Prompt:
Blackmailing.—The proper course to pursue.—Selfish boorishness of river-side landowner.—"Notice" boards.—Unchristianlike feelings of Harris.—How Harris sings a comic song.—A high-class party.—Shameful conduct of two abandoned young men.—Some useless information.—George buys a banjo.

We stopped under the willows by Kempton Park, and lunched. It is a pretty little spot there: a pleasant grass plateau, running along by the water's edge, and overhung by willows. We had just commenced the third course—the bread and jam—when a gentleman in shirt-sleeves and a short pipe came along, and wanted to know if we knew that we were trespassing. We said we hadn't given the matter sufficient consideration as yet to enable us to arrive at a definite conclusion on that point, but that, if he assured us on his word as a gentleman that we were trespassing, we would, without further hesitation, believe it.

He gave us the required assurance, and we thanked him, but he still hung about, and seemed to be dissatisfied, so we asked him if there was anything further that we could do for him; and Harris, who is of a chummy disposition, offered him a bit of bread and jam.

I fancy he must have belonged to some society sworn to abstain from bread and jam; for he declined it quite gruffly, as if he were vexed at being tempted with it, and he added that it was his duty to turn us off.

Harris said that if it was a duty it ought to be done, and asked the man what was his idea with regard to the best means for accomplishing it. Harris is what you would call a well-made man of about number one size, and looks hard and bony, and the man measured him up and down, and said he would go and consult his master, and then come back and chuck us both into the river.

Of course, we never saw him any more, and, of course, all he really wanted was a shilling. There are a certain number of riverside roughs who make quite an income, during the summer, by slouching about the banks and blackmailing weak-minded noodles in this way. They represent themselves as sent by the proprietor. The proper course to pursue is to offer your name and address, and leave the owner, if he really has anything to do with the matter, to summon you, and prove what damage you have done to his land by sitting down on a bit of it. But the majority of people are so intensely lazy and timid, that they prefer to encourage the imposition by giving in to it rather than put an end to it by the exertion of a little firmness.

Where it is really the owners that are to blame, they ought to be shown up. The selfishness of the riparian proprietor grows with every year. If these men had their way they would close the river Thames altogether. They actually do this along the minor tributary streams and in the backwaters. They drive posts into the bed of the stream, and draw chains across from bank to bank, and nail huge notice-boards on every tree. The sight of those notice-boards rouses every evil instinct in my nature. I feel I want to tear each one down, and hammer it over the head of the man who put it up, until I have killed him, and then I would bury him, and put the board up over the grave as a tombstone.

I mentioned these feelings of mine to Harris, and he said he had them worse than that. He said he not only felt he wanted to kill the man who caused the board to be put up, but that he should like to slaughter the whole of his family and all his friends and relations, and then burn down his house. This seemed to me to be going too far, and I said so to Harris; but he answered:

"Not a bit of it. Serve 'em all jolly well right, and I'd go and sing comic songs on the ruins."

I was vexed to hear Harris go on in this blood-thirsty strain. We never ought to allow our instincts of justice to degenerate into mere vindictiveness. It was a long while before I could get Harris to take a more Christian view of the subject, but I succeeded at last, and he promised me that he would spare the friends and relations at all events, and would not sing comic songs on the ruins.

You have never heard Harris sing a comic song, or you would understand the service I had rendered to mankind. It is one of Harris's fixed ideas that he can sing a comic song; the fixed idea, on the contrary, among those of Harris's friends who have heard him try, is that he can't and never will be able to, and that he ought not to be allowed to try.

When Harris is at a party, and is asked to sing, he replies: "Well, I can only sing a comic song, you know;" and he says it in a tone that implies that his singing of that, however, is a thing that you ought to hear once, and then die.

"Oh, that is nice," says the hostess. "Do sing one, Mr. Harris;" and Harris gets up, and makes for the piano, with the beaming cheeriness of a generous-minded man who is just about to give somebody something.

"Now, silence, please, everybody" says the hostess, turning round; "Mr. Harris is going to sing a comic song!"

"Oh, how jolly!" they murmur; and they hurry in from the conservatory, and come up from the stairs, and go and fetch each other from all over the house, and crowd into the drawing-room, and sit round, all smirking in anticipation.

Then Harris begins.

Well, you don't look for much of a voice in a comic song. You don't expect correct phrasing or vocalization. You don't mind if a man does find out, when in the middle of a note, that he is too high, and comes down with a jerk. You don't bother about time. You don't mind a man being two bars in front of the accompaniment, and easing up in the middle of a line to argue it out with the pianist, and then starting the verse afresh. But you do expect the words.

You don't expect a man to never remember more than the first three lines of the first verse, and to keep on repeating these until it is time to begin the chorus. You don't expect a man to break off in the middle of a line, and snigger, and say, it's very funny, but he's blest if he can think of the rest of it, and then try and make it up for himself, and, afterwards, suddenly recollect it, when he has got to an entirely different part of the song, and break off, without a word of warning, to go back and let you have it then and there. You don't—well, I will just give you an idea of Harris's comic singing, and then you can judge of it for yourself.

[Picture: Harris] HARRIS (standing up in front of piano and addressing the expectant mob): "I'm afraid it's a very old thing, you know. I expect you all know it, you know. But it's the only thing I know. It's the Judge's song out of Pinafore—no, I don't mean Pinafore—I mean—you know what I mean—the other thing, you know. You must all join in the chorus, you know."

HARRIS (with kindly encouragement): "It's all right. You're doing it very well, indeed—go on."

NERVOUS PIANIST: "I'm afraid there's a mistake somewhere. What are you singing?"

HARRIS (promptly): "Why the Judge's song out of Trial by Jury. Don't you know it?"

SOME FRIEND OF HARRIS'S (from the back of the room): "No, you're not, you chuckle-head, you're singing the Admiral's song from Pinafore."

HARRIS:

"'When I was young and called to the Bar.'"

[General roar of laughter, taken by Harris as a compliment. Pianist, thinking of his wife and family, gives up the unequal contest and retires; his place being taken by a stronger-nerved man.

THE NEW PIANIST (cheerily): "Now then, old man, you start off, and I'll follow. We won't bother about any prelude."

HARRIS (upon whom the explanation of matters has slowly dawned—laughing): "By Jove! I beg your pardon. Of course—I've been mixing up the two songs. It was Jenkins confused me, you know. Now then.

[Singing; his voice appearing to come from the cellar, and suggesting the first low warnings of an approaching earthquake.

"'When I was young I served a term As office-boy to an attorney's firm.'

(Aside to pianist): "It is too low, old man; we'll have that over again, if you don't mind."

HARRIS (continuing):

"'I swept the windows and I swept the door, And I—'

No—no, I cleaned the windows of the big front door. And I polished up the floor—no, dash it—I beg your pardon—funny thing, I can't think of that line. And I—and I—Oh, well, we'll get on to the chorus, and chance it (sings):

"'And I diddle-diddle-diddle-diddle-diddle-diddle-de, Till now I am the ruler of the Queen's navee.'

Now then, chorus—it is the last two lines repeated, you know.

GENERAL CHORUS:

"And he diddle-diddle-diddle-diddle-diddle-diddle-dee'd, Till now he is the ruler of the Queen's navee."

And Harris never sees what an ass he is making of himself, and how he is annoying a lot of people who never did him any harm. He honestly imagines that he has given them a treat, and says he will sing another comic song after supper.

Speaking of comic songs and parties, reminds me of a rather curious incident at which I once assisted; which, as it throws much light upon the inner mental working of human nature in general, ought, I think, to be recorded in these pages.

We were a fashionable and highly cultured party. We had on our best clothes, and we talked pretty, and were very happy—all except two young fellows, students, just returned from Germany, commonplace young men, who seemed restless and uncomfortable, as if they found the proceedings slow. The truth was, we were too clever for them. Our brilliant but polished conversation, and our high-class tastes, were beyond them. They were out of place, among us. They never ought to have been there at all. Everybody agreed upon that, later on.

We played morceaux from the old German masters. We discussed philosophy and ethics. We flirted with graceful dignity. We were even humorous—in a high-class way.

Somebody recited a French poem after supper, and we said it was beautiful; and then a lady sang a sentimental ballad in Spanish, and it made one or two of us weep—it was so pathetic.

And then those two young men got up, and asked us if we had ever heard Herr Slossenn Boschen (who had just arrived, and was then down in the supper-room) sing his great German comic song.

None of us had heard it, that we could remember.

The young men said it was the funniest song that had ever been written, and that, if we liked, they would get Herr Slossenn Boschen, whom they knew very well, to sing it. They said it was so funny that, when Herr Slossenn Boschen had sung it once before the German Emperor, he (the German Emperor) had had to be carried off to bed.

They said nobody could sing it like Herr Slossenn Boschen; he was so intensely serious all through it that you might fancy he was reciting a tragedy, and that, of course, made it all the funnier. They said he never once suggested by his tone or manner that he was singing anything funny—that would spoil it. It was his air of seriousness, almost of pathos, that made it so irresistibly amusing.

We said we yearned to hear it, that we wanted a good laugh; and they went downstairs, and fetched Herr Slossenn Boschen.

He appeared to be quite pleased to sing it, for he came up at once, and sat down to the piano without another word.

"Oh, it will amuse you. You will laugh," whispered

Chosen response:
the two young men, as they passed through the room, and took up an unobtrusive position behind the Professor's back.

Herr Slossenn Boschen accompanied himself. The prelude did not suggest a comic song exactly. It was a weird, soulful air. It quite made one's flesh creep; but we murmured to one another that it was the German method, and prepared to enjoy it.

