chat_prompt
dict | chat_text
dict | correct_answer
stringlengths 48
2.32k
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{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|THE SPORT OF THE GODS by PAUL LAURENCE DUNBAR I THE HAMILTONS Fiction has said so much in regret of the old days when there were plantations and overseers and masters and slaves, that it was good to come upon such a household as Berry Hamilton's, if for no other reason than that it afforded a relief from the monotony of tiresome iteration. The little cottage in which he lived with his wife, Fannie, who was housekeeper to the Oakleys, and his son and daughter, Joe and Kit, sat back in the yard some hundred paces from the mansion of his employer. It was somewhat in the manner of the old cabin in the quarters, with which usage as well as tradition had made both master and servant familiar. But, unlike the cabin of the elder day, it was a neatly furnished, modern house, the home of a typical, good-living negro. For twenty years Berry Hamilton had been butler for Maurice Oakley. He was one of the many slaves who upon their accession to freedom had not left the South, but had wandered from place to place in their own beloved section, waiting, working, and struggling to rise with its rehabilitated fortunes. The first faint signs of recovery were being seen when he came to Maurice Oakley as a servant. Through thick and thin he remained with him, and when the final upward tendency of his employer began his fortunes had increased in like manner. When, having married, Oakley bought the great house in which he now lived, he left the little servant's cottage in the yard, for, as he said laughingly,|1| |2|\"There is no telling when Berry will be following my example and be taking a wife unto himself.\"|2| |3|His joking prophecy came true very soon. Berry had long had a tenderness for Fannie, the housekeeper. As she retained her post under the new Mrs. Oakley, and as there was a cottage ready to his hand, it promised to be cheaper and more convenient all around to get married. Fannie was willing, and so the matter was settled. Fannie had never regretted her choice, nor had Berry ever had cause to curse his utilitarian ideas. The stream of years had flowed pleasantly and peacefully with them. Their little sorrows had come, but their joys had been many. As time went on, the little cottage grew in comfort. It was replenished with things handed down from \"the house\" from time to time and with others bought from the pair's earnings. Berry had time for his lodge, and Fannie time to spare for her own house and garden. Flowers bloomed in the little plot in front and behind it; vegetables and greens testified to the housewife's industry. Over the door of the little house a fine Virginia creeper bent and fell in graceful curves, and a cluster of insistent morning-glories clung in summer about its stalwart stock. It was into this bower of peace and comfort that Joe and Kitty were born. They brought a new sunlight into the house and a new joy to the father's and mother's hearts. Their early lives were pleasant and carefully guarded. They got what schooling the town afforded, but both went to work early, Kitty helping her mother and Joe learning the trade of barber. Kit was the delight of her mother's life. She was a pretty, cheery little thing, and could sing like a lark. Joe too was of a cheerful disposition, but from scraping the chins of aristocrats came to imbibe some of their ideas, and rather too early in life bid fair to be a dandy. But his father encouraged him, for, said he,|3| |4|\"It 's de p'opah thing fu' a man what waits on quality to have quality mannahs an' to waih quality clothes.\"|4|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Sadness\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 4 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|THE SPORT OF THE GODS by PAUL LAURENCE DUNBAR I THE HAMILTONS Fiction has said so much in regret of the old days when there were plantations and overseers and masters and slaves, that it was good to come upon such a household as Berry Hamilton's, if for no other reason than that it afforded a relief from the monotony of tiresome iteration. The little cottage in which he lived with his wife, Fannie, who was housekeeper to the Oakleys, and his son and daughter, Joe and Kit, sat back in the yard some hundred paces from the mansion of his employer. It was somewhat in the manner of the old cabin in the quarters, with which usage as well as tradition had made both master and servant familiar. But, unlike the cabin of the elder day, it was a neatly furnished, modern house, the home of a typical, good-living negro. For twenty years Berry Hamilton had been butler for Maurice Oakley. He was one of the many slaves who upon their accession to freedom had not left the South, but had wandered from place to place in their own beloved section, waiting, working, and struggling to rise with its rehabilitated fortunes. The first faint signs of recovery were being seen when he came to Maurice Oakley as a servant. Through thick and thin he remained with him, and when the final upward tendency of his employer began his fortunes had increased in like manner. When, having married, Oakley bought the great house in which he now lived, he left the little servant's cottage in the yard, for, as he said laughingly,|1| |2|\"There is no telling when Berry will be following my example and be taking a wife unto himself.\"|2| |3|His joking prophecy came true very soon. Berry had long had a tenderness for Fannie, the housekeeper. As she retained her post under the new Mrs. Oakley, and as there was a cottage ready to his hand, it promised to be cheaper and more convenient all around to get married. Fannie was willing, and so the matter was settled. Fannie had never regretted her choice, nor had Berry ever had cause to curse his utilitarian ideas. The stream of years had flowed pleasantly and peacefully with them. Their little sorrows had come, but their joys had been many. As time went on, the little cottage grew in comfort. It was replenished with things handed down from \"the house\" from time to time and with others bought from the pair's earnings. Berry had time for his lodge, and Fannie time to spare for her own house and garden. Flowers bloomed in the little plot in front and behind it; vegetables and greens testified to the housewife's industry. Over the door of the little house a fine Virginia creeper bent and fell in graceful curves, and a cluster of insistent morning-glories clung in summer about its stalwart stock. It was into this bower of peace and comfort that Joe and Kitty were born. They brought a new sunlight into the house and a new joy to the father's and mother's hearts. Their early lives were pleasant and carefully guarded. They got what schooling the town afforded, but both went to work early, Kitty helping her mother and Joe learning the trade of barber. Kit was the delight of her mother's life. She was a pretty, cheery little thing, and could sing like a lark. Joe too was of a cheerful disposition, but from scraping the chins of aristocrats came to imbibe some of their ideas, and rather too early in life bid fair to be a dandy. But his father encouraged him, for, said he,|3| |4|\"It 's de p'opah thing fu' a man what waits on quality to have quality mannahs an' to waih quality clothes.\"|4|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Sadness\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 4 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Berry Hamilton\"\n }\n}",
"role": "assistant"
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]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Maurice Oakley",
"3": "No speaker",
"4": "Berry Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|THE SPORT OF THE GODS by PAUL LAURENCE DUNBAR I THE HAMILTONS Fiction has said so much in regret of the old days when there were plantations and overseers and masters and slaves, that it was good to come upon such a household as Berry Hamilton's, if for no other reason than that it afforded a relief from the monotony of tiresome iteration. The little cottage in which he lived with his wife, Fannie, who was housekeeper to the Oakleys, and his son and daughter, Joe and Kit, sat back in the yard some hundred paces from the mansion of his employer. It was somewhat in the manner of the old cabin in the quarters, with which usage as well as tradition had made both master and servant familiar. But, unlike the cabin of the elder day, it was a neatly furnished, modern house, the home of a typical, good-living negro. For twenty years Berry Hamilton had been butler for Maurice Oakley. He was one of the many slaves who upon their accession to freedom had not left the South, but had wandered from place to place in their own beloved section, waiting, working, and struggling to rise with its rehabilitated fortunes. The first faint signs of recovery were being seen when he came to Maurice Oakley as a servant. Through thick and thin he remained with him, and when the final upward tendency of his employer began his fortunes had increased in like manner. When, having married, Oakley bought the great house in which he now lived, he left the little servant's cottage in the yard, for, as he said laughingly,|1| |2|\"There is no telling when Berry will be following my example and be taking a wife unto himself.\"|2| |3|His joking prophecy came true very soon. Berry had long had a tenderness for Fannie, the housekeeper. As she retained her post under the new Mrs. Oakley, and as there was a cottage ready to his hand, it promised to be cheaper and more convenient all around to get married. Fannie was willing, and so the matter was settled. Fannie had never regretted her choice, nor had Berry ever had cause to curse his utilitarian ideas. The stream of years had flowed pleasantly and peacefully with them. Their little sorrows had come, but their joys had been many. As time went on, the little cottage grew in comfort. It was replenished with things handed down from \"the house\" from time to time and with others bought from the pair's earnings. Berry had time for his lodge, and Fannie time to spare for her own house and garden. Flowers bloomed in the little plot in front and behind it; vegetables and greens testified to the housewife's industry. Over the door of the little house a fine Virginia creeper bent and fell in graceful curves, and a cluster of insistent morning-glories clung in summer about its stalwart stock. It was into this bower of peace and comfort that Joe and Kitty were born. They brought a new sunlight into the house and a new joy to the father's and mother's hearts. Their early lives were pleasant and carefully guarded. They got what schooling the town afforded, but both went to work early, Kitty helping her mother and Joe learning the trade of barber. Kit was the delight of her mother's life. She was a pretty, cheery little thing, and could sing like a lark. Joe too was of a cheerful disposition, but from scraping the chins of aristocrats came to imbibe some of their ideas, and rather too early in life bid fair to be a dandy. But his father encouraged him, for, said he,|3| |4|\"It 's de p'opah thing fu' a man what waits on quality to have quality mannahs an' to waih quality clothes.\"|4| |5|\"'T ain't no use to be a-humo'in' dat boy too much, Be'y,\"|5| |6|Fannie had replied, although she did fully as much \"humo'in'\" as her husband;|6| |7|\"hit sho' do mek' him biggety, an' a biggety po' niggah is a 'bomination befo' de face of de Lawd; but I know 't ain't no use a-talkin' to you, fu' you plum boun' up in dat Joe.\"|7| |8|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|8| |9|\"Five years does seem a long while,\"|9|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Horace Talbot\",\n \"3\": \"No speaker\",\n \"4\": \"Berry Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 9 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|THE SPORT OF THE GODS by PAUL LAURENCE DUNBAR I THE HAMILTONS Fiction has said so much in regret of the old days when there were plantations and overseers and masters and slaves, that it was good to come upon such a household as Berry Hamilton's, if for no other reason than that it afforded a relief from the monotony of tiresome iteration. The little cottage in which he lived with his wife, Fannie, who was housekeeper to the Oakleys, and his son and daughter, Joe and Kit, sat back in the yard some hundred paces from the mansion of his employer. It was somewhat in the manner of the old cabin in the quarters, with which usage as well as tradition had made both master and servant familiar. But, unlike the cabin of the elder day, it was a neatly furnished, modern house, the home of a typical, good-living negro. For twenty years Berry Hamilton had been butler for Maurice Oakley. He was one of the many slaves who upon their accession to freedom had not left the South, but had wandered from place to place in their own beloved section, waiting, working, and struggling to rise with its rehabilitated fortunes. The first faint signs of recovery were being seen when he came to Maurice Oakley as a servant. Through thick and thin he remained with him, and when the final upward tendency of his employer began his fortunes had increased in like manner. When, having married, Oakley bought the great house in which he now lived, he left the little servant's cottage in the yard, for, as he said laughingly,|1| |2|\"There is no telling when Berry will be following my example and be taking a wife unto himself.\"|2| |3|His joking prophecy came true very soon. Berry had long had a tenderness for Fannie, the housekeeper. As she retained her post under the new Mrs. Oakley, and as there was a cottage ready to his hand, it promised to be cheaper and more convenient all around to get married. Fannie was willing, and so the matter was settled. Fannie had never regretted her choice, nor had Berry ever had cause to curse his utilitarian ideas. The stream of years had flowed pleasantly and peacefully with them. Their little sorrows had come, but their joys had been many. As time went on, the little cottage grew in comfort. It was replenished with things handed down from \"the house\" from time to time and with others bought from the pair's earnings. Berry had time for his lodge, and Fannie time to spare for her own house and garden. Flowers bloomed in the little plot in front and behind it; vegetables and greens testified to the housewife's industry. Over the door of the little house a fine Virginia creeper bent and fell in graceful curves, and a cluster of insistent morning-glories clung in summer about its stalwart stock. It was into this bower of peace and comfort that Joe and Kitty were born. They brought a new sunlight into the house and a new joy to the father's and mother's hearts. Their early lives were pleasant and carefully guarded. They got what schooling the town afforded, but both went to work early, Kitty helping her mother and Joe learning the trade of barber. Kit was the delight of her mother's life. She was a pretty, cheery little thing, and could sing like a lark. Joe too was of a cheerful disposition, but from scraping the chins of aristocrats came to imbibe some of their ideas, and rather too early in life bid fair to be a dandy. But his father encouraged him, for, said he,|3| |4|\"It 's de p'opah thing fu' a man what waits on quality to have quality mannahs an' to waih quality clothes.\"|4| |5|\"'T ain't no use to be a-humo'in' dat boy too much, Be'y,\"|5| |6|Fannie had replied, although she did fully as much \"humo'in'\" as her husband;|6| |7|\"hit sho' do mek' him biggety, an' a biggety po' niggah is a 'bomination befo' de face of de Lawd; but I know 't ain't no use a-talkin' to you, fu' you plum boun' up in dat Joe.\"|7| |8|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|8| |9|\"Five years does seem a long while,\"|9|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Horace Talbot\",\n \"3\": \"No speaker\",\n \"4\": \"Berry Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 9 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Berry Hamilton\",\n \"5\": \"Fannie Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Francis Oakley\"\n }\n}",
"role": "assistant"
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]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Maurice Oakley",
"3": "No speaker",
"4": "Berry Hamilton",
"5": "Fannie Hamilton",
"6": "No speaker",
"7": "Fannie Hamilton",
"8": "No speaker",
"9": "Francis Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|His joking prophecy came true very soon. Berry had long had a tenderness for Fannie, the housekeeper. As she retained her post under the new Mrs. Oakley, and as there was a cottage ready to his hand, it promised to be cheaper and more convenient all around to get married. Fannie was willing, and so the matter was settled. Fannie had never regretted her choice, nor had Berry ever had cause to curse his utilitarian ideas. The stream of years had flowed pleasantly and peacefully with them. Their little sorrows had come, but their joys had been many. As time went on, the little cottage grew in comfort. It was replenished with things handed down from \"the house\" from time to time and with others bought from the pair's earnings. Berry had time for his lodge, and Fannie time to spare for her own house and garden. Flowers bloomed in the little plot in front and behind it; vegetables and greens testified to the housewife's industry. Over the door of the little house a fine Virginia creeper bent and fell in graceful curves, and a cluster of insistent morning-glories clung in summer about its stalwart stock. It was into this bower of peace and comfort that Joe and Kitty were born. They brought a new sunlight into the house and a new joy to the father's and mother's hearts. Their early lives were pleasant and carefully guarded. They got what schooling the town afforded, but both went to work early, Kitty helping her mother and Joe learning the trade of barber. Kit was the delight of her mother's life. She was a pretty, cheery little thing, and could sing like a lark. Joe too was of a cheerful disposition, but from scraping the chins of aristocrats came to imbibe some of their ideas, and rather too early in life bid fair to be a dandy. But his father encouraged him, for, said he,|1| |2|\"It 's de p'opah thing fu' a man what waits on quality to have quality mannahs an' to waih quality clothes.\"|2| |3|\"'T ain't no use to be a-humo'in' dat boy too much, Be'y,\"|3| |4|Fannie had replied, although she did fully as much \"humo'in'\" as her husband;|4| |5|\"hit sho' do mek' him biggety, an' a biggety po' niggah is a 'bomination befo' de face of de Lawd; but I know 't ain't no use a-talkin' to you, fu' you plum boun' up in dat Joe.\"|5| |6|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|6| |7|\"Five years does seem a long while,\"|7|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"Fannie Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 7 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|His joking prophecy came true very soon. Berry had long had a tenderness for Fannie, the housekeeper. As she retained her post under the new Mrs. Oakley, and as there was a cottage ready to his hand, it promised to be cheaper and more convenient all around to get married. Fannie was willing, and so the matter was settled. Fannie had never regretted her choice, nor had Berry ever had cause to curse his utilitarian ideas. The stream of years had flowed pleasantly and peacefully with them. Their little sorrows had come, but their joys had been many. As time went on, the little cottage grew in comfort. It was replenished with things handed down from \"the house\" from time to time and with others bought from the pair's earnings. Berry had time for his lodge, and Fannie time to spare for her own house and garden. Flowers bloomed in the little plot in front and behind it; vegetables and greens testified to the housewife's industry. Over the door of the little house a fine Virginia creeper bent and fell in graceful curves, and a cluster of insistent morning-glories clung in summer about its stalwart stock. It was into this bower of peace and comfort that Joe and Kitty were born. They brought a new sunlight into the house and a new joy to the father's and mother's hearts. Their early lives were pleasant and carefully guarded. They got what schooling the town afforded, but both went to work early, Kitty helping her mother and Joe learning the trade of barber. Kit was the delight of her mother's life. She was a pretty, cheery little thing, and could sing like a lark. Joe too was of a cheerful disposition, but from scraping the chins of aristocrats came to imbibe some of their ideas, and rather too early in life bid fair to be a dandy. But his father encouraged him, for, said he,|1| |2|\"It 's de p'opah thing fu' a man what waits on quality to have quality mannahs an' to waih quality clothes.\"|2| |3|\"'T ain't no use to be a-humo'in' dat boy too much, Be'y,\"|3| |4|Fannie had replied, although she did fully as much \"humo'in'\" as her husband;|4| |5|\"hit sho' do mek' him biggety, an' a biggety po' niggah is a 'bomination befo' de face of de Lawd; but I know 't ain't no use a-talkin' to you, fu' you plum boun' up in dat Joe.\"|5| |6|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|6| |7|\"Five years does seem a long while,\"|7|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"Fannie Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 7 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"Fannie Hamilton\",\n \"4\": \"No speaker\",\n \"5\": \"Fannie Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Francis Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Berry Hamilton",
"3": "Fannie Hamilton",
"4": "No speaker",
"5": "Fannie Hamilton",
"6": "No speaker",
"7": "Francis Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Francis Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Francis Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Francis Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Francis Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Francis Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Francis Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
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"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
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{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Francis Oakley\"\n }\n}",
"role": "assistant"
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{
"predictions": {
"1": "No speaker",
"2": "Francis Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
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"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2| |3|Francis was saying,|3| |4|\"but if a man accomplishes anything, after all, it seems only a short time to look back upon.\"|4| |5|\"All time is short to look back upon. It is the looking forward to it that counts. It does n't, though, with a man, I suppose. He's doing something all the while.\"|5| |6|\"Yes, a man is always doing something, even if only waiting; but waiting is such unheroic business.\"|6| |7|\"That is the part that usually falls to a woman's lot. I have no doubt that some dark-eyed mademoiselle is waiting for you now.\"|7| |8|Francis laughed and flushed hotly. Claire noted the flush and wondered at it. Had she indeed hit upon the real point? Was that the reason that he was so anxious to get back to Paris? The thought struck a chill through her gaiety. She did not want to be suspicious, but what was the cause of that tell-tale flush? He was not a man easily disconcerted; then why so to-night? But her companion talked on with such innocent composure that she believed herself mistaken as to the reason for his momentary confusion. Someone cried gayly across the table to her:|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Francis Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Francis Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
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{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2| |3|Francis was saying,|3| |4|\"but if a man accomplishes anything, after all, it seems only a short time to look back upon.\"|4| |5|\"All time is short to look back upon. It is the looking forward to it that counts. It does n't, though, with a man, I suppose. He's doing something all the while.\"|5| |6|\"Yes, a man is always doing something, even if only waiting; but waiting is such unheroic business.\"|6| |7|\"That is the part that usually falls to a woman's lot. I have no doubt that some dark-eyed mademoiselle is waiting for you now.\"|7| |8|Francis laughed and flushed hotly. Claire noted the flush and wondered at it. Had she indeed hit upon the real point? Was that the reason that he was so anxious to get back to Paris? The thought struck a chill through her gaiety. She did not want to be suspicious, but what was the cause of that tell-tale flush? He was not a man easily disconcerted; then why so to-night? But her companion talked on with such innocent composure that she believed herself mistaken as to the reason for his momentary confusion. Someone cried gayly across the table to her:|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Francis Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Francis Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
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"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Francis Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Francis Oakley\",\n \"5\": \"Claire Lessing\",\n \"6\": \"Francis Oakley\",\n \"7\": \"Claire Lessing\",\n \"8\": \"No speaker\"\n }\n}",
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{
"predictions": {
"1": "No speaker",
"2": "Francis Oakley",
"3": "No speaker",
"4": "Francis Oakley",
"5": "Claire Lessing",
"6": "Francis Oakley",
"7": "Claire Lessing",
"8": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
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"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2| |3|Francis was saying,|3| |4|\"but if a man accomplishes anything, after all, it seems only a short time to look back upon.\"|4| |5|\"All time is short to look back upon. It is the looking forward to it that counts. It does n't, though, with a man, I suppose. He's doing something all the while.\"|5| |6|\"Yes, a man is always doing something, even if only waiting; but waiting is such unheroic business.\"|6| |7|\"That is the part that usually falls to a woman's lot. I have no doubt that some dark-eyed mademoiselle is waiting for you now.\"|7| |8|Francis laughed and flushed hotly. Claire noted the flush and wondered at it. Had she indeed hit upon the real point? Was that the reason that he was so anxious to get back to Paris? The thought struck a chill through her gaiety. She did not want to be suspicious, but what was the cause of that tell-tale flush? He was not a man easily disconcerted; then why so to-night? But her companion talked on with such innocent composure that she believed herself mistaken as to the reason for his momentary confusion. Someone cried gayly across the table to her:|8| |9|\"Oh, Miss Claire, you will not dare to talk with such little awe to our friend when he comes back with his ribbons and his medals. Why, we shall all have to bow to you, Frank!\"|9| |10|\"You 're wronging me, Esterton,\"|10| |11|said Francis.|11| |12|\"No foreign decoration could ever be to me as much as the flower of approval from the fair women of my own State.\"|12| |13|\"Hear!\" cried the ladies.|13| |14|\"Trust artists and poets to pay pretty compliments, and this wily friend of mine pays his at my expense.\"|14| |15|\"A good bit of generalship, that, Frank,\"|15| |16|an old military man broke in.|16| |17|\"Esterton opened the breach and you at once galloped in. That 's the highest art of war.\"|17| |18|Claire was looking at her companion. Had he meant the approval of the women, or was it one woman that he cared for? Had the speech had a hidden meaning for her? She could never tell. She could not understand this man who had been so much to her for so long, and yet did not seem to know it; who was full of romance and fire and passion, and yet looked at her beauty with the eyes of a mere comrade. She sighed as she rose with the rest of the women to leave the table. The men lingered over their cigars. The wine was old and the stories new. What more could they ask? There was a strong glow in Francis Oakley's face, and his laugh was frequent and ringing. Some discussion came up which sent him running up to his room for a bit of evidence. When he came down it was not to come directly to the dining-room. He paused in the hall and despatched a servant to bring his brother to him. Maurice found him standing weakly against the railing of the stairs. Something in his air impressed his brother strangely.|18| |19|\"What is it, Francis?\"|19|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Francis Oakley\",\n \"3\": \"The Detective\",\n \"4\": \"Francis Oakley\",\n \"5\": \"Claire Lessing\",\n \"6\": \"Francis Oakley\",\n \"7\": \"Claire Lessing\",\n \"8\": \"No speaker\",\n \"9\": \"Esterton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 19 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
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{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
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"content": "**Passage:**\n--\n|1|Her own eyes would follow the boy lovingly and proudly even as she chided. She could not say very much, either, for Berry always had the reply that she was spoiling Kit out of all reason. The girl did have the prettiest clothes of any of her race in the town, and when she was to sing for the benefit of the A. M. E. church or for the benefit of her father's society, the Tribe of Benjamin, there was nothing too good for her to wear. In this too they were aided and abetted by Mrs. Oakley, who also took a lively interest in the girl. So the two doting parents had their chats and their jokes at each other's expense and went bravely on, doing their duties and spoiling their children much as white fathers and mothers are wont to do. What the less fortunate negroes of the community said of them and their offspring is really not worth while. Envy has a sharp tongue, and when has not the aristocrat been the target for the plebeian's sneers? Joe and Kit were respectively eighteen and sixteen at the time when the preparations for Maurice Oakley's farewell dinner to his brother Francis were agitating the whole Hamilton household. All of them had a hand in the work: Joe had shaved the two men; Kit had helped Mrs. Oakley's maid; the mother had fretted herself weak over the shortcomings of a cook that had been in the family nearly as long as herself, while Berry was stern and dignified in anticipation of the glorious figure he was to make in serving. When all was ready, peace again settled upon the Hamiltons. Mrs. Hamilton, in the whitest of white aprons, prepared to be on hand to annoy the cook still more; Kit was ready to station herself where she could view the finery; Joe had condescended to promise to be home in time to eat some of the good things, and Berry--Berry was gorgeous in his evening suit with the white waistcoat, as he directed the nimble waiters hither and thither. II A FAREWELL DINNER Maurice Oakley was not a man of sudden or violent enthusiasms. Conservatism was the quality that had been the foundation of his fortunes at a time when the disruption of the country had involved most of the men of his region in ruin. Without giving any one ground to charge him with being lukewarm or renegade to his cause, he had yet so adroitly managed his affairs that when peace came he was able quickly to recover much of the ground lost during the war. With a rare genius for adapting himself to new conditions, he accepted the changed order of things with a passive resignation, but with a stern determination to make the most out of any good that might be in it. It was a favourite remark of his that there must be some good in every system, and it was the duty of the citizen to find out that good and make it pay. He had done this. His house, his reputation, his satisfaction, were all evidences that he had succeeded. A childless man, he bestowed upon his younger brother, Francis, the enthusiasm he would have given to a son. His wife shared with her husband this feeling for her brother-in-law, and with him played the role of parent, which had otherwise been denied her. It was true that Francis Oakley was only a half-brother to Maurice, the son of a second and not too fortunate marriage, but there was no halving of the love which the elder man had given to him from childhood up. At the first intimation that Francis had artistic ability, his brother had placed him under the best masters in America, and later, when the promise of his youth had begun to blossom, he sent him to Paris, although the expenditure just at that time demanded a sacrifice which might have been the ruin of Maurice's own career. Francis's promise had never come to entire fulfilment. He was always trembling on the verge of a great success without quite plunging into it. Despite the joy which his presence gave his brother and sister-in-law, most of his time was spent abroad, where he could find just the atmosphere that suited his delicate, artistic nature. After a visit of two months he was about returning to Paris for a stay of five years. At last he was going to apply himself steadily and try to be less the dilettante. The company which Maurice Oakley brought together to say good-bye to his brother on this occasion was drawn from the best that this fine old Southern town afforded. There were colonels there at whose titles and the owners' rights to them no one could laugh; there were brilliant women there who had queened it in Richmond, Baltimore, Louisville, and New Orleans, and every Southern capital under the old regime, and there were younger ones there of wit and beauty who were just beginning to hold their court. For Francis was a great favourite both with men and women. He was a handsome man, tall, slender, and graceful. He had the face and brow of a poet, a pallid face framed in a mass of dark hair. There was a touch of weakness in his mouth, but this was shaded and half hidden by a full mustache that made much forgivable to beauty-loving eyes. It was generally conceded that Mrs. Oakley was a hostess whose guests had no awkward half-hour before dinner. No praise could be higher than this, and to-night she had no need to exert herself to maintain this reputation. Her brother-in-law was the life of the assembly; he had wit and daring, and about him there was just that hint of charming danger that made him irresistible to women. The guests heard the dinner announced with surprise,--an unusual thing, except in this house. Both Maurice Oakley and his wife looked fondly at the artist as he went in with Claire Lessing. He was talking animatedly to the girl, having changed the general trend of the conversation to a manner and tone directed more particularly to her. While she listened to him, her face glowed and her eyes shone with a light that every man could not bring into them. As Maurice and his wife followed him with their gaze, the same thought was in their minds, and it had not just come to them, Why could not Francis marry Claire Lessing and settle in America, instead of going back ever and again to that life in the Latin Quarter? They did not believe that it was a bad life or a dissipated one, but from the little that they had seen of it when they were in Paris, it was at least a bit too free and unconventional for their traditions. There were, too, temptations which must assail any man of Francis's looks and talents. They had perfect faith in the strength of his manhood, of course; but could they have had their way, it would have been their will to hedge him about so that no breath of evil invitation could have come nigh to him. But this younger brother, this half ward of theirs, was an unruly member. He talked and laughed, rode and walked, with Claire Lessing with the same free abandon, the same show of uninterested good comradeship, that he had used towards her when they were boy and girl together. There was not a shade more of warmth or self-consciousness in his manner towards her than there had been fifteen years before. In fact, there was less, for there had been a time, when he was six and Claire three, that Francis, with a boldness that the lover of maturer years tries vainly to attain, had announced to Claire that he was going to marry her. But he had never renewed this declaration when it came time that it would carry weight with it. They made a fine picture as they sat together to-night. One seeing them could hardly help thinking on the instant that they were made for each other. Something in the woman's face, in her expression perhaps, supplied a palpable lack in the man. The strength of her mouth and chin helped the weakness of his. She was the sort of woman who, if ever he came to a great moral crisis in his life, would be able to save him if she were near. And yet he was going away from her, giving up the pearl that he had only to put out his hand to take. Some of these thoughts were in the minds of the brother and sister now.|1| |2|\"Five years does seem a long while,\"|2| |3|Francis was saying,|3| |4|\"but if a man accomplishes anything, after all, it seems only a short time to look back upon.\"|4| |5|\"All time is short to look back upon. It is the looking forward to it that counts. It does n't, though, with a man, I suppose. He's doing something all the while.\"|5| |6|\"Yes, a man is always doing something, even if only waiting; but waiting is such unheroic business.\"|6| |7|\"That is the part that usually falls to a woman's lot. I have no doubt that some dark-eyed mademoiselle is waiting for you now.\"|7| |8|Francis laughed and flushed hotly. Claire noted the flush and wondered at it. Had she indeed hit upon the real point? Was that the reason that he was so anxious to get back to Paris? The thought struck a chill through her gaiety. She did not want to be suspicious, but what was the cause of that tell-tale flush? He was not a man easily disconcerted; then why so to-night? But her companion talked on with such innocent composure that she believed herself mistaken as to the reason for his momentary confusion. Someone cried gayly across the table to her:|8| |9|\"Oh, Miss Claire, you will not dare to talk with such little awe to our friend when he comes back with his ribbons and his medals. Why, we shall all have to bow to you, Frank!\"|9| |10|\"You 're wronging me, Esterton,\"|10| |11|said Francis.|11| |12|\"No foreign decoration could ever be to me as much as the flower of approval from the fair women of my own State.\"|12| |13|\"Hear!\" cried the ladies.|13| |14|\"Trust artists and poets to pay pretty compliments, and this wily friend of mine pays his at my expense.\"|14| |15|\"A good bit of generalship, that, Frank,\"|15| |16|an old military man broke in.|16| |17|\"Esterton opened the breach and you at once galloped in. That 's the highest art of war.\"|17| |18|Claire was looking at her companion. Had he meant the approval of the women, or was it one woman that he cared for? Had the speech had a hidden meaning for her? She could never tell. She could not understand this man who had been so much to her for so long, and yet did not seem to know it; who was full of romance and fire and passion, and yet looked at her beauty with the eyes of a mere comrade. She sighed as she rose with the rest of the women to leave the table. The men lingered over their cigars. The wine was old and the stories new. What more could they ask? There was a strong glow in Francis Oakley's face, and his laugh was frequent and ringing. Some discussion came up which sent him running up to his room for a bit of evidence. When he came down it was not to come directly to the dining-room. He paused in the hall and despatched a servant to bring his brother to him. Maurice found him standing weakly against the railing of the stairs. Something in his air impressed his brother strangely.|18| |19|\"What is it, Francis?\"|19|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Francis Oakley\",\n \"3\": \"The Detective\",\n \"4\": \"Francis Oakley\",\n \"5\": \"Claire Lessing\",\n \"6\": \"Francis Oakley\",\n \"7\": \"Claire Lessing\",\n \"8\": \"No speaker\",\n \"9\": \"Esterton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 19 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Francis Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Francis Oakley\",\n \"5\": \"Claire Lessing\",\n \"6\": \"Francis Oakley\",\n \"7\": \"Claire Lessing\",\n \"8\": \"No speaker\",\n \"9\": \"Esterton\",\n \"10\": \"Francis Oakley\",\n \"11\": \"No speaker\",\n \"12\": \"Francis Oakley\",\n \"13\": \"No speaker\",\n \"14\": \"Esterton\",\n \"15\": \"An Old Military Man\",\n \"16\": \"No speaker\",\n \"17\": \"An Old Military Man\",\n \"18\": \"No speaker\",\n \"19\": \"Maurice Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Francis Oakley",
"3": "No speaker",
"4": "Francis Oakley",
"5": "Claire Lessing",
"6": "Francis Oakley",
"7": "Claire Lessing",
"8": "No speaker",
"9": "Esterton",
"10": "Francis Oakley",
"11": "No speaker",
"12": "Francis Oakley",
"13": "No speaker",
"14": "Esterton",
"15": "An Old Military Man",
"16": "No speaker",
"17": "An Old Military Man",
"18": "No speaker",
"19": "Maurice Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"That is the part that usually falls to a woman's lot. I have no doubt that some dark-eyed mademoiselle is waiting for you now.\"|1| |2|Francis laughed and flushed hotly. Claire noted the flush and wondered at it. Had she indeed hit upon the real point? Was that the reason that he was so anxious to get back to Paris? The thought struck a chill through her gaiety. She did not want to be suspicious, but what was the cause of that tell-tale flush? He was not a man easily disconcerted; then why so to-night? But her companion talked on with such innocent composure that she believed herself mistaken as to the reason for his momentary confusion. Someone cried gayly across the table to her:|2| |3|\"Oh, Miss Claire, you will not dare to talk with such little awe to our friend when he comes back with his ribbons and his medals. Why, we shall all have to bow to you, Frank!\"|3| |4|\"You 're wronging me, Esterton,\"|4| |5|said Francis.|5| |6|\"No foreign decoration could ever be to me as much as the flower of approval from the fair women of my own State.\"|6| |7|\"Hear!\" cried the ladies.|7| |8|\"Trust artists and poets to pay pretty compliments, and this wily friend of mine pays his at my expense.\"|8| |9|\"A good bit of generalship, that, Frank,\"|9| |10|an old military man broke in.|10| |11|\"Esterton opened the breach and you at once galloped in. That 's the highest art of war.\"|11| |12|Claire was looking at her companion. Had he meant the approval of the women, or was it one woman that he cared for? Had the speech had a hidden meaning for her? She could never tell. She could not understand this man who had been so much to her for so long, and yet did not seem to know it; who was full of romance and fire and passion, and yet looked at her beauty with the eyes of a mere comrade. She sighed as she rose with the rest of the women to leave the table. The men lingered over their cigars. The wine was old and the stories new. What more could they ask? There was a strong glow in Francis Oakley's face, and his laugh was frequent and ringing. Some discussion came up which sent him running up to his room for a bit of evidence. When he came down it was not to come directly to the dining-room. He paused in the hall and despatched a servant to bring his brother to him. Maurice found him standing weakly against the railing of the stairs. Something in his air impressed his brother strangely.|12| |13|\"What is it, Francis?\"|13| |14|he questioned, hurrying to him.|14| |15|\"I have just discovered a considerable loss,\"|15| |16|was the reply in a grieved voice.|16| |17|\"If it is no worse than loss, I am glad; but what is it?\"|17| |18|\"Every cent of money that I had to secure my letter of credit is gone from my bureau.\"|18| |19|\"What? When did it disappear?\"|19| |20|\"I went to my bureau to-night for something and found the money gone; then I remembered that when I opened it two days ago I must have left the key in the lock, as I found it to-night.\"|20| |21|\"It 's a bad business, but don't let 's talk of it now. Come, let 's go back to our guests. Don't look so cut up about it, Frank, old man. It is n't as bad as it might be, and you must n't show a gloomy face to-night.\"|21|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"No speaker\",\n \"3\": \"Esterton\",\n \"4\": \"Francis Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Francis Oakley\",\n \"7\": \"No speaker\",\n \"8\": \"Kit Hamilton\",\n \"9\": \"An Old Military Man\",\n \"10\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 21 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"That is the part that usually falls to a woman's lot. I have no doubt that some dark-eyed mademoiselle is waiting for you now.\"|1| |2|Francis laughed and flushed hotly. Claire noted the flush and wondered at it. Had she indeed hit upon the real point? Was that the reason that he was so anxious to get back to Paris? The thought struck a chill through her gaiety. She did not want to be suspicious, but what was the cause of that tell-tale flush? He was not a man easily disconcerted; then why so to-night? But her companion talked on with such innocent composure that she believed herself mistaken as to the reason for his momentary confusion. Someone cried gayly across the table to her:|2| |3|\"Oh, Miss Claire, you will not dare to talk with such little awe to our friend when he comes back with his ribbons and his medals. Why, we shall all have to bow to you, Frank!\"|3| |4|\"You 're wronging me, Esterton,\"|4| |5|said Francis.|5| |6|\"No foreign decoration could ever be to me as much as the flower of approval from the fair women of my own State.\"|6| |7|\"Hear!\" cried the ladies.|7| |8|\"Trust artists and poets to pay pretty compliments, and this wily friend of mine pays his at my expense.\"|8| |9|\"A good bit of generalship, that, Frank,\"|9| |10|an old military man broke in.|10| |11|\"Esterton opened the breach and you at once galloped in. That 's the highest art of war.\"|11| |12|Claire was looking at her companion. Had he meant the approval of the women, or was it one woman that he cared for? Had the speech had a hidden meaning for her? She could never tell. She could not understand this man who had been so much to her for so long, and yet did not seem to know it; who was full of romance and fire and passion, and yet looked at her beauty with the eyes of a mere comrade. She sighed as she rose with the rest of the women to leave the table. The men lingered over their cigars. The wine was old and the stories new. What more could they ask? There was a strong glow in Francis Oakley's face, and his laugh was frequent and ringing. Some discussion came up which sent him running up to his room for a bit of evidence. When he came down it was not to come directly to the dining-room. He paused in the hall and despatched a servant to bring his brother to him. Maurice found him standing weakly against the railing of the stairs. Something in his air impressed his brother strangely.|12| |13|\"What is it, Francis?\"|13| |14|he questioned, hurrying to him.|14| |15|\"I have just discovered a considerable loss,\"|15| |16|was the reply in a grieved voice.|16| |17|\"If it is no worse than loss, I am glad; but what is it?\"|17| |18|\"Every cent of money that I had to secure my letter of credit is gone from my bureau.\"|18| |19|\"What? When did it disappear?\"|19| |20|\"I went to my bureau to-night for something and found the money gone; then I remembered that when I opened it two days ago I must have left the key in the lock, as I found it to-night.\"|20| |21|\"It 's a bad business, but don't let 's talk of it now. Come, let 's go back to our guests. Don't look so cut up about it, Frank, old man. It is n't as bad as it might be, and you must n't show a gloomy face to-night.\"|21|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"No speaker\",\n \"3\": \"Esterton\",\n \"4\": \"Francis Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Francis Oakley\",\n \"7\": \"No speaker\",\n \"8\": \"Kit Hamilton\",\n \"9\": \"An Old Military Man\",\n \"10\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 21 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Claire Lessing\",\n \"2\": \"No speaker\",\n \"3\": \"Esterton\",\n \"4\": \"Francis Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Francis Oakley\",\n \"7\": \"No speaker\",\n \"8\": \"Esterton\",\n \"9\": \"An Old Military Man\",\n \"10\": \"No speaker\",\n \"11\": \"An Old Military Man\",\n \"12\": \"No speaker\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"No speaker\",\n \"15\": \"Francis Oakley\",\n \"16\": \"No speaker\",\n \"17\": \"Maurice Oakley\",\n \"18\": \"Francis Oakley\",\n \"19\": \"Maurice Oakley\",\n \"20\": \"Francis Oakley\",\n \"21\": \"Maurice Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Claire Lessing",
"2": "No speaker",
"3": "Esterton",
"4": "Francis Oakley",
"5": "No speaker",
"6": "Francis Oakley",
"7": "No speaker",
"8": "Esterton",
"9": "An Old Military Man",
"10": "No speaker",
"11": "An Old Military Man",
"12": "No speaker",
"13": "Maurice Oakley",
"14": "No speaker",
"15": "Francis Oakley",
"16": "No speaker",
"17": "Maurice Oakley",
"18": "Francis Oakley",
"19": "Maurice Oakley",
"20": "Francis Oakley",
"21": "Maurice Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Claire was looking at her companion. Had he meant the approval of the women, or was it one woman that he cared for? Had the speech had a hidden meaning for her? She could never tell. She could not understand this man who had been so much to her for so long, and yet did not seem to know it; who was full of romance and fire and passion, and yet looked at her beauty with the eyes of a mere comrade. She sighed as she rose with the rest of the women to leave the table. The men lingered over their cigars. The wine was old and the stories new. What more could they ask? There was a strong glow in Francis Oakley's face, and his laugh was frequent and ringing. Some discussion came up which sent him running up to his room for a bit of evidence. When he came down it was not to come directly to the dining-room. He paused in the hall and despatched a servant to bring his brother to him. Maurice found him standing weakly against the railing of the stairs. Something in his air impressed his brother strangely.|1| |2|\"What is it, Francis?\"|2| |3|he questioned, hurrying to him.|3| |4|\"I have just discovered a considerable loss,\"|4| |5|was the reply in a grieved voice.|5| |6|\"If it is no worse than loss, I am glad; but what is it?\"|6| |7|\"Every cent of money that I had to secure my letter of credit is gone from my bureau.\"|7| |8|\"What? When did it disappear?\"|8| |9|\"I went to my bureau to-night for something and found the money gone; then I remembered that when I opened it two days ago I must have left the key in the lock, as I found it to-night.\"|9| |10|\"It 's a bad business, but don't let 's talk of it now. Come, let 's go back to our guests. Don't look so cut up about it, Frank, old man. It is n't as bad as it might be, and you must n't show a gloomy face to-night.\"|10| |11|The younger man pulled himself together, and re-entered the room with his brother. In a few minutes his gaiety had apparently returned. When they rejoined the ladies, even their quick eyes could detect in his demeanour no trace of the annoying thing that had occurred. His face did not change until, with a wealth of fervent congratulations, he had bade the last guest good-bye. Then he turned to his brother.|11| |12|\"When Leslie is in bed, come into the library. I will wait for you there,\"|12| |13|he said, and walked sadly away.|13| |14|\"Poor, foolish Frank,\"|14| |15|mused his brother,|15| |16|\"as if the loss could matter to him.\"|16| |17|III THE THEFT Frank was very pale when his brother finally came to him at the appointed place. He sat limply in his chair, his eyes fixed upon the floor.|17| |18|\"Come, brace up now, Frank, and tell me about it.\"|18| |19|At the sound of his brother's voice he started and looked up as though he had been dreaming.|19| |20|\"I don't know what you 'll think of me, Maurice,\"|20| |21|he said;|21| |22|\"I have never before been guilty of such criminal carelessness.\"|22| |23|\"Don't stop to accuse yourself. Our only hope in this matter lies in prompt action. Where was the money?\"|23|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Francis Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"Maurice Oakley\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 23 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Claire was looking at her companion. Had he meant the approval of the women, or was it one woman that he cared for? Had the speech had a hidden meaning for her? She could never tell. She could not understand this man who had been so much to her for so long, and yet did not seem to know it; who was full of romance and fire and passion, and yet looked at her beauty with the eyes of a mere comrade. She sighed as she rose with the rest of the women to leave the table. The men lingered over their cigars. The wine was old and the stories new. What more could they ask? There was a strong glow in Francis Oakley's face, and his laugh was frequent and ringing. Some discussion came up which sent him running up to his room for a bit of evidence. When he came down it was not to come directly to the dining-room. He paused in the hall and despatched a servant to bring his brother to him. Maurice found him standing weakly against the railing of the stairs. Something in his air impressed his brother strangely.|1| |2|\"What is it, Francis?\"|2| |3|he questioned, hurrying to him.|3| |4|\"I have just discovered a considerable loss,\"|4| |5|was the reply in a grieved voice.|5| |6|\"If it is no worse than loss, I am glad; but what is it?\"|6| |7|\"Every cent of money that I had to secure my letter of credit is gone from my bureau.\"|7| |8|\"What? When did it disappear?\"|8| |9|\"I went to my bureau to-night for something and found the money gone; then I remembered that when I opened it two days ago I must have left the key in the lock, as I found it to-night.\"|9| |10|\"It 's a bad business, but don't let 's talk of it now. Come, let 's go back to our guests. Don't look so cut up about it, Frank, old man. It is n't as bad as it might be, and you must n't show a gloomy face to-night.\"|10| |11|The younger man pulled himself together, and re-entered the room with his brother. In a few minutes his gaiety had apparently returned. When they rejoined the ladies, even their quick eyes could detect in his demeanour no trace of the annoying thing that had occurred. His face did not change until, with a wealth of fervent congratulations, he had bade the last guest good-bye. Then he turned to his brother.|11| |12|\"When Leslie is in bed, come into the library. I will wait for you there,\"|12| |13|he said, and walked sadly away.|13| |14|\"Poor, foolish Frank,\"|14| |15|mused his brother,|15| |16|\"as if the loss could matter to him.\"|16| |17|III THE THEFT Frank was very pale when his brother finally came to him at the appointed place. He sat limply in his chair, his eyes fixed upon the floor.|17| |18|\"Come, brace up now, Frank, and tell me about it.\"|18| |19|At the sound of his brother's voice he started and looked up as though he had been dreaming.|19| |20|\"I don't know what you 'll think of me, Maurice,\"|20| |21|he said;|21| |22|\"I have never before been guilty of such criminal carelessness.\"|22| |23|\"Don't stop to accuse yourself. Our only hope in this matter lies in prompt action. Where was the money?\"|23|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Francis Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"Maurice Oakley\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 23 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Francis Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"Maurice Oakley\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"No speaker\",\n \"12\": \"Francis Oakley\",\n \"13\": \"No speaker\",\n \"14\": \"Maurice Oakley\",\n \"15\": \"No speaker\",\n \"16\": \"Maurice Oakley\",\n \"17\": \"No speaker\",\n \"18\": \"Maurice Oakley\",\n \"19\": \"No speaker\",\n \"20\": \"Francis Oakley\",\n \"21\": \"No speaker\",\n \"22\": \"Francis Oakley\",\n \"23\": \"Maurice Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Maurice Oakley",
"3": "No speaker",
"4": "Francis Oakley",
"5": "No speaker",
"6": "Maurice Oakley",
"7": "Francis Oakley",
"8": "Maurice Oakley",
"9": "Francis Oakley",
"10": "Maurice Oakley",
"11": "No speaker",
"12": "Francis Oakley",
"13": "No speaker",
"14": "Maurice Oakley",
"15": "No speaker",
"16": "Maurice Oakley",
"17": "No speaker",
"18": "Maurice Oakley",
"19": "No speaker",
"20": "Francis Oakley",
"21": "No speaker",
"22": "Francis Oakley",
"23": "Maurice Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I went to my bureau to-night for something and found the money gone; then I remembered that when I opened it two days ago I must have left the key in the lock, as I found it to-night.\"|1| |2|\"It 's a bad business, but don't let 's talk of it now. Come, let 's go back to our guests. Don't look so cut up about it, Frank, old man. It is n't as bad as it might be, and you must n't show a gloomy face to-night.\"|2| |3|The younger man pulled himself together, and re-entered the room with his brother. In a few minutes his gaiety had apparently returned. When they rejoined the ladies, even their quick eyes could detect in his demeanour no trace of the annoying thing that had occurred. His face did not change until, with a wealth of fervent congratulations, he had bade the last guest good-bye. Then he turned to his brother.|3| |4|\"When Leslie is in bed, come into the library. I will wait for you there,\"|4| |5|he said, and walked sadly away.|5| |6|\"Poor, foolish Frank,\"|6| |7|mused his brother,|7| |8|\"as if the loss could matter to him.\"|8| |9|III THE THEFT Frank was very pale when his brother finally came to him at the appointed place. He sat limply in his chair, his eyes fixed upon the floor.|9| |10|\"Come, brace up now, Frank, and tell me about it.\"|10| |11|At the sound of his brother's voice he started and looked up as though he had been dreaming.|11| |12|\"I don't know what you 'll think of me, Maurice,\"|12| |13|he said;|13| |14|\"I have never before been guilty of such criminal carelessness.\"|14| |15|\"Don't stop to accuse yourself. Our only hope in this matter lies in prompt action. Where was the money?\"|15| |16|\"In the oak cabinet and lying in the bureau drawer. Such a thing as a theft seemed so foreign to this place that I was never very particular about the box. But I did not know until I went to it to-night that the last time I had opened it I had forgotten to take the key out. It all flashed over me in a second when I saw it shining there. Even then I did n't suspect anything. You don't know how I felt to open that cabinet and find all my money gone. It 's awful.\"|16| |17|\"Don't worry. How much was there in all?\"|17| |18|\"Nine hundred and eighty-six dollars, most of which, I am ashamed to say, I had accepted from you.\"|18| |19|\"You have no right to talk that way, Frank; you know I do not begrudge a cent you want. I have never felt that my father did quite right in leaving me the bulk of the fortune; but we won't discuss that now. What I want you to understand, though, is that the money is yours as well as mine, and you are always welcome to it.\"|19| |20|The artist shook his head.|20| |21|\"No, Maurice,\"|21| |22|he said,|22| |23|\"I can accept no more from you. I have already used up all my own money and too much of yours in this hopeless fight. I don't suppose I was ever cut out for an artist, or I 'd have done something really notable in this time, and would not be a burden upon those who care for me. No, I 'll give up going to Paris and find some work to do.\"|23| |24|\"Frank, Frank, be silent. This is nonsense, Give up your art? You shall not do it. You shall go to Paris as usual. Leslie and I have perfect faith in you. You shall not give up on account of this misfortune. What are the few paltry dollars to me or to you?\"|24|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Kitty Hamilton\",\n \"4\": \"Francis Oakley\",\n \"5\": \"Minty Brown\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"Maurice Oakley\",\n \"9\": \"Martin\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"No speaker\",\n \"12\": \"Francis Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 24 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I went to my bureau to-night for something and found the money gone; then I remembered that when I opened it two days ago I must have left the key in the lock, as I found it to-night.\"|1| |2|\"It 's a bad business, but don't let 's talk of it now. Come, let 's go back to our guests. Don't look so cut up about it, Frank, old man. It is n't as bad as it might be, and you must n't show a gloomy face to-night.\"|2| |3|The younger man pulled himself together, and re-entered the room with his brother. In a few minutes his gaiety had apparently returned. When they rejoined the ladies, even their quick eyes could detect in his demeanour no trace of the annoying thing that had occurred. His face did not change until, with a wealth of fervent congratulations, he had bade the last guest good-bye. Then he turned to his brother.|3| |4|\"When Leslie is in bed, come into the library. I will wait for you there,\"|4| |5|he said, and walked sadly away.|5| |6|\"Poor, foolish Frank,\"|6| |7|mused his brother,|7| |8|\"as if the loss could matter to him.\"|8| |9|III THE THEFT Frank was very pale when his brother finally came to him at the appointed place. He sat limply in his chair, his eyes fixed upon the floor.|9| |10|\"Come, brace up now, Frank, and tell me about it.\"|10| |11|At the sound of his brother's voice he started and looked up as though he had been dreaming.|11| |12|\"I don't know what you 'll think of me, Maurice,\"|12| |13|he said;|13| |14|\"I have never before been guilty of such criminal carelessness.\"|14| |15|\"Don't stop to accuse yourself. Our only hope in this matter lies in prompt action. Where was the money?\"|15| |16|\"In the oak cabinet and lying in the bureau drawer. Such a thing as a theft seemed so foreign to this place that I was never very particular about the box. But I did not know until I went to it to-night that the last time I had opened it I had forgotten to take the key out. It all flashed over me in a second when I saw it shining there. Even then I did n't suspect anything. You don't know how I felt to open that cabinet and find all my money gone. It 's awful.\"|16| |17|\"Don't worry. How much was there in all?\"|17| |18|\"Nine hundred and eighty-six dollars, most of which, I am ashamed to say, I had accepted from you.\"|18| |19|\"You have no right to talk that way, Frank; you know I do not begrudge a cent you want. I have never felt that my father did quite right in leaving me the bulk of the fortune; but we won't discuss that now. What I want you to understand, though, is that the money is yours as well as mine, and you are always welcome to it.\"|19| |20|The artist shook his head.|20| |21|\"No, Maurice,\"|21| |22|he said,|22| |23|\"I can accept no more from you. I have already used up all my own money and too much of yours in this hopeless fight. I don't suppose I was ever cut out for an artist, or I 'd have done something really notable in this time, and would not be a burden upon those who care for me. No, I 'll give up going to Paris and find some work to do.\"|23| |24|\"Frank, Frank, be silent. This is nonsense, Give up your art? You shall not do it. You shall go to Paris as usual. Leslie and I have perfect faith in you. You shall not give up on account of this misfortune. What are the few paltry dollars to me or to you?\"|24|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Kitty Hamilton\",\n \"4\": \"Francis Oakley\",\n \"5\": \"Minty Brown\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"Maurice Oakley\",\n \"9\": \"Martin\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"No speaker\",\n \"12\": \"Francis Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 24 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Francis Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"No speaker\",\n \"8\": \"Maurice Oakley\",\n \"9\": \"No speaker\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"No speaker\",\n \"12\": \"Francis Oakley\",\n \"13\": \"No speaker\",\n \"14\": \"Francis Oakley\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"Francis Oakley\",\n \"17\": \"Maurice Oakley\",\n \"18\": \"Francis Oakley\",\n \"19\": \"Maurice Oakley\",\n \"20\": \"No speaker\",\n \"21\": \"Francis Oakley\",\n \"22\": \"No speaker\",\n \"23\": \"Francis Oakley\",\n \"24\": \"Maurice Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Francis Oakley",
"2": "Maurice Oakley",
"3": "No speaker",
"4": "Francis Oakley",
"5": "No speaker",
"6": "Maurice Oakley",
"7": "No speaker",
"8": "Maurice Oakley",
"9": "No speaker",
"10": "Maurice Oakley",
"11": "No speaker",
"12": "Francis Oakley",
"13": "No speaker",
"14": "Francis Oakley",
"15": "Maurice Oakley",
"16": "Francis Oakley",
"17": "Maurice Oakley",
"18": "Francis Oakley",
"19": "Maurice Oakley",
"20": "No speaker",
"21": "Francis Oakley",
"22": "No speaker",
"23": "Francis Oakley",
"24": "Maurice Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I have never before been guilty of such criminal carelessness.\"|1| |2|\"Don't stop to accuse yourself. Our only hope in this matter lies in prompt action. Where was the money?\"|2| |3|\"In the oak cabinet and lying in the bureau drawer. Such a thing as a theft seemed so foreign to this place that I was never very particular about the box. But I did not know until I went to it to-night that the last time I had opened it I had forgotten to take the key out. It all flashed over me in a second when I saw it shining there. Even then I did n't suspect anything. You don't know how I felt to open that cabinet and find all my money gone. It 's awful.\"|3| |4|\"Don't worry. How much was there in all?\"|4| |5|\"Nine hundred and eighty-six dollars, most of which, I am ashamed to say, I had accepted from you.\"|5| |6|\"You have no right to talk that way, Frank; you know I do not begrudge a cent you want. I have never felt that my father did quite right in leaving me the bulk of the fortune; but we won't discuss that now. What I want you to understand, though, is that the money is yours as well as mine, and you are always welcome to it.\"|6| |7|The artist shook his head.|7| |8|\"No, Maurice,\"|8| |9|he said,|9| |10|\"I can accept no more from you. I have already used up all my own money and too much of yours in this hopeless fight. I don't suppose I was ever cut out for an artist, or I 'd have done something really notable in this time, and would not be a burden upon those who care for me. No, I 'll give up going to Paris and find some work to do.\"|10| |11|\"Frank, Frank, be silent. This is nonsense, Give up your art? You shall not do it. You shall go to Paris as usual. Leslie and I have perfect faith in you. You shall not give up on account of this misfortune. What are the few paltry dollars to me or to you?\"|11| |12|\"Nothing, nothing, I know. It is n't the money, it 's the principle of the thing.\"|12| |13|\"Principle be hanged! You go back to Paris to-morrow, just as you had planned. I do not ask it, I command it.\"|13| |14|The younger man looked up quickly.|14| |15|\"Pardon me, Frank, for using those words and at such a time. You know how near my heart your success lies, and to hear you talk of giving it all up makes me forget myself. Forgive me, but you 'll go back, won't you?\"|15| |16|\"You are too good, Maurice,\"|16| |17|said Frank impulsively,|17| |18|\"and I will go back, and I 'll try to redeem myself.\"|18| |19|\"There is no redeeming of yourself to do, my dear boy; all you have to do is to mature yourself. We 'll have a detective down and see what we can do in this matter.\"|19| |20|Frank gave a scarcely perceptible start.|20| |21|\"I do so hate such things,\"|21| |22|he said;|22|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"No speaker\",\n \"8\": \"Francis Oakley\",\n \"9\": \"No speaker\",\n \"10\": \"Fannie Hamilton\",\n \"11\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 22 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I have never before been guilty of such criminal carelessness.\"|1| |2|\"Don't stop to accuse yourself. Our only hope in this matter lies in prompt action. Where was the money?\"|2| |3|\"In the oak cabinet and lying in the bureau drawer. Such a thing as a theft seemed so foreign to this place that I was never very particular about the box. But I did not know until I went to it to-night that the last time I had opened it I had forgotten to take the key out. It all flashed over me in a second when I saw it shining there. Even then I did n't suspect anything. You don't know how I felt to open that cabinet and find all my money gone. It 's awful.\"|3| |4|\"Don't worry. How much was there in all?\"|4| |5|\"Nine hundred and eighty-six dollars, most of which, I am ashamed to say, I had accepted from you.\"|5| |6|\"You have no right to talk that way, Frank; you know I do not begrudge a cent you want. I have never felt that my father did quite right in leaving me the bulk of the fortune; but we won't discuss that now. What I want you to understand, though, is that the money is yours as well as mine, and you are always welcome to it.\"|6| |7|The artist shook his head.|7| |8|\"No, Maurice,\"|8| |9|he said,|9| |10|\"I can accept no more from you. I have already used up all my own money and too much of yours in this hopeless fight. I don't suppose I was ever cut out for an artist, or I 'd have done something really notable in this time, and would not be a burden upon those who care for me. No, I 'll give up going to Paris and find some work to do.\"|10| |11|\"Frank, Frank, be silent. This is nonsense, Give up your art? You shall not do it. You shall go to Paris as usual. Leslie and I have perfect faith in you. You shall not give up on account of this misfortune. What are the few paltry dollars to me or to you?\"|11| |12|\"Nothing, nothing, I know. It is n't the money, it 's the principle of the thing.\"|12| |13|\"Principle be hanged! You go back to Paris to-morrow, just as you had planned. I do not ask it, I command it.\"|13| |14|The younger man looked up quickly.|14| |15|\"Pardon me, Frank, for using those words and at such a time. You know how near my heart your success lies, and to hear you talk of giving it all up makes me forget myself. Forgive me, but you 'll go back, won't you?\"|15| |16|\"You are too good, Maurice,\"|16| |17|said Frank impulsively,|17| |18|\"and I will go back, and I 'll try to redeem myself.\"|18| |19|\"There is no redeeming of yourself to do, my dear boy; all you have to do is to mature yourself. We 'll have a detective down and see what we can do in this matter.\"|19| |20|Frank gave a scarcely perceptible start.|20| |21|\"I do so hate such things,\"|21| |22|he said;|22|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"No speaker\",\n \"8\": \"Francis Oakley\",\n \"9\": \"No speaker\",\n \"10\": \"Fannie Hamilton\",\n \"11\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 22 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"No speaker\",\n \"8\": \"Francis Oakley\",\n \"9\": \"No speaker\",\n \"10\": \"Francis Oakley\",\n \"11\": \"Maurice Oakley\",\n \"12\": \"Francis Oakley\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"No speaker\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"Francis Oakley\",\n \"17\": \"No speaker\",\n \"18\": \"Francis Oakley\",\n \"19\": \"Maurice Oakley\",\n \"20\": \"No speaker\",\n \"21\": \"Francis Oakley\",\n \"22\": \"No speaker\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Francis Oakley",
"2": "Maurice Oakley",
"3": "Francis Oakley",
"4": "Maurice Oakley",
"5": "Francis Oakley",
"6": "Maurice Oakley",
"7": "No speaker",
"8": "Francis Oakley",
"9": "No speaker",
"10": "Francis Oakley",
"11": "Maurice Oakley",
"12": "Francis Oakley",
"13": "Maurice Oakley",
"14": "No speaker",
"15": "Maurice Oakley",
"16": "Francis Oakley",
"17": "No speaker",
"18": "Francis Oakley",
"19": "Maurice Oakley",
"20": "No speaker",
"21": "Francis Oakley",
"22": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I can accept no more from you. I have already used up all my own money and too much of yours in this hopeless fight. I don't suppose I was ever cut out for an artist, or I 'd have done something really notable in this time, and would not be a burden upon those who care for me. No, I 'll give up going to Paris and find some work to do.\"|1| |2|\"Frank, Frank, be silent. This is nonsense, Give up your art? You shall not do it. You shall go to Paris as usual. Leslie and I have perfect faith in you. You shall not give up on account of this misfortune. What are the few paltry dollars to me or to you?\"|2| |3|\"Nothing, nothing, I know. It is n't the money, it 's the principle of the thing.\"|3| |4|\"Principle be hanged! You go back to Paris to-morrow, just as you had planned. I do not ask it, I command it.\"|4| |5|The younger man looked up quickly.|5| |6|\"Pardon me, Frank, for using those words and at such a time. You know how near my heart your success lies, and to hear you talk of giving it all up makes me forget myself. Forgive me, but you 'll go back, won't you?\"|6| |7|\"You are too good, Maurice,\"|7| |8|said Frank impulsively,|8| |9|\"and I will go back, and I 'll try to redeem myself.\"|9| |10|\"There is no redeeming of yourself to do, my dear boy; all you have to do is to mature yourself. We 'll have a detective down and see what we can do in this matter.\"|10| |11|Frank gave a scarcely perceptible start.|11| |12|\"I do so hate such things,\"|12| |13|he said;|13| |14|\"and, anyway, what 's the use? They 'll never find out where the stuff went to.\"|14| |15|\"Oh, you need not be troubled in this matter. I know that such things must jar on your delicate nature. But I am a plain hard-headed business man, and I can attend to it without distaste.\"|15| |16|\"But I hate to shove everything unpleasant off on you, It 's what I 've been doing all my life.\"|16| |17|\"Never mind that. Now tell me, who was the last person you remember in your room?\"|17| |18|\"Oh, Esterton was up there awhile before dinner. But he was not alone two minutes.\"|18| |19|\"Why, he would be out of the question anyway. Who else?\"|19| |20|\"Hamilton was up yesterday.\"|20| |21|\"Alone?\"|21| |22|\"Yes, for a while. His boy, Joe, shaved me, and Jack was up for a while brushing my clothes.\"|22| |23|\"Then it lies between Jack and Joe?\"|23| |24|Frank hesitated.|24| |25|\"Neither one was left alone, though.\"|25| |26|\"Then only Hamilton and Esterton have been alone for any time in your room since you left the key in your cabinet?\"|26| |27|\"Those are the only ones of whom I know anything. What others went in during the day, of course, I know nothing about. It could n't have been either Esterton or Hamilton.\"|27| |28|\"Not Esterton, no.\"|28| |29|\"And Hamilton is beyond suspicion.\"|29| |30|\"No servant is beyond suspicion.\"|30| |31|\"I would trust Hamilton anywhere,\"|31| |32|said Frank stoutly,|32| |33|\"and with anything.\"|33| |34|\"That 's noble of you, Frank, and I would have done the same, but we must remember that we are not in the old days now. The negroes are becoming less faithful and less contented, and more 's the pity, and a deal more ambitious, although I have never had any unfaithfulness on the part of Hamilton to complain of before.\"|34| |35|\"Then do not condemn him now.\"|35|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Minty Brown\",\n \"2\": \"Sadness\",\n \"3\": \"Minty Brown\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Leslie\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"No speaker\",\n \"12\": \"Francis Oakley\",\n \"13\": \"Kit Hamilton\",\n \"14\": \"Francis Oakley\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"The Detective\",\n \"17\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 35 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I can accept no more from you. I have already used up all my own money and too much of yours in this hopeless fight. I don't suppose I was ever cut out for an artist, or I 'd have done something really notable in this time, and would not be a burden upon those who care for me. No, I 'll give up going to Paris and find some work to do.\"|1| |2|\"Frank, Frank, be silent. This is nonsense, Give up your art? You shall not do it. You shall go to Paris as usual. Leslie and I have perfect faith in you. You shall not give up on account of this misfortune. What are the few paltry dollars to me or to you?\"|2| |3|\"Nothing, nothing, I know. It is n't the money, it 's the principle of the thing.\"|3| |4|\"Principle be hanged! You go back to Paris to-morrow, just as you had planned. I do not ask it, I command it.\"|4| |5|The younger man looked up quickly.|5| |6|\"Pardon me, Frank, for using those words and at such a time. You know how near my heart your success lies, and to hear you talk of giving it all up makes me forget myself. Forgive me, but you 'll go back, won't you?\"|6| |7|\"You are too good, Maurice,\"|7| |8|said Frank impulsively,|8| |9|\"and I will go back, and I 'll try to redeem myself.\"|9| |10|\"There is no redeeming of yourself to do, my dear boy; all you have to do is to mature yourself. We 'll have a detective down and see what we can do in this matter.\"|10| |11|Frank gave a scarcely perceptible start.|11| |12|\"I do so hate such things,\"|12| |13|he said;|13| |14|\"and, anyway, what 's the use? They 'll never find out where the stuff went to.\"|14| |15|\"Oh, you need not be troubled in this matter. I know that such things must jar on your delicate nature. But I am a plain hard-headed business man, and I can attend to it without distaste.\"|15| |16|\"But I hate to shove everything unpleasant off on you, It 's what I 've been doing all my life.\"|16| |17|\"Never mind that. Now tell me, who was the last person you remember in your room?\"|17| |18|\"Oh, Esterton was up there awhile before dinner. But he was not alone two minutes.\"|18| |19|\"Why, he would be out of the question anyway. Who else?\"|19| |20|\"Hamilton was up yesterday.\"|20| |21|\"Alone?\"|21| |22|\"Yes, for a while. His boy, Joe, shaved me, and Jack was up for a while brushing my clothes.\"|22| |23|\"Then it lies between Jack and Joe?\"|23| |24|Frank hesitated.|24| |25|\"Neither one was left alone, though.\"|25| |26|\"Then only Hamilton and Esterton have been alone for any time in your room since you left the key in your cabinet?\"|26| |27|\"Those are the only ones of whom I know anything. What others went in during the day, of course, I know nothing about. It could n't have been either Esterton or Hamilton.\"|27| |28|\"Not Esterton, no.\"|28| |29|\"And Hamilton is beyond suspicion.\"|29| |30|\"No servant is beyond suspicion.\"|30| |31|\"I would trust Hamilton anywhere,\"|31| |32|said Frank stoutly,|32| |33|\"and with anything.\"|33| |34|\"That 's noble of you, Frank, and I would have done the same, but we must remember that we are not in the old days now. The negroes are becoming less faithful and less contented, and more 's the pity, and a deal more ambitious, although I have never had any unfaithfulness on the part of Hamilton to complain of before.\"|34| |35|\"Then do not condemn him now.\"|35|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Minty Brown\",\n \"2\": \"Sadness\",\n \"3\": \"Minty Brown\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Leslie\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"No speaker\",\n \"12\": \"Francis Oakley\",\n \"13\": \"Kit Hamilton\",\n \"14\": \"Francis Oakley\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"The Detective\",\n \"17\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 35 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"No speaker\",\n \"12\": \"Francis Oakley\",\n \"13\": \"No speaker\",\n \"14\": \"Francis Oakley\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"Francis Oakley\",\n \"17\": \"Maurice Oakley\",\n \"18\": \"Francis Oakley\",\n \"19\": \"Maurice Oakley\",\n \"20\": \"Francis Oakley\",\n \"21\": \"Maurice Oakley\",\n \"22\": \"Francis Oakley\",\n \"23\": \"Maurice Oakley\",\n \"24\": \"No speaker\",\n \"25\": \"Francis Oakley\",\n \"26\": \"Maurice Oakley\",\n \"27\": \"Francis Oakley\",\n \"28\": \"Maurice Oakley\",\n \"29\": \"Francis Oakley\",\n \"30\": \"Maurice Oakley\",\n \"31\": \"Francis Oakley\",\n \"32\": \"No speaker\",\n \"33\": \"Francis Oakley\",\n \"34\": \"Maurice Oakley\",\n \"35\": \"Francis Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Francis Oakley",
"2": "Maurice Oakley",
"3": "Francis Oakley",
"4": "Maurice Oakley",
"5": "No speaker",
"6": "Maurice Oakley",
"7": "Francis Oakley",
"8": "No speaker",
"9": "Francis Oakley",
"10": "Maurice Oakley",
"11": "No speaker",
"12": "Francis Oakley",
"13": "No speaker",
"14": "Francis Oakley",
"15": "Maurice Oakley",
"16": "Francis Oakley",
"17": "Maurice Oakley",
"18": "Francis Oakley",
"19": "Maurice Oakley",
"20": "Francis Oakley",
"21": "Maurice Oakley",
"22": "Francis Oakley",
"23": "Maurice Oakley",
"24": "No speaker",
"25": "Francis Oakley",
"26": "Maurice Oakley",
"27": "Francis Oakley",
"28": "Maurice Oakley",
"29": "Francis Oakley",
"30": "Maurice Oakley",
"31": "Francis Oakley",
"32": "No speaker",
"33": "Francis Oakley",
"34": "Maurice Oakley",
"35": "Francis Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I do so hate such things,\"|1| |2|he said;|2| |3|\"and, anyway, what 's the use? They 'll never find out where the stuff went to.\"|3| |4|\"Oh, you need not be troubled in this matter. I know that such things must jar on your delicate nature. But I am a plain hard-headed business man, and I can attend to it without distaste.\"|4| |5|\"But I hate to shove everything unpleasant off on you, It 's what I 've been doing all my life.\"|5| |6|\"Never mind that. Now tell me, who was the last person you remember in your room?\"|6| |7|\"Oh, Esterton was up there awhile before dinner. But he was not alone two minutes.\"|7| |8|\"Why, he would be out of the question anyway. Who else?\"|8| |9|\"Hamilton was up yesterday.\"|9| |10|\"Alone?\"|10| |11|\"Yes, for a while. His boy, Joe, shaved me, and Jack was up for a while brushing my clothes.\"|11| |12|\"Then it lies between Jack and Joe?\"|12| |13|Frank hesitated.|13| |14|\"Neither one was left alone, though.\"|14| |15|\"Then only Hamilton and Esterton have been alone for any time in your room since you left the key in your cabinet?\"|15| |16|\"Those are the only ones of whom I know anything. What others went in during the day, of course, I know nothing about. It could n't have been either Esterton or Hamilton.\"|16| |17|\"Not Esterton, no.\"|17| |18|\"And Hamilton is beyond suspicion.\"|18| |19|\"No servant is beyond suspicion.\"|19| |20|\"I would trust Hamilton anywhere,\"|20| |21|said Frank stoutly,|21| |22|\"and with anything.\"|22| |23|\"That 's noble of you, Frank, and I would have done the same, but we must remember that we are not in the old days now. The negroes are becoming less faithful and less contented, and more 's the pity, and a deal more ambitious, although I have never had any unfaithfulness on the part of Hamilton to complain of before.\"|23| |24|\"Then do not condemn him now.\"|24| |25|\"I shall not condemn any one until I have proof positive of his guilt or such clear circumstantial evidence that my reason is satisfied.\"|25| |26|\"I do not believe that you will ever have that against old Hamilton.\"|26| |27|\"This spirit of trust does you credit, Frank, and I very much hope that you may be right. But as soon as a negro like Hamilton learns the value of money and begins to earn it, at the same time he begins to covet some easy and rapid way of securing it. The old negro knew nothing of the value of money. When he stole, he stole hams and bacon and chickens. These were his immediate necessities and the things he valued. The present laughs at this tendency without knowing the cause. The present negro resents the laugh, and he has learned to value other things than those which satisfy his belly.\"|27| |28|Frank looked bored.|28| |29|\"But pardon me for boring you. I know you want to go to bed. Go and leave everything to me.\"|29| |30|The young man reluctantly withdrew, and Maurice went to the telephone and rung up the police station. As Maurice had said, he was a plain, hard-headed business man, and it took very few words for him to put the Chief of Police in possession of the principal facts of the case. A detective was detailed to take charge of the case, and was started immediately, so that he might be upon the ground as soon after the commission of the crime as possible. When he came he insisted that if he was to do anything he must question the robbed man and search his room at once. Oakley protested, but the detective was adamant. Even now the presence in the room of a man uninitiated into the mysteries of criminal methods might be destroying the last vestige of a really important clue. The master of the house had no alternative save to yield. Together they went to the artist's room. A light shone out through the crack under the door.|30| |31|\"I am sorry to disturb you again, Frank, but may we come in?\"|31|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"No speaker\",\n \"3\": \"Martin\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"Colonel Saunders\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"Francis Oakley\",\n \"12\": \"Kit Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Francis Oakley\",\n \"15\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 31 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I do so hate such things,\"|1| |2|he said;|2| |3|\"and, anyway, what 's the use? They 'll never find out where the stuff went to.\"|3| |4|\"Oh, you need not be troubled in this matter. I know that such things must jar on your delicate nature. But I am a plain hard-headed business man, and I can attend to it without distaste.\"|4| |5|\"But I hate to shove everything unpleasant off on you, It 's what I 've been doing all my life.\"|5| |6|\"Never mind that. Now tell me, who was the last person you remember in your room?\"|6| |7|\"Oh, Esterton was up there awhile before dinner. But he was not alone two minutes.\"|7| |8|\"Why, he would be out of the question anyway. Who else?\"|8| |9|\"Hamilton was up yesterday.\"|9| |10|\"Alone?\"|10| |11|\"Yes, for a while. His boy, Joe, shaved me, and Jack was up for a while brushing my clothes.\"|11| |12|\"Then it lies between Jack and Joe?\"|12| |13|Frank hesitated.|13| |14|\"Neither one was left alone, though.\"|14| |15|\"Then only Hamilton and Esterton have been alone for any time in your room since you left the key in your cabinet?\"|15| |16|\"Those are the only ones of whom I know anything. What others went in during the day, of course, I know nothing about. It could n't have been either Esterton or Hamilton.\"|16| |17|\"Not Esterton, no.\"|17| |18|\"And Hamilton is beyond suspicion.\"|18| |19|\"No servant is beyond suspicion.\"|19| |20|\"I would trust Hamilton anywhere,\"|20| |21|said Frank stoutly,|21| |22|\"and with anything.\"|22| |23|\"That 's noble of you, Frank, and I would have done the same, but we must remember that we are not in the old days now. The negroes are becoming less faithful and less contented, and more 's the pity, and a deal more ambitious, although I have never had any unfaithfulness on the part of Hamilton to complain of before.\"|23| |24|\"Then do not condemn him now.\"|24| |25|\"I shall not condemn any one until I have proof positive of his guilt or such clear circumstantial evidence that my reason is satisfied.\"|25| |26|\"I do not believe that you will ever have that against old Hamilton.\"|26| |27|\"This spirit of trust does you credit, Frank, and I very much hope that you may be right. But as soon as a negro like Hamilton learns the value of money and begins to earn it, at the same time he begins to covet some easy and rapid way of securing it. The old negro knew nothing of the value of money. When he stole, he stole hams and bacon and chickens. These were his immediate necessities and the things he valued. The present laughs at this tendency without knowing the cause. The present negro resents the laugh, and he has learned to value other things than those which satisfy his belly.\"|27| |28|Frank looked bored.|28| |29|\"But pardon me for boring you. I know you want to go to bed. Go and leave everything to me.\"|29| |30|The young man reluctantly withdrew, and Maurice went to the telephone and rung up the police station. As Maurice had said, he was a plain, hard-headed business man, and it took very few words for him to put the Chief of Police in possession of the principal facts of the case. A detective was detailed to take charge of the case, and was started immediately, so that he might be upon the ground as soon after the commission of the crime as possible. When he came he insisted that if he was to do anything he must question the robbed man and search his room at once. Oakley protested, but the detective was adamant. Even now the presence in the room of a man uninitiated into the mysteries of criminal methods might be destroying the last vestige of a really important clue. The master of the house had no alternative save to yield. Together they went to the artist's room. A light shone out through the crack under the door.|30| |31|\"I am sorry to disturb you again, Frank, but may we come in?\"|31|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"No speaker\",\n \"3\": \"Martin\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"Colonel Saunders\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"Francis Oakley\",\n \"12\": \"Kit Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Francis Oakley\",\n \"15\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 31 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"No speaker\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"Maurice Oakley\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"Francis Oakley\",\n \"12\": \"Maurice Oakley\",\n \"13\": \"No speaker\",\n \"14\": \"Francis Oakley\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"Francis Oakley\",\n \"17\": \"Maurice Oakley\",\n \"18\": \"Francis Oakley\",\n \"19\": \"Maurice Oakley\",\n \"20\": \"Francis Oakley\",\n \"21\": \"No speaker\",\n \"22\": \"Francis Oakley\",\n \"23\": \"Maurice Oakley\",\n \"24\": \"Francis Oakley\",\n \"25\": \"Maurice Oakley\",\n \"26\": \"Francis Oakley\",\n \"27\": \"Maurice Oakley\",\n \"28\": \"No speaker\",\n \"29\": \"Maurice Oakley\",\n \"30\": \"No speaker\",\n \"31\": \"Maurice Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Francis Oakley",
