Prompt:
It took me three years to win that handshake. For the first six months I remained in Deptford. There was excellent material to be found there for humorous articles, essays, stories; likewise for stories tragic and pathetic. But I owed a hundred and fifty pounds--a little over two hundred it reached to, I found, when I came to add up the actual figures. So I paid strict attention to business, left the tears to be garnered by others--better fitted maybe for the task; kept to my own patch, reaped and took to market only the laughter.

At the beginning I sent each manuscript to Norah; she had it copied out, debited me with the cost received payment, and sent me the balance. At first my earnings were small; but Norah was an excellent agent; rapidly they increased. Dan grew quite cross with her, wrote in pained surprise at her greed. The "matter" was fair, but in no way remarkable. Any friend of hers, of course, he was anxious to assist; but business was business. In justice to his proprietors, he could not and would not pay more than the market value. Miss Deleglise, replying curtly in the third person, found herself in perfect accord with Mr. Brian as to business being business. If Mr. Brian could not afford to pay her price for material so excellent, other editors with whom Miss Deleglise was equally well acquainted could and would. Answer by return would greatly oblige, pending which the manuscript then in her hands she retained. Mr. Brian, understanding he had found his match, grumbled but paid. Whether he had any suspicion who "Jack Homer" might be, he never confessed; but he would have played the game, pulled his end of the rope, in either case. Nor was he allowed to decide the question for himself. Competition was introduced into the argument. Of purpose a certain proportion of my work my agent sent elsewhere. "Jack Homer" grew to be a commodity in demand. For, seated at my rickety table, I laughed as I wrote, the fourth wall of the dismal room fading before my eyes revealing vistas beyond.

Still, it was slow work. Humour is not an industrious maid; declines to be bustled, will work only when she feels inclined--does not often feel inclined; gives herself a good many unnecessary airs; if worried, packs up and goes off, Heaven knows where! comes back when she thinks she will: a somewhat unreliable young person. To my literary labours I found it necessary to add journalism. I lacked Dan's magnificent assurance. Fate never befriends the nervous. Had I burst into the editorial sanctum, the editor most surely would have been out; if in, would have been a man of short ways, would have seen to it that I went out quickly. But the idea was not to be thought of; Robert Macaire himself in my one coat would have been diffident, apologetic. I joined the ranks of the penny-a-liners--to be literally exact, three halfpence a liners. In company with half a dozen other shabby outsiders--some of them young men like myself seeking to climb; others, older men who had sunk--I attended inquests, police courts; flew after fire engines; rejoiced in street accidents; yearned for murders. Somewhat vulture-like we lived precariously upon the misfortunes of others. We made occasional half crowns by providing the public with scandal, occasional crowns by keeping our information to ourselves.

"I think, gentlemen," would explain our spokesman in a hoarse whisper, on returning to the table, "I think the corpse's brother-in-law is anxious that the affair, if possible, should be kept out of the papers."

The closeness and attention with which we would follow that particular case, the fulness and completeness of our notes, would be quite remarkable. Our spokesman would rise, drift carelessly away, to return five minutes later, wiping his mouth.

"Not a very interesting case, gentlemen, I don't think. Shall we say five shillings apiece?" Sometimes a sense of the dignity of our calling would induce us to stand out for ten.

And here also my sense of humour came to my aid; gave me perhaps an undue advantage over my competitors. Twelve good men and true had been asked to say how a Lascar sailor had met his death. It was perfectly clear how he had met his death. A plumber, working on the roof of a small two-storeyed house, had slipped and fallen on him. The plumber had escaped with a few bruises; the unfortunate sailor had been picked up dead. Some blame attached to the plumber. His mate, an excellent witness, told us the whole story.

"I was fixing a gas-pipe on the first floor," said the man. "The prisoner was on the roof."

"We won't call him 'the prisoner,'" interrupted the coroner, "at least, not yet. Refer to him, if you please, as the 'last witness.'"

"The last witness," corrected himself the man. "He shouts down the chimney to know if I was ready for him."

"'Ready and waiting,' I says.

"'Right,' he says; 'I'm coming in through the window.'

"'Wait a bit,' I says; 'I'll go down and move the ladder for you.

"'It's all right,' he says; 'I can reach it.'

"'No, you can't,' I says. 'It's the other side of the chimney.'

"'I can get round,' he says.

"Well, before I knew what had happened, I hears him go, smack! I rushes to the window and looks out: I see him on the pavement, sitting up like.

"'Hullo, Jim,' I says. 'Have you hurt yourself?'

"'I think I'm all right,' he says, 'as far as I can tell. But I wish you'd come down. This bloke I've fallen on looks a bit sick.'"

The others headed their flimsy "Sad Accident," a title truthful but not alluring. I altered mine to "Plumber in a Hurry--Fatal Result." Saying as little as possible about the unfortunate sailor, I called the attention of plumbers generally to the coroner's very just remarks upon the folly of undue haste; pointed out to them, as a body, the trouble that would arise if somehow they could not cure themselves of this tendency to rush through their work without a moment's loss of time.

It established for me a useful reputation. The sub-editor of one evening paper condescended so far as to come out in his shirt-sleeves and shake hands with me.

"That's the sort of thing we want," he told me; "a light touch, a bit of humour."

I snatched fun from fires (I sincerely trust the insurance premiums were not overdue); culled quaintness from street rows; extracted merriment from catastrophes the most painful, and prospered.

Though often within a stone's throw of the street, I unremittingly avoided the old house at Poplar. I was suffering inconvenience at this period by reason of finding myself two distinct individuals, contending with each other. My object was to encourage the new Paul--the sensible, practical, pushful Paul, whose career began to look promising; to drive away from interfering with me his strangely unlike twin--the old childish Paul of the sad, far-seeing eyes. Sometimes out of the cracked looking-glass his wistful, yearning face would plead to me; but I would sternly shake my head. I knew well his cunning. Had I let him have his way, he would have led me through the maze of streets he knew so well, past the broken railings (outside which he would have left my body standing), along the weedy pathway, through the cracked and dented door, up the creaking staircase to the dismal little chamber where we once--he and I together--had sat dreaming foolish dreams.

"Come," he would whisper; "it is so near. Let us push aside the chest of drawers very quietly, softly raise the broken sash, prop it open with the Latin dictionary, lean our elbows on the sill, listen to the voices of the weary city, voices calling to us from the darkness."

But I was too wary to be caught. "Later on," I would reply to him; "when I have made my way, when I am stronger to withstand your wheedling. Then I will go with you, if you are still in existence, my sentimental little friend. We will dream again the old impractical, foolish dreams--and laugh at them."

So he would fade away, and in his place would nod to me approvingly a businesslike-looking, wide-awake young fellow.

But to one sentimental temptation I succumbed. My position was by now assured; there was no longer any reason for my hiding myself. I determined to move westward. I had not intended to soar so high, but passing through Guildford Street one day, the creeper-covered corner house that my father had once thought of taking recalled itself to me. A card was in the fanlight. I knocked and made enquiries. A bed-sitting-room upon the third floor was vacant. I remembered it well the moment the loquacious landlady opened its door.

"This shall be your room, Paul," said my father. So clearly his voice sounded behind me that I turned, forgetting for the moment it was but a memory. "You will be quiet here, and we can shut out the bed and washstand with a screen."

So my father had his way. It was a pleasant, sunny little room, overlooking the gardens of the hospital. I followed my father's suggestion, shut out the bed and washstand with a screen. And sometimes of an evening it would amuse me to hear my father turn the handle of the door.

"How are you getting on--all right?"

"Famously."

Often there came back to me the words he had once used. "You must be the practical man, Paul, and get on. Myself, I have always been somewhat of a dreamer. I meant to do such great things in the world, and somehow I suppose I aimed too high. I wasn't--practical."

"But ought not one to aim high?" I had asked.

My father had fidgeted in his chair. "It is very difficult to say. It is all so--so very ununderstandable. You aim high and you don't hit anything--at least, it seems as if you didn't. Perhaps, after all, it is better to aim at something low, and--and hit it. Yet it seems a pity--one's ideals, all the best part of one--I don't know why it is. Perhaps we do not understand."

For some months I had been writing over my own name. One day a letter was forwarded to me by an editor to whose care it had been addressed. It was a short, formal note from the maternal Sellars, inviting me to the wedding of her daughter with a Mr. Reginald Clapper. I had almost forgotten the incident of the Lady 'Ortensia, but it was not unsatisfactory to learn that it had terminated pleasantly. Also, I judged from an invitation having been sent me, that the lady wished me to be witness of the fact that my desertion had not left her disconsolate. So much gratification I felt I owed her, and accordingly, purchasing a present as expensive as my means would permit, I made my way on the following Thursday, clad in frock coat and light grey trousers, to Kennington Church.

The ceremony was already in progress. Creeping on tiptoe up the aisle, I was about to slip into an empty pew, when a hand was laid upon my sleeve.

"We're all here," whispered the O'Kelly; "just room for ye."

Squeezing his hand as I passed, I sat down between the Signora and Mrs. Peedles. Both ladies were weeping; the Signora silently, one tear at a time clinging fondly to her pretty face as though loath to fall from it; Mrs. Peedles copiously, with explosive gurgles, as of water from a bottle.

"It is such a beautiful service," murmured the Signora, pressing my hand as I settled myself down. "I should so--so love to be married."

"Me darling," whispered the O'Kelly, seizing her other hand and kissing it covertly behind his open Prayer Book, "perhaps ye will be--one day."