I don't understand German myself. I learned it at school, but forgot every word of it two years after I had left, and have felt much better ever since. Still, I did not want the people there to guess my ignorance; so I hit upon what I thought to be rather a good idea. I kept my eye on the two young students, and followed them.

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Prompt:
On the seventeenth day we passed the highest mountain peaks we had yet seen, and although the day was very warm the night that followed upon its heels was wintry cold and blankets were next to useless.

On the eighteenth day we encountered the eastward-bound telegraphconstructors at Reese River station and sent a message to his Excellency Gov. Nye at Carson City (distant one hundred and fifty-six miles).

On the nineteenth day we crossed the Great American Desert—forty memorable miles of bottomless sand, into which the coach wheels sunk from six inches to a foot. We worked our passage most of the way across. That is to say, we got out and walked. It was a dreary pull and a long and thirsty one, for we had no water. From one extremity of this desert to the other, the road was white with the bones of oxen and horses. It would hardly be an exaggeration to say that we could have walked the forty miles and set our feet on a bone at every step! The desert was one prodigious graveyard. And the log-chains, wagon tyres, and rotting wrecks of vehicles were almost as thick as the bones. I think we saw log-chains enough rusting there in the desert, to reach across any State in the Union. Do not these relics suggest something of an idea of the fearful suffering and privation the early emigrants to California endured?

At the border of the Desert lies Carson Lake, or The "Sink" of the Carson, a shallow, melancholy sheet of water some eighty or a hundred miles in circumference. Carson River empties into it and is lost—sinks mysteriously into the earth and never appears in the light of the sun again—for the lake has no outlet whatever.

There are several rivers in Nevada, and they all have this mysterious fate. They end in various lakes or "sinks," and that is the last of them. Carson Lake, Humboldt Lake, Walker Lake, Mono Lake, are all great sheets of water without any visible outlet. Water is always flowing into them; none is ever seen to flow out of them, and yet they remain always level full, neither receding nor overflowing. What they do with their surplus is only known to the Creator.

On the western verge of the Desert we halted a moment at Ragtown. It consisted of one log house and is not set down on the map.

This reminds me of a circumstance. Just after we left Julesburg, on the Platte, I was sitting with the driver, and he said:

"I can tell you a most laughable thing indeed, if you would like to listen to it. Horace Greeley went over this road once. When he was leaving Carson City he told the driver, Hank Monk, that he had an engagement to lecture at Placerville and was very anxious to go through quick. Hank Monk cracked his whip and started off at an awful pace. The coach bounced up and down in such a terrific way that it jolted the buttons all off of Horace's coat, and finally shot his head clean through the roof of the stage, and then he yelled at Hank Monk and begged him to go easier—said he warn't in as much of a hurry as he was awhile ago. But Hank Monk said, 'Keep your seat, Horace, and I'll get you there on time'—and you bet you he did, too, what was left of him!"

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A day or two after that we picked up a Denver man at the cross roads, and he told us a good deal about the country and the Gregory Diggings. He seemed a very entertaining person and a man well posted in the affairs of Colorado. By and by he remarked:

"I can tell you a most laughable thing indeed, if you would like to listen to it. Horace Greeley went over this road once. When he was leaving Carson City he told the driver, Hank Monk, that he had an engagement to lecture at Placerville and was very anxious to go through quick. Hank Monk cracked his whip and started off at an awful pace. The coach bounced up and down in such a terrific way that it jolted the buttons all off of Horace's coat, and finally shot his head clean through the roof of the stage, and then he yelled at Hank Monk and begged him to go easier—said he warn't in as much of a hurry as he was awhile ago. But Hank Monk said, 'Keep your seat, Horace, and I'll get you there on time!'—and you bet you he did, too, what was left of him!"

At Fort Bridger, some days after this, we took on board a cavalry sergeant, a very proper and soldierly person indeed. From no other man during the whole journey, did we gather such a store of concise and well-arranged military information. It was surprising to find in the desolate wilds of our country a man so thoroughly acquainted with everything useful to know in his line of life, and yet of such inferior rank and unpretentious bearing. For as much as three hours we listened to him with unabated interest. Finally he got upon the subject of transcontinental travel, and presently said:

"I can tell you a very laughable thing indeed, if you would like to listen to it. Horace Greeley went over this road once. When he was leaving Carson City he told the driver, Hank Monk, that he had an engagement to lecture at Placerville and was very anxious to go through quick. Hank Monk cracked his whip and started off at an awful pace. The coach bounced up

Chosen response:
and down in such a terrific way that it jolted the buttons all off of Horace's coat, and finally shot his head clean through the roof of the stage, and then he yelled at Hank Monk and begged him to go easier—said he warn't in as much of a hurry as he was awhile ago. But Hank Monk said, 'Keep your seat, Horace, and I'll get you there on time!'—and you bet you he did, too, what was left of him!"

When we were eight hours out from Salt Lake City a Mormon preacher got in with us at a way station—a gentle, soft-spoken, kindly man, and one whom any stranger would warm to at first sight. I can never forget the pathos that was in his voice as he told, in simple language, the story of his people's wanderings and unpitied sufferings.

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Prompt:
A day or two passed, and there was great activity aboard the Pequod. Not only were the old sails being mended, but new sails were coming on board, and bolts of canvas, and coils of rigging; in short, everything betokened that the ship's preparations were hurrying to a close. Captain Peleg seldom or never went ashore, but sat in his wigwam keeping a sharp look-out upon the hands: Bildad did all the purchasing and providing at the stores; and the men employed in the hold and on the rigging were working till long after night-fall.

On the day following Queequeg's signing the articles, word was given at all the inns where the ship's company were stopping, that their chests must be on board before night, for there was no telling how soon the vessel might be sailing. So Queequeg and I got down our traps, resolving, however, to sleep ashore till the last. But it seems they always give very long notice in these cases, and the ship did not sail for several days. But no wonder; there was a good deal to be done, and there is no telling how many things to be thought of, before the Pequod was fully equipped.

Every one knows what a multitude of things—beds, sauce-pans, knives and forks, shovels and tongs, napkins, nut-crackers, and what not, are indispensable to the business of housekeeping. Just so with whaling, which necessitates a three-years' housekeeping upon the wide ocean, far from all grocers, costermongers, doctors, bakers, and bankers. And though this also holds true of merchant vessels, yet not by any means to the same extent as with whalemen. For besides the great length of the whaling voyage, the numerous articles peculiar to the prosecution of the fishery, and the impossibility of replacing them at the remote harbors usually frequented, it must be remembered, that of all ships, whaling vessels are the most exposed to accidents of all kinds, and especially to the destruction and loss of the very things upon which the success of the voyage most depends. Hence, the spare boats, spare spars, and spare lines and harpoons, and spare everythings, almost, but a spare Captain and duplicate ship.

At the period of our arrival at the Island, the heaviest storage of the Pequod had been almost completed; comprising her beef, bread, water, fuel, and iron hoops and staves. But, as before hinted, for some time there was a continual fetching and carrying on board of divers odds and ends of things, both large and small.

Chief among those who did this fetching and carrying was Captain Bildad's sister, a lean old lady of a most determined and indefatigable spirit, but withal very kindhearted, who seemed resolved that,

Chosen response: if she could help it, nothing should be found wanting in the Pequod, after once fairly getting to sea. At one time she would come on board with a jar of pickles for the steward's pantry; another time with a bunch of quills for the chief mate's desk, where he kept his log; a third time with a roll of flannel for the small of some one's rheumatic back. Never did any woman better deserve her name, which was Charity—Aunt Charity, as everybody called her. And like a sister of charity did this charitable Aunt Charity bustle about hither and thither, ready to turn her hand and heart to anything that promised to yield safety, comfort, and consolation to all on board a ship in which her beloved brother Bildad was concerned, and in which she herself owned a score or two of well-saved dollars.

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Prompt:
"Oh, you have some rooms to let."

"Mother!"

"Well, what is it?"

"'Ere's a gentleman about the rooms."

"Ask 'im in. I'll be up in a minute."

"Will yer step inside, sir? Mother'll be up in a minute."

So you step inside and after a minute "mother" comes slowly up the kitchen stairs, untying her apron as she comes and calling down instructions to some one below about the potatoes.

"Good-morning, sir," says "mother," with a washed-out smile. "Will you step this way, please?"

"Oh, it's hardly worth while my coming up," you say. "What sort of rooms are they, and how much?"

"Well," says the landlady, "if you'll step upstairs I'll show them to you."

So with a protesting murmur, meant to imply that any waste of time complained of hereafter must not be laid to your charge, you follow "mother" upstairs.