"2": "No speaker",
"3": "Francis Oakley",
"4": "Maurice Oakley",
"5": "Francis Oakley",
"6": "Maurice Oakley",
"7": "Francis Oakley",
"8": "Maurice Oakley",
"9": "Francis Oakley",
"10": "Maurice Oakley",
"11": "Francis Oakley",
"12": "Maurice Oakley",
"13": "No speaker",
"14": "Francis Oakley",
"15": "Maurice Oakley",
"16": "Francis Oakley",
"17": "Maurice Oakley",
"18": "Francis Oakley",
"19": "Maurice Oakley",
"20": "Francis Oakley",
"21": "No speaker",
"22": "Francis Oakley",
"23": "Maurice Oakley",
"24": "Francis Oakley",
"25": "Maurice Oakley",
"26": "Francis Oakley",
"27": "Maurice Oakley",
"28": "No speaker",
"29": "Maurice Oakley",
"30": "No speaker",
"31": "Maurice Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"That 's noble of you, Frank, and I would have done the same, but we must remember that we are not in the old days now. The negroes are becoming less faithful and less contented, and more 's the pity, and a deal more ambitious, although I have never had any unfaithfulness on the part of Hamilton to complain of before.\"|1| |2|\"Then do not condemn him now.\"|2| |3|\"I shall not condemn any one until I have proof positive of his guilt or such clear circumstantial evidence that my reason is satisfied.\"|3| |4|\"I do not believe that you will ever have that against old Hamilton.\"|4| |5|\"This spirit of trust does you credit, Frank, and I very much hope that you may be right. But as soon as a negro like Hamilton learns the value of money and begins to earn it, at the same time he begins to covet some easy and rapid way of securing it. The old negro knew nothing of the value of money. When he stole, he stole hams and bacon and chickens. These were his immediate necessities and the things he valued. The present laughs at this tendency without knowing the cause. The present negro resents the laugh, and he has learned to value other things than those which satisfy his belly.\"|5| |6|Frank looked bored.|6| |7|\"But pardon me for boring you. I know you want to go to bed. Go and leave everything to me.\"|7| |8|The young man reluctantly withdrew, and Maurice went to the telephone and rung up the police station. As Maurice had said, he was a plain, hard-headed business man, and it took very few words for him to put the Chief of Police in possession of the principal facts of the case. A detective was detailed to take charge of the case, and was started immediately, so that he might be upon the ground as soon after the commission of the crime as possible. When he came he insisted that if he was to do anything he must question the robbed man and search his room at once. Oakley protested, but the detective was adamant. Even now the presence in the room of a man uninitiated into the mysteries of criminal methods might be destroying the last vestige of a really important clue. The master of the house had no alternative save to yield. Together they went to the artist's room. A light shone out through the crack under the door.|8| |9|\"I am sorry to disturb you again, Frank, but may we come in?\"|9| |10|\"Who is with you?\"|10| |11|\"The detective.\"|11| |12|\"I did not know he was to come to-night.\"|12| |13|\"The chief thought it better.\"|13| |14|\"All right in a moment.\"|14| |15|There was a sound of moving around, and in a short time the young fellow, partly undressed, opened the door. To the detective's questions he answered in substance what he had told before. He also brought out the cabinet. It was a strong oak box, uncarven, but bound at the edges with brass. The key was still in the lock, where Frank had left it on discovering his loss. They raised the lid. The cabinet contained two compartments, one for letters and a smaller one for jewels and trinkets.|15| |16|\"When you opened this cabinet, your money was gone?\"|16|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"Martin\",\n \"3\": \"Maurice Oakley\",\n \"4\": \"Minty Brown\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 16 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"That 's noble of you, Frank, and I would have done the same, but we must remember that we are not in the old days now. The negroes are becoming less faithful and less contented, and more 's the pity, and a deal more ambitious, although I have never had any unfaithfulness on the part of Hamilton to complain of before.\"|1| |2|\"Then do not condemn him now.\"|2| |3|\"I shall not condemn any one until I have proof positive of his guilt or such clear circumstantial evidence that my reason is satisfied.\"|3| |4|\"I do not believe that you will ever have that against old Hamilton.\"|4| |5|\"This spirit of trust does you credit, Frank, and I very much hope that you may be right. But as soon as a negro like Hamilton learns the value of money and begins to earn it, at the same time he begins to covet some easy and rapid way of securing it. The old negro knew nothing of the value of money. When he stole, he stole hams and bacon and chickens. These were his immediate necessities and the things he valued. The present laughs at this tendency without knowing the cause. The present negro resents the laugh, and he has learned to value other things than those which satisfy his belly.\"|5| |6|Frank looked bored.|6| |7|\"But pardon me for boring you. I know you want to go to bed. Go and leave everything to me.\"|7| |8|The young man reluctantly withdrew, and Maurice went to the telephone and rung up the police station. As Maurice had said, he was a plain, hard-headed business man, and it took very few words for him to put the Chief of Police in possession of the principal facts of the case. A detective was detailed to take charge of the case, and was started immediately, so that he might be upon the ground as soon after the commission of the crime as possible. When he came he insisted that if he was to do anything he must question the robbed man and search his room at once. Oakley protested, but the detective was adamant. Even now the presence in the room of a man uninitiated into the mysteries of criminal methods might be destroying the last vestige of a really important clue. The master of the house had no alternative save to yield. Together they went to the artist's room. A light shone out through the crack under the door.|8| |9|\"I am sorry to disturb you again, Frank, but may we come in?\"|9| |10|\"Who is with you?\"|10| |11|\"The detective.\"|11| |12|\"I did not know he was to come to-night.\"|12| |13|\"The chief thought it better.\"|13| |14|\"All right in a moment.\"|14| |15|There was a sound of moving around, and in a short time the young fellow, partly undressed, opened the door. To the detective's questions he answered in substance what he had told before. He also brought out the cabinet. It was a strong oak box, uncarven, but bound at the edges with brass. The key was still in the lock, where Frank had left it on discovering his loss. They raised the lid. The cabinet contained two compartments, one for letters and a smaller one for jewels and trinkets.|15| |16|\"When you opened this cabinet, your money was gone?\"|16|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"Martin\",\n \"3\": \"Maurice Oakley\",\n \"4\": \"Minty Brown\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 16 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"Francis Oakley\",\n \"3\": \"Maurice Oakley\",\n \"4\": \"Francis Oakley\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"Francis Oakley\",\n \"11\": \"Maurice Oakley\",\n \"12\": \"Francis Oakley\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"Francis Oakley\",\n \"15\": \"No speaker\",\n \"16\": \"The Detective\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Maurice Oakley",
"2": "Francis Oakley",
"3": "Maurice Oakley",
"4": "Francis Oakley",
"5": "Maurice Oakley",
"6": "No speaker",
"7": "Maurice Oakley",
"8": "No speaker",
"9": "Maurice Oakley",
"10": "Francis Oakley",
"11": "Maurice Oakley",
"12": "Francis Oakley",
"13": "Maurice Oakley",
"14": "Francis Oakley",
"15": "No speaker",
"16": "The Detective"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The young man reluctantly withdrew, and Maurice went to the telephone and rung up the police station. As Maurice had said, he was a plain, hard-headed business man, and it took very few words for him to put the Chief of Police in possession of the principal facts of the case. A detective was detailed to take charge of the case, and was started immediately, so that he might be upon the ground as soon after the commission of the crime as possible. When he came he insisted that if he was to do anything he must question the robbed man and search his room at once. Oakley protested, but the detective was adamant. Even now the presence in the room of a man uninitiated into the mysteries of criminal methods might be destroying the last vestige of a really important clue. The master of the house had no alternative save to yield. Together they went to the artist's room. A light shone out through the crack under the door.|1| |2|\"I am sorry to disturb you again, Frank, but may we come in?\"|2| |3|\"Who is with you?\"|3| |4|\"The detective.\"|4| |5|\"I did not know he was to come to-night.\"|5| |6|\"The chief thought it better.\"|6| |7|\"All right in a moment.\"|7| |8|There was a sound of moving around, and in a short time the young fellow, partly undressed, opened the door. To the detective's questions he answered in substance what he had told before. He also brought out the cabinet. It was a strong oak box, uncarven, but bound at the edges with brass. The key was still in the lock, where Frank had left it on discovering his loss. They raised the lid. The cabinet contained two compartments, one for letters and a smaller one for jewels and trinkets.|8| |9|\"When you opened this cabinet, your money was gone?\"|9| |10|\"Yes.\"|10| |11|\"Were any of your papers touched?\"|11| |12|\"No.\"|12| |13|\"How about your jewels?\"|13| |14|\"I have but few and they were elsewhere.\"|14| |15|The detective examined the room carefully, its approaches, and the hall-ways without. He paused knowingly at a window that overlooked the flat top of a porch.|15| |16|\"Do you ever leave this window open?\"|16| |17|\"It is almost always so.\"|17| |18|\"Is this porch on the front of the house?\"|18| |19|\"No, on the side.\"|19| |20|\"What else is out that way?\"|20| |21|Frank and Maurice looked at each other. The younger man hesitated and put his hand to his head. Maurice answered grimly,|21| |22|\"My butler's cottage is on that side and a little way back.\"|22| |23|\"Uh huh! and your butler is, I believe, the Hamilton whom the young gentleman mentioned some time ago.\"|23| |24|\"Yes.\"|24| |25|Frank's face was really very white now. The detective nodded again.|25| |26|\"I think I have a clue,\"|26| |27|he said simply.|27| |28|\"I will be here again to-morrow morning.\"|28| |29|\"But I shall be gone,\"|29| |30|said Frank.|30| |31|\"You will hardly be needed, anyway.\"|31| |32|The artist gave a sigh of relief. He hated to be involved in unpleasant things. He went as far as the outer door with his brother and the detective. As he bade the officer good-night and hurried up the hall, Frank put his hand to his head again with a convulsive gesture, as if struck by a sudden pain.|32| |33|\"Come, come, Frank, you must take a drink now and go to bed,\"|33|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Minty Brown\",\n \"10\": \"Colonel Saunders\",\n \"11\": \"The Detective\",\n \"12\": \"Francis Oakley\",\n \"13\": \"The Detective\",\n \"14\": \"Francis Oakley\",\n \"15\": \"Leslie\",\n \"16\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 33 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The young man reluctantly withdrew, and Maurice went to the telephone and rung up the police station. As Maurice had said, he was a plain, hard-headed business man, and it took very few words for him to put the Chief of Police in possession of the principal facts of the case. A detective was detailed to take charge of the case, and was started immediately, so that he might be upon the ground as soon after the commission of the crime as possible. When he came he insisted that if he was to do anything he must question the robbed man and search his room at once. Oakley protested, but the detective was adamant. Even now the presence in the room of a man uninitiated into the mysteries of criminal methods might be destroying the last vestige of a really important clue. The master of the house had no alternative save to yield. Together they went to the artist's room. A light shone out through the crack under the door.|1| |2|\"I am sorry to disturb you again, Frank, but may we come in?\"|2| |3|\"Who is with you?\"|3| |4|\"The detective.\"|4| |5|\"I did not know he was to come to-night.\"|5| |6|\"The chief thought it better.\"|6| |7|\"All right in a moment.\"|7| |8|There was a sound of moving around, and in a short time the young fellow, partly undressed, opened the door. To the detective's questions he answered in substance what he had told before. He also brought out the cabinet. It was a strong oak box, uncarven, but bound at the edges with brass. The key was still in the lock, where Frank had left it on discovering his loss. They raised the lid. The cabinet contained two compartments, one for letters and a smaller one for jewels and trinkets.|8| |9|\"When you opened this cabinet, your money was gone?\"|9| |10|\"Yes.\"|10| |11|\"Were any of your papers touched?\"|11| |12|\"No.\"|12| |13|\"How about your jewels?\"|13| |14|\"I have but few and they were elsewhere.\"|14| |15|The detective examined the room carefully, its approaches, and the hall-ways without. He paused knowingly at a window that overlooked the flat top of a porch.|15| |16|\"Do you ever leave this window open?\"|16| |17|\"It is almost always so.\"|17| |18|\"Is this porch on the front of the house?\"|18| |19|\"No, on the side.\"|19| |20|\"What else is out that way?\"|20| |21|Frank and Maurice looked at each other. The younger man hesitated and put his hand to his head. Maurice answered grimly,|21| |22|\"My butler's cottage is on that side and a little way back.\"|22| |23|\"Uh huh! and your butler is, I believe, the Hamilton whom the young gentleman mentioned some time ago.\"|23| |24|\"Yes.\"|24| |25|Frank's face was really very white now. The detective nodded again.|25| |26|\"I think I have a clue,\"|26| |27|he said simply.|27| |28|\"I will be here again to-morrow morning.\"|28| |29|\"But I shall be gone,\"|29| |30|said Frank.|30| |31|\"You will hardly be needed, anyway.\"|31| |32|The artist gave a sigh of relief. He hated to be involved in unpleasant things. He went as far as the outer door with his brother and the detective. As he bade the officer good-night and hurried up the hall, Frank put his hand to his head again with a convulsive gesture, as if struck by a sudden pain.|32| |33|\"Come, come, Frank, you must take a drink now and go to bed,\"|33|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Minty Brown\",\n \"10\": \"Colonel Saunders\",\n \"11\": \"The Detective\",\n \"12\": \"Francis Oakley\",\n \"13\": \"The Detective\",\n \"14\": \"Francis Oakley\",\n \"15\": \"Leslie\",\n \"16\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 33 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"The Detective\",\n \"10\": \"Francis Oakley\",\n \"11\": \"The Detective\",\n \"12\": \"Francis Oakley\",\n \"13\": \"The Detective\",\n \"14\": \"Francis Oakley\",\n \"15\": \"No speaker\",\n \"16\": \"The Detective\",\n \"17\": \"Francis Oakley\",\n \"18\": \"The Detective\",\n \"19\": \"Francis Oakley\",\n \"20\": \"The Detective\",\n \"21\": \"No speaker\",\n \"22\": \"Maurice Oakley\",\n \"23\": \"The Detective\",\n \"24\": \"Maurice Oakley\",\n \"25\": \"No speaker\",\n \"26\": \"The Detective\",\n \"27\": \"No speaker\",\n \"28\": \"The Detective\",\n \"29\": \"Francis Oakley\",\n \"30\": \"No speaker\",\n \"31\": \"The Detective\",\n \"32\": \"No speaker\",\n \"33\": \"Maurice Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Maurice Oakley",
"3": "Francis Oakley",
"4": "Maurice Oakley",
"5": "Francis Oakley",
"6": "Maurice Oakley",
"7": "Francis Oakley",
"8": "No speaker",
"9": "The Detective",
"10": "Francis Oakley",
"11": "The Detective",
"12": "Francis Oakley",
"13": "The Detective",
"14": "Francis Oakley",
"15": "No speaker",
"16": "The Detective",
"17": "Francis Oakley",
"18": "The Detective",
"19": "Francis Oakley",
"20": "The Detective",
"21": "No speaker",
"22": "Maurice Oakley",
"23": "The Detective",
"24": "Maurice Oakley",
"25": "No speaker",
"26": "The Detective",
"27": "No speaker",
"28": "The Detective",
"29": "Francis Oakley",
"30": "No speaker",
"31": "The Detective",
"32": "No speaker",
"33": "Maurice Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|There was a sound of moving around, and in a short time the young fellow, partly undressed, opened the door. To the detective's questions he answered in substance what he had told before. He also brought out the cabinet. It was a strong oak box, uncarven, but bound at the edges with brass. The key was still in the lock, where Frank had left it on discovering his loss. They raised the lid. The cabinet contained two compartments, one for letters and a smaller one for jewels and trinkets.|1| |2|\"When you opened this cabinet, your money was gone?\"|2| |3|\"Yes.\"|3| |4|\"Were any of your papers touched?\"|4| |5|\"No.\"|5| |6|\"How about your jewels?\"|6| |7|\"I have but few and they were elsewhere.\"|7| |8|The detective examined the room carefully, its approaches, and the hall-ways without. He paused knowingly at a window that overlooked the flat top of a porch.|8| |9|\"Do you ever leave this window open?\"|9| |10|\"It is almost always so.\"|10| |11|\"Is this porch on the front of the house?\"|11| |12|\"No, on the side.\"|12| |13|\"What else is out that way?\"|13| |14|Frank and Maurice looked at each other. The younger man hesitated and put his hand to his head. Maurice answered grimly,|14| |15|\"My butler's cottage is on that side and a little way back.\"|15| |16|\"Uh huh! and your butler is, I believe, the Hamilton whom the young gentleman mentioned some time ago.\"|16| |17|\"Yes.\"|17| |18|Frank's face was really very white now. The detective nodded again.|18| |19|\"I think I have a clue,\"|19| |20|he said simply.|20| |21|\"I will be here again to-morrow morning.\"|21| |22|\"But I shall be gone,\"|22| |23|said Frank.|23| |24|\"You will hardly be needed, anyway.\"|24| |25|The artist gave a sigh of relief. He hated to be involved in unpleasant things. He went as far as the outer door with his brother and the detective. As he bade the officer good-night and hurried up the hall, Frank put his hand to his head again with a convulsive gesture, as if struck by a sudden pain.|25| |26|\"Come, come, Frank, you must take a drink now and go to bed,\"|26| |27|said Oakley.|27| |28|\"I am completely unnerved.\"|28| |29|\"I know it, and I am no less shocked than you. But we 've got to face it like men.\"|29| |30|They passed into the dining-room, where Maurice poured out some brandy for his brother and himself.|30| |31|\"Who would have thought it?\"|31| |32|he asked, as he tossed his own down.|32| |33|\"Not I. I had hoped against hope up until the last that it would turn out to be a mistake.\"|33| |34|\"Nothing angers me so much as being deceived by the man I have helped and trusted. I should feel the sting of all this much less if the thief had come from the outside, broken in, and robbed me, but this, after all these years, is too low.\"|34| |35|\"Don't be hard on a man, Maurice; one never knows what prompts him to a deed. And this evidence is all circumstantial.\"|35| |36|\"It is plain enough for me. You are entirely too kind-hearted, Frank. But I see that this thing has worn you out. You must not stand here talking. Go to bed, for you must be fresh for to-morrow morning's journey to New York.\"|36| |37|Frank Oakley turned away towards his room. His face was haggard, and he staggered as he walked. His brother looked after him with a pitying and affectionate gaze.|37| |38|\"Poor fellow,\"|38| |39|he said,|39| |40|\"he is so delicately constructed that he cannot stand such shocks as these;\"|40| |41|and then he added:|41|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Detective\",\n \"3\": \"Francis Oakley\",\n \"4\": \"The Detective\",\n \"5\": \"Francis Oakley\",\n \"6\": \"The Detective\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"The Detective\",\n \"10\": \"Francis Oakley\",\n \"11\": \"The Detective\",\n \"12\": \"Francis Oakley\",\n \"13\": \"The Detective\",\n \"14\": \"No speaker\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"The Detective\",\n \"17\": \"Maurice Oakley\",\n \"18\": \"Kitty Hamilton\",\n \"19\": \"Leslie\",\n \"20\": \"Mr. Skaggs\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 41 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|There was a sound of moving around, and in a short time the young fellow, partly undressed, opened the door. To the detective's questions he answered in substance what he had told before. He also brought out the cabinet. It was a strong oak box, uncarven, but bound at the edges with brass. The key was still in the lock, where Frank had left it on discovering his loss. They raised the lid. The cabinet contained two compartments, one for letters and a smaller one for jewels and trinkets.|1| |2|\"When you opened this cabinet, your money was gone?\"|2| |3|\"Yes.\"|3| |4|\"Were any of your papers touched?\"|4| |5|\"No.\"|5| |6|\"How about your jewels?\"|6| |7|\"I have but few and they were elsewhere.\"|7| |8|The detective examined the room carefully, its approaches, and the hall-ways without. He paused knowingly at a window that overlooked the flat top of a porch.|8| |9|\"Do you ever leave this window open?\"|9| |10|\"It is almost always so.\"|10| |11|\"Is this porch on the front of the house?\"|11| |12|\"No, on the side.\"|12| |13|\"What else is out that way?\"|13| |14|Frank and Maurice looked at each other. The younger man hesitated and put his hand to his head. Maurice answered grimly,|14| |15|\"My butler's cottage is on that side and a little way back.\"|15| |16|\"Uh huh! and your butler is, I believe, the Hamilton whom the young gentleman mentioned some time ago.\"|16| |17|\"Yes.\"|17| |18|Frank's face was really very white now. The detective nodded again.|18| |19|\"I think I have a clue,\"|19| |20|he said simply.|20| |21|\"I will be here again to-morrow morning.\"|21| |22|\"But I shall be gone,\"|22| |23|said Frank.|23| |24|\"You will hardly be needed, anyway.\"|24| |25|The artist gave a sigh of relief. He hated to be involved in unpleasant things. He went as far as the outer door with his brother and the detective. As he bade the officer good-night and hurried up the hall, Frank put his hand to his head again with a convulsive gesture, as if struck by a sudden pain.|25| |26|\"Come, come, Frank, you must take a drink now and go to bed,\"|26| |27|said Oakley.|27| |28|\"I am completely unnerved.\"|28| |29|\"I know it, and I am no less shocked than you. But we 've got to face it like men.\"|29| |30|They passed into the dining-room, where Maurice poured out some brandy for his brother and himself.|30| |31|\"Who would have thought it?\"|31| |32|he asked, as he tossed his own down.|32| |33|\"Not I. I had hoped against hope up until the last that it would turn out to be a mistake.\"|33| |34|\"Nothing angers me so much as being deceived by the man I have helped and trusted. I should feel the sting of all this much less if the thief had come from the outside, broken in, and robbed me, but this, after all these years, is too low.\"|34| |35|\"Don't be hard on a man, Maurice; one never knows what prompts him to a deed. And this evidence is all circumstantial.\"|35| |36|\"It is plain enough for me. You are entirely too kind-hearted, Frank. But I see that this thing has worn you out. You must not stand here talking. Go to bed, for you must be fresh for to-morrow morning's journey to New York.\"|36| |37|Frank Oakley turned away towards his room. His face was haggard, and he staggered as he walked. His brother looked after him with a pitying and affectionate gaze.|37| |38|\"Poor fellow,\"|38| |39|he said,|39| |40|\"he is so delicately constructed that he cannot stand such shocks as these;\"|40| |41|and then he added:|41|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Detective\",\n \"3\": \"Francis Oakley\",\n \"4\": \"The Detective\",\n \"5\": \"Francis Oakley\",\n \"6\": \"The Detective\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"The Detective\",\n \"10\": \"Francis Oakley\",\n \"11\": \"The Detective\",\n \"12\": \"Francis Oakley\",\n \"13\": \"The Detective\",\n \"14\": \"No speaker\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"The Detective\",\n \"17\": \"Maurice Oakley\",\n \"18\": \"Kitty Hamilton\",\n \"19\": \"Leslie\",\n \"20\": \"Mr. Skaggs\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 41 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Detective\",\n \"3\": \"Francis Oakley\",\n \"4\": \"The Detective\",\n \"5\": \"Francis Oakley\",\n \"6\": \"The Detective\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"The Detective\",\n \"10\": \"Francis Oakley\",\n \"11\": \"The Detective\",\n \"12\": \"Francis Oakley\",\n \"13\": \"The Detective\",\n \"14\": \"No speaker\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"The Detective\",\n \"17\": \"Maurice Oakley\",\n \"18\": \"No speaker\",\n \"19\": \"The Detective\",\n \"20\": \"No speaker\",\n \"21\": \"The Detective\",\n \"22\": \"Francis Oakley\",\n \"23\": \"No speaker\",\n \"24\": \"The Detective\",\n \"25\": \"No speaker\",\n \"26\": \"Maurice Oakley\",\n \"27\": \"No speaker\",\n \"28\": \"Francis Oakley\",\n \"29\": \"Maurice Oakley\",\n \"30\": \"No speaker\",\n \"31\": \"Maurice Oakley\",\n \"32\": \"No speaker\",\n \"33\": \"Francis Oakley\",\n \"34\": \"Maurice Oakley\",\n \"35\": \"Francis Oakley\",\n \"36\": \"Maurice Oakley\",\n \"37\": \"No speaker\",\n \"38\": \"Maurice Oakley\",\n \"39\": \"No speaker\",\n \"40\": \"Maurice Oakley\",\n \"41\": \"No speaker\"\n }\n}",
"role": "assistant"
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|
{
"predictions": {
"1": "No speaker",
"2": "The Detective",
"3": "Francis Oakley",
"4": "The Detective",
"5": "Francis Oakley",
"6": "The Detective",
"7": "Francis Oakley",
"8": "No speaker",
"9": "The Detective",
"10": "Francis Oakley",
"11": "The Detective",
"12": "Francis Oakley",
"13": "The Detective",
"14": "No speaker",
"15": "Maurice Oakley",
"16": "The Detective",
"17": "Maurice Oakley",
"18": "No speaker",
"19": "The Detective",
"20": "No speaker",
"21": "The Detective",
"22": "Francis Oakley",
"23": "No speaker",
"24": "The Detective",
"25": "No speaker",
"26": "Maurice Oakley",
"27": "No speaker",
"28": "Francis Oakley",
"29": "Maurice Oakley",
"30": "No speaker",
"31": "Maurice Oakley",
"32": "No speaker",
"33": "Francis Oakley",
"34": "Maurice Oakley",
"35": "Francis Oakley",
"36": "Maurice Oakley",
"37": "No speaker",
"38": "Maurice Oakley",
"39": "No speaker",
"40": "Maurice Oakley",
"41": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The artist gave a sigh of relief. He hated to be involved in unpleasant things. He went as far as the outer door with his brother and the detective. As he bade the officer good-night and hurried up the hall, Frank put his hand to his head again with a convulsive gesture, as if struck by a sudden pain.|1| |2|\"Come, come, Frank, you must take a drink now and go to bed,\"|2| |3|said Oakley.|3| |4|\"I am completely unnerved.\"|4| |5|\"I know it, and I am no less shocked than you. But we 've got to face it like men.\"|5| |6|They passed into the dining-room, where Maurice poured out some brandy for his brother and himself.|6| |7|\"Who would have thought it?\"|7| |8|he asked, as he tossed his own down.|8| |9|\"Not I. I had hoped against hope up until the last that it would turn out to be a mistake.\"|9| |10|\"Nothing angers me so much as being deceived by the man I have helped and trusted. I should feel the sting of all this much less if the thief had come from the outside, broken in, and robbed me, but this, after all these years, is too low.\"|10| |11|\"Don't be hard on a man, Maurice; one never knows what prompts him to a deed. And this evidence is all circumstantial.\"|11| |12|\"It is plain enough for me. You are entirely too kind-hearted, Frank. But I see that this thing has worn you out. You must not stand here talking. Go to bed, for you must be fresh for to-morrow morning's journey to New York.\"|12| |13|Frank Oakley turned away towards his room. His face was haggard, and he staggered as he walked. His brother looked after him with a pitying and affectionate gaze.|13| |14|\"Poor fellow,\"|14| |15|he said,|15| |16|\"he is so delicately constructed that he cannot stand such shocks as these;\"|16| |17|and then he added:|17| |18|\"To think of that black hound's treachery! I 'll give him all that the law sets down for him.\"|18| |19|He found Mrs. Oakley asleep when he reached the room, but he awakened her to tell her the story. She was horror-struck. It was hard to have to believe this awful thing of an old servant, but she agreed with him that Hamilton must be made an example of when the time came. Before that, however, he must not know that he was suspected. They fell asleep, he with thoughts of anger and revenge, and she grieved and disappointed. IV FROM A CLEAR SKY The inmates of the Oakley house had not been long in their beds before Hamilton was out of his and rousing his own little household.|19| |20|\"You, Joe,\"|20| |21|he called to his son,|21| |22|\"git up f'om daih an' come right hyeah. You got to he'p me befo' you go to any shop dis mo'nin'. You, Kitty, stir yo' stumps, miss. I know yo' ma 's a-dressin' now. Ef she ain't, I bet I 'll be aftah huh in a minute, too. You all layin' 'roun', snoozin' w'en you all des' pint'ly know dis is de mo'nin' Mistah Frank go 'way f'om hyeah.\"|22| |23|It was a cool Autumn morning, fresh and dew-washed. The sun was just rising, and a cool clear breeze was blowing across the land. The blue smoke from the \"house,\" where the fire was already going, whirled fantastically over the roofs like a belated ghost. It was just the morning to doze in comfort, and so thought all of Berry's household except himself. Loud was the complaining as they threw themselves out of bed. They maintained that it was an altogether unearthly hour to get up. Even Mrs. Hamilton added her protest, until she suddenly remembered what morning it was, when she hurried into her clothes and set about getting the family's breakfast. The good-humour of all of them returned when they were seated about their table with some of the good things of the night before set out, and the talk ran cheerily around.|23| |24|\"I do declaih,\"|24|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Fannie Hamilton\",\n \"4\": \"Francis Oakley\",\n \"5\": \"Leslie\",\n \"6\": \"No speaker\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"Francis Oakley\",\n \"12\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 24 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The artist gave a sigh of relief. He hated to be involved in unpleasant things. He went as far as the outer door with his brother and the detective. As he bade the officer good-night and hurried up the hall, Frank put his hand to his head again with a convulsive gesture, as if struck by a sudden pain.|1| |2|\"Come, come, Frank, you must take a drink now and go to bed,\"|2| |3|said Oakley.|3| |4|\"I am completely unnerved.\"|4| |5|\"I know it, and I am no less shocked than you. But we 've got to face it like men.\"|5| |6|They passed into the dining-room, where Maurice poured out some brandy for his brother and himself.|6| |7|\"Who would have thought it?\"|7| |8|he asked, as he tossed his own down.|8| |9|\"Not I. I had hoped against hope up until the last that it would turn out to be a mistake.\"|9| |10|\"Nothing angers me so much as being deceived by the man I have helped and trusted. I should feel the sting of all this much less if the thief had come from the outside, broken in, and robbed me, but this, after all these years, is too low.\"|10| |11|\"Don't be hard on a man, Maurice; one never knows what prompts him to a deed. And this evidence is all circumstantial.\"|11| |12|\"It is plain enough for me. You are entirely too kind-hearted, Frank. But I see that this thing has worn you out. You must not stand here talking. Go to bed, for you must be fresh for to-morrow morning's journey to New York.\"|12| |13|Frank Oakley turned away towards his room. His face was haggard, and he staggered as he walked. His brother looked after him with a pitying and affectionate gaze.|13| |14|\"Poor fellow,\"|14| |15|he said,|15| |16|\"he is so delicately constructed that he cannot stand such shocks as these;\"|16| |17|and then he added:|17| |18|\"To think of that black hound's treachery! I 'll give him all that the law sets down for him.\"|18| |19|He found Mrs. Oakley asleep when he reached the room, but he awakened her to tell her the story. She was horror-struck. It was hard to have to believe this awful thing of an old servant, but she agreed with him that Hamilton must be made an example of when the time came. Before that, however, he must not know that he was suspected. They fell asleep, he with thoughts of anger and revenge, and she grieved and disappointed. IV FROM A CLEAR SKY The inmates of the Oakley house had not been long in their beds before Hamilton was out of his and rousing his own little household.|19| |20|\"You, Joe,\"|20| |21|he called to his son,|21| |22|\"git up f'om daih an' come right hyeah. You got to he'p me befo' you go to any shop dis mo'nin'. You, Kitty, stir yo' stumps, miss. I know yo' ma 's a-dressin' now. Ef she ain't, I bet I 'll be aftah huh in a minute, too. You all layin' 'roun', snoozin' w'en you all des' pint'ly know dis is de mo'nin' Mistah Frank go 'way f'om hyeah.\"|22| |23|It was a cool Autumn morning, fresh and dew-washed. The sun was just rising, and a cool clear breeze was blowing across the land. The blue smoke from the \"house,\" where the fire was already going, whirled fantastically over the roofs like a belated ghost. It was just the morning to doze in comfort, and so thought all of Berry's household except himself. Loud was the complaining as they threw themselves out of bed. They maintained that it was an altogether unearthly hour to get up. Even Mrs. Hamilton added her protest, until she suddenly remembered what morning it was, when she hurried into her clothes and set about getting the family's breakfast. The good-humour of all of them returned when they were seated about their table with some of the good things of the night before set out, and the talk ran cheerily around.|23| |24|\"I do declaih,\"|24|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Fannie Hamilton\",\n \"4\": \"Francis Oakley\",\n \"5\": \"Leslie\",\n \"6\": \"No speaker\",\n \"7\": \"Francis Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"Francis Oakley\",\n \"12\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 24 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Francis Oakley\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Francis Oakley\",\n \"10\": \"Maurice Oakley\",\n \"11\": \"Francis Oakley\",\n \"12\": \"Maurice Oakley\",\n \"13\": \"No speaker\",\n \"14\": \"Maurice Oakley\",\n \"15\": \"No speaker\",\n \"16\": \"Maurice Oakley\",\n \"17\": \"No speaker\",\n \"18\": \"Maurice Oakley\",\n \"19\": \"No speaker\",\n \"20\": \"Berry Hamilton\",\n \"21\": \"No speaker\",\n \"22\": \"Berry Hamilton\",\n \"23\": \"No speaker\",\n \"24\": \"Berry Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Maurice Oakley",
"3": "No speaker",
"4": "Francis Oakley",
"5": "Maurice Oakley",
"6": "No speaker",
"7": "Maurice Oakley",
"8": "No speaker",
"9": "Francis Oakley",
"10": "Maurice Oakley",
"11": "Francis Oakley",
"12": "Maurice Oakley",
"13": "No speaker",
"14": "Maurice Oakley",
"15": "No speaker",
"16": "Maurice Oakley",
"17": "No speaker",
"18": "Maurice Oakley",
"19": "No speaker",
"20": "Berry Hamilton",
"21": "No speaker",
"22": "Berry Hamilton",
"23": "No speaker",
"24": "Berry Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"he is so delicately constructed that he cannot stand such shocks as these;\"|1| |2|and then he added:|2| |3|\"To think of that black hound's treachery! I 'll give him all that the law sets down for him.\"|3| |4|He found Mrs. Oakley asleep when he reached the room, but he awakened her to tell her the story. She was horror-struck. It was hard to have to believe this awful thing of an old servant, but she agreed with him that Hamilton must be made an example of when the time came. Before that, however, he must not know that he was suspected. They fell asleep, he with thoughts of anger and revenge, and she grieved and disappointed. IV FROM A CLEAR SKY The inmates of the Oakley house had not been long in their beds before Hamilton was out of his and rousing his own little household.|4| |5|\"You, Joe,\"|5| |6|he called to his son,|6| |7|\"git up f'om daih an' come right hyeah. You got to he'p me befo' you go to any shop dis mo'nin'. You, Kitty, stir yo' stumps, miss. I know yo' ma 's a-dressin' now. Ef she ain't, I bet I 'll be aftah huh in a minute, too. You all layin' 'roun', snoozin' w'en you all des' pint'ly know dis is de mo'nin' Mistah Frank go 'way f'om hyeah.\"|7| |8|It was a cool Autumn morning, fresh and dew-washed. The sun was just rising, and a cool clear breeze was blowing across the land. The blue smoke from the \"house,\" where the fire was already going, whirled fantastically over the roofs like a belated ghost. It was just the morning to doze in comfort, and so thought all of Berry's household except himself. Loud was the complaining as they threw themselves out of bed. They maintained that it was an altogether unearthly hour to get up. Even Mrs. Hamilton added her protest, until she suddenly remembered what morning it was, when she hurried into her clothes and set about getting the family's breakfast. The good-humour of all of them returned when they were seated about their table with some of the good things of the night before set out, and the talk ran cheerily around.|8| |9|\"I do declaih,\"|9| |10|said Hamilton,|10| |11|\"you all 's as bad as dem white people was las' night. De way dey waded into dat food was a caution.\"|11| |12|He chuckled with delight at the recollection.|12| |13|\"I reckon dat 's what dey come fu'. I was n't payin' so much 'tention to what dey eat as to de way dem women was dressed. Why, Mis' Jedge Hill was des' mo'n go'geous.\"|13| |14|\"Oh, yes, ma, an' Miss Lessing was n't no ways behin' her,\"|14| |15|put in Kitty. Joe did not condescend to join in the conversation, but contented himself with devouring the good things and aping the manners of the young men whom he knew had been among last night's guests.|15| |16|\"Well, I got to be goin',\"|16| |17|said Berry, rising.|17| |18|\"There 'll be early breakfas' at de 'house' dis mo'nin', so 's Mistah Frank kin ketch de fus' train.\"|18| |19|He went out cheerily to his work. No shadow of impending disaster depressed his spirits. No cloud obscured his sky. He was a simple, easy man, and he saw nothing in the manner of the people whom he served that morning at breakfast save a natural grief at parting from each other. He did not even take the trouble to inquire who the strange white man was who hung about the place. When it came time for the young man to leave, with the privilege of an old servitor Berry went up to him to bid him good-bye. He held out his hand to him, and with a glance at his brother, Frank took it and shook it cordially.|19|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"No speaker\",\n \"3\": \"Maurice Oakley\",\n \"4\": \"No speaker\",\n \"5\": \"Berry Hamilton\",\n \"6\": \"Leslie\",\n \"7\": \"Kitty Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Berry Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 19 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"he is so delicately constructed that he cannot stand such shocks as these;\"|1| |2|and then he added:|2| |3|\"To think of that black hound's treachery! I 'll give him all that the law sets down for him.\"|3| |4|He found Mrs. Oakley asleep when he reached the room, but he awakened her to tell her the story. She was horror-struck. It was hard to have to believe this awful thing of an old servant, but she agreed with him that Hamilton must be made an example of when the time came. Before that, however, he must not know that he was suspected. They fell asleep, he with thoughts of anger and revenge, and she grieved and disappointed. IV FROM A CLEAR SKY The inmates of the Oakley house had not been long in their beds before Hamilton was out of his and rousing his own little household.|4| |5|\"You, Joe,\"|5| |6|he called to his son,|6| |7|\"git up f'om daih an' come right hyeah. You got to he'p me befo' you go to any shop dis mo'nin'. You, Kitty, stir yo' stumps, miss. I know yo' ma 's a-dressin' now. Ef she ain't, I bet I 'll be aftah huh in a minute, too. You all layin' 'roun', snoozin' w'en you all des' pint'ly know dis is de mo'nin' Mistah Frank go 'way f'om hyeah.\"|7| |8|It was a cool Autumn morning, fresh and dew-washed. The sun was just rising, and a cool clear breeze was blowing across the land. The blue smoke from the \"house,\" where the fire was already going, whirled fantastically over the roofs like a belated ghost. It was just the morning to doze in comfort, and so thought all of Berry's household except himself. Loud was the complaining as they threw themselves out of bed. They maintained that it was an altogether unearthly hour to get up. Even Mrs. Hamilton added her protest, until she suddenly remembered what morning it was, when she hurried into her clothes and set about getting the family's breakfast. The good-humour of all of them returned when they were seated about their table with some of the good things of the night before set out, and the talk ran cheerily around.|8| |9|\"I do declaih,\"|9| |10|said Hamilton,|10| |11|\"you all 's as bad as dem white people was las' night. De way dey waded into dat food was a caution.\"|11| |12|He chuckled with delight at the recollection.|12| |13|\"I reckon dat 's what dey come fu'. I was n't payin' so much 'tention to what dey eat as to de way dem women was dressed. Why, Mis' Jedge Hill was des' mo'n go'geous.\"|13| |14|\"Oh, yes, ma, an' Miss Lessing was n't no ways behin' her,\"|14| |15|put in Kitty. Joe did not condescend to join in the conversation, but contented himself with devouring the good things and aping the manners of the young men whom he knew had been among last night's guests.|15| |16|\"Well, I got to be goin',\"|16| |17|said Berry, rising.|17| |18|\"There 'll be early breakfas' at de 'house' dis mo'nin', so 's Mistah Frank kin ketch de fus' train.\"|18| |19|He went out cheerily to his work. No shadow of impending disaster depressed his spirits. No cloud obscured his sky. He was a simple, easy man, and he saw nothing in the manner of the people whom he served that morning at breakfast save a natural grief at parting from each other. He did not even take the trouble to inquire who the strange white man was who hung about the place. When it came time for the young man to leave, with the privilege of an old servitor Berry went up to him to bid him good-bye. He held out his hand to him, and with a glance at his brother, Frank took it and shook it cordially.|19|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"No speaker\",\n \"3\": \"Maurice Oakley\",\n \"4\": \"No speaker\",\n \"5\": \"Berry Hamilton\",\n \"6\": \"Leslie\",\n \"7\": \"Kitty Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Berry Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 19 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"No speaker\",\n \"3\": \"Maurice Oakley\",\n \"4\": \"No speaker\",\n \"5\": \"Berry Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Berry Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Berry Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Berry Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Fannie Hamilton\",\n \"14\": \"Kitty Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Berry Hamilton\",\n \"17\": \"No speaker\",\n \"18\": \"Berry Hamilton\",\n \"19\": \"No speaker\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Maurice Oakley",
"2": "No speaker",
"3": "Maurice Oakley",
"4": "No speaker",
"5": "Berry Hamilton",
"6": "No speaker",
"7": "Berry Hamilton",
"8": "No speaker",
"9": "Berry Hamilton",
"10": "No speaker",
"11": "Berry Hamilton",
"12": "No speaker",
"13": "Fannie Hamilton",
"14": "Kitty Hamilton",
"15": "No speaker",
"16": "Berry Hamilton",
"17": "No speaker",
"18": "Berry Hamilton",
"19": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|It was a cool Autumn morning, fresh and dew-washed. The sun was just rising, and a cool clear breeze was blowing across the land. The blue smoke from the \"house,\" where the fire was already going, whirled fantastically over the roofs like a belated ghost. It was just the morning to doze in comfort, and so thought all of Berry's household except himself. Loud was the complaining as they threw themselves out of bed. They maintained that it was an altogether unearthly hour to get up. Even Mrs. Hamilton added her protest, until she suddenly remembered what morning it was, when she hurried into her clothes and set about getting the family's breakfast. The good-humour of all of them returned when they were seated about their table with some of the good things of the night before set out, and the talk ran cheerily around.|1| |2|\"I do declaih,\"|2| |3|said Hamilton,|3| |4|\"you all 's as bad as dem white people was las' night. De way dey waded into dat food was a caution.\"|4| |5|He chuckled with delight at the recollection.|5| |6|\"I reckon dat 's what dey come fu'. I was n't payin' so much 'tention to what dey eat as to de way dem women was dressed. Why, Mis' Jedge Hill was des' mo'n go'geous.\"|6| |7|\"Oh, yes, ma, an' Miss Lessing was n't no ways behin' her,\"|7| |8|put in Kitty. Joe did not condescend to join in the conversation, but contented himself with devouring the good things and aping the manners of the young men whom he knew had been among last night's guests.|8| |9|\"Well, I got to be goin',\"|9| |10|said Berry, rising.|10| |11|\"There 'll be early breakfas' at de 'house' dis mo'nin', so 's Mistah Frank kin ketch de fus' train.\"|11| |12|He went out cheerily to his work. No shadow of impending disaster depressed his spirits. No cloud obscured his sky. He was a simple, easy man, and he saw nothing in the manner of the people whom he served that morning at breakfast save a natural grief at parting from each other. He did not even take the trouble to inquire who the strange white man was who hung about the place. When it came time for the young man to leave, with the privilege of an old servitor Berry went up to him to bid him good-bye. He held out his hand to him, and with a glance at his brother, Frank took it and shook it cordially.|12| |13|\"Good-bye, Berry,\"|13| |14|he said. Maurice could hardly restrain his anger at the sight, but his wife was moved to tears at her brother-in-law's generosity. The last sight they saw as the carriage rolled away towards the station was Berry standing upon the steps waving a hearty farewell and god-speed.|14| |15|\"How could you do it, Frank?\"|15| |16|gasped his brother, as soon as they had driven well out of hearing.|16| |17|\"Hush, Maurice,\"|17| |18|said Mrs. Oakley gently;|18| |19|\"I think it was very noble of him.\"|19| |20|\"Oh, I felt sorry for the poor fellow,\"|20| |21|was Frank's reply.|21| |22|\"Promise me you won't be too hard on him, Maurice. Give him a little scare and let him go. He 's possibly buried the money, anyhow.\"|22| |23|\"I shall deal with him as he deserves.\"|23| |24|The young man sighed and was silent the rest of the way.|24|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Colonel Saunders\",\n \"6\": \"Fannie Hamilton\",\n \"7\": \"Kitty Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Berry Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 24 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|It was a cool Autumn morning, fresh and dew-washed. The sun was just rising, and a cool clear breeze was blowing across the land. The blue smoke from the \"house,\" where the fire was already going, whirled fantastically over the roofs like a belated ghost. It was just the morning to doze in comfort, and so thought all of Berry's household except himself. Loud was the complaining as they threw themselves out of bed. They maintained that it was an altogether unearthly hour to get up. Even Mrs. Hamilton added her protest, until she suddenly remembered what morning it was, when she hurried into her clothes and set about getting the family's breakfast. The good-humour of all of them returned when they were seated about their table with some of the good things of the night before set out, and the talk ran cheerily around.|1| |2|\"I do declaih,\"|2| |3|said Hamilton,|3| |4|\"you all 's as bad as dem white people was las' night. De way dey waded into dat food was a caution.\"|4| |5|He chuckled with delight at the recollection.|5| |6|\"I reckon dat 's what dey come fu'. I was n't payin' so much 'tention to what dey eat as to de way dem women was dressed. Why, Mis' Jedge Hill was des' mo'n go'geous.\"|6| |7|\"Oh, yes, ma, an' Miss Lessing was n't no ways behin' her,\"|7| |8|put in Kitty. Joe did not condescend to join in the conversation, but contented himself with devouring the good things and aping the manners of the young men whom he knew had been among last night's guests.|8| |9|\"Well, I got to be goin',\"|9| |10|said Berry, rising.|10| |11|\"There 'll be early breakfas' at de 'house' dis mo'nin', so 's Mistah Frank kin ketch de fus' train.\"|11| |12|He went out cheerily to his work. No shadow of impending disaster depressed his spirits. No cloud obscured his sky. He was a simple, easy man, and he saw nothing in the manner of the people whom he served that morning at breakfast save a natural grief at parting from each other. He did not even take the trouble to inquire who the strange white man was who hung about the place. When it came time for the young man to leave, with the privilege of an old servitor Berry went up to him to bid him good-bye. He held out his hand to him, and with a glance at his brother, Frank took it and shook it cordially.|12| |13|\"Good-bye, Berry,\"|13| |14|he said. Maurice could hardly restrain his anger at the sight, but his wife was moved to tears at her brother-in-law's generosity. The last sight they saw as the carriage rolled away towards the station was Berry standing upon the steps waving a hearty farewell and god-speed.|14| |15|\"How could you do it, Frank?\"|15| |16|gasped his brother, as soon as they had driven well out of hearing.|16| |17|\"Hush, Maurice,\"|17| |18|said Mrs. Oakley gently;|18| |19|\"I think it was very noble of him.\"|19| |20|\"Oh, I felt sorry for the poor fellow,\"|20| |21|was Frank's reply.|21| |22|\"Promise me you won't be too hard on him, Maurice. Give him a little scare and let him go. He 's possibly buried the money, anyhow.\"|22| |23|\"I shall deal with him as he deserves.\"|23| |24|The young man sighed and was silent the rest of the way.|24|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Colonel Saunders\",\n \"6\": \"Fannie Hamilton\",\n \"7\": \"Kitty Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Berry Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 24 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Berry Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Fannie Hamilton\",\n \"7\": \"Kitty Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Berry Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Berry Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Francis Oakley\",\n \"14\": \"No speaker\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"No speaker\",\n \"17\": \"Leslie\",\n \"18\": \"No speaker\",\n \"19\": \"Leslie\",\n \"20\": \"Francis Oakley\",\n \"21\": \"No speaker\",\n \"22\": \"Francis Oakley\",\n \"23\": \"Maurice Oakley\",\n \"24\": \"No speaker\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Berry Hamilton",
"3": "No speaker",
"4": "Berry Hamilton",
"5": "No speaker",
"6": "Fannie Hamilton",
"7": "Kitty Hamilton",
"8": "No speaker",
"9": "Berry Hamilton",
"10": "No speaker",
"11": "Berry Hamilton",
"12": "No speaker",
"13": "Francis Oakley",
"14": "No speaker",
"15": "Maurice Oakley",
"16": "No speaker",
"17": "Leslie",
"18": "No speaker",
"19": "Leslie",
"20": "Francis Oakley",
"21": "No speaker",
"22": "Francis Oakley",
"23": "Maurice Oakley",
"24": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"There 'll be early breakfas' at de 'house' dis mo'nin', so 's Mistah Frank kin ketch de fus' train.\"|1| |2|He went out cheerily to his work. No shadow of impending disaster depressed his spirits. No cloud obscured his sky. He was a simple, easy man, and he saw nothing in the manner of the people whom he served that morning at breakfast save a natural grief at parting from each other. He did not even take the trouble to inquire who the strange white man was who hung about the place. When it came time for the young man to leave, with the privilege of an old servitor Berry went up to him to bid him good-bye. He held out his hand to him, and with a glance at his brother, Frank took it and shook it cordially.|2| |3|\"Good-bye, Berry,\"|3| |4|he said. Maurice could hardly restrain his anger at the sight, but his wife was moved to tears at her brother-in-law's generosity. The last sight they saw as the carriage rolled away towards the station was Berry standing upon the steps waving a hearty farewell and god-speed.|4| |5|\"How could you do it, Frank?\"|5| |6|gasped his brother, as soon as they had driven well out of hearing.|6| |7|\"Hush, Maurice,\"|7| |8|said Mrs. Oakley gently;|8| |9|\"I think it was very noble of him.\"|9| |10|\"Oh, I felt sorry for the poor fellow,\"|10| |11|was Frank's reply.|11| |12|\"Promise me you won't be too hard on him, Maurice. Give him a little scare and let him go. He 's possibly buried the money, anyhow.\"|12| |13|\"I shall deal with him as he deserves.\"|13| |14|The young man sighed and was silent the rest of the way.|14| |15|\"Whether I fail or succeed, you will always think well of me, Maurice?\"|15| |16|he said in parting;|16| |17|\"and if I don't come up to your expectations, well--forgive me--that 's all.\"|17| |18|His brother wrung his hand.|18| |19|\"You will always come up to my expectations, Frank,\"|19| |20|he said.|20| |21|\"Won't he, Leslie?\"|21| |22|\"He will always be our Frank, our good, generous-hearted, noble boy. God bless him!\"|22| |23|The young fellow bade them a hearty good-bye, and they, knowing what his feelings must be, spared him the prolonging of the strain. They waited in the carriage, and he waved to them as the train rolled out of the station.|23| |24|\"He seems to be sad at going,\"|24| |25|said Mrs. Oakley.|25| |26|\"Poor fellow, the affair of last night has broken him up considerably, but I 'll make Berry pay for every pang of anxiety that my brother has suffered.\"|26| |27|\"Don't be revengeful, Maurice; you know what brother Frank asked of you.\"|27| |28|\"He is gone and will never know what happens, so I may be as revengeful as I wish.\"|28| |29|The detective was waiting on the lawn when Maurice Oakley returned. They went immediately to the library, Oakley walking with the firm, hard tread of a man who is both exasperated and determined, and the officer gliding along with the cat-like step which is one of the attributes of his profession.|29| |30|\"Well?\"|30| |31|was the impatient man's question as soon as the door closed upon them.|31| |32|\"I have some more information that may or may not be of importance.\"|32|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Berry Hamilton\",\n \"2\": \"No speaker\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"No speaker\",\n \"7\": \"Leslie\",\n \"8\": \"No speaker\",\n \"9\": \"Leslie\",\n \"10\": \"Francis Oakley\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"Francis Oakley\",\n \"13\": \"Mr. Skaggs\",\n \"14\": \"No speaker\",\n \"15\": \"Francis Oakley\",\n \"16\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 32 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"There 'll be early breakfas' at de 'house' dis mo'nin', so 's Mistah Frank kin ketch de fus' train.\"|1| |2|He went out cheerily to his work. No shadow of impending disaster depressed his spirits. No cloud obscured his sky. He was a simple, easy man, and he saw nothing in the manner of the people whom he served that morning at breakfast save a natural grief at parting from each other. He did not even take the trouble to inquire who the strange white man was who hung about the place. When it came time for the young man to leave, with the privilege of an old servitor Berry went up to him to bid him good-bye. He held out his hand to him, and with a glance at his brother, Frank took it and shook it cordially.|2| |3|\"Good-bye, Berry,\"|3| |4|he said. Maurice could hardly restrain his anger at the sight, but his wife was moved to tears at her brother-in-law's generosity. The last sight they saw as the carriage rolled away towards the station was Berry standing upon the steps waving a hearty farewell and god-speed.|4| |5|\"How could you do it, Frank?\"|5| |6|gasped his brother, as soon as they had driven well out of hearing.|6| |7|\"Hush, Maurice,\"|7| |8|said Mrs. Oakley gently;|8| |9|\"I think it was very noble of him.\"|9| |10|\"Oh, I felt sorry for the poor fellow,\"|10| |11|was Frank's reply.|11| |12|\"Promise me you won't be too hard on him, Maurice. Give him a little scare and let him go. He 's possibly buried the money, anyhow.\"|12| |13|\"I shall deal with him as he deserves.\"|13| |14|The young man sighed and was silent the rest of the way.|14| |15|\"Whether I fail or succeed, you will always think well of me, Maurice?\"|15| |16|he said in parting;|16| |17|\"and if I don't come up to your expectations, well--forgive me--that 's all.\"|17| |18|His brother wrung his hand.|18| |19|\"You will always come up to my expectations, Frank,\"|19| |20|he said.|20| |21|\"Won't he, Leslie?\"|21| |22|\"He will always be our Frank, our good, generous-hearted, noble boy. God bless him!\"|22| |23|The young fellow bade them a hearty good-bye, and they, knowing what his feelings must be, spared him the prolonging of the strain. They waited in the carriage, and he waved to them as the train rolled out of the station.|23| |24|\"He seems to be sad at going,\"|24| |25|said Mrs. Oakley.|25| |26|\"Poor fellow, the affair of last night has broken him up considerably, but I 'll make Berry pay for every pang of anxiety that my brother has suffered.\"|26| |27|\"Don't be revengeful, Maurice; you know what brother Frank asked of you.\"|27| |28|\"He is gone and will never know what happens, so I may be as revengeful as I wish.\"|28| |29|The detective was waiting on the lawn when Maurice Oakley returned. They went immediately to the library, Oakley walking with the firm, hard tread of a man who is both exasperated and determined, and the officer gliding along with the cat-like step which is one of the attributes of his profession.|29| |30|\"Well?\"|30| |31|was the impatient man's question as soon as the door closed upon them.|31| |32|\"I have some more information that may or may not be of importance.\"|32|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Berry Hamilton\",\n \"2\": \"No speaker\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"No speaker\",\n \"7\": \"Leslie\",\n \"8\": \"No speaker\",\n \"9\": \"Leslie\",\n \"10\": \"Francis Oakley\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"Francis Oakley\",\n \"13\": \"Mr. Skaggs\",\n \"14\": \"No speaker\",\n \"15\": \"Francis Oakley\",\n \"16\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 32 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"content": "{\n \"predictions\": {\n \"1\": \"Berry Hamilton\",\n \"2\": \"No speaker\",\n \"3\": \"Francis Oakley\",\n \"4\": \"No speaker\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Leslie\",\n \"8\": \"No speaker\",\n \"9\": \"Leslie\",\n \"10\": \"Francis Oakley\",\n \"11\": \"No speaker\",\n \"12\": \"Francis Oakley\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"No speaker\",\n \"15\": \"Francis Oakley\",\n \"16\": \"No speaker\",\n \"17\": \"Francis Oakley\",\n \"18\": \"No speaker\",\n \"19\": \"Maurice Oakley\",\n \"20\": \"No speaker\",\n \"21\": \"Maurice Oakley\",\n \"22\": \"Leslie\",\n \"23\": \"No speaker\",\n \"24\": \"Leslie\",\n \"25\": \"No speaker\",\n \"26\": \"Maurice Oakley\",\n \"27\": \"Leslie\",\n \"28\": \"Maurice Oakley\",\n \"29\": \"No speaker\",\n \"30\": \"Maurice Oakley\",\n \"31\": \"No speaker\",\n \"32\": \"The Detective\"\n }\n}",
"role": "assistant"
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|
{
"predictions": {
"1": "Berry Hamilton",
"2": "No speaker",
"3": "Francis Oakley",
"4": "No speaker",
"5": "Maurice Oakley",
"6": "No speaker",
"7": "Leslie",
"8": "No speaker",
"9": "Leslie",
"10": "Francis Oakley",
"11": "No speaker",
"12": "Francis Oakley",
"13": "Maurice Oakley",
"14": "No speaker",
"15": "Francis Oakley",
"16": "No speaker",
"17": "Francis Oakley",
"18": "No speaker",
"19": "Maurice Oakley",
"20": "No speaker",
"21": "Maurice Oakley",
"22": "Leslie",
"23": "No speaker",
"24": "Leslie",
"25": "No speaker",
"26": "Maurice Oakley",
"27": "Leslie",
"28": "Maurice Oakley",
"29": "No speaker",
"30": "Maurice Oakley",
"31": "No speaker",
"32": "The Detective"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I shall deal with him as he deserves.\"|1| |2|The young man sighed and was silent the rest of the way.|2| |3|\"Whether I fail or succeed, you will always think well of me, Maurice?\"|3| |4|he said in parting;|4| |5|\"and if I don't come up to your expectations, well--forgive me--that 's all.\"|5| |6|His brother wrung his hand.|6| |7|\"You will always come up to my expectations, Frank,\"|7| |8|he said.|8| |9|\"Won't he, Leslie?\"|9| |10|\"He will always be our Frank, our good, generous-hearted, noble boy. God bless him!\"|10| |11|The young fellow bade them a hearty good-bye, and they, knowing what his feelings must be, spared him the prolonging of the strain. They waited in the carriage, and he waved to them as the train rolled out of the station.|11| |12|\"He seems to be sad at going,\"|12| |13|said Mrs. Oakley.|13| |14|\"Poor fellow, the affair of last night has broken him up considerably, but I 'll make Berry pay for every pang of anxiety that my brother has suffered.\"|14| |15|\"Don't be revengeful, Maurice; you know what brother Frank asked of you.\"|15| |16|\"He is gone and will never know what happens, so I may be as revengeful as I wish.\"|16| |17|The detective was waiting on the lawn when Maurice Oakley returned. They went immediately to the library, Oakley walking with the firm, hard tread of a man who is both exasperated and determined, and the officer gliding along with the cat-like step which is one of the attributes of his profession.|17| |18|\"Well?\"|18| |19|was the impatient man's question as soon as the door closed upon them.|19| |20|\"I have some more information that may or may not be of importance.\"|20| |21|\"Out with it; maybe I can tell.\"|21| |22|\"First, let me ask if you had any reason to believe that your butler had any resources of his own, say to the amount of three or four hundred dollars?\"|22| |23|\"Certainly not. I pay him thirty dollars a month, and his wife fifteen dollars, and with keeping up his lodges and the way he dresses that girl, he can't save very much.\"|23| |24|\"You know that he has money in the bank?\"|24| |25|\"No.\"|25| |26|\"Well, he has. Over eight hundred dollars.\"|26| |27|\"What? Berry? It must be the pickings of years.\"|27| |28|\"And yesterday it was increased by five hundred more.\"|28| |29|\"The scoundrel!\"|29| |30|\"How was your brother's money, in bills?\"|30| |31|\"It was in large bills and gold, with some silver.\"|31| |32|\"Berry's money was almost all in bills of a small denomination and silver.\"|32| |33|\"A poor trick; it could easily have been changed.\"|33| |34|\"Not such a sum without exciting comment.\"|34| |35|\"He may have gone to several places.\"|35| |36|\"But he had only a day to do it in.\"|36| |37|\"Then some one must have been his accomplice.\"|37| |38|\"That remains to be proven.\"|38| |39|\"Nothing remains to be proven. Why, it 's as clear as day that the money he has is the result of a long series of peculations, and that this last is the result of his first large theft.\"|39| |40|\"That must be made clear to the law.\"|40| |41|\"It shall be.\"|41| |42|\"I should advise, though, no open proceedings against this servant until further evidence to establish his guilt is found.\"|42| |43|\"If the evidence satisfies me, it must be sufficient to satisfy any ordinary jury. I demand his immediate arrest.\"|43|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"Francis Oakley\",\n \"4\": \"No speaker\",\n \"5\": \"Francis Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Berry Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"Leslie\",\n \"11\": \"No speaker\",\n \"12\": \"Leslie\",\n \"13\": \"Berry Hamilton\",\n \"14\": \"Maurice Oakley\",\n \"15\": \"Leslie\",\n \"16\": \"Maurice Oakley\",\n \"17\": \"No speaker\",\n \"18\": \"Maurice Oakley\",\n \"19\": \"No speaker\",\n \"20\": \"The Detective\",\n \"21\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 43 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I shall deal with him as he deserves.\"|1| |2|The young man sighed and was silent the rest of the way.|2| |3|\"Whether I fail or succeed, you will always think well of me, Maurice?\"|3| |4|he said in parting;|4| |5|\"and if I don't come up to your expectations, well--forgive me--that 's all.\"|5| |6|His brother wrung his hand.|6| |7|\"You will always come up to my expectations, Frank,\"|7| |8|he said.|8| |9|\"Won't he, Leslie?\"|9| |10|\"He will always be our Frank, our good, generous-hearted, noble boy. God bless him!\"|10| |11|The young fellow bade them a hearty good-bye, and they, knowing what his feelings must be, spared him the prolonging of the strain. They waited in the carriage, and he waved to them as the train rolled out of the station.|11| |12|\"He seems to be sad at going,\"|12| |13|said Mrs. Oakley.|13| |14|\"Poor fellow, the affair of last night has broken him up considerably, but I 'll make Berry pay for every pang of anxiety that my brother has suffered.\"|14| |15|\"Don't be revengeful, Maurice; you know what brother Frank asked of you.\"|15| |16|\"He is gone and will never know what happens, so I may be as revengeful as I wish.\"|16| |17|The detective was waiting on the lawn when Maurice Oakley returned. They went immediately to the library, Oakley walking with the firm, hard tread of a man who is both exasperated and determined, and the officer gliding along with the cat-like step which is one of the attributes of his profession.|17| |18|\"Well?\"|18| |19|was the impatient man's question as soon as the door closed upon them.|19| |20|\"I have some more information that may or may not be of importance.\"|20| |21|\"Out with it; maybe I can tell.\"|21| |22|\"First, let me ask if you had any reason to believe that your butler had any resources of his own, say to the amount of three or four hundred dollars?\"|22| |23|\"Certainly not. I pay him thirty dollars a month, and his wife fifteen dollars, and with keeping up his lodges and the way he dresses that girl, he can't save very much.\"|23| |24|\"You know that he has money in the bank?\"|24| |25|\"No.\"|25| |26|\"Well, he has. Over eight hundred dollars.\"|26| |27|\"What? Berry? It must be the pickings of years.\"|27| |28|\"And yesterday it was increased by five hundred more.\"|28| |29|\"The scoundrel!\"|29| |30|\"How was your brother's money, in bills?\"|30| |31|\"It was in large bills and gold, with some silver.\"|31| |32|\"Berry's money was almost all in bills of a small denomination and silver.\"|32| |33|\"A poor trick; it could easily have been changed.\"|33| |34|\"Not such a sum without exciting comment.\"|34| |35|\"He may have gone to several places.\"|35| |36|\"But he had only a day to do it in.\"|36| |37|\"Then some one must have been his accomplice.\"|37| |38|\"That remains to be proven.\"|38| |39|\"Nothing remains to be proven. Why, it 's as clear as day that the money he has is the result of a long series of peculations, and that this last is the result of his first large theft.\"|39| |40|\"That must be made clear to the law.\"|40| |41|\"It shall be.\"|41| |42|\"I should advise, though, no open proceedings against this servant until further evidence to establish his guilt is found.\"|42| |43|\"If the evidence satisfies me, it must be sufficient to satisfy any ordinary jury. I demand his immediate arrest.\"|43|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"Francis Oakley\",\n \"4\": \"No speaker\",\n \"5\": \"Francis Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Berry Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"Leslie\",\n \"11\": \"No speaker\",\n \"12\": \"Leslie\",\n \"13\": \"Berry Hamilton\",\n \"14\": \"Maurice Oakley\",\n \"15\": \"Leslie\",\n \"16\": \"Maurice Oakley\",\n \"17\": \"No speaker\",\n \"18\": \"Maurice Oakley\",\n \"19\": \"No speaker\",\n \"20\": \"The Detective\",\n \"21\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 43 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"No speaker\",\n \"3\": \"Francis Oakley\",\n \"4\": \"No speaker\",\n \"5\": \"Francis Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"Leslie\",\n \"11\": \"No speaker\",\n \"12\": \"Leslie\",\n \"13\": \"No speaker\",\n \"14\": \"Maurice Oakley\",\n \"15\": \"Leslie\",\n \"16\": \"Maurice Oakley\",\n \"17\": \"No speaker\",\n \"18\": \"Maurice Oakley\",\n \"19\": \"No speaker\",\n \"20\": \"The Detective\",\n \"21\": \"Maurice Oakley\",\n \"22\": \"The Detective\",\n \"23\": \"Maurice Oakley\",\n \"24\": \"The Detective\",\n \"25\": \"Maurice Oakley\",\n \"26\": \"The Detective\",\n \"27\": \"Maurice Oakley\",\n \"28\": \"The Detective\",\n \"29\": \"Maurice Oakley\",\n \"30\": \"The Detective\",\n \"31\": \"Maurice Oakley\",\n \"32\": \"The Detective\",\n \"33\": \"Maurice Oakley\",\n \"34\": \"The Detective\",\n \"35\": \"Maurice Oakley\",\n \"36\": \"The Detective\",\n \"37\": \"Maurice Oakley\",\n \"38\": \"The Detective\",\n \"39\": \"Maurice Oakley\",\n \"40\": \"The Detective\",\n \"41\": \"Maurice Oakley\",\n \"42\": \"The Detective\",\n \"43\": \"Maurice Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Maurice Oakley",
"2": "No speaker",
"3": "Francis Oakley",
"4": "No speaker",
"5": "Francis Oakley",
"6": "No speaker",
"7": "Maurice Oakley",
"8": "No speaker",
"9": "Maurice Oakley",
"10": "Leslie",
"11": "No speaker",
"12": "Leslie",
"13": "No speaker",
"14": "Maurice Oakley",
"15": "Leslie",
"16": "Maurice Oakley",
"17": "No speaker",
"18": "Maurice Oakley",
"19": "No speaker",
"20": "The Detective",
"21": "Maurice Oakley",
"22": "The Detective",
"23": "Maurice Oakley",
"24": "The Detective",
"25": "Maurice Oakley",
"26": "The Detective",
"27": "Maurice Oakley",
"28": "The Detective",
"29": "Maurice Oakley",
"30": "The Detective",
"31": "Maurice Oakley",
"32": "The Detective",
"33": "Maurice Oakley",
"34": "The Detective",
"35": "Maurice Oakley",
"36": "The Detective",
"37": "Maurice Oakley",
"38": "The Detective",
"39": "Maurice Oakley",
"40": "The Detective",
"41": "Maurice Oakley",
"42": "The Detective",
"43": "Maurice Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|was the impatient man's question as soon as the door closed upon them.|1| |2|\"I have some more information that may or may not be of importance.\"|2| |3|\"Out with it; maybe I can tell.\"|3| |4|\"First, let me ask if you had any reason to believe that your butler had any resources of his own, say to the amount of three or four hundred dollars?\"|4| |5|\"Certainly not. I pay him thirty dollars a month, and his wife fifteen dollars, and with keeping up his lodges and the way he dresses that girl, he can't save very much.\"|5| |6|\"You know that he has money in the bank?\"|6| |7|\"No.\"|7| |8|\"Well, he has. Over eight hundred dollars.\"|8| |9|\"What? Berry? It must be the pickings of years.\"|9| |10|\"And yesterday it was increased by five hundred more.\"|10| |11|\"The scoundrel!\"|11| |12|\"How was your brother's money, in bills?\"|12| |13|\"It was in large bills and gold, with some silver.\"|13| |14|\"Berry's money was almost all in bills of a small denomination and silver.\"|14| |15|\"A poor trick; it could easily have been changed.\"|15| |16|\"Not such a sum without exciting comment.\"|16| |17|\"He may have gone to several places.\"|17| |18|\"But he had only a day to do it in.\"|18| |19|\"Then some one must have been his accomplice.\"|19| |20|\"That remains to be proven.\"|20| |21|\"Nothing remains to be proven. Why, it 's as clear as day that the money he has is the result of a long series of peculations, and that this last is the result of his first large theft.\"|21| |22|\"That must be made clear to the law.\"|22| |23|\"It shall be.\"|23| |24|\"I should advise, though, no open proceedings against this servant until further evidence to establish his guilt is found.\"|24| |25|\"If the evidence satisfies me, it must be sufficient to satisfy any ordinary jury. I demand his immediate arrest.\"|25| |26|\"As you will, sir. Will you have him called here and question him, or will you let me question him at once?\"|26| |27|\"Yes.\"|27| |28|Oakley struck the bell, and Berry himself answered it.|28| |29|\"You 're just the man we want,\"|29| |30|said Oakley, shortly. Berry looked astonished.|30| |31|\"Shall I question him,\"|31| |32|asked the officer,|32| |33|\"or will you?\"|33| |34|\"I will. Berry, you deposited five hundred dollars at the bank yesterday?\"|34| |35|\"Well, suh, Mistah Oakley,\"|35| |36|was the grinning reply,|36| |37|\"ef you ain't de beatenes' man to fin' out things I evah seen.\"|37| |38|The employer half rose from his chair. His face was livid with anger. But at a sign from the detective he strove to calm himself.|38| |39|\"You had better let me talk to Berry, Mr. Oakley,\"|39| |40|said the officer. Oakley nodded. Berry was looking distressed and excited. He seemed not to understand it at all.|40| |41|\"Berry,\"|41| |42|the officer pursued,|42| |43|\"you admit having deposited five hundred dollars in the bank yesterday?\"|43| |44|\"Sut'ny. Dey ain't no reason why I should n't admit it, 'ceptin' erroun' ermong dese jealous niggahs.\"|44| |45|\"Uh huh! well, now, where did you get this money?\"|45| |46|\"Why, I wo'ked fu' it, o' co'se, whaih you s'pose I got it? 'T ain't drappin' off trees, I reckon, not roun' dis pa't of de country.\"|46| |47|\"You worked for it? You must have done a pretty big job to have got so much money all in a lump?\"|47| |48|\"But I did n't git it in a lump. Why, man, I 've been savin' dat money fu mo'n fo' yeahs.\"|48|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Minty Brown\",\n \"2\": \"The Detective\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"The Detective\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"The Detective\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"The Detective\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"The Detective\",\n \"11\": \"Maurice Oakley\",\n \"12\": \"The Detective\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"The Detective\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"The Detective\",\n \"17\": \"Kit Hamilton\",\n \"18\": \"The Detective\",\n \"19\": \"Maurice Oakley\",\n \"20\": \"The Detective\",\n \"21\": \"Maurice Oakley\",\n \"22\": \"The Detective\",\n \"23\": \"Maurice Oakley\",\n \"24\": \"The Detective\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 48 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|was the impatient man's question as soon as the door closed upon them.|1| |2|\"I have some more information that may or may not be of importance.\"|2| |3|\"Out with it; maybe I can tell.\"|3| |4|\"First, let me ask if you had any reason to believe that your butler had any resources of his own, say to the amount of three or four hundred dollars?\"|4| |5|\"Certainly not. I pay him thirty dollars a month, and his wife fifteen dollars, and with keeping up his lodges and the way he dresses that girl, he can't save very much.\"|5| |6|\"You know that he has money in the bank?\"|6| |7|\"No.\"|7| |8|\"Well, he has. Over eight hundred dollars.\"|8| |9|\"What? Berry? It must be the pickings of years.\"|9| |10|\"And yesterday it was increased by five hundred more.\"|10| |11|\"The scoundrel!\"|11| |12|\"How was your brother's money, in bills?\"|12| |13|\"It was in large bills and gold, with some silver.\"|13| |14|\"Berry's money was almost all in bills of a small denomination and silver.\"|14| |15|\"A poor trick; it could easily have been changed.\"|15| |16|\"Not such a sum without exciting comment.\"|16| |17|\"He may have gone to several places.\"|17| |18|\"But he had only a day to do it in.\"|18| |19|\"Then some one must have been his accomplice.\"|19| |20|\"That remains to be proven.\"|20| |21|\"Nothing remains to be proven. Why, it 's as clear as day that the money he has is the result of a long series of peculations, and that this last is the result of his first large theft.\"|21| |22|\"That must be made clear to the law.\"|22| |23|\"It shall be.\"|23| |24|\"I should advise, though, no open proceedings against this servant until further evidence to establish his guilt is found.\"|24| |25|\"If the evidence satisfies me, it must be sufficient to satisfy any ordinary jury. I demand his immediate arrest.\"|25| |26|\"As you will, sir. Will you have him called here and question him, or will you let me question him at once?\"|26| |27|\"Yes.\"|27| |28|Oakley struck the bell, and Berry himself answered it.|28| |29|\"You 're just the man we want,\"|29| |30|said Oakley, shortly. Berry looked astonished.|30| |31|\"Shall I question him,\"|31| |32|asked the officer,|32| |33|\"or will you?\"|33| |34|\"I will. Berry, you deposited five hundred dollars at the bank yesterday?\"|34| |35|\"Well, suh, Mistah Oakley,\"|35| |36|was the grinning reply,|36| |37|\"ef you ain't de beatenes' man to fin' out things I evah seen.\"|37| |38|The employer half rose from his chair. His face was livid with anger. But at a sign from the detective he strove to calm himself.|38| |39|\"You had better let me talk to Berry, Mr. Oakley,\"|39| |40|said the officer. Oakley nodded. Berry was looking distressed and excited. He seemed not to understand it at all.|40| |41|\"Berry,\"|41| |42|the officer pursued,|42| |43|\"you admit having deposited five hundred dollars in the bank yesterday?\"|43| |44|\"Sut'ny. Dey ain't no reason why I should n't admit it, 'ceptin' erroun' ermong dese jealous niggahs.\"|44| |45|\"Uh huh! well, now, where did you get this money?\"|45| |46|\"Why, I wo'ked fu' it, o' co'se, whaih you s'pose I got it? 'T ain't drappin' off trees, I reckon, not roun' dis pa't of de country.\"|46| |47|\"You worked for it? You must have done a pretty big job to have got so much money all in a lump?\"|47| |48|\"But I did n't git it in a lump. Why, man, I 've been savin' dat money fu mo'n fo' yeahs.\"|48|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Minty Brown\",\n \"2\": \"The Detective\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"The Detective\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"The Detective\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"The Detective\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"The Detective\",\n \"11\": \"Maurice Oakley\",\n \"12\": \"The Detective\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"The Detective\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"The Detective\",\n \"17\": \"Kit Hamilton\",\n \"18\": \"The Detective\",\n \"19\": \"Maurice Oakley\",\n \"20\": \"The Detective\",\n \"21\": \"Maurice Oakley\",\n \"22\": \"The Detective\",\n \"23\": \"Maurice Oakley\",\n \"24\": \"The Detective\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 48 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Detective\",\n \"3\": \"Maurice Oakley\",\n \"4\": \"The Detective\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"The Detective\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"The Detective\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"The Detective\",\n \"11\": \"Maurice Oakley\",\n \"12\": \"The Detective\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"The Detective\",\n \"15\": \"Maurice Oakley\",\n \"16\": \"The Detective\",\n \"17\": \"Maurice Oakley\",\n \"18\": \"The Detective\",\n \"19\": \"Maurice Oakley\",\n \"20\": \"The Detective\",\n \"21\": \"Maurice Oakley\",\n \"22\": \"The Detective\",\n \"23\": \"Maurice Oakley\",\n \"24\": \"The Detective\",\n \"25\": \"Maurice Oakley\",\n \"26\": \"The Detective\",\n \"27\": \"Maurice Oakley\",\n \"28\": \"No speaker\",\n \"29\": \"Maurice Oakley\",\n \"30\": \"No speaker\",\n \"31\": \"The Detective\",\n \"32\": \"No speaker\",\n \"33\": \"The Detective\",\n \"34\": \"Maurice Oakley\",\n \"35\": \"Berry Hamilton\",\n \"36\": \"No speaker\",\n \"37\": \"Berry Hamilton\",\n \"38\": \"No speaker\",\n \"39\": \"The Detective\",\n \"40\": \"No speaker\",\n \"41\": \"The Detective\",\n \"42\": \"No speaker\",\n \"43\": \"The Detective\",\n \"44\": \"Berry Hamilton\",\n \"45\": \"The Detective\",\n \"46\": \"Berry Hamilton\",\n \"47\": \"The Detective\",\n \"48\": \"Berry Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "The Detective",
"3": "Maurice Oakley",
"4": "The Detective",
"5": "Maurice Oakley",
"6": "The Detective",
"7": "Maurice Oakley",
"8": "The Detective",
"9": "Maurice Oakley",
"10": "The Detective",
"11": "Maurice Oakley",
"12": "The Detective",
"13": "Maurice Oakley",
"14": "The Detective",
"15": "Maurice Oakley",
"16": "The Detective",
"17": "Maurice Oakley",
"18": "The Detective",
"19": "Maurice Oakley",
"20": "The Detective",
"21": "Maurice Oakley",
"22": "The Detective",
"23": "Maurice Oakley",
"24": "The Detective",
"25": "Maurice Oakley",
"26": "The Detective",
"27": "Maurice Oakley",
"28": "No speaker",
"29": "Maurice Oakley",
"30": "No speaker",
"31": "The Detective",
"32": "No speaker",
"33": "The Detective",
"34": "Maurice Oakley",
"35": "Berry Hamilton",
"36": "No speaker",
"37": "Berry Hamilton",
"38": "No speaker",
"39": "The Detective",
"40": "No speaker",
"41": "The Detective",
"42": "No speaker",
"43": "The Detective",
"44": "Berry Hamilton",
"45": "The Detective",
"46": "Berry Hamilton",
"47": "The Detective",
"48": "Berry Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I should advise, though, no open proceedings against this servant until further evidence to establish his guilt is found.\"|1| |2|\"If the evidence satisfies me, it must be sufficient to satisfy any ordinary jury. I demand his immediate arrest.\"|2| |3|\"As you will, sir. Will you have him called here and question him, or will you let me question him at once?\"|3| |4|\"Yes.\"|4| |5|Oakley struck the bell, and Berry himself answered it.|5| |6|\"You 're just the man we want,\"|6| |7|said Oakley, shortly. Berry looked astonished.|7| |8|\"Shall I question him,\"|8| |9|asked the officer,|9| |10|\"or will you?\"|10| |11|\"I will. Berry, you deposited five hundred dollars at the bank yesterday?\"|11| |12|\"Well, suh, Mistah Oakley,\"|12| |13|was the grinning reply,|13| |14|\"ef you ain't de beatenes' man to fin' out things I evah seen.\"|14| |15|The employer half rose from his chair. His face was livid with anger. But at a sign from the detective he strove to calm himself.|15| |16|\"You had better let me talk to Berry, Mr. Oakley,\"|16| |17|said the officer. Oakley nodded. Berry was looking distressed and excited. He seemed not to understand it at all.|17| |18|\"Berry,\"|18| |19|the officer pursued,|19| |20|\"you admit having deposited five hundred dollars in the bank yesterday?\"|20| |21|\"Sut'ny. Dey ain't no reason why I should n't admit it, 'ceptin' erroun' ermong dese jealous niggahs.\"|21| |22|\"Uh huh! well, now, where did you get this money?\"|22| |23|\"Why, I wo'ked fu' it, o' co'se, whaih you s'pose I got it? 'T ain't drappin' off trees, I reckon, not roun' dis pa't of de country.\"|23| |24|\"You worked for it? You must have done a pretty big job to have got so much money all in a lump?\"|24| |25|\"But I did n't git it in a lump. Why, man, I 've been savin' dat money fu mo'n fo' yeahs.\"|25| |26|\"More than four years? Why did n't you put it in the bank as you got it?\"|26| |27|\"Why, mos'ly it was too small, an' so I des' kep' it in a ol' sock. I tol' Fannie dat some day ef de bank did n't bus' wid all de res' I had, I 'd put it in too. She was allus sayin' it was too much to have layin' 'roun' de house. But I des' tol' huh dat no robber was n't goin' to bothah de po' niggah down in de ya'd wid de rich white man up at de house. But fin'lly I listened to huh an' sposited it yistiddy.\"|27| |28|\"You 're a liar! you 're a liar, you black thief!\"|28| |29|Oakley broke in impetuously.|29| |30|\"You have learned your lesson well, but you can't cheat me. I know where that money came from.\"|30| |31|\"Calm yourself, Mr. Oakley, calm yourself.\"|31| |32|\"I will not calm myself. Take him away. He shall not stand here and lie to me.\"|32| |33|Berry had suddenly turned ashen.|33| |34|\"You say you know whaih dat money come f'om? Whaih?\"|34| |35|\"You stole it, you thief, from my brother Frank's room.\"|35| |36|\"Stole it! My Gawd, Mistah Oakley, you believed a thing lak dat aftah all de yeahs I been wid you?\"|36| |37|\"You 've been stealing all along.\"|37| |38|\"Why, what shell I do?\"|38|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"The Detective\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Mr. Thomas\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Skaggs\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"The Detective\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"Maurice Oakley\",\n \"12\": \"Berry Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Berry Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"The Detective\",\n \"17\": \"No speaker\",\n \"18\": \"The Detective\",\n \"19\": \"Martin\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 38 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I should advise, though, no open proceedings against this servant until further evidence to establish his guilt is found.\"|1| |2|\"If the evidence satisfies me, it must be sufficient to satisfy any ordinary jury. I demand his immediate arrest.\"|2| |3|\"As you will, sir. Will you have him called here and question him, or will you let me question him at once?\"|3| |4|\"Yes.\"|4| |5|Oakley struck the bell, and Berry himself answered it.|5| |6|\"You 're just the man we want,\"|6| |7|said Oakley, shortly. Berry looked astonished.|7| |8|\"Shall I question him,\"|8| |9|asked the officer,|9| |10|\"or will you?\"|10| |11|\"I will. Berry, you deposited five hundred dollars at the bank yesterday?\"|11| |12|\"Well, suh, Mistah Oakley,\"|12| |13|was the grinning reply,|13| |14|\"ef you ain't de beatenes' man to fin' out things I evah seen.\"|14| |15|The employer half rose from his chair. His face was livid with anger. But at a sign from the detective he strove to calm himself.|15| |16|\"You had better let me talk to Berry, Mr. Oakley,\"|16| |17|said the officer. Oakley nodded. Berry was looking distressed and excited. He seemed not to understand it at all.|17| |18|\"Berry,\"|18| |19|the officer pursued,|19| |20|\"you admit having deposited five hundred dollars in the bank yesterday?\"|20| |21|\"Sut'ny. Dey ain't no reason why I should n't admit it, 'ceptin' erroun' ermong dese jealous niggahs.\"|21| |22|\"Uh huh! well, now, where did you get this money?\"|22| |23|\"Why, I wo'ked fu' it, o' co'se, whaih you s'pose I got it? 'T ain't drappin' off trees, I reckon, not roun' dis pa't of de country.\"|23| |24|\"You worked for it? You must have done a pretty big job to have got so much money all in a lump?\"|24| |25|\"But I did n't git it in a lump. Why, man, I 've been savin' dat money fu mo'n fo' yeahs.\"|25| |26|\"More than four years? Why did n't you put it in the bank as you got it?\"|26| |27|\"Why, mos'ly it was too small, an' so I des' kep' it in a ol' sock. I tol' Fannie dat some day ef de bank did n't bus' wid all de res' I had, I 'd put it in too. She was allus sayin' it was too much to have layin' 'roun' de house. But I des' tol' huh dat no robber was n't goin' to bothah de po' niggah down in de ya'd wid de rich white man up at de house. But fin'lly I listened to huh an' sposited it yistiddy.\"|27| |28|\"You 're a liar! you 're a liar, you black thief!\"|28| |29|Oakley broke in impetuously.|29| |30|\"You have learned your lesson well, but you can't cheat me. I know where that money came from.\"|30| |31|\"Calm yourself, Mr. Oakley, calm yourself.\"|31| |32|\"I will not calm myself. Take him away. He shall not stand here and lie to me.\"|32| |33|Berry had suddenly turned ashen.|33| |34|\"You say you know whaih dat money come f'om? Whaih?\"|34| |35|\"You stole it, you thief, from my brother Frank's room.\"|35| |36|\"Stole it! My Gawd, Mistah Oakley, you believed a thing lak dat aftah all de yeahs I been wid you?\"|36| |37|\"You 've been stealing all along.\"|37| |38|\"Why, what shell I do?\"|38|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"The Detective\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Mr. Thomas\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Skaggs\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"The Detective\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"Maurice Oakley\",\n \"12\": \"Berry Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Berry Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"The Detective\",\n \"17\": \"No speaker\",\n \"18\": \"The Detective\",\n \"19\": \"Martin\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 38 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"The Detective\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"The Detective\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"No speaker\",\n \"8\": \"The Detective\",\n \"9\": \"No speaker\",\n \"10\": \"The Detective\",\n \"11\": \"Maurice Oakley\",\n \"12\": \"Berry Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Berry Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"The Detective\",\n \"17\": \"No speaker\",\n \"18\": \"The Detective\",\n \"19\": \"No speaker\",\n \"20\": \"The Detective\",\n \"21\": \"Berry Hamilton\",\n \"22\": \"The Detective\",\n \"23\": \"Berry Hamilton\",\n \"24\": \"The Detective\",\n \"25\": \"Berry Hamilton\",\n \"26\": \"The Detective\",\n \"27\": \"Berry Hamilton\",\n \"28\": \"Maurice Oakley\",\n \"29\": \"No speaker\",\n \"30\": \"Maurice Oakley\",\n \"31\": \"The Detective\",\n \"32\": \"Maurice Oakley\",\n \"33\": \"No speaker\",\n \"34\": \"Berry Hamilton\",\n \"35\": \"Maurice Oakley\",\n \"36\": \"Berry Hamilton\",\n \"37\": \"Maurice Oakley\",\n \"38\": \"Berry Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "The Detective",