The Signora through her tears smiled at him, but with a sigh shook her head.

Mrs. Peedles, clad, so far as the dim November light enabled me to judge, in the costume of Queen Elizabeth--nothing regal; the sort of thing one might assume to have been Her Majesty's second best, say third best, frock--explained that weddings always reminded her how fleeting a thing was love.

"The poor dears!" she sobbed. "But there, there's no telling. Perhaps they'll be happy. I'm sure I hope they may be. He looks harmless."

Jarman, stretching out a hand to me from the other side of Mrs. Peedles, urged me to cheer up. "Don't wear your 'eart upon your sleeve," he advised. "Try and smile."

In the vestry I met old friends. The maternal Sellars, stouter than ever, had been accommodated with a chair--at least, I assumed so, she being in a sitting posture; the chair itself was not in evidence. She greeted me with more graciousness than I had expected, enquiring after my health with pointedness and an amount of tender solicitude that, until the explanation broke upon me, somewhat puzzled me.

Mr. Reginald Clapper was a small but energetic gentleman, much impressed, I was glad to notice, with a conviction of his own good fortune. He expressed the greatest delight at being introduced to me, shook me heartily by the hand, and hoped we should always be friends.

"Won't be my fault if we're not," he added. "Come and see us whenever you like." He repeated this three times. I gathered the general sentiment to be that he was acting, if anything, with excess of generosity.

Mrs. Reginald Clapper, as I was relieved to know she now was, received my salute to a subdued murmur of applause. She looked to my eyes handsomer than when I had last seen her, or maybe my taste was growing less exacting. She also trusted she might always regard me as a friend. I replied that it would be my hope to deserve the honour; whereupon she kissed me of her own accord, and embracing her mother, shed some tears, explaining the reason to be that everybody was so good to her.

Brother George, less lank than formerly, hampered by a pair of enormous white kid gloves, superintended my signing of the register, whispering to me sympathetically: "Better luck next time, old cock."

The fat young lady--or, maybe, the lean young lady, grown stouter, I cannot say for certain--who feared I had forgotten her, a thing I assured her utterly impossible, was good enough to say that, in her opinion, I was worth all the others put together.

"And so I told her," added the fat young lady--or the lean one grown stouter, "a dozen times if I told her once. But there!"

I murmured my obligations.

Cousin Joseph, 'whom I found no difficulty in recognising by reason of his watery eyes, appeared not so chirpy as of yore.

"You take my tip," advised Cousin Joseph, drawing me aside, "and keep out of it."

"You speak from experience?" I suggested.

"I'm as fond of a joke," said the watery-eyed Joseph, "as any man. But when it comes to buckets of water--"

A reminder from the maternal Sellars that breakfast had been ordered for eleven o'clock caused a general movement and arrested Joseph's revelations.

"See you again, perhaps," he murmured, and pushed past me.

What Mrs. Sellars, I suppose, would have alluded to as a cold col-la-shon had been arranged for at a restaurant near by. I walked there in company with Uncle and Aunt Gutton; not because I particularly desired their companionship, but because Uncle Gutton, seizing me by the arm, left me no alternative.

"Now then, young man," commenced Uncle Gutton kindly, but boisterously so soon as we were in the street, at some little distance behind the others, "if you want to pitch into me, you pitch away. I shan't mind, and maybe it'll do you good."

I informed him that nothing was further from my desire.

"Oh, all right," returned Uncle Gutton, seemingly disappointed. "If you're willing to forgive and forget, so am I. I never liked you, as I daresay you saw, and so I told Rosie. 'He may be cleverer than he looks,' I says, 'or he may be a bigger fool than I think him, though that's hardly likely. You take my advice and get a full-grown article, then you'll know what you're doing.'"

I told him I thought his advice had been admirable.

"I'm glad you think so," he returned, somewhat puzzled; "though if you wanted to call me names I shouldn't have blamed you. Anyhow, you've took it like a sensible chap. You've got over it, as I always told her you would. Young men out of story-books don't die of broken hearts, even if for a month or two they do feel like standing on their head in the water-butt."

"Why, I was in love myself three times," explained Uncle Gutton, "before I married the old woman."

Aunt Gutton sighed and said she was afraid gentlemen didn't feel these things as much as they ought to.

"They've got their living to earn," retorted Uncle Gutton.

I agreed with Uncle Gutton that life could not be wasted in vain regret.

"As for the rest," admitted Uncle Gutton, handsomely, "I was wrong. You've turned out better than I expected you would."

I thanked him for his improved opinion, and as we entered the restaurant we shook hands.

Minikin we found there waiting for us. He explained that having been able to obtain only limited leave of absence from business, he had concluded the time would be better employed at the restaurant than at the church. Others were there also with whom I was unacquainted, young sparks, admirers, I presume, of the Lady 'Ortensia in her professional capacity, fellow-clerks of Mr. Clapper, who was something in the City. Altogether we must have numbered a score.

Breakfast was laid in a large room on the first floor. The wedding presents stood displayed upon a side-table. My own, with my card attached, had not been seen by Mrs. Clapper till that moment. She and her mother lingered, examining it.

"Real silver!" I heard the maternal Sellars whisper, "Must have paid a ten pound note for it."

"I hope you'll find it useful," I said.

The maternal Sellars, drifting away, joined the others gathered together at the opposite end of the room.

"I suppose you think I set my cap at you merely because you were a gentleman," said the Lady 'Ortensia.

"Don't let's talk about it," I answered. "We were both foolish."

"I don't want you to think it was merely that," continued the Lady 'Ortensia. "I did like you. And I wouldn't have disgraced you--at least, I'd have tried not to. We women are quick to learn. You never gave me time."

"Believe me, things are much better as they are," I said.

"I suppose so," she answered. "I was a fool." She glanced round; we still had the corner to ourselves. "I told a rare pack of lies," she said; "I didn't seem able to help it; I was feeling sore all over. But I have always been ashamed of myself. I'll tell them the truth, if you like."

I thought I saw a way of making her mind easy. "My dear girl," I said, "you have taken the blame upon yourself, and let me go scot-free. It was generous of you."

"You mean that?" she asked.

"The truth," I answered, "would shift all the shame on to me. It was I who broke my word, acted shabbily from beginning to end."

"I hadn't looked at it in that light," she replied. "Very well, I'll hold my tongue."

My place at breakfast was to the left of the maternal Sellars, the Signora next to me, and the O'Kelly opposite. Uncle Gutton faced the bride and bridegroom. The disillusioned Joseph was hidden from me by flowers, so that his voice, raised from time to time, fell upon my ears, embellished with the mysterious significance of the unseen oracle.

For the first quarter of an hour or so the meal proceeded almost in silence. The maternal Sellars when not engaged in whispered argument with the perspiring waiter, was furtively occupied in working sums upon the table-cloth by aid of a blunt pencil. The Signora, strangely unlike her usual self, was not in talkative mood.

"It was so kind of them to invite me," said the Signora, speaking low. "But I feel I ought not to have come.

"Why not?" I asked

"I'm not fit to be here," murmured the Signora in a broken voice. "What right have I at wedding breakfasts? Of course, for dear Willie it is different. He has been married."

The O'Kelly, who never when the Signora was present seemed to care much for conversation in which she was unable to participate, took advantage of his neighbour's being somewhat deaf to lapse into abstraction. Jarman essayed a few witticisms of a general character, of which nobody took any notice. The professional admirers of the Lady 'Ortensia, seated together at a corner of the table, appeared to be enjoying a small joke among themselves. Occasionally, one or another of them would laugh nervously. But for the most part the only sounds to be heard were the clatter of the knives and forks, the energetic shuffling of the waiter, and a curious hissing noise as of escaping gas, caused by Uncle Gutton drinking champagne.

With the cutting, or, rather, the smashing into a hundred fragments, of the wedding cake--a work that taxed the united strength of bride and bridegroom to the utmost--the atmosphere lost something of its sombreness. The company, warmed by food, displaying indications of being nearly done, commenced to simmer. The maternal Sellars, putting away with her blunt pencil considerations of material nature, embraced the table with a smile.

"But it is a sad thing," sighed the maternal Sellars the next moment, with a shake of her huge head, "when your daughter marries, and goes away and leaves you."

"Damned sight sadder," commented Uncle Gutton, "when she don't go off, but hangs on at home year after year and expects you to keep her."

I credit Uncle Gutton with intending this as an aside for the exclusive benefit of the maternal Sellars; but his voice was not of the timbre that lends itself to secrecy. One of the bridesmaids, a plain, elderly girl, bending over her plate, flushed scarlet. I concluded her to be Miss Gutton.

"It doesn't seem to me," said Aunt Gutton from the other end of the table, "that gentlemen are as keen on marrying nowadays as they used to be."

"Got to know a bit about it, I expect," sounded the small, shrill voice of the unseen Joseph.

"To my thinking," exclaimed a hatchet-faced gentleman, "one of the evils crying most loudly for redress at the present moment is the utterly needless and monstrous expense of legal proceedings." He spoke rapidly and with warmth. "Take divorce. At present, what is it? The rich man's luxury."

Conversation appeared to be drifting in a direction unsuitable to the occasion; but Jarman was fortunately there to seize the helm.

"The plain fact of the matter is," said Jarman, "girls have gone up in value. Time was, so I've heard, when they used to be given away with a useful bit of household linen, maybe a chair or two. Nowadays--well, it's only chaps wallowing in wealth like Clapper there as can afford a really first-class article."

