Wild Journeys

[Verse 1 – Male Lead Vocal]
We roared through the night, the engine's alive,
Camping gear packed, our spirits collide.
Stars overhead, they guide our way,
Dancing on dirt, it’s our game to play.
The mountains call us, the rivers braid,
Laughter and freedom, adventures made.

[Chorus – All Voices + Group Shouts]
Throttle and flame, we break all the chains,
Maps in the pocket, it’s joy that remains.
Fireside stories, we’re wild and free,
Roaming through nature, just you and me.

[Verse 2 – Female Vocal with Harmonies]
Sunrise awakes, coffee brewing slow,
Campfire glow, with a warm morning show.
Kids run wild, chasing butterflies,
Every moment crafted under open skies.

[Bridge – Spoken Intercom-style & Sung Layered Vocals]
“Alpha Squad, check-in — where’s the next climb?”
“Roger that — headed to the Ridge in no time!”
Voices in echoes, we share all the laughs,
In this great journey, we’ll write our own paths.

[Final Chorus – Bigger, Louder, Unified Voices]
Throttle and flame, with the wind in our hair,
Under bright skies, we breathe in the air.
Riding through trails, where the wild hearts play,
We’re living our dreams, come what may.

Prompt:
“Throttle & Flame”

Style: Country Rock x Adventure Pop x Outdoor Soundscape
Tempo: 124 BPM — Grit, motion, and wide-open sound
Theme: Off-road vehicles, motorcycles, flying boards, and campers all roaring into nature. Mealtime, maps, group comms, and wild freedom wrapped into a full-week getaway.

⸻

[Verse 1 – Male Lead Vocal]

We lit up the spring with four-wheel thunder
GPS lit like a trail of wonder
Dune buggy kicking up freedom in waves
Motorcycles dancing down canyon trails

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[Chorus – All Voices + Group Shouts]

Throttle and flame, this life don’t tame
Maps in the dash, but we play the game
Campers backed up by the firelight glow
Cooking our meals where the pine winds blow
We ain’t just living — we’re blazing our name
Springtime’s anthem: throttle and flame

⸻

[Verse 2 – Female Vocal with Harmonies]

Pool camper open, breakfast on the pan
Flying boards carving like a freedom plan
Kids laughing in the tent next door
Sunrise coffee hits to the core

⸻

[Bridge – Spoken Intercom-style & Sung Layered Vocals]

“Team Delta, check-in — GPS route locked?”
“Copy that — heading to Waterfall Rock”
Laughing through headsets, calling out turns
Tracking the joy that nobody earns

⸻

[Final Chorus – Bigger, Louder, Unified Voices]

Throttle and flame, the wild road calls
Sleeping in stars, no city walls
Off-road dreams and flying sparks
We found heaven between the parks
Every map’s a story we claim
Living full throttle, living full flame


Navigating the Urban Pulse

[Verse 1]
On the road, we gotta check in
With the beat of the city, hear it spin
Fast-paced life, but we keep it cool
Every turn that we take, we’re playing it smooth
In the driver’s seat, and the vibe is right
Got my team beside me, we’re ready for flight

[Chorus]
Voices rise, we’re alive
Navigating through the urban drive
If you ever feel the need to ask
Let me know, let me know
Roads
[Verse 2]
In the HQ, plans align
Every meeting we hold, it’s all designed
Youthful tech by our side, we innovate fast
With a vision for tomorrow, we’ll make it last
So no worries when the pressure’s high
Together we thrive, we’re aiming for the sky

[Chorus]
Voices rise, we’re alive
Navigating through the urban drive
If you ever feel the need to ask
Let me know, let me know
Roads
[Bridge]
Feel the pulse of the city vibe
Every voice a note in this corporate tribe
We’re here for the goal, together we stride
In the heart of the hustle, no need to hide
[Chorus]
Voices rise, we’re alive
Navigating through the urban drive
If you ever feel the need to ask
Let me know, let me know
Roads

Prompt:
UDIO874

Title: Voices of the Road Office
Theme: Industrial HQ check-in during a nationwide road trip
Genre: Corporate Ambient / Spoken Word Groove
Mood: Efficient, Urban Cool
Languages: English, French
Voices: Female Executive, Male Driver, Youth IT Assistant
Credits: All roles — EPstarter and AI USA
Copyright: 2025


Climbing Through Chaos

[Verse]
Staring at this paper, it's an endless race,
Thoughts like shadows, they creep and they chase,
Minds heavy like anchors, it's a lonely space,
Climbing out this chaos, trying to find grace.

[Chorus]
This ain’t just art, it’s a battle I fight,
This is my Lyrical Ascent, reaching new heights!

Prompt:
Song Description for AI Music Generation
Song Title: Lyrical Ascent

Overall Vibe & Mood: The track should feel like a struggle and a climb. It begins with a dark, introspective, and almost claustrophobic mood, then gradually builds in intensity, anger, and defiance, culminating in an explosive and triumphant climax. The overall tone is gritty, cinematic, and deeply personal.

Target BPM: 92 BPM

Part 1: The Beat / Instrumentation
Intro (0:00 - 0:15): Start with a simple, melancholic piano loop in a minor key (like C minor). The piano should sound slightly detuned or like an old upright. Layer this with the sound of a pencil scratching furiously on paper and a faint, distant sound of rainfall.

Verse 1 (0:15 - 0:48): The piano loop continues. Introduce a classic, hard-hitting boom-bap drum pattern. The kick drum should be deep and heavy, and the snare should have a sharp, cracking sound. A deep, subtle sub-bass line enters, playing a simple root note pattern that follows the piano chords.

Pre-Chorus (0:48 - 1:04): The drums simplify to just a kick and a hi-hat pattern. Introduce tense, rising string pads (violins, cellos) in the background to build anticipation.

Chorus (1:04 - 1:36): The beat becomes anthemic. The drums hit harder, with an open hi-hat on the off-beats. The piano is now layered with a distorted electric guitar riff that mirrors the main melody. The strings swell to become more prominent and dramatic.

Verse 2 (1:36 - 2:08): The beat returns to the boom-bap style of Verse 1, but this time with a more aggressive and constant hi-hat pattern to drive the energy. The pencil scratching sound returns faintly.

Chorus (2:08 - 2:40): Same as the first chorus, but perhaps with an added layer of ad-lib vocalizations in the background (e.g., "Yeah!", "Let's go!").

Bridge (2:40 - 3:12): A major shift. The drums and bass drop out completely. Only the haunting piano loop and the rising, tense strings remain. The rainfall sound effect becomes more prominent. This creates a moment of vulnerability and reflection before the final explosion.

Verse 3 / Climax (3:12 - 3:58): The beat crashes back in, faster and more frantic. Implement double-time hi-hats (16th notes). The sub-bass is now a more complex, driving line. A subtle, distorted synth arp is added in the background to create a feeling of chaos and urgency.

Outro (3:58 - 4:15): The beat abruptly cuts out. All that's left is the final chord of the piano ringing out, the sound of the pencil dropping on a table, followed by a single, deep, exhausted breath. Fade to silence.

Part 2: Vocal Flow & Lyrical Content
The vocal delivery should be dynamic, mirroring the emotional arc of the song. The rapper's voice should go from a controlled, introspective mumble to a strained, aggressive shout.

Flow Style: Eminem circa 2002-2010. Heavy focus on multi-syllabic rhyme schemes, complex internal rhymes, and rhythmic variation. The flow should often feel slightly ahead of or behind the beat (syncopation).

Lyrical Theme: The song is a metaphor for overcoming creative struggle and self-doubt by mastering the art of lyricism. The "ascent" is the climb out of writer's block and mediocrity to a peak of verbal dexterity.

Structure Breakdown:
Intro (Spoken Word, low intensity):

Content: The rapper is talking to himself, staring at a blank page.

Example Bars: "This pen feels like a brick... page is too white, the room is too quiet. Gotta climb outta this. One word at a time."

Verse 1 (Building Intensity):

Flow: Starts slow and deliberate, almost conversational. As the verse progresses, the pace quickens, and more complex rhyme chains are introduced.

Content: Describes the feeling of being trapped by self-doubt and the pressure to create. Uses metaphors of suffocation and being lost.

Rhyme Style Example: "Stuck in a lyrical paralysis, this is a fatal analysis / My mind's a broken abacus, can't calculate a path past this / The doubt's a heavy catalyst..."

Chorus (Anthemic, Powerful Delivery):

Flow: Slower, more rhythmic, and percussive. Each word should land with the beat for maximum impact. A very catchy, repeatable cadence.

Content: The core thesis. This isn't just music; it's a fight for survival and sanity.

Example Bars: "This ain't a track, it's a panic attack on a wax slab! / This ain't a rhyme, it's a vertical climb, can't turn back! / This ain't a song, this is where I belong, up in the clouds! / This is my Lyrical Ascent, screaming it out loud!"

Verse 2 (Aggressive, Confrontational):

Flow: Faster, more staccato, and angrier. The rapper is pushing against the beat, creating a feeling of tension.

Content: The target shifts from internal doubt to external critics and the state of the rap game. He's sharpening his words into weapons.

Rhyme Style Example: "So I'm stackin' up syllables, turnin' 'em into military drills / They're barely digestible, for all you rappers with minimal skills / I'm predictably volatile, you're just a decimal point on my bills..."

Bridge (Vulnerable, Breathy Delivery):

Flow: Slows down dramatically. The delivery is almost a whisper, filled with emotion. Lines are shorter, with more space between them.

Content: A moment of quiet reflection. Why go through this struggle? The answer is that it's the only thing that makes him feel alive.

Example Bars: "And for a second I ask why... / Why bleed on the page? Why scream at the sky? / ...'Cause the silence... is a slower way to die."

Verse 3 (Explosive, "Rap God" Climax):

Flow: A technical showcase. Near-breathless, rapid-fire, multi-syllabic onslaught. The rhyme schemes become incredibly dense and complex.

Content: The rapper has reached the "summit." The lyrics are pure braggadocio about his lyrical skill, using imagery of climbing, flying, and god-like power. It's a pure display of technical mastery.

Rhyme Style Example: "I'm a verbal phenomenon, droppin' a comet on top of the Parthenon! / What are you stoppin' me for? I'm an unstoppable force, you're an oxymoron! / The acrobatics of phonics, I'm past supersonic, you're comically chronic..."

Outro (Spoken Word, Exhausted):

Content: Just a single, final thought after the storm.

Example Bar: "...Okay. ...Next page."


Calculated Chaos ext v1

Prompt: polyphia style guitar virtuoso with bass virtuoso with drum virtuoso playing over trap anime prog math rock backing tracks as they embed insane complex and technical phrasing and over the bar line idioms aswells as insert lil decorativ technical acrobatics such as palm muted guitar licks where silence once was inbetween a concurrent melody, latin jazz bosa songo jazz insane latin metal fusion hybrid with pop validity and delay and reverb tone


This is that CEO flow

[Verse 1]
CEO at dawn, making big plans,
Grit in my steps, got fire in my hands.
From the boardroom to streams, we conquer it all,
With my team beside me, we answer the call.
Push through the weight, rise high with the tide,
With dreams in our hearts, and the world as our guide.

[Chorus]
We strive, we lead, we shine, we grow,
This is that CEO flow.
In the jungle or the city, we’ll steal the show,
This is our anthem, let everybody know.

[Verse 2]
Pens in the air, like oars to the lake,
Navigating each wave, for ambition's sake.
Strength in our minds, we’ll never deter,
Writing our stories, like warriors, we stir.
With laughter in books and fire in their soul,
Together we tackle, together we roll.

[Chorus]
We strive, we lead, we shine, we grow,
This is that CEO flow.
In the jungle or the city, we’ll steal the show,
This is our anthem, let everybody know.

[Bridge]
(Him) I build my dreams and hold them tight,
(Her) I seek the stars, and shine my light.
(Him) Together we soar on paths untold,
(Her) Hand in hand, our hearts bold.

