Prompt:
FATHER BROWN was wandering through a picture gallery with an expression that suggested that he had not come there to look at the pictures. Indeed, he did not want to look at the pictures, though he liked pictures well enough. Not that there was anything immoral or improper about those highly modern pictorial designs. He would indeed be of an inflammable temperament who was stirred to any of the more pagan passions by the display of interrupted spirals, inverted cones and broken cylinders with which the art of the future inspired or menaced mankind. The truth is that Father Brown was looking for a young friend who had appointed that somewhat incongruous meeting-place, being herself of a more futuristic turn. The young friend was also a young relative; one of the few relatives that he had. Her name was Elizabeth Fane, simplified into Betty, and she was the child of a sister who had married into a race of refined but impoverished squires. As the squire was dead as well as impoverished. Father Brown stood in the relation of a protector as well as a priest, and in some sense a guardian as well is an uncle. At the moment, however, he was blinking about at the groups in the gallery without catching sight of the familiar brown hair and bright face of his niece. Nevertheless, he saw some people he knew and a number of people he did not know, including some that, as a mere matter of taste, he did not much want to know.

Among the people the priest did not know and who yet aroused his interest was a lithe and alert young man, very beautifully dressed and looking rather like a foreigner, because, while his beard was cut in a spade shape like an old Spaniard's, his dark hair was cropped so close as to look like a tight black skull-cap. Among the people the priest did not particularly want to know was a very dominant-looking lady, sensationally clad in scarlet, with a mane of yellow hair too long to be called bobbed, but too loose to be called anything else. She had a powerful and rather heavy face of a pale and rather unwholesome complexion, and when she looked at anybody she cultivated the fascinations of a basilisk. She towed in attendance behind her a short man with a big beard and a very broad face, with long sleepy slits of eyes. The expression of his face was beaming and benevolent, if only partially awake; but his bull neck, when seen from behind, looked a little brutal.

Father Brown gazed at the lady, feeling that the appearance and approach of his niece would be an agreeable contrast. Yet he continued to gaze, for some reason, until he reached the point of feeling that the appearance of anybody would be an agreeable contrast. It was therefore with a certain relief, though with a slight start as of awakening, that he turned at the sound of his name and saw another face that he knew.

It was the sharp but not unfriendly face of a lawyer named Granby, whose patches of grey hair might almost have been the powder from a wig, so incongruous were they with his youthful energy of movement. He was one of those men in the City who run about like schoolboys in and out of their offices. He could not run round the fashionable picture gallery quite in that fashion; but he looked as if he wanted to, and fretted as he glanced to left and right, seeking somebody he knew.

"I didn't know," said Father Brown, smiling, "that you were a patron of the New Art."

"I didn't know that you were," retorted the other. "I came here to catch a man."

"I hope you will have good sport," answered the priest. "I'm doing much the same."

"Said he was passing through to the Continent," snorted the solicitor, "and could I meet him in this cranky place." He ruminated a moment, and said abruptly: "Look here, I know you can keep a secret. Do you know Sir John Musgrave?"

"No," answered the priest; "but I should hardly have thought he was a secret, though they say he does hide himself in a castle. Isn't he the old man they tell all those tales about--how he lives in a tower with a real portcullis and drawbridge, and generally refuses to emerge from the Dark Ages? Is he one of your clients?"

"No," replied Granby shortly: "it's his son, Captain Musgrave, who has come to us. But the old man counts for a good deal in the affair, and I don't know him; that's the point. Look here, this is confidential, as I say, but I can confide in you." He dropped his voice and drew his friend apart into a side gallery containing representations of various real objects, which was comparatively empty.

"This young Musgrave," he said, "wants to raise a big sum from us on a post obit on his old father in Northumberland. The old man's long past seventy and presumably will obit some time or other; but what about the post, so to speak? What will happen afterwards to his cash and castles and portcullises and all the rest? It's a very fine old estate, and still worth a lot, but strangely enough it isn't entailed. So you see how we stand. The question is, as the man said in Dickens, is the old man friendly?"

"If he's friendly to his son you'll feel all the friendlier," observed Father Brown. "No, I'm afraid I can't help you. I never met Sir John Musgrave, and I understand very few people do meet him nowadays. But it seems obvious you have a right to an answer on that point before you lend the young gentleman your firm's money. Is he the sort that people cut off with a shilling?"

"Well, I'm doubtful," answered the other. "He's very popular and brilliant and a great figure in society; but he's a great deal abroad, and he's been a journalist."

"Well," said Father Brown, "that's not a crime. At least not always."

"Nonsense!" said Granby curtly. "You know what I mean--he's rather a rolling stone, who's been a journalist and a lecturer and an actor, and all sorts of things. I've got to know where I stand.... Why, there he is."

And the solicitor, who had been stamping impatiently about the emptier gallery, turned suddenly and darted into the more crowded room at a run. He was running towards the tall and well-dressed young man with the short hair and the foreign-looking beard.

The two walked away together talking, and for some moments afterwards Father Brown followed them with his screwed, short-sighted eyes. His gaze was shifted and recalled, however, by the breathless and even boisterous arrival of his niece, Betty. Rather to the surprise of her uncle, she led him back into the emptier room and planted him on a seat that was like an island in that sea of floor.

"I've got something I must tell you," she said. "It's so silly that nobody else will understand it."

"You overwhelm me," said Father Brown. "Is it about this business your mother started telling me about? Engagements and all that; not what the military historians call a general engagement."

"You know," she said, "that she wants me to be engaged to Captain Musgrave."

"I didn't," said Father Brown with resignation; "but Captain Musgrave seems to be quite a fashionable topic."

"Of course we're very poor," she said, "and it's no good saying it makes no difference."

"Do you want to marry him?" asked Father Brown, looking at her through his half-closed eyes.

She frowned at the floor, and answered in a lower tone:

"I thought I did. At least I think I thought I did. But I've just had rather a shock."

"Then tell us all about it."

"I heard him laugh," she said.

"It is an excellent social accomplishment," he replied.

"You don't understand," said the girl. "It wasn't social at all. That was just the point of it--that it wasn't social."

She paused a moment, and then went on firmly:

"I came here quite early, and saw him sitting quite alone in the middle of that gallery with the new pictures, that was quite empty then. He had no idea I or anybody was near; he was sitting quite alone, and he laughed."

"Well, no wonder," said Father Brown. "I'm not an art critic myself, but as a general view of the pictures taken as a whole----"

"Oh, you won't understand," she said almost angrily. "It wasn't a bit like that. He wasn't looking at the pictures. He was staring right up at the ceiling; but his eyes seemed to be turned inwards, and he laughed so that my blood ran cold."

The priest had risen and was pacing the room with his hands behind him. "You mustn't be hasty in a case of this sort," he began. "There are two kinds of men--but we can hardly discuss him just now, for here he is."

Captain Musgrave entered the room swiftly and swept it with a smile. Granby, the lawyer, was just behind him, and his legal face bore a new expression of relief and satisfaction.

"I must apologize for everything I said about the Captain," he said to the priest as they drifted together towards the door. "He's a thoroughly sensible fellow and quite sees my point. He asked me himself why I didn't go north and see his old father; I could hear from the old man's own lips how it stood about the inheritance. Well, he couldn't say fairer than that, could he? But he's so anxious to get the thing settled that he offered to take me up in his own car to Musgrave Moss. That's the name of the estate. I suggested that, if he was so kind, we might go together; and we're starting to-morrow morning."

As they spoke Betty and the Captain came through the doorway together, making in that framework at least a sort of picture that some would be sentimental enough to prefer to cones and cylinders. Whatever their other affinities, they were both very good-looking; and the lawyer was moved to a remark on the fact, when the picture abruptly altered.

Captain James Musgrave looked out into the main gallery, and his laughing and triumphant eyes were riveted on something that seemed to change him from head to foot. Father Brown looked round as under an advancing shadow of premonition; and he saw the lowering, almost livid face of the large woman in scarlet under its leonine yellow hair. She always stood with a slight stoop, like a bull lowering its horns, and the expression of her pale pasty face was so oppressive and hypnotic that they hardly saw the little man with the large beard standing beside her.

Musgrave advanced into the centre of the room towards her, almost like a beautifully dressed waxwork wound up to walk. He said a few words to her that could not be heard. She did not answer; but they turned away together, walking down the long gallery as if in debate, the short, bull-necked man with the beard bringing up the rear like some grotesque goblin page.

"Heaven help us!" muttered Father Brown, frowning after them. "Who in the world is that woman?"

"No pal of mine, I'm happy to say," replied Granby with grim flippancy. "Looks as if a little flirtation with her might end fatally, doesn't it?"

"I don't think he's flirting with her," said Father Brown.

Even as he spoke the group in question turned at the end of the gallery and broke up, and Captain Musgrave came back to them in hasty strides.

"Look here," he cried, speaking naturally enough, though they fancied his colour was changed. "I'm awfully sorry, Mr. Granby, but I find I can't come north with you to-morrow. Of course, you will take the car all the same. Please do; I shan't want it. I--I have to be in London for some days. Take a friend with you if you like."

