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This isn't", "story so I know the general gist of what is said and what", "say (I've had issues with forgetting the dialogue of scenes while I was", "story idea for a decade now, and I remember what happened is I", "in his life (which I do know exactly what it is but am", "arguments you see between characters over life philosophies in manga/anime, some of the", "upset and storm off, which is necessary to set things up for the", "the two of them have this meeting without either ever realizing who the", "does one do when they know the general gist of how a scene", "down in the moment to not forget them). It's the equivalent of knowing", "influences character development, but I cannot easily articulate what the characters say or", "for the story so I know the general gist of what is said", "off, which is necessary to set things up for the next scene where", "it's where the lack thereof is felt most strongly. The closest I have", "and I know how the character's mindset changes as a result of the", "the key moments in the story to show the reader they have chemistry", "the world and how the conversations affect their character development. This is a", "take the actions necessary in the next scene. As can be seen, I", "was trying to write enough notes down in the moment to not forget", "have this issue in that I don't know how to get my characters", "actions necessary in the next scene. As can be seen, I have an", "one scene I know that one character says something that makes another upset", "is a big problem because in some cases, like the above, these are", "because in some cases, like the above, these are really important scenes used", "what the character are specifically going to say to produce that result, or", "like the above, these are really important scenes used to establish chemistry between", "conversation. However, I am having a problem where I don't know what the", "himself back up. This is supposed to be one of the key moments", "apparent the two understand each other emotionally on some level. This leads into", "strokes. E.g., in one scene I know that one character says something that", "convincing him to pick himself back up. This is supposed to be one", "going to make. I have been working on this story idea for a", "some cases, like the above, these are really important scenes used to establish", "feels the same way. This is the point at which the characters go", "general idea of what is said, and I know how the character's mindset", "in my story that involve two or more characters talking to each other", "to make\" and write it down, but ultimately that results in a rather", "I intended to say (I've had issues with forgetting the dialogue of scenes", "produce that result, or the arguments they are going to make. I have", "or points made. So now I have this issue in that I don't", "initial \"meet cute\" between the two romantic leads. The guy is distraught over", "seem to have a point, and even worse does not build the emotional", "the discussion of geopolitics in Game of Thrones, etc.) that also influence character", "seen, I have an idea of what happens in these scenes and how", "it influences character development, but I cannot easily articulate what the characters say", "male and female romantic leads of the story) and relate to the same", "do know exactly what it is but am not detailing here for copyright", "I don't know how to get my characters to make the point they", "traumatic event in his life (which I do know exactly what it is", "two understand each other emotionally on some level. This leads into the characters", "the two understand each other emotionally on some level. This leads into the", "know how they see the world and how the conversations affect their character", "feels plot-mandated rather than developing naturally. This isn't only the case with romantic", "ultimately that results in a rather incoherent argument that doesn't seem to have", "that would be an interesting point to make\" and write it down, but", "what I intended to say (I've had issues with forgetting the dialogue of", "and convincing him to pick himself back up. This is supposed to be", "because they involve the same characters (the male and female romantic leads of", "to get is when I randomly have flashes of \"oh, that would be", "their affiliations are revealed. The two are alone talking about something, the guy", "was said when I outlined the plot a decade ago, but since then", "a result of the conversation. However, I am having a problem where I", "for copyright reasons), whereas the girl sees a stranger being upset and talks", "big problem because in some cases, like the above, these are really important", "This is a big problem because in some cases, like the above, these", "specifically feeling alone and unwanted, and the girl accidentally lets it slip that", "strongly. The closest I have been able to get is when I randomly", "you see between characters over life philosophies in manga/anime, some of the discussion", "and an emotional connection. However due to the plot (a star-crossed lovers story),", "the situation, I know the very, very general idea of what is said,", "that doesn't seem to have a point, and even worse does not build", "where I don't know what the character are specifically going to say to", "scenes that establish who they are as characters). I'll use two scenes as", "about various issues, many of which wander into semi-philosophical discussion regarding some of", "I've forgotten what I intended to say (I've had issues with forgetting the", "point to make\" and write it down, but ultimately that results in a", "to show the reader they have chemistry and an emotional connection. However due", "two scenes as examples, mostly because they involve the same characters (the male", "result of the conversation. However, I am having a problem where I don't", "happened is I had some vague ideas about what specifically was said when", "story to show the reader they have chemistry and an emotional connection. However", "I am trying to create. Given this, *what does one do when they", "now, and I remember what happened is I had some vague ideas about", "easily articulate what the characters say or the specific arguments they make. I", "know the general gist of what is said and what happens in broad", "the character's mindset changes as a result of the conversation. However, I am", "the story to show the reader they have chemistry and an emotional connection.", "and unwanted, and the girl accidentally lets it slip that she feels the", "the initial \"meet cute\" between the two romantic leads. The guy is distraught", "cute\" between the two romantic leads. The guy is distraught over a tragic,", "unwanted, and the girl accidentally lets it slip that she feels the same", "to the same issue. The first is the initial \"meet cute\" between", "working on this story idea for a decade now, and I remember what", "and the point at which is becomes very apparent the two understand each", "them to actually say it coherently is hard (specifically because these are scenes", "they involve the same characters (the male and female romantic leads of the", "see between characters over life philosophies in manga/anime, some of the discussion of", "plot a decade ago, but since then I've forgotten what I intended to", "this, *what does one do when they know the general gist of how", "do when they know the general gist of how a scene or a", "makes another upset and storm off, which is necessary to set things up", "make. I have been working on this story idea for a decade now,", "have been able to get is when I randomly have flashes of \"oh,", "while I was trying to write enough notes down in the moment to", "up. This is supposed to be one of the key moments in the", "the conversations affect their character development. This is a big problem because in", "irony of the scene. * The second is a later scene between the", "scene. As can be seen, I have an idea of what happens in", "exactly what it is but am not detailing here for copyright reasons), whereas", "the story) and relate to the same issue. * The first is the", "later scene between the two after their affiliations are revealed. The two are", "idea of what happens in these scenes and how it influences character development,", "are revealed. The two are alone talking about something, the guy specifically feeling", "interested in the other to actually having romantic feelings, and the point at", "cases, like the above, these are really important scenes used to establish chemistry", "I'll use two scenes as examples, mostly because they involve the same characters", "feeling alone and unwanted, and the girl accidentally lets it slip that she", "of geopolitics in Game of Thrones, etc.) that also influence character development and", "chemistry I am trying to create. Given this, what does one do when", "the emotional chemistry I am trying to create. Given this, what does one", "of the story) and relate to the same issue. * The first is", "happens in broad strokes. E.g., in one scene I know that one character", "technically her greatest enemy), which is part of the dramatic irony of the", "use two scenes as examples, mostly because they involve the same characters (the", "a later scene between the two after their affiliations are revealed. The two", "know what the character are specifically going to say to produce that result,", "but for some reason getting them to actually say it coherently is hard", "a stranger being upset and talks to him, talking him through the crisis", "and storm off, which is necessary to set things up for the next", "order for something plot-important to happen. I know what the character's mindset is", "is a later scene between the two after their affiliations are revealed. The", "distraught over a tragic, traumatic event in his life (which I do know", "and I remember what happened is I had some vague ideas about what", "show the reader they have chemistry and an emotional connection. However due to", "have flashes of \"oh, that would be an interesting point to make\" and", "story), the two of them have this meeting without either ever realizing who", "happen. I know what the character's mindset is going into the situation, I", "to happen. I know what the character's mindset is going into the situation,", "characters gaining the motivation to take the actions necessary in the next scene.", "one do when they know the general gist of how a scene or", "the same characters (the male and female romantic leads of the story) and", "up for the next scene where I need the character to be alone", "mindset changes as a result of the conversation. However, I am having a", "manga/anime, some of the discussion of geopolitics in Game of Thrones, etc.) that", "(e.g., the arguments you see between characters over life philosophies in manga/anime, some", "wander into semi-philosophical discussion regarding some of the general themes of the story", "the point at which is becomes very apparent the two understand each other", "story that involve two or more characters talking to each other about various", "general gist of how a scene or a philosophical argument is supposed to", "so I know the general gist of what is said and what happens", "is the initial \"meet cute\" between the two romantic leads. The guy is", "a rather incoherent argument that doesn't seem to have a point, and even", "they are trying to make in this scene. They have very distinct voices,", "and what happens in broad strokes. E.g., in one scene I know that", "said, and I know how the character's mindset changes as a result of", "as examples, mostly because they involve the same characters (the male and female", "what it is but am not detailing here for copyright reasons), whereas the", "and talks to him, talking him through the crisis and convincing him to", "the girl just helped someone who is technically her greatest enemy), which is", "I know the very, very general idea of what is said, and I", "result, or the arguments they are going to make. I have been working", "to be alone and angry in order for something plot-important to happen. I", "female romantic leads of the story) and relate to the same issue. ", "first is the initial \"meet cute\" between the two romantic leads. The guy", "I know that one character says something that makes another upset and storm", "talks to him, talking him through the crisis and convincing him to pick", "upset and talks to him, talking him through the crisis and convincing him", "hard (specifically because these are scenes that establish who they are as characters).", "very, very general idea of what is said, and I know how the", "results in a rather incoherent argument that doesn't seem to have a point,", "slip that she feels the same way. This is the point at which", "romantic leads. The guy is distraught over a tragic, traumatic event in his", "going to say to produce that result, or the arguments they are going", "through the crisis and convincing him to pick himself back up. This is", "actually having romantic feelings, and the point at which is becomes very apparent", "the actions necessary in the next scene. As can be seen, I have", "the same issue. The first is the initial \"meet cute\" between the", "be an interesting point to make\" and write it down, but ultimately that", "two are alone talking about something, the guy specifically feeling alone and unwanted,", "rather incoherent argument that doesn't seem to have a point, and even worse", "felt most strongly. The closest I have been able to get is when", "due to the plot (a star-crossed lovers story), the two of them have", "able to get is when I randomly have flashes of \"oh, that would", "which wander into semi-philosophical discussion regarding some of the general themes of the", "This isn't only the case with romantic scenes, but it's where the lack", "just helped someone who is technically her greatest enemy), which is part of", "However, I am having a problem where I don't know what the character", "really important scenes used to establish chemistry between characters, and without it their", "development and relationships. I have an outline for the story so I know", "but not the actual dialogue or points made. So now I have this", "that result, or the arguments they are going to make. I have been", "developing naturally. This isn't only the case with romantic scenes, but it's where", "lets it slip that she feels the same way. This is the point", "but I cannot easily articulate what the characters say or the specific arguments", "to take the actions necessary in the next scene. As can be seen,", "storm off, which is necessary to set things up for the next scene", "the conversation. However, I am having a problem where I don't know what", "it is but am not detailing here for copyright reasons), whereas the girl", "in Game of Thrones, etc.) that also influence character development and relationships. I", "I had some vague ideas about what specifically was said when I outlined", "make. I know how they see the world and how the conversations affect", "same characters (the male and female romantic leads of the story) and relate", "that involve two or more characters talking to each other about various issues,", "or more characters talking to each other about various issues, many of which", "the story so I know the general gist of what is said and", "forget them). It's the equivalent of knowing a scene summary but not the", "character development and relationships. I have an outline for the story so I", "problem because in some cases, like the above, these are really important scenes", "(the male and female romantic leads of the story) and relate to the", "what happens in these scenes and how it influences character development, but I", "also influence character development and relationships. I have an outline for the story", "decade ago, but since then I've forgotten what I intended to say (I've", "it coherently is hard (specifically because these are scenes that establish who they", "either ever realizing who the other is (and that the girl just helped", "pick himself back up. This is supposed to be one of the key", "make in this scene. They have very distinct voices, but for some reason", "issue. The first is the initial \"meet cute\" between the two romantic", "go from merely being interested in the other to actually having romantic feelings,", "is the point at which the characters go from merely being interested in", "the character to be alone and angry in order for something plot-important to", "and the girl accidentally lets it slip that she feels the same way.", "issue in that I don't know how to get my characters to make", "some level. This leads into the characters gaining the motivation to take the", "are as characters). I'll use two scenes as examples, mostly because they involve", "girl accidentally lets it slip that she feels the same way. This is", "the motivation to take the actions necessary in the next scene. As can", "necessary to set things up for the next scene where I need the", "can be seen, I have an idea of what happens in these scenes", "an interesting point to make\" and write it down, but ultimately that results", "is supposed to go but cannot easily articulate what the characters precisely say?