Prompt:
This penitential mood kept her from naming the wedding-day. The beginning of November found its date still in abeyance, though he asked her at the most tempting times. But Tess's desire seemed to be for a perpetual betrothal in which everything should remain as it was then.

The meads were changing now; but it was still warm enough in early afternoons before milking to idle there awhile, and the state of dairy-work at this time of year allowed a spare hour for idling. Looking over the damp sod in the direction of the sun, a glistening ripple of gossamer webs was visible to their eyes under the luminary, like the track of moonlight on the sea. Gnats, knowing nothing of their brief glorification, wandered across the shimmer of this pathway, irradiated as if they bore fire within them, then passed out of its line, and were quite extinct. In the presence of these things he would remind her that the date was still the question.

Or he would ask her at night, when he accompanied her on some mission invented by Mrs Crick to give him the opportunity. This was mostly a journey to the farmhouse on the slopes above the vale, to inquire how the advanced cows were getting on in the straw-barton to which they were relegated. For it was a time of the year that brought great changes to the world of kine. Batches of the animals were sent away daily to this lying-in hospital, where they lived on straw till their calves were born, after which event, and as soon as the calf could walk, mother and offspring were driven back to the dairy. In the interval which elapsed before the calves were sold there was, of course, little milking to be done, but as soon as the calf had been taken away the milkmaids would have to set to work as usual.

Returning from one of these dark walks they reached a great gravel-cliff immediately over the levels, where they stood still and listened. The water was now high in the streams, squirting through the weirs, and tinkling under culverts; the smallest gullies were all full; there was no taking short cuts anywhere, and foot-passengers were compelled to follow the permanent ways. From the whole extent of the invisible vale came a multitudinous intonation; it forced upon their fancy that a great city lay below them, and that the murmur was the vociferation of its populace.

"It seems like tens of thousands of them," said Tess; "holding public-meetings in their market-places, arguing, preaching, quarrelling, sobbing, groaning, praying, and cursing."

Clare was not particularly heeding.

"Did Crick speak to you to-day, dear, about his not wanting much assistance during the winter months?"

"No."

"The cows are going dry rapidly."

"Yes. Six or seven went to the straw-barton yesterday, and three the day before, making nearly twenty in the straw already. Ah—is it that the farmer don't want my help for the calving? O, I am not wanted here any more! And I have tried so hard to—"

"Crick didn't exactly say that he would no longer require you. But, knowing what our relations were, he said in the most good-natured and respectful manner possible that he supposed on my leaving at Christmas I should take you with me, and on my asking what he would do without you he merely observed that, as a matter of fact, it was a time of year when he could do with a very little female help. I am afraid I was sinner enough to feel rather glad that he was in this way forcing your hand."

"I don't think you ought to have felt glad, Angel. Because 'tis always mournful not to be wanted, even if at the same time 'tis convenient."

"Well, it is convenient—you have admitted that." He put his finger upon her cheek. "Ah!" he said.

"What?"

"I feel the red rising up at her having been caught! But why should I trifle so! We will not trifle—life is too serious."

"It is. Perhaps I saw that before you did."

She was seeing it then. To decline to marry him after all—in obedience to her emotion of last night—and leave the dairy, meant to go to some strange place, not a dairy; for milkmaids were not in request now calving-time was coming on; to go to some arable farm where no divine being like Angel Clare was. She hated the thought, and she hated more the thought of going home.

"So that, seriously, dearest Tess," he continued, "since you will probably have to leave at Christmas, it is in every way desirable and convenient that I should carry you off then as my property. Besides, if you were not the most uncalculating girl in the world you would know that we could not go on like this for ever."

"I wish we could. That it would always be summer and autumn, and you always courting me, and always thinking as much of me as you have done through the past summer-time!"

"I always shall."

"O, I know you will!" she cried, with a sudden fervour of faith in him. "Angel, I will fix the day when I will become yours for always!"

Thus at last it was arranged between them, during that dark walk home, amid the myriads of liquid voices on the right and left.

When they reached the dairy Mr and Mrs Crick were promptly told—with injunctions of secrecy; for each of the lovers was desirous that the marriage should be kept as private as possible. The dairyman, though he had thought of dismissing her soon, now made a great concern about losing her. What should he do about his skimming? Who would make the ornamental butter-pats for the Anglebury and Sandbourne ladies? Mrs Crick congratulated Tess on the shilly-shallying having at last come to an end, and said that directly she set eyes on Tess she divined that she was to be the chosen one of somebody who was no common outdoor man; Tess had looked so superior as she walked across the barton on that afternoon of her arrival; that she was of a good family she could have sworn. In point of fact Mrs Crick did remember thinking that Tess was graceful and good-looking as she approached; but the superiority might have been a growth of the imagination aided by subsequent knowledge.

Tess was now carried along upon the wings of the hours, without the sense of a will. The word had been given; the number of the day written down. Her naturally bright intelligence had begun to admit the fatalistic convictions common to field-folk and those who associate more extensively with natural phenomena than with their fellow-creatures; and she accordingly drifted into that passive responsiveness to all things her lover suggested, characteristic of the frame of mind.

But she wrote anew to her mother, ostensibly to notify the wedding-day; really to again implore her advice. It was a gentleman who had chosen her, which perhaps her mother had not sufficiently considered. A post-nuptial explanation, which might be accepted with a light heart by a rougher man, might not be received with the same feeling by him. But this communication brought no reply from Mrs Durbeyfield.

Despite Angel Clare's plausible representation to himself and to Tess of the practical need for their immediate marriage, there was in truth an element of precipitancy in the step, as became apparent at a later date. He loved her dearly, though perhaps rather ideally and fancifully than with the impassioned thoroughness of her feeling for him. He had entertained no notion, when doomed as he had thought to an unintellectual bucolic life, that such charms as he beheld in this idyllic creature would be found behind the scenes. Unsophistication was a thing to talk of; but he had not known how it really struck one until he came here. Yet he was very far from seeing his future track clearly, and it might be a year or two before he would be able to consider himself fairly started in life. The

Chosen response:
secret lay in the tinge of recklessness imparted to his career and character by the sense that he had been made to miss his true destiny through the prejudices of his family.

"Don't you think 'twould have been better for us to wait till you were quite settled in your midland farm?" she once asked timidly. (A midland farm was the idea just then.)

"To tell the truth, my Tess, I don't like you to be left anywhere away from my protection and sympathy."

The reason was a good one, so far as it went. His influence over her had been so marked that she had caught his manner and habits, his speech and phrases, his likings and his aversions.

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Prompt:
On Saturday morning Elizabeth and Mr. Collins met for breakfast a few minutes before the others appeared; and he took the opportunity of paying the parting civilities which he deemed indispensably necessary.

"I know not, Miss Elizabeth," said he, "whether Mrs. Collins has yet expressed her sense of your kindness in coming to us; but I am very certain you will not leave the house without receiving her thanks for it. The favor of your company has been much felt, I assure you. We know how little there is to tempt anyone to our humble abode. Our plain manner of living, our small rooms and few domestics, and the little we see of the world, must make Hunsford extremely dull to a young lady like yourself; but I hope you will believe us grateful for the condescension, and that we have done everything in our power to prevent your spending your time unpleasantly."

Elizabeth was eager with her thanks and assurances of happiness. She had spent six weeks with great enjoyment; and the pleasure of being with Charlotte, and the kind attentions she had received, must make her feel the obliged. Mr. Collins was gratified, and with a more smiling solemnity replied:

"It gives me great pleasure to hear that you have passed your time not disagreeably. We have certainly done our best; and most fortunately having it in our power to introduce you to very superior society, and, from our connection with Rosings, the frequent means of varying the humble home scene, I think we may flatter ourselves that your Hunsford visit cannot have been entirely irksome. Our situation with regard to Lady Catherine's family is indeed the sort of extraordinary advantage and blessing which few can boast. You see on what a footing we are. You see how continually we are engaged there. In truth I must acknowledge that, with all the disadvantages of this humble parsonage, I should not think anyone abiding in it an object of compassion, while they are sharers of our intimacy at Rosings."

Words were insufficient for the elevation of his feelings; and he was obliged to walk about the room, while Elizabeth tried to unite civility and truth in a few short sentences.

"You may, in fact, carry a very favourable report of us into Hertfordshire, my dear cousin. I flatter myself at least that you will be able to do so. Lady Catherine's great attentions to Mrs. Collins you have been a daily witness of; and altogether I trust it does not appear that your friend has drawn an unfortunate--but on this point it will be as well to be silent. Only let me assure you, my dear Miss Elizabeth, that I can from my heart most cordially wish you equal felicity in marriage. My dear Charlotte and I have but one mind and one way of thinking. There is in everything

Chosen response:
a most remarkable resemblance of character and ideas between us. We seem to have been designed for each other."

Elizabeth could safely say that it was a great happiness where that was the case, and with equal sincerity could add, that she firmly believed and rejoiced in his domestic comforts. She was not sorry, however, to have the recital of them interrupted by the lady from whom they sprang. Poor Charlotte! it was melancholy to leave her to such society! But she had chosen it with her eyes open; and though evidently regretting that her visitors were to go, she did not seem to ask for compassion. Her home and her housekeeping, her parish and her poultry, and all their dependent concerns, had not yet lost their charms.

