Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

"On a certain Friday night in November one thousand seven hundred and seventy-five, did business occasion you to travel between London and Dover by the mail?"
"It did."
"Were there any other passengers in the mail?"
"Two."
"Did they alight on the road in the course of the night?"
"They did."
"Mr. Lorry, look upon the prisoner. Was he one of those two passengers?"
"I cannot undertake to say that he was."
"Does he resemble either of these two passengers?"
"Both were so wrapped up, and the night was so dark, and we were all so reserved, that I cannot undertake to say even that."
"Mr. Lorry, look again upon the prisoner. Supposing him wrapped up as those two passengers were, is there anything in his bulk and stature to render it unlikely that he was one of them?"
"No."
"You will not swear, Mr. Lorry, that he was not one of them?"
"No."
"So at least you say he may have been one of them?"
"Yes. Except that I remember them both to have been--like myself--timorous of highwaymen, and the prisoner has not a timorous air."
"Did you ever see a counterfeit of timidity, Mr. Lorry?"
"I certainly have seen that."
"Mr. Lorry, look once more upon the prisoner. Have you seen him, to your certain knowledge, before?"
"I have."
"When?"
"I was returning from France a few days afterwards, and, at Calais, the prisoner came on board the packet-ship in which I returned, and made the voyage with me."
"At what hour did he come on board?"
"At a little after midnight."
"In the dead of the night. Was he the only passenger who came on board at that untimely hour?"
"He happened to be the only one."
"Never mind about 'happening,' Mr. Lorry. He was the only passenger who came on board in the dead of the night?"
"He was."
"Were you travelling alone, Mr. Lorry, or with any companion?"
"With two companions. A gentleman and lady. They are here."
"They are here. Had you any conversation with the prisoner?"
"Hardly any. The weather was stormy, and the passage long and rough, and I lay on a sofa, almost from shore to shore."
"Miss Manette!"
The young lady, to whom all eyes had been turned before, and were now turned again, stood up where she had sat. Her father rose with her, and kept her hand drawn through his arm.
"Miss Manette, look upon the prisoner."
To be confronted with such pity, and such earnest youth and beauty, was far more trying to the accused than to be confronted with all the crowd. Standing, as it were, apart with her on the edge of his grave, not all the staring curiosity that looked on, could, for the moment, nerve him to remain quite still. His hurried right hand parcelled out the herbs before him into imaginary beds of flowers in a garden; and his efforts to control and steady his breathing shook the lips from which the colour rushed to his heart. The buzz of the great flies was loud again.
"Miss Manette, have you seen the prisoner before?"
"Yes, sir."
"Where?"
"On board of the packet-ship just now referred to, sir, and on the same occasion."
"You are the young lady just now referred to?"
"O! most unhappily, I am!"
The plaintive tone of her compassion merged into the less musical voice of the Judge, as he said something fiercely: "Answer the questions put to you, and make no remark upon them."
"Miss Manette, had you any conversation with the prisoner on that passage across the Channel?"
"Yes, sir."
"Recall it."
In the midst of a profound stillness, she faintly began: "When the gentleman came on board--"
"Do you mean the prisoner?" inquired the Judge, knitting his brows.
"Yes, my Lord."
"Then say the prisoner."
"When the prisoner came on board, he noticed that my father," turning her eyes lovingly to him as he stood beside her, "was much fatigued and in a very weak state of health. My father was so reduced that I was afraid to take him out of the air, and I had made a bed for him on the deck near the cabin steps, and I sat on the deck at his side to take care of him. There were no other passengers that night, but we four. The prisoner was so good as to beg permission to advise me how I could shelter my father from the wind and weather, better than I had done. I had not known how to do it well, not understanding how the wind would set when we were out of the harbour. He did it for me. He expressed great gentleness and kindness for my father's state, and I am sure he felt it. That was the manner of our beginning to speak together."
"Let me interrupt you for a moment. Had he come on board alone?"
"No."
"How many were with him?"
"Two French gentlemen."
"Had they conferred together?"
"They had conferred together until the last moment, when it was necessary for the French gentlemen to be landed in their boat."
"Had any papers been handed about among them, similar to these lists?"
"Some papers had been handed about among them, but I don't know what papers."
"Like these in shape and size?"
"Possibly, but indeed I don't know, although they stood whispering very near to me: because they stood at the top of the cabin steps to have the light of the lamp that was hanging there; it was a dull lamp, and they spoke very low, and I did not hear what they said, and saw only that they looked at papers."
"Now, to the prisoner's conversation, Miss Manette."
"The prisoner was as open in his confidence with me--which arose out of my helpless situation--as he was kind, and good, and useful to my father. I hope," bursting into tears, "I may not repay him by doing him harm to-day."
Buzzing from the blue-flies.
"Miss Manette, if the prisoner does not perfectly understand that you give the evidence which it is your duty to give--which you must give--and which you cannot escape from giving--with great unwillingness, he is the only person present in that condition. Please to go on."
"He told me that he was travelling on business of a delicate and difficult nature, which might get people into trouble, and that he was therefore travelling under an assumed name. He said that this business had, within a few days, taken him to France, and might, at intervals, take him backwards and forwards between France and England for a long time to come."
"Did he say anything about America, Miss Manette? Be particular."
"He tried to explain to me how that quarrel had arisen, and he said that, so far as he could judge, it was a wrong and foolish one on England's part. He added, in a jesting way, that perhaps George Washington might gain almost as great a name in history as George the Third. But there was no harm in his way of saying this: it was said laughingly, and to beguile the time."
Any strongly marked expression of face on the part of a chief actor in a scene of great interest to whom many eyes are directed, will be unconsciously imitated by the spectators. Her forehead was painfully anxious and intent as she gave this evidence, and, in the pauses when she stopped for the Judge to write it down, watched its effect upon the counsel for and against. Among the lookers-on there was the same expression in all quarters of the court; insomuch, that a great majority of the foreheads there, might have been mirrors reflecting the witness, when the Judge looked up from his notes to glare at that tremendous heresy about George Washington.
Mr. Attorney-General now signified to my Lord, that he deemed it necessary, as a matter of precaution and form, to call the young lady's father, Doctor Manette. Who was called accordingly.
"Doctor Manette, look upon the prisoner. Have you ever seen him before?"
"Once. When he called at my lodgings in London. Some three years, or three years and a half ago."
"Can you identify him as your fellow-passenger on board the packet, or speak to his conversation with your daughter?"
"Sir, I can do neither."

Chosen response: neither

Rejected response:
Great question! After analyzing the passage, I found the following:

neither

Feel free to ask if you need more detail.


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

A thick milky mist hung over the town. Svidrigaïlov walked along the slippery dirty wooden pavement towards the Little Neva. He was picturing the waters of the Little Neva swollen in the night, Petrovsky Island, the wet paths, the wet grass, the wet trees and bushes and at last the bush.... He began ill-humouredly staring at the houses, trying to think of something else. There was not a cabman or a passer-by in the street. The bright yellow, wooden, little houses looked dirty and dejected with their closed shutters. The cold and damp penetrated his whole body and he began to shiver. From time to time he came across shop signs and read each carefully. At last he reached the end of the wooden pavement and came to a big stone house. A dirty, shivering dog crossed his path with its tail between its legs. A man in a greatcoat lay face downwards, dead drunk, across the pavement. He looked at him and went on. A high tower stood up on the left. "Bah!" he shouted, "here is a place. Why should it be Petrovsky? It will be in the presence of an official witness anyway...."
He almost smiled at this new thought and turned into the street where there was the big house with the tower. At the great closed gates of the house, a little man stood with his shoulder leaning against them, wrapped in a grey soldier's coat, with a copper Achilles helmet on his head. He cast a drowsy and indifferent glance at Svidrigaïlov. His face wore that perpetual look of peevish dejection, which is so sourly printed on all faces of Jewish race without exception. They both, Svidrigaïlov and Achilles, stared at each other for a few minutes without speaking. At last it struck Achilles as irregular for a man not drunk to be standing three steps from him, staring and not saying a word.
"What do you want here?" he said, without moving or changing his position.
"Nothing, brother, good morning," answered Svidrigaïlov.
"This isn't the place."
"I am going to foreign parts, brother."
"To foreign parts?"
"To America."
"America."
Svidrigaïlov took out the revolver and cocked it. Achilles raised his eyebrows.
"I say, this is not the place for such jokes!"
"Why shouldn't it be the place?"
"Because it isn't."
"Well, brother, I don't mind that. It's a good place. When you are asked, you just say he was going, he said, to America."
He put the revolver to his right temple.
"You can't do it here, it's not the place," cried Achilles, rousing himself, his eyes growing bigger and bigger.
Svidrigaïlov pulled the trigger.

Chosen response: ["Little", "Neva", "Petrovsky", "Island", "Bah", "Achilles", "Svidriga", "Jewish", "Nothing", "America", "Because"]

Rejected response:
Here you go:

```
["Little", "Neva", "Petrovsky", "Island", "Bah", "Achilles", "Svidriga", "Jewish", "Nothing", "America", "Because"]
```

Is there anything else I can help you with?