*", "\"meet cute\" between the two romantic leads. The guy is distraught over a", "in these scenes and how it influences character development, but I cannot easily", "what the characters say or the specific arguments they make. I know how", "same issue. The first is the initial \"meet cute\" between the two", "stranger being upset and talks to him, talking him through the crisis and", "development, but I cannot easily articulate what the characters say or the specific", "characters talking to each other about various issues, many of which wander into", "very apparent the two understand each other emotionally on some level. This leads", "realizing who the other is (and that the girl just helped someone who", "even worse does not build the emotional chemistry I am trying to create.", "and angry in order for something plot-important to happen. I know what the", "(and that the girl just helped someone who is technically her greatest enemy),", "I outlined the plot a decade ago, but since then I've forgotten what", "know how the character's mindset changes as a result of the conversation. However,", "don't know how to get my characters to make the point they are", "is distraught over a tragic, traumatic event in his life (which I do", "it down, but ultimately that results in a rather incoherent argument that doesn't", "characters over life philosophies in manga/anime, some of the discussion of geopolitics in", "scenes, but it's where the lack thereof is felt most strongly. The closest", "the general gist of what is said and what happens in broad strokes.", "rather than developing naturally. This isn't only the case with romantic scenes, but", "affiliations are revealed. The two are alone talking about something, the guy specifically", "other to actually having romantic feelings, and the point at which is becomes", "second is a later scene between the two after their affiliations are revealed.", "emotional connection. However due to the plot (a star-crossed lovers story), the two", "way. This is the point at which the characters go from merely being", "issues, many of which wander into semi-philosophical discussion regarding some of the general", "character's mindset changes as a result of the conversation. However, I am having", "don't know what the character are specifically going to say to produce that", "ideas about what specifically was said when I outlined the plot a decade", "am trying to create. Given this, *what does one do when they know", "characters). I'll use two scenes as examples, mostly because they involve the same", "down, but ultimately that results in a rather incoherent argument that doesn't seem", "for the next scene where I need the character to be alone and", "or a philosophical argument is supposed to go but cannot easily articulate what", "their relationship feels plot-mandated rather than developing naturally. This isn't only* the case", "I know how they see the world and how the conversations affect their", "to each other about various issues, many of which wander into semi-philosophical discussion", "or the arguments they are going to make. I have been working on", "I remember what happened is I had some vague ideas about what specifically", "is part of the dramatic irony of the scene. * The second is", "they are going to make. I have been working on this story idea", "the point they are trying to make in this scene. They have very", "dramatic irony of the scene. * The second is a later scene between", "the characters say or the specific arguments they make. I know how they", "the arguments they are going to make. I have been working on this", "situation, I know the very, very general idea of what is said, and", "equivalent of knowing a scene summary but not the actual dialogue or points", "Game of Thrones, etc.) that also influence character development and relationships. I have", "are trying to make in this scene. They have very distinct voices, but", "a tragic, traumatic event in his life (which I do know exactly what", "is technically her greatest enemy), which is part of the dramatic irony of", "the specific arguments they make. I know how they see the world and", "incoherent argument that doesn't seem to have a point, and even worse does", "flashes of \"oh, that would be an interesting point to make\" and write", "the character's mindset is going into the situation, I know the very, very", "scene. * The second is a later scene between the two after their", "naturally. This isn't only the case with romantic scenes, but it's where the", "summary but not the actual dialogue or points made. So now I have", "scenes as examples, mostly because they involve the same characters (the male and", "is becomes very apparent the two understand each other emotionally on some level.", "romantic leads of the story) and relate to the same issue. * The", "and female romantic leads of the story) and relate to the same issue.", "the moment to not forget them). It's the equivalent of knowing a scene", "crisis and convincing him to pick himself back up. This is supposed to", "mostly because they involve the same characters (the male and female romantic leads", "in broad strokes. E.g., in one scene I know that one character says", "without either ever realizing who the other is (and that the girl just", "character says something that makes another upset and storm off, which is necessary", "arguments they are going to make. I have been working on this story", "worse* does not build the emotional chemistry I am trying to create. Given", "to be one of the key moments in the story to show the", "the equivalent of knowing a scene summary but not the actual dialogue or", "outline for the story so I know the general gist of what is", "which is necessary to set things up for the next scene where I", "a decade ago, but since then I've forgotten what I intended to say", "I need the character to be alone and angry in order for something", "are specifically going to say to produce that result, or the arguments they", "I know what the character's mindset is going into the situation, I know", "emotional chemistry I am trying to create. Given this, *what does one do", "a big problem because in some cases, like the above, these are really", "the case with romantic scenes, but it's where the lack thereof is felt", "going into the situation, I know the very, very general idea of what", "characters say or the specific arguments they make. I know how they see", "(specifically because these are scenes that establish who they are as characters). I'll", "(a star-crossed lovers story), the two of them have this meeting without either", "level. This leads into the characters gaining the motivation to take the actions", "of Thrones, etc.) that also influence character development and relationships. I have an", "character development, but I cannot easily articulate what the characters say or the", "of the story (e.g., the arguments you see between characters over life philosophies", "establish who they are as characters). I'll use two scenes as examples, mostly", "The second is a later scene between the two after their affiliations are", "for a decade now, and I remember what happened is I had some", "need the character to be alone and angry in order for something plot-important", "characters go from merely being interested in the other to actually having romantic", "point, and even worse does not build the emotional chemistry I am trying", "the lack thereof is felt most strongly. The closest I have been able", "in the next scene. As can be seen, I have an idea of", "geopolitics in Game of Thrones, etc.) that also influence character development and relationships.", "his life (which I do know exactly what it is but am not", "what is said, and I know how the character's mindset changes as a", "as a result of the conversation. However, I am having a problem where", "that I don't know how to get my characters to make the point", "be seen, I have an idea of what happens in these scenes and", "The two are alone talking about something, the guy specifically feeling alone and", "of what happens in these scenes and how it influences character development, but", "have chemistry and an emotional connection. However due to the plot (a star-crossed", "have this meeting without either ever realizing who the other is (and that", "star-crossed lovers story), the two of them have this meeting without either ever", "know what the character's mindset is going into the situation, I know the", "I am having a problem where I don't know what the character are", "story (e.g., the arguments you see between characters over life philosophies in manga/anime,", "and how the conversations affect their character development. This is a big problem", "However due to the plot (a star-crossed lovers story), the two of them", "build the emotional chemistry I am trying to create. Given this, **what does", "the other is (and that the girl just helped someone who is technically", "remember what happened is I had some vague ideas about what specifically was" ]
[ "plot. Is this common in stories? How would you represent this on paper", "lines of events going on at once in a story. Call this a", "at once in a story. Call this a multithreaded plot. Is this common", "multithreaded plot. Is this common in stories? How would you represent this on", "in a story. Call this a multithreaded plot. Is this common in stories?", "on at once in a story. Call this a multithreaded plot. Is this", "have multiple lines of events going on at once in a story. Call", "multiple lines of events going on at once in a story. Call this", "once in a story. Call this a multithreaded plot. Is this common in", "you have multiple lines of events going on at once in a story.", "this a multithreaded plot. Is this common in stories? How would you represent", "going on at once in a story. Call this a multithreaded plot. Is", "a multithreaded plot. Is this common in stories? How would you represent this", "events going on at once in a story. Call this a multithreaded plot.", "say you have multiple lines of events going on at once in a", "this common in stories? How would you represent this on paper before drafting?", "a story. Call this a multithreaded plot. Is this common in stories? How", "Is this common in stories? How would you represent this on paper before", "story. Call this a multithreaded plot. Is this common in stories? How would", "Call this a multithreaded plot. Is this common in stories? How would you", "of events going on at once in a story. Call this a multithreaded", "Let's say you have multiple lines of events going on at once in" ]
[ "have already formed of her? Should I mention it earlier, or not at", "you can get a basic idea, fair skin, light eyes—but I never list", "the mental image that readers have already formed of her? Should I mention", "haven’t supplied much description of my main character, mainly because it didn’t come", "But later, about six chapters in, another character mentions that she has red", "fair skin, light eyes—but I never list any of her physical traits directly.", "because it didn’t come up naturally. Her parents are described, so you can", "much description of my main character, mainly because it didn’t come up naturally.", "of my main character, mainly because it didn’t come up naturally. Her parents", "a basic idea, fair skin, light eyes—but I never list any of her", "I never list any of her physical traits directly. But later, about six", "list any of her physical traits directly. But later, about six chapters in,", "of her physical traits directly. But later, about six chapters in, another character", "later, about six chapters in, another character mentions that she has red hair.", "red hair. Will this disrupt the mental image that readers have already formed", "naturally. Her parents are described, so you can get a basic idea, fair", "traits directly. But later, about six chapters in, another character mentions that she", "described, so you can get a basic idea, fair skin, light eyes—but I", "description of my main character, mainly because it didn’t come up naturally. Her", "chapters in, another character mentions that she has red hair. Will this disrupt", "six chapters in, another character mentions that she has red hair. Will this", "light eyes—but I never list any of her physical traits directly. But later,", "basic idea, fair skin, light eyes—but I never list any of her physical", "never list any of her physical traits directly. But later, about six chapters", "parents are described, so you can get a basic idea, fair skin, light", "any of her physical traits directly. But later, about six chapters in, another", "hair. Will this disrupt the mental image that readers have already formed of", "it didn’t come up naturally. Her parents are described, so you can get", "I haven’t supplied much description of my main character, mainly because it didn’t", "directly. But later, about six chapters in, another character mentions that she has", "has red hair. Will this disrupt the mental image that readers have already", "mainly because it didn’t come up naturally. Her parents are described, so you", "idea, fair skin, light eyes—but I never list any of her physical traits", "eyes—but I never list any of her physical traits directly. But later, about", "my main character, mainly because it didn’t come up naturally. Her parents are", "can get a basic idea, fair skin, light eyes—but I never list any", "get a basic idea, fair skin, light eyes—but I never list any of", "didn’t come up naturally. Her parents are described, so you can get a", "so you can get a basic idea, fair skin, light eyes—but I never", "character mentions that she has red hair. Will this disrupt the mental image", "physical traits directly. But later, about six chapters in, another character mentions that", "this disrupt the mental image that readers have already formed of her? Should", "in, another character mentions that she has red hair. Will this disrupt the", "Her parents are described, so you can get a basic idea, fair skin,", "up naturally. Her parents are described, so you can get a basic idea,", "disrupt the mental image that readers have already formed of her? Should I", "about six chapters in, another character mentions that she has red hair. Will", "character, mainly because it didn’t come up naturally. Her parents are described, so", "skin, light eyes—but I never list any of her physical traits directly. But", "another character mentions that she has red hair. Will this disrupt the mental", "readers have already formed of her? Should I mention it earlier, or not", "already formed of her? Should I mention it earlier, or not at all?", "supplied much description of my main character, mainly because it didn’t come up", "Will this disrupt the mental image that readers have already formed of her?", "that readers have already formed of her? Should I mention it earlier, or", "she has red hair. Will this disrupt the mental image that readers have", "mentions that she has red hair. Will this disrupt the mental image that", "mental image that readers have already formed of her? Should I mention it", "are described, so you can get a basic idea, fair skin, light eyes—but", "come up naturally. Her parents are described, so you can get a basic", "that she has red hair. Will this disrupt the mental image that readers", "main character, mainly because it didn’t come up naturally. Her parents are described,", "image that readers have already formed of her? Should I mention it earlier,", "her physical traits directly. But later, about six chapters in, another character mentions" ]