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Prompt:
If there is any life that is happier than the life we led on our timber ranch for the next two or three weeks, it must be a sort of life which I have not read of in books or experienced in person. We did not see a human being but ourselves during the time, or hear any sounds but those that were made by the wind and the waves, the sighing of the pines, and now and then the far-off thunder of an avalanche. The forest about us was dense and cool, the sky above us was cloudless and brilliant with sunshine, the broad lake before us was glassy and clear, or rippled and breezy, or black and storm-tossed, according to Nature's mood; and its circling border of mountain domes, clothed with forests, scarred with land-slides, cloven by cañons and valleys, and helmeted with glittering snow, fitly framed and finished the noble picture. The view was always fascinating, bewitching, entrancing. The eye was never tired of gazing, night or day, in calm or storm; it suffered but one grief, and that was that it could not look always, but must close sometimes in sleep.

We slept in the sand close to the water's edge, between two protecting boulders, which took care of the stormy night-winds for us. We never took any paregoric to make us sleep. At the first break of dawn we were always up and running foot-races to tone down excess of physical vigor and exuberance of spirits. That is, Johnny was—but I held his hat. While smoking the pipe of peace after breakfast we watched the sentinel peaks put on the glory of the sun, and followed the conquering light as it swept down among the shadows, and set the captive crags and forests free. We watched the tinted pictures grow and brighten upon the water till every little detail of forest, precipice and pinnacle was wrought in and finished, and the miracle of the enchanter complete. Then to "business."

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That is, drifting around in the boat. We were on the north shore. There, the rocks on the bottom are sometimes gray, sometimes white. This gives the marvelous transparency of the water a fuller advantage than it has elsewhere on the lake. We usually pushed out a hundred yards or so from shore, and then lay down on the thwarts, in the sun, and let the boat drift by the hour whither it would. We seldom talked. It interrupted the Sabbath stillness, and marred the dreams the luxurious rest and indolence brought. The shore all along was indented with deep, curved bays and coves, bordered by narrow sand-beaches; and where the sand ended, the steep mountain-sides rose right up aloft into space—rose up like a vast wall a little out of the perpendicular, and thickly wooded with tall pines.

So singularly clear was the water, that where it was only twenty or thirty feet deep the bottom was so perfectly distinct that the boat seemed floating in the air! Yes, where it was even eighty feet deep. Every little pebble was distinct, every speckled trout, every hand'sbreadth of sand. Often, as we lay on our faces, a granite boulder, as large as a village church, would start out of the bottom apparently, and seem climbing up rapidly to the surface, till presently it threatened to touch our faces, and we could not resist the impulse to seize an oar and avert the danger. But the boat would float on, and the boulder descend again, and then we could see that when we had been exactly above it, it must still have been twenty or thirty feet below the surface. Down through the transparency of these great depths, the water was not merely transparent, but dazzlingly, brilliantly so. All objects seen through it had a bright, strong vividness, not only of outline, but of every minute detail, which they would not have had when seen simply through the same depth of atmosphere. So empty and airy did all spaces seem below us, and so strong was the sense of floating high aloft in mid-nothingness, that we called these boat-excursions "balloon-voyages."

We fished a good deal, but we did not average one fish a week. We could see trout by the thousand winging about in the emptiness under us, or sleeping in shoals on the bottom, but they would not bite—they

Chosen response:
could see the line too plainly, perhaps. We frequently selected the trout we wanted, and rested the bait patiently and persistently on the end of his nose at a depth of eighty feet, but he would only shake it off with an annoyed manner, and shift his position.

We bathed occasionally, but the water was rather chilly, for all it looked so sunny. Sometimes we rowed out to the "blue water," a mile or two from shore. It was as dead blue as indigo there, because of the immense depth. By official measurement the lake in its centre is one thousand five hundred and twenty-five feet deep!

Sometimes, on lazy afternoons, we lolled on the sand in camp, and smoked pipes and read some old well-worn novels.

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Prompt:
He had more tow on his distaffe Than Gerveis knew. —CHAUCER.

The ride to Stone Court, which Fred and Rosamond took the next morning, lay through a pretty bit of midland landscape, almost all meadows and pastures, with hedgerows still allowed to grow in bushy beauty and to spread out coral fruit for the birds. Little details gave each field a particular physiognomy, dear to the eyes that have looked on them from childhood: the pool in the corner where the grasses were dank and trees leaned whisperingly; the great oak shadowing a bare place in mid-pasture; the high bank where the ash-trees grew; the sudden slope of the old marl-pit making a red background for the burdock; the huddled roofs and ricks of the homestead without a traceable way of approach; the gray gate and fences against the depths of the bordering wood; and the stray hovel, its old, old thatch full of mossy hills and valleys with wondrous modulations of light and shadow such as we travel far to see in later life, and see larger, but not more beautiful. These are the things that make the gamut of joy in landscape to midland-bred souls—the things they toddled among, or perhaps learned by heart standing between their father's knees while he drove leisurely.

But the road, even the byroad, was excellent; for Lowick, as we have seen, was not a parish of muddy lanes and poor tenants; and it was into Lowick parish that Fred and Rosamond entered after a couple of miles' riding. Another mile would bring them to Stone Court, and at the end of the first half, the house was already visible, looking as if it had been arrested in its growth toward a stone mansion by an unexpected budding of farm-buildings on its left flank, which had hindered it from becoming anything more than the substantial dwelling of a gentleman farmer. It was not the less agreeable an object in the distance for the cluster of pinnacled corn-ricks which balanced the fine row of walnuts on the right.

Presently it was possible to discern something that might be a gig on the circular drive before the front door.

"Dear me," said Rosamond, "I hope none of my uncle's horrible relations are there."

"They are, though. That is Mrs. Waule's gig—the last yellow gig left, I should think. When I see Mrs. Waule in it, I understand how yellow can have been worn for mourning. That gig seems to me more funereal than a hearse. But then Mrs. Waule always has black crape on. How does she manage it, Rosy? Her friends can't always be dying."

"I don't know at all. And she is not in the least evangelical," said Rosamond, reflectively, as if that religious point of view would have fully accounted for perpetual crape. "And, not poor," she added, after a moment's pause.

"No, by George! They are as rich as Jews, those Waules and Featherstones; I mean, for people like them, who don't want to spend anything. And yet they hang about my uncle like vultures, and are afraid of a farthing going away from their side of the family. But I believe he hates them all."

The Mrs. Waule who was so far from being admirable in the eyes of these distant connections, had happened to say this very morning (not at all with a defiant air, but in a low, muffled, neutral tone, as of a voice heard through cotton wool) that she did not wish "to enjoy their good opinion." She was seated, as she observed, on her own brother's hearth, and had been Jane Featherstone five-and-twenty years before she had been Jane Waule, which entitled her to speak when her own brother's name had been made free with by those who had no right to it.

"What are you driving at there?" said Mr. Featherstone, holding his stick between his knees and settling his wig, while he gave her a momentary sharp glance, which seemed to react on him like a draught of cold air and set him coughing.

Mrs. Waule had to defer her answer till he was quiet again, till Mary Garth had supplied him with fresh syrup, and he had begun to rub the gold knob of his stick, looking bitterly at the fire. It was a bright fire, but it made no difference to the chill-looking purplish tint of Mrs. Waule's face, which was as neutral as her voice; having mere chinks for eyes, and lips that hardly moved in speaking.

"The doctors can't master that cough, brother. It's just like what I have; for I'm your own sister, constitution and everything. But, as I was saying, it's a pity Mrs. Vincy's family can't be better conducted."

"Tchah! you said nothing o' the sort. You said somebody had made free with my name."

"And no more than can be proved, if what everybody says is true. My brother Solomon tells me it's the talk up and down in Middlemarch how unsteady young Vincy is, and has been forever gambling at billiards since home he came."

"Nonsense! What's a game at billiards? It's a good gentlemanly game; and young Vincy is not a clodhopper. If your son John took to billiards, now, he'd make a fool of himself."

"Your nephew John never took to billiards or any other game, brother, and is far from losing hundreds of pounds, which, if what everybody says is true, must be found somewhere else than out of Mr. Vincy the father's pocket. For they say he's been losing money for years, though nobody would think so, to see him go coursing and keeping open house as they do. And I've heard say Mr. Bulstrode condemns Mrs. Vincy beyond anything for her flightiness, and spoiling her children so."

"What's Bulstrode to me? I don't bank with him."

"Well, Mrs. Bulstrode is Mr. Vincy's own sister, and they do say that Mr. Vincy mostly trades on the Bank money; and you may see yourself, brother, when a woman past forty has pink strings always flying, and that light way of laughing at everything, it's very unbecoming. But indulging your children is one thing, and finding money to pay their debts is another. And it's openly said that young Vincy has raised money on his expectations. I don't say what expectations. Miss Garth hears me, and is welcome to tell again. I know young people hang together."

"No, thank you, Mrs. Waule," said Mary Garth. "I dislike hearing scandal too much to wish to repeat it."

Mr. Featherstone rubbed the knob of his stick and made a brief convulsive show of laughter, which had much the same genuineness as an old whist-player's chuckle over a bad hand. Still looking at the fire, he said—

"And who pretends to say Fred Vincy hasn't got expectations? Such a fine, spirited fellow is like enough to have 'em."

There was a slight pause before Mrs. Waule replied, and when she did so, her voice seemed to be slightly moistened with tears, though her face was still dry.

"Whether or no, brother, it is naturally painful to me and my brother Solomon to hear your name made free with, and your complaint being such as may carry you off sudden, and people who are no more Featherstones than the Merry-Andrew at the fair, openly reckoning on your property coming to them. And me your own sister, and Solomon your own brother! And if that's to be it, what has it pleased the Almighty to make families for?" Here Mrs. Waule's tears fell, but with moderation.

"Come, out with it, Jane!" said Mr. Featherstone, looking at her. "You mean to say, Fred Vincy has been getting somebody to advance him money on what he says he knows about my will, eh?"

