Prompt:
On the morning of the sixteenth day out from St. Joseph we arrived at the entrance of Rocky Canyon, two hundred and fifty miles from Salt Lake. It was along in this wild country somewhere, and far from any habitation of white men, except the stage stations, that we came across the wretchedest type of mankind I have ever seen, up to this writing. I refer to the Goshoot Indians. From what we could see and all we could learn, they are very considerably inferior to even the despised Digger Indians of California; inferior to all races of savages on our continent; inferior to even the Terra del Fuegans; inferior to the Hottentots, and actually inferior in some respects to the Kytches of Africa. Indeed, I have been obliged to look the bulky volumes of Wood's "Uncivilized Races of Men" clear through in order to find a savage tribe degraded enough to take rank with the Goshoots. I find but one people fairly open to that shameful verdict. It is the Bosjesmans (Bushmen) of South Africa. Such of the Goshoots as we saw, along the road and hanging about the stations, were small, lean, "scrawny" creatures; in complexion a dull black like the ordinary American negro; their faces and hands bearing dirt which they had been hoarding and accumulating for months, years, and even generations, according to the age of the proprietor; a silent, sneaking, treacherous looking race; taking note of everything, covertly, like all the other "Noble Red Men" that we (do not) read about, and betraying no sign in their countenances; indolent, everlastingly patient and tireless, like all other Indians; prideless beggars—for if the beggar instinct were left out of an Indian he would not "go," any more than a clock without a pendulum; hungry, always hungry, and yet never refusing anything that a hog would eat, though often eating what a hog would decline; hunters, but having no higher ambition than to kill and eat jack-ass rabbits, crickets and grasshoppers, and embezzle carrion from the buzzards and cayotes; savages who, when asked if they have the common Indian belief in a Great Spirit show a something which almost amounts to emotion, thinking whiskey is referred to; a thin, scattering race of almost naked black children, these Goshoots are, who produce nothing at all, and have no villages, and no gatherings together into strictly defined tribal communities—a people whose only shelter is a rag cast on a bush to keep off a portion of the snow, and yet who inhabit one of the most rocky, wintry, repulsive wastes that our country or any other can exhibit.

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The Bushmen and our Goshoots are manifestly descended from the self-same gorilla, or kangaroo, or Norway rat, whichever animal-Adam the Darwinians trace them to.

One would as soon expect the rabbits to fight as the Goshoots, and yet they used to live off the offal and refuse of the stations a few months and

Chosen response: then come some dark night when no mischief was expected, and burn down the buildings and kill the men from ambush as they rushed out. And once, in the night, they attacked the stage-coach when a District Judge, of Nevada Territory, was the only passenger, and with their first volley of arrows (and a bullet or two) they riddled the stage curtains, wounded a horse or two and mortally wounded the driver. The latter was full of pluck, and so was his passenger. At the driver's call Judge Mott swung himself out, clambered to the box and seized the reins of the team, and away they plunged, through the racing mob of skeletons and under a hurtling storm of missiles.

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Prompt:
The doctor was an old man; a very nice, kind-looking old man when I got him up. I told him me and my brother was over on Spanish Island hunting yesterday afternoon, and camped on a piece of a raft we found, and about midnight he must a kicked his gun in his dreams, for it went off and shot him in the leg, and we wanted him to go over there and fix it and not say nothing about it, nor let anybody know, because we wanted to come home this evening and surprise the folks.

"Who is your folks?" he says.

"The Phelpses, down yonder."

"Oh," he says. And after a minute, he says:

"How'd you say he got shot?"

"He had a dream," I says, "and it shot him."

"Singular dream," he says.

So he lit up his lantern, and got his saddle-bags, and we started. But when he sees the canoe he didn't like the look of her—said she was big enough for one, but didn't look pretty safe for two. I says:

"Oh, you needn't be afeard, sir, she carried the three of us easy enough."

"What three?"

"Why, me and Sid, and—and—and the guns; that's what I mean."

"Oh," he says.

But he put his foot on the gunnel and rocked her, and shook his head, and said he reckoned he'd look around for a bigger one. But they was all locked and chained; so he took my canoe, and said for me to wait till he come back, or I could hunt around further, or maybe I better go down home and get them ready for the surprise if I wanted to. But I said I didn't; so I told him just how to find the raft, and then he started.

I struck an idea pretty soon. I says to myself, spos'n he can't fix that leg just in three shakes of a sheep's tail, as the saying is? spos'n it takes him three or four days? What are we going to do?—lay around there till he lets the cat out of the bag? No, sir; I know what I'll do. I'll wait, and when he comes back if he says he's got to go any more I'll get down there, too, if I swim; and we'll take and tie him, and keep him, and shove out down the river; and when Tom's done with him we'll give him what it's worth, or all we got, and then let him get ashore.

So then I crept into a lumber-pile to get some sleep; and next time I waked up the sun was away up over my head! I shot out and went for the doctor's house, but they told me he'd gone away in the night some time or other, and warn't back yet. Well, thinks I, that looks powerful bad for Tom, and I'll dig out for the island right off. So away I shoved, and turned the corner, and nearly rammed my head into Uncle Silas's stomach! He says:

"Why, Tom! Where you been all this time, you rascal?"

"I hain't been nowheres," I says, "only just hunting for the runaway nigger—me and Sid."

"Why, where ever did you go?" he says. "Your aunt's been mighty uneasy."

"She needn't," I says, "because we was all right. We followed the men and the dogs, but they outrun us, and we lost them; but we thought we heard them on the water, so we got a canoe and took out after them and crossed over, but couldn't find nothing of them; so we cruised along up-shore till we got kind of tired and beat out; and tied up the canoe and went to sleep, and never waked up till about an hour ago; then we paddled over here to hear the news, and Sid's at the post-office to see what he can hear, and I'm a-branching out to get something to eat for us, and then we're going home."

So then we went to the post-office to get "Sid"; but just as I suspicioned, he warn't there; so the old man he got a letter out of the office, and we waited a while longer, but Sid didn't come; so the old man said, come along, let Sid foot it home, or canoe it, when he got done fooling around—but we would ride. I couldn't get him to let me stay and wait for Sid; and he said there warn't no use in it, and I must come along, and let Aunt Sally see we was all right.

When we got home Aunt Sally was that glad to see me she laughed and cried both, and hugged me, and give me one of them lickings of hern that don't amount to shucks, and said she'd serve Sid the same when he come.

And the place was plum full of farmers and farmers' wives, to dinner; and such another clack a body never heard. Old Mrs. Hotchkiss was the worst; her tongue was a-going all the time. She says:

"Well, Sister Phelps, I've ransacked that-air cabin over, an' I b'lieve the nigger was crazy. I says to Sister Damrell—didn't I, Sister Damrell?—s'I, he's crazy, s'I—them's the very words I said. You all hearn me: he's crazy, s'I; everything shows it, s'I. Look at that-air grindstone, s'I; want to tell me't any cretur 't's in his right mind 's a goin' to scrabble all them crazy things onto a grindstone, s'I? Here sich 'n' sich a person busted his heart; 'n' here so 'n' so pegged along for thirty-seven year, 'n' all that—natcherl son o' Louis somebody, 'n' sich everlast'n rubbage. He's plumb crazy, s'I; it's what I says in the fust place, it's what I says in the middle, 'n' it's what I says last 'n' all the time—the nigger's crazy—crazy 's Nebokoodneezer, s'I."

"An' look at that-air ladder made out'n rags, Sister Hotchkiss," says old Mrs. Damrell; "what in the name o' goodness could he ever want of—"

"The very words I was a-sayin' no longer ago th'n this minute to Sister Utterback, 'n' she'll tell you so herself. Sh-she, look at that-air rag ladder, sh-she; 'n' s'I, yes, look at it, s'I—what could he a-wanted of it, s'I. Sh-she, Sister Hotchkiss, sh-she—"

"But how in the nation'd they ever git that grindstone in there, anyway? 'n' who dug that-air hole? 'n' who—"

"My very words, Brer Penrod! I was a-sayin'—pass that-air

Chosen response:
sasser o' m'lasses, won't ye?—I was a-sayin' to Sister Dunlap, jist this minute, how did they git that grindstone in there, s'I. Without help, mind you—'thout help! Thar's wher 'tis. Don't tell me, s'I; there wuz help, s'I; 'n' ther' wuz a plenty help, too, s'I; ther's ben a dozen a-helpin' that nigger, 'n' I lay I'd skin every last nigger on this place but I'd find out who done it, s'I; 'n' moreover, s'I—"

"A dozen says you!—forty couldn't a done every thing that's been done. Look at them case-knife saws and things, how tedious they've been made; look at that bed-leg sawed off with 'm, a week's work for six men; look at that nigger made out'n straw on the bed; and look at—"

"You may well say it, Brer Hightower!

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Prompt:
The old man glided away, stooping, stealthy, cat-like, and brought the low bench. He seated himself upon it, half his body in the dim and flickering light, and the other half in shadow; and so, with his craving eyes bent upon the slumbering boy, he kept his patient vigil there, heedless of the drift of time, and softly whetted his knife, and mumbled and chuckled; and in aspect and attitude he resembled nothing so much as a grizzly, monstrous spider, gloating over some hapless insect that lay bound and helpless in his web.

After a long while, the old man, who was still gazing,--yet not seeing, his mind having settled into a dreamy abstraction,--observed, on a sudden, that the boy's eyes were open! wide open and staring!--staring up in frozen horror at the knife. The smile of a gratified devil crept over the old man's face, and he said, without changing his attitude or his occupation--

"Son of Henry the Eighth, hast thou prayed?"

The boy struggled helplessly in his bonds, and at the same time forced a smothered sound through his closed jaws, which the hermit chose to interpret as an affirmative answer to his question.

"Then pray again. Pray the prayer for the dying!"

A shudder shook the boy's frame, and his face blenched. Then he struggled again to free himself--turning and twisting himself this way and that; tugging frantically, fiercely, desperately--but uselessly--to burst his fetters; and all the while the old ogre smiled down upon him, and nodded his head, and placidly whetted his knife; mumbling, from time to time, "The moments are precious, they are few and precious--pray the prayer for the dying!"

