Prompt:
Pickwick was a work partly designed by others, but ultimately filled up by Dickens. Edwin Drood, the last book, was a book designed by Dickens, but ultimately filled up by others. The Pickwick Papers showed how much Dickens could make out of other people's suggestions; The Mystery of Edwin Drood shows how very little other people can make out of Dickens's suggestions.

Dickens was meant by Heaven to be the great melodramatist; so that even his literary end was melodramatic. Something more seems hinted at in the cutting short of Edwin Drood by Dickens than the mere cutting short of a good novel by a great man. It seems rather like the last taunt of some elf, leaving the world, that it should be this story which is not ended, this story which is only a story. The only one of Dickens's novels which he did not finish was the only one that really needed finishing. He never had but one thoroughly good plot to tell; and that he has only told in heaven. This is what separates the case in question from any parallel cases of novelists cut off in the act of creation. That great novelist, for instance, with whom Dickens is constantly compared, died also in the middle of Denis Duval. But any one can see in Denis Duval the qualities of the later work of Thackeray; the increasing discursiveness, the increasing retrospective poetry, which had been in part the charm and in part the failure of Philip and The Virginians. But to Dickens it was permitted to die at a dramatic moment and to leave a dramatic mystery. Any Thackerayan could have completed the plot of Denis Duval; except indeed that a really sympathetic Thackerayan might have had some doubt as to whether there was any plot to complete. But Dickens, having had far too little plot in his stories previously, had far too much plot in the story he never told. Dickens dies in the act of telling, not his tenth novel, but his first news of murder. He drops down dead as he is in the act of denouncing the assassin. It is permitted to Dickens, in short, to come to a literary end as strange as his literary beginning. He began by completing the old romance of travel. He ended by inventing the new detective story.

It is as a detective story first and last that we have to consider The Mystery of Edwin Drood. This does not mean, of course, that the details are not often admirable in their swift and penetrating humour; to say that of the book would be to say that Dickens did not write it. Nothing could be truer, for instance, than the manner in which the dazed and drunken dignity of Durdles illustrates a certain bitterness at the bottom of the bewilderment of the poor. Nothing could be better than the way in which the haughty and allusive conversation between Miss Twinkleton and the landlady illustrates the maddening preference of some females for skating upon thin social ice. There is an even better example than these of the original humorous insight of Dickens; and one not very often remarked, because of its brevity and its unimportance in the narrative. But Dickens never did anything better than the short account of Mr. Grewgious's dinner being brought from the tavern by two waiters: "a stationary waiter," and "a flying waiter." The "flying waiter" brought the food and the "stationary waiter" quarrelled with him; the "flying waiter" brought glasses and the "stationary waiter" looked through them. Finally, it will be remembered the "stationary waiter" left the room, casting a glance which indicated "let it be understood that all emoluments are mine, and that Nil is the reward of this slave." Still, Dickens wrote the book as a detective story; he wrote it as The Mystery of Edwin Drood. And alone, perhaps, among detective-story writers, he never lived to destroy his mystery. Here alone then among the Dickens novels it is necessary to speak of the plot and of the plot alone. And when we speak of the plot it becomes immediately necessary to speak of the two or three standing explanations which celebrated critics have given of the plot.

The story, so far as it was written by Dickens, can be read here. It describes, as will be seen, the disappearance of the young architect Edwin Drood after a night of festivity which was supposed to celebrate his reconciliation with a temporary enemy, Neville Landless, and was held at the house of his uncle John Jasper. Dickens continued the tale long enough to explain or explode the first and most obvious of his riddles. Long before the existing part terminates it has become evident that Drood has been put away, not by his obvious opponent, Landless, but by his uncle who professes for him an almost painful affection. The fact that we all know this, however, ought not in fairness to blind us to the fact that, considered as the first fraud in a detective story, it has been, with great skill, at once suggested and concealed. Nothing, for instance, could be cleverer as a piece of artistic mystery than the fact that Jasper, the uncle, always kept his eyes fixed on Drood's face with a dark and watchful tenderness; the thing is so told that at first we really take it as only indicating something morbid in the affection; it is only afterwards that the frightful fancy breaks upon us that it is not morbid affection but morbid antagonism. This first mystery (which is no longer a mystery) of Jasper's guilt, is only worth remarking because it shows that Dickens meant and felt himself able to mask all his batteries with real artistic strategy and artistic caution. The manner of the unmasking of Jasper marks the manner and tone in which the whole tale was to be told. Here we have not got to do with Dickens simply giving himself away, as he gave himself away in Pickwick or The Christmas Carol. Not that one complains of his giving himself away; there was no better gift.

What was the mystery of Edwin Drood from Dickens's point of view we shall never know, except perhaps from Dickens in heaven, and then he will very likely have forgotten. But the mystery of Edwin Drood from our point of view, from that of his critics, and those who have with some courage (after his death) attempted to be his collaborators, is simply this. There is no doubt that Jasper either murdered Drood or supposed that he had murdered him. This certainty we have from the fact that it is the whole point of a scene between Jasper and Drood's lawyer Grewgious in which Jasper is struck down with remorse when he realises that Drood has been killed (from his point of view) needlessly and without profit. The only question is whether Jasper's remorse was as needless as his murder. In other words the only question is whether, while he certainly thought he had murdered Drood, he had really done it. It need hardly be said that such a doubt would not have been raised for nothing; gentlemen like Jasper do not as a rule waste good remorse except upon successful crime. The origin of the doubt about the real death of Drood is this. Towards the latter end of the existing chapters there appears very abruptly, and with a quite ostentatious air of mystery, a character called Datchery. He appears for the purpose of spying upon Jasper and getting up some case against him; at any rate, if he has not this purpose in the story he has no other earthly purpose in it. He is an old gentleman of juvenile energy, with a habit of carrying his hat in his hand even in the open air; which some have interpreted as meaning that he feels the unaccustomed weight of a wig. Now there are one or two people in the story who this person might possibly be. Notably there is one person in the story who seems as if he were meant to be something, but who hitherto has certainly been nothing; I mean Bazzard, Mr. Grewgious's clerk, a sulky fellow interested in theatricals, of whom an unnecessary fuss is made. There is also Mr. Grewgious himself, and there is also another suggestion, so much more startling that I shall have to deal with it later.

For the moment, however, the point is this: That ingenious writer, Mr. Proctor, started the highly plausible theory that this Datchery was Drood himself, who had not really been killed. He adduced a most complex and complete scheme covering nearly all the details; but the strongest argument he had was rather one of general artistic effect. This argument has been quite perfectly summed up by Mr. Andrew Lang in one sentence: "If Edwin Drood is dead, there is not much mystery about him." This is quite true; Dickens, when writing in so deliberate, nay, dark and conspiratorial a manner, would surely have kept the death of Drood and the guilt of Jasper hidden a little longer if the only real mystery had been the guilt of Jasper and the death of Drood. It certainly seems artistically more likely that there was a further mystery of Edwin Drood; not the mystery that he was murdered, but the mystery that he was not murdered. It is true indeed that Mr. Cumming Walters has a theory of Datchery (to which I have already darkly alluded) a theory which is wild enough to be the centre not only of any novel but of any harlequinade. But the point is that even Mr. Cumming Walters's theory, though it makes the mystery more extraordinary, does not make it any more of a mystery of Edwin Drood. It should not have been called The Mystery of Drood, but The Mystery of Datchery. This is the strongest case for Proctor; if the story tells of Drood coming back as Datchery, the story does at any rate fulfil the title upon its title-page.

The principal objection to Proctor's theory is that there seems no adequate reason why Jasper should not have murdered his nephew if he wanted to. And there seems even less reason why Drood, if unsuccessfully murdered, should not have raised the alarm. Happy young architects, when nearly strangled by elderly organists, do not generally stroll away and come back some time afterwards in a wig and with a false name. Superficially it would seem almost as odd to find the murderer investigating the origin of the murder, as to find the corpse investigating it. To this problem two of the ablest literary critics of our time, Mr. Andrew Lang and Mr. William Archer (both of them persuaded generally of the Proctor theory) have especially addressed themselves. Both have come to the same substantial conclusion; and I suspect that they are right. They hold that Jasper (whose mania for opium is much insisted on in the tale) had some sort of fit, or trance, or other physical seizure as he was committing the crime so that he left it unfinished; and they also hold that he had drugged Drood, so that Drood, when he recovered from the attack, was doubtful about who had been his assailant. This might really explain, if a little fancifully, his coming back to the town in the character of a detective. He might think it due to his uncle (whom he last remembered in a kind of murderous vision) to make

Chosen response: an independent investigation as to whether he was really guilty or not. He might say, as Hamlet said of a vision equally terrifying, "I'll have grounds more relative than this." In fairness it must be said that there is something vaguely shaky about this theory; chiefly, I think, in this respect; that there is a sort of farcical cheerfulness about Datchery which does not seem altogether appropriate to a lad who ought to be in an agony of doubt as to whether his best friend was or was not his assassin. Still there are many such incongruities in Dickens; and the explanation of Mr. Archer and Mr. Lang is an explanation. I do not believe that any explanation as good can be given to account for the tale being called The Mystery of Edwin Drood, if the tale practically starts with his corpse.