"I never said so, brother" (Mrs. Waule's voice had again become dry and unshaken). "It was told me by my brother Solomon last night when he called coming from market to give me advice about the old wheat, me being a widow, and my son John only three-and-twenty, though steady beyond anything. And he had it from most undeniable authority, and not one, but many."

"Stuff and nonsense! I don't believe a word of it. It's all a got-up story. Go to the window, missy; I thought I heard a horse. See if the doctor's coming."

"Not got up by me, brother, nor yet by Solomon, who, whatever else he may be—and I don't deny he has oddities—has made his will and parted his property equal between such kin as he's friends with; though, for my part, I think there are times when some should be considered more than others. But Solomon makes it no secret what he means to do."

"The more fool he!" said Mr. Featherstone, with some difficulty; breaking into a severe fit of coughing that required Mary Garth to stand near him, so that she did not find out whose horses they were which presently paused stamping on the gravel before the door.

Before Mr. Featherstone's cough was quiet, Rosamond entered, bearing up her riding-habit with much grace. She bowed ceremoniously to Mrs. Waule, who said stiffly, "How do you do, miss?" smiled and nodded silently to Mary, and remained standing till the coughing should cease, and allow her uncle to notice her.

"Heyday, miss!" he said at last, "you have a fine color. Where's Fred?"

"Seeing about the horses. He will be in presently."

"Sit down, sit down. Mrs. Waule, you'd better go."

Even those neighbors who had called Peter Featherstone an old fox, had never accused him of being insincerely polite, and his sister was quite used to the peculiar absence of ceremony with which he marked his sense of blood-relationship. Indeed, she herself was accustomed to think that entire freedom from the necessity of behaving agreeably was included in the Almighty's intentions about families. She rose slowly without any sign of resentment, and said in her usual muffled monotone, "Brother, I hope the new doctor will be able to do something for you. Solomon says there's great talk of his cleverness. I'm sure it's my wish you should be spared. And there's none more ready to nurse you than your own sister and your own nieces, if you'd only say the word. There's Rebecca, and Joanna, and Elizabeth, you know."

"Ay, ay, I remember—you'll see I've remembered 'em all—all dark and ugly. They'd need have some money, eh? There never was any beauty in the women of our family; but the Featherstones have always had some money, and the Waules too. Waule had money too. A warm man was Waule. Ay, ay; money's a good egg; and if you've got money to leave behind you, lay it in a warm nest. Good-by, Mrs. Waule." Here Mr. Featherstone pulled at both sides of his wig as if he wanted to deafen himself, and his sister went away ruminating on this oracular speech of his. Notwithstanding her jealousy of the Vincys and of Mary Garth, there remained as the nethermost sediment in her mental shallows a persuasion that her brother Peter Featherstone could never leave his chief property away from his blood-relations:—else, why had the Almighty carried off his two wives both childless, after he had gained so much by manganese and things, turning up when nobody expected it?—and why was there a Lowick parish church, and the Waules and Powderells all sitting in the same pew for generations, and the Featherstone pew next to them, if, the Sunday after her brother Peter's death, everybody was to know that the property was gone out of the family? The human mind has at no period accepted a moral chaos; and so preposterous a result was not strictly conceivable. But we are frightened at much that is not strictly conceivable.

When Fred came in the old man eyed him with a peculiar twinkle, which the younger had often had reason to interpret as pride in the satisfactory details of his appearance.

"You two misses go away," said Mr. Featherstone. "I want to speak to Fred."

"Come into my room, Rosamond, you will not mind the cold for a little while," said Mary. The two girls had not only known each other in childhood, but had been at the same provincial school together (Mary as an articled pupil), so that they had many memories in common, and liked very well to talk in private. Indeed, this tête-à-tête was one of Rosamond's objects in coming to Stone Court.

Old Featherstone would not begin the dialogue till the door had been closed. He continued to look at Fred with the same twinkle and with one of his habitual grimaces, alternately screwing and widening his mouth; and when he spoke, it was in a low tone, which might be taken for that of an informer ready to be bought off, rather than for the tone of an offended senior. He was not a man to feel any strong moral indignation even on account of trespasses against himself. It was natural that others should want to get an advantage over him, but then, he was a little too cunning for them.

"So, sir, you've been paying ten per cent for money which you've promised to pay off by mortgaging my land when I'm dead and gone, eh? You put my life at a twelvemonth, say. But I can alter my will yet."

Fred blushed. He had not borrowed money in that way, for excellent reasons. But he was conscious of having spoken with some confidence (perhaps with more than he exactly remembered) about his prospect of getting Featherstone's land as a future means of paying present debts.

"I don't know what you refer to, sir. I have certainly never borrowed any money on such an insecurity. Please do explain."

"No, sir, it's you must explain. I can alter my will yet, let me tell you. I'm of sound mind—can reckon compound interest in my head, and remember every fool's name as well as I could twenty years ago. What the deuce? I'm under eighty. I say, you must contradict this story."

"I have contradicted it, sir," Fred answered, with a touch of impatience, not remembering that his uncle did not verbally discriminate contradicting from disproving, though no one was further from confounding the two ideas than old Featherstone, who often wondered that so many fools took his own assertions for proofs. "But I contradict it again. The story is a silly lie."

"Nonsense! you must bring dockiments. It comes from authority."

"Name the authority, and make him name the man of whom I borrowed the money, and then I can disprove the story."

"It's pretty good authority, I think—a man who knows most of what goes on in Middlemarch. It's that fine, religious, charitable uncle o' yours. Come now!" Here Mr. Featherstone had his peculiar inward shake which signified merriment.

"Mr. Bulstrode?"

"Who else, eh?"

"Then the story has grown into this lie out of some sermonizing words he may have let fall about me. Do they pretend that he named the man who lent me the money?"

"If there is such a man, depend upon it Bulstrode knows him. But, supposing you only tried to get the money lent, and didn't get it—Bulstrode 'ud know that too. You bring me a writing from Bulstrode to say he doesn't believe you've ever promised to pay your debts out o' my land. Come now!"

Mr. Featherstone's face required its whole scale of grimaces as a muscular outlet to his silent triumph in the soundness of his faculties.

Fred felt himself to be in a disgusting dilemma.

"You must be joking, sir. Mr. Bulstrode, like other men, believes scores of things that are not true, and he has a prejudice against me. I could easily get him to write that he knew no facts in proof of the report you speak of, though it might lead to unpleasantness. But I could hardly ask him to write down what he believes or does not believe about me." Fred paused an instant, and then added, in politic appeal to his uncle's vanity, "That is hardly a thing for a gentleman to ask." But he was disappointed in the result.

"Ay, I know what you mean. You'd sooner offend me than Bulstrode. And what's he?—he's got no land hereabout that ever I heard tell of. A speckilating fellow! He may come down any day, when the devil leaves off backing him. And that's what his religion means: he wants God A'mighty to come in. That's nonsense! There's one thing I made out pretty clear when I used to go to church—and it's this: God A'mighty sticks to the land. He promises land, and He gives land, and He makes chaps rich with corn and cattle. But you take the other side. You like Bulstrode and speckilation better than Featherstone and land."

"I beg your pardon, sir," said Fred, rising, standing with his back to the fire and beating his boot with his whip. "I like neither Bulstrode nor speculation." He spoke rather sulkily, feeling himself stalemated.

"Well, well, you can do without me, that's pretty clear," said old Featherstone, secretly disliking the possibility that Fred would show himself at all independent. "You neither want a bit of land to make a squire of you instead of a starving parson, nor a lift of a hundred pound by the way. It's all one to me. I can make five codicils if I like, and I shall keep my bank-notes for a nest-egg. It's all one to me."

Fred colored again. Featherstone had rarely given him presents of money, and at this moment it seemed almost harder to part with the immediate prospect of bank-notes than with the more distant prospect of the land.

"I am not ungrateful, sir. I never meant to show disregard for any kind intentions you might have towards me. On the contrary."

"Very good. Then prove it. You bring me a letter from Bulstrode saying he doesn't believe you've been cracking and promising to pay your debts out o' my land, and then, if there's any scrape you've got into, we'll see if I can't back you a bit. Come now! That's a bargain. Here, give me your arm. I'll try and walk round the room."

Fred, in spite of his irritation, had kindness enough in him to be a little sorry for the unloved, unvenerated old man, who with his dropsical legs looked more than usually pitiable in walking. While giving his arm, he thought that he should not himself like to be an old fellow with his constitution breaking up; and he waited good-temperedly, first before the window to hear the wonted remarks about the guinea-fowls and the weather-cock, and then before the scanty book-shelves, of which the chief glories in dark calf were Josephus, Culpepper, Klopstock's "Messiah," and several volumes of the "Gentleman's Magazine."

"Read me the names o' the books. Come now! you're a college man."

Fred gave him the titles.

"What did missy want with more books? What must you be bringing her more books for?"

"They amuse her, sir. She is very fond of reading."

"A little too fond," said Mr. Featherstone, captiously. "She was for reading when she sat with me. But I put a stop to that. She's got the newspaper to read out loud. That's enough for one day, I should think. I can't abide to see her reading to herself. You mind and not bring her any more books, do you hear?"

"Yes, sir, I hear." Fred had received this order before, and had secretly disobeyed it. He intended to disobey it again.

"Ring the bell," said Mr. Featherstone; "I want missy to come down."

