Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

"Well, what night shall we go?"
"Let me see. To-day is Tuesday. Let us fix to-morrow. She plays Juliet to-morrow."
"All right. The Bristol at eight o'clock; and I will get Basil."
"Not eight, Harry, please. Half-past six. We must be there before the curtain rises. You must see her in the first act, where she meets Romeo."
"Half-past six! What an hour! It will be like having a meat-tea, or reading an English novel. It must be seven. No gentleman dines before seven. Shall you see Basil between this and then? Or shall I write to him?"
"Dear Basil! I have not laid eyes on him for a week. It is rather horrid of me, as he has sent me my portrait in the most wonderful frame, specially designed by himself, and, though I am a little jealous of the picture for being a whole month younger than I am, I must admit that I delight in it. Perhaps you had better write to him. I don't want to see him alone. He says things that annoy me. He gives me good advice."
Lord Henry smiled. "People are very fond of giving away what they need most themselves. It is what I call the depth of generosity."
"Oh, Basil is the best of fellows, but he seems to me to be just a bit of a Philistine. Since I have known you, Harry, I have discovered that."
"Basil, my dear boy, puts everything that is charming in him into his work. The consequence is that he has nothing left for life but his prejudices, his principles, and his common sense. The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize."
"I wonder is that really so, Harry?" said Dorian Gray, putting some perfume on his handkerchief out of a large, gold-topped bottle that stood on the table. "It must be, if you say it. And now I am off. Imogen is waiting for me. Don't forget about to-morrow. Good-bye."
As he left the room, Lord Henry's heavy eyelids drooped, and he began to think. Certainly few people had ever interested him so much as Dorian Gray, and yet the lad's mad adoration of some one else caused him not the slightest pang of annoyance or jealousy. He was pleased by it. It made him a more interesting study. He had been always enthralled by the methods of natural science, but the ordinary subject-matter of that science had seemed to him trivial and of no import. And so he had begun by vivisecting himself, as he had ended by vivisecting others. Human life—that appeared to him the one thing worth investigating. Compared to it there was nothing else of any value. It was true that as one watched life in its curious crucible of pain and pleasure, one could not wear over one's face a mask of glass, nor keep the sulphurous fumes from troubling the brain and making the imagination turbid with monstrous fancies and misshapen dreams. There were poisons so subtle that to know their properties one had to sicken of them. There were maladies so strange that one had to pass through them if one sought to understand their nature. And, yet, what a great reward one received! How wonderful the whole world became to one! To note the curious hard logic of passion, and the emotional coloured life of the intellect—to observe where they met, and where they separated, at what point they were in unison, and at what point they were at discord—there was a delight in that! What matter what the cost was? One could never pay too high a price for any sensation.
He was conscious—and the thought brought a gleam of pleasure into his brown agate eyes—that it was through certain words of his, musical words said with musical utterance, that Dorian Gray's soul had turned to this white girl and bowed in worship before her. To a large extent the lad was his own creation. He had made him premature. That was something. Ordinary people waited till life disclosed to them its secrets, but to the few, to the elect, the mysteries of life were revealed before the veil was drawn away. Sometimes this was the effect of art, and chiefly of the art of literature, which dealt immediately with the passions and the intellect. But now and then a complex personality took the place and assumed the office of art, was indeed, in its way, a real work of art, life having its elaborate masterpieces, just as poetry has, or sculpture, or painting.
Yes, the lad was premature. He was gathering his harvest while it was yet spring. The pulse and passion of youth were in him, but he was becoming self-conscious. It was delightful to watch him. With his beautiful face, and his beautiful soul, he was a thing to wonder at. It was no matter how it all ended, or was destined to end. He was like one of those gracious figures in a pageant or a play, whose joys seem to be remote from one, but whose sorrows stir one's sense of beauty, and whose wounds are like red roses.
Soul and body, body and soul—how mysterious they were! There was animalism in the soul, and the body had its moments of spirituality. The senses could refine, and the intellect could degrade. Who could say where the fleshly impulse ceased, or the psychical impulse began? How shallow were the arbitrary definitions of ordinary psychologists! And yet how difficult to decide between the claims of the various schools! Was the soul a shadow seated in the house of sin? Or was the body really in the soul, as Giordano Bruno thought? The separation of spirit from matter was a mystery, and the union of spirit with matter was a mystery also.
He began to wonder whether we could ever make psychology so absolute a science that each little spring of life would be revealed to us. As it was, we always misunderstood ourselves and rarely understood others. Experience was of no ethical value. It was merely the name men gave to their mistakes. Moralists had, as a rule, regarded it as a mode of warning, had claimed for it a certain ethical efficacy in the formation of character, had praised it as something that taught us what to follow and showed us what to avoid. But there was no motive power in experience. It was as little of an active cause as conscience itself. All that it really demonstrated was that our future would be the same as our past, and that the sin we had done once, and with loathing, we would do many times, and with joy.
It was clear to him that the experimental method was the only method by which one could arrive at any scientific analysis of the passions; and certainly Dorian Gray was a subject made to his hand, and seemed to promise rich and fruitful results. His sudden mad love for Sibyl Vane was a psychological phenomenon of no small interest. There was no doubt that curiosity had much to do with it, curiosity and the desire for new experiences, yet it was not a simple, but rather a very complex passion. What there was in it of the purely sensuous instinct of boyhood had been transformed by the workings of the imagination, changed into something that seemed to the lad himself to be remote from sense, and was for that very reason all the more dangerous. It was the passions about whose origin we deceived ourselves that tyrannized most strongly over us. Our weakest motives were those of whose nature we were conscious. It often happened that when we thought we were experimenting on others we were really experimenting on ourselves.

Chosen response: It is rather horrid of me, as he has sent me my portrait in the most wonderful frame, specially designed by himself, and, though I am a little jealous of the picture for being a whole month younger than I am, I must admit that I delight in it.

Rejected response:
Great question! After analyzing the passage, I found the following:

It is rather horrid of me, as he has sent me my portrait in the most wonderful frame, specially designed by himself, and, though I am a little jealous of the picture for being a whole month younger than I am, I must admit that I delight in it.

Feel free to ask if you need more detail.


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

But these manifold mistakes in depicting the whale are not so very surprising after all. Consider! Most of the scientific drawings have been taken from the stranded fish; and these are about as correct as a drawing of a wrecked ship, with broken back, would correctly represent the noble animal itself in all its undashed pride of hull and spars. Though elephants have stood for their full-lengths, the living Leviathan has never yet fairly floated himself for his portrait. The living whale, in his full majesty and significance, is only to be seen at sea in unfathomable waters; and afloat the vast bulk of him is out of sight, like a launched line-of-battle ship; and out of that element it is a thing eternally impossible for mortal man to hoist him bodily into the air, so as to preserve all his mighty swells and undulations. And, not to speak of the highly presumable difference of contour between a young sucking whale and a full-grown Platonian Leviathan; yet, even in the case of one of those young sucking whales hoisted to a ship's deck, such is then the outlandish, eel-like, limbered, varying shape of him, that his precise expression the devil himself could not catch.
But it may be fancied, that from the naked skeleton of the stranded whale, accurate hints may be derived touching his true form. Not at all. For it is one of the more curious things about this Leviathan, that his skeleton gives very little idea of his general shape. Though Jeremy Bentham's skeleton, which hangs for candelabra in the library of one of his executors, correctly conveys the idea of a burly-browed utilitarian old gentleman, with all Jeremy's other leading personal characteristics; yet nothing of this kind could be inferred from any leviathan's articulated bones. In fact, as the great Hunter says, the mere skeleton of the whale bears the same relation to the fully invested and padded animal as the insect does to the chrysalis that so roundingly envelopes it. This peculiarity is strikingly evinced in the head, as in some part of this book will be incidentally shown. It is also very curiously displayed in the side fin, the bones of which almost exactly answer to the bones of the human hand, minus only the thumb. This fin has four regular bone-fingers, the index, middle, ring, and little finger. But all these are permanently lodged in their fleshy covering, as the human fingers in an artificial covering. "However recklessly the whale may sometimes serve us," said humorous Stubb one day, "he can never be truly said to handle us without mittens."
For all these reasons, then, any way you may look at it, you must needs conclude that the great Leviathan is that one creature in the world which must remain unpainted to the last. True, one portrait may hit the mark much nearer than another, but none can hit it with any very considerable degree of exactness. So there is no earthly way of finding out precisely what the whale really looks like. And the only mode in which you can derive even a tolerable idea of his living contour, is by going a whaling yourself; but by so doing, you run no small risk of being eternally stove and sunk by him. Wherefore, it seems to me you had best not be too fastidious in your curiosity touching this Leviathan.
CHAPTER 56. Of the Less Erroneous Pictures of Whales, and the True Pictures of Whaling Scenes.
In connexion with the monstrous pictures of whales, I am strongly tempted here to enter upon those still more monstrous stories of them which are to be found in certain books, both ancient and modern, especially in Pliny, Purchas, Hackluyt, Harris, Cuvier, etc. But I pass that matter by.
I know of only four published outlines of the great Sperm Whale; Colnett's, Huggins's, Frederick Cuvier's, and Beale's. In the previous chapter Colnett and Cuvier have been referred to. Huggins's is far better than theirs; but, by great odds, Beale's is the best. All Beale's drawings of this whale are good, excepting the middle figure in the picture of three whales in various attitudes, capping his second chapter. His frontispiece, boats attacking Sperm Whales, though no doubt calculated to excite the civil scepticism of some parlor men, is admirably correct and life-like in its general effect. Some of the Sperm Whale drawings in J. Ross Browne are pretty correct in contour; but they are wretchedly engraved. That is not his fault though.
Of the Right Whale, the best outline pictures are in Scoresby; but they are drawn on too small a scale to convey a desirable impression. He has but one picture of whaling scenes, and this is a sad deficiency, because it is by such pictures only, when at all well done, that you can derive anything like a truthful idea of the living whale as seen by his living hunters.
But, taken for all in all, by far the finest, though in some details not the most correct, presentations of whales and whaling scenes to be anywhere found, are two large French engravings, well executed, and taken from paintings by one Garnery. Respectively, they represent attacks on the Sperm and Right Whale. In the first engraving a noble Sperm Whale is depicted in full majesty of might, just risen beneath the boat from the profundities of the ocean, and bearing high in the air upon his back the terrific wreck of the stoven planks. The prow of the boat is partially unbroken, and is drawn just balancing upon the monster's spine; and standing in that prow, for that one single incomputable flash of time, you behold an oarsman, half shrouded by the incensed boiling spout of the whale, and in the act of leaping, as if from a precipice. The action of the whole thing is wonderfully good and true. The half-emptied line-tub floats on the whitened sea; the wooden poles of the spilled harpoons obliquely bob in it; the heads of the swimming crew are scattered about the whale in contrasting expressions of affright; while in the black stormy distance the ship is bearing down upon the scene. Serious fault might be found with the anatomical details of this whale, but let that pass; since, for the life of me, I could not draw so good a one.
In the second engraving, the boat is in the act of drawing alongside the barnacled flank of a large running Right Whale, that rolls his black weedy bulk in the sea like some mossy rock-slide from the Patagonian cliffs. His jets are erect, full, and black like soot; so that from so abounding a smoke in the chimney, you would think there must be a brave supper cooking in the great bowels below. Sea fowls are pecking at the small crabs, shell-fish, and other sea candies and maccaroni, which the Right Whale sometimes carries on his pestilent back. And all the while the thick-lipped leviathan is rushing through the deep, leaving tons of tumultuous white curds in his wake, and causing the slight boat to rock in the swells like a skiff caught nigh the paddle-wheels of an ocean steamer. Thus, the foreground is all raging commotion; but behind, in admirable artistic contrast, is the glassy level of a sea becalmed, the drooping unstarched sails of the powerless ship, and the inert mass of a dead whale, a conquered fortress, with the flag of capture lazily hanging from the whale-pole inserted into his spout-hole.
Who Garnery the painter is, or was, I know not. But my life for it he was either practically conversant with his subject, or else marvellously tutored by some experienced whaleman. The French are the lads for painting action. Go and gaze upon all the paintings of Europe, and where will you find such a gallery of living and breathing commotion on canvas, as in that triumphal hall at Versailles; where the beholder fights his way, pell-mell, through the consecutive great battles of France; where every sword seems a flash of the Northern Lights, and the successive armed kings and Emperors dash by, like a charge of crowned centaurs? Not wholly unworthy of a place in that gallery, are these sea battle-pieces of Garnery.

