Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

Newland Archer sat at the writing-table in his library in East Thirty-ninth Street.
He had just got back from a big official reception for the inauguration of the new galleries at the Metropolitan Museum, and the spectacle of those great spaces crowded with the spoils of the ages, where the throng of fashion circulated through a series of scientifically catalogued treasures, had suddenly pressed on a rusted spring of memory.
"Why, this used to be one of the old Cesnola rooms," he heard some one say; and instantly everything about him vanished, and he was sitting alone on a hard leather divan against a radiator, while a slight figure in a long sealskin cloak moved away down the meagrely-fitted vista of the old Museum.
The vision had roused a host of other associations, and he sat looking with new eyes at the library which, for over thirty years, had been the scene of his solitary musings and of all the family confabulations.
It was the room in which most of the real things of his life had happened. There his wife, nearly twenty-six years ago, had broken to him, with a blushing circumlocution that would have caused the young women of the new generation to smile, the news that she was to have a child; and there their eldest boy, Dallas, too delicate to be taken to church in midwinter, had been christened by their old friend the Bishop of New York, the ample magnificent irreplaceable Bishop, so long the pride and ornament of his diocese. There Dallas had first staggered across the floor shouting "Dad," while May and the nurse laughed behind the door; there their second child, Mary (who was so like her mother), had announced her engagement to the dullest and most reliable of Reggie Chivers's many sons; and there Archer had kissed her through her wedding veil before they went down to the motor which was to carry them to Grace Church--for in a world where all else had reeled on its foundations the "Grace Church wedding" remained an unchanged institution.
It was in the library that he and May had always discussed the future of the children: the studies of Dallas and his young brother Bill, Mary's incurable indifference to "accomplishments," and passion for sport and philanthropy, and the vague leanings toward "art" which had finally landed the restless and curious Dallas in the office of a rising New York architect.
The young men nowadays were emancipating themselves from the law and business and taking up all sorts of new things. If they were not absorbed in state politics or municipal reform, the chances were that they were going in for Central American archæology, for architecture or landscape-engineering; taking a keen and learned interest in the prerevolutionary buildings of their own country, studying and adapting Georgian types, and protesting at the meaningless use of the word "Colonial." Nobody nowadays had "Colonial" houses except the millionaire grocers of the suburbs.
But above all--sometimes Archer put it above all--it was in that library that the Governor of New York, coming down from Albany one evening to dine and spend the night, had turned to his host, and said, banging his clenched fist on the table and gnashing his eye-glasses: "Hang the professional politician! You're the kind of man the country wants, Archer. If the stable's ever to be cleaned out, men like you have got to lend a hand in the cleaning."
"Men like you--" how Archer had glowed at the phrase! How eagerly he had risen up at the call! It was an echo of Ned Winsett's old appeal to roll his sleeves up and get down into the muck; but spoken by a man who set the example of the gesture, and whose summons to follow him was irresistible.
Archer, as he looked back, was not sure that men like himself were what his country needed, at least in the active service to which Theodore Roosevelt had pointed; in fact, there was reason to think it did not, for after a year in the State Assembly he had not been re-elected, and had dropped back thankfully into obscure if useful municipal work, and from that again to the writing of occasional articles in one of the reforming weeklies that were trying to shake the country out of its apathy. It was little enough to look back on; but when he remembered to what the young men of his generation and his set had looked forward--the narrow groove of money-making, sport and society to which their vision had been limited--even his small contribution to the new state of things seemed to count, as each brick counts in a well-built wall. He had done little in public life; he would always be by nature a contemplative and a dilettante; but he had had high things to contemplate, great things to delight in; and one great man's friendship to be his strength and pride.
He had been, in short, what people were beginning to call "a good citizen." In New York, for many years past, every new movement, philanthropic, municipal or artistic, had taken account of his opinion and wanted his name. People said: "Ask Archer" when there was a question of starting the first school for crippled children, reorganising the Museum of Art, founding the Grolier Club, inaugurating the new Library, or getting up a new society of chamber music. His days were full, and they were filled decently. He supposed it was all a man ought to ask.
Something he knew he had missed: the flower of life. But he thought of it now as a thing so unattainable and improbable that to have repined would have been like despairing because one had not drawn the first prize in a lottery. There were a hundred million tickets in his lottery, and there was only one prize; the chances had been too decidedly against him. When he thought of Ellen Olenska it was abstractly, serenely, as one might think of some imaginary beloved in a book or a picture: she had become the composite vision of all that he had missed. That vision, faint and tenuous as it was, had kept him from thinking of other women. He had been what was called a faithful husband; and when May had suddenly died--carried off by the infectious pneumonia through which she had nursed their youngest child--he had honestly mourned her. Their long years together had shown him that it did not so much matter if marriage was a dull duty, as long as it kept the dignity of a duty: lapsing from that, it became a mere battle of ugly appetites. Looking about him, he honoured his own past, and mourned for it. After all, there was good in the old ways.
His eyes, making the round of the room--done over by Dallas with English mezzotints, Chippendale cabinets, bits of chosen blue-and-white and pleasantly shaded electric lamps--came back to the old Eastlake writing-table that he had never been willing to banish, and to his first photograph of May, which still kept its place beside his inkstand.

Chosen response: 32

Rejected response:
Here you go:

```
32
```

Is there anything else I can help you with?


Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

As dusk draws on, he paces the Monks' Vineyard. He has walked to and fro, full half an hour by the Cathedral chimes, and it has closed in dark, before he becomes quite aware of a woman crouching on the ground near a wicket gate in a corner. The gate commands a cross bye-path, little used in the gloaming; and the figure must have been there all the time, though he has but gradually and lately made it out.
He strikes into that path, and walks up to the wicket. By the light of a lamp near it, he sees that the woman is of a haggard appearance, and that her weazen chin is resting on her hands, and that her eyes are staring—with an unwinking, blind sort of steadfastness—before her.
Always kindly, but moved to be unusually kind this evening, and having bestowed kind words on most of the children and aged people he has met, he at once bends down, and speaks to this woman.
"Are you ill?"
"No, deary," she answers, without looking at him, and with no departure from her strange blind stare.
"Are you blind?"
"No, deary."
"Are you lost, homeless, faint? What is the matter, that you stay here in the cold so long, without moving?"
By slow and stiff efforts, she appears to contract her vision until it can rest upon him; and then a curious film passes over her, and she begins to shake.
He straightens himself, recoils a step, and looks down at her in a dread amazement; for he seems to know her.
"Good Heaven!" he thinks, next moment. "Like Jack that night!"
As he looks down at her, she looks up at him, and whimpers: "My lungs is weakly; my lungs is dreffle bad. Poor me, poor me, my cough is rattling dry!" and coughs in confirmation horribly.
"Where do you come from?"
"Come from London, deary." (Her cough still rending her.)
"Where are you going to?"
"Back to London, deary. I came here, looking for a needle in a haystack, and I ain't found it. Look'ee, deary; give me three-and-sixpence, and don't you be afeard for me. I'll get back to London then, and trouble no one. I'm in a business.—Ah, me! It's slack, it's slack, and times is very bad!—but I can make a shift to live by it."
"Do you eat opium?"
"Smokes it," she replies with difficulty, still racked by her cough. "Give me three-and-sixpence, and I'll lay it out well, and get back. If you don't give me three-and-sixpence, don't give me a brass farden. And if you do give me three-and-sixpence, deary, I'll tell you something."
He counts the money from his pocket, and puts it in her hand. She instantly clutches it tight, and rises to her feet with a croaking laugh of satisfaction.
"Bless ye! Hark'ee, dear genl'mn. What's your Chris'en name?"
"Edwin."
"Edwin, Edwin, Edwin," she repeats, trailing off into a drowsy repetition of the word; and then asks suddenly: "Is the short of that name Eddy?"
"It is sometimes called so," he replies, with the colour starting to his face.
"Don't sweethearts call it so?" she asks, pondering.
"How should I know?"
"Haven't you a sweetheart, upon your soul?"
"None."
She is moving away, with another "Bless ye, and thank'ee, deary!" when he adds: "You were to tell me something; you may as well do so."
"So I was, so I was. Well, then. Whisper. You be thankful that your name ain't Ned."
He looks at her quite steadily, as he asks: "Why?"
"Because it's a bad name to have just now."
"How a bad name?"
"A threatened name. A dangerous name."
"The proverb says that threatened men live long," he tells her, lightly.
"Then Ned—so threatened is he, wherever he may be while I am a-talking to you, deary—should live to all eternity!" replies the woman.
She has leaned forward to say it in his ear, with her forefinger shaking before his eyes, and now huddles herself together, and with another "Bless ye, and thank'ee!" goes away in the direction of the Travellers' Lodging House.
This is not an inspiriting close to a dull day. Alone, in a sequestered place, surrounded by vestiges of old time and decay, it rather has a tendency to call a shudder into being. He makes for the better-lighted streets, and resolves as he walks on to say nothing of this to-night, but to mention it to Jack (who alone calls him Ned), as an odd coincidence, to-morrow; of course only as a coincidence, and not as anything better worth remembering.
Still, it holds to him, as many things much better worth remembering never did. He has another mile or so, to linger out before the dinner-hour; and, when he walks over the bridge and by the river, the woman's words are in the rising wind, in the angry sky, in the troubled water, in the flickering lights. There is some solemn echo of them even in the Cathedral chime, which strikes a sudden surprise to his heart as he turns in under the archway of the gatehouse.
And so he goes up the postern stair.
John Jasper passes a more agreeable and cheerful day than either of his guests. Having no music-lessons to give in the holiday season, his time is his own, but for the Cathedral services. He is early among the shopkeepers, ordering little table luxuries that his nephew likes. His nephew will not be with him long, he tells his provision-dealers, and so must be petted and made much of. While out on his hospitable preparations, he looks in on Mr. Sapsea; and mentions that dear Ned, and that inflammable young spark of Mr. Crisparkle's, are to dine at the gatehouse to-day, and make up their difference. Mr. Sapsea is by no means friendly towards the inflammable young spark. He says that his complexion is "Un-English." And when Mr. Sapsea has once declared anything to be Un-English, he considers that thing everlastingly sunk in the bottomless pit.
John Jasper is truly sorry to hear Mr. Sapsea speak thus, for he knows right well that Mr. Sapsea never speaks without a meaning, and that he has a subtle trick of being right. Mr. Sapsea (by a very remarkable coincidence) is of exactly that opinion.
Mr. Jasper is in beautiful voice this day. In the pathetic supplication to have his heart inclined to keep this law, he quite astonishes his fellows by his melodious power. He has never sung difficult music with such skill and harmony, as in this day's Anthem. His nervous temperament is occasionally prone to take difficult music a little too quickly; to-day, his time is perfect.
These results are probably attained through a grand composure of the spirits. The mere mechanism of his throat is a little tender, for he wears, both with his singing-robe and with his ordinary dress, a large black scarf of strong close-woven silk, slung loosely round his neck. But his composure is so noticeable, that Mr. Crisparkle speaks of it as they come out from Vespers.
"I must thank you, Jasper, for the pleasure with which I have heard you to-day. Beautiful! Delightful! You could not have so outdone yourself, I hope, without being wonderfully well."
"I am wonderfully well."
"Nothing unequal," says the Minor Canon, with a smooth motion of his hand: "nothing unsteady, nothing forced, nothing avoided; all thoroughly done in a masterly manner, with perfect self-command."
"Thank you. I hope so, if it is not too much to say."
"One would think, Jasper, you had been trying a new medicine for that occasional indisposition of yours."
"No, really? That's well observed; for I have."
"Then stick to it, my good fellow," says Mr. Crisparkle, clapping him on the shoulder with friendly encouragement, "stick to it."
"I will."
"I congratulate you," Mr. Crisparkle pursues, as they come out of the Cathedral, "on all accounts."
"Thank you again. I will walk round to the Corner with you, if you don't object; I have plenty of time before my company come; and I want to say a word to you, which I think you will not be displeased to hear."
"What is it?"
"Well. We were speaking, the other evening, of my black humours."
Mr. Crisparkle's face falls, and he shakes his head deploringly.