"My friend, Father Brown----" began the lawyer.

"If Captain Musgrave is really so kind," said Father Brown gravely. "I may explain that I have some status in Mr. Granby's inquiry, and it would be a great relief to my mind if I could go."

Which was how it came about that a very elegant car, with an equally elegant chauffeur, shot north the next day over the Yorkshire moors, bearing the incongruous burden of a priest who looked rather like a black bundle, and a lawyer who had the habit of running about on his feet instead of racing on somebody else's wheels.

They broke their journey very agreeably in one of the great dales of the West Riding, dining and sleeping at a comfortable inn, and starting early next day, began to run along the Northumbrian coast till they reached a country that was a maze of sand dunes and rank sea meadows, somewhere in the heart of which lay the old Border castle which had remained so unique and yet so secretive a monument of the old Border wars. They found it at last, by following a path running beside a long arm of the sea that ran inland, and turned eventually into a sort of rude canal ending in the moat of the castle. The castle really was a castle, of the square, embattled plan that the Normans built everywhere from Galilee to the Grampians. It did really and truly have a portcullis and a drawbridge, and they were very realistically reminded of the fact by an accident that delayed their entrance.

They waded amid long coarse grass and thistle to the bank of the moat which ran in a ribbon of black with dead leaves and scum upon it, like ebony inlaid with a pattern of gold. Barely a yard or two beyond the black ribbon was the other green bank and the big stone pillars of the gateway. But so little, it would seem, had this lonely fastness been approached from outside that when the impatient Granby halloed across to the dim figures behind the portcullis, they seemed, to have considerable difficulty even in lowering the great rusty drawbridge. It started on its way, turning over like a great falling tower above them, and then stuck, sticking out in mid-air at a threatening angle.

The impatient Granby, dancing upon the bank, called out to his companion:

"Oh, I can't stand these stick-in-the-mud ways! Why, it'd be less trouble to jump."

And with characteristic impetuosity he did jump, landing with a slight stagger in safety on the inner shore. Father Brown's short legs were not adapted to jumping. But his temper was more adapted than most people's to falling with a splash into very muddy water. By the promptitude of his companion he escaped falling in very far. But as he was being hauled up the green, slimy bank, he stopped with bent head, peering at a particular point upon the grassy slope.

"Are you botanizing?" asked Granby irritably. "We've got no time for you to collect rare plants after your last attempt as a diver among the wonders of the deep. Come on, muddy or no, we've got to present ourselves before the baronet."

When they had penetrated into the castle, they were received courteously enough by an old servant, the only one in sight, and after indicating their business were shown into a long oak-panelled room with latticed windows of antiquated pattern. Weapons of many different centuries hung in balanced patterns on the dark walls, and a complete suit of fourteenth-century armour stood like a sentinel beside the large fireplace. In another long room beyond could be seen, through the half-open door, the dark colours of the rows of family portraits.

"I feel as if I'd got into a novel instead of a house," said the lawyer. "I'd no idea anybody did really keep up the 'Mysteries of Udolpho' in this fashion."

"Yes; the old gentleman certainly carries out his historical craze consistently," answered the priest; "and these things are not fakes, either. It's not done by somebody who thinks all mediæval people lived at the same time. Sometimes they make up suits of armour out of different bits; but that suit all covered one man, and covered him very completely. You, see it's the late sort of tilting-armour."

"I think he's a late sort of host, if it comes to chat," grumbled Granby. "He's keeping us waiting the devil of a time."

"You must expect everything to go slowly in a place like this," said Father Brown. "I think it's very decent of him to see us at all: two total strangers come to ask him highly personal questions."

And, indeed, when the master of the house appeared they had no reason to complain of their reception; but rather became conscious of something genuine in the traditions of breeding and behaviour that could retain their native dignity without difficulty in that barbarous solitude, and after those long years of rustication and moping. The baronet did not seem either surprised or embarrassed at the rare visitation; though they suspected that he had not had a stranger in his house for a quarter of a lifetime, he behaved as if he had been bowing out duchesses a moment before. He showed neither shyness nor impatience when they touched on the very private matter of their errand; after a little leisurely reflection he seemed to recognize their curiosity as justified under the circumstances. He was a thin, keen-looking old gentleman, with black eyebrows and a long chin, and though the carefully-curled hair he wore was undoubtedly a wig, he had the wisdom to wear the grey wig of an elderly man.

"As regards the question that immediately concerns you," he said, "the answer is very simple indeed. I do most certainly propose to hand on the whole of my property to my son, as my father handed it on to me; and nothing--I say advisedly, nothing--would induce me to take any other course."

"I am most profoundly grateful for the information," answered the lawyer. "But your kindness encourages me to say that you are putting it very strongly. I would not suggest that it is in the least likely that your son would do anything to make you doubt his fitness for the charge. Still, he might----"

"Exactly," said Sir John Musgrave dryly, "he might. It is rather an under-statement to say that he might. Will you be good enough to step into the next room with me for a moment."

He led them into the further gallery, of which they had already caught a glimpse, and gravely paused before a row of the blackened and lowering portraits.

"This is Sir Roger Musgrave," he said, pointing to a long-faced person in a black periwig. "He was one of the lowest liars and rascals in the rascally time of William of Orange, a traitor to two kings and something like the murderer of two wives. That is his father, Sir Robert, a perfectly honest old cavalier. That is his son, Sir James, one of the noblest of the Jacobite martyrs and one of the first men to attempt some reparation to the Church and the poor. Does it matter that the House of Musgrave, the power, the honour, the authority, descended from one good man to another good man through the interval of a bad one? Edward I governed England well. Edward III covered England with glory. And yet the second glory came from the first glory through the infamy and imbecility of Edward II, who fawned upon Gaveston and ran away from Bruce. Believe me, Mr. Granby, the greatness of a great house and history is something more than these accidental individuals who carry it on, even though they do not grace it. From father to son our heritage has come down, and from father to son it shall continue. You may assure yourselves, gentlemen, and you may assure my son, that I shall not leave my money to a home for lost cats. Musgrave shall leave it to Musgrave till the heavens fall."

"Yes," said Father Brown thoughtfully; "I see what you mean."

"And we shall be only too glad," said the solicitor, "to convey such a happy assurance to your son."

"You may convey the assurance," said their host gravely, "He is secure in any event of having the castle, the title, the land and the money. There is only a small and merely private addition to that arrangement. Under no circumstances whatever will I ever speak to him as long as I live."

The lawyer remained in the same respectful attitude, but he was now respectfully staring.

"Why, what on earth has he----"

"I am a private gentleman," said Musgrave, "as well as the custodian of a great inheritance. And my son did something so horrible that he has ceased to be--I will not say a gentleman--but even a human being. It is the worst crime in the world. Do you remember what Douglas said when Marmion, his guest, offered to shake hands with him?"

"Yes," said Father Brown.

"'My castles are my king's alone, from turret to foundation stone,'" said Musgrave. "'The hand of Douglas is his own.'"

He turned towards the other room

Chosen response:
and showed his rather dazed visitors back into it.

"I hope you will take some refreshment," he said, in the same equable fashion. "If you have any doubt about your movements, I should be delighted to offer you the hospitality of the castle for the night."

"Thank you, Sir John," said the priest in a dull voice, "but I think we had better go."

"I will have the bridge lowered at once," said their host; and in a few moments the creaking of that huge and absurdly antiquated apparatus filled the castle like the grinding of a mill. Rusty as it was, however, it worked successfully this time, and they found themselves standing once more on the grassy bank beyond the moat.

Rejected response: It looks like you've shared an excerpt from a story! Would you like me to analyze it, summarize it, or continue it in a particular direction?


Prompt:
I found that no genius in another could please me. My unfortunate paradoxes had entirely dried up that source of comfort.—GOLDSMITH.

One morning, some weeks after her arrival at Lowick, Dorothea—but why always Dorothea? Was her point of view the only possible one with regard to this marriage? I protest against all our interest, all our effort at understanding being given to the young skins that look blooming in spite of trouble; for these too will get faded, and will know the older and more eating griefs which we are helping to neglect. In spite of the blinking eyes and white moles objectionable to Celia, and the want of muscular curve which was morally painful to Sir James, Mr. Casaubon had an intense consciousness within him, and was spiritually a-hungered like the rest of us. He had done nothing exceptional in marrying—nothing but what society sanctions, and considers an occasion for wreaths and bouquets. It had occurred to him that he must not any longer defer his intention of matrimony, and he had reflected that in taking a wife, a man of good position should expect and carefully choose a blooming young lady—the younger the better, because more educable and submissive—of a rank equal to his own, of religious principles, virtuous disposition, and good understanding. On such a young lady he would make handsome settlements, and he would neglect no arrangement for her happiness: in return, he should receive family pleasures and leave behind him that copy of himself which seemed so urgently required of a man—to the sonneteers of the sixteenth century. Times had altered since then, and no sonneteer had insisted on Mr. Casaubon's leaving a copy of himself; moreover, he had not yet succeeded in issuing copies of his mythological key; but he had always intended to acquit himself by marriage, and the sense that he was fast leaving the years behind him, that the world was getting dimmer and that he felt lonely, was a reason to him for losing no more time in overtaking domestic delights before they too were left behind by the years.