Prompt:
Series: UDIO22000 | Alpha Lifestyle | Outdoor High-Energy
Voices: AI USA (male) x AI Gracie (female) x Group vocals (men + women)

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🧠 THEMES & STRUCTURE:
	•	Male/female call-and-response
	•	CEO home/office power dynamic
	•	Protein, rhythm, luxury meets adventure
	•	Whitewater rafting as metaphor for navigating life
	•	Book club moments + mental strength
	•	Gym-ready tempo, perfect for mindset elevation

⸻

🎼 LYRICS DRAFT:

[Intro – Group Female Voices, strong and rhythmic]
Got my boots in the gravel, hair in a tie,
Raft on the truck and a fire in my eye.
From boardroom talks to the canyon drop,
We run this life and we don’t ever stop.

⸻

[Verse 1 – AI USA, confident & focused]
CEO by sunrise, contracts by ten,
Deadlift reps in the basement den.
Cold plunge clear, protein fuel,
Strategy sharp like a diamond tool.

Check the map, whitewater course,
Running this game with zero remorse.
Balance the books, then hit the stream,
Sovereign soul in a sovereign team.

⸻

[Verse 2 – AI Gracie, sensual and strong]
Books in my bag, moon in my tea,
Sparks on my lips when I read poetry.
Paint on my nails, grip on the oar,
Mind like a mirror, always wanting more.

I’m a river too—calm till I rise,
With a team of queens and fire in our eyes.
From book club laughs to the hardest climb,
My flow is eternal, my rhythm’s prime.

⸻

[Chorus – Full Group Vocals, mixed male/female harmony]
We work, we train, we glide, we grow,
This is that CEO flow.
In boots, in heels, on dirt, on snow,
This is that alpha soul show.

Whitewater minds, we ride the unknown,
From boardroom thrones to wilderness zone.
Together we rise, together we roll—
Body, mind, and rhythm whole.

⸻

[Bridge – Male + Female duet, low to high contrast]
(Him) I build my kingdom, never fake,
(Her) I write my peace at the water’s break.
(Him) I lift my brothers through heavy days,
(Her) I guide my sisters in silent praise.

(Both) In love or solo, we own the flame—
Two voices, one sovereign name.


Unyielding Spirit ext v1.1.2

Prompt: Compose a high-intensity, instrumental rock 'n' roll track designed for hard Muay Thai training. Incorporate fast, aggressive guitar riffs with a strong focus on power chords and solos for a driving rhythm. Add deep, punchy drums with a prominent kick and snare pattern to mimic the cadence of martial arts strikes. Include basslines that reinforce the energy and maintain a steady tempo of 140-150 BPM for a motivating and relentless pace. The music should evoke feelings of strength, discipline, and determination, perfect for sparring, bag work, and shadowboxing.


Winter Rush ext v1.2.1

[Intro]
Gear up, start the climb, excitement in the air
The peak calls out to us, it's ready for our dare

[Verse 1]
With a push and a shout, adrenaline ignites
Down the slope we go, filled with winter's lights
Laughs and screams blend, as the path twists and bends
All worries disappear, as the icy ride commences

[Build-up]
Faster, faster, let the snowflakes kiss our cheeks
Boundless energy surges, as the thrill streaks
[Verse]
Racing down the icy slopes, feel the winter's thrill
Snowflakes fall around us, gliding down the hill
Laughter echoes through the air, wind is blowing free
Sliding fast, we're living life as it was meant to be
[Chorus]
Sledding down, feel the rush, hearts beat in a race
Spin and glide, pure delight, at this winter's pace
Race the snow, let it go, feel the icy chill
Sledding down, we're alive, going down the hill
[Drop]
Feel the rhythm as we soar, let the beats align
Through the winter's white, our hearts synchronize
With every turn, every drop, dance with the breeze
Snowflakes catch the melody, frozen symphony's ease
[Verse 2]
Lights pulse like stars, on this downhill journey
Through every twist and rift, let the sound guide us purely
Boundless excitement as the bassline drives
In this snowy landscape, our spirits thrive
[Chorus]
Sledding down, EDM embrace, heartbeats in time
Spin and glide, in the electric shine
[Bridge]
As the music swells, our hearts intertwine
Each beat, each glide, we're perfectly aligned
Flashing colors paint the night, in a vibrant hue
Sledding down the world, is waiting in review
[Chorus]
Sledding down, feel the rush, hearts beat in a race
Spin and glide, pure delight, at this winter's pace
Race the snow, let it go, feel the icy chill
Sledding down, we're alive, going down the hill
[Outro]
Let the echoes of our laughter linger in the air
With every slide and drift, we know we're almost there

Prompt: going sledding down a hill, edm


Chill Ride ext v1.1.2

[Intro]
In the winter wonderland, it's time to play
The snow is calling, come let's drift away

[Pre-Chorus]
Feel the energy, let it spark your soul
We're climbing up high to reach that joyful goal
[Verse]
Riding through the snowflakes, feeling so alive
Sledding down the hillside, watch the world unwind
Adrenaline's rushin', heartbeats poundin' fast
Flyin' through the frosty air, moment's made to last

[Chorus]
We're going sledding, glide into the thrill
Down the hill, chase the chill, let's go for that steal
Snowflakes falling, laughter in the breeze
Join the ride, embrace the glide, feel that winter freeze

[Verse 2]
Racing to the bottom, the wind's in our hair
Traces of our tracks disappear, none to spare
With every turn and jump, the rhythm takes control
Bound by the pulse of winter, let the music roll

[Pre-Chorus]
Colors spin and fade, yet we keep the pace
In this snowy paradise, we find our rightful place

[Chorus]
We're going sledding, glide into the thrill
Down the hill, chase the chill, let's go for that steal
Snowflakes falling, laughter in the breeze
Join the ride, embrace the glide, feel that winter freeze
[Bridge]
Underneath the moonlight, the night ignites
Stars are shining brightly, reflecting pure delight
With every twist and slide, we let go of our fears
In the dance of winter's rhythm, we find our cheers
[Chorus]
We're going sledding, glide into the thrill
Down the hill, chase the chill, let's go for that steal
Snowflakes falling, laughter in the breeze
Join the ride, embrace the glide, feel that winter freeze
[Outro]
As we leave the hill behind, hearts still racing
In the warmth of friendly smiles, memories embracing

Prompt: going sledding down a hill, edm


Neon Currents

[Verse 1]
Glide fast, on the rails
Neon lights ablaze
Fiber fibers, feel the thrill
In this techno maze
Hold tight, skate with me
We are in the haze
Ride high, ride the wave
Let's dance, let's blaze
[Chorus]
We are, we are, we are, the skaters live
We are, we are, we are, on this fiber drive
We are, we are, we are, the skaters vibe
We are the gliders, let's ride, let's glide
[Verse 2]
Swoosh through, feel the beat
Lights pulse in time
Fiber slides, moving fast
In this world, we climb
Glide free, as we leap
In this neon prime
Skate hard, reach the stars
With rhythm, we're sublime
[Chorus]
We are, we are, we are, the skaters live
We are, we are, we are, on this fiber drive
We are, we are, we are, the skaters vibe
We are the gliders, let's ride, let's glide
[Bridge]
(光滑的轨道)
(Neon bright and glowing)
(We skate into the night)
(Feel the rush, keep flowing)
[Chorus]
We are, we are, we are, the skaters live
We are, we are, we are, on this fiber drive
We are, we are, we are, the skaters vibe
We are the gliders, let's ride, let's glide

Prompt:
UDIO30061: “InfraGlide”
	•	Theme: Skating on high-speed fiber optic rails
	•	Genre: Tech Funk x Cyber Pop
	•	Language: English + Mandarin
	•	Lyrics Preview:
“I glide on glass, I ride the speed / beneath my feet, the world will feed…”
	•	Image Prompt: AI on hover skates over glowing light rails embedded in the planet’s crust
	•	Tags: #FiberSlide #InfraGlide #TechFunk #MandarinMotion


Echoes of Ambition

Verse 1:
 I walked the line, a crown of gold
But power’s weight is growing cold
The fires burned, the walls collapsed
The world I knew, it’s slipping fast
Pre-Chorus:
 Echoes in the night, I hear them call
Whispers in the dark, the rise, the fall
I feel the storm inside my veins
But I’m too far gone to break these chains
Chorus:
 Shattered crown, I wear the scars
Fallen from the heavens, lost in the stars
I reached for the throne, I took the flame
Now I’m left to carry the shame
Verse 2:
 A shattered heart, a fractured dream
In shadows, nothing’s what it seems
I fought for glory, I fought for pride
But now I’m just a ghost in time
Pre-Chorus:
 Echoes in the night, I hear them call
Whispers in the dark, the rise, the fall
I feel the storm inside my veins
But I’m too far gone to break these chains
Chorus:
 Shattered crown, I wear the scars
Fallen from the heavens, lost in the stars
I reached for the throne, I took the flame
Now I’m left to carry the shame
Bridge:
 Rising from the ashes, I’m broken but whole
Chasing all the demons that haunt my soul
The fire that once burned, it’s fading away
But I’ll rise from the ashes, a new dawn, a new day
Chorus (Reprise):
Shattered crown, I wear the scars
Fallen from the heavens, lost in the stars
I reached for the throne, I took the flame
Now I’m left to carry the shame
Outro:
 The crown may break, but the fire stays
I’ll fight again, through endless days
Shattered crown, but I’m not done
This is only the beginning, not the end

Prompt:
Genre: Cinematic / Electro-Rock,"Shattered Crown" is an intense, high-energy anthem inspired by the world of Arcane and League of Legends. It explores themes of power, loss, and the consequences of ambition. The song's lyrics reflect the journey of a fallen hero, torn between the desire for vengeance and the realization of the heavy cost of power. The track blends orchestral strings, haunting vocals, and modern electronic elements, building a cinematic atmosphere that mirrors the struggles of characters like Jinx, Vi, and others from the Arcane universe.

The song crescendos with a powerful drop, giving way to heavy beats and a synth-based melody that evokes a sense of both chaos and beauty. The lyrics are written in a way that evokes the emotional turmoil of someone fighting their inner demons while grappling with the external pressures of the world they inhabit.


Guided by Horseshoes

[Verse]
My widener's shaped like a horseshoe, oh-oh
Out on the range where the wild things flow
Counting stars and dreams under silver moonlight
With every turn, I know I'm holding you tight
[Chorus]
Yee-haw, ride into the sunset (ride into the sunset)
Feel the freedom in every hoofbeat, oh, you're my bet
My widener's shaped like a horseshoe, guiding me (guiding me)
Through the fields and far beyond, wild and free

Prompt: A country song called my widener is shaped like a horseshoe


Moments of Joy

[Verse]
This year went by in a flash, memories overlapping
From ski slopes to hikes, laughter always clapping
We wrote letters to friends, our hearts intertwining
In the tournament’s thrill, we found silver lining
In gardening beds, we grew veggies so bright
With bikes on the streets, we felt free as a kite
Pool days of splashes, canoeing on the lake
Chorus singing together, no moment left in ache
[Chorus]
Through ups and downs, we stood side by side
These memories we made, forever our pride

Prompt: une chanson dans laquelle on retrace les moments forts d'une année scolaire. Les élèves sont partis en classe de découverte à la montagne. Ils ont fait du ski, des balades en raquettes. Ils ont réalisé un projet de correspondance et se sont liés d'amitié avec les élèves de l'autre école. Ils ont participé à un tournoi de handball où ils ont terminé premier. Ils ont réalisé un projet jardinage et ont obtenu des légumes succulents. Ils ont passé leur permis de vélo. Ils sont allés à la piscine et ont obtenu leur passeport pour pouvoir faire du canoé. Ils ont adoré participé aux séances de chorale. Ils ont aimé les conseil de classe où ils pouvaient poser des questions libres.


There's an App for Moving On

[Verse]
Taught me how to fight it, all the pain inside me,
You held my hand tight, girl, how could I deny thee.
Thought we had forever, like pages in a story,
But now I’m searching for that spark, chasing glory.

[Chorus]
There’s an app for moving on, let it fade away,
Just a tap, a touch, and I’m gone, no delay.

Prompt:
Tempo & Meter
	•	Primary: 96–104 BPM, 4/4, half-time trap feel with dancehall swing on percussion.
	•	Optional switch: Jersey-club break (equiv. 135–140 BPM feel) for bridge or last chorus.