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Prompt:
"I must make you one confession," Ivan began. "I could never understand how one can love one's neighbors. It's just one's neighbors, to my mind, that one can't love, though one might love those at a distance. I once read somewhere of John the Merciful, a saint, that when a hungry, frozen beggar came to him, he took him into his bed, held him in his arms, and began breathing into his mouth, which was putrid and loathsome from some awful disease. I am convinced that he did that from 'self-laceration,' from the self-laceration of falsity, for the sake of the charity imposed by duty, as a penance laid on him. For any one to love a man, he must be hidden, for as soon as he shows his face, love is gone."

"Father Zossima has talked of that more than once," observed Alyosha; "he, too, said that the face of a man often hinders many people not practiced in love, from loving him. But yet there's a great deal of love in mankind, and almost Christ-like love. I know that myself, Ivan."

"Well, I know nothing of it so far, and can't understand it, and the innumerable mass of mankind are with me there. The question is, whether that's due to men's bad qualities or whether it's inherent in their nature. To my thinking, Christ-like love for men is a miracle impossible on earth. He was God. But we are not gods. Suppose I, for instance, suffer intensely. Another can never know how much I suffer, because he is another and not I. And what's more, a man is rarely ready to admit another's suffering (as though it were a distinction). Why won't he admit it, do you think? Because I smell unpleasant, because I have a stupid face, because I once trod on his foot. Besides, there is suffering and suffering; degrading, humiliating suffering such as humbles me—hunger, for instance—my benefactor will perhaps allow me; but when you come to higher suffering—for an idea, for instance—he will very rarely admit that, perhaps because my face strikes him as not at all what he fancies a man should have who suffers for an idea. And so he deprives me instantly of his favor, and not at all from badness of heart. Beggars, especially genteel beggars, ought never to show themselves, but to ask for charity through the newspapers. One can love one's neighbors in the abstract, or even at a distance, but at close quarters it's almost impossible. If it were as on the stage, in the ballet, where if beggars come in, they wear silken rags and tattered lace and beg for alms dancing gracefully, then one might like looking at them. But even then we should not love them. But enough of that. I simply wanted to show you my point of view. I meant to speak of the suffering of mankind generally, but we had better confine ourselves to the sufferings of the children. That reduces the scope of my argument to a tenth of what it would be. Still we'd better keep to the children, though it does weaken my case. But, in the first place, children can be loved even at close quarters, even when they are dirty, even when they are ugly (I fancy, though, children never are ugly). The second reason why I won't speak of grown-up people is that, besides being disgusting and unworthy of love, they have a compensation—they've eaten the apple and know good and evil, and they have become 'like gods.' They go on eating it still. But the children haven't eaten anything, and are so far innocent. Are you fond of children, Alyosha? I know you are, and you will understand why I prefer to speak of them. If they, too, suffer horribly on earth, they must suffer for their fathers' sins, they must be punished for their fathers, who have eaten the apple; but that reasoning is of the other world and is incomprehensible for the heart of man here on earth. The innocent must not suffer for another's sins, and especially such innocents! You may be surprised at me, Alyosha, but I am awfully fond of children, too. And observe, cruel people, the violent, the rapacious, the Karamazovs are sometimes very fond of children. Children while they are quite little—up to seven, for instance—are so remote from grown-up people; they are different creatures, as it were, of a different species. I knew a criminal in prison who had, in the course of his career as a burglar, murdered whole families, including several children. But when he was in prison, he had a strange affection for them. He spent all his time at his window, watching the children playing in the prison yard. He trained one little boy to come up to his window and made great friends with him.... You don't know why I am telling you all this, Alyosha? My head aches and I am sad."

"You speak with a strange air," observed Alyosha uneasily, "as though you were not quite yourself."

"By the way, a Bulgarian I met lately in Moscow," Ivan went on, seeming not to hear his brother's words, "told me about the crimes committed by Turks and Circassians in all parts of Bulgaria through fear of a general rising of the Slavs. They burn villages, murder, outrage women and children, they nail their prisoners by the ears to the fences, leave them so till morning, and in the morning they hang them—all sorts of things you can't imagine. People talk sometimes of bestial cruelty, but that's a great injustice and insult to the beasts; a beast can never be so cruel as a man, so artistically cruel. The tiger only tears and gnaws, that's all he can do. He would never think of nailing people by the ears, even if he were able to do it. These Turks took a pleasure in torturing children, too; cutting the unborn child from the mother's womb, and tossing babies up in the air and catching them on the points of their bayonets before their mothers' eyes. Doing it before the mothers' eyes was what gave zest to the amusement. Here is another scene that I thought very interesting. Imagine a trembling mother with her baby in her arms, a circle of invading Turks around her. They've planned a diversion: they pet the baby, laugh to make it laugh. They succeed, the baby laughs. At that moment a Turk points a pistol four inches from the baby's face. The baby laughs with glee, holds out its little hands to the pistol, and he pulls the trigger in the baby's face and blows out its brains. Artistic, wasn't it? By the way, Turks are particularly fond of sweet things, they say."

"Brother, what are you driving at?" asked Alyosha.

"I think if the devil doesn't exist, but man has created him, he has created him in his own image and likeness."

"Just as he did God, then?" observed Alyosha.