The boy uttered a despairing groan, and ceased from his struggles, panting. The tears came, then, and trickled, one after the other, down his face; but this piteous sight wrought no softening effect upon the savage old man.

The dawn was coming now; the hermit observed it, and spoke up sharply, with a touch of nervous apprehension in his voice--

"I may not indulge this ecstasy longer! The night is already gone. It seems but a moment--only a moment; would it had endured a year! Seed of the Church's spoiler, close thy perishing eyes, an' thou fearest to look upon--"

The rest was lost in inarticulate mutterings. The old man sank upon his knees, his knife in his hand, and bent himself over the moaning boy.

Hark! There was a sound of voices near the cabin--the knife dropped from the hermit's hand; he cast a sheepskin over the boy and started up, trembling. The sounds increased, and presently the voices became rough and angry; then came blows, and cries for help; then a clatter of swift footsteps, retreating. Immediately came a succession of thundering knocks upon the cabin door, followed by--

"Hullo-o-o! Open! And despatch, in the name of all the devils!"

Oh, this was the blessedest sound that had ever made music in the King's ears; for it was Miles Hendon's voice!

The hermit, grinding his teeth in impotent rage, moved swiftly out of the bedchamber, closing the door behind him; and straightway the King heard a talk, to this effect, proceeding from the 'chapel':--

"Homage and greeting, reverend sir! Where is the boy--my boy?"

"What boy, friend?"

"What boy! Lie me no lies, sir priest, play me no deceptions!--I am not in the humour for it. Near to this place I caught the scoundrels who I judged did steal him from me, and I made them confess; they said he was at large again, and they had tracked him to your door. They showed me his very footprints. Now palter no more; for look you, holy sir, an' thou produce him not--Where is the boy?"

"O good sir, peradventure you mean the ragged regal vagrant that tarried here the night. If such as you take an interest in such as he, know, then, that I have sent him of an errand. He will be back anon."

"How soon? How soon? Come, waste not the time--cannot I overtake him? How soon will he be back?"

"Thou need'st not stir; he will return quickly."

"So be it, then. I will try to wait. But stop!--you sent him of an errand?--you! Verily this is a lie--he would not go. He would pull thy old beard, an' thou didst offer him such an insolence. Thou hast lied, friend; thou hast surely lied! He would not go for thee, nor for any man."

"For any man--no; haply not. But I am not a man."

"What! Now o' God's name what art thou, then?"

"It is a secret--mark thou reveal it not. I am an archangel!"

There was a tremendous ejaculation

Chosen response:
from Miles Hendon--not altogether unprofane--followed by--

"This doth well and truly account for his complaisance! Right well I knew he would budge nor hand nor foot in the menial service of any mortal; but, lord, even a king must obey when an archangel gives the word o' command! Let me--'sh! What noise was that?"

All this while the little King had been yonder, alternately quaking with terror and trembling with hope; and all the while, too, he had thrown all the strength he could into his anguished moanings, constantly expecting them to reach Hendon's ear, but always realising, with bitterness, that they failed, or at least made no impression. So this last remark of his servant came as comes a reviving breath from fresh fields to the dying; and he exerted himself once more, and with all his energy, just as the hermit was saying--

"Noise?

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.


Prompt:
"What are you two plotting together, aunt Medora?" Madame Olenska cried as she came into the room.

She was dressed as if for a ball. Everything about her shimmered and glimmered softly, as if her dress had been woven out of candle-beams; and she carried her head high, like a pretty woman challenging a roomful of rivals.

"We were saying, my dear, that here was something beautiful to surprise you with," Mrs. Manson rejoined, rising to her feet and pointing archly to the flowers.

Madame Olenska stopped short and looked at the bouquet. Her colour did not change, but a sort of white radiance of anger ran over her like summer lightning. "Ah," she exclaimed, in a shrill voice that the young man had never heard, "who is ridiculous enough to send me a bouquet? Why a bouquet? And why tonight of all nights? I am not going to a ball; I am not a girl engaged to be married. But some people are always ridiculous."

She turned back to the door, opened it, and called out: "Nastasia!"

The ubiquitous handmaiden promptly appeared, and Archer heard Madame Olenska say, in an Italian that she seemed to pronounce with intentional deliberateness in order that he might follow it: "Here--throw this into the dustbin!" and then, as Nastasia stared protestingly: "But no--it's not the fault of the poor flowers. Tell the boy to carry them to the house three doors away, the house of Mr. Winsett, the dark gentleman who dined here. His wife is ill--they may give her pleasure ... The boy is out, you say? Then, my dear one, run yourself; here, put my cloak over you and fly. I want the thing out of the house immediately! And, as you live, don't say they come from me!"

She flung her velvet opera cloak over the maid's shoulders and turned back into the drawing-room, shutting the door sharply. Her bosom was rising high under its lace, and for a moment Archer thought she was about to cry; but she burst into a laugh instead, and looking from the Marchioness to Archer, asked abruptly: "And you two--have you made friends!"

"It's for Mr. Archer to say, darling; he has waited patiently while you were dressing."

"Yes--I gave you time enough: my hair wouldn't go," Madame Olenska said, raising her hand to the heaped-up curls of her chignon. "But that reminds me: I see Dr. Carver is gone, and you'll be late at the Blenkers'. Mr. Archer, will you put my aunt in the carriage?"

She followed the Marchioness into the hall, saw her fitted into a miscellaneous heap of overshoes, shawls and tippets, and called from the doorstep: "Mind, the carriage is to be back for me at ten!" Then she returned to the drawing-room, where Archer, on re-entering it, found her standing by the mantelpiece, examining herself in the mirror. It was not usual, in New York society, for a lady to address her parlour-maid as "my dear one," and send her out on an errand wrapped in her own opera-cloak; and Archer, through all his deeper feelings, tasted the pleasurable excitement of being in a world where action followed on emotion with such Olympian speed.

Madame Olenska did not move when he came up behind her, and for a second their eyes met in the mirror; then she turned, threw herself into her sofa-corner, and sighed out: "There's time for a cigarette."

He handed her the box and lit a spill for her; and as the flame flashed up into her face she glanced at him with laughing eyes and said: "What do you think of me in a temper?"

Archer paused a moment; then he answered with sudden resolution: "It makes me understand what your aunt has been saying about you."

"I knew she'd been talking about me. Well?"

"She said you were used to all kinds of things--splendours and amusements and excitements--that we could never hope to give you here."

Madame Olenska smiled faintly into the circle of smoke about her lips.

"Medora is incorrigibly romantic. It has made up to her for so many things!"

Archer hesitated again, and again took his risk. "Is your aunt's romanticism always consistent with accuracy?"

"You mean: does she speak the truth?" Her niece considered. "Well, I'll tell you: in almost everything she says, there's something true and something untrue. But why do you ask? What has she been telling you?"

He looked away into the fire, and then back at her shining presence. His heart tightened with the thought that this was their last evening by that fireside, and that in a moment the carriage would come to carry her away.

"She says--she pretends that Count Olenski has asked her to persuade you to go back to him."

Madame Olenska made no answer. She sat motionless, holding her cigarette in her half-lifted hand. The expression of her face had not changed; and Archer remembered that he had before noticed her apparent incapacity for surprise.

"You knew, then?" he broke out.

She was silent for so long that the ash dropped from her cigarette. She brushed it to the floor. "She has hinted about a letter: poor darling! Medora's hints--"

"Is it at your husband's request that she has arrived here suddenly?"

Madame Olenska seemed to consider this question also. "There again: one can't tell. She told me she had had a 'spiritual summons,' whatever that is, from Dr. Carver. I'm afraid she's going to marry Dr. Carver ... poor Medora, there's always some one she wants to marry. But perhaps the people in Cuba just got tired of her! I think she was with them as a sort of paid companion. Really, I don't know why she came."

"But you do believe she has a letter from your husband?"

Again Madame Olenska brooded silently; then she said: "After all, it was to be expected."

The young man rose and went to lean against the fireplace. A sudden restlessness possessed him, and he was tongue-tied by the sense that their minutes were numbered, and that at any moment he might hear the wheels of the returning carriage.

"You know that your aunt believes you will go back?"

Madame Olenska raised her head quickly. A deep blush rose to her face and spread over her neck and shoulders. She blushed seldom and painfully, as if it hurt her like a burn.

"Many cruel things have been believed of me," she said.

"Oh, Ellen--forgive me; I'm a fool and a brute!"

She smiled a little. "You are horribly nervous; you have your own troubles. I know you think the Wellands are unreasonable about your marriage, and of course I agree with you. In Europe people don't understand our long American engagements; I suppose they are not as calm as we are." She pronounced the "we" with a faint emphasis that gave it an ironic sound.

Archer felt the irony but did not dare to take it up. After all, she had perhaps purposely deflected the conversation from her own affairs, and after the pain his last words had evidently caused her he felt that all he could do was to follow her lead. But the sense of the waning hour made him desperate: he could not bear the thought that a barrier of words should drop between them again.

"Yes," he said abruptly; "I went south to ask May to marry me after Easter. There's no reason why we shouldn't be married then."

"And May adores you--and yet you couldn't convince her? I thought her too intelligent to be the slave of such absurd superstitions."

"She is too intelligent--she's not their slave."

Madame Olenska looked at him. "Well, then--I don't understand."

Archer reddened, and hurried on with a rush. "We had a frank talk--almost the first. She thinks my impatience a bad sign."

"Merciful heavens--a bad sign?"

"She thinks it means that I can't trust myself to go on caring for her. She thinks, in short, I want to marry her at once to get away from some one that I--care for more."

Madame Olenska examined this curiously. "But if she thinks that--why isn't she in a hurry too?"

"Because she's not like that: she's so much nobler. She insists all the more on the long engagement, to give me time--"

"Time to give her up for the other woman?"

"If I want to."

Madame Olenska leaned toward the fire and gazed into it with fixed eyes. Down the quiet street Archer heard the approaching trot of her horses.

"That is noble," she said, with a slight break in her voice.

"Yes. But it's ridiculous."