"2": "Maurice Oakley",
"3": "The Detective",
"4": "Maurice Oakley",
"5": "No speaker",
"6": "Maurice Oakley",
"7": "No speaker",
"8": "The Detective",
"9": "No speaker",
"10": "The Detective",
"11": "Maurice Oakley",
"12": "Berry Hamilton",
"13": "No speaker",
"14": "Berry Hamilton",
"15": "No speaker",
"16": "The Detective",
"17": "No speaker",
"18": "The Detective",
"19": "No speaker",
"20": "The Detective",
"21": "Berry Hamilton",
"22": "The Detective",
"23": "Berry Hamilton",
"24": "The Detective",
"25": "Berry Hamilton",
"26": "The Detective",
"27": "Berry Hamilton",
"28": "Maurice Oakley",
"29": "No speaker",
"30": "Maurice Oakley",
"31": "The Detective",
"32": "Maurice Oakley",
"33": "No speaker",
"34": "Berry Hamilton",
"35": "Maurice Oakley",
"36": "Berry Hamilton",
"37": "Maurice Oakley",
"38": "Berry Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"You worked for it? You must have done a pretty big job to have got so much money all in a lump?\"|1| |2|\"But I did n't git it in a lump. Why, man, I 've been savin' dat money fu mo'n fo' yeahs.\"|2| |3|\"More than four years? Why did n't you put it in the bank as you got it?\"|3| |4|\"Why, mos'ly it was too small, an' so I des' kep' it in a ol' sock. I tol' Fannie dat some day ef de bank did n't bus' wid all de res' I had, I 'd put it in too. She was allus sayin' it was too much to have layin' 'roun' de house. But I des' tol' huh dat no robber was n't goin' to bothah de po' niggah down in de ya'd wid de rich white man up at de house. But fin'lly I listened to huh an' sposited it yistiddy.\"|4| |5|\"You 're a liar! you 're a liar, you black thief!\"|5| |6|Oakley broke in impetuously.|6| |7|\"You have learned your lesson well, but you can't cheat me. I know where that money came from.\"|7| |8|\"Calm yourself, Mr. Oakley, calm yourself.\"|8| |9|\"I will not calm myself. Take him away. He shall not stand here and lie to me.\"|9| |10|Berry had suddenly turned ashen.|10| |11|\"You say you know whaih dat money come f'om? Whaih?\"|11| |12|\"You stole it, you thief, from my brother Frank's room.\"|12| |13|\"Stole it! My Gawd, Mistah Oakley, you believed a thing lak dat aftah all de yeahs I been wid you?\"|13| |14|\"You 've been stealing all along.\"|14| |15|\"Why, what shell I do?\"|15| |16|said the servant helplessly.|16| |17|\"I tell you, Mistah Oakley, ask Fannie. She 'll know how long I been a-savin' dis money.\"|17| |18|\"I 'll ask no one.\"|18| |19|\"I think it would be better to call his wife, Oakley.\"|19| |20|\"Well, call her, but let this matter be done with soon.\"|20| |21|Fannie was summoned, and when the matter was explained to her, first gave evidences of giving way to grief, but when the detective began to question her, she calmed herself and answered directly just as her husband had.|21| |22|\"Well posted,\"|22| |23|sneered Oakley.|23| |24|\"Arrest that man.\"|24| |25|Berry had begun to look more hopeful during Fannie's recital, but now the ashen look came back into his face. At the word \"arrest\" his wife collapsed utterly, and sobbed on her husband's shoulder.|25| |26|\"Send the woman away.\"|26| |27|\"I won't go,\"|27| |28|cried Fannie stoutly;|28| |29|\"I 'll stay right hyeah by my husband. You sha'n't drive me away f'om him.\"|29| |30|Berry turned to his employer.|30| |31|\"You b'lieve dat I stole f'om dis house aftah all de yeahs I 've been in it, aftah de caih I took of yo' money an' yo' valybles, aftah de way I 've put you to bed f'om many a dinnah, an' you woke up to fin' all yo' money safe? Now, can you b'lieve dis?\"|31| |32|His voice broke, and he ended with a cry.|32| |33|\"Yes, I believe it, you thief, yes. Take him away.\"|33| |34|Berry's eyes were bloodshot as he replied,|34| |35|\"Den, damn you! damn you! ef dat 's all dese yeahs counted fu', I wish I had a-stoled it.\"|35| |36|Oakley made a step forward, and his man did likewise, but the officer stepped between them.|36|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"The Detective\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"The Detective\",\n \"4\": \"Berry Hamilton\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"The Detective\",\n \"9\": \"Colonel Saunders\",\n \"10\": \"No speaker\",\n \"11\": \"Berry Hamilton\",\n \"12\": \"Maurice Oakley\",\n \"13\": \"Mrs. Jones\",\n \"14\": \"Maurice Oakley\",\n \"15\": \"Berry Hamilton\",\n \"16\": \"No speaker\",\n \"17\": \"Berry Hamilton\",\n \"18\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 36 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"You worked for it? You must have done a pretty big job to have got so much money all in a lump?\"|1| |2|\"But I did n't git it in a lump. Why, man, I 've been savin' dat money fu mo'n fo' yeahs.\"|2| |3|\"More than four years? Why did n't you put it in the bank as you got it?\"|3| |4|\"Why, mos'ly it was too small, an' so I des' kep' it in a ol' sock. I tol' Fannie dat some day ef de bank did n't bus' wid all de res' I had, I 'd put it in too. She was allus sayin' it was too much to have layin' 'roun' de house. But I des' tol' huh dat no robber was n't goin' to bothah de po' niggah down in de ya'd wid de rich white man up at de house. But fin'lly I listened to huh an' sposited it yistiddy.\"|4| |5|\"You 're a liar! you 're a liar, you black thief!\"|5| |6|Oakley broke in impetuously.|6| |7|\"You have learned your lesson well, but you can't cheat me. I know where that money came from.\"|7| |8|\"Calm yourself, Mr. Oakley, calm yourself.\"|8| |9|\"I will not calm myself. Take him away. He shall not stand here and lie to me.\"|9| |10|Berry had suddenly turned ashen.|10| |11|\"You say you know whaih dat money come f'om? Whaih?\"|11| |12|\"You stole it, you thief, from my brother Frank's room.\"|12| |13|\"Stole it! My Gawd, Mistah Oakley, you believed a thing lak dat aftah all de yeahs I been wid you?\"|13| |14|\"You 've been stealing all along.\"|14| |15|\"Why, what shell I do?\"|15| |16|said the servant helplessly.|16| |17|\"I tell you, Mistah Oakley, ask Fannie. She 'll know how long I been a-savin' dis money.\"|17| |18|\"I 'll ask no one.\"|18| |19|\"I think it would be better to call his wife, Oakley.\"|19| |20|\"Well, call her, but let this matter be done with soon.\"|20| |21|Fannie was summoned, and when the matter was explained to her, first gave evidences of giving way to grief, but when the detective began to question her, she calmed herself and answered directly just as her husband had.|21| |22|\"Well posted,\"|22| |23|sneered Oakley.|23| |24|\"Arrest that man.\"|24| |25|Berry had begun to look more hopeful during Fannie's recital, but now the ashen look came back into his face. At the word \"arrest\" his wife collapsed utterly, and sobbed on her husband's shoulder.|25| |26|\"Send the woman away.\"|26| |27|\"I won't go,\"|27| |28|cried Fannie stoutly;|28| |29|\"I 'll stay right hyeah by my husband. You sha'n't drive me away f'om him.\"|29| |30|Berry turned to his employer.|30| |31|\"You b'lieve dat I stole f'om dis house aftah all de yeahs I 've been in it, aftah de caih I took of yo' money an' yo' valybles, aftah de way I 've put you to bed f'om many a dinnah, an' you woke up to fin' all yo' money safe? Now, can you b'lieve dis?\"|31| |32|His voice broke, and he ended with a cry.|32| |33|\"Yes, I believe it, you thief, yes. Take him away.\"|33| |34|Berry's eyes were bloodshot as he replied,|34| |35|\"Den, damn you! damn you! ef dat 's all dese yeahs counted fu', I wish I had a-stoled it.\"|35| |36|Oakley made a step forward, and his man did likewise, but the officer stepped between them.|36|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"The Detective\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"The Detective\",\n \"4\": \"Berry Hamilton\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"The Detective\",\n \"9\": \"Colonel Saunders\",\n \"10\": \"No speaker\",\n \"11\": \"Berry Hamilton\",\n \"12\": \"Maurice Oakley\",\n \"13\": \"Mrs. Jones\",\n \"14\": \"Maurice Oakley\",\n \"15\": \"Berry Hamilton\",\n \"16\": \"No speaker\",\n \"17\": \"Berry Hamilton\",\n \"18\": \"Maurice Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 36 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"The Detective\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"The Detective\",\n \"4\": \"Berry Hamilton\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"The Detective\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"No speaker\",\n \"11\": \"Berry Hamilton\",\n \"12\": \"Maurice Oakley\",\n \"13\": \"Berry Hamilton\",\n \"14\": \"Maurice Oakley\",\n \"15\": \"Berry Hamilton\",\n \"16\": \"No speaker\",\n \"17\": \"Berry Hamilton\",\n \"18\": \"Maurice Oakley\",\n \"19\": \"The Detective\",\n \"20\": \"Maurice Oakley\",\n \"21\": \"No speaker\",\n \"22\": \"Maurice Oakley\",\n \"23\": \"No speaker\",\n \"24\": \"Maurice Oakley\",\n \"25\": \"No speaker\",\n \"26\": \"Maurice Oakley\",\n \"27\": \"Fannie Hamilton\",\n \"28\": \"No speaker\",\n \"29\": \"Fannie Hamilton\",\n \"30\": \"No speaker\",\n \"31\": \"Berry Hamilton\",\n \"32\": \"No speaker\",\n \"33\": \"Maurice Oakley\",\n \"34\": \"No speaker\",\n \"35\": \"Berry Hamilton\",\n \"36\": \"No speaker\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "The Detective",
"2": "Berry Hamilton",
"3": "The Detective",
"4": "Berry Hamilton",
"5": "Maurice Oakley",
"6": "No speaker",
"7": "Maurice Oakley",
"8": "The Detective",
"9": "Maurice Oakley",
"10": "No speaker",
"11": "Berry Hamilton",
"12": "Maurice Oakley",
"13": "Berry Hamilton",
"14": "Maurice Oakley",
"15": "Berry Hamilton",
"16": "No speaker",
"17": "Berry Hamilton",
"18": "Maurice Oakley",
"19": "The Detective",
"20": "Maurice Oakley",
"21": "No speaker",
"22": "Maurice Oakley",
"23": "No speaker",
"24": "Maurice Oakley",
"25": "No speaker",
"26": "Maurice Oakley",
"27": "Fannie Hamilton",
"28": "No speaker",
"29": "Fannie Hamilton",
"30": "No speaker",
"31": "Berry Hamilton",
"32": "No speaker",
"33": "Maurice Oakley",
"34": "No speaker",
"35": "Berry Hamilton",
"36": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"You 've been stealing all along.\"|1| |2|\"Why, what shell I do?\"|2| |3|said the servant helplessly.|3| |4|\"I tell you, Mistah Oakley, ask Fannie. She 'll know how long I been a-savin' dis money.\"|4| |5|\"I 'll ask no one.\"|5| |6|\"I think it would be better to call his wife, Oakley.\"|6| |7|\"Well, call her, but let this matter be done with soon.\"|7| |8|Fannie was summoned, and when the matter was explained to her, first gave evidences of giving way to grief, but when the detective began to question her, she calmed herself and answered directly just as her husband had.|8| |9|\"Well posted,\"|9| |10|sneered Oakley.|10| |11|\"Arrest that man.\"|11| |12|Berry had begun to look more hopeful during Fannie's recital, but now the ashen look came back into his face. At the word \"arrest\" his wife collapsed utterly, and sobbed on her husband's shoulder.|12| |13|\"Send the woman away.\"|13| |14|\"I won't go,\"|14| |15|cried Fannie stoutly;|15| |16|\"I 'll stay right hyeah by my husband. You sha'n't drive me away f'om him.\"|16| |17|Berry turned to his employer.|17| |18|\"You b'lieve dat I stole f'om dis house aftah all de yeahs I 've been in it, aftah de caih I took of yo' money an' yo' valybles, aftah de way I 've put you to bed f'om many a dinnah, an' you woke up to fin' all yo' money safe? Now, can you b'lieve dis?\"|18| |19|His voice broke, and he ended with a cry.|19| |20|\"Yes, I believe it, you thief, yes. Take him away.\"|20| |21|Berry's eyes were bloodshot as he replied,|21| |22|\"Den, damn you! damn you! ef dat 's all dese yeahs counted fu', I wish I had a-stoled it.\"|22| |23|Oakley made a step forward, and his man did likewise, but the officer stepped between them.|23| |24|\"Take that damned hound away, or, by God! I 'll do him violence!\"|24| |25|The two men stood fiercely facing each other, then the handcuffs were snapped on the servant's wrist.|25| |26|\"No, no,\"|26| |27|shrieked Fannie,|27| |28|\"you must n't, you must n't. Oh, my Gawd! he ain 't no thief. I 'll go to Mis' Oakley. She nevah will believe it.\"|28| |29|She sped from the room. The commotion had called a crowd of curious servants into the hall. Fannie hardly saw them as she dashed among them, crying for her mistress. In a moment she returned, dragging Mrs. Oakley by the hand.|29| |30|\"Tell 'em, oh, tell 'em, Miss Leslie, dat you don't believe it. Don't let 'em 'rest Berry.\"|30| |31|\"Why, Fannie, I can't do anything. It all seems perfectly plain, and Mr. Oakley knows better than any of us, you know.\"|31| |32|Fannie, her last hope gone, flung herself on the floor, crying,|32| |33|\"O Gawd! O Gawd! he 's gone fu' sho'!\"|33| |34|Her husband bent over her, the tears dropping from his eyes.|34| |35|\"Nevah min', Fannie,\"|35| |36|he said,|36| |37|\"nevah min'. Hit 's boun' to come out all right.\"|37| |38|She raised her head, and seizing his manacled hands pressed them to her breast, wailing in a low monotone,|38| |39|\"Gone! gone!\"|39| |40|They disengaged her hands, and led Berry away.|40| |41|\"Take her out,\"|41| |42|said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, \"I did n't think it of him.\" There were only a few who dared to say, \"I don't believe it of him.\" The first act of his lodge, \"The Tribe of Benjamin,\" whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not.|42|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"Hattie Sterling\",\n \"4\": \"Berry Hamilton\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"The Detective\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"Colonel Saunders\",\n \"11\": \"Minty Brown\",\n \"12\": \"No speaker\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"Fannie Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Berry Hamilton\",\n \"17\": \"No speaker\",\n \"18\": \"Berry Hamilton\",\n \"19\": \"No speaker\",\n \"20\": \"Maurice Oakley\",\n \"21\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 42 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"You 've been stealing all along.\"|1| |2|\"Why, what shell I do?\"|2| |3|said the servant helplessly.|3| |4|\"I tell you, Mistah Oakley, ask Fannie. She 'll know how long I been a-savin' dis money.\"|4| |5|\"I 'll ask no one.\"|5| |6|\"I think it would be better to call his wife, Oakley.\"|6| |7|\"Well, call her, but let this matter be done with soon.\"|7| |8|Fannie was summoned, and when the matter was explained to her, first gave evidences of giving way to grief, but when the detective began to question her, she calmed herself and answered directly just as her husband had.|8| |9|\"Well posted,\"|9| |10|sneered Oakley.|10| |11|\"Arrest that man.\"|11| |12|Berry had begun to look more hopeful during Fannie's recital, but now the ashen look came back into his face. At the word \"arrest\" his wife collapsed utterly, and sobbed on her husband's shoulder.|12| |13|\"Send the woman away.\"|13| |14|\"I won't go,\"|14| |15|cried Fannie stoutly;|15| |16|\"I 'll stay right hyeah by my husband. You sha'n't drive me away f'om him.\"|16| |17|Berry turned to his employer.|17| |18|\"You b'lieve dat I stole f'om dis house aftah all de yeahs I 've been in it, aftah de caih I took of yo' money an' yo' valybles, aftah de way I 've put you to bed f'om many a dinnah, an' you woke up to fin' all yo' money safe? Now, can you b'lieve dis?\"|18| |19|His voice broke, and he ended with a cry.|19| |20|\"Yes, I believe it, you thief, yes. Take him away.\"|20| |21|Berry's eyes were bloodshot as he replied,|21| |22|\"Den, damn you! damn you! ef dat 's all dese yeahs counted fu', I wish I had a-stoled it.\"|22| |23|Oakley made a step forward, and his man did likewise, but the officer stepped between them.|23| |24|\"Take that damned hound away, or, by God! I 'll do him violence!\"|24| |25|The two men stood fiercely facing each other, then the handcuffs were snapped on the servant's wrist.|25| |26|\"No, no,\"|26| |27|shrieked Fannie,|27| |28|\"you must n't, you must n't. Oh, my Gawd! he ain 't no thief. I 'll go to Mis' Oakley. She nevah will believe it.\"|28| |29|She sped from the room. The commotion had called a crowd of curious servants into the hall. Fannie hardly saw them as she dashed among them, crying for her mistress. In a moment she returned, dragging Mrs. Oakley by the hand.|29| |30|\"Tell 'em, oh, tell 'em, Miss Leslie, dat you don't believe it. Don't let 'em 'rest Berry.\"|30| |31|\"Why, Fannie, I can't do anything. It all seems perfectly plain, and Mr. Oakley knows better than any of us, you know.\"|31| |32|Fannie, her last hope gone, flung herself on the floor, crying,|32| |33|\"O Gawd! O Gawd! he 's gone fu' sho'!\"|33| |34|Her husband bent over her, the tears dropping from his eyes.|34| |35|\"Nevah min', Fannie,\"|35| |36|he said,|36| |37|\"nevah min'. Hit 's boun' to come out all right.\"|37| |38|She raised her head, and seizing his manacled hands pressed them to her breast, wailing in a low monotone,|38| |39|\"Gone! gone!\"|39| |40|They disengaged her hands, and led Berry away.|40| |41|\"Take her out,\"|41| |42|said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, \"I did n't think it of him.\" There were only a few who dared to say, \"I don't believe it of him.\" The first act of his lodge, \"The Tribe of Benjamin,\" whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not.|42|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"Hattie Sterling\",\n \"4\": \"Berry Hamilton\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"The Detective\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"Colonel Saunders\",\n \"11\": \"Minty Brown\",\n \"12\": \"No speaker\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"Fannie Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Berry Hamilton\",\n \"17\": \"No speaker\",\n \"18\": \"Berry Hamilton\",\n \"19\": \"No speaker\",\n \"20\": \"Maurice Oakley\",\n \"21\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 42 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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"content": "{\n \"predictions\": {\n \"1\": \"Maurice Oakley\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Berry Hamilton\",\n \"5\": \"Maurice Oakley\",\n \"6\": \"The Detective\",\n \"7\": \"Maurice Oakley\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"No speaker\",\n \"11\": \"Maurice Oakley\",\n \"12\": \"No speaker\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"Fannie Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Fannie Hamilton\",\n \"17\": \"No speaker\",\n \"18\": \"Berry Hamilton\",\n \"19\": \"No speaker\",\n \"20\": \"Maurice Oakley\",\n \"21\": \"No speaker\",\n \"22\": \"Berry Hamilton\",\n \"23\": \"No speaker\",\n \"24\": \"Maurice Oakley\",\n \"25\": \"No speaker\",\n \"26\": \"Fannie Hamilton\",\n \"27\": \"No speaker\",\n \"28\": \"Fannie Hamilton\",\n \"29\": \"No speaker\",\n \"30\": \"Fannie Hamilton\",\n \"31\": \"Leslie\",\n \"32\": \"No speaker\",\n \"33\": \"Fannie Hamilton\",\n \"34\": \"No speaker\",\n \"35\": \"Berry Hamilton\",\n \"36\": \"No speaker\",\n \"37\": \"Berry Hamilton\",\n \"38\": \"No speaker\",\n \"39\": \"Fannie Hamilton\",\n \"40\": \"No speaker\",\n \"41\": \"Maurice Oakley\",\n \"42\": \"No speaker\"\n }\n}",
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{
"predictions": {
"1": "Maurice Oakley",
"2": "Berry Hamilton",
"3": "No speaker",
"4": "Berry Hamilton",
"5": "Maurice Oakley",
"6": "The Detective",
"7": "Maurice Oakley",
"8": "No speaker",
"9": "Maurice Oakley",
"10": "No speaker",
"11": "Maurice Oakley",
"12": "No speaker",
"13": "Maurice Oakley",
"14": "Fannie Hamilton",
"15": "No speaker",
"16": "Fannie Hamilton",
"17": "No speaker",
"18": "Berry Hamilton",
"19": "No speaker",
"20": "Maurice Oakley",
"21": "No speaker",
"22": "Berry Hamilton",
"23": "No speaker",
"24": "Maurice Oakley",
"25": "No speaker",
"26": "Fannie Hamilton",
"27": "No speaker",
"28": "Fannie Hamilton",
"29": "No speaker",
"30": "Fannie Hamilton",
"31": "Leslie",
"32": "No speaker",
"33": "Fannie Hamilton",
"34": "No speaker",
"35": "Berry Hamilton",
"36": "No speaker",
"37": "Berry Hamilton",
"38": "No speaker",
"39": "Fannie Hamilton",
"40": "No speaker",
"41": "Maurice Oakley",
"42": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Den, damn you! damn you! ef dat 's all dese yeahs counted fu', I wish I had a-stoled it.\"|1| |2|Oakley made a step forward, and his man did likewise, but the officer stepped between them.|2| |3|\"Take that damned hound away, or, by God! I 'll do him violence!\"|3| |4|The two men stood fiercely facing each other, then the handcuffs were snapped on the servant's wrist.|4| |5|\"No, no,\"|5| |6|shrieked Fannie,|6| |7|\"you must n't, you must n't. Oh, my Gawd! he ain 't no thief. I 'll go to Mis' Oakley. She nevah will believe it.\"|7| |8|She sped from the room. The commotion had called a crowd of curious servants into the hall. Fannie hardly saw them as she dashed among them, crying for her mistress. In a moment she returned, dragging Mrs. Oakley by the hand.|8| |9|\"Tell 'em, oh, tell 'em, Miss Leslie, dat you don't believe it. Don't let 'em 'rest Berry.\"|9| |10|\"Why, Fannie, I can't do anything. It all seems perfectly plain, and Mr. Oakley knows better than any of us, you know.\"|10| |11|Fannie, her last hope gone, flung herself on the floor, crying,|11| |12|\"O Gawd! O Gawd! he 's gone fu' sho'!\"|12| |13|Her husband bent over her, the tears dropping from his eyes.|13| |14|\"Nevah min', Fannie,\"|14| |15|he said,|15| |16|\"nevah min'. Hit 's boun' to come out all right.\"|16| |17|She raised her head, and seizing his manacled hands pressed them to her breast, wailing in a low monotone,|17| |18|\"Gone! gone!\"|18| |19|They disengaged her hands, and led Berry away.|19| |20|\"Take her out,\"|20| |21|said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, \"I did n't think it of him.\" There were only a few who dared to say, \"I don't believe it of him.\" The first act of his lodge, \"The Tribe of Benjamin,\" whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not.|21| |22|\"Tell me, tell me,\"|22|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Berry Hamilton\",\n \"2\": \"No speaker\",\n \"3\": \"Maurice Oakley\",\n \"4\": \"No speaker\",\n \"5\": \"Minty Brown\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"Kit Hamilton\",\n \"9\": \"Minty Brown\",\n \"10\": \"Leslie\",\n \"11\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 22 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
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|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Den, damn you! damn you! ef dat 's all dese yeahs counted fu', I wish I had a-stoled it.\"|1| |2|Oakley made a step forward, and his man did likewise, but the officer stepped between them.|2| |3|\"Take that damned hound away, or, by God! I 'll do him violence!\"|3| |4|The two men stood fiercely facing each other, then the handcuffs were snapped on the servant's wrist.|4| |5|\"No, no,\"|5| |6|shrieked Fannie,|6| |7|\"you must n't, you must n't. Oh, my Gawd! he ain 't no thief. I 'll go to Mis' Oakley. She nevah will believe it.\"|7| |8|She sped from the room. The commotion had called a crowd of curious servants into the hall. Fannie hardly saw them as she dashed among them, crying for her mistress. In a moment she returned, dragging Mrs. Oakley by the hand.|8| |9|\"Tell 'em, oh, tell 'em, Miss Leslie, dat you don't believe it. Don't let 'em 'rest Berry.\"|9| |10|\"Why, Fannie, I can't do anything. It all seems perfectly plain, and Mr. Oakley knows better than any of us, you know.\"|10| |11|Fannie, her last hope gone, flung herself on the floor, crying,|11| |12|\"O Gawd! O Gawd! he 's gone fu' sho'!\"|12| |13|Her husband bent over her, the tears dropping from his eyes.|13| |14|\"Nevah min', Fannie,\"|14| |15|he said,|15| |16|\"nevah min'. Hit 's boun' to come out all right.\"|16| |17|She raised her head, and seizing his manacled hands pressed them to her breast, wailing in a low monotone,|17| |18|\"Gone! gone!\"|18| |19|They disengaged her hands, and led Berry away.|19| |20|\"Take her out,\"|20| |21|said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, \"I did n't think it of him.\" There were only a few who dared to say, \"I don't believe it of him.\" The first act of his lodge, \"The Tribe of Benjamin,\" whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not.|21| |22|\"Tell me, tell me,\"|22|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Berry Hamilton\",\n \"2\": \"No speaker\",\n \"3\": \"Maurice Oakley\",\n \"4\": \"No speaker\",\n \"5\": \"Minty Brown\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"Kit Hamilton\",\n \"9\": \"Minty Brown\",\n \"10\": \"Leslie\",\n \"11\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 22 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Berry Hamilton\",\n \"2\": \"No speaker\",\n \"3\": \"Maurice Oakley\",\n \"4\": \"No speaker\",\n \"5\": \"Fannie Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"Leslie\",\n \"11\": \"No speaker\",\n \"12\": \"Fannie Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Berry Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Berry Hamilton\",\n \"17\": \"No speaker\",\n \"18\": \"Fannie Hamilton\",\n \"19\": \"No speaker\",\n \"20\": \"Maurice Oakley\",\n \"21\": \"No speaker\",\n \"22\": \"One Enemy\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Berry Hamilton",
"2": "No speaker",
"3": "Maurice Oakley",
"4": "No speaker",
"5": "Fannie Hamilton",
"6": "No speaker",
"7": "Fannie Hamilton",
"8": "No speaker",
"9": "Fannie Hamilton",
"10": "Leslie",
"11": "No speaker",
"12": "Fannie Hamilton",
"13": "No speaker",
"14": "Berry Hamilton",
"15": "No speaker",
"16": "Berry Hamilton",
"17": "No speaker",
"18": "Fannie Hamilton",
"19": "No speaker",
"20": "Maurice Oakley",
"21": "No speaker",
"22": "One Enemy"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, \"I did n't think it of him.\" There were only a few who dared to say, \"I don't believe it of him.\" The first act of his lodge, \"The Tribe of Benjamin,\" whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not.|1| |2|\"Tell me, tell me,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, \"I did n't think it of him.\" There were only a few who dared to say, \"I don't believe it of him.\" The first act of his lodge, \"The Tribe of Benjamin,\" whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not.|1| |2|\"Tell me, tell me,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"One Enemy\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "One Enemy"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, \"I did n't think it of him.\" There were only a few who dared to say, \"I don't believe it of him.\" The first act of his lodge, \"The Tribe of Benjamin,\" whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not.|1| |2|\"Tell me, tell me,\"|2| |3|said one,|3| |4|\"you need n't tell me dat a bird kin fly so high dat he don' have to come down some time. An' w'en he do light, honey, my Lawd, how he flop!\"|4| |5|\"Mistah Rich Niggah,\"|5| |6|said another.|6| |7|\"He wanted to dress his wife an' chillen lak white folks, did he? Well, he foun' out, he foun' out. By de time de jedge git thoo wid him he won't be hol'in' his haid so high.\"|7| |8|\"Wy, dat gal o' his'n,\"|8| |9|broke in old Isaac Brown indignantly,|9| |10|\"w'y, she would n' speak to my gal, Minty, when she met huh on de street. I reckon she come down off'n huh high hoss now.\"|10| |11|The fact of the matter was that Minty Brown was no better than she should have been, and did not deserve to be spoken to. But none of this was taken into account either by the speaker or the hearers. The man was down, it was time to strike. The women too joined their shrill voices to the general cry, and were loud in their abuse of the Hamiltons and in disparagement of their high-toned airs.|11| |12|\"I knowed it, I knowed it,\"|12| |13|mumbled one old crone, rolling her bleared and jealous eyes with glee.|13| |14|\"W'enevah you see niggahs gittin' so high dat dey own folks ain' good enough fu' 'em, look out.\"|14| |15|\"W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'.\"|15| |16|\"Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, 't ain't fu' huh to say.\"|16|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"One Enemy\",\n \"3\": \"No speaker\",\n \"4\": \"One Enemy\",\n \"5\": \"Another Enemy\",\n \"6\": \"No speaker\",\n \"7\": \"Another Enemy\",\n \"8\": \"Isaac Brown\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 16 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, \"I did n't think it of him.\" There were only a few who dared to say, \"I don't believe it of him.\" The first act of his lodge, \"The Tribe of Benjamin,\" whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not.|1| |2|\"Tell me, tell me,\"|2| |3|said one,|3| |4|\"you need n't tell me dat a bird kin fly so high dat he don' have to come down some time. An' w'en he do light, honey, my Lawd, how he flop!\"|4| |5|\"Mistah Rich Niggah,\"|5| |6|said another.|6| |7|\"He wanted to dress his wife an' chillen lak white folks, did he? Well, he foun' out, he foun' out. By de time de jedge git thoo wid him he won't be hol'in' his haid so high.\"|7| |8|\"Wy, dat gal o' his'n,\"|8| |9|broke in old Isaac Brown indignantly,|9| |10|\"w'y, she would n' speak to my gal, Minty, when she met huh on de street. I reckon she come down off'n huh high hoss now.\"|10| |11|The fact of the matter was that Minty Brown was no better than she should have been, and did not deserve to be spoken to. But none of this was taken into account either by the speaker or the hearers. The man was down, it was time to strike. The women too joined their shrill voices to the general cry, and were loud in their abuse of the Hamiltons and in disparagement of their high-toned airs.|11| |12|\"I knowed it, I knowed it,\"|12| |13|mumbled one old crone, rolling her bleared and jealous eyes with glee.|13| |14|\"W'enevah you see niggahs gittin' so high dat dey own folks ain' good enough fu' 'em, look out.\"|14| |15|\"W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'.\"|15| |16|\"Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, 't ain't fu' huh to say.\"|16|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"One Enemy\",\n \"3\": \"No speaker\",\n \"4\": \"One Enemy\",\n \"5\": \"Another Enemy\",\n \"6\": \"No speaker\",\n \"7\": \"Another Enemy\",\n \"8\": \"Isaac Brown\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 16 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"One Enemy\",\n \"3\": \"No speaker\",\n \"4\": \"One Enemy\",\n \"5\": \"Another Enemy\",\n \"6\": \"No speaker\",\n \"7\": \"Another Enemy\",\n \"8\": \"Isaac Brown\",\n \"9\": \"No speaker\",\n \"10\": \"Isaac Brown\",\n \"11\": \"No speaker\",\n \"12\": \"Aunt Chloe\",\n \"13\": \"No speaker\",\n \"14\": \"Aunt Chloe\",\n \"15\": \"No speaker\",\n \"16\": \"Aunt Chloe\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "One Enemy",
"3": "No speaker",
"4": "One Enemy",
"5": "Another Enemy",
"6": "No speaker",
"7": "Another Enemy",
"8": "Isaac Brown",
"9": "No speaker",
"10": "Isaac Brown",
"11": "No speaker",
"12": "Aunt Chloe",
"13": "No speaker",
"14": "Aunt Chloe",
"15": "No speaker",
"16": "Aunt Chloe"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, \"I did n't think it of him.\" There were only a few who dared to say, \"I don't believe it of him.\" The first act of his lodge, \"The Tribe of Benjamin,\" whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not.|1| |2|\"Tell me, tell me,\"|2| |3|said one,|3| |4|\"you need n't tell me dat a bird kin fly so high dat he don' have to come down some time. An' w'en he do light, honey, my Lawd, how he flop!\"|4| |5|\"Mistah Rich Niggah,\"|5| |6|said another.|6| |7|\"He wanted to dress his wife an' chillen lak white folks, did he? Well, he foun' out, he foun' out. By de time de jedge git thoo wid him he won't be hol'in' his haid so high.\"|7| |8|\"Wy, dat gal o' his'n,\"|8| |9|broke in old Isaac Brown indignantly,|9| |10|\"w'y, she would n' speak to my gal, Minty, when she met huh on de street. I reckon she come down off'n huh high hoss now.\"|10| |11|The fact of the matter was that Minty Brown was no better than she should have been, and did not deserve to be spoken to. But none of this was taken into account either by the speaker or the hearers. The man was down, it was time to strike. The women too joined their shrill voices to the general cry, and were loud in their abuse of the Hamiltons and in disparagement of their high-toned airs.|11| |12|\"I knowed it, I knowed it,\"|12| |13|mumbled one old crone, rolling her bleared and jealous eyes with glee.|13| |14|\"W'enevah you see niggahs gittin' so high dat dey own folks ain' good enough fu' 'em, look out.\"|14| |15|\"W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'.\"|15| |16|\"Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, 't ain't fu' huh to say.\"|16| |17|The women suddenly became interested in this half assertion, and the old hag, seeing that she had made the desired impression, lapsed into silence. The whites were not neglecting to review and comment on the case also. It had been long since so great a bit of wrong-doing in a negro had given them cause for speculation and recrimination.|17| |18|\"I tell you,\"|18| |19|said old Horace Talbot, who was noted for his kindliness towards people of colour,|19| |20|\"I tell you, I pity that darky more than I blame him. Now, here 's my theory.\"|20| |21|They were in the bar of the Continental Hotel, and the old gentleman sipped his liquor as he talked.|21| |22|\"It 's just like this: The North thought they were doing a great thing when they come down here and freed all the slaves. They thought they were doing a great thing, and I 'm not saying a word against them. I give them the credit for having the courage of their convictions. But I maintain that they were all wrong, now, in turning these people loose upon the country the way they did, without knowledge of what the first principle of liberty was. The natural result is that these people are irresponsible. They are unacquainted with the ways of our higher civilisation, and it 'll take them a long time to learn. You know Rome was n't built in a day. I know Berry, and I 've known him for a long while, and a politer, likelier darky than him you would have to go far to find. And I have n't the least doubt in the world that he took that money absolutely without a thought of wrong, sir, absolutely. He saw it. He took it, and to his mental process, that was the end of it. To him there was no injury inflicted on any one, there was no crime committed. His elemental reasoning was simply this: This man has more money than I have; here is some of his surplus,--I 'll just take it. Why, gentlemen, I maintain that that man took that money with the same innocence of purpose with which one of our servants a few years ago would have appropriated a stray ham.\"|22| |23|\"I disagree with you entirely, Mr. Talbot,\"|23|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"The Detective\",\n \"4\": \"One Enemy\",\n \"5\": \"Mr. Skaggs\",\n \"6\": \"No speaker\",\n \"7\": \"Another Enemy\",\n \"8\": \"Isaac Brown\",\n \"9\": \"No speaker\",\n \"10\": \"Isaac Brown\",\n \"11\": \"Francis Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 23 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
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"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
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"content": "**Passage:**\n--\n|1|said Oakley sternly to the servants; and they lifted her up and carried her away in a sort of dumb stupor that was half a swoon. They took her to her little cottage, and laid her down until she could come to herself and the full horror of her situation burst upon her. V THE JUSTICE OF MEN The arrest of Berry Hamilton on the charge preferred by his employer was the cause of unusual commotion in the town. Both the accuser and the accused were well known to the citizens, white and black,--Maurice Oakley as a solid man of business, and Berry as an honest, sensible negro, and the pink of good servants. The evening papers had a full story of the crime, which closed by saying that the prisoner had amassed a considerable sum of money, it was very likely from a long series of smaller peculations. It seems a strange irony upon the force of right living, that this man, who had never been arrested before, who had never even been suspected of wrong-doing, should find so few who even at the first telling doubted the story of his guilt. Many people began to remember things that had looked particularly suspicious in his dealings. Some others said, \"I did n't think it of him.\" There were only a few who dared to say, \"I don't believe it of him.\" The first act of his lodge, \"The Tribe of Benjamin,\" whose treasurer he was, was to have his accounts audited, when they should have been visiting him with comfort, and they seemed personally grieved when his books were found to be straight. The A. M. E. church, of which he had been an honest and active member, hastened to disavow sympathy with him, and to purge itself of contamination by turning him out. His friends were afraid to visit him and were silent when his enemies gloated. On every side one might have asked, Where is charity? and gone away empty. In the black people of the town the strong influence of slavery was still operative, and with one accord they turned away from one of their own kind upon whom had been set the ban of the white people's displeasure. If they had sympathy, they dared not show it. Their own interests, the safety of their own positions and firesides, demanded that they stand aloof from the criminal. Not then, not now, nor has it ever been true, although it has been claimed, that negroes either harbour or sympathise with the criminal of their kind. They did not dare to do it before the sixties. They do not dare to do it now. They have brought down as a heritage from the days of their bondage both fear and disloyalty. So Berry was unbefriended while the storm raged around him. The cell where they had placed him was kind to him, and he could not hear the envious and sneering comments that went on about him. This was kind, for the tongues of his enemies were not.|1| |2|\"Tell me, tell me,\"|2| |3|said one,|3| |4|\"you need n't tell me dat a bird kin fly so high dat he don' have to come down some time. An' w'en he do light, honey, my Lawd, how he flop!\"|4| |5|\"Mistah Rich Niggah,\"|5| |6|said another.|6| |7|\"He wanted to dress his wife an' chillen lak white folks, did he? Well, he foun' out, he foun' out. By de time de jedge git thoo wid him he won't be hol'in' his haid so high.\"|7| |8|\"Wy, dat gal o' his'n,\"|8| |9|broke in old Isaac Brown indignantly,|9| |10|\"w'y, she would n' speak to my gal, Minty, when she met huh on de street. I reckon she come down off'n huh high hoss now.\"|10| |11|The fact of the matter was that Minty Brown was no better than she should have been, and did not deserve to be spoken to. But none of this was taken into account either by the speaker or the hearers. The man was down, it was time to strike. The women too joined their shrill voices to the general cry, and were loud in their abuse of the Hamiltons and in disparagement of their high-toned airs.|11| |12|\"I knowed it, I knowed it,\"|12| |13|mumbled one old crone, rolling her bleared and jealous eyes with glee.|13| |14|\"W'enevah you see niggahs gittin' so high dat dey own folks ain' good enough fu' 'em, look out.\"|14| |15|\"W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'.\"|15| |16|\"Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, 't ain't fu' huh to say.\"|16| |17|The women suddenly became interested in this half assertion, and the old hag, seeing that she had made the desired impression, lapsed into silence. The whites were not neglecting to review and comment on the case also. It had been long since so great a bit of wrong-doing in a negro had given them cause for speculation and recrimination.|17| |18|\"I tell you,\"|18| |19|said old Horace Talbot, who was noted for his kindliness towards people of colour,|19| |20|\"I tell you, I pity that darky more than I blame him. Now, here 's my theory.\"|20| |21|They were in the bar of the Continental Hotel, and the old gentleman sipped his liquor as he talked.|21| |22|\"It 's just like this: The North thought they were doing a great thing when they come down here and freed all the slaves. They thought they were doing a great thing, and I 'm not saying a word against them. I give them the credit for having the courage of their convictions. But I maintain that they were all wrong, now, in turning these people loose upon the country the way they did, without knowledge of what the first principle of liberty was. The natural result is that these people are irresponsible. They are unacquainted with the ways of our higher civilisation, and it 'll take them a long time to learn. You know Rome was n't built in a day. I know Berry, and I 've known him for a long while, and a politer, likelier darky than him you would have to go far to find. And I have n't the least doubt in the world that he took that money absolutely without a thought of wrong, sir, absolutely. He saw it. He took it, and to his mental process, that was the end of it. To him there was no injury inflicted on any one, there was no crime committed. His elemental reasoning was simply this: This man has more money than I have; here is some of his surplus,--I 'll just take it. Why, gentlemen, I maintain that that man took that money with the same innocence of purpose with which one of our servants a few years ago would have appropriated a stray ham.\"|22| |23|\"I disagree with you entirely, Mr. Talbot,\"|23|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"The Detective\",\n \"4\": \"One Enemy\",\n \"5\": \"Mr. Skaggs\",\n \"6\": \"No speaker\",\n \"7\": \"Another Enemy\",\n \"8\": \"Isaac Brown\",\n \"9\": \"No speaker\",\n \"10\": \"Isaac Brown\",\n \"11\": \"Francis Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 23 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
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"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"One Enemy\",\n \"3\": \"No speaker\",\n \"4\": \"One Enemy\",\n \"5\": \"Another Enemy\",\n \"6\": \"No speaker\",\n \"7\": \"Another Enemy\",\n \"8\": \"Isaac Brown\",\n \"9\": \"No speaker\",\n \"10\": \"Isaac Brown\",\n \"11\": \"No speaker\",\n \"12\": \"Aunt Chloe\",\n \"13\": \"No speaker\",\n \"14\": \"Aunt Chloe\",\n \"15\": \"No speaker\",\n \"16\": \"Aunt Chloe\",\n \"17\": \"No speaker\",\n \"18\": \"Horace Talbot\",\n \"19\": \"No speaker\",\n \"20\": \"Horace Talbot\",\n \"21\": \"No speaker\",\n \"22\": \"Horace Talbot\",\n \"23\": \"Beachfield Davis\"\n }\n}",
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{
"predictions": {
"1": "No speaker",
"2": "One Enemy",
"3": "No speaker",
"4": "One Enemy",
"5": "Another Enemy",
"6": "No speaker",
"7": "Another Enemy",
"8": "Isaac Brown",
"9": "No speaker",
"10": "Isaac Brown",
"11": "No speaker",
"12": "Aunt Chloe",
"13": "No speaker",
"14": "Aunt Chloe",
"15": "No speaker",
"16": "Aunt Chloe",
"17": "No speaker",
"18": "Horace Talbot",
"19": "No speaker",
"20": "Horace Talbot",
"21": "No speaker",
"22": "Horace Talbot",
"23": "Beachfield Davis"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
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{
"content": "**Passage:**\n--\n|1|\"W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'.\"|1| |2|\"Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, 't ain't fu' huh to say.\"|2| |3|The women suddenly became interested in this half assertion, and the old hag, seeing that she had made the desired impression, lapsed into silence. The whites were not neglecting to review and comment on the case also. It had been long since so great a bit of wrong-doing in a negro had given them cause for speculation and recrimination.|3| |4|\"I tell you,\"|4| |5|said old Horace Talbot, who was noted for his kindliness towards people of colour,|5| |6|\"I tell you, I pity that darky more than I blame him. Now, here 's my theory.\"|6| |7|They were in the bar of the Continental Hotel, and the old gentleman sipped his liquor as he talked.|7| |8|\"It 's just like this: The North thought they were doing a great thing when they come down here and freed all the slaves. They thought they were doing a great thing, and I 'm not saying a word against them. I give them the credit for having the courage of their convictions. But I maintain that they were all wrong, now, in turning these people loose upon the country the way they did, without knowledge of what the first principle of liberty was. The natural result is that these people are irresponsible. They are unacquainted with the ways of our higher civilisation, and it 'll take them a long time to learn. You know Rome was n't built in a day. I know Berry, and I 've known him for a long while, and a politer, likelier darky than him you would have to go far to find. And I have n't the least doubt in the world that he took that money absolutely without a thought of wrong, sir, absolutely. He saw it. He took it, and to his mental process, that was the end of it. To him there was no injury inflicted on any one, there was no crime committed. His elemental reasoning was simply this: This man has more money than I have; here is some of his surplus,--I 'll just take it. Why, gentlemen, I maintain that that man took that money with the same innocence of purpose with which one of our servants a few years ago would have appropriated a stray ham.\"|8| |9|\"I disagree with you entirely, Mr. Talbot,\"|9| |10|broke in Mr. Beachfield Davis, who was a mighty hunter.--\"|10| |11|\"Make mine the same, Jerry, only add a little syrup.--I disagree with you. It 's simply total depravity, that 's all. All niggers are alike, and there 's no use trying to do anything with them. Look at that man, Dodson, of mine. I had one of the finest young hounds in the State. You know that white pup of mine, Mr. Talbot, that I bought from Hiram Gaskins? Mighty fine breed. Well, I was spendin' all my time and patience trainin' that dog in the daytime. At night I put him in that nigger's care to feed and bed. Well, do you know, I came home the other night and found that black rascal gone? I went out to see if the dog was properly bedded, and by Jove, the dog was gone too. Then I got suspicious. When a nigger and a dog go out together at night, one draws certain conclusions. I thought I had heard bayin' way out towards the edge of the town. So I stayed outside and watched. In about an hour here came Dodson with a possum hung over his shoulder and my dog trottin' at his heels. He 'd been possum huntin' with my hound--with the finest hound in the State, sir. Now, I appeal to you all, gentlemen, if that ain't total depravity, what is total depravity?\"|11| |12|\"Not total depravity, Beachfield, I maintain, but the very irresponsibility of which I have spoken. Why, gentlemen, I foresee the day when these people themselves shall come to us Southerners of their own accord and ask to be re-enslaved until such time as they shall be fit for freedom.\"|12|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Martin\",\n \"3\": \"No speaker\",\n \"4\": \"Horace Talbot\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"Horace Talbot\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 12 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
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{
"content": "**Passage:**\n--\n|1|\"W'y, la, Aunt Chloe I knowed it too. Dem people got so owdacious proud dat dey would n't walk up to de collection table no mo' at chu'ch, but allus set an' waited twell de basket was passed erroun'.\"|1| |2|\"Hit 's de livin' trufe, an' I 's been seein' it all 'long. I ain't said nuffin', but I knowed what 'uz gwine to happen. Ol' Chloe ain't lived all dese yeahs fu' nuffin', an' ef she got de gif' o' secon' sight, 't ain't fu' huh to say.\"|2| |3|The women suddenly became interested in this half assertion, and the old hag, seeing that she had made the desired impression, lapsed into silence. The whites were not neglecting to review and comment on the case also. It had been long since so great a bit of wrong-doing in a negro had given them cause for speculation and recrimination.|3| |4|\"I tell you,\"|4| |5|said old Horace Talbot, who was noted for his kindliness towards people of colour,|5| |6|\"I tell you, I pity that darky more than I blame him. Now, here 's my theory.\"|6| |7|They were in the bar of the Continental Hotel, and the old gentleman sipped his liquor as he talked.|7| |8|\"It 's just like this: The North thought they were doing a great thing when they come down here and freed all the slaves. They thought they were doing a great thing, and I 'm not saying a word against them. I give them the credit for having the courage of their convictions. But I maintain that they were all wrong, now, in turning these people loose upon the country the way they did, without knowledge of what the first principle of liberty was. The natural result is that these people are irresponsible. They are unacquainted with the ways of our higher civilisation, and it 'll take them a long time to learn. You know Rome was n't built in a day. I know Berry, and I 've known him for a long while, and a politer, likelier darky than him you would have to go far to find. And I have n't the least doubt in the world that he took that money absolutely without a thought of wrong, sir, absolutely. He saw it. He took it, and to his mental process, that was the end of it. To him there was no injury inflicted on any one, there was no crime committed. His elemental reasoning was simply this: This man has more money than I have; here is some of his surplus,--I 'll just take it. Why, gentlemen, I maintain that that man took that money with the same innocence of purpose with which one of our servants a few years ago would have appropriated a stray ham.\"|8| |9|\"I disagree with you entirely, Mr. Talbot,\"|9| |10|broke in Mr. Beachfield Davis, who was a mighty hunter.--\"|10| |11|\"Make mine the same, Jerry, only add a little syrup.--I disagree with you. It 's simply total depravity, that 's all. All niggers are alike, and there 's no use trying to do anything with them. Look at that man, Dodson, of mine. I had one of the finest young hounds in the State. You know that white pup of mine, Mr. Talbot, that I bought from Hiram Gaskins? Mighty fine breed. Well, I was spendin' all my time and patience trainin' that dog in the daytime. At night I put him in that nigger's care to feed and bed. Well, do you know, I came home the other night and found that black rascal gone? I went out to see if the dog was properly bedded, and by Jove, the dog was gone too. Then I got suspicious. When a nigger and a dog go out together at night, one draws certain conclusions. I thought I had heard bayin' way out towards the edge of the town. So I stayed outside and watched. In about an hour here came Dodson with a possum hung over his shoulder and my dog trottin' at his heels. He 'd been possum huntin' with my hound--with the finest hound in the State, sir. Now, I appeal to you all, gentlemen, if that ain't total depravity, what is total depravity?\"|11| |12|\"Not total depravity, Beachfield, I maintain, but the very irresponsibility of which I have spoken. Why, gentlemen, I foresee the day when these people themselves shall come to us Southerners of their own accord and ask to be re-enslaved until such time as they shall be fit for freedom.\"|12|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Martin\",\n \"3\": \"No speaker\",\n \"4\": \"Horace Talbot\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"Horace Talbot\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 12 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Aunt Chloe\",\n \"3\": \"No speaker\",\n \"4\": \"Horace Talbot\",\n \"5\": \"No speaker\",\n \"6\": \"Horace Talbot\",\n \"7\": \"No speaker\",\n \"8\": \"Horace Talbot\",\n \"9\": \"Beachfield Davis\",\n \"10\": \"No speaker\",\n \"11\": \"Beachfield Davis\",\n \"12\": \"Horace Talbot\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Aunt Chloe",
"3": "No speaker",
"4": "Horace Talbot",
"5": "No speaker",
"6": "Horace Talbot",
"7": "No speaker",
"8": "Horace Talbot",
"9": "Beachfield Davis",
"10": "No speaker",
"11": "Beachfield Davis",
"12": "Horace Talbot"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"It 's just like this: The North thought they were doing a great thing when they come down here and freed all the slaves. They thought they were doing a great thing, and I 'm not saying a word against them. I give them the credit for having the courage of their convictions. But I maintain that they were all wrong, now, in turning these people loose upon the country the way they did, without knowledge of what the first principle of liberty was. The natural result is that these people are irresponsible. They are unacquainted with the ways of our higher civilisation, and it 'll take them a long time to learn. You know Rome was n't built in a day. I know Berry, and I 've known him for a long while, and a politer, likelier darky than him you would have to go far to find. And I have n't the least doubt in the world that he took that money absolutely without a thought of wrong, sir, absolutely. He saw it. He took it, and to his mental process, that was the end of it. To him there was no injury inflicted on any one, there was no crime committed. His elemental reasoning was simply this: This man has more money than I have; here is some of his surplus,--I 'll just take it. Why, gentlemen, I maintain that that man took that money with the same innocence of purpose with which one of our servants a few years ago would have appropriated a stray ham.\"|1| |2|\"I disagree with you entirely, Mr. Talbot,\"|2| |3|broke in Mr. Beachfield Davis, who was a mighty hunter.--\"|3| |4|\"Make mine the same, Jerry, only add a little syrup.--I disagree with you. It 's simply total depravity, that 's all. All niggers are alike, and there 's no use trying to do anything with them. Look at that man, Dodson, of mine. I had one of the finest young hounds in the State. You know that white pup of mine, Mr. Talbot, that I bought from Hiram Gaskins? Mighty fine breed. Well, I was spendin' all my time and patience trainin' that dog in the daytime. At night I put him in that nigger's care to feed and bed. Well, do you know, I came home the other night and found that black rascal gone? I went out to see if the dog was properly bedded, and by Jove, the dog was gone too. Then I got suspicious. When a nigger and a dog go out together at night, one draws certain conclusions. I thought I had heard bayin' way out towards the edge of the town. So I stayed outside and watched. In about an hour here came Dodson with a possum hung over his shoulder and my dog trottin' at his heels. He 'd been possum huntin' with my hound--with the finest hound in the State, sir. Now, I appeal to you all, gentlemen, if that ain't total depravity, what is total depravity?\"|4| |5|\"Not total depravity, Beachfield, I maintain, but the very irresponsibility of which I have spoken. Why, gentlemen, I foresee the day when these people themselves shall come to us Southerners of their own accord and ask to be re-enslaved until such time as they shall be fit for freedom.\"|5| |6|Old Horace was nothing if not logical.|6| |7|\"Well, do you think there 's any doubt of the darky's guilt?\"|7| |8|asked Colonel Saunders hesitatingly. He was the only man who had ever thought of such a possibility. They turned on him as if he had been some strange, unnatural animal.|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Horace Talbot\",\n \"2\": \"The Detective\",\n \"3\": \"No speaker\",\n \"4\": \"Beachfield Davis\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"It 's just like this: The North thought they were doing a great thing when they come down here and freed all the slaves. They thought they were doing a great thing, and I 'm not saying a word against them. I give them the credit for having the courage of their convictions. But I maintain that they were all wrong, now, in turning these people loose upon the country the way they did, without knowledge of what the first principle of liberty was. The natural result is that these people are irresponsible. They are unacquainted with the ways of our higher civilisation, and it 'll take them a long time to learn. You know Rome was n't built in a day. I know Berry, and I 've known him for a long while, and a politer, likelier darky than him you would have to go far to find. And I have n't the least doubt in the world that he took that money absolutely without a thought of wrong, sir, absolutely. He saw it. He took it, and to his mental process, that was the end of it. To him there was no injury inflicted on any one, there was no crime committed. His elemental reasoning was simply this: This man has more money than I have; here is some of his surplus,--I 'll just take it. Why, gentlemen, I maintain that that man took that money with the same innocence of purpose with which one of our servants a few years ago would have appropriated a stray ham.\"|1| |2|\"I disagree with you entirely, Mr. Talbot,\"|2| |3|broke in Mr. Beachfield Davis, who was a mighty hunter.--\"|3| |4|\"Make mine the same, Jerry, only add a little syrup.--I disagree with you. It 's simply total depravity, that 's all. All niggers are alike, and there 's no use trying to do anything with them. Look at that man, Dodson, of mine. I had one of the finest young hounds in the State. You know that white pup of mine, Mr. Talbot, that I bought from Hiram Gaskins? Mighty fine breed. Well, I was spendin' all my time and patience trainin' that dog in the daytime. At night I put him in that nigger's care to feed and bed. Well, do you know, I came home the other night and found that black rascal gone? I went out to see if the dog was properly bedded, and by Jove, the dog was gone too. Then I got suspicious. When a nigger and a dog go out together at night, one draws certain conclusions. I thought I had heard bayin' way out towards the edge of the town. So I stayed outside and watched. In about an hour here came Dodson with a possum hung over his shoulder and my dog trottin' at his heels. He 'd been possum huntin' with my hound--with the finest hound in the State, sir. Now, I appeal to you all, gentlemen, if that ain't total depravity, what is total depravity?\"|4| |5|\"Not total depravity, Beachfield, I maintain, but the very irresponsibility of which I have spoken. Why, gentlemen, I foresee the day when these people themselves shall come to us Southerners of their own accord and ask to be re-enslaved until such time as they shall be fit for freedom.\"|5| |6|Old Horace was nothing if not logical.|6| |7|\"Well, do you think there 's any doubt of the darky's guilt?\"|7| |8|asked Colonel Saunders hesitatingly. He was the only man who had ever thought of such a possibility. They turned on him as if he had been some strange, unnatural animal.|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Horace Talbot\",\n \"2\": \"The Detective\",\n \"3\": \"No speaker\",\n \"4\": \"Beachfield Davis\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Horace Talbot\",\n \"2\": \"Beachfield Davis\",\n \"3\": \"No speaker\",\n \"4\": \"Beachfield Davis\",\n \"5\": \"Horace Talbot\",\n \"6\": \"No speaker\",\n \"7\": \"Colonel Saunders\",\n \"8\": \"No speaker\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Horace Talbot",
"2": "Beachfield Davis",
"3": "No speaker",
"4": "Beachfield Davis",
"5": "Horace Talbot",
"6": "No speaker",
"7": "Colonel Saunders",
"8": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Make mine the same, Jerry, only add a little syrup.--I disagree with you. It 's simply total depravity, that 's all. All niggers are alike, and there 's no use trying to do anything with them. Look at that man, Dodson, of mine. I had one of the finest young hounds in the State. You know that white pup of mine, Mr. Talbot, that I bought from Hiram Gaskins? Mighty fine breed. Well, I was spendin' all my time and patience trainin' that dog in the daytime. At night I put him in that nigger's care to feed and bed. Well, do you know, I came home the other night and found that black rascal gone? I went out to see if the dog was properly bedded, and by Jove, the dog was gone too. Then I got suspicious. When a nigger and a dog go out together at night, one draws certain conclusions. I thought I had heard bayin' way out towards the edge of the town. So I stayed outside and watched. In about an hour here came Dodson with a possum hung over his shoulder and my dog trottin' at his heels. He 'd been possum huntin' with my hound--with the finest hound in the State, sir. Now, I appeal to you all, gentlemen, if that ain't total depravity, what is total depravity?\"|1| |2|\"Not total depravity, Beachfield, I maintain, but the very irresponsibility of which I have spoken. Why, gentlemen, I foresee the day when these people themselves shall come to us Southerners of their own accord and ask to be re-enslaved until such time as they shall be fit for freedom.\"|2| |3|Old Horace was nothing if not logical.|3| |4|\"Well, do you think there 's any doubt of the darky's guilt?\"|4| |5|asked Colonel Saunders hesitatingly. He was the only man who had ever thought of such a possibility. They turned on him as if he had been some strange, unnatural animal.|5| |6|\"Any doubt!\"|6| |7|cried Old Horace.|7| |8|\"Any doubt!\"|8| |9|exclaimed Mr. Davis. \"Any doubt?\" almost shrieked the rest. \"Why, there can be no doubt. Why, Colonel, what are you thinking of? Tell us who has got the money if he has n't? Tell us where on earth the nigger got the money he 's been putting in the bank? Doubt? Why, there is n't the least doubt about it.\"|9| |10|\"Certainly, certainly,\"|10| |11|said the Colonel,|11| |12|\"but I thought, of course, he might have saved it. There are several of those people, you know, who do a little business and have bank accounts.\"|12| |13|\"Yes, but they are in some sort of business. This man makes only thirty dollars a month. Don't you see?\" The Colonel saw, or said he did. And he did not answer what he might have answered, that Berry had no rent and no board to pay. His clothes came from his master, and Kitty and Fannie looked to their mistress for the larger number of their supplies. He did not call to their minds that Fannie herself made fifteen dollars a month, and that for two years Joe had been supporting himself. These things did not come up, and as far as the opinion of the gentlemen assembled in the Continental bar went, Berry was already proven guilty. As for the prisoner himself, after the first day when he had pleaded \"Not guilty\" and been bound over to the Grand Jury, he had fallen into a sort of dazed calm that was like the stupor produced by a drug. He took little heed of what went on around him. The shock had been too sudden for him, and it was as if his reason had been for the time unseated. That it was not permanently overthrown was evidenced by his waking to the most acute pain and grief whenever Fannie came to him. Then he would toss and moan and give vent to his sorrow in passionate complaints.|13| |14|\"I did n't tech his money, Fannie, you know I did n't. I wo'ked fu' every cent of dat money, an' I saved it myself. Oh, I 'll nevah be able to git a job ag'in. Me in de lock-up--me, aftah all dese yeahs!\"|14|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Beachfield Davis\",\n \"2\": \"Horace Talbot\",\n \"3\": \"No speaker\",\n \"4\": \"Colonel Saunders\",\n \"5\": \"Kit Hamilton\",\n \"6\": \"Horace Talbot\",\n \"7\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 14 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Make mine the same, Jerry, only add a little syrup.--I disagree with you. It 's simply total depravity, that 's all. All niggers are alike, and there 's no use trying to do anything with them. Look at that man, Dodson, of mine. I had one of the finest young hounds in the State. You know that white pup of mine, Mr. Talbot, that I bought from Hiram Gaskins? Mighty fine breed. Well, I was spendin' all my time and patience trainin' that dog in the daytime. At night I put him in that nigger's care to feed and bed. Well, do you know, I came home the other night and found that black rascal gone? I went out to see if the dog was properly bedded, and by Jove, the dog was gone too. Then I got suspicious. When a nigger and a dog go out together at night, one draws certain conclusions. I thought I had heard bayin' way out towards the edge of the town. So I stayed outside and watched. In about an hour here came Dodson with a possum hung over his shoulder and my dog trottin' at his heels. He 'd been possum huntin' with my hound--with the finest hound in the State, sir. Now, I appeal to you all, gentlemen, if that ain't total depravity, what is total depravity?\"|1| |2|\"Not total depravity, Beachfield, I maintain, but the very irresponsibility of which I have spoken. Why, gentlemen, I foresee the day when these people themselves shall come to us Southerners of their own accord and ask to be re-enslaved until such time as they shall be fit for freedom.\"|2| |3|Old Horace was nothing if not logical.|3| |4|\"Well, do you think there 's any doubt of the darky's guilt?\"|4| |5|asked Colonel Saunders hesitatingly. He was the only man who had ever thought of such a possibility. They turned on him as if he had been some strange, unnatural animal.|5| |6|\"Any doubt!\"|6| |7|cried Old Horace.|7| |8|\"Any doubt!\"|8| |9|exclaimed Mr. Davis. \"Any doubt?\" almost shrieked the rest. \"Why, there can be no doubt. Why, Colonel, what are you thinking of? Tell us who has got the money if he has n't? Tell us where on earth the nigger got the money he 's been putting in the bank? Doubt? Why, there is n't the least doubt about it.\"|9| |10|\"Certainly, certainly,\"|10| |11|said the Colonel,|11| |12|\"but I thought, of course, he might have saved it. There are several of those people, you know, who do a little business and have bank accounts.\"|12| |13|\"Yes, but they are in some sort of business. This man makes only thirty dollars a month. Don't you see?\" The Colonel saw, or said he did. And he did not answer what he might have answered, that Berry had no rent and no board to pay. His clothes came from his master, and Kitty and Fannie looked to their mistress for the larger number of their supplies. He did not call to their minds that Fannie herself made fifteen dollars a month, and that for two years Joe had been supporting himself. These things did not come up, and as far as the opinion of the gentlemen assembled in the Continental bar went, Berry was already proven guilty. As for the prisoner himself, after the first day when he had pleaded \"Not guilty\" and been bound over to the Grand Jury, he had fallen into a sort of dazed calm that was like the stupor produced by a drug. He took little heed of what went on around him. The shock had been too sudden for him, and it was as if his reason had been for the time unseated. That it was not permanently overthrown was evidenced by his waking to the most acute pain and grief whenever Fannie came to him. Then he would toss and moan and give vent to his sorrow in passionate complaints.|13| |14|\"I did n't tech his money, Fannie, you know I did n't. I wo'ked fu' every cent of dat money, an' I saved it myself. Oh, I 'll nevah be able to git a job ag'in. Me in de lock-up--me, aftah all dese yeahs!\"|14|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Beachfield Davis\",\n \"2\": \"Horace Talbot\",\n \"3\": \"No speaker\",\n \"4\": \"Colonel Saunders\",\n \"5\": \"Kit Hamilton\",\n \"6\": \"Horace Talbot\",\n \"7\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 14 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Beachfield Davis\",\n \"2\": \"Horace Talbot\",\n \"3\": \"No speaker\",\n \"4\": \"Colonel Saunders\",\n \"5\": \"No speaker\",\n \"6\": \"Horace Talbot\",\n \"7\": \"No speaker\",\n \"8\": \"Beachfield Davis\",\n \"9\": \"No speaker\",\n \"10\": \"Colonel Saunders\",\n \"11\": \"No speaker\",\n \"12\": \"Colonel Saunders\",\n \"13\": \"No speaker\",\n \"14\": \"Berry Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Beachfield Davis",
"2": "Horace Talbot",
"3": "No speaker",
"4": "Colonel Saunders",
"5": "No speaker",
"6": "Horace Talbot",
"7": "No speaker",
"8": "Beachfield Davis",
"9": "No speaker",
"10": "Colonel Saunders",
"11": "No speaker",
"12": "Colonel Saunders",
"13": "No speaker",
"14": "Berry Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Well, do you think there 's any doubt of the darky's guilt?\"|1| |2|asked Colonel Saunders hesitatingly. He was the only man who had ever thought of such a possibility. They turned on him as if he had been some strange, unnatural animal.|2| |3|\"Any doubt!\"|3| |4|cried Old Horace.|4| |5|\"Any doubt!\"|5| |6|exclaimed Mr. Davis. \"Any doubt?\" almost shrieked the rest. \"Why, there can be no doubt. Why, Colonel, what are you thinking of? Tell us who has got the money if he has n't? Tell us where on earth the nigger got the money he 's been putting in the bank? Doubt? Why, there is n't the least doubt about it.\"|6| |7|\"Certainly, certainly,\"|7| |8|said the Colonel,|8| |9|\"but I thought, of course, he might have saved it. There are several of those people, you know, who do a little business and have bank accounts.\"|9| |10|\"Yes, but they are in some sort of business. This man makes only thirty dollars a month. Don't you see?\" The Colonel saw, or said he did. And he did not answer what he might have answered, that Berry had no rent and no board to pay. His clothes came from his master, and Kitty and Fannie looked to their mistress for the larger number of their supplies. He did not call to their minds that Fannie herself made fifteen dollars a month, and that for two years Joe had been supporting himself. These things did not come up, and as far as the opinion of the gentlemen assembled in the Continental bar went, Berry was already proven guilty. As for the prisoner himself, after the first day when he had pleaded \"Not guilty\" and been bound over to the Grand Jury, he had fallen into a sort of dazed calm that was like the stupor produced by a drug. He took little heed of what went on around him. The shock had been too sudden for him, and it was as if his reason had been for the time unseated. That it was not permanently overthrown was evidenced by his waking to the most acute pain and grief whenever Fannie came to him. Then he would toss and moan and give vent to his sorrow in passionate complaints.|10| |11|\"I did n't tech his money, Fannie, you know I did n't. I wo'ked fu' every cent of dat money, an' I saved it myself. Oh, I 'll nevah be able to git a job ag'in. Me in de lock-up--me, aftah all dese yeahs!\"|11| |12|Beyond this, apparently, his mind could not go. That his detention was anything more than temporary never seemed to enter his mind. That he would be convicted and sentenced was as far from possibility as the skies from the earth. If he saw visions of a long sojourn in prison, it was only as a nightmare half consciously experienced and which with the struggle must give way before the waking. Fannie was utterly hopeless. She had laid down whatever pride had been hers and gone to plead with Maurice Oakley for her husband's freedom, and she had seen his hard, set face. She had gone upon her knees before his wife to cite Berry's long fidelity.|12| |13|\"Oh, Mis' Oakley,\"|13|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"No speaker\",\n \"3\": \"Horace Talbot\",\n \"4\": \"No speaker\",\n \"5\": \"Martin\",\n \"6\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 13 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Well, do you think there 's any doubt of the darky's guilt?\"|1| |2|asked Colonel Saunders hesitatingly. He was the only man who had ever thought of such a possibility. They turned on him as if he had been some strange, unnatural animal.|2| |3|\"Any doubt!\"|3| |4|cried Old Horace.|4| |5|\"Any doubt!\"|5| |6|exclaimed Mr. Davis. \"Any doubt?\" almost shrieked the rest. \"Why, there can be no doubt. Why, Colonel, what are you thinking of? Tell us who has got the money if he has n't? Tell us where on earth the nigger got the money he 's been putting in the bank? Doubt? Why, there is n't the least doubt about it.\"|6| |7|\"Certainly, certainly,\"|7| |8|said the Colonel,|8| |9|\"but I thought, of course, he might have saved it. There are several of those people, you know, who do a little business and have bank accounts.\"|9| |10|\"Yes, but they are in some sort of business. This man makes only thirty dollars a month. Don't you see?\" The Colonel saw, or said he did. And he did not answer what he might have answered, that Berry had no rent and no board to pay. His clothes came from his master, and Kitty and Fannie looked to their mistress for the larger number of their supplies. He did not call to their minds that Fannie herself made fifteen dollars a month, and that for two years Joe had been supporting himself. These things did not come up, and as far as the opinion of the gentlemen assembled in the Continental bar went, Berry was already proven guilty. As for the prisoner himself, after the first day when he had pleaded \"Not guilty\" and been bound over to the Grand Jury, he had fallen into a sort of dazed calm that was like the stupor produced by a drug. He took little heed of what went on around him. The shock had been too sudden for him, and it was as if his reason had been for the time unseated. That it was not permanently overthrown was evidenced by his waking to the most acute pain and grief whenever Fannie came to him. Then he would toss and moan and give vent to his sorrow in passionate complaints.|10| |11|\"I did n't tech his money, Fannie, you know I did n't. I wo'ked fu' every cent of dat money, an' I saved it myself. Oh, I 'll nevah be able to git a job ag'in. Me in de lock-up--me, aftah all dese yeahs!\"|11| |12|Beyond this, apparently, his mind could not go. That his detention was anything more than temporary never seemed to enter his mind. That he would be convicted and sentenced was as far from possibility as the skies from the earth. If he saw visions of a long sojourn in prison, it was only as a nightmare half consciously experienced and which with the struggle must give way before the waking. Fannie was utterly hopeless. She had laid down whatever pride had been hers and gone to plead with Maurice Oakley for her husband's freedom, and she had seen his hard, set face. She had gone upon her knees before his wife to cite Berry's long fidelity.|12| |13|\"Oh, Mis' Oakley,\"|13|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"No speaker\",\n \"3\": \"Horace Talbot\",\n \"4\": \"No speaker\",\n \"5\": \"Martin\",\n \"6\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 13 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Colonel Saunders\",\n \"2\": \"No speaker\",\n \"3\": \"Horace Talbot\",\n \"4\": \"No speaker\",\n \"5\": \"Beachfield Davis\",\n \"6\": \"No speaker\",\n \"7\": \"Colonel Saunders\",\n \"8\": \"No speaker\",\n \"9\": \"Colonel Saunders\",\n \"10\": \"No speaker\",\n \"11\": \"Berry Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Fannie Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Colonel Saunders",
"2": "No speaker",
"3": "Horace Talbot",
"4": "No speaker",
"5": "Beachfield Davis",
"6": "No speaker",
"7": "Colonel Saunders",
"8": "No speaker",
"9": "Colonel Saunders",
"10": "No speaker",
"11": "Berry Hamilton",
"12": "No speaker",
"13": "Fannie Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Yes, but they are in some sort of business. This man makes only thirty dollars a month. Don't you see?\" The Colonel saw, or said he did. And he did not answer what he might have answered, that Berry had no rent and no board to pay. His clothes came from his master, and Kitty and Fannie looked to their mistress for the larger number of their supplies. He did not call to their minds that Fannie herself made fifteen dollars a month, and that for two years Joe had been supporting himself. These things did not come up, and as far as the opinion of the gentlemen assembled in the Continental bar went, Berry was already proven guilty. As for the prisoner himself, after the first day when he had pleaded \"Not guilty\" and been bound over to the Grand Jury, he had fallen into a sort of dazed calm that was like the stupor produced by a drug. He took little heed of what went on around him. The shock had been too sudden for him, and it was as if his reason had been for the time unseated. That it was not permanently overthrown was evidenced by his waking to the most acute pain and grief whenever Fannie came to him. Then he would toss and moan and give vent to his sorrow in passionate complaints.|1| |2|\"I did n't tech his money, Fannie, you know I did n't. I wo'ked fu' every cent of dat money, an' I saved it myself. Oh, I 'll nevah be able to git a job ag'in. Me in de lock-up--me, aftah all dese yeahs!\"|2| |3|Beyond this, apparently, his mind could not go. That his detention was anything more than temporary never seemed to enter his mind. That he would be convicted and sentenced was as far from possibility as the skies from the earth. If he saw visions of a long sojourn in prison, it was only as a nightmare half consciously experienced and which with the struggle must give way before the waking. Fannie was utterly hopeless. She had laid down whatever pride had been hers and gone to plead with Maurice Oakley for her husband's freedom, and she had seen his hard, set face. She had gone upon her knees before his wife to cite Berry's long fidelity.|3| |4|\"Oh, Mis' Oakley,\"|4| |5|she cried,|5| |6|\"ef he did steal de money, we 've got enough saved to mek it good. Let him go! let him go!\"|6| |7|\"Then you admit that he did steal?\"|7| |8|Mrs. Oakley had taken her up sharply.|8| |9|\"Oh, I did n't say dat; I did n't mean dat.\"|9| |10|\"That will do, Fannie. I understand perfectly. You should have confessed that long ago.\"|10| |11|\"But I ain't confessin'! I ain't! He did n't----\"|11| |12|\"You may go.\"|12| |13|The stricken woman reeled out of her mistress's presence, and Mrs. Oakley told her husband that night, with tears in her eyes, how disappointed she was with Fannie,--that the woman had known it all along, and had only just confessed. It was just one more link in the chain that was surely and not too slowly forging itself about Berry Hamilton. Of all the family Joe was the only one who burned with a fierce indignation. He knew that his father was innocent, and his very helplessness made a fever in his soul. Dandy as he was, he was loyal, and when he saw his mother's tears and his sister's shame, something rose within him that had it been given play might have made a man of him, but, being crushed, died and rotted, and in the compost it made all the evil of his nature flourished. The looks and gibes of his fellow-employees at the barber-shop forced him to leave his work there. Kit, bowed with shame and grief, dared not appear upon the streets, where the girls who had envied her now hooted at her. So the little family was shut in upon itself away from fellowship and sympathy. Joe went seldom to see his father. He was not heartless; but the citadel of his long desired and much vaunted manhood trembled before the sight of his father's abject misery. The lines came round his lips, and lines too must have come round his heart. Poor fellow, he was too young for this forcing process, and in the hot-house of pain he only grew an acrid, unripe cynic. At the sitting of the Grand Jury Berry was indicted. His trial followed soon, and the town turned out to see it. Some came to laugh and scoff, but these, his enemies, were silenced by the spectacle of his grief. In vain the lawyer whom he had secured showed that the evidence against him proved nothing. In vain he produced proof of the slow accumulation of what the man had. In vain he pleaded the man's former good name. The judge and the jury saw otherwise. Berry was convicted. He was given ten years at hard labour. He hardly looked as if he could live out one as he heard his sentence. But Nature was kind and relieved him of the strain. With a cry as if his heart were bursting, he started up and fell forward on his face unconscious. Some one, a bit more brutal than the rest, said, \"It 's five dollars' fine every time a nigger faints,\" but no one laughed. There was something too portentous, too tragic in the degradation of this man. Maurice Oakley sat in the court-room, grim and relentless. As soon as the trial was over, he sent for Fannie, who still kept the cottage in the yard.|13| |14|\"You must go,\"|14|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"Martin\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Kit Hamilton\",\n \"6\": \"Fannie Hamilton\",\n \"7\": \"Leslie\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 14 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Yes, but they are in some sort of business. This man makes only thirty dollars a month. Don't you see?\" The Colonel saw, or said he did. And he did not answer what he might have answered, that Berry had no rent and no board to pay. His clothes came from his master, and Kitty and Fannie looked to their mistress for the larger number of their supplies. He did not call to their minds that Fannie herself made fifteen dollars a month, and that for two years Joe had been supporting himself. These things did not come up, and as far as the opinion of the gentlemen assembled in the Continental bar went, Berry was already proven guilty. As for the prisoner himself, after the first day when he had pleaded \"Not guilty\" and been bound over to the Grand Jury, he had fallen into a sort of dazed calm that was like the stupor produced by a drug. He took little heed of what went on around him. The shock had been too sudden for him, and it was as if his reason had been for the time unseated. That it was not permanently overthrown was evidenced by his waking to the most acute pain and grief whenever Fannie came to him. Then he would toss and moan and give vent to his sorrow in passionate complaints.|1| |2|\"I did n't tech his money, Fannie, you know I did n't. I wo'ked fu' every cent of dat money, an' I saved it myself. Oh, I 'll nevah be able to git a job ag'in. Me in de lock-up--me, aftah all dese yeahs!\"|2| |3|Beyond this, apparently, his mind could not go. That his detention was anything more than temporary never seemed to enter his mind. That he would be convicted and sentenced was as far from possibility as the skies from the earth. If he saw visions of a long sojourn in prison, it was only as a nightmare half consciously experienced and which with the struggle must give way before the waking. Fannie was utterly hopeless. She had laid down whatever pride had been hers and gone to plead with Maurice Oakley for her husband's freedom, and she had seen his hard, set face. She had gone upon her knees before his wife to cite Berry's long fidelity.|3| |4|\"Oh, Mis' Oakley,\"|4| |5|she cried,|5| |6|\"ef he did steal de money, we 've got enough saved to mek it good. Let him go! let him go!\"|6| |7|\"Then you admit that he did steal?\"|7| |8|Mrs. Oakley had taken her up sharply.|8| |9|\"Oh, I did n't say dat; I did n't mean dat.\"|9| |10|\"That will do, Fannie. I understand perfectly. You should have confessed that long ago.\"|10| |11|\"But I ain't confessin'! I ain't! He did n't----\"|11| |12|\"You may go.\"|12| |13|The stricken woman reeled out of her mistress's presence, and Mrs. Oakley told her husband that night, with tears in her eyes, how disappointed she was with Fannie,--that the woman had known it all along, and had only just confessed. It was just one more link in the chain that was surely and not too slowly forging itself about Berry Hamilton. Of all the family Joe was the only one who burned with a fierce indignation. He knew that his father was innocent, and his very helplessness made a fever in his soul. Dandy as he was, he was loyal, and when he saw his mother's tears and his sister's shame, something rose within him that had it been given play might have made a man of him, but, being crushed, died and rotted, and in the compost it made all the evil of his nature flourished. The looks and gibes of his fellow-employees at the barber-shop forced him to leave his work there. Kit, bowed with shame and grief, dared not appear upon the streets, where the girls who had envied her now hooted at her. So the little family was shut in upon itself away from fellowship and sympathy. Joe went seldom to see his father. He was not heartless; but the citadel of his long desired and much vaunted manhood trembled before the sight of his father's abject misery. The lines came round his lips, and lines too must have come round his heart. Poor fellow, he was too young for this forcing process, and in the hot-house of pain he only grew an acrid, unripe cynic. At the sitting of the Grand Jury Berry was indicted. His trial followed soon, and the town turned out to see it. Some came to laugh and scoff, but these, his enemies, were silenced by the spectacle of his grief. In vain the lawyer whom he had secured showed that the evidence against him proved nothing. In vain he produced proof of the slow accumulation of what the man had. In vain he pleaded the man's former good name. The judge and the jury saw otherwise. Berry was convicted. He was given ten years at hard labour. He hardly looked as if he could live out one as he heard his sentence. But Nature was kind and relieved him of the strain. With a cry as if his heart were bursting, he started up and fell forward on his face unconscious. Some one, a bit more brutal than the rest, said, \"It 's five dollars' fine every time a nigger faints,\" but no one laughed. There was something too portentous, too tragic in the degradation of this man. Maurice Oakley sat in the court-room, grim and relentless. As soon as the trial was over, he sent for Fannie, who still kept the cottage in the yard.|13| |14|\"You must go,\"|14|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"Martin\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Kit Hamilton\",\n \"6\": \"Fannie Hamilton\",\n \"7\": \"Leslie\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 14 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Fannie Hamilton\",\n \"7\": \"Leslie\",\n \"8\": \"No speaker\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"Leslie\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"Leslie\",\n \"13\": \"No speaker\",\n \"14\": \"Maurice Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Berry Hamilton",