Rosamond and Mary had been talking faster than their male friends. They did not think of sitting down, but stood at the toilet-table near the window while Rosamond took off her hat, adjusted her veil, and applied little touches of her finger-tips to her hair—hair of infantine fairness, neither flaxen nor yellow. Mary Garth seemed all the plainer standing at an angle between the two nymphs—the one in the glass, and the one out of it, who looked at each other with eyes of heavenly blue, deep enough to hold the most exquisite meanings an ingenious beholder could put into them, and deep enough to hide the meanings of the owner if these should happen to be less exquisite. Only a few children in Middlemarch looked blond by the side of Rosamond, and the slim figure displayed by her riding-habit had delicate undulations. In fact, most men in Middlemarch, except her brothers, held that Miss Vincy was the best girl in the world, and some called her an angel. Mary Garth, on the contrary, had the aspect of an ordinary sinner: she was brown; her curly dark hair was rough and stubborn; her stature was low; and it would not be true to declare, in satisfactory antithesis, that she had all the virtues. Plainness has its peculiar temptations and vices quite as much as beauty; it is apt either to feign amiability, or, not feigning it, to show all the repulsiveness of discontent: at any rate, to be called an ugly thing in contrast with that lovely creature your companion, is apt to produce some effect beyond a sense of fine veracity and fitness in the phrase. At the age of two-and-twenty Mary had certainly not attained that perfect good sense and good principle which are usually recommended to the less fortunate girl, as if they were to be obtained in quantities ready mixed, with a flavor of resignation as required. Her shrewdness had a streak of satiric bitterness continually renewed and never carried utterly out of sight, except by a strong current of gratitude towards those who, instead of telling her that she ought to be contented, did something to make her so. Advancing womanhood had tempered her plainness, which was of a good human sort, such as the mothers of our race have very commonly worn in all latitudes under a more or less becoming headgear. Rembrandt would have painted her with pleasure, and would have made her broad features look out of the canvas with intelligent honesty. For honesty, truth-telling fairness, was Mary's reigning virtue: she neither tried to create illusions, nor indulged in them for her own behoof, and when she was in a good mood she had humor enough in her to laugh at herself. When she and Rosamond happened both to be reflected in the glass, she said, laughingly—

"What a brown patch I am by the side of you, Rosy! You are the most unbecoming companion."

"Oh no! No one thinks of your appearance, you are so sensible and useful, Mary. Beauty is of very little consequence in reality," said Rosamond, turning her head towards Mary, but with eyes swerving towards the new view of her neck in the glass.

"You mean my beauty," said Mary, rather sardonically.

Rosamond thought, "Poor Mary, she takes the kindest things ill." Aloud she said, "What have you been doing lately?"

"I? Oh, minding the house—pouring out syrup—pretending to be amiable and contented—learning to have a bad opinion of everybody."

"It is a wretched life for you."

"No," said Mary, curtly, with a little toss of her head. "I think my life is pleasanter than your Miss Morgan's."

"Yes; but Miss Morgan is so uninteresting, and not young."

"She is interesting to herself, I suppose; and I am not at all sure that everything gets easier as one gets older."

"No," said Rosamond, reflectively; "one wonders what such people do, without any prospect. To be sure, there is religion as a support. But," she added, dimpling, "it is very different with you, Mary. You may have an offer."

"Has any one told you he means to make me one?"

"Of course not. I mean, there is a gentleman who may fall in love with you, seeing you almost every day."

A certain change in Mary's face was chiefly determined by the resolve not to show any change.

"Does that always make people fall in love?" she answered, carelessly; "it seems to me quite as often a reason for detesting each other."

"Not when they are interesting and agreeable. I hear that Mr. Lydgate is both."

"Oh, Mr. Lydgate!" said Mary, with an unmistakable lapse into indifference. "You want to know something about him," she added, not choosing to indulge Rosamond's indirectness.

"Merely, how you like him."

"There is no question of liking at present. My liking always wants some little kindness to kindle it. I am not magnanimous enough to like people who speak to me without seeming to see me."

"Is he so haughty?" said Rosamond, with heightened satisfaction. "You know that he is of good family?"

"No; he did not give that as a reason."

"Mary! you

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are the oddest girl. But what sort of looking man is he? Describe him to me."

"How can one describe a man? I can give you an inventory: heavy eyebrows, dark eyes, a straight nose, thick dark hair, large solid white hands—and—let me see—oh, an exquisite cambric pocket-handkerchief. But you will see him. You know this is about the time of his visits."

Rosamond blushed a little, but said, meditatively, "I rather like a haughty manner. I cannot endure a rattling young man."

"I did not tell you that Mr. Lydgate was haughty; but il y en a pour tous les goûts, as little Mamselle used to say, and if any girl can choose the particular sort of conceit she would like, I should think it is you, Rosy."

Rejected response: This passage seems incomplete — it stops in the middle of a sentence. Did you mean to paste more? I'm happy to help once I know what you're looking for.


Prompt:
More months, to the number of twelve, had come and gone, and Mr. Charles Darnay was established in England as a higher teacher of the French language who was conversant with French literature. In this age, he would have been a Professor; in that age, he was a Tutor. He read with young men who could find any leisure and interest for the study of a living tongue spoken all over the world, and he cultivated a taste for its stores of knowledge and fancy. He could write of them, besides, in sound English, and render them into sound English. Such masters were not at that time easily found; Princes that had been, and Kings that were to be, were not yet of the Teacher class, and no ruined nobility had dropped out of Tellson's ledgers, to turn cooks and carpenters. As a tutor, whose attainments made the student's way unusually pleasant and profitable, and as an elegant translator who brought something to his work besides mere dictionary knowledge, young Mr. Darnay soon became known and encouraged. He was well acquainted, more-over, with the circumstances of his country, and those were of ever-growing interest. So, with great perseverance and untiring industry, he prospered.

In London, he had expected neither to walk on pavements of gold, nor to lie on beds of roses; if he had had any such exalted expectation, he would not have prospered. He had expected labour, and he found it, and did it and made the best of it. In this, his prosperity consisted.

A certain portion of his time was passed at Cambridge, where he read with undergraduates as a sort of tolerated smuggler who drove a contraband trade in European languages, instead of conveying Greek and Latin through the Custom-house. The rest of his time he passed in London.

Now, from the days when it was always summer in Eden, to these days when it is mostly winter in fallen latitudes, the world of a man has invariably gone one way--Charles Darnay's way--the way of the love of a woman.

He had loved Lucie Manette from the hour of his danger. He had never heard a sound so sweet and dear as the sound of her compassionate voice; he had never seen a face so tenderly beautiful, as hers when it was confronted with his own on the edge of the grave that had been dug for him. But, he had not yet spoken to her on the subject; the assassination at the deserted chateau far away beyond the heaving water and the long, long, dusty roads--the solid stone chateau which had itself become the mere mist of a dream--had been done a year, and he had never yet, by so much as a single spoken word, disclosed to her the state of his heart.

That he had his reasons for this, he knew full well. It was again a summer day when, lately arrived in London from his college occupation, he turned into the quiet corner in Soho, bent on seeking an opportunity of opening his mind to Doctor Manette. It was the close of the summer day, and he knew Lucie to be out with Miss Pross.

He found the Doctor reading in his arm-chair at a window. The energy which had at once supported him under his old sufferings and aggravated their sharpness, had been gradually restored to him. He was now a very energetic man indeed, with great firmness of purpose, strength of resolution, and vigour of action. In his recovered energy he was sometimes a little fitful and sudden, as he had at first been in the exercise of his other recovered faculties; but, this had never been frequently observable, and had grown more and more rare.

He studied much, slept little, sustained a great deal of fatigue with ease, and was equably cheerful. To him, now entered Charles Darnay, at sight of whom he laid aside his book and held out his hand.

"Charles Darnay! I rejoice to see you. We have been counting on your return these three or four days past. Mr. Stryver and Sydney Carton were both here yesterday, and both made you out to be more than due."

"I am obliged to them for their interest in the matter," he answered, a little coldly as to them, though very warmly as to the Doctor. "Miss Manette--"

"Is well," said the Doctor, as he stopped short, "and your return will delight us all. She has gone out on some household matters, but will soon be home."

"Doctor Manette, I knew she was from home. I took the opportunity of her being from home, to beg to speak to you."

There was a blank silence.

"Yes?" said the Doctor, with evident constraint. "Bring your chair here, and speak on."

He complied as to the chair, but appeared to find the speaking on less easy.

"I have had the happiness, Doctor Manette, of being so intimate here," so he at length began, "for some year and a half, that I hope the topic on which I am about to touch may not--"

He was stayed by the Doctor's putting out his hand to stop him. When he had kept it so a little while, he said, drawing it back:

"Is Lucie the topic?"

"She is."

"It is hard for me to speak of her at any time. It is very hard for me to hear her spoken of in that tone of yours, Charles Darnay."

"It is a tone of fervent admiration, true homage, and deep love, Doctor Manette!" he said deferentially.

There was another blank silence before her father rejoined:

"I believe it. I do you justice; I believe it."

His constraint was so manifest, and it was so manifest, too, that it originated in an unwillingness to approach the subject, that Charles Darnay hesitated.

"Shall I go on, sir?"

Another blank.

"Yes, go on."

"You anticipate what I would say, though you cannot know how earnestly I say it, how earnestly I feel it, without knowing my secret heart, and the hopes and fears and anxieties with which it has long been laden. Dear Doctor Manette, I love your daughter fondly, dearly, disinterestedly, devotedly. If ever there were love in the world, I love her. You have loved yourself; let your old love speak for me!"

The Doctor sat with his face turned away, and his eyes bent on the ground. At the last words, he stretched out his hand again, hurriedly, and cried:

"Not that, sir! Let that be! I adjure you, do not recall that!"