Chosen response:
You could not have so outdone yourself, I hope, without being wonderfully well."
"I am wonderfully well."
"Nothing unequal," says the Minor Canon, with a smooth motion of his hand: "nothing unsteady, nothing forced, nothing avoided; all thoroughly done in a masterly manner, with perfect self-command."
"Thank you.

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

You could not have so outdone yourself, I hope, without being wonderfully well."
"I am wonderfully well."
"Nothing unequal," says the Minor Canon, with a smooth motion of his hand: "nothing unsteady, nothing forced, nothing avoided; all thoroughly done in a masterly manner, with perfect self-command."
"Thank you.

Hope that helps!


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

They asked us considerable many questions; wanted to know what we covered up the raft that way for, and laid by in the daytime instead of running—was Jim a runaway nigger? Says I:
"Goodness sakes, would a runaway nigger run south?"
No, they allowed he wouldn't. I had to account for things some way, so I says:
"My folks was living in Pike County, in Missouri, where I was born, and they all died off but me and pa and my brother Ike. Pa, he 'lowed he'd break up and go down and live with Uncle Ben, who's got a little one-horse place on the river, forty-four mile below Orleans. Pa was pretty poor, and had some debts; so when he'd squared up there warn't nothing left but sixteen dollars and our nigger, Jim. That warn't enough to take us fourteen hundred mile, deck passage nor no other way. Well, when the river rose pa had a streak of luck one day; he ketched this piece of a raft; so we reckoned we'd go down to Orleans on it. Pa's luck didn't hold out; a steamboat run over the forrard corner of the raft one night, and we all went overboard and dove under the wheel; Jim and me come up all right, but pa was drunk, and Ike was only four years old, so they never come up no more. Well, for the next day or two we had considerable trouble, because people was always coming out in skiffs and trying to take Jim away from me, saying they believed he was a runaway nigger. We don't run daytimes no more now; nights they don't bother us."
The duke says:
"Leave me alone to cipher out a way so we can run in the daytime if we want to. I'll think the thing over—I'll invent a plan that'll fix it. We'll let it alone for to-day, because of course we don't want to go by that town yonder in daylight—it mightn't be healthy."
Towards night it begun to darken up and look like rain; the heat lightning was squirting around low down in the sky, and the leaves was beginning to shiver—it was going to be pretty ugly, it was easy to see that. So the duke and the king went to overhauling our wigwam, to see what the beds was like. My bed was a straw tick better than Jim's, which was a corn-shuck tick; there's always cobs around about in a shuck tick, and they poke into you and hurt; and when you roll over the dry shucks sound like you was rolling over in a pile of dead leaves; it makes such a rustling that you wake up. Well, the duke allowed he would take my bed; but the king allowed he wouldn't. He says:
"I should a reckoned the difference in rank would a sejested to you that a corn-shuck bed warn't just fitten for me to sleep on. Your Grace'll take the shuck bed yourself."
Jim and me was in a sweat again for a minute, being afraid there was going to be some more trouble amongst them; so we was pretty glad when the duke says:
"'Tis my fate to be always ground into the mire under the iron heel of oppression. Misfortune has broken my once haughty spirit; I yield, I submit; 'tis my fate. I am alone in the world—let me suffer; I can bear it."
We got away as soon as it was good and dark. The king told us to stand well out towards the middle of the river, and not show a light till we got a long ways below the town. We come in sight of the little bunch of lights by-and-by—that was the town, you know—and slid by, about a half a mile out, all right. When we was three-quarters of a mile below we hoisted up our signal lantern; and about ten o'clock it come on to rain and blow and thunder and lighten like everything; so the king told us to both stay on watch till the weather got better; then him and the duke crawled into the wigwam and turned in for the night. It was my watch below till twelve, but I wouldn't a turned in anyway if I'd had a bed, because a body don't see such a storm as that every day in the week, not by a long sight. My souls, how the wind did scream along! And every second or two there'd come a glare that lit up the white-caps for a half a mile around, and you'd see the islands looking dusty through the rain, and the trees thrashing around in the wind; then comes a h-whack!—bum! bum! bumble-umble-um-bum-bum-bum-bum—and the thunder would go rumbling and grumbling away, and quit—and then rip comes another flash and another sockdolager. The waves most washed me off the raft sometimes, but I hadn't any clothes on, and didn't mind. We didn't have no trouble about snags; the lightning was glaring and flittering around so constant that we could see them plenty soon enough to throw her head this way or that and miss them.
I had the middle watch, you know, but I was pretty sleepy by that time, so Jim he said he would stand the first half of it for me; he was always mighty good that way, Jim was. I crawled into the wigwam, but the king and the duke had their legs sprawled around so there warn't no show for me; so I laid outside—I didn't mind the rain, because it was warm, and the waves warn't running so high now. About two they come up again, though, and Jim was going to call me; but he changed his mind, because he reckoned they warn't high enough yet to do any harm; but he was mistaken about that, for pretty soon all of a sudden along comes a regular ripper and washed me overboard. It most killed Jim a-laughing. He was the easiest nigger to laugh that ever was, anyway.
I took the watch, and Jim he laid down and snored away; and by-and-by the storm let up for good and all; and the first cabin-light that showed, I rousted him out and we slid the raft into hiding quarters for the day.
The king got out an old ratty deck of cards after breakfast, and him and the duke played seven-up a while, five cents a game. Then they got tired of it, and allowed they would "lay out a campaign," as they called it. The duke went down into his carpet-bag, and fetched up a lot of little printed bills and read them out loud. One bill said, "The celebrated Dr. Armand de Montalban, of Paris," would "lecture on the Science of Phrenology" at such and such a place, on the blank day of blank, at ten cents admission, and "furnish charts of character at twenty-five cents apiece." The duke said that was him. In another bill he was the "world-renowned Shakespearian tragedian, Garrick the Younger, of Drury Lane, London." In other bills he had a lot of other names and done other wonderful things, like finding water and gold with a "divining-rod," "dissipating witch spells," and so on. By-and-by he says:
"But the histrionic muse is the darling. Have you ever trod the boards, Royalty?"
"No," says the king.
"You shall, then, before you're three days older, Fallen Grandeur," says the duke. "The first good town we come to we'll hire a hall and do the sword fight in Richard III. and the balcony scene in Romeo and Juliet. How does that strike you?"
"I'm in, up to the hub, for anything that will pay, Bilgewater; but, you see, I don't know nothing about play-actin', and hain't ever seen much of it. I was too small when pap used to have 'em at the palace. Do you reckon you can learn me?"
"Easy!"
"All right. I'm jist a-freezn' for something fresh, anyway. Le's commence right away."
So the duke he told him all about who Romeo was and who Juliet was, and said he was used to being Romeo, so the king could be Juliet.
"But if Juliet's such a young gal, duke, my peeled head and my white whiskers is goin' to look oncommon odd on her, maybe."

Chosen response: maybe

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

maybe

Hope that helps!