"'It's wonderful how you can turn words,' as Polonius says in Hamlet," laughed Ivan. "You turn my words against me. Well, I am glad. Yours must be a fine God, if man created Him in his image and likeness. You asked just now what I was driving at. You see, I am fond of collecting certain facts, and, would you believe, I even copy anecdotes of a certain sort from newspapers and books, and I've already got a fine collection. The Turks, of course, have gone into it, but they are foreigners. I have specimens from home that are even better than the Turks. You know we prefer beating—rods and scourges—that's our national institution. Nailing ears is unthinkable for us, for we are, after all, Europeans. But the rod and the scourge we have always with us and they cannot be taken from us. Abroad now they scarcely do any beating. Manners are more humane, or laws have been passed, so that they don't dare to flog men now. But they make up for it in another way just as national as ours. And so national that it would be practically impossible among us, though I believe we are being inoculated with it, since the religious movement began in our aristocracy. I have a charming pamphlet, translated from the French, describing how, quite recently, five years ago, a murderer, Richard, was executed—a young man, I believe, of three and twenty, who repented and was converted to the Christian faith at the very scaffold. This Richard was an illegitimate child who was given as a child of six by his parents to some shepherds on the Swiss mountains. They brought him up to work for them. He grew up like a little wild beast among them. The shepherds taught him nothing, and scarcely fed or clothed him, but sent him out at seven to herd the flock in cold and wet, and no one hesitated or scrupled to treat him so. Quite the contrary, they thought they had every right, for Richard had been given to them as a chattel, and they did not even see the necessity of feeding him. Richard himself describes how in those years, like the Prodigal Son in the Gospel, he longed to eat of the mash given to the pigs, which were fattened for sale. But they wouldn't even give him that, and beat him when he stole from the pigs. And that was how he spent all his childhood and his youth, till he grew up and was strong enough to go away and be a thief. The savage began to earn his living as a day laborer in Geneva. He drank what he earned, he lived like a brute, and finished by killing and robbing an old man. He was caught, tried, and condemned to death. They are not sentimentalists there. And in prison he was immediately surrounded by pastors, members of Christian brotherhoods, philanthropic ladies, and the like. They taught him to read and write in prison, and expounded the Gospel to him. They exhorted him, worked upon him, drummed at him incessantly, till at last he solemnly confessed his crime. He was converted. He wrote to the court himself that he was a monster, but that in the end God had vouchsafed him light and shown grace. All Geneva was in excitement about him—all philanthropic and religious Geneva. All the aristocratic and well-bred society of the town rushed to the prison, kissed Richard and embraced him; 'You are our brother, you have found grace.' And Richard does nothing but weep with emotion, 'Yes, I've found grace! All my youth and childhood I was glad of pigs' food, but now even I have found grace. I am dying in the Lord.' 'Yes, Richard, die in the Lord; you have shed blood and must die. Though it's not your fault that you knew not the Lord, when you coveted the pigs' food and were beaten for stealing it (which was very wrong of you, for stealing is forbidden); but you've shed blood and you must die.' And on the last day, Richard, perfectly limp, did nothing but cry and repeat every minute: 'This is my happiest day. I am going to the Lord.' 'Yes,' cry the pastors and the judges and philanthropic ladies. 'This is the happiest day of your life, for you are going to the Lord!' They all walk or drive to the scaffold in procession behind the prison van. At the scaffold they call to Richard: 'Die, brother, die in the Lord, for even thou hast found grace!' And so, covered with his brothers' kisses, Richard is dragged on to the scaffold, and led to the guillotine. And they chopped off his head in brotherly fashion, because he had found grace. Yes, that's characteristic. That pamphlet is translated into Russian by some Russian philanthropists of aristocratic rank and evangelical aspirations, and has been distributed gratis for the enlightenment of the people. The case of Richard is interesting because it's national. Though to us it's absurd to cut off a man's head, because he has become our brother and has found grace, yet we have our own speciality, which is all but worse. Our historical pastime is the direct satisfaction of inflicting pain. There are lines in Nekrassov describing how a peasant lashes a horse on the eyes, 'on its meek eyes,' every one must have seen it. It's peculiarly Russian. He describes how a feeble little nag has foundered under too heavy a load and cannot move. The peasant beats it, beats it savagely, beats it at last not knowing what he is doing in the intoxication of cruelty, thrashes it mercilessly over and over again. 'However weak you are, you must pull, if you die for it.' The nag strains, and then he begins lashing the poor defenseless creature on its weeping, on its 'meek eyes.' The frantic beast tugs and draws the load, trembling all over, gasping for breath, moving sideways, with a sort of unnatural spasmodic action—it's awful in Nekrassov. But that's only a horse, and God has given horses to be beaten. So the Tatars have taught us, and they left us the knout as a remembrance of it. But men, too, can be beaten. A well-educated, cultured gentleman and his wife beat their own child with a birch-rod, a girl of seven. I have an exact account of it. The papa was glad that the birch was covered with twigs. 'It stings more,' said he, and so he began stinging his daughter. I know for a fact there are people who at every blow are worked up to sensuality, to literal sensuality, which increases progressively at every blow they inflict. They beat for a minute, for five minutes, for ten minutes, more often and more savagely. The child screams. At last the child cannot scream, it gasps, 'Daddy! daddy!' By some diabolical unseemly chance the case was brought into court. A counsel is engaged. The Russian people have long called a barrister 'a conscience for hire.' The counsel protests in his client's defense. 'It's such a simple thing,' he says, 'an everyday domestic event. A father corrects his child. To our shame be it said, it is brought into court.' The jury, convinced by him, give a favorable verdict. The public roars with delight that the torturer is acquitted. Ah, pity I wasn't there! I would have proposed to raise a subscription in his honor! Charming pictures.

"But I've still better things about children. I've collected a great, great deal about Russian children, Alyosha. There was a little girl of five who was hated by her father and mother, 'most worthy and respectable people, of good education and breeding.' You see, I must repeat again, it is a peculiar characteristic of many people, this love of torturing children, and children only. To all other types of humanity these torturers behave mildly and benevolently, like cultivated and humane Europeans; but they are very fond of tormenting children, even fond of children themselves in that sense. It's just their defenselessness that tempts the tormentor, just the angelic confidence of the child who has no refuge and no appeal, that sets his vile blood on fire. In every man, of course, a demon lies hidden—the demon of rage, the demon of lustful heat at the screams of the tortured victim, the demon of lawlessness let off the chain, the demon of diseases that follow

Chosen response:
on vice, gout, kidney disease, and so on.

"This poor child of five was subjected to every possible torture by those cultivated parents. They beat her, thrashed her, kicked her for no reason till her body was one bruise. Then, they went to greater refinements of cruelty—shut her up all night in the cold and frost in a privy, and because she didn't ask to be taken up at night (as though a child of five sleeping its angelic, sound sleep could be trained to wake and ask), they smeared her face and filled her mouth with excrement, and it was her mother, her mother did this. And that mother could sleep, hearing the poor child's groans! Can you understand why a little creature, who can't even understand what's done to her, should beat her little aching heart with her tiny fist in the dark and the cold, and weep her meek unresentful tears to dear, kind God to protect her?

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Prompt:
Miles Hendon hurried along toward the Southwark end of the bridge, keeping a sharp look-out for the persons he sought, and hoping and expecting to overtake them presently. He was disappointed in this, however. By asking questions, he was enabled to track them part of the way through Southwark; then all traces ceased, and he was perplexed as to how to proceed. Still, he continued his efforts as best he could during the rest of the day. Nightfall found him leg-weary, half-famished, and his desire as far from accomplishment as ever; so he supped at the Tabard Inn and went to bed, resolved to make an early start in the morning, and give the town an exhaustive search. As he lay thinking and planning, he presently began to reason thus: The boy would escape from the ruffian, his reputed father, if possible; would he go back to London and seek his former haunts? No, he would not do that, he would avoid recapture. What, then, would he do? Never having had a friend in the world, or a protector, until he met Miles Hendon, he would naturally try to find that friend again, provided the effort did not require him to go toward London and danger. He would strike for Hendon Hall, that is what he would do, for he knew Hendon was homeward bound and there he might expect to find him. Yes, the case was plain to Hendon--he must lose no more time in Southwark, but move at once through Kent, toward Monk's Holm, searching the wood and inquiring as he went. Let us return to the vanished little King now.

The ruffian whom the waiter at the inn on the bridge saw 'about to join' the youth and the King did not exactly join them, but fell in close behind them and followed their steps. He said nothing. His left arm was in a sling, and he wore a large green patch over his left eye; he limped slightly, and used an oaken staff as a support. The youth led the King a crooked course through Southwark, and by-and-by struck into the high road beyond. The King was irritated, now, and said he would stop here--it was Hendon's place to come to him, not his to go to Hendon. He would not endure such insolence; he would stop where he was. The youth said--

"Thou'lt tarry here, and thy friend lying wounded in the wood yonder? So be it, then."

The King's manner changed at once. He cried out--

"Wounded? And who hath dared to do it? But that is apart; lead on, lead on! Faster, sirrah! Art shod with lead? Wounded, is he? Now though the doer of it be a duke's son he shall rue it!"

It was some distance to the wood, but the space was speedily traversed. The youth looked about him, discovered a bough sticking in the ground, with a small bit of rag tied to it, then led the way into the forest, watching for similar boughs and finding them at intervals; they were evidently guides to the point he was aiming at. By-and-by an open place was reached, where were the charred remains of a farm-house, and near them a barn which was falling to ruin and decay. There was no sign of life anywhere, and utter silence prevailed. The youth entered the barn, the King following eagerly upon his heels. No one there! The King shot a surprised and suspicious glance at the youth, and asked--

"Where is he?"

A mocking laugh was his answer. The King was in a rage in a moment; he seized a billet of wood and was in the act of charging upon the youth when another mocking laugh fell upon his ear. It was from the lame ruffian who had been following at a distance. The King turned and said angrily--

"Who art thou? What is thy business here?"

"Leave thy foolery," said the man, "and quiet thyself. My disguise is none so good that thou canst pretend thou knowest not thy father through it."

"Thou art not my father. I know thee not. I am the King. If thou hast hid my servant, find him for me, or thou shalt sup sorrow for what thou hast done."

John Canty replied, in a stern and measured voice--

"It is plain thou art mad, and I am loath to punish thee; but if thou provoke me, I must. Thy prating doth no harm here, where there are no ears that need to mind thy follies; yet it is well to practise thy tongue to wary speech, that it may do no hurt when our quarters change. I have done a murder, and may not tarry at home--neither shalt thou, seeing I need thy service. My name is changed, for wise reasons; it is Hobbs--John Hobbs; thine is Jack--charge thy memory accordingly. Now, then, speak. Where is thy mother? Where are thy sisters? They came not to the place appointed--knowest thou whither they went?"

The King answered sullenly--

"Trouble me not with these riddles. My mother is dead; my sisters are in the palace."

The youth near by burst into a derisive laugh, and the King would have assaulted him, but Canty--or Hobbs, as he now called himself--prevented him, and said--

"Peace, Hugo, vex him not; his mind is astray, and thy ways fret him. Sit thee down, Jack, and quiet thyself; thou shalt have a morsel to eat, anon."

