Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

WHILE these things were passing in the country workhouse, Mr. Fagin sat in the old den—the same from which Oliver had been removed by the girl—brooding over a dull smoky fire. He held a pair of bellows upon his knee, with which he had apparently been endeavouring to rouse it into more cheerful action; but he had fallen into deep thought, and with his arms folded upon them, and his chin resting on his thumbs, fixed his eyes abstractedly on the rusty bars.
At a table behind him sat the Artful Dodger, Master Charles Bates, and Mr. Chitling, all intent upon a game of whist; the Artful taking dummy against Master Bates and Mr. Chitling. The countenance of the first-named gentleman, peculiarly intelligent at all times, acquired great additional interest from his close observance of the game, and his attentive perusal of Mr. Chitling's hand, upon which, from time to time, as occasion served, he bestowed a variety of earnest glances, wisely regulating his own play by the result of his observations upon his neighbour's cards. It being a cold night, the Dodger wore his hat, as, indeed, was often his custom within doors. He also sustained a clay pipe between his teeth, which he only removed for a brief space when he deemed it necessary to apply for refreshment to a quart-pot upon the table, which stood ready filled with gin and water for the accommodation of the company.
Master Bates was also attentive to the play; but being of a more excitable nature than his accomplished friend, it was observable that he more frequently applied himself to the gin and water, and moreover indulged in many jests and irrelevant remarks, all highly unbecoming a scientific rubber. Indeed, the Artful, presuming upon their close attachment, more than once took occasion to reason gravely with his companion upon these improprieties: all of which remonstrances Master Bates took in extremely good part, merely requesting his friend to be "blowed," or to insert his head in a sack, or replying with some other neatly-turned witticism of a similar kind, the happy application of which excited considerable admiration in the mind of Mr. Chitling. It was remarkable that the latter gentleman and his partner invariably lost, and that the circumstance, so far from angering Master Bates, appeared to afford him the highest amusement, inasmuch as he laughed most uproariously at the end of every deal, and protested that he had never seen such a jolly game in all his born days.
"That's two doubles and the rub," said Mr. Chitling, with a very long face, as he drew half-a-crown from his waistcoat-pocket "I never see such a feller as you, Jack; you win every thing. Even when we've good cards, Charley and I can't make nothing of 'em."
Either the matter or manner of this remark, which was made very ruefully, delighted Charley Bates so much, that his consequent shout of laughter roused the Jew from his reverie, and induced him to inquire what was the matter.
"Matter, Fagin!" cried Charley. "I wish you had watched a play. Tommy Chitling hasn't won the point, and I went partners with him against the Artful and dum."
"Ay, ay!" said the Jew, with a grin, which sufficiently demonstrated that he was at no loss to understand the reason. "Try 'em again, Tom; try 'em again."
"No more of it for me, thankee, Fagin," replied Mr. Chitling; "I've had enough. That 'ere Dodger has such a run of luck that there's no standing again' him."
"Ha! ha! my dear," replied the Jew, "you must get up very early in the morning to win against the Dodger."
"Morning!" said Charley Bates; "you must put your boots on overnight, and have a telescope at each eye, and a opera-glass between your shoulders, if you want to come over him."
Mr. Dawkins received these handsome compliments with much philosophy, and offered to cut any gentleman in company for the first picture-card, at a shilling a time. Nobody accepting the challenge, and his pipe being by this time smoked out, he proceeded to amuse himself by sketching a ground-plan of Newgate on the table with the piece of chalk which had served him in lieu of counters; whistling meantime with peculiar shrillness.
"How precious dull you are, Tommy!" said the Dodger, stopping short when there had been a long silence, and addressing Mr. Chitling. "What do you think he's thinking of, Fagin?"
"How should I know, my dear?" replied the Jew, looking round as he plied the bellows. "About his losses, maybe; or the little retirement in the country that he's just left, eh?—Ha! ha! Is that it, my dear?"
"Not a bit of it," replied the Dodger, stopping the subject of discourse as Mr. Chitling was about to reply. "What do you say, Charley?"
"I should say," replied Master Bates, with a grin, "that he was uncommon sweet upon Betsy. See how he's a-blushing! Oh, my eye! here's a merry-go-rounder!—Tommy Chitling's in love!—Oh, Fagin, Fagin! what a spree!"
Thoroughly overpowered with the notion of Mr. Chitling being the victim of the tender passion, Master Bates threw himself back in his chair with such violence that he lost his balance, and pitched over upon the floor, where (the accident abating nothing of his merriment) he lay at full length till his laugh was over, when he resumed his former position and began another.
"Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom: stick up to her."
"What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here."
"No more it is," replied the Jew "Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you'll make your fortune."
"So I do do as she bids me," replied Mr. Chitling; "I shouldn't have been milled if it hadn't been for her advice. But it turned out a good job for you, didn't it, Fagin? And what's six weeks of it? It must come some time or another; and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?"
"Ah, to be sure, my dear," replied the Jew.
"You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?"
"I mean to say that I shouldn't," replied Tom, angrily; "there, now! Ah! Who'll say as much as that, I should like to know; eh, Fagin?"
"Nobody, my dear," replied the Jew; "not a soul, Tom. I don't know one of 'em that would do it besides you; not one of 'em, my dear."
"I might have got clear off if I'd split upon her; mighn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?"
"To be sure it would, my dear," replied the Jew.
"But I didn't blab it, did I, Fagin?" demanded Tom, pouring question upon question with great volubility.
"No, no, to be sure," replied the Jew; "you were too stout-hearted for that,—a deal too stout, my dear."
"Perhaps I was," rejoined Tom, looking round; "and if I was, what's to laugh at in that; eh, Fagin?"
The Jew, perceiving that Mr. Chitling was considerably roused, hastened to assure him that nobody was laughing, and, to prove the gravity of the company, appealed to Master Bates, the principal offender; but unfortunately Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar that the abused Mr. Chitling, without any preliminary ceremonies rushed across the room, and aimed a blow at the offender, who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay.
"Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly up stairs.

Chosen response: Indeed, the Artful, presuming upon their close attachment, more than once took occasion to reason gravely with his companion upon these improprieties: all of which remonstrances Master Bates took in extremely good part, merely requesting his friend to be "blowed," or to insert his head in a sack, or replying with some other neatly-turned witticism of a similar kind, the happy application of which excited considerable admiration in the mind of Mr.

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

Indeed, the Artful, presuming upon their close attachment, more than once took occasion to reason gravely with his companion upon these improprieties: all of which remonstrances Master Bates took in extremely good part, merely requesting his friend to be "blowed," or to insert his head in a sack, or replying with some other neatly-turned witticism of a similar kind, the happy application of which excited considerable admiration in the mind of Mr.

Hope that helps!


Prompt:
Output every quoted utterance in the following text as a JSON array of strings, in order. Output ONLY the JSON array.

"Oh, what a pity," exclaimed Alyosha, with feeling, "that I didn't know before what terms you were on with him, or I'd have come to you long ago to beg you to go to him with me. Would you believe it, when he was feverish he talked about you in delirium. I didn't know how much you were to him! And you've really not succeeded in finding that dog? His father and the boys have been hunting all over the town for it. Would you believe it, since he's been ill, I've three times heard him repeat with tears, 'It's because I killed Zhutchka, father, that I am ill now. God is punishing me for it.' He can't get that idea out of his head. And if the dog were found and proved to be alive, one might almost fancy the joy would cure him. We have all rested our hopes on you."
"Tell me, what made you hope that I should be the one to find him?" Kolya asked, with great curiosity. "Why did you reckon on me rather than any one else?"
"There was a report that you were looking for the dog, and that you would bring it when you'd found it. Smurov said something of the sort. We've all been trying to persuade Ilusha that the dog is alive, that it's been seen. The boys brought him a live hare; he just looked at it, with a faint smile, and asked them to set it free in the fields. And so we did. His father has just this moment come back, bringing him a mastiff pup, hoping to comfort him with that; but I think it only makes it worse."
"Tell me, Karamazov, what sort of man is the father? I know him, but what do you make of him—a mountebank, a buffoon?"
"Oh, no; there are people of deep feeling who have been somehow crushed. Buffoonery in them is a form of resentful irony against those to whom they daren't speak the truth, from having been for years humiliated and intimidated by them. Believe me, Krassotkin, that sort of buffoonery is sometimes tragic in the extreme. His whole life now is centered in Ilusha, and if Ilusha dies, he will either go mad with grief or kill himself. I feel almost certain of that when I look at him now."
"I understand you, Karamazov. I see you understand human nature," Kolya added, with feeling.
"And as soon as I saw you with a dog, I thought it was Zhutchka you were bringing."
"Wait a bit, Karamazov, perhaps we shall find it yet; but this is Perezvon. I'll let him go in now and perhaps it will amuse Ilusha more than the mastiff pup. Wait a bit, Karamazov, you will know something in a minute. But, I say, I am keeping you here!" Kolya cried suddenly. "You've no overcoat on in this bitter cold. You see what an egoist I am. Oh, we are all egoists, Karamazov!"
"Don't trouble; it is cold, but I don't often catch cold. Let us go in, though, and, by the way, what is your name? I know you are called Kolya, but what else?"
"Nikolay—Nikolay Ivanovitch Krassotkin, or, as they say in official documents, 'Krassotkin son.'" Kolya laughed for some reason, but added suddenly, "Of course I hate my name Nikolay."
"Why so?"
"It's so trivial, so ordinary."
"You are thirteen?" asked Alyosha.
"No, fourteen—that is, I shall be fourteen very soon, in a fortnight. I'll confess one weakness of mine, Karamazov, just to you, since it's our first meeting, so that you may understand my character at once. I hate being asked my age, more than that ... and in fact ... there's a libelous story going about me, that last week I played robbers with the preparatory boys. It's a fact that I did play with them, but it's a perfect libel to say I did it for my own amusement. I have reasons for believing that you've heard the story; but I wasn't playing for my own amusement, it was for the sake of the children, because they couldn't think of anything to do by themselves. But they've always got some silly tale. This is an awful town for gossip, I can tell you."
"But what if you had been playing for your own amusement, what's the harm?"
"Come, I say, for my own amusement! You don't play horses, do you?"
"But you must look at it like this," said Alyosha, smiling. "Grown-up people go to the theater and there the adventures of all sorts of heroes are represented—sometimes there are robbers and battles, too—and isn't that just the same thing, in a different form, of course? And young people's games of soldiers or robbers in their playtime are also art in its first stage. You know, they spring from the growing artistic instincts of the young. And sometimes these games are much better than performances in the theater, the only difference is that people go there to look at the actors, while in these games the young people are the actors themselves. But that's only natural."
"You think so? Is that your idea?" Kolya looked at him intently. "Oh, you know, that's rather an interesting view. When I go home, I'll think it over. I'll admit I thought I might learn something from you. I've come to learn of you, Karamazov," Kolya concluded, in a voice full of spontaneous feeling.
"And I of you," said Alyosha, smiling and pressing his hand.
Kolya was much pleased with Alyosha. What struck him most was that he treated him exactly like an equal and that he talked to him just as if he were "quite grown up."
"I'll show you something directly, Karamazov; it's a theatrical performance, too," he said, laughing nervously. "That's why I've come."
"Let us go first to the people of the house, on the left. All the boys leave their coats in there, because the room is small and hot."
"Oh, I'm only coming in for a minute. I'll keep on my overcoat. Perezvon will stay here in the passage and be dead. Ici, Perezvon, lie down and be dead! You see how he's dead. I'll go in first and explore, then I'll whistle to him when I think fit, and you'll see, he'll dash in like mad. Only Smurov must not forget to open the door at the moment. I'll arrange it all and you'll see something."