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

"You'd have found me right off if you hadn't gone back to have that last reel with Denis," he brought out awkwardly. He could not pronounce the name without a stiffening of the muscles of his throat.
"Why, Ethan, how could I tell you were there?"
"I suppose what folks say is true," he jerked out at her, instead of answering.
She stopped short, and he felt, in the darkness, that her face was lifted quickly to his. "Why, what do folks say?"
"It's natural enough you should be leaving us," he floundered on, following his thought.
"Is that what they say?" she mocked back at him; then, with a sudden drop of her sweet treble: "You mean that Zeena—ain't suited with me any more?" she faltered.
Their arms had slipped apart and they stood motionless, each seeking to distinguish the other's face.
"I know I ain't anything like as smart as I ought to be," she went on, while he vainly struggled for expression. "There's lots of things a hired girl could do that come awkward to me still—and I haven't got much strength in my arms. But if she'd only tell me I'd try. You know she hardly ever says anything, and sometimes I can see she ain't suited, and yet I don't know why." She turned on him with a sudden flash of indignation. "You'd ought to tell me, Ethan Frome—you'd ought to! Unless you want me to go too—"
Unless he wanted her to go too! The cry was balm to his raw wound. The iron heavens seemed to melt and rain down sweetness. Again he struggled for the all-expressive word, and again, his arm in hers, found only a deep "Come along."
They walked on in silence through the blackness of the hemlock-shaded lane, where Ethan's sawmill gloomed through the night, and out again into the comparative clearness of the fields. On the farther side of the hemlock belt the open country rolled away before them grey and lonely under the stars. Sometimes their way led them under the shade of an overhanging bank or through the thin obscurity of a clump of leafless trees. Here and there a farmhouse stood far back among the fields, mute and cold as a grave-stone. The night was so still that they heard the frozen snow crackle under their feet. The crash of a loaded branch falling far off in the woods reverberated like a musket-shot, and once a fox barked, and Mattie shrank closer to Ethan, and quickened her steps.
At length they sighted the group of larches at Ethan's gate, and as they drew near it the sense that the walk was over brought back his words.
"Then you don't want to leave us, Matt?"
He had to stoop his head to catch her stifled whisper: "Where'd I go, if I did?"
The answer sent a pang through him but the tone suffused him with joy. He forgot what else he had meant to say and pressed her against him so closely that he seemed to feel her warmth in his veins.
"You ain't crying are you, Matt?"
"No, of course I'm not," she quavered.
They turned in at the gate and passed under the shaded knoll where, enclosed in a low fence, the Frome grave-stones slanted at crazy angles through the snow. Ethan looked at them curiously. For years that quiet company had mocked his restlessness, his desire for change and freedom. "We never got away—how should you?" seemed to be written on every headstone; and whenever he went in or out of his gate he thought with a shiver: "I shall just go on living here till I join them." But now all desire for change had vanished, and the sight of the little enclosure gave him a warm sense of continuance and stability.
"I guess we'll never let you go, Matt," he whispered, as though even the dead, lovers once, must conspire with him to keep her; and brushing by the graves, he thought: "We'll always go on living here together, and some day she'll lie there beside me."
He let the vision possess him as they climbed the hill to the house. He was never so happy with her as when he abandoned himself to these dreams. Half-way up the slope Mattie stumbled against some unseen obstruction and clutched his sleeve to steady herself. The wave of warmth that went through him was like the prolongation of his vision. For the first time he stole his arm about her, and she did not resist. They walked on as if they were floating on a summer stream.
Zeena always went to bed as soon as she had had her supper, and the shutterless windows of the house were dark. A dead cucumber-vine dangled from the porch like the crape streamer tied to the door for a death, and the thought flashed through Ethan's brain: "If it was there for Zeena—" Then he had a distinct sight of his wife lying in their bedroom asleep, her mouth slightly open, her false teeth in a tumbler by the bed....
They walked around to the back of the house, between the rigid gooseberry bushes. It was Zeena's habit, when they came back late from the village, to leave the key of the kitchen door under the mat. Ethan stood before the door, his head heavy with dreams, his arm still about Mattie. "Matt—" he began, not knowing what he meant to say.
She slipped out of his hold without speaking, and he stooped down and felt for the key.
"It's not there!" he said, straightening himself with a start.
They strained their eyes at each other through the icy darkness. Such a thing had never happened before.
"Maybe she's forgotten it," Mattie said in a tremulous whisper; but both of them knew that it was not like Zeena to forget.
"It might have fallen off into the snow," Mattie continued, after a pause during which they had stood intently listening.
"It must have been pushed off, then," he rejoined in the same tone. Another wild thought tore through him. What if tramps had been there—what if....
Again he listened, fancying he heard a distant sound in the house; then he felt in his pocket for a match, and kneeling down, passed its light slowly over the rough edges of snow about the doorstep.
He was still kneeling when his eyes, on a level with the lower panel of the door, caught a faint ray beneath it. Who could be stirring in that silent house? He heard a step on the stairs, and again for an instant the thought of tramps tore through him. Then the door opened and he saw his wife.
Against the dark background of the kitchen she stood up tall and angular, one hand drawing a quilted counterpane to her flat breast, while the other held a lamp. The light, on a level with her chin, drew out of the darkness her puckered throat and the projecting wrist of the hand that clutched the quilt, and deepened fantastically the hollows and prominences of her high-boned face under its ring of crimping-pins. To Ethan, still in the rosy haze of his hour with Mattie, the sight came with the intense precision of the last dream before waking. He felt as if he had never before known what his wife looked like.
She drew aside without speaking, and Mattie and Ethan passed into the kitchen, which had the deadly chill of a vault after the dry cold of the night.
"Guess you forgot about us, Zeena," Ethan joked, stamping the snow from his boots.
"No. I just felt so mean I couldn't sleep."
Mattie came forward, unwinding her wraps, the colour of the cherry scarf in her fresh lips and cheeks. "I'm so sorry, Zeena! Isn't there anything I can do?"
"No; there's nothing." Zeena turned away from her. "You might 'a' shook off that snow outside," she said to her husband.
She walked out of the kitchen ahead of them and pausing in the hall raised the lamp at arm's-length, as if to light them up the stairs.

Chosen response: ["Denis", "Ethan", "Zeena", "Frome", "Come", "Mattie", "Matt", "Where", "Maybe", "Guess"]

Rejected response:
Sure! Here's what you asked for:

["Denis", "Ethan", "Zeena", "Frome", "Come", "Mattie", "Matt", "Where", "Maybe", "Guess"]

Let me know if you'd like anything else!


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

Little had Mrs. Dashwood or her daughters imagined when they first came into Devonshire, that so many engagements would arise to occupy their time as shortly presented themselves, or that they should have such frequent invitations and such constant visitors as to leave them little leisure for serious employment. Yet such was the case. When Marianne was recovered, the schemes of amusement at home and abroad, which Sir John had been previously forming, were put into execution. The private balls at the park then began; and parties on the water were made and accomplished as often as a showery October would allow. In every meeting of the kind Willoughby was included; and the ease and familiarity which naturally attended these parties were exactly calculated to give increasing intimacy to his acquaintance with the Dashwoods, to afford him opportunity of witnessing the excellencies of Marianne, of marking his animated admiration of her, and of receiving, in her behaviour to himself, the most pointed assurance of her affection.
Elinor could not be surprised at their attachment. She only wished that it were less openly shown; and once or twice did venture to suggest the propriety of some self-command to Marianne. But Marianne abhorred all concealment where no real disgrace could attend unreserve; and to aim at the restraint of sentiments which were not in themselves illaudable, appeared to her not merely an unnecessary effort, but a disgraceful subjection of reason to common-place and mistaken notions. Willoughby thought the same; and their behaviour at all times, was an illustration of their opinions.
When he was present she had no eyes for any one else. Every thing he did, was right. Every thing he said, was clever. If their evenings at the park were concluded with cards, he cheated himself and all the rest of the party to get her a good hand. If dancing formed the amusement of the night, they were partners for half the time; and when obliged to separate for a couple of dances, were careful to stand together and scarcely spoke a word to any body else. Such conduct made them of course most exceedingly laughed at; but ridicule could not shame, and seemed hardly to provoke them.
Mrs. Dashwood entered into all their feelings with a warmth which left her no inclination for checking this excessive display of them. To her it was but the natural consequence of a strong affection in a young and ardent mind.
This was the season of happiness to Marianne. Her heart was devoted to Willoughby, and the fond attachment to Norland, which she brought with her from Sussex, was more likely to be softened than she had thought it possible before, by the charms which his society bestowed on her present home.
Elinor's happiness was not so great. Her heart was not so much at ease, nor her satisfaction in their amusements so pure. They afforded her no companion that could make amends for what she had left behind, nor that could teach her to think of Norland with less regret than ever. Neither Lady Middleton nor Mrs. Jennings could supply to her the conversation she missed; although the latter was an everlasting talker, and from the first had regarded her with a kindness which ensured her a large share of her discourse. She had already repeated her own history to Elinor three or four times; and had Elinor's memory been equal to her means of improvement, she might have known very early in their acquaintance all the particulars of Mr. Jennings's last illness, and what he said to his wife a few minutes before he died. Lady Middleton was more agreeable than her mother only in being more silent. Elinor needed little observation to perceive that her reserve was a mere calmness of manner with which sense had nothing to do. Towards her husband and mother she was the same as to them; and intimacy was therefore neither to be looked for nor desired. She had nothing to say one day that she had not said the day before. Her insipidity was invariable, for even her spirits were always the same; and though she did not oppose the parties arranged by her husband, provided every thing were conducted in style and her two eldest children attended her, she never appeared to receive more enjoyment from them than she might have experienced in sitting at home; and so little did her presence add to the pleasure of the others, by any share in their conversation, that they were sometimes only reminded of her being amongst them by her solicitude about her troublesome boys.
In Colonel Brandon alone, of all her new acquaintance, did Elinor find a person who could in any degree claim the respect of abilities, excite the interest of friendship, or give pleasure as a companion. Willoughby was out of the question. Her admiration and regard, even her sisterly regard, was all his own; but he was a lover; his attentions were wholly Marianne's, and a far less agreeable man might have been more generally pleasing. Colonel Brandon, unfortunately for himself, had no such encouragement to think only of Marianne, and in conversing with Elinor he found the greatest consolation for the indifference of her sister.
Elinor's compassion for him increased, as she had reason to suspect that the misery of disappointed love had already been known to him. This suspicion was given by some words which accidentally dropped from him one evening at the park, when they were sitting down together by mutual consent, while the others were dancing. His eyes were fixed on Marianne, and, after a silence of some minutes, he said, with a faint smile, "Your sister, I understand, does not approve of second attachments."
"No," replied Elinor, "her opinions are all romantic."
"Or rather, as I believe, she considers them impossible to exist."
"I believe she does. But how she contrives it without reflecting on the character of her own father, who had himself two wives, I know not. A few years however will settle her opinions on the reasonable basis of common sense and observation; and then they may be more easy to define and to justify than they now are, by any body but herself."
"This will probably be the case," he replied; "and yet there is something so amiable in the prejudices of a young mind, that one is sorry to see them give way to the reception of more general opinions."
"I cannot agree with you there," said Elinor. "There are inconveniences attending such feelings as Marianne's, which all the charms of enthusiasm and ignorance of the world cannot atone for. Her systems have all the unfortunate tendency of setting propriety at nought; and a better acquaintance with the world is what I look forward to as her greatest possible advantage."
After a short pause he resumed the conversation by saying--
"Does your sister make no distinction in her objections against a second attachment? or is it equally criminal in every body? Are those who have been disappointed in their first choice, whether from the inconstancy of its object, or the perverseness of circumstances, to be equally indifferent during the rest of their lives?"
"Upon my word, I am not acquainted with the minutiÊ of her principles. I only know that I never yet heard her admit any instance of a second attachment's being pardonable."