[ "they would be very tough and can definitely take hits well. A good", "blows and pepper them with hit and run attacks to avoid getting hit", "it's not a one-sided Worf effect as in Infinity War There are several", "armored character easily overpower. The problem is that in practice the fight seems", "to write these: having the frailer fighter dart out of the way of", "War* There are several prior fight scenes between the big, armored character and", "War: Hulk is bigger and has more raw power but Thanos has speed", "previous foes. The two characters are supposed to be on an equal footing,", "is a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough, and* powerful but compared to the first", "[Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough, and powerful but compared to the first character is", "characters are supposed to be on an equal footing, even if their \"stat", "am writing a fight scene between two monsters. One is heavily armored but", "the armored character on equal footing to raise the stakes of the fight,", "character. The issue with this is I am trying to establish in these", "scenes that the Lightning Bruiser is a credible threat who can fight with", "scenes between the big, armored character and a much frailer but more nimble", "foes. The two characters are supposed to be on an equal footing, even", "scene between two monsters. One is heavily armored but comparatively slower, whereas the", "one, even though in practice this character is a lot tougher and a", "one-sided Worf effect as in Infinity War There are several prior fight scenes", "a threat to the armored character and is exactly the same as the", "threat who can fight with the armored character on equal footing to raise", "big, armored character and a much frailer but more nimble opponent. I know", "one good blow that would end the fight instantly. However, I've been having", "of the way of the bigger character's blows and pepper them with hit", "pepper them with hit and run attacks to avoid getting hit with the", "have very high amounts of \"skill points\" but the former put more of", "slower, whereas the other is a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough, and powerful but", "in that it gives the impression to the reader that the Lightning Bruiser", "is exactly the same as the previous foes they faced, and overall makes", "amounts of \"skill points\" but the former put more of them in defense", "in practice this character is a lot tougher and a lot more powerful", "but compared to the first character is relatively frailer and quicker, even though", "has more raw power but Thanos has speed and skill, albeit in this", "in speed, whereas the other is equal across the board. Another analogy might", "attacks to avoid getting hit with the one good blow that would end", "this case it's not a one-sided Worf effect as in Infinity War There", "more raw power but Thanos has speed and skill, albeit in this case", "effect as in Infinity War There are several prior fight scenes between the", "relatively frailer and quicker, even though by most standards they would be very", "Hulk is bigger and has more raw power but Thanos has speed and", "run attacks to avoid getting hit with the one good blow that would", "footing to raise the stakes of the fight, rather than the armored character", "video game or tabletop RPG analogy: both have very high amounts of \"skill", "but the former put more of them in defense and less in speed,", "is not a threat to the armored character and is exactly the same", "be very tough and can definitely take hits well. A good comparison might", "Bruiser ducks and darts around the blows of the more armored one, even", "can definitely take hits well. A good comparison might be a video game", "the armored character and is exactly the same as the previous foes they", "the more armored one, even though in practice this character is a lot", "gives the impression to the reader that the Lightning Bruiser is not a", "darts around the blows of the more armored one, even though in practice", "the fight, rather than the armored character easily overpower. The problem is that", "nimble opponent. I know how to write these: having the frailer fighter dart", "points\" but the former put more of them in defense and less in", "that it gives the impression to the reader that the Lightning Bruiser is", "in practice the fight seems to play out exactly the same, the less", "to play out exactly the same, the less armored Lightning Bruiser ducks and", "their \"stat distribution\" is different. This creates an issue in that it gives", "of \"skill points\" but the former put more of them in defense and", "same, the less armored Lightning Bruiser ducks and darts around the blows of", "fight scenes come across as repetitive or boring. Given this, how do I", "the frailer fighter dart out of the way of the bigger character's blows", "power but Thanos has speed and skill, albeit in this case it's not", "having the frailer fighter dart out of the way of the bigger character's", "albeit in this case it's not a one-sided Worf effect as in Infinity", "blow that would end the fight instantly. However, I've been having trouble writing", "though in practice this character is a lot tougher and a lot more", "dart out of the way of the bigger character's blows and pepper them", "trouble writing fight scenes with a character who is more durable, but simply", "come across as repetitive or boring. Given this, how do I write a", "hit with the one good blow that would end the fight instantly. However,", "in defense and less in speed, whereas the other is equal across the", "\"stat distribution\" is different. This creates an issue in that it gives the", "even though by most standards they would be very tough and can definitely", "but Thanos has speed and skill, albeit in this case it's not a", "a Lightning Bruiser character is strong, fast, and* tough, and that this character", "the armored character. The issue with this is I am trying to establish", "The two characters are supposed to be on an equal footing, even if", "or tabletop RPG analogy: both have very high amounts of \"skill points\" but", "in Infinity War: Hulk is bigger and has more raw power but Thanos", "character presents a legitimate threat to the armored one that can fight them", "between two monsters. One is heavily armored but comparatively slower, whereas the other", "on equal footing to raise the stakes of the fight, rather than the", "and less in speed, whereas the other is equal across the board. Another", "be Thanos versus Hulk in Infinity War: Hulk is bigger and has more", "strong, fast, and tough, and that this character presents a legitimate threat to", "that this character presents a legitimate threat to the armored one that can", "with hit and run attacks to avoid getting hit with the one good", "both have very high amounts of \"skill points\" but the former put more", "exactly the same, the less armored Lightning Bruiser ducks and darts around the", "with the one good blow that would end the fight instantly. However, I've", "that a Lightning Bruiser character is strong, fast, and tough, and that this", "character on equal footing to raise the stakes of the fight, rather than", "versus Hulk in Infinity War: Hulk is bigger and has more raw power", "not a threat to the armored character and is exactly the same as", "do I write a fight scene such that it highlights that a Lightning", "previous foes they faced, and overall makes the fight scenes come across as", "Lightning Bruiser ducks and darts around the blows of the more armored one,", "and that this character presents a legitimate threat to the armored one that", "scene such that it highlights that a Lightning Bruiser character is strong, fast,", "are several prior fight scenes between the big, armored character and a much", "same as the previous foes they faced, and overall makes the fight scenes", "fight, rather than the armored character easily overpower. The problem is that in", "end the fight instantly. However, I've been having trouble writing fight scenes with", "it highlights that a Lightning Bruiser character is strong, fast, and tough, and", "Thanos versus Hulk in Infinity War: Hulk is bigger and has more raw", "well. A good comparison might be a video game or tabletop RPG analogy:", "that it highlights that a Lightning Bruiser character is strong, fast, and tough,", "Lightning Bruiser is not a threat to the armored character and is exactly", "the first character is relatively frailer and quicker, even though by most standards", "very tough and can definitely take hits well. A good comparison might be", "the blows of the more armored one, even though in practice this character", "the way of the bigger character's blows and pepper them with hit and", "and a lot more powerful than previous foes. The two characters are supposed", "tougher and a lot more powerful than previous foes. The two characters are", "fight scenes with a character who is more durable, but simply less so", "makes the fight scenes come across as repetitive or boring. Given this, how", "write a fight scene such that it highlights that a Lightning Bruiser character", "to be on an equal footing, even if their \"stat distribution\" is different.", "the board. Another analogy might be Thanos versus Hulk in Infinity War: Hulk", "frailer fighter dart out of the way of the bigger character's blows and", "supposed to be on an equal footing, even if their \"stat distribution\" is", "fight seems to play out exactly the same, the less armored Lightning Bruiser", "Hulk in Infinity War: Hulk is bigger and has more raw power but", "in Infinity War There are several prior fight scenes between the big, armored", "character and a much frailer but more nimble opponent. I know how to", "The issue with this is I am trying to establish in these scenes", "boring. Given this, how do I write a fight scene such that it", "character who is more durable, but simply less so than the armored character.", "practice the fight seems to play out exactly the same, the less armored", "even if their \"stat distribution\" is different. This creates an issue in that", "to the first character is relatively frailer and quicker, even though by most", "two monsters. One is heavily armored but comparatively slower, whereas the other is", "more of them in defense and less in speed, whereas the other is", "overall makes the fight scenes come across as repetitive or boring. Given this,", "more nimble opponent. I know how to write these: having the frailer fighter", "but comparatively slower, whereas the other is a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough, and", "a much frailer but more nimble opponent. I know how to write these:", "analogy: both have very high amounts of \"skill points\" but the former put", "tough, and that this character presents a legitimate threat to the armored one", "character is a lot tougher and a lot more powerful than previous foes.", "this, how do I write a fight scene such that it highlights that", "and skill, albeit in this case it's not a one-sided Worf effect as", "first character is relatively frailer and quicker, even though by most standards they", "Another analogy might be Thanos versus Hulk in Infinity War: Hulk is bigger", "foes they faced, and overall makes the fight scenes come across as repetitive", "and darts around the blows of the more armored one, even though in", "as in Infinity War There are several prior fight scenes between the big,", "character easily overpower. The problem is that in practice the fight seems to", "exactly the same as the previous foes they faced, and overall makes the", "seems to play out exactly the same, the less armored Lightning Bruiser ducks", "as repetitive or boring. Given this, how do I write a fight scene", "avoid getting hit with the one good blow that would end the fight", "repetitive or boring. Given this, how do I write a fight scene such", "out exactly the same, the less armored Lightning Bruiser ducks and darts around", "threat to the armored character and is exactly the same as the previous", "analogy might be Thanos versus Hulk in Infinity War: Hulk is bigger and", "the Lightning Bruiser is a credible threat who can fight with the armored", "or boring. Given this, how do I write a fight scene such that", "might be Thanos versus Hulk in Infinity War: Hulk is bigger and has", "heavily armored but comparatively slower, whereas the other is a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast,", "such that it highlights that a Lightning Bruiser character is strong, fast, and", "the stakes of the fight, rather than the armored character easily overpower. The", "getting hit with the one good blow that would end the fight instantly.", "footing, even if their \"stat distribution\" is different. This creates an issue in", "several prior fight scenes between the big, armored character and a much frailer", "Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough, and powerful but compared to the first character is relatively", "lot tougher and a lot more powerful than previous foes. The two characters", "a lot tougher and a lot more powerful than previous foes. The two", "can fight with the armored character on equal footing to raise the stakes", "presents a legitimate threat to the armored one that can fight them on", "most standards they would be very tough and can definitely take hits well.", "equal footing, even if their \"stat distribution\" is different. This creates an issue", "tough, and powerful but compared to the first character is relatively frailer and", "has speed and skill, albeit in this case it's not a one-sided Worf", "speed, whereas the other is equal across the board. Another analogy might be", "is that in practice the fight seems to play out exactly the same,", "Given this, how do I write a fight scene such that it highlights", "character and is exactly the same as the previous foes they faced, and", "different. This creates an issue in that it gives the impression to the", "I know how to write these: having the frailer fighter dart out of", "how to write these: having the frailer fighter dart out of the way", "the armored character easily overpower. The problem is that in practice the fight", "an issue in that it gives the impression to the reader that the", "armored one, even though in practice this character is a lot tougher and", "raw power but Thanos has speed and skill, albeit in this case it's", "than previous foes. The two characters are supposed to be on an equal", "I am trying to establish in these scenes that the Lightning Bruiser is", "trying to establish in these scenes that the Lightning Bruiser is a credible", "speed and skill, albeit in this case it's not a one-sided Worf effect", "fight instantly. However, I've been having trouble writing fight scenes with a character", "on an equal footing, even if their \"stat distribution\" is different. This creates", "how do I write a fight scene such that it highlights that a", "writing a fight scene between two monsters. One is heavily armored but comparatively", "Lightning Bruiser character is strong, fast, and tough, and that this character presents", "prior fight scenes between the big, armored character and a much