Prompt:
There are works of great authors manifestly inferior to their typical work which are yet necessary to their fame and their figure in the world. It is not difficult to recall examples of them. No one, for instance, would talk of Scott's Tales of a Grandfather as indicating the power that produced Kenilworth and Guy Mannering. Nevertheless, without this chance minor compilation we should not really have the key of Scott. Without this one insignificant book we should not see his significance. For the truth was that Scott loved history more than romance, because he was so constituted as to find it more romantic than romance. He preferred the deeds of Wallace and Douglas to those of Marmion and Ivanhoe. Therefore his garrulous gossip of old times, his rambles in dead centuries, give us the real material and impulse of all his work; they represent the quarry in which he dug and the food on which he fed. Almost alone among novelists Scott actually preferred those parts of his historical novels which he had not invented himself. He exults when he can boast in an eager note that he has stolen some saying from history. Thus The Tales of a Grandfather, though small, is in some sense the frame of all the Waverley novels. We realise that all Scott's novels are tales of a grandfather.

What has been said here about Scott might be said in a less degree about Thackeray's Four Georges. Though standing higher among his works than The Tales of a Grandfather among Scott's they are not his works of genius; yet they seem in some way to surround, supplement, and explain such works. Without the Four Georges we should know less of the link that bound Thackeray to the beginning and to the end of the eighteenth century; thence we should have known less of Colonel Esmond and also less of Lord Steyne. To these two examples I have given of the slight historical experiments of two novelists a third has to be added. The third great master of English fiction whose glory fills the nineteenth century also produced a small experiment in the popularisation of history. It is separated from the other two partly by a great difference of merit but partly also by an utter difference of tone and outlook. We seem to hear it suddenly as in the first words spoken by a new voice, a voice gay, colloquial, and impatient. Scott and Thackeray were tenderly attached to the past; Dickens (in his consciousness at any rate) was impatient with everything, but especially impatient with the past.

A collection of the works of Dickens would be incomplete in an essential as well as a literal sense without his Child's History of England. It may not be important as a contribution to history, but it is important as a contribution to biography; as a contribution to the character and the career of the man who wrote it, a typical man of his time. That he had made no personal historical researches, that he had no special historical learning, that he had not had, in truth, even anything that could be called a good education, all this only accentuates not the merit but at least the importance of the book. For here we may read in plain popular language, written by a man whose genius for popular exposition has never been surpassed among men, a brief account of the origin and meaning of England as it seemed to the average Englishman of that age. When subtler views of our history, some more false and some more true than his, have become popular, or at least well known, when in the near future Carlylean or Catholic or Marxian views of history have spread themselves among the reading public, this book will always remain as a bright and brisk summary of the cock-sure, healthy-minded, essentially manly and essentially ungentlemanly view of history which characterised the Radicals of that particular Radical era. The history tells us nothing about the periods that it talks about; but it tells us a great deal about the period that it does not talk about; the period in which it was written. It is in no sense a history of England from the Roman invasion; but it is certainly one of the documents which will contribute to a history of England in the nineteenth century.

Of the actual nature of its philosophical and technical limitations it is, I suppose, unnecessary to speak. They all resolve themselves into one fault common in the modern world, and certainly characteristic of historians much more learned and pretentious than Dickens. That fault consists simply in ignoring or underrating the variety of strange evils and unique dangers in the world. The Radicals of the nineteenth century were engaged, and most righteously engaged, in dealing with one particular problem of human civilisation; they were shifting and apportioning more equally a load of custom that had really become unmeaning, often accidental, and nearly always unfair. Thus, for instance, a fierce and fighting penal code, which had been perfectly natural when the robbers were as strong as the Government, had become in more ordered times nothing but a base and bloody habit. Thus again Church powers and dues, which had been human when every man felt the Church as the best part of himself, were mere mean privileges when the nation was full of sects and full of freethinkers. This clearing away of external symbols that no longer symbolised anything was an honourable and needful work; but it was so difficult that to the men engaged in it it blocked up the perspective and filled the sky, so that they slid into a very natural mental mistake which coloured all their views of history. They supposed that this particular problem on which they were engaged was the one problem upon which all mankind had always been engaged. They got it into their heads that breaking away from a dead past was the perpetual process of humanity. The truth is obviously that humanity has found itself in many difficulties very different from that. Sometimes the best business of an age is to resist some alien invasion; sometimes to preach practical self-control in a world too self-indulgent and diffused; sometimes to prevent the growth in the State of great new private enterprises that would poison or oppress it. Above all it may sometimes happen that the highest task of a thinking citizen may be to do the exact opposite of the work which the Radicals had to do. It may be his highest duty to cling on to every scrap of the past that he can find, if he feels that the ground is giving way beneath him and sinking into mere savagery and forgetfulness of all human culture. This was exactly the position of all thinking men in what we call the dark ages, say from the sixth to the tenth century. The cheap progressive view of history can never make head or tail of that epoch; it was an epoch upside down. We think of the old things as barbaric and the new things as enlightened. In that age all the enlightened things were old; all the barbaric and brutally ignorant things were new and up to date. Republicanism was a fading legend; despotism was a new and successful experiment. Christianity was not only better than the clans that rebelled against it; Christianity was more rationalistic than they were. When men looked back they saw progress and reason; when they looked forward they saw shapeless tradition and tribal terror. Touching such an age it is obvious that all our modern terms describing reform or conservation are foolish and beside the mark. The Conservative was then the only possible reformer. If a man did not strengthen the remains of Roman order and the root of Roman Christianity, he was simply helping the world to roll downhill into ruin and idiotcy. Remember all these evident historical truths and then turn to the account given by Charles Dickens of that great man, St. Dunstan. It

Chosen response:
is not that the pert cockney tone of the abuse is irritating to the nerves: it is that he has got the whole hang of the thing wrong. His head is full of the nineteenth-century situation; that a priest imposing discipline is a person somehow blocking the way to equality and light. Whereas the point about such a man as Dunstan was that nobody in the place except he cared a button about equality or light: and that he was defending what was left of them against the young and growing power of darkness and division and caste.

Nevertheless the case against such books as this is commonly stated wrong. The fault of Dickens is not (as is often said) that he "applies the same moral standard to all ages."

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?


Prompt:
There was some hauling to be done at the lower end of the wood-lot, and Ethan was out early the next day.

The winter morning was as clear as crystal. The sunrise burned red in a pure sky, the shadows on the rim of the wood-lot were darkly blue, and beyond the white and scintillating fields patches of far-off forest hung like smoke.

It was in the early morning stillness, when his muscles were swinging to their familiar task and his lungs expanding with long draughts of mountain air, that Ethan did his clearest thinking. He and Zeena had not exchanged a word after the door of their room had closed on them. She had measured out some drops from a medicine-bottle on a chair by the bed and, after swallowing them, and wrapping her head in a piece of yellow flannel, had lain down with her face turned away. Ethan undressed hurriedly and blew out the light so that he should not see her when he took his place at her side. As he lay there he could hear Mattie moving about in her room, and her candle, sending its small ray across the landing, drew a scarcely perceptible line of light under his door. He kept his eyes fixed on the light till it vanished. Then the room grew perfectly black, and not a sound was audible but Zeena's asthmatic breathing. Ethan felt confusedly that there were many things he ought to think about, but through his tingling veins and tired brain only one sensation throbbed: the warmth of Mattie's shoulder against his. Why had he not kissed her when he held her there? A few hours earlier he would not have asked himself the question. Even a few minutes earlier, when they had stood alone outside the house, he would not have dared to think of kissing her. But since he had seen her lips in the lamplight he felt that they were his.

Now, in the bright morning air, her face was still before him. It was part of the sun's red and of the pure glitter on the snow. How the girl had changed since she had come to Starkfield! He remembered what a colourless slip of a thing she had looked the day he had met her at the station. And all the first winter, how she had shivered with cold when the northerly gales shook the thin clapboards and the snow beat like hail against the loose-hung windows!

He had been afraid that she would hate the hard life, the cold and loneliness; but not a sign of discontent escaped her. Zeena took the view that Mattie was bound to make the best of Starkfield since she hadn't any other place to go to; but this did not strike Ethan as conclusive. Zeena, at any rate, did not apply the principle in her own case.

He felt all the more sorry for the girl because misfortune had, in a sense, indentured her to them. Mattie Silver was the daughter of a cousin of Zenobia Frome's, who had inflamed his clan with mingled sentiments of envy and admiration by descending from the hills to Connecticut, where he had married a Stamford girl and succeeded to her father's thriving "drug" business. Unhappily Orin Silver, a man of far-reaching aims, had died too soon to prove that the end justifies the means. His accounts revealed merely what the means had been; and these were such that it was fortunate for his wife and daughter that his books were examined only after his impressive funeral. His wife died of the disclosure, and Mattie, at twenty, was left alone to make her way on the fifty dollars obtained from the sale of her piano. For this purpose her equipment, though varied, was inadequate. She could trim a hat, make molasses candy, recite "Curfew shall not ring to-night," and play "The Lost Chord" and a pot-pourri from "Carmen." When she tried to extend the field of her activities in the direction of stenography and book-keeping her health broke down, and six months on her feet behind the counter of a department store did not tend to restore it. Her nearest relations had been induced to place their savings in her father's hands, and though, after his death, they ungrudgingly acquitted themselves of the Christian duty of returning good for evil by giving his daughter all the advice at their disposal, they could hardly be expected to supplement it by material aid. But when Zenobia's doctor recommended her looking about for some one to help her with the house-work the clan instantly saw the chance of exacting a compensation from Mattie. Zenobia, though doubtful of the girl's efficiency, was tempted by the freedom to find fault without much risk of losing her; and so Mattie came to Starkfield.