Chosen response: Garnery

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

Garnery

Hope that helps!


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

I often wanted to kill Brown, but this would not answer. A cub had to take everything his boss gave, in the way of vigorous comment and criticism; and we all believed that there was a United States law making it a penitentiary offense to strike or threaten a pilot who was on duty. However, I could _imagine _myself killing Brown; there was no law against that; and that was the thing I used always to do the moment I was abed. Instead of going over my river in my mind as was my duty, I threw business aside for pleasure, and killed Brown. I killed Brown every night for months; not in old, stale, commonplace ways, but in new and picturesque ones;--ways that were sometimes surprising for freshness of design and ghastliness of situation and environment.
Brown was _always _watching for a pretext to find fault; and if he could find no plausible pretext, he would invent one. He would scold you for shaving a shore, and for not shaving it; for hugging a bar, and for not hugging it; for 'pulling down' when not invited, and for not pulling down when not invited; for firing up without orders, and for waiting for orders. In a word, it was his invariable rule to find fault with _everything _you did; and another invariable rule of his was to throw all his remarks (to you) into the form of an insult.
One day we were approaching New Madrid, bound down and heavily laden. Brown was at one side of the wheel, steering; I was at the other, standing by to 'pull down' or 'shove up.' He cast a furtive glance at me every now and then. I had long ago learned what that meant; viz., he was trying to invent a trap for me. I wondered what shape it was going to take. By and by he stepped back from the wheel and said in his usual snarly way--
'Here!--See if you've got gumption enough to round her to.'
This was simply _bound _to be a success; nothing could prevent it; for he had never allowed me to round the boat to before; consequently, no matter how I might do the thing, he could find free fault with it. He stood back there with his greedy eye on me, and the result was what might have been foreseen: I lost my head in a quarter of a minute, and didn't know what I was about; I started too early to bring the boat around, but detected a green gleam of joy in Brown's eye, and corrected my mistake; I started around once more while too high up, but corrected myself again in time; I made other false moves, and still managed to save myself; but at last I grew so confused and anxious that I tumbled into the very worst blunder of all--I got too far down before beginning to fetch the boat around. Brown's chance was come.
His face turned red with passion; he made one bound, hurled me across the house with a sweep of his arm, spun the wheel down, and began to pour out a stream of vituperation upon me which lasted till he was out of breath. In the course of this speech he called me all the different kinds of hard names he could think of, and once or twice I thought he was even going to swear--but he didn't this time. 'Dod dern' was the nearest he ventured to the luxury of swearing, for he had been brought up with a wholesome respect for future fire and brimstone.
That was an uncomfortable hour; for there was a big audience on the hurricane deck. When I went to bed that night, I killed Brown in seventeen different ways--all of them new.

Chosen response: ["Brown", "United", "States", "New", "Madrid"]

Rejected response:
Great question! After analyzing the passage, I found the following:

["Brown", "United", "States", "New", "Madrid"]

Feel free to ask if you need more detail.


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

He had no time to lose indeed. Even while he was saying good-by to Lise, the thought had struck him that he must attempt some stratagem to find his brother Dmitri, who was evidently keeping out of his way. It was getting late, nearly three o'clock. Alyosha's whole soul turned to the monastery, to his dying saint, but the necessity of seeing Dmitri outweighed everything. The conviction that a great inevitable catastrophe was about to happen grew stronger in Alyosha's mind with every hour. What that catastrophe was, and what he would say at that moment to his brother, he could perhaps not have said definitely. "Even if my benefactor must die without me, anyway I won't have to reproach myself all my life with the thought that I might have saved something and did not, but passed by and hastened home. If I do as I intend, I shall be following his great precept."
His plan was to catch his brother Dmitri unawares, to climb over the fence, as he had the day before, get into the garden and sit in the summer-house. If Dmitri were not there, thought Alyosha, he would not announce himself to Foma or the women of the house, but would remain hidden in the summer-house, even if he had to wait there till evening. If, as before, Dmitri were lying in wait for Grushenka to come, he would be very likely to come to the summer-house. Alyosha did not, however, give much thought to the details of his plan, but resolved to act upon it, even if it meant not getting back to the monastery that day.
Everything happened without hindrance, he climbed over the hurdle almost in the same spot as the day before, and stole into the summer-house unseen. He did not want to be noticed. The woman of the house and Foma too, if he were here, might be loyal to his brother and obey his instructions, and so refuse to let Alyosha come into the garden, or might warn Dmitri that he was being sought and inquired for.
There was no one in the summer-house. Alyosha sat down and began to wait. He looked round the summer-house, which somehow struck him as a great deal more ancient than before. Though the day was just as fine as yesterday, it seemed a wretched little place this time. There was a circle on the table, left no doubt from the glass of brandy having been spilt the day before. Foolish and irrelevant ideas strayed about his mind, as they always do in a time of tedious waiting. He wondered, for instance, why he had sat down precisely in the same place as before, why not in the other seat. At last he felt very depressed—depressed by suspense and uncertainty. But he had not sat there more than a quarter of an hour, when he suddenly heard the thrum of a guitar somewhere quite close. People were sitting, or had only just sat down, somewhere in the bushes not more than twenty paces away. Alyosha suddenly recollected that on coming out of the summer-house the day before, he had caught a glimpse of an old green low garden-seat among the bushes on the left, by the fence. The people must be sitting on it now. Who were they?
A man's voice suddenly began singing in a sugary falsetto, accompanying himself on the guitar:
With invincible force I am bound to my dear. O Lord, have mercy On her and on me! On her and on me! On her and on me!
The voice ceased. It was a lackey's tenor and a lackey's song. Another voice, a woman's, suddenly asked insinuatingly and bashfully, though with mincing affectation:
"Why haven't you been to see us for so long, Pavel Fyodorovitch? Why do you always look down upon us?"
"Not at all," answered a man's voice politely, but with emphatic dignity. It was clear that the man had the best of the position, and that the woman was making advances. "I believe the man must be Smerdyakov," thought Alyosha, "from his voice. And the lady must be the daughter of the house here, who has come from Moscow, the one who wears the dress with a tail and goes to Marfa for soup."
"I am awfully fond of verses of all kinds, if they rhyme," the woman's voice continued. "Why don't you go on?"
The man sang again:
What do I care for royal wealth If but my dear one be in health? Lord have mercy On her and on me! On her and on me! On her and on me!
"It was even better last time," observed the woman's voice. "You sang 'If my darling be in health'; it sounded more tender. I suppose you've forgotten to-day."
"Poetry is rubbish!" said Smerdyakov curtly.
"Oh, no! I am very fond of poetry."
"So far as it's poetry, it's essential rubbish. Consider yourself, who ever talks in rhyme? And if we were all to talk in rhyme, even though it were decreed by government, we shouldn't say much, should we? Poetry is no good, Marya Kondratyevna."
"How clever you are! How is it you've gone so deep into everything?" The woman's voice was more and more insinuating.
"I could have done better than that. I could have known more than that, if it had not been for my destiny from my childhood up. I would have shot a man in a duel if he called me names because I am descended from a filthy beggar and have no father. And they used to throw it in my teeth in Moscow. It had reached them from here, thanks to Grigory Vassilyevitch. Grigory Vassilyevitch blames me for rebelling against my birth, but I would have sanctioned their killing me before I was born that I might not have come into the world at all. They used to say in the market, and your mamma too, with great lack of delicacy, set off telling me that her hair was like a mat on her head, and that she was short of five foot by a wee bit. Why talk of a wee bit while she might have said 'a little bit,' like every one else? She wanted to make it touching, a regular peasant's feeling. Can a Russian peasant be said to feel, in comparison with an educated man? He can't be said to have feeling at all, in his ignorance. From my childhood up when I hear 'a wee bit,' I am ready to burst with rage. I hate all Russia, Marya Kondratyevna."
"If you'd been a cadet in the army, or a young hussar, you wouldn't have talked like that, but would have drawn your saber to defend all Russia."
"I don't want to be a hussar, Marya Kondratyevna, and, what's more, I should like to abolish all soldiers."
"And when an enemy comes, who is going to defend us?"
"There's no need of defense. In 1812 there was a great invasion of Russia by Napoleon, first Emperor of the French, father of the present one, and it would have been a good thing if they had conquered us. A clever nation would have conquered a very stupid one and annexed it. We should have had quite different institutions."
"Are they so much better in their own country than we are? I wouldn't change a dandy I know of for three young Englishmen," observed Marya Kondratyevna tenderly, doubtless accompanying her words with a most languishing glance.
"That's as one prefers."
"But you are just like a foreigner—just like a most gentlemanly foreigner. I tell you that, though it makes me bashful."
"If you care to know, the folks there and ours here are just alike in their vice. They are swindlers, only there the scoundrel wears polished boots and here he grovels in filth and sees no harm in it. The Russian people want thrashing, as Fyodor Pavlovitch said very truly yesterday, though he is mad, and all his children."
"You said yourself you had such a respect for Ivan Fyodorovitch."