Mr. Clapper, not a gentleman in other respects of exceptional brilliancy, possessed one quality that popularity-seekers might have envied him: the ability to explode on the slightest provocation into a laugh instinct with all the characteristics of genuine delight.

"Give and take," observed the maternal Sellars, so soon as Mr. Clapper's roar had died away; "that's what you've got to do when you're married."

"Give a deal more than you bargained for and take what you don't want--that sums it up," came the bitter voice of the unseen.

"Oh, do be quiet, Joe," advised the stout young lady, from which I concluded she had once been the lean young lady. "You talk enough for a man."

"Can't I open my mouth?" demanded the indignant oracle.

"You look less foolish when you keep it shut," returned the stout young lady.

"We'll show them how to get on," observed the Lady 'Ortensia to her bridegroom, with a smile.

Mr. Clapper responded with a gurgle.

"When me and the old girl there fixed things up," said Uncle Gutton, "we didn't talk no nonsense, and we didn't start with no misunderstandings. 'I'm not a duke,' I says--"

"Had she been mistaking you for one?" enquired Minikin.

Mr. Clapper commented, not tactfully, but with appreciative laugh. I feared for a moment lest Uncle Gutton's little eyes should leave his head.

"Not being a natural-born, one-eyed fool," replied Uncle Gutton, glaring at the unabashed Minikin, "she did not. 'I'm not a duke,' I says, and she had sense enough to know as I was talking sarcastic like. 'I'm not offering you a life of luxury and ease. I'm offering you myself, just what you see, and nothing more.'

"She took it?" asked Minikin, who was mopping

Chosen response:
up his gravy with his bread.

"She accepted me, sir," returned Uncle Gutton, in a voice that would have awed any one but Minikin. "Can you give me any good reason for her not doing so?"

"No need to get mad with me," explained Minikin. "I'm not blaming the poor woman. We all have our moments of despair."

The unfortunate Clapper again exploded. Uncle Gutton rose to his feet. The ready Jarman saved the situation.

"'Ear! 'ear!" cried Jarman, banging the table with the handles of two knives. "Silence for Uncle Gutton! 'E's going to propose a toast. 'Ear, 'ear!"

Mrs. Clapper, seconding his efforts, the whole table broke into applause.

"What, as a matter of fact, I did get up to say--" began Uncle Gutton.

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?


Prompt:
She was sitting in the kitchen with her grandmother; they were both just going to bed. Relying on Nazar Ivanovitch, they had not locked themselves in. Mitya ran in, pounced on Fenya and seized her by the throat.

"Speak at once! Where is she? With whom is she now, at Mokroe?" he roared furiously.

Both the women squealed.

"Aie! I'll tell you. Aie! Dmitri Fyodorovitch, darling, I'll tell you everything directly, I won't hide anything," gabbled Fenya, frightened to death; "she's gone to Mokroe, to her officer."

"What officer?" roared Mitya.

"To her officer, the same one she used to know, the one who threw her over five years ago," cackled Fenya, as fast as she could speak.

Mitya withdrew the hands with which he was squeezing her throat. He stood facing her, pale as death, unable to utter a word, but his eyes showed that he realized it all, all, from the first word, and guessed the whole position. Poor Fenya was not in a condition at that moment to observe whether he understood or not. She remained sitting on the trunk as she had been when he ran into the room, trembling all over, holding her hands out before her as though trying to defend herself. She seemed to have grown rigid in that position. Her wide-opened, scared eyes were fixed immovably upon him. And to make matters worse, both his hands were smeared with blood. On the way, as he ran, he must have touched his forehead with them, wiping off the perspiration, so that on his forehead and his right cheek were blood-stained patches. Fenya was on the verge of hysterics. The old cook had jumped up and was staring at him like a mad woman, almost unconscious with terror.

Mitya stood for a moment, then mechanically sank on to a chair next to Fenya. He sat, not reflecting but, as it were, terror-stricken, benumbed. Yet everything was clear as day: that officer, he knew about him, he knew everything perfectly, he had known it from Grushenka herself, had known that a letter had come from him a month before. So that for a month, for a whole month, this had been going on, a secret from him, till the very arrival of this new man, and he had never thought of him! But how could he, how could he not have thought of him? Why was it he had forgotten this officer, like that, forgotten him as soon as he heard of him? That was the question that faced him like some monstrous thing. And he looked at this monstrous thing with horror, growing cold with horror.

But suddenly, as gently and mildly as a gentle and affectionate child, he began speaking to Fenya as though he had utterly forgotten how he had scared and hurt her just now. He fell to questioning Fenya with an extreme preciseness, astonishing in his position, and though the girl looked wildly at his blood-stained hands, she, too, with wonderful readiness and rapidity, answered every question as though eager to put the whole truth and nothing but the truth before him. Little by little, even with a sort of enjoyment, she began explaining every detail, not wanting to torment him, but, as it were, eager to be of the utmost service to him. She described the whole of that day, in great detail, the visit of Rakitin and Alyosha, how she, Fenya, had stood on the watch, how the mistress had set off, and how she had called out of the window to Alyosha to give him, Mitya, her greetings, and to tell him "to remember for ever how she had loved him for an hour."

Hearing of the message, Mitya suddenly smiled, and there was a flush of color on his pale cheeks. At the same moment Fenya said to him, not a bit afraid now to be inquisitive:

"Look at your hands, Dmitri Fyodorovitch. They're all over blood!"

"Yes," answered Mitya mechanically. He looked carelessly at his hands and at once forgot them and Fenya's question.

He sank into silence again. Twenty minutes had passed since he had run in. His first horror was over, but evidently some new fixed determination had taken possession of him. He suddenly stood up, smiling dreamily.

"What has happened to you, sir?" said Fenya, pointing to his hands again. She spoke compassionately, as though she felt very near to him now in his grief. Mitya looked at his hands again.

"That's blood, Fenya," he said, looking at her with a strange expression. "That's human blood, and my God! why was it shed? But ... Fenya ... there's a fence here" (he looked at her as though setting her a riddle), "a high fence, and terrible to look at. But at dawn to-morrow, when the sun rises, Mitya will leap over that fence.... You don't understand what fence, Fenya, and, never mind.... You'll hear to-morrow and understand ... and now, good-by. I won't stand in her way. I'll step aside, I know how to step aside. Live, my joy.... You loved me for an hour, remember Mityenka Karamazov so for ever.... She always used to call me Mityenka, do you remember?"

And with those words he went suddenly out of the kitchen. Fenya was almost more frightened at this sudden departure than she had been when he ran in and attacked her.

Just ten minutes later Dmitri went in to Pyotr Ilyitch Perhotin, the young official with whom he had pawned his pistols. It was by now half-past eight, and Pyotr Ilyitch had finished his evening tea, and had just put his coat on again to go to the "Metropolis" to play billiards. Mitya caught him coming out.

Seeing him with his face all smeared with blood, the young man uttered a cry of surprise.

"Good heavens! What is the matter?"

"I've come for my pistols," said Mitya, "and brought you the money. And thanks very much. I'm in a hurry, Pyotr Ilyitch, please make haste."

Pyotr Ilyitch grew more and more surprised; he suddenly caught sight of a bundle of bank-notes in Mitya's hand, and what was more, he had walked in holding the notes as no one walks in and no one carries money: he had them in his right hand, and held them outstretched as if to show them. Perhotin's servant-boy, who met Mitya in the passage, said afterwards that he walked into the passage in the same way, with the money outstretched in his hand, so he must have been carrying them like that even in the streets. They were all rainbow-colored hundred-rouble notes, and the fingers holding them were covered with blood.

When Pyotr Ilyitch was questioned later on as to the sum of money, he said that it was difficult to judge at a glance, but that it might have been two thousand, or perhaps three, but it was a big, "fat" bundle. "Dmitri Fyodorovitch," so he testified afterwards, "seemed unlike himself, too; not drunk, but, as it were, exalted, lost to everything, but at the same time, as it were, absorbed, as though pondering and searching for something and unable to come to a decision. He was in great haste, answered abruptly and very strangely, and at moments seemed not at all dejected but quite cheerful."

"But what is the matter with you? What's wrong?" cried Pyotr Ilyitch, looking wildly at his guest. "How is it that you're all covered with blood? Have you had a fall? Look at yourself!"

He took him by the elbow and led him to the glass.

Seeing his blood-stained face, Mitya started and scowled wrathfully.

"Damnation! That's the last straw," he muttered angrily, hurriedly changing the notes from his right hand to the left, and impulsively jerked the handkerchief out of his pocket. But the handkerchief turned out to be soaked with blood, too (it was the handkerchief he had used to wipe Grigory's face). There was scarcely a white spot on it, and it had not merely begun to dry, but had stiffened into a crumpled ball and could not be pulled apart. Mitya threw it angrily on the floor.

"Oh, damn it!" he said. "Haven't you a rag of some sort ... to wipe my face?"

"So you're only stained, not wounded? You'd better wash," said Pyotr Ilyitch. "Here's a wash-stand. I'll pour you out some water."

"A wash-stand? That's all right ... but where am I to put this?"

With the strangest perplexity he indicated his bundle of hundred-rouble notes, looking inquiringly at Pyotr Ilyitch as though it were for him to decide what he, Mitya, was to do with his own money.

"In your pocket, or on the table here. They won't be lost."

