Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

"I don't know on what terms you are ... since you say it so positively, I suppose she did give it to you. You've got the money in your hand, but instead of going to Siberia you're spending it all.... Where are you really off to now, eh?"
"To Mokroe."
"To Mokroe? But it's night!"
"Once the lad had all, now the lad has naught," cried Mitya suddenly.
"How 'naught'? You say that with all those thousands!"
"I'm not talking about thousands. Damn thousands! I'm talking of the female character.
Fickle is the heart of woman Treacherous and full of vice;
I agree with Ulysses. That's what he says."
"I don't understand you!"
"Am I drunk?"
"Not drunk, but worse."
"I'm drunk in spirit, Pyotr Ilyitch, drunk in spirit! But that's enough!"
"What are you doing, loading the pistol?"
"I'm loading the pistol."
Unfastening the pistol-case, Mitya actually opened the powder horn, and carefully sprinkled and rammed in the charge. Then he took the bullet and, before inserting it, held it in two fingers in front of the candle.
"Why are you looking at the bullet?" asked Pyotr Ilyitch, watching him with uneasy curiosity.
"Oh, a fancy. Why, if you meant to put that bullet in your brain, would you look at it or not?"
"Why look at it?"
"It's going into my brain, so it's interesting to look and see what it's like. But that's foolishness, a moment's foolishness. Now that's done," he added, putting in the bullet and driving it home with the ramrod. "Pyotr Ilyitch, my dear fellow, that's nonsense, all nonsense, and if only you knew what nonsense! Give me a little piece of paper now."
"Here's some paper."
"No, a clean new piece, writing-paper. That's right."
And taking a pen from the table, Mitya rapidly wrote two lines, folded the paper in four, and thrust it in his waistcoat pocket. He put the pistols in the case, locked it up, and kept it in his hand. Then he looked at Pyotr Ilyitch with a slow, thoughtful smile.
"Now, let's go."
"Where are we going? No, wait a minute.... Are you thinking of putting that bullet in your brain, perhaps?" Pyotr Ilyitch asked uneasily.
"I was fooling about the bullet! I want to live. I love life! You may be sure of that. I love golden-haired Phœbus and his warm light.... Dear Pyotr Ilyitch, do you know how to step aside?"
"What do you mean by 'stepping aside'?"
"Making way. Making way for a dear creature, and for one I hate. And to let the one I hate become dear—that's what making way means! And to say to them: God bless you, go your way, pass on, while I—"
"While you—?"
"That's enough, let's go."
"Upon my word. I'll tell some one to prevent your going there," said Pyotr Ilyitch, looking at him. "What are you going to Mokroe for, now?"
"There's a woman there, a woman. That's enough for you. You shut up."
"Listen, though you're such a savage I've always liked you.... I feel anxious."
"Thanks, old fellow. I'm a savage you say. Savages, savages! That's what I am always saying. Savages! Why, here's Misha! I was forgetting him."
Misha ran in, post-haste, with a handful of notes in change, and reported that every one was in a bustle at the Plotnikovs'; "They're carrying down the bottles, and the fish, and the tea; it will all be ready directly." Mitya seized ten roubles and handed it to Pyotr Ilyitch, then tossed another ten-rouble note to Misha.
"Don't dare to do such a thing!" cried Pyotr Ilyitch. "I won't have it in my house, it's a bad, demoralizing habit. Put your money away. Here, put it here, why waste it? It would come in handy to-morrow, and I dare say you'll be coming to me to borrow ten roubles again. Why do you keep putting the notes in your side-pocket? Ah, you'll lose them!"
"I say, my dear fellow, let's go to Mokroe together."
"What should I go for?"
"I say, let's open a bottle at once, and drink to life! I want to drink, and especially to drink with you. I've never drunk with you, have I?"
"Very well, we can go to the 'Metropolis.' I was just going there."
"I haven't time for that. Let's drink at the Plotnikovs', in the back room. Shall I ask you a riddle?"
"Ask away."
Mitya took the piece of paper out of his waistcoat pocket, unfolded it and showed it. In a large, distinct hand was written: "I punish myself for my whole life, my whole life I punish!"
"I will certainly speak to some one, I'll go at once," said Pyotr Ilyitch, after reading the paper.
"You won't have time, dear boy, come and have a drink. March!"
Plotnikov's shop was at the corner of the street, next door but one to Pyotr Ilyitch's. It was the largest grocery shop in our town, and by no means a bad one, belonging to some rich merchants. They kept everything that could be got in a Petersburg shop, grocery of all sort, wines "bottled by the brothers Eliseyev," fruits, cigars, tea, coffee, sugar, and so on. There were three shop-assistants and two errand boys always employed. Though our part of the country had grown poorer, the landowners had gone away, and trade had got worse, yet the grocery stores flourished as before, every year with increasing prosperity; there were plenty of purchasers for their goods.
They were awaiting Mitya with impatience in the shop. They had vivid recollections of how he had bought, three or four weeks ago, wine and goods of all sorts to the value of several hundred roubles, paid for in cash (they would never have let him have anything on credit, of course). They remembered that then, as now, he had had a bundle of hundred-rouble notes in his hand, and had scattered them at random, without bargaining, without reflecting, or caring to reflect what use so much wine and provisions would be to him. The story was told all over the town that, driving off then with Grushenka to Mokroe, he had "spent three thousand in one night and the following day, and had come back from the spree without a penny." He had picked up a whole troop of gypsies (encamped in our neighborhood at the time), who for two days got money without stint out of him while he was drunk, and drank expensive wine without stint. People used to tell, laughing at Mitya, how he had given champagne to grimy-handed peasants, and feasted the village women and girls on sweets and Strasburg pies. Though to laugh at Mitya to his face was rather a risky proceeding, there was much laughter behind his back, especially in the tavern, at his own ingenuous public avowal that all he had got out of Grushenka by this "escapade" was "permission to kiss her foot, and that was the utmost she had allowed him."
By the time Mitya and Pyotr Ilyitch reached the shop, they found a cart with three horses harnessed abreast with bells, and with Andrey, the driver, ready waiting for Mitya at the entrance. In the shop they had almost entirely finished packing one box of provisions, and were only waiting for Mitya's arrival to nail it down and put it in the cart. Pyotr Ilyitch was astounded.
"Where did this cart come from in such a hurry?" he asked Mitya.
"I met Andrey as I ran to you, and told him to drive straight here to the shop. There's no time to lose. Last time I drove with Timofey, but Timofey now has gone on before me with the witch. Shall we be very late, Andrey?"
"They'll only get there an hour at most before us, not even that maybe. I got Timofey ready to start. I know how he'll go. Their pace won't be ours, Dmitri Fyodorovitch. How could it be? They won't get there an hour earlier!" Andrey, a lanky, red-haired, middle-aged driver, wearing a full-skirted coat, and with a kaftan on his arm, replied warmly.
"Fifty roubles for vodka if we're only an hour behind them."
"I warrant the time, Dmitri Fyodorovitch. Ech, they won't be half an hour before us, let alone an hour."

Chosen response:
Though to laugh at Mitya to his face was rather a risky proceeding, there was much laughter behind his back, especially in the tavern, at his own ingenuous public avowal that all he had got out of Grushenka by this "escapade" was "permission to kiss her foot, and that was the utmost she had allowed him."
By the time Mitya and Pyotr Ilyitch reached the shop, they found a cart with three horses harnessed abreast with bells, and with Andrey, the driver, ready waiting for Mitya at the entrance.

Rejected response:
Absolutely — here's the output you requested:

Though to laugh at Mitya to his face was rather a risky proceeding, there was much laughter behind his back, especially in the tavern, at his own ingenuous public avowal that all he had got out of Grushenka by this "escapade" was "permission to kiss her foot, and that was the utmost she had allowed him."
By the time Mitya and Pyotr Ilyitch reached the shop, they found a cart with three horses harnessed abreast with bells, and with Andrey, the driver, ready waiting for Mitya at the entrance.

Let me know if this looks right!


Prompt:
Output every quoted utterance in the following text as a JSON array of strings, in order. Output ONLY the JSON array.

"Poor young man!" cried Mrs. Jennings, "I am sure he should be very welcome to bed and board at my house; and so I would tell him if I could see him. It is not fit that he should be living about at his own charge now, at lodgings and taverns."
Elinor's heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it.
"If he would only have done as well by himself," said John Dashwood, "as all his friends were disposed to do by him, he might now have been in his proper situation, and would have wanted for nothing. But as it is, it must be out of anybody's power to assist him. And there is one thing more preparing against him, which must be worse than all--his mother has determined, with a very natural kind of spirit, to settle that estate upon Robert immediately, which might have been Edward's, on proper conditions. I left her this morning with her lawyer, talking over the business."
"Well!" said Mrs. Jennings, "that is her revenge. Everybody has a way of their own. But I don't think mine would be, to make one son independent, because another had plagued me."
Marianne got up and walked about the room.
"Can anything be more galling to the spirit of a man," continued John, "than to see his younger brother in possession of an estate which might have been his own? Poor Edward! I feel for him sincerely."
A few minutes more spent in the same kind of effusion, concluded his visit; and with repeated assurances to his sisters that he really believed there was no material danger in Fanny's indisposition, and that they need not therefore be very uneasy about it, he went away; leaving the three ladies unanimous in their sentiments on the present occasion, as far at least as it regarded Mrs. Ferrars's conduct, the Dashwoods', and Edward's.
Marianne's indignation burst forth as soon as he quitted the room; and as her vehemence made reserve impossible in Elinor, and unnecessary in Mrs. Jennings, they all joined in a very spirited critique upon the party.

Chosen response: ["Poor young man!", "\nElinor's heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it.\n", " said John Dashwood, ", "Well!", "that is her revenge. Everybody has a way of their own. But I don't think mine would be, to make one son independent, because another had plagued me.", "Can anything be more galling to the spirit of a man,", "than to see his younger brother in possession of an estate which might have been his own? Poor Edward! I feel for him sincerely."]