"3": "No speaker",
"4": "Fannie Hamilton",
"5": "No speaker",
"6": "Fannie Hamilton",
"7": "Leslie",
"8": "No speaker",
"9": "Fannie Hamilton",
"10": "Leslie",
"11": "Fannie Hamilton",
"12": "Leslie",
"13": "No speaker",
"14": "Maurice Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Beyond this, apparently, his mind could not go. That his detention was anything more than temporary never seemed to enter his mind. That he would be convicted and sentenced was as far from possibility as the skies from the earth. If he saw visions of a long sojourn in prison, it was only as a nightmare half consciously experienced and which with the struggle must give way before the waking. Fannie was utterly hopeless. She had laid down whatever pride had been hers and gone to plead with Maurice Oakley for her husband's freedom, and she had seen his hard, set face. She had gone upon her knees before his wife to cite Berry's long fidelity.|1| |2|\"Oh, Mis' Oakley,\"|2| |3|she cried,|3| |4|\"ef he did steal de money, we 've got enough saved to mek it good. Let him go! let him go!\"|4| |5|\"Then you admit that he did steal?\"|5| |6|Mrs. Oakley had taken her up sharply.|6| |7|\"Oh, I did n't say dat; I did n't mean dat.\"|7| |8|\"That will do, Fannie. I understand perfectly. You should have confessed that long ago.\"|8| |9|\"But I ain't confessin'! I ain't! He did n't----\"|9| |10|\"You may go.\"|10| |11|The stricken woman reeled out of her mistress's presence, and Mrs. Oakley told her husband that night, with tears in her eyes, how disappointed she was with Fannie,--that the woman had known it all along, and had only just confessed. It was just one more link in the chain that was surely and not too slowly forging itself about Berry Hamilton. Of all the family Joe was the only one who burned with a fierce indignation. He knew that his father was innocent, and his very helplessness made a fever in his soul. Dandy as he was, he was loyal, and when he saw his mother's tears and his sister's shame, something rose within him that had it been given play might have made a man of him, but, being crushed, died and rotted, and in the compost it made all the evil of his nature flourished. The looks and gibes of his fellow-employees at the barber-shop forced him to leave his work there. Kit, bowed with shame and grief, dared not appear upon the streets, where the girls who had envied her now hooted at her. So the little family was shut in upon itself away from fellowship and sympathy. Joe went seldom to see his father. He was not heartless; but the citadel of his long desired and much vaunted manhood trembled before the sight of his father's abject misery. The lines came round his lips, and lines too must have come round his heart. Poor fellow, he was too young for this forcing process, and in the hot-house of pain he only grew an acrid, unripe cynic. At the sitting of the Grand Jury Berry was indicted. His trial followed soon, and the town turned out to see it. Some came to laugh and scoff, but these, his enemies, were silenced by the spectacle of his grief. In vain the lawyer whom he had secured showed that the evidence against him proved nothing. In vain he produced proof of the slow accumulation of what the man had. In vain he pleaded the man's former good name. The judge and the jury saw otherwise. Berry was convicted. He was given ten years at hard labour. He hardly looked as if he could live out one as he heard his sentence. But Nature was kind and relieved him of the strain. With a cry as if his heart were bursting, he started up and fell forward on his face unconscious. Some one, a bit more brutal than the rest, said, \"It 's five dollars' fine every time a nigger faints,\" but no one laughed. There was something too portentous, too tragic in the degradation of this man. Maurice Oakley sat in the court-room, grim and relentless. As soon as the trial was over, he sent for Fannie, who still kept the cottage in the yard.|11| |12|\"You must go,\"|12|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Minty Brown\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Leslie\",\n \"6\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 12 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Beyond this, apparently, his mind could not go. That his detention was anything more than temporary never seemed to enter his mind. That he would be convicted and sentenced was as far from possibility as the skies from the earth. If he saw visions of a long sojourn in prison, it was only as a nightmare half consciously experienced and which with the struggle must give way before the waking. Fannie was utterly hopeless. She had laid down whatever pride had been hers and gone to plead with Maurice Oakley for her husband's freedom, and she had seen his hard, set face. She had gone upon her knees before his wife to cite Berry's long fidelity.|1| |2|\"Oh, Mis' Oakley,\"|2| |3|she cried,|3| |4|\"ef he did steal de money, we 've got enough saved to mek it good. Let him go! let him go!\"|4| |5|\"Then you admit that he did steal?\"|5| |6|Mrs. Oakley had taken her up sharply.|6| |7|\"Oh, I did n't say dat; I did n't mean dat.\"|7| |8|\"That will do, Fannie. I understand perfectly. You should have confessed that long ago.\"|8| |9|\"But I ain't confessin'! I ain't! He did n't----\"|9| |10|\"You may go.\"|10| |11|The stricken woman reeled out of her mistress's presence, and Mrs. Oakley told her husband that night, with tears in her eyes, how disappointed she was with Fannie,--that the woman had known it all along, and had only just confessed. It was just one more link in the chain that was surely and not too slowly forging itself about Berry Hamilton. Of all the family Joe was the only one who burned with a fierce indignation. He knew that his father was innocent, and his very helplessness made a fever in his soul. Dandy as he was, he was loyal, and when he saw his mother's tears and his sister's shame, something rose within him that had it been given play might have made a man of him, but, being crushed, died and rotted, and in the compost it made all the evil of his nature flourished. The looks and gibes of his fellow-employees at the barber-shop forced him to leave his work there. Kit, bowed with shame and grief, dared not appear upon the streets, where the girls who had envied her now hooted at her. So the little family was shut in upon itself away from fellowship and sympathy. Joe went seldom to see his father. He was not heartless; but the citadel of his long desired and much vaunted manhood trembled before the sight of his father's abject misery. The lines came round his lips, and lines too must have come round his heart. Poor fellow, he was too young for this forcing process, and in the hot-house of pain he only grew an acrid, unripe cynic. At the sitting of the Grand Jury Berry was indicted. His trial followed soon, and the town turned out to see it. Some came to laugh and scoff, but these, his enemies, were silenced by the spectacle of his grief. In vain the lawyer whom he had secured showed that the evidence against him proved nothing. In vain he produced proof of the slow accumulation of what the man had. In vain he pleaded the man's former good name. The judge and the jury saw otherwise. Berry was convicted. He was given ten years at hard labour. He hardly looked as if he could live out one as he heard his sentence. But Nature was kind and relieved him of the strain. With a cry as if his heart were bursting, he started up and fell forward on his face unconscious. Some one, a bit more brutal than the rest, said, \"It 's five dollars' fine every time a nigger faints,\" but no one laughed. There was something too portentous, too tragic in the degradation of this man. Maurice Oakley sat in the court-room, grim and relentless. As soon as the trial was over, he sent for Fannie, who still kept the cottage in the yard.|11| |12|\"You must go,\"|12|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Minty Brown\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Leslie\",\n \"6\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 12 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Leslie\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"Leslie\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"Leslie\",\n \"11\": \"No speaker\",\n \"12\": \"Maurice Oakley\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Fannie Hamilton",
"3": "No speaker",
"4": "Fannie Hamilton",
"5": "Leslie",
"6": "No speaker",
"7": "Fannie Hamilton",
"8": "Leslie",
"9": "Fannie Hamilton",
"10": "Leslie",
"11": "No speaker",
"12": "Maurice Oakley"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The stricken woman reeled out of her mistress's presence, and Mrs. Oakley told her husband that night, with tears in her eyes, how disappointed she was with Fannie,--that the woman had known it all along, and had only just confessed. It was just one more link in the chain that was surely and not too slowly forging itself about Berry Hamilton. Of all the family Joe was the only one who burned with a fierce indignation. He knew that his father was innocent, and his very helplessness made a fever in his soul. Dandy as he was, he was loyal, and when he saw his mother's tears and his sister's shame, something rose within him that had it been given play might have made a man of him, but, being crushed, died and rotted, and in the compost it made all the evil of his nature flourished. The looks and gibes of his fellow-employees at the barber-shop forced him to leave his work there. Kit, bowed with shame and grief, dared not appear upon the streets, where the girls who had envied her now hooted at her. So the little family was shut in upon itself away from fellowship and sympathy. Joe went seldom to see his father. He was not heartless; but the citadel of his long desired and much vaunted manhood trembled before the sight of his father's abject misery. The lines came round his lips, and lines too must have come round his heart. Poor fellow, he was too young for this forcing process, and in the hot-house of pain he only grew an acrid, unripe cynic. At the sitting of the Grand Jury Berry was indicted. His trial followed soon, and the town turned out to see it. Some came to laugh and scoff, but these, his enemies, were silenced by the spectacle of his grief. In vain the lawyer whom he had secured showed that the evidence against him proved nothing. In vain he produced proof of the slow accumulation of what the man had. In vain he pleaded the man's former good name. The judge and the jury saw otherwise. Berry was convicted. He was given ten years at hard labour. He hardly looked as if he could live out one as he heard his sentence. But Nature was kind and relieved him of the strain. With a cry as if his heart were bursting, he started up and fell forward on his face unconscious. Some one, a bit more brutal than the rest, said, \"It 's five dollars' fine every time a nigger faints,\" but no one laughed. There was something too portentous, too tragic in the degradation of this man. Maurice Oakley sat in the court-room, grim and relentless. As soon as the trial was over, he sent for Fannie, who still kept the cottage in the yard.|1| |2|\"You must go,\"|2| |3|he said.|3| |4|\"You can't stay here any longer. I want none of your breed about me.\"|4| |5|And Fannie bowed her head and went away from him in silence. All the night long the women of the Hamilton household lay in bed and wept, clinging to each other in their grief. But Joe did not go to sleep. Against all their entreaties, he stayed up. He put out the light and sat staring into the gloom with hard, burning eyes. VI OUTCASTS What particularly irritated Maurice Oakley was that Berry should to the very last keep up his claim of innocence. He reiterated it to the very moment that the train which was bearing him away pulled out of the station. There had seldom been seen such an example of criminal hardihood, and Oakley was hardened thereby to greater severity in dealing with the convict's wife. He began to urge her more strongly to move, and she, dispirited and humiliated by what had come to her, looked vainly about for the way to satisfy his demands. With her natural protector gone, she felt more weak and helpless than she had thought it possible to feel. It was hard enough to face the world. But to have to ask something of it was almost more than she could bear. With the conviction of her husband the last five hundred dollars had been confiscated as belonging to the stolen money, but their former deposit remained untouched. With this she had the means at her disposal to tide over their present days of misfortune. It was not money she lacked, but confidence. Some inkling of the world's attitude towards her, guiltless though she was, reached her and made her afraid. Her desperation, however, would not let her give way to fear, so she set forth to look for another house. Joe and Kit saw her go as if she were starting on an expedition into a strange country. In all their lives they had known no home save the little cottage in Oakley's yard. Here they had toddled as babies and played as children and been happy and care-free. There had been times when they had complained and wanted a home off by themselves, like others whom they knew. They had not failed, either, to draw unpleasant comparisons between their mode of life and the old plantation quarters system. But now all this was forgotten, and there were only grief and anxiety that they must leave the place and in such a way. Fannie went out with little hope in her heart, and a short while after she was gone Joe decided to follow her and make an attempt to get work.|5| |6|\"I 'll go an' see what I kin do, anyway, Kit. 'T ain't much use, I reckon, trying to get into a bahbah shop where they shave white folks, because all the white folks are down on us. I 'll try one of the coloured shops.\"|6|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 6 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The stricken woman reeled out of her mistress's presence, and Mrs. Oakley told her husband that night, with tears in her eyes, how disappointed she was with Fannie,--that the woman had known it all along, and had only just confessed. It was just one more link in the chain that was surely and not too slowly forging itself about Berry Hamilton. Of all the family Joe was the only one who burned with a fierce indignation. He knew that his father was innocent, and his very helplessness made a fever in his soul. Dandy as he was, he was loyal, and when he saw his mother's tears and his sister's shame, something rose within him that had it been given play might have made a man of him, but, being crushed, died and rotted, and in the compost it made all the evil of his nature flourished. The looks and gibes of his fellow-employees at the barber-shop forced him to leave his work there. Kit, bowed with shame and grief, dared not appear upon the streets, where the girls who had envied her now hooted at her. So the little family was shut in upon itself away from fellowship and sympathy. Joe went seldom to see his father. He was not heartless; but the citadel of his long desired and much vaunted manhood trembled before the sight of his father's abject misery. The lines came round his lips, and lines too must have come round his heart. Poor fellow, he was too young for this forcing process, and in the hot-house of pain he only grew an acrid, unripe cynic. At the sitting of the Grand Jury Berry was indicted. His trial followed soon, and the town turned out to see it. Some came to laugh and scoff, but these, his enemies, were silenced by the spectacle of his grief. In vain the lawyer whom he had secured showed that the evidence against him proved nothing. In vain he produced proof of the slow accumulation of what the man had. In vain he pleaded the man's former good name. The judge and the jury saw otherwise. Berry was convicted. He was given ten years at hard labour. He hardly looked as if he could live out one as he heard his sentence. But Nature was kind and relieved him of the strain. With a cry as if his heart were bursting, he started up and fell forward on his face unconscious. Some one, a bit more brutal than the rest, said, \"It 's five dollars' fine every time a nigger faints,\" but no one laughed. There was something too portentous, too tragic in the degradation of this man. Maurice Oakley sat in the court-room, grim and relentless. As soon as the trial was over, he sent for Fannie, who still kept the cottage in the yard.|1| |2|\"You must go,\"|2| |3|he said.|3| |4|\"You can't stay here any longer. I want none of your breed about me.\"|4| |5|And Fannie bowed her head and went away from him in silence. All the night long the women of the Hamilton household lay in bed and wept, clinging to each other in their grief. But Joe did not go to sleep. Against all their entreaties, he stayed up. He put out the light and sat staring into the gloom with hard, burning eyes. VI OUTCASTS What particularly irritated Maurice Oakley was that Berry should to the very last keep up his claim of innocence. He reiterated it to the very moment that the train which was bearing him away pulled out of the station. There had seldom been seen such an example of criminal hardihood, and Oakley was hardened thereby to greater severity in dealing with the convict's wife. He began to urge her more strongly to move, and she, dispirited and humiliated by what had come to her, looked vainly about for the way to satisfy his demands. With her natural protector gone, she felt more weak and helpless than she had thought it possible to feel. It was hard enough to face the world. But to have to ask something of it was almost more than she could bear. With the conviction of her husband the last five hundred dollars had been confiscated as belonging to the stolen money, but their former deposit remained untouched. With this she had the means at her disposal to tide over their present days of misfortune. It was not money she lacked, but confidence. Some inkling of the world's attitude towards her, guiltless though she was, reached her and made her afraid. Her desperation, however, would not let her give way to fear, so she set forth to look for another house. Joe and Kit saw her go as if she were starting on an expedition into a strange country. In all their lives they had known no home save the little cottage in Oakley's yard. Here they had toddled as babies and played as children and been happy and care-free. There had been times when they had complained and wanted a home off by themselves, like others whom they knew. They had not failed, either, to draw unpleasant comparisons between their mode of life and the old plantation quarters system. But now all this was forgotten, and there were only grief and anxiety that they must leave the place and in such a way. Fannie went out with little hope in her heart, and a short while after she was gone Joe decided to follow her and make an attempt to get work.|5| |6|\"I 'll go an' see what I kin do, anyway, Kit. 'T ain't much use, I reckon, trying to get into a bahbah shop where they shave white folks, because all the white folks are down on us. I 'll try one of the coloured shops.\"|6|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 6 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Maurice Oakley",
"3": "No speaker",
"4": "Maurice Oakley",
"5": "No speaker",
"6": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The stricken woman reeled out of her mistress's presence, and Mrs. Oakley told her husband that night, with tears in her eyes, how disappointed she was with Fannie,--that the woman had known it all along, and had only just confessed. It was just one more link in the chain that was surely and not too slowly forging itself about Berry Hamilton. Of all the family Joe was the only one who burned with a fierce indignation. He knew that his father was innocent, and his very helplessness made a fever in his soul. Dandy as he was, he was loyal, and when he saw his mother's tears and his sister's shame, something rose within him that had it been given play might have made a man of him, but, being crushed, died and rotted, and in the compost it made all the evil of his nature flourished. The looks and gibes of his fellow-employees at the barber-shop forced him to leave his work there. Kit, bowed with shame and grief, dared not appear upon the streets, where the girls who had envied her now hooted at her. So the little family was shut in upon itself away from fellowship and sympathy. Joe went seldom to see his father. He was not heartless; but the citadel of his long desired and much vaunted manhood trembled before the sight of his father's abject misery. The lines came round his lips, and lines too must have come round his heart. Poor fellow, he was too young for this forcing process, and in the hot-house of pain he only grew an acrid, unripe cynic. At the sitting of the Grand Jury Berry was indicted. His trial followed soon, and the town turned out to see it. Some came to laugh and scoff, but these, his enemies, were silenced by the spectacle of his grief. In vain the lawyer whom he had secured showed that the evidence against him proved nothing. In vain he produced proof of the slow accumulation of what the man had. In vain he pleaded the man's former good name. The judge and the jury saw otherwise. Berry was convicted. He was given ten years at hard labour. He hardly looked as if he could live out one as he heard his sentence. But Nature was kind and relieved him of the strain. With a cry as if his heart were bursting, he started up and fell forward on his face unconscious. Some one, a bit more brutal than the rest, said, \"It 's five dollars' fine every time a nigger faints,\" but no one laughed. There was something too portentous, too tragic in the degradation of this man. Maurice Oakley sat in the court-room, grim and relentless. As soon as the trial was over, he sent for Fannie, who still kept the cottage in the yard.|1| |2|\"You must go,\"|2| |3|he said.|3| |4|\"You can't stay here any longer. I want none of your breed about me.\"|4| |5|And Fannie bowed her head and went away from him in silence. All the night long the women of the Hamilton household lay in bed and wept, clinging to each other in their grief. But Joe did not go to sleep. Against all their entreaties, he stayed up. He put out the light and sat staring into the gloom with hard, burning eyes. VI OUTCASTS What particularly irritated Maurice Oakley was that Berry should to the very last keep up his claim of innocence. He reiterated it to the very moment that the train which was bearing him away pulled out of the station. There had seldom been seen such an example of criminal hardihood, and Oakley was hardened thereby to greater severity in dealing with the convict's wife. He began to urge her more strongly to move, and she, dispirited and humiliated by what had come to her, looked vainly about for the way to satisfy his demands. With her natural protector gone, she felt more weak and helpless than she had thought it possible to feel. It was hard enough to face the world. But to have to ask something of it was almost more than she could bear. With the conviction of her husband the last five hundred dollars had been confiscated as belonging to the stolen money, but their former deposit remained untouched. With this she had the means at her disposal to tide over their present days of misfortune. It was not money she lacked, but confidence. Some inkling of the world's attitude towards her, guiltless though she was, reached her and made her afraid. Her desperation, however, would not let her give way to fear, so she set forth to look for another house. Joe and Kit saw her go as if she were starting on an expedition into a strange country. In all their lives they had known no home save the little cottage in Oakley's yard. Here they had toddled as babies and played as children and been happy and care-free. There had been times when they had complained and wanted a home off by themselves, like others whom they knew. They had not failed, either, to draw unpleasant comparisons between their mode of life and the old plantation quarters system. But now all this was forgotten, and there were only grief and anxiety that they must leave the place and in such a way. Fannie went out with little hope in her heart, and a short while after she was gone Joe decided to follow her and make an attempt to get work.|5| |6|\"I 'll go an' see what I kin do, anyway, Kit. 'T ain't much use, I reckon, trying to get into a bahbah shop where they shave white folks, because all the white folks are down on us. I 'll try one of the coloured shops.\"|6|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 6 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The stricken woman reeled out of her mistress's presence, and Mrs. Oakley told her husband that night, with tears in her eyes, how disappointed she was with Fannie,--that the woman had known it all along, and had only just confessed. It was just one more link in the chain that was surely and not too slowly forging itself about Berry Hamilton. Of all the family Joe was the only one who burned with a fierce indignation. He knew that his father was innocent, and his very helplessness made a fever in his soul. Dandy as he was, he was loyal, and when he saw his mother's tears and his sister's shame, something rose within him that had it been given play might have made a man of him, but, being crushed, died and rotted, and in the compost it made all the evil of his nature flourished. The looks and gibes of his fellow-employees at the barber-shop forced him to leave his work there. Kit, bowed with shame and grief, dared not appear upon the streets, where the girls who had envied her now hooted at her. So the little family was shut in upon itself away from fellowship and sympathy. Joe went seldom to see his father. He was not heartless; but the citadel of his long desired and much vaunted manhood trembled before the sight of his father's abject misery. The lines came round his lips, and lines too must have come round his heart. Poor fellow, he was too young for this forcing process, and in the hot-house of pain he only grew an acrid, unripe cynic. At the sitting of the Grand Jury Berry was indicted. His trial followed soon, and the town turned out to see it. Some came to laugh and scoff, but these, his enemies, were silenced by the spectacle of his grief. In vain the lawyer whom he had secured showed that the evidence against him proved nothing. In vain he produced proof of the slow accumulation of what the man had. In vain he pleaded the man's former good name. The judge and the jury saw otherwise. Berry was convicted. He was given ten years at hard labour. He hardly looked as if he could live out one as he heard his sentence. But Nature was kind and relieved him of the strain. With a cry as if his heart were bursting, he started up and fell forward on his face unconscious. Some one, a bit more brutal than the rest, said, \"It 's five dollars' fine every time a nigger faints,\" but no one laughed. There was something too portentous, too tragic in the degradation of this man. Maurice Oakley sat in the court-room, grim and relentless. As soon as the trial was over, he sent for Fannie, who still kept the cottage in the yard.|1| |2|\"You must go,\"|2| |3|he said.|3| |4|\"You can't stay here any longer. I want none of your breed about me.\"|4| |5|And Fannie bowed her head and went away from him in silence. All the night long the women of the Hamilton household lay in bed and wept, clinging to each other in their grief. But Joe did not go to sleep. Against all their entreaties, he stayed up. He put out the light and sat staring into the gloom with hard, burning eyes. VI OUTCASTS What particularly irritated Maurice Oakley was that Berry should to the very last keep up his claim of innocence. He reiterated it to the very moment that the train which was bearing him away pulled out of the station. There had seldom been seen such an example of criminal hardihood, and Oakley was hardened thereby to greater severity in dealing with the convict's wife. He began to urge her more strongly to move, and she, dispirited and humiliated by what had come to her, looked vainly about for the way to satisfy his demands. With her natural protector gone, she felt more weak and helpless than she had thought it possible to feel. It was hard enough to face the world. But to have to ask something of it was almost more than she could bear. With the conviction of her husband the last five hundred dollars had been confiscated as belonging to the stolen money, but their former deposit remained untouched. With this she had the means at her disposal to tide over their present days of misfortune. It was not money she lacked, but confidence. Some inkling of the world's attitude towards her, guiltless though she was, reached her and made her afraid. Her desperation, however, would not let her give way to fear, so she set forth to look for another house. Joe and Kit saw her go as if she were starting on an expedition into a strange country. In all their lives they had known no home save the little cottage in Oakley's yard. Here they had toddled as babies and played as children and been happy and care-free. There had been times when they had complained and wanted a home off by themselves, like others whom they knew. They had not failed, either, to draw unpleasant comparisons between their mode of life and the old plantation quarters system. But now all this was forgotten, and there were only grief and anxiety that they must leave the place and in such a way. Fannie went out with little hope in her heart, and a short while after she was gone Joe decided to follow her and make an attempt to get work.|5| |6|\"I 'll go an' see what I kin do, anyway, Kit. 'T ain't much use, I reckon, trying to get into a bahbah shop where they shave white folks, because all the white folks are down on us. I 'll try one of the coloured shops.\"|6|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 6 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Maurice Oakley\",\n \"3\": \"No speaker\",\n \"4\": \"Maurice Oakley\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Maurice Oakley",
"3": "No speaker",
"4": "Maurice Oakley",
"5": "No speaker",
"6": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|And Fannie bowed her head and went away from him in silence. All the night long the women of the Hamilton household lay in bed and wept, clinging to each other in their grief. But Joe did not go to sleep. Against all their entreaties, he stayed up. He put out the light and sat staring into the gloom with hard, burning eyes. VI OUTCASTS What particularly irritated Maurice Oakley was that Berry should to the very last keep up his claim of innocence. He reiterated it to the very moment that the train which was bearing him away pulled out of the station. There had seldom been seen such an example of criminal hardihood, and Oakley was hardened thereby to greater severity in dealing with the convict's wife. He began to urge her more strongly to move, and she, dispirited and humiliated by what had come to her, looked vainly about for the way to satisfy his demands. With her natural protector gone, she felt more weak and helpless than she had thought it possible to feel. It was hard enough to face the world. But to have to ask something of it was almost more than she could bear. With the conviction of her husband the last five hundred dollars had been confiscated as belonging to the stolen money, but their former deposit remained untouched. With this she had the means at her disposal to tide over their present days of misfortune. It was not money she lacked, but confidence. Some inkling of the world's attitude towards her, guiltless though she was, reached her and made her afraid. Her desperation, however, would not let her give way to fear, so she set forth to look for another house. Joe and Kit saw her go as if she were starting on an expedition into a strange country. In all their lives they had known no home save the little cottage in Oakley's yard. Here they had toddled as babies and played as children and been happy and care-free. There had been times when they had complained and wanted a home off by themselves, like others whom they knew. They had not failed, either, to draw unpleasant comparisons between their mode of life and the old plantation quarters system. But now all this was forgotten, and there were only grief and anxiety that they must leave the place and in such a way. Fannie went out with little hope in her heart, and a short while after she was gone Joe decided to follow her and make an attempt to get work.|1| |2|\"I 'll go an' see what I kin do, anyway, Kit. 'T ain't much use, I reckon, trying to get into a bahbah shop where they shave white folks, because all the white folks are down on us. I 'll try one of the coloured shops.\"|2| |3|This was something of a condescension for Berry Hamilton's son. He had never yet shaved a black chin or put shears to what he termed \"naps,\" and he was proud of it. He thought, though, that after the training he had received from the superior \"Tonsorial Parlours\" where he had been employed, he had but to ask for a place and he would be gladly accepted. It is strange how all the foolish little vaunting things that a man says in days of prosperity wax a giant crop around him in the days of his adversity. Berry Hamilton's son found this out almost as soon as he had applied at the first of the coloured shops for work.|3| |4|\"Oh, no, suh,\"|4| |5|said the proprietor,|5| |6|\"I don't think we got anything fu' you to do; you 're a white man's bahbah. We don't shave nothin' but niggahs hyeah, an' we shave 'em in de light o' day an' on de groun' flo'.\"|6| |7|\"W'y, I hyeah you say dat you could n't git a paih of sheahs thoo a niggah's naps. You ain't been practisin' lately, has you?\" came from the back of the shop, where a grinning negro was scraping a fellow's face. \"Oh, yes, you 're done with burr-heads, are you? But burr-heads are good enough fu' you now.\"|7| |8|\"I think,\"|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"The Proprietor\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|And Fannie bowed her head and went away from him in silence. All the night long the women of the Hamilton household lay in bed and wept, clinging to each other in their grief. But Joe did not go to sleep. Against all their entreaties, he stayed up. He put out the light and sat staring into the gloom with hard, burning eyes. VI OUTCASTS What particularly irritated Maurice Oakley was that Berry should to the very last keep up his claim of innocence. He reiterated it to the very moment that the train which was bearing him away pulled out of the station. There had seldom been seen such an example of criminal hardihood, and Oakley was hardened thereby to greater severity in dealing with the convict's wife. He began to urge her more strongly to move, and she, dispirited and humiliated by what had come to her, looked vainly about for the way to satisfy his demands. With her natural protector gone, she felt more weak and helpless than she had thought it possible to feel. It was hard enough to face the world. But to have to ask something of it was almost more than she could bear. With the conviction of her husband the last five hundred dollars had been confiscated as belonging to the stolen money, but their former deposit remained untouched. With this she had the means at her disposal to tide over their present days of misfortune. It was not money she lacked, but confidence. Some inkling of the world's attitude towards her, guiltless though she was, reached her and made her afraid. Her desperation, however, would not let her give way to fear, so she set forth to look for another house. Joe and Kit saw her go as if she were starting on an expedition into a strange country. In all their lives they had known no home save the little cottage in Oakley's yard. Here they had toddled as babies and played as children and been happy and care-free. There had been times when they had complained and wanted a home off by themselves, like others whom they knew. They had not failed, either, to draw unpleasant comparisons between their mode of life and the old plantation quarters system. But now all this was forgotten, and there were only grief and anxiety that they must leave the place and in such a way. Fannie went out with little hope in her heart, and a short while after she was gone Joe decided to follow her and make an attempt to get work.|1| |2|\"I 'll go an' see what I kin do, anyway, Kit. 'T ain't much use, I reckon, trying to get into a bahbah shop where they shave white folks, because all the white folks are down on us. I 'll try one of the coloured shops.\"|2| |3|This was something of a condescension for Berry Hamilton's son. He had never yet shaved a black chin or put shears to what he termed \"naps,\" and he was proud of it. He thought, though, that after the training he had received from the superior \"Tonsorial Parlours\" where he had been employed, he had but to ask for a place and he would be gladly accepted. It is strange how all the foolish little vaunting things that a man says in days of prosperity wax a giant crop around him in the days of his adversity. Berry Hamilton's son found this out almost as soon as he had applied at the first of the coloured shops for work.|3| |4|\"Oh, no, suh,\"|4| |5|said the proprietor,|5| |6|\"I don't think we got anything fu' you to do; you 're a white man's bahbah. We don't shave nothin' but niggahs hyeah, an' we shave 'em in de light o' day an' on de groun' flo'.\"|6| |7|\"W'y, I hyeah you say dat you could n't git a paih of sheahs thoo a niggah's naps. You ain't been practisin' lately, has you?\" came from the back of the shop, where a grinning negro was scraping a fellow's face. \"Oh, yes, you 're done with burr-heads, are you? But burr-heads are good enough fu' you now.\"|7| |8|\"I think,\"|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"The Proprietor\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"The Proprietor\",\n \"5\": \"No speaker\",\n \"6\": \"The Proprietor\",\n \"7\": \"No speaker\",\n \"8\": \"The Proprietor\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Joe Hamilton",
"3": "No speaker",
"4": "The Proprietor",
"5": "No speaker",
"6": "The Proprietor",
"7": "No speaker",
"8": "The Proprietor"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|And Fannie bowed her head and went away from him in silence. All the night long the women of the Hamilton household lay in bed and wept, clinging to each other in their grief. But Joe did not go to sleep. Against all their entreaties, he stayed up. He put out the light and sat staring into the gloom with hard, burning eyes. VI OUTCASTS What particularly irritated Maurice Oakley was that Berry should to the very last keep up his claim of innocence. He reiterated it to the very moment that the train which was bearing him away pulled out of the station. There had seldom been seen such an example of criminal hardihood, and Oakley was hardened thereby to greater severity in dealing with the convict's wife. He began to urge her more strongly to move, and she, dispirited and humiliated by what had come to her, looked vainly about for the way to satisfy his demands. With her natural protector gone, she felt more weak and helpless than she had thought it possible to feel. It was hard enough to face the world. But to have to ask something of it was almost more than she could bear. With the conviction of her husband the last five hundred dollars had been confiscated as belonging to the stolen money, but their former deposit remained untouched. With this she had the means at her disposal to tide over their present days of misfortune. It was not money she lacked, but confidence. Some inkling of the world's attitude towards her, guiltless though she was, reached her and made her afraid. Her desperation, however, would not let her give way to fear, so she set forth to look for another house. Joe and Kit saw her go as if she were starting on an expedition into a strange country. In all their lives they had known no home save the little cottage in Oakley's yard. Here they had toddled as babies and played as children and been happy and care-free. There had been times when they had complained and wanted a home off by themselves, like others whom they knew. They had not failed, either, to draw unpleasant comparisons between their mode of life and the old plantation quarters system. But now all this was forgotten, and there were only grief and anxiety that they must leave the place and in such a way. Fannie went out with little hope in her heart, and a short while after she was gone Joe decided to follow her and make an attempt to get work.|1| |2|\"I 'll go an' see what I kin do, anyway, Kit. 'T ain't much use, I reckon, trying to get into a bahbah shop where they shave white folks, because all the white folks are down on us. I 'll try one of the coloured shops.\"|2| |3|This was something of a condescension for Berry Hamilton's son. He had never yet shaved a black chin or put shears to what he termed \"naps,\" and he was proud of it. He thought, though, that after the training he had received from the superior \"Tonsorial Parlours\" where he had been employed, he had but to ask for a place and he would be gladly accepted. It is strange how all the foolish little vaunting things that a man says in days of prosperity wax a giant crop around him in the days of his adversity. Berry Hamilton's son found this out almost as soon as he had applied at the first of the coloured shops for work.|3| |4|\"Oh, no, suh,\"|4| |5|said the proprietor,|5| |6|\"I don't think we got anything fu' you to do; you 're a white man's bahbah. We don't shave nothin' but niggahs hyeah, an' we shave 'em in de light o' day an' on de groun' flo'.\"|6| |7|\"W'y, I hyeah you say dat you could n't git a paih of sheahs thoo a niggah's naps. You ain't been practisin' lately, has you?\" came from the back of the shop, where a grinning negro was scraping a fellow's face. \"Oh, yes, you 're done with burr-heads, are you? But burr-heads are good enough fu' you now.\"|7| |8|\"I think,\"|8| |9|the proprietor resumed,|9| |10|\"that I hyeahed you say you was n't fond o' grape pickin'. Well, Josy, my son, I would n't begin it now, 'specially as anothah kin' o' pickin' seems to run in yo' fambly.\"|10| |11|Joe Hamilton never knew how he got out of that shop. He only knew that he found himself upon the street outside the door, tears of anger and shame in his eyes, and the laughs and taunts of his tormentors still ringing in his ears. It was cruel, of course it was cruel. It was brutal. But only he knew how just it had been. In his moments of pride he had said all those things, half in fun and half in earnest, and he began to wonder how he could have been so many kinds of a fool for so long without realising it. He had not the heart to seek another shop, for he knew that what would be known at one would be equally well known at all the rest. The hardest thing that he had to bear was the knowledge that he had shut himself out of all the chances that he now desired. He remembered with a pang the words of an old negro to whom he had once been impudent, \"Nevah min', boy, nevah min', you 's bo'n, but you ain't daid!\" It was too true. He had not known then what would come. He had never dreamed that anything so terrible could overtake him. Even in his straits, however, desperation gave him a certain pluck. He would try for something else for which his own tongue had not disqualified him. With Joe, to think was to do. He went on to the Continental Hotel, where there were almost always boys wanted to \"run the bells.\" The clerk looked him over critically. He was a bright, spruce-looking young fellow, and the man liked his looks.|11| |12|\"Well, I guess we can take you on,\"|12|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"No speaker\",\n \"4\": \"The Proprietor\",\n \"5\": \"No speaker\",\n \"6\": \"The Proprietor\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 12 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|And Fannie bowed her head and went away from him in silence. All the night long the women of the Hamilton household lay in bed and wept, clinging to each other in their grief. But Joe did not go to sleep. Against all their entreaties, he stayed up. He put out the light and sat staring into the gloom with hard, burning eyes. VI OUTCASTS What particularly irritated Maurice Oakley was that Berry should to the very last keep up his claim of innocence. He reiterated it to the very moment that the train which was bearing him away pulled out of the station. There had seldom been seen such an example of criminal hardihood, and Oakley was hardened thereby to greater severity in dealing with the convict's wife. He began to urge her more strongly to move, and she, dispirited and humiliated by what had come to her, looked vainly about for the way to satisfy his demands. With her natural protector gone, she felt more weak and helpless than she had thought it possible to feel. It was hard enough to face the world. But to have to ask something of it was almost more than she could bear. With the conviction of her husband the last five hundred dollars had been confiscated as belonging to the stolen money, but their former deposit remained untouched. With this she had the means at her disposal to tide over their present days of misfortune. It was not money she lacked, but confidence. Some inkling of the world's attitude towards her, guiltless though she was, reached her and made her afraid. Her desperation, however, would not let her give way to fear, so she set forth to look for another house. Joe and Kit saw her go as if she were starting on an expedition into a strange country. In all their lives they had known no home save the little cottage in Oakley's yard. Here they had toddled as babies and played as children and been happy and care-free. There had been times when they had complained and wanted a home off by themselves, like others whom they knew. They had not failed, either, to draw unpleasant comparisons between their mode of life and the old plantation quarters system. But now all this was forgotten, and there were only grief and anxiety that they must leave the place and in such a way. Fannie went out with little hope in her heart, and a short while after she was gone Joe decided to follow her and make an attempt to get work.|1| |2|\"I 'll go an' see what I kin do, anyway, Kit. 'T ain't much use, I reckon, trying to get into a bahbah shop where they shave white folks, because all the white folks are down on us. I 'll try one of the coloured shops.\"|2| |3|This was something of a condescension for Berry Hamilton's son. He had never yet shaved a black chin or put shears to what he termed \"naps,\" and he was proud of it. He thought, though, that after the training he had received from the superior \"Tonsorial Parlours\" where he had been employed, he had but to ask for a place and he would be gladly accepted. It is strange how all the foolish little vaunting things that a man says in days of prosperity wax a giant crop around him in the days of his adversity. Berry Hamilton's son found this out almost as soon as he had applied at the first of the coloured shops for work.|3| |4|\"Oh, no, suh,\"|4| |5|said the proprietor,|5| |6|\"I don't think we got anything fu' you to do; you 're a white man's bahbah. We don't shave nothin' but niggahs hyeah, an' we shave 'em in de light o' day an' on de groun' flo'.\"|6| |7|\"W'y, I hyeah you say dat you could n't git a paih of sheahs thoo a niggah's naps. You ain't been practisin' lately, has you?\" came from the back of the shop, where a grinning negro was scraping a fellow's face. \"Oh, yes, you 're done with burr-heads, are you? But burr-heads are good enough fu' you now.\"|7| |8|\"I think,\"|8| |9|the proprietor resumed,|9| |10|\"that I hyeahed you say you was n't fond o' grape pickin'. Well, Josy, my son, I would n't begin it now, 'specially as anothah kin' o' pickin' seems to run in yo' fambly.\"|10| |11|Joe Hamilton never knew how he got out of that shop. He only knew that he found himself upon the street outside the door, tears of anger and shame in his eyes, and the laughs and taunts of his tormentors still ringing in his ears. It was cruel, of course it was cruel. It was brutal. But only he knew how just it had been. In his moments of pride he had said all those things, half in fun and half in earnest, and he began to wonder how he could have been so many kinds of a fool for so long without realising it. He had not the heart to seek another shop, for he knew that what would be known at one would be equally well known at all the rest. The hardest thing that he had to bear was the knowledge that he had shut himself out of all the chances that he now desired. He remembered with a pang the words of an old negro to whom he had once been impudent, \"Nevah min', boy, nevah min', you 's bo'n, but you ain't daid!\" It was too true. He had not known then what would come. He had never dreamed that anything so terrible could overtake him. Even in his straits, however, desperation gave him a certain pluck. He would try for something else for which his own tongue had not disqualified him. With Joe, to think was to do. He went on to the Continental Hotel, where there were almost always boys wanted to \"run the bells.\" The clerk looked him over critically. He was a bright, spruce-looking young fellow, and the man liked his looks.|11| |12|\"Well, I guess we can take you on,\"|12|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"No speaker\",\n \"4\": \"The Proprietor\",\n \"5\": \"No speaker\",\n \"6\": \"The Proprietor\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 12 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"The Proprietor\",\n \"5\": \"No speaker\",\n \"6\": \"The Proprietor\",\n \"7\": \"No speaker\",\n \"8\": \"The Proprietor\",\n \"9\": \"No speaker\",\n \"10\": \"The Proprietor\",\n \"11\": \"No speaker\",\n \"12\": \"The Clerk\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Joe Hamilton",
"3": "No speaker",
"4": "The Proprietor",
"5": "No speaker",
"6": "The Proprietor",
"7": "No speaker",
"8": "The Proprietor",
"9": "No speaker",
"10": "The Proprietor",
"11": "No speaker",
"12": "The Clerk"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"W'y, I hyeah you say dat you could n't git a paih of sheahs thoo a niggah's naps. You ain't been practisin' lately, has you?\" came from the back of the shop, where a grinning negro was scraping a fellow's face. \"Oh, yes, you 're done with burr-heads, are you? But burr-heads are good enough fu' you now.\"|1| |2|\"I think,\"|2| |3|the proprietor resumed,|3| |4|\"that I hyeahed you say you was n't fond o' grape pickin'. Well, Josy, my son, I would n't begin it now, 'specially as anothah kin' o' pickin' seems to run in yo' fambly.\"|4| |5|Joe Hamilton never knew how he got out of that shop. He only knew that he found himself upon the street outside the door, tears of anger and shame in his eyes, and the laughs and taunts of his tormentors still ringing in his ears. It was cruel, of course it was cruel. It was brutal. But only he knew how just it had been. In his moments of pride he had said all those things, half in fun and half in earnest, and he began to wonder how he could have been so many kinds of a fool for so long without realising it. He had not the heart to seek another shop, for he knew that what would be known at one would be equally well known at all the rest. The hardest thing that he had to bear was the knowledge that he had shut himself out of all the chances that he now desired. He remembered with a pang the words of an old negro to whom he had once been impudent, \"Nevah min', boy, nevah min', you 's bo'n, but you ain't daid!\" It was too true. He had not known then what would come. He had never dreamed that anything so terrible could overtake him. Even in his straits, however, desperation gave him a certain pluck. He would try for something else for which his own tongue had not disqualified him. With Joe, to think was to do. He went on to the Continental Hotel, where there were almost always boys wanted to \"run the bells.\" The clerk looked him over critically. He was a bright, spruce-looking young fellow, and the man liked his looks.|5| |6|\"Well, I guess we can take you on,\"|6| |7|he said.|7| |8|\"What 's your name?\"|8| |9|\"Joe,\"|9| |10|was the laconic answer. He was afraid to say more.|10| |11|\"Well, Joe, you go over there and sit where you see those fellows in uniform, and wait until I call the head bellman.\"|11| |12|Young Hamilton went over and sat down on a bench which ran along the hotel corridor and where the bellmen were wont to stay during the day awaiting their calls. A few of the blue-coated Mercuries were there. Upon Joe's advent they began to look askance at him and to talk among themselves. He felt his face burning as he thought of what they must be saying. Then he saw the head bellman talking to the clerk and looking in his direction. He saw him shake his head and walk away. He could have cursed him. The clerk called to him.|12| |13|\"I did n't know,\"|13|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Proprietor\",\n \"3\": \"No speaker\",\n \"4\": \"The Proprietor\",\n \"5\": \"No speaker\",\n \"6\": \"The Clerk\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 13 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"W'y, I hyeah you say dat you could n't git a paih of sheahs thoo a niggah's naps. You ain't been practisin' lately, has you?\" came from the back of the shop, where a grinning negro was scraping a fellow's face. \"Oh, yes, you 're done with burr-heads, are you? But burr-heads are good enough fu' you now.\"|1| |2|\"I think,\"|2| |3|the proprietor resumed,|3| |4|\"that I hyeahed you say you was n't fond o' grape pickin'. Well, Josy, my son, I would n't begin it now, 'specially as anothah kin' o' pickin' seems to run in yo' fambly.\"|4| |5|Joe Hamilton never knew how he got out of that shop. He only knew that he found himself upon the street outside the door, tears of anger and shame in his eyes, and the laughs and taunts of his tormentors still ringing in his ears. It was cruel, of course it was cruel. It was brutal. But only he knew how just it had been. In his moments of pride he had said all those things, half in fun and half in earnest, and he began to wonder how he could have been so many kinds of a fool for so long without realising it. He had not the heart to seek another shop, for he knew that what would be known at one would be equally well known at all the rest. The hardest thing that he had to bear was the knowledge that he had shut himself out of all the chances that he now desired. He remembered with a pang the words of an old negro to whom he had once been impudent, \"Nevah min', boy, nevah min', you 's bo'n, but you ain't daid!\" It was too true. He had not known then what would come. He had never dreamed that anything so terrible could overtake him. Even in his straits, however, desperation gave him a certain pluck. He would try for something else for which his own tongue had not disqualified him. With Joe, to think was to do. He went on to the Continental Hotel, where there were almost always boys wanted to \"run the bells.\" The clerk looked him over critically. He was a bright, spruce-looking young fellow, and the man liked his looks.|5| |6|\"Well, I guess we can take you on,\"|6| |7|he said.|7| |8|\"What 's your name?\"|8| |9|\"Joe,\"|9| |10|was the laconic answer. He was afraid to say more.|10| |11|\"Well, Joe, you go over there and sit where you see those fellows in uniform, and wait until I call the head bellman.\"|11| |12|Young Hamilton went over and sat down on a bench which ran along the hotel corridor and where the bellmen were wont to stay during the day awaiting their calls. A few of the blue-coated Mercuries were there. Upon Joe's advent they began to look askance at him and to talk among themselves. He felt his face burning as he thought of what they must be saying. Then he saw the head bellman talking to the clerk and looking in his direction. He saw him shake his head and walk away. He could have cursed him. The clerk called to him.|12| |13|\"I did n't know,\"|13|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Proprietor\",\n \"3\": \"No speaker\",\n \"4\": \"The Proprietor\",\n \"5\": \"No speaker\",\n \"6\": \"The Clerk\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 13 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Proprietor\",\n \"3\": \"No speaker\",\n \"4\": \"The Proprietor\",\n \"5\": \"No speaker\",\n \"6\": \"The Clerk\",\n \"7\": \"No speaker\",\n \"8\": \"The Clerk\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"The Clerk\",\n \"12\": \"No speaker\",\n \"13\": \"The Clerk\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "The Proprietor",
"3": "No speaker",
"4": "The Proprietor",
"5": "No speaker",
"6": "The Clerk",
"7": "No speaker",
"8": "The Clerk",
"9": "Joe Hamilton",
"10": "No speaker",
"11": "The Clerk",
"12": "No speaker",
"13": "The Clerk"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Joe Hamilton never knew how he got out of that shop. He only knew that he found himself upon the street outside the door, tears of anger and shame in his eyes, and the laughs and taunts of his tormentors still ringing in his ears. It was cruel, of course it was cruel. It was brutal. But only he knew how just it had been. In his moments of pride he had said all those things, half in fun and half in earnest, and he began to wonder how he could have been so many kinds of a fool for so long without realising it. He had not the heart to seek another shop, for he knew that what would be known at one would be equally well known at all the rest. The hardest thing that he had to bear was the knowledge that he had shut himself out of all the chances that he now desired. He remembered with a pang the words of an old negro to whom he had once been impudent, \"Nevah min', boy, nevah min', you 's bo'n, but you ain't daid!\" It was too true. He had not known then what would come. He had never dreamed that anything so terrible could overtake him. Even in his straits, however, desperation gave him a certain pluck. He would try for something else for which his own tongue had not disqualified him. With Joe, to think was to do. He went on to the Continental Hotel, where there were almost always boys wanted to \"run the bells.\" The clerk looked him over critically. He was a bright, spruce-looking young fellow, and the man liked his looks.|1| |2|\"Well, I guess we can take you on,\"|2| |3|he said.|3| |4|\"What 's your name?\"|4| |5|\"Joe,\"|5| |6|was the laconic answer. He was afraid to say more.|6| |7|\"Well, Joe, you go over there and sit where you see those fellows in uniform, and wait until I call the head bellman.\"|7| |8|Young Hamilton went over and sat down on a bench which ran along the hotel corridor and where the bellmen were wont to stay during the day awaiting their calls. A few of the blue-coated Mercuries were there. Upon Joe's advent they began to look askance at him and to talk among themselves. He felt his face burning as he thought of what they must be saying. Then he saw the head bellman talking to the clerk and looking in his direction. He saw him shake his head and walk away. He could have cursed him. The clerk called to him.|8| |9|\"I did n't know,\"|9| |10|he said,--\"|10| |11|\"I did n't know that you were Berry Hamilton's boy. Now, I 've got nothing against you myself. I don't hold you responsible for what your father did, but I don't believe our boys would work with you. I can't take you on.\"|11| |12|Joe turned away to meet the grinning or contemptuous glances of the bellmen on the seat. It would have been good to be able to hurl something among them. But he was helpless. He hastened out of the hotel, feeling that every eye was upon him, every finger pointing at him, every tongue whispering, \"There goes Joe Hamilton, whose father went to the penitentiary the other day.\" What should he do? He could try no more. He was proscribed, and the letters of his ban were writ large throughout the town, where all who ran might read. For a while he wandered aimlessly about and then turned dejectedly homeward. His mother had not yet come.|12| |13|\"Did you get a job?\"|13| |14|was Kit's first question.|14| |15|\"No,\"|15| |16|he answered bitterly,|16| |17|\"no one wants me now.\"|17| |18|\"No one wants you? Why, Joe--they--they don't think hard of us, do they?\"|18| |19|\"I don't know what they think of ma and you, but they think hard of me, all right.\"|19| |20|\"Oh, don't you worry; it 'll be all right when it blows over.\"|20| |21|\"Yes, when it all blows over; but when 'll that be?\"|21| |22|\"Oh, after a while, when we can show 'em we 're all right.\"|22|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Clerk\",\n \"3\": \"No speaker\",\n \"4\": \"The Clerk\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"Leslie\",\n \"7\": \"The Clerk\",\n \"8\": \"Kitty Hamilton\",\n \"9\": \"The Clerk\",\n \"10\": \"Minty Brown\",\n \"11\": \"The Clerk\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 22 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Joe Hamilton never knew how he got out of that shop. He only knew that he found himself upon the street outside the door, tears of anger and shame in his eyes, and the laughs and taunts of his tormentors still ringing in his ears. It was cruel, of course it was cruel. It was brutal. But only he knew how just it had been. In his moments of pride he had said all those things, half in fun and half in earnest, and he began to wonder how he could have been so many kinds of a fool for so long without realising it. He had not the heart to seek another shop, for he knew that what would be known at one would be equally well known at all the rest. The hardest thing that he had to bear was the knowledge that he had shut himself out of all the chances that he now desired. He remembered with a pang the words of an old negro to whom he had once been impudent, \"Nevah min', boy, nevah min', you 's bo'n, but you ain't daid!\" It was too true. He had not known then what would come. He had never dreamed that anything so terrible could overtake him. Even in his straits, however, desperation gave him a certain pluck. He would try for something else for which his own tongue had not disqualified him. With Joe, to think was to do. He went on to the Continental Hotel, where there were almost always boys wanted to \"run the bells.\" The clerk looked him over critically. He was a bright, spruce-looking young fellow, and the man liked his looks.|1| |2|\"Well, I guess we can take you on,\"|2| |3|he said.|3| |4|\"What 's your name?\"|4| |5|\"Joe,\"|5| |6|was the laconic answer. He was afraid to say more.|6| |7|\"Well, Joe, you go over there and sit where you see those fellows in uniform, and wait until I call the head bellman.\"|7| |8|Young Hamilton went over and sat down on a bench which ran along the hotel corridor and where the bellmen were wont to stay during the day awaiting their calls. A few of the blue-coated Mercuries were there. Upon Joe's advent they began to look askance at him and to talk among themselves. He felt his face burning as he thought of what they must be saying. Then he saw the head bellman talking to the clerk and looking in his direction. He saw him shake his head and walk away. He could have cursed him. The clerk called to him.|8| |9|\"I did n't know,\"|9| |10|he said,--\"|10| |11|\"I did n't know that you were Berry Hamilton's boy. Now, I 've got nothing against you myself. I don't hold you responsible for what your father did, but I don't believe our boys would work with you. I can't take you on.\"|11| |12|Joe turned away to meet the grinning or contemptuous glances of the bellmen on the seat. It would have been good to be able to hurl something among them. But he was helpless. He hastened out of the hotel, feeling that every eye was upon him, every finger pointing at him, every tongue whispering, \"There goes Joe Hamilton, whose father went to the penitentiary the other day.\" What should he do? He could try no more. He was proscribed, and the letters of his ban were writ large throughout the town, where all who ran might read. For a while he wandered aimlessly about and then turned dejectedly homeward. His mother had not yet come.|12| |13|\"Did you get a job?\"|13| |14|was Kit's first question.|14| |15|\"No,\"|15| |16|he answered bitterly,|16| |17|\"no one wants me now.\"|17| |18|\"No one wants you? Why, Joe--they--they don't think hard of us, do they?\"|18| |19|\"I don't know what they think of ma and you, but they think hard of me, all right.\"|19| |20|\"Oh, don't you worry; it 'll be all right when it blows over.\"|20| |21|\"Yes, when it all blows over; but when 'll that be?\"|21| |22|\"Oh, after a while, when we can show 'em we 're all right.\"|22|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Clerk\",\n \"3\": \"No speaker\",\n \"4\": \"The Clerk\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"Leslie\",\n \"7\": \"The Clerk\",\n \"8\": \"Kitty Hamilton\",\n \"9\": \"The Clerk\",\n \"10\": \"Minty Brown\",\n \"11\": \"The Clerk\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 22 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Clerk\",\n \"3\": \"No speaker\",\n \"4\": \"The Clerk\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"The Clerk\",\n \"8\": \"No speaker\",\n \"9\": \"The Clerk\",\n \"10\": \"No speaker\",\n \"11\": \"The Clerk\",\n \"12\": \"No speaker\",\n \"13\": \"Kitty Hamilton\",\n \"14\": \"No speaker\",\n \"15\": \"Joe Hamilton\",\n \"16\": \"No speaker\",\n \"17\": \"Joe Hamilton\",\n \"18\": \"Kitty Hamilton\",\n \"19\": \"Joe Hamilton\",\n \"20\": \"Kitty Hamilton\",\n \"21\": \"Joe Hamilton\",\n \"22\": \"Kitty Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "The Clerk",
"3": "No speaker",
"4": "The Clerk",
"5": "Joe Hamilton",
"6": "No speaker",
"7": "The Clerk",
"8": "No speaker",
"9": "The Clerk",
"10": "No speaker",
"11": "The Clerk",
"12": "No speaker",
"13": "Kitty Hamilton",
"14": "No speaker",
"15": "Joe Hamilton",
"16": "No speaker",
"17": "Joe Hamilton",
"18": "Kitty Hamilton",
"19": "Joe Hamilton",
"20": "Kitty Hamilton",
"21": "Joe Hamilton",
"22": "Kitty Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Young Hamilton went over and sat down on a bench which ran along the hotel corridor and where the bellmen were wont to stay during the day awaiting their calls. A few of the blue-coated Mercuries were there. Upon Joe's advent they began to look askance at him and to talk among themselves. He felt his face burning as he thought of what they must be saying. Then he saw the head bellman talking to the clerk and looking in his direction. He saw him shake his head and walk away. He could have cursed him. The clerk called to him.|1| |2|\"I did n't know,\"|2| |3|he said,--\"|3| |4|\"I did n't know that you were Berry Hamilton's boy. Now, I 've got nothing against you myself. I don't hold you responsible for what your father did, but I don't believe our boys would work with you. I can't take you on.\"|4| |5|Joe turned away to meet the grinning or contemptuous glances of the bellmen on the seat. It would have been good to be able to hurl something among them. But he was helpless. He hastened out of the hotel, feeling that every eye was upon him, every finger pointing at him, every tongue whispering, \"There goes Joe Hamilton, whose father went to the penitentiary the other day.\" What should he do? He could try no more. He was proscribed, and the letters of his ban were writ large throughout the town, where all who ran might read. For a while he wandered aimlessly about and then turned dejectedly homeward. His mother had not yet come.|5| |6|\"Did you get a job?\"|6| |7|was Kit's first question.|7| |8|\"No,\"|8| |9|he answered bitterly,|9| |10|\"no one wants me now.\"|10| |11|\"No one wants you? Why, Joe--they--they don't think hard of us, do they?\"|11| |12|\"I don't know what they think of ma and you, but they think hard of me, all right.\"|12| |13|\"Oh, don't you worry; it 'll be all right when it blows over.\"|13| |14|\"Yes, when it all blows over; but when 'll that be?\"|14| |15|\"Oh, after a while, when we can show 'em we 're all right.\"|15| |16|Some of the girl's cheery hopefulness had come back to her in the presence of her brother's dejection, as a woman always forgets her own sorrow when some one she loves is grieving. But she could not communicate any of her feeling to Joe, who had been and seen and felt, and now sat darkly waiting his mother's return. Some presentiment seemed to tell him that, armed as she was with money to pay for what she wanted and asking for nothing without price, she would yet have no better tale to tell than he. None of these forebodings visited the mind of Kit, and as soon as her mother appeared on the threshold she ran to her, crying,|16| |17|\"Oh, where are we going to live, ma?\"|17| |18|Fannie looked at her for a moment, and then answered with a burst of tears,|18| |19|\"Gawd knows, child, Gawd knows.\"|19| |20|The girl stepped back astonished.|20| |21|\"Why, why!\"|21| |22|and then with a rush of tenderness she threw her arms about her mother's neck.|22| |23|\"Oh, you 're tired to death,\"|23| |24|she said;|24| |25|\"that 's what 's the matter with you. Never mind about the house now. I 've got some tea made for you, and you just take a cup.\"|25| |26|Fannie sat down and tried to drink her tea, but she could not. It stuck in her throat, and the tears rolled down her face and fell into the shaking cup. Joe looked on silently. He had been out and he understood.|26| |27|\"I 'll go out to-morrow and do some looking around for a house while you stay at home an' rest, ma.\"|27|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Clerk\",\n \"3\": \"No speaker\",\n \"4\": \"The Clerk\",\n \"5\": \"No speaker\",\n \"6\": \"Kitty Hamilton\",\n \"7\": \"Leslie\",\n \"8\": \"Hattie Sterling\",\n \"9\": \"Kit Hamilton\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"Francis Oakley\",\n \"13\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 27 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Young Hamilton went over and sat down on a bench which ran along the hotel corridor and where the bellmen were wont to stay during the day awaiting their calls. A few of the blue-coated Mercuries were there. Upon Joe's advent they began to look askance at him and to talk among themselves. He felt his face burning as he thought of what they must be saying. Then he saw the head bellman talking to the clerk and looking in his direction. He saw him shake his head and walk away. He could have cursed him. The clerk called to him.|1| |2|\"I did n't know,\"|2| |3|he said,--\"|3| |4|\"I did n't know that you were Berry Hamilton's boy. Now, I 've got nothing against you myself. I don't hold you responsible for what your father did, but I don't believe our boys would work with you. I can't take you on.\"|4| |5|Joe turned away to meet the grinning or contemptuous glances of the bellmen on the seat. It would have been good to be able to hurl something among them. But he was helpless. He hastened out of the hotel, feeling that every eye was upon him, every finger pointing at him, every tongue whispering, \"There goes Joe Hamilton, whose father went to the penitentiary the other day.\" What should he do? He could try no more. He was proscribed, and the letters of his ban were writ large throughout the town, where all who ran might read. For a while he wandered aimlessly about and then turned dejectedly homeward. His mother had not yet come.|5| |6|\"Did you get a job?\"|6| |7|was Kit's first question.|7| |8|\"No,\"|8| |9|he answered bitterly,|9| |10|\"no one wants me now.\"|10| |11|\"No one wants you? Why, Joe--they--they don't think hard of us, do they?\"|11| |12|\"I don't know what they think of ma and you, but they think hard of me, all right.\"|12| |13|\"Oh, don't you worry; it 'll be all right when it blows over.\"|13| |14|\"Yes, when it all blows over; but when 'll that be?\"|14| |15|\"Oh, after a while, when we can show 'em we 're all right.\"|15| |16|Some of the girl's cheery hopefulness had come back to her in the presence of her brother's dejection, as a woman always forgets her own sorrow when some one she loves is grieving. But she could not communicate any of her feeling to Joe, who had been and seen and felt, and now sat darkly waiting his mother's return. Some presentiment seemed to tell him that, armed as she was with money to pay for what she wanted and asking for nothing without price, she would yet have no better tale to tell than he. None of these forebodings visited the mind of Kit, and as soon as her mother appeared on the threshold she ran to her, crying,|16| |17|\"Oh, where are we going to live, ma?\"|17| |18|Fannie looked at her for a moment, and then answered with a burst of tears,|18| |19|\"Gawd knows, child, Gawd knows.\"|19| |20|The girl stepped back astonished.|20| |21|\"Why, why!\"|21| |22|and then with a rush of tenderness she threw her arms about her mother's neck.|22| |23|\"Oh, you 're tired to death,\"|23| |24|she said;|24| |25|\"that 's what 's the matter with you. Never mind about the house now. I 've got some tea made for you, and you just take a cup.\"|25| |26|Fannie sat down and tried to drink her tea, but she could not. It stuck in her throat, and the tears rolled down her face and fell into the shaking cup. Joe looked on silently. He had been out and he understood.|26| |27|\"I 'll go out to-morrow and do some looking around for a house while you stay at home an' rest, ma.\"|27|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Clerk\",\n \"3\": \"No speaker\",\n \"4\": \"The Clerk\",\n \"5\": \"No speaker\",\n \"6\": \"Kitty Hamilton\",\n \"7\": \"Leslie\",\n \"8\": \"Hattie Sterling\",\n \"9\": \"Kit Hamilton\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"Francis Oakley\",\n \"13\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 27 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"The Clerk\",\n \"3\": \"No speaker\",\n \"4\": \"The Clerk\",\n \"5\": \"No speaker\",\n \"6\": \"Kitty Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Joe Hamilton\",\n \"9\": \"No speaker\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"Kitty Hamilton\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"Kitty Hamilton\",\n \"14\": \"Joe Hamilton\",\n \"15\": \"Kitty Hamilton\",\n \"16\": \"No speaker\",\n \"17\": \"Kitty Hamilton\",\n \"18\": \"No speaker\",\n \"19\": \"Fannie Hamilton\",\n \"20\": \"No speaker\",\n \"21\": \"Kitty Hamilton\",\n \"22\": \"No speaker\",\n \"23\": \"Kitty Hamilton\",\n \"24\": \"No speaker\",\n \"25\": \"Kitty Hamilton\",\n \"26\": \"No speaker\",\n \"27\": \"Kitty Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "The Clerk",
"3": "No speaker",
"4": "The Clerk",
"5": "No speaker",
"6": "Kitty Hamilton",
"7": "No speaker",
"8": "Joe Hamilton",
"9": "No speaker",
"10": "Joe Hamilton",
"11": "Kitty Hamilton",
"12": "Joe Hamilton",
"13": "Kitty Hamilton",
"14": "Joe Hamilton",
"15": "Kitty Hamilton",
"16": "No speaker",
"17": "Kitty Hamilton",
"18": "No speaker",
"19": "Fannie Hamilton",
"20": "No speaker",
"21": "Kitty Hamilton",
"22": "No speaker",
"23": "Kitty Hamilton",
"24": "No speaker",
"25": "Kitty Hamilton",
"26": "No speaker",
"27": "Kitty Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Yes, when it all blows over; but when 'll that be?\"|1| |2|\"Oh, after a while, when we can show 'em we 're all right.\"|2| |3|Some of the girl's cheery hopefulness had come back to her in the presence of her brother's dejection, as a woman always forgets her own sorrow when some one she loves is grieving. But she could not communicate any of her feeling to Joe, who had been and seen and felt, and now sat darkly waiting his mother's return. Some presentiment seemed to tell him that, armed as she was with money to pay for what she wanted and asking for nothing without price, she would yet have no better tale to tell than he. None of these forebodings visited the mind of Kit, and as soon as her mother appeared on the threshold she ran to her, crying,|3| |4|\"Oh, where are we going to live, ma?\"|4| |5|Fannie looked at her for a moment, and then answered with a burst of tears,|5| |6|\"Gawd knows, child, Gawd knows.\"|6| |7|The girl stepped back astonished.|7| |8|\"Why, why!\"|8| |9|and then with a rush of tenderness she threw her arms about her mother's neck.|9| |10|\"Oh, you 're tired to death,\"|10| |11|she said;|11| |12|\"that 's what 's the matter with you. Never mind about the house now. I 've got some tea made for you, and you just take a cup.\"|12| |13|Fannie sat down and tried to drink her tea, but she could not. It stuck in her throat, and the tears rolled down her face and fell into the shaking cup. Joe looked on silently. He had been out and he understood.|13| |14|\"I 'll go out to-morrow and do some looking around for a house while you stay at home an' rest, ma.\"|14| |15|Her mother looked up, the maternal instinct for the protection of her daughter at once aroused.|15| |16|\"Oh, no, not you, Kitty,\"|16| |17|she said. Then for the first time Joe spoke:|17| |18|\"You 'd just as well tell Kitty now, ma, for she 's got to come across it anyhow.\"|18| |19|\"What you know about it? Whaih you been to?\"|19| |20|\"I 've been out huntin' work. I 've been to Jones's bahbah shop an' to the Continental Hotel.\"|20| |21|His light-brown face turned brick red with anger and shame at the memory of it.|21| |22|\"I don't think I 'll try any more.\"|22| |23|Kitty was gazing with wide and saddening eyes at her mother.|23| |24|\"Were they mean to you too, ma?\"|24| |25|she asked breathlessly.|25| |26|\"Mean? Oh Kitty! Kitty! you don't know what it was like. It nigh killed me. Thaih was plenty of houses an' owned by people I 've knowed fu' yeahs, but not one of 'em wanted to rent to me. Some of 'em made excuses 'bout one thing er t' other, but de res' come right straight out an' said dat we 'd give a neighbourhood a bad name ef we moved into it. I 've almos' tramped my laigs off. I 've tried every decent place I could think of, but nobody wants us.\"|26| |27|The girl was standing with her hands clenched nervously before her. It was almost more than she could understand.|27| |28|\"Why, we ain't done anything,\"|28|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Joe Hamilton\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Colonel Saunders\",\n \"5\": \"No speaker\",\n \"6\": \"Francis Oakley\",\n \"7\": \"No speaker\",\n \"8\": \"Kitty Hamilton\",\n \"9\": \"No speaker\",\n \"10\": \"Kit Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Kitty Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 28 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Yes, when it all blows over; but when 'll that be?\"|1| |2|\"Oh, after a while, when we can show 'em we 're all right.\"|2| |3|Some of the girl's cheery hopefulness had come back to her in the presence of her brother's dejection, as a woman always forgets her own sorrow when some one she loves is grieving. But she could not communicate any of her feeling to Joe, who had been and seen and felt, and now sat darkly waiting his mother's return. Some presentiment seemed to tell him that, armed as she was with money to pay for what she wanted and asking for nothing without price, she would yet have no better tale to tell than he. None of these forebodings visited the mind of Kit, and as soon as her mother appeared on the threshold she ran to her, crying,|3| |4|\"Oh, where are we going to live, ma?\"|4| |5|Fannie looked at her for a moment, and then answered with a burst of tears,|5| |6|\"Gawd knows, child, Gawd knows.\"|6| |7|The girl stepped back astonished.|7| |8|\"Why, why!\"|8| |9|and then with a rush of tenderness she threw her arms about her mother's neck.|9| |10|\"Oh, you 're tired to death,\"|10| |11|she said;|11| |12|\"that 's what 's the matter with you. Never mind about the house now. I 've got some tea made for you, and you just take a cup.\"|12| |13|Fannie sat down and tried to drink her tea, but she could not. It stuck in her throat, and the tears rolled down her face and fell into the shaking cup. Joe looked on silently. He had been out and he understood.|13| |14|\"I 'll go out to-morrow and do some looking around for a house while you stay at home an' rest, ma.\"|14| |15|Her mother looked up, the maternal instinct for the protection of her daughter at once aroused.|15| |16|\"Oh, no, not you, Kitty,\"|16| |17|she said. Then for the first time Joe spoke:|17| |18|\"You 'd just as well tell Kitty now, ma, for she 's got to come across it anyhow.\"|18| |19|\"What you know about it? Whaih you been to?\"|19| |20|\"I 've been out huntin' work. I 've been to Jones's bahbah shop an' to the Continental Hotel.\"|20| |21|His light-brown face turned brick red with anger and shame at the memory of it.|21| |22|\"I don't think I 'll try any more.\"|22| |23|Kitty was gazing with wide and saddening eyes at her mother.|23| |24|\"Were they mean to you too, ma?\"|24| |25|she asked breathlessly.|25| |26|\"Mean? Oh Kitty! Kitty! you don't know what it was like. It nigh killed me. Thaih was plenty of houses an' owned by people I 've knowed fu' yeahs, but not one of 'em wanted to rent to me. Some of 'em made excuses 'bout one thing er t' other, but de res' come right straight out an' said dat we 'd give a neighbourhood a bad name ef we moved into it. I 've almos' tramped my laigs off. I 've tried every decent place I could think of, but nobody wants us.\"|26| |27|The girl was standing with her hands clenched nervously before her. It was almost more than she could understand.|27| |28|\"Why, we ain't done anything,\"|28|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Joe Hamilton\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Colonel Saunders\",\n \"5\": \"No speaker\",\n \"6\": \"Francis Oakley\",\n \"7\": \"No speaker\",\n \"8\": \"Kitty Hamilton\",\n \"9\": \"No speaker\",\n \"10\": \"Kit Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Kitty Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 28 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Joe Hamilton\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Fannie Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Kitty Hamilton\",\n \"9\": \"No speaker\",\n \"10\": \"Kitty Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Kitty Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Kitty Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Fannie Hamilton\",\n \"17\": \"No speaker\",\n \"18\": \"Joe Hamilton\",\n \"19\": \"Fannie Hamilton\",\n \"20\": \"Joe Hamilton\",\n \"21\": \"No speaker\",\n \"22\": \"Joe Hamilton\",\n \"23\": \"No speaker\",\n \"24\": \"Kitty Hamilton\",\n \"25\": \"No speaker\",\n \"26\": \"Fannie Hamilton\",\n \"27\": \"No speaker\",\n \"28\": \"Kitty Hamilton\"\n }\n}",
"role": "assistant"
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]
}
|
{
"predictions": {
"1": "Joe Hamilton",
"2": "Kitty Hamilton",
"3": "No speaker",
"4": "Kitty Hamilton",
"5": "No speaker",
"6": "Fannie Hamilton",
"7": "No speaker",
"8": "Kitty Hamilton",
"9": "No speaker",
"10": "Kitty Hamilton",
"11": "No speaker",
"12": "Kitty Hamilton",
"13": "No speaker",
"14": "Kitty Hamilton",
"15": "No speaker",
"16": "Fannie Hamilton",
"17": "No speaker",
"18": "Joe Hamilton",
"19": "Fannie Hamilton",
"20": "Joe Hamilton",
"21": "No speaker",
"22": "Joe Hamilton",
"23": "No speaker",
"24": "Kitty Hamilton",
"25": "No speaker",
"26": "Fannie Hamilton",
"27": "No speaker",
"28": "Kitty Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Fannie sat down and tried to drink her tea, but she could not. It stuck in her throat, and the tears rolled down her face and fell into the shaking cup. Joe looked on silently. He had been out and he understood.|1| |2|\"I 'll go out to-morrow and do some looking around for a house while you stay at home an' rest, ma.\"|2| |3|Her mother looked up, the maternal instinct for the protection of her daughter at once aroused.|3| |4|\"Oh, no, not you, Kitty,\"|4| |5|she said. Then for the first time Joe spoke:|5| |6|\"You 'd just as well tell Kitty now, ma, for she 's got to come across it anyhow.\"|6| |7|\"What you know about it? Whaih you been to?\"|7| |8|\"I 've been out huntin' work. I 've been to Jones's bahbah shop an' to the Continental Hotel.\"|8| |9|His light-brown face turned brick red with anger and shame at the memory of it.|9| |10|\"I don't think I 'll try any more.\"|10| |11|Kitty was gazing with wide and saddening eyes at her mother.|11| |12|\"Were they mean to you too, ma?\"|12| |13|she asked breathlessly.|13| |14|\"Mean? Oh Kitty! Kitty! you don't know what it was like. It nigh killed me. Thaih was plenty of houses an' owned by people I 've knowed fu' yeahs, but not one of 'em wanted to rent to me. Some of 'em made excuses 'bout one thing er t' other, but de res' come right straight out an' said dat we 'd give a neighbourhood a bad name ef we moved into it. I 've almos' tramped my laigs off. I 've tried every decent place I could think of, but nobody wants us.\"|14| |15|The girl was standing with her hands clenched nervously before her. It was almost more than she could understand.|15| |16|\"Why, we ain't done anything,\"|16| |17|she said.|17| |18|\"Even if they don't know any better than to believe that pa was guilty, they know we ain't done anything.\"|18| |19|\"I 'd like to cut the heart out of a few of 'em,\"|19| |20|said Joe in his throat.|20| |21|\"It ain't goin' to do no good to look at it that a-way, Joe,\"|21| |22|his mother replied.|22| |23|\"I know hit 's ha'd, but we got to do de bes' we kin.\"|23| |24|\"What are we goin' to do?\"|24| |25|cried the boy fiercely.|25| |26|\"They won't let us work. They won't let us live anywhaih. Do they want us to live on the levee an' steal, like some of 'em do?\"|26| |27|\"What are we goin' to do?\"|27| |28|echoed Kitty helplessly.|28| |29|\"I 'd go out ef I thought I could find anythin' to work at.\"|29| |30|\"Don't you go anywhaih, child. It 'ud only be worse. De niggah men dat ust to be bowin' an' scrapin' to me an' tekin' off dey hats to me laughed in my face. I met Minty--an' she slurred me right in de street. Dey 'd do worse fu' you.\"|30| |31|In the midst of the conversation a knock came at the door. It was a messenger from the \"House,\" as they still called Oakley's home, and he wanted them to be out of the cottage by the next afternoon, as the new servants were coming and would want the rooms. The message was so curt, so hard and decisive, that Fannie was startled out of her grief into immediate action.|31| |32|\"Well, we got to go,\"|32|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Horace Talbot\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Leslie\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"Mr. Skaggs\",\n \"9\": \"No speaker\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Kitty Hamilton\",\n \"13\": \"Francis Oakley\",\n \"14\": \"The Detective\",\n \"15\": \"No speaker\",\n \"16\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 32 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Fannie sat down and tried to drink her tea, but she could not. It stuck in her throat, and the tears rolled down her face and fell into the shaking cup. Joe looked on silently. He had been out and he understood.|1| |2|\"I 'll go out to-morrow and do some looking around for a house while you stay at home an' rest, ma.\"|2| |3|Her mother looked up, the maternal instinct for the protection of her daughter at once aroused.|3| |4|\"Oh, no, not you, Kitty,\"|4| |5|she said. Then for the first time Joe spoke:|5| |6|\"You 'd just as well tell Kitty now, ma, for she 's got to come across it anyhow.\"|6| |7|\"What you know about it? Whaih you been to?\"|7| |8|\"I 've been out huntin' work. I 've been to Jones's bahbah shop an' to the Continental Hotel.\"|8| |9|His light-brown face turned brick red with anger and shame at the memory of it.|9| |10|\"I don't think I 'll try any more.\"|10| |11|Kitty was gazing with wide and saddening eyes at her mother.|11| |12|\"Were they mean to you too, ma?\"|12| |13|she asked breathlessly.|13| |14|\"Mean? Oh Kitty! Kitty! you don't know what it was like. It nigh killed me. Thaih was plenty of houses an' owned by people I 've knowed fu' yeahs, but not one of 'em wanted to rent to me. Some of 'em made excuses 'bout one thing er t' other, but de res' come right straight out an' said dat we 'd give a neighbourhood a bad name ef we moved into it. I 've almos' tramped my laigs off. I 've tried every decent place I could think of, but nobody wants us.\"|14| |15|The girl was standing with her hands clenched nervously before her. It was almost more than she could understand.|15| |16|\"Why, we ain't done anything,\"|16| |17|she said.|17| |18|\"Even if they don't know any better than to believe that pa was guilty, they know we ain't done anything.\"|18| |19|\"I 'd like to cut the heart out of a few of 'em,\"|19| |20|said Joe in his throat.|20| |21|\"It ain't goin' to do no good to look at it that a-way, Joe,\"|21| |22|his mother replied.|22| |23|\"I know hit 's ha'd, but we got to do de bes' we kin.\"|23| |24|\"What are we goin' to do?\"|24| |25|cried the boy fiercely.|25| |26|\"They won't let us work. They won't let us live anywhaih. Do they want us to live on the levee an' steal, like some of 'em do?\"|26| |27|\"What are we goin' to do?\"|27| |28|echoed Kitty helplessly.|28| |29|\"I 'd go out ef I thought I could find anythin' to work at.\"|29| |30|\"Don't you go anywhaih, child. It 'ud only be worse. De niggah men dat ust to be bowin' an' scrapin' to me an' tekin' off dey hats to me laughed in my face. I met Minty--an' she slurred me right in de street. Dey 'd do worse fu' you.\"|30| |31|In the midst of the conversation a knock came at the door. It was a messenger from the \"House,\" as they still called Oakley's home, and he wanted them to be out of the cottage by the next afternoon, as the new servants were coming and would want the rooms. The message was so curt, so hard and decisive, that Fannie was startled out of her grief into immediate action.|31| |32|\"Well, we got to go,\"|32|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Horace Talbot\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Leslie\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"Mr. Skaggs\",\n \"9\": \"No speaker\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Kitty Hamilton\",\n \"13\": \"Francis Oakley\",\n \"14\": \"The Detective\",\n \"15\": \"No speaker\",\n \"16\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 32 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"Joe Hamilton\",\n \"9\": \"No speaker\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Kitty Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Fannie Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Kitty Hamilton\",\n \"17\": \"No speaker\",\n \"18\": \"Kitty Hamilton\",\n \"19\": \"Joe Hamilton\",\n \"20\": \"No speaker\",\n \"21\": \"Fannie Hamilton\",\n \"22\": \"No speaker\",\n \"23\": \"Fannie Hamilton\",\n \"24\": \"Joe Hamilton\",\n \"25\": \"No speaker\",\n \"26\": \"Joe Hamilton\",\n \"27\": \"Kitty Hamilton\",\n \"28\": \"No speaker\",\n \"29\": \"Kitty Hamilton\",\n \"30\": \"Fannie Hamilton\",\n \"31\": \"No speaker\",\n \"32\": \"Fannie Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Kitty Hamilton",
