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b/2001/k6YFnGzHfKk.en.srt @@ -0,0 +1,375 @@ +1 +00:00:00,199 --> 00:00:01,949 + +you want a nice operation here DC nice + +2 +00:00:01,949 --> 00:00:01,959 +you want a nice operation here DC nice + + +3 +00:00:01,959 --> 00:00:04,110 +you want a nice operation here DC nice +and tight yeah that's the way we like it + +4 +00:00:04,110 --> 00:00:04,120 +and tight yeah that's the way we like it + + +5 +00:00:04,120 --> 00:00:07,350 +and tight yeah that's the way we like it +I bet you do uh not right now uh + +6 +00:00:07,350 --> 00:00:07,360 +I bet you do uh not right now uh + + +7 +00:00:07,360 --> 00:00:09,470 +I bet you do uh not right now uh +Sally oh no smoking in here we have + +8 +00:00:09,470 --> 00:00:09,480 +Sally oh no smoking in here we have + + +9 +00:00:09,480 --> 00:00:14,829 +Sally oh no smoking in here we have +extremely flammable gas don't we + +10 +00:00:14,829 --> 00:00:14,839 + + + +11 +00:00:14,839 --> 00:00:18,470 + +all uh Pat who's up next Andrew pay at + +12 +00:00:18,470 --> 00:00:18,480 +all uh Pat who's up next Andrew pay at + + +13 +00:00:18,480 --> 00:00:20,390 +all uh Pat who's up next Andrew pay at +11:30 well give him a call and ask him + +14 +00:00:20,390 --> 00:00:20,400 +11:30 well give him a call and ask him + + +15 +00:00:20,400 --> 00:00:23,070 +11:30 well give him a call and ask him +to take his time coming in we'll do so + +16 +00:00:23,070 --> 00:00:23,080 +to take his time coming in we'll do so + + +17 +00:00:23,080 --> 00:00:24,950 +to take his time coming in we'll do so +how can I help you I'm going to need + +18 +00:00:24,950 --> 00:00:24,960 +how can I help you I'm going to need + + +19 +00:00:24,960 --> 00:00:28,589 +how can I help you I'm going to need +your teeth sorry teeth I need a set of + +20 +00:00:28,589 --> 00:00:28,599 +your teeth sorry teeth I need a set of + + +21 +00:00:28,599 --> 00:00:30,349 +your teeth sorry teeth I need a set of +impressions + +22 +00:00:30,349 --> 00:00:30,359 +impressions + + +23 +00:00:30,359 --> 00:00:33,310 +impressions +what for it's just routine well it + +24 +00:00:33,310 --> 00:00:33,320 +what for it's just routine well it + + +25 +00:00:33,320 --> 00:00:35,709 +what for it's just routine well it +doesn't sound very routine to me oh are + +26 +00:00:35,709 --> 00:00:35,719 +doesn't sound very routine to me oh are + + +27 +00:00:35,719 --> 00:00:38,270 +doesn't sound very routine to me oh are +you a forensic pathologist all right + +28 +00:00:38,270 --> 00:00:38,280 +you a forensic pathologist all right + + +29 +00:00:38,280 --> 00:00:39,430 +you a forensic pathologist all right +look I'll tell you what we have a a + +30 +00:00:39,430 --> 00:00:39,440 +look I'll tell you what we have a a + + +31 +00:00:39,440 --> 00:00:40,630 +look I'll tell you what we have a a +perfectly good set of Impressions + +32 +00:00:40,630 --> 00:00:40,640 +perfectly good set of Impressions + + +33 +00:00:40,640 --> 00:00:42,430 +perfectly good set of Impressions +already made you can use those sorry I + +34 +00:00:42,430 --> 00:00:42,440 +already made you can use those sorry I + + +35 +00:00:42,440 --> 00:00:45,229 +already made you can use those sorry I +need a new set look I don't want to + +36 +00:00:45,229 --> 00:00:45,239 +need a new set look I don't want to + + +37 +00:00:45,239 --> 00:00:47,069 +need a new set look I don't want to +offend you but I have a practice to run + +38 +00:00:47,069 --> 00:00:47,079 +offend you but I have a practice to run + + +39 +00:00:47,079 --> 00:00:49,869 +offend you but I have a practice to run +here mhm I understand doctor I do but + +40 +00:00:49,869 --> 00:00:49,879 +here mhm I understand doctor I do but + + +41 +00:00:49,879 --> 00:00:52,750 +here mhm I understand doctor I do but +all the same I need a new set so do you + +42 +00:00:52,750 --> 00:00:52,760 +all the same I need a new set so do you + + +43 +00:00:52,760 --> 00:00:54,150 +all the same I need a new set so do you +want to get one of your people to do it + +44 +00:00:54,150 --> 00:00:54,160 +want to get one of your people to do it + + +45 +00:00:54,160 --> 00:00:58,910 +want to get one of your people to do it +or should i + +46 +00:00:58,910 --> 00:00:58,920 + + + +47 +00:00:58,920 --> 00:01:06,550 + +s can I leave for 3 minutes suit + +48 +00:01:06,550 --> 00:01:06,560 + + + +49 +00:01:06,560 --> 00:01:09,830 + +yourself + +50 +00:01:09,830 --> 00:01:09,840 + + + +51 +00:01:09,840 --> 00:01:14,109 + +so would you consider yourself a biter + +52 +00:01:14,109 --> 00:01:14,119 +so would you consider yourself a biter + + +53 +00:01:14,119 --> 00:01:19,030 +so would you consider yourself a biter +what you know like to bite or chew + +54 +00:01:19,030 --> 00:01:19,040 +what you know like to bite or chew + + +55 +00:01:19,040 --> 00:01:21,670 +what you know like to bite or chew +things + +56 +00:01:21,670 --> 00:01:21,680 +things + + +57 +00:01:21,680 --> 00:01:27,749 +things +no mind if I ask you personal + +58 +00:01:27,749 --> 00:01:27,759 + + + +59 +00:01:27,759 --> 00:01:30,550 + +question is it possible that you you uh + +60 +00:01:30,550 --> 00:01:30,560 +question is it possible that you you uh + + +61 +00:01:30,560 --> 00:01:32,710 +question is it possible that you you uh +have any padillos let's say that you + +62 +00:01:32,710 --> 00:01:32,720 +have any padillos let's say that you + + +63 +00:01:32,720 --> 00:01:34,389 +have any padillos let's say that you +might want to tell me + +64 +00:01:34,389 --> 00:01:34,399 +might want to tell me + + +65 +00:01:34,399 --> 00:01:36,389 +might want to tell me +about + +66 +00:01:36,389 --> 00:01:36,399 +about + + +67 +00:01:36,399 --> 00:01:38,670 +about +padillos little + +68 +00:01:38,670 --> 00:01:38,680 +padillos little + + +69 +00:01:38,680 --> 00:01:41,590 +padillos little +sins maybe that's all I was guilty of + +70 +00:01:41,590 --> 00:01:41,600 +sins maybe that's all I was guilty of + + +71 +00:01:41,600 --> 00:01:43,270 +sins maybe that's all I was guilty of +and all I had to do was straighten + +72 +00:01:43,270 --> 00:01:43,280 +and all I had to do was straighten + + +73 +00:01:43,280 --> 00:01:47,050 +and all I had to do was straighten +everything out once and for all + +74 +00:01:47,050 --> 00:01:47,060 +everything out once and for all + + +75 +00:01:47,060 --> 00:02:16,259 +everything out once and for all +[Music] + diff --git a/2001/k6_TBuGcwzA.description b/2001/k6_TBuGcwzA.description new file mode 100644 index 0000000000000000000000000000000000000000..4f51b859c5e8454da4cde058e6c6e8c62ad6c67b --- /dev/null +++ b/2001/k6_TBuGcwzA.description @@ -0,0 +1,38 @@ +Swordfish movie clips: http://j.mp/1vTlImN +BUY THE MOVIE: http://bit.ly/2ceoEfQ +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Stanley Jobson (Hugh Jackman) discovers Ginger's (Halle Berry) secret. + +FILM DESCRIPTION: +Director Dominic Sena follows up his stylish action film Gone in 60 Seconds (2000) with this high-tech thriller. John Travolta stars as Gabriel Shear, a charismatic spy who plots to steal a multi-billion-dollar fortune in illegal government funds. In order to make his scheme work, however, Gabriel needs some help from a computer hacker, which is where Stanley Jobson (Hugh Jackman) comes in. Stanley has been paroled from prison after serving a lengthy sentence for penetrating the FBI's cyber-surveillance operations. Issued a restraining order that keeps him away from computers and living penniless in a trailer park, Stanley wants only to be reunited with his daughter Holly, who's in the custody of his ex-wife, now remarried to a pornographer. Gabriel and his partner Ginger (Halle Berry) offer Stanley the chance to get his child back in exchange for his help, but the hacker soon realizes he's a pawn in a larger operation than the high-tech bank heist he thought he was perpetrating. In the meantime, a dedicated federal agent (Don Cheadle), the same man who once arrested Stanley, is trying to expose Gabriel's operation. Swordfish also stars Sam Shepard and Zach Grenier. + +CREDITS: +TM & © Warner Bros. (2001) +Cast: John Travolta, Hugh Jackman, Halle Berry +Director: Dominic Sena +Producers: Bruce Berman, Dan Cracchiolo, Anson Downes, Linda Favila, Jonathan D. Krane, Joel Silver, Jim Van Wyck, Skip Woods, Paul Winze +Screenwriter: Skip Woods + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2001/kDnCoiYKmtw.description b/2001/kDnCoiYKmtw.description new file mode 100644 index 0000000000000000000000000000000000000000..a27002ae337afe1fa4c7ec8366a6a950e4e8180c --- /dev/null +++ b/2001/kDnCoiYKmtw.description @@ -0,0 +1,38 @@ +Jay and Silent Bob Strike Back movie clips: http://j.mp/1J8vNEx +BUY THE MOVIE: http://amzn.to/tFqaOY +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Tension mounts for the whitey crew with Chaka Luther King (Chris Rock) taking control of the set. + +FILM DESCRIPTION: +The frequently recurring title characters, employed by writer and director Kevin Smith as supporting players in several of his films, are put to rest with this comedy that focuses on them exclusively. Jay (Jason Mews) and Silent Bob (Smith) are a pair of stoned New Jersey slackers who have long been used as the templates for a pair of popular comic book heroes, Bluntman and Chronic. When they learn that their alter egos are to be turned into a major motion picture without their consent or compensation, the pair sets off for Hollywood to sabotage the production. Along the way, they encounter an ape, a nun (Carrie Fisher), the cast of Scooby-Doo, a Charlie's Angels-style band of sexy women who use them as stool pigeons in a diamond heist, and an unhinged wildlife ranger (Will Ferrell). They also meet up with some regulars from the Smith canon, including Alyssa Jones (Joey Lauren Adams), Brian O'Halloran as Dante Hicks, Jason Lee as Banky Edwards, Alanis Morissette as God, and actors Ben Affleck and Matt Damon in dual roles as themselves and two other familiar characters. Jay and Silent Bob Strike Back co-stars numerous other recognizable performers in roles of various sizes, including Shannen Doherty, Jason Biggs, James Van Der Beek, Shannon Elizabeth, Tracy Morgan, Judd Nelson, Chris Rock, and George Carlin, among others. + +CREDITS: +TM & © Miramax Films (2001) +Cast: Jason Mewes, Kevin Smith, Jason Lee, Chris Rock, Jamie Kennedy, Joseph D. Reitman +Director: Kevin Smith +Producers: Jonathan Gordon, Laura Greenlee, Scott Mosier, Bob Weinstein, Harvey Weinstein +Screenwriter: Kevin Smith + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2001/kDnCoiYKmtw.en.srt b/2001/kDnCoiYKmtw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f848f5a72458f481f0879232c86b9c7136a5a1fc --- /dev/null +++ b/2001/kDnCoiYKmtw.en.srt @@ -0,0 +1,545 @@ +1 +00:00:00,319 --> 00:00:03,350 + +you spend this ain't spinnin sir any + +2 +00:00:03,350 --> 00:00:03,360 +you spend this ain't spinnin sir any + + +3 +00:00:03,360 --> 00:00:05,300 +you spend this ain't spinnin sir any +book isn't it there's no boogers in it + +4 +00:00:05,300 --> 00:00:05,310 +book isn't it there's no boogers in it + + +5 +00:00:05,310 --> 00:00:07,579 +book isn't it there's no boogers in it +with the film school didn't must piss + +6 +00:00:07,579 --> 00:00:07,589 +with the film school didn't must piss + + +7 +00:00:07,589 --> 00:00:09,379 +with the film school didn't must piss +you off to see a black man running a big + +8 +00:00:09,379 --> 00:00:09,389 +you off to see a black man running a big + + +9 +00:00:09,389 --> 00:00:11,720 +you off to see a black man running a big +old production like this huh with the + +10 +00:00:11,720 --> 00:00:11,730 +old production like this huh with the + + +11 +00:00:11,730 --> 00:00:14,450 +old production like this huh with the +film school does your daddy know that + +12 +00:00:14,450 --> 00:00:14,460 +film school does your daddy know that + + +13 +00:00:14,460 --> 00:00:17,300 +film school does your daddy know that +you give a his coffee it would + +14 +00:00:17,300 --> 00:00:17,310 +you give a his coffee it would + + +15 +00:00:17,310 --> 00:00:20,060 +you give a his coffee it would +kill him one there's no boogers answer + +16 +00:00:20,060 --> 00:00:20,070 +kill him one there's no boogers answer + + +17 +00:00:20,070 --> 00:00:23,750 +kill him one there's no boogers answer +then taste taste taste up booger flavor + +18 +00:00:23,750 --> 00:00:23,760 +then taste taste taste up booger flavor + + +19 +00:00:23,760 --> 00:00:27,259 +then taste taste taste up booger flavor +I know it's in there it's all good sir + +20 +00:00:27,259 --> 00:00:27,269 +I know it's in there it's all good sir + + +21 +00:00:27,269 --> 00:00:28,640 +I know it's in there it's all good sir +no one ain't no good + +22 +00:00:28,640 --> 00:00:28,650 +no one ain't no good + + +23 +00:00:28,650 --> 00:00:30,740 +no one ain't no good +now clean that up that's right give + +24 +00:00:30,740 --> 00:00:30,750 +now clean that up that's right give + + +25 +00:00:30,750 --> 00:00:32,780 +now clean that up that's right give +me a white bug give me a blonde hair + +26 +00:00:32,780 --> 00:00:32,790 +me a white bug give me a blonde hair + + +27 +00:00:32,790 --> 00:00:35,000 +me a white bug give me a blonde hair +white boy so I can enjoy that + +28 +00:00:35,000 --> 00:00:35,010 +white boy so I can enjoy that + + +29 +00:00:35,010 --> 00:00:36,830 +white boy so I can enjoy that +you're the man sir no you the man and + +30 +00:00:36,830 --> 00:00:36,840 +you're the man sir no you the man and + + +31 +00:00:36,840 --> 00:00:40,580 +you're the man sir no you the man and +that's the problem uh Chaka yeah hi I'm + +32 +00:00:40,580 --> 00:00:40,590 +that's the problem uh Chaka yeah hi I'm + + +33 +00:00:40,590 --> 00:00:42,440 +that's the problem uh Chaka yeah hi I'm +Banky Edwards the creator of Bluntman + +34 +00:00:42,440 --> 00:00:42,450 +Banky Edwards the creator of Bluntman + + +35 +00:00:42,450 --> 00:00:44,180 +Banky Edwards the creator of Bluntman +and chronic we met a few weeks back I'm + +36 +00:00:44,180 --> 00:00:44,190 +and chronic we met a few weeks back I'm + + +37 +00:00:44,190 --> 00:00:46,130 +and chronic we met a few weeks back I'm +the executive producer oh you're the + +38 +00:00:46,130 --> 00:00:46,140 +the executive producer oh you're the + + +39 +00:00:46,140 --> 00:00:48,680 +the executive producer oh you're the +executive producer won't you executive + +40 +00:00:48,680 --> 00:00:48,690 +executive producer won't you executive + + +41 +00:00:48,690 --> 00:00:51,020 +executive producer won't you executive +produce me a latte the Kraken ate it + +42 +00:00:51,020 --> 00:00:51,030 +produce me a latte the Kraken ate it + + +43 +00:00:51,030 --> 00:00:53,479 +produce me a latte the Kraken ate it +okay it's Bank II know it is + +44 +00:00:53,479 --> 00:00:53,489 +okay it's Bank II know it is + + +45 +00:00:53,489 --> 00:00:55,310 +okay it's Bank II know it is + I just wanted you to know that I + +46 +00:00:55,310 --> 00:00:55,320 +I just wanted you to know that I + + +47 +00:00:55,320 --> 00:00:56,959 +I just wanted you to know that I +respect your work as an artist I'm + +48 +00:00:56,959 --> 00:00:56,969 +respect your work as an artist I'm + + +49 +00:00:56,969 --> 00:00:59,060 +respect your work as an artist I'm +something of an artist myself I I was + +50 +00:00:59,060 --> 00:00:59,070 +something of an artist myself I I was + + +51 +00:00:59,070 --> 00:01:00,560 +something of an artist myself I I was +the inker on the comic book you'll man + +52 +00:01:00,560 --> 00:01:00,570 +the inker on the comic book you'll man + + +53 +00:01:00,570 --> 00:01:02,930 +the inker on the comic book you'll man +you a trace okay nobody else got the + +54 +00:01:02,930 --> 00:01:02,940 +you a trace okay nobody else got the + + +55 +00:01:02,940 --> 00:01:04,429 +you a trace okay nobody else got the +heart to tell you you trace you go + +56 +00:01:04,429 --> 00:01:04,439 +heart to tell you you trace you go + + +57 +00:01:04,439 --> 00:01:06,289 +heart to tell you you trace you go +around the lodge you are a tracer okay + +58 +00:01:06,289 --> 00:01:06,299 +around the lodge you are a tracer okay + + +59 +00:01:06,299 --> 00:01:08,510 +around the lodge you are a tracer okay +you think Fat Albert had her traces no + +60 +00:01:08,510 --> 00:01:08,520 +you think Fat Albert had her traces no + + +61 +00:01:08,520 --> 00:01:10,070 +you think Fat Albert had her traces no +Bill Cosby did the whole thing with a + +62 +00:01:10,070 --> 00:01:10,080 +Bill Cosby did the whole thing with a + + +63 +00:01:10,080 --> 00:01:14,810 +Bill Cosby did the whole thing with a +roller and it was excellent quick quick + +64 +00:01:14,810 --> 00:01:14,820 +roller and it was excellent quick quick + + +65 +00:01:14,820 --> 00:01:15,469 +roller and it was excellent quick quick +quick quick + +66 +00:01:15,469 --> 00:01:15,479 +quick quick + + +67 +00:01:15,479 --> 00:01:18,590 +quick quick +a bigs in Vanderbeek around the set + +68 +00:01:18,590 --> 00:01:18,600 +a bigs in Vanderbeek around the set + + +69 +00:01:18,600 --> 00:01:20,480 +a bigs in Vanderbeek around the set +chocolate well I don't see him we're the + +70 +00:01:20,480 --> 00:01:20,490 +chocolate well I don't see him we're the + + +71 +00:01:20,490 --> 00:01:37,810 +chocolate well I don't see him we're the +stars of this piece of + +72 +00:01:37,810 --> 00:01:37,820 + + + +73 +00:01:37,820 --> 00:01:39,830 + +damn this must have set him back a + +74 +00:01:39,830 --> 00:01:39,840 +damn this must have set him back a + + +75 +00:01:39,840 --> 00:01:42,920 +damn this must have set him back a +couple hundred bucks yeah I'm up Whitman + +76 +00:01:42,920 --> 00:01:42,930 +couple hundred bucks yeah I'm up Whitman + + +77 +00:01:42,930 --> 00:01:46,580 +couple hundred bucks yeah I'm up Whitman +the is that look at this AG a hood + +78 +00:01:46,580 --> 00:01:46,590 +the is that look at this AG a hood + + +79 +00:01:46,590 --> 00:01:49,310 +the is that look at this AG a hood +ornament and the color purple who the + +80 +00:01:49,310 --> 00:01:49,320 +ornament and the color purple who the + + +81 +00:01:49,320 --> 00:01:51,140 +ornament and the color purple who the + are you who the am i I'm the + +82 +00:01:51,140 --> 00:01:51,150 +are you who the am i I'm the + + +83 +00:01:51,150 --> 00:01:52,940 +are you who the am i I'm the +director Shaka Luther King that's what a + +84 +00:01:52,940 --> 00:01:52,950 +director Shaka Luther King that's what a + + +85 +00:01:52,950 --> 00:01:53,540 +director Shaka Luther King that's what a + I am + +86 +00:01:53,540 --> 00:01:53,550 +I am + + +87 +00:01:53,550 --> 00:01:55,490 +I am +now wait a second I thought banky and + +88 +00:01:55,490 --> 00:01:55,500 +now wait a second I thought banky and + + +89 +00:01:55,500 --> 00:01:57,200 +now wait a second I thought banky and +holding created this and I'm + +90 +00:01:57,200 --> 00:01:57,210 +holding created this and I'm + + +91 +00:01:57,210 --> 00:01:59,390 +holding created this and I'm +stealing it I'm taking it back for the + +92 +00:01:59,390 --> 00:01:59,400 +stealing it I'm taking it back for the + + +93 +00:01:59,400 --> 00:02:01,370 +stealing it I'm taking it back for the +black man to make up for all the + +94 +00:02:01,370 --> 00:02:01,380 +black man to make up for all the + + +95 +00:02:01,380 --> 00:02:03,140 +black man to make up for all the +that y'all are taking from + +96 +00:02:03,140 --> 00:02:03,150 +that y'all are taking from + + +97 +00:02:03,150 --> 00:02:03,500 +that y'all are taking from +us + +98 +00:02:03,500 --> 00:02:03,510 +us + + +99 +00:02:03,510 --> 00:02:05,090 +us +do you know that I came up with the idea + +100 +00:02:05,090 --> 00:02:05,100 +do you know that I came up with the idea + + +101 +00:02:05,100 --> 00:02:06,950 +do you know that I came up with the idea +for Sesame Street I came up with it + +102 +00:02:06,950 --> 00:02:06,960 +for Sesame Street I came up with it + + +103 +00:02:06,960 --> 00:02:09,469 +for Sesame Street I came up with it +before PBS the white man stole it that's + +104 +00:02:09,469 --> 00:02:09,479 +before PBS the white man stole it that's + + +105 +00:02:09,479 --> 00:02:12,590 +before PBS the white man stole it that's +right I was gonna call it nwp + +106 +00:02:12,590 --> 00:02:12,600 +right I was gonna call it nwp + + +107 +00:02:12,600 --> 00:02:13,430 +right I was gonna call it nwp +whip up + +108 +00:02:13,430 --> 00:02:13,440 +whip up + + +109 +00:02:13,440 --> 00:02:44,490 +whip up +[Music] + diff --git a/2001/kJnH45GslL0.en.srt b/2001/kJnH45GslL0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..595f3f025a2121108c17ce57956180a4e070c129 --- /dev/null +++ b/2001/kJnH45GslL0.en.srt @@ -0,0 +1,135 @@ +1 +00:00:00,060 --> 00:00:03,849 + +there's no other way except the front + +2 +00:00:03,849 --> 00:00:03,859 +there's no other way except the front + + +3 +00:00:03,859 --> 00:00:06,619 +there's no other way except the front +while the front doors hell why don't you + +4 +00:00:06,619 --> 00:00:06,629 +while the front doors hell why don't you + + +5 +00:00:06,629 --> 00:00:09,860 +while the front doors hell why don't you +drink up something useful I thought if + +6 +00:00:09,860 --> 00:00:09,870 +drink up something useful I thought if + + +7 +00:00:09,870 --> 00:00:11,450 +drink up something useful I thought if +you knew what I saw maybe you could + +8 +00:00:11,450 --> 00:00:11,460 +you knew what I saw maybe you could + + +9 +00:00:11,460 --> 00:00:13,220 +you knew what I saw maybe you could +change it how the hell do you think I'm + +10 +00:00:13,220 --> 00:00:13,230 +change it how the hell do you think I'm + + +11 +00:00:13,230 --> 00:00:42,350 +change it how the hell do you think I'm +here I've dreamed this you run up the + +12 +00:00:42,350 --> 00:00:42,360 +here I've dreamed this you run up the + + +13 +00:00:42,360 --> 00:00:43,910 +here I've dreamed this you run up the +stairs and hide but I don't know what + +14 +00:00:43,910 --> 00:00:43,920 +stairs and hide but I don't know what + + +15 +00:00:43,920 --> 00:00:45,040 +stairs and hide but I don't know what +happens to me + +16 +00:00:45,040 --> 00:00:45,050 +happens to me + + +17 +00:00:45,050 --> 00:00:51,700 +happens to me +super scoopers Jeepers Creepers right + +18 +00:00:51,700 --> 00:00:51,710 + + + +19 +00:00:51,710 --> 00:01:12,109 + +who here screaming in the dark your + +20 +00:01:12,109 --> 00:01:12,119 +who here screaming in the dark your + + +21 +00:01:12,119 --> 00:01:15,620 +who here screaming in the dark your +dreams are the every wrong you gotta + +22 +00:01:15,620 --> 00:01:15,630 +dreams are the every wrong you gotta + + +23 +00:01:15,630 --> 00:01:28,010 +dreams are the every wrong you gotta +help your dreams every wrong + +24 +00:01:28,010 --> 00:01:28,020 + + + +25 +00:01:28,020 --> 00:02:06,530 + +[Music] + +26 +00:02:06,530 --> 00:02:06,540 + + + +27 +00:02:06,540 --> 00:02:33,629 + +[Music] + diff --git a/2001/xvZRXcg4iS8.mp4 b/2001/xvZRXcg4iS8.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..cfb485e3945d2056ed71761a5b00b938a7f2ceeb --- /dev/null +++ b/2001/xvZRXcg4iS8.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:83c5c6f95f2d015409c2cfebad2fcfdef1b0fbc32e26ada52ccfe6fc4d094603 +size 8549802 diff --git a/2002/88YBTmbAaoY.description b/2002/88YBTmbAaoY.description new file mode 100644 index 0000000000000000000000000000000000000000..2eb2d33527fdc25cbb5d9ccfc12e77304e277225 --- /dev/null +++ b/2002/88YBTmbAaoY.description @@ -0,0 +1,43 @@ +Phone Booth movie clips: http://j.mp/1Ip5Y3e +BUY THE MOVIE: +FandangoNOW - https://www.fandangonow.com/details/movie/phone-booth-2003/1MV3081ed5e8f33a178fbff68d1571698e5?cmp=Movieclips_YT_Description +iTunes - http://apple.co/1FwzVLl +Google Play - http://bit.ly/1JtIQSk +Amazon - http://amzn.to/1JoQKhz +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Stu (Colin Farrell) attempts to call 911 unnoticed by the caller. + +FILM DESCRIPTION: +One man's life is thrown into turmoil by picking up a telephone in this claustrophobic thriller. Stu Shepard (Colin Farrell) is a brash, cynical, and self-centered public relations man who juggles a busy career with both a wife, Kelly (Radha Mitchell), and a mistress, Pamela (Katie Holmes). Stu steps into a phone booth on a busy New York street to make a call to Pamela without Kelly being the wiser, but as soon as Stu hangs up, the phone begins to ring. Curious, Stu picks it up -- and a stranger on the other end (voice of Kiefer Sutherland) informs him that if he hangs up the phone, he'll be shot. The red dot of an infrared rifle scope convinces Stu that the caller means business, and when another man tries to make his way into the booth, he's shot mere inches from Stu, calling the attention of the police. Captain Ramey (Forest Whitaker) naturally assumes that Stu was the killer, as Stu struggles to find a way to convince the police of what's happening before more lives are lost, without leaving the booth and putting his own life on the line. At one time proposed as a vehicle for Jim Carrey, Phone Booth was directed by Joel Schumacher, from a screenplay by exploitation icon Larry Cohen. + +CREDITS: +TM & © Fox (2002) +Courtesy of Twentieth Century Fox Film Corporation +Cast: Colin Farrell, Kiefer Sutherland, Mary Randle +Director: Joel Schumacher +Producers: Ted Kurdyla, Gil Netter, Eli Richbourg, David Zucker +Screenwriter: Larry Cohen + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/88YBTmbAaoY.en.srt b/2002/88YBTmbAaoY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1a6d5d0977cfb7e7820790efb267187ad8633926 --- /dev/null +++ b/2002/88YBTmbAaoY.en.srt @@ -0,0 +1,485 @@ +1 +00:00:00,440 --> 00:00:02,350 + +just tell me who you are no one you'd + +2 +00:00:02,350 --> 00:00:02,360 +just tell me who you are no one you'd + + +3 +00:00:02,360 --> 00:00:05,630 +just tell me who you are no one you'd +ever notice I don't run in your circles + +4 +00:00:05,630 --> 00:00:05,640 +ever notice I don't run in your circles + + +5 +00:00:05,640 --> 00:00:08,830 +ever notice I don't run in your circles +yeah then what is it you do I watch + +6 +00:00:08,830 --> 00:00:08,840 +yeah then what is it you do I watch + + +7 +00:00:08,840 --> 00:00:11,509 +yeah then what is it you do I watch +watch yes well what else is there to do + +8 +00:00:11,509 --> 00:00:11,519 +watch yes well what else is there to do + + +9 +00:00:11,519 --> 00:00:12,749 +watch yes well what else is there to do +when life turns on you and you've + +10 +00:00:12,749 --> 00:00:12,759 +when life turns on you and you've + + +11 +00:00:12,759 --> 00:00:14,990 +when life turns on you and you've +retreated into some small room you look + +12 +00:00:14,990 --> 00:00:15,000 +retreated into some small room you look + + +13 +00:00:15,000 --> 00:00:16,830 +retreated into some small room you look +out your window you see people com in + +14 +00:00:16,830 --> 00:00:16,840 +out your window you see people com in + + +15 +00:00:16,840 --> 00:00:18,870 +out your window you see people com in +and out of his phone booth the same ones + +16 +00:00:18,870 --> 00:00:18,880 +and out of his phone booth the same ones + + +17 +00:00:18,880 --> 00:00:22,349 +and out of his phone booth the same ones +every day you make up names for them you + +18 +00:00:22,349 --> 00:00:22,359 +every day you make up names for them you + + +19 +00:00:22,359 --> 00:00:25,070 +every day you make up names for them you +imagine their stories but eventually you + +20 +00:00:25,070 --> 00:00:25,080 +imagine their stories but eventually you + + +21 +00:00:25,080 --> 00:00:26,710 +imagine their stories but eventually you +get tired of imagining and one day you + +22 +00:00:26,710 --> 00:00:26,720 +get tired of imagining and one day you + + +23 +00:00:26,720 --> 00:00:27,950 +get tired of imagining and one day you +follow one of + +24 +00:00:27,950 --> 00:00:27,960 +follow one of + + +25 +00:00:27,960 --> 00:00:31,070 +follow one of +them and you hear all of his lies and + +26 +00:00:31,070 --> 00:00:31,080 +them and you hear all of his lies and + + +27 +00:00:31,080 --> 00:00:32,950 +them and you hear all of his lies and +you decide that his sin should be + +28 +00:00:32,950 --> 00:00:32,960 +you decide that his sin should be + + +29 +00:00:32,960 --> 00:00:35,190 +you decide that his sin should be +punished some guy shouting into his cell + +30 +00:00:35,190 --> 00:00:35,200 +punished some guy shouting into his cell + + +31 +00:00:35,200 --> 00:00:36,670 +punished some guy shouting into his cell +phone full of self-importance isn't + +32 +00:00:36,670 --> 00:00:36,680 +phone full of self-importance isn't + + +33 +00:00:36,680 --> 00:00:39,470 +phone full of self-importance isn't +going to notice me but I noticed that + +34 +00:00:39,470 --> 00:00:39,480 +going to notice me but I noticed that + + +35 +00:00:39,480 --> 00:00:41,549 +going to notice me but I noticed that +German porn King and I noticed that + +36 +00:00:41,549 --> 00:00:41,559 +German porn King and I noticed that + + +37 +00:00:41,559 --> 00:00:43,069 +German porn King and I noticed that +corrupt + +38 +00:00:43,069 --> 00:00:43,079 +corrupt + + +39 +00:00:43,079 --> 00:00:46,430 +corrupt +executive and I noticed you + +40 +00:00:46,430 --> 00:00:46,440 +executive and I noticed you + + +41 +00:00:46,440 --> 00:00:50,630 +executive and I noticed you +st I'm flattered police operat 53 your + +42 +00:00:50,630 --> 00:00:50,640 +st I'm flattered police operat 53 your + + +43 +00:00:50,640 --> 00:00:52,869 +st I'm flattered police operat 53 your +emergency will you please respond look + +44 +00:00:52,869 --> 00:00:52,879 +emergency will you please respond look + + +45 +00:00:52,879 --> 00:00:54,470 +emergency will you please respond look +what was so interesting about a guy in a + +46 +00:00:54,470 --> 00:00:54,480 +what was so interesting about a guy in a + + +47 +00:00:54,480 --> 00:00:57,430 +what was so interesting about a guy in a +phone booth on 53rd and8 the stew show + +48 +00:00:57,430 --> 00:00:57,440 +phone booth on 53rd and8 the stew show + + +49 +00:00:57,440 --> 00:00:59,950 +phone booth on 53rd and8 the stew show +better than TV how' I get so lucky to be + +50 +00:00:59,950 --> 00:00:59,960 +better than TV how' I get so lucky to be + + +51 +00:00:59,960 --> 00:01:02,069 +better than TV how' I get so lucky to be +be picked out by a killer with a rifle + +52 +00:01:02,069 --> 00:01:02,079 +be picked out by a killer with a rifle + + +53 +00:01:02,079 --> 00:01:06,469 +be picked out by a killer with a rifle +you had it made Kelly at home Pam speak + +54 +00:01:06,469 --> 00:01:06,479 +you had it made Kelly at home Pam speak + + +55 +00:01:06,479 --> 00:01:08,230 +you had it made Kelly at home Pam speak +I saw Pam once I followed her to a + +56 +00:01:08,230 --> 00:01:08,240 +I saw Pam once I followed her to a + + +57 +00:01:08,240 --> 00:01:11,350 +I saw Pam once I followed her to a +restaurant lovely life has given you + +58 +00:01:11,350 --> 00:01:11,360 +restaurant lovely life has given you + + +59 +00:01:11,360 --> 00:01:13,390 +restaurant lovely life has given you +more than your fair share stew but it + +60 +00:01:13,390 --> 00:01:13,400 +more than your fair share stew but it + + +61 +00:01:13,400 --> 00:01:14,950 +more than your fair share stew but it +appears you don't appreciate will + +62 +00:01:14,950 --> 00:01:14,960 +appears you don't appreciate will + + +63 +00:01:14,960 --> 00:01:16,830 +appears you don't appreciate will +disconect look look look listen + +64 +00:01:16,830 --> 00:01:16,840 +disconect look look look listen + + +65 +00:01:16,840 --> 00:01:19,030 +disconect look look look listen +appearances can be deceiving I mean I + +66 +00:01:19,030 --> 00:01:19,040 +appearances can be deceiving I mean I + + +67 +00:01:19,040 --> 00:01:20,630 +appearances can be deceiving I mean I +may look confident but I'm really + +68 +00:01:20,630 --> 00:01:20,640 +may look confident but I'm really + + +69 +00:01:20,640 --> 00:01:23,390 +may look confident but I'm really +actually just crying out for help help + +70 +00:01:23,390 --> 00:01:23,400 +actually just crying out for help help + + +71 +00:01:23,400 --> 00:01:26,789 +actually just crying out for help help +you know I'm trying to help you stu but + +72 +00:01:26,789 --> 00:01:26,799 +you know I'm trying to help you stu but + + +73 +00:01:26,799 --> 00:01:28,830 +you know I'm trying to help you stu but +you won't help + +74 +00:01:28,830 --> 00:01:28,840 +you won't help + + +75 +00:01:28,840 --> 00:01:33,310 +you won't help +yourself + +76 +00:01:33,310 --> 00:01:33,320 + + + +77 +00:01:33,320 --> 00:01:37,469 + + what's matters + +78 +00:01:37,469 --> 00:01:37,479 + + + +79 +00:01:37,479 --> 00:01:41,069 + +you you shot me it's time you learn Stu + +80 +00:01:41,069 --> 00:01:41,079 +you you shot me it's time you learn Stu + + +81 +00:01:41,079 --> 00:01:43,550 +you you shot me it's time you learn Stu +deception can't go unrewarded deception + +82 +00:01:43,550 --> 00:01:43,560 +deception can't go unrewarded deception + + +83 +00:01:43,560 --> 00:01:45,990 +deception can't go unrewarded deception +what deception are you in need + +84 +00:01:45,990 --> 00:01:46,000 +what deception are you in need + + +85 +00:01:46,000 --> 00:01:49,910 +what deception are you in need +of immediate police or Medical + +86 +00:01:49,910 --> 00:01:49,920 + + + +87 +00:01:49,920 --> 00:01:53,389 + +Response you bugged the + +88 +00:01:53,389 --> 00:01:53,399 +Response you bugged the + + +89 +00:01:53,399 --> 00:01:56,029 +Response you bugged the +Booth that's how you knew that's how you + +90 +00:01:56,029 --> 00:01:56,039 +Booth that's how you knew that's how you + + +91 +00:01:56,039 --> 00:01:58,310 +Booth that's how you knew that's how you +knew about ping me you picked the wrong + +92 +00:01:58,310 --> 00:01:58,320 +knew about ping me you picked the wrong + + +93 +00:01:58,320 --> 00:02:03,430 +knew about ping me you picked the wrong +person to lie to didn't pick + +94 +00:02:03,430 --> 00:02:03,440 + + + +95 +00:02:03,440 --> 00:02:28,110 + +[Music] + +96 +00:02:28,110 --> 00:02:28,120 + + + +97 +00:02:28,120 --> 00:02:31,120 + +you + diff --git a/2002/8I_QMs_Mjb0.ar.srt b/2002/8I_QMs_Mjb0.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..c36b2f74a999cc21a42a7c49d31613ee5e6f889c --- /dev/null +++ b/2002/8I_QMs_Mjb0.ar.srt @@ -0,0 +1,244 @@ +1 +00:00:00,050 --> 00:00:03,760 + +أنت تقرأ مارك توين هو واحد + +2 +00:00:03,760 --> 00:00:03,770 +أنت تقرأ مارك توين هو واحد + + +3 +00:00:03,770 --> 00:00:06,889 +أنت تقرأ مارك توين هو واحد +لشهود عيان على استعداد لنعم + +4 +00:00:06,889 --> 00:00:06,899 +لشهود عيان على استعداد لنعم + + +5 +00:00:06,899 --> 00:00:08,290 +لشهود عيان على استعداد لنعم +أعلم أن + +6 +00:00:08,290 --> 00:00:08,300 +أعلم أن + + +7 +00:00:08,300 --> 00:00:21,150 +أعلم أن +هذا هو السبب في أنني أردت رؤيتك + +8 +00:00:21,150 --> 00:00:21,160 + + + +9 +00:00:21,160 --> 00:00:25,960 + +أنت + +10 +00:00:25,960 --> 00:00:25,970 + + + +11 +00:00:25,970 --> 00:00:28,210 + +نحتفظ بمكتبة لجميع + +12 +00:00:28,210 --> 00:00:28,220 +نحتفظ بمكتبة لجميع + + +13 +00:00:28,220 --> 00:00:31,089 +نحتفظ بمكتبة لجميع +الأدلة العسكرية الأمريكية اعتقدت أن هذا + +14 +00:00:31,089 --> 00:00:31,099 +الأدلة العسكرية الأمريكية اعتقدت أن هذا + + +15 +00:00:31,099 --> 00:00:38,130 +الأدلة العسكرية الأمريكية اعتقدت أن هذا +قد يكون استخدامًا خاصًا لك + +16 +00:00:38,130 --> 00:00:38,140 + + + +17 +00:00:38,140 --> 00:00:40,060 + +لا يمكنني قبول هذا العقيد لدينا + +18 +00:00:40,060 --> 00:00:40,070 +لا يمكنني قبول هذا العقيد لدينا + + +19 +00:00:40,070 --> 00:00:42,790 +لا يمكنني قبول هذا العقيد لدينا +سياسة الوارد بدون هذا + +20 +00:00:42,790 --> 00:00:42,800 +سياسة الوارد بدون هذا + + +21 +00:00:42,800 --> 00:00:45,240 +سياسة الوارد بدون هذا +سيواجه موكلك فرقة الإعدام + +22 +00:00:45,240 --> 00:00:45,250 +سيواجه موكلك فرقة الإعدام + + +23 +00:00:45,250 --> 00:00:55,000 +سيواجه موكلك فرقة الإعدام +هل سيكون ذلك مريرًا + +24 +00:00:55,000 --> 00:00:55,010 + + + +25 +00:00:55,010 --> 00:00:57,910 + +ابنك + +26 +00:00:57,910 --> 00:00:57,920 +ابنك + + +27 +00:00:57,920 --> 00:01:00,320 +ابنك +نعم + +28 +00:01:00,320 --> 00:01:00,330 +نعم + + +29 +00:01:00,330 --> 00:01:06,430 +نعم +لماذا يقاتل + +30 +00:01:06,430 --> 00:01:06,440 + + + +31 +00:01:06,440 --> 00:01:10,360 + +هنا لم يعد + +32 +00:01:10,360 --> 00:01:10,370 + + + +33 +00:01:10,370 --> 00:01:12,520 + +الجبهة الروسية + +34 +00:01:12,520 --> 00:01:12,530 +الجبهة الروسية + + +35 +00:01:12,530 --> 00:01:15,700 +الجبهة الروسية +نوفغورود + +36 +00:01:15,700 --> 00:01:15,710 + + + +37 +00:01:15,710 --> 00:01:20,570 + +مكان فظيع + +38 +00:01:20,570 --> 00:01:20,580 + + + +39 +00:01:20,580 --> 00:01:24,720 + +أنا آسف لقد + +40 +00:01:24,720 --> 00:01:24,730 + + + +41 +00:01:24,730 --> 00:01:27,330 + +قتلت نصيبي من اللغة الإنجليزية بالفرنسية أفترض + +42 +00:01:27,330 --> 00:01:27,340 +قتلت نصيبي من اللغة الإنجليزية بالفرنسية أفترض + + +43 +00:01:27,340 --> 00:01:29,180 +قتلت نصيبي من اللغة الإنجليزية بالفرنسية أفترض + +44 +00:01:29,180 --> 00:01:29,190 + + + +45 +00:01:29,190 --> 00:01:32,780 + +في أول كل شيء كان لديهم + +46 +00:01:32,780 --> 00:01:32,790 +في أول كل شيء كان لديهم + + +47 +00:01:32,790 --> 00:01:38,860 +في أول كل شيء كان لديهم +آباء + +48 +00:01:38,860 --> 00:01:38,870 + + + +49 +00:01:38,870 --> 00:02:10,449 + +[موسيقى] + diff --git a/2002/8MuZATnrE3Y.description b/2002/8MuZATnrE3Y.description new file mode 100644 index 0000000000000000000000000000000000000000..d3ffd9f3bcf9b5f0c4ab4fcafce5dde0b9eb8d2d --- /dev/null +++ b/2002/8MuZATnrE3Y.description @@ -0,0 +1,38 @@ +Minority Report movie clips: http://j.mp/1JcTdIZ +BUY THE MOVIE: http://amzn.to/vH4qda +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Anderton (Tom Cruise) finally catches up to the pre-cog's vision, but he decides not to fulfill his fate and commit murder. + +FILM DESCRIPTION: +Based on a short story by the late Philip K. Dick, this science fiction-thriller reflects the writer's familiar preoccupation with themes of concealed identity and mind control. Tom Cruise stars as John Anderton, a Washington, D.C. detective in the year 2054. Anderton works for "Precrime," a special unit of the police department that arrests murderers before they have committed the actual crime. Precrime bases its work on the visions of three psychics or "precogs" whose prophecies of future events are never in error. When Anderton discovers that he has been identified as the future killer of a man he's never met, he is forced to become a fugitive from his own colleagues as he tries to uncover the mystery of the victim-to-be's identity. When he kidnaps Agatha (Samantha Morton), one of the precogs, he begins to formulate a theory about a possible frame-up from within his own department. Directed by Steven Spielberg, who hired a team of futurists to devise the film's numerous technologically advanced gadgets, Minority Report co-stars Colin Farrell, Max von Sydow, and Neal McDonough. + +CREDITS: +TM & © Dreamworks (2002) +Cast: Mike Binder, Tom Cruise, Samantha Morton +Director: Steven Spielberg +Producers: Jan de Bont, Michael Doven, Gary Goldman, Gerald R. Molen, Walter F. Parkes, Ronald Shusett, Sergio Mimica-Gezzan, Bonnie Curtis +Screenwriters: Philip K. Dick, Scott Frank + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/8MuZATnrE3Y.en.srt b/2002/8MuZATnrE3Y.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..8141fb753b927d68e4db22a69983235e2345a5c1 --- /dev/null +++ b/2002/8MuZATnrE3Y.en.srt @@ -0,0 +1,119 @@ +1 +00:00:02,229 --> 00:00:04,798 +I told him +I needed his help. +It wasn't so bad. + +2 +00:00:04,866 --> 00:00:07,067 +I sang him a song. +I brought him a pretzel. + +3 +00:00:07,134 --> 00:00:11,071 +I bought him a pretzel! +He was happy. He was happy. + +4 +00:00:11,138 --> 00:00:13,907 +Is he alive? He's alive! + +5 +00:00:13,975 --> 00:00:15,842 +Where have you got him? +Is he all right? + +6 +00:00:15,910 --> 00:00:17,945 +Tell me, you fuck! +Where is he? + +7 +00:00:18,012 --> 00:00:21,715 +I put him in a barrel. +I sunk him in the bay. + +8 +00:00:21,783 --> 00:00:24,517 +It floated back up. + +9 +00:00:24,586 --> 00:00:28,354 +I took him out. +I was gentle. +I was gentle. + +10 +00:00:28,422 --> 00:00:31,291 +[ panting ] +I was gentle. + +11 +00:00:33,327 --> 00:00:35,261 +[ sighs ] + +12 +00:00:36,664 --> 00:00:39,299 +I'm sorry. +I'm sorry. + +13 +00:00:39,366 --> 00:00:41,969 +I'm sorry. +I'm sorry. + +14 +00:00:42,036 --> 00:00:44,905 +I'm so very sorry. + +15 +00:00:46,874 --> 00:00:49,342 +[ sobbing ] +how could you do that to my boy? + +16 +00:00:49,410 --> 00:00:51,845 +[ grunts ] + +17 +00:00:51,913 --> 00:00:54,314 +[ grunting continues ] + +18 +00:01:02,590 --> 00:01:04,524 +[ panting ] + +19 +00:01:13,434 --> 00:01:16,136 +I'm sorry. + +20 +00:01:21,776 --> 00:01:24,410 +You can choose. + +21 +00:01:27,448 --> 00:01:29,415 +[ whispering ] +you can choose. + +22 +00:01:36,958 --> 00:01:39,159 +[ beeping ] + +23 +00:01:48,269 --> 00:01:50,971 +You have the right +to remain silent. + +24 +00:01:51,039 --> 00:01:55,408 +Anything you say or do +can be used against you +in a court of law. + +25 +00:01:55,476 --> 00:01:58,845 +[ voice breaking ] +you have the right +to an attorney... + diff --git a/2002/8XTt2uGxh9E.description b/2002/8XTt2uGxh9E.description new file mode 100644 index 0000000000000000000000000000000000000000..78faa2b50f6c149198061a6151279b2ba971bdd0 --- /dev/null +++ b/2002/8XTt2uGxh9E.description @@ -0,0 +1,40 @@ +Panic Room movie clips: http://j.mp/1gKfVwt +BUY THE MOVIE: http://bit.ly/2cMp3nd +WATCH ON CRACKLE: http://bit.ly/2c8qSsr +http://amzn.to/uc7Vgx +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Sarah (Kristen Stewart) helps Meg (Jodie Foster) with her first communication with the burglars. + +FILM DESCRIPTION: +A well-regarded spec script by A-list screenwriter David Koepp became this stylish thriller from director David Fincher. Jodie Foster stars as Meg Altman, a single mother of an diabetic preteen daughter, Sarah (Kristen Stewart). Meg's going through an unhappy divorce that forces her and Sarah to move into a new home. They choose a deluxe New York brownstone that coincidentally boasts an unusual feature: a "panic room," a vault-like hidden space capable of literally sealing itself off from the rest of the building. With its thick steel door on springs, separate ventilation and communications systems, and video monitors linked to cameras mounted throughout the home, the room is an impregnable fortress. It quickly comes in handy when the Altmans' new residence is invaded by a trio of thieves: Junior (Jared Leto), Burnham (Forest Whitaker), and Raoul (Dwight Yoakam). Meg and Sarah are able to secure themselves in the panic room before the robbers can get to them, but it turns out that Sarah's medication is still on the outside, the phone's not yet connected, and the loot the gang's seeking is inside the panic room with them. A cat-and-mouse battle of wits ensues, with Meg trying to outwit their captors over the course of one very long night, as her daughter's health dissipates. Panic Room (2002) co-stars Ann Magnuson, Patrick Bauchau, and Koepp's fellow screenwriter, Andrew Kevin Walker, in a cameo role. + +CREDITS: +TM & © Sony (2002) +Cast: Jared Leto, Forest Whitaker, Dwight Yoakam, Jodie Foster, Kristen Stewart +Director: David Fincher +Producers: Ceán Chaffin, John S. Dorsey, Judy Hofflund, David Koepp, Gavin Polone +Screenwriter: David Koepp + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/EL-Zzx9ZrOw.mp4 b/2002/EL-Zzx9ZrOw.