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

The Karamazovs' house was far from being in the center of the town, but it was not quite outside it. It was a pleasant-looking old house of two stories, painted gray, with a red iron roof. It was roomy and snug, and might still last many years. There were all sorts of unexpected little cupboards and closets and staircases. There were rats in it, but Fyodor Pavlovitch did not altogether dislike them. "One doesn't feel so solitary when one's left alone in the evening," he used to say. It was his habit to send the servants away to the lodge for the night and to lock himself up alone. The lodge was a roomy and solid building in the yard. Fyodor Pavlovitch used to have the cooking done there, although there was a kitchen in the house; he did not like the smell of cooking, and, winter and summer alike, the dishes were carried in across the courtyard. The house was built for a large family; there was room for five times as many, with their servants. But at the time of our story there was no one living in the house but Fyodor Pavlovitch and his son Ivan. And in the lodge there were only three servants: old Grigory, and his old wife Marfa, and a young man called Smerdyakov. Of these three we must say a few words. Of old Grigory we have said something already. He was firm and determined and went blindly and obstinately for his object, if once he had been brought by any reasons (and they were often very illogical ones) to believe that it was immutably right. He was honest and incorruptible. His wife, Marfa Ignatyevna, had obeyed her husband's will implicitly all her life, yet she had pestered him terribly after the emancipation of the serfs. She was set on leaving Fyodor Pavlovitch and opening a little shop in Moscow with their small savings. But Grigory decided then, once for all, that "the woman's talking nonsense, for every woman is dishonest," and that they ought not to leave their old master, whatever he might be, for "that was now their duty."
"Do you understand what duty is?" he asked Marfa Ignatyevna.
"I understand what duty means, Grigory Vassilyevitch, but why it's our duty to stay here I never shall understand," Marfa answered firmly.
"Well, don't understand then. But so it shall be. And you hold your tongue."
And so it was. They did not go away, and Fyodor Pavlovitch promised them a small sum for wages, and paid it regularly. Grigory knew, too, that he had an indisputable influence over his master. It was true, and he was aware of it. Fyodor Pavlovitch was an obstinate and cunning buffoon, yet, though his will was strong enough "in some of the affairs of life," as he expressed it, he found himself, to his surprise, extremely feeble in facing certain other emergencies. He knew his weaknesses and was afraid of them. There are positions in which one has to keep a sharp look out. And that's not easy without a trustworthy man, and Grigory was a most trustworthy man. Many times in the course of his life Fyodor Pavlovitch had only just escaped a sound thrashing through Grigory's intervention, and on each occasion the old servant gave him a good lecture. But it wasn't only thrashings that Fyodor Pavlovitch was afraid of. There were graver occasions, and very subtle and complicated ones, when Fyodor Pavlovitch could not have explained the extraordinary craving for some one faithful and devoted, which sometimes unaccountably came upon him all in a moment. It was almost a morbid condition. Corrupt and often cruel in his lust, like some noxious insect, Fyodor Pavlovitch was sometimes, in moments of drunkenness, overcome by superstitious terror and a moral convulsion which took an almost physical form. "My soul's simply quaking in my throat at those times," he used to say. At such moments he liked to feel that there was near at hand, in the lodge if not in the room, a strong, faithful man, virtuous and unlike himself, who had seen all his debauchery and knew all his secrets, but was ready in his devotion to overlook all that, not to oppose him, above all, not to reproach him or threaten him with anything, either in this world or in the next, and, in case of need, to defend him—from whom? From somebody unknown, but terrible and dangerous. What he needed was to feel that there was another man, an old and tried friend, that he might call him in his sick moments merely to look at his face, or, perhaps, exchange some quite irrelevant words with him. And if the old servant were not angry, he felt comforted, and if he were angry, he was more dejected. It happened even (very rarely however) that Fyodor Pavlovitch went at night to the lodge to wake Grigory and fetch him for a moment. When the old man came, Fyodor Pavlovitch would begin talking about the most trivial matters, and would soon let him go again, sometimes even with a jest. And after he had gone, Fyodor Pavlovitch would get into bed with a curse and sleep the sleep of the just. Something of the same sort had happened to Fyodor Pavlovitch on Alyosha's arrival. Alyosha "pierced his heart" by "living with him, seeing everything and blaming nothing." Moreover, Alyosha brought with him something his father had never known before: a complete absence of contempt for him and an invariable kindness, a perfectly natural unaffected devotion to the old man who deserved it so little. All this was a complete surprise to the old profligate, who had dropped all family ties. It was a new and surprising experience for him, who had till then loved nothing but "evil." When Alyosha had left him, he confessed to himself that he had learnt something he had not till then been willing to learn.
I have mentioned already that Grigory had detested Adelaïda Ivanovna, the first wife of Fyodor Pavlovitch and the mother of Dmitri, and that he had, on the contrary, protected Sofya Ivanovna, the poor "crazy woman," against his master and any one who chanced to speak ill or lightly of her. His sympathy for the unhappy wife had become something sacred to him, so that even now, twenty years after, he could not bear a slighting allusion to her from any one, and would at once check the offender. Externally, Grigory was cold, dignified and taciturn, and spoke, weighing his words, without frivolity. It was impossible to tell at first sight whether he loved his meek, obedient wife; but he really did love her, and she knew it.
Marfa Ignatyevna was by no means foolish; she was probably, indeed, cleverer than her husband, or, at least, more prudent than he in worldly affairs, and yet she had given in to him in everything without question or complaint ever since her marriage, and respected him for his spiritual superiority. It was remarkable how little they spoke to one another in the course of their lives, and only of the most necessary daily affairs. The grave and dignified Grigory thought over all his cares and duties alone, so that Marfa Ignatyevna had long grown used to knowing that he did not need her advice. She felt that her husband respected her silence, and took it as a sign of her good sense. He had never beaten her but once, and then only slightly. Once during the year after Fyodor Pavlovitch's marriage with Adelaïda Ivanovna, the village girls and women—at that time serfs—were called together before the house to sing and dance. They were beginning "In the Green Meadows," when Marfa, at that time a young woman, skipped forward and danced "the Russian Dance," not in the village fashion, but as she had danced it when she was a servant in the service of the rich Miüsov family, in their private theater, where the actors were taught to dance by a dancing master from Moscow. Grigory saw how his wife danced, and, an hour later, at home in their cottage he gave her a lesson, pulling her hair a little. But there it ended: the beating was never repeated, and Marfa Ignatyevna gave up dancing.

Chosen response: The, It, It, There, There, One, It, The, Fyodor, The, But, And, Of, Of, He, He, His, She, But, I, Well,, But, And, They, Grigory, It, Fyodor, He, There, And, Many, But, There, It, Corrupt, My, At, From, What, And, It, When, And, Something, Alyosha, All, It, I, His, Externally,, It, Marfa, It, The, She, He, Once, They, Grigory, But

Rejected response:
Absolutely — here's the output you requested:

The, It, It, There, There, One, It, The, Fyodor, The, But, And, Of, Of, He, He, His, She, But, I, Well,, But, And, They, Grigory, It, Fyodor, He, There, And, Many, But, There, It, Corrupt, My, At, From, What, And, It, When, And, Something, Alyosha, All, It, I, His, Externally,, It, Marfa, It, The, She, He, Once, They, Grigory, But

Let me know if this looks right!


Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

"Both, the subject and the interlocutor," replied the stranger rising, and waiting the return towards him of a promenader, that moment turning at the further end of his walk.
"Egbert!" said he, calling.
Egbert, a well-dressed, commercial-looking gentleman of about thirty, responded in a way strikingly deferential, and in a moment stood near, in the attitude less of an equal companion apparently than a confidential follower.
"This," said the stranger, taking Egbert by the hand and leading him to the cosmopolitan, "this is Egbert, a disciple. I wish you to know Egbert. Egbert was the first among mankind to reduce to practice the principles of Mark Winsome--principles previously accounted as less adapted to life than the closet. Egbert," turning to the disciple, who, with seeming modesty, a little shrank under these compliments, "Egbert, this," with a salute towards the cosmopolitan, "is, like all of us, a stranger. I wish you, Egbert, to know this brother stranger; be communicative with him. Particularly if, by anything hitherto dropped, his curiosity has been roused as to the precise nature of my philosophy, I trust you will not leave such curiosity ungratified. You, Egbert, by simply setting forth your practice, can do more to enlighten one as to my theory, than I myself can by mere speech. Indeed, it is by you that I myself best understand myself. For to every philosophy are certain rear parts, very important parts, and these, like the rear of one's head, are best seen by reflection. Now, as in a glass, you, Egbert, in your life, reflect to me the more important part of my system. He, who approves you, approves the philosophy of Mark Winsome."
Though portions of this harangue may, perhaps, in the phraseology seem self-complaisant, yet no trace of self-complacency was perceptible in the speaker's manner, which throughout was plain, unassuming, dignified, and manly; the teacher and prophet seemed to lurk more in the idea, so to speak, than in the mere bearing of him who was the vehicle of it.
"Sir," said the cosmopolitan, who seemed not a little interested in this new aspect of matters, "you speak of a certain philosophy, and a more or less occult one it may be, and hint of its bearing upon practical life; pray, tell me, if the study of this philosophy tends to the same formation of character with the experiences of the world?"
"It does; and that is the test of its truth; for any philosophy that, being in operation contradictory to the ways of the world, tends to produce a character at odds with it, such a philosophy must necessarily be but a cheat and a dream."
"You a little surprise me," answered the cosmopolitan; "for, from an occasional profundity in you, and also from your allusions to a profound work on the theology of Plato, it would seem but natural to surmise that, if you are the originator of any philosophy, it must needs so partake of the abstruse, as to exalt it above the comparatively vile uses of life."
"No uncommon mistake with regard to me," rejoined the other. Then meekly standing like a Raphael: "If still in golden accents old Memnon murmurs his riddle, none the less does the balance-sheet of every man's ledger unriddle the profit or loss of life. Sir," with calm energy, "man came into this world, not to sit down and muse, not to befog himself with vain subtleties, but to gird up his loins and to work. Mystery is in the morning, and mystery in the night, and the beauty of mystery is everywhere; but still the plain truth remains, that mouth and purse must be filled. If, hitherto, you have supposed me a visionary, be undeceived. I am no one-ideaed one, either; no more than the seers before me. Was not Seneca a usurer? Bacon a courtier? and Swedenborg, though with one eye on the invisible, did he not keep the other on the main chance? Along with whatever else it may be given me to be, I am a man of serviceable knowledge, and a man of the world. Know me for such. And as for my disciple here," turning towards him, "if you look to find any soft Utopianisms and last year's sunsets in him, I smile to think how he will set you right. The doctrines I have taught him will, I trust, lead him neither to the mad-house nor the poor-house, as so many other doctrines have served credulous sticklers. Furthermore," glancing upon him paternally, "Egbert is both my disciple and my poet. For poetry is not a thing of ink and rhyme, but of thought and act, and, in the latter way, is by any one to be found anywhere, when in useful action sought. In a word, my disciple here is a thriving young merchant, a practical poet in the West India trade. There," presenting Egbert's hand to the cosmopolitan, "I join you, and leave you." With which words, and without bowing, the master withdrew.

