + +80 +00:02:02,029 --> 00:02:02,039 +phone calls man so can we start over + + +81 +00:02:02,039 --> 00:02:03,590 +phone calls man so can we start over +well you can't know the pain of betrayal + +82 +00:02:03,590 --> 00:02:03,600 +well you can't know the pain of betrayal + + +83 +00:02:03,600 --> 00:02:07,140 +well you can't know the pain of betrayal +until you've been + +84 +00:02:07,140 --> 00:02:07,150 + + + +85 +00:02:07,150 --> 00:02:28,830 + +[Music] + +86 +00:02:28,830 --> 00:02:28,840 + + + +87 +00:02:28,840 --> 00:02:31,840 + +betrayed + diff --git a/2002/4weEXyoXZKs.description b/2002/4weEXyoXZKs.description new file mode 100644 index 0000000000000000000000000000000000000000..29bfe448754cbe36c5b7e5cb62915fb0a52f0bb1 --- /dev/null +++ b/2002/4weEXyoXZKs.description @@ -0,0 +1,38 @@ +Equilibrium movie clips: http://j.mp/15vK7ZI +BUY THE MOVIE: http://amzn.to/s3QBpS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Faced with the realization that he has been tricked into destroying the resistance, Preston (Christian Bale) summons all his strength to fight back. + +FILM DESCRIPTION: +A man who dares to feel finds his life in danger in this cautionary science fiction drama. In the future, after a Third World War has decimated much of the Earth's population, a new nation known as Libria rises up under the unquestioned leadership of Dupont (Angus MacFadyen). Believing human emotions and their expression were to blame for the failings of past societies, The Father has decreed that all citizens must take a daily dose of Prozia II, a drug which levels out the emotional landscape, and that all forms of creative expression are against the law; violating either regulation can be punished by death. John Preston (Christian Bale) is a Grammaton, an elite law enforcement officer who tracks down and punishes "sense offenders." One day, Preston accidentally fails to take his Prozia II, and for the first time begins experiencing emotions himself. Preston becomes aware of an underground of rebels who refuse to take their medication and have embraced art and literature, and he finds himself becoming infatuated with one of their number, Mary O'Brian (Emily Watson). Equilibrium is the second feature-length directorial effort from Kurt Wimmer, whose screenwriting credits include The Thomas Crown Affair and Sphere. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Christian Bale, Angus Macfadyen +Director: Kurt Wimmer +Producers: Sue Baden-Powell, Jan de Bont, Lucas Foster, Andrew Rona, Ninon Tantet, Bob Weinstein, Harvey Weinstein +Screenwriter: Kurt Wimmer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/56djkHojg2g.en.srt b/2002/56djkHojg2g.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..42a03b0bfca0d285cf061158aa0808b3453da9cc --- /dev/null +++ b/2002/56djkHojg2g.en.srt @@ -0,0 +1,135 @@ +1 +00:00:08,880 --> 00:00:18,870 + +what + +2 +00:00:18,870 --> 00:00:18,880 + + + +3 +00:00:18,880 --> 00:00:28,950 + +[Music] + +4 +00:00:28,950 --> 00:00:28,960 + + + +5 +00:00:28,960 --> 00:00:31,260 + +the + +6 +00:00:31,260 --> 00:00:31,270 +the + + +7 +00:00:31,270 --> 00:00:42,069 +the +[Music] + +8 +00:00:42,069 --> 00:00:42,079 +[Music] + + +9 +00:00:42,079 --> 00:00:47,420 +[Music] +where is + +10 +00:00:47,420 --> 00:00:47,430 + + + +11 +00:00:47,430 --> 00:00:56,640 + +[Music] + +12 +00:00:56,640 --> 00:00:56,650 + + + +13 +00:00:56,650 --> 00:00:58,910 + +[Music] + +14 +00:00:58,910 --> 00:00:58,920 +[Music] + + +15 +00:00:58,920 --> 00:01:00,970 +[Music] +he + +16 +00:01:00,970 --> 00:01:00,980 +he + + +17 +00:01:00,980 --> 00:01:28,830 +he +[Music] + +18 +00:01:28,830 --> 00:01:28,840 + + + +19 +00:01:28,840 --> 00:01:30,700 + +the + +20 +00:01:30,700 --> 00:01:30,710 +the + + +21 +00:01:30,710 --> 00:01:45,530 +the +[Music] + +22 +00:01:45,530 --> 00:01:45,540 + + + +23 +00:01:45,540 --> 00:01:58,830 + +[Music] + +24 +00:01:58,830 --> 00:01:58,840 + + + +25 +00:01:58,840 --> 00:02:02,510 + +yes + +26 +00:02:02,510 --> 00:02:02,520 + + + +27 +00:02:02,520 --> 00:02:26,699 + +[Music] + diff --git a/2002/574oBJ7SR_8.en.srt b/2002/574oBJ7SR_8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a9cc70ad9df932ae308d6b56974ad0c41954981f --- /dev/null +++ b/2002/574oBJ7SR_8.en.srt @@ -0,0 +1,545 @@ +1 +00:00:00,080 --> 00:00:03,030 + +i get loopy from standing breathing this + +2 +00:00:03,030 --> 00:00:03,040 +i get loopy from standing breathing this + + +3 +00:00:03,040 --> 00:00:04,710 +i get loopy from standing breathing this +human + +4 +00:00:04,710 --> 00:00:04,720 +human + + +5 +00:00:04,720 --> 00:00:06,869 +human +you know what this is all right that's + +6 +00:00:06,869 --> 00:00:06,879 +you know what this is all right that's + + +7 +00:00:06,879 --> 00:00:08,230 +you know what this is all right that's +the nastiest place + +8 +00:00:08,230 --> 00:00:08,240 +the nastiest place + + +9 +00:00:08,240 --> 00:00:12,390 +the nastiest place +in all of hungary are you feeling low + +10 +00:00:12,390 --> 00:00:12,400 +in all of hungary are you feeling low + + +11 +00:00:12,400 --> 00:00:24,230 +in all of hungary are you feeling low +lupus kind of dizzy + +12 +00:00:24,230 --> 00:00:24,240 + + + +13 +00:00:24,240 --> 00:00:26,390 + +no offense but i ain't one of those guys + +14 +00:00:26,390 --> 00:00:26,400 +no offense but i ain't one of those guys + + +15 +00:00:26,400 --> 00:00:27,589 +no offense but i ain't one of those guys +that you know + +16 +00:00:27,589 --> 00:00:27,599 +that you know + + +17 +00:00:27,599 --> 00:00:29,029 +that you know +you know stop pulling his heart out and + +18 +00:00:29,029 --> 00:00:29,039 +you know stop pulling his heart out and + + +19 +00:00:29,039 --> 00:00:31,109 +you know stop pulling his heart out and +get real personal with another guy so + +20 +00:00:31,109 --> 00:00:31,119 +get real personal with another guy so + + +21 +00:00:31,119 --> 00:00:34,470 +get real personal with another guy so +save it for somebody else + +22 +00:00:34,470 --> 00:00:34,480 + + + +23 +00:00:34,480 --> 00:00:37,670 + +my grandmother raised me i'm grandmother + +24 +00:00:37,670 --> 00:00:37,680 +my grandmother raised me i'm grandmother + + +25 +00:00:37,680 --> 00:00:39,510 +my grandmother raised me i'm grandmother +i don't care oh yeah she's the one that + +26 +00:00:39,510 --> 00:00:39,520 +i don't care oh yeah she's the one that + + +27 +00:00:39,520 --> 00:00:41,510 +i don't care oh yeah she's the one that +you know put the time in you know + +28 +00:00:41,510 --> 00:00:41,520 +you know put the time in you know + + +29 +00:00:41,520 --> 00:00:48,950 +you know put the time in you know +day to day you know + +30 +00:00:48,950 --> 00:00:48,960 + + + +31 +00:00:48,960 --> 00:00:52,470 + +oh the angel + +32 +00:00:52,470 --> 00:00:52,480 +oh the angel + + +33 +00:00:52,480 --> 00:00:54,069 +oh the angel +my grandmother the first person to ever + +34 +00:00:54,069 --> 00:00:54,079 +my grandmother the first person to ever + + +35 +00:00:54,079 --> 00:00:56,709 +my grandmother the first person to ever +punch me in the face + +36 +00:00:56,709 --> 00:00:56,719 +punch me in the face + + +37 +00:00:56,719 --> 00:00:58,630 +punch me in the face +hardship no jab you know just let me + +38 +00:00:58,630 --> 00:00:58,640 +hardship no jab you know just let me + + +39 +00:00:58,640 --> 00:01:00,549 +hardship no jab you know just let me +know she was serious + +40 +00:01:00,549 --> 00:01:00,559 +know she was serious + + +41 +00:01:00,559 --> 00:01:02,389 +know she was serious +parents don't take the time anymore + +42 +00:01:02,389 --> 00:01:02,399 +parents don't take the time anymore + + +43 +00:01:02,399 --> 00:01:04,630 +parents don't take the time anymore +that's love you know i mean + +44 +00:01:04,630 --> 00:01:04,640 +that's love you know i mean + + +45 +00:01:04,640 --> 00:01:06,630 +that's love you know i mean +you got to love somebody baby the + +46 +00:01:06,630 --> 00:01:06,640 +you got to love somebody baby the + + +47 +00:01:06,640 --> 00:01:07,830 +you got to love somebody baby the +punching baby in the face + +48 +00:01:07,830 --> 00:01:07,840 +punching baby in the face + + +49 +00:01:07,840 --> 00:01:10,390 +punching baby in the face +kelly robinson is just a scared little + +50 +00:01:10,390 --> 00:01:10,400 +kelly robinson is just a scared little + + +51 +00:01:10,400 --> 00:01:12,390 +kelly robinson is just a scared little +boy that's all this is a scared little + +52 +00:01:12,390 --> 00:01:12,400 +boy that's all this is a scared little + + +53 +00:01:12,400 --> 00:01:14,630 +boy that's all this is a scared little +boy he's going to keep digging + +54 +00:01:14,630 --> 00:01:14,640 +boy he's going to keep digging + + +55 +00:01:14,640 --> 00:01:16,469 +boy he's going to keep digging +i mean i put all this shoulder inside + +56 +00:01:16,469 --> 00:01:16,479 +i mean i put all this shoulder inside + + +57 +00:01:16,479 --> 00:01:24,950 +i mean i put all this shoulder inside +man lots of time i'll be crying + +58 +00:01:24,950 --> 00:01:24,960 + + + +59 +00:01:24,960 --> 00:01:28,070 + +you ready for a bomb tell me + +60 +00:01:28,070 --> 00:01:28,080 +you ready for a bomb tell me + + +61 +00:01:28,080 --> 00:01:30,710 +you ready for a bomb tell me +you and i are basically the same guy + +62 +00:01:30,710 --> 00:01:30,720 +you and i are basically the same guy + + +63 +00:01:30,720 --> 00:01:31,429 +you and i are basically the same guy +take away + +64 +00:01:31,429 --> 00:01:31,439 +take away + + +65 +00:01:31,439 --> 00:01:33,350 +take away +take away the box and take away the + +66 +00:01:33,350 --> 00:01:33,360 +take away the box and take away the + + +67 +00:01:33,360 --> 00:01:35,670 +take away the box and take away the +money take away my money + +68 +00:01:35,670 --> 00:01:35,680 +money take away my money + + +69 +00:01:35,680 --> 00:01:41,350 +money take away my money +it's a metaphor take away all your women + +70 +00:01:41,350 --> 00:01:41,360 +it's a metaphor take away all your women + + +71 +00:01:41,360 --> 00:01:46,389 +it's a metaphor take away all your women +take away all the trappings of success + +72 +00:01:46,389 --> 00:01:46,399 +take away all the trappings of success + + +73 +00:01:46,399 --> 00:01:49,830 +take away all the trappings of success +and you and i are the same guy yeah + +74 +00:01:49,830 --> 00:01:49,840 +and you and i are the same guy yeah + + +75 +00:01:49,840 --> 00:01:53,030 +and you and i are the same guy yeah +yeah i know i know i'm you no + +76 +00:01:53,030 --> 00:01:53,040 +yeah i know i know i'm you no + + +77 +00:01:53,040 --> 00:01:56,230 +yeah i know i know i'm you no +i'm you yeah that's what i mean + +78 +00:01:56,230 --> 00:01:56,240 +i'm you yeah that's what i mean + + +79 +00:01:56,240 --> 00:01:59,620 +i'm you yeah that's what i mean +we're twins + +80 +00:01:59,620 --> 00:01:59,630 + + + +81 +00:01:59,630 --> 00:02:02,149 + +[Music] + +82 +00:02:02,149 --> 00:02:02,159 +[Music] + + +83 +00:02:02,159 --> 00:02:04,950 +[Music] +oh i've had a crush on rachel for years + +84 +00:02:04,950 --> 00:02:04,960 +oh i've had a crush on rachel for years + + +85 +00:02:04,960 --> 00:02:20,630 +oh i've had a crush on rachel for years +i just love her + +86 +00:02:20,630 --> 00:02:20,640 + + + +87 +00:02:20,640 --> 00:02:22,390 + +can you see how it is when i'm trying to + +88 +00:02:22,390 --> 00:02:22,400 +can you see how it is when i'm trying to + + +89 +00:02:22,400 --> 00:02:24,070 +can you see how it is when i'm trying to +talk + +90 +00:02:24,070 --> 00:02:24,080 +talk + + +91 +00:02:24,080 --> 00:02:27,830 +talk +over myself over there be honest with me + +92 +00:02:27,830 --> 00:02:27,840 +over myself over there be honest with me + + +93 +00:02:27,840 --> 00:02:30,150 +over myself over there be honest with me +we're in the sewer hey + +94 +00:02:30,150 --> 00:02:30,160 +we're in the sewer hey + + +95 +00:02:30,160 --> 00:02:32,150 +we're in the sewer hey +i'm as well i don't have in that i don't + +96 +00:02:32,150 --> 00:02:32,160 +i'm as well i don't have in that i don't + + +97 +00:02:32,160 --> 00:02:34,309 +i'm as well i don't have in that i don't +have the sapphire fair that devilish + +98 +00:02:34,309 --> 00:02:34,319 +have the sapphire fair that devilish + + +99 +00:02:34,319 --> 00:02:43,589 +have the sapphire fair that devilish +charm i've seen + +100 +00:02:43,589 --> 00:02:43,599 + + + +101 +00:02:43,599 --> 00:02:55,110 + +you just have to unleash it + +102 +00:02:55,110 --> 00:02:55,120 + + + +103 +00:02:55,120 --> 00:02:56,949 + +you know if you forget that this is a + +104 +00:02:56,949 --> 00:02:56,959 +you know if you forget that this is a + + +105 +00:02:56,959 --> 00:03:05,630 +you know if you forget that this is a +sword it's kind of a beautiful place + +106 +00:03:05,630 --> 00:03:05,640 +sword it's kind of a beautiful place + + +107 +00:03:05,640 --> 00:03:09,830 +sword it's kind of a beautiful place +[Music] + +108 +00:03:09,830 --> 00:03:09,840 +[Music] + + +109 +00:03:09,840 --> 00:03:11,920 +[Music] +you + diff --git a/2002/58BDrZH7SX8.en.srt b/2002/58BDrZH7SX8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..ae317cd20ff1cc0ffebdeb4a33a54a142eb14c49 --- /dev/null +++ b/2002/58BDrZH7SX8.en.srt @@ -0,0 +1,622 @@ +1 +00:00:00,880 --> 00:00:02,709 + +[Music] + +2 +00:00:02,709 --> 00:00:02,719 +[Music] + + +3 +00:00:02,719 --> 00:00:13,880 +[Music] +for uned states boys and to [Music] + +4 +00:00:13,880 --> 00:00:13,890 + + + +5 +00:00:13,890 --> 00:00:15,670 + + +6 +00:00:15,670 --> 00:00:15,680 + + + +7 +00:00:15,680 --> 00:00:19,790 + +get new would have to beared again so + +8 +00:00:19,790 --> 00:00:19,800 +get new would have to beared again so + + +9 +00:00:19,800 --> 00:00:22,310 +get new would have to beared again so +relaxed i feel so muchfer as soon as + +10 +00:00:22,310 --> 00:00:22,320 +relaxed i feel so muchfer as soon as + + +11 +00:00:22,320 --> 00:00:28,950 +relaxed i feel so muchfer as soon as +they arriv they gre by saves no + +12 +00:00:28,950 --> 00:00:28,960 + + + +13 +00:00:28,960 --> 00:00:31,349 + + +14 +00:00:31,349 --> 00:00:31,359 + + + +15 +00:00:31,359 --> 00:00:34,549 + +instead fr other they + +16 +00:00:34,549 --> 00:00:34,559 +instead fr other they + + +17 +00:00:34,559 --> 00:00:38,990 +instead fr other they +burnes in 1775 they started killing + +18 +00:00:38,990 --> 00:00:39,000 +burnes in 1775 they started killing + + +19 +00:00:39,000 --> 00:00:40,630 +burnes in 1775 they started killing +the british so they could be free + +20 +00:00:40,630 --> 00:00:40,640 +the british so they could be free + + +21 +00:00:40,640 --> 00:00:43,229 +the british so they could be free +and it worked but they still didn't + +22 +00:00:43,229 --> 00:00:43,239 +and it worked but they still didn't + + +23 +00:00:43,239 --> 00:00:44,950 +and it worked but they still didn't +feel safe so they passed a second + +24 +00:00:44,950 --> 00:00:44,960 +feel safe so they passed a second + + +25 +00:00:44,960 --> 00:00:46,630 +feel safe so they passed a second +amendment which said every man could keep his + +26 +00:00:46,630 --> 00:00:46,640 +amendment which said every man could keep his + + +27 +00:00:46,640 --> 00:00:49,549 +amendment which said every man could keep his +gun i loves my gun loves my gun + +28 +00:00:49,549 --> 00:00:49,559 +gun i loves my gun loves my gun + + +29 +00:00:49,559 --> 00:00:52,470 +gun i loves my gun loves my gun +brings us to the geni idea of ​​slavery + +30 +00:00:52,470 --> 00:00:52,480 +brings us to the geni idea of ​​slavery + + +31 +00:00:52,480 --> 00:00:53,869 +brings us to the geni idea of ​​slavery +you see boys and girls the white people + +32 +00:00:53,869 --> 00:00:53,879 +you see boys and girls the white people + + +33 +00:00:53,879 --> 00:00:56,270 +you see boys and girls the white people +back were afra of doing any work so they + +34 +00:00:56,270 --> 00:00:56,280 +back were afra of doing any work so they + + +35 +00:00:56,280 --> 00:00:58,029 +back were afra of doing any work so they +went to afca kidna thousands of black + +36 +00:00:58,029 --> 00:00:58,039 +went to afca kidna thousands of black + + +37 +00:00:58,039 --> 00:01:03,670 +went to afca kidna thousands of black +people them back to america and for + +38 +00:01:03,670 --> 00:01:03,680 + + + +39 +00:01:03,680 --> 00:01:07,030 + +workoneoney + +40 +00:01:07,030 --> 00:01:07,040 + + + +41 +00:01:07,040 --> 00:01:09,070 + +makeoneyan doing it that way made the + +42 +00:01:09,070 --> 00:01:09,080 +makeoneyan doing it that way made the + + +43 +00:01:09,080 --> 00:01:12,270 +makeoneyan doing it that way made the +usa the richest country in the world so + +44 +00:01:12,270 --> 00:01:12,280 +usa the richest country in the world so + + +45 +00:01:12,280 --> 00:01:14,149 +usa the richest country in the world so +having all that money and free help calm + +46 +00:01:14,149 --> 00:01:14,159 +having all that money and free help calm + + +47 +00:01:14,159 --> 00:01:16,510 +having all that money and free help calm +people down no way they got even more + +48 +00:01:16,510 --> 00:01:16,520 +people down no way they got even more + + +49 +00:01:16,520 --> 00:01:18,550 +people down no way they got even more +afraid that's because after 200 years of + +50 +00:01:18,550 --> 00:01:18,560 +afraid that's because after 200 years of + + +51 +00:01:18,560 --> 00:01:20,310 +afraid that's because after 200 years of +slavery the black people now outnumed + +52 +00:01:20,310 --> 00:01:20,320 +slavery the black people now outnumed + + +53 +00:01:20,320 --> 00:01:21,510 +slavery the black people now outnumed +the white people in many parts of the + +54 +00:01:21,510 --> 00:01:21,520 +the white people in many parts of the + + +55 +00:01:21,520 --> 00:01:23,109 +the white people in many parts of the +south well you can pretty much guess + +56 +00:01:23,109 --> 00:01:23,119 +south well you can pretty much guess + + +57 +00:01:23,119 --> 00:01:26,870 +south well you can pretty much guess +what came next + +58 +00:01:26,870 --> 00:01:26,880 + + + +59 +00:01:26,880 --> 00:01:38,749 + +sledell and people heard they + +60 +00:01:38,749 --> 00:01:38,759 + + + +61 +00:01:38,759 --> 00:01:41,190 + +we ever that could over and + +62 +00:01:41,190 --> 00:01:41,200 +we ever that could over and + + +63 +00:01:41,200 --> 00:01:44,230 +we ever that could over and +overad + +64 +00:01:44,230 --> 00:01:44,240 + + + +65 +00:01:44,240 --> 00:01:47,789 + +and was to l soon won the civil war the + +66 +00:01:47,789 --> 00:01:47,799 +and was to l soon won the civil war the + + +67 +00:01:47,799 --> 00:01:50,709 +and was to l soon won the civil war the +slavesed they were free now to go all + +68 +00:01:50,709 --> 00:01:50,719 +slavesed they were free now to go all + + +69 +00:01:50,719 --> 00:01:54,860 +slavesed they were free now to go all +the andbody was [Music + +70 +00:01:54,860 --> 00:01:54,870 + + + +71 +00:01:54,870 --> 00:01:58,830 + +] + +72 +00:01:58,830 --> 00:01:58,840 +] + + +73 +00:01:58,840 --> 00:02:06,830 +] +like + +74 +00:02:06,830 --> 00:02:06,840 + + + +75 +00:02:06,840 --> 00:02:08,790 + +ce + +76 +00:02:08,790 --> 00:02:08,800 +ce + + +77 +00:02:08,800 --> 00:02:12,750 +ce +terg group wased naal r + +78 +00:02:12,750 --> 00:02:12,760 +terg group wased naal r + + +79 +00:02:12,760 --> 00:02:16,589 +terg group wased naal r +assansed one the gun la for any black + +80 +00:02:16,589 --> 00:02:16,599 +assansed one the gun la for any black + + +81 +00:02:16,599 --> 00:02:18,949 +assansed one the gun la for any black +person to own one it was a great year + +82 +00:02:18,949 --> 00:02:18,959 +person to own one it was a great year + + +83 +00:02:18,959 --> 00:02:21,790 +person to own one it was a great year +for america the kkk and the nra of + +84 +00:02:21,790 --> 00:02:21,800 +for america the kkk and the nra of + + +85 +00:02:21,800 --> 00:02:23,070 +for america the kkk and the nra of +course they had nothing to do with each + +86 +00:02:23,070 --> 00:02:23,080 +course they had nothing to do with each + + +87 +00:02:23,080 --> 00:02:28,750 +course they had nothing to do with each +other and this + +88 +00:02:28,750 --> 00:02:28,760 + + + +89 +00:02:28,760 --> 00:02:32,470 + +wasch was all the way to 1955 when a + +90 +00:02:32,470 --> 00:02:32,480 +wasch was all the way to 1955 when a + + +91 +00:02:32,480 --> 00:02:34,190 +wasch was all the way to 1955 when a +black woman broke the law by refusing to + +92 +00:02:34,190 --> 00:02:34,200 +black woman broke the law by refusing to + + +93 +00:02:34,200 --> 00:02:36,190 +black woman broke the law by refusing to +move to the back of the bus people just + +94 +00:02:36,190 --> 00:02:36,200 +move to the back of the bus people just + + +95 +00:02:36,200 --> 00:02:38,710 +move to the back of the bus people just +couldn't believe why won't what's going + +96 +00:02:38,710 --> 00:02:38,720 +couldn't believe why won't what's going + + +97 +00:02:38,720 --> 00:02:41,430 +couldn't believe why won't what's going +on man oh hell broke loose black people + +98 +00:02:41,430 --> 00:02:41,440 +on man oh hell broke loose black people + + +99 +00:02:41,440 --> 00:02:43,509 +on man oh hell broke loose black people +everywh startedanding theirs and white + +100 +00:02:43,509 --> 00:02:43,519 +everywh startedanding theirs and white + + +101 +00:02:43,519 --> 00:02:46,110 +everywh startedanding theirs and white +people had a maj freak m and they were + +102 +00:02:46,110 --> 00:02:46,120 +people had a maj freak m and they were + + +103 +00:02:46,120 --> 00:02:49,630 +people had a maj freak m and they were +all like run run and they did they all + +104 +00:02:49,630 --> 00:02:49,640 +all like run run and they did they all + + +105 +00:02:49,640 --> 00:02:51,589 +all like run run and they did they all +ranlee the suburbs where it was all + +106 +00:02:51,589 --> 00:02:51,599 +ranlee the suburbs where it was all + + +107 +00:02:51,599 --> 00:02:53,710 +ranlee the suburbs where it was all +white and safe and clean and they went + +108 +00:02:53,710 --> 00:02:53,720 +white and safe and clean and they went + + +109 +00:02:53,720 --> 00:02:56,550 +white and safe and clean and they went +outar of billion guns and put locks on the + +110 +00:02:56,550 --> 00:02:56,560 +outar of billion guns and put locks on the + + +111 +00:02:56,560 --> 00:02:59,070 +outar of billion guns and put locks on the +doors alarms in the houses and gates + +112 +00:02:59,070 --> 00:02:59,080 +doors alarms in the houses and gates + + +113 +00:02:59,080 --> 00:03:01,869 +doors alarms in the houses and gates +the neighborhood and fin they sa and + +114 +00:03:01,869 --> 00:03:01,879 +the neighborhood and fin they sa and + + +115 +00:03:01,879 --> 00:03:04,790 +the neighborhood and fin they sa and +secure and snug [Music] + +116 +00:03:04,790 --> 00:03:04,800 +secure and snug [Music] + + +117 +00:03:04,800 --> 00:03:09,070 +secure and snug [Music] + +118 +00:03:09,070 --> 00:03:09,080 + + + +119 +00:03:09,080 --> 00:03:13,510 + +ag and everyone lived happily ever + +120 +00:03:13,510 --> 00:03:13,520 +ag and everyone lived happily ever + + +121 +00:03:13,520 --> 00:03:28,670 +ag and everyone lived happily ever +[Music] + +122 +00:03:28,670 --> 00:03:28,680 + + + +123 +00:03:28,680 --> 00:03:41,830 + +after + +124 +00:03:41,830 --> 00:03:41,840 + + + +125 +00:03:41,840 --> 00:03:44,840 + + + diff --git a/2002/59ZcTCijizI.description b/2002/59ZcTCijizI.description new file mode 100644 index 0000000000000000000000000000000000000000..62cc0524ad35fc306b9ebb4c0aacb1b356e7f002 --- /dev/null +++ b/2002/59ZcTCijizI.description @@ -0,0 +1,38 @@ +Equilibrium movie clips: http://j.mp/15vK7ZI +BUY THE MOVIE: http://amzn.to/s3QBpS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Preston (Christian Bale) interrogates Mary (Emily Watson) and watches as clerics practice the art of gun kata. + +FILM DESCRIPTION: +A man who dares to feel finds his life in danger in this cautionary science fiction drama. In the future, after a Third World War has decimated much of the Earth's population, a new nation known as Libria rises up under the unquestioned leadership of Dupont (Angus MacFadyen). Believing human emotions and their expression were to blame for the failings of past societies, The Father has decreed that all citizens must take a daily dose of Prozia II, a drug which levels out the emotional landscape, and that all forms of creative expression are against the law; violating either regulation can be punished by death. John Preston (Christian Bale) is a Grammaton, an elite law enforcement officer who tracks down and punishes "sense offenders." One day, Preston accidentally fails to take his Prozia II, and for the first time begins experiencing emotions himself. Preston becomes aware of an underground of rebels who refuse to take their medication and have embraced art and literature, and he finds himself becoming infatuated with one of their number, Mary O'Brian (Emily Watson). Equilibrium is the second feature-length directorial effort from Kurt Wimmer, whose screenwriting credits include The Thomas Crown Affair and Sphere. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Christian Bale, Angus Macfadyen, Emily Watson +Director: Kurt Wimmer +Producers: Sue Baden-Powell, Jan de Bont, Lucas Foster, Andrew Rona, Ninon Tantet, Bob Weinstein, Harvey Weinstein +Screenwriter: Kurt Wimmer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/7_HpQA3rLWw.description b/2002/7_HpQA3rLWw.description new file mode 100644 index 0000000000000000000000000000000000000000..77c5e0d6a80b9573cfef24c18640be274fe967c1 --- /dev/null +++ b/2002/7_HpQA3rLWw.description @@ -0,0 +1,40 @@ +Adaptation movie clips: http://j.mp/1CRXZrb +BUY THE MOVIE: http://bit.ly/2cRzAON +WATCH ON CRACKLE: http://bit.ly/2cOZ675 +http://amzn.to/uLM3ZO +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Charlie (Nicolas Cage) nervously details his vision for adapting "The Orchid Thief" to Valerie (Tilda Swinton). + +FILM DESCRIPTION: +The creative team behind Being John Malkovich -- director Spike Jonze and screenwriter Charlie Kaufman -- return with this equally offbeat comedy, in which Kaufman himself becomes the leading character. Charlie Kaufman (Nicolas Cage) is a gifted but profoundly neurotic screenwriter who, after the success of Being John Malkovich, has been hired to write a script adapted from the nonfiction book The Orchid Thief by Susan Orlean. But while Charlie is obsessive about his work, he's also intensely paranoid, given to deep depression, socially inept, and terrified of talking to women, qualities which are making it difficult to get on with his work or hold on to his tenuous relationship with girlfriend Amelia (Cara Seymour). Meanwhile, Charlie's identical twin brother, Donald Kaufman (also played by Cage), has shown up to move in with his brother. Emotionally, Donald is Charlie's polar opposite -- a loudmouthed, over-confident, superficial party animal who has an easy way with the ladies. Donald has decided to follow his brother's footsteps and take up screenwriting as well, but embracing the dictates of screenwriting tutor Robert McKee (Brian Cox), he's cranking out a cliché-ridden serial-killer thriller when not busy making time with new girlfriend Caroline (Maggie Gyllenhaal). As Donald blazes through his screenplay, Charlie slowly picks away at his story, in which author Susan Orlean (Meryl Streep) chronicles John Laroche (Chris Cooper), a scruffy but devoted plant enthusiast who tries to save rare species of orchids by stealing them from their natural home in the swamps of Florida. As John and Susan become better acquainted, they find themselves attracted to one another; similarly, Charlie finds himself increasingly fascinated with Susan, and finds himself falling in love with her, even though he's only seen her photo on the dust jacket of her book. Charlie arranges to meet Susan, but is too nervous to confront her face to face, so he sends Donald (who has just scored a seven-figure deal for his script) in his place, while he attends a screenwriting seminar held by McKee. Adaptation also features Tilda Swinton, Judy Greer, and Stephen Tobolowsky. + +CREDITS: +TM & © Sony (2002) +Cast: Nicolas Cage, Tilda Swinton +Director: Spike Jonze +Producers: Jonathan Demme, Charlie Kaufman, Vincent Landay, Peter Saraf, Edward Saxon +Screenwriters: Susan Orlean, Charlie Kaufman, Donald Kaufman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/7_HpQA3rLWw.en.srt b/2002/7_HpQA3rLWw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9c1b97dafc1d906341ba003d03b9192fa73d9474 --- /dev/null +++ b/2002/7_HpQA3rLWw.en.srt @@ -0,0 +1,505 @@ +1 +00:00:00,280 --> 00:00:02,950 + +my leg hurts I wonder if it's cancer + +2 +00:00:02,950 --> 00:00:02,960 +my leg hurts I wonder if it's cancer + + +3 +00:00:02,960 --> 00:00:04,470 +my leg hurts I wonder if it's cancer +there's a bump I'm starting to sweat and + +4 +00:00:04,470 --> 00:00:04,480 +there's a bump I'm starting to sweat and + + +5 +00:00:04,480 --> 00:00:07,070 +there's a bump I'm starting to sweat and +stop sweating I've got to stop + +6 +00:00:07,070 --> 00:00:07,080 +stop sweating I've got to stop + + +7 +00:00:07,080 --> 00:00:09,709 +stop sweating I've got to stop +sweating can she see it dripping down my + +8 +00:00:09,709 --> 00:00:09,719 +sweating can she see it dripping down my + + +9 +00:00:09,719 --> 00:00:12,310 +sweating can she see it dripping down my +forehead oh she looked at my hairline + +10 +00:00:12,310 --> 00:00:12,320 +forehead oh she looked at my hairline + + +11 +00:00:12,320 --> 00:00:13,789 +forehead oh she looked at my hairline +she thinks I'm bald she's you think + +12 +00:00:13,789 --> 00:00:13,799 +she thinks I'm bald she's you think + + +13 +00:00:13,799 --> 00:00:17,429 +she thinks I'm bald she's you think +you're great oh wow thanks that's that's + +14 +00:00:17,429 --> 00:00:17,439 +you're great oh wow thanks that's that's + + +15 +00:00:17,439 --> 00:00:20,070 +you're great oh wow thanks that's that's +nice to hear we all just loved the + +16 +00:00:20,070 --> 00:00:20,080 +nice to hear we all just loved the + + +17 +00:00:20,080 --> 00:00:22,950 +nice to hear we all just loved the +malovich script thanks such a unique + +18 +00:00:22,950 --> 00:00:22,960 +malovich script thanks such a unique + + +19 +00:00:22,960 --> 00:00:25,310 +malovich script thanks such a unique +voice boy I'd love to find a a portal + +20 +00:00:25,310 --> 00:00:25,320 +voice boy I'd love to find a a portal + + +21 +00:00:25,320 --> 00:00:28,950 +voice boy I'd love to find a a portal +into your brain trust me it's no + +22 +00:00:28,950 --> 00:00:28,960 +into your brain trust me it's no + + +23 +00:00:28,960 --> 00:00:30,550 +into your brain trust me it's no +fun + +24 +00:00:30,550 --> 00:00:30,560 +fun + + +25 +00:00:30,560 --> 00:00:32,229 +fun +so tell me your thoughts on this crazy + +26 +00:00:32,229 --> 00:00:32,239 +so tell me your thoughts on this crazy + + +27 +00:00:32,239 --> 00:00:34,670 +so tell me your thoughts on this crazy +little project of + +28 +00:00:34,670 --> 00:00:34,680 +little project of + + +29 +00:00:34,680 --> 00:00:37,310 +little project of +ours first I think it's a great + +30 +00:00:37,310 --> 00:00:37,320 +ours first I think it's a great + + +31 +00:00:37,320 --> 00:00:40,990 +ours first I think it's a great +book L Ro is a fun character absolutely + +32 +00:00:40,990 --> 00:00:41,000 +book L Ro is a fun character absolutely + + +33 +00:00:41,000 --> 00:00:44,510 +book L Ro is a fun character absolutely +and orene makes orchids so fascinating + +34 +00:00:44,510 --> 00:00:44,520 +and orene makes orchids so fascinating + + +35 +00:00:44,520 --> 00:00:47,270 +and orene makes orchids so fascinating +plus her her musings on Florida and + +36 +00:00:47,270 --> 00:00:47,280 +plus her her musings on Florida and + + +37 +00:00:47,280 --> 00:00:49,389 +plus her her musings on Florida and +Orchid poaching Indians it's just it's + +38 +00:00:49,389 --> 00:00:49,399 +Orchid poaching Indians it's just it's + + +39 +00:00:49,399 --> 00:00:51,910 +Orchid poaching Indians it's just it's +great sprawling New Yorker stuff and I'd + +40 +00:00:51,910 --> 00:00:51,920 +great sprawling New Yorker stuff and I'd + + +41 +00:00:51,920 --> 00:00:53,709 +great sprawling New Yorker stuff and I'd +want to remain true to that you know I'd + +42 +00:00:53,709 --> 00:00:53,719 +want to remain true to that you know I'd + + +43 +00:00:53,719 --> 00:00:56,510 +want to remain true to that you know I'd +want to let the uh movie exist rather + +44 +00:00:56,510 --> 00:00:56,520 +want to let the uh movie exist rather + + +45 +00:00:56,520 --> 00:00:59,389 +want to let the uh movie exist rather +rather than be artificially plot driven + +46 +00:00:59,389 --> 00:00:59,399 +rather than be artificially plot driven + + +47 +00:00:59,399 --> 00:01:02,069 +rather than be artificially plot driven +great + +48 +00:01:02,069 --> 00:01:02,079 + + + +49 +00:01:02,079 --> 00:01:03,429 + +I guess I'm not exactly sure what that + +50 +00:01:03,429 --> 00:01:03,439 +I guess I'm not exactly sure what that + + +51 +00:01:03,439 --> 00:01:06,030 +I guess I'm not exactly sure what that +means + +52 +00:01:06,030 --> 00:01:06,040 +means + + +53 +00:01:06,040 --> 00:01:08,510 +means +oh I'm not sure I know what that means + +54 +00:01:08,510 --> 00:01:08,520 +oh I'm not sure I know what that means + + +55 +00:01:08,520 --> 00:01:11,670 +oh I'm not sure I know what that means +either um you I just don't want to ruin + +56 +00:01:11,670 --> 00:01:11,680 +either um you I just don't want to ruin + + +57 +00:01:11,680 --> 00:01:13,190 +either um you I just don't want to ruin +it by making a Hollywood thing you know + +58 +00:01:13,190 --> 00:01:13,200 +it by making a Hollywood thing you know + + +59 +00:01:13,200 --> 00:01:15,550 +it by making a Hollywood thing you know +like like like an orchid Heist movie or + +60 +00:01:15,550 --> 00:01:15,560 +like like like an orchid Heist movie or + + +61 +00:01:15,560 --> 00:01:18,109 +like like like an orchid Heist movie or +or something you know or uh you know + +62 +00:01:18,109 --> 00:01:18,119 +or something you know or uh you know + + +63 +00:01:18,119 --> 00:01:20,830 +or something you know or uh you know +changing the orchids into poppies and + +64 +00:01:20,830 --> 00:01:20,840 +changing the orchids into poppies and + + +65 +00:01:20,840 --> 00:01:22,469 +changing the orchids into poppies and +turning into a movie about drug running + +66 +00:01:22,469 --> 00:01:22,479 +turning into a movie about drug running + + +67 +00:01:22,479 --> 00:01:24,230 +turning into a movie about drug running +you know why can't there be a movie + +68 +00:01:24,230 --> 00:01:24,240 +you know why can't there be a movie + + +69 +00:01:24,240 --> 00:01:26,469 +you know why can't there be a movie +simply about + +70 +00:01:26,469 --> 00:01:26,479 +simply about + + +71 +00:01:26,479 --> 00:01:29,469 +simply about +flowers I guess we thought that maybe + +72 +00:01:29,469 --> 00:01:29,479 +flowers I guess we thought that maybe + + +73 +00:01:29,479 --> 00:01:32,270 +flowers I guess we thought that maybe +Susan oene and and and L Ro Could Fall + +74 +00:01:32,270 --> 00:01:32,280 +Susan oene and and and L Ro Could Fall + + +75 +00:01:32,280 --> 00:01:34,710 +Susan oene and and and L Ro Could Fall +In Love okay