Chosen response: Little, Dashwood, Yet, When, The, In, Elinor, She, But, Willoughby, When, Every, Every, If, If, Such, Mrs., Dashwood, To, This, Her, Elinor's, Her, They, Neither, Jennings, She, Jennings's, Lady, Elinor, Towards, She, Her, In, Willoughby, Her, Colonel, Elinor's, This, His, But, A, There, Her, or, Are, I

Rejected response:
Here you go:

```
Little, Dashwood, Yet, When, The, In, Elinor, She, But, Willoughby, When, Every, Every, If, If, Such, Mrs., Dashwood, To, This, Her, Elinor's, Her, They, Neither, Jennings, She, Jennings's, Lady, Elinor, Towards, She, Her, In, Willoughby, Her, Colonel, Elinor's, This, His, But, A, There, Her, or, Are, I
```

Is there anything else I can help you with?


Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

Fanny Beaufort, who had appeared in New York at eighteen, after the death of her parents, had won its heart much as Madame Olenska had won it thirty years earlier; only instead of being distrustful and afraid of her, society took her joyfully for granted. She was pretty, amusing and accomplished: what more did any one want? Nobody was narrow-minded enough to rake up against her the half-forgotten facts of her father's past and her own origin. Only the older people remembered so obscure an incident in the business life of New York as Beaufort's failure, or the fact that after his wife's death he had been quietly married to the notorious Fanny Ring, and had left the country with his new wife, and a little girl who inherited her beauty. He was subsequently heard of in Constantinople, then in Russia; and a dozen years later American travellers were handsomely entertained by him in Buenos Ayres, where he represented a large insurance agency. He and his wife died there in the odour of prosperity; and one day their orphaned daughter had appeared in New York in charge of May Archer's sister-in-law, Mrs. Jack Welland, whose husband had been appointed the girl's guardian. The fact threw her into almost cousinly relationship with Newland Archer's children, and nobody was surprised when Dallas's engagement was announced.
Nothing could more clearly give the measure of the distance that the world had travelled. People nowadays were too busy--busy with reforms and "movements," with fads and fetishes and frivolities--to bother much about their neighbours. And of what account was anybody's past, in the huge kaleidoscope where all the social atoms spun around on the same plane?
Newland Archer, looking out of his hotel window at the stately gaiety of the Paris streets, felt his heart beating with the confusion and eagerness of youth.
It was long since it had thus plunged and reared under his widening waistcoat, leaving him, the next minute, with an empty breast and hot temples. He wondered if it was thus that his son's conducted itself in the presence of Miss Fanny Beaufort--and decided that it was not. "It functions as actively, no doubt, but the rhythm is different," he reflected, recalling the cool composure with which the young man had announced his engagement, and taken for granted that his family would approve.
"The difference is that these young people take it for granted that they're going to get whatever they want, and that we almost always took it for granted that we shouldn't. Only, I wonder--the thing one's so certain of in advance: can it ever make one's heart beat as wildly?"
It was the day after their arrival in Paris, and the spring sunshine held Archer in his open window, above the wide silvery prospect of the Place Vendôme. One of the things he had stipulated--almost the only one--when he had agreed to come abroad with Dallas, was that, in Paris, he shouldn't be made to go to one of the newfangled "palaces."
"Oh, all right--of course," Dallas good-naturedly agreed. "I'll take you to some jolly old-fashioned place--the Bristol say--" leaving his father speechless at hearing that the century-long home of kings and emperors was now spoken of as an old-fashioned inn, where one went for its quaint inconveniences and lingering local colour.
Archer had pictured often enough, in the first impatient years, the scene of his return to Paris; then the personal vision had faded, and he had simply tried to see the city as the setting of Madame Olenska's life. Sitting alone at night in his library, after the household had gone to bed, he had evoked the radiant outbreak of spring down the avenues of horse-chestnuts, the flowers and statues in the public gardens, the whiff of lilacs from the flower-carts, the majestic roll of the river under the great bridges, and the life of art and study and pleasure that filled each mighty artery to bursting. Now the spectacle was before him in its glory, and as he looked out on it he felt shy, old-fashioned, inadequate: a mere grey speck of a man compared with the ruthless magnificent fellow he had dreamed of being....
Dallas's hand came down cheerily on his shoulder. "Hullo, father: this is something like, isn't it?" They stood for a while looking out in silence, and then the young man continued: "By the way, I've got a message for you: the Countess Olenska expects us both at half-past five."
He said it lightly, carelessly, as he might have imparted any casual item of information, such as the hour at which their train was to leave for Florence the next evening. Archer looked at him, and thought he saw in his gay young eyes a gleam of his great-grandmother Mingott's malice.
"Oh, didn't I tell you?" Dallas pursued. "Fanny made me swear to do three things while I was in Paris: get her the score of the last Debussy songs, go to the Grand-Guignol and see Madame Olenska. You know she was awfully good to Fanny when Mr. Beaufort sent her over from Buenos Ayres to the Assomption. Fanny hadn't any friends in Paris, and Madame Olenska used to be kind to her and trot her about on holidays. I believe she was a great friend of the first Mrs. Beaufort's. And she's our cousin, of course. So I rang her up this morning, before I went out, and told her you and I were here for two days and wanted to see her."
Archer continued to stare at him. "You told her I was here?"
"Of course--why not?" Dallas's eye brows went up whimsically. Then, getting no answer, he slipped his arm through his father's with a confidential pressure.
"I say, father: what was she like?"
Archer felt his colour rise under his son's unabashed gaze. "Come, own up: you and she were great pals, weren't you? Wasn't she most awfully lovely?"
"Lovely? I don't know. She was different."
"Ah--there you have it! That's what it always comes to, doesn't it? When she comes, she's different--and one doesn't know why. It's exactly what I feel about Fanny."
His father drew back a step, releasing his arm. "About Fanny? But, my dear fellow--I should hope so! Only I don't see--"
"Dash it, Dad, don't be prehistoric! Wasn't she--once--your Fanny?"
Dallas belonged body and soul to the new generation. He was the first-born of Newland and May Archer, yet it had never been possible to inculcate in him even the rudiments of reserve. "What's the use of making mysteries? It only makes people want to nose 'em out," he always objected when enjoined to discretion. But Archer, meeting his eyes, saw the filial light under their banter.
"My Fanny?"
"Well, the woman you'd have chucked everything for: only you didn't," continued his surprising son.
"I didn't," echoed Archer with a kind of solemnity.
"No: you date, you see, dear old boy. But mother said--"
"Your mother?"
"Yes: the day before she died. It was when she sent for me alone--you remember? She said she knew we were safe with you, and always would be, because once, when she asked you to, you'd given up the thing you most wanted."
Archer received this strange communication in silence. His eyes remained unseeingly fixed on the thronged sunlit square below the window. At length he said in a low voice: "She never asked me."
"No. I forgot. You never did ask each other anything, did you? And you never told each other anything. You just sat and watched each other, and guessed at what was going on underneath. A deaf-and-dumb asylum, in fact! Well, I back your generation for knowing more about each other's private thoughts than we ever have time to find out about our own.--I say, Dad," Dallas broke off, "you're not angry with me? If you are, let's make it up and go and lunch at Henri's. I've got to rush out to Versailles afterward."
Archer did not accompany his son to Versailles. He preferred to spend the afternoon in solitary roamings through Paris. He had to deal all at once with the packed regrets and stifled memories of an inarticulate lifetime.

Chosen response: 70

Rejected response:
Great question! After analyzing the passage, I found the following:

70

Feel free to ask if you need more detail.


Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

'Yes, before you got half through telling about the thing, I knew perfectly well who the boy was; it was Ben Coontz!'
I came out of my collapse as one who rises from the dead. I said, with admiration--
'Why, how in the world did you ever guess it?'
'You told it in your sleep.'
I said to myself, 'How splendid that is! This is a habit which must be cultivated.'
My brother rattled innocently on--
'When you were talking in your sleep, you kept mumbling something about "matches," which I couldn't make anything out of; but just now, when you began to tell me about the man and the calaboose and the matches, I remembered that in your sleep you mentioned Ben Coontz two or three times; so I put this and that together, you see, and right away I knew it was Ben that burnt that man up.'
I praised his sagacity effusively. Presently he asked--
'Are you going to give him up to the law?'
'No,' I said; 'I believe that this will be a lesson to him. I shall keep an eye on him, of course, for that is but right; but if he stops where he is and reforms, it shall never be said that I betrayed him.'
'How good you are!'
'Well, I try to be. It is all a person can do in a world like this.'
And now, my burden being shifted to other shoulders, my terrors soon faded away.
The day before we left Hannibal, a curious thing fell under my notice--the surprising spread which longitudinal time undergoes there. I learned it from one of the most unostentatious of men--the colored coachman of a friend of mine, who lives three miles from town. He was to call for me at the Park Hotel at 7.30 P.M., and drive me out. But he missed it considerably--did not arrive till ten. He excused himself by saying--
'De time is mos' an hour en a half slower in de country en what it is in de town; you'll be in plenty time, boss. Sometimes we shoves out early for church, Sunday, en fetches up dah right plum in de middle er de sermon. Diffunce in de time. A body can't make no calculations 'bout it.'
I had lost two hours and a half; but I had learned a fact worth four.