Zenobia's fault-finding was of the silent kind, but not the less penetrating for that. During the first months Ethan alternately burned with the desire to see Mattie defy her and trembled with fear of the result. Then the situation grew less strained. The pure air, and the long summer hours in the open, gave back life and elasticity to Mattie, and Zeena, with more leisure to devote to her complex ailments, grew less watchful of the girl's omissions; so that Ethan, struggling on under the burden of his barren farm and failing saw-mill, could at least imagine that peace reigned in his house.

There was really, even now, no tangible evidence to the contrary; but since the previous night a vague dread had hung on his sky-line. It was formed of Zeena's obstinate silence, of Mattie's sudden look of warning, of the memory of just such fleeting imperceptible signs as those which told him, on certain stainless mornings, that before night there would be rain.

His dread was so strong that, man-like, he sought to postpone certainty. The hauling was not over till mid-day, and as the lumber was to be delivered to Andrew Hale, the Starkfield builder, it was really easier for Ethan to send Jotham Powell, the hired man, back to the farm on foot, and drive the load down to the village himself. He had scrambled up on the logs, and was sitting astride of them, close over his shaggy grays, when, coming between him and their streaming necks, he had a vision of the warning look that Mattie had given him the night before.

"If there's going to be any trouble I want to be there," was his vague reflection, as he threw to Jotham the unexpected order to unhitch the team and lead them back to the barn.

It was a slow trudge home through the heavy fields, and when the two men entered the kitchen Mattie was lifting the coffee from the stove and Zeena was already at the table. Her husband stopped short at sight of her. Instead of her usual calico wrapper and knitted shawl she wore her best dress of brown merino, and above her thin strands of hair, which still preserved the tight undulations of the crimping-pins, rose a hard perpendicular bonnet, as to which Ethan's clearest notion

Chosen response:
was that he had to pay five dollars for it at the Bettsbridge Emporium. On the floor beside her stood his old valise and a bandbox wrapped in newspapers.

"Why, where are you going, Zeena?" he exclaimed.

"I've got my shooting pains so bad that I'm going over to Bettsbridge to spend the night with Aunt Martha Pierce and see that new doctor," she answered in a matter-of-fact tone, as if she had said she was going into the store-room to take a look at the preserves, or up to the attic to go over the blankets.

In spite of her sedentary habits such abrupt decisions were not without precedent in Zeena's history. Twice or thrice before she had suddenly packed Ethan's valise and started off to Bettsbridge, or even Springfield, to seek the advice of some new doctor, and her husband had grown to dread these expeditions because of their cost.

Rejected response: Thanks for sharing this passage! It appears to be from a work of fiction. What would you like me to do with it?


Prompt:
Ere now it has been related how Ahab was wont to pace his quarter-deck, taking regular turns at either limit, the binnacle and mainmast; but in the multiplicity of other things requiring narration it has not been added how that sometimes in these walks, when most plunged in his mood, he was wont to pause in turn at each spot, and stand there strangely eyeing the particular object before him. When he halted before the binnacle, with his glance fastened on the pointed needle in the compass, that glance shot like a javelin with the pointed intensity of his purpose; and when resuming his walk he again paused before the mainmast, then, as the same riveted glance fastened upon the riveted gold coin there, he still wore the same aspect of nailed firmness, only dashed with a certain wild longing, if not hopefulness.

But one morning, turning to pass the doubloon, he seemed to be newly attracted by the strange figures and inscriptions stamped on it, as though now for the first time beginning to interpret for himself in some monomaniac way whatever significance might lurk in them. And some certain significance lurks in all things, else all things are little worth, and the round world itself but an empty cipher, except to sell by the cartload, as they do hills about Boston, to fill up some morass in the Milky Way.

Now this doubloon was of purest, virgin gold, raked somewhere out of the heart of gorgeous hills, whence, east and west, over golden sands, the head-waters of many a Pactolus flows. And though now nailed amidst all the rustiness of iron bolts and the verdigris of copper spikes, yet, untouchable and immaculate to any foulness, it still preserved its Quito glow. Nor, though placed amongst a ruthless crew and every hour passed by ruthless hands, and through the livelong nights shrouded with thick darkness which might cover any pilfering approach, nevertheless every sunrise found the doubloon where the sunset left it last. For it was set apart and sanctified to one awe-striking end; and however wanton in their sailor ways, one and all, the mariners revered it as the white whale's talisman. Sometimes they talked it over in the weary watch by night, wondering whose it was to be at last, and whether he would ever live to spend it.

Now those noble golden coins of South America are as medals of the sun and tropic token-pieces. Here palms, alpacas, and volcanoes; sun's disks and stars; ecliptics, horns-of-plenty, and rich banners waving, are in luxuriant profusion stamped; so that the precious gold seems almost to derive an added preciousness and enhancing glories, by passing through those fancy mints, so Spanishly poetic.

It so chanced that the doubloon of the Pequod was a most wealthy example of these things. On its round border it bore the letters, REPUBLICA DEL ECUADOR: QUITO. So this bright coin came from a country planted in the middle of the world, and beneath the great equator, and named after it; and it had been cast midway up the Andes, in the unwaning clime that knows no autumn. Zoned by those letters you saw the likeness of three Andes' summits; from one a flame; a tower on another; on the third a crowing cock; while arching over all was a segment of the partitioned zodiac, the signs all marked with their usual cabalistics, and the keystone sun entering the equinoctial point at Libra.

Before this equatorial coin, Ahab, not unobserved by others, was now pausing.

"There's something ever egotistical in mountain-tops and towers, and all other grand and lofty things; look here,—three peaks as proud as Lucifer. The firm tower, that is Ahab; the volcano, that is Ahab; the courageous, the undaunted, and victorious fowl, that, too, is Ahab; all are Ahab; and this round gold is but the image of the rounder globe, which, like a magician's glass, to each and every man in turn but mirrors back his own mysterious self. Great pains, small gains for those who ask the world to solve them; it cannot solve itself. Methinks now this coined sun wears a ruddy face; but see! aye, he enters the sign of storms, the equinox! and but six months before he wheeled out of a former equinox at Aries! From storm to storm! So be it, then. Born in throes, 'tis fit that man should live in pains and die in pangs! So be it, then! Here's stout stuff for woe to work on. So be it, then."

"No fairy fingers can have pressed the gold, but devil's claws must have left their mouldings there since yesterday," murmured Starbuck to himself, leaning against the bulwarks. "The old man seems to read Belshazzar's awful writing. I have never marked the coin inspectingly. He goes below; let me read. A dark valley between three mighty, heaven-abiding peaks, that almost seem the Trinity, in some faint earthly symbol. So in this vale of Death, God girds us round; and over all our gloom, the sun of Righteousness still shines a beacon and a hope. If we bend down our eyes, the dark vale shows her mouldy soil; but if we lift them, the bright sun meets our glance half way, to cheer. Yet, oh, the great sun is no fixture; and if, at midnight, we would fain snatch some sweet solace from him, we gaze for him in vain! This coin speaks wisely, mildly, truly, but still sadly to me. I will quit it, lest Truth shake me falsely."

"There now's the old Mogul," soliloquized Stubb by the try-works, "he's been twigging it; and there goes Starbuck from the same, and both with faces which I should say might be somewhere within nine fathoms long. And all from looking at a piece of gold, which did I have it now on Negro Hill or in Corlaer's Hook, I'd not look at it very long ere spending it. Humph! in my poor, insignificant opinion, I regard this as queer. I have seen doubloons before now in my voyagings; your doubloons of old Spain, your doubloons of Peru, your doubloons of Chili, your doubloons of Bolivia, your doubloons of Popayan; with plenty of gold moidores and pistoles, and joes, and half joes, and quarter joes. What then should there be in this doubloon of the Equator that is so killing wonderful? By Golconda! let me read it once. Halloa! here's signs and wonders truly! That, now, is what old Bowditch in his Epitome calls the zodiac, and what my almanac below calls ditto. I'll get the almanac and as I have heard devils can be raised with Daboll's arithmetic, I'll try my hand at raising a meaning out of these queer curvicues here with the Massachusetts calendar. Here's the book. Let's see now. Signs and wonders; and the sun, he's always among 'em. Hem, hem, hem; here they are—here they go—all alive:—Aries, or the Ram; Taurus, or the Bull and Jimimi! here's Gemini himself, or the Twins. Well; the sun he wheels among 'em. Aye, here

Chosen response: on the coin he's just crossing the threshold between two of twelve sitting-rooms all in a ring. Book! you lie there; the fact is, you books must know your places. You'll do to give us the bare words and facts, but we come in to supply the thoughts. That's my small experience, so far as the Massachusetts calendar, and Bowditch's navigator, and Daboll's arithmetic go. Signs and wonders, eh? Pity if there is nothing wonderful in signs, and significant in wonders! There's a clue somewhere; wait a bit; hist—hark! By Jove, I have it! Look you, Doubloon, your zodiac here is the life of man in one round chapter; and now I'll read it off, straight out of the book.

Rejected response: I see you've pasted some text that ends abruptly. If you'd like me to continue the story, just let me know what tone and length you're aiming for!


Prompt:
I had not been seated very long ere a man of a certain venerable robustness entered; immediately as the storm-pelted door flew back upon admitting him, a quick regardful eyeing of him by all the congregation, sufficiently attested that this fine old man was the chaplain. Yes, it was the famous Father Mapple, so called by the whalemen, among whom he was a very great favourite. He had been a sailor and a harpooneer in his youth, but for many years past had dedicated his life to the ministry. At the time I now write of, Father Mapple was in the hardy winter of a healthy old age; that sort of old age which seems merging into a second flowering youth, for among all the fissures of his wrinkles, there shone certain mild gleams of a newly developing bloom—the spring verdure peeping forth even beneath February's snow. No one having previously heard his history, could for the first time behold Father Mapple without the utmost interest, because there were certain engrafted clerical peculiarities about him, imputable to that adventurous maritime life he had led. When he entered I observed that he carried no umbrella, and certainly had not come in his carriage, for his tarpaulin hat ran down with melting sleet, and his great pilot cloth jacket seemed almost to drag him to the floor with the weight of the water it had absorbed. However, hat and coat and overshoes were one by one removed, and hung up in a little space in an adjacent corner; when, arrayed in a decent suit, he quietly approached the pulpit.