His cry was so like a cry of actual pain, that it rang in Charles Darnay's ears long after he had ceased. He motioned with the hand he had extended, and it seemed to be an appeal to Darnay to pause. The latter so received it, and remained silent.

"I ask your pardon," said the Doctor, in a subdued tone, after some moments. "I do not doubt your loving Lucie; you may be satisfied of it."

He turned towards him in his chair, but did not look at him, or raise his eyes. His chin dropped upon his hand, and his white hair overshadowed his

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face:

"Have you spoken to Lucie?"

"No."

"Nor written?"

"Never."

"It would be ungenerous to affect not to know that your self-denial is to be referred to your consideration for her father. Her father thanks you."

He offered his hand; but his eyes did not go with it.

"I know," said Darnay, respectfully, "how can I fail to know, Doctor Manette, I who have seen you together from day to day, that between you and Miss Manette there is an affection so unusual, so touching, so belonging to the circumstances in which it has been nurtured, that it can have few parallels, even in the tenderness between a father and child. I know, Doctor Manette--how can I fail to know--that, mingled with the affection and duty of a daughter who has become a woman, there is, in her heart, towards you, all the love and reliance of infancy itself.

Rejected response: Thanks for sharing this passage! It appears to be from a work of fiction. What would you like me to do with it?


Prompt:
Vicksburg During the Trouble

WE used to plow past the lofty hill-city, Vicksburg, down-stream; but we cannot do that now. A cut-off has made a country town of it, like Osceola, St. Genevieve, and several others. There is currentless water--also a big island--in front of Vicksburg now. You come down the river the other side of the island, then turn and come up to the town; that is, in high water: in low water you can't come up, but must land some distance below it.

Signs and scars still remain, as reminders of Vicksburg's tremendous war experiences; earthworks, trees crippled by the cannon balls, cave-refuges in the clay precipices, etc. The caves did good service during the six weeks' bombardment of the city--May 8 to July 4, 1863. They were used by the non-combatants--mainly by the women and children; not to live in constantly, but to fly to for safety on occasion. They were mere holes, tunnels, driven into the perpendicular clay bank, then branched Y shape, within the hill. Life in Vicksburg, during the six weeks was perhaps--but wait; here are some materials out of which to reproduce it:--

Population, twenty-seven thousand soldiers and three thousand non-combatants; the city utterly cut off from the world--walled solidly in, the frontage by gunboats, the rear by soldiers and batteries; hence, no buying and selling with the outside; no passing to and fro; no God-speeding a parting guest, no welcoming a coming one; no printed acres of world-wide news to be read at breakfast, mornings--a tedious dull absence of such matter, instead; hence, also, no running to see steamboats smoking into view in the distance up or down, and plowing toward the town--for none came, the river lay vacant and undisturbed; no rush and turmoil around the railway station, no struggling over bewildered swarms of passengers by noisy mobs of hackmen--all quiet there; flour two hundred dollars a barrel, sugar thirty, corn ten dollars a bushel, bacon five dollars a pound, rum a hundred dollars a gallon; other things in proportion: consequently, no roar and racket of drays and carriages tearing along the streets; nothing for them to do, among that handful of non-combatants of exhausted means; at three o'clock in the morning, silence; silence so dead that the measured tramp of a sentinel can be heard a seemingly impossible distance; out of hearing of this lonely sound, perhaps the stillness is absolute: all in a moment come ground-shaking thunder-crashes of artillery, the sky is cobwebbed with the crisscrossing red lines streaming from soaring bomb-shells, and a rain of iron fragments descends upon the city; descends upon the empty streets: streets which are not empty a moment later, but mottled with dim figures of frantic women and children scurrying from home and bed toward the cave dungeons--encouraged by the humorous grim soldiery, who shout 'Rats, to your holes!' and laugh.

The cannon-thunder rages, shells scream and crash overhead, the iron rain pours down, one hour, two hours, three, possibly six, then stops; silence follows, but the streets are still empty; the silence continues; by-and-bye a head projects from a cave here and there and yonder, and reconnoitres, cautiously; the silence still continuing, bodies follow heads, and jaded, half smothered creatures group themselves about, stretch their cramped limbs, draw in deep draughts of the grateful fresh air, gossip with the neighbors from the next cave; maybe straggle off home presently, or take a lounge through the town, if the stillness continues; and will scurry to the holes again, by-and-bye, when the war-tempest breaks forth once more.

There being but three thousand of these cave-dwellers--merely the population of a village--would they not come to know each other, after a week or two, and familiarly; insomuch that the fortunate or unfortunate experiences of one would be of interest to all?

Those are the materials furnished by history. From them might not almost anybody reproduce for himself the life of that time in Vicksburg? Could you, who did not experience it, come nearer to reproducing it to the imagination of another non-participant than could a Vicksburger who did experience it? It seems impossible; and yet there are reasons why it might not really be. When one makes his first voyage in a ship, it is an experience which multitudinously bristles with striking novelties; novelties which are in such sharp contrast with all this person's former experiences that they take a seemingly deathless grip upon his imagination and memory. By tongue or pen he can make a landsman live that strange and stirring voyage over with him; make him see it all and feel it all. But if he wait? If he make ten voyages in succession--what then? Why, the thing has lost color, snap, surprise; and has become commonplace. The man would have nothing to tell that would quicken a landsman's pulse.

Years ago, I talked with a couple of the Vicksburg non-combatants--a man and his wife. Left to tell their story in their own way, those people told it without fire, almost without interest.

A week of their wonderful life there would have made their tongues eloquent for ever perhaps; but they had six weeks of it, and that wore the novelty all out; they got used to being bomb-shelled out of home and into the ground; the matter became commonplace. After that, the possibility of their ever being startlingly interesting in their talks about it was gone. What the man said was to this effect:--

'It got to be Sunday all the time. Seven Sundays in the week--to us, anyway. We hadn't anything to do, and time hung heavy. Seven Sundays, and all of them broken up at one time or another, in the day or in the night, by a few hours of the awful storm of fire and thunder and iron. At first we used to shin for the holes a good deal faster than we did afterwards. The first time, I forgot the children, and Maria fetched them both along. When she was all safe in the cave she fainted. Two or three weeks afterwards, when she was running for the holes, one morning, through a shell-shower, a big shell burst near her, and covered her all over with dirt, and a piece of the iron carried away her game-bag of false hair from the back of her head. Well, she stopped to get that game-bag before she shoved along again! Was getting used to things already, you see. We all got so that we could tell a good deal about shells; and after that we didn't always go under shelter if it was a light shower. Us men would loaf around and talk; and a man would say, 'There she goes!' and name the kind of shell it was from the sound of it, and go on talking--if there wasn't any danger from it. If a shell was bursting close over us, we stopped talking and stood still;--uncomfortable, yes, but it wasn't safe to move. When it let go, we went on talking again, if nobody hurt--maybe saying, 'That was a ripper!' or some such commonplace comment before we resumed; or, maybe, we would see a shell poising itself away high in the air overhead. In that case, every fellow just whipped out a sudden, 'See you again, gents!' and shoved. Often and often I saw gangs of ladies promenading the streets, looking as cheerful as you please, and keeping an eye canted up watching the shells; and I've seen them stop still when they were uncertain about what a shell was going to do, and wait and make certain; and

Chosen response:
after that they sa'ntered along again, or lit out for shelter, according to the verdict. Streets in some towns have a litter of pieces of paper, and odds and ends of one sort or another lying around. Ours hadn't; they had _iron _litter. Sometimes a man would gather up all the iron fragments and unbursted shells in his neighborhood, and pile them into a kind of monument in his front yard--a ton of it, sometimes. No glass left; glass couldn't stand such a bombardment; it was all shivered out. Windows of the houses vacant--looked like eye-holes in a skull. _Whole _panes were as scarce as news.

'We had church Sundays. Not many there, along at first; but by-and-bye pretty good turnouts.

Rejected response: I see you've pasted some text that ends abruptly. If you'd like me to continue the story, just let me know what tone and length you're aiming for!


Prompt:
When he was half-way there, the keen dry wind that had been blowing early that morning rose again, and a fine dry snow began falling thickly. It did not lie on the ground, but was whirled about by the wind, and soon there was a regular snowstorm. There were scarcely any lamp-posts in the part of the town where Smerdyakov lived. Ivan strode alone in the darkness, unconscious of the storm, instinctively picking out his way. His head ached and there was a painful throbbing in his temples. He felt that his hands were twitching convulsively. Not far from Marya Kondratyevna's cottage, Ivan suddenly came upon a solitary drunken little peasant. He was wearing a coarse and patched coat, and was walking in zigzags, grumbling and swearing to himself. Then suddenly he would begin singing in a husky drunken voice:

"Ach, Vanka's gone to Petersburg; I won't wait till he comes back."

But he broke off every time at the second line and began swearing again; then he would begin the same song again. Ivan felt an intense hatred for him before he had thought about him at all. Suddenly he realized his presence and felt an irresistible impulse to knock him down. At that moment they met, and the peasant with a violent lurch fell full tilt against Ivan, who pushed him back furiously. The peasant went flying backwards and fell like a log on the frozen ground. He uttered one plaintive "O—oh!" and then was silent. Ivan stepped up to him. He was lying on his back, without movement or consciousness. "He will be frozen," thought Ivan, and he went on his way to Smerdyakov's.

In the passage, Marya Kondratyevna, who ran out to open the door with a candle in her hand, whispered that Smerdyakov was very ill, "It's not that he's laid up, but he seems not himself, and he even told us to take the tea away; he wouldn't have any."