"Ridiculous? Because you don't care for any one else?"

"Because I don't mean to marry any one else."

"Ah." There was another long interval. At length she looked up at him and asked: "This other woman--does she love you?"

"Oh, there's no other woman; I mean, the person that May was thinking of is--was never--"

"Then, why, after all, are you in such haste?"

"There's your carriage," said Archer.

She half-rose and looked about her with absent eyes. Her fan and gloves lay on the sofa beside her and she picked them up mechanically.

"Yes; I suppose I must be going."

"You're going to Mrs. Struthers's?"

"Yes." She smiled and added: "I must go where I am invited, or I should be too lonely. Why not come with me?"

Archer felt that at any cost he must keep her beside him, must make her give him the rest of her evening. Ignoring her question, he continued to lean against the chimney-piece, his eyes fixed on the hand in which she held her gloves and fan, as if watching to see if he had the power to make her drop them.

"May guessed the truth," he said. "There is another woman--but not the one she thinks."

Ellen Olenska made no answer, and did not move. After a moment he sat down beside her, and, taking her hand, softly unclasped it, so that the gloves and fan fell on the sofa between them.

She started up, and freeing herself from him moved away to the other side of the hearth. "Ah, don't make love to me! Too many people have done that," she said, frowning.

Archer, changing colour, stood up also: it was the bitterest rebuke she could have given him. "I have never made love to you," he said, "and I never shall. But you are the woman I would have married if it had been possible for either of us."

"Possible for either of us?" She looked at him with unfeigned astonishment. "And you say that--when it's you who've made it impossible?"

He stared at her, groping in a blackness through which a single arrow of light tore its blinding way.

"I've made it impossible--?"

"You, you, you!" she cried, her lip trembling like a child's on the verge of tears. "Isn't it you who made me give up divorcing--give it up because you showed me how selfish and wicked it was, how one must sacrifice one's self to preserve the dignity of marriage ... and to spare one's family the publicity, the scandal? And because my family was going to be your family--for May's sake and for yours--I did what you told me, what you proved to me that I ought to do. Ah," she broke out with a sudden laugh, "I've made no secret of having done it for you!"

She sank down on the sofa again, crouching among the festive ripples of her dress like a stricken masquerader; and the young man stood by the fireplace and continued to gaze at her without moving.

"Good God," he groaned. "When I thought--"

"You thought?"

"Ah, don't ask me what I thought!"

Still looking at her, he saw the same burning flush creep up her neck to her face. She sat upright, facing him with a rigid dignity.

"I do ask you."

"Well, then: there were things in that letter you asked me to read--"

"My husband's letter?"

"Yes."

"I had nothing to fear from that letter: absolutely nothing! All I feared was to bring notoriety, scandal, on the family--on you and May."

"Good God," he groaned again, bowing his face in his hands.

The silence that followed lay on them with the weight of things final and irrevocable. It seemed to Archer to be crushing him down like his own grave-stone; in all the wide future he saw nothing that would ever lift that load from his heart. He did not move from his place, or raise his head from his hands; his hidden eyeballs went on staring into utter darkness.

"At least I loved you--" he brought out.

On the other side of the hearth, from the sofa-corner where he supposed that she still crouched, he heard a faint stifled crying like a child's. He started up and came to her side.

"Ellen! What madness! Why are you crying? Nothing's done that can't be undone. I'm still free, and you're going to be." He had her in his arms, her face like a wet flower at his lips, and all their vain terrors shrivelling up like ghosts at sunrise. The one thing that astonished him now was that he should have stood for five minutes arguing with her across the width of the room, when just touching her made everything so simple.

She gave him back all his kiss, but after a moment he felt her stiffening

Chosen response:
in his arms, and she put him aside and stood up.

"Ah, my poor Newland--I suppose this had to be. But it doesn't in the least alter things," she said, looking down at him in her turn from the hearth.

"It alters the whole of life for me."

"No, no--it mustn't, it can't. You're engaged to May Welland; and I'm married."

He stood up too, flushed and resolute. "Nonsense! It's too late for that sort of thing. We've no right to lie to other people or to ourselves. We won't talk of your marriage; but do you see me marrying May after this?"

She stood silent, resting her thin elbows on the mantelpiece, her profile reflected in the glass behind her.

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.


Prompt:
IT was a cheerless morning when they got into the street, blowing and raining hard, and the clouds looking dull and stormy. The night had been very wet, for large pools of water had collected in the road and the kennels were overflowing. There was a faint glimmering of the coming day in the sky, but it rather aggravated than relieved the gloom of the scene, the sombre light only serving to pale that which the street-lamps afforded, without shedding any warmer or brighter tints upon the wet housetops and dreary streets. There appeared to be nobody stirring in that quarter of the town, for the windows of the houses were all closely shut, and the streets through which they passed were noiseless and empty.

By the time they had turned into the Bethnal Green road, the day had fairly begun to break. Many of the lamps were already extinguished; a few country waggons were slowly toiling on towards London; and now and then a stagecoach, covered with mud, rattled briskly by, the driver bestowing, as he passed, an admonitory lash upon the heavy waggoner who, by keeping on the wrong side of the road, had endangered his arriving at the office a quarter of a minute after his time. The public-houses, with gas-lights burning inside, were already open. By degrees other shops began to be unclosed, and a few scattered people were met with. Then came straggling groups of labourers going to their work; then men and women with fish-baskets on their heads; donkey-carts laden with vegetables, chaise-carts filled with live-stock or whole carcasses of meat; milkwomen with pails; and an unbroken concourse of people trudging out with various supplies to the eastern suburbs of the town. As they approached the City, the noise and traffic gradually increased; and when they threaded the streets between Shoreditch and Smithfield, it had swelled into a roar of sound and bustle. It was as light as it was likely to be till night came on again, and the busy morning of half the London population had begun.

Turning down Sun-street and Crown-street, and crossing Finsbury-square, Mr. Sikes struck, by way of Chiswell-street, into Barbican, thence into Long-lane, and so into Smithfield, from which latter place arose a tumult of discordant sounds that filled Oliver Twist with surprise and amazement.

It was market-morning. The ground was covered nearly ankle-deep with filth and mire; and a thick steam perpetually rising from the reeking bodies of the cattle, and mingling with the fog, which seemed to rest upon the chimney-tops, hung heavily above. All the pens in the centre of the large area, and as many temporary ones as could be crowded into the vacant space, were filled with sheep; and tied up to posts by the gutter side were long lines of beasts and oxen three or four deep. Countrymen, butchers, drovers, hawkers, boys, thieves, idlers, and vagabonds of every low grade, were mingled together in a dense mass; the whistling of drovers, the barking of dogs, the bellowing and plunging of beasts, the bleating of sheep, and grunting and squeaking of pigs; the cries of hawkers, the shouts, oaths, and quarrelling on all sides; the ringing of bells and roar of voices that issued from every public-house; the crowding, pushing, driving, beating, whooping, and yelling; the hideous and discordant din that resounded from every corner of the market; and the unwashed, unshaven, squalid, and dirty figures constantly running to and fro, and bursting in and out of the throng, rendered it a stunning and bewildering scene, which quite confounded the senses.

Mr. Sikes, dragging Oliver after him, elbowed his way through the thickest of the crowd, and bestowed very little attention upon the numerous sights and sounds which so astonished the boy. He nodded twice or thrice to a passing friend, and, resisting as many invitations to take a morning dram, pressed steadily onward until they were clear of the turmoil, and had made their way through Hosier-lane into Holborn.

"Now, young un!" said Sikes surlily, looking up at the clock of St. Andrew's church, "hard upon seven! you must step out. Come, don't lag behind already, Lazy-legs!"

Mr. Sikes accompanied this speech with a fierce jerk at his little companion's wrist; and Oliver, quickening his pace into a kind of trot, between a fast walk and a run, kept up with the rapid strides of the housebreaker as well as he could.

They kept on their course at this rate until they had passed Hyde Park corner, and were on their way to Kensington, when Sikes relaxed his pace until an empty cart which was at some little distance behind, came up: when, seeing "Hounslow" written upon it, he asked the driver, with as much civility as he could assume, if he would give them a lift as far as Isleworth.

"Jump

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up," said the man. "Is that your boy?"

"Yes; he's my boy," replied Sikes, looking hard at Oliver, and putting his hand abstractedly into the pocket where the pistol was.

"Your father walks rather too quick for you, don't he, my man?" inquired the driver, seeing that Oliver was out of breath.

"Not a bit of it," replied Sikes, interposing. "He's used to it. Here, take hold of my hand, Ned. In with you!"

Thus addressing Oliver, he helped him into the cart; and the driver, pointing to a heap of sacks, told him to lie down there, and rest himself.

As they passed the different milestones, Oliver wondered more and more where his companion meant to take him. Kensington, Hammersmith, Chiswick, Kew Bridge, Brentford, were all passed; and yet they kept on as steadily as if they had only begun their journey.

Rejected response: It looks like you've shared an excerpt from a story! Would you like me to analyze it, summarize it, or continue it in a particular direction?


Prompt:
Mrs. Henry van der Luyden listened in silence to her cousin Mrs. Archer's narrative.

It was all very well to tell yourself in advance that Mrs. van der Luyden was always silent, and that, though non-committal by nature and training, she was very kind to the people she really liked. Even personal experience of these facts was not always a protection from the chill that descended on one in the high-ceilinged white-walled Madison Avenue drawing-room, with the pale brocaded armchairs so obviously uncovered for the occasion, and the gauze still veiling the ormolu mantel ornaments and the beautiful old carved frame of Gainsborough's "Lady Angelica du Lac."

Mrs. van der Luyden's portrait by Huntington (in black velvet and Venetian point) faced that of her lovely ancestress. It was generally considered "as fine as a Cabanel," and, though twenty years had elapsed since its execution, was still "a perfect likeness." Indeed the Mrs. van der Luyden who sat beneath it listening to Mrs. Archer might have been the twin-sister of the fair and still youngish woman drooping against a gilt armchair before a green rep curtain. Mrs. van der Luyden still wore black velvet and Venetian point when she went into society--or rather (since she never dined out) when she threw open her own doors to receive it. Her fair hair, which had faded without turning grey, was still parted in flat overlapping points on her forehead, and the straight nose that divided her pale blue eyes was only a little more pinched about the nostrils than when the portrait had been painted. She always, indeed, struck Newland Archer as having been rather gruesomely preserved in the airless atmosphere of a perfectly irreproachable existence, as bodies caught in glaciers keep for years a rosy life-in-death.