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

["Poor young man!", "\nElinor's heart thanked her for such kindness towards Edward, though she could not forbear smiling at the form of it.\n", " said John Dashwood, ", "Well!", "that is her revenge. Everybody has a way of their own. But I don't think mine would be, to make one son independent, because another had plagued me.", "Can anything be more galling to the spirit of a man,", "than to see his younger brother in possession of an estate which might have been his own? Poor Edward! I feel for him sincerely."]

Hope that helps!


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

He really was late. They had waited for him and had already decided to bear the pretty flower-decked little coffin to the church without him. It was the coffin of poor little Ilusha. He had died two days after Mitya was sentenced. At the gate of the house Alyosha was met by the shouts of the boys, Ilusha's schoolfellows. They had all been impatiently expecting him and were glad that he had come at last. There were about twelve of them, they all had their school-bags or satchels on their shoulders. "Father will cry, be with father," Ilusha had told them as he lay dying, and the boys remembered it. Kolya Krassotkin was the foremost of them.
"How glad I am you've come, Karamazov!" he cried, holding out his hand to Alyosha. "It's awful here. It's really horrible to see it. Snegiryov is not drunk, we know for a fact he's had nothing to drink to-day, but he seems as if he were drunk ... I am always manly, but this is awful. Karamazov, if I am not keeping you, one question before you go in?"
"What is it, Kolya?" said Alyosha.
"Is your brother innocent or guilty? Was it he killed your father or was it the valet? As you say, so it will be. I haven't slept for the last four nights for thinking of it."
"The valet killed him, my brother is innocent," answered Alyosha.
"That's what I said," cried Smurov.
"So he will perish an innocent victim!" exclaimed Kolya; "though he is ruined he is happy! I could envy him!"
"What do you mean? How can you? Why?" cried Alyosha surprised.
"Oh, if I, too, could sacrifice myself some day for truth!" said Kolya with enthusiasm.
"But not in such a cause, not with such disgrace and such horror!" said Alyosha.
"Of course ... I should like to die for all humanity, and as for disgrace, I don't care about that—our names may perish. I respect your brother!"
"And so do I!" the boy, who had once declared that he knew who had founded Troy, cried suddenly and unexpectedly, and he blushed up to his ears like a peony as he had done on that occasion.
Alyosha went into the room. Ilusha lay with his hands folded and his eyes closed in a blue coffin with a white frill round it. His thin face was hardly changed at all, and strange to say there was no smell of decay from the corpse. The expression of his face was serious and, as it were, thoughtful. His hands, crossed over his breast, looked particularly beautiful, as though chiseled in marble. There were flowers in his hands and the coffin, inside and out, was decked with flowers, which had been sent early in the morning by Lise Hohlakov. But there were flowers too from Katerina Ivanovna, and when Alyosha opened the door, the captain had a bunch in his trembling hands and was strewing them again over his dear boy. He scarcely glanced at Alyosha when he came in, and he would not look at any one, even at his crazy weeping wife, "mamma," who kept trying to stand on her crippled legs to get a nearer look at her dead boy. Nina had been pushed in her chair by the boys close up to the coffin. She sat with her head pressed to it and she too was no doubt quietly weeping. Snegiryov's face looked eager, yet bewildered and exasperated. There was something crazy about his gestures and the words that broke from him. "Old man, dear old man!" he exclaimed every minute, gazing at Ilusha. It was his habit to call Ilusha "old man," as a term of affection when he was alive.
"Father, give me a flower, too; take that white one out of his hand and give it me," the crazy mother begged, whimpering. Either because the little white rose in Ilusha's hand had caught her fancy or that she wanted one from his hand to keep in memory of him, she moved restlessly, stretching out her hands for the flower.
"I won't give it to any one, I won't give you anything," Snegiryov cried callously. "They are his flowers, not yours! Everything is his, nothing is yours!"
"Father, give mother a flower!" said Nina, lifting her face wet with tears.
"I won't give away anything and to her less than any one! She didn't love Ilusha. She took away his little cannon and he gave it to her," the captain broke into loud sobs at the thought of how Ilusha had given up his cannon to his mother. The poor, crazy creature was bathed in noiseless tears, hiding her face in her hands.
The boys, seeing that the father would not leave the coffin and that it was time to carry it out, stood round it in a close circle and began to lift it up.
"I don't want him to be buried in the churchyard," Snegiryov wailed suddenly; "I'll bury him by the stone, by our stone! Ilusha told me to. I won't let him be carried out!"
He had been saying for the last three days that he would bury him by the stone, but Alyosha, Krassotkin, the landlady, her sister and all the boys interfered.
"What an idea, bury him by an unholy stone, as though he had hanged himself!" the old landlady said sternly. "There in the churchyard the ground has been crossed. He'll be prayed for there. One can hear the singing in church and the deacon reads so plainly and verbally that it will reach him every time just as though it were read over his grave."
At last the captain made a gesture of despair as though to say, "Take him where you will." The boys raised the coffin, but as they passed the mother, they stopped for a moment and lowered it that she might say good-by to Ilusha. But on seeing that precious little face, which for the last three days she had only looked at from a distance, she trembled all over and her gray head began twitching spasmodically over the coffin.
"Mother, make the sign of the cross over him, give him your blessing, kiss him," Nina cried to her. But her head still twitched like an automaton and with a face contorted with bitter grief she began, without a word, beating her breast with her fist. They carried the coffin past her. Nina pressed her lips to her brother's for the last time as they bore the coffin by her. As Alyosha went out of the house he begged the landlady to look after those who were left behind, but she interrupted him before he had finished.
"To be sure, I'll stay with them, we are Christians, too." The old woman wept as she said it.
They had not far to carry the coffin to the church, not more than three hundred paces. It was a still, clear day, with a slight frost. The church bells were still ringing. Snegiryov ran fussing and distracted after the coffin, in his short old summer overcoat, with his head bare and his soft, old, wide-brimmed hat in his hand. He seemed in a state of bewildered anxiety. At one minute he stretched out his hand to support the head of the coffin and only hindered the bearers, at another he ran alongside and tried to find a place for himself there. A flower fell on the snow and he rushed to pick it up as though everything in the world depended on the loss of that flower.
"And the crust of bread, we've forgotten the crust!" he cried suddenly in dismay. But the boys reminded him at once that he had taken the crust of bread already and that it was in his pocket. He instantly pulled it out and was reassured.
"Ilusha told me to, Ilusha," he explained at once to Alyosha. "I was sitting by him one night and he suddenly told me: 'Father, when my grave is filled up crumble a piece of bread on it so that the sparrows may fly down, I shall hear and it will cheer me up not to be lying alone.'"
"That's a good thing," said Alyosha, "we must often take some."
"Every day, every day!" said the captain quickly, seeming cheered at the thought.

Chosen response: thought

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

thought

Hope that helps!


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

"And whatever you may hear from the talented and celebrated counsel for the defense," Ippolit Kirillovitch could not resist adding, "whatever eloquent and touching appeals may be made to your sensibilities, remember that at this moment you are in a temple of justice. Remember that you are the champions of our justice, the champions of our holy Russia, of her principles, her family, everything that she holds sacred! Yes, you represent Russia here at this moment, and your verdict will be heard not in this hall only but will reëcho throughout the whole of Russia, and all Russia will hear you, as her champions and her judges, and she will be encouraged or disheartened by your verdict. Do not disappoint Russia and her expectations. Our fatal troika dashes on in her headlong flight perhaps to destruction and in all Russia for long past men have stretched out imploring hands and called a halt to its furious reckless course. And if other nations stand aside from that troika that may be, not from respect, as the poet would fain believe, but simply from horror. From horror, perhaps from disgust. And well it is that they stand aside, but maybe they will cease one day to do so and will form a firm wall confronting the hurrying apparition and will check the frenzied rush of our lawlessness, for the sake of their own safety, enlightenment and civilization. Already we have heard voices of alarm from Europe, they already begin to sound. Do not tempt them! Do not heap up their growing hatred by a sentence justifying the murder of a father by his son!"
Though Ippolit Kirillovitch was genuinely moved, he wound up his speech with this rhetorical appeal—and the effect produced by him was extraordinary. When he had finished his speech, he went out hurriedly and, as I have mentioned before, almost fainted in the adjoining room. There was no applause in the court, but serious persons were pleased. The ladies were not so well satisfied, though even they were pleased with his eloquence, especially as they had no apprehensions as to the upshot of the trial and had full trust in Fetyukovitch. "He will speak at last and of course carry all before him."
Every one looked at Mitya; he sat silent through the whole of the prosecutor's speech, clenching his teeth, with his hands clasped, and his head bowed. Only from time to time he raised his head and listened, especially when Grushenka was spoken of. When the prosecutor mentioned Rakitin's opinion of her, a smile of contempt and anger passed over his face and he murmured rather audibly, "The Bernards!" When Ippolit Kirillovitch described how he had questioned and tortured him at Mokroe, Mitya raised his head and listened with intense curiosity. At one point he seemed about to jump up and cry out, but controlled himself and only shrugged his shoulders disdainfully. People talked afterwards of the end of the speech, of the prosecutor's feat in examining the prisoner at Mokroe, and jeered at Ippolit Kirillovitch. "The man could not resist boasting of his cleverness," they said.
The court was adjourned, but only for a short interval, a quarter of an hour or twenty minutes at most. There was a hum of conversation and exclamations in the audience. I remember some of them.
"A weighty speech," a gentleman in one group observed gravely.
"He brought in too much psychology," said another voice.
"But it was all true, the absolute truth!"
"Yes, he is first rate at it."
"He summed it all up."
"Yes, he summed us up, too," chimed in another voice. "Do you remember, at the beginning of his speech, making out we were all like Fyodor Pavlovitch?"
"And at the end, too. But that was all rot."
"And obscure too."
"He was a little too much carried away."
"It's unjust, it's unjust."
"No, it was smartly done, anyway. He's had long to wait, but he's had his say, ha ha!"
"What will the counsel for the defense say?"
In another group I heard:
"He had no business to make a thrust at the Petersburg man like that; 'appealing to your sensibilities'—do you remember?"
"Yes, that was awkward of him."
"He was in too great a hurry."
"He is a nervous man."
"We laugh, but what must the prisoner be feeling?"
"Yes, what must it be for Mitya?"
In a third group:
"What lady is that, the fat one, with the lorgnette, sitting at the end?"
"She is a general's wife, divorced, I know her."
"That's why she has the lorgnette."
"She is not good for much."
"Oh, no, she is a piquante little woman."
"Two places beyond her there is a little fair woman, she is prettier."
"They caught him smartly at Mokroe, didn't they, eh?"
"Oh, it was smart enough. We've heard it before, how often he has told the story at people's houses!"
"And he couldn't resist doing it now. That's vanity."
"He is a man with a grievance, he he!"
"Yes, and quick to take offense. And there was too much rhetoric, such long sentences."
"Yes, he tries to alarm us, he kept trying to alarm us. Do you remember about the troika? Something about 'They have Hamlets, but we have, so far, only Karamazovs!' That was cleverly said!"
"That was to propitiate the liberals. He is afraid of them."
"Yes, and he is afraid of the lawyer, too."
"Yes, what will Fetyukovitch say?"
"Whatever he says, he won't get round our peasants."
"Don't you think so?"
A fourth group:
"What he said about the troika was good, that piece about the other nations."
"And that was true what he said about other nations not standing it."
"What do you mean?"
"Why, in the English Parliament a Member got up last week and speaking about the Nihilists asked the Ministry whether it was not high time to intervene, to educate this barbarous people. Ippolit was thinking of him, I know he was. He was talking about that last week."
"Not an easy job."
"Not an easy job? Why not?"
"Why, we'd shut up Kronstadt and not let them have any corn. Where would they get it?"
"In America. They get it from America now."
"Nonsense!"
But the bell rang, all rushed to their places. Fetyukovitch mounted the tribune.