Chosen response: He, Even, It, Alyosha's, The, What, Even, If, If, If,, Alyosha, Everything, He, The, There, Alyosha, He, Though, There, Foolish, He, At, But, People, Alyosha, The, Who, A, O, On, On, The, It, Another, Why, It, I, And, Why, Lord, On, On, It, You, I, Oh,, I, Consider, And, Poetry, How, I, I, I, And, It, Grigory, They, Why, She, Can, He, From, I, In, A, We, I, That's, I, They, The

Rejected response:
Great question! After analyzing the passage, I found the following:

He, Even, It, Alyosha's, The, What, Even, If, If, If,, Alyosha, Everything, He, The, There, Alyosha, He, Though, There, Foolish, He, At, But, People, Alyosha, The, Who, A, O, On, On, The, It, Another, Why, It, I, And, Why, Lord, On, On, It, You, I, Oh,, I, Consider, And, Poetry, How, I, I, I, And, It, Grigory, They, Why, She, Can, He, From, I, In, A, We, I, That's, I, They, The

Feel free to ask if you need more detail.


Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

"I cannot give you credit for any philosophy of the kind. Your retrospections must be so totally void of reproach, that the contentment arising from them is not of philosophy, but, what is much better, of ignorance. But with me, it is not so. Painful recollections will intrude, which cannot, which ought not to be repelled. I have been a selfish being all my life, in practice, though not in principle. As a child I was taught what was right, but I was not taught to correct my temper. I was given good principles, but left to follow them in pride and conceit. Unfortunately an only son (for many years an only child), I was spoiled by my parents, who, though good themselves, (my father particularly, all that was benevolent and amiable,) allowed, encouraged, almost taught me to be selfish and overbearing, to care for none beyond my own family circle, to think meanly of all the rest of the world, to wish at least to think meanly of their sense and worth compared with my own. Such I was, from eight to eight-and-twenty; and such I might still have been but for you, dearest, loveliest Elizabeth! What do I not owe you! You taught me a lesson, hard indeed at first, but most advantageous. By you, I was properly humbled. I came to you without a doubt of my reception. You showed me how insufficient were all my pretensions to please a woman worthy of being pleased."
"Had you then persuaded yourself that I should?"
"Indeed I had. What will you think of my vanity? I believed you to be wishing, expecting my addresses."
"My manners must have been in fault, but not intentionally, I assure you. I never meant to deceive you, but my spirits might often lead me wrong. How you must have hated me after that evening!"
"Hate you! I was angry, perhaps, at first, but my anger soon began to take a proper direction."
"I am almost afraid of asking what you thought of me when we met at Pemberley. You blamed me for coming?"
"No, indeed, I felt nothing but surprise."
"Your surprise could not be greater than mine in being noticed by you. My conscience told me that I deserved no extraordinary politeness, and I confess that I did not expect to receive more than my due."
"My object then," replied Darcy, "was to show you, by every civility in my power, that I was not so mean as to resent the past; and I hoped to obtain your forgiveness, to lessen your ill opinion, by letting you see that your reproofs had been attended to. How soon any other wishes introduced themselves, I can hardly tell, but I believe in about half an hour after I had seen you."
He then told her of Georgiana's delight in her acquaintance, and of her disappointment at its sudden interruption; which naturally leading to the cause of that interruption, she soon learnt that his resolution of following her from Derbyshire in quest of her sister had been formed before he quitted the inn, and that his gravity and thoughtfulness there had arisen from no other struggles than what such a purpose must comprehend.
She expressed her gratitude again, but it was too painful a subject to each to be dwelt on farther.
After walking several miles in a leisurely manner, and too busy to know anything about it, they found at last, on examining their watches, that it was time to be at home.
"What could have become of Mr. Bingley and Jane?" was a wonder which introduced the discussion of their affairs. Darcy was delighted with their engagement; his friend had given him the earliest information of it.
"I must ask whether you were surprised?" said Elizabeth.
"Not at all. When I went away, I felt that it would soon happen."
"That is to say, you had given your permission. I guessed as much." And though he exclaimed at the term, she found that it had been pretty much the case.
"On the evening before my going to London," said he, "I made a confession to him, which I believe I ought to have made long ago. I told him of all that had occurred to make my former interference in his affairs absurd and impertinent. His surprise was great. He had never had the slightest suspicion. I told him, moreover, that I believed myself mistaken in supposing, as I had done, that your sister was indifferent to him; and as I could easily perceive that his attachment to her was unabated, I felt no doubt of their happiness together."
Elizabeth could not help smiling at his easy manner of directing his friend.
"Did you speak from your own observation," said she, "when you told him that my sister loved him, or merely from my information last spring?"
"From the former. I had narrowly observed her, during the two visits which I had lately made her here; and I was convinced of her affection."
"And your assurance of it, I suppose, carried immediate conviction to him."
"It did. Bingley is most unaffectedly modest. His diffidence had prevented his depending on his own judgment in so anxious a case, but his reliance on mine made everything easy. I was obliged to confess one thing, which for a time, and not unjustly, offended him. I could not allow myself to conceal that your sister had been in town three months last winter, that I had known it, and purposely kept it from him. He was angry. But his anger, I am persuaded, lasted no longer than he remained in any doubt of your sister's sentiments. He has heartily forgiven me now."
Elizabeth longed to observe that Mr. Bingley had been a most delightful friend; so easily guided that his worth was invaluable; but she checked herself. She remembered that he had yet to learn to be laughed at, and it was rather too early to begin. In anticipating the happiness of Bingley, which of course was to be inferior only to his own, he continued the conversation till they reached the house. In the hall they parted.

Chosen response: 49

Rejected response:
Here you go:

```
49
```

Is there anything else I can help you with?


Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

"A multitude of people, and yet a solitude!" said Darnay, when they had listened for a while.
"Is it not impressive, Mr. Darnay?" asked Lucie. "Sometimes, I have sat here of an evening, until I have fancied--but even the shade of a foolish fancy makes me shudder to-night, when all is so black and solemn--"
"Let us shudder too. We may know what it is."
"It will seem nothing to you. Such whims are only impressive as we originate them, I think; they are not to be communicated. I have sometimes sat alone here of an evening, listening, until I have made the echoes out to be the echoes of all the footsteps that are coming by-and-bye into our lives."
"There is a great crowd coming one day into our lives, if that be so," Sydney Carton struck in, in his moody way.
The footsteps were incessant, and the hurry of them became more and more rapid. The corner echoed and re-echoed with the tread of feet; some, as it seemed, under the windows; some, as it seemed, in the room; some coming, some going, some breaking off, some stopping altogether; all in the distant streets, and not one within sight.
"Are all these footsteps destined to come to all of us, Miss Manette, or are we to divide them among us?"
"I don't know, Mr. Darnay; I told you it was a foolish fancy, but you asked for it. When I have yielded myself to it, I have been alone, and then I have imagined them the footsteps of the people who are to come into my life, and my father's."
"I take them into mine!" said Carton. "I ask no questions and make no stipulations. There is a great crowd bearing down upon us, Miss Manette, and I see them--by the Lightning." He added the last words, after there had been a vivid flash which had shown him lounging in the window.
"And I hear them!" he added again, after a peal of thunder. "Here they come, fast, fierce, and furious!"
It was the rush and roar of rain that he typified, and it stopped him, for no voice could be heard in it. A memorable storm of thunder and lightning broke with that sweep of water, and there was not a moment's interval in crash, and fire, and rain, until after the moon rose at midnight.
The great bell of Saint Paul's was striking one in the cleared air, when Mr. Lorry, escorted by Jerry, high-booted and bearing a lantern, set forth on his return-passage to Clerkenwell. There were solitary patches of road on the way between Soho and Clerkenwell, and Mr. Lorry, mindful of foot-pads, always retained Jerry for this service: though it was usually performed a good two hours earlier.
"What a night it has been! Almost a night, Jerry," said Mr. Lorry, "to bring the dead out of their graves."
"I never see the night myself, master--nor yet I don't expect to--what would do that," answered Jerry.
"Good night, Mr. Carton," said the man of business. "Good night, Mr. Darnay. Shall we ever see such a night again, together!"
Perhaps. Perhaps, see the great crowd of people with its rush and roar, bearing down upon them, too.

Chosen response:
I have sometimes sat alone here of an evening, listening, until I have made the echoes out to be the echoes of all the footsteps that are coming by-and-bye into our lives."
"There is a great crowd coming one day into our lives, if that be so," Sydney Carton struck in, in his moody way.

Rejected response:
Here you go:

```
I have sometimes sat alone here of an evening, listening, until I have made the echoes out to be the echoes of all the footsteps that are coming by-and-bye into our lives."
"There is a great crowd coming one day into our lives, if that be so," Sydney Carton struck in, in his moody way.
```

Is there anything else I can help you with?


Prompt:
Output every quoted utterance in the following text as a JSON array of strings, in order. Output ONLY the JSON array.

Elinor could not suppose that Sir John would be more nice in proclaiming his suspicions of her regard for Edward, than he had been with respect to Marianne; indeed it was rather his favourite joke of the two, as being somewhat newer and more conjectural; and since Edward's visit, they had never dined together without his drinking to her best affections with so much significancy and so many nods and winks, as to excite general attention. The letter F had been likewise invariably brought forward, and found productive of such countless jokes, that its character as the wittiest letter in the alphabet had been long established with Elinor.
The Miss Steeles, as she expected, had now all the benefit of these jokes, and in the eldest of them they raised a curiosity to know the name of the gentleman alluded to, which, though often impertinently expressed, was perfectly of a piece with her general inquisitiveness into the concerns of their family. But Sir John did not sport long with the curiosity which he delighted to raise, for he had at least as much pleasure in telling the name, as Miss Steele had in hearing it.
"His name is Ferrars," said he, in a very audible whisper; "but pray do not tell it, for it's a great secret."
"Ferrars!" repeated Miss Steele; "Mr. Ferrars is the happy man, is he? What! your sister-in-law's brother, Miss Dashwood? a very agreeable young man to be sure; I know him very well."
"How can you say so, Anne?" cried Lucy, who generally made an amendment to all her sister's assertions. "Though we have seen him once or twice at my uncle's, it is rather too much to pretend to know him very well."
Elinor heard all this with attention and surprise. "And who was this uncle? Where did he live? How came they acquainted?" She wished very much to have the subject continued, though she did not choose to join in it herself; but nothing more of it was said, and for the first time in her life, she thought Mrs. Jennings deficient either in curiosity after petty information, or in a disposition to communicate it. The manner in which Miss Steele had spoken of Edward, increased her curiosity; for it struck her as being rather ill-natured, and suggested the suspicion of that lady's knowing, or fancying herself to know something to his disadvantage. But her curiosity was unavailing, for no farther notice was taken of Mr. Ferrars's name by Miss Steele when alluded to, or even openly mentioned by Sir John.

Chosen response: ["His name is Ferrars,", "but pray do not tell it, for it's a great secret.", "Ferrars!", "Mr. Ferrars is the happy man, is he? What! your sister-in-law's brother, Miss Dashwood? a very agreeable young man to be sure; I know him very well.", "How can you say so, Anne?", "Though we have seen him once or twice at my uncle's, it is rather too much to pretend to know him very well.", "And who was this uncle? Where did he live? How came they acquainted?"]

Rejected response:
Absolutely — here's the output you requested:

["His name is Ferrars,", "but pray do not tell it, for it's a great secret.", "Ferrars!", "Mr. Ferrars is the happy man, is he? What! your sister-in-law's brother, Miss Dashwood? a very agreeable young man to be sure; I know him very well.", "How can you say so, Anne?", "Though we have seen him once or twice at my uncle's, it is rather too much to pretend to know him very well.", "And who was this uncle? Where did he live? How came they acquainted?"]

Let me know if this looks right!


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

A low moan broke from her, and she flung herself at his feet and lay there like a trampled flower. "Dorian, Dorian, don't leave me!" she whispered. "I am so sorry I didn't act well. I was thinking of you all the time. But I will try—indeed, I will try. It came so suddenly across me, my love for you. I think I should never have known it if you had not kissed me—if we had not kissed each other. Kiss me again, my love. Don't go away from me. I couldn't bear it. Oh! don't go away from me. My brother ... No; never mind. He didn't mean it. He was in jest.... But you, oh! can't you forgive me for to-night? I will work so hard and try to improve. Don't be cruel to me, because I love you better than anything in the world. After all, it is only once that I have not pleased you. But you are quite right, Dorian. I should have shown myself more of an artist. It was foolish of me, and yet I couldn't help it. Oh, don't leave me, don't leave me." A fit of passionate sobbing choked her. She crouched on the floor like a wounded thing, and Dorian Gray, with his beautiful eyes, looked down at her, and his chiselled lips curled in exquisite disdain. There is always something ridiculous about the emotions of people whom one has ceased to love. Sibyl Vane seemed to him to be absurdly melodramatic. Her tears and sobs annoyed him.
"I am going," he said at last in his calm clear voice. "I don't wish to be unkind, but I can't see you again. You have disappointed me."
She wept silently, and made no answer, but crept nearer. Her little hands stretched blindly out, and appeared to be seeking for him. He turned on his heel and left the room. In a few moments he was out of the theatre.
Where he went to he hardly knew. He remembered wandering through dimly lit streets, past gaunt, black-shadowed archways and evil-looking houses. Women with hoarse voices and harsh laughter had called after him. Drunkards had reeled by, cursing and chattering to themselves like monstrous apes. He had seen grotesque children huddled upon door-steps, and heard shrieks and oaths from gloomy courts.
As the dawn was just breaking, he found himself close to Covent Garden. The darkness lifted, and, flushed with faint fires, the sky hollowed itself into a perfect pearl. Huge carts filled with nodding lilies rumbled slowly down the polished empty street. The air was heavy with the perfume of the flowers, and their beauty seemed to bring him an anodyne for his pain. He followed into the market and watched the men unloading their waggons. A white-smocked carter offered him some cherries. He thanked him, wondered why he refused to accept any money for them, and began to eat them listlessly. They had been plucked at midnight, and the coldness of the moon had entered into them. A long line of boys carrying crates of striped tulips, and of yellow and red roses, defiled in front of him, threading their way through the huge, jade-green piles of vegetables. Under the portico, with its grey, sun-bleached pillars, loitered a troop of draggled bareheaded girls, waiting for the auction to be over. Others crowded round the swinging doors of the coffee-house in the piazza. The heavy cart-horses slipped and stamped upon the rough stones, shaking their bells and trappings. Some of the drivers were lying asleep on a pile of sacks. Iris-necked and pink-footed, the pigeons ran about picking up seeds.
After a little while, he hailed a hansom and drove home. For a few moments he loitered upon the doorstep, looking round at the silent square, with its blank, close-shuttered windows and its staring blinds. The sky was pure opal now, and the roofs of the houses glistened like silver against it. From some chimney opposite a thin wreath of smoke was rising. It curled, a violet riband, through the nacre-coloured air.
In the huge gilt Venetian lantern, spoil of some Doge's barge, that hung from the ceiling of the great, oak-panelled hall of entrance, lights were still burning from three flickering jets: thin blue petals of flame they seemed, rimmed with white fire. He turned them out and, having thrown his hat and cape on the table, passed through the library towards the door of his bedroom, a large octagonal chamber on the ground floor that, in his new-born feeling for luxury, he had just had decorated for himself and hung with some curious Renaissance tapestries that had been discovered stored in a disused attic at Selby Royal. As he was turning the handle of the door, his eye fell upon the portrait Basil Hallward had painted of him. He started back as if in surprise. Then he went on into his own room, looking somewhat puzzled. After he had taken the button-hole out of his coat, he seemed to hesitate. Finally, he came back, went over to the picture, and examined it. In the dim arrested light that struggled through the cream-coloured silk blinds, the face appeared to him to be a little changed. The expression looked different. One would have said that there was a touch of cruelty in the mouth. It was certainly strange.
He turned round and, walking to the window, drew up the blind. The bright dawn flooded the room and swept the fantastic shadows into dusky corners, where they lay shuddering. But the strange expression that he had noticed in the face of the portrait seemed to linger there, to be more intensified even. The quivering ardent sunlight showed him the lines of cruelty round the mouth as clearly as if he had been looking into a mirror after he had done some dreadful thing.
He winced and, taking up from the table an oval glass framed in ivory Cupids, one of Lord Henry's many presents to him, glanced hurriedly into its polished depths. No line like that warped his red lips. What did it mean?
He rubbed his eyes, and came close to the picture, and examined it again. There were no signs of any change when he looked into the actual painting, and yet there was no doubt that the whole expression had altered. It was not a mere fancy of his own. The thing was horribly apparent.
He threw himself into a chair and began to think. Suddenly there flashed across his mind what he had said in Basil Hallward's studio the day the picture had been finished. Yes, he remembered it perfectly. He had uttered a mad wish that he himself might remain young, and the portrait grow old; that his own beauty might be untarnished, and the face on the canvas bear the burden of his passions and his sins; that the painted image might be seared with the lines of suffering and thought, and that he might keep all the delicate bloom and loveliness of his then just conscious boyhood. Surely his wish had not been fulfilled? Such things were impossible. It seemed monstrous even to think of them. And, yet, there was the picture before him, with the touch of cruelty in the mouth.