Chosen response: 31

Rejected response:
Absolutely — here's the output you requested:

31

Let me know if this looks right!


Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

"My dear Harriet," said Mr. Bulstrode, wincing under his wife's eyes, which were filling with tears, "I have supplied your brother with a great deal of capital. I cannot be expected to take care of his married children."
That seemed to be true, and Mrs. Bulstrode's remonstrance subsided into pity for poor Rosamond, whose extravagant education she had always foreseen the fruits of.
But remembering that dialogue, Mr. Bulstrode felt that when he had to talk to his wife fully about his plan of quitting Middlemarch, he should be glad to tell her that he had made an arrangement which might be for the good of her nephew Fred. At present he had merely mentioned to her that he thought of shutting up The Shrubs for a few months, and taking a house on the Southern Coast.
Hence Mr. Garth got the assurance he desired, namely, that in case of Bulstrode's departure from Middlemarch for an indefinite time, Fred Vincy should be allowed to have the tenancy of Stone Court on the terms proposed.
Caleb was so elated with his hope of this "neat turn" being given to things, that if his self-control had not been braced by a little affectionate wifely scolding, he would have betrayed everything to Mary, wanting "to give the child comfort." However, he restrained himself, and kept in strict privacy from Fred certain visits which he was making to Stone Court, in order to look more thoroughly into the state of the land and stock, and take a preliminary estimate. He was certainly more eager in these visits than the probable speed of events required him to be; but he was stimulated by a fatherly delight in occupying his mind with this bit of probable happiness which he held in store like a hidden birthday gift for Fred and Mary.
"But suppose the whole scheme should turn out to be a castle in the air?" said Mrs. Garth.
"Well, well," replied Caleb; "the castle will tumble about nobody's head."

Chosen response: Caleb was so elated with his hope of this "neat turn" being given to things, that if his self-control had not been braced by a little affectionate wifely scolding, he would have betrayed everything to Mary, wanting "to give the child comfort." However, he restrained himself, and kept in strict privacy from Fred certain visits which he was making to Stone Court, in order to look more thoroughly into the state of the land and stock, and take a preliminary estimate.

Rejected response:
Great question! After analyzing the passage, I found the following:

Caleb was so elated with his hope of this "neat turn" being given to things, that if his self-control had not been braced by a little affectionate wifely scolding, he would have betrayed everything to Mary, wanting "to give the child comfort." However, he restrained himself, and kept in strict privacy from Fred certain visits which he was making to Stone Court, in order to look more thoroughly into the state of the land and stock, and take a preliminary estimate.

Feel free to ask if you need more detail.


Prompt:
Output every quoted utterance in the following text as a JSON array of strings, in order. Output ONLY the JSON array.

Good phrases are surely, and ever were, very commendable. —Justice Shallow.
A few days afterwards—it was already the end of August—there was an occasion which caused some excitement in Middlemarch: the public, if it chose, was to have the advantage of buying, under the distinguished auspices of Mr. Borthrop Trumbull, the furniture, books, and pictures which anybody might see by the handbills to be the best in every kind, belonging to Edwin Larcher, Esq. This was not one of the sales indicating the depression of trade; on the contrary, it was due to Mr. Larcher's great success in the carrying business, which warranted his purchase of a mansion near Riverston already furnished in high style by an illustrious Spa physician—furnished indeed with such large framefuls of expensive flesh-painting in the dining-room, that Mrs. Larcher was nervous until reassured by finding the subjects to be Scriptural. Hence the fine opportunity to purchasers which was well pointed out in the handbills of Mr. Borthrop Trumbull, whose acquaintance with the history of art enabled him to state that the hall furniture, to be sold without reserve, comprised a piece of carving by a contemporary of Gibbons.
At Middlemarch in those times a large sale was regarded as a kind of festival. There was a table spread with the best cold eatables, as at a superior funeral; and facilities were offered for that generous-drinking of cheerful glasses which might lead to generous and cheerful bidding for undesirable articles. Mr. Larcher's sale was the more attractive in the fine weather because the house stood just at the end of the town, with a garden and stables attached, in that pleasant issue from Middlemarch called the London Road, which was also the road to the New Hospital and to Mr. Bulstrode's retired residence, known as the Shrubs. In short, the auction was as good as a fair, and drew all classes with leisure at command: to some, who risked making bids in order simply to raise prices, it was almost equal to betting at the races. The second day, when the best furniture was to be sold, "everybody" was there; even Mr. Thesiger, the rector of St. Peter's, had looked in for a short time, wishing to buy the carved table, and had rubbed elbows with Mr. Bambridge and Mr. Horrock. There was a wreath of Middlemarch ladies accommodated with seats round the large table in the dining-room, where Mr. Borthrop Trumbull was mounted with desk and hammer; but the rows chiefly of masculine faces behind were often varied by incomings and outgoings both from the door and the large bow-window opening on to the lawn.
"Everybody" that day did not include Mr. Bulstrode, whose health could not well endure crowds and draughts. But Mrs. Bulstrode had particularly wished to have a certain picture—a "Supper at Emmaus," attributed in the catalogue to Guido; and at the last moment before the day of the sale Mr. Bulstrode had called at the office of the "Pioneer," of which he was now one of the proprietors, to beg of Mr. Ladislaw as a great favor that he would obligingly use his remarkable knowledge of pictures on behalf of Mrs. Bulstrode, and judge of the value of this particular painting—"if," added the scrupulously polite banker, "attendance at the sale would not interfere with the arrangements for your departure, which I know is imminent."
This proviso might have sounded rather satirically in Will's ear if he had been in a mood to care about such satire. It referred to an understanding entered into many weeks before with the proprietors of the paper, that he should be at liberty any day he pleased to hand over the management to the subeditor whom he had been training; since he wished finally to quit Middlemarch. But indefinite visions of ambition are weak against the ease of doing what is habitual or beguilingly agreeable; and we all know the difficulty of carrying out a resolve when we secretly long that it may turn out to be unnecessary. In such states of mind the most incredulous person has a private leaning towards miracle: impossible to conceive how our wish could be fulfilled, still—very wonderful things have happened! Will did not confess this weakness to himself, but he lingered. What was the use of going to London at that time of the year? The Rugby men who would remember him were not there; and so far as political writing was concerned, he would rather for a few weeks go on with the "Pioneer." At the present moment, however, when Mr. Bulstrode was speaking to him, he had both a strengthened resolve to go and an equally strong resolve not to go till he had once more seen Dorothea. Hence he replied that he had reasons for deferring his departure a little, and would be happy to go to the sale.
Will was in a defiant mood, his consciousness being deeply stung with the thought that the people who looked at him probably knew a fact tantamount to an accusation against him as a fellow with low designs which were to be frustrated by a disposal of property. Like most people who assert their freedom with regard to conventional distinction, he was prepared to be sudden and quick at quarrel with any one who might hint that he had personal reasons for that assertion—that there was anything in his blood, his bearing, or his character to which he gave the mask of an opinion. When he was under an irritating impression of this kind he would go about for days with a defiant look, the color changing in his transparent skin as if he were on the qui vive, watching for something which he had to dart upon.
This expression was peculiarly noticeable in him at the sale, and those who had only seen him in his moods of gentle oddity or of bright enjoyment would have been struck with a contrast. He was not sorry to have this occasion for appearing in public before the Middlemarch tribes of Toller, Hackbutt, and the rest, who looked down on him as an adventurer, and were in a state of brutal ignorance about Dante—who sneered at his Polish blood, and were themselves of a breed very much in need of crossing. He stood in a conspicuous place not far from the auctioneer, with a fore-finger in each side-pocket and his head thrown backward, not caring to speak to anybody, though he had been cordially welcomed as a connoissure by Mr. Trumbull, who was enjoying the utmost activity of his great faculties.
And surely among all men whose vocation requires them to exhibit their powers of speech, the happiest is a prosperous provincial auctioneer keenly alive to his own jokes and sensible of his encyclopedic knowledge. Some saturnine, sour-blooded persons might object to be constantly insisting on the merits of all articles from boot-jacks to "Berghems;" but Mr. Borthrop Trumbull had a kindly liquid in his veins; he was an admirer by nature, and would have liked to have the universe under his hammer, feeling that it would go at a higher figure for his recommendation.
Meanwhile Mrs. Larcher's drawing-room furniture was enough for him. When Will Ladislaw had come in, a second fender, said to have been forgotten in its right place, suddenly claimed the auctioneer's enthusiasm, which he distributed on the equitable principle of praising those things most which were most in need of praise. The fender was of polished steel, with much lancet-shaped open-work and a sharp edge.

Chosen response: ["everybody", "Everybody", "Supper at Emmaus,", "Pioneer,", " added the scrupulously polite banker, ", "Pioneer.", "Berghems;"]

Rejected response:
Absolutely — here's the output you requested:

["everybody", "Everybody", "Supper at Emmaus,", "Pioneer,", " added the scrupulously polite banker, ", "Pioneer.", "Berghems;"]

Let me know if this looks right!