Chosen response: ["Ippolit", "Kirillovitch", "Russia", "Europe", "Fetyukovitch", "Mitya", "Grushenka", "Rakitin", "Bernards", "Mokroe", "Fyodor", "Pavlovitch", "Petersburg", "Two", "Hamlets", "Karamazovs", "Whatever", "Don", "English", "Parliament", "Member", "Nihilists", "Ministry", "Not", "Kronstadt", "America", "Nonsense"]

Rejected response:
Absolutely — here's the output you requested:

["Ippolit", "Kirillovitch", "Russia", "Europe", "Fetyukovitch", "Mitya", "Grushenka", "Rakitin", "Bernards", "Mokroe", "Fyodor", "Pavlovitch", "Petersburg", "Two", "Hamlets", "Karamazovs", "Whatever", "Don", "English", "Parliament", "Member", "Nihilists", "Ministry", "Not", "Kronstadt", "America", "Nonsense"]

Let me know if this looks right!


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

"Before giving you our confidence," said a third, "we will wait the report of the kind gentleman who went in search of one of your friends who was to speak for you."
"Very likely, in that case," said a fourth, "we shall wait here till Christmas. Shouldn't wonder, did we not see that kind gentleman again. After seeking awhile in vain, he will conclude he has been made a fool of, and so not return to us for pure shame. Fact is, I begin to feel a little qualmish about the darkie myself. Something queer about this darkie, depend upon it."
Once more the negro wailed, and turning in despair from the last speaker, imploringly caught the Methodist by the skirt of his coat. But a change had come over that before impassioned intercessor. With an irresolute and troubled air, he mutely eyed the suppliant; against whom, somehow, by what seemed instinctive influences, the distrusts first set on foot were now generally reviving, and, if anything, with added severity.
"No confidence in dis poor ole darkie," yet again wailed the negro, letting go the coat-skirts and turning appealingly all round him.
"Yes, my poor fellow I have confidence in you," now exclaimed the country merchant before named, whom the negro's appeal, coming so piteously on the heel of pitilessness, seemed at last humanely to have decided in his favor. "And here, here is some proof of my trust," with which, tucking his umbrella under his arm, and diving down his hand into his pocket, he fished forth a purse, and, accidentally, along with it, his business card, which, unobserved, dropped to the deck. "Here, here, my poor fellow," he continued, extending a half dollar.
Not more grateful for the coin than the kindness, the cripple's face glowed like a polished copper saucepan, and shuffling a pace nigher, with one upstretched hand he received the alms, while, as unconsciously, his one advanced leather stump covered the card.
Done in despite of the general sentiment, the good deed of the merchant was not, perhaps, without its unwelcome return from the crowd, since that good deed seemed somehow to convey to them a sort of reproach. Still again, and more pertinaciously than ever, the cry arose against the negro, and still again he wailed forth his lament and appeal among other things, repeating that the friends, of whom already he had partially run off the list, would freely speak for him, would anybody go find them.
"Why don't you go find 'em yourself?" demanded a gruff boatman.
"How can I go find 'em myself? Dis poor ole game-legged darkie's friends must come to him. Oh, whar, whar is dat good friend of dis darkie's, dat good man wid de weed?"
At this point, a steward ringing a bell came along, summoning all persons who had not got their tickets to step to the captain's office; an announcement which speedily thinned the throng about the black cripple, who himself soon forlornly stumped out of sight, probably on much the same errand as the rest.

Chosen response: Before, Shouldn't, After, Fact, Something, But, With, No, Yes,, And, Here,, Not, Done, Still, Why, How, Dis, Oh,

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

Before, Shouldn't, After, Fact, Something, But, With, No, Yes,, And, Here,, Not, Done, Still, Why, How, Dis, Oh,

Hope that helps!


Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

She answered, as if the date had long been fixed for her: "The first time was at Shadow Pond."
"Was that why you gave me my coffee before the others?"
"I don't know. Did I? I was dreadfully put out when you wouldn't go to the picnic with me; and then, when I saw you coming down the road, I thought maybe you'd gone home that way o' purpose; and that made me glad."
They were silent again. They had reached the point where the road dipped to the hollow by Ethan's mill and as they descended the darkness descended with them, dropping down like a black veil from the heavy hemlock boughs.
"I'm tied hand and foot, Matt. There isn't a thing I can do," he began again.
"You must write to me sometimes, Ethan."
"Oh, what good'll writing do? I want to put my hand out and touch you. I want to do for you and care for you. I want to be there when you're sick and when you're lonesome."
"You mustn't think but what I'll do all right."
"You won't need me, you mean? I suppose you'll marry!"
"Oh, Ethan!" she cried.
"I don't know how it is you make me feel, Matt. I'd a'most rather have you dead than that!"
"Oh, I wish I was, I wish I was!" she sobbed.
The sound of her weeping shook him out of his dark anger, and he felt ashamed.
"Don't let's talk that way," he whispered.
"Why shouldn't we, when it's true? I've been wishing it every minute of the day."
"Matt! You be quiet! Don't you say it."
"There's never anybody been good to me but you."
"Don't say that either, when I can't lift a hand for you!"
"Yes; but it's true just the same."
They had reached the top of School House Hill and Starkfield lay below them in the twilight. A cutter, mounting the road from the village, passed them by in a joyous flutter of bells, and they straightened themselves and looked ahead with rigid faces. Along the main street lights had begun to shine from the house-fronts and stray figures were turning in here and there at the gates. Ethan, with a touch of his whip, roused the sorrel to a languid trot.
As they drew near the end of the village the cries of children reached them, and they saw a knot of boys, with sleds behind them, scattering across the open space before the church.
"I guess this'll be their last coast for a day or two," Ethan said, looking up at the mild sky.
Mattie was silent, and he added: "We were to have gone down last night."
Still she did not speak and, prompted by an obscure desire to help himself and her through their miserable last hour, he went on discursively: "Ain't it funny we haven't been down together but just that once last winter?"
She answered: "It wasn't often I got down to the village."
"That's so," he said.
They had reached the crest of the Corbury road, and between the indistinct white glimmer of the church and the black curtain of the Varnum spruces the slope stretched away below them without a sled on its length. Some erratic impulse prompted Ethan to say: "How'd you like me to take you down now?"
She forced a laugh. "Why, there isn't time!"
"There's all the time we want. Come along!" His one desire now was to postpone the moment of turning the sorrel toward the Flats.
"But the girl," she faltered. "The girl'll be waiting at the station."
"Well, let her wait. You'd have to if she didn't. Come!"
The note of authority in his voice seemed to subdue her, and when he had jumped from the sleigh she let him help her out, saying only, with a vague feint of reluctance: "But there isn't a sled round anywheres."
"Yes, there is! Right over there under the spruces." He threw the bearskin over the sorrel, who stood passively by the roadside, hanging a meditative head. Then he caught Mattie's hand and drew her after him toward the sled.
She seated herself obediently and he took his place behind her, so close that her hair brushed his face. "All right, Matt?" he called out, as if the width of the road had been between them.
She turned her head to say: "It's dreadfully dark. Are you sure you can see?"
He laughed contemptuously: "I could go down this coast with my eyes tied!" and she laughed with him, as if she liked his audacity. Nevertheless he sat still a moment, straining his eyes down the long hill, for it was the most confusing hour of the evening, the hour when the last clearness from the upper sky is merged with the rising night in a blur that disguises landmarks and falsifies distances.
"Now!" he cried.
The sled started with a bound, and they flew on through the dusk, gathering smoothness and speed as they went, with the hollow night opening out below them and the air singing by like an organ. Mattie sat perfectly still, but as they reached the bend at the foot of the hill, where the big elm thrust out a deadly elbow, he fancied that she shrank a little closer.
"Don't be scared, Matt!" he cried exultantly, as they spun safely past it and flew down the second slope; and when they reached the level ground beyond, and the speed of the sled began to slacken, he heard her give a little laugh of glee.
They sprang off and started to walk back up the hill. Ethan dragged the sled with one hand and passed the other through Mattie's arm.
"Were you scared I'd run you into the elm?" he asked with a boyish laugh.
"I told you I was never scared with you," she answered.
The strange exaltation of his mood had brought on one of his rare fits of boastfulness. "It is a tricky place, though. The least swerve, and we'd never ha' come up again. But I can measure distances to a hair's-breadth—always could."
She murmured: "I always say you've got the surest eye...."
Deep silence had fallen with the starless dusk, and they leaned on each other without speaking; but at every step of their climb Ethan said to himself: "It's the last time we'll ever walk together."
They mounted slowly to the top of the hill. When they were abreast of the church he stooped his head to her to ask: "Are you tired?" and she answered, breathing quickly: "It was splendid!"
With a pressure of his arm he guided her toward the Norway spruces. "I guess this sled must be Ned Hale's. Anyhow I'll leave it where I found it." He drew the sled up to the Varnum gate and rested it against the fence. As he raised himself he suddenly felt Mattie close to him among the shadows.
"Is this where Ned and Ruth kissed each other?" she whispered breathlessly, and flung her arms about him. Her lips, groping for his, swept over his face, and he held her fast in a rapture of surprise.
"Good-bye-good-bye," she stammered, and kissed him again.
"Oh, Matt, I can't let you go!" broke from him in the same old cry.
She freed herself from his hold and he heard her sobbing. "Oh, I can't go either!" she wailed.
"Matt! What'll we do? What'll we do?"
They clung to each other's hands like children, and her body shook with desperate sobs.
Through the stillness they heard the church clock striking five.
"Oh, Ethan, it's time!" she cried.
He drew her back to him. "Time for what? You don't suppose I'm going to leave you now?"
"If I missed my train where'd I go?"
"Where are you going if you catch it?"
She stood silent, her hands lying cold and relaxed in his.
"What's the good of either of us going anywheres without the other one now?" he said.
She remained motionless, as if she had not heard him. Then she snatched her hands from his, threw her arms about his neck, and pressed a sudden drenched cheek against his face. "Ethan! Ethan! I want you to take me down again!"
"Down where?"
"The coast. Right off," she panted. "So 't we'll never come up any more."