Like all his family, he esteemed and admired Mrs. van der Luyden; but he found her gentle bending sweetness less approachable than the grimness of some of his mother's old aunts, fierce spinsters who said "No" on principle before they knew what they were going to be asked.

Mrs. van der Luyden's attitude said neither yes nor no, but always appeared to incline to clemency till her thin lips, wavering into the shadow of a smile, made the almost invariable reply: "I shall first have to talk this over with my husband."

She and Mr. van der Luyden were so exactly alike that Archer often wondered how, after forty years of the closest conjugality, two such merged identities ever separated themselves enough for anything as controversial as a talking-over. But as neither had ever reached a decision without prefacing it by this mysterious conclave, Mrs. Archer and her son, having set forth their case, waited resignedly for the familiar phrase.

Mrs. van der Luyden, however, who had seldom surprised any one, now surprised them by reaching her long hand toward the bell-rope.

"I think," she said, "I should like Henry to hear what you have told me."

A footman appeared, to whom she gravely added: "If Mr. van der Luyden has finished reading the newspaper, please ask him to be kind enough to come."

She said "reading the newspaper" in the tone in which a Minister's wife might have said: "Presiding at a Cabinet meeting"--not from any arrogance of mind, but because the habit of a life-time, and the attitude of her friends and relations, had led her to consider Mr. van der Luyden's least gesture as having an almost sacerdotal importance.

Her promptness of action showed that she considered the case as pressing as Mrs. Archer; but, lest she should be thought to have committed herself in advance, she added, with the sweetest look: "Henry always enjoys seeing you, dear Adeline; and he will wish to congratulate Newland."

The double doors had solemnly reopened and between them appeared Mr. Henry van der Luyden, tall, spare and frock-coated, with faded fair hair, a straight nose like his wife's and the same look of frozen gentleness in eyes that were merely pale grey instead of pale blue.

Mr. van der Luyden greeted Mrs. Archer with cousinly affability, proffered to Newland low-voiced congratulations couched in the same language as his wife's, and seated himself in one of the brocade armchairs with the simplicity of a reigning sovereign.

"I had just finished reading the Times," he said, laying his long finger-tips together. "In town my mornings are so much occupied that I find it more convenient to read the newspapers after luncheon."

"Ah, there's a great deal to be said for that plan--indeed I think my uncle Egmont used to say he found it less agitating not to read the morning papers till after dinner," said Mrs. Archer responsively.

"Yes: my good father abhorred hurry. But now we live in a constant rush," said Mr. van der Luyden in measured tones, looking with pleasant deliberation about the large shrouded room which to Archer was so complete an image of its owners.

"But I hope you had finished your reading, Henry?" his wife interposed.

"Quite--quite," he reassured her.

"Then I should like Adeline to tell you--"

"Oh, it's really Newland's story," said his mother smiling; and proceeded to rehearse once more the monstrous tale of the affront inflicted on Mrs. Lovell Mingott.

"Of course," she ended, "Augusta Welland and Mary Mingott both felt that, especially in view of Newland's engagement, you and Henry ought to know."

"Ah--" said Mr. van der Luyden, drawing a deep breath.

There was a silence during which the tick of the monumental ormolu clock on the white marble mantelpiece grew as loud as the boom of a minute-gun. Archer contemplated with awe the two slender faded figures, seated side by side in a kind of viceregal rigidity, mouthpieces of some remote ancestral authority which fate compelled them to wield, when they would so much rather have lived in simplicity and seclusion, digging invisible weeds out of the perfect lawns of Skuytercliff, and playing Patience together in the evenings.

Mr. van der Luyden was the first to speak.

"You really think this is due to some--some intentional interference of Lawrence Lefferts's?" he enquired, turning to Archer.

"I'm certain of it, sir. Larry has been going it rather harder than usual lately--if cousin Louisa won't mind my mentioning it--having rather a stiff affair with the postmaster's wife in their village, or some one of that sort; and whenever poor Gertrude Lefferts begins to suspect anything, and he's afraid of trouble, he gets up a fuss of this kind, to show how awfully moral he is, and talks at the top of his voice about the impertinence of inviting his wife to meet people he doesn't wish her to know. He's simply using Madame Olenska as a lightning-rod; I've seen him try the same thing often before."

"The Leffertses!--" said Mrs. van der Luyden.

"The Leffertses!--" echoed Mrs. Archer. "What would uncle Egmont have said of Lawrence Lefferts's pronouncing on anybody's social position? It shows what Society has come to."

"We'll hope it has not quite come to that," said Mr. van der Luyden firmly.

"Ah, if only you and Louisa went out more!" sighed Mrs. Archer.

But instantly she became aware of her mistake. The van der Luydens were morbidly sensitive to any criticism of their secluded existence. They were the arbiters of fashion, the Court of last Appeal, and they knew it, and bowed to their fate. But being shy and retiring persons, with no natural inclination for their part, they lived as much as possible in the sylvan solitude of Skuytercliff, and when they came to town, declined all invitations on the plea of Mrs. van der Luyden's health.

Newland Archer came to his mother's rescue. "Everybody in New York knows what you and cousin Louisa represent. That's why Mrs. Mingott felt she ought not to allow this slight on Countess Olenska to pass without consulting you."

Mrs. van der Luyden glanced at her husband, who glanced back at her.

"It is the principle that I dislike," said Mr. van der Luyden. "As long as a member of a well-known family is backed up by that family it should be considered--final."

"It seems so to me," said his wife, as if she were producing a new thought.

"I had no idea," Mr. van der Luyden continued, "that things had come to such a pass." He paused, and looked at his wife again. "It occurs to me, my dear, that the Countess Olenska is already a sort of relation--through Medora Manson's first husband. At any rate, she will be when Newland marries." He turned toward the young man. "Have you read this morning's Times, Newland?"

"Why, yes, sir," said Archer, who usually tossed off half a dozen papers with his morning coffee.

Husband and wife looked at each other again. Their pale eyes clung together in prolonged and serious consultation; then a faint smile fluttered over Mrs. van der Luyden's face. She had evidently guessed and approved.

Mr. van der Luyden turned to Mrs. Archer. "If Louisa's health allowed her to dine out--I wish you would say to Mrs. Lovell Mingott--she and I would have been happy to--er--fill the places of the Lawrence Leffertses at her dinner." He paused to let the irony of this sink in. "As you know, this is impossible." Mrs. Archer sounded a sympathetic assent. "But Newland tells me he has read this morning's Times; therefore he has probably seen that Louisa's relative, the Duke of St. Austrey, arrives next week on the Russia. He is coming to enter his new sloop, the Guinevere, in next summer's International Cup Race; and also to have a little canvasback shooting at Trevenna." Mr. van der Luyden paused again, and continued with increasing benevolence: "Before taking him down to Maryland we are inviting a few friends to meet him here--only a little dinner--with a reception afterward. I am sure Louisa will be as glad as I am if Countess Olenska will let us include her among our guests." He got up, bent his long body with a stiff friendliness toward his cousin, and added: "I think I have Louisa's authority for saying that she will herself leave the invitation to dine when she drives out

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presently: with our cards--of course with our cards."

Mrs. Archer, who knew this to be a hint that the seventeen-hand chestnuts which were never kept waiting were at the door, rose with a hurried murmur of thanks. Mrs. van der Luyden beamed on her with the smile of Esther interceding with Ahasuerus; but her husband raised a protesting hand.

"There is nothing to thank me for, dear Adeline; nothing whatever. This kind of thing must not happen in New York; it shall not, as long as I can help it," he pronounced with sovereign gentleness as he steered his cousins to the door.

Two hours later, every one knew that the great C-spring barouche in which Mrs. van der Luyden took the air at all seasons had been seen at old Mrs.

Rejected response: Thanks for sharing this passage! It appears to be from a work of fiction. What would you like me to do with it?


Prompt:
The quiet lodgings of Doctor Manette were in a quiet street-corner not far from Soho-square. On the afternoon of a certain fine Sunday when the waves of four months had rolled over the trial for treason, and carried it, as to the public interest and memory, far out to sea, Mr. Jarvis Lorry walked along the sunny streets from Clerkenwell where he lived, on his way to dine with the Doctor. After several relapses into business-absorption, Mr. Lorry had become the Doctor's friend, and the quiet street-corner was the sunny part of his life.

On this certain fine Sunday, Mr. Lorry walked towards Soho, early in the afternoon, for three reasons of habit. Firstly, because, on fine Sundays, he often walked out, before dinner, with the Doctor and Lucie; secondly, because, on unfavourable Sundays, he was accustomed to be with them as the family friend, talking, reading, looking out of window, and generally getting through the day; thirdly, because he happened to have his own little shrewd doubts to solve, and knew how the ways of the Doctor's household pointed to that time as a likely time for solving them.

A quainter corner than the corner where the Doctor lived, was not to be found in London. There was no way through it, and the front windows of the Doctor's lodgings commanded a pleasant little vista of street that had a congenial air of retirement on it. There were few buildings then, north of the Oxford-road, and forest-trees flourished, and wild flowers grew, and the hawthorn blossomed, in the now vanished fields. As a consequence, country airs circulated in Soho with vigorous freedom, instead of languishing into the parish like stray paupers without a settlement; and there was many a good south wall, not far off, on which the peaches ripened in their season.

The summer light struck into the corner brilliantly in the earlier part of the day; but, when the streets grew hot, the corner was in shadow, though not in shadow so remote but that you could see beyond it into a glare of brightness. It was a cool spot, staid but cheerful, a wonderful place for echoes, and a very harbour from the raging streets.