Chosen response: ["Oh, what a pity,", "Tell me, what made you hope that I should be the one to find him?", "Why did you reckon on me rather than any one else?", "Tell me, Karamazov, what sort of man is the father? I know him, but what do you make of him\u2014a mountebank, a buffoon?", "I understand you, Karamazov. I see you understand human nature,", "And as soon as I saw you with a dog, I thought it was Zhutchka you were bringing.", " Kolya cried suddenly. ", "Don't trouble; it is cold, but I don't often catch cold. Let us go in, though, and, by the way, what is your name? I know you are called Kolya, but what else?", "Nikolay\u2014Nikolay Ivanovitch Krassotkin, or, as they say in official documents, 'Krassotkin son.'", "Of course I hate my name Nikolay.", "Why so?", "It's so trivial, so ordinary.", "You are thirteen?", "But what if you had been playing for your own amusement, what's the harm?", "Come, I say, for my own amusement! You don't play horses, do you?", "But you must look at it like this,", "You think so? Is that your idea?", "Oh, you know, that's rather an interesting view. When I go home, I'll think it over. I'll admit I thought I might learn something from you. I've come to learn of you, Karamazov,", "And I of you,", "quite grown up.", "I'll show you something directly, Karamazov; it's a theatrical performance, too,", "That's why I've come.", "Let us go first to the people of the house, on the left. All the boys leave their coats in there, because the room is small and hot."]

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

["Oh, what a pity,", "Tell me, what made you hope that I should be the one to find him?", "Why did you reckon on me rather than any one else?", "Tell me, Karamazov, what sort of man is the father? I know him, but what do you make of him\u2014a mountebank, a buffoon?", "I understand you, Karamazov. I see you understand human nature,", "And as soon as I saw you with a dog, I thought it was Zhutchka you were bringing.", " Kolya cried suddenly. ", "Don't trouble; it is cold, but I don't often catch cold. Let us go in, though, and, by the way, what is your name? I know you are called Kolya, but what else?", "Nikolay\u2014Nikolay Ivanovitch Krassotkin, or, as they say in official documents, 'Krassotkin son.'", "Of course I hate my name Nikolay.", "Why so?", "It's so trivial, so ordinary.", "You are thirteen?", "But what if you had been playing for your own amusement, what's the harm?", "Come, I say, for my own amusement! You don't play horses, do you?", "But you must look at it like this,", "You think so? Is that your idea?", "Oh, you know, that's rather an interesting view. When I go home, I'll think it over. I'll admit I thought I might learn something from you. I've come to learn of you, Karamazov,", "And I of you,", "quite grown up.", "I'll show you something directly, Karamazov; it's a theatrical performance, too,", "That's why I've come.", "Let us go first to the people of the house, on the left. All the boys leave their coats in there, because the room is small and hot."]

Hope that helps!


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

"Thank goodness he did not ask me about Grushenka," thought Alyosha, as he left his father's house and turned towards Madame Hohlakov's, "or I might have to tell him of my meeting with Grushenka yesterday."
Alyosha felt painfully that since yesterday both combatants had renewed their energies, and that their hearts had grown hard again. "Father is spiteful and angry, he's made some plan and will stick to it. And what of Dmitri? He too will be harder than yesterday, he too must be spiteful and angry, and he too, no doubt, has made some plan. Oh, I must succeed in finding him to-day, whatever happens."
But Alyosha had not long to meditate. An incident occurred on the road, which, though apparently of little consequence, made a great impression on him. Just after he had crossed the square and turned the corner coming out into Mihailovsky Street, which is divided by a small ditch from the High Street (our whole town is intersected by ditches), he saw a group of schoolboys between the ages of nine and twelve, at the bridge. They were going home from school, some with their bags on their shoulders, others with leather satchels slung across them, some in short jackets, others in little overcoats. Some even had those high boots with creases round the ankles, such as little boys spoilt by rich fathers love to wear. The whole group was talking eagerly about something, apparently holding a council. Alyosha had never from his Moscow days been able to pass children without taking notice of them, and although he was particularly fond of children of three or thereabout, he liked schoolboys of ten and eleven too. And so, anxious as he was to-day, he wanted at once to turn aside to talk to them. He looked into their excited rosy faces, and noticed at once that all the boys had stones in their hands. Behind the ditch some thirty paces away, there was another schoolboy standing by a fence. He too had a satchel at his side. He was about ten years old, pale, delicate-looking and with sparkling black eyes. He kept an attentive and anxious watch on the other six, obviously his schoolfellows with whom he had just come out of school, but with whom he had evidently had a feud.
Alyosha went up and, addressing a fair, curly-headed, rosy boy in a black jacket, observed:
"When I used to wear a satchel like yours, I always used to carry it on my left side, so as to have my right hand free, but you've got yours on your right side. So it will be awkward for you to get at it."
Alyosha had no art or premeditation in beginning with this practical remark. But it is the only way for a grown-up person to get at once into confidential relations with a child, or still more with a group of children. One must begin in a serious, businesslike way so as to be on a perfectly equal footing. Alyosha understood it by instinct.
"But he is left-handed," another, a fine healthy-looking boy of eleven, answered promptly. All the others stared at Alyosha.
"He even throws stones with his left hand," observed a third.
At that instant a stone flew into the group, but only just grazed the left-handed boy, though it was well and vigorously thrown by the boy standing the other side of the ditch.
"Give it him, hit him back, Smurov," they all shouted. But Smurov, the left-handed boy, needed no telling, and at once revenged himself; he threw a stone, but it missed the boy and hit the ground. The boy the other side of the ditch, the pocket of whose coat was visibly bulging with stones, flung another stone at the group; this time it flew straight at Alyosha and hit him painfully on the shoulder.
"He aimed it at you, he meant it for you. You are Karamazov, Karamazov!" the boys shouted, laughing. "Come, all throw at him at once!" and six stones flew at the boy. One struck the boy on the head and he fell down, but at once leapt up and began ferociously returning their fire. Both sides threw stones incessantly. Many of the group had their pockets full too.
"What are you about! Aren't you ashamed? Six against one! Why, you'll kill him," cried Alyosha.
He ran forward and met the flying stones to screen the solitary boy. Three or four ceased throwing for a minute.
"He began first!" cried a boy in a red shirt in an angry childish voice. "He is a beast, he stabbed Krassotkin in class the other day with a penknife. It bled. Krassotkin wouldn't tell tales, but he must be thrashed."
"But what for? I suppose you tease him."
"There, he sent a stone in your back again, he knows you," cried the children. "It's you he is throwing at now, not us. Come, all of you, at him again, don't miss, Smurov!" and again a fire of stones, and a very vicious one, began. The boy the other side of the ditch was hit in the chest; he screamed, began to cry and ran away uphill towards Mihailovsky Street. They all shouted: "Aha, he is funking, he is running away. Wisp of tow!"
"You don't know what a beast he is, Karamazov, killing is too good for him," said the boy in the jacket, with flashing eyes. He seemed to be the eldest.
"What's wrong with him?" asked Alyosha, "is he a tell-tale or what?"
The boys looked at one another as though derisively.
"Are you going that way, to Mihailovsky?" the same boy went on. "Catch him up.... You see he's stopped again, he is waiting and looking at you."
"He is looking at you," the other boys chimed in.
"You ask him, does he like a disheveled wisp of tow. Do you hear, ask him that!"
There was a general burst of laughter. Alyosha looked at them, and they at him.
"Don't go near him, he'll hurt you," cried Smurov in a warning voice.
"I shan't ask him about the wisp of tow, for I expect you tease him with that question somehow. But I'll find out from him why you hate him so."
"Find out then, find out," cried the boys, laughing.
Alyosha crossed the bridge and walked uphill by the fence, straight towards the boy.
"You'd better look out," the boys called after him; "he won't be afraid of you. He will stab you in a minute, on the sly, as he did Krassotkin."
The boy waited for him without budging. Coming up to him, Alyosha saw facing him a child of about nine years old. He was an undersized weakly boy with a thin pale face, with large dark eyes that gazed at him vindictively. He was dressed in a rather shabby old overcoat, which he had monstrously outgrown. His bare arms stuck out beyond his sleeves. There was a large patch on the right knee of his trousers, and in his right boot just at the toe there was a big hole in the leather, carefully blackened with ink. Both the pockets of his great-coat were weighed down with stones. Alyosha stopped two steps in front of him, looking inquiringly at him. The boy, seeing at once from Alyosha's eyes that he wouldn't beat him, became less defiant, and addressed him first.
"I am alone, and there are six of them. I'll beat them all, alone!" he said suddenly, with flashing eyes.
"I think one of the stones must have hurt you badly," observed Alyosha.
"But I hit Smurov on the head!" cried the boy.
"They told me that you know me, and that you threw a stone at me on purpose," said Alyosha.
The boy looked darkly at him.
"I don't know you. Do you know me?" Alyosha continued.
"Let me alone!" the boy cried irritably; but he did not move, as though he were expecting something, and again there was a vindictive light in his eyes.
"Very well, I am going," said Alyosha; "only I don't know you and I don't tease you. They told me how they tease you, but I don't want to tease you. Good-by!"