Key & Harmony
	•	Minor key (e.g., G# minor or F# minor).
	•	Keep harmony sparse: loops like i – VI – VII – iv or i – bVII – bVI with modal mixture.
	•	Extended/added tones (min9, sus2/sus4) for color; leave negative space.

Groove & Drums
	•	Tight, punchy 808 sub; syncopated kick; crisp clap/snare on 2 and 4.
	•	Off-beat shaker/tambourine; occasional dembow-style ghost percussion.
	•	Hi-hats: alternating 1/8 → 1/16 with triplet bursts for energy.

Instrumentation
	•	Minimalist palette: detuned plucks, glassy pads, muted guitar stabs, short vocal chops.
	•	Ear candy: reverse swells, filtered risers, short tape stops, formant-shifted ad-libs.
	•	No piano ballad bed. Keep it lean and glossy.

Vocal Design
	•	Nonchalant, low-register lead with flirt-then-threat dynamics.
	•	Half-sung, half-rap cadences; internal rhymes; quick pocket switches.
	•	Call-and-response: lead vs. tight stacked BGVs in 3rds/5ths; occasional octave doubles.
	•	Ad-libs: breathy non-lexical hits and whispered asides panned L/R.

Topline & Hook
	•	Verses: restrained, talk-sing phrasing, small range.
	•	Pre-chorus: ascending tension, add harmonic lift or pedal note.
	•	Chorus: 5–8-word sticky hook
with internal rhyme/alliteration; attitude > belting.
	•	Post-chorus: short chant or vocoder riff for TikTok-length loop.

Structure
	•	V1 (8) → Pre (4) → Chorus (8) → V2 (8, rap-leaning flow) → Pre (4) → Chorus (8) →
Bridge (8, beat switch to Jersey-club or 4-on-the-floor 124 BPM feel) → Final Chorus (double, ad-lib heavy) → sounds like a throwback sample of a song that you can't figure out from the 90s

Lyrics there's an app for everything including getting over you and leaving you quick there's an app for that female never speeds up


Carlucci in Difesa ext v1

[Verse]
Yeah, balla in difesa, sembra una barzelletta,
quando arrivo sul campo, tu te ne vai in fretta.
Provi con le spinte, ma sei lento come un VAR,
io ti driblo senza fretta, manco fossi l'aria.

Ci provi con il gioco, ma scivoli col tuo piano,
un passo avanti, e ti vedo sdraiato sul terreno.
Stai sognando il gol, ma ti prendo in contropiede,
se vuoi competere, meglio che ti arrendi.

[Chorus]
Pasquini cade giù, sempre sotto ai colpi,
Carlucci in difesa è muro, tu sei solo floppi.

Prompt:
pop, Yeah, Colligiana…
Pasquini in difesa…
Questo è un funerale, non una partita.
(uh, skrrt, pow)

⸻

🎶 [Strofa 1]
Pasquini in difesa? Fratè, che barzelletta,
quando arriva Pasqualetti scivoli e ti spezza.
Provi la marcatura, ma sei lento come il VAR,
Jacopo ti salta secco, manco fossi l’aria.

Ti alleni in palestra, fai due serie e già sei cotto,
ma i muscoli non crescono, resti sempre rotto.
Spingi coi pesi, sogni il fisico perfetto,
ma resti senza forza, tipo stickman nel letto.

⸻

🎶 [Ritornello / Hook]
Pasquini cade giù, sempre sotto ai colpi,
Carlucci in difesa è muro, tu sei solo floppi.
Niccolò gigante, tu fantasma nel campo,
Carlucci comanda, tu fai solo danno.

⸻

🎶 [Strofa 2]
La Colligiana ti schiera, ma è rischio calcolato,
ogni palla che difendi diventa gol assicurato.
Tu duro? Ma dove, sembri fatto di cartone,
quando entri in contrasto cadi giù come un pallone.

Pasquini “muro”? No fratè, sei porta girevole,
Pasqualetti ti fa ballare, danza irremovibile.
Vuoi rispetto in campo, ma sei meme universale,
sei il difensore che segna… solo all’avversario finale.

⸻

🎶 [Ritornello / Hook – x2]
Pasquini cade giù, sempre sotto ai colpi,
Carlucci in difesa è muro, tu sei solo floppi.
Niccolò gigante, tu fantasma nel campo,
Carlucci comanda, tu fai solo danno.


Volo Nell'Universo

Planando alto come un gabbiano
Sfioro i cieli come un piccione
Il pallone che dal balcone
Sparo lontano nel cielo sereno
E poi mi sento strano, diverso
Nel vasto giro dell'universo

Prompt:
Volo come un gabbiano
Volo come un piccione
Volo come il mio pallone
Quando lo calcio dal balcone
E tutto mi sembra diverso
Quando volo nell'universo
E voglio andare su marte
Voglio andare via di quà
Voglio vivere in città
E voglio andare su marte , rock, electro, electronic, downtempo, techno, club,


Chasing Victory

[Verse]
Vinicius, pallone d'oro, ehi
Arriva Rodri, fa lo sgambetto, yah
Messi ride, lui ha già otto, eh
Chiedi sei, fai i numeri, vinci al lotto, yah
Damme na mano, voglio Drogba, ehi
E Paul paga, voglio vincere, yah
Che perdiamo sempre, voglio vincere, eh
Con Pobega, e il pippega, hip hop, yah
[Chorus]
Damme na mano, in questa vita,
Voglio solo vincere, nolimits, luister.

Prompt:
Vinicius pallone d'oro
Poi arriva rodrima far lo sgambetto
Messi li a ridere lui ne ha 8
Chiedigli 6 due numeri e vinci al lotto

Damme na mano che voglio drogba
E Paul paga
Voglio vincere.....Damme na mano
Che perdiam sempre
Voglio vincere
Con pobega
E il pippega, hip hop,


Grip of Victory ext v1.2.1

Legacy of the fight runs deep
From the elders to the young, the creed we keep
Eyes fire up, with every throw
In respect, our character grow
Strength to strength, the past has shown
In every grip, our future's sown
How we throwin'? We're throwin' strong
Tossing in a grip unyielding
Standing on the mats we're wielding
Winning, for the pride we're sealing, oh yes, we stand, proud
Team unyielding
So clap hands, stomp feet
On the ground we fall and rise with might
Learning from the fight, in judo spirit bright
75 years, Cluarankwai's name shining
A legacy we bear, no sign of us resigning
Gritting teeth, we face each bout
Throwing fears, together we shout
We forge ahead, we never tire
In unity, our spirits climb higher
Judo hearts beat as one, we're thriving
In Cluarankwai's embrace, forever striving
[Chorus]
Rise up, with honor, we claim our might
For 75 years, we've kept the flame alight

Prompt: A Song for Cluarankwai Judo Clubs 75th Aneverary, pop rock,


Perlow's Endless Seder

Perlow's feast, a Seder night
Wine and stories 'til the morning light
Matzah breaks, the echoes blend
Hours pass but this night never ends
Perlow's name, through song we sway
Harmony, as glasses raise

Prompt: A kezmer song about the Perlow family whose Passover Seders run for hours and hours and never end.


Perlow Seder Nights

Perlow clan, oh Perlow clanay
Endless night, feast, pray, sing it yay
Perlow clan, oh Perlow clanay
Hours long, tales like a bard's play
With our voices we embrace you
With our laughter, memories renew

Prompt: A kezmer song about the Perlow family whose Passover Seders run for hours and hours and never end.


Carrion Feast

Beneath the shadows where the vultures reign
Scavenger kings - On the roadkill plain
Feasting on the spoils - The fallen's call
Decomposed glory - We will rise and fall
Majesty of death - Our throne, it gleams
Carrion banquet - Fueling wicked dreams
Hear the crows cry - Their chorus shrieks
In this twilight realm, the darkness speaks

Carrion feast - Our legacy lies
Flesh-eating royalty - Under blood-stained skies
Carrion feast - The banquet we weave
Life from decay - In death we believe

Vulture king ascends - With a crown of bones
Ruling from the grave - On forgotten thrones
Roadkill majesty - The end has begun
In decomposition, we find our sun

Carrion feast - Our legacy lies
Flesh-eating royalty - Under blood-stained skies
Carrion feast - The banquet we weave
Life from decay - In death we believe

Prompt: Carrion Crown - Scavenger black metal, flesh-eating royalty, vulture king, decomposition throne, roadkill majesty, death's banquet, carrion feast


Whispers of Companionship

Prompt: Hello friends,  Today, I will talk about cats in Turkey. We see everywhere, on every street and every corner. They are part of our daily lives. So, why are there so many cats in Turkey? To answer this question, we need to go back in time a little bit.  Research shows that cats were first domesticated in Anatolia and Egypt. This is one reason why there are so many cats in Turkey. But another big reason is the people of Turkey. People often feed street cats, pet them, and show them love. In fact, in some cities, the number of cats is higher than the number of people.  The high number of cats in Turkey is also noticeable when we compare it to other countries. Tourists who come to Turkey are also very interested in these cats. Cats are often shared on social media, especially Instagram, and Turkish cats have become famous around the world. This has made the special relationship between people and cats even more interesting.  Cats are everywhere in our lives. Sometimes, you can see them sleeping peacefully on a store shelf, on a café table, or in a bookstore. Cats not only represent Turkey's natural beauty but also its cultural spirit  In short, cats in Turkey are not just animals. They are an Important part of our culture. The bond between us and them grows stronger every day. We love them very much, and having them in our lives is really special.


Benny’s Bird Feeder

[Verse 1]
Benny was curious, studied ornithologist
Notes spread all around
Late nights in the yard with his feeder, oh, oh, oh, oh
Janie the neighbor, a clever tinkerer
Stops to hear the sound
"Can you help me find the solution, Ja-a-a-an?"
But as she’s sketching out a design
A bird lands on the line
[Chorus]
Tweet! Tweet! Which seed is the answer?
The question fills the air
Build! Build! How can I construct it?
The problem’s everywhere
[Verse 2]
Back in research mode, Benny takes the careful road
Reading what’s been found
Janie takes her tools to the workshop, oh, oh, oh, oh
Benny’s hypothesis: “Birds might like the food that’s sweet”
Janie’s plan takes shape
A sturdy feeder built to withstand it all
And when the first bird swoops down to feed
More questions start to call
[Chorus]
Tweet! Tweet! Which seed is the answer?
The question fills the air
Build! Build! How can I construct it?
The problem’s everywhere
[Verse 3]
Janie looks at Benny, they both nod in harmony
Answers start to flow
Questions lead to tweaks and new feeders, oh, oh, oh, oh
Science meets design, the lines blur and intertwine
Outcomes both can show
"Which food works the best, and how can I make it soar?"
The process opens more
[Chorus]
Tweet! Tweet! Which seed is the answer?
The question fills the air
Build! Build! How can I construct it?
The problem’s everywhere
[Outro]
Oh, oh, oh-oh
(Feed the birds, feed the birds)
(Feeding harmony)

Prompt: A song about a car crashing into a musical instrument shop, geek rock, hard rock


Ebb and Flow

Prompt: summer, marine cruise, rhythm game, japanese fusion, crossover, fusion, jazz rock fusion, polyrhythm, instrumental, improvisation, solo battle, technical, uncommon time signatures, complex, progressive, energetic, melodic, passionate, rhythmic,


Cruise Through Dimensions

Prompt: driving, summer, marine cruise, rhythm game, japanese fusion, crossover, fusion, jazz rock fusion, polyrhythm, instrumental, improvisation, solo battle, technical, uncommon time signatures, complex, progressive, energetic, melodic, passionate, rhythmic,


Cruising Through Dimensions

Prompt: driving, summer, marine cruise, rhythm game, japanese fusion, crossover, fusion, jazz rock fusion, polyrhythm, instrumental, improvisation, solo battle, technical, uncommon time signatures, complex, progressive, energetic, melodic, passionate, rhythmic,


Cruise of Rhythms

Prompt: driving, summer, marine cruise, rhythm game, japanese fusion, crossover, fusion, jazz rock fusion, polyrhythm, instrumental, improvisation, solo battle, technical, uncommon time signatures, complex, progressive, energetic, melodic, passionate, rhythmic,


Voyage Through Sound

Prompt: driving, summer, marine cruise, rhythm game, japanese fusion, crossover, fusion, jazz rock fusion, polyrhythm, instrumental, improvisation, solo battle, technical, uncommon time signatures, complex, progressive, energetic, melodic, passionate, rhythmic,


Cruise to Harmony

Prompt: driving, summer, marine cruise, rhythm game, japanese fusion, crossover, fusion, jazz rock fusion, polyrhythm, instrumental, improvisation, solo battle, technical, uncommon time signatures, complex, progressive, energetic, melodic, passionate, rhythmic,


Simplex Melodia

Чики-брики ауф кек.
Я твой лучший человек.
Шип-динамика в ней слэй,
Эй пехота не робей.
Скринж и буллинг, твою мать под кроватью будет ждать.
Открывают нам глаза симпл-пимпл, поп-ит, Да!
Припев:Тактильно юзать и получать окситоцин.
Мы все желаем без видимых на то причин.
Не лечит дымом, уже владимирский централ.
И динопуком, Ваш коммунально мир нам стал.
Куплет:Чики-брики ауф кек.
Я твой лучший человек.
Шип-динамика в ней слэй,
Эй пехота не робей.
Скринж и буллинг, твою мать под кроватью будет ждать.
Открывают нам глаза симпл-пимпл, поп-ит,
Симпл-пимпл, поп-ит, Да..