"3": "No speaker",
"4": "Fannie Hamilton",
"5": "No speaker",
"6": "Joe Hamilton",
"7": "Fannie Hamilton",
"8": "Joe Hamilton",
"9": "No speaker",
"10": "Joe Hamilton",
"11": "No speaker",
"12": "Kitty Hamilton",
"13": "No speaker",
"14": "Fannie Hamilton",
"15": "No speaker",
"16": "Kitty Hamilton",
"17": "No speaker",
"18": "Kitty Hamilton",
"19": "Joe Hamilton",
"20": "No speaker",
"21": "Fannie Hamilton",
"22": "No speaker",
"23": "Fannie Hamilton",
"24": "Joe Hamilton",
"25": "No speaker",
"26": "Joe Hamilton",
"27": "Kitty Hamilton",
"28": "No speaker",
"29": "Kitty Hamilton",
"30": "Fannie Hamilton",
"31": "No speaker",
"32": "Fannie Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The girl was standing with her hands clenched nervously before her. It was almost more than she could understand.|1| |2|\"Why, we ain't done anything,\"|2| |3|she said.|3| |4|\"Even if they don't know any better than to believe that pa was guilty, they know we ain't done anything.\"|4| |5|\"I 'd like to cut the heart out of a few of 'em,\"|5| |6|said Joe in his throat.|6| |7|\"It ain't goin' to do no good to look at it that a-way, Joe,\"|7| |8|his mother replied.|8| |9|\"I know hit 's ha'd, but we got to do de bes' we kin.\"|9| |10|\"What are we goin' to do?\"|10| |11|cried the boy fiercely.|11| |12|\"They won't let us work. They won't let us live anywhaih. Do they want us to live on the levee an' steal, like some of 'em do?\"|12| |13|\"What are we goin' to do?\"|13| |14|echoed Kitty helplessly.|14| |15|\"I 'd go out ef I thought I could find anythin' to work at.\"|15| |16|\"Don't you go anywhaih, child. It 'ud only be worse. De niggah men dat ust to be bowin' an' scrapin' to me an' tekin' off dey hats to me laughed in my face. I met Minty--an' she slurred me right in de street. Dey 'd do worse fu' you.\"|16| |17|In the midst of the conversation a knock came at the door. It was a messenger from the \"House,\" as they still called Oakley's home, and he wanted them to be out of the cottage by the next afternoon, as the new servants were coming and would want the rooms. The message was so curt, so hard and decisive, that Fannie was startled out of her grief into immediate action.|17| |18|\"Well, we got to go,\"|18| |19|she said, rising wearily.|19| |20|\"But where are we goin'?\"|20| |21|wailed Kitty in affright.|21| |22|\"There 's no place to go to. We have n't got a house. Where 'll we go?\"|22| |23|\"Out o' town someplace as fur away from this damned hole as we kin git.\"|23| |24|The boy spoke recklessly in his anger. He had never sworn before his mother before. She looked at him in horror.|24| |25|\"Joe, Joe,\"|25| |26|she said,|26| |27|\"you 're mekin' it wuss. You 're mekin' it ha'dah fu' me to baih when you talk dat a-way. What you mean? Whaih you think Gawd is?\"|27| |28|Joe remained sullenly silent. His mother's faith was too stalwart for his comprehension. There was nothing like it in his own soul to interpret it.|28| |29|\"We 'll git de secon'-han' dealah to tek ouah things to-morrer, an' then we 'll go away some place, up No'th maybe.\"|29| |30|\"Let 's go to New York,\"|30| |31|said Joe.|31| |32|\"New Yo'k?\"|32| |33|They had heard of New York as a place vague and far away, a city that, like Heaven, to them had existed by faith alone. All the days of their lives they had heard of it, and it seemed to them the centre of all the glory, all the wealth, and all the freedom of the world. New York. It had an alluring sound. Who would know them there? Who would look down upon them?|33| |34|\"It 's a mighty long ways off fu' me to be sta'tin' at dis time o' life.\"|34|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"The Detective\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Mr. Thomas\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"Mr. Thomas\",\n \"14\": \"No speaker\",\n \"15\": \"Kitty Hamilton\",\n \"16\": \"Hattie Sterling\",\n \"17\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 34 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The girl was standing with her hands clenched nervously before her. It was almost more than she could understand.|1| |2|\"Why, we ain't done anything,\"|2| |3|she said.|3| |4|\"Even if they don't know any better than to believe that pa was guilty, they know we ain't done anything.\"|4| |5|\"I 'd like to cut the heart out of a few of 'em,\"|5| |6|said Joe in his throat.|6| |7|\"It ain't goin' to do no good to look at it that a-way, Joe,\"|7| |8|his mother replied.|8| |9|\"I know hit 's ha'd, but we got to do de bes' we kin.\"|9| |10|\"What are we goin' to do?\"|10| |11|cried the boy fiercely.|11| |12|\"They won't let us work. They won't let us live anywhaih. Do they want us to live on the levee an' steal, like some of 'em do?\"|12| |13|\"What are we goin' to do?\"|13| |14|echoed Kitty helplessly.|14| |15|\"I 'd go out ef I thought I could find anythin' to work at.\"|15| |16|\"Don't you go anywhaih, child. It 'ud only be worse. De niggah men dat ust to be bowin' an' scrapin' to me an' tekin' off dey hats to me laughed in my face. I met Minty--an' she slurred me right in de street. Dey 'd do worse fu' you.\"|16| |17|In the midst of the conversation a knock came at the door. It was a messenger from the \"House,\" as they still called Oakley's home, and he wanted them to be out of the cottage by the next afternoon, as the new servants were coming and would want the rooms. The message was so curt, so hard and decisive, that Fannie was startled out of her grief into immediate action.|17| |18|\"Well, we got to go,\"|18| |19|she said, rising wearily.|19| |20|\"But where are we goin'?\"|20| |21|wailed Kitty in affright.|21| |22|\"There 's no place to go to. We have n't got a house. Where 'll we go?\"|22| |23|\"Out o' town someplace as fur away from this damned hole as we kin git.\"|23| |24|The boy spoke recklessly in his anger. He had never sworn before his mother before. She looked at him in horror.|24| |25|\"Joe, Joe,\"|25| |26|she said,|26| |27|\"you 're mekin' it wuss. You 're mekin' it ha'dah fu' me to baih when you talk dat a-way. What you mean? Whaih you think Gawd is?\"|27| |28|Joe remained sullenly silent. His mother's faith was too stalwart for his comprehension. There was nothing like it in his own soul to interpret it.|28| |29|\"We 'll git de secon'-han' dealah to tek ouah things to-morrer, an' then we 'll go away some place, up No'th maybe.\"|29| |30|\"Let 's go to New York,\"|30| |31|said Joe.|31| |32|\"New Yo'k?\"|32| |33|They had heard of New York as a place vague and far away, a city that, like Heaven, to them had existed by faith alone. All the days of their lives they had heard of it, and it seemed to them the centre of all the glory, all the wealth, and all the freedom of the world. New York. It had an alluring sound. Who would know them there? Who would look down upon them?|33| |34|\"It 's a mighty long ways off fu' me to be sta'tin' at dis time o' life.\"|34|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"The Detective\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Mr. Thomas\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"Mr. Thomas\",\n \"14\": \"No speaker\",\n \"15\": \"Kitty Hamilton\",\n \"16\": \"Hattie Sterling\",\n \"17\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 34 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"Kitty Hamilton\",\n \"14\": \"No speaker\",\n \"15\": \"Kitty Hamilton\",\n \"16\": \"Fannie Hamilton\",\n \"17\": \"No speaker\",\n \"18\": \"Fannie Hamilton\",\n \"19\": \"No speaker\",\n \"20\": \"Kitty Hamilton\",\n \"21\": \"No speaker\",\n \"22\": \"Kitty Hamilton\",\n \"23\": \"Joe Hamilton\",\n \"24\": \"No speaker\",\n \"25\": \"Fannie Hamilton\",\n \"26\": \"No speaker\",\n \"27\": \"Fannie Hamilton\",\n \"28\": \"No speaker\",\n \"29\": \"Fannie Hamilton\",\n \"30\": \"Joe Hamilton\",\n \"31\": \"No speaker\",\n \"32\": \"Fannie Hamilton\",\n \"33\": \"No speaker\",\n \"34\": \"Fannie Hamilton\"\n }\n}",
"role": "assistant"
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|
{
"predictions": {
"1": "No speaker",
"2": "Kitty Hamilton",
"3": "No speaker",
"4": "Kitty Hamilton",
"5": "Joe Hamilton",
"6": "No speaker",
"7": "Fannie Hamilton",
"8": "No speaker",
"9": "Fannie Hamilton",
"10": "Joe Hamilton",
"11": "No speaker",
"12": "Joe Hamilton",
"13": "Kitty Hamilton",
"14": "No speaker",
"15": "Kitty Hamilton",
"16": "Fannie Hamilton",
"17": "No speaker",
"18": "Fannie Hamilton",
"19": "No speaker",
"20": "Kitty Hamilton",
"21": "No speaker",
"22": "Kitty Hamilton",
"23": "Joe Hamilton",
"24": "No speaker",
"25": "Fannie Hamilton",
"26": "No speaker",
"27": "Fannie Hamilton",
"28": "No speaker",
"29": "Fannie Hamilton",
"30": "Joe Hamilton",
"31": "No speaker",
"32": "Fannie Hamilton",
"33": "No speaker",
"34": "Fannie Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
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{
"content": "**Passage:**\n--\n|1|In the midst of the conversation a knock came at the door. It was a messenger from the \"House,\" as they still called Oakley's home, and he wanted them to be out of the cottage by the next afternoon, as the new servants were coming and would want the rooms. The message was so curt, so hard and decisive, that Fannie was startled out of her grief into immediate action.|1| |2|\"Well, we got to go,\"|2| |3|she said, rising wearily.|3| |4|\"But where are we goin'?\"|4| |5|wailed Kitty in affright.|5| |6|\"There 's no place to go to. We have n't got a house. Where 'll we go?\"|6| |7|\"Out o' town someplace as fur away from this damned hole as we kin git.\"|7| |8|The boy spoke recklessly in his anger. He had never sworn before his mother before. She looked at him in horror.|8| |9|\"Joe, Joe,\"|9| |10|she said,|10| |11|\"you 're mekin' it wuss. You 're mekin' it ha'dah fu' me to baih when you talk dat a-way. What you mean? Whaih you think Gawd is?\"|11| |12|Joe remained sullenly silent. His mother's faith was too stalwart for his comprehension. There was nothing like it in his own soul to interpret it.|12| |13|\"We 'll git de secon'-han' dealah to tek ouah things to-morrer, an' then we 'll go away some place, up No'th maybe.\"|13| |14|\"Let 's go to New York,\"|14| |15|said Joe.|15| |16|\"New Yo'k?\"|16| |17|They had heard of New York as a place vague and far away, a city that, like Heaven, to them had existed by faith alone. All the days of their lives they had heard of it, and it seemed to them the centre of all the glory, all the wealth, and all the freedom of the world. New York. It had an alluring sound. Who would know them there? Who would look down upon them?|17| |18|\"It 's a mighty long ways off fu' me to be sta'tin' at dis time o' life.\"|18| |19|\"We want to go a long ways off.\"|19| |20|\"I wonder what pa would think of it if he was here,\"|20| |21|put in Kitty.|21| |22|\"I guess he 'd think we was doin' the best we could.\"|22| |23|\"Well, den, Joe,\"|23| |24|said his mother, her voice trembling with emotion at the daring step they were about to take,|24| |25|\"you set down an' write a lettah to yo' pa, an' tell him what we goin' to do, an' to-morrer--to-morrer--we 'll sta't.\"|25| |26|Something akin to joy came into the boy's heart as he sat down to write the letter. They had taunted him, had they? They had scoffed at him. But he was going where they might never go, and some day he would come back holding his head high and pay them sneer for sneer and jibe for jibe. The same night the commission was given to the furniture dealer who would take charge of their things and sell them when and for what he could. From his window the next morning Maurice Oakley watched the wagon emptying the house. Then he saw Fannie come out and walk about her little garden, followed by her children. He saw her as she wiped her eyes and led the way to the side gate.|26| |27|\"Well, they 're gone,\"|27| |28|he said to his wife.|28| |29|\"I wonder where they 're going to live?\"|29| |30|\"Oh, some of their people will take them in,\"|30| |31|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|31|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"Colonel Saunders\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Thomas\",\n \"7\": \"Sadness\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"No speaker\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Leslie\",\n \"14\": \"Leslie\",\n \"15\": \"Kit Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 31 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|In the midst of the conversation a knock came at the door. It was a messenger from the \"House,\" as they still called Oakley's home, and he wanted them to be out of the cottage by the next afternoon, as the new servants were coming and would want the rooms. The message was so curt, so hard and decisive, that Fannie was startled out of her grief into immediate action.|1| |2|\"Well, we got to go,\"|2| |3|she said, rising wearily.|3| |4|\"But where are we goin'?\"|4| |5|wailed Kitty in affright.|5| |6|\"There 's no place to go to. We have n't got a house. Where 'll we go?\"|6| |7|\"Out o' town someplace as fur away from this damned hole as we kin git.\"|7| |8|The boy spoke recklessly in his anger. He had never sworn before his mother before. She looked at him in horror.|8| |9|\"Joe, Joe,\"|9| |10|she said,|10| |11|\"you 're mekin' it wuss. You 're mekin' it ha'dah fu' me to baih when you talk dat a-way. What you mean? Whaih you think Gawd is?\"|11| |12|Joe remained sullenly silent. His mother's faith was too stalwart for his comprehension. There was nothing like it in his own soul to interpret it.|12| |13|\"We 'll git de secon'-han' dealah to tek ouah things to-morrer, an' then we 'll go away some place, up No'th maybe.\"|13| |14|\"Let 's go to New York,\"|14| |15|said Joe.|15| |16|\"New Yo'k?\"|16| |17|They had heard of New York as a place vague and far away, a city that, like Heaven, to them had existed by faith alone. All the days of their lives they had heard of it, and it seemed to them the centre of all the glory, all the wealth, and all the freedom of the world. New York. It had an alluring sound. Who would know them there? Who would look down upon them?|17| |18|\"It 's a mighty long ways off fu' me to be sta'tin' at dis time o' life.\"|18| |19|\"We want to go a long ways off.\"|19| |20|\"I wonder what pa would think of it if he was here,\"|20| |21|put in Kitty.|21| |22|\"I guess he 'd think we was doin' the best we could.\"|22| |23|\"Well, den, Joe,\"|23| |24|said his mother, her voice trembling with emotion at the daring step they were about to take,|24| |25|\"you set down an' write a lettah to yo' pa, an' tell him what we goin' to do, an' to-morrer--to-morrer--we 'll sta't.\"|25| |26|Something akin to joy came into the boy's heart as he sat down to write the letter. They had taunted him, had they? They had scoffed at him. But he was going where they might never go, and some day he would come back holding his head high and pay them sneer for sneer and jibe for jibe. The same night the commission was given to the furniture dealer who would take charge of their things and sell them when and for what he could. From his window the next morning Maurice Oakley watched the wagon emptying the house. Then he saw Fannie come out and walk about her little garden, followed by her children. He saw her as she wiped her eyes and led the way to the side gate.|26| |27|\"Well, they 're gone,\"|27| |28|he said to his wife.|28| |29|\"I wonder where they 're going to live?\"|29| |30|\"Oh, some of their people will take them in,\"|30| |31|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|31|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"Colonel Saunders\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Thomas\",\n \"7\": \"Sadness\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"No speaker\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Leslie\",\n \"14\": \"Leslie\",\n \"15\": \"Kit Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 31 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Kitty Hamilton\",\n \"7\": \"Joe Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Fannie Hamilton\",\n \"14\": \"Joe Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Fannie Hamilton\",\n \"17\": \"No speaker\",\n \"18\": \"Fannie Hamilton\",\n \"19\": \"Joe Hamilton\",\n \"20\": \"Kitty Hamilton\",\n \"21\": \"No speaker\",\n \"22\": \"Joe Hamilton\",\n \"23\": \"Fannie Hamilton\",\n \"24\": \"No speaker\",\n \"25\": \"Fannie Hamilton\",\n \"26\": \"No speaker\",\n \"27\": \"Maurice Oakley\",\n \"28\": \"No speaker\",\n \"29\": \"Maurice Oakley\",\n \"30\": \"Leslie\",\n \"31\": \"No speaker\"\n }\n}",
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|
{
"predictions": {
"1": "No speaker",
"2": "Fannie Hamilton",
"3": "No speaker",
"4": "Kitty Hamilton",
"5": "No speaker",
"6": "Kitty Hamilton",
"7": "Joe Hamilton",
"8": "No speaker",
"9": "Fannie Hamilton",
"10": "No speaker",
"11": "Fannie Hamilton",
"12": "No speaker",
"13": "Fannie Hamilton",
"14": "Joe Hamilton",
"15": "No speaker",
"16": "Fannie Hamilton",
"17": "No speaker",
"18": "Fannie Hamilton",
"19": "Joe Hamilton",
"20": "Kitty Hamilton",
"21": "No speaker",
"22": "Joe Hamilton",
"23": "Fannie Hamilton",
"24": "No speaker",
"25": "Fannie Hamilton",
"26": "No speaker",
"27": "Maurice Oakley",
"28": "No speaker",
"29": "Maurice Oakley",
"30": "Leslie",
"31": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|They had heard of New York as a place vague and far away, a city that, like Heaven, to them had existed by faith alone. All the days of their lives they had heard of it, and it seemed to them the centre of all the glory, all the wealth, and all the freedom of the world. New York. It had an alluring sound. Who would know them there? Who would look down upon them?|1| |2|\"It 's a mighty long ways off fu' me to be sta'tin' at dis time o' life.\"|2| |3|\"We want to go a long ways off.\"|3| |4|\"I wonder what pa would think of it if he was here,\"|4| |5|put in Kitty.|5| |6|\"I guess he 'd think we was doin' the best we could.\"|6| |7|\"Well, den, Joe,\"|7| |8|said his mother, her voice trembling with emotion at the daring step they were about to take,|8| |9|\"you set down an' write a lettah to yo' pa, an' tell him what we goin' to do, an' to-morrer--to-morrer--we 'll sta't.\"|9| |10|Something akin to joy came into the boy's heart as he sat down to write the letter. They had taunted him, had they? They had scoffed at him. But he was going where they might never go, and some day he would come back holding his head high and pay them sneer for sneer and jibe for jibe. The same night the commission was given to the furniture dealer who would take charge of their things and sell them when and for what he could. From his window the next morning Maurice Oakley watched the wagon emptying the house. Then he saw Fannie come out and walk about her little garden, followed by her children. He saw her as she wiped her eyes and led the way to the side gate.|10| |11|\"Well, they 're gone,\"|11| |12|he said to his wife.|12| |13|\"I wonder where they 're going to live?\"|13| |14|\"Oh, some of their people will take them in,\"|14| |15|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|15| |16|\"Yes,\"|16|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 16 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|They had heard of New York as a place vague and far away, a city that, like Heaven, to them had existed by faith alone. All the days of their lives they had heard of it, and it seemed to them the centre of all the glory, all the wealth, and all the freedom of the world. New York. It had an alluring sound. Who would know them there? Who would look down upon them?|1| |2|\"It 's a mighty long ways off fu' me to be sta'tin' at dis time o' life.\"|2| |3|\"We want to go a long ways off.\"|3| |4|\"I wonder what pa would think of it if he was here,\"|4| |5|put in Kitty.|5| |6|\"I guess he 'd think we was doin' the best we could.\"|6| |7|\"Well, den, Joe,\"|7| |8|said his mother, her voice trembling with emotion at the daring step they were about to take,|8| |9|\"you set down an' write a lettah to yo' pa, an' tell him what we goin' to do, an' to-morrer--to-morrer--we 'll sta't.\"|9| |10|Something akin to joy came into the boy's heart as he sat down to write the letter. They had taunted him, had they? They had scoffed at him. But he was going where they might never go, and some day he would come back holding his head high and pay them sneer for sneer and jibe for jibe. The same night the commission was given to the furniture dealer who would take charge of their things and sell them when and for what he could. From his window the next morning Maurice Oakley watched the wagon emptying the house. Then he saw Fannie come out and walk about her little garden, followed by her children. He saw her as she wiped her eyes and led the way to the side gate.|10| |11|\"Well, they 're gone,\"|11| |12|he said to his wife.|12| |13|\"I wonder where they 're going to live?\"|13| |14|\"Oh, some of their people will take them in,\"|14| |15|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|15| |16|\"Yes,\"|16|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 16 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Maurice Oakley\",\n \"12\": \"No speaker\",\n \"13\": \"Maurice Oakley\",\n \"14\": \"Leslie\",\n \"15\": \"No speaker\",\n \"16\": \"Mrs. Jones\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Fannie Hamilton",
"3": "Joe Hamilton",
"4": "Kitty Hamilton",
"5": "No speaker",
"6": "Joe Hamilton",
"7": "Fannie Hamilton",
"8": "No speaker",
"9": "Fannie Hamilton",
"10": "No speaker",
"11": "Maurice Oakley",
"12": "No speaker",
"13": "Maurice Oakley",
"14": "Leslie",
"15": "No speaker",
"16": "Mrs. Jones"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Oh, some of their people will take them in,\"|1| |2|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|2| |3|\"Yes,\"|3|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Leslie\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 3 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Oh, some of their people will take them in,\"|1| |2|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|2| |3|\"Yes,\"|3|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Leslie\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 3 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Leslie\",\n \"2\": \"No speaker\",\n \"3\": \"Mrs. Jones\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Leslie",
"2": "No speaker",
"3": "Mrs. Jones"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|1| |2|\"Yes,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|1| |2|\"Yes,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mrs. Jones\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mrs. Jones"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|1| |2|\"Yes,\"|2| |3|she said,|3| |4|\"I think I could arrange to take you. I could let you have two rooms, and you could use my kitchen until you decided whether you wanted to take a flat or not. I has the whole house myself, and I keeps roomers. But latah on I could fix things so 's you could have the whole third floor ef you wanted to. Most o' my gent'men 's railroad gent'men, they is. I guess it must 'a' been Mr. Thomas that sent you up here.\"|4| |5|\"He was a little bright man down at de deepo.\"|5| |6|\"Yes, that 's him. That 's Mr. Thomas. He 's always lookin' out to send some one here, because he 's been here three years hisself an' he kin recommend my house.\"|6| |7|It was a relief to the Hamiltons to find Mrs. Jones so gracious and home-like. So the matter was settled, and they took up their abode with her and sent for their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan.|7| |8|\"I tell you, Miss Kitty,\"|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"No speaker\",\n \"4\": \"The Detective\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|1| |2|\"Yes,\"|2| |3|she said,|3| |4|\"I think I could arrange to take you. I could let you have two rooms, and you could use my kitchen until you decided whether you wanted to take a flat or not. I has the whole house myself, and I keeps roomers. But latah on I could fix things so 's you could have the whole third floor ef you wanted to. Most o' my gent'men 's railroad gent'men, they is. I guess it must 'a' been Mr. Thomas that sent you up here.\"|4| |5|\"He was a little bright man down at de deepo.\"|5| |6|\"Yes, that 's him. That 's Mr. Thomas. He 's always lookin' out to send some one here, because he 's been here three years hisself an' he kin recommend my house.\"|6| |7|It was a relief to the Hamiltons to find Mrs. Jones so gracious and home-like. So the matter was settled, and they took up their abode with her and sent for their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan.|7| |8|\"I tell you, Miss Kitty,\"|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"No speaker\",\n \"4\": \"The Detective\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"No speaker\",\n \"4\": \"Mrs. Jones\",\n \"5\": \"No speaker\",\n \"6\": \"Mrs. Jones\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mrs. Jones",
"3": "No speaker",
"4": "Mrs. Jones",
"5": "No speaker",
"6": "Mrs. Jones",
"7": "No speaker",
"8": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|1| |2|\"Yes,\"|2| |3|she said,|3| |4|\"I think I could arrange to take you. I could let you have two rooms, and you could use my kitchen until you decided whether you wanted to take a flat or not. I has the whole house myself, and I keeps roomers. But latah on I could fix things so 's you could have the whole third floor ef you wanted to. Most o' my gent'men 's railroad gent'men, they is. I guess it must 'a' been Mr. Thomas that sent you up here.\"|4| |5|\"He was a little bright man down at de deepo.\"|5| |6|\"Yes, that 's him. That 's Mr. Thomas. He 's always lookin' out to send some one here, because he 's been here three years hisself an' he kin recommend my house.\"|6| |7|It was a relief to the Hamiltons to find Mrs. Jones so gracious and home-like. So the matter was settled, and they took up their abode with her and sent for their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan.|7| |8|\"I tell you, Miss Kitty,\"|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"No speaker\",\n \"4\": \"Kit Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|replied Mrs. Oakley languidly. Despite the fact that his mother carried with her the rest of the money drawn from the bank, Joe had suddenly stepped into the place of the man of the family. He attended to all the details of their getting away with a promptness that made it seem untrue that he had never been more than thirty miles from his native town. He was eager and excited. As the train drew out of the station, he did not look back upon the place which he hated, but Fannie and her daughter let their eyes linger upon it until the last house, the last chimney, and the last spire faded from their sight, and their tears fell and mingled as they were whirled away toward the unknown. VII IN NEW YORK To the provincial coming to New York for the first time, ignorant and unknown, the city presents a notable mingling of the qualities of cheeriness and gloom. If he have any eye at all for the beautiful, he cannot help experiencing a thrill as he crosses the ferry over the river filled with plying craft and catches the first sight of the spires and buildings of New York. If he have the right stuff in him, a something will take possession of him that will grip him again every time he returns to the scene and will make him long and hunger for the place when he is away from it. Later, the lights in the busy streets will bewilder and entice him. He will feel shy and helpless amid the hurrying crowds. A new emotion will take his heart as the people hasten by him,--a feeling of loneliness, almost of grief, that with all of these souls about him he knows not one and not one of them cares for him. After a while he will find a place and give a sigh of relief as he settles away from the city's sights behind his cosey blinds. It is better here, and the city is cruel and cold and unfeeling. This he will feel, perhaps, for the first half-hour, and then he will be out in it all again. He will be glad to strike elbows with the bustling mob and be happy at their indifference to him, so that he may look at them and study them. After it is all over, after he has passed through the first pangs of strangeness and homesickness, yes, even after he has got beyond the stranger's enthusiasm for the metropolis, the real fever of love for the place will begin to take hold upon him. The subtle, insidious wine of New York will begin to intoxicate him. Then, if he be wise, he will go away, any place,--yes, he will even go over to Jersey. But if he be a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on all the rest of humanity. It was the afternoon of a clear October day that the Hamiltons reached New York. Fannie had some misgivings about crossing the ferry, but once on the boat these gave way to speculations as to what they should find on the other side. With the eagerness of youth to take in new impressions, Joe and Kitty were more concerned with what they saw about them than with what their future would hold, though they might well have stopped to ask some such questions. In all the great city they knew absolutely no one, and had no idea which way to go to find a stopping-place. They looked about them for some coloured face, and finally saw one among the porters who were handling the baggage. To Joe's inquiry he gave them an address, and also proffered his advice as to the best way to reach the place. He was exceedingly polite, and he looked hard at Kitty. They found the house to which they had been directed, and were a good deal surprised at its apparent grandeur. It was a four-storied brick dwelling on Twenty-seventh Street. As they looked from the outside, they were afraid that the price of staying in such a place would be too much for their pockets. Inside, the sight of the hard, gaudily upholstered instalment-plan furniture did not disillusion them, and they continued to fear that they could never stop at this fine place. But they found Mrs. Jones, the proprietress, both gracious and willing to come to terms with them. As Mrs. Hamilton--she began to be Mrs. Hamilton now, to the exclusion of Fannie--would have described Mrs. Jones, she was a \"big yellow woman.\" She had a broad good-natured face and a tendency to run to bust.|1| |2|\"Yes,\"|2| |3|she said,|3| |4|\"I think I could arrange to take you. I could let you have two rooms, and you could use my kitchen until you decided whether you wanted to take a flat or not. I has the whole house myself, and I keeps roomers. But latah on I could fix things so 's you could have the whole third floor ef you wanted to. Most o' my gent'men 's railroad gent'men, they is. I guess it must 'a' been Mr. Thomas that sent you up here.\"|4| |5|\"He was a little bright man down at de deepo.\"|5| |6|\"Yes, that 's him. That 's Mr. Thomas. He 's always lookin' out to send some one here, because he 's been here three years hisself an' he kin recommend my house.\"|6| |7|It was a relief to the Hamiltons to find Mrs. Jones so gracious and home-like. So the matter was settled, and they took up their abode with her and sent for their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan.|7| |8|\"I tell you, Miss Kitty,\"|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"No speaker\",\n \"4\": \"Kit Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"No speaker\",\n \"4\": \"Mrs. Jones\",\n \"5\": \"No speaker\",\n \"6\": \"Mrs. Jones\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mrs. Jones",
"3": "No speaker",
"4": "Mrs. Jones",
"5": "No speaker",
"6": "Mrs. Jones",
"7": "No speaker",
"8": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|It was a relief to the Hamiltons to find Mrs. Jones so gracious and home-like. So the matter was settled, and they took up their abode with her and sent for their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan.|1| |2|\"I tell you, Miss Kitty,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|It was a relief to the Hamiltons to find Mrs. Jones so gracious and home-like. So the matter was settled, and they took up their abode with her and sent for their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan.|1| |2|\"I tell you, Miss Kitty,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|It was a relief to the Hamiltons to find Mrs. Jones so gracious and home-like. So the matter was settled, and they took up their abode with her and sent for their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan.|1| |2|\"I tell you, Miss Kitty,\"|2| |3|he burst forth, a few minutes after being introduced,|3| |4|\"they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything.\"|4| |5|\"Great place,\"|5|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Leslie\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 5 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|It was a relief to the Hamiltons to find Mrs. Jones so gracious and home-like. So the matter was settled, and they took up their abode with her and sent for their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan.|1| |2|\"I tell you, Miss Kitty,\"|2| |3|he burst forth, a few minutes after being introduced,|3| |4|\"they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything.\"|4| |5|\"Great place,\"|5|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Leslie\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 5 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|It was a relief to the Hamiltons to find Mrs. Jones so gracious and home-like. So the matter was settled, and they took up their abode with her and sent for their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan.|1| |2|\"I tell you, Miss Kitty,\"|2| |3|he burst forth, a few minutes after being introduced,|3| |4|\"they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything.\"|4| |5|\"Great place,\"|5| |6|said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said|6| |7|\"Yes\"|7| |8|to him, and went on expatiating to Kitty on the glories of the metropolis.|8| |9|\"D'jever see the statue o' Liberty? Great thing, the statue o' Liberty. I 'll take you 'round some day. An' Cooney Island--oh, my, now that 's the place; and talk about fun! That 's the place for me.\"|9| |10|\"La, Thomas,\"|10| |11|Mrs. Jones put in,|11| |12|\"how you do run on! Why, the strangers 'll think they 'll be talked to death before they have time to breathe.\"|12| |13|\"Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight.\"|13| |14|Mr. Thomas took the pail and went to the corner. As he left the room, Mrs. Jones slapped her knee and laughed until her bust shook like jelly.|14|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"The Detective\",\n \"3\": \"Kit Hamilton\",\n \"4\": \"Colonel Saunders\",\n \"5\": \"Martin\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 14 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|It was a relief to the Hamiltons to find Mrs. Jones so gracious and home-like. So the matter was settled, and they took up their abode with her and sent for their baggage. With the first pause in the rush that they had experienced since starting away from home, Mrs. Hamilton began to have time for reflection, and their condition seemed to her much better as it was. Of course, it was hard to be away from home and among strangers, but the arrangement had this advantage,--that no one knew them or could taunt them with their past trouble. She was not sure that she was going to like New York. It had a great name and was really a great place, but the very bigness of it frightened her and made her feel alone, for she knew that there could not be so many people together without a deal of wickedness. She did not argue the complement of this, that the amount of good would also be increased, but this was because to her evil was the very present factor in her life. Joe and Kit were differently affected by what they saw about them. The boy was wild with enthusiasm and with a desire to be a part of all that the metropolis meant. In the evening he saw the young fellows passing by dressed in their spruce clothes, and he wondered with a sort of envy where they could be going. Back home there had been no place much worth going to, except church and one or two people's houses. But these young fellows seemed to show by their manners that they were neither going to church nor a family visiting. In the moment that he recognised this, a revelation came to him,--the knowledge that his horizon had been very narrow, and he felt angry that it was so. Why should those fellows be different from him? Why should they walk the streets so knowingly, so independently, when he knew not whither to turn his steps? Well, he was in New York, and now he would learn. Some day some greenhorn from the South should stand at a window and look out envying him, as he passed, red-cravated, patent-leathered, intent on some goal. Was it not better, after all, that circumstances had forced them thither? Had it not been so, they might all have stayed home and stagnated. Well, thought he, it 's an ill wind that blows nobody good, and somehow, with a guilty under-thought, he forgot to feel the natural pity for his father, toiling guiltless in the prison of his native State. Whom the Gods wish to destroy they first make mad. The first sign of the demoralisation of the provincial who comes to New York is his pride at his insensibility to certain impressions which used to influence him at home. First, he begins to scoff, and there is no truth in his views nor depth in his laugh. But by and by, from mere pretending, it becomes real. He grows callous. After that he goes to the devil very cheerfully. No such radical emotions, however, troubled Kit's mind. She too stood at the windows and looked down into the street. There was a sort of complacent calm in the manner in which she viewed the girls' hats and dresses. Many of them were really pretty, she told herself, but for the most part they were not better than what she had had down home. There was a sound quality in the girl's make-up that helped her to see through the glamour of mere place and recognise worth for itself. Or it may have been the critical faculty, which is prominent in most women, that kept her from thinking a five-cent cheese-cloth any better in New York than it was at home. She had a certain self-respect which made her value herself and her own traditions higher than her brother did his. When later in the evening the porter who had been kind to them came in and was introduced as Mr. William Thomas, young as she was, she took his open admiration for her with more coolness than Joe exhibited when Thomas offered to show him something of the town some day or night. Mr. Thomas was a loquacious little man with a confident air born of an intense admiration of himself. He was the idol of a number of servant-girls' hearts, and altogether a decidedly dashing back-area-way Don Juan.|1| |2|\"I tell you, Miss Kitty,\"|2| |3|he burst forth, a few minutes after being introduced,|3| |4|\"they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything.\"|4| |5|\"Great place,\"|5| |6|said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said|6| |7|\"Yes\"|7| |8|to him, and went on expatiating to Kitty on the glories of the metropolis.|8| |9|\"D'jever see the statue o' Liberty? Great thing, the statue o' Liberty. I 'll take you 'round some day. An' Cooney Island--oh, my, now that 's the place; and talk about fun! That 's the place for me.\"|9| |10|\"La, Thomas,\"|10| |11|Mrs. Jones put in,|11| |12|\"how you do run on! Why, the strangers 'll think they 'll be talked to death before they have time to breathe.\"|12| |13|\"Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight.\"|13| |14|Mr. Thomas took the pail and went to the corner. As he left the room, Mrs. Jones slapped her knee and laughed until her bust shook like jelly.|14|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"The Detective\",\n \"3\": \"Kit Hamilton\",\n \"4\": \"Colonel Saunders\",\n \"5\": \"Martin\",\n \"6\": \"Maurice Oakley\",\n \"7\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 14 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"No speaker\",\n \"9\": \"Mr. Thomas\",\n \"10\": \"Mrs. Jones\",\n \"11\": \"No speaker\",\n \"12\": \"Mrs. Jones\",\n \"13\": \"Mr. Thomas\",\n \"14\": \"No speaker\"\n }\n}",
"role": "assistant"
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]
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|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "Joe Hamilton",
"6": "No speaker",
"7": "Mr. Thomas",
"8": "No speaker",
"9": "Mr. Thomas",
"10": "Mrs. Jones",
"11": "No speaker",
"12": "Mrs. Jones",
"13": "Mr. Thomas",
"14": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything.\"|1| |2|\"Great place,\"|2| |3|said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said|3| |4|\"Yes\"|4| |5|to him, and went on expatiating to Kitty on the glories of the metropolis.|5| |6|\"D'jever see the statue o' Liberty? Great thing, the statue o' Liberty. I 'll take you 'round some day. An' Cooney Island--oh, my, now that 's the place; and talk about fun! That 's the place for me.\"|6| |7|\"La, Thomas,\"|7| |8|Mrs. Jones put in,|8| |9|\"how you do run on! Why, the strangers 'll think they 'll be talked to death before they have time to breathe.\"|9| |10|\"Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight.\"|10| |11|Mr. Thomas took the pail and went to the corner. As he left the room, Mrs. Jones slapped her knee and laughed until her bust shook like jelly.|11| |12|\"Mr. Thomas is a case, sho',\"|12| |13|she said;|13| |14|\"but he likes you all, an' I 'm mighty glad of it, fu' he 's mighty curious about the house when he don't like the roomers.\"|14| |15|Joe felt distinctly flattered, for he found their new acquaintance charming. His mother was still a little doubtful, and Kitty was sure she found the young man \"fresh.\" He came in pretty soon with his beer, and a half-dozen crabs in a bag.|15| |16|\"Thought I 'd bring home something to chew. I always like to eat something with my beer.\"|16| |17|Mrs. Jones brought in the glasses, and the young man filled one and turned to Kitty.|17| |18|\"No, thanks,\"|18| |19|she said with a surprised look.|19| |20|\"What, don't you drink beer? Oh, come now, you 'll get out o' that.\"|20| |21|\"Kitty don't drink no beer,\"|21| |22|broke in her mother with mild resentment.|22| |23|\"I drinks it sometimes, but she don't. I reckon maybe de chillen better go to bed.\"|23| |24|Joe felt as if the \"chillen\" had ruined all his hopes, but Kitty rose. The ingratiating \"N' Yawker\" was aghast.|24| |25|\"Oh, let 'em stay,\"|25| |26|said Mrs. Jones heartily;|26| |27|\"a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it.\"|27| |28|\"They 'll git out o' that, all right, if they live in N' Yawk,\"|28|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Kitty Hamilton\",\n \"6\": \"Kit Hamilton\",\n \"7\": \"Mrs. Jones\",\n \"8\": \"No speaker\",\n \"9\": \"Minty Brown\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"No speaker\",\n \"12\": \"Mrs. Jones\",\n \"13\": \"No speaker\",\n \"14\": \"Mrs. Jones\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 28 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"they ain't no use talkin', N' Yawk 'll give you a shakin' up 'at you won't soon forget. It 's the only town on the face of the earth. You kin bet your life they ain't no flies on N' Yawk. We git the best shows here, we git the best concerts--say, now, what 's the use o' my callin' it all out?--we simply git the best of everything.\"|1| |2|\"Great place,\"|2| |3|said Joe wisely, in what he thought was going to be quite a man-of-the-world manner. But he burned with shame the next minute because his voice sounded so weak and youthful. Then too the oracle only said|3| |4|\"Yes\"|4| |5|to him, and went on expatiating to Kitty on the glories of the metropolis.|5| |6|\"D'jever see the statue o' Liberty? Great thing, the statue o' Liberty. I 'll take you 'round some day. An' Cooney Island--oh, my, now that 's the place; and talk about fun! That 's the place for me.\"|6| |7|\"La, Thomas,\"|7| |8|Mrs. Jones put in,|8| |9|\"how you do run on! Why, the strangers 'll think they 'll be talked to death before they have time to breathe.\"|9| |10|\"Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight.\"|10| |11|Mr. Thomas took the pail and went to the corner. As he left the room, Mrs. Jones slapped her knee and laughed until her bust shook like jelly.|11| |12|\"Mr. Thomas is a case, sho',\"|12| |13|she said;|13| |14|\"but he likes you all, an' I 'm mighty glad of it, fu' he 's mighty curious about the house when he don't like the roomers.\"|14| |15|Joe felt distinctly flattered, for he found their new acquaintance charming. His mother was still a little doubtful, and Kitty was sure she found the young man \"fresh.\" He came in pretty soon with his beer, and a half-dozen crabs in a bag.|15| |16|\"Thought I 'd bring home something to chew. I always like to eat something with my beer.\"|16| |17|Mrs. Jones brought in the glasses, and the young man filled one and turned to Kitty.|17| |18|\"No, thanks,\"|18| |19|she said with a surprised look.|19| |20|\"What, don't you drink beer? Oh, come now, you 'll get out o' that.\"|20| |21|\"Kitty don't drink no beer,\"|21| |22|broke in her mother with mild resentment.|22| |23|\"I drinks it sometimes, but she don't. I reckon maybe de chillen better go to bed.\"|23| |24|Joe felt as if the \"chillen\" had ruined all his hopes, but Kitty rose. The ingratiating \"N' Yawker\" was aghast.|24| |25|\"Oh, let 'em stay,\"|25| |26|said Mrs. Jones heartily;|26| |27|\"a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it.\"|27| |28|\"They 'll git out o' that, all right, if they live in N' Yawk,\"|28|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Kitty Hamilton\",\n \"6\": \"Kit Hamilton\",\n \"7\": \"Mrs. Jones\",\n \"8\": \"No speaker\",\n \"9\": \"Minty Brown\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"No speaker\",\n \"12\": \"Mrs. Jones\",\n \"13\": \"No speaker\",\n \"14\": \"Mrs. Jones\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 28 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"content": "{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Thomas\",\n \"7\": \"Mrs. Jones\",\n \"8\": \"No speaker\",\n \"9\": \"Mrs. Jones\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"No speaker\",\n \"12\": \"Mrs. Jones\",\n \"13\": \"No speaker\",\n \"14\": \"Mrs. Jones\",\n \"15\": \"No speaker\",\n \"16\": \"Mr. Thomas\",\n \"17\": \"No speaker\",\n \"18\": \"Kitty Hamilton\",\n \"19\": \"No speaker\",\n \"20\": \"Mr. Thomas\",\n \"21\": \"Fannie Hamilton\",\n \"22\": \"No speaker\",\n \"23\": \"Fannie Hamilton\",\n \"24\": \"No speaker\",\n \"25\": \"Mrs. Jones\",\n \"26\": \"No speaker\",\n \"27\": \"Mrs. Jones\",\n \"28\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
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|
{
"predictions": {
"1": "Mr. Thomas",
"2": "Joe Hamilton",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "No speaker",
"6": "Mr. Thomas",
"7": "Mrs. Jones",
"8": "No speaker",
"9": "Mrs. Jones",
"10": "Mr. Thomas",
"11": "No speaker",
"12": "Mrs. Jones",
"13": "No speaker",
"14": "Mrs. Jones",
"15": "No speaker",
"16": "Mr. Thomas",
"17": "No speaker",
"18": "Kitty Hamilton",
"19": "No speaker",
"20": "Mr. Thomas",
"21": "Fannie Hamilton",
"22": "No speaker",
"23": "Fannie Hamilton",
"24": "No speaker",
"25": "Mrs. Jones",
"26": "No speaker",
"27": "Mrs. Jones",
"28": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight.\"|1| |2|Mr. Thomas took the pail and went to the corner. As he left the room, Mrs. Jones slapped her knee and laughed until her bust shook like jelly.|2| |3|\"Mr. Thomas is a case, sho',\"|3| |4|she said;|4| |5|\"but he likes you all, an' I 'm mighty glad of it, fu' he 's mighty curious about the house when he don't like the roomers.\"|5| |6|Joe felt distinctly flattered, for he found their new acquaintance charming. His mother was still a little doubtful, and Kitty was sure she found the young man \"fresh.\" He came in pretty soon with his beer, and a half-dozen crabs in a bag.|6| |7|\"Thought I 'd bring home something to chew. I always like to eat something with my beer.\"|7| |8|Mrs. Jones brought in the glasses, and the young man filled one and turned to Kitty.|8| |9|\"No, thanks,\"|9| |10|she said with a surprised look.|10| |11|\"What, don't you drink beer? Oh, come now, you 'll get out o' that.\"|11| |12|\"Kitty don't drink no beer,\"|12| |13|broke in her mother with mild resentment.|13| |14|\"I drinks it sometimes, but she don't. I reckon maybe de chillen better go to bed.\"|14| |15|Joe felt as if the \"chillen\" had ruined all his hopes, but Kitty rose. The ingratiating \"N' Yawker\" was aghast.|15| |16|\"Oh, let 'em stay,\"|16| |17|said Mrs. Jones heartily;|17| |18|\"a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it.\"|18| |19|\"They 'll git out o' that, all right, if they live in N' Yawk,\"|19| |20|said Mr. Thomas, as he poured out a glass and handed it to Joe.|20| |21|\"You neither?\"|21| |22|\"Oh, I drink it,\"|22| |23|said the boy with an air, but not looking at his mother.|23| |24|\"Joe,\"|24| |25|she cried to him,|25| |26|\"you must ricollect you ain't at home. What 'ud yo' pa think?\"|26| |27|Then she stopped suddenly, and Joe gulped his beer and Kitty went to the piano to relieve her embarrassment.|27| |28|\"Yes, that 's it, Miss Kitty, sing us something,\"|28| |29|said the irrepressible Thomas,|29| |30|\"an' after while we 'll have that fellah down that plays 'Rag-time.' He 's out o' sight, I tell you.\"|30| |31|With the pretty shyness of girlhood, Kitty sang one or two little songs in the simple manner she knew. Her voice was full and rich. It delighted Mr. Thomas.|31| |32|\"I say, that 's singin' now, I tell you,\"|32| |33|he cried.|33| |34|\"You ought to have some o' the new songs. D' jever hear 'Baby, you got to leave'? I tell you, that 's a hot one. I 'll bring you some of 'em. Why, you could git a job on the stage easy with that voice o' yourn. I got a frien' in one o' the comp'nies an' I 'll speak to him about you.\"|34| |35|\"You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots.\"|35| |36|\"Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go.\"|36| |37|\"I ain't nevah been to nothin' lak dat, an' I don't know,\"|37|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"No speaker\",\n \"3\": \"Mrs. Jones\",\n \"4\": \"No speaker\",\n \"5\": \"Colonel Saunders\",\n \"6\": \"No speaker\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"No speaker\",\n \"9\": \"Kitty Hamilton\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"Fannie Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Fannie Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Mrs. Jones\",\n \"17\": \"Mr. Thomas\",\n \"18\": \"Mrs. Jones\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 37 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Oh, I guess the folks understan' me. I 'm one o' them kin' o' men 'at believe in whooping things up right from the beginning. I 'm never strange with anybody. I 'm a N' Yawker, I tell you, from the word go. I say, Mis' Jones, let 's have some beer, an' we 'll have some music purty soon. There 's a fellah in the house 'at plays 'Rag-time' out o' sight.\"|1| |2|Mr. Thomas took the pail and went to the corner. As he left the room, Mrs. Jones slapped her knee and laughed until her bust shook like jelly.|2| |3|\"Mr. Thomas is a case, sho',\"|3| |4|she said;|4| |5|\"but he likes you all, an' I 'm mighty glad of it, fu' he 's mighty curious about the house when he don't like the roomers.\"|5| |6|Joe felt distinctly flattered, for he found their new acquaintance charming. His mother was still a little doubtful, and Kitty was sure she found the young man \"fresh.\" He came in pretty soon with his beer, and a half-dozen crabs in a bag.|6| |7|\"Thought I 'd bring home something to chew. I always like to eat something with my beer.\"|7| |8|Mrs. Jones brought in the glasses, and the young man filled one and turned to Kitty.|8| |9|\"No, thanks,\"|9| |10|she said with a surprised look.|10| |11|\"What, don't you drink beer? Oh, come now, you 'll get out o' that.\"|11| |12|\"Kitty don't drink no beer,\"|12| |13|broke in her mother with mild resentment.|13| |14|\"I drinks it sometimes, but she don't. I reckon maybe de chillen better go to bed.\"|14| |15|Joe felt as if the \"chillen\" had ruined all his hopes, but Kitty rose. The ingratiating \"N' Yawker\" was aghast.|15| |16|\"Oh, let 'em stay,\"|16| |17|said Mrs. Jones heartily;|17| |18|\"a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it.\"|18| |19|\"They 'll git out o' that, all right, if they live in N' Yawk,\"|19| |20|said Mr. Thomas, as he poured out a glass and handed it to Joe.|20| |21|\"You neither?\"|21| |22|\"Oh, I drink it,\"|22| |23|said the boy with an air, but not looking at his mother.|23| |24|\"Joe,\"|24| |25|she cried to him,|25| |26|\"you must ricollect you ain't at home. What 'ud yo' pa think?\"|26| |27|Then she stopped suddenly, and Joe gulped his beer and Kitty went to the piano to relieve her embarrassment.|27| |28|\"Yes, that 's it, Miss Kitty, sing us something,\"|28| |29|said the irrepressible Thomas,|29| |30|\"an' after while we 'll have that fellah down that plays 'Rag-time.' He 's out o' sight, I tell you.\"|30| |31|With the pretty shyness of girlhood, Kitty sang one or two little songs in the simple manner she knew. Her voice was full and rich. It delighted Mr. Thomas.|31| |32|\"I say, that 's singin' now, I tell you,\"|32| |33|he cried.|33| |34|\"You ought to have some o' the new songs. D' jever hear 'Baby, you got to leave'? I tell you, that 's a hot one. I 'll bring you some of 'em. Why, you could git a job on the stage easy with that voice o' yourn. I got a frien' in one o' the comp'nies an' I 'll speak to him about you.\"|34| |35|\"You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots.\"|35| |36|\"Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go.\"|36| |37|\"I ain't nevah been to nothin' lak dat, an' I don't know,\"|37|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"No speaker\",\n \"3\": \"Mrs. Jones\",\n \"4\": \"No speaker\",\n \"5\": \"Colonel Saunders\",\n \"6\": \"No speaker\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"No speaker\",\n \"9\": \"Kitty Hamilton\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"Fannie Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Fannie Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Mrs. Jones\",\n \"17\": \"Mr. Thomas\",\n \"18\": \"Mrs. Jones\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 37 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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"content": "{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"No speaker\",\n \"3\": \"Mrs. Jones\",\n \"4\": \"No speaker\",\n \"5\": \"Mrs. Jones\",\n \"6\": \"No speaker\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"No speaker\",\n \"9\": \"Kitty Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"Fannie Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Fannie Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Mrs. Jones\",\n \"17\": \"No speaker\",\n \"18\": \"Mrs. Jones\",\n \"19\": \"Mr. Thomas\",\n \"20\": \"No speaker\",\n \"21\": \"Mr. Thomas\",\n \"22\": \"Joe Hamilton\",\n \"23\": \"No speaker\",\n \"24\": \"Fannie Hamilton\",\n \"25\": \"No speaker\",\n \"26\": \"Fannie Hamilton\",\n \"27\": \"No speaker\",\n \"28\": \"Mr. Thomas\",\n \"29\": \"No speaker\",\n \"30\": \"Mr. Thomas\",\n \"31\": \"No speaker\",\n \"32\": \"Mr. Thomas\",\n \"33\": \"No speaker\",\n \"34\": \"Mr. Thomas\",\n \"35\": \"Mrs. Jones\",\n \"36\": \"Mr. Thomas\",\n \"37\": \"Fannie Hamilton\"\n }\n}",
"role": "assistant"
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{
"predictions": {
"1": "Mr. Thomas",
"2": "No speaker",
"3": "Mrs. Jones",
"4": "No speaker",
"5": "Mrs. Jones",
"6": "No speaker",
"7": "Mr. Thomas",
"8": "No speaker",
"9": "Kitty Hamilton",
"10": "No speaker",
"11": "Mr. Thomas",
"12": "Fannie Hamilton",
"13": "No speaker",
"14": "Fannie Hamilton",
"15": "No speaker",
"16": "Mrs. Jones",
"17": "No speaker",
"18": "Mrs. Jones",
"19": "Mr. Thomas",
"20": "No speaker",
"21": "Mr. Thomas",
"22": "Joe Hamilton",
"23": "No speaker",
"24": "Fannie Hamilton",
"25": "No speaker",
"26": "Fannie Hamilton",
"27": "No speaker",
"28": "Mr. Thomas",
"29": "No speaker",
"30": "Mr. Thomas",
"31": "No speaker",
"32": "Mr. Thomas",
"33": "No speaker",
"34": "Mr. Thomas",
"35": "Mrs. Jones",
"36": "Mr. Thomas",
"37": "Fannie Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it.\"|1| |2|\"They 'll git out o' that, all right, if they live in N' Yawk,\"|2| |3|said Mr. Thomas, as he poured out a glass and handed it to Joe.|3| |4|\"You neither?\"|4| |5|\"Oh, I drink it,\"|5| |6|said the boy with an air, but not looking at his mother.|6| |7|\"Joe,\"|7| |8|she cried to him,|8| |9|\"you must ricollect you ain't at home. What 'ud yo' pa think?\"|9| |10|Then she stopped suddenly, and Joe gulped his beer and Kitty went to the piano to relieve her embarrassment.|10| |11|\"Yes, that 's it, Miss Kitty, sing us something,\"|11| |12|said the irrepressible Thomas,|12| |13|\"an' after while we 'll have that fellah down that plays 'Rag-time.' He 's out o' sight, I tell you.\"|13| |14|With the pretty shyness of girlhood, Kitty sang one or two little songs in the simple manner she knew. Her voice was full and rich. It delighted Mr. Thomas.|14| |15|\"I say, that 's singin' now, I tell you,\"|15| |16|he cried.|16| |17|\"You ought to have some o' the new songs. D' jever hear 'Baby, you got to leave'? I tell you, that 's a hot one. I 'll bring you some of 'em. Why, you could git a job on the stage easy with that voice o' yourn. I got a frien' in one o' the comp'nies an' I 'll speak to him about you.\"|17| |18|\"You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots.\"|18| |19|\"Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go.\"|19| |20|\"I ain't nevah been to nothin' lak dat, an' I don't know,\"|20| |21|said Mrs. Hamilton.|21| |22|\"Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?\"|22| |23|The mother hesitated, and Joe filled the breach.|23| |24|\"We 'd all like to go,\"|24| |25|he said.|25| |26|\"Ma, we' ll go if you ain't too tired.\"|26| |27|\"Tired? Pshaw, you 'll furgit all about your tiredness when Smithkins gits on the stage. Y' ought to hear him sing,\"|27| |28|'I bin huntin' fu' wo'k'!|28| |29|\"You 'd die laughing.\"|29| |30|Mrs. Hamilton made no further demur, and the matter was closed. Awhile later the \"Rag-time\" man came down and gave them a sample of what they were to hear the next night. Mr. Thomas and Mrs. Jones two-stepped, and they sent a boy after some more beer. Joe found it a very jolly evening, but Kit's and the mother's hearts were heavy as they went up to bed.|30| |31|\"Say,\"|31| |32|said Mr. Thomas when they had gone,|32| |33|\"that little girl 's a peach, you bet; a little green, I guess, but she 'll ripen in the sun.\"|33| |34|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|34| |35|\"Are you enjoying yourself?\"|35|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mrs. Jones\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"Minty Brown\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Leslie\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"The Detective\",\n \"10\": \"Horace Talbot\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"No speaker\",\n \"13\": \"Hattie Sterling\",\n \"14\": \"No speaker\",\n \"15\": \"Mr. Thomas\",\n \"16\": \"No speaker\",\n \"17\": \"Sadness\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 35 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
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{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"a little beer ain't goin' to hurt 'em. Why, sakes, I know my father gave me beer from the time I could drink it, and I knows I ain't none the worse fu' it.\"|1| |2|\"They 'll git out o' that, all right, if they live in N' Yawk,\"|2| |3|said Mr. Thomas, as he poured out a glass and handed it to Joe.|3| |4|\"You neither?\"|4| |5|\"Oh, I drink it,\"|5| |6|said the boy with an air, but not looking at his mother.|6| |7|\"Joe,\"|7| |8|she cried to him,|8| |9|\"you must ricollect you ain't at home. What 'ud yo' pa think?\"|9| |10|Then she stopped suddenly, and Joe gulped his beer and Kitty went to the piano to relieve her embarrassment.|10| |11|\"Yes, that 's it, Miss Kitty, sing us something,\"|11| |12|said the irrepressible Thomas,|12| |13|\"an' after while we 'll have that fellah down that plays 'Rag-time.' He 's out o' sight, I tell you.\"|13| |14|With the pretty shyness of girlhood, Kitty sang one or two little songs in the simple manner she knew. Her voice was full and rich. It delighted Mr. Thomas.|14| |15|\"I say, that 's singin' now, I tell you,\"|15| |16|he cried.|16| |17|\"You ought to have some o' the new songs. D' jever hear 'Baby, you got to leave'? I tell you, that 's a hot one. I 'll bring you some of 'em. Why, you could git a job on the stage easy with that voice o' yourn. I got a frien' in one o' the comp'nies an' I 'll speak to him about you.\"|17| |18|\"You ought to git Mr. Thomas to take you to the th'atre some night. He goes lots.\"|18| |19|\"Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go.\"|19| |20|\"I ain't nevah been to nothin' lak dat, an' I don't know,\"|20| |21|said Mrs. Hamilton.|21| |22|\"Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?\"|22| |23|The mother hesitated, and Joe filled the breach.|23| |24|\"We 'd all like to go,\"|24| |25|he said.|25| |26|\"Ma, we' ll go if you ain't too tired.\"|26| |27|\"Tired? Pshaw, you 'll furgit all about your tiredness when Smithkins gits on the stage. Y' ought to hear him sing,\"|27| |28|'I bin huntin' fu' wo'k'!|28| |29|\"You 'd die laughing.\"|29| |30|Mrs. Hamilton made no further demur, and the matter was closed. Awhile later the \"Rag-time\" man came down and gave them a sample of what they were to hear the next night. Mr. Thomas and Mrs. Jones two-stepped, and they sent a boy after some more beer. Joe found it a very jolly evening, but Kit's and the mother's hearts were heavy as they went up to bed.|30| |31|\"Say,\"|31| |32|said Mr. Thomas when they had gone,|32| |33|\"that little girl 's a peach, you bet; a little green, I guess, but she 'll ripen in the sun.\"|33| |34|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|34| |35|\"Are you enjoying yourself?\"|35|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mrs. Jones\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"Minty Brown\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Leslie\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"The Detective\",\n \"10\": \"Horace Talbot\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"No speaker\",\n \"13\": \"Hattie Sterling\",\n \"14\": \"No speaker\",\n \"15\": \"Mr. Thomas\",\n \"16\": \"No speaker\",\n \"17\": \"Sadness\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 35 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Mrs. Jones\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"No speaker\",\n \"13\": \"Mr. Thomas\",\n \"14\": \"No speaker\",\n \"15\": \"Mr. Thomas\",\n \"16\": \"No speaker\",\n \"17\": \"Mr. Thomas\",\n \"18\": \"Mrs. Jones\",\n \"19\": \"Mr. Thomas\",\n \"20\": \"Fannie Hamilton\",\n \"21\": \"No speaker\",\n \"22\": \"Mr. Thomas\",\n \"23\": \"No speaker\",\n \"24\": \"Joe Hamilton\",\n \"25\": \"No speaker\",\n \"26\": \"Joe Hamilton\",\n \"27\": \"Mr. Thomas\",\n \"28\": \"No speaker\",\n \"29\": \"Mr. Thomas\",\n \"30\": \"No speaker\",\n \"31\": \"Mr. Thomas\",\n \"32\": \"No speaker\",\n \"33\": \"Mr. Thomas\",\n \"34\": \"No speaker\",\n \"35\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Mrs. Jones",
"2": "Mr. Thomas",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "Joe Hamilton",
"6": "No speaker",
"7": "Fannie Hamilton",
"8": "No speaker",
"9": "Fannie Hamilton",
"10": "No speaker",
"11": "Mr. Thomas",
"12": "No speaker",
"13": "Mr. Thomas",
"14": "No speaker",
"15": "Mr. Thomas",
"16": "No speaker",
"17": "Mr. Thomas",
"18": "Mrs. Jones",
"19": "Mr. Thomas",
"20": "Fannie Hamilton",
"21": "No speaker",
"22": "Mr. Thomas",
"23": "No speaker",
"24": "Joe Hamilton",
"25": "No speaker",
"26": "Joe Hamilton",
"27": "Mr. Thomas",
"28": "No speaker",
"29": "Mr. Thomas",
"30": "No speaker",
"31": "Mr. Thomas",
"32": "No speaker",
"33": "Mr. Thomas",
"34": "No speaker",
"35": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go.\"|1| |2|\"I ain't nevah been to nothin' lak dat, an' I don't know,\"|2| |3|said Mrs. Hamilton.|3| |4|\"Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?\"|4| |5|The mother hesitated, and Joe filled the breach.|5| |6|\"We 'd all like to go,\"|6| |7|he said.|7| |8|\"Ma, we' ll go if you ain't too tired.\"|8| |9|\"Tired? Pshaw, you 'll furgit all about your tiredness when Smithkins gits on the stage. Y' ought to hear him sing,\"|9| |10|'I bin huntin' fu' wo'k'!|10| |11|\"You 'd die laughing.\"|11| |12|Mrs. Hamilton made no further demur, and the matter was closed. Awhile later the \"Rag-time\" man came down and gave them a sample of what they were to hear the next night. Mr. Thomas and Mrs. Jones two-stepped, and they sent a boy after some more beer. Joe found it a very jolly evening, but Kit's and the mother's hearts were heavy as they went up to bed.|12| |13|\"Say,\"|13| |14|said Mr. Thomas when they had gone,|14| |15|\"that little girl 's a peach, you bet; a little green, I guess, but she 'll ripen in the sun.\"|15| |16|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|16| |17|\"Are you enjoying yourself?\"|17|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"Horace Talbot\",\n \"8\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 17 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Why, yes, what 's the matter with to-morrer night? There 's a good coon show in town. Out o' sight. Let 's all go.\"|1| |2|\"I ain't nevah been to nothin' lak dat, an' I don't know,\"|2| |3|said Mrs. Hamilton.|3| |4|\"Aw, come, I 'll git the tickets an' we 'll all go. Great singin', you know. What d' you say?\"|4| |5|The mother hesitated, and Joe filled the breach.|5| |6|\"We 'd all like to go,\"|6| |7|he said.|7| |8|\"Ma, we' ll go if you ain't too tired.\"|8| |9|\"Tired? Pshaw, you 'll furgit all about your tiredness when Smithkins gits on the stage. Y' ought to hear him sing,\"|9| |10|'I bin huntin' fu' wo'k'!|10| |11|\"You 'd die laughing.\"|11| |12|Mrs. Hamilton made no further demur, and the matter was closed. Awhile later the \"Rag-time\" man came down and gave them a sample of what they were to hear the next night. Mr. Thomas and Mrs. Jones two-stepped, and they sent a boy after some more beer. Joe found it a very jolly evening, but Kit's and the mother's hearts were heavy as they went up to bed.|12| |13|\"Say,\"|13| |14|said Mr. Thomas when they had gone,|14| |15|\"that little girl 's a peach, you bet; a little green, I guess, but she 'll ripen in the sun.\"|15| |16|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|16| |17|\"Are you enjoying yourself?\"|17|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"Horace Talbot\",\n \"8\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 17 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Joe Hamilton\",\n \"9\": \"Mr. Thomas\",\n \"10\": \"No speaker\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"No speaker\",\n \"13\": \"Mr. Thomas\",\n \"14\": \"No speaker\",\n \"15\": \"Mr. Thomas\",\n \"16\": \"No speaker\",\n \"17\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Mr. Thomas",
"2": "Fannie Hamilton",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "No speaker",
"6": "Joe Hamilton",
"7": "No speaker",
"8": "Joe Hamilton",
"9": "Mr. Thomas",
"10": "No speaker",
"11": "Mr. Thomas",
"12": "No speaker",
"13": "Mr. Thomas",
"14": "No speaker",
"15": "Mr. Thomas",
"16": "No speaker",
"17": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
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{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
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{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2| |3|he leaned over and whispered to her. His voice was very confidential and his lips near her ear, but she did not notice.|3| |4|\"Oh, yes,\"|4| |5|she answered,|5| |6|\"this is grand. How I 'd like to be an actress and be up there!\"|6| |7|\"Maybe you will some day.\"|7| |8|\"Oh, no, I 'm not smart enough.\"|8| |9|\"We 'll see,\"|9| |10|he said wisely;|10| |11|\"I know a thing or two.\"|11| |12|Between the first and second acts a number of Thomas's friends strolled up to where he sat and began talking, and again Kitty's embarrassment took possession of her as they were introduced one by one. They treated her with a half-courteous familiarity that made her blush. Her mother was not pleased with the many acquaintances that her daughter was making, and would have interfered had not Mrs. Jones assured her that the men clustered about their host's seat were some of the \"best people in town.\" Joe looked at them hungrily, but the man in front with his sister did not think it necessary to include the brother or the rest of the party in his miscellaneous introductions. One brief bit of conversation which the mother overheard especially troubled her.|12| |13|\"Not going out for a minute or two?\"|13|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Martin\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 13 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
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{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2| |3|he leaned over and whispered to her. His voice was very confidential and his lips near her ear, but she did not notice.|3| |4|\"Oh, yes,\"|4| |5|she answered,|5| |6|\"this is grand. How I 'd like to be an actress and be up there!\"|6| |7|\"Maybe you will some day.\"|7| |8|\"Oh, no, I 'm not smart enough.\"|8| |9|\"We 'll see,\"|9| |10|he said wisely;|10| |11|\"I know a thing or two.\"|11| |12|Between the first and second acts a number of Thomas's friends strolled up to where he sat and began talking, and again Kitty's embarrassment took possession of her as they were introduced one by one. They treated her with a half-courteous familiarity that made her blush. Her mother was not pleased with the many acquaintances that her daughter was making, and would have interfered had not Mrs. Jones assured her that the men clustered about their host's seat were some of the \"best people in town.\" Joe looked at them hungrily, but the man in front with his sister did not think it necessary to include the brother or the rest of the party in his miscellaneous introductions. One brief bit of conversation which the mother overheard especially troubled her.|12| |13|\"Not going out for a minute or two?\"|13|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Martin\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Kitty Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 13 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Kitty Hamilton\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"Kitty Hamilton\",\n \"9\": \"Mr. Thomas\",\n \"10\": \"No speaker\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"No speaker\",\n \"13\": \"One Of The Men\"\n }\n}",
"role": "assistant"
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{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "No speaker",
"4": "Kitty Hamilton",
"5": "No speaker",
"6": "Kitty Hamilton",
"7": "Mr. Thomas",
"8": "Kitty Hamilton",
"9": "Mr. Thomas",
"10": "No speaker",
"11": "Mr. Thomas",
"12": "No speaker",
"13": "One Of The Men"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2| |3|he leaned over and whispered to her. His voice was very confidential and his lips near her ear, but she did not notice.|3| |4|\"Oh, yes,\"|4| |5|she answered,|5| |6|\"this is grand. How I 'd like to be an actress and be up there!\"|6| |7|\"Maybe you will some day.\"|7| |8|\"Oh, no, I 'm not smart enough.\"|8| |9|\"We 'll see,\"|9| |10|he said wisely;|10| |11|\"I know a thing or two.\"|11| |12|Between the first and second acts a number of Thomas's friends strolled up to where he sat and began talking, and again Kitty's embarrassment took possession of her as they were introduced one by one. They treated her with a half-courteous familiarity that made her blush. Her mother was not pleased with the many acquaintances that her daughter was making, and would have interfered had not Mrs. Jones assured her that the men clustered about their host's seat were some of the \"best people in town.\" Joe looked at them hungrily, but the man in front with his sister did not think it necessary to include the brother or the rest of the party in his miscellaneous introductions. One brief bit of conversation which the mother overheard especially troubled her.|12| |13|\"Not going out for a minute or two?\"|13| |14|asked one of the men, as he was turning away from Thomas.|14| |15|\"No, I don't think I 'll go out to-night. You can have my share.\"|15| |16|The fellow gave a horse laugh and replied,|16| |17|\"Well, you 're doing a great piece of work, Miss Hamilton, whenever you can keep old Bill from goin' out an' lushin' between acts. Say, you got a good thing; push it along.\"|17| |18|The girl's mother half rose, but she resumed her seat, for the man was going away. Her mind was not quiet again, however, until the people were all in their seats and the curtain had gone up on the second act. At first she was surprised at the enthusiasm over just such dancing as she could see any day from the loafers on the street corners down home, and then, like a good, sensible, humble woman, she came around to the idea that it was she who had always been wrong in putting too low a value on really worthy things. So she laughed and applauded with the rest, all the while trying to quiet something that was tugging at her away down in her heart. When the performance was over she forced her way to Kitty's side, where she remained in spite of all Thomas's palpable efforts to get her away. Finally he proposed that they all go to supper at one of the coloured cafes.|18| |19|\"You 'll see a lot o' the show people,\"|19|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\",\n \"5\": \"No speaker\",\n \"6\": \"Kitty Hamilton\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"Fannie Hamilton\",\n \"9\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 19 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|VIII AN EVENING OUT Fannie Hamilton, tired as she was, sat long into the night with her little family discussing New York,--its advantages and disadvantages, its beauty and its ugliness, its morality and immorality. She had somewhat receded from her first position, that it was better being here in the great strange city than being at home where the very streets shamed them. She had not liked the way that their fellow lodger looked at Kitty. It was bold, to say the least. She was not pleased, either, with their new acquaintance's familiarity. And yet, he had said no more than some stranger, if there could be such a stranger, would have said down home. There was a difference, however, which she recognised. Thomas was not the provincial who puts every one on a par with himself, nor was he the metropolitan who complacently patronises the whole world. He was trained out of the one and not up to the other. The intermediate only succeeded in being offensive. Mrs. Jones' assurance as to her guest's fine qualities did not do all that might have been expected to reassure Mrs. Hamilton in the face of the difficulties of the gentleman's manner. She could not, however, lay her finger on any particular point that would give her the reason for rejecting his friendly advances. She got ready the next evening to go to the theatre with the rest. Mr. Thomas at once possessed himself of Kitty and walked on ahead, leaving Joe to accompany his mother and Mrs. Jones,--an arrangement, by the way, not altogether to that young gentleman's taste. A good many men bowed to Thomas in the street, and they turned to look enviously after him. At the door of the theatre they had to run the gantlet of a dozen pairs of eyes. Here, too, the party's guide seemed to be well known, for some one said, before they passed out of hearing, \"I wonder who that little light girl is that Thomas is with to-night? He 's a hot one for you.\" Mrs. Hamilton had been in a theatre but once before in her life, and Joe and Kit but a few times oftener. On those occasions they had sat far up in the peanut gallery in the place reserved for people of colour. This was not a pleasant, cleanly, nor beautiful locality, and by contrast with it, even the garishness of the cheap New York theatre seemed fine and glorious. They had good seats in the first balcony, and here their guide had shown his managerial ability again, for he had found it impossible, or said so, to get all the seats together, so that he and the girl were in the row in front and to one side of where the rest sat. Kitty did not like the arrangement, and innocently suggested that her brother take her seat while she went back to her mother. But her escort overruled her objections easily, and laughed at her so frankly that from very shame she could not urge them again, and they were soon forgotten in her wonder at the mystery and glamour that envelops the home of the drama. There was something weird to her in the alternate spaces of light and shade. Without any feeling of its ugliness, she looked at the curtain as at a door that should presently open between her and a house of wonders. She looked at it with the fascination that one always experiences for what either brings near or withholds the unknown. As for Joe, he was not bothered by the mystery or the glamour of things. But he had suddenly raised himself in his own estimation. He had gazed steadily at a girl across the aisle until she had smiled in response. Of course, he went hot and cold by turns, and the sweat broke out on his brow, but instantly he began to swell. He had made a decided advance in knowledge, and he swelled with the consciousness that already he was coming to be a man of the world. He looked with a new feeling at the swaggering, sporty young negroes. His attitude towards them was not one of humble self-depreciation any more. Since last night he had grown, and felt that he might, that he would, be like them, and it put a sort of chuckling glee into his heart. One might find it in him to feel sorry for this small-souled, warped being, for he was so evidently the jest of Fate, if it were not that he was so blissfully, so conceitedly, unconscious of his own nastiness. Down home he had shaved the wild young bucks of the town, and while doing it drunk in eagerly their unguarded narrations of their gay exploits. So he had started out with false ideals as to what was fine and manly. He was afflicted by a sort of moral and mental astigmatism that made him see everything wrong. As he sat there to-night, he gave to all he saw a wrong value and upon it based his ignorant desires. When the men of the orchestra filed in and began tuning their instruments, it was the signal for an influx of loiterers from the door. There were a large number of coloured people in the audience, and because members of their own race were giving the performance, they seemed to take a proprietary interest in it all. They discussed its merits and demerits as they walked down the aisle in much the same tone that the owners would have used had they been wondering whether the entertainment was going to please the people or not. Finally the music struck up one of the numerous negro marches. It was accompanied by the rhythmic patting of feet from all parts of the house. Then the curtain went up on a scene of beauty. It purported to be a grove to which a party of picnickers, the ladies and gentlemen of the chorus, had come for a holiday, and they were telling the audience all about it in crescendos. With the exception of one, who looked like a faded kid glove, the men discarded the grease paint, but the women under their make-ups ranged from pure white, pale yellow, and sickly greens to brick reds and slate grays. They were dressed in costumes that were not primarily intended for picnic going. But they could sing, and they did sing, with their voices, their bodies, their souls. They threw themselves into it because they enjoyed and felt what they were doing, and they gave almost a semblance of dignity to the tawdry music and inane words. Kitty was enchanted. The airily dressed women seemed to her like creatures from fairy-land. It is strange how the glare of the footlights succeeds in deceiving so many people who are able to see through other delusions. The cheap dresses on the street had not fooled Kitty for an instant, but take the same cheese-cloth, put a little water starch into it, and put it on the stage, and she could see only chiffon. She turned around and nodded delightedly at her brother, but he did not see her. He was lost, transfixed. His soul was floating on a sea of sense. He had eyes and ears and thoughts only for the stage. His nerves tingled and his hands twitched. Only to know one of those radiant creatures, to have her speak to him, smile at him! If ever a man was intoxicated, Joe was. Mrs. Hamilton was divided between shame at the clothes of some of the women and delight with the music. Her companion was busy pointing out who this and that actress was, and giving jelly-like appreciation to the doings on the stage. Mr. Thomas was the only cool one in the party. He was quietly taking stock of his young companion,--of her innocence and charm. She was a pretty girl, little and dainty, but well developed for her age. Her hair was very black and wavy, and some strain of the South's chivalric blood, which is so curiously mingled with the African in the veins of most coloured people, had tinged her skin to an olive hue.|1| |2|\"Are you enjoying yourself?\"|2| |3|he leaned over and whispered to her. His voice was very confidential and his lips near her ear, but she did not notice.|3| |4|\"Oh, yes,\"|4| |5|she answered,|5| |6|\"this is grand. How I 'd like to be an actress and be up there!\"|6| |7|\"Maybe you will some day.\"|7| |8|\"Oh, no, I 'm not smart enough.\"|8| |9|\"We 'll see,\"|9| |10|he said wisely;|10| |11|\"I know a thing or two.\"|11| |12|Between the first and second acts a number of Thomas's friends strolled up to where he sat and began talking, and again Kitty's embarrassment took possession of her as they were introduced one by one. They treated her with a half-courteous familiarity that made her blush. Her mother was not pleased with the many acquaintances that her daughter was making, and would have interfered had not Mrs. Jones assured her that the men clustered about their host's seat were some of the \"best people in town.\" Joe looked at them hungrily, but the man in front with his sister did not think it necessary to include the brother or the rest of the party in his miscellaneous introductions. One brief bit of conversation which the mother overheard especially troubled her.|12| |13|\"Not going out for a minute or two?\"|13| |14|asked one of the men, as he was turning away from Thomas.|14| |15|\"No, I don't think I 'll go out to-night. You can have my share.\"|15| |16|The fellow gave a horse laugh and replied,|16| |17|\"Well, you 're doing a great piece of work, Miss Hamilton, whenever you can keep old Bill from goin' out an' lushin' between acts. Say, you got a good thing; push it along.\"|17| |18|The girl's mother half rose, but she resumed her seat, for the man was going away. Her mind was not quiet again, however, until the people were all in their seats and the curtain had gone up on the second act. At first she was surprised at the enthusiasm over just such dancing as she could see any day from the loafers on the street corners down home, and then, like a good, sensible, humble woman, she came around to the idea that it was she who had always been wrong in putting too low a value on really worthy things. So she laughed and applauded with the rest, all the while trying to quiet something that was tugging at her away down in her heart. When the performance was over she forced her way to Kitty's side, where she remained in spite of all Thomas's palpable efforts to get her away. Finally he proposed that they all go to supper at one of the coloured cafes.|18| |19|\"You 'll see a lot o' the show people,\"|19|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\",\n \"5\": \"No speaker\",\n \"6\": \"Kitty Hamilton\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"Fannie Hamilton\",\n \"9\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 19 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Kitty Hamilton\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"Kitty Hamilton\",\n \"9\": \"Mr. Thomas\",\n \"10\": \"No speaker\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"No speaker\",\n \"13\": \"One Of The Men\",\n \"14\": \"No speaker\",\n \"15\": \"Mr. Thomas\",\n \"16\": \"No speaker\",\n \"17\": \"One Of The Men\",\n \"18\": \"No speaker\",\n \"19\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
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]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "No speaker",
"4": "Kitty Hamilton",
"5": "No speaker",
"6": "Kitty Hamilton",
"7": "Mr. Thomas",
"8": "Kitty Hamilton",
"9": "Mr. Thomas",
"10": "No speaker",
"11": "Mr. Thomas",
"12": "No speaker",
"13": "One Of The Men",
"14": "No speaker",
"15": "Mr. Thomas",
"16": "No speaker",
"17": "One Of The Men",
"18": "No speaker",