Hobbs and Hugo fell to talking together, in low voices, and the King removed himself as far as he could from their disagreeable company. He withdrew into the twilight of the farther end of the barn, where he found the earthen floor bedded a foot deep with straw. He lay down here, drew straw over himself in lieu of blankets, and was soon absorbed in thinking. He had many griefs, but the minor ones were swept almost into forgetfulness by the supreme one, the loss of his father. To the rest of the world the name of Henry VIII. brought a shiver, and suggested an ogre whose nostrils breathed destruction and whose hand dealt scourgings and death; but to this boy the name brought only sensations of pleasure; the figure it invoked wore a countenance that was all gentleness and affection. He called to mind a long succession of loving passages between his father and himself, and dwelt fondly upon them, his unstinted tears attesting how deep and real was the grief that possessed his heart. As the afternoon wasted away, the lad, wearied with his troubles, sank gradually into a tranquil and healing slumber.

After a considerable time--he could not tell how long--his senses struggled to a half-consciousness, and as he lay with closed eyes vaguely wondering where he was and what had been happening, he noted a murmurous sound, the sullen beating of rain upon the roof. A snug sense of comfort stole over him, which was rudely broken, the next moment, by a chorus of piping cackles and coarse laughter. It startled him disagreeably, and he unmuffled his head to see whence this interruption proceeded. A grim and unsightly picture met his eye. A bright fire was burning in the middle of the floor, at the other end of the barn; and around it, and lit weirdly up by the red glare, lolled and sprawled the motliest company of tattered gutter-scum and ruffians, of both sexes, he had ever read or dreamed of. There were huge stalwart men, brown with exposure, long-haired, and clothed in fantastic rags; there were middle-sized youths, of truculent countenance, and similarly clad; there were blind mendicants, with patched or bandaged eyes; crippled ones, with wooden legs and crutches; diseased ones, with running sores peeping from ineffectual wrappings; there was a villain-looking pedlar with his pack; a knife-grinder, a tinker, and a barber-surgeon, with the implements of their trades; some of the females were hardly-grown girls, some were at prime, some were old and wrinkled hags, and all were loud, brazen, foul-mouthed;

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and all soiled and slatternly; there were three sore-faced babies; there were a couple of starveling curs, with strings about their necks, whose office was to lead the blind.

The night was come, the gang had just finished feasting, an orgy was beginning; the can of liquor was passing from mouth to mouth. A general cry broke forth--

"A song! a song from the Bat and Dick and Dot-and-go-One!"

One of the blind men got up, and made ready by casting aside the patches that sheltered his excellent eyes, and the pathetic placard which recited the cause of his calamity. Dot-and-go-One disencumbered himself of his timber leg and took his place, upon sound and healthy limbs, beside his fellow-rascal; then they roared out a rollicking ditty, and were reinforced by the whole crew, at the end of each stanza, in a rousing chorus.

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Prompt:
Locks.—George and I are photographed.—Wallingford.—Dorchester.—Abingdon.—A family man.—A good spot for drowning.—A difficult bit of water.—Demoralizing effect of river air.

We left Streatley early the next morning, and pulled up to Culham, and slept under the canvas, in the backwater there.

The river is not extraordinarily interesting between Streatley and Wallingford. From Cleve you get a stretch of six and a half miles without a lock. I believe this is the longest uninterrupted stretch anywhere above Teddington, and the Oxford Club make use of it for their trial eights.

But however satisfactory this absence of locks may be to rowing-men, it is to be regretted by the mere pleasure-seeker.

For myself, I am fond of locks. They pleasantly break the monotony of the pull. I like sitting in the boat and slowly rising out of the cool depths up into new reaches and fresh views; or sinking down, as it were, out of the world, and then waiting, while the gloomy gates creak, and the narrow strip of day-light between them widens till the fair smiling river lies full before you, and you push your little boat out from its brief prison on to the welcoming waters once again.

They are picturesque little spots, these locks. The stout old lock-keeper, or his cheerful-looking wife, or bright-eyed daughter, are pleasant folk to have a passing chat with. {287} You meet other boats there, and river gossip is exchanged. The Thames would not be the fairyland it is without its flower-decked locks.

Talking of locks reminds me of an accident George and I very nearly had one summer's morning at Hampton Court.

It was a glorious day, and the lock was crowded; and, as is a common practice up the river, a speculative photographer was taking a picture of us all as we lay upon the rising waters.

I did not catch what was going on at first, and was, therefore, extremely surprised at noticing George hurriedly smooth out his trousers, ruffle up his hair, and stick his cap on in a rakish manner at the back of his head, and then, assuming an expression of mingled affability and sadness, sit down in a graceful attitude, and try to hide his feet.

My first idea was that he had suddenly caught sight of some girl he knew, and I looked about to see who it was. Everybody in the lock seemed to have been suddenly struck wooden. They were all standing or sitting about in the most quaint and curious attitudes I have ever seen off a Japanese fan. All the girls were smiling. Oh, they did look so sweet! And all the fellows were frowning, and looking stern and noble.

And then, at last, the truth flashed across me, and I wondered if I should be in time. Ours was the first boat, and it would be unkind of me to spoil the man's picture, I thought.

So I faced round quickly, and took up a position in the prow, where I leant with careless grace upon the hitcher, in an attitude suggestive of agility and strength. I arranged my hair with a curl over the forehead, and threw an air of tender wistfulness into my expression, mingled with a touch of cynicism, which I am told suits me.

As we stood, waiting for the eventful moment, I heard someone behind call out:

"Hi! look at your nose."

I could not turn round to see what was the matter, and whose nose it was that was to be looked at. I stole a side-glance at George's nose! It was all right—at all events, there was nothing wrong with it that could be altered. I squinted down at my own, and that seemed all that could be expected also.

"Look at your nose, you stupid ass!" came the same voice again, louder.

And then another voice cried:

"Push your nose out, can't you, you—you two with the dog!"

Neither George nor I dared to turn round. The man's hand was on the cap, and the picture might be taken any moment. Was it us they were calling to? What was the matter with our noses? Why were they to be pushed out!

But now the whole lock started yelling, and a stentorian voice from the back shouted:

"Look at your boat, sir; you in the red and black caps. It's your two corpses that will get taken in that photo, if you ain't quick."

We looked then, and saw that the nose of our boat had got fixed under the woodwork of the lock, while the in-coming water was rising all around it, and tilting it up. In another moment we should be over. Quick as thought, we each seized an oar, and a vigorous blow against the side of the lock with the butt-ends released the boat, and sent us sprawling on our backs.

[Picture: The photograph] We did not come out well in that photograph, George and I. Of course, as was to be expected, our luck ordained it, that the man should set his wretched machine in motion at the precise moment that we were both lying on our backs with a wild expression of "Where am I? and what is it?" on our faces, and our four feet waving madly in the air.

Our feet were undoubtedly the leading article in that photograph. Indeed, very little else was to be seen. They filled up the foreground entirely. Behind them, you caught glimpses of the other boats, and bits of the surrounding scenery; but everything and everybody else in the lock looked so utterly insignificant and paltry compared with our feet, that all the other people felt quite ashamed of themselves, and refused to subscribe to the picture.

The owner of one steam launch, who had bespoke six copies, rescinded the order on seeing the negative. He said he would take them if anybody could show him his launch, but nobody could. It was somewhere behind George's right foot.

There was a good deal of unpleasantness over the business. The photographer thought we ought to take a dozen copies each, seeing that the photo was about nine-tenths us, but we declined. We said we had no objection to being photo'd full-length, but we preferred being taken the right way up.

Wallingford, six miles above Streatley, is a very ancient town, and has been an active centre for the making of English history. It was a rude, mud-built town in the time of the Britons, who squatted there, until the Roman legions evicted them; and replaced their clay-baked walls by mighty fortifications, the trace of which Time has not yet succeeded in sweeping away, so well those old-world masons knew how to build.

But Time, though he halted at Roman walls, soon crumbled Romans to dust; and on the ground, in later years, fought savage Saxons and huge Danes, until the Normans came.

It was a walled and fortified town up to the time of the Parliamentary War, when it suffered a long and bitter siege from Fairfax. It fell at last, and then the walls were razed.

From Wallingford up to Dorchester the neighbourhood of the river grows more hilly, varied, and picturesque. Dorchester stands half a mile from the river. It can be reached by paddling up the Thame, if you have a small boat; but the best way is to leave the river at Day's Lock, and take a walk across the fields. Dorchester is a delightfully peaceful old place, nestling in stillness and silence and drowsiness.