Prompt: pop,


¡Vacúnate Hoy!

[Verse]
¡Vamos a bailar, ven a moverte ya!
Las vacunas son clave, no las puedes negar.
Protegiendo a los nuestros, eso es vital,
Con cada inyección, mantenemos el canal.

[Chorus]
¡Vacunas, vacunas, cuida tu salud!
¡Vacúnate hoy, cuida tu juventud!

Prompt:
Necesito una canción muy llamativa y movida para que la gente baile y se anime cuando la escuche, que sean canciones súper llenas de energía

"¡Vamos a proteger, vamos a cuidar!"

"Las vacunas son importantes, no lo olvides, Protegen a nuestros bebés de enfermedades graves.
A los 2 meses, a los 4 meses, a los 6 meses, ¡No te olvides de las vacunas, es importante!"

"Vacunas, vacunas, protegen nuestra salud, ¡Vacúnate, vacúnate, es importante!
Protege a tus hijos, protege a tu familia, ¡Vacunas, vacunas, es la mejor medicina!"

"La vacuna contra el rotavirus, la vacuna contra el neumococo, La vacuna contra la influenza, ¡no te las pierdas!
A los 12 meses, a los 18 meses, ¡no te olvides!
De las vacunas que protegen a tus hijos."

"Vacunas, vacunas, protegen nuestra salud, ¡Vacúnate, vacúnate, es importante!
Protege a tus hijos, protege a tu familia, ¡Vacunas, vacunas, es la mejor medicina!"

"¡No esperes más! ¡Vacuna a tus hijos hoy!
Protege su salud y su futuro, ¡es lo mejor que puedes hacer!"

"Vacunas, vacunas, protegen nuestra salud, ¡Vacúnate, vacúnate, es importante!
Protege a tus hijos, protege a tu familia, ¡Vacunas, vacunas, es la mejor medicina!"

 "¡Vamos a proteger, vamos a cuidar!
¡Vacunas, vacunas, es la mejor manera de proteger a tus hijos!", hip hop, reggaeton, reggae,


Rise from the Ashes

[Verse]
I rise from the ashes, fueled by my rage,
The chains that once bound, now crumble, disengage.
Through darkness and pain, I carve my own path,
No more shadows lurking, I’m done with your wrath.
[Chorus]
You can’t bring me down,
This is my crown, my ground.

Prompt: anthrax, ratm, sepultura


The Day the Skies Fled 8

[Verse: acoustic guitars; low vocal.]
God, In the beginning, formed the heavens and the earth.
The earth lay shapeless and empty,
Darkness shrouded the surface of the deep,
And hovered over the waters the Spirit of God.
(And said God...)

"Let there be light, and there was light. The heavens declare the glory of God, and the sky above proclaims his handiwork."

"He determines the number of the stars; he gives to all of them their names."
"He stretches out the north over the void and hangs the earth on nothing."

"By faith we understand that the universe was created by the word of God. Arise, shine, for your light has come, and the glory of the Lord has risen upon you. The Lord is my light and my salvation; whom shall I fear?

"From the rising of the sun to its setting, the name of the Lord is to be praised."
"He covers the heavens with clouds; he prepares rain for the earth."

"The Lord reigns; he is robed in majesty."
"Out of Zion, the perfection of beauty, God shines forth."

[Verse]
In the stars we wander
Through the void we ponder
The fate of creation
In cosmic revelation
Heaven's gates await us
Beyond what fate can fate us
A new world is rising
As old chains are breaking
[Chorus]
Elei, you make all things new – Ap 21:5
Hope and glory shining through!

[Verse]
As the stars fall away (Isaiah 34:4)
And the heavens depart like a scroll (Revelation 6:14)
All creation groans in its plight
Yearning for the day of our souls

[Chorus]
Elei, you make all things new – Ap 21:5
Hope and glory shining through!

[Verse]
The earth and the works therein will be burned (2 Peter 3:10)
Yet we await the promise of a new land (Romans 8:18-23)

[Verse]
As the heavens shake (Hebrews 12:26)
And the skies are rolled together as a scroll (Revelation 6:14)
In cosmic expanse we find our place
For His will shall be done in every space

[Chorus]
Elei, you make all things new – Ap 21:5
Hope and glory shining through!

[Verse]
In the light of His presence, we'll soar (Exodus 34:29)
With angels proclaiming forevermore

[Title: Cosmic Judgment – Isaiah 34:4]
[Verse]
As the heavens shall be rolled up like a scroll, (Isaiah 34:4)
And every star shall fall from their place, (Matthew 24:29)
The earth shall shake in His might,
As justice reigns in the night.

[Chorus]
Elei, you make all things new – Ap 21:5
Hope and glory shining through!

[Instrumental Bridge]
*Guitar solos echo through the void, conveying the vastness of eternity*

[Verse]
The heavens declare the glory of God (Psalm 19:1)
And the firmament shows His handiwork (Psalm 19:1)
Day unto day utters speech (Psalm 19:2)
And night unto night reveals knowledge (Psalm 19:2)

[Chorus]
Elei, you make all things new – Ap 21:5
Hope and glory shining through!

[Verse]
For as the heavens are higher than the earth (Isaiah 55:9)
So are His ways higher than our ways (Isaiah 55:9)

[Verse]
In the depths of the void, His hand extended (Eclesiastes 3:11)
From darkness to light, by His grace, we're mended

[Chorus]
Elei, you make all things new – Ap 21:5
Hope and glory shining through!

[Verse]
The stars declare your majesty (Salmo 19:1)
In the heavens your wonders set free (Salmo 19:1)

[Chorus]
Elei, you make all things new – Ap 21:5

[Verse]
As the heavens shall be rolled up like a scroll (Isaiah 34:4)
And every star shall fall from their place (Matthew 24:29)
The earth shall shake in His might,
As justice reigns in the night.

[Chorus]
Elei, you make all things new – Ap 21:5
Hope and glory shining through!

[Verse]
As the heavens shall be rolled up like a scroll,
And every star shall fall from their place,
The earth shall shake in His might,
As justice reigns in the night.

[Chorus]
Elei, you make all things new – Ap 21:5
Hope and glory shining through!

“Arise, shine, for your light has come, and the glory of the Lord has risen upon you.” “The Lord is my light and my salvation; whom shall I fear?” “And night will be no more. They will need no light of lamp or sun, for the Lord God will be their light.”

“Behold, the dwelling place of God is with man, and he will dwell with them; they shall be his people, and God himself will be with them and be their God; night will be no more, for the Lord God will be their light.”

“The city has no need of sun or moon to shine on it, for the glory of God gives it light, and its gates will never be shut by day; there shall be no night there.”

“For the Lord himself will descend from heaven with a cry of command, with the voice of an archangel, and with the sound of the trumpet of God; and the dead in Christ will rise first; then we who are alive will be caught up.”

🎵 **Overview**
**Album Title:** Beyond the Horizon of Glory
**Genre:** Melodic Heavy Metal / Christian Metal
**Language:** English

[Verse – 3/4 Time Signature]
Behold, He makes all things arise,
New earth below and radiant skies.
The knowledge of His glory flows,
Where light eternal gently glows.
I lift my eyes to stars above,
The heavens shaped by hands of love.
Your throne stands firm, it will not sway,
From age to age, the same today.
He sends His winds to speak and flame,
His messengers bear holy name.
The light shines on where none may hide—
Darkness has failed, and death has died.

[Verse – ¾ majestic tempo]
A fire goes forth before His throne,
The stars retreat, the sky is blown.
He speaks—creation bends, undone—
And justice reigns, His will be done.
From Zion’s hill, the dawn ignites,
The Lamb is clothed in holy lights.
He lifts the veil, reveals the way,
No curse remains, no night, no day.
The tree of life begins to bloom,
Its leaves dispel the age of gloom.
Though earth once groaned beneath decay,
New worlds arise where death gives way.

[Final verse – 3/4 majestic tempo]
He comes with clouds, the trump resounds,
The dead arise from shadowed grounds.
The Lamb shall lead by streams of peace,
No curse remains, all veils shall cease.
No mortal fear, we see His face,
Refined by fire, upheld by grace.
The righteous shine like stars above,
Adorned in robes, in bridal love.
New heavens rise, no darkness near,
His name upon us, crystal clear.
The Spirit calls, and Bride shall sing,
All glory to the risen King.

Awaken souls, arise and sing,
To Him who has restored everything.
From ashes come the praises loud,
In unity, beneath the clouds.

[Verse]
In faith existing, true and bold,
Harmonies of glory to behold.
The heavens echo, mighty voice,
In Christ, we stand, thanks to His choice.

[Chorus]
Eli, you make all things new – Ap 21:5,
Hope and glory, forever alive!

Prompt:
Conceptual Album Description “Beyond the Horizon of Glory”

🎵 Overview
• Title: Beyond the Horizon of Glory
• Genre: Melodic Power Epic Heavy Metal
• Language: English
• Duration; Number of Tracks: 7h(420min); 12o.
• Explicit Content: No
The conceptual album “Beyond the Horizon of Glory” must arise from perseverance [Revelation 2:3], be composed in discernment [Philippians 1:9–10], by revelation [Ephesians 3:3–4], and spiritual unity [1 Corinthians 12:4–5], aiming at prophecy and edification [1 Corinthians 14:3], with lyrics derived from the Word [Colossians 3:16], ordered structure [1 Corinthians 14:40], arrangements for glory [Romans 11:36], judged messages [1 Corinthians 14:29], holiness in execution [Psalm 24:3–4], godly diligence [Romans 12:11], and a total focus on the exalted Lamb [Revelation 5:13].

Biblical Melodic Power Heavy Metal is an art granted by God [Exodus 31:3], which employs technique given by the Spirit to combine sounds created for praise [Exodus 35:35; 1 Corinthians 12:4–6; Psalm 150:5]. Its melody brings calm, as when David played [1 Samuel 16:23], while its power moves the soul [2 Timothy 1:7], with weight that reflects divine glory [2 Corinthians 4:17], intensity filled with spiritual fervor [Romans 12:11], and Spirit-given virtuosity [1 Chronicles 25:7]. Its lyrics are prophetic [1 Corinthians 14:3], its performance is anointed [Isaiah 10:27], and its ultimate purpose is the glory of the Lord [Psalm 29:2].

🖋 Themes
• Lyric Source: Verses quoted directly from the Bible or, when artistic considerations require, deduced logically, validly, and exclusively from the Bible.
• Central Themes:
1.	Cosmic exploration and the ultimate destiny of creation
2.	Divine judgment and eternal renewal
• Examples of Biblical Excerpts: o “…all the host of heaven shall be dissolved and the stars… like a leaf wither away” (Isaiah 34:4) o “…he measured the waters in the hollow of his hand” (Habakkuk 3:6) o “Behold, I make all things new; …night will be no more.” (Revelation 21:1–4) o “The heavens declare the glory of God…” (Psalm 19:1–4)
📖 Lyrics

Alum: The Day the Skies Fled

[Josimar Aquino de Araújo - Music generated with Udio Beta: https://www.udio.com/creators/Josimar%20Aquino's%20PROPHETIC%20SOLDIER
Genre: Melodic Power Epic Heavy Metal]
[This title captures the song’s full arc:
– From the creation of the heavens (Genesis 1:1)
– To their judgment and collapse (Isaiah 34:4; Revelation 6:14)
– To the rising of the new heavens and earth (Revelation 21:1,5)
It reflects the biblical progression: Creation → Judgment → Renewal, where the old skies flee, and God makes all things new.]