frailer but", "game or tabletop RPG analogy: both have very high amounts of \"skill points\"", "There are several prior fight scenes between the big, armored character and a", "in this case it's not a one-sided Worf effect as in Infinity War", "is equal across the board. Another analogy might be Thanos versus Hulk in", "of the more armored one, even though in practice this character is a", "be a video game or tabletop RPG analogy: both have very high amounts", "and can definitely take hits well. A good comparison might be a video", "very high amounts of \"skill points\" but the former put more of them", "but simply less so than the armored character. The issue with this is", "I write a fight scene such that it highlights that a Lightning Bruiser", "a character who is more durable, but simply less so than the armored", "fight scenes between the big, armored character and a much frailer but more", "armored character and a much frailer but more nimble opponent. I know how", "reader that the Lightning Bruiser is not a threat to the armored character", "this character presents a legitimate threat to the armored one that can fight", "Lightning Bruiser is a credible threat who can fight with the armored character", "armored character on equal footing to raise the stakes of the fight, rather", "to avoid getting hit with the one good blow that would end the", "former put more of them in defense and less in speed, whereas the", "the one good blow that would end the fight instantly. However, I've been", "been having trouble writing fight scenes with a character who is more durable,", "equal footing to raise the stakes of the fight, rather than the armored", "the other is equal across the board. Another analogy might be Thanos versus", "to the reader that the Lightning Bruiser is not a threat to the", "comparison might be a video game or tabletop RPG analogy: both have very", "whereas the other is a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough, and powerful but compared", "than the armored character. The issue with this is I am trying to", "is I am trying to establish in these scenes that the Lightning Bruiser", "A good comparison might be a video game or tabletop RPG analogy: both", "legitimate threat to the armored one that can fight them on equal footing.", "a fight scene between two monsters. One is heavily armored but comparatively slower,", "them in defense and less in speed, whereas the other is equal across", "the less armored Lightning Bruiser ducks and darts around the blows of the", "case it's not a one-sided Worf effect as in Infinity War There are", "these scenes that the Lightning Bruiser is a credible threat who can fight", "issue with this is I am trying to establish in these scenes that", "distribution\" is different. This creates an issue in that it gives the impression", "armored character. The issue with this is I am trying to establish in", "fight scene between two monsters. One is heavily armored but comparatively slower, whereas", "a lot more powerful than previous foes. The two characters are supposed to", "that would end the fight instantly. However, I've been having trouble writing fight", "with the armored character on equal footing to raise the stakes of the", "would be very tough and can definitely take hits well. A good comparison", "a legitimate threat to the armored one that can fight them on equal", "bigger and has more raw power but Thanos has speed and skill, albeit", "in these scenes that the Lightning Bruiser is a credible threat who can", "RPG analogy: both have very high amounts of \"skill points\" but the former", "of the fight, rather than the armored character easily overpower. The problem is", "and has more raw power but Thanos has speed and skill, albeit in", "the fight seems to play out exactly the same, the less armored Lightning", "stakes of the fight, rather than the armored character easily overpower. The problem", "hit and run attacks to avoid getting hit with the one good blow", "definitely take hits well. A good comparison might be a video game or", "other is equal across the board. Another analogy might be Thanos versus Hulk", "scenes with a character who is more durable, but simply less so than", "blows of the more armored one, even though in practice this character is", "the same, the less armored Lightning Bruiser ducks and darts around the blows", "character's blows and pepper them with hit and run attacks to avoid getting", "and is exactly the same as the previous foes they faced, and overall", "an equal footing, even if their \"stat distribution\" is different. This creates an", "the fight instantly. However, I've been having trouble writing fight scenes with a", "is a lot tougher and a lot more powerful than previous foes. The", "of the bigger character's blows and pepper them with hit and run attacks", "by most standards they would be very tough and can definitely take hits", "creates an issue in that it gives the impression to the reader that", "fast, tough, and powerful but compared to the first character is relatively frailer", "impression to the reader that the Lightning Bruiser is not a threat to", "monsters. One is heavily armored but comparatively slower, whereas the other is a", "faced, and overall makes the fight scenes come across as repetitive or boring.", "fight scene such that it highlights that a Lightning Bruiser character is strong,", "Infinity War There are several prior fight scenes between the big, armored character", "write these: having the frailer fighter dart out of the way of the", "powerful than previous foes. The two characters are supposed to be on an", "and powerful but compared to the first character is relatively frailer and quicker,", "hits well. A good comparison might be a video game or tabletop RPG", "know how to write these: having the frailer fighter dart out of the", "much frailer but more nimble opponent. I know how to write these: having", "skill, albeit in this case it's not a one-sided Worf effect as in", "these: having the frailer fighter dart out of the way of the bigger", "of them in defense and less in speed, whereas the other is equal", "less armored Lightning Bruiser ducks and darts around the blows of the more", "a video game or tabletop RPG analogy: both have very high amounts of", "if their \"stat distribution\" is different. This creates an issue in that it", "around the blows of the more armored one, even though in practice this", "overpower. The problem is that in practice the fight seems to play out", "tabletop RPG analogy: both have very high amounts of \"skill points\" but the", "be on an equal footing, even if their \"stat distribution\" is different. This", "standards they would be very tough and can definitely take hits well. A", "whereas the other is equal across the board. Another analogy might be Thanos", "more powerful than previous foes. The two characters are supposed to be on", "Bruiser character is strong, fast, and tough, and that this character presents a", "armored character and is exactly the same as the previous foes they faced,", "as the previous foes they faced, and overall makes the fight scenes come", "and a much frailer but more nimble opponent. I know how to write", "but more nimble opponent. I know how to write these: having the frailer", "writing fight scenes with a character who is more durable, but simply less", "and overall makes the fight scenes come across as repetitive or boring. Given", "am trying to establish in these scenes that the Lightning Bruiser is a", "that the Lightning Bruiser is not a threat to the armored character and", "is strong, fast, and tough, and that this character presents a legitimate threat", "across as repetitive or boring. Given this, how do I write a fight", "equal across the board. Another analogy might be Thanos versus Hulk in Infinity", "problem is that in practice the fight seems to play out exactly the", "the same as the previous foes they faced, and overall makes the fight", "with a character who is more durable, but simply less so than the", "The problem is that in practice the fight seems to play out exactly", "lot more powerful than previous foes. The two characters are supposed to be", "is heavily armored but comparatively slower, whereas the other is a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser):", "Worf effect as in Infinity War* There are several prior fight scenes between", "less in speed, whereas the other is equal across the board. Another analogy", "armored but comparatively slower, whereas the other is a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough,", "simply less so than the armored character. The issue with this is I", "bigger character's blows and pepper them with hit and run attacks to avoid", "to establish in these scenes that the Lightning Bruiser is a credible threat", "frailer but more nimble opponent. I know how to write these: having the", "the big, armored character and a much frailer but more nimble opponent. I", "Bruiser is not a threat to the armored character and is exactly the", "and pepper them with hit and run attacks to avoid getting hit with", "this character is a lot tougher and a lot more powerful than previous", "Bruiser is a credible threat who can fight with the armored character on", "though by most standards they would be very tough and can definitely take", "put more of them in defense and less in speed, whereas the other", "who can fight with the armored character on equal footing to raise the", "is relatively frailer and quicker, even though by most standards they would be", "practice this character is a lot tougher and a lot more powerful than", "the fight scenes come across as repetitive or boring. Given this, how do", "this is I am trying to establish in these scenes that the Lightning", "would end the fight instantly. However, I've been having trouble writing fight scenes", "a one-sided Worf effect as in Infinity War There are several prior fight", "fast, and tough, and that this character presents a legitimate threat to the", "tough and can definitely take hits well. A good comparison might be a", "more durable, but simply less so than the armored character. The issue with", "the Lightning Bruiser is not a threat to the armored character and is", "it gives the impression to the reader that the Lightning Bruiser is not", "not a one-sided Worf effect as in Infinity War There are several prior", "is different. This creates an issue in that it gives the impression to", "rather than the armored character easily overpower. The problem is that in practice", "establish in these scenes that the Lightning Bruiser is a credible threat who", "than the armored character easily overpower. The problem is that in practice the", "the former put more of them in defense and less in speed, whereas", "armored Lightning Bruiser ducks and darts around the blows of the more armored", "the reader that the Lightning Bruiser is not a threat to the armored", "the other is a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough, and powerful but compared to", "that in practice the fight seems to play out exactly the same, the", "is bigger and has more raw power but Thanos has speed and skill,", "good comparison might be a video game or tabletop RPG analogy: both have", "the impression to the reader that the Lightning Bruiser is not a threat", "compared to the first character is relatively frailer and quicker, even though by", "with this is I am trying to establish in these scenes that the", "One is heavily armored but comparatively slower, whereas the other is a [Lightning", "character is relatively frailer and quicker, even though by most standards they would", "take hits well. A good comparison might be a video game or tabletop", "and run attacks to avoid getting hit with the one good blow that", "that the Lightning Bruiser is a credible threat who can fight with the", "a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough, and powerful but compared to the first character", "Thanos has speed and skill, albeit in this case it's not a one-sided", "frailer and quicker, even though by most standards they would be very tough", "fight with the armored character on equal footing to raise the stakes of", "way of the bigger character's blows and pepper them with hit and run", "quicker, even though by most standards they would be very tough and can", "a credible threat who can fight with the armored character on equal footing", "This creates an issue in that it gives the impression to the reader", "the bigger character's blows and pepper them with hit and run attacks to", "having trouble writing fight scenes with a character who is more durable, but", "two characters are supposed to be on an equal footing, even if their", "to the armored character and is exactly the same as the previous foes", "less so than the armored character. The issue with this is I am", "who is more durable, but simply less so than the armored character. The", "the previous foes they faced, and overall makes the fight scenes come across", "Infinity War: Hulk is bigger and has more raw power but Thanos has", "scenes come across as repetitive or boring. Given this, how do I write", "credible threat who can fight with the armored character on equal footing to", "opponent. I know how to write these: having the frailer fighter dart out", "other is a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough, and powerful but compared to the", "I am writing a fight scene between two monsters. One is heavily armored", "raise the stakes of the fight, rather than the armored character easily overpower.", "fighter dart out of the way of the bigger character's blows and pepper", "are supposed to be on an equal footing, even if their \"stat distribution\"", "is more durable, but simply less so than the armored character. The issue", "they faced, and overall makes the fight scenes come across as repetitive or", "high amounts of \"skill points\" but the former put more of them in", "defense and less in speed, whereas the other is equal across the board.", "across the board. Another analogy might be Thanos versus Hulk in Infinity War:", "out of the way of the bigger character's blows and pepper them with", "powerful but compared to the first character is relatively frailer and quicker, even", "to raise the stakes of the fight, rather than the armored character easily", "ducks and darts around the blows of the more armored one, even though", "is a credible threat who can fight with the armored character on equal", "I've been having trouble writing fight scenes with a character who is more", "good blow that would end the fight instantly. However, I've been having trouble", "a fight scene such that it highlights that a Lightning Bruiser character is", "and quicker, even though by most standards they would be very tough and", "instantly. However, I've been having trouble writing fight scenes with a character who", "even though in practice this character is a lot tougher and a lot", "character is strong, fast, and tough, and that this character presents a legitimate", "play out exactly the same, the less armored Lightning Bruiser ducks and darts", "easily overpower. The problem is that in practice the fight seems to play", "board. Another analogy might be Thanos versus Hulk in Infinity War: Hulk is", "However, I've been having trouble writing fight scenes with a character who is", "durable, but simply less so than the armored character. The issue with this", "might be a video game or tabletop RPG analogy: both have very high", "comparatively slower, whereas the other is a [Lightning Bruiser](https://tvtropes.org/pmwiki/pmwiki.php/Main/LightningBruiser): fast, tough, and powerful", "highlights that a Lightning Bruiser character is strong, fast, and tough, and that", "between the big, armored character and a much frailer but more nimble opponent.", "them with hit and run attacks to avoid getting hit with the one", "more armored one, even though in practice this character is a lot tougher", "so than the armored character. The issue with this is I am trying", "and tough, and that this character presents a legitimate threat to the armored", "issue in that it gives the impression to the reader that the Lightning", "\"skill points\" but the former put more of them in defense and less" ]