Like most old fashioned pulpits, it was a very lofty one, and since a regular stairs to such a height would, by its long angle with the floor, seriously contract the already small area of the chapel, the architect, it seemed, had acted upon the hint of Father Mapple, and finished the pulpit without a stairs, substituting a perpendicular side ladder, like those used in mounting a ship from a boat at sea. The wife of a whaling captain had provided the chapel with a handsome pair of red worsted man-ropes for this ladder, which, being itself nicely headed, and stained with a mahogany colour, the whole contrivance, considering what manner of chapel it was, seemed by no means in bad taste. Halting for an instant at the foot of the ladder, and with both hands grasping the ornamental knobs of the man-ropes, Father Mapple cast a look upwards, and then with a truly sailor-like but still reverential dexterity, hand over hand, mounted the steps as if ascending the main-top of his vessel.

The perpendicular parts of this side ladder, as is usually the case with swinging ones, were of cloth-covered rope, only the rounds were of wood, so that at every step there was a joint. At my first glimpse of the pulpit, it had not escaped me that however convenient for a ship, these joints in the present instance seemed unnecessary. For I was not prepared to see Father Mapple after gaining the height, slowly turn round, and stooping over the pulpit, deliberately drag up

Chosen response:
the ladder step by step, till the whole was deposited within, leaving him impregnable in his little Quebec.

I pondered some time without fully comprehending the reason for this. Father Mapple enjoyed such a wide reputation for sincerity and sanctity, that I could not suspect him of courting notoriety by any mere tricks of the stage. No, thought I, there must be some sober reason for this thing; furthermore, it must symbolize something unseen. Can it be, then, that by that act of physical isolation, he signifies his spiritual withdrawal for the time, from all outward worldly ties and connexions? Yes, for replenished with the meat and wine of the word, to the faithful man of God, this pulpit, I see, is a self-containing stronghold—a lofty Ehrenbreitstein, with a perennial well of water within the walls.

Rejected response: This passage seems incomplete — it stops in the middle of a sentence. Did you mean to paste more? I'm happy to help once I know what you're looking for.


Prompt:
"Your horses of the Sun," he said, "And first-rate whip Apollo! Whate'er they be, I'll eat my head, But I will beat them hollow."

Fred Vincy, we have seen, had a debt on his mind, and though no such immaterial burthen could depress that buoyant-hearted young gentleman for many hours together, there were circumstances connected with this debt which made the thought of it unusually importunate. The creditor was Mr. Bambridge, a horse-dealer of the neighborhood, whose company was much sought in Middlemarch by young men understood to be "addicted to pleasure." During the vacations Fred had naturally required more amusements than he had ready money for, and Mr. Bambridge had been accommodating enough not only to trust him for the hire of horses and the accidental expense of ruining a fine hunter, but also to make a small advance by which he might be able to meet some losses at billiards. The total debt was a hundred and sixty pounds. Bambridge was in no alarm about his money, being sure that young Vincy had backers; but he had required something to show for it, and Fred had at first given a bill with his own signature. Three months later he had renewed this bill with the signature of Caleb Garth. On both occasions Fred had felt confident that he should meet the bill himself, having ample funds at disposal in his own hopefulness. You will hardly demand that his confidence should have a basis in external facts; such confidence, we know, is something less coarse and materialistic: it is a comfortable disposition leading us to expect that the wisdom of providence or the folly of our friends, the mysteries of luck or the still greater mystery of our high individual value in the universe, will bring about agreeable issues, such as are consistent with our good taste in costume, and our general preference for the best style of thing. Fred felt sure that he should have a present from his uncle, that he should have a run of luck, that by dint of "swapping" he should gradually metamorphose a horse worth forty pounds into a horse that would fetch a hundred at any moment—"judgment" being always equivalent to an unspecified sum in hard cash. And in any case, even supposing negations which only a morbid distrust could imagine, Fred had always (at that time) his father's pocket as a last resource, so that his assets of hopefulness had a sort of gorgeous superfluity about them. Of what might be the capacity of his father's pocket, Fred had only a vague notion: was not trade elastic? And would not the deficiencies of one year be made up for by the surplus of another? The Vincys lived in an easy profuse way, not with any new ostentation, but according to the family habits and traditions, so that the children had no standard of economy, and the elder ones retained some of their infantine notion that their father might pay for anything if he would. Mr. Vincy himself had expensive Middlemarch habits—spent money on coursing, on his cellar, and on dinner-giving, while mamma had those running accounts with tradespeople, which give a cheerful sense of getting everything one wants without any question of payment. But it was in the nature of fathers, Fred knew, to bully one about expenses: there was always a little storm over his extravagance if he had to disclose a debt, and Fred disliked bad weather within doors. He was too filial to be disrespectful to his father, and he bore the thunder with the certainty that it was transient; but in the mean time it was disagreeable to see his mother cry, and also to be obliged to look sulky instead of having fun; for Fred was so good-tempered that if he looked glum under scolding, it was chiefly for propriety's sake. The easier course plainly, was to renew the bill with a friend's signature. Why not? With the superfluous securities of hope at his command, there was no reason why he should not have increased other people's liabilities to any extent, but for the fact that men whose names were good for anything were usually pessimists, indisposed to believe that the universal order of things would necessarily be agreeable to an agreeable young gentleman.

With a favor to ask we review our list of friends, do justice to their more amiable qualities, forgive their little offenses, and concerning each in turn, try to arrive at the conclusion that he will be eager to oblige us, our own eagerness to be obliged being as communicable as other warmth. Still there is always a certain number who are dismissed as but moderately eager until the others have refused; and it happened that Fred checked off all his friends but one, on the ground that applying to them would be disagreeable; being implicitly convinced that he at least (whatever might be maintained about mankind generally) had a right to be free from anything disagreeable. That he should ever fall into a thoroughly unpleasant position—wear trousers shrunk with washing, eat cold mutton, have to walk for want of a horse, or to "duck under" in any sort of way—was an absurdity irreconcilable with those cheerful intuitions implanted in him by nature. And Fred winced under the idea of being looked down upon as wanting funds for small debts. Thus it came to pass that the friend whom he chose to apply to was at once the poorest and the kindest—namely, Caleb Garth.

The Garths were very fond of Fred, as he was of them; for when he and Rosamond were little ones, and the Garths were better off, the slight connection between the two families through Mr. Featherstone's double marriage (the first to Mr. Garth's sister, and the second to Mrs. Vincy's) had led to an acquaintance which was carried on between the children rather than the parents: the children drank tea together out of their toy teacups, and spent whole days together in play. Mary was a little hoyden, and Fred at six years old thought her the nicest girl in the world, making her his wife with a brass ring which he had cut from an umbrella. Through all the stages of his education he had kept his affection for the Garths, and his habit of going to their house as a second home, though any intercourse between them and the elders of his family had long ceased. Even when Caleb Garth was prosperous, the Vincys were on condescending terms with him and his wife, for there were nice distinctions of rank in Middlemarch; and though old manufacturers could not any more than dukes be connected with none but equals, they were conscious of an inherent social superiority which was defined with great nicety in practice, though hardly expressible theoretically. Since then Mr. Garth had failed in the building business, which he had unfortunately added to his other avocations of surveyor, valuer, and agent, had conducted that business for a time entirely for the benefit of his assignees, and had been living narrowly, exerting himself to the utmost that he might after all pay twenty shillings in the pound. He had now achieved this, and from all who did not think it a bad precedent, his honorable exertions had won him due esteem; but in no part of the world is genteel visiting founded on esteem, in the absence of suitable furniture and complete dinner-service. Mrs. Vincy had never been at her ease with Mrs. Garth, and frequently spoke of her as a woman who had had to work for her bread—meaning that Mrs. Garth had been a teacher before her marriage; in which case an intimacy with Lindley Murray and Mangnall's Questions was something like a draper's discrimination of calico trademarks, or a courier's acquaintance with foreign countries: no woman who was better off needed that sort of thing. And since Mary had been keeping Mr. Featherstone's house, Mrs. Vincy's want of liking for the Garths had been converted into something more positive, by alarm lest Fred should engage himself to this plain girl, whose parents "lived in such a small way." Fred, being aware of this, never spoke at home of his visits to Mrs. Garth, which had of late become more frequent, the increasing ardor of his affection for Mary inclining him the more towards those who belonged to her.

Mr. Garth had a small office in the town, and to this Fred went with his request. He obtained it without much difficulty, for a large amount of painful experience had not sufficed to make Caleb Garth cautious about his own affairs, or distrustful of his fellow-men when they had not proved themselves untrustworthy; and he had the highest opinion of Fred, was "sure the lad would turn out well—an open affectionate fellow, with a good bottom to his character—you might trust him for anything." Such was Caleb's psychological argument. He was one of those rare men who are rigid to themselves and indulgent to others. He had a certain shame about his neighbors' errors, and never spoke of them willingly; hence he was not likely to divert his mind from the best mode of hardening timber and other ingenious devices in order to preconceive those errors. If he had to blame any one, it was necessary for him to move all the papers within his reach, or describe various diagrams with his stick, or make calculations with the odd money in his pocket, before he could begin; and he would rather do other men's work than find fault with their doing. I fear he was a bad disciplinarian.

When Fred stated the circumstances of his debt, his wish to meet it without troubling his father, and the certainty that the money would be forthcoming so as to cause no one any inconvenience, Caleb pushed his spectacles upward, listened, looked into his favorite's clear young eyes, and believed him, not distinguishing confidence about the future from veracity about the past; but he felt that it was an occasion for a friendly hint as to conduct, and that before giving his signature he must give a rather strong admonition. Accordingly, he took the paper and lowered his spectacles, measured the space at his command, reached his pen and examined it, dipped it in the ink and examined it again, then pushed the paper a little way from him, lifted up his spectacles again, showed a deepened depression in the outer angle of his bushy eyebrows, which gave his face a peculiar mildness (pardon these details for once—you would have learned to love them if you had known Caleb Garth), and said in a comfortable tone,—

"It was a misfortune, eh, that breaking the horse's knees? And then, these exchanges, they don't answer when you have 'cute jockeys to deal with. You'll be wiser another time, my boy."