Dorchester, like Wallingford, was a city in ancient British times; it was then called Caer Doren, "the city on the water." In more recent times the Romans formed a great camp here, the fortifications surrounding which now seem like low, even hills. In Saxon days it was the capital of Wessex. It is very old, and it was very strong and great once. Now it sits aside

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from the stirring world, and nods and dreams.

Round Clifton Hampden, itself a wonderfully pretty village, old-fashioned, peaceful, and dainty with flowers, the river scenery is rich and beautiful. If you stay the night on land at Clifton, you cannot do better than put up at the "Barley Mow." It is, without exception, I should say, the quaintest, most old-world inn up the river. It stands on the right of the bridge, quite away from the village. Its low-pitched gables and thatched roof and latticed windows give it quite a story-book appearance, while inside it is even still more once-upon-a-timeyfied.

It would not be a good place for the heroine of a modern novel to stay at. The heroine of a modern novel is always "divinely tall," and she is ever "drawing herself up to her full height."

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Prompt:
"A worm i' the bud."

One day the reviewer said, "Let us go to the cliffs again, Elfride;" and, without consulting her wishes, he moved as if to start at once.

"The cliff of our dreadful adventure?" she inquired, with a shudder. "Death stares me in the face in the person of that cliff."

Nevertheless, so entirely had she sunk her individuality in his that the remark was not uttered as an expostulation, and she immediately prepared to accompany him.

"No, not that place," said Knight. "It is ghastly to me, too. That other, I mean; what is its name?—Windy Beak."

Windy Beak was the second cliff in height along that coast, and, as is frequently the case with the natural features of the globe no less than with the intellectual features of men, it enjoyed the reputation of being the first. Moreover, it was the cliff to which Elfride had ridden with Stephen Smith, on a well-remembered morning of his summer visit.

So, though thought of the former cliff had caused her to shudder at the perils to which her lover and herself had there been exposed, by being associated with Knight only it was not so objectionable as Windy Beak. That place was worse than gloomy, it was a perpetual reproach to her.

But not liking to refuse, she said, "It is further than the other cliff."

"Yes; but you can ride."

"And will you too?"

"No, I'll walk."

A duplicate of her original arrangement with Stephen. Some fatality must be hanging over her head. But she ceased objecting.

"Very well, Harry, I'll ride," she said meekly.

A quarter of an hour later she was in the saddle. But how different the mood from that of the former time. She had, indeed, given up her position as queen of the less to be vassal of the greater. Here was no showing off now; no scampering out of sight with Pansy, to perplex and tire her companion; no saucy remarks on LA BELLE DAME SANS MERCI. Elfride was burdened with the very intensity of her love.

Knight did most of the talking along the journey. Elfride silently listened, and entirely resigned herself to the motions of the ambling horse upon which she sat, alternately rising and sinking gently, like a sea bird upon a sea wave.

When they had reached the limit of a quadruped's possibilities in walking, Knight tenderly lifted her from the saddle, tied the horse, and rambled on with her to the seat in the rock. Knight sat down, and drew Elfride deftly beside him, and they looked over the sea.

Two or three degrees above that melancholy and eternally level line, the ocean horizon, hung a sun of brass, with no visible rays, in a sky of ashen hue. It was a sky the sun did not illuminate or enkindle, as is usual at sunsets. This sheet of sky was met by the salt mass of gray water, flecked here and there with white. A waft of dampness occasionally rose to their faces, which was probably rarefied spray from the blows of the sea upon the foot of the cliff.

Elfride wished it could be a longer time ago that she had sat there with Stephen as her lover, and agreed to be his wife. The significant closeness of that time to the present was another item to add to the list of passionate fears which were chronic with her now.

Yet Knight was very tender this evening, and sustained her close to him as they sat.

Not a word had been uttered by either since sitting down, when Knight said musingly, looking still afar—

"I wonder if any lovers in past years ever sat here with arms locked, as we do now. Probably they have, for the place seems formed for a seat."

Her recollection of a well-known pair who had, and the much-talked-of loss which had ensued therefrom, and how the young man had been sent back to look for the missing article, led Elfride to glance down to her side, and behind her back. Many people who lose a trinket involuntarily give a momentary look for it in passing the spot ever so long afterwards. They do not often find it. Elfride, in turning her head, saw something shine weakly from a crevice in the rocky sedile. Only for a few minutes during the day did the sun light the alcove to its innermost rifts and slits, but these were the minutes now, and its level rays did Elfride the good or evil turn of revealing the lost ornament.

Elfride's thoughts instantly reverted to the words she had unintentionally uttered upon what had been going on when the earring was lost. And she was immediately seized with a misgiving that Knight, on seeing the object, would be reminded of her words. Her instinctive act therefore was to secure it privately.

It was so deep in the crack that Elfride could not pull it out with her hand, though she made several surreptitious trials.

"What are you doing, Elfie?" said Knight, noticing her attempts, and looking behind him likewise.

She had relinquished the endeavour, but too late.

Knight peered into the joint from which her hand had been withdrawn, and saw what she had seen. He instantly took a penknife from his pocket, and by dint of probing and scraping brought the earring out upon open ground.

"It is not yours, surely?" he inquired.

"Yes, it is," she said quietly.

"Well, that is a most extraordinary thing, that we should find it like this!" Knight then remembered more circumstances; "What, is it the one you have told me of?"

"Yes."

The unfortunate remark of hers at the kiss came into his mind, if eyes were ever an index to be trusted. Trying to repress the words he yet spoke on the subject, more to obtain assurance that what it had seemed to imply was not true than from a wish to pry into bygones.

"Were you really engaged to be married to that lover?" he said, looking straight forward at the sea again.

"Yes—but not exactly. Yet I think I was."

"O Elfride, engaged to be married!" he murmured.

"It would have been called a—secret engagement, I suppose. But don't look so disappointed; don't blame me."

"No, no."

"Why do you say 'No, no,' in such a way? Sweetly enough, but so barely?"

Knight made no direct reply to this. "Elfride, I told you once," he said, following out his thoughts, "that I never kissed a woman as a sweetheart until I kissed you. A kiss is not much, I suppose, and it happens to few young people to be able to avoid all blandishments and attentions except from the one they afterwards marry. But I have peculiar weaknesses, Elfride; and because I have led a peculiar life, I must suffer for it, I suppose. I had hoped—well, what I had no right to hope in connection with you. You naturally granted your former lover the privileges you grant me."

A "yes" came from her like the last sad whisper of a breeze.

"And he used to kiss you—of course he did."

"Yes."

"And perhaps you allowed him a more free manner in his love-making than I have shown in mine."

"No, I did not." This was rather more alertly spoken.

"But he adopted it without being allowed?"

"Yes."

"How much I have made of you, Elfride, and how I have kept aloof!" said Knight in deep and shaken tones. "So many days and hours as I have hoped in you—I have feared to kiss you more than those two times. And he made no scruples to..."

She crept closer to him and trembled as if with cold. Her dread that the whole story, with random additions, would become

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known to him, caused her manner to be so agitated that Knight was alarmed and perplexed into stillness. The actual innocence which made her think so fearfully of what, as the world goes, was not a great matter, magnified her apparent guilt. It may have said to Knight that a woman who was so flurried in the preliminaries must have a dreadful sequel to her tale.

"I know," continued Knight, with an indescribable drag of manner and intonation,—"I know I am absurdly scrupulous about you—that I want you too exclusively mine. In your past before you knew me—from your very cradle—I wanted to think you had been mine. I would make you mine by main force. Elfride," he went on vehemently, "I can't help this jealousy over you!

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Prompt:
A few days ago I was at a private Ball given by Mr Ashburnham. As my Mother never goes out she entrusted me to the care of Lady Greville who did me the honour of calling for me in her way and of allowing me to sit forwards, which is a favour about which I am very indifferent especially as I know it is considered as confering a great obligation on me "So Miss Maria (said her Ladyship as she saw me advancing to the door of the Carriage) you seem very smart to night--MY poor Girls will appear quite to disadvantage by YOU--I only hope your Mother may not have distressed herself to set YOU off. Have you got a new Gown on?"

"Yes Ma'am." replied I with as much indifference as I could assume.