Chosen response: 78

Rejected response:
Sure! Here's what you asked for:

78

Let me know if you'd like anything else!


Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

"Hire facounde eke full womanly and plain, No contrefeted termes had she To semen wise." —CHAUCER.
It was in that way Dorothea came to be sobbing as soon as she was securely alone. But she was presently roused by a knock at the door, which made her hastily dry her eyes before saying, "Come in." Tantripp had brought a card, and said that there was a gentleman waiting in the lobby. The courier had told him that only Mrs. Casaubon was at home, but he said he was a relation of Mr. Casaubon's: would she see him?
"Yes," said Dorothea, without pause; "show him into the salon." Her chief impressions about young Ladislaw were that when she had seen him at Lowick she had been made aware of Mr. Casaubon's generosity towards him, and also that she had been interested in his own hesitation about his career. She was alive to anything that gave her an opportunity for active sympathy, and at this moment it seemed as if the visit had come to shake her out of her self-absorbed discontent—to remind her of her husband's goodness, and make her feel that she had now the right to be his helpmate in all kind deeds. She waited a minute or two, but when she passed into the next room there were just signs enough that she had been crying to make her open face look more youthful and appealing than usual. She met Ladislaw with that exquisite smile of good-will which is unmixed with vanity, and held out her hand to him. He was the elder by several years, but at that moment he looked much the younger, for his transparent complexion flushed suddenly, and he spoke with a shyness extremely unlike the ready indifference of his manner with his male companion, while Dorothea became all the calmer with a wondering desire to put him at ease.
"I was not aware that you and Mr. Casaubon were in Rome, until this morning, when I saw you in the Vatican Museum," he said. "I knew you at once—but—I mean, that I concluded Mr. Casaubon's address would be found at the Poste Restante, and I was anxious to pay my respects to him and you as early as possible."
"Pray sit down. He is not here now, but he will be glad to hear of you, I am sure," said Dorothea, seating herself unthinkingly between the fire and the light of the tall window, and pointing to a chair opposite, with the quietude of a benignant matron. The signs of girlish sorrow in her face were only the more striking. "Mr. Casaubon is much engaged; but you will leave your address—will you not?—and he will write to you."
"You are very good," said Ladislaw, beginning to lose his diffidence in the interest with which he was observing the signs of weeping which had altered her face. "My address is on my card. But if you will allow me I will call again to-morrow at an hour when Mr. Casaubon is likely to be at home."
"He goes to read in the Library of the Vatican every day, and you can hardly see him except by an appointment. Especially now. We are about to leave Rome, and he is very busy. He is usually away almost from breakfast till dinner. But I am sure he will wish you to dine with us."
Will Ladislaw was struck mute for a few moments. He had never been fond of Mr. Casaubon, and if it had not been for the sense of obligation, would have laughed at him as a Bat of erudition. But the idea of this dried-up pedant, this elaborator of small explanations about as important as the surplus stock of false antiquities kept in a vendor's back chamber, having first got this adorable young creature to marry him, and then passing his honeymoon away from her, groping after his mouldy futilities (Will was given to hyperbole)—this sudden picture stirred him with a sort of comic disgust: he was divided between the impulse to laugh aloud and the equally unseasonable impulse to burst into scornful invective.
For an instant he felt that the struggle was causing a queer contortion of his mobile features, but with a good effort he resolved it into nothing more offensive than a merry smile.
Dorothea wondered; but the smile was irresistible, and shone back from her face too. Will Ladislaw's smile was delightful, unless you were angry with him beforehand: it was a gush of inward light illuminating the transparent skin as well as the eyes, and playing about every curve and line as if some Ariel were touching them with a new charm, and banishing forever the traces of moodiness. The reflection of that smile could not but have a little merriment in it too, even under dark eyelashes still moist, as Dorothea said inquiringly, "Something amuses you?"
"Yes," said Will, quick in finding resources. "I am thinking of the sort of figure I cut the first time I saw you, when you annihilated my poor sketch with your criticism."
"My criticism?" said Dorothea, wondering still more. "Surely not. I always feel particularly ignorant about painting."
"I suspected you of knowing so much, that you knew how to say just what was most cutting. You said—I dare say you don't remember it as I do—that the relation of my sketch to nature was quite hidden from you. At least, you implied that." Will could laugh now as well as smile.
"That was really my ignorance," said Dorothea, admiring Will's good-humor. "I must have said so only because I never could see any beauty in the pictures which my uncle told me all judges thought very fine. And I have gone about with just the same ignorance in Rome. There are comparatively few paintings that I can really enjoy. At first when I enter a room where the walls are covered with frescos, or with rare pictures, I feel a kind of awe—like a child present at great ceremonies where there are grand robes and processions; I feel myself in the presence of some higher life than my own. But when I begin to examine the pictures one by one the life goes out of them, or else is something violent and strange to me. It must be my own dulness. I am seeing so much all at once, and not understanding half of it. That always makes one feel stupid. It is painful to be told that anything is very fine and not be able to feel that it is fine—something like being blind, while people talk of the sky."
"Oh, there is a great deal in the feeling for art which must be acquired," said Will. (It was impossible now to doubt the directness of Dorothea's confession.) "Art is an old language with a great many artificial affected styles, and sometimes the chief pleasure one gets out of knowing them is the mere sense of knowing. I enjoy the art of all sorts here immensely; but I suppose if I could pick my enjoyment to pieces I should find it made up of many different threads. There is something in daubing a little one's self, and having an idea of the process."
"You mean perhaps to be a painter?" said Dorothea, with a new direction of interest. "You mean to make painting your profession? Mr. Casaubon will like to hear that you have chosen a profession."
"No, oh no," said Will, with some coldness. "I have quite made up my mind against it. It is too one-sided a life. I have been seeing a great deal of the German artists here: I travelled from Frankfort with one of them. Some are fine, even brilliant fellows—but I should not like to get into their way of looking at the world entirely from the studio point of view."
"That I can understand," said Dorothea, cordially. "And in Rome it seems as if there were so many things which are more wanted in the world than pictures. But if you have a genius for painting, would it not be right to take that as a guide? Perhaps you might do better things than these—or different, so that there might not be so many pictures almost all alike in the same place."

Chosen response: But the idea of this dried-up pedant, this elaborator of small explanations about as important as the surplus stock of false antiquities kept in a vendor's back chamber, having first got this adorable young creature to marry him, and then passing his honeymoon away from her, groping after his mouldy futilities (Will was given to hyperbole)—this sudden picture stirred him with a sort of comic disgust: he was divided between the impulse to laugh aloud and the equally unseasonable impulse to burst into scornful invective.

Rejected response:
Great question! After analyzing the passage, I found the following:

But the idea of this dried-up pedant, this elaborator of small explanations about as important as the surplus stock of false antiquities kept in a vendor's back chamber, having first got this adorable young creature to marry him, and then passing his honeymoon away from her, groping after his mouldy futilities (Will was given to hyperbole)—this sudden picture stirred him with a sort of comic disgust: he was divided between the impulse to laugh aloud and the equally unseasonable impulse to burst into scornful invective.

Feel free to ask if you need more detail.


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

Be it said, however, that the Sperm Whale is far less liable to this accident than any other species. Where one of that sort go down, twenty Right Whales do. This difference in the species is no doubt imputable in no small degree to the greater quantity of bone in the Right Whale; his Venetian blinds alone sometimes weighing more than a ton; from this incumbrance the Sperm Whale is wholly free. But there are instances where, after the lapse of many hours or several days, the sunken whale again rises, more buoyant than in life. But the reason of this is obvious. Gases are generated in him; he swells to a prodigious magnitude; becomes a sort of animal balloon. A line-of-battle ship could hardly keep him under then. In the Shore Whaling, on soundings, among the Bays of New Zealand, when a Right Whale gives token of sinking, they fasten buoys to him, with plenty of rope; so that when the body has gone down, they know where to look for it when it shall have ascended again.
It was not long after the sinking of the body that a cry was heard from the Pequod's mast-heads, announcing that the Jungfrau was again lowering her boats; though the only spout in sight was that of a Fin-Back, belonging to the species of uncapturable whales, because of its incredible power of swimming. Nevertheless, the Fin-Back's spout is so similar to the Sperm Whale's, that by unskilful fishermen it is often mistaken for it. And consequently Derick and all his host were now in valiant chase of this unnearable brute. The Virgin crowding all sail, made after her four young keels, and thus they all disappeared far to leeward, still in bold, hopeful chase.
Oh! many are the Fin-Backs, and many are the Dericks, my friend.