Whereupon Caleb drew down his spectacles, and proceeded to write his signature with the care which he always gave to that performance; for whatever he did in the way of business he did well. He contemplated the large well-proportioned letters and final flourish, with his head a trifle on one side for an instant, then handed it to Fred, said "Good-by," and returned forthwith to his absorption in a plan for Sir James Chettam's new

Chosen response:
farm-buildings.

Either because his interest in this work thrust the incident of the signature from his memory, or for some reason of which Caleb was more conscious, Mrs. Garth remained ignorant of the affair.

Since it occurred, a change had come over Fred's sky, which altered his view of the distance, and was the reason why his uncle Featherstone's present of money was of importance enough to make his color come and go, first with a too definite expectation, and afterwards with a proportionate disappointment. His failure in passing his examination, had made his accumulation of college debts the more unpardonable by his father, and there had been an unprecedented storm at home. Mr. Vincy had sworn that if he had anything more of that sort to put up with, Fred should turn out and get his living how he could; and he had never yet quite recovered his good-humored tone to his son, who had especially enraged him by saying at this stage of things that he did not want to be a clergyman, and would rather not "go on with that."

Rejected response: This passage seems incomplete — it stops in the middle of a sentence. Did you mean to paste more? I'm happy to help once I know what you're looking for.


Prompt:
Oh, yes, I do--I know a lot about 'em. I was one myself once, though not long--not so long as my clothes. They were very long, I recollect, and always in my way when I wanted to kick. Why do babies have such yards of unnecessary clothing? It is not a riddle. I really want to know. I never could understand it. Is it that the parents are ashamed of the size of the child and wish to make believe that it is longer than it actually is? I asked a nurse once why it was. She said:

"Lor', sir, they always have long clothes, bless their little hearts."

And when I explained that her answer, although doing credit to her feelings, hardly disposed of my difficulty, she replied:

"Lor', sir, you wouldn't have 'em in short clothes, poor little dears?" And she said it in a tone that seemed to imply I had suggested some unmanly outrage.

Since than I have felt shy at making inquiries on the subject, and the reason--if reason there be--is still a mystery to me. But indeed, putting them in any clothes at all seems absurd to my mind. Goodness knows there is enough of dressing and undressing to be gone through in life without beginning it before we need; and one would think that people who live in bed might at all events be spared the torture. Why wake the poor little wretches up in the morning to take one lot of clothes off, fix another lot on, and put them to bed again, and then at night haul them out once more, merely to change everything back? And when all is done, what difference is there, I should like to know, between a baby's night-shirt and the thing it wears in the day-time?

Very likely, however, I am only making myself ridiculous--I often do, so I am informed--and I will therefore say no more upon this matter of clothes, except only that it would be of great convenience if some fashion were adopted enabling you to tell a boy from a girl.

At present it is most awkward. Neither hair, dress, nor conversation affords the slightest clew, and you are left to guess. By some mysterious law of nature you invariably guess wrong, and are thereupon regarded by all the relatives and friends as a mixture of fool and knave, the enormity of alluding to a male babe as "she" being only equaled by the atrocity of referring to a female infant as "he". Whichever sex the particular child in question happens not to belong to is considered as beneath contempt, and any mention of it is taken as a personal insult to the family.

And as you value your fair name do not attempt to get out of the difficulty by talking of "it."

There are various methods by which you may achieve ignominy and shame. By murdering a large and respected family in cold blood and afterward depositing their bodies in the water companies' reservoir, you will gain much unpopularity in the neighborhood of your crime, and even robbing a church will get you cordially disliked, especially by the vicar. But if you desire to drain to the dregs the fullest cup of scorn and hatred that a fellow human creature can pour out for you, let a young mother hear you call dear baby "it."

Your best plan is to address the article as "little angel." The noun "angel" being of common gender suits the case admirably, and the epithet is sure of being favorably received. "Pet" or "beauty" are useful for variety's sake, but "angel" is the term that brings you the greatest credit for sense and good-feeling. The word should be preceded by a short giggle and accompanied by as much smile as possible. And whatever you do, don't forget to say that the child has got its father's nose. This "fetches" the parents (if I may be allowed a vulgarism) more than anything. They will pretend to laugh at the idea at first and will say, "Oh, nonsense!" You must then get excited and insist that it is a fact. You need have no conscientious scruples on the subject, because the thing's nose really does resemble its father's--at all events quite as much as it does anything else in nature--being, as it is, a mere smudge.

Do not despise these hints, my friends. There may come a time when, with mamma on one side and grand mamma on the other, a group of admiring young ladies (not admiring you, though) behind, and a bald-headed dab of humanity in front, you will be extremely thankful for some idea of what to say. A man--an unmarried man, that is--is never seen to such disadvantage as when undergoing the ordeal of "seeing baby." A cold shudder runs down his back at the bare proposal, and the sickly smile with which he says how delighted he shall be ought surely to move even a mother's heart, unless, as I am inclined to believe, the whole proceeding is a mere device adopted by wives to discourage the visits of bachelor friends.

It is a cruel trick, though, whatever its excuse may be. The bell is rung and somebody sent to tell nurse to bring baby down. This is the signal for all the females present to commence talking "baby," during which time you are left to your own sad thoughts and the speculations upon the practicability of suddenly recollecting an important engagement, and the likelihood of your being believed if you do. Just when you have concocted an absurdly implausible tale about a man outside, the door opens, and a tall, severe-looking woman enters, carrying what at first sight appears to be a particularly skinny bolster, with the feathers all at one end. Instinct, however, tells you that this is the baby, and you rise with a miserable attempt at appearing eager. When the first gush of feminine enthusiasm with which the object in question is received has died out, and the number of ladies talking at once has been reduced to the ordinary four or five, the circle of fluttering petticoats divides, and

Chosen response: room is made for you to step forward. This you do with much the same air that you would walk into the dock at Bow Street, and then, feeling unutterably miserable, you stand solemnly staring at the child. There is dead silence, and you know that every one is waiting for you to speak. You try to think of something to say, but find, to your horror, that your reasoning faculties have left you. It is a moment of despair, and your evil genius, seizing the opportunity, suggests to you some of the most idiotic remarks that it is possible for a human being to perpetrate. Glancing round with an imbecile smile, you sniggeringly observe that "it hasn't got much hair has it?"

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Prompt:
That was Tom's great secret—the scheme to return home with his brother pirates and attend their own funerals. They had paddled over to the Missouri shore on a log, at dusk on Saturday, landing five or six miles below the village; they had slept in the woods at the edge of the town till nearly daylight, and had then crept through back lanes and alleys and finished their sleep in the gallery of the church among a chaos of invalided benches.

At breakfast, Monday morning, Aunt Polly and Mary were very loving to Tom, and very attentive to his wants. There was an unusual amount of talk. In the course of it Aunt Polly said:

"Well, I don't say it wasn't a fine joke, Tom, to keep everybody suffering 'most a week so you boys had a good time, but it is a pity you could be so hard-hearted as to let me suffer so. If you could come over on a log to go to your funeral, you could have come over and give me a hint some way that you warn't dead, but only run off."

"Yes, you could have done that, Tom," said Mary; "and I believe you would if you had thought of it."

"Would you, Tom?" said Aunt Polly, her face lighting wistfully. "Say, now, would you, if you'd thought of it?"

"I—well, I don't know. 'Twould 'a' spoiled everything."

"Tom, I hoped you loved me that much," said Aunt Polly, with a grieved tone that discomforted the boy. "It would have been something if you'd cared enough to think of it, even if you didn't do it."

"Now, auntie, that ain't any harm," pleaded Mary; "it's only Tom's giddy way—he is always in such a rush that he never thinks of anything."

"More's the pity. Sid would have thought. And Sid would have come and done it, too. Tom, you'll look back, some day, when it's too late, and wish you'd cared a little more for me when it would have cost you so little."

"Now, auntie, you know I do care for you," said Tom.

"I'd know it better if you acted more like it."

"I wish now I'd thought," said Tom, with a repentant tone; "but I dreamt about you, anyway. That's something, ain't it?"

"It ain't much—a cat does that much—but it's better than nothing. What did you dream?"

"Why, Wednesday night I dreamt that you was sitting over there by the bed, and Sid was sitting by the woodbox, and Mary next to him."

"Well, so we did. So we always do. I'm glad your dreams could take even that much trouble about us."

"And I dreamt that Joe Harper's mother was here."

"Why, she was here! Did you dream any more?"

"Oh, lots. But it's so dim, now."

"Well, try to recollect—can't you?"

"Somehow it seems to me that the wind—the wind blowed the—the—"

"Try harder, Tom! The wind did blow something. Come!"

Tom pressed his fingers on his forehead an anxious minute, and then said:

"I've got it now! I've got it now! It blowed the candle!"

"Mercy on us! Go on, Tom—go on!"

"And it seems to me that you said, 'Why, I believe that that door—'"

"Go on, Tom!"

"Just let me study a moment—just a moment. Oh, yes—you said you believed the door was open."

"As I'm sitting here, I did! Didn't I, Mary! Go on!"

"And then—and then—well I won't be certain, but it seems like as if you made Sid go and—and—"

"Well? Well? What did I make him do, Tom? What did I make him do?"

"You made him—you—Oh, you made him shut it."

"Well, for the land's sake! I never heard the beat of that in all my days! Don't tell me there ain't anything in dreams, any more. Sereny Harper shall know of this before I'm an hour older. I'd like to see her get around this with her rubbage 'bout superstition. Go on, Tom!"