At the first landing you run up against a pail and a broom, whereupon "mother" expatiates upon the unreliability of servant-girls, and bawls over the balusters for Sarah to come and take them away at once. When you get outside the rooms she pauses, with her hand upon the door, to explain to you that they are rather untidy just at present, as the last lodger left only yesterday; and she also adds that this is their cleaning-day--it always is. With this understanding you enter, and both stand solemnly feasting your eyes upon the scene before you. The rooms cannot be said to appear inviting. Even "mother's" face betrays no admiration. Untenanted "furnished apartments" viewed in the morning sunlight do not inspire cheery sensations. There is a lifeless air about them. It is a very different thing when you have settled down and are living in them. With your old familiar household gods to greet your gaze whenever you glance up, and all your little knick-knacks spread around you--with the photos of all the girls that you have loved and lost ranged upon the mantel-piece, and half a dozen disreputable-looking pipes scattered about in painfully prominent positions--with one carpet slipper peeping from beneath the coal-box and the other perched on the top of the piano--with the well-known pictures to hide the dingy walls, and these dear old friends, your books, higgledy-piggledy all over the place--with the bits of old blue china that your mother prized, and the screen she worked in those far by-gone days, when the sweet old face was laughing and young, and the white soft hair tumbled in gold-brown curls from under the coal-scuttle bonnet--

Ah, old screen, what a gorgeous personage you must have been in your young days, when the tulips and roses and lilies (all growing from one stem) were fresh in their glistening sheen! Many a summer and winter have come and gone since then, my friend, and you have played with the dancing firelight until you have grown sad and gray. Your brilliant colors are fast fading now, and the envious moths have gnawed your silken threads. You are withering away like the dead hands that wove you. Do you ever think of those dead hands? You seem so grave and thoughtful sometimes that I almost think you do. Come, you and I and the deep-glowing embers, let us talk together. Tell me in your silent language what you remember of those young days, when you lay on my little mother's lap and her girlish fingers played with your rainbow tresses. Was there never a lad near sometimes--never a lad who would seize one of those little hands to smother it with kisses, and who would persist in holding it, thereby sadly interfering with the progress of your making? Was not your frail existence often put in jeopardy by this same clumsy, headstrong lad, who would toss you disrespectfully aside that he--not satisfied with one--might hold both hands and gaze up into the loved eyes? I can see that lad now through the haze of the flickering twilight. He is an eager bright-eyed boy, with pinching, dandy shoes and tight-fitting smalls, snowy shirt frill and stock, and--oh! such curly hair. A wild, light-hearted boy! Can he be the great, grave gentleman upon whose stick I used to ride crosslegged, the care-worn man into whose thoughtful face I used to gaze with childish reverence and whom I used to call "father?" You say "yes," old screen; but are you quite sure? It is a serious charge you are bringing. Can it be possible? Did he have to kneel down in those wonderful smalls and pick you up and rearrange you before he was forgiven and his curly head smoothed by my mother's little hand? Ah! old screen, and did the lads and the lassies go making love fifty years ago just as they do now? Are men and women so unchanged? Did little maidens' hearts beat the same under pearl-embroidered bodices as they do under Mother Hubbard cloaks? Have steel casques and chimney-pot hats made no difference to the brains that work beneath them? Oh, Time! great Chronos! and is this your power? Have you dried up seas and leveled mountains and left the tiny human heart-strings to defy you? Ah, yes! they were spun by a Mightier than thou, and they stretch beyond your narrow ken, for their ends are made fast in eternity. Ay, you may mow down the leaves and the blossoms, but the roots of life lie too deep for your sickle to sever. You refashion Nature's garments, but you cannot vary by a jot the throbbings of her pulse. The world rolls round obedient to your laws, but the heart of man is not of your kingdom, for in its birthplace "a thousand years are but as yesterday."

I am getting away, though, I fear, from my "furnished apartments," and I hardly know how to get back. But I have some excuse for my meanderings this time. It is a piece of old furniture that has led me astray, and fancies gather, somehow, round old furniture, like moss around old stones. One's chairs and tables get to be almost part of one's life and to seem like quiet friends. What strange tales the wooden-headed old fellows could tell did they but choose to speak! At what unsuspected comedies and tragedies have they not assisted! What bitter tears have been sobbed into that old sofa cushion! What passionate whisperings the settee must have overheard!

New furniture has no charms for me compared with old. It is the old things that we love--the old faces, the old books, the old jokes. New furniture can make a palace, but it takes old furniture to make a home. Not merely old in itself--lodging-house furniture generally is that--but it must be old to us, old in associations and recollections. The furniture of furnished apartments, however ancient it may be in reality, is new to our eyes, and we feel as though we could never get on with it. As, too, in the case of all fresh acquaintances, whether wooden or human (and there is very little difference between the two species sometimes), everything impresses you with its worst aspect. The knobby wood-work and shiny horse-hair covering of the easy-chair suggest anything but ease. The mirror is smoky. The curtains want washing. The carpet is frayed. The table looks as if it would go over the instant anything was rested on it. The grate is cheerless, the wall-paper hideous. The ceiling appears to have had coffee spilt all over it, and the ornaments--well, they are worse than the wallpaper.

There must surely be some special and secret manufactory for the production of lodging-house ornaments. Precisely the same articles are to be found at every lodging-house all over the kingdom, and they are never seen anywhere else. There are the two--what do you call them? they stand one at each end of the mantel-piece, where they are never safe, and they are hung round with long triangular slips of glass that clank against one another and make you nervous. In the commoner class of rooms these works of art are supplemented by a couple of pieces of china which might each be meant to represent a cow sitting upon its hind legs, or a model of the temple of Diana at Ephesus, or a dog, or anything else you like to fancy. Somewhere about the room you come across a bilious-looking object, which at first you take to be a lump of dough left about by one of the children, but which on scrutiny seems to resemble an underdone cupid. This thing the landlady calls a statue. Then there is a "sampler" worked by some idiot related to the family, a picture of the "Huguenots," two or three Scripture texts, and a highly framed and glazed certificate to the effect that the father has been vaccinated, or is an Odd Fellow, or something of that sort.

You examine these various attractions and then dismally ask what the rent is.

"That's rather a good deal," you say on hearing the figure.

"Well, to tell you the truth," answers the landlady with a sudden burst of candor, "I've always had" (mentioning a sum a good deal in excess of the first-named amount), "and before that I used to have" (a still higher figure).

What the rent of apartments must have been twenty years ago makes one shudder to think of. Every landlady makes you feel thoroughly ashamed of yourself by informing you, whenever the subject crops up, that she used to get twice as much for her rooms as you are paying. Young men lodgers of the last generation must have been of a wealthier class than they are now, or they must have ruined themselves. I should have had to live in an attic.

Curious, that in lodgings the rule of life is reversed. The higher you get up in the world the lower you come down in your lodgings. On the lodging-house ladder the poor man is at the top, the rich man underneath. You start in the attic and work your way down to the first floor.

A good many great men have lived in attics and some have died there. Attics, says the dictionary, are "places where lumber is stored," and the world has used them to store a good deal of its lumber in at one time or another. Its preachers and painters and poets, its deep-browed men who will find out things, its fire-eyed men who will tell truths that no one wants to hear--these are the lumber that the world hides away in its attics. Haydn grew up in an attic and Chatterton starved in one. Addison and Goldsmith wrote in garrets. Faraday and De Quincey knew them well. Dr. Johnson camped cheerfully in them, sleeping soundly--too soundly sometimes--upon their trundle-beds, like the sturdy old soldier of fortune that he was, inured to hardship and all careless of himself. Dickens spent his youth among them, Morland his old age--alas! a drunken, premature old age. Hans Andersen, the fairy king, dreamed his sweet fancies beneath their sloping roofs. Poor, wayward-hearted Collins leaned his head upon their crazy tables; priggish Benjamin Franklin; Savage, the wrong-headed, much troubled when he could afford any softer bed than a doorstep; young Bloomfield, "Bobby" Burns, Hogarth, Watts the engineer--the roll is endless. Ever since the habitations of men were reared two stories high has the garret been the nursery of genius.

No one who honors the aristocracy of mind can feel ashamed of acquaintanceship with them. Their damp-stained walls are sacred to the memory of noble names. If all the wisdom of the world and all its art--all the spoils that it has won from nature, all the fire that it has snatched from heaven--were gathered together and divided into heaps, and we could point and say, for instance, these mighty truths were flashed forth in the brilliant salon amid the ripple of light laughter and the sparkle of bright eyes; and this deep knowledge was dug up in the quiet study, where the bust of Pallas looks serenely down on the

Chosen response: leather-scented shelves; and this heap belongs to the crowded street; and that to the daisied field--the heap that would tower up high above the rest as a mountain above hills would be the one at which we should look up and say: this noblest pile of all--these glorious paintings and this wondrous music, these trumpet words, these solemn thoughts, these daring deeds, they were forged and fashioned amid misery and pain in the sordid squalor of the city garret. There, from their eyries, while the world heaved and throbbed below, the kings of men sent forth their eagle thoughts to wing their flight through the ages. There, where the sunlight streaming through the broken panes fell on rotting boards and crumbling walls; there, from their lofty thrones, those rag-clothed Joves have hurled their thunderbolts and shaken, before now, the earth to its foundations.

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.


Prompt:
To the eyes of Mr. Jeremiah Cruncher, sitting on his stool in Fleet-street with his grisly urchin beside him, a vast number and variety of objects in movement were every day presented. Who could sit upon anything in Fleet-street during the busy hours of the day, and not be dazed and deafened by two immense processions, one ever tending westward with the sun, the other ever tending eastward from the sun, both ever tending to the plains beyond the range of red and purple where the sun goes down!

With his straw in his mouth, Mr. Cruncher sat watching the two streams, like the heathen rustic who has for several centuries been on duty watching one stream--saving that Jerry had no expectation of their ever running dry. Nor would it have been an expectation of a hopeful kind, since a small part of his income was derived from the pilotage of timid women (mostly of a full habit and past the middle term of life) from Tellson's side of the tides to the opposite shore. Brief as such companionship was in every separate instance, Mr. Cruncher never failed to become so interested in the lady as to express a strong desire to have the honour of drinking her very good health. And it was from the gifts bestowed upon him towards the execution of this benevolent purpose, that he recruited his finances, as just now observed.

Time was, when a poet sat upon a stool in a public place, and mused in the sight of men. Mr. Cruncher, sitting on a stool in a public place, but not being a poet, mused as little as possible, and looked about him.

It fell out that he was thus engaged in a season when crowds were few, and belated women few, and when his affairs in general were so unprosperous as to awaken a strong suspicion in his breast that Mrs. Cruncher must have been "flopping" in some pointed manner, when an unusual concourse pouring down Fleet-street westward, attracted his attention. Looking that way, Mr. Cruncher made out that some kind of funeral was coming along, and that there was popular objection to this funeral, which engendered uproar.