"In my pocket? Yes, in my pocket. All right.... But, I say, that's all nonsense," he cried, as though suddenly coming out of his absorption. "Look here, let's first settle that business of the pistols. Give them back to me. Here's your money ... because I am in great need of them ... and I haven't a minute, a minute to spare."

And taking the topmost note from the bundle he held it out to Pyotr Ilyitch.

"But I shan't have change enough. Haven't you less?"

"No," said Mitya, looking again at the bundle, and as though not trusting his own words he turned over two or three of the topmost ones.

"No, they're all alike," he added, and again he looked inquiringly at Pyotr Ilyitch.

"How have you grown so rich?" the latter asked. "Wait, I'll send my boy to Plotnikov's, they close late—to see if they won't change it. Here, Misha!" he called into the passage.

"To Plotnikov's shop—first-rate!" cried Mitya, as though struck by an idea. "Misha," he turned to the boy as he came in, "look here, run to Plotnikov's and tell them that Dmitri Fyodorovitch sends his greetings, and will be there directly.... But listen, listen, tell them to have champagne, three dozen bottles, ready before I come, and packed as it was to take to Mokroe. I took four dozen with me then," he added (suddenly addressing Pyotr Ilyitch); "they know all about it, don't you trouble, Misha," he turned again to the boy. "Stay, listen; tell them to put in cheese, Strasburg pies, smoked fish, ham, caviare, and everything, everything they've got, up to a hundred roubles, or a hundred and twenty as before.... But wait: don't let them forget dessert, sweets, pears, water-melons, two or three or four—no, one melon's enough, and chocolate, candy, toffee, fondants; in fact, everything I took to Mokroe before, three hundred roubles' worth with the champagne ... let it be just the same again. And remember, Misha, if you are called Misha—His name is Misha, isn't it?" He turned to Pyotr Ilyitch again.

"Wait a minute," Protr Ilyitch intervened, listening and watching him uneasily, "you'd better go yourself and tell them. He'll muddle it."

"He will, I see he will! Eh, Misha! Why, I was going to kiss you for the commission.... If you don't make a mistake, there's ten roubles for you, run along, make haste.... Champagne's the chief thing, let them bring up champagne. And brandy, too, and red and white wine, and all I had then.... They know what I had then."

"But listen!" Pyotr Ilyitch interrupted with some impatience. "I say, let him simply run and change the money and tell them not to close, and you go and tell them.... Give him your note. Be off, Misha! Put your best leg forward!"

Pyotr Ilyitch seemed to hurry Misha off on purpose, because the boy remained standing with his mouth and eyes wide open, apparently understanding little of Mitya's orders, gazing up with amazement and terror at his blood-stained face and the trembling bloodstained fingers that held the notes.

"Well, now come and wash," said Pyotr Ilyitch sternly. "Put the money on the table or else in your pocket.... That's right, come along. But take off your coat."

And beginning to help him off with his coat, he cried out again:

"Look, your coat's covered with blood, too!"

"That ... it's not the coat. It's only a little here on the sleeve.... And that's only here where the handkerchief lay. It must have soaked through. I must have sat on the handkerchief at Fenya's, and the blood's come through," Mitya explained at once with a childlike unconsciousness that was astounding. Pyotr Ilyitch listened, frowning.

"Well, you must have been up to something; you must have been fighting with some one," he muttered.

They began to wash. Pyotr Ilyitch held the jug and poured out the water. Mitya, in desperate haste, scarcely soaped his hands (they were trembling, and Pyotr Ilyitch remembered it afterwards). But the young official insisted on his soaping them thoroughly and rubbing them more. He seemed to exercise more and more sway over Mitya, as time went on. It may be noted in passing that he was a young man of sturdy character.

"Look, you haven't got your nails clean. Now rub your face; here, on your temples, by your ear.... Will you go in that shirt? Where are you going? Look, all the cuff of your right sleeve is covered with blood."

"Yes, it's all bloody," observed Mitya, looking at the cuff of his shirt.

"Then change your shirt."

"I haven't time. You see I'll ..." Mitya went on with the same confiding ingenuousness, drying his face and hands on the towel, and putting on his coat. "I'll turn it up at the wrist. It won't be seen under the coat.... You see!"

"Tell me now, what game have you been up to? Have you been fighting with some one? In the tavern again, as before? Have you been beating that captain again?" Pyotr Ilyitch asked him reproachfully. "Whom have you been beating now ... or killing, perhaps?"

"Nonsense!" said Mitya.

"Why 'nonsense'?"

"Don't worry," said Mitya, and he suddenly laughed. "I smashed an old woman in the market-place just now."

"Smashed? An old woman?"

"An old man!" cried Mitya, looking Pyotr Ilyitch straight in the face, laughing, and shouting at him as though he were deaf.

"Confound it! An old woman, an old man.... Have you killed some one?"

"We made it up. We had a row—and made it up. In a place I know of. We parted friends. A fool.... He's forgiven me.... He's sure to have forgiven me by now ... if he had got up, he wouldn't have forgiven me"—Mitya suddenly winked—"only damn him, you know, I say, Pyotr Ilyitch, damn him! Don't worry about him! I don't want to just now!" Mitya snapped out, resolutely.

"Whatever do you want to go picking quarrels with every one for? ... Just as you did with that captain over some nonsense.... You've been fighting and now you're rushing off on the spree—that's you all over! Three dozen champagne—what do you want all that for?"

"Bravo! Now give me the pistols. Upon my honor I've no time now. I should like to have a chat with you, my dear boy, but I haven't the time. And there's no need, it's too late for talking. Where's my money? Where have I put it?" he cried, thrusting his hands into his pockets.

"You put it on the table ... yourself.... Here it is. Had you forgotten? Money's like dirt or water to you, it seems. Here are your pistols. It's an odd thing, at six o'clock you pledged them for ten roubles, and now you've got thousands. Two or three I should say."

"Three, you bet," laughed Mitya, stuffing the notes into the side-pocket of his trousers.

"You'll lose it like that. Have you found a gold-mine?"

"The mines? The gold-mines?" Mitya shouted at the top of his voice and went off into a roar of laughter. "Would you like to go to the mines, Perhotin? There's a lady here who'll stump up three thousand for you, if only you'll go. She did it for me, she's so awfully fond of gold-mines. Do you know Madame Hohlakov?"

"I don't know her, but I've heard of her and seen her. Did she really give you three thousand? Did she really?" said Pyotr Ilyitch, eyeing him dubiously.

"As soon as the sun rises to-morrow, as soon as Phœbus, ever young, flies upwards, praising and glorifying God, you go to her, this Madame Hohlakov, and ask her whether she did stump up that three thousand or not. Try and find out."

"I don't know on what terms you are ... since you say it so positively, I suppose she did give it to you. You've got the money in your hand, but instead of going to Siberia you're spending it all.... Where are you really off to now, eh?"

"To Mokroe."

"To Mokroe? But it's night!"

"Once the lad had all, now the lad has naught," cried Mitya suddenly.

"How 'naught'? You say that with all those thousands!"

"I'm not talking about thousands. Damn thousands! I'm talking of the female character.

Fickle is the heart of woman Treacherous and full of vice;

I agree with Ulysses. That's what he says."

"I don't understand you!"

"Am I drunk?"

"Not drunk, but worse."

"I'm drunk in spirit, Pyotr Ilyitch, drunk in spirit! But that's enough!"

"What are you doing, loading the

Chosen response:
pistol?"

"I'm loading the pistol."

Unfastening the pistol-case, Mitya actually opened the powder horn, and carefully sprinkled and rammed in the charge. Then he took the bullet and, before inserting it, held it in two fingers in front of the candle.

"Why are you looking at the bullet?" asked Pyotr Ilyitch, watching him with uneasy curiosity.

"Oh, a fancy. Why, if you meant to put that bullet in your brain, would you look at it or not?"

"Why look at it?"

"It's going into my brain, so it's interesting to look and see what it's like. But that's foolishness, a moment's foolishness. Now that's done," he added, putting in the bullet and driving it home with the ramrod. "Pyotr Ilyitch, my dear fellow, that's nonsense, all nonsense, and if only you knew what nonsense!

Rejected response: Thanks for sharing this passage! It appears to be from a work of fiction. What would you like me to do with it?


Prompt:
At half-past twelve next day Lord Henry Wotton strolled from Curzon Street over to the Albany to call on his uncle, Lord Fermor, a genial if somewhat rough-mannered old bachelor, whom the outside world called selfish because it derived no particular benefit from him, but who was considered generous by Society as he fed the people who amused him. His father had been our ambassador at Madrid when Isabella was young and Prim unthought of, but had retired from the diplomatic service in a capricious moment of annoyance on not being offered the Embassy at Paris, a post to which he considered that he was fully entitled by reason of his birth, his indolence, the good English of his dispatches, and his inordinate passion for pleasure. The son, who had been his father's secretary, had resigned along with his chief, somewhat foolishly as was thought at the time, and on succeeding some months later to the title, had set himself to the serious study of the great aristocratic art of doing absolutely nothing. He had two large town houses, but preferred to live in chambers as it was less trouble, and took most of his meals at his club. He paid some attention to the management of his collieries in the Midland counties, excusing himself for this taint of industry on the ground that the one advantage of having coal was that it enabled a gentleman to afford the decency of burning wood on his own hearth. In politics he was a Tory, except when the Tories were in office, during which period he roundly abused them for being a pack of Radicals. He was a hero to his valet, who bullied him, and a terror to most of his relations, whom he bullied in turn. Only England could have produced him, and he always said that the country was going to the dogs. His principles were out of date, but there was a good deal to be said for his prejudices.