"Why, does he make a row?" asked Ivan coarsely.

"Oh, dear, no, quite the contrary, he's very quiet. Only please don't talk to him too long," Marya Kondratyevna begged him. Ivan opened the door and stepped into the room.

It was over-heated as before, but there were changes in the room. One of the benches at the side had been removed, and in its place had been put a large old mahogany leather sofa, on which a bed had been made up, with fairly clean white pillows. Smerdyakov was sitting on the sofa, wearing the same dressing-gown. The table had been brought out in front of the sofa, so that there was hardly room to move. On the table lay a thick book in yellow cover, but Smerdyakov was not reading it. He seemed to be sitting doing nothing. He met Ivan with a slow silent gaze, and was apparently not at all surprised at his coming. There was a great change in his face; he was much thinner and sallower. His eyes were sunken and there were blue marks under them.

"Why, you really are ill?" Ivan stopped short. "I won't keep you long, I won't even take off my coat. Where can one sit down?"

He went to the other end of the table, moved up a chair and sat down on it.

"Why do you look at me without speaking? I've only come with one question, and I swear I won't go without an answer. Has the young lady, Katerina Ivanovna, been with you?"

Smerdyakov still remained silent, looking quietly at Ivan as before. Suddenly, with a motion of his hand, he turned his face away.

"What's the matter with you?" cried Ivan.

"Nothing."

"What do you mean by 'nothing'?"

"Yes, she has. It's no matter to you. Let me alone."

"No, I won't let you alone. Tell me, when was she here?"

"Why, I'd quite forgotten about her," said Smerdyakov, with a scornful smile, and turning his face to Ivan again, he stared at him with a look of frenzied hatred, the same look that he had fixed on him at their last interview, a month before.

"You seem very ill yourself, your face is sunken; you don't look like yourself," he said to Ivan.

"Never mind my health, tell me what I ask you."

"But why are your eyes so yellow? The whites are quite yellow. Are you so worried?" He smiled contemptuously and suddenly laughed outright.

"Listen; I've told you I won't go away without an answer!" Ivan cried, intensely irritated.

"Why do you keep pestering me? Why do you torment me?" said Smerdyakov, with a look of suffering.

"Damn it! I've nothing to do with you. Just answer my question and I'll go away."

"I've no answer to give you," said Smerdyakov, looking down again.

"You may be sure I'll make you answer!"

"Why are you so uneasy?" Smerdyakov stared at him, not simply with contempt, but almost with repulsion. "Is this because the trial begins to-morrow? Nothing will happen to you; can't you believe that at last? Go home, go to bed and sleep in peace, don't be afraid of anything."

"I don't understand you.... What have I to be afraid of to-morrow?" Ivan articulated in astonishment, and suddenly a chill breath of fear did in fact pass over his soul. Smerdyakov measured him with his eyes.

"You don't understand?" he drawled reproachfully. "It's a strange thing a sensible man should care to play such a farce!"

Ivan looked at him speechless. The startling, incredibly supercilious tone of this man who had once been his valet, was extraordinary in itself. He had not taken such a tone even at their last interview.

"I tell you, you've nothing to be afraid of. I won't say anything about you; there's no proof against you. I say, how your hands are trembling! Why are your fingers moving like that? Go home, you did not murder him."

Ivan started. He remembered Alyosha.

"I know it was not I," he faltered.

"Do you?" Smerdyakov caught him up again.

Ivan jumped up and seized him by the shoulder.

"Tell me everything, you viper! Tell me everything!"

Smerdyakov was not in the least scared. He only riveted his eyes on Ivan with insane hatred.

"Well, it was you who murdered him, if that's it," he whispered furiously.

Ivan sank back on his chair, as though pondering something. He laughed malignantly.

"You mean my going away. What you talked about last time?"

"You stood before me last time and understood it all, and you understand it now."

"All I understand is that you are mad."

"Aren't you tired of it? Here we are face to face; what's the use of going on keeping up a farce to each other? Are you still trying to throw it all on me, to my face? You murdered him; you are the real murderer, I was only your instrument, your faithful servant, and it was following your words I did it."

"Did it? Why, did you murder him?" Ivan turned cold.

Something seemed to give way in his brain, and he shuddered all over with a cold shiver. Then Smerdyakov himself looked at him wonderingly; probably the genuineness of Ivan's horror struck him.

"You don't mean to say you really did not know?" he faltered mistrustfully, looking with a forced smile into his eyes. Ivan still gazed at him, and seemed unable to speak.

Ach, Vanka's gone to Petersburg; I won't wait till he comes back,

suddenly echoed in his head.

"Do you know, I am afraid that you are a dream, a phantom sitting before me," he muttered.

"There's no phantom here, but only us two and one other. No doubt he is here, that third, between us."

"Who is he? Who is here? What third person?" Ivan cried in alarm, looking about him, his eyes hastily searching in every corner.

"That third is God Himself—Providence. He is the third beside us now. Only don't look for Him, you won't find Him."

"It's a lie that you killed him!" Ivan cried madly. "You are mad, or teasing me again!"

Smerdyakov, as before, watched him curiously, with no sign of fear. He could still scarcely get over his incredulity; he still fancied that Ivan knew everything and was trying to "throw it all on him to his face."

"Wait a minute," he said at last in a weak voice, and suddenly bringing up his left leg from under the table, he began turning up his trouser leg. He was wearing long white stockings and slippers. Slowly he took off his garter and fumbled to the bottom of his stocking. Ivan gazed at him, and suddenly shuddered in a paroxysm of terror.

"He's mad!" he cried, and rapidly jumping up, he drew back, so that he knocked his back against the wall and stood up against it, stiff and straight. He looked with insane terror at Smerdyakov, who, entirely unaffected by his terror, continued fumbling in his stocking, as though he were making an effort to get hold of something with his fingers and pull it out. At last he got hold of it and began pulling it out. Ivan saw that it was a piece of paper, or perhaps a roll of papers. Smerdyakov pulled it out and laid it on the table.

"Here," he said quietly.

"What is it?" asked Ivan, trembling.

"Kindly look at it," Smerdyakov answered, still in the same low tone.

Ivan stepped up to the table, took up the roll of paper and began unfolding it, but suddenly he drew back his fingers, as though from contact with a loathsome reptile.

"Your hands keep twitching," observed Smerdyakov, and he deliberately unfolded the bundle himself. Under the wrapper were three packets of hundred-rouble notes.

"They are all here, all the three thousand roubles; you need not count them. Take them," Smerdyakov suggested to Ivan, nodding at the notes. Ivan sank back in his chair. He was as white as a handkerchief.

"You frightened me ... with your stocking," he said, with a strange grin.

"Can you really not have known till now?" Smerdyakov asked once more.

"No, I did not know. I kept thinking of Dmitri. Brother, brother! Ach!" He suddenly clutched his head in both hands.

"Listen. Did you kill him alone? With my brother's help or without?"

"It was only with you, with your help, I killed him, and Dmitri Fyodorovitch is quite innocent."

"All right, all right. Talk about me later. Why do I keep on trembling? I can't speak properly."

"You were bold enough then. You said 'everything was lawful,' and how frightened you are now," Smerdyakov muttered in surprise. "Won't you have some lemonade? I'll ask for some at once. It's very refreshing. Only I must hide this first."

And again he motioned at the notes. He was just going to get up and call at the door to Marya Kondratyevna to make some lemonade and bring it them, but, looking for something to cover up the notes that she might not see them, he first took out his handkerchief, and as it turned out to be very dirty, took up the big yellow book that Ivan had noticed at first lying on the table, and put it over the notes. The book was The Sayings of the Holy Father Isaac the Syrian. Ivan read it mechanically.

"I won't have any lemonade," he said. "Talk of me later. Sit down and tell me how you did it. Tell me all about it."

"You'd better take off your greatcoat, or you'll be too hot." Ivan, as though he'd only just thought of it, took off his coat, and, without getting up from his chair, threw it on the bench.

"Speak, please, speak."

He seemed calmer. He waited, feeling sure that Smerdyakov would tell him all about it.

"How it was done?" sighed Smerdyakov. "It was done in a most natural way, following your very words."

"Of my words later," Ivan broke in again, apparently with complete self-possession, firmly uttering his words, and not shouting as before. "Only tell me in detail how you did it. Everything, as it happened. Don't forget anything. The details, above everything, the details, I beg you."

"You'd gone away, then I fell into the cellar."

"In a fit or in a sham one?"

"A sham one, naturally. I shammed it all. I went quietly down the steps to the very bottom and lay down quietly, and as I lay down I gave a scream, and struggled, till they carried me out."

"Stay! And were you shamming all along, afterwards, and in the hospital?"

"No, not at all. Next day, in the morning, before they took me to the hospital, I had a real attack and a more violent one than I've had for years. For two days I was quite unconscious."

"All right, all right. Go on."

"They laid me on the bed. I knew I'd be the other side of the partition, for whenever I was ill, Marfa Ignatyevna used to put me there, near them. She's always been very kind to me, from my birth up. At night I moaned, but quietly. I kept expecting Dmitri Fyodorovitch to come."

"Expecting him? To come to you?"

"Not to me. I expected him to come into the house, for I'd no doubt that he'd come that night, for being without me and getting no news, he'd be sure to come and climb over the fence, as he used to, and do something."

"And if he hadn't come?"

"Then nothing would have happened. I should never have brought myself to it without him."

"All right, all right ... speak more intelligibly, don't hurry; above all, don't leave anything out!"