but I'm saying it's like I + +76 +00:01:34,710 --> 00:01:34,720 +In Love okay but I'm saying it's like I + + +77 +00:01:34,720 --> 00:01:38,190 +In Love okay but I'm saying it's like I +don't want to cram in sex or uh guns or + +78 +00:01:38,190 --> 00:01:38,200 +don't want to cram in sex or uh guns or + + +79 +00:01:38,200 --> 00:01:39,069 +don't want to cram in sex or uh guns or +car + +80 +00:01:39,069 --> 00:01:39,079 +car + + +81 +00:01:39,079 --> 00:01:42,950 +car +chases you know or characters you + +82 +00:01:42,950 --> 00:01:42,960 +chases you know or characters you + + +83 +00:01:42,960 --> 00:01:46,749 +chases you know or characters you +know learning profound life lessons or + +84 +00:01:46,749 --> 00:01:46,759 +know learning profound life lessons or + + +85 +00:01:46,759 --> 00:01:48,910 +know learning profound life lessons or +growing or coming to like each other or + +86 +00:01:48,910 --> 00:01:48,920 +growing or coming to like each other or + + +87 +00:01:48,920 --> 00:01:50,950 +growing or coming to like each other or +overcoming obstacles to succeed in the + +88 +00:01:50,950 --> 00:01:50,960 +overcoming obstacles to succeed in the + + +89 +00:01:50,960 --> 00:01:53,190 +overcoming obstacles to succeed in the +end you know I mean it's it's the book + +90 +00:01:53,190 --> 00:01:53,200 +end you know I mean it's it's the book + + +91 +00:01:53,200 --> 00:01:55,670 +end you know I mean it's it's the book +isn't like that and and life isn't like + +92 +00:01:55,670 --> 00:01:55,680 +isn't like that and and life isn't like + + +93 +00:01:55,680 --> 00:01:58,830 +isn't like that and and life isn't like +that you know it just isn't + +94 +00:01:58,830 --> 00:01:58,840 +that you know it just isn't + + +95 +00:01:58,840 --> 00:02:01,789 +that you know it just isn't +and + +96 +00:02:01,789 --> 00:02:01,799 +and + + +97 +00:02:01,799 --> 00:02:04,420 +and +I feel very strongly about + +98 +00:02:04,420 --> 00:02:04,430 +I feel very strongly about + + +99 +00:02:04,430 --> 00:02:28,830 +I feel very strongly about +[Music] + +100 +00:02:28,830 --> 00:02:28,840 +[Music] + + +101 +00:02:28,840 --> 00:02:31,840 +[Music] +this + diff --git a/2002/7umeeSjxQl0.en.srt b/2002/7umeeSjxQl0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..af996dc09bb6a42b55fbc980ddaa80926c592269 --- /dev/null +++ b/2002/7umeeSjxQl0.en.srt @@ -0,0 +1,475 @@ +1 +00:00:01,400 --> 00:00:05,990 + +when I was a boy I went to church back + +2 +00:00:05,990 --> 00:00:06,000 +when I was a boy I went to church back + + +3 +00:00:06,000 --> 00:00:09,070 +when I was a boy I went to church back +home in + +4 +00:00:09,070 --> 00:00:09,080 +home in + + +5 +00:00:09,080 --> 00:00:14,270 +home in +ARA and that is where I heard the tale + +6 +00:00:14,270 --> 00:00:14,280 +ARA and that is where I heard the tale + + +7 +00:00:14,280 --> 00:00:18,550 +ARA and that is where I heard the tale +of a man whose name was + +8 +00:00:18,550 --> 00:00:18,560 +of a man whose name was + + +9 +00:00:18,560 --> 00:00:23,109 +of a man whose name was +Jonah now Jonah was a prophet but that's + +10 +00:00:23,109 --> 00:00:23,119 +Jonah now Jonah was a prophet but that's + + +11 +00:00:23,119 --> 00:00:24,990 +Jonah now Jonah was a prophet but that's +not why he's + +12 +00:00:24,990 --> 00:00:25,000 +not why he's + + +13 +00:00:25,000 --> 00:00:29,509 +not why he's +remembered we tell the Tale in a whale + +14 +00:00:29,509 --> 00:00:29,519 +remembered we tell the Tale in a whale + + +15 +00:00:29,519 --> 00:00:32,970 +remembered we tell the Tale in a whale +he nearly was + +16 +00:00:32,970 --> 00:00:32,980 +he nearly was + + +17 +00:00:32,980 --> 00:00:52,229 +he nearly was +[Music] + +18 +00:00:52,229 --> 00:00:52,239 +[Music] + + +19 +00:00:52,239 --> 00:00:55,549 +[Music] +dismembered Jonah was AET ooh ooh but he + +20 +00:00:55,549 --> 00:00:55,559 +dismembered Jonah was AET ooh ooh but he + + +21 +00:00:55,559 --> 00:00:57,590 +dismembered Jonah was AET ooh ooh but he +really never got it sad the true if you + +22 +00:00:57,590 --> 00:00:57,600 +really never got it sad the true if you + + +23 +00:00:57,600 --> 00:01:00,509 +really never got it sad the true if you +been watching you can spot it do did not + +24 +00:01:00,509 --> 00:01:00,519 +been watching you can spot it do did not + + +25 +00:01:00,519 --> 00:01:04,310 +been watching you can spot it do did not +get the point compassion and mercy from + +26 +00:01:04,310 --> 00:01:04,320 +get the point compassion and mercy from + + +27 +00:01:04,320 --> 00:01:07,590 +get the point compassion and mercy from +me to you and you to me exactly what God + +28 +00:01:07,590 --> 00:01:07,600 +me to you and you to me exactly what God + + +29 +00:01:07,600 --> 00:01:10,429 +me to you and you to me exactly what God +wants to see and yes that is the + +30 +00:01:10,429 --> 00:01:10,439 +wants to see and yes that is the + + +31 +00:01:10,439 --> 00:01:12,910 +wants to see and yes that is the +point + +32 +00:01:12,910 --> 00:01:12,920 +point + + +33 +00:01:12,920 --> 00:01:18,590 +point +a it sad true it he did not get the + +34 +00:01:18,590 --> 00:01:18,600 +a it sad true it he did not get the + + +35 +00:01:18,600 --> 00:01:22,429 +a it sad true it he did not get the +point now Jonah set sail on a pirate + +36 +00:01:22,429 --> 00:01:22,439 +point now Jonah set sail on a pirate + + +37 +00:01:22,439 --> 00:01:25,109 +point now Jonah set sail on a pirate +ship in a dreadful Gale got eaten up by + +38 +00:01:25,109 --> 00:01:25,119 +ship in a dreadful Gale got eaten up by + + +39 +00:01:25,119 --> 00:01:28,590 +ship in a dreadful Gale got eaten up by +a giant whale but man not to be dead you + +40 +00:01:28,590 --> 00:01:28,600 +a giant whale but man not to be dead you + + +41 +00:01:28,600 --> 00:01:31,230 +a giant whale but man not to be dead you +think he would learn a lot from being + +42 +00:01:31,230 --> 00:01:31,240 +think he would learn a lot from being + + +43 +00:01:31,240 --> 00:01:33,510 +think he would learn a lot from being +saved from an awful spot but the second + +44 +00:01:33,510 --> 00:01:33,520 +saved from an awful spot but the second + + +45 +00:01:33,520 --> 00:01:36,030 +saved from an awful spot but the second +chance that he had got he didn't want to + +46 +00:01:36,030 --> 00:01:36,040 +chance that he had got he didn't want to + + +47 +00:01:36,040 --> 00:01:38,670 +chance that he had got he didn't want to +be spread so + +48 +00:01:38,670 --> 00:01:38,680 +be spread so + + +49 +00:01:38,680 --> 00:01:43,069 +be spread so +po now he's all Al to + +50 +00:01:43,069 --> 00:01:43,079 +po now he's all Al to + + +51 +00:01:43,079 --> 00:01:47,730 +po now he's all Al to +aone get + +52 +00:01:47,730 --> 00:01:47,740 + + + +53 +00:01:47,740 --> 00:01:54,389 + +[Music] + +54 +00:01:54,389 --> 00:01:54,399 + + + +55 +00:01:54,399 --> 00:01:56,109 + +itah was + +56 +00:01:56,109 --> 00:01:56,119 +itah was + + +57 +00:01:56,119 --> 00:02:00,029 +itah was +AET he really never got it watching + +58 +00:02:00,029 --> 00:02:00,039 +AET he really never got it watching + + +59 +00:02:00,039 --> 00:02:05,429 +AET he really never got it watching +spotted I do not get the + +60 +00:02:05,429 --> 00:02:05,439 + + + +61 +00:02:05,439 --> 00:02:08,029 + +point now true in your life you probably + +62 +00:02:08,029 --> 00:02:08,039 +point now true in your life you probably + + +63 +00:02:08,039 --> 00:02:09,830 +point now true in your life you probably +don't ride on a camel and you probably + +64 +00:02:09,830 --> 00:02:09,840 +don't ride on a camel and you probably + + +65 +00:02:09,840 --> 00:02:11,710 +don't ride on a camel and you probably +won't wake up inside a large aquatic + +66 +00:02:11,710 --> 00:02:11,720 +won't wake up inside a large aquatic + + +67 +00:02:11,720 --> 00:02:13,790 +won't wake up inside a large aquatic +manle but all the same like Jonah there + +68 +00:02:13,790 --> 00:02:13,800 +manle but all the same like Jonah there + + +69 +00:02:13,800 --> 00:02:15,910 +manle but all the same like Jonah there +is something you can do everyone + +70 +00:02:15,910 --> 00:02:15,920 +is something you can do everyone + + +71 +00:02:15,920 --> 00:02:19,670 +is something you can do everyone +deserves to get a second chance from + +72 +00:02:19,670 --> 00:02:19,680 +deserves to get a second chance from + + +73 +00:02:19,680 --> 00:02:24,150 +deserves to get a second chance from +you compassion Andy from me to you when + +74 +00:02:24,150 --> 00:02:24,160 +you compassion Andy from me to you when + + +75 +00:02:24,160 --> 00:02:27,509 +you compassion Andy from me to you when +you me exactly what God wants to see and + +76 +00:02:27,509 --> 00:02:27,519 +you me exactly what God wants to see and + + +77 +00:02:27,519 --> 00:02:31,949 +you me exactly what God wants to see and +yes that is the point was a prophet o he + +78 +00:02:31,949 --> 00:02:31,959 +yes that is the point was a prophet o he + + +79 +00:02:31,959 --> 00:02:34,390 +yes that is the point was a prophet o he +really never got it said the TR Jonah + +80 +00:02:34,390 --> 00:02:34,400 +really never got it said the TR Jonah + + +81 +00:02:34,400 --> 00:02:37,270 +really never got it said the TR Jonah +was a prophet ooh he really never got it + +82 +00:02:37,270 --> 00:02:37,280 +was a prophet ooh he really never got it + + +83 +00:02:37,280 --> 00:02:43,830 +was a prophet ooh he really never got it +said the + +84 +00:02:43,830 --> 00:02:43,840 + + + +85 +00:02:43,840 --> 00:02:46,470 + +AET I beg your + +86 +00:02:46,470 --> 00:02:46,480 +AET I beg your + + +87 +00:02:46,480 --> 00:02:49,509 +AET I beg your +pardon I hate to break up the party but + +88 +00:02:49,509 --> 00:02:49,519 +pardon I hate to break up the party but + + +89 +00:02:49,519 --> 00:02:50,990 +pardon I hate to break up the party but +who needed a + +90 +00:02:50,990 --> 00:02:51,000 +who needed a + + +91 +00:02:51,000 --> 00:02:58,750 +who needed a +toe uh have we + +92 +00:02:58,750 --> 00:02:58,760 + + + +93 +00:02:58,760 --> 00:03:01,320 + +met + +94 +00:03:01,320 --> 00:03:01,330 +met + + +95 +00:03:01,330 --> 00:03:25,669 +met +[Music] + diff --git a/2002/7xSB_efH2N0.en.srt b/2002/7xSB_efH2N0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c1d78d71d4d40904356f50717e6b3f4d92792bc3 --- /dev/null +++ b/2002/7xSB_efH2N0.en.srt @@ -0,0 +1,215 @@ +1 +00:00:06,600 --> 00:00:08,230 + +this dumb shit's been watching too me + +2 +00:00:08,230 --> 00:00:08,240 +this dumb shit's been watching too me + + +3 +00:00:08,240 --> 00:00:25,820 +this dumb shit's been watching too me +old prison + +4 +00:00:25,820 --> 00:00:25,830 + + + +5 +00:00:25,830 --> 00:00:28,950 + +[Applause] + +6 +00:00:28,950 --> 00:00:28,960 +[Applause] + + +7 +00:00:28,960 --> 00:00:31,509 +[Applause] +movies + +8 +00:00:31,509 --> 00:00:31,519 +movies + + +9 +00:00:31,519 --> 00:00:33,030 +movies +you get on the horn and get me a + +10 +00:00:33,030 --> 00:00:33,040 +you get on the horn and get me a + + +11 +00:00:33,040 --> 00:00:35,350 +you get on the horn and get me a +situation right in + +12 +00:00:35,350 --> 00:00:35,360 +situation right in + + +13 +00:00:35,360 --> 00:00:38,709 +situation right in +here Central Security this all we a + +14 +00:00:38,709 --> 00:00:38,719 +here Central Security this all we a + + +15 +00:00:38,719 --> 00:00:42,300 +here Central Security this all we a +situation red repeat a situation + +16 +00:00:42,300 --> 00:00:42,310 +situation red repeat a situation + + +17 +00:00:42,310 --> 00:00:53,029 +situation red repeat a situation +[Music] + +18 +00:00:53,029 --> 00:00:53,039 + + + +19 +00:00:53,039 --> 00:00:56,510 + +red night + +20 +00:00:56,510 --> 00:00:56,520 + + + +21 +00:00:56,520 --> 00:00:58,670 + +man night + +22 +00:00:58,670 --> 00:00:58,680 +man night + + +23 +00:00:58,680 --> 00:01:01,790 +man night +man before before you came here we all + +24 +00:01:01,790 --> 00:01:01,800 +man before before you came here we all + + +25 +00:01:01,800 --> 00:01:03,509 +man before before you came here we all +figured you for some kind of + +26 +00:01:03,509 --> 00:01:03,519 +figured you for some kind of + + +27 +00:01:03,519 --> 00:01:06,870 +figured you for some kind of +dude then you show up acting like you're + +28 +00:01:06,870 --> 00:01:06,880 +dude then you show up acting like you're + + +29 +00:01:06,880 --> 00:01:10,390 +dude then you show up acting like you're +the god were the side well hey man every + +30 +00:01:10,390 --> 00:01:10,400 +the god were the side well hey man every + + +31 +00:01:10,400 --> 00:01:12,350 +the god were the side well hey man every +dog in here want to see you get your ass + +32 +00:01:12,350 --> 00:01:12,360 +dog in here want to see you get your ass + + +33 +00:01:12,360 --> 00:01:28,830 +dog in here want to see you get your ass +kicked you're going down + +34 +00:01:28,830 --> 00:01:28,840 + + + +35 +00:01:28,840 --> 00:01:35,389 + +man + +36 +00:01:35,389 --> 00:01:35,399 + + + +37 +00:01:35,399 --> 00:01:51,310 + +kick your ass + +38 +00:01:51,310 --> 00:01:51,320 + + + +39 +00:01:51,320 --> 00:01:58,830 + + come War take out the + +40 +00:01:58,830 --> 00:01:58,840 + + + +41 +00:01:58,840 --> 00:02:10,300 + +ceiling + +42 +00:02:10,300 --> 00:02:10,310 + + + +43 +00:02:10,310 --> 00:02:39,539 + +[Music] + diff --git a/2002/8391icf7iLk.description b/2002/8391icf7iLk.description new file mode 100644 index 0000000000000000000000000000000000000000..41fd77eeea54396351f6f5873febe82cbf9d674f --- /dev/null +++ b/2002/8391icf7iLk.description @@ -0,0 +1,40 @@ +Adaptation movie clips: http://j.mp/1CRXZrb +BUY THE MOVIE: http://bit.ly/2cRzAON +WATCH ON CRACKLE: http://bit.ly/2cOZ675 +http://amzn.to/uLM3ZO +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Charlie (Nicolas Cage) despairs that he will ever be able to adapt the book, but Donald (Nicolas Cage) finds all kinds of inspiration for his thriller movie. + +FILM DESCRIPTION: +The creative team behind Being John Malkovich -- director Spike Jonze and screenwriter Charlie Kaufman -- return with this equally offbeat comedy, in which Kaufman himself becomes the leading character. Charlie Kaufman (Nicolas Cage) is a gifted but profoundly neurotic screenwriter who, after the success of Being John Malkovich, has been hired to write a script adapted from the nonfiction book The Orchid Thief by Susan Orlean. But while Charlie is obsessive about his work, he's also intensely paranoid, given to deep depression, socially inept, and terrified of talking to women, qualities which are making it difficult to get on with his work or hold on to his tenuous relationship with girlfriend Amelia (Cara Seymour). Meanwhile, Charlie's identical twin brother, Donald Kaufman (also played by Cage), has shown up to move in with his brother. Emotionally, Donald is Charlie's polar opposite -- a loudmouthed, over-confident, superficial party animal who has an easy way with the ladies. Donald has decided to follow his brother's footsteps and take up screenwriting as well, but embracing the dictates of screenwriting tutor Robert McKee (Brian Cox), he's cranking out a cliché-ridden serial-killer thriller when not busy making time with new girlfriend Caroline (Maggie Gyllenhaal). As Donald blazes through his screenplay, Charlie slowly picks away at his story, in which author Susan Orlean (Meryl Streep) chronicles John Laroche (Chris Cooper), a scruffy but devoted plant enthusiast who tries to save rare species of orchids by stealing them from their natural home in the swamps of Florida. As John and Susan become better acquainted, they find themselves attracted to one another; similarly, Charlie finds himself increasingly fascinated with Susan, and finds himself falling in love with her, even though he's only seen her photo on the dust jacket of her book. Charlie arranges to meet Susan, but is too nervous to confront her face to face, so he sends Donald (who has just scored a seven-figure deal for his script) in his place, while he attends a screenwriting seminar held by McKee. Adaptation also features Tilda Swinton, Judy Greer, and Stephen Tobolowsky. + +CREDITS: +TM & © Sony (2002) +Cast: Nicolas Cage, Meryl Streep, Maggie Gyllenhaal +Director: Spike Jonze +Producers: Jonathan Demme, Charlie Kaufman, Vincent Landay, Peter Saraf, Edward Saxon +Screenwriters: Susan Orlean, Charlie Kaufman, Donald Kaufman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/8391icf7iLk.en.srt b/2002/8391icf7iLk.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d3b013fdf2653cc650f2c950fb244c8fcf7b8739 --- /dev/null +++ b/2002/8391icf7iLk.en.srt @@ -0,0 +1,425 @@ +1 +00:00:04,920 --> 00:00:07,550 + +I don't know how to do this I'm afraid + +2 +00:00:07,550 --> 00:00:07,560 +I don't know how to do this I'm afraid + + +3 +00:00:07,560 --> 00:00:09,270 +I don't know how to do this I'm afraid +I'll disappoint + +4 +00:00:09,270 --> 00:00:09,280 +I'll disappoint + + +5 +00:00:09,280 --> 00:00:12,709 +I'll disappoint +you you've written a beautiful + +6 +00:00:12,709 --> 00:00:12,719 +you you've written a beautiful + + +7 +00:00:12,719 --> 00:00:16,910 +you you've written a beautiful +book I can't + +8 +00:00:16,910 --> 00:00:16,920 + + + +9 +00:00:16,920 --> 00:00:20,470 + +sleep I'm losing my hair I'm fat and + +10 +00:00:20,470 --> 00:00:20,480 +sleep I'm losing my hair I'm fat and + + +11 +00:00:20,480 --> 00:00:24,950 +sleep I'm losing my hair I'm fat and +repulsive sh you're not you're + +12 +00:00:24,950 --> 00:00:24,960 +repulsive sh you're not you're + + +13 +00:00:24,960 --> 00:00:27,509 +repulsive sh you're not you're +not just Whittle it + +14 +00:00:27,509 --> 00:00:27,519 +not just Whittle it + + +15 +00:00:27,519 --> 00:00:30,509 +not just Whittle it +down no + +16 +00:00:30,509 --> 00:00:30,519 +down no + + +17 +00:00:30,519 --> 00:00:34,549 +down no +focus on one thing in the story find + +18 +00:00:34,549 --> 00:00:34,559 +focus on one thing in the story find + + +19 +00:00:34,559 --> 00:00:37,229 +focus on one thing in the story find +that one thing that you care + +20 +00:00:37,229 --> 00:00:37,239 +that one thing that you care + + +21 +00:00:37,239 --> 00:00:38,910 +that one thing that you care +passionately + +22 +00:00:38,910 --> 00:00:38,920 +passionately + + +23 +00:00:38,920 --> 00:00:42,310 +passionately +about and then write about that we see + +24 +00:00:42,310 --> 00:00:42,320 +about and then write about that we see + + +25 +00:00:42,320 --> 00:00:44,510 +about and then write about that we see +Susan orene delicate haunted by + +26 +00:00:44,510 --> 00:00:44,520 +Susan orene delicate haunted by + + +27 +00:00:44,520 --> 00:00:47,430 +Susan orene delicate haunted by +loneliness fragile beautiful she lies + +28 +00:00:47,430 --> 00:00:47,440 +loneliness fragile beautiful she lies + + +29 +00:00:47,440 --> 00:00:50,470 +loneliness fragile beautiful she lies +awake next to her sleeping insensitive + +30 +00:00:50,470 --> 00:00:50,480 +awake next to her sleeping insensitive + + +31 +00:00:50,480 --> 00:00:53,510 +awake next to her sleeping insensitive +husband her voice over begins I suppose + +32 +00:00:53,510 --> 00:00:53,520 +husband her voice over begins I suppose + + +33 +00:00:53,520 --> 00:00:56,389 +husband her voice over begins I suppose +I do have one unembarrassed + +34 +00:00:56,389 --> 00:00:56,399 +I do have one unembarrassed + + +35 +00:00:56,399 --> 00:00:59,549 +I do have one unembarrassed +passion I want to know how it feels to + +36 +00:00:59,549 --> 00:00:59,559 +passion I want to know how it feels to + + +37 +00:00:59,559 --> 00:01:04,189 +passion I want to know how it feels to +care about about something + +38 +00:01:04,189 --> 00:01:04,199 + + + +39 +00:01:04,199 --> 00:01:09,550 + +passionately hey morning hey you too up + +40 +00:01:09,550 --> 00:01:09,560 +passionately hey morning hey you too up + + +41 +00:01:09,560 --> 00:01:11,270 +passionately hey morning hey you too up +early for a + +42 +00:01:11,270 --> 00:01:11,280 +early for a + + +43 +00:01:11,280 --> 00:01:15,030 +early for a +change you seem chipper I'm good I have + +44 +00:01:15,030 --> 00:01:15,040 +change you seem chipper I'm good I have + + +45 +00:01:15,040 --> 00:01:16,469 +change you seem chipper I'm good I have +some new + +46 +00:01:16,469 --> 00:01:16,479 +some new + + +47 +00:01:16,479 --> 00:01:20,030 +some new +ideas God you guys are so smart like a + +48 +00:01:20,030 --> 00:01:20,040 +ideas God you guys are so smart like a + + +49 +00:01:20,040 --> 00:01:22,749 +ideas God you guys are so smart like a +brain Factory in here I got some ideas + +50 +00:01:22,749 --> 00:01:22,759 +brain Factory in here I got some ideas + + +51 +00:01:22,759 --> 00:01:24,990 +brain Factory in here I got some ideas +too this morning she got really really + +52 +00:01:24,990 --> 00:01:25,000 +too this morning she got really really + + +53 +00:01:25,000 --> 00:01:27,950 +too this morning she got really really +good ones and you know in a Donald sort + +54 +00:01:27,950 --> 00:01:27,960 +good ones and you know in a Donald sort + + +55 +00:01:27,960 --> 00:01:30,590 +good ones and you know in a Donald sort +of way I'm putting + +56 +00:01:30,590 --> 00:01:30,600 +of way I'm putting + + +57 +00:01:30,600 --> 00:01:33,230 +of way I'm putting +hey + +58 +00:01:33,230 --> 00:01:33,240 +hey + + +59 +00:01:33,240 --> 00:01:36,310 +hey +what I'm putting in a Chase sequence uh + +60 +00:01:36,310 --> 00:01:36,320 +what I'm putting in a Chase sequence uh + + +61 +00:01:36,320 --> 00:01:38,310 +what I'm putting in a Chase sequence uh +so the killer flees on Horseback with + +62 +00:01:38,310 --> 00:01:38,320 +so the killer flees on Horseback with + + +63 +00:01:38,320 --> 00:01:40,149 +so the killer flees on Horseback with +the girl the cops after them on on a + +64 +00:01:40,149 --> 00:01:40,159 +the girl the cops after them on on a + + +65 +00:01:40,159 --> 00:01:41,749 +the girl the cops after them on on a +motorcycle and it's like a battle + +66 +00:01:41,749 --> 00:01:41,759 +motorcycle and it's like a battle + + +67 +00:01:41,759 --> 00:01:44,109 +motorcycle and it's like a battle +between Motors and horses like + +68 +00:01:44,109 --> 00:01:44,119 +between Motors and horses like + + +69 +00:01:44,119 --> 00:01:45,830 +between Motors and horses like +technology versus + +70 +00:01:45,830 --> 00:01:45,840 +technology versus + + +71 +00:01:45,840 --> 00:01:48,590 +technology versus +horse and they're still all one person + +72 +00:01:48,590 --> 00:01:48,600 +horse and they're still all one person + + +73 +00:01:48,600 --> 00:01:50,870 +horse and they're still all one person +right well that's a big + +74 +00:01:50,870 --> 00:01:50,880 +right well that's a big + + +75 +00:01:50,880 --> 00:01:55,510 +right well that's a big +payoff sounds exciting thanks man see I + +76 +00:01:55,510 --> 00:01:55,520 +payoff sounds exciting thanks man see I + + +77 +00:01:55,520 --> 00:01:57,789 +payoff sounds exciting thanks man see I +told you he's going to like + +78 +00:01:57,789 --> 00:01:57,799 +told you he's going to like + + +79 +00:01:57,799 --> 00:02:00,469 +told you he's going to like +it my + +80 +00:02:00,469 --> 00:02:00,479 +it my + + +81 +00:02:00,479 --> 00:02:03,420 +it my +you are I love being + +82 +00:02:03,420 --> 00:02:03,430 +you are I love being + + +83 +00:02:03,430 --> 00:02:28,830 +you are I love being +[Music] + +84 +00:02:28,830 --> 00:02:28,840 +[Music] + + +85 +00:02:28,840 --> 00:02:31,840 +[Music] +here + diff --git a/2002/8XTt2uGxh9E.en.srt b/2002/8XTt2uGxh9E.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6b0579562328d1a0cdcd4e61b2a7453154fc21b2 --- /dev/null +++ b/2002/8XTt2uGxh9E.en.srt @@ -0,0 +1,275 @@ +1 +00:00:04,080 --> 00:00:06,670 + +do + +2 +00:00:06,670 --> 00:00:06,680 + + + +3 +00:00:06,680 --> 00:00:10,870 + +it yeah me a couple excuse + +4 +00:00:10,870 --> 00:00:10,880 +it yeah me a couple excuse + + +5 +00:00:10,880 --> 00:00:22,349 +it yeah me a couple excuse +me the police are on their + +6 +00:00:22,349 --> 00:00:22,359 + + + +7 +00:00:22,359 --> 00:00:28,390 + +way she's lying you're full + +8 +00:00:28,390 --> 00:00:28,400 + + + +9 +00:00:28,400 --> 00:00:32,590 + +of it's not an call it's a PA system I + +10 +00:00:32,590 --> 00:00:32,600 +of it's not an call it's a PA system I + + +11 +00:00:32,600 --> 00:00:35,950 +of it's not an call it's a PA system I +know I'm just scaring her I suggest you + +12 +00:00:35,950 --> 00:00:35,960 +know I'm just scaring her I suggest you + + +13 +00:00:35,960 --> 00:00:41,470 +know I'm just scaring her I suggest you +leave before they get + +14 +00:00:41,470 --> 00:00:41,480 + + + +15 +00:00:41,480 --> 00:00:43,830 + +here what he's saying that we don't have + +16 +00:00:43,830 --> 00:00:43,840 +here what he's saying that we don't have + + +17 +00:00:43,840 --> 00:00:47,189 +here what he's saying that we don't have +a phone how could he know + +18 +00:00:47,189 --> 00:00:47,199 +a phone how could he know + + +19 +00:00:47,199 --> 00:00:50,150 +a phone how could he know +that take what you want and get + +20 +00:00:50,150 --> 00:00:50,160 +that take what you want and get + + +21 +00:00:50,160 --> 00:00:54,549 +that take what you want and get +out if only it were that + +22 +00:00:54,549 --> 00:00:54,559 + + + +23 +00:00:54,559 --> 00:00:57,229 + +easy give me some paper give me some + +24 +00:00:57,229 --> 00:00:57,239 +easy give me some paper give me some + + +25 +00:00:57,239 --> 00:01:00,029 +easy give me some paper give me some +paper give me some paper hey Zoro you + +26 +00:01:00,029 --> 00:01:00,039 +paper give me some paper hey Zoro you + + +27 +00:01:00,039 --> 00:01:05,550 +paper give me some paper hey Zoro you +help us out here you got a piece of + +28 +00:01:05,550 --> 00:01:05,560 + + + +29 +00:01:05,560 --> 00:01:20,590 + +paper what is he doing I don't + +30 +00:01:20,590 --> 00:01:20,600 + + + +31 +00:01:20,600 --> 00:01:24,030 + +know what we want is in that room + +32 +00:01:24,030 --> 00:01:24,040 +know what we want is in that room + + +33 +00:01:24,040 --> 00:01:27,230 +know what we want is in that room +they're coming in here aren't they no no + +34 +00:01:27,230 --> 00:01:27,240 +they're coming in here aren't they no no + + +35 +00:01:27,240 --> 00:01:28,469 +they're coming in here aren't they no no +no they can't I told you they can't get + +36 +00:01:28,469 --> 00:01:28,479 +no they can't I told you they can't get + + +37 +00:01:28,479 --> 00:01:32,149 +no they can't I told you they can't get +in here what do you know about this room + +38 +00:01:32,149 --> 00:01:32,159 +in here what do you know about this room + + +39 +00:01:32,159 --> 00:01:34,510 +in here what do you know about this room +oh what do we know about this room about + +40 +00:01:34,510 --> 00:01:34,520 +oh what do we know about this room about + + +41 +00:01:34,520 --> 00:01:50,910 +oh what do we know about this room about +this room just a few small + +42 +00:01:50,910 --> 00:01:50,920 + + + +43 +00:01:50,920 --> 00:01:53,389 + +details we're not coming out and we're + +44 +00:01:53,389 --> 00:01:53,399 +details we're not coming out and we're + + +45 +00:01:53,399 --> 00:01:56,630 +details we're not coming out and we're +not letting you in get out of my + +46 +00:01:56,630 --> 00:01:56,640 +not letting you in get out of my + + +47 +00:01:56,640 --> 00:02:03,429 +not letting you in get out of my +house say + +48 +00:02:03,429 --> 00:02:03,439 + + + +49 +00:02:03,439 --> 00:02:06,990 + +mom get the out of my house F get + +50 +00:02:06,990 --> 00:02:07,000 +mom get the out of my house F get + + +51 +00:02:07,000 --> 00:02:28,830 +mom get the out of my house F get +the out of my + +52 +00:02:28,830 --> 00:02:28,840 + + + +53 +00:02:28,840 --> 00:02:33,540 + +house + +54 +00:02:33,540 --> 00:02:33,550 + + + +55 +00:02:33,550 --> 00:02:42,660 + +[Music] + diff --git a/2002/8dXF7y1QUxU.en.srt b/2002/8dXF7y1QUxU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..ff076dab66ecd45895e0ff6763adc82dfaf3fe62 --- /dev/null +++ b/2002/8dXF7y1QUxU.en.srt @@ -0,0 +1,235 @@ +1 +00:00:03,020 --> 00:00:08,600 + +gotta make it stop things that didn't + +2 +00:00:08,600 --> 00:00:08,610 +gotta make it stop things that didn't + + +3 +00:00:08,610 --> 00:00:19,490 +gotta make it stop things that didn't +complain this much something's wrong + +4 +00:00:19,490 --> 00:00:19,500 +complain this much something's wrong + + +5 +00:00:19,500 --> 00:00:22,070 +complain this much something's wrong +with someone should lick it just in case + +6 +00:00:22,070 --> 00:00:22,080 +with someone should lick it just in case + + +7 +00:00:22,080 --> 00:00:24,080 +with someone should lick it just in case +I'll do it hey he's wearing one of those + +8 +00:00:24,080 --> 00:00:24,090 +I'll do it hey he's wearing one of those + + +9 +00:00:24,090 --> 00:00:27,259 +I'll do it hey he's wearing one of those +baby thingies so if he poops where does + +10 +00:00:27,259 --> 00:00:27,269 +baby thingies so if he poops where does + + +11 +00:00:27,269 --> 00:00:35,630 +baby thingies so if he poops where does +it go humans okay you check for poop the + +12 +00:00:35,630 --> 00:00:35,640 +it go humans okay you check for poop the + + +13 +00:00:35,640 --> 00:00:37,639 +it go humans okay you check for poop the +poop was returning the runt was your + +14 +00:00:37,639 --> 00:00:37,649 +poop was returning the runt was your + + +15 +00:00:37,649 --> 00:00:38,780 +poop was returning the runt was your +idea because you're small and + +16 +00:00:38,780 --> 00:00:38,790 +idea because you're small and + + +17 +00:00:38,790 --> 00:00:40,280 +idea because you're small and +insignificant and because I'll pummel + +18 +00:00:40,280 --> 00:00:40,290 +insignificant and because I'll pummel + + +19 +00:00:40,290 --> 00:00:51,950 +insignificant and because I'll pummel +you if you don't I mean my goodness + +20 +00:00:51,950 --> 00:00:51,960 +you if you don't I mean my goodness + + +21 +00:00:51,960 --> 00:00:55,420 +you if you don't I mean my goodness +alright look out look out coming through + +22 +00:00:55,420 --> 00:00:55,430 +alright look out look out coming through + + +23 +00:00:55,430 --> 00:01:11,840 +alright look out look out coming through +around got you will you cut it out hey + +24 +00:01:11,840 --> 00:01:11,850 +around got you will you cut it out hey + + +25 +00:01:11,850 --> 00:01:12,590 +around got you will you cut it out hey +do that again + +26 +00:01:12,590 --> 00:01:12,600 +do that again + + +27 +00:01:12,600 --> 00:01:17,719 +do that again +he likes it it's making me feel better + +28 +00:01:17,719 --> 00:01:17,729 +he likes it it's making me feel better + + +29 +00:01:17,729 --> 00:01:33,130 +he likes it it's making me feel better +too baby + +30 +00:01:33,130 --> 00:01:33,140 +too baby + + +31 +00:01:33,140 --> 00:01:39,039 +too baby +there is where's the baby + +32 +00:01:39,039 --> 00:01:39,049 +there is where's the baby + + +33 +00:01:39,049 --> 00:01:45,469 +there is where's the baby +there is stop it you're scaring him + +34 +00:01:45,469 --> 00:01:45,479 +there is stop it you're scaring him + + +35 +00:01:45,479 --> 00:01:50,899 +there is stop it you're scaring him +I bet he's hungry + +36 +00:01:50,899 --> 00:01:50,909 +I bet he's hungry + + +37 +00:01:50,909 --> 00:01:53,539 +I bet he's hungry +how about some milk oh I'd love some not + +38 +00:01:53,539 --> 00:01:53,549 +how about some milk oh I'd love some not + + +39 +00:01:53,549 --> 00:01:55,160 +how about some milk oh I'd love some not +you too baby + +40 +00:01:55,160 --> 00:01:55,170 +you too baby + + +41 +00:01:55,170 --> 00:01:57,440 +you too baby +well I ain't exactly lactating right now + +42 +00:01:57,440 --> 00:01:57,450 +well I ain't exactly lactating right now + + +43 +00:01:57,450 --> 00:01:59,090 +well I ain't exactly lactating right now +pal you're a little low on the food + +44 +00:01:59,090 --> 00:01:59,100 +pal you're a little low on the food + + +45 +00:01:59,100 --> 00:02:06,730 +pal you're a little low on the food +chain to me mouthing off + +46 +00:02:06,730 --> 00:02:06,740 + + + +47 +00:02:06,740 --> 00:02:33,669 + +[Music] + diff --git a/2002/8iQKnefUJNg.description b/2002/8iQKnefUJNg.description new file mode 100644 index 0000000000000000000000000000000000000000..2f2526f61e8b2ee992c670d60e845f37fc92d4c3 --- /dev/null +++ b/2002/8iQKnefUJNg.description @@ -0,0 +1,38 @@ +Equilibrium movie clips: http://j.mp/15vK7ZI +BUY THE MOVIE: http://amzn.to/s3QBpS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Preston (Christian Bale) saves a group of resistance fighters by turning against his own men. + +FILM DESCRIPTION: +A man who dares to feel finds his life in danger in this cautionary science fiction drama. In the future, after a Third World War has decimated much of the Earth's population, a new nation known as Libria rises up under the unquestioned leadership of Dupont (Angus MacFadyen). Believing human emotions and their expression were to blame for the failings of past societies, The Father has decreed that all citizens must take a daily dose of Prozia II, a drug which levels out the emotional landscape, and that all forms of creative expression are against the law; violating either regulation can be punished by death. John Preston (Christian Bale) is a Grammaton, an elite law enforcement officer who tracks down and punishes "sense offenders." One day, Preston accidentally fails to take his Prozia II, and for the first time begins experiencing emotions himself. Preston becomes aware of an underground of rebels who refuse to take their medication and have embraced art and literature, and he finds himself becoming infatuated with one of their number, Mary O'Brian (Emily Watson). Equilibrium is the second feature-length directorial effort from Kurt Wimmer, whose screenwriting credits include The Thomas Crown Affair and Sphere. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Christian Bale +Director: Kurt Wimmer +Producers: Sue Baden-Powell, Jan de Bont, Lucas Foster, Andrew Rona, Ninon Tantet, Bob Weinstein, Harvey Weinstein +Screenwriter: Kurt Wimmer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/901lYbPmqu4.description b/2002/901lYbPmqu4.description new file mode 100644 index 0000000000000000000000000000000000000000..2b4da7782d2a8196369bc874bd5ea8aa2cd238c5 --- /dev/null +++ b/2002/901lYbPmqu4.description @@ -0,0 +1,38 @@ +Minority Report movie clips: http://j.mp/1JcTdIZ +BUY THE MOVIE: http://amzn.to/vH4qda +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Anderton (Tom Cruise) tries to hide in a bathtub, but the nasty spider robots catch him anyway. + +FILM DESCRIPTION: +Based on a short story by the late Philip K. Dick, this science fiction-thriller reflects the writer's familiar preoccupation with themes of concealed identity and mind control. Tom Cruise stars as John Anderton, a Washington, D.C. detective in the year 2054. Anderton works for "Precrime," a special unit of the police department that arrests murderers before they have committed the actual crime. Precrime bases its work on the visions of three psychics or "precogs" whose prophecies of future events are never in error. When Anderton discovers that he has been identified as the future killer of a man he's never met, he is forced to become a fugitive from his own colleagues as he tries to uncover the mystery of the victim-to-be's identity. When he kidnaps Agatha (Samantha Morton), one of the precogs, he begins to formulate a theory about a possible frame-up from within his own department. Directed by Steven Spielberg, who hired a team of futurists to devise the film's numerous technologically advanced gadgets, Minority Report co-stars Colin Farrell, Max von Sydow, and Neal McDonough. + +CREDITS: +TM & © Dreamworks (2002) +Cast: Tom Cruise, Neal McDonough +Director: Steven Spielberg +Producers: Jan de Bont, Michael Doven, Gary Goldman, Gerald R. Molen, Walter F. Parkes, Ronald Shusett, Sergio Mimica-Gezzan, Bonnie Curtis +Screenwriters: Philip K. Dick, Scott Frank + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/901lYbPmqu4.en.srt b/2002/901lYbPmqu4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e3319fcfbe59715668be079fb31b8af99da777eb --- /dev/null +++ b/2002/901lYbPmqu4.en.srt @@ -0,0 +1,84 @@ +1 +00:00:18,905 --> 00:00:20,839 +We lost one. + +2 +00:00:20,907 --> 00:00:25,111 +Roger that. +Maybe it was a cat jumping +through a window or something. + +3 +00:00:25,178 --> 00:00:27,213 +That's an awful big cat. + +4 +00:00:27,280 --> 00:00:29,448 +Fletcher. + +5 +00:00:29,516 --> 00:00:31,950 +I'll go check it out. + +6 +00:01:10,123 --> 00:01:13,526 +They're crying +their eyes out. +You terrified them! + +7 +00:01:13,593 --> 00:01:16,928 +If you don't want +your kids to know terror, +keep 'em away from me. + +8 +00:01:30,710 --> 00:01:33,412 +Wait a minute. +The big cat's back. + +9 +00:01:33,480 --> 00:01:35,681 +What do you guys think, +a drunk maybe +who can't wake up? + +10 +00:01:35,748 --> 00:01:38,217 +Or some guy who doesn't +wanna get read. +[ woman shouting ] + +11 +00:01:38,285 --> 00:01:41,187 +Folks, please be quiet. +Close your doors. +Go back inside. + +12 +00:01:50,029 --> 00:01:51,963 +[ scanner beeping ] + +13 +00:01:52,031 --> 00:01:54,266 +Be quiet and close the door. + +14 +00:01:54,334 --> 00:01:56,268 +[ groaning ] + +15 +00:02:01,274 --> 00:02:03,609 +We got an I.D. +It's not him. + +16 +00:02:05,645 --> 00:02:08,480 +- Standing down. +- Let's eat. + +17 +00:02:08,548 --> 00:02:11,116 +[ crow on tape ] +anderton, wait! + diff --git a/2002/AY1ze9t3lus.en.srt b/2002/AY1ze9t3lus.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..5a4cc139151688531d43d83f8bef3de65451fe65 --- /dev/null +++ b/2002/AY1ze9t3lus.en.srt @@ -0,0 +1,305 @@ +1 +00:00:03,870 --> 00:00:21,160 + +what Oh what did you do that for + +2 +00:00:21,160 --> 00:00:21,170 +what Oh what did you do that for + + +3 +00:00:21,170 --> 00:00:25,519 +what Oh what did you do that for +mr. twisty who's there + +4 +00:00:25,519 --> 00:00:25,529 +mr. twisty who's there + + +5 +00:00:25,529 --> 00:00:38,820 +mr. twisty who's there +show yourself + +6 +00:00:38,820 --> 00:00:38,830 + + + +7 +00:00:38,830 --> 00:00:44,800 + +what are you oh me oh my name is Helia I + +8 +00:00:44,800 --> 00:00:44,810 +what are you oh me oh my name is Helia I + + +9 +00:00:44,810 --> 00:00:47,410 +what are you oh me oh my name is Helia I +am a caterpillar well that is only half + +10 +00:00:47,410 --> 00:00:47,420 +am a caterpillar well that is only half + + +11 +00:00:47,420 --> 00:00:49,660 +am a caterpillar well that is only half +true my mother was a caterpillar my + +12 +00:00:49,660 --> 00:00:49,670 +true my mother was a caterpillar my + + +13 +00:00:49,670 --> 00:00:51,490 +true my mother was a caterpillar my +father was a word but I am okay with + +14 +00:00:51,490 --> 00:00:51,500 +father was a word but I am okay with + + +15 +00:00:51,500 --> 00:00:53,530 +father was a word but I am okay with +that now Khalil + +16 +00:00:53,530 --> 00:00:53,540 +that now Khalil + + +17 +00:00:53,540 --> 00:00:56,320 +that now Khalil +Halil you've got to get your foot into + +18 +00:00:56,320 --> 00:00:56,330 +Halil you've got to get your foot into + + +19 +00:00:56,330 --> 00:01:05,740 +Halil you've got to get your foot into +it I bet you are wondering why I am here + +20 +00:01:05,740 --> 00:01:05,750 +it I bet you are wondering why I am here + + +21 +00:01:05,750 --> 00:01:11,650 +it I bet you are wondering why I am here +ah you tidy up around the ship oh no I + +22 +00:01:11,650 --> 00:01:11,660 +ah you tidy up around the ship oh no I + + +23 +00:01:11,660 --> 00:01:14,140 +ah you tidy up around the ship oh no I +do not work on this ship I am a small + +24 +00:01:14,140 --> 00:01:14,150 +do not work on this ship I am a small + + +25 +00:01:14,150 --> 00:01:16,390 +do not work on this ship I am a small +business operator a traveling salesman + +26 +00:01:16,390 --> 00:01:16,400 +business operator a traveling salesman + + +27 +00:01:16,400 --> 00:01:23,010 +business operator a traveling salesman +pistol Persian blood door-to-door + +28 +00:01:23,010 --> 00:01:23,020 + + + +29 +00:01:23,020 --> 00:01:26,560 + +lovely anyway do you know when this ship + +30 +00:01:26,560 --> 00:01:26,570 +lovely anyway do you know when this ship + + +31 +00:01:26,570 --> 00:01:30,910 +lovely anyway do you know when this ship +is going yes Natasha's ashes Oh what did + +32 +00:01:30,910 --> 00:01:30,920 +is going yes Natasha's ashes Oh what did + + +33 +00:01:30,920 --> 00:01:34,240 +is going yes Natasha's ashes Oh what did +trip know that may be just what I need + +34 +00:01:34,240 --> 00:01:34,250 +trip know that may be just what I need + + +35 +00:01:34,250 --> 00:01:36,460 +trip know that may be just what I need +the Persian rug business has not been + +36 +00:01:36,460 --> 00:01:36,470 +the Persian rug business has not been + + +37 +00:01:36,470 --> 00:01:38,859 +the Persian rug business has not been +going very well around here what I still + +38 +00:01:38,859 --> 00:01:38,869 +going very well around here what I still + + +39 +00:01:38,869 --> 00:01:41,350 +going very well around here what I still +have a positive mental attitude because + +40 +00:01:41,350 --> 00:01:41,360 +have a positive mental attitude because + + +41 +00:01:41,360 --> 00:01:46,050 +have a positive mental attitude because +of my motivational tapes + +42 +00:01:46,050 --> 00:01:46,060 + + + +43 +00:01:46,060 --> 00:01:50,980 + +I am a skilled metalworker I did not + +44 +00:01:50,980 --> 00:01:50,990 +I am a skilled metalworker I did not + + +45 +00:01:50,990 --> 00:01:54,669 +I am a skilled metalworker I did not +know that yes well that's lovely Carlyle + +46 +00:01:54,669 --> 00:01:54,679 +know that yes well that's lovely Carlyle + + +47 +00:01:54,679 --> 00:01:57,460 +know that yes well that's lovely Carlyle +but if you don't mind I think I'll just + +48 +00:01:57,460 --> 00:01:57,470 +but if you don't mind I think I'll just + + +49 +00:01:57,470 --> 00:01:59,919 +but if you don't mind I think I'll just +get some rest huh + +50 +00:01:59,919 --> 00:01:59,929 +get some rest huh + + +51 +00:01:59,929 --> 00:02:05,050 +get some rest huh +Oh Arjuna you know me of course I do you + +52 +00:02:05,050 --> 00:02:05,060 +Oh Arjuna you know me of course I do you + + +53 +00:02:05,060 --> 00:02:07,180 +Oh Arjuna you know me of course I do you +are the most famous prophet into + +54 +00:02:07,180 --> 00:02:07,190 +are the most famous prophet into + + +55 +00:02:07,190 --> 00:02:10,210 +are the most famous prophet into +homeworld well I don't know if I'd say + +56 +00:02:10,210 --> 00:02:10,220 +homeworld well I don't know if I'd say + + +57 +00:02:10,220 --> 00:02:12,760 +homeworld well I don't know if I'd say +sell your licensed merchandise look look + +58 +00:02:12,760 --> 00:02:12,770 +sell your licensed merchandise look look + + +59 +00:02:12,770 --> 00:02:16,390 +sell your licensed merchandise look look +I have there Jonah runs did Jonah flash + +60 +00:02:16,390 --> 00:02:16,400 +I have there Jonah runs did Jonah flash + + +61 +00:02:16,400 --> 00:02:20,740 +I have there Jonah runs did Jonah flash +toy with sound + diff --git a/2002/AYS6V3rDT6c.description b/2002/AYS6V3rDT6c.description new file mode 100644 index 0000000000000000000000000000000000000000..ce49e65c8d02656b10d91c8415d3a6c70a7e61af --- /dev/null +++ b/2002/AYS6V3rDT6c.description @@ -0,0 +1,38 @@ +John Q movie clips: http://j.mp/1DvckL2 +BUY THE MOVIE: http://bit.ly/2c5fayp +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +John Q. (Denzel Washington) negotiates with Lt. Grimes (Robert Duvall) for the life of his son. + +FILM DESCRIPTION: +A national health care crisis in the United States yields this tense drama from screenwriter James Kearns and director Nick Cassavetes, who experienced a real-life dilemma with his daughter's congenital heart disease that mirrors the one in this film. Denzel Washington stars as John Q. Archibald, a factory worker facing financial hardship as a result of reduced hours in his workplace. When his young son, Michael (Daniel E. Smith), is stricken during a baseball game, John and his wife, Denise (Kimberly Elise), discover that their child is in need of an emergency heart transplant. Although the Archibalds have health insurance, they are informed by hospital administrator Rebecca Payne (Anne Heche) that their policy doesn't cover such an expensive procedure. Unable to raise the money himself, John persuades the hospital's compassionate cardiac surgeon, Dr. Raymond Turner (James Woods), to waive his lofty fee, but is still left with too much of a financial burden to bear. With no recourse but to take his son home to die, John snaps and holds the staff and patients of the hospital's emergency room hostage at gunpoint. John is soon a media hero, the focus of intense news coverage, even as police chief Gus Monroe (Ray Liotta) and hostage negotiator Frank Grimes (Robert Duvall) try to resolve the situation before it leads to bloodshed. + +CREDITS: +TM & © Warner Bros. (2002) +Cast: Denzel Washington, Robert Duvall, Ray Liotta, Frank Cassavetes +Director: Nick Cassavetes +Producers: Mark Burg, Howard Burkons, Dale De La Torre, Michael De Luca, Mathew Hart, Avram 'Butch' Kaplan, James Kearns, Oren Koules, Richard Saperstein, Hillary Sherman +Screenwriter: James Kearns + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/AYS6V3rDT6c.en.srt b/2002/AYS6V3rDT6c.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..77b4815c661e8f25dc6ec871c85aa91476dd399d --- /dev/null +++ b/2002/AYS6V3rDT6c.en.srt @@ -0,0 +1,475 @@ +1 +00:00:00,359 --> 00:00:04,910 + +what's going on here + +2 +00:00:04,910 --> 00:00:04,920 + + + +3 +00:00:04,920 --> 00:00:06,010 + +John + +4 +00:00:06,010 --> 00:00:06,020 +John + + +5 +00:00:06,020 --> 00:00:14,390 +John +[Applause] + +6 +00:00:14,390 --> 00:00:14,400 + + + +7 +00:00:14,400 --> 00:00:17,269 + +got you lied to me Lieutenant you said + +8 +00:00:17,269 --> 00:00:17,279 +got you lied to me Lieutenant you said + + +9 +00:00:17,279 --> 00:00:18,830 +got you lied to me Lieutenant you said +you were going to call me back Frank but + +10 +00:00:18,830 --> 00:00:18,840 +you were going to call me back Frank but + + +11 +00:00:18,840 --> 00:00:21,390 +you were going to call me back Frank but +you didn't call I gave you your hostages + +12 +00:00:21,390 --> 00:00:21,400 +you didn't call I gave you your hostages + + +13 +00:00:21,400 --> 00:00:24,109 +you didn't call I gave you your hostages +but you didn't call me back why because + +14 +00:00:24,109 --> 00:00:24,119 +but you didn't call me back why because + + +15 +00:00:24,119 --> 00:00:26,029 +but you didn't call me back why because +you want me dead don't nobody wants to + +16 +00:00:26,029 --> 00:00:26,039 +you want me dead don't nobody wants to + + +17 +00:00:26,039 --> 00:00:27,790 +you want me dead don't nobody wants to +kill you John nobody wants to kill you + +18 +00:00:27,790 --> 00:00:27,800 +kill you John nobody wants to kill you + + +19 +00:00:27,800 --> 00:00:30,349 +kill you John nobody wants to kill you +nobody wants to kill me no nobody none + +20 +00:00:30,349 --> 00:00:30,359 +nobody wants to kill me no nobody none + + +21 +00:00:30,359 --> 00:00:33,950 +nobody wants to kill me no nobody none +of these guys not him oh okay what is + +22 +00:00:33,950 --> 00:00:33,960 +of these guys not him oh okay what is + + +23 +00:00:33,960 --> 00:00:40,549 +of these guys not him oh okay what is +this what is + +24 +00:00:40,549 --> 00:00:40,559 + + + +25 +00:00:40,559 --> 00:00:43,630 + +this what did you think would happen you + +26 +00:00:43,630 --> 00:00:43,640 +this what did you think would happen you + + +27 +00:00:43,640 --> 00:00:46,069 +this what did you think would happen you +want truth here's some truth this is + +28 +00:00:46,069 --> 00:00:46,079 +want truth here's some truth this is + + +29 +00:00:46,079 --> 00:00:48,310 +want truth here's some truth this is +going to end up bad for you John there's + +30 +00:00:48,310 --> 00:00:48,320 +going to end up bad for you John there's + + +31 +00:00:48,320 --> 00:00:51,630 +going to end up bad for you John there's +only two ways out of here + +32 +00:00:51,630 --> 00:00:51,640 +only two ways out of here + + +33 +00:00:51,640 --> 00:00:53,430 +only two ways out of here +jail or + +34 +00:00:53,430 --> 00:00:53,440 +jail or + + +35 +00:00:53,440 --> 00:00:56,389 +jail or +dead my son is very + +36 +00:00:56,389 --> 00:00:56,399 +dead my son is very + + +37 +00:00:56,399 --> 00:01:00,509 +dead my son is very +sick and he needs some help I understand + +38 +00:01:00,509 --> 00:01:00,519 +sick and he needs some help I understand + + +39 +00:01:00,519 --> 00:01:02,470 +sick and he needs some help I understand +it's hard to be a man these days hard to + +40 +00:01:02,470 --> 00:01:02,480 +it's hard to be a man these days hard to + + +41 +00:01:02,480 --> 00:01:04,270 +it's hard to be a man these days hard to +know what the right thing is but Put the + +42 +00:01:04,270 --> 00:01:04,280 +know what the right thing is but Put the + + +43 +00:01:04,280 --> 00:01:06,910 +know what the right thing is but Put the +gun down John you're not hearing me + +44 +00:01:06,910 --> 00:01:06,920 +gun down John you're not hearing me + + +45 +00:01:06,920 --> 00:01:10,670 +gun down John you're not hearing me +Frank my son is sick that's it there's + +46 +00:01:10,670 --> 00:01:10,680 +Frank my son is sick that's it there's + + +47 +00:01:10,680 --> 00:01:13,910 +Frank my son is sick that's it there's +nothing else in the + +48 +00:01:13,910 --> 00:01:13,920 +nothing else in the + + +49 +00:01:13,920 --> 00:01:16,429 +nothing else in the +store when people are sick they deserve + +50 +00:01:16,429 --> 00:01:16,439 +store when people are sick they deserve + + +51 +00:01:16,439 --> 00:01:17,950 +store when people are sick they deserve +a little + +52 +00:01:17,950 --> 00:01:17,960 +a little + + +53 +00:01:17,960 --> 00:01:20,830 +a little +help sick + +54 +00:01:20,830 --> 00:01:20,840 +help sick + + +55 +00:01:20,840 --> 00:01:24,710 +help sick +help sick + +56 +00:01:24,710 --> 00:01:24,720 +help sick + + +57 +00:01:24,720 --> 00:01:30,230 +help sick +help I am not going to bury my son + +58 +00:01:30,230 --> 00:01:30,240 +help I am not going to bury my son + + +59 +00:01:30,240 --> 00:01:32,749 +help I am not going to bury my son +my son is going to bury + +60 +00:01:32,749 --> 00:01:32,759 +my son is going to bury + + +61 +00:01:32,759 --> 00:01:35,109 +my son is going to bury +me you think these people give a + +62 +00:01:35,109 --> 00:01:35,119 +me you think these people give a + + +63 +00:01:35,119 --> 00:01:38,310 +me you think these people give a +about you they don't you're just the + +64 +00:01:38,310 --> 00:01:38,320 +about you they don't you're just the + + +65 +00:01:38,320 --> 00:01:40,670 +about you they don't you're just the +cause of the moment nobody cares John + +66 +00:01:40,670 --> 00:01:40,680 +cause of the moment nobody cares John + + +67 +00:01:40,680 --> 00:01:44,950 +cause of the moment nobody cares John +that's the real truth nobody cares only + +68 +00:01:44,950 --> 00:01:44,960 +that's the real truth nobody cares only + + +69 +00:01:44,960 --> 00:01:48,709 +that's the real truth nobody cares only +you and it's only you and me out here + +70 +00:01:48,709 --> 00:01:48,719 +you and it's only you and me out here + + +71 +00:01:48,719 --> 00:01:52,069 +you and it's only you and me out here +and all these guns pointed at + +72 +00:01:52,069 --> 00:01:52,079 +and all these guns pointed at + + +73 +00:01:52,079 --> 00:01:54,270 +and all these guns pointed at +you so what do you want to do it's your + +74 +00:01:54,270 --> 00:01:54,280 +you so what do you want to do it's your + + +75 +00:01:54,280 --> 00:01:56,950 +you so what do you want to do it's your +call I want my + +76 +00:01:56,950 --> 00:01:56,960 +call I want my + + +77 +00:01:56,960 --> 00:02:00,870 +call I want my +son I want my son inside with me + +78 +00:02:00,870 --> 00:02:00,880 +son I want my son inside with me + + +79 +00:02:00,880 --> 00:02:03,590 +son I want my son inside with me +can't do it John you give me my boy I + +80 +00:02:03,590 --> 00:02:03,600 +can't do it John you give me my boy I + + +81 +00:02:03,600 --> 00:02:07,469 +can't do it John you give me my boy I +give you your sniper then it's all + +82 +00:02:07,469 --> 00:02:07,479 +give you your sniper then it's all + + +83 +00:02:07,479 --> 00:02:10,270 +give you your sniper then it's all +over you bring my + +84 +00:02:10,270 --> 00:02:10,280 +over you bring my + + +85 +00:02:10,280 --> 00:02:12,830 +over you bring my +son I give + +86 +00:02:12,830 --> 00:02:12,840 +son I give + + +87 +00:02:12,840 --> 00:02:17,309 +son I give +up everybody goes + +88 +00:02:17,309 --> 00:02:17,319 + + + +89 +00:02:17,319 --> 00:02:22,869 + +home everybody + +90 +00:02:22,869 --> 00:02:22,879 + + + +91 +00:02:22,879 --> 00:02:25,830 + +safe you bring me my + +92 +00:02:25,830 --> 00:02:25,840 +safe you bring me my + + +93 +00:02:25,840 --> 00:02:28,070 +safe you bring me my +son come on + +94 +00:02:28,070 --> 00:02:28,080 +son come on + + +95 +00:02:28,080 --> 00:02:57,300 +son come on +[Music] + diff --git a/2002/AkR9wDct-0o.description b/2002/AkR9wDct-0o.description new file mode 100644 index 0000000000000000000000000000000000000000..5f2e3b5bcb7a29dad40266531e613b7b1cbd65b6 --- /dev/null +++ b/2002/AkR9wDct-0o.description @@ -0,0 +1,38 @@ +The Pianist movie clips: http://j.mp/1CPpDoL +BUY THE MOVIE: http://amzn.to/vGPENp +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +A fearsome neighbor (Katarznya Bargielowska) demands identification from Wladyslaw (Adrien Brody) when they hear him in another flat. + +FILM DESCRIPTION: +Filmmaker Roman Polanski, who as a boy growing up in Poland watched while the Nazis devastated his country during World War II, directed this downbeat drama based on the true story of a privileged musician who spent five years struggling against the Nazi occupation of Warsaw. Wladyslaw Szpilman (Adrien Brody) is a gifted classical pianist born to a wealthy Jewish family in Poland. The Szpilmans have a large and comfortable flat in Warsaw which Wladyslaw shares with his mother and father (Maureen Lipman and Frank Finlay), his sisters Halina and Regina (Jessica Kate Meyer and Julia Rayner), and his brother, Henryk (Ed Stoppard). While Wladyslaw and his family are aware of the looming presence of German forces and Hitler's designs on Poland, they're convinced that the Nazis are a menace which will pass, and that England and France will step forward to aid Poland in the event of a real crisis. Wladyslaw's naïveté is shattered when a German bomb rips through a radio studio while he performs a recital for broadcast. During the early stages of the Nazi occupation, as a respected artist, he still imagines himself above the danger, using his pull to obtain employment papers for his father and landing a supposedly safe job playing piano in a restaurant. But as the German grip tightens upon Poland, Wladyslaw and his family are selected for deportation to a Nazi concentration camp. Refusing to face a certain death, Wladyslaw goes into hiding in a comfortable apartment provided by a friend. However, when his benefactor goes missing, Wladyslaw is left to fend for himself and he spends the next several years dashing from one abandoned home to another, desperate to avoid capture by German occupation troops. The Pianist was based on the memoir of the same name by the real-life Wladyslaw Szpilman; the book was first published in 1946 as Death of a City, but was banned by Polish Communist officials and went out of print until 1998, when a new edition was issued as The Pianist. + +CREDITS: +TM & © Universal (2002) +Cast: Adrien Brody, Katarzyna Bargielowska, Katarzyna Figura +Director: Roman Polanski +Producers: Robert Benmussa, Timothy Burrill, Daniel Champagnon, Gene Gutowski, Henning Molfenter, Roman Polanski, Lew Rywin, Alain Sarde, Rainer Schaper +Screenwriters: Ronald Harwood, Wladyslaw Szpilman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/AkR9wDct-0o.en.srt b/2002/AkR9wDct-0o.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..0c8aae88c52f2638ee5e9cef2bdcb02c8405fa24 --- /dev/null +++ b/2002/AkR9wDct-0o.en.srt @@ -0,0 +1,165 @@ +1 +00:00:31,360 --> 00:00:47,549 + +[Music] + +2 +00:00:47,549 --> 00:00:47,559 + + + +3 +00:00:47,559 --> 00:00:51,510 + +open + +4 +00:00:51,510 --> 00:00:51,520 + + + +5 +00:00:51,520 --> 00:00:54,229 + +up open the door F we will call the + +6 +00:00:54,229 --> 00:00:54,239 +up open the door F we will call the + + +7 +00:00:54,239 --> 00:01:24,630 +up open the door F we will call the +police + +8 +00:01:24,630 --> 00:01:24,640 + + + +9 +00:01:24,640 --> 00:01:26,350 + +are you from this + +10 +00:01:26,350 --> 00:01:26,360 +are you from this + + +11 +00:01:26,360 --> 00:01:29,030 +are you from this +flat you're not registered it belongs to + +12 +00:01:29,030 --> 00:01:29,040 +flat you're not registered it belongs to + + +13 +00:01:29,040 --> 00:01:31,109 +flat you're not registered it belongs to +a friend of mine I just came to visit + +14 +00:01:31,109 --> 00:01:31,119 +a friend of mine I just came to visit + + +15 +00:01:31,119 --> 00:01:32,469 +a friend of mine I just came to visit +but I must have just missed him have you + +16 +00:01:32,469 --> 00:01:32,479 +but I must have just missed him have you + + +17 +00:01:32,479 --> 00:01:35,870 +but I must have just missed him have you +got to your identity card huh let me see + +18 +00:01:35,870 --> 00:01:35,880 +got to your identity card huh let me see + + +19 +00:01:35,880 --> 00:01:38,840 +got to your identity card huh let me see +your identity card yes of + +20 +00:01:38,840 --> 00:01:38,850 +your identity card yes of + + +21 +00:01:38,850 --> 00:01:39,990 +your identity card yes of +[Applause] + +22 +00:01:39,990 --> 00:01:40,000 +[Applause] + + +23 +00:01:40,000 --> 00:01:42,710 +[Applause] +course I want to see your identity card + +24 +00:01:42,710 --> 00:01:42,720 +course I want to see your identity card + + +25 +00:01:42,720 --> 00:01:47,190 +course I want to see your identity card +what's happening he's a Jew a Jew stop + +26 +00:01:47,190 --> 00:01:47,200 +what's happening he's a Jew a Jew stop + + +27 +00:01:47,200 --> 00:01:48,709 +what's happening he's a Jew a Jew stop +the + +28 +00:01:48,709 --> 00:01:48,719 +the + + +29 +00:01:48,719 --> 00:01:58,830 +the +sh don't let him out stop + +30 +00:01:58,830 --> 00:01:58,840 + + + +31 +00:01:58,840 --> 00:02:01,000 + +it e + +32 +00:02:01,000 --> 00:02:01,010 +it e + + +33 +00:02:01,010 --> 00:02:35,499 +it e +[Music] + diff --git a/2002/BHQdl3iBhkE.en.srt b/2002/BHQdl3iBhkE.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..eb0c80257fa952ec808aacb55a4b5383d532ba6e --- /dev/null +++ b/2002/BHQdl3iBhkE.en.srt @@ -0,0 +1,625 @@ +1 +00:00:00,640 --> 00:00:02,389 + +i guess i'd like to know what your first + +2 +00:00:02,389 --> 00:00:02,399 +i guess i'd like to know what your first + + +3 +00:00:02,399 --> 00:00:03,990 +i guess i'd like to know what your first +time is like + +4 +00:00:03,990 --> 00:00:04,000 +time is like + + +5 +00:00:04,000 --> 00:00:05,670 +time is like +that's what you come up with that is a + +6 +00:00:05,670 --> 00:00:05,680 +that's what you come up with that is a + + +7 +00:00:05,680 --> 00:00:08,790 +that's what you come up with that is a +great question + +8 +00:00:08,790 --> 00:00:08,800 + + + +9 +00:00:08,800 --> 00:00:13,910 + +okay i'll go first + +10 +00:00:13,910 --> 00:00:13,920 + + + +11 +00:00:13,920 --> 00:00:16,390 + +it was my junior year high school or + +12 +00:00:16,390 --> 00:00:16,400 +it was my junior year high school or + + +13 +00:00:16,400 --> 00:00:18,390 +it was my junior year high school or +college + +14 +00:00:18,390 --> 00:00:18,400 +college + + +15 +00:00:18,400 --> 00:00:19,990 +college +high school + +16 +00:00:19,990 --> 00:00:20,000 +high school + + +17 +00:00:20,000 --> 00:00:21,990 +high school +his name was bobby rushton and we + +18 +00:00:21,990 --> 00:00:22,000 +his name was bobby rushton and we + + +19 +00:00:22,000 --> 00:00:23,670 +his name was bobby rushton and we +weren't even dating or anything i just i + +20 +00:00:23,670 --> 00:00:23,680 +weren't even dating or anything i just i + + +21 +00:00:23,680 --> 00:00:25,349 +weren't even dating or anything i just i +just picked him out one day and decided + +22 +00:00:25,349 --> 00:00:25,359 +just picked him out one day and decided + + +23 +00:00:25,359 --> 00:00:26,950 +just picked him out one day and decided +he was going to be the one so why him + +24 +00:00:26,950 --> 00:00:26,960 +he was going to be the one so why him + + +25 +00:00:26,960 --> 00:00:30,470 +he was going to be the one so why him +though why why'd you pick him up + +26 +00:00:30,470 --> 00:00:30,480 +though why why'd you pick him up + + +27 +00:00:30,480 --> 00:00:33,190 +though why why'd you pick him up +he was funny as i remember but it was + +28 +00:00:33,190 --> 00:00:33,200 +he was funny as i remember but it was + + +29 +00:00:33,200 --> 00:00:34,470 +he was funny as i remember but it was +something + +30 +00:00:34,470 --> 00:00:34,480 +something + + +31 +00:00:34,480 --> 00:00:35,750 +something +i don't know it was something more than + +32 +00:00:35,750 --> 00:00:35,760 +i don't know it was something more than + + +33 +00:00:35,760 --> 00:00:37,590 +i don't know it was something more than +that it was like this + +34 +00:00:37,590 --> 00:00:37,600 +that it was like this + + +35 +00:00:37,600 --> 00:00:39,350 +that it was like this +it was like this vibe + +36 +00:00:39,350 --> 00:00:39,360 +it was like this vibe + + +37 +00:00:39,360 --> 00:00:41,510 +it was like this vibe +you know i mean i knew he would be nice + +38 +00:00:41,510 --> 00:00:41,520 +you know i mean i knew he would be nice + + +39 +00:00:41,520 --> 00:00:43,030 +you know i mean i knew he would be nice +i mean he wasn't very popular and i + +40 +00:00:43,030 --> 00:00:43,040 +i mean he wasn't very popular and i + + +41 +00:00:43,040 --> 00:00:44,630 +i mean he wasn't very popular and i +didn't think he'd brag about me and his + +42 +00:00:44,630 --> 00:00:44,640 +didn't think he'd brag about me and his + + +43 +00:00:44,640 --> 00:00:46,790 +didn't think he'd brag about me and his +friends that's half the fun + +44 +00:00:46,790 --> 00:00:46,800 +friends that's half the fun + + +45 +00:00:46,800 --> 00:00:48,069 +friends that's half the fun +well he didn't + +46 +00:00:48,069 --> 00:00:48,079 +well he didn't + + +47 +00:00:48,079 --> 00:00:51,029 +well he didn't +he was just as nervous as i was + +48 +00:00:51,029 --> 00:00:51,039 +he was just as nervous as i was + + +49 +00:00:51,039 --> 00:00:52,310 +he was just as nervous as i was +which i think really is part of the + +50 +00:00:52,310 --> 00:00:52,320 +which i think really is part of the + + +51 +00:00:52,320 --> 00:00:54,150 +which i think really is part of the +reason that i picked him because + +52 +00:00:54,150 --> 00:00:54,160 +reason that i picked him because + + +53 +00:00:54,160 --> 00:00:56,630 +reason that i picked him because +i think i wanted to have some control + +54 +00:00:56,630 --> 00:00:56,640 +i think i wanted to have some control + + +55 +00:00:56,640 --> 00:00:57,670 +i think i wanted to have some control +you know + +56 +00:00:57,670 --> 00:00:57,680 +you know + + +57 +00:00:57,680 --> 00:00:59,590 +you know +so you're his first as well then + +58 +00:00:59,590 --> 00:00:59,600 +so you're his first as well then + + +59 +00:00:59,600 --> 00:01:00,470 +so you're his first as well then +yeah + +60 +00:01:00,470 --> 00:01:00,480 +yeah + + +61 +00:01:00,480 --> 00:01:01,910 +yeah +in fact i went with him to go get the + +62 +00:01:01,910 --> 00:01:01,920 +in fact i went with him to go get the + + +63 +00:01:01,920 --> 00:01:03,189 +in fact i went with him to go get the +condoms + +64 +00:01:03,189 --> 00:01:03,199 +condoms + + +65 +00:01:03,199 --> 00:01:05,350 +condoms +we biked all the way across town because + +66 +00:01:05,350 --> 00:01:05,360 +we biked all the way across town because + + +67 +00:01:05,360 --> 00:01:07,510 +we biked all the way across town because +we were so afraid someone might see us + +68 +00:01:07,510 --> 00:01:07,520 +we were so afraid someone might see us + + +69 +00:01:07,520 --> 00:01:09,350 +we were so afraid someone might see us +we planned the thing for like a month i + +70 +00:01:09,350 --> 00:01:09,360 +we planned the thing for like a month i + + +71 +00:01:09,360 --> 00:01:10,789 +we planned the thing for like a month i +love this story + +72 +00:01:10,789 --> 00:01:10,799 +love this story + + +73 +00:01:10,799 --> 00:01:11,750 +love this story +yes + +74 +00:01:11,750 --> 00:01:11,760 +yes + + +75 +00:01:11,760 --> 00:01:13,830 +yes +so so where did you + +76 +00:01:13,830 --> 00:01:13,840 +so so where did you + + +77 +00:01:13,840 --> 00:01:15,830 +so so where did you +go + +78 +00:01:15,830 --> 00:01:15,840 +go + + +79 +00:01:15,840 --> 00:01:17,510 +go +it was in my house + +80 +00:01:17,510 --> 00:01:17,520 +it was in my house + + +81 +00:01:17,520 --> 00:01:19,350 +it was in my house +in in my room + +82 +00:01:19,350 --> 00:01:19,360 +in in my room + + +83 +00:01:19,360 --> 00:01:21,830 +in in my room +my parents were away for the weekend + +84 +00:01:21,830 --> 00:01:21,840 +my parents were away for the weekend + + +85 +00:01:21,840 --> 00:01:23,429 +my parents were away for the weekend +did did you bleed + +86 +00:01:23,429 --> 00:01:23,439 +did did you bleed + + +87 +00:01:23,439 --> 00:01:25,910 +did did you bleed +the usual not too bad wait so so it + +88 +00:01:25,910 --> 00:01:25,920 +the usual not too bad wait so so it + + +89 +00:01:25,920 --> 00:01:28,870 +the usual not too bad wait so so it +hurts the first time + +90 +00:01:28,870 --> 00:01:28,880 + + + +91 +00:01:28,880 --> 00:01:30,710 + +well it really + +92 +00:01:30,710 --> 00:01:30,720 +well it really + + +93 +00:01:30,720 --> 00:01:32,789 +well it really +hurts + +94 +00:01:32,789 --> 00:01:32,799 +hurts + + +95 +00:01:32,799 --> 00:01:35,910 +hurts +that first second + +96 +00:01:35,910 --> 00:01:35,920 +that first second + + +97 +00:01:35,920 --> 00:01:38,789 +that first second +and then after that it's just new + +98 +00:01:38,789 --> 00:01:38,799 +and then after that it's just new + + +99 +00:01:38,799 --> 00:01:40,630 +and then after that it's just new +you know i mean it's like this + +100 +00:01:40,630 --> 00:01:40,640 +you know i mean it's like this + + +101 +00:01:40,640 --> 00:01:43,109 +you know i mean it's like this +it's like this new feeling for your body + +102 +00:01:43,109 --> 00:01:43,119 +it's like this new feeling for your body + + +103 +00:01:43,119 --> 00:01:45,590 +it's like this new feeling for your body +so how was he + +104 +00:01:45,590 --> 00:01:45,600 +so how was he + + +105 +00:01:45,600 --> 00:01:47,830 +so how was he +matter of seconds no way he kept going + +106 +00:01:47,830 --> 00:01:47,840 +matter of seconds no way he kept going + + +107 +00:01:47,840 --> 00:01:49,270 +matter of seconds no way he kept going +like a champ + +108 +00:01:49,270 --> 00:01:49,280 +like a champ + + +109 +00:01:49,280 --> 00:01:51,749 +like a champ +i had to ask him to hurry up actually oh + +110 +00:01:51,749 --> 00:01:51,759 +i had to ask him to hurry up actually oh + + +111 +00:01:51,759 --> 00:01:52,630 +i had to ask him to hurry up actually oh +yeah + +112 +00:01:52,630 --> 00:01:52,640 +yeah + + +113 +00:01:52,640 --> 00:01:54,550 +yeah +well he did admit you know to + +114 +00:01:54,550 --> 00:01:54,560 +well he did admit you know to + + +115 +00:01:54,560 --> 00:01:56,230 +well he did admit you know to +masturbating like crazy beforehand so he + +116 +00:01:56,230 --> 00:01:56,240 +masturbating like crazy beforehand so he + + +117 +00:01:56,240 --> 00:01:57,830 +masturbating like crazy beforehand so he +went just like he wasn't doing that + +118 +00:01:57,830 --> 00:01:57,840 +went just like he wasn't doing that + + +119 +00:01:57,840 --> 00:02:00,069 +went just like he wasn't doing that +already no he sounds like a really nice + +120 +00:02:00,069 --> 00:02:00,079 +already no he sounds like a really nice + + +121 +00:02:00,079 --> 00:02:02,069 +already no he sounds like a really nice +guy + +122 +00:02:02,069 --> 00:02:02,079 +guy + + +123 +00:02:02,079 --> 00:02:31,430 +guy +he's a cop now + +124 +00:02:31,430 --> 00:02:31,440 + + + +125 +00:02:31,440 --> 00:02:33,520 + +you + diff --git a/2002/BRccUGaFz2s.en.srt b/2002/BRccUGaFz2s.