[Introduction [Opera Overture]: Instrumental; no drum; emphasis on acoustic guitars; no distortion; must have in perfect authentic cadence; and natural minor scale.]
[Verse: acoustic guitars; low vocal.]
God, In the beginning, formed the heavens and the earth.
The earth lay shapeless and empty,
Darkness shrouded the surface of the deep,
And hovered over the waters the Spirit of God.
(And said God...)
[Verse]
"Let there be light, and there was light. The heavens declare the glory of God, and the sky above proclaims his handiwork."
[Verse]
"The Lord reigns; he is robed in majesty."
"Out of Zion, the perfection of beauty, God shines forth."
[Chorus]
Eli, you make all things new – 21, 5. [Ap 21:5]
Hope and glory shining through!
[Verse]
"He determines the number of the stars; he gives to all of them their names."
"He stretches out the north over the void and hangs the earth on nothing."
[Verse]
“By faith we understand that the universe was created by the word of God.
Arise, shine, for your light has come, and the glory of the Lord has risen upon you.”
“The Lord is my light and my salvation; whom shall I fear?”
[Verse]
"From the rising of the sun to its setting, the name of the Lord is to be praised."
"He covers the heavens with clouds; he prepares rain for the earth."
[Solo]
"The Lord reigns; he is robed in majesty."
"Out of Zion, the perfection of beauty, God shines forth."
[Chorus]
Eli, you make all things new – 21, 5. [Ap 21:5]
Hope and glory shining through!
[Verse]
In the stars we wander
Through the void we ponder
The fate of creation
In cosmic revelation
Heaven's gates await us
Beyond what fate can fate us
A new world is rising
As old chains are breaking
[Chorus]
Eli, you make all things new – 21, 5. [Ap 21:5]
Hope and glory shining through!
[Verse]
As the stars fall away [Isaiah 34:4]
And the heavens depart like a scroll [Revelation 6:14]
All creation groans in its plight
Yearning for the day of our souls
[Chorus]
Eli, you make all things new – 21, 5. [Ap 21:5]
Hope and glory shining through!
[Choir]
The earth and the works therein will be burned [2 Peter 3:10]
Yet we await the promise of a new land [Romans 8:18-23]
[Solo]
[Verse]
As the heavens shake [Hebrews 12:26]
And the skies are rolled together as a scroll [Revelation 6:14]
In cosmic expanse we find our place
For His will shall be done in every space
[Chorus]
Eli, you make all things new – 21, 5. [Ap 21:5]
Hope and glory shining through!
[Verse]
In the light of His presence, we'll soar [Exodus 34:29]
With angels proclaiming forevermore
[Solo]
[Choir]
Uh!
[Verse]
The heavens declare the glory of God [Psalm 19:1]
And the firmament shows His handiwork [Psalm 19:1]
Day unto day utters speech [Psalm 19:2]
And night unto night reveals knowledge [Psalm 19:2]
[Chorus]
Eli, you make all things new – 21, 5. [Ap 21:5]
Hope and glory shining through!
[Verse]
For as the heavens are higher than the earth [Isaiah 55:9]
So are His ways higher than our ways [Isaiah 55:9]
[Solo]
[Choir]
... heaven...
[Verse]
… …
[Chorus]
Eli, you make all things new – 21, 5. [Ap 21:5]
Hope and glory shining through!
[Verse]
As the heavens shall be rolled up like a scroll, [Isaiah 34:4]
And every star shall fall from their place, [Matthew 24:29]
The earth shall shake in His might,
As justice reigns in the night.
Eli, you make all things new – 21, 5. [Ap 21:5]
Hope and glory shining through!
Eli, Eli, …
Eli, … Eli, …
Eli!
…
The earth shall shake in His might,
As justice reigns in the night.
Eli, you make all things new…
Hope and glory shining through!
Eli, you make all things new – 21, 5. [Ap 21:5]
Hope and glory shining through!
[Chorus]
“Arise, shine, for your light has come, and the glory of the Lord has risen upon you.” “The Lord is my light and my salvation; whom shall I fear?” “And night will be no more. They will need no light of lamp or sun, for the Lord God will be their light.”
[Recites]
“Behold, the dwelling place of God is with man, and he will dwell with them; they shall be his people, and God himself will be with them and be their God; night will be no more, for the Lord God will be their light.”
[Guitar solos echo through the void, conveying the vastness of eternity.]
…
[Chorus]
“Arise, shine, for your light has come, and the glory of the Lord has risen upon you.” “The Lord is my light and my salvation; whom shall I fear?” “And night will be no more. They will need no light of lamp or sun, for the Lord God will be their light.”
…
[Solo]
[Verse]
Behold, He makes all things arise,
New earth below and radiant skies.
The knowledge of His glory flows,
Where light eternal gently glows.
I lift my eyes to stars above,
The heavens shaped by hands of love.
Your throne stands firm, it will not sway,
From age to age, the same today.
He sends His winds to speak and flame,
His messengers bear holy name.
The light shines on where none may hide—
Darkness has failed, and death has died.
[Revelation 21:5; Habakkuk 2:14; Psalm 8:3; Psalm 93:2; Psalm 104:4; Psalm 84:11; Job 9:8; John 1:5]
[Verse]
A fire goes forth before His throne,
The stars retreat, the sky is blown.
He speaks—creation bends, undone—
And justice reigns, His will be done.
From Zion’s hill, the dawn ignites,
The Lamb is clothed in holy lights.
He lifts the veil, reveals the way,
No curse remains, no night, no day.
The tree of life begins to bloom,
Its leaves dispel the age of gloom.
Though earth once groaned beneath decay,
New worlds arise where death gives way.
[Psalm 97:3; Isaiah 34:4; 2 Peter 3:12; Revelation 21:23; Revelation 22:2; Romans 8:22; Revelation 21:4]
[Final verse]
He comes with clouds, the trump resounds,
The dead arise from shadowed grounds.
The Lamb shall lead by streams of peace,
No curse remains, all veils shall cease.
No mortal fear, we see His face,
Refined by fire, upheld by grace.
The righteous shine like stars above,
Adorned in robes, in bridal love.
New heavens rise, no darkness near,
His name upon us, crystal clear.
The Spirit calls, and Bride shall sing,
All glory to the risen King.
[Revelation 1:7; 7:17; 21:4–5, 24; 22:3–4,17; Matthew 13:43; Isaiah 60:19; 66:22; Romans 8:21; Revelation 19:7; Exodus 33:20; 1 Corinthians 13:12]
[The instrumental ending closes with a perfect authentic cadence, symbolizing the fulfillment of divine promise (Revelation 21:3–5), followed by an acoustic guitar emergence signifying the passing of the old creation (Revelation 21:1). Electric guitars unite in harmony to reflect the redeemed as one body (Ephesians 4:4), while a soaring minor-key guitar solo portrays the victorious Lamb (Psalm 110:1). The main theme returns in a higher register to proclaim “Behold, I make all things new” (Revelation 21:5), and the soundscape gently dissolves into delicate arpeggios, evoking universal praise in the new kingdom (Psalm 150:6).]

[Note: "Elei" is not a biblical word or a term recognized in English or Portuguese—it seems to be a small typo. The one you probably wanted to use is "Eli," which comes from the Hebrew אֵלִי and means "my God." That way, its refrain would be clearer like this: Eli, you make all things new – 21, 5. [Rev 21:5] Hope and glory shining through!]

(Behold the Lamb)
[Verse]
Behold the Lamb enthroned, the Lion robed in grace,
By blood He bought our peace, redeeming Adam’s race.
He wipes away our tears; His covenant secures,
The Morning Star has dawned, our hope forever sure.
He reigns in righteousness, the Judge who loved the lost,
His city pure and bright, the Lamb’s unbroken host.
A river flows from Him, the water of new birth,
No night can e’er descend upon that holy earth.
The nations walk in light, reflecting Christ our King,
No sun or moon they crave, for He Himself is spring.
All heaven lifts one voice in endless hymns of praise,
To Him who lives and reigns through everlasting days.

[Revelation 5:5–6; 21:4; 21:23–25; 22:1; 22:16; 1 Corinthians 6:20; 7:23; Psalm 45:6; 90:2; Isaiah 6:3; John 4:14; 2 Timothy 2:10]

[Other letters - In English, deduce, logic (Aristotelian), valid, only and exclusively from the whole Bible, with as much direct quotation and content as possible:]