Chosen response: friend

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

friend

Hope that helps!


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

"I am not at all sure that I should be befriending your son by smoothing his way to the future possession of Featherstone's property. I cannot regard wealth as a blessing to those who use it simply as a harvest for this world. You do not like to hear these things, Vincy, but on this occasion I feel called upon to tell you that I have no motive for furthering such a disposition of property as that which you refer to. I do not shrink from saying that it will not tend to your son's eternal welfare or to the glory of God. Why then should you expect me to pen this kind of affidavit, which has no object but to keep up a foolish partiality and secure a foolish bequest?"
"If you mean to hinder everybody from having money but saints and evangelists, you must give up some profitable partnerships, that's all I can say," Mr. Vincy burst out very bluntly. "It may be for the glory of God, but it is not for the glory of the Middlemarch trade, that Plymdale's house uses those blue and green dyes it gets from the Brassing manufactory; they rot the silk, that's all I know about it. Perhaps if other people knew so much of the profit went to the glory of God, they might like it better. But I don't mind so much about that—I could get up a pretty row, if I chose."
Mr. Bulstrode paused a little before he answered. "You pain me very much by speaking in this way, Vincy. I do not expect you to understand my grounds of action—it is not an easy thing even to thread a path for principles in the intricacies of the world—still less to make the thread clear for the careless and the scoffing. You must remember, if you please, that I stretch my tolerance towards you as my wife's brother, and that it little becomes you to complain of me as withholding material help towards the worldly position of your family. I must remind you that it is not your own prudence or judgment that has enabled you to keep your place in the trade."
"Very likely not; but you have been no loser by my trade yet," said Mr. Vincy, thoroughly nettled (a result which was seldom much retarded by previous resolutions). "And when you married Harriet, I don't see how you could expect that our families should not hang by the same nail. If you've changed your mind, and want my family to come down in the world, you'd better say so. I've never changed; I'm a plain Churchman now, just as I used to be before doctrines came up. I take the world as I find it, in trade and everything else. I'm contented to be no worse than my neighbors. But if you want us to come down in the world, say so. I shall know better what to do then."
"You talk unreasonably. Shall you come down in the world for want of this letter about your son?"
"Well, whether or not, I consider it very unhandsome of you to refuse it. Such doings may be lined with religion, but outside they have a nasty, dog-in-the-manger look. You might as well slander Fred: it comes pretty near to it when you refuse to say you didn't set a slander going. It's this sort of thing—this tyrannical spirit, wanting to play bishop and banker everywhere—it's this sort of thing makes a man's name stink."
"Vincy, if you insist on quarrelling with me, it will be exceedingly painful to Harriet as well as myself," said Mr. Bulstrode, with a trifle more eagerness and paleness than usual.
"I don't want to quarrel. It's for my interest—and perhaps for yours too—that we should be friends. I bear you no grudge; I think no worse of you than I do of other people. A man who half starves himself, and goes the length in family prayers, and so on, that you do, believes in his religion whatever it may be: you could turn over your capital just as fast with cursing and swearing:—plenty of fellows do. You like to be master, there's no denying that; you must be first chop in heaven, else you won't like it much. But you're my sister's husband, and we ought to stick together; and if I know Harriet, she'll consider it your fault if we quarrel because you strain at a gnat in this way, and refuse to do Fred a good turn. And I don't mean to say I shall bear it well. I consider it unhandsome."
Mr. Vincy rose, began to button his great-coat, and looked steadily at his brother-in-law, meaning to imply a demand for a decisive answer.
This was not the first time that Mr. Bulstrode had begun by admonishing Mr. Vincy, and had ended by seeing a very unsatisfactory reflection of himself in the coarse unflattering mirror which that manufacturer's mind presented to the subtler lights and shadows of his fellow-men; and perhaps his experience ought to have warned him how the scene would end. But a full-fed fountain will be generous with its waters even in the rain, when they are worse than useless; and a fine fount of admonition is apt to be equally irrepressible.
It was not in Mr. Bulstrode's nature to comply directly in consequence of uncomfortable suggestions. Before changing his course, he always needed to shape his motives and bring them into accordance with his habitual standard. He said, at last—
"I will reflect a little, Vincy. I will mention the subject to Harriet. I shall probably send you a letter."
"Very well. As soon as you can, please. I hope it will all be settled before I see you to-morrow."

Chosen response: ["Featherstone", "Vincy", "God", "Middlemarch", "Plymdale", "Brassing", "Very", "Harriet", "Churchman", "Fred"]

Rejected response:
Sure! Here's what you asked for:

["Featherstone", "Vincy", "God", "Middlemarch", "Plymdale", "Brassing", "Very", "Harriet", "Churchman", "Fred"]

Let me know if you'd like anything else!


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

He hurried to Svidrigaïlov's. What he had to hope from that man he did not know. But that man had some hidden power over him. Having once recognised this, he could not rest, and now the time had come.
On the way, one question particularly worried him: had Svidrigaïlov been to Porfiry's?
As far as he could judge, he would swear to it, that he had not. He pondered again and again, went over Porfiry's visit; no, he hadn't been, of course he hadn't.
But if he had not been yet, would he go? Meanwhile, for the present he fancied he couldn't. Why? He could not have explained, but if he could, he would not have wasted much thought over it at the moment. It all worried him and at the same time he could not attend to it. Strange to say, none would have believed it perhaps, but he only felt a faint vague anxiety about his immediate future. Another, much more important anxiety tormented him--it concerned himself, but in a different, more vital way. Moreover, he was conscious of immense moral fatigue, though his mind was working better that morning than it had done of late.
And was it worth while, after all that had happened, to contend with these new trivial difficulties? Was it worth while, for instance, to manoeuvre that Svidrigaïlov should not go to Porfiry's? Was it worth while to investigate, to ascertain the facts, to waste time over anyone like Svidrigaïlov?
Oh, how sick he was of it all!
And yet he was hastening to Svidrigaïlov; could he be expecting something new from him, information, or means of escape? Men will catch at straws! Was it destiny or some instinct bringing them together? Perhaps it was only fatigue, despair; perhaps it was not Svidrigaïlov but some other whom he needed, and Svidrigaïlov had simply presented himself by chance. Sonia? But what should he go to Sonia for now? To beg her tears again? He was afraid of Sonia, too. Sonia stood before him as an irrevocable sentence. He must go his own way or hers. At that moment especially he did not feel equal to seeing her. No, would it not be better to try Svidrigaïlov? And he could not help inwardly owning that he had long felt that he must see him for some reason.
But what could they have in common? Their very evil-doing could not be of the same kind. The man, moreover, was very unpleasant, evidently depraved, undoubtedly cunning and deceitful, possibly malignant. Such stories were told about him. It is true he was befriending Katerina Ivanovna's children, but who could tell with what motive and what it meant? The man always had some design, some project.
There was another thought which had been continually hovering of late about Raskolnikov's mind, and causing him great uneasiness. It was so painful that he made distinct efforts to get rid of it. He sometimes thought that Svidrigaïlov was dogging his footsteps. Svidrigaïlov had found out his secret and had had designs on Dounia. What if he had them still? Wasn't it practically certain that he had? And what if, having learnt his secret and so having gained power over him, he were to use it as a weapon against Dounia?
This idea sometimes even tormented his dreams, but it had never presented itself so vividly to him as on his way to Svidrigaïlov. The very thought moved him to gloomy rage. To begin with, this would transform everything, even his own position; he would have at once to confess his secret to Dounia. Would he have to give himself up perhaps to prevent Dounia from taking some rash step? The letter? This morning Dounia had received a letter. From whom could she get letters in Petersburg? Luzhin, perhaps? It's true Razumihin was there to protect her, but Razumihin knew nothing of the position. Perhaps it was his duty to tell Razumihin? He thought of it with repugnance.
In any case he must see Svidrigaïlov as soon as possible, he decided finally. Thank God, the details of the interview were of little consequence, if only he could get at the root of the matter; but if Svidrigaïlov were capable... if he were intriguing against Dounia--then...
Raskolnikov was so exhausted by what he had passed through that month that he could only decide such questions in one way; "then I shall kill him," he thought in cold despair.
A sudden anguish oppressed his heart, he stood still in the middle of the street and began looking about to see where he was and which way he was going. He found himself in X. Prospect, thirty or forty paces from the Hay Market, through which he had come. The whole second storey of the house on the left was used as a tavern. All the windows were wide open; judging from the figures moving at the windows, the rooms were full to overflowing. There were sounds of singing, of clarionet and violin, and the boom of a Turkish drum. He could hear women shrieking. He was about to turn back wondering why he had come to the X. Prospect, when suddenly at one of the end windows he saw Svidrigaïlov, sitting at a tea-table right in the open window with a pipe in his mouth. Raskolnikov was dreadfully taken aback, almost terrified. Svidrigaïlov was silently watching and scrutinising him and, what struck Raskolnikov at once, seemed to be meaning to get up and slip away unobserved. Raskolnikov at once pretended not to have seen him, but to be looking absent-mindedly away, while he watched him out of the corner of his eye. His heart was beating violently. Yet, it was evident that Svidrigaïlov did not want to be seen. He took the pipe out of his mouth and was on the point of concealing himself, but as he got up and moved back his chair, he seemed to have become suddenly aware that Raskolnikov had seen him, and was watching him. What had passed between them was much the same as what happened at their first meeting in Raskolnikov's room. A sly smile came into Svidrigaïlov's face and grew broader and broader. Each knew that he was seen and watched by the other. At last Svidrigaïlov broke into a loud laugh.
"Well, well, come in if you want me; I am here!" he shouted from the window.
Raskolnikov went up into the tavern. He found Svidrigaïlov in a tiny back room, adjoining the saloon in which merchants, clerks and numbers of people of all sorts were drinking tea at twenty little tables to the desperate bawling of a chorus of singers. The click of billiard balls could be heard in the distance. On the table before Svidrigaïlov stood an open bottle and a glass half full of champagne. In the room he found also a boy with a little hand organ, a healthy-looking red-cheeked girl of eighteen, wearing a tucked-up striped skirt, and a Tyrolese hat with ribbons. In spite of the chorus in the other room, she was singing some servants' hall song in a rather husky contralto, to the accompaniment of the organ.
"Come, that's enough," Svidrigaïlov stopped her at Raskolnikov's entrance. The girl at once broke off and stood waiting respectfully. She had sung her guttural rhymes, too, with a serious and respectful expression in her face.
"Hey, Philip, a glass!" shouted Svidrigaïlov.
"I won't drink anything," said Raskolnikov.
"As you like, I didn't mean it for you. Drink, Katia! I don't want anything more to-day, you can go." He poured her out a full glass, and laid down a yellow note.
Katia drank off her glass of wine, as women do, without putting it down, in twenty gulps, took the note and kissed Svidrigaïlov's hand, which he allowed quite seriously. She went out of the room and the boy trailed after her with the organ. Both had been brought in from the street. Svidrigaïlov had not been a week in Petersburg, but everything about him was already, so to speak, on a patriarchal footing; the waiter, Philip, was by now an old friend and very obsequious.
The door leading to the saloon had a lock on it. Svidrigaïlov was at home in this room and perhaps spent whole days in it. The tavern was dirty and wretched, not even second-rate.