And when he had seen Dorothea he believed that he had found even more than he demanded: she might really be such a helpmate to him as would enable him to dispense with a hired secretary, an aid which Mr. Casaubon had never yet employed and had a suspicious dread of. (Mr. Casaubon was nervously conscious that he was expected to manifest a powerful mind.) Providence, in its kindness, had supplied him with the wife he needed. A wife, a modest young lady, with the purely appreciative, unambitious abilities of her sex, is sure to think her husband's mind powerful. Whether Providence had taken equal care of Miss Brooke in presenting her with Mr. Casaubon was an idea which could hardly occur to him. Society never made the preposterous demand that a man should think as much about his own qualifications for making a charming girl happy as he thinks of hers for making himself happy. As if a man could choose not only his wife but his wife's husband! Or as if he were bound to provide charms for his posterity in his own person!— When Dorothea accepted him with effusion, that was only natural; and Mr. Casaubon believed that his happiness was going to begin.

He had not had much foretaste of happiness in his previous life. To know intense joy without a strong bodily frame, one must have an enthusiastic soul. Mr. Casaubon had never had a strong bodily frame, and his soul was sensitive without being enthusiastic: it was too languid to thrill out of self-consciousness into passionate delight; it went on fluttering in the swampy ground where it was hatched, thinking of its wings and never flying. His experience was of that pitiable kind which shrinks from pity, and fears most of all that it should be known: it was that proud narrow sensitiveness which has not mass enough to spare for transformation into sympathy, and quivers thread-like in small currents of self-preoccupation or at best of an egoistic scrupulosity. And Mr. Casaubon had many scruples: he was capable of a severe self-restraint; he was resolute in being a man of honor according to the code; he would be unimpeachable by any recognized opinion. In conduct these ends had been attained; but the difficulty of making his Key to all Mythologies unimpeachable weighed like lead upon his mind; and the pamphlets—or "Parerga" as he called them—by which he tested his public and deposited small monumental records of his march, were far from having been seen in all their significance. He suspected the Archdeacon of not having read them; he was in painful doubt as to what was really thought of them by the leading minds of Brasenose, and bitterly convinced that his old acquaintance Carp had been the writer of that depreciatory recension which was kept locked in a small drawer of Mr. Casaubon's desk, and also in a dark closet of his verbal memory. These were heavy impressions to struggle against, and brought that melancholy embitterment which is the consequence of all excessive claim: even his religious faith wavered with his wavering trust in his own authorship, and the consolations of the Christian hope in immortality seemed to lean on the immortality of the still unwritten Key to all Mythologies. For my part I am very sorry for him. It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self—never to be fully possessed by the glory we behold, never to have our consciousness rapturously transformed into the vividness of a thought, the ardor of a passion, the energy of an action, but always to be scholarly and uninspired, ambitious and timid, scrupulous and dim-sighted. Becoming a dean or even a bishop would make little difference, I fear, to Mr. Casaubon's uneasiness. Doubtless some ancient Greek has observed that behind the big mask and the speaking-trumpet, there must always be our poor little eyes peeping as usual and our timorous lips more or less under anxious control.

To this mental estate mapped out a quarter of a century before, to sensibilities thus fenced in, Mr. Casaubon had thought of annexing happiness with a lovely young bride; but even before marriage, as we have seen, he found himself under a new depression in the consciousness that the new bliss was not blissful to him. Inclination yearned back to its old, easier custom. And the deeper he went in domesticity the more did the sense of acquitting himself and acting with propriety predominate over any other satisfaction. Marriage, like religion and erudition, nay, like authorship itself, was fated to become an outward requirement, and Edward Casaubon was bent on fulfilling unimpeachably all requirements. Even drawing Dorothea into use in his study, according to his own intention before marriage, was an effort which he was always tempted to defer, and but for her pleading insistence it might never have begun. But she had succeeded in making it a matter of course that she should take her place at an early hour in the library and have work either of reading aloud or copying assigned her. The work had been easier to define because Mr. Casaubon had adopted an immediate intention: there was to be a new Parergon, a small monograph on some lately traced indications concerning the Egyptian mysteries whereby certain assertions of Warburton's could be corrected. References were extensive even here, but not altogether shoreless; and sentences were actually to be written in the shape wherein they would be scanned by Brasenose and a less formidable posterity. These minor monumental productions were always exciting to Mr. Casaubon; digestion was made difficult by the interference of citations, or by the rivalry of dialectical phrases ringing against each other in his brain. And from the first there was to be a Latin dedication about which everything was uncertain except that it was not to be addressed to Carp: it was a poisonous regret to Mr. Casaubon that he had once addressed a dedication to Carp in which he had numbered that member of the animal kingdom among the viros nullo ævo perituros, a mistake which would infallibly lay the dedicator open to ridicule in the next age, and might even be chuckled over by Pike and Tench in the present.

Thus Mr. Casaubon was in one of his busiest epochs, and as I began to say a little while ago, Dorothea joined him early in the library where he had breakfasted alone. Celia at this time was on a second visit to Lowick, probably the last before her marriage, and was in the drawing-room expecting Sir James.

Dorothea had learned to read the signs of her husband's mood, and she saw that the morning had become more foggy there during the last hour. She was going silently to her desk when he said, in that distant tone which implied that he was discharging a disagreeable duty—

"Dorothea, here is a letter for you, which was enclosed in one addressed to me."

It was a letter of two pages, and she immediately looked at the signature.

"Mr. Ladislaw! What can he have to say to me?" she exclaimed, in a tone of pleased surprise. "But," she added, looking at Mr. Casaubon, "I can imagine what he has written to you about."

"You can, if you please, read the letter," said Mr. Casaubon, severely pointing to it with his pen, and not looking at her. "But I may as well say beforehand, that I must decline the proposal it contains to pay a visit here. I trust I may be excused for desiring an interval of complete freedom from such distractions as have been hitherto inevitable, and especially from guests whose desultory vivacity makes their presence a fatigue."

There had been no clashing of temper between Dorothea and her husband since that little explosion in Rome, which had left such strong traces in her mind that it had been easier ever since to quell emotion than to incur the consequence of venting it. But this ill-tempered anticipation that she could desire visits which might be disagreeable to her husband, this gratuitous defence of himself against selfish complaint on her part, was too sharp a sting to be meditated on until after it had been resented. Dorothea had

Chosen response:
thought that she could have been patient with John Milton, but she had never imagined him behaving in this way; and for a moment Mr. Casaubon seemed to be stupidly undiscerning and odiously unjust. Pity, that "new-born babe" which was by-and-by to rule many a storm within her, did not "stride the blast" on this occasion. With her first words, uttered in a tone that shook him, she startled Mr. Casaubon into looking at her, and meeting the flash of her eyes.

"Why do you attribute to me a wish for anything that would annoy you? You speak to me as if I were something you had to contend against. Wait at least till I appear to consult my own pleasure apart from yours."

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?


Prompt:
That night, in the mid-watch, when the old man—as his wont at intervals—stepped forth from the scuttle in which he leaned, and went to his pivot-hole, he suddenly thrust out his face fiercely, snuffing up the sea air as a sagacious ship's dog will, in drawing nigh to some barbarous isle. He declared that a whale must be near. Soon that peculiar odor, sometimes to a great distance given forth by the living sperm whale, was palpable to all the watch; nor was any mariner surprised when, after inspecting the compass, and then the dog-vane, and then ascertaining the precise bearing of the odor as nearly as possible, Ahab rapidly ordered the ship's course to be slightly altered, and the sail to be shortened.

The acute policy dictating these movements was sufficiently vindicated at daybreak, by the sight of a long sleek on the sea directly and lengthwise ahead, smooth as oil, and resembling in the pleated watery wrinkles bordering it, the polished metallic-like marks of some swift tide-rip, at the mouth of a deep, rapid stream.

"Man the mast-heads! Call all hands!"

Thundering with the butts of three clubbed handspikes on the forecastle deck, Daggoo roused the sleepers with such judgment claps that they seemed to exhale from the scuttle, so instantaneously did they appear with their clothes in their hands.

"What d'ye see?" cried Ahab, flattening his face to the sky.

"Nothing, nothing sir!" was the sound hailing down in reply.

"T'gallant sails!—stunsails! alow and aloft, and on both sides!"

All sail being set, he now cast loose the life-line, reserved for swaying him to the main royal-mast head; and in a few moments they were hoisting him thither, when, while but two thirds of the way aloft, and while peering ahead through the horizontal vacancy between the main-top-sail and top-gallant-sail, he raised a gull-like cry in the air. "There she blows!—there she blows! A hump like a snow-hill! It is Moby Dick!"