"Oh, it's all getting just as bright as day, now. Next you said I warn't bad, only mischeevous and harum-scarum, and not any more responsible than—than—I think it was a colt, or something."

"And so it was! Well, goodness gracious! Go on, Tom!"

"And then you began to cry."

"So I did. So I did. Not the first time, neither. And then—"

"Then Mrs. Harper she began to cry, and said Joe was just the same, and she wished she hadn't whipped him for taking cream when she'd throwed it out her own self—"

"Tom! The sperrit was upon you! You was a prophesying—that's what you was doing! Land alive, go on, Tom!"

"Then Sid he said—he said—"

"I don't think I said anything," said Sid.

"Yes you did, Sid," said Mary.

"Shut your heads and let Tom go on! What did he say, Tom?"

"He said—I think he said he hoped I was better off where I was gone to, but if I'd been better sometimes—"

"There, d'you hear that! It was his very words!"

"And you shut him up sharp."

"I lay I did! There must 'a' been an angel there. There was an angel there, somewheres!"

"And Mrs. Harper told about Joe scaring her with a firecracker, and you told about Peter and the Pain-killer—"

"Just as true as I live!"

"And then there was a whole lot of talk 'bout dragging the river for us, and 'bout having the funeral Sunday, and then you and old Miss Harper hugged and cried, and she went."

"It happened just so! It happened just so, as sure as I'm a-sitting in these very tracks. Tom, you couldn't told it more like if you'd 'a' seen it! And then what? Go on, Tom!"

"Then I thought you prayed for me—and I could see you and hear every word you said. And you went to bed, and I was so sorry that I took and wrote on a piece of sycamore bark, 'We ain't dead—we are only off being pirates,' and put it on the table by the candle; and then you looked so good, laying there asleep, that I thought I went and leaned over and kissed you on the lips."

"Did you, Tom, did you! I just forgive you everything for that!" And she seized the boy in a crushing embrace that made him feel like the guiltiest of villains.

"It was very kind, even though it was only a—dream," Sid soliloquized just audibly.

"Shut up, Sid! A body does just the same in a dream as he'd do if he was awake. Here's a big Milum apple I've been saving for you, Tom, if you was ever found again—now go 'long to school. I'm thankful to the good God and Father of us all I've got you back, that's long-suffering and merciful to them that believe on Him and keep His word, though goodness knows I'm unworthy of it, but if only the worthy ones got His blessings and had His hand to help them over the rough places, there's few enough would smile here or ever enter into His rest when the long night comes. Go 'long Sid, Mary, Tom—take yourselves off—you've hendered me long enough."

The children left for school, and the old lady to call on Mrs. Harper and vanquish her realism with Tom's marvellous dream. Sid had better judgment than to utter the thought that was in his mind as he left the house. It was this: "Pretty thin—as long a dream as that, without any mistakes in it!"

What a hero Tom was become, now! He did not go skipping and prancing, but moved with a dignified swagger as became a pirate who felt that the public eye was on him. And indeed it was; he tried not to seem to see the looks or hear the remarks as he passed along, but they were food and drink to him. Smaller boys than himself flocked at his heels, as proud to be seen with him, and tolerated by him, as if he had been the drummer at the head of a procession or the elephant leading a menagerie into town. Boys of his own size pretended not to know he had been away at all; but they were consuming with envy, nevertheless. They would have given anything to have that swarthy sun-tanned skin of his, and his glittering notoriety; and Tom would not have parted with either for a circus.

At school the children made so much of him and of Joe, and delivered such eloquent admiration from their eyes, that the two heroes were not long in becoming insufferably "stuck-up." They began to tell their adventures to hungry listeners—but they only began; it was not a thing likely to have an end, with imaginations like theirs to furnish material. And finally, when they got out their pipes and went serenely puffing around, the very summit of glory was reached.

Tom decided that he could be independent of Becky Thatcher now. Glory was sufficient. He would live for glory. Now that he was distinguished, maybe she would be wanting to "make up." Well, let her—she should see that he could be as indifferent as some other people. Presently she arrived. Tom pretended not to see her. He moved away and joined a group of boys and girls and began to talk. Soon he observed that she was

Chosen response: tripping gayly back and forth with flushed face and dancing eyes, pretending to be busy chasing schoolmates, and screaming with laughter when she made a capture; but he noticed that she always made her captures in his vicinity, and that she seemed to cast a conscious eye in his direction at such times, too. It gratified all the vicious vanity that was in him; and so, instead of winning him, it only "set him up" the more and made him the more diligent to avoid betraying that he knew she was about. Presently she gave over skylarking, and moved irresolutely about, sighing once or twice and glancing furtively and wistfully toward Tom. Then she observed that now Tom was talking more particularly to Amy Lawrence than to any one else.

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Prompt:
I have heard that in some debating clubs there is a rule that the members may discuss anything except religion and politics. I cannot imagine what they do discuss; but it is quite evident that they have ruled out the only two subjects which are either important or amusing. The thing is a part of a certain modern tendency to avoid things because they lead to warmth; whereas, obviously, we ought, even in a social sense, to seek those things specially. The warmth of the discussion is as much a part of hospitality as the warmth of the fire. And it is singularly suggestive that in English literature the two things have died together. The very people who would blame Dickens for his sentimental hospitality are the very people who would also blame him for his narrow political conviction. The very people who would mock him for his narrow radicalism are those who would mock him for his broad fireside. Real conviction and real charity are much nearer than people suppose. Dickens was capable of loving all men; but he refused to love all opinions. The modern humanitarian can love all opinions, but he cannot love all men; he seems, sometimes, in the ecstasy of his humanitarianism, even to hate them all. He can love all opinions, including the opinion that men are unlovable.

In feeling Dickens as a lover we must never forget him as a fighter, and a fighter for a creed; but indeed there is no other kind of fighter. The geniality which he spread over all his creations was geniality spread from one centre, from one flaming peak. He was willing to excuse Mr. Micawber for being extravagant; but Dickens and Dickens's doctrine were strictly to decide how far he was to be excused. He was willing to like Mr. Twemlow in spite of his snobbishness, but Dickens and Dickens's doctrine were alone to be judges of how far he was snobbish. There was never a more didactic writer: hence there was never one more amusing. He had no mean modern notion of keeping the moral doubtful. He would have regarded this as a mere piece of slovenliness, like leaving the last page illegible.

Everywhere in Dickens's work these angles of his absolute opinion stood up out of the confusion of his general kindness, just as sharp and splintered peaks stand up out of the soft confusion of the forests. Dickens is always generous, he is generally kind-hearted, he is often sentimental, he is sometimes intolerably maudlin; but you never know when you will not come upon one of the convictions of Dickens; and when you do come upon it you do know it. It is as hard and as high as any precipice or peak of the mountains. The highest and hardest of these peaks is Hard Times.

It is here more than anywhere else that the sternness of Dickens emerges as separate from his softness; it is here, most obviously, so to speak, that his bones stick out. There are indeed many other books of his which are written better and written in a sadder tone. Great Expectations is melancholy in a sense; but it is doubtful of everything, even of its own melancholy. The Tale of Two Cities is a great tragedy, but it is still a sentimental tragedy. It is a great drama, but it is still a melodrama. But this tale of Hard Times is in some way harsher than all these. For it is the expression of a righteous indignation which cannot condescend to humour and which cannot even condescend to pathos. Twenty times we have taken Dickens's hand and it has been sometimes hot with revelry and sometimes weak with weariness; but this time we start a little, for it is inhumanly cold; and then we realise that we have touched his gauntlet of steel.

One cannot express the real value of this book without being irrelevant. It is true that one cannot express the real value of anything without being irrelevant. If we take a thing frivolously we can take it separately, but the moment we take a thing seriously, if it were only an old umbrella, it is obvious that that umbrella opens above us into the immensity of the whole universe. But there are rather particular reasons why the value of the book called Hard Times should be referred back to great historic and theoretic matters with which it may appear superficially to have little or nothing to do. The chief reason can perhaps be stated thus--that English politics had for more than a hundred years been getting into more and more of a hopeless tangle (a tangle which, of course, has since become even worse) and that Dickens did in some extraordinary way see what was wrong, even if he did not see what was right.

The Liberalism which Dickens and nearly all of his contemporaries professed had begun in the American and the French Revolutions. Almost all modern English criticism upon those revolutions has been vitiated by the assumption that those revolutions burst upon a world which was unprepared for their ideas--a world ignorant of the possibility of such ideas. Somewhat the same mistake is made by those who suggest that Christianity was adopted by a world incapable of criticising it; whereas obviously it was adopted by a world that was tired of criticising everything. The vital mistake that is made about the French Revolution is merely this--that everyone talks about it as the introduction of a new idea. It was not the introduction of a new idea; there are no new ideas. Or if there are new ideas, they would not cause the least irritation if they were introduced into political society; because the world having never got used to them there would be no mass of men ready to fight for them at a moment's notice. That which was irritating about the French Revolution was this--that it was not the introduction of a new ideal, but the practical fulfilment of an old one. From the time of the first fairy tales men had always believed ideally in equality; they had always thought that something ought to be done, if anything could be done, to redress the balance between Cinderella and the ugly sisters. The irritating thing about the French was not that they said this ought to be done; everybody said that. The irritating thing about the French was that they did it. They proposed to carry out into a positive scheme what had been the vision of humanity; and humanity was naturally annoyed. The kings of Europe did not make war upon the Revolution because it was a blasphemy, but because it was a copy-book maxim which had been just too accurately copied. It was a platitude which they had always held in theory unexpectedly put into practice. The tyrants did not hate democracy because it was a paradox; they hated it because it was a truism which seemed in some danger of coming true.