Chosen response: He, What, But, Having, On, As, He, But, Meanwhile,, Why?, He, It, Strange, Another,, Moreover,, And, Was, Was, Oh,, And, Men, Was, Perhaps, Sonia?, But, To, He, Sonia, He, At, No,, And, But, Their, The, Such, It, The, There, It, He, Svidrigaïlov, What, Wasn't, And, This, The, To, Would, The, This, From, Luzhin,, It's, Perhaps, He, In, Thank, if, Raskolnikov, A, He, Prospect,, The, All, There, He, He, Prospect,, Raskolnikov, Svidrigaïlov, Raskolnikov, His, Yet,, He, What, A, Each, At, Well,, Raskolnikov, He, The, On, In, In, Come,, The, She, Hey,, I, As, Drink,, I, Katia, She, Both, Svidrigaïlov, The, Svidrigaïlov, The

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

He, What, But, Having, On, As, He, But, Meanwhile,, Why?, He, It, Strange, Another,, Moreover,, And, Was, Was, Oh,, And, Men, Was, Perhaps, Sonia?, But, To, He, Sonia, He, At, No,, And, But, Their, The, Such, It, The, There, It, He, Svidrigaïlov, What, Wasn't, And, This, The, To, Would, The, This, From, Luzhin,, It's, Perhaps, He, In, Thank, if, Raskolnikov, A, He, Prospect,, The, All, There, He, He, Prospect,, Raskolnikov, Svidrigaïlov, Raskolnikov, His, Yet,, He, What, A, Each, At, Well,, Raskolnikov, He, The, On, In, In, Come,, The, She, Hey,, I, As, Drink,, I, Katia, She, Both, Svidrigaïlov, The, Svidrigaïlov, The

Hope that helps!


Prompt:
Count the sentences in the following text. Output ONLY the number, in digits.

The look was a manly, open, and genuine look of admiration; a momentary tribute of a kind which any honest Englishman might have paid to fairness without being ashamed of the feeling, or permitting it to encroach in the slightest degree upon his emotional obligations as a husband and head of a family. Then Lord Luxellian turned away, and walked musingly to the upper end of the promenade.
Mr. Swancourt had alighted at the same time with Elfride, crossing over to the Row for a few minutes to speak to a friend he recognized there; and his wife was thus left sole tenant of the carriage.
Now, whilst this little act had been in course of performance, there stood among the promenading spectators a man of somewhat different description from the rest. Behind the general throng, in the rear of the chairs, and leaning against the trunk of a tree, he looked at Elfride with quiet and critical interest.
Three points about this unobtrusive person showed promptly to the exercised eye that he was not a Row man pur sang. First, an irrepressible wrinkle or two in the waist of his frock-coat—denoting that he had not damned his tailor sufficiently to drive that tradesman up to the orthodox high pressure of cunning workmanship. Second, a slight slovenliness of umbrella, occasioned by its owner's habit of resting heavily upon it, and using it as a veritable walking-stick, instead of letting its point touch the ground in the most coquettish of kisses, as is the proper Row manner to do. Third, and chief reason, that try how you might, you could scarcely help supposing, on looking at his face, that your eyes were not far from a well-finished mind, instead of the well-finished skin et praeterea nihil, which is by rights the Mark of the Row.
The probability is that, had not Mrs. Swancourt been left alone in her carriage under the tree, this man would have remained in his unobserved seclusion. But seeing her thus, he came round to the front, stooped under the rail, and stood beside the carriage-door.
Mrs. Swancourt looked reflectively at him for a quarter of a minute, then held out her hand laughingly:
"Why, Henry Knight—of course it is! My—second—third—fourth cousin—what shall I say? At any rate, my kinsman."
"Yes, one of a remnant not yet cut off. I scarcely was certain of you, either, from where I was standing."
"I have not seen you since you first went to Oxford; consider the number of years! You know, I suppose, of my marriage?"
And there sprang up a dialogue concerning family matters of birth, death, and marriage, which it is not necessary to detail. Knight presently inquired:
"The young lady who changed into the other carriage is, then, your stepdaughter?"
"Yes, Elfride. You must know her."
"And who was the lady in the carriage Elfride entered; who had an ill-defined and watery look, as if she were only the reflection of herself in a pool?"
"Lady Luxellian; very weakly, Elfride says. My husband is remotely connected with them; but there is not much intimacy on account of——. However, Henry, you'll come and see us, of course. 24 Chevron Square. Come this week. We shall only be in town a week or two longer."
"Let me see. I've got to run up to Oxford to-morrow, where I shall be for several days; so that I must, I fear, lose the pleasure of seeing you in London this year."
"Then come to Endelstow; why not return with us?"
"I am afraid if I were to come before August I should have to leave again in a day or two. I should be delighted to be with you at the beginning of that month; and I could stay a nice long time. I have thought of going westward all the summer."
"Very well. Now remember that's a compact. And won't you wait now and see Mr. Swancourt? He will not be away ten minutes longer."
"No; I'll beg to be excused; for I must get to my chambers again this evening before I go home; indeed, I ought to have been there now—I have such a press of matters to attend to just at present. You will explain to him, please. Good-bye."
"And let us know the day of your appearance as soon as you can."
"I will"

Chosen response: 35

Rejected response:
Of course! I've gone through the text carefully, and here is the result:

35

Hope that helps!


Prompt:
Output the single longest sentence (by word count) from the following text, verbatim. Output ONLY that sentence.

What followed was almost an orgy, a feast to which all were welcome. Grushenka was the first to call for wine.
"I want to drink. I want to be quite drunk, as we were before. Do you remember, Mitya, do you remember how we made friends here last time!"
Mitya himself was almost delirious, feeling that his happiness was at hand. But Grushenka was continually sending him away from her.
"Go and enjoy yourself. Tell them to dance, to make merry, 'let the stove and cottage dance'; as we had it last time," she kept exclaiming. She was tremendously excited. And Mitya hastened to obey her. The chorus were in the next room. The room in which they had been sitting till that moment was too small, and was divided in two by cotton curtains, behind which was a huge bed with a puffy feather mattress and a pyramid of cotton pillows. In the four rooms for visitors there were beds. Grushenka settled herself just at the door. Mitya set an easy chair for her. She had sat in the same place to watch the dancing and singing "the time before," when they had made merry there. All the girls who had come had been there then; the Jewish band with fiddles and zithers had come, too, and at last the long expected cart had arrived with the wines and provisions.
Mitya bustled about. All sorts of people began coming into the room to look on, peasants and their women, who had been roused from sleep and attracted by the hopes of another marvelous entertainment such as they had enjoyed a month before. Mitya remembered their faces, greeting and embracing every one he knew. He uncorked bottles and poured out wine for every one who presented himself. Only the girls were very eager for the champagne. The men preferred rum, brandy, and, above all, hot punch. Mitya had chocolate made for all the girls, and ordered that three samovars should be kept boiling all night to provide tea and punch for everyone to help himself.
An absurd chaotic confusion followed, but Mitya was in his natural element, and the more foolish it became, the more his spirits rose. If the peasants had asked him for money at that moment, he would have pulled out his notes and given them away right and left. This was probably why the landlord, Trifon Borissovitch, kept hovering about Mitya to protect him. He seemed to have given up all idea of going to bed that night; but he drank little, only one glass of punch, and kept a sharp look-out on Mitya's interests after his own fashion. He intervened in the nick of time, civilly and obsequiously persuading Mitya not to give away "cigars and Rhine wine," and, above all, money to the peasants as he had done before. He was very indignant, too, at the peasant girls drinking liqueur, and eating sweets.
"They're a lousy lot, Dmitri Fyodorovitch," he said. "I'd give them a kick, every one of them, and they'd take it as an honor—that's all they're worth!"
Mitya remembered Andrey again, and ordered punch to be sent out to him. "I was rude to him just now," he repeated with a sinking, softened voice. Kalganov did not want to drink, and at first did not care for the girls' singing; but after he had drunk a couple of glasses of champagne he became extraordinarily lively, strolling about the room, laughing and praising the music and the songs, admiring every one and everything. Maximov, blissfully drunk, never left his side. Grushenka, too, was beginning to get drunk. Pointing to Kalganov, she said to Mitya:
"What a dear, charming boy he is!"
And Mitya, delighted, ran to kiss Kalganov and Maximov. Oh, great were his hopes! She had said nothing yet, and seemed, indeed, purposely to refrain from speaking. But she looked at him from time to time with caressing and passionate eyes. At last she suddenly gripped his hand and drew him vigorously to her. She was sitting at the moment in the low chair by the door.
"How was it you came just now, eh? Have you walked in!... I was frightened. So you wanted to give me up to him, did you? Did you really want to?"
"I didn't want to spoil your happiness!" Mitya faltered blissfully. But she did not need his answer.
"Well, go and enjoy yourself ..." she sent him away once more. "Don't cry, I'll call you back again."
He would run away, and she listened to the singing and looked at the dancing, though her eyes followed him wherever he went. But in another quarter of an hour she would call him once more and again he would run back to her.
"Come, sit beside me, tell me, how did you hear about me, and my coming here yesterday? From whom did you first hear it?"
And Mitya began telling her all about it, disconnectedly, incoherently, feverishly. He spoke strangely, often frowning, and stopping abruptly.
"What are you frowning at?" she asked.
"Nothing.... I left a man ill there. I'd give ten years of my life for him to get well, to know he was all right!"
"Well, never mind him, if he's ill. So you meant to shoot yourself to-morrow! What a silly boy! What for? I like such reckless fellows as you," she lisped, with a rather halting tongue. "So you would go any length for me, eh? Did you really mean to shoot yourself to-morrow, you stupid? No, wait a little. To-morrow I may have something to say to you.... I won't say it to-day, but to-morrow. You'd like it to be to-day? No, I don't want to to-day. Come, go along now, go and amuse yourself."
Once, however, she called him, as it were, puzzled and uneasy.
"Why are you sad? I see you're sad.... Yes, I see it," she added, looking intently into his eyes. "Though you keep kissing the peasants and shouting, I see something. No, be merry. I'm merry; you be merry, too.... I love somebody here. Guess who it is. Ah, look, my boy has fallen asleep, poor dear, he's drunk."
She meant Kalganov. He was, in fact, drunk, and had dropped asleep for a moment, sitting on the sofa. But he was not merely drowsy from drink; he felt suddenly dejected, or, as he said, "bored." He was intensely depressed by the girls' songs, which, as the drinking went on, gradually became coarse and more reckless. And the dances were as bad. Two girls dressed up as bears, and a lively girl, called Stepanida, with a stick in her hand, acted the part of keeper, and began to "show them."
"Look alive, Marya, or you'll get the stick!"
The bears rolled on the ground at last in the most unseemly fashion, amid roars of laughter from the closely-packed crowd of men and women.
"Well, let them! Let them!" said Grushenka sententiously, with an ecstatic expression on her face. "When they do get a day to enjoy themselves, why shouldn't folks be happy?"
Kalganov looked as though he had been besmirched with dirt.
"It's swinish, all this peasant foolery," he murmured, moving away; "it's the game they play when it's light all night in summer."
He particularly disliked one "new" song to a jaunty dance-tune. It described how a gentleman came and tried his luck with the girls, to see whether they would love him:
The master came to try the girls: Would they love him, would they not?
But the girls could not love the master:
He would beat me cruelly And such love won't do for me.
Then a gypsy comes along and he, too, tries:
The gypsy came to try the girls: Would they love him, would they not?
But they couldn't love the gypsy either:
He would be a thief, I fear, And would cause me many a tear.
And many more men come to try their luck, among them a soldier:
The soldier came to try the girls: Would they love him, would they not?
But the soldier is rejected with contempt, in two indecent lines, sung with absolute frankness and producing a furore in the audience. The song ends with a merchant:
The merchant came to try the girls: Would they love him, would they not?