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..5cd6bcd19dcaf35cb32d4a83cfc66eb7be176d35 --- /dev/null +++ b/2002/EL-Zzx9ZrOw.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:742c9ccd8c0176856b8f323331019e98d0b7beade986327c08275310cb582597 +size 7746000 diff --git a/2002/EQW38-aU5gI.mp4 b/2002/EQW38-aU5gI.mp4 new file mode 100644 index 0000000000000000000000000000000000000000..d6ee7c7e765032843dbe6517e54c6d2cd8d24651 --- /dev/null +++ b/2002/EQW38-aU5gI.mp4 @@ -0,0 +1,3 @@ +version https://git-lfs.github.com/spec/v1 +oid sha256:738e61c5ba3ac5e5d33b60559bc4ff930c94db3f1367f90c7908dec7705e1a4f +size 4528030 diff --git a/2002/OdU3vEh3qfs.en.srt b/2002/OdU3vEh3qfs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a3f3ada5e112b547abbbea52ff85a124b4ae0dc2 --- /dev/null +++ b/2002/OdU3vEh3qfs.en.srt @@ -0,0 +1,265 @@ +1 +00:00:00,240 --> 00:00:01,389 + +you're a good + +2 +00:00:01,389 --> 00:00:01,399 +you're a good + + +3 +00:00:01,399 --> 00:00:04,150 +you're a good +man good husband and father a man who + +4 +00:00:04,150 --> 00:00:04,160 +man good husband and father a man who + + +5 +00:00:04,160 --> 00:00:07,310 +man good husband and father a man who +appreciates his Good + +6 +00:00:07,310 --> 00:00:07,320 + + + +7 +00:00:07,320 --> 00:00:09,470 + +Fortune you're not the type of father + +8 +00:00:09,470 --> 00:00:09,480 +Fortune you're not the type of father + + +9 +00:00:09,480 --> 00:00:11,789 +Fortune you're not the type of father +who cheat on his + +10 +00:00:11,789 --> 00:00:11,799 +who cheat on his + + +11 +00:00:11,799 --> 00:00:22,870 +who cheat on his +wife hurt his family betray their + +12 +00:00:22,870 --> 00:00:22,880 + + + +13 +00:00:22,880 --> 00:00:25,950 + +trust you would never neglect and abuse + +14 +00:00:25,950 --> 00:00:25,960 +trust you would never neglect and abuse + + +15 +00:00:25,960 --> 00:00:30,189 +trust you would never neglect and abuse +your children + +16 +00:00:30,189 --> 00:00:30,199 + + + +17 +00:00:30,199 --> 00:00:34,470 + +make horrible demands of your + +18 +00:00:34,470 --> 00:00:34,480 + + + +19 +00:00:34,480 --> 00:00:41,910 + +children you would never + +20 +00:00:41,910 --> 00:00:41,920 + + + +21 +00:00:41,920 --> 00:00:44,790 + +ask you would never asked your children + +22 +00:00:44,790 --> 00:00:44,800 +ask you would never asked your children + + +23 +00:00:44,800 --> 00:00:48,069 +ask you would never asked your children +to do + +24 +00:00:48,069 --> 00:00:48,079 + + + +25 +00:00:48,079 --> 00:00:52,670 + +things things that children should + +26 +00:00:52,670 --> 00:00:52,680 +things things that children should + + +27 +00:00:52,680 --> 00:00:56,830 +things things that children should +do you would never take disgusting sick + +28 +00:00:56,830 --> 00:00:56,840 +do you would never take disgusting sick + + +29 +00:00:56,840 --> 00:00:59,990 +do you would never take disgusting sick +degrading pictures of your children do + +30 +00:00:59,990 --> 00:01:00,000 +degrading pictures of your children do + + +31 +00:01:00,000 --> 00:01:10,710 +degrading pictures of your children do +doing these + +32 +00:01:10,710 --> 00:01:10,720 + + + +33 +00:01:10,720 --> 00:01:12,710 + +things you would never treat your + +34 +00:01:12,710 --> 00:01:12,720 +things you would never treat your + + +35 +00:01:12,720 --> 00:01:28,350 +things you would never treat your +children like + +36 +00:01:28,350 --> 00:01:28,360 + + + +37 +00:01:28,360 --> 00:01:30,670 + +animals will you had it all and you + +38 +00:01:30,670 --> 00:01:30,680 +animals will you had it all and you + + +39 +00:01:30,680 --> 00:01:36,310 +animals will you had it all and you +threw it all + +40 +00:01:36,310 --> 00:01:36,320 + + + +41 +00:01:36,320 --> 00:01:53,350 + +way he's not a good + +42 +00:01:53,350 --> 00:01:53,360 + + + +43 +00:01:53,360 --> 00:01:58,029 + +father well I + +44 +00:01:58,029 --> 00:01:58,039 + + + +45 +00:01:58,039 --> 00:02:02,109 + +uh I think I understand and + +46 +00:02:02,109 --> 00:02:02,119 +uh I think I understand and + + +47 +00:02:02,119 --> 00:02:04,789 +uh I think I understand and +Sor thank you for answering my questions + +48 +00:02:04,789 --> 00:02:04,799 +Sor thank you for answering my questions + + +49 +00:02:04,799 --> 00:02:05,630 +Sor thank you for answering my questions +so + +50 +00:02:05,630 --> 00:02:05,640 +so + + +51 +00:02:05,640 --> 00:02:12,890 +so +candidly you're welcome + +52 +00:02:12,890 --> 00:02:12,900 + + + +53 +00:02:12,900 --> 00:02:39,840 + +[Music] + diff --git a/2002/P-E8ZrQ06go.description b/2002/P-E8ZrQ06go.description new file mode 100644 index 0000000000000000000000000000000000000000..955ec80345f9ce8cf025a39f4a2443bca699b7e6 --- /dev/null +++ b/2002/P-E8ZrQ06go.description @@ -0,0 +1,38 @@ +Heaven movie clips: http://j.mp/1zfxls5 +BUY THE MOVIE: http://amzn.to/rONtS5 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Philippa (Cate Blanchett) calls Mr. Vendice's secretary (Stefania Orsolo Garello) out of the office after having left a bomb in his trash can, but her plan falls apart when a cleaning lady takes out the trash. + +FILM DESCRIPTION: +German filmmaker Tom Tykwer helmed this feature, which was adapted from a screenplay co-authored by the late Krzysztof Kieslowski. Philippa (Cate Blanchett) is a British schoolteacher living in Italy, whose husband fell victim to a drug overdose, as have several of her students. Marco Vendice (Stefano Santospago) is a powerful local drug dealer who sold the dope which killed Philippa's husband, as well as a number of neighborhood teens. Disgusted with the inability of the police to bring Vendice to justice, Philippa takes the law into her own hands, planting a bomb which is intended to kill the dealer. However, Philippa's plan goes awry, and instead the bomb kills four innocent bystanders. Philippa is arrested and brought before the police for questioning, not knowing that the interrogating officer in charge of the case, Pini (Mattia Sbragia), is one of Vendice's secret business associates. More comfortable with English than Italian, Philippa requests a translator, and multilingual officer Filippo (Giovanni Ribisi) is brought in to serve as interpreter. Filippo finds himself falling in love with Philippa, and with his help she's able to escape and go into hiding; however, despite her deep regrets about the loss of four lives in the bombing, she is still bound and determined to see Vendice dead. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Cate Blanchett, Julienne Liberto +Director: Tom Tykwer +Producers: Stefan Arndt, Marc Baschet, Mario Cotone, Frédérique Dumas-Zajdela, Marco Guidone, William Horberg, Cédomir Kolar, Maria Köpf, Agnès Mentre, Anthony Minghella, Teresa Moneo, Sydney Pollack, Stefaan Schieder, Manuela Stehr, Harvey Weinstein +Screenwriters: Krzysztof Kieslowski, Krzysztof Piesiewicz + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/P-E8ZrQ06go.en.srt b/2002/P-E8ZrQ06go.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1fc11e52c293b15d367b9f584a450c5b49d52988 --- /dev/null +++ b/2002/P-E8ZrQ06go.en.srt @@ -0,0 +1,214 @@ +1 +00:00:04,240 --> 00:00:05,909 + +electronic Yes + +2 +00:00:05,909 --> 00:00:05,919 +electronic Yes + + +3 +00:00:05,919 --> 00:00:08,589 +electronic Yes +tineria the alarm in your + +4 +00:00:08,589 --> 00:00:08,599 +tineria the alarm in your + + +5 +00:00:08,599 --> 00:00:28,950 +tineria the alarm in your +car has gone off get out because it's an unbearable noise + +6 +00:00:28,950 --> 00:00:28,960 + + + +7 +00:00:28,960 --> 00:00:35,069 + + +8 +00:00:35,069 --> 00:00:35,079 + + + +9 +00:00:35,079 --> 00:00:37,470 + +Good morning Carabinieri command I've + +10 +00:00:37,470 --> 00:00:37,480 +Good morning Carabinieri command I've + + +11 +00:00:37,480 --> 00:00:39,709 +Good morning Carabinieri command I've +called so many times and you've never + +12 +00:00:39,709 --> 00:00:39,719 +called so many times and you've never + + +13 +00:00:39,719 --> 00:00:43,430 +called so many times and you've never +done anything so I thought about it I + +14 +00:00:43,430 --> 00:00:43,440 +done anything so I thought about it I + + +15 +00:00:43,440 --> 00:00:45,950 +done anything so I thought about it I +put a bomb in your office it will + +16 +00:00:45,950 --> 00:00:45,960 +put a bomb in your office it will + + +17 +00:00:45,960 --> 00:00:50,830 +put a bomb in your office it will +explode in 40 seconds who's + +18 +00:00:50,830 --> 00:00:50,840 +explode in 40 seconds who's + + +19 +00:00:50,840 --> 00:00:55,310 +explode in 40 seconds who's +speaking Filippa + +20 +00:00:55,310 --> 00:00:55,320 + + + +21 +00:00:55,320 --> 00:00:57,910 + +Filippa no Listen I can't make it + +22 +00:00:57,910 --> 00:00:57,920 +Filippa no Listen I can't make it + + +23 +00:00:57,920 --> 00:01:01,150 +Filippa no Listen I can't make it +before 7:00 I have things to do here + +24 +00:01:01,150 --> 00:01:01,160 +before 7:00 I have things to do here + + +25 +00:01:01,160 --> 00:01:04,549 +before 7:00 I have things to do here +sorry you wait for me Ok I'll meet you + +26 +00:01:04,549 --> 00:01:04,559 +sorry you wait for me Ok I'll meet you + + +27 +00:01:04,559 --> 00:01:26,030 +sorry you wait for me Ok I'll meet you +later at home + +28 +00:01:26,030 --> 00:01:26,040 + + + +29 +00:01:26,040 --> 00:01:32,749 + +bye how loud + +30 +00:01:32,749 --> 00:01:32,759 + + + +31 +00:01:32,759 --> 00:01:38,910 + +too + +32 +00:01:38,910 --> 00:01:38,920 + + + +33 +00:01:38,920 --> 00:01:40,710 + +loud + +34 +00:01:40,710 --> 00:01:40,720 +loud + + +35 +00:01:40,720 --> 00:01:43,510 +loud +ah sorry I'm waiting for the next one No no + +36 +00:01:43,510 --> 00:01:43,520 +ah sorry I'm waiting for the next one No no + + +37 +00:01:43,520 --> 00:02:10,460 +ah sorry I'm waiting for the next one No no +because there's so much space thanks + +38 +00:02:10,460 --> 00:02:10,470 + + + +39 +00:02:10,470 --> 00:02:31,630 + +[Music] + +40 +00:02:31,630 --> 00:02:31,640 + + + +41 +00:02:31,640 --> 00:02:35,520 + +S + +42 +00:02:35,520 --> 00:02:35,530 + + + +43 +00:02:35,530 --> 00:02:41,479 + +[Music] + diff --git a/2002/P06IeXkgRNA.ar.srt b/2002/P06IeXkgRNA.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..e468595f8e047acf3fe8da0071994f4d2de9fe45 --- /dev/null +++ b/2002/P06IeXkgRNA.ar.srt @@ -0,0 +1,215 @@ +1 +00:00:00,760 --> 00:00:05,230 + +فجأة توقف الحبل عن + +2 +00:00:05,230 --> 00:00:05,240 + + + +3 +00:00:05,240 --> 00:00:09,350 + +العمل ربما نفد منه + +4 +00:00:09,350 --> 00:00:09,360 +العمل ربما نفد منه + + +5 +00:00:09,360 --> 00:00:14,190 +العمل ربما نفد منه +البخار لكنني لا أثق + +6 +00:00:14,190 --> 00:00:14,200 + + + +7 +00:00:14,200 --> 00:00:17,350 + +به + +8 +00:00:17,350 --> 00:00:17,360 +به + + +9 +00:00:17,360 --> 00:00:26,060 +به +[موسيقى] + +10 +00:00:26,060 --> 00:00:26,070 + + + +11 +00:00:26,070 --> 00:00:50,380 + +[موسيقى] + +12 +00:00:50,380 --> 00:00:50,390 + + + +13 +00:00:50,390 --> 00:00:59,110 + +[موسيقى] + +14 +00:00:59,110 --> 00:00:59,120 + + + +15 +00:00:59,120 --> 00:01:00,950 + +أوه + +16 +00:01:00,950 --> 00:01:00,960 +أوه + + +17 +00:01:00,960 --> 00:01:05,080 +أوه +ضائع + +18 +00:01:05,080 --> 00:01:05,090 + + + +19 +00:01:05,090 --> 00:01:10,630 + +[موسيقى] + +20 +00:01:10,630 --> 00:01:10,640 + + + +21 +00:01:10,640 --> 00:01:13,710 + +إنه + +22 +00:01:13,710 --> 00:01:13,720 +إنه + + +23 +00:01:13,720 --> 00:01:23,920 +إنه +عائد F احصل على القارب + +24 +00:01:23,920 --> 00:01:23,930 + + + +25 +00:01:23,930 --> 00:01:30,270 + +[موسيقى] كاد + +26 +00:01:30,270 --> 00:01:30,280 + + + +27 +00:01:30,280 --> 00:01:33,550 + +هذا التمساح أن يصيبني + +28 +00:01:33,550 --> 00:01:33,560 + + + +29 +00:01:33,560 --> 00:01:36,550 + +سو أوه لا لقد أصبحت متراخية يبدو أنه + +30 +00:01:36,550 --> 00:01:36,560 +سو أوه لا لقد أصبحت متراخية يبدو أنه + + +31 +00:01:36,560 --> 00:01:42,630 +سو أوه لا لقد أصبحت متراخية يبدو أنه +يرمي الفك العلوي + +32 +00:01:42,630 --> 00:01:42,640 + + + +33 +00:01:42,640 --> 00:01:54,140 + +R حبيبتي ابق مستيقظًا معه ابق مستيقظًا معه + +34 +00:01:54,140 --> 00:01:54,150 + + + +35 +00:01:54,150 --> 00:02:02,789 + +[موسيقى] + +36 +00:02:02,789 --> 00:02:02,799 +[موسيقى] + + +37 +00:02:02,799 --> 00:02:04,630 +[موسيقى] +هذا الفل يذهب بأقصى سرعة مثل السحلية التي + +38 +00:02:04,630 --> 00:02:04,640 +هذا الفل يذهب بأقصى سرعة مثل السحلية التي + + +39 +00:02:04,640 --> 00:02:06,830 +هذا الفل يذهب بأقصى سرعة مثل السحلية التي +تشرب نحن في طريقنا إلى يمين + +40 +00:02:06,830 --> 00:02:06,840 +تشرب نحن في طريقنا إلى يمين + + +41 +00:02:06,840 --> 00:02:09,850 +تشرب نحن في طريقنا إلى يمين +ليف وو + +42 +00:02:09,850 --> 00:02:09,860 +ليف وو + + +43 +00:02:09,860 --> 00:02:42,490 +ليف وو +[موسيقى] + diff --git a/2002/P2p410SndXM.description b/2002/P2p410SndXM.description new file mode 100644 index 0000000000000000000000000000000000000000..0ff6f0a63ad8648fe60f64b381396458da8c31b5 --- /dev/null +++ b/2002/P2p410SndXM.description @@ -0,0 +1,40 @@ +Panic Room movie clips: http://j.mp/1gKfVwt +BUY THE MOVIE: http://bit.ly/2cMp3nd +WATCH ON CRACKLE: http://bit.ly/2c8qSsr +http://amzn.to/uc7Vgx +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Burnham (Forest Whitaker) injects Sarah (Kristin Stewart) with an insulin shot, saving her from a deadly coma. + +FILM DESCRIPTION: +A well-regarded spec script by A-list screenwriter David Koepp became this stylish thriller from director David Fincher. Jodie Foster stars as Meg Altman, a single mother of an diabetic preteen daughter, Sarah (Kristen Stewart). Meg's going through an unhappy divorce that forces her and Sarah to move into a new home. They choose a deluxe New York brownstone that coincidentally boasts an unusual feature: a "panic room," a vault-like hidden space capable of literally sealing itself off from the rest of the building. With its thick steel door on springs, separate ventilation and communications systems, and video monitors linked to cameras mounted throughout the home, the room is an impregnable fortress. It quickly comes in handy when the Altmans' new residence is invaded by a trio of thieves: Junior (Jared Leto), Burnham (Forest Whitaker), and Raoul (Dwight Yoakam). Meg and Sarah are able to secure themselves in the panic room before the robbers can get to them, but it turns out that Sarah's medication is still on the outside, the phone's not yet connected, and the loot the gang's seeking is inside the panic room with them. A cat-and-mouse battle of wits ensues, with Meg trying to outwit their captors over the course of one very long night, as her daughter's health dissipates. Panic Room (2002) co-stars Ann Magnuson, Patrick Bauchau, and Koepp's fellow screenwriter, Andrew Kevin Walker, in a cameo role. + +CREDITS: +TM & © Sony (2002) +Cast: Forest Whitaker, Dwight Yoakam, Jodie Foster, Kristen Stewart +Director: David Fincher +Producers: Ceán Chaffin, John S. Dorsey, Judy Hofflund, David Koepp, Gavin Polone +Screenwriter: David Koepp + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/PFsl1cGHzp4.en.srt b/2002/PFsl1cGHzp4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..38545a1525111c3452ede8506559c0186771028d --- /dev/null +++ b/2002/PFsl1cGHzp4.en.srt @@ -0,0 +1,305 @@ +1 +00:00:00,650 --> 00:00:08,030 + +you can pick something I don't care any + +2 +00:00:08,030 --> 00:00:08,040 +you can pick something I don't care any + + +3 +00:00:08,040 --> 00:00:10,040 +you can pick something I don't care any +idea how many electro Ray's are + +4 +00:00:10,040 --> 00:00:10,050 +idea how many electro Ray's are + + +5 +00:00:10,050 --> 00:00:12,169 +idea how many electro Ray's are +traveling through her head every second + +6 +00:00:12,169 --> 00:00:12,179 +traveling through her head every second + + +7 +00:00:12,179 --> 00:00:14,089 +traveling through her head every second +I got a better one + +8 +00:00:14,089 --> 00:00:14,099 +I got a better one + + +9 +00:00:14,099 --> 00:00:15,740 +I got a better one +have you heard about this videotape that + +10 +00:00:15,740 --> 00:00:15,750 +have you heard about this videotape that + + +11 +00:00:15,750 --> 00:00:18,890 +have you heard about this videotape that +kills you when you watch it what kind of + +12 +00:00:18,890 --> 00:00:18,900 +kills you when you watch it what kind of + + +13 +00:00:18,900 --> 00:00:22,160 +kills you when you watch it what kind of +tape tape the regular tape people run in + +14 +00:00:22,160 --> 00:00:22,170 +tape tape the regular tape people run in + + +15 +00:00:22,170 --> 00:00:24,830 +tape tape the regular tape people run in +I don't know you start to play it and + +16 +00:00:24,830 --> 00:00:24,840 +I don't know you start to play it and + + +17 +00:00:24,840 --> 00:00:27,800 +I don't know you start to play it and +it's like somebody's nightmare then + +18 +00:00:27,800 --> 00:00:27,810 +it's like somebody's nightmare then + + +19 +00:00:27,810 --> 00:00:31,339 +it's like somebody's nightmare then +suddenly this woman comes on it's + +20 +00:00:31,339 --> 00:00:31,349 +suddenly this woman comes on it's + + +21 +00:00:31,349 --> 00:00:35,120 +suddenly this woman comes on it's +smiling like right seeing you through + +22 +00:00:35,120 --> 00:00:35,130 +smiling like right seeing you through + + +23 +00:00:35,130 --> 00:00:39,860 +smiling like right seeing you through +the screen and as soon as it's over your + +24 +00:00:39,860 --> 00:00:39,870 +the screen and as soon as it's over your + + +25 +00:00:39,870 --> 00:00:43,400 +the screen and as soon as it's over your +phone rings someone knows you've watched + +26 +00:00:43,400 --> 00:00:43,410 +phone rings someone knows you've watched + + +27 +00:00:43,410 --> 00:00:48,260 +phone rings someone knows you've watched +it and what they say is you will die in + +28 +00:00:48,260 --> 00:00:48,270 +it and what they say is you will die in + + +29 +00:00:48,270 --> 00:00:53,810 +it and what they say is you will die in +70 days in exactly 7 days later I told + +30 +00:00:53,810 --> 00:00:53,820 +70 days in exactly 7 days later I told + + +31 +00:00:53,820 --> 00:00:57,760 +70 days in exactly 7 days later I told +you that somebody from Rivera I told you + +32 +00:00:57,760 --> 00:00:57,770 +you that somebody from Rivera I told you + + +33 +00:00:57,770 --> 00:01:03,709 +you that somebody from Rivera I told you +what's your problem I've watched it it's + +34 +00:01:03,709 --> 00:01:03,719 +what's your problem I've watched it it's + + +35 +00:01:03,719 --> 00:01:05,870 +what's your problem I've watched it it's +a story Katie you know me and Josh we + +36 +00:01:05,870 --> 00:01:05,880 +a story Katie you know me and Josh we + + +37 +00:01:05,880 --> 00:01:07,550 +a story Katie you know me and Josh we +saw it last weekend I thought you were + +38 +00:01:07,550 --> 00:01:07,560 +saw it last weekend I thought you were + + +39 +00:01:07,560 --> 00:01:09,170 +saw it last weekend I thought you were +with your parents I wanted to tell you + +40 +00:01:09,170 --> 00:01:09,180 +with your parents I wanted to tell you + + +41 +00:01:09,180 --> 00:01:11,390 +with your parents I wanted to tell you +with Josh some of his friends got this + +42 +00:01:11,390 --> 00:01:11,400 +with Josh some of his friends got this + + +43 +00:01:11,400 --> 00:01:13,700 +with Josh some of his friends got this +this place up in the mountains they were + +44 +00:01:13,700 --> 00:01:13,710 +this place up in the mountains they were + + +45 +00:01:13,710 --> 00:01:15,380 +this place up in the mountains they were +trying to record a football game at I + +46 +00:01:15,380 --> 00:01:15,390 +trying to record a football game at I + + +47 +00:01:15,390 --> 00:01:18,109 +trying to record a football game at I +guess the reception was so bad listen to + +48 +00:01:18,109 --> 00:01:18,119 +guess the reception was so bad listen to + + +49 +00:01:18,119 --> 00:01:20,240 +guess the reception was so bad listen to +me we played the tape the game wasn't + +50 +00:01:20,240 --> 00:01:20,250 +me we played the tape the game wasn't + + +51 +00:01:20,250 --> 00:01:32,440 +me we played the tape the game wasn't +there it was + +52 +00:01:32,440 --> 00:01:32,450 + + + +53 +00:01:32,450 --> 00:01:40,990 + +we thought it was some kind of sick joke + +54 +00:01:40,990 --> 00:01:41,000 + + + +55 +00:01:41,000 --> 00:01:48,680 + +it was week ago + +56 +00:01:48,680 --> 00:01:48,690 + + + +57 +00:01:48,690 --> 00:01:59,179 + +you're just trying to scare me + +58 +00:01:59,179 --> 00:01:59,189 + + + +59 +00:01:59,189 --> 00:02:12,430 + +oh god kini you don't fell for it + +60 +00:02:12,430 --> 00:02:12,440 +oh god kini you don't fell for it + + +61 +00:02:12,440 --> 00:02:43,509 +oh god kini you don't fell for it +[Music] + diff --git a/2002/PeGDBR0Ej_0.description b/2002/PeGDBR0Ej_0.description new file mode 100644 index 0000000000000000000000000000000000000000..7f67b159b35e15d19e0dc9307f055847942379fc --- /dev/null +++ b/2002/PeGDBR0Ej_0.description @@ -0,0 +1,38 @@ +The Bourne Identity movie clips: http://j.mp/1JaLRFI +BUY THE MOVIE: http://amzn.to/sBURxM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +A fisherman tends to the bullet-ridden body of Jason Bourne (Matt Damon). + +FILM DESCRIPTION: +The best-selling suspense novel by late author Robert Ludlum comes to the screen for a second time, following a 1988 made-for-TV movie. Matt Damon stars as Jason Bourne, a barely alive amnesiac with a pair of bullet wounds in his back, pulled from the Mediterranean by Italian fishermen. Bourne's only clue to his own identity is a bank account number etched on a capsule implanted in his body. He quickly finds the Zurich bank where money, a gun, and a few identification documents await, but after he's pursued by security goons at the American consulate, Bourne realizes he can trust no one and offers a German gypsy named Marie (Franka Potente) ten thousand dollars for a ride to Paris. Encountering more professional killers bent on his destruction, Bourne discovers that he possesses a surprising degree of skill in combat, martial arts, and linguistics -- handy talents that clearly indicate his past includes work as a spy and assassin, but for whom? With Marie's reluctant help, Bourne edges closer to the truth, something CIA officials want concealed at all costs. The Bourne Identity co-stars Chris Cooper, Clive Owen, Brian Cox, and Julia Stiles. + +CREDITS: +TM & © Universal (2002) +Cast: Matt Damon, Orso Maria Guerrini +Director: Doug Liman +Producers: Patrick Crowley, Richard N. Gladstein, Doug Liman, Robert Ludlum, Frank Marshall, David Minkowski, Matthew Stillman, Andrew R. Tennenbaum +Screenwriters: Tony Gilroy, W. Blake Herron, Robert Ludlum + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/PeGDBR0Ej_0.en.srt b/2002/PeGDBR0Ej_0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..b9f7cb286ab66b0f574ff79de434f35ccdd331d0 --- /dev/null +++ b/2002/PeGDBR0Ej_0.en.srt @@ -0,0 +1,245 @@ +1 +00:00:00,240 --> 00:00:10,230 + +a + +2 +00:00:10,230 --> 00:00:10,240 + + + +3 +00:00:10,240 --> 00:00:25,860 + +[Music] + +4 +00:00:25,860 --> 00:00:25,870 + + + +5 +00:00:25,870 --> 00:00:32,870 + +[Music] + +6 +00:00:32,870 --> 00:00:32,880 + + + +7 +00:00:32,880 --> 00:00:52,220 + +he + +8 +00:00:52,220 --> 00:00:52,230 + + + +9 +00:00:52,230 --> 00:01:19,550 + +[Music] + +10 +00:01:19,550 --> 00:01:19,560 + + + +11 +00:01:19,560 --> 00:02:03,149 + +it + +12 +00:02:03,149 --> 00:02:03,159 + + + +13 +00:02:03,159 --> 00:02:07,309 + +what the hell are you doing to + +14 +00:02:07,309 --> 00:02:07,319 + + + +15 +00:02:07,319 --> 00:02:10,229 + +me what are you + +16 +00:02:10,229 --> 00:02:10,239 +me what are you + + +17 +00:02:10,239 --> 00:02:14,350 +me what are you +doing God damn it where am I found a + +18 +00:02:14,350 --> 00:02:14,360 +doing God damn it where am I found a + + +19 +00:02:14,360 --> 00:02:16,509 +doing God damn it where am I found a +fishing you were in the water we pull + +20 +00:02:16,509 --> 00:02:16,519 +fishing you were in the water we pull + + +21 +00:02:16,519 --> 00:02:20,150 +fishing you were in the water we pull +you up what water you are sh see there + +22 +00:02:20,150 --> 00:02:20,160 +you up what water you are sh see there + + +23 +00:02:20,160 --> 00:02:22,630 +you up what water you are sh see there +the + +24 +00:02:22,630 --> 00:02:22,640 + + + +25 +00:02:22,640 --> 00:02:24,869 + +bullets look there is a number for a + +26 +00:02:24,869 --> 00:02:24,879 +bullets look there is a number for a + + +27 +00:02:24,879 --> 00:02:27,790 +bullets look there is a number for a +bank why was it in your + +28 +00:02:27,790 --> 00:02:27,800 +bank why was it in your + + +29 +00:02:27,800 --> 00:02:31,550 +bank why was it in your +hip why was it in your hip yeah you this + +30 +00:02:31,550 --> 00:02:31,560 +hip why was it in your hip yeah you this + + +31 +00:02:31,560 --> 00:02:33,830 +hip why was it in your hip yeah you this +game oh + +32 +00:02:33,830 --> 00:02:33,840 +game oh + + +33 +00:02:33,840 --> 00:02:37,990 +game oh +God you need to rest wait please slow + +34 +00:02:37,990 --> 00:02:38,000 +God you need to rest wait please slow + + +35 +00:02:38,000 --> 00:02:41,869 +God you need to rest wait please slow +down I'm a friend I'm your + +36 +00:02:41,869 --> 00:02:41,879 +down I'm a friend I'm your + + +37 +00:02:41,879 --> 00:02:44,470 +down I'm a friend I'm your +friend my name is John + +38 +00:02:44,470 --> 00:02:44,480 +friend my name is John + + +39 +00:02:44,480 --> 00:02:47,149 +friend my name is John +Carlo who are + +40 +00:02:47,149 --> 00:02:47,159 +Carlo who are + + +41 +00:02:47,159 --> 00:02:49,390 +Carlo who are +you what's your + +42 +00:02:49,390 --> 00:02:49,400 +you what's your + + +43 +00:02:49,400 --> 00:02:51,430 +you what's your +name what's your + +44 +00:02:51,430 --> 00:02:51,440 +name what's your + + +45 +00:02:51,440 --> 00:02:54,830 +name what's your +name I don't + +46 +00:02:54,830 --> 00:02:54,840 + + + +47 +00:02:54,840 --> 00:02:59,480 + +know oh God + +48 +00:02:59,480 --> 00:02:59,490 + + + +49 +00:02:59,490 --> 00:03:30,549 + +[Music] + diff --git a/2002/Pf4RjsdJE0I.en.srt b/2002/Pf4RjsdJE0I.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..19f3fa2ee754115199d6d72f5091c434a1fd71ce --- /dev/null +++ b/2002/Pf4RjsdJE0I.en.srt @@ -0,0 +1,345 @@ +1 +00:00:02,480 --> 00:00:04,190 + +yum yum + +2 +00:00:04,190 --> 00:00:04,200 +yum yum + + +3 +00:00:04,200 --> 00:00:10,200 +yum yum +you yo + +4 +00:00:10,200 --> 00:00:10,210 + + + +5 +00:00:10,210 --> 00:00:19,530 + +[Music] + +6 +00:00:19,530 --> 00:00:19,540 + + + +7 +00:00:19,540 --> 00:00:27,200 + +[Music] + +8 +00:00:27,200 --> 00:00:27,210 + + + +9 +00:00:27,210 --> 00:00:29,860 + +[Music] + +10 +00:00:29,860 --> 00:00:29,870 +[Music] + + +11 +00:00:29,870 --> 00:00:47,299 +[Music] +you can use a little sunlight that's one + +12 +00:00:47,299 --> 00:00:47,309 +you can use a little sunlight that's one + + +13 +00:00:47,309 --> 00:00:49,790 +you can use a little sunlight that's one +part of the mystery solved the creatures + +14 +00:00:49,790 --> 00:00:49,800 +part of the mystery solved the creatures + + +15 +00:00:49,800 --> 00:00:51,920 +part of the mystery solved the creatures +must need our bodies to survive in + +16 +00:00:51,920 --> 00:00:51,930 +must need our bodies to survive in + + +17 +00:00:51,930 --> 00:00:59,140 +must need our bodies to survive in +sunlight like a human suit SPF 1 million + +18 +00:00:59,140 --> 00:00:59,150 +sunlight like a human suit SPF 1 million + + +19 +00:00:59,150 --> 00:01:01,369 +sunlight like a human suit SPF 1 million +what are they doing here in the first + +20 +00:01:01,369 --> 00:01:01,379 +what are they doing here in the first + + +21 +00:01:01,379 --> 00:01:04,760 +what are they doing here in the first +place + +22 +00:01:04,760 --> 00:01:04,770 + + + +23 +00:01:04,770 --> 00:01:09,690 + +Daphne you okay yeah + +24 +00:01:09,690 --> 00:01:09,700 +Daphne you okay yeah + + +25 +00:01:09,700 --> 00:01:14,990 +Daphne you okay yeah +but I'm not Daphne + +26 +00:01:14,990 --> 00:01:15,000 + + + +27 +00:01:15,000 --> 00:01:19,600 + +[Music] + +28 +00:01:19,600 --> 00:01:19,610 + + + +29 +00:01:19,610 --> 00:01:22,249 + +to my body I didn't know where else to + +30 +00:01:22,249 --> 00:01:22,259 +to my body I didn't know where else to + + +31 +00:01:22,259 --> 00:01:25,069 +to my body I didn't know where else to +go I grant it it's not easy to steer + +32 +00:01:25,069 --> 00:01:25,079 +go I grant it it's not easy to steer + + +33 +00:01:25,079 --> 00:01:31,669 +go I grant it it's not easy to steer +when your pure spirit hey I can look at + +34 +00:01:31,669 --> 00:01:31,679 +when your pure spirit hey I can look at + + +35 +00:01:31,679 --> 00:01:39,320 +when your pure spirit hey I can look at +myself naked + +36 +00:01:39,320 --> 00:01:39,330 + + + +37 +00:01:39,330 --> 00:01:43,289 + +[Music] + +38 +00:01:43,289 --> 00:01:43,299 + + + +39 +00:01:43,299 --> 00:01:47,069 + +get your hands off me ask me he planned + +40 +00:01:47,069 --> 00:01:47,079 +get your hands off me ask me he planned + + +41 +00:01:47,079 --> 00:01:51,679 +get your hands off me ask me he planned +this somehow didn't he + +42 +00:01:51,679 --> 00:01:51,689 + + + +43 +00:01:51,689 --> 00:01:56,010 + +Fred egocentric please tell me you guys + +44 +00:01:56,010 --> 00:01:56,020 +Fred egocentric please tell me you guys + + +45 +00:01:56,020 --> 00:01:58,109 +Fred egocentric please tell me you guys +are you read keep touching me + +46 +00:01:58,109 --> 00:01:58,119 +are you read keep touching me + + +47 +00:01:58,119 --> 00:01:59,760 +are you read keep touching me +kinda makes you nostalgic for the + +48 +00:01:59,760 --> 00:01:59,770 +kinda makes you nostalgic for the + + +49 +00:01:59,770 --> 00:02:13,140 +kinda makes you nostalgic for the +homicidal creatures doesn't it hey I'm + +50 +00:02:13,140 --> 00:02:13,150 +homicidal creatures doesn't it hey I'm + + +51 +00:02:13,150 --> 00:02:20,610 +homicidal creatures doesn't it hey I'm +meeting again yippee for you everyone + +52 +00:02:20,610 --> 00:02:20,620 +meeting again yippee for you everyone + + +53 +00:02:20,620 --> 00:02:24,360 +meeting again yippee for you everyone +remain calm Velma the heck's going on if + +54 +00:02:24,360 --> 00:02:24,370 +remain calm Velma the heck's going on if + + +55 +00:02:24,370 --> 00:02:26,699 +remain calm Velma the heck's going on if +my calculations are correct due to the + +56 +00:02:26,699 --> 00:02:26,709 +my calculations are correct due to the + + +57 +00:02:26,709 --> 00:02:28,920 +my calculations are correct due to the +fragile nature of unstable protoplasm in + +58 +00:02:28,920 --> 00:02:28,930 +fragile nature of unstable protoplasm in + + +59 +00:02:28,930 --> 00:02:30,270 +fragile nature of unstable protoplasm in +the proximity of the Damon Wright is + +60 +00:02:30,270 --> 00:02:30,280 +the proximity of the Damon Wright is + + +61 +00:02:30,280 --> 00:02:32,400 +the proximity of the Damon Wright is +simply going to continue randomly + +62 +00:02:32,400 --> 00:02:32,410 +simply going to continue randomly + + +63 +00:02:32,410 --> 00:02:39,300 +simply going to continue randomly +changing bodies until until the + +64 +00:02:39,300 --> 00:02:39,310 +changing bodies until until the + + +65 +00:02:39,310 --> 00:02:41,460 +changing bodies until until the +protoplasm realigns with the appropriate + +66 +00:02:41,460 --> 00:02:41,470 +protoplasm realigns with the appropriate + + +67 +00:02:41,470 --> 00:03:01,320 +protoplasm realigns with the appropriate +bodies I'm Fred again oh I'm back + +68 +00:03:01,320 --> 00:03:01,330 + + + +69 +00:03:01,330 --> 00:03:30,550 + +[Music] + diff --git a/2002/PrpeARyTcx8.description b/2002/PrpeARyTcx8.description new file mode 100644 index 0000000000000000000000000000000000000000..b2551559d0b6178c35d56c86bed6130258fd1a66 --- /dev/null +++ b/2002/PrpeARyTcx8.description @@ -0,0 +1,38 @@ +Confessions of a Dangerous Mind movie clips: http://j.mp/1CNfB7s +BUY THE MOVIE: http://amzn.to/rIkFap +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +On the edge of sanity, Chuck (Sam Rockwell) hosts an episode of "The Gong Show" battling fatigue, and extreme paranoia. + +FILM DESCRIPTION: +Chuck Barris is best known to most Americans as the guy who used to host The Gong Show. He was also the creator and producer of The Dating Game, The Newlywed Game, and a handful of other successful game shows in the 1960s and 1970s. But was he also a hired killer working with the CIA? That's the take-it-or-leave-it premise of Confessions of a Dangerous Mind, based on the memoir of the same name by Chuck Barris. Barris (Sam Rockwell) grows up dreaming of success in show biz and winning the hearts of beautiful women, but early on, he meets with plenty of resistance from both women and the television industry, despite writing the hit tune "Palisades Park" and scoring a job with Dick Clark on American Bandstand. The 1960s proves more fortunate for Barris; he meets the love of his life, Penny (Drew Barrymore), and sells ABC on the idea of The Dating Game. However, after the show has made him wealthy and successful, Barris is approached by the mysterious Jim Byrd (George Clooney), a CIA agent who wants to recruit Barris as a covert operative. Barris finds the notion of playing spy games intriguing and agrees, but soon discovers what Byrd and his partners really want is for Barris to assassinate uncooperative figures around the world. Soon, Barris finds that his life has been all but taken over by Byrd and another CIA agent, the mysterious and sexy Patricia (Julia Roberts). As he hops the globe, killing people in the name of American security (using his status as a Dating Game chaperone as a cover), Barris learns that the KGB has discovered his not-so-little secret and that his own life is in great danger. Confessions of a Dangerous Mind marked the directorial debut of actor George Clooney, working from a screenplay adapted by Charlie Kaufman from Barris' book. Dick Clark, Dating Game host Jim Lange, frequent Gong Show panelist Jaye P. Morgan, and Gene Gene Patton appear as themselves. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Sam Rockwell, Joe Cobden +Director: George Clooney +Producers: Amy Minda Cohen, Stephen Evans, Jonathan Gordon, Gym Hinderer, Andrew Lazar, Rand Ravich, Far Shariat, Steven Soderbergh, Jeffrey Sudzin, Bob Weinstein, Harvey Weinstein +Screenwriters: Chuck Barris, Charlie Kaufman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/PrpeARyTcx8.en.srt b/2002/PrpeARyTcx8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..6b7948af544ef468e856e2a8f2724992fe9883bd --- /dev/null +++ b/2002/PrpeARyTcx8.en.srt @@ -0,0 +1,305 @@ +1 +00:00:01,110 --> 00:00:19,600 + +[Music] + +2 +00:00:19,600 --> 00:00:19,610 + + + +3 +00:00:19,610 --> 00:00:23,680 + +[Laughter] + +4 +00:00:23,680 --> 00:00:23,690 +[Laughter] + + +5 +00:00:23,690 --> 00:00:26,040 +[Laughter] +[Music] + +6 +00:00:26,040 --> 00:00:26,050 +[Music] + + +7 +00:00:26,050 --> 00:00:29,270 +[Music] +[Laughter] + +8 +00:00:29,270 --> 00:00:29,280 +[Laughter] + + +9 +00:00:29,280 --> 00:00:44,270 +[Laughter] +[Music] + +10 +00:00:44,270 --> 00:00:44,280 + + + +11 +00:00:44,280 --> 00:00:46,630 + +hey Chuck are you hey take it off huh + +12 +00:00:46,630 --> 00:00:46,640 +hey Chuck are you hey take it off huh + + +13 +00:00:46,640 --> 00:00:48,790 +hey Chuck are you hey take it off huh +who are you what's your name what's your + +14 +00:00:48,790 --> 00:00:48,800 +who are you what's your name what's your + + +15 +00:00:48,800 --> 00:00:52,510 +who are you what's your name what's your +name + +16 +00:00:52,510 --> 00:00:52,520 + + + +17 +00:00:52,520 --> 00:01:00,670 + +[Music] + +18 +00:01:00,670 --> 00:01:00,680 +[Music] + + +19 +00:01:00,680 --> 00:01:05,310 +[Music] +well that's the way it go t off the + +20 +00:01:05,310 --> 00:01:05,320 +well that's the way it go t off the + + +21 +00:01:05,320 --> 00:01:09,109 +well that's the way it go t off the +stage off the stage go back to Scotland + +22 +00:01:09,109 --> 00:01:09,119 +stage off the stage go back to Scotland + + +23 +00:01:09,119 --> 00:01:12,670 +stage off the stage go back to Scotland +get yourself get us some Lucky Charms + +24 +00:01:12,670 --> 00:01:12,680 +get yourself get us some Lucky Charms + + +25 +00:01:12,680 --> 00:01:13,510 +get yourself get us some Lucky Charms +all + +26 +00:01:13,510 --> 00:01:13,520 +all + + +27 +00:01:13,520 --> 00:01:17,469 +all +right ladies and gentlemen the prin of + +28 +00:01:17,469 --> 00:01:17,479 +right ladies and gentlemen the prin of + + +29 +00:01:17,479 --> 00:01:20,670 +right ladies and gentlemen the prin of +pun the wizard of + +30 +00:01:20,670 --> 00:01:20,680 +pun the wizard of + + +31 +00:01:20,680 --> 00:01:25,670 +pun the wizard of +Whoopi the unknown K hey Chucky baby hey + +32 +00:01:25,670 --> 00:01:25,680 +Whoopi the unknown K hey Chucky baby hey + + +33 +00:01:25,680 --> 00:01:27,830 +Whoopi the unknown K hey Chucky baby hey +Chucky baby hey Chucky baby I got a joke + +34 +00:01:27,830 --> 00:01:27,840 +Chucky baby hey Chucky baby I got a joke + + +35 +00:01:27,840 --> 00:01:29,670 +Chucky baby hey Chucky baby I got a joke +for you Chucky baby a joke a joke what's + +36 +00:01:29,670 --> 00:01:29,680 +for you Chucky baby a joke a joke what's + + +37 +00:01:29,680 --> 00:01:31,270 +for you Chucky baby a joke a joke what's +it difference between toilet paper and a + +38 +00:01:31,270 --> 00:01:31,280 +it difference between toilet paper and a + + +39 +00:01:31,280 --> 00:01:34,749 +it difference between toilet paper and a +shower curtain what here's the guy get + +40 +00:01:34,749 --> 00:01:34,759 +shower curtain what here's the guy get + + +41 +00:01:34,759 --> 00:01:36,749 +shower curtain what here's the guy get +off the stage get off the stage no it's + +42 +00:01:36,749 --> 00:01:36,759 +off the stage get off the stage no it's + + +43 +00:01:36,759 --> 00:01:38,350 +off the stage get off the stage no it's +my dream get off the + +44 +00:01:38,350 --> 00:01:38,360 +my dream get off the + + +45 +00:01:38,360 --> 00:01:42,190 +my dream get off the +stage you're crazy + +46 +00:01:42,190 --> 00:01:42,200 +stage you're crazy + + +47 +00:01:42,200 --> 00:01:45,149 +stage you're crazy +man ladies and + +48 +00:01:45,149 --> 00:01:45,159 +man ladies and + + +49 +00:01:45,159 --> 00:01:48,230 +man ladies and +gentlemen our next + +50 +00:01:48,230 --> 00:01:48,240 +gentlemen our next + + +51 +00:01:48,240 --> 00:01:52,630 +gentlemen our next +deck first + +52 +00:01:52,630 --> 00:01:52,640 + + + +53 +00:01:52,640 --> 00:01:57,910 + +came to us all the + +54 +00:01:57,910 --> 00:01:57,920 + + + +55 +00:01:57,920 --> 00:02:01,510 + +way um + +56 +00:02:01,510 --> 00:02:01,520 +way um + + +57 +00:02:01,520 --> 00:02:06,190 +way um +going crazy on Coast to + +58 +00:02:06,190 --> 00:02:06,200 + + + +59 +00:02:06,200 --> 00:02:08,430 + +Coast come on + +60 +00:02:08,430 --> 00:02:08,440 +Coast come on + + +61 +00:02:08,440 --> 00:02:39,479 +Coast come on +[Music] + diff --git a/2002/Q-MVoUlU-OY.en.srt b/2002/Q-MVoUlU-OY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..027558d925dca378167d7b3f47f05931ad747df3 --- /dev/null +++ b/2002/Q-MVoUlU-OY.en.srt @@ -0,0 +1,395 @@ +1 +00:00:01,560 --> 00:00:06,269 + +hello hi is opilia there ailia who + +2 +00:00:06,269 --> 00:00:06,279 +hello hi is opilia there ailia who + + +3 +00:00:06,279 --> 00:00:10,390 +hello hi is opilia there ailia who +opilia heiney I'll feel my + +4 +00:00:10,390 --> 00:00:10,400 +opilia heiney I'll feel my + + +5 +00:00:10,400 --> 00:00:13,749 +opilia heiney I'll feel my +honey you hope I'm going to bring my wig + +6 +00:00:13,749 --> 00:00:13,759 +honey you hope I'm going to bring my wig + + +7 +00:00:13,759 --> 00:00:23,589 +honey you hope I'm going to bring my wig +back I know it was + +8 +00:00:23,589 --> 00:00:23,599 + + + +9 +00:00:23,599 --> 00:00:27,589 + +you + +10 +00:00:27,589 --> 00:00:27,599 + + + +11 +00:00:27,599 --> 00:00:31,990 + +huh it's a home of and rivalry take + +12 +00:00:31,990 --> 00:00:32,000 +huh it's a home of and rivalry take + + +13 +00:00:32,000 --> 00:00:35,110 +huh it's a home of and rivalry take +whatever you want but please don't chop + +14 +00:00:35,110 --> 00:00:35,120 +whatever you want but please don't chop + + +15 +00:00:35,120 --> 00:00:39,389 +whatever you want but please don't chop +my legs off it's okay Elenor it's okay + +16 +00:00:39,389 --> 00:00:39,399 +my legs off it's okay Elenor it's okay + + +17 +00:00:39,399 --> 00:00:42,110 +my legs off it's okay Elenor it's okay +WHYY thank God you're here we're being + +18 +00:00:42,110 --> 00:00:42,120 +WHYY thank God you're here we're being + + +19 +00:00:42,120 --> 00:00:44,950 +WHYY thank God you're here we're being +robbed by a lunatic Mister if you're + +20 +00:00:44,950 --> 00:00:44,960 +robbed by a lunatic Mister if you're + + +21 +00:00:44,960 --> 00:00:47,470 +robbed by a lunatic Mister if you're +going to kill us take off your wet shoes + +22 +00:00:47,470 --> 00:00:47,480 +going to kill us take off your wet shoes + + +23 +00:00:47,480 --> 00:00:50,189 +going to kill us take off your wet shoes +they soaking the + +24 +00:00:50,189 --> 00:00:50,199 +they soaking the + + +25 +00:00:50,199 --> 00:00:53,510 +they soaking the +carpet Elanor that's daav Stone my new + +26 +00:00:53,510 --> 00:00:53,520 +carpet Elanor that's daav Stone my new + + +27 +00:00:53,520 --> 00:00:56,630 +carpet Elanor that's daav Stone my new +partner the criminal did he force you to + +28 +00:00:56,630 --> 00:00:56,640 +partner the criminal did he force you to + + +29 +00:00:56,640 --> 00:01:00,869 +partner the criminal did he force you to +bring him here so he could molest you h + +30 +00:01:00,869 --> 00:01:00,879 +bring him here so he could molest you h + + +31 +00:01:00,879 --> 00:01:03,189 +bring him here so he could molest you h +his home just went up in Flames so I + +32 +00:01:03,189 --> 00:01:03,199 +his home just went up in Flames so I + + +33 +00:01:03,199 --> 00:01:09,429 +his home just went up in Flames so I +invited him to stay with us for a + +34 +00:01:09,429 --> 00:01:09,439 + + + +35 +00:01:09,439 --> 00:01:13,469 + +while okay but I'm making an inventory + +36 +00:01:13,469 --> 00:01:13,479 +while okay but I'm making an inventory + + +37 +00:01:13,479 --> 00:01:16,630 +while okay but I'm making an inventory +of every single item in this house + +38 +00:01:16,630 --> 00:01:16,640 +of every single item in this house + + +39 +00:01:16,640 --> 00:01:19,630 +of every single item in this house +fascinating look he already stole + +40 +00:01:19,630 --> 00:01:19,640 +fascinating look he already stole + + +41 +00:01:19,640 --> 00:01:22,830 +fascinating look he already stole +something he's hiding it in his jacket I + +42 +00:01:22,830 --> 00:01:22,840 +something he's hiding it in his jacket I + + +43 +00:01:22,840 --> 00:01:25,149 +something he's hiding it in his jacket I +didn't steal this it's a card my parents + +44 +00:01:25,149 --> 00:01:25,159 +didn't steal this it's a card my parents + + +45 +00:01:25,159 --> 00:01:27,749 +didn't steal this it's a card my parents +gave me so why don't you go stay with + +46 +00:01:27,749 --> 00:01:27,759 +gave me so why don't you go stay with + + +47 +00:01:27,759 --> 00:01:31,429 +gave me so why don't you go stay with +them they died my my + +48 +00:01:31,429 --> 00:01:31,439 +them they died my my + + +49 +00:01:31,439 --> 00:01:34,069 +them they died my my +bad here's the you guys for letting me + +50 +00:01:34,069 --> 00:01:34,079 +bad here's the you guys for letting me + + +51 +00:01:34,079 --> 00:01:35,590 +bad here's the you guys for letting me +crash + +52 +00:01:35,590 --> 00:01:35,600 +crash + + +53 +00:01:35,600 --> 00:01:39,550 +crash +over oh alcohol in our house this is + +54 +00:01:39,550 --> 00:01:39,560 +over oh alcohol in our house this is + + +55 +00:01:39,560 --> 00:01:42,109 +over oh alcohol in our house this is +never going to work it'll work we just + +56 +00:01:42,109 --> 00:01:42,119 +never going to work it'll work we just + + +57 +00:01:42,119 --> 00:01:44,149 +never going to work it'll work we just +need to set some ground rules so bavy + +58 +00:01:44,149 --> 00:01:44,159 +need to set some ground rules so bavy + + +59 +00:01:44,159 --> 00:01:46,990 +need to set some ground rules so bavy +knows how we do things around here I'm + +60 +00:01:46,990 --> 00:01:47,000 +knows how we do things around here I'm + + +61 +00:01:47,000 --> 00:01:49,709 +knows how we do things around here I'm +scared look you got to understand it's + +62 +00:01:49,709 --> 00:01:49,719 +scared look you got to understand it's + + +63 +00:01:49,719 --> 00:01:52,749 +scared look you got to understand it's +just been me and Elanor for 67 years so + +64 +00:01:52,749 --> 00:01:52,759 +just been me and Elanor for 67 years so + + +65 +00:01:52,759 --> 00:01:55,230 +just been me and Elanor for 67 years so +she gets nervous around strangers I + +66 +00:01:55,230 --> 00:01:55,240 +she gets nervous around strangers I + + +67 +00:01:55,240 --> 00:01:56,870 +she gets nervous around strangers I +wouldn't show that picture to anyone or + +68 +00:01:56,870 --> 00:01:56,880 +wouldn't show that picture to anyone or + + +69 +00:01:56,880 --> 00:01:58,469 +wouldn't show that picture to anyone or +they might try to take you two guys back + +70 +00:01:58,469 --> 00:01:58,479 +they might try to take you two guys back + + +71 +00:01:58,479 --> 00:02:00,469 +they might try to take you two guys back +to the laboratory + +72 +00:02:00,469 --> 00:02:00,479 +to the laboratory + + +73 +00:02:00,479 --> 00:02:02,870 +to the laboratory +listen we got rules in this house and + +74 +00:02:02,870 --> 00:02:02,880 +listen we got rules in this house and + + +75 +00:02:02,880 --> 00:02:04,950 +listen we got rules in this house and +you better follow them or you'll find + +76 +00:02:04,950 --> 00:02:04,960 +you better follow them or you'll find + + +77 +00:02:04,960 --> 00:02:10,390 +you better follow them or you'll find +yourself out of here + +78 +00:02:10,390 --> 00:02:10,400 + + + +79 +00:02:10,400 --> 00:02:37,490 + +[Music] + diff --git a/2002/QAO6uTkGpjM.en.srt b/2002/QAO6uTkGpjM.