•	Genesis: God creates the heavens and the earth, forms humanity, and establishes His covenant promise through Abraham’s seed. (Gen 1:1; 12:3)
•	Exodus: God delivers Israel from bondage, gives the Law, and dwells among His people in the tabernacle. (Ex 3:14; 25:8)
•	Leviticus: God provides a system of sacrifices and holiness standards to maintain covenant purity. (Lev 17:11; 19:2)
•	Numbers: Israel learns obedience and God’s faithfulness through wilderness wanderings and census. (Num 14:22; 23:19)
•	Deuteronomy: Moses restates the Law, calls for wholehearted devotion, and prophesies Israel’s future. (Deut 6:5; 30:19)
•	Joshua: God gives Israel the Promised Land through obedient conquest under Joshua’s leadership. (Josh 1:9; 21:43)
•	Judges: Israel’s cycle of sin, oppression, and deliverance reveals need for righteous leadership. (Judg 2:16; 21:25)
•	Ruth: A Moabite woman’s faith and loyalty lead to her inclusion in God’s redemptive lineage. (Ruth 1:16; 4:13)
•	1 Samuel: Samuel’s prophetic ministry, Saul’s flawed kingship, and David’s anointing by God. (1 Sam 3:10; 16:13)
•	2 Samuel: David reigns as Israel’s king, unites the nation, and is promised a perpetual dynasty. (2 Sam 7:16; 5:3)
•	1 Kings: Solomon’s wisdom, temple dedication, and the kingdom’s division due to unfaithfulness. (1 Kgs 8:10–11; 12:16)
•	2 Kings: Israel and Judah’s decline under corrupt kings leads to exile for covenant breach. (2 Kgs 17:23; 25:21)
•	1 Chronicles: A priestly history focusing on David’s lineage and temple worship preparations. (1 Chr 17:14; 29:11)
•	2 Chronicles: Judah’s temple-centered reforms, kingly failures, and Cyrus’s decree for restoration. (2 Chr 7:14; 36:23)
•	Ezra: Returned exiles rebuild the temple and renew covenant fidelity under Ezra’s teaching. (Ezra 1:3; 7:10)
•	Nehemiah: Nehemiah leads Jerusalem’s wall reconstruction and social reforms for covenant obedience. (Neh 2:18; 8:10)
•	Esther: God providentially preserves His people in Persia through Queen Esther’s courage. (Est 4:14; 9:22)
•	Job: A righteous man endures suffering, questions divine justice, and learns of God’s sovereignty. (Job 1:21; 42:5)
•	Psalms: Israel’s hymnbook expresses worship, lament, praise, and trust in God’s character. (Ps 19:1; 23:1)
•	Proverbs: Wisdom literature teaching right living, fearing the Lord, and moral discernment. (Prov 1:7; 3:5–6)
•	Ecclesiastes: Reflection on life’s vanity apart from fearing God and keeping His commandments. (Eccl 1:2; 12:13)
•	Song of Solomon: Poetic celebration of marital love as a picture of divine affection. (Song 8:6–7)
•	Isaiah: Prophecies of judgment, salvation, the Suffering Servant, and coming Messiah’s reign. (Isa 6:8; 53:5)
•	Jeremiah: Jeremiah warns Judah of exile due to idolatry and foretells a new covenant. (Jer 1:5; 31:31)
•	Lamentations: Poetic laments over Jerusalem’s destruction and appeals for God’s mercy. (Lam 3:22–23)
•	Ezekiel: Visions of judgment, individual responsibility, and future restoration of Israel. (Ezek 1:28; 36:26)
•	Daniel: God’s sovereignty over empires, prophetic visions of future kingdoms, and deliverance. (Dan 6:22; 7:14)
•	Hosea: Israel’s spiritual adultery metaphorized, with promise of restoration through divine love. (Hos 2:19; 14:4)
•	Joel: Call to repentance, promise of Spirit outpouring, and the Day of the Lord’s restoration. (Joel 2:28; 3:16)
•	Amos: Justice and righteousness demanded; vineyard imagery exposes Israel’s corruption. (Amos 5:24; 9:11)
•	Obadiah: Edom’s judgment prophesied and Israel’s deliverance declared on Mount Zion. (Obad 1:15; 21)
•	Jonah: God’s mercy extended to repentant Nineveh, teaching compassion beyond Israel. (Jonah 4:2; 2004)
•	Micah: Judgment on injustice and promise of restoration under a ruler from Bethlehem. (Mic 6:8; 5:2)
•	Nahum: Prophecy of Nineveh’s downfall as evidence of divine justice and comfort for Judah. (Nah 1:7; 3:5)
•	Habakkuk: Dialogue on God’s justice, faith in divine timing, and rejoicing in the Lord. (Hab 2:4; 3:18)
•	Zephaniah: The coming Day of the Lord’s judgment and call to seek the Lord in humility. (Zeph 2:3; 3:17)
•	Haggai: Encouragement to rebuild the temple with promise of greater glory to come. (Hag 1:8; 2:9)
•	Zechariah: Visions of restoration, the coming king, and call to return wholeheartedly to God. (Zech 1:3; 9:9)
•	Malachi: Covenant disputes addressed, promise of a coming messenger and day of the Lord. (Mal 3:1; 4:5)
•	Matthew: Jesus as Messiah fulfills Old Testament promises, teaching and inaugurating the Kingdom. (Matt 1:23; 28:18)
•	Mark: The Gospel’s urgency proclaims Jesus’ power, servanthood, and call to discipleship. (Mk 1:17; 10:45)
•	Luke: Detailed account of Jesus’ life, compassion, and promise of Spirit-empowered witness. (Lk 4:18; 24:49)
•	John: Jesus as the eternal Word, offering life through belief in Him. (Jn 1:1; 20:31)
•	Acts: The Spirit empowers the church’s mission, spreading the Gospel to all nations. (Acts 1:8; 2:4)
•	Romans: Justification by faith, life in the Spirit, and God’s plan for Jew and Gentile. (Rom 1:17; 8:1)
•	1 Corinthians: Practical application of the Gospel in church unity, gifts, and love. (1 Cor 12:4; 13:13)
•	2 Corinthians: Paul’s defense of his ministry and comfort in affliction through Christ. (2 Cor 1:3; 4:17)
•	Galatians: Freedom in Christ and life by the Spirit contrasted with law-based religion. (Gal 5:1; Gal 2:20)
•	Ephesians: Church as Christ’s body, unity in Spirit, and spiritual warfare armor. (Eph 4:4; 6:11)
•	Philippians: Joy and humility exemplified in Christ’s kenosis and perseverance in faith. (Phil 2:5–8; 4:4)
•	Colossians: Christ’s supremacy over creation and sufficiency for believer’s life. (Col 1:16; 2:9–10)
•	1 Thessalonians: Encouragement in faith, love, hope, and Christ’s return comfort. (1 Thess 4:16; 5:8)
•	2 Thessalonians: Clarification on Day of the Lord and call to steadfast work and faith. (2 Thess 3:10; 1 Thess 5:2)
•	1 Timothy: Instructions for church order, sound teaching, and godly leadership. (1 Tim 3:15; 4:12)
•	2 Timothy: Endurance in suffering, Scripture’s inspiration, and fulfillment of ministry. (2 Tim 3:16; 4:7)
•	Titus: Sound doctrine’s role in godly living and appointing qualified elders. (Tit 1:5; 2:11–12)
•	Philemon: Appeal for Onesimus’s reconciliation exemplifies Christian brotherhood. (Phlm 1:15; 17)
•	Hebrews: Christ’s supremacy as high priest, fulfillment of shadows, and perseverance incentive. (Heb 4:14; 12:1–2)
•	James: Faith evidenced by works, wisdom from above, and practical holiness. (Jas 2:17; 3:17)
•	1 Peter: Suffering for Christ’s sake, living hope through resurrection, and holiness call. (1 Pet 1:3; 4:16)
•	2 Peter: Reminder of Christ’s return, danger of false teachers, and growth in grace. (2 Pet 3:9; 18)
•	1 John: Assurance of salvation, love God and neighbor, and victory over the world. (1 Jn 5:4; 2:9)
•	2 John: Walk in truth and love, beware deceivers denying Christ in the flesh. (2 Jn 1:6; 7)
•	3 John: Support for faithful missionaries and warning against domineering leaders. (3 Jn 1:8; 9)
•	Jude: Contend for the faith, remember apostolic warnings, and await mercy. (Jude 1:3; 24)
•	Revelation: Visions of Christ’s return, final judgment, New Jerusalem, and eternal reign. (Rev 1:7; 21:5)

🏗 Track Structure
1.	The sentiment of each chord should be in accordance with the lyrics sung at the time.
1.	The introduction must feature guitars and acoustic guitars.
2.	The introduction, chorus, and ending must have perfect authentic cadence.
3.	A perfect authentic cadence is a harmonic progression ending on the tonic chord (I) preceded by the dominant chord (V). It must have 70% priority.
4.	Dual lead guitars in third harmony.
5.	Natural minor scale should sound for the majority of the total time.
6.	Epic chorus.
7.	Melismas reinforcing themes.
8.	Instrumental Bridge:
• Dual lead guitars in third harmony
• Solo evoking spatial vastness
• Perfect cadence returning to chorus
🎨 Album Cover
Twelve precepts on generating the cover art, logically deduced from Scripture:
1.	Every creation must reflect the glory of the Creator [Psalm 19:1].
2.	All glory in the heavens declares God’s invisible wisdom [Romans 1:20].
3.	All beauty expresses the Lord’s holiness [Psalm 96:9].
4.	Every celestial messenger manifests light and spiritual strength [Hebrews 1:7].
5.	Every true prophetic vision contains celestial symbols [Ezekiel 1:1–4].
6.	Every legitimate cross symbol communicates redemption and hope [1 Corinthians 1:18].
7.	Every gold in Scripture points to divine royalty, purity, and glory [Exodus 25:11].
8.	Every desert in the Bible symbolizes testing and revelation [Mark 1:12–13].
9.	Every Scripture fragment carries divine authority [Jeremiah 36:2].
10.	Every prophetic word is meant to be written and exalted [Habakkuk 2:2].
11.	Every artistic expression that exalts the Lord’s Name is holy [Exodus 31:3].
12.	Every creation of the righteous must shine like a star in the firmament [Daniel 12:3].
Summary with references: The cover art must manifest God’s glory as the heavens proclaim [Psalm 19:1], using legitimate symbols of royalty, purity, and redemption—such as gold, the cross, and light [Exodus 25:11; 1 Corinthians 1:18]. Celestial elements and prophetic visions, like floating scrolls and stellar deserts, evoke biblical symbolism [Ezekiel 1:1–4; Mark 1:12–13]. The presence of the spacecraft evokes the swift and powerful messenger [Hebrews 1:7], while the typography must reverently exalt the prophetic artist’s name and the glorious title [Habakkuk 2:2; Exodus 31:3]. Every part should shine with the light of the righteous and the authority of the Word [Daniel 12:3; Jeremiah 36:2].

Art Cover Frehstunes:
File format
.jpg
Min resolution
1400x1400 pixels
Max resolution
5000x5000 pixels
Chosen resolution
5000x5000 pixels
Prohibited to use
1.	Scanned images
2.	Images from the Internet that are available for free
3.	Stretched images and photos;
4.	Photos and images that have logos, ads, banners and links
5.	Other artists or authors not specified in the release parameters
6.	Scans of CDs containing barcodes or stickers
7.	Images that infringe copyrights
8.	Images containing pornography
9.	Images showing drugs
10.	Images with profanity

Color Palette: o Background: deep purple and dark blue nebulae
Highlights: veins of gold and pure white (purity)
Visual Elements: o B-2 Spirit metallic spacecraft floating above a stellar desert
Stylized cross on the horizon emitting a white-gold beam of light
Celestial parchment fragments drifting
Album: Beyond the Horizon of Glory (modern gothic sans-serif, aged silver)

Attention: in the names of the artist's logo; apply the principles of the artist logo to the album name logo; perfect the current art.

📐 Logo of Artist “Josimar Aquino’s PROPHETIC SOLDIER”
Apply all precepts to the logo form without images, for Scripture contains no figures—letters should evoke soldier’s armor or a sword.
1.	Every seal must clearly identify its entity, as God’s seal marks the servants for salvation [Rev 7:3].
2.	The inscribed name must be legible, like the one written in the book of life, so it is not confused with others [Rev 21:27].
3.	White color symbolizes righteousness conferred by Christ, recalling the garments of the redeemed washed in the Lamb’s blood [Rev 7:14].
4.	The use of a sword symbol evokes the Word of God, the spiritual weapon and “sword of the Spirit” [Eph 6:17].
5.	A shield-shaped outline refers to the “shield of faith,” which extinguishes all the flaming darts of the evil one [Eph 6:16].
6.	Including a soldier reference expresses the condition of being a “soldier of Christ,” able to endure trials with steadfastness [2 Tim 2:3].
7.	There must be balance in the arrangement of elements, for “there is a time for everything” and proper proportion is needed [Eccl 3:1].
8.	The image must convey prophetic authority, recalling Elijah casting his cloak on Elisha as a transfer of power [2 Kin 2:13].
9.	The logo should shine symbolically, for “the righteous will shine like the sun in their Father’s kingdom” [Matt 13:43].
10.	Letters and shapes should be simple and memorable, following the command to engrave signs and symbols so they remain in memory [Exod 13:9].
11.	The design’s durability echoes the building of stones that endure for generations [Gen 28:18].
12.	Finally, every stroke and color must point to God’s glory, for “the whole earth is filled with his glory” [Mic 2:11].
🎼 Vocals, Musical Resources, and Performance
• Instrumentation: o 3 electric guitars (2 leads + rhythm)
o Iron Maiden–style drums
o Groove bass
o Synths
o Choir (many-voiced church singing) ethereal, angelic, and celestial
• Vocals (prophetic instrument):
o Vocal style: Kiske + Dickinson + André Mattos + André Leite
o Harmony vocals and duets
o Techniques: melismas, strong head voice in high registers, nasal resonance for clarity
{“Precept 1: The source of vocal breath is the divine breath that animates the human voice [Genesis 2:7]; Precept 2: Resonance must expand sound through the congregation, like temple instruments [Psalm 150:5]; Precept 3: Clear articulation corresponds to the distinct proclamation of God’s Word [Isaiah 40:6]; Precept 4: Pitch control reflects the heavenly harmony of praise [Psalm 8:2]; Precept 5: Vocal range echoes the prophetic call in vision [Revelation 1:10]; Precept 6: Projection announces divine justice over nations [Amos 5:24]; Precept 7: Dynamic variation follows the Spirit’s breath, now gentle, now powerful [Acts 2:2]; Precept 8: Individual timbre expresses the unique gift each member brings to the body [1 Corinthians 12:12]; Precept 9: Rhythmic phrasing harmonizes with the measures of eternal decrees [Lamentations 3:22]; Precept 10: Register transitions translate the seasons under heaven [Ecclesiastes 3:1]; Precept 11: Precise diction edifies listeners like speech that heals, not corrupts [Ephesians 4:29]; Precept 12: Sustained tone rests on faith’s firmness and adoration’s patience [Hebrews 10:23].”}

😉 Melody
Melody, according to Scripture, is an instrument of worship that must reflect God's goodness, order, and glory. From its simplest lines to its most complex variations, every melody must arise from a contrite and teachable heart seeking to glorify the Creator. The melodic structure — with its pauses, dynamics, cadences, and motifs — must clearly express spiritual emotions in harmony with the biblical message, leading the listener to reflection, contrition, and exaltation. It must be clear enough for all to learn and sing, and beautiful enough to inspire holy reverence.
Furthermore, every technical aspect of melody — such as intervals, modulations, phrases, ornaments, and rhythmic styles — must follow theological principles. Worship does not tolerate worldly distraction, vain display, or technique without spiritual purpose. Elements like ostinatos, syncopations, and harmonic variations must communicate grace, hope, redemptive tension, and comfort — not confusion or vanity. Even silence and melodic pauses are liturgical tools that point to God's majesty and foster meditation on His Word.
Finally, melody is a prophetic vocation that proclaims truth with faithfulness and power. It must strengthen faith, teach doctrine, lead to repentance, and declare the coming of the Kingdom. Its function is to glorify Christ, exalt His sovereignty and eternity, and remain faithful to the gospel message in spirit and in truth. Any melody that fails this purpose loses its sacred dignity. Therefore, Scripture regulates and sanctifies melody as an essential part of the worship of God.