There ought to have been a tranquil bark in such an anchorage, and there was. The Doctor occupied two floors of a large stiff house, where several callings purported to be pursued by day, but whereof little was audible any day, and which was shunned by all of them at night. In a building at the back, attainable by a courtyard where a plane-tree rustled its green leaves, church-organs claimed to be made, and silver to be chased, and likewise gold to be beaten by some mysterious giant who had a golden arm starting out of the wall of the front hall--as if he had beaten himself precious, and menaced a similar conversion of all visitors. Very little of these trades, or of a lonely lodger rumoured to live up-stairs, or of a dim coach-trimming maker asserted to have a counting-house below, was ever heard or seen. Occasionally, a stray workman putting his coat on, traversed the hall, or a stranger peered about there, or a distant clink was heard across the courtyard, or a thump from the golden giant. These, however, were only the exceptions required to prove the rule that the sparrows in the plane-tree behind the house, and the echoes in the corner before it, had their own way from Sunday morning unto Saturday night.

Doctor Manette received such patients here as his old reputation, and its revival in the floating whispers of his story, brought him. His scientific knowledge, and his vigilance and skill in conducting ingenious experiments, brought him otherwise into moderate request, and he earned as much as he wanted.

These things were within Mr. Jarvis Lorry's knowledge, thoughts, and notice, when he rang the door-bell of the tranquil house in the corner, on the fine Sunday afternoon.

"Doctor Manette at home?"

Expected home.

"Miss Lucie at home?"

Expected home.

"Miss Pross at home?"

Possibly at home, but of a certainty impossible for handmaid to anticipate intentions of Miss Pross, as to admission or denial of the fact.

"As I am at home myself," said Mr. Lorry, "I'll go upstairs."

Although the Doctor's daughter had known nothing of the country of her birth, she appeared to have innately derived from it that ability to make much of little means, which is one of its most useful and most agreeable characteristics. Simple as the furniture was, it was set off by so many little adornments, of no value but for their taste and fancy, that its effect was delightful. The disposition of everything in the rooms, from the largest object to the least; the arrangement of colours, the elegant variety and contrast obtained by thrift in trifles, by delicate hands, clear eyes, and good sense; were at once so pleasant in themselves, and so expressive of their originator, that, as Mr. Lorry stood looking about him, the very chairs and tables seemed to ask him, with something of that peculiar expression which he knew so well by this time, whether he approved?

There were three rooms on a floor, and, the doors by which they communicated being put open that the air might pass freely through them all, Mr. Lorry, smilingly observant of that fanciful resemblance which he detected all around him, walked from one to another. The first was the best room, and in it were Lucie's birds, and flowers, and books, and desk, and work-table, and box of water-colours; the second was the Doctor's consulting-room, used also as the dining-room; the third, changingly speckled by the rustle of the plane-tree in the yard, was the Doctor's bedroom, and there, in a corner, stood the disused shoemaker's bench and tray of tools, much as it had stood on the fifth floor of the dismal house by the wine-shop, in the suburb of Saint Antoine in Paris.

"I wonder," said Mr. Lorry, pausing in his looking about, "that he keeps that reminder of his sufferings about him!"

"And why wonder at that?" was the abrupt inquiry that made him start.

It proceeded from Miss Pross, the wild red woman, strong of hand, whose acquaintance he had first made at the Royal George Hotel at Dover, and had since improved.

"I should have thought--" Mr. Lorry began.

"Pooh! You'd have thought!" said Miss Pross; and Mr. Lorry left off.

"How do you do?" inquired that lady then--sharply, and yet as if to express that she bore him no malice.

"I am pretty well, I thank you," answered Mr. Lorry, with meekness; "how are you?"

"Nothing to boast of," said Miss Pross.

"Indeed?"

"Ah! indeed!" said Miss Pross. "I am very much put out about my Ladybird."

"Indeed?"

"For gracious sake say something else besides 'indeed,' or you'll fidget me to death," said Miss Pross: whose character (dissociated from stature) was shortness.

"Really, then?" said Mr. Lorry, as an amendment.

"Really, is bad enough," returned Miss Pross, "but better. Yes, I am very much put out."

"May I ask the cause?"

"I don't want dozens of people who are not at all worthy of Ladybird, to come here looking after her," said Miss Pross.

"Do dozens come for that purpose?"

"Hundreds," said Miss Pross.

It was characteristic of this lady (as of some other people before her time and since) that whenever her original proposition was questioned, she exaggerated it.

"Dear me!" said Mr. Lorry, as the safest remark he could think of.

"I have lived with the darling--or the darling has lived with me, and paid me for it; which she certainly should never have done, you may take your affidavit, if I could have afforded to keep either myself or her for nothing--since she was ten years old. And it's really very hard," said Miss Pross.

Not seeing with precision what was very hard, Mr. Lorry shook his head; using that important part of himself as a sort of fairy cloak that would fit anything.

"All sorts of people who are not in the least degree worthy of the pet, are always turning up," said Miss Pross. "When you began it--"

"I began it, Miss Pross?"

"Didn't you? Who brought her father to life?"

"Oh! If that was beginning it--" said Mr. Lorry.

"It wasn't ending it, I suppose? I say, when you began it, it was hard enough; not that I have any fault to find with Doctor Manette, except that he is not worthy of such a daughter, which is no imputation on him, for it was not to be expected that anybody should be, under any circumstances. But it really is doubly and trebly hard to have crowds and multitudes of people turning up after him (I could have forgiven him), to take Ladybird's affections away from me."

Mr. Lorry knew Miss Pross to be very jealous, but he also knew her by this time to be, beneath the service of her eccentricity, one of those unselfish creatures--found only among women--who will, for pure love and admiration, bind themselves willing slaves, to youth when they have lost it, to beauty that they never had, to accomplishments that they were never fortunate enough to gain, to bright hopes that never shone upon their own sombre lives. He knew enough of the world to know that there is nothing in it better than the faithful service of the heart; so rendered and so free from any mercenary taint, he had such an exalted respect for it, that in the retributive arrangements made by his own mind--we all make such arrangements, more or less--he stationed Miss Pross much nearer to the lower Angels than many ladies immeasurably better got up both by Nature and Art, who had balances at Tellson's.

"There never was, nor will be, but one man worthy of Ladybird," said Miss Pross; "and that was my brother Solomon, if he hadn't made a mistake in life."

Here again: Mr. Lorry's inquiries into Miss Pross's personal history had established the fact that her brother Solomon was a heartless scoundrel who had stripped her of everything she possessed, as a stake to speculate with, and had abandoned her in her poverty for evermore, with no touch of compunction. Miss Pross's fidelity of belief in Solomon (deducting a mere trifle for this slight mistake) was quite a serious matter with Mr. Lorry, and had its weight in his good opinion of her.

"As we happen to be alone for the moment, and are both people of business," he said, when they had got back to the drawing-room and had sat down there in friendly relations, "let me ask you--does the Doctor, in talking with Lucie, never refer to the shoemaking time, yet?"

"Never."

"And yet keeps that bench and those tools beside him?"

"Ah!" returned Miss Pross, shaking her head. "But I don't say he don't refer to it within himself."

"Do you believe that he thinks of it much?"

"I do," said Miss Pross.

"Do you imagine--" Mr. Lorry had begun, when Miss Pross took him up short with:

"Never imagine anything. Have no imagination at all."

"I stand corrected; do you suppose--you go so far as to suppose, sometimes?"

"Now and then," said Miss Pross.

"Do you suppose," Mr. Lorry went on, with a laughing twinkle in his bright eye, as it looked kindly at her, "that Doctor Manette has any theory of his own, preserved through all those years, relative to the cause of his being so oppressed; perhaps, even to the name of his oppressor?"

"I don't suppose anything about it but what Ladybird tells me."

"And that is--?"

"That she thinks he has."

"Now don't be angry at my asking all these questions; because I am a mere dull man of business, and you are a woman of business."

"Dull?" Miss Pross inquired, with placidity.

Rather wishing his modest adjective away, Mr. Lorry replied, "No, no, no. Surely not. To return to business:--Is it not remarkable that Doctor Manette, unquestionably innocent of any crime as we are all well assured he is, should never touch upon that question? I will not say with me, though he had business relations with me many years ago, and we are now intimate; I will say with the fair daughter to whom he is so devotedly attached, and who is so devotedly attached to him? Believe me, Miss Pross, I don't approach the topic with you, out of curiosity, but out of zealous interest."

"Well! To the best of my understanding, and bad's the best, you'll tell me," said Miss Pross, softened by the tone of the apology, "he is afraid of the whole subject."

"Afraid?"

"It's plain enough, I should think, why he may be. It's a dreadful remembrance. Besides that, his loss of himself grew out of it. Not knowing how he lost himself, or how he recovered himself, he may never feel certain of not losing himself again. That alone wouldn't make the subject pleasant, I should think."

It was a profounder remark than Mr. Lorry had looked for. "True," said he, "and fearful to reflect

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upon. Yet, a doubt lurks in my mind, Miss Pross, whether it is good for Doctor Manette to have that suppression always shut up within him. Indeed, it is this doubt and the uneasiness it sometimes causes me that has led me to our present confidence."

"Can't be helped," said Miss Pross, shaking her head. "Touch that string, and he instantly changes for the worse. Better leave it alone. In short, must leave it alone, like or no like. Sometimes, he gets up in the dead of the night, and will be heard, by us overhead there, walking up and down, walking up and down, in his room. Ladybird has learnt to know then that his mind is walking up and down, walking up and down, in his old prison.

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?


Prompt:
I must have been married, if I may trust to my imperfect memory for dates, about a year or so, when one evening, as I was returning from a solitary walk, thinking of the book I was then writing--for my success had steadily increased with my steady application, and I was engaged at that time upon my first work of fiction--I came past Mrs. Steerforth's house. I had often passed it before, during my residence in that neighbourhood, though never when I could choose another road. Howbeit, it did sometimes happen that it was not easy to find another, without making a long circuit; and so I had passed that way, upon the whole, pretty often.