[ "some other means to hide the true identity of an object or person?", "other means to hide the true identity of an object or person? Anagrams", "to hide the true identity of an object or person? Anagrams are used", "person? Anagrams are used to hide symbolisms and allegories throughout a movie, novel.", "Aside anagrams, what are some other means to hide the true identity of", "used to hide symbolisms and allegories throughout a movie, novel. What are some", "of an object or person? Anagrams are used to hide symbolisms and allegories", "true identity of an object or person? Anagrams are used to hide symbolisms", "are some other means to hide the true identity of an object or", "object or person? Anagrams are used to hide symbolisms and allegories throughout a", "identity of an object or person? Anagrams are used to hide symbolisms and", "and allegories throughout a movie, novel. What are some other means of achieving", "anagrams, what are some other means to hide the true identity of an", "throughout a movie, novel. What are some other means of achieving the same", "what are some other means to hide the true identity of an object", "hide the true identity of an object or person? Anagrams are used to", "the true identity of an object or person? Anagrams are used to hide", "a movie, novel. What are some other means of achieving the same thing?", "to hide symbolisms and allegories throughout a movie, novel. What are some other", "hide symbolisms and allegories throughout a movie, novel. What are some other means", "or person? Anagrams are used to hide symbolisms and allegories throughout a movie,", "means to hide the true identity of an object or person? Anagrams are", "are used to hide symbolisms and allegories throughout a movie, novel. What are", "Anagrams are used to hide symbolisms and allegories throughout a movie, novel. What", "symbolisms and allegories throughout a movie, novel. What are some other means of", "allegories throughout a movie, novel. What are some other means of achieving the", "an object or person? Anagrams are used to hide symbolisms and allegories throughout" ]
[ "reduces to a dry and incoherent collection of sentences. Have any other emotional", "dry and incoherent collection of sentences. Have any other emotional poets in this", "poem just reduces to a dry and incoherent collection of sentences. Have any", "that I feel my poem has during the time of writing, slowly evaporates", "emotions. I discovered that the amount of emotions that I feel my poem", "When I re-read it after some days, the poem just reduces to a", "another person who writes poems to vent out emotions. I discovered that the", "discovered that the amount of emotions that I feel my poem has during", "emotions that I feel my poem has during the time of writing, slowly", "that the amount of emotions that I feel my poem has during the", "of writing, slowly evaporates away. When I re-read it after some days, the", "a dry and incoherent collection of sentences. Have any other emotional poets in", "incoherent collection of sentences. Have any other emotional poets in this community felt", "the poem just reduces to a dry and incoherent collection of sentences. Have", "re-read it after some days, the poem just reduces to a dry and", "other emotional poets in this community felt the same? If yes, how do", "out emotions. I discovered that the amount of emotions that I feel my", "the time of writing, slowly evaporates away. When I re-read it after some", "the amount of emotions that I feel my poem has during the time", "of emotions that I feel my poem has during the time of writing,", "time of writing, slowly evaporates away. When I re-read it after some days,", "poets in this community felt the same? If yes, how do you deal", "some days, the poem just reduces to a dry and incoherent collection of", "poem has during the time of writing, slowly evaporates away. When I re-read", "feel my poem has during the time of writing, slowly evaporates away. When", "any other emotional poets in this community felt the same? If yes, how", "has during the time of writing, slowly evaporates away. When I re-read it", "to vent out emotions. I discovered that the amount of emotions that I", "the same? If yes, how do you deal with this volatility of emotions?", "vent out emotions. I discovered that the amount of emotions that I feel", "evaporates away. When I re-read it after some days, the poem just reduces", "it after some days, the poem just reduces to a dry and incoherent", "Have any other emotional poets in this community felt the same? If yes,", "my poem has during the time of writing, slowly evaporates away. When I", "to a dry and incoherent collection of sentences. Have any other emotional poets", "and incoherent collection of sentences. Have any other emotional poets in this community", "collection of sentences. Have any other emotional poets in this community felt the", "poems to vent out emotions. I discovered that the amount of emotions that", "sentences. Have any other emotional poets in this community felt the same? If", "emotional poets in this community felt the same? If yes, how do you", "slowly evaporates away. When I re-read it after some days, the poem just", "I feel my poem has during the time of writing, slowly evaporates away.", "after some days, the poem just reduces to a dry and incoherent collection", "days, the poem just reduces to a dry and incoherent collection of sentences.", "of sentences. Have any other emotional poets in this community felt the same?", "am just another person who writes poems to vent out emotions. I discovered", "felt the same? If yes, how do you deal with this volatility of", "I discovered that the amount of emotions that I feel my poem has", "community felt the same? If yes, how do you deal with this volatility", "in this community felt the same? If yes, how do you deal with", "who writes poems to vent out emotions. I discovered that the amount of", "amount of emotions that I feel my poem has during the time of", "just reduces to a dry and incoherent collection of sentences. Have any other", "writing, slowly evaporates away. When I re-read it after some days, the poem", "this community felt the same? If yes, how do you deal with this", "away. When I re-read it after some days, the poem just reduces to", "I re-read it after some days, the poem just reduces to a dry", "I am just another person who writes poems to vent out emotions. I", "during the time of writing, slowly evaporates away. When I re-read it after", "person who writes poems to vent out emotions. I discovered that the amount", "writes poems to vent out emotions. I discovered that the amount of emotions", "just another person who writes poems to vent out emotions. I discovered that" ]
[ "> I look forward to visiting with you and thank you for your", "look forward to visiting with you and thank you for your consideration. >", "forward to visiting with you and thank you for your consideration. > >", "comma before \"and\" in this sentence? > > I look forward to visiting", "sentence? > > I look forward to visiting with you and thank you", "there be a comma before \"and\" in this sentence? > > I look", "> > I look forward to visiting with you and thank you for", "I look forward to visiting with you and thank you for your consideration.", "a comma before \"and\" in this sentence? > > I look forward to", "be a comma before \"and\" in this sentence? > > I look forward", "\"and\" in this sentence? > > I look forward to visiting with you", "in this sentence? > > I look forward to visiting with you and", "before \"and\" in this sentence? > > I look forward to visiting with", "this sentence? > > I look forward to visiting with you and thank", "Should there be a comma before \"and\" in this sentence? > > I", "to visiting with you and thank you for your consideration. > > >" ]
[ "One of these aspects is intelligence. All of the other lead characters in", "the journey of discovering the supernatural elements of the world along with the", "intent. Something I liked the idea of is that it's very strongly implied", "off* as a boring everyman for the reader to relate to, they are", "be smart). Thus, the character seems like an everyman but actually isn't. My", "give the reader someone to relate to and ask questions about the fantastical", "because they never felt the motivation to apply themselves and felt demoralized and", "show to the reader that a character is highly intelligent when they aren't", "everyman for the reader to relate to, they are intended to gradually shed", "is actually of above-average intelligence and while the character was an average student", "question is Qaniqo, which potentially sends off unfortunate implications that are the exact", "shackled to the role of being the \"generic everyman with straight B grades\"", "is: how to I show to the reader that a character is highly", "and ask questions about the fantastical elements of the world to allow the", "My question is: how to I show to the reader that a character", "the story come off as highly intelligent and scientifically minded, and it feels", "that the character in question is Qaniqo, which potentially sends off unfortunate implications", "their highly intelligent older sibling (who is Latina and high-achieving, and given the", "average student in grade school, this was more because they never felt the", "character. However, while the character is initially meant to come off as a", "isn't. My question is: how to I show to the reader that a", "to go through the journey of discovering the supernatural elements of the world", "like an everyman but actually isn't. My question is: how to I show", "character seems like an everyman but actually isn't. My question is: *how to", "have a fantasy story in which the lead character is designed as your", "journey of discovering the supernatural elements of the world along with the main", "are the exact opposite of my intent. Something I liked the idea of", "character is actually of above-average intelligence and while the character was an average", "overshadowed by their highly intelligent older sibling (who is* Latina and high-achieving, and", "setting. One of these aspects is intelligence. All of the other lead characters", "intelligent and scientifically minded, and it feels very awkward to me that the", "is intelligence. All of the other lead characters in the story come off", "intelligent older sibling (who is Latina and high-achieving, and given the two are", "reader that a character is highly intelligent when they aren't particularly academically inclined", "a boring everyman for the reader to relate to, they are intended to", "being thrown into the plot, so that easy solution isn't really doable for", "smart in the way the term is also used, given they've lived a", "average reader. This is even worse considering that the character in question is", "they are intended to gradually shed off their generic status with more unique", "I show to the reader that a character is highly intelligent when they", "come off as a boring everyman for the reader to relate to, they", "status with more unique traits as the reader feels more comfortable with the", "when they aren't particularly academically inclined or \"book-smart\"?** They also aren't super street", "the main character. However, while the character is initially meant to come off", "intended to gradually shed off their generic status with more unique traits as", "as the reader feels more comfortable with the setting. One of these aspects", "actually isn't. My question is: how to I show to the reader that", "implications that are the exact opposite of my intent. Something I liked the", "your typical bland everyman protagonist whose purpose is to give the reader someone", "world to allow the reader to go through the journey of discovering the", "character comes off as \"the one dumb one\" because they are shackled to", "grades\" to be relatable to the average reader. This is even worse considering", "come off as highly intelligent and scientifically minded, and it feels very awkward", "designed as your typical bland everyman protagonist whose purpose is to give the", "ask questions about the fantastical elements of the world to allow the reader", "\"generic everyman with straight B grades\" to be relatable to the average reader.", "lead character is designed as your typical bland everyman protagonist whose purpose is", "to relate to, they are intended to gradually shed off their generic status", "This is even worse considering that the character in question is Qaniqo, which", "one dumb one\" because they are shackled to the role of being the", "everyman with straight B grades\" to be relatable to the average reader. This", "the fantastical elements of the world to allow the reader to go through", "with more unique traits as the reader feels more comfortable with the setting.", "they've lived a somewhat sheltered life in a safe neighborhood before being thrown", "story in which the lead character is designed as your typical bland everyman", "are siblings it makes sense that they would both be smart). Thus, the", "of the world to allow the reader to go through the journey of", "to, they are intended to gradually shed off their generic status with more", "feels very awkward to me that the main character comes off as \"the", "sends off unfortunate implications that are the exact opposite of my intent. Something", "even worse considering that the character in question is Qaniqo, which potentially sends", "aren't particularly academically inclined or \"book-smart\"? They also aren't super street smart in", "for the reader to relate to, they are intended to gradually shed off", "more because they never felt the motivation to apply themselves and felt demoralized", "a character is highly intelligent when they aren't particularly academically inclined or \"book-smart\"?", "is highly intelligent when they aren't particularly academically inclined or \"book-smart\"? They also", "the reader someone to relate to and ask questions about the fantastical elements", "off unfortunate implications that are the exact opposite of my intent. Something I", "by their highly intelligent older sibling (who is Latina and high-achieving, and given", "lead characters in the story come off as highly intelligent and scientifically minded,", "to come off as a boring everyman for the reader to relate to,", "and felt demoralized and overshadowed by their highly intelligent older sibling (who is", "is designed as your typical bland everyman protagonist whose purpose is to give", "scientifically minded, and it feels very awkward to me that the main character", "given the two are siblings it makes sense that they would both be", "to allow the reader to go through the journey of discovering the supernatural", "initially meant to come off as a boring everyman for the reader to", "is even worse considering that the character in question is Qaniqo, which potentially", "the average reader. 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Thus, the character seems like an everyman but actually isn't. My question", "thrown into the plot, so that easy solution isn't really doable for me.", "of above-average intelligence and while the character was an average student in grade", "their generic status with more unique traits as the reader feels more comfortable", "never felt the motivation to apply themselves and felt demoralized and overshadowed by", "Latina and high-achieving, and given the two are siblings it makes sense that", "very strongly implied that the character is actually of above-average intelligence and while", "particularly academically inclined or \"book-smart\"? 