Chosen response: Goodby

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

Goodby

Hope that helps!


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

As he entered the box his eyes met Miss Welland's, and he saw that she had instantly understood his motive, though the family dignity which both considered so high a virtue would not permit her to tell him so. The persons of their world lived in an atmosphere of faint implications and pale delicacies, and the fact that he and she understood each other without a word seemed to the young man to bring them nearer than any explanation would have done. Her eyes said: "You see why Mamma brought me," and his answered: "I would not for the world have had you stay away."
"You know my niece Countess Olenska?" Mrs. Welland enquired as she shook hands with her future son-in-law. Archer bowed without extending his hand, as was the custom on being introduced to a lady; and Ellen Olenska bent her head slightly, keeping her own pale-gloved hands clasped on her huge fan of eagle feathers. Having greeted Mrs. Lovell Mingott, a large blonde lady in creaking satin, he sat down beside his betrothed, and said in a low tone: "I hope you've told Madame Olenska that we're engaged? I want everybody to know--I want you to let me announce it this evening at the ball."
Miss Welland's face grew rosy as the dawn, and she looked at him with radiant eyes. "If you can persuade Mamma," she said; "but why should we change what is already settled?" He made no answer but that which his eyes returned, and she added, still more confidently smiling: "Tell my cousin yourself: I give you leave. She says she used to play with you when you were children."
She made way for him by pushing back her chair, and promptly, and a little ostentatiously, with the desire that the whole house should see what he was doing, Archer seated himself at the Countess Olenska's side.
"We did use to play together, didn't we?" she asked, turning her grave eyes to his. "You were a horrid boy, and kissed me once behind a door; but it was your cousin Vandie Newland, who never looked at me, that I was in love with." Her glance swept the horse-shoe curve of boxes. "Ah, how this brings it all back to me--I see everybody here in knickerbockers and pantalettes," she said, with her trailing slightly foreign accent, her eyes returning to his face.
Agreeable as their expression was, the young man was shocked that they should reflect so unseemly a picture of the august tribunal before which, at that very moment, her case was being tried. Nothing could be in worse taste than misplaced flippancy; and he answered somewhat stiffly: "Yes, you have been away a very long time."
"Oh, centuries and centuries; so long," she said, "that I'm sure I'm dead and buried, and this dear old place is heaven;" which, for reasons he could not define, struck Newland Archer as an even more disrespectful way of describing New York society.
It invariably happened in the same way.
Mrs. Julius Beaufort, on the night of her annual ball, never failed to appear at the Opera; indeed, she always gave her ball on an Opera night in order to emphasise her complete superiority to household cares, and her possession of a staff of servants competent to organise every detail of the entertainment in her absence.
The Beauforts' house was one of the few in New York that possessed a ball-room (it antedated even Mrs. Manson Mingott's and the Headly Chiverses'); and at a time when it was beginning to be thought "provincial" to put a "crash" over the drawing-room floor and move the furniture upstairs, the possession of a ball-room that was used for no other purpose, and left for three-hundred-and-sixty-four days of the year to shuttered darkness, with its gilt chairs stacked in a corner and its chandelier in a bag; this undoubted superiority was felt to compensate for whatever was regrettable in the Beaufort past.
Mrs. Archer, who was fond of coining her social philosophy into axioms, had once said: "We all have our pet common people--" and though the phrase was a daring one, its truth was secretly admitted in many an exclusive bosom. But the Beauforts were not exactly common; some people said they were even worse. Mrs. Beaufort belonged indeed to one of America's most honoured families; she had been the lovely Regina Dallas (of the South Carolina branch), a penniless beauty introduced to New York society by her cousin, the imprudent Medora Manson, who was always doing the wrong thing from the right motive. When one was related to the Mansons and the Rushworths one had a "droit de cité" (as Mr. Sillerton Jackson, who had frequented the Tuileries, called it) in New York society; but did one not forfeit it in marrying Julius Beaufort?
The question was: who was Beaufort? He passed for an Englishman, was agreeable, handsome, ill-tempered, hospitable and witty. He had come to America with letters of recommendation from old Mrs. Manson Mingott's English son-in-law, the banker, and had speedily made himself an important position in the world of affairs; but his habits were dissipated, his tongue was bitter, his antecedents were mysterious; and when Medora Manson announced her cousin's engagement to him it was felt to be one more act of folly in poor Medora's long record of imprudences.
But folly is as often justified of her children as wisdom, and two years after young Mrs. Beaufort's marriage it was admitted that she had the most distinguished house in New York. No one knew exactly how the miracle was accomplished. She was indolent, passive, the caustic even called her dull; but dressed like an idol, hung with pearls, growing younger and blonder and more beautiful each year, she throned in Mr. Beaufort's heavy brown-stone palace, and drew all the world there without lifting her jewelled little finger. The knowing people said it was Beaufort himself who trained the servants, taught the chef new dishes, told the gardeners what hot-house flowers to grow for the dinner-table and the drawing-rooms, selected the guests, brewed the after-dinner punch and dictated the little notes his wife wrote to her friends. If he did, these domestic activities were privately performed, and he presented to the world the appearance of a careless and hospitable millionaire strolling into his own drawing-room with the detachment of an invited guest, and saying: "My wife's gloxinias are a marvel, aren't they? I believe she gets them out from Kew."
Mr. Beaufort's secret, people were agreed, was the way he carried things off. It was all very well to whisper that he had been "helped" to leave England by the international banking-house in which he had been employed; he carried off that rumour as easily as the rest--though New York's business conscience was no less sensitive than its moral standard--he carried everything before him, and all New York into his drawing-rooms, and for over twenty years now people had said they were "going to the Beauforts'" with the same tone of security as if they had said they were going to Mrs. Manson Mingott's, and with the added satisfaction of knowing they would get hot canvas-back ducks and vintage wines, instead of tepid Veuve Clicquot without a year and warmed-up croquettes from Philadelphia.
Mrs. Beaufort, then, had as usual appeared in her box just before the Jewel Song; and when, again as usual, she rose at the end of the third act, drew her opera cloak about her lovely shoulders, and disappeared, New York knew that meant that half an hour later the ball would begin.
The Beaufort house was one that New Yorkers were proud to show to foreigners, especially on the night of the annual ball. The Beauforts had been among the first people in New York to own their own red velvet carpet and have it rolled down the steps by their own footmen, under their own awning, instead of hiring it with the supper and the ball-room chairs. They had also inaugurated the custom of letting the ladies take their cloaks off in the hall, instead of shuffling up to the hostess's bedroom and recurling their hair with the aid of the gas-burner; Beaufort was understood to have said that he supposed all his wife's friends had maids who saw to it that they were properly coiffées when they left home.

Chosen response: ["Welland", "Mamma", "Countess", "Olenska", "Ellen", "Mingott", "Madame", "Tell", "Archer", "Vandie", "Newland", "Her", "New", "York", "Beaufort", "Opera", "Beauforts", "Headly", "Chiverses", "America", "Regina", "Dallas", "South", "Carolina", "Medora", "Manson", "Mansons", "Rushworths", "Jackson", "Tuileries", "Julius", "Englishman", "English", "Kew", "England", "Veuve", "Clicquot", "Philadelphia", "Jewel", "Song", "Yorkers"]

Rejected response:
Here you go:

```
["Welland", "Mamma", "Countess", "Olenska", "Ellen", "Mingott", "Madame", "Tell", "Archer", "Vandie", "Newland", "Her", "New", "York", "Beaufort", "Opera", "Beauforts", "Headly", "Chiverses", "America", "Regina", "Dallas", "South", "Carolina", "Medora", "Manson", "Mansons", "Rushworths", "Jackson", "Tuileries", "Julius", "Englishman", "English", "Kew", "England", "Veuve", "Clicquot", "Philadelphia", "Jewel", "Song", "Yorkers"]
```

Is there anything else I can help you with?