When Lord Henry entered the room, he found his uncle sitting in a rough shooting-coat, smoking a cheroot and grumbling over The Times. "Well, Harry," said the old gentleman, "what brings you out so early? I thought you dandies never got up till two, and were not visible till five."

"Pure family affection, I assure you, Uncle George. I want to get something out of you."

"Money, I suppose," said Lord Fermor, making a wry face. "Well, sit down and tell me all about it. Young people, nowadays, imagine that money is everything."

"Yes," murmured Lord Henry, settling his button-hole in his coat; "and when they grow older they know it. But I don't want money. It is only people who pay their bills who want that, Uncle George, and I never pay mine. Credit is the capital of a younger son, and one lives charmingly upon it. Besides, I always deal with Dartmoor's tradesmen, and consequently they never bother me. What I want is information: not useful information, of course; useless information."

"Well, I can tell you anything that is in an English Blue Book, Harry, although those fellows nowadays write a lot of nonsense. When I was in the Diplomatic, things were much better. But I hear they let them in now by examination. What can you expect? Examinations, sir, are pure humbug from beginning to end. If a man is a gentleman, he knows quite enough, and if he is not a gentleman, whatever he knows is bad for him."

"Mr. Dorian Gray does not belong to Blue Books, Uncle George," said Lord Henry languidly.

"Mr. Dorian Gray? Who is he?" asked Lord Fermor, knitting his bushy white eyebrows.

"That is what I have come to learn, Uncle George. Or rather, I know who he is. He is the last Lord Kelso's grandson. His mother was a Devereux, Lady Margaret Devereux. I want you to tell me about his mother. What was she like? Whom did she marry? You have known nearly everybody in your time, so you might have known her. I am very much interested in Mr. Gray at present. I have only just met him."

"Kelso's grandson!" echoed the old gentleman. "Kelso's grandson! ... Of course.... I knew his mother intimately. I believe I was at her christening. She was an extraordinarily beautiful girl, Margaret Devereux, and made all the men frantic by running away with a penniless young fellow—a mere nobody, sir, a subaltern in a foot regiment, or something of that kind. Certainly. I remember the whole thing as if it happened yesterday. The poor chap was killed in a duel at Spa a few months after the marriage. There was an ugly story about it. They said Kelso got some rascally adventurer, some Belgian brute, to insult his son-in-law in public—paid him, sir, to do it, paid him—and that the fellow spitted his man as if he had been a pigeon. The thing was hushed up, but, egad, Kelso ate his chop alone at the club for some time afterwards. He brought his daughter back with him, I was told, and she never spoke to him again. Oh, yes; it was a bad business. The girl died, too, died within a year. So she left a son, did she? I had forgotten that. What sort of boy is he? If he is like his mother, he must be a good-looking chap."

"He is very good-looking," assented Lord Henry.

"I hope he will fall into proper hands," continued the old man. "He should have a pot of money waiting for him if Kelso did the right thing by him. His mother had money, too. All the Selby property came to her, through her grandfather. Her grandfather hated Kelso, thought him a mean dog. He was, too. Came to Madrid once when I was there. Egad, I was ashamed of him. The Queen used to ask me about the English noble who was always quarrelling with the cabmen about their fares. They made quite a story of it. I didn't dare show my face at Court for a month. I hope he treated his grandson better than he did the jarvies."

"I don't know," answered Lord Henry. "I fancy that the boy will be well off. He is not of age yet. He has Selby, I know. He told me so. And ... his mother was very beautiful?"

"Margaret Devereux was one of the loveliest creatures I ever saw, Harry. What on earth induced her to behave as she did, I never could understand. She could have married anybody she chose. Carlington was mad after her. She was romantic, though. All the women of that family were. The men were a poor lot, but, egad! the women were wonderful. Carlington went on his knees to her. Told me so himself. She laughed at him, and there wasn't a girl in London at the time who wasn't after him. And by the way, Harry, talking about silly marriages, what is this humbug your father tells me about Dartmoor wanting to marry an American? Ain't English girls good enough for him?"

"It is rather fashionable to marry Americans just now, Uncle George."

"I'll back English women against the world, Harry," said Lord Fermor, striking the table with his fist.

"The betting is on the Americans."

"They don't last, I am told," muttered his uncle.

"A long engagement exhausts them, but they are capital at a steeplechase. They take things flying. I don't think Dartmoor has a chance."

"Who are her people?" grumbled the old gentleman. "Has she got any?"

Lord Henry shook his head. "American girls are as clever at concealing their parents, as English women are at concealing their past," he said, rising to go.

"They are pork-packers, I suppose?"

"I hope so, Uncle George, for Dartmoor's sake. I am told that pork-packing is the most lucrative profession in America, after politics."

"Is she pretty?"

"She behaves as if she was beautiful. Most American women do. It is the secret of their charm."

"Why can't these American women stay in their own country? They are always telling us that it is the paradise for women."

"It is. That is the reason why, like Eve, they are so excessively anxious to get out of it," said Lord Henry. "Good-bye, Uncle George. I shall be late for lunch, if I stop any longer. Thanks for giving me the information I wanted. I always like to know everything about my new friends, and nothing about my old ones."

"Where are you lunching, Harry?"

"At Aunt Agatha's. I have asked myself and Mr. Gray. He is her latest protégé."

"Humph! tell your Aunt Agatha, Harry, not to bother me any more with her charity appeals. I am sick of them. Why, the good woman thinks that I have nothing to do but to write cheques for her silly fads."

"All right, Uncle George, I'll tell her, but it won't have any effect. Philanthropic people lose all sense of humanity. It is their distinguishing characteristic."

The old gentleman growled approvingly and rang the bell for his servant. Lord Henry passed up the low arcade into Burlington Street and turned his steps in the direction of Berkeley Square.

So that was the story of Dorian Gray's parentage. Crudely as it had been told to him, it had yet stirred him by its suggestion of a strange, almost modern romance. A beautiful woman risking everything for a mad passion. A few wild weeks of happiness cut short by a hideous, treacherous crime. Months of voiceless agony, and then a child born in pain. The mother snatched away by death, the boy left to solitude and the tyranny of an old and loveless man. Yes; it was an interesting background. It posed the lad, made him more perfect, as it were. Behind every exquisite thing that existed, there was something tragic. Worlds had to be in travail, that the meanest flower might blow.... And how charming he had been at dinner the night before, as with startled eyes and lips parted in frightened pleasure he had sat opposite to him at the club, the red candleshades staining to a richer rose the wakening wonder of his face. Talking to him was like playing upon an exquisite violin. He answered to every touch and thrill of the bow.... There was something terribly enthralling in the exercise of influence. No other activity was like it. To project one's soul into some gracious form, and let it tarry there for a moment; to hear one's own intellectual views echoed back to one with all the added music of passion and youth; to convey one's temperament into another as though it were a subtle fluid or a strange perfume: there was a real joy in that—perhaps the most satisfying joy left to us in an age so limited and vulgar as our own, an age grossly carnal in its pleasures, and grossly common in its aims.... He was a marvellous type, too, this lad, whom by so curious a chance he had met in Basil's studio, or could be fashioned into a marvellous type, at any rate. Grace was his, and the white purity of boyhood, and beauty such as old Greek marbles kept for us. There was nothing that one could not do with him. He could be made a Titan or a toy. What a pity it was that such beauty was destined to fade! ... And Basil? From a psychological point of view, how interesting he was! The new manner in art, the fresh mode of looking at life, suggested

Chosen response: so strangely by the merely visible presence of one who was unconscious of it all; the silent spirit that dwelt in dim woodland, and walked unseen in open field, suddenly showing herself, Dryadlike and not afraid, because in his soul who sought for her there had been wakened that wonderful vision to which alone are wonderful things revealed; the mere shapes and patterns of things becoming, as it were, refined, and gaining a kind of symbolical value, as though they were themselves patterns of some other and more perfect form whose shadow they made real: how strange it all was! He remembered something like it in history. Was it not Plato, that artist in thought, who had first analyzed it?

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.


Prompt:
Du Erde warst auch diese Nacht beständig, Und athmest neu erquickt zu meinen Füssen, Beginnest schon mit Lust mich zu umgeben, Du regst und rührst ein kräftiges Beschliessen Zum höchsten Dasein immerfort zu streben. —Faust: 2r Theil.

When Dorothea was again at Lydgate's door speaking to Martha, he was in the room close by with the door ajar, preparing to go out. He heard her voice, and immediately came to her.

"Do you think that Mrs. Lydgate can receive me this morning?" she said, having reflected that it would be better to leave out all allusion to her previous visit.

"I have no doubt she will," said Lydgate, suppressing his thought about Dorothea's looks, which were as much changed as Rosamond's, "if you will be kind enough to come in and let me tell her that you are here. She has not been very well since you were here yesterday, but she is better this morning, and I think it is very likely that she will be cheered by seeing you again."

It was plain that Lydgate, as Dorothea had expected, knew nothing about the circumstances of her yesterday's visit; nay, he appeared to imagine that she had carried it out according to her intention. She had prepared a little note asking Rosamond to see her, which she would have given to the servant if he had not been in the way, but now she was in much anxiety as to the result of his announcement.

After leading her into the drawing-room, he paused to take a letter from his pocket and put it into her hands, saying, "I wrote this last night, and was going to carry it to Lowick in my ride. When one is grateful for something too good for common thanks, writing is less unsatisfactory than speech—one does not at least hear how inadequate the words are."