"Young Jerry," said Mr. Cruncher, turning to his offspring, "it's a buryin'."

"Hooroar, father!" cried Young Jerry.

The young gentleman uttered this exultant sound with mysterious significance. The elder gentleman took the cry so ill, that he watched his opportunity, and smote the young gentleman on the ear.

"What d'ye mean? What are you hooroaring at? What do you want to conwey to your own father, you young Rip? This boy is a getting too many for me!" said Mr. Cruncher, surveying him. "Him and his hooroars! Don't let me hear no more of you, or you shall feel some more of me. D'ye hear?"

"I warn't doing no harm," Young Jerry protested, rubbing his cheek.

"Drop it then," said Mr. Cruncher; "I won't have none of your no harms. Get a top of that there seat, and look at the crowd."

His son obeyed, and the crowd approached; they were bawling and hissing round a dingy hearse and dingy mourning coach, in which mourning coach there was only one mourner, dressed in the dingy trappings that were considered essential to the dignity of the position. The position appeared by no means to please him, however, with an increasing rabble surrounding the coach, deriding him, making grimaces at him, and incessantly groaning and calling out: "Yah! Spies! Tst! Yaha! Spies!" with many compliments too numerous and forcible to repeat.

Funerals had at all times a remarkable attraction for Mr. Cruncher; he always pricked up his senses, and became excited, when a funeral passed Tellson's. Naturally, therefore, a funeral with this uncommon attendance excited him greatly, and he asked of the first man who ran against him:

"What is it, brother? What's it about?"

"I don't know," said the man. "Spies! Yaha! Tst! Spies!"

He asked another man. "Who is it?"

"I don't know," returned the man, clapping his hands to his mouth nevertheless, and vociferating in a surprising heat and with the greatest ardour, "Spies! Yaha! Tst, tst! Spi--ies!"

At length, a person better informed on the merits of the case, tumbled against him, and from this person he learned that the funeral was the funeral of one Roger Cly.

"Was he a spy?" asked Mr. Cruncher.

"Old Bailey spy," returned his informant. "Yaha! Tst! Yah! Old Bailey Spi--i--ies!"

"Why, to be sure!" exclaimed Jerry, recalling the Trial at which he had assisted. "I've seen him. Dead, is he?"

"Dead as mutton," returned the other, "and can't be too dead. Have 'em out, there! Spies! Pull 'em out, there! Spies!"

The idea was so acceptable in the prevalent absence of any idea, that the crowd caught it up with eagerness, and loudly repeating the suggestion to have 'em out, and to pull 'em out, mobbed the two vehicles so closely that they came to a stop. On the crowd's opening the coach doors, the one mourner scuffled out by himself and was in their hands for a moment; but he was so alert, and made such good use of his time, that in another moment he was scouring away up a bye-street, after shedding his cloak, hat, long hatband, white pocket-handkerchief, and other symbolical tears.

These, the people tore to pieces and scattered far and wide with great enjoyment, while the tradesmen hurriedly shut up their shops; for a crowd in those times stopped at nothing, and was a monster much dreaded. They had already got the length of opening the hearse to take the coffin out, when some brighter genius proposed instead, its being escorted to its destination amidst general rejoicing. Practical suggestions being much needed, this suggestion, too, was received with acclamation, and the coach was immediately filled with eight inside and a dozen out, while as many people got on the roof of the hearse as could by any exercise of ingenuity stick upon it. Among the first of these volunteers was Jerry Cruncher himself, who modestly concealed his spiky head from the observation of Tellson's, in the further corner of the mourning coach.

The officiating undertakers made some protest against these changes in the ceremonies; but, the river being alarmingly near, and several voices remarking on the efficacy of cold immersion in bringing refractory members of the profession to reason, the protest was faint and brief. The remodelled procession started, with a chimney-sweep driving the hearse--advised by the regular driver, who was perched beside him, under close inspection, for the purpose--and with a pieman, also attended by his cabinet minister, driving the mourning coach. A bear-leader, a popular street character of the time, was impressed as an additional ornament, before the cavalcade had gone far down the Strand; and his bear, who was black and very mangy, gave quite an Undertaking air to that part of the procession in which he walked.

Thus, with beer-drinking, pipe-smoking, song-roaring, and infinite caricaturing of woe, the disorderly procession went its way, recruiting at every step, and all the shops shutting up before it. Its destination was the old church of Saint Pancras, far off in the fields. It got there in course of time; insisted on pouring into the burial-ground; finally, accomplished the interment of the deceased Roger Cly in its own way, and highly to its own satisfaction.

The dead man disposed of, and the crowd being under the necessity of providing some other entertainment for itself, another brighter genius (or perhaps the same) conceived the humour of impeaching casual passers-by, as Old Bailey spies, and wreaking vengeance on them. Chase was given to some scores of inoffensive persons who had never been near the Old Bailey in their lives, in the realisation of this fancy, and they were roughly hustled and maltreated. The transition to the sport of window-breaking, and thence to the plundering of public-houses, was easy and natural. At last, after several hours, when sundry summer-houses had been pulled down, and some area-railings had been torn up, to arm the more belligerent spirits, a rumour got about that the Guards were coming. Before this rumour, the crowd gradually melted away, and perhaps the Guards came, and perhaps they never came, and this was the usual progress of a mob.

Mr. Cruncher did not assist at the closing sports, but had remained behind in the churchyard, to confer and condole with the undertakers. The place had a soothing influence on him. He procured a pipe from a neighbouring public-house, and smoked it, looking in at the railings and maturely considering the spot.

"Jerry," said Mr. Cruncher, apostrophising himself in his usual way, "you see that there Cly that day, and you see with your own eyes that he was a young 'un and a straight made 'un."

Having smoked his pipe out, and ruminated a little longer, he turned himself about, that he might appear, before the hour of closing, on his station at Tellson's. Whether his meditations on mortality had touched his liver, or whether his general health had been previously at all amiss, or whether he desired to show a little attention to an eminent man, is not so much to the purpose, as that he made a short call upon his medical adviser--a distinguished surgeon--on his way back.

Young Jerry relieved his father with dutiful interest, and reported No job in his absence. The bank closed, the ancient clerks came out, the usual watch was set, and Mr. Cruncher and his son went home to tea.

"Now, I tell you where it is!" said Mr. Cruncher to his wife, on entering. "If, as a honest tradesman, my wenturs goes wrong to-night, I shall make sure that you've been praying again me, and I shall work you for it just the same as if I seen you do it."

The dejected Mrs. Cruncher shook her head.

"Why, you're at it afore my face!" said Mr. Cruncher, with signs of angry apprehension.

"I am saying nothing."

"Well, then; don't meditate nothing. You might as well flop as meditate. You may as well go again me one way as another. Drop it altogether."

"Yes, Jerry."

"Yes, Jerry," repeated Mr. Cruncher sitting down to tea. "Ah! It is yes, Jerry. That's about it. You may say yes, Jerry."

Mr. Cruncher had no particular meaning in these sulky corroborations, but made use of them, as people not unfrequently do, to express general ironical dissatisfaction.

"You and your yes, Jerry," said Mr. Cruncher, taking a bite out of his bread-and-butter, and seeming to help it down with a large invisible oyster out of his saucer. "Ah! I think so. I believe you."

"You are going out to-night?" asked his decent wife, when he took another bite.

"Yes, I am."

"May I go with you, father?" asked his son, briskly.

"No, you mayn't. I'm a going--as your mother knows--a fishing. That's where I'm going to. Going a fishing."

"Your fishing-rod gets rayther rusty; don't it, father?"

"Never you mind."

"Shall you bring any fish home, father?"

"If I don't, you'll have short commons, to-morrow," returned that gentleman, shaking his head; "that's questions enough for you; I ain't a going out, till you've been long abed."

He devoted himself during the remainder of the evening to keeping a most vigilant watch on Mrs. Cruncher, and sullenly holding her in conversation that she might be prevented from meditating any petitions to his disadvantage. With this view, he urged his son to hold her in conversation also, and led the unfortunate woman a hard life by dwelling on any causes of complaint he could bring against her, rather than he would leave her for a moment to her own reflections. The devoutest person could have rendered no greater homage to the efficacy of an honest prayer than he did in this distrust of his wife. It was as if a professed unbeliever in ghosts should be frightened by a ghost story.

"And mind you!" said Mr. Cruncher. "No games to-morrow! If I, as a honest tradesman, succeed

Chosen response:
in providing a jinte of meat or two, none of your not touching of it, and sticking to bread. If I, as a honest tradesman, am able to provide a little beer, none of your declaring on water. When you go to Rome, do as Rome does. Rome will be a ugly customer to you, if you don't. I'm your Rome, you know."

Then he began grumbling again:

"With your flying into the face of your own wittles and drink! I don't know how scarce you mayn't make the wittles and drink here, by your flopping tricks and your unfeeling conduct. Look at your boy: he is your'n, ain't he? He's as thin as a lath. Do you call yourself a mother, and not know that a mother's first duty is to blow her boy out?"

Rejected response: This passage seems incomplete — it stops in the middle of a sentence. Did you mean to paste more? I'm happy to help once I know what you're looking for.


Prompt:
Mrs. Dashwood did not hear unmoved the vindication of her former favourite. She rejoiced in his being cleared from some part of his imputed guilt;--she was sorry for him;--she wished him happy. But the feelings of the past could not be recalled. Nothing could restore him with a faith unbroken--a character unblemished, to Marianne. Nothing could do away the knowledge of what the latter had suffered through his means, nor remove the guilt of his conduct towards Eliza. Nothing could replace him, therefore, in her former esteem, nor injure the interests of Colonel Brandon.