"Aye, and a fine one too I think--(feeling it, as by her permission I seated myself by her) I dare say it is all very smart--But I must own, for you know I always speak my mind, that I think it was quite a needless piece of expence--Why could not you have worn your old striped one? It is not my way to find fault with People because they are poor, for I always think that they are more to be despised and pitied than blamed for it, especially if they cannot help it, but at the same time I must say that in my opinion your old striped Gown would have been quite fine enough for its Wearer--for to tell you the truth (I always speak my mind) I am very much afraid that one half of the people in the room will not know whether you have a Gown on or not--But I suppose you intend to make your fortune to night--. Well, the sooner the better; and I wish you success."

"Indeed Ma'am I have no such intention--"

"Who ever heard a young Lady own that she was a Fortune-hunter?" Miss Greville laughed but I am sure Ellen felt for me.

"Was your Mother gone to bed before you left her?" said her Ladyship.

"Dear Ma'am, said Ellen it is but nine o'clock."

"True Ellen, but Candles cost money, and Mrs Williams is too wise to be extravagant."

"She was just sitting down to supper Ma'am."

"And what had she got for supper?" "I did not observe." "Bread and Cheese I suppose." "I should never wish for a better supper." said Ellen. "You have never any reason replied her Mother, as a better is always provided for you." Miss Greville laughed excessively, as she constantly does at her Mother's wit.

Such is the humiliating Situation in which I am forced to appear while riding in her Ladyship's Coach--I dare not be impertinent, as my Mother is always admonishing me to be humble and patient if I wish to make my way in the world. She insists on my accepting every invitation of Lady Greville, or you may be certain that I would never enter either her House, or her Coach with the disagreable certainty I always have of being abused for my Poverty while I am in them.--When we arrived at Ashburnham, it was nearly ten o'clock, which was an hour and a half later than we were desired to be there; but Lady Greville is too fashionable (or fancies herself to be so) to be punctual. The Dancing however was not begun as they waited for Miss Greville. I had not been long in the room before I was engaged to dance by Mr Bernard, but just as we were going to stand up, he recollected that his Servant had got his white Gloves, and immediately ran out to fetch them. In the mean time the Dancing began and Lady Greville in passing to another room went exactly before me--She saw me and instantly stopping, said to me though there were several people close to us,

"Hey day, Miss Maria! What cannot you get a partner? Poor Young Lady! I am afraid your new Gown was put on for nothing. But do not despair; perhaps you may get a hop before the Evening is over." So saying, she passed on without hearing my repeated assurance of being engaged, and leaving me very much provoked at being so exposed before every one--Mr Bernard however soon returned and by coming to me the moment he entered the room, and leading me to the Dancers my Character I hope was cleared from the imputation Lady Greville had thrown on it, in the eyes of all the old Ladies who had heard her speech. I soon forgot all my vexations in the pleasure of dancing and of having the most agreable partner in

Chosen response: the room. As he is moreover heir to a very large Estate I could see that Lady Greville did not look very well pleased when she found who had been his Choice--She was determined to mortify me, and accordingly when we were sitting down between the dances, she came to me with more than her usual insulting importance attended by Miss Mason and said loud enough to be heard by half the people in the room, "Pray Miss Maria in what way of business was your Grandfather? for Miss Mason and I cannot agree whether he was a Grocer or a Bookbinder." I saw that she wanted to mortify me, and was resolved if I possibly could to Prevent her seeing that her scheme succeeded.

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Prompt:
The first objects that assume a distinct presence before me, as I look far back, into the blank of my infancy, are my mother with her pretty hair and youthful shape, and Peggotty with no shape at all, and eyes so dark that they seemed to darken their whole neighbourhood in her face, and cheeks and arms so hard and red that I wondered the birds didn't peck her in preference to apples.

I believe I can remember these two at a little distance apart, dwarfed to my sight by stooping down or kneeling on the floor, and I going unsteadily from the one to the other. I have an impression on my mind which I cannot distinguish from actual remembrance, of the touch of Peggotty's forefinger as she used to hold it out to me, and of its being roughened by needlework, like a pocket nutmeg-grater.

This may be fancy, though I think the memory of most of us can go farther back into such times than many of us suppose; just as I believe the power of observation in numbers of very young children to be quite wonderful for its closeness and accuracy. Indeed, I think that most grown men who are remarkable in this respect, may with greater propriety be said not to have lost the faculty, than to have acquired it; the rather, as I generally observe such men to retain a certain freshness, and gentleness, and capacity of being pleased, which are also an inheritance they have preserved from their childhood.

I might have a misgiving that I am 'meandering' in stopping to say this, but that it brings me to remark that I build these conclusions, in part upon my own experience of myself; and if it should appear from anything I may set down in this narrative that I was a child of close observation, or that as a man I have a strong memory of my childhood, I undoubtedly lay claim to both of these characteristics.

Looking back, as I was saying, into the blank of my infancy, the first objects I can remember as standing out by themselves from a confusion of things, are my mother and Peggotty. What else do I remember? Let me see.

There comes out of the cloud, our house--not new to me, but quite familiar, in its earliest remembrance. On the ground-floor is Peggotty's kitchen, opening into a back yard; with a pigeon-house on a pole, in the centre, without any pigeons in it; a great dog-kennel in a corner, without any dog; and a quantity of fowls that look terribly tall to me, walking about, in a menacing and ferocious manner. There is one cock who gets upon a post to crow, and seems to take particular notice of me as I look at him through the kitchen window, who makes me shiver, he is so fierce. Of the geese outside the side-gate who come waddling after me with their long necks stretched out when I go that way, I dream at night: as a man environed by wild beasts might dream of lions.

Here is a long passage--what an enormous perspective I make of it!--leading from Peggotty's kitchen to the front door. A dark store-room opens out of it, and that is a place to be run past at night; for I don't know what may be among those tubs and jars and old tea-chests, when there is nobody in there with a dimly-burning light, letting a mouldy air come out of the door, in which there is the smell of soap, pickles, pepper, candles, and coffee, all at one whiff. Then there are the two parlours: the parlour in which we sit of an evening, my mother and I and Peggotty--for Peggotty is quite our companion, when her work is done and we are alone--and the best parlour where we sit on a Sunday; grandly, but not so comfortably. There is something of a doleful air about that room to me, for Peggotty has told me--I don't know when, but apparently ages ago--about my father's funeral, and the company having their black cloaks put on. One Sunday night my mother reads to Peggotty and me in there, how Lazarus was raised up from the dead. And I am so frightened that they are afterwards obliged to take me out of bed, and show me the quiet churchyard out of the bedroom window, with the dead all lying in their graves at rest, below the solemn moon.

There is nothing half so green that I know anywhere, as the grass of that churchyard; nothing half so shady as its trees; nothing half so quiet as its tombstones. The sheep are feeding there, when I kneel up, early in the morning, in my little bed in a closet within my mother's room, to look out at it; and I see the red light shining on the sun-dial, and think within myself, 'Is the sun-dial glad, I wonder, that it can tell the time again?'

Here is our pew in the church. What a high-backed pew! With a window near it, out of which our house can be seen, and IS seen many times during the morning's service, by Peggotty, who likes to make herself as sure as she can that it's not being robbed, or is not in flames. But though Peggotty's eye wanders, she is much offended if mine does, and frowns to me, as I stand upon the seat, that I am to look at the clergyman. But I can't always look at him--I know him without that white thing on, and I am afraid of his wondering why I stare so, and perhaps stopping the service to inquire--and what am I to do? It's a dreadful thing to gape, but I must do something. I look at my mother, but she pretends not to see me. I look at a boy in the aisle, and he makes faces at me. I look at the sunlight coming in at the open door through the porch, and there I see a stray sheep--I don't mean a sinner, but mutton--half making up his mind to come into the church. I feel that if I looked at him any longer, I might be tempted to say something out loud; and what would become of me then! I look up at the monumental tablets on the wall, and try to think of Mr. Bodgers late of this parish, and what the feelings of Mrs. Bodgers must have been, when affliction sore, long time Mr. Bodgers bore, and physicians were in vain. I wonder whether they called in Mr. Chillip, and he was in vain; and if so, how he likes to be reminded of it once a week. I look from Mr. Chillip, in his Sunday neckcloth, to the pulpit; and think what a good place it would be to play in, and what a castle it would make, with another boy coming up the stairs to attack it, and having the velvet cushion with the tassels thrown down on his head. In time my eyes gradually shut up; and, from seeming to hear the clergyman singing a drowsy song in the heat, I hear nothing, until I fall off the seat with a crash, and am taken out, more dead than alive, by Peggotty.