I had never done more than glance at the house, as I went by with a quickened step. It had been uniformly gloomy and dull. None of the best rooms abutted on the road; and the narrow, heavily-framed old-fashioned windows, never cheerful under any circumstances, looked very dismal, close shut, and with their blinds always drawn down. There was a covered way across a little paved court, to an entrance that was never used; and there was one round staircase window, at odds with all the rest, and the only one unshaded by a blind, which had the same unoccupied blank look. I do not remember that I ever saw a light in all the house. If I had been a casual passer-by, I should have probably supposed that some childless person lay dead in it. If I had happily possessed no knowledge of the place, and had seen it often in that changeless state, I should have pleased my fancy with many ingenious speculations, I dare say.

As it was, I thought as little of it as I might. But my mind could not go by it and leave it, as my body did; and it usually awakened a long train of meditations. Coming before me, on this particular evening that I mention, mingled with the childish recollections and later fancies, the ghosts of half-formed hopes, the broken shadows of disappointments dimly seen and understood, the blending of experience and imagination, incidental to the occupation with which my thoughts had been busy, it was more than commonly suggestive. I fell into a brown study as I walked on, and a voice at my side made me start.

It was a woman's voice, too. I was not long in recollecting Mrs. Steerforth's little parlour-maid, who had formerly worn blue ribbons in her cap. She had taken them out now, to adapt herself, I suppose, to the altered character of the house; and wore but one or two disconsolate bows of sober brown.

'If you please, sir, would you have the goodness to walk in, and speak to Miss Dartle?'

'Has Miss Dartle sent you for me?' I inquired.

'Not tonight, sir, but it's just the same. Miss Dartle saw you pass a night or two ago; and I was to sit at work on the staircase, and when I saw you pass again, to ask you to step in and speak to her.'

I turned back, and inquired of my conductor, as we went along, how Mrs. Steerforth was. She said her lady was but poorly, and kept her own room a good deal.

When we arrived at the house, I was directed to Miss Dartle in the garden, and left to make my presence known to her myself. She was sitting on a seat at one end of a kind of terrace, overlooking the great city. It was a sombre evening, with a lurid light in the sky; and as I saw the prospect scowling in the distance, with here and there some larger object starting up into the sullen glare, I fancied it was no inapt companion to the memory of this fierce woman.

She saw me as I advanced, and rose for a moment to receive me. I thought her, then, still more colourless and thin than when I had seen her last; the flashing eyes still brighter, and the scar still plainer.

Our meeting was not cordial. We had parted angrily on the last occasion; and there was an air of disdain about her, which she took no pains to conceal.

'I am told you wish to speak to me, Miss Dartle,' said I, standing near her, with my hand upon the back of the seat, and declining her gesture of invitation to sit down.

'If you please,' said she. 'Pray has this girl been found?'

'No.'

'And yet she has run away!'

I saw her thin lips working while she looked at me, as if they were eager to load her with reproaches.

'Run away?' I repeated.

'Yes! From him,' she said, with a laugh. 'If she is not found, perhaps she never will be found. She may be dead!'

The vaunting cruelty with which she met my glance, I never saw expressed in any other face that ever I have seen.

'To wish her dead,' said I, 'may be the kindest wish that one of her own sex could bestow upon her. I am glad that time has softened you so much, Miss Dartle.'

She condescended to make no reply, but, turning on me with another scornful laugh, said:

'The friends of this excellent and much-injured young lady are friends of yours. You are their champion, and assert their rights. Do you wish to know what is known of her?'

'Yes,' said I.

She rose with an ill-favoured smile, and taking a few steps towards a wall of holly that was near at hand, dividing the lawn from a kitchen-garden, said, in a louder voice, 'Come here!'--as if she were calling to some unclean beast.

'You will restrain any demonstrative championship or vengeance in this place, of course, Mr. Copperfield?' said she, looking over her shoulder at me with the same expression.

I inclined my head, without knowing what she meant; and she said, 'Come here!' again; and returned, followed by the respectable Mr. Littimer, who, with undiminished respectability, made me a bow, and took up his position behind her. The air of wicked grace: of triumph, in which, strange to say, there was yet something feminine and alluring: with which she reclined upon the seat between us, and looked at me, was worthy of a cruel Princess in a Legend.

'Now,' said she, imperiously, without glancing at him, and touching the old wound as it throbbed: perhaps, in this instance, with pleasure rather than pain. 'Tell Mr. Copperfield about the flight.'

'Mr. James and myself, ma'am--'

'Don't address yourself to me!' she interrupted with a frown.

'Mr. James and myself, sir--'

'Nor to me, if you please,' said I.

Mr. Littimer, without being at all discomposed, signified by a slight obeisance, that anything that was most agreeable to us was most agreeable to him; and began again.

'Mr. James and myself have been abroad with the young woman, ever since she left Yarmouth under Mr. James's protection. We have been in a variety of places, and seen a deal of foreign country. We have been in France, Switzerland, Italy, in fact, almost all parts.'

He looked at the back of the seat, as if he were addressing himself to that; and softly played upon it with his hands, as if he were striking chords upon a dumb piano.

'Mr. James took quite uncommonly to the young woman; and was more settled, for a length of time, than I have known him to be since I have been in his service. The young woman was very improvable, and spoke the languages; and wouldn't have been known for the same country-person. I noticed that she was much admired wherever we went.'

Miss Dartle put her hand upon her side. I saw him steal a glance at her, and slightly smile to himself.

'Very much admired, indeed, the young woman was. What with her dress; what with the air and sun; what with being made so much of; what with this, that, and the other; her merits really attracted general notice.'

He made a short pause. Her eyes wandered restlessly over the distant prospect, and she bit her nether lip to stop that busy mouth.

Taking his hands from the seat, and placing one of them within the other, as he settled himself on one leg, Mr. Littimer proceeded, with his eyes cast down, and his respectable head a little advanced, and a little on one side:

'The young woman went on in this manner for some time, being occasionally low in her spirits, until I think she began to weary Mr. James by giving way to her low spirits and tempers of that kind; and things were not so comfortable. Mr. James he began to be restless again. The more restless he got, the worse she got; and I must say, for myself, that I had a very difficult time of it indeed between the two. Still matters were patched up here, and made good there, over and over again; and altogether lasted, I am sure, for a longer time than anybody could have expected.'

Recalling her eyes from the distance, she looked at me again now, with her former air. Mr. Littimer, clearing his throat behind his hand with a respectable short cough, changed legs, and went on:

'At last, when there had been, upon the whole, a good many words and reproaches, Mr. James he set off one morning, from the neighbourhood of Naples, where we had a villa (the young woman being very partial to the sea), and, under pretence of coming back in a day or so, left it in charge with me to break it out, that, for the general happiness of all concerned, he was'--here an interruption of the short cough--'gone. But Mr. James, I must say, certainly did behave extremely honourable; for he proposed that the young woman should marry a very respectable person, who was fully prepared to overlook the past, and who was, at least, as good as anybody the young woman could have aspired to in a regular way: her connexions being very common.'

He changed legs again, and wetted his lips. I was convinced that the scoundrel spoke of himself, and I saw my conviction reflected in Miss Dartle's face.

'This I also had it in charge to communicate. I was willing to do anything to relieve Mr. James from his difficulty, and to restore harmony between himself and an affectionate parent, who has undergone so much on his account. Therefore I undertook the commission. The young woman's violence when she came to, after I broke the fact of his departure, was beyond all expectations. She was quite mad, and had to be held by force; or, if she couldn't have got to a knife, or got to the sea, she'd have beaten her head against the marble floor.'

Miss Dartle, leaning back upon the seat, with a light of exultation in her face, seemed almost to caress the sounds this fellow had uttered.

'But when I came to the second part of what had been entrusted to me,' said Mr. Littimer, rubbing his hands uneasily, 'which anybody might have supposed would have been, at all events, appreciated as a kind intention, then the young woman came out in her true colours. A more outrageous person I never did see. Her conduct was surprisingly bad. She had no more

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gratitude, no more feeling, no more patience, no more reason in her, than a stock or a stone. If I hadn't been upon my guard, I am convinced she would have had my blood.'

'I think the better of her for it,' said I, indignantly.

Mr. Littimer bent his head, as much as to say, 'Indeed, sir? But you're young!' and resumed his narrative.

'It was necessary, in short, for a time, to take away everything nigh her, that she could do herself, or anybody else, an injury with, and to shut her up close. Notwithstanding which, she got out in the night; forced the lattice of a window, that I had nailed up myself; dropped on a vine that was trailed below; and never has been seen or heard of, to my knowledge, since.'

'She is dead, perhaps,' said Miss Dartle, with a smile, as if she could have spurned the body of the ruined girl.

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.


Prompt:
"Love was in the next degree."

Knight had none of those light familiarities of speech which, by judicious touches of epigrammatic flattery, obliterate a woman's recollection of the speaker's abstract opinions. So no more was said by either on the subject of hair, eyes, or development. Elfride's mind had been impregnated with sentiments of her own smallness to an uncomfortable degree of distinctness, and her discomfort was visible in her face. The whole tendency of the conversation latterly had been to quietly but surely disparage her; and she was fain to take Stephen into favour in self-defence. He would not have been so unloving, she said, as to admire an idiosyncrasy and features different from her own. True, Stephen had declared he loved her: Mr. Knight had never done anything of the sort. Somehow this did not mend matters, and the sensation of her smallness in Knight's eyes still remained. Had the position been reversed—had Stephen loved her in spite of a differing taste, and had Knight been indifferent in spite of her resemblance to his ideal, it would have engendered far happier thoughts. As matters stood, Stephen's admiration might have its root in a blindness the result of passion. Perhaps any keen man's judgment was condemnatory of her.

During the remainder of Saturday they were more or less thrown with their seniors, and no conversation arose which was exclusively their own. When Elfride was in bed that night her thoughts recurred to the same subject. At one moment she insisted that it was ill-natured of him to speak so decisively as he had done; the next, that it was sterling honesty.

"Ah, what a poor nobody I am!" she said, sighing. "People like him, who go about the great world, don't care in the least what I am like either in mood or feature."

Perhaps a man who has got thoroughly into a woman's mind in this manner, is half way to her heart; the distance between those two stations is proverbially short.