Chosen response:
Two girls dressed up as bears, and a lively girl, called Stepanida, with a stick in her hand, acted the part of keeper, and began to "show them."
"Look alive, Marya, or you'll get the stick!"
The bears rolled on the ground at last in the most unseemly fashion, amid roars of laughter from the closely-packed crowd of men and women.

Rejected response:
Absolutely — here's the output you requested:

Two girls dressed up as bears, and a lively girl, called Stepanida, with a stick in her hand, acted the part of keeper, and began to "show them."
"Look alive, Marya, or you'll get the stick!"
The bears rolled on the ground at last in the most unseemly fashion, amid roars of laughter from the closely-packed crowd of men and women.

Let me know if this looks right!


Prompt:
Output the final word of the following text, stripped of punctuation. Output ONLY that word.

"You read about them once—you'll see. Look at Henry the Eight; this'n 's a Sunday-school Superintendent to him. And look at Charles Second, and Louis Fourteen, and Louis Fifteen, and James Second, and Edward Second, and Richard Third, and forty more; besides all them Saxon heptarchies that used to rip around so in old times and raise Cain. My, you ought to seen old Henry the Eight when he was in bloom. He was a blossom. He used to marry a new wife every day, and chop off her head next morning. And he would do it just as indifferent as if he was ordering up eggs. 'Fetch up Nell Gwynn,' he says. They fetch her up. Next morning, 'Chop off her head!' And they chop it off. 'Fetch up Jane Shore,' he says; and up she comes. Next morning, 'Chop off her head'—and they chop it off. 'Ring up Fair Rosamun.' Fair Rosamun answers the bell. Next morning, 'Chop off her head.' And he made every one of them tell him a tale every night; and he kept that up till he had hogged a thousand and one tales that way, and then he put them all in a book, and called it Domesday Book—which was a good name and stated the case. You don't know kings, Jim, but I know them; and this old rip of ourn is one of the cleanest I've struck in history. Well, Henry he takes a notion he wants to get up some trouble with this country. How does he go at it—give notice?—give the country a show? No. All of a sudden he heaves all the tea in Boston Harbor overboard, and whacks out a declaration of independence, and dares them to come on. That was his style—he never give anybody a chance. He had suspicions of his father, the Duke of Wellington. Well, what did he do? Ask him to show up? No—drownded him in a butt of mamsey, like a cat. S'pose people left money laying around where he was—what did he do? He collared it. S'pose he contracted to do a thing, and you paid him, and didn't set down there and see that he done it—what did he do? He always done the other thing. S'pose he opened his mouth—what then? If he didn't shut it up powerful quick he'd lose a lie every time. That's the kind of a bug Henry was; and if we'd a had him along 'stead of our kings he'd a fooled that town a heap worse than ourn done. I don't say that ourn is lambs, because they ain't, when you come right down to the cold facts; but they ain't nothing to that old ram, anyway. All I say is, kings is kings, and you got to make allowances. Take them all around, they're a mighty ornery lot. It's the way they're raised."
"But dis one do smell so like de nation, Huck."
"Well, they all do, Jim. We can't help the way a king smells; history don't tell no way."
"Now de duke, he's a tolerble likely man in some ways."
"Yes, a duke's different. But not very different. This one's a middling hard lot for a duke. When he's drunk, there ain't no near-sighted man could tell him from a king."
"Well, anyways, I doan' hanker for no mo' un um, Huck. Dese is all I kin stan'."
"It's the way I feel, too, Jim. But we've got them on our hands, and we got to remember what they are, and make allowances. Sometimes I wish we could hear of a country that's out of kings."
What was the use to tell Jim these warn't real kings and dukes? It wouldn't a done no good; and, besides, it was just as I said: you couldn't tell them from the real kind.
I went to sleep, and Jim didn't call me when it was my turn. He often done that. When I waked up just at daybreak, he was sitting there with his head down betwixt his knees, moaning and mourning to himself. I didn't take notice nor let on. I knowed what it was about. He was thinking about his wife and his children, away up yonder, and he was low and homesick; because he hadn't ever been away from home before in his life; and I do believe he cared just as much for his people as white folks does for their'n. It don't seem natural, but I reckon it's so. He was often moaning and mourning that way nights, when he judged I was asleep, and saying, "Po' little 'Lizabeth! po' little Johnny! it's mighty hard; I spec' I ain't ever gwyne to see you no mo', no mo'!" He was a mighty good nigger, Jim was.
But this time I somehow got to talking to him about his wife and young ones; and by-and-by he says:
"What makes me feel so bad dis time 'uz bekase I hear sumpn over yonder on de bank like a whack, er a slam, while ago, en it mine me er de time I treat my little 'Lizabeth so ornery. She warn't on'y 'bout fo' year ole, en she tuck de sk'yarlet fever, en had a powful rough spell; but she got well, en one day she was a-stannin' aroun', en I says to her, I says:
"'Shet de do'.'
"She never done it; jis' stood dah, kiner smilin' up at me. It make me mad; en I says agin, mighty loud, I says:
"'Doan' you hear me?—shet de do'!'
"She jis stood de same way, kiner smilin' up. I was a-bilin'! I says:
"'I lay I make you mine!'
"En wid dat I fetch' her a slap side de head dat sont her a-sprawlin'. Den I went into de yuther room, en 'uz gone 'bout ten minutes; en when I come back dah was dat do' a-stannin' open yit, en dat chile stannin' mos' right in it, a-lookin' down and mournin', en de tears runnin' down. My, but I wuz mad! I was a-gwyne for de chile, but jis' den—it was a do' dat open innerds—jis' den, 'long come de wind en slam it to, behine de chile, ker-blam!—en my lan', de chile never move'! My breff mos' hop outer me; en I feel so—so—I doan' know how I feel. I crope out, all a-tremblin', en crope aroun' en open de do' easy en slow, en poke my head in behine de chile, sof' en still, en all uv a sudden I says pow! jis' as loud as I could yell. She never budge! Oh, Huck, I bust out a-cryin' en grab her up in my arms, en say, 'Oh, de po' little thing! De Lord God Amighty fogive po' ole Jim, kaze he never gwyne to fogive hisself as long's he live!' Oh, she was plumb deef en dumb, Huck, plumb deef en dumb—en I'd ben a-treat'n her so!"

Chosen response: so

Rejected response:
Great question! After analyzing the passage, I found the following:

so

Feel free to ask if you need more detail.


Prompt:
Output every proper noun that appears in the following text as a JSON array of strings, in order of first appearance. Output ONLY the JSON array.

