Prompt:
Continue this passage in the same voice:

the glare of the company and my own lifted eyebrows and freezing eyes that the real Professor came into the room. "I need hardly say there was a collision. The pessimists all round me looked anxiously from one Professor to the other Professor to see which was really the more feeble. But I won. An old man in poor health,

Chosen response: like my rival, could not be expected to be so impressively feeble as a young actor in the prime of life. You see, he really had paralysis, and working within this definite limitation, he couldn't be so jolly paralytic as I was. Then he tried to blast my claims intellectually. I countered that by a very simple dodge. Whenever he said something that nobody but he could understand, I replied with something which I could not even understand myself. 'I don't fancy,' he said, 'that you could have worked out the principle that evolution is only negation, since there inheres in it the introduction of lacuna, which are an essential of differentiation.' I replied quite scornfully, 'You read all that up in Pinckwerts; the notion that involution functioned eugenically was exposed long ago by Glumpe.' It is unnecessary for me to say that there never were such people as Pinckwerts and Glumpe. But the people all round (rather to my surprise) seemed to remember them quite well, and the Professor, finding that the learned and mysterious method left him rather at the mercy of an enemy slightly deficient in scruples, fell back upon a more popular form of wit. 'I see,' he sneered, 'you prevail like the false pig in Æsop.' 'And you fail,' I answered, smiling, 'like the hedgehog in Montaigne.' Need I say that there is no hedgehog in Montaigne? 'Your claptrap comes off,' he said; 'so would your beard.' I had no intelligent answer to this, which was quite true and rather witty. But I laughed heartily,

Rejected response: like my rival, could not be expected to be so impressively feeble as a young actor in the prime of life. You see, he really had paralysis, and working within this definite limitation, he couldn't be so jolly paralytic as I was. Then he tried to blast my claims intellectually, and i countered that by a very simple dodge. Whenever he said something that nobody but he could understand, I replied with something which I could not even understand myself. 'I don't fancy,' he said, 'that you could have worked out the principle that evolution is only negation, since there inheres in it the introduction of lacuna. Are an essential of differentiation.' I replied quite scornfully, 'You read all that up in Pinckwerts. The notion that involution functioned eugenically was exposed long ago by Glumpe.' It is unnecessary for me to say that there never were such people as Pinckwerts and Glumpe. But the people all round (rather to my surprise) seemed to remember them quite well. The Professor, finding that the learned and mysterious method left him rather at the mercy of an enemy slightly deficient in scruples, fell back upon a more popular form of wit. 'I see,' he sneered, 'you prevail like the false pig in Æsop.' 'And you fail,' I answered, smiling, 'like the hedgehog in Montaigne.' Need I say that there is no hedgehog in Montaigne? 'Your claptrap comes off,' he said; 'so would your beard.' I had no intelligent answer to this, which was quite true and rather witty. But I laughed heartily,


Prompt:
Continue this passage in the same voice:

answered, 'Like the Pantheist's boots,' at random, and turned on my heel with all the honours of victory. The real Professor was thrown out, but not with violence, though one man tried very patiently to pull off his nose. He is now, I believe, received everywhere in Europe as a delightful impostor. His apparent earnestness and anger, you see, make

Chosen response: him all the more entertaining." "Well," said Syme, "I can understand your putting on his dirty old beard for a night's practical joke, but I don't understand your never taking it off again." "That is the rest of the story," said the impersonator. "When I myself left the company, followed by reverent applause, I went limping down the dark street, hoping that I should soon be far enough away to be able to walk like a human being. To my astonishment, as I was turning the corner, I felt a touch on the shoulder, and turning, found myself under the shadow of an enormous policeman. He told me I was wanted. I struck a sort of paralytic attitude, and cried in a high German accent, 'Yes, I am wanted—by the oppressed of the world. You are arresting me on the charge of being the great anarchist, Professor de Worms.' The policeman impassively consulted a paper in his hand, 'No, sir,' he said civilly, 'at least, not exactly, sir. I am arresting you on the charge of not being the celebrated anarchist, Professor de Worms.' This charge, if it was criminal at all, was certainly the lighter of the two, and I went along with the man, doubtful, but not greatly dismayed. I was shown into a number of rooms, and eventually into the presence of a police officer, who explained that a serious campaign had been opened against the centres of anarchy, and that this, my successful masquerade, might be of considerable value to the public safety. He offered me

Rejected response: him all the more entertaining." "Well," said Syme, "I can understand your putting on his dirty old beard for a night's practical joke, but I don't understand your never taking it off again." "That is the rest of the story," said the impersonator. "When I myself left the company, followed by reverent applause, I went limping down the dark street, hoping that I should soon be far enough away to be able to walk like a human being. To my astonishment, as I was turning the corner, I felt a touch on the shoulder, and turning, found myself under the shadow of an enormous policeman. He told me I was wanted, and i struck a sort of paralytic attitude, and cried in a high German accent, 'Yes, I am wanted—by the oppressed of the world. You are arresting me on the charge of being the great anarchist, Professor de Worms.' The policeman impassively consulted a paper in his hand, 'No, sir,' he said civilly, 'at least, not exactly, sir. I am arresting you on the charge of not being the celebrated anarchist, Professor de Worms.' This charge, if it was criminal at all, was certainly the lighter of the two. I went along with the man, doubtful, not greatly dismayed, and i was shown into a number of rooms. Eventually into the presence of a police officer, and explained that a serious campaign had been opened against the centres of anarchy. That this, my successful masquerade, might be of considerable value to the public safety. He offered me


Prompt:
Write the next few paragraphs of this novel:

to attempt something which is very much more dangerous than trying to steal the Crown Jewels out of the Tower. We are trying to steal a secret from a very sharp, very strong, and very wicked man. I believe there is no man, except the President, of course, who is so seriously startling and formidable as that little grinning fellow

Chosen response: in goggles. He has not perhaps the white-hot enthusiasm unto death, the mad martyrdom for anarchy, which marks the Secretary. But then that very fanaticism in the Secretary has a human pathos, and is almost a redeeming trait. But the little Doctor has a brutal sanity that is more shocking than the Secretary's disease. Don't you notice his detestable virility and vitality. He bounces like an india-rubber ball. Depend on it, Sunday was not asleep (I wonder if he ever sleeps?) when he locked up all the plans of this outrage in the round, black head of Dr. Bull." "And you think," said Syme, "that this unique monster will be soothed if I play the piano to him?" "Don't be an ass," said his mentor. "I mentioned the piano because it gives one quick and independent fingers. Syme, if we are to go through this interview and come out sane or alive, we must have some code of signals between us that this brute will not see. I have made a rough alphabetical cypher corresponding to the five fingers—like this, see," and he rippled with his fingers on the wooden table—"B A D, bad, a word we may frequently require." Syme poured himself out another glass of wine, and began to study the scheme. He was abnormally quick with his brains at puzzles, and with his hands at conjuring, and it did not take him long to learn how he might convey simple messages by what would seem to be idle taps upon a table or knee. But wine and

Rejected response: in goggles. He has not perhaps the white-hot enthusiasm unto death, the mad martyrdom for anarchy, which marks the Secretary. But then that very fanaticism in the Secretary has a human pathos, and is almost a redeeming trait. But the little Doctor has a brutal sanity that is more shocking than the Secretary's disease. Don't you notice his detestable virility and vitality, and he bounces like an india-rubber ball. Depend on it, Sunday was not asleep (I wonder if he ever sleeps?) when he locked up all the plans of this outrage in the round, black head of Dr. Bull." "And you think," said Syme, "that this unique monster will be soothed if I play the piano to him?" "Don't be an ass," said his mentor. "I mentioned the piano because it gives one quick and independent fingers. Syme, if we are to go through this interview and come out sane or alive, we must have some code of signals between us that this brute will not see. I have made a rough alphabetical cypher corresponding to the five fingers—like this, see," and he rippled with his fingers on the wooden table—"B A D, bad, a word we may frequently require." Syme poured himself out another glass of wine, and began to study the scheme. He was abnormally quick with his brains at puzzles, and with his hands at conjuring. It did not take him long to learn how he might convey simple messages by what would seem to be idle taps upon a table or knee. But wine and


Prompt:
Continue this passage in the same voice:

corridor outside. Then his eye strayed downwards, and he burst out laughing. Though the Professor himself stood there as voiceless as a statue, his five dumb fingers were dancing alive upon the dead table. Syme watched the twinkling movements of the talking hand, and read clearly the message— "I will only talk like this. We must get used to it."