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..af65f9d570b025884681d9711a900512b37598b0 --- /dev/null +++ b/2002/QAO6uTkGpjM.en.srt @@ -0,0 +1,235 @@ +1 +00:00:00,620 --> 00:00:02,020 + +[Music] + +2 +00:00:02,020 --> 00:00:02,030 +[Music] + + +3 +00:00:02,030 --> 00:00:11,419 +[Music] +drop it do it now come show your son is + +4 +00:00:11,419 --> 00:00:11,429 +drop it do it now come show your son is + + +5 +00:00:11,429 --> 00:00:15,910 +drop it do it now come show your son is +about to change then your wife + +6 +00:00:15,910 --> 00:00:15,920 +about to change then your wife + + +7 +00:00:15,920 --> 00:00:23,550 +about to change then your wife +you can watch then I'll take care of you + +8 +00:00:23,550 --> 00:00:23,560 + + + +9 +00:00:23,560 --> 00:00:28,720 + +look at you I've never seen a child as + +10 +00:00:28,720 --> 00:00:28,730 +look at you I've never seen a child as + + +11 +00:00:28,730 --> 00:00:31,570 +look at you I've never seen a child as +disgusting as you you pissed your pants + +12 +00:00:31,570 --> 00:00:31,580 +disgusting as you you pissed your pants + + +13 +00:00:31,580 --> 00:00:36,610 +disgusting as you you pissed your pants +how dare you you dirty little beast + +14 +00:00:36,610 --> 00:00:36,620 +how dare you you dirty little beast + + +15 +00:00:36,620 --> 00:00:39,250 +how dare you you dirty little beast +you want me to cut it off is that what + +16 +00:00:39,250 --> 00:00:39,260 +you want me to cut it off is that what + + +17 +00:00:39,260 --> 00:00:40,750 +you want me to cut it off is that what +you want me to do you little freak you + +18 +00:00:40,750 --> 00:00:40,760 +you want me to do you little freak you + + +19 +00:00:40,760 --> 00:00:44,049 +you want me to do you little freak you +want me to cut it off do you don't quiet + +20 +00:00:44,049 --> 00:00:44,059 +want me to cut it off do you don't quiet + + +21 +00:00:44,059 --> 00:00:48,130 +want me to cut it off do you don't quiet +me you little apologize say I'm + +22 +00:00:48,130 --> 00:00:48,140 +me you little apologize say I'm + + +23 +00:00:48,140 --> 00:00:50,950 +me you little apologize say I'm +sorry daddy I'm a dirty little beast + +24 +00:00:50,950 --> 00:00:50,960 +sorry daddy I'm a dirty little beast + + +25 +00:00:50,960 --> 00:00:56,290 +sorry daddy I'm a dirty little beast +I'm afraid say it no dad yeah say it or + +26 +00:00:56,290 --> 00:00:56,300 +I'm afraid say it no dad yeah say it or + + +27 +00:00:56,300 --> 00:00:59,020 +I'm afraid say it no dad yeah say it or +I will cut it off I'm a dirty little + +28 +00:00:59,020 --> 00:00:59,030 +I will cut it off I'm a dirty little + + +29 +00:00:59,030 --> 00:01:03,610 +I will cut it off I'm a dirty little +beast freak harelip and no one will ever + +30 +00:01:03,610 --> 00:01:03,620 +beast freak harelip and no one will ever + + +31 +00:01:03,620 --> 00:01:06,290 +beast freak harelip and no one will ever +love me + +32 +00:01:06,290 --> 00:01:06,300 + + + +33 +00:01:06,300 --> 00:01:18,050 + +[Music] + +34 +00:01:18,050 --> 00:01:18,060 + + + +35 +00:01:18,060 --> 00:01:20,149 + +[Music] + +36 +00:01:20,149 --> 00:01:20,159 +[Music] + + +37 +00:01:20,159 --> 00:01:43,990 +[Music] +okay + +38 +00:01:43,990 --> 00:01:44,000 + + + +39 +00:01:44,000 --> 00:01:54,810 + +[Applause] + +40 +00:01:54,810 --> 00:01:54,820 + + + +41 +00:01:54,820 --> 00:02:03,750 + +[Music] + +42 +00:02:03,750 --> 00:02:03,760 + + + +43 +00:02:03,760 --> 00:02:29,820 + +[Music] + +44 +00:02:29,820 --> 00:02:29,830 + + + +45 +00:02:29,830 --> 00:02:36,270 + +[Music] + +46 +00:02:36,270 --> 00:02:36,280 + + + +47 +00:02:36,280 --> 00:03:13,349 + +[Music] + diff --git a/2002/QDNELnksfnw.ar.srt b/2002/QDNELnksfnw.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..771ae724dca5a12e3c9eadb07005e7b958e15691 --- /dev/null +++ b/2002/QDNELnksfnw.ar.srt @@ -0,0 +1,504 @@ +1 +00:00:01,839 --> 00:00:03,909 + +إنها تحاول فقط وضع علامة على + +2 +00:00:03,909 --> 00:00:03,919 +إنها تحاول فقط وضع علامة على + + +3 +00:00:03,919 --> 00:00:06,510 +إنها تحاول فقط وضع علامة على +وجه ستيو أعلم أنك عزيزتي أنت + +4 +00:00:06,510 --> 00:00:06,520 +وجه ستيو أعلم أنك عزيزتي أنت + + +5 +00:00:06,520 --> 00:00:08,910 +وجه ستيو أعلم أنك عزيزتي أنت +ثعبان جميل أنت + +6 +00:00:08,910 --> 00:00:08,920 +ثعبان جميل أنت + + +7 +00:00:08,920 --> 00:00:10,870 +ثعبان جميل أنت +رائع للغاية لقد بدأ في تسطيح + +8 +00:00:10,870 --> 00:00:10,880 +رائع للغاية لقد بدأ في تسطيح + + +9 +00:00:10,880 --> 00:00:12,789 +رائع للغاية لقد بدأ في تسطيح +حلقه الآن لذا فقد بدأ للتو في أن + +10 +00:00:12,789 --> 00:00:12,799 +حلقه الآن لذا فقد بدأ للتو في أن + + +11 +00:00:12,799 --> 00:00:15,590 +حلقه الآن لذا فقد بدأ للتو في أن +يصبح عدوانيًا قليلاً من من من + +12 +00:00:15,590 --> 00:00:15,600 +يصبح عدوانيًا قليلاً من من من + + +13 +00:00:15,600 --> 00:00:17,950 +يصبح عدوانيًا قليلاً من من من +حسنًا هي هي هي هي هي هي هي هي واو واو واو + +14 +00:00:17,950 --> 00:00:17,960 +حسنًا هي هي هي هي هي هي هي هي واو واو واو + + +15 +00:00:17,960 --> 00:00:19,590 +حسنًا هي هي هي هي هي هي هي هي واو واو واو +أنت بخير يا صديقي هي هي اهدأ اهدأ انظر إنها + +16 +00:00:19,590 --> 00:00:21,550 +أنت بخير يا صديقي هي هي اهدأ اهدأ انظر إنها + + +17 +00:00:21,550 --> 00:00:21,560 + + + +18 +00:00:21,560 --> 00:00:24,230 + +تعود إليّ بسرعة كبيرة + +19 +00:00:24,230 --> 00:00:24,240 +تعود إليّ بسرعة كبيرة + + +20 +00:00:24,240 --> 00:00:26,790 +تعود إليّ بسرعة كبيرة +يبدو أن هذه الثعابين تعرف سمية + +21 +00:00:26,790 --> 00:00:26,800 +يبدو أن هذه الثعابين تعرف سمية + + +22 +00:00:26,800 --> 00:00:28,310 +يبدو أن هذه الثعابين تعرف سمية +سمومها يمكنك أن تراها تتأرجح إنها + +23 +00:00:28,310 --> 00:00:28,320 +سمومها يمكنك أن تراها تتأرجح إنها + + +24 +00:00:28,320 --> 00:00:30,269 +سمومها يمكنك أن تراها تتأرجح إنها +مضطربة بعد ذلك تبدأ في + +25 +00:00:30,269 --> 00:00:30,279 +مضطربة بعد ذلك تبدأ في + + +26 +00:00:30,279 --> 00:00:32,830 +مضطربة بعد ذلك تبدأ في +الانتفاخ تلك اللسان السريع الذي + +27 +00:00:32,830 --> 00:00:32,840 +الانتفاخ تلك اللسان السريع الذي + + +28 +00:00:32,840 --> 00:00:35,190 +الانتفاخ تلك اللسان السريع الذي +ينزعج لا شك في ذلك + +29 +00:00:35,190 --> 00:00:35,200 +ينزعج لا شك في ذلك + + +30 +00:00:35,200 --> 00:00:37,510 +ينزعج لا شك في ذلك +سيضربني بأنيابه في أي + +31 +00:00:37,510 --> 00:00:37,520 +سيضربني بأنيابه في أي + + +32 +00:00:37,520 --> 00:00:39,430 +سيضربني بأنيابه في أي +لحظة انظر كيف يستمر في اصطفافي + +33 +00:00:39,430 --> 00:00:39,440 +لحظة انظر كيف يستمر في اصطفافي + + +34 +00:00:39,440 --> 00:00:41,670 +لحظة انظر كيف يستمر في اصطفافي +إنه يصبح غاضبًا حقًا حقًا + +35 +00:00:41,670 --> 00:00:44,470 +إنه يصبح غاضبًا حقًا حقًا + + +36 +00:00:44,470 --> 00:00:44,480 + + + +37 +00:00:44,480 --> 00:00:47,229 + +ثعبان جميل أنت غاضب قليلاً الآن إنهم + +38 +00:00:47,229 --> 00:00:47,239 +ثعبان جميل أنت غاضب قليلاً الآن إنهم + + +39 +00:00:47,239 --> 00:00:49,110 +ثعبان جميل أنت غاضب قليلاً الآن إنهم +مثل الناس إنها تريد فقط + +40 +00:00:49,110 --> 00:00:49,120 +مثل الناس إنها تريد فقط + + +41 +00:00:49,120 --> 00:00:51,270 +مثل الناس إنها تريد فقط +الابتعاد عني يعتقد الكثير من الناس + +42 +00:00:51,270 --> 00:00:51,280 +الابتعاد عني يعتقد الكثير من الناس + + +43 +00:00:51,280 --> 00:00:53,950 +الابتعاد عني يعتقد الكثير من الناس +أن الثعابين وحوش شريرة قبيحة تتجول + +44 +00:00:53,950 --> 00:00:53,960 +أن الثعابين وحوش شريرة قبيحة تتجول + + +45 +00:00:53,960 --> 00:00:55,990 +أن الثعابين وحوش شريرة قبيحة تتجول +وتقتل الناس وتلك + +46 +00:00:55,990 --> 00:00:56,000 +وتقتل الناس وتلك + + +47 +00:00:56,000 --> 00:00:58,270 +وتقتل الناس وتلك +الأنياب تلك الأنياب إنها + +48 +00:00:58,270 --> 00:00:58,280 +الأنياب تلك الأنياب إنها + + +49 +00:00:58,280 --> 00:01:00,950 +الأنياب تلك الأنياب إنها +مثل الإبر تحت الجلد إبرتان مفرطتا السرعة + +50 +00:01:00,950 --> 00:01:00,960 +مثل الإبر تحت الجلد إبرتان مفرطتا السرعة + + +51 +00:01:00,960 --> 00:01:02,630 +مثل الإبر تحت الجلد إبرتان مفرطتا السرعة +تجلسان في مؤخرة + +52 +00:01:02,630 --> 00:01:02,640 +تجلسان في مؤخرة + + +53 +00:01:02,640 --> 00:01:04,509 +تجلسان في مؤخرة +رأسيهما مستعدتان + +54 +00:01:04,509 --> 00:01:04,519 +رأسيهما مستعدتان + + +55 +00:01:04,519 --> 00:01:08,149 +رأسيهما مستعدتان +لقول "أوه، مهلاً، مهلاً، اهدأي يا عزيزتي، + +56 +00:01:08,149 --> 00:01:08,159 +لقول "أوه، مهلاً، مهلاً، اهدأي يا عزيزتي، + + +57 +00:01:08,159 --> 00:01:10,550 +لقول "أوه، مهلاً، مهلاً، اهدأي يا عزيزتي، +كيف يكون ذلك بمثابة ضربة مباشرة نحوي؟ + +58 +00:01:10,550 --> 00:01:10,560 +كيف يكون ذلك بمثابة ضربة مباشرة نحوي؟ + + +59 +00:01:10,560 --> 00:01:12,670 +كيف يكون ذلك بمثابة ضربة مباشرة نحوي؟ +كيف تبدو هذه الذبابات في عينيّ؟ + +60 +00:01:12,670 --> 00:01:12,680 +كيف تبدو هذه الذبابات في عينيّ؟ + + +61 +00:01:12,680 --> 00:01:15,990 +كيف تبدو هذه الذبابات في عينيّ؟ +الجو جاف وحار جدًا هنا، + +62 +00:01:15,990 --> 00:01:16,000 +الجو جاف وحار جدًا هنا، + + +63 +00:01:16,000 --> 00:01:18,109 +الجو جاف وحار جدًا هنا، +الذباب يأتي إلى عينيّ + +64 +00:01:18,109 --> 00:01:18,119 +الذباب يأتي إلى عينيّ + + +65 +00:01:18,119 --> 00:01:21,030 +الذباب يأتي إلى عينيّ +ليشرب أي نوع من الرطوبة، يا إلهي، + +66 +00:01:21,030 --> 00:01:21,040 +ليشرب أي نوع من الرطوبة، يا إلهي، + + +67 +00:01:21,040 --> 00:01:23,429 +ليشرب أي نوع من الرطوبة، يا إلهي، +بدأت تهدأ الآن، انصرفي عني، انظري + +68 +00:01:23,429 --> 00:01:23,439 +بدأت تهدأ الآن، انصرفي عني، انظري + + +69 +00:01:23,439 --> 00:01:27,390 +بدأت تهدأ الآن، انصرفي عني، انظري +إلى هذه الجميلة والهادئة، انظري إليها، يا لها من + +70 +00:01:27,390 --> 00:01:27,400 +إلى هذه الجميلة والهادئة، انظري إليها، يا لها من + + +71 +00:01:27,400 --> 00:01:29,469 +إلى هذه الجميلة والهادئة، انظري إليها، يا لها من +جمال، سأسميها هي، لأنني + +72 +00:01:29,469 --> 00:01:29,479 +جمال، سأسميها هي، لأنني + + +73 +00:01:29,479 --> 00:01:31,710 +جمال، سأسميها هي، لأنني +أحبها، الآن تعرف أنني + +74 +00:01:31,710 --> 00:01:31,720 +أحبها، الآن تعرف أنني + + +75 +00:01:31,720 --> 00:01:35,069 +أحبها، الآن تعرف أنني +لا أقصد إيذاءها، يا لها من ثعبان جميل، كما + +76 +00:01:35,069 --> 00:01:35,079 +لا أقصد إيذاءها، يا لها من ثعبان جميل، كما + + +77 +00:01:35,079 --> 00:01:37,630 +لا أقصد إيذاءها، يا لها من ثعبان جميل، كما +تعلمين، أنا محترف، إذا رأيت + +78 +00:01:37,630 --> 00:01:37,640 +تعلمين، أنا محترف، إذا رأيت + + +79 +00:01:37,640 --> 00:01:40,870 +تعلمين، أنا محترف، إذا رأيت +ثعبانًا كهذا، فلا تعبثي به، + +80 +00:01:40,870 --> 00:01:40,880 +ثعبانًا كهذا، فلا تعبثي به، + + +81 +00:01:40,880 --> 00:01:44,429 +ثعبانًا كهذا، فلا تعبثي به، +وشيء واحد مؤكد، لا تحاولي القيام بذلك في + +82 +00:01:44,429 --> 00:01:44,439 +وشيء واحد مؤكد، لا تحاولي القيام بذلك في + + +83 +00:01:44,439 --> 00:01:47,270 +وشيء واحد مؤكد، لا تحاولي القيام بذلك في +المنزل، إنه خطير للغاية، يمكن أن يكون لدى هذا الثعبان ما + +84 +00:01:47,270 --> 00:01:47,280 +المنزل، إنه خطير للغاية، يمكن أن يكون لدى هذا الثعبان ما + + +85 +00:01:47,280 --> 00:01:49,590 +المنزل، إنه خطير للغاية، يمكن أن يكون لدى هذا الثعبان ما +يكفي من السم لقتلي أنا و100 + +86 +00:01:49,590 --> 00:01:49,600 +يكفي من السم لقتلي أنا و100 + + +87 +00:01:49,600 --> 00:01:52,469 +يكفي من السم لقتلي أنا و100 +آخرين من BLS هنا في الغرب، يا له من + +88 +00:01:52,469 --> 00:01:52,479 +آخرين من BLS هنا في الغرب، يا له من + + +89 +00:01:52,479 --> 00:01:55,749 +آخرين من BLS هنا في الغرب، يا له من +شرف أن أشارك الأرض، أشارك المساحة + +90 +00:01:55,749 --> 00:01:55,759 +شرف أن أشارك الأرض، أشارك المساحة + + +91 +00:01:55,759 --> 00:01:59,510 +شرف أن أشارك الأرض، أشارك المساحة +مع مثل هذا الحيوان الجميل، يا باخرة، + +92 +00:01:59,510 --> 00:01:59,520 +مع مثل هذا الحيوان الجميل، يا باخرة، + + +93 +00:01:59,520 --> 00:02:03,029 +مع مثل هذا الحيوان الجميل، يا باخرة، +يجب أن أخبرك أنني أفضل التعامل مع + +94 +00:02:03,029 --> 00:02:03,039 +يجب أن أخبرك أنني أفضل التعامل مع + + +95 +00:02:03,039 --> 00:02:06,550 +يجب أن أخبرك أنني أفضل التعامل مع +هذا الثعبان بدلاً من التعامل مع الكثير من الناس الذين أعرفهم، + +96 +00:02:06,550 --> 00:02:06,560 +هذا الثعبان بدلاً من التعامل مع الكثير من الناس الذين أعرفهم، + + +97 +00:02:06,560 --> 00:02:09,830 +هذا الثعبان بدلاً من التعامل مع الكثير من الناس الذين أعرفهم، +أعتقد أن الناس أكثر خطورة بكثير + +98 +00:02:09,830 --> 00:02:09,840 +أعتقد أن الناس أكثر خطورة بكثير + + +99 +00:02:09,840 --> 00:02:12,890 +أعتقد أن الناس أكثر خطورة بكثير + +100 +00:02:12,890 --> 00:02:12,900 + + + +101 +00:02:12,900 --> 00:02:44,479 + +[موسيقى] + diff --git a/2002/Qr9F2ij1jfI.ar.srt b/2002/Qr9F2ij1jfI.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..812a3a1d52297d1067c7b25df442a95a7a4df4b8 --- /dev/null +++ b/2002/Qr9F2ij1jfI.ar.srt @@ -0,0 +1,265 @@ +1 +00:00:02,360 --> 00:00:04,630 + +نحن نبحث عن التماسيح اللامعة التي تتعرض لكمين من الحيوانات + +2 +00:00:04,630 --> 00:00:04,640 +نحن نبحث عن التماسيح اللامعة التي تتعرض لكمين من الحيوانات + + +3 +00:00:04,640 --> 00:00:06,869 +نحن نبحث عن التماسيح اللامعة التي تتعرض لكمين من الحيوانات +المفترسة التي تعتمد على + +4 +00:00:06,869 --> 00:00:06,879 +المفترسة التي تعتمد على + + +5 +00:00:06,879 --> 00:00:09,070 +المفترسة التي تعتمد على +التمويه ولكن في دائرة الضوء + +6 +00:00:09,070 --> 00:00:09,080 +التمويه ولكن في دائرة الضوء + + +7 +00:00:09,080 --> 00:00:12,030 +التمويه ولكن في دائرة الضوء +تتألق عيونها باللون الأحمر الساطع مما يمكننا من + +8 +00:00:12,030 --> 00:00:12,040 +تتألق عيونها باللون الأحمر الساطع مما يمكننا من + + +9 +00:00:12,040 --> 00:00:18,470 +تتألق عيونها باللون الأحمر الساطع مما يمكننا من +التسلل إليها مباشرة + +10 +00:00:18,470 --> 00:00:18,480 + + + +11 +00:00:18,480 --> 00:00:21,070 + +حصلت عليها حصلت عليها يا حبيبي حافظ على + +12 +00:00:21,070 --> 00:00:21,080 +حصلت عليها حصلت عليها يا حبيبي حافظ على + + +13 +00:00:21,080 --> 00:00:22,310 +حصلت عليها حصلت عليها يا حبيبي حافظ على +رصدك لها + +14 +00:00:22,310 --> 00:00:22,320 +رصدك لها + + +15 +00:00:22,320 --> 00:00:39,670 +رصدك لها +تجول تجول + +16 +00:00:39,670 --> 00:00:39,680 + + + +17 +00:00:39,680 --> 00:00:41,310 + +هنا معركة قوة + +18 +00:00:41,310 --> 00:00:41,320 +هنا معركة قوة + + +19 +00:00:41,320 --> 00:00:43,950 +هنا معركة قوة +وتحمل الطريقة الوحيدة للتخلص من هذا التمساح + +20 +00:00:43,950 --> 00:00:43,960 +وتحمل الطريقة الوحيدة للتخلص من هذا التمساح + + +21 +00:00:43,960 --> 00:00:46,310 +وتحمل الطريقة الوحيدة للتخلص من هذا التمساح +هي إرهاقه لديه قوة + +22 +00:00:46,310 --> 00:00:46,320 +هي إرهاقه لديه قوة + + +23 +00:00:46,320 --> 00:00:50,189 +هي إرهاقه لديه قوة +ثلاث كتل جانبي يحصل على + +24 +00:00:50,189 --> 00:00:50,199 +ثلاث كتل جانبي يحصل على + + +25 +00:00:50,199 --> 00:00:52,869 +ثلاث كتل جانبي يحصل على +وسيلتنا الوحيدة لتقييده هي V في الأعلى + +26 +00:00:52,869 --> 00:00:52,879 +وسيلتنا الوحيدة لتقييده هي V في الأعلى + + +27 +00:00:52,879 --> 00:00:56,510 +وسيلتنا الوحيدة لتقييده هي V في الأعلى +للوصول إلى + +28 +00:00:56,510 --> 00:00:56,520 + + + +29 +00:00:56,520 --> 00:00:59,990 + +الأعلى من المهم الحصول على الجزء العلوي من الترول الذي + +30 +00:00:59,990 --> 00:01:00,000 +الأعلى من المهم الحصول على الجزء العلوي من الترول الذي + + +31 +00:01:00,000 --> 00:01:02,590 +الأعلى من المهم الحصول على الجزء العلوي من الترول الذي +يعالج لاسو تلك + +32 +00:01:02,590 --> 00:01:02,600 +يعالج لاسو تلك + + +33 +00:01:02,600 --> 00:01:06,109 +يعالج لاسو تلك +الأسنان المتوترة والمتوترة لا تأتي + +34 +00:01:06,109 --> 00:01:06,119 + + + +35 +00:01:06,119 --> 00:01:08,789 + +بسهولة احصل عليها يا حبيبي لا يمكنني الحصول عليها إنها + +36 +00:01:08,789 --> 00:01:08,799 +بسهولة احصل عليها يا حبيبي لا يمكنني الحصول عليها إنها + + +37 +00:01:08,799 --> 00:01:13,190 +بسهولة احصل عليها يا حبيبي لا يمكنني الحصول عليها إنها +تضرب + +38 +00:01:13,190 --> 00:01:13,200 + + + +39 +00:01:13,200 --> 00:01:16,590 + +بشدة إذا أرخيت قبضتي فسوف يمزقني إلى + +40 +00:01:16,590 --> 00:01:16,600 +بشدة إذا أرخيت قبضتي فسوف يمزقني إلى + + +41 +00:01:16,600 --> 00:01:20,310 +بشدة إذا أرخيت قبضتي فسوف يمزقني إلى +أشلاء اذهب اذهب اذهب اذهب حصلت عليها حصلت عليها انتظر + +42 +00:01:20,310 --> 00:01:20,320 +أشلاء اذهب اذهب اذهب اذهب حصلت عليها حصلت عليها انتظر + + +43 +00:01:20,320 --> 00:01:28,910 +أشلاء اذهب اذهب اذهب اذهب حصلت عليها حصلت عليها انتظر +حصلت على TI + +44 +00:01:28,910 --> 00:01:28,920 + + + +45 +00:01:28,920 --> 00:01:47,670 + +Ro الجرة العلوية الثانية ليست بعيدة عن + +46 +00:01:47,670 --> 00:01:47,680 + + + +47 +00:01:47,680 --> 00:02:03,020 + +الحماية الجيدة احصل على الجرة العلوية + +48 +00:02:03,020 --> 00:02:03,030 + + + +49 +00:02:03,030 --> 00:02:09,710 + +[موسيقى] + +50 +00:02:09,710 --> 00:02:09,720 +[موسيقى] + + +51 +00:02:09,720 --> 00:02:12,900 +[موسيقى] +سهل للغاية يا صديقي + +52 +00:02:12,900 --> 00:02:12,910 +سهل للغاية يا صديقي + + +53 +00:02:12,910 --> 00:02:44,479 +سهل للغاية يا صديقي +[موسيقى] + diff --git a/2002/Qs_PHrILn6k.description b/2002/Qs_PHrILn6k.description new file mode 100644 index 0000000000000000000000000000000000000000..7566cf799a44d54375585f0e83fe642e853537b9 --- /dev/null +++ b/2002/Qs_PHrILn6k.description @@ -0,0 +1,38 @@ +Blade II movie clips: http://j.mp/1L97zvS +BUY THE MOVIE: http://bit.ly/2cb9aaR +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Blade (Wesley Snipes) slices Reinhardt (Ron Perlman) in half. + +FILM DESCRIPTION: +Four years after scoring a box-office touchdown with Blade (1998), actor Wesley Snipes returns to portray the Marvel Comics character again in this sequel that teams him with Mexican horror director Guillermo del Toro. A half-vampire, half-human hybrid, Blade (Snipes) is a merciless vampire hunter bent on destroying the bloodsuckers that feed on humanity. The keys to Blade's success are a serum that allows him to resist the urge for blood and an array of inventive, deadly weapons, both of which were once supplied by his mentor, Whistler (Kris Kristofferson). Since Whistler's death, Blade has relocated to Prague and recruited the pot-smoking slacker Scud (Norman Reedus) to take the place of his father figure, but then he discovers that Whistler's not dead after all: He's been infected with the vampire virus. Reunited with Whistler, Blade is dealt an even bigger surprise: His greatest enemy, vampire leader Damaskinos (Thomas Kretschmann), wants to make peace with him. It seems that the vampires are facing a greater threat than Blade and hope to persuade him to fight the Reapers, a mutated super-race of vampires on a rampage of murder, indiscriminately killing both humans and their fellow bloodsuckers while sucking their victims dry. Blade agrees to a truce and joins the Bloodpack, an elite squad of commandos originally formed to fight Blade himself. Soon, the vampire soldiers discover that the virus responsible for creating their enemies is spreading rapidly and can be traced back to a mysterious "Patient Zero." Blade 2 (2002) co-stars Ron Perlman, Leonor Varela, Donnie Yen, and Matt Schulze. + +CREDITS: +TM & © Warner Bros. (2002) +Cast: Ron Perlman, Wesley Snipes +Director: Guillermo del Toro +Producers: Avi Arad, Robert Bernacchi, Michael De Luca, Toby Emmerich, Jon Divens, Peter Frankfurt, David S. Goyer, Andrew J. Horne, Stan Lee, Patrick J. Palmer, Wesley Snipes, Lynn Harris, Tomás Krejcí +Screenwriters: Gene Colan, David S. Goyer, Marv Wolfman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/Qs_PHrILn6k.en.srt b/2002/Qs_PHrILn6k.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..54adb917c729d14fa9ff493b2e9b33c5677f8840 --- /dev/null +++ b/2002/Qs_PHrILn6k.en.srt @@ -0,0 +1,27 @@ +1 +00:00:02,220 --> 00:00:05,155 +Like my daddy said +before he killed my mom, + +2 +00:00:05,223 --> 00:00:07,157 +"you want anything +done right, + +3 +00:00:07,225 --> 00:00:09,426 +You got to do it +yourself." + +4 +00:00:12,964 --> 00:00:15,032 +He also said-- + +5 +00:00:20,571 --> 00:00:23,373 +( blade rings ) + +6 +00:00:30,682 --> 00:00:32,750 +Can you blush? + diff --git a/2002/QtrJ6ojRtik.en.srt b/2002/QtrJ6ojRtik.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f926a34d856c9d047f596e7b47e29173363e39c5 --- /dev/null +++ b/2002/QtrJ6ojRtik.en.srt @@ -0,0 +1,295 @@ +1 +00:00:04,319 --> 00:00:05,590 + +all the blood is + +2 +00:00:05,590 --> 00:00:05,600 +all the blood is + + +3 +00:00:05,600 --> 00:00:09,110 +all the blood is +bad M said all the blood is bad you're + +4 +00:00:09,110 --> 00:00:09,120 +bad M said all the blood is bad you're + + +5 +00:00:09,120 --> 00:00:13,230 +bad M said all the blood is bad you're +not giving my baby bad + +6 +00:00:13,230 --> 00:00:13,240 + + + +7 +00:00:13,240 --> 00:00:16,790 + +blood you gave my baby bad + +8 +00:00:16,790 --> 00:00:16,800 +blood you gave my baby bad + + +9 +00:00:16,800 --> 00:00:19,029 +blood you gave my baby bad +blood that's why I + +10 +00:00:19,029 --> 00:00:19,039 +blood that's why I + + +11 +00:00:19,039 --> 00:00:23,109 +blood that's why I +died that's why I fell down the + +12 +00:00:23,109 --> 00:00:23,119 + + + +13 +00:00:23,119 --> 00:00:32,069 + +stairs this is the new baby Sarah + +14 +00:00:32,069 --> 00:00:32,079 + + + +15 +00:00:32,079 --> 00:00:33,750 + +tried to climb the + +16 +00:00:33,750 --> 00:00:33,760 +tried to climb the + + +17 +00:00:33,760 --> 00:00:36,670 +tried to climb the +gate and he + +18 +00:00:36,670 --> 00:00:36,680 +gate and he + + +19 +00:00:36,680 --> 00:00:42,709 +gate and he +fell why did you put it + +20 +00:00:42,709 --> 00:00:42,719 + + + +21 +00:00:42,719 --> 00:00:48,029 + +up where is he yeah + +22 +00:00:48,029 --> 00:00:48,039 + + + +23 +00:00:48,039 --> 00:00:56,720 + +Frankie rank is not with us there + +24 +00:00:56,720 --> 00:00:56,730 + + + +25 +00:00:56,730 --> 00:01:05,109 + +[Music] + +26 +00:01:05,109 --> 00:01:05,119 + + + +27 +00:01:05,119 --> 00:01:08,310 + +you should have taken the gate + +28 +00:01:08,310 --> 00:01:08,320 +you should have taken the gate + + +29 +00:01:08,320 --> 00:01:10,510 +you should have taken the gate +down it's your + +30 +00:01:10,510 --> 00:01:10,520 +down it's your + + +31 +00:01:10,520 --> 00:01:12,950 +down it's your +fault you should have taken the gate + +32 +00:01:12,950 --> 00:01:12,960 +fault you should have taken the gate + + +33 +00:01:12,960 --> 00:01:16,030 +fault you should have taken the gate +down you're Harden + +34 +00:01:16,030 --> 00:01:16,040 +down you're Harden + + +35 +00:01:16,040 --> 00:01:19,870 +down you're Harden +him I want to get F I want my baby down + +36 +00:01:19,870 --> 00:01:19,880 +him I want to get F I want my baby down + + +37 +00:01:19,880 --> 00:01:23,069 +him I want to get F I want my baby down +all right where is he I want you where + +38 +00:01:23,069 --> 00:01:23,079 +all right where is he I want you where + + +39 +00:01:23,079 --> 00:01:25,190 +all right where is he I want you where +is + +40 +00:01:25,190 --> 00:01:25,200 +is + + +41 +00:01:25,200 --> 00:01:30,950 +is +he your fell down the stairs let + +42 +00:01:30,950 --> 00:01:30,960 +he your fell down the stairs let + + +43 +00:01:30,960 --> 00:01:32,550 +he your fell down the stairs let +why did you take the gate down why did + +44 +00:01:32,550 --> 00:01:32,560 +why did you take the gate down why did + + +45 +00:01:32,560 --> 00:01:35,350 +why did you take the gate down why did +you take the gate down no no no no + +46 +00:01:35,350 --> 00:01:35,360 +you take the gate down no no no no + + +47 +00:01:35,360 --> 00:01:37,310 +you take the gate down no no no no +please please I'm begging you please + +48 +00:01:37,310 --> 00:01:37,320 +please please I'm begging you please + + +49 +00:01:37,320 --> 00:01:39,109 +please please I'm begging you please +Johnny please please no no no no no + +50 +00:01:39,109 --> 00:01:39,119 +Johnny please please no no no no no + + +51 +00:01:39,119 --> 00:01:41,109 +Johnny please please no no no no no +please Johnny please no no I want to see + +52 +00:01:41,109 --> 00:01:41,119 +please Johnny please no no I want to see + + +53 +00:01:41,119 --> 00:01:44,910 +please Johnny please no no I want to see +my B please don't take my I'm not + +54 +00:01:44,910 --> 00:01:44,920 +my B please don't take my I'm not + + +55 +00:01:44,920 --> 00:02:00,830 +my B please don't take my I'm not +taking myy save my baby John please + +56 +00:02:00,830 --> 00:02:00,840 + + + +57 +00:02:00,840 --> 00:02:08,800 + +baby dies just don't wake me up + +58 +00:02:08,800 --> 00:02:08,810 + + + +59 +00:02:08,810 --> 00:02:38,039 + +[Music] + diff --git a/2002/QwrGZWHTbt0.en.srt b/2002/QwrGZWHTbt0.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..356a25281e4c0290f1d4d048f617ec0169a3dba6 --- /dev/null +++ b/2002/QwrGZWHTbt0.en.srt @@ -0,0 +1,665 @@ +1 +00:00:00,640 --> 00:00:02,550 + +what's happening right now is important + +2 +00:00:02,550 --> 00:00:02,560 +what's happening right now is important + + +3 +00:00:02,560 --> 00:00:04,309 +what's happening right now is important +only in the context of our continuing + +4 +00:00:04,309 --> 00:00:04,319 +only in the context of our continuing + + +5 +00:00:04,319 --> 00:00:06,869 +only in the context of our continuing +evolution as a species roger roger all + +6 +00:00:06,869 --> 00:00:06,879 +evolution as a species roger roger all + + +7 +00:00:06,879 --> 00:00:08,230 +evolution as a species roger roger all +i'm saying is that i wish my sister + +8 +00:00:08,230 --> 00:00:08,240 +i'm saying is that i wish my sister + + +9 +00:00:08,240 --> 00:00:09,509 +i'm saying is that i wish my sister +would learn to read the subway and by + +10 +00:00:09,509 --> 00:00:09,519 +would learn to read the subway and by + + +11 +00:00:09,519 --> 00:00:11,270 +would learn to read the subway and by +saying that you disregard the primary + +12 +00:00:11,270 --> 00:00:11,280 +saying that you disregard the primary + + +13 +00:00:11,280 --> 00:00:13,350 +saying that you disregard the primary +importance of utility in human + +14 +00:00:13,350 --> 00:00:13,360 +importance of utility in human + + +15 +00:00:13,360 --> 00:00:15,910 +importance of utility in human +relationships our ability man's men's + +16 +00:00:15,910 --> 00:00:15,920 +relationships our ability man's men's + + +17 +00:00:15,920 --> 00:00:18,310 +relationships our ability man's men's +ability to read maps to navigate makes + +18 +00:00:18,310 --> 00:00:18,320 +ability to read maps to navigate makes + + +19 +00:00:18,320 --> 00:00:20,310 +ability to read maps to navigate makes +us useful you should discourage your + +20 +00:00:20,310 --> 00:00:20,320 +us useful you should discourage your + + +21 +00:00:20,320 --> 00:00:21,910 +us useful you should discourage your +sister from even looking at a map are + +22 +00:00:21,910 --> 00:00:21,920 +sister from even looking at a map are + + +23 +00:00:21,920 --> 00:00:24,390 +sister from even looking at a map are +you saying uh that we women have an + +24 +00:00:24,390 --> 00:00:24,400 +you saying uh that we women have an + + +25 +00:00:24,400 --> 00:00:26,630 +you saying uh that we women have an +inferior sense of direction + +26 +00:00:26,630 --> 00:00:26,640 +inferior sense of direction + + +27 +00:00:26,640 --> 00:00:27,910 +inferior sense of direction +which way is north choice without + +28 +00:00:27,910 --> 00:00:27,920 +which way is north choice without + + +29 +00:00:27,920 --> 00:00:28,830 +which way is north choice without +looking + +30 +00:00:28,830 --> 00:00:28,840 +looking + + +31 +00:00:28,840 --> 00:00:30,630 +looking +around what + +32 +00:00:30,630 --> 00:00:30,640 +around what + + +33 +00:00:30,640 --> 00:00:32,389 +around what +you heard me point north quick north + +34 +00:00:32,389 --> 00:00:32,399 +you heard me point north quick north + + +35 +00:00:32,399 --> 00:00:33,830 +you heard me point north quick north +north quick + +36 +00:00:33,830 --> 00:00:33,840 +north quick + + +37 +00:00:33,840 --> 00:00:37,670 +north quick +look north north + +38 +00:00:37,670 --> 00:00:37,680 + + + +39 +00:00:37,680 --> 00:00:39,270 + +are you right + +40 +00:00:39,270 --> 00:00:39,280 +are you right + + +41 +00:00:39,280 --> 00:00:40,389 +are you right +is it right + +42 +00:00:40,389 --> 00:00:40,399 +is it right + + +43 +00:00:40,399 --> 00:00:43,030 +is it right +very impressive oh + +44 +00:00:43,030 --> 00:00:43,040 +very impressive oh + + +45 +00:00:43,040 --> 00:00:44,709 +very impressive oh +as she has throughout history the female + +46 +00:00:44,709 --> 00:00:44,719 +as she has throughout history the female + + +47 +00:00:44,719 --> 00:00:46,470 +as she has throughout history the female +responds to the male who displays the + +48 +00:00:46,470 --> 00:00:46,480 +responds to the male who displays the + + +49 +00:00:46,480 --> 00:00:47,350 +responds to the male who displays the +most + +50 +00:00:47,350 --> 00:00:47,360 +most + + +51 +00:00:47,360 --> 00:00:49,670 +most +utility by honing those skills which + +52 +00:00:49,670 --> 00:00:49,680 +utility by honing those skills which + + +53 +00:00:49,680 --> 00:00:52,389 +utility by honing those skills which +make me useful i stave off my inevitable + +54 +00:00:52,389 --> 00:00:52,399 +make me useful i stave off my inevitable + + +55 +00:00:52,399 --> 00:00:53,990 +make me useful i stave off my inevitable +obsolescence so what you said home on + +56 +00:00:53,990 --> 00:00:54,000 +obsolescence so what you said home on + + +57 +00:00:54,000 --> 00:00:55,510 +obsolescence so what you said home on +weekends honing your ability to program + +58 +00:00:55,510 --> 00:00:55,520 +weekends honing your ability to program + + +59 +00:00:55,520 --> 00:00:58,709 +weekends honing your ability to program +a vcr yeah my vcr has been flashing 12 + +60 +00:00:58,709 --> 00:00:58,719 +a vcr yeah my vcr has been flashing 12 + + +61 +00:00:58,719 --> 00:01:00,869 +a vcr yeah my vcr has been flashing 12 +o'clock for three years + +62 +00:01:00,869 --> 00:01:00,879 +o'clock for three years + + +63 +00:01:00,879 --> 00:01:02,389 +o'clock for three years +what else roger + +64 +00:01:02,389 --> 00:01:02,399 +what else roger + + +65 +00:01:02,399 --> 00:01:03,189 +what else roger +oh + +66 +00:01:03,189 --> 00:01:03,199 +oh + + +67 +00:01:03,199 --> 00:01:05,830 +oh +driving standard shifts + +68 +00:01:05,830 --> 00:01:05,840 +driving standard shifts + + +69 +00:01:05,840 --> 00:01:08,710 +driving standard shifts +lifting heavy things air guitar + +70 +00:01:08,710 --> 00:01:08,720 +lifting heavy things air guitar + + +71 +00:01:08,720 --> 00:01:11,429 +lifting heavy things air guitar +yes yes go ahead and chuckle okay but + +72 +00:01:11,429 --> 00:01:11,439 +yes yes go ahead and chuckle okay but + + +73 +00:01:11,439 --> 00:01:13,670 +yes yes go ahead and chuckle okay but +until women evolve the ability to move + +74 +00:01:13,670 --> 00:01:13,680 +until women evolve the ability to move + + +75 +00:01:13,680 --> 00:01:15,990 +until women evolve the ability to move +objects telepathically and they will + +76 +00:01:15,990 --> 00:01:16,000 +objects telepathically and they will + + +77 +00:01:16,000 --> 00:01:18,149 +objects telepathically and they will +physical strength remains a primary + +78 +00:01:18,149 --> 00:01:18,159 +physical strength remains a primary + + +79 +00:01:18,159 --> 00:01:22,710 +physical strength remains a primary +utility here's to brute strength + +80 +00:01:22,710 --> 00:01:22,720 + + + +81 +00:01:22,720 --> 00:01:25,109 + +no roger you're forgetting a very + +82 +00:01:25,109 --> 00:01:25,119 +no roger you're forgetting a very + + +83 +00:01:25,119 --> 00:01:27,270 +no roger you're forgetting a very +important male utility what's that + +84 +00:01:27,270 --> 00:01:27,280 +important male utility what's that + + +85 +00:01:27,280 --> 00:01:31,670 +important male utility what's that +barbecue + +86 +00:01:31,670 --> 00:01:31,680 + + + +87 +00:01:31,680 --> 00:01:32,870 + +sex + +88 +00:01:32,870 --> 00:01:32,880 +sex + + +89 +00:01:32,880 --> 00:01:35,350 +sex +yeah yeah i want a guy to do more than + +90 +00:01:35,350 --> 00:01:35,360 +yeah yeah i want a guy to do more than + + +91 +00:01:35,360 --> 00:01:38,469 +yeah yeah i want a guy to do more than +just program my vcr oh + +92 +00:01:38,469 --> 00:01:38,479 +just program my vcr oh + + +93 +00:01:38,479 --> 00:01:40,469 +just program my vcr oh +i'll program your vcr baby like you + +94 +00:01:40,469 --> 00:01:40,479 +i'll program your vcr baby like you + + +95 +00:01:40,479 --> 00:01:42,469 +i'll program your vcr baby like you +never had it it's a top loader you think + +96 +00:01:42,469 --> 00:01:42,479 +never had it it's a top loader you think + + +97 +00:01:42,479 --> 00:01:44,149 +never had it it's a top loader you think +you can handle that + +98 +00:01:44,149 --> 00:01:44,159 +you can handle that + + +99 +00:01:44,159 --> 00:01:46,069 +you can handle that +interestingly uh a group of scientists + +100 +00:01:46,069 --> 00:01:46,079 +interestingly uh a group of scientists + + +101 +00:01:46,079 --> 00:01:47,429 +interestingly uh a group of scientists +in england just announced their + +102 +00:01:47,429 --> 00:01:47,439 +in england just announced their + + +103 +00:01:47,439 --> 00:01:48,630 +in england just announced their +intention to + +104 +00:01:48,630 --> 00:01:48,640 +intention to + + +105 +00:01:48,640 --> 00:01:50,310 +intention to +fertilize an egg without the use of + +106 +00:01:50,310 --> 00:01:50,320 +fertilize an egg without the use of + + +107 +00:01:50,320 --> 00:01:52,710 +fertilize an egg without the use of +sperm cells no + +108 +00:01:52,710 --> 00:01:52,720 +sperm cells no + + +109 +00:01:52,720 --> 00:01:54,630 +sperm cells no +i don't understand that + +110 +00:01:54,630 --> 00:01:54,640 +i don't understand that + + +111 +00:01:54,640 --> 00:01:56,630 +i don't understand that +every cell in the human body contains a + +112 +00:01:56,630 --> 00:01:56,640 +every cell in the human body contains a + + +113 +00:01:56,640 --> 00:01:58,550 +every cell in the human body contains a +copy of the genome pattern the only + +114 +00:01:58,550 --> 00:01:58,560 +copy of the genome pattern the only + + +115 +00:01:58,560 --> 00:02:00,069 +copy of the genome pattern the only +reason sperm cells have all the fun is + +116 +00:02:00,069 --> 00:02:00,079 +reason sperm cells have all the fun is + + +117 +00:02:00,079 --> 00:02:01,670 +reason sperm cells have all the fun is +that up until now + +118 +00:02:01,670 --> 00:02:01,680 +that up until now + + +119 +00:02:01,680 --> 00:02:03,350 +that up until now +they were the only ones with access + +120 +00:02:03,350 --> 00:02:03,360 +they were the only ones with access + + +121 +00:02:03,360 --> 00:02:05,270 +they were the only ones with access +within christopher's lifetime artificial + +122 +00:02:05,270 --> 00:02:05,280 +within christopher's lifetime artificial + + +123 +00:02:05,280 --> 00:02:06,870 +within christopher's lifetime artificial +insemination will render sperm as + +124 +00:02:06,870 --> 00:02:06,880 +insemination will render sperm as + + +125 +00:02:06,880 --> 00:02:08,869 +insemination will render sperm as +useless as an assembly line worker in + +126 +00:02:08,869 --> 00:02:08,879 +useless as an assembly line worker in + + +127 +00:02:08,879 --> 00:02:10,469 +useless as an assembly line worker in +detroit luckily i had my accountant set + +128 +00:02:10,469 --> 00:02:10,479 +detroit luckily i had my accountant set + + +129 +00:02:10,479 --> 00:02:12,150 +detroit luckily i had my accountant set +up a golden parachute for my sperm years + +130 +00:02:12,150 --> 00:02:12,160 +up a golden parachute for my sperm years + + +131 +00:02:12,160 --> 00:02:41,990 +up a golden parachute for my sperm years +ago in case they were downsized + +132 +00:02:41,990 --> 00:02:42,000 + + + +133 +00:02:42,000 --> 00:02:44,080 + +you + diff --git a/2002/QxcCdLaKhd8.description b/2002/QxcCdLaKhd8.description new file mode 100644 index 0000000000000000000000000000000000000000..179147a4c0c4730b36930dfe1215264b61b861c3 --- /dev/null +++ b/2002/QxcCdLaKhd8.description @@ -0,0 +1,38 @@ +John Q movie clips: http://j.mp/1DvckL2 +BUY THE MOVIE: http://bit.ly/2c5fayp +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +As John Q. (Denzel Washington) prepares to kill himself for his son, Denise (Kimberly Elise) receives news that a matching heart is available. + +FILM DESCRIPTION: +A national health care crisis in the United States yields this tense drama from screenwriter James Kearns and director Nick Cassavetes, who experienced a real-life dilemma with his daughter's congenital heart disease that mirrors the one in this film. Denzel Washington stars as John Q. Archibald, a factory worker facing financial hardship as a result of reduced hours in his workplace. When his young son, Michael (Daniel E. Smith), is stricken during a baseball game, John and his wife, Denise (Kimberly Elise), discover that their child is in need of an emergency heart transplant. Although the Archibalds have health insurance, they are informed by hospital administrator Rebecca Payne (Anne Heche) that their policy doesn't cover such an expensive procedure. Unable to raise the money himself, John persuades the hospital's compassionate cardiac surgeon, Dr. Raymond Turner (James Woods), to waive his lofty fee, but is still left with too much of a financial burden to bear. With no recourse but to take his son home to die, John snaps and holds the staff and patients of the hospital's emergency room hostage at gunpoint. John is soon a media hero, the focus of intense news coverage, even as police chief Gus Monroe (Ray Liotta) and hostage negotiator Frank Grimes (Robert Duvall) try to resolve the situation before it leads to bloodshed. + +CREDITS: +TM & © Warner Bros. (2002) +Cast: Denzel Washington, Kimberly Elise, Larissa Laskin, Anne Heche, James Woods +Director: Nick Cassavetes +Producers: Mark Burg, Howard Burkons, Dale De La Torre, Michael De Luca, Mathew Hart, Avram 'Butch' Kaplan, James Kearns, Oren Koules, Richard Saperstein, Hillary Sherman +Screenwriter: James Kearns + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/QxcCdLaKhd8.en.srt b/2002/QxcCdLaKhd8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d877e9a5f673d9dac9ffb6fd4d498744337f7bb5 --- /dev/null +++ b/2002/QxcCdLaKhd8.en.srt @@ -0,0 +1,205 @@ +1 +00:00:00,480 --> 00:00:02,590 + +Miss pay Miss pay yeah you're not going + +2 +00:00:02,590 --> 00:00:02,600 +Miss pay Miss pay yeah you're not going + + +3 +00:00:02,600 --> 00:00:04,789 +Miss pay Miss pay yeah you're not going +to believe this what we got a match be + +4 +00:00:04,789 --> 00:00:04,799 +to believe this what we got a match be + + +5 +00:00:04,799 --> 00:00:07,110 +to believe this what we got a match be +positive Michael William archal the only + +6 +00:00:07,110 --> 00:00:07,120 +positive Michael William archal the only + + +7 +00:00:07,120 --> 00:00:36,790 +positive Michael William archal the only +status one in the