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They", "the world to allow the reader to go through the journey of discovering", "reader to go through the journey of discovering the supernatural elements of the", "everyman protagonist whose purpose is to give the reader someone to relate to", "through the journey of discovering the supernatural elements of the world along with", "supernatural elements of the world along with the main character. However, while the", "strongly implied that the character is actually of above-average intelligence and while the", "exact opposite of my intent. Something I liked the idea of is that", "motivation to apply themselves and felt demoralized and overshadowed by their highly intelligent", "a fantasy story in which the lead character is designed as your typical", "Something I liked the idea of is that it's very strongly implied that", "question is: how to I show to the reader that a character is", "or \"book-smart\"? 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This is even", "(who is* Latina and high-achieving, and given the two are siblings it makes", "highly intelligent when they aren't particularly academically inclined or \"book-smart\"?** They also aren't", "which potentially sends off unfortunate implications that are the exact opposite of my", "lived a somewhat sheltered life in a safe neighborhood before being thrown into", "character in question is Qaniqo, which potentially sends off unfortunate implications that are", "grade school, this was more because they never felt the motivation to apply", "main character. However, while the character is initially meant to come off as", "was an average student in grade school, this was more because they never", "way the term is also used, given they've lived a somewhat sheltered life", "they aren't particularly academically inclined or \"book-smart\"? They also aren't super street smart", "of these aspects is intelligence. All of the other lead characters in the", "it feels very awkward to me that the main character comes off as", "inclined or \"book-smart\"? They also aren't super street smart in the way the", "to and ask questions about the fantastical elements of the world to allow", "that they would both be smart). Thus, the character seems like an everyman", "the character seems like an everyman but actually isn't. My question is: *how", "being the \"generic everyman with straight B grades\" to be relatable to the", "gradually shed off their generic status with more unique traits as the reader", "All of the other lead characters in the story come off as highly", "to gradually shed off their generic status with more unique traits as the", "felt demoralized and overshadowed by their highly intelligent older sibling (who is* Latina", "neighborhood before being thrown into the plot, so that easy solution isn't really", "fantasy story in which the lead character is designed as your typical bland", "that the character is actually of above-average intelligence and while the character was", "character is designed as your typical bland everyman protagonist whose purpose is to", "the two are siblings it makes sense that they would both be smart).", "the character is actually of above-average intelligence and while the character was an", "super street smart in the way the term is also used, given they've", "awkward to me that the main character comes off as \"the one dumb", "term is also used, given they've lived a somewhat sheltered life in a", "more unique traits as the reader feels more comfortable with the setting. One", "B grades\" to be relatable to the average reader. This is even worse", "story come off as highly intelligent and scientifically minded, and it feels very", "of discovering the supernatural elements of the world along with the main character.", "school, this was more because they never felt the motivation to apply themselves", "character was an average student in grade school, this was more because they", "these aspects is intelligence. All of the other lead characters in the story", "traits as the reader feels more comfortable with the setting. One of these", "meant to come off as a boring everyman for the reader to relate", "feels more comfortable with the setting. One of these aspects is intelligence. All", "typical bland everyman protagonist whose purpose is to give the reader someone to", "me that the main character comes off as \"the one dumb one\" because", "is to give the reader someone to relate to and ask questions about", "Thus, the character seems like an everyman but actually isn't. My question is:", "because they are shackled to the role of being the \"generic everyman with", "\"the one dumb one\" because they are shackled to the role of being", "about the fantastical elements of the world to allow the reader to go", "older sibling (who is Latina and high-achieving, and given the two are siblings", "fantastical elements of the world to allow the reader to go through the", "character is initially meant to come off as a boring everyman for the", "the idea of is that it's very strongly implied that the character is", "protagonist whose purpose is to give the reader someone to relate to and", "used, given they've lived a somewhat sheltered life in a safe neighborhood before", "safe neighborhood before being thrown into the plot, so that easy solution isn't", "seems like an everyman but actually isn't. My question is: **how to I", "before being thrown into the plot, so that easy solution isn't really doable", "off as highly intelligent and scientifically minded, and it feels very awkward to", "off as \"the one dumb one\" because they are shackled to the role", "the character in question is Qaniqo, which potentially sends off unfortunate implications that", "to I show to the reader that a character is highly intelligent when", "a somewhat sheltered life in a safe neighborhood before being thrown into the", "high-achieving, and given the two are siblings it makes sense that they would", "given they've lived a somewhat sheltered life in a safe neighborhood before being" ]
[ "to convey that someone is Asian or mixed-race with Asian ancestry without sounding", "than white. *Given this, how can I convey the character is biracial with", "quality of the story, which is the part I actually want* people to", "a character. It’s honestly really, really hard to convey that someone is Asian", "It’s honestly really, really hard to convey that someone is Asian or mixed-race", "face and appearance looks like; they’re the kind of person I’ve heard real-life", "appearance looks like; they’re the kind of person I’ve heard real-life mixed-race people", "it sounding very strange and non-conversational. The closest I could think of is", "closest I could think of is when there is a character that is", "there may be a huge amount of backlash from people claiming that I", "first place, because I’ve noticed such a thing results in the controversy overshadowing", "to mention in a description of a character. It’s honestly really, really hard", "a diversity stunt. E.g., the whole “black Hermione” thing that popped up about", "Asian, even to the same person. My concern is how do I convey", "no, I don’t care about “muh culture war” in either direction, I have", "even describe someone who is full Asian without it sounding very strange and", "know), given how people have been reacting to other fiction recently there may", "but this work is in a written format. The main reason this is", "is the way that they’ve always appeared in my head. I’m more concerned", "this were a visual adaptation my character's biracial ancestry would be pretty clear,", "are also some unique difficulties in specifically conveying a character is of mixed", "in either direction, I have a specific idea of how this character looks", "speak that way when describing people’s looks. I find it hard to even", "adaptation (both of which given the context and statements by the authors statements", "it’s not likely that the other characters would notice. Contrast this with other", "about “muh culture war” in either direction, I have a specific idea of", "the same thing as they are given the comments suggest that the question", "easily do things like show their non-white relatives, have them describe experiences relating", "culture, have them offhandedly use phrases in another language, or even use their", "mixed-race with Asian ancestry without sounding like a 20th century phrenologist, and most", "as “Schrodinger’s Asian”: white people think they look white and Asian people think", "white-Asian descent describe as “Schrodinger’s Asian”: white people think they look white and", "Asian people think they look Asian, and depending on how the character does", "first or last name to show that they are biracial. E.g., Anne Boonchuy", "the comments suggest that the question has been edited a large number of", "been reacting to other fiction recently there may be a huge amount of", "This is a particular issue because the character has an easy time “passing”", "or mixed-race with Asian ancestry without sounding like a 20th century phrenologist, and", "conveyed to the audience both through her last name and from her mentioning", "or last name to show that they are biracial. E.g., Anne Boonchuy from", "stunt. E.g., the whole “black Hermione” thing that popped up about a year", "on how the character does things like style their hair they can either", "putting in a brief mention of skin color, which is something that is", "kind of person I’ve heard real-life mixed-race people of white-Asian descent describe as", "be a huge amount of backlash from people claiming that I “racewashed” the", "thing results in the controversy overshadowing the actual quality of the story, which", "their non-white relatives, have them describe experiences relating to a specific east Asian", "notice. I know that there is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing SE, but I", "very strange and non-conversational. The closest I could think of is when there", "with Asian ancestry without sounding like a 20th century phrenologist, and most human", "thing that popped up about a year ago, or what’s going on with", "describe someone who is full Asian without it sounding very strange and non-conversational.", "full Asian without it sounding very strange and non-conversational. The closest I could", "have a good idea of what their face and appearance looks like; they’re", "combinations, where it is easier to signal they are biracial by putting in", "Latino/Latina, and the writers pepper in Spanish into their dialogue to show that", "of mixed Asian-European ancestry in Western countries, given most people in these countries", "they can either look really white or really Asian, even to the same", "I convey to the audience that the character is biracial? This is a", "that they are Latino/Latina. Additionally, the character is an amnesiac runaway, so I", "by putting in a brief mention of skin color, which is something that", "I have a specific idea of how this character looks and this is", "her parents took her on to visit family in Thailand. If this were", "relatives, have them describe experiences relating to a specific east Asian culture, have", "am asking the same thing as they are given the comments suggest that", "in the controversy overshadowing the actual quality of the story, which is the", "backlash from people claiming that I “racewashed” the character as a diversity stunt.", "to show that they are Latino/Latina. Additionally, the character is an amnesiac runaway,", "popular enough to get visual depictions or even some kind of adaptation (yes,", "the part I actually want people to notice. I know that there is", "people claiming that I “racewashed” the character as a diversity stunt. E.g., the", "The main reason this is of concern to me is that if my", "I am not sure if I am asking the same thing as they", "really white or really Asian, even to the same person. My concern is", "thus it’s not likely that the other characters would notice. Contrast this with", "and Asian people think they look Asian, and depending on how the character", "trips her parents took her on to visit family in Thailand. If this", "this is of concern to me is that if my story ever gets", "pipe dream I know), given how people have been reacting to other fiction", "and non-conversational. The closest I could think of is when there is a", "the first place, because I’ve noticed such a thing results in the controversy", "good idea of what their face and appearance looks like; they’re the kind", "Thailand. If this were a visual adaptation my character's biracial ancestry would be", "results in the controversy overshadowing the actual quality of the story, which is", "a 20th century phrenologist, and most human beings don’t speak that way when", "other characters would notice. Contrast this with other potential mixed-race combinations, where it", "stunts). When the truth is that no, I don’t care about “muh culture", "beings don’t speak that way when describing people’s looks. I find it hard", "that way when describing people’s looks. I find it hard to even describe", "countries often don't see these individuals as anything other than white. *Given this,", "either direction, I have a specific idea of how this character looks and", "the question has been edited a large number of times. There are also", "is that if my story ever gets popular enough to get visual depictions", "My concern is how do I convey to the audience that the character", "in Thailand. If this were a visual adaptation my character's biracial ancestry would", "is biracial? This is a particular issue because the character has an easy", "strange and non-conversational. The closest I could think of is when there is", "with avoiding such a controversy in the first place, because I’ve noticed such", "really hard to convey that someone is Asian or mixed-race with Asian ancestry", "I know), given how people have been reacting to other fiction recently there", "like; they’re the kind of person I’ve heard real-life mixed-race people of white-Asian", "is biracial with mixed Caucasian-Asian ancestry in the text, particularly when it comes", "E.g., Anne Boonchuy from Amphibia* is Thai-American, and this is conveyed to the", "are biracial. E.g., Anne Boonchuy from Amphibia is Thai-American, and this is conveyed", "a protagonist who is biracial (mixed-race Caucasian-east Asian ancestry) living in the United", "adaptation (yes, a pipe dream I know), given how people have been reacting", "someone is Asian or mixed-race with Asian ancestry without sounding like a 20th", "very light-skinned Latino/Latina, and the writers pepper in Spanish into their dialogue to", "diversity stunt. E.g., the whole “black Hermione” thing that popped up about a", "actual quality of the story, which is the part I actually want people", "asking the same thing as they are given the comments suggest that the", "is when there is a character that is supposed to be a very", "depictions or even some kind of adaptation (yes, a pipe dream I know),", "person. My concern is how do I convey to the audience that the", "do kind of come off as shallow publicity stunts). When the truth is", "is biracial (mixed-race Caucasian-east Asian ancestry) living in the United States. I have", "visit family in Thailand. If this were a visual adaptation my character's biracial", "enough to get visual depictions or even some kind of adaptation (yes, a", "ever gets popular enough to get visual depictions or even some kind of", "I could think of is when there is a character that is supposed", "of which given the context and statements by the authors statements do kind", "are given the comments suggest that the question has been edited a large", "even use their first or last name to show that they are biracial.", "without it sounding very strange and non-conversational. The closest I could think of", "which given the context and statements by the authors statements do kind of", "a huge amount of backlash from people claiming that I “racewashed” the character", "noticed such a thing results in the controversy overshadowing the actual quality of", "and most human beings don’t speak that way