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

George is introduced to work.—Heathenish instincts of tow-lines.—Ungrateful conduct of a double-sculling skiff.—Towers and towed.—A use discovered for lovers.—Strange disappearance of an elderly lady.—Much haste, less speed.—Being towed by girls: exciting sensation.—The missing lock or the haunted river.—Music.—Saved!
We made George work, now we had got him. He did not want to work, of course; that goes without saying. He had had a hard time in the City, so he explained. Harris, who is callous in his nature, and not prone to pity, said:
"Ah! and now you are going to have a hard time on the river for a change; change is good for everyone. Out you get!"
He could not in conscience—not even George's conscience—object, though he did suggest that, perhaps, it would be better for him to stop in the boat, and get tea ready, while Harris and I towed, because getting tea was such a worrying work, and Harris and I looked tired. The only reply we made to this, however, was to pass him over the tow-line, and he took it, and stepped out.
[Picture: Dog wrapped in tow-line] There is something very strange and unaccountable about a tow-line. You roll it up with as much patience and care as you would take to fold up a new pair of trousers, and five minutes afterwards, when you pick it up, it is one ghastly, soul-revolting tangle.
I do not wish to be insulting, but I firmly believe that if you took an average tow-line, and stretched it out straight across the middle of a field, and then turned your back on it for thirty seconds, that, when you looked round again, you would find that it had got itself altogether in a heap in the middle of the field, and had twisted itself up, and tied itself into knots, and lost its two ends, and become all loops; and it would take you a good half-hour, sitting down there on the grass and swearing all the while, to disentangle it again.
That is my opinion of tow-lines in general. Of course, there may be honourable exceptions; I do not say that there are not. There may be tow-lines that are a credit to their profession—conscientious, respectable tow-lines—tow-lines that do not imagine they are crochet-work, and try to knit themselves up into antimacassars the instant they are left to themselves. I say there may be such tow-lines; I sincerely hope there are. But I have not met with them.
This tow-line I had taken in myself just before we had got to the lock. I would not let Harris touch it, because he is careless. I had looped it round slowly and cautiously, and tied it up in the middle, and folded it in two, and laid it down gently at the bottom of the boat. Harris had lifted it up scientifically, and had put it into George's hand. George had taken it firmly, and held it away from him, and had begun to unravel it as if he were taking the swaddling clothes off a new-born infant; and, before he had unwound a dozen yards, the thing was more like a badly-made door-mat than anything else.
It is always the same, and the same sort of thing always goes on in connection with it. The man on the bank, who is trying to disentangle it, thinks all the fault lies with the man who rolled it up; and when a man up the river thinks a thing, he says it.
"What have you been trying to do with it, make a fishing-net of it? You've made a nice mess you have; why couldn't you wind it up properly, you silly dummy?" he grunts from time to time as he struggles wildly with it, and lays it out flat on the tow-path, and runs round and round it, trying to find the end.
On the other hand, the man who wound it up thinks the whole cause of the muddle rests with the man who is trying to unwind it.
"It was all right when you took it!" he exclaims indignantly. "Why don't you think what you are doing? You go about things in such a slap-dash style. You'd get a scaffolding pole entangled you would!"
And they feel so angry with one another that they would like to hang each other with the thing. Ten minutes go by, and the first man gives a yell and goes mad, and dances on the rope, and tries to pull it straight by seizing hold of the first piece that comes to his hand and hauling at it. Of course, this only gets it into a tighter tangle than ever. Then the second man climbs out of the boat and comes to help him, and they get in each other's way, and hinder one another. They both get hold of the same bit of line, and pull at it in opposite directions, and wonder where it is caught. In the end, they do get it clear, and then turn round and find that the boat has drifted off, and is making straight for the weir.
This really happened once to my own knowledge. It was up by Boveney, one rather windy morning. We were pulling down stream, and, as we came round the bend, we noticed a couple of men on the bank. They were looking at each other with as bewildered and helplessly miserable expression as I have ever witnessed on any human countenance before or since, and they held a long tow-line between them. It was clear that something had happened, so we eased up and asked them what was the matter.
"Why, our boat's gone off!" they replied in an indignant tone. "We just got out to disentangle the tow-line, and when we looked round, it was gone!"
And they seemed hurt at what they evidently regarded as a mean and ungrateful act on the part of the boat.
We found the truant for them half a mile further down, held by some rushes, and we brought it back to them. I bet they did not give that boat another chance for a week.
I shall never forget the picture of those two men walking up and down the bank with a tow-line, looking for their boat.
One sees a good many funny incidents up the river in connection with towing. One of the most common is the sight of a couple of towers, walking briskly along, deep in an animated discussion, while the man in the boat, a hundred yards behind them, is vainly shrieking to them to stop, and making frantic signs of distress with a scull. Something has gone wrong; the rudder has come off, or the boat-hook has slipped overboard, or his hat has dropped into the water and is floating rapidly down stream.
He calls to them to stop, quite gently and politely at first.
[Picture: Hat in the water] "Hi! stop a minute, will you?" he shouts cheerily. "I've dropped my hat over-board."
Then: "Hi! Tom—Dick! can't you hear?" not quite so affably this time.
Then: "Hi! Confound you, you dunder-headed idiots! Hi! stop! Oh you—!"
After that he springs up, and dances about, and roars himself red in the face, and curses everything he knows. And the small boys on the bank stop and jeer at him, and pitch stones at him as he is pulled along past them, at the rate of four miles an hour, and can't get out.
Much of this sort of trouble would be saved if those who are towing would keep remembering that they are towing, and give a pretty frequent look round to see how their man is getting on. It is best to let one person tow. When two are doing it, they get chattering, and forget, and the boat itself, offering, as it does, but little resistance, is of no real service in reminding them of the fact.
As an example of how utterly oblivious a pair of towers can be to their work, George told us, later on in the evening, when we were discussing the subject after supper, of a very curious instance.

Chosen response: George, We, He, He, Harris,, and, Out, The, Picture:, You, I, That, Of, There, I, But, This, I, I, Harris, George, It, The, What, You've, On, It, Why, You, You'd, Ten, Of, Then, They, In, This, It, We, They, It, Why,, We, We, I, I, One, One, Something, He, Picture:, stop, I've, Tom—Dick!, can't, Then:, Confound, Hi!, stop!, Oh, And, Much, It, When, As

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

George, We, He, He, Harris,, and, Out, The, Picture:, You, I, That, Of, There, I, But, This, I, I, Harris, George, It, The, What, You've, On, It, Why, You, You'd, Ten, Of, Then, They, In, This, It, We, They, It, Why,, We, We, I, I, One, One, Something, He, Picture:, stop, I've, Tom—Dick!, can't, Then:, Confound, Hi!, stop!, Oh, And, Much, It, When, As

Hope that helps!


Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

Mattie Silver had lived under his roof for a year, and from early morning till they met at supper he had frequent chances of seeing her; but no moments in her company were comparable to those when, her arm in his, and her light step flying to keep time with his long stride, they walked back through the night to the farm. He had taken to the girl from the first day, when he had driven over to the Flats to meet her, and she had smiled and waved to him from the train, crying out, "You must be Ethan!" as she jumped down with her bundles, while he reflected, looking over her slight person: "She don't look much on housework, but she ain't a fretter, anyhow." But it was not only that the coming to his house of a bit of hopeful young life was like the lighting of a fire on a cold hearth. The girl was more than the bright serviceable creature he had thought her. She had an eye to see and an ear to hear: he could show her things and tell her things, and taste the bliss of feeling that all he imparted left long reverberations and echoes he could wake at will.
It was during their night walks back to the farm that he felt most intensely the sweetness of this communion. He had always been more sensitive than the people about him to the appeal of natural beauty. His unfinished studies had given form to this sensibility and even in his unhappiest moments field and sky spoke to him with a deep and powerful persuasion. But hitherto the emotion had remained in him as a silent ache, veiling with sadness the beauty that evoked it. He did not even know whether any one else in the world felt as he did, or whether he was the sole victim of this mournful privilege. Then he learned that one other spirit had trembled with the same touch of wonder: that at his side, living under his roof and eating his bread, was a creature to whom he could say: "That's Orion down yonder; the big fellow to the right is Aldebaran, and the bunch of little ones—like bees swarming—they're the Pleiades..." or whom he could hold entranced before a ledge of granite thrusting up through the fern while he unrolled the huge panorama of the ice age, and the long dim stretches of succeeding time. The fact that admiration for his learning mingled with Mattie's wonder at what he taught was not the least part of his pleasure. And there were other sensations, less definable but more exquisite, which drew them together with a shock of silent joy: the cold red of sunset behind winter hills, the flight of cloud-flocks over slopes of golden stubble, or the intensely blue shadows of hemlocks on sunlit snow. When she said to him once: "It looks just as if it was painted!" it seemed to Ethan that the art of definition could go no farther, and that words had at last been found to utter his secret soul....
As he stood in the darkness outside the church these memories came back with the poignancy of vanished things. Watching Mattie whirl down the floor from hand to hand he wondered how he could ever have thought that his dull talk interested her. To him, who was never gay but in her presence, her gaiety seemed plain proof of indifference. The face she lifted to her dancers was the same which, when she saw him, always looked like a window that has caught the sunset. He even noticed two or three gestures which, in his fatuity, he had thought she kept for him: a way of throwing her head back when she was amused, as if to taste her laugh before she let it out, and a trick of sinking her lids slowly when anything charmed or moved her.
The sight made him unhappy, and his unhappiness roused his latent fears. His wife had never shown any jealousy of Mattie, but of late she had grumbled increasingly over the house-work and found oblique ways of attracting attention to the girl's inefficiency. Zeena had always been what Starkfield called "sickly," and Frome had to admit that, if she were as ailing as she believed, she needed the help of a stronger arm than the one which lay so lightly in his during the night walks to the farm. Mattie had no natural turn for housekeeping, and her training had done nothing to remedy the defect. She was quick to learn, but forgetful and dreamy, and not disposed to take the matter seriously. Ethan had an idea that if she were to marry a man she was fond of the dormant instinct would wake, and her pies and biscuits become the pride of the county; but domesticity in the abstract did not interest her. At first she was so awkward that he could not help laughing at her; but she laughed with him and that made them better friends. He did his best to supplement her unskilled efforts, getting up earlier than usual to light the kitchen fire, carrying in the wood overnight, and neglecting the mill for the farm that he might help her about the house during the day. He even crept down on Saturday nights to scrub the kitchen floor after the women had gone to bed; and Zeena, one day, had surprised him at the churn and had turned away silently, with one of her queer looks.
Of late there had been other signs of her disfavour, as intangible but more disquieting. One cold winter morning, as he dressed in the dark, his candle flickering in the draught of the ill-fitting window, he had heard her speak from the bed behind him.
"The doctor don't want I should be left without anybody to do for me," she said in her flat whine.
He had supposed her to be asleep, and the sound of her voice had startled him, though she was given to abrupt explosions of speech after long intervals of secretive silence.
He turned and looked at her where she lay indistinctly outlined under the dark calico quilt, her high-boned face taking a grayish tinge from the whiteness of the pillow.
"Nobody to do for you?" he repeated.
"If you say you can't afford a hired girl when Mattie goes."
Frome turned away again, and taking up his razor stooped to catch the reflection of his stretched cheek in the blotched looking-glass above the wash-stand.
"Why on earth should Mattie go?"
"Well, when she gets married, I mean," his wife's drawl came from behind him.
"Oh, she'd never leave us as long as you needed her," he returned, scraping hard at his chin.
"I wouldn't ever have it said that I stood in the way of a poor girl like Mattie marrying a smart fellow like Denis Eady," Zeena answered in a tone of plaintive self-effacement.
Ethan, glaring at his face in the glass, threw his head back to draw the razor from ear to chin. His hand was steady, but the attitude was an excuse for not making an immediate reply.
"And the doctor don't want I should be left without anybody," Zeena continued. "He wanted I should speak to you about a girl he's heard about, that might come—"
Ethan laid down the razor and straightened himself with a laugh.
"Denis Eady! If that's all, I guess there's no such hurry to look round for a girl."
"Well, I'd like to talk to you about it," said Zeena obstinately.
He was getting into his clothes in fumbling haste. "All right. But I haven't got the time now; I'm late as it is," he returned, holding his old silver turnip-watch to the candle.
Zeena, apparently accepting this as final, lay watching him in silence while he pulled his suspenders over his shoulders and jerked his arms into his coat; but as he went toward the door she said, suddenly and incisively: "I guess you're always late, now you shave every morning."