whole country be Dam + +8 +00:00:36,790 --> 00:00:36,800 + + + +9 +00:00:36,800 --> 00:00:39,670 + +thirsty M + +10 +00:00:39,670 --> 00:00:39,680 +thirsty M + + +11 +00:00:39,680 --> 00:00:53,750 +thirsty M +archal we have some very good news for + +12 +00:00:53,750 --> 00:00:53,760 + + + +13 +00:00:53,760 --> 00:01:01,950 + +you Jesus + +14 +00:01:01,950 --> 00:01:01,960 + + + +15 +00:01:01,960 --> 00:01:04,750 + +the safety's on is this for real the L + +16 +00:01:04,750 --> 00:01:04,760 +the safety's on is this for real the L + + +17 +00:01:04,760 --> 00:01:06,310 +the safety's on is this for real the L +jet just landed at O'Hara the helicopter + +18 +00:01:06,310 --> 00:01:06,320 +jet just landed at O'Hara the helicopter + + +19 +00:01:06,320 --> 00:01:08,910 +jet just landed at O'Hara the helicopter +is going to be here in 15 minutes you do + +20 +00:01:08,910 --> 00:01:08,920 +is going to be here in 15 minutes you do + + +21 +00:01:08,920 --> 00:01:13,990 +is going to be here in 15 minutes you do +the honors okay + +22 +00:01:13,990 --> 00:01:14,000 + + + +23 +00:01:14,000 --> 00:01:18,749 + +okay John John baby it's + +24 +00:01:18,749 --> 00:01:18,759 +okay John John baby it's + + +25 +00:01:18,759 --> 00:01:20,429 +okay John John baby it's +me + +26 +00:01:20,429 --> 00:01:20,439 +me + + +27 +00:01:20,439 --> 00:01:24,429 +me +John it's not working + +28 +00:01:24,429 --> 00:01:24,439 +John it's not working + + +29 +00:01:24,439 --> 00:01:28,670 +John it's not working +John John please baby pick up John can + +30 +00:01:28,670 --> 00:01:28,680 +John John please baby pick up John can + + +31 +00:01:28,680 --> 00:01:30,980 +John John please baby pick up John can +you + +32 +00:01:30,980 --> 00:01:30,990 +you + + +33 +00:01:30,990 --> 00:01:45,620 +you +[Music] + +34 +00:01:45,620 --> 00:01:45,630 +[Music] + + +35 +00:01:45,630 --> 00:01:48,510 +[Music] +[Applause] + +36 +00:01:48,510 --> 00:01:48,520 +[Applause] + + +37 +00:01:48,520 --> 00:01:52,429 +[Applause] +John mirica baby they found a heart John + +38 +00:01:52,429 --> 00:01:52,439 +John mirica baby they found a heart John + + +39 +00:01:52,439 --> 00:01:55,410 +John mirica baby they found a heart John +am mirica they found + +40 +00:01:55,410 --> 00:01:55,420 +am mirica they found + + +41 +00:01:55,420 --> 00:02:24,650 +am mirica they found +[Music] + diff --git a/2002/RH2IK1jcLuY.en.srt b/2002/RH2IK1jcLuY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..3bd2a11514358882e49d2e444baccf56706d62a9 --- /dev/null +++ b/2002/RH2IK1jcLuY.en.srt @@ -0,0 +1,295 @@ +1 +00:00:01,839 --> 00:00:05,349 + +what happened + +2 +00:00:05,349 --> 00:00:05,359 + + + +3 +00:00:05,359 --> 00:00:08,830 + +Ed what did you + +4 +00:00:08,830 --> 00:00:08,840 +Ed what did you + + +5 +00:00:08,840 --> 00:00:12,030 + +do did you hurt + +6 +00:00:12,030 --> 00:00:12,040 +do did you hurt + + +7 +00:00:12,040 --> 00:00:14,990 +do did you hurt +him + +8 +00:00:14,990 --> 00:00:15,000 +him + + +9 +00:00:15,000 --> 00:00:17,670 +him +huh + +10 +00:00:17,670 --> 00:00:17,680 +huh + + +11 +00:00:17,680 --> 00:00:21,830 +huh +Edward did you hurt + +12 +00:00:21,830 --> 00:00:21,840 + + + +13 +00:00:21,840 --> 00:00:26,230 + +him you did didn't + +14 +00:00:26,230 --> 00:00:26,240 + + + +15 +00:00:26,240 --> 00:00:30,589 + +you Jesus Edward + +16 +00:00:30,589 --> 00:00:30,599 +you Jesus Edward + + +17 +00:00:30,599 --> 00:00:31,990 +you Jesus Edward +talk to + +18 +00:00:31,990 --> 00:00:32,000 +talk to + + +19 +00:00:32,000 --> 00:00:35,270 +talk to +me tell me what you + +20 +00:00:35,270 --> 00:00:35,280 +me tell me what you + + +21 +00:00:35,280 --> 00:00:38,709 +me tell me what you +did you tell me what you + +22 +00:00:38,709 --> 00:00:38,719 +did you tell me what you + + +23 +00:00:38,719 --> 00:00:42,029 +did you tell me what you +did you him over and over and + +24 +00:00:42,029 --> 00:00:42,039 +did you him over and over and + + +25 +00:00:42,039 --> 00:00:46,270 +did you him over and over and +over you lied to me over and over and + +26 +00:00:46,270 --> 00:00:46,280 +over you lied to me over and over and + + +27 +00:00:46,280 --> 00:00:49,069 +over you lied to me over and over and +over Edward please no you don't talk to + +28 +00:00:49,069 --> 00:00:49,079 +over Edward please no you don't talk to + + +29 +00:00:49,079 --> 00:00:55,790 +over Edward please no you don't talk to +me now I gave + +30 +00:00:55,790 --> 00:00:55,800 + + + +31 +00:00:55,800 --> 00:01:00,029 + +everything everything + +32 +00:01:00,029 --> 00:01:00,039 + + + +33 +00:01:00,039 --> 00:01:01,750 + +you + +34 +00:01:01,750 --> 00:01:01,760 +you + + +35 +00:01:01,760 --> 00:01:06,310 +you +do you threw it all the away like go + +36 +00:01:06,310 --> 00:01:06,320 +do you threw it all the away like go + + +37 +00:01:06,320 --> 00:01:08,149 +do you threw it all the away like go +nothing + +38 +00:01:08,149 --> 00:01:08,159 +nothing + + +39 +00:01:08,159 --> 00:01:18,789 +nothing +what he a + +40 +00:01:18,789 --> 00:01:18,799 + + + +41 +00:01:18,799 --> 00:01:21,190 + +kid you didn't think I'd + +42 +00:01:21,190 --> 00:01:21,200 +kid you didn't think I'd + + +43 +00:01:21,200 --> 00:01:24,190 +kid you didn't think I'd +know I wouldn't feel it I knew it from + +44 +00:01:24,190 --> 00:01:24,200 +know I wouldn't feel it I knew it from + + +45 +00:01:24,200 --> 00:01:27,230 +know I wouldn't feel it I knew it from +the very first + +46 +00:01:27,230 --> 00:01:27,240 + + + +47 +00:01:27,240 --> 00:01:30,789 + +day because I know you Connie I know you + +48 +00:01:30,789 --> 00:01:30,799 +day because I know you Connie I know you + + +49 +00:01:30,799 --> 00:01:33,310 +day because I know you Connie I know you +and I hate you I didn't want to + +50 +00:01:33,310 --> 00:01:33,320 +and I hate you I didn't want to + + +51 +00:01:33,320 --> 00:01:37,950 +and I hate you I didn't want to +kill him I wanted to kill + +52 +00:01:37,950 --> 00:01:37,960 + + + +53 +00:01:37,960 --> 00:01:52,469 + +you oh my + +54 +00:01:52,469 --> 00:01:52,479 + + + +55 +00:01:52,479 --> 00:02:05,590 + +goded my God + +56 +00:02:05,590 --> 00:02:05,600 + + + +57 +00:02:05,600 --> 00:02:09,600 + +J + +58 +00:02:09,600 --> 00:02:09,610 + + + +59 +00:02:09,610 --> 00:02:36,699 + +[Music] + diff --git a/2002/RczW1gIRBjY.description b/2002/RczW1gIRBjY.description new file mode 100644 index 0000000000000000000000000000000000000000..5962fcc9602362971dfe9fa626a4f37a600aee13 --- /dev/null +++ b/2002/RczW1gIRBjY.description @@ -0,0 +1,38 @@ +Barbershop movie clips: https://www.youtube.com/playlist?list=PLZbXA4lyCtqpX8gsn7zj9c-ITcQHC7rEI +BUY THE MOVIE: http://j.mp/12O4kBr +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +The crew of the barbershop debates about slavery and white reparations to black people. + +FILM DESCRIPTION: +Calvin (Ice Cube) never wanted to take over the family business, a barbershop on the south side of Chicago. Disgusted with the shop's crime-ridden neighborhood, and caught up in his moneymaking schemes, one morning Calvin decides to sell the shop to the shady Lester (Keith David). Chastised by his pregnant wife, Jennifer (Jazsmin Lewis), for his rash decision, Calvin spends the day cutting heads at the shop, and starts to understand the importance of the legacy his grandfather and father have left to him. The bickering barbers include Eddie (Cedric the Entertainer), the old-timer with his own unique perspective on black life; Terri (rapper Eve in her film debut), a hot-tempered woman with a trifling boyfriend; Jimmy (Sean Patrick Thomas), a college educated snob; Ricky (Michael Ealy) a reformed criminal; Isaac (Troy Garity, the son of Jane Fonda and Tom Hayden), a white B-Boy, whom no one is ready to let cut their hair; and Dinka (Leonard Howze), a recent African immigrant who's too shy to express his feelings for Terri. Calvin learns to appreciate them all, and discovers that the place where they work is more than just a place to get a haircut -- it's a meeting place for the neighborhood, a place where folks can speak their minds and find out what's happening. Calvin gradually changes his mind about selling the shop, but it may be too late. Meanwhile, a bumbling thief, J.D. (Anthony Anderson) spends a painful day trying to crack open the ATM he's stolen from the grocery store across the street. Barbershop was directed by Tim Story and produced by George Tillman Jr. and Robert Teitel, the producers of Soul Food. Barbershop had its world premiere at the 2002 Urbanworld Film Festival. + +CREDITS: +TM & © MGM (2002) +Cast: Cedric the Entertainer, Ice Cube, Michael Ealy, Troy Garity, Leonard Earl Howze, Sean Patrick Thomas, Eve, Lahmard J. Tate +Director: Tim Story +Producers: Matt Alvarez, Mark Brown, Thomas J. Busch, Larry Kennar, Robert Teitel, George Tillman Jr., Rocky Russell +Screenwriters: Mark Brown, Don D. Scott, Marshall Todd + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/RczW1gIRBjY.en.srt b/2002/RczW1gIRBjY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7b6345374fad0cb958fa27cb4b3aa2325bcaec75 --- /dev/null +++ b/2002/RczW1gIRBjY.en.srt @@ -0,0 +1,575 @@ +1 +00:00:00,199 --> 00:00:01,910 + +everybody think you know reparations is + +2 +00:00:01,910 --> 00:00:01,920 +everybody think you know reparations is + + +3 +00:00:01,920 --> 00:00:04,190 +everybody think you know reparations is +a good idea dog reparations is stupid + +4 +00:00:04,190 --> 00:00:04,200 +a good idea dog reparations is stupid + + +5 +00:00:04,200 --> 00:00:06,110 +a good idea dog reparations is stupid +I'm surprised to hear you say that I + +6 +00:00:06,110 --> 00:00:06,120 +I'm surprised to hear you say that I + + +7 +00:00:06,120 --> 00:00:07,990 +I'm surprised to hear you say that I +figured you make a case for how slavery + +8 +00:00:07,990 --> 00:00:08,000 +figured you make a case for how slavery + + +9 +00:00:08,000 --> 00:00:09,910 +figured you make a case for how slavery +got you all oppressed and how the white + +10 +00:00:09,910 --> 00:00:09,920 +got you all oppressed and how the white + + +11 +00:00:09,920 --> 00:00:11,390 +got you all oppressed and how the white +man got his foot on your neck giving out + +12 +00:00:11,390 --> 00:00:11,400 +man got his foot on your neck giving out + + +13 +00:00:11,400 --> 00:00:13,789 +man got his foot on your neck giving out +money wouldn't do nothing look at him + +14 +00:00:13,789 --> 00:00:13,799 +money wouldn't do nothing look at him + + +15 +00:00:13,799 --> 00:00:15,269 +money wouldn't do nothing look at him +that boy ain't doing nothing now but the + +16 +00:00:15,269 --> 00:00:15,279 +that boy ain't doing nothing now but the + + +17 +00:00:15,279 --> 00:00:18,269 +that boy ain't doing nothing now but the +infation for B crits man slavery man it + +18 +00:00:18,269 --> 00:00:18,279 +infation for B crits man slavery man it + + +19 +00:00:18,279 --> 00:00:19,630 +infation for B crits man slavery man it +ruin my whole life I don't know what + +20 +00:00:19,630 --> 00:00:19,640 +ruin my whole life I don't know what + + +21 +00:00:19,640 --> 00:00:20,990 +ruin my whole life I don't know what +y'all say man but I ain't taking no + +22 +00:00:20,990 --> 00:00:21,000 +y'all say man but I ain't taking no + + +23 +00:00:21,000 --> 00:00:22,790 +y'all say man but I ain't taking no +reparations cuz as a black man I got my + +24 +00:00:22,790 --> 00:00:22,800 +reparations cuz as a black man I got my + + +25 +00:00:22,800 --> 00:00:24,349 +reparations cuz as a black man I got my +pride and my + +26 +00:00:24,349 --> 00:00:24,359 +pride and my + + +27 +00:00:24,359 --> 00:00:26,470 +pride and my +dignity you know what that's bull you + +28 +00:00:26,470 --> 00:00:26,480 +dignity you know what that's bull you + + +29 +00:00:26,480 --> 00:00:28,509 +dignity you know what that's bull you +know why cuz you got bills and your + +30 +00:00:28,509 --> 00:00:28,519 +know why cuz you got bills and your + + +31 +00:00:28,519 --> 00:00:30,630 +know why cuz you got bills and your +brothers ain't letting no money get by + +32 +00:00:30,630 --> 00:00:30,640 +brothers ain't letting no money get by + + +33 +00:00:30,640 --> 00:00:32,069 +brothers ain't letting no money get by +next we going to talk about how the Jews + +34 +00:00:32,069 --> 00:00:32,079 +next we going to talk about how the Jews + + +35 +00:00:32,079 --> 00:00:34,190 +next we going to talk about how the Jews +got money from didn't get money dog + +36 +00:00:34,190 --> 00:00:34,200 +got money from didn't get money dog + + +37 +00:00:34,200 --> 00:00:36,709 +got money from didn't get money dog +Holocaust Survivors got money we had + +38 +00:00:36,709 --> 00:00:36,719 +Holocaust Survivors got money we had + + +39 +00:00:36,719 --> 00:00:39,430 +Holocaust Survivors got money we had +welfare and affirmative Act is that not + +40 +00:00:39,430 --> 00:00:39,440 +welfare and affirmative Act is that not + + +41 +00:00:39,440 --> 00:00:47,470 +welfare and affirmative Act is that not +respirations is that + +42 +00:00:47,470 --> 00:00:47,480 + + + +43 +00:00:47,480 --> 00:01:00,110 + +respirations + +44 +00:01:00,110 --> 00:01:00,120 + + + +45 +00:01:00,120 --> 00:01:02,310 + +D well I think every black person should + +46 +00:01:02,310 --> 00:01:02,320 +D well I think every black person should + + +47 +00:01:02,320 --> 00:01:04,910 +D well I think every black person should +at least get a $100,000 $100,000 what do + +48 +00:01:04,910 --> 00:01:04,920 +at least get a $100,000 $100,000 what do + + +49 +00:01:04,920 --> 00:01:06,270 +at least get a $100,000 $100,000 what do +you think that's going to do that ain't + +50 +00:01:06,270 --> 00:01:06,280 +you think that's going to do that ain't + + +51 +00:01:06,280 --> 00:01:07,950 +you think that's going to do that ain't +going to do nothing but make Cadillac + +52 +00:01:07,950 --> 00:01:07,960 +going to do nothing but make Cadillac + + +53 +00:01:07,960 --> 00:01:17,830 +going to do nothing but make Cadillac +number one dealership in the + +54 +00:01:17,830 --> 00:01:17,840 + + + +55 +00:01:17,840 --> 00:01:20,109 + +country so everywhere you look there's + +56 +00:01:20,109 --> 00:01:20,119 +country so everywhere you look there's + + +57 +00:01:20,119 --> 00:01:22,390 +country so everywhere you look there's +opportunity you don't + +58 +00:01:22,390 --> 00:01:22,400 +opportunity you don't + + +59 +00:01:22,400 --> 00:01:24,910 +opportunity you don't +need opportunity get this job last month + +60 +00:01:24,910 --> 00:01:24,920 +need opportunity get this job last month + + +61 +00:01:24,920 --> 00:01:25,630 +need opportunity get this job last month +this + +62 +00:01:25,630 --> 00:01:25,640 +this + + +63 +00:01:25,640 --> 00:01:27,830 +this +crack this crack ass cracker going to + +64 +00:01:27,830 --> 00:01:27,840 +crack this crack ass cracker going to + + +65 +00:01:27,840 --> 00:01:30,230 +crack this crack ass cracker going to +tell me I need a diploma now right there + +66 +00:01:30,230 --> 00:01:30,240 +tell me I need a diploma now right there + + +67 +00:01:30,240 --> 00:01:32,590 +tell me I need a diploma now right there +that's racism that's classism that's + +68 +00:01:32,590 --> 00:01:32,600 +that's racism that's classism that's + + +69 +00:01:32,600 --> 00:01:35,030 +that's racism that's classism that's +eroticism come on I'm talking about isms + +70 +00:01:35,030 --> 00:01:35,040 +eroticism come on I'm talking about isms + + +71 +00:01:35,040 --> 00:01:37,310 +eroticism come on I'm talking about isms +we we don't need reparations all right + +72 +00:01:37,310 --> 00:01:37,320 +we we don't need reparations all right + + +73 +00:01:37,320 --> 00:01:39,630 +we we don't need reparations all right +we need restraint restraint restraint + +74 +00:01:39,630 --> 00:01:39,640 +we need restraint restraint restraint + + +75 +00:01:39,640 --> 00:01:41,389 +we need restraint restraint restraint +some discipline whatever don't go out + +76 +00:01:41,389 --> 00:01:41,399 +some discipline whatever don't go out + + +77 +00:01:41,399 --> 00:01:42,830 +some discipline whatever don't go out +and buy a Range Rover when you living + +78 +00:01:42,830 --> 00:01:42,840 +and buy a Range Rover when you living + + +79 +00:01:42,840 --> 00:01:45,630 +and buy a Range Rover when you living +with your mama and pay your mama some + +80 +00:01:45,630 --> 00:01:45,640 +with your mama and pay your mama some + + +81 +00:01:45,640 --> 00:01:49,270 +with your mama and pay your mama some +rent and can we please please please try + +82 +00:01:49,270 --> 00:01:49,280 +rent and can we please please please try + + +83 +00:01:49,280 --> 00:01:50,749 +rent and can we please please please try +and teach our kids something other than + +84 +00:01:50,749 --> 00:01:50,759 +and teach our kids something other than + + +85 +00:01:50,759 --> 00:01:53,230 +and teach our kids something other than +the chronic album and please black + +86 +00:01:53,230 --> 00:01:53,240 +the chronic album and please black + + +87 +00:01:53,240 --> 00:01:55,030 +the chronic album and please black +people be on time for something other + +88 +00:01:55,030 --> 00:01:55,040 +people be on time for something other + + +89 +00:01:55,040 --> 00:01:57,069 +people be on time for something other +than free before 11: at the club drink + +90 +00:01:57,069 --> 00:01:57,079 +than free before 11: at the club drink + + +91 +00:01:57,079 --> 00:01:58,950 +than free before 11: at the club drink +time right you know what that was a + +92 +00:01:58,950 --> 00:01:58,960 +time right you know what that was a + + +93 +00:01:58,960 --> 00:02:00,230 +time right you know what that was a +passionate and surprising well + +94 +00:02:00,230 --> 00:02:00,240 +passionate and surprising well + + +95 +00:02:00,240 --> 00:02:02,230 +passionate and surprising well +articulated + +96 +00:02:02,230 --> 00:02:02,240 +articulated + + +97 +00:02:02,240 --> 00:02:05,389 +articulated +argument you mocking me not at all sir I + +98 +00:02:05,389 --> 00:02:05,399 +argument you mocking me not at all sir I + + +99 +00:02:05,399 --> 00:02:06,950 +argument you mocking me not at all sir I +I'm actually I applaud your uh your + +100 +00:02:06,950 --> 00:02:06,960 +I'm actually I applaud your uh your + + +101 +00:02:06,960 --> 00:02:08,510 +I'm actually I applaud your uh your +virtuosity you know what school boy for + +102 +00:02:08,510 --> 00:02:08,520 +virtuosity you know what school boy for + + +103 +00:02:08,520 --> 00:02:11,150 +virtuosity you know what school boy for +your information a scallop is a + +104 +00:02:11,150 --> 00:02:11,160 +your information a scallop is a + + +105 +00:02:11,160 --> 00:02:14,309 +your information a scallop is a +shellfish no I'm afraid it isn't no I'm + +106 +00:02:14,309 --> 00:02:14,319 +shellfish no I'm afraid it isn't no I'm + + +107 +00:02:14,319 --> 00:02:17,750 +shellfish no I'm afraid it isn't no I'm +afraid it is because it's a mesk before + +108 +00:02:17,750 --> 00:02:17,760 +afraid it is because it's a mesk before + + +109 +00:02:17,760 --> 00:02:19,550 +afraid it is because it's a mesk before +it comes to your dinner plate it got two + +110 +00:02:19,550 --> 00:02:19,560 +it comes to your dinner plate it got two + + +111 +00:02:19,560 --> 00:02:21,030 +it comes to your dinner plate it got two +shells wrapped around it just like a + +112 +00:02:21,030 --> 00:02:21,040 +shells wrapped around it just like a + + +113 +00:02:21,040 --> 00:02:23,610 +shells wrapped around it just like a +clan + +114 +00:02:23,610 --> 00:02:23,620 +clan + + +115 +00:02:23,620 --> 00:02:59,490 +clan +[Music] + diff --git a/2002/RdTIzSuw-nI.description b/2002/RdTIzSuw-nI.description new file mode 100644 index 0000000000000000000000000000000000000000..9cb5e0f524c4d3d5d7690d563d5ffb20d83c5931 --- /dev/null +++ b/2002/RdTIzSuw-nI.description @@ -0,0 +1,38 @@ +Ghost Ship movie clips: http://j.mp/2n7smLq +BUY THE MOVIE: http://bit.ly/2nhrrZ2 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Captain Sean Murphy (Gabriel Byrne) attacks Epps (Julianna Margulies) due to an unseen force making him think that it's the ghost of Santos (Alex Dimitriades) looking for revenge. + +FILM DESCRIPTION: +A salvage team think they've made the find of a lifetime, until they discover there's more on board than meets the eye in this supernatural thriller. Led by Captain Sean Murphy (Gabriel Byrne), the crew of the tugboat Arctic Warrior have discovered a sideline far more lucrative than hauling ships in and out of the harbor -- they locate missing or wrecked ships in international waters, repair them until they can be brought back to port, and then sell off the ship and its contents as salvage. Acting on a tip from Jack Ferriman (Desmond Harrington), a pilot in the Canadian Air Force, Murphy and his crew -- salvage expert Maureen Epps (Julianna Margulies), first mate Greer (Isaiah Washington), and crewmen Santos (Alex Dimitriades), Dodge (Ron Eldard), and Munder (Karl Urban) -- set out to find a large craft seen adrift off the Alaskan coastline. To their surprise, the crew of the Arctic Warrior discover what appears to be the Antonia Graza, a famous Italian ocean liner, legendary for its luxury, which vanished without a trace in 1962. While they at first anticipate the payday of a lifetime from this find, the crew soon discover a sinister force has taken control of the ship, and before long they're battling not for salvage rights, but for their lives. Ghost Ship was directed by special effects man turned filmmaker Steven Beck, who previously directed the 2001 remake of 13 Ghosts. + +CREDITS: +TM & © Warner Bros. (2002) +Cast: Desmond Harrington, Alex Dimitriades, Gabriel Byrne, Julianna Margulies +Director: Steve Beck +Producers: Richard Mirisch, Robert Zemeckis, Stephen Jones, Joel Silver, Susan Downey, Gilbert Adler, Bruce Berman, Steve Richards +Screenwriters: John Pogue, Mark Hanlon + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/Rkc09sTiS7g.description b/2002/Rkc09sTiS7g.description new file mode 100644 index 0000000000000000000000000000000000000000..a50cb5f1f4499414e4ce755e4f5c164b93c69972 --- /dev/null +++ b/2002/Rkc09sTiS7g.description @@ -0,0 +1,38 @@ +The Time Machine movie clips: http://j.mp/1ut6cTW +BUY THE MOVIE: http://j.mp/Ke32VJ +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Far from his own time, Alexander (Guy Pearce) consults the Fifth Avenue Public Library to see what information on time travel the future can provide. His efforts are stymied by the incredulity of the library's interactive reference protocol, Vox (Orlando Jones). + +FILM DESCRIPTION: +The classic science fiction novel by H.G. Wells becomes this big-budget adventure directed by the author's great-grandson Simon Wells. Guy Pearce stars as Alexander Hartdegen, a scientist, professor, and inventor in 1895 New York City who believes that time travel is possible. The sudden and unexpected death of his fianc + +CREDITS: +TM & © Warner Bros. (2002) +Cast: Orlando Jones, Guy Pearce +Director: Simon Wells +Producers: Arnold Leibovit, David V. Lester, John Logan, Laurie MacDonald, Walter F. Parkes, Jorge Saralegui, David Valdes +Screenwriters: H.G. Wells, David Duncan, John Logan + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/Rkc09sTiS7g.en.srt b/2002/Rkc09sTiS7g.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..3b9c5a8d636a484c7c2322b7b6a257d8e3598c57 --- /dev/null +++ b/2002/Rkc09sTiS7g.en.srt @@ -0,0 +1,435 @@ +1 +00:00:03,280 --> 00:00:05,349 + +what are you I'm the Fifth Avenue Public + +2 +00:00:05,349 --> 00:00:05,359 +what are you I'm the Fifth Avenue Public + + +3 +00:00:05,359 --> 00:00:07,269 +what are you I'm the Fifth Avenue Public +Library information unit box + +4 +00:00:07,269 --> 00:00:07,279 +Library information unit box + + +5 +00:00:07,279 --> 00:00:08,750 +Library information unit box +registration + +6 +00:00:08,750 --> 00:00:08,760 +registration + + +7 +00:00:08,760 --> 00:00:11,990 +registration +in-114 how may I help you oh a + +8 +00:00:11,990 --> 00:00:12,000 +in-114 how may I help you oh a + + +9 +00:00:12,000 --> 00:00:14,749 +in-114 how may I help you oh a +stereopticon of some sort + +10 +00:00:14,749 --> 00:00:14,759 +stereopticon of some sort + + +11 +00:00:14,759 --> 00:00:17,990 +stereopticon of some sort +stereopticon oh no sir I am a third + +12 +00:00:17,990 --> 00:00:18,000 +stereopticon oh no sir I am a third + + +13 +00:00:18,000 --> 00:00:19,750 +stereopticon oh no sir I am a third +generation Fusion powered photonic with + +14 +00:00:19,750 --> 00:00:19,760 +generation Fusion powered photonic with + + +15 +00:00:19,760 --> 00:00:21,230 +generation Fusion powered photonic with +verbal and visual link capabilities + +16 +00:00:21,230 --> 00:00:21,240 +verbal and visual link capabilities + + +17 +00:00:21,240 --> 00:00:25,669 +verbal and visual link capabilities +connected to every database on the + +18 +00:00:25,669 --> 00:00:25,679 + + + +19 +00:00:25,679 --> 00:00:28,269 + +planet + +20 +00:00:28,269 --> 00:00:28,279 +planet + + +21 +00:00:28,279 --> 00:00:33,950 +planet +photonic a compendium of all human + +22 +00:00:33,950 --> 00:00:33,960 + + + +23 +00:00:33,960 --> 00:00:36,590 + +knowledge area of + +24 +00:00:36,590 --> 00:00:36,600 +knowledge area of + + +25 +00:00:36,600 --> 00:00:38,510 +knowledge area of +inquiry do you know anything about + +26 +00:00:38,510 --> 00:00:38,520 +inquiry do you know anything about + + +27 +00:00:38,520 --> 00:00:44,110 +inquiry do you know anything about +physics ah accessing physics mechanical + +28 +00:00:44,110 --> 00:00:44,120 +physics ah accessing physics mechanical + + +29 +00:00:44,120 --> 00:00:46,869 +physics ah accessing physics mechanical +engineering dimensional Optics + +30 +00:00:46,869 --> 00:00:46,879 +engineering dimensional Optics + + +31 +00:00:46,879 --> 00:00:51,189 +engineering dimensional Optics +pornography temporal causality temporal + +32 +00:00:51,189 --> 00:00:51,199 +pornography temporal causality temporal + + +33 +00:00:51,199 --> 00:00:55,029 +pornography temporal causality temporal +Paradox time travel + +34 +00:00:55,029 --> 00:00:55,039 +Paradox time travel + + +35 +00:00:55,039 --> 00:00:57,630 +Paradox time travel +yes accessing science fiction no no + +36 +00:00:57,630 --> 00:00:57,640 +yes accessing science fiction no no + + +37 +00:00:57,640 --> 00:00:59,990 +yes accessing science fiction no no +practical application my question is why + +38 +00:00:59,990 --> 00:01:00,000 +practical application my question is why + + +39 +00:01:00,000 --> 00:01:02,950 +practical application my question is why +why can't one change the + +40 +00:01:02,950 --> 00:01:02,960 +why can't one change the + + +41 +00:01:02,960 --> 00:01:10,670 +why can't one change the +past because one cannot travel into the + +42 +00:01:10,670 --> 00:01:10,680 + + + +43 +00:01:10,680 --> 00:01:13,990 + +past what if one could one + +44 +00:01:13,990 --> 00:01:14,000 +past what if one could one + + +45 +00:01:14,000 --> 00:01:16,350 +past what if one could one +cannot excuse me this this is something + +46 +00:01:16,350 --> 00:01:16,360 +cannot excuse me this this is something + + +47 +00:01:16,360 --> 00:01:19,149 +cannot excuse me this this is something +you you should trust me on accessing the + +48 +00:01:19,149 --> 00:01:19,159 +you you should trust me on accessing the + + +49 +00:01:19,159 --> 00:01:22,109 +you you should trust me on accessing the +writings of Isaac Asma HG Wells har + +50 +00:01:22,109 --> 00:01:22,119 +writings of Isaac Asma HG Wells har + + +51 +00:01:22,119 --> 00:01:24,950 +writings of Isaac Asma HG Wells har +Ellison Alexander hardigan tell me about + +52 +00:01:24,950 --> 00:01:24,960 +Ellison Alexander hardigan tell me about + + +53 +00:01:24,960 --> 00:01:28,310 +Ellison Alexander hardigan tell me about +him Alexander hardigan 1869 to 1903 + +54 +00:01:28,310 --> 00:01:28,320 +him Alexander hardigan 1869 to 1903 + + +55 +00:01:28,320 --> 00:01:30,190 +him Alexander hardigan 1869 to 1903 +American scientist given to accent + +56 +00:01:30,190 --> 00:01:30,200 +American scientist given to accent + + +57 +00:01:30,200 --> 00:01:32,429 +American scientist given to accent +postulation found writings include Trea + +58 +00:01:32,429 --> 00:01:32,439 +postulation found writings include Trea + + +59 +00:01:32,439 --> 00:01:34,830 +postulation found writings include Trea +on the creation of a time machine tell + +60 +00:01:34,830 --> 00:01:34,840 +on the creation of a time machine tell + + +61 +00:01:34,840 --> 00:01:36,389 +on the creation of a time machine tell +me about the time machine time machine + +62 +00:01:36,389 --> 00:01:36,399 +me about the time machine time machine + + +63 +00:01:36,399 --> 00:01:38,710 +me about the time machine time machine +was written by HD wells in 1894 was + +64 +00:01:38,710 --> 00:01:38,720 +was written by HD wells in 1894 was + + +65 +00:01:38,720 --> 00:01:40,149 +was written by HD wells in 1894 was +later adapted to a Motion Picture by + +66 +00:01:40,149 --> 00:01:40,159 +later adapted to a Motion Picture by + + +67 +00:01:40,159 --> 00:01:41,990 +later adapted to a Motion Picture by +George pal and a stage musical by Andrew + +68 +00:01:41,990 --> 00:01:42,000 +George pal and a stage musical by Andrew + + +69 +00:01:42,000 --> 00:01:44,389 +George pal and a stage musical by Andrew +LD Weber which ran on years would you + +70 +00:01:44,389 --> 00:01:44,399 +LD Weber which ran on years would you + + +71 +00:01:44,399 --> 00:01:45,830 +LD Weber which ran on years would you +like to hear selections from the score + +72 +00:01:45,830 --> 00:01:45,840 +like to hear selections from the score + + +73 +00:01:45,840 --> 00:01:48,389 +like to hear selections from the score +no there's a place called + +74 +00:01:48,389 --> 00:01:48,399 +no there's a place called + + +75 +00:01:48,399 --> 00:01:52,429 +no there's a place called +tomorrow a place of joy not of + +76 +00:01:52,429 --> 00:01:52,439 +tomorrow a place of joy not of + + +77 +00:01:52,439 --> 00:01:55,630 +tomorrow a place of joy not of +Sorrow you + +78 +00:01:55,630 --> 00:01:55,640 +Sorrow you + + +79 +00:01:55,640 --> 00:02:00,550 +Sorrow you +see that's quite enough + +80 +00:02:00,550 --> 00:02:00,560 + + + +81 +00:02:00,560 --> 00:02:04,550 + +will there be anything else uh no no I I + +82 +00:02:04,550 --> 00:02:04,560 +will there be anything else uh no no I I + + +83 +00:02:04,560 --> 00:02:05,910 +will there be anything else uh no no I I +think I'll have better luck in a few + +84 +00:02:05,910 --> 00:02:05,920 +think I'll have better luck in a few + + +85 +00:02:05,920 --> 00:02:12,430 +think I'll have better luck in a few +hundred years the Vlog and prosper + +86 +00:02:12,430 --> 00:02:12,440 + + + +87 +00:02:12,440 --> 00:02:43,509 + +[Music] + diff --git a/2002/RlPaVTRPVLI.description b/2002/RlPaVTRPVLI.description new file mode 100644 index 0000000000000000000000000000000000000000..ddb14c10f3a0a839e88f530e375083e077055968 --- /dev/null +++ b/2002/RlPaVTRPVLI.description @@ -0,0 +1,38 @@ +Defiance movie clips: http://j.mp/1uuolk7 +BUY THE MOVIE: http://j.mp/rTrFeR +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Tommy (Walker Deibel) comes to his brother's rescue. + +FILM DESCRIPTION: +Jim Freivogel stars in this 2002 Western that follows the life of a vengeful young man. His father gunned down by the local heavies, the boy grows up focused on settling the score. But as he sets out to enact his own brand of justice, it becomes clear that it may never be enough. Defiance was the debut feature from Doveed Linder who wrote, produced and directed the film. + +CREDITS: +TM & © Lionsgate (2002) +Cast: +Director: Doveed Linder +Producers: Timothy J. Burke, Steve Cakouros, Ric Dark, Doveed Linder +Screenwriter: Doveed Linder + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/RlPaVTRPVLI.en.srt b/2002/RlPaVTRPVLI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d9bf61f1a9130f14af747366f2730b5b34956077 --- /dev/null +++ b/2002/RlPaVTRPVLI.en.srt @@ -0,0 +1,425 @@ +1 +00:00:06,880 --> 00:00:10,629 + +[Applause] + +2 +00:00:10,629 --> 00:00:10,639 +[Applause] + + +3 +00:00:10,639 --> 00:00:15,750 +[Applause] +hey there will Marcus + +4 +00:00:15,750 --> 00:00:15,760 + + + +5 +00:00:15,760 --> 00:00:17,790 + +Charlie you're kind of far from home + +6 +00:00:17,790 --> 00:00:17,800 +Charlie you're kind of far from home + + +7 +00:00:17,800 --> 00:00:18,870 +Charlie you're kind of far from home +ain't + +8 +00:00:18,870 --> 00:00:18,880 +ain't + + +9 +00:00:18,880 --> 00:00:21,670 +ain't +you hey Charlie don't you think it's + +10 +00:00:21,670 --> 00:00:21,680 +you hey Charlie don't you think it's + + +11 +00:00:21,680 --> 00:00:23,470 +you hey Charlie don't you think it's +kind of funny Wills all the way out here + +12 +00:00:23,470 --> 00:00:23,480 +kind of funny Wills all the way out here + + +13 +00:00:23,480 --> 00:00:26,109 +kind of funny Wills all the way out here +just out for a ride with two + +14 +00:00:26,109 --> 00:00:26,119 +just out for a ride with two + + +15 +00:00:26,119 --> 00:00:27,870 +just out for a ride with two +horses I bet you're going to tell me + +16 +00:00:27,870 --> 00:00:27,880 +horses I bet you're going to tell me + + +17 +00:00:27,880 --> 00:00:30,310 +horses I bet you're going to tell me +ain't seen your brother around neither + +18 +00:00:30,310 --> 00:00:30,320 +ain't seen your brother around neither + + +19 +00:00:30,320 --> 00:00:32,190 +ain't seen your brother around neither +it's been a while well you know whoever + +20 +00:00:32,190 --> 00:00:32,200 +it's been a while well you know whoever + + +21 +00:00:32,200 --> 00:00:34,869 +it's been a while well you know whoever +kills him gets a lot of money why are + +22 +00:00:34,869 --> 00:00:34,879 +kills him gets a lot of money why are + + +23 +00:00:34,879 --> 00:00:37,470 +kills him gets a lot of money why are +you looking to collect yep I haven't + +24 +00:00:37,470 --> 00:00:37,480 +you looking to collect yep I haven't + + +25 +00:00:37,480 --> 00:00:39,869 +you looking to collect yep I haven't +seen him I don't believe that suit + +26 +00:00:39,869 --> 00:00:39,879 +seen him I don't believe that suit + + +27 +00:00:39,879 --> 00:00:41,869 +seen him I don't believe that suit +yourself well might suit me to wait + +28 +00:00:41,869 --> 00:00:41,879 +yourself well might suit me to wait + + +29 +00:00:41,879 --> 00:00:43,190 +yourself well might suit me to wait +around here with + +30 +00:00:43,190 --> 00:00:43,200 +around here with + + +31 +00:00:43,200 --> 00:00:45,950 +around here with +you if you feel the need to I feel the + +32 +00:00:45,950 --> 00:00:45,960 +you if you feel the need to I feel the + + +33 +00:00:45,960 --> 00:00:47,790 +you if you feel the need to I feel the +need I'm thinking your brother's + +34 +00:00:47,790 --> 00:00:47,800 +need I'm thinking your brother's + + +35 +00:00:47,800 --> 00:00:50,910 +need I'm thinking your brother's +somewhere real close I doubt it bet if I + +36 +00:00:50,910 --> 00:00:50,920 +somewhere real close I doubt it bet if I + + +37 +00:00:50,920 --> 00:00:52,349 +somewhere real close I doubt it bet if I +shot your knee youd tell me just about + +38 +00:00:52,349 --> 00:00:52,359 +shot your knee youd tell me just about + + +39 +00:00:52,359 --> 00:00:54,830 +shot your knee youd tell me just about +where he's at uh how can I tell you what + +40 +00:00:54,830 --> 00:00:54,840 +where he's at uh how can I tell you what + + +41 +00:00:54,840 --> 00:00:59,029 +where he's at uh how can I tell you what +I don't know well maybe your + +42 +00:00:59,029 --> 00:00:59,039 +I don't know well maybe your + + +43 +00:00:59,039 --> 00:01:01,349 +I don't know well maybe your +wife knows she doesn't know anything + +44 +00:01:01,349 --> 00:01:01,359 +wife knows she doesn't know anything + + +45 +00:01:01,359 --> 00:01:06,950 +wife knows she doesn't know anything +well maybe I'll just have to give you a + +46 +00:01:06,950 --> 00:01:06,960 + + + +47 +00:01:06,960 --> 00:01:08,749 + +licking I hit you again you going to + +48 +00:01:08,749 --> 00:01:08,759 +licking I hit you again you going to + + +49 +00:01:08,759 --> 00:01:11,950 +licking I hit you again you going to +know where he's at over here + +50 +00:01:11,950 --> 00:01:11,960 +know where he's at over here + + +51 +00:01:11,960 --> 00:01:15,030 +know where he's at over here +Marcus hit him + +52 +00:01:15,030 --> 00:01:15,040 +Marcus hit him + + +53 +00:01:15,040 --> 00:01:19,149 +Marcus hit him +again go on hit + +54 +00:01:19,149 --> 00:01:19,159 + + + +55 +00:01:19,159 --> 00:01:24,390 + +him yeah sure take their guns + +56 +00:01:24,390 --> 00:01:24,400 + + + +57 +00:01:24,400 --> 00:01:26,749 + +will you ain't taking nothing I could + +58 +00:01:26,749 --> 00:01:26,759 +will you ain't taking nothing I could + + +59 +00:01:26,759 --> 00:01:37,270 +will you ain't taking nothing I could +take your life right go on will + +60 +00:01:37,270 --> 00:01:37,280 + + + +61 +00:01:37,280 --> 00:01:38,510 + +you're going to get it soon you no good + +62 +00:01:38,510 --> 00:01:38,520 +you're going to get it soon you no good + + +63 +00:01:38,520 --> 00:01:40,550 +you're going to get it soon you no good +son of a you have to buy a new gun + +64 +00:01:40,550 --> 00:01:40,560 +son of a you have to buy a new gun + + +65 +00:01:40,560 --> 00:01:42,230 +son of a you have to buy a new gun +first when I do I'll be catching up to + +66 +00:01:42,230 --> 00:01:42,240 +first when I do I'll be catching up to + + +67 +00:01:42,240 --> 00:01:50,950 +first when I do I'll be catching up to +you sure you + +68 +00:01:50,950 --> 00:01:50,960 + + + +69 +00:01:50,960 --> 00:01:53,830 + +will what about you little guy you going + +70 +00:01:53,830 --> 00:01:53,840 +will what about you little guy you going + + +71 +00:01:53,840 --> 00:01:56,109 +will what about you little guy you going +to be catching up to me + +72 +00:01:56,109 --> 00:01:56,119 +to be catching up to me + + +73 +00:01:56,119 --> 00:02:00,749 +to be catching up to me +too no I bet Tommy + +74 +00:02:00,749 --> 00:02:00,759 +too no I bet Tommy + + +75 +00:02:00,759 --> 00:02:02,749 +too no I bet Tommy +the brothers took to the trail to escape + +76 +00:02:02,749 --> 00:02:02,759 +the brothers took to the trail to escape + + +77 +00:02:02,759 --> 00:02:06,350 +the brothers took to the trail to escape +the trouble and + +78 +00:02:06,350 --> 00:02:06,360 + + + +79 +00:02:06,360 --> 00:02:10,430 + +Defiance trouble was all they found + +80 +00:02:10,430 --> 00:02:10,440 +Defiance trouble was all they found + + +81 +00:02:10,440 --> 00:02:31,750 +Defiance trouble was all they found +[Music] + +82 +00:02:31,750 --> 00:02:31,760 + + + +83 +00:02:31,760 --> 00:02:35,520 + +St + +84 +00:02:35,520 --> 00:02:35,530 + + + +85 +00:02:35,530 --> 00:02:41,479 + +[Music] + diff --git a/2002/Rn2__xGApzQ.en.srt b/2002/Rn2__xGApzQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..4a786c71e9bf423d195d3f382223a482ceb7f6a5 --- /dev/null +++ b/2002/Rn2__xGApzQ.en.srt @@ -0,0 +1,165 @@ +1 +00:00:17,720 --> 00:00:26,870 + +what how did you how did you get blood + +2 +00:00:26,870 --> 00:00:26,880 +what how did you how did you get blood + + +3 +00:00:26,880 --> 00:00:30,080 +what how did you how did you get blood +all over your shirt are you talking + +4 +00:00:30,080 --> 00:00:30,090 +all over your shirt are you talking + + +5 +00:00:30,090 --> 00:00:34,459 +all over your shirt are you talking +about you only cut your head how did you + +6 +00:00:34,459 --> 00:00:34,469 +about you only cut your head how did you + + +7 +00:00:34,469 --> 00:00:37,520 +about you only cut your head how did you +get blood all over your shirt denial I + +8 +00:00:37,520 --> 00:00:37,530 +get blood all over your shirt denial I + + +9 +00:00:37,530 --> 00:00:42,010 +get blood all over your shirt denial I +was unconscious maybe I bled on you + +10 +00:00:42,010 --> 00:00:42,020 +was unconscious maybe I bled on you + + +11 +00:00:42,020 --> 00:00:46,910 +was unconscious maybe I bled on you +what's wrong you you killed Joe oh I + +12 +00:00:46,910 --> 00:00:46,920 +what's wrong you you killed Joe oh I + + +13 +00:00:46,920 --> 00:00:52,250 +what's wrong you you killed Joe oh I +told you Tom attacked me oh my god yeah + +14 +00:00:52,250 --> 00:00:52,260 +told you Tom attacked me oh my god yeah + + +15 +00:00:52,260 --> 00:00:55,130 +told you Tom attacked me oh my god yeah +calm down listen to yourself this is + +16 +00:00:55,130 --> 00:00:55,140 +calm down listen to yourself this is + + +17 +00:00:55,140 --> 00:01:02,260 +calm down listen to yourself this is +crazy yeah look at me look at me oh + +18 +00:01:02,260 --> 00:01:02,270 +crazy yeah look at me look at me oh + + +19 +00:01:02,270 --> 00:01:05,060 +crazy yeah look at me look at me oh +you're scared we're all scared and none + +20 +00:01:05,060 --> 00:01:05,070 +you're scared we're all scared and none + + +21 +00:01:05,070 --> 00:01:07,880 +you're scared we're all scared and none +of it makes any sense but if you go out + +22 +00:01:07,880 --> 00:01:07,890 +of it makes any sense but if you go out + + +23 +00:01:07,890 --> 00:01:26,920 +of it makes any sense but if you go out +there alone come on trust me + +24 +00:01:26,920 --> 00:01:26,930 + + + +25 +00:01:26,930 --> 00:01:35,240 + +price what now mm ah ah ah he's gonna + +26 +00:01:35,240 --> 00:01:35,250 +price what now mm ah ah ah he's gonna + + +27 +00:01:35,250 --> 00:01:38,899 +price what now mm ah ah ah he's gonna +kill us all Oh believe this focused keep + +28 +00:01:38,899 --> 00:01:38,909 +kill us all Oh believe this focused keep + + +29 +00:01:38,909 --> 00:02:19,980 +kill us all Oh believe this focused keep +focused keep focused ten I see + +30 +00:02:19,980 --> 00:02:19,990 + + + +31 +00:02:19,990 --> 00:02:25,750 + +you + +32 +00:02:25,750 --> 00:02:25,760 + + + +33 +00:02:25,760 --> 00:02:27,819 + +you + diff --git a/2002/S-M0BOzttdg.en.srt b/2002/S-M0BOzttdg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..37ab90e1a60b73fee554d76df03ed77ef1300f90 --- /dev/null +++ b/2002/S-M0BOzttdg.en.srt @@ -0,0 +1,350 @@ +1 +00:00:05,200 --> 00:00:07,309 + +doesn't do to let standards slip cor you + +2 +00:00:07,309 --> 00:00:07,319 +doesn't do to let standards slip cor you + + +3 +00:00:07,319 --> 00:00:09,270 +doesn't do to let standards slip cor you +have a responsibility to these young men + +4 +00:00:09,270 --> 00:00:09,280 +have a responsibility to these young men + + +5 +00:00:09,280 --> 00:00:12,669 +have a responsibility to these young men +yes + +6 +00:00:12,669 --> 00:00:12,679 + + + +7 +00:00:12,679 --> 00:00:15,710 + +sir what is that God awful + +8 +00:00:15,710 --> 00:00:15,720 +sir what is that God awful + + +9 +00:00:15,720 --> 00:00:18,910 +sir what is that God awful +record that's private Quinn + +10 +00:00:18,910 --> 00:00:18,920 +record that's private Quinn + + +11 +00:00:18,920 --> 00:00:21,630 +record that's private Quinn +sir why is he not here for + +12 +00:00:21,630 --> 00:00:21,640 +sir why is he not here for + + +13 +00:00:21,640 --> 00:00:25,029 +sir why is he not here for +inspection + +14 +00:00:25,029 --> 00:00:25,039 + + + +15 +00:00:25,039 --> 00:00:27,429 + +Sergeant why is private Quinn not here + +16 +00:00:27,429 --> 00:00:27,439 +Sergeant why is private Quinn not here + + +17 +00:00:27,439 --> 00:00:31,389 +Sergeant why is private Quinn not here +for inspection + +18 +00:00:31,389 --> 00:00:31,399 + + + +19 +00:00:31,399 --> 00:00:34,549 + +right well done men you fall out I'm + +20 +00:00:34,549 --> 00:00:34,559 +right well done men you fall out I'm + + +21 +00:00:34,559 --> 00:00:35,869 +right well done men you fall out I'm +going to go and have a word with private + +22 +00:00:35,869 --> 00:00:35,879 +going to go and have a word with private + + +23 +00:00:35,879 --> 00:00:38,389 +going to go and have a word with private +quit please don't do that sir he'll kill + +24 +00:00:38,389 --> 00:00:38,399 +quit please don't do that sir he'll kill + + +25 +00:00:38,399 --> 00:00:39,630 +quit please don't do that sir he'll kill +you + +26 +00:00:39,630 --> 00:00:39,640 +you + + +27 +00:00:39,640 --> 00:01:02,310 +you +sir I'm an officer + +28 +00:01:02,310 --> 00:01:02,320 + + + +29 +00:01:02,320 --> 00:01:06,149 + +quit what do you think you're + +30 +00:01:06,149 --> 00:01:06,159 +quit what do you think you're + + +31 +00:01:06,159 --> 00:01:09,109 +quit what do you think you're +doing take that man down and get back to + +32 +00:01:09,109 --> 00:01:09,119 +doing take that man down and get back to + + +33 +00:01:09,119 --> 00:01:12,850 +doing take that man down and get back to +the trench for inspection + +34 +00:01:12,850 --> 00:01:12,860 + + + +35 +00:01:12,860 --> 00:01:24,910 + +[Music] + +36 +00:01:24,910 --> 00:01:24,920 + + + +37 +00:01:24,920 --> 00:01:28,630 + +now take your hands off + +38 +00:01:28,630 --> 00:01:28,640 +now take your hands off + + +39 +00:01:28,640 --> 00:01:31,270 +now take your hands off +me you know what I hate most about this + +40 +00:01:31,270 --> 00:01:33,149 +me you know what I hate most about this + + +41 +00:01:33,149 --> 00:01:33,159 + + + +42 +00:01:33,159 --> 00:01:36,389 + +War it's not a + +43 +00:01:36,389 --> 00:01:36,399 +War it's not a + + +44 +00:01:36,399 --> 00:01:54,190 +War it's not a +mud or the + +45 +00:01:54,190 --> 00:01:54,200 + + + +46 +00:01:54,200 --> 00:01:56,389 + +cold + +47 +00:01:56,389 --> 00:01:56,399 +cold + + +48 +00:01:56,399 --> 00:01:58,270 +cold +s + +49 +00:01:58,270 --> 00:01:58,280 +s + + +50 +00:01:58,280 --> 00:02:07,340 +s +Raven the hand + +51 +00:02:07,340 --> 00:02:07,350 + + + +52 +00:02:07,350 --> 00:02:11,790 + +[Music] + +53 +00:02:11,790 --> 00:02:11,800 + + + +54 +00:02:11,800 --> 00:02:18,790 + +it's the + +55 +00:02:18,790 --> 00:02:18,800 + + + +56 +00:02:18,800 --> 00:02:20,290 + +officers + +57 +00:02:20,290 --> 00:02:20,300 +officers + + +58 +00:02:20,300 --> 00:02:22,470 +officers +[Music] + +59 +00:02:22,470 --> 00:02:22,480 +[Music] + + +60 +00:02:22,480 --> 00:02:27,589 +[Music] +sh make your + +61 +00:02:27,589 --> 00:02:27,599 + + + +62 +00:02:27,599 --> 00:02:30,430 + +PE qu + +63 +00:02:30,430 --> 00:02:30,440 +PE qu + + +64 +00:02:30,440 --> 00:02:36,840 +PE qu +no + +65 +00:02:36,840 --> 00:02:36,850 + + + +66 +00:02:36,850 --> 00:02:43,220 + +[Applause] + +67 +00:02:43,220 --> 00:02:43,230 + + + +68 +00:02:43,230 --> 00:02:48,690 + +[Music] + +69 +00:02:48,690 --> 00:02:48,700 + + + +70 +00:02:48,700 --> 00:03:15,629 + +[Music] + diff --git a/2002/S02T1j9qzwg.description b/2002/S02T1j9qzwg.description new file mode 100644 index 0000000000000000000000000000000000000000..e08870989c0ba1f260438ef66fb6356340169ed0 --- /dev/null +++ b/2002/S02T1j9qzwg.description @@ -0,0 +1,38 @@ +Star Trek: Nemesis movie clips: http://j.mp/1yzoWRg +BUY THE MOVIE: http://amzn.to/xgpdfn +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Picard (Patrick Stewart) tells B-4 (Brent Spiner) about his "brother," Data. + +FILM DESCRIPTION: +The tenth film in Paramount's highly lucrative sci-fi franchise is also positioned as the last for the entire original Next Generation crew. En route to the honeymoon of William Riker (Jonathan Frakes) to Deanna Troi (Marina Sirtis) on her home planet of Betazed, Captain Jean-Luc Picard (Patrick Stewart) and the crew of the U.S.S. Enterprise receive energy readings identical to those uniquely emitted by the positronic brain of android crew member Data (Brent Spiner). Upon investigation, they discover the disassembled parts of an identical android named B4, an early prototype of Data himself, now scattered on the surface of a remote world. As they reassemble B4, the crew receives word from Starfleet that a coup has resulted in the installation of a new Romulan political leader, Shinzon (Tom Hardy), who claims to seek d + +CREDITS: +TM & © Paramount (2002) +Cast: Michael Dorn, Brent Spiner, Patrick Stewart +Director: Stuart Baird +Producers: Marty Hornstein, Peter Lauritson, Gene Roddenberry, Rick Berman +Screenwriters: John Logan, Gene Roddenberry, Brent Spiner, Rick Berman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/S02T1j9qzwg.en.srt b/2002/S02T1j9qzwg.