Add transcription for: frames_zips/MotionFXProAE_DownloadPirate.com_6.8 Glitch Edge Effect_frames.zip

transcriptions/frames_zips/MotionFXProAE_DownloadPirate.com_6.8 Glitch Edge Effect_frames_transcription.json

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+{
+  "text": " Let's have a look at how you can create some different glitch effects all inside of After Effects. Let's go. This will work with pretty much any footage you've got. The clip I'm using in particular here is just this guy walking down a road. And again, although this clip is licensed, I can't share it with you. I've put some links above to free resources where you can find a clip and follow along. So I'm going to take my clip here, right click and create a new comp from selection. I don't need all of this composition, so I'm just going to drag, I'm just going to drag this composition in, drag the end of this clip into match, right click, trim comp to work area. The first part of this is we need to isolate anything that you're going to be applying that glitch too. Because in this case I want to apply the glitch layer to this guy, I need to essentially isolate him from my background. An easy way of doing this is just by using the Rotobrush tool. Double click to open this up. Now I can just create a very quick master isolate this person and just drag this out to the end and all the way back to the beginning. Now I'm just going to go back here on my timeline and I want to isolate parts of this video. So maybe these parts in here. The good thing about this is we're using the roto brush because it doesn't have to be perfect at all because the glitch is only going to happen very quickly so it doesn't need to be absolutely perfect. We just need to get a rough area traced out that we can work with. So I'm trying to remove any parts that we don't want as best we can. But because this is just a tutorial I'm only just trying to get a rough result but if you were using this for your final video then you could certainly spend a lot more time going through and finessing the mask to get it exactly where you need it. So now I'm going to go back to my composition and you can see we've got a rough person cut out of our shot here and give this a little bit of a feather and that looks okay. Now I want to take that layer, I'm going to duplicate it and with the bottom one selected I'm going to delete the roto brush. So we've got a clean plate sitting underneath that glitch effect. Now this is the layer we're going to add the glitch effect to. So what I'm going to do is I'm going to take that layer. I'm going to come up to window and make sure effects and presets are selected to pop up with this menu. And the effects that we want to search for is called Bad TV. And these are the three effects that are built in to After Effects. So each one offers you a different look. Now if I just drag the first one straight on, you'll see the sort of look that it's doing. Now I can just control Z that to get rid of that and drag another one on. You can see the sort of distortion effects that are being applied. So if I grab the third one here and just drag that on, we can get all sorts of different effects. Now the key here is to use these and layer them up to create short burst little glitch effects. So the way I control this is I come down to the very last one which is the Venetian blind and I can create a keyframe, hit you on my keyboard to bring up that keyframe and essentially just drag this all the way down to zero and the first one I want to drag all the way up to a hundred and what I'm doing is I'm just creating some keyframes to essentially turn this on and off. Now I can drag these in to speed up that effect if I want it to be very to be a short little burst and the other thing you can do is you can go through here and and just experiment with the different effects. So I could turn off this noise effect if I didn't want this on and adjust the intensity of the noise. I could also drag down on the wave warp width to get finer glitch edges or more. So that I control the overall size. And you can see we get this little glitch effect happening. So I might even just try and speed that up very slightly. Now what you can do is I can copy this and just paste this effect. And I can also duplicate the middle key frame, copy this over here, so that we get a longer lasting effect in the middle. So I'll last a little bit longer. The other thing we can do is take that layer, duplicate it, delete all of those glitch effects, and now just drag an entirely different effect over the top. So this one kind of creates like an offset of that layer which is an interesting sort of effect. So essentially just gives it a little bit of an off-center look and I could do the same with this. I could create keyframes for that Venetian blind to animate these on and off. What I could do is move these right next to each other and just animate this down. So I'm I'm essentially, I'm trying to create a bit of chaos by making it not look like it's been formulated. So try and layer them up. The other great thing is if I layer these over the top, you're getting multiple effects being applied. And if I don't like it, I can just turn off that layer for the one that I don't need. So I can duplicate this layer again, delete all of those effects, and then add another effect over the top and start this process again. So I create a keyframe. So we're kind of layering it up here to get the effect. And this is what Glitch Animation is all about. It's about messing around by duplicating lots of different keyframes and basically stacking lots of different effects to get the look that you're going for. So I'm just gonna bring this one across get a little bit of an edge here. I'm just going to copy all these, bring that across here. Now, something else you can also do is take that top layer, delete all of those effects again, and to