"I expected him to kill Fyodor Pavlovitch. I thought that was certain, for I had prepared him for it ... during the last few days.... He knew about the knocks, that was the chief thing. With his suspiciousness and the fury which had been growing in him all those days, he was bound to get into the house by means of those taps. That was inevitable, so I was expecting him."

"Stay," Ivan interrupted; "if he had killed him, he would have taken the money and carried it away; you must have considered that. What would you have got by it afterwards? I don't see."

"But he would never have found the money. That was only what I told him, that the money was under the mattress. But that wasn't true. It had been lying in a box. And afterwards I suggested to Fyodor Pavlovitch, as I was the only person he trusted, to hide the envelope with the notes in the corner behind the ikons, for no one would have guessed that place, especially if they came in a hurry. So that's

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where the envelope lay, in the corner behind the ikons. It would have been absurd to keep it under the mattress; the box, anyway, could be locked. But all believe it was under the mattress. A stupid thing to believe. So if Dmitri Fyodorovitch had committed the murder, finding nothing, he would either have run away in a hurry, afraid of every sound, as always happens with murderers, or he would have been arrested. So I could always have clambered up to the ikons and have taken away the money next morning or even that night, and it would have all been put down to Dmitri Fyodorovitch. I could reckon upon that."

"But what if he did not kill him, but only knocked him down?"

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?


Prompt:
When the newly-married pair came home, the first person who appeared, to offer his congratulations, was Sydney Carton. They had not been at home many hours, when he presented himself. He was not improved in habits, or in looks, or in manner; but there was a certain rugged air of fidelity about him, which was new to the observation of Charles Darnay.

He watched his opportunity of taking Darnay aside into a window, and of speaking to him when no one overheard.

"Mr. Darnay," said Carton, "I wish we might be friends."

"We are already friends, I hope."

"You are good enough to say so, as a fashion of speech; but, I don't mean any fashion of speech. Indeed, when I say I wish we might be friends, I scarcely mean quite that, either."

Charles Darnay--as was natural--asked him, in all good-humour and good-fellowship, what he did mean?

"Upon my life," said Carton, smiling, "I find that easier to comprehend in my own mind, than to convey to yours. However, let me try. You remember a certain famous occasion when I was more drunk than--than usual?"

"I remember a certain famous occasion when you forced me to confess that you had been drinking."

"I remember it too. The curse of those occasions is heavy upon me, for I always remember them. I hope it may be taken into account one day, when all days are at an end for me! Don't be alarmed; I am not going to preach."

"I am not at all alarmed. Earnestness in you, is anything but alarming to me."

"Ah!" said Carton, with a careless wave of his hand, as if he waved that away. "On the drunken occasion in question (one of a large number, as you know), I was insufferable about liking you, and not liking you. I wish you would forget it."

"I forgot it long ago."

"Fashion of speech again! But, Mr. Darnay, oblivion is not so easy to me, as you represent it to be to you. I have by no means forgotten it, and a light answer does not help me to forget it."

"If it was a light answer," returned Darnay, "I beg your forgiveness for it. I had no other object than to turn a slight thing, which, to my surprise, seems to trouble you too much, aside. I declare to you, on the faith of a gentleman, that I have long dismissed it from my mind. Good Heaven, what was there to dismiss! Have I had nothing more important to remember, in the great service you rendered me that day?"

"As to the great service," said Carton, "I am bound to avow to you, when you speak of it in that way, that it was mere professional claptrap, I don't know that I cared what became of you, when I rendered it.--Mind! I say when I rendered it; I am speaking of the past."

"You make light of the obligation," returned Darnay, "but I will not quarrel with your light answer."

"Genuine truth, Mr. Darnay, trust me! I have gone aside from my purpose; I was speaking about our being friends. Now, you know me; you know I am incapable of all the higher and better flights of men. If you doubt it, ask Stryver, and he'll tell you so."

"I prefer to form my own opinion, without the aid of his."

"Well! At any rate you know me as a dissolute dog, who has never done any good, and never will."

"I don't know that you 'never will.'"

"But I do, and you must take my word for it. Well! If you could endure to have such a worthless fellow, and a fellow of such indifferent reputation, coming and going at odd times, I should ask that I might be permitted to come and go as a privileged person here; that I might be regarded as an useless (and I would add, if it were not for the resemblance I detected between you and me, an unornamental) piece of furniture, tolerated for its old service, and taken no notice of. I doubt if I should abuse the permission. It is a hundred to one if I should avail myself of it four times in a year. It would satisfy me, I dare say, to know that I had it."

"Will

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you try?"

"That is another way of saying that I am placed on the footing I have indicated. I thank you, Darnay. I may use that freedom with your name?"

"I think so, Carton, by this time."

They shook hands upon it, and Sydney turned away. Within a minute afterwards, he was, to all outward appearance, as unsubstantial as ever.

When he was gone, and in the course of an evening passed with Miss Pross, the Doctor, and Mr. Lorry, Charles Darnay made some mention of this conversation in general terms, and spoke of Sydney Carton as a problem of carelessness and recklessness. He spoke of him, in short, not bitterly or meaning to bear hard upon him, but as anybody might who saw him as he showed himself.

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?


Prompt:
There is a certain quality or element which broods over the whole of Martin Chuzzlewit to which it is difficult for either friends or foes to put a name. I think the reader who enjoys Dickens's other books has an impression that it is a kind of melancholy. There are grotesque figures of the most gorgeous kind; there are scenes that are farcical even by the standard of the farcical license of Dickens; there is humour both of the heaviest and of the lightest kind; there are two great comic personalities who run like a rich vein through the whole story, Pecksniff and Mrs. Gamp; there is one blinding patch of brilliancy, the satire on American cant; there is Todgers's boarding-house; there is Bailey; there is Mr. Mould, the incomparable undertaker. But yet in spite of everything, in spite even of the undertaker, the book is sad. No one I think ever went to it in that mixed mood of a tired tenderness and a readiness to believe and laugh in which most of Dickens's novels are most enjoyed. We go for a particular novel to Dickens as we go for a particular inn. We go to the sign of the Pickwick Papers. We go to the sign of the Rudge and Raven. We go to the sign of the Old Curiosities. We go to the sign of the Two Cities. We go to each or all of them according to what kind of hospitality and what kind of happiness we require. But it is always some kind of hospitality and some kind of happiness that we require. And as in the case of inns we also remember that while there was shelter in all and food in all and some kind of fire and some kind of wine in all, yet one has left upon us an indescribable and unaccountable memory of mortality and decay, of dreariness in the rooms and even of tastelessness in the banquet. So any one who has enjoyed the stories of Dickens as they should be enjoyed has a nameless feeling that this one story is sad and almost sodden. Dickens himself had this feeling, though his breezy vanity forbade him to express it in so many words. In spite of Pecksniff, in spite of Mrs. Gamp, in spite of the yet greater Bailey, the story went lumberingly and even lifelessly; he found the sales falling off; he fancied his popularity waning, and by a sudden impulse most inartistic and yet most artistic, he dragged in the episode of Martin's visit to America, which is the blazing jewel and the sudden redemption of the book. He wrote it at an uneasy and unhappy period of his life; when he had ceased wandering in America, but could not cease wandering altogether; when he had lost his original routine of work which was violent but regular, and had not yet settled down to the full enjoyment of his success and his later years. He poured into this book genius that might make the mountains laugh, invention that juggled with the stars. But the book was sad; and he knew it.

The just reason for this is really interesting. Yet it is one that is not easy to state without guarding one's self on the one side or the other against great misunderstandings; and these stipulations or preliminary allowances must in such a case as this of necessity be made first. Dickens was among other things a satirist, a pure satirist. I have never been able to understand why this title is always specially and sacredly reserved for Thackeray. Thackeray was a novelist; in the strict and narrow sense at any rate, Thackeray was a far greater novelist than Dickens. But Dickens certainly was the satirist. The essence of satire is that it perceives some absurdity inherent in the logic of some position, and that it draws that absurdity out and isolates it, so that all can see it. Thus for instance when Dickens says, "Lord Coodle would go out; Sir Thomas Doodle wouldn't come in; and there being no people to speak of in England except Coodle and Doodle the country has been without a Government"; when Dickens says this he suddenly pounces on and plucks out the one inherent absurdity in the English party system which is hidden behind all its paraphernalia of Parliaments and Statutes, elections and ballot papers. When all the dignity and all the patriotism and all the public interest of the English constitutional party conflict have been fully allowed for, there does remain the bold, bleak question which Dickens in substance asks, "Suppose I want somebody else who is neither Coodle nor Doodle." This is the great quality called satire; it is a kind of taunting reasonableness; and it is inseparable from a certain insane logic which is often called exaggeration. Dickens was more of a satirist than Thackeray for this simple reason: that Thackeray carried a man's principles as far as that man carried them; Dickens carried a man's principles as far as a man's principles would go. Dickens in short (as people put it) exaggerated the man and his principles; that is to say he emphasised them. Dickens drew a man's absurdity out of him; Thackeray left a man's absurdity in him. Of this last fact we can take any example we like; take for instance the comparison between the city man as treated by Thackeray in the most satiric of his novels, with the city man as treated by Dickens in one of the mildest and maturest of his. Compare the character of old Mr. Osborne in Vanity Fair with the character of Mr. Podsnap in Our Mutual Friend. In the case of Mr. Osborne there is nothing except the solid blocking in of a brutal dull convincing character. Vanity Fair is not a satire on the City except in so far as it happens to be true. Vanity Fair is not a satire on the City, in short, except in so far as the City is a satire on the City. But Mr. Podsnap is a pure satire; he is an extracting out of the City man of those purely intellectual qualities which happen to make that kind of City man a particularly exasperating fool. One might almost say that Mr. Podsnap is all Mr. Osborne's opinions separated from Mr. Osborne and turned into a character. In short the satirist is more purely philosophical than the novelist. The novelist may be only an observer; the satirist must be a thinker. He must be a thinker, he must be a philosophical thinker for this simple reason; that he exercises his philosophical thought in deciding what part of his subject he is to satirise. You may have the dullest possible intelligence and be a portrait painter; but a man must have a serious intellect in order to be a caricaturist. He has to select what thing he will caricature. True satire is always of this intellectual kind; true satire is always, so to speak, a variation or fantasia upon the air of pure logic. The satirist is the man who carries men's enthusiasm further than they carry it themselves. He outstrips the most extravagant fanatic. He is years ahead of the most audacious prophet. He sees where men's detached intellect will eventually lead them, and he tells them the name of the place--which is generally hell.