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..7f335800471a187b8da49ed7e7faf974a55b8990 --- /dev/null +++ b/2002/S02T1j9qzwg.en.srt @@ -0,0 +1,305 @@ +1 +00:00:00,280 --> 00:00:02,230 + +but I wanted you to know what kind of + +2 +00:00:02,230 --> 00:00:02,240 +but I wanted you to know what kind of + + +3 +00:00:02,240 --> 00:00:06,590 +but I wanted you to know what kind of +man he was in his quest to be more like + +4 +00:00:06,590 --> 00:00:06,600 +man he was in his quest to be more like + + +5 +00:00:06,600 --> 00:00:09,549 +man he was in his quest to be more like +us he helped us to see what it means to + +6 +00:00:09,549 --> 00:00:09,559 +us he helped us to see what it means to + + +7 +00:00:09,559 --> 00:00:12,589 +us he helped us to see what it means to +be + +8 +00:00:12,589 --> 00:00:12,599 + + + +9 +00:00:12,599 --> 00:00:14,789 + +human + +10 +00:00:14,789 --> 00:00:14,799 +human + + +11 +00:00:14,799 --> 00:00:19,590 +human +my my brother was not + +12 +00:00:19,590 --> 00:00:19,600 + + + +13 +00:00:19,600 --> 00:00:22,589 + +human no he + +14 +00:00:22,589 --> 00:00:22,599 +human no he + + +15 +00:00:22,599 --> 00:00:26,070 +human no he +wasn't but his Wonder his curiosity + +16 +00:00:26,070 --> 00:00:26,080 +wasn't but his Wonder his curiosity + + +17 +00:00:26,080 --> 00:00:29,029 +wasn't but his Wonder his curiosity +about every facet of human nature + +18 +00:00:29,029 --> 00:00:29,039 +about every facet of human nature + + +19 +00:00:29,039 --> 00:00:31,070 +about every facet of human nature +allowed all of us us to see the best + +20 +00:00:31,070 --> 00:00:31,080 +allowed all of us us to see the best + + +21 +00:00:31,080 --> 00:00:34,470 +allowed all of us us to see the best +parts of ourselves he + +22 +00:00:34,470 --> 00:00:34,480 +parts of ourselves he + + +23 +00:00:34,480 --> 00:00:38,389 +parts of ourselves he +evolved he embraced change because he + +24 +00:00:38,389 --> 00:00:38,399 +evolved he embraced change because he + + +25 +00:00:38,399 --> 00:00:43,630 +evolved he embraced change because he +always wanted to be better than he + +26 +00:00:43,630 --> 00:00:43,640 + + + +27 +00:00:43,640 --> 00:00:46,990 + +was + +28 +00:00:46,990 --> 00:00:47,000 + + + +29 +00:00:47,000 --> 00:00:53,790 + +I I do not + +30 +00:00:53,790 --> 00:00:53,800 + + + +31 +00:00:53,800 --> 00:00:58,630 + +understand well I hope someday you + +32 +00:00:58,630 --> 00:00:58,640 + + + +33 +00:00:58,640 --> 00:01:01,189 + +will Captain the warp engines are ready + +34 +00:01:01,189 --> 00:01:01,199 +will Captain the warp engines are ready + + +35 +00:01:01,199 --> 00:01:02,590 +will Captain the warp engines are ready +to go + +36 +00:01:02,590 --> 00:01:02,600 +to go + + +37 +00:01:02,600 --> 00:01:05,149 +to go +online I'm on my way please inform + +38 +00:01:05,149 --> 00:01:05,159 +online I'm on my way please inform + + +39 +00:01:05,159 --> 00:01:10,550 +online I'm on my way please inform +Commander la + +40 +00:01:10,550 --> 00:01:10,560 + + + +41 +00:01:10,560 --> 00:01:14,350 + +Forge we'll talk + +42 +00:01:14,350 --> 00:01:14,360 + + + +43 +00:01:14,360 --> 00:01:16,680 + +later never + +44 +00:01:16,680 --> 00:01:16,690 +later never + + +45 +00:01:16,690 --> 00:01:26,930 +later never +[Music] + +46 +00:01:26,930 --> 00:01:26,940 + + + +47 +00:01:26,940 --> 00:01:31,109 + +[Music] + +48 +00:01:31,109 --> 00:01:31,119 + + + +49 +00:01:31,119 --> 00:01:32,710 + +shining so + +50 +00:01:32,710 --> 00:01:32,720 +shining so + + +51 +00:01:32,720 --> 00:01:36,910 +shining so +bright shining so + +52 +00:01:36,910 --> 00:01:36,920 +bright shining so + + +53 +00:01:36,920 --> 00:01:43,749 +bright shining so +bright + +54 +00:01:43,749 --> 00:01:43,759 + + + +55 +00:01:43,759 --> 00:01:47,760 + +never going so + +56 +00:01:47,760 --> 00:01:47,770 + + + +57 +00:01:47,770 --> 00:01:58,830 + +[Music] + +58 +00:01:58,830 --> 00:01:58,840 + + + +59 +00:01:58,840 --> 00:02:11,150 + +right e + +60 +00:02:11,150 --> 00:02:11,160 + + + +61 +00:02:11,160 --> 00:02:43,500 + +[Music] + diff --git a/2002/S5-Beq8JVsw.en.srt b/2002/S5-Beq8JVsw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..064aa7fba58cbafcc6d6f80174d8a3d73aa1332e --- /dev/null +++ b/2002/S5-Beq8JVsw.en.srt @@ -0,0 +1,515 @@ +1 +00:00:03,240 --> 00:00:08,070 + +and so it's my birthday and really yeah + +2 +00:00:08,070 --> 00:00:08,080 +and so it's my birthday and really yeah + + +3 +00:00:08,080 --> 00:00:11,230 +and so it's my birthday and really yeah +happy + +4 +00:00:11,230 --> 00:00:11,240 + + + +5 +00:00:11,240 --> 00:00:13,829 + +birthday what's your philosophy on + +6 +00:00:13,829 --> 00:00:13,839 +birthday what's your philosophy on + + +7 +00:00:13,839 --> 00:00:16,230 +birthday what's your philosophy on +release you know what bill I I know + +8 +00:00:16,230 --> 00:00:16,240 +release you know what bill I I know + + +9 +00:00:16,240 --> 00:00:17,310 +release you know what bill I I know +where you're going with this and the + +10 +00:00:17,310 --> 00:00:17,320 +where you're going with this and the + + +11 +00:00:17,320 --> 00:00:19,590 +where you're going with this and the +thing is I don't I don't do it so right + +12 +00:00:19,590 --> 00:00:19,600 +thing is I don't I don't do it so right + + +13 +00:00:19,600 --> 00:00:21,870 +thing is I don't I don't do it so right +not even for a little extra + +14 +00:00:21,870 --> 00:00:21,880 +not even for a little extra + + +15 +00:00:21,880 --> 00:00:25,509 +not even for a little extra +money it's not the kind of massage I do + +16 +00:00:25,509 --> 00:00:25,519 +money it's not the kind of massage I do + + +17 +00:00:25,519 --> 00:00:28,349 +money it's not the kind of massage I do +I offer a release of tension and toxins + +18 +00:00:28,349 --> 00:00:28,359 +I offer a release of tension and toxins + + +19 +00:00:28,359 --> 00:00:30,550 +I offer a release of tension and toxins +and sometimes emotion but yes well + +20 +00:00:30,550 --> 00:00:30,560 +and sometimes emotion but yes well + + +21 +00:00:30,560 --> 00:00:32,190 +and sometimes emotion but yes well +that's what I'm talking about I don't do + +22 +00:00:32,190 --> 00:00:32,200 +that's what I'm talking about I don't do + + +23 +00:00:32,200 --> 00:00:34,310 +that's what I'm talking about I don't do +it so it would take 30 seconds oh yeah + +24 +00:00:34,310 --> 00:00:34,320 +it so it would take 30 seconds oh yeah + + +25 +00:00:34,320 --> 00:00:35,869 +it so it would take 30 seconds oh yeah +you can come at 30 seconds do you have a + +26 +00:00:35,869 --> 00:00:35,879 +you can come at 30 seconds do you have a + + +27 +00:00:35,879 --> 00:00:37,950 +you can come at 30 seconds do you have a +second then look I can't do it stop at + +28 +00:00:37,950 --> 00:00:37,960 +second then look I can't do it stop at + + +29 +00:00:37,960 --> 00:00:39,950 +second then look I can't do it stop at +30 seconds $500 what was the last time + +30 +00:00:39,950 --> 00:00:39,960 +30 seconds $500 what was the last time + + +31 +00:00:39,960 --> 00:00:42,029 +30 seconds $500 what was the last time +you made $500 for 30 seconds you're + +32 +00:00:42,029 --> 00:00:42,039 +you made $500 for 30 seconds you're + + +33 +00:00:42,039 --> 00:00:44,750 +you made $500 for 30 seconds you're +cruel not cruel I'm practical I need the + +34 +00:00:44,750 --> 00:00:44,760 +cruel not cruel I'm practical I need the + + +35 +00:00:44,760 --> 00:00:47,950 +cruel not cruel I'm practical I need the +cash I need the release this is + +36 +00:00:47,950 --> 00:00:47,960 +cash I need the release this is + + +37 +00:00:47,960 --> 00:00:54,709 +cash I need the release this is +crazy $500 + +38 +00:00:54,709 --> 00:00:54,719 + + + +39 +00:00:54,719 --> 00:00:57,310 + +in you can't make any + +40 +00:00:57,310 --> 00:00:57,320 +in you can't make any + + +41 +00:00:57,320 --> 00:01:00,150 +in you can't make any +noise police is noisy mm- you you can + +42 +00:01:00,150 --> 00:01:00,160 +noise police is noisy mm- you you can + + +43 +00:01:00,160 --> 00:01:02,110 +noise police is noisy mm- you you can +audibly exhale you can't moan or grunt + +44 +00:01:02,110 --> 00:01:02,120 +audibly exhale you can't moan or grunt + + +45 +00:01:02,120 --> 00:01:03,950 +audibly exhale you can't moan or grunt +or side can't moan or grunt or side just + +46 +00:01:03,950 --> 00:01:03,960 +or side can't moan or grunt or side just + + +47 +00:01:03,960 --> 00:01:05,910 +or side can't moan or grunt or side just +audible exhale + +48 +00:01:05,910 --> 00:01:05,920 +audible exhale + + +49 +00:01:05,920 --> 00:01:08,910 +audible exhale +yes no too loud and if you do it it's + +50 +00:01:08,910 --> 00:01:08,920 +yes no too loud and if you do it it's + + +51 +00:01:08,920 --> 00:01:10,270 +yes no too loud and if you do it it's +too much all right you know what I'll be + +52 +00:01:10,270 --> 00:01:10,280 +too much all right you know what I'll be + + +53 +00:01:10,280 --> 00:01:12,469 +too much all right you know what I'll be +quiet okay and I'll be + +54 +00:01:12,469 --> 00:01:12,479 +quiet okay and I'll be + + +55 +00:01:12,479 --> 00:01:14,270 +quiet okay and I'll be +quiet you + +56 +00:01:14,270 --> 00:01:14,280 +quiet you + + +57 +00:01:14,280 --> 00:01:15,789 +quiet you +ready + +58 +00:01:15,789 --> 00:01:15,799 +ready + + +59 +00:01:15,799 --> 00:01:18,350 +ready + you + +60 +00:01:18,350 --> 00:01:18,360 +you + + +61 +00:01:18,360 --> 00:01:20,990 +you +ready you just hand me that plastic bag + +62 +00:01:20,990 --> 00:01:21,000 +ready you just hand me that plastic bag + + +63 +00:01:21,000 --> 00:01:21,749 +ready you just hand me that plastic bag +right + +64 +00:01:21,749 --> 00:01:21,759 +right + + +65 +00:01:21,759 --> 00:01:52,350 +right +there well why no reason + +66 +00:01:52,350 --> 00:01:52,360 + + + +67 +00:01:52,360 --> 00:02:10,190 + +oh my God + +68 +00:02:10,190 --> 00:02:10,200 + + + +69 +00:02:10,200 --> 00:02:18,630 + +thank + +70 +00:02:18,630 --> 00:02:18,640 + + + +71 +00:02:18,640 --> 00:02:20,550 + +you + +72 +00:02:20,550 --> 00:02:20,560 +you + + +73 +00:02:20,560 --> 00:02:24,150 +you + hey an what I'm sorry I thought I + +74 +00:02:24,150 --> 00:02:24,160 +hey an what I'm sorry I thought I + + +75 +00:02:24,160 --> 00:02:26,509 +hey an what I'm sorry I thought I +had more cash on me that's okay Bill I + +76 +00:02:26,509 --> 00:02:26,519 +had more cash on me that's okay Bill I + + +77 +00:02:26,519 --> 00:02:28,229 +had more cash on me that's okay Bill I +saw an ATM in the lobby you know what + +78 +00:02:28,229 --> 00:02:28,239 +saw an ATM in the lobby you know what + + +79 +00:02:28,239 --> 00:02:30,710 +saw an ATM in the lobby you know what +there's a limit + +80 +00:02:30,710 --> 00:02:30,720 +there's a limit + + +81 +00:02:30,720 --> 00:02:32,150 +there's a limit +there's a + +82 +00:02:32,150 --> 00:02:32,160 +there's a + + +83 +00:02:32,160 --> 00:02:34,550 +there's a +limit to the machine you can only get + +84 +00:02:34,550 --> 00:02:34,560 +limit to the machine you can only get + + +85 +00:02:34,560 --> 00:02:36,630 +limit to the machine you can only get +$300 out could you move that please that + +86 +00:02:36,630 --> 00:02:36,640 +$300 out could you move that please that + + +87 +00:02:36,640 --> 00:02:40,350 +$300 out could you move that please that +bag you're kidding no I'm not + +88 +00:02:40,350 --> 00:02:40,360 +bag you're kidding no I'm not + + +89 +00:02:40,360 --> 00:02:43,750 +bag you're kidding no I'm not +kidding I feel bad you should you should + +90 +00:02:43,750 --> 00:02:43,760 +kidding I feel bad you should you should + + +91 +00:02:43,760 --> 00:02:52,110 +kidding I feel bad you should you should +feel really bad in MA + +92 +00:02:52,110 --> 00:02:52,120 + + + +93 +00:02:52,120 --> 00:02:55,589 + +shine hold on forget it just hold on a + +94 +00:02:55,589 --> 00:02:55,599 +shine hold on forget it just hold on a + + +95 +00:02:55,599 --> 00:02:57,710 +shine hold on forget it just hold on a +second you know what forget it it's + +96 +00:02:57,710 --> 00:02:57,720 +second you know what forget it it's + + +97 +00:02:57,720 --> 00:03:00,070 +second you know what forget it it's +pathetic + +98 +00:03:00,070 --> 00:03:00,080 +pathetic + + +99 +00:03:00,080 --> 00:03:03,390 +pathetic +M ha equals money I mean give me + +100 +00:03:03,390 --> 00:03:03,400 +M ha equals money I mean give me + + +101 +00:03:03,400 --> 00:03:08,110 +M ha equals money I mean give me +bu + +102 +00:03:08,110 --> 00:03:08,120 + + + +103 +00:03:08,120 --> 00:03:37,349 + +[Music] + diff --git a/2002/S7rZsWVUAFI.en.srt b/2002/S7rZsWVUAFI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..5b7a3b5deff71c633b5d5781e81adbdad05314fb --- /dev/null +++ b/2002/S7rZsWVUAFI.en.srt @@ -0,0 +1,215 @@ +1 +00:00:00,680 --> 00:00:03,790 + +look there it's m riding past the moon + +2 +00:00:03,790 --> 00:00:03,800 +look there it's m riding past the moon + + +3 +00:00:03,800 --> 00:00:05,190 +look there it's m riding past the moon +on his + +4 +00:00:05,190 --> 00:00:05,200 +on his + + +5 +00:00:05,200 --> 00:00:07,349 +on his +bike there look right there can you not + +6 +00:00:07,349 --> 00:00:07,359 +bike there look right there can you not + + +7 +00:00:07,359 --> 00:00:10,870 +bike there look right there can you not +see him waving + +8 +00:00:10,870 --> 00:00:10,880 +see him waving + + +9 +00:00:10,880 --> 00:00:12,430 +see him waving +no + +10 +00:00:12,430 --> 00:00:12,440 +no + + +11 +00:00:12,440 --> 00:00:15,590 +no +there he's there flying past + +12 +00:00:15,590 --> 00:00:15,600 +there he's there flying past + + +13 +00:00:15,600 --> 00:00:18,910 +there he's there flying past +the can you see him no you don't see him + +14 +00:00:18,910 --> 00:00:18,920 +the can you see him no you don't see him + + +15 +00:00:18,920 --> 00:00:22,150 +the can you see him no you don't see him +waving to you he's waving goodbye just + +16 +00:00:22,150 --> 00:00:22,160 +waving to you he's waving goodbye just + + +17 +00:00:22,160 --> 00:00:23,109 +waving to you he's waving goodbye just +like he + +18 +00:00:23,109 --> 00:00:23,119 +like he + + +19 +00:00:23,119 --> 00:00:26,429 +like he +promised oh yeah + +20 +00:00:26,429 --> 00:00:26,439 +promised oh yeah + + +21 +00:00:26,439 --> 00:00:28,749 +promised oh yeah +bye by + +22 +00:00:28,749 --> 00:00:28,759 +bye by + + +23 +00:00:28,759 --> 00:00:32,030 +bye by +bye bye + +24 +00:00:32,030 --> 00:00:32,040 + + + +25 +00:00:32,040 --> 00:00:33,950 + +after + +26 +00:00:33,950 --> 00:00:33,960 +after + + +27 +00:00:33,960 --> 00:00:42,029 +after +Frank after Frankie look + +28 +00:00:42,029 --> 00:00:42,039 + + + +29 +00:00:42,039 --> 00:00:46,950 + +after and then I asked for my third + +30 +00:00:46,950 --> 00:00:46,960 + + + +31 +00:00:46,960 --> 00:00:51,389 + +wish say goodby Frankie + +32 +00:00:51,389 --> 00:00:51,399 + + + +33 +00:00:51,399 --> 00:00:54,110 + +dad + +34 +00:00:54,110 --> 00:00:54,120 +dad + + +35 +00:00:54,120 --> 00:01:06,429 +dad +what white Frankie + +36 +00:01:06,429 --> 00:01:06,439 + + + +37 +00:01:06,439 --> 00:01:48,990 + +you can't hear you Dad + +38 +00:01:48,990 --> 00:01:49,000 + + + +39 +00:01:49,000 --> 00:01:58,830 + +dad wants + +40 +00:01:58,830 --> 00:01:58,840 + + + +41 +00:01:58,840 --> 00:02:07,010 + +you e + +42 +00:02:07,010 --> 00:02:07,020 + + + +43 +00:02:07,020 --> 00:02:36,229 + +[Music] + diff --git a/2002/SCXs7OphbUU.description b/2002/SCXs7OphbUU.description new file mode 100644 index 0000000000000000000000000000000000000000..af6ed1fb1129d25d9ee4bb389818c749b4fd6c67 --- /dev/null +++ b/2002/SCXs7OphbUU.description @@ -0,0 +1,38 @@ +Confessions of a Dangerous Mind movie clips: http://j.mp/1CNfB7s +BUY THE MOVIE: http://amzn.to/rIkFap +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Chuck (Sam Rockwell) gets his start in television working as an N.B.C. tour page. The job has its perks. + +FILM DESCRIPTION: +Chuck Barris is best known to most Americans as the guy who used to host The Gong Show. He was also the creator and producer of The Dating Game, The Newlywed Game, and a handful of other successful game shows in the 1960s and 1970s. But was he also a hired killer working with the CIA? That's the take-it-or-leave-it premise of Confessions of a Dangerous Mind, based on the memoir of the same name by Chuck Barris. Barris (Sam Rockwell) grows up dreaming of success in show biz and winning the hearts of beautiful women, but early on, he meets with plenty of resistance from both women and the television industry, despite writing the hit tune "Palisades Park" and scoring a job with Dick Clark on American Bandstand. The 1960s proves more fortunate for Barris; he meets the love of his life, Penny (Drew Barrymore), and sells ABC on the idea of The Dating Game. However, after the show has made him wealthy and successful, Barris is approached by the mysterious Jim Byrd (George Clooney), a CIA agent who wants to recruit Barris as a covert operative. Barris finds the notion of playing spy games intriguing and agrees, but soon discovers what Byrd and his partners really want is for Barris to assassinate uncooperative figures around the world. Soon, Barris finds that his life has been all but taken over by Byrd and another CIA agent, the mysterious and sexy Patricia (Julia Roberts). As he hops the globe, killing people in the name of American security (using his status as a Dating Game chaperone as a cover), Barris learns that the KGB has discovered his not-so-little secret and that his own life is in great danger. Confessions of a Dangerous Mind marked the directorial debut of actor George Clooney, working from a screenplay adapted by Charlie Kaufman from Barris' book. Dick Clark, Dating Game host Jim Lange, frequent Gong Show panelist Jaye P. Morgan, and Gene Gene Patton appear as themselves. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Sam Rockwell +Director: George Clooney +Producers: Amy Minda Cohen, Stephen Evans, Jonathan Gordon, Gym Hinderer, Andrew Lazar, Rand Ravich, Far Shariat, Steven Soderbergh, Jeffrey Sudzin, Bob Weinstein, Harvey Weinstein +Screenwriters: Chuck Barris, Charlie Kaufman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/SCXs7OphbUU.en.srt b/2002/SCXs7OphbUU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..cc525ba2e195b66e1cf8c30d2dbf54de003483bc --- /dev/null +++ b/2002/SCXs7OphbUU.en.srt @@ -0,0 +1,435 @@ +1 +00:00:00,160 --> 00:00:02,389 + +L across the Avenue is you're right + +2 +00:00:02,389 --> 00:00:02,399 +L across the Avenue is you're right + + +3 +00:00:02,399 --> 00:00:04,349 +L across the Avenue is you're right +again I had heard that television was an + +4 +00:00:04,349 --> 00:00:04,359 +again I had heard that television was an + + +5 +00:00:04,359 --> 00:00:07,389 +again I had heard that television was an +industry with a future so I packed up + +6 +00:00:07,389 --> 00:00:07,399 +industry with a future so I packed up + + +7 +00:00:07,399 --> 00:00:09,950 +industry with a future so I packed up +and moved from Philly to + +8 +00:00:09,950 --> 00:00:09,960 +and moved from Philly to + + +9 +00:00:09,960 --> 00:00:12,270 +and moved from Philly to +Manhattan we began making commercial + +10 +00:00:12,270 --> 00:00:12,280 +Manhattan we began making commercial + + +11 +00:00:12,280 --> 00:00:16,870 +Manhattan we began making commercial +broadcasts in 1941 and in 1953 NBC made + +12 +00:00:16,870 --> 00:00:16,880 +broadcasts in 1941 and in 1953 NBC made + + +13 +00:00:16,880 --> 00:00:19,470 +broadcasts in 1941 and in 1953 NBC made +the first ever color telecast by Network + +14 +00:00:19,470 --> 00:00:19,480 +the first ever color telecast by Network + + +15 +00:00:19,480 --> 00:00:22,029 +the first ever color telecast by Network +during the Colgate Comedy Hour now we'll + +16 +00:00:22,029 --> 00:00:22,039 +during the Colgate Comedy Hour now we'll + + +17 +00:00:22,039 --> 00:00:23,189 +during the Colgate Comedy Hour now we'll +have a look at the studio where they + +18 +00:00:23,189 --> 00:00:23,199 +have a look at the studio where they + + +19 +00:00:23,199 --> 00:00:26,429 +have a look at the studio where they +produced The Today Show which NBC began + +20 +00:00:26,429 --> 00:00:26,439 +produced The Today Show which NBC began + + +21 +00:00:26,439 --> 00:00:28,509 +produced The Today Show which NBC began +broadcasting in + +22 +00:00:28,509 --> 00:00:28,519 +broadcasting in + + +23 +00:00:28,519 --> 00:00:30,710 +broadcasting in +1952 excuse me do you know where I can + +24 +00:00:30,710 --> 00:00:30,720 +1952 excuse me do you know where I can + + +25 +00:00:30,720 --> 00:00:34,630 +1952 excuse me do you know where I can +apply for emby page the Perry Como show + +26 +00:00:34,630 --> 00:00:34,640 +apply for emby page the Perry Como show + + +27 +00:00:34,640 --> 00:00:36,830 +apply for emby page the Perry Como show +which you can tune in on Saturdays at + +28 +00:00:36,830 --> 00:00:36,840 +which you can tune in on Saturdays at + + +29 +00:00:36,840 --> 00:00:39,590 +which you can tune in on Saturdays at +7:30 the N King Cole show which you + +30 +00:00:39,590 --> 00:00:39,600 +7:30 the N King Cole show which you + + +31 +00:00:39,600 --> 00:00:41,790 +7:30 the N King Cole show which you +won't want to miss on Tuesdays at 8:00 + +32 +00:00:41,790 --> 00:00:41,800 +won't want to miss on Tuesdays at 8:00 + + +33 +00:00:41,800 --> 00:00:45,189 +won't want to miss on Tuesdays at 8:00 +p.m. and hold on one + +34 +00:00:45,189 --> 00:00:45,199 +p.m. and hold on one + + +35 +00:00:45,199 --> 00:00:48,910 +p.m. and hold on one +second okay and my personal favorite the + +36 +00:00:48,910 --> 00:00:48,920 +second okay and my personal favorite the + + +37 +00:00:48,920 --> 00:00:51,750 +second okay and my personal favorite the +Lux show starring Rosemary Clooney you + +38 +00:00:51,750 --> 00:00:51,760 +Lux show starring Rosemary Clooney you + + +39 +00:00:51,760 --> 00:00:54,029 +Lux show starring Rosemary Clooney you +can enjoy every Thursday since 10 and of + +40 +00:00:54,029 --> 00:00:54,039 +can enjoy every Thursday since 10 and of + + +41 +00:00:54,039 --> 00:00:55,349 +can enjoy every Thursday since 10 and of +course the Steve Allen Show which + +42 +00:00:55,349 --> 00:00:55,359 +course the Steve Allen Show which + + +43 +00:00:55,359 --> 00:00:57,310 +course the Steve Allen Show which +Delights us every Sunday at 8 you may + +44 +00:00:57,310 --> 00:00:57,320 +Delights us every Sunday at 8 you may + + +45 +00:00:57,320 --> 00:00:58,709 +Delights us every Sunday at 8 you may +also be interested to know that Steve + +46 +00:00:58,709 --> 00:00:58,719 +also be interested to know that Steve + + +47 +00:00:58,719 --> 00:01:00,349 +also be interested to know that Steve +Allen actually got his start an + +48 +00:01:00,349 --> 00:01:00,359 +Allen actually got his start an + + +49 +00:01:00,359 --> 00:01:02,549 +Allen actually got his start an +entertainment as an NBC page ladies and + +50 +00:01:02,549 --> 00:01:02,559 +entertainment as an NBC page ladies and + + +51 +00:01:02,559 --> 00:01:05,109 +entertainment as an NBC page ladies and +gentlemen if you follow me Raymond in + +52 +00:01:05,109 --> 00:01:05,119 +gentlemen if you follow me Raymond in + + +53 +00:01:05,119 --> 00:01:08,230 +gentlemen if you follow me Raymond in +accounting he's kind of cute huh cute is + +54 +00:01:08,230 --> 00:01:08,240 +accounting he's kind of cute huh cute is + + +55 +00:01:08,240 --> 00:01:10,789 +accounting he's kind of cute huh cute is +all well and good marann but what you + +56 +00:01:10,789 --> 00:01:10,799 +all well and good marann but what you + + +57 +00:01:10,799 --> 00:01:14,190 +all well and good marann but what you +want is a man who's going places a + +58 +00:01:14,190 --> 00:01:14,200 +want is a man who's going places a + + +59 +00:01:14,200 --> 00:01:17,990 +want is a man who's going places a +go-getter on the management Fast Track + +60 +00:01:17,990 --> 00:01:18,000 +go-getter on the management Fast Track + + +61 +00:01:18,000 --> 00:01:19,910 +go-getter on the management Fast Track +uh Mr Waters you Management training + +62 +00:01:19,910 --> 00:01:19,920 +uh Mr Waters you Management training + + +63 +00:01:19,920 --> 00:01:21,870 +uh Mr Waters you Management training +application please + +64 +00:01:21,870 --> 00:01:21,880 +application please + + +65 +00:01:21,880 --> 00:01:23,990 +application please +mayor how many people applying for this + +66 +00:01:23,990 --> 00:01:24,000 +mayor how many people applying for this + + +67 +00:01:24,000 --> 00:01:26,950 +mayor how many people applying for this +so far let's see including you about + +68 +00:01:26,950 --> 00:01:26,960 +so far let's see including you about + + +69 +00:01:26,960 --> 00:01:35,830 +so far let's see including you about +2,000 for how many positions five + +70 +00:01:35,830 --> 00:01:35,840 + + + +71 +00:01:35,840 --> 00:01:42,749 + +thanks + +72 +00:01:42,749 --> 00:01:42,759 + + + +73 +00:01:42,759 --> 00:01:45,469 + +ma'am sometimes as a younger man I + +74 +00:01:45,469 --> 00:01:45,479 +ma'am sometimes as a younger man I + + +75 +00:01:45,479 --> 00:01:47,709 +ma'am sometimes as a younger man I +stretch the truth to get what I wanted + +76 +00:01:47,709 --> 00:01:47,719 +stretch the truth to get what I wanted + + +77 +00:01:47,719 --> 00:01:49,550 +stretch the truth to get what I wanted +tell me again head of network sales at + +78 +00:01:49,550 --> 00:01:49,560 +tell me again head of network sales at + + +79 +00:01:49,560 --> 00:01:53,389 +tell me again head of network sales at +30 head of the entire network by 40 I + +80 +00:01:53,389 --> 00:01:53,399 +30 head of the entire network by 40 I + + +81 +00:01:53,399 --> 00:01:57,029 +30 head of the entire network by 40 I +love you Mr Chuck Paris management + +82 +00:01:57,029 --> 00:01:57,039 +love you Mr Chuck Paris management + + +83 +00:01:57,039 --> 00:02:01,950 +love you Mr Chuck Paris management +traine + +84 +00:02:01,950 --> 00:02:01,960 + + + +85 +00:02:01,960 --> 00:02:04,420 + +life was sweet + +86 +00:02:04,420 --> 00:02:04,430 +life was sweet + + +87 +00:02:04,430 --> 00:02:35,479 +life was sweet +[Music] + diff --git a/2002/SHgs3LFLBzY.description b/2002/SHgs3LFLBzY.description new file mode 100644 index 0000000000000000000000000000000000000000..9e196a572a16e447af1374532704285c85bd8963 --- /dev/null +++ b/2002/SHgs3LFLBzY.description @@ -0,0 +1,38 @@ +The Bourne Identity movie clips: http://j.mp/1JaLRFI +BUY THE MOVIE: http://amzn.to/sBURxM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +When a pair of policemen roust him from a park in Zurich, Bourne (Matt Damon) swiftly disarms them. + +FILM DESCRIPTION: +The best-selling suspense novel by late author Robert Ludlum comes to the screen for a second time, following a 1988 made-for-TV movie. Matt Damon stars as Jason Bourne, a barely alive amnesiac with a pair of bullet wounds in his back, pulled from the Mediterranean by Italian fishermen. Bourne's only clue to his own identity is a bank account number etched on a capsule implanted in his body. He quickly finds the Zurich bank where money, a gun, and a few identification documents await, but after he's pursued by security goons at the American consulate, Bourne realizes he can trust no one and offers a German gypsy named Marie (Franka Potente) ten thousand dollars for a ride to Paris. Encountering more professional killers bent on his destruction, Bourne discovers that he possesses a surprising degree of skill in combat, martial arts, and linguistics -- handy talents that clearly indicate his past includes work as a spy and assassin, but for whom? With Marie's reluctant help, Bourne edges closer to the truth, something CIA officials want concealed at all costs. The Bourne Identity co-stars Chris Cooper, Clive Owen, Brian Cox, and Julia Stiles. + +CREDITS: +TM & © Universal (2002) +Cast: Joseph Beddelin, Matt Damon, Rainer Werner +Director: Doug Liman +Producers: Patrick Crowley, Richard N. Gladstein, Doug Liman, Robert Ludlum, Frank Marshall, David Minkowski, Matthew Stillman, Andrew R. Tennenbaum +Screenwriters: Tony Gilroy, W. Blake Herron, Robert Ludlum + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/SHgs3LFLBzY.en.srt b/2002/SHgs3LFLBzY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..ccb95979a1f69ba939248ac29e02e2b96dbd4af0 --- /dev/null +++ b/2002/SHgs3LFLBzY.en.srt @@ -0,0 +1,105 @@ +1 +00:00:07,920 --> 00:00:10,230 + +Look, you can't read the sign. + +2 +00:00:10,230 --> 00:00:10,240 +Look, you can't read the sign. + + +3 +00:00:10,240 --> 00:00:14,190 +Look, you can't read the sign. +So get up, get up, now the + +4 +00:00:14,190 --> 00:00:14,200 +So get up, get up, now the + + +5 +00:00:14,200 --> 00:00:15,589 +So get up, get up, now the +park is closed. You ca + +6 +00:00:15,589 --> 00:00:15,599 +park is closed. You ca + + +7 +00:00:15,599 --> 00:00:17,310 +park is closed. You ca +n't + +8 +00:00:17,310 --> 00:00:17,320 +n't + + +9 +00:00:17,320 --> 00:00:21,590 +n't +sleep here. Show me your + +10 +00:00:21,590 --> 00:00:21,600 + + + +11 +00:00:21,600 --> 00:00:24,870 + +ID, + +12 +00:00:24,870 --> 00:00:24,880 + + + +13 +00:00:24,880 --> 00:00:31,070 + +PAP. My PAP. I've lost it. + +14 +00:00:31,070 --> 00:00:31,080 + + + +15 +00:00:31,080 --> 00:00:33,670 + +Enough, get up there now. + +16 +00:00:33,670 --> 00:00:33,680 +Enough, get up there now. + + +17 +00:00:33,680 --> 00:00:38,470 +Enough, get up there now. +I need to sleep. Come on, hey, + +18 +00:00:38,470 --> 00:00:38,480 +I need to sleep. Come on, hey, + + +19 +00:00:38,480 --> 00:00:58,380 +I need to sleep. Come on, hey, +get up, get up. + +20 +00:00:58,380 --> 00:00:58,390 + + + +21 +00:00:58,390 --> 00:01:29,440 + +[Music] + diff --git a/2002/SK4l-e7UvRs.en.srt b/2002/SK4l-e7UvRs.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..4d4578b8f98549ecaf9be8b9d47aa8bd5d036dd7 --- /dev/null +++ b/2002/SK4l-e7UvRs.en.srt @@ -0,0 +1,145 @@ +1 +00:00:00,400 --> 00:00:01,510 + +[Applause] + +2 +00:00:01,510 --> 00:00:01,520 +[Applause] + + +3 +00:00:01,520 --> 00:00:02,629 +[Applause] +ladies and + +4 +00:00:02,629 --> 00:00:02,639 +ladies and + + +5 +00:00:02,639 --> 00:00:05,710 +ladies and +gentlemen the hour is upon + +6 +00:00:05,710 --> 00:00:05,720 +gentlemen the hour is upon + + +7 +00:00:05,720 --> 00:00:09,629 +gentlemen the hour is upon +us I'd like now to ask you to leave in a + +8 +00:00:09,629 --> 00:00:09,639 +us I'd like now to ask you to leave in a + + +9 +00:00:09,639 --> 00:00:15,109 +us I'd like now to ask you to leave in a +disorderly + +10 +00:00:15,109 --> 00:00:15,119 + + + +11 +00:00:15,119 --> 00:00:20,029 + +fashion before you do before you do I I + +12 +00:00:20,029 --> 00:00:20,039 +fashion before you do before you do I I + + +13 +00:00:20,039 --> 00:00:23,589 +fashion before you do before you do I I +want you to invade the officers which + +14 +00:00:23,589 --> 00:00:23,599 +want you to invade the officers which + + +15 +00:00:23,599 --> 00:00:25,710 +want you to invade the officers which +are over there in the corner through + +16 +00:00:25,710 --> 00:00:25,720 +are over there in the corner through + + +17 +00:00:25,720 --> 00:00:27,470 +are over there in the corner through +that door over there and as far as you + +18 +00:00:27,470 --> 00:00:27,480 +that door over there and as far as you + + +19 +00:00:27,480 --> 00:00:33,869 +that door over there and as far as you +can loot them + +20 +00:00:33,869 --> 00:00:33,879 + + + +21 +00:00:33,879 --> 00:00:36,750 + +office equipment computers musical + +22 +00:00:36,750 --> 00:00:36,760 +office equipment computers musical + + +23 +00:00:36,760 --> 00:00:41,430 +office equipment computers musical +equipment take it all use it wisely let + +24 +00:00:41,430 --> 00:00:41,440 +equipment take it all use it wisely let + + +25 +00:00:41,440 --> 00:00:44,869 +equipment take it all use it wisely let +a thousand mancunians Bloom good night + +26 +00:00:44,869 --> 00:00:44,879 +a thousand mancunians Bloom good night + + +27 +00:00:44,879 --> 00:00:50,140 +a thousand mancunians Bloom good night +God bless + +28 +00:00:50,140 --> 00:00:50,150 + + + +29 +00:00:50,150 --> 00:01:17,250 + +[Music] + diff --git a/2002/SVSzVDnvkHw.en.srt b/2002/SVSzVDnvkHw.