Fired by the cry which seemed simultaneously taken up by the three look-outs, the men on deck rushed to the rigging to behold the famous whale they had so long been pursuing. Ahab had now gained his final perch, some feet above the other look-outs, Tashtego standing just beneath him on the cap of the top-gallant-mast, so that the Indian's head was almost on a level with Ahab's heel. From this height the whale was now seen some mile or so ahead, at every roll of the sea revealing his high sparkling hump, and regularly jetting his silent spout into the air. To the credulous mariners it seemed the same silent spout they had so long ago beheld in the moonlit Atlantic and Indian Oceans.

"And did none of ye see it before?" cried Ahab, hailing the perched men all around him.

"I saw him almost that same instant, sir, that Captain Ahab did, and I cried out," said Tashtego.

"Not the same instant; not the same—no, the doubloon is mine, Fate reserved the doubloon for me. I only; none of ye could have raised the White Whale first. There she blows!—there she blows!—there she blows! There again!—there again!" he cried, in long-drawn, lingering, methodic tones, attuned to the gradual prolongings of the whale's visible jets. "He's going to sound! In stunsails! Down top-gallant-sails! Stand by three boats. Mr. Starbuck, remember, stay on board, and keep the ship. Helm there! Luff, luff a point! So; steady, man, steady! There go flukes! No, no; only black water! All ready the boats there? Stand by, stand by! Lower me, Mr. Starbuck; lower, lower,—quick, quicker!" and he slid through the air to the deck.

"He is heading straight to leeward, sir," cried Stubb, "right away from us; cannot have seen the ship yet."

"Be dumb, man! Stand by the braces! Hard down the helm!—brace up! Shiver her!—shiver her!—So; well that! Boats, boats!"

Soon all the boats but Starbuck's were dropped; all the boat-sails set—all the paddles plying; with rippling swiftness, shooting to leeward; and Ahab heading the onset. A pale, death-glimmer lit up Fedallah's sunken eyes; a hideous motion gnawed his mouth.

Like noiseless nautilus shells, their light prows sped through the sea; but only slowly they neared the foe. As they neared him, the ocean grew still more smooth; seemed drawing a carpet over its waves; seemed a noon-meadow, so serenely it spread. At length the breathless hunter came so nigh his seemingly unsuspecting prey, that his entire dazzling hump was distinctly visible, sliding along the sea as if an isolated thing, and continually set in a revolving ring of finest, fleecy, greenish foam. He saw the vast, involved wrinkles of the slightly projecting head beyond. Before it, far out on the soft Turkish-rugged waters, went the glistening white shadow from his broad, milky forehead, a musical rippling playfully accompanying the shade; and behind, the blue waters interchangeably flowed over into the moving valley of his steady wake; and on either hand bright bubbles arose and danced by his side. But these were broken again by the light toes of hundreds of gay fowl softly feathering the sea, alternate with their fitful flight; and like to some flag-staff rising from the painted hull of an argosy, the tall but shattered pole of a recent lance projected from the white whale's back; and at intervals one of the cloud of soft-toed fowls hovering, and to and fro skimming like a canopy over the fish, silently perched and rocked on this pole, the long tail feathers streaming like pennons.

A gentle joyousness—a mighty mildness of repose in swiftness, invested the gliding whale. Not the white bull Jupiter swimming away with ravished Europa clinging to his graceful horns; his lovely, leering eyes sideways intent upon the maid; with smooth bewitching fleetness, rippling straight for the nuptial bower in Crete; not Jove, not that great majesty Supreme! did surpass the glorified White Whale as he so divinely swam.

On each soft side—coincident with the parted swell, that but once leaving him, then flowed so wide away—on each bright side, the whale shed off enticings. No wonder there had been some among the hunters who namelessly transported and allured by all this serenity, had ventured to assail it; but had fatally found that quietude but the vesture of tornadoes. Yet calm, enticing calm, oh, whale! thou glidest on, to all who for the first time eye thee, no matter how many in that same way thou may'st have bejuggled and destroyed before.

And thus, through the serene tranquillities of the tropical sea, among waves whose hand-clappings were suspended by exceeding rapture, Moby Dick moved on, still withholding from sight the full terrors of his submerged trunk, entirely hiding the wrenched hideousness of his jaw. But soon the fore part of him slowly rose from the water; for an instant his whole marbleized body formed a high arch, like Virginia's Natural Bridge, and warningly waving his bannered flukes in the air, the grand god revealed himself, sounded, and went out of sight. Hoveringly halting, and dipping on the wing, the white sea-fowls longingly lingered over the agitated pool that he left.

With oars apeak, and paddles down, the sheets of their sails adrift, the three boats now stilly floated, awaiting Moby Dick's reappearance.

"An hour," said Ahab, standing rooted in his boat's stern; and he gazed beyond the whale's place, towards the dim blue spaces and wide wooing vacancies to leeward. It was only an instant; for again his eyes seemed whirling round in his head as he swept the watery circle. The breeze now freshened; the sea began to swell.

"The birds!—the birds!" cried Tashtego.

In long Indian file, as when herons take wing, the white birds were now all flying towards Ahab's boat; and when within a few yards began fluttering over the water there, wheeling round and round, with joyous, expectant cries. Their vision was keener than man's; Ahab could discover no sign in the sea. But suddenly as he peered down and down into its depths, he profoundly saw a white living spot no bigger than a white weasel, with wonderful celerity uprising, and magnifying as it rose, till it turned, and then there were plainly revealed two long crooked rows of white, glistening teeth, floating up from the undiscoverable bottom. It was Moby Dick's open mouth and scrolled jaw; his vast, shadowed bulk still half blending with the blue of the sea. The glittering mouth yawned beneath the boat like an open-doored marble tomb; and giving one sidelong sweep with his steering oar, Ahab whirled the craft aside from this tremendous apparition. Then, calling upon Fedallah to change places with him, went forward to the bows, and seizing Perth's harpoon, commanded his crew to grasp their oars and stand by to stern.

Now, by reason of this timely spinning round the boat upon its axis, its bow, by anticipation, was made to face the whale's head while yet under water. But as if perceiving this stratagem, Moby Dick, with that malicious intelligence ascribed to him, sidelingly transplanted himself, as it were, in an instant, shooting his pleated head lengthwise beneath the boat.

Through and through; through every plank and each rib, it thrilled for an instant, the whale obliquely lying on his back, in the manner of a biting shark, slowly and feelingly taking its bows full within his mouth, so that the long, narrow, scrolled lower jaw curled high up into the open air, and one of the teeth caught in a row-lock. The bluish pearl-white of the inside of the jaw was within six inches of Ahab's head, and reached higher than that. In this attitude the White Whale now shook the slight cedar as a mildly cruel cat her mouse. With unastonished eyes Fedallah gazed, and crossed his arms; but the tiger-yellow crew were tumbling over each other's heads to gain the uttermost stern.

And now, while both elastic gunwales were springing in and out, as the whale dallied with the doomed craft in this devilish way; and from his body being submerged beneath the boat, he could not be darted at from the bows, for the bows were almost inside of him, as it were; and while the other boats involuntarily paused, as before a quick crisis impossible to withstand, then it was that monomaniac Ahab, furious with this tantalizing vicinity of his foe, which placed him all alive and helpless in the very jaws he hated; frenzied with all this, he seized the long bone with his naked hands, and wildly strove to wrench it from its gripe. As now he thus vainly strove, the jaw slipped from him; the frail gunwales bent in, collapsed, and snapped, as both jaws, like an enormous shears, sliding further aft, bit the craft completely in twain, and locked themselves fast again in the sea, midway between the two floating wrecks. These floated aside, the broken ends drooping, the crew at the stern-wreck clinging to the gunwales, and striving to hold fast to the oars to lash them across.

At that preluding moment, ere the boat was yet snapped, Ahab, the first to perceive the whale's intent, by the crafty upraising of his head, a movement that loosed his hold for the time; at that moment his hand had made one final effort to push the boat out of the bite. But only slipping further into the whale's mouth, and tilting over sideways as it slipped, the boat had shaken off his hold on the jaw; spilled

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him out of it, as he leaned to the push; and so he fell flat-faced upon the sea.

Ripplingly withdrawing from his prey, Moby Dick now lay at a little distance, vertically thrusting his oblong white head up and down in the billows; and at the same time slowly revolving his whole spindled body; so that when his vast wrinkled forehead rose—some twenty or more feet out of the water—the now rising swells, with all their confluent waves, dazzlingly broke against it; vindictively tossing their shivered spray still higher into the air.* So, in a gale, the but half baffled Channel billows only recoil from the base of the Eddystone, triumphantly to overleap its summit with their scud.

*This motion is peculiar to the sperm whale.

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.