this one, you just don't add anything. So you can have the look where it looks like the effects are coming out underneath that layer. So this is also another interesting look where you could hide those sort of effects. You could also adjust the opacity to get some interesting looks here. So I could essentially create some flashing effects over the top to create some really interesting looking effects. And again, if I don't like one effect in particular, I can just turn that off and just start again. So I can layer all of those different effects. And the key again is just to keep messing around and duplicating and moving keyframes around. So try not to keep using the same effect over and over again. Try messing around with different keyframes and different layering techniques to get different results. And this is what Glitch Animation is all about. Now one other thing I could do is also take that whole layer and start to isolate more things within the scene. So for instance, in this one, I've also applied a Glitch effect to my background or my road layer. So we can do this by taking our background layer, just duplicating that and then just drawing a mask which sits over the top of that layer. Now I have to go down to the mask settings and create a mask path. Just do some very quick keyframe animation on this mask like this just to try and get that mask in the right position there to roughly follow that video. you could track that mask in. We covered that in a tutorial but this is going to be just fine because it's only going to be very quick the glitch. So now I've isolated that road, now I can add an effect to that road that I'm going to repeat that same process. So create a keyframe for that, bring up those keyframes, create a few keyframes here to animate that. Now one thing on this This particular shot is because these layers are behind this, what we'd have to do is take one of our clean layers up here. So duplicate where we've got those layers over the top and line them up over that layer. So you just gotta keep track of your layers. This is where you should be renaming these layers to keep track. Let's reset that opacity so that it's only applying with that clean layer there, applying that effect to that road. So that's a look at how to create some glitch animations using the built-in effects within After Effects. And what I recommend is for you to really run with the principles that I've shown you here and try and create some interesting looking effects by just using what's available to you inside of After Effects. The thing with glitch animations is they can get a lot more complicated. But the reason I've singled out this tutorial is because it's a good representation of where you're messing around with a lot of key frame animation. And this is a really important principle to get your head around and why I think it's important to add into this tutorial. So that's it for this effect. If you have any questions about this particular tutorial or any of the other tutorials in this module, don't hesitate to let me know. you",
+  "segments": [
+    {
+      "text": " Let's have a look at how you can create some different glitch effects all inside of After Effects. Let's go. This will work with pretty much any footage you've got. The clip I'm using in particular here is just this guy walking down a road. And again, although this clip is licensed, I can't share it with you. I've put some links above to free resources where you can find a clip and follow along. So I'm going to take my clip here, right click and create a new comp from selection. I don't need all of this composition, so I'm just going to drag, I'm just going to drag this composition in, drag the end of this clip into match, right click, trim comp to work area. The first part of this is we need to isolate anything that you're going to be applying that glitch too. Because in this case I want to apply the glitch layer to this guy, I need to essentially isolate him from my background. An easy way of doing this is just by using the Rotobrush tool. Double click to open this up. Now I can just create a very quick master isolate this person and just drag this out to the end and all the way back to the beginning. Now I'm just going to go back here on my timeline and I want to isolate parts of this video. So maybe these parts in here. The good thing about this is we're using the roto brush because it doesn't have to be perfect at all because the glitch is only going to happen very quickly so it doesn't need to be absolutely perfect. We just need to get a rough area traced out that we can work with. So I'm trying to remove any parts that we don't want as best we can. But because this is just a tutorial I'm only just trying to get a rough result but if you were using this for your final video then you could certainly spend a lot more time going through and finessing the mask to get it exactly where you need it. So now I'm going to go back to my composition and you can see we've got a rough person cut out of our shot here and give this a little bit of a feather and that looks okay. Now I want to take that layer, I'm going to duplicate it and with the bottom one selected I'm going to delete the roto brush. So we've got a clean plate sitting underneath that glitch effect. Now this is the layer we're going to add the glitch effect to. So what I'm going to do is I'm going to take that layer. I'm going to come up to window and make sure effects and presets are selected to pop up with this menu. And the effects that we want to search for is called Bad TV. And these are the three effects that are built in to After Effects. So each one offers you a different look. Now if I just drag the first one straight on, you'll see the sort of look that it's doing. Now I can just control Z that to get rid of that and drag another one on. You can see the sort of distortion effects that are being