"19": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Between the first and second acts a number of Thomas's friends strolled up to where he sat and began talking, and again Kitty's embarrassment took possession of her as they were introduced one by one. They treated her with a half-courteous familiarity that made her blush. Her mother was not pleased with the many acquaintances that her daughter was making, and would have interfered had not Mrs. Jones assured her that the men clustered about their host's seat were some of the \"best people in town.\" Joe looked at them hungrily, but the man in front with his sister did not think it necessary to include the brother or the rest of the party in his miscellaneous introductions. One brief bit of conversation which the mother overheard especially troubled her.|1| |2|\"Not going out for a minute or two?\"|2| |3|asked one of the men, as he was turning away from Thomas.|3| |4|\"No, I don't think I 'll go out to-night. You can have my share.\"|4| |5|The fellow gave a horse laugh and replied,|5| |6|\"Well, you 're doing a great piece of work, Miss Hamilton, whenever you can keep old Bill from goin' out an' lushin' between acts. Say, you got a good thing; push it along.\"|6| |7|The girl's mother half rose, but she resumed her seat, for the man was going away. Her mind was not quiet again, however, until the people were all in their seats and the curtain had gone up on the second act. At first she was surprised at the enthusiasm over just such dancing as she could see any day from the loafers on the street corners down home, and then, like a good, sensible, humble woman, she came around to the idea that it was she who had always been wrong in putting too low a value on really worthy things. So she laughed and applauded with the rest, all the while trying to quiet something that was tugging at her away down in her heart. When the performance was over she forced her way to Kitty's side, where she remained in spite of all Thomas's palpable efforts to get her away. Finally he proposed that they all go to supper at one of the coloured cafes.|7| |8|\"You 'll see a lot o' the show people,\"|8| |9|he said.|9| |10|\"No, I reckon we 'd bettah go home,\"|10| |11|said Mrs. Hamilton decidedly.|11| |12|\"De chillen ain't ust to stayin' up all hours o' nights, an' I ain't anxious fu' 'em to git ust to it.\"|12| |13|She was conscious of a growing dislike for this man who treated her daughter with such a proprietary air. Joe winced again at \"de chillen.\" Thomas bit his lip, and mentally said things that are unfit for publication. Aloud he said,|13| |14|\"Mebbe Miss Kitty 'ud like to go an' have a little lunch.\"|14| |15|\"Oh, no, thank you,\"|15| |16|said the girl;|16| |17|\"I 've had a nice time and I don't care for a thing to eat.\"|17| |18|Joe told himself that Kitty was the biggest fool that it had ever been his lot to meet, and the disappointed suitor satisfied himself with the reflection that the girl was green yet, but would get bravely over that. He attempted to hold her hand as they parted at the parlour door, but she drew her fingers out of his clasp and said,|18| |19|\"Good-night; thank you,\"|19| |20|as if he had been one of her mother's old friends. Joe lingered a little longer.|20| |21|\"Say, that was out o' sight,\"|21| |22|he said.|22| |23|\"Think so?\"|23| |24|asked the other carelessly.|24| |25|\"I 'd like to get out with you some time to see the town,\"|25| |26|the boy went on eagerly.|26| |27|\"All right, we 'll go some time. So long.\"|27|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"Martin\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Kit Hamilton\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"Mr. Thomas\",\n \"9\": \"No speaker\",\n \"10\": \"Martin\",\n \"11\": \"No speaker\",\n \"12\": \"Fannie Hamilton\",\n \"13\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 27 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Between the first and second acts a number of Thomas's friends strolled up to where he sat and began talking, and again Kitty's embarrassment took possession of her as they were introduced one by one. They treated her with a half-courteous familiarity that made her blush. Her mother was not pleased with the many acquaintances that her daughter was making, and would have interfered had not Mrs. Jones assured her that the men clustered about their host's seat were some of the \"best people in town.\" Joe looked at them hungrily, but the man in front with his sister did not think it necessary to include the brother or the rest of the party in his miscellaneous introductions. One brief bit of conversation which the mother overheard especially troubled her.|1| |2|\"Not going out for a minute or two?\"|2| |3|asked one of the men, as he was turning away from Thomas.|3| |4|\"No, I don't think I 'll go out to-night. You can have my share.\"|4| |5|The fellow gave a horse laugh and replied,|5| |6|\"Well, you 're doing a great piece of work, Miss Hamilton, whenever you can keep old Bill from goin' out an' lushin' between acts. Say, you got a good thing; push it along.\"|6| |7|The girl's mother half rose, but she resumed her seat, for the man was going away. Her mind was not quiet again, however, until the people were all in their seats and the curtain had gone up on the second act. At first she was surprised at the enthusiasm over just such dancing as she could see any day from the loafers on the street corners down home, and then, like a good, sensible, humble woman, she came around to the idea that it was she who had always been wrong in putting too low a value on really worthy things. So she laughed and applauded with the rest, all the while trying to quiet something that was tugging at her away down in her heart. When the performance was over she forced her way to Kitty's side, where she remained in spite of all Thomas's palpable efforts to get her away. Finally he proposed that they all go to supper at one of the coloured cafes.|7| |8|\"You 'll see a lot o' the show people,\"|8| |9|he said.|9| |10|\"No, I reckon we 'd bettah go home,\"|10| |11|said Mrs. Hamilton decidedly.|11| |12|\"De chillen ain't ust to stayin' up all hours o' nights, an' I ain't anxious fu' 'em to git ust to it.\"|12| |13|She was conscious of a growing dislike for this man who treated her daughter with such a proprietary air. Joe winced again at \"de chillen.\" Thomas bit his lip, and mentally said things that are unfit for publication. Aloud he said,|13| |14|\"Mebbe Miss Kitty 'ud like to go an' have a little lunch.\"|14| |15|\"Oh, no, thank you,\"|15| |16|said the girl;|16| |17|\"I 've had a nice time and I don't care for a thing to eat.\"|17| |18|Joe told himself that Kitty was the biggest fool that it had ever been his lot to meet, and the disappointed suitor satisfied himself with the reflection that the girl was green yet, but would get bravely over that. He attempted to hold her hand as they parted at the parlour door, but she drew her fingers out of his clasp and said,|18| |19|\"Good-night; thank you,\"|19| |20|as if he had been one of her mother's old friends. Joe lingered a little longer.|20| |21|\"Say, that was out o' sight,\"|21| |22|he said.|22| |23|\"Think so?\"|23| |24|asked the other carelessly.|24| |25|\"I 'd like to get out with you some time to see the town,\"|25| |26|the boy went on eagerly.|26| |27|\"All right, we 'll go some time. So long.\"|27|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Berry Hamilton\",\n \"3\": \"Martin\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Kit Hamilton\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"Mr. Thomas\",\n \"9\": \"No speaker\",\n \"10\": \"Martin\",\n \"11\": \"No speaker\",\n \"12\": \"Fannie Hamilton\",\n \"13\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 27 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"One Of The Men\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"One Of The Men\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Thomas\",\n \"9\": \"No speaker\",\n \"10\": \"Fannie Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Fannie Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Mr. Thomas\",\n \"15\": \"Kitty Hamilton\",\n \"16\": \"No speaker\",\n \"17\": \"Kitty Hamilton\",\n \"18\": \"No speaker\",\n \"19\": \"Kitty Hamilton\",\n \"20\": \"No speaker\",\n \"21\": \"Joe Hamilton\",\n \"22\": \"No speaker\",\n \"23\": \"Mr. Thomas\",\n \"24\": \"No speaker\",\n \"25\": \"Joe Hamilton\",\n \"26\": \"No speaker\",\n \"27\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
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|
{
"predictions": {
"1": "No speaker",
"2": "One Of The Men",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "No speaker",
"6": "One Of The Men",
"7": "No speaker",
"8": "Mr. Thomas",
"9": "No speaker",
"10": "Fannie Hamilton",
"11": "No speaker",
"12": "Fannie Hamilton",
"13": "No speaker",
"14": "Mr. Thomas",
"15": "Kitty Hamilton",
"16": "No speaker",
"17": "Kitty Hamilton",
"18": "No speaker",
"19": "Kitty Hamilton",
"20": "No speaker",
"21": "Joe Hamilton",
"22": "No speaker",
"23": "Mr. Thomas",
"24": "No speaker",
"25": "Joe Hamilton",
"26": "No speaker",
"27": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The girl's mother half rose, but she resumed her seat, for the man was going away. Her mind was not quiet again, however, until the people were all in their seats and the curtain had gone up on the second act. At first she was surprised at the enthusiasm over just such dancing as she could see any day from the loafers on the street corners down home, and then, like a good, sensible, humble woman, she came around to the idea that it was she who had always been wrong in putting too low a value on really worthy things. So she laughed and applauded with the rest, all the while trying to quiet something that was tugging at her away down in her heart. When the performance was over she forced her way to Kitty's side, where she remained in spite of all Thomas's palpable efforts to get her away. Finally he proposed that they all go to supper at one of the coloured cafes.|1| |2|\"You 'll see a lot o' the show people,\"|2| |3|he said.|3| |4|\"No, I reckon we 'd bettah go home,\"|4| |5|said Mrs. Hamilton decidedly.|5| |6|\"De chillen ain't ust to stayin' up all hours o' nights, an' I ain't anxious fu' 'em to git ust to it.\"|6| |7|She was conscious of a growing dislike for this man who treated her daughter with such a proprietary air. Joe winced again at \"de chillen.\" Thomas bit his lip, and mentally said things that are unfit for publication. Aloud he said,|7| |8|\"Mebbe Miss Kitty 'ud like to go an' have a little lunch.\"|8| |9|\"Oh, no, thank you,\"|9| |10|said the girl;|10| |11|\"I 've had a nice time and I don't care for a thing to eat.\"|11| |12|Joe told himself that Kitty was the biggest fool that it had ever been his lot to meet, and the disappointed suitor satisfied himself with the reflection that the girl was green yet, but would get bravely over that. He attempted to hold her hand as they parted at the parlour door, but she drew her fingers out of his clasp and said,|12| |13|\"Good-night; thank you,\"|13| |14|as if he had been one of her mother's old friends. Joe lingered a little longer.|14| |15|\"Say, that was out o' sight,\"|15| |16|he said.|16| |17|\"Think so?\"|17| |18|asked the other carelessly.|18| |19|\"I 'd like to get out with you some time to see the town,\"|19| |20|the boy went on eagerly.|20| |21|\"All right, we 'll go some time. So long.\"|21| |22|\"So long.\"|22| |23|Some time. Was it true? Would he really take him out and let him meet stage people? Joe went to bed with his head in a whirl. He slept little that night for thinking of his heart's desire. IX HIS HEART'S DESIRE Whatever else his visit to the theatre may have done for Joe, it inspired him with a desire to go to work and earn money of his own, to be independent both of parental help and control, and so be able to spend as he pleased. With this end in view he set out to hunt for work. It was a pleasant contrast to his last similar quest, and he felt it with joy. He was treated everywhere he went with courtesy, even when no situation was forthcoming. Finally he came upon a man who was willing to try him for an afternoon. From the moment the boy rightly considered himself engaged, for he was master of his trade. He began his work with heart elate. Now he had within his grasp the possibility of being all that he wanted to be. Now Thomas might take him out at any time and not be ashamed of him. With Thomas, the fact that Joe was working put the boy in an entirely new light. He decided that now he might be worth cultivating. For a week or two he had ignored him, and, proceeding upon the principle that if you give corn to the old hen she will cluck to her chicks, had treated Mrs. Hamilton with marked deference and kindness. This had been without success, as both the girl and her mother held themselves politely aloof from him. He began to see that his hope of winning Kitty's affections lay, not in courting the older woman but in making a friend of the boy. So on a certain Saturday night when the Banner Club was to give one of its smokers, he asked Joe to go with him. Joe was glad to, and they set out together. Arrived, Thomas left his companion for a few moments while he attended, as he said, to a little business. What he really did was to seek out the proprietor of the club and some of its hangers on.|23| |24|\"I say,\"|24|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mrs. Jones\",\n \"5\": \"Leslie\",\n \"6\": \"Fannie Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Thomas\",\n \"9\": \"Minty Brown\",\n \"10\": \"No speaker\",\n \"11\": \"Martin\",\n \"12\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 24 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The girl's mother half rose, but she resumed her seat, for the man was going away. Her mind was not quiet again, however, until the people were all in their seats and the curtain had gone up on the second act. At first she was surprised at the enthusiasm over just such dancing as she could see any day from the loafers on the street corners down home, and then, like a good, sensible, humble woman, she came around to the idea that it was she who had always been wrong in putting too low a value on really worthy things. So she laughed and applauded with the rest, all the while trying to quiet something that was tugging at her away down in her heart. When the performance was over she forced her way to Kitty's side, where she remained in spite of all Thomas's palpable efforts to get her away. Finally he proposed that they all go to supper at one of the coloured cafes.|1| |2|\"You 'll see a lot o' the show people,\"|2| |3|he said.|3| |4|\"No, I reckon we 'd bettah go home,\"|4| |5|said Mrs. Hamilton decidedly.|5| |6|\"De chillen ain't ust to stayin' up all hours o' nights, an' I ain't anxious fu' 'em to git ust to it.\"|6| |7|She was conscious of a growing dislike for this man who treated her daughter with such a proprietary air. Joe winced again at \"de chillen.\" Thomas bit his lip, and mentally said things that are unfit for publication. Aloud he said,|7| |8|\"Mebbe Miss Kitty 'ud like to go an' have a little lunch.\"|8| |9|\"Oh, no, thank you,\"|9| |10|said the girl;|10| |11|\"I 've had a nice time and I don't care for a thing to eat.\"|11| |12|Joe told himself that Kitty was the biggest fool that it had ever been his lot to meet, and the disappointed suitor satisfied himself with the reflection that the girl was green yet, but would get bravely over that. He attempted to hold her hand as they parted at the parlour door, but she drew her fingers out of his clasp and said,|12| |13|\"Good-night; thank you,\"|13| |14|as if he had been one of her mother's old friends. Joe lingered a little longer.|14| |15|\"Say, that was out o' sight,\"|15| |16|he said.|16| |17|\"Think so?\"|17| |18|asked the other carelessly.|18| |19|\"I 'd like to get out with you some time to see the town,\"|19| |20|the boy went on eagerly.|20| |21|\"All right, we 'll go some time. So long.\"|21| |22|\"So long.\"|22| |23|Some time. Was it true? Would he really take him out and let him meet stage people? Joe went to bed with his head in a whirl. He slept little that night for thinking of his heart's desire. IX HIS HEART'S DESIRE Whatever else his visit to the theatre may have done for Joe, it inspired him with a desire to go to work and earn money of his own, to be independent both of parental help and control, and so be able to spend as he pleased. With this end in view he set out to hunt for work. It was a pleasant contrast to his last similar quest, and he felt it with joy. He was treated everywhere he went with courtesy, even when no situation was forthcoming. Finally he came upon a man who was willing to try him for an afternoon. From the moment the boy rightly considered himself engaged, for he was master of his trade. He began his work with heart elate. Now he had within his grasp the possibility of being all that he wanted to be. Now Thomas might take him out at any time and not be ashamed of him. With Thomas, the fact that Joe was working put the boy in an entirely new light. He decided that now he might be worth cultivating. For a week or two he had ignored him, and, proceeding upon the principle that if you give corn to the old hen she will cluck to her chicks, had treated Mrs. Hamilton with marked deference and kindness. This had been without success, as both the girl and her mother held themselves politely aloof from him. He began to see that his hope of winning Kitty's affections lay, not in courting the older woman but in making a friend of the boy. So on a certain Saturday night when the Banner Club was to give one of its smokers, he asked Joe to go with him. Joe was glad to, and they set out together. Arrived, Thomas left his companion for a few moments while he attended, as he said, to a little business. What he really did was to seek out the proprietor of the club and some of its hangers on.|23| |24|\"I say,\"|24|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mrs. Jones\",\n \"5\": \"Leslie\",\n \"6\": \"Fannie Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Thomas\",\n \"9\": \"Minty Brown\",\n \"10\": \"No speaker\",\n \"11\": \"Martin\",\n \"12\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 24 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Fannie Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Thomas\",\n \"9\": \"Kitty Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Kitty Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Kitty Hamilton\",\n \"14\": \"No speaker\",\n \"15\": \"Joe Hamilton\",\n \"16\": \"No speaker\",\n \"17\": \"Mr. Thomas\",\n \"18\": \"No speaker\",\n \"19\": \"Joe Hamilton\",\n \"20\": \"No speaker\",\n \"21\": \"Mr. Thomas\",\n \"22\": \"Joe Hamilton\",\n \"23\": \"No speaker\",\n \"24\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
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|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "No speaker",
"4": "Fannie Hamilton",
"5": "No speaker",
"6": "Fannie Hamilton",
"7": "No speaker",
"8": "Mr. Thomas",
"9": "Kitty Hamilton",
"10": "No speaker",
"11": "Kitty Hamilton",
"12": "No speaker",
"13": "Kitty Hamilton",
"14": "No speaker",
"15": "Joe Hamilton",
"16": "No speaker",
"17": "Mr. Thomas",
"18": "No speaker",
"19": "Joe Hamilton",
"20": "No speaker",
"21": "Mr. Thomas",
"22": "Joe Hamilton",
"23": "No speaker",
"24": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|the boy went on eagerly.|1| |2|\"All right, we 'll go some time. So long.\"|2| |3|\"So long.\"|3| |4|Some time. Was it true? Would he really take him out and let him meet stage people? Joe went to bed with his head in a whirl. He slept little that night for thinking of his heart's desire. IX HIS HEART'S DESIRE Whatever else his visit to the theatre may have done for Joe, it inspired him with a desire to go to work and earn money of his own, to be independent both of parental help and control, and so be able to spend as he pleased. With this end in view he set out to hunt for work. It was a pleasant contrast to his last similar quest, and he felt it with joy. He was treated everywhere he went with courtesy, even when no situation was forthcoming. Finally he came upon a man who was willing to try him for an afternoon. From the moment the boy rightly considered himself engaged, for he was master of his trade. He began his work with heart elate. Now he had within his grasp the possibility of being all that he wanted to be. Now Thomas might take him out at any time and not be ashamed of him. With Thomas, the fact that Joe was working put the boy in an entirely new light. He decided that now he might be worth cultivating. For a week or two he had ignored him, and, proceeding upon the principle that if you give corn to the old hen she will cluck to her chicks, had treated Mrs. Hamilton with marked deference and kindness. This had been without success, as both the girl and her mother held themselves politely aloof from him. He began to see that his hope of winning Kitty's affections lay, not in courting the older woman but in making a friend of the boy. So on a certain Saturday night when the Banner Club was to give one of its smokers, he asked Joe to go with him. Joe was glad to, and they set out together. Arrived, Thomas left his companion for a few moments while he attended, as he said, to a little business. What he really did was to seek out the proprietor of the club and some of its hangers on.|4| |5|\"I say,\"|5| |6|he said,|6| |7|\"I 've got a friend with me to-night. He 's got some dough on him. He 's fresh and young and easy.\"|7| |8|\"Whew!\"|8| |9|exclaimed the proprietor.|9| |10|\"Yes, he 's a good thing, but push it along kin' o' light at first; he might get skittish.\"|10| |11|\"Thomas, let me fall on your bosom and weep,\"|11| |12|said a young man who, on account of his usual expression of innocent gloom, was called Sadness.|12| |13|\"This is what I 've been looking for for a month. My hat was getting decidedly shabby. Do you think he would stand for a touch on the first night of our acquaintance?\"|13| |14|\"Don't you dare? Do you want to frighten him off? Make him believe that you 've got coin to burn and that it 's an honour to be with you.\"|14| |15|\"But, you know, he may expect a glimpse of the gold.\"|15|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"No speaker\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"No speaker\",\n \"7\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 15 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|the boy went on eagerly.|1| |2|\"All right, we 'll go some time. So long.\"|2| |3|\"So long.\"|3| |4|Some time. Was it true? Would he really take him out and let him meet stage people? Joe went to bed with his head in a whirl. He slept little that night for thinking of his heart's desire. IX HIS HEART'S DESIRE Whatever else his visit to the theatre may have done for Joe, it inspired him with a desire to go to work and earn money of his own, to be independent both of parental help and control, and so be able to spend as he pleased. With this end in view he set out to hunt for work. It was a pleasant contrast to his last similar quest, and he felt it with joy. He was treated everywhere he went with courtesy, even when no situation was forthcoming. Finally he came upon a man who was willing to try him for an afternoon. From the moment the boy rightly considered himself engaged, for he was master of his trade. He began his work with heart elate. Now he had within his grasp the possibility of being all that he wanted to be. Now Thomas might take him out at any time and not be ashamed of him. With Thomas, the fact that Joe was working put the boy in an entirely new light. He decided that now he might be worth cultivating. For a week or two he had ignored him, and, proceeding upon the principle that if you give corn to the old hen she will cluck to her chicks, had treated Mrs. Hamilton with marked deference and kindness. This had been without success, as both the girl and her mother held themselves politely aloof from him. He began to see that his hope of winning Kitty's affections lay, not in courting the older woman but in making a friend of the boy. So on a certain Saturday night when the Banner Club was to give one of its smokers, he asked Joe to go with him. Joe was glad to, and they set out together. Arrived, Thomas left his companion for a few moments while he attended, as he said, to a little business. What he really did was to seek out the proprietor of the club and some of its hangers on.|4| |5|\"I say,\"|5| |6|he said,|6| |7|\"I 've got a friend with me to-night. He 's got some dough on him. He 's fresh and young and easy.\"|7| |8|\"Whew!\"|8| |9|exclaimed the proprietor.|9| |10|\"Yes, he 's a good thing, but push it along kin' o' light at first; he might get skittish.\"|10| |11|\"Thomas, let me fall on your bosom and weep,\"|11| |12|said a young man who, on account of his usual expression of innocent gloom, was called Sadness.|12| |13|\"This is what I 've been looking for for a month. My hat was getting decidedly shabby. Do you think he would stand for a touch on the first night of our acquaintance?\"|13| |14|\"Don't you dare? Do you want to frighten him off? Make him believe that you 've got coin to burn and that it 's an honour to be with you.\"|14| |15|\"But, you know, he may expect a glimpse of the gold.\"|15|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Kitty Hamilton\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"No speaker\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"No speaker\",\n \"7\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 15 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"No speaker\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"No speaker\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"Mr. Turner\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"Sadness\",\n \"12\": \"No speaker\",\n \"13\": \"Sadness\",\n \"14\": \"Mr. Thomas\",\n \"15\": \"Sadness\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "Joe Hamilton",
"4": "No speaker",
"5": "Mr. Thomas",
"6": "No speaker",
"7": "Mr. Thomas",
"8": "Mr. Turner",
"9": "No speaker",
"10": "Mr. Thomas",
"11": "Sadness",
"12": "No speaker",
"13": "Sadness",
"14": "Mr. Thomas",
"15": "Sadness"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Some time. Was it true? Would he really take him out and let him meet stage people? Joe went to bed with his head in a whirl. He slept little that night for thinking of his heart's desire. IX HIS HEART'S DESIRE Whatever else his visit to the theatre may have done for Joe, it inspired him with a desire to go to work and earn money of his own, to be independent both of parental help and control, and so be able to spend as he pleased. With this end in view he set out to hunt for work. It was a pleasant contrast to his last similar quest, and he felt it with joy. He was treated everywhere he went with courtesy, even when no situation was forthcoming. Finally he came upon a man who was willing to try him for an afternoon. From the moment the boy rightly considered himself engaged, for he was master of his trade. He began his work with heart elate. Now he had within his grasp the possibility of being all that he wanted to be. Now Thomas might take him out at any time and not be ashamed of him. With Thomas, the fact that Joe was working put the boy in an entirely new light. He decided that now he might be worth cultivating. For a week or two he had ignored him, and, proceeding upon the principle that if you give corn to the old hen she will cluck to her chicks, had treated Mrs. Hamilton with marked deference and kindness. This had been without success, as both the girl and her mother held themselves politely aloof from him. He began to see that his hope of winning Kitty's affections lay, not in courting the older woman but in making a friend of the boy. So on a certain Saturday night when the Banner Club was to give one of its smokers, he asked Joe to go with him. Joe was glad to, and they set out together. Arrived, Thomas left his companion for a few moments while he attended, as he said, to a little business. What he really did was to seek out the proprietor of the club and some of its hangers on.|1| |2|\"I say,\"|2| |3|he said,|3| |4|\"I 've got a friend with me to-night. He 's got some dough on him. He 's fresh and young and easy.\"|4| |5|\"Whew!\"|5| |6|exclaimed the proprietor.|6| |7|\"Yes, he 's a good thing, but push it along kin' o' light at first; he might get skittish.\"|7| |8|\"Thomas, let me fall on your bosom and weep,\"|8| |9|said a young man who, on account of his usual expression of innocent gloom, was called Sadness.|9| |10|\"This is what I 've been looking for for a month. My hat was getting decidedly shabby. Do you think he would stand for a touch on the first night of our acquaintance?\"|10| |11|\"Don't you dare? Do you want to frighten him off? Make him believe that you 've got coin to burn and that it 's an honour to be with you.\"|11| |12|\"But, you know, he may expect a glimpse of the gold.\"|12| |13|\"A smart man don't need to show nothin'. All he 's got to do is to act.\"|13| |14|\"Oh, I 'll act; we 'll all act.\"|14| |15|\"Be slow to take a drink from him.\"|15| |16|\"Thomas, my boy, you 're an angel. I recognise that more and more every day, but bid me do anything else but that. That I refuse: it 's against nature;\"|16| |17|and Sadness looked more mournful than ever.|17| |18|\"Trust old Sadness to do his part,\"|18| |19|said the portly proprietor; and Thomas went back to the lamb.|19| |20|\"Nothin' doin' so early,\"|20| |21|he said;|21| |22|\"let 's go an' have a drink.\"|22| |23|They went, and Thomas ordered.|23| |24|\"No, no, this is on me,\"|24| |25|cried Joe, trembling with joy.|25| |26|\"Pshaw, your money 's counterfeit,\"|26| |27|said his companion with fine generosity.|27| |28|\"This is on me, I say. Jack, what 'll you have yourself?\"|28| |29|As they stood at the bar, the men began strolling up one by one. Each in his turn was introduced to Joe. They were very polite. They treated him with a pale, dignified, high-minded respect that menaced his pocket-book and possessions. The proprietor, Mr. Turner, asked him why he had never been in before. He really seemed much hurt about it, and on being told that Joe had only been in the city for a couple of weeks expressed emphatic surprise, even disbelief, and assured the rest that any one would have taken Mr. Hamilton for an old New Yorker. Sadness was introduced last. He bowed to Joe's|29| |30|\"Happy to know you, Mr. Williams.\"|30|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Mr. Turner\",\n \"6\": \"Horace Talbot\",\n \"7\": \"Hattie Sterling\",\n \"8\": \"Sadness\",\n \"9\": \"No speaker\",\n \"10\": \"Horace Talbot\",\n \"11\": \"Francis Oakley\",\n \"12\": \"Sadness\",\n \"13\": \"Mr. Thomas\",\n \"14\": \"Hattie Sterling\",\n \"15\": \"The Detective\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 30 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Some time. Was it true? Would he really take him out and let him meet stage people? Joe went to bed with his head in a whirl. He slept little that night for thinking of his heart's desire. IX HIS HEART'S DESIRE Whatever else his visit to the theatre may have done for Joe, it inspired him with a desire to go to work and earn money of his own, to be independent both of parental help and control, and so be able to spend as he pleased. With this end in view he set out to hunt for work. It was a pleasant contrast to his last similar quest, and he felt it with joy. He was treated everywhere he went with courtesy, even when no situation was forthcoming. Finally he came upon a man who was willing to try him for an afternoon. From the moment the boy rightly considered himself engaged, for he was master of his trade. He began his work with heart elate. Now he had within his grasp the possibility of being all that he wanted to be. Now Thomas might take him out at any time and not be ashamed of him. With Thomas, the fact that Joe was working put the boy in an entirely new light. He decided that now he might be worth cultivating. For a week or two he had ignored him, and, proceeding upon the principle that if you give corn to the old hen she will cluck to her chicks, had treated Mrs. Hamilton with marked deference and kindness. This had been without success, as both the girl and her mother held themselves politely aloof from him. He began to see that his hope of winning Kitty's affections lay, not in courting the older woman but in making a friend of the boy. So on a certain Saturday night when the Banner Club was to give one of its smokers, he asked Joe to go with him. Joe was glad to, and they set out together. Arrived, Thomas left his companion for a few moments while he attended, as he said, to a little business. What he really did was to seek out the proprietor of the club and some of its hangers on.|1| |2|\"I say,\"|2| |3|he said,|3| |4|\"I 've got a friend with me to-night. He 's got some dough on him. He 's fresh and young and easy.\"|4| |5|\"Whew!\"|5| |6|exclaimed the proprietor.|6| |7|\"Yes, he 's a good thing, but push it along kin' o' light at first; he might get skittish.\"|7| |8|\"Thomas, let me fall on your bosom and weep,\"|8| |9|said a young man who, on account of his usual expression of innocent gloom, was called Sadness.|9| |10|\"This is what I 've been looking for for a month. My hat was getting decidedly shabby. Do you think he would stand for a touch on the first night of our acquaintance?\"|10| |11|\"Don't you dare? Do you want to frighten him off? Make him believe that you 've got coin to burn and that it 's an honour to be with you.\"|11| |12|\"But, you know, he may expect a glimpse of the gold.\"|12| |13|\"A smart man don't need to show nothin'. All he 's got to do is to act.\"|13| |14|\"Oh, I 'll act; we 'll all act.\"|14| |15|\"Be slow to take a drink from him.\"|15| |16|\"Thomas, my boy, you 're an angel. I recognise that more and more every day, but bid me do anything else but that. That I refuse: it 's against nature;\"|16| |17|and Sadness looked more mournful than ever.|17| |18|\"Trust old Sadness to do his part,\"|18| |19|said the portly proprietor; and Thomas went back to the lamb.|19| |20|\"Nothin' doin' so early,\"|20| |21|he said;|21| |22|\"let 's go an' have a drink.\"|22| |23|They went, and Thomas ordered.|23| |24|\"No, no, this is on me,\"|24| |25|cried Joe, trembling with joy.|25| |26|\"Pshaw, your money 's counterfeit,\"|26| |27|said his companion with fine generosity.|27| |28|\"This is on me, I say. Jack, what 'll you have yourself?\"|28| |29|As they stood at the bar, the men began strolling up one by one. Each in his turn was introduced to Joe. They were very polite. They treated him with a pale, dignified, high-minded respect that menaced his pocket-book and possessions. The proprietor, Mr. Turner, asked him why he had never been in before. He really seemed much hurt about it, and on being told that Joe had only been in the city for a couple of weeks expressed emphatic surprise, even disbelief, and assured the rest that any one would have taken Mr. Hamilton for an old New Yorker. Sadness was introduced last. He bowed to Joe's|29| |30|\"Happy to know you, Mr. Williams.\"|30|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Mr. Turner\",\n \"6\": \"Horace Talbot\",\n \"7\": \"Hattie Sterling\",\n \"8\": \"Sadness\",\n \"9\": \"No speaker\",\n \"10\": \"Horace Talbot\",\n \"11\": \"Francis Oakley\",\n \"12\": \"Sadness\",\n \"13\": \"Mr. Thomas\",\n \"14\": \"Hattie Sterling\",\n \"15\": \"The Detective\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 30 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Mr. Turner\",\n \"6\": \"No speaker\",\n \"7\": \"Mr. Thomas\",\n \"8\": \"Sadness\",\n \"9\": \"No speaker\",\n \"10\": \"Sadness\",\n \"11\": \"Mr. Thomas\",\n \"12\": \"Sadness\",\n \"13\": \"Mr. Thomas\",\n \"14\": \"Sadness\",\n \"15\": \"Mr. Thomas\",\n \"16\": \"Sadness\",\n \"17\": \"No speaker\",\n \"18\": \"Mr. Turner\",\n \"19\": \"No speaker\",\n \"20\": \"Mr. Thomas\",\n \"21\": \"No speaker\",\n \"22\": \"Mr. Thomas\",\n \"23\": \"No speaker\",\n \"24\": \"Joe Hamilton\",\n \"25\": \"No speaker\",\n \"26\": \"Mr. Thomas\",\n \"27\": \"No speaker\",\n \"28\": \"Mr. Thomas\",\n \"29\": \"No speaker\",\n \"30\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "Mr. Turner",
"6": "No speaker",
"7": "Mr. Thomas",
"8": "Sadness",
"9": "No speaker",
"10": "Sadness",
"11": "Mr. Thomas",
"12": "Sadness",
"13": "Mr. Thomas",
"14": "Sadness",
"15": "Mr. Thomas",
"16": "Sadness",
"17": "No speaker",
"18": "Mr. Turner",
"19": "No speaker",
"20": "Mr. Thomas",
"21": "No speaker",
"22": "Mr. Thomas",
"23": "No speaker",
"24": "Joe Hamilton",
"25": "No speaker",
"26": "Mr. Thomas",
"27": "No speaker",
"28": "Mr. Thomas",
"29": "No speaker",
"30": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Don't you dare? Do you want to frighten him off? Make him believe that you 've got coin to burn and that it 's an honour to be with you.\"|1| |2|\"But, you know, he may expect a glimpse of the gold.\"|2| |3|\"A smart man don't need to show nothin'. All he 's got to do is to act.\"|3| |4|\"Oh, I 'll act; we 'll all act.\"|4| |5|\"Be slow to take a drink from him.\"|5| |6|\"Thomas, my boy, you 're an angel. I recognise that more and more every day, but bid me do anything else but that. That I refuse: it 's against nature;\"|6| |7|and Sadness looked more mournful than ever.|7| |8|\"Trust old Sadness to do his part,\"|8| |9|said the portly proprietor; and Thomas went back to the lamb.|9| |10|\"Nothin' doin' so early,\"|10| |11|he said;|11| |12|\"let 's go an' have a drink.\"|12| |13|They went, and Thomas ordered.|13| |14|\"No, no, this is on me,\"|14| |15|cried Joe, trembling with joy.|15| |16|\"Pshaw, your money 's counterfeit,\"|16| |17|said his companion with fine generosity.|17| |18|\"This is on me, I say. Jack, what 'll you have yourself?\"|18| |19|As they stood at the bar, the men began strolling up one by one. Each in his turn was introduced to Joe. They were very polite. They treated him with a pale, dignified, high-minded respect that menaced his pocket-book and possessions. The proprietor, Mr. Turner, asked him why he had never been in before. He really seemed much hurt about it, and on being told that Joe had only been in the city for a couple of weeks expressed emphatic surprise, even disbelief, and assured the rest that any one would have taken Mr. Hamilton for an old New Yorker. Sadness was introduced last. He bowed to Joe's|19| |20|\"Happy to know you, Mr. Williams.\"|20| |21|\"Better known as Sadness,\"|21| |22|he said, with an expression of deep gloom.|22| |23|\"A distant relative of mine once had a great grief. I have never recovered from it.\"|23| |24|Joe was not quite sure how to take this; but the others laughed and he joined them, and then, to cover his own embarrassment, he did what he thought the only correct and manly thing to do,--he ordered a drink.|24| |25|\"I don't know as I ought to,\"|25| |26|said Sadness. \"Oh, come on,\" his companions called out, \"don't be stiff with a stranger. Make him feel at home.\"|26| |27|\"Mr. Hamilton will believe me when I say that I have no intention of being stiff, but duty is duty. I 've got to go down town to pay a bill, and if I get too much aboard, it would n't be safe walking around with money on me.\"|27| |28|\"Aw, shut up, Sadness,\"|28| |29|said Thomas.|29| |30|\"My friend Mr. Hamilton 'll feel hurt if you don't drink with him.\"|30| |31|\"I cert'n'y will,\"|31| |32|was Joe's opportune remark, and he was pleased to see that it caused the reluctant one to yield. They took a drink. There was quite a line of them. Joe asked the bartender what he would have. The men warmed towards him. They took several more drinks with him and he was happy. Sadness put his arm about his shoulder and told him, with tears in his eyes, that he looked like a cousin of his that had died. \"Aw, shut up, Sadness!\" said some one else. \"Be respectable.\" Sadness turned his mournful eyes upon the speaker.|32| |33|\"I won't,\"|33|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"Mr. Thomas\",\n \"4\": \"Sadness\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Sadness\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Turner\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"No speaker\",\n \"12\": \"Mr. Thomas\",\n \"13\": \"Hattie Sterling\",\n \"14\": \"Joe Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Hattie Sterling\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 33 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Don't you dare? Do you want to frighten him off? Make him believe that you 've got coin to burn and that it 's an honour to be with you.\"|1| |2|\"But, you know, he may expect a glimpse of the gold.\"|2| |3|\"A smart man don't need to show nothin'. All he 's got to do is to act.\"|3| |4|\"Oh, I 'll act; we 'll all act.\"|4| |5|\"Be slow to take a drink from him.\"|5| |6|\"Thomas, my boy, you 're an angel. I recognise that more and more every day, but bid me do anything else but that. That I refuse: it 's against nature;\"|6| |7|and Sadness looked more mournful than ever.|7| |8|\"Trust old Sadness to do his part,\"|8| |9|said the portly proprietor; and Thomas went back to the lamb.|9| |10|\"Nothin' doin' so early,\"|10| |11|he said;|11| |12|\"let 's go an' have a drink.\"|12| |13|They went, and Thomas ordered.|13| |14|\"No, no, this is on me,\"|14| |15|cried Joe, trembling with joy.|15| |16|\"Pshaw, your money 's counterfeit,\"|16| |17|said his companion with fine generosity.|17| |18|\"This is on me, I say. Jack, what 'll you have yourself?\"|18| |19|As they stood at the bar, the men began strolling up one by one. Each in his turn was introduced to Joe. They were very polite. They treated him with a pale, dignified, high-minded respect that menaced his pocket-book and possessions. The proprietor, Mr. Turner, asked him why he had never been in before. He really seemed much hurt about it, and on being told that Joe had only been in the city for a couple of weeks expressed emphatic surprise, even disbelief, and assured the rest that any one would have taken Mr. Hamilton for an old New Yorker. Sadness was introduced last. He bowed to Joe's|19| |20|\"Happy to know you, Mr. Williams.\"|20| |21|\"Better known as Sadness,\"|21| |22|he said, with an expression of deep gloom.|22| |23|\"A distant relative of mine once had a great grief. I have never recovered from it.\"|23| |24|Joe was not quite sure how to take this; but the others laughed and he joined them, and then, to cover his own embarrassment, he did what he thought the only correct and manly thing to do,--he ordered a drink.|24| |25|\"I don't know as I ought to,\"|25| |26|said Sadness. \"Oh, come on,\" his companions called out, \"don't be stiff with a stranger. Make him feel at home.\"|26| |27|\"Mr. Hamilton will believe me when I say that I have no intention of being stiff, but duty is duty. I 've got to go down town to pay a bill, and if I get too much aboard, it would n't be safe walking around with money on me.\"|27| |28|\"Aw, shut up, Sadness,\"|28| |29|said Thomas.|29| |30|\"My friend Mr. Hamilton 'll feel hurt if you don't drink with him.\"|30| |31|\"I cert'n'y will,\"|31| |32|was Joe's opportune remark, and he was pleased to see that it caused the reluctant one to yield. They took a drink. There was quite a line of them. Joe asked the bartender what he would have. The men warmed towards him. They took several more drinks with him and he was happy. Sadness put his arm about his shoulder and told him, with tears in his eyes, that he looked like a cousin of his that had died. \"Aw, shut up, Sadness!\" said some one else. \"Be respectable.\" Sadness turned his mournful eyes upon the speaker.|32| |33|\"I won't,\"|33|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"Mr. Thomas\",\n \"4\": \"Sadness\",\n \"5\": \"Francis Oakley\",\n \"6\": \"Sadness\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Turner\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"No speaker\",\n \"12\": \"Mr. Thomas\",\n \"13\": \"Hattie Sterling\",\n \"14\": \"Joe Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Hattie Sterling\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 33 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"Sadness\",\n \"3\": \"Mr. Thomas\",\n \"4\": \"Sadness\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"Sadness\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Turner\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"No speaker\",\n \"12\": \"Mr. Thomas\",\n \"13\": \"No speaker\",\n \"14\": \"Joe Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Mr. Thomas\",\n \"17\": \"No speaker\",\n \"18\": \"Mr. Thomas\",\n \"19\": \"No speaker\",\n \"20\": \"Joe Hamilton\",\n \"21\": \"Sadness\",\n \"22\": \"No speaker\",\n \"23\": \"Sadness\",\n \"24\": \"No speaker\",\n \"25\": \"Sadness\",\n \"26\": \"No speaker\",\n \"27\": \"Sadness\",\n \"28\": \"Mr. Thomas\",\n \"29\": \"No speaker\",\n \"30\": \"Mr. Thomas\",\n \"31\": \"Joe Hamilton\",\n \"32\": \"No speaker\",\n \"33\": \"Sadness\"\n }\n}",
"role": "assistant"
}
]
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|
{
"predictions": {
"1": "Mr. Thomas",
"2": "Sadness",
"3": "Mr. Thomas",
"4": "Sadness",
"5": "Mr. Thomas",
"6": "Sadness",
"7": "No speaker",
"8": "Mr. Turner",
"9": "No speaker",
"10": "Mr. Thomas",
"11": "No speaker",
"12": "Mr. Thomas",
"13": "No speaker",
"14": "Joe Hamilton",
"15": "No speaker",
"16": "Mr. Thomas",
"17": "No speaker",
"18": "Mr. Thomas",
"19": "No speaker",
"20": "Joe Hamilton",
"21": "Sadness",
"22": "No speaker",
"23": "Sadness",
"24": "No speaker",
"25": "Sadness",
"26": "No speaker",
"27": "Sadness",
"28": "Mr. Thomas",
"29": "No speaker",
"30": "Mr. Thomas",
"31": "Joe Hamilton",
"32": "No speaker",
"33": "Sadness"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|As they stood at the bar, the men began strolling up one by one. Each in his turn was introduced to Joe. They were very polite. They treated him with a pale, dignified, high-minded respect that menaced his pocket-book and possessions. The proprietor, Mr. Turner, asked him why he had never been in before. He really seemed much hurt about it, and on being told that Joe had only been in the city for a couple of weeks expressed emphatic surprise, even disbelief, and assured the rest that any one would have taken Mr. Hamilton for an old New Yorker. Sadness was introduced last. He bowed to Joe's|1| |2|\"Happy to know you, Mr. Williams.\"|2| |3|\"Better known as Sadness,\"|3| |4|he said, with an expression of deep gloom.|4| |5|\"A distant relative of mine once had a great grief. I have never recovered from it.\"|5| |6|Joe was not quite sure how to take this; but the others laughed and he joined them, and then, to cover his own embarrassment, he did what he thought the only correct and manly thing to do,--he ordered a drink.|6| |7|\"I don't know as I ought to,\"|7| |8|said Sadness. \"Oh, come on,\" his companions called out, \"don't be stiff with a stranger. Make him feel at home.\"|8| |9|\"Mr. Hamilton will believe me when I say that I have no intention of being stiff, but duty is duty. I 've got to go down town to pay a bill, and if I get too much aboard, it would n't be safe walking around with money on me.\"|9| |10|\"Aw, shut up, Sadness,\"|10| |11|said Thomas.|11| |12|\"My friend Mr. Hamilton 'll feel hurt if you don't drink with him.\"|12| |13|\"I cert'n'y will,\"|13| |14|was Joe's opportune remark, and he was pleased to see that it caused the reluctant one to yield. They took a drink. There was quite a line of them. Joe asked the bartender what he would have. The men warmed towards him. They took several more drinks with him and he was happy. Sadness put his arm about his shoulder and told him, with tears in his eyes, that he looked like a cousin of his that had died. \"Aw, shut up, Sadness!\" said some one else. \"Be respectable.\" Sadness turned his mournful eyes upon the speaker.|14| |15|\"I won't,\"|15| |16|he replied.|16| |17|\"Being respectable is very nice as a diversion, but it 's tedious if done steadily.\"|17| |18|Joe did not quite take this, so he ordered another drink. A group of young fellows came in and passed up the stairs.|18| |19|\"Shearing another lamb?\"|19| |20|said one of them significantly. \"Well, with that gang it will be well done.\" Thomas and Joe left the crowd after a while, and went to the upper floor, where, in a long, brilliantly lighted room, tables were set out for drinking-parties. At one end of the room was a piano, and a man sat at it listlessly strumming some popular air. The proprietor joined them pretty soon, and steered them to a table opposite the door.|20| |21|\"Just sit down here, Mr. Hamilton,\"|21| |22|he said,|22| |23|\"and you can see everybody that comes in. We have lots of nice people here on smoker nights, especially after the shows are out and the girls come in.\"|23| |24|Joe's heart gave a great leap, and then settled as cold as lead. Of course, those girls would n't speak to him. But his hopes rose as the proprietor went on talking to him and to no one else. Mr. Turner always made a man feel as if he were of some consequence in the world, and men a good deal older than Joe had been fooled by his manner. He talked to one in a soft, ingratiating way, giving his whole attention apparently. He tapped one confidentially on the shoulder, as who should say, \"My dear boy, I have but two friends in the world, and you are both of them.\" Joe, charmed and pleased, kept his head well. There is a great deal in heredity, and his father had not been Maurice Oakley's butler for so many years for nothing. The Banner Club was an institution for the lower education of negro youth. It drew its pupils from every class of people and from every part of the country. It was composed of all sorts and conditions of men, educated and uneducated, dishonest and less so, of the good, the bad, and the--unexposed. Parasites came there to find victims, politicians for votes, reporters for news, and artists of all kinds for colour and inspiration. It was the place of assembly for a number of really bright men, who after days of hard and often unrewarded work came there and drunk themselves drunk in each other's company, and when they were drunk talked of the eternal verities. The Banner was only one of a kind. It stood to the stranger and the man and woman without connections for the whole social life. It was a substitute--poor, it must be confessed--to many youths for the home life which is so lacking among certain classes in New York. Here the rounders congregated, or came and spent the hours until it was time to go forth to bout or assignation. Here too came sometimes the curious who wanted to see something of the other side of life. Among these, white visitors were not infrequent,--those who were young enough to be fascinated by the bizarre, and those who were old enough to know that it was all in the game. Mr. Skaggs, of the New York _Universe_, was one of the former class and a constant visitor,--he and a \"lady friend\" called \"Maudie,\" who had a penchant for dancing to \"Rag-time\" melodies as only the \"puffessor\" of such a club can play them. Of course, the place was a social cesspool, generating a poisonous miasma and reeking with the stench of decayed and rotten moralities. There is no defence to be made for it. But what do you expect when false idealism and fevered ambition come face to face with catering cupidity? It was into this atmosphere that Thomas had introduced the boy Joe, and he sat there now by his side, firing his mind by pointing out the different celebrities who came in and telling highly flavoured stories of their lives or doings. Joe heard things that had never come within the range of his mind before.|24| |25|\"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy.\"|25|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Skaggs\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Sadness\",\n \"4\": \"No speaker\",\n \"5\": \"Sadness\",\n \"6\": \"Mr. Skaggs\",\n \"7\": \"Sadness\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"No speaker\",\n \"12\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 25 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|As they stood at the bar, the men began strolling up one by one. Each in his turn was introduced to Joe. They were very polite. They treated him with a pale, dignified, high-minded respect that menaced his pocket-book and possessions. The proprietor, Mr. Turner, asked him why he had never been in before. He really seemed much hurt about it, and on being told that Joe had only been in the city for a couple of weeks expressed emphatic surprise, even disbelief, and assured the rest that any one would have taken Mr. Hamilton for an old New Yorker. Sadness was introduced last. He bowed to Joe's|1| |2|\"Happy to know you, Mr. Williams.\"|2| |3|\"Better known as Sadness,\"|3| |4|he said, with an expression of deep gloom.|4| |5|\"A distant relative of mine once had a great grief. I have never recovered from it.\"|5| |6|Joe was not quite sure how to take this; but the others laughed and he joined them, and then, to cover his own embarrassment, he did what he thought the only correct and manly thing to do,--he ordered a drink.|6| |7|\"I don't know as I ought to,\"|7| |8|said Sadness. \"Oh, come on,\" his companions called out, \"don't be stiff with a stranger. Make him feel at home.\"|8| |9|\"Mr. Hamilton will believe me when I say that I have no intention of being stiff, but duty is duty. I 've got to go down town to pay a bill, and if I get too much aboard, it would n't be safe walking around with money on me.\"|9| |10|\"Aw, shut up, Sadness,\"|10| |11|said Thomas.|11| |12|\"My friend Mr. Hamilton 'll feel hurt if you don't drink with him.\"|12| |13|\"I cert'n'y will,\"|13| |14|was Joe's opportune remark, and he was pleased to see that it caused the reluctant one to yield. They took a drink. There was quite a line of them. Joe asked the bartender what he would have. The men warmed towards him. They took several more drinks with him and he was happy. Sadness put his arm about his shoulder and told him, with tears in his eyes, that he looked like a cousin of his that had died. \"Aw, shut up, Sadness!\" said some one else. \"Be respectable.\" Sadness turned his mournful eyes upon the speaker.|14| |15|\"I won't,\"|15| |16|he replied.|16| |17|\"Being respectable is very nice as a diversion, but it 's tedious if done steadily.\"|17| |18|Joe did not quite take this, so he ordered another drink. A group of young fellows came in and passed up the stairs.|18| |19|\"Shearing another lamb?\"|19| |20|said one of them significantly. \"Well, with that gang it will be well done.\" Thomas and Joe left the crowd after a while, and went to the upper floor, where, in a long, brilliantly lighted room, tables were set out for drinking-parties. At one end of the room was a piano, and a man sat at it listlessly strumming some popular air. The proprietor joined them pretty soon, and steered them to a table opposite the door.|20| |21|\"Just sit down here, Mr. Hamilton,\"|21| |22|he said,|22| |23|\"and you can see everybody that comes in. We have lots of nice people here on smoker nights, especially after the shows are out and the girls come in.\"|23| |24|Joe's heart gave a great leap, and then settled as cold as lead. Of course, those girls would n't speak to him. But his hopes rose as the proprietor went on talking to him and to no one else. Mr. Turner always made a man feel as if he were of some consequence in the world, and men a good deal older than Joe had been fooled by his manner. He talked to one in a soft, ingratiating way, giving his whole attention apparently. He tapped one confidentially on the shoulder, as who should say, \"My dear boy, I have but two friends in the world, and you are both of them.\" Joe, charmed and pleased, kept his head well. There is a great deal in heredity, and his father had not been Maurice Oakley's butler for so many years for nothing. The Banner Club was an institution for the lower education of negro youth. It drew its pupils from every class of people and from every part of the country. It was composed of all sorts and conditions of men, educated and uneducated, dishonest and less so, of the good, the bad, and the--unexposed. Parasites came there to find victims, politicians for votes, reporters for news, and artists of all kinds for colour and inspiration. It was the place of assembly for a number of really bright men, who after days of hard and often unrewarded work came there and drunk themselves drunk in each other's company, and when they were drunk talked of the eternal verities. The Banner was only one of a kind. It stood to the stranger and the man and woman without connections for the whole social life. It was a substitute--poor, it must be confessed--to many youths for the home life which is so lacking among certain classes in New York. Here the rounders congregated, or came and spent the hours until it was time to go forth to bout or assignation. Here too came sometimes the curious who wanted to see something of the other side of life. Among these, white visitors were not infrequent,--those who were young enough to be fascinated by the bizarre, and those who were old enough to know that it was all in the game. Mr. Skaggs, of the New York _Universe_, was one of the former class and a constant visitor,--he and a \"lady friend\" called \"Maudie,\" who had a penchant for dancing to \"Rag-time\" melodies as only the \"puffessor\" of such a club can play them. Of course, the place was a social cesspool, generating a poisonous miasma and reeking with the stench of decayed and rotten moralities. There is no defence to be made for it. But what do you expect when false idealism and fevered ambition come face to face with catering cupidity? It was into this atmosphere that Thomas had introduced the boy Joe, and he sat there now by his side, firing his mind by pointing out the different celebrities who came in and telling highly flavoured stories of their lives or doings. Joe heard things that had never come within the range of his mind before.|24| |25|\"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy.\"|25|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Skaggs\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Sadness\",\n \"4\": \"No speaker\",\n \"5\": \"Sadness\",\n \"6\": \"Mr. Skaggs\",\n \"7\": \"Sadness\",\n \"8\": \"No speaker\",\n \"9\": \"Maurice Oakley\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"No speaker\",\n \"12\": \"Mr. Thomas\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 25 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Sadness\",\n \"4\": \"No speaker\",\n \"5\": \"Sadness\",\n \"6\": \"No speaker\",\n \"7\": \"Sadness\",\n \"8\": \"No speaker\",\n \"9\": \"Sadness\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"No speaker\",\n \"12\": \"Mr. Thomas\",\n \"13\": \"Joe Hamilton\",\n \"14\": \"No speaker\",\n \"15\": \"Sadness\",\n \"16\": \"No speaker\",\n \"17\": \"Sadness\",\n \"18\": \"No speaker\",\n \"19\": \"One Of The Young Fellows\",\n \"20\": \"No speaker\",\n \"21\": \"Mr. Turner\",\n \"22\": \"No speaker\",\n \"23\": \"Mr. Turner\",\n \"24\": \"No speaker\",\n \"25\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Joe Hamilton",
"3": "Sadness",
"4": "No speaker",
"5": "Sadness",
"6": "No speaker",
"7": "Sadness",
"8": "No speaker",
"9": "Sadness",
"10": "Mr. Thomas",
"11": "No speaker",
"12": "Mr. Thomas",
"13": "Joe Hamilton",
"14": "No speaker",
"15": "Sadness",
"16": "No speaker",
"17": "Sadness",
"18": "No speaker",
"19": "One Of The Young Fellows",
"20": "No speaker",
"21": "Mr. Turner",
"22": "No speaker",
"23": "Mr. Turner",
"24": "No speaker",
"25": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|was Joe's opportune remark, and he was pleased to see that it caused the reluctant one to yield. They took a drink. There was quite a line of them. Joe asked the bartender what he would have. The men warmed towards him. They took several more drinks with him and he was happy. Sadness put his arm about his shoulder and told him, with tears in his eyes, that he looked like a cousin of his that had died. \"Aw, shut up, Sadness!\" said some one else. \"Be respectable.\" Sadness turned his mournful eyes upon the speaker.|1| |2|\"I won't,\"|2| |3|he replied.|3| |4|\"Being respectable is very nice as a diversion, but it 's tedious if done steadily.\"|4| |5|Joe did not quite take this, so he ordered another drink. A group of young fellows came in and passed up the stairs.|5| |6|\"Shearing another lamb?\"|6| |7|said one of them significantly. \"Well, with that gang it will be well done.\" Thomas and Joe left the crowd after a while, and went to the upper floor, where, in a long, brilliantly lighted room, tables were set out for drinking-parties. At one end of the room was a piano, and a man sat at it listlessly strumming some popular air. The proprietor joined them pretty soon, and steered them to a table opposite the door.|7| |8|\"Just sit down here, Mr. Hamilton,\"|8| |9|he said,|9| |10|\"and you can see everybody that comes in. We have lots of nice people here on smoker nights, especially after the shows are out and the girls come in.\"|10| |11|Joe's heart gave a great leap, and then settled as cold as lead. Of course, those girls would n't speak to him. But his hopes rose as the proprietor went on talking to him and to no one else. Mr. Turner always made a man feel as if he were of some consequence in the world, and men a good deal older than Joe had been fooled by his manner. He talked to one in a soft, ingratiating way, giving his whole attention apparently. He tapped one confidentially on the shoulder, as who should say, \"My dear boy, I have but two friends in the world, and you are both of them.\" Joe, charmed and pleased, kept his head well. There is a great deal in heredity, and his father had not been Maurice Oakley's butler for so many years for nothing. The Banner Club was an institution for the lower education of negro youth. It drew its pupils from every class of people and from every part of the country. It was composed of all sorts and conditions of men, educated and uneducated, dishonest and less so, of the good, the bad, and the--unexposed. Parasites came there to find victims, politicians for votes, reporters for news, and artists of all kinds for colour and inspiration. It was the place of assembly for a number of really bright men, who after days of hard and often unrewarded work came there and drunk themselves drunk in each other's company, and when they were drunk talked of the eternal verities. The Banner was only one of a kind. It stood to the stranger and the man and woman without connections for the whole social life. It was a substitute--poor, it must be confessed--to many youths for the home life which is so lacking among certain classes in New York. Here the rounders congregated, or came and spent the hours until it was time to go forth to bout or assignation. Here too came sometimes the curious who wanted to see something of the other side of life. Among these, white visitors were not infrequent,--those who were young enough to be fascinated by the bizarre, and those who were old enough to know that it was all in the game. Mr. Skaggs, of the New York _Universe_, was one of the former class and a constant visitor,--he and a \"lady friend\" called \"Maudie,\" who had a penchant for dancing to \"Rag-time\" melodies as only the \"puffessor\" of such a club can play them. Of course, the place was a social cesspool, generating a poisonous miasma and reeking with the stench of decayed and rotten moralities. There is no defence to be made for it. But what do you expect when false idealism and fevered ambition come face to face with catering cupidity? It was into this atmosphere that Thomas had introduced the boy Joe, and he sat there now by his side, firing his mind by pointing out the different celebrities who came in and telling highly flavoured stories of their lives or doings. Joe heard things that had never come within the range of his mind before.|11| |12|\"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy.\"|12|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Sadness\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\",\n \"5\": \"No speaker\",\n \"6\": \"One Of The Young Fellows\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 12 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|was Joe's opportune remark, and he was pleased to see that it caused the reluctant one to yield. They took a drink. There was quite a line of them. Joe asked the bartender what he would have. The men warmed towards him. They took several more drinks with him and he was happy. Sadness put his arm about his shoulder and told him, with tears in his eyes, that he looked like a cousin of his that had died. \"Aw, shut up, Sadness!\" said some one else. \"Be respectable.\" Sadness turned his mournful eyes upon the speaker.|1| |2|\"I won't,\"|2| |3|he replied.|3| |4|\"Being respectable is very nice as a diversion, but it 's tedious if done steadily.\"|4| |5|Joe did not quite take this, so he ordered another drink. A group of young fellows came in and passed up the stairs.|5| |6|\"Shearing another lamb?\"|6| |7|said one of them significantly. \"Well, with that gang it will be well done.\" Thomas and Joe left the crowd after a while, and went to the upper floor, where, in a long, brilliantly lighted room, tables were set out for drinking-parties. At one end of the room was a piano, and a man sat at it listlessly strumming some popular air. The proprietor joined them pretty soon, and steered them to a table opposite the door.|7| |8|\"Just sit down here, Mr. Hamilton,\"|8| |9|he said,|9| |10|\"and you can see everybody that comes in. We have lots of nice people here on smoker nights, especially after the shows are out and the girls come in.\"|10| |11|Joe's heart gave a great leap, and then settled as cold as lead. Of course, those girls would n't speak to him. But his hopes rose as the proprietor went on talking to him and to no one else. Mr. Turner always made a man feel as if he were of some consequence in the world, and men a good deal older than Joe had been fooled by his manner. He talked to one in a soft, ingratiating way, giving his whole attention apparently. He tapped one confidentially on the shoulder, as who should say, \"My dear boy, I have but two friends in the world, and you are both of them.\" Joe, charmed and pleased, kept his head well. There is a great deal in heredity, and his father had not been Maurice Oakley's butler for so many years for nothing. The Banner Club was an institution for the lower education of negro youth. It drew its pupils from every class of people and from every part of the country. It was composed of all sorts and conditions of men, educated and uneducated, dishonest and less so, of the good, the bad, and the--unexposed. Parasites came there to find victims, politicians for votes, reporters for news, and artists of all kinds for colour and inspiration. It was the place of assembly for a number of really bright men, who after days of hard and often unrewarded work came there and drunk themselves drunk in each other's company, and when they were drunk talked of the eternal verities. The Banner was only one of a kind. It stood to the stranger and the man and woman without connections for the whole social life. It was a substitute--poor, it must be confessed--to many youths for the home life which is so lacking among certain classes in New York. Here the rounders congregated, or came and spent the hours until it was time to go forth to bout or assignation. Here too came sometimes the curious who wanted to see something of the other side of life. Among these, white visitors were not infrequent,--those who were young enough to be fascinated by the bizarre, and those who were old enough to know that it was all in the game. Mr. Skaggs, of the New York _Universe_, was one of the former class and a constant visitor,--he and a \"lady friend\" called \"Maudie,\" who had a penchant for dancing to \"Rag-time\" melodies as only the \"puffessor\" of such a club can play them. Of course, the place was a social cesspool, generating a poisonous miasma and reeking with the stench of decayed and rotten moralities. There is no defence to be made for it. But what do you expect when false idealism and fevered ambition come face to face with catering cupidity? It was into this atmosphere that Thomas had introduced the boy Joe, and he sat there now by his side, firing his mind by pointing out the different celebrities who came in and telling highly flavoured stories of their lives or doings. Joe heard things that had never come within the range of his mind before.|11| |12|\"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy.\"|12|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Sadness\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\",\n \"5\": \"No speaker\",\n \"6\": \"One Of The Young Fellows\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 12 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Sadness\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\",\n \"5\": \"No speaker\",\n \"6\": \"One Of The Young Fellows\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Turner\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Turner\",\n \"11\": \"No speaker\",\n \"12\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Sadness",
"3": "No speaker",
"4": "Sadness",
"5": "No speaker",
"6": "One Of The Young Fellows",
"7": "No speaker",
"8": "Mr. Turner",
"9": "No speaker",
"10": "Mr. Turner",
"11": "No speaker",
"12": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Joe's heart gave a great leap, and then settled as cold as lead. Of course, those girls would n't speak to him. But his hopes rose as the proprietor went on talking to him and to no one else. Mr. Turner always made a man feel as if he were of some consequence in the world, and men a good deal older than Joe had been fooled by his manner. He talked to one in a soft, ingratiating way, giving his whole attention apparently. He tapped one confidentially on the shoulder, as who should say, \"My dear boy, I have but two friends in the world, and you are both of them.\" Joe, charmed and pleased, kept his head well. There is a great deal in heredity, and his father had not been Maurice Oakley's butler for so many years for nothing. The Banner Club was an institution for the lower education of negro youth. It drew its pupils from every class of people and from every part of the country. It was composed of all sorts and conditions of men, educated and uneducated, dishonest and less so, of the good, the bad, and the--unexposed. Parasites came there to find victims, politicians for votes, reporters for news, and artists of all kinds for colour and inspiration. It was the place of assembly for a number of really bright men, who after days of hard and often unrewarded work came there and drunk themselves drunk in each other's company, and when they were drunk talked of the eternal verities. The Banner was only one of a kind. It stood to the stranger and the man and woman without connections for the whole social life. It was a substitute--poor, it must be confessed--to many youths for the home life which is so lacking among certain classes in New York. Here the rounders congregated, or came and spent the hours until it was time to go forth to bout or assignation. Here too came sometimes the curious who wanted to see something of the other side of life. Among these, white visitors were not infrequent,--those who were young enough to be fascinated by the bizarre, and those who were old enough to know that it was all in the game. Mr. Skaggs, of the New York _Universe_, was one of the former class and a constant visitor,--he and a \"lady friend\" called \"Maudie,\" who had a penchant for dancing to \"Rag-time\" melodies as only the \"puffessor\" of such a club can play them. Of course, the place was a social cesspool, generating a poisonous miasma and reeking with the stench of decayed and rotten moralities. There is no defence to be made for it. But what do you expect when false idealism and fevered ambition come face to face with catering cupidity? It was into this atmosphere that Thomas had introduced the boy Joe, and he sat there now by his side, firing his mind by pointing out the different celebrities who came in and telling highly flavoured stories of their lives or doings. Joe heard things that had never come within the range of his mind before.|1| |2|\"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy.\"|2| |3|Maudie--a portly, voluptuous-looking brunette--left her escort and went directly to the space by the piano. Here she was soon dancing with one of the coloured girls who had come in. Skaggs started to sit down alone at a table, but Thomas called him,|3|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 3 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Joe's heart gave a great leap, and then settled as cold as lead. Of course, those girls would n't speak to him. But his hopes rose as the proprietor went on talking to him and to no one else. Mr. Turner always made a man feel as if he were of some consequence in the world, and men a good deal older than Joe had been fooled by his manner. He talked to one in a soft, ingratiating way, giving his whole attention apparently. He tapped one confidentially on the shoulder, as who should say, \"My dear boy, I have but two friends in the world, and you are both of them.\" Joe, charmed and pleased, kept his head well. There is a great deal in heredity, and his father had not been Maurice Oakley's butler for so many years for nothing. The Banner Club was an institution for the lower education of negro youth. It drew its pupils from every class of people and from every part of the country. It was composed of all sorts and conditions of men, educated and uneducated, dishonest and less so, of the good, the bad, and the--unexposed. Parasites came there to find victims, politicians for votes, reporters for news, and artists of all kinds for colour and inspiration. It was the place of assembly for a number of really bright men, who after days of hard and often unrewarded work came there and drunk themselves drunk in each other's company, and when they were drunk talked of the eternal verities. The Banner was only one of a kind. It stood to the stranger and the man and woman without connections for the whole social life. It was a substitute--poor, it must be confessed--to many youths for the home life which is so lacking among certain classes in New York. Here the rounders congregated, or came and spent the hours until it was time to go forth to bout or assignation. Here too came sometimes the curious who wanted to see something of the other side of life. Among these, white visitors were not infrequent,--those who were young enough to be fascinated by the bizarre, and those who were old enough to know that it was all in the game. Mr. Skaggs, of the New York _Universe_, was one of the former class and a constant visitor,--he and a \"lady friend\" called \"Maudie,\" who had a penchant for dancing to \"Rag-time\" melodies as only the \"puffessor\" of such a club can play them. Of course, the place was a social cesspool, generating a poisonous miasma and reeking with the stench of decayed and rotten moralities. There is no defence to be made for it. But what do you expect when false idealism and fevered ambition come face to face with catering cupidity? It was into this atmosphere that Thomas had introduced the boy Joe, and he sat there now by his side, firing his mind by pointing out the different celebrities who came in and telling highly flavoured stories of their lives or doings. Joe heard things that had never come within the range of his mind before.|1| |2|\"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy.\"|2| |3|Maudie--a portly, voluptuous-looking brunette--left her escort and went directly to the space by the piano. Here she was soon dancing with one of the coloured girls who had come in. Skaggs started to sit down alone at a table, but Thomas called him,|3|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 3 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Joe's heart gave a great leap, and then settled as cold as lead. Of course, those girls would n't speak to him. But his hopes rose as the proprietor went on talking to him and to no one else. Mr. Turner always made a man feel as if he were of some consequence in the world, and men a good deal older than Joe had been fooled by his manner. He talked to one in a soft, ingratiating way, giving his whole attention apparently. He tapped one confidentially on the shoulder, as who should say, \"My dear boy, I have but two friends in the world, and you are both of them.\" Joe, charmed and pleased, kept his head well. There is a great deal in heredity, and his father had not been Maurice Oakley's butler for so many years for nothing. The Banner Club was an institution for the lower education of negro youth. It drew its pupils from every class of people and from every part of the country. It was composed of all sorts and conditions of men, educated and uneducated, dishonest and less so, of the good, the bad, and the--unexposed. Parasites came there to find victims, politicians for votes, reporters for news, and artists of all kinds for colour and inspiration. It was the place of assembly for a number of really bright men, who after days of hard and often unrewarded work came there and drunk themselves drunk in each other's company, and when they were drunk talked of the eternal verities. The Banner was only one of a kind. It stood to the stranger and the man and woman without connections for the whole social life. It was a substitute--poor, it must be confessed--to many youths for the home life which is so lacking among certain classes in New York. Here the rounders congregated, or came and spent the hours until it was time to go forth to bout or assignation. Here too came sometimes the curious who wanted to see something of the other side of life. Among these, white visitors were not infrequent,--those who were young enough to be fascinated by the bizarre, and those who were old enough to know that it was all in the game. Mr. Skaggs, of the New York _Universe_, was one of the former class and a constant visitor,--he and a \"lady friend\" called \"Maudie,\" who had a penchant for dancing to \"Rag-time\" melodies as only the \"puffessor\" of such a club can play them. Of course, the place was a social cesspool, generating a poisonous miasma and reeking with the stench of decayed and rotten moralities. There is no defence to be made for it. But what do you expect when false idealism and fevered ambition come face to face with catering cupidity? It was into this atmosphere that Thomas had introduced the boy Joe, and he sat there now by his side, firing his mind by pointing out the different celebrities who came in and telling highly flavoured stories of their lives or doings. Joe heard things that had never come within the range of his mind before.|1| |2|\"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy.\"|2| |3|Maudie--a portly, voluptuous-looking brunette--left her escort and went directly to the space by the piano. Here she was soon dancing with one of the coloured girls who had come in. Skaggs started to sit down alone at a table, but Thomas called him,|3| |4|\"Come over here, Skaggsy.\"|4| |5|In the moment that it took the young man to reach them, Joe wondered if he would ever reach that state when he could call that white man Skaggsy and the girl Maudie. The new-comer soon set all of that at ease.|5| |6|\"I want you to know my friend, Mr. Hamilton, Mr. Skaggs.\"|6| |7|\"Why, how d' ye do, Hamilton? I 'm glad to meet you. Now, look a here; don't you let old Thomas here string you about me bein' any old 'Mr!' Skaggs. I 'm Skaggsy to all of my friends. I hope to count you among 'em.\"|7| |8|It was such a supreme moment that Joe could not find words to answer, so he called for another drink.|8| |9|\"Not a bit of it,\"|9| |10|said Skaggsy,|10| |11|\"not a bit of it. When I meet my friends I always reserve to myself the right of ordering the first drink. Waiter, this is on me. What 'll you have, gentlemen?\"|11| |12|They got their drinks, and then Skaggsy leaned over confidentially and began talking.|12| |13|\"I tell you, Hamilton, there ain't an ounce of prejudice in my body. Do you believe it?\"|13| |14|Joe said that he did. Indeed Skaggsy struck one as being aggressively unprejudiced. He went on:|14| |15|\"You see, a lot o' fellows say to me,\"|15|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Thomas\",\n \"7\": \"Mr. Skaggs\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 15 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Joe's heart gave a great leap, and then settled as cold as lead. Of course, those girls would n't speak to him. But his hopes rose as the proprietor went on talking to him and to no one else. Mr. Turner always made a man feel as if he were of some consequence in the world, and men a good deal older than Joe had been fooled by his manner. He talked to one in a soft, ingratiating way, giving his whole attention apparently. He tapped one confidentially on the shoulder, as who should say, \"My dear boy, I have but two friends in the world, and you are both of them.\" Joe, charmed and pleased, kept his head well. There is a great deal in heredity, and his father had not been Maurice Oakley's butler for so many years for nothing. The Banner Club was an institution for the lower education of negro youth. It drew its pupils from every class of people and from every part of the country. It was composed of all sorts and conditions of men, educated and uneducated, dishonest and less so, of the good, the bad, and the--unexposed. Parasites came there to find victims, politicians for votes, reporters for news, and artists of all kinds for colour and inspiration. It was the place of assembly for a number of really bright men, who after days of hard and often unrewarded work came there and drunk themselves drunk in each other's company, and when they were drunk talked of the eternal verities. The Banner was only one of a kind. It stood to the stranger and the man and woman without connections for the whole social life. It was a substitute--poor, it must be confessed--to many youths for the home life which is so lacking among certain classes in New York. Here the rounders congregated, or came and spent the hours until it was time to go forth to bout or assignation. Here too came sometimes the curious who wanted to see something of the other side of life. Among these, white visitors were not infrequent,--those who were young enough to be fascinated by the bizarre, and those who were old enough to know that it was all in the game. Mr. Skaggs, of the New York _Universe_, was one of the former class and a constant visitor,--he and a \"lady friend\" called \"Maudie,\" who had a penchant for dancing to \"Rag-time\" melodies as only the \"puffessor\" of such a club can play them. Of course, the place was a social cesspool, generating a poisonous miasma and reeking with the stench of decayed and rotten moralities. There is no defence to be made for it. But what do you expect when false idealism and fevered ambition come face to face with catering cupidity? It was into this atmosphere that Thomas had introduced the boy Joe, and he sat there now by his side, firing his mind by pointing out the different celebrities who came in and telling highly flavoured stories of their lives or doings. Joe heard things that had never come within the range of his mind before.|1| |2|\"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy.\"|2| |3|Maudie--a portly, voluptuous-looking brunette--left her escort and went directly to the space by the piano. Here she was soon dancing with one of the coloured girls who had come in. Skaggs started to sit down alone at a table, but Thomas called him,|3| |4|\"Come over here, Skaggsy.\"|4| |5|In the moment that it took the young man to reach them, Joe wondered if he would ever reach that state when he could call that white man Skaggsy and the girl Maudie. The new-comer soon set all of that at ease.|5| |6|\"I want you to know my friend, Mr. Hamilton, Mr. Skaggs.\"|6| |7|\"Why, how d' ye do, Hamilton? I 'm glad to meet you. Now, look a here; don't you let old Thomas here string you about me bein' any old 'Mr!' Skaggs. I 'm Skaggsy to all of my friends. I hope to count you among 'em.\"|7| |8|It was such a supreme moment that Joe could not find words to answer, so he called for another drink.|8| |9|\"Not a bit of it,\"|9| |10|said Skaggsy,|10| |11|\"not a bit of it. When I meet my friends I always reserve to myself the right of ordering the first drink. Waiter, this is on me. What 'll you have, gentlemen?\"|11| |12|They got their drinks, and then Skaggsy leaned over confidentially and began talking.|12| |13|\"I tell you, Hamilton, there ain't an ounce of prejudice in my body. Do you believe it?\"|13| |14|Joe said that he did. Indeed Skaggsy struck one as being aggressively unprejudiced. He went on:|14| |15|\"You see, a lot o' fellows say to me,\"|15|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Francis Oakley\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Thomas\",\n \"7\": \"Mr. Skaggs\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 15 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Thomas\",\n \"7\": \"Mr. Skaggs\",\n \"8\": \"No speaker\",\n \"9\": \"Mr. Skaggs\",\n \"10\": \"No speaker\",\n \"11\": \"Mr. Skaggs\",\n \"12\": \"No speaker\",\n \"13\": \"Mr. Skaggs\",\n \"14\": \"No speaker\",\n \"15\": \"Mr. Skaggs\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "No speaker",
"6": "Mr. Thomas",
"7": "Mr. Skaggs",
"8": "No speaker",
"9": "Mr. Skaggs",
"10": "No speaker",
"11": "Mr. Skaggs",
"12": "No speaker",
"13": "Mr. Skaggs",
"14": "No speaker",
"15": "Mr. Skaggs"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy.\"|1| |2|Maudie--a portly, voluptuous-looking brunette--left her escort and went directly to the space by the piano. Here she was soon dancing with one of the coloured girls who had come in. Skaggs started to sit down alone at a table, but Thomas called him,|2| |3|\"Come over here, Skaggsy.\"|3| |4|In the moment that it took the young man to reach them, Joe wondered if he would ever reach that state when he could call that white man Skaggsy and the girl Maudie. The new-comer soon set all of that at ease.|4| |5|\"I want you to know my friend, Mr. Hamilton, Mr. Skaggs.\"|5| |6|\"Why, how d' ye do, Hamilton? I 'm glad to meet you. Now, look a here; don't you let old Thomas here string you about me bein' any old 'Mr!' Skaggs. I 'm Skaggsy to all of my friends. I hope to count you among 'em.\"|6| |7|It was such a supreme moment that Joe could not find words to answer, so he called for another drink.|7| |8|\"Not a bit of it,\"|8| |9|said Skaggsy,|9| |10|\"not a bit of it. When I meet my friends I always reserve to myself the right of ordering the first drink. Waiter, this is on me. What 'll you have, gentlemen?\"|10| |11|They got their drinks, and then Skaggsy leaned over confidentially and began talking.|11| |12|\"I tell you, Hamilton, there ain't an ounce of prejudice in my body. Do you believe it?\"|12| |13|Joe said that he did. Indeed Skaggsy struck one as being aggressively unprejudiced. He went on:|13| |14|\"You see, a lot o' fellows say to me,\"|14| |15|'What do you want to go down to that nigger club for?'|15| |16|\"That 's what they call it,--\"|16| |17|'nigger club.'|17| |18|\"But I say to 'em,\"|18| |19|'Gentlemen, at that nigger club, as you choose to call it, I get more inspiration than I could get at any of the greater clubs in New York.'|19| |20|\"I 've often been invited to join some of the swell clubs here, but I never do it. By Jove! I 'd rather come down here and fellowship right in with you fellows. I like coloured people, anyway. It 's natural. You see, my father had a big plantation and owned lots of slaves,--no offence, of course, but it was the custom of that time,--and I 've played with little darkies ever since I could remember.\"|20| |21|It was the same old story that the white who associates with negroes from volition usually tells to explain his taste. The truth about the young reporter was that he was born and reared on a Vermont farm, where his early life was passed in fighting for his very subsistence. But this never troubled Skaggsy. He was a monumental liar, and the saving quality about him was that he calmly believed his own lies while he was telling them, so no one was hurt, for the deceiver was as much a victim as the deceived. The boys who knew him best used to say that when Skaggs got started on one of his debauches of lying, the Recording Angel always put on an extra clerical force.|21| |22|\"Now look at Maudie,\"|22|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"No speaker\",\n \"3\": \"Mr. Thomas\",\n \"4\": \"No speaker\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"Mr. Skaggs\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Skaggs\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Skaggs\",\n \"11\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 22 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Aw, there 's Skaggsy an' Maudie--Maudie 's his girl, y' know, an' he 's a reporter on the N' Yawk _Universe_. Fine fellow, Skaggsy.\"|1| |2|Maudie--a portly, voluptuous-looking brunette--left her escort and went directly to the space by the piano. Here she was soon dancing with one of the coloured girls who had come in. Skaggs started to sit down alone at a table, but Thomas called him,|2| |3|\"Come over here, Skaggsy.\"|3| |4|In the moment that it took the young man to reach them, Joe wondered if he would ever reach that state when he could call that white man Skaggsy and the girl Maudie. The new-comer soon set all of that at ease.|4| |5|\"I want you to know my friend, Mr. Hamilton, Mr. Skaggs.\"|5| |6|\"Why, how d' ye do, Hamilton? I 'm glad to meet you. Now, look a here; don't you let old Thomas here string you about me bein' any old 'Mr!' Skaggs. I 'm Skaggsy to all of my friends. I hope to count you among 'em.\"|6| |7|It was such a supreme moment that Joe could not find words to answer, so he called for another drink.|7| |8|\"Not a bit of it,\"|8| |9|said Skaggsy,|9| |10|\"not a bit of it. When I meet my friends I always reserve to myself the right of ordering the first drink. Waiter, this is on me. What 'll you have, gentlemen?\"|10| |11|They got their drinks, and then Skaggsy leaned over confidentially and began talking.|11| |12|\"I tell you, Hamilton, there ain't an ounce of prejudice in my body. Do you believe it?\"|12| |13|Joe said that he did. Indeed Skaggsy struck one as being aggressively unprejudiced. He went on:|13| |14|\"You see, a lot o' fellows say to me,\"|14| |15|'What do you want to go down to that nigger club for?'|15| |16|\"That 's what they call it,--\"|16| |17|'nigger club.'|17| |18|\"But I say to 'em,\"|18| |19|'Gentlemen, at that nigger club, as you choose to call it, I get more inspiration than I could get at any of the greater clubs in New York.'|19| |20|\"I 've often been invited to join some of the swell clubs here, but I never do it. By Jove! I 'd rather come down here and fellowship right in with you fellows. I like coloured people, anyway. It 's natural. You see, my father had a big plantation and owned lots of slaves,--no offence, of course, but it was the custom of that time,--and I 've played with little darkies ever since I could remember.\"|20| |21|It was the same old story that the white who associates with negroes from volition usually tells to explain his taste. The truth about the young reporter was that he was born and reared on a Vermont farm, where his early life was passed in fighting for his very subsistence. But this never troubled Skaggsy. He was a monumental liar, and the saving quality about him was that he calmly believed his own lies while he was telling them, so no one was hurt, for the deceiver was as much a victim as the deceived. The boys who knew him best used to say that when Skaggs got started on one of his debauches of lying, the Recording Angel always put on an extra clerical force.|21| |22|\"Now look at Maudie,\"|22|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"No speaker\",\n \"3\": \"Mr. Thomas\",\n \"4\": \"No speaker\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"Mr. Skaggs\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Skaggs\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Skaggs\",\n \"11\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 22 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Mr. Thomas\",\n \"2\": \"No speaker\",\n \"3\": \"Mr. Thomas\",\n \"4\": \"No speaker\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"Mr. Skaggs\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Skaggs\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Skaggs\",\n \"11\": \"No speaker\",\n \"12\": \"Mr. Skaggs\",\n \"13\": \"No speaker\",\n \"14\": \"Mr. Skaggs\",\n \"15\": \"No speaker\",\n \"16\": \"Mr. Skaggs\",\n \"17\": \"No speaker\",\n \"18\": \"Mr. Skaggs\",\n \"19\": \"No speaker\",\n \"20\": \"Mr. Skaggs\",\n \"21\": \"No speaker\",\n \"22\": \"Mr. Skaggs\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Mr. Thomas",