Had Mrs. Dashwood, like her daughter, heard Willoughby's story from himself,--had she witnessed his distress, and been under the influence of his countenance and his manner, it is probable that her compassion would have been greater. But it was neither in Elinor's power, nor in her wish, to rouse such feelings in another, by her retailed explanation, as had at first been called forth in herself. Reflection had given calmness to her judgment, and sobered her own opinion of Willoughby's deserts; she wished, therefore, to declare only the simple truth, and lay open such facts as were really due to his character, without any embellishment of tenderness to lead the fancy astray.

In the evening, when they were all three together, Marianne began voluntarily to speak of him again; but that it was not without an effort, the restless, unquiet thoughtfulness in which she had been for some time previously sitting, her rising colour, as she spoke, and her unsteady voice, plainly showed.

"I wish to assure you both," said she, "that I see every thing--as you can desire me to do."

Mrs. Dashwood would have interrupted her instantly with soothing tenderness, had not Elinor, who really wished to hear her sister's unbiased opinion, by an eager sign, engaged her silence. Marianne slowly continued--

"It is a great relief to me--what Elinor told me this morning--I have now heard exactly what I wished to hear."--For some moments her voice was lost; but recovering herself, she added, and with greater calmness than before--"I am now perfectly satisfied, I wish for no change. I never could have been happy with him, after knowing, as sooner or later I must have known, all this. I should have had no confidence, no esteem. Nothing could have done it away to my feelings."

"I know it--I know it," cried her mother. "Happy with a man of libertine practices!--With one who so injured the peace of the dearest of our friends, and the best of men!--No--my Marianne has not a heart to be made happy with such a man!--Her conscience, her sensitive conscience, would have felt all that the conscience of her husband ought to have felt."

Marianne sighed, and repeated, "I wish for no change."

"You consider the matter," said Elinor, "exactly as a good mind and a sound understanding must consider it; and I dare say you perceive, as well as myself, not only in this, but in many other circumstances, reason enough to be convinced that your marriage must have involved you in many certain troubles and disappointments, in which you would have been poorly supported by an affection, on his side, much less certain. Had you married, you must have been always poor. His expensiveness is acknowledged even by himself, and his whole conduct declares that self-denial is a word hardly understood by him. His demands and your inexperience together, on a small, very small income, must have brought on distresses which would not be the less grievous to you, from having been entirely unknown and unthought of before. Your sense of honour and honesty would have led you, I know, when aware of your situation, to attempt all the economy that would appear to you possible: and, perhaps, as long as your frugality retrenched only on your own comfort, you might have been suffered to practice it, but beyond that--and how little could the utmost of your single management do to stop the ruin which had begun before your marriage? beyond that, had you endeavoured, however reasonably, to abridge his enjoyments, is it not to be feared, that instead of prevailing on feelings so selfish to consent to it, you would have lessened your own influence on his heart, and made him regret the connection which had involved him in such difficulties?"

Marianne's lips quivered, and she repeated the word "Selfish?" in a tone that implied, "do you really think him selfish?"

"The whole of his behaviour," replied Elinor, "from the beginning to the end of the affair, has been grounded on selfishness. It was selfishness which first made him sport with your affections; which afterwards, when his own were engaged, made him delay the confession of it, and which finally carried him from Barton. His own enjoyment, or his own ease, was, in every particular, his ruling principle."

"It is very true. My happiness never was his object."

"At present," continued Elinor, "he regrets what he has done. And why does he regret it?--Because he finds it has not answered towards himself. It has not made him happy. His circumstances are now unembarrassed--he suffers from no evil of that kind; and he thinks only that he has married a woman of a less amiable temper than yourself. But does it follow that had he married you, he would have been happy?--The inconveniences would have been different. He would then have suffered under the pecuniary distresses which, because they are removed, he now reckons as nothing. He would have had a wife of whose temper he could make no complaint, but he would have been always necessitous--always poor; and probably would soon have learned to rank the innumerable comforts of a clear estate and good income as of far more importance, even to domestic happiness, than the mere temper of a wife."

"I have not a doubt of it," said Marianne; "and I have nothing to regret--nothing but my own folly."

"Rather say your mother's imprudence, my child," said Mrs. Dashwood; "she must be answerable."

Marianne would not let her proceed;--and

Chosen response:
Elinor, satisfied that each felt their own error, wished to avoid any survey of the past that might weaken her sister's spirits; she, therefore, pursuing the first subject, immediately continued--

"One observation may, I think, be fairly drawn from the whole of the story--that all Willoughby's difficulties have arisen from the first offence against virtue, in his behaviour to Eliza Williams. That crime has been the origin of every lesser one, and of all his present discontents."

Marianne assented most feelingly to the remark; and her mother was led by it to an enumeration of Colonel Brandon's injuries and merits, warm as friendship and design could unitedly dictate. Her daughter did not look, however, as if much of it were heard by her.

Rejected response: This passage seems incomplete — it stops in the middle of a sentence. Did you mean to paste more? I'm happy to help once I know what you're looking for.


Prompt:
When they were gone, Elizabeth, as if intending to exasperate herself as much as possible against Mr. Darcy, chose for her employment the examination of all the letters which Jane had written to her since her being in Kent. They contained no actual complaint, nor was there any revival of past occurrences, or any communication of present suffering. But in all, and in almost every line of each, there was a want of that cheerfulness which had been used to characterize her style, and which, proceeding from the serenity of a mind at ease with itself, and kindly disposed towards everyone, had been scarcely ever clouded. Elizabeth noticed every sentence conveying the idea of uneasiness, with an attention which it had hardly received on the first perusal. Mr. Darcy's shameful boast of what misery he had been able to inflict gave her a keener sense of her sister's sufferings. It was some consolation to think that his visit to Rosings was to end on the day after the next, and a still greater that in less than a fortnight she should herself be with Jane again, and enabled to contribute to the recovery of her spirits, by all that affection could do.

She could not think of Darcy's leaving Kent without remembering that his cousin was to go with him; but Colonel Fitzwilliam had made it clear that he had no intentions at all, and, agreeable as he was, she did not mean to be unhappy about him.

While settling this point, she was suddenly roused by the sound of the door-bell; and her spirits were a little fluttered by the idea of its being Colonel Fitzwilliam himself, who had once before called late in the evening, and might now come to inquire particularly after her. But this idea was soon banished, and her spirits were very differently affected, when, to her utter amazement, she saw Mr. Darcy walk into the room. In a hurried manner he immediately began an inquiry after her health, imputing his visit to a wish of hearing that she were better. She answered him with cold civility. He sat down for a few moments, and then getting up walked about the room. Elizabeth was surprised, but said not a word. After a silence of several minutes, he came towards her in an agitated manner, and thus began:--

"In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you."

Elizabeth's astonishment was beyond expression. She stared, coloured, doubted, and was silent. This he considered sufficient encouragement, and the avowal of all that he felt and had long felt for her immediately followed. He spoke well; but there were feelings besides those of the heart to be detailed, and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority, of its being a degradation, of the family obstacles which judgment had always opposed to inclination, were dwelt on with a warmth which seemed due to the consequence he was wounding, but was very unlikely to recommend his suit.

In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience, when he should have done. He concluded with representing to her the strength of that attachment which in spite of all his endeavours he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this she could easily see that he had no doubt of a favourable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther; and when he ceased the colour rose into her cheeks and she said,--

"In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot--I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which you tell me have long prevented the acknowledgment of your regard can have little difficulty in overcoming it after this explanation."

Mr. Darcy, who was leaning against the mantel-piece with his eyes fixed on her face, seemed to catch her words with no less resentment than surprise. His complexion became pale with anger, and the disturbance of his mind was visible in every feature. He was struggling for the appearance of composure, and would not open his lips till he believed himself to have attained it. The pause was to Elizabeth's feelings dreadful. At length, in a voice of forced calmness, he said,--

"And this is all the reply which I am to have the honour of expecting! I might, perhaps, wish to be informed why, with so little endeavour at civility, I am thus rejected. But it is of small importance."

"I might as well inquire," replied she, "why, with so evident a design of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? Was not this some excuse for incivility, if I was uncivil? But I have other provocations. You know I have. Had not my own feelings decided against you, had they been indifferent, or had they even been favourable, do you think that any consideration would tempt me to accept the man who has been the means of ruining, perhaps for ever, the happiness of a most beloved sister?"

As she pronounced these words, Mr. Darcy changed colour; but the emotion was short, and he listened without attempting to interrupt her while she continued,--

"I have every reason in the world to think ill of you. No motive can excuse the unjust and ungenerous part you acted there. You dare not, you cannot deny that you have been the principal, if not the only means of dividing them from each other, of exposing one to the censure of the world for caprice and instability, the other to its derision for disappointed hopes, and involving them both in misery of the acutest kind."

She paused, and saw with no slight indignation that he was listening with an air which proved him wholly unmoved by any feeling of remorse. He even looked at her with a smile of affected incredulity.

"Can you deny that you have done it?" she repeated.

With assumed tranquillity he then replied, "I have no wish of denying that I did everything in my power to separate my friend from your sister, or that I rejoice in my success. Towards him I have been kinder than towards myself."

Elizabeth disdained the appearance of noticing this civil reflection, but its meaning did not escape, nor was it likely to conciliate her.

"But it is not merely this affair," she continued, "on which my dislike is founded. Long before it had taken place, my opinion of you was decided. Your character was unfolded in the recital which I received many months ago from Mr. Wickham. On this subject, what can you have to say? In what imaginary act of friendship can you here defend yourself? or under what misrepresentation can you here impose upon others?"

"You take an eager interest in that gentleman's concerns," said Darcy, in a less tranquil tone, and with a heightened colour.