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..fd60a6e4c9dc7a7015747204a6159c68744ecaa5 --- /dev/null +++ b/2002/BRccUGaFz2s.en.srt @@ -0,0 +1,375 @@ +1 +00:00:02,280 --> 00:00:04,510 + +hi Sai hi + +2 +00:00:04,510 --> 00:00:04,520 +hi Sai hi + + +3 +00:00:04,520 --> 00:00:06,670 +hi Sai hi +there I was just at the Dairy Queen I + +4 +00:00:06,670 --> 00:00:06,680 +there I was just at the Dairy Queen I + + +5 +00:00:06,680 --> 00:00:08,669 +there I was just at the Dairy Queen I +saw you down here and thought I'd say + +6 +00:00:08,669 --> 00:00:08,679 +saw you down here and thought I'd say + + +7 +00:00:08,679 --> 00:00:11,870 +saw you down here and thought I'd say +hello I'm just grabbing some shopping + +8 +00:00:11,870 --> 00:00:11,880 +hello I'm just grabbing some shopping + + +9 +00:00:11,880 --> 00:00:15,350 +hello I'm just grabbing some shopping +fuel I never see you away from the store + +10 +00:00:15,350 --> 00:00:15,360 +fuel I never see you away from the store + + +11 +00:00:15,360 --> 00:00:16,550 +fuel I never see you away from the store +after all these years you think we'd run + +12 +00:00:16,550 --> 00:00:16,560 +after all these years you think we'd run + + +13 +00:00:16,560 --> 00:00:18,269 +after all these years you think we'd run +into each other at some point why do you + +14 +00:00:18,269 --> 00:00:18,279 +into each other at some point why do you + + +15 +00:00:18,279 --> 00:00:20,790 +into each other at some point why do you +live around here I live + +16 +00:00:20,790 --> 00:00:20,800 +live around here I live + + +17 +00:00:20,800 --> 00:00:24,109 +live around here I live +downtown oh well that's quite a + +18 +00:00:24,109 --> 00:00:24,119 +downtown oh well that's quite a + + +19 +00:00:24,119 --> 00:00:30,990 +downtown oh well that's quite a +drive no I'm used to it + +20 +00:00:30,990 --> 00:00:31,000 + + + +21 +00:00:31,000 --> 00:00:35,069 + +you have a nice boy there oh Jake + +22 +00:00:35,069 --> 00:00:35,079 +you have a nice boy there oh Jake + + +23 +00:00:35,079 --> 00:00:39,030 +you have a nice boy there oh Jake +yeah a little sensitive maybe but um he + +24 +00:00:39,030 --> 00:00:39,040 +yeah a little sensitive maybe but um he + + +25 +00:00:39,040 --> 00:00:42,750 +yeah a little sensitive maybe but um he +likes you Sai he calls you Sai the photo + +26 +00:00:42,750 --> 00:00:42,760 +likes you Sai he calls you Sai the photo + + +27 +00:00:42,760 --> 00:00:45,029 +likes you Sai he calls you Sai the photo +guy I've watched him grow since he was + +28 +00:00:45,029 --> 00:00:45,039 +guy I've watched him grow since he was + + +29 +00:00:45,039 --> 00:00:48,029 +guy I've watched him grow since he was +this big that's right you've been doing + +30 +00:00:48,029 --> 00:00:48,039 +this big that's right you've been doing + + +31 +00:00:48,039 --> 00:00:50,950 +this big that's right you've been doing +our pictures for a long + +32 +00:00:50,950 --> 00:00:50,960 +our pictures for a long + + +33 +00:00:50,960 --> 00:00:57,790 +our pictures for a long +time know I almost feel like Uncle + +34 +00:00:57,790 --> 00:00:57,800 + + + +35 +00:00:57,800 --> 00:01:01,150 + +s well I'm got some serious shopping to + +36 +00:01:01,150 --> 00:01:01,160 +s well I'm got some serious shopping to + + +37 +00:01:01,160 --> 00:01:06,030 +s well I'm got some serious shopping to +do sir oh + +38 +00:01:06,030 --> 00:01:06,040 + + + +39 +00:01:06,040 --> 00:01:11,710 + +sure take + +40 +00:01:11,710 --> 00:01:11,720 + + + +41 +00:01:11,720 --> 00:01:14,990 + +care oh my God + +42 +00:01:14,990 --> 00:01:15,000 +care oh my God + + +43 +00:01:15,000 --> 00:01:18,870 +care oh my God +what it's so weird I I I'm I'm reading + +44 +00:01:18,870 --> 00:01:18,880 +what it's so weird I I I'm I'm reading + + +45 +00:01:18,880 --> 00:01:23,710 +what it's so weird I I I'm I'm reading +that exact book right now you're kidding + +46 +00:01:23,710 --> 00:01:23,720 +that exact book right now you're kidding + + +47 +00:01:23,720 --> 00:01:26,069 +that exact book right now you're kidding +no I can't believe that you'd be reading + +48 +00:01:26,069 --> 00:01:26,079 +no I can't believe that you'd be reading + + +49 +00:01:26,079 --> 00:01:28,870 +no I can't believe that you'd be reading +that book we know he writes a lot about + +50 +00:01:28,870 --> 00:01:28,880 +that book we know he writes a lot about + + +51 +00:01:28,880 --> 00:01:32,230 +that book we know he writes a lot about +noticing coincidence doesn't he yeah he + +52 +00:01:32,230 --> 00:01:32,240 +noticing coincidence doesn't he yeah he + + +53 +00:01:32,240 --> 00:01:39,789 +noticing coincidence doesn't he yeah he +does that thing he says about + +54 +00:01:39,789 --> 00:01:39,799 + + + +55 +00:01:39,799 --> 00:01:43,429 + +fear the things we fear the most have + +56 +00:01:43,429 --> 00:01:43,439 +fear the things we fear the most have + + +57 +00:01:43,439 --> 00:01:46,310 +fear the things we fear the most have +already happened to + +58 +00:01:46,310 --> 00:01:46,320 +already happened to + + +59 +00:01:46,320 --> 00:01:48,550 +already happened to +us + +60 +00:01:48,550 --> 00:01:48,560 +us + + +61 +00:01:48,560 --> 00:01:51,389 +us +wow I had no idea he was such a deep + +62 +00:01:51,389 --> 00:01:51,399 +wow I had no idea he was such a deep + + +63 +00:01:51,399 --> 00:01:53,069 +wow I had no idea he was such a deep +thinker + +64 +00:01:53,069 --> 00:01:53,079 +thinker + + +65 +00:01:53,079 --> 00:01:57,270 +thinker +S I wouldn't say + +66 +00:01:57,270 --> 00:01:57,280 + + + +67 +00:01:57,280 --> 00:02:00,789 + +that do you have any children s + +68 +00:02:00,789 --> 00:02:00,799 +that do you have any children s + + +69 +00:02:00,799 --> 00:02:04,590 +that do you have any children s +me no I'm not married no + +70 +00:02:04,590 --> 00:02:04,600 +me no I'm not married no + + +71 +00:02:04,600 --> 00:02:09,430 +me no I'm not married no +girlfriend + +72 +00:02:09,430 --> 00:02:09,440 + + + +73 +00:02:09,440 --> 00:02:15,560 + +no I have a snapshot of my mother though + +74 +00:02:15,560 --> 00:02:15,570 + + + +75 +00:02:15,570 --> 00:02:42,669 + +[Music] + diff --git a/2002/BWMFLJwEVyQ.description b/2002/BWMFLJwEVyQ.description new file mode 100644 index 0000000000000000000000000000000000000000..7a3bbb483e838cf134b97a18f3060c37a1040601 --- /dev/null +++ b/2002/BWMFLJwEVyQ.description @@ -0,0 +1,38 @@ +Queen of the Damned movie clips: http://j.mp/29y06sM +BUY THE MOVIE: http://j.mp/29wB94u +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Jesse Reeves (Marguerite Moreau) is attacked by vampires after entering their club, but is saved by Lestat (Stuart Townsend). + +FILM DESCRIPTION: +The second and third novels in author Anne Rice's popular book series The Vampire Chronicles provide the inspiration for this horror sequel starring ill-fated actress and recording artist Aaliyah, who was killed in an airplane crash before the film's release. Stuart Townsend is the vampire Lestat, who has awakened from a century-long slumber and turned his considerable energy to rock music. His vampirism identity mistaken for a gothic hard rock publicity stunt along the lines of Kiss or Marilyn Manson, he quickly becomes a pop music sensation. Lestat's powerful music reaches the ear of the slumbering Akasha (Aaliyah), the millennia-old "queen of the vampires" who was the first immortal bloodsucker. Akasha is soon free and embarking on a quest to seize control of the world with Lestat at her side. In the meantime, Lestat becomes an object of fascination for Jesse Reeves (Marguerite Moreau), member of a secret order studying the supernatural called the Talamasca, and a band of ancient vampires come together in an effort to stop Akasha, even though her destruction could potentially cause their own deaths. Queen of the Damned co-stars Lena Olin and Vincent Perez. + +CREDITS: +TM & © Warner Bros. (2002) +Cast: Marguerite Moreau, Stuart Townsend +Director: Michael Rymer +Producers: Su Armstrong, Channing Dungey, Jorge Saralegui, Bruce Berman, Andrew Mason, Bill Gerber +Screenwriters: Scott Abbott, Anne Rice, Michael Petroni + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/BWMFLJwEVyQ.en.srt b/2002/BWMFLJwEVyQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..90affacce8c2f69b34affba1da75d7ff16860d47 --- /dev/null +++ b/2002/BWMFLJwEVyQ.en.srt @@ -0,0 +1,405 @@ +1 +00:00:08,200 --> 00:00:10,789 + +going + +2 +00:00:10,789 --> 00:00:10,799 + + + +3 +00:00:10,799 --> 00:00:13,030 + +somewhere now this will only hurt a + +4 +00:00:13,030 --> 00:00:13,040 +somewhere now this will only hurt a + + +5 +00:00:13,040 --> 00:00:14,070 +somewhere now this will only hurt a +little + +6 +00:00:14,070 --> 00:00:14,080 +little + + +7 +00:00:14,080 --> 00:00:56,910 +little +bit in fact you might even enjoy it + +8 +00:00:56,910 --> 00:00:56,920 + + + +9 +00:00:56,920 --> 00:01:01,869 + +boo that was quite the performance + +10 +00:01:01,869 --> 00:01:01,879 +boo that was quite the performance + + +11 +00:01:01,879 --> 00:01:04,990 +boo that was quite the performance +you should be more + +12 +00:01:04,990 --> 00:01:05,000 + + + +13 +00:01:05,000 --> 00:01:08,710 + +careful thanks for + +14 +00:01:08,710 --> 00:01:08,720 +careful thanks for + + +15 +00:01:08,720 --> 00:01:10,990 +careful thanks for +what you saved + +16 +00:01:10,990 --> 00:01:11,000 +what you saved + + +17 +00:01:11,000 --> 00:01:13,990 +what you saved +me how + +18 +00:01:13,990 --> 00:01:14,000 +me how + + +19 +00:01:14,000 --> 00:01:15,550 +me how +presumptuous + +20 +00:01:15,550 --> 00:01:15,560 +presumptuous + + +21 +00:01:15,560 --> 00:01:19,870 +presumptuous +so you know + +22 +00:01:19,870 --> 00:01:19,880 + + + +23 +00:01:19,880 --> 00:01:22,910 + +Marius well I know a lot of things not + +24 +00:01:22,910 --> 00:01:22,920 +Marius well I know a lot of things not + + +25 +00:01:22,920 --> 00:01:25,749 +Marius well I know a lot of things not +how to stay alive apparently well I + +26 +00:01:25,749 --> 00:01:25,759 +how to stay alive apparently well I + + +27 +00:01:25,759 --> 00:01:27,109 +how to stay alive apparently well I +guess we have that in + +28 +00:01:27,109 --> 00:01:27,119 +guess we have that in + + +29 +00:01:27,119 --> 00:01:29,230 +guess we have that in +common although I think I'm a little + +30 +00:01:29,230 --> 00:01:29,240 +common although I think I'm a little + + +31 +00:01:29,240 --> 00:01:30,429 +common although I think I'm a little +ahead of the race here + +32 +00:01:30,429 --> 00:01:30,439 +ahead of the race here + + +33 +00:01:30,439 --> 00:01:34,830 +ahead of the race here +here well I can fix that your song + +34 +00:01:34,830 --> 00:01:34,840 +here well I can fix that your song + + +35 +00:01:34,840 --> 00:01:36,109 +here well I can fix that your song +Redeemer it's about the girl with the + +36 +00:01:36,109 --> 00:01:36,119 +Redeemer it's about the girl with the + + +37 +00:01:36,119 --> 00:01:39,670 +Redeemer it's about the girl with the +violin isn't + +38 +00:01:39,670 --> 00:01:39,680 + + + +39 +00:01:39,680 --> 00:01:45,270 + +it yeah is + +40 +00:01:45,270 --> 00:01:45,280 + + + +41 +00:01:45,280 --> 00:01:48,830 + +it and what else do you think you + +42 +00:01:48,830 --> 00:01:48,840 +it and what else do you think you + + +43 +00:01:48,840 --> 00:01:52,990 +it and what else do you think you +know I uh you're + +44 +00:01:52,990 --> 00:01:53,000 +know I uh you're + + +45 +00:01:53,000 --> 00:01:55,190 +know I uh you're +shaking + +46 +00:01:55,190 --> 00:01:55,200 +shaking + + +47 +00:01:55,200 --> 00:01:57,109 +shaking +cold still + +48 +00:01:57,109 --> 00:01:57,119 +cold still + + +49 +00:01:57,119 --> 00:02:00,469 +cold still +cold so go on + +50 +00:02:00,469 --> 00:02:00,479 +cold so go on + + +51 +00:02:00,479 --> 00:02:02,670 +cold so go on +tell me more about + +52 +00:02:02,670 --> 00:02:02,680 +tell me more about + + +53 +00:02:02,680 --> 00:02:07,830 +tell me more about +me you you want what do I + +54 +00:02:07,830 --> 00:02:07,840 +me you you want what do I + + +55 +00:02:07,840 --> 00:02:10,650 +me you you want what do I +want you yearn what do I + +56 +00:02:10,650 --> 00:02:10,660 +want you yearn what do I + + +57 +00:02:10,660 --> 00:02:14,150 +want you yearn what do I +[Music] + +58 +00:02:14,150 --> 00:02:14,160 + + + +59 +00:02:14,160 --> 00:02:21,350 + +yearn for what do I year to walk with a + +60 +00:02:21,350 --> 00:02:21,360 + + + +61 +00:02:21,360 --> 00:02:23,229 + +living of + +62 +00:02:23,229 --> 00:02:23,239 +living of + + +63 +00:02:23,239 --> 00:02:32,830 +living of +the called darkway son of Eternity + +64 +00:02:32,830 --> 00:02:32,840 + + + +65 +00:02:32,840 --> 00:02:36,110 + +well that makes you a very clever + +66 +00:02:36,110 --> 00:02:36,120 +well that makes you a very clever + + +67 +00:02:36,120 --> 00:02:38,910 +well that makes you a very clever +librarian tell a + +68 +00:02:38,910 --> 00:02:38,920 +librarian tell a + + +69 +00:02:38,920 --> 00:02:45,190 +librarian tell a +musin I knew I left that journal + +70 +00:02:45,190 --> 00:02:45,200 + + + +71 +00:02:45,200 --> 00:02:48,750 + +somewhere so is it a good read it + +72 +00:02:48,750 --> 00:02:48,760 +somewhere so is it a good read it + + +73 +00:02:48,760 --> 00:02:52,869 +somewhere so is it a good read it +touched me did it + +74 +00:02:52,869 --> 00:02:52,879 +touched me did it + + +75 +00:02:52,879 --> 00:02:55,070 +touched me did it +now don't worry + +76 +00:02:55,070 --> 00:02:55,080 +now don't worry + + +77 +00:02:55,080 --> 00:02:58,110 +now don't worry +Jesse your kind never satisfies my + +78 +00:02:58,110 --> 00:02:58,120 +Jesse your kind never satisfies my + + +79 +00:02:58,120 --> 00:03:02,360 +Jesse your kind never satisfies my +thirst + +80 +00:03:02,360 --> 00:03:02,370 + + + +81 +00:03:02,370 --> 00:03:29,460 + +[Music] + diff --git a/2002/BgkEy5fF1rM.en.srt b/2002/BgkEy5fF1rM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f3de75453178d6548856a6184fe34f33925e224e --- /dev/null +++ b/2002/BgkEy5fF1rM.en.srt @@ -0,0 +1,385 @@ +1 +00:00:00,799 --> 00:00:04,789 + +stop right here + +2 +00:00:04,789 --> 00:00:04,799 + + + +3 +00:00:04,799 --> 00:00:07,590 + +Reginal dear people I bring you a + +4 +00:00:07,590 --> 00:00:07,600 +Reginal dear people I bring you a + + +5 +00:00:07,600 --> 00:00:09,870 +Reginal dear people I bring you a +message from the + +6 +00:00:09,870 --> 00:00:09,880 +message from the + + +7 +00:00:09,880 --> 00:00:17,029 +message from the +Lord oh it's a message of + +8 +00:00:17,029 --> 00:00:17,039 + + + +9 +00:00:17,039 --> 00:00:20,269 + +encouragement do not fight do not cheat + +10 +00:00:20,269 --> 00:00:20,279 +encouragement do not fight do not cheat + + +11 +00:00:20,279 --> 00:00:23,349 +encouragement do not fight do not cheat +wash your hands before you eat there is + +12 +00:00:23,349 --> 00:00:23,359 +wash your hands before you eat there is + + +13 +00:00:23,359 --> 00:00:26,070 +wash your hands before you eat there is +nothing quite as sweet a message from + +14 +00:00:26,070 --> 00:00:26,080 +nothing quite as sweet a message from + + +15 +00:00:26,080 --> 00:00:30,390 +nothing quite as sweet a message from +the Lord be a friend say your prayers + +16 +00:00:30,390 --> 00:00:30,400 +the Lord be a friend say your prayers + + +17 +00:00:30,400 --> 00:00:33,229 +the Lord be a friend say your prayers +loves a heart that cares that is why + +18 +00:00:33,229 --> 00:00:33,239 +loves a heart that cares that is why + + +19 +00:00:33,239 --> 00:00:35,869 +loves a heart that cares that is why +I've come to share a message from the + +20 +00:00:35,869 --> 00:00:35,879 +I've come to share a message from the + + +21 +00:00:35,879 --> 00:00:39,990 +I've come to share a message from the +Lord and if you follow God's + +22 +00:00:39,990 --> 00:00:40,000 +Lord and if you follow God's + + +23 +00:00:40,000 --> 00:00:43,709 +Lord and if you follow God's +command there will be peace throughout + +24 +00:00:43,709 --> 00:00:43,719 +command there will be peace throughout + + +25 +00:00:43,719 --> 00:00:49,790 +command there will be peace throughout +the land you will live long and happy + +26 +00:00:49,790 --> 00:00:49,800 +the land you will live long and happy + + +27 +00:00:49,800 --> 00:00:54,000 +the land you will live long and happy +lives with your sheep your kids your + +28 +00:00:54,000 --> 00:00:54,010 +lives with your sheep your kids your + + +29 +00:00:54,010 --> 00:00:55,270 +lives with your sheep your kids your +[Music] + +30 +00:00:55,270 --> 00:00:55,280 +[Music] + + +31 +00:00:55,280 --> 00:00:58,670 +[Music] +wives don't eat pigs don't eat bats + +32 +00:00:58,670 --> 00:00:58,680 +wives don't eat pigs don't eat bats + + +33 +00:00:58,680 --> 00:01:02,069 +wives don't eat pigs don't eat bats +don't eat beetles f eyes ORS stay away + +34 +00:01:02,069 --> 00:01:02,079 +don't eat beetles f eyes ORS stay away + + +35 +00:01:02,079 --> 00:01:05,950 +don't eat beetles f eyes ORS stay away +from all of that a message from the Lord + +36 +00:01:05,950 --> 00:01:05,960 +from all of that a message from the Lord + + +37 +00:01:05,960 --> 00:01:08,870 +from all of that a message from the Lord +do what's right don't provoke put for + +38 +00:01:08,870 --> 00:01:08,880 +do what's right don't provoke put for + + +39 +00:01:08,880 --> 00:01:13,149 +do what's right don't provoke put for +tassel on your do not it's not a j a + +40 +00:01:13,149 --> 00:01:13,159 +tassel on your do not it's not a j a + + +41 +00:01:13,159 --> 00:01:15,710 +tassel on your do not it's not a j a +message from the + +42 +00:01:15,710 --> 00:01:15,720 +message from the + + +43 +00:01:15,720 --> 00:01:19,190 +message from the +Lord do not cheat wash your hands before + +44 +00:01:19,190 --> 00:01:19,200 +Lord do not cheat wash your hands before + + +45 +00:01:19,200 --> 00:01:22,230 +Lord do not cheat wash your hands before +you eat there is nothing quite as sweet + +46 +00:01:22,230 --> 00:01:22,240 +you eat there is nothing quite as sweet + + +47 +00:01:22,240 --> 00:01:24,870 +you eat there is nothing quite as sweet +a message from the Lord together now be + +48 +00:01:24,870 --> 00:01:24,880 +a message from the Lord together now be + + +49 +00:01:24,880 --> 00:01:29,069 +a message from the Lord together now be +your friend say your heaves a heart that + +50 +00:01:29,069 --> 00:01:29,079 +your friend say your heaves a heart that + + +51 +00:01:29,079 --> 00:01:32,190 +your friend say your heaves a heart that +that is why came to share a message from + +52 +00:01:32,190 --> 00:01:32,200 +that is why came to share a message from + + +53 +00:01:32,200 --> 00:01:33,500 +that is why came to share a message from +the + +54 +00:01:33,500 --> 00:01:33,510 +the + + +55 +00:01:33,510 --> 00:01:49,830 +the +[Music] + +56 +00:01:49,830 --> 00:01:49,840 +[Music] + + +57 +00:01:49,840 --> 00:01:54,469 +[Music] +Lord and if we follow God's command will + +58 +00:01:54,469 --> 00:01:54,479 +Lord and if we follow God's command will + + +59 +00:01:54,479 --> 00:01:57,670 +Lord and if we follow God's command will +be peace throughout our land we will + +60 +00:01:57,670 --> 00:01:57,680 +be peace throughout our land we will + + +61 +00:01:57,680 --> 00:02:00,709 +be peace throughout our land we will +live long and happy Liv + +62 +00:02:00,709 --> 00:02:00,719 +live long and happy Liv + + +63 +00:02:00,719 --> 00:02:03,389 +live long and happy Liv +with our she our + +64 +00:02:03,389 --> 00:02:03,399 +with our she our + + +65 +00:02:03,399 --> 00:02:05,830 +with our she our +kids do what's right + +66 +00:02:05,830 --> 00:02:05,840 +kids do what's right + + +67 +00:02:05,840 --> 00:02:10,150 +kids do what's right +don't on your do + +68 +00:02:10,150 --> 00:02:10,160 + + + +69 +00:02:10,160 --> 00:02:24,300 + +not drugs stay iness + +70 +00:02:24,300 --> 00:02:24,310 + + + +71 +00:02:24,310 --> 00:02:30,509 + +[Music] + +72 +00:02:30,509 --> 00:02:30,519 +[Music] + + +73 +00:02:30,519 --> 00:02:33,830 +[Music] +all right good show everyone thank you + +74 +00:02:33,830 --> 00:02:33,840 +all right good show everyone thank you + + +75 +00:02:33,840 --> 00:02:39,590 +all right good show everyone thank you +very much + +76 +00:02:39,590 --> 00:02:39,600 + + + +77 +00:02:39,600 --> 00:03:06,699 + +[Music] + diff --git a/2002/BkW-4CWw3XQ.description b/2002/BkW-4CWw3XQ.description new file mode 100644 index 0000000000000000000000000000000000000000..ec2752b17fbfde0edb35e1f6ba2b13f226096263 --- /dev/null +++ b/2002/BkW-4CWw3XQ.description @@ -0,0 +1,38 @@ +Heaven movie clips: http://j.mp/1BcUAnj +BUY THE MOVIE: http://amzn.to/rONtS5 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Filippo's (Giovanni Ribisi) little brother helps to distract the guard while Philippa (Cate Blanchett) makes a run for it. + +FILM DESCRIPTION: +German filmmaker Tom Tykwer helmed this feature, which was adapted from a screenplay co-authored by the late Krzysztof Kieslowski. Philippa (Cate Blanchett) is a British schoolteacher living in Italy, whose husband fell victim to a drug overdose, as have several of her students. Marco Vendice (Stefano Santospago) is a powerful local drug dealer who sold the dope which killed Philippa's husband, as well as a number of neighborhood teens. Disgusted with the inability of the police to bring Vendice to justice, Philippa takes the law into her own hands, planting a bomb which is intended to kill the dealer. However, Philippa's plan goes awry, and instead the bomb kills four innocent bystanders. Philippa is arrested and brought before the police for questioning, not knowing that the interrogating officer in charge of the case, Pini (Mattia Sbragia), is one of Vendice's secret business associates. More comfortable with English than Italian, Philippa requests a translator, and multilingual officer Filippo (Giovanni Ribisi) is brought in to serve as interpreter. Filippo finds himself falling in love with Philippa, and with his help she's able to escape and go into hiding; however, despite her deep regrets about the loss of four lives in the bombing, she is still bound and determined to see Vendice dead. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Giovanni Ribisi, Vincent Riotta, Cate Blanchett +Director: Tom Tykwer +Producers: Stefan Arndt, Marc Baschet, Mario Cotone, Frédérique Dumas-Zajdela, Marco Guidone, William Horberg, Cédomir Kolar, Maria Köpf, Agnès Mentre, Anthony Minghella, Teresa Moneo, Sydney Pollack, Stefaan Schieder, Manuela Stehr, Harvey Weinstein +Screenwriters: Krzysztof Kieslowski, Krzysztof Piesiewicz + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/Bl0c_aXJtUc.description b/2002/Bl0c_aXJtUc.description new file mode 100644 index 0000000000000000000000000000000000000000..9ed2b19807d66c5a352708fe738b3cc51bedb5f0 --- /dev/null +++ b/2002/Bl0c_aXJtUc.description @@ -0,0 +1,38 @@ +Star Trek: Nemesis movie clips: http://j.mp/1yzoWRg +BUY THE MOVIE: http://amzn.to/xgpdfn +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Picard (Patrick Stewart) tries to inspire Shinzon (Tom Hardy) to embrace his potential for good. + +FILM DESCRIPTION: +The tenth film in Paramount's highly lucrative sci-fi franchise is also positioned as the last for the entire original Next Generation crew. En route to the honeymoon of William Riker (Jonathan Frakes) to Deanna Troi (Marina Sirtis) on her home planet of Betazed, Captain Jean-Luc Picard (Patrick Stewart) and the crew of the U.S.S. Enterprise receive energy readings identical to those uniquely emitted by the positronic brain of android crew member Data (Brent Spiner). Upon investigation, they discover the disassembled parts of an identical android named B4, an early prototype of Data himself, now scattered on the surface of a remote world. As they reassemble B4, the crew receives word from Starfleet that a coup has resulted in the installation of a new Romulan political leader, Shinzon (Tom Hardy), who claims to seek d + +CREDITS: +TM & © Paramount (2002) +Cast: Tom Hardy, Patrick Stewart +Director: Stuart Baird +Producers: Marty Hornstein, Peter Lauritson, Gene Roddenberry, Rick Berman +Screenwriters: John Logan, Gene Roddenberry, Brent Spiner, Rick Berman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/Bl0c_aXJtUc.en.srt b/2002/Bl0c_aXJtUc.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..32bd559ebd5d5776831b4b22fdf6d72a38e306a5 --- /dev/null +++ b/2002/Bl0c_aXJtUc.en.srt @@ -0,0 +1,405 @@ +1 +00:00:02,120 --> 00:00:04,230 + +I have little interest in your quaint + +2 +00:00:04,230 --> 00:00:04,240 +I have little interest in your quaint + + +3 +00:00:04,240 --> 00:00:05,430 +I have little interest in your quaint +vessel + +4 +00:00:05,430 --> 00:00:05,440 +vessel + + +5 +00:00:05,440 --> 00:00:10,350 +vessel +Captain look at me + +6 +00:00:10,350 --> 00:00:10,360 + + + +7 +00:00:10,360 --> 00:00:13,990 + +shinzan your heart your + +8 +00:00:13,990 --> 00:00:14,000 +shinzan your heart your + + +9 +00:00:14,000 --> 00:00:18,510 +shinzan your heart your +hands your eyes are the same as mine the + +10 +00:00:18,510 --> 00:00:18,520 +hands your eyes are the same as mine the + + +11 +00:00:18,520 --> 00:00:20,830 +hands your eyes are the same as mine the +blood pumping within you the raw + +12 +00:00:20,830 --> 00:00:20,840 +blood pumping within you the raw + + +13 +00:00:20,840 --> 00:00:23,950 +blood pumping within you the raw +material is the same we have the same + +14 +00:00:23,950 --> 00:00:23,960 +material is the same we have the same + + +15 +00:00:23,960 --> 00:00:26,990 +material is the same we have the same +potential that's the past Captain it can + +16 +00:00:26,990 --> 00:00:27,000 +potential that's the past Captain it can + + +17 +00:00:27,000 --> 00:00:28,269 +potential that's the past Captain it can +be the + +18 +00:00:28,269 --> 00:00:28,279 +be the + + +19 +00:00:28,279 --> 00:00:31,470 +be the +future very deep with within you beneath + +20 +00:00:31,470 --> 00:00:31,480 +future very deep with within you beneath + + +21 +00:00:31,480 --> 00:00:33,630 +future very deep with within you beneath +all the years of pain and anger there is + +22 +00:00:33,630 --> 00:00:33,640 +all the years of pain and anger there is + + +23 +00:00:33,640 --> 00:00:35,830 +all the years of pain and anger there is +something that has never been nurtured + +24 +00:00:35,830 --> 00:00:35,840 +something that has never been nurtured + + +25 +00:00:35,840 --> 00:00:38,950 +something that has never been nurtured +the potential to make yourself a better + +26 +00:00:38,950 --> 00:00:38,960 +the potential to make yourself a better + + +27 +00:00:38,960 --> 00:00:42,709 +the potential to make yourself a better +man and that is what it is to be human + +28 +00:00:42,709 --> 00:00:42,719 +man and that is what it is to be human + + +29 +00:00:42,719 --> 00:00:47,430 +man and that is what it is to be human +to make yourself more than you + +30 +00:00:47,430 --> 00:00:47,440 + + + +31 +00:00:47,440 --> 00:00:50,229 + +are oh + +32 +00:00:50,229 --> 00:00:50,239 +are oh + + +33 +00:00:50,239 --> 00:00:53,750 +are oh +yes I know + +34 +00:00:53,750 --> 00:00:53,760 +yes I know + + +35 +00:00:53,760 --> 00:00:56,869 +yes I know +you there was a time you looked at the + +36 +00:00:56,869 --> 00:00:56,879 +you there was a time you looked at the + + +37 +00:00:56,879 --> 00:01:02,189 +you there was a time you looked at the +stars and dreamed of what might be + +38 +00:01:02,189 --> 00:01:02,199 + + + +39 +00:01:02,199 --> 00:01:05,590 + +childish dreams Captain lost in the + +40 +00:01:05,590 --> 00:01:05,600 +childish dreams Captain lost in the + + +41 +00:01:05,600 --> 00:01:07,789 +childish dreams Captain lost in the +delium minds of + +42 +00:01:07,789 --> 00:01:07,799 +delium minds of + + +43 +00:01:07,799 --> 00:01:11,510 +delium minds of +Remis I am what you see now I see more + +44 +00:01:11,510 --> 00:01:11,520 +Remis I am what you see now I see more + + +45 +00:01:11,520 --> 00:01:14,190 +Remis I am what you see now I see more +than that I see what you could be the + +46 +00:01:14,190 --> 00:01:14,200 +than that I see what you could be the + + +47 +00:01:14,200 --> 00:01:16,510 +than that I see what you could be the +man who is shinzon of Remis and Jean + +48 +00:01:16,510 --> 00:01:16,520 +man who is shinzon of Remis and Jean + + +49 +00:01:16,520 --> 00:01:19,149 +man who is shinzon of Remis and Jean +Luke bicard could never exterminate the + +50 +00:01:19,149 --> 00:01:19,159 +Luke bicard could never exterminate the + + +51 +00:01:19,159 --> 00:01:21,230 +Luke bicard could never exterminate the +population of an entire planet he's + +52 +00:01:21,230 --> 00:01:21,240 +population of an entire planet he's + + +53 +00:01:21,240 --> 00:01:22,830 +population of an entire planet he's +better than + +54 +00:01:22,830 --> 00:01:22,840 +better than + + +55 +00:01:22,840 --> 00:01:26,510 +better than +that yes what his life has made and what + +56 +00:01:26,510 --> 00:01:26,520 +that yes what his life has made and what + + +57 +00:01:26,520 --> 00:01:29,310 +that yes what his life has made and what +will you do with that life waste it in a + +58 +00:01:29,310 --> 00:01:29,320 +will you do with that life waste it in a + + +59 +00:01:29,320 --> 00:01:33,510 +will you do with that life waste it in a +blaze of ha hatred there is a better + +60 +00:01:33,510 --> 00:01:33,520 +blaze of ha hatred there is a better + + +61 +00:01:33,520 --> 00:01:36,870 +blaze of ha hatred there is a better +way it's too late never never you still + +62 +00:01:36,870 --> 00:01:36,880 +way it's too late never never you still + + +63 +00:01:36,880 --> 00:01:39,310 +way it's too late never never you still +have a choice make the right one now I + +64 +00:01:39,310 --> 00:01:39,320 +have a choice make the right one now I + + +65 +00:01:39,320 --> 00:01:46,149 +have a choice make the right one now I +can't fight what I am yes you + +66 +00:01:46,149 --> 00:01:46,159 + + + +67 +00:01:46,159 --> 00:01:49,709 + +can I'll show you my true + +68 +00:01:49,709 --> 00:01:49,719 +can I'll show you my true + + +69 +00:01:49,719 --> 00:01:52,709 +can I'll show you my true +nature our + +70 +00:01:52,709 --> 00:01:52,719 +nature our + + +71 +00:01:52,719 --> 00:01:56,069 +nature our +nature and as Earth dies remember I will + +72 +00:01:56,069 --> 00:01:56,079 +nature and as Earth dies remember I will + + +73 +00:01:56,079 --> 00:02:01,389 +nature and as Earth dies remember I will +always forever be shinzan of Remis + +74 +00:02:01,389 --> 00:02:01,399 +always forever be shinzan of Remis + + +75 +00:02:01,399 --> 00:02:03,510 +always forever be shinzan of Remis +and my voice shall echo through time + +76 +00:02:03,510 --> 00:02:03,520 +and my voice shall echo through time + + +77 +00:02:03,520 --> 00:02:07,550 +and my voice shall echo through time +long after yours has faded to a dim + +78 +00:02:07,550 --> 00:02:07,560 +long after yours has faded to a dim + + +79 +00:02:07,560 --> 00:02:13,430 +long after yours has faded to a dim +memory + +80 +00:02:13,430 --> 00:02:13,440 + + + +81 +00:02:13,440 --> 00:02:44,509 + +[Music] + diff --git a/2002/COhtZbBhOYU.description b/2002/COhtZbBhOYU.description new file mode 100644 index 0000000000000000000000000000000000000000..ac56ffb4f653a68e5d44a4e006bd350a30955f08 --- /dev/null +++ b/2002/COhtZbBhOYU.description @@ -0,0 +1,38 @@ +Equilibrium movie clips: http://j.mp/15vK7ZI +BUY THE MOVIE: http://amzn.to/s3QBpS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Preston (Christian Bale) and Brandt (Taye Diggs) engage in some cleric practice while also playing mind games. + +FILM DESCRIPTION: +A man who dares to feel finds his life in danger in this cautionary science fiction drama. In the future, after a Third World War has decimated much of the Earth's population, a new nation known as Libria rises up under the unquestioned leadership of Dupont (Angus MacFadyen). Believing human emotions and their expression were to blame for the failings of past societies, The Father has decreed that all citizens must take a daily dose of Prozia II, a drug which levels out the emotional landscape, and that all forms of creative expression are against the law; violating either regulation can be punished by death. John Preston (Christian Bale) is a Grammaton, an elite law enforcement officer who tracks down and punishes "sense offenders." One day, Preston accidentally fails to take his Prozia II, and for the first time begins experiencing emotions himself. Preston becomes aware of an underground of rebels who refuse to take their medication and have embraced art and literature, and he finds himself becoming infatuated with one of their number, Mary O'Brian (Emily Watson). Equilibrium is the second feature-length directorial effort from Kurt Wimmer, whose screenwriting credits include The Thomas Crown Affair and Sphere. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Christian Bale, Taye Diggs +Director: Kurt Wimmer +Producers: Sue Baden-Powell, Jan de Bont, Lucas Foster, Andrew Rona, Ninon Tantet, Bob Weinstein, Harvey Weinstein +Screenwriter: Kurt Wimmer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/COhtZbBhOYU.en.srt b/2002/COhtZbBhOYU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..57eccc0327192694959b7238b3881b3d4bebab65 --- /dev/null +++ b/2002/COhtZbBhOYU.en.srt @@ -0,0 +1,235 @@ +1 +00:00:11,080 --> 00:00:13,150 + +always practicing + +2 +00:00:13,150 --> 00:00:13,160 +always practicing + + +3 +00:00:13,160 --> 00:00:18,429 +always practicing +cleric I guess that's why you're the + +4 +00:00:18,429 --> 00:00:18,439 + + + +5 +00:00:18,439 --> 00:00:21,070 + +best maybe I'm just + +6 +00:00:21,070 --> 00:00:21,080 +best maybe I'm just + + +7 +00:00:21,080 --> 00:00:26,070 +best maybe I'm just +better something on your + +8 +00:00:26,070 --> 00:00:26,080 + + + +9 +00:00:26,080 --> 00:00:28,870 + +mind why'd you ask the intuitive Arts + +10 +00:00:28,870 --> 00:00:28,880 +mind why'd you ask the intuitive Arts + + +11 +00:00:28,880 --> 00:00:30,550 +mind why'd you ask the intuitive Arts +cleric it's my job job to know what + +12 +00:00:30,550 --> 00:00:30,560 +cleric it's my job job to know what + + +13 +00:00:30,560 --> 00:00:41,790 +cleric it's my job job to know what +you're + +14 +00:00:41,790 --> 00:00:41,800 + + + +15 +00:00:41,800 --> 00:00:49,709 + +thinking so then what am I + +16 +00:00:49,709 --> 00:00:49,719 + + + +17 +00:00:49,719 --> 00:00:58,709 + +thinking about the murders another last + +18 +00:00:58,709 --> 00:00:58,719 + + + +19 +00:00:58,719 --> 00:01:06,390 + +night and if they know who did + +20 +00:01:06,390 --> 00:01:06,400 + + + +21 +00:01:06,400 --> 00:01:10,429 + +it am I + +22 +00:01:10,429 --> 00:01:10,439 + + + +23 +00:01:10,439 --> 00:01:21,390 + +close so tell me do they + +24 +00:01:21,390 --> 00:01:21,400 + + + +25 +00:01:21,400 --> 00:01:23,510 + +know there are + +26 +00:01:23,510 --> 00:01:23,520 +know there are + + +27 +00:01:23,520 --> 00:01:25,950 +know there are +theories I have one or two of my own but + +28 +00:01:25,950 --> 00:01:25,960 +theories I have one or two of my own but + + +29 +00:01:25,960 --> 00:01:34,069 +theories I have one or two of my own but +at the moment they're premature + +30 +00:01:34,069 --> 00:01:34,079 + + + +31 +00:01:34,079 --> 00:01:39,069 + +I'm glad it + +32 +00:01:39,069 --> 00:01:39,079 + + + +33 +00:01:39,079 --> 00:01:41,990 + +happened why because now father and the + +34 +00:01:41,990 --> 00:01:42,000 +happened why because now father and the + + +35 +00:01:42,000 --> 00:01:44,429 +happened why because now father and the +council have decreed an acceleration in + +36 +00:01:44,429 --> 00:01:44,439 +council have decreed an acceleration in + + +37 +00:01:44,439 --> 00:01:46,310 +council have decreed an acceleration in +the Crackdown on + +38 +00:01:46,310 --> 00:01:46,320 +the Crackdown on + + +39 +00:01:46,320 --> 00:01:49,350 +the Crackdown on +offenders whoever did it all they + +40 +00:01:49,350 --> 00:01:49,360 +offenders whoever did it all they + + +41 +00:01:49,360 --> 00:01:51,030 +offenders whoever did it all they +accomplished was a quicker end to the + +42 +00:01:51,030 --> 00:01:51,040 +accomplished was a quicker end to the + + +43 +00:01:51,040 --> 00:02:01,270 +accomplished was a quicker end to the +resistance + +44 +00:02:01,270 --> 00:02:01,280 + + + +45 +00:02:01,280 --> 00:02:10,830 + +it's going to be a massacre cleric + +46 +00:02:10,830 --> 00:02:10,840 + + + +47 +00:02:10,840 --> 00:02:44,509 + +[Music] + diff --git a/2002/CfRKGG52TPY.en.srt b/2002/CfRKGG52TPY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..0bdd13374b5daaac729aa05717e9eb60fdf0bc8b --- /dev/null +++ b/2002/CfRKGG52TPY.en.srt @@ -0,0 +1,305 @@ +1 +00:00:01,439 --> 00:00:04,230 + +hey what's that noise sounds like a lawn + +2 +00:00:04,230 --> 00:00:04,240 +hey what's that noise sounds like a lawn + + +3 +00:00:04,240 --> 00:00:07,270 +hey what's that noise sounds like a lawn +M inside the + +4 +00:00:07,270 --> 00:00:07,280 +M inside the + + +5 +00:00:07,280 --> 00:00:10,510 +M inside the +house + +6 +00:00:10,510 --> 00:00:10,520 + + + +7 +00:00:10,520 --> 00:00:18,470 + +[Music] + +8 +00:00:18,470 --> 00:00:18,480 +[Music] + + +9 +00:00:18,480 --> 00:00:21,750 +[Music] +sure what are you doing I'm not doing + +10 +00:00:21,750 --> 00:00:21,760 +sure what are you doing I'm not doing + + +11 +00:00:21,760 --> 00:00:26,120 +sure what are you doing I'm not doing +anything hold the break + +12 +00:00:26,120 --> 00:00:26,130 + + + +13 +00:00:26,130 --> 00:00:30,710 + +[Music] + +14 +00:00:30,710 --> 00:00:30,720 + + + +15 +00:00:30,720 --> 00:00:33,549 + +get the book this is cool all my brother + +16 +00:00:33,549 --> 00:00:33,559 +get the book this is cool all my brother + + +17 +00:00:33,559 --> 00:00:36,670 +get the book this is cool all my brother +does to jam crayons up his sow it's said + +18 +00:00:36,670 --> 00:00:36,680 +does to jam crayons up his sow it's said + + +19 +00:00:36,680 --> 00:00:39,310 +does to jam crayons up his sow it's said +on take off pull back on the throttle + +20 +00:00:39,310 --> 00:00:39,320 +on take off pull back on the throttle + + +21 +00:00:39,320 --> 00:00:45,270 +on take off pull back on the throttle +take her up I'm in the + +22 +00:00:45,270 --> 00:00:45,280 + + + +23 +00:00:45,280 --> 00:00:49,510 + +air Snowbell get out of the way please + +24 +00:00:49,510 --> 00:00:49,520 +air Snowbell get out of the way please + + +25 +00:00:49,520 --> 00:00:51,910 +air Snowbell get out of the way please +don't hurt + +26 +00:00:51,910 --> 00:00:51,920 +don't hurt + + +27 +00:00:51,920 --> 00:00:55,110 +don't hurt +me what's going on oh nothing stor just + +28 +00:00:55,110 --> 00:00:55,120 +me what's going on oh nothing stor just + + +29 +00:00:55,120 --> 00:00:58,189 +me what's going on oh nothing stor just +flying in the house flying in the house + +30 +00:00:58,189 --> 00:00:58,199 +flying in the house flying in the house + + +31 +00:00:58,199 --> 00:01:00,270 +flying in the house flying in the house +at least he's indoors nothing bad can + +32 +00:01:00,270 --> 00:01:00,280 +at least he's indoors nothing bad can + + +33 +00:01:00,280 --> 00:01:04,290 +at least he's indoors nothing bad can +happen watch out hit the + +34 +00:01:04,290 --> 00:01:04,300 +happen watch out hit the + + +35 +00:01:04,300 --> 00:01:05,429 +happen watch out hit the +[Music] + +36 +00:01:05,429 --> 00:01:05,439 +[Music] + + +37 +00:01:05,439 --> 00:01:09,500 +[Music] +dirt + +38 +00:01:09,500 --> 00:01:09,510 + + + +39 +00:01:09,510 --> 00:01:14,270 + +[Music] + +40 +00:01:14,270 --> 00:01:14,280 +[Music] + + +41 +00:01:14,280 --> 00:01:18,080 +[Music] +st + +42 +00:01:18,080 --> 00:01:18,090 + + + +43 +00:01:18,090 --> 00:01:24,670 + +[Music] + +44 +00:01:24,670 --> 00:01:24,680 + + + +45 +00:01:24,680 --> 00:01:27,550 + +stop + +46 +00:01:27,550 --> 00:01:27,560 +stop + + +47 +00:01:27,560 --> 00:01:30,590 +stop +Stewart Stewart are you all right are + +48 +00:01:30,590 --> 00:01:30,600 +Stewart Stewart are you all right are + + +49 +00:01:30,600 --> 00:01:35,670 +Stewart Stewart are you all right are +you okay I'm I'm I'm okay everything's + +50 +00:01:35,670 --> 00:01:35,680 +you okay I'm I'm I'm okay everything's + + +51 +00:01:35,680 --> 00:01:40,469 +you okay I'm I'm I'm okay everything's +fine fine Stewart you destroyed it oh + +52 +00:01:40,469 --> 00:01:40,479 +fine fine Stewart you destroyed it oh + + +53 +00:01:40,479 --> 00:01:43,270 +fine fine Stewart you destroyed it oh +I'm sorry I wrecked it George no no no + +54 +00:01:43,270 --> 00:01:43,280 +I'm sorry I wrecked it George no no no + + +55 +00:01:43,280 --> 00:01:45,550 +I'm sorry I wrecked it George no no no +I'm sure with some glue we can fix this + +56 +00:01:45,550 --> 00:01:45,560 +I'm sure with some glue we can fix this + + +57 +00:01:45,560 --> 00:01:47,630 +I'm sure with some glue we can fix this +no we can't that's going in the trash + +58 +00:01:47,630 --> 00:01:47,640 +no we can't that's going in the trash + + +59 +00:01:47,640 --> 00:01:53,230 +no we can't that's going in the trash +it's much too dangerous thanks d + +60 +00:01:53,230 --> 00:01:53,240 + + + +61 +00:01:53,240 --> 00:02:04,579 + +[Music] + diff --git a/2002/Cr-WWckkejQ.en.srt b/2002/Cr-WWckkejQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e083fcce561dcee84ef339100f3ebcae3e470f51 --- /dev/null +++ b/2002/Cr-WWckkejQ.en.srt @@ -0,0 +1,165 @@ +1 +00:00:00,469 --> 00:00:04,160 + +we please please let me at the still + +2 +00:00:04,160 --> 00:00:04,170 +we please please let me at the still + + +3 +00:00:04,170 --> 00:00:15,010 +we please please let me at the still +time do you mean unless you're dead + +4 +00:00:15,010 --> 00:00:15,020 + + + +5 +00:00:15,020 --> 00:00:18,680 + +please please let me in + +6 +00:00:18,680 --> 00:00:18,690 +please please let me in + + +7 +00:00:18,690 --> 00:00:23,179 +please please let me in +there's still time and he's dying + +8 +00:00:23,179 --> 00:00:23,189 +there's still time and he's dying + + +9 +00:00:23,189 --> 00:00:38,350 +there's still time and he's dying +I can't please I want to but I can't + +10 +00:00:38,350 --> 00:00:38,360 + + + +11 +00:00:38,360 --> 00:00:43,150 + +I'm so scared + +12 +00:00:43,150 --> 00:00:43,160 + + + +13 +00:00:43,160 --> 00:00:59,260 + +what would you do in my situation + +14 +00:00:59,260 --> 00:00:59,270 + + + +15 +00:00:59,270 --> 00:01:05,780 + +you have to kill me Pete what kill me + +16 +00:01:05,780 --> 00:01:05,790 +you have to kill me Pete what kill me + + +17 +00:01:05,790 --> 00:01:06,140 +you have to kill me Pete what kill me +before + +18 +00:01:06,140 --> 00:01:06,150 +before + + +19 +00:01:06,150 --> 00:01:08,840 +before +Andy dies and then the link will be + +20 +00:01:08,840 --> 00:01:08,850 +Andy dies and then the link will be + + +21 +00:01:08,850 --> 00:01:21,620 +Andy dies and then the link will be +broken I think no I won't do it but + +22 +00:01:21,620 --> 00:01:21,630 +broken I think no I won't do it but + + +23 +00:01:21,630 --> 00:01:31,620 +broken I think no I won't do it but +there must be something else + +24 +00:01:31,620 --> 00:01:31,630 + + + +25 +00:01:31,630 --> 00:01:41,230 + +are you still here no wait there there + +26 +00:01:41,230 --> 00:01:41,240 +are you still here no wait there there + + +27 +00:01:41,240 --> 00:01:45,310 +are you still here no wait there there +must be something else let's see the + +28 +00:01:45,310 --> 00:01:45,320 +must be something else let's see the + + +29 +00:01:45,320 --> 00:01:50,410 +must be something else let's see the +meat or both of us you don't know that + +30 +00:01:50,410 --> 00:01:50,420 +meat or both of us you don't know that + + +31 +00:01:50,420 --> 00:03:19,900 +meat or both of us you don't know that +please think it through + +32 +00:03:19,900 --> 00:03:19,910 + + + +33 +00:03:19,910 --> 00:03:21,970 + +you + diff --git a/2002/CrKUXT6JZ7M.description b/2002/CrKUXT6JZ7M.description new file mode 100644 index 0000000000000000000000000000000000000000..29e918a9ca54ac751f7b203c9049823f06b4f158 --- /dev/null +++ b/2002/CrKUXT6JZ7M.description @@ -0,0 +1,38 @@ +Defiance movie clips: http://j.mp/1uuolk7 +BUY THE MOVIE: http://j.mp/rTrFeR +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After a gang of outlaws breaks Randall out of jail, he comes looking for Nathan Cross (Tony Twist). + +FILM DESCRIPTION: +Jim Freivogel stars in this 2002 Western that follows the life of a vengeful young man. His father gunned down by the local heavies, the boy grows up focused on settling the score. But as he sets out to enact his own brand of justice, it becomes clear that it may never be enough. Defiance was the debut feature from Doveed Linder who wrote, produced and directed the film. + +CREDITS: +TM & © Lionsgate (2002) +Cast: Robert Nolan Clark +Director: Doveed Linder +Producers: Timothy J. Burke, Steve Cakouros, Ric Dark, Doveed Linder +Screenwriter: Doveed Linder + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/CrKUXT6JZ7M.en.srt b/2002/CrKUXT6JZ7M.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..674dc5f09a06bbc4fc1aa9fe0bf1c2f1d6fa7a4a --- /dev/null +++ b/2002/CrKUXT6JZ7M.en.srt @@ -0,0 +1,305 @@ +1 +00:00:00,410 --> 00:00:01,150 + +[Music] + +2 +00:00:01,150 --> 00:00:01,160 +[Music] + + +3 +00:00:01,160 --> 00:00:03,950 +[Music] +we're all done in here + +4 +00:00:03,950 --> 00:00:03,960 +we're all done in here + + +5 +00:00:03,960 --> 00:00:06,789 +we're all done in here +Denine coup of you Fellers go outside + +6 +00:00:06,789 --> 00:00:06,799 +Denine coup of you Fellers go outside + + +7 +00:00:06,799 --> 00:00:10,430 +Denine coup of you Fellers go outside +and keep watch Johnny find us some keys + +8 +00:00:10,430 --> 00:00:10,440 +and keep watch Johnny find us some keys + + +9 +00:00:10,440 --> 00:00:13,709 +and keep watch Johnny find us some keys +Buster and Royce are dead leave them how + +10 +00:00:13,709 --> 00:00:13,719 +Buster and Royce are dead leave them how + + +11 +00:00:13,719 --> 00:00:16,750 +Buster and Royce are dead leave them how +are you today Mr + +12 +00:00:16,750 --> 00:00:16,760 + + + +13 +00:00:16,760 --> 00:00:20,590 + +Randall bucking those boys been by not + +14 +00:00:20,590 --> 00:00:20,600 +Randall bucking those boys been by not + + +15 +00:00:20,600 --> 00:00:24,310 +Randall bucking those boys been by not +yet Buck Riley's in on this yep well did + +16 +00:00:24,310 --> 00:00:24,320 +yet Buck Riley's in on this yep well did + + +17 +00:00:24,320 --> 00:00:26,150 +yet Buck Riley's in on this yep well did +you ride by the jail yet Buck's looking + +18 +00:00:26,150 --> 00:00:26,160 +you ride by the jail yet Buck's looking + + +19 +00:00:26,160 --> 00:00:27,669 +you ride by the jail yet Buck's looking +at it Cory Miller said you were looking + +20 +00:00:27,669 --> 00:00:27,679 +at it Cory Miller said you were looking + + +21 +00:00:27,679 --> 00:00:30,109 +at it Cory Miller said you were looking +for some boys is Miller coming said that + +22 +00:00:30,109 --> 00:00:30,119 +for some boys is Miller coming said that + + +23 +00:00:30,119 --> 00:00:32,790 +for some boys is Miller coming said that +he was Gus you set we're all loaded up + +24 +00:00:32,790 --> 00:00:32,800 +he was Gus you set we're all loaded up + + +25 +00:00:32,800 --> 00:00:34,630 +he was Gus you set we're all loaded up +but I ain't handing these guns out until + +26 +00:00:34,630 --> 00:00:34,640 +but I ain't handing these guns out until + + +27 +00:00:34,640 --> 00:00:35,910 +but I ain't handing these guns out until +these guys know what they're doing + +28 +00:00:35,910 --> 00:00:35,920 +these guys know what they're doing + + +29 +00:00:35,920 --> 00:00:37,150 +these guys know what they're doing +everybody knows why they're here + +30 +00:00:37,150 --> 00:00:37,160 +everybody knows why they're here + + +31 +00:00:37,160 --> 00:00:38,790 +everybody knows why they're here +everybody knows how to shoot rand's out + +32 +00:00:38,790 --> 00:00:38,800 +everybody knows how to shoot rand's out + + +33 +00:00:38,800 --> 00:00:40,910 +everybody knows how to shoot rand's out +boys we ain't riding down no jail he's + +34 +00:00:40,910 --> 00:00:40,920 +boys we ain't riding down no jail he's + + +35 +00:00:40,920 --> 00:00:43,029 +boys we ain't riding down no jail he's +out what what are you Sheriff's dead + +36 +00:00:43,029 --> 00:00:43,039 +out what what are you Sheriff's dead + + +37 +00:00:43,039 --> 00:00:45,229 +out what what are you Sheriff's dead +They're All Dead somebody busted him out + +38 +00:00:45,229 --> 00:00:45,239 +They're All Dead somebody busted him out + + +39 +00:00:45,239 --> 00:00:46,430 +They're All Dead somebody busted him out +damn it there's a whole bunch of dead + +40 +00:00:46,430 --> 00:00:46,440 +damn it there's a whole bunch of dead + + +41 +00:00:46,440 --> 00:00:54,069 +damn it there's a whole bunch of dead +men in that jail Randall ain't one of + +42 +00:00:54,069 --> 00:00:54,079 + + + +43 +00:00:54,079 --> 00:00:56,869 + +them uh Martin there's some men outside + +44 +00:00:56,869 --> 00:00:56,879 +them uh Martin there's some men outside + + +45 +00:00:56,879 --> 00:00:58,430 +them uh Martin there's some men outside +the + +46 +00:00:58,430 --> 00:00:58,440 +the + + +47 +00:00:58,440 --> 00:01:02,389 +the +house whe + +48 +00:01:02,389 --> 00:01:02,399 + + + +49 +00:01:02,399 --> 00:01:15,030 + +ni it up boys + +50 +00:01:15,030 --> 00:01:15,040 + + + +51 +00:01:15,040 --> 00:01:18,670 + +move he ain't here just a sick + +52 +00:01:18,670 --> 00:01:18,680 +move he ain't here just a sick + + +53 +00:01:18,680 --> 00:01:21,190 +move he ain't here just a sick +wife she don't know where he + +54 +00:01:21,190 --> 00:01:21,200 +wife she don't know where he + + +55 +00:01:21,200 --> 00:01:27,429 +wife she don't know where he +is boy where's your daddy + +56 +00:01:27,429 --> 00:01:27,439 + + + +57 +00:01:27,439 --> 00:01:32,680 + +at the boy stubborn like his old man + +58 +00:01:32,680 --> 00:01:32,690 +at the boy stubborn like his old man + + +59 +00:01:32,690 --> 00:01:50,480 +at the boy stubborn like his old man +[Music] + +60 +00:01:50,480 --> 00:01:50,490 + + + +61 +00:01:50,490 --> 00:02:26,479 + +[Music] + diff --git a/2002/D6uIONVMTxE.description b/2002/D6uIONVMTxE.description new file mode 100644 index 0000000000000000000000000000000000000000..b6777e931ffc94dd1c30bfe7a9546f75fe946fdf --- /dev/null +++ b/2002/D6uIONVMTxE.description @@ -0,0 +1,38 @@ +The Time Machine movie clips: http://j.mp/1ut6cTW +BUY THE MOVIE: http://j.mp/Ke32VJ +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Alexander (Guy Pearce) becomes the first man to travel through time. + +FILM DESCRIPTION: +The classic science fiction novel by H.G. Wells becomes this big-budget adventure directed by the author's great-grandson Simon Wells. Guy Pearce stars as Alexander Hartdegen, a scientist, professor, and inventor in 1895 New York City who believes that time travel is possible. The sudden and unexpected death of his fianc + +CREDITS: +TM & © Warner Bros. (2002) +Cast: Guy Pearce +Director: Simon Wells +Producers: Arnold Leibovit, David V. Lester, John Logan, Laurie MacDonald, Walter F. Parkes, Jorge Saralegui, David Valdes +Screenwriters: H.G. Wells, David Duncan, John Logan + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/DC2QaWmat7A.en.srt b/2002/DC2QaWmat7A.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..0e1d5adc3c4b8cc7b2c4aadc89823016e0d628b6 --- /dev/null +++ b/2002/DC2QaWmat7A.en.srt @@ -0,0 +1,185 @@ +1 +00:00:00,640 --> 00:00:02,470 + +okay do you think you'd like to just + +2 +00:00:02,470 --> 00:00:02,480 +okay do you think you'd like to just + + +3 +00:00:02,480 --> 00:00:04,230 +okay do you think you'd like to just +maybe apologize to the people in Flint + +4 +00:00:04,230 --> 00:00:04,240 +maybe apologize to the people in Flint + + +5 +00:00:04,240 --> 00:00:06,030 +maybe apologize to the people in Flint +for coming and doing that at that time + +6 +00:00:06,030 --> 00:00:06,040 +for coming and doing that at that time + + +7 +00:00:06,040 --> 00:00:08,910 +for coming and doing that at that time +or you want me to apolog me to apologize + +8 +00:00:08,910 --> 00:00:08,920 +or you want me to apolog me to apologize + + +9 +00:00:08,920 --> 00:00:10,749 +or you want me to apolog me to apologize +to the people in Flint yeah or the + +10 +00:00:10,749 --> 00:00:10,759 +to the people in Flint yeah or the + + +11 +00:00:10,759 --> 00:00:12,830 +to the people in Flint yeah or the +people in Coline for coming after their + +12 +00:00:12,830 --> 00:00:12,840 +people in Coline for coming after their + + +13 +00:00:12,840 --> 00:00:14,629 +people in Coline for coming after their +horrible tragedy why do you go to the + +14 +00:00:14,629 --> 00:00:14,639 +horrible tragedy why do you go to the + + +15 +00:00:14,639 --> 00:00:16,429 +horrible tragedy why do you go to the +places after they have these horrible + +16 +00:00:16,429 --> 00:00:16,439 +places after they have these horrible + + +17 +00:00:16,439 --> 00:00:18,590 +places after they have these horrible +tragedies and I you know I'm a member of + +18 +00:00:18,590 --> 00:00:18,600 +tragedies and I you know I'm a member of + + +19 +00:00:18,600 --> 00:00:20,830 +tragedies and I you know I'm a member of +your group here I'm well I'm afraid we + +20 +00:00:20,830 --> 00:00:20,840 +your group here I'm well I'm afraid we + + +21 +00:00:20,840 --> 00:00:23,470 +your group here I'm well I'm afraid we +don't agree on uh on that you think it's + +22 +00:00:23,470 --> 00:00:23,480 +don't agree on uh on that you think it's + + +23 +00:00:23,480 --> 00:00:27,029 +don't agree on uh on that you think it's +okay to just come and show up at these + +24 +00:00:27,029 --> 00:00:27,039 +okay to just come and show up at these + + +25 +00:00:27,039 --> 00:00:41,549 +okay to just come and show up at these +events you don't think it's okay + +26 +00:00:41,549 --> 00:00:41,559 + + + +27 +00:00:41,559 --> 00:00:44,630 + +Mr Hen just one more thing this is who + +28 +00:00:44,630 --> 00:00:44,640 +Mr Hen just one more thing this is who + + +29 +00:00:44,640 --> 00:00:47,150 +Mr Hen just one more thing this is who +she is or + +30 +00:00:47,150 --> 00:00:47,160 +she is or + + +31 +00:00:47,160 --> 00:00:50,709 +she is or +was this is her Mr Please Don't Leave Mr + +32 +00:00:50,709 --> 00:00:50,719 +was this is her Mr Please Don't Leave Mr + + +33 +00:00:50,719 --> 00:00:53,430 +was this is her Mr Please Don't Leave Mr +hon please take a look at her this is + +34 +00:00:53,430 --> 00:00:53,440 +hon please take a look at her this is + + +35 +00:00:53,440 --> 00:01:44,910 +hon please take a look at her this is +the girl + +36 +00:01:44,910 --> 00:01:44,920 + + + +37 +00:01:44,920 --> 00:02:12,009 + +[Music] + diff --git a/2002/DHUSpAtemfg.description b/2002/DHUSpAtemfg.description new file mode 100644 index 0000000000000000000000000000000000000000..86ad63e21da7fbbe3ad17afcc93b49ea020b46b3 --- /dev/null +++ b/2002/DHUSpAtemfg.description @@ -0,0 +1,38 @@ +Star Trek: Nemesis movie clips: http://j.mp/1yzoWRg +BUY THE MOVIE: http://amzn.to/xgpdfn +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Counselor Deanna Troi (Marina Sirtis) engages the Reman Viceroy (Ron Perlman) in a psychic battle of wills. + +FILM DESCRIPTION: +The tenth film in Paramount's highly lucrative sci-fi franchise is also positioned as the last for the entire original Next Generation crew. En route to the honeymoon of William Riker (Jonathan Frakes) to Deanna Troi (Marina Sirtis) on her home planet of Betazed, Captain Jean-Luc Picard (Patrick Stewart) and the crew of the U.S.S. Enterprise receive energy readings identical to those uniquely emitted by the positronic brain of android crew member Data (Brent Spiner). Upon investigation, they discover the disassembled parts of an identical android named B4, an early prototype of Data himself, now scattered on the surface of a remote world. As they reassemble B4, the crew receives word from Starfleet that a coup has resulted in the installation of a new Romulan political leader, Shinzon (Tom Hardy), who claims to seek d + +CREDITS: +TM & © Paramount (2002) +Cast: LeVar Burton, Michael Dorn, Jonathan Frakes, Tom Hardy, Ron Perlman, Brent Spiner, Patrick Stewart, Marina Sirtis +Director: Stuart Baird +Producers: Marty Hornstein, Peter Lauritson, Gene Roddenberry, Rick Berman +Screenwriters: John Logan, Gene Roddenberry, Brent Spiner, Rick Berman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/DHUSpAtemfg.en.srt b/2002/DHUSpAtemfg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..64d2490f02056622fbc11c93dc0836d5f4a26a5f --- /dev/null +++ b/2002/DHUSpAtemfg.en.srt @@ -0,0 +1,205 @@ +1 +00:00:08,280 --> 00:00:10,030 + +we are losing structural Integrity on + +2 +00:00:10,030 --> 00:00:10,040 +we are losing structural Integrity on + + +3 +00:00:10,040 --> 00:00:15,430 +we are losing structural Integrity on +decks 12- 17 sections 4- + +4 +00:00:15,430 --> 00:00:15,440 + + + +5 +00:00:15,440 --> 00:00:18,470 + +10 emergency force fields are holding + +6 +00:00:18,470 --> 00:00:18,480 +10 emergency force fields are holding + + +7 +00:00:18,480 --> 00:00:20,710 +10 emergency force fields are holding +evacuate those decks reroute field power + +8 +00:00:20,710 --> 00:00:20,720 +evacuate those decks reroute field power + + +9 +00:00:20,720 --> 00:00:24,790 +evacuate those decks reroute field power +to forward + +10 +00:00:24,790 --> 00:00:24,800 + + + +11 +00:00:24,800 --> 00:00:26,830 + +Shields + +12 +00:00:26,830 --> 00:00:26,840 +Shields + + +13 +00:00:26,840 --> 00:00:29,310 +Shields +Captain I think I may have a way to find + +14 +00:00:29,310 --> 00:00:29,320 +Captain I think I may have a way to find + + +15 +00:00:29,320 --> 00:00:32,670 +Captain I think I may have a way to find +them + +16 +00:00:32,670 --> 00:00:32,680 + + + +17 +00:00:32,680 --> 00:00:43,790 + +prepare for a lateral run all starbard + +18 +00:00:43,790 --> 00:00:43,800 + + + +19 +00:00:43,800 --> 00:00:46,470 + +disruptors what is + +20 +00:00:46,470 --> 00:00:46,480 +disruptors what is + + +21 +00:00:46,480 --> 00:00:49,830 +disruptors what is +it what is + +22 +00:00:49,830 --> 00:00:49,840 +it what is + + +23 +00:00:49,840 --> 00:01:04,030 +it what is +it she's here + +24 +00:01:04,030 --> 00:01:04,040 + + + +25 +00:01:04,040 --> 00:01:22,710 + +[Music] + +26 +00:01:22,710 --> 00:01:22,720 + + + +27 +00:01:22,720 --> 00:01:31,970 + +he's resisting me + +28 +00:01:31,970 --> 00:01:31,980 + + + +29 +00:01:31,980 --> 00:01:42,710 + +[Music] + +30 +00:01:42,710 --> 00:01:42,720 + + + +31 +00:01:42,720 --> 00:01:46,830 + +remember + +32 +00:01:46,830 --> 00:01:46,840 + + + +33 +00:01:46,840 --> 00:01:58,190 + +ma + +34 +00:01:58,190 --> 00:01:58,200 + + + +35 +00:01:58,200 --> 00:02:10,430 + +now fire and will oh + +36 +00:02:10,430 --> 00:02:10,440 + + + +37 +00:02:10,440 --> 00:02:31,750 + +[Music] + +38 +00:02:31,750 --> 00:02:31,760 + + + +39 +00:02:31,760 --> 00:02:35,520 + +St + +40 +00:02:35,520 --> 00:02:35,530 + + + +41 +00:02:35,530 --> 00:02:41,490 + +[Music] + diff --git a/2002/DQjDI3NorAY.en.srt b/2002/DQjDI3NorAY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..dff6e5e44eb862ca1433ff19a3e61e70091b8fbc --- /dev/null +++ b/2002/DQjDI3NorAY.en.srt @@ -0,0 +1,655 @@ +1 +00:00:00,120 --> 00:00:02,090 + +and that's why we believe there's got to + +2 +00:00:02,090 --> 00:00:02,100 +and that's why we believe there's got to + + +3 +00:00:02,100 --> 00:00:03,949 +and that's why we believe there's got to +be some connection between the generals + +4 +00:00:03,949 --> 00:00:03,959 +be some connection between the generals + + +5 +00:00:03,959 --> 00:00:06,260 +be some connection between the generals +announcement and the man come over + +6 +00:00:06,260 --> 00:00:06,270 +announcement and the man come over + + +7 +00:00:06,270 --> 00:00:08,270 +announcement and the man come over +you're telling me there's really a man + +8 +00:00:08,270 --> 00:00:08,280 +you're telling me there's really a man + + +9 +00:00:08,280 --> 00:00:11,290 +you're telling me there's really a man +what do you think Undercover Brother + +10 +00:00:11,290 --> 00:00:11,300 +what do you think Undercover Brother + + +11 +00:00:11,300 --> 00:00:13,700 +what do you think Undercover Brother +that is your real name + +12 +00:00:13,700 --> 00:00:13,710 +that is your real name + + +13 +00:00:13,710 --> 00:00:16,779 +that is your real name +some things just happen by accident no + +14 +00:00:16,779 --> 00:00:16,789 +some things just happen by accident no + + +15 +00:00:16,789 --> 00:00:20,510 +some things just happen by accident no +sometimes people mostly white people + +16 +00:00:20,510 --> 00:00:20,520 +sometimes people mostly white people + + +17 +00:00:20,520 --> 00:00:23,090 +sometimes people mostly white people +make things happen that's where we come + +18 +00:00:23,090 --> 00:00:23,100 +make things happen that's where we come + + +19 +00:00:23,100 --> 00:00:27,019 +make things happen that's where we come +in and I never-ending struggle against + +20 +00:00:27,019 --> 00:00:27,029 +in and I never-ending struggle against + + +21 +00:00:27,029 --> 00:00:31,970 +in and I never-ending struggle against +the Man aka whitey aka mr. Charlie aka + +22 +00:00:31,970 --> 00:00:31,980 +the Man aka whitey aka mr. Charlie aka + + +23 +00:00:31,980 --> 00:00:35,660 +the Man aka whitey aka mr. Charlie aka +honky McGee so the conspiracies we + +24 +00:00:35,660 --> 00:00:35,670 +honky McGee so the conspiracies we + + +25 +00:00:35,670 --> 00:00:37,819 +honky McGee so the conspiracies we +believe for all these years are really + +26 +00:00:37,819 --> 00:00:37,829 +believe for all these years are really + + +27 +00:00:37,829 --> 00:00:40,970 +believe for all these years are really +true the NBA really instituted the + +28 +00:00:40,970 --> 00:00:40,980 +true the NBA really instituted the + + +29 +00:00:40,980 --> 00:00:43,100 +true the NBA really instituted the +three-point shot to give white boys a + +30 +00:00:43,100 --> 00:00:43,110 +three-point shot to give white boys a + + +31 +00:00:43,110 --> 00:00:45,650 +three-point shot to give white boys a +chance absolutely so the entertainment + +32 +00:00:45,650 --> 00:00:45,660 +chance absolutely so the entertainment + + +33 +00:00:45,660 --> 00:00:47,600 +chance absolutely so the entertainment +industry really is out to get Spike Lee + +34 +00:00:47,600 --> 00:00:47,610 +industry really is out to get Spike Lee + + +35 +00:00:47,610 --> 00:00:51,740 +industry really is out to get Spike Lee +is dead right come on man even say got + +36 +00:00:51,740 --> 00:00:51,750 +is dead right come on man even say got + + +37 +00:00:51,750 --> 00:00:52,279 +is dead right come on man even say got +an Oscar + +38 +00:00:52,279 --> 00:00:52,289 +an Oscar + + +39 +00:00:52,289 --> 00:01:04,039 +an Oscar +cher and OJ really didn't do it holy + +40 +00:01:04,039 --> 00:01:04,049 +cher and OJ really didn't do it holy + + +41 +00:01:04,049 --> 00:01:05,959 +cher and OJ really didn't do it holy +moly looks like the source Awards in + +42 +00:01:05,959 --> 00:01:05,969 +moly looks like the source Awards in + + +43 +00:01:05,969 --> 00:01:10,969 +moly looks like the source Awards in +here does name hurting who's it oh this + +44 +00:01:10,969 --> 00:01:10,979 +here does name hurting who's it oh this + + +45 +00:01:10,979 --> 00:01:13,099 +here does name hurting who's it oh this +is Lance our intern Lance this is + +46 +00:01:13,099 --> 00:01:13,109 +is Lance our intern Lance this is + + +47 +00:01:13,109 --> 00:01:17,539 +is Lance our intern Lance this is +Undercover Brother what's happening was + +48 +00:01:17,539 --> 00:01:17,549 +Undercover Brother what's happening was + + +49 +00:01:17,549 --> 00:01:22,429 +Undercover Brother what's happening was +I okay how did the white boy get a job + +50 +00:01:22,429 --> 00:01:22,439 +I okay how did the white boy get a job + + +51 +00:01:22,439 --> 00:01:25,879 +I okay how did the white boy get a job +here at the Brotherhood what can I + +52 +00:01:25,879 --> 00:01:25,889 +here at the Brotherhood what can I + + +53 +00:01:25,889 --> 00:01:28,429 +here at the Brotherhood what can I +tell you man Fuhrman of action what here + +54 +00:01:28,429 --> 00:01:28,439 +tell you man Fuhrman of action what here + + +55 +00:01:28,439 --> 00:01:30,949 +tell you man Fuhrman of action what here +we go oh boy open up the window it's + +56 +00:01:30,949 --> 00:01:30,959 +we go oh boy open up the window it's + + +57 +00:01:30,959 --> 00:01:35,359 +we go oh boy open up the window it's +getting all racial up in this piece look + +58 +00:01:35,359 --> 00:01:35,369 +getting all racial up in this piece look + + +59 +00:01:35,369 --> 00:01:37,639 +getting all racial up in this piece look +here Undercover Brother now that you're + +60 +00:01:37,639 --> 00:01:37,649 +here Undercover Brother now that you're + + +61 +00:01:37,649 --> 00:01:38,809 +here Undercover Brother now that you're +working for us you're gonna need to + +62 +00:01:38,809 --> 00:01:38,819 +working for us you're gonna need to + + +63 +00:01:38,819 --> 00:01:40,879 +working for us you're gonna need to +memorize our rules and regulations trim + +64 +00:01:40,879 --> 00:01:40,889 +memorize our rules and regulations trim + + +65 +00:01:40,889 --> 00:01:43,010 +memorize our rules and regulations trim +the hair and for God's sake get rid of + +66 +00:01:43,010 --> 00:01:43,020 +the hair and for God's sake get rid of + + +67 +00:01:43,020 --> 00:01:45,080 +the hair and for God's sake get rid of +the clothes slow you Road she do not + +68 +00:01:45,080 --> 00:01:45,090 +the clothes slow you Road she do not + + +69 +00:01:45,090 --> 00:01:46,429 +the clothes slow you Road she do not +respect what you're doing here at the + +70 +00:01:46,429 --> 00:01:46,439 +respect what you're doing here at the + + +71 +00:01:46,439 --> 00:01:49,099 +respect what you're doing here at the +Brotherhood but I'm a firm believer and + +72 +00:01:49,099 --> 00:01:49,109 +Brotherhood but I'm a firm believer and + + +73 +00:01:49,109 --> 00:02:02,209 +Brotherhood but I'm a firm believer and +everybody should do they own thanks okay + +74 +00:02:02,209 --> 00:02:02,219 +everybody should do they own thanks okay + + +75 +00:02:02,219 --> 00:02:06,940 +everybody should do they own thanks okay +he should never do his own thing + +76 +00:02:06,940 --> 00:02:06,950 + + + +77 +00:02:06,950 --> 00:02:09,700 + +I'm getting too old for this + +78 +00:02:09,700 --> 00:02:09,710 +I'm getting too old for this + + +79 +00:02:09,710 --> 00:02:21,570 +I'm getting too old for this +[Music] + +80 +00:02:21,570 --> 00:02:21,580 + + + +81 +00:02:21,580 --> 00:02:25,720 + +[Music] + +82 +00:02:25,720 --> 00:02:25,730 + + + +83 +00:02:25,730 --> 00:02:28,460 + +hi yellow wanna be white huh + +84 +00:02:28,460 --> 00:02:28,470 +hi yellow wanna be white huh + + +85 +00:02:28,470 --> 00:02:31,900 +hi yellow wanna be white huh +I like the white man was a keeper huh ha + +86 +00:02:31,900 --> 00:02:31,910 +I like the white man was a keeper huh ha + + +87 +00:02:31,910 --> 00:02:34,390 +I like the white man was a keeper huh ha +you know you smell a weed on me did you + +88 +00:02:34,390 --> 00:02:34,400 +you know you smell a weed on me did you + + +89 +00:02:34,400 --> 00:02:37,280 +you know you smell a weed on me did you +yeah can I get a list of the words that + +90 +00:02:37,280 --> 00:02:37,290 +yeah can I get a list of the words that + + +91 +00:02:37,290 --> 00:02:39,560 +yeah can I get a list of the words that +trigger these fits but you really need + +92 +00:02:39,560 --> 00:02:39,570 +trigger these fits but you really need + + +93 +00:02:39,570 --> 00:02:42,590 +trigger these fits but you really need +to relax go see a movie a movie a movie + +94 +00:02:42,590 --> 00:02:42,600 +to relax go see a movie a movie a movie + + +95 +00:02:42,600 --> 00:02:44,960 +to relax go see a movie a movie a movie +oh man that's like I'm falling low some + +96 +00:02:44,960 --> 00:02:44,970 +oh man that's like I'm falling low some + + +97 +00:02:44,970 --> 00:02:46,490 +oh man that's like I'm falling low some +cute black man that teaches white + +98 +00:02:46,490 --> 00:02:46,500 +cute black man that teaches white + + +99 +00:02:46,500 --> 00:02:47,990 +cute black man that teaches white +people's everything they know about the + +100 +00:02:47,990 --> 00:02:48,000 +people's everything they know about the + + +101 +00:02:48,000 --> 00:02:49,610 +people's everything they know about the +shrimp industry for the killing 30 + +102 +00:02:49,610 --> 00:02:49,620 +shrimp industry for the killing 30 + + +103 +00:02:49,620 --> 00:02:52,010 +shrimp industry for the killing 30 +minutes into the movie huh hey why don't + +104 +00:02:52,010 --> 00:02:52,020 +minutes into the movie huh hey why don't + + +105 +00:02:52,020 --> 00:02:54,050 +minutes into the movie huh hey why don't +you walk down that tunnel black man hey + +106 +00:02:54,050 --> 00:02:54,060 +you walk down that tunnel black man hey + + +107 +00:02:54,060 --> 00:02:56,060 +you walk down that tunnel black man hey +black man turn on the generator this + +108 +00:02:56,060 --> 00:02:56,070 +black man turn on the generator this + + +109 +00:02:56,070 --> 00:02:58,400 +black man turn on the generator this +dinosaurs out there hey black man look + +110 +00:02:58,400 --> 00:02:58,410 +dinosaurs out there hey black man look + + +111 +00:02:58,410 --> 00:03:07,970 +dinosaurs out there hey black man look +out he's got I told you to keep your + +112 +00:03:07,970 --> 00:03:07,980 +out he's got I told you to keep your + + +113 +00:03:07,980 --> 00:03:13,460 +out he's got I told you to keep your +finger off the trigger that thing sorry + +114 +00:03:13,460 --> 00:03:13,470 +finger off the trigger that thing sorry + + +115 +00:03:13,470 --> 00:03:16,850 +finger off the trigger that thing sorry +about all that thing's for you here are + +116 +00:03:16,850 --> 00:03:16,860 +about all that thing's for you here are + + +117 +00:03:16,860 --> 00:03:18,680 +about all that thing's for you here are +your shoes I took the liberty of making + +118 +00:03:18,680 --> 00:03:18,690 +your shoes I took the liberty of making + + +119 +00:03:18,690 --> 00:03:22,820 +your shoes I took the liberty of making +a few modifications and now am I correct + +120 +00:03:22,820 --> 00:03:22,830 +a few modifications and now am I correct + + +121 +00:03:22,830 --> 00:03:24,560 +a few modifications and now am I correct +in assuming that the Cadillac that was + +122 +00:03:24,560 --> 00:03:24,570 +in assuming that the Cadillac that was + + +123 +00:03:24,570 --> 00:03:26,090 +in assuming that the Cadillac that was +double-parked in the Brotherhood parking + +124 +00:03:26,090 --> 00:03:26,100 +double-parked in the Brotherhood parking + + +125 +00:03:26,100 --> 00:03:27,770 +double-parked in the Brotherhood parking +lot belongs to you it's my brother huh + +126 +00:03:27,770 --> 00:03:27,780 +lot belongs to you it's my brother huh + + +127 +00:03:27,780 --> 00:03:29,900 +lot belongs to you it's my brother huh +that is not just a caddy that is a + +128 +00:03:29,900 --> 00:03:29,910 +that is not just a caddy that is a + + +129 +00:03:29,910 --> 00:03:33,000 +that is not just a caddy that is a +Cadillac + +130 +00:03:33,000 --> 00:03:33,010 + + + +131 +00:03:33,010 --> 00:03:44,350 + +[Music] + diff --git a/2002/DX8o_ql6f-E.ar.srt b/2002/DX8o_ql6f-E.