Dorothea's face brightened. "It is I who have most to thank for, since you have let me take that place. You have consented?" she said, suddenly doubting.

"Yes, the check is going to Bulstrode to-day."

He said no more, but went up-stairs to Rosamond, who had but lately finished dressing herself, and sat languidly wondering what she should do next, her habitual industry in small things, even in the days of her sadness, prompting her to begin some kind of occupation, which she dragged through slowly or paused in from lack of interest. She looked ill, but had recovered her usual quietude of manner, and Lydgate had feared to disturb her by any questions. He had told her of Dorothea's letter containing the check, and afterwards he had said, "Ladislaw is come, Rosy; he sat with me last night; I dare say he will be here again to-day. I thought he looked rather battered and depressed." And Rosamond had made no reply.

Now, when he came up, he said to her very gently, "Rosy, dear, Mrs. Casaubon is come to see you again; you would like to see her, would you not?" That she colored and gave rather a startled movement did not surprise him after the agitation produced by the interview yesterday—a beneficent agitation, he thought, since it seemed to have made her turn to him again.

Rosamond dared not say no. She dared not with a tone of her voice touch the facts of yesterday. Why had Mrs. Casaubon come again? The answer was a blank which Rosamond could only fill up with dread, for Will Ladislaw's lacerating words had made every thought of Dorothea a fresh smart to her. Nevertheless, in her new humiliating uncertainty she dared do nothing but comply. She did not say yes, but she rose and let Lydgate put a light shawl over her shoulders, while he said, "I am going out immediately." Then something crossed her mind which prompted her to say, "Pray tell Martha not to bring any one else into the drawing-room." And Lydgate assented, thinking that he fully understood this wish. He led her down to the drawing-room door, and then turned away, observing to himself that he was rather a blundering husband to be dependent for his wife's trust in him on the influence of another woman.

Rosamond, wrapping her soft shawl around her as she walked towards Dorothea, was inwardly wrapping her soul in cold reserve. Had Mrs. Casaubon come to say anything to her about Will? If so, it was a liberty that Rosamond resented; and she prepared herself to meet every word with polite impassibility. Will had bruised her pride too sorely for her to feel any compunction towards him and Dorothea: her own injury seemed much the greater. Dorothea was not only the "preferred" woman, but had also a formidable advantage in being Lydgate's benefactor; and to poor Rosamond's pained confused vision it seemed that this Mrs. Casaubon—this woman who predominated in all things concerning her—must have come now with the sense of having the advantage, and with animosity prompting her to use it. Indeed, not Rosamond only, but any one else, knowing the outer facts of the case, and not the simple inspiration on which Dorothea acted, might well have wondered why she came.

Looking like the lovely ghost of herself, her graceful slimness wrapped in her soft white shawl, the rounded infantine mouth and cheek inevitably suggesting mildness and innocence, Rosamond paused at three yards' distance from her visitor and bowed. But Dorothea, who had taken off her gloves, from an impulse which she could never resist when she wanted a sense of freedom, came forward, and with her face full of a sad yet sweet openness, put out her hand. Rosamond could not avoid meeting her glance, could not avoid putting her small hand into Dorothea's, which clasped it with gentle motherliness; and immediately a doubt of her own prepossessions began to stir within her. Rosamond's eye was quick for faces; she saw that Mrs. Casaubon's face looked pale and changed since yesterday, yet gentle, and like the firm softness of her hand. But Dorothea had counted a little too much on her own strength: the clearness and intensity of her mental action this morning were the continuance of a nervous exaltation which made her frame as dangerously responsive as a bit of finest Venetian crystal; and in looking at Rosamond, she suddenly found her heart swelling, and was unable to speak—all her effort was required to keep back tears. She succeeded in that, and the emotion only passed over her face like the spirit of a sob; but it added to Rosamond's impression that Mrs. Casaubon's state of mind must be something quite different from what she had imagined.

So they sat down without a word of preface on the two chairs that happened to be nearest, and happened also to be close together; though Rosamond's notion when she first bowed was that she should stay a long way off from Mrs. Casaubon. But she ceased thinking how anything would turn out—merely wondering what would come. And Dorothea began to speak quite simply, gathering firmness as she went on.

"I had an errand yesterday which I did not finish; that is why I am here again so soon. You will not think me too troublesome when I tell you that I came to talk to you about the injustice that has been shown towards Mr. Lydgate. It will cheer you—will it not?—to know a great deal about him, that he may not like to speak about himself just because it is in his own vindication and to his own honor. You will like to know that your husband has warm friends, who have not left off believing in his high character? You will let me speak of this without thinking that I take a liberty?"

The cordial, pleading tones which seemed to flow with generous heedlessness above all the facts which had filled Rosamond's mind as grounds of obstruction and hatred between her and this woman, came as soothingly as a warm stream over her shrinking fears. Of course Mrs. Casaubon had the facts in her mind, but she was not going to speak of anything connected with them. That relief was too great for Rosamond to feel much else at the moment. She answered prettily, in the new ease of her soul—

"I know you have been very good. I shall like to hear anything you will say to me about Tertius."

"The day before yesterday," said Dorothea, "when I had asked him to come to Lowick to give me his opinion on the affairs of the Hospital, he told me everything about his conduct and feelings in this sad event which has made ignorant people cast suspicions on him. The reason he told me was because I was very bold and asked him. I believed that he had never acted dishonorably, and I begged him to tell me the history. He confessed to me that he had never told it before, not even to you, because he had a great dislike to say, 'I was not wrong,' as if that were proof, when there are guilty people who will say so. The truth is, he knew nothing of this man Raffles, or that there were any bad secrets about him; and he thought that Mr. Bulstrode offered him the money because he repented, out of kindness, of having refused it before. All his anxiety about his patient was to treat him rightly, and he was a little uncomfortable that the case did not end as he had expected; but he thought then and still thinks that there may have been no wrong in it on any one's part. And I have told Mr. Farebrother, and Mr. Brooke, and Sir James Chettam: they all believe in your husband. That will cheer you, will it not? That will give you courage?"

Dorothea's face had become animated, and as it beamed on Rosamond very close to her, she felt something like bashful timidity before a superior, in the presence of this self-forgetful ardor. She said, with blushing embarrassment, "Thank you: you are very kind."

"And he felt that he had been so wrong not to pour out everything about this to you. But you will forgive him. It was because he feels so much more about your happiness than anything else—he feels his life bound into one with yours, and it hurts him more than anything, that his misfortunes must hurt you. He could speak to me because I am an indifferent person. And then I asked him if I might come to see you; because I felt so much for his trouble and yours. That is why I came yesterday, and why I am come to-day. Trouble is so hard to bear, is it not?— How can we live and think that any one has trouble—piercing trouble—and we could help them, and never try?"

Dorothea, completely swayed by the feeling that she was uttering, forgot everything but that she was speaking from out the heart of her own trial to Rosamond's. The emotion had wrought itself more and more into her utterance, till the tones might have gone to one's very marrow, like a low cry from some suffering creature in the darkness. And she had unconsciously laid her hand again on the little hand that she had pressed before.

Rosamond, with an overmastering pang, as if a wound within her had been probed, burst into hysterical crying as she had done the day before when she clung to her husband. Poor Dorothea was feeling a great wave of her own sorrow returning over her—her thought being drawn to the possible share that Will Ladislaw might have in Rosamond's mental tumult. She was beginning to fear that she should not be able to suppress herself enough to the end of this meeting, and while her hand was still resting on Rosamond's lap, though the hand underneath it was withdrawn, she was struggling against her own rising sobs. She tried to master herself with the thought that this might be a turning-point in three lives—not in her own; no, there the irrevocable had happened, but—in those three lives which were touching hers with the solemn neighborhood of danger and distress. The fragile creature who was crying close to her—there might still be time to rescue her from the misery of false incompatible bonds; and this moment was unlike any other: she and Rosamond could never be together again with the same thrilling consciousness of yesterday within them both. She felt the relation between them to be peculiar enough to give her a peculiar influence, though she had no conception that the way in which her own feelings were involved was fully known to Mrs. Lydgate.

It was a newer crisis in Rosamond's experience than even Dorothea could imagine: she was under the first great shock that had shattered her dream-world in which she had been easily confident of herself and critical of others; and this strange unexpected manifestation of feeling in a woman whom she had approached with a shrinking aversion and dread, as one who must necessarily have a jealous hatred towards her, made her soul totter all the more with a sense that she had been walking in an unknown world which had just broken in upon her.

When Rosamond's convulsed throat was subsiding into calm, and she withdrew the handkerchief with which she had been hiding her face, her eyes met Dorothea's as helplessly as if they had been blue flowers. What was the use of thinking about behavior after this crying? And Dorothea looked almost as childish, with the neglected trace of a silent tear. Pride was broken down between these two.

"We were talking about your husband," Dorothea said, with some timidity.

Chosen response:
"I thought his looks were sadly changed with suffering the other day. I had not seen him for many weeks before. He said he had been feeling very lonely in his trial; but I think he would have borne it all better if he had been able to be quite open with you."

"Tertius is so angry and impatient if I say anything," said Rosamond, imagining that he had been complaining of her to Dorothea. "He ought not to wonder that I object to speak to him on painful subjects."