Chosen response: He rapped out the answer with the impatience of relief— "All right. Let's get out to breakfast." They took their hats and sticks in silence; but as Syme took his sword-stick, he held it hard. They paused for a few minutes only to stuff down coffee and coarse thick sandwiches at a coffee stall, and then made their way across the river, which under the grey and growing light looked as desolate as Acheron. They reached the bottom of the huge block of buildings which they had seen from across the river, and began in silence to mount the naked and numberless stone steps, only pausing now and then to make short remarks on the rail of the banisters. At about every other flight they passed a window; each window showed them a pale and tragic dawn lifting itself laboriously over London. From each the innumerable roofs of slate looked like the leaden surges of a grey, troubled sea after rain. Syme was increasingly conscious that his new adventure had somehow a quality of cold sanity worse than the wild adventures of the past. Last night, for instance, the tall tenements had seemed to him like a tower in a dream. As he now went up the weary and perpetual steps, he was daunted and bewildered by their almost infinite series. But it was not the hot horror of a dream or of anything that might be exaggeration or delusion. Their infinity was more like the empty infinity of arithmetic, something unthinkable, yet necessary to thought. Or it was like

Rejected response: it." He rapped out the answer with the impatience of relief— "All right. Let's get out to breakfast." They took their hats and sticks in silence; but as Syme took his sword-stick, he held it hard. They paused for a few minutes only to stuff down coffee and coarse thick sandwiches at a coffee stall. Then made their way across the river, and under the grey and growing light looked as desolate as Acheron. They reached the bottom of the huge block of buildings which they had seen from across the river. Began in silence to mount the naked and numberless stone steps, only pausing now and then to make short remarks on the rail of the banisters. At about every other flight they passed a window; each window showed them a pale and tragic dawn lifting itself laboriously over London. From each the innumerable roofs of slate looked like the leaden surges of a grey, troubled sea after rain. Syme was increasingly conscious that his new adventure had somehow a quality of cold sanity worse than the wild adventures of the past. Last night, for instance, the tall tenements had seemed to him like a tower in a dream. As he now went up the weary and perpetual steps, he was daunted and bewildered by their almost infinite series. But it was not the hot horror of a dream or of anything that might be exaggeration or delusion. Their infinity was more like the empty infinity of arithmetic, something unthinkable, yet necessary to thought. Or it was like


Prompt:
Continue, matching the prose style exactly:

the stunning statements of astronomy about the distance of the fixed stars. He was ascending the house of reason, a thing more hideous than unreason itself. By the time they reached Dr. Bull's landing, a last window showed them a harsh, white dawn edged with banks of a kind of coarse red, more like red clay than red cloud. And

Chosen response: when they entered Dr. Bull's bare garret it was full of light. Syme had been haunted by a half historic memory in connection with these empty rooms and that austere daybreak. The moment he saw the garret and Dr. Bull sitting writing at a table, he remembered what the memory was—the French Revolution. There should have been the black outline of a guillotine against that heavy red and white of the morning. Dr. Bull was in his white shirt and black breeches only; his cropped, dark head might well have just come out of its wig; he might have been Marat or a more slipshod Robespierre. Yet when he was seen properly, the French fancy fell away. The Jacobins were idealists; there was about this man a murderous materialism. His position gave him a somewhat new appearance. The strong, white light of morning coming from one side creating sharp shadows, made him seem both more pale and more angular than he had looked at the breakfast on the balcony. Thus the two black glasses that encased his eyes might really have been black cavities in his skull, making him look like a death's-head. And, indeed, if ever Death himself sat writing at a wooden table, it might have been he. He looked up and smiled brightly enough as the men came in, and rose with the resilient rapidity of which the Professor had spoken. He set chairs for both of them, and going to a peg behind the door, proceeded to put on a coat and waistcoat of rough, dark

Rejected response: when they entered Dr, and bull's bare garret it was full of light. Syme had been haunted by a half historic memory in connection with these empty rooms and that austere daybreak. The moment he saw the garret and Dr. Bull sitting writing at a table, he remembered what the memory was—the French Revolution. There should have been the black outline of a guillotine against that heavy red and white of the morning. Dr, and bull was in his white shirt and black breeches only. His cropped, dark head might well have just come out of its wig. He might have been Marat or a more slipshod Robespierre. Yet when he was seen properly, the French fancy fell away. The Jacobins were idealists; there was about this man a murderous materialism. His position gave him a somewhat new appearance. The strong, white light of morning coming from one side creating sharp shadows, made him seem both more pale and more angular than he had looked at the breakfast on the balcony. Thus the two black glasses that encased his eyes might really have been black cavities in his skull, making him look like a death's-head. And, indeed, if ever Death himself sat writing at a wooden table, it might have been he. He looked up and smiled brightly enough as the men came in, and rose with the resilient rapidity of which the Professor had spoken. He set chairs for both of them. Going to a peg behind the door, proceeded to put on a coat and waistcoat of rough, dark.


Prompt:
Write the next few paragraphs of this novel:

what he will do. He will choose a field somewhere near a wayside station, where he can pick up the train. He is a very good swordsman, and he will trust to killing me in time to catch it. But I can fence well too, and I think I can keep him in play, at any rate, until the train

Chosen response: is lost. Then perhaps he may kill me to console his feelings. You understand? Very well then, let me introduce you to some charming friends of mine," and leading them quickly across the parade, he presented them to the Marquis's seconds by two very aristocratic names of which they had not previously heard. Syme was subject to spasms of singular common sense, not otherwise a part of his character. They were (as he said of his impulse about the spectacles) poetic intuitions, and they sometimes rose to the exaltation of prophecy. He had correctly calculated in this case the policy of his opponent. When the Marquis was informed by his seconds that Syme could only fight in the morning, he must fully have realised that an obstacle had suddenly arisen between him and his bomb-throwing business in the capital. Naturally he could not explain this objection to his friends, so he chose the course which Syme had predicted. He induced his seconds to settle on a small meadow not far from the railway, and he trusted to the fatality of the first engagement. When he came down very coolly to the field of honour, no one could have guessed that he had any anxiety about a journey; his hands were in his pockets, his straw hat on the back of his head, his handsome face brazen in the sun. But it might have struck a stranger as odd that there appeared in his train, not only his seconds carrying the sword-case, but two of his servants carrying a portmanteau and

Rejected response: train is lost. Then perhaps he may kill me to console his feelings, and you understand? Very well then, let me introduce you to some charming friends of mine," and leading them quickly across the parade, he presented them to the Marquis's seconds by two very aristocratic names of which they had not previously heard. Syme was subject to spasms of singular common sense, not otherwise a part of his character. They were (as he said of his impulse about the spectacles) poetic intuitions, and they sometimes rose to the exaltation of prophecy. He had correctly calculated in this case the policy of his opponent. When the Marquis was informed by his seconds that Syme could only fight in the morning, he must fully have realised that an obstacle had suddenly arisen between him and his bomb-throwing business in the capital. Naturally he could not explain this objection to his friends, so he chose the course which Syme had predicted. He induced his seconds to settle on a small meadow not far from the railway, and he trusted to the fatality of the first engagement. When he came down very coolly to the field of honour, no one could have guessed that he had any anxiety about a journey. His hands were in his pockets, his straw hat on the back of his head, his handsome face brazen in the sun. But it might have struck a stranger as odd that there appeared in his train, not only his seconds carrying the sword-case, but two of his servants carrying a portmanteau and


Prompt:
Continue this passage in the same voice:

a luncheon basket. Early as was the hour, the sun soaked everything in warmth, and Syme was vaguely surprised to see so many spring flowers burning gold and silver in the tall grass in which the whole company stood almost knee-deep. With the exception of the Marquis, all the men were in sombre and solemn morning-dress, with hats like black

Chosen response: chimney-pots; the little Doctor especially, with the addition of his black spectacles, looked like an undertaker in a farce. Syme could not help feeling a comic contrast between this funereal church parade of apparel and the rich and glistening meadow, growing wild flowers everywhere. But, indeed, this comic contrast between the yellow blossoms and the black hats was but a symbol of the tragic contrast between the yellow blossoms and the black business. On his right was a little wood; far away to his left lay the long curve of the railway line, which he was, so to speak, guarding from the Marquis, whose goal and escape it was. In front of him, behind the black group of his opponents, he could see, like a tinted cloud, a small almond bush in flower against the faint line of the sea. The member of the Legion of Honour, whose name it seemed was Colonel Ducroix, approached the Professor and Dr. Bull with great politeness, and suggested that the play should terminate with the first considerable hurt. Dr. Bull, however, having been carefully coached by Syme upon this point of policy, insisted, with great dignity and in very bad French, that it should continue until one of the combatants was disabled. Syme had made up his mind that he could avoid disabling the Marquis and prevent the Marquis from disabling him for at least twenty minutes. In twenty minutes the Paris train would have gone by. "To a man of the well-known skill and valour of Monsieur de St. Eustache," said the