Chosen response:
This is a habit which must be cultivated.'
My brother rattled innocently on--
'When you were talking in your sleep, you kept mumbling something about "matches," which I couldn't make anything out of; but just now, when you began to tell me about the man and the calaboose and the matches, I remembered that in your sleep you mentioned Ben Coontz two or three times; so I put this and that together, you see, and right away I knew it was Ben that burnt that man up.'
I praised his sagacity effusively.

Rejected response:
Great question! After analyzing the passage, I found the following:

This is a habit which must be cultivated.'
My brother rattled innocently on--
'When you were talking in your sleep, you kept mumbling something about "matches," which I couldn't make anything out of; but just now, when you began to tell me about the man and the calaboose and the matches, I remembered that in your sleep you mentioned Ben Coontz two or three times; so I put this and that together, you see, and right away I knew it was Ben that burnt that man up.'
I praised his sagacity effusively.

Feel free to ask if you need more detail.


Prompt:
Output every quoted utterance in the following text as a JSON array of strings, in order. Output ONLY the JSON array.

To Miss Swancourt this request seemed, what in fact it was, exceptionally point-blank; though she guessed that her father had some hand in framing it, knowing, rather to her cost, of his unceremonious way of utilizing her for the benefit of dull sojourners. At the same time, as Mr. Smith's manner was too frank to provoke criticism, and his age too little to inspire fear, she was ready—not to say pleased—to accede. Selecting from the canterbury some old family ditties, that in years gone by had been played and sung by her mother, Elfride sat down to the pianoforte, and began, "'Twas on the evening of a winter's day," in a pretty contralto voice.
"Do you like that old thing, Mr. Smith?" she said at the end.
"Yes, I do much," said Stephen—words he would have uttered, and sincerely, to anything on earth, from glee to requiem, that she might have chosen.
"You shall have a little one by De Leyre, that was given me by a young French lady who was staying at Endelstow House:
"'Je l'ai planté, je l'ai vu naître, Ce beau rosier où les oiseaux,' &c.;
and then I shall want to give you my own favourite for the very last, Shelley's 'When the lamp is shattered,' as set to music by my poor mother. I so much like singing to anybody who really cares to hear me."
Every woman who makes a permanent impression on a man is usually recalled to his mind's eye as she appeared in one particular scene, which seems ordained to be her special form of manifestation throughout the pages of his memory. As the patron Saint has her attitude and accessories in mediaeval illumination, so the sweetheart may be said to have hers upon the table of her true Love's fancy, without which she is rarely introduced there except by effort; and this though she may, on further acquaintance, have been observed in many other phases which one would imagine to be far more appropriate to love's young dream.
Miss Elfride's image chose the form in which she was beheld during these minutes of singing, for her permanent attitude of visitation to Stephen's eyes during his sleeping and waking hours in after days. The profile is seen of a young woman in a pale gray silk dress with trimmings of swan's-down, and opening up from a point in front, like a waistcoat without a shirt; the cool colour contrasting admirably with the warm bloom of her neck and face. The furthermost candle on the piano comes immediately in a line with her head, and half invisible itself, forms the accidentally frizzled hair into a nebulous haze of light, surrounding her crown like an aureola. Her hands are in their place on the keys, her lips parted, and trilling forth, in a tender diminuendo, the closing words of the sad apostrophe:
"O Love, who bewailest The frailty of all things here, Why choose you the frailest For your cradle, your home, and your bier!"
Her head is forward a little, and her eyes directed keenly upward to the top of the page of music confronting her. Then comes a rapid look into Stephen's face, and a still more rapid look back again to her business, her face having dropped its sadness, and acquired a certain expression of mischievous archness the while; which lingered there for some time, but was never developed into a positive smile of flirtation.
Stephen suddenly shifted his position from her right hand to her left, where there was just room enough for a small ottoman to stand between the piano and the corner of the room. Into this nook he squeezed himself, and gazed wistfully up into Elfride's face. So long and so earnestly gazed he, that her cheek deepened to a more and more crimson tint as each line was added to her song. Concluding, and pausing motionless after the last word for a minute or two, she ventured to look at him again. His features wore an expression of unutterable heaviness.
"You don't hear many songs, do you, Mr. Smith, to take so much notice of these of mine?"
"Perhaps it was the means and vehicle of the song that I was noticing: I mean yourself," he answered gently.
"Now, Mr. Smith!"
"It is perfectly true; I don't hear much singing. You mistake what I am, I fancy. Because I come as a stranger to a secluded spot, you think I must needs come from a life of bustle, and know the latest movements of the day. But I don't. My life is as quiet as yours, and more solitary; solitary as death."
"The death which comes from a plethora of life? But seriously, I can quite see that you are not the least what I thought you would be before I saw you. You are not critical, or experienced, or—much to mind. That's why I don't mind singing airs to you that I only half know." Finding that by this confession she had vexed him in a way she did not intend, she added naively, "I mean, Mr. Smith, that you are better, not worse, for being only young and not very experienced. You don't think my life here so very tame and dull, I know."
"I do not, indeed," he said with fervour. "It must be delightfully poetical, and sparkling, and fresh, and——"
"There you go, Mr. Smith! Well, men of another kind, when I get them to be honest enough to own the truth, think just the reverse: that my life must be a dreadful bore in its normal state, though pleasant for the exceptional few days they pass here."
"I could live here always!" he said, and with such a tone and look of unconscious revelation that Elfride was startled to find that her harmonies had fired a small Troy, in the shape of Stephen's heart. She said quickly:
"But you can't live here always."
"Oh no." And he drew himself in with the sensitiveness of a snail.
Elfride's emotions were sudden as his in kindling, but the least of woman's lesser infirmities—love of admiration—caused an inflammable disposition on his part, so exactly similar to her own, to appear as meritorious in him as modesty made her own seem culpable in her.

Chosen response: ["'Twas on the evening of a winter's day,", "Do you like that old thing, Mr. Smith?", "Yes, I do much,", "You shall have a little one by De Leyre, that was given me by a young French lady who was staying at Endelstow House:\n", "O Love, who bewailest The frailty of all things here, Why choose you the frailest For your cradle, your home, and your bier!", "You don't hear many songs, do you, Mr. Smith, to take so much notice of these of mine?", "Perhaps it was the means and vehicle of the song that I was noticing: I mean yourself,", "Now, Mr. Smith!", " Finding that by this confession she had vexed him in a way she did not intend, she added naively, ", "I do not, indeed,", "It must be delightfully poetical, and sparkling, and fresh, and\u2014\u2014", "I could live here always!", "But you can't live here always.", "Oh no."]

Rejected response:
Great question! After analyzing the passage, I found the following:

["'Twas on the evening of a winter's day,", "Do you like that old thing, Mr. Smith?", "Yes, I do much,", "You shall have a little one by De Leyre, that was given me by a young French lady who was staying at Endelstow House:\n", "O Love, who bewailest The frailty of all things here, Why choose you the frailest For your cradle, your home, and your bier!", "You don't hear many songs, do you, Mr. Smith, to take so much notice of these of mine?", "Perhaps it was the means and vehicle of the song that I was noticing: I mean yourself,", "Now, Mr. Smith!", " Finding that by this confession she had vexed him in a way she did not intend, she added naively, ", "I do not, indeed,", "It must be delightfully poetical, and sparkling, and fresh, and\u2014\u2014", "I could live here always!", "But you can't live here always.", "Oh no."]

Feel free to ask if you need more detail.