"2": "No speaker",
"3": "Mr. Thomas",
"4": "No speaker",
"5": "Mr. Thomas",
"6": "Mr. Skaggs",
"7": "No speaker",
"8": "Mr. Skaggs",
"9": "No speaker",
"10": "Mr. Skaggs",
"11": "No speaker",
"12": "Mr. Skaggs",
"13": "No speaker",
"14": "Mr. Skaggs",
"15": "No speaker",
"16": "Mr. Skaggs",
"17": "No speaker",
"18": "Mr. Skaggs",
"19": "No speaker",
"20": "Mr. Skaggs",
"21": "No speaker",
"22": "Mr. Skaggs"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Joe said that he did. Indeed Skaggsy struck one as being aggressively unprejudiced. He went on:|1| |2|\"You see, a lot o' fellows say to me,\"|2| |3|'What do you want to go down to that nigger club for?'|3| |4|\"That 's what they call it,--\"|4| |5|'nigger club.'|5| |6|\"But I say to 'em,\"|6| |7|'Gentlemen, at that nigger club, as you choose to call it, I get more inspiration than I could get at any of the greater clubs in New York.'|7| |8|\"I 've often been invited to join some of the swell clubs here, but I never do it. By Jove! I 'd rather come down here and fellowship right in with you fellows. I like coloured people, anyway. It 's natural. You see, my father had a big plantation and owned lots of slaves,--no offence, of course, but it was the custom of that time,--and I 've played with little darkies ever since I could remember.\"|8| |9|It was the same old story that the white who associates with negroes from volition usually tells to explain his taste. The truth about the young reporter was that he was born and reared on a Vermont farm, where his early life was passed in fighting for his very subsistence. But this never troubled Skaggsy. He was a monumental liar, and the saving quality about him was that he calmly believed his own lies while he was telling them, so no one was hurt, for the deceiver was as much a victim as the deceived. The boys who knew him best used to say that when Skaggs got started on one of his debauches of lying, the Recording Angel always put on an extra clerical force.|9| |10|\"Now look at Maudie,\"|10| |11|he went on;|11| |12|\"would you believe it that she was of a fine, rich family, and that the coloured girl she 's dancing with now used to be her servant? She 's just like me about that. Absolutely no prejudice.\"|12| |13|Joe was wide-eyed with wonder and admiration, and he could n't understand the amused expression on Thomas's face, nor why he surreptitiously kicked him under the table. Finally the reporter went his way, and Joe's sponsor explained to him that he was not to take in what Skaggsy said, and that there had n't been a word of truth in it. He ended with,|13| |14|\"Everybody knows Maudie, and that coloured girl is Mamie Lacey, and never worked for anybody in her life. Skaggsy 's a good fellah, all right, but he 's the biggest liar in N' Yawk.\"|14| |15|The boy was distinctly shocked. He was n't sure but Thomas was jealous of the attention the white man had shown him and wished to belittle it. Anyway, he did not thank him for destroying his romance. About eleven o'clock, when the people began to drop in from the plays, the master of ceremonies opened proceedings by saying that \"The free concert would now begin, and he hoped that all present, ladies included, would act like gentlemen, and not forget the waiter. Mr. Meriweather will now favour us with the latest coon song, entitled 'Come back to yo' Baby, Honey.'\" There was a patter of applause, and a young negro came forward, and in a strident, music-hall voice, sung or rather recited with many gestures the ditty. He could n't have been much older than Joe, but already his face was hard with dissipation and foul knowledge. He gave the song with all the rank suggestiveness that could be put into it. Joe looked upon him as a hero. He was followed by a little, brown-skinned fellow with an immature Vandyke beard and a lisp. He sung his own composition and was funny; how much funnier than he himself knew or intended, may not even be hinted at. Then, while an instrumentalist, who seemed to have a grudge against the piano, was hammering out the opening bars of a march, Joe's attention was attracted by a woman entering the room, and from that moment he heard no more of the concert. Even when the master of ceremonies announced with an air that, by special request, he himself would sing \"Answer,\"--the request was his own,--he did not draw the attention of the boy away from the yellow-skinned divinity who sat at a near table, drinking whiskey straight. She was a small girl, with fluffy dark hair and good features. A tiny foot peeped out from beneath her rattling silk skirts. She was a good-looking young woman and daintily made, though her face was no longer youthful, and one might have wished that with her complexion she had not run to silk waists in magenta. Joe, however, saw no fault in her. She was altogether lovely to him, and his delight was the more poignant as he recognised in her one of the girls he had seen on the stage a couple of weeks ago. That being true, nothing could keep her from being glorious in his eyes,--not even the grease-paint which adhered in unneat patches to her face, nor her taste for whiskey in its unreformed state. He gazed at her in ecstasy until Thomas, turning to see what had attracted him, said with a laugh,|15| |16|\"Oh, it 's Hattie Sterling. Want to meet her?\"|16|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"No speaker\",\n \"4\": \"Berry Hamilton\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"Mr. Skaggs\",\n \"7\": \"No speaker\",\n \"8\": \"Minty Brown\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 16 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Joe said that he did. Indeed Skaggsy struck one as being aggressively unprejudiced. He went on:|1| |2|\"You see, a lot o' fellows say to me,\"|2| |3|'What do you want to go down to that nigger club for?'|3| |4|\"That 's what they call it,--\"|4| |5|'nigger club.'|5| |6|\"But I say to 'em,\"|6| |7|'Gentlemen, at that nigger club, as you choose to call it, I get more inspiration than I could get at any of the greater clubs in New York.'|7| |8|\"I 've often been invited to join some of the swell clubs here, but I never do it. By Jove! I 'd rather come down here and fellowship right in with you fellows. I like coloured people, anyway. It 's natural. You see, my father had a big plantation and owned lots of slaves,--no offence, of course, but it was the custom of that time,--and I 've played with little darkies ever since I could remember.\"|8| |9|It was the same old story that the white who associates with negroes from volition usually tells to explain his taste. The truth about the young reporter was that he was born and reared on a Vermont farm, where his early life was passed in fighting for his very subsistence. But this never troubled Skaggsy. He was a monumental liar, and the saving quality about him was that he calmly believed his own lies while he was telling them, so no one was hurt, for the deceiver was as much a victim as the deceived. The boys who knew him best used to say that when Skaggs got started on one of his debauches of lying, the Recording Angel always put on an extra clerical force.|9| |10|\"Now look at Maudie,\"|10| |11|he went on;|11| |12|\"would you believe it that she was of a fine, rich family, and that the coloured girl she 's dancing with now used to be her servant? She 's just like me about that. Absolutely no prejudice.\"|12| |13|Joe was wide-eyed with wonder and admiration, and he could n't understand the amused expression on Thomas's face, nor why he surreptitiously kicked him under the table. Finally the reporter went his way, and Joe's sponsor explained to him that he was not to take in what Skaggsy said, and that there had n't been a word of truth in it. He ended with,|13| |14|\"Everybody knows Maudie, and that coloured girl is Mamie Lacey, and never worked for anybody in her life. Skaggsy 's a good fellah, all right, but he 's the biggest liar in N' Yawk.\"|14| |15|The boy was distinctly shocked. He was n't sure but Thomas was jealous of the attention the white man had shown him and wished to belittle it. Anyway, he did not thank him for destroying his romance. About eleven o'clock, when the people began to drop in from the plays, the master of ceremonies opened proceedings by saying that \"The free concert would now begin, and he hoped that all present, ladies included, would act like gentlemen, and not forget the waiter. Mr. Meriweather will now favour us with the latest coon song, entitled 'Come back to yo' Baby, Honey.'\" There was a patter of applause, and a young negro came forward, and in a strident, music-hall voice, sung or rather recited with many gestures the ditty. He could n't have been much older than Joe, but already his face was hard with dissipation and foul knowledge. He gave the song with all the rank suggestiveness that could be put into it. Joe looked upon him as a hero. He was followed by a little, brown-skinned fellow with an immature Vandyke beard and a lisp. He sung his own composition and was funny; how much funnier than he himself knew or intended, may not even be hinted at. Then, while an instrumentalist, who seemed to have a grudge against the piano, was hammering out the opening bars of a march, Joe's attention was attracted by a woman entering the room, and from that moment he heard no more of the concert. Even when the master of ceremonies announced with an air that, by special request, he himself would sing \"Answer,\"--the request was his own,--he did not draw the attention of the boy away from the yellow-skinned divinity who sat at a near table, drinking whiskey straight. She was a small girl, with fluffy dark hair and good features. A tiny foot peeped out from beneath her rattling silk skirts. She was a good-looking young woman and daintily made, though her face was no longer youthful, and one might have wished that with her complexion she had not run to silk waists in magenta. Joe, however, saw no fault in her. She was altogether lovely to him, and his delight was the more poignant as he recognised in her one of the girls he had seen on the stage a couple of weeks ago. That being true, nothing could keep her from being glorious in his eyes,--not even the grease-paint which adhered in unneat patches to her face, nor her taste for whiskey in its unreformed state. He gazed at her in ecstasy until Thomas, turning to see what had attracted him, said with a laugh,|15| |16|\"Oh, it 's Hattie Sterling. Want to meet her?\"|16|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"No speaker\",\n \"4\": \"Berry Hamilton\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"Mr. Skaggs\",\n \"7\": \"No speaker\",\n \"8\": \"Minty Brown\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 16 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Skaggs\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Skaggs\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Skaggs\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Skaggs\",\n \"11\": \"No speaker\",\n \"12\": \"Mr. Skaggs\",\n \"13\": \"No speaker\",\n \"14\": \"Mr. Thomas\",\n \"15\": \"No speaker\",\n \"16\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Skaggs",
"3": "No speaker",
"4": "Mr. Skaggs",
"5": "No speaker",
"6": "Mr. Skaggs",
"7": "No speaker",
"8": "Mr. Skaggs",
"9": "No speaker",
"10": "Mr. Skaggs",
"11": "No speaker",
"12": "Mr. Skaggs",
"13": "No speaker",
"14": "Mr. Thomas",
"15": "No speaker",
"16": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|It was the same old story that the white who associates with negroes from volition usually tells to explain his taste. The truth about the young reporter was that he was born and reared on a Vermont farm, where his early life was passed in fighting for his very subsistence. But this never troubled Skaggsy. He was a monumental liar, and the saving quality about him was that he calmly believed his own lies while he was telling them, so no one was hurt, for the deceiver was as much a victim as the deceived. The boys who knew him best used to say that when Skaggs got started on one of his debauches of lying, the Recording Angel always put on an extra clerical force.|1| |2|\"Now look at Maudie,\"|2| |3|he went on;|3| |4|\"would you believe it that she was of a fine, rich family, and that the coloured girl she 's dancing with now used to be her servant? She 's just like me about that. Absolutely no prejudice.\"|4| |5|Joe was wide-eyed with wonder and admiration, and he could n't understand the amused expression on Thomas's face, nor why he surreptitiously kicked him under the table. Finally the reporter went his way, and Joe's sponsor explained to him that he was not to take in what Skaggsy said, and that there had n't been a word of truth in it. He ended with,|5| |6|\"Everybody knows Maudie, and that coloured girl is Mamie Lacey, and never worked for anybody in her life. Skaggsy 's a good fellah, all right, but he 's the biggest liar in N' Yawk.\"|6| |7|The boy was distinctly shocked. He was n't sure but Thomas was jealous of the attention the white man had shown him and wished to belittle it. Anyway, he did not thank him for destroying his romance. About eleven o'clock, when the people began to drop in from the plays, the master of ceremonies opened proceedings by saying that \"The free concert would now begin, and he hoped that all present, ladies included, would act like gentlemen, and not forget the waiter. Mr. Meriweather will now favour us with the latest coon song, entitled 'Come back to yo' Baby, Honey.'\" There was a patter of applause, and a young negro came forward, and in a strident, music-hall voice, sung or rather recited with many gestures the ditty. He could n't have been much older than Joe, but already his face was hard with dissipation and foul knowledge. He gave the song with all the rank suggestiveness that could be put into it. Joe looked upon him as a hero. He was followed by a little, brown-skinned fellow with an immature Vandyke beard and a lisp. He sung his own composition and was funny; how much funnier than he himself knew or intended, may not even be hinted at. Then, while an instrumentalist, who seemed to have a grudge against the piano, was hammering out the opening bars of a march, Joe's attention was attracted by a woman entering the room, and from that moment he heard no more of the concert. Even when the master of ceremonies announced with an air that, by special request, he himself would sing \"Answer,\"--the request was his own,--he did not draw the attention of the boy away from the yellow-skinned divinity who sat at a near table, drinking whiskey straight. She was a small girl, with fluffy dark hair and good features. A tiny foot peeped out from beneath her rattling silk skirts. She was a good-looking young woman and daintily made, though her face was no longer youthful, and one might have wished that with her complexion she had not run to silk waists in magenta. Joe, however, saw no fault in her. She was altogether lovely to him, and his delight was the more poignant as he recognised in her one of the girls he had seen on the stage a couple of weeks ago. That being true, nothing could keep her from being glorious in his eyes,--not even the grease-paint which adhered in unneat patches to her face, nor her taste for whiskey in its unreformed state. He gazed at her in ecstasy until Thomas, turning to see what had attracted him, said with a laugh,|7| |8|\"Oh, it 's Hattie Sterling. Want to meet her?\"|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Skaggs\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|It was the same old story that the white who associates with negroes from volition usually tells to explain his taste. The truth about the young reporter was that he was born and reared on a Vermont farm, where his early life was passed in fighting for his very subsistence. But this never troubled Skaggsy. He was a monumental liar, and the saving quality about him was that he calmly believed his own lies while he was telling them, so no one was hurt, for the deceiver was as much a victim as the deceived. The boys who knew him best used to say that when Skaggs got started on one of his debauches of lying, the Recording Angel always put on an extra clerical force.|1| |2|\"Now look at Maudie,\"|2| |3|he went on;|3| |4|\"would you believe it that she was of a fine, rich family, and that the coloured girl she 's dancing with now used to be her servant? She 's just like me about that. Absolutely no prejudice.\"|4| |5|Joe was wide-eyed with wonder and admiration, and he could n't understand the amused expression on Thomas's face, nor why he surreptitiously kicked him under the table. Finally the reporter went his way, and Joe's sponsor explained to him that he was not to take in what Skaggsy said, and that there had n't been a word of truth in it. He ended with,|5| |6|\"Everybody knows Maudie, and that coloured girl is Mamie Lacey, and never worked for anybody in her life. Skaggsy 's a good fellah, all right, but he 's the biggest liar in N' Yawk.\"|6| |7|The boy was distinctly shocked. He was n't sure but Thomas was jealous of the attention the white man had shown him and wished to belittle it. Anyway, he did not thank him for destroying his romance. About eleven o'clock, when the people began to drop in from the plays, the master of ceremonies opened proceedings by saying that \"The free concert would now begin, and he hoped that all present, ladies included, would act like gentlemen, and not forget the waiter. Mr. Meriweather will now favour us with the latest coon song, entitled 'Come back to yo' Baby, Honey.'\" There was a patter of applause, and a young negro came forward, and in a strident, music-hall voice, sung or rather recited with many gestures the ditty. He could n't have been much older than Joe, but already his face was hard with dissipation and foul knowledge. He gave the song with all the rank suggestiveness that could be put into it. Joe looked upon him as a hero. He was followed by a little, brown-skinned fellow with an immature Vandyke beard and a lisp. He sung his own composition and was funny; how much funnier than he himself knew or intended, may not even be hinted at. Then, while an instrumentalist, who seemed to have a grudge against the piano, was hammering out the opening bars of a march, Joe's attention was attracted by a woman entering the room, and from that moment he heard no more of the concert. Even when the master of ceremonies announced with an air that, by special request, he himself would sing \"Answer,\"--the request was his own,--he did not draw the attention of the boy away from the yellow-skinned divinity who sat at a near table, drinking whiskey straight. She was a small girl, with fluffy dark hair and good features. A tiny foot peeped out from beneath her rattling silk skirts. She was a good-looking young woman and daintily made, though her face was no longer youthful, and one might have wished that with her complexion she had not run to silk waists in magenta. Joe, however, saw no fault in her. She was altogether lovely to him, and his delight was the more poignant as he recognised in her one of the girls he had seen on the stage a couple of weeks ago. That being true, nothing could keep her from being glorious in his eyes,--not even the grease-paint which adhered in unneat patches to her face, nor her taste for whiskey in its unreformed state. He gazed at her in ecstasy until Thomas, turning to see what had attracted him, said with a laugh,|7| |8|\"Oh, it 's Hattie Sterling. Want to meet her?\"|8|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Skaggs\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 8 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Skaggs\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Skaggs\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Thomas\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Thomas\"\n }\n}",
"role": "assistant"
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}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Skaggs",
"3": "No speaker",
"4": "Mr. Skaggs",
"5": "No speaker",
"6": "Mr. Thomas",
"7": "No speaker",
"8": "Mr. Thomas"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The boy was distinctly shocked. He was n't sure but Thomas was jealous of the attention the white man had shown him and wished to belittle it. Anyway, he did not thank him for destroying his romance. About eleven o'clock, when the people began to drop in from the plays, the master of ceremonies opened proceedings by saying that \"The free concert would now begin, and he hoped that all present, ladies included, would act like gentlemen, and not forget the waiter. Mr. Meriweather will now favour us with the latest coon song, entitled 'Come back to yo' Baby, Honey.'\" There was a patter of applause, and a young negro came forward, and in a strident, music-hall voice, sung or rather recited with many gestures the ditty. He could n't have been much older than Joe, but already his face was hard with dissipation and foul knowledge. He gave the song with all the rank suggestiveness that could be put into it. Joe looked upon him as a hero. He was followed by a little, brown-skinned fellow with an immature Vandyke beard and a lisp. He sung his own composition and was funny; how much funnier than he himself knew or intended, may not even be hinted at. Then, while an instrumentalist, who seemed to have a grudge against the piano, was hammering out the opening bars of a march, Joe's attention was attracted by a woman entering the room, and from that moment he heard no more of the concert. Even when the master of ceremonies announced with an air that, by special request, he himself would sing \"Answer,\"--the request was his own,--he did not draw the attention of the boy away from the yellow-skinned divinity who sat at a near table, drinking whiskey straight. She was a small girl, with fluffy dark hair and good features. A tiny foot peeped out from beneath her rattling silk skirts. She was a good-looking young woman and daintily made, though her face was no longer youthful, and one might have wished that with her complexion she had not run to silk waists in magenta. Joe, however, saw no fault in her. She was altogether lovely to him, and his delight was the more poignant as he recognised in her one of the girls he had seen on the stage a couple of weeks ago. That being true, nothing could keep her from being glorious in his eyes,--not even the grease-paint which adhered in unneat patches to her face, nor her taste for whiskey in its unreformed state. He gazed at her in ecstasy until Thomas, turning to see what had attracted him, said with a laugh,|1| |2|\"Oh, it 's Hattie Sterling. Want to meet her?\"|2| |3|Again the young fellow was dumb. Just then Hattie also noticed his intent look, and nodded and beckoned to Thomas.|3| |4|\"Come on,\"|4| |5|he said, rising.|5| |6|\"Oh, she did n't ask for me,\"|6| |7|cried Joe, tremulous and eager. His companion went away laughing.|7| |8|\"Who 's your young friend?\"|8| |9|asked Hattie.|9| |10|\"A fellah from the South.\"|10| |11|\"Bring him over here.\"|11| |12|Joe could hardly believe in his own good luck, and his head, which was getting a bit weak, was near collapsing when his divinity asked him what he 'd have? He began to protest, until she told the waiter with an air of authority to make it a little \"'skey.\" Then she asked him for a cigarette, and began talking to him in a pleasant, soothing way between puffs. When the drinks came, she said to Thomas,|12| |13|\"Now, old man, you 've been awfully nice, but when you get your little drink, you run away like a good little boy. You 're superfluous.\"|13|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"Mrs. Jones\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"Joe Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 13 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The boy was distinctly shocked. He was n't sure but Thomas was jealous of the attention the white man had shown him and wished to belittle it. Anyway, he did not thank him for destroying his romance. About eleven o'clock, when the people began to drop in from the plays, the master of ceremonies opened proceedings by saying that \"The free concert would now begin, and he hoped that all present, ladies included, would act like gentlemen, and not forget the waiter. Mr. Meriweather will now favour us with the latest coon song, entitled 'Come back to yo' Baby, Honey.'\" There was a patter of applause, and a young negro came forward, and in a strident, music-hall voice, sung or rather recited with many gestures the ditty. He could n't have been much older than Joe, but already his face was hard with dissipation and foul knowledge. He gave the song with all the rank suggestiveness that could be put into it. Joe looked upon him as a hero. He was followed by a little, brown-skinned fellow with an immature Vandyke beard and a lisp. He sung his own composition and was funny; how much funnier than he himself knew or intended, may not even be hinted at. Then, while an instrumentalist, who seemed to have a grudge against the piano, was hammering out the opening bars of a march, Joe's attention was attracted by a woman entering the room, and from that moment he heard no more of the concert. Even when the master of ceremonies announced with an air that, by special request, he himself would sing \"Answer,\"--the request was his own,--he did not draw the attention of the boy away from the yellow-skinned divinity who sat at a near table, drinking whiskey straight. She was a small girl, with fluffy dark hair and good features. A tiny foot peeped out from beneath her rattling silk skirts. She was a good-looking young woman and daintily made, though her face was no longer youthful, and one might have wished that with her complexion she had not run to silk waists in magenta. Joe, however, saw no fault in her. She was altogether lovely to him, and his delight was the more poignant as he recognised in her one of the girls he had seen on the stage a couple of weeks ago. That being true, nothing could keep her from being glorious in his eyes,--not even the grease-paint which adhered in unneat patches to her face, nor her taste for whiskey in its unreformed state. He gazed at her in ecstasy until Thomas, turning to see what had attracted him, said with a laugh,|1| |2|\"Oh, it 's Hattie Sterling. Want to meet her?\"|2| |3|Again the young fellow was dumb. Just then Hattie also noticed his intent look, and nodded and beckoned to Thomas.|3| |4|\"Come on,\"|4| |5|he said, rising.|5| |6|\"Oh, she did n't ask for me,\"|6| |7|cried Joe, tremulous and eager. His companion went away laughing.|7| |8|\"Who 's your young friend?\"|8| |9|asked Hattie.|9| |10|\"A fellah from the South.\"|10| |11|\"Bring him over here.\"|11| |12|Joe could hardly believe in his own good luck, and his head, which was getting a bit weak, was near collapsing when his divinity asked him what he 'd have? He began to protest, until she told the waiter with an air of authority to make it a little \"'skey.\" Then she asked him for a cigarette, and began talking to him in a pleasant, soothing way between puffs. When the drinks came, she said to Thomas,|12| |13|\"Now, old man, you 've been awfully nice, but when you get your little drink, you run away like a good little boy. You 're superfluous.\"|13|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"Mrs. Jones\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"Mr. Thomas\",\n \"6\": \"Joe Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 13 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Hattie Sterling\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"Hattie Sterling\",\n \"12\": \"No speaker\",\n \"13\": \"Hattie Sterling\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "No speaker",
"6": "Joe Hamilton",
"7": "No speaker",
"8": "Hattie Sterling",
"9": "No speaker",
"10": "Mr. Thomas",
"11": "Hattie Sterling",
"12": "No speaker",
"13": "Hattie Sterling"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The boy was distinctly shocked. He was n't sure but Thomas was jealous of the attention the white man had shown him and wished to belittle it. Anyway, he did not thank him for destroying his romance. About eleven o'clock, when the people began to drop in from the plays, the master of ceremonies opened proceedings by saying that \"The free concert would now begin, and he hoped that all present, ladies included, would act like gentlemen, and not forget the waiter. Mr. Meriweather will now favour us with the latest coon song, entitled 'Come back to yo' Baby, Honey.'\" There was a patter of applause, and a young negro came forward, and in a strident, music-hall voice, sung or rather recited with many gestures the ditty. He could n't have been much older than Joe, but already his face was hard with dissipation and foul knowledge. He gave the song with all the rank suggestiveness that could be put into it. Joe looked upon him as a hero. He was followed by a little, brown-skinned fellow with an immature Vandyke beard and a lisp. He sung his own composition and was funny; how much funnier than he himself knew or intended, may not even be hinted at. Then, while an instrumentalist, who seemed to have a grudge against the piano, was hammering out the opening bars of a march, Joe's attention was attracted by a woman entering the room, and from that moment he heard no more of the concert. Even when the master of ceremonies announced with an air that, by special request, he himself would sing \"Answer,\"--the request was his own,--he did not draw the attention of the boy away from the yellow-skinned divinity who sat at a near table, drinking whiskey straight. She was a small girl, with fluffy dark hair and good features. A tiny foot peeped out from beneath her rattling silk skirts. She was a good-looking young woman and daintily made, though her face was no longer youthful, and one might have wished that with her complexion she had not run to silk waists in magenta. Joe, however, saw no fault in her. She was altogether lovely to him, and his delight was the more poignant as he recognised in her one of the girls he had seen on the stage a couple of weeks ago. That being true, nothing could keep her from being glorious in his eyes,--not even the grease-paint which adhered in unneat patches to her face, nor her taste for whiskey in its unreformed state. He gazed at her in ecstasy until Thomas, turning to see what had attracted him, said with a laugh,|1| |2|\"Oh, it 's Hattie Sterling. Want to meet her?\"|2| |3|Again the young fellow was dumb. Just then Hattie also noticed his intent look, and nodded and beckoned to Thomas.|3| |4|\"Come on,\"|4| |5|he said, rising.|5| |6|\"Oh, she did n't ask for me,\"|6| |7|cried Joe, tremulous and eager. His companion went away laughing.|7| |8|\"Who 's your young friend?\"|8| |9|asked Hattie.|9| |10|\"A fellah from the South.\"|10| |11|\"Bring him over here.\"|11| |12|Joe could hardly believe in his own good luck, and his head, which was getting a bit weak, was near collapsing when his divinity asked him what he 'd have? He began to protest, until she told the waiter with an air of authority to make it a little \"'skey.\" Then she asked him for a cigarette, and began talking to him in a pleasant, soothing way between puffs. When the drinks came, she said to Thomas,|12| |13|\"Now, old man, you 've been awfully nice, but when you get your little drink, you run away like a good little boy. You 're superfluous.\"|13| |14|Thomas answered,|14| |15|\"Well, I like that,\"|15| |16|but obediently gulped his whiskey and withdrew, while Joe laughed until the master of ceremonies stood up and looked sternly at him. The concert had long been over and the room was less crowded when Thomas sauntered back to the pair.|16| |17|\"Well, good-night,\"|17| |18|he said.|18| |19|\"Guess you can find your way home, Mr. Hamilton;\"|19| |20|and he gave Joe a long wink.|20| |21|\"Goo'-night,\"|21| |22|said Joe, woozily,|22| |23|\"I be a' ri'. Goo'-night.\"|23| |24|\"Make it another 'skey,\"|24| |25|was Hattie's farewell remark. * * * * * It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue. He had promised Hattie to come often to the club. X A VISITOR FROM HOME Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do. It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded. She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life. After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.|25| |26|\"Look here,\"|26|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Leslie\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Hattie Sterling\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"Hattie Sterling\",\n \"12\": \"Leslie\",\n \"13\": \"Leslie\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 26 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
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{
"content": "**Passage:**\n--\n|1|The boy was distinctly shocked. He was n't sure but Thomas was jealous of the attention the white man had shown him and wished to belittle it. Anyway, he did not thank him for destroying his romance. About eleven o'clock, when the people began to drop in from the plays, the master of ceremonies opened proceedings by saying that \"The free concert would now begin, and he hoped that all present, ladies included, would act like gentlemen, and not forget the waiter. Mr. Meriweather will now favour us with the latest coon song, entitled 'Come back to yo' Baby, Honey.'\" There was a patter of applause, and a young negro came forward, and in a strident, music-hall voice, sung or rather recited with many gestures the ditty. He could n't have been much older than Joe, but already his face was hard with dissipation and foul knowledge. He gave the song with all the rank suggestiveness that could be put into it. Joe looked upon him as a hero. He was followed by a little, brown-skinned fellow with an immature Vandyke beard and a lisp. He sung his own composition and was funny; how much funnier than he himself knew or intended, may not even be hinted at. Then, while an instrumentalist, who seemed to have a grudge against the piano, was hammering out the opening bars of a march, Joe's attention was attracted by a woman entering the room, and from that moment he heard no more of the concert. Even when the master of ceremonies announced with an air that, by special request, he himself would sing \"Answer,\"--the request was his own,--he did not draw the attention of the boy away from the yellow-skinned divinity who sat at a near table, drinking whiskey straight. She was a small girl, with fluffy dark hair and good features. A tiny foot peeped out from beneath her rattling silk skirts. She was a good-looking young woman and daintily made, though her face was no longer youthful, and one might have wished that with her complexion she had not run to silk waists in magenta. Joe, however, saw no fault in her. She was altogether lovely to him, and his delight was the more poignant as he recognised in her one of the girls he had seen on the stage a couple of weeks ago. That being true, nothing could keep her from being glorious in his eyes,--not even the grease-paint which adhered in unneat patches to her face, nor her taste for whiskey in its unreformed state. He gazed at her in ecstasy until Thomas, turning to see what had attracted him, said with a laugh,|1| |2|\"Oh, it 's Hattie Sterling. Want to meet her?\"|2| |3|Again the young fellow was dumb. Just then Hattie also noticed his intent look, and nodded and beckoned to Thomas.|3| |4|\"Come on,\"|4| |5|he said, rising.|5| |6|\"Oh, she did n't ask for me,\"|6| |7|cried Joe, tremulous and eager. His companion went away laughing.|7| |8|\"Who 's your young friend?\"|8| |9|asked Hattie.|9| |10|\"A fellah from the South.\"|10| |11|\"Bring him over here.\"|11| |12|Joe could hardly believe in his own good luck, and his head, which was getting a bit weak, was near collapsing when his divinity asked him what he 'd have? He began to protest, until she told the waiter with an air of authority to make it a little \"'skey.\" Then she asked him for a cigarette, and began talking to him in a pleasant, soothing way between puffs. When the drinks came, she said to Thomas,|12| |13|\"Now, old man, you 've been awfully nice, but when you get your little drink, you run away like a good little boy. You 're superfluous.\"|13| |14|Thomas answered,|14| |15|\"Well, I like that,\"|15| |16|but obediently gulped his whiskey and withdrew, while Joe laughed until the master of ceremonies stood up and looked sternly at him. The concert had long been over and the room was less crowded when Thomas sauntered back to the pair.|16| |17|\"Well, good-night,\"|17| |18|he said.|18| |19|\"Guess you can find your way home, Mr. Hamilton;\"|19| |20|and he gave Joe a long wink.|20| |21|\"Goo'-night,\"|21| |22|said Joe, woozily,|22| |23|\"I be a' ri'. Goo'-night.\"|23| |24|\"Make it another 'skey,\"|24| |25|was Hattie's farewell remark. * * * * * It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue. He had promised Hattie to come often to the club. X A VISITOR FROM HOME Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do. It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded. She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life. After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.|25| |26|\"Look here,\"|26|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Leslie\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Hattie Sterling\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"Hattie Sterling\",\n \"12\": \"Leslie\",\n \"13\": \"Leslie\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 26 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
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"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Hattie Sterling\",\n \"9\": \"No speaker\",\n \"10\": \"Mr. Thomas\",\n \"11\": \"Hattie Sterling\",\n \"12\": \"No speaker\",\n \"13\": \"Hattie Sterling\",\n \"14\": \"No speaker\",\n \"15\": \"Mr. Thomas\",\n \"16\": \"No speaker\",\n \"17\": \"Mr. Thomas\",\n \"18\": \"No speaker\",\n \"19\": \"Mr. Thomas\",\n \"20\": \"No speaker\",\n \"21\": \"Joe Hamilton\",\n \"22\": \"No speaker\",\n \"23\": \"Joe Hamilton\",\n \"24\": \"Hattie Sterling\",\n \"25\": \"No speaker\",\n \"26\": \"Hattie Sterling\"\n }\n}",
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{
"predictions": {
"1": "No speaker",
"2": "Mr. Thomas",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "No speaker",
"6": "Joe Hamilton",
"7": "No speaker",
"8": "Hattie Sterling",
"9": "No speaker",
"10": "Mr. Thomas",
"11": "Hattie Sterling",
"12": "No speaker",
"13": "Hattie Sterling",
"14": "No speaker",
"15": "Mr. Thomas",
"16": "No speaker",
"17": "Mr. Thomas",
"18": "No speaker",
"19": "Mr. Thomas",
"20": "No speaker",
"21": "Joe Hamilton",
"22": "No speaker",
"23": "Joe Hamilton",
"24": "Hattie Sterling",
"25": "No speaker",
"26": "Hattie Sterling"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Joe could hardly believe in his own good luck, and his head, which was getting a bit weak, was near collapsing when his divinity asked him what he 'd have? He began to protest, until she told the waiter with an air of authority to make it a little \"'skey.\" Then she asked him for a cigarette, and began talking to him in a pleasant, soothing way between puffs. When the drinks came, she said to Thomas,|1| |2|\"Now, old man, you 've been awfully nice, but when you get your little drink, you run away like a good little boy. You 're superfluous.\"|2| |3|Thomas answered,|3| |4|\"Well, I like that,\"|4| |5|but obediently gulped his whiskey and withdrew, while Joe laughed until the master of ceremonies stood up and looked sternly at him. The concert had long been over and the room was less crowded when Thomas sauntered back to the pair.|5| |6|\"Well, good-night,\"|6| |7|he said.|7| |8|\"Guess you can find your way home, Mr. Hamilton;\"|8| |9|and he gave Joe a long wink.|9| |10|\"Goo'-night,\"|10| |11|said Joe, woozily,|11| |12|\"I be a' ri'. Goo'-night.\"|12| |13|\"Make it another 'skey,\"|13| |14|was Hattie's farewell remark. * * * * * It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue. He had promised Hattie to come often to the club. X A VISITOR FROM HOME Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do. It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded. She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life. After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.|14| |15|\"Look here,\"|15|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"No speaker\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Thomas\",\n \"7\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 15 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Joe could hardly believe in his own good luck, and his head, which was getting a bit weak, was near collapsing when his divinity asked him what he 'd have? He began to protest, until she told the waiter with an air of authority to make it a little \"'skey.\" Then she asked him for a cigarette, and began talking to him in a pleasant, soothing way between puffs. When the drinks came, she said to Thomas,|1| |2|\"Now, old man, you 've been awfully nice, but when you get your little drink, you run away like a good little boy. You 're superfluous.\"|2| |3|Thomas answered,|3| |4|\"Well, I like that,\"|4| |5|but obediently gulped his whiskey and withdrew, while Joe laughed until the master of ceremonies stood up and looked sternly at him. The concert had long been over and the room was less crowded when Thomas sauntered back to the pair.|5| |6|\"Well, good-night,\"|6| |7|he said.|7| |8|\"Guess you can find your way home, Mr. Hamilton;\"|8| |9|and he gave Joe a long wink.|9| |10|\"Goo'-night,\"|10| |11|said Joe, woozily,|11| |12|\"I be a' ri'. Goo'-night.\"|12| |13|\"Make it another 'skey,\"|13| |14|was Hattie's farewell remark. * * * * * It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue. He had promised Hattie to come often to the club. X A VISITOR FROM HOME Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do. It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded. She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life. After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.|14| |15|\"Look here,\"|15|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"No speaker\",\n \"4\": \"Kitty Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Thomas\",\n \"7\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 15 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"No speaker\",\n \"4\": \"Mr. Thomas\",\n \"5\": \"No speaker\",\n \"6\": \"Mr. Thomas\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Thomas\",\n \"9\": \"No speaker\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"Hattie Sterling\",\n \"14\": \"No speaker\",\n \"15\": \"Hattie Sterling\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Hattie Sterling",
"3": "No speaker",
"4": "Mr. Thomas",
"5": "No speaker",
"6": "Mr. Thomas",
"7": "No speaker",
"8": "Mr. Thomas",
"9": "No speaker",
"10": "Joe Hamilton",
"11": "No speaker",
"12": "Joe Hamilton",
"13": "Hattie Sterling",
"14": "No speaker",
"15": "Hattie Sterling"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|was Hattie's farewell remark. * * * * * It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue. He had promised Hattie to come often to the club. X A VISITOR FROM HOME Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do. It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded. She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life. After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.|1| |2|\"Look here,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Fannie Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|was Hattie's farewell remark. * * * * * It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue. He had promised Hattie to come often to the club. X A VISITOR FROM HOME Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do. It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded. She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life. After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.|1| |2|\"Look here,\"|2|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Fannie Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 2 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Hattie Sterling\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Hattie Sterling"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|was Hattie's farewell remark. * * * * * It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue. He had promised Hattie to come often to the club. X A VISITOR FROM HOME Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do. It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded. She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life. After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.|1| |2|\"Look here,\"|2| |3|she said to him one day,|3| |4|\"I guess you 'll have to be moving. There 's a young lady been inquiring for you to-day, and I won't stand for that.\"|4| |5|He looked at her, startled for a moment, until he saw the laughter in her eyes. Then he caught her and kissed her.|5| |6|\"What 're you givin' me?\"|6| |7|he said.|7| |8|\"It 's a straight tip, that 's what.\"|8| |9|\"Who is it?\"|9| |10|\"It 's a girl named Minty Brown from your home.\"|10| |11|His face turned brick-red with fear and shame.|11| |12|\"Minty Brown!\"|12| |13|he stammered. Had that girl told all and undone him? But Hattie was going on about her work and evidently knew nothing.|13| |14|\"Oh, you need n't pretend you don't know her,\"|14| |15|she went on banteringly.|15| |16|\"She says you were great friends down South, so I 've invited her to supper. She wants to see you.\"|16| |17|\"To supper!\"|17|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"No speaker\",\n \"4\": \"Martin\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Hattie Sterling\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 17 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|was Hattie's farewell remark. * * * * * It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue. He had promised Hattie to come often to the club. X A VISITOR FROM HOME Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do. It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded. She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life. After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.|1| |2|\"Look here,\"|2| |3|she said to him one day,|3| |4|\"I guess you 'll have to be moving. There 's a young lady been inquiring for you to-day, and I won't stand for that.\"|4| |5|He looked at her, startled for a moment, until he saw the laughter in her eyes. Then he caught her and kissed her.|5| |6|\"What 're you givin' me?\"|6| |7|he said.|7| |8|\"It 's a straight tip, that 's what.\"|8| |9|\"Who is it?\"|9| |10|\"It 's a girl named Minty Brown from your home.\"|10| |11|His face turned brick-red with fear and shame.|11| |12|\"Minty Brown!\"|12| |13|he stammered. Had that girl told all and undone him? But Hattie was going on about her work and evidently knew nothing.|13| |14|\"Oh, you need n't pretend you don't know her,\"|14| |15|she went on banteringly.|15| |16|\"She says you were great friends down South, so I 've invited her to supper. She wants to see you.\"|16| |17|\"To supper!\"|17|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"No speaker\",\n \"4\": \"Martin\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Hattie Sterling\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 17 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"No speaker\",\n \"4\": \"Hattie Sterling\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Hattie Sterling\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"Hattie Sterling\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Hattie Sterling\",\n \"15\": \"No speaker\",\n \"16\": \"Hattie Sterling\",\n \"17\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Hattie Sterling",
"3": "No speaker",
"4": "Hattie Sterling",
"5": "No speaker",
"6": "Joe Hamilton",
"7": "No speaker",
"8": "Hattie Sterling",
"9": "Joe Hamilton",
"10": "Hattie Sterling",
"11": "No speaker",
"12": "Joe Hamilton",
"13": "No speaker",
"14": "Hattie Sterling",
"15": "No speaker",
"16": "Hattie Sterling",
"17": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|was Hattie's farewell remark. * * * * * It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue. He had promised Hattie to come often to the club. X A VISITOR FROM HOME Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do. It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded. She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life. After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.|1| |2|\"Look here,\"|2| |3|she said to him one day,|3| |4|\"I guess you 'll have to be moving. There 's a young lady been inquiring for you to-day, and I won't stand for that.\"|4| |5|He looked at her, startled for a moment, until he saw the laughter in her eyes. Then he caught her and kissed her.|5| |6|\"What 're you givin' me?\"|6| |7|he said.|7| |8|\"It 's a straight tip, that 's what.\"|8| |9|\"Who is it?\"|9| |10|\"It 's a girl named Minty Brown from your home.\"|10| |11|His face turned brick-red with fear and shame.|11| |12|\"Minty Brown!\"|12| |13|he stammered. Had that girl told all and undone him? But Hattie was going on about her work and evidently knew nothing.|13| |14|\"Oh, you need n't pretend you don't know her,\"|14| |15|she went on banteringly.|15| |16|\"She says you were great friends down South, so I 've invited her to supper. She wants to see you.\"|16| |17|\"To supper!\"|17| |18|he thought. Was she mocking him? Was she restraining her scorn of him only to make his humiliation the greater after a while? He looked at her, but there was no suspicion of malice in her face, and he took hope.|18| |19|\"Well, I 'd like to see old Minty,\"|19| |20|he said.|20| |21|\"It 's been many a long day since I 've seen her.\"|21| |22|All that afternoon, after going to the barber-shop, Joe was driven by a tempest of conflicting emotions. If Minty Brown had not told his story, why not? Would she yet tell, and if she did, what would happen? He tortured himself by questioning if Hattie would cast him off. At the very thought his hand trembled, and the man in the chair asked him if he had n't been drinking. When he met Minty in the evening, however, the first glance at her reassured him. Her face was wreathed in smiles as she came forward and held out her hand.|22| |23|\"Well, well, Joe Hamilton,\"|23| |24|she exclaimed,|24| |25|\"if I ain't right-down glad to see you! How are you?\"|25| |26|\"I 'm middlin', Minty. How 's yourself?\"|26| |27|He was so happy that he could n't let go her hand.|27| |28|\"An' jes' look at the boy! Ef he ain't got the impidence to be waihin' a mustache too. You must 'a' been lettin' the cats lick yo' upper lip. Did n't expect to see me in New York, did you?\"|28| |29|\"No, indeed. What you doin' here?\"|29|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"No speaker\",\n \"4\": \"Leslie\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Hattie Sterling\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"Hattie Sterling\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Hattie Sterling\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 29 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|was Hattie's farewell remark. * * * * * It was late the next morning when Joe got home. He had a headache and a sense of triumph that not even his illness and his mother's reproof could subdue. He had promised Hattie to come often to the club. X A VISITOR FROM HOME Mrs. Hamilton began to question very seriously whether she had done the best thing in coming to New York as she saw her son staying away more and more and growing always farther away from her and his sister. Had she known how and where he spent his evenings, she would have had even greater cause to question the wisdom of their trip. She knew that although he worked he never had any money for the house, and she foresaw the time when the little they had would no longer suffice for Kitty and her. Realising this, she herself set out to find something to do. It was a hard matter, for wherever she went seeking employment, it was always for her and her daughter, for the more she saw of Mrs. Jones, the less she thought it well to leave the girl under her influence. Mrs. Hamilton was not a keen woman, but she had a mother's intuitions, and she saw a subtle change in her daughter. At first the girl grew wistful and then impatient and rebellious. She complained that Joe was away from them so much enjoying himself, while she had to be housed up like a prisoner. She had receded from her dignified position, and twice of an evening had gone out for a car-ride with Thomas; but as that gentleman never included the mother in his invitation, she decided that her daughter should go no more, and she begged Joe to take his sister out sometimes instead. He demurred at first, for he now numbered among his city acquirements a fine contempt for his woman relatives. Finally, however, he consented, and took Kit once to the theatre and once for a ride. Each time he left her in the care of Thomas as soon as they were out of the house, while he went to find or to wait for his dear Hattie. But his mother did not know all this, and Kit did not tell her. The quick poison of the unreal life about her had already begun to affect her character. She had grown secretive and sly. The innocent longing which in a burst of enthusiasm she had expressed that first night at the theatre was growing into a real ambition with her, and she dropped the simple old songs she knew to practise the detestable coon ditties which the stage demanded. She showed no particular pleasure when her mother found the sort of place they wanted, but went to work with her in sullen silence. Mrs. Hamilton could not understand it all, and many a night she wept and prayed over the change in this child of her heart. There were times when she felt that there was nothing left to work or fight for. The letters from Berry in prison became fewer and fewer. He was sinking into the dull, dead routine of his life. Her own letters to him fell off. It was hard getting the children to write. They did not want to be bothered, and she could not write for herself. So in the weeks and months that followed she drifted farther away from her children and husband and all the traditions of her life. After Joe's first night at the Banner Club he had kept his promise to Hattie Sterling and had gone often to meet her. She had taught him much, because it was to her advantage to do so. His greenness had dropped from him like a garment, but no amount of sophistication could make him deem the woman less perfect. He knew that she was much older than he, but he only took this fact as an additional sign of his prowess in having won her. He was proud of himself when he went behind the scenes at the theatre or waited for her at the stage door and bore her off under the admiring eyes of a crowd of gapers. And Hattie? She liked him in a half-contemptuous, half-amused way. He was a good-looking boy and made money enough, as she expressed it, to show her a good time, so she was willing to overlook his weakness and his callow vanity.|1| |2|\"Look here,\"|2| |3|she said to him one day,|3| |4|\"I guess you 'll have to be moving. There 's a young lady been inquiring for you to-day, and I won't stand for that.\"|4| |5|He looked at her, startled for a moment, until he saw the laughter in her eyes. Then he caught her and kissed her.|5| |6|\"What 're you givin' me?\"|6| |7|he said.|7| |8|\"It 's a straight tip, that 's what.\"|8| |9|\"Who is it?\"|9| |10|\"It 's a girl named Minty Brown from your home.\"|10| |11|His face turned brick-red with fear and shame.|11| |12|\"Minty Brown!\"|12| |13|he stammered. Had that girl told all and undone him? But Hattie was going on about her work and evidently knew nothing.|13| |14|\"Oh, you need n't pretend you don't know her,\"|14| |15|she went on banteringly.|15| |16|\"She says you were great friends down South, so I 've invited her to supper. She wants to see you.\"|16| |17|\"To supper!\"|17| |18|he thought. Was she mocking him? Was she restraining her scorn of him only to make his humiliation the greater after a while? He looked at her, but there was no suspicion of malice in her face, and he took hope.|18| |19|\"Well, I 'd like to see old Minty,\"|19| |20|he said.|20| |21|\"It 's been many a long day since I 've seen her.\"|21| |22|All that afternoon, after going to the barber-shop, Joe was driven by a tempest of conflicting emotions. If Minty Brown had not told his story, why not? Would she yet tell, and if she did, what would happen? He tortured himself by questioning if Hattie would cast him off. At the very thought his hand trembled, and the man in the chair asked him if he had n't been drinking. When he met Minty in the evening, however, the first glance at her reassured him. Her face was wreathed in smiles as she came forward and held out her hand.|22| |23|\"Well, well, Joe Hamilton,\"|23| |24|she exclaimed,|24| |25|\"if I ain't right-down glad to see you! How are you?\"|25| |26|\"I 'm middlin', Minty. How 's yourself?\"|26| |27|He was so happy that he could n't let go her hand.|27| |28|\"An' jes' look at the boy! Ef he ain't got the impidence to be waihin' a mustache too. You must 'a' been lettin' the cats lick yo' upper lip. Did n't expect to see me in New York, did you?\"|28| |29|\"No, indeed. What you doin' here?\"|29|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"No speaker\",\n \"4\": \"Leslie\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Hattie Sterling\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"Hattie Sterling\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Hattie Sterling\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 29 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Hattie Sterling\",\n \"3\": \"No speaker\",\n \"4\": \"Hattie Sterling\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Hattie Sterling\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"Hattie Sterling\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Hattie Sterling\",\n \"15\": \"No speaker\",\n \"16\": \"Hattie Sterling\",\n \"17\": \"Joe Hamilton\",\n \"18\": \"No speaker\",\n \"19\": \"Joe Hamilton\",\n \"20\": \"No speaker\",\n \"21\": \"Joe Hamilton\",\n \"22\": \"No speaker\",\n \"23\": \"Minty Brown\",\n \"24\": \"No speaker\",\n \"25\": \"Minty Brown\",\n \"26\": \"Joe Hamilton\",\n \"27\": \"No speaker\",\n \"28\": \"Minty Brown\",\n \"29\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Hattie Sterling",
"3": "No speaker",
"4": "Hattie Sterling",
"5": "No speaker",
"6": "Joe Hamilton",
"7": "No speaker",
"8": "Hattie Sterling",
"9": "Joe Hamilton",
"10": "Hattie Sterling",
"11": "No speaker",
"12": "Joe Hamilton",
"13": "No speaker",
"14": "Hattie Sterling",
"15": "No speaker",
"16": "Hattie Sterling",
"17": "Joe Hamilton",
"18": "No speaker",
"19": "Joe Hamilton",
"20": "No speaker",
"21": "Joe Hamilton",
"22": "No speaker",
"23": "Minty Brown",
"24": "No speaker",
"25": "Minty Brown",
"26": "Joe Hamilton",
"27": "No speaker",
"28": "Minty Brown",
"29": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"She says you were great friends down South, so I 've invited her to supper. She wants to see you.\"|1| |2|\"To supper!\"|2| |3|he thought. Was she mocking him? Was she restraining her scorn of him only to make his humiliation the greater after a while? He looked at her, but there was no suspicion of malice in her face, and he took hope.|3| |4|\"Well, I 'd like to see old Minty,\"|4| |5|he said.|5| |6|\"It 's been many a long day since I 've seen her.\"|6| |7|All that afternoon, after going to the barber-shop, Joe was driven by a tempest of conflicting emotions. If Minty Brown had not told his story, why not? Would she yet tell, and if she did, what would happen? He tortured himself by questioning if Hattie would cast him off. At the very thought his hand trembled, and the man in the chair asked him if he had n't been drinking. When he met Minty in the evening, however, the first glance at her reassured him. Her face was wreathed in smiles as she came forward and held out her hand.|7| |8|\"Well, well, Joe Hamilton,\"|8| |9|she exclaimed,|9| |10|\"if I ain't right-down glad to see you! How are you?\"|10| |11|\"I 'm middlin', Minty. How 's yourself?\"|11| |12|He was so happy that he could n't let go her hand.|12| |13|\"An' jes' look at the boy! Ef he ain't got the impidence to be waihin' a mustache too. You must 'a' been lettin' the cats lick yo' upper lip. Did n't expect to see me in New York, did you?\"|13| |14|\"No, indeed. What you doin' here?\"|14| |15|\"Oh, I got a gent'man friend what 's a porter, an' his run 's been changed so that he comes hyeah, an' he told me, if I wanted to come he 'd bring me thoo fur a visit, so, you see, hyeah I am. I allus was mighty anxious to see this hyeah town. But tell me, how 's Kit an' yo' ma?\"|15| |16|\"They 're both right well.\"|16| |17|He had forgotten them and their scorn of Minty.|17| |18|\"Whaih do you live? I 'm comin' roun' to see 'em.\"|18| |19|He hesitated for a moment. He knew how his mother, if not Kit, would receive her, and yet he dared not anger this woman, who had his fate in the hollow of her hand. She saw his hesitation and spoke up.|19| |20|\"Oh, that 's all right. Let by-gones be by-gones. You know I ain't the kin' o' person that holds a grudge ag'in anybody.\"|20| |21|\"That 's right, Minty, that 's right,\"|21| |22|he said, and gave her his mother's address. Then he hastened home to prepare the way for Minty's coming. Joe had no doubt but that his mother would see the matter quite as he saw it, and be willing to temporise with Minty; but he had reckoned without his host. Mrs. Hamilton might make certain concessions to strangers on the score of expediency, but she absolutely refused to yield one iota of her dignity to one whom she had known so long as an inferior.|22| |23|\"But don't you see what she can do for us, ma? She knows people that I know, and she can ruin me with them.\"|23|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Thomas\",\n \"9\": \"Minty Brown\",\n \"10\": \"Minty Brown\",\n \"11\": \"Joe Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 23 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"She says you were great friends down South, so I 've invited her to supper. She wants to see you.\"|1| |2|\"To supper!\"|2| |3|he thought. Was she mocking him? Was she restraining her scorn of him only to make his humiliation the greater after a while? He looked at her, but there was no suspicion of malice in her face, and he took hope.|3| |4|\"Well, I 'd like to see old Minty,\"|4| |5|he said.|5| |6|\"It 's been many a long day since I 've seen her.\"|6| |7|All that afternoon, after going to the barber-shop, Joe was driven by a tempest of conflicting emotions. If Minty Brown had not told his story, why not? Would she yet tell, and if she did, what would happen? He tortured himself by questioning if Hattie would cast him off. At the very thought his hand trembled, and the man in the chair asked him if he had n't been drinking. When he met Minty in the evening, however, the first glance at her reassured him. Her face was wreathed in smiles as she came forward and held out her hand.|7| |8|\"Well, well, Joe Hamilton,\"|8| |9|she exclaimed,|9| |10|\"if I ain't right-down glad to see you! How are you?\"|10| |11|\"I 'm middlin', Minty. How 's yourself?\"|11| |12|He was so happy that he could n't let go her hand.|12| |13|\"An' jes' look at the boy! Ef he ain't got the impidence to be waihin' a mustache too. You must 'a' been lettin' the cats lick yo' upper lip. Did n't expect to see me in New York, did you?\"|13| |14|\"No, indeed. What you doin' here?\"|14| |15|\"Oh, I got a gent'man friend what 's a porter, an' his run 's been changed so that he comes hyeah, an' he told me, if I wanted to come he 'd bring me thoo fur a visit, so, you see, hyeah I am. I allus was mighty anxious to see this hyeah town. But tell me, how 's Kit an' yo' ma?\"|15| |16|\"They 're both right well.\"|16| |17|He had forgotten them and their scorn of Minty.|17| |18|\"Whaih do you live? I 'm comin' roun' to see 'em.\"|18| |19|He hesitated for a moment. He knew how his mother, if not Kit, would receive her, and yet he dared not anger this woman, who had his fate in the hollow of her hand. She saw his hesitation and spoke up.|19| |20|\"Oh, that 's all right. Let by-gones be by-gones. You know I ain't the kin' o' person that holds a grudge ag'in anybody.\"|20| |21|\"That 's right, Minty, that 's right,\"|21| |22|he said, and gave her his mother's address. Then he hastened home to prepare the way for Minty's coming. Joe had no doubt but that his mother would see the matter quite as he saw it, and be willing to temporise with Minty; but he had reckoned without his host. Mrs. Hamilton might make certain concessions to strangers on the score of expediency, but she absolutely refused to yield one iota of her dignity to one whom she had known so long as an inferior.|22| |23|\"But don't you see what she can do for us, ma? She knows people that I know, and she can ruin me with them.\"|23|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Mr. Thomas\",\n \"9\": \"Minty Brown\",\n \"10\": \"Minty Brown\",\n \"11\": \"Joe Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 23 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Joe Hamilton\",\n \"7\": \"No speaker\",\n \"8\": \"Minty Brown\",\n \"9\": \"No speaker\",\n \"10\": \"Minty Brown\",\n \"11\": \"Joe Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Minty Brown\",\n \"14\": \"Joe Hamilton\",\n \"15\": \"Minty Brown\",\n \"16\": \"Joe Hamilton\",\n \"17\": \"No speaker\",\n \"18\": \"Minty Brown\",\n \"19\": \"No speaker\",\n \"20\": \"Minty Brown\",\n \"21\": \"Joe Hamilton\",\n \"22\": \"No speaker\",\n \"23\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Hattie Sterling",
"2": "Joe Hamilton",
"3": "No speaker",
"4": "Joe Hamilton",
"5": "No speaker",
"6": "Joe Hamilton",
"7": "No speaker",
"8": "Minty Brown",
"9": "No speaker",
"10": "Minty Brown",
"11": "Joe Hamilton",
"12": "No speaker",
"13": "Minty Brown",
"14": "Joe Hamilton",
"15": "Minty Brown",
"16": "Joe Hamilton",
"17": "No speaker",
"18": "Minty Brown",
"19": "No speaker",
"20": "Minty Brown",
"21": "Joe Hamilton",
"22": "No speaker",
"23": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"An' jes' look at the boy! Ef he ain't got the impidence to be waihin' a mustache too. You must 'a' been lettin' the cats lick yo' upper lip. Did n't expect to see me in New York, did you?\"|1| |2|\"No, indeed. What you doin' here?\"|2| |3|\"Oh, I got a gent'man friend what 's a porter, an' his run 's been changed so that he comes hyeah, an' he told me, if I wanted to come he 'd bring me thoo fur a visit, so, you see, hyeah I am. I allus was mighty anxious to see this hyeah town. But tell me, how 's Kit an' yo' ma?\"|3| |4|\"They 're both right well.\"|4| |5|He had forgotten them and their scorn of Minty.|5| |6|\"Whaih do you live? I 'm comin' roun' to see 'em.\"|6| |7|He hesitated for a moment. He knew how his mother, if not Kit, would receive her, and yet he dared not anger this woman, who had his fate in the hollow of her hand. She saw his hesitation and spoke up.|7| |8|\"Oh, that 's all right. Let by-gones be by-gones. You know I ain't the kin' o' person that holds a grudge ag'in anybody.\"|8| |9|\"That 's right, Minty, that 's right,\"|9| |10|he said, and gave her his mother's address. Then he hastened home to prepare the way for Minty's coming. Joe had no doubt but that his mother would see the matter quite as he saw it, and be willing to temporise with Minty; but he had reckoned without his host. Mrs. Hamilton might make certain concessions to strangers on the score of expediency, but she absolutely refused to yield one iota of her dignity to one whom she had known so long as an inferior.|10| |11|\"But don't you see what she can do for us, ma? She knows people that I know, and she can ruin me with them.\"|11| |12|\"I ain't never bowed my haid to Minty Brown an' I ain't a-goin' to do it now,\"|12| |13|was his mother's only reply.|13| |14|\"Oh, ma,\"|14| |15|Kitty put in,|15| |16|\"you don't want to get talked about up here, do you?\"|16| |17|\"We 'd jes' as well be talked about fu' somep'n we did n't do as fu' somep'n we did do, an' it would n' be long befo' we 'd come to dat if we made frien's wid dat Brown gal. I ain't a-goin' to do it. I 'm ashamed o' you, Kitty, fu' wantin' me to.\"|17| |18|The girl began to cry, while her brother walked the floor angrily.|18| |19|\"You 'll see what 'll happen,\"|19| |20|he cried;|20| |21|\"you 'll see.\"|21| |22|Fannie looked at her son, and she seemed to see him more clearly than she had ever seen him before,--his foppery, his meanness, his cowardice.|22| |23|\"Well,\"|23| |24|she answered with a sigh,|24| |25|\"it can't be no wuss den what 's already happened.\"|25| |26|\"You 'll see, you 'll see,\"|26| |27|the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them.|27| |28|\"Tell huh,\"|28|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Berry Hamilton\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Minty Brown\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Minty Brown\",\n \"7\": \"No speaker\",\n \"8\": \"Mrs. Jones\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Joe Hamilton\",\n \"12\": \"Fannie Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Kit Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 28 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"An' jes' look at the boy! Ef he ain't got the impidence to be waihin' a mustache too. You must 'a' been lettin' the cats lick yo' upper lip. Did n't expect to see me in New York, did you?\"|1| |2|\"No, indeed. What you doin' here?\"|2| |3|\"Oh, I got a gent'man friend what 's a porter, an' his run 's been changed so that he comes hyeah, an' he told me, if I wanted to come he 'd bring me thoo fur a visit, so, you see, hyeah I am. I allus was mighty anxious to see this hyeah town. But tell me, how 's Kit an' yo' ma?\"|3| |4|\"They 're both right well.\"|4| |5|He had forgotten them and their scorn of Minty.|5| |6|\"Whaih do you live? I 'm comin' roun' to see 'em.\"|6| |7|He hesitated for a moment. He knew how his mother, if not Kit, would receive her, and yet he dared not anger this woman, who had his fate in the hollow of her hand. She saw his hesitation and spoke up.|7| |8|\"Oh, that 's all right. Let by-gones be by-gones. You know I ain't the kin' o' person that holds a grudge ag'in anybody.\"|8| |9|\"That 's right, Minty, that 's right,\"|9| |10|he said, and gave her his mother's address. Then he hastened home to prepare the way for Minty's coming. Joe had no doubt but that his mother would see the matter quite as he saw it, and be willing to temporise with Minty; but he had reckoned without his host. Mrs. Hamilton might make certain concessions to strangers on the score of expediency, but she absolutely refused to yield one iota of her dignity to one whom she had known so long as an inferior.|10| |11|\"But don't you see what she can do for us, ma? She knows people that I know, and she can ruin me with them.\"|11| |12|\"I ain't never bowed my haid to Minty Brown an' I ain't a-goin' to do it now,\"|12| |13|was his mother's only reply.|13| |14|\"Oh, ma,\"|14| |15|Kitty put in,|15| |16|\"you don't want to get talked about up here, do you?\"|16| |17|\"We 'd jes' as well be talked about fu' somep'n we did n't do as fu' somep'n we did do, an' it would n' be long befo' we 'd come to dat if we made frien's wid dat Brown gal. I ain't a-goin' to do it. I 'm ashamed o' you, Kitty, fu' wantin' me to.\"|17| |18|The girl began to cry, while her brother walked the floor angrily.|18| |19|\"You 'll see what 'll happen,\"|19| |20|he cried;|20| |21|\"you 'll see.\"|21| |22|Fannie looked at her son, and she seemed to see him more clearly than she had ever seen him before,--his foppery, his meanness, his cowardice.|22| |23|\"Well,\"|23| |24|she answered with a sigh,|24| |25|\"it can't be no wuss den what 's already happened.\"|25| |26|\"You 'll see, you 'll see,\"|26| |27|the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them.|27| |28|\"Tell huh,\"|28|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Berry Hamilton\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Minty Brown\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Minty Brown\",\n \"7\": \"No speaker\",\n \"8\": \"Mrs. Jones\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Joe Hamilton\",\n \"12\": \"Fannie Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Kit Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 28 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Minty Brown\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Minty Brown\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Minty Brown\",\n \"7\": \"No speaker\",\n \"8\": \"Minty Brown\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Joe Hamilton\",\n \"12\": \"Fannie Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Kit Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Kit Hamilton\",\n \"17\": \"Fannie Hamilton\",\n \"18\": \"No speaker\",\n \"19\": \"Joe Hamilton\",\n \"20\": \"No speaker\",\n \"21\": \"Joe Hamilton\",\n \"22\": \"No speaker\",\n \"23\": \"Fannie Hamilton\",\n \"24\": \"No speaker\",\n \"25\": \"Fannie Hamilton\",\n \"26\": \"Joe Hamilton\",\n \"27\": \"No speaker\",\n \"28\": \"Fannie Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Minty Brown",
"2": "Joe Hamilton",
"3": "Minty Brown",
"4": "Joe Hamilton",
"5": "No speaker",
"6": "Minty Brown",
"7": "No speaker",
"8": "Minty Brown",
"9": "Joe Hamilton",
"10": "No speaker",
"11": "Joe Hamilton",
"12": "Fannie Hamilton",
"13": "No speaker",
"14": "Kit Hamilton",
"15": "No speaker",
"16": "Kit Hamilton",
"17": "Fannie Hamilton",
"18": "No speaker",
"19": "Joe Hamilton",
"20": "No speaker",
"21": "Joe Hamilton",
"22": "No speaker",
"23": "Fannie Hamilton",
"24": "No speaker",
"25": "Fannie Hamilton",
"26": "Joe Hamilton",
"27": "No speaker",
"28": "Fannie Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|he said, and gave her his mother's address. Then he hastened home to prepare the way for Minty's coming. Joe had no doubt but that his mother would see the matter quite as he saw it, and be willing to temporise with Minty; but he had reckoned without his host. Mrs. Hamilton might make certain concessions to strangers on the score of expediency, but she absolutely refused to yield one iota of her dignity to one whom she had known so long as an inferior.|1| |2|\"But don't you see what she can do for us, ma? She knows people that I know, and she can ruin me with them.\"|2| |3|\"I ain't never bowed my haid to Minty Brown an' I ain't a-goin' to do it now,\"|3| |4|was his mother's only reply.|4| |5|\"Oh, ma,\"|5| |6|Kitty put in,|6| |7|\"you don't want to get talked about up here, do you?\"|7| |8|\"We 'd jes' as well be talked about fu' somep'n we did n't do as fu' somep'n we did do, an' it would n' be long befo' we 'd come to dat if we made frien's wid dat Brown gal. I ain't a-goin' to do it. I 'm ashamed o' you, Kitty, fu' wantin' me to.\"|8| |9|The girl began to cry, while her brother walked the floor angrily.|9| |10|\"You 'll see what 'll happen,\"|10| |11|he cried;|11| |12|\"you 'll see.\"|12| |13|Fannie looked at her son, and she seemed to see him more clearly than she had ever seen him before,--his foppery, his meanness, his cowardice.|13| |14|\"Well,\"|14| |15|she answered with a sigh,|15| |16|\"it can't be no wuss den what 's already happened.\"|16| |17|\"You 'll see, you 'll see,\"|17| |18|the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them.|18| |19|\"Tell huh,\"|19| |20|said Mrs. Hamilton,|20| |21|\"dat dey ain't no one hyeah wants to see huh.\"|21| |22|\"No, no,\"|22| |23|Kitty broke in.|23| |24|\"Heish,\"|24| |25|said her mother;|25| |26|\"I 'm goin' to boss you a little while yit.\"|26| |27|\"Why, I don't understan' you, Mis' Hamilton,\"|27| |28|puffed Mrs. Jones.|28| |29|\"She 's a nice-lookin' lady, an' she said she knowed you at home.\"|29| |30|\"All you got to do is to tell dat ooman jes' what I say.\"|30| |31|Minty Brown downstairs had heard the little colloquy, and, perceiving that something was amiss, had come to the stairs to listen. Now her voice, striving hard to be condescending and sweet, but growing harsh with anger, floated up from below:|31| |32|\"Oh, nevah min', lady, I ain't anxious to see 'em. I jest called out o' pity, but I reckon dey 'shamed to see me 'cause de ol' man 's in penitentiary an' dey was run out o' town.\"|32| |33|Mrs. Jones gasped, and then turned and went hastily downstairs. Kit burst out crying afresh, and Joe walked the floor muttering beneath his breath, while the mother sat grimly watching the outcome. Finally they heard Mrs. Jones' step once more on the stairs. She came in without knocking, and her manner was distinctly unpleasant.|33| |34|\"Mis' Hamilton,\"|34| |35|she said,|35| |36|\"I 've had a talk with the lady downstairs, an' she 's tol' me everything. I 'd be glad if you 'd let me have my rooms as soon as possible.\"|36| |37|\"So you goin' to put me out on de wo'd of a stranger?\"|37|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Minty Brown\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Fannie Hamilton\",\n \"4\": \"No speaker\",\n \"5\": \"Francis Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Kit Hamilton\",\n \"8\": \"Fannie Hamilton\",\n \"9\": \"No speaker\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Fannie Hamilton\",\n \"15\": \"Leslie\",\n \"16\": \"Fannie Hamilton\",\n \"17\": \"Joe Hamilton\",\n \"18\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 37 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|he said, and gave her his mother's address. Then he hastened home to prepare the way for Minty's coming. Joe had no doubt but that his mother would see the matter quite as he saw it, and be willing to temporise with Minty; but he had reckoned without his host. Mrs. Hamilton might make certain concessions to strangers on the score of expediency, but she absolutely refused to yield one iota of her dignity to one whom she had known so long as an inferior.|1| |2|\"But don't you see what she can do for us, ma? She knows people that I know, and she can ruin me with them.\"|2| |3|\"I ain't never bowed my haid to Minty Brown an' I ain't a-goin' to do it now,\"|3| |4|was his mother's only reply.|4| |5|\"Oh, ma,\"|5| |6|Kitty put in,|6| |7|\"you don't want to get talked about up here, do you?\"|7| |8|\"We 'd jes' as well be talked about fu' somep'n we did n't do as fu' somep'n we did do, an' it would n' be long befo' we 'd come to dat if we made frien's wid dat Brown gal. I ain't a-goin' to do it. I 'm ashamed o' you, Kitty, fu' wantin' me to.\"|8| |9|The girl began to cry, while her brother walked the floor angrily.|9| |10|\"You 'll see what 'll happen,\"|10| |11|he cried;|11| |12|\"you 'll see.\"|12| |13|Fannie looked at her son, and she seemed to see him more clearly than she had ever seen him before,--his foppery, his meanness, his cowardice.|13| |14|\"Well,\"|14| |15|she answered with a sigh,|15| |16|\"it can't be no wuss den what 's already happened.\"|16| |17|\"You 'll see, you 'll see,\"|17| |18|the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them.|18| |19|\"Tell huh,\"|19| |20|said Mrs. Hamilton,|20| |21|\"dat dey ain't no one hyeah wants to see huh.\"|21| |22|\"No, no,\"|22| |23|Kitty broke in.|23| |24|\"Heish,\"|24| |25|said her mother;|25| |26|\"I 'm goin' to boss you a little while yit.\"|26| |27|\"Why, I don't understan' you, Mis' Hamilton,\"|27| |28|puffed Mrs. Jones.|28| |29|\"She 's a nice-lookin' lady, an' she said she knowed you at home.\"|29| |30|\"All you got to do is to tell dat ooman jes' what I say.\"|30| |31|Minty Brown downstairs had heard the little colloquy, and, perceiving that something was amiss, had come to the stairs to listen. Now her voice, striving hard to be condescending and sweet, but growing harsh with anger, floated up from below:|31| |32|\"Oh, nevah min', lady, I ain't anxious to see 'em. I jest called out o' pity, but I reckon dey 'shamed to see me 'cause de ol' man 's in penitentiary an' dey was run out o' town.\"|32| |33|Mrs. Jones gasped, and then turned and went hastily downstairs. Kit burst out crying afresh, and Joe walked the floor muttering beneath his breath, while the mother sat grimly watching the outcome. Finally they heard Mrs. Jones' step once more on the stairs. She came in without knocking, and her manner was distinctly unpleasant.|33| |34|\"Mis' Hamilton,\"|34| |35|she said,|35| |36|\"I 've had a talk with the lady downstairs, an' she 's tol' me everything. I 'd be glad if you 'd let me have my rooms as soon as possible.\"|36| |37|\"So you goin' to put me out on de wo'd of a stranger?\"|37|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Minty Brown\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Fannie Hamilton\",\n \"4\": \"No speaker\",\n \"5\": \"Francis Oakley\",\n \"6\": \"No speaker\",\n \"7\": \"Kit Hamilton\",\n \"8\": \"Fannie Hamilton\",\n \"9\": \"No speaker\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Fannie Hamilton\",\n \"15\": \"Leslie\",\n \"16\": \"Fannie Hamilton\",\n \"17\": \"Joe Hamilton\",\n \"18\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 37 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Fannie Hamilton\",\n \"4\": \"No speaker\",\n \"5\": \"Kit Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Kit Hamilton\",\n \"8\": \"Fannie Hamilton\",\n \"9\": \"No speaker\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Fannie Hamilton\",\n \"15\": \"No speaker\",\n \"16\": \"Fannie Hamilton\",\n \"17\": \"Joe Hamilton\",\n \"18\": \"No speaker\",\n \"19\": \"Fannie Hamilton\",\n \"20\": \"No speaker\",\n \"21\": \"Fannie Hamilton\",\n \"22\": \"Kit Hamilton\",\n \"23\": \"No speaker\",\n \"24\": \"Fannie Hamilton\",\n \"25\": \"No speaker\",\n \"26\": \"Fannie Hamilton\",\n \"27\": \"Mrs. Jones\",\n \"28\": \"No speaker\",\n \"29\": \"Mrs. Jones\",\n \"30\": \"Fannie Hamilton\",\n \"31\": \"No speaker\",\n \"32\": \"Minty Brown\",\n \"33\": \"No speaker\",\n \"34\": \"Mrs. Jones\",\n \"35\": \"No speaker\",\n \"36\": \"Mrs. Jones\",\n \"37\": \"Fannie Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Joe Hamilton",
"3": "Fannie Hamilton",
"4": "No speaker",
"5": "Kit Hamilton",
"6": "No speaker",
"7": "Kit Hamilton",
"8": "Fannie Hamilton",
"9": "No speaker",
"10": "Joe Hamilton",
"11": "No speaker",
"12": "Joe Hamilton",
"13": "No speaker",
"14": "Fannie Hamilton",
"15": "No speaker",
"16": "Fannie Hamilton",
"17": "Joe Hamilton",
"18": "No speaker",
"19": "Fannie Hamilton",
"20": "No speaker",
"21": "Fannie Hamilton",
"22": "Kit Hamilton",
"23": "No speaker",
"24": "Fannie Hamilton",
"25": "No speaker",
"26": "Fannie Hamilton",
"27": "Mrs. Jones",
"28": "No speaker",
"29": "Mrs. Jones",
"30": "Fannie Hamilton",
"31": "No speaker",
"32": "Minty Brown",
"33": "No speaker",
"34": "Mrs. Jones",
"35": "No speaker",
"36": "Mrs. Jones",
"37": "Fannie Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them.|1| |2|\"Tell huh,\"|2| |3|said Mrs. Hamilton,|3| |4|\"dat dey ain't no one hyeah wants to see huh.\"|4| |5|\"No, no,\"|5| |6|Kitty broke in.|6| |7|\"Heish,\"|7| |8|said her mother;|8| |9|\"I 'm goin' to boss you a little while yit.\"|9| |10|\"Why, I don't understan' you, Mis' Hamilton,\"|10| |11|puffed Mrs. Jones.|11| |12|\"She 's a nice-lookin' lady, an' she said she knowed you at home.\"|12| |13|\"All you got to do is to tell dat ooman jes' what I say.\"|13| |14|Minty Brown downstairs had heard the little colloquy, and, perceiving that something was amiss, had come to the stairs to listen. Now her voice, striving hard to be condescending and sweet, but growing harsh with anger, floated up from below:|14| |15|\"Oh, nevah min', lady, I ain't anxious to see 'em. I jest called out o' pity, but I reckon dey 'shamed to see me 'cause de ol' man 's in penitentiary an' dey was run out o' town.\"|15| |16|Mrs. Jones gasped, and then turned and went hastily downstairs. Kit burst out crying afresh, and Joe walked the floor muttering beneath his breath, while the mother sat grimly watching the outcome. Finally they heard Mrs. Jones' step once more on the stairs. She came in without knocking, and her manner was distinctly unpleasant.|16| |17|\"Mis' Hamilton,\"|17| |18|she said,|18| |19|\"I 've had a talk with the lady downstairs, an' she 's tol' me everything. I 'd be glad if you 'd let me have my rooms as soon as possible.\"|19| |20|\"So you goin' to put me out on de wo'd of a stranger?\"|20| |21|\"I 'm kin' o' sorry, but everybody in the house heard what Mis' Brown said, an' it 'll soon be all over town, an' that 'ud ruin the reputation of my house.\"|21| |22|\"I reckon all dat kin be 'splained.\"|22| |23|\"Yes, but I don't know that anybody kin 'splain your daughter allus being with Mr. Thomas, who ain't even divo'ced from his wife.\"|23| |24|She flashed a vindictive glance at the girl, who turned deadly pale and dropped her head in her hands.|24| |25|\"You daih to say dat, Mis' Jones, you dat fust interduced my gal to dat man and got huh to go out wid him? I reckon you 'd bettah go now.\"|25| |26|And Mrs. Jones looked at Fannie's face and obeyed. As soon as the woman's back was turned, Joe burst out,|26| |27|\"There, there! see what you 've done with your damned foolishness.\"|27| |28|Fannie turned on him like a tigress.|28| |29|\"Don't you cuss hyeah befo' me; I ain't nevah brung you up to it, an' I won't stan' it. Go to dem whaih you larned it, an whaih de wo'ds soun' sweet.\"|29| |30|The boy started to speak, but she checked him.|30| |31|\"Don't you daih to cuss ag'in or befo' Gawd dey 'll be somep'n fu' one o' dis fambly to be rottin' in jail fu'!\"|31| |32|The boy was cowed by his mother's manner. He was gathering his few belongings in a bundle.|32| |33|\"I ain't goin' to cuss,\"|33|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Kit Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Hattie Sterling\",\n \"8\": \"No speaker\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Minty Brown\",\n \"13\": \"Kitty Hamilton\",\n \"14\": \"Hattie Sterling\",\n \"15\": \"Mrs. Jones\",\n \"16\": \"Kit Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 33 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|the boy reiterated. Minty Brown allowed no wind of thought to cool the fire of her determination. She left Hattie Sterling's soon after Joe, and he was still walking the floor and uttering dire forebodings when she rang the bell below and asked for the Hamiltons. Mrs. Jones ushered her into her fearfully upholstered parlour, and then puffed up stairs to tell her lodgers that there was a friend there from the South who wanted to see them.|1| |2|\"Tell huh,\"|2| |3|said Mrs. Hamilton,|3| |4|\"dat dey ain't no one hyeah wants to see huh.\"|4| |5|\"No, no,\"|5| |6|Kitty broke in.|6| |7|\"Heish,\"|7| |8|said her mother;|8| |9|\"I 'm goin' to boss you a little while yit.\"|9| |10|\"Why, I don't understan' you, Mis' Hamilton,\"|10| |11|puffed Mrs. Jones.|11| |12|\"She 's a nice-lookin' lady, an' she said she knowed you at home.\"|12| |13|\"All you got to do is to tell dat ooman jes' what I say.\"|13| |14|Minty Brown downstairs had heard the little colloquy, and, perceiving that something was amiss, had come to the stairs to listen. Now her voice, striving hard to be condescending and sweet, but growing harsh with anger, floated up from below:|14| |15|\"Oh, nevah min', lady, I ain't anxious to see 'em. I jest called out o' pity, but I reckon dey 'shamed to see me 'cause de ol' man 's in penitentiary an' dey was run out o' town.\"|15| |16|Mrs. Jones gasped, and then turned and went hastily downstairs. Kit burst out crying afresh, and Joe walked the floor muttering beneath his breath, while the mother sat grimly watching the outcome. Finally they heard Mrs. Jones' step once more on the stairs. She came in without knocking, and her manner was distinctly unpleasant.|16| |17|\"Mis' Hamilton,\"|17| |18|she said,|18| |19|\"I 've had a talk with the lady downstairs, an' she 's tol' me everything. I 'd be glad if you 'd let me have my rooms as soon as possible.\"|19| |20|\"So you goin' to put me out on de wo'd of a stranger?\"|20| |21|\"I 'm kin' o' sorry, but everybody in the house heard what Mis' Brown said, an' it 'll soon be all over town, an' that 'ud ruin the reputation of my house.\"|21| |22|\"I reckon all dat kin be 'splained.\"|22| |23|\"Yes, but I don't know that anybody kin 'splain your daughter allus being with Mr. Thomas, who ain't even divo'ced from his wife.\"|23| |24|She flashed a vindictive glance at the girl, who turned deadly pale and dropped her head in her hands.|24| |25|\"You daih to say dat, Mis' Jones, you dat fust interduced my gal to dat man and got huh to go out wid him? I reckon you 'd bettah go now.\"|25| |26|And Mrs. Jones looked at Fannie's face and obeyed. As soon as the woman's back was turned, Joe burst out,|26| |27|\"There, there! see what you 've done with your damned foolishness.\"|27| |28|Fannie turned on him like a tigress.|28| |29|\"Don't you cuss hyeah befo' me; I ain't nevah brung you up to it, an' I won't stan' it. Go to dem whaih you larned it, an whaih de wo'ds soun' sweet.\"|29| |30|The boy started to speak, but she checked him.|30| |31|\"Don't you daih to cuss ag'in or befo' Gawd dey 'll be somep'n fu' one o' dis fambly to be rottin' in jail fu'!\"|31| |32|The boy was cowed by his mother's manner. He was gathering his few belongings in a bundle.|32| |33|\"I ain't goin' to cuss,\"|33|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"Francis Oakley\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Kit Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Hattie Sterling\",\n \"8\": \"No speaker\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Minty Brown\",\n \"13\": \"Kitty Hamilton\",\n \"14\": \"Hattie Sterling\",\n \"15\": \"Mrs. Jones\",\n \"16\": \"Kit Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 33 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Kit Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"Mrs. Jones\",\n \"11\": \"No speaker\",\n \"12\": \"Mrs. Jones\",\n \"13\": \"Fannie Hamilton\",\n \"14\": \"No speaker\",\n \"15\": \"Minty Brown\",\n \"16\": \"No speaker\",\n \"17\": \"Mrs. Jones\",\n \"18\": \"No speaker\",\n \"19\": \"Mrs. Jones\",\n \"20\": \"Fannie Hamilton\",\n \"21\": \"Mrs. Jones\",\n \"22\": \"Fannie Hamilton\",\n \"23\": \"Mrs. Jones\",\n \"24\": \"No speaker\",\n \"25\": \"Fannie Hamilton\",\n \"26\": \"No speaker\",\n \"27\": \"Joe Hamilton\",\n \"28\": \"No speaker\",\n \"29\": \"Fannie Hamilton\",\n \"30\": \"No speaker\",\n \"31\": \"Fannie Hamilton\",\n \"32\": \"No speaker\",\n \"33\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Fannie Hamilton",