when describing people’s looks. I", "from people claiming that I “racewashed” the character as a diversity stunt. E.g.,", "publicity stunts). When the truth is that no, I don’t care about “muh", "looks and this is the way that they’ve always appeared in my head.", "to show that they are biracial. E.g., Anne Boonchuy from Amphibia is Thai-American,", "idea of how this character looks and this is the way that they’ve", "United States. I have a good idea of what their face and appearance", "I convey the character is biracial with mixed Caucasian-Asian ancestry in the text,", "audience both through her last name and from her mentioning trips her parents", "to the audience that the character is biracial? This is a particular issue", "cannot easily do things like show their non-white relatives, have them describe experiences", "that no, I don’t care about “muh culture war” in either direction, I", "often don't see these individuals as anything other than white. *Given this, how", "have them offhandedly use phrases in another language, or even use their first", "the whole “black Hermione” thing that popped up about a year ago, or", "that there is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing SE, but I am not sure", "question has been edited a large number of times. There are also some", "question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing SE, but I am not sure if I am asking", "person I’ve heard real-life mixed-race people of white-Asian descent describe as “Schrodinger’s Asian”:", "large number of times. There are also some unique difficulties in specifically conveying", "thing as they are given the comments suggest that the question has been", "care about “muh culture war” in either direction, I have a specific idea", "is how do I convey to the audience that the character is biracial?", "work is in a written format. The main reason this is of concern", "is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing SE, but I am not sure if I", "her mentioning trips her parents took her on to visit family in Thailand.", "mixed Caucasian-Asian ancestry in the text, particularly when it comes to establishing the", "time “passing” as white, and thus it’s not likely that the other characters", "reason this is of concern to me is that if my story ever", "show their non-white relatives, have them describe experiences relating to a specific east", "Amphibia* is Thai-American, and this is conveyed to the audience both through her", "have been reacting to other fiction recently there may be a huge amount", "how this character looks and this is the way that they’ve always appeared", "what’s going on with Death in Neil Gaiman’s Sandman adaptation (both of which", "conveying a character is of mixed Asian-European ancestry in Western countries, given most", "a very light-skinned Latino/Latina, and the writers pepper in Spanish into their dialogue", "concern is how do I convey to the audience that the character is", "the authors statements do kind of come off as shallow publicity stunts). When", "I find it hard to even describe someone who is full Asian without", "is something that is easy to mention in a description of a character.", "do I convey to the audience that the character is biracial? This is", "mixed-race combinations, where it is easier to signal they are biracial by putting", "can I convey the character is biracial with mixed Caucasian-Asian ancestry in the", "show that they are Latino/Latina. Additionally, the character is an amnesiac runaway, so", "the story, which is the part I actually want people to notice. I", "Asian culture, have them offhandedly use phrases in another language, or even use", "these countries often don't see these individuals as anything other than white. *Given", "(mixed-race Caucasian-east Asian ancestry) living in the United States. I have a good", "controversy in the first place, because I’ve noticed such a thing results in", "to get visual depictions or even some kind of adaptation (yes, a pipe", "I actually want* people to notice. I know that there is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346)", "ancestry) living in the United States. I have a good idea of what", "as white, and thus it’s not likely that the other characters would notice.", "of backlash from people claiming that I “racewashed” the character as a diversity", "statements do kind of come off as shallow publicity stunts). When the truth", "the character is biracial? This is a particular issue because the character has", "get visual depictions or even some kind of adaptation (yes, a pipe dream", "claiming that I “racewashed” the character as a diversity stunt. E.g., the whole", "white people think they look white and Asian people think they look Asian,", "that the character is biracial? This is a particular issue because the character", "comments suggest that the question has been edited a large number of times.", "a thing results in the controversy overshadowing the actual quality of the story,", "mentioning trips her parents took her on to visit family in Thailand. If", "Additionally, the character is an amnesiac runaway, so I cannot easily do things", "phrenologist, and most human beings don’t speak that way when describing people’s looks.", "also some unique difficulties in specifically conveying a character is of mixed Asian-European", "into their dialogue to show that they are Latino/Latina. Additionally, the character is", "this, how can I convey the character is biracial with mixed Caucasian-Asian ancestry", "has been edited a large number of times. There are also some unique", "concern to me is that if my story ever gets popular enough to", "more concerned with avoiding such a controversy in the first place, because I’ve", "don't see these individuals as anything other than white. *Given this, how can", "really, really hard to convey that someone is Asian or mixed-race with Asian", "that if my story ever gets popular enough to get visual depictions or", "where it is easier to signal they are biracial by putting in a", "other fiction recently there may be a huge amount of backlash from people", "offhandedly use phrases in another language, or even use their first or last", "on to visit family in Thailand. If this were a visual adaptation my", "in my head. I’m more concerned with avoiding such a controversy in the", "“Schrodinger’s Asian”: white people think they look white and Asian people think they", "of skin color, which is something that is easy to mention in a", "of is when there is a character that is supposed to be a", "of concern to me is that if my story ever gets popular enough", "there is a character that is supposed to be a very light-skinned Latino/Latina,", "come off as shallow publicity stunts). When the truth is that no, I", "pretty clear, but this work is in a written format. The main reason", "gets popular enough to get visual depictions or even some kind of adaptation", "in a brief mention of skin color, which is something that is easy", "that the other characters would notice. Contrast this with other potential mixed-race combinations,", "Thai-American, and this is conveyed to the audience both through her last name", "this character looks and this is the way that they’ve always appeared in", "the controversy overshadowing the actual quality of the story, which is the part", "looks. I find it hard to even describe someone who is full Asian", "people in these countries often don't see these individuals as anything other than", "character. It’s honestly really, really hard to convey that someone is Asian or", "brief mention of skin color, which is something that is easy to mention", "non-conversational. The closest I could think of is when there is a character", "supposed to be a very light-skinned Latino/Latina, and the writers pepper in Spanish", "skin color, which is something that is easy to mention in a description", "biracial? This is a particular issue because the character has an easy time", "is of concern to me is that if my story ever gets popular", "“passing” as white, and thus it’s not likely that the other characters would", "this work is in a written format. The main reason this is of", "is an amnesiac runaway, so I cannot easily do things like show their", "really* Asian, even to the same person. My concern is how do I", "whole “black Hermione” thing that popped up about a year ago, or what’s", "things like show their non-white relatives, have them describe experiences relating to a", "avoiding such a controversy in the first place, because I’ve noticed such a", "easy time “passing” as white, and thus it’s not likely that the other", "they look white and Asian people think they look Asian, and depending on", "ancestry would be pretty clear, but this work is in a written format.", "with other potential mixed-race combinations, where it is easier to signal they are", "both through her last name and from her mentioning trips her parents took", "is of mixed Asian-European ancestry in Western countries, given most people in these", "they are biracial by putting in a brief mention of skin color, which", "character does things like style their hair they can either look really white", "is Asian or mixed-race with Asian ancestry without sounding like a 20th century", "When the truth is that no, I don’t care about “muh culture war”", "E.g., the whole “black Hermione” thing that popped up about a year ago,", "such a thing results in the controversy overshadowing the actual quality of the", "that they are biracial. E.g., Anne Boonchuy from Amphibia is Thai-American, and this", "character that is supposed to be a very light-skinned Latino/Latina, and the writers", "such a controversy in the first place, because I’ve noticed such a thing", "Gaiman’s Sandman adaptation (both of which given the context and statements by the", "people’s looks. I find it hard to even describe someone who is full", "notice. Contrast this with other potential mixed-race combinations, where it is easier to", "hard to convey that someone is Asian or mixed-race with Asian ancestry without", "in Spanish into their dialogue to show that they are Latino/Latina. Additionally, the", "if my story ever gets popular enough to get visual depictions or even", "convey the character is biracial with mixed Caucasian-Asian ancestry in the text, particularly", "truth is that no, I don’t care about “muh culture war” in either", "“muh culture war” in either direction, I have a specific idea of how", "There are also some unique difficulties in specifically conveying a character is of", "Asian-European ancestry in Western countries, given most people in these countries often don't", "pepper in Spanish into their dialogue to show that they are Latino/Latina. Additionally,", "use their first or last name to show that they are biracial. E.g.,", "a specific east Asian culture, have them offhandedly use phrases in another language,", "my story ever gets popular enough to get visual depictions or even some", "appeared in my head. I’m more concerned with avoiding such a controversy in", "year ago, or what’s going on with Death in Neil Gaiman’s Sandman adaptation", "a specific idea of how this character looks and this is the way", "given most people in these countries often don't see these individuals as anything", "the character as a diversity stunt. E.g., the whole “black Hermione” thing that", "huge amount of backlash from people claiming that I “racewashed” the character as", "is conveyed to the audience both through her last name and from her", "am not sure if I am asking the same thing as they are", "character is an amnesiac runaway, so I cannot easily do things like show", "character's biracial ancestry would be pretty clear, but this work is in a", "of the story, which is the part I actually want people to notice.", "how the character does things like style their hair they can either look", "in a written format. The main reason this is of concern to me", "Contrast this with other potential mixed-race combinations, where it is easier to signal", "head. I’m more concerned with avoiding such a controversy in the first place,", "“black Hermione” thing that popped up about a year ago, or what’s going", "and depending on how the character does things like style their hair they", "this is conveyed to the audience both through her last name and from", "a character is of mixed Asian-European ancestry in Western countries, given most people", "Asian or mixed-race with Asian ancestry without sounding like a 20th century phrenologist,", "the way that they’ve always appeared in my head. I’m more concerned with", "idea of what their face and appearance looks like; they’re the kind of", "they look Asian, and depending on how the character does things like style", "look Asian, and depending on how the character does things like style their", "as shallow publicity stunts). When the truth is that no, I don’t care", "depending on how the character does things like style their hair they can", "character is of mixed Asian-European ancestry in Western countries, given most people in", "I “racewashed” the character as a diversity stunt. E.g., the whole “black Hermione”", "convey to the audience that the character is biracial? This is a particular", "honestly really, really hard to convey that someone is Asian or mixed-race with", "Asian ancestry without sounding like a 20th century phrenologist, and most human beings", "Sandman adaptation (both of which given the context and statements by the authors", "shallow publicity stunts). When the truth is that no, I don’t care about", "20th century phrenologist, and most human beings don’t speak that way when describing", "or even some kind of adaptation (yes, a pipe dream I know), given", "times. There are also some unique difficulties in specifically conveying a character is", "character looks and this is the way that they’ve always appeared in my", "can either look really white or really Asian, even to the same person.", "is that no, I don’t care about “muh culture war” in either direction,", "would be pretty clear, but this work is in a written format. The", "Spanish into their dialogue to show that they are Latino/Latina. Additionally, the character", "war” in either direction, I have a specific idea of how this character", "real-life mixed-race people of white-Asian descent describe as “Schrodinger’s Asian”: white people think", "because the character has an easy time “passing” as white, and thus it’s", "how do I convey to the audience that the character is biracial? This", "number of times. There are also some unique difficulties in specifically conveying a", "Western countries, given most people in these countries often don't see these individuals", "family in Thailand. If this were a visual adaptation my character's biracial ancestry", "another language, or even use their first or last name to show that", "which is the part I actually want people to notice. I know that", "white and Asian people think they look Asian, and depending on how the", "given the context and statements by the authors statements do kind of come", "even some kind of adaptation (yes, a pipe dream I know), given how", "her on to visit family in Thailand. If this were a visual adaptation", "adaptation my character's biracial ancestry would be pretty clear, but this work is", "it hard to even describe someone who is full Asian without it sounding", "want people to notice. I know that there is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing", "were a visual adaptation my character's biracial ancestry would be pretty clear, but", "the audience both through her last name and from her mentioning trips her", "written format. The main reason this is of concern to me is that", "*Given this, how can I convey the character is biracial with mixed Caucasian-Asian", "I have a good idea of what their face and appearance looks like;", "to a specific east Asian culture, have them offhandedly use phrases in another", "specifically conveying a character is of mixed Asian-European ancestry in Western countries, given", "I am asking the same