Rejected response: chimney-pots. The little Doctor especially, with the addition of his black spectacles, looked like an undertaker in a farce. Syme could not help feeling a comic contrast between this funereal church parade of apparel and the rich and glistening meadow, growing wild flowers everywhere. But, indeed, this comic contrast between the yellow blossoms and the black hats was but a symbol of the tragic contrast between the yellow blossoms and the black business. On his right was a little wood, and far away to his left lay the long curve of the railway line, he was. To speak, guarding from the Marquis, whose goal and escape it was. In front of him, behind the black group of his opponents, he could see, like a tinted cloud, a small almond bush in flower against the faint line of the sea. The member of the Legion of Honour, whose name it seemed was Colonel Ducroix, approached the Professor and Dr. Bull with great politeness, and suggested that the play should terminate with the first considerable hurt. Dr. Bull, however, having been carefully coached by Syme upon this point of policy, insisted, with great dignity and in very bad French, that it should continue until one of the combatants was disabled. Syme had made up his mind that he could avoid disabling the Marquis and prevent the Marquis from disabling him for at least twenty minutes. In twenty minutes the Paris train would have gone by. "To a man of the well-known skill and valour of Monsieur de St. Eustache," said the


Prompt:
Continue this passage in the same voice:

Professor solemnly, "it must be a matter of indifference which method is adopted, and our principal has strong reasons for demanding the longer encounter, reasons the delicacy of which prevent me from being explicit, but for the just and honourable nature of which I can—" "Peste!" broke from the Marquis behind, whose face had suddenly darkened, "let us stop talking

Chosen response: and begin," and he slashed off the head of a tall flower with his stick. Syme understood his rude impatience and instinctively looked over his shoulder to see whether the train was coming in sight. But there was no smoke on the horizon. Colonel Ducroix knelt down and unlocked the case, taking out a pair of twin swords, which took the sunlight and turned to two streaks of white fire. He offered one to the Marquis, who snatched it without ceremony, and another to Syme, who took it, bent it, and poised it with as much delay as was consistent with dignity. Then the Colonel took out another pair of blades, and taking one himself and giving another to Dr. Bull, proceeded to place the men. Both combatants had thrown off their coats and waistcoats, and stood sword in hand. The seconds stood on each side of the line of fight with drawn swords also, but still sombre in their dark frock-coats and hats. The principals saluted. The Colonel said quietly, "Engage!" and the two blades touched and tingled. When the jar of the joined iron ran up Syme's arm, all the fantastic fears that have been the subject of this story fell from him like dreams from a man waking up in bed. He remembered them clearly and in order as mere delusions of the nerves—how the fear of the Professor had been the fear of the tyrannic accidents of nightmare, and how the fear of the Doctor had been the fear of the airless vacuum of science. The

Rejected response: and begin," and he slashed off the head of a tall flower with his stick. Syme understood his rude impatience and instinctively looked over his shoulder to see whether the train was coming in sight. But there was no smoke on the horizon. Colonel Ducroix knelt down and unlocked the case, taking out a pair of twin swords, which took the sunlight and turned to two streaks of white fire. He offered one to the Marquis, who snatched it without ceremony, and another to Syme, who took it, bent it, and poised it with as much delay as was consistent with dignity. Then the Colonel took out another pair of blades, and taking one himself and giving another to Dr. Bull, proceeded to place the men, and both combatants had thrown off their coats and waistcoats, and stood sword in hand. The seconds stood on each side of the line of fight with drawn swords also, but still sombre in their dark frock-coats and hats. The principals saluted. The Colonel said quietly, "Engage!" and the two blades touched and tingled. When the jar of the joined iron ran up Syme's arm, all the fantastic fears that have been the subject of this story fell from him like dreams from a man waking up in bed. He remembered them clearly and in order as mere delusions of the nerves—how the fear of the Professor had been the fear of the tyrannic accidents of nightmare. How the fear of the Doctor had been the fear of the airless vacuum of science. The


Prompt:
Continue, matching the prose style exactly:

leaving a slight streak of blood, but it either was not noticed or was tacitly ignored. Every now and then he riposted, and once or twice he could almost fancy that he felt his point go home, but as there was no blood on blade or shirt he supposed he was mistaken. Then came an interruption and a change. At

Chosen response: the risk of losing all, the Marquis, interrupting his quiet stare, flashed one glance over his shoulder at the line of railway on his right. Then he turned on Syme a face transfigured to that of a fiend, and began to fight as if with twenty weapons. The attack came so fast and furious, that the one shining sword seemed a shower of shining arrows. Syme had no chance to look at the railway; but also he had no need. He could guess the reason of the Marquis's sudden madness of battle—the Paris train was in sight. But the Marquis's morbid energy over-reached itself. Twice Syme, parrying, knocked his opponent's point far out of the fighting circle; and the third time his riposte was so rapid, that there was no doubt about the hit this time. Syme's sword actually bent under the weight of the Marquis's body, which it had pierced. Syme was as certain that he had stuck his blade into his enemy as a gardener that he has stuck his spade into the ground. Yet the Marquis sprang back from the stroke without a stagger, and Syme stood staring at his own sword-point like an idiot. There was no blood on it at all. There was an instant of rigid silence, and then Syme in his turn fell furiously on the other, filled with a flaming curiosity. The Marquis was probably, in a general sense, a better fencer than he, as he had surmised at the beginning, but at the moment the Marquis seemed distraught and at a

Rejected response: risk of losing all, the Marquis, interrupting his quiet stare, flashed one glance over his shoulder at the line of railway on his right. Then he turned on Syme a face transfigured to that of a fiend, and began to fight as if with twenty weapons. The attack came so fast and furious, that the one shining sword seemed a shower of shining arrows. Syme had no chance to look at the railway; but also he had no need. He could guess the reason of the Marquis's sudden madness of battle—the Paris train was in sight. But the Marquis's morbid energy over-reached itself. Twice Syme, parrying, knocked his opponent's point far out of the fighting circle; and the third time his riposte was so rapid, that there was no doubt about the hit this time. Syme's sword actually bent under the weight of the Marquis's body, which it had pierced. Syme was as certain that he had stuck his blade into his enemy as a gardener that he has stuck his spade into the ground. Yet the Marquis sprang back from the stroke without a stagger, and Syme stood staring at his own sword-point like an idiot. There was no blood on it at all. There was an instant of rigid silence, and then Syme in his turn fell furiously on the other, filled with a flaming curiosity. The Marquis was probably, in a general sense, a better fencer than he, as he had surmised at the beginning, but at the moment the Marquis seemed distraught and at a


Prompt:
Write the next few paragraphs of this novel:

disadvantage. He fought wildly and even weakly, and he constantly looked away at the railway line, almost as if he feared the train more than the pointed steel. Syme, on the other hand, fought fiercely but still carefully, in an intellectual fury, eager to solve the riddle of his own bloodless sword. For this purpose, he aimed less at the

Chosen response: Marquis's body, and more at his throat and head. A minute and a half afterwards he felt his point enter the man's neck below the jaw. It came out clean. Half mad, he thrust again, and made what should have been a bloody scar on the Marquis's cheek. But there was no scar. For one moment the heaven of Syme again grew black with supernatural terrors. Surely the man had a charmed life. But this new spiritual dread was a more awful thing than had been the mere spiritual topsy-turvydom symbolised by the paralytic who pursued him. The Professor was only a goblin; this man was a devil—perhaps he was the Devil! Anyhow, this was certain, that three times had a human sword been driven into him and made no mark. When Syme had that thought he drew himself up, and all that was good in him sang high up in the air as a high wind sings in the trees. He thought of all the human things in his story—of the Chinese lanterns in Saffron Park, of the girl's red hair in the garden, of the honest, beer-swilling sailors down by the dock, of his loyal companions standing by. Perhaps he had been chosen as a champion of all these fresh and kindly things to cross swords with the enemy of all creation. "After all," he said to himself, "I am more than a devil; I am a man. I can do the one thing which Satan himself cannot do—I can die," and as the word went through his