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

We slept most all day, and started out at night, a little ways behind a monstrous long raft that was as long going by as a procession. She had four long sweeps at each end, so we judged she carried as many as thirty men, likely. She had five big wigwams aboard, wide apart, and an open camp fire in the middle, and a tall flag-pole at each end. There was a power of style about her. It amounted to something being a raftsman on such a craft as that.
We went drifting down into a big bend, and the night clouded up and got hot. The river was very wide, and was walled with solid timber on both sides; you couldn't see a break in it hardly ever, or a light. We talked about Cairo, and wondered whether we would know it when we got to it. I said likely we wouldn't, because I had heard say there warn't but about a dozen houses there, and if they didn't happen to have them lit up, how was we going to know we was passing a town? Jim said if the two big rivers joined together there, that would show. But I said maybe we might think we was passing the foot of an island and coming into the same old river again. That disturbed Jim—and me too. So the question was, what to do? I said, paddle ashore the first time a light showed, and tell them pap was behind, coming along with a trading-scow, and was a green hand at the business, and wanted to know how far it was to Cairo. Jim thought it was a good idea, so we took a smoke on it and waited.
There warn't nothing to do now but to look out sharp for the town, and not pass it without seeing it. He said he'd be mighty sure to see it, because he'd be a free man the minute he seen it, but if he missed it he'd be in a slave country again and no more show for freedom. Every little while he jumps up and says:
"Dah she is?"
But it warn't. It was Jack-o'-lanterns, or lightning bugs; so he set down again, and went to watching, same as before. Jim said it made him all over trembly and feverish to be so close to freedom. Well, I can tell you it made me all over trembly and feverish, too, to hear him, because I begun to get it through my head that he was most free—and who was to blame for it? Why, me. I couldn't get that out of my conscience, no how nor no way. It got to troubling me so I couldn't rest; I couldn't stay still in one place. It hadn't ever come home to me before, what this thing was that I was doing. But now it did; and it stayed with me, and scorched me more and more. I tried to make out to myself that I warn't to blame, because I didn't run Jim off from his rightful owner; but it warn't no use, conscience up and says, every time, "But you knowed he was running for his freedom, and you could a paddled ashore and told somebody." That was so—I couldn't get around that noway. That was where it pinched. Conscience says to me, "What had poor Miss Watson done to you that you could see her nigger go off right under your eyes and never say one single word? What did that poor old woman do to you that you could treat her so mean? Why, she tried to learn you your book, she tried to learn you your manners, she tried to be good to you every way she knowed how. That's what she done."
I got to feeling so mean and so miserable I most wished I was dead. I fidgeted up and down the raft, abusing myself to myself, and Jim was fidgeting up and down past me. We neither of us could keep still. Every time he danced around and says, "Dah's Cairo!" it went through me like a shot, and I thought if it was Cairo I reckoned I would die of miserableness.
Jim talked out loud all the time while I was talking to myself. He was saying how the first thing he would do when he got to a free State he would go to saving up money and never spend a single cent, and when he got enough he would buy his wife, which was owned on a farm close to where Miss Watson lived; and then they would both work to buy the two children, and if their master wouldn't sell them, they'd get an Ab'litionist to go and steal them.
It most froze me to hear such talk. He wouldn't ever dared to talk such talk in his life before. Just see what a difference it made in him the minute he judged he was about free. It was according to the old saying, "Give a nigger an inch and he'll take an ell." Thinks I, this is what comes of my not thinking. Here was this nigger, which I had as good as helped to run away, coming right out flat-footed and saying he would steal his children—children that belonged to a man I didn't even know; a man that hadn't ever done me no harm.
I was sorry to hear Jim say that, it was such a lowering of him. My conscience got to stirring me up hotter than ever, until at last I says to it, "Let up on me—it ain't too late yet—I'll paddle ashore at the first light and tell." I felt easy and happy and light as a feather right off. All my troubles was gone. I went to looking out sharp for a light, and sort of singing to myself. By-and-by one showed. Jim sings out:
"We's safe, Huck, we's safe! Jump up and crack yo' heels! Dat's de good ole Cairo at las', I jis knows it!"
I says:
"I'll take the canoe and go and see, Jim. It mightn't be, you know."
He jumped and got the canoe ready, and put his old coat in the bottom for me to set on, and give me the paddle; and as I shoved off, he says:
"Pooty soon I'll be a-shout'n' for joy, en I'll say, it's all on accounts o' Huck; I's a free man, en I couldn't ever ben free ef it hadn' ben for Huck; Huck done it. Jim won't ever forgit you, Huck; you's de bes' fren' Jim's ever had; en you's de only fren' ole Jim's got now."
I was paddling off, all in a sweat to tell on him; but when he says this, it seemed to kind of take the tuck all out of me. I went along slow then, and I warn't right down certain whether I was glad I started or whether I warn't. When I was fifty yards off, Jim says:
"Dah you goes, de ole true Huck; de on'y white genlman dat ever kep' his promise to ole Jim."
Well, I just felt sick. But I says, I got to do it—I can't get out of it. Right then along comes a skiff with two men in it with guns, and they stopped and I stopped. One of them says:
"What's that yonder?"
"A piece of a raft," I says.
"Do you belong on it?"
"Yes, sir."
"Any men on it?"
"Only one, sir."
"Well, there's five niggers run off to-night up yonder, above the head of the bend. Is your man white or black?"
I didn't answer up prompt. I tried to, but the words wouldn't come. I tried for a second or two to brace up and out with it, but I warn't man enough—hadn't the spunk of a rabbit. I see I was weakening; so I just give up trying, and up and says:
"He's white."
"I reckon we'll go and see for ourselves."
"I wish you would," says I, "because it's pap that's there, and maybe you'd help me tow the raft ashore where the light is. He's sick—and so is mam and Mary Ann."

Chosen response: Ann

Rejected response:
Absolutely — here's the output you requested:

Ann

Let me know if this looks right!


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

Syme stirred sharply in his seat, but otherwise there was silence, and the incomprehensible went on.
"But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope."
There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice—
"Who and what are you?"
"I am the Sabbath," said the other without moving. "I am the peace of God."
The Secretary started up, and stood crushing his costly robe in his hand.
"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls—and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace."
Sunday answered not a word, but very slowly he turned his face of stone upon Syme as if asking a question.
"No," said Syme, "I do not feel fierce like that. I am grateful to you, not only for wine and hospitality here, but for many a fine scamper and free fight. But I should like to know. My soul and heart are as happy and quiet here as this old garden, but my reason is still crying out. I should like to know."
Sunday looked at Ratcliffe, whose clear voice said—
"It seems so silly that you should have been on both sides and fought yourself."
Bull said—
"I understand nothing, but I am happy. In fact, I am going to sleep."
"I am not happy," said the Professor with his head in his hands, "because I do not understand. You let me stray a little too near to hell."
And then Gogol said, with the absolute simplicity of a child—
"I wish I knew why I was hurt so much."
Still Sunday said nothing, but only sat with his mighty chin upon his hand, and gazed at the distance. Then at last he said—
"I have heard your complaints in order. And here, I think, comes another to complain, and we will hear him also."
The falling fire in the great cresset threw a last long gleam, like a bar of burning gold, across the dim grass. Against this fiery band was outlined in utter black the advancing legs of a black-clad figure. He seemed to have a fine close suit with knee-breeches such as that which was worn by the servants of the house, only that it was not blue, but of this absolute sable. He had, like the servants, a kind of sword by his side. It was only when he had come quite close to the crescent of the seven and flung up his face to look at them, that Syme saw, with thunder-struck clearness, that the face was the broad, almost ape-like face of his old friend Gregory, with its rank red hair and its insulting smile.
"Gregory!" gasped Syme, half-rising from his seat. "Why, this is the real anarchist!"
"Yes," said Gregory, with a great and dangerous restraint, "I am the real anarchist."
"'Now there was a day,'" murmured Bull, who seemed really to have fallen asleep, "'when the sons of God came to present themselves before the Lord, and Satan came also among them.'"
"You are right," said Gregory, and gazed all round. "I am a destroyer. I would destroy the world if I could."
A sense of a pathos far under the earth stirred up in Syme, and he spoke brokenly and without sequence.
"Oh, most unhappy man," he cried, "try to be happy! You have red hair like your sister."
"My red hair, like red flames, shall burn up the world," said Gregory. "I thought I hated everything more than common men can hate anything; but I find that I do not hate everything so much as I hate you!"
"I never hated you," said Syme very sadly.
Then out of this unintelligible creature the last thunders broke.
"You!" he cried. "You never hated because you never lived. I know what you are all of you, from first to last—you are the people in power! You are the police—the great fat, smiling men in blue and buttons! You are the Law, and you have never been broken. But is there a free soul alive that does not long to break you, only because you have never been broken? We in revolt talk all kind of nonsense doubtless about this crime or that crime of the Government. It is all folly! The only crime of the Government is that it governs. The unpardonable sin of the supreme power is that it is supreme. I do not curse you for being cruel. I do not curse you (though I might) for being kind. I curse you for being safe! You sit in your chairs of stone, and have never come down from them. You are the seven angels of heaven, and you have had no troubles. Oh, I could forgive you everything, you that rule all mankind, if I could feel for once that you had suffered for one hour a real agony such as I—"
Syme sprang to his feet, shaking from head to foot.
"I see everything," he cried, "everything that there is. Why does each thing on the earth war against each other thing? Why does each small thing in the world have to fight against the world itself? Why does a fly have to fight the whole universe? Why does a dandelion have to fight the whole universe? For the same reason that I had to be alone in the dreadful Council of the Days. So that each thing that obeys law may have the glory and isolation of the anarchist. So that each man fighting for order may be as brave and good a man as the dynamiter. So that the real lie of Satan may be flung back in the face of this blasphemer, so that by tears and torture we may earn the right to say to this man, 'You lie!' No agonies can be too great to buy the right to say to this accuser, 'We also have suffered.'
"It is not true that we have never been broken. We have been broken upon the wheel. It is not true that we have never descended from these thrones. We have descended into hell. We were complaining of unforgettable miseries even at the very moment when this man entered insolently to accuse us of happiness. I repel the slander; we have not been happy. I can answer for every one of the great guards of Law whom he has accused. At least—"
He had turned his eyes so as to see suddenly the great face of Sunday, which wore a strange smile.
"Have you," he cried in a dreadful voice, "have you ever suffered?"
As he gazed, the great face grew to an awful size, grew larger than the colossal mask of Memnon, which had made him scream as a child. It grew larger and larger, filling the whole sky; then everything went black. Only in the blackness before it entirely destroyed his brain he seemed to hear a distant voice saying a commonplace text that he had heard somewhere, "Can ye drink of the cup that I drink of?"

Chosen response: ["Thursday", "King", "Satan", "Wednesday", "Secretary", "Sunday", "Sabbath", "God", "His", "Him", "Syme", "Ratcliffe", "Professor", "Gogol", "Gregory", "Bull", "Law", "Government", "Council", "Days", "Have", "Memnon", "Can"]

Rejected response:
Here you go:

```
["Thursday", "King", "Satan", "Wednesday", "Secretary", "Sunday", "Sabbath", "God", "His", "Him", "Syme", "Ratcliffe", "Professor", "Gogol", "Gregory", "Bull", "Law", "Government", "Council", "Days", "Have", "Memnon", "Can"]
```

Is there anything else I can help you with?