thing as they are given the comments suggest", "mention of skin color, which is something that is easy to mention in", "about a year ago, or what’s going on with Death in Neil Gaiman’s", "(yes, a pipe dream I know), given how people have been reacting to", "is full Asian without it sounding very strange and non-conversational. The closest I", "took her on to visit family in Thailand. If this were a visual", "is a character that is supposed to be a very light-skinned Latino/Latina, and", "to notice. I know that there is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing SE, but", "are biracial by putting in a brief mention of skin color, which is", "Anne Boonchuy from Amphibia* is Thai-American, and this is conveyed to the audience", "easier to signal they are biracial by putting in a brief mention of", "see these individuals as anything other than white. *Given this, how can I", "off as shallow publicity stunts). When the truth is that no, I don’t", "when there is a character that is supposed to be a very light-skinned", "States. I have a good idea of what their face and appearance looks", "particular issue because the character has an easy time “passing” as white, and", "their face and appearance looks like; they’re the kind of person I’ve heard", "concerned with avoiding such a controversy in the first place, because I’ve noticed", "countries, given most people in these countries often don't see these individuals as", "they are given the comments suggest that the question has been edited a", "Asian without it sounding very strange and non-conversational. The closest I could think", "how people have been reacting to other fiction recently there may be a", "“racewashed” the character as a diversity stunt. E.g., the whole “black Hermione” thing", "do things like show their non-white relatives, have them describe experiences relating to", "dialogue to show that they are Latino/Latina. Additionally, the character is an amnesiac", "Neil Gaiman’s Sandman* adaptation (both of which given the context and statements by", "heard real-life mixed-race people of white-Asian descent describe as “Schrodinger’s Asian”: white people", "that I “racewashed” the character as a diversity stunt. E.g., the whole “black", "when describing people’s looks. I find it hard to even describe someone who", "a character that is supposed to be a very light-skinned Latino/Latina, and the", "these individuals as anything other than white. *Given this, how can I convey", "and from her mentioning trips her parents took her on to visit family", "in these countries often don't see these individuals as anything other than white.", "a controversy in the first place, because I’ve noticed such a thing results", "something that is easy to mention in a description of a character. It’s", "last name and from her mentioning trips her parents took her on to", "on with Death in Neil Gaiman’s Sandman* adaptation (both of which given the", "I know that there is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing SE, but I am", "of how this character looks and this is the way that they’ve always", "things like style their hair they can either look really white or really", "anything other than white. *Given this, how can I convey the character is", "ancestry in Western countries, given most people in these countries often don't see", "of come off as shallow publicity stunts). When the truth is that no,", "actually want* people to notice. I know that there is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on", "would notice. Contrast this with other potential mixed-race combinations, where it is easier", "relating to a specific east Asian culture, have them offhandedly use phrases in", "who is biracial (mixed-race Caucasian-east Asian ancestry) living in the United States. I", "kind of come off as shallow publicity stunts). When the truth is that", "show that they are biracial. E.g., Anne Boonchuy from Amphibia is Thai-American, and", "signal they are biracial by putting in a brief mention of skin color,", "have a protagonist who is biracial (mixed-race Caucasian-east Asian ancestry) living in the", "character has an easy time “passing” as white, and thus it’s not likely", "non-white relatives, have them describe experiences relating to a specific east Asian culture,", "use phrases in another language, or even use their first or last name", "convey that someone is Asian or mixed-race with Asian ancestry without sounding like", "of a character. It’s honestly really, really hard to convey that someone is", "is supposed to be a very light-skinned Latino/Latina, and the writers pepper in", "difficulties in specifically conveying a character is of mixed Asian-European ancestry in Western", "in a description of a character. It’s honestly really, really hard to convey", "I’ve heard real-life mixed-race people of white-Asian descent describe as “Schrodinger’s Asian”: white", "style their hair they can either look really white or really Asian, even", "phrases in another language, or even use their first or last name to", "the kind of person I’ve heard real-life mixed-race people of white-Asian descent describe", "always appeared in my head. I’m more concerned with avoiding such a controversy", "and the writers pepper in Spanish into their dialogue to show that they", "edited a large number of times. There are also some unique difficulties in", "and this is the way that they’ve always appeared in my head. I’m", "If this were a visual adaptation my character's biracial ancestry would be pretty", "an amnesiac runaway, so I cannot easily do things like show their non-white", "there is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing SE, but I am not sure if", "ancestry without sounding like a 20th century phrenologist, and most human beings don’t", "clear, but this work is in a written format. The main reason this", "character is biracial? This is a particular issue because the character has an", "protagonist who is biracial (mixed-race Caucasian-east Asian ancestry) living in the United States.", "think they look Asian, and depending on how the character does things like", "story ever gets popular enough to get visual depictions or even some kind", "if I am asking the same thing as they are given the comments", "dream I know), given how people have been reacting to other fiction recently", "but I am not sure if I am asking the same thing as", "other than white. *Given this, how can I convey the character is biracial", "like style their hair they can either look really* white or really Asian,", "know that there is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing SE, but I am not", "from her mentioning trips her parents took her on to visit family in", "easy to mention in a description of a character. It’s honestly really, really", "some kind of adaptation (yes, a pipe dream I know), given how people", "on Writing SE, but I am not sure if I am asking the", "amount of backlash from people claiming that I “racewashed” the character as a", "their dialogue to show that they are Latino/Latina. Additionally, the character is an", "the character has an easy time “passing” as white, and thus it’s not", "has an easy time “passing” as white, and thus it’s not likely that", "that popped up about a year ago, or what’s going on with Death", "and statements by the authors statements do kind of come off as shallow", "Death in Neil Gaiman’s Sandman adaptation (both of which given the context and", "ago, or what’s going on with Death in Neil Gaiman’s Sandman adaptation (both", "specific idea of how this character looks and this is the way that", "an easy time “passing” as white, and thus it’s not likely that the", "I’ve noticed such a thing results in the controversy overshadowing the actual quality", "experiences relating to a specific east Asian culture, have them offhandedly use phrases", "Asian, and depending on how the character does things like style their hair", "writers pepper in Spanish into their dialogue to show that they are Latino/Latina.", "reacting to other fiction recently there may be a huge amount of backlash", "story, which is the part I actually want people to notice. I know", "to visit family in Thailand. If this were a visual adaptation my character's", "the truth is that no, I don’t care about “muh culture war” in", "ancestry in the text, particularly when it comes to establishing the character’s appearance", "kind of adaptation (yes, a pipe dream I know), given how people have", "and appearance looks like; they’re the kind of person I’ve heard real-life mixed-race", "people to notice. I know that there is [this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing SE,", "or really Asian, even to the same person. My concern is how do", "the actual quality of the story, which is the part I actually want", "this with other potential mixed-race combinations, where it is easier to signal they", "mixed Asian-European ancestry in Western countries, given most people in these countries often", "same person. My concern is how do I convey to the audience that", "the text, particularly when it comes to establishing the character’s appearance in people’s", "going on with Death in Neil Gaiman’s Sandman adaptation (both of which given", "this is the way that they’ve always appeared in my head. I’m more", "people think they look white and Asian people think they look Asian, and", "the writers pepper in Spanish into their dialogue to show that they are", "because I’ve noticed such a thing results in the controversy overshadowing the actual", "from Amphibia is Thai-American, and this is conveyed to the audience both through", "in the text, particularly when it comes to establishing the character’s appearance in", "to even describe someone who is full Asian without it sounding very strange", "a pipe dream I know), given how people have been reacting to other", "is easier to signal they are biracial by putting in a brief mention", "visual adaptation my character's biracial ancestry would be pretty clear, but this work", "sounding very strange and non-conversational. The closest I could think of is when", "controversy overshadowing the actual quality of the story, which is the part I", "is a particular issue because the character has an easy time “passing” as", "which is something that is easy to mention in a description of a", "suggest that the question has been edited a large number of times. There", "as they are given the comments suggest that the question has been edited", "century phrenologist, and most human beings don’t speak that way when describing people’s", "who is full Asian without it sounding very strange and non-conversational. The closest", "in Western countries, given most people in these countries often don't see these", "describe experiences relating to a specific east Asian culture, have them offhandedly use", "descent describe as “Schrodinger’s Asian”: white people think they look white and Asian", "not sure if I am asking the same thing as they are given", "people have been reacting to other fiction recently there may be a huge", "culture war” in either direction, I have a specific idea of how this", "the context and statements by the authors statements do kind of come off", "in the United States. I have a good idea of what their face", "of person I’ve heard real-life mixed-race people of white-Asian descent describe as “Schrodinger’s", "think they look white and Asian people think they look Asian, and depending", "is easy to mention in a description of a character. It’s honestly really,", "biracial ancestry would be pretty clear, but this work is in a written", "sure if I am asking the same thing as they are given the", "given how people have been reacting to other fiction recently there may be", "Latino/Latina. Additionally, the character is an amnesiac runaway, so I cannot easily do", "language, or even use their first or last name to show that they", "as anything other than white. *Given this, how can I convey the character", "does things like style their hair they can either look really* white or", "color, which is something that is easy to mention in a description of", "they’ve always appeared in my head. I’m more concerned with avoiding such a", "describing people’s looks. I find it hard to even describe someone who is", "is in a written format. The main reason this is of concern to", "I have a protagonist who is biracial (mixed-race Caucasian-east Asian ancestry) living in", "issue because the character has an easy time “passing” as white, and thus", "white. *Given this, how can I convey the character is biracial with mixed", "[this question](https://writing.stackexchange.com/questions/43337/how-does-one-describe-somebody-who-is-bi-racial-to-someone-who-is-blind/43346#43346) on Writing SE, but I am not sure if I am", "a year ago, or what’s going on with Death in Neil Gaiman’s Sandman", "think of is when there is a character that is supposed to be", "text, particularly when it comes to establishing the character’s appearance in people’s minds?", "mention in a description of a character. It’s honestly really, really hard to", "them describe experiences relating to a specific east Asian culture, have them offhandedly", "east Asian culture, have them offhandedly use phrases in another language, or even", "potential mixed-race combinations, where it is easier to signal they are biracial by", "through her last name and from her mentioning trips her parents took her", "given the comments suggest that the question has been edited a large number", "name to show that they are biracial. E.g., Anne Boonchuy from Amphibia* is", "white or really Asian, even to the same person. My concern is how", "popped up about a year ago, or what’s going on with Death in", "statements by the authors statements do kind of come off as shallow publicity", "description of a character. It’s honestly really, really hard to convey that someone", "it is easier to signal they are biracial by putting in a brief", "characters would notice. Contrast this with other potential mixed-race combinations, where it is", "part I actually want people to notice. I know that there is [this", "they’re the kind of person I’ve heard real-life mixed-race people of white-Asian descent", "I’m more concerned with avoiding such a controversy in the first place, because", "Asian ancestry) living in the United States. I have a good idea of", "they are Latino/Latina. Additionally, the character is an amnesiac runaway, so I cannot", "to the same person. My concern is how do I convey to the", "Writing SE, but I am not sure if I am asking the same", "that the question has been edited a large number of times. There are", "the character is biracial with mixed Caucasian-Asian ancestry in the text, particularly when", "likely that the other characters would notice. Contrast this with other potential mixed-race", "runaway, so I cannot easily do things like show their non-white relatives, have", "way when describing people’s looks. I find it hard to even describe someone", "to signal they are biracial by putting in a brief mention of skin", "parents took her on to visit family in Thailand. If this were a", "mixed-race people of white-Asian descent describe as “Schrodinger’s Asian”: white people think they", "that someone is Asian or mixed-race with Asian ancestry without sounding like a", "light-skinned Latino/Latina, and the writers pepper in Spanish into their dialogue to show", "format. The main reason this is of concern to me is that if", "or what’s going on with Death in Neil Gaiman’s Sandman adaptation (both of", "biracial (mixed-race Caucasian-east Asian ancestry) living in the United States. I have a", "living in the United States. I have a good idea of what their", "my head. I’m more concerned with avoiding such a controversy in the first", "most human beings don’t speak that way when describing people’s looks. I find", "so I cannot easily do things like show their non-white relatives, have them", "been edited a large number of times. There are also some unique difficulties", "look really white or really Asian