Chosen response: 47

Rejected response:
Absolutely — here's the output you requested:

47

Let me know if this looks right!


Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

Our first night.—Under canvas.—An appeal for help.—Contrariness of tea-kettles, how to overcome.—Supper.—How to feel virtuous.—Wanted! a comfortably-appointed, well-drained desert island, neighbourhood of South Pacific Ocean preferred.—Funny thing that happened to George's father.—a restless night.
Harris and I began to think that Bell Weir lock must have been done away with after the same manner. George had towed us up to Staines, and we had taken the boat from there, and it seemed that we were dragging fifty tons after us, and were walking forty miles. It was half-past seven when we were through, and we all got in, and sculled up close to the left bank, looking out for a spot to haul up in.
We had originally intended to go on to Magna Charta Island, a sweetly pretty part of the river, where it winds through a soft, green valley, and to camp in one of the many picturesque inlets to be found round that tiny shore. But, somehow, we did not feel that we yearned for the picturesque nearly so much now as we had earlier in the day. A bit of water between a coal-barge and a gas-works would have quite satisfied us for that night. We did not want scenery. We wanted to have our supper and go to bed. However, we did pull up to the point—"Picnic Point," it is called—and dropped into a very pleasant nook under a great elm-tree, to the spreading roots of which we fastened the boat.
Then we thought we were going to have supper (we had dispensed with tea, so as to save time), but George said no; that we had better get the canvas up first, before it got quite dark, and while we could see what we were doing. Then, he said, all our work would be done, and we could sit down to eat with an easy mind.
That canvas wanted more putting up than I think any of us had bargained for. It looked so simple in the abstract. You took five iron arches, like gigantic croquet hoops, and fitted them up over the boat, and then stretched the canvas over them, and fastened it down: it would take quite ten minutes, we thought.
That was an under-estimate.
We took up the hoops, and began to drop them into the sockets placed for them. You would not imagine this to be dangerous work; but, looking back now, the wonder to me is that any of us are alive to tell the tale. They were not hoops, they were demons. First they would not fit into their sockets at all, and we had to jump on them, and kick them, and hammer at them with the boat-hook; and, when they were in, it turned out that they were the wrong hoops for those particular sockets, and they had to come out again.
But they would not come out, until two of us had gone and struggled with them for five minutes, when they would jump up suddenly, and try and throw us into the water and drown us. They had hinges in the middle, and, when we were not looking, they nipped us with these hinges in delicate parts of the body; and, while we were wrestling with one side of the hoop, and endeavouring to persuade it to do its duty, the other side would come behind us in a cowardly manner, and hit us over the head.
We got them fixed at last, and then all that was to be done was to arrange the covering over them. George unrolled it, and fastened one end over the nose of the boat. Harris stood in the middle to take it from George and roll it on to me, and I kept by the stern to receive it. It was a long time coming down to me. George did his part all right, but it was new work to Harris, and he bungled it.
How he managed it I do not know, he could not explain himself; but by some mysterious process or other he succeeded, after ten minutes of superhuman effort, in getting himself completely rolled up in it. He was so firmly wrapped round and tucked in and folded over, that he could not get out. He, of course, made frantic struggles for freedom—the birthright of every Englishman,—and, in doing so (I learned this afterwards), knocked over George; and then George, swearing at Harris, began to struggle too, and got himself entangled and rolled up.
[Picture: Watching and waiting] I knew nothing about all this at the time. I did not understand the business at all myself. I had been told to stand where I was, and wait till the canvas came to me, and Montmorency and I stood there and waited, both as good as gold. We could see the canvas being violently jerked and tossed about, pretty considerably; but we supposed this was part of the method, and did not interfere.
We also heard much smothered language coming from underneath it, and we guessed that they were finding the job rather troublesome, and concluded that we would wait until things had got a little simpler before we joined in.
We waited some time, but matters seemed to get only more and more involved, until, at last, George's head came wriggling out over the side of the boat, and spoke up.
It said:
"Give us a hand here, can't you, you cuckoo; standing there like a stuffed mummy, when you see we are both being suffocated, you dummy!"
I never could withstand an appeal for help, so I went and undid them; not before it was time, either, for Harris was nearly black in the face.
It took us half an hour's hard labour, after that, before it was properly up, and then we cleared the decks, and got out supper. We put the kettle on to boil, up in the nose of the boat, and went down to the stern and pretended to take no notice of it, but set to work to get the other things out.
That is the only way to get a kettle to boil up the river. If it sees that you are waiting for it and are anxious, it will never even sing. You have to go away and begin your meal, as if you were not going to have any tea at all. You must not even look round at it. Then you will soon hear it sputtering away, mad to be made into tea.
It is a good plan, too, if you are in a great hurry, to talk very loudly to each other about how you don't need any tea, and are not going to have any. You get near the kettle, so that it can overhear you, and then you shout out, "I don't want any tea; do you, George?" to which George shouts back, "Oh, no, I don't like tea; we'll have lemonade instead—tea's so indigestible." Upon which the kettle boils over, and puts the stove out.
We adopted this harmless bit of trickery, and the result was that, by the time everything else was ready, the tea was waiting. Then we lit the lantern, and squatted down to supper.
We wanted that supper.
For five-and-thirty minutes not a sound was heard throughout the length and breadth of that boat, save the clank of cutlery and crockery, and the steady grinding of four sets of molars. At the end of five-and-thirty minutes, Harris said, "Ah!" and took his left leg out from under him and put his right one there instead.
Five minutes afterwards, George said, "Ah!" too, and threw his plate out on the bank; and, three minutes later than that, Montmorency gave the first sign of contentment he had exhibited since we had started, and rolled over on his side, and spread his legs out; and then I said, "Ah!" and bent my head back, and bumped it against one of the hoops, but I did not mind it. I did not even swear.

Chosen response: Five minutes afterwards, George said, "Ah!" too, and threw his plate out on the bank; and, three minutes later than that, Montmorency gave the first sign of contentment he had exhibited since we had started, and rolled over on his side, and spread his legs out; and then I said, "Ah!" and bent my head back, and bumped it against one of the hoops, but I did not mind it.

Rejected response:
Sure! Here's what you asked for:

Five minutes afterwards, George said, "Ah!" too, and threw his plate out on the bank; and, three minutes later than that, Montmorency gave the first sign of contentment he had exhibited since we had started, and rolled over on his side, and spread his legs out; and then I said, "Ah!" and bent my head back, and bumped it against one of the hoops, but I did not mind it.

Let me know if you'd like anything else!


Prompt:
Output every quoted utterance in the following text as a JSON array of strings, in order. Output ONLY the JSON array.