"Who that knows what his misfortunes

Chosen response:
have been can help feeling an interest in him?"

"His misfortunes!" repeated Darcy, contemptuously,--"yes, his misfortunes have been great indeed."

"And of your infliction," cried Elizabeth, with energy; "You have reduced him to his present state of poverty--comparative poverty. You have withheld the advantages which you must know to have been designed for him. You have deprived the best years of his life of that independence which was no less his due than his desert. You have done all this! and yet you can treat the mention of his misfortunes with contempt and ridicule."

"And this," cried Darcy, as he walked with quick steps across the room, "is your opinion of me! This is the estimation in which you hold me!

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.


Prompt:
Most of the thirty or so little tables covered by red cloths with a white design stood ranged at right angles to the deep brown wainscoting of the underground hall. Bronze chandeliers with many globes depended from the low, slightly vaulted ceiling, and the fresco paintings ran flat and dull all round the walls without windows, representing scenes of the chase and of outdoor revelry in mediæval costumes. Varlets in green jerkins brandished hunting knives and raised on high tankards of foaming beer.

"Unless I am very much mistaken, you are the man who would know the inside of this confounded affair," said the robust Ossipon, leaning over, his elbows far out on the table and his feet tucked back completely under his chair. His eyes stared with wild eagerness.

An upright semi-grand piano near the door, flanked by two palms in pots, executed suddenly all by itself a valse tune with aggressive virtuosity. The din it raised was deafening. When it ceased, as abruptly as it had started, the be-spectacled, dingy little man who faced Ossipon behind a heavy glass mug full of beer emitted calmly what had the sound of a general proposition.

"In principle what one of us may or may not know as to any given fact can't be a matter for inquiry to the others."

"Certainly not," Comrade Ossipon agreed in a quiet undertone. "In principle."

With his big florid face held between his hands he continued to stare hard, while the dingy little man in spectacles coolly took a drink of beer and stood the glass mug back on the table. His flat, large ears departed widely from the sides of his skull, which looked frail enough for Ossipon to crush between thumb and forefinger; the dome of the forehead seemed to rest on the rim of the spectacles; the flat cheeks, of a greasy, unhealthy complexion, were merely smudged by the miserable poverty of a thin dark whisker. The lamentable inferiority of the whole physique was made ludicrous by the supremely self-confident bearing of the individual. His speech was curt, and he had a particularly impressive manner of keeping silent.

Ossipon spoke again from between his hands in a mutter.

"Have you been out much to-day?"

"No. I stayed in bed all the morning," answered the other. "Why?"

"Oh! Nothing," said Ossipon, gazing earnestly and quivering inwardly with the desire to find out something, but obviously intimidated by the little man's overwhelming air of unconcern. When talking with this comrade—which happened but rarely—the big Ossipon suffered from a sense of moral and even physical insignificance. However, he ventured another question. "Did you walk down here?"

"No; omnibus," the little man answered readily enough. He lived far away in Islington, in a small house down a shabby street, littered with straw and dirty paper, where out of school hours a troop of assorted children ran and squabbled with a shrill, joyless, rowdy clamour. His single back room, remarkable for having an extremely large cupboard, he rented furnished from two elderly spinsters, dressmakers in a humble way with a clientele of servant girls mostly. He had a heavy padlock put on the cupboard, but otherwise he was a model lodger, giving no trouble, and requiring practically no attendance. His oddities were that he insisted on being present when his room was being swept, and that when he went out he locked his door, and took the key away with him.

Ossipon had a vision of these round black-rimmed spectacles progressing along the streets on the top of an omnibus, their self-confident glitter falling here and there on the walls of houses or lowered upon the heads of the unconscious stream of people on the pavements. The ghost of a sickly smile altered the set of Ossipon's thick lips at the thought of the walls nodding, of people running for life at the sight of those spectacles. If they had only known! What a panic! He murmured interrogatively: "Been sitting long here?"

"An hour or more," answered the other negligently, and took a pull at the dark beer. All his movements—the way he grasped the mug, the act of drinking, the way he set the heavy glass down and folded his arms—had a firmness, an assured precision which made the big and muscular Ossipon, leaning forward with staring eyes and protruding lips, look the picture of eager indecision.

"An hour," he said. "Then it may be you haven't heard yet the news I've heard just now—in the street. Have you?"

The little man shook his head negatively the least bit. But as he gave no indication of curiosity Ossipon ventured to add that he had heard it just outside the place. A newspaper boy had yelled the thing under his very nose, and not being prepared for anything of that sort, he was very much startled and upset. He had to come in there with a dry mouth. "I never thought of finding you here," he added, murmuring steadily, with his elbows planted on the table.

"I come here sometimes," said the other, preserving his provoking coolness of demeanour.

"It's wonderful that you of all people should have heard nothing of it," the big Ossipon continued. His eyelids snapped nervously upon the shining eyes. "You of all people," he repeated tentatively. This obvious restraint argued an incredible and inexplicable timidity of the big fellow before the calm little man, who again lifted the glass mug, drank, and put it down with brusque and assured movements. And that was all.

Ossipon after waiting for something, word or sign, that did not come, made an effort to assume a sort of indifference.

"Do you," he said, deadening his voice still more, "give your stuff to anybody who's up to asking you for it?"

"My absolute rule is never to refuse anybody—as long as I have a pinch by me," answered the little man with decision.

"That's a principle?" commented Ossipon.

"It's a principle."

"And you think it's sound?"

The large round spectacles, which gave a look of staring self-confidence to the sallow face, confronted Ossipon like sleepless, unwinking orbs flashing a cold fire.

"Perfectly. Always. Under every circumstance. What could stop me? Why should I not? Why should I think twice about it?"

Ossipon gasped, as it were, discreetly.

"Do you mean to say you would hand it over to a 'teck' if one came to ask you for your wares?"

The other smiled faintly.

"Let them come and try it on, and you will see," he said. "They know me, but I know also every one of them. They won't come near me—not they."

His thin livid lips snapped together firmly. Ossipon began to argue.

"But they could send someone—rig a plant on you. Don't you see? Get the stuff from you in that way, and then arrest you with the proof in their hands."

"Proof of what? Dealing in explosives without a licence perhaps." This was meant for a contemptuous jeer, though the expression of the thin, sickly face remained unchanged, and the utterance was negligent. "I don't think there's one of them anxious to make that arrest. I don't think they could get one of them to apply for a warrant. I mean one of the best. Not one."

"Why?" Ossipon asked.

"Because they know very well I take care never to part with the last handful of my wares. I've it always by me." He touched the breast of his coat lightly. "In a thick glass flask," he added.

"So I have been told," said Ossipon, with a shade of wonder in his voice. "But I didn't know if—"

"They know," interrupted the little man crisply, leaning against the straight chair back, which rose higher than his fragile head. "I shall never be arrested. The game isn't good enough for any policeman of them all. To deal with a man like me you require sheer, naked, inglorious heroism." Again his lips closed with a self-confident snap. Ossipon repressed a movement of impatience.

"Or recklessness—or simply ignorance," he retorted. "They've only to get somebody for the job who does not know you carry enough stuff in your pocket to blow yourself and everything within sixty yards of you to pieces."

"I never affirmed I could not be eliminated," rejoined the other. "But that wouldn't be an arrest. Moreover, it's not so easy as it looks."

"Bah!" Ossipon contradicted. "Don't be too sure of that. What's to prevent half-a-dozen of them jumping upon you from behind in the street? With your arms pinned to your sides you could do nothing—could you?"

"Yes; I could. I am seldom out in the streets after dark," said the little man impassively, "and never very late. I walk always with my right hand closed round the india-rubber ball which I have in my trouser pocket. The pressing of this ball actuates a detonator inside the flask I carry in my pocket. It's the principle of the pneumatic instantaneous shutter for a camera lens. The tube leads up—"

With a swift disclosing gesture he gave Ossipon a glimpse of an india-rubber tube, resembling a slender brown worm, issuing from the armhole of his waistcoat and plunging into the inner breast pocket of his jacket. His clothes, of a nondescript brown mixture, were threadbare and marked with stains, dusty in the folds, with ragged button-holes. "The detonator is partly mechanical, partly chemical," he explained, with casual condescension.

"It is instantaneous, of course?" murmured Ossipon, with a slight shudder.

"Far from it," confessed the other, with a reluctance which seemed to twist his mouth dolorously. "A full twenty seconds must elapse from the moment I press the ball till the explosion takes place."

"Phew!" whistled Ossipon, completely appalled. "Twenty seconds! Horrors! You mean to say that you could face that? I should go crazy—"

"Wouldn't matter if you did. Of course, it's the weak point of this special system, which is only for my own use. The worst is that the manner of exploding is always the weak point with us. I am trying to invent a detonator that would adjust itself to all conditions of action, and even to unexpected changes of conditions. A variable and yet perfectly precise mechanism. A really intelligent detonator."

"Twenty seconds," muttered Ossipon again. "Ough! And then—"

With a slight turn of the head the glitter of the spectacles seemed to gauge the size of the beer saloon in the basement of the renowned Silenus Restaurant.

"Nobody in this room could hope to escape," was the verdict of that survey. "Nor yet this couple going up the stairs now."

The piano at the foot of the staircase clanged through a mazurka with brazen impetuosity, as though a vulgar and impudent ghost were showing off. The keys sank and rose mysteriously. Then all became still. For a moment Ossipon imagined the overlighted place changed into a dreadful black hole belching horrible fumes choked with ghastly rubbish of smashed brickwork and mutilated corpses. He had such a distinct perception of ruin and death that he shuddered again. The other observed, with an air of calm sufficiency:

"In the last instance it is character alone that makes for one's safety. There are very few people in the world whose character is as well established as mine."