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..e7c37d8649f4d17012745a415451e13b4ea1d7ea --- /dev/null +++ b/2002/DX8o_ql6f-E.ar.srt @@ -0,0 +1,264 @@ +1 +00:00:05,480 --> 00:00:08,190 + +يجب أن تتحملي الحزن يا + +2 +00:00:08,190 --> 00:00:08,200 +يجب أن تتحملي الحزن يا + + +3 +00:00:08,200 --> 00:00:13,230 +يجب أن تتحملي الحزن يا +أمي، فأنا أفعل ذلك دائمًا، لم تكن خسارتي شائعة، + +4 +00:00:13,230 --> 00:00:13,240 +أمي، فأنا أفعل ذلك دائمًا، لم تكن خسارتي شائعة، + + +5 +00:00:13,240 --> 00:00:15,230 +أمي، فأنا أفعل ذلك دائمًا، لم تكن خسارتي شائعة، +حسنًا، لم تكن خسارة غير شائعة، + +6 +00:00:15,230 --> 00:00:15,240 +حسنًا، لم تكن خسارة غير شائعة، + + +7 +00:00:15,240 --> 00:00:19,230 +حسنًا، لم تكن خسارة غير شائعة، +يموت الأزواج كل + +8 +00:00:19,230 --> 00:00:19,240 +يموت الأزواج كل + + +9 +00:00:19,240 --> 00:00:24,189 +يموت الأزواج كل +يوم، وكذلك الزوجات والإخوة، نعم، + +10 +00:00:24,189 --> 00:00:24,199 +يوم، وكذلك الزوجات والإخوة، نعم، + + +11 +00:00:24,199 --> 00:00:25,630 +يوم، وكذلك الزوجات والإخوة، نعم، +والجراء + +12 +00:00:25,630 --> 00:00:25,640 +والجراء + + +13 +00:00:25,640 --> 00:00:28,070 +والجراء +أيضًا يا أمي، لم تذكري + +14 +00:00:28,070 --> 00:00:28,080 +أيضًا يا أمي، لم تذكري + + +15 +00:00:28,080 --> 00:00:30,509 +أيضًا يا أمي، لم تذكري +شكوى أخي، + +16 +00:00:30,509 --> 00:00:30,519 +شكوى أخي، + + +17 +00:00:30,519 --> 00:00:34,549 +شكوى أخي، +نشعر أنه مات من قلب مكسور، أوه + +18 +00:00:34,549 --> 00:00:34,559 +نشعر أنه مات من قلب مكسور، أوه + + +19 +00:00:34,559 --> 00:00:37,430 +نشعر أنه مات من قلب مكسور، أوه +لا يوجد شيء من هذا القبيل في الواقع، إذا لم يكن لديك + +20 +00:00:37,430 --> 00:00:37,440 +لا يوجد شيء من هذا القبيل في الواقع، إذا لم يكن لديك + + +21 +00:00:37,440 --> 00:00:40,430 +لا يوجد شيء من هذا القبيل في الواقع، إذا لم يكن لديك +قلب لتكسريه، قلت في رسالتك إن + +22 +00:00:40,430 --> 00:00:40,440 +قلب لتكسريه، قلت في رسالتك إن + + +23 +00:00:40,440 --> 00:00:42,910 +قلب لتكسريه، قلت في رسالتك إن +الدائنين قد أداروا الأمر ولم + +24 +00:00:42,910 --> 00:00:42,920 +الدائنين قد أداروا الأمر ولم + + +25 +00:00:42,920 --> 00:00:44,910 +الدائنين قد أداروا الأمر ولم +يتبق لك شيء، حاولنا + +26 +00:00:44,910 --> 00:00:44,920 +يتبق لك شيء، حاولنا + + +27 +00:00:44,920 --> 00:00:47,590 +يتبق لك شيء، حاولنا +بيع المنزل، لكن يبدو أن لا أحد + +28 +00:00:47,590 --> 00:00:47,600 +بيع المنزل، لكن يبدو أن لا أحد + + +29 +00:00:47,600 --> 00:00:49,950 +بيع المنزل، لكن يبدو أن لا أحد +يريد منزلًا صغيرًا مثل منزلنا، لذلك + +30 +00:00:49,950 --> 00:00:49,960 +يريد منزلًا صغيرًا مثل منزلنا، لذلك + + +31 +00:00:49,960 --> 00:00:52,029 +يريد منزلًا صغيرًا مثل منزلنا، لذلك +أنفقت القليل المتبقي في القدوم + +32 +00:00:52,029 --> 00:00:52,039 +أنفقت القليل المتبقي في القدوم + + +33 +00:00:52,039 --> 00:00:53,790 +أنفقت القليل المتبقي في القدوم +إلى لندن لترى ما يمكنني فعله من + +34 +00:00:53,790 --> 00:00:53,800 +إلى لندن لترى ما يمكنني فعله من + + +35 +00:00:53,800 --> 00:00:55,029 +إلى لندن لترى ما يمكنني فعله من +أجلك، + +36 +00:00:55,029 --> 00:00:55,039 +أجلك، + + +37 +00:00:55,039 --> 00:00:58,790 +أجلك، +كانت أمنية أخيك المحتضرة أن + +38 +00:00:58,790 --> 00:00:58,800 +كانت أمنية أخيك المحتضرة أن + + +39 +00:00:58,800 --> 00:01:00,549 +كانت أمنية أخيك المحتضرة أن +تفعلي شيئًا + +40 +00:01:00,549 --> 00:01:00,559 +تفعلي شيئًا + + +41 +00:01:00,559 --> 00:01:02,430 +تفعلي شيئًا +لأطفاله، كيف يكون الحال عندما يموت رجل + +42 +00:01:02,430 --> 00:01:02,440 +لأطفاله، كيف يكون الحال عندما يموت رجل + + +43 +00:01:02,440 --> 00:01:03,910 +لأطفاله، كيف يكون الحال عندما يموت رجل +بدون أي ممتلكات خاصة به، + +44 +00:01:03,910 --> 00:01:03,920 +بدون أي ممتلكات خاصة به، + + +45 +00:01:03,920 --> 00:01:05,429 +بدون أي ممتلكات خاصة به، +يعتقد أنه يحق له التصرف في + +46 +00:01:05,429 --> 00:01:05,439 +يعتقد أنه يحق له التصرف في + + +47 +00:01:05,439 --> 00:01:07,390 +يعتقد أنه يحق له التصرف في +الآخرين، يا له من + +48 +00:01:07,390 --> 00:01:07,400 +الآخرين، يا له من + + +49 +00:01:07,400 --> 00:01:10,070 +الآخرين، يا له من +رجل عديم التأثير وغير مراعٍ، والدنا + +50 +00:01:10,070 --> 00:01:10,080 +رجل عديم التأثير وغير مراعٍ، والدنا + + +51 +00:01:10,080 --> 00:01:28,910 +رجل عديم التأثير وغير مراعٍ، والدنا +كان لأخيك قلب نبيل لم يعد ينبض + +52 +00:01:28,910 --> 00:01:28,920 + + + +53 +00:01:28,920 --> 00:01:31,920 + + diff --git a/2002/Dk5SrjFVQIM.en.srt b/2002/Dk5SrjFVQIM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..efccd7a6e73334aff44e9997259d33d50acc7924 --- /dev/null +++ b/2002/Dk5SrjFVQIM.en.srt @@ -0,0 +1,395 @@ +1 +00:00:06,919 --> 00:00:09,580 + +the + +2 +00:00:09,580 --> 00:00:09,590 +the + + +3 +00:00:09,590 --> 00:00:17,590 +the +[Music] + +4 +00:00:17,590 --> 00:00:17,600 + + + +5 +00:00:17,600 --> 00:00:20,950 + +man hi hi that was brilliant did you + +6 +00:00:20,950 --> 00:00:20,960 +man hi hi that was brilliant did you + + +7 +00:00:20,960 --> 00:00:22,830 +man hi hi that was brilliant did you +play for any side yeah like you South + +8 +00:00:22,830 --> 00:00:22,840 +play for any side yeah like you South + + +9 +00:00:22,840 --> 00:00:26,230 +play for any side yeah like you South +for United Sor Squad play for H Harry as + +10 +00:00:26,230 --> 00:00:26,240 +for United Sor Squad play for H Harry as + + +11 +00:00:26,240 --> 00:00:28,310 +for United Sor Squad play for H Harry as +girl side it's close season at the + +12 +00:00:28,310 --> 00:00:28,320 +girl side it's close season at the + + +13 +00:00:28,320 --> 00:00:29,550 +girl side it's close season at the +moment but we've got a summer tournament + +14 +00:00:29,550 --> 00:00:29,560 +moment but we've got a summer tournament + + +15 +00:00:29,560 --> 00:00:31,429 +moment but we've got a summer tournament +coming up should come along have a trial + +16 +00:00:31,429 --> 00:00:31,439 +coming up should come along have a trial + + +17 +00:00:31,439 --> 00:00:34,350 +coming up should come along have a trial +a trial you think I'm good enough yeah + +18 +00:00:34,350 --> 00:00:34,360 +a trial you think I'm good enough yeah + + +19 +00:00:34,360 --> 00:00:35,310 +a trial you think I'm good enough yeah +watch you a couple of times you've + +20 +00:00:35,310 --> 00:00:35,320 +watch you a couple of times you've + + +21 +00:00:35,320 --> 00:00:37,350 +watch you a couple of times you've +gotten really good I it's up to our + +22 +00:00:37,350 --> 00:00:37,360 +gotten really good I it's up to our + + +23 +00:00:37,360 --> 00:00:39,229 +gotten really good I it's up to our +coach but I know we could do with some + +24 +00:00:39,229 --> 00:00:39,239 +coach but I know we could do with some + + +25 +00:00:39,239 --> 00:00:40,549 +coach but I know we could do with some +new + +26 +00:00:40,549 --> 00:00:40,559 +new + + +27 +00:00:40,559 --> 00:00:43,229 +new +Blood let's play + +28 +00:00:43,229 --> 00:00:43,239 +Blood let's play + + +29 +00:00:43,239 --> 00:00:46,290 +Blood let's play +football I'm Jules oh yes + +30 +00:00:46,290 --> 00:00:46,300 +football I'm Jules oh yes + + +31 +00:00:46,300 --> 00:00:49,750 +football I'm Jules oh yes +[Music] + +32 +00:00:49,750 --> 00:00:49,760 + + + +33 +00:00:49,760 --> 00:00:52,549 + +hi I want two groups three in each group + +34 +00:00:52,549 --> 00:00:52,559 +hi I want two groups three in each group + + +35 +00:00:52,559 --> 00:00:53,610 +hi I want two groups three in each group +let's + +36 +00:00:53,610 --> 00:00:53,620 +let's + + +37 +00:00:53,620 --> 00:00:56,150 +let's +[Music] + +38 +00:00:56,150 --> 00:00:56,160 +[Music] + + +39 +00:00:56,160 --> 00:00:58,389 +[Music] +move how do you know she's serious + +40 +00:00:58,389 --> 00:00:58,399 +move how do you know she's serious + + +41 +00:00:58,399 --> 00:01:02,270 +move how do you know she's serious +please watch her hi + +42 +00:01:02,270 --> 00:01:02,280 + + + +43 +00:01:02,280 --> 00:01:05,429 + +where do you normally play in the + +44 +00:01:05,429 --> 00:01:05,439 +where do you normally play in the + + +45 +00:01:05,439 --> 00:01:08,590 +where do you normally play in the +park I mean what position oh sorry I + +46 +00:01:08,590 --> 00:01:08,600 +park I mean what position oh sorry I + + +47 +00:01:08,600 --> 00:01:10,469 +park I mean what position oh sorry I +usually play all over but up front on + +48 +00:01:10,469 --> 00:01:10,479 +usually play all over but up front on + + +49 +00:01:10,479 --> 00:01:14,710 +usually play all over but up front on +the right is + +50 +00:01:14,710 --> 00:01:14,720 + + + +51 +00:01:14,720 --> 00:01:21,429 + +best get your boots on I haven't got + +52 +00:01:21,429 --> 00:01:21,439 + + + +53 +00:01:21,439 --> 00:01:27,390 + +any right join in start warming + +54 +00:01:27,390 --> 00:01:27,400 + + + +55 +00:01:27,400 --> 00:01:33,850 + +up where + +56 +00:01:33,850 --> 00:01:33,860 + + + +57 +00:01:33,860 --> 00:01:54,150 + +[Music] + +58 +00:01:54,150 --> 00:01:54,160 + + + +59 +00:01:54,160 --> 00:01:56,109 + +[Music] + +60 +00:01:56,109 --> 00:01:56,119 +[Music] + + +61 +00:01:56,119 --> 00:01:58,230 +[Music] +two on the way come on how it feel out + +62 +00:01:58,230 --> 00:01:58,240 +two on the way come on how it feel out + + +63 +00:01:58,240 --> 00:02:00,350 +two on the way come on how it feel out +there brilliant really + +64 +00:02:00,350 --> 00:02:00,360 +there brilliant really + + +65 +00:02:00,360 --> 00:02:02,389 +there brilliant really +great I've never seen an Indian girl + +66 +00:02:02,389 --> 00:02:02,399 +great I've never seen an Indian girl + + +67 +00:02:02,399 --> 00:02:03,789 +great I've never seen an Indian girl +into football I didn't even know they + +68 +00:02:03,789 --> 00:02:03,799 +into football I didn't even know they + + +69 +00:02:03,799 --> 00:02:06,910 +into football I didn't even know they +had a girl team here it's all her + +70 +00:02:06,910 --> 00:02:06,920 +had a girl team here it's all her + + +71 +00:02:06,920 --> 00:02:09,630 +had a girl team here it's all her +fault I used to play for the men's club + +72 +00:02:09,630 --> 00:02:09,640 +fault I used to play for the men's club + + +73 +00:02:09,640 --> 00:02:10,910 +fault I used to play for the men's club +and she used to hang around here whining + +74 +00:02:10,910 --> 00:02:10,920 +and she used to hang around here whining + + +75 +00:02:10,920 --> 00:02:11,990 +and she used to hang around here whining +that there was no team for her to play + +76 +00:02:11,990 --> 00:02:12,000 +that there was no team for her to play + + +77 +00:02:12,000 --> 00:02:13,180 +that there was no team for her to play +on + +78 +00:02:13,180 --> 00:02:13,190 +on + + +79 +00:02:13,190 --> 00:02:42,389 +on +[Music] + diff --git a/2002/DvS7X6Zik1c.description b/2002/DvS7X6Zik1c.description new file mode 100644 index 0000000000000000000000000000000000000000..43ad71efa56b3829687e9c62d4cd0a0630606bd9 --- /dev/null +++ b/2002/DvS7X6Zik1c.description @@ -0,0 +1,38 @@ +Minority Report movie clips: http://j.mp/1JcTdIZ +BUY THE MOVIE: http://amzn.to/vH4qda +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +When inspector Danny (Colin Farrell) gets too close to the truth, Lamar Burgess (Max Von Sydow) murders him. + +FILM DESCRIPTION: +Based on a short story by the late Philip K. Dick, this science fiction-thriller reflects the writer's familiar preoccupation with themes of concealed identity and mind control. Tom Cruise stars as John Anderton, a Washington, D.C. detective in the year 2054. Anderton works for "Precrime," a special unit of the police department that arrests murderers before they have committed the actual crime. Precrime bases its work on the visions of three psychics or "precogs" whose prophecies of future events are never in error. When Anderton discovers that he has been identified as the future killer of a man he's never met, he is forced to become a fugitive from his own colleagues as he tries to uncover the mystery of the victim-to-be's identity. When he kidnaps Agatha (Samantha Morton), one of the precogs, he begins to formulate a theory about a possible frame-up from within his own department. Directed by Steven Spielberg, who hired a team of futurists to devise the film's numerous technologically advanced gadgets, Minority Report co-stars Colin Farrell, Max von Sydow, and Neal McDonough. + +CREDITS: +TM & © Dreamworks (2002) +Cast: Colin Farrell, Max von Sydow +Director: Steven Spielberg +Producers: Jan de Bont, Michael Doven, Gary Goldman, Gerald R. Molen, Walter F. Parkes, Ronald Shusett, Sergio Mimica-Gezzan, Bonnie Curtis +Screenwriters: Philip K. Dick, Scott Frank + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/DvS7X6Zik1c.en.srt b/2002/DvS7X6Zik1c.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e21248ad3b13299801ad6156139003cb1693d4b7 --- /dev/null +++ b/2002/DvS7X6Zik1c.en.srt @@ -0,0 +1,355 @@ +1 +00:00:00,440 --> 00:00:02,070 + +all you'd have to do is hire someone to + +2 +00:00:02,070 --> 00:00:02,080 +all you'd have to do is hire someone to + + +3 +00:00:02,080 --> 00:00:03,830 +all you'd have to do is hire someone to +kill Anne Lively someone like a Drifter + +4 +00:00:03,830 --> 00:00:03,840 +kill Anne Lively someone like a Drifter + + +5 +00:00:03,840 --> 00:00:05,829 +kill Anne Lively someone like a Drifter +a neuroin addict someone with nothing to + +6 +00:00:05,829 --> 00:00:05,839 +a neuroin addict someone with nothing to + + +7 +00:00:05,839 --> 00:00:07,630 +a neuroin addict someone with nothing to +lose pre- crime stops the murder from + +8 +00:00:07,630 --> 00:00:07,640 +lose pre- crime stops the murder from + + +9 +00:00:07,640 --> 00:00:10,470 +lose pre- crime stops the murder from +taking place Halo is the killer takes + +10 +00:00:10,470 --> 00:00:10,480 +taking place Halo is the killer takes + + +11 +00:00:10,480 --> 00:00:14,030 +taking place Halo is the killer takes +him away but then right then someone + +12 +00:00:14,030 --> 00:00:14,040 +him away but then right then someone + + +13 +00:00:14,040 --> 00:00:16,830 +him away but then right then someone +else having reviewed the prevision and + +14 +00:00:16,830 --> 00:00:16,840 +else having reviewed the prevision and + + +15 +00:00:16,840 --> 00:00:18,950 +else having reviewed the prevision and +dressed in the same clothes commits the + +16 +00:00:18,950 --> 00:00:18,960 +dressed in the same clothes commits the + + +17 +00:00:18,960 --> 00:00:21,830 +dressed in the same clothes commits the +murder in exactly the same + +18 +00:00:21,830 --> 00:00:21,840 +murder in exactly the same + + +19 +00:00:21,840 --> 00:00:24,589 +murder in exactly the same +way technician takes a look thinks he's + +20 +00:00:24,589 --> 00:00:24,599 +way technician takes a look thinks he's + + +21 +00:00:24,599 --> 00:00:32,870 +way technician takes a look thinks he's +looking at an echo erases it + +22 +00:00:32,870 --> 00:00:32,880 + + + +23 +00:00:32,880 --> 00:00:34,430 + +of course it would have to be someone + +24 +00:00:34,430 --> 00:00:34,440 +of course it would have to be someone + + +25 +00:00:34,440 --> 00:00:35,830 +of course it would have to be someone +with access to the previsions in the + +26 +00:00:35,830 --> 00:00:35,840 +with access to the previsions in the + + +27 +00:00:35,840 --> 00:00:40,869 +with access to the previsions in the +first place someone fairly high + +28 +00:00:40,869 --> 00:00:40,879 + + + +29 +00:00:40,879 --> 00:00:44,709 + +up do you know what I + +30 +00:00:44,709 --> 00:00:44,719 + + + +31 +00:00:44,719 --> 00:00:46,630 + +hear + +32 +00:00:46,630 --> 00:00:46,640 +hear + + +33 +00:00:46,640 --> 00:00:49,910 +hear +nothing no footsteps up the stairs no + +34 +00:00:49,910 --> 00:00:49,920 +nothing no footsteps up the stairs no + + +35 +00:00:49,920 --> 00:00:51,670 +nothing no footsteps up the stairs no +hovercraft out the window and no click + +36 +00:00:51,670 --> 00:00:51,680 +hovercraft out the window and no click + + +37 +00:00:51,680 --> 00:00:53,590 +hovercraft out the window and no click +the click of little spiders do you know + +38 +00:00:53,590 --> 00:00:53,600 +the click of little spiders do you know + + +39 +00:00:53,600 --> 00:00:54,950 +the click of little spiders do you know +why it can't hear any of those things + +40 +00:00:54,950 --> 00:00:54,960 +why it can't hear any of those things + + +41 +00:00:54,960 --> 00:00:57,470 +why it can't hear any of those things +Danny because right now the precos can't + +42 +00:00:57,470 --> 00:00:57,480 +Danny because right now the precos can't + + +43 +00:00:57,480 --> 00:01:23,749 +Danny because right now the precos can't +see you thing + +44 +00:01:23,749 --> 00:01:23,759 + + + +45 +00:01:23,759 --> 00:01:26,469 + +can you see it's + +46 +00:01:26,469 --> 00:01:26,479 +can you see it's + + +47 +00:01:26,479 --> 00:01:29,510 +can you see it's +beautiful where are we going someplace + +48 +00:01:29,510 --> 00:01:29,520 +beautiful where are we going someplace + + +49 +00:01:29,520 --> 00:01:33,870 +beautiful where are we going someplace +safe + +50 +00:01:33,870 --> 00:01:33,880 + + + +51 +00:01:33,880 --> 00:01:38,230 + +[Music] + +52 +00:01:38,230 --> 00:01:38,240 + + + +53 +00:01:38,240 --> 00:01:41,510 + +purges Lamar it's Laura yes Lara you + +54 +00:01:41,510 --> 00:01:41,520 +purges Lamar it's Laura yes Lara you + + +55 +00:01:41,520 --> 00:01:43,270 +purges Lamar it's Laura yes Lara you +have to help + +56 +00:01:43,270 --> 00:01:43,280 +have to help + + +57 +00:01:43,280 --> 00:01:45,429 +have to help +him is he + +58 +00:01:45,429 --> 00:01:45,439 +him is he + + +59 +00:01:45,439 --> 00:01:51,429 +him is he +there yes has he got the precog with + +60 +00:01:51,429 --> 00:01:51,439 + + + +61 +00:01:51,439 --> 00:01:56,190 + +him yes keep them there I'm on my way + +62 +00:01:56,190 --> 00:01:56,200 +him yes keep them there I'm on my way + + +63 +00:01:56,200 --> 00:01:58,709 +him yes keep them there I'm on my way +please please don't tell Danny whor I + +64 +00:01:58,709 --> 00:01:58,719 +please please don't tell Danny whor I + + +65 +00:01:58,719 --> 00:02:00,990 +please please don't tell Danny whor I +don't trust him + +66 +00:02:00,990 --> 00:02:01,000 +don't trust him + + +67 +00:02:01,000 --> 00:02:10,890 +don't trust him +I won't say word + +68 +00:02:10,890 --> 00:02:10,900 + + + +69 +00:02:10,900 --> 00:02:30,910 + +[Music] + +70 +00:02:30,910 --> 00:02:30,920 + + + +71 +00:02:30,920 --> 00:02:33,680 + +ch + diff --git a/2002/DvoPZUYUdEM.en.srt b/2002/DvoPZUYUdEM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e9c0f1f5f011f76cef931319e2cc65f1738688e9 --- /dev/null +++ b/2002/DvoPZUYUdEM.en.srt @@ -0,0 +1,485 @@ +1 +00:00:10,679 --> 00:00:13,990 + +so you live to Die Another + +2 +00:00:13,990 --> 00:00:14,000 +so you live to Die Another + + +3 +00:00:14,000 --> 00:00:16,070 +so you live to Die Another +Day + +4 +00:00:16,070 --> 00:00:16,080 +Day + + +5 +00:00:16,080 --> 00:00:19,109 +Day +Colonel At + +6 +00:00:19,109 --> 00:00:19,119 +Colonel At + + +7 +00:00:19,119 --> 00:00:21,150 +Colonel At +Last I was beginning to think you'd + +8 +00:00:21,150 --> 00:00:21,160 +Last I was beginning to think you'd + + +9 +00:00:21,160 --> 00:00:23,710 +Last I was beginning to think you'd +never guess was it + +10 +00:00:23,710 --> 00:00:23,720 +never guess was it + + +11 +00:00:23,720 --> 00:00:26,509 +never guess was it +painful the gene therapy You couldn't + +12 +00:00:26,509 --> 00:00:26,519 +painful the gene therapy You couldn't + + +13 +00:00:26,519 --> 00:00:31,029 +painful the gene therapy You couldn't +possibly imagine oh good and L hear that + +14 +00:00:31,029 --> 00:00:31,039 +possibly imagine oh good and L hear that + + +15 +00:00:31,039 --> 00:00:32,670 +possibly imagine oh good and L hear that +how there have been + +16 +00:00:32,670 --> 00:00:32,680 +how there have been + + +17 +00:00:32,680 --> 00:00:34,869 +how there have been +compensations like watching you flail + +18 +00:00:34,869 --> 00:00:34,879 +compensations like watching you flail + + +19 +00:00:34,879 --> 00:00:37,389 +compensations like watching you flail +around in your ignorance granting you + +20 +00:00:37,389 --> 00:00:37,399 +around in your ignorance granting you + + +21 +00:00:37,399 --> 00:00:39,270 +around in your ignorance granting you +life day by day just to see if you get + +22 +00:00:39,270 --> 00:00:39,280 +life day by day just to see if you get + + +23 +00:00:39,280 --> 00:00:41,150 +life day by day just to see if you get +wise it's been + +24 +00:00:41,150 --> 00:00:41,160 +wise it's been + + +25 +00:00:41,160 --> 00:00:43,670 +wise it's been +fun well the fun is about to come to a + +26 +00:00:43,670 --> 00:00:43,680 +fun well the fun is about to come to a + + +27 +00:00:43,680 --> 00:00:45,389 +fun well the fun is about to come to a +dead + +28 +00:00:45,389 --> 00:00:45,399 +dead + + +29 +00:00:45,399 --> 00:00:49,389 +dead +end we only met briefly you and I but + +30 +00:00:49,389 --> 00:00:49,399 +end we only met briefly you and I but + + +31 +00:00:49,399 --> 00:00:50,950 +end we only met briefly you and I but +you left a lasting + +32 +00:00:50,950 --> 00:00:50,960 +you left a lasting + + +33 +00:00:50,960 --> 00:00:53,150 +you left a lasting +impression you see when your + +34 +00:00:53,150 --> 00:00:53,160 +impression you see when your + + +35 +00:00:53,160 --> 00:00:54,910 +impression you see when your +intervention forced me to present the + +36 +00:00:54,910 --> 00:00:54,920 +intervention forced me to present the + + +37 +00:00:54,920 --> 00:00:57,189 +intervention forced me to present the +world with a new face I chose to model + +38 +00:00:57,189 --> 00:00:57,199 +world with a new face I chose to model + + +39 +00:00:57,199 --> 00:01:01,630 +world with a new face I chose to model +the disgusting Gustaf Graves on you + +40 +00:01:01,630 --> 00:01:01,640 +the disgusting Gustaf Graves on you + + +41 +00:01:01,640 --> 00:01:03,670 +the disgusting Gustaf Graves on you +oh just in the + +42 +00:01:03,670 --> 00:01:03,680 +oh just in the + + +43 +00:01:03,680 --> 00:01:08,590 +oh just in the +details that unjustifiable Swagger your + +44 +00:01:08,590 --> 00:01:08,600 +details that unjustifiable Swagger your + + +45 +00:01:08,600 --> 00:01:11,030 +details that unjustifiable Swagger your +crass quips a defense mechanism + +46 +00:01:11,030 --> 00:01:11,040 +crass quips a defense mechanism + + +47 +00:01:11,040 --> 00:01:14,230 +crass quips a defense mechanism +concealing such inadequacy my defense + +48 +00:01:14,230 --> 00:01:14,240 +concealing such inadequacy my defense + + +49 +00:01:14,240 --> 00:01:19,670 +concealing such inadequacy my defense +mechanism is right + +50 +00:01:19,670 --> 00:01:19,680 + + + +51 +00:01:19,680 --> 00:01:21,590 + +here + +52 +00:01:21,590 --> 00:01:21,600 +here + + +53 +00:01:21,600 --> 00:01:25,149 +here +so miss Frost is not all she seems looks + +54 +00:01:25,149 --> 00:01:25,159 +so miss Frost is not all she seems looks + + +55 +00:01:25,159 --> 00:01:30,190 +so miss Frost is not all she seems looks +can be deceptive + +56 +00:01:30,190 --> 00:01:30,200 + + + +57 +00:01:30,200 --> 00:01:31,630 + +yes + +58 +00:01:31,630 --> 00:01:31,640 +yes + + +59 +00:01:31,640 --> 00:01:34,030 +yes +sir by the way did you find out who + +60 +00:01:34,030 --> 00:01:34,040 +sir by the way did you find out who + + +61 +00:01:34,040 --> 00:01:36,310 +sir by the way did you find out who +betrayed you in North Korea only a + +62 +00:01:36,310 --> 00:01:36,320 +betrayed you in North Korea only a + + +63 +00:01:36,320 --> 00:01:38,270 +betrayed you in North Korea only a +matter of time you never thought of + +64 +00:01:38,270 --> 00:01:38,280 +matter of time you never thought of + + +65 +00:01:38,280 --> 00:01:44,870 +matter of time you never thought of +looking inside your own + +66 +00:01:44,870 --> 00:01:44,880 + + + +67 +00:01:44,880 --> 00:01:51,709 + +organization she was right under your + +68 +00:01:51,709 --> 00:01:51,719 + + + +69 +00:01:51,719 --> 00:01:53,870 + +nose it was so good of you to bring your + +70 +00:01:53,870 --> 00:01:53,880 +nose it was so good of you to bring your + + +71 +00:01:53,880 --> 00:01:56,190 +nose it was so good of you to bring your +gun to bed with us + +72 +00:01:56,190 --> 00:01:56,200 +gun to bed with us + + +73 +00:01:56,200 --> 00:02:01,830 +gun to bed with us +yes I'll keep p no hazard + +74 +00:02:01,830 --> 00:02:01,840 + + + +75 +00:02:01,840 --> 00:02:03,749 + +you see I have a + +76 +00:02:03,749 --> 00:02:03,759 +you see I have a + + +77 +00:02:03,759 --> 00:02:06,590 +you see I have a +gift an instinct for sensing people's + +78 +00:02:06,590 --> 00:02:06,600 +gift an instinct for sensing people's + + +79 +00:02:06,600 --> 00:02:09,469 +gift an instinct for sensing people's +weaknesses yours as women hers and mine + +80 +00:02:09,469 --> 00:02:09,479 +weaknesses yours as women hers and mine + + +81 +00:02:09,479 --> 00:02:12,630 +weaknesses yours as women hers and mine +is winning whatever the cost so when I + +82 +00:02:12,630 --> 00:02:12,640 +is winning whatever the cost so when I + + +83 +00:02:12,640 --> 00:02:14,509 +is winning whatever the cost so when I +arranged for that fatal overdose for the + +84 +00:02:14,509 --> 00:02:14,519 +arranged for that fatal overdose for the + + +85 +00:02:14,519 --> 00:02:17,270 +arranged for that fatal overdose for the +true Victor at Sydney I won myself my + +86 +00:02:17,270 --> 00:02:17,280 +true Victor at Sydney I won myself my + + +87 +00:02:17,280 --> 00:02:21,070 +true Victor at Sydney I won myself my +very own MI6 agent using everything at + +88 +00:02:21,070 --> 00:02:21,080 +very own MI6 agent using everything at + + +89 +00:02:21,080 --> 00:02:21,869 +very own MI6 agent using everything at +my + +90 +00:02:21,869 --> 00:02:21,879 +my + + +91 +00:02:21,879 --> 00:02:25,509 +my +disposal her brains her + +92 +00:02:25,509 --> 00:02:25,519 +disposal her brains her + + +93 +00:02:25,519 --> 00:02:27,710 +disposal her brains her +Talent even her + +94 +00:02:27,710 --> 00:02:27,720 +Talent even her + + +95 +00:02:27,720 --> 00:02:34,540 +Talent even her +sex the coldest weapon of all come + +96 +00:02:34,540 --> 00:02:34,550 + + + +97 +00:02:34,550 --> 00:03:01,639 + +[Music] + diff --git a/2002/Dz6Pe77tpPg.en.srt b/2002/Dz6Pe77tpPg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..b050a4ee1037b4c0c2c8a71c7fd060358673bb0d --- /dev/null +++ b/2002/Dz6Pe77tpPg.en.srt @@ -0,0 +1,135 @@ +1 +00:00:00,740 --> 00:00:04,390 + +chosen one disappeared last night + +2 +00:00:04,390 --> 00:00:04,400 +chosen one disappeared last night + + +3 +00:00:04,400 --> 00:00:54,110 +chosen one disappeared last night +funny I she can go click click now go + +4 +00:00:54,110 --> 00:00:54,120 +funny I she can go click click now go + + +5 +00:00:54,120 --> 00:00:58,700 +funny I she can go click click now go +move big ego how about you I'm gonna be + +6 +00:00:58,700 --> 00:00:58,710 +move big ego how about you I'm gonna be + + +7 +00:00:58,710 --> 00:01:08,929 +move big ego how about you I'm gonna be +an animal just like you everything I'm + +8 +00:01:08,929 --> 00:01:08,939 +an animal just like you everything I'm + + +9 +00:01:08,939 --> 00:01:19,760 +an animal just like you everything I'm +just a bird ito lemurs go ostrich go + +10 +00:01:19,760 --> 00:01:19,770 +just a bird ito lemurs go ostrich go + + +11 +00:01:19,770 --> 00:01:33,270 +just a bird ito lemurs go ostrich go +there koalas going + +12 +00:01:33,270 --> 00:01:33,280 + + + +13 +00:01:33,280 --> 00:01:47,660 + +[Music] + +14 +00:01:47,660 --> 00:01:47,670 + + + +15 +00:01:47,670 --> 00:01:52,770 + +okay so here were my options a quickly + +16 +00:01:52,770 --> 00:01:52,780 +okay so here were my options a quickly + + +17 +00:01:52,780 --> 00:01:54,990 +okay so here were my options a quickly +duck sideways dodge the claw + +18 +00:01:54,990 --> 00:01:55,000 +duck sideways dodge the claw + + +19 +00:01:55,000 --> 00:01:56,460 +duck sideways dodge the claw +then take him out with a spinning + +20 +00:01:56,460 --> 00:01:56,470 +then take him out with a spinning + + +21 +00:01:56,470 --> 00:02:00,180 +then take him out with a spinning +back-kick or B take the claw on the face + +22 +00:02:00,180 --> 00:02:00,190 +back-kick or B take the claw on the face + + +23 +00:02:00,190 --> 00:02:05,940 +back-kick or B take the claw on the face +then roll on the ground and die should + +24 +00:02:05,940 --> 00:02:05,950 +then roll on the ground and die should + + +25 +00:02:05,950 --> 00:02:06,970 +then roll on the ground and die should +have gone with a + +26 +00:02:06,970 --> 00:02:06,980 +have gone with a + + +27 +00:02:06,980 --> 00:02:40,139 +have gone with a +[Music] + diff --git a/2002/EFpsSudUhQU.description b/2002/EFpsSudUhQU.description new file mode 100644 index 0000000000000000000000000000000000000000..5c728bcaa123040436b5f773ac889baecb54e434 --- /dev/null +++ b/2002/EFpsSudUhQU.description @@ -0,0 +1,38 @@ +Blade II movie clips: http://j.mp/1L97zvS +BUY THE MOVIE: http://bit.ly/2cb9aaR +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Blade (Wesley Snipes) and Nomak (Luke Goss) have a fierce battle, but Blade gets the upper hand. + +FILM DESCRIPTION: +Four years after scoring a box-office touchdown with Blade (1998), actor Wesley Snipes returns to portray the Marvel Comics character again in this sequel that teams him with Mexican horror director Guillermo del Toro. A half-vampire, half-human hybrid, Blade (Snipes) is a merciless vampire hunter bent on destroying the bloodsuckers that feed on humanity. The keys to Blade's success are a serum that allows him to resist the urge for blood and an array of inventive, deadly weapons, both of which were once supplied by his mentor, Whistler (Kris Kristofferson). Since Whistler's death, Blade has relocated to Prague and recruited the pot-smoking slacker Scud (Norman Reedus) to take the place of his father figure, but then he discovers that Whistler's not dead after all: He's been infected with the vampire virus. Reunited with Whistler, Blade is dealt an even bigger surprise: His greatest enemy, vampire leader Damaskinos (Thomas Kretschmann), wants to make peace with him. It seems that the vampires are facing a greater threat than Blade and hope to persuade him to fight the Reapers, a mutated super-race of vampires on a rampage of murder, indiscriminately killing both humans and their fellow bloodsuckers while sucking their victims dry. Blade agrees to a truce and joins the Bloodpack, an elite squad of commandos originally formed to fight Blade himself. Soon, the vampire soldiers discover that the virus responsible for creating their enemies is spreading rapidly and can be traced back to a mysterious "Patient Zero." Blade 2 (2002) co-stars Ron Perlman, Leonor Varela, Donnie Yen, and Matt Schulze. + +CREDITS: +TM & © Warner Bros. (2002) +Cast: Luke Goss, Wesley Snipes +Director: Guillermo del Toro +Producers: Avi Arad, Robert Bernacchi, Michael De Luca, Toby Emmerich, Jon Divens, Peter Frankfurt, David S. Goyer, Andrew J. Horne, Stan Lee, Patrick J. Palmer, Wesley Snipes, Lynn Harris, Tomás Krejcí +Screenwriters: Gene Colan, David S. Goyer, Marv Wolfman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/EFpsSudUhQU.en.srt b/2002/EFpsSudUhQU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..49fccbb69c65e7029462732fa68824170238bbed --- /dev/null +++ b/2002/EFpsSudUhQU.en.srt @@ -0,0 +1,18 @@ +1 +00:00:20,537 --> 00:00:22,605 +( cracking ) + +2 +00:00:46,363 --> 00:00:48,097 +( snapping ) + +3 +00:01:27,704 --> 00:01:29,471 +After all... + +4 +00:01:29,540 --> 00:01:32,608 +It looks +like I've finished +my father's job. + diff --git a/2002/EMOE8Ub7-zs.en.srt b/2002/EMOE8Ub7-zs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..82946d6c504afb751750e03e72db388756eed62b --- /dev/null +++ b/2002/EMOE8Ub7-zs.en.srt @@ -0,0 +1,355 @@ +1 +00:00:00,960 --> 00:00:04,430 + +it took you six days to serve this guy + +2 +00:00:04,430 --> 00:00:04,440 +it took you six days to serve this guy + + +3 +00:00:04,440 --> 00:00:07,309 +it took you six days to serve this guy +six freaking days hey he disappeared on + +4 +00:00:07,309 --> 00:00:07,319 +six freaking days hey he disappeared on + + +5 +00:00:07,319 --> 00:00:11,830 +six freaking days hey he disappeared on +me a guy named fat CH disappeared on you + +6 +00:00:11,830 --> 00:00:11,840 +me a guy named fat CH disappeared on you + + +7 +00:00:11,840 --> 00:00:13,749 +me a guy named fat CH disappeared on you +poof Puff the Magic Dragon just gone + +8 +00:00:13,749 --> 00:00:13,759 +poof Puff the Magic Dragon just gone + + +9 +00:00:13,759 --> 00:00:16,349 +poof Puff the Magic Dragon just gone +poof byebye and I'm guessing you mean to + +10 +00:00:16,349 --> 00:00:16,359 +poof byebye and I'm guessing you mean to + + +11 +00:00:16,359 --> 00:00:17,670 +poof byebye and I'm guessing you mean to +tell me you ain't see the Chrysler + +12 +00:00:17,670 --> 00:00:17,680 +tell me you ain't see the Chrysler + + +13 +00:00:17,680 --> 00:00:19,830 +tell me you ain't see the Chrysler +Building on your way over here + +14 +00:00:19,830 --> 00:00:19,840 +Building on your way over here + + +15 +00:00:19,840 --> 00:00:22,070 +Building on your way over here +either if you want to spend your life + +16 +00:00:22,070 --> 00:00:22,080 +either if you want to spend your life + + +17 +00:00:22,080 --> 00:00:24,630 +either if you want to spend your life +chasing nickel and DME papers you go + +18 +00:00:24,630 --> 00:00:24,640 +chasing nickel and DME papers you go + + +19 +00:00:24,640 --> 00:00:26,910 +chasing nickel and DME papers you go +right of here Ray the guy was a + +20 +00:00:26,910 --> 00:00:26,920 +right of here Ray the guy was a + + +21 +00:00:26,920 --> 00:00:29,310 +right of here Ray the guy was a +difficult Mark and I served him clean + +22 +00:00:29,310 --> 00:00:29,320 +difficult Mark and I served him clean + + +23 +00:00:29,320 --> 00:00:32,429 +difficult Mark and I served him clean +what else do you want + +24 +00:00:32,429 --> 00:00:32,439 + + + +25 +00:00:32,439 --> 00:00:34,910 + +you know what I want I want you to be + +26 +00:00:34,910 --> 00:00:34,920 +you know what I want I want you to be + + +27 +00:00:34,920 --> 00:00:38,110 +you know what I want I want you to be +more like Tony here that's impossible I + +28 +00:00:38,110 --> 00:00:38,120 +more like Tony here that's impossible I + + +29 +00:00:38,120 --> 00:00:39,910 +more like Tony here that's impossible I +walk upright what are you saying I don't + +30 +00:00:39,910 --> 00:00:39,920 +walk upright what are you saying I don't + + +31 +00:00:39,920 --> 00:00:41,510 +walk upright what are you saying I don't +have a good posture I'm saying you're + +32 +00:00:41,510 --> 00:00:41,520 +have a good posture I'm saying you're + + +33 +00:00:41,520 --> 00:00:43,950 +have a good posture I'm saying you're +neanthal I'm saying kiss my ass my + +34 +00:00:43,950 --> 00:00:43,960 +neanthal I'm saying kiss my ass my + + +35 +00:00:43,960 --> 00:00:46,310 +neanthal I'm saying kiss my ass my +mouth's not big enough hey hey hey hey + +36 +00:00:46,310 --> 00:00:46,320 +mouth's not big enough hey hey hey hey + + +37 +00:00:46,320 --> 00:00:50,310 +mouth's not big enough hey hey hey hey +look you see this I gave Tony this file + +38 +00:00:50,310 --> 00:00:50,320 +look you see this I gave Tony this file + + +39 +00:00:50,320 --> 00:00:53,029 +look you see this I gave Tony this file +two hours ago it's + +40 +00:00:53,029 --> 00:00:53,039 +two hours ago it's + + +41 +00:00:53,039 --> 00:00:56,150 +two hours ago it's +done what's going on with you Joe you + +42 +00:00:56,150 --> 00:00:56,160 +done what's going on with you Joe you + + +43 +00:00:56,160 --> 00:00:59,630 +done what's going on with you Joe you +used to be my money guy my assassin now + +44 +00:00:59,630 --> 00:00:59,640 +used to be my money guy my assassin now + + +45 +00:00:59,640 --> 00:01:02,670 +used to be my money guy my assassin now +in the time it takes you to do one job W + +46 +00:01:02,670 --> 00:01:02,680 +in the time it takes you to do one job W + + +47 +00:01:02,680 --> 00:01:04,549 +in the time it takes you to do one job W +alone Cassidy here and serve seven + +48 +00:01:04,549 --> 00:01:04,559 +alone Cassidy here and serve seven + + +49 +00:01:04,559 --> 00:01:06,030 +alone Cassidy here and serve seven +papers it would have been eight but I + +50 +00:01:06,030 --> 00:01:06,040 +papers it would have been eight but I + + +51 +00:01:06,040 --> 00:01:07,990 +papers it would have been eight but I +let Joe have that one in Miami the only + +52 +00:01:07,990 --> 00:01:08,000 +let Joe have that one in Miami the only + + +53 +00:01:08,000 --> 00:01:09,630 +let Joe have that one in Miami the only +reason that is that