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I did a thousand robots for outside the wire for Netflix and the approach is more or less the same. You're using the same ideas just in a different way. So that's the power, the flexibility of the thing. If you want to go further with your anatomy study at the time of recording right now I'm currently developing a very in-depth anatomy course with ProCo covering all of these concepts but on a bigger scale. So depending on when you're watching this video that's either something you got to wait for or something that you can access now if you want. And I have a whole bunch of resources online for free. There's the Anatomy Cheat Sheet series which goes through the entirety of the human body just going, how can we simplify this? What is our most direct way to create these forms and create them in a dynamic and convincing way? You can find that on the ScreenClayFX YouTube channel or the ScreenClayFX website. And I have a whole bunch of other things looking at comparative anatomy, for example, literally turning a human figure into a horse and just going, what are the comparative masses? I look at anatomy from the masters, seeing how different artists use anatomy, Egon Schiller or Raphael or Frazetta, a whole bunch of videos like that. And that's all just out there available for free if you want to go a little bit deeper with your studies. And that's all. Thanks very much guys.", + "language": "en", + "duration": 120.8, + "timestamp": "2025-11-26T20:31:50.140783" + }, + "timestamp": "2025-11-26T20:31:50.146652", + "processing_time_seconds": 80.41684913635254, + "full_course_name": "FN_FundamentalAnatomyforSculptors_DownloadPirate.com_07_Conclusion.json" + } +} \ No newline at end of file