Now it happens to be hugely important to have this right view of the Revolution in considering its political effects upon England. For the English, being a deeply and indeed excessively romantic people, could never be quite content with this quality of cold and bald obviousness about the republican formula. The republican formula was merely this--that the State must consist of its citizens ruling equally, however unequally they may do anything else. In their capacity of members of the State they are all equally interested in its preservation. But the English soon began to be romantically restless about this eternal truism; they were perpetually trying to turn it into something else, into something more picturesque--progress perhaps, or anarchy. At last they turned it into the highly exciting and highly unsound system of politics, which was known as the Manchester School, and which was expressed with a sort of logical flightiness, more excusable in literature, by Mr. Herbert Spencer. Of course Danton or Washington or any of the original republicans would have thought these people were mad. They would never have admitted for a moment that the State must not interfere with commerce or competition; they would merely have insisted that if the State did interfere, it must really be the State--that is, the whole people. But the distance between the common sense of Danton and the mere ecstasy of Herbert Spencer marks the English way of colouring and

Chosen response:
altering the revolutionary idea. The English people as a body went blind, as the saying is, for interpreting democracy entirely in terms of liberty. They said in substance that if they had more and more liberty it did not matter whether they had any equality or any fraternity. But this was violating the sacred trinity of true politics; they confounded the persons and they divided the substance.

Now the really odd thing about England in the nineteenth century is this--that there was one Englishman who happened to keep his head. The men who lost their heads lost highly scientific and philosophical heads; they were great cosmic systematisers like Spencer, great social philosophers like Bentham, great practical politicians like Bright, great political economists like Mill.

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Prompt:
When the particulars of this conversation were repeated by Miss Dashwood to her sister, as they very soon were, the effect on her was not entirely such as the former had hoped to see. Not that Marianne appeared to distrust the truth of any part of it, for she listened to it all with the most steady and submissive attention, made neither objection nor remark, attempted no vindication of Willoughby, and seemed to show by her tears that she felt it to be impossible. But though this behaviour assured Elinor that the conviction of this guilt was carried home to her mind, though she saw with satisfaction the effect of it, in her no longer avoiding Colonel Brandon when he called, in her speaking to him, even voluntarily speaking, with a kind of compassionate respect, and though she saw her spirits less violently irritated than before, she did not see her less wretched. Her mind did become settled, but it was settled in a gloomy dejection. She felt the loss of Willoughby's character yet more heavily than she had felt the loss of his heart; his seduction and desertion of Miss Williams, the misery of that poor girl, and the doubt of what his designs might once have been on herself, preyed altogether so much on her spirits, that she could not bring herself to speak of what she felt even to Elinor; and, brooding over her sorrows in silence, gave more pain to her sister than could have been communicated by the most open and most frequent confession of them.

To give the feelings or the language of Mrs. Dashwood on receiving and answering Elinor's letter would be only to give a repetition of what her daughters had already felt and said; of a disappointment hardly less painful than Marianne's, and an indignation even greater than Elinor's. Long letters from her, quickly succeeding each other, arrived to tell all that she suffered and thought; to express her anxious solicitude for Marianne, and entreat she would bear up with fortitude under this misfortune. Bad indeed must the nature of Marianne's affliction be, when her mother could talk of fortitude! mortifying and humiliating must be the origin of those regrets, which she could wish her not to indulge!

Against the interest of her own individual comfort, Mrs. Dashwood had determined that it would be better for Marianne to be any where, at that time, than at Barton, where every thing within her view would be bringing back the past in the strongest and most afflicting manner, by constantly placing Willoughby before her, such as she had always seen him there. She recommended it to her daughters, therefore, by all means not to shorten their visit to Mrs. Jennings; the length of which, though never exactly fixed, had been expected by all to comprise at least five or six weeks. A variety of occupations, of objects, and of company, which could not be procured at Barton, would be inevitable there, and might yet, she hoped, cheat Marianne, at times, into some interest beyond herself, and even into some amusement, much as the ideas of both might now be spurned by her.

From all danger of seeing Willoughby again, her mother considered her to be at least equally safe in town as in the country, since his acquaintance must now be dropped by all who called themselves her friends. Design could never bring them in each other's way: negligence could never leave them exposed to a surprise; and chance had less in its favour in the crowd of London than even in the retirement of Barton, where it might force him before her while paying that visit at Allenham on his marriage, which Mrs. Dashwood, from foreseeing at first as a probable event, had brought herself to expect as a certain one.

She had yet another reason for wishing her children to remain where they were; a letter from her son-in-law had told her that he and his wife were to be in town before the middle of February, and she judged it right that they should sometimes see their brother.

Marianne had promised to be guided by her mother's opinion, and she submitted to it therefore without opposition, though it proved perfectly different from what she wished and expected, though she felt it to be entirely wrong, formed on mistaken grounds, and that by requiring her longer continuance in London it deprived her of the only possible alleviation of her wretchedness, the personal sympathy of her mother, and doomed her to such society and such scenes as must prevent her ever knowing a moment's rest.

But it was a matter of great consolation to her, that what brought evil to herself would bring good to her sister; and Elinor, on the other hand, suspecting that it would not be in her power to avoid Edward entirely, comforted herself by thinking, that though their longer stay would therefore militate against her own happiness, it would be better for Marianne than an immediate return into Devonshire.

Her carefulness in guarding her sister from ever hearing Willoughby's name mentioned, was not thrown away. Marianne, though without knowing it herself, reaped all its advantage; for neither Mrs. Jennings, nor Sir John, nor even Mrs. Palmer herself, ever spoke of him before her. Elinor wished that the same forbearance could have extended towards herself, but that was impossible, and she was obliged to listen day after day to the indignation of them all.

Sir John, could not have thought it possible. "A man of whom he had always had such reason to think well! Such a good-natured fellow! He did not believe there was a bolder rider in England! It was an unaccountable business. He wished him at the devil with all his heart. He would not speak another word to him, meet him where he might, for all the world! No, not if it were to be by the side of Barton covert, and they were kept watching for two hours together. Such a scoundrel of a fellow! such a deceitful dog! It was only the last time they met that he had offered him one of Folly's puppies! and this was the end of it!"

Mrs. Palmer, in her way, was equally angry. "She was determined to drop his acquaintance immediately, and she was very thankful that she had never been acquainted with him at all. She wished with all her heart Combe Magna was not so near Cleveland; but it did not signify, for it was a great deal too far off to visit; she hated him so much that she was resolved never to mention his name again, and she should tell everybody she saw, how good-for-nothing he was."

The rest of Mrs. Palmer's sympathy was shown in procuring all the particulars in her power of the approaching marriage, and communicating them to Elinor. She could soon tell at what coachmaker's the new carriage was building, by what painter Mr. Willoughby's portrait was drawn, and at what warehouse Miss Grey's clothes might be seen.

The calm and polite unconcern of Lady Middleton on the occasion was a happy relief to Elinor's spirits, oppressed as they often were by the clamorous kindness of the others. It was a great comfort to her to be sure of exciting no interest in one person at least among their circle of friends: a great comfort to know that there was one who would meet her without feeling any curiosity after particulars, or any anxiety for her sister's health.

Every qualification is raised at times, by the circumstances of the moment, to more than its real value; and she was sometimes worried down by officious condolence to rate good-breeding as more indispensable to comfort than good-nature.

Lady Middleton expressed her sense of the affair about once every day, or twice, if the subject occurred very often, by saying, "It is very shocking, indeed!" and by the means of this continual though gentle vent, was able not only to see the Miss Dashwoods from the first without the smallest emotion, but very soon to see them without recollecting a word of the matter; and having thus supported the dignity of her own sex, and spoken her decided censure of what was wrong in the other, she thought herself at liberty to attend to the interest of her own assemblies, and therefore determined (though rather against the opinion of Sir John) that as Mrs. Willoughby would at once be a woman of elegance and fortune, to leave her card with her as soon as she married.

Colonel Brandon's delicate, unobtrusive enquiries were never unwelcome to Miss Dashwood. He had abundantly earned the privilege of intimate discussion of her sister's disappointment, by the friendly zeal with which he had endeavoured to soften it, and they always conversed with confidence. His chief reward for the painful exertion of disclosing past sorrows and present humiliations, was given in the pitying eye with which Marianne sometimes observed him, and the gentleness of her voice whenever (though it did not often happen) she was obliged, or could oblige herself to speak to him. These assured him that his exertion had produced an increase of good-will towards himself, and these gave Elinor

Chosen response: hopes of its being farther augmented hereafter; but Mrs. Jennings, who knew nothing of all this, who knew only that the Colonel continued as grave as ever, and that she could neither prevail on him to make the offer himself, nor commission her to make it for him, began, at the end of two days, to think that, instead of Mid-summer, they would not be married till Michaelmas, and by the end of a week that it would not be a match at all. The good understanding between the Colonel and Miss Dashwood seemed rather to declare that the honours of the mulberry-tree, the canal, and the yew arbour, would all be made over to her; and Mrs. Jennings had, for some time ceased to think at all of Mrs.

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Prompt:
The Reverend Septimus Crisparkle (Septimus, because six little brother Crisparkles before him went out, one by one, as they were born, like six weak little rushlights, as they were lighted), having broken the thin morning ice near Cloisterham Weir with his amiable head, much to the invigoration of his frame, was now assisting his circulation by boxing at a looking-glass with great science and prowess. A fresh and healthy portrait the looking-glass presented of the Reverend Septimus, feinting and dodging with the utmost artfulness, and hitting out from the shoulder with the utmost straightness, while his radiant features teemed with innocence, and soft-hearted benevolence beamed from his boxing-gloves.

It was scarcely breakfast-time yet, for Mrs. Crisparkle—mother, not wife of the Reverend Septimus—was only just down, and waiting for the urn. Indeed, the Reverend Septimus left off at this very moment to take the pretty old lady's entering face between his boxing-gloves and kiss it. Having done so with tenderness, the Reverend Septimus turned to again, countering with his left, and putting in his right, in a tremendous manner.

"I say, every morning of my life, that you'll do it at last, Sept," remarked the old lady, looking on; "and so you will."

"Do what, Ma dear?"

"Break the pier-glass, or burst a blood-vessel."