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d089ed0ee30551c8af8f05b0ccb32f7ebc2dfb2d --- /dev/null +++ b/2002/SVSzVDnvkHw.en.srt @@ -0,0 +1,415 @@ +1 +00:00:15,799 --> 00:00:20,269 + +okay now if it gets too cold or too + +2 +00:00:20,269 --> 00:00:20,279 +okay now if it gets too cold or too + + +3 +00:00:20,279 --> 00:00:23,710 +okay now if it gets too cold or too +scary you just tell us don't worry dad I + +4 +00:00:23,710 --> 00:00:23,720 +scary you just tell us don't worry dad I + + +5 +00:00:23,720 --> 00:00:26,109 +scary you just tell us don't worry dad I +can handle + +6 +00:00:26,109 --> 00:00:26,119 +can handle + + +7 +00:00:26,119 --> 00:00:29,029 +can handle +it or Yank on the string we'll pull you + +8 +00:00:29,029 --> 00:00:29,039 +it or Yank on the string we'll pull you + + +9 +00:00:29,039 --> 00:00:32,289 +it or Yank on the string we'll pull you +right up we'll do + +10 +00:00:32,289 --> 00:00:32,299 + + + +11 +00:00:32,299 --> 00:00:36,950 + +[Music] + +12 +00:00:36,950 --> 00:00:36,960 + + + +13 +00:00:36,960 --> 00:00:40,110 + +how's it so far wet there's a lot of + +14 +00:00:40,110 --> 00:00:40,120 +how's it so far wet there's a lot of + + +15 +00:00:40,120 --> 00:00:42,389 +how's it so far wet there's a lot of +slimy stuff all over the walls what does + +16 +00:00:42,389 --> 00:00:42,399 +slimy stuff all over the walls what does + + +17 +00:00:42,399 --> 00:00:46,630 +slimy stuff all over the walls what does +it look like like the inside of your + +18 +00:00:46,630 --> 00:00:46,640 +it look like like the inside of your + + +19 +00:00:46,640 --> 00:00:49,830 +it look like like the inside of your +nose can you see the bottom yet no just + +20 +00:00:49,830 --> 00:00:49,840 +nose can you see the bottom yet no just + + +21 +00:00:49,840 --> 00:00:52,029 +nose can you see the bottom yet no just +more pipe and and everything we ate for + +22 +00:00:52,029 --> 00:00:52,039 +more pipe and and everything we ate for + + +23 +00:00:52,039 --> 00:00:54,510 +more pipe and and everything we ate for +dinner last week and the pipe just seems + +24 +00:00:54,510 --> 00:00:54,520 +dinner last week and the pipe just seems + + +25 +00:00:54,520 --> 00:00:57,869 +dinner last week and the pipe just seems +to go on and on and on well the plumers + +26 +00:00:57,869 --> 00:00:57,879 +to go on and on and on well the plumers + + +27 +00:00:57,879 --> 00:01:01,389 +to go on and on and on well the plumers +said what's going on is that a new + +28 +00:01:01,389 --> 00:01:01,399 +said what's going on is that a new + + +29 +00:01:01,399 --> 00:01:04,990 +said what's going on is that a new +top you know you you have such taste + +30 +00:01:04,990 --> 00:01:05,000 +top you know you you have such taste + + +31 +00:01:05,000 --> 00:01:07,550 +top you know you you have such taste +simple Elegance is what I call it what's + +32 +00:01:07,550 --> 00:01:07,560 +simple Elegance is what I call it what's + + +33 +00:01:07,560 --> 00:01:09,510 +simple Elegance is what I call it what's +on the other end of that string of this + +34 +00:01:09,510 --> 00:01:09,520 +on the other end of that string of this + + +35 +00:01:09,520 --> 00:01:10,630 +on the other end of that string of this +string + +36 +00:01:10,630 --> 00:01:10,640 +string + + +37 +00:01:10,640 --> 00:01:14,030 +string +yes well now don't get excited but + +38 +00:01:14,030 --> 00:01:14,040 +yes well now don't get excited but + + +39 +00:01:14,040 --> 00:01:16,109 +yes well now don't get excited but +someone that you and I love has + +40 +00:01:16,109 --> 00:01:16,119 +someone that you and I love has + + +41 +00:01:16,119 --> 00:01:18,510 +someone that you and I love has +volunteered to go down the drain to get + +42 +00:01:18,510 --> 00:01:18,520 +volunteered to go down the drain to get + + +43 +00:01:18,520 --> 00:01:22,350 +volunteered to go down the drain to get +your ring steuart good guess Mom steuart + +44 +00:01:22,350 --> 00:01:22,360 +your ring steuart good guess Mom steuart + + +45 +00:01:22,360 --> 00:01:24,109 +your ring steuart good guess Mom steuart +we let our son go down the kitchen drain + +46 +00:01:24,109 --> 00:01:24,119 +we let our son go down the kitchen drain + + +47 +00:01:24,119 --> 00:01:26,390 +we let our son go down the kitchen drain +now Elanor don't don't be upset it's all + +48 +00:01:26,390 --> 00:01:26,400 +now Elanor don't don't be upset it's all + + +49 +00:01:26,400 --> 00:01:27,710 +now Elanor don't don't be upset it's all +been well thought out if there's a + +50 +00:01:27,710 --> 00:01:27,720 +been well thought out if there's a + + +51 +00:01:27,720 --> 00:01:32,310 +been well thought out if there's a +problem I simply pull on the string and + +52 +00:01:32,310 --> 00:01:32,320 + + + +53 +00:01:32,320 --> 00:01:34,870 + +now you can be upset Stuart Stuart are + +54 +00:01:34,870 --> 00:01:34,880 +now you can be upset Stuart Stuart are + + +55 +00:01:34,880 --> 00:01:38,350 +now you can be upset Stuart Stuart are +you okay can you hear me hurry I'm I'm + +56 +00:01:38,350 --> 00:01:38,360 +you okay can you hear me hurry I'm I'm + + +57 +00:01:38,360 --> 00:01:40,789 +you okay can you hear me hurry I'm I'm +slipping get more + +58 +00:01:40,789 --> 00:01:40,799 +slipping get more + + +59 +00:01:40,799 --> 00:01:42,710 +slipping get more +string there got to be string around + +60 +00:01:42,710 --> 00:01:42,720 +string there got to be string around + + +61 +00:01:42,720 --> 00:01:45,550 +string there got to be string around +into some place there is no more what + +62 +00:01:45,550 --> 00:01:45,560 +into some place there is no more what + + +63 +00:01:45,560 --> 00:01:47,429 +into some place there is no more what +else can we use a string spaghetti we're + +64 +00:01:47,429 --> 00:01:47,439 +else can we use a string spaghetti we're + + +65 +00:01:47,439 --> 00:01:48,670 +else can we use a string spaghetti we're +out of spaghetti what do we have + +66 +00:01:48,670 --> 00:01:48,680 +out of spaghetti what do we have + + +67 +00:01:48,680 --> 00:01:51,469 +out of spaghetti what do we have +macaroni but that's too short oh we we + +68 +00:01:51,469 --> 00:01:51,479 +macaroni but that's too short oh we we + + +69 +00:01:51,479 --> 00:01:54,270 +macaroni but that's too short oh we we +could tie it together with no + +70 +00:01:54,270 --> 00:01:54,280 +could tie it together with no + + +71 +00:01:54,280 --> 00:01:58,510 +could tie it together with no +no hang on Stuart M what are you doing + +72 +00:01:58,510 --> 00:01:58,520 +no hang on Stuart M what are you doing + + +73 +00:01:58,520 --> 00:02:01,870 +no hang on Stuart M what are you doing +Stuart I'm coming here grab on lower + +74 +00:02:01,870 --> 00:02:01,880 +Stuart I'm coming here grab on lower + + +75 +00:02:01,880 --> 00:02:05,910 +Stuart I'm coming here grab on lower +lower I got + +76 +00:02:05,910 --> 00:02:05,920 + + + +77 +00:02:05,920 --> 00:02:10,309 + +it I won't + +78 +00:02:10,309 --> 00:02:10,319 +it I won't + + +79 +00:02:10,319 --> 00:02:15,070 +it I won't +okay don't scare me like that margalo + +80 +00:02:15,070 --> 00:02:15,080 +okay don't scare me like that margalo + + +81 +00:02:15,080 --> 00:02:18,240 +okay don't scare me like that margalo +you're the best friend I ever had + +82 +00:02:18,240 --> 00:02:18,250 +you're the best friend I ever had + + +83 +00:02:18,250 --> 00:02:33,990 +you're the best friend I ever had +[Music] + diff --git a/2002/SYffGozxMbU.en.srt b/2002/SYffGozxMbU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..a2339af062a2eaf630dc55dc7f2ebf7b0ac183c5 --- /dev/null +++ b/2002/SYffGozxMbU.en.srt @@ -0,0 +1,375 @@ +1 +00:00:02,410 --> 00:00:10,470 + +[Music] + +2 +00:00:10,470 --> 00:00:10,480 + + + +3 +00:00:10,480 --> 00:00:12,390 + +Two Little Dicky Birds sitting on the + +4 +00:00:12,390 --> 00:00:12,400 +Two Little Dicky Birds sitting on the + + +5 +00:00:12,400 --> 00:00:15,589 +Two Little Dicky Birds sitting on the +wall W cold pizza W cold po just like + +6 +00:00:15,589 --> 00:00:15,599 +wall W cold pizza W cold po just like + + +7 +00:00:15,599 --> 00:00:20,150 +wall W cold pizza W cold po just like +you L suiry lurky Goosey Loosey any + +8 +00:00:20,150 --> 00:00:20,160 +you L suiry lurky Goosey Loosey any + + +9 +00:00:20,160 --> 00:00:21,630 +you L suiry lurky Goosey Loosey any +penes you know what I + +10 +00:00:21,630 --> 00:00:21,640 +penes you know what I + + +11 +00:00:21,640 --> 00:00:25,040 +penes you know what I +mean no + +12 +00:00:25,040 --> 00:00:25,050 +mean no + + +13 +00:00:25,050 --> 00:00:34,250 +mean no +[Music] + +14 +00:00:34,250 --> 00:00:34,260 + + + +15 +00:00:34,260 --> 00:00:36,869 + +[Music] + +16 +00:00:36,869 --> 00:00:36,879 +[Music] + + +17 +00:00:36,879 --> 00:00:38,630 +[Music] +the history of popular music is like a + +18 +00:00:38,630 --> 00:00:38,640 +the history of popular music is like a + + +19 +00:00:38,640 --> 00:00:41,029 +the history of popular music is like a +double helix okay that's two waves that + +20 +00:00:41,029 --> 00:00:41,039 +double helix okay that's two waves that + + +21 +00:00:41,039 --> 00:00:44,389 +double helix okay that's two waves that +intertwine so one wave goes like this + +22 +00:00:44,389 --> 00:00:44,399 +intertwine so one wave goes like this + + +23 +00:00:44,399 --> 00:00:46,150 +intertwine so one wave goes like this +the other one goes like that so you've + +24 +00:00:46,150 --> 00:00:46,160 +the other one goes like that so you've + + +25 +00:00:46,160 --> 00:00:47,310 +the other one goes like that so you've +got + +26 +00:00:47,310 --> 00:00:47,320 +got + + +27 +00:00:47,320 --> 00:00:51,110 +got +two ways doing that okay like one like + +28 +00:00:51,110 --> 00:00:51,120 +two ways doing that okay like one like + + +29 +00:00:51,120 --> 00:00:53,950 +two ways doing that okay like one like +that one like that basically when one + +30 +00:00:53,950 --> 00:00:53,960 +that one like that basically when one + + +31 +00:00:53,960 --> 00:00:55,709 +that one like that basically when one +musical movement is in The Descendant + +32 +00:00:55,709 --> 00:00:55,719 +musical movement is in The Descendant + + +33 +00:00:55,719 --> 00:00:57,229 +musical movement is in The Descendant +another one is in the ascendant right + +34 +00:00:57,229 --> 00:00:57,239 +another one is in the ascendant right + + +35 +00:00:57,239 --> 00:00:58,990 +another one is in the ascendant right +now we're in a kind of a crisscross a + +36 +00:00:58,990 --> 00:00:59,000 +now we're in a kind of a crisscross a + + +37 +00:00:59,000 --> 00:01:00,830 +now we're in a kind of a crisscross a +kind of hiatus + +38 +00:01:00,830 --> 00:01:00,840 +kind of hiatus + + +39 +00:01:00,840 --> 00:01:01,990 +kind of hiatus +but the two guys that are going to be on + +40 +00:01:01,990 --> 00:01:02,000 +but the two guys that are going to be on + + +41 +00:01:02,000 --> 00:01:04,549 +but the two guys that are going to be on +the crest of the next wave are Paul and + +42 +00:01:04,549 --> 00:01:04,559 +the crest of the next wave are Paul and + + +43 +00:01:04,559 --> 00:01:08,270 +the crest of the next wave are Paul and +sha Ryder this is a true incident a bit + +44 +00:01:08,270 --> 00:01:08,280 +sha Ryder this is a true incident a bit + + +45 +00:01:08,280 --> 00:01:09,350 +sha Ryder this is a true incident a bit +like the hand gliding which remember + +46 +00:01:09,350 --> 00:01:09,360 +like the hand gliding which remember + + +47 +00:01:09,360 --> 00:01:11,550 +like the hand gliding which remember +works on two levels this takes place in + +48 +00:01:11,550 --> 00:01:11,560 +works on two levels this takes place in + + +49 +00:01:11,560 --> 00:01:14,429 +works on two levels this takes place in +1980 when Shawn and Paul put rat poison + +50 +00:01:14,429 --> 00:01:14,439 +1980 when Shawn and Paul put rat poison + + +51 +00:01:14,439 --> 00:01:23,910 +1980 when Shawn and Paul put rat poison +into some bread and fed it to 3,000 + +52 +00:01:23,910 --> 00:01:23,920 + + + +53 +00:01:23,920 --> 00:01:31,050 + +pigeons you go down oh + +54 +00:01:31,050 --> 00:01:31,060 + + + +55 +00:01:31,060 --> 00:01:34,630 + +[Applause] + +56 +00:01:34,630 --> 00:01:34,640 + + + +57 +00:01:34,640 --> 00:01:36,950 + +obviously it's a reconstruction No + +58 +00:01:36,950 --> 00:01:36,960 +obviously it's a reconstruction No + + +59 +00:01:36,960 --> 00:01:38,630 +obviously it's a reconstruction No +Pigeons were harmed in the making of + +60 +00:01:38,630 --> 00:01:38,640 +Pigeons were harmed in the making of + + +61 +00:01:38,640 --> 00:01:39,310 +Pigeons were harmed in the making of +This + +62 +00:01:39,310 --> 00:01:39,320 +This + + +63 +00:01:39,320 --> 00:01:41,389 +This +film although there are those that say + +64 +00:01:41,389 --> 00:01:41,399 +film although there are those that say + + +65 +00:01:41,399 --> 00:01:42,510 +film although there are those that say +they're + +66 +00:01:42,510 --> 00:01:42,520 +they're + + +67 +00:01:42,520 --> 00:01:49,680 +they're +pests rats with wings + +68 +00:01:49,680 --> 00:01:49,690 + + + +69 +00:01:49,690 --> 00:01:56,100 + +[Applause] + +70 +00:01:56,100 --> 00:01:56,110 +[Applause] + + +71 +00:01:56,110 --> 00:02:03,109 +[Applause] +[Music] + +72 +00:02:03,109 --> 00:02:03,119 +[Music] + + +73 +00:02:03,119 --> 00:02:05,850 +[Music] +take + +74 +00:02:05,850 --> 00:02:05,860 +take + + +75 +00:02:05,860 --> 00:02:38,370 +take +[Music] + diff --git a/2002/T4Z1mnjLwiA.en.srt b/2002/T4Z1mnjLwiA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2d0904eff2082b2fd4946681cb542b196cc6df42 --- /dev/null +++ b/2002/T4Z1mnjLwiA.en.srt @@ -0,0 +1,275 @@ +1 +00:00:51,300 --> 00:00:56,900 + +[Music] + +2 +00:00:56,900 --> 00:00:56,910 + + + +3 +00:00:56,910 --> 00:01:07,590 + +[Music] + +4 +00:01:07,590 --> 00:01:07,600 + + + +5 +00:01:07,600 --> 00:01:10,910 + +oh man Charlie where the you + +6 +00:01:10,910 --> 00:01:10,920 +oh man Charlie where the you + + +7 +00:01:10,920 --> 00:01:12,270 +oh man Charlie where the you +been at man don't you know we've been + +8 +00:01:12,270 --> 00:01:12,280 +been at man don't you know we've been + + +9 +00:01:12,280 --> 00:01:13,910 +been at man don't you know we've been +looking all over this for + +10 +00:01:13,910 --> 00:01:13,920 +looking all over this for + + +11 +00:01:13,920 --> 00:01:15,950 +looking all over this for +you and why the hell you dress like me + +12 +00:01:15,950 --> 00:01:15,960 +you and why the hell you dress like me + + +13 +00:01:15,960 --> 00:01:18,109 +you and why the hell you dress like me +anyway I ain't telling you to be Michael + +14 +00:01:18,109 --> 00:01:18,119 +anyway I ain't telling you to be Michael + + +15 +00:01:18,119 --> 00:01:21,149 +anyway I ain't telling you to be Michael +Myers I'm playing Michael Myers if them + +16 +00:01:21,149 --> 00:01:21,159 +Myers I'm playing Michael Myers if them + + +17 +00:01:21,159 --> 00:01:23,190 +Myers I'm playing Michael Myers if them +kids come around and see us just up in + +18 +00:01:23,190 --> 00:01:23,200 +kids come around and see us just up in + + +19 +00:01:23,200 --> 00:01:25,149 +kids come around and see us just up in +the same you're going to ruin the + +20 +00:01:25,149 --> 00:01:25,159 +the same you're going to ruin the + + +21 +00:01:25,159 --> 00:01:28,149 +the same you're going to ruin the +whole effect God Dam it what the hell is + +22 +00:01:28,149 --> 00:01:28,159 +whole effect God Dam it what the hell is + + +23 +00:01:28,159 --> 00:01:30,109 +whole effect God Dam it what the hell is +wrong with you + +24 +00:01:30,109 --> 00:01:30,119 +wrong with you + + +25 +00:01:30,119 --> 00:01:31,950 +wrong with you +I said what you looking at me like that + +26 +00:01:31,950 --> 00:01:31,960 +I said what you looking at me like that + + +27 +00:01:31,960 --> 00:01:34,830 +I said what you looking at me like that +for huh you don't get it you don't get + +28 +00:01:34,830 --> 00:01:34,840 +for huh you don't get it you don't get + + +29 +00:01:34,840 --> 00:01:37,069 +for huh you don't get it you don't get +it your ain't working up there + +30 +00:01:37,069 --> 00:01:37,079 +it your ain't working up there + + +31 +00:01:37,079 --> 00:01:39,389 +it your ain't working up there +something you need to take your ass in + +32 +00:01:39,389 --> 00:01:39,399 +something you need to take your ass in + + +33 +00:01:39,399 --> 00:01:41,630 +something you need to take your ass in +the back of the garage with Nora that's + +34 +00:01:41,630 --> 00:01:41,640 +the back of the garage with Nora that's + + +35 +00:01:41,640 --> 00:01:44,149 +the back of the garage with Nora that's +your job go back there with Nora and + +36 +00:01:44,149 --> 00:01:44,159 +your job go back there with Nora and + + +37 +00:01:44,159 --> 00:01:47,109 +your job go back there with Nora and +help her ass out go do your job I left + +38 +00:01:47,109 --> 00:01:47,119 +help her ass out go do your job I left + + +39 +00:01:47,119 --> 00:01:50,190 +help her ass out go do your job I left +the back door unlocked for your ass to + +40 +00:01:50,190 --> 00:01:50,200 +the back door unlocked for your ass to + + +41 +00:01:50,200 --> 00:01:53,389 +the back door unlocked for your ass to +go out the back into the garage that's + +42 +00:01:53,389 --> 00:01:53,399 +go out the back into the garage that's + + +43 +00:01:53,399 --> 00:01:55,709 +go out the back into the garage that's +what I did you need to get the hell out + +44 +00:01:55,709 --> 00:01:55,719 +what I did you need to get the hell out + + +45 +00:01:55,719 --> 00:01:59,670 +what I did you need to get the hell out +of here go ahead scoop SC get the + +46 +00:01:59,670 --> 00:01:59,680 +of here go ahead scoop SC get the + + +47 +00:01:59,680 --> 00:02:08,070 +of here go ahead scoop SC get the +out to + +48 +00:02:08,070 --> 00:02:08,080 + + + +49 +00:02:08,080 --> 00:02:11,070 + +dodge God damn what the hell somebody + +50 +00:02:11,070 --> 00:02:11,080 +dodge God damn what the hell somebody + + +51 +00:02:11,080 --> 00:02:12,750 +dodge God damn what the hell somebody +got to do to get a little decent help up + +52 +00:02:12,750 --> 00:02:12,760 +got to do to get a little decent help up + + +53 +00:02:12,760 --> 00:02:14,470 +got to do to get a little decent help up +in this + +54 +00:02:14,470 --> 00:02:14,480 +in this + + +55 +00:02:14,480 --> 00:02:43,719 +in this +[Music] + diff --git a/2002/TEjRTNg51Io.description b/2002/TEjRTNg51Io.description new file mode 100644 index 0000000000000000000000000000000000000000..194144508c98b76f2534ccfdf8d88874c20f0430 --- /dev/null +++ b/2002/TEjRTNg51Io.description @@ -0,0 +1,38 @@ +Heaven movie clips: http://j.mp/1BcUAnj +BUY THE MOVIE: http://amzn.to/rONtS5 +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +The carabiniere listens to Filippo's (Giovanni Ribisi) recording for Philippa (Cate Blanchett), which details her escape plan. + +FILM DESCRIPTION: +German filmmaker Tom Tykwer helmed this feature, which was adapted from a screenplay co-authored by the late Krzysztof Kieslowski. Philippa (Cate Blanchett) is a British schoolteacher living in Italy, whose husband fell victim to a drug overdose, as have several of her students. Marco Vendice (Stefano Santospago) is a powerful local drug dealer who sold the dope which killed Philippa's husband, as well as a number of neighborhood teens. Disgusted with the inability of the police to bring Vendice to justice, Philippa takes the law into her own hands, planting a bomb which is intended to kill the dealer. However, Philippa's plan goes awry, and instead the bomb kills four innocent bystanders. Philippa is arrested and brought before the police for questioning, not knowing that the interrogating officer in charge of the case, Pini (Mattia Sbragia), is one of Vendice's secret business associates. More comfortable with English than Italian, Philippa requests a translator, and multilingual officer Filippo (Giovanni Ribisi) is brought in to serve as interpreter. Filippo finds himself falling in love with Philippa, and with his help she's able to escape and go into hiding; however, despite her deep regrets about the loss of four lives in the bombing, she is still bound and determined to see Vendice dead. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Giovanni Ribisi, Cate Blanchett +Director: Tom Tykwer +Producers: Stefan Arndt, Marc Baschet, Mario Cotone, Frédérique Dumas-Zajdela, Marco Guidone, William Horberg, Cédomir Kolar, Maria Köpf, Agnès Mentre, Anthony Minghella, Teresa Moneo, Sydney Pollack, Stefaan Schieder, Manuela Stehr, Harvey Weinstein +Screenwriters: Krzysztof Kieslowski, Krzysztof Piesiewicz + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/TEjRTNg51Io.en.srt b/2002/TEjRTNg51Io.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..5ae545a63262c6f35a4314cbe1217e66323bf52a --- /dev/null +++ b/2002/TEjRTNg51Io.en.srt @@ -0,0 +1,355 @@ +1 +00:00:00,320 --> 00:00:02,430 + +Thursday around 10:00 you'll have a + +2 +00:00:02,430 --> 00:00:02,440 +Thursday around 10:00 you'll have a + + +3 +00:00:02,440 --> 00:00:03,590 +Thursday around 10:00 you'll have a +stomach + +4 +00:00:03,590 --> 00:00:03,600 +stomach + + +5 +00:00:03,600 --> 00:00:06,269 +stomach +ache you'll go to the bathroom and + +6 +00:00:06,269 --> 00:00:06,279 +ache you'll go to the bathroom and + + +7 +00:00:06,279 --> 00:00:08,220 +ache you'll go to the bathroom and +return after several + +8 +00:00:08,220 --> 00:00:08,230 +return after several + + +9 +00:00:08,230 --> 00:00:09,669 +return after several +[Music] + +10 +00:00:09,669 --> 00:00:09,679 +[Music] + + +11 +00:00:09,679 --> 00:00:12,150 +[Music] +minutes if you find what I left for you + +12 +00:00:12,150 --> 00:00:12,160 +minutes if you find what I left for you + + +13 +00:00:12,160 --> 00:00:15,150 +minutes if you find what I left for you +there signal it to + +14 +00:00:15,150 --> 00:00:15,160 +there signal it to + + +15 +00:00:15,160 --> 00:00:18,070 +there signal it to +me then around 11:00 you'll feel ill + +16 +00:00:18,070 --> 00:00:18,080 +me then around 11:00 you'll feel ill + + +17 +00:00:18,080 --> 00:00:21,109 +me then around 11:00 you'll feel ill +again you'll return to the + +18 +00:00:21,109 --> 00:00:21,119 +again you'll return to the + + +19 +00:00:21,119 --> 00:00:23,109 +again you'll return to the +bathroom you'll hear the telephone + +20 +00:00:23,109 --> 00:00:23,119 +bathroom you'll hear the telephone + + +21 +00:00:23,119 --> 00:00:25,310 +bathroom you'll hear the telephone +ringing in the hallway then it will stop + +22 +00:00:25,310 --> 00:00:25,320 +ringing in the hallway then it will stop + + +23 +00:00:25,320 --> 00:00:26,550 +ringing in the hallway then it will stop +ringing because the guard will have + +24 +00:00:26,550 --> 00:00:26,560 +ringing because the guard will have + + +25 +00:00:26,560 --> 00:00:28,109 +ringing because the guard will have +picked up the + +26 +00:00:28,109 --> 00:00:28,119 +picked up the + + +27 +00:00:28,119 --> 00:00:30,749 +picked up the +receiver that's when you leave the B + +28 +00:00:30,749 --> 00:00:30,759 +receiver that's when you leave the B + + +29 +00:00:30,759 --> 00:00:33,430 +receiver that's when you leave the B +bathroom you will get into the elevator + +30 +00:00:33,430 --> 00:00:33,440 +bathroom you will get into the elevator + + +31 +00:00:33,440 --> 00:00:36,310 +bathroom you will get into the elevator +and go down to the garage from there you + +32 +00:00:36,310 --> 00:00:36,320 +and go down to the garage from there you + + +33 +00:00:36,320 --> 00:00:38,670 +and go down to the garage from there you +will go up half a flight of + +34 +00:00:38,670 --> 00:00:38,680 +will go up half a flight of + + +35 +00:00:38,680 --> 00:00:40,029 +will go up half a flight of +[Music] + +36 +00:00:40,029 --> 00:00:40,039 +[Music] + + +37 +00:00:40,039 --> 00:00:41,990 +[Music] +stairs you will leave the building + +38 +00:00:41,990 --> 00:00:42,000 +stairs you will leave the building + + +39 +00:00:42,000 --> 00:00:43,670 +stairs you will leave the building +through a small door that opens onto the + +40 +00:00:43,670 --> 00:00:43,680 +through a small door that opens onto the + + +41 +00:00:43,680 --> 00:00:44,630 +through a small door that opens onto the +rear + +42 +00:00:44,630 --> 00:00:44,640 +rear + + +43 +00:00:44,640 --> 00:00:47,189 +rear +Courtyard then you will go down a path + +44 +00:00:47,189 --> 00:00:47,199 +Courtyard then you will go down a path + + +45 +00:00:47,199 --> 00:00:49,910 +Courtyard then you will go down a path +that leads around the enclosure into the + +46 +00:00:49,910 --> 00:00:49,920 +that leads around the enclosure into the + + +47 +00:00:49,920 --> 00:00:52,349 +that leads around the enclosure into the +street throw your sweater into the + +48 +00:00:52,349 --> 00:00:52,359 +street throw your sweater into the + + +49 +00:00:52,359 --> 00:00:54,430 +street throw your sweater into the +rubbish bin and head straight for the + +50 +00:00:54,430 --> 00:00:54,440 +rubbish bin and head straight for the + + +51 +00:00:54,440 --> 00:00:56,910 +rubbish bin and head straight for the +train + +52 +00:00:56,910 --> 00:00:56,920 + + + +53 +00:00:56,920 --> 00:00:59,389 + +station I'll drive there in a car in the + +54 +00:00:59,389 --> 00:00:59,399 +station I'll drive there in a car in the + + +55 +00:00:59,399 --> 00:01:05,550 +station I'll drive there in a car in the +evening and pick you up at the rear + +56 +00:01:05,550 --> 00:01:05,560 + + + +57 +00:01:05,560 --> 00:01:07,630 + +entrance and then we'll think of what to + +58 +00:01:07,630 --> 00:01:07,640 +entrance and then we'll think of what to + + +59 +00:01:07,640 --> 00:01:08,290 +entrance and then we'll think of what to +do + +60 +00:01:08,290 --> 00:01:08,300 +do + + +61 +00:01:08,300 --> 00:01:10,950 +do +[Music] + +62 +00:01:10,950 --> 00:01:10,960 +[Music] + + +63 +00:01:10,960 --> 00:01:18,270 +[Music] +next because I believe there will be + +64 +00:01:18,270 --> 00:01:18,280 + + + +65 +00:01:18,280 --> 00:01:28,910 + +something and that it will be + +66 +00:01:28,910 --> 00:01:28,920 + + + +67 +00:01:28,920 --> 00:01:42,270 + +beautiful + +68 +00:01:42,270 --> 00:01:42,280 + + + +69 +00:01:42,280 --> 00:02:06,430 + +foree fore + +70 +00:02:06,430 --> 00:02:06,440 + + + +71 +00:02:06,440 --> 00:02:37,479 + +[Music] + diff --git a/2002/TJf9Pf9rjO4.description b/2002/TJf9Pf9rjO4.description new file mode 100644 index 0000000000000000000000000000000000000000..0c7ea0d704d42e964cd638c5d8c36e6a61fd1f4c --- /dev/null +++ b/2002/TJf9Pf9rjO4.description @@ -0,0 +1,38 @@ +Equilibrium movie clips: http://j.mp/15vK7ZI +BUY THE MOVIE: http://amzn.to/s3QBpS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Preston (Christian Bale) finds Partridge (Sean Bean) reading a book of poetry and executes him in cold blood. + +FILM DESCRIPTION: +A man who dares to feel finds his life in danger in this cautionary science fiction drama. In the future, after a Third World War has decimated much of the Earth's population, a new nation known as Libria rises up under the unquestioned leadership of Dupont (Angus MacFadyen). Believing human emotions and their expression were to blame for the failings of past societies, The Father has decreed that all citizens must take a daily dose of Prozia II, a drug which levels out the emotional landscape, and that all forms of creative expression are against the law; violating either regulation can be punished by death. John Preston (Christian Bale) is a Grammaton, an elite law enforcement officer who tracks down and punishes "sense offenders." One day, Preston accidentally fails to take his Prozia II, and for the first time begins experiencing emotions himself. Preston becomes aware of an underground of rebels who refuse to take their medication and have embraced art and literature, and he finds himself becoming infatuated with one of their number, Mary O'Brian (Emily Watson). Equilibrium is the second feature-length directorial effort from Kurt Wimmer, whose screenwriting credits include The Thomas Crown Affair and Sphere. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Christian Bale, Sean Bean +Director: Kurt Wimmer +Producers: Sue Baden-Powell, Jan de Bont, Lucas Foster, Andrew Rona, Ninon Tantet, Bob Weinstein, Harvey Weinstein +Screenwriter: Kurt Wimmer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/TJf9Pf9rjO4.en.srt b/2002/TJf9Pf9rjO4.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..cd8a74924e528cccb3280de80c37ecf58e793947 --- /dev/null +++ b/2002/TJf9Pf9rjO4.en.srt @@ -0,0 +1,275 @@ +1 +00:00:02,000 --> 00:00:13,070 + +you always + +2 +00:00:13,070 --> 00:00:13,080 + + + +3 +00:00:13,080 --> 00:00:15,790 + +knew but I being + +4 +00:00:15,790 --> 00:00:15,800 +knew but I being + + +5 +00:00:15,800 --> 00:00:18,950 +knew but I being +poor I've only my + +6 +00:00:18,950 --> 00:00:18,960 +poor I've only my + + +7 +00:00:18,960 --> 00:00:23,470 +poor I've only my +dreams have spread my dreams under your + +8 +00:00:23,470 --> 00:00:23,480 +dreams have spread my dreams under your + + +9 +00:00:23,480 --> 00:00:25,950 +dreams have spread my dreams under your +feet tread + +10 +00:00:25,950 --> 00:00:25,960 +feet tread + + +11 +00:00:25,960 --> 00:00:32,030 +feet tread +softly because you tread on my dreams + +12 +00:00:32,030 --> 00:00:32,040 + + + +13 +00:00:32,040 --> 00:00:34,869 + +I assume you dream + +14 +00:00:34,869 --> 00:00:34,879 +I assume you dream + + +15 +00:00:34,879 --> 00:00:37,229 +I assume you dream +priston I'll do what I can to see they + +16 +00:00:37,229 --> 00:00:37,239 +priston I'll do what I can to see they + + +17 +00:00:37,239 --> 00:00:39,670 +priston I'll do what I can to see they +go easy on + +18 +00:00:39,670 --> 00:00:39,680 +go easy on + + +19 +00:00:39,680 --> 00:00:42,150 +go easy on +you we both + +20 +00:00:42,150 --> 00:00:42,160 +you we both + + +21 +00:00:42,160 --> 00:00:44,630 +you we both +know they never go + +22 +00:00:44,630 --> 00:00:44,640 +know they never go + + +23 +00:00:44,640 --> 00:00:46,670 +know they never go +easy then I'm + +24 +00:00:46,670 --> 00:00:46,680 +easy then I'm + + +25 +00:00:46,680 --> 00:00:50,150 +easy then I'm +sorry no you're not you don't even know + +26 +00:00:50,150 --> 00:00:50,160 +sorry no you're not you don't even know + + +27 +00:00:50,160 --> 00:00:51,590 +sorry no you're not you don't even know +the + +28 +00:00:51,590 --> 00:00:51,600 +the + + +29 +00:00:51,600 --> 00:00:55,310 +the +meaning it's just a vestigial word for a + +30 +00:00:55,310 --> 00:00:55,320 +meaning it's just a vestigial word for a + + +31 +00:00:55,320 --> 00:00:58,029 +meaning it's just a vestigial word for a +feeling you've never + +32 +00:00:58,029 --> 00:00:58,039 +feeling you've never + + +33 +00:00:58,039 --> 00:01:01,509 +feeling you've never +felt don't you see PR + +34 +00:01:01,509 --> 00:01:01,519 +felt don't you see PR + + +35 +00:01:01,519 --> 00:01:02,990 +felt don't you see PR +it's + +36 +00:01:02,990 --> 00:01:03,000 +it's + + +37 +00:01:03,000 --> 00:01:05,270 +it's +gone everything that makes us what we + +38 +00:01:05,270 --> 00:01:05,280 +gone everything that makes us what we + + +39 +00:01:05,280 --> 00:01:08,990 +gone everything that makes us what we +are traded away there's no + +40 +00:01:08,990 --> 00:01:09,000 +are traded away there's no + + +41 +00:01:09,000 --> 00:01:12,429 +are traded away there's no +war no + +42 +00:01:12,429 --> 00:01:12,439 + + + +43 +00:01:12,439 --> 00:01:16,789 + +murder what is it you think we do no + +44 +00:01:16,789 --> 00:01:16,799 +murder what is it you think we do no + + +45 +00:01:16,799 --> 00:01:18,350 +murder what is it you think we do no +you've been with me you've seen how it + +46 +00:01:18,350 --> 00:01:18,360 +you've been with me you've seen how it + + +47 +00:01:18,360 --> 00:01:22,990 +you've been with me you've seen how it +can be the jealousy + +48 +00:01:22,990 --> 00:01:23,000 + + + +49 +00:01:23,000 --> 00:01:27,670 + +rage a heavy + +50 +00:01:27,670 --> 00:01:27,680 + + + +51 +00:01:27,680 --> 00:01:54,510 + +cost I paid gladly + +52 +00:01:54,510 --> 00:01:54,520 + + + +53 +00:01:54,520 --> 00:02:13,430 + +don't + +54 +00:02:13,430 --> 00:02:13,440 + + + +55 +00:02:13,440 --> 00:02:44,509 + +[Music] + diff --git a/2002/TgBLraZlGww.description b/2002/TgBLraZlGww.description new file mode 100644 index 0000000000000000000000000000000000000000..eed6346105db62eb61c1d6783bc215fe03179efb --- /dev/null +++ b/2002/TgBLraZlGww.description @@ -0,0 +1,38 @@ +The Pianist movie clips: http://j.mp/1CPpDoL +BUY THE MOVIE: http://amzn.to/vGPENp +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Captain Hosenfeld (Thomas Kretschmann) asks Wladyslaw (Adrian Brody) where he is hiding after he performs for him. + +FILM DESCRIPTION: +Filmmaker Roman Polanski, who as a boy growing up in Poland watched while the Nazis devastated his country during World War II, directed this downbeat drama based on the true story of a privileged musician who spent five years struggling against the Nazi occupation of Warsaw. Wladyslaw Szpilman (Adrien Brody) is a gifted classical pianist born to a wealthy Jewish family in Poland. The Szpilmans have a large and comfortable flat in Warsaw which Wladyslaw shares with his mother and father (Maureen Lipman and Frank Finlay), his sisters Halina and Regina (Jessica Kate Meyer and Julia Rayner), and his brother, Henryk (Ed Stoppard). While Wladyslaw and his family are aware of the looming presence of German forces and Hitler's designs on Poland, they're convinced that the Nazis are a menace which will pass, and that England and France will step forward to aid Poland in the event of a real crisis. Wladyslaw's naïveté is shattered when a German bomb rips through a radio studio while he performs a recital for broadcast. During the early stages of the Nazi occupation, as a respected artist, he still imagines himself above the danger, using his pull to obtain employment papers for his father and landing a supposedly safe job playing piano in a restaurant. But as the German grip tightens upon Poland, Wladyslaw and his family are selected for deportation to a Nazi concentration camp. Refusing to face a certain death, Wladyslaw goes into hiding in a comfortable apartment provided by a friend. However, when his benefactor goes missing, Wladyslaw is left to fend for himself and he spends the next several years dashing from one abandoned home to another, desperate to avoid capture by German occupation troops. The Pianist was based on the memoir of the same name by the real-life Wladyslaw Szpilman; the book was first published in 1946 as Death of a City, but was banned by Polish Communist officials and went out of print until 1998, when a new edition was issued as The Pianist. + +CREDITS: +TM & © Universal (2002) +Cast: Adrien Brody, Thomas Kretschmann +Director: Roman Polanski +Producers: Robert Benmussa, Timothy Burrill, Daniel Champagnon, Gene Gutowski, Henning Molfenter, Roman Polanski, Lew Rywin, Alain Sarde, Rainer Schaper +Screenwriters: Ronald Harwood, Wladyslaw Szpilman + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/TvoWGxM8TU8.en.srt b/2002/TvoWGxM8TU8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..d2084548839fbac07805f89c45349ab7c8b42cde --- /dev/null +++ b/2002/TvoWGxM8TU8.en.srt @@ -0,0 +1,295 @@ +1 +00:00:08,540 --> 00:00:10,830 + +[Music] + +2 +00:00:10,830 --> 00:00:10,840 +[Music] + + +3 +00:00:10,840 --> 00:00:12,270 +[Music] +[Applause] + +4 +00:00:12,270 --> 00:00:12,280 +[Applause] + + +5 +00:00:12,280 --> 00:00:16,010 +[Applause] +Peter stop stop it's + +6 +00:00:16,010 --> 00:00:16,020 +Peter stop stop it's + + +7 +00:00:16,020 --> 00:00:24,429 +Peter stop stop it's +[Music] + +8 +00:00:24,429 --> 00:00:24,439 + + + +9 +00:00:24,439 --> 00:00:28,830 + +me Mr Osborne Peter thank God for you + +10 +00:00:28,830 --> 00:00:28,840 +me Mr Osborne Peter thank God for you + + +11 +00:00:28,840 --> 00:00:31,070 +me Mr Osborne Peter thank God for you +you killed those people on that balcony + +12 +00:00:31,070 --> 00:00:31,080 +you killed those people on that balcony + + +13 +00:00:31,080 --> 00:00:32,910 +you killed those people on that balcony +the goblin killed I had nothing to do + +14 +00:00:32,910 --> 00:00:32,920 +the goblin killed I had nothing to do + + +15 +00:00:32,920 --> 00:00:35,549 +the goblin killed I had nothing to do +with it don't don't let him take me + +16 +00:00:35,549 --> 00:00:35,559 +with it don't don't let him take me + + +17 +00:00:35,559 --> 00:00:39,310 +with it don't don't let him take me +again I beg you protect me you tried to + +18 +00:00:39,310 --> 00:00:39,320 +again I beg you protect me you tried to + + +19 +00:00:39,320 --> 00:00:41,549 +again I beg you protect me you tried to +kill Aunt May you tried to kill Mary + +20 +00:00:41,549 --> 00:00:41,559 +kill Aunt May you tried to kill Mary + + +21 +00:00:41,559 --> 00:00:43,630 +kill Aunt May you tried to kill Mary +Jane but not + +22 +00:00:43,630 --> 00:00:43,640 +Jane but not + + +23 +00:00:43,640 --> 00:00:47,709 +Jane but not +you I tried to stop it I couldn't stop + +24 +00:00:47,709 --> 00:00:47,719 +you I tried to stop it I couldn't stop + + +25 +00:00:47,719 --> 00:00:51,510 +you I tried to stop it I couldn't stop +it I would never hurt you I knew from + +26 +00:00:51,510 --> 00:00:51,520 +it I would never hurt you I knew from + + +27 +00:00:51,520 --> 00:00:52,229 +it I would never hurt you I knew from +the + +28 +00:00:52,229 --> 00:00:52,239 +the + + +29 +00:00:52,239 --> 00:00:54,830 +the +beginning if anything ever happened to + +30 +00:00:54,830 --> 00:00:54,840 +beginning if anything ever happened to + + +31 +00:00:54,840 --> 00:00:59,029 +beginning if anything ever happened to +me it was you that I could count on you + +32 +00:00:59,029 --> 00:00:59,039 +me it was you that I could count on you + + +33 +00:00:59,039 --> 00:01:01,549 +me it was you that I could count on you +Peter Parker with saved me and so you + +34 +00:01:01,549 --> 00:01:01,559 +Peter Parker with saved me and so you + + +35 +00:01:01,559 --> 00:01:04,270 +Peter Parker with saved me and so you +have thank God for + +36 +00:01:04,270 --> 00:01:04,280 +have thank God for + + +37 +00:01:04,280 --> 00:01:06,990 +have thank God for +you give me your + +38 +00:01:06,990 --> 00:01:07,000 +you give me your + + +39 +00:01:07,000 --> 00:01:11,429 +you give me your +hand believe in me as I believed in + +40 +00:01:11,429 --> 00:01:11,439 +hand believe in me as I believed in + + +41 +00:01:11,439 --> 00:01:15,990 +hand believe in me as I believed in +you I've been like a father to + +42 +00:01:15,990 --> 00:01:16,000 + + + +43 +00:01:16,000 --> 00:01:19,630 + +you be a son to me + +44 +00:01:19,630 --> 00:01:19,640 +you be a son to me + + +45 +00:01:19,640 --> 00:01:22,230 +you be a son to me +now I have a + +46 +00:01:22,230 --> 00:01:22,240 +now I have a + + +47 +00:01:22,240 --> 00:01:26,590 +now I have a +father his name was Ben + +48 +00:01:26,590 --> 00:01:26,600 + + + +49 +00:01:26,600 --> 00:01:31,180 + +Parker God speak Spider-Man + +50 +00:01:31,180 --> 00:01:31,190 +Parker God speak Spider-Man + + +51 +00:01:31,190 --> 00:01:44,860 +Parker God speak Spider-Man +[Music] + +52 +00:01:44,860 --> 00:01:44,870 + + + +53 +00:01:44,870 --> 00:01:46,830 + +[Music] + +54 +00:01:46,830 --> 00:01:46,840 +[Music] + + +55 +00:01:46,840 --> 00:01:50,709 +[Music] +oh + +56 +00:01:50,709 --> 00:01:50,719 + + + +57 +00:01:50,719 --> 00:01:59,550 + +Peter don't tell Harry + +58 +00:01:59,550 --> 00:01:59,560 + + + +59 +00:01:59,560 --> 00:02:26,660 + +[Music] + diff --git a/2002/Tw99DKA5tss.en.srt b/2002/Tw99DKA5tss.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..e4814dd9b49b08b66585a67d826a2321839b391f --- /dev/null +++ b/2002/Tw99DKA5tss.en.srt @@ -0,0 +1,475 @@ +1 +00:00:00,360 --> 00:00:01,480 + +slap + +2 +00:00:01,480 --> 00:00:01,490 +slap + + +3 +00:00:01,490 --> 00:00:02,990 +slap +[Music] + +4 +00:00:02,990 --> 00:00:03,000 +[Music] + + +5 +00:00:03,000 --> 00:00:06,070 +[Music] +them no you don't understand I'm not + +6 +00:00:06,070 --> 00:00:06,080 +them no you don't understand I'm not + + +7 +00:00:06,080 --> 00:00:08,790 +them no you don't understand I'm not +really with them I mean how could I mean + +8 +00:00:08,790 --> 00:00:08,800 +really with them I mean how could I mean + + +9 +00:00:08,800 --> 00:00:10,870 +really with them I mean how could I mean +while they were taking the tour I was in + +10 +00:00:10,870 --> 00:00:10,880 +while they were taking the tour I was in + + +11 +00:00:10,880 --> 00:00:13,390 +while they were taking the tour I was in +the belly of a + +12 +00:00:13,390 --> 00:00:13,400 +the belly of a + + +13 +00:00:13,400 --> 00:00:18,150 +the belly of a +whale what did you say I said while they + +14 +00:00:18,150 --> 00:00:18,160 +whale what did you say I said while they + + +15 +00:00:18,160 --> 00:00:23,429 +whale what did you say I said while they +were on the tour I was in the belly of a + +16 +00:00:23,429 --> 00:00:23,439 + + + +17 +00:00:23,439 --> 00:00:28,070 + +whale but you're not dead no that's just + +18 +00:00:28,070 --> 00:00:28,080 +whale but you're not dead no that's just + + +19 +00:00:28,080 --> 00:00:30,029 +whale but you're not dead no that's just +it I was in the whale for three days + +20 +00:00:30,029 --> 00:00:30,039 +it I was in the whale for three days + + +21 +00:00:30,039 --> 00:00:32,429 +it I was in the whale for three days +days and nights then I prayed to my God + +22 +00:00:32,429 --> 00:00:32,439 +days and nights then I prayed to my God + + +23 +00:00:32,439 --> 00:00:34,869 +days and nights then I prayed to my God +and the great monster spit me up on the + +24 +00:00:34,869 --> 00:00:34,879 +and the great monster spit me up on the + + +25 +00:00:34,879 --> 00:00:39,510 +and the great monster spit me up on the +shore so that I could bring you all a + +26 +00:00:39,510 --> 00:00:39,520 + + + +27 +00:00:39,520 --> 00:00:43,510 + +message asparagus here in Nineveh we bow + +28 +00:00:43,510 --> 00:00:43,520 +message asparagus here in Nineveh we bow + + +29 +00:00:43,520 --> 00:00:46,830 +message asparagus here in Nineveh we bow +to the great fish we celebrate the great + +30 +00:00:46,830 --> 00:00:46,840 +to the great fish we celebrate the great + + +31 +00:00:46,840 --> 00:00:51,189 +to the great fish we celebrate the great +fish in our art yes I + +32 +00:00:51,189 --> 00:00:51,199 +fish in our art yes I + + +33 +00:00:51,199 --> 00:00:55,869 +fish in our art yes I +noticed if what you are saying is true + +34 +00:00:55,869 --> 00:00:55,879 +noticed if what you are saying is true + + +35 +00:00:55,879 --> 00:00:57,150 +noticed if what you are saying is true +yes how do we know if he's telling the + +36 +00:00:57,150 --> 00:00:57,160 +yes how do we know if he's telling the + + +37 +00:00:57,160 --> 00:00:58,069 +yes how do we know if he's telling the +truth + +38 +00:00:58,069 --> 00:00:58,079 +truth + + +39 +00:00:58,079 --> 00:01:00,430 +truth +s smell him + +40 +00:01:00,430 --> 00:01:00,440 +s smell him + + +41 +00:01:00,440 --> 00:01:08,010 +s smell him +him your highness smell + +42 +00:01:08,010 --> 00:01:08,020 + + + +43 +00:01:08,020 --> 00:01:09,950 + +[Music] + +44 +00:01:09,950 --> 00:01:09,960 +[Music] + + +45 +00:01:09,960 --> 00:01:13,789 +[Music] +him oh I I'm terribly sorry I meaning to + +46 +00:01:13,789 --> 00:01:13,799 +him oh I I'm terribly sorry I meaning to + + +47 +00:01:13,799 --> 00:01:18,590 +him oh I I'm terribly sorry I meaning to +shower but he has been in the great fish + +48 +00:01:18,590 --> 00:01:18,600 +shower but he has been in the great fish + + +49 +00:01:18,600 --> 00:01:23,069 +shower but he has been in the great fish +we must hear the message what oh the + +50 +00:01:23,069 --> 00:01:23,079 +we must hear the message what oh the + + +51 +00:01:23,079 --> 00:01:28,270 +we must hear the message what oh the +message yes the message H what was the + +52 +00:01:28,270 --> 00:01:28,280 +message yes the message H what was the + + +53 +00:01:28,280 --> 00:01:31,389 +message yes the message H what was the +message it's been so so + +54 +00:01:31,389 --> 00:01:31,399 +message it's been so so + + +55 +00:01:31,399 --> 00:01:33,910 +message it's been so so +long oh + +56 +00:01:33,910 --> 00:01:33,920 +long oh + + +57 +00:01:33,920 --> 00:01:38,069 +long oh +yes stop + +58 +00:01:38,069 --> 00:01:38,079 + + + +59 +00:01:38,079 --> 00:01:41,950 + +it stop cheating stop lying and + +60 +00:01:41,950 --> 00:01:41,960 +it stop cheating stop lying and + + +61 +00:01:41,960 --> 00:01:44,590 +it stop cheating stop lying and +especially stop slapping people with + +62 +00:01:44,590 --> 00:01:44,600 +especially stop slapping people with + + +63 +00:01:44,600 --> 00:01:50,469 +especially stop slapping people with +fishes all this entire city will be + +64 +00:01:50,469 --> 00:01:50,479 + + + +65 +00:01:50,479 --> 00:01:55,190 + +destroyed a message from the + +66 +00:01:55,190 --> 00:01:55,200 + + + +67 +00:01:55,200 --> 00:01:59,510 + +lord well the King was very upset he had + +68 +00:01:59,510 --> 00:01:59,520 +lord well the King was very upset he had + + +69 +00:01:59,520 --> 00:02:01,429 +lord well the King was very upset he had +noide idea they weren't supposed to do + +70 +00:02:01,429 --> 00:02:01,439 +noide idea they weren't supposed to do + + +71 +00:02:01,439 --> 00:02:06,570 +noide idea they weren't supposed to do +that stuff no one had ever told him + +72 +00:02:06,570 --> 00:02:06,580 + + + +73 +00:02:06,580 --> 00:02:14,190 + +[Music] + +74 +00:02:14,190 --> 00:02:14,200 +[Music] + + +75 +00:02:14,200 --> 00:02:18,229 +[Music] +before a decree from the King let + +76 +00:02:18,229 --> 00:02:18,239 +before a decree from the King let + + +77 +00:02:18,239 --> 00:02:21,589 +before a decree from the King let +everyone call urgently to God let them + +78 +00:02:21,589 --> 00:02:21,599 +everyone call urgently to God let them + + +79 +00:02:21,599 --> 00:02:24,309 +everyone call urgently to God let them +give up their evil ways and their + +80 +00:02:24,309 --> 00:02:24,319 +give up their evil ways and their + + +81 +00:02:24,319 --> 00:02:26,990 +give up their evil ways and their +violence perhaps the god that brought + +82 +00:02:26,990 --> 00:02:27,000 +violence perhaps the god that brought + + +83 +00:02:27,000 --> 00:02:29,589 +violence perhaps the god that brought +this man out of the great fish will give + +84 +00:02:29,589 --> 00:02:29,599 +this man out of the great fish will give + + +85 +00:02:29,599 --> 00:02:30,750 +this man out of the great fish will give +us + +86 +00:02:30,750 --> 00:02:30,760 +us + + +87 +00:02:30,760 --> 00:02:32,020 +us +a second + +88 +00:02:32,020 --> 00:02:32,030 +a second + + +89 +00:02:32,030 --> 00:02:39,190 +a second +[Music] + +90 +00:02:39,190 --> 00:02:39,200 + + + +91 +00:02:39,200 --> 00:02:42,949 + +chance and let the Asus and his friends + +92 +00:02:42,949 --> 00:02:42,959 +chance and let the Asus and his friends + + +93 +00:02:42,959 --> 00:02:46,840 +chance and let the Asus and his friends +go free + +94 +00:02:46,840 --> 00:02:46,850 + + + +95 +00:02:46,850 --> 00:03:13,949 + +[Music] + diff --git a/2002/TxouT-qgqwU.en.srt b/2002/TxouT-qgqwU.