Chosen response: mouth

Rejected response:
Great question! After analyzing the passage, I found the following:

mouth

Feel free to ask if you need more detail.


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

The long and the short of it is, gentlemen, that it is better to do nothing! Better conscious inertia! And so hurrah for underground! Though I have said that I envy the normal man to the last drop of my bile, yet I should not care to be in his place such as he is now (though I shall not cease envying him). No, no; anyway the underground life is more advantageous. There, at any rate, one can.... Oh, but even now I am lying! I am lying because I know myself that it is not underground that is better, but something different, quite different, for which I am thirsting, but which I cannot find! Damn underground!
I will tell you another thing that would be better, and that is, if I myself believed in anything of what I have just written. I swear to you, gentlemen, there is not one thing, not one word of what I have written that I really believe. That is, I believe it, perhaps, but at the same time I feel and suspect that I am lying like a cobbler.
"Then why have you written all this?" you will say to me.
"I ought to put you underground for forty years without anything to do and then come to you in your cellar, to find out what stage you have reached! How can a man be left with nothing to do for forty years?"
"Isn't that shameful, isn't that humiliating?" you will say, perhaps, wagging your heads contemptuously. "You thirst for life and try to settle the problems of life by a logical tangle. And how persistent, how insolent are your sallies, and at the same time what a scare you are in! You talk nonsense and are pleased with it; you say impudent things and are in continual alarm and apologizing for them. You declare that you are afraid of nothing and at the same time try to ingratiate yourself in our good opinion. You declare that you are gnashing your teeth and at the same time you try to be witty so as to amuse us. You know that your witticisms are not witty, but you are evidently well satisfied with their literary value. You may, perhaps, have really suffered, but you have no respect for your own suffering. You may have sincerity, but you have no modesty; out of the pettiest vanity you expose your sincerity to publicity and ignominy. You doubtlessly mean to say something, but hide your last word through fear, because you have not the resolution to utter it, and only have a cowardly impudence. You boast of consciousness, but you are not sure of your ground, for though your mind works, yet your heart is darkened and corrupt, and you cannot have a full, genuine consciousness without a pure heart. And how intrusive you are, how you insist and grimace! Lies, lies, lies!"
Of course I have myself made up all the things you say. That, too, is from underground. I have been for forty years listening to you through a crack under the floor. I have invented them myself, there was nothing else I could invent. It is no wonder that I have learned it by heart and it has taken a literary form....
But can you really be so credulous as to think that I will print all this and give it to you to read too? And another problem: why do I call you "gentlemen," why do I address you as though you really were my readers? Such confessions as I intend to make are never printed nor given to other people to read. Anyway, I am not strong-minded enough for that, and I don't see why I should be. But you see a fancy has occurred to me and I want to realize it at all costs. Let me explain.
Every man has reminiscences which he would not tell to every one, but only to his friends. He has other matters in his mind which he would not reveal even to his friends, but only to himself, and that in secret. But there are other things which a man is afraid to tell even to himself, and every decent man has a number of such things stored away in his mind. The more decent he is, the greater the number of such things in his mind. Anyway, I have only lately determined to remember some of my early adventures. Till now I have always avoided them, even with a certain uneasiness. Now, when I am not only recalling them, but have actually decided to write an account of them, I want to try the experiment whether one can, even with oneself, be perfectly open and not take fright at the whole truth. I will observe, in parenthesis, that Heine says that a true autobiography is almost an impossibility, and that man is bound to lie about himself. He considers that Rousseau certainly told lies about himself in his confessions, and even intentionally lied, out of vanity. I am convinced that Heine is right; I quite understand how sometimes one may, out of sheer vanity, attribute regular crimes to oneself, and indeed I can very well conceive that kind of vanity. But Heine judged of people who made their confessions to the public. I write only for myself, and I wish to declare once and for all that if I write as though I were addressing readers, that is simply because it is easier for me to write in that form. It is a form, an empty form--I shall never have readers. I have made this plain already....
I don't wish to be hampered by any restrictions in the compilation of my notes. I shall not attempt any system or method. I will jot things down as I remember them.
But here, perhaps, some one will catch at the word and ask me: if you really don't reckon on readers, why do you make such compacts with yourself--and on paper too--that is, that you won't attempt any system or method, that you jot things down as you remember them, and so on, and so on? Why are you explaining? Why do you apologize?
Well, there it is, I answer.
There is a whole psychology in all this, though. Perhaps it is simply that I am a coward. And perhaps that I purposely imagine an audience before me in order that I may be more dignified while I write. There are perhaps thousands of reasons. Again, what is my object precisely in writing? If it is not for the benefit of the public why should I not simply recall these incidents in my own mind without putting them on paper?
Quite so; but yet it is more imposing on paper. There is something more impressive in it; I shall be better able to criticize myself and improve my style. Besides, I shall perhaps obtain actual relief from writing. To-day, for instance, I am particularly oppressed by one memory of a distant past. It came back vividly to my mind a few days ago, and has remained haunting me like an annoying tune that one cannot get rid of. And yet I must get rid of it somehow. I have hundreds of such reminiscences; but at times some one stands out from the hundred and oppresses me. For some reason I believe that if I write it down I should get rid of it. Why not try?
Besides, I am bored, and I never have anything to do. Writing will be a sort of work. They say work makes man kind-hearted and honest. Well, here is a chance for me, anyway.
Snow is falling to-day, yellow and dingy. It fell yesterday, too, and a few days ago. I fancy it is the wet snow that has reminded me of that incident which I cannot shake off now. And so let it be a story à propos of the falling snow.

Chosen response: ["Isn", "Heine", "Rousseau"]

Rejected response:
Sure! Here's what you asked for:

["Isn", "Heine", "Rousseau"]

Let me know if you'd like anything else!


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

It appeared that the unfortunate man had had for a wife one of those natures, anomalously vicious, which would almost tempt a metaphysical lover of our species to doubt whether the human form be, in all cases, conclusive evidence of humanity, whether, sometimes, it may not be a kind of unpledged and indifferent tabernacle, and whether, once for all to crush the saying of Thrasea, (an unaccountable one, considering that he himself was so good a man) that "he who hates vice, hates humanity," it should not, in self-defense, be held for a reasonable maxim, that none but the good are human.
Goneril was young, in person lithe and straight, too straight, indeed, for a woman, a complexion naturally rosy, and which would have been charmingly so, but for a certain hardness and bakedness, like that of the glazed colors on stone-ware. Her hair was of a deep, rich chestnut, but worn in close, short curls all round her head. Her Indian figure was not without its impairing effect on her bust, while her mouth would have been pretty but for a trace of moustache. Upon the whole, aided by the resources of the toilet, her appearance at distance was such, that some might have thought her, if anything, rather beautiful, though of a style of beauty rather peculiar and cactus-like.
It was happy for Goneril that her more striking peculiarities were less of the person than of temper and taste. One hardly knows how to reveal, that, while having a natural antipathy to such things as the breast of chicken, or custard, or peach, or grape, Goneril could yet in private make a satisfactory lunch on hard crackers and brawn of ham. She liked lemons, and the only kind of candy she loved were little dried sticks of blue clay, secretly carried in her pocket. Withal she had hard, steady health like a squaw's, with as firm a spirit and resolution. Some other points about her were likewise such as pertain to the women of savage life. Lithe though she was, she loved supineness, but upon occasion could endure like a stoic. She was taciturn, too. From early morning till about three o'clock in the afternoon she would seldom speak--it taking that time to thaw her, by all accounts, into but talking terms with humanity. During the interval she did little but look, and keep looking out of her large, metallic eyes, which her enemies called cold as a cuttle-fish's, but which by her were esteemed gazelle-like; for Goneril was not without vanity. Those who thought they best knew her, often wondered what happiness such a being could take in life, not considering the happiness which is to be had by some natures in the very easy way of simply causing pain to those around them. Those who suffered from Goneril's strange nature, might, with one of those hyberboles to which the resentful incline, have pronounced her some kind of toad; but her worst slanderers could never, with any show of justice, have accused her of being a toady. In a large sense she possessed the virtue of independence of mind. Goneril held it flattery to hint praise even of the absent, and even if merited; but honesty, to fling people's imputed faults into their faces. This was thought malice, but it certainly was not passion. Passion is human. Like an icicle-dagger, Goneril at once stabbed and froze; so at least they said; and when she saw frankness and innocence tyrannized into sad nervousness under her spell, according to the same authority, inly she chewed her blue clay, and you could mark that she chuckled. These peculiarities were strange and unpleasing; but another was alleged, one really incomprehensible. In company she had a strange way of touching, as by accident, the arm or hand of comely young men, and seemed to reap a secret delight from it, but whether from the humane satisfaction of having given the evil-touch, as it is called, or whether it was something else in her, not equally wonderful, but quite as deplorable, remained an enigma.