"And are you really going away this week?" said Mrs. Swancourt to Knight on the following evening, which was Sunday.

They were all leisurely climbing the hill to the church, where a last service was now to be held at the rather exceptional time of evening instead of in the afternoon, previous to the demolition of the ruinous portions.

"I am intending to cross to Cork from Bristol," returned Knight; "and then I go on to Dublin."

"Return this way, and stay a little longer with us," said the vicar. "A week is nothing. We have hardly been able to realize your presence yet. I remember a story which——"

The vicar suddenly stopped. He had forgotten it was Sunday, and would probably have gone on in his week-day mode of thought had not a turn in the breeze blown the skirt of his college gown within the range of his vision, and so reminded him. He at once diverted the current of his narrative with the dexterity the occasion demanded.

"The story of the Levite who journeyed to Bethlehem-judah, from which I took my text the Sunday before last, is quite to the point," he continued, with the pronunciation of a man who, far from having intended to tell a week-day story a moment earlier, had thought of nothing but Sabbath matters for several weeks. "What did he gain after all by his restlessness? Had he remained in the city of the Jebusites, and not been so anxious for Gibeah, none of his troubles would have arisen."

"But he had wasted five days already," said Knight, closing his eyes to the vicar's commendable diversion. "His fault lay in beginning the tarrying system originally."

"True, true; my illustration fails."

"But not the hospitality which prompted the story."

"So you are to come just the same," urged Mrs. Swancourt, for she had seen an almost imperceptible fall of countenance in her stepdaughter at Knight's announcement.

Knight half promised to call on his return journey; but the uncertainty with which he spoke was quite enough to fill Elfride with a regretful interest in all he did during the few remaining hours. The curate having already officiated twice that day in the two churches, Mr. Swancourt had undertaken the whole of the evening service, and Knight read the lessons for him. The sun streamed across from the dilapidated west window, and lighted all the assembled worshippers with a golden glow, Knight as he read being illuminated by the same mellow lustre. Elfride at the organ regarded him with a throbbing sadness of mood which was fed by a sense of being far removed from his sphere. As he went deliberately through the chapter appointed—a portion of the history of Elijah—and ascended that magnificent climax of the wind, the earthquake, the fire, and the still small voice, his deep tones echoed past with such apparent disregard of her existence, that his presence inspired her with a forlorn sense of unapproachableness, which his absence would hardly have been able to cause.

At the same time, turning her face for a moment to catch the glory of the dying sun as it fell on his form, her eyes were arrested by the shape and aspect of a woman in the west gallery. It was the bleak barren countenance of the widow Jethway, whom Elfride had not seen much of since the morning of her return with Stephen Smith. Possessing the smallest of competencies, this unhappy woman appeared to spend her life in journeyings between Endelstow Churchyard and that of a village near Southampton, where her father and mother were laid.

She had not attended the service here for a considerable time, and she now seemed to have a reason for her choice of seat. From the gallery window the tomb of her son was plainly visible—standing as the nearest object in a prospect which was closed outwardly by the changeless horizon of the sea.

The streaming rays, too, flooded her face, now bent towards Elfride with a hard and bitter expression that the solemnity of the place raised to a tragic dignity it did not intrinsically possess. The girl resumed her normal attitude with an added disquiet.

Elfride's emotion was cumulative, and after a while would assert itself on a sudden. A slight touch was enough to set it free—a poem, a sunset, a cunningly contrived chord of music, a vague imagining, being the usual accidents of its exhibition. The longing for Knight's respect, which was leading up to an incipient yearning for his love, made the present conjuncture a sufficient one. Whilst kneeling down previous to leaving, when the sunny streaks had gone upward to the roof, and the lower part of the church was in soft shadow, she could not help thinking of Coleridge's morbid poem "The Three Graves," and shuddering as she wondered if Mrs. Jethway were cursing her, she wept as if her heart would break.

They came out of church just as the sun went down, leaving the landscape like a platform from which an eloquent speaker has retired, and nothing remains for the audience to do but to rise and go home. Mr. and Mrs. Swancourt went off in the carriage, Knight and Elfride preferring to walk, as the skilful old matchmaker had imagined. They descended the hill together.

"I liked your reading, Mr. Knight," Elfride presently found herself saying. "You read better than papa."

"I will praise anybody that will praise me. You played excellently, Miss Swancourt, and very correctly."

"Correctly—yes."

"It must be a great pleasure to you to take an active part in the service."

"I want to be able to play with more feeling. But I have not a good selection of music, sacred or secular. I wish I had a nice little music-library—well chosen, and that the only new pieces sent me were those of genuine merit."

"I am glad to hear such a wish from you. It is extraordinary how many women have no honest love of music as an end and not as a means, even leaving out those who have nothing in them. They mostly like it for its accessories. I have never met a woman who loves music as do ten or a dozen men I know."

"How would you draw the line between women with something and women with nothing in them?"

"Well," said Knight, reflecting a moment, "I mean by nothing in them those who don't care about anything solid. This is an instance: I knew a man who had a young friend in whom he was much interested; in fact, they were going to be married. She was seemingly poetical, and he offered her a choice of two editions of the British poets, which she pretended to want badly. He said, 'Which of them would you like best for me to send?' She said, 'A pair of the prettiest earrings in Bond Street, if you don't mind, would be nicer than either.' Now I call her a girl with not much in her but vanity; and so do you, I daresay."

"Oh yes," replied Elfride with an effort.

Happening to catch a glimpse of her face as she was speaking, and noticing that her attempt at heartiness was a miserable failure, he appeared to have misgivings.

"You, Miss Swancourt, would not, under such circumstances, have preferred the nicknacks?"

"No, I don't think I should, indeed," she stammered.

"I'll put it to you," said the inflexible Knight. "Which will you have of these two things of about equal value—the well-chosen little library of the best music you spoke of—bound

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in morocco, walnut case, lock and key—or a pair of the very prettiest earrings in Bond Street windows?"

"Of course the music," Elfride replied with forced earnestness.

"You are quite certain?" he said emphatically.

"Quite," she faltered; "if I could for certain buy the earrings afterwards."

Knight, somewhat blamably, keenly enjoyed sparring with the palpitating mobile creature, whose excitable nature made any such thing a species of cruelty.

He looked at her rather oddly, and said, "Fie!"

"Forgive me," she said, laughing a little, a little frightened, and blushing very deeply.

"Ah, Miss Elfie, why didn't you say at first, as any firm woman would have said, I am as bad as she, and shall choose the same?"

"I don't know," said Elfride wofully, and with a distressful smile.

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?


Prompt:
Tom joined the new order of Cadets of Temperance, being attracted by the showy character of their "regalia." He promised to abstain from smoking, chewing, and profanity as long as he remained a member. Now he found out a new thing—namely, that to promise not to do a thing is the surest way in the world to make a body want to go and do that very thing. Tom soon found himself tormented with a desire to drink and swear; the desire grew to be so intense that nothing but the hope of a chance to display himself in his red sash kept him from withdrawing from the order. Fourth of July was coming; but he soon gave that up—gave it up before he had worn his shackles over forty-eight hours—and fixed his hopes upon old Judge Frazer, justice of the peace, who was apparently on his deathbed and would have a big public funeral, since he was so high an official. During three days Tom was deeply concerned about the Judge's condition and hungry for news of it. Sometimes his hopes ran high—so high that he would venture to get out his regalia and practise before the looking-glass. But the Judge had a most discouraging way of fluctuating. At last he was pronounced upon the mend—and then convalescent. Tom was disgusted; and felt a sense of injury, too. He handed in his resignation at once—and that night the Judge suffered a relapse and died. Tom resolved that he would never trust a man like that again.

The funeral was a fine thing. The Cadets paraded in a style calculated to kill the late member with envy. Tom was a free boy again, however—there was something in that. He could drink and swear, now—but found to his surprise that he did not want to. The simple fact that he could, took the desire away, and the charm of it.

Tom presently wondered to find that his coveted vacation was beginning to hang a little heavily on his hands.

He attempted a diary—but nothing happened during three days, and so he abandoned it.

The first of all the negro minstrel shows came to town, and made a sensation. Tom and Joe Harper got up a band of performers and were happy for two days.

Even the Glorious Fourth was in some sense a failure, for it rained hard, there was no procession in consequence, and the greatest man in the world (as Tom supposed), Mr. Benton, an actual United States Senator, proved an overwhelming disappointment—for he was not twenty-five feet high, nor even anywhere in the neighborhood of it.

A circus came. The boys played circus for three days afterward in tents made of rag carpeting—admission, three pins for boys, two for girls—and then circusing was abandoned.

A phrenologist and a mesmerizer came—and went again and left the village duller and drearier than ever.

There were some boys-and-girls' parties, but they were so

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few and so delightful that they only made the aching voids between ache the harder.

Becky Thatcher was gone to her Constantinople home to stay with her parents during vacation—so there was no bright side to life anywhere.

The dreadful secret of the murder was a chronic misery. It was a very cancer for permanency and pain.

Then came the measles.

During two long weeks Tom lay a prisoner, dead to the world and its happenings. He was very ill, he was interested in nothing. When he got upon his feet at last and moved feebly downtown, a melancholy change had come over everything and every creature. There had been a "revival," and everybody had "got religion," not only the adults, but even the boys and girls.

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Prompt:
After this there only remained to be settled between them the practical details of the project.

These were that he should leave home in a couple of days, and take lodgings either in the distant city of Bath or in a convenient suburb of London, till a sufficient time should have elapsed to satisfy legal requirements; that on a fine morning at the end of this time she should hie away to the same place, and be met at the station by St. Cleeve, armed with the marriage license; whence they should at once proceed to the church fixed upon for the ceremony; returning home independently in the course of the next two or three days.

While these tactics were under discussion the two-and-thirty winds of heaven continued, as before, to beat about the tower, though their onsets appeared to be somewhat lessening in force. Himself now calmed and satisfied, Swithin, as is the wont of humanity, took serener views of Nature's crushing mechanics without, and said, 'The wind doesn't seem disposed to put the tragic period to our hopes and fears that I spoke of in my momentary despair.'