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

"O daughter of Babylon, wasted with misery."
A habit of Knight's, when not immediately occupied with Elfride—to walk by himself for half an hour or so between dinner and bedtime—had become familiar to his friends at Endelstow, Elfride herself among them. When he had helped her over the stile, she said gently, "If you wish to take your usual turn on the hill, Harry, I can run down to the house alone."
"Thank you, Elfie; then I think I will."
Her form diminished to blackness in the moonlight, and Knight, after remaining upon the churchyard stile a few minutes longer, turned back again towards the building. His usual course was now to light a cigar or pipe, and indulge in a quiet meditation. But to-night his mind was too tense to bethink itself of such a solace. He merely walked round to the site of the fallen tower, and sat himself down upon some of the large stones which had composed it until this day, when the chain of circumstance originated by Stephen Smith, while in the employ of Mr. Hewby, the London man of art, had brought about its overthrow.
Pondering on the possible episodes of Elfride's past life, and on how he had supposed her to have had no past justifying the name, he sat and regarded the white tomb of young Jethway, now close in front of him. The sea, though comparatively placid, could as usual be heard from this point along the whole distance between promontories to the right and left, floundering and entangling itself among the insulated stacks of rock which dotted the water's edge—the miserable skeletons of tortured old cliffs that would not even yet succumb to the wear and tear of the tides.
As a change from thoughts not of a very cheerful kind, Knight attempted exertion. He stood up, and prepared to ascend to the summit of the ruinous heap of stones, from which a more extended outlook was obtainable than from the ground. He stretched out his arm to seize the projecting arris of a larger block than ordinary, and so help himself up, when his hand lighted plump upon a substance differing in the greatest possible degree from what he had expected to seize—hard stone. It was stringy and entangled, and trailed upon the stone. The deep shadow from the aisle wall prevented his seeing anything here distinctly, and he began guessing as a necessity. "It is a tressy species of moss or lichen," he said to himself.
But it lay loosely over the stone.
"It is a tuft of grass," he said.
But it lacked the roughness and humidity of the finest grass.
"It is a mason's whitewash-brush."
Such brushes, he remembered, were more bristly; and however much used in repairing a structure, would not be required in pulling one down.
He said, "It must be a thready silk fringe."
He felt further in. It was somewhat warm. Knight instantly felt somewhat cold.
To find the coldness of inanimate matter where you expect warmth is startling enough; but a colder temperature than that of the body being rather the rule than the exception in common substances, it hardly conveys such a shock to the system as finding warmth where utter frigidity is anticipated.
"God only knows what it is," he said.
He felt further, and in the course of a minute put his hand upon a human head. The head was warm, but motionless. The thready mass was the hair of the head—long and straggling, showing that the head was a woman's.
Knight in his perplexity stood still for a moment, and collected his thoughts. The vicar's account of the fall of the tower was that the workmen had been undermining it all the day, and had left in the evening intending to give the finishing stroke the next morning. Half an hour after they had gone the undermined angle came down. The woman who was half buried, as it seemed, must have been beneath it at the moment of the fall.
Knight leapt up and began endeavouring to remove the rubbish with his hands. The heap overlying the body was for the most part fine and dusty, but in immense quantity. It would be a saving of time to run for assistance. He crossed to the churchyard wall, and hastened down the hill.
A little way down an intersecting road passed over a small ridge, which now showed up darkly against the moon, and this road here formed a kind of notch in the sky-line. At the moment that Knight arrived at the crossing he beheld a man on this eminence, coming towards him. Knight turned aside and met the stranger.
"There has been an accident at the church," said Knight, without preface. "The tower has fallen on somebody, who has been lying there ever since. Will you come and help?"
"That I will," said the man.
"It is a woman," said Knight, as they hurried back, "and I think we two are enough to extricate her. Do you know of a shovel?"
"The grave-digging shovels are about somewhere. They used to stay in the tower."
"And there must be some belonging to the workmen."
They searched about, and in an angle of the porch found three carefully stowed away. Going round to the west end Knight signified the spot of the tragedy.
"We ought to have brought a lantern," he exclaimed. "But we may be able to do without." He set to work removing the superincumbent mass.
The other man, who looked on somewhat helplessly at first, now followed the example of Knight's activity, and removed the larger stones which were mingled with the rubbish. But with all their efforts it was quite ten minutes before the body of the unfortunate creature could be extricated. They lifted her as carefully as they could, breathlessly carried her to Felix Jethway's tomb, which was only a few steps westward, and laid her thereon.
"Is she dead indeed?" said the stranger.
"She appears to be," said Knight. "Which is the nearest house? The vicarage, I suppose."
"Yes; but since we shall have to call a surgeon from Castle Boterel, I think it would be better to carry her in that direction, instead of away from the town."
"And is it not much further to the first house we come to going that way, than to the vicarage or to The Crags?"
"Not much," the stranger replied.
"Suppose we take her there, then. And I think the best way to do it would be thus, if you don't mind joining hands with me."
"Not in the least; I am glad to assist."
Making a kind of cradle, by clasping their hands crosswise under the inanimate woman, they lifted her, and walked on side by side down a path indicated by the stranger, who appeared to know the locality well.
"I had been sitting in the church for nearly an hour," Knight resumed, when they were out of the churchyard. "Afterwards I walked round to the site of the fallen tower, and so found her. It is painful to think I unconsciously wasted so much time in the very presence of a perishing, flying soul."
"The tower fell at dusk, did it not? quite two hours ago, I think?"
"Yes. She must have been there alone. What could have been her object in visiting the churchyard then?
"It is difficult to say." The stranger looked inquiringly into the reclining face of the motionless form they bore. "Would you turn her round for a moment, so that the light shines on her face?" he said.
They turned her face to the moon, and the man looked closer into her features. "Why, I know her!" he exclaimed.
"Who is she?"
"Mrs. Jethway. And the cottage we are taking her to is her own. She is a widow; and I was speaking to her only this afternoon. I was at Castle Boterel post-office, and she came there to post a letter. Poor soul! Let us hurry on."
"Hold my wrist a little tighter. Was not that tomb we laid her on the tomb of her only son?"

Chosen response: son

Rejected response:
Absolutely — here's the output you requested:

son

Let me know if this looks right!


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

The controversy was over. But, strange to say, Fyodor Pavlovitch, who had been so gay, suddenly began frowning. He frowned and gulped brandy, and it was already a glass too much.
"Get along with you, Jesuits!" he cried to the servants. "Go away, Smerdyakov. I'll send you the gold piece I promised you to-day, but be off! Don't cry, Grigory. Go to Marfa. She'll comfort you and put you to bed. The rascals won't let us sit in peace after dinner," he snapped peevishly, as the servants promptly withdrew at his word.
"Smerdyakov always pokes himself in now, after dinner. It's you he's so interested in. What have you done to fascinate him?" he added to Ivan.
"Nothing whatever," answered Ivan. "He's pleased to have a high opinion of me; he's a lackey and a mean soul. Raw material for revolution, however, when the time comes."
"For revolution?"
"There will be others and better ones. But there will be some like him as well. His kind will come first, and better ones after."
"And when will the time come?"
"The rocket will go off and fizzle out, perhaps. The peasants are not very fond of listening to these soup-makers, so far."
"Ah, brother, but a Balaam's ass like that thinks and thinks, and the devil knows where he gets to."
"He's storing up ideas," said Ivan, smiling.
"You see, I know he can't bear me, nor any one else, even you, though you fancy that he has a high opinion of you. Worse still with Alyosha, he despises Alyosha. But he doesn't steal, that's one thing, and he's not a gossip, he holds his tongue, and doesn't wash our dirty linen in public. He makes capital fish pasties too. But, damn him, is he worth talking about so much?"
"Of course he isn't."
"And as for the ideas he may be hatching, the Russian peasant, generally speaking, needs thrashing. That I've always maintained. Our peasants are swindlers, and don't deserve to be pitied, and it's a good thing they're still flogged sometimes. Russia is rich in birches. If they destroyed the forests, it would be the ruin of Russia. I stand up for the clever people. We've left off thrashing the peasants, we've grown so clever, but they go on thrashing themselves. And a good thing too. 'For with what measure ye mete it shall be measured to you again,' or how does it go? Anyhow, it will be measured. But Russia's all swinishness. My dear, if you only knew how I hate Russia.... That is, not Russia, but all this vice! But maybe I mean Russia. Tout cela c'est de la cochonnerie.... Do you know what I like? I like wit."
"You've had another glass. That's enough."
"Wait a bit. I'll have one more, and then another, and then I'll stop. No, stay, you interrupted me. At Mokroe I was talking to an old man, and he told me: 'There's nothing we like so much as sentencing girls to be thrashed, and we always give the lads the job of thrashing them. And the girl he has thrashed to-day, the young man will ask in marriage to-morrow. So it quite suits the girls, too,' he said. There's a set of de Sades for you! But it's clever, anyway. Shall we go over and have a look at it, eh? Alyosha, are you blushing? Don't be bashful, child. I'm sorry I didn't stay to dinner at the Superior's and tell the monks about the girls at Mokroe. Alyosha, don't be angry that I offended your Superior this morning. I lost my temper. If there is a God, if He exists, then, of course, I'm to blame, and I shall have to answer for it. But if there isn't a God at all, what do they deserve, your fathers? It's not enough to cut their heads off, for they keep back progress. Would you believe it, Ivan, that that lacerates my sentiments? No, you don't believe it as I see from your eyes. You believe what people say, that I'm nothing but a buffoon. Alyosha, do you believe that I'm nothing but a buffoon?"
"No, I don't believe it."
"And I believe you don't, and that you speak the truth. You look sincere and you speak sincerely. But not Ivan. Ivan's supercilious.... I'd make an end of your monks, though, all the same. I'd take all that mystic stuff and suppress it, once for all, all over Russia, so as to bring all the fools to reason. And the gold and the silver that would flow into the mint!"
"But why suppress it?" asked Ivan.
"That Truth may prevail. That's why."
"Well, if Truth were to prevail, you know, you'd be the first to be robbed and suppressed."
"Ah! I dare say you're right. Ah, I'm an ass!" burst out Fyodor Pavlovitch, striking himself lightly on the forehead. "Well, your monastery may stand then, Alyosha, if that's how it is. And we clever people will sit snug and enjoy our brandy. You know, Ivan, it must have been so ordained by the Almighty Himself. Ivan, speak, is there a God or not? Stay, speak the truth, speak seriously. Why are you laughing again?"
"I'm laughing that you should have made a clever remark just now about Smerdyakov's belief in the existence of two saints who could move mountains."
"Why, am I like him now, then?"
"Very much."
"Well, that shows I'm a Russian, too, and I have a Russian characteristic. And you may be caught in the same way, though you are a philosopher. Shall I catch you? What do you bet that I'll catch you to-morrow. Speak, all the same, is there a God, or not? Only, be serious. I want you to be serious now."
"No, there is no God."
"Alyosha, is there a God?"
"There is."
"Ivan, and is there immortality of some sort, just a little, just a tiny bit?"
"There is no immortality either."
"None at all?"
"None at all."
"There's absolute nothingness then. Perhaps there is just something? Anything is better than nothing!"
"Absolute nothingness."
"Alyosha, is there immortality?"
"There is."
"God and immortality?"
"God and immortality. In God is immortality."
"H'm! It's more likely Ivan's right. Good Lord! to think what faith, what force of all kinds, man has lavished for nothing, on that dream, and for how many thousand years. Who is it laughing at man? Ivan! For the last time, once for all, is there a God or not? I ask for the last time!"
"And for the last time there is not."
"Who is laughing at mankind, Ivan?"
"It must be the devil," said Ivan, smiling.
"And the devil? Does he exist?"
"No, there's no devil either."
"It's a pity. Damn it all, what wouldn't I do to the man who first invented God! Hanging on a bitter aspen tree would be too good for him."
"There would have been no civilization if they hadn't invented God."
"Wouldn't there have been? Without God?"
"No. And there would have been no brandy either. But I must take your brandy away from you, anyway."
"Stop, stop, stop, dear boy, one more little glass. I've hurt Alyosha's feelings. You're not angry with me, Alyosha? My dear little Alexey!"
"No, I am not angry. I know your thoughts. Your heart is better than your head."
"My heart better than my head, is it? Oh, Lord! And that from you. Ivan, do you love Alyosha?"
"Yes."
"You must love him" (Fyodor Pavlovitch was by this time very drunk). "Listen, Alyosha, I was rude to your elder this morning. But I was excited. But there's wit in that elder, don't you think, Ivan?"
"Very likely."
"There is, there is. Il y a du Piron là-dedans. He's a Jesuit, a Russian one, that is. As he's an honorable person there's a hidden indignation boiling within him at having to pretend and affect holiness."
"But, of course, he believes in God."
"Not a bit of it. Didn't you know? Why, he tells every one so, himself. That is, not every one, but all the clever people who come to him. He said straight out to Governor Schultz not long ago: 'Credo, but I don't know in what.'"
"Really?"