"3": "No speaker",
"4": "Fannie Hamilton",
"5": "Kit Hamilton",
"6": "No speaker",
"7": "Fannie Hamilton",
"8": "No speaker",
"9": "Fannie Hamilton",
"10": "Mrs. Jones",
"11": "No speaker",
"12": "Mrs. Jones",
"13": "Fannie Hamilton",
"14": "No speaker",
"15": "Minty Brown",
"16": "No speaker",
"17": "Mrs. Jones",
"18": "No speaker",
"19": "Mrs. Jones",
"20": "Fannie Hamilton",
"21": "Mrs. Jones",
"22": "Fannie Hamilton",
"23": "Mrs. Jones",
"24": "No speaker",
"25": "Fannie Hamilton",
"26": "No speaker",
"27": "Joe Hamilton",
"28": "No speaker",
"29": "Fannie Hamilton",
"30": "No speaker",
"31": "Fannie Hamilton",
"32": "No speaker",
"33": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I 've had a talk with the lady downstairs, an' she 's tol' me everything. I 'd be glad if you 'd let me have my rooms as soon as possible.\"|1| |2|\"So you goin' to put me out on de wo'd of a stranger?\"|2| |3|\"I 'm kin' o' sorry, but everybody in the house heard what Mis' Brown said, an' it 'll soon be all over town, an' that 'ud ruin the reputation of my house.\"|3| |4|\"I reckon all dat kin be 'splained.\"|4| |5|\"Yes, but I don't know that anybody kin 'splain your daughter allus being with Mr. Thomas, who ain't even divo'ced from his wife.\"|5| |6|She flashed a vindictive glance at the girl, who turned deadly pale and dropped her head in her hands.|6| |7|\"You daih to say dat, Mis' Jones, you dat fust interduced my gal to dat man and got huh to go out wid him? I reckon you 'd bettah go now.\"|7| |8|And Mrs. Jones looked at Fannie's face and obeyed. As soon as the woman's back was turned, Joe burst out,|8| |9|\"There, there! see what you 've done with your damned foolishness.\"|9| |10|Fannie turned on him like a tigress.|10| |11|\"Don't you cuss hyeah befo' me; I ain't nevah brung you up to it, an' I won't stan' it. Go to dem whaih you larned it, an whaih de wo'ds soun' sweet.\"|11| |12|The boy started to speak, but she checked him.|12| |13|\"Don't you daih to cuss ag'in or befo' Gawd dey 'll be somep'n fu' one o' dis fambly to be rottin' in jail fu'!\"|13| |14|The boy was cowed by his mother's manner. He was gathering his few belongings in a bundle.|14| |15|\"I ain't goin' to cuss,\"|15| |16|he said sullenly,|16| |17|\"I 'm goin' out o' your way.\"|17| |18|\"Oh, go on,\"|18| |19|she said,|19| |20|\"go on. It 's been a long time sence you been my son. You on yo' way to hell, an' you is been fu' lo dese many days.\"|20| |21|Joe got out of the house as soon as possible. He did not speak to Kit nor look at his mother. He felt like a cur, because he knew deep down in his heart that he had only been waiting for some excuse to take this step. As he slammed the door behind him, his mother flung herself down by Kit's side and mingled her tears with her daughter's. But Kit did not raise her head.|21| |22|\"Dey ain't nothin' lef' but you now, Kit;\"|22| |23|but the girl did not speak, she only shook with hard sobs. Then her mother raised her head and almost screamed,|23| |24|\"My Gawd, not you, Kit!\"|24| |25|The girl rose, and then dropped unconscious in her mother's arms. Joe took his clothes to a lodging-house that he knew of, and then went to the club to drink himself up to the point of going to see Hattie after the show. XI BROKEN HOPES What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying. Joe needed especially its clarifying property, for though he knew himself a cur, he went away from his mother's house feeling himself somehow aggrieved, and the feeling grew upon him the more he thought of it. His mother had ruined his chance in life, and he could never hold up his head again. Yes, he had heard that several of the fellows at the club had shady reputations, but surely to be the son of a thief or a supposed thief was not like being the criminal himself. At the Banner he took a seat by himself, and, ordering a cocktail, sat glowering at the few other lonely members who had happened to drop in. There were not many of them, and the contagion of unsociability had taken possession of the house. The people sat scattered around at different tables, perfectly unmindful of the bartender, who cursed them under his breath for not \"getting together.\" Joe's mind was filled with bitter thoughts. How long had he been away from home? he asked himself. Nearly a year. Nearly a year passed in New York, and he had come to be what he so much desired,--a part of its fast life,--and now in a moment an old woman's stubbornness had destroyed all that he had builded. What would Thomas say when he heard it? What would the other fellows think? And Hattie? It was plain that she would never notice him again. He had no doubt but that the malice of Minty Brown would prompt her to seek out all of his friends and make the story known. Why had he not tried to placate her by disavowing sympathy with his mother? He would have had no compunction about doing so, but he had thought of it too late. He sat brooding over his trouble until the bartender called with respectful sarcasm to ask if he wanted to lease the glass he had. He gave back a silly laugh, gulped the rest of the liquor down, and was ordering another when Sadness came in. He came up directly to Joe and sat down beside him.|25| |26|\"Mr. Hamilton says 'Make it two, Jack,'\"|26|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mrs. Jones\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"Hattie Sterling\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Horace Talbot\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Francis Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 26 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I 've had a talk with the lady downstairs, an' she 's tol' me everything. I 'd be glad if you 'd let me have my rooms as soon as possible.\"|1| |2|\"So you goin' to put me out on de wo'd of a stranger?\"|2| |3|\"I 'm kin' o' sorry, but everybody in the house heard what Mis' Brown said, an' it 'll soon be all over town, an' that 'ud ruin the reputation of my house.\"|3| |4|\"I reckon all dat kin be 'splained.\"|4| |5|\"Yes, but I don't know that anybody kin 'splain your daughter allus being with Mr. Thomas, who ain't even divo'ced from his wife.\"|5| |6|She flashed a vindictive glance at the girl, who turned deadly pale and dropped her head in her hands.|6| |7|\"You daih to say dat, Mis' Jones, you dat fust interduced my gal to dat man and got huh to go out wid him? I reckon you 'd bettah go now.\"|7| |8|And Mrs. Jones looked at Fannie's face and obeyed. As soon as the woman's back was turned, Joe burst out,|8| |9|\"There, there! see what you 've done with your damned foolishness.\"|9| |10|Fannie turned on him like a tigress.|10| |11|\"Don't you cuss hyeah befo' me; I ain't nevah brung you up to it, an' I won't stan' it. Go to dem whaih you larned it, an whaih de wo'ds soun' sweet.\"|11| |12|The boy started to speak, but she checked him.|12| |13|\"Don't you daih to cuss ag'in or befo' Gawd dey 'll be somep'n fu' one o' dis fambly to be rottin' in jail fu'!\"|13| |14|The boy was cowed by his mother's manner. He was gathering his few belongings in a bundle.|14| |15|\"I ain't goin' to cuss,\"|15| |16|he said sullenly,|16| |17|\"I 'm goin' out o' your way.\"|17| |18|\"Oh, go on,\"|18| |19|she said,|19| |20|\"go on. It 's been a long time sence you been my son. You on yo' way to hell, an' you is been fu' lo dese many days.\"|20| |21|Joe got out of the house as soon as possible. He did not speak to Kit nor look at his mother. He felt like a cur, because he knew deep down in his heart that he had only been waiting for some excuse to take this step. As he slammed the door behind him, his mother flung herself down by Kit's side and mingled her tears with her daughter's. But Kit did not raise her head.|21| |22|\"Dey ain't nothin' lef' but you now, Kit;\"|22| |23|but the girl did not speak, she only shook with hard sobs. Then her mother raised her head and almost screamed,|23| |24|\"My Gawd, not you, Kit!\"|24| |25|The girl rose, and then dropped unconscious in her mother's arms. Joe took his clothes to a lodging-house that he knew of, and then went to the club to drink himself up to the point of going to see Hattie after the show. XI BROKEN HOPES What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying. Joe needed especially its clarifying property, for though he knew himself a cur, he went away from his mother's house feeling himself somehow aggrieved, and the feeling grew upon him the more he thought of it. His mother had ruined his chance in life, and he could never hold up his head again. Yes, he had heard that several of the fellows at the club had shady reputations, but surely to be the son of a thief or a supposed thief was not like being the criminal himself. At the Banner he took a seat by himself, and, ordering a cocktail, sat glowering at the few other lonely members who had happened to drop in. There were not many of them, and the contagion of unsociability had taken possession of the house. The people sat scattered around at different tables, perfectly unmindful of the bartender, who cursed them under his breath for not \"getting together.\" Joe's mind was filled with bitter thoughts. How long had he been away from home? he asked himself. Nearly a year. Nearly a year passed in New York, and he had come to be what he so much desired,--a part of its fast life,--and now in a moment an old woman's stubbornness had destroyed all that he had builded. What would Thomas say when he heard it? What would the other fellows think? And Hattie? It was plain that she would never notice him again. He had no doubt but that the malice of Minty Brown would prompt her to seek out all of his friends and make the story known. Why had he not tried to placate her by disavowing sympathy with his mother? He would have had no compunction about doing so, but he had thought of it too late. He sat brooding over his trouble until the bartender called with respectful sarcasm to ask if he wanted to lease the glass he had. He gave back a silly laugh, gulped the rest of the liquor down, and was ordering another when Sadness came in. He came up directly to Joe and sat down beside him.|25| |26|\"Mr. Hamilton says 'Make it two, Jack,'\"|26|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Mrs. Jones\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"Hattie Sterling\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Horace Talbot\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Francis Oakley\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 26 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Mrs. Jones\",\n \"2\": \"Fannie Hamilton\",\n \"3\": \"Mrs. Jones\",\n \"4\": \"Fannie Hamilton\",\n \"5\": \"Mrs. Jones\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Joe Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Fannie Hamilton\",\n \"14\": \"No speaker\",\n \"15\": \"Joe Hamilton\",\n \"16\": \"No speaker\",\n \"17\": \"Joe Hamilton\",\n \"18\": \"Fannie Hamilton\",\n \"19\": \"No speaker\",\n \"20\": \"Fannie Hamilton\",\n \"21\": \"No speaker\",\n \"22\": \"Fannie Hamilton\",\n \"23\": \"No speaker\",\n \"24\": \"Fannie Hamilton\",\n \"25\": \"No speaker\",\n \"26\": \"Sadness\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Mrs. Jones",
"2": "Fannie Hamilton",
"3": "Mrs. Jones",
"4": "Fannie Hamilton",
"5": "Mrs. Jones",
"6": "No speaker",
"7": "Fannie Hamilton",
"8": "No speaker",
"9": "Joe Hamilton",
"10": "No speaker",
"11": "Fannie Hamilton",
"12": "No speaker",
"13": "Fannie Hamilton",
"14": "No speaker",
"15": "Joe Hamilton",
"16": "No speaker",
"17": "Joe Hamilton",
"18": "Fannie Hamilton",
"19": "No speaker",
"20": "Fannie Hamilton",
"21": "No speaker",
"22": "Fannie Hamilton",
"23": "No speaker",
"24": "Fannie Hamilton",
"25": "No speaker",
"26": "Sadness"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The boy was cowed by his mother's manner. He was gathering his few belongings in a bundle.|1| |2|\"I ain't goin' to cuss,\"|2| |3|he said sullenly,|3| |4|\"I 'm goin' out o' your way.\"|4| |5|\"Oh, go on,\"|5| |6|she said,|6| |7|\"go on. It 's been a long time sence you been my son. You on yo' way to hell, an' you is been fu' lo dese many days.\"|7| |8|Joe got out of the house as soon as possible. He did not speak to Kit nor look at his mother. He felt like a cur, because he knew deep down in his heart that he had only been waiting for some excuse to take this step. As he slammed the door behind him, his mother flung herself down by Kit's side and mingled her tears with her daughter's. But Kit did not raise her head.|8| |9|\"Dey ain't nothin' lef' but you now, Kit;\"|9| |10|but the girl did not speak, she only shook with hard sobs. Then her mother raised her head and almost screamed,|10| |11|\"My Gawd, not you, Kit!\"|11| |12|The girl rose, and then dropped unconscious in her mother's arms. Joe took his clothes to a lodging-house that he knew of, and then went to the club to drink himself up to the point of going to see Hattie after the show. XI BROKEN HOPES What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying. Joe needed especially its clarifying property, for though he knew himself a cur, he went away from his mother's house feeling himself somehow aggrieved, and the feeling grew upon him the more he thought of it. His mother had ruined his chance in life, and he could never hold up his head again. Yes, he had heard that several of the fellows at the club had shady reputations, but surely to be the son of a thief or a supposed thief was not like being the criminal himself. At the Banner he took a seat by himself, and, ordering a cocktail, sat glowering at the few other lonely members who had happened to drop in. There were not many of them, and the contagion of unsociability had taken possession of the house. The people sat scattered around at different tables, perfectly unmindful of the bartender, who cursed them under his breath for not \"getting together.\" Joe's mind was filled with bitter thoughts. How long had he been away from home? he asked himself. Nearly a year. Nearly a year passed in New York, and he had come to be what he so much desired,--a part of its fast life,--and now in a moment an old woman's stubbornness had destroyed all that he had builded. What would Thomas say when he heard it? What would the other fellows think? And Hattie? It was plain that she would never notice him again. He had no doubt but that the malice of Minty Brown would prompt her to seek out all of his friends and make the story known. Why had he not tried to placate her by disavowing sympathy with his mother? He would have had no compunction about doing so, but he had thought of it too late. He sat brooding over his trouble until the bartender called with respectful sarcasm to ask if he wanted to lease the glass he had. He gave back a silly laugh, gulped the rest of the liquor down, and was ordering another when Sadness came in. He came up directly to Joe and sat down beside him.|12| |13|\"Mr. Hamilton says 'Make it two, Jack,'\"|13|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Sadness\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"Fannie Hamilton\",\n \"6\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 13 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The boy was cowed by his mother's manner. He was gathering his few belongings in a bundle.|1| |2|\"I ain't goin' to cuss,\"|2| |3|he said sullenly,|3| |4|\"I 'm goin' out o' your way.\"|4| |5|\"Oh, go on,\"|5| |6|she said,|6| |7|\"go on. It 's been a long time sence you been my son. You on yo' way to hell, an' you is been fu' lo dese many days.\"|7| |8|Joe got out of the house as soon as possible. He did not speak to Kit nor look at his mother. He felt like a cur, because he knew deep down in his heart that he had only been waiting for some excuse to take this step. As he slammed the door behind him, his mother flung herself down by Kit's side and mingled her tears with her daughter's. But Kit did not raise her head.|8| |9|\"Dey ain't nothin' lef' but you now, Kit;\"|9| |10|but the girl did not speak, she only shook with hard sobs. Then her mother raised her head and almost screamed,|10| |11|\"My Gawd, not you, Kit!\"|11| |12|The girl rose, and then dropped unconscious in her mother's arms. Joe took his clothes to a lodging-house that he knew of, and then went to the club to drink himself up to the point of going to see Hattie after the show. XI BROKEN HOPES What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying. Joe needed especially its clarifying property, for though he knew himself a cur, he went away from his mother's house feeling himself somehow aggrieved, and the feeling grew upon him the more he thought of it. His mother had ruined his chance in life, and he could never hold up his head again. Yes, he had heard that several of the fellows at the club had shady reputations, but surely to be the son of a thief or a supposed thief was not like being the criminal himself. At the Banner he took a seat by himself, and, ordering a cocktail, sat glowering at the few other lonely members who had happened to drop in. There were not many of them, and the contagion of unsociability had taken possession of the house. The people sat scattered around at different tables, perfectly unmindful of the bartender, who cursed them under his breath for not \"getting together.\" Joe's mind was filled with bitter thoughts. How long had he been away from home? he asked himself. Nearly a year. Nearly a year passed in New York, and he had come to be what he so much desired,--a part of its fast life,--and now in a moment an old woman's stubbornness had destroyed all that he had builded. What would Thomas say when he heard it? What would the other fellows think? And Hattie? It was plain that she would never notice him again. He had no doubt but that the malice of Minty Brown would prompt her to seek out all of his friends and make the story known. Why had he not tried to placate her by disavowing sympathy with his mother? He would have had no compunction about doing so, but he had thought of it too late. He sat brooding over his trouble until the bartender called with respectful sarcasm to ask if he wanted to lease the glass he had. He gave back a silly laugh, gulped the rest of the liquor down, and was ordering another when Sadness came in. He came up directly to Joe and sat down beside him.|12| |13|\"Mr. Hamilton says 'Make it two, Jack,'\"|13|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Sadness\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"Fannie Hamilton\",\n \"6\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 13 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"Fannie Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Fannie Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Fannie Hamilton\",\n \"10\": \"No speaker\",\n \"11\": \"Fannie Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Sadness\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Joe Hamilton",
"3": "No speaker",
"4": "Joe Hamilton",
"5": "Fannie Hamilton",
"6": "No speaker",
"7": "Fannie Hamilton",
"8": "No speaker",
"9": "Fannie Hamilton",
"10": "No speaker",
"11": "Fannie Hamilton",
"12": "No speaker",
"13": "Sadness"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The girl rose, and then dropped unconscious in her mother's arms. Joe took his clothes to a lodging-house that he knew of, and then went to the club to drink himself up to the point of going to see Hattie after the show. XI BROKEN HOPES What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying. Joe needed especially its clarifying property, for though he knew himself a cur, he went away from his mother's house feeling himself somehow aggrieved, and the feeling grew upon him the more he thought of it. His mother had ruined his chance in life, and he could never hold up his head again. Yes, he had heard that several of the fellows at the club had shady reputations, but surely to be the son of a thief or a supposed thief was not like being the criminal himself. At the Banner he took a seat by himself, and, ordering a cocktail, sat glowering at the few other lonely members who had happened to drop in. There were not many of them, and the contagion of unsociability had taken possession of the house. The people sat scattered around at different tables, perfectly unmindful of the bartender, who cursed them under his breath for not \"getting together.\" Joe's mind was filled with bitter thoughts. How long had he been away from home? he asked himself. Nearly a year. Nearly a year passed in New York, and he had come to be what he so much desired,--a part of its fast life,--and now in a moment an old woman's stubbornness had destroyed all that he had builded. What would Thomas say when he heard it? What would the other fellows think? And Hattie? It was plain that she would never notice him again. He had no doubt but that the malice of Minty Brown would prompt her to seek out all of his friends and make the story known. Why had he not tried to placate her by disavowing sympathy with his mother? He would have had no compunction about doing so, but he had thought of it too late. He sat brooding over his trouble until the bartender called with respectful sarcasm to ask if he wanted to lease the glass he had. He gave back a silly laugh, gulped the rest of the liquor down, and was ordering another when Sadness came in. He came up directly to Joe and sat down beside him.|1| |2|\"Mr. Hamilton says 'Make it two, Jack,'\"|2| |3|he said with easy familiarity.|3| |4|\"Well, what 's the matter, old man? You 're looking glum.\"|4| |5|\"I feel glum.\"|5| |6|\"The divine Hattie has n't been cutting any capers, has she? The dear old girl has n't been getting hysterical at her age? Let us hope not.\"|6| |7|Joe glared at him. Why in the devil should this fellow be so sadly gay when he was weighted down with sorrow and shame and disgust?|7| |8|\"Come, come now, Hamilton, if you 're sore because I invited myself to take a drink with you, I 'll withdraw the order. I know the heroic thing to say is that I 'll pay for the drinks myself, but I can't screw my courage up to the point of doing so unnatural a thing.\"|8| |9|Young Hamilton hastened to protest.|9|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 9 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The girl rose, and then dropped unconscious in her mother's arms. Joe took his clothes to a lodging-house that he knew of, and then went to the club to drink himself up to the point of going to see Hattie after the show. XI BROKEN HOPES What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying. Joe needed especially its clarifying property, for though he knew himself a cur, he went away from his mother's house feeling himself somehow aggrieved, and the feeling grew upon him the more he thought of it. His mother had ruined his chance in life, and he could never hold up his head again. Yes, he had heard that several of the fellows at the club had shady reputations, but surely to be the son of a thief or a supposed thief was not like being the criminal himself. At the Banner he took a seat by himself, and, ordering a cocktail, sat glowering at the few other lonely members who had happened to drop in. There were not many of them, and the contagion of unsociability had taken possession of the house. The people sat scattered around at different tables, perfectly unmindful of the bartender, who cursed them under his breath for not \"getting together.\" Joe's mind was filled with bitter thoughts. How long had he been away from home? he asked himself. Nearly a year. Nearly a year passed in New York, and he had come to be what he so much desired,--a part of its fast life,--and now in a moment an old woman's stubbornness had destroyed all that he had builded. What would Thomas say when he heard it? What would the other fellows think? And Hattie? It was plain that she would never notice him again. He had no doubt but that the malice of Minty Brown would prompt her to seek out all of his friends and make the story known. Why had he not tried to placate her by disavowing sympathy with his mother? He would have had no compunction about doing so, but he had thought of it too late. He sat brooding over his trouble until the bartender called with respectful sarcasm to ask if he wanted to lease the glass he had. He gave back a silly laugh, gulped the rest of the liquor down, and was ordering another when Sadness came in. He came up directly to Joe and sat down beside him.|1| |2|\"Mr. Hamilton says 'Make it two, Jack,'\"|2| |3|he said with easy familiarity.|3| |4|\"Well, what 's the matter, old man? You 're looking glum.\"|4| |5|\"I feel glum.\"|5| |6|\"The divine Hattie has n't been cutting any capers, has she? The dear old girl has n't been getting hysterical at her age? Let us hope not.\"|6| |7|Joe glared at him. Why in the devil should this fellow be so sadly gay when he was weighted down with sorrow and shame and disgust?|7| |8|\"Come, come now, Hamilton, if you 're sore because I invited myself to take a drink with you, I 'll withdraw the order. I know the heroic thing to say is that I 'll pay for the drinks myself, but I can't screw my courage up to the point of doing so unnatural a thing.\"|8| |9|Young Hamilton hastened to protest.|9|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Mr. Thomas\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 9 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Sadness\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"Sadness\",\n \"7\": \"No speaker\",\n \"8\": \"Sadness\",\n \"9\": \"No speaker\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Sadness",
"3": "No speaker",
"4": "Sadness",
"5": "Joe Hamilton",
"6": "Sadness",
"7": "No speaker",
"8": "Sadness",
"9": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The girl rose, and then dropped unconscious in her mother's arms. Joe took his clothes to a lodging-house that he knew of, and then went to the club to drink himself up to the point of going to see Hattie after the show. XI BROKEN HOPES What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying. Joe needed especially its clarifying property, for though he knew himself a cur, he went away from his mother's house feeling himself somehow aggrieved, and the feeling grew upon him the more he thought of it. His mother had ruined his chance in life, and he could never hold up his head again. Yes, he had heard that several of the fellows at the club had shady reputations, but surely to be the son of a thief or a supposed thief was not like being the criminal himself. At the Banner he took a seat by himself, and, ordering a cocktail, sat glowering at the few other lonely members who had happened to drop in. There were not many of them, and the contagion of unsociability had taken possession of the house. The people sat scattered around at different tables, perfectly unmindful of the bartender, who cursed them under his breath for not \"getting together.\" Joe's mind was filled with bitter thoughts. How long had he been away from home? he asked himself. Nearly a year. Nearly a year passed in New York, and he had come to be what he so much desired,--a part of its fast life,--and now in a moment an old woman's stubbornness had destroyed all that he had builded. What would Thomas say when he heard it? What would the other fellows think? And Hattie? It was plain that she would never notice him again. He had no doubt but that the malice of Minty Brown would prompt her to seek out all of his friends and make the story known. Why had he not tried to placate her by disavowing sympathy with his mother? He would have had no compunction about doing so, but he had thought of it too late. He sat brooding over his trouble until the bartender called with respectful sarcasm to ask if he wanted to lease the glass he had. He gave back a silly laugh, gulped the rest of the liquor down, and was ordering another when Sadness came in. He came up directly to Joe and sat down beside him.|1| |2|\"Mr. Hamilton says 'Make it two, Jack,'\"|2| |3|he said with easy familiarity.|3| |4|\"Well, what 's the matter, old man? You 're looking glum.\"|4| |5|\"I feel glum.\"|5| |6|\"The divine Hattie has n't been cutting any capers, has she? The dear old girl has n't been getting hysterical at her age? Let us hope not.\"|6| |7|Joe glared at him. Why in the devil should this fellow be so sadly gay when he was weighted down with sorrow and shame and disgust?|7| |8|\"Come, come now, Hamilton, if you 're sore because I invited myself to take a drink with you, I 'll withdraw the order. I know the heroic thing to say is that I 'll pay for the drinks myself, but I can't screw my courage up to the point of doing so unnatural a thing.\"|8| |9|Young Hamilton hastened to protest.|9| |10|\"Oh, I know you fellows now well enough to know how many drinks to pay for. It ain't that.\"|10| |11|\"Well, then, out with it. What is it? Have n't been up to anything, have you?\"|11| |12|The desire came to Joe to tell this man the whole truth, just what was the matter, and so to relieve his heart. On the impulse he did. If he had expected much from Sadness he was disappointed, for not a muscle of the man's face changed during the entire recital. When it was over, he looked at his companion critically through a wreath of smoke. Then he said:|12| |13|\"For a fellow who has had for a full year the advantage of the education of the New York clubs, you are strangely young. Let me see, you are nineteen or twenty now--yes. Well, that perhaps accounts for it. It 's a pity you were n't born older. It 's a pity most men are n't. They would n't have to take so much time and lose so many good things learning. Now, Mr. Hamilton, let me tell you, and you will pardon me for it, that you are a fool. Your case is n't half as bad as that of nine-tenths of the fellows that hang around here. Now, for instance, my father was hung.\"|13| |14|Joe started and gave a gasp of horror.|14| |15|\"Oh, yes, but it was done with a very good rope and by the best citizens of Texas, so it seems that I really ought to be very grateful to them for the distinction they conferred upon my family, but I am not. I am ungratefully sad. A man must be very high or very low to take the sensible view of life that keeps him from being sad. I must confess that I have aspired to the depths without ever being fully able to reach them.\"|15| |16|\"Now look around a bit. See that little girl over there? That 's Viola. Two years ago she wrenched up an iron stool from the floor of a lunch-room, and killed another woman with it. She 's nineteen,--just about your age, by the way. Well, she had friends with a certain amount of pull. She got out of it, and no one thinks the worse of Viola. You see, Hamilton, in this life we are all suffering from fever, and no one edges away from the other because he finds him a little warm. It 's dangerous when you 're not used to it; but once you go through the parching process, you become inoculated against further contagion. Now, there 's Barney over there, as decent a fellow as I know; but he has been indicted twice for pocket-picking. A half-dozen fellows whom you meet here every night have killed their man. Others have done worse things for which you respect them less. Poor Wallace, who is just coming in, and who looks like a jaunty ragpicker, came here about six months ago with about two thousand dollars, the proceeds from the sale of a house his father had left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others.\"|16|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Sadness\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\",\n \"5\": \"Kitty Hamilton\",\n \"6\": \"Sadness\",\n \"7\": \"No speaker\",\n \"8\": \"Minty Brown\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 16 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|The girl rose, and then dropped unconscious in her mother's arms. Joe took his clothes to a lodging-house that he knew of, and then went to the club to drink himself up to the point of going to see Hattie after the show. XI BROKEN HOPES What Joe Hamilton lacked more than anything else in the world was some one to kick him. Many a man who might have lived decently and become a fairly respectable citizen has gone to the dogs for the want of some one to administer a good resounding kick at the right time. It is corrective and clarifying. Joe needed especially its clarifying property, for though he knew himself a cur, he went away from his mother's house feeling himself somehow aggrieved, and the feeling grew upon him the more he thought of it. His mother had ruined his chance in life, and he could never hold up his head again. Yes, he had heard that several of the fellows at the club had shady reputations, but surely to be the son of a thief or a supposed thief was not like being the criminal himself. At the Banner he took a seat by himself, and, ordering a cocktail, sat glowering at the few other lonely members who had happened to drop in. There were not many of them, and the contagion of unsociability had taken possession of the house. The people sat scattered around at different tables, perfectly unmindful of the bartender, who cursed them under his breath for not \"getting together.\" Joe's mind was filled with bitter thoughts. How long had he been away from home? he asked himself. Nearly a year. Nearly a year passed in New York, and he had come to be what he so much desired,--a part of its fast life,--and now in a moment an old woman's stubbornness had destroyed all that he had builded. What would Thomas say when he heard it? What would the other fellows think? And Hattie? It was plain that she would never notice him again. He had no doubt but that the malice of Minty Brown would prompt her to seek out all of his friends and make the story known. Why had he not tried to placate her by disavowing sympathy with his mother? He would have had no compunction about doing so, but he had thought of it too late. He sat brooding over his trouble until the bartender called with respectful sarcasm to ask if he wanted to lease the glass he had. He gave back a silly laugh, gulped the rest of the liquor down, and was ordering another when Sadness came in. He came up directly to Joe and sat down beside him.|1| |2|\"Mr. Hamilton says 'Make it two, Jack,'\"|2| |3|he said with easy familiarity.|3| |4|\"Well, what 's the matter, old man? You 're looking glum.\"|4| |5|\"I feel glum.\"|5| |6|\"The divine Hattie has n't been cutting any capers, has she? The dear old girl has n't been getting hysterical at her age? Let us hope not.\"|6| |7|Joe glared at him. Why in the devil should this fellow be so sadly gay when he was weighted down with sorrow and shame and disgust?|7| |8|\"Come, come now, Hamilton, if you 're sore because I invited myself to take a drink with you, I 'll withdraw the order. I know the heroic thing to say is that I 'll pay for the drinks myself, but I can't screw my courage up to the point of doing so unnatural a thing.\"|8| |9|Young Hamilton hastened to protest.|9| |10|\"Oh, I know you fellows now well enough to know how many drinks to pay for. It ain't that.\"|10| |11|\"Well, then, out with it. What is it? Have n't been up to anything, have you?\"|11| |12|The desire came to Joe to tell this man the whole truth, just what was the matter, and so to relieve his heart. On the impulse he did. If he had expected much from Sadness he was disappointed, for not a muscle of the man's face changed during the entire recital. When it was over, he looked at his companion critically through a wreath of smoke. Then he said:|12| |13|\"For a fellow who has had for a full year the advantage of the education of the New York clubs, you are strangely young. Let me see, you are nineteen or twenty now--yes. Well, that perhaps accounts for it. It 's a pity you were n't born older. It 's a pity most men are n't. They would n't have to take so much time and lose so many good things learning. Now, Mr. Hamilton, let me tell you, and you will pardon me for it, that you are a fool. Your case is n't half as bad as that of nine-tenths of the fellows that hang around here. Now, for instance, my father was hung.\"|13| |14|Joe started and gave a gasp of horror.|14| |15|\"Oh, yes, but it was done with a very good rope and by the best citizens of Texas, so it seems that I really ought to be very grateful to them for the distinction they conferred upon my family, but I am not. I am ungratefully sad. A man must be very high or very low to take the sensible view of life that keeps him from being sad. I must confess that I have aspired to the depths without ever being fully able to reach them.\"|15| |16|\"Now look around a bit. See that little girl over there? That 's Viola. Two years ago she wrenched up an iron stool from the floor of a lunch-room, and killed another woman with it. She 's nineteen,--just about your age, by the way. Well, she had friends with a certain amount of pull. She got out of it, and no one thinks the worse of Viola. You see, Hamilton, in this life we are all suffering from fever, and no one edges away from the other because he finds him a little warm. It 's dangerous when you 're not used to it; but once you go through the parching process, you become inoculated against further contagion. Now, there 's Barney over there, as decent a fellow as I know; but he has been indicted twice for pocket-picking. A half-dozen fellows whom you meet here every night have killed their man. Others have done worse things for which you respect them less. Poor Wallace, who is just coming in, and who looks like a jaunty ragpicker, came here about six months ago with about two thousand dollars, the proceeds from the sale of a house his father had left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others.\"|16|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Sadness\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\",\n \"5\": \"Kitty Hamilton\",\n \"6\": \"Sadness\",\n \"7\": \"No speaker\",\n \"8\": \"Minty Brown\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 16 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Sadness\",\n \"3\": \"No speaker\",\n \"4\": \"Sadness\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"Sadness\",\n \"7\": \"No speaker\",\n \"8\": \"Sadness\",\n \"9\": \"No speaker\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"Sadness\",\n \"12\": \"No speaker\",\n \"13\": \"Sadness\",\n \"14\": \"No speaker\",\n \"15\": \"Sadness\",\n \"16\": \"Sadness\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Sadness",
"3": "No speaker",
"4": "Sadness",
"5": "Joe Hamilton",
"6": "Sadness",
"7": "No speaker",
"8": "Sadness",
"9": "No speaker",
"10": "Joe Hamilton",
"11": "Sadness",
"12": "No speaker",
"13": "Sadness",
"14": "No speaker",
"15": "Sadness",
"16": "Sadness"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Come, come now, Hamilton, if you 're sore because I invited myself to take a drink with you, I 'll withdraw the order. I know the heroic thing to say is that I 'll pay for the drinks myself, but I can't screw my courage up to the point of doing so unnatural a thing.\"|1| |2|Young Hamilton hastened to protest.|2| |3|\"Oh, I know you fellows now well enough to know how many drinks to pay for. It ain't that.\"|3| |4|\"Well, then, out with it. What is it? Have n't been up to anything, have you?\"|4| |5|The desire came to Joe to tell this man the whole truth, just what was the matter, and so to relieve his heart. On the impulse he did. If he had expected much from Sadness he was disappointed, for not a muscle of the man's face changed during the entire recital. When it was over, he looked at his companion critically through a wreath of smoke. Then he said:|5| |6|\"For a fellow who has had for a full year the advantage of the education of the New York clubs, you are strangely young. Let me see, you are nineteen or twenty now--yes. Well, that perhaps accounts for it. It 's a pity you were n't born older. It 's a pity most men are n't. They would n't have to take so much time and lose so many good things learning. Now, Mr. Hamilton, let me tell you, and you will pardon me for it, that you are a fool. Your case is n't half as bad as that of nine-tenths of the fellows that hang around here. Now, for instance, my father was hung.\"|6| |7|Joe started and gave a gasp of horror.|7| |8|\"Oh, yes, but it was done with a very good rope and by the best citizens of Texas, so it seems that I really ought to be very grateful to them for the distinction they conferred upon my family, but I am not. I am ungratefully sad. A man must be very high or very low to take the sensible view of life that keeps him from being sad. I must confess that I have aspired to the depths without ever being fully able to reach them.\"|8| |9|\"Now look around a bit. See that little girl over there? That 's Viola. Two years ago she wrenched up an iron stool from the floor of a lunch-room, and killed another woman with it. She 's nineteen,--just about your age, by the way. Well, she had friends with a certain amount of pull. She got out of it, and no one thinks the worse of Viola. You see, Hamilton, in this life we are all suffering from fever, and no one edges away from the other because he finds him a little warm. It 's dangerous when you 're not used to it; but once you go through the parching process, you become inoculated against further contagion. Now, there 's Barney over there, as decent a fellow as I know; but he has been indicted twice for pocket-picking. A half-dozen fellows whom you meet here every night have killed their man. Others have done worse things for which you respect them less. Poor Wallace, who is just coming in, and who looks like a jaunty ragpicker, came here about six months ago with about two thousand dollars, the proceeds from the sale of a house his father had left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others.\"|9| |10|Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully \"in it.\" It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie. He put out his hand to Sadness with a knowing look.|10|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"No speaker\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"Sadness\",\n \"5\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 10 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Come, come now, Hamilton, if you 're sore because I invited myself to take a drink with you, I 'll withdraw the order. I know the heroic thing to say is that I 'll pay for the drinks myself, but I can't screw my courage up to the point of doing so unnatural a thing.\"|1| |2|Young Hamilton hastened to protest.|2| |3|\"Oh, I know you fellows now well enough to know how many drinks to pay for. It ain't that.\"|3| |4|\"Well, then, out with it. What is it? Have n't been up to anything, have you?\"|4| |5|The desire came to Joe to tell this man the whole truth, just what was the matter, and so to relieve his heart. On the impulse he did. If he had expected much from Sadness he was disappointed, for not a muscle of the man's face changed during the entire recital. When it was over, he looked at his companion critically through a wreath of smoke. Then he said:|5| |6|\"For a fellow who has had for a full year the advantage of the education of the New York clubs, you are strangely young. Let me see, you are nineteen or twenty now--yes. Well, that perhaps accounts for it. It 's a pity you were n't born older. It 's a pity most men are n't. They would n't have to take so much time and lose so many good things learning. Now, Mr. Hamilton, let me tell you, and you will pardon me for it, that you are a fool. Your case is n't half as bad as that of nine-tenths of the fellows that hang around here. Now, for instance, my father was hung.\"|6| |7|Joe started and gave a gasp of horror.|7| |8|\"Oh, yes, but it was done with a very good rope and by the best citizens of Texas, so it seems that I really ought to be very grateful to them for the distinction they conferred upon my family, but I am not. I am ungratefully sad. A man must be very high or very low to take the sensible view of life that keeps him from being sad. I must confess that I have aspired to the depths without ever being fully able to reach them.\"|8| |9|\"Now look around a bit. See that little girl over there? That 's Viola. Two years ago she wrenched up an iron stool from the floor of a lunch-room, and killed another woman with it. She 's nineteen,--just about your age, by the way. Well, she had friends with a certain amount of pull. She got out of it, and no one thinks the worse of Viola. You see, Hamilton, in this life we are all suffering from fever, and no one edges away from the other because he finds him a little warm. It 's dangerous when you 're not used to it; but once you go through the parching process, you become inoculated against further contagion. Now, there 's Barney over there, as decent a fellow as I know; but he has been indicted twice for pocket-picking. A half-dozen fellows whom you meet here every night have killed their man. Others have done worse things for which you respect them less. Poor Wallace, who is just coming in, and who looks like a jaunty ragpicker, came here about six months ago with about two thousand dollars, the proceeds from the sale of a house his father had left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others.\"|9| |10|Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully \"in it.\" It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie. He put out his hand to Sadness with a knowing look.|10|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"No speaker\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"Sadness\",\n \"5\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 10 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"No speaker\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"Sadness\",\n \"5\": \"No speaker\",\n \"6\": \"Sadness\",\n \"7\": \"No speaker\",\n \"8\": \"Sadness\",\n \"9\": \"Sadness\",\n \"10\": \"No speaker\"\n }\n}",
"role": "assistant"
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]
}
|
{
"predictions": {
"1": "Sadness",
"2": "No speaker",
"3": "Joe Hamilton",
"4": "Sadness",
"5": "No speaker",
"6": "Sadness",
"7": "No speaker",
"8": "Sadness",
"9": "Sadness",
"10": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Oh, yes, but it was done with a very good rope and by the best citizens of Texas, so it seems that I really ought to be very grateful to them for the distinction they conferred upon my family, but I am not. I am ungratefully sad. A man must be very high or very low to take the sensible view of life that keeps him from being sad. I must confess that I have aspired to the depths without ever being fully able to reach them.\"|1| |2|\"Now look around a bit. See that little girl over there? That 's Viola. Two years ago she wrenched up an iron stool from the floor of a lunch-room, and killed another woman with it. She 's nineteen,--just about your age, by the way. Well, she had friends with a certain amount of pull. She got out of it, and no one thinks the worse of Viola. You see, Hamilton, in this life we are all suffering from fever, and no one edges away from the other because he finds him a little warm. It 's dangerous when you 're not used to it; but once you go through the parching process, you become inoculated against further contagion. Now, there 's Barney over there, as decent a fellow as I know; but he has been indicted twice for pocket-picking. A half-dozen fellows whom you meet here every night have killed their man. Others have done worse things for which you respect them less. Poor Wallace, who is just coming in, and who looks like a jaunty ragpicker, came here about six months ago with about two thousand dollars, the proceeds from the sale of a house his father had left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others.\"|2| |3|Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully \"in it.\" It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie. He put out his hand to Sadness with a knowing look.|3| |4|\"Thanks, Sadness,\"|4|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"Kit Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 4 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Oh, yes, but it was done with a very good rope and by the best citizens of Texas, so it seems that I really ought to be very grateful to them for the distinction they conferred upon my family, but I am not. I am ungratefully sad. A man must be very high or very low to take the sensible view of life that keeps him from being sad. I must confess that I have aspired to the depths without ever being fully able to reach them.\"|1| |2|\"Now look around a bit. See that little girl over there? That 's Viola. Two years ago she wrenched up an iron stool from the floor of a lunch-room, and killed another woman with it. She 's nineteen,--just about your age, by the way. Well, she had friends with a certain amount of pull. She got out of it, and no one thinks the worse of Viola. You see, Hamilton, in this life we are all suffering from fever, and no one edges away from the other because he finds him a little warm. It 's dangerous when you 're not used to it; but once you go through the parching process, you become inoculated against further contagion. Now, there 's Barney over there, as decent a fellow as I know; but he has been indicted twice for pocket-picking. A half-dozen fellows whom you meet here every night have killed their man. Others have done worse things for which you respect them less. Poor Wallace, who is just coming in, and who looks like a jaunty ragpicker, came here about six months ago with about two thousand dollars, the proceeds from the sale of a house his father had left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others.\"|2| |3|Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully \"in it.\" It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie. He put out his hand to Sadness with a knowing look.|3| |4|\"Thanks, Sadness,\"|4|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"Kit Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 4 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"Sadness\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Sadness",
"2": "Sadness",
"3": "No speaker",
"4": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Now look around a bit. See that little girl over there? That 's Viola. Two years ago she wrenched up an iron stool from the floor of a lunch-room, and killed another woman with it. She 's nineteen,--just about your age, by the way. Well, she had friends with a certain amount of pull. She got out of it, and no one thinks the worse of Viola. You see, Hamilton, in this life we are all suffering from fever, and no one edges away from the other because he finds him a little warm. It 's dangerous when you 're not used to it; but once you go through the parching process, you become inoculated against further contagion. Now, there 's Barney over there, as decent a fellow as I know; but he has been indicted twice for pocket-picking. A half-dozen fellows whom you meet here every night have killed their man. Others have done worse things for which you respect them less. Poor Wallace, who is just coming in, and who looks like a jaunty ragpicker, came here about six months ago with about two thousand dollars, the proceeds from the sale of a house his father had left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others.\"|1| |2|Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully \"in it.\" It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie. He put out his hand to Sadness with a knowing look.|2| |3|\"Thanks, Sadness,\"|3| |4|he said,|4| |5|\"you 've helped me lots.\"|5| |6|Sadness brushed the proffered hand away and sprung up.|6| |7|\"You lie,\"|7| |8|he cried,|8| |9|\"I have n't; I was only fool enough to try;\"|9| |10|and he turned hastily away from the table. Joe looked surprised at first, and then laughed at his friend's retreating form.|10| |11|\"Poor old fellow,\"|11| |12|he said,|12| |13|\"drunk again. Must have had something before he came in.\"|13| |14|There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at \"shoestring\" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table.|14| |15|\"Why, Minty,\"|15|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"No speaker\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"No speaker\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"Berry Hamilton\",\n \"7\": \"Sadness\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 15 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Now look around a bit. See that little girl over there? That 's Viola. Two years ago she wrenched up an iron stool from the floor of a lunch-room, and killed another woman with it. She 's nineteen,--just about your age, by the way. Well, she had friends with a certain amount of pull. She got out of it, and no one thinks the worse of Viola. You see, Hamilton, in this life we are all suffering from fever, and no one edges away from the other because he finds him a little warm. It 's dangerous when you 're not used to it; but once you go through the parching process, you become inoculated against further contagion. Now, there 's Barney over there, as decent a fellow as I know; but he has been indicted twice for pocket-picking. A half-dozen fellows whom you meet here every night have killed their man. Others have done worse things for which you respect them less. Poor Wallace, who is just coming in, and who looks like a jaunty ragpicker, came here about six months ago with about two thousand dollars, the proceeds from the sale of a house his father had left him. He 'll sleep in one of the club chairs to-night, and not from choice. He spent his two thousand learning. But, after all, it was a good investment. It was like buying an annuity. He begins to know already how to live on others as they have lived on him. The plucked bird's beak is sharpened for other's feathers. From now on Wallace will live, eat, drink, and sleep at the expense of others, and will forget to mourn his lost money. He will go on this way until, broken and useless, the poor-house or the potter's field gets him. Oh, it 's a fine, rich life, my lad. I know you 'll like it. I said you would the first time I saw you. It has plenty of stir in it, and a man never gets lonesome. Only the rich are lonesome. It 's only the independent who depend upon others.\"|1| |2|Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully \"in it.\" It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie. He put out his hand to Sadness with a knowing look.|2| |3|\"Thanks, Sadness,\"|3| |4|he said,|4| |5|\"you 've helped me lots.\"|5| |6|Sadness brushed the proffered hand away and sprung up.|6| |7|\"You lie,\"|7| |8|he cried,|8| |9|\"I have n't; I was only fool enough to try;\"|9| |10|and he turned hastily away from the table. Joe looked surprised at first, and then laughed at his friend's retreating form.|10| |11|\"Poor old fellow,\"|11| |12|he said,|12| |13|\"drunk again. Must have had something before he came in.\"|13| |14|There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at \"shoestring\" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table.|14| |15|\"Why, Minty,\"|15|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"No speaker\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"No speaker\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"Berry Hamilton\",\n \"7\": \"Sadness\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 15 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Sadness\",\n \"2\": \"No speaker\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"No speaker\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"No speaker\",\n \"7\": \"Sadness\",\n \"8\": \"No speaker\",\n \"9\": \"Sadness\",\n \"10\": \"No speaker\",\n \"11\": \"Joe Hamilton\",\n \"12\": \"No speaker\",\n \"13\": \"Joe Hamilton\",\n \"14\": \"No speaker\",\n \"15\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Sadness",
"2": "No speaker",
"3": "Joe Hamilton",
"4": "No speaker",
"5": "Joe Hamilton",
"6": "No speaker",
"7": "Sadness",
"8": "No speaker",
"9": "Sadness",
"10": "No speaker",
"11": "Joe Hamilton",
"12": "No speaker",
"13": "Joe Hamilton",
"14": "No speaker",
"15": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully \"in it.\" It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie. He put out his hand to Sadness with a knowing look.|1| |2|\"Thanks, Sadness,\"|2| |3|he said,|3| |4|\"you 've helped me lots.\"|4| |5|Sadness brushed the proffered hand away and sprung up.|5| |6|\"You lie,\"|6| |7|he cried,|7| |8|\"I have n't; I was only fool enough to try;\"|8| |9|and he turned hastily away from the table. Joe looked surprised at first, and then laughed at his friend's retreating form.|9| |10|\"Poor old fellow,\"|10| |11|he said,|11| |12|\"drunk again. Must have had something before he came in.\"|12| |13|There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at \"shoestring\" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table.|13| |14|\"Why, Minty,\"|14|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Minty Brown\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Sadness\",\n \"7\": \"Berry Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 14 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|Sadness laughed a peculiar laugh, and there was a look in his terribly bright eyes that made Joe creep. If he could only have understood all that the man was saying to him, he might even yet have turned back. But he did n't. He ordered another drink. The only effect that the talk of Sadness had upon him was to make him feel wonderfully \"in it.\" It gave him a false bravery, and he mentally told himself that now he would not be afraid to face Hattie. He put out his hand to Sadness with a knowing look.|1| |2|\"Thanks, Sadness,\"|2| |3|he said,|3| |4|\"you 've helped me lots.\"|4| |5|Sadness brushed the proffered hand away and sprung up.|5| |6|\"You lie,\"|6| |7|he cried,|7| |8|\"I have n't; I was only fool enough to try;\"|8| |9|and he turned hastily away from the table. Joe looked surprised at first, and then laughed at his friend's retreating form.|9| |10|\"Poor old fellow,\"|10| |11|he said,|11| |12|\"drunk again. Must have had something before he came in.\"|12| |13|There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at \"shoestring\" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table.|13| |14|\"Why, Minty,\"|14|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"Minty Brown\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Sadness\",\n \"7\": \"Berry Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 14 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"No speaker\",\n \"6\": \"Sadness\",\n \"7\": \"No speaker\",\n \"8\": \"Sadness\",\n \"9\": \"No speaker\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"No speaker\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Joe Hamilton",
"3": "No speaker",
"4": "Joe Hamilton",
"5": "No speaker",
"6": "Sadness",
"7": "No speaker",
"8": "Sadness",
"9": "No speaker",
"10": "Joe Hamilton",
"11": "No speaker",
"12": "Joe Hamilton",
"13": "No speaker",
"14": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at \"shoestring\" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table.|1| |2|\"Why, Minty,\"|2| |3|he said, offering his hand,|3| |4|\"you ain't mad at me, are you?\"|4| |5|\"Go on away f'om hyeah,\"|5| |6|she said angrily;|6| |7|\"I don't want none o' thievin' Berry Hamilton's fambly to speak to me.\"|7| |8|\"Why, you were all right this evening.\"|8| |9|\"Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now.\"|9| |10|\"Go on now,\"|10| |11|said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.|11| |12|\"Let 's go somewhere and get some supper,\"|12| |13|she said;|13| |14|\"I 'm as hungry as I can be. What are you looking so cut up about?\"|14| |15|\"Oh, I ain't feelin' so very good.\"|15| |16|\"I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?\"|16| |17|His heart seemed to stand still. She did know, then.|17|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"The Detective\",\n \"4\": \"Mrs. Jones\",\n \"5\": \"Leslie\",\n \"6\": \"No speaker\",\n \"7\": \"Minty Brown\",\n \"8\": \"Joe Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 17 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at \"shoestring\" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table.|1| |2|\"Why, Minty,\"|2| |3|he said, offering his hand,|3| |4|\"you ain't mad at me, are you?\"|4| |5|\"Go on away f'om hyeah,\"|5| |6|she said angrily;|6| |7|\"I don't want none o' thievin' Berry Hamilton's fambly to speak to me.\"|7| |8|\"Why, you were all right this evening.\"|8| |9|\"Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now.\"|9| |10|\"Go on now,\"|10| |11|said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.|11| |12|\"Let 's go somewhere and get some supper,\"|12| |13|she said;|13| |14|\"I 'm as hungry as I can be. What are you looking so cut up about?\"|14| |15|\"Oh, I ain't feelin' so very good.\"|15| |16|\"I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?\"|16| |17|His heart seemed to stand still. She did know, then.|17|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"The Detective\",\n \"4\": \"Mrs. Jones\",\n \"5\": \"Leslie\",\n \"6\": \"No speaker\",\n \"7\": \"Minty Brown\",\n \"8\": \"Joe Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 17 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
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{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"Minty Brown\",\n \"6\": \"No speaker\",\n \"7\": \"Minty Brown\",\n \"8\": \"Joe Hamilton\",\n \"9\": \"Minty Brown\",\n \"10\": \"Griggs\",\n \"11\": \"No speaker\",\n \"12\": \"Hattie Sterling\",\n \"13\": \"No speaker\",\n \"14\": \"Hattie Sterling\",\n \"15\": \"Joe Hamilton\",\n \"16\": \"Hattie Sterling\",\n \"17\": \"No speaker\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Joe Hamilton",
"3": "No speaker",
"4": "Joe Hamilton",
"5": "Minty Brown",
"6": "No speaker",
"7": "Minty Brown",
"8": "Joe Hamilton",
"9": "Minty Brown",
"10": "Griggs",
"11": "No speaker",
"12": "Hattie Sterling",
"13": "No speaker",
"14": "Hattie Sterling",
"15": "Joe Hamilton",
"16": "Hattie Sterling",
"17": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at \"shoestring\" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table.|1| |2|\"Why, Minty,\"|2| |3|he said, offering his hand,|3| |4|\"you ain't mad at me, are you?\"|4| |5|\"Go on away f'om hyeah,\"|5| |6|she said angrily;|6| |7|\"I don't want none o' thievin' Berry Hamilton's fambly to speak to me.\"|7| |8|\"Why, you were all right this evening.\"|8| |9|\"Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now.\"|9| |10|\"Go on now,\"|10| |11|said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.|11| |12|\"Let 's go somewhere and get some supper,\"|12| |13|she said;|13| |14|\"I 'm as hungry as I can be. What are you looking so cut up about?\"|14| |15|\"Oh, I ain't feelin' so very good.\"|15| |16|\"I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?\"|16| |17|His heart seemed to stand still. She did know, then.|17| |18|\"Do you know all about it?\"|18| |19|\"Why, of course I do. You might know she 'd come to me first with her story.\"|19| |20|\"And you still keep on speaking to me?\"|20| |21|\"Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays.\"|21| |22|\"I reckon that was the reason she jumped on me so hard at the club.\"|22| |23|He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded.|23| |24|\"So she jumped on you hard, did she? The cat!\"|24| |25|\"Oh, she did n't say a thing to me.\"|25| |26|\"Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this.\"|26| |27|\"Why, Hattie,\"|27|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"Minty Brown\",\n \"6\": \"No speaker\",\n \"7\": \"Minty Brown\",\n \"8\": \"Joe Hamilton\",\n \"9\": \"Minty Brown\",\n \"10\": \"Griggs\",\n \"11\": \"No speaker\",\n \"12\": \"Hattie Sterling\",\n \"13\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 27 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|There was not a lie in all that Sadness had said either as to their crime or their condition. He belonged to a peculiar class,--one that grows larger and larger each year in New York and which has imitators in every large city in this country. It is a set which lives, like the leech, upon the blood of others,--that draws its life from the veins of foolish men and immoral women, that prides itself upon its well-dressed idleness and has no shame in its voluntary pauperism. Each member of the class knows every other, his methods and his limitations, and their loyalty one to another makes of them a great hulking, fashionably uniformed fraternity of indolence. Some play the races a few months of the year; others, quite as intermittently, gamble at \"shoestring\" politics, and waver from party to party as time or their interests seem to dictate. But mostly they are like the lilies of the field. It was into this set that Sadness had sarcastically invited Joe, and Joe felt honoured. He found that all of his former feelings had been silly and quite out of place; that all he had learned in his earlier years was false. It was very plain to him now that to want a good reputation was the sign of unpardonable immaturity, and that dishonour was the only real thing worth while. It made him feel better. He was just rising bravely to swagger out to the theatre when Minty Brown came in with one of the club-men he knew. He bowed and smiled, but she appeared not to notice him at first, and when she did she nudged her companion and laughed. Suddenly his little courage began to ooze out, and he knew what she must be saying to the fellow at her side, for he looked over at him and grinned. Where now was the philosophy of Sadness? Evidently Minty had not been brought under its educating influences, and thought about the whole matter in the old, ignorant way. He began to think of it too. Somehow old teachings and old traditions have an annoying way of coming back upon us in the critical moments of life, although one has long ago recognised how much truer and better some newer ways of thinking are. But Joe would not allow Minty to shatter his dreams by bringing up these old notions. She must be instructed. He rose and went over to her table.|1| |2|\"Why, Minty,\"|2| |3|he said, offering his hand,|3| |4|\"you ain't mad at me, are you?\"|4| |5|\"Go on away f'om hyeah,\"|5| |6|she said angrily;|6| |7|\"I don't want none o' thievin' Berry Hamilton's fambly to speak to me.\"|7| |8|\"Why, you were all right this evening.\"|8| |9|\"Yes, but jest out o' pity, an' you was nice 'cause you was afraid I 'd tell on you. Go on now.\"|9| |10|\"Go on now,\"|10| |11|said Minty's young man; and he looked menacing. Joe, what little self-respect he had gone, slunk out of the room and needed several whiskeys in a neighbouring saloon to give him courage to go to the theatre and wait for Hattie, who was playing in vaudeville houses pending the opening of her company. The closing act was just over when he reached the stage door. He was there but a short time, when Hattie tripped out and took his arm. Her face was bright and smiling, and there was no suggestion of disgust in the dancing eyes she turned up to him. Evidently she had not heard, but the thought gave him no particular pleasure, as it left him in suspense as to how she would act when she should hear.|11| |12|\"Let 's go somewhere and get some supper,\"|12| |13|she said;|13| |14|\"I 'm as hungry as I can be. What are you looking so cut up about?\"|14| |15|\"Oh, I ain't feelin' so very good.\"|15| |16|\"I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?\"|16| |17|His heart seemed to stand still. She did know, then.|17| |18|\"Do you know all about it?\"|18| |19|\"Why, of course I do. You might know she 'd come to me first with her story.\"|19| |20|\"And you still keep on speaking to me?\"|20| |21|\"Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays.\"|21| |22|\"I reckon that was the reason she jumped on me so hard at the club.\"|22| |23|He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded.|23| |24|\"So she jumped on you hard, did she? The cat!\"|24| |25|\"Oh, she did n't say a thing to me.\"|25| |26|\"Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this.\"|26| |27|\"Why, Hattie,\"|27|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"Minty Brown\",\n \"6\": \"No speaker\",\n \"7\": \"Minty Brown\",\n \"8\": \"Joe Hamilton\",\n \"9\": \"Minty Brown\",\n \"10\": \"Griggs\",\n \"11\": \"No speaker\",\n \"12\": \"Hattie Sterling\",\n \"13\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 27 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"No speaker\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"Minty Brown\",\n \"6\": \"No speaker\",\n \"7\": \"Minty Brown\",\n \"8\": \"Joe Hamilton\",\n \"9\": \"Minty Brown\",\n \"10\": \"Griggs\",\n \"11\": \"No speaker\",\n \"12\": \"Hattie Sterling\",\n \"13\": \"No speaker\",\n \"14\": \"Hattie Sterling\",\n \"15\": \"Joe Hamilton\",\n \"16\": \"Hattie Sterling\",\n \"17\": \"No speaker\",\n \"18\": \"Joe Hamilton\",\n \"19\": \"Hattie Sterling\",\n \"20\": \"Joe Hamilton\",\n \"21\": \"Hattie Sterling\",\n \"22\": \"Joe Hamilton\",\n \"23\": \"No speaker\",\n \"24\": \"Hattie Sterling\",\n \"25\": \"Joe Hamilton\",\n \"26\": \"Hattie Sterling\",\n \"27\": \"Joe Hamilton\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "No speaker",
"2": "Joe Hamilton",
"3": "No speaker",
"4": "Joe Hamilton",
"5": "Minty Brown",
"6": "No speaker",
"7": "Minty Brown",
"8": "Joe Hamilton",
"9": "Minty Brown",
"10": "Griggs",
"11": "No speaker",
"12": "Hattie Sterling",
"13": "No speaker",
"14": "Hattie Sterling",
"15": "Joe Hamilton",
"16": "Hattie Sterling",
"17": "No speaker",
"18": "Joe Hamilton",
"19": "Hattie Sterling",
"20": "Joe Hamilton",
"21": "Hattie Sterling",
"22": "Joe Hamilton",
"23": "No speaker",
"24": "Hattie Sterling",
"25": "Joe Hamilton",
"26": "Hattie Sterling",
"27": "Joe Hamilton"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?\"|1| |2|His heart seemed to stand still. She did know, then.|2| |3|\"Do you know all about it?\"|3| |4|\"Why, of course I do. You might know she 'd come to me first with her story.\"|4| |5|\"And you still keep on speaking to me?\"|5| |6|\"Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays.\"|6| |7|\"I reckon that was the reason she jumped on me so hard at the club.\"|7| |8|He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded.|8| |9|\"So she jumped on you hard, did she? The cat!\"|9| |10|\"Oh, she did n't say a thing to me.\"|10| |11|\"Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this.\"|11| |12|\"Why, Hattie,\"|12| |13|he broke out, unable any longer to control himself,|13| |14|\"you 're--you 're----\"|14| |15|\"Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at the club, we 'll go there and show her just how much her talk amounted to. She thinks she 's the whole game, but I can spot her and then show her that she ain't one, two, three.\"|15| |16|When they reached the Banner, they found Minty still there. She tried on the two the same tactics that she had employed so successfully upon Joe alone. She nudged her companion and tittered. But she had another person to deal with. Hattie Sterling stared at her coldly and indifferently, and passed on by her to a seat. Joe proceeded to order supper and other things in the nonchalant way that the woman had enjoined upon him. Minty began to feel distinctly uncomfortable, but it was her business not to be beaten. She laughed outright. Hattie did not seem to hear her. She was beckoning Sadness to her side. He came and sat down.|16| |17|\"Now look here,\"|17| |18|she said,|18| |19|\"you can't have any supper because you have n't reached the stage of magnificent hunger to make a meal palatable to you. You 've got so used to being nearly starved that a meal don't taste good to you under any other circumstances. You 're in on the drinks, though. Your thirst is always available.--Jack,\"|19| |20|she called down the long room to the bartender,|20|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"The Detective\",\n \"4\": \"Hattie Sterling\",\n \"5\": \"No speaker\",\n \"6\": \"Hattie Sterling\",\n \"7\": \"Joe Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Hattie Sterling\",\n \"10\": \"Joe Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 20 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"I hope you ain't lettin' that long-tongued Brown woman bother your head, are you?\"|1| |2|His heart seemed to stand still. She did know, then.|2| |3|\"Do you know all about it?\"|3| |4|\"Why, of course I do. You might know she 'd come to me first with her story.\"|4| |5|\"And you still keep on speaking to me?\"|5| |6|\"Now look here, Joe, if you 've been drinking, I 'll forgive you; if you ain't, you go on and leave me. Say, what do you take me for? Do you think I 'd throw down a friend because somebody else talked about him? Well, you don't know Hat Sterling. When Minty told me that story, she was back in my dressing-room, and I sent her out o' there a-flying, and with a tongue-lashing that she won't forget for a month o' Sundays.\"|6| |7|\"I reckon that was the reason she jumped on me so hard at the club.\"|7| |8|He chuckled. He had taken heart again. All that Sadness had said was true, after all, and people thought no less of him. His joy was unbounded.|8| |9|\"So she jumped on you hard, did she? The cat!\"|9| |10|\"Oh, she did n't say a thing to me.\"|10| |11|\"Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this.\"|11| |12|\"Why, Hattie,\"|12| |13|he broke out, unable any longer to control himself,|13| |14|\"you 're--you 're----\"|14| |15|\"Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at the club, we 'll go there and show her just how much her talk amounted to. She thinks she 's the whole game, but I can spot her and then show her that she ain't one, two, three.\"|15| |16|When they reached the Banner, they found Minty still there. She tried on the two the same tactics that she had employed so successfully upon Joe alone. She nudged her companion and tittered. But she had another person to deal with. Hattie Sterling stared at her coldly and indifferently, and passed on by her to a seat. Joe proceeded to order supper and other things in the nonchalant way that the woman had enjoined upon him. Minty began to feel distinctly uncomfortable, but it was her business not to be beaten. She laughed outright. Hattie did not seem to hear her. She was beckoning Sadness to her side. He came and sat down.|16| |17|\"Now look here,\"|17| |18|she said,|18| |19|\"you can't have any supper because you have n't reached the stage of magnificent hunger to make a meal palatable to you. You 've got so used to being nearly starved that a meal don't taste good to you under any other circumstances. You 're in on the drinks, though. Your thirst is always available.--Jack,\"|19| |20|she called down the long room to the bartender,|20|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"Mrs. Jones\",\n \"3\": \"The Detective\",\n \"4\": \"Hattie Sterling\",\n \"5\": \"No speaker\",\n \"6\": \"Hattie Sterling\",\n \"7\": \"Joe Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Hattie Sterling\",\n \"10\": \"Joe Hamilton\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 20 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"No speaker\",\n \"3\": \"Joe Hamilton\",\n \"4\": \"Hattie Sterling\",\n \"5\": \"Joe Hamilton\",\n \"6\": \"Hattie Sterling\",\n \"7\": \"Joe Hamilton\",\n \"8\": \"No speaker\",\n \"9\": \"Hattie Sterling\",\n \"10\": \"Joe Hamilton\",\n \"11\": \"Hattie Sterling\",\n \"12\": \"Joe Hamilton\",\n \"13\": \"No speaker\",\n \"14\": \"Joe Hamilton\",\n \"15\": \"Hattie Sterling\",\n \"16\": \"No speaker\",\n \"17\": \"Hattie Sterling\",\n \"18\": \"No speaker\",\n \"19\": \"Hattie Sterling\",\n \"20\": \"No speaker\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Hattie Sterling",
"2": "No speaker",
"3": "Joe Hamilton",
"4": "Hattie Sterling",
"5": "Joe Hamilton",
"6": "Hattie Sterling",
"7": "Joe Hamilton",
"8": "No speaker",
"9": "Hattie Sterling",
"10": "Joe Hamilton",
"11": "Hattie Sterling",
"12": "Joe Hamilton",
"13": "No speaker",
"14": "Joe Hamilton",
"15": "Hattie Sterling",
"16": "No speaker",
"17": "Hattie Sterling",
"18": "No speaker",
"19": "Hattie Sterling",
"20": "No speaker"
}
}
|
The Sport Of The Gods
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this.\"|1| |2|\"Why, Hattie,\"|2| |3|he broke out, unable any longer to control himself,|3| |4|\"you 're--you 're----\"|4| |5|\"Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at the club, we 'll go there and show her just how much her talk amounted to. She thinks she 's the whole game, but I can spot her and then show her that she ain't one, two, three.\"|5| |6|When they reached the Banner, they found Minty still there. She tried on the two the same tactics that she had employed so successfully upon Joe alone. She nudged her companion and tittered. But she had another person to deal with. Hattie Sterling stared at her coldly and indifferently, and passed on by her to a seat. Joe proceeded to order supper and other things in the nonchalant way that the woman had enjoined upon him. Minty began to feel distinctly uncomfortable, but it was her business not to be beaten. She laughed outright. Hattie did not seem to hear her. She was beckoning Sadness to her side. He came and sat down.|6| |7|\"Now look here,\"|7| |8|she said,|8| |9|\"you can't have any supper because you have n't reached the stage of magnificent hunger to make a meal palatable to you. You 've got so used to being nearly starved that a meal don't taste good to you under any other circumstances. You 're in on the drinks, though. Your thirst is always available.--Jack,\"|9| |10|she called down the long room to the bartender,|10| |11|\"make it three.--Lean over here, I want to talk to you. See that woman over there by the wall? No, not that one,--the big light woman with Griggs. Well, she 's come here with a story trying to throw Joe down, and I want you to help me do her.\"|11| |12|\"Oh, that 's the one that upset our young friend, is it?\"|12| |13|said Sadness, turning his mournful eyes upon Minty.|13| |14|\"That 's her. So you know about it, do you?\"|14| |15|\"Yes, and I 'll help do her. She must n't touch one of the fraternity, you know.\"|15| |16|He kept his eyes fixed upon the outsider until she squirmed. She could not at all understand this serious conversation directed at her. She wondered if she had gone too far and if they contemplated putting her out. It made her uneasy. Now, this same Miss Sterling had the faculty of attracting a good deal of attention when she wished to. She brought it into play to-night, and in ten minutes, aided by Sadness, she had a crowd of jolly people about her table. When, as she would have expressed it, \"everything was going fat,\" she suddenly paused and, turning her eyes full upon Minty, said in a voice loud enough for all to hear,--|16| |17|\"Say, boys, you 've heard that story about Joe, have n't you?\"|17| |18|They had.|18| |19|\"Well, that 's the one that told it; she 's come here to try to throw him and me down. Is she going to do it?\"|19| |20|\"Well, I guess not!\" was the rousing reply, and every face turned towards the now frightened Minty. She rose hastily and, getting her skirts together, fled from the room, followed more leisurely by the crestfallen Griggs. Hattie's laugh and|20|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"Hattie Sterling\",\n \"6\": \"No speaker\",\n \"7\": \"Hattie Sterling\",\n \"8\": \"No speaker\",\n \"9\": \"Hattie Sterling\",\n \"10\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 20 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
}
]
}
|
{
"messages": [
{
"content": "You are an excellent linguist working in the field of literature. I will provide you with a passage of a book where some quotes have unique identifiers marked by headers '|quote_id|'. You will also be provided a list of characters and their aliases, and previous predictions. Your are tasked to build a list of quote attributions by sequentially attributing the marked quotes to their speaker.",
"role": "system"
},
{
"content": "**Passage:**\n--\n|1|\"Well, Joe, it 's just like this. I ain't an angel, you know that, but I do try to be square, and whenever I find a friend of mine down on his luck, in his pocket-book or his feelings, why, I give him my flipper. Why, old chap, I believe I like you better for the stiff upper lip you 've been keeping under all this.\"|1| |2|\"Why, Hattie,\"|2| |3|he broke out, unable any longer to control himself,|3| |4|\"you 're--you 're----\"|4| |5|\"Oh, I 'm just plain Hat Sterling, who won't throw down her friends. Now come on and get something to eat. If that thing is at the club, we 'll go there and show her just how much her talk amounted to. She thinks she 's the whole game, but I can spot her and then show her that she ain't one, two, three.\"|5| |6|When they reached the Banner, they found Minty still there. She tried on the two the same tactics that she had employed so successfully upon Joe alone. She nudged her companion and tittered. But she had another person to deal with. Hattie Sterling stared at her coldly and indifferently, and passed on by her to a seat. Joe proceeded to order supper and other things in the nonchalant way that the woman had enjoined upon him. Minty began to feel distinctly uncomfortable, but it was her business not to be beaten. She laughed outright. Hattie did not seem to hear her. She was beckoning Sadness to her side. He came and sat down.|6| |7|\"Now look here,\"|7| |8|she said,|8| |9|\"you can't have any supper because you have n't reached the stage of magnificent hunger to make a meal palatable to you. You 've got so used to being nearly starved that a meal don't taste good to you under any other circumstances. You 're in on the drinks, though. Your thirst is always available.--Jack,\"|9| |10|she called down the long room to the bartender,|10| |11|\"make it three.--Lean over here, I want to talk to you. See that woman over there by the wall? No, not that one,--the big light woman with Griggs. Well, she 's come here with a story trying to throw Joe down, and I want you to help me do her.\"|11| |12|\"Oh, that 's the one that upset our young friend, is it?\"|12| |13|said Sadness, turning his mournful eyes upon Minty.|13| |14|\"That 's her. So you know about it, do you?\"|14| |15|\"Yes, and I 'll help do her. She must n't touch one of the fraternity, you know.\"|15| |16|He kept his eyes fixed upon the outsider until she squirmed. She could not at all understand this serious conversation directed at her. She wondered if she had gone too far and if they contemplated putting her out. It made her uneasy. Now, this same Miss Sterling had the faculty of attracting a good deal of attention when she wished to. She brought it into play to-night, and in ten minutes, aided by Sadness, she had a crowd of jolly people about her table. When, as she would have expressed it, \"everything was going fat,\" she suddenly paused and, turning her eyes full upon Minty, said in a voice loud enough for all to hear,--|16| |17|\"Say, boys, you 've heard that story about Joe, have n't you?\"|17| |18|They had.|18| |19|\"Well, that 's the one that told it; she 's come here to try to throw him and me down. Is she going to do it?\"|19| |20|\"Well, I guess not!\" was the rousing reply, and every face turned towards the now frightened Minty. She rose hastily and, getting her skirts together, fled from the room, followed more leisurely by the crestfallen Griggs. Hattie's laugh and|20|\n--\n\nIf previous predictions are provided, use them to maintain consistency and correct any discrepancies.\n\nPrevious overlapping predictions for some of these quotes:\n--\n{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"Hattie Sterling\",\n \"6\": \"No speaker\",\n \"7\": \"Hattie Sterling\",\n \"8\": \"No speaker\",\n \"9\": \"Hattie Sterling\",\n \"10\": \"No speaker\"\n }\n}\n--\n\nPlease provide speaker assignments for quote IDs from 1 to 20 that are present in this window.\n\n**Step 1**: Attribute sequentially each quote to their speaker.\nUpdate the previous predictions if you think it contains wrong speaker prediction.\n**Step 2**: Match each speaker found in the previous step with one of the following names.\n**Names**\n--\n[\n \"No speaker\",\n \"Maurice Oakley\",\n \"Fannie Hamilton\",\n \"Joe Hamilton\",\n \"Hattie Sterling\",\n \"Mr. Skaggs\",\n \"Mr. Thomas\",\n \"Francis Oakley\",\n \"Berry Hamilton\",\n \"Sadness\",\n \"The Detective\",\n \"Leslie\",\n \"Kitty Hamilton\",\n \"Colonel Saunders\",\n \"Kit Hamilton\",\n \"Mrs. Jones\",\n \"Martin\",\n \"Horace Talbot\",\n \"Minty Brown\"\n]\n--\n**Step 3**: Replace the speakers found in Step 1 with their matching name found in Step 2.\nYour answer should follow this JSON format:\n{{\n\"predictions\": {{\n\"1\": \"predicted_speaker_1\",\n\"2\": \"predicted_speaker_2\",\n}}\n}}\nMake sure your response is valid JSON.\n\nYour answer should only contain the output of **Step 3** and can only contain quote identifiers and speakers. Never generate quote content and don't explain your reasoning. Do not say 'Here is the output:' or 'The output of Step 3 is:' or anything like that before responding with the output of step 3. Don't forget to end your JSON with '}}}'.",
"role": "user"
},
{
"content": "{\n \"predictions\": {\n \"1\": \"Hattie Sterling\",\n \"2\": \"Joe Hamilton\",\n \"3\": \"No speaker\",\n \"4\": \"Joe Hamilton\",\n \"5\": \"Hattie Sterling\",\n \"6\": \"No speaker\",\n \"7\": \"Hattie Sterling\",\n \"8\": \"No speaker\",\n \"9\": \"Hattie Sterling\",\n \"10\": \"No speaker\",\n \"11\": \"Hattie Sterling\",\n \"12\": \"Sadness\",\n \"13\": \"No speaker\",\n \"14\": \"Hattie Sterling\",\n \"15\": \"Sadness\",\n \"16\": \"No speaker\",\n \"17\": \"Hattie Sterling\",\n \"18\": \"No speaker\",\n \"19\": \"Hattie Sterling\",\n \"20\": \"No speaker\"\n }\n}",
"role": "assistant"
}
]
}
|
{
"predictions": {
"1": "Hattie Sterling",
"2": "Joe Hamilton",
"3": "No speaker",
"4": "Joe Hamilton",
"5": "Hattie Sterling",
"6": "No speaker",
"7": "Hattie Sterling",
"8": "No speaker",
"9": "Hattie Sterling",
"10": "No speaker",
"11": "Hattie Sterling",
"12": "Sadness",
"13": "No speaker",
"14": "Hattie Sterling",
"15": "Sadness",
"16": "No speaker",
"17": "Hattie Sterling",
"18": "No speaker",
"19": "Hattie Sterling",
"20": "No speaker"
}
}
|
The Sport Of The Gods
|
Subsets and Splits
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