Prompt:
There are those who deny with enthusiasm the existence of a God and are happy in a hobby which they call the Mistakes of Moses. I have not studied their labours in detail, but it seems that the chief mistake of Moses was that he neglected to write the Pentateuch. The lesser errors, apparently, were not made by Moses, but by another person equally unknown. These controversialists cover the very widest field, and their attacks upon Scripture are varied to the point of wildness. They range from the proposition that the unexpurgated Bible is almost as unfit for an American girls' school as is an unexpurgated Shakespeare; they descend to the proposition that kissing the Book is almost as hygienically dangerous as kissing the babies of the poor. A superficial critic might well imagine that there was not one single sentence left of the Hebrew or Christian Scriptures which this school had not marked with some ingenious and uneducated comment. But there is one passage at least upon which they have never pounced, at least to my knowledge; and in pointing it out to them I feel that I am, or ought to be, providing material for quite a multitude of Hyde Park orations. I mean that singular arrangement in the mystical account of the Creation by which light is created first and all the luminous bodies afterwards. One could not imagine a process more open to the elephantine logic of the Bible-smasher than this: that the sun should be created after the sunlight. The conception that lies at the back of the phrase is indeed profoundly antagonistic to much of the modern point of view. To many modern people it would sound like saying that foliage existed before the first leaf; it would sound like saying that childhood existed before a baby was born. The idea is, as I have said, alien to most modern thought, and like many other ideas which are alien to most modern thought, it is a very subtle and a very sound idea. Whatever be the meaning of the passage in the actual primeval poem, there is a very real metaphysical meaning in the idea that light existed before the sun and stars. It is not barbaric; it is rather Platonic. The idea existed before any of the machinery which made manifest the idea. Justice existed when there was no need of judges, and mercy existed before any man was oppressed.

However this may be in the matter of religion and philosophy, it can be said with little exaggeration that this truth is the very key of literature. The whole difference between construction and creation is exactly this: that a thing constructed can only be loved after it is constructed; but a thing created is loved before it exists, as the mother can love the unborn child. In creative art the essence of a book exists before the book or before even the details or main features of the book; the author enjoys it and lives in it with a kind of prophetic rapture. He wishes to write a comic story before he has thought of a single comic incident. He desires to write a sad story before he has thought of anything sad. He knows the atmosphere before he knows anything. There is a low priggish maxim sometimes uttered by men so frivolous as to take humour seriously--a maxim that a man should not laugh at his own jokes. But the great artist not only laughs at his own jokes; he laughs at his own jokes before he has made them. In the case of a man really humorous we can see humour in his eye before he has thought of any amusing words at all. So the creative writer laughs at his comedy before he creates it, and he has tears for his tragedy before he knows what it is. When the symbols and the fulfilling facts do come to him, they come generally in a manner very fragmentary and inverted, mostly in irrational glimpses of crisis or consummation. The last page comes before the first; before his romance has begun, he knows that it has ended well. He sees the wedding before the wooing; he sees the death before the duel. But most of all he sees the colour and character of the whole story prior to any possible events in it. This is the real argument for art and style, only that the artists and the stylists have not the sense to use it. In one very real sense style is far more important than either character or narrative. For a man knows what style of book he wants to write when he knows nothing else about it.

Pickwick is in Dickens's career the mere mass of light before the creation of sun or moon. It is the splendid, shapeless substance of which all his stars were ultimately made. You might split up Pickwick into innumerable novels as you could split up that primeval light into innumerable solar systems. The Pickwick Papers constitute first and foremost a kind of wild promise, a pre-natal vision of all the children of Dickens. He had not yet settled down into the plain, professional habit of picking out a plot and characters, of attending to one thing at a time, of writing a separate, sensible novel and sending it off to his publishers. He is still in the youthful whirl of the kind of world that he would like to create. He has not yet really settled what story he will write, but only what sort of story he will write. He tries to tell ten stories at once; he pours into the pot all the chaotic fancies and crude experiences of his boyhood; he sticks in irrelevant short stories shamelessly, as into a scrap-book; he adopts designs and abandons them, begins episodes and leaves them unfinished; but from the first page to the last there is a nameless and elemental ecstasy--that of the man who is doing the kind of thing that he can do. Dickens, like every other honest and effective writer, came at last to some degree of care and self-restraint. He learned how to make his dramatis personae assist his drama; he learned how to write stories which were full of rambling and perversity, but which were stories. But before he wrote a single real story, he had a kind of vision. It was a vision of the Dickens world--a maze of white roads, a map full of fantastic towns, thundering coaches, clamorous market-places, uproarious inns, strange and swaggering figures. That vision was Pickwick.

It must be remembered that this is true even in connection with the man's contemporaneous biography. Apart from anything else about it, Pickwick was his first great chance. It was a big commission given in some sense to an untried man, that he might show what he could do. It was in a strict sense a sample. And just as a sample of leather can be only a piece of leather, or a sample of coal a lump of coal, so this book may most properly be regarded as simply a lump of Dickens. He was anxious to show all that was in him. He was more concerned to prove that he could write well than to prove that he could write this particular book well. And he did prove this, at any rate. No one ever sent such a sample as the sample of Dickens. His roll of leather blocked up the street; his lump of coal set the Thames on fire.

The book originated in the suggestion of a publisher; as many more good books have done than the arrogance of the man of letters is commonly inclined to admit. Very much is said in our time about Apollo and Admetus, and the impossibility of asking genius to work within prescribed limits or assist an alien design. But after all, as a matter of fact, some of the greatest geniuses have done it, from Shakespeare botching up bad comedies and dramatising bad novels down to Dickens writing a masterpiece as the mere framework for a Mr. Seymour's sketches. Nor is the true explanation irrelevant to the spirit and power of Dickens. Very delicate, slender, and bizarre talents are indeed incapable of being used for an outside purpose, whether of public good or of private gain. But about very great and rich talent there goes a certain disdainful generosity which can turn its hand to anything. Minor poets cannot write to order; but very great poets can write to order. The larger the man's mind, the wider his scope of vision, the more likely it will be that anything suggested to him will seem significant and promising; the more he has a grasp of everything the more ready he will be to write anything. It is very hard (if that is the question) to throw a brick at a man and ask him to write an epic; but the more he is a great man the more able he will be to write about the brick. It is very unjust (if that is all) to point to a hoarding of Colman's mustard and demand a flood of philosophical eloquence; but the greater the man is the more likely he will be to give it to you. So it was proved, not for the first time, in this great experiment of the early employment of Dickens. Messrs. Chapman and Hall came to him with a scheme for a string of sporting stories to serve as the context, and one might almost say the excuse, for a string of sketches by Seymour, the sporting artist. Dickens made some modifications in the plan, but he adopted its main feature; and its main feature was Mr. Winkle. To think of what Mr. Winkle might have been in the hands of a dull farceur, and then to think of what he is, is to experience the feeling that Dickens made a man out of rags and refuse. Dickens was to work splendidly and successfully in many fields, and to send forth many brilliant books and brave figures. He was destined to have the applause of continents like a statesman, and to dictate to his publishers like a despot; but perhaps he never worked again so supremely well as here, where he worked in chains. It may well be questioned whether his one hack book is not his masterpiece.

Of course it is true that as he went on his independence increased, and he kicked quite free of the influences that had suggested his story. So Shakespeare declared his independence of the original chronicle of Hamlet, Prince of Denmark, eliminating altogether (with some wisdom) another uncle called Wiglerus. At the start the Nimrod Club of Chapman and Hall may have even had equal chances with the Pickwick Club of young Mr. Dickens;

Chosen response: but the Pickwick Club became something much better than any publisher had dared to dream of. Some of the old links were indeed severed by accident or extraneous trouble; Seymour, for whose sake the whole had perhaps been planned, blew his brains out before he had drawn ten pictures. But such things were trifles compared to Pickwick itself. It mattered little now whether Seymour blew his brains out, so long as Charles Dickens blew his brains in. The work became systematically and progressively more powerful and masterly. Many critics have commented on the somewhat discordant and inartistic change between the earlier part of Pickwick and the later; they have pointed out, not without good sense, that the character of Mr.

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?


Prompt:
We dined yesterday with Mr Evelyn where we were introduced to a very agreable looking Girl his Cousin. I was extremely pleased with her appearance, for added to the charms of an engaging face, her manner and voice had something peculiarly interesting in them. So much so, that they inspired me with a great curiosity to know the history of her Life, who were her Parents, where she came from, and what had befallen her, for it was then only known that she was a relation of Mr Evelyn, and that her name was Grenville. In the evening a favourable opportunity offered to me of attempting at least to know what I wished to know, for every one played at Cards but Mrs Evelyn, My Mother, Dr Drayton, Miss Grenville and myself, and as the two former were engaged in a whispering Conversation, and the Doctor fell asleep, we were of necessity obliged to entertain each other. This was what I wished and being determined not to remain in ignorance for want of asking, I began the Conversation in the following Manner.

"Have you been long in Essex Ma'am?"

"I arrived on Tuesday."

"You came from Derbyshire?"

"No, Ma'am! appearing surprised at my question, from Suffolk." You will think this a good dash of mine my dear Mary, but you know that I am not wanting for Impudence when I have any end in veiw. "Are you pleased with the Country Miss Grenville? Do you find it equal to the one you have left?"