And now I see the outside of our house, with the latticed bedroom-windows standing open to let in the sweet-smelling air, and the ragged old rooks'-nests still dangling in the elm-trees at the bottom of the front garden. Now I am in the garden at the back, beyond the yard where the empty pigeon-house and dog-kennel are--a very preserve of butterflies, as I remember it, with a high fence, and a gate and padlock; where the fruit clusters on the trees, riper and richer than fruit has ever been since, in any other garden, and where my mother gathers some in a basket, while I stand by, bolting furtive gooseberries, and trying to look unmoved. A great wind rises, and the summer is gone in a moment. We are playing in the winter twilight, dancing about the parlour. When my mother is out of breath and rests herself in an elbow-chair, I watch her winding her bright curls round her fingers, and straitening her waist, and nobody knows better than I do that she likes to look so well, and is proud of being so pretty.

That is among my very earliest impressions. That, and a sense that we were both a little afraid of Peggotty, and submitted ourselves in most things to her direction, were among the first opinions--if they may be so called--that I ever derived from what I saw.

Peggotty and I were sitting one night by the parlour fire, alone. I had been reading to Peggotty about crocodiles. I must have read very perspicuously, or the poor soul must have been deeply interested, for I remember she had a cloudy impression, after I had done, that they were a sort of vegetable. I was tired of reading, and dead sleepy; but having leave, as a high treat, to sit up until my mother came home from spending the evening at a neighbour's, I would rather have died upon my post (of course) than have gone to bed. I had reached that stage of sleepiness when Peggotty seemed to swell and grow immensely large. I propped my eyelids open with my two forefingers, and looked perseveringly at her as she sat at work; at the little bit of wax-candle she kept for her thread--how old it looked, being so wrinkled in all directions!--at the little house with a thatched roof, where the yard-measure lived; at her work-box with a sliding lid, with a view of St. Paul's Cathedral (with a pink dome) painted on the top; at the brass thimble on her finger; at herself, whom I thought lovely. I felt so sleepy, that I knew if I lost sight of anything for a moment, I was gone.

'Peggotty,' says I, suddenly, 'were you ever married?'

'Lord, Master Davy,' replied Peggotty. 'What's put marriage in your head?'

She answered with such a start, that it quite awoke me. And then she stopped in her work, and looked at me, with her needle drawn out to its thread's length.

'But WERE you ever married, Peggotty?' says I. 'You are a very handsome woman, an't you?'

I thought her in a different style from my mother, certainly; but of another school of beauty, I considered her a perfect example. There was a red velvet footstool in the best parlour, on which my mother had painted a nosegay. The ground-work of that stool, and Peggotty's complexion appeared to me to be one and the same thing. The stool was smooth, and Peggotty was rough, but that made no difference.

'Me handsome, Davy!' said Peggotty. 'Lawk, no, my dear! But what put marriage in your head?'

'I don't know!--You mustn't marry more than one person at a time, may you, Peggotty?'

'Certainly not,' says Peggotty, with the promptest decision.

'But if you marry a person, and the person dies, why then you may marry another person, mayn't you, Peggotty?'

'YOU MAY,' says Peggotty, 'if you choose, my dear. That's a matter of opinion.'

'But what is your opinion, Peggotty?' said I.

I asked her, and looked curiously at her, because she looked so curiously at me.

'My opinion is,' said Peggotty, taking her eyes from me, after a little indecision and going on with her work, 'that I never was married myself, Master Davy, and that I don't expect to be. That's all I know about the subject.'

'You an't cross, I suppose, Peggotty, are you?' said I, after sitting quiet for a minute.

I really thought she was, she had been so short with me; but I was quite mistaken: for she laid aside her work (which was a stocking of her own), and opening her arms wide, took my curly head within them, and gave it a good squeeze. I know it was a good squeeze, because, being very plump, whenever she made any little exertion after she was dressed, some of the buttons on the back of her gown flew off. And I recollect two bursting to the opposite side of the parlour, while she was hugging me.

'Now let me hear some more about the Crorkindills,' said Peggotty, who was not quite right in the name yet, 'for I an't heard half enough.'

I couldn't quite understand why Peggotty looked so queer, or why she was so ready to go back to the crocodiles. However, we returned to those monsters, with fresh wakefulness on my part, and we left their eggs in the sand for the sun to hatch; and we ran away from them, and baffled them by constantly turning, which they were unable to do quickly, on account of their unwieldy make; and we went into the water after them, as natives, and put sharp pieces of timber down their throats; and in short we ran the whole crocodile gauntlet. I did, at least; but I had my doubts of Peggotty, who was thoughtfully sticking her needle into various parts of her face and arms, all the time.

We had exhausted the crocodiles, and begun with the alligators, when the garden-bell rang. We went out to the door; and there was my mother, looking unusually pretty, I thought, and with her a gentleman with beautiful black hair and whiskers, who had walked home with us from church last Sunday.

As my mother stooped down on the threshold to take me in her arms and kiss me, the gentleman said I was a more highly privileged little fellow than a monarch--or something like that; for my later understanding comes, I am sensible, to my aid here.

'What does that mean?' I asked him, over her shoulder.

He patted me on the head; but somehow, I didn't like him or his deep voice, and I was jealous that his hand should touch my mother's in touching me--which it did. I put it away, as well as I could.

'Oh, Davy!' remonstrated my mother.

'Dear boy!' said the gentleman. 'I cannot wonder at his devotion!'

I never saw such a beautiful colour on my mother's face before. She gently chid me for being rude; and, keeping me close to her shawl, turned to thank the gentleman for taking so much trouble as to bring her home. She put out her hand to him as she spoke, and, as he met it with his own, she glanced, I thought, at me.

'Let us say "good night", my fine boy,' said the gentleman, when he had bent his head--I saw him!--over my mother's little glove.

'Good night!' said I.

'Come! Let us be the best friends in the world!' said the gentleman, laughing. 'Shake hands!'

My right hand was in my mother's left, so I gave him the other.

'Why, that's the Wrong hand, Davy!' laughed the gentleman.

My mother drew my right hand forward, but I was resolved, for my former reason, not to give it him, and I did not. I gave him the other, and he shook it heartily, and said I was a brave fellow, and went away.

At this minute I see him turn round in the garden, and give us a last look with his ill-omened black eyes, before the door was shut.

Peggotty, who had not said a word or moved a finger, secured the fastenings instantly, and we all went into the parlour. My mother, contrary to her usual habit, instead of coming to the elbow-chair by the fire, remained at the other end of the room, and sat singing to herself. --'Hope you have had a pleasant evening, ma'am,' said Peggotty, standing as stiff as a barrel in the centre of the room, with a candlestick in her hand.

'Much obliged to you, Peggotty,' returned my mother, in a cheerful voice, 'I have had a VERY pleasant evening.'

'A stranger or so makes an agreeable change,' suggested Peggotty.

'A very agreeable change, indeed,' returned my mother.

Peggotty continuing to stand motionless in the middle of the room, and my mother resuming her singing, I fell asleep, though I was not so sound asleep but that I could hear voices, without hearing what they said. When I half awoke from this uncomfortable doze, I found Peggotty and my mother both in tears, and both talking.

'Not such a one as this, Mr. Copperfield wouldn't have liked,' said Peggotty. 'That I say, and that I swear!'

'Good Heavens!' cried my mother, 'you'll drive me mad! Was ever any poor girl so ill-used by her servants as I am! Why do I do myself the injustice of calling myself a girl? Have I never been married, Peggotty?'

'God knows you have, ma'am,' returned Peggotty. 'Then, how can you dare,' said my mother--'you know I don't mean how can you dare, Peggotty, but how can you have the heart--to make me so uncomfortable and say such bitter things to me, when you are well aware that I haven't, out of this place, a single friend to turn to?'

'The more's the reason,' returned Peggotty, 'for saying that it won't do. No! That it won't do. No! No price could make it do. No!'--I thought Peggotty would have thrown the candlestick away, she was so emphatic with it.

'How can you be so aggravating,' said my mother, shedding more tears than before, 'as to talk in such an unjust manner! How can you go on as if it was all settled and arranged, Peggotty, when I tell you over and over again, you cruel thing, that beyond the commonest civilities nothing has passed! You talk of admiration. What am I to do? If people are so silly as to indulge the sentiment, is it my fault? What am I to do, I ask you? Would you wish me to shave my head and black my face, or disfigure myself with a burn, or a scald, or something of that sort? I dare say you would, Peggotty. I dare say you'd quite enjoy it.'

Peggotty seemed to take this aspersion very much to heart, I thought.