"Neither, please God, Ma dear. Here's wind, Ma. Look at this!" In a concluding round of great severity, the Reverend Septimus administered and escaped all sorts of punishment, and wound up by getting the old lady's cap into Chancery—such is the technical term used in scientific circles by the learned in the Noble Art—with a lightness of touch that hardly stirred the lightest lavender or cherry riband on it. Magnanimously releasing the defeated, just in time to get his gloves into a drawer and feign to be looking out of window in a contemplative state of mind when a servant entered, the Reverend Septimus then gave place to the urn and other preparations for breakfast. These completed, and the two alone again, it was pleasant to see (or would have been, if there had been any one to see it, which there never was), the old lady standing to say the Lord's Prayer aloud, and her son, Minor Canon nevertheless, standing with bent head to hear it, he being within five years of forty: much as he had stood to hear the same words from the same lips when he was within five months of four.

What is prettier than an old lady—except a young lady—when her eyes are bright, when her figure is trim and compact, when her face is cheerful and calm, when her dress is as the dress of a china shepherdess: so dainty in its colours, so individually assorted to herself, so neatly moulded on her? Nothing is prettier, thought the good Minor Canon frequently, when taking his seat at table opposite his long-widowed mother. Her thought at such times may be condensed into the two words that oftenest did duty together in all her conversations: "My Sept!"

They were a good pair to sit breakfasting together in Minor Canon Corner, Cloisterham. For Minor Canon Corner was a quiet place in the shadow of the Cathedral, which the cawing of the rooks, the echoing footsteps of rare passers, the sound of the Cathedral bell, or the roll of the Cathedral organ, seemed to render more quiet than absolute silence. Swaggering fighting men had had their centuries of ramping and raving about Minor Canon Corner, and beaten serfs had had their centuries of drudging and dying there, and powerful monks had had their centuries of being sometimes useful and sometimes harmful there, and behold they were all gone out of Minor Canon Corner, and so much the better. Perhaps one of the highest uses of their ever having been there, was, that there might be left behind, that blessed air of tranquillity which pervaded Minor Canon Corner, and that serenely romantic state of the mind—productive for the most part of pity and forbearance—which is engendered by a sorrowful story that is all told, or a pathetic play that is played out.

Red-brick walls harmoniously toned down in colour by time, strong-rooted ivy, latticed windows, panelled rooms, big oaken beams in little places, and stone-walled gardens where annual fruit yet ripened upon monkish trees, were the principal surroundings of pretty old Mrs. Crisparkle and the Reverend Septimus as they sat at breakfast.

"And what, Ma dear," inquired the Minor Canon, giving proof of a wholesome and vigorous appetite, "does the letter say?"

The pretty old lady, after reading it, had just laid it down upon the breakfast-cloth. She handed it over to her son.

Now, the old lady was exceedingly proud of her bright eyes being so clear that she could read writing without spectacles. Her son was also so proud of the circumstance, and so dutifully bent on her deriving the utmost possible gratification from it, that he had invented the pretence that he himself could not read writing without spectacles. Therefore he now assumed a pair, of grave and prodigious proportions, which not only seriously inconvenienced his nose and his breakfast, but seriously impeded his perusal of the letter. For, he had the eyes of a microscope and a telescope combined, when they were unassisted.

"It's from Mr. Honeythunder, of course," said the old lady, folding her arms.

"Of course," assented her son. He then lamely read on:

"'Haven of Philanthropy, Chief Offices, London, Wednesday.

"'DEAR MADAM,

"'I write in the—;' In the what's this? What does he write in?"

"In the chair," said the old lady.

The Reverend Septimus took off his spectacles, that he might see her face, as he exclaimed:

"Why, what should he write in?"

"Bless me, bless me, Sept," returned the old lady, "you don't see the context! Give it back to me, my dear."

Glad to get his spectacles off (for they always made his eyes water), her son obeyed: murmuring that his sight for reading manuscript got worse and worse daily.

"'I write,'" his mother went on, reading very perspicuously and precisely, "'from the chair, to which I shall probably be confined for some hours.'"

Septimus looked at the row of chairs against the wall, with a half-protesting and half-appealing countenance.

"'We have,'" the old lady read on with a little extra emphasis, "'a meeting of our Convened Chief Composite Committee of Central and District Philanthropists, at our Head Haven as above; and it is their unanimous pleasure that I take the chair.'"

Septimus breathed more freely, and muttered: "O! if he comes to that, let him."

"'Not to lose a day's post, I take the opportunity of a long report being read, denouncing a public miscreant—'"

"It is a most extraordinary thing," interposed the gentle Minor Canon, laying down his knife and fork to rub his ear in a vexed manner, "that these Philanthropists are always denouncing somebody. And it is another most extraordinary thing that they are always so violently flush of miscreants!"

"'Denouncing a public miscreant—'"—the old lady resumed, "'to get our little affair of business off my mind. I have spoken with my two wards, Neville and Helena Landless, on the subject of their defective education, and they give in to the plan proposed; as I should have taken good care they did, whether they liked it or not.'"

"And it is another most extraordinary thing," remarked the Minor Canon in the same tone as before, "that these philanthropists are so given to seizing their fellow-creatures by the scruff of the neck, and (as one may say) bumping them into the paths of peace.—I beg your pardon, Ma dear, for interrupting."

"'Therefore, dear Madam, you will please prepare your son, the Rev. Mr. Septimus, to expect Neville as an inmate to be read with, on Monday next. On the same day Helena will accompany him to Cloisterham, to take up her quarters at the Nuns' House, the establishment recommended by yourself and son jointly. Please likewise to prepare for her reception and tuition there. The terms in both cases are understood to be exactly as stated to me in writing by yourself, when I opened a correspondence with you on this subject, after the honour of being introduced to you at your sister's house in town here. With compliments to the Rev. Mr. Septimus, I am, Dear Madam, Your affectionate brother (In Philanthropy), LUKE HONEYTHUNDER.'"

"Well, Ma," said Septimus, after a little more rubbing of his ear, "we must try it. There can be no doubt that we have room for an inmate, and that I have time to bestow upon him, and inclination too. I must confess to feeling rather glad that he is not Mr. Honeythunder himself. Though that seems wretchedly prejudiced—does it not?—for I never saw him. Is he a large man, Ma?"

"I should call him a large man, my dear," the old lady replied after some hesitation, "but that his voice is so much larger."

"Than himself?"

"Than anybody."

"Hah!" said Septimus. And finished his breakfast as if the flavour of the Superior Family Souchong, and also of the ham and toast and eggs, were a little on the wane.

Mrs. Crisparkle's sister, another piece of Dresden china, and matching her so neatly that they would have made a delightful pair of ornaments for the two ends of any capacious old-fashioned chimneypiece, and by right should never have been seen apart, was the childless wife of a clergyman holding Corporation preferment in London City. Mr. Honeythunder in his public character of Professor of Philanthropy had come to know Mrs. Crisparkle during the last re-matching of the china ornaments (in other words during her last annual visit to her sister), after a public occasion of a philanthropic nature, when certain devoted orphans of tender years had been glutted with plum buns, and plump bumptiousness. These were all the antecedents known in Minor Canon Corner of the coming pupils.

"I am sure you will agree with me, Ma," said Mr. Crisparkle, after thinking the matter over, "that the first thing to be done, is, to put these young people as much at their ease as possible. There is nothing disinterested in the notion, because we cannot be at our ease with them unless they are at their ease with us. Now, Jasper's nephew is down here at present; and like takes to like, and youth takes to youth. He is a cordial young fellow, and we will have him to meet the brother and sister at dinner. That's three. We can't think of asking him, without asking Jasper. That's four. Add Miss Twinkleton and the fairy bride that is to be, and that's six. Add our two selves, and that's eight. Would eight at a friendly dinner at all put you out, Ma?"

"Nine would, Sept," returned the old lady, visibly nervous.

"My dear Ma, I particularise eight."

"The exact size of the table and the room, my dear."

So it was settled that way: and when Mr. Crisparkle called with his mother upon Miss Twinkleton, to arrange for the reception of Miss Helena Landless at the Nuns' House, the two other invitations having reference to that establishment were proffered and accepted. Miss Twinkleton did, indeed, glance at the globes, as regretting that they were not formed to be taken out into society; but became reconciled to leaving them behind. Instructions were then despatched to the Philanthropist for the departure and arrival, in good time for dinner, of Mr. Neville and Miss Helena; and stock for soup became fragrant in the air of Minor Canon Corner.

In those days there was no railway to Cloisterham, and Mr. Sapsea said there never would be. Mr. Sapsea said more; he said there never should be. And yet, marvellous to consider, it has come to pass, in these days, that Express Trains don't think Cloisterham worth stopping at, but yell and whirl through it on their larger errands, casting the dust off their wheels as a testimony against its insignificance. Some remote fragment of Main Line to somewhere else, there was, which was going to ruin the Money Market if it failed, and Church and State if it succeeded, and (of course), the Constitution, whether or no; but even that had already so unsettled Cloisterham traffic, that the traffic, deserting the high road, came sneaking in from an unprecedented part of the country by a back stable-way, for many years labelled at the corner: "Beware of the Dog."

To this ignominious avenue of approach, Mr. Crisparkle repaired, awaiting the arrival of a short, squat omnibus, with a disproportionate heap of luggage on the roof—like a little Elephant with infinitely too much Castle—which was then the daily service between Cloisterham and external mankind. As this vehicle lumbered up, Mr. Crisparkle could hardly see anything else of it for a large outside passenger seated on the box, with his elbows squared, and his hands on his knees, compressing the driver into a most uncomfortably small compass, and glowering about him with a strongly-marked face.

"Is this Cloisterham?" demanded the passenger,

Chosen response:
in a tremendous voice.

"It is," replied the driver, rubbing himself as if he ached, after throwing the reins to the ostler. "And I never was so glad to see it."

"Tell your master to make his box-seat wider, then," returned the passenger. "Your master is morally bound—and ought to be legally, under ruinous penalties—to provide for the comfort of his fellow-man."