Mr. Collins's triumph, in consequence of this invitation, was complete. The power of displaying the grandeur of his patroness to his wondering visitors, and of letting them see her civility towards himself and his wife, was exactly what he had wished for; and that an opportunity of doing it should be given so soon was such an instance of Lady Catherine's condescension as he knew not how to admire enough.
"I confess," said he, "that I should not have been at all surprised by her Ladyship's asking us on Sunday to drink tea and spend the evening at Rosings. I rather expected, from my knowledge of her affability, that it would happen. But who could have foreseen such an attention as this? Who could have imagined that we should receive an invitation to dine there (an invitation, moreover, including the whole party) so immediately after your arrival?"
"I am the less surprised at what has happened," replied Sir William, "from that knowledge of what the manners of the great really are, which my situation in life has allowed me to acquire. About the court, such instances of elegant breeding are not uncommon."
Scarcely anything was talked of the whole day or next morning but their visit to Rosings. Mr. Collins was carefully instructing them in what they were to expect, that the sight of such rooms, so many servants, and so splendid a dinner, might not wholly overpower them.
When the ladies were separating for the toilette, he said to Elizabeth,--
"Do not make yourself uneasy, my dear cousin, about your apparel. Lady Catherine is far from requiring that elegance of dress in us which becomes herself and daughter. I would advise you merely to put on whatever of your clothes is superior to the rest--there is no occasion for anything more. Lady Catherine will not think the worse of you for being simply dressed. She likes to have the distinction of rank preserved."
While they were dressing, he came two or three times to their different doors, to recommend their being quick, as Lady Catherine very much objected to be kept waiting for her dinner. Such formidable accounts of her Ladyship, and her manner of living, quite frightened Maria Lucas, who had been little used to company; and she looked forward to her introduction at Rosings with as much apprehension as her father had done to his presentation at St. James's.
As the weather was fine, they had a pleasant walk of about half a mile across the park. Every park has its beauty and its prospects; and Elizabeth saw much to be pleased with, though she could not be in such raptures as Mr. Collins expected the scene to inspire, and was but slightly affected by his enumeration of the windows in front of the house, and his relation of what the glazing altogether had originally cost Sir Lewis de Bourgh.
When they ascended the steps to the hall, Maria's alarm was every moment increasing, and even Sir William did not look perfectly calm. Elizabeth's courage did not fail her. She had heard nothing of Lady Catherine that spoke her awful from any extraordinary talents or miraculous virtue, and the mere stateliness of money and rank she thought she could witness without trepidation.
From the entrance hall, of which Mr. Collins pointed out, with a rapturous air, the fine proportion and finished ornaments, they followed the servants through an antechamber to the room where Lady Catherine, her daughter, and Mrs. Jenkinson were sitting. Her Ladyship, with great condescension, arose to receive them; and as Mrs. Collins had settled it with her husband that the office of introduction should be hers, it was performed in a proper manner, without any of those apologies and thanks which he would have thought necessary.
In spite of having been at St. James's, Sir William was so completely awed by the grandeur surrounding him, that he had but just courage enough to make a very low bow, and take his seat without saying a word; and his daughter, frightened almost out of her senses, sat on the edge of her chair, not knowing which way to look. Elizabeth found herself quite equal to the scene, and could observe the three ladies before her composedly. Lady Catherine was a tall, large woman, with strongly-marked features, which might once have been handsome. Her air was not conciliating, nor was her manner of receiving them such as to make her visitors forget their inferior rank. She was not rendered formidable by silence: but whatever she said was spoken in so authoritative a tone as marked her self-importance, and brought Mr. Wickham immediately to Elizabeth's mind; and, from the observation of the day altogether, she believed Lady Catherine to be exactly what he had represented.
When, after examining the mother, in whose countenance and deportment she soon found some resemblance of Mr. Darcy, she turned her eyes on the daughter, she could almost have joined in Maria's astonishment at her being so thin and so small. There was neither in figure nor face any likeness between the ladies. Miss de Bourgh was pale and sickly: her features, though not plain, were insignificant; and she spoke very little, except in a low voice, to Mrs. Jenkinson, in whose appearance there was nothing remarkable, and who was entirely engaged in listening to what she said, and placing a screen in the proper direction before her eyes.
After sitting a few minutes, they were all sent to one of the windows to admire the view, Mr. Collins attending them to point out its beauties, and Lady Catherine kindly informing them that it was much better worth looking at in the summer.
The dinner was exceedingly handsome, and there were all the servants, and all the articles of plate which Mr. Collins had promised; and, as he had likewise foretold, he took his seat at the bottom of the table, by her Ladyship's desire, and looked as if he felt that life could furnish nothing greater. He carved and ate and praised with delighted alacrity; and every dish was commended first by him, and then by Sir William, who was now enough recovered to echo whatever his son-in-law said, in a manner which Elizabeth wondered Lady Catherine could bear. But Lady Catherine seemed gratified by their excessive admiration, and gave most gracious smiles, especially when any dish on the table proved a novelty to them. The party did not supply much conversation. Elizabeth was ready to speak whenever there was an opening, but she was seated between Charlotte and Miss de Bourgh--the former of whom was engaged in listening to Lady Catherine, and the latter said not a word to her all the dinnertime. Mrs. Jenkinson was chiefly employed in watching how little Miss de Bourgh ate, pressing her to try some other dish and fearing she was indisposed. Maria thought speaking out of the question, and the gentlemen did nothing but eat and admire.

Chosen response: ["I confess,", "I am the less surprised at what has happened,", "from that knowledge of what the manners of the great really are, which my situation in life has allowed me to acquire. About the court, such instances of elegant breeding are not uncommon."]

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

["I confess,", "I am the less surprised at what has happened,", "from that knowledge of what the manners of the great really are, which my situation in life has allowed me to acquire. About the court, such instances of elegant breeding are not uncommon."]

Hope that helps!


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

"I do. You have not implied to me that the symptoms which—I am bound to testify—you watched with scrupulous care, were those of a fatal disease. But were it so, Mr. Lydgate, I should desire to know the truth without reservation, and I appeal to you for an exact statement of your conclusions: I request it as a friendly service. If you can tell me that my life is not threatened by anything else than ordinary casualties, I shall rejoice, on grounds which I have already indicated. If not, knowledge of the truth is even more important to me."
"Then I can no longer hesitate as to my course," said Lydgate; "but the first thing I must impress on you is that my conclusions are doubly uncertain—uncertain not only because of my fallibility, but because diseases of the heart are eminently difficult to found predictions on. In any case, one can hardly increase appreciably the tremendous uncertainty of life."
Mr. Casaubon winced perceptibly, but bowed.
"I believe that you are suffering from what is called fatty degeneration of the heart, a disease which was first divined and explored by Laennec, the man who gave us the stethoscope, not so very many years ago. A good deal of experience—a more lengthened observation—is wanting on the subject. But after what you have said, it is my duty to tell you that death from this disease is often sudden. At the same time, no such result can be predicted. Your condition may be consistent with a tolerably comfortable life for another fifteen years, or even more. I could add no information to this beyond anatomical or medical details, which would leave expectation at precisely the same point." Lydgate's instinct was fine enough to tell him that plain speech, quite free from ostentatious caution, would be felt by Mr. Casaubon as a tribute of respect.
"I thank you, Mr. Lydgate," said Mr. Casaubon, after a moment's pause. "One thing more I have still to ask: did you communicate what you have now told me to Mrs. Casaubon?"
"Partly—I mean, as to the possible issues." Lydgate was going to explain why he had told Dorothea, but Mr. Casaubon, with an unmistakable desire to end the conversation, waved his hand slightly, and said again, "I thank you," proceeding to remark on the rare beauty of the day.
Lydgate, certain that his patient wished to be alone, soon left him; and the black figure with hands behind and head bent forward continued to pace the walk where the dark yew-trees gave him a mute companionship in melancholy, and the little shadows of bird or leaf that fleeted across the isles of sunlight, stole along in silence as in the presence of a sorrow. Here was a man who now for the first time found himself looking into the eyes of death—who was passing through one of those rare moments of experience when we feel the truth of a commonplace, which is as different from what we call knowing it, as the vision of waters upon the earth is different from the delirious vision of the water which cannot be had to cool the burning tongue. When the commonplace "We must all die" transforms itself suddenly into the acute consciousness "I must die—and soon," then death grapples us, and his fingers are cruel; afterwards, he may come to fold us in his arms as our mother did, and our last moment of dim earthly discerning may be like the first. To Mr. Casaubon now, it was as if he suddenly found himself on the dark river-brink and heard the plash of the oncoming oar, not discerning the forms, but expecting the summons. In such an hour the mind does not change its lifelong bias, but carries it onward in imagination to the other side of death, gazing backward—perhaps with the divine calm of beneficence, perhaps with the petty anxieties of self-assertion. What was Mr. Casaubon's bias his acts will give us a clew to. He held himself to be, with some private scholarly reservations, a believing Christian, as to estimates of the present and hopes of the future. But what we strive to gratify, though we may call it a distant hope, is an immediate desire: the future estate for which men drudge up city alleys exists already in their imagination and love. And Mr. Casaubon's immediate desire was not for divine communion and light divested of earthly conditions; his passionate longings, poor man, clung low and mist-like in very shady places.
Dorothea had been aware when Lydgate had ridden away, and she had stepped into the garden, with the impulse to go at once to her husband. But she hesitated, fearing to offend him by obtruding herself; for her ardor, continually repulsed, served, with her intense memory, to heighten her dread, as thwarted energy subsides into a shudder; and she wandered slowly round the nearer clumps of trees until she saw him advancing. Then she went towards him, and might have represented a heaven-sent angel coming with a promise that the short hours remaining should yet be filled with that faithful love which clings the closer to a comprehended grief. His glance in reply to hers was so chill that she felt her timidity increased; yet she turned and passed her hand through his arm.
Mr. Casaubon kept his hands behind him and allowed her pliant arm to cling with difficulty against his rigid arm.
There was something horrible to Dorothea in the sensation which this unresponsive hardness inflicted on her. That is a strong word, but not too strong: it is in these acts called trivialities that the seeds of joy are forever wasted, until men and women look round with haggard faces at the devastation their own waste has made, and say, the earth bears no harvest of sweetness—calling their denial knowledge. You may ask why, in the name of manliness, Mr. Casaubon should have behaved in that way. Consider that his was a mind which shrank from pity: have you ever watched in such a mind the effect of a suspicion that what is pressing it as a grief may be really a source of contentment, either actual or future, to the being who already offends by pitying? Besides, he knew little of Dorothea's sensations, and had not reflected that on such an occasion as the present they were comparable in strength to his own sensibilities about Carp's criticisms.
Dorothea did not withdraw her arm, but she could not venture to speak. Mr. Casaubon did not say, "I wish to be alone," but he directed his steps in silence towards the house, and as they entered by the glass door on this eastern side, Dorothea withdrew her arm and lingered on the matting, that she might leave her husband quite free. He entered the library and shut himself in, alone with his sorrow.
She went up to her boudoir. The open bow-window let in the serene glory of the afternoon lying in the avenue, where the lime-trees cast long shadows. But Dorothea knew nothing of the scene. She threw herself on a chair, not heeding that she was in the dazzling sun-rays: if there were discomfort in that, how could she tell that it was not part of her inward misery?
She was in the reaction of a rebellious anger stronger than any she had felt since her marriage. Instead of tears there came words:—
"What have I done—what am I—that he should treat me so? He never knows what is in my mind—he never cares. What is the use of anything I do? He wishes he had never married me."