Rejected response: Marquis's body, and more at his throat and head. A minute and a half afterwards he felt his point enter the man's neck below the jaw. It came out clean. Half mad, he thrust again, and made what should have been a bloody scar on the Marquis's cheek. But there was no scar, and for one moment the heaven of Syme again grew black with supernatural terrors. Surely the man had a charmed life. But this new spiritual dread was a more awful thing than had been the mere spiritual topsy-turvydom symbolised by the paralytic who pursued him. The Professor was only a goblin; this man was a devil—perhaps he was the Devil! Anyhow, this was certain, that three times had a human sword been driven into him and made no mark. When Syme had that thought he drew himself up. All that was good in him sang high up in the air as a high wind sings in the trees. He thought of all the human things in his story—of the Chinese lanterns in Saffron Park, of the girl's red hair in the garden, of the honest, beer-swilling sailors down by the dock, of his loyal companions standing by. Perhaps he had been chosen as a champion of all these fresh and kindly things to cross swords with the enemy of all creation. "After all," he said to himself, "I am more than a devil; I am a man. I can do the one thing which Satan himself cannot do—I can die," and as the word went through his


Prompt:
Write the next few paragraphs of this novel:

strongly advise him to walk after me." With these words, he turned his broad back and strode with silent energy towards the wood. The others gave one glance over their shoulders, and saw that the dark cloud of men had detached itself from the station and was moving with a mysterious discipline across the plain. They saw already, even with

Chosen response: the naked eye, black blots on the foremost faces, which marked the masks they wore. They turned and followed their leader, who had already struck the wood, and disappeared among the twinkling trees. The sun on the grass was dry and hot. So in plunging into the wood they had a cool shock of shadow, as of divers who plunge into a dim pool. The inside of the wood was full of shattered sunlight and shaken shadows. They made a sort of shuddering veil, almost recalling the dizziness of a cinematograph. Even the solid figures walking with him Syme could hardly see for the patterns of sun and shade that danced upon them. Now a man's head was lit as with a light of Rembrandt, leaving all else obliterated; now again he had strong and staring white hands with the face of a negro. The ex-Marquis had pulled the old straw hat over his eyes, and the black shade of the brim cut his face so squarely in two that it seemed to be wearing one of the black half-masks of their pursuers. The fancy tinted Syme's overwhelming sense of wonder. Was he wearing a mask? Was anyone wearing a mask? Was anyone anything? This wood of witchery, in which men's faces turned black and white by turns, in which their figures first swelled into sunlight and then faded into formless night, this mere chaos of chiaroscuro (after the clear daylight outside), seemed to Syme a perfect symbol of the world in which he had been moving for three days,

Rejected response: the naked eye, black blots on the foremost faces, which marked the masks they wore. They turned and followed their leader, who had already struck the wood, and disappeared among the twinkling trees. The sun on the grass was dry and hot. So in plunging into the wood they had a cool shock of shadow, as of divers who plunge into a dim pool. The inside of the wood was full of shattered sunlight and shaken shadows. They made a sort of shuddering veil, almost recalling the dizziness of a cinematograph. Even the solid figures walking with him Syme could hardly see for the patterns of sun and shade that danced upon them. Now a man's head was lit as with a light of Rembrandt, leaving all else obliterated; now again he had strong and staring white hands with the face of a negro. The ex-Marquis had pulled the old straw hat over his eyes. The black shade of the brim cut his face so squarely in two that it seemed to be wearing one of the black half-masks of their pursuers. The fancy tinted Syme's overwhelming sense of wonder, and was he wearing a mask? Was anyone wearing a mask, and was anyone anything? This wood of witchery, in which men's faces turned black and white by turns, in which their figures first swelled into sunlight and then faded into formless night, this mere chaos of chiaroscuro (after the clear daylight outside), seemed to Syme a perfect symbol of the world in which he had been moving for three days,


Prompt:
Continue, matching the prose style exactly:

were almost telescopic, Syme could see this mass of men quite plainly. He could see them as separate human figures; but he was increasingly surprised by the way in which they moved as one man. They seemed to be dressed in dark clothes and plain hats, like any common crowd out of the streets; but they did not spread and

Chosen response: sprawl and trail by various lines to the attack, as would be natural in an ordinary mob. They moved with a sort of dreadful and wicked woodenness, like a staring army of automatons. Syme pointed this out to Ratcliffe. "Yes," replied the policeman, "that's discipline. That's Sunday. He is perhaps five hundred miles off, but the fear of him is on all of them, like the finger of God. Yes, they are walking regularly; and you bet your boots that they are talking regularly, yes, and thinking regularly. But the one important thing for us is that they are disappearing regularly." Syme nodded. It was true that the black patch of the pursuing men was growing smaller and smaller as the peasant belaboured his horse. The level of the sunlit landscape, though flat as a whole, fell away on the farther side of the wood in billows of heavy slope towards the sea, in a way not unlike the lower slopes of the Sussex downs. The only difference was that in Sussex the road would have been broken and angular like a little brook, but here the white French road fell sheer in front of them like a waterfall. Down this direct descent the cart clattered at a considerable angle, and in a few minutes, the road growing yet steeper, they saw below them the little harbour of Lancy and a great blue arc of the sea. The travelling cloud of their enemies had wholly disappeared from the horizon. The horse and cart took a sharp turn round a clump

Rejected response: sprawl and trail by various lines to the attack, as would be natural in an ordinary mob. They moved with a sort of dreadful and wicked woodenness, like a staring army of automatons. Syme pointed this out to Ratcliffe. "Yes," replied the policeman, "that's discipline. That's Sunday. He is perhaps five hundred miles off, but the fear of him is on all of them, like the finger of God. Yes, they are walking regularly; and you bet your boots that they are talking regularly, yes, and thinking regularly. But the one important thing for us is that they are disappearing regularly." Syme nodded. It was true that the black patch of the pursuing men was growing smaller and smaller as the peasant belaboured his horse. The level of the sunlit landscape. Flat as a whole, fell away on the farther side of the wood in billows of heavy slope towards the sea, in a way not unlike the lower slopes of the Sussex downs. The only difference was that in Sussex the road would have been broken and angular like a little brook. Here the white French road fell sheer in front of them like a waterfall. Down this direct descent the cart clattered at a considerable angle. In a few minutes, the road growing yet steeper, they saw below them the little harbour of Lancy and a great blue arc of the sea. The travelling cloud of their enemies had wholly disappeared from the horizon. The horse and cart took a sharp turn round a clump


Prompt:
Write the next few paragraphs of this novel:

or two their boots broke not on the sea gravel, but on broad, flat stones. They marched down a long, low jetty, running out in one arm into the dim, boiling sea, and when they came to the end of it they felt that they had come to the end of their story. They turned and faced the town. That

Chosen response: town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them. "The peasant!" cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What

Rejected response: town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns. But even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them. "The peasant!" cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What


Prompt:
Write the next few paragraphs of this novel:

speed. But Syme was in no mood for delicacies, and he stood up in his own cab shouting, "Stop thief!" until crowds ran along beside his cab, and policemen began to stop and ask questions. All this had its influence upon the President's cabman, who began to look dubious, and to slow down to a trot. He opened the trap

Chosen response: to talk reasonably to his fare, and in so doing let the long whip droop over the front of the cab. Sunday leant forward, seized it, and jerked it violently out of the man's hand. Then standing up in front of the cab himself, he lashed the horse and roared aloud, so that they went down the streets like a flying storm. Through street after street and square after square went whirling this preposterous vehicle, in which the fare was urging the horse and the driver trying desperately to stop it. The other three cabs came after it (if the phrase be permissible of a cab) like panting hounds. Shops and streets shot by like rattling arrows. At the highest ecstacy of speed, Sunday turned round on the splashboard where he stood, and sticking his great grinning head out of the cab, with white hair whistling in the wind, he made a horrible face at his pursuers, like some colossal urchin. Then raising his right hand swiftly, he flung a ball of paper in Syme's face and vanished. Syme caught the thing while instinctively warding it off, and discovered that it consisted of two crumpled papers. One was addressed to himself, and the other to Dr. Bull, with a very long, and it is to be feared partly ironical, string of letters after his name. Dr. Bull's address was, at any rate, considerably longer than his communication, for the communication consisted entirely of the words:— "What about Martin Tupper now?" "What does the old maniac mean?" asked Bull, staring at