'The disposition of the wind is as vicious as ever,' she answered, looking into his face with pausing thoughts on, perhaps, other subjects than that discussed. 'It is your mood of viewing it that has changed. "There is nothing either good or bad, but thinking makes it so."'

And, as if flatly to stultify Swithin's assumption, a circular hurricane, exceeding in violence any that had preceded it, seized hold upon RingsHill Speer at that moment with the determination of a conscious agent. The first sensation of a resulting catastrophe was conveyed to their intelligence by the flapping of the candle-flame against the lantern-glass; then the wind, which hitherto they had heard rather than felt, rubbed past them like a fugitive. Swithin beheld around and above him, in place of the concavity of the dome, the open heaven, with its racing clouds, remote horizon, and intermittent gleam of stars. The dome that had covered the tower had been whirled off bodily; and they heard it descend crashing upon the trees.

Finding himself untouched Swithin stretched out his arms towards Lady Constantine, whose apparel had been seized by the spinning air, nearly lifting her off her legs. She, too, was as yet unharmed. Each held the other for a moment, when, fearing that something further would happen, they took shelter in the staircase.

'Dearest, what an escape!' he said, still holding her.

'What is the accident?' she asked. 'Has the whole top really gone?'

'The dome has been blown off the roof.'

As soon as it was practicable he relit the extinguished lantern, and they emerged again upon the leads, where the extent of the disaster became at once apparent. Saving the absence of the enclosing hemisphere all remained the same. The dome, being constructed of wood, was light by comparison with the rest of the structure, and the wheels which allowed it horizontal, or, as Swithin expressed it, azimuth motion, denied it a firm hold upon the walls; so that it had been lifted off them like a cover from a pot. The equatorial stood in the midst as it had stood before.

Having executed its grotesque purpose the wind sank to comparative mildness. Swithin took advantage of this lull by covering up the instruments with cloths, after which the betrothed couple prepared to go downstairs.

But the events of the night had not yet fully disclosed themselves. At this moment there was a sound of footsteps and a knocking at the door below.

'It can't be for me!' said Lady Constantine. 'I retired to my room before leaving the house, and told them on no account to disturb me.'

She remained at the top while Swithin went down the spiral. In the gloom he beheld Hannah.

'O Master Swithin, can ye come home! The wind have blowed down the chimley that don't smoke, and the pinning-end with it; and the old ancient house, that have been in your family so long as the memory of man, is naked to the world! It is a mercy that your grammer were not killed, sitting by the hearth, poor old soul, and soon to walk wi' God,--for 'a 's getting wambling on her pins, Mr. Swithin, as aged folks do. As I say, 'a was all but murdered by the elements, and doing no more harm than the babes in the wood, nor speaking one harmful word. And the fire and smoke were blowed all across house like a chapter in Revelation; and your poor reverent father's features scorched to flakes, looking like the vilest ruffian, and the gilt frame spoiled! Every flitch, every eyepiece, and every chine is buried under the walling; and I fed them pigs with my own hands, Master Swithin, little thinking they would come to this end. Do ye collect yourself, Mr. Swithin, and come at once!'

'I will,--I will. I'll follow you in a moment. Do you hasten back again and assist.'

When Hannah had departed the young man ran up to Lady Constantine, to whom he explained the accident. After sympathizing with old Mrs. Martin Lady Constantine added, 'I thought something would occur to mar our scheme!'

'I am not quite sure of that yet.'

On a short consideration with him, she agreed to wait at the top of the tower till he could come back and inform her if the accident were really so serious as to interfere with his plan for departure. He then left her, and there she sat in the dark, alone, looking over the parapet, and straining her eyes in the direction of the homestead.

At first all was obscurity; but when he had been gone about ten minutes lights began to move to and

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Prompt:
I would not creep along the coast but steer Out in mid-sea, by guidance of the stars.

When Dorothea, walking round the laurel-planted plots of the New Hospital with Lydgate, had learned from him that there were no signs of change in Mr. Casaubon's bodily condition beyond the mental sign of anxiety to know the truth about his illness, she was silent for a few moments, wondering whether she had said or done anything to rouse this new anxiety. Lydgate, not willing to let slip an opportunity of furthering a favorite purpose, ventured to say—

"I don't know whether your or Mr. Casaubon's attention has been drawn to the needs of our New Hospital. Circumstances have made it seem rather egotistic in me to urge the subject; but that is not my fault: it is because there is a fight being made against it by the other medical men. I think you are generally interested in such things, for I remember that when I first had the pleasure of seeing you at Tipton Grange before your marriage, you were asking me some questions about the way in which the health of the poor was affected by their miserable housing."

"Yes, indeed," said Dorothea, brightening. "I shall be quite grateful to you if you will tell me how I can help to make things a little better. Everything of that sort has slipped away from me since I have been married. I mean," she said, after a moment's hesitation, "that the people in our village are tolerably comfortable, and my mind has been too much taken up for me to inquire further. But here—in such a place as Middlemarch—there must be a great deal to be done."

"There is everything to be done," said Lydgate, with abrupt energy. "And this Hospital is a capital piece of work, due entirely to Mr. Bulstrode's exertions, and in a great degree to his money. But one man can't do everything in a scheme of this sort. Of course he looked forward to help. And now there's a mean, petty feud set up against the thing in the town, by certain persons who want to make it a failure."

"What can be their reasons?" said Dorothea, with naive surprise.

"Chiefly Mr. Bulstrode's unpopularity, to begin with. Half the town would almost take trouble for the sake of thwarting him. In this stupid world most people never consider that a thing is good to be done unless it is done by their own set. I had no connection with Bulstrode before I came here. I look at him quite impartially, and I see that he has some notions—that he has set things on foot—which I can turn to good public purpose. If a fair number of the better educated men went to work with the belief that their observations might contribute to the reform of medical doctrine and practice, we should soon see a change for the better. That's my point of view. I hold that by refusing to work with Mr. Bulstrode I should be turning my back on an

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opportunity of making my profession more generally serviceable."

"I quite agree with you," said Dorothea, at once fascinated by the situation sketched in Lydgate's words. "But what is there against Mr. Bulstrode? I know that my uncle is friendly with him."

"People don't like his religious tone," said Lydgate, breaking off there.

"That is all the stronger reason for despising such an opposition," said Dorothea, looking at the affairs of Middlemarch by the light of the great persecutions.

"To put the matter quite fairly, they have other objections to him:—he is masterful and rather unsociable, and he is concerned with trade, which has complaints of its own that I know nothing about. But what has that to do with the question whether it would not be a fine thing to establish here a more valuable hospital than any they have in the county?

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.


Prompt:
True knowledge of the nature of silver mining came fast enough. We went out "prospecting" with Mr. Ballou. We climbed the mountain sides, and clambered among sage-brush, rocks and snow till we were ready to drop with exhaustion, but found no silver—nor yet any gold. Day after day we did this. Now and then we came upon holes burrowed a few feet into the declivities and apparently abandoned; and now and then we found one or two listless men still burrowing. But there was no appearance of silver. These holes were the beginnings of tunnels, and the purpose was to drive them hundreds of feet into the mountain, and some day tap the hidden ledge where the silver was. Some day! It seemed far enough away, and very hopeless and dreary. Day after day we toiled, and climbed and searched, and we younger partners grew sicker and still sicker of the promiseless toil. At last we halted under a beetling rampart of rock which projected from the earth high upon the mountain. Mr. Ballou broke off some fragments with a hammer, and examined them long and attentively with a small eye-glass; threw them away and broke off more; said this rock was quartz, and quartz was the sort of rock that contained silver. Contained it! I had thought that at least it would be caked on the outside of it like a kind of veneering. He still broke off pieces and critically examined them, now and then wetting the piece with his tongue and applying the glass. At last he exclaimed:

"We've got it!"

210.jpg (74K)

We were full of anxiety in a moment. The rock was clean and white, where it was broken, and across it ran a ragged thread of blue. He said that that little thread had silver in it, mixed with base metal, such as lead and antimony, and other rubbish, and that there was a speck or two of gold visible. After a great deal of effort we managed to discern some little fine yellow specks, and judged that a couple of tons of them massed together might make a gold dollar, possibly. We were not jubilant, but Mr. Ballou said there were worse ledges in the world than that. He saved what he called the "richest" piece of the rock, in order to determine its value by the process called the "fire-assay." Then we named the mine "Monarch of the Mountains" (modesty of nomenclature is not a prominent feature in the mines), and Mr. Ballou wrote out and stuck up the following "notice," preserving a copy to be entered upon the books in the mining recorder's office in the town.

"NOTICE."

"We the undersigned claim three claims, of three hundred feet each (and one for discovery), on this silver-bearing quartz lead or lode, extending north and south from this notice, with all its dips, spurs, and angles, variations and sinuosities, together with fifty feet of ground on either side for working the same."

We put our names to it and tried to feel that our fortunes were made. But when we talked the matter all over with Mr. Ballou, we felt depressed and dubious. He said that this surface quartz was not all there was of our mine; but that the wall or ledge of rock called the "Monarch of the Mountains," extended down hundreds and hundreds of feet into the earth—he illustrated by saying it was like a curb-stone, and maintained a nearly uniform thickness—say twenty feet—away down into the bowels of the earth, and was perfectly distinct from the casing rock on each side of it; and that it kept to itself, and maintained its distinctive character always, no matter how deep it extended into the earth or how far it stretched itself through and across the hills and valleys. He said it might be a mile deep and ten miles long, for all we knew; and that wherever we bored into it above ground or below, we would find gold and silver in it, but no gold or silver in the meaner rock it was cased between. And he said

Chosen response: that down in the great depths of the ledge was its richness, and the deeper it went the richer it grew. Therefore, instead of working here on the surface, we must either bore down into the rock with a shaft till we came to where it was rich—say a hundred feet or so—or else we must go down into the valley and bore a long tunnel into the mountain side and tap the ledge far under the earth. To do either was plainly the labor of months; for we could blast and bore only a few feet a day—some five or six. But this was not all. He said that after we got the ore out it must be hauled in wagons to a distant silver-mill, ground up, and the silver extracted by a tedious and costly process.

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