"It was himself he blamed for not speaking," said Dorothea. "What he said of you was, that he could not be happy in doing anything which made you unhappy—that his marriage was of course a bond which must affect his choice about everything; and for that reason he refused my proposal that he should keep his position at the Hospital, because that would bind him to stay in Middlemarch, and he would not undertake to do anything which would be painful to you.

Rejected response: Thanks for sharing this passage! It appears to be from a work of fiction. What would you like me to do with it?


Prompt:
A strange period began for Raskolnikov: it was as though a fog had fallen upon him and wrapped him in a dreary solitude from which there was no escape. Recalling that period long after, he believed that his mind had been clouded at times, and that it had continued so, with intervals, till the final catastrophe. He was convinced that he had been mistaken about many things at that time, for instance as to the date of certain events. Anyway, when he tried later on to piece his recollections together, he learnt a great deal about himself from what other people told him. He had mixed up incidents and had explained events as due to circumstances which existed only in his imagination. At times he was a prey to agonies of morbid uneasiness, amounting sometimes to panic. But he remembered, too, moments, hours, perhaps whole days, of complete apathy, which came upon him as a reaction from his previous terror and might be compared with the abnormal insensibility, sometimes seen in the dying. He seemed to be trying in that latter stage to escape from a full and clear understanding of his position. Certain essential facts which required immediate consideration were particularly irksome to him. How glad he would have been to be free from some cares, the neglect of which would have threatened him with complete, inevitable ruin.

He was particularly worried about Svidrigaïlov, he might be said to be permanently thinking of Svidrigaïlov. From the time of Svidrigaïlov's too menacing and unmistakable words in Sonia's room at the moment of Katerina Ivanovna's death, the normal working of his mind seemed to break down. But although this new fact caused him extreme uneasiness, Raskolnikov was in no hurry for an explanation of it. At times, finding himself in a solitary and remote part of the town, in some wretched eating-house, sitting alone lost in thought, hardly knowing how he had come there, he suddenly thought of Svidrigaïlov. He recognised suddenly, clearly, and with dismay that he ought at once to come to an understanding with that man and to make what terms he could. Walking outside the city gates one day, he positively fancied that they had fixed a meeting there, that he was waiting for Svidrigaïlov. Another time he woke up before daybreak lying on the ground under some bushes and could not at first understand how he had come there.

But during the two or three days after Katerina Ivanovna's death, he had two or three times met Svidrigaïlov at Sonia's lodging, where he had gone aimlessly for a moment. They exchanged a few words and made no reference to the vital subject, as though they were tacitly agreed not to speak of it for a time.

Katerina Ivanovna's body was still lying in the coffin, Svidrigaïlov was busy making arrangements for the funeral. Sonia too was very busy. At their last meeting Svidrigaïlov informed Raskolnikov that he had made an arrangement, and a very satisfactory one, for Katerina Ivanovna's children; that he had, through certain connections, succeeded in getting hold of certain personages by whose help the three orphans could be at once placed in very suitable institutions; that the money he had settled on them had been of great assistance, as it is much easier to place orphans with some property than destitute ones. He said something too about Sonia and promised to come himself in a day or two to see Raskolnikov, mentioning that "he would like to consult with him, that there were things they must talk over...."

This conversation took place in the passage on the stairs. Svidrigaïlov looked intently at Raskolnikov and suddenly, after a brief pause, dropping his voice, asked: "But how is it, Rodion Romanovitch; you don't seem yourself? You look and you listen, but you don't seem to understand. Cheer up! We'll talk things over; I am only sorry, I've so much to do of my own business and other people's. Ah, Rodion Romanovitch," he added suddenly, "what all men need is fresh air, fresh air... more than anything!"

He moved to one side to make way for the priest and server, who were coming up the stairs. They had come for the requiem service. By Svidrigaïlov's orders it was sung twice a day punctually. Svidrigaïlov went his way. Raskolnikov stood still a moment, thought, and followed the priest into Sonia's room. He stood at the door. They began quietly, slowly and mournfully singing the service. From his childhood the thought of death and the presence of death had something oppressive and mysteriously awful; and it was long since he had heard the requiem service. And there was something else here as well, too awful and disturbing. He looked at the children: they were all kneeling by the coffin; Polenka was weeping. Behind them Sonia prayed, softly and, as it were, timidly weeping.

"These last two days she hasn't said a word to me, she hasn't glanced at me," Raskolnikov thought suddenly. The sunlight was bright in the room; the incense rose in clouds; the priest read, "Give rest, oh Lord...." Raskolnikov stayed all through the service. As he blessed them and took his leave, the priest looked round strangely. After the service, Raskolnikov went up to Sonia. She took both his hands and let her head sink on his shoulder. This slight friendly gesture bewildered Raskolnikov. It seemed strange to him that there was no trace of repugnance, no trace of disgust, no tremor in her hand. It was the furthest limit of self-abnegation, at least so he interpreted it.

Sonia said nothing. Raskolnikov pressed her hand and went out. He felt very miserable. If it had been possible to escape to some solitude, he would have thought himself lucky, even if he had to spend his whole life there. But although he had almost always been by himself of late, he had never been able to feel alone. Sometimes he walked out of the town on to the high road, once he had even reached a little wood, but the lonelier the place was, the more he seemed to be aware of an uneasy presence near him. It did not frighten him, but greatly annoyed him, so that he made haste to return to the town, to mingle with the crowd, to enter restaurants and taverns, to walk in busy thoroughfares. There he felt easier and even more solitary. One day at dusk he sat for an hour listening to songs in a tavern and he remembered that he positively enjoyed it. But at last he had suddenly felt the same uneasiness again, as though his conscience smote him. "Here I sit listening to singing, is that what I ought to be doing?" he thought. Yet he felt at once that that was not the only cause of his uneasiness; there was something requiring immediate decision, but it was something he could not clearly understand or put into words. It was a hopeless tangle. "No, better the struggle again! Better Porfiry again... or Svidrigaïlov.... Better some challenge again... some attack. Yes, yes!" he thought. He went out of the tavern and rushed away almost at a run. The thought of Dounia and his mother suddenly reduced him almost to a panic. That night he woke up before morning among some bushes in Krestovsky Island, trembling all over with fever; he walked home, and it was early morning when he arrived. After some hours' sleep the fever left him, but he woke up late, two o'clock in the afternoon.

He remembered that Katerina Ivanovna's funeral had been fixed for that day, and was glad that he was not present at it. Nastasya brought him some food; he ate and drank with appetite, almost with greediness. His head was fresher and he was calmer than he had been for the last three days. He even felt a passing wonder at his previous attacks of panic.

The door opened and Razumihin came in.

"Ah, he's eating, then he's not ill," said Razumihin. He took a chair and sat down at the table opposite Raskolnikov.

He was troubled and did not attempt to conceal it. He spoke with evident annoyance, but without hurry or raising his voice. He looked as though he had some special fixed determination.

"Listen," he began resolutely. "As far as I am concerned, you may all go to hell, but from what I see, it's clear to me that I can't make head or tail of it; please don't think I've come to ask you questions. I don't want to know, hang it! If you begin telling me your secrets, I dare say I shouldn't stay to listen, I should go away cursing. I have only come to find out once for all whether it's a fact that you are mad? There is a conviction in the air that you are mad or very nearly so. I admit I've been disposed to that opinion myself, judging from your stupid, repulsive and quite inexplicable actions, and from your recent behavior to your mother and sister. Only a monster or a madman could treat them as you have; so you must be mad."

"When did you see them last?"

"Just now. Haven't you seen them since then? What have you been doing with yourself? Tell me, please. I've been to you three times already. Your mother has been seriously ill since yesterday. She had made up her mind to come to you; Avdotya Romanovna tried to prevent her; she wouldn't hear a word. 'If he is ill, if his mind is giving way, who can look after him like his mother?' she said. We all came here together, we couldn't let her come alone all the way. We kept begging her to be calm. We came in, you weren't here; she sat down, and stayed ten minutes, while we stood waiting in silence. She got up and said: 'If he's gone out, that is, if he is well, and has forgotten his mother, it's humiliating and unseemly for his mother to stand at his door begging for kindness.' She returned home and took to her bed; now she is in a fever. 'I see,' she said, 'that he has time for his girl.' She means by your girl Sofya Semyonovna, your betrothed or your mistress, I don't know. I went at once to Sofya Semyonovna's, for I wanted to know what was going on. I looked round, I saw the coffin, the children crying, and Sofya Semyonovna trying them on mourning dresses. No sign of you. I apologised, came away, and reported to Avdotya Romanovna. So that's all nonsense and you haven't got a girl; the most likely thing is that you are mad. But here you sit, guzzling boiled beef as though you'd not had a bite for three days. Though as far as that goes, madmen eat too, but though you have not said a word to me yet... you are not mad! That I'd swear! Above all, you are not mad! So you may go to hell, all of you, for there's some mystery, some secret about it, and I don't intend to worry my brains over your secrets. So I've simply come to swear at you," he finished, getting up, "to relieve my mind. And I know what to do now."

"What do you mean to do now?"

"What business is it of yours what I mean to do?"

"You are going in for a drinking bout."

"How... how did you know?"

"Why, it's pretty plain."

Razumihin paused for a minute.

"You always have been a very rational person and you've never been mad, never," he observed suddenly with warmth. "You're right: I shall drink. Good-bye!"

And he moved to go out.

"I was talking with my sister--the day before yesterday, I think it was--about you, Razumihin."

"About me! But... where can you have seen her the day before yesterday?" Razumihin stopped short and even turned a little pale.

One could see that his heart was throbbing slowly and violently.