Rejected response: to talk reasonably to his fare, and in so doing let the long whip droop over the front of the cab. Sunday leant forward, seized it, and jerked it violently out of the man's hand. Then standing up in front of the cab himself, he lashed the horse and roared aloud, so that they went down the streets like a flying storm. Through street after street and square after square went whirling this preposterous vehicle, in which the fare was urging the horse and the driver trying desperately to stop it. The other three cabs came after it (if the phrase be permissible of a cab) like panting hounds. Shops and streets shot by like rattling arrows, and at the highest ecstacy of speed, Sunday turned round on the splashboard where he stood. Sticking his great grinning head out of the cab, with white hair whistling in the wind, he made a horrible face at his pursuers, like some colossal urchin. Then raising his right hand swiftly, he flung a ball of paper in Syme's face and vanished. Syme caught the thing while instinctively warding it off, and discovered that it consisted of two crumpled papers. One was addressed to himself, and the other to Dr. Bull, with a very long, and it is to be feared partly ironical, string of letters after his name. Dr. Bull's address was, at any rate, considerably longer than his communication, for the communication consisted entirely of the words:— "What about Martin Tupper now?" "What does the old maniac mean?" asked Bull, staring at


Prompt:
Continue, matching the prose style exactly:

light of a white road. As the six wanderers broke out upon this thoroughfare, they saw the white road blocked by what looked like a long row of carriages, such a row of carriages as might close the approach to some house in Park Lane. Along the side of these carriages stood a rank of splendid servants, all dressed in

Chosen response: the grey-blue uniform, and all having a certain quality of stateliness and freedom which would not commonly belong to the servants of a gentleman, but rather to the officials and ambassadors of a great king. There were no less than six carriages waiting, one for each of the tattered and miserable band. All the attendants (as if in court-dress) wore swords, and as each man crawled into his carriage they drew them, and saluted with a sudden blaze of steel. "What can it all mean?" asked Bull of Syme as they separated. "Is this another joke of Sunday's?" "I don't know," said Syme as he sank wearily back in the cushions of his carriage; "but if it is, it's one of the jokes you talk about. It's a good-natured one." The six adventurers had passed through many adventures, but not one had carried them so utterly off their feet as this last adventure of comfort. They had all become inured to things going roughly; but things suddenly going smoothly swamped them. They could not even feebly imagine what the carriages were; it was enough for them to know that they were carriages, and carriages with cushions. They could not conceive who the old man was who had led them; but it was quite enough that he had certainly led them to the carriages. Syme drove through a drifting darkness of trees in utter abandonment. It was typical of him that while he had carried his bearded chin forward fiercely so long as anything could be done, when the whole business

Rejected response: the grey-blue uniform. All having a certain quality of stateliness and freedom which would not commonly belong to the servants of a gentleman. Rather to the officials and ambassadors of a great king, and there were no less than six carriages waiting, one for each of the tattered and miserable band. All the attendants (as if in court-dress) wore swords, and as each man crawled into his carriage they drew them, and saluted with a sudden blaze of steel. "What can it all mean?" asked Bull of Syme as they separated. "Is this another joke of Sunday's?" "I don't know," said Syme as he sank wearily back in the cushions of his carriage; "but if it is, it's one of the jokes you talk about. It's a good-natured one." The six adventurers had passed through many adventures, but not one had carried them so utterly off their feet as this last adventure of comfort. They had all become inured to things going roughly; but things suddenly going smoothly swamped them. They could not even feebly imagine what the carriages were; it was enough for them to know that they were carriages, and carriages with cushions. They could not conceive who the old man was who had led them; but it was quite enough that he had certainly led them to the carriages. Syme drove through a drifting darkness of trees in utter abandonment. It was typical of him that while he had carried his bearded chin forward fiercely so long as anything could be done, when the whole business


Prompt:
Continue, matching the prose style exactly:

As Syme strode along the corridor he saw the Secretary standing at the top of a great flight of stairs. The man had never looked so noble. He was draped in a long robe of starless black, down the centre of which fell a band or broad stripe of pure white, like a single shaft of light. The whole looked

Chosen response: like some very severe ecclesiastical vestment. There was no need for Syme to search his memory or the Bible in order to remember that the first day of creation marked the mere creation of light out of darkness. The vestment itself would alone have suggested the symbol; and Syme felt also how perfectly this pattern of pure white and black expressed the soul of the pale and austere Secretary, with his inhuman veracity and his cold frenzy, which made him so easily make war on the anarchists, and yet so easily pass for one of them. Syme was scarcely surprised to notice that, amid all the ease and hospitality of their new surroundings, this man's eyes were still stern. No smell of ale or orchards could make the Secretary cease to ask a reasonable question. If Syme had been able to see himself, he would have realised that he, too, seemed to be for the first time himself and no one else. For if the Secretary stood for that philosopher who loves the original and formless light, Syme was a type of the poet who seeks always to make the light in special shapes, to split it up into sun and star. The philosopher may sometimes love the infinite; the poet always loves the finite. For him the great moment is not the creation of light, but the creation of the sun and moon. As they descended the broad stairs together they overtook Ratcliffe, who was clad in spring green like a huntsman, and the pattern upon whose garment was

Rejected response: like some very severe ecclesiastical vestment. There was no need for Syme to search his memory or the Bible in order to remember that the first day of creation marked the mere creation of light out of darkness. The vestment itself would alone have suggested the symbol. And Syme felt also how perfectly this pattern of pure white and black expressed the soul of the pale and austere Secretary, with his inhuman veracity and his cold frenzy. Made him so easily make war on the anarchists, and yet so easily pass for one of them. Syme was scarcely surprised to notice that, amid all the ease and hospitality of their new surroundings, this man's eyes were still stern. No smell of ale or orchards could make the Secretary cease to ask a reasonable question. If Syme had been able to see himself, he would have realised that he, too, seemed to be for the first time himself and no one else. For if the Secretary stood for that philosopher who loves the original and formless light, Syme was a type of the poet who seeks always to make the light in special shapes, to split it up into sun and star. The philosopher may sometimes love the infinite; the poet always loves the finite. For him the great moment is not the creation of light, but the creation of the sun and moon. As they descended the broad stairs together they overtook Ratcliffe, who was clad in spring green like a huntsman, and the pattern upon whose garment was


Prompt:
Continue this passage in the same voice:

a green tangle of trees. For he stood for that third day on which the earth and green things were made, and his square, sensible face, with its not unfriendly cynicism, seemed appropriate enough to it. They were led out of another broad and low gateway into a very large old English garden, full of torches and bonfires, by the

Chosen response: broken light of which a vast carnival of people were dancing in motley dress. Syme seemed to see every shape in Nature imitated in some crazy costume. There was a man dressed as a windmill with enormous sails, a man dressed as an elephant, a man dressed as a balloon; the two last, together, seemed to keep the thread of their farcical adventures. Syme even saw, with a queer thrill, one dancer dressed like an enormous hornbill, with a beak twice as big as himself—the queer bird which had fixed itself on his fancy like a living question while he was rushing down the long road at the Zoological Gardens. There were a thousand other such objects, however. There was a dancing lamp-post, a dancing apple tree, a dancing ship. One would have thought that the untamable tune of some mad musician had set all the common objects of field and street dancing an eternal jig. And long afterwards, when Syme was middle-aged and at rest, he could never see one of those particular objects—a lamppost, or an apple tree, or a windmill—without thinking that it was a strayed reveller from that revel of masquerade. On one side of this lawn, alive with dancers, was a sort of green bank, like the terrace in such old-fashioned gardens. Along this, in a kind of crescent, stood seven great chairs, the thrones of the seven days. Gogol and Dr. Bull were already in their seats; the Professor was just mounting to his. Gogol, or Tuesday, had his simplicity well symbolised by a

Rejected response: broken light of which a vast carnival of people were dancing in motley dress. Syme seemed to see every shape in Nature imitated in some crazy costume. There was a man dressed as a windmill with enormous sails, a man dressed as an elephant, a man dressed as a balloon. The two last, together, seemed to keep the thread of their farcical adventures. Syme even saw, with a queer thrill, one dancer dressed like an enormous hornbill, with a beak twice as big as himself—the queer bird which had fixed itself on his fancy like a living question while he was rushing down the long road at the Zoological Gardens. There were a thousand other such objects, however, and there was a dancing lamp-post, a dancing apple tree, a dancing ship. One would have thought that the untamable tune of some mad musician had set all the common objects of field and street dancing an eternal jig. And long afterwards, when Syme was middle-aged and at rest, he could never see one of those particular objects—a lamppost, or an apple tree, or a windmill—without thinking that it was a strayed reveller from that revel of masquerade. On one side of this lawn, alive with dancers, was a sort of green bank, like the terrace in such old-fashioned gardens. Along this, in a kind of crescent, stood seven great chairs, the thrones of the seven days. Gogol and Dr, and bull were already in their seats; the Professor was just mounting to his. Gogol, or Tuesday, had his simplicity well symbolised by a