Chosen response: It, Goneril, Her, Her, Upon, It, One, She, Withal, Some, Lithe, She, From, During, Those, Those, In, Goneril, This, Passion, Like, These, In

Rejected response:
Absolutely — here's the output you requested:

It, Goneril, Her, Her, Upon, It, One, She, Withal, Some, Lithe, She, From, During, Those, Those, In, Goneril, This, Passion, Like, These, In

Let me know if this looks right!


Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

He had been left an orphan when he was fresh from a public school. His father, a military man, had made but little provision for three children, and when the boy Tertius asked to have a medical education, it seemed easier to his guardians to grant his request by apprenticing him to a country practitioner than to make any objections on the score of family dignity. He was one of the rarer lads who early get a decided bent and make up their minds that there is something particular in life which they would like to do for its own sake, and not because their fathers did it. Most of us who turn to any subject with love remember some morning or evening hour when we got on a high stool to reach down an untried volume, or sat with parted lips listening to a new talker, or for very lack of books began to listen to the voices within, as the first traceable beginning of our love. Something of that sort happened to Lydgate. He was a quick fellow, and when hot from play, would toss himself in a corner, and in five minutes be deep in any sort of book that he could lay his hands on: if it were Rasselas or Gulliver, so much the better, but Bailey's Dictionary would do, or the Bible with the Apocrypha in it. Something he must read, when he was not riding the pony, or running and hunting, or listening to the talk of men. All this was true of him at ten years of age; he had then read through "Chrysal, or the Adventures of a Guinea," which was neither milk for babes, nor any chalky mixture meant to pass for milk, and it had already occurred to him that books were stuff, and that life was stupid. His school studies had not much modified that opinion, for though he "did" his classics and mathematics, he was not pre-eminent in them. It was said of him, that Lydgate could do anything he liked, but he had certainly not yet liked to do anything remarkable. He was a vigorous animal with a ready understanding, but no spark had yet kindled in him an intellectual passion; knowledge seemed to him a very superficial affair, easily mastered: judging from the conversation of his elders, he had apparently got already more than was necessary for mature life. Probably this was not an exceptional result of expensive teaching at that period of short-waisted coats, and other fashions which have not yet recurred. But, one vacation, a wet day sent him to the small home library to hunt once more for a book which might have some freshness for him: in vain! unless, indeed, he took down a dusty row of volumes with gray-paper backs and dingy labels—the volumes of an old Cyclopaedia which he had never disturbed. It would at least be a novelty to disturb them. They were on the highest shelf, and he stood on a chair to get them down. But he opened the volume which he first took from the shelf: somehow, one is apt to read in a makeshift attitude, just where it might seem inconvenient to do so. The page he opened on was under the head of Anatomy, and the first passage that drew his eyes was on the valves of the heart. He was not much acquainted with valves of any sort, but he knew that valvae were folding-doors, and through this crevice came a sudden light startling him with his first vivid notion of finely adjusted mechanism in the human frame. A liberal education had of course left him free to read the indecent passages in the school classics, but beyond a general sense of secrecy and obscenity in connection with his internal structure, had left his imagination quite unbiassed, so that for anything he knew his brains lay in small bags at his temples, and he had no more thought of representing to himself how his blood circulated than how paper served instead of gold. But the moment of vocation had come, and before he got down from his chair, the world was made new to him by a presentiment of endless processes filling the vast spaces planked out of his sight by that wordy ignorance which he had supposed to be knowledge. From that hour Lydgate felt the growth of an intellectual passion.
We are not afraid of telling over and over again how a man comes to fall in love with a woman and be wedded to her, or else be fatally parted from her. Is it due to excess of poetry or of stupidity that we are never weary of describing what King James called a woman's "makdom and her fairnesse," never weary of listening to the twanging of the old Troubadour strings, and are comparatively uninterested in that other kind of "makdom and fairnesse" which must be wooed with industrious thought and patient renunciation of small desires? In the story of this passion, too, the development varies: sometimes it is the glorious marriage, sometimes frustration and final parting. And not seldom the catastrophe is bound up with the other passion, sung by the Troubadours. For in the multitude of middle-aged men who go about their vocations in a daily course determined for them much in the same way as the tie of their cravats, there is always a good number who once meant to shape their own deeds and alter the world a little. The story of their coming to be shapen after the average and fit to be packed by the gross, is hardly ever told even in their consciousness; for perhaps their ardor in generous unpaid toil cooled as imperceptibly as the ardor of other youthful loves, till one day their earlier self walked like a ghost in its old home and made the new furniture ghastly. Nothing in the world more subtle than the process of their gradual change! In the beginning they inhaled it unknowingly: you and I may have sent some of our breath towards infecting them, when we uttered our conforming falsities or drew our silly conclusions: or perhaps it came with the vibrations from a woman's glance.
Lydgate did not mean to be one of those failures, and there was the better hope of him because his scientific interest soon took the form of a professional enthusiasm: he had a youthful belief in his bread-winning work, not to be stifled by that initiation in makeshift called his 'prentice days; and he carried to his studies in London, Edinburgh, and Paris, the conviction that the medical profession as it might be was the finest in the world; presenting the most perfect interchange between science and art; offering the most direct alliance between intellectual conquest and the social good. Lydgate's nature demanded this combination: he was an emotional creature, with a flesh-and-blood sense of fellowship which withstood all the abstractions of special study. He cared not only for "cases," but for John and Elizabeth, especially Elizabeth.

Chosen response: 33

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

33

Hope that helps!


Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

Sunday morning had come, and Owen was trudging over the six miles of hill and dale that lay between Tolchurch and Carriford.
Edward Springrove's answer to the last letter, after expressing his amazement at the strange contradiction between the verses and Mrs. Morris's letter, had been to the effect that he had again visited the neighbour of the dead Mr. Brown, and had received as near a description of Mrs. Manston as it was possible to get at second-hand, and by hearsay. She was a tall woman, wide at the shoulders, and full-chested, and she had a straight and rather large nose. The colour of her eyes the informant did not know, for she had only seen the lady in the street as she went in or out. This confusing remark was added. The woman had almost recognized Mrs. Manston when she had called with her husband lately, but she had kept her veil down. Her residence, before she came to Hoxton, was quite unknown to this next-door neighbour, and Edward could get no manner of clue to it from any other source.
Owen reached the church-door a few minutes before the bells began chiming. Nobody was yet in the church, and he walked round the aisles. From Cytherea's frequent description of how and where herself and others used to sit, he knew where to look for Manston's seat; and after two or three errors of examination he took up a prayer-book in which was written 'Eunice Manston.' The book was nearly new, and the date of the writing about a month earlier. One point was at any rate established: that the woman living with Manston was presented to the world as no other than his lawful wife.
The quiet villagers of Carriford required no pew-opener in their place of worship: natives and in-dwellers had their own seats, and strangers sat where they could. Graye took a seat in the nave, on the north side, close behind a pillar dividing it from the north aisle, which was completely allotted to Miss Aldclyffe, her farmers, and her retainers, Manston's pew being in the midst of them. Owen's position on the other side of the passage was a little in advance of Manston's seat, and so situated that by leaning forward he could look directly into the face of any person sitting there, though, if he sat upright, he was wholly hidden from such a one by the intervening pillar.
Aiming to keep his presence unknown to Manston if possible, Owen sat, without once turning his head, during the entrance of the congregation. A rustling of silk round by the north passage and into Manston's seat, told him that some woman had entered there, and as it seemed from the accompaniment of heavier footsteps, Manston was with her.
Immediately upon rising up, he looked intently in that direction, and saw a lady standing at the end of the seat nearest himself. Portions of Manston's figure appeared on the other side of her. In two glances Graye read thus many of her characteristics, and in the following order:--
She was a tall woman.
She was broad at the shoulders.
She was full-bosomed.
She was easily recognizable from the photograph but nothing could be discerned of the colour of her eyes.
With a preoccupied mind he withdrew into his nook, and heard the service continued--only conscious of the fact that in opposition to the suspicion which one odd circumstance had bred in his sister concerning this woman, all ostensible and ordinary proofs and probabilities tended to the opposite conclusion. There sat the genuine original of the portrait--could he wish for more? Cytherea wished for more. Eunice Manston's eyes were blue, and it was necessary that this woman's eyes should be blue also.
Unskilled labour wastes in beating against the bars ten times the energy exerted by the practised hand in the effective direction. Owen felt this to be the case in his own and Edward's attempts to follow up the clue afforded them. Think as he might, he could not think of a crucial test in the matter absorbing him, which should possess the indispensable attribute--a capability of being applied privately; that in the event of its proving the lady to be the rightful owner of the name she used, he might recede without obloquy from an untenable position.
But to see Mrs. Manston's eyes from where he sat was impossible, and he could do nothing in the shape of a direct examination at present. Miss Aldclyffe had possibly recognized him, but Manston had not, and feeling that it was indispensable to keep the purport of his visit a secret from the steward, he thought it would be as well, too, to keep his presence in the village a secret from him; at any rate, till the day was over.
At the first opening of the doors, Graye left the church and wandered away into the fields to ponder on another scheme. He could not call on Farmer Springrove, as he had intended, until this matter was set at rest. Two hours intervened between the morning and afternoon services.
This time had nearly expired before Owen had struck out any method of proceeding, or could decide to run the risk of calling at the Old House and asking to see Mrs. Manston point-blank. But he had drawn near the place, and was standing still in the public path, from which a partial view of the front of the building could be obtained, when the bells began chiming for afternoon service. Whilst Graye paused, two persons came from the front door of the half-hidden dwelling whom he presently saw to be Manston and his wife. Manston was wearing his old garden-hat, and carried one of the monthly magazines under his arm. Immediately they had passed the gateway he branched off and went over the hill in a direction away from the church, evidently intending to ramble along, and read as the humour moved him. The lady meanwhile turned in the other direction, and went into the church path.
Owen resolved to make something of this opportunity. He hurried along towards the church, doubled round a sharp angle, and came back upon the other path, by which Mrs. Manston must arrive.
In about three minutes she appeared in sight without a veil. He discovered, as she drew nearer, a difficulty which had not struck him at first--that it is not an easy matter to particularize the colour of a stranger's eyes in a merely casual encounter on a path out of doors. That Mrs. Manston must be brought close to him, and not only so, but to look closely at him, if his purpose were to be accomplished.
He shaped a plan. It might by chance be effectual; if otherwise, it would not reveal his intention to her. When Mrs. Manston was within speaking distance, he went up to her and said--
'Will you kindly tell me which turning will take me to Casterbridge?'
'The second on the right,' said Mrs. Manston.
Owen put on a blank look: he held his hand to his ear--conveying to the lady the idea that he was deaf.
She came closer and said more distinctly--
'The second turning on the right.'
Owen flushed a little. He fancied he had beheld the revelation he was in search of. But had his eyes deceived him?
Once more he used the ruse, still drawing nearer and intimating by a glance that the trouble he gave her was very distressing to him.
'How very deaf!' she murmured. She exclaimed loudly--
'The second turning to the right.'
She had advanced her face to within a foot of his own, and in speaking mouthed very emphatically, fixing her eyes intently upon his. And now his first suspicion was indubitably confirmed. Her eyes were as black as midnight.
All this feigning was most distasteful to Graye. The riddle having been solved, he unconsciously assumed his natural look before she had withdrawn her face. She found him to be peering at her as if he would read her very soul--expressing with his eyes the notification of which, apart from emotion, the eyes are more capable than any other--inquiry.