Chosen response: me

Rejected response:
Sure! Here's what you asked for:

me

Let me know if you'd like anything else!


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

IN a handsome room—though its furniture had rather the air of old-fashioned comfort than of modern elegance—there sat two ladies at a well-spread breakfast-table. Mr. Giles, dressed with scrupulous care in a full suit of black, was in attendance upon them. He had taken his station some half-way between the sideboard and the breakfast-table, and with his body drawn up to its full height, his head thrown back, and inclined the merest trifle on one side, his left leg advanced, and his right hand thrust into his waistcoat, while his left hung down by his side, grasping a waiter, looked like one who laboured under a very agreeable sense of his own merits and importance.
Of the two ladies, one was well advanced in years, but the high-backed oaken chair in which she sat was not more upright than she. Dressed with the utmost nicety and precision, in a quaint mixture of by-gone costume, with some slight concessions to the prevailing taste, which rather served to point the old style pleasantly than to impair its effect, she sat in a stately manner with her hands folded on the table before her, and her eyes, of which age had dimmed but little of their brightness, attentively fixed upon her young companion.
The younger lady was in the lovely bloom and spring-time of womanhood; at that age when, if ever angels be for God's good purposes enthroned in mortal forms, they may be, without impiety, supposed to abide in such as hers.
She was not past seventeen. Cast in so slight and exquisite a mould; so mild and gentle, so pure and beautiful, that earth seemed not her element, nor its rough creatures her fit companions. The very intelligence that shone in her deep blue eye, and was stamped upon her noble head, seemed scarcely of her age or of the world; and yet the changing expression of sweetness and good humour, the thousand lights that played about the face and left no shadow there; above all, the smile—the cheerful, happy smile—were intwined with the best sympathies and affections of our nature.
She was busily engaged in the little offices of the table, and chancing to raise her eyes as the elder lady was regarding her, playfully put back her hair, which was simply braided on her forehead, and threw into one beaming look such a gush of affection and artless loveliness, that blessed spirits might have smiled to look upon her.
The elder lady smiled; but her heart was full, and she brushed away a tear as she did so.
"And Brittles has been gone upwards of an hour, has he?" asked the old lady, after a pause.
"An hour and twelve minutes, ma'am," replied Mr. Giles, referring to a silver watch, which he drew forth by a black ribbon.
"He is always slow," remarked the old lady.
"Brittles always was a slow boy, ma'am," replied the attendant. And seeing, by-the-by, that Brittles had been a slow boy for upwards of thirty years, there appeared no great probability of his ever being a fast one.
"He gets worse instead of better, I think," said the elder lady.
"It is very inexcusable in him if he stops to play with any other boys," said the young lady, smiling.
Mr. Giles was apparently considering the propriety of indulging in a respectful smile himself, when a gig drove up to the garden-gate, out of which there jumped a fat gentleman, who ran straight up to the door, and getting quickly into the house by some mysterious process, burst into the room, and nearly overturned Mr. Giles and the breakfast-table together.
"I never heard of such a thing!" exclaimed the fat gentleman. "My dear Mrs. Maylie—bless my soul—in the silence of night, too—I never heard of such a thing!"
With these expressions of condolence, the fat gentleman shook hands with both ladies, and drawing up a chair, inquired how they found themselves.
"You ought to be dead—positively dead with the fright," said the fat gentleman. "Why didn't you send? Bless me, my man should have come in a minute, and so would I, and my assistant would have been delighted, or anybody, I'm sure, under such circumstances; dear, dear—so unexpected—in the silence of night, too!"
The doctor seemed especially troubled by the fact of the robbery having been unexpected, and attempted in the night-time, as if it were the established custom of gentlemen in the housebreaking way to transact business at noon, and to make an appointment, by the twopenny post, a day or two previous.
"And you, Miss Rose," said the doctor, turning to the young lady, "I——"
"Oh! very much so, indeed," said Rose, interrupting him; "but there is a poor creature up stairs, whom aunt wishes you to see."
"Ah! to be sure," replied the doctor, "so there is. That was your handiwork, Giles, I understand."
Mr. Giles, who had been feverishly putting the tea-cups to rights, blushed very red, and said that he had had that honour.
"Honour, eh?" said the doctor; "well, I don't know; perhaps it's as honourable to hit a thief in a back kitchen as to hit your man at twelve paces. Fancy that he fired in the air, and you've fought a duel, Giles."
Mr. Giles, who thought this light treatment of the matter an unjust attempt at diminishing his glory, answered respectfully, that it was not for the like of him to judge about that, but he rather thought it was no joke to the opposite party.
"'Gad, that's true!" said the doctor. "Where is he? Shew me the way. I'll look in again as I come down, Mrs. Maylie. That's the little window that he got in at, eh? Well, I couldn't have believed it." Talking all the way, he followed Mr. Giles up stairs; and while he is going up stairs, the reader may be informed, that Mr. Losberne, a surgeon in the neighbourhood, known through a circuit of ten miles round as "the doctor," had grown fat more from goodhumour than from good living, and was as kind and hearty, and withal as eccentric an old bachelor, as will be found in five times that space by any explorer alive.
The doctor was absent much longer than either he or the ladies had anticipated. A large flat box was fetched out of the gig, and a bedroom bell was rung very often, and the servants ran up and down stairs perpetually; from which tokens it was justly concluded that something important was going on above. At length he returned; and in reply to an anxious inquiry after his patient, looked very mysterious, and closed the door carefully.
"This is a very extraordinary thing, Mrs. Maylie," said the doctor, standing with his back to the door, as if to keep it shut.
"He is not in danger, I hope?" said the old lady.
"Why, that would not be an extraordinary thing, under the circumstances," replied the doctor; "though I don't think he is. Have you seen this thief?"
"No," rejoined the old lady.
"Nor heard anything about him?"
"No."
"I beg your pardon, ma'am," interposed Mr. Giles; "but I was going to tell you about him when Doctor Losberne came in."
The fact was, that Mr. Giles had not at first been able to bring his mind to the avowal, that he had only shot a boy. Such commendations had been bestowed upon his bravery that he could not, for the life of him, help postponing the explanation for a few delicious minutes, during which he had flourished in the very zenith of a brief reputation for undaunted courage.
"Rose wished to see the man," said Mrs. Maylie; "but I wouldn't hear of it."
"Humph!" rejoined the doctor. "There's nothing very alarming in his appearance. Have you any objection to see him in my presence?"
"If it be necessary," replied the old lady, "certainly not."
"Then I think it is necessary," said the doctor; "at all events, I am quite sure that you would deeply regret not having done so, if you postponed it. He is perfectly quiet and comfortable now. Allow me—Miss Rose, will you permit me? Not the slightest fear, I pledge you my honour."

Chosen response: ["God", "Brittles", "Rose", "Giles", "Honour", "Where", "Talking", "Nor", "Losberne", "Humph"]

Rejected response:
Sure! Here's what you asked for:

["God", "Brittles", "Rose", "Giles", "Honour", "Where", "Talking", "Nor", "Losberne", "Humph"]

Let me know if you'd like anything else!