Prompt:
Write the next few paragraphs of this novel:

dancing seemed a separate romance; it might be a fairy dancing with a pillar-box, or a peasant girl dancing with the moon; but in each case it was, somehow, as absurd as Alice in Wonderland, yet as grave and kind as a love story. At last, however, the thick crowd began to thin itself. Couples strolled away into the garden-walks,

Chosen response: or began to drift towards that end of the building where stood smoking, in huge pots like fish-kettles, some hot and scented mixtures of old ale or wine. Above all these, upon a sort of black framework on the roof of the house, roared in its iron basket a gigantic bonfire, which lit up the land for miles. It flung the homely effect of firelight over the face of vast forests of grey or brown, and it seemed to fill with warmth even the emptiness of upper night. Yet this also, after a time, was allowed to grow fainter; the dim groups gathered more and more round the great cauldrons, or passed, laughing and clattering, into the inner passages of that ancient house. Soon there were only some ten loiterers in the garden; soon only four. Finally the last stray merry-maker ran into the house whooping to his companions. The fire faded, and the slow, strong stars came out. And the seven strange men were left alone, like seven stone statues on their chairs of stone. Not one of them had spoken a word. They seemed in no haste to do so, but heard in silence the hum of insects and the distant song of one bird. Then Sunday spoke, but so dreamily that he might have been continuing a conversation rather than beginning one. "We will eat and drink later," he said. "Let us remain together a little, we who have loved each other so sadly, and have fought so long. I seem to remember only centuries of heroic

Rejected response: garden-walks, or began to drift towards that end of the building where stood smoking, in huge pots like fish-kettles, some hot and scented mixtures of old ale or wine. Above all these, upon a sort of black framework on the roof of the house, roared in its iron basket a gigantic bonfire, which lit up the land for miles. It flung the homely effect of firelight over the face of vast forests of grey or brown, and it seemed to fill with warmth even the emptiness of upper night. Yet this also, after a time, was allowed to grow fainter. The dim groups gathered more and more round the great cauldrons, or passed, laughing and clattering, into the inner passages of that ancient house. Soon there were only some ten loiterers in the garden; soon only four. Finally the last stray merry-maker ran into the house whooping to his companions. The fire faded, and the slow, strong stars came out. And the seven strange men were left alone, like seven stone statues on their chairs of stone. Not one of them had spoken a word. They seemed in no haste to do so, but heard in silence the hum of insects and the distant song of one bird. Then Sunday spoke, but so dreamily that he might have been continuing a conversation rather than beginning one. "We will eat and drink later," he said. "Let us remain together a little, we who have loved each other so sadly, and have fought so long. I seem to remember only centuries of heroic


Prompt:
Continue, matching the prose style exactly:

crime of the Government. It is all folly! The only crime of the Government is that it governs. The unpardonable sin of the supreme power is that it is supreme. I do not curse you for being cruel. I do not curse you (though I might) for being kind. I curse you for being safe! You sit in your chairs

Chosen response: of stone, and have never come down from them. You are the seven angels of heaven, and you have had no troubles. Oh, I could forgive you everything, you that rule all mankind, if I could feel for once that you had suffered for one hour a real agony such as I—" Syme sprang to his feet, shaking from head to foot. "I see everything," he cried, "everything that there is. Why does each thing on the earth war against each other thing? Why does each small thing in the world have to fight against the world itself? Why does a fly have to fight the whole universe? Why does a dandelion have to fight the whole universe? For the same reason that I had to be alone in the dreadful Council of the Days. So that each thing that obeys law may have the glory and isolation of the anarchist. So that each man fighting for order may be as brave and good a man as the dynamiter. So that the real lie of Satan may be flung back in the face of this blasphemer, so that by tears and torture we may earn the right to say to this man, 'You lie!' No agonies can be too great to buy the right to say to this accuser, 'We also have suffered.' "It is not true that we have never been broken. We have been broken upon the wheel. It is not true that we have never descended from these thrones. We have descended into hell. We were complaining

Rejected response: chairs of stone, and have never come down from them. You are the seven angels of heaven, and you have had no troubles. Oh, I could forgive you everything, you that rule all mankind, if I could feel for once that you had suffered for one hour a real agony such as I—" Syme sprang to his feet, shaking from head to foot. "I see everything," he cried, "everything that there is. Why does each thing on the earth war against each other thing? Why does each small thing in the world have to fight against the world itself? Why does a fly have to fight the whole universe? Why does a dandelion have to fight the whole universe? For the same reason that I had to be alone in the dreadful Council of the Days. So that each thing that obeys law may have the glory and isolation of the anarchist. So that each man fighting for order may be as brave and good a man as the dynamiter. So that the real lie of Satan may be flung back in the face of this blasphemer, so that by tears and torture we may earn the right to say to this man, 'You lie!' No agonies can be too great to buy the right to say to this accuser, 'We also have suffered.' "It is not true that we have never been broken. We have been broken upon the wheel. It is not true that we have never descended from these thrones. We have descended into hell, and we were complaining


Prompt:
Continue this passage in the same voice:

my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you—well, of course you have an intellectual

Chosen response: expression and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless beautiful creature who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him." "You don't understand me, Harry," answered the artist. "Of course I am not like him. I know that perfectly well. Indeed, I should be sorry to look like him. You shrug your shoulders? I am telling you the truth. There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the faltering steps of kings. It is better not to be different from one's fellows. The ugly and the stupid have

Rejected response: all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are, and except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen. As a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless beautiful creature who should be always here in winter when we have no flowers to look at. Always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him." "You don't understand me, Harry," answered the artist. "Of course I am not like him. I know that perfectly well, and indeed, I should be sorry to look like him. You shrug your shoulders, and i am telling you the truth. There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the faltering steps of kings. It is better not to be different from one's fellows. The ugly and the stupid have


Prompt:
Write the next few paragraphs of this novel:

parrot noses. She spoke of me as her dearest friend. I had only met her once before, but she took it into her head to lionize me. I believe some picture of mine had made a great success at the time, at least had been chattered about in the penny newspapers, which is the nineteenth-century standard of immortality. Suddenly I

Chosen response: found myself face to face with the young man whose personality had so strangely stirred me. We were quite close, almost touching. Our eyes met again. It was reckless of me, but I asked Lady Brandon to introduce me to him. Perhaps it was not so reckless, after all. It was simply inevitable. We would have spoken to each other without any introduction. I am sure of that. Dorian told me so afterwards. He, too, felt that we were destined to know each other." "And how did Lady Brandon describe this wonderful young man?" asked his companion. "I know she goes in for giving a rapid précis of all her guests. I remember her bringing me up to a truculent and red-faced old gentleman covered all over with orders and ribbons, and hissing into my ear, in a tragic whisper which must have been perfectly audible to everybody in the room, the most astounding details. I simply fled. I like to find out people for myself. But Lady Brandon treats her guests exactly as an auctioneer treats his goods. She either explains them entirely away, or tells one everything about them except what one wants to know." "Poor Lady Brandon! You are hard on her, Harry!" said Hallward listlessly. "My dear fellow, she tried to found a salon, and only succeeded in opening a restaurant. How could I admire her? But tell me, what did she say about Mr. Dorian Gray?" "Oh, something like, 'Charming boy—poor dear mother and I absolutely inseparable. Quite forget what he does—afraid he—doesn't do anything—oh,

Rejected response: found myself face to face with the young man whose personality had so strangely stirred me. We were quite close, almost touching. Our eyes met again. It was reckless of me, but I asked Lady Brandon to introduce me to him. Perhaps it was not so reckless, after all. It was simply inevitable, and we would have spoken to each other without any introduction. I am sure of that, and dorian told me so afterwards. He, too, felt that we were destined to know each other." "And how did Lady Brandon describe this wonderful young man?" asked his companion. "I know she goes in for giving a rapid précis of all her guests. I remember her bringing me up to a truculent and red-faced old gentleman covered all over with orders and ribbons. Hissing into my ear, in a tragic whisper which must have been perfectly audible to everybody in the room, the most astounding details. I simply fled, and i like to find out people for myself. But Lady Brandon treats her guests exactly as an auctioneer treats his goods. She either explains them entirely away, or tells one everything about them except what one wants to know." "Poor Lady Brandon! You are hard on her, Harry!" said Hallward listlessly. "My dear fellow, she tried to found a salon, and only succeeded in opening a restaurant. How could I admire her, and but tell me, what did she say about Mr. Dorian Gray?" "Oh, something like, 'Charming boy—poor dear mother and I absolutely inseparable. Quite forget what he does—afraid he—doesn't do anything—oh,