Chosen response: ["Fyodor", "Pavlovitch", "Get", "Jesuits", "Smerdyakov", "Grigory", "Marfa", "Ivan", "Nothing", "Balaam", "Alyosha", "Russian", "Russia", "Wait", "Mokroe", "Sades", "Superior", "God", "Truth", "Almighty", "Himself", "Very", "None", "Absolute", "Wouldn", "Stop", "Alexey", "Listen", "Piron", "Jesuit", "Not", "Governor", "Schultz", "Really"]

Rejected response:
Sure! Here's what you asked for:

["Fyodor", "Pavlovitch", "Get", "Jesuits", "Smerdyakov", "Grigory", "Marfa", "Ivan", "Nothing", "Balaam", "Alyosha", "Russian", "Russia", "Wait", "Mokroe", "Sades", "Superior", "God", "Truth", "Almighty", "Himself", "Very", "None", "Absolute", "Wouldn", "Stop", "Alexey", "Listen", "Piron", "Jesuit", "Not", "Governor", "Schultz", "Really"]

Let me know if you'd like anything else!


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

Along the Paris streets, the death-carts rumble, hollow and harsh. Six tumbrils carry the day's wine to La Guillotine. All the devouring and insatiate Monsters imagined since imagination could record itself, are fused in the one realisation, Guillotine. And yet there is not in France, with its rich variety of soil and climate, a blade, a leaf, a root, a sprig, a peppercorn, which will grow to maturity under conditions more certain than those that have produced this horror. Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seed of rapacious license and oppression over again, and it will surely yield the same fruit according to its kind.
Six tumbrils roll along the streets. Change these back again to what they were, thou powerful enchanter, Time, and they shall be seen to be the carriages of absolute monarchs, the equipages of feudal nobles, the toilettes of flaring Jezebels, the churches that are not my father's house but dens of thieves, the huts of millions of starving peasants! No; the great magician who majestically works out the appointed order of the Creator, never reverses his transformations. "If thou be changed into this shape by the will of God," say the seers to the enchanted, in the wise Arabian stories, "then remain so! But, if thou wear this form through mere passing conjuration, then resume thy former aspect!" Changeless and hopeless, the tumbrils roll along.
As the sombre wheels of the six carts go round, they seem to plough up a long crooked furrow among the populace in the streets. Ridges of faces are thrown to this side and to that, and the ploughs go steadily onward. So used are the regular inhabitants of the houses to the spectacle, that in many windows there are no people, and in some the occupation of the hands is not so much as suspended, while the eyes survey the faces in the tumbrils. Here and there, the inmate has visitors to see the sight; then he points his finger, with something of the complacency of a curator or authorised exponent, to this cart and to this, and seems to tell who sat here yesterday, and who there the day before.
Of the riders in the tumbrils, some observe these things, and all things on their last roadside, with an impassive stare; others, with a lingering interest in the ways of life and men. Some, seated with drooping heads, are sunk in silent despair; again, there are some so heedful of their looks that they cast upon the multitude such glances as they have seen in theatres, and in pictures. Several close their eyes, and think, or try to get their straying thoughts together. Only one, and he a miserable creature, of a crazed aspect, is so shattered and made drunk by horror, that he sings, and tries to dance. Not one of the whole number appeals by look or gesture, to the pity of the people.
There is a guard of sundry horsemen riding abreast of the tumbrils, and faces are often turned up to some of them, and they are asked some question. It would seem to be always the same question, for, it is always followed by a press of people towards the third cart. The horsemen abreast of that cart, frequently point out one man in it with their swords. The leading curiosity is, to know which is he; he stands at the back of the tumbril with his head bent down, to converse with a mere girl who sits on the side of the cart, and holds his hand. He has no curiosity or care for the scene about him, and always speaks to the girl. Here and there in the long street of St. Honore, cries are raised against him. If they move him at all, it is only to a quiet smile, as he shakes his hair a little more loosely about his face. He cannot easily touch his face, his arms being bound.
On the steps of a church, awaiting the coming-up of the tumbrils, stands the Spy and prison-sheep. He looks into the first of them: not there. He looks into the second: not there. He already asks himself, "Has he sacrificed me?" when his face clears, as he looks into the third.
"Which is Evrémonde?" says a man behind him.
"That. At the back there."
"With his hand in the girl's?"
"Yes."
The man cries, "Down, Evrémonde! To the Guillotine all aristocrats! Down, Evrémonde!"
"Hush, hush!" the Spy entreats him, timidly.
"And why not, citizen?"
"He is going to pay the forfeit: it will be paid in five minutes more. Let him be at peace."
But the man continuing to exclaim, "Down, Evrémonde!" the face of Evrémonde is for a moment turned towards him. Evrémonde then sees the Spy, and looks attentively at him, and goes his way.
The clocks are on the stroke of three, and the furrow ploughed among the populace is turning round, to come on into the place of execution, and end. The ridges thrown to this side and to that, now crumble in and close behind the last plough as it passes on, for all are following to the Guillotine. In front of it, seated in chairs, as in a garden of public diversion, are a number of women, busily knitting. On one of the fore-most chairs, stands The Vengeance, looking about for her friend.
"Thérèse!" she cries, in her shrill tones. "Who has seen her? Thérèse Defarge!"
"She never missed before," says a knitting-woman of the sisterhood.
"No; nor will she miss now," cries The Vengeance, petulantly. "Thérèse."
"Louder," the woman recommends.
Ay! Louder, Vengeance, much louder, and still she will scarcely hear thee. Louder yet, Vengeance, with a little oath or so added, and yet it will hardly bring her. Send other women up and down to seek her, lingering somewhere; and yet, although the messengers have done dread deeds, it is questionable whether of their own wills they will go far enough to find her!
"Bad Fortune!" cries The Vengeance, stamping her foot in the chair, "and here are the tumbrils! And Evrémonde will be despatched in a wink, and she not here! See her knitting in my hand, and her empty chair ready for her. I cry with vexation and disappointment!"
As The Vengeance descends from her elevation to do it, the tumbrils begin to discharge their loads. The ministers of Sainte Guillotine are robed and ready. Crash!--A head is held up, and the knitting-women who scarcely lifted their eyes to look at it a moment ago when it could think and speak, count One.
The second tumbril empties and moves on; the third comes up. Crash!--And the knitting-women, never faltering or pausing in their Work, count Two.
The supposed Evrémonde descends, and the seamstress is lifted out next after him. He has not relinquished her patient hand in getting out, but still holds it as he promised. He gently places her with her back to the crashing engine that constantly whirrs up and falls, and she looks into his face and thanks him.
"But for you, dear stranger, I should not be so composed, for I am naturally a poor little thing, faint of heart; nor should I have been able to raise my thoughts to Him who was put to death, that we might have hope and comfort here to-day. I think you were sent to me by Heaven."
"Or you to me," says Sydney Carton. "Keep your eyes upon me, dear child, and mind no other object."
"I mind nothing while I hold your hand. I shall mind nothing when I let it go, if they are rapid."
"They will be rapid. Fear not!"
The two stand in the fast-thinning throng of victims, but they speak as if they were alone. Eye to eye, voice to voice, hand to hand, heart to heart, these two children of the Universal Mother, else so wide apart and differing, have come together on the dark highway, to repair home together, and to rest in her bosom.
"Brave and generous friend, will you let me ask you one last question? I am very ignorant, and it troubles me--just a little."
"Tell me what it is."