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

Now comes the Baling of the Case. But to comprehend it aright, you must know something of the curious internal structure of the thing operated upon.
Regarding the Sperm Whale's head as a solid oblong, you may, on an inclined plane, sideways divide it into two quoins,* whereof the lower is the bony structure, forming the cranium and jaws, and the upper an unctuous mass wholly free from bones; its broad forward end forming the expanded vertical apparent forehead of the whale. At the middle of the forehead horizontally subdivide this upper quoin, and then you have two almost equal parts, which before were naturally divided by an internal wall of a thick tendinous substance.
*Quoin is not a Euclidean term. It belongs to the pure nautical mathematics. I know not that it has been defined before. A quoin is a solid which differs from a wedge in having its sharp end formed by the steep inclination of one side, instead of the mutual tapering of both sides.
The lower subdivided part, called the junk, is one immense honeycomb of oil, formed by the crossing and recrossing, into ten thousand infiltrated cells, of tough elastic white fibres throughout its whole extent. The upper part, known as the Case, may be regarded as the great Heidelburgh Tun of the Sperm Whale. And as that famous great tierce is mystically carved in front, so the whale's vast plaited forehead forms innumerable strange devices for the emblematical adornment of his wondrous tun. Moreover, as that of Heidelburgh was always replenished with the most excellent of the wines of the Rhenish valleys, so the tun of the whale contains by far the most precious of all his oily vintages; namely, the highly-prized spermaceti, in its absolutely pure, limpid, and odoriferous state. Nor is this precious substance found unalloyed in any other part of the creature. Though in life it remains perfectly fluid, yet, upon exposure to the air, after death, it soon begins to concrete; sending forth beautiful crystalline shoots, as when the first thin delicate ice is just forming in water. A large whale's case generally yields about five hundred gallons of sperm, though from unavoidable circumstances, considerable of it is spilled, leaks, and dribbles away, or is otherwise irrevocably lost in the ticklish business of securing what you can.
I know not with what fine and costly material the Heidelburgh Tun was coated within, but in superlative richness that coating could not possibly have compared with the silken pearl-coloured membrane, like the lining of a fine pelisse, forming the inner surface of the Sperm Whale's case.
It will have been seen that the Heidelburgh Tun of the Sperm Whale embraces the entire length of the entire top of the head; and since—as has been elsewhere set forth—the head embraces one third of the whole length of the creature, then setting that length down at eighty feet for a good sized whale, you have more than twenty-six feet for the depth of the tun, when it is lengthwise hoisted up and down against a ship's side.
As in decapitating the whale, the operator's instrument is brought close to the spot where an entrance is subsequently forced into the spermaceti magazine; he has, therefore, to be uncommonly heedful, lest a careless, untimely stroke should invade the sanctuary and wastingly let out its invaluable contents. It is this decapitated end of the head, also, which is at last elevated out of the water, and retained in that position by the enormous cutting tackles, whose hempen combinations, on one side, make quite a wilderness of ropes in that quarter.
Thus much being said, attend now, I pray you, to that marvellous and—in this particular instance—almost fatal operation whereby the Sperm Whale's great Heidelburgh Tun is tapped.

Chosen response: Now, But, Regarding, At, Quoin, It, I, A, The, The, And, Moreover,, Nor, Though, A, I, It, As, It, Thus

Rejected response:
Absolutely — here's the output you requested:

Now, But, Regarding, At, Quoin, It, I, A, The, The, And, Moreover,, Nor, Though, A, I, It, As, It, Thus

Let me know if this looks right!


Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

"Many makes it out of iron-rust and tears; but that's the common sort and women; the best authorities uses their own blood. Jim can do that; and when he wants to send any little common ordinary mysterious message to let the world know where he's captivated, he can write it on the bottom of a tin plate with a fork and throw it out of the window. The Iron Mask always done that, and it's a blame' good way, too."
"Jim ain't got no tin plates. They feed him in a pan."
"That ain't nothing; we can get him some."
"Can't nobody read his plates."
"That ain't got anything to do with it, Huck Finn. All he's got to do is to write on the plate and throw it out. You don't have to be able to read it. Why, half the time you can't read anything a prisoner writes on a tin plate, or anywhere else."
"Well, then, what's the sense in wasting the plates?"
"Why, blame it all, it ain't the prisoner's plates."
"But it's somebody's plates, ain't it?"
"Well, spos'n it is? What does the prisoner care whose—"
He broke off there, because we heard the breakfast-horn blowing. So we cleared out for the house.
Along during the morning I borrowed a sheet and a white shirt off of the clothes-line; and I found an old sack and put them in it, and we went down and got the fox-fire, and put that in too. I called it borrowing, because that was what pap always called it; but Tom said it warn't borrowing, it was stealing. He said we was representing prisoners; and prisoners don't care how they get a thing so they get it, and nobody don't blame them for it, either. It ain't no crime in a prisoner to steal the thing he needs to get away with, Tom said; it's his right; and so, as long as we was representing a prisoner, we had a perfect right to steal anything on this place we had the least use for to get ourselves out of prison with. He said if we warn't prisoners it would be a very different thing, and nobody but a mean, ornery person would steal when he warn't a prisoner. So we allowed we would steal everything there was that come handy. And yet he made a mighty fuss, one day, after that, when I stole a watermelon out of the nigger-patch and eat it; and he made me go and give the niggers a dime without telling them what it was for. Tom said that what he meant was, we could steal anything we needed. Well, I says, I needed the watermelon. But he said I didn't need it to get out of prison with; there's where the difference was. He said if I'd a wanted it to hide a knife in, and smuggle it to Jim to kill the seneskal with, it would a been all right. So I let it go at that, though I couldn't see no advantage in my representing a prisoner if I got to set down and chaw over a lot of gold-leaf distinctions like that every time I see a chance to hog a watermelon.
Well, as I was saying, we waited that morning till everybody was settled down to business, and nobody in sight around the yard; then Tom he carried the sack into the lean-to whilst I stood off a piece to keep watch. By-and-by he come out, and we went and set down on the woodpile to talk. He says:
"Everything's all right now except tools; and that's easy fixed."
"Tools?" I says.
"Yes."
"Tools for what?"
"Why, to dig with. We ain't a-going to gnaw him out, are we?"
"Ain't them old crippled picks and things in there good enough to dig a nigger out with?" I says.
He turns on me, looking pitying enough to make a body cry, and says:
"Huck Finn, did you ever hear of a prisoner having picks and shovels, and all the modern conveniences in his wardrobe to dig himself out with? Now I want to ask you—if you got any reasonableness in you at all—what kind of a show would that give him to be a hero? Why, they might as well lend him the key and done with it. Picks and shovels—why, they wouldn't furnish 'em to a king."
"Well, then," I says, "if we don't want the picks and shovels, what do we want?"
"A couple of case-knives."
"To dig the foundations out from under that cabin with?"
"Yes."
"Confound it, it's foolish, Tom."
"It don't make no difference how foolish it is, it's the right way—and it's the regular way. And there ain't no other way, that ever I heard of, and I've read all the books that gives any information about these things. They always dig out with a case-knife—and not through dirt, mind you; generly it's through solid rock. And it takes them weeks and weeks and weeks, and for ever and ever. Why, look at one of them prisoners in the bottom dungeon of the Castle Deef, in the harbor of Marseilles, that dug himself out that way; how long was he at it, you reckon?"
"I don't know."
"Well, guess."
"I don't know. A month and a half."
"Thirty-seven year—and he come out in China. That's the kind. I wish the bottom of this fortress was solid rock."
"Jim don't know nobody in China."
"What's that got to do with it? Neither did that other fellow. But you're always a-wandering off on a side issue. Why can't you stick to the main point?"
"All right—I don't care where he comes out, so he comes out; and Jim don't, either, I reckon. But there's one thing, anyway—Jim's too old to be dug out with a case-knife. He won't last."
"Yes he will last, too. You don't reckon it's going to take thirty-seven years to dig out through a dirt foundation, do you?"
"How long will it take, Tom?"
"Well, we can't resk being as long as we ought to, because it mayn't take very long for Uncle Silas to hear from down there by New Orleans. He'll hear Jim ain't from there. Then his next move will be to advertise Jim, or something like that. So we can't resk being as long digging him out as we ought to. By rights I reckon we ought to be a couple of years; but we can't. Things being so uncertain, what I recommend is this: that we really dig right in, as quick as we can; and after that, we can let on, to ourselves, that we was at it thirty-seven years. Then we can snatch him out and rush him away the first time there's an alarm. Yes, I reckon that'll be the best way."
"Now, there's sense in that," I says. "Letting on don't cost nothing; letting on ain't no trouble; and if it's any object, I don't mind letting on we was at it a hundred and fifty year. It wouldn't strain me none, after I got my hand in. So I'll mosey along now, and smouch a couple of case-knives."
"Smouch three," he says; "we want one to make a saw out of."
"Tom, if it ain't unregular and irreligious to sejest it," I says, "there's an old rusty saw-blade around yonder sticking under the weather-boarding behind the smoke-house."
He looked kind of weary and discouraged-like, and says:
"It ain't no use to try to learn you nothing, Huck. Run along and smouch the knives—three of them." So I done it.

Chosen response: 54

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

54

Hope that helps!


Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

"Dear little Alyosha, see me home! I've got a pretty little story to tell you on the way. I got up this scene for your benefit, Alyosha. See me home, dear, you'll be glad of it afterwards."
Alyosha turned away, wringing his hands. Grushenka ran out of the house, laughing musically.
Katerina Ivanovna went into a fit of hysterics. She sobbed, and was shaken with convulsions. Every one fussed round her.
"I warned you," said the elder of her aunts. "I tried to prevent your doing this. You're too impulsive. How could you do such a thing? You don't know these creatures, and they say she's worse than any of them. You are too self-willed."
"She's a tigress!" yelled Katerina Ivanovna. "Why did you hold me, Alexey Fyodorovitch? I'd have beaten her—beaten her!"
She could not control herself before Alyosha; perhaps she did not care to, indeed.
"She ought to be flogged in public on a scaffold!"
Alyosha withdrew towards the door.
"But, my God!" cried Katerina Ivanovna, clasping her hands. "He! He! He could be so dishonorable, so inhuman! Why, he told that creature what happened on that fatal, accursed day! 'You brought your beauty for sale, dear young lady.' She knows it! Your brother's a scoundrel, Alexey Fyodorovitch."
Alyosha wanted to say something, but he couldn't find a word. His heart ached.
"Go away, Alexey Fyodorovitch! It's shameful, it's awful for me! To-morrow, I beg you on my knees, come to-morrow. Don't condemn me. Forgive me. I don't know what I shall do with myself now!"
Alyosha walked out into the street reeling. He could have wept as she did. Suddenly he was overtaken by the maid.
"The young lady forgot to give you this letter from Madame Hohlakov; it's been left with us since dinner-time."
Alyosha took the little pink envelope mechanically and put it, almost unconsciously, into his pocket.