Prompt:
Continue this passage in the same voice:

history. The first is the appearance of a new medium for art, and the second is the appearance of a new personality for art also. What the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me. It is not merely that

Chosen response: I paint from him, draw from him, sketch from him. Of course, I have done all that. But he is much more to me than a model or a sitter. I won't tell you that I am dissatisfied with what I have done of him, or that his beauty is such that art cannot express it. There is nothing that art cannot express, and I know that the work I have done, since I met Dorian Gray, is good work, is the best work of my life. But in some curious way—I wonder will you understand me?—his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. 'A dream of form in days of thought'—who is it who says that? I forget; but it is what Dorian Gray has been to me. The merely visible presence of this lad—for he seems to me little more than a lad, though he is really over twenty—his merely visible presence—ah! I wonder can you realize all that that means? Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. The harmony of soul and body—how much that is! We in our madness have separated the two, and have invented a realism that is vulgar, an ideality that is

Rejected response: paint from him, draw from him, sketch from him. Of course, I have done all that, and but he is much more to me than a model or a sitter. I won't tell you that I am dissatisfied with what I have done of him, or that his beauty is such that art cannot express it. There is nothing that art cannot express. I know that the work I have done, since I met Dorian Gray, is good work, is the best work of my life. But in some curious way—I wonder will you understand me?—his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. 'A dream of form in days of thought'—who is it who says that? I forget; but it is what Dorian Gray has been to me. The merely visible presence of this lad—for he seems to me little more than a lad, though he is really over twenty—his merely visible presence—ah! I wonder can you realize all that that means? Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. The harmony of soul and body—how much that is! We in our madness have separated the two, and have invented a realism that is vulgar, an ideality that is


Prompt:
Continue, matching the prose style exactly:

to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him. The aim of life is self-development. To realize one's nature perfectly—that is what each of us is here for. People are afraid of themselves, nowadays. They

Chosen response: have forgotten the highest of all duties, the duty that one owes to one's self. Of course, they are charitable. They feed the hungry and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion—these are the two things that govern us. And yet—" "Just turn your head a little more to the right, Dorian, like a good boy," said the painter, deep in his work and conscious only that a look had come into the lad's face that he had never seen there before. "And yet," continued Lord Henry, in his low, musical voice, and with that graceful wave of the hand that was always so characteristic of him, and that he had even in his Eton days, "I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream—I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediævalism, and return to the Hellenic ideal—to something finer, richer than the Hellenic ideal, it may be. But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self-denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods

Rejected response: nowadays. They have forgotten the highest of all duties, the duty that one owes to one's self. Of course, they are charitable, and they feed the hungry and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race, and perhaps we never really had it. The terror of society, and is the basis of morals, the terror of God. Is the secret of religion—these are the two things that govern us. And yet—" "Just turn your head a little more to the right, Dorian, like a good boy," said the painter, deep in his work and conscious only that a look had come into the lad's face that he had never seen there before. "And yet," continued Lord Henry, in his low, musical voice, and with that graceful wave of the hand that was always so characteristic of him, and that he had even in his Eton days, "I believe that if one man were to live out his life fully and completely, were to give form to every feeling, expression to every thought, reality to every dream—I believe that the world would gain such a fresh impulse of joy that we would forget all the maladies of mediævalism, and return to the Hellenic ideal—to something finer, richer than the Hellenic ideal, it may be. But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self-denial that mars our lives. We are punished for our refusals, and every impulse that we strive to strangle broods


Prompt:
Write the next few paragraphs of this novel:

in the mind and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with

Chosen response: longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also. You, Mr. Gray, you yourself, with your rose-red youth and your rose-white boyhood, you have had passions that have made you afraid, thoughts that have filled you with terror, day-dreams and sleeping dreams whose mere memory might stain your cheek with shame—" "Stop!" faltered Dorian Gray, "stop! you bewilder me. I don't know what to say. There is some answer to you, but I cannot find it. Don't speak. Let me think. Or, rather, let me try not to think." For nearly ten minutes he stood there, motionless, with parted lips and eyes strangely bright. He was dimly conscious that entirely fresh influences were at work within him. Yet they seemed to him to have come really from himself. The few words that Basil's friend had said to him—words spoken by chance, no doubt, and with wilful paradox in them—had touched some secret chord that had never been touched before, but that he felt was now vibrating and throbbing to curious pulses. Music had stirred him like that. Music had troubled him many times. But music was not articulate. It was not a new world, but rather another chaos, that it created in us. Words! Mere words! How terrible they were! How clear, and

Rejected response: for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful. It has been said that the great events of the world take place in the brain. It is in the brain, and the brain only, that the great sins of the world take place also. You, Mr. Gray, you yourself, with your rose-red youth and your rose-white boyhood, you have had passions that have made you afraid, thoughts that have filled you with terror, day-dreams and sleeping dreams whose mere memory might stain your cheek with shame—" "Stop!" faltered Dorian Gray, "stop! you bewilder me, and i don't know what to say. There is some answer to you, but I cannot find it. Don't speak, and let me think. Or, rather, let me try not to think." For nearly ten minutes he stood there, motionless, with parted lips and eyes strangely bright. He was dimly conscious that entirely fresh influences were at work within him. Yet they seemed to him to have come really from himself. The few words that Basil's friend had said to him—words spoken by chance, no doubt. With wilful paradox in them—had touched some secret chord that had never been touched before. That he felt was now vibrating and throbbing to curious pulses. Music had stirred him like that. Music had troubled him many times. But music was not articulate. It was not a new world, but rather another chaos, that it created in us. Words, and mere words! How terrible they were, and how clear, and


Prompt:
Continue this passage in the same voice:

vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words? Yes; there

Chosen response: had been things in his boyhood that he had not understood. He understood them now. Life suddenly became fiery-coloured to him. It seemed to him that he had been walking in fire. Why had he not known it? With his subtle smile, Lord Henry watched him. He knew the precise psychological moment when to say nothing. He felt intensely interested. He was amazed at the sudden impression that his words had produced, and, remembering a book that he had read when he was sixteen, a book which had revealed to him much that he had not known before, he wondered whether Dorian Gray was passing through a similar experience. He had merely shot an arrow into the air. Had it hit the mark? How fascinating the lad was! Hallward painted away with that marvellous bold touch of his, that had the true refinement and perfect delicacy that in art, at any rate comes only from strength. He was unconscious of the silence. "Basil, I am tired of standing," cried Dorian Gray suddenly. "I must go out and sit in the garden. The air is stifling here." "My dear fellow, I am so sorry. When I am painting, I can't think of anything else. But you never sat better. You were perfectly still. And I have caught the effect I wanted—the half-parted lips and the bright look in the eyes. I don't know what Harry has been saying to you, but he has certainly made you have the most wonderful expression. I suppose he has been paying you compliments. You mustn't

Rejected response: there had been things in his boyhood that he had not understood. He understood them now, and life suddenly became fiery-coloured to him. It seemed to him that he had been walking in fire. Why had he not known it? With his subtle smile, Lord Henry watched him. He knew the precise psychological moment when to say nothing. He felt intensely interested. He was amazed at the sudden impression that his words had produced. Remembering a book that he had read when he was sixteen, a book which had revealed to him much that he had not known before, he wondered whether Dorian Gray was passing through a similar experience. He had merely shot an arrow into the air. Had it hit the mark? How fascinating the lad was! Hallward painted away with that marvellous bold touch of his, that had the true refinement and perfect delicacy that in art, at any rate comes only from strength. He was unconscious of the silence. "Basil, I am tired of standing," cried Dorian Gray suddenly. "I must go out and sit in the garden. The air is stifling here." "My dear fellow, I am so sorry. When I am painting, I can't think of anything else. But you never sat better. You were perfectly still. And I have caught the effect I wanted—the half-parted lips and the bright look in the eyes. I don't know what Harry has been saying to you. He has certainly made you have the most wonderful expression. I suppose he has been paying you compliments. You mustn't


Prompt:
Continue, matching the prose style exactly:

Gray frowned and turned his head away. He could not help liking the tall, graceful young man who was standing by him. His romantic, olive-coloured face and worn expression interested him. There was something in his low languid voice that was absolutely fascinating. His cool, white, flowerlike hands, even, had a curious charm. They moved, as he spoke, like music,