the moo can't take + +54 +00:01:09,630 --> 00:01:09,640 +reason that is that the moo can't take + + +55 +00:01:09,640 --> 00:01:11,149 +reason that is that the moo can't take +Miami it's too damn hot down there + +56 +00:01:11,149 --> 00:01:11,159 +Miami it's too damn hot down there + + +57 +00:01:11,159 --> 00:01:12,789 +Miami it's too damn hot down there +Miami's not a city it's a steam room + +58 +00:01:12,789 --> 00:01:12,799 +Miami's not a city it's a steam room + + +59 +00:01:12,799 --> 00:01:14,749 +Miami's not a city it's a steam room +with mosquitoes that's great Tony you're + +60 +00:01:14,749 --> 00:01:14,759 +with mosquitoes that's great Tony you're + + +61 +00:01:14,759 --> 00:01:17,789 +with mosquitoes that's great Tony you're +regular process serving Savant what' you + +62 +00:01:17,789 --> 00:01:17,799 +regular process serving Savant what' you + + +63 +00:01:17,799 --> 00:01:20,190 +regular process serving Savant what' you +call me Savant that's somebody who's + +64 +00:01:20,190 --> 00:01:20,200 +call me Savant that's somebody who's + + +65 +00:01:20,200 --> 00:01:23,469 +call me Savant that's somebody who's +really good at something oh thanks Joe + +66 +00:01:23,469 --> 00:01:23,479 +really good at something oh thanks Joe + + +67 +00:01:23,479 --> 00:01:28,069 +really good at something oh thanks Joe +while being a complete idiot hey ladies + +68 +00:01:28,069 --> 00:01:28,079 +while being a complete idiot hey ladies + + +69 +00:01:28,079 --> 00:01:29,390 +while being a complete idiot hey ladies +please + +70 +00:01:29,390 --> 00:01:29,400 +please + + +71 +00:01:29,400 --> 00:02:00,450 +please +[Music] + diff --git a/2002/Euld6YN5liw.en.srt b/2002/Euld6YN5liw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..239f35dab7d69727b984e3099e14c8fc5b03b989 --- /dev/null +++ b/2002/Euld6YN5liw.en.srt @@ -0,0 +1,615 @@ +1 +00:00:00,080 --> 00:00:01,550 + +I don't understand I'm not going to do + +2 +00:00:01,550 --> 00:00:01,560 +I don't understand I'm not going to do + + +3 +00:00:01,560 --> 00:00:02,869 +I don't understand I'm not going to do +it I don't understand what's wrong I + +4 +00:00:02,869 --> 00:00:02,879 +it I don't understand what's wrong I + + +5 +00:00:02,879 --> 00:00:05,349 +it I don't understand what's wrong I +mean birthdays are fun well okay this is + +6 +00:00:05,349 --> 00:00:05,359 +mean birthdays are fun well okay this is + + +7 +00:00:05,359 --> 00:00:08,470 +mean birthdays are fun well okay this is +Mom when I was four at my birthday + +8 +00:00:08,470 --> 00:00:08,480 +Mom when I was four at my birthday + + +9 +00:00:08,480 --> 00:00:12,190 +Mom when I was four at my birthday +introducing me to people and this is Lee + +10 +00:00:12,190 --> 00:00:12,200 +introducing me to people and this is Lee + + +11 +00:00:12,200 --> 00:00:14,549 +introducing me to people and this is Lee +She ruined my body didn't you + +12 +00:00:14,549 --> 00:00:14,559 +She ruined my body didn't you + + +13 +00:00:14,559 --> 00:00:17,750 +She ruined my body didn't you +dear there thanks I won't be here + +14 +00:00:17,750 --> 00:00:17,760 +dear there thanks I won't be here + + +15 +00:00:17,760 --> 00:00:20,670 +dear there thanks I won't be here +tomorrow so happy birthday oh that's + +16 +00:00:20,670 --> 00:00:20,680 +tomorrow so happy birthday oh that's + + +17 +00:00:20,680 --> 00:00:22,269 +tomorrow so happy birthday oh that's +smaller than the gift you gave me last + +18 +00:00:22,269 --> 00:00:22,279 +smaller than the gift you gave me last + + +19 +00:00:22,279 --> 00:00:24,990 +smaller than the gift you gave me last +year my 40th birthday you know what Lee + +20 +00:00:24,990 --> 00:00:25,000 +year my 40th birthday you know what Lee + + +21 +00:00:25,000 --> 00:00:26,830 +year my 40th birthday you know what Lee +you make 40 a bigger deal than it is you + +22 +00:00:26,830 --> 00:00:26,840 +you make 40 a bigger deal than it is you + + +23 +00:00:26,840 --> 00:00:31,070 +you make 40 a bigger deal than it is you +have no idea about 40 I'll be 40 + +24 +00:00:31,070 --> 00:00:31,080 +have no idea about 40 I'll be 40 + + +25 +00:00:31,080 --> 00:00:32,269 +have no idea about 40 I'll be 40 +what did I give you last year I don't + +26 +00:00:32,269 --> 00:00:32,279 +what did I give you last year I don't + + +27 +00:00:32,279 --> 00:00:37,630 +what did I give you last year I don't +even remember you know that that thing + +28 +00:00:37,630 --> 00:00:37,640 + + + +29 +00:00:37,640 --> 00:00:40,310 + +that you didn't like + +30 +00:00:40,310 --> 00:00:40,320 +that you didn't like + + +31 +00:00:40,320 --> 00:00:43,510 +that you didn't like +it well honestly I would have rather had + +32 +00:00:43,510 --> 00:00:43,520 +it well honestly I would have rather had + + +33 +00:00:43,520 --> 00:00:46,229 +it well honestly I would have rather had +just like a card or something okay just + +34 +00:00:46,229 --> 00:00:46,239 +just like a card or something okay just + + +35 +00:00:46,239 --> 00:00:48,110 +just like a card or something okay just +a weird gift to give your sister who's + +36 +00:00:48,110 --> 00:00:48,120 +a weird gift to give your sister who's + + +37 +00:00:48,120 --> 00:00:49,910 +a weird gift to give your sister who's +married on her 40th birthday you know + +38 +00:00:49,910 --> 00:00:49,920 +married on her 40th birthday you know + + +39 +00:00:49,920 --> 00:00:51,150 +married on her 40th birthday you know +what Gus gave me last year for my + +40 +00:00:51,150 --> 00:00:51,160 +what Gus gave me last year for my + + +41 +00:00:51,160 --> 00:00:53,229 +what Gus gave me last year for my +birthday first edition to Bernard chazza + +42 +00:00:53,229 --> 00:00:53,239 +birthday first edition to Bernard chazza + + +43 +00:00:53,239 --> 00:00:54,349 +birthday first edition to Bernard chazza +sanity of + +44 +00:00:54,349 --> 00:00:54,359 +sanity of + + +45 +00:00:54,359 --> 00:00:58,389 +sanity of +art did you get anything out of it which + +46 +00:00:58,389 --> 00:00:58,399 +art did you get anything out of it which + + +47 +00:00:58,399 --> 00:01:02,310 +art did you get anything out of it which +the gift I gave you + +48 +00:01:02,310 --> 00:01:02,320 + + + +49 +00:01:02,320 --> 00:01:03,910 + +are you + +50 +00:01:03,910 --> 00:01:03,920 +are you + + +51 +00:01:03,920 --> 00:01:07,550 +are you +kidding no I mean yes or no but for my + +52 +00:01:07,550 --> 00:01:07,560 +kidding no I mean yes or no but for my + + +53 +00:01:07,560 --> 00:01:11,109 +kidding no I mean yes or no but for my +40th birthday well I have one + +54 +00:01:11,109 --> 00:01:11,119 +40th birthday well I have one + + +55 +00:01:11,119 --> 00:01:13,310 +40th birthday well I have one +so I used it + +56 +00:01:13,310 --> 00:01:13,320 +so I used it + + +57 +00:01:13,320 --> 00:01:17,469 +so I used it +once okay all right well what happened + +58 +00:01:17,469 --> 00:01:17,479 +once okay all right well what happened + + +59 +00:01:17,479 --> 00:01:20,749 +once okay all right well what happened +um I got stuck in the + +60 +00:01:20,749 --> 00:01:20,759 + + + +61 +00:01:20,759 --> 00:01:24,350 + +chair you used it in a + +62 +00:01:24,350 --> 00:01:24,360 +chair you used it in a + + +63 +00:01:24,360 --> 00:01:27,870 +chair you used it in a +chair well yeah that's what's on the + +64 +00:01:27,870 --> 00:01:27,880 +chair well yeah that's what's on the + + +65 +00:01:27,880 --> 00:01:31,870 +chair well yeah that's what's on the +box different ways never not in a chair + +66 +00:01:31,870 --> 00:01:31,880 +box different ways never not in a chair + + +67 +00:01:31,880 --> 00:01:32,630 +box different ways never not in a chair +I + +68 +00:01:32,630 --> 00:01:32,640 +I + + +69 +00:01:32,640 --> 00:01:34,789 +I +never + +70 +00:01:34,789 --> 00:01:34,799 +never + + +71 +00:01:34,799 --> 00:01:38,630 +never +well gift giving you know it's an art + +72 +00:01:38,630 --> 00:01:38,640 +well gift giving you know it's an art + + +73 +00:01:38,640 --> 00:01:39,789 +well gift giving you know it's an art +you should have you should have the + +74 +00:01:39,789 --> 00:01:39,799 +you should have you should have the + + +75 +00:01:39,799 --> 00:01:42,510 +you should have you should have the +person in mind I'm sorry I thought you'd + +76 +00:01:42,510 --> 00:01:42,520 +person in mind I'm sorry I thought you'd + + +77 +00:01:42,520 --> 00:01:44,990 +person in mind I'm sorry I thought you'd +like it I like well that's but you + +78 +00:01:44,990 --> 00:01:45,000 +like it I like well that's but you + + +79 +00:01:45,000 --> 00:01:46,630 +like it I like well that's but you +should give people what you think they + +80 +00:01:46,630 --> 00:01:46,640 +should give people what you think they + + +81 +00:01:46,640 --> 00:01:48,830 +should give people what you think they +would want you know something personal + +82 +00:01:48,830 --> 00:01:48,840 +would want you know something personal + + +83 +00:01:48,840 --> 00:01:50,310 +would want you know something personal +okay how much more personal could that + +84 +00:01:50,310 --> 00:01:50,320 +okay how much more personal could that + + +85 +00:01:50,320 --> 00:01:53,590 +okay how much more personal could that +be but then you and that guy what was + +86 +00:01:53,590 --> 00:01:53,600 +be but then you and that guy what was + + +87 +00:01:53,600 --> 00:01:56,950 +be but then you and that guy what was +his name Tom Tom yeah you just you sat + +88 +00:01:56,950 --> 00:01:56,960 +his name Tom Tom yeah you just you sat + + +89 +00:01:56,960 --> 00:01:58,310 +his name Tom Tom yeah you just you sat +at the other end of the table and just + +90 +00:01:58,310 --> 00:01:58,320 +at the other end of the table and just + + +91 +00:01:58,320 --> 00:01:59,910 +at the other end of the table and just +stared at each other the whole time you + +92 +00:01:59,910 --> 00:01:59,920 +stared at each other the whole time you + + +93 +00:01:59,920 --> 00:02:02,910 +stared at each other the whole time you +didn't even really socialize anyone else + +94 +00:02:02,910 --> 00:02:02,920 +didn't even really socialize anyone else + + +95 +00:02:02,920 --> 00:02:04,870 +didn't even really socialize anyone else +oh my God Le forgive me okay I happen to + +96 +00:02:04,870 --> 00:02:04,880 +oh my God Le forgive me okay I happen to + + +97 +00:02:04,880 --> 00:02:07,510 +oh my God Le forgive me okay I happen to +be in love for a brief period of time + +98 +00:02:07,510 --> 00:02:07,520 +be in love for a brief period of time + + +99 +00:02:07,520 --> 00:02:09,389 +be in love for a brief period of time +once which happened to include the week + +100 +00:02:09,389 --> 00:02:09,399 +once which happened to include the week + + +101 +00:02:09,399 --> 00:02:11,029 +once which happened to include the week +of your birthday this is all a year + +102 +00:02:11,029 --> 00:02:11,039 +of your birthday this is all a year + + +103 +00:02:11,039 --> 00:02:14,350 +of your birthday this is all a year +later you'll get it Christ you know what + +104 +00:02:14,350 --> 00:02:14,360 +later you'll get it Christ you know what + + +105 +00:02:14,360 --> 00:02:16,350 +later you'll get it Christ you know what +GI it's a gift a gift is a gift don't + +106 +00:02:16,350 --> 00:02:16,360 +GI it's a gift a gift is a gift don't + + +107 +00:02:16,360 --> 00:02:17,670 +GI it's a gift a gift is a gift don't +question it at least not to the giver + +108 +00:02:17,670 --> 00:02:17,680 +question it at least not to the giver + + +109 +00:02:17,680 --> 00:02:23,869 +question it at least not to the giver +and out loud a whole year + +110 +00:02:23,869 --> 00:02:23,879 + + + +111 +00:02:23,879 --> 00:02:27,150 + +later okay now I know what well that it + +112 +00:02:27,150 --> 00:02:27,160 +later okay now I know what well that it + + +113 +00:02:27,160 --> 00:02:30,150 +later okay now I know what well that it +meant something to you what + +114 +00:02:30,150 --> 00:02:30,160 +meant something to you what + + +115 +00:02:30,160 --> 00:02:31,830 +meant something to you what +just the whole thing that you just you + +116 +00:02:31,830 --> 00:02:31,840 +just the whole thing that you just you + + +117 +00:02:31,840 --> 00:02:38,430 +just the whole thing that you just you +put thought into + +118 +00:02:38,430 --> 00:02:38,440 + + + +119 +00:02:38,440 --> 00:02:40,710 + +it do you know it's for your small + +120 +00:02:40,710 --> 00:02:40,720 +it do you know it's for your small + + +121 +00:02:40,720 --> 00:02:44,710 +it do you know it's for your small +change + +122 +00:02:44,710 --> 00:02:44,720 + + + +123 +00:02:44,720 --> 00:03:13,949 + +[Music] + diff --git a/2002/F6Y4Vd970zw.en.srt b/2002/F6Y4Vd970zw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..02733c394acc26b2b4113ec13fd896ffce4c3831 --- /dev/null +++ b/2002/F6Y4Vd970zw.en.srt @@ -0,0 +1,305 @@ +1 +00:00:01,410 --> 00:00:35,380 + +[Music] + +2 +00:00:35,380 --> 00:00:35,390 + + + +3 +00:00:35,390 --> 00:00:45,709 + +[Music] + +4 +00:00:45,709 --> 00:00:45,719 + + + +5 +00:00:45,719 --> 00:00:51,389 + +okay wait a + +6 +00:00:51,389 --> 00:00:51,399 + + + +7 +00:00:51,399 --> 00:00:54,270 + +minut what are you going to do with + +8 +00:00:54,270 --> 00:00:54,280 +minut what are you going to do with + + +9 +00:00:54,280 --> 00:01:07,440 +minut what are you going to do with +this okay I show you he for + +10 +00:01:07,440 --> 00:01:07,450 + + + +11 +00:01:07,450 --> 00:01:15,749 + +[Music] + +12 +00:01:15,749 --> 00:01:15,759 + + + +13 +00:01:15,759 --> 00:01:22,630 + +me fore fore foree + +14 +00:01:22,630 --> 00:01:22,640 + + + +15 +00:01:22,640 --> 00:01:47,030 + +[Music] + +16 +00:01:47,030 --> 00:01:47,040 + + + +17 +00:01:47,040 --> 00:01:50,389 + +oh you stupid bastard you could have + +18 +00:01:50,389 --> 00:01:50,399 +oh you stupid bastard you could have + + +19 +00:01:50,399 --> 00:01:51,630 +oh you stupid bastard you could have +bought another + +20 +00:01:51,630 --> 00:01:51,640 +bought another + + +21 +00:01:51,640 --> 00:01:55,510 +bought another +bear but better L than never + +22 +00:01:55,510 --> 00:01:55,520 +bear but better L than never + + +23 +00:01:55,520 --> 00:01:59,310 +bear but better L than never +AG so party a song me and my brother + +24 +00:01:59,310 --> 00:01:59,320 +AG so party a song me and my brother + + +25 +00:01:59,320 --> 00:02:02,510 +AG so party a song me and my brother +used to sing were kids she like happy + +26 +00:02:02,510 --> 00:02:02,520 +used to sing were kids she like happy + + +27 +00:02:02,520 --> 00:02:04,709 +used to sing were kids she like happy +birthday Jenny this is your day of the + +28 +00:02:04,709 --> 00:02:04,719 +birthday Jenny this is your day of the + + +29 +00:02:04,719 --> 00:02:07,630 +birthday Jenny this is your day of the +year happy birthday Jenny we bring you + +30 +00:02:07,630 --> 00:02:07,640 +year happy birthday Jenny we bring you + + +31 +00:02:07,640 --> 00:02:11,869 +year happy birthday Jenny we bring you +heal good you remember darling you just + +32 +00:02:11,869 --> 00:02:11,879 +heal good you remember darling you just + + +33 +00:02:11,879 --> 00:02:13,670 +heal good you remember darling you just +as young + +34 +00:02:13,670 --> 00:02:13,680 +as young + + +35 +00:02:13,680 --> 00:02:21,710 +as young +asort like you reach + +36 +00:02:21,710 --> 00:02:21,720 + + + +37 +00:02:21,720 --> 00:02:26,990 + +94 may you have 90 + +38 +00:02:26,990 --> 00:02:27,000 + + + +39 +00:02:27,000 --> 00:02:32,990 + +more and Walt your birthday wal + +40 +00:02:32,990 --> 00:02:33,000 + + + +41 +00:02:33,000 --> 00:02:36,869 + +never see you again kid I'm G to try I + +42 +00:02:36,869 --> 00:02:36,879 +never see you again kid I'm G to try I + + +43 +00:02:36,879 --> 00:02:38,750 +never see you again kid I'm G to try I +mean where are you going to send the + +44 +00:02:38,750 --> 00:02:38,760 +mean where are you going to send the + + +45 +00:02:38,760 --> 00:02:42,309 +mean where are you going to send the +body hey hey + +46 +00:02:42,309 --> 00:02:42,319 + + + +47 +00:02:42,319 --> 00:02:44,270 + +hey + +48 +00:02:44,270 --> 00:02:44,280 +hey + + +49 +00:02:44,280 --> 00:02:46,190 +hey +Jenny + +50 +00:02:46,190 --> 00:02:46,200 +Jenny + + +51 +00:02:46,200 --> 00:02:49,630 +Jenny +okay I'm rest here for a minute cuz my + +52 +00:02:49,630 --> 00:02:49,640 +okay I'm rest here for a minute cuz my + + +53 +00:02:49,640 --> 00:02:51,110 +okay I'm rest here for a minute cuz my +room's + +54 +00:02:51,110 --> 00:02:51,120 +room's + + +55 +00:02:51,120 --> 00:02:55,030 +room's +bugged world is + +56 +00:02:55,030 --> 00:02:55,040 + + + +57 +00:02:55,040 --> 00:02:59,949 + +bugged a close Cold close + +58 +00:02:59,949 --> 00:02:59,959 +bugged a close Cold close + + +59 +00:02:59,959 --> 00:03:08,940 +bugged a close Cold close +that's + +60 +00:03:08,940 --> 00:03:08,950 + + + +61 +00:03:08,950 --> 00:03:40,540 + +[Music] + diff --git a/2002/F7bAUwj2HEs.description b/2002/F7bAUwj2HEs.description new file mode 100644 index 0000000000000000000000000000000000000000..cd09595faab04c118ea19366da9e16fcfcdbdca1 --- /dev/null +++ b/2002/F7bAUwj2HEs.description @@ -0,0 +1,40 @@ +Panic Room movie clips: http://j.mp/1gKfVwt +BUY THE MOVIE: http://bit.ly/2cMp3nd +WATCH ON CRACKLE: http://bit.ly/2c8qSsr +http://amzn.to/uc7Vgx +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Meg (Jodie Foster) lights up the propane gas, setting off a spectacular fire and singeing Junior (Jared Leto) in the process. + +FILM DESCRIPTION: +A well-regarded spec script by A-list screenwriter David Koepp became this stylish thriller from director David Fincher. Jodie Foster stars as Meg Altman, a single mother of an diabetic preteen daughter, Sarah (Kristen Stewart). Meg's going through an unhappy divorce that forces her and Sarah to move into a new home. They choose a deluxe New York brownstone that coincidentally boasts an unusual feature: a "panic room," a vault-like hidden space capable of literally sealing itself off from the rest of the building. With its thick steel door on springs, separate ventilation and communications systems, and video monitors linked to cameras mounted throughout the home, the room is an impregnable fortress. It quickly comes in handy when the Altmans' new residence is invaded by a trio of thieves: Junior (Jared Leto), Burnham (Forest Whitaker), and Raoul (Dwight Yoakam). Meg and Sarah are able to secure themselves in the panic room before the robbers can get to them, but it turns out that Sarah's medication is still on the outside, the phone's not yet connected, and the loot the gang's seeking is inside the panic room with them. A cat-and-mouse battle of wits ensues, with Meg trying to outwit their captors over the course of one very long night, as her daughter's health dissipates. Panic Room (2002) co-stars Ann Magnuson, Patrick Bauchau, and Koepp's fellow screenwriter, Andrew Kevin Walker, in a cameo role. + +CREDITS: +TM & © Sony (2002) +Cast: Jared Leto, Forest Whitaker, Dwight Yoakam, Jodie Foster, Kristen Stewart +Director: David Fincher +Producers: Ceán Chaffin, John S. Dorsey, Judy Hofflund, David Koepp, Gavin Polone +Screenwriter: David Koepp + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/FFtP2SGrQsk.description b/2002/FFtP2SGrQsk.description new file mode 100644 index 0000000000000000000000000000000000000000..61ba102cedc9b1a33ebabad324d6854dd116b9a0 --- /dev/null +++ b/2002/FFtP2SGrQsk.description @@ -0,0 +1,38 @@ +Far from Heaven movie clips: http://j.mp/1yza0m2 +BUY THE MOVIE: http://amzn.to/uYCfox +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Sarah (Jordan Puryear) is attacked by three white boys. + +FILM DESCRIPTION: +Maverick director Todd Haynes embraces the look and feel of classic Hollywood melodramas of the 1950s in this period drama. Cathy Whitaker (Julianne Moore) and her husband, Frank (Dennis Quaid), are a seemingly perfect couple; living in a handsome suburban neighborhood in Hartford, CT, in 1957, Cathy and Frank have a beautiful home and two happy, healthy children, while Frank pursues a successful career in sales and Cathy cares for the home. But Cathy has begun to sense something isn't quite right in her marriage, as Frank begins working late, spending less time with her, and seems cold and distant. One day, Cathy visits Frank's work and discovers something she never expected -- her husband is kissing a man. At Cathy's urging, Frank undergoes psychotherapy, but as she tries to keep up a brave face, the emotional trauma takes a great toll on her, and she finds there are very few people she can talk with. Cathy strikes up a friendship with Raymond Deagan (Dennis Haysbert), an African-American gardener who works for the Whitakers, and as she discovers how intelligent and compassionate Raymond is, she finds herself drawn to him. However, Hartford is in many ways still a small town, and when Mona (Celia Weston) sees Cathy and Raymond alone together, it sets off a wave of vicious gossip that threatens to make the Whitakers' many secrets public knowledge. Far from Heaven premiered at the 2002 Venice Film Festival, where Julianne Moore's performance won the prize for Best Actress. + +CREDITS: +TM & © Universal (2002) +Cast: Ben Moss, Kyle Timothy Smith, Jordan Puryear +Director: Todd Haynes +Producers: Declan Baldwin, Tracy Brimm, George Clooney, Diane Cornell, Jean-Charles Levy, Steven Soderbergh, Bradford Simpson, Christine Vachon, Eric Robison, John Wells, John Sloss, Jody Allen +Screenwriter: Todd Haynes + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/FFtP2SGrQsk.en.srt b/2002/FFtP2SGrQsk.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..05407a1bc0459795b53f06dd62d67f2a515e483e --- /dev/null +++ b/2002/FFtP2SGrQsk.en.srt @@ -0,0 +1,135 @@ +1 +00:00:00,160 --> 00:00:09,470 + +hey h look + +2 +00:00:09,470 --> 00:00:09,480 + + + +3 +00:00:09,480 --> 00:00:11,709 + +what hey + +4 +00:00:11,709 --> 00:00:11,719 +what hey + + +5 +00:00:11,719 --> 00:00:15,670 +what hey +fellas look who's coming it's Daddy's + +6 +00:00:15,670 --> 00:00:15,680 +fellas look who's coming it's Daddy's + + +7 +00:00:15,680 --> 00:00:18,269 +fellas look who's coming it's Daddy's +girl hey there Daddy's girl where do you + +8 +00:00:18,269 --> 00:00:18,279 +girl hey there Daddy's girl where do you + + +9 +00:00:18,279 --> 00:00:22,029 +girl hey there Daddy's girl where do you +think you're going home home to see your + +10 +00:00:22,029 --> 00:00:22,039 +think you're going home home to see your + + +11 +00:00:22,039 --> 00:00:25,269 +think you're going home home to see your +Daddy yeah and his white girl + +12 +00:00:25,269 --> 00:00:25,279 +Daddy yeah and his white girl + + +13 +00:00:25,279 --> 00:00:28,710 +Daddy yeah and his white girl +friend hey where you going we just want + +14 +00:00:28,710 --> 00:00:28,720 +friend hey where you going we just want + + +15 +00:00:28,720 --> 00:00:33,360 +friend hey where you going we just want +to play + +16 +00:00:33,360 --> 00:00:33,370 + + + +17 +00:00:33,370 --> 00:00:55,029 + +[Music] + +18 +00:00:55,029 --> 00:00:55,039 +[Music] + + +19 +00:00:55,039 --> 00:00:57,709 +[Music] +uh-oh Wrong Turn Daddy's girl hey + +20 +00:00:57,709 --> 00:00:57,719 +uh-oh Wrong Turn Daddy's girl hey + + +21 +00:00:57,719 --> 00:01:00,549 +uh-oh Wrong Turn Daddy's girl hey +Daddy's girl over here + +22 +00:01:00,549 --> 00:01:00,559 +Daddy's girl over here + + +23 +00:01:00,559 --> 00:01:03,430 +Daddy's girl over here +yeah she made a wrong turn all right + +24 +00:01:03,430 --> 00:01:03,440 +yeah she made a wrong turn all right + + +25 +00:01:03,440 --> 00:01:09,300 +yeah she made a wrong turn all right +just like her daddy + +26 +00:01:09,300 --> 00:01:09,310 + + + +27 +00:01:09,310 --> 00:01:51,449 + +[Music] + diff --git a/2002/GNsD8EVetbU.en.srt b/2002/GNsD8EVetbU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..9b92fd443b183370bd4c4b0cb833fede14b29c9f --- /dev/null +++ b/2002/GNsD8EVetbU.en.srt @@ -0,0 +1,135 @@ +1 +00:00:02,439 --> 00:00:06,389 + +off my grandma home woo girl you got a + +2 +00:00:06,389 --> 00:00:06,399 +off my grandma home woo girl you got a + + +3 +00:00:06,399 --> 00:00:13,220 +off my grandma home woo girl you got a +great future behind you + +4 +00:00:13,220 --> 00:00:13,230 + + + +5 +00:00:13,230 --> 00:00:20,650 + +[Music] + +6 +00:00:20,650 --> 00:00:20,660 + + + +7 +00:00:20,660 --> 00:00:36,550 + +[Music] + +8 +00:00:36,550 --> 00:00:36,560 + + + +9 +00:00:36,560 --> 00:00:53,389 + +[Applause] + +10 +00:00:53,389 --> 00:00:53,399 + + + +11 +00:00:53,399 --> 00:01:13,550 + +but hell one do one + +12 +00:01:13,550 --> 00:01:13,560 + + + +13 +00:01:13,560 --> 00:01:16,590 + +6 it's us man come on we got to go + +14 +00:01:16,590 --> 00:01:16,600 +6 it's us man come on we got to go + + +15 +00:01:16,600 --> 00:01:17,870 +6 it's us man come on we got to go +forget about the + +16 +00:01:17,870 --> 00:01:17,880 +forget about the + + +17 +00:01:17,880 --> 00:01:20,230 +forget about the +cash all right you got to buy lunch I + +18 +00:01:20,230 --> 00:01:20,240 +cash all right you got to buy lunch I + + +19 +00:01:20,240 --> 00:01:26,320 +cash all right you got to buy lunch I +have any money come let go + +20 +00:01:26,320 --> 00:01:26,330 + + + +21 +00:01:26,330 --> 00:01:39,429 + +[Applause] + +22 +00:01:39,429 --> 00:01:39,439 + + + +23 +00:01:39,439 --> 00:01:42,870 + +a the machine broke + +24 +00:01:42,870 --> 00:01:42,880 + + + +25 +00:01:42,880 --> 00:02:07,500 + +y'all I said the machine broke + +26 +00:02:07,500 --> 00:02:07,510 + + + +27 +00:02:07,510 --> 00:02:16,460 + +[Music] + diff --git a/2002/GQy5xztHVPQ.description b/2002/GQy5xztHVPQ.description new file mode 100644 index 0000000000000000000000000000000000000000..8933b8762331839045607a2d9d6b17fd5329f9c4 --- /dev/null +++ b/2002/GQy5xztHVPQ.description @@ -0,0 +1,38 @@ +Gangs of New York movie clips: http://j.mp/1CS5deH +BUY THE MOVIE: http://amzn.to/sgtauV +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Amsterdam's (Leonardo DiCaprio) plan to assassinate Bill (Danile Day-Lewis) on the anniversary of his father's death goes horribly wrong. + +FILM DESCRIPTION: +The violent rise of gangland power in New York City at a time of massive political corruption and the city's evolution into a cultural melting pot set the stage for this lavish historical epic, which director Martin Scorsese finally brought to the screen almost 30 years after he first began to plan the project. In 1846, as waves of Irish immigrants poured into the New York neighborhood of Five Points, a number of citizens of British and Dutch heritage who were born in the United States began making an open display of their resentment toward the new arrivals. William Cutting (Daniel Day-Lewis), better known as "Bill the Butcher" for his deadly skill with a knife, bands his fellow "Native Americans" into a gang to take on the Irish immigrants; the immigrants in turn form a gang of their own, "The Dead Rabbits," organized by Priest Vallon (Liam Neeson). After an especially bloody clash between the Natives and the Rabbits leaves Vallon dead, his son goes missing; the boy ends up in a brutal reform school before returning to the Five Points in 1862 as Amsterdam (Leonardo DiCaprio). Now a strapping adult who has learned how to fight, Amsterdam has come to seek vengeance against Bill the Butcher, whose underworld control of the Five Points through violence and intimidation dovetails with the open corruption of New York politician "Boss" Tweed (Jim Broadbent). Amsterdam gradually penetrates Bill the Butcher's inner circle, and he soon becomes his trusted assistant. Amsterdam also finds himself falling for Jenny Everdeane (Cameron Diaz), a beautiful but street-smart thief who was once involved with Bill. Amsterdam is learning a great deal from Bill, but before he can turn the tables on the man who killed his father, Amsterdam's true identity is exposed, even though he has concealed it from nearly everyone, including Jenny. Gangs Of New York was the first film in two years from actor Leonardo DiCaprio; ironically, it was at one time scheduled to open on the same day as Catch Me If You Can, the Steven Spielberg project that DiCaprio began filming immediately after Gangs wrapped. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz, Jim Broadbent, Henry Thomas, Gary Lewis, Stephen Graham, Eddie Marsan +Director: Martin Scorsese +Producers: Gerry Robert Byrne, Laura Fattori, Randi Feinberg, Alberto Grimaldi, Maurizio Grimaldi, Michael Hausman, Michael Jackman, Graham King, Barbara Phillips Marco, Michael Ovitz, Joseph P. Reidy, Rick Schwartz, Colin Vaines, Bob Weinstein, Harvey Weinstein, Rick Yorn +Screenwriters: Jay Cocks, Steven Zaillian, Kenneth Lonergan + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/GQy5xztHVPQ.en.srt b/2002/GQy5xztHVPQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..12ba33051d9a6c29432bdf2bf8ac782bc47b39eb --- /dev/null +++ b/2002/GQy5xztHVPQ.en.srt @@ -0,0 +1,305 @@ +1 +00:00:00,199 --> 00:00:01,590 + +to defeat my + +2 +00:00:01,590 --> 00:00:01,600 +to defeat my + + +3 +00:00:01,600 --> 00:00:05,869 +to defeat my +enemy I extinguish his life and consume + +4 +00:00:05,869 --> 00:00:05,879 +enemy I extinguish his life and consume + + +5 +00:00:05,879 --> 00:00:09,430 +enemy I extinguish his life and consume +him as I consume these + +6 +00:00:09,430 --> 00:00:09,440 + + + +7 +00:00:09,440 --> 00:00:13,430 + +flames in honor of priest + +8 +00:00:13,430 --> 00:00:13,440 +flames in honor of priest + + +9 +00:00:13,440 --> 00:00:20,269 +flames in honor of priest +valon me PRI + +10 +00:00:20,269 --> 00:00:20,279 + + + +11 +00:00:20,279 --> 00:00:23,350 + +valon that's a wound + +12 +00:00:23,350 --> 00:00:23,360 +valon that's a wound + + +13 +00:00:23,360 --> 00:00:32,069 +valon that's a wound +[Music] + +14 +00:00:32,069 --> 00:00:32,079 + + + +15 +00:00:32,079 --> 00:00:36,310 + +I want you all to meet the son of priest + +16 +00:00:36,310 --> 00:00:36,320 +I want you all to meet the son of priest + + +17 +00:00:36,320 --> 00:00:39,069 +I want you all to meet the son of priest +Fallon I took him under my + +18 +00:00:39,069 --> 00:00:39,079 +Fallon I took him under my + + +19 +00:00:39,079 --> 00:00:41,470 +Fallon I took him under my +wing and see how I'm + +20 +00:00:41,470 --> 00:00:41,480 +wing and see how I'm + + +21 +00:00:41,480 --> 00:00:44,549 +wing and see how I'm +repaid saves my life one day so he can + +22 +00:00:44,549 --> 00:00:44,559 +repaid saves my life one day so he can + + +23 +00:00:44,559 --> 00:00:47,150 +repaid saves my life one day so he can +kill me the next like a sneak Thief + +24 +00:00:47,150 --> 00:00:47,160 +kill me the next like a sneak Thief + + +25 +00:00:47,160 --> 00:00:49,590 +kill me the next like a sneak Thief +instead of fighting like a + +26 +00:00:49,590 --> 00:00:49,600 +instead of fighting like a + + +27 +00:00:49,600 --> 00:00:57,229 +instead of fighting like a +man a base defiler Unworthy of a noble + +28 +00:00:57,229 --> 00:00:57,239 + + + +29 +00:00:57,239 --> 00:01:08,030 + +name Jesus + +30 +00:01:08,030 --> 00:01:08,040 + + + +31 +00:01:08,040 --> 00:01:11,109 + +why that'll do ml SP him + +32 +00:01:11,109 --> 00:01:11,119 +why that'll do ml SP him + + +33 +00:01:11,119 --> 00:01:13,789 +why that'll do ml SP him +out that's your A for + +34 +00:01:13,789 --> 00:01:13,799 +out that's your A for + + +35 +00:01:13,799 --> 00:01:17,990 +out that's your A for +blockies you get to + +36 +00:01:17,990 --> 00:01:18,000 + + + +37 +00:01:18,000 --> 00:01:21,789 + +what the here + +38 +00:01:21,789 --> 00:01:21,799 + + + +39 +00:01:21,799 --> 00:01:24,310 + + this is fresh + +40 +00:01:24,310 --> 00:01:24,320 +this is fresh + + +41 +00:01:24,320 --> 00:01:27,630 +this is fresh +meat what I mean we need to tenderize + +42 +00:01:27,630 --> 00:01:27,640 +meat what I mean we need to tenderize + + +43 +00:01:27,640 --> 00:01:30,030 +meat what I mean we need to tenderize +this meat a little bit + +44 +00:01:30,030 --> 00:01:30,040 +this meat a little bit + + +45 +00:01:30,040 --> 00:01:31,710 +this meat a little bit +all right let's kiss good night to that + +46 +00:01:31,710 --> 00:01:31,720 +all right let's kiss good night to that + + +47 +00:01:31,720 --> 00:01:34,490 +all right let's kiss good night to that +pretty young face of + +48 +00:01:34,490 --> 00:01:34,500 +pretty young face of + + +49 +00:01:34,500 --> 00:01:46,510 +pretty young face of +[Applause] + +50 +00:01:46,510 --> 00:01:46,520 + + + +51 +00:01:46,520 --> 00:01:50,149 + +yours what will it be then River chop + +52 +00:01:50,149 --> 00:01:50,159 +yours what will it be then River chop + + +53 +00:01:50,159 --> 00:02:01,510 +yours what will it be then River chop +loin or Shank + +54 +00:02:01,510 --> 00:02:01,520 + + + +55 +00:02:01,520 --> 00:02:06,109 + +the lung liver the tongue the the + +56 +00:02:06,109 --> 00:02:06,119 +the lung liver the tongue the the + + +57 +00:02:06,119 --> 00:02:09,749 +the lung liver the tongue the the +stomach the heart the heart the heart + +58 +00:02:09,749 --> 00:02:09,759 +stomach the heart the heart the heart + + +59 +00:02:09,759 --> 00:02:21,900 +stomach the heart the heart the heart +this boy has no heart kill him kill him + +60 +00:02:21,900 --> 00:02:21,910 + + + +61 +00:02:21,910 --> 00:02:44,509 + +[Music] + diff --git a/2002/GhTOt1_Miag.en.srt b/2002/GhTOt1_Miag.