applied. So if I grab the third one here and just drag that on, we can get all sorts of different effects. Now the key here is to use these and layer them up to create short burst little glitch effects. So the way I control this is I come down to the very last one which is the Venetian blind and I can create a keyframe, hit you on my keyboard to bring up that keyframe and essentially just drag this all the way down to zero and the first one I want to drag all the way up to a hundred and what I'm doing is I'm just creating some keyframes to essentially turn this on and off. Now I can drag these in to speed up that effect if I want it to be very to be a short little burst and the other thing you can do is you can go through here and and just experiment with the different effects. So I could turn off this noise effect if I didn't want this on and adjust the intensity of the noise. I could also drag down on the wave warp width to get finer glitch edges or more. So that I control the overall size. And you can see we get this little glitch effect happening. So I might even just try and speed that up very slightly. Now what you can do is I can copy this and just paste this effect. And I can also duplicate the middle key frame, copy this over here, so that we get a longer lasting effect in the middle. So I'll last a little bit longer. The other thing we can do is take that layer, duplicate it, delete all of those glitch effects, and now just drag an entirely different effect over the top. So this one kind of creates like an offset of that layer which is an interesting sort of effect. So essentially just gives it a little bit of an off-center look and I could do the same with this. I could create keyframes for that Venetian blind to animate these on and off. What I could do is move these right next to each other and just animate this down. So I'm I'm essentially, I'm trying to create a bit of chaos by making it not look like it's been formulated. So try and layer them up. The other great thing is if I layer these over the top, you're getting multiple effects being applied. And if I don't like it, I can just turn off that layer for the one that I don't need. So I can duplicate this layer again, delete all of those effects, and then add another effect over the top and start this process again. So I create a keyframe. So we're kind of layering it up here to get the effect. And this is what Glitch Animation is all about. It's about messing around by duplicating lots of different keyframes and basically stacking lots of different effects to get the look that you're going for. So I'm just gonna bring this one across get a little bit of an edge here. I'm just going to copy all these, bring that across here. Now, something else you can also do is take that top layer, delete all of those effects again, and to this one, you just don't add anything. So you can have the look where it looks like the effects are coming out underneath that layer. So this is also another interesting look where you could hide those sort of effects. You could also adjust the opacity to get some interesting looks here. So I could essentially create some flashing effects over the top to create some really interesting looking effects. And again, if I don't like one effect in particular, I can just turn that off and just start again. So I can layer all of those different effects. And the key again is just to keep messing around and duplicating and moving keyframes around. So try not to keep using the same effect over and over again. Try messing around with different keyframes and different layering techniques to get different results. And this is what Glitch Animation is all about. Now one other thing I could do is also take that whole layer and start to isolate more things within the scene. So for instance, in this one, I've also applied a Glitch effect to my background or my road layer. So we can do this by taking our background layer, just duplicating that and then just drawing a mask which sits over the top of that layer. Now I have to go down to the mask settings and create a mask path. Just do some very quick keyframe animation on this mask like this just to try and get that mask in the right position there to roughly follow that video. you could track that mask in. We covered that in a tutorial but this is going to be just fine because it's only going to be very quick the glitch. So now I've isolated that road, now I can add an effect to that road that I'm going to repeat that same process. So create a keyframe for that, bring up those keyframes, create a few keyframes here to animate that. Now one thing on this This particular shot is because these layers are behind this, what we'd have to do is take one of our clean layers up here. So duplicate where we've got those layers over the top and line them up over that layer. So you just gotta keep track of your layers. This is where you should be renaming these layers to keep track. Let's reset that opacity so that it's only applying with that clean layer there, applying that effect to that road. So that's a look at how to create some glitch animations using the built-in effects within After Effects. And what I recommend is for you to really run with the principles that I've shown you here and try and create some interesting looking effects by just using what's available to you inside of After Effects. The thing with glitch animations is they can get a lot more complicated. But the reason I've singled out this tutorial is because it's a good representation of where you're messing around with a lot of key frame animation. And this is a really important principle to get your head around and why I think it's important to add into this tutorial. So that's it for this effect. If you have any questions about this particular tutorial or any of the other tutorials in this module, don't hesitate to let me know. you"
+    }
+  ]
+}