Chosen response: and seemed to have a language of their own. But he felt afraid of him, and ashamed of being afraid. Why had it been left for a stranger to reveal him to himself? He had known Basil Hallward for months, but the friendship between them had never altered him. Suddenly there had come some one across his life who seemed to have disclosed to him life's mystery. And, yet, what was there to be afraid of? He was not a schoolboy or a girl. It was absurd to be frightened. "Let us go and sit in the shade," said Lord Henry. "Parker has brought out the drinks, and if you stay any longer in this glare, you will be quite spoiled, and Basil will never paint you again. You really must not allow yourself to become sunburnt. It would be unbecoming." "What can it matter?" cried Dorian Gray, laughing, as he sat down on the seat at the end of the garden. "It should matter everything to you, Mr. Gray." "Why?" "Because you have the most marvellous youth, and youth is the one thing worth having." "I don't feel that, Lord Henry." "No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You

Rejected response: and seemed to have a language of their own. But he felt afraid of him, and ashamed of being afraid. Why had it been left for a stranger to reveal him to himself? He had known Basil Hallward for months, but the friendship between them had never altered him. Suddenly there had come some one across his life who seemed to have disclosed to him life's mystery. And, yet, what was there to be afraid of? He was not a schoolboy or a girl. It was absurd to be frightened. "Let us go and sit in the shade," said Lord Henry. "Parker has brought out the drinks, and if you stay any longer in this glare, you will be quite spoiled, and Basil will never paint you again. You really must not allow yourself to become sunburnt. It would be unbecoming." "What can it matter?" cried Dorian Gray, laughing, as he sat down on the seat at the end of the garden. "It should matter everything to you, Mr. Gray." "Why?" "Because you have the most marvellous youth, and youth is the one thing worth having." "I don't feel that, Lord Henry." "No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines. Passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so, and ... You have a wonderfully beautiful face, Mr. Gray, and don't frown. You


Prompt:
Continue, matching the prose style exactly:

have. And beauty is a form of genius—is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those

Chosen response: who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism—that is

Rejected response: those who have it. You smile, and ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr, and gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it. Then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly, and ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live, and live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing, and a new Hedonism—that is


Prompt:
Continue, matching the prose style exactly:

what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me

Chosen response: that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last—such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!" Dorian Gray listened, open-eyed and wondering. The spray of lilac fell from his hand upon the gravel. A furry bee came and buzzed round it for a moment. Then it began to scramble all over the oval stellated globe of the tiny blossoms. He watched it with that strange interest in trivial things that we try to develop when things of high import make us afraid, or when we are stirred by some new emotion for which we cannot find expression, or when some thought that terrifies us lays sudden siege to the brain and calls on us to yield. After a time the bee flew away. He saw it

Rejected response: me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last—such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis. Year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid. The exquisite temptations that we had not the courage to yield to. Youth, and youth! There is absolutely nothing in the world but youth!" Dorian Gray listened, open-eyed and wondering. The spray of lilac fell from his hand upon the gravel. A furry bee came and buzzed round it for a moment. Then it began to scramble all over the oval stellated globe of the tiny blossoms. He watched it with that strange interest in trivial things that we try to develop when things of high import make us afraid, or when we are stirred by some new emotion for which we cannot find expression, or when some thought that terrifies us lays sudden siege to the brain and calls on us to yield. After a time the bee flew away. He saw it


Prompt:
Continue, matching the prose style exactly:

At half-past twelve next day Lord Henry Wotton strolled from Curzon Street over to the Albany to call on his uncle, Lord Fermor, a genial if somewhat rough-mannered old bachelor, whom the outside world called selfish because it derived no particular benefit from him, but who was considered generous by Society as he fed the people who amused him. His

Chosen response: father had been our ambassador at Madrid when Isabella was young and Prim unthought of, but had retired from the diplomatic service in a capricious moment of annoyance on not being offered the Embassy at Paris, a post to which he considered that he was fully entitled by reason of his birth, his indolence, the good English of his dispatches, and his inordinate passion for pleasure. The son, who had been his father's secretary, had resigned along with his chief, somewhat foolishly as was thought at the time, and on succeeding some months later to the title, had set himself to the serious study of the great aristocratic art of doing absolutely nothing. He had two large town houses, but preferred to live in chambers as it was less trouble, and took most of his meals at his club. He paid some attention to the management of his collieries in the Midland counties, excusing himself for this taint of industry on the ground that the one advantage of having coal was that it enabled a gentleman to afford the decency of burning wood on his own hearth. In politics he was a Tory, except when the Tories were in office, during which period he roundly abused them for being a pack of Radicals. He was a hero to his valet, who bullied him, and a terror to most of his relations, whom he bullied in turn. Only England could have produced him, and he always said that the country was going to the dogs. His principles were out of date,

Rejected response: father had been our ambassador at Madrid when Isabella was young and Prim unthought of. Had retired from the diplomatic service in a capricious moment of annoyance on not being offered the Embassy at Paris, a post to which he considered that he was fully entitled by reason of his birth, his indolence, the good English of his dispatches. His inordinate passion for pleasure. The son, who had been his father's secretary, had resigned along with his chief, somewhat foolishly as was thought at the time, and on succeeding some months later to the title, had set himself to the serious study of the great aristocratic art of doing absolutely nothing. He had two large town houses, but preferred to live in chambers as it was less trouble, and took most of his meals at his club. He paid some attention to the management of his collieries in the Midland counties, excusing himself for this taint of industry on the ground that the one advantage of having coal was that it enabled a gentleman to afford the decency of burning wood on his own hearth. In politics he was a Tory, except when the Tories were in office, during which period he roundly abused them for being a pack of Radicals. He was a hero to his valet, who bullied him, and a terror to most of his relations, whom he bullied in turn. Only England could have produced him, and he always said that the country was going to the dogs. His principles were out of date,


Prompt:
Continue, matching the prose style exactly:

was a Devereux, Lady Margaret Devereux. I want you to tell me about his mother. What was she like? Whom did she marry? You have known nearly everybody in your time, so you might have known her. I am very much interested in Mr. Gray at present. I have only just met him." "Kelso's grandson!" echoed the old gentleman. "Kelso's

Chosen response: grandson! ... Of course.... I knew his mother intimately. I believe I was at her christening. She was an extraordinarily beautiful girl, Margaret Devereux, and made all the men frantic by running away with a penniless young fellow—a mere nobody, sir, a subaltern in a foot regiment, or something of that kind. Certainly. I remember the whole thing as if it happened yesterday. The poor chap was killed in a duel at Spa a few months after the marriage. There was an ugly story about it. They said Kelso got some rascally adventurer, some Belgian brute, to insult his son-in-law in public—paid him, sir, to do it, paid him—and that the fellow spitted his man as if he had been a pigeon. The thing was hushed up, but, egad, Kelso ate his chop alone at the club for some time afterwards. He brought his daughter back with him, I was told, and she never spoke to him again. Oh, yes; it was a bad business. The girl died, too, died within a year. So she left a son, did she? I had forgotten that. What sort of boy is he? If he is like his mother, he must be a good-looking chap." "He is very good-looking," assented Lord Henry. "I hope he will fall into proper hands," continued the old man. "He should have a pot of money waiting for him if Kelso did the right thing by him. His mother had money, too. All the Selby property came to her, through her grandfather. Her grandfather hated Kelso, thought him

Rejected response: "Kelso's grandson! , and of course.... I knew his mother intimately. I believe I was at her christening. She was an extraordinarily beautiful girl, Margaret Devereux. Made all the men frantic by running away with a penniless young fellow—a mere nobody, sir, a subaltern in a foot regiment, or something of that kind. Certainly. I remember the whole thing as if it happened yesterday. The poor chap was killed in a duel at Spa a few months after the marriage. There was an ugly story about it. They said Kelso got some rascally adventurer, some Belgian brute, to insult his son-in-law in public—paid him, sir, to do it, paid him—and that the fellow spitted his man as if he had been a pigeon. The thing was hushed up. Egad, Kelso ate his chop alone at the club for some time afterwards. He brought his daughter back with him, I was told. She never spoke to him again. Oh, yes; it was a bad business. The girl died, too, died within a year. So she left a son, did she? I had forgotten that, and what sort of boy is he? If he is like his mother, he must be a good-looking chap." "He is very good-looking," assented Lord Henry. "I hope he will fall into proper hands," continued the old man. "He should have a pot of money waiting for him if Kelso did the right thing by him. His mother had money, too. All the Selby property came to her, through her grandfather. Her grandfather hated Kelso, thought him