"I wonder how you managed it," growled Ossipon.

"Force of personality," said the other, without raising his voice; and coming from the mouth of that obviously miserable organism the assertion caused the robust Ossipon to bite his lower lip. "Force of personality," he repeated, with ostentatious calm. "I have the means to make myself deadly, but that by itself, you understand, is absolutely nothing in the way of protection. What is effective is the belief those people have in my will to use the means. That's their impression. It is absolute. Therefore I am deadly."

"There are individuals of character amongst that lot too," muttered Ossipon ominously.

"Possibly. But it is a matter of degree obviously, since, for instance, I am not impressed by them. Therefore they are inferior. They cannot be otherwise. Their character is built upon conventional morality. It leans on the social order. Mine stands free from everything artificial. They are bound in all sorts of conventions. They depend on life, which, in this connection, is a historical fact surrounded by all sorts of restraints and considerations, a complex organised fact open to attack at every point; whereas I depend on death, which knows no restraint and cannot be attacked. My superiority is evident."

"This is a transcendental way of putting it," said Ossipon, watching the cold glitter of the round spectacles. "I've heard Karl Yundt say much the same thing not very long ago."

"Karl Yundt," mumbled the other contemptuously, "the delegate of the International Red Committee, has been a posturing shadow all his life. There are three of you delegates, aren't there? I won't define the other two, as you are one of them. But what you say means nothing. You are the worthy delegates for revolutionary propaganda, but the trouble is not only that you are as unable to think independently as any respectable grocer or journalist of them all, but that you have no character whatever."

Ossipon could not restrain a start of indignation.

"But what do you want from us?" he exclaimed in a deadened voice. "What is it you are after yourself?"

"A perfect detonator," was the peremptory answer. "What are you making that face for? You see, you can't even bear the mention of something conclusive."

"I am not making a face," growled the annoyed Ossipon bearishly.

"You revolutionists," the other continued, with leisurely self-confidence, "are the slaves of the social convention, which is afraid of you; slaves of it as much as the very police that stands up in the defence of that convention. Clearly you are, since you want to revolutionise it. It governs your thought, of course, and your action too, and thus neither your thought nor your action can ever be conclusive." He paused, tranquil, with that air of close, endless silence, then almost immediately went on. "You are not a bit better than the forces arrayed against you—than the police, for instance. The other day I came suddenly upon Chief Inspector Heat at the corner of Tottenham Court Road. He looked at me very steadily. But I did not look at him. Why should I give him more than a glance? He was thinking of many things—of his superiors, of his reputation, of the law courts, of his salary, of newspapers—of a hundred things. But I was thinking of my perfect detonator only. He meant nothing to me. He was as insignificant as—I can't call to mind anything insignificant enough to compare him with—except Karl Yundt perhaps. Like to like. The terrorist and the policeman both come from the same basket. Revolution, legality—counter moves in the same game; forms of idleness at bottom identical. He plays his little game—so do you propagandists. But I don't play; I work fourteen hours a day, and go hungry sometimes. My experiments cost money now and again, and then I must do without food for a day or two. You're looking at my beer. Yes. I have had two glasses already, and shall have another presently. This is a little holiday, and I celebrate it alone. Why not? I've the grit to work alone, quite alone, absolutely alone. I've worked alone for years."

Ossipon's face had turned dusky red.

"At the perfect detonator—eh?" he sneered, very low.

"Yes," retorted the other. "It is a good definition. You couldn't find anything half so precise to define the nature of your activity with all your committees and delegations. It is I who am the true propagandist."

"We won't discuss that point," said Ossipon, with an air of rising above personal considerations. "I am afraid I'll have to spoil your holiday for you, though. There's a man blown up in Greenwich Park this morning."

"How do you know?"

"They have been yelling the news in the streets since two o'clock. I bought the paper, and just ran in here. Then I saw you sitting at this table. I've got it in my pocket now."

He pulled the newspaper out. It was a good-sized rosy sheet, as if flushed by the warmth of its own convictions, which were optimistic. He scanned the pages rapidly.

"Ah! Here it is. Bomb in Greenwich Park. There isn't much so far. Half-past eleven. Foggy morning. Effects of explosion felt as far as Romney Road and Park Place. Enormous hole in the ground under a tree filled with smashed roots and broken branches. All round fragments of a man's body blown to pieces. That's all. The rest's mere newspaper gup. No doubt a wicked attempt to blow up the Observatory, they say. H'm. That's hardly credible."

He looked at the paper for a while longer in silence, then passed it to the other, who after gazing abstractedly at the print laid it down without comment.

It was Ossipon who spoke first—still resentful.

"The fragments of only one man, you note. Ergo: blew himself up. That spoils your day off for you—don't it? Were you expecting that sort of move? I hadn't the slightest idea—not the ghost of a notion of anything of the sort being planned to come off here—in this country. Under the present circumstances it's nothing short of criminal."

The little man lifted his thin black eyebrows with dispassionate scorn.

"Criminal! What is that? What is crime? What can be the meaning of such an assertion?"

"How am I to express myself? One must use the current words," said Ossipon impatiently. "The meaning of this assertion is that this business may affect our position very adversely in this country. Isn't that crime enough for you? I am convinced you have been giving away some of your stuff lately."

Ossipon stared hard. The other, without flinching, lowered and raised his head slowly.

"You have!" burst out the editor of the F. P. leaflets in an intense whisper. "No! And are you really handing it over at large like this, for the asking, to the first fool that comes along?"

"Just so! The condemned social order has not been built up on paper and ink, and I don't fancy that a combination of paper and ink will ever put an end to it, whatever you may think. Yes, I would give the stuff with both hands to every man, woman, or fool that likes to come along. I know what you are thinking about. But I am not taking my cue from the Red Committee. I would see you all hounded out of here, or arrested—or beheaded for that matter—without turning a hair. What happens to us as individuals is not of the least consequence."

He

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spoke carelessly, without heat, almost without feeling, and Ossipon, secretly much affected, tried to copy this detachment.

"If the police here knew their business they would shoot you full of holes with revolvers, or else try to sand-bag you from behind in broad daylight."

The little man seemed already to have considered that point of view in his dispassionate self-confident manner.

"Yes," he assented with the utmost readiness. "But for that they would have to face their own institutions. Do you see? That requires uncommon grit. Grit of a special kind."

Ossipon blinked.

"I fancy that's exactly what would happen to you if you were to set up your laboratory in the States. They don't stand on ceremony with their institutions there."

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?


Prompt:
Elizabeth, as they drove along, watched for the first appearance of Pemberley Woods with some perturbation; and when at length they turned in at the lodge, her spirits were in a high flutter.

The park was very large, and contained great variety of ground. They entered it in one of its lowest points, and drove for some time through a beautiful wood stretching over a wide extent.

Elizabeth's mind was too full for conversation, but she saw and admired every remarkable spot and point of view. They gradually ascended for half a mile, and then found themselves at the top of a considerable eminence, where the wood ceased, and the eye was instantly caught by Pemberley House, situated on the opposite side of the valley, into which the road with some abruptness wound. It was a large, handsome stone building, standing well on rising ground, and backed by a ridge of high woody hills; and in front a stream of some natural importance was swelled into greater, but without any artificial appearance. Its banks were neither formal nor falsely adorned. Elizabeth was delighted. She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste. They were all of them warm in their admiration; and at that moment she felt that to be mistress of Pemberley might be something!

They descended the hill, crossed the bridge, and drove to the door; and, while examining the nearer aspect of the house, all her apprehension of meeting its owner returned. She dreaded lest the chambermaid had been mistaken. On applying to see the place, they were admitted into the hall; and Elizabeth, as they waited for the housekeeper, had leisure to wonder at her being where she was.

The housekeeper came; a respectable looking elderly woman, much less fine, and more civil, than she had any notion of finding her. They followed her into the dining-parlour. It was a large, well-proportioned room, handsomely fitted up. Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen. The rooms were lofty and handsome, and their furniture suitable to the fortune of their proprietor; but Elizabeth saw, with admiration of his taste, that it was neither gaudy nor uselessly fine,--with less of splendour, and more real elegance, than the furniture of Rosings.

"And of this place," thought she, "I might have been mistress! With these rooms I might have now been familiarly acquainted! Instead of viewing them as a stranger, I might have rejoiced in them as my own, and welcomed to them as visitors my uncle and aunt. But, no," recollecting herself, "that could never be; my uncle and aunt would have been lost to me; I should not have been allowed to invite them."

This was a lucky recollection--it saved her from something like regret.

She longed to inquire of the housekeeper whether her master were really absent, but had not courage for it. At length, however, the question was asked by her uncle; and she turned away with alarm, while Mrs. Reynolds replied, that he was; adding, "But we expect him to-morrow, with a large party of friends." How rejoiced was Elizabeth that their own journey had not by any circumstance been delayed a day!

Her aunt now called her to look at a picture. She approached, and saw the likeness of Mr. Wickham, suspended, amongst several other miniatures, over the mantel-piece. Her aunt asked her, smilingly, how she liked it. The housekeeper came forward, and told them it was the picture of a young gentleman, the son of her late master's steward, who had been brought up by him at his own expense. "He is now gone into the army," she added; "but I am afraid he has turned out very wild."

Mrs. Gardiner looked at her niece with a smile, but Elizabeth could not return it.

"And that," said Mrs. Reynolds, pointing to another of the miniatures, "is my master--and very like him. It was drawn at the same time as the other--about eight years ago."

"I have heard much of your master's fine person," said Mrs. Gardiner, looking at the picture; "it is a handsome face. But, Lizzy, you can tell us whether it is like or not."