Now of this detached and rational use of satire there is one great example in this book. Even Gulliver's Travels is hardly more reasonable than Martin Chuzzlewit's travels in the incredible land of the Americans. Before considering the humour of this description in its more exhaustive and liberal aspects, it may be first remarked that in this American part of Martin Chuzzlewit, Dickens quite specially sharpens up his own more controversial and political intelligence. There are more things here than anywhere else in Dickens that partake of the nature of pamphleteering, of positive challenge, of sudden repartee, of pugnacious and exasperating query, in a word of everything that belongs to the pure art of controversy as distinct not only from the pure art of fiction but even also from the pure art of satire. I am inclined to think (to put the matter not only shortly but clumsily) that Dickens was never in all his life so strictly clever as he is in the American part of Martin Chuzzlewit. There are places where he was more inspired, almost in the sense of being intoxicated, as, for instance, in the Micawber feasts of David Copperfield; there are places where he wrote more carefully and cunningly, as, for instance, in the mystery of The Mystery of Edwin Drood; there are places where he wrote very much more humanly, more close to the ground and to growing things, as in the whole of that admirable book Great Expectations. But I do not think that his mere abstract acuteness and rapidity of thought were ever exercised with such startling exactitude as they are in this place in Martin Chuzzlewit. It is to be noted, for instance, that his American experience had actually worked him up to a heat and habit of argument. A slave-owner in the Southern States tells Dickens that slave-owners do not ill-treat their slaves, that it is not to the interest of slave-owners to ill-treat their slaves. Dickens flashes back that it is not to the interest of a man to get drunk, but he does get drunk. This pugnacious atmosphere of parry and riposte must first of all be allowed for and understood in all the satiric excursus of Martin in America. Dickens is arguing all the time; and, to do him justice, arguing very well. These chapters are full not merely of exuberant satire on America in the sense that Dotheboys Hall or Mr. Bumble's Workhouse are exuberant satires on England. They are full also of sharp argument with America as if the man who wrote expected retort and was prepared with rejoinder. The rest of the book, like the rest of Dickens's books, possesses humour. This part of the book, like hardly any of Dickens's books, possesses wit. The republican gentleman who receives Martin on landing is horrified on hearing an English servant speak of the employer as "the master." "There are no masters in America," says the gentleman. "All owners are they?" says Martin. This sort of verbal promptitude is out of the ordinary scope of Dickens; but we find it frequently in this particular part of Martin Chuzzlewit. Martin himself is constantly breaking out into a controversial lucidity, which is elsewhere not at all a part of his character. When they talk to him about the institutions of America he asks sarcastically whether bowie knives and swordsticks and revolvers are the institutions of America. All this (if I may summarise) is expressive of one main fact. Being a satirist means being a philosopher. Dickens was not always very philosophical; but he had this permanent quality of the philosopher about him, that he always remembered people by their opinions. Elijah Pogram was to him the man who said that "his boastful answer to the tyrant and the despot was that his bright home was the land of the settin' sun." Mr. Scadder and Mr. Jefferson Brick were to him the men who said (in cooperation) that "the libation of freedom must sometimes be quaffed in blood." And in these chapters more than anywhere else he falls into the extreme habit of satire, that of treating people as if there were nothing about them except their opinions. It is therefore difficult to accept these pages as pages in a novel, splendid as they are considered as pages in a parody. I do not dispute that men have said and do say that "the libation of freedom must sometimes be quaffed in blood," that "their bright homes are the land of the settin' sun," that "they taunt that lion," that "alone they dare him," or "that softly sleeps the calm ideal in the whispering chambers of imagination." I have read too much American journalism to deny that any of these sentences and any of these opinions may at some time or other have been uttered. I do not deny that there are such opinions. But I do deny that there are such people. Elijah Pogram had some other business in life besides defending defaulting postmasters; he must have been a son or a father or a husband or at least (admirable thought) a lover. Mr. Chollop had some moments in his existence when he was not threatening his fellow-creatures with his sword-stick and his revolver. Of all this human side of such American types Dickens does not really give any hint at all. He does not suggest that the bully Chollop had even such coarse good-humour as bullies almost always have. He does not suggest that the humbug Elijah Pogram had even as much greasy amiability as humbugs almost invariably have. He is not studying them as human beings, even as bad human beings; he is studying them as conceptions, as points of view, as symbols of a state of mind with which he is in violent disagreement. To put it roughly, he is not describing characters, he is satirising fads. To put it more exactly, he is not describing characters; he is persecuting heresies. There is one thing really to be said against his American satire; it is a serious thing to be said: it is an argument, and it is true. This can be said of Martin's wanderings in America, that from the time he lands in America to the time he sets sail from it he never meets a living man. He has travelled in the land of Laputa. All the people he has met have been absurd opinions walking about. The whole art of Dickens in such passages as these consisted in one thing. It consisted in finding an opinion that

Chosen response:
had not a leg to stand on, and then giving it two legs to stand on.

So much may be allowed; it may be admitted that Dickens is in this sense the great satirist, in that he can imagine absurd opinions walking by themselves about the street. It may be admitted that Thackeray would not have allowed an absurd opinion to walk about the street without at least tying a man on to it for the sake of safety. But while this first truth may be evident, the second truth which is the complement of it may easily be forgotten. On the one hand there was no man who could so much enjoy mere intellectual satire apart from humanity as Dickens.

Rejected response: It looks like you've shared an excerpt from a story! Would you like me to analyze it, summarize it, or continue it in a particular direction?


Prompt:
While now the fated Pequod had been so long afloat this voyage, the log and line had but very seldom been in use. Owing to a confident reliance upon other means of determining the vessel's place, some merchantmen, and many whalemen, especially when cruising, wholly neglect to heave the log; though at the same time, and frequently more for form's sake than anything else, regularly putting down upon the customary slate the course steered by the ship, as well as the presumed average rate of progression every hour. It had been thus with the Pequod. The wooden reel and angular log attached hung, long untouched, just beneath the railing of the after bulwarks. Rains and spray had damped it; sun and wind had warped it; all the elements had combined to rot a thing that hung so idly. But heedless of all this, his mood seized Ahab, as he happened to glance upon the reel, not many hours after the magnet scene, and he remembered how his quadrant was no more, and recalled his frantic oath about the level log and line. The ship was sailing plungingly; astern the billows rolled in riots.

"Forward, there! Heave the log!"

Two seamen came. The golden-hued Tahitian and the grizzly Manxman. "Take the reel, one of ye, I'll heave."

They went towards the extreme stern, on the ship's lee side, where the deck, with the oblique energy of the wind, was now almost dipping into the creamy, sidelong-rushing sea.

The Manxman took the reel, and holding it high up, by the projecting handle-ends of the spindle, round which the spool of line revolved, so stood with the angular log hanging downwards, till Ahab advanced to him.

Ahab stood before him, and was lightly unwinding some thirty or forty turns to form a preliminary hand-coil to toss overboard, when the old Manxman, who was intently eyeing both him and the line, made bold to speak.

"Sir, I mistrust it; this line looks far gone, long heat and wet have spoiled it."

"'Twill hold, old gentleman. Long heat and wet, have they spoiled thee? Thou seem'st to hold. Or, truer perhaps, life holds thee; not thou it."

"I hold the spool, sir. But just as my captain says. With these grey hairs of mine 'tis not worth while disputing, 'specially with a superior, who'll ne'er confess."

"What's that? There now's a patched professor in Queen Nature's granite-founded College; but methinks he's too subservient. Where wert thou born?"

"In the little rocky Isle of Man, sir."

"Excellent! Thou'st hit the world by that."

"I know not, sir, but I was born there."

"In the Isle of Man, hey? Well, the other way, it's good. Here's a man from Man; a man born in once independent Man, and now unmanned of Man; which is sucked in—by what? Up with the reel! The dead, blind wall butts all inquiring heads at last. Up with it! So."

The log was heaved. The loose coils rapidly straightened out in a long dragging line astern,

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and then, instantly, the reel began to whirl. In turn, jerkingly raised and lowered by the rolling billows, the towing resistance of the log caused the old reelman to stagger strangely.

"Hold hard!"

Snap! the overstrained line sagged down in one long festoon; the tugging log was gone.

"I crush the quadrant, the thunder turns the needles, and now the mad sea parts the log-line. But Ahab can mend all. Haul in here, Tahitian; reel up, Manxman. And look ye, let the carpenter make another log, and mend thou the line. See to it."

"There he goes now; to him nothing's happened; but to me, the skewer seems loosening out of the middle of the world. Haul in, haul in, Tahitian!

Rejected response: Interesting excerpt! Before I proceed, could you tell me more about what you need? I can summarize the passage, discuss its themes, or help you write what comes next.