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..43b9eedda85c19227e8c6673ab52fcd44e9482f0 --- /dev/null +++ b/2002/GhTOt1_Miag.en.srt @@ -0,0 +1,345 @@ +1 +00:00:00,399 --> 00:00:01,669 + +Mr + +2 +00:00:01,669 --> 00:00:01,679 +Mr + + +3 +00:00:01,679 --> 00:00:06,190 +Mr +Bond and Miss Swift space and Technology + +4 +00:00:06,190 --> 00:00:06,200 +Bond and Miss Swift space and Technology + + +5 +00:00:06,200 --> 00:00:07,709 +Bond and Miss Swift space and Technology +magazine + +6 +00:00:07,709 --> 00:00:07,719 +magazine + + +7 +00:00:07,719 --> 00:00:09,950 +magazine +really I take it Mr Bond's been + +8 +00:00:09,950 --> 00:00:09,960 +really I take it Mr Bond's been + + +9 +00:00:09,960 --> 00:00:12,629 +really I take it Mr Bond's been +explaining his Big Bang Theory oh yeah I + +10 +00:00:12,629 --> 00:00:12,639 +explaining his Big Bang Theory oh yeah I + + +11 +00:00:12,639 --> 00:00:17,029 +explaining his Big Bang Theory oh yeah I +think I got the thrust of it I + +12 +00:00:17,029 --> 00:00:17,039 +think I got the thrust of it I + + +13 +00:00:17,039 --> 00:00:19,230 +think I got the thrust of it I +see well the demonstration is about to + +14 +00:00:19,230 --> 00:00:19,240 +see well the demonstration is about to + + +15 +00:00:19,240 --> 00:00:21,950 +see well the demonstration is about to +begin in 5 minutes so shall + +16 +00:00:21,950 --> 00:00:21,960 +begin in 5 minutes so shall + + +17 +00:00:21,960 --> 00:00:27,029 +begin in 5 minutes so shall +we shall + +18 +00:00:27,029 --> 00:00:27,039 + + + +19 +00:00:27,039 --> 00:00:31,189 + +we not jinx anymore well I'll always be + +20 +00:00:31,189 --> 00:00:31,199 +we not jinx anymore well I'll always be + + +21 +00:00:31,199 --> 00:00:32,200 +we not jinx anymore well I'll always be +a jinx to + +22 +00:00:32,200 --> 00:00:32,210 +a jinx to + + +23 +00:00:32,210 --> 00:00:41,069 +a jinx to +[Applause] + +24 +00:00:41,069 --> 00:00:41,079 +[Applause] + + +25 +00:00:41,079 --> 00:00:44,549 +[Applause] +you as you know I'm always trying to + +26 +00:00:44,549 --> 00:00:44,559 +you as you know I'm always trying to + + +27 +00:00:44,559 --> 00:00:46,229 +you as you know I'm always trying to +give the planet something in return for + +28 +00:00:46,229 --> 00:00:46,239 +give the planet something in return for + + +29 +00:00:46,239 --> 00:00:49,310 +give the planet something in return for +what it has given me those little shards + +30 +00:00:49,310 --> 00:00:49,320 +what it has given me those little shards + + +31 +00:00:49,320 --> 00:00:51,270 +what it has given me those little shards +of Heaven known as + +32 +00:00:51,270 --> 00:00:51,280 +of Heaven known as + + +33 +00:00:51,280 --> 00:00:53,389 +of Heaven known as +diamonds now diamonds aren't just + +34 +00:00:53,389 --> 00:00:53,399 +diamonds now diamonds aren't just + + +35 +00:00:53,399 --> 00:00:56,150 +diamonds now diamonds aren't just +expensive stones they are the stuff of + +36 +00:00:56,150 --> 00:00:56,160 +expensive stones they are the stuff of + + +37 +00:00:56,160 --> 00:01:18,990 +expensive stones they are the stuff of +dreams and the means to make dreams real + +38 +00:01:18,990 --> 00:01:19,000 + + + +39 +00:01:19,000 --> 00:01:21,350 + +imagine being able to bring light and + +40 +00:01:21,350 --> 00:01:21,360 +imagine being able to bring light and + + +41 +00:01:21,360 --> 00:01:24,429 +imagine being able to bring light and +warmth to the darkest parts of the World + +42 +00:01:24,429 --> 00:01:24,439 +warmth to the darkest parts of the World + + +43 +00:01:24,439 --> 00:01:26,149 +warmth to the darkest parts of the World +Imagine being able to grow crops the + +44 +00:01:26,149 --> 00:01:26,159 +Imagine being able to grow crops the + + +45 +00:01:26,159 --> 00:01:28,550 +Imagine being able to grow crops the +year round bringing an end to hunger + +46 +00:01:28,550 --> 00:01:28,560 +year round bringing an end to hunger + + +47 +00:01:28,560 --> 00:01:30,149 +year round bringing an end to hunger +imagine + +48 +00:01:30,149 --> 00:01:30,159 +imagine + + +49 +00:01:30,159 --> 00:01:33,590 +imagine +a second sun shining like a diamond in + +50 +00:01:33,590 --> 00:01:33,600 +a second sun shining like a diamond in + + +51 +00:01:33,600 --> 00:01:36,749 +a second sun shining like a diamond in +the + +52 +00:01:36,749 --> 00:01:36,759 + + + +53 +00:01:36,759 --> 00:01:43,300 + +sky let there be + +54 +00:01:43,300 --> 00:01:43,310 + + + +55 +00:01:43,310 --> 00:01:46,270 + +[Applause] + +56 +00:01:46,270 --> 00:01:46,280 +[Applause] + + +57 +00:01:46,280 --> 00:01:55,350 +[Applause] +light I give you + +58 +00:01:55,350 --> 00:01:55,360 + + + +59 +00:01:55,360 --> 00:01:58,950 + +IUS Icarus is unique its miraculous + +60 +00:01:58,950 --> 00:01:58,960 +IUS Icarus is unique its miraculous + + +61 +00:01:58,960 --> 00:02:00,789 +IUS Icarus is unique its miraculous +silver skin will halale the Sun's light + +62 +00:02:00,789 --> 00:02:00,799 +silver skin will halale the Sun's light + + +63 +00:02:00,799 --> 00:02:03,870 +silver skin will halale the Sun's light +and breathe it gently upon the Earth's + +64 +00:02:03,870 --> 00:02:03,880 +and breathe it gently upon the Earth's + + +65 +00:02:03,880 --> 00:02:07,310 +and breathe it gently upon the Earth's +surface you have no idea how much IUS is + +66 +00:02:07,310 --> 00:02:07,320 +surface you have no idea how much IUS is + + +67 +00:02:07,320 --> 00:02:16,020 +surface you have no idea how much IUS is +about to change your world + +68 +00:02:16,020 --> 00:02:16,030 + + + +69 +00:02:16,030 --> 00:02:43,120 + +[Music] + diff --git a/2002/GurNiNV5XvY.description b/2002/GurNiNV5XvY.description new file mode 100644 index 0000000000000000000000000000000000000000..2f62134484933d5cabcc42ff08593e65bdafd6bd --- /dev/null +++ b/2002/GurNiNV5XvY.description @@ -0,0 +1,38 @@ +Minority Report movie clips: http://j.mp/1JcTdIZ +BUY THE MOVIE: http://amzn.to/vH4qda +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Anderton (Tom Cruise) tries to feed himself without the use of his eyesight. + +FILM DESCRIPTION: +Based on a short story by the late Philip K. Dick, this science fiction-thriller reflects the writer's familiar preoccupation with themes of concealed identity and mind control. Tom Cruise stars as John Anderton, a Washington, D.C. detective in the year 2054. Anderton works for "Precrime," a special unit of the police department that arrests murderers before they have committed the actual crime. Precrime bases its work on the visions of three psychics or "precogs" whose prophecies of future events are never in error. When Anderton discovers that he has been identified as the future killer of a man he's never met, he is forced to become a fugitive from his own colleagues as he tries to uncover the mystery of the victim-to-be's identity. When he kidnaps Agatha (Samantha Morton), one of the precogs, he begins to formulate a theory about a possible frame-up from within his own department. Directed by Steven Spielberg, who hired a team of futurists to devise the film's numerous technologically advanced gadgets, Minority Report co-stars Colin Farrell, Max von Sydow, and Neal McDonough. + +CREDITS: +TM & © Dreamworks (2002) +Cast: Tom Cruise +Director: Steven Spielberg +Producers: Jan de Bont, Michael Doven, Gary Goldman, Gerald R. Molen, Walter F. Parkes, Ronald Shusett, Sergio Mimica-Gezzan, Bonnie Curtis +Screenwriters: Philip K. Dick, Scott Frank + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/GurNiNV5XvY.en.srt b/2002/GurNiNV5XvY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e61a16593fb020f7854f0ec966f46a759f50991d --- /dev/null +++ b/2002/GurNiNV5XvY.en.srt @@ -0,0 +1,35 @@ +1 +00:00:52,443 --> 00:00:55,579 +[ man on tv ] +ś what you gonna do +when they come for you ś + +2 +00:00:55,646 --> 00:00:58,648 +ś bad boys, bad boys +what you gonna do ś + +3 +00:00:58,716 --> 00:01:01,118 +ś what you gonna do +when they come for you ś + +4 +00:01:01,186 --> 00:01:04,188 +ś bad boys, bad boys +what you gonna do ś + +5 +00:01:04,256 --> 00:01:06,723 +ś what you gonna do +when they come for you ś + +6 +00:01:06,791 --> 00:01:09,593 +ś nobody now +give me no break ś + +7 +00:01:09,660 --> 00:01:12,596 +[ alarm wailing ] + diff --git a/2002/H1IhRMtTUno.en.srt b/2002/H1IhRMtTUno.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..740dc24d3970ec2d419083e04f3f2e704f84843b --- /dev/null +++ b/2002/H1IhRMtTUno.en.srt @@ -0,0 +1,625 @@ +1 +00:00:00,439 --> 00:00:11,480 + +Undercover Brother hi bring it away girl + +2 +00:00:11,480 --> 00:00:11,490 +Undercover Brother hi bring it away girl + + +3 +00:00:11,490 --> 00:00:13,490 +Undercover Brother hi bring it away girl +in my mouth what she's working with us + +4 +00:00:13,490 --> 00:00:13,500 +in my mouth what she's working with us + + +5 +00:00:13,500 --> 00:00:16,279 +in my mouth what she's working with us +now she well with my extensive and + +6 +00:00:16,279 --> 00:00:16,289 +now she well with my extensive and + + +7 +00:00:16,289 --> 00:00:17,480 +now she well with my extensive and +intimate knowledge of the man's + +8 +00:00:17,480 --> 00:00:17,490 +intimate knowledge of the man's + + +9 +00:00:17,490 --> 00:00:20,029 +intimate knowledge of the man's +organization I can help you stop his + +10 +00:00:20,029 --> 00:00:20,039 +organization I can help you stop his + + +11 +00:00:20,039 --> 00:00:23,660 +organization I can help you stop his +evil plan okay come on brother take + +12 +00:00:23,660 --> 00:00:23,670 +evil plan okay come on brother take + + +13 +00:00:23,670 --> 00:00:25,460 +evil plan okay come on brother take +white she-devil to the lab and find out + +14 +00:00:25,460 --> 00:00:25,470 +white she-devil to the lab and find out + + +15 +00:00:25,470 --> 00:00:30,490 +white she-devil to the lab and find out +exactly what she knows + +16 +00:00:30,490 --> 00:00:30,500 + + + +17 +00:00:30,500 --> 00:00:32,990 + +usually I get al roker here's what's + +18 +00:00:32,990 --> 00:00:33,000 +usually I get al roker here's what's + + +19 +00:00:33,000 --> 00:00:34,479 +usually I get al roker here's what's +happening in your neck of the woods + +20 +00:00:34,479 --> 00:00:34,489 +happening in your neck of the woods + + +21 +00:00:34,489 --> 00:00:38,630 +happening in your neck of the woods +chief various brother agents I owe all + +22 +00:00:38,630 --> 00:00:38,640 +chief various brother agents I owe all + + +23 +00:00:38,640 --> 00:00:40,729 +chief various brother agents I owe all +of you a huge apology I just watched + +24 +00:00:40,729 --> 00:00:40,739 +of you a huge apology I just watched + + +25 +00:00:40,739 --> 00:00:45,290 +of you a huge apology I just watched +this show roots maybe you've heard of it + +26 +00:00:45,290 --> 00:00:45,300 +this show roots maybe you've heard of it + + +27 +00:00:45,300 --> 00:00:48,260 +this show roots maybe you've heard of it +it taught me such a profound lesson + +28 +00:00:48,260 --> 00:00:48,270 +it taught me such a profound lesson + + +29 +00:00:48,270 --> 00:00:50,209 +it taught me such a profound lesson +about bigotry I have sat on the + +30 +00:00:50,209 --> 00:00:50,219 +about bigotry I have sat on the + + +31 +00:00:50,219 --> 00:00:52,160 +about bigotry I have sat on the +sidelines of race relations long enough + +32 +00:00:52,160 --> 00:00:52,170 +sidelines of race relations long enough + + +33 +00:00:52,170 --> 00:00:55,069 +sidelines of race relations long enough +I want to march down that field of + +34 +00:00:55,069 --> 00:00:55,079 +I want to march down that field of + + +35 +00:00:55,079 --> 00:00:58,250 +I want to march down that field of +oppression and kick that ball of bigotry + +36 +00:00:58,250 --> 00:00:58,260 +oppression and kick that ball of bigotry + + +37 +00:00:58,260 --> 00:01:00,439 +oppression and kick that ball of bigotry +right over the goalpost + +38 +00:01:00,439 --> 00:01:00,449 +right over the goalpost + + +39 +00:01:00,449 --> 00:01:02,070 +right over the goalpost +of intolerance + +40 +00:01:02,070 --> 00:01:02,080 +of intolerance + + +41 +00:01:02,080 --> 00:01:04,929 +of intolerance +[Music] + +42 +00:01:04,929 --> 00:01:04,939 +[Music] + + +43 +00:01:04,939 --> 00:01:10,520 +[Music] +hey son you talk a lot of yes I do + +44 +00:01:10,520 --> 00:01:10,530 +hey son you talk a lot of yes I do + + +45 +00:01:10,530 --> 00:01:16,010 +hey son you talk a lot of yes I do +but you down what are you kidding you + +46 +00:01:16,010 --> 00:01:16,020 +but you down what are you kidding you + + +47 +00:01:16,020 --> 00:01:17,450 +but you down what are you kidding you +won't let the white boy George just like + +48 +00:01:17,450 --> 00:01:17,460 +won't let the white boy George just like + + +49 +00:01:17,460 --> 00:01:19,249 +won't let the white boy George just like +that she I was in secret in school for + +50 +00:01:19,249 --> 00:01:19,259 +that she I was in secret in school for + + +51 +00:01:19,259 --> 00:01:21,170 +that she I was in secret in school for +three years mine three years I paid for + +52 +00:01:21,170 --> 00:01:21,180 +three years mine three years I paid for + + +53 +00:01:21,180 --> 00:01:22,190 +three years mine three years I paid for +the classes myself + +54 +00:01:22,190 --> 00:01:22,200 +the classes myself + + +55 +00:01:22,200 --> 00:01:25,670 +the classes myself +you made me chief chief I performed a + +56 +00:01:25,670 --> 00:01:25,680 +you made me chief chief I performed a + + +57 +00:01:25,680 --> 00:01:27,770 +you made me chief chief I performed a +full range spectral analysis on Miss + +58 +00:01:27,770 --> 00:01:27,780 +full range spectral analysis on Miss + + +59 +00:01:27,780 --> 00:01:29,779 +full range spectral analysis on Miss +white she-devils brainwaves then I + +60 +00:01:29,779 --> 00:01:29,789 +white she-devils brainwaves then I + + +61 +00:01:29,789 --> 00:01:31,910 +white she-devils brainwaves then I +unlocked her subconscious using a + +62 +00:01:31,910 --> 00:01:31,920 +unlocked her subconscious using a + + +63 +00:01:31,920 --> 00:01:34,609 +unlocked her subconscious using a +special form of hypnosis then I gently + +64 +00:01:34,609 --> 00:01:34,619 +special form of hypnosis then I gently + + +65 +00:01:34,619 --> 00:01:35,690 +special form of hypnosis then I gently +brushed her hair + +66 +00:01:35,690 --> 00:01:35,700 +brushed her hair + + +67 +00:01:35,700 --> 00:01:38,540 +brushed her hair +then I reached deep within her tight + +68 +00:01:38,540 --> 00:01:38,550 +then I reached deep within her tight + + +69 +00:01:38,550 --> 00:01:41,840 +then I reached deep within her tight +little pockets and I found a list of the + +70 +00:01:41,840 --> 00:01:41,850 +little pockets and I found a list of the + + +71 +00:01:41,850 --> 00:01:44,809 +little pockets and I found a list of the +man's targets good lord they're going + +72 +00:01:44,809 --> 00:01:44,819 +man's targets good lord they're going + + +73 +00:01:44,819 --> 00:01:46,789 +man's targets good lord they're going +after James Brown tomorrow night at the + +74 +00:01:46,789 --> 00:01:46,799 +after James Brown tomorrow night at the + + +75 +00:01:46,799 --> 00:01:48,649 +after James Brown tomorrow night at the +Grammys we need to stop him find the + +76 +00:01:48,649 --> 00:01:48,659 +Grammys we need to stop him find the + + +77 +00:01:48,659 --> 00:01:49,520 +Grammys we need to stop him find the +general and give them the antidote + +78 +00:01:49,520 --> 00:01:49,530 +general and give them the antidote + + +79 +00:01:49,530 --> 00:01:50,630 +general and give them the antidote +that's right + +80 +00:01:50,630 --> 00:01:50,640 +that's right + + +81 +00:01:50,640 --> 00:01:53,120 +that's right +it's going to the streets hey y'all its + +82 +00:01:53,120 --> 00:01:53,130 +it's going to the streets hey y'all its + + +83 +00:01:53,130 --> 00:01:55,399 +it's going to the streets hey y'all its +revolution up in this set the + +84 +00:01:55,399 --> 00:01:55,409 +revolution up in this set the + + +85 +00:01:55,409 --> 00:02:00,199 +revolution up in this set the +alone fire song baby it's all good work + +86 +00:02:00,199 --> 00:02:00,209 +alone fire song baby it's all good work + + +87 +00:02:00,209 --> 00:02:03,680 +alone fire song baby it's all good work +white she-devil oh and you into what the + +88 +00:02:03,680 --> 00:02:03,690 +white she-devil oh and you into what the + + +89 +00:02:03,690 --> 00:02:04,850 +white she-devil oh and you into what the + cheese + +90 +00:02:04,850 --> 00:02:04,860 +cheese + + +91 +00:02:04,860 --> 00:02:06,649 +cheese +I never see that in my secret + +92 +00:02:06,649 --> 00:02:06,659 +I never see that in my secret + + +93 +00:02:06,659 --> 00:02:08,539 +I never see that in my secret +agent classes I'm still paying the loans + +94 +00:02:08,539 --> 00:02:08,549 +agent classes I'm still paying the loans + + +95 +00:02:08,549 --> 00:02:09,499 +agent classes I'm still paying the loans +off man + +96 +00:02:09,499 --> 00:02:09,509 +off man + + +97 +00:02:09,509 --> 00:02:11,180 +off man +I sleep on a pissing match race ain't + +98 +00:02:11,180 --> 00:02:11,190 +I sleep on a pissing match race ain't + + +99 +00:02:11,190 --> 00:02:13,580 +I sleep on a pissing match race ain't +got good food to eat I borrow money for + +100 +00:02:13,580 --> 00:02:13,590 +got good food to eat I borrow money for + + +101 +00:02:13,590 --> 00:02:14,420 +got good food to eat I borrow money for +my weed + +102 +00:02:14,420 --> 00:02:14,430 +my weed + + +103 +00:02:14,430 --> 00:02:18,140 +my weed +I quit that's it y'all got conspiracy + +104 +00:02:18,140 --> 00:02:18,150 +I quit that's it y'all got conspiracy + + +105 +00:02:18,150 --> 00:02:20,150 +I quit that's it y'all got conspiracy +brother Jones to get around anymore + +106 +00:02:20,150 --> 00:02:20,160 +brother Jones to get around anymore + + +107 +00:02:20,160 --> 00:02:22,880 +brother Jones to get around anymore +give me a pill case I'm joining the Klan + +108 +00:02:22,880 --> 00:02:22,890 +give me a pill case I'm joining the Klan + + +109 +00:02:22,890 --> 00:02:25,550 +give me a pill case I'm joining the Klan +brother brother we all love your solo + +110 +00:02:25,550 --> 00:02:25,560 +brother brother we all love your solo + + +111 +00:02:25,560 --> 00:02:27,740 +brother brother we all love your solo +enthusiasm but this is about working + +112 +00:02:27,740 --> 00:02:27,750 +enthusiasm but this is about working + + +113 +00:02:27,750 --> 00:02:30,710 +enthusiasm but this is about working +together now been a solo star shooting + +114 +00:02:30,710 --> 00:02:30,720 +together now been a solo star shooting + + +115 +00:02:30,720 --> 00:02:32,440 +together now been a solo star shooting +the shots that I thought we'd wind again + +116 +00:02:32,440 --> 00:02:32,450 +the shots that I thought we'd wind again + + +117 +00:02:32,450 --> 00:02:35,449 +the shots that I thought we'd wind again +but I'm working with y'all I've come to + +118 +00:02:35,449 --> 00:02:35,459 +but I'm working with y'all I've come to + + +119 +00:02:35,459 --> 00:02:36,640 +but I'm working with y'all I've come to +realize + +120 +00:02:36,640 --> 00:02:36,650 +realize + + +121 +00:02:36,650 --> 00:02:41,229 +realize +only a team wins it's Andy's teamwork + +122 +00:02:41,229 --> 00:02:41,239 +only a team wins it's Andy's teamwork + + +123 +00:02:41,239 --> 00:02:48,890 +only a team wins it's Andy's teamwork +that's right that's right + +124 +00:02:48,890 --> 00:02:48,900 + + + +125 +00:02:48,900 --> 00:03:00,340 + +[Music] + diff --git a/2002/HNPRZ2M3h-M.en.srt b/2002/HNPRZ2M3h-M.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a39ad1019a3d9a2f3ad33e62ae073b26d00bc7b8 --- /dev/null +++ b/2002/HNPRZ2M3h-M.en.srt @@ -0,0 +1,505 @@ +1 +00:00:00,089 --> 00:00:02,210 + +how long have you been working for the + +2 +00:00:02,210 --> 00:00:02,220 +how long have you been working for the + + +3 +00:00:02,220 --> 00:00:04,280 +how long have you been working for the +United States government I work for the + +4 +00:00:04,280 --> 00:00:04,290 +United States government I work for the + + +5 +00:00:04,290 --> 00:00:05,510 +United States government I work for the +United States to Kelly Robert sellers + +6 +00:00:05,510 --> 00:00:05,520 +United States to Kelly Robert sellers + + +7 +00:00:05,520 --> 00:00:07,909 +United States to Kelly Robert sellers +bns agent on your jet well I don't know + +8 +00:00:07,909 --> 00:00:07,919 +bns agent on your jet well I don't know + + +9 +00:00:07,919 --> 00:00:09,200 +bns agent on your jet well I don't know +what you're talking about who was he a + +10 +00:00:09,200 --> 00:00:09,210 +what you're talking about who was he a + + +11 +00:00:09,210 --> 00:00:10,640 +what you're talking about who was he a +man y'all been reading two minutes fine + +12 +00:00:10,640 --> 00:00:10,650 +man y'all been reading two minutes fine + + +13 +00:00:10,650 --> 00:00:12,850 +man y'all been reading two minutes fine +now maybe we should cut off his penis + +14 +00:00:12,850 --> 00:00:12,860 +now maybe we should cut off his penis + + +15 +00:00:12,860 --> 00:00:15,169 +now maybe we should cut off his penis +cut off my penis what's a bad word now + +16 +00:00:15,169 --> 00:00:15,179 +cut off my penis what's a bad word now + + +17 +00:00:15,179 --> 00:00:16,279 +cut off my penis what's a bad word now +why would you go straight to cut off his + +18 +00:00:16,279 --> 00:00:16,289 +why would you go straight to cut off his + + +19 +00:00:16,289 --> 00:00:17,560 +why would you go straight to cut off his +penis then what happened to rub the man + +20 +00:00:17,560 --> 00:00:17,570 +penis then what happened to rub the man + + +21 +00:00:17,570 --> 00:00:19,700 +penis then what happened to rub the man +wait a second that powers out a minute + +22 +00:00:19,700 --> 00:00:19,710 +wait a second that powers out a minute + + +23 +00:00:19,710 --> 00:00:21,170 +wait a second that powers out a minute +you ain't cutting off nobody Pete nah + +24 +00:00:21,170 --> 00:00:21,180 +you ain't cutting off nobody Pete nah + + +25 +00:00:21,180 --> 00:00:34,940 +you ain't cutting off nobody Pete nah +listen you got blond hair his pen I'm + +26 +00:00:34,940 --> 00:00:34,950 +listen you got blond hair his pen I'm + + +27 +00:00:34,950 --> 00:00:36,139 +listen you got blond hair his pen I'm +not sure the guy's name it's very + +28 +00:00:36,139 --> 00:00:36,149 +not sure the guy's name it's very + + +29 +00:00:36,149 --> 00:00:37,700 +not sure the guy's name it's very +annoying and he's definitely being this + +30 +00:00:37,700 --> 00:00:37,710 +annoying and he's definitely being this + + +31 +00:00:37,710 --> 00:00:40,610 +annoying and he's definitely being this +age definitely definitely his name sure + +32 +00:00:40,610 --> 00:00:40,620 +age definitely definitely his name sure + + +33 +00:00:40,620 --> 00:00:42,139 +age definitely definitely his name sure +his name because he lets his knives and + +34 +00:00:42,139 --> 00:00:42,149 +his name because he lets his knives and + + +35 +00:00:42,149 --> 00:00:50,779 +his name because he lets his knives and +girls point any time names please don't + +36 +00:00:50,779 --> 00:00:50,789 +girls point any time names please don't + + +37 +00:00:50,789 --> 00:01:07,770 +girls point any time names please don't +cut up get her up to speed + +38 +00:01:07,770 --> 00:01:07,780 + + + +39 +00:01:07,780 --> 00:01:13,310 + +killing + +40 +00:01:13,310 --> 00:01:13,320 + + + +41 +00:01:13,320 --> 00:01:13,540 + +[Applause] + +42 +00:01:13,540 --> 00:01:13,550 +[Applause] + + +43 +00:01:13,550 --> 00:01:58,570 +[Applause] +[Music] + +44 +00:01:58,570 --> 00:01:58,580 + + + +45 +00:01:58,580 --> 00:02:01,719 + +so this whole thing was a big kiss + +46 +00:02:01,719 --> 00:02:01,729 +so this whole thing was a big kiss + + +47 +00:02:01,729 --> 00:02:02,840 +so this whole thing was a big kiss +unbelievable + +48 +00:02:02,840 --> 00:02:02,850 +unbelievable + + +49 +00:02:02,850 --> 00:02:07,399 +unbelievable +that was great really really Oh guys + +50 +00:02:07,399 --> 00:02:07,409 +that was great really really Oh guys + + +51 +00:02:07,409 --> 00:02:10,279 +that was great really really Oh guys +excuse us for a second yeah yeah hey + +52 +00:02:10,279 --> 00:02:10,289 +excuse us for a second yeah yeah hey + + +53 +00:02:10,289 --> 00:02:12,320 +excuse us for a second yeah yeah hey +nice work nice work + +54 +00:02:12,320 --> 00:02:12,330 +nice work nice work + + +55 +00:02:12,330 --> 00:02:17,990 +nice work nice work +good I've seen hundreds of agents put + +56 +00:02:17,990 --> 00:02:18,000 +good I've seen hundreds of agents put + + +57 +00:02:18,000 --> 00:02:19,910 +good I've seen hundreds of agents put +through that exercise and I've never + +58 +00:02:19,910 --> 00:02:19,920 +through that exercise and I've never + + +59 +00:02:19,920 --> 00:02:23,600 +through that exercise and I've never +seen it handled so well never yeah yeah + +60 +00:02:23,600 --> 00:02:23,610 +seen it handled so well never yeah yeah + + +61 +00:02:23,610 --> 00:02:26,539 +seen it handled so well never yeah yeah +well Rose it was like your steaks every + +62 +00:02:26,539 --> 00:02:26,549 +well Rose it was like your steaks every + + +63 +00:02:26,549 --> 00:02:28,069 +well Rose it was like your steaks every +simple the way we're perfect give a + +64 +00:02:28,069 --> 00:02:28,079 +simple the way we're perfect give a + + +65 +00:02:28,079 --> 00:02:30,319 +simple the way we're perfect give a +little information but nothing important + +66 +00:02:30,319 --> 00:02:30,329 +little information but nothing important + + +67 +00:02:30,329 --> 00:02:32,720 +little information but nothing important +like he's blond he's five nine I mean + +68 +00:02:32,720 --> 00:02:32,730 +like he's blond he's five nine I mean + + +69 +00:02:32,730 --> 00:02:34,130 +like he's blond he's five nine I mean +how many guys fit that description it's + +70 +00:02:34,130 --> 00:02:34,140 +how many guys fit that description it's + + +71 +00:02:34,140 --> 00:02:34,699 +how many guys fit that description it's +gone + +72 +00:02:34,699 --> 00:02:34,709 +gone + + +73 +00:02:34,709 --> 00:02:36,319 +gone +I didn't mean anything you were never + +74 +00:02:36,319 --> 00:02:36,329 +I didn't mean anything you were never + + +75 +00:02:36,329 --> 00:02:38,690 +I didn't mean anything you were never +gonna name names you know what you are + +76 +00:02:38,690 --> 00:02:38,700 +gonna name names you know what you are + + +77 +00:02:38,700 --> 00:02:41,240 +gonna name names you know what you are +my friend you're a why not guy as + +78 +00:02:41,240 --> 00:02:41,250 +my friend you're a why not guy as + + +79 +00:02:41,250 --> 00:02:42,830 +my friend you're a why not guy as +opposed to old why guy + +80 +00:02:42,830 --> 00:02:42,840 +opposed to old why guy + + +81 +00:02:42,840 --> 00:02:45,259 +opposed to old why guy +what's different why guys like why are + +82 +00:02:45,259 --> 00:02:45,269 +what's different why guys like why are + + +83 +00:02:45,269 --> 00:02:46,880 +what's different why guys like why are +we gonna do this why we didn't invent + +84 +00:02:46,880 --> 00:02:46,890 +we gonna do this why we didn't invent + + +85 +00:02:46,890 --> 00:02:49,039 +we gonna do this why we didn't invent +they're scared they're afraid to make a + +86 +00:02:49,039 --> 00:02:49,049 +they're scared they're afraid to make a + + +87 +00:02:49,049 --> 00:02:49,789 +they're scared they're afraid to make a +decision + +88 +00:02:49,789 --> 00:02:49,799 +decision + + +89 +00:02:49,799 --> 00:02:51,110 +decision +they're afraid they might get in trouble + +90 +00:02:51,110 --> 00:02:51,120 +they're afraid they might get in trouble + + +91 +00:02:51,120 --> 00:02:53,180 +they're afraid they might get in trouble +as opposed to we might not go there's + +92 +00:02:53,180 --> 00:02:53,190 +as opposed to we might not go there's + + +93 +00:02:53,190 --> 00:02:55,280 +as opposed to we might not go there's +like roll the dice man aback that's me + +94 +00:02:55,280 --> 00:02:55,290 +like roll the dice man aback that's me + + +95 +00:02:55,290 --> 00:02:56,970 +like roll the dice man aback that's me +killer ops this is why not + +96 +00:02:56,970 --> 00:02:56,980 +killer ops this is why not + + +97 +00:02:56,980 --> 00:02:59,559 +killer ops this is why not +[Music] + +98 +00:02:59,559 --> 00:02:59,569 +[Music] + + +99 +00:02:59,569 --> 00:03:02,380 +[Music] +you + +100 +00:03:02,380 --> 00:03:02,390 + + + +101 +00:03:02,390 --> 00:03:08,320 + +[Music] + diff --git a/2002/HSckms_rfwY.description b/2002/HSckms_rfwY.description new file mode 100644 index 0000000000000000000000000000000000000000..efb2c16011471556fc9ad65c0d948f35066fc4ed --- /dev/null +++ b/2002/HSckms_rfwY.description @@ -0,0 +1,38 @@ +The Bourne Identity movie clips: http://j.mp/1JaLRFI +BUY THE MOVIE: http://amzn.to/sBURxM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Bourne (Matt Damon) asks a cash-strapped young woman (Franka Potente) for a lift while Conklin (Chris Cooper) musters all of his forces to find him. + +FILM DESCRIPTION: +The best-selling suspense novel by late author Robert Ludlum comes to the screen for a second time, following a 1988 made-for-TV movie. Matt Damon stars as Jason Bourne, a barely alive amnesiac with a pair of bullet wounds in his back, pulled from the Mediterranean by Italian fishermen. Bourne's only clue to his own identity is a bank account number etched on a capsule implanted in his body. He quickly finds the Zurich bank where money, a gun, and a few identification documents await, but after he's pursued by security goons at the American consulate, Bourne realizes he can trust no one and offers a German gypsy named Marie (Franka Potente) ten thousand dollars for a ride to Paris. Encountering more professional killers bent on his destruction, Bourne discovers that he possesses a surprising degree of skill in combat, martial arts, and linguistics -- handy talents that clearly indicate his past includes work as a spy and assassin, but for whom? With Marie's reluctant help, Bourne edges closer to the truth, something CIA officials want concealed at all costs. The Bourne Identity co-stars Chris Cooper, Clive Owen, Brian Cox, and Julia Stiles. + +CREDITS: +TM & © Universal (2002) +Cast: Chris Cooper, Matt Damon, Franka Potente +Director: Doug Liman +Producers: Patrick Crowley, Richard N. Gladstein, Doug Liman, Robert Ludlum, Frank Marshall, David Minkowski, Matthew Stillman, Andrew R. Tennenbaum +Screenwriters: Tony Gilroy, W. Blake Herron, Robert Ludlum + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/HSckms_rfwY.en.srt b/2002/HSckms_rfwY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..92062903e990c857457b436f2a8330d79e631931 --- /dev/null +++ b/2002/HSckms_rfwY.en.srt @@ -0,0 +1,435 @@ +1 +00:00:05,359 --> 00:00:09,390 + +sh what are you looking at I heard you + +2 +00:00:09,390 --> 00:00:09,400 +sh what are you looking at I heard you + + +3 +00:00:09,400 --> 00:00:11,990 +sh what are you looking at I heard you +inside what the consul I heard you + +4 +00:00:11,990 --> 00:00:12,000 +inside what the consul I heard you + + +5 +00:00:12,000 --> 00:00:14,110 +inside what the consul I heard you +talking I thought maybe we could help + +6 +00:00:14,110 --> 00:00:14,120 +talking I thought maybe we could help + + +7 +00:00:14,120 --> 00:00:17,510 +talking I thought maybe we could help +each other how's that you need money I + +8 +00:00:17,510 --> 00:00:17,520 +each other how's that you need money I + + +9 +00:00:17,520 --> 00:00:19,070 +each other how's that you need money I +need a ride out of + +10 +00:00:19,070 --> 00:00:19,080 +need a ride out of + + +11 +00:00:19,080 --> 00:00:21,310 +need a ride out of +here I'm not running a car service just + +12 +00:00:21,310 --> 00:00:21,320 +here I'm not running a car service just + + +13 +00:00:21,320 --> 00:00:23,269 +here I'm not running a car service just +now thank you I'll give you $10,000 to + +14 +00:00:23,269 --> 00:00:23,279 +now thank you I'll give you $10,000 to + + +15 +00:00:23,279 --> 00:00:33,030 +now thank you I'll give you $10,000 to +drive me to Paris + +16 +00:00:33,030 --> 00:00:33,040 + + + +17 +00:00:33,040 --> 00:00:35,430 + +what is this joke some kind of scam no + +18 +00:00:35,430 --> 00:00:35,440 +what is this joke some kind of scam no + + +19 +00:00:35,440 --> 00:00:36,670 +what is this joke some kind of scam no +it's no + +20 +00:00:36,670 --> 00:00:36,680 +it's no + + +21 +00:00:36,680 --> 00:00:38,869 +it's no +scam and I'll give you another 10 when + +22 +00:00:38,869 --> 00:00:38,879 +scam and I'll give you another 10 when + + +23 +00:00:38,879 --> 00:00:39,910 +scam and I'll give you another 10 when +we get + +24 +00:00:39,910 --> 00:00:39,920 +we get + + +25 +00:00:39,920 --> 00:00:47,229 +we get +there + +26 +00:00:47,229 --> 00:00:47,239 + + + +27 +00:00:47,239 --> 00:00:50,630 + +Jesus is that for you look you drive I + +28 +00:00:50,630 --> 00:00:50,640 +Jesus is that for you look you drive I + + +29 +00:00:50,640 --> 00:00:53,869 +Jesus is that for you look you drive I +pay it's that + +30 +00:00:53,869 --> 00:00:53,879 + + + +31 +00:00:53,879 --> 00:00:55,510 + +simple + +32 +00:00:55,510 --> 00:00:55,520 +simple + + +33 +00:00:55,520 --> 00:00:58,509 +simple +sh I got enough trouble + +34 +00:00:58,509 --> 00:00:58,519 +sh I got enough trouble + + +35 +00:00:58,519 --> 00:01:06,180 +sh I got enough trouble +okay okay can I have my money + +36 +00:01:06,180 --> 00:01:06,190 + + + +37 +00:01:06,190 --> 00:01:11,610 + +[Music] + +38 +00:01:11,610 --> 00:01:11,620 + + + +39 +00:01:11,620 --> 00:01:16,710 + +[Music] + +40 +00:01:16,710 --> 00:01:16,720 + + + +41 +00:01:16,720 --> 00:01:19,670 + +back all right go keep + +42 +00:01:19,670 --> 00:01:19,680 +back all right go keep + + +43 +00:01:19,680 --> 00:01:21,310 +back all right go keep +going + +44 +00:01:21,310 --> 00:01:21,320 +going + + +45 +00:01:21,320 --> 00:01:24,270 +going +go there wait no it's got to be near the + +46 +00:01:24,270 --> 00:01:24,280 +go there wait no it's got to be near the + + +47 +00:01:24,280 --> 00:01:26,510 +go there wait no it's got to be near the +end oh come on folks we caught a break + +48 +00:01:26,510 --> 00:01:26,520 +end oh come on folks we caught a break + + +49 +00:01:26,520 --> 00:01:29,429 +end oh come on folks we caught a break +here let's go okay I'm up we're getting + +50 +00:01:29,429 --> 00:01:29,439 +here let's go okay I'm up we're getting + + +51 +00:01:29,439 --> 00:01:32,550 +here let's go okay I'm up we're getting +grids Airline train Hotel who's got the + +52 +00:01:32,550 --> 00:01:32,560 +grids Airline train Hotel who's got the + + +53 +00:01:32,560 --> 00:01:35,469 +grids Airline train Hotel who's got the +address the street G sh there we go I + +54 +00:01:35,469 --> 00:01:35,479 +address the street G sh there we go I + + +55 +00:01:35,479 --> 00:01:37,710 +address the street G sh there we go I +got it I think I got it is it + +56 +00:01:37,710 --> 00:01:37,720 +got it I think I got it is it + + +57 +00:01:37,720 --> 00:01:41,910 +got it I think I got it is it +him unreal this is 38 minutes ago hey + +58 +00:01:41,910 --> 00:01:41,920 +him unreal this is 38 minutes ago hey + + +59 +00:01:41,920 --> 00:01:43,550 +him unreal this is 38 minutes ago hey +Zerg police are looking for an American + +60 +00:01:43,550 --> 00:01:43,560 +Zerg police are looking for an American + + +61 +00:01:43,560 --> 00:01:45,670 +Zerg police are looking for an American +man carrying a Red Bank bag he just tore + +62 +00:01:45,670 --> 00:01:45,680 +man carrying a Red Bank bag he just tore + + +63 +00:01:45,680 --> 00:01:47,109 +man carrying a Red Bank bag he just tore +up the embassy and he put two cops in + +64 +00:01:47,109 --> 00:01:47,119 +up the embassy and he put two cops in + + +65 +00:01:47,119 --> 00:01:50,749 +up the embassy and he put two cops in +the hospital last + +66 +00:01:50,749 --> 00:01:50,759 + + + +67 +00:01:50,759 --> 00:01:53,870 + +night get everybody up do it now I want + +68 +00:01:53,870 --> 00:01:53,880 +night get everybody up do it now I want + + +69 +00:01:53,880 --> 00:01:55,990 +night get everybody up do it now I want +them all activated wait all of them at + +70 +00:01:55,990 --> 00:01:56,000 +them all activated wait all of them at + + +71 +00:01:56,000 --> 00:01:58,590 +them all activated wait all of them at +the same time you heard me I want born + +72 +00:01:58,590 --> 00:01:58,600 +the same time you heard me I want born + + +73 +00:01:58,600 --> 00:02:00,870 +the same time you heard me I want born +in a body bag by Sun down all right + +74 +00:02:00,870 --> 00:02:00,880 +in a body bag by Sun down all right + + +75 +00:02:00,880 --> 00:02:03,830 +in a body bag by Sun down all right +let's get a mou up here come on folks + +76 +00:02:03,830 --> 00:02:03,840 +let's get a mou up here come on folks + + +77 +00:02:03,840 --> 00:02:04,610 +let's get a mou up here come on folks +work + +78 +00:02:04,610 --> 00:02:04,620 +work + + +79 +00:02:04,620 --> 00:02:07,229 +work +[Music] + +80 +00:02:07,229 --> 00:02:07,239 +[Music] + + +81 +00:02:07,239 --> 00:02:18,900 +[Music] +it yeah take a look getting up there + +82 +00:02:18,900 --> 00:02:18,910 + + + +83 +00:02:18,910 --> 00:02:31,750 + +[Music] + +84 +00:02:31,750 --> 00:02:31,760 + + + +85 +00:02:31,760 --> 00:02:35,520 + +St + +86 +00:02:35,520 --> 00:02:35,530 + + + +87 +00:02:35,530 --> 00:02:41,490 + +[Music] +