"Much superior Ma'am in point of Beauty." She sighed. I longed to know for why.

"But the face of any Country however beautiful said I, can be but a poor consolation for the loss of one's dearest Freinds." She shook her head, as if she felt the truth of what I said. My Curiosity was so much raised, that I was resolved at any rate to satisfy it.

"You regret having left Suffolk then Miss Grenville?" "Indeed I do." "You were born there I suppose?" "Yes Ma'am I was and passed many happy years there--"

"That is a great comfort--said I--I hope Ma'am that you never spent any unhappy one's there."

"Perfect

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Felicity is not the property of Mortals, and no one has a right to expect uninterrupted Happiness.--Some Misfortunes I have certainly met with."

"WHAT Misfortunes dear Ma'am? replied I, burning with impatience to know every thing. "NONE Ma'am I hope that have been the effect of any wilfull fault in me." "I dare say not Ma'am, and have no doubt but that any sufferings you may have experienced could arise only from the cruelties of Relations or the Errors of Freinds." She sighed--"You seem unhappy my dear Miss Grenville--Is it in my power to soften your Misfortunes?" "YOUR power Ma'am replied she extremely surprised; it is in NO ONES power to make me happy." She pronounced these words in so mournfull and solemn an accent, that for some time I had not courage to reply.

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.


Prompt:
Clown. . . . 'Twas in the Bunch of Grapes, where, indeed, you have a delight to sit, have you not? Froth. I have so: because it is an open room, and good for winter. Clo. Why, very well then: I hope here be truths. —Measure for Measure.

Five days after the death of Raffles, Mr. Bambridge was standing at his leisure under the large archway leading into the yard of the Green Dragon. He was not fond of solitary contemplation, but he had only just come out of the house, and any human figure standing at ease under the archway in the early afternoon was as certain to attract companionship as a pigeon which has found something worth pecking at. In this case there was no material object to feed upon, but the eye of reason saw a probability of mental sustenance in the shape of gossip. Mr. Hopkins, the meek-mannered draper opposite, was the first to act on this inward vision, being the more ambitious of a little masculine talk because his customers were chiefly women. Mr. Bambridge was rather curt to the draper, feeling that Hopkins was of course glad to talk to him, but that he was not going to waste much of his talk on Hopkins. Soon, however, there was a small cluster of more important listeners, who were either deposited from the passers-by, or had sauntered to the spot expressly to see if there were anything going on at the Green Dragon; and Mr. Bambridge was finding it worth his while to say many impressive things about the fine studs he had been seeing and the purchases he had made on a journey in the north from which he had just returned. Gentlemen present were assured that when they could show him anything to cut out a blood mare, a bay, rising four, which was to be seen at Doncaster if they chose to go and look at it, Mr. Bambridge would gratify them by being shot "from here to Hereford." Also, a pair of blacks which he was going to put into the break recalled vividly to his mind a pair which he had sold to Faulkner in '19, for a hundred guineas, and which Faulkner had sold for a hundred and sixty two months later—any gent who could disprove this statement being offered the privilege of calling Mr. Bambridge by a very ugly name until the exercise made his throat dry.

When the discourse was at this point of animation, came up Mr. Frank Hawley. He was not a man to compromise his dignity by lounging at the Green Dragon, but happening to pass along the High Street and seeing Bambridge on the other side, he took some of his long strides across to ask the horsedealer whether he had found the first-rate gig-horse which he had engaged to look for. Mr. Hawley was requested to wait until he had seen a gray selected at Bilkley: if that did not meet his wishes to a hair, Bambridge did not know a horse when he saw it, which seemed to be the highest conceivable unlikelihood. Mr. Hawley, standing with his back to the street, was fixing a time for looking at the gray and seeing it tried, when a horseman passed slowly by.

"Bulstrode!" said two or three voices at once in a low tone, one of them, which was the draper's, respectfully prefixing the "Mr.;" but nobody having more intention in this interjectural naming than if they had said "the Riverston coach" when that vehicle appeared in the distance. Mr. Hawley gave a careless glance round at Bulstrode's back, but as Bambridge's eyes followed it he made a sarcastic grimace.

"By jingo! that reminds me," he began, lowering his voice a little, "I picked up something else at Bilkley besides your gig-horse, Mr. Hawley. I picked up a fine story about Bulstrode. Do you know how he came by his fortune? Any gentleman wanting a bit of curious information, I can give it him free of expense. If everybody got their deserts, Bulstrode might have had to say his prayers at Botany Bay."

"What do you mean?" said Mr. Hawley, thrusting his hands into his pockets, and pushing a little forward under the archway. If Bulstrode should turn out to be a rascal, Frank Hawley had a prophetic soul.

"I had it from a party who was an old chum of Bulstrode's. I'll tell you where I first picked him up," said Bambridge, with a sudden gesture of his fore-finger. "He was at Larcher's sale, but I knew nothing of him then—he slipped through my fingers—was after Bulstrode, no doubt. He tells me he can tap Bulstrode to any amount, knows all his secrets. However, he blabbed to me at Bilkley: he takes a stiff glass. Damme if I think he meant to turn king's evidence; but he's that sort of bragging fellow, the bragging runs over hedge and ditch with him, till he'd brag of a spavin as if it 'ud fetch money. A man should know when to pull up." Mr. Bambridge made this remark with an air of disgust, satisfied that his own bragging showed a fine sense of the marketable.

"What's the man's name? Where can he be found?" said Mr. Hawley.

"As to where he is to be found, I left him to it at the Saracen's Head; but his name is Raffles."

"Raffles!" exclaimed Mr. Hopkins. "I furnished his funeral yesterday. He was buried at Lowick. Mr. Bulstrode followed him. A very decent funeral." There was a strong sensation among the listeners. Mr. Bambridge gave an ejaculation in which "brimstone" was the mildest word, and Mr. Hawley, knitting his brows and bending his head forward, exclaimed, "What?—where did the man die?"

"At Stone Court," said the draper. "The housekeeper said he was a relation of the master's. He came there ill on Friday."

"Why, it was on Wednesday I took a glass with him," interposed Bambridge.

"Did any doctor attend him?" said Mr. Hawley

"Yes. Mr. Lydgate. Mr. Bulstrode sat up with him one night. He died the third morning."

"Go on, Bambridge," said Mr. Hawley, insistently. "What did this fellow say about Bulstrode?"

The group had already become larger, the town-clerk's presence being a guarantee that something worth listening to was going on there; and Mr. Bambridge delivered his narrative in the hearing of seven. It was mainly what we know, including the fact about Will Ladislaw, with some local color and circumstance added: it was what Bulstrode had dreaded the betrayal of—and hoped to have buried forever with the corpse of Raffles—it was that haunting ghost of his earlier life which as he rode past the archway of the Green Dragon he was trusting that Providence had delivered him from. Yes, Providence. He had not confessed to himself yet that he had done anything in the way of contrivance to this end; he had accepted what seemed to have been offered. It was impossible to prove that he had done anything which hastened the departure of that man's soul.

But this gossip about Bulstrode spread through Middlemarch like the smell of fire. Mr. Frank Hawley followed up his information by sending a clerk whom he could trust to Stone Court on a pretext of inquiring about hay, but really to gather all that could be learned about Raffles and his illness from Mrs. Abel. In this way it came to his knowledge that Mr. Garth had carried the man to Stone Court in his gig; and Mr. Hawley in consequence took an opportunity of seeing Caleb, calling at his office to ask whether he had time to undertake an arbitration if it were required, and then asking him incidentally about Raffles. Caleb was betrayed into no word injurious to Bulstrode beyond the fact which he was forced to admit, that he had given up acting for him within the last week. Mr Hawley drew his inferences, and feeling convinced that Raffles had told his story to Garth, and that Garth had given up Bulstrode's affairs in consequence, said so a few hours later to Mr. Toller. The statement was passed on until it had quite lost the stamp of an inference, and was taken as information coming straight from Garth, so that even a diligent historian might have concluded Caleb to be the chief publisher of Bulstrode's misdemeanors.

Mr. Hawley was not slow to perceive that there was no handle for the law either in the revelations made by Raffles or in the circumstances of his death. He had himself ridden to Lowick village that he might look at the register and talk over the whole matter with Mr. Farebrother, who was not more surprised than the lawyer that an ugly secret should have come to light about Bulstrode, though he had always had justice enough in him to hinder his antipathy from turning into conclusions. But while they were talking another combination was silently going forward in Mr. Farebrother's mind, which foreshadowed what was soon to be loudly spoken of in Middlemarch as a necessary "putting of two and two together." With the reasons which kept Bulstrode in dread of Raffles there flashed the thought that the dread might have something to do with his munificence towards his medical man; and though he resisted the suggestion that it had been consciously accepted in any way as a bribe, he had a foreboding that this complication of things might be of malignant effect on Lydgate's reputation. He perceived that Mr. Hawley knew nothing at present of the sudden relief from debt, and he himself was careful to glide away from all approaches towards the subject.