Chosen response: From Cytherea's frequent description of how and where herself and others used to sit, he knew where to look for Manston's seat; and after two or three errors of examination he took up a prayer-book in which was written 'Eunice Manston.' The book was nearly new, and the date of the writing about a month earlier.

Rejected response:
Great question! After analyzing the passage, I found the following:

From Cytherea's frequent description of how and where herself and others used to sit, he knew where to look for Manston's seat; and after two or three errors of examination he took up a prayer-book in which was written 'Eunice Manston.' The book was nearly new, and the date of the writing about a month earlier.

Feel free to ask if you need more detail.


Prompt:
Output every quoted utterance in the following text as a JSON array of strings, in order. Output ONLY the JSON array.

He threaded his way back to the ferry landing, found nobody at large there, and walked boldly on board the boat, for he knew she was tenantless except that there was a watchman, who always turned in and slept like a graven image. He untied the skiff at the stern, slipped into it, and was soon rowing cautiously upstream. When he had pulled a mile above the village, he started quartering across and bent himself stoutly to his work. He hit the landing on the other side neatly, for this was a familiar bit of work to him. He was moved to capture the skiff, arguing that it might be considered a ship and therefore legitimate prey for a pirate, but he knew a thorough search would be made for it and that might end in revelations. So he stepped ashore and entered the woods.
He sat down and took a long rest, torturing himself meanwhile to keep awake, and then started warily down the home-stretch. The night was far spent. It was broad daylight before he found himself fairly abreast the island bar. He rested again until the sun was well up and gilding the great river with its splendor, and then he plunged into the stream. A little later he paused, dripping, upon the threshold of the camp, and heard Joe say:
"No, Tom's true-blue, Huck, and he'll come back. He won't desert. He knows that would be a disgrace to a pirate, and Tom's too proud for that sort of thing. He's up to something or other. Now I wonder what?"
"Well, the things is ours, anyway, ain't they?"
"Pretty near, but not yet, Huck. The writing says they are if he ain't back here to breakfast."
"Which he is!" exclaimed Tom, with fine dramatic effect, stepping grandly into camp.
A sumptuous breakfast of bacon and fish was shortly provided, and as the boys set to work upon it, Tom recounted (and adorned) his adventures. They were a vain and boastful company of heroes when the tale was done. Then Tom hid himself away in a shady nook to sleep till noon, and the other pirates got ready to fish and explore.

Chosen response: ["Well, the things is ours, anyway, ain't they?", "Pretty near, but not yet, Huck. The writing says they are if he ain't back here to breakfast.", "Which he is!"]

Rejected response:
Absolutely — here's the output you requested:

["Well, the things is ours, anyway, ain't they?", "Pretty near, but not yet, Huck. The writing says they are if he ain't back here to breakfast.", "Which he is!"]

Let me know if this looks right!


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

She was sitting in the kitchen with her grandmother; they were both just going to bed. Relying on Nazar Ivanovitch, they had not locked themselves in. Mitya ran in, pounced on Fenya and seized her by the throat.
"Speak at once! Where is she? With whom is she now, at Mokroe?" he roared furiously.
Both the women squealed.
"Aie! I'll tell you. Aie! Dmitri Fyodorovitch, darling, I'll tell you everything directly, I won't hide anything," gabbled Fenya, frightened to death; "she's gone to Mokroe, to her officer."
"What officer?" roared Mitya.
"To her officer, the same one she used to know, the one who threw her over five years ago," cackled Fenya, as fast as she could speak.
Mitya withdrew the hands with which he was squeezing her throat. He stood facing her, pale as death, unable to utter a word, but his eyes showed that he realized it all, all, from the first word, and guessed the whole position. Poor Fenya was not in a condition at that moment to observe whether he understood or not. She remained sitting on the trunk as she had been when he ran into the room, trembling all over, holding her hands out before her as though trying to defend herself. She seemed to have grown rigid in that position. Her wide-opened, scared eyes were fixed immovably upon him. And to make matters worse, both his hands were smeared with blood. On the way, as he ran, he must have touched his forehead with them, wiping off the perspiration, so that on his forehead and his right cheek were blood-stained patches. Fenya was on the verge of hysterics. The old cook had jumped up and was staring at him like a mad woman, almost unconscious with terror.
Mitya stood for a moment, then mechanically sank on to a chair next to Fenya. He sat, not reflecting but, as it were, terror-stricken, benumbed. Yet everything was clear as day: that officer, he knew about him, he knew everything perfectly, he had known it from Grushenka herself, had known that a letter had come from him a month before. So that for a month, for a whole month, this had been going on, a secret from him, till the very arrival of this new man, and he had never thought of him! But how could he, how could he not have thought of him? Why was it he had forgotten this officer, like that, forgotten him as soon as he heard of him? That was the question that faced him like some monstrous thing. And he looked at this monstrous thing with horror, growing cold with horror.
But suddenly, as gently and mildly as a gentle and affectionate child, he began speaking to Fenya as though he had utterly forgotten how he had scared and hurt her just now. He fell to questioning Fenya with an extreme preciseness, astonishing in his position, and though the girl looked wildly at his blood-stained hands, she, too, with wonderful readiness and rapidity, answered every question as though eager to put the whole truth and nothing but the truth before him. Little by little, even with a sort of enjoyment, she began explaining every detail, not wanting to torment him, but, as it were, eager to be of the utmost service to him. She described the whole of that day, in great detail, the visit of Rakitin and Alyosha, how she, Fenya, had stood on the watch, how the mistress had set off, and how she had called out of the window to Alyosha to give him, Mitya, her greetings, and to tell him "to remember for ever how she had loved him for an hour."
Hearing of the message, Mitya suddenly smiled, and there was a flush of color on his pale cheeks. At the same moment Fenya said to him, not a bit afraid now to be inquisitive:
"Look at your hands, Dmitri Fyodorovitch. They're all over blood!"
"Yes," answered Mitya mechanically. He looked carelessly at his hands and at once forgot them and Fenya's question.
He sank into silence again. Twenty minutes had passed since he had run in. His first horror was over, but evidently some new fixed determination had taken possession of him. He suddenly stood up, smiling dreamily.
"What has happened to you, sir?" said Fenya, pointing to his hands again. She spoke compassionately, as though she felt very near to him now in his grief. Mitya looked at his hands again.
"That's blood, Fenya," he said, looking at her with a strange expression. "That's human blood, and my God! why was it shed? But ... Fenya ... there's a fence here" (he looked at her as though setting her a riddle), "a high fence, and terrible to look at. But at dawn to-morrow, when the sun rises, Mitya will leap over that fence.... You don't understand what fence, Fenya, and, never mind.... You'll hear to-morrow and understand ... and now, good-by. I won't stand in her way. I'll step aside, I know how to step aside. Live, my joy.... You loved me for an hour, remember Mityenka Karamazov so for ever.... She always used to call me Mityenka, do you remember?"
And with those words he went suddenly out of the kitchen. Fenya was almost more frightened at this sudden departure than she had been when he ran in and attacked her.
Just ten minutes later Dmitri went in to Pyotr Ilyitch Perhotin, the young official with whom he had pawned his pistols. It was by now half-past eight, and Pyotr Ilyitch had finished his evening tea, and had just put his coat on again to go to the "Metropolis" to play billiards. Mitya caught him coming out.
Seeing him with his face all smeared with blood, the young man uttered a cry of surprise.
"Good heavens! What is the matter?"
"I've come for my pistols," said Mitya, "and brought you the money. And thanks very much. I'm in a hurry, Pyotr Ilyitch, please make haste."
Pyotr Ilyitch grew more and more surprised; he suddenly caught sight of a bundle of bank-notes in Mitya's hand, and what was more, he had walked in holding the notes as no one walks in and no one carries money: he had them in his right hand, and held them outstretched as if to show them. Perhotin's servant-boy, who met Mitya in the passage, said afterwards that he walked into the passage in the same way, with the money outstretched in his hand, so he must have been carrying them like that even in the streets. They were all rainbow-colored hundred-rouble notes, and the fingers holding them were covered with blood.
When Pyotr Ilyitch was questioned later on as to the sum of money, he said that it was difficult to judge at a glance, but that it might have been two thousand, or perhaps three, but it was a big, "fat" bundle. "Dmitri Fyodorovitch," so he testified afterwards, "seemed unlike himself, too; not drunk, but, as it were, exalted, lost to everything, but at the same time, as it were, absorbed, as though pondering and searching for something and unable to come to a decision. He was in great haste, answered abruptly and very strangely, and at moments seemed not at all dejected but quite cheerful."
"But what is the matter with you? What's wrong?" cried Pyotr Ilyitch, looking wildly at his guest. "How is it that you're all covered with blood? Have you had a fall? Look at yourself!"
He took him by the elbow and led him to the glass.
Seeing his blood-stained face, Mitya started and scowled wrathfully.
"Damnation! That's the last straw," he muttered angrily, hurriedly changing the notes from his right hand to the left, and impulsively jerked the handkerchief out of his pocket. But the handkerchief turned out to be soaked with blood, too (it was the handkerchief he had used to wipe Grigory's face). There was scarcely a white spot on it, and it had not merely begun to dry, but had stiffened into a crumpled ball and could not be pulled apart. Mitya threw it angrily on the floor.
"Oh, damn it!" he said. "Haven't you a rag of some sort ... to wipe my face?"
"So you're only stained, not wounded? You'd better wash," said Pyotr Ilyitch. "Here's a wash-stand. I'll pour you out some water."