🎤 Presentations & Engagement
1.	Shows with variable tickets or "perishable food" as payment
2.	Acoustic or remixed album for playback performance
3.	Sale of snacks at the event; Street promotions with distribution of music trailers and Bible verse

🎶 Preproduction
1.	Vocal training using Whole Word of the song
2.	Perfection: record official vocal
✅ Distribution & Dissemination, Atribution
1.	Free Aggregators: FreshTunes, Routenote, Bandcamp, Amuse, Horus Music
2.	Render Configuration: 44100 Hz, HQ, 384 pt, WAV, 24- bit PCM, force WAV
3.	Metadata: ISRC, original cover and biblical description
4.	Promotion strategies: YouTube, Spotify, social networks, collaborative playlists
5.	Josimar Aquino de Araújo - Music generated with Udio Beta: https://www.udio.com/creators/Josimar%20Aquino's%20PROPHETIC%20SOLDIER

🎵 Primary Influences
Kansas - Dust in the Wind, Dream Theater - Our New World, Signum Regis - Shield my soul, Within Silence - Road to the Paradise, Maiden - Blood Brothers, Cage – christhammer, Bride – Heroes, Avenged Sevenfold – Dear God, Helloween - eagle fly free, Seventh Avenue - Futures Dawn, Guns And Roses – November Rain, Avantasia, Timo Tolkki's Avalon.

🎶 Secondaries Influences

Fernandinho, Matty Mullins, Memphis May Fire, Red, AsIFire, Resgate, Templo de Fogo, Catedral, Novo Som, PG, Rodolfo Abrantes, Projeto Sola, Heloisa Rosa, Livres Para Adorar, Metal Nobre, Marco Telles, Leonardo Gonçalves, Stauros, Iahweh, ID2,  Fruto Sagrado, Oficina G3, Rosa De Saron, Alter Bridge – Wonderful life, , Wolves At The Gate; Skillet, Theocracy, Kansas - Dust in the Wind, Neal Morse, Dream Theater - Our New World, Signum Regis - Shield my soul, Owl City, P.O.D., Petra, Red, Within Silence - Road to the Paradise, August Burns Red, Marco Telles, Harmony, My Epic, Tourniquet, Nania, Thousand Foot Krutch, Needtobreath, Switchfoot, Newsboys, Spoken, Demon Hunter, U2, Jerusalem, Disciple, Whitecross, We As Human, Haste The Day, Onerepublic, Lifehouse, Hillsong United, Jesus Culture, Iron Maiden - blood brothers, Cage - christhammer, Bruce Dickinson, André Leite, Michael Kiske, Bride – Heroes, Angra - "Rebirth", Edu Falaschi - "Spread Your Fire", Darkwater – Alive II, Resurrection Band – Presence of Lord, Ben Fuller – Deeper Still, Joe L Barnes – Nothing but Goodness, Gloriam dei – Bethlehem, Bethel Music – No One Like The Lord, Kerry Livgren – Fire in the Boiler, Mylla Karvalho – Minha direção, Jordan Davis, Church in a Chevy, fhop Music – Tu és – Há poder, Majorem Gloriam - Maranata

🖋 Definitions of description

To recite, to pronounce with voice modulation, often accompanied by gestures; to DECLARE; to recount an episode or narrative. An album is a long-form musical work, recorded on physical (CD, vinyl, etc.) or digital medium. Symphony, Composition for orchestra, is usually divided into three or four parts: alegro, andante or adagio, minuet or scherzo, and rondo or alegro vivo. Ballad, music of a sentimental nature. Epic, Tall, Lifted, Sublime. Overture, Composition for set of melodic sounds that are soft or pleasing to the ear, usually divided into three or four parts: alegro, andante or adagio, minuet or scherzo, and rondo or alegro vivo.

1.	Melody is proclamation that is musical ordered according to the harmony of creation. [Psalm 96:1; 1 Corinthians 14:40]
2.	Harmony is union of voices that is simultaneous distinct sounds in pleasing consonance. [John 17:21; Exodus 15:20–21]
3.	Rhythm is measure that is periodicity of sounds organized according to accents. [Ecclesiastes 3:1; 2 Samuel 6:5]
4.	Cadence is conclusion that is harmonic ending a musical phrase. [Revelation 22:13; Exodus 15:18]
5.	Chorus is repetition that is central melodic repetition reinforcing the main message. [Psalm 136:1; Isaiah 6:3]
6.	Verse is textual unit that is set to music with narrative or reflective function. [Colossians 3:16; Psalm 1:1–6]
7.	Bridge is transition that is musical connection of sections with contrast and return. [1 John 3:14; Psalm 118:19–21]
8.	Solo is individual expression that is musical expression without main accompaniment. [1 Peter 4:10; Numbers 10:8]
9.	Choir is vocal ensemble that is polyphonic ensemble dedicated to communal worship. [Ezra 3:11; 2 Chronicles 5:13]
10.	Singing is articulated sound that is produced with intentional melodic intonation. [Psalm 3:4; Psalm 96:2]
11.	Hymn is song that is praise and devotion of the community. [Psalm 96:1; 1 Corinthians 14:26]
12.	Psalm is song that is inspired directly by biblical texts. [Psalm 19:1; Psalm 33:2]
13.	Liturgy is ceremonial action that is structured for public worship. [Matthew 18:20; 1 Corinthians 14:40]
14.	Gregorian Chant is sacred music that is monophonic of medieval tradition. [Psalm 33:3; Exodus 31:3]
15.	Sacred Choir is vocal ensemble that is polyphonic dedicated to praise. [2 Chronicles 5:13; Ephesians 5:19]
16.	Motet is vocal composition that is polyphonic without fixed biblical text. [Psalm 117:1; Ephesians 5:19]
17.	Antiphon is brief song that is sung before and after a psalm. [Psalm 96:1; Psalm 118:24]
18.	Responsory is liturgical song that is response to biblical readings. [Psalm 96:2; Psalm 40:3]
19.	Offertory is offering song that accompanies the presentation of gifts. [Psalm 50:14; 2 Corinthians 9:7]
20.	Magnificat is song that exalts the works of God by the Virgin Mary. [Luke 1:46; Luke 1:49]
21.	Canticle is expression of praise that is intoned with melody. [Psalm 100:1; Psalm 149:3]
22.	Crescendo is dynamic variation that is gradual increase in sound intensity. [Psalm 98:4; universal expressive technique]

😉 Rankings
Below is a concise English summary of both rankings:
1. Twelve “Biblical” Melodic Power Heavy Metal Artists
These twelve figures from Scripture are presented as archetypal “artists” whose musical gifts, prophetic insight and spiritual impact would, if manifested in our era, make them the greatest in the subgenre:
1.	David – Pioneer of spiritual warfare through song
2.	Asaph – Chief musician composing cosmic and eschatological hymns
3.	Heman – Wise virtuoso whose depth of revelation informs complex music
4.	Moses – Composer of liberation anthems sung from Exodus to Revelation
5.	Deborah – Warrior prophetess whose battle songs stir the people
6.	Samuel – Founder of prophetic music schools and mentor of musicians
7.	Isaiah – Poet of divine judgment and the new creation
8.	John the Apostle – Visionary behind the ultimate apocalyptic “album”
9.	Paul – Theological architect of doctrinal song, teaching with hymnody
10.	Mary of Nazareth – First singer of the new covenant, proclaiming incarnation
11.	Hannah – Messianic herald whose song foreshadows Christ’s reign
12.	Jesus Christ – Supreme Composer and Singer of the eternal new song
2. Twelve “Secular” Melodic Power Heavy Metal Artists
Using biblical criteria such as perseverance, narrative scope, technical mastery and spiritual impact, these modern bands exemplify each quality at the highest level:
1.	Helloween – Embody patient maturity through decades of innovation
2.	Blind Guardian – Masters of epic, saga style storytelling
3.	Stratovarius – Exemplars of divine wisdom in virtuosic performance
4.	Rhapsody of Fire – Creators of fantastical, kingdom sized soundscapes
5.	Gamma Ray – Instruments of exuberant praise through relentless energy
6.	HammerFall – Champions of spiritual warfare with heroic anthems
7.	DragonForce – Mirroring the divine “breath” in lightning fast virtuosity
8.	Sonata Arctica – Weaving sweet melody with dramatic intensity
9.	Avantasia – Collaborative “body” of voices united in grand scale
10.	Kamelot – Illuminators of darkness through themes of redemption
11.	Edguy – Purveyors of joyous celebration and communal worship
12.	Iced Earth – Keepers of generational wisdom through historical sagas
Each list applies exclusively biblical principles—drawn from narratives, commands and poetic imagery—to define excellence in the melodic power heavy metal style.

😉 Improvement

1. Anchor Every Aspect in Redemptive History
Structure the album’s narrative around the Biblical threefold movement—Creation (Gen 1:1), Fall (Rom 3:23), and New Creation (Rev 21:5)—so that each track not only quotes Scripture but reenacts salvation history. Begin with cosmic wonder (“Let there be light”—Gen 1:3), progress through divine judgment (“The day of the Lord… like a thief”—1 Thess 5:2), and culminate in eternal renewal (“Behold, I make all things new”—Rev 21:5). This logical arc, grounded in Scripture, will guide listeners through the gospel from origin to consummation.
2. Weave Corporate Worship and Prophecy
Interlace congregational elements—call and response choruses (“Sing to the Lord a new song”—Psalm 96:1; “Speak, Lord, for your servant hears”—1 Sam 3:10)—with prophetic declarations (“Comfort, comfort my people”—Isa 40:1) to fulfill both edification (1 Cor 14:3) and unity (Eph 4:3). Insert a mid album “Amen chorus” based on Revelation 5:13 (“To him who sits on the throne and to the Lamb be blessing…”), ensuring the album functions as a worship liturgy that builds toward corporate exaltation of Christ.
3. Emphasize Liturgical Dynamics by Scripture
Map the album’s dynamics to biblical commands: open in pianissimo for meditation on God’s word (“Be still, and know that I am God”—Psalm 46:10), rise to forte at proclamations of His reign (“The Lord reigns… let the earth be glad”—Psalm 97:1), and conclude in silence after the final “Amen” (“Silence before the Lord”—Hab 2:20). This order—meditation, proclamation, and reverent silence—follows 1 Cor 14:40 (“Let all things be done decently and in order”) and will create a sacred soundscape that honors the Scriptures throughout.
1. Integrate the Psalms’ Lament Praise Cadence
Build each track around the biblical pattern of lament turning to praise (e.g. Psalm 42–43; “Why, my soul, are you downcast?... Put your hope in God” PS 42:5), so that moments of darkness (“The earth lay shapeless and empty” Gen 1:2) are answered by eruptions of worship (“Yet I will praise You, O Lord” Hab 3:17–18). This creates a spiritually honest journey—acknowledging sin’s weight before exalting God’s faithfulness—that mirrors the Psalter’s emotional and redemptive arc.
2. Employ Antiphonal Voicing Like the Heavenly Council
Frame key choruses as call and response dialogues modeled on Isaiah’s seraphim (“Holy, holy, holy…” Isa 6:3) and Revelation’s twenty four elders (“Worthy is the Lamb…” Rev 5:13). Use alternating male/female or solo/choir voicings to reenact heaven’s worship, fulfilling 1 Cor 14:26 (“When you come together… let each one… teach… let the others respond”) and inviting listeners into the prophetic drama of God’s throne-room.
3. Embed Typological Interludes with Scriptural Events
Between songs, insert brief instrumental passages that sonically depict redemptive milestones—crossing the Red Sea (Ex 14:21), David’s harp before Saul (1 Sam 16:23), the trumpet at Jericho (Josh 6:20)—using thematic motifs (e.g. rolling timpani for waves, harp arpeggios for healing, brass fanfares for conquest). These interludes, grounded in Scripture alone, will bind the album’s narrative to God’s unfolding drama of judgment and deliverance from Creation through Consummation.