"Well," he said, with a deep breath, wanting to wind up the illimitable discussion of what might have been, though nothing could be legally proven, "it is a strange story. So our mercurial Ladislaw has a queer genealogy! A high-spirited young lady and a musical Polish patriot made a likely enough stock for him to spring from, but I should never have suspected a grafting of the Jew pawnbroker. However, there's no knowing what a mixture will turn out beforehand. Some sorts of dirt serve to clarify."

"It's just what I should have expected," said Mr. Hawley, mounting his horse. "Any cursed alien blood, Jew, Corsican, or Gypsy."

"I know he's one of your black sheep, Hawley. But he is really a disinterested, unworldly fellow," said Mr. Farebrother, smiling.

"Ay, ay, that is your Whiggish twist," said Mr. Hawley, who had been in the habit of saying apologetically that Farebrother was such a damned pleasant good-hearted fellow you would mistake him for a Tory.

Mr. Hawley rode home without thinking of Lydgate's attendance on Raffles in any other light than as a piece of evidence on the side of Bulstrode. But the news that Lydgate had all at once become able not only to get rid of the execution in his house but to pay all his debts in Middlemarch was spreading fast, gathering round it conjectures and comments which gave it new body and impetus, and soon filling the ears of other persons besides Mr. Hawley, who were not slow to see a significant relation between this sudden command of money and Bulstrode's desire to stifle the scandal of Raffles. That the money came from Bulstrode would infallibly have been guessed even if there had been no direct evidence of it; for it had beforehand entered into the gossip about Lydgate's affairs, that neither his father-in-law nor his own family would do anything for him, and direct evidence was furnished not only by a clerk at the Bank, but by innocent Mrs. Bulstrode herself, who mentioned the loan to Mrs. Plymdale, who mentioned it to her daughter-in-law of the house of Toller, who mentioned it generally. The business was felt to be so public and important that it required dinners to feed it, and many invitations were just then issued and accepted on the strength of this scandal concerning Bulstrode and Lydgate; wives, widows, and single ladies took their work and went out to tea oftener than usual; and all public conviviality, from the Green Dragon to Dollop's, gathered a zest which could not be won from the question whether the Lords would throw out the Reform Bill.

For hardly anybody doubted that some scandalous reason or other was at the bottom of Bulstrode's liberality to Lydgate. Mr. Hawley indeed, in the first instance, invited a select party, including the two physicians, with Mr Toller and Mr. Wrench, expressly to hold a close discussion as to the probabilities of Raffles's illness, reciting to them all the particulars which had been gathered from Mrs. Abel in connection with Lydgate's certificate, that the death was due to delirium tremens; and the medical gentlemen, who all stood undisturbedly on the old paths in relation to this disease, declared that they could see nothing in these particulars which could be transformed into a positive ground of suspicion. But the moral grounds of suspicion remained: the strong motives Bulstrode clearly had for wishing to be rid of Raffles, and the fact that at this critical moment he had given Lydgate the help which he must for some time have known the need for; the disposition, moreover, to believe that Bulstrode would be unscrupulous, and the absence of any indisposition to believe that Lydgate might be as easily bribed as other haughty-minded men when they have found themselves in want of money. Even if the money had been given merely to make him hold his tongue about the scandal of Bulstrode's earlier life, the fact threw an odious light on Lydgate, who had long been sneered at as making himself subservient to the banker for the sake of working himself into predominance, and discrediting the elder members of his profession. Hence, in spite of the negative as to any direct sign of guilt in relation to the death at Stone Court, Mr. Hawley's select party broke up with the sense that the affair had "an ugly look."

But this vague conviction of indeterminable guilt, which was enough to keep up much head-shaking and biting innuendo even among substantial professional seniors, had for the general mind all the superior power of mystery over fact. Everybody liked better to conjecture how the thing was, than simply to know it; for conjecture soon became more confident than knowledge, and had a more liberal allowance for the incompatible. Even the more definite scandal concerning Bulstrode's earlier life was, for some minds, melted into the mass of mystery, as so much lively metal to be poured out in dialogue, and to take such fantastic shapes as heaven pleased.

This was the tone of thought chiefly sanctioned by Mrs. Dollop, the spirited landlady of the Tankard in Slaughter Lane, who had often to resist the shallow pragmatism of customers disposed to think that their reports from the outer world were of equal force with what had "come up" in her mind. How it had been brought to her she didn't know, but it was there before her as if it had been "scored with the chalk on the chimney-board—" as Bulstrode should say, "his inside was that black as if the hairs of his head knowed the thoughts of his heart, he'd tear 'em up by the roots."

"That's odd," said Mr. Limp, a meditative shoemaker, with weak eyes and a piping voice. "Why, I read in the 'Trumpet' that was what the Duke of Wellington said when he turned his coat and went over to the Romans."

"Very like," said Mrs. Dollop. "If one raskill said it, it's more reason why another should. But hypocrite as he's been, and holding things with that high hand, as there was no parson i' the country good enough for him, he was forced to take Old Harry into his counsel, and Old Harry's been too many for him."

"Ay, ay, he's a 'complice you can't send out o' the country," said Mr. Crabbe, the glazier, who gathered much news and groped among it dimly. "But by what I can make out, there's them says Bulstrode was for running away, for fear o' being found out, before now."

"He'll be drove away, whether or no," said Mr. Dill, the barber, who had just dropped in. "I shaved Fletcher, Hawley's clerk, this morning—he's got a bad finger—and he says they're all of one mind to get rid of Bulstrode. Mr. Thesiger is turned against him, and wants him out o' the parish. And there's gentlemen in this town says they'd as soon dine with a fellow from the hulks. 'And a deal sooner I would,' says Fletcher; 'for what's more against one's stomach than a man coming and making himself bad company with his religion, and giving out as the Ten Commandments are not enough for him, and all the while he's worse than half the men at the tread-mill?' Fletcher said so himself."

"It'll be a bad thing for the town though, if Bulstrode's money goes out of it," said Mr. Limp, quaveringly.

"Ah, there's better folks spend their money worse," said a firm-voiced dyer, whose crimson hands looked out of keeping with his good-natured face.

"But he won't keep his money, by what I can make out," said the glazier. "Don't they say as there's somebody can strip it off him? By what I can understan', they could take every penny off him, if they went to lawing."

"No such thing!" said the barber, who felt himself a little above his company at Dollop's, but liked it none the worse. "Fletcher says it's no such thing. He says they might prove over and over again whose child this young Ladislaw was, and they'd do no more than if they proved I came out of the Fens—he couldn't touch a penny."

"Look you there now!" said Mrs. Dollop, indignantly. "I thank the Lord he took my children to Himself, if that's all the law can do for the motherless. Then by that, it's o' no use who your father and mother is. But as to listening to what one lawyer says without asking another—I wonder at a man o' your cleverness, Mr. Dill. It's well known there's always two sides, if no more; else who'd go to law, I should like to know? It's a poor tale, with all the law as there is up and down, if it's no use proving whose child you are. Fletcher may say that if he likes, but I say, don't Fletcher me!"

Mr. Dill affected to laugh in a complimentary way at Mrs. Dollop, as a woman who was more than a match for the lawyers; being disposed to submit to much twitting from a landlady who had a long score against him.

"If they come to lawing, and it's all true as folks say, there's more to be looked to nor money," said the glazier. "There's this poor creetur as is dead and gone; by what I can make out, he'd seen the day when he was a deal finer gentleman nor Bulstrode."

"Finer gentleman! I'll warrant him," said Mrs. Dollop; "and a far personabler man, by what I can hear. As I said when Mr. Baldwin, the tax-gatherer, comes in, a-standing where you sit, and says, 'Bulstrode got all his money as he brought into this town by thieving and swindling,'—I said, 'You don't make me no wiser, Mr. Baldwin: it's set my blood a-creeping to look at him ever sin' here he came into Slaughter Lane a-wanting to buy the house over my head: folks don't look the color o' the dough-tub and stare at you as if they wanted to see into your backbone for nothingk.' That was what I said, and Mr. Baldwin can bear me witness."

"And in the rights of it too," said Mr. Crabbe. "For by what I can make out, this Raffles, as they call him, was a lusty, fresh-colored man as you'd wish to see, and the best o' company—though dead he lies in Lowick churchyard sure enough; and by what I can understan', there's them knows more than they should know about how he got there."

"I'll believe you!" said Mrs. Dollop, with a touch of scorn at Mr. Crabbe's apparent dimness. "When a man's been 'ticed to a lone house, and there's them can pay for hospitals and nurses for half the country-side choose to be sitters-up night and day, and nobody to come near but a doctor as is known to stick at nothingk, and as poor as he can hang together, and after that so flush o' money as he can pay off Mr. Byles the butcher as his bill has been running on for the best o' joints since last Michaelmas was a twelvemonth—I don't want anybody to come and tell me as there's been more going on nor the Prayer-book's got a service for—I don't want to stand winking and blinking and thinking."