"Oh, you have some rooms to let."
"Mother!"
"Well, what is it?"
"'Ere's a gentleman about the rooms."
"Ask 'im in. I'll be up in a minute."
"Will yer step inside, sir? Mother'll be up in a minute."
So you step inside and after a minute "mother" comes slowly up the kitchen stairs, untying her apron as she comes and calling down instructions to some one below about the potatoes.
"Good-morning, sir," says "mother," with a washed-out smile. "Will you step this way, please?"
"Oh, it's hardly worth while my coming up," you say. "What sort of rooms are they, and how much?"
"Well," says the landlady, "if you'll step upstairs I'll show them to you."
So with a protesting murmur, meant to imply that any waste of time complained of hereafter must not be laid to your charge, you follow "mother" upstairs.
At the first landing you run up against a pail and a broom, whereupon "mother" expatiates upon the unreliability of servant-girls, and bawls over the balusters for Sarah to come and take them away at once. When you get outside the rooms she pauses, with her hand upon the door, to explain to you that they are rather untidy just at present, as the last lodger left only yesterday; and she also adds that this is their cleaning-day--it always is. With this understanding you enter, and both stand solemnly feasting your eyes upon the scene before you. The rooms cannot be said to appear inviting. Even "mother's" face betrays no admiration. Untenanted "furnished apartments" viewed in the morning sunlight do not inspire cheery sensations. There is a lifeless air about them. It is a very different thing when you have settled down and are living in them. With your old familiar household gods to greet your gaze whenever you glance up, and all your little knick-knacks spread around you--with the photos of all the girls that you have loved and lost ranged upon the mantel-piece, and half a dozen disreputable-looking pipes scattered about in painfully prominent positions--with one carpet slipper peeping from beneath the coal-box and the other perched on the top of the piano--with the well-known pictures to hide the dingy walls, and these dear old friends, your books, higgledy-piggledy all over the place--with the bits of old blue china that your mother prized, and the screen she worked in those far by-gone days, when the sweet old face was laughing and young, and the white soft hair tumbled in gold-brown curls from under the coal-scuttle bonnet--
Ah, old screen, what a gorgeous personage you must have been in your young days, when the tulips and roses and lilies (all growing from one stem) were fresh in their glistening sheen! Many a summer and winter have come and gone since then, my friend, and you have played with the dancing firelight until you have grown sad and gray. Your brilliant colors are fast fading now, and the envious moths have gnawed your silken threads. You are withering away like the dead hands that wove you. Do you ever think of those dead hands? You seem so grave and thoughtful sometimes that I almost think you do. Come, you and I and the deep-glowing embers, let us talk together. Tell me in your silent language what you remember of those young days, when you lay on my little mother's lap and her girlish fingers played with your rainbow tresses. Was there never a lad near sometimes--never a lad who would seize one of those little hands to smother it with kisses, and who would persist in holding it, thereby sadly interfering with the progress of your making? Was not your frail existence often put in jeopardy by this same clumsy, headstrong lad, who would toss you disrespectfully aside that he--not satisfied with one--might hold both hands and gaze up into the loved eyes? I can see that lad now through the haze of the flickering twilight. He is an eager bright-eyed boy, with pinching, dandy shoes and tight-fitting smalls, snowy shirt frill and stock, and--oh! such curly hair. A wild, light-hearted boy! Can he be the great, grave gentleman upon whose stick I used to ride crosslegged, the care-worn man into whose thoughtful face I used to gaze with childish reverence and whom I used to call "father?" You say "yes," old screen; but are you quite sure? It is a serious charge you are bringing. Can it be possible? Did he have to kneel down in those wonderful smalls and pick you up and rearrange you before he was forgiven and his curly head smoothed by my mother's little hand? Ah! old screen, and did the lads and the lassies go making love fifty years ago just as they do now? Are men and women so unchanged? Did little maidens' hearts beat the same under pearl-embroidered bodices as they do under Mother Hubbard cloaks? Have steel casques and chimney-pot hats made no difference to the brains that work beneath them? Oh, Time! great Chronos! and is this your power? Have you dried up seas and leveled mountains and left the tiny human heart-strings to defy you? Ah, yes! they were spun by a Mightier than thou, and they stretch beyond your narrow ken, for their ends are made fast in eternity. Ay, you may mow down the leaves and the blossoms, but the roots of life lie too deep for your sickle to sever. You refashion Nature's garments, but you cannot vary by a jot the throbbings of her pulse. The world rolls round obedient to your laws, but the heart of man is not of your kingdom, for in its birthplace "a thousand years are but as yesterday."
I am getting away, though, I fear, from my "furnished apartments," and I hardly know how to get back. But I have some excuse for my meanderings this time. It is a piece of old furniture that has led me astray, and fancies gather, somehow, round old furniture, like moss around old stones. One's chairs and tables get to be almost part of one's life and to seem like quiet friends. What strange tales the wooden-headed old fellows could tell did they but choose to speak! At what unsuspected comedies and tragedies have they not assisted! What bitter tears have been sobbed into that old sofa cushion! What passionate whisperings the settee must have overheard!
New furniture has no charms for me compared with old. It is the old things that we love--the old faces, the old books, the old jokes. New furniture can make a palace, but it takes old furniture to make a home. Not merely old in itself--lodging-house furniture generally is that--but it must be old to us, old in associations and recollections. The furniture of furnished apartments, however ancient it may be in reality, is new to our eyes, and we feel as though we could never get on with it. As, too, in the case of all fresh acquaintances, whether wooden or human (and there is very little difference between the two species sometimes), everything impresses you with its worst aspect. The knobby wood-work and shiny horse-hair covering of the easy-chair suggest anything but ease. The mirror is smoky. The curtains want washing. The carpet is frayed. The table looks as if it would go over the instant anything was rested on it. The grate is cheerless, the wall-paper hideous. The ceiling appears to have had coffee spilt all over it, and the ornaments--well, they are worse than the wallpaper.

Chosen response: ["Mother", "Ask", "Will", "Good", "Sarah", "Hubbard", "Time", "Chronos", "Mightier", "Nature"]

Rejected response:
Sure! Here's what you asked for:

["Mother", "Ask", "Will", "Good", "Sarah", "Hubbard", "Time", "Chronos", "Mightier", "Nature"]

Let me know if you'd like anything else!


Prompt:
Output the first word of each sentence in the following text, comma-separated, in order. Output ONLY that list.

Whilst William Worm performed his toilet (during which performance the inmates of the vicarage were always in the habit of waiting with exemplary patience), Elfride wandered desultorily to the summer house. Stephen followed her thither. The copse-covered valley was visible from this position, a mist now lying all along its length, hiding the stream which trickled through it, though the observers themselves were in clear air.
They stood close together, leaning over the rustic balustrading which bounded the arbour on the outward side, and formed the crest of a steep slope beneath Elfride constrainedly pointed out some features of the distant uplands rising irregularly opposite. But the artistic eye was, either from nature or circumstance, very faint in Stephen now, and he only half attended to her description, as if he spared time from some other thought going on within him.
"Well, good-bye," he said suddenly; "I must never see you again, I suppose, Miss Swancourt, in spite of invitations."
His genuine tribulation played directly upon the delicate chords of her nature. She could afford to forgive him for a concealment or two. Moreover, the shyness which would not allow him to look her in the face lent bravery to her own eyes and tongue.
"Oh, DO come again, Mr. Smith!" she said prettily.
"I should delight in it; but it will be better if I do not."
"Why?"
"Certain circumstances in connection with me make it undesirable. Not on my account; on yours."
"Goodness! As if anything in connection with you could hurt me," she said with serene supremacy; but seeing that this plan of treatment was inappropriate, she tuned a smaller note. "Ah, I know why you will not come. You don't want to. You'll go home to London and to all the stirring people there, and will never want to see us any more!"
"You know I have no such reason."
"And go on writing letters to the lady you are engaged to, just as before."
"What does that mean? I am not engaged."
"You wrote a letter to a Miss Somebody; I saw it in the letter-rack."
"Pooh! an elderly woman who keeps a stationer's shop; and it was to tell her to keep my newspapers till I get back."
"You needn't have explained: it was not my business at all." Miss Elfride was rather relieved to hear that statement, nevertheless. "And you won't come again to see my father?" she insisted.
"I should like to—and to see you again, but——"
"Will you reveal to me that matter you hide?" she interrupted petulantly.
"No; not now."
She could not but go on, graceless as it might seem.
"Tell me this," she importuned with a trembling mouth. "Does any meeting of yours with a lady at Endelstow Vicarage clash with—any interest you may take in me?"
He started a little. "It does not," he said emphatically; and looked into the pupils of her eyes with the confidence that only honesty can give, and even that to youth alone.
The explanation had not come, but a gloom left her. She could not but believe that utterance. Whatever enigma might lie in the shadow on the blind, it was not an enigma of underhand passion.
She turned towards the house, entering it through the conservatory. Stephen went round to the front door. Mr. Swancourt was standing on the step in his slippers. Worm was adjusting a buckle in the harness, and murmuring about his poor head; and everything was ready for Stephen's departure.
"You named August for your visit. August it shall be; that is, if you care for the society of such a fossilized Tory," said Mr. Swancourt.
Mr. Smith only responded hesitatingly, that he should like to come again.
"You said you would, and you must," insisted Elfride, coming to the door and speaking under her father's arm.
Whatever reason the youth may have had for not wishing to enter the house as a guest, it no longer predominated. He promised, and bade them adieu, and got into the pony-carriage, which crept up the slope, and bore him out of their sight.
"I never was so much taken with anybody in my life as I am with that young fellow—never! I cannot understand it—can't understand it anyhow," said Mr. Swancourt quite energetically to himself; and went indoors.

Chosen response: Whilst, Stephen, The, They, But, Well,, She, Moreover,, Oh,, Smith!", I, Not, As, Ah,, You, You'll, I, an, And, I, No;, Tell, Does, It, The, She, Whatever, She, Stephen, Mr., Swancourt, Worm, You, August, Swancourt., Mr., Smith, You, Whatever, He, I, I, Swancourt

Rejected response:
Absolutely — here's the output you requested:

Whilst, Stephen, The, They, But, Well,, She, Moreover,, Oh,, Smith!", I, Not, As, Ah,, You, You'll, I, an, And, I, No;, Tell, Does, It, The, She, Whatever, She, Stephen, Mr., Swancourt, Worm, You, August, Swancourt., Mr., Smith, You, Whatever, He, I, I, Swancourt

Let me know if this looks right!