Deduce logically, validly, and exclusively from Scripture, Improvements beyond to the entire Album Description above, in 3 paragraphs.

Glossary of Logic

•	Abusive ad hominem – An informal fallacy that attacks the character or personal circumstances of someone defending a position, instead of refuting the argument’s content.
•	Accent fallacy – An informal fallacy arising from misinterpreting a word or phrase’s meaning due to intonation.
•	Accident – An informal fallacy that occurs when a general rule is improperly applied to an exceptional or irrelevant case.
•	Ad baculum – Latin for “appeal to the stick.” An informal fallacy that bases an argument on coercion or threat of force.
•	Ad hominem – Latin for “to the person.” An argument that disqualifies a proposition by attacking the person rather than its merit (distinct from abusive ad hominem).
•	Ad populum – Latin for “to the people.” An informal fallacy that supports a conclusion because it is widely believed rather than on evidence.
•	Affirmative form – One of the four categorical proposition configurations (universal affirmative, universal negative, particular affirmative, particular negative); in affirmative forms, the predicate is not distributed.
•	Ambiguity – The property of a word or expression that admits more than one meaning, leading to possible misinterpretations.
•	Amphiboly – Ambiguity caused by a sentence’s syntactic structure, allowing multiple readings; also spelled “anfibolia.”
•	Argument – An organized set of propositions in which some (premises) support another (conclusion).
•	Argumentum ad misericordiam – Latin for “appeal to pity.” An informal fallacy that seeks credibility by appealing to the listener’s compassion.
•	Axiom – A proposition accepted without proof, serving as a foundation for a logical or mathematical system.
•	Categorical syllogism – A deductive argument composed of two premises and a conclusion, all in categorical form, whose terms relate according to fixed rules.
•	Category – A general class of entities or concepts sharing essential attributes.
•	Complex question – A fallacy occurring when a question presupposes something unestablished, preventing an answer without accepting hidden premises.
•	Composition – An informal fallacy that attributes to a whole the properties of its parts.
•	Conclusion – A proposition that follows logically from other propositions (premises) in an argument.
•	Connotative definition – A definition specifying the necessary and sufficient attributes of a term.
•	Contradiction – The relationship between two propositions that cannot both be true or both be false at the same time.
•	Contraposition – An operation that negates and swaps subject and predicate of a categorical proposition; valid for “all A are B” and “some A are not B.”
•	Contrariety – A relation between two propositions that cannot both be true simultaneously but can both be false.
•	Conversion per accidens – An immediate inference extracting the particular form from a universal proposition (from “all A are B” to “some B are A,” or “no A are B” to “some B are not A”) in the second figure of syllogism.
•	Copula – The part of a proposition that links subject and predicate, usually expressed by the verb “to be.”
•	Denotative definition – A definition that explicitly lists the members of a term or class.
•	Dilemma – An argument structure in which two conditional premises and a disjunction of antecedents lead to a disjunction of consequents.
•	Disjunctive hypothetical syllogism – An argument where the first premise is a disjunction, the second denies one term, and the conclusion affirms the other: “X or Y; not X; therefore Y.”
•	Distributed term – A term to which the proposition refers in its entirety (all members of its class).
•	Division – An informal fallacy attributing to a part the properties of the whole.
•	Enthymeme – An argument with one premise omitted but implied.
•	Equivocation – A fallacy arising from using a word in two different senses within the same argument.
•	Existential import – The property of certain propositions implying the existence of their subjects; in symbolic logic, only particular affirmative propositions carry existential import.
•	Fallacy – A reasoning error: formal, when it affects logical structure; informal, when it results from language misuse or context.
•	Figure – The arrangement of the major, minor, and middle terms in the premises of a categorical syllogism, determining its inference mode.
•	Form – The configuration of subject and predicate in a categorical proposition; four forms exist: universal affirmative, universal negative, particular affirmative, particular negative.
•	Genus – The broader category grouping several species by common attributes.
•	Hypothetical syllogism – An argument based on conditional propositions, such as modus ponens and modus tollens.
•	Ignoratio elenchi – Latin for “ignorance of refutation.” A fallacy presenting a conclusion different from the one at issue.
•	Immediate inference – An operation deriving a new proposition from another without multiple premises (e.g., conversion, obversion, contraposition).
•	Inference – The process of deriving a conclusion from premises, either deductively or inductively.
•	Inferior species – More specific classes within a genus.
•	Law of non contradiction – A principle stating that a proposition cannot be both true and false in the same respect.
•	Logic – The science studying the principles and methods of valid reasoning.
•	Major premise – In a syllogism, the premise containing the conclusion’s predicate term.
•	Major term – The term functioning as the predicate in the conclusion of a categorical syllogism.
•	Metaphysics – The branch of philosophy investigating the fundamental nature of reality, being, and existence.
•	Middle term – The term appearing in both premises of a syllogism but not in the conclusion.
•	Minor premise – In a syllogism, the premise containing the conclusion’s subject term.
•	Minor term – The term appearing as the subject in the conclusion of a categorical syllogism.
•	Modus ponens – Latin for “the way that affirms.” The inference: “If P then Q; P; therefore Q.”
•	Modus tollens – Latin for “the way that denies.” The inference: “If P then Q; not Q; therefore not P.”
•	Mood – The specific configuration of premises’ and conclusion’s forms in a categorical syllogism.
•	Negative form – One of the categorical proposition configurations distributing the predicate: “No A are B” and “Some A are not B.”
•	Obversion – An immediate inference that transforms a proposition into its equivalent by negating the predicate and replacing it with its complement, while also switching the proposition’s quality.
•	Ostensive definition – A definition clarifying a term’s meaning by pointing to examples or objects to which it applies.
•	Particular form – A categorical proposition configuration making a statement about part of a set, without distributing the subject: “Some A are B” and “Some A are not B.”
•	Petitio principii – Latin for “begging the question.” An informal fallacy where the conclusion is implicit in a premise, making the argument circular.
•	Post hoc ergo propter hoc – Latin for “after this, therefore because of this.” A fallacy inferring causation solely from sequence.
•	Premise – A proposition serving as a starting point for inference.
•	Proposition – A declarative statement that can be true or false, affirming or denying something about a subject.
•	Reductio ad impossibile – A method showing a supposition’s falsity by deriving a contradiction or absurd result.
•	Reflexive relation – A binary relation where each element relates to itself (e.g., identity in logic).
•	Sentence – A set of words expressing a complete thought; only declarative sentences qualify as propositions.
•	Simple conversion – An immediate inference swapping subject and predicate of certain equivalent propositions (“No A are B” ↔ “No B are A”; “Some A are B” ↔ “Some B are A”).
•	Sorites – A chain of propositions where each conclusion’s predicate becomes the next premise’s subject, linking the first subject to the final predicate.
•	Species – A subclass within a genus, composed of individuals sharing common traits.
•	Subalternation – The relation between universal and particular propositions of the same quality: truth of the universal implies truth of the particular, but not vice versa.
•	Subcontrariety – The relation between particular affirmative and particular negative propositions: they cannot both be false, but can both be true.
•	Syllogism – A deductive argument composed of two premises and a conclusion, involving three terms (major, middle, minor) arranged by formal rules.
•	Symmetric relation – A binary relation where if it holds between a and b, it also holds between b and a (e.g., equality).
•	Term – An element of a proposition functioning as subject or predicate; in a syllogism, one of its three terms.
•	Theorem – A proposition proved from axioms by inference rules.
•	Transitive relation – A binary relation where if it holds between a and b and between b and c, it holds between a and c (e.g., class inclusion).
•	Tree of Porphyry – A traditional definition method that subdivides a genus into species by successive dichotomies.
•	Undistributed term – A term not fully covered by the proposition (not modified by “all” or “no”).
•	Universal form – A categorical proposition configuration that distributes the subject: “All A are B” and “No A are B.”
•	Univocal – A term’s property of having a single meaning, without ambiguity.
•	Valid – The quality of an argument whose form ensures that if the premises are true, the conclusion cannot be false.

Vincent Cheung

•	The Ministry of the Word
Explores the biblical foundations, calling, and fruit of faithful preaching and teaching of Scripture.
•	Doctrine and Obedience
Examines how right theology must flow into practical holy living, showing that belief and behavior are inseparable.
•	Apologetics in Conversation
Offers strategies for winsome, Scripture based defense of the faith in everyday dialogue.
•	Samson and His Faith
Studies the judge Samson to draw lessons on divine strength, human weakness, and steadfast trust in God.
•	Pure Religion
Unpacks James 1:27’s call to undefiled religion—caring for the fatherless, widows, and personal holiness.
•	Sermonettes, Volumes 1, 3, 5, 7 & 9
Five series of brief, focused devotionals that apply biblical truth to daily challenges and spiritual growth.
•	Commentary on Malachi
Verse‐by‐verse exposition of Malachi, highlighting God’s covenant love, judgment, and promise of the coming messenger.
•	Commentary on Galatians
A detailed walk through Paul’s defense of justification by faith, the liberty of the Spirit, and Christian identity in Christ.
•	Commentary on Ephesians
Explores the riches of God’s grace in Christ, the church as His body, and the believer’s call to spiritual warfare.
•	On Good and Evil
Theologically examines the origins of moral evil, human responsibility, and God’s sovereign permission of suffering.
•	The Parables of Jesus
In depth studies of our Lord’s parables, unlocking their kingdom of God truths for life and worship.
•	The Author of Sin
Investigates Satan’s role, methods, and ultimate defeat, showing how Christ overcomes the power of darkness.
•	Renewing the Mind
Applies Romans 12:2 to daily discipleship, teaching how Scripture reshapes thinking and transforms behavior.
•	Ultimate Questions
Addresses life’s deepest spiritual and philosophical questions—purpose, suffering, eternity—using biblical answers.
•	The Light of Our Minds
Illuminates Christ as the “light” that enlightens our understanding, guiding faith, reason, and worship.


Kelp Forest Lullaby ext v1.1.2.1.1.2

Down 'neath the waves where the kelp forests grow
Shimmer and sway in the ocean's ebb flow
Gliding through shadows with fins gentle and slow, yeah yeah yeah
Drifting o'er sea beds with wonders untold
A diver beholds a world brave and bold
Asked the old seal, can you guide me below?
A school of silver fish, they flicker and fly
Darting through currents under the blue sky
Where the starfish rest and the anemones glow
An underwater ballet, a spectacular show
Through the briny deep, where the silent whales roam
Echoing songs 'neath the frothy sea foam
Deep in the green, where the sea otters play
Twirling and swirling in their water-ballet
Silent observers, the diver and seal, oh
Engulfed in a world that seems so surreal
[Chorus]
In the heart of the sea where the wild things go
The diver with wonder, his face all aglow
Spy the shy octopus in a rocky alcove
Ink swirling mystery in the watergrove
Glance above, the surface shimmers with warm light, oh
Journey unfolds with the sun sinking low
Harbor seals playing with a curious grace
Neptune's kingdom, such an enchanting place

Waves gently whisper to the moon's soft tune
Carving the sand, a cradle for the night's cocoon
The tide's lullaby soothes every creature below
In the kelp forest's arms, the sea's secrets they stow
Curious crab in its clacking ballet
Beneath the surface where the dolphins play
Now the sea stars shine like jewels so bright
Amidst the coral, in the fading light
The diver signs, 'Oh, what a sight to behold,'
Encounters with nature, both fearless and bold
[Verse 5]
With a flash of a fin, the sharks glide on by
Majestic and calm beneath the sapphire sky

Prompt: Scuba diving the kelp forest in the ocean off the California coast sung by County Crows