Mrs. Reynolds' respect for Elizabeth seemed to increase on this intimation of her knowing her master.

"Does that young lady know Mr. Darcy?"

Elizabeth coloured, and said, "A little."

"And do not you think him a very handsome gentleman, ma'am?"

"Yes, very handsome."

"I am sure I know none so handsome; but in the gallery upstairs you will see a finer, larger picture of him than this. This room was my late master's favourite room, and these miniatures are just as they used to be then. He was very fond of them."

This accounted to Elizabeth for Mr. Wickham's being among them.

Mrs. Reynolds then directed their attention to one of Miss Darcy, drawn when she was only eight years old.

"And is Miss Darcy as handsome as her brother?" said Mr. Gardiner.

"Oh, yes--the handsomest young lady that ever was seen; and so accomplished! She plays and sings all day long. In the next room is a new instrument just come down for her--a present from my master: she comes here to-morrow with him."

Mr. Gardiner, whose manners were easy and pleasant, encouraged her communicativeness by his questions and remarks: Mrs. Reynolds, either from pride or attachment, had evidently great pleasure in talking of her master and his sister.

"Is your master much at Pemberley in the course of the year?"

"Not so much as I could wish, sir: but I dare say he may spend half his time here; and Miss Darcy is always down for the summer months."

"Except," thought Elizabeth, "when she goes to Ramsgate."

"If your master would marry, you might see more of him."

"Yes, sir; but I do not know when that will be. I do not know who is good enough for him."

Mr. and Mrs. Gardiner smiled. Elizabeth could not help saying, "It is very much to his credit, I am sure, that you should think so."

"I say no more than the truth, and what everybody will say that knows him," replied the other. Elizabeth thought this was going pretty far; and she listened with increasing astonishment as the housekeeper added, "I have never had a cross word from him in my life, and I have known him ever since he was four years old."

This was praise of all others most extraordinary, most opposite to her ideas. That he was not a good-tempered man had been her firmest opinion. Her keenest attention was awakened: she longed to hear more; and was grateful to her uncle for saying,--

"There are very few people of whom so much can be said. You are lucky in having such a master."

"Yes, sir, I know I am. If I were to go through the world, I could not meet with a better. But I have always observed, that they who are good-natured when children, are good-natured when they grow up; and he was always the sweetest tempered, most generous-hearted boy in the world."

Elizabeth almost stared at her. "Can this be Mr. Darcy?" thought she.

"His father was an excellent man," said Mrs. Gardiner.

"Yes, ma'am, that he was indeed; and his son will be just like him--just as affable to the poor."

Elizabeth listened, wondered, doubted, and was impatient for more. Mrs. Reynolds could interest her on no other point. She related the subjects of the pictures, the dimensions of the rooms, and the price of the furniture in vain. Mr. Gardiner, highly amused by the kind of family prejudice, to which he attributed her excessive commendation of her master, soon led again to the subject; and she dwelt with energy on his many merits, as they proceeded together up the great staircase.

"He is the best landlord, and the best master," said she, "that ever lived. Not like the wild young men now-a-days, who think of nothing but themselves. There is not one of his tenants or servants but what will give him a good name. Some people call him proud; but I am sure I never saw anything of it. To my fancy, it is only because he does not rattle away like other young men."

"In what an amiable light does this place him!" thought Elizabeth.

"This fine account of him," whispered her aunt as they walked, "is not quite consistent with his behaviour to our poor friend."

"Perhaps we might be deceived."

"That is not very likely; our authority was too good."

On reaching the spacious lobby above, they were shown into a very pretty sitting-room, lately fitted up with greater elegance and lightness than the apartments below; and were informed that it was but just done to give pleasure to Miss Darcy, who had taken a liking to the room, when last at Pemberley.

"He is certainly a good brother," said Elizabeth, as she walked towards one of the windows.

Mrs. Reynolds anticipated Miss Darcy's delight, when she should enter the room. "And this is always the way with him," she added. "Whatever can give his sister any pleasure, is sure to be done in a moment. There is nothing he would not do for her."

The picture gallery, and two or three of the principal bed-rooms, were all that remained to be shown. In the former were many good paintings: but Elizabeth knew nothing of the art; and from such as had been already visible below, she had willingly turned to look at some drawings of Miss Darcy's, in crayons, whose subjects were usually more interesting, and also more intelligible.

In the gallery there were many family portraits, but they could have little to fix the attention of a stranger. Elizabeth walked on in quest of the only face whose features would be known to her. At last it arrested her--and she beheld a striking resemblance of Mr. Darcy, with such a smile over the face, as she remembered to have sometimes seen, when he looked at her. She stood several minutes before the picture, in earnest contemplation, and returned to it again before they quitted the gallery. Mrs. Reynolds informed them, that it had been taken in his father's lifetime.

There was certainly at this moment, in Elizabeth's mind, a more gentle sensation towards the original than she had ever felt in the height of their acquaintance. The commendation bestowed on him by Mrs. Reynolds was of no trifling nature. What praise is more valuable than the praise of an intelligent servant? As a brother, a landlord, a master, she considered how many people's happiness were in his guardianship! How much of pleasure or pain it was in his power to bestow! How much of good or evil must be done by him! Every idea that had

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been brought forward by the housekeeper was favourable to his character; and as she stood before the canvas, on which he was represented, and fixed his eyes upon herself, she thought of his regard with a deeper sentiment of gratitude than it had ever raised before: she remembered its warmth, and softened its impropriety of expression.

When all of the house that was open to general inspection had been seen, they returned down stairs; and, taking leave of the housekeeper, were consigned over to the gardener, who met them at the hall door.

As they walked across the lawn towards the river, Elizabeth turned back to look again; her uncle and aunt stopped also; and while the former was conjecturing as to the date of the building, the owner of it himself suddenly came forward from the road which led behind it to the stables.

Rejected response: It looks like you've shared an excerpt from a story! Would you like me to analyze it, summarize it, or continue it in a particular direction?


Prompt:
The Disposal of a Bonanza

'SUCH was Ritter's narrative,' said I to my two friends. There was a profound and impressive silence, which lasted a considerable time; then both men broke into a fusillade of exciting and admiring ejaculations over the strange incidents of the tale; and this, along with a rattling fire of questions, was kept up until all hands were about out of breath. Then my friends began to cool down, and draw off, under shelter of occasional volleys, into silence and abysmal reverie. For ten minutes now, there was stillness. Then Rogers said dreamily--

'Ten thousand dollars.'

Adding, after a considerable pause--

'Ten thousand. It is a heap of money.'

Presently the poet inquired--

'Are you going to send it to him right away?'

'Yes,' I said. 'It is a queer question.'

No reply. After a little, Rogers asked, hesitatingly:

'_All _of it?--That is--I mean--'

'Certainly, all of it.'

I was going to say more, but stopped--was stopped by a train of thought which started up in me. Thompson spoke, but my mind was absent, and I did not catch what he said. But I heard Rogers answer--

'Yes, it seems so to me. It ought to be quite sufficient; for I don't see that he has done anything.'

Presently the poet said--

'When you come to look at it, it is more than sufficient. Just look at it--five thousand dollars! Why, he couldn't spend it in a lifetime! And it would injure him, too; perhaps ruin him--you want to look at that. In a little while he would throw his last away, shut up his shop, maybe take to drinking, maltreat his motherless children, drift into other evil courses, go steadily from bad to worse--'

'Yes, that's it,' interrupted Rogers, fervently, 'I've seen it a hundred times--yes, more than a hundred. You put money into the hands of a man like that, if you want to destroy him, that's all; just put money into his hands, it's all you've got to do; and if it don't pull him down, and take all the usefulness out of him, and all the self-respect and everything, then I don't know human nature--ain't that so, Thompson? And even if we were to give him a _third _of it; why, in less than six months--'

'Less than six weeks, you'd better say!' said I, warming up and breaking in. 'Unless he had that three thousand dollars in safe hands where he couldn't touch it, he would no more last you six weeks than--'

'Of _course _he wouldn't,' said Thompson; 'I've edited books for that kind of people; and the moment they get their hands on the royalty--maybe it's three thousand, maybe it's two thousand--'

'What business has that shoemaker with two thousand dollars, I should like to know?' broke in Rogers, earnestly. 'A man perhaps perfectly contented now, there in Mannheim, surrounded by his own class, eating his bread with the appetite which laborious industry alone can give, enjoying his humble life, honest, upright, pure in heart; and blest!--yes, I say blest! blest above all the myriads that go in silk attire and walk the empty artificial round of social folly--but just you put that temptation before him once! just you lay fifteen hundred dollars before a man like that, and say--'

'Fifteen hundred devils!' cried I, '_five _hundred would rot his principles, paralyze his industry, drag him to the rumshop, thence to the gutter, thence to the almshouse, thence to----'

'_Why _put upon ourselves this crime, gentlemen?' interrupted the poet earnestly and appealingly. 'He is happy where he is, and _as _he is. Every sentiment of honor, every sentiment of charity, every sentiment of high and sacred benevolence warns us, beseeches us, commands us to leave him undisturbed. That is real friendship, that is true friendship. We could follow other courses that would be more showy; but none that would be so truly kind and wise, depend upon it.'

After some further

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talk, it became evident that each of us, down in his heart, felt some misgivings over this settlement of the matter. It was manifest that we all felt that we ought to send the poor shoemaker something. There was long and thoughtful discussion of this point; and we finally decided to send him a chromo.

Well, now that everything seemed to be arranged satisfactorily to everybody concerned, a new trouble broke out: it transpired that these two men were expecting to share equally in the money with me. That was not my idea. I said that if they got half of it between them they might consider themselves lucky. Rogers said--

'Who would have had _any _if it hadn't been for me?

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.