"She came here by herself, sat there and talked to me."

"She did!"

"Yes."

"What did you say to her... I mean, about me?"

"I told her you were a very good, honest, and industrious man. I didn't tell her you love her, because she knows that herself."

"She knows that herself?"

"Well, it's pretty plain. Wherever I might go, whatever happened to me, you would remain to look after them. I, so to speak, give them into your keeping, Razumihin. I say this because I know quite well how you love her, and am convinced of the purity of your heart. I know that she too may love you and perhaps does love you already. Now decide for yourself, as you know best, whether you need go in for a drinking bout or not."

"Rodya! You see... well.... Ach, damn it! But where do you mean to go? Of course, if it's all a secret, never mind.... But I... I shall find out the secret... and I am sure that it must be some ridiculous nonsense and that you've made it all up. Anyway you are a capital fellow, a capital fellow!..."

"That was just what I wanted to add, only you interrupted, that that was a very good decision of yours not to find out these secrets. Leave it to time, don't worry about it. You'll know it all in time when it must be. Yesterday a man said to me that what a man needs is fresh air, fresh air, fresh air. I mean to go to him directly to find out what he meant by that."

Razumihin stood lost in thought and excitement, making a silent conclusion.

"He's a political conspirator! He must be. And he's on the eve of some desperate step, that's certain. It can only be that! And... and Dounia knows," he thought suddenly.

"So Avdotya Romanovna comes to see you," he said, weighing each syllable, "and you're going

Chosen response:
to see a man who says we need more air, and so of course that letter... that too must have something to do with it," he concluded to himself.

"What letter?"

"She got a letter to-day. It upset her very much--very much indeed. Too much so. I began speaking of you, she begged me not to. Then... then she said that perhaps we should very soon have to part... then she began warmly thanking me for something; then she went to her room and locked herself in."

"She got a letter?" Raskolnikov asked thoughtfully.

"Yes, and you didn't know? hm..."

They were both silent.

"Good-bye, Rodion. There was a time, brother, when I.... Never mind, good-bye. You see, there was a time....

Rejected response: It looks like you've shared an excerpt from a story! Would you like me to analyze it, summarize it, or continue it in a particular direction?


Prompt:
Now comes the Baling of the Case. But to comprehend it aright, you must know something of the curious internal structure of the thing operated upon.

Regarding the Sperm Whale's head as a solid oblong, you may, on an inclined plane, sideways divide it into two quoins,* whereof the lower is the bony structure, forming the cranium and jaws, and the upper an unctuous mass wholly free from bones; its broad forward end forming the expanded vertical apparent forehead of the whale. At the middle of the forehead horizontally subdivide this upper quoin, and then you have two almost equal parts, which before were naturally divided by an internal wall of a thick tendinous substance.

*Quoin is not a Euclidean term. It belongs to the pure nautical mathematics. I know not that it has been defined before. A quoin is a solid which differs from a wedge in having its sharp end formed by the steep inclination of one side, instead of the mutual tapering of both sides.

The lower subdivided part, called the junk, is one immense honeycomb of oil, formed by the crossing and recrossing, into ten thousand infiltrated cells, of tough elastic white fibres throughout its whole extent. The upper part, known as the Case, may be regarded as the great Heidelburgh Tun of the Sperm Whale. And as that famous great tierce is mystically carved in front, so the whale's vast plaited forehead forms innumerable strange devices for the emblematical adornment

Chosen response: of his wondrous tun. Moreover, as that of Heidelburgh was always replenished with the most excellent of the wines of the Rhenish valleys, so the tun of the whale contains by far the most precious of all his oily vintages; namely, the highly-prized spermaceti, in its absolutely pure, limpid, and odoriferous state. Nor is this precious substance found unalloyed in any other part of the creature. Though in life it remains perfectly fluid, yet, upon exposure to the air, after death, it soon begins to concrete; sending forth beautiful crystalline shoots, as when the first thin delicate ice is just forming in water. A large whale's case generally yields about five hundred gallons of sperm, though from unavoidable circumstances, considerable of it is spilled, leaks, and dribbles away, or is otherwise irrevocably lost in the ticklish business of securing what you can.

Rejected response: It looks like you've shared an excerpt from a story! Would you like me to analyze it, summarize it, or continue it in a particular direction?


Prompt:
Perplexing Lessons

At the end of what seemed a tedious while, I had managed to pack my head full of islands, towns, bars, 'points,' and bends; and a curiously inanimate mass of lumber it was, too. However, inasmuch as I could shut my eyes and reel off a good long string of these names without leaving out more than ten miles of river in every fifty, I began to feel that I could take a boat down to New Orleans if I could make her skip those little gaps. But of course my complacency could hardly get start enough to lift my nose a trifle into the air, before Mr. Bixby would think of something to fetch it down again. One day he turned on me suddenly with this settler--

'What is the shape of Walnut Bend?'

He might as well have asked me my grandmother's opinion of protoplasm. I reflected respectfully, and then said I didn't know it had any particular shape. My gunpowdery chief went off with a bang, of course, and then went on loading and firing until he was out of adjectives.

I had learned long ago that he only carried just so many rounds of ammunition, and was sure to subside into a very placable and even remorseful old smooth-bore as soon as they were all gone. That word 'old' is merely affectionate; he was not more than thirty-four. I waited. By and by he said--

'My boy, you've got to know the _shape _of the river perfectly. It is all there is left to steer by on a very dark night. Everything else is blotted out and gone. But mind you, it hasn't the same shape in the night that it has in the day-time.'

'How on earth am I ever going to learn it, then?'

'How do you follow a hall at home in the dark. Because you know the shape of it. You can't see it.'

'Do you mean to say that I've got to know all the million trifling variations of shape in the banks of this interminable river as well as I know the shape of the front hall at home?'

'On my honor, you've got to know them _better _than any man ever did know the shapes of the halls in his own house.'

'I wish I was dead!'

'Now I don't want to discourage you, but--'

'Well, pile it on me; I might as well have it now as another time.'

'You see, this has got to be learned; there isn't any getting around it. A clear starlight night throws such heavy shadows that if you didn't know the shape of a shore perfectly you would claw away from every bunch of timber, because you would take the black shadow of it for a solid cape; and you see you would be getting scared to death every fifteen minutes by the watch. You would be fifty yards from shore all the time when you ought to be within fifty feet of it. You can't see a snag in one of those shadows, but you know exactly where it is, and the shape of the river tells you when you are coming to it. Then there's your pitch-dark night; the river is a very different shape on a pitch-dark night from what it is on a starlight night. All shores seem to be straight lines, then, and mighty dim ones, too; and you'd _run _them for straight lines only you know better. You boldly drive your boat right into what seems to be a solid, straight wall (you knowing very well that in reality there is a curve there), and that wall falls back and makes way for you. Then there's your gray mist. You take a night when there's one of these grisly, drizzly, gray mists, and then there isn't any particular shape to a shore. A gray mist would tangle the head of the oldest man that ever lived. Well, then, different kinds of _moonlight _change the shape of the river in different ways. You see--'

'Oh, don't say any more, please! Have I got to learn the shape of the river according to all these five hundred thousand different ways? If I tried to carry all that cargo in my head it would make me stoop-shouldered.'

'No! you only learn _the _shape of the river, and you learn it with such absolute certainty that you can always steer by the shape that's in your head, and never mind the one that's before your eyes.'

'Very well, I'll try it; but after I have learned it can I depend on it. Will it keep the same form and not go fooling around?'

Before Mr. Bixby could answer, Mr. W---- came in to take the watch, and he said--

'Bixby, you'll have to look out for President's Island and all that country clear away up above the Old Hen and Chickens. The banks are caving and the shape of the shores changing like everything. Why, you wouldn't know the point above 40. You can go up inside the old sycamore-snag, now.{footnote [1. It may not be necessary, but still it can do no harm to explain that 'inside' means between the snag and the shore.--M.T.]}

So that question was answered. Here were leagues of shore changing shape. My spirits were down in the mud again. Two things seemed pretty apparent to me. One was, that in order to be a pilot a man had got to learn more than any one man ought to be allowed to know; and the other was, that he must learn it all over again in a different way every twenty-four hours.

That night we had the watch until twelve. Now it was an ancient river custom for the two pilots to chat a bit when the watch changed. While the relieving pilot put on his gloves and lit his cigar, his partner, the retiring pilot, would say something like this--

'I judge the upper bar is making down a little at Hale's Point; had quarter twain with the lower lead and mark twain {footnote [Two fathoms. 'Quarter twain' is two-and-a-quarter fathoms, thirteen-and-a-half feet. 'Mark three' is three fathoms.]} with the other.'

'Yes, I thought it was making down a little, last trip. Meet any boats?'

'Met

Chosen response:
one abreast the head of 21, but she was away over hugging the bar, and I couldn't make her out entirely. I took her for the "Sunny South"--hadn't any skylights forward of the chimneys.'

And so on. And as the relieving pilot took the wheel his partner {footnote ['Partner' is a technical term for 'the other pilot'.]} would mention that we were in such-and-such a bend, and say we were abreast of such-and-such a man's wood-yard or plantation. This was courtesy; I supposed it was necessity. But Mr. W---- came on watch full twelve minutes late on this particular night,--a tremendous breach of etiquette; in fact, it is the unpardonable sin among pilots. So Mr. Bixby gave him no greeting whatever, but simply surrendered the wheel and marched out of the pilot-house without a word.

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?