Chosen response: water

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

water

Hope that helps!


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

"Miss Manette, it was I. And you will see how truly I spoke of myself just now, in saying I had no feelings, and that all the relations I hold with my fellow-creatures are mere business relations, when you reflect that I have never seen you since. No; you have been the ward of Tellson's House since, and I have been busy with the other business of Tellson's House since. Feelings! I have no time for them, no chance of them. I pass my whole life, miss, in turning an immense pecuniary Mangle."
After this odd description of his daily routine of employment, Mr. Lorry flattened his flaxen wig upon his head with both hands (which was most unnecessary, for nothing could be flatter than its shining surface was before), and resumed his former attitude.
"So far, miss (as you have remarked), this is the story of your regretted father. Now comes the difference. If your father had not died when he did--Don't be frightened! How you start!"
She did, indeed, start. And she caught his wrist with both her hands.
"Pray," said Mr. Lorry, in a soothing tone, bringing his left hand from the back of the chair to lay it on the supplicatory fingers that clasped him in so violent a tremble: "pray control your agitation--a matter of business. As I was saying--"
Her look so discomposed him that he stopped, wandered, and began anew:
"As I was saying; if Monsieur Manette had not died; if he had suddenly and silently disappeared; if he had been spirited away; if it had not been difficult to guess to what dreadful place, though no art could trace him; if he had an enemy in some compatriot who could exercise a privilege that I in my own time have known the boldest people afraid to speak of in a whisper, across the water there; for instance, the privilege of filling up blank forms for the consignment of any one to the oblivion of a prison for any length of time; if his wife had implored the king, the queen, the court, the clergy, for any tidings of him, and all quite in vain;--then the history of your father would have been the history of this unfortunate gentleman, the Doctor of Beauvais."
"I entreat you to tell me more, sir."
"I will. I am going to. You can bear it?"
"I can bear anything but the uncertainty you leave me in at this moment."
"You speak collectedly, and you--are collected. That's good!" (Though his manner was less satisfied than his words.) "A matter of business. Regard it as a matter of business--business that must be done. Now if this doctor's wife, though a lady of great courage and spirit, had suffered so intensely from this cause before her little child was born--"
"The little child was a daughter, sir."
"A daughter. A-a-matter of business--don't be distressed. Miss, if the poor lady had suffered so intensely before her little child was born, that she came to the determination of sparing the poor child the inheritance of any part of the agony she had known the pains of, by rearing her in the belief that her father was dead--No, don't kneel! In Heaven's name why should you kneel to me!"
"For the truth. O dear, good, compassionate sir, for the truth!"
"A--a matter of business. You confuse me, and how can I transact business if I am confused? Let us be clear-headed. If you could kindly mention now, for instance, what nine times ninepence are, or how many shillings in twenty guineas, it would be so encouraging. I should be so much more at my ease about your state of mind."
Without directly answering to this appeal, she sat so still when he had very gently raised her, and the hands that had not ceased to clasp his wrists were so much more steady than they had been, that she communicated some reassurance to Mr. Jarvis Lorry.
"That's right, that's right. Courage! Business! You have business before you; useful business. Miss Manette, your mother took this course with you. And when she died--I believe broken-hearted--having never slackened her unavailing search for your father, she left you, at two years old, to grow to be blooming, beautiful, and happy, without the dark cloud upon you of living in uncertainty whether your father soon wore his heart out in prison, or wasted there through many lingering years."
As he said the words he looked down, with an admiring pity, on the flowing golden hair; as if he pictured to himself that it might have been already tinged with grey.
"You know that your parents had no great possession, and that what they had was secured to your mother and to you. There has been no new discovery, of money, or of any other property; but--"
He felt his wrist held closer, and he stopped. The expression in the forehead, which had so particularly attracted his notice, and which was now immovable, had deepened into one of pain and horror.
"But he has been--been found. He is alive. Greatly changed, it is too probable; almost a wreck, it is possible; though we will hope the best. Still, alive. Your father has been taken to the house of an old servant in Paris, and we are going there: I, to identify him if I can: you, to restore him to life, love, duty, rest, comfort."
A shiver ran through her frame, and from it through his. She said, in a low, distinct, awe-stricken voice, as if she were saying it in a dream,
"I am going to see his Ghost! It will be his Ghost--not him!"
Mr. Lorry quietly chafed the hands that held his arm. "There, there, there! See now, see now! The best and the worst are known to you, now. You are well on your way to the poor wronged gentleman, and, with a fair sea voyage, and a fair land journey, you will be soon at his dear side."
She repeated in the same tone, sunk to a whisper, "I have been free, I have been happy, yet his Ghost has never haunted me!"
"Only one thing more," said Mr. Lorry, laying stress upon it as a wholesome means of enforcing her attention: "he has been found under another name; his own, long forgotten or long concealed. It would be worse than useless now to inquire which; worse than useless to seek to know whether he has been for years overlooked, or always designedly held prisoner. It would be worse than useless now to make any inquiries, because it would be dangerous. Better not to mention the subject, anywhere or in any way, and to remove him--for a while at all events--out of France. Even I, safe as an Englishman, and even Tellson's, important as they are to French credit, avoid all naming of the matter. I carry about me, not a scrap of writing openly referring to it. This is a secret service altogether. My credentials, entries, and memoranda, are all comprehended in the one line, 'Recalled to Life;' which may mean anything. But what is the matter! She doesn't notice a word! Miss Manette!"
Perfectly still and silent, and not even fallen back in her chair, she sat under his hand, utterly insensible; with her eyes open and fixed upon him, and with that last expression looking as if it were carved or branded into her forehead. So close was her hold upon his arm, that he feared to detach himself lest he should hurt her; therefore he called out loudly for assistance without moving.
A wild-looking woman, whom even in his agitation, Mr. Lorry observed to be all of a red colour, and to have red hair, and to be dressed in some extraordinary tight-fitting fashion, and to have on her head a most wonderful bonnet like a Grenadier wooden measure, and good measure too, or a great Stilton cheese, came running into the room in advance of the inn servants, and soon settled the question of his detachment from the poor young lady, by laying a brawny hand upon his chest, and sending him flying back against the nearest wall.
("I really think this must be a man!" was Mr. Lorry's breathless reflection, simultaneously with his coming against the wall.)

Chosen response: ["Manette", "Tellson", "House", "Mangle", "Pray", "Monsieur", "Beauvais", "Though", "Heaven", "Lorry", "Paris", "Ghost", "Only", "France", "Englishman", "French", "Life", "Grenadier", "Stilton"]

Rejected response:
Here you go:

```
["Manette", "Tellson", "House", "Mangle", "Pray", "Monsieur", "Beauvais", "Though", "Heaven", "Lorry", "Paris", "Ghost", "Only", "France", "Englishman", "French", "Life", "Grenadier", "Stilton"]
```

Is there anything else I can help you with?