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1c687b023e28db84967127fd2a28884f677f02e1 --- /dev/null +++ b/2002/TxouT-qgqwU.en.srt @@ -0,0 +1,625 @@ +1 +00:00:00,000 --> 00:00:02,060 + +what is the most sensitive part of the + +2 +00:00:02,060 --> 00:00:02,070 +what is the most sensitive part of the + + +3 +00:00:02,070 --> 00:00:05,240 +what is the most sensitive part of the +vagina oh my heart Kiana's is Donovan + +4 +00:00:05,240 --> 00:00:05,250 +vagina oh my heart Kiana's is Donovan + + +5 +00:00:05,250 --> 00:00:08,660 +vagina oh my heart Kiana's is Donovan +yes the clitoris dress is covered by + +6 +00:00:08,660 --> 00:00:08,670 +yes the clitoris dress is covered by + + +7 +00:00:08,670 --> 00:00:10,940 +yes the clitoris dress is covered by +Ronaldo's Columbus in 1559 first he + +8 +00:00:10,940 --> 00:00:10,950 +Ronaldo's Columbus in 1559 first he + + +9 +00:00:10,950 --> 00:00:16,760 +Ronaldo's Columbus in 1559 first he +thought it was India the crown of the + +10 +00:00:16,760 --> 00:00:16,770 +thought it was India the crown of the + + +11 +00:00:16,770 --> 00:00:19,429 +thought it was India the crown of the +clitoris contains 8,000 nerve fibers + +12 +00:00:19,429 --> 00:00:19,439 +clitoris contains 8,000 nerve fibers + + +13 +00:00:19,439 --> 00:00:21,050 +clitoris contains 8,000 nerve fibers +it's a far greater concentration than in + +14 +00:00:21,050 --> 00:00:21,060 +it's a far greater concentration than in + + +15 +00:00:21,060 --> 00:00:22,970 +it's a far greater concentration than in +any part of the male body even our + +16 +00:00:22,970 --> 00:00:22,980 +any part of the male body even our + + +17 +00:00:22,980 --> 00:00:25,400 +any part of the male body even our +fingertips it is the most efficient + +18 +00:00:25,400 --> 00:00:25,410 +fingertips it is the most efficient + + +19 +00:00:25,410 --> 00:00:27,859 +fingertips it is the most efficient +pleasure delivery system ever devised my + +20 +00:00:27,859 --> 00:00:27,869 +pleasure delivery system ever devised my + + +21 +00:00:27,869 --> 00:00:31,189 +pleasure delivery system ever devised my +nature now ask yourself why didn't the + +22 +00:00:31,189 --> 00:00:31,199 +nature now ask yourself why didn't the + + +23 +00:00:31,199 --> 00:00:34,430 +nature now ask yourself why didn't the +clitoris end up inside the vagina so the + +24 +00:00:34,430 --> 00:00:34,440 +clitoris end up inside the vagina so the + + +25 +00:00:34,440 --> 00:00:36,410 +clitoris end up inside the vagina so the +intercourse would be naturally + +26 +00:00:36,410 --> 00:00:36,420 +intercourse would be naturally + + +27 +00:00:36,420 --> 00:00:39,139 +intercourse would be naturally +compellingly constantly pleasurable for + +28 +00:00:39,139 --> 00:00:39,149 +compellingly constantly pleasurable for + + +29 +00:00:39,149 --> 00:00:40,700 +compellingly constantly pleasurable for +a woman I know the answer yes miss + +30 +00:00:40,700 --> 00:00:40,710 +a woman I know the answer yes miss + + +31 +00:00:40,710 --> 00:00:44,630 +a woman I know the answer yes miss +Maynard because in primitive time women + +32 +00:00:44,630 --> 00:00:44,640 +Maynard because in primitive time women + + +33 +00:00:44,640 --> 00:00:47,869 +Maynard because in primitive time women +died of childbirth so for intercourse to + +34 +00:00:47,869 --> 00:00:47,879 +died of childbirth so for intercourse to + + +35 +00:00:47,879 --> 00:00:50,119 +died of childbirth so for intercourse to +be too pleasurable wouldn't make sense + +36 +00:00:50,119 --> 00:00:50,129 +be too pleasurable wouldn't make sense + + +37 +00:00:50,129 --> 00:00:52,369 +be too pleasurable wouldn't make sense +from a Darwinian standpoint I'm + +38 +00:00:52,369 --> 00:00:52,379 +from a Darwinian standpoint I'm + + +39 +00:00:52,379 --> 00:00:55,400 +from a Darwinian standpoint I'm +impressed absolutely right so what does + +40 +00:00:55,400 --> 00:00:55,410 +impressed absolutely right so what does + + +41 +00:00:55,410 --> 00:00:57,290 +impressed absolutely right so what does +that tell us that evolution is looking + +42 +00:00:57,290 --> 00:00:57,300 +that tell us that evolution is looking + + +43 +00:00:57,300 --> 00:00:59,709 +that tell us that evolution is looking +out for us girls exactly not for women + +44 +00:00:59,709 --> 00:00:59,719 +out for us girls exactly not for women + + +45 +00:00:59,719 --> 00:01:02,209 +out for us girls exactly not for women +intercourse and sexual fulfillment were + +46 +00:01:02,209 --> 00:01:02,219 +intercourse and sexual fulfillment were + + +47 +00:01:02,219 --> 00:01:05,539 +intercourse and sexual fulfillment were +never intended to intersect hmm new + +48 +00:01:05,539 --> 00:01:05,549 +never intended to intersect hmm new + + +49 +00:01:05,549 --> 00:01:07,880 +never intended to intersect hmm new +technology just makes it official future + +50 +00:01:07,880 --> 00:01:07,890 +technology just makes it official future + + +51 +00:01:07,890 --> 00:01:09,890 +technology just makes it official future +generations of women will evolve + +52 +00:01:09,890 --> 00:01:09,900 +generations of women will evolve + + +53 +00:01:09,900 --> 00:01:12,620 +generations of women will evolve +clitorises clitter I little rock team + +54 +00:01:12,620 --> 00:01:12,630 +clitorises clitter I little rock team + + +55 +00:01:12,630 --> 00:01:19,520 +clitorises clitter I little rock team +please ERISA mom but our larger longer + +56 +00:01:19,520 --> 00:01:19,530 +please ERISA mom but our larger longer + + +57 +00:01:19,530 --> 00:01:21,890 +please ERISA mom but our larger longer +even more sensitive and a woman's + +58 +00:01:21,890 --> 00:01:21,900 +even more sensitive and a woman's + + +59 +00:01:21,900 --> 00:01:23,740 +even more sensitive and a woman's +ability as well as her desire to self + +60 +00:01:23,740 --> 00:01:23,750 +ability as well as her desire to self + + +61 +00:01:23,750 --> 00:01:26,719 +ability as well as her desire to self +stimulate will increase exponentially as + +62 +00:01:26,719 --> 00:01:26,729 +stimulate will increase exponentially as + + +63 +00:01:26,729 --> 00:01:28,550 +stimulate will increase exponentially as +intercourse is robbed of its procreative + +64 +00:01:28,550 --> 00:01:28,560 +intercourse is robbed of its procreative + + +65 +00:01:28,560 --> 00:01:31,550 +intercourse is robbed of its procreative +utility well I'm confused and frightened + +66 +00:01:31,550 --> 00:01:31,560 +utility well I'm confused and frightened + + +67 +00:01:31,560 --> 00:01:33,770 +utility well I'm confused and frightened +you should be the species is not static + +68 +00:01:33,770 --> 00:01:33,780 +you should be the species is not static + + +69 +00:01:33,780 --> 00:01:35,870 +you should be the species is not static +okay we're in a constant state of flux + +70 +00:01:35,870 --> 00:01:35,880 +okay we're in a constant state of flux + + +71 +00:01:35,880 --> 00:01:37,910 +okay we're in a constant state of flux +two genders has been the default setting + +72 +00:01:37,910 --> 00:01:37,920 +two genders has been the default setting + + +73 +00:01:37,920 --> 00:01:39,890 +two genders has been the default setting +for one reason only so far it's been the + +74 +00:01:39,890 --> 00:01:39,900 +for one reason only so far it's been the + + +75 +00:01:39,900 --> 00:01:41,630 +for one reason only so far it's been the +only way to propagate the race is there + +76 +00:01:41,630 --> 00:01:41,640 +only way to propagate the race is there + + +77 +00:01:41,640 --> 00:01:43,460 +only way to propagate the race is there +any species it just has one gender that + +78 +00:01:43,460 --> 00:01:43,470 +any species it just has one gender that + + +79 +00:01:43,470 --> 00:01:45,660 +any species it just has one gender that +doesn't have male female + +80 +00:01:45,660 --> 00:01:45,670 +doesn't have male female + + +81 +00:01:45,670 --> 00:01:48,090 +doesn't have male female +starfish for one next time I see a + +82 +00:01:48,090 --> 00:01:48,100 +starfish for one next time I see a + + +83 +00:01:48,100 --> 00:01:49,770 +starfish for one next time I see a +starfish I'm gonna tell him to go + +84 +00:01:49,770 --> 00:01:49,780 +starfish I'm gonna tell him to go + + +85 +00:01:49,780 --> 00:01:58,200 +starfish I'm gonna tell him to go +himself come on you love so we don't so + +86 +00:01:58,200 --> 00:01:58,210 +himself come on you love so we don't so + + +87 +00:01:58,210 --> 00:02:01,469 +himself come on you love so we don't so +where we have that equality equality + +88 +00:02:01,469 --> 00:02:01,479 +where we have that equality equality + + +89 +00:02:01,479 --> 00:02:05,249 +where we have that equality equality +what is that is that a principle of + +90 +00:02:05,249 --> 00:02:05,259 +what is that is that a principle of + + +91 +00:02:05,259 --> 00:02:07,289 +what is that is that a principle of +nature we also around leaving subway + +92 +00:02:07,289 --> 00:02:07,299 +nature we also around leaving subway + + +93 +00:02:07,299 --> 00:02:10,290 +nature we also around leaving subway +maps together of course not a natural + +94 +00:02:10,290 --> 00:02:10,300 +maps together of course not a natural + + +95 +00:02:10,300 --> 00:02:12,570 +maps together of course not a natural +selection now that is a principle of + +96 +00:02:12,570 --> 00:02:12,580 +selection now that is a principle of + + +97 +00:02:12,580 --> 00:02:14,550 +selection now that is a principle of +nature selection something has to lose + +98 +00:02:14,550 --> 00:02:14,560 +nature selection something has to lose + + +99 +00:02:14,560 --> 00:02:16,440 +nature selection something has to lose +something else to be defeated in order + +100 +00:02:16,440 --> 00:02:16,450 +something else to be defeated in order + + +101 +00:02:16,450 --> 00:02:18,570 +something else to be defeated in order +for something else to be selected so + +102 +00:02:18,570 --> 00:02:18,580 +for something else to be selected so + + +103 +00:02:18,580 --> 00:02:24,150 +for something else to be selected so +what does this mean means we ought to + +104 +00:02:24,150 --> 00:02:24,160 +what does this mean means we ought to + + +105 +00:02:24,160 --> 00:02:25,500 +what does this mean means we ought to +take orders from Joyce for the rest of + +106 +00:02:25,500 --> 00:02:25,510 +take orders from Joyce for the rest of + + +107 +00:02:25,510 --> 00:02:28,670 +take orders from Joyce for the rest of +our lives hey that's right I like that + +108 +00:02:28,670 --> 00:02:28,680 +our lives hey that's right I like that + + +109 +00:02:28,680 --> 00:02:31,410 +our lives hey that's right I like that +it means the 10 or 15 generations from + +110 +00:02:31,410 --> 00:02:31,420 +it means the 10 or 15 generations from + + +111 +00:02:31,420 --> 00:02:35,449 +it means the 10 or 15 generations from +now men will be reduced to servitude + +112 +00:02:35,449 --> 00:02:35,459 + + + +113 +00:02:35,459 --> 00:02:37,650 + +technology and evolution will have + +114 +00:02:37,650 --> 00:02:37,660 +technology and evolution will have + + +115 +00:02:37,660 --> 00:02:39,630 +technology and evolution will have +combined to exclude sperm from + +116 +00:02:39,630 --> 00:02:39,640 +combined to exclude sperm from + + +117 +00:02:39,640 --> 00:02:42,360 +combined to exclude sperm from +procreation and our final destiny will + +118 +00:02:42,360 --> 00:02:42,370 +procreation and our final destiny will + + +119 +00:02:42,370 --> 00:02:45,570 +procreation and our final destiny will +be to lift couches and wait for that day + +120 +00:02:45,570 --> 00:02:45,580 +be to lift couches and wait for that day + + +121 +00:02:45,580 --> 00:02:48,509 +be to lift couches and wait for that day +when telepathy overcomes gravity and our + +122 +00:02:48,509 --> 00:02:48,519 +when telepathy overcomes gravity and our + + +123 +00:02:48,519 --> 00:02:52,199 +when telepathy overcomes gravity and our +genders last remaining utility is lost + +124 +00:02:52,199 --> 00:02:52,209 +genders last remaining utility is lost + + +125 +00:02:52,209 --> 00:02:54,510 +genders last remaining utility is lost +forever + diff --git a/2002/UDSfJaVC0KY.en.srt b/2002/UDSfJaVC0KY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..12685ad69bc87543053672bd934411979581612a --- /dev/null +++ b/2002/UDSfJaVC0KY.en.srt @@ -0,0 +1,415 @@ +1 +00:00:00,160 --> 00:00:02,790 + +what's your name kid the human + +2 +00:00:02,790 --> 00:00:02,800 +what's your name kid the human + + +3 +00:00:02,800 --> 00:00:05,349 +what's your name kid the human +spider the human spider that's it that's + +4 +00:00:05,349 --> 00:00:05,359 +spider the human spider that's it that's + + +5 +00:00:05,359 --> 00:00:08,990 +spider the human spider that's it that's +the best you got yeah oh that sucks the + +6 +00:00:08,990 --> 00:00:09,000 +the best you got yeah oh that sucks the + + +7 +00:00:09,000 --> 00:00:10,709 +the best you got yeah oh that sucks the +sum of + +8 +00:00:10,709 --> 00:00:10,719 +sum of + + +9 +00:00:10,719 --> 00:00:15,030 +sum of +$33,000 will be paid to the terrifying + +10 +00:00:15,030 --> 00:00:15,040 +$33,000 will be paid to the terrifying + + +11 +00:00:15,040 --> 00:00:17,870 +$33,000 will be paid to the terrifying +the deadly The + +12 +00:00:17,870 --> 00:00:17,880 +the deadly The + + +13 +00:00:17,880 --> 00:00:19,460 +the deadly The +Amazing + +14 +00:00:19,460 --> 00:00:19,470 +Amazing + + +15 +00:00:19,470 --> 00:00:21,509 +Amazing +[Applause] + +16 +00:00:21,509 --> 00:00:21,519 +[Applause] + + +17 +00:00:21,519 --> 00:00:24,230 +[Applause] +Spiderman my name's the human spider I + +18 +00:00:24,230 --> 00:00:24,240 +Spiderman my name's the human spider I + + +19 +00:00:24,240 --> 00:00:25,630 +Spiderman my name's the human spider I +don't care get out there no he got my + +20 +00:00:25,630 --> 00:00:25,640 +don't care get out there no he got my + + +21 +00:00:25,640 --> 00:00:28,200 +don't care get out there no he got my +name wrong get out there you + +22 +00:00:28,200 --> 00:00:28,210 +name wrong get out there you + + +23 +00:00:28,210 --> 00:00:30,349 +name wrong get out there you +[Applause] + +24 +00:00:30,349 --> 00:00:30,359 +[Applause] + + +25 +00:00:30,359 --> 00:00:32,429 +[Applause] +bone s's going to eat you up and spit + +26 +00:00:32,429 --> 00:00:32,439 +bone s's going to eat you up and spit + + +27 +00:00:32,439 --> 00:00:34,389 +bone s's going to eat you up and spit +you out little man I hope you brought + +28 +00:00:34,389 --> 00:00:34,399 +you out little man I hope you brought + + +29 +00:00:34,399 --> 00:00:39,590 +you out little man I hope you brought +your mommy with you someone to go + +30 +00:00:39,590 --> 00:00:39,600 + + + +31 +00:00:39,600 --> 00:00:43,670 + +crying I'm going to rip your leg your + +32 +00:00:43,670 --> 00:00:43,680 +crying I'm going to rip your leg your + + +33 +00:00:43,680 --> 00:00:45,549 +crying I'm going to rip your leg your +one + +34 +00:00:45,549 --> 00:00:45,559 +one + + +35 +00:00:45,559 --> 00:00:51,310 +one +by oh my God oh my legs oh God I can't + +36 +00:00:51,310 --> 00:00:51,320 +by oh my God oh my legs oh God I can't + + +37 +00:00:51,320 --> 00:00:55,570 +by oh my God oh my legs oh God I can't +feel my legs + +38 +00:00:55,570 --> 00:00:55,580 + + + +39 +00:00:55,580 --> 00:01:15,510 + +[Applause] + +40 +00:01:15,510 --> 00:01:15,520 + + + +41 +00:01:15,520 --> 00:01:16,990 + +hello + +42 +00:01:16,990 --> 00:01:17,000 +hello + + +43 +00:01:17,000 --> 00:01:20,950 +hello +guys will the guard please lock the cage + +44 +00:01:20,950 --> 00:01:20,960 +guys will the guard please lock the cage + + +45 +00:01:20,960 --> 00:01:25,230 +guys will the guard please lock the cage +doors at this time Hey listen it's some + +46 +00:01:25,230 --> 00:01:25,240 +doors at this time Hey listen it's some + + +47 +00:01:25,240 --> 00:01:26,749 +doors at this time Hey listen it's some +kind of mistake I didn't sign up for a + +48 +00:01:26,749 --> 00:01:26,759 +kind of mistake I didn't sign up for a + + +49 +00:01:26,759 --> 00:01:31,109 +kind of mistake I didn't sign up for a +cage match hey unlock the thing take the + +50 +00:01:31,109 --> 00:01:31,119 +cage match hey unlock the thing take the + + +51 +00:01:31,119 --> 00:01:35,590 +cage match hey unlock the thing take the +train off hey freak Jo you're going + +52 +00:01:35,590 --> 00:01:35,600 +train off hey freak Jo you're going + + +53 +00:01:35,600 --> 00:01:39,310 +train off hey freak Jo you're going +nowhere I got you for 3 minutes 3 + +54 +00:01:39,310 --> 00:01:39,320 +nowhere I got you for 3 minutes 3 + + +55 +00:01:39,320 --> 00:01:41,950 +nowhere I got you for 3 minutes 3 +minutes of play + +56 +00:01:41,950 --> 00:01:41,960 +minutes of play + + +57 +00:01:41,960 --> 00:01:47,230 +minutes of play +[Applause] + +58 +00:01:47,230 --> 00:01:47,240 + + + +59 +00:01:47,240 --> 00:01:50,149 + +time what are you doing up there staying + +60 +00:01:50,149 --> 00:01:50,159 +time what are you doing up there staying + + +61 +00:01:50,159 --> 00:01:53,109 +time what are you doing up there staying +away from you that's a cute outfit did + +62 +00:01:53,109 --> 00:01:53,119 +away from you that's a cute outfit did + + +63 +00:01:53,119 --> 00:01:55,970 +away from you that's a cute outfit did +your husband give it to you + +64 +00:01:55,970 --> 00:01:55,980 +your husband give it to you + + +65 +00:01:55,980 --> 00:02:00,550 +your husband give it to you +[Applause] + +66 +00:02:00,550 --> 00:02:00,560 + + + +67 +00:02:00,560 --> 00:02:05,050 + +a finish him + +68 +00:02:05,050 --> 00:02:05,060 + + + +69 +00:02:05,060 --> 00:02:18,030 + +[Applause] + +70 +00:02:18,030 --> 00:02:18,040 +[Applause] + + +71 +00:02:18,040 --> 00:02:22,430 +[Applause] +off get + +72 +00:02:22,430 --> 00:02:22,440 + + + +73 +00:02:22,440 --> 00:02:24,990 + +out SP ass + +74 +00:02:24,990 --> 00:02:25,000 +out SP ass + + +75 +00:02:25,000 --> 00:02:41,830 +out SP ass +[Applause] + +76 +00:02:41,830 --> 00:02:41,840 +[Applause] + + +77 +00:02:41,840 --> 00:02:45,589 +[Applause] +1 2 3 that's + +78 +00:02:45,589 --> 00:02:45,599 +1 2 3 that's + + +79 +00:02:45,599 --> 00:02:47,750 +1 2 3 that's +that's ladies and gentlemen give it up + +80 +00:02:47,750 --> 00:02:47,760 +that's ladies and gentlemen give it up + + +81 +00:02:47,760 --> 00:02:54,940 +that's ladies and gentlemen give it up +for the new Champion Spiderman + +82 +00:02:54,940 --> 00:02:54,950 + + + +83 +00:02:54,950 --> 00:03:21,909 + +[Music] + diff --git a/2002/UFXtRWVYQV8.en.srt b/2002/UFXtRWVYQV8.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1e149a6a09d49cf5472e7caaaf6201f66573ad61 --- /dev/null +++ b/2002/UFXtRWVYQV8.en.srt @@ -0,0 +1,445 @@ +1 +00:00:00,120 --> 00:00:03,149 + +oh Colonel at he AG I heard one of my + +2 +00:00:03,149 --> 00:00:03,159 +oh Colonel at he AG I heard one of my + + +3 +00:00:03,159 --> 00:00:04,789 +oh Colonel at he AG I heard one of my +new lieutenants just became a father + +4 +00:00:04,789 --> 00:00:04,799 +new lieutenants just became a father + + +5 +00:00:04,799 --> 00:00:06,829 +new lieutenants just became a father +came to say congratulations thank you + +6 +00:00:06,829 --> 00:00:06,839 +came to say congratulations thank you + + +7 +00:00:06,839 --> 00:00:09,830 +came to say congratulations thank you +sir so uh I didn't want to disturb you + +8 +00:00:09,830 --> 00:00:09,840 +sir so uh I didn't want to disturb you + + +9 +00:00:09,840 --> 00:00:12,549 +sir so uh I didn't want to disturb you +oh no no it's fine it's all right + +10 +00:00:12,549 --> 00:00:12,559 +oh no no it's fine it's all right + + +11 +00:00:12,559 --> 00:00:15,869 +oh no no it's fine it's all right +please well how's your wife she's okay + +12 +00:00:15,869 --> 00:00:15,879 +please well how's your wife she's okay + + +13 +00:00:15,879 --> 00:00:17,429 +please well how's your wife she's okay +she's okay she's + +14 +00:00:17,429 --> 00:00:17,439 +she's okay she's + + +15 +00:00:17,439 --> 00:00:21,390 +she's okay she's +sleeping so is my daughter I just wanted + +16 +00:00:21,390 --> 00:00:21,400 +sleeping so is my daughter I just wanted + + +17 +00:00:21,400 --> 00:00:24,310 +sleeping so is my daughter I just wanted +to be here for a while before I held + +18 +00:00:24,310 --> 00:00:24,320 +to be here for a while before I held + + +19 +00:00:24,320 --> 00:00:26,950 +to be here for a while before I held +her tager already what's that say oh + +20 +00:00:26,950 --> 00:00:26,960 +her tager already what's that say oh + + +21 +00:00:26,960 --> 00:00:28,669 +her tager already what's that say oh +Camille yeah I'm sorry about this no + +22 +00:00:28,669 --> 00:00:28,679 +Camille yeah I'm sorry about this no + + +23 +00:00:28,679 --> 00:00:29,790 +Camille yeah I'm sorry about this no +don't you take that off you leave that + +24 +00:00:29,790 --> 00:00:29,800 +don't you take that off you leave that + + +25 +00:00:29,800 --> 00:00:32,310 +don't you take that off you leave that +on where it is that's an + +26 +00:00:32,310 --> 00:00:32,320 +on where it is that's an + + +27 +00:00:32,320 --> 00:00:37,830 +on where it is that's an +order Colon I ask you a question + +28 +00:00:37,830 --> 00:00:37,840 + + + +29 +00:00:37,840 --> 00:00:40,470 + +sure what do you think about being a + +30 +00:00:40,470 --> 00:00:40,480 +sure what do you think about being a + + +31 +00:00:40,480 --> 00:00:43,110 +sure what do you think about being a +soldier and a + +32 +00:00:43,110 --> 00:00:43,120 +soldier and a + + +33 +00:00:43,120 --> 00:00:46,189 +soldier and a +father I hope that being good at the one + +34 +00:00:46,189 --> 00:00:46,199 +father I hope that being good at the one + + +35 +00:00:46,199 --> 00:00:50,069 +father I hope that being good at the one +makes me better at the + +36 +00:00:50,069 --> 00:00:50,079 + + + +37 +00:00:50,079 --> 00:00:53,150 + +other why what about + +38 +00:00:53,150 --> 00:00:53,160 +other why what about + + +39 +00:00:53,160 --> 00:00:55,349 +other why what about +you I don't know + +40 +00:00:55,349 --> 00:00:55,359 +you I don't know + + +41 +00:00:55,359 --> 00:00:58,270 +you I don't know +sir between college and + +42 +00:00:58,270 --> 00:00:58,280 +sir between college and + + +43 +00:00:58,280 --> 00:01:02,310 +sir between college and +here Barber and I spent a year in + +44 +00:01:02,310 --> 00:01:02,320 +here Barber and I spent a year in + + +45 +00:01:02,320 --> 00:01:07,230 +here Barber and I spent a year in +Africa we helped build a school for + +46 +00:01:07,230 --> 00:01:07,240 +Africa we helped build a school for + + +47 +00:01:07,240 --> 00:01:09,469 +Africa we helped build a school for +Orphans they were orphans because the + +48 +00:01:09,469 --> 00:01:09,479 +Orphans they were orphans because the + + +49 +00:01:09,479 --> 00:01:11,550 +Orphans they were orphans because the +warlord across the border didn't like + +50 +00:01:11,550 --> 00:01:11,560 +warlord across the border didn't like + + +51 +00:01:11,560 --> 00:01:15,190 +warlord across the border didn't like +their + +52 +00:01:15,190 --> 00:01:15,200 + + + +53 +00:01:15,200 --> 00:01:19,950 + +tribe I know God has a plan for + +54 +00:01:19,950 --> 00:01:19,960 +tribe I know God has a plan for + + +55 +00:01:19,960 --> 00:01:24,069 +tribe I know God has a plan for +me I just hope it's to help protect + +56 +00:01:24,069 --> 00:01:24,079 +me I just hope it's to help protect + + +57 +00:01:24,079 --> 00:01:28,910 +me I just hope it's to help protect +orphans not make + +58 +00:01:28,910 --> 00:01:28,920 + + + +59 +00:01:28,920 --> 00:01:32,789 + +any well why don't we ask + +60 +00:01:32,789 --> 00:01:32,799 +any well why don't we ask + + +61 +00:01:32,799 --> 00:01:39,190 +any well why don't we ask +him come on let's go ask + +62 +00:01:39,190 --> 00:01:39,200 + + + +63 +00:01:39,200 --> 00:01:42,590 + +him our father in Heaven before we go + +64 +00:01:42,590 --> 00:01:42,600 +him our father in Heaven before we go + + +65 +00:01:42,600 --> 00:01:45,789 +him our father in Heaven before we go +into battle every Soldier Among Us will + +66 +00:01:45,789 --> 00:01:45,799 +into battle every Soldier Among Us will + + +67 +00:01:45,799 --> 00:01:47,670 +into battle every Soldier Among Us will +approach you each in his own + +68 +00:01:47,670 --> 00:01:47,680 +approach you each in his own + + +69 +00:01:47,680 --> 00:01:51,270 +approach you each in his own +way our enemies too according to their + +70 +00:01:51,270 --> 00:01:51,280 +way our enemies too according to their + + +71 +00:01:51,280 --> 00:01:52,789 +way our enemies too according to their +own understanding will ask for + +72 +00:01:52,789 --> 00:01:52,799 +own understanding will ask for + + +73 +00:01:52,799 --> 00:01:54,230 +own understanding will ask for +protection and for + +74 +00:01:54,230 --> 00:01:54,240 +protection and for + + +75 +00:01:54,240 --> 00:01:56,910 +protection and for +victory and so we bow before your + +76 +00:01:56,910 --> 00:01:56,920 +victory and so we bow before your + + +77 +00:01:56,920 --> 00:01:59,510 +victory and so we bow before your +Infinite Wisdom we offer our prayers as + +78 +00:01:59,510 --> 00:01:59,520 +Infinite Wisdom we offer our prayers as + + +79 +00:01:59,520 --> 00:02:00,749 +Infinite Wisdom we offer our prayers as +best we can + +80 +00:02:00,749 --> 00:02:00,759 +best we can + + +81 +00:02:00,759 --> 00:02:04,469 +best we can +can I pray you watch over the young men + +82 +00:02:04,469 --> 00:02:04,479 +can I pray you watch over the young men + + +83 +00:02:04,479 --> 00:02:07,589 +can I pray you watch over the young men +like Jack gagan that I lead into + +84 +00:02:07,589 --> 00:02:07,599 +like Jack gagan that I lead into + + +85 +00:02:07,599 --> 00:02:10,070 +like Jack gagan that I lead into +battle you use me as your instrument in + +86 +00:02:10,070 --> 00:02:10,080 +battle you use me as your instrument in + + +87 +00:02:10,080 --> 00:02:20,900 +battle you use me as your instrument in +this awful hell of War to watch over + +88 +00:02:20,900 --> 00:02:20,910 + + + +89 +00:02:20,910 --> 00:02:43,500 + +[Music] + diff --git a/2002/UFnmq5PPScA.description b/2002/UFnmq5PPScA.description new file mode 100644 index 0000000000000000000000000000000000000000..a21f2c7a43640c8f1a730cc2f0b8a258e28be880 --- /dev/null +++ b/2002/UFnmq5PPScA.description @@ -0,0 +1,38 @@ +The Bourne Identity movie clips: http://j.mp/1JaLRFI +BUY THE MOVIE: http://amzn.to/sBURxM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Bourne (Matt Damon) wins a well-matched struggle with an assassin, but Marie's (Franka Potente) hysteria frees the man. + +FILM DESCRIPTION: +The best-selling suspense novel by late author Robert Ludlum comes to the screen for a second time, following a 1988 made-for-TV movie. Matt Damon stars as Jason Bourne, a barely alive amnesiac with a pair of bullet wounds in his back, pulled from the Mediterranean by Italian fishermen. Bourne's only clue to his own identity is a bank account number etched on a capsule implanted in his body. He quickly finds the Zurich bank where money, a gun, and a few identification documents await, but after he's pursued by security goons at the American consulate, Bourne realizes he can trust no one and offers a German gypsy named Marie (Franka Potente) ten thousand dollars for a ride to Paris. Encountering more professional killers bent on his destruction, Bourne discovers that he possesses a surprising degree of skill in combat, martial arts, and linguistics -- handy talents that clearly indicate his past includes work as a spy and assassin, but for whom? With Marie's reluctant help, Bourne edges closer to the truth, something CIA officials want concealed at all costs. The Bourne Identity co-stars Chris Cooper, Clive Owen, Brian Cox, and Julia Stiles. + +CREDITS: +TM & © Universal (2002) +Cast: Matt Damon, Nicky Naude, Franka Potente +Director: Doug Liman +Producers: Patrick Crowley, Richard N. Gladstein, Doug Liman, Robert Ludlum, Frank Marshall, David Minkowski, Matthew Stillman, Andrew R. Tennenbaum +Screenwriters: Tony Gilroy, W. Blake Herron, Robert Ludlum + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/UFnmq5PPScA.en.srt b/2002/UFnmq5PPScA.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..f617cb898e7dc49343ff224c26d60d699723e190 --- /dev/null +++ b/2002/UFnmq5PPScA.en.srt @@ -0,0 +1,88 @@ +1 +00:00:06,819 --> 00:00:08,198 +What is it? + +2 +00:00:09,528 --> 00:00:11,158 +Something wrong? + +3 +00:00:48,235 --> 00:00:49,396 +Jason! + +4 +00:01:51,331 --> 00:01:53,711 +Open that. Open that. +Tell me what's inside. + +5 +00:01:53,791 --> 00:01:55,211 +Who are you? + +6 +00:01:56,920 --> 00:01:58,301 +Who are you? + +7 +00:02:00,131 --> 00:02:01,510 +Who are you? + +8 +00:02:05,140 --> 00:02:06,510 +Oh, my God. + +9 +00:02:09,060 --> 00:02:10,390 +God. + +10 +00:02:10,640 --> 00:02:12,599 +Answer me! +Who are you? + +11 +00:02:12,899 --> 00:02:14,310 +He's got my picture! + +12 +00:02:14,400 --> 00:02:15,480 +All right. +Just hang on. + +13 +00:02:15,560 --> 00:02:16,859 +This is Zurich. +It's yesterday! + +14 +00:02:16,939 --> 00:02:17,939 +No, no, don't... + +15 +00:02:18,029 --> 00:02:19,570 +I don't know. +Where did you get this? + +16 +00:02:19,650 --> 00:02:20,899 +Hang on. +Stay there. + +17 +00:02:20,989 --> 00:02:22,239 +How did you get my picture? + +18 +00:02:22,319 --> 00:02:24,359 +Where did you get this from? + +19 +00:02:24,449 --> 00:02:26,279 +How did you get my... +My God! + +20 +00:02:26,369 --> 00:02:30,199 +I'll do this! You +stay there. Stay there! + diff --git a/2002/UWlxRKXD6sY.en.srt b/2002/UWlxRKXD6sY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..1fbb3a08ba24aa79825ebbc13b75e1b2c59796b0 --- /dev/null +++ b/2002/UWlxRKXD6sY.en.srt @@ -0,0 +1,615 @@ +1 +00:00:00,060 --> 00:00:03,350 + +My dear dr. Lecter I wanted to tell you + +2 +00:00:03,350 --> 00:00:03,360 +My dear dr. Lecter I wanted to tell you + + +3 +00:00:03,360 --> 00:00:04,940 +My dear dr. Lecter I wanted to tell you +I'm delighted that you have taken an + +4 +00:00:04,940 --> 00:00:04,950 +I'm delighted that you have taken an + + +5 +00:00:04,950 --> 00:00:07,940 +I'm delighted that you have taken an +interest in me and when I learned of + +6 +00:00:07,940 --> 00:00:07,950 +interest in me and when I learned of + + +7 +00:00:07,950 --> 00:00:11,629 +interest in me and when I learned of +your vast correspondence I thought dare + +8 +00:00:11,629 --> 00:00:11,639 +your vast correspondence I thought dare + + +9 +00:00:11,639 --> 00:00:13,970 +your vast correspondence I thought dare +I of course I do + +10 +00:00:13,970 --> 00:00:13,980 +I of course I do + + +11 +00:00:13,980 --> 00:00:18,380 +I of course I do +I don't believe you're telling who I am + +12 +00:00:18,380 --> 00:00:18,390 +I don't believe you're telling who I am + + +13 +00:00:18,390 --> 00:00:20,779 +I don't believe you're telling who I am +besides what particular body I currently + +14 +00:00:20,779 --> 00:00:20,789 +besides what particular body I currently + + +15 +00:00:20,789 --> 00:00:23,509 +besides what particular body I currently +occupy is trivial the important thing is + +16 +00:00:23,509 --> 00:00:23,519 +occupy is trivial the important thing is + + +17 +00:00:23,519 --> 00:00:27,080 +occupy is trivial the important thing is +what I am becoming I know that you alone + +18 +00:00:27,080 --> 00:00:27,090 +what I am becoming I know that you alone + + +19 +00:00:27,090 --> 00:00:29,740 +what I am becoming I know that you alone +can understand this transformation I + +20 +00:00:29,740 --> 00:00:29,750 +can understand this transformation I + + +21 +00:00:29,750 --> 00:00:32,860 +can understand this transformation I +have some things I'd love to show you if + +22 +00:00:32,860 --> 00:00:32,870 +have some things I'd love to show you if + + +23 +00:00:32,870 --> 00:00:36,080 +have some things I'd love to show you if +circumstances permit I hope we can + +24 +00:00:36,080 --> 00:00:36,090 +circumstances permit I hope we can + + +25 +00:00:36,090 --> 00:00:39,380 +circumstances permit I hope we can +correspond I have admired you for years + +26 +00:00:39,380 --> 00:00:39,390 +correspond I have admired you for years + + +27 +00:00:39,390 --> 00:00:40,970 +correspond I have admired you for years +and have a complete collection of + +28 +00:00:40,970 --> 00:00:40,980 +and have a complete collection of + + +29 +00:00:40,980 --> 00:00:43,670 +and have a complete collection of +repressed notices actually I think of + +30 +00:00:43,670 --> 00:00:43,680 +repressed notices actually I think of + + +31 +00:00:43,680 --> 00:00:47,860 +repressed notices actually I think of +them as unfair reviews as unfair as mine + +32 +00:00:47,860 --> 00:00:47,870 +them as unfair reviews as unfair as mine + + +33 +00:00:47,870 --> 00:00:50,510 +them as unfair reviews as unfair as mine +but they do like to sling demeaning + +34 +00:00:50,510 --> 00:00:50,520 +but they do like to sling demeaning + + +35 +00:00:50,520 --> 00:00:53,900 +but they do like to sling demeaning +nicknames don't pay the tooth fairy + +36 +00:00:53,900 --> 00:00:53,910 +nicknames don't pay the tooth fairy + + +37 +00:00:53,910 --> 00:00:56,869 +nicknames don't pay the tooth fairy +what could be more inappropriate it + +38 +00:00:56,869 --> 00:00:56,879 +what could be more inappropriate it + + +39 +00:00:56,879 --> 00:00:59,389 +what could be more inappropriate it +would shame me for you to read that if I + +40 +00:00:59,389 --> 00:00:59,399 +would shame me for you to read that if I + + +41 +00:00:59,399 --> 00:01:00,670 +would shame me for you to read that if I +didn't know you would suffer the same + +42 +00:01:00,670 --> 00:01:00,680 +didn't know you would suffer the same + + +43 +00:01:00,680 --> 00:01:03,590 +didn't know you would suffer the same +distortions in the press it's bloody + +44 +00:01:03,590 --> 00:01:03,600 +distortions in the press it's bloody + + +45 +00:01:03,600 --> 00:01:09,080 +distortions in the press it's bloody +stupid building + +46 +00:01:09,080 --> 00:01:09,090 + + + +47 +00:01:09,090 --> 00:01:12,349 + +how much longer do we have ten minutes + +48 +00:01:12,349 --> 00:01:12,359 +how much longer do we have ten minutes + + +49 +00:01:12,359 --> 00:01:14,510 +how much longer do we have ten minutes +max instructions for answering are + +50 +00:01:14,510 --> 00:01:14,520 +max instructions for answering are + + +51 +00:01:14,520 --> 00:01:16,279 +max instructions for answering are +probably in the section that Lecter tore + +52 +00:01:16,279 --> 00:01:16,289 +probably in the section that Lecter tore + + +53 +00:01:16,289 --> 00:01:17,809 +probably in the section that Lecter tore +out I don't get it why not just throw + +54 +00:01:17,809 --> 00:01:17,819 +out I don't get it why not just throw + + +55 +00:01:17,819 --> 00:01:19,039 +out I don't get it why not just throw +the whole note away + +56 +00:01:19,039 --> 00:01:19,049 +the whole note away + + +57 +00:01:19,049 --> 00:01:21,889 +the whole note away +it was full of compliments couldn't bear + +58 +00:01:21,889 --> 00:01:21,899 +it was full of compliments couldn't bear + + +59 +00:01:21,899 --> 00:01:28,520 +it was full of compliments couldn't bear +to part with them now I can mash just a + +60 +00:01:28,520 --> 00:01:28,530 +to part with them now I can mash just a + + +61 +00:01:28,530 --> 00:01:37,340 +to part with them now I can mash just a +little you're so sly but so am i aniline + +62 +00:01:37,340 --> 00:01:37,350 +little you're so sly but so am i aniline + + +63 +00:01:37,350 --> 00:01:39,230 +little you're so sly but so am i aniline +dyes and colored inks are transparent + +64 +00:01:39,230 --> 00:01:39,240 +dyes and colored inks are transparent + + +65 +00:01:39,240 --> 00:01:39,979 +dyes and colored inks are transparent +infrared + +66 +00:01:39,979 --> 00:01:39,989 +infrared + + +67 +00:01:39,989 --> 00:01:42,410 +infrared +these could be the tips of t's here and + +68 +00:01:42,410 --> 00:01:42,420 +these could be the tips of t's here and + + +69 +00:01:42,420 --> 00:01:45,440 +these could be the tips of t's here and +here on the end that's a P or possibly + +70 +00:01:45,440 --> 00:01:45,450 +here on the end that's a P or possibly + + +71 +00:01:45,450 --> 00:01:47,779 +here on the end that's a P or possibly +an R maybe this is where he's telling + +72 +00:01:47,779 --> 00:01:47,789 +an R maybe this is where he's telling + + +73 +00:01:47,789 --> 00:01:49,760 +an R maybe this is where he's telling +Lecter how to answer him Jack there's + +74 +00:01:49,760 --> 00:01:49,770 +Lecter how to answer him Jack there's + + +75 +00:01:49,770 --> 00:01:50,899 +Lecter how to answer him Jack there's +only one safe way to carry on a + +76 +00:01:50,899 --> 00:01:50,909 +only one safe way to carry on a + + +77 +00:01:50,909 --> 00:01:52,389 +only one safe way to carry on a +conversation that's one way blonde + +78 +00:01:52,389 --> 00:01:52,399 +conversation that's one way blonde + + +79 +00:01:52,399 --> 00:01:55,279 +conversation that's one way blonde +publication wait a minute you know this + +80 +00:01:55,279 --> 00:01:55,289 +publication wait a minute you know this + + +81 +00:01:55,289 --> 00:01:57,199 +publication wait a minute you know this +sweetheart reads the tablet as soon as + +82 +00:01:57,199 --> 00:01:57,209 +sweetheart reads the tablet as soon as + + +83 +00:01:57,209 --> 00:01:58,850 +sweetheart reads the tablet as soon as +no write the tooth fairy + +84 +00:01:58,850 --> 00:01:58,860 +no write the tooth fairy + + +85 +00:01:58,860 --> 00:02:01,699 +no write the tooth fairy +they made that up three T's in an aren't + +86 +00:02:01,699 --> 00:02:01,709 +they made that up three T's in an aren't + + +87 +00:02:01,709 --> 00:02:04,999 +they made that up three T's in an aren't +a blur so how do you communicate through + +88 +00:02:04,999 --> 00:02:05,009 +a blur so how do you communicate through + + +89 +00:02:05,009 --> 00:02:07,119 +a blur so how do you communicate through +a tabloid you got what new specials + +90 +00:02:07,119 --> 00:02:07,129 +a tabloid you got what new specials + + +91 +00:02:07,129 --> 00:02:08,359 +a tabloid you got what new specials +personals + +92 +00:02:08,359 --> 00:02:08,369 +personals + + +93 +00:02:08,369 --> 00:02:10,069 +personals +what if the killer wants Lecter to + +94 +00:02:10,069 --> 00:02:10,079 +what if the killer wants Lecter to + + +95 +00:02:10,079 --> 00:02:11,420 +what if the killer wants Lecter to +answer him through the personal columns + +96 +00:02:11,420 --> 00:02:11,430 +answer him through the personal columns + + +97 +00:02:11,430 --> 00:02:13,370 +answer him through the personal columns +could be it we're gonna need proofs of + +98 +00:02:13,370 --> 00:02:13,380 +could be it we're gonna need proofs of + + +99 +00:02:13,380 --> 00:02:14,870 +could be it we're gonna need proofs of +those pages before the next Tyler's + +100 +00:02:14,870 --> 00:02:14,880 +those pages before the next Tyler's + + +101 +00:02:14,880 --> 00:02:16,629 +those pages before the next Tyler's +public come on + +102 +00:02:16,629 --> 00:02:16,639 +public come on + + +103 +00:02:16,639 --> 00:02:18,920 +public come on +investigative Graham interests me that + +104 +00:02:18,920 --> 00:02:18,930 +investigative Graham interests me that + + +105 +00:02:18,930 --> 00:02:22,449 +investigative Graham interests me that +new standard gumshoe is he more alert + +106 +00:02:22,449 --> 00:02:22,459 +new standard gumshoe is he more alert + + +107 +00:02:22,459 --> 00:02:25,550 +new standard gumshoe is he more alert +purposeful looking you should have + +108 +00:02:25,550 --> 00:02:25,560 +purposeful looking you should have + + +109 +00:02:25,560 --> 00:02:29,180 +purposeful looking you should have +taught him not to meddle forgive the + +110 +00:02:29,180 --> 00:02:29,190 +taught him not to meddle forgive the + + +111 +00:02:29,190 --> 00:02:31,430 +taught him not to meddle forgive the +stationery I chose it because it will + +112 +00:02:31,430 --> 00:02:31,440 +stationery I chose it because it will + + +113 +00:02:31,440 --> 00:02:33,170 +stationery I chose it because it will +dissolve very quickly if you should have + +114 +00:02:33,170 --> 00:02:33,180 +dissolve very quickly if you should have + + +115 +00:02:33,180 --> 00:02:37,099 +dissolve very quickly if you should have +to swallow it if I hear from you next + +116 +00:02:37,099 --> 00:02:37,109 +to swallow it if I hear from you next + + +117 +00:02:37,109 --> 00:02:41,690 +to swallow it if I hear from you next +time I might send you something wet + +118 +00:02:41,690 --> 00:02:41,700 + + + +119 +00:02:41,700 --> 00:02:45,330 + +until them dear doctor I remain your + +120 +00:02:45,330 --> 00:02:45,340 +until them dear doctor I remain your + + +121 +00:02:45,340 --> 00:02:47,950 +until them dear doctor I remain your +most avid fan + +122 +00:02:47,950 --> 00:02:47,960 +most avid fan + + +123 +00:02:47,960 --> 00:02:59,300 +most avid fan +[Music] + diff --git a/2002/U_5JpJYsufQ.ar.srt b/2002/U_5JpJYsufQ.ar.srt new file mode 100644 index 0000000000000000000000000000000000000000..471e6ab691a7e1f3f6cfa257fdf4b0889744353e --- /dev/null +++ b/2002/U_5JpJYsufQ.ar.srt @@ -0,0 +1,570 @@ +1 +00:00:00,080 --> 00:00:03,830 + +يا رفاق يا رفاق هل ذهبتم لدينا بعض + +2 +00:00:03,830 --> 00:00:03,840 +يا رفاق يا رفاق هل ذهبتم لدينا بعض + + +3 +00:00:03,840 --> 00:00:06,349 +يا رفاق يا رفاق هل ذهبتم لدينا بعض +الأعمال لحضورها حسنًا نقدر + +4 +00:00:06,349 --> 00:00:06,359 +الأعمال لحضورها حسنًا نقدر + + +5 +00:00:06,359 --> 00:00:09,830 +الأعمال لحضورها حسنًا نقدر +دعنا نذهب هيا هيا دعنا نذهب نعم نعم إنه + +6 +00:00:09,830 --> 00:00:11,789 +دعنا نذهب هيا هيا دعنا نذهب نعم نعم إنه + + +7 +00:00:11,789 --> 00:00:11,799 + + + +8 +00:00:11,799 --> 00:00:14,990 + +رجلي أين أيضًا فرانكي في مكان ما جنوب + +9 +00:00:14,990 --> 00:00:15,000 +رجلي أين أيضًا فرانكي في مكان ما جنوب + + +10 +00:00:15,000 --> 00:00:18,510 +رجلي أين أيضًا فرانكي في مكان ما جنوب +الحدود في الطرف الآخر من + +11 +00:00:18,510 --> 00:00:18,520 +الحدود في الطرف الآخر من + + +12 +00:00:18,520 --> 00:00:21,790 +الحدود في الطرف الآخر من +أمريكا الجنوبية متى سأعود 3 أيام + +13 +00:00:21,790 --> 00:00:21,800 +أمريكا الجنوبية متى سأعود 3 أيام + + +14 +00:00:21,800 --> 00:00:23,550 +أمريكا الجنوبية متى سأعود 3 أيام +كحد أقصى كان الشركاء يفكرون في + +15 +00:00:23,550 --> 00:00:23,560 +كحد أقصى كان الشركاء يفكرون في + + +16 +00:00:23,560 --> 00:00:25,509 +كحد أقصى كان الشركاء يفكرون في +إرسال شخص ما سيتناسب ولكن + +17 +00:00:25,509 --> 00:00:25,519 +إرسال شخص ما سيتناسب ولكن + + +18 +00:00:25,519 --> 00:00:27,710 +إرسال شخص ما سيتناسب ولكن +شخصًا لديه المزيد من L لكنني لم أتفق + +19 +00:00:27,710 --> 00:00:27,720 +شخصًا لديه المزيد من L لكنني لم أتفق + + +20 +00:00:27,720 --> 00:00:30,429 +شخصًا لديه المزيد من L لكنني لم أتفق +معهم لثانية واحدة ليس لثانية واحدة + +21 +00:00:30,429 --> 00:00:30,439 +معهم لثانية واحدة ليس لثانية واحدة + + +22 +00:00:30,439 --> 00:00:32,470 +معهم لثانية واحدة ليس لثانية واحدة +يتناسب ماذا تقصد بذلك + +23 +00:00:32,470 --> 00:00:32,480 +يتناسب ماذا تقصد بذلك + + +24 +00:00:32,480 --> 00:00:34,350 +يتناسب ماذا تقصد بذلك +شعروا أن شخصًا لاتينيًا قد + +25 +00:00:34,350 --> 00:00:34,360 +شعروا أن شخصًا لاتينيًا قد + + +26 +00:00:34,360 --> 00:00:36,950 +شعروا أن شخصًا لاتينيًا قد +يتناسب بشكل أفضل ولكني جادلت بأنه + +27 +00:00:36,950 --> 00:00:36,960 +يتناسب بشكل أفضل ولكني جادلت بأنه + + +28 +00:00:36,960 --> 00:00:39,229 +يتناسب بشكل أفضل ولكني جادلت بأنه +كان أفضل رجل في كل مكان + +29 +00:00:39,229 --> 00:00:39,239 +كان أفضل رجل في كل مكان + + +30 +00:00:39,239 --> 00:00:41,190 +كان أفضل رجل في كل مكان +وربما الرجل الوحيد ماذا تقصد ماذا تقصد + +31 +00:00:41,190 --> 00:00:41,200 +وربما الرجل الوحيد ماذا تقصد ماذا تقصد + + +32 +00:00:41,200 --> 00:00:43,150 +وربما الرجل الوحيد ماذا تقصد ماذا تقصد +لاتيني ما هذا + +33 +00:00:43,150 --> 00:00:43,160 +لاتيني ما هذا + + +34 +00:00:43,160 --> 00:00:45,950 +لاتيني ما هذا +الهراء منذ متى لم أكن منسجمًا أوافق + +35 +00:00:45,950 --> 00:00:45,960 +الهراء منذ متى لم أكن منسجمًا أوافق + + +36 +00:00:45,960 --> 00:00:49,389 +الهراء منذ متى لم أكن منسجمًا أوافق +أوافق ما هذا الهراء اللاتيني إذن أعني + +37 +00:00:49,389 --> 00:00:49,399 +أوافق ما هذا الهراء اللاتيني إذن أعني + + +38 +00:00:49,399 --> 00:00:51,630 +أوافق ما هذا الهراء اللاتيني إذن أعني +ربما ثماني سنوات في غواتيمالا + +39 +00:00:51,630 --> 00:00:51,640 +ربما ثماني سنوات في غواتيمالا + + +40 +00:00:51,640 --> 00:00:53,069 +ربما ثماني سنوات في غواتيمالا +أفعل ما أفعله لا تؤهلني لأن أكون + +41 +00:00:53,069 --> 00:00:53,079 +أفعل ما أفعله لا تؤهلني لأن أكون + + +42 +00:00:53,079 --> 00:00:54,189 +أفعل ما أفعله لا تؤهلني لأن أكون +لاتينيًا ولكنها تثبت بالتأكيد أنني + +43 +00:00:54,189 --> 00:00:54,199 +لاتينيًا ولكنها تثبت بالتأكيد أنني + + +44 +00:00:54,199 --> 00:00:55,910 +لاتينيًا ولكنها تثبت بالتأكيد أنني +أعرف طريقي عندما يتعلق الأمر + +45 +00:00:55,910 --> 00:00:55,920 +أعرف طريقي عندما يتعلق الأمر + + +46 +00:00:55,920 --> 00:00:57,069 +أعرف طريقي عندما يتعلق الأمر +برؤية الشيء من خلال + +47 +00:00:57,069 --> 00:00:57,079 +برؤية الشيء من خلال + + +48 +00:00:57,079 --> 00:00:59,549 +برؤية الشيء من خلال +الطريقة الأكثر فعالية وصحيحة أخبرته + +49 +00:00:59,549 --> 00:00:59,559 +الطريقة الأكثر فعالية وصحيحة أخبرته + + +50 +00:00:59,559 --> 00:01:01,189 +الطريقة الأكثر فعالية وصحيحة أخبرته +أنك تجيد اللغة بما يكفي لإنجاز هذا + +51 +00:01:01,189 --> 00:01:01,199 +أنك تجيد اللغة بما يكفي لإنجاز هذا + + +52 +00:01:01,199 --> 00:01:03,310 +أنك تجيد اللغة بما يكفي لإنجاز هذا +الشيء وأنك تتحدث الإسبانية + +53 +00:01:03,310 --> 00:01:03,320 +الشيء وأنك تتحدث الإسبانية + + +54 +00:01:03,320 --> 00:01:05,189 +الشيء وأنك تتحدث الإسبانية +بطلاقة مرحبًا من يجيدها يمكنني القيام بـ + +55 +00:01:05,189 --> 00:01:05,199 +بطلاقة مرحبًا من يجيدها يمكنني القيام بـ + + +56 +00:01:05,199 --> 00:01:06,630 +بطلاقة مرحبًا من يجيدها يمكنني القيام بـ +وظيفة أفضل من هؤلاء الأوغاد الآخرين حتى + +57 +00:01:06,630 --> 00:01:06,640 +وظيفة أفضل من هؤلاء الأوغاد الآخرين حتى + + +58 +00:01:06,640 --> 00:01:08,390 +وظيفة أفضل من هؤلاء الأوغاد الآخرين حتى +لو كنت + +59 +00:01:08,390 --> 00:01:08,400 +لو كنت + + +60 +00:01:08,400 --> 00:01:10,910 +لو كنت +أخرس القرية وأنواع SP اللاتينية التي + +61 +00:01:10,910 --> 00:01:10,920 +أخرس القرية وأنواع SP اللاتينية التي + + +62 +00:01:10,920 --> 00:01:12,390 +أخرس القرية وأنواع SP اللاتينية التي +تتحدث عنها لم تكن لتكون أبدًا من + +63 +00:01:12,390 --> 00:01:12,400 +تتحدث عنها لم تكن لتكون أبدًا من + + +64 +00:01:12,400 --> 00:01:14,149 +تتحدث عنها لم تكن لتكون أبدًا من +يقف أمامي إذا + +65 +00:01:14,149 --> 00:01:14,159 +يقف أمامي إذا + + +66 +00:01:14,159 --> 00:01:15,830 +يقف أمامي إذا +أرادت قوى الوجود فجأة إخراج دانييلا + +67 +00:01:15,830 --> 00:01:15,840 +أرادت قوى الوجود فجأة إخراج دانييلا + + +68 +00:01:15,840 --> 00:01:17,109 +أرادت قوى الوجود فجأة إخراج دانييلا +من هناك أليس كذلك؟ + +69 +00:01:17,109 --> 00:01:17,119 +من هناك أليس كذلك؟ + + +70 +00:01:17,119 --> 00:01:18,429 +من هناك أليس كذلك؟ +أعتقد أنني كنت سأكون طليقًا بما + +71 +00:01:18,429 --> 00:01:18,439 +أعتقد أنني كنت سأكون طليقًا بما + + +72 +00:01:18,439 --> 00:01:20,149 +أعتقد أنني كنت سأكون طليقًا بما +يكفي لذلك أعني أنسى تعدين + +73 +00:01:20,149 --> 00:01:20,159 +يكفي لذلك أعني أنسى تعدين + + +74 +00:01:20,159 --> 00:01:21,630 +يكفي لذلك أعني أنسى تعدين +الميناء الآن من سيسحب + +75 +00:01:21,630 --> 00:01:21,640 +الميناء الآن من سيسحب + + +76 +00:01:21,640 --> 00:01:23,950 +الميناء الآن من سيسحب +الزناد فرانكي مهلا لا أريد + +77 +00:01:23,950 --> 00:01:23,960 +الزناد فرانكي مهلا لا أريد + + +78 +00:01:23,960 --> 00:01:25,510 +الزناد فرانكي مهلا لا أريد +الوظيفة اللعينة في البداية + +79 +00:01:25,510 --> 00:01:25,520 +الوظيفة اللعينة في البداية + + +80 +00:01:25,520 --> 00:01:28,030 +الوظيفة اللعينة في البداية +ولكن إذا كنت تريد أن يتم ذلك بشكل صحيح + +81 +00:01:28,030 --> 00:01:28,040 +ولكن إذا كنت تريد أن يتم ذلك بشكل صحيح + + +82 +00:01:28,040 --> 00:01:29,390 +ولكن إذا كنت تريد أن يتم ذلك بشكل صحيح +فلن أقلق بشأن من هو ماذا من يجيد + +83 +00:01:29,390 --> 00:01:29,400 +فلن أقلق بشأن من هو ماذا من يجيد + + +84 +00:01:29,400 --> 00:01:30,710 +فلن أقلق بشأن من هو ماذا من يجيد +هذا الهراء أو ذاك أو + +85 +00:01:30,710 --> 00:01:30,720 +هذا الهراء أو ذاك أو + + +86 +00:01:30,720 --> 00:01:32,830 +هذا الهراء أو ذاك أو +أيًا كان ما سأقلق بشأن من هو الأكثر + +87 +00:01:32,830 --> 00:01:32,840 +أيًا كان ما سأقلق بشأن من هو الأكثر + + +88 +00:01:32,840 --> 00:01:34,789 +أيًا كان ما سأقلق بشأن من هو الأكثر +تأهيلاً أليس كذلك استمع جيدًا استمع إلي + +89 +00:01:34,789 --> 00:01:34,799 +تأهيلاً أليس كذلك استمع جيدًا استمع إلي + + +90 +00:01:34,799 --> 00:01:36,789 +تأهيلاً أليس كذلك استمع جيدًا استمع إلي +استمع إلي أعني حتى لو كنت كبيرًا في + +91 +00:01:36,789 --> 00:01:36,799 +استمع إلي أعني حتى لو كنت كبيرًا في + + +92 +00:01:36,799 --> 00:01:38,550 +استمع إلي أعني حتى لو كنت كبيرًا في +السن على هذا الهراء في البداية + +93 +00:01:38,550 --> 00:01:38,560 +السن على هذا الهراء في البداية + + +94 +00:01:38,560 --> 00:01:40,109 +السن على هذا الهراء في البداية +وهذا هو العيب الوحيد الذي يمكنني رؤيته + +95 +00:01:40,109 --> 00:01:40,119 +وهذا هو العيب الوحيد الذي يمكنني رؤيته + + +96 +00:01:40,119 --> 00:01:43,590 +وهذا هو العيب الوحيد الذي يمكنني رؤيته +أعني من يحتاج إليه أعلم أوه أوافق هذا هو سبب + +97 +00:01:43,590 --> 00:01:43,600 +أعني من يحتاج إليه أعلم أوه أوافق هذا هو سبب + + +98 +00:01:43,600 --> 00:01:44,830 +أعني من يحتاج إليه أعلم أوه أوافق هذا هو سبب +إرسالي لك ولهذا السبب + +99 +00:01:44,830 --> 00:01:44,840 +إرسالي لك ولهذا السبب + + +100 +00:01:44,840 --> 00:01:46,749 +إرسالي لك ولهذا السبب +اشتريت تذاكر PL لك كل ما + +101 +00:01:46,749 --> 00:01:46,759 +اشتريت تذاكر PL لك كل ما + + +102 +00:01:46,759 --> 00:01:48,069 +اشتريت تذاكر PL لك كل ما +أقوله هو أنه إذا كنت تريد أن يتم ذلك بشكل صحيح + +103 +00:01:48,069 --> 00:01:48,079 +أقوله هو أنه إذا كنت تريد أن يتم ذلك بشكل صحيح + + +104 +00:01:48,079 --> 00:01:50,469 +أقوله هو أنه إذا كنت تريد أن يتم ذلك بشكل صحيح +فرانكي فافعل ذلك بشكل صحيح هذا كل شيء على ما يرام + +105 +00:01:50,469 --> 00:01:50,479 +فرانكي فافعل ذلك بشكل صحيح هذا كل شيء على ما يرام + + +106 +00:01:50,479 --> 00:01:52,389 +فرانكي فافعل ذلك بشكل صحيح هذا كل شيء على ما يرام +ما أقوله اهدأ هل أنت + +107 +00:01:52,389 --> 00:01:52,399 +ما أقوله اهدأ هل أنت + + +108 +00:01:52,399 --> 00:01:57,310 +ما أقوله اهدأ هل أنت +بخير ماذا هل يمكنني أن أقول غير ذلك؟ حسنًا، + +109 +00:01:57,310 --> 00:01:57,320 + + + +110 +00:01:57,320 --> 00:02:00,789 + +آسف، سيستغرق الأمر ثلاثة أيام، لم أعد + +111 +00:02:00,789 --> 00:02:00,799 +آسف، سيستغرق الأمر ثلاثة أيام، لم أعد + + +112 +00:02:00,799 --> 00:02:25,510 +آسف، سيستغرق الأمر ثلاثة أيام، لم أعد +أملك كلمتي بشأن هذا يا فتى + +113 +00:02:25,510 --> 00:02:25,520 + + + +114 +00:02:25,520 --> 00:02:34,479 + +[موسيقى] + diff --git a/2002/UdhxL9r9hkg.description b/2002/UdhxL9r9hkg.description new file mode 100644 index 0000000000000000000000000000000000000000..d8183cd73d94f6d66bfe482eef84e33adccdcf67 --- /dev/null +++ b/2002/UdhxL9r9hkg.description @@ -0,0 +1,38 @@ +Gangs of New York movie clips: http://j.mp/1CS5deH +BUY THE MOVIE: http://amzn.to/sgtauV +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +After Amsterdam (Leonardo DiCaprio) saves Bill's (Daniel Day-Lewis) life, Bill confides in him with the story of his relationship to Amsterdam's father, the most honorable man he'd ever known. + +FILM DESCRIPTION: +The violent rise of gangland power in New York City at a time of massive political corruption and the city's evolution into a cultural melting pot set the stage for this lavish historical epic, which director Martin Scorsese finally brought to the screen almost 30 years after he first began to plan the project. In 1846, as waves of Irish immigrants poured into the New York neighborhood of Five Points, a number of citizens of British and Dutch heritage who were born in the United States began making an open display of their resentment toward the new arrivals. William Cutting (Daniel Day-Lewis), better known as "Bill the Butcher" for his deadly skill with a knife, bands his fellow "Native Americans" into a gang to take on the Irish immigrants; the immigrants in turn form a gang of their own, "The Dead Rabbits," organized by Priest Vallon (Liam Neeson). After an especially bloody clash between the Natives and the Rabbits leaves Vallon dead, his son goes missing; the boy ends up in a brutal reform school before returning to the Five Points in 1862 as Amsterdam (Leonardo DiCaprio). Now a strapping adult who has learned how to fight, Amsterdam has come to seek vengeance against Bill the Butcher, whose underworld control of the Five Points through violence and intimidation dovetails with the open corruption of New York politician "Boss" Tweed (Jim Broadbent). Amsterdam gradually penetrates Bill the Butcher's inner circle, and he soon becomes his trusted assistant. Amsterdam also finds himself falling for Jenny Everdeane (Cameron Diaz), a beautiful but street-smart thief who was once involved with Bill. Amsterdam is learning a great deal from Bill, but before he can turn the tables on the man who killed his father, Amsterdam's true identity is exposed, even though he has concealed it from nearly everyone, including Jenny. Gangs Of New York was the first film in two years from actor Leonardo DiCaprio; ironically, it was at one time scheduled to open on the same day as Catch Me If You Can, the Steven Spielberg project that DiCaprio began filming immediately after Gangs wrapped. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Leonardo DiCaprio, Daniel Day-Lewis, Cameron Diaz +Director: Martin Scorsese +Producers: Gerry Robert Byrne, Laura Fattori, Randi Feinberg, Alberto Grimaldi, Maurizio Grimaldi, Michael Hausman, Michael Jackman, Graham King, Barbara Phillips Marco, Michael Ovitz, Joseph P. Reidy, Rick Schwartz, Colin Vaines, Bob Weinstein, Harvey Weinstein, Rick Yorn +Screenwriters: Jay Cocks, Steven Zaillian, Kenneth Lonergan + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/VhCQj6D3JQY.en.srt b/2002/VhCQj6D3JQY.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..c868a94a705271bbbb6cf6bf175e7b2946d2cd65 --- /dev/null +++ b/2002/VhCQj6D3JQY.en.srt @@ -0,0 +1,755 @@ +1 +00:00:00,160 --> 00:00:02,070 + +we were talking about women specifically + +2 +00:00:02,070 --> 00:00:02,080 +we were talking about women specifically + + +3 +00:00:02,080 --> 00:00:04,230 +we were talking about women specifically +the pleasure to be derived from admiring + +4 +00:00:04,230 --> 00:00:04,240 +the pleasure to be derived from admiring + + +5 +00:00:04,240 --> 00:00:07,430 +the pleasure to be derived from admiring +the female form oh yeah well imagine + +6 +00:00:07,430 --> 00:00:07,440 +the female form oh yeah well imagine + + +7 +00:00:07,440 --> 00:00:09,509 +the female form oh yeah well imagine +what it feels like to be admired all day + +8 +00:00:09,509 --> 00:00:09,519 +what it feels like to be admired all day + + +9 +00:00:09,519 --> 00:00:11,270 +what it feels like to be admired all day +long really oh right right you'd rather + +10 +00:00:11,270 --> 00:00:11,280 +long really oh right right you'd rather + + +11 +00:00:11,280 --> 00:00:12,950 +long really oh right right you'd rather +be completely anonymous or completely + +12 +00:00:12,950 --> 00:00:12,960 +be completely anonymous or completely + + +13 +00:00:12,960 --> 00:00:14,070 +be completely anonymous or completely +anonymous + +14 +00:00:14,070 --> 00:00:14,080 +anonymous + + +15 +00:00:14,080 --> 00:00:15,990 +anonymous +i myself would welcome the sensation of + +16 +00:00:15,990 --> 00:00:16,000 +i myself would welcome the sensation of + + +17 +00:00:16,000 --> 00:00:18,550 +i myself would welcome the sensation of +a hundred pair of eyes caressing my + +18 +00:00:18,550 --> 00:00:18,560 +a hundred pair of eyes caressing my + + +19 +00:00:18,560 --> 00:00:19,510 +a hundred pair of eyes caressing my +booty + +20 +00:00:19,510 --> 00:00:19,520 +booty + + +21 +00:00:19,520 --> 00:00:21,429 +booty +you know what guys always say that yeah + +22 +00:00:21,429 --> 00:00:21,439 +you know what guys always say that yeah + + +23 +00:00:21,439 --> 00:00:23,189 +you know what guys always say that yeah +sure we'd love it if women were always + +24 +00:00:23,189 --> 00:00:23,199 +sure we'd love it if women were always + + +25 +00:00:23,199 --> 00:00:24,790 +sure we'd love it if women were always +there well we would well + +26 +00:00:24,790 --> 00:00:24,800 +there well we would well + + +27 +00:00:24,800 --> 00:00:26,550 +there well we would well +you would love it if no woman ever + +28 +00:00:26,550 --> 00:00:26,560 +you would love it if no woman ever + + +29 +00:00:26,560 --> 00:00:27,910 +you would love it if no woman ever +listened to a single word you were + +30 +00:00:27,910 --> 00:00:27,920 +listened to a single word you were + + +31 +00:00:27,920 --> 00:00:29,589 +listened to a single word you were +saying it just kept her eyes locked on + +32 +00:00:29,589 --> 00:00:29,599 +saying it just kept her eyes locked on + + +33 +00:00:29,599 --> 00:00:31,910 +saying it just kept her eyes locked on +your chest to your crotch yes or + +34 +00:00:31,910 --> 00:00:31,920 +your chest to your crotch yes or + + +35 +00:00:31,920 --> 00:00:33,430 +your chest to your crotch yes or +whatever it led to actually having sex + +36 +00:00:33,430 --> 00:00:33,440 +whatever it led to actually having sex + + +37 +00:00:33,440 --> 00:00:35,030 +whatever it led to actually having sex +all the time no i would not mind so you + +38 +00:00:35,030 --> 00:00:35,040 +all the time no i would not mind so you + + +39 +00:00:35,040 --> 00:00:36,389 +all the time no i would not mind so you +could deal with never being hurt you + +40 +00:00:36,389 --> 00:00:36,399 +could deal with never being hurt you + + +41 +00:00:36,399 --> 00:00:37,510 +could deal with never being hurt you +could deal with never being taken + +42 +00:00:37,510 --> 00:00:37,520 +could deal with never being taken + + +43 +00:00:37,520 --> 00:00:39,030 +could deal with never being taken +seriously if i had something that needed + +44 +00:00:39,030 --> 00:00:39,040 +seriously if i had something that needed + + +45 +00:00:39,040 --> 00:00:41,190 +seriously if i had something that needed +saying i would wait till right after sex + +46 +00:00:41,190 --> 00:00:41,200 +saying i would wait till right after sex + + +47 +00:00:41,200 --> 00:00:42,310 +saying i would wait till right after sex +no + +48 +00:00:42,310 --> 00:00:42,320 +no + + +49 +00:00:42,320 --> 00:00:44,229 +no +thanks seriously for a second just you + +50 +00:00:44,229 --> 00:00:44,239 +thanks seriously for a second just you + + +51 +00:00:44,239 --> 00:00:46,069 +thanks seriously for a second just you +know stop saying the obvious thing think + +52 +00:00:46,069 --> 00:00:46,079 +know stop saying the obvious thing think + + +53 +00:00:46,079 --> 00:00:48,869 +know stop saying the obvious thing think +what it would be like if on every bus + +54 +00:00:48,869 --> 00:00:48,879 +what it would be like if on every bus + + +55 +00:00:48,879 --> 00:00:50,790 +what it would be like if on every bus +there were huge pictures of your naked + +56 +00:00:50,790 --> 00:00:50,800 +there were huge pictures of your naked + + +57 +00:00:50,800 --> 00:00:53,510 +there were huge pictures of your naked +body right right and and think you know + +58 +00:00:53,510 --> 00:00:53,520 +body right right and and think you know + + +59 +00:00:53,520 --> 00:00:55,110 +body right right and and think you know +on every big + +60 +00:00:55,110 --> 00:00:55,120 +on every big + + +61 +00:00:55,120 --> 00:00:57,270 +on every big +magazine that's right it was just about + +62 +00:00:57,270 --> 00:00:57,280 +magazine that's right it was just about + + +63 +00:00:57,280 --> 00:00:59,189 +magazine that's right it was just about +your body and there was so much time and + +64 +00:00:59,189 --> 00:00:59,199 +your body and there was so much time and + + +65 +00:00:59,199 --> 00:01:01,349 +your body and there was so much time and +money and energy was spent obsessing and + +66 +00:01:01,349 --> 00:01:01,359 +money and energy was spent obsessing and + + +67 +00:01:01,359 --> 00:01:03,110 +money and energy was spent obsessing and +analyzing and just trying to get a + +68 +00:01:03,110 --> 00:01:03,120 +analyzing and just trying to get a + + +69 +00:01:03,120 --> 00:01:04,950 +analyzing and just trying to get a +glimpse of your body that pretty soon it + +70 +00:01:04,950 --> 00:01:04,960 +glimpse of your body that pretty soon it + + +71 +00:01:04,960 --> 00:01:06,149 +glimpse of your body that pretty soon it +felt like the whole world had forgotten + +72 +00:01:06,149 --> 00:01:06,159 +felt like the whole world had forgotten + + +73 +00:01:06,159 --> 00:01:07,590 +felt like the whole world had forgotten +about everything else + +74 +00:01:07,590 --> 00:01:07,600 +about everything else + + +75 +00:01:07,600 --> 00:01:09,590 +about everything else +and you end up feeling + +76 +00:01:09,590 --> 00:01:09,600 +and you end up feeling + + +77 +00:01:09,600 --> 00:01:11,190 +and you end up feeling +disconnected from your own body like + +78 +00:01:11,190 --> 00:01:11,200 +disconnected from your own body like + + +79 +00:01:11,200 --> 00:01:13,429 +disconnected from your own body like +it's not even yours + +80 +00:01:13,429 --> 00:01:13,439 +it's not even yours + + +81 +00:01:13,439 --> 00:01:15,109 +it's not even yours +um if you're really serious about + +82 +00:01:15,109 --> 00:01:15,119 +um if you're really serious about + + +83 +00:01:15,119 --> 00:01:17,990 +um if you're really serious about +avoiding the male gaze if the goal is + +84 +00:01:17,990 --> 00:01:18,000 +avoiding the male gaze if the goal is + + +85 +00:01:18,000 --> 00:01:19,910 +avoiding the male gaze if the goal is +anonymity no i never said the goal here + +86 +00:01:19,910 --> 00:01:19,920 +anonymity no i never said the goal here + + +87 +00:01:19,920 --> 00:01:22,310 +anonymity no i never said the goal here +here's a little suggestion okay + +88 +00:01:22,310 --> 00:01:22,320 +here's a little suggestion okay + + +89 +00:01:22,320 --> 00:01:23,830 +here's a little suggestion okay +putting on makeup + +90 +00:01:23,830 --> 00:01:23,840 +putting on makeup + + +91 +00:01:23,840 --> 00:01:25,590 +putting on makeup +styling your hair wearing a killer + +92 +00:01:25,590 --> 00:01:25,600 +styling your hair wearing a killer + + +93 +00:01:25,600 --> 00:01:27,350 +styling your hair wearing a killer +outfit and coming to a place like this + +94 +00:01:27,350 --> 00:01:27,360 +outfit and coming to a place like this + + +95 +00:01:27,360 --> 00:01:29,510 +outfit and coming to a place like this +on a friday night well you see see + +96 +00:01:29,510 --> 00:01:29,520 +on a friday night well you see see + + +97 +00:01:29,520 --> 00:01:31,190 +on a friday night well you see see +that's when it gets interesting because + +98 +00:01:31,190 --> 00:01:31,200 +that's when it gets interesting because + + +99 +00:01:31,200 --> 00:01:32,789 +that's when it gets interesting because +at a certain point you start not exactly + +100 +00:01:32,789 --> 00:01:32,799 +at a certain point you start not exactly + + +101 +00:01:32,799 --> 00:01:35,910 +at a certain point you start not exactly +the best of course + +102 +00:01:35,910 --> 00:01:35,920 + + + +103 +00:01:35,920 --> 00:01:37,749 + +madison avenue patriarchy + +104 +00:01:37,749 --> 00:01:37,759 +madison avenue patriarchy + + +105 +00:01:37,759 --> 00:01:39,190 +madison avenue patriarchy +whatever whatever it is it's done it's + +106 +00:01:39,190 --> 00:01:39,200 +whatever whatever it is it's done it's + + +107 +00:01:39,200 --> 00:01:40,390 +whatever whatever it is it's done it's +number one do you think you actually + +108 +00:01:40,390 --> 00:01:40,400 +number one do you think you actually + + +109 +00:01:40,400 --> 00:01:42,310 +number one do you think you actually +have any control over who you find + +110 +00:01:42,310 --> 00:01:42,320 +have any control over who you find + + +111 +00:01:42,320 --> 00:01:43,910 +have any control over who you find +attractive yeah of course we do i think + +112 +00:01:43,910 --> 00:01:43,920 +attractive yeah of course we do i think + + +113 +00:01:43,920 --> 00:01:45,910 +attractive yeah of course we do i think +not and i'll prove it to you okay + +114 +00:01:45,910 --> 00:01:45,920 +not and i'll prove it to you okay + + +115 +00:01:45,920 --> 00:01:47,590 +not and i'll prove it to you okay +ask any woman + +116 +00:01:47,590 --> 00:01:47,600 +ask any woman + + +117 +00:01:47,600 --> 00:01:49,670 +ask any woman +what is the single most attractive + +118 +00:01:49,670 --> 00:01:49,680 +what is the single most attractive + + +119 +00:01:49,680 --> 00:01:51,830 +what is the single most attractive +quality a man can possess and what do + +120 +00:01:51,830 --> 00:01:51,840 +quality a man can possess and what do + + +121 +00:01:51,840 --> 00:01:53,670 +quality a man can possess and what do +they invariably answer some sense of + +122 +00:01:53,670 --> 00:01:53,680 +they invariably answer some sense of + + +123 +00:01:53,680 --> 00:01:55,350 +they invariably answer some sense of +humor sense of humor the sense of humor + +124 +00:01:55,350 --> 00:01:55,360 +humor sense of humor the sense of humor + + +125 +00:01:55,360 --> 00:01:57,749 +humor sense of humor the sense of humor +is huge sense of humor and yet if two + +126 +00:01:57,749 --> 00:01:57,759 +is huge sense of humor and yet if two + + +127 +00:01:57,759 --> 00:01:59,670 +is huge sense of humor and yet if two +lean mean + +128 +00:01:59,670 --> 00:01:59,680 +lean mean + + +129 +00:01:59,680 --> 00:02:01,830 +lean mean +play by their own rules motorcycle + +130 +00:02:01,830 --> 00:02:01,840 +play by their own rules motorcycle + + +131 +00:02:01,840 --> 00:02:03,190 +play by their own rules motorcycle +riding + +132 +00:02:03,190 --> 00:02:03,200 +riding + + +133 +00:02:03,200 --> 00:02:05,670 +riding +men strolled up + +134 +00:02:05,670 --> 00:02:05,680 +men strolled up + + +135 +00:02:05,680 --> 00:02:07,670 +men strolled up +and beat the out of us two humorous + +136 +00:02:07,670 --> 00:02:07,680 +and beat the out of us two humorous + + +137 +00:02:07,680 --> 00:02:09,029 +and beat the out of us two humorous +guys right + +138 +00:02:09,029 --> 00:02:09,039 +guys right + + +139 +00:02:09,039 --> 00:02:10,309 +guys right +right + +140 +00:02:10,309 --> 00:02:10,319 +right + + +141 +00:02:10,319 --> 00:02:11,430 +right +and asked you out for a ride on their + +142 +00:02:11,430 --> 00:02:11,440 +and asked you out for a ride on their + + +143 +00:02:11,440 --> 00:02:13,430 +and asked you out for a ride on their +choppers you would be weak at the knees + +144 +00:02:13,430 --> 00:02:13,440 +choppers you would be weak at the knees + + +145 +00:02:13,440 --> 00:02:15,589 +choppers you would be weak at the knees +weak at the knees + +146 +00:02:15,589 --> 00:02:15,599 +weak at the knees + + +147 +00:02:15,599 --> 00:02:17,670 +weak at the knees +actually guys who ride cycles are pretty + +148 +00:02:17,670 --> 00:02:17,680 +actually guys who ride cycles are pretty + + +149 +00:02:17,680 --> 00:02:47,589 +actually guys who ride cycles are pretty +sexy thank you you see + +150 +00:02:47,589 --> 00:02:47,599 + + + +151 +00:02:47,599 --> 00:02:49,680 + +you + diff --git a/2002/XM3BsAAO8JI.description b/2002/XM3BsAAO8JI.description new file mode 100644 index 0000000000000000000000000000000000000000..19742bea34dae81293251d0bbb335d1662b2d97d --- /dev/null +++ b/2002/XM3BsAAO8JI.description @@ -0,0 +1,38 @@ +Equilibrium movie clips: http://j.mp/15vK7ZI +BUY THE MOVIE: http://amzn.to/s3QBpS +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Preston (Christian Bale) turns against a team of clerics when they discover a dog hidden in the trunk of his car. + +FILM DESCRIPTION: +A man who dares to feel finds his life in danger in this cautionary science fiction drama. In the future, after a Third World War has decimated much of the Earth's population, a new nation known as Libria rises up under the unquestioned leadership of Dupont (Angus MacFadyen). Believing human emotions and their expression were to blame for the failings of past societies, The Father has decreed that all citizens must take a daily dose of Prozia II, a drug which levels out the emotional landscape, and that all forms of creative expression are against the law; violating either regulation can be punished by death. John Preston (Christian Bale) is a Grammaton, an elite law enforcement officer who tracks down and punishes "sense offenders." One day, Preston accidentally fails to take his Prozia II, and for the first time begins experiencing emotions himself. Preston becomes aware of an underground of rebels who refuse to take their medication and have embraced art and literature, and he finds himself becoming infatuated with one of their number, Mary O'Brian (Emily Watson). Equilibrium is the second feature-length directorial effort from Kurt Wimmer, whose screenwriting credits include The Thomas Crown Affair and Sphere. + +CREDITS: +TM & © Miramax Films (2002) +Cast: Christian Bale +Director: Kurt Wimmer +Producers: Sue Baden-Powell, Jan de Bont, Lucas Foster, Andrew Rona, Ninon Tantet, Bob Weinstein, Harvey Weinstein +Screenwriter: Kurt Wimmer + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/XM3BsAAO8JI.en.srt b/2002/XM3BsAAO8JI.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..2af899ee42ee8aea74b822e1295bab5dffa2a864 --- /dev/null +++ b/2002/XM3BsAAO8JI.en.srt @@ -0,0 +1,315 @@ +1 +00:00:00,280 --> 00:00:02,149 + +be making a very big mistake I'm a + +2 +00:00:02,149 --> 00:00:02,159 +be making a very big mistake I'm a + + +3 +00:00:02,159 --> 00:00:04,030 +be making a very big mistake I'm a +Graton cleric first class we to search a + +4 +00:00:04,030 --> 00:00:04,040 +Graton cleric first class we to search a + + +5 +00:00:04,040 --> 00:00:06,230 +Graton cleric first class we to search a +vehicle no you're not there's nothing in + +6 +00:00:06,230 --> 00:00:06,240 +vehicle no you're not there's nothing in + + +7 +00:00:06,240 --> 00:00:13,829 +vehicle no you're not there's nothing in +it search + +8 +00:00:13,829 --> 00:00:13,839 + + + +9 +00:00:13,839 --> 00:00:17,310 + +it clear sir keys to the trunk I'm + +10 +00:00:17,310 --> 00:00:17,320 +it clear sir keys to the trunk I'm + + +11 +00:00:17,320 --> 00:00:19,349 +it clear sir keys to the trunk I'm +trying to tell you I have a pre-dawn + +12 +00:00:19,349 --> 00:00:19,359 +trying to tell you I have a pre-dawn + + +13 +00:00:19,359 --> 00:00:20,950 +trying to tell you I have a pre-dawn +combustion to witness I'm + +14 +00:00:20,950 --> 00:00:20,960 +combustion to witness I'm + + +15 +00:00:20,960 --> 00:00:24,029 +combustion to witness I'm +not Captain this is a waste of my time + +16 +00:00:24,029 --> 00:00:24,039 +not Captain this is a waste of my time + + +17 +00:00:24,039 --> 00:00:26,470 +not Captain this is a waste of my time +my name is John Preston I'm the highest + +18 +00:00:26,470 --> 00:00:26,480 +my name is John Preston I'm the highest + + +19 +00:00:26,480 --> 00:00:32,749 +my name is John Preston I'm the highest +ranking cleric of the tetragram wait + +20 +00:00:32,749 --> 00:00:32,759 + + + +21 +00:00:32,759 --> 00:00:35,830 + +stand + +22 +00:00:35,830 --> 00:00:35,840 + + + +23 +00:00:35,840 --> 00:00:38,450 + +off I'm sorry I didn't recognize you + +24 +00:00:38,450 --> 00:00:38,460 +off I'm sorry I didn't recognize you + + +25 +00:00:38,460 --> 00:00:40,270 +off I'm sorry I didn't recognize you +[Applause] + +26 +00:00:40,270 --> 00:00:40,280 +[Applause] + + +27 +00:00:40,280 --> 00:00:45,430 +[Applause] +sir it's okay just doing a job thank + +28 +00:00:45,430 --> 00:00:45,440 +sir it's okay just doing a job thank + + +29 +00:00:45,440 --> 00:00:55,670 +sir it's okay just doing a job thank +you escort you back to the gate + +30 +00:00:55,670 --> 00:00:55,680 + + + +31 +00:00:55,680 --> 00:00:57,270 + +thanks + +32 +00:00:57,270 --> 00:00:57,280 +thanks + + +33 +00:00:57,280 --> 00:01:00,590 +thanks +animals endless for + +34 +00:01:00,590 --> 00:01:00,600 +animals endless for + + +35 +00:01:00,600 --> 00:01:03,789 +animals endless for +sounds like it came from your trunk + +36 +00:01:03,789 --> 00:01:03,799 +sounds like it came from your trunk + + +37 +00:01:03,799 --> 00:01:06,630 +sounds like it came from your trunk +impossible just give me my keys I'll be + +38 +00:01:06,630 --> 00:01:06,640 +impossible just give me my keys I'll be + + +39 +00:01:06,640 --> 00:01:11,910 +impossible just give me my keys I'll be +in my + +40 +00:01:11,910 --> 00:01:11,920 + + + +41 +00:01:11,920 --> 00:01:13,550 + +way + +42 +00:01:13,550 --> 00:01:13,560 +way + + +43 +00:01:13,560 --> 00:01:16,510 +way +Captain I'm asking you one last + +44 +00:01:16,510 --> 00:01:16,520 +Captain I'm asking you one last + + +45 +00:01:16,520 --> 00:01:20,350 +Captain I'm asking you one last +time don't do + +46 +00:01:20,350 --> 00:01:20,360 + + + +47 +00:01:20,360 --> 00:01:26,149 + +this down on your KNE on your KN your + +48 +00:01:26,149 --> 00:01:26,159 + + + +49 +00:01:26,159 --> 00:01:36,190 + +KNE shoot him shoot him + +50 +00:01:36,190 --> 00:01:36,200 + + + +51 +00:01:36,200 --> 00:01:39,670 + + what a shoot him shoot him + +52 +00:01:39,670 --> 00:01:39,680 +what a shoot him shoot him + + +53 +00:01:39,680 --> 00:02:00,670 +what a shoot him shoot him +shoot him + +54 +00:02:00,670 --> 00:02:00,680 + + + +55 +00:02:00,680 --> 00:02:04,410 + +now + +56 +00:02:04,410 --> 00:02:04,420 + + + +57 +00:02:04,420 --> 00:02:11,460 + +[Music] + +58 +00:02:11,460 --> 00:02:11,470 + + + +59 +00:02:11,470 --> 00:02:32,750 + +[Music] + +60 +00:02:32,750 --> 00:02:32,760 + + + +61 +00:02:32,760 --> 00:02:36,540 + +St + +62 +00:02:36,540 --> 00:02:36,550 + + + +63 +00:02:36,550 --> 00:02:42,580 + +[Music] + diff --git a/2002/XVNNkjY2YDQ.description b/2002/XVNNkjY2YDQ.description new file mode 100644 index 0000000000000000000000000000000000000000..1a719b28f382d1cf5a7fff653373002aa8b5ccb5 --- /dev/null +++ b/2002/XVNNkjY2YDQ.description @@ -0,0 +1,40 @@ +Panic Room movie clips: http://j.mp/1gKfVwt +BUY THE MOVIE: http://bit.ly/2cMp3nd +WATCH ON CRACKLE: http://bit.ly/2c8qSsr +http://amzn.to/uc7Vgx +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Burnham (Forest Whitaker) is upset when he realizes that Junior's (Jared Leto) plan is already amiss and there is a mysterious third man involved. + +FILM DESCRIPTION: +A well-regarded spec script by A-list screenwriter David Koepp became this stylish thriller from director David Fincher. Jodie Foster stars as Meg Altman, a single mother of an diabetic preteen daughter, Sarah (Kristen Stewart). Meg's going through an unhappy divorce that forces her and Sarah to move into a new home. They choose a deluxe New York brownstone that coincidentally boasts an unusual feature: a "panic room," a vault-like hidden space capable of literally sealing itself off from the rest of the building. With its thick steel door on springs, separate ventilation and communications systems, and video monitors linked to cameras mounted throughout the home, the room is an impregnable fortress. It quickly comes in handy when the Altmans' new residence is invaded by a trio of thieves: Junior (Jared Leto), Burnham (Forest Whitaker), and Raoul (Dwight Yoakam). Meg and Sarah are able to secure themselves in the panic room before the robbers can get to them, but it turns out that Sarah's medication is still on the outside, the phone's not yet connected, and the loot the gang's seeking is inside the panic room with them. A cat-and-mouse battle of wits ensues, with Meg trying to outwit their captors over the course of one very long night, as her daughter's health dissipates. Panic Room (2002) co-stars Ann Magnuson, Patrick Bauchau, and Koepp's fellow screenwriter, Andrew Kevin Walker, in a cameo role. + +CREDITS: +TM & © Sony (2002) +Cast: Jared Leto, Forest Whitaker, Dwight Yoakam, Jodie Foster +Director: David Fincher +Producers: Ceán Chaffin, John S. Dorsey, Judy Hofflund, David Koepp, Gavin Polone +Screenwriter: David Koepp + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file diff --git a/2002/XVNNkjY2YDQ.en.srt b/2002/XVNNkjY2YDQ.en.srt new file mode 100644 index 0000000000000000000000000000000000000000..db017dc186f24f43bcabc99f4691c2ea2364c665 --- /dev/null +++ b/2002/XVNNkjY2YDQ.en.srt @@ -0,0 +1,435 @@ +1 +00:00:00,799 --> 00:00:08,750 + +we got problem that's timeing my off out + +2 +00:00:08,750 --> 00:00:08,760 + + + +3 +00:00:08,760 --> 00:00:12,910 + +there who is that this is Raul who the + +4 +00:00:12,910 --> 00:00:12,920 +there who is that this is Raul who the + + +5 +00:00:12,920 --> 00:00:15,709 +there who is that this is Raul who the + is Raul Raul is okay Raul has + +6 +00:00:15,709 --> 00:00:15,719 +is Raul Raul is okay Raul has + + +7 +00:00:15,719 --> 00:00:17,990 +is Raul Raul is okay Raul has +experience did' you get them through + +8 +00:00:17,990 --> 00:00:18,000 +experience did' you get them through + + +9 +00:00:18,000 --> 00:00:23,589 +experience did' you get them through +some people open the + +10 +00:00:23,589 --> 00:00:23,599 + + + +11 +00:00:23,599 --> 00:00:29,560 + +door hey no + +12 +00:00:29,560 --> 00:00:29,570 + + + +13 +00:00:29,570 --> 00:00:31,589 + +[Music] + +14 +00:00:31,589 --> 00:00:31,599 +[Music] + + +15 +00:00:31,599 --> 00:00:33,110 +[Music] +what the is this there's a little + +16 +00:00:33,110 --> 00:00:33,120 +what the is this there's a little + + +17 +00:00:33,120 --> 00:00:34,630 +what the is this there's a little +girl on the top floor there's a woman on + +18 +00:00:34,630 --> 00:00:34,640 +girl on the top floor there's a woman on + + +19 +00:00:34,640 --> 00:00:36,670 +girl on the top floor there's a woman on +the third they're both asleep they not + +20 +00:00:36,670 --> 00:00:36,680 +the third they're both asleep they not + + +21 +00:00:36,680 --> 00:00:38,110 +the third they're both asleep they not +supposed to be here this is your + +22 +00:00:38,110 --> 00:00:38,120 +supposed to be here this is your + + +23 +00:00:38,120 --> 00:00:40,029 +supposed to be here this is your +department you they I'm not supposed to + +24 +00:00:40,029 --> 00:00:40,039 +department you they I'm not supposed to + + +25 +00:00:40,039 --> 00:00:42,630 +department you they I'm not supposed to +be here videotape what we're on + +26 +00:00:42,630 --> 00:00:42,640 +be here videotape what we're on + + +27 +00:00:42,640 --> 00:00:44,590 +be here videotape what we're on +videotape we've been on videotape since + +28 +00:00:44,590 --> 00:00:44,600 +videotape we've been on videotape since + + +29 +00:00:44,600 --> 00:00:46,510 +videotape we've been on videotape since +we got within 10 ft of this place and + +30 +00:00:46,510 --> 00:00:46,520 +we got within 10 ft of this place and + + +31 +00:00:46,520 --> 00:00:47,270 +we got within 10 ft of this place and +tap + +32 +00:00:47,270 --> 00:00:47,280 +tap + + +33 +00:00:47,280 --> 00:00:50,110 +tap +SC me man 14 day ESC man that's + +34 +00:00:50,110 --> 00:00:50,120 +SC me man 14 day ESC man that's + + +35 +00:00:50,120 --> 00:00:51,709 +SC me man 14 day ESC man that's +almost 3 weeks they should not be in + +36 +00:00:51,709 --> 00:00:51,719 +almost 3 weeks they should not be in + + +37 +00:00:51,719 --> 00:00:53,670 +almost 3 weeks they should not be in +here for another + +38 +00:00:53,670 --> 00:00:53,680 +here for another + + +39 +00:00:53,680 --> 00:00:57,510 +here for another +week exactly how is 14 days 3 weeks + +40 +00:00:57,510 --> 00:00:57,520 +week exactly how is 14 days 3 weeks + + +41 +00:00:57,520 --> 00:00:59,509 +week exactly how is 14 days 3 weeks +business days a scroll is always + +42 +00:00:59,509 --> 00:00:59,519 +business days a scroll is always + + +43 +00:00:59,519 --> 00:01:05,750 +business days a scroll is always +business days 5 day weeks + +44 +00:01:05,750 --> 00:01:05,760 + + + +45 +00:01:05,760 --> 00:01:08,070 + +always + +46 +00:01:08,070 --> 00:01:08,080 +always + + +47 +00:01:08,080 --> 00:01:12,870 +always +right not e wait hold just wait AE wait + +48 +00:01:12,870 --> 00:01:12,880 +right not e wait hold just wait AE wait + + +49 +00:01:12,880 --> 00:01:13,990 +right not e wait hold just wait AE wait +a minute wait a minute we can handle + +50 +00:01:13,990 --> 00:01:14,000 +a minute wait a minute we can handle + + +51 +00:01:14,000 --> 00:01:15,950 +a minute wait a minute we can handle +this we can handle this now can we still + +52 +00:01:15,950 --> 00:01:15,960 +this we can handle this now can we still + + +53 +00:01:15,960 --> 00:01:18,670 +this we can handle this now can we still +handle this it's just a woman and a kid + +54 +00:01:18,670 --> 00:01:18,680 +handle this it's just a woman and a kid + + +55 +00:01:18,680 --> 00:01:20,429 +handle this it's just a woman and a kid +unless daddy comes home daddy's not + +56 +00:01:20,429 --> 00:01:20,439 +unless daddy comes home daddy's not + + +57 +00:01:20,439 --> 00:01:21,990 +unless daddy comes home daddy's not +coming home they're in the middle of a + +58 +00:01:21,990 --> 00:01:22,000 +coming home they're in the middle of a + + +59 +00:01:22,000 --> 00:01:23,789 +coming home they're in the middle of a +divorce Daddy's banging some + +60 +00:01:23,789 --> 00:01:23,799 +divorce Daddy's banging some + + +61 +00:01:23,799 --> 00:01:25,670 +divorce Daddy's banging some +beon on the Upp side all right it's just + +62 +00:01:25,670 --> 00:01:25,680 +beon on the Upp side all right it's just + + +63 +00:01:25,680 --> 00:01:31,149 +beon on the Upp side all right it's just +her and the kid now can we do this + +64 +00:01:31,149 --> 00:01:31,159 +her and the kid now can we do this + + +65 +00:01:31,159 --> 00:01:33,950 +her and the kid now can we do this +yeah we can do it not with people here + +66 +00:01:33,950 --> 00:01:33,960 +yeah we can do it not with people here + + +67 +00:01:33,960 --> 00:01:39,990 +yeah we can do it not with people here +and not with + +68 +00:01:39,990 --> 00:01:40,000 + + + +69 +00:01:40,000 --> 00:01:43,950 + +me wait wait stop 20 minutes 20 + +70 +00:01:43,950 --> 00:01:43,960 +me wait wait stop 20 minutes 20 + + +71 +00:01:43,960 --> 00:01:49,590 +me wait wait stop 20 minutes 20 +minutes so so we keep an eye on her Raul + +72 +00:01:49,590 --> 00:01:49,600 +minutes so so we keep an eye on her Raul + + +73 +00:01:49,600 --> 00:01:52,109 +minutes so so we keep an eye on her Raul +can totally administrate that part I + +74 +00:01:52,109 --> 00:01:52,119 +can totally administrate that part I + + +75 +00:01:52,119 --> 00:01:53,630 +can totally administrate that part I +don't want Raul to administrate that + +76 +00:01:53,630 --> 00:01:53,640 +don't want Raul to administrate that + + +77 +00:01:53,640 --> 00:01:57,910 +don't want Raul to administrate that +part he's not even supposed to be + +78 +00:01:57,910 --> 00:01:57,920 + + + +79 +00:01:57,920 --> 00:02:01,389 + +here nobody gets hurt + +80 +00:02:01,389 --> 00:02:01,399 +here nobody gets hurt + + +81 +00:02:01,399 --> 00:02:06,990 +here nobody gets hurt +what about us what if she has a + +82 +00:02:06,990 --> 00:02:07,000 + + + +83 +00:02:07,000 --> 00:02:08,990 + +g who are + +84 +00:02:08,990 --> 00:02:09,000 +g who are + + +85 +00:02:09,000 --> 00:02:33,520 +g who are +you I'm ra + +86 +00:02:33,520 --> 00:02:33,530 + + + +87 +00:02:33,530 --> 00:02:42,649 + +[Music] + diff --git a/2002/XhpJ11dNp2o.description b/2002/XhpJ11dNp2o.description new file mode 100644 index 0000000000000000000000000000000000000000..afaafe1945279184febc710e7f8f8ce7acfa2e30 --- /dev/null +++ b/2002/XhpJ11dNp2o.description @@ -0,0 +1,38 @@ +The Bourne Identity movie clips: http://j.mp/1JaLRFI +BUY THE MOVIE: http://amzn.to/sBURxM +Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr + +CLIP DESCRIPTION: +Bourne (Matt Damon) rides a corpse down a stairwell; Manheim (Russell Levy) assassinates Conklin (Chris Cooper). + +FILM DESCRIPTION: +The best-selling suspense novel by late author Robert Ludlum comes to the screen for a second time, following a 1988 made-for-TV movie. Matt Damon stars as Jason Bourne, a barely alive amnesiac with a pair of bullet wounds in his back, pulled from the Mediterranean by Italian fishermen. Bourne's only clue to his own identity is a bank account number etched on a capsule implanted in his body. He quickly finds the Zurich bank where money, a gun, and a few identification documents await, but after he's pursued by security goons at the American consulate, Bourne realizes he can trust no one and offers a German gypsy named Marie (Franka Potente) ten thousand dollars for a ride to Paris. Encountering more professional killers bent on his destruction, Bourne discovers that he possesses a surprising degree of skill in combat, martial arts, and linguistics -- handy talents that clearly indicate his past includes work as a spy and assassin, but for whom? With Marie's reluctant help, Bourne edges closer to the truth, something CIA officials want concealed at all costs. The Bourne Identity co-stars Chris Cooper, Clive Owen, Brian Cox, and Julia Stiles. + +CREDITS: +TM & © Universal (2002) +Cast: Chris Cooper, Matt Damon, Russell Levy +Director: Doug Liman +Producers: Patrick Crowley, Richard N. Gladstein, Doug Liman, Robert Ludlum, Frank Marshall, David Minkowski, Matthew Stillman, Andrew R. Tennenbaum +Screenwriters: Tony Gilroy, W. Blake Herron, Robert Ludlum + +WHO ARE WE? +The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. + +SUBSCRIBE TO OUR MOVIE CHANNELS: +MOVIECLIPS: http://bit.ly/1u2yaWd +ComingSoon: http://bit.ly/1DVpgtR +Indie & Film Festivals: http://bit.ly/1wbkfYg +Hero Central: http://bit.ly/1AMUZwv +Extras: http://bit.ly/1u431fr +Classic Trailers: http://bit.ly/1u43jDe +Pop-Up Trailers: http://bit.ly/1z7EtZR +Movie News: http://bit.ly/1C3Ncd2 +Movie Games: http://bit.ly/1ygDV13 +Fandango: http://bit.ly/1Bl79ye +Fandango FrontRunners: http://bit.ly/1CggQfC + +HIT US UP: +Facebook: http://on.fb.me/1y8M8ax +Twitter: http://bit.ly/1ghOWmt +Pinterest: http://bit.ly/14wL9De +Tumblr: http://bit.ly/1vUwhH7 \ No newline at end of file