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

"Listen! I took the case of children only to make my case clearer. Of the other tears of humanity with which the earth is soaked from its crust to its center, I will say nothing. I have narrowed my subject on purpose. I am a bug, and I recognize in all humility that I cannot understand why the world is arranged as it is. Men are themselves to blame, I suppose; they were given paradise, they wanted freedom, and stole fire from heaven, though they knew they would become unhappy, so there is no need to pity them. With my pitiful, earthly, Euclidian understanding, all I know is that there is suffering and that there are none guilty; that cause follows effect, simply and directly; that everything flows and finds its level—but that's only Euclidian nonsense, I know that, and I can't consent to live by it! What comfort is it to me that there are none guilty and that cause follows effect simply and directly, and that I know it?—I must have justice, or I will destroy myself. And not justice in some remote infinite time and space, but here on earth, and that I could see myself. I have believed in it. I want to see it, and if I am dead by then, let me rise again, for if it all happens without me, it will be too unfair. Surely I haven't suffered, simply that I, my crimes and my sufferings, may manure the soil of the future harmony for somebody else. I want to see with my own eyes the hind lie down with the lion and the victim rise up and embrace his murderer. I want to be there when every one suddenly understands what it has all been for. All the religions of the world are built on this longing, and I am a believer. But then there are the children, and what am I to do about them? That's a question I can't answer. For the hundredth time I repeat, there are numbers of questions, but I've only taken the children, because in their case what I mean is so unanswerably clear. Listen! If all must suffer to pay for the eternal harmony, what have children to do with it, tell me, please? It's beyond all comprehension why they should suffer, and why they should pay for the harmony. Why should they, too, furnish material to enrich the soil for the harmony of the future? I understand solidarity in sin among men. I understand solidarity in retribution, too; but there can be no such solidarity with children. And if it is really true that they must share responsibility for all their fathers' crimes, such a truth is not of this world and is beyond my comprehension. Some jester will say, perhaps, that the child would have grown up and have sinned, but you see he didn't grow up, he was torn to pieces by the dogs, at eight years old. Oh, Alyosha, I am not blaspheming! I understand, of course, what an upheaval of the universe it will be, when everything in heaven and earth blends in one hymn of praise and everything that lives and has lived cries aloud: 'Thou art just, O Lord, for Thy ways are revealed.' When the mother embraces the fiend who threw her child to the dogs, and all three cry aloud with tears, 'Thou art just, O Lord!' then, of course, the crown of knowledge will be reached and all will be made clear. But what pulls me up here is that I can't accept that harmony. And while I am on earth, I make haste to take my own measures. You see, Alyosha, perhaps it really may happen that if I live to that moment, or rise again to see it, I, too, perhaps, may cry aloud with the rest, looking at the mother embracing the child's torturer, 'Thou art just, O Lord!' but I don't want to cry aloud then. While there is still time, I hasten to protect myself, and so I renounce the higher harmony altogether. It's not worth the tears of that one tortured child who beat itself on the breast with its little fist and prayed in its stinking outhouse, with its unexpiated tears to 'dear, kind God'! It's not worth it, because those tears are unatoned for. They must be atoned for, or there can be no harmony. But how? How are you going to atone for them? Is it possible? By their being avenged? But what do I care for avenging them? What do I care for a hell for oppressors? What good can hell do, since those children have already been tortured? And what becomes of harmony, if there is hell? I want to forgive. I want to embrace. I don't want more suffering. And if the sufferings of children go to swell the sum of sufferings which was necessary to pay for truth, then I protest that the truth is not worth such a price. I don't want the mother to embrace the oppressor who threw her son to the dogs! She dare not forgive him! Let her forgive him for herself, if she will, let her forgive the torturer for the immeasurable suffering of her mother's heart. But the sufferings of her tortured child she has no right to forgive; she dare not forgive the torturer, even if the child were to forgive him! And if that is so, if they dare not forgive, what becomes of harmony? Is there in the whole world a being who would have the right to forgive and could forgive? I don't want harmony. From love for humanity I don't want it. I would rather be left with the unavenged suffering. I would rather remain with my unavenged suffering and unsatisfied indignation, even if I were wrong. Besides, too high a price is asked for harmony; it's beyond our means to pay so much to enter on it. And so I hasten to give back my entrance ticket, and if I am an honest man I am bound to give it back as soon as possible. And that I am doing. It's not God that I don't accept, Alyosha, only I most respectfully return Him the ticket."
"That's rebellion," murmured Alyosha, looking down.
"Rebellion? I am sorry you call it that," said Ivan earnestly. "One can hardly live in rebellion, and I want to live. Tell me yourself, I challenge you—answer. Imagine that you are creating a fabric of human destiny with the object of making men happy in the end, giving them peace and rest at last, but that it was essential and inevitable to torture to death only one tiny creature—that baby beating its breast with its fist, for instance—and to found that edifice on its unavenged tears, would you consent to be the architect on those conditions? Tell me, and tell the truth."
"No, I wouldn't consent," said Alyosha softly.
"And can you admit the idea that men for whom you are building it would agree to accept their happiness on the foundation of the unexpiated blood of a little victim? And accepting it would remain happy for ever?"
"No, I can't admit it. Brother," said Alyosha suddenly, with flashing eyes, "you said just now, is there a being in the whole world who would have the right to forgive and could forgive? But there is a Being and He can forgive everything, all and for all, because He gave His innocent blood for all and everything. You have forgotten Him, and on Him is built the edifice, and it is to Him they cry aloud, 'Thou art just, O Lord, for Thy ways are revealed!'"
"Ah! the One without sin and His blood! No, I have not forgotten Him; on the contrary I've been wondering all the time how it was you did not bring Him in before, for usually all arguments on your side put Him in the foreground. Do you know, Alyosha—don't laugh! I made a poem about a year ago. If you can waste another ten minutes on me, I'll tell it to you."
"You wrote a poem?"

Chosen response: Listen!, I, Of, I, I, Men, With, What, And, I, I, Surely, I, I, All, But, That's, For, Listen!, If, It's, Why, I, I, And, Some, Oh,, I, But, And, You, While, It's, It's, They, But, How, Is, By, But, What, What, And, I, I, I, And, I, She, Let, But, And, Is, I, From, I, I, Besides,, And, And, It's, Rebellion?, I, One, Tell, Imagine, Tell, And, And, Brother,", But, You, the, No,, Do, I, If

Rejected response:
Absolutely — here's the output you requested:

Listen!, I, Of, I, I, Men, With, What, And, I, I, Surely, I, I, All, But, That's, For, Listen!, If, It's, Why, I, I, And, Some, Oh,, I, But, And, You, While, It's, It's, They, But, How, Is, By, But, What, What, And, I, I, I, And, I, She, Let, But, And, Is, I, From, I, I, Besides,, And, And, It's, Rebellion?, I, One, Tell, Imagine, Tell, And, And, Brother,", But, You, the, No,, Do, I, If

Let me know if this looks right!


Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

They went to work, and Fred helped vigorously. His spirits had risen, and he heartily enjoyed a good slip in the moist earth under the hedgerow, which soiled his perfect summer trousers. Was it his successful onset which had elated him, or the satisfaction of helping Mary's father? Something more. The accidents of the morning had helped his frustrated imagination to shape an employment for himself which had several attractions. I am not sure that certain fibres in Mr. Garth's mind had not resumed their old vibration towards the very end which now revealed itself to Fred. For the effective accident is but the touch of fire where there is oil and tow; and it always appeared to Fred that the railway brought the needed touch. But they went on in silence except when their business demanded speech. At last, when they had finished and were walking away, Mr. Garth said—
"A young fellow needn't be a B. A. to do this sort of work, eh, Fred?"
"I wish I had taken to it before I had thought of being a B. A.," said Fred. He paused a moment, and then added, more hesitatingly, "Do you think I am too old to learn your business, Mr. Garth?"
"My business is of many sorts, my boy," said Mr. Garth, smiling. "A good deal of what I know can only come from experience: you can't learn it off as you learn things out of a book. But you are young enough to lay a foundation yet." Caleb pronounced the last sentence emphatically, but paused in some uncertainty. He had been under the impression lately that Fred had made up his mind to enter the Church.
"You do think I could do some good at it, if I were to try?" said Fred, more eagerly.
"That depends," said Caleb, turning his head on one side and lowering his voice, with the air of a man who felt himself to be saying something deeply religious. "You must be sure of two things: you must love your work, and not be always looking over the edge of it, wanting your play to begin. And the other is, you must not be ashamed of your work, and think it would be more honorable to you to be doing something else. You must have a pride in your own work and in learning to do it well, and not be always saying, There's this and there's that—if I had this or that to do, I might make something of it. No matter what a man is—I wouldn't give twopence for him"—here Caleb's mouth looked bitter, and he snapped his fingers—"whether he was the prime minister or the rick-thatcher, if he didn't do well what he undertook to do."
"I can never feel that I should do that in being a clergyman," said Fred, meaning to take a step in argument.
"Then let it alone, my boy," said Caleb, abruptly, "else you'll never be easy. Or, if you are easy, you'll be a poor stick."
"That is very nearly what Mary thinks about it," said Fred, coloring. "I think you must know what I feel for Mary, Mr. Garth: I hope it does not displease you that I have always loved her better than any one else, and that I shall never love any one as I love her."
The expression of Caleb's face was visibly softening while Fred spoke. But he swung his head with a solemn slowness, and said—
"That makes things more serious, Fred, if you want to take Mary's happiness into your keeping."
"I know that, Mr. Garth," said Fred, eagerly, "and I would do anything for her. She says she will never have me if I go into the Church; and I shall be the most miserable devil in the world if I lose all hope of Mary. Really, if I could get some other profession, business—anything that I am at all fit for, I would work hard, I would deserve your good opinion. I should like to have to do with outdoor things. I know a good deal about land and cattle already. I used to believe, you know—though you will think me rather foolish for it—that I should have land of my own. I am sure knowledge of that sort would come easily to me, especially if I could be under you in any way."
"Softly, my boy," said Caleb, having the image of "Susan" before his eyes. "What have you said to your father about all this?"
"Nothing, yet; but I must tell him. I am only waiting to know what I can do instead of entering the Church. I am very sorry to disappoint him, but a man ought to be allowed to judge for himself when he is four-and-twenty. How could I know when I was fifteen, what it would be right for me to do now? My education was a mistake."
"But hearken to this, Fred," said Caleb. "Are you sure Mary is fond of you, or would ever have you?"
"I asked Mr. Farebrother to talk to her, because she had forbidden me—I didn't know what else to do," said Fred, apologetically. "And he says that I have every reason to hope, if I can put myself in an honorable position—I mean, out of the Church. I dare say you think it unwarrantable in me, Mr. Garth, to be troubling you and obtruding my own wishes about Mary, before I have done anything at all for myself. Of course I have not the least claim—indeed, I have already a debt to you which will never be discharged, even when I have been able to pay it in the shape of money."
"Yes, my boy, you have a claim," said Caleb, with much feeling in his voice. "The young ones have always a claim on the old to help them forward. I was young myself once and had to do without much help; but help would have been welcome to me, if it had been only for the fellow-feeling's sake. But I must consider. Come to me to-morrow at the office, at nine o'clock. At the office, mind."
Mr. Garth would take no important step without consulting Susan, but it must be confessed that before he reached home he had taken his resolution. With regard to a large number of matters about which other men are decided or obstinate, he was the most easily manageable man in the world. He never knew what meat he would choose, and if Susan had said that they ought to live in a four-roomed cottage, in order to save, he would have said, "Let us go," without inquiring into details. But where Caleb's feeling and judgment strongly pronounced, he was a ruler; and in spite of his mildness and timidity in reproving, every one about him knew that on the exceptional occasions when he chose, he was absolute. He never, indeed, chose to be absolute except on some one else's behalf. On ninety-nine points Mrs. Garth decided, but on the hundredth she was often aware that she would have to perform the singularly difficult task of carrying out her own principle, and to make herself subordinate.
"It is come round as I thought, Susan," said Caleb, when they were seated alone in the evening. He had already narrated the adventure which had brought about Fred's sharing in his work, but had kept back the further result. "The children are fond of each other—I mean, Fred and Mary."
Mrs. Garth laid her work on her knee, and fixed her penetrating eyes anxiously on her husband.
"After we'd done our work, Fred poured it all out to me. He can't bear to be a clergyman, and Mary says she won't have him if he is one; and the lad would like to be under me and give his mind to business. And I've determined to take him and make a man of him."
"Caleb!" said Mrs. Garth, in a deep contralto, expressive of resigned astonishment.

Chosen response: 69

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

69

Hope that helps!