Mrs. Dollop looked round with the air of a landlady accustomed to dominate her company. There was a chorus of adhesion from the more courageous; but Mr. Limp, after taking a draught, placed his flat hands together and pressed them hard between his knees, looking down at them with blear-eyed contemplation, as if the scorching power of Mrs. Dollop's speech had quite dried up and nullified his wits until they could be brought round again by further moisture.

"Why shouldn't they dig the man up and have the Crowner?" said the dyer. "It's been done many and many's the time. If there's been foul play they might find it out."

"Not they, Mr. Jonas!" said Mrs Dollop, emphatically. "I know what doctors are. They're a deal too cunning to be found out. And this Doctor Lydgate that's been for cutting up everybody before the breath was well out o' their body—it's plain enough what use he wanted to make o' looking into respectable people's insides. He knows drugs, you may be sure, as you can neither smell nor see, neither before they're swallowed nor after. Why, I've seen drops myself ordered by Doctor Gambit, as is our club doctor and a good charikter, and has brought more live children into the world nor ever another i' Middlemarch—I say I've seen drops myself as made no difference whether they was in the glass or out, and yet have griped you the next day. So I'll leave your own sense to judge. Don't tell me! All I say is, it's a mercy they didn't take this Doctor Lydgate on to our club. There's many a mother's child might ha' rued it."

The heads of this discussion at "Dollop's" had been the common theme among all classes in the town, had been carried to Lowick Parsonage on one side and to Tipton Grange on the other, had come fully to the ears of the Vincy family, and had been discussed with sad reference to "poor Harriet" by all Mrs. Bulstrode's friends, before Lydgate knew distinctly why people were looking strangely at him, and before Bulstrode himself suspected the betrayal of his secrets. He had not been accustomed to very cordial relations with his neighbors, and hence he could not miss the signs of cordiality; moreover, he had been taking journeys on business of various kinds, having now made up his mind that he need not quit Middlemarch, and feeling able consequently to determine on matters which he had before left in suspense.

"We will make a journey to Cheltenham

Chosen response:
in the course of a month or two," he had said to his wife. "There are great spiritual advantages to be had in that town along with the air and the waters, and six weeks there will be eminently refreshing to us."

He really believed in the spiritual advantages, and meant that his life henceforth should be the more devoted because of those later sins which he represented to himself as hypothetic, praying hypothetically for their pardon:—"if I have herein transgressed."

As to the Hospital, he avoided saying anything further to Lydgate, fearing to manifest a too sudden change of plans immediately on the death of Raffles. In his secret soul he believed that Lydgate suspected his orders to have been intentionally disobeyed, and suspecting this he must also suspect a motive.

Rejected response: This passage seems incomplete — it stops in the middle of a sentence. Did you mean to paste more? I'm happy to help once I know what you're looking for.


Prompt:
At length, towards noon, upon the final dismissal of the ship's riggers, and after the Pequod had been hauled out from the wharf, and after the ever-thoughtful Charity had come off in a whale-boat, with her last gift—a night-cap for Stubb, the second mate, her brother-in-law, and a spare Bible for the steward—after all this, the two Captains, Peleg and Bildad, issued from the cabin, and turning to the chief mate, Peleg said:

"Now, Mr. Starbuck, are you sure everything is right? Captain Ahab is all ready—just spoke to him—nothing more to be got from shore, eh? Well, call all hands, then. Muster 'em aft here—blast 'em!"

"No need of profane words, however great the hurry, Peleg," said Bildad, "but away with thee, friend Starbuck, and do our bidding."

How now! Here upon the very point of starting for the voyage, Captain Peleg and Captain Bildad were going it with a high hand on the quarter-deck, just as if they were to be joint-commanders at sea, as well as to all appearances in port. And, as for Captain Ahab, no sign of him was yet to be seen; only, they said he was in the cabin. But then, the idea was, that his presence was by no means necessary in getting the ship under weigh, and steering her well out to sea. Indeed, as that was not at all his proper business, but the pilot's; and as he was not yet completely recovered—so they said—therefore, Captain Ahab stayed below. And all this seemed natural enough; especially as in the merchant service many captains never show themselves on deck for a considerable time after heaving up the anchor, but remain over the cabin table, having a farewell merry-making with their shore friends, before they quit the ship for good with the pilot.

But there was not much chance to think over the matter, for Captain Peleg was now all alive. He seemed to do most of the talking and commanding, and not Bildad.

"Aft here, ye sons of bachelors," he cried, as the sailors lingered at the main-mast. "Mr. Starbuck, drive 'em aft."

"Strike the tent there!"—was the next order. As I hinted before, this whalebone marquee was never pitched except in port; and on board the Pequod, for thirty years, the order to strike the tent was well known to be the next thing to heaving up the anchor.

"Man the capstan! Blood and thunder!—jump!"—was the next command, and the crew sprang for the handspikes.

Now in getting under weigh, the station generally occupied by the pilot is the forward part of the ship. And here Bildad, who, with Peleg, be it known, in addition to his other officers, was one of the licensed pilots of the port—he being suspected to have got himself made a pilot in order to save the Nantucket pilot-fee to all the ships he was concerned in, for he never piloted any other craft—Bildad, I say, might now be seen actively engaged in looking over the bows for the approaching anchor, and at intervals singing what seemed a dismal stave of psalmody, to cheer the hands at the windlass, who roared forth some sort of a chorus about the girls in Booble Alley, with hearty good will. Nevertheless, not three days previous, Bildad had told them that no profane songs would be allowed on board the Pequod, particularly in getting under weigh; and Charity, his sister, had placed a small choice copy of Watts in each seaman's berth.

Meantime, overseeing the other part of the ship, Captain Peleg ripped and swore astern in the most frightful manner. I almost thought he would sink the ship before the anchor could be got up; involuntarily I paused on my handspike, and told Queequeg to do the same, thinking of the perils we both ran, in starting on the voyage with such a devil for a pilot. I was comforting myself, however, with the thought that in pious Bildad might be found some salvation, spite of his seven hundred and seventy-seventh lay; when I felt a sudden sharp poke in my rear, and turning round, was horrified at the apparition of Captain Peleg in the act of withdrawing his leg from my immediate vicinity. That was my first kick.

"Is that the way they heave in the marchant service?" he roared. "Spring, thou sheep-head; spring, and break thy backbone! Why don't ye spring, I say, all of ye—spring! Quohog! spring, thou chap with the red whiskers; spring there, Scotch-cap; spring, thou green pants. Spring, I say, all of ye, and spring your eyes out!" And so saying, he moved along the windlass, here and there using his leg very freely, while imperturbable Bildad kept leading off with his psalmody. Thinks I, Captain Peleg must have been drinking something to-day.

At last the anchor was up, the sails were set, and off we glided. It was a short, cold Christmas; and as the short northern day merged into night, we found ourselves almost broad upon the wintry ocean, whose freezing spray cased us in ice, as in polished armor. The long rows of teeth on the bulwarks glistened in the moonlight; and like the white ivory tusks of some huge elephant, vast curving icicles depended from the bows.

Lank Bildad, as pilot, headed the first watch, and ever and anon, as the old craft deep dived into the green seas, and sent the shivering frost all over her, and the winds howled, and the cordage rang, his steady notes were heard,—

"Sweet fields beyond the swelling flood, Stand dressed in living green. So to the Jews old Canaan stood, While Jordan rolled between."

Never did those sweet words sound more sweetly to me than then. They were full of hope and fruition. Spite of this frigid winter night in the boisterous Atlantic, spite of my wet feet and wetter jacket, there was yet, it then seemed to me, many a pleasant haven in store; and

Chosen response:
meads and glades so eternally vernal, that the grass shot up by the spring, untrodden, unwilted, remains at midsummer.

At last we gained such an offing, that the two pilots were needed no longer. The stout sail-boat that had accompanied us began ranging alongside.

It was curious and not unpleasing, how Peleg and Bildad were affected at this juncture, especially Captain Bildad. For loath to depart, yet; very loath to leave, for good, a ship bound on so long and perilous a voyage—beyond both stormy Capes; a ship in which some thousands of his hard earned dollars were invested; a ship, in which an old shipmate sailed as captain; a man almost as old as he, once more starting to encounter all the terrors of the pitiless jaw; loath to say good-bye to a thing so every way brimful of every interest to him,—poor old Bildad lingered long; paced the deck with anxious strides; ran down into the cabin to speak another farewell word there; again came on deck, and looked to windward; looked towards the wide and endless waters, only bounded by the far-off unseen Eastern Continents; looked towards the land; looked aloft; looked right and left; looked everywhere and nowhere; and at last, mechanically coiling a rope upon its pin, convulsively grasped stout Peleg by the hand, and holding up a lantern, for a moment stood gazing heroically in his face, as much as to say, "Nevertheless, friend Peleg, I can stand it; yes, I can."

Rejected response: Thanks for sharing this passage! It appears to be from a work of fiction. What would you like me to do with it?