The driver instituted, with the palms of his hands, a superficial perquisition into the state of his skeleton; which seemed to make him anxious.

"Have I sat upon you?" asked the passenger.

"You have," said the driver, as if he didn't like it at all.

"Take that card, my friend."

"I think I won't deprive you on it," returned the driver, casting his eyes over it with no great favour, without taking it.

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Prompt:
Swithin St. Cleeve lingered on at his post, until the more sanguine birds of the plantation, already recovering from their midwinter anxieties, piped a short evening hymn to the vanishing sun.

The landscape was gently concave; with the exception of tower and hill there were no points on which late rays might linger; and hence the dishshaped ninety acres of tilled land assumed a uniform hue of shade quite suddenly. The one or two stars that appeared were quickly clouded over, and it was soon obvious that there would be no sweeping the heavens that night. After tying a piece of tarpaulin, which had once seen service on his maternal grandfather's farm, over all the apparatus around him, he went down the stairs in the dark, and locked the door.

With the key in his pocket he descended through the underwood on the side of the slope opposite to that trodden by Lady Constantine, and crossed the field in a line mathematically straight, and in a manner that left no traces, by keeping in the same furrow all the way on tiptoe. In a few minutes he reached a little dell, which occurred quite unexpectedly on the other side of the field-fence, and descended to a venerable thatched house, whose enormous roof, broken up by dormers as big as haycocks, could be seen even in the twilight. Over the white walls, built of chalk in the lump, outlines of creepers formed dark patterns, as if drawn in charcoal.

Inside the house his maternal grandmother was sitting by a wood fire. Before it stood a pipkin, in which something was evidently kept warm. An eight-legged oak table in the middle of the room was laid for a meal. This woman of eighty, in a large mob cap, under which she wore a little cap to keep the other clean, retained faculties but little blunted. She was gazing into the flames, with her hands upon her knees, quietly reenacting in her brain certain of the long chain of episodes, pathetic, tragical, and humorous, which had constituted the parish history for the last sixty years. On Swithin's entry she looked up at him in a sideway direction.

'You should not have waited for me, granny,' he said.

''Tis of no account, my child. I've had a nap while sitting here. Yes, I've had a nap, and went straight up into my old country again, as usual. The place was as natural as when I left it,--e'en just threescore years ago! All the folks and my old aunt were there, as when I was a child,--yet I suppose if I were really to set out and go there, hardly a soul would be left alive to say to me, dog how art! But tell Hannah to stir her stumps and serve supper--though I'd fain do it myself, the poor old soul is getting so unhandy!'

Hannah revealed herself to be much nimbler and several years younger than granny, though of this the latter seemed to be oblivious. When the meal was nearly over Mrs. Martin produced the contents of the mysterious vessel by the fire, saying that she had caused it to be brought in from the back kitchen, because Hannah was hardly to be trusted with such things, she was becoming so childish.

'What is it, then?' said Swithin. 'Oh, one of your special puddings.' At sight of it, however, he added reproachfully, 'Now, granny!'

Instead of being round, it was in shape an irregular boulder that had been exposed to the weather for centuries--a little scrap pared off here, and a little piece broken away there; the general aim being, nevertheless, to avoid destroying the symmetry of the pudding while taking as much as possible of its substance.

'The fact is,' added Swithin, 'the pudding is half gone!'

'I've only sliced off the merest paring once or twice, to taste if it was well done!' pleaded granny Martin, with wounded feelings. 'I said to Hannah when she took it up, "Put it here to keep it warm, as there's a better fire than in the back kitchen."'

'Well, I am not going to eat any of it!' said Swithin decisively, as he rose from the table, pushed away his chair, and went up-stairs; the 'other station of life that was in his blood,' and which had been brought out by the grammar school, probably stimulating him.

'Ah, the world is an ungrateful place! 'Twas a pity I didn't take my poor name off this earthly calendar and creep under ground sixty long years ago, instead of leaving my own county to come here!' mourned old Mrs. Martin. 'But I told his mother how 'twould be--marrying so many notches above her. The child was sure to chaw high, like his father!'

When Swithin had been up-stairs a minute or two however, he altered his mind, and coming down again ate all the pudding, with the aspect of a person undertaking a deed of great magnanimity. The relish with which he did so restored the unison that knew no more serious interruptions than such as this.

'Mr. Torkingham has been here this afternoon,' said his grandmother; 'and he wants me to let him meet some of the choir here to-night for practice. They who live at this end of the parish won't go to his house to try over the tunes, because 'tis so far, they say, and so 'tis, poor men. So he's going to see what coming to them will do. He asks if you would like to join.'

'I would if I had not so much to do.'

'But it is cloudy to-night.'

'Yes; but I have calculations without end, granny. Now, don't you tell him I'm in the house, will you? and then he'll not ask for me.'

'But if he should, must I then tell a lie, Lord forgive me?'

'No, you can say I'm up-stairs; he must think what he likes. Not a word about the astronomy to any of them, whatever you do. I should be called a visionary, and all sorts.'

'So thou beest, child. Why can't ye do something that's of use?'

At the sound of footsteps Swithin beat a hasty retreat up-stairs, where he struck a light, and revealed a table covered with books and papers, while round the walls hung star-maps, and other diagrams illustrative of celestial phenomena. In a corner stood a huge pasteboard tube, which a close inspection would have shown to be intended for a telescope. Swithin hung a thick cloth over the window, in addition to the curtains, and sat down to his papers. On the ceiling was a black stain of smoke, and under this he placed his lamp, evidencing that the midnight oil was consumed on that precise spot very often.

Meanwhile there had entered to the room below a personage who, to judge from her voice and the quick pit-pat of her feet, was a maiden young and blithe. Mrs. Martin welcomed her by the title of Miss Tabitha Lark, and inquired what wind had brought her that way; to which the visitor replied that she had come for the singing.

'Sit ye down, then,' said granny. 'And do you still go to the House to read to my lady?'

'Yes, I go and read, Mrs. Martin; but as to getting my lady to hearken, that's more than a team of six horses could force her to do.'

The girl had a remarkably smart and fluent utterance, which was probably a cause, or a consequence, of her vocation.

''Tis the same story, then?' said grandmother Martin.

'Yes. Eaten out with listlessness. She's neither sick nor sorry, but how dull and dreary she is, only herself can tell. When I get there in the morning, there she is sitting up in bed, for my lady don't care to get up; and then she makes me bring this book and that book, till the bed is heaped up with immense volumes that half bury her, making her look, as she leans upon her elbow, like the stoning of Stephen. She yawns; then she looks towards the tall glass; then she looks out at the weather, mooning her great black eyes, and fixing them on the sky as if they stuck there, while my tongue goes flick-flack along, a hundred and fifty words a minute; then she looks at the clock; then she asks me what I've been reading.'

'Ah, poor soul!' said granny. 'No doubt she says in the morning, "Would God it were evening," and in the evening, "Would God it were morning," like the disobedient woman in Deuteronomy.'

Swithin, in the room overhead, had suspended his calculations, for the duologue interested him. There now crunched heavier steps outside the door, and his grandmother could be heard greeting sundry local representatives of the bass and tenor voice, who lent a cheerful and wellknown personality to the names Sammy Blore, Nat Chapman, Hezekiah Biles, and Haymoss Fry (the latter being one with whom the reader has already a distant acquaintance); besides these came small producers of treble, who had not yet developed into such distinctive units of society as to require particularizing.

'Is the good man come?' asked Nat Chapman. 'No,--I see we be here afore him. And how is it with aged women to-night, Mrs. Martin?'

'Tedious traipsing enough with this one, Nat. Sit ye down. Well, little Freddy, you don't wish in the morning that 'twere evening, and at evening that 'twere morning again, do you, Freddy, trust ye for it?'

'Now, who might wish such a thing as that, Mrs Martin?--nobody in this parish?' asked Sammy Blore curiously.

'My lady is always wishing it,' spoke up Miss Tabitha Lark.

'Oh, she! Nobody can be answerable for the wishes of that onnatural tribe of mankind. Not but that the woman's heart-strings is tried in many aggravating ways.'

'Ah, poor woman!' said granny. 'The state she finds herself in--neither maid, wife, nor widow, as you may say--is not the primest form of life for keeping in good spirits. How long is it since she has heard from Sir Blount, Tabitha?'

'Two years and more,' said the young woman. 'He went into one side of Africa, as it might be, three St. Martin's days back. I can mind it, because 'twas my birthday. And he meant to come out the other side. But he didn't. He has never come out at all.'

'For all the world like losing a rat in a barley-mow,' said Hezekiah. 'He's lost, though you know where he is.'

His comrades nodded.

'Ay, my lady is a walking weariness. I seed her yawn just at the very moment when the fox was halloaed away by Lornton Copse, and the hounds runned en all but past her carriage wheels. If I were she I'd see a little life; though there's no fair, club-walking, nor feast to speak of, till Easter week,--that's true.'

'She dares not. She's under solemn oath to do no such thing.'

'Be cust if

Chosen response:
I would keep any such oath! But here's the pa'son, if my ears don't deceive me.'

There was a noise of horse's hoofs without, a stumbling against the doorscraper, a tethering to the window-shutter, a creaking of the door on its hinges, and a voice which Swithin recognized as Mr. Torkingham's. He greeted each of the previous arrivals by name, and stated that he was glad to see them all so punctually assembled.

'Ay, sir,' said Haymoss Fry. ''Tis only my jints that have kept me from assembling myself long ago. I'd assemble upon the top of Welland Steeple, if 'tweren't for my jints. I assure ye, Pa'son Tarkenham, that in the clitch o' my knees, where the rain used to come through when I was cutting clots for the new lawn, in old my lady's time, 'tis as if rats wez gnawing, every now and then.

Rejected response: This is an evocative piece of writing! I notice it cuts off mid-sentence. Could you clarify what you'd like — a summary, an analysis, or a continuation?