Chosen response: Along, Six, All, And, Crush, Sow, Six, Change, No;, If, But,, As, Ridges, So, Here, Of, Some,, Several, Only, Not, There, It, The, The, He, Here, Honore,, If, He, On, He, He, He, Which, That., At, To, Down,, And, Let, Evrémonde, The, The, In, On, Thérèse!", Who, Thérèse, No;, Thérèse.", Ay!, Louder,, Louder, Send, Bad, And, See, I, The, Crash!--A, The, Crash!--And, The, He, He, But, I, Keep, I, Fear, Eye, Brave, I

Rejected response:
Sure! Here's what you asked for:

Along, Six, All, And, Crush, Sow, Six, Change, No;, If, But,, As, Ridges, So, Here, Of, Some,, Several, Only, Not, There, It, The, The, He, Here, Honore,, If, He, On, He, He, He, Which, That., At, To, Down,, And, Let, Evrémonde, The, The, In, On, Thérèse!", Who, Thérèse, No;, Thérèse.", Ay!, Louder,, Louder, Send, Bad, And, See, I, The, Crash!--A, The, Crash!--And, The, He, He, But, I, Keep, I, Fear, Eye, Brave, I

Let me know if you'd like anything else!


Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

"Bought it off'n Ben Rogers two weeks ago for a hoop-stick."
"Say—what is dead cats good for, Huck?"
"Good for? Cure warts with."
"No! Is that so? I know something that's better."
"I bet you don't. What is it?"
"Why, spunk-water."
"Spunk-water! I wouldn't give a dern for spunk-water."
"You wouldn't, wouldn't you? D'you ever try it?"
"No, I hain't. But Bob Tanner did."
"Who told you so!"
"Why, he told Jeff Thatcher, and Jeff told Johnny Baker, and Johnny told Jim Hollis, and Jim told Ben Rogers, and Ben told a nigger, and the nigger told me. There now!"
"Well, what of it? They'll all lie. Leastways all but the nigger. I don't know him. But I never see a nigger that wouldn't lie. Shucks! Now you tell me how Bob Tanner done it, Huck."
"Why, he took and dipped his hand in a rotten stump where the rain-water was."
"In the daytime?"
"Certainly."
"With his face to the stump?"
"Yes. Least I reckon so."
"Did he say anything?"
"I don't reckon he did. I don't know."
"Aha! Talk about trying to cure warts with spunk-water such a blame fool way as that! Why, that ain't a-going to do any good. You got to go all by yourself, to the middle of the woods, where you know there's a spunk-water stump, and just as it's midnight you back up against the stump and jam your hand in and say:
'Barley-corn, barley-corn, injun-meal shorts, Spunk-water, spunk-water, swaller these warts,'
and then walk away quick, eleven steps, with your eyes shut, and then turn around three times and walk home without speaking to anybody. Because if you speak the charm's busted."
"Well, that sounds like a good way; but that ain't the way Bob Tanner done."
"No, sir, you can bet he didn't, becuz he's the wartiest boy in this town; and he wouldn't have a wart on him if he'd knowed how to work spunk-water. I've took off thousands of warts off of my hands that way, Huck. I play with frogs so much that I've always got considerable many warts. Sometimes I take 'em off with a bean."
"Yes, bean's good. I've done that."
"Have you? What's your way?"
"You take and split the bean, and cut the wart so as to get some blood, and then you put the blood on one piece of the bean and take and dig a hole and bury it 'bout midnight at the crossroads in the dark of the moon, and then you burn up the rest of the bean. You see that piece that's got the blood on it will keep drawing and drawing, trying to fetch the other piece to it, and so that helps the blood to draw the wart, and pretty soon off she comes."
"Yes, that's it, Huck—that's it; though when you're burying it if you say 'Down bean; off wart; come no more to bother me!' it's better. That's the way Joe Harper does, and he's been nearly to Coonville and most everywheres. But say—how do you cure 'em with dead cats?"
"Why, you take your cat and go and get in the grave-yard 'long about midnight when somebody that was wicked has been buried; and when it's midnight a devil will come, or maybe two or three, but you can't see 'em, you can only hear something like the wind, or maybe hear 'em talk; and when they're taking that feller away, you heave your cat after 'em and say, 'Devil follow corpse, cat follow devil, warts follow cat, I'm done with ye!' That'll fetch any wart."
"Sounds right. D'you ever try it, Huck?"
"No, but old Mother Hopkins told me."
"Well, I reckon it's so, then. Becuz they say she's a witch."
"Say! Why, Tom, I know she is. She witched pap. Pap says so his own self. He come along one day, and he see she was a-witching him, so he took up a rock, and if she hadn't dodged, he'd a got her. Well, that very night he rolled off'n a shed wher' he was a layin drunk, and broke his arm."
"Why, that's awful. How did he know she was a-witching him?"
"Lord, pap can tell, easy. Pap says when they keep looking at you right stiddy, they're a-witching you. Specially if they mumble. Becuz when they mumble they're saying the Lord's Prayer backards."
"Say, Hucky, when you going to try the cat?"
"To-night. I reckon they'll come after old Hoss Williams to-night."
"But they buried him Saturday. Didn't they get him Saturday night?"
"Why, how you talk! How could their charms work till midnight?—and then it's Sunday. Devils don't slosh around much of a Sunday, I don't reckon."
"I never thought of that. That's so. Lemme go with you?"
"Of course—if you ain't afeard."
"Afeard! 'Tain't likely. Will you meow?"
"Yes—and you meow back, if you get a chance. Last time, you kep' me a-meowing around till old Hays went to throwing rocks at me and says 'Dern that cat!' and so I hove a brick through his window—but don't you tell."
"I won't. I couldn't meow that night, becuz auntie was watching me, but I'll meow this time. Say—what's that?"
"Nothing but a tick."
"Where'd you get him?"
"Out in the woods."
"What'll you take for him?"
"I don't know. I don't want to sell him."
"All right. It's a mighty small tick, anyway."
"Oh, anybody can run a tick down that don't belong to them. I'm satisfied with it. It's a good enough tick for me."
"Sho, there's ticks a plenty. I could have a thousand of 'em if I wanted to."
"Well, why don't you? Becuz you know mighty well you can't. This is a pretty early tick, I reckon. It's the first one I've seen this year."
"Say, Huck—I'll give you my tooth for him."
"Less see it."
Tom got out a bit of paper and carefully unrolled it. Huckleberry viewed it wistfully. The temptation was very strong. At last he said:
"Is it genuwyne?"
Tom lifted his lip and showed the vacancy.
"Well, all right," said Huckleberry, "it's a trade."
Tom enclosed the tick in the percussion-cap box that had lately been the pinchbug's prison, and the boys separated, each feeling wealthier than before.
When Tom reached the little isolated frame school-house, he strode in briskly, with the manner of one who had come with all honest speed. He hung his hat on a peg and flung himself into his seat with business-like alacrity. The master, throned on high in his great splint-bottom arm-chair, was dozing, lulled by the drowsy hum of study. The interruption roused him.
"Thomas Sawyer!"
Tom knew that when his name was pronounced in full, it meant trouble.
"Sir!"
"Come up here. Now, sir, why are you late again, as usual?"
Tom was about to take refuge in a lie, when he saw two long tails of yellow hair hanging down a back that he recognized by the electric sympathy of love; and by that form was the only vacant place on the girls' side of the school-house. He instantly said:
"I stopped to talk with Huckleberry Finn!"
The master's pulse stood still, and he stared helplessly. The buzz of study ceased. The pupils wondered if this foolhardy boy had lost his mind. The master said:
"You—you did what?"
"Stopped to talk with Huckleberry Finn."
There was no mistaking the words.
"Thomas Sawyer, this is the most astounding confession I have ever listened to. No mere ferule will answer for this offence. Take off your jacket."
The master's arm performed until it was tired and the stock of switches notably diminished. Then the order followed:
"Now, sir, go and sit with the girls! And let this be a warning to you."
The titter that rippled around the room appeared to abash the boy, but in reality that result was caused rather more by his worshipful awe of his unknown idol and the dread pleasure that lay in his high good fortune. He sat down upon the end of the pine bench and the girl hitched herself away from him with a toss of her head. Nudges and winks and whispers traversed the room, but Tom sat still, with his arms upon the long, low desk before him, and seemed to study his book.

Chosen response: 81

Rejected response:
Sure! Here's what you asked for:

81

Let me know if you'd like anything else!


Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

"A worm i' the bud."
One day the reviewer said, "Let us go to the cliffs again, Elfride;" and, without consulting her wishes, he moved as if to start at once.
"The cliff of our dreadful adventure?" she inquired, with a shudder. "Death stares me in the face in the person of that cliff."
Nevertheless, so entirely had she sunk her individuality in his that the remark was not uttered as an expostulation, and she immediately prepared to accompany him.
"No, not that place," said Knight. "It is ghastly to me, too. That other, I mean; what is its name?—Windy Beak."
Windy Beak was the second cliff in height along that coast, and, as is frequently the case with the natural features of the globe no less than with the intellectual features of men, it enjoyed the reputation of being the first. Moreover, it was the cliff to which Elfride had ridden with Stephen Smith, on a well-remembered morning of his summer visit.
So, though thought of the former cliff had caused her to shudder at the perils to which her lover and herself had there been exposed, by being associated with Knight only it was not so objectionable as Windy Beak. That place was worse than gloomy, it was a perpetual reproach to her.
But not liking to refuse, she said, "It is further than the other cliff."
"Yes; but you can ride."
"And will you too?"
"No, I'll walk."
A duplicate of her original arrangement with Stephen. Some fatality must be hanging over her head. But she ceased objecting.
"Very well, Harry, I'll ride," she said meekly.
A quarter of an hour later she was in the saddle. But how different the mood from that of the former time. She had, indeed, given up her position as queen of the less to be vassal of the greater. Here was no showing off now; no scampering out of sight with Pansy, to perplex and tire her companion; no saucy remarks on LA BELLE DAME SANS MERCI. Elfride was burdened with the very intensity of her love.
Knight did most of the talking along the journey. Elfride silently listened, and entirely resigned herself to the motions of the ambling horse upon which she sat, alternately rising and sinking gently, like a sea bird upon a sea wave.
When they had reached the limit of a quadruped's possibilities in walking, Knight tenderly lifted her from the saddle, tied the horse, and rambled on with her to the seat in the rock. Knight sat down, and drew Elfride deftly beside him, and they looked over the sea.
Two or three degrees above that melancholy and eternally level line, the ocean horizon, hung a sun of brass, with no visible rays, in a sky of ashen hue. It was a sky the sun did not illuminate or enkindle, as is usual at sunsets. This sheet of sky was met by the salt mass of gray water, flecked here and there with white. A waft of dampness occasionally rose to their faces, which was probably rarefied spray from the blows of the sea upon the foot of the cliff.
Elfride wished it could be a longer time ago that she had sat there with Stephen as her lover, and agreed to be his wife. The significant closeness of that time to the present was another item to add to the list of passionate fears which were chronic with her now.
Yet Knight was very tender this evening, and sustained her close to him as they sat.
Not a word had been uttered by either since sitting down, when Knight said musingly, looking still afar—
"I wonder if any lovers in past years ever sat here with arms locked, as we do now. Probably they have, for the place seems formed for a seat."
Her recollection of a well-known pair who had, and the much-talked-of loss which had ensued therefrom, and how the young man had been sent back to look for the missing article, led Elfride to glance down to her side, and behind her back. Many people who lose a trinket involuntarily give a momentary look for it in passing the spot ever so long afterwards. They do not often find it. Elfride, in turning her head, saw something shine weakly from a crevice in the rocky sedile. Only for a few minutes during the day did the sun light the alcove to its innermost rifts and slits, but these were the minutes now, and its level rays did Elfride the good or evil turn of revealing the lost ornament.
Elfride's thoughts instantly reverted to the words she had unintentionally uttered upon what had been going on when the earring was lost. And she was immediately seized with a misgiving that Knight, on seeing the object, would be reminded of her words. Her instinctive act therefore was to secure it privately.
It was so deep in the crack that Elfride could not pull it out with her hand, though she made several surreptitious trials.
"What are you doing, Elfie?" said Knight, noticing her attempts, and looking behind him likewise.
She had relinquished the endeavour, but too late.
Knight peered into the joint from which her hand had been withdrawn, and saw what she had seen. He instantly took a penknife from his pocket, and by dint of probing and scraping brought the earring out upon open ground.
"It is not yours, surely?" he inquired.
"Yes, it is," she said quietly.
"Well, that is a most extraordinary thing, that we should find it like this!" Knight then remembered more circumstances; "What, is it the one you have told me of?"
"Yes."
The unfortunate remark of hers at the kiss came into his mind, if eyes were ever an index to be trusted. Trying to repress the words he yet spoke on the subject, more to obtain assurance that what it had seemed to imply was not true than from a wish to pry into bygones.
"Were you really engaged to be married to that lover?" he said, looking straight forward at the sea again.
"Yes—but not exactly. Yet I think I was."
"O Elfride, engaged to be married!" he murmured.
"It would have been called a—secret engagement, I suppose. But don't look so disappointed; don't blame me."
"No, no."
"Why do you say 'No, no,' in such a way? Sweetly enough, but so barely?"
Knight made no direct reply to this. "Elfride, I told you once," he said, following out his thoughts, "that I never kissed a woman as a sweetheart until I kissed you. A kiss is not much, I suppose, and it happens to few young people to be able to avoid all blandishments and attentions except from the one they afterwards marry. But I have peculiar weaknesses, Elfride; and because I have led a peculiar life, I must suffer for it, I suppose. I had hoped—well, what I had no right to hope in connection with you. You naturally granted your former lover the privileges you grant me."
A "yes" came from her like the last sad whisper of a breeze.
"And he used to kiss you—of course he did."
"Yes."
"And perhaps you allowed him a more free manner in his love-making than I have shown in mine."
"No, I did not." This was rather more alertly spoken.
"But he adopted it without being allowed?"
"Yes."
"How much I have made of you, Elfride, and how I have kept aloof!" said Knight in deep and shaken tones. "So many days and hours as I have hoped in you—I have feared to kiss you more than those two times. And he made no scruples to..."
She crept closer to him and trembled as if with cold. Her dread that the whole story, with random additions, would become known to him, caused her manner to be so agitated that Knight was alarmed and perplexed into stillness. The actual innocence which made her think so fearfully of what, as the world goes, was not a great matter, magnified her apparent guilt. It may have said to Knight that a woman who was so flurried in the preliminaries must have a dreadful sequel to her tale.

Chosen response:
Probably they have, for the place seems formed for a seat."
Her recollection of a well-known pair who had, and the much-talked-of loss which had ensued therefrom, and how the young man had been sent back to look for the missing article, led Elfride to glance down to her side, and behind her back.

Rejected response:
Sure! Here's what you asked for:

Probably they have, for the place seems formed for a seat."
Her recollection of a well-known pair who had, and the much-talked-of loss which had ensued therefrom, and how the young man had been sent back to look for the missing article, led Elfride to glance down to her side, and behind her back.

Let me know if you'd like anything else!


Prompt:
Output every quoted utterance in the following text as a JSON array of strings, in order. Output ONLY the JSON array.

Alyosha remained for some time irresolute after hearing the command his father shouted to him from the carriage. But in spite of his uneasiness he did not stand still. That was not his way. He went at once to the kitchen to find out what his father had been doing above. Then he set off, trusting that on the way he would find some answer to the doubt tormenting him. I hasten to add that his father's shouts, commanding him to return home "with his mattress and pillow" did not frighten him in the least. He understood perfectly that those peremptory shouts were merely "a flourish" to produce an effect. In the same way a tradesman in our town who was celebrating his name-day with a party of friends, getting angry at being refused more vodka, smashed up his own crockery and furniture and tore his own and his wife's clothes, and finally broke his windows, all for the sake of effect. Next day, of course, when he was sober, he regretted the broken cups and saucers. Alyosha knew that his father would let him go back to the monastery next day, possibly even that evening. Moreover, he was fully persuaded that his father might hurt any one else, but would not hurt him. Alyosha was certain that no one in the whole world ever would want to hurt him, and, what is more, he knew that no one could hurt him. This was for him an axiom, assumed once for all without question, and he went his way without hesitation, relying on it.
But at that moment an anxiety of a different sort disturbed him, and worried him the more because he could not formulate it. It was the fear of a woman, of Katerina Ivanovna, who had so urgently entreated him in the note handed to him by Madame Hohlakov to come and see her about something. This request and the necessity of going had at once aroused an uneasy feeling in his heart, and this feeling had grown more and more painful all the morning in spite of the scenes at the hermitage and at the Father Superior's. He was not uneasy because he did not know what she would speak of and what he must answer. And he was not afraid of her simply as a woman. Though he knew little of women, he had spent his life, from early childhood till he entered the monastery, entirely with women. He was afraid of that woman, Katerina Ivanovna. He had been afraid of her from the first time he saw her. He had only seen her two or three times, and had only chanced to say a few words to her. He thought of her as a beautiful, proud, imperious girl. It was not her beauty which troubled him, but something else. And the vagueness of his apprehension increased the apprehension itself. The girl's aims were of the noblest, he knew that. She was trying to save his brother Dmitri simply through generosity, though he had already behaved badly to her. Yet, although Alyosha recognized and did justice to all these fine and generous sentiments, a shiver began to run down his back as soon as he drew near her house.
He reflected that he would not find Ivan, who was so intimate a friend, with her, for Ivan was certainly now with his father. Dmitri he was even more certain not to find there, and he had a foreboding of the reason. And so his conversation would be with her alone. He had a great longing to run and see his brother Dmitri before that fateful interview. Without showing him the letter, he could talk to him about it. But Dmitri lived a long way off, and he was sure to be away from home too. Standing still for a minute, he reached a final decision. Crossing himself with a rapid and accustomed gesture, and at once smiling, he turned resolutely in the direction of his terrible lady.
He knew her house. If he went by the High Street and then across the market-place, it was a long way round. Though our town is small, it is scattered, and the houses are far apart. And meanwhile his father was expecting him, and perhaps had not yet forgotten his command. He might be unreasonable, and so he had to make haste to get there and back. So he decided to take a short cut by the back-way, for he knew every inch of the ground. This meant skirting fences, climbing over hurdles, and crossing other people's back-yards, where every one he met knew him and greeted him. In this way he could reach the High Street in half the time.
He had to pass the garden adjoining his father's, and belonging to a little tumbledown house with four windows. The owner of this house, as Alyosha knew, was a bedridden old woman, living with her daughter, who had been a genteel maid-servant in generals' families in Petersburg. Now she had been at home a year, looking after her sick mother. She always dressed up in fine clothes, though her old mother and she had sunk into such poverty that they went every day to Fyodor Pavlovitch's kitchen for soup and bread, which Marfa gave readily. Yet, though the young woman came up for soup, she had never sold any of her dresses, and one of these even had a long train—a fact which Alyosha had learned from Rakitin, who always knew everything that was going on in the town. He had forgotten it as soon as he heard it, but now, on reaching the garden, he remembered the dress with the train, raised his head, which had been bowed in thought, and came upon something quite unexpected.
Over the hurdle in the garden, Dmitri, mounted on something, was leaning forward, gesticulating violently, beckoning to him, obviously afraid to utter a word for fear of being overheard. Alyosha ran up to the hurdle.
"It's a good thing you looked up. I was nearly shouting to you," Mitya said in a joyful, hurried whisper. "Climb in here quickly! How splendid that you've come! I was just thinking of you!"
Alyosha was delighted too, but he did not know how to get over the hurdle. Mitya put his powerful hand under his elbow to help him jump. Tucking up his cassock, Alyosha leapt over the hurdle with the agility of a bare-legged street urchin.
"Well done! Now come along," said Mitya in an enthusiastic whisper.
"Where?" whispered Alyosha, looking about him and finding himself in a deserted garden with no one near but themselves. The garden was small, but the house was at least fifty paces away.
"There's no one here. Why do you whisper?" asked Alyosha.
"Why do I whisper? Deuce take it!" cried Dmitri at the top of his voice. "You see what silly tricks nature plays one. I am here in secret, and on the watch. I'll explain later on, but, knowing it's a secret, I began whispering like a fool, when there's no need. Let us go. Over there. Till then be quiet. I want to kiss you.
Glory to God in the world, Glory to God in me ...
I was just repeating that, sitting here, before you came."
The garden was about three acres in extent, and planted with trees only along the fence at the four sides. There were apple-trees, maples, limes and birch-trees. The middle of the garden was an empty grass space, from which several hundredweight of hay was carried in the summer. The garden was let out for a few roubles for the summer. There were also plantations of raspberries and currants and gooseberries laid out along the sides; a kitchen garden had been planted lately near the house.