Chosen response:
"The young lady forgot to give you this letter from Madame Hohlakov; it's been left with us since dinner-time."
Alyosha took the little pink envelope mechanically and put it, almost unconsciously, into his pocket.

Rejected response:
Great question! After analyzing the passage, I found the following:

"The young lady forgot to give you this letter from Madame Hohlakov; it's been left with us since dinner-time."
Alyosha took the little pink envelope mechanically and put it, almost unconsciously, into his pocket.

Feel free to ask if you need more detail.


Prompt:
Output every quoted utterance in the following text as a JSON array of strings, in order. Output ONLY the JSON array.

And some oddities of Will's, more or less poetical, appeared to support Mr. Keck, the editor of the "Trumpet," in asserting that Ladislaw, if the truth were known, was not only a Polish emissary but crack-brained, which accounted for the preternatural quickness and glibness of his speech when he got on to a platform—as he did whenever he had an opportunity, speaking with a facility which cast reflections on solid Englishmen generally. It was disgusting to Keck to see a strip of a fellow, with light curls round his head, get up and speechify by the hour against institutions "which had existed when he was in his cradle." And in a leading article of the "Trumpet," Keck characterized Ladislaw's speech at a Reform meeting as "the violence of an energumen—a miserable effort to shroud in the brilliancy of fireworks the daring of irresponsible statements and the poverty of a knowledge which was of the cheapest and most recent description."
"That was a rattling article yesterday, Keck," said Dr. Sprague, with sarcastic intentions. "But what is an energumen?"
"Oh, a term that came up in the French Revolution," said Keck.
This dangerous aspect of Ladislaw was strangely contrasted with other habits which became matter of remark. He had a fondness, half artistic, half affectionate, for little children—the smaller they were on tolerably active legs, and the funnier their clothing, the better Will liked to surprise and please them. We know that in Rome he was given to ramble about among the poor people, and the taste did not quit him in Middlemarch.
He had somehow picked up a troop of droll children, little hatless boys with their galligaskins much worn and scant shirting to hang out, little girls who tossed their hair out of their eyes to look at him, and guardian brothers at the mature age of seven. This troop he had led out on gypsy excursions to Halsell Wood at nutting-time, and since the cold weather had set in he had taken them on a clear day to gather sticks for a bonfire in the hollow of a hillside, where he drew out a small feast of gingerbread for them, and improvised a Punch-and-Judy drama with some private home-made puppets. Here was one oddity. Another was, that in houses where he got friendly, he was given to stretch himself at full length on the rug while he talked, and was apt to be discovered in this attitude by occasional callers for whom such an irregularity was likely to confirm the notions of his dangerously mixed blood and general laxity.
But Will's articles and speeches naturally recommended him in families which the new strictness of party division had marked off on the side of Reform. He was invited to Mr. Bulstrode's; but here he could not lie down on the rug, and Mrs. Bulstrode felt that his mode of talking about Catholic countries, as if there were any truce with Antichrist, illustrated the usual tendency to unsoundness in intellectual men.
At Mr. Farebrother's, however, whom the irony of events had brought on the same side with Bulstrode in the national movement, Will became a favorite with the ladies; especially with little Miss Noble, whom it was one of his oddities to escort when he met her in the street with her little basket, giving her his arm in the eyes of the town, and insisting on going with her to pay some call where she distributed her small filchings from her own share of sweet things.
But the house where he visited oftenest and lay most on the rug was Lydgate's. The two men were not at all alike, but they agreed none the worse. Lydgate was abrupt but not irritable, taking little notice of megrims in healthy people; and Ladislaw did not usually throw away his susceptibilities on those who took no notice of them. With Rosamond, on the other hand, he pouted and was wayward—nay, often uncomplimentary, much to her inward surprise; nevertheless he was gradually becoming necessary to her entertainment by his companionship in her music, his varied talk, and his freedom from the grave preoccupation which, with all her husband's tenderness and indulgence, often made his manners unsatisfactory to her, and confirmed her dislike of the medical profession.
Lydgate, inclined to be sarcastic on the superstitious faith of the people in the efficacy of "the bill," while nobody cared about the low state of pathology, sometimes assailed Will with troublesome questions. One evening in March, Rosamond in her cherry-colored dress with swansdown trimming about the throat sat at the tea-table; Lydgate, lately come in tired from his outdoor work, was seated sideways on an easy-chair by the fire with one leg over the elbow, his brow looking a little troubled as his eyes rambled over the columns of the "Pioneer," while Rosamond, having noticed that he was perturbed, avoided looking at him, and inwardly thanked heaven that she herself had not a moody disposition. Will Ladislaw was stretched on the rug contemplating the curtain-pole abstractedly, and humming very low the notes of "When first I saw thy face;" while the house spaniel, also stretched out with small choice of room, looked from between his paws at the usurper of the rug with silent but strong objection.
Rosamond bringing Lydgate his cup of tea, he threw down the paper, and said to Will, who had started up and gone to the table—
"It's no use your puffing Brooke as a reforming landlord, Ladislaw: they only pick the more holes in his coat in the 'Trumpet.'"
"No matter; those who read the 'Pioneer' don't read the 'Trumpet,'" said Will, swallowing his tea and walking about. "Do you suppose the public reads with a view to its own conversion? We should have a witches' brewing with a vengeance then—'Mingle, mingle, mingle, mingle, You that mingle may'—and nobody would know which side he was going to take."
"Farebrother says, he doesn't believe Brooke would get elected if the opportunity came: the very men who profess to be for him would bring another member out of the bag at the right moment."
"There's no harm in trying. It's good to have resident members."
"Why?" said Lydgate, who was much given to use that inconvenient word in a curt tone.
"They represent the local stupidity better," said Will, laughing, and shaking his curls; "and they are kept on their best behavior in the neighborhood. Brooke is not a bad fellow, but he has done some good things on his estate that he never would have done but for this Parliamentary bite."
"He's not fitted to be a public man," said Lydgate, with contemptuous decision. "He would disappoint everybody who counted on him: I can see that at the Hospital. Only, there Bulstrode holds the reins and drives him."
"That depends on how you fix your standard of public men," said Will. "He's good enough for the occasion: when the people have made up their mind as they are making it up now, they don't want a man—they only want a vote."
"That is the way with you political writers, Ladislaw—crying up a measure as if it were a universal cure, and crying up men who are a part of the very disease that wants curing."
"Why not? Men may help to cure themselves off the face of the land without knowing it," said Will, who could find reasons impromptu, when he had not thought of a question beforehand.
"That is no excuse for encouraging the superstitious exaggeration of hopes about this particular measure, helping the cry to swallow it whole and to send up voting popinjays who are good for nothing but to carry it. You go against rottenness, and there is nothing more thoroughly rotten than making people believe that society can be cured by a political hocus-pocus."

Chosen response: ["Trumpet,", "which had existed when he was in his cradle.", "Trumpet,", "That was a rattling article yesterday, Keck,", "But what is an energumen?", "Oh, a term that came up in the French Revolution,", "the bill,", "Pioneer,", "When first I saw thy face;", "It's no use your puffing Brooke as a reforming landlord, Ladislaw: they only pick the more holes in his coat in the 'Trumpet.'", "No matter; those who read the 'Pioneer' don't read the 'Trumpet,'", "Farebrother says, he doesn't believe Brooke would get elected if the opportunity came: the very men who profess to be for him would bring another member out of the bag at the right moment.", "There's no harm in trying. It's good to have resident members.", "Why?", "They represent the local stupidity better,", "and they are kept on their best behavior in the neighborhood. Brooke is not a bad fellow, but he has done some good things on his estate that he never would have done but for this Parliamentary bite.", "He's not fitted to be a public man,", "He would disappoint everybody who counted on him: I can see that at the Hospital. Only, there Bulstrode holds the reins and drives him.", "That depends on how you fix your standard of public men,", "He's good enough for the occasion: when the people have made up their mind as they are making it up now, they don't want a man\u2014they only want a vote.", "That is the way with you political writers, Ladislaw\u2014crying up a measure as if it were a universal cure, and crying up men who are a part of the very disease that wants curing.", "Why not? Men may help to cure themselves off the face of the land without knowing it,"]

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

["Trumpet,", "which had existed when he was in his cradle.", "Trumpet,", "That was a rattling article yesterday, Keck,", "But what is an energumen?", "Oh, a term that came up in the French Revolution,", "the bill,", "Pioneer,", "When first I saw thy face;", "It's no use your puffing Brooke as a reforming landlord, Ladislaw: they only pick the more holes in his coat in the 'Trumpet.'", "No matter; those who read the 'Pioneer' don't read the 'Trumpet,'", "Farebrother says, he doesn't believe Brooke would get elected if the opportunity came: the very men who profess to be for him would bring another member out of the bag at the right moment.", "There's no harm in trying. It's good to have resident members.", "Why?", "They represent the local stupidity better,", "and they are kept on their best behavior in the neighborhood. Brooke is not a bad fellow, but he has done some good things on his estate that he never would have done but for this Parliamentary bite.", "He's not fitted to be a public man,", "He would disappoint everybody who counted on him: I can see that at the Hospital. Only, there Bulstrode holds the reins and drives him.", "That depends on how you fix your standard of public men,", "He's good enough for the occasion: when the people have made up their mind as they are making it up now, they don't want a man\u2014they only want a vote.", "That is the way with you political writers, Ladislaw\u2014crying up a measure as if it were a universal cure, and crying up men who are a part of the very disease that wants curing.", "Why not? Men may help to cure themselves off the face of the land without knowing it,"]

Hope that helps!