'And my dear boy,' cried my mother, coming to the elbow-chair in which I was, and caressing me, 'my own little Davy! Is it to be hinted to me that I am wanting in affection for my precious treasure, the dearest little fellow that ever was!'

'Nobody never went and hinted no such a thing,' said Peggotty.

'You did, Peggotty!' returned my mother. 'You know you did. What else was it possible to infer from what you said, you unkind creature, when you know as well as I do, that on his account only last quarter I wouldn't buy myself a new parasol, though that old green one is frayed the whole way up, and the fringe is perfectly mangy? You know it is, Peggotty. You can't deny it.' Then, turning affectionately to me, with her cheek against mine, 'Am I a naughty mama to you, Davy? Am I a nasty, cruel, selfish, bad mama? Say I am, my child; say "yes", dear boy, and Peggotty will love you; and Peggotty's love is a great deal better than mine, Davy. I don't love you at all, do I?'

At this, we all fell a-crying together. I think I was the loudest of the party, but I am sure we were all sincere about it. I was quite heart-broken myself, and am afraid that in the first transports of wounded tenderness I called Peggotty a 'Beast'. That honest creature was in deep affliction, I remember, and must have become quite buttonless on the occasion; for a little volley of those explosives went off, when, after having made it up with my mother, she kneeled down by the elbow-chair, and made it up with me.

We went to bed greatly dejected. My sobs kept waking me, for a long time; and when one very strong sob quite hoisted me up in bed, I found my mother sitting on the coverlet, and leaning over me. I fell asleep in her arms, after that, and slept soundly.

Whether it was the following Sunday when I saw the gentleman again, or whether there was any greater lapse of time before he reappeared, I cannot recall. I don't profess to be clear about dates. But there he was, in church, and he walked home with us afterwards. He came in, too, to look at a famous geranium we had, in the parlour-window. It did not appear to me that he took much notice of it, but before he went he asked my mother to give him a bit of the blossom. She begged him to choose it for himself, but he refused to do that--I could not understand why--so she plucked it for him, and gave it into his hand. He said he would never, never part with it any more; and I thought he must be quite a fool not to know that it would fall to pieces in a day or two.

Peggotty began to be less with us, of an evening, than she had always been. My mother deferred to her very much--more than usual, it occurred to me--and we were all three excellent friends; still we were different from what we used to be, and were not so comfortable among ourselves. Sometimes I fancied that Peggotty perhaps objected to my mother's wearing all the pretty dresses she had in her drawers, or to her going so often to visit at that neighbour's; but I couldn't, to my satisfaction, make out how it was.

Gradually, I became used to seeing the gentleman with the black whiskers. I liked him no better than at first, and had the same uneasy jealousy of him; but if I had any reason for it beyond a child's instinctive dislike, and a general idea that Peggotty and I could make much of my mother without any help, it certainly was not THE reason that I might have found if I had been older. No such thing came into my mind, or near it. I could observe, in little pieces, as it were; but as to making a net of a number of these pieces, and catching anybody in it, that was, as yet, beyond me.

One autumn morning I was with my mother in the front garden, when Mr. Murdstone--I knew him by that name now--came by, on horseback. He reined up his horse to salute my mother, and said he was going to Lowestoft to see some friends who were there with a yacht, and merrily proposed to take me on the saddle before him if I would like the ride.

The air was so clear and pleasant, and the horse seemed to like the idea of the ride so much himself, as he stood snorting and pawing at the garden-gate, that I had a great desire to go. So I was sent upstairs to Peggotty to be made spruce; and in the meantime Mr. Murdstone dismounted, and, with his horse's bridle drawn over his arm, walked slowly up and down on the outer side of the sweetbriar fence, while my mother walked slowly up and down on the inner to keep him company. I recollect Peggotty and I peeping out at them from my little window; I recollect how closely they seemed to be examining

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the sweetbriar between them, as they strolled along; and how, from being in a perfectly angelic temper, Peggotty turned cross in a moment, and brushed my hair the wrong way, excessively hard.

Mr. Murdstone and I were soon off, and trotting along on the green turf by the side of the road. He held me quite easily with one arm, and I don't think I was restless usually; but I could not make up my mind to sit in front of him without turning my head sometimes, and looking up in his face. He had that kind of shallow black eye--I want a better word to express an eye that has no depth in it to be looked into--which, when it is abstracted, seems from some peculiarity of light to be disfigured, for a moment at a time, by a cast.

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Prompt:
I wanted to go and look at a place right about the middle of the island that I'd found when I was exploring; so we started and soon got to it, because the island was only three miles long and a quarter of a mile wide.

This place was a tolerable long, steep hill or ridge about forty foot high. We had a rough time getting to the top, the sides was so steep and the bushes so thick. We tramped and clumb around all over it, and by-and-by found a good big cavern in the rock, most up to the top on the side towards Illinois. The cavern was as big as two or three rooms bunched together, and Jim could stand up straight in it. It was cool in there. Jim was for putting our traps in there right away, but I said we didn't want to be climbing up and down there all the time.

Jim said if we had the canoe hid in a good place, and had all the traps in the cavern, we could rush there if anybody was to come to the island, and they would never find us without dogs. And, besides, he said them little birds had said it was going to rain, and did I want the things to get wet?

So we went back and got the canoe, and paddled up abreast the cavern, and lugged all the traps up there. Then we hunted up a place close by to hide the canoe in, amongst the thick willows. We took some fish off of the lines and set them again, and begun to get ready for dinner.

The door of the cavern was big enough to roll a hogshead in, and on one side of the door the floor stuck out a little bit, and was flat and a good place to build a fire on. So we built it there and cooked dinner.

We spread the blankets inside for a carpet, and eat our dinner in there. We put all the other things handy at the back of the cavern. Pretty soon it darkened up, and begun to thunder and lighten; so the birds was right about it. Directly it begun to rain, and it rained like all fury, too, and I never see the wind blow so. It was one of these regular summer storms. It would get so dark that it looked all blue-black outside, and lovely; and the rain would thrash along by so thick that the trees off a little ways looked dim and spider-webby; and here would come a blast of wind that would bend the trees down and turn up the pale underside of the leaves; and then a perfect ripper of a gust would follow along and set the branches to tossing their arms as if they was just wild; and next, when it was just about the bluest and blackest—fst! it was as bright as glory, and you'd have a little glimpse of tree-tops a-plunging about away off yonder in the storm, hundreds of yards further than you could see before; dark as sin again in a second, and now you'd hear the thunder let go with an awful crash, and then go rumbling, grumbling, tumbling, down the sky towards the under side of the world, like rolling empty barrels down stairs—where it's long stairs and they bounce a good deal, you know.

"Jim, this is nice," I says. "I wouldn't want to be nowhere else but here. Pass me along another hunk of fish and some hot corn-bread."

"Well, you wouldn't a ben here 'f it hadn't a ben for Jim. You'd a ben down dah in de woods widout any dinner, en gittn' mos' drownded, too; dat you would, honey. Chickens knows when it's gwyne to rain, en so do de birds, chile."

The river went on raising and raising for ten or twelve days, till at last it was over the banks. The water was three or four foot deep on the island in the low places and on the Illinois bottom. On that side it was a good many miles wide, but on the Missouri side it was the same old distance across—a half a mile—because the Missouri shore was just a wall of high bluffs.

Daytimes we paddled all over the island in the canoe, It was mighty cool and shady in the deep woods, even if the sun was blazing outside. We went winding in and out amongst the trees, and sometimes the vines hung so thick we had to back away and go some other way. Well, on every old broken-down tree you could see rabbits and snakes and such things; and when the island had been overflowed a day or two they got so tame, on account of being hungry, that you could paddle right up and put your hand on them if you wanted to; but not the snakes and turtles—they would slide off in the water. The ridge our cavern was in was full of them. We could a had pets enough if we'd wanted them.

One night we catched a little section of a lumber raft—nice pine planks. It was twelve foot wide and about fifteen or sixteen foot long, and the top stood above water six or seven inches—a solid, level floor. We could see saw-logs go by in the daylight sometimes, but we let them go; we didn't show ourselves in daylight.

Another night when

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we was up at the head of the island, just before daylight, here comes a frame-house down, on the west side. She was a two-story, and tilted over considerable. We paddled out and got aboard—clumb in at an upstairs window. But it was too dark to see yet, so we made the canoe fast and set in her to wait for daylight.

The light begun to come before we got to the foot of the island. Then we looked in at the window. We could make out a bed, and a table, and two old chairs, and lots of things around about on the floor, and there was clothes hanging against the wall. There was something laying on the floor in the far corner that looked like a man.

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