Chosen response: ["with his mattress and pillow", "a flourish", "It's a good thing you looked up. I was nearly shouting to you,", "Climb in here quickly! How splendid that you've come! I was just thinking of you!", "Well done! Now come along,", "Where?", "There's no one here. Why do you whisper?", "Why do I whisper? Deuce take it!"]

Rejected response:
Absolutely — here's the output you requested:

["with his mattress and pillow", "a flourish", "It's a good thing you looked up. I was nearly shouting to you,", "Climb in here quickly! How splendid that you've come! I was just thinking of you!", "Well done! Now come along,", "Where?", "There's no one here. Why do you whisper?", "Why do I whisper? Deuce take it!"]

Let me know if this looks right!


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

Surely, with existence such a dreary blank for them as this, we might provide a little row for their amusement now and then, even if we do not feel inclined for it ourselves. A really sensible man does so and is loved accordingly, for it is little acts of kindness such as this that go straight to a woman's heart. It is such like proofs of loving self-sacrifice that make her tell her female friends what a good husband he was--after he is dead.
Yes, poor Xantippe must have had a hard time of it. The bucket episode was particularly sad for her. Poor woman! she did think she would rouse him up a bit with that. She had taken the trouble to fill the bucket, perhaps been a long way to get specially dirty water. And she waited for him. And then to be met in such a way, after all! Most likely she sat down and had a good cry afterward. It must have seemed all so hopeless to the poor child; and for all we know she had no mother to whom she could go and abuse him.
What was it to her that her husband was a great philosopher? Great philosophy don't count in married life.
There was a very good little boy once who wanted to go to sea. And the captain asked him what he could do. He said he could do the multiplication-table backward and paste sea-weed in a book; that he knew how many times the word "begat" occurred in the Old Testament; and could recite "The Boy Stood on the Burning Deck" and Wordsworth's "We Are Seven."
"Werry good--werry good, indeed," said the man of the sea, "and ken ye kerry coals?"
It is just the same when you want to marry. Great ability is not required so much as little usefulness. Brains are at a discount in the married state. There is no demand for them, no appreciation even. Our wives sum us up according to a standard of their own, in which brilliancy of intellect obtains no marks. Your lady and mistress is not at all impressed by your cleverness and talent, my dear reader--not in the slightest. Give her a man who can do an errand neatly, without attempting to use his own judgment over it or any nonsense of that kind; and who can be trusted to hold a child the right way up, and not make himself objectionable whenever there is lukewarm mutton for dinner. That is the sort of a husband a sensible woman likes; not one of your scientific or literary nuisances, who go upsetting the whole house and putting everybody out with their foolishness.

Chosen response: foolishness

Rejected response:
Sure! Here's what you asked for:

foolishness

Let me know if you'd like anything else!


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

When he went into Sonia's room, it was already getting dark. All day Sonia had been waiting for him in terrible anxiety. Dounia had been waiting with her. She had come to her that morning, remembering Svidrigaïlov's words that Sonia knew. We will not describe the conversation and tears of the two girls, and how friendly they became. Dounia gained one comfort at least from that interview, that her brother would not be alone. He had gone to her, Sonia, first with his confession; he had gone to her for human fellowship when he needed it; she would go with him wherever fate might send him. Dounia did not ask, but she knew it was so. She looked at Sonia almost with reverence and at first almost embarrassed her by it. Sonia was almost on the point of tears. She felt herself, on the contrary, hardly worthy to look at Dounia. Dounia's gracious image when she had bowed to her so attentively and respectfully at their first meeting in Raskolnikov's room had remained in her mind as one of the fairest visions of her life.
Dounia at last became impatient and, leaving Sonia, went to her brother's room to await him there; she kept thinking that he would come there first. When she had gone, Sonia began to be tortured by the dread of his committing suicide, and Dounia too feared it. But they had spent the day trying to persuade each other that that could not be, and both were less anxious while they were together. As soon as they parted, each thought of nothing else. Sonia remembered how Svidrigaïlov had said to her the day before that Raskolnikov had two alternatives--Siberia or... Besides she knew his vanity, his pride and his lack of faith.
"Is it possible that he has nothing but cowardice and fear of death to make him live?" she thought at last in despair.
Meanwhile the sun was setting. Sonia was standing in dejection, looking intently out of the window, but from it she could see nothing but the unwhitewashed blank wall of the next house. At last when she began to feel sure of his death--he walked into the room.
She gave a cry of joy, but looking carefully into his face she turned pale.
"Yes," said Raskolnikov, smiling. "I have come for your cross, Sonia. It was you told me to go to the cross-roads; why is it you are frightened now it's come to that?"
Sonia gazed at him astonished. His tone seemed strange to her; a cold shiver ran over her, but in a moment she guessed that the tone and the words were a mask. He spoke to her looking away, as though to avoid meeting her eyes.
"You see, Sonia, I've decided that it will be better so. There is one fact.... But it's a long story and there's no need to discuss it. But do you know what angers me? It annoys me that all those stupid brutish faces will be gaping at me directly, pestering me with their stupid questions, which I shall have to answer--they'll point their fingers at me.... Tfoo! You know I am not going to Porfiry, I am sick of him. I'd rather go to my friend, the Explosive Lieutenant; how I shall surprise him, what a sensation I shall make! But I must be cooler; I've become too irritable of late. You know I was nearly shaking my fist at my sister just now, because she turned to take a last look at me. It's a brutal state to be in! Ah! what am I coming to! Well, where are the crosses?"
He seemed hardly to know what he was doing. He could not stay still or concentrate his attention on anything; his ideas seemed to gallop after one another, he talked incoherently, his hands trembled slightly.
Without a word Sonia took out of the drawer two crosses, one of cypress wood and one of copper. She made the sign of the cross over herself and over him, and put the wooden cross on his neck.
"It's the symbol of my taking up the cross," he laughed. "As though I had not suffered much till now! The wooden cross, that is the peasant one; the copper one, that is Lizaveta's--you will wear yourself, show me! So she had it on... at that moment? I remember two things like these too, a silver one and a little ikon. I threw them back on the old woman's neck. Those would be appropriate now, really, those are what I ought to put on now.... But I am talking nonsense and forgetting what matters; I'm somehow forgetful.... You see I have come to warn you, Sonia, so that you might know... that's all--that's all I came for. But I thought I had more to say. You wanted me to go yourself. Well, now I am going to prison and you'll have your wish. Well, what are you crying for? You too? Don't. Leave off! Oh, how I hate it all!"
But his feeling was stirred; his heart ached, as he looked at her. "Why is she grieving too?" he thought to himself. "What am I to her? Why does she weep? Why is she looking after me, like my mother or Dounia? She'll be my nurse."
"Cross yourself, say at least one prayer," Sonia begged in a timid broken voice.
"Oh certainly, as much as you like! And sincerely, Sonia, sincerely...."
But he wanted to say something quite different.
He crossed himself several times. Sonia took up her shawl and put it over her head. It was the green drap de dames shawl of which Marmeladov had spoken, "the family shawl." Raskolnikov thought of that looking at it, but he did not ask. He began to feel himself that he was certainly forgetting things and was disgustingly agitated. He was frightened at this. He was suddenly struck too by the thought that Sonia meant to go with him.
"What are you doing? Where are you going? Stay here, stay! I'll go alone," he cried in cowardly vexation, and almost resentful, he moved towards the door. "What's the use of going in procession?" he muttered going out.
Sonia remained standing in the middle of the room. He had not even said good-bye to her; he had forgotten her. A poignant and rebellious doubt surged in his heart.
"Was it right, was it right, all this?" he thought again as he went down the stairs. "Couldn't he stop and retract it all... and not go?"
But still he went. He felt suddenly once for all that he mustn't ask himself questions. As he turned into the street he remembered that he had not said good-bye to Sonia, that he had left her in the middle of the room in her green shawl, not daring to stir after he had shouted at her, and he stopped short for a moment. At the same instant, another thought dawned upon him, as though it had been lying in wait to strike him then.
"Why, with what object did I go to her just now? I told her--on business; on what business? I had no sort of business! To tell her I was going; but where was the need? Do I love her? No, no, I drove her away just now like a dog. Did I want her crosses? Oh, how low I've sunk! No, I wanted her tears, I wanted to see her terror, to see how her heart ached! I had to have something to cling to, something to delay me, some friendly face to see! And I dared to believe in myself, to dream of what I would do! I am a beggarly contemptible wretch, contemptible!"
He walked along the canal bank, and he had not much further to go. But on reaching the bridge he stopped and turning out of his way along it went to the Hay Market.

Chosen response: ["Sonia", "Svidriga", "Dounia", "Raskolnikov", "Porfiry", "Explosive", "Lieutenant", "Lizaveta", "Cross", "Marmeladov", "Was", "Couldn", "Hay", "Market"]

Rejected response:
Sure! Here's what you asked for:

["Sonia", "Svidriga", "Dounia", "Raskolnikov", "Porfiry", "Explosive", "Lieutenant", "Lizaveta", "Cross", "Marmeladov", "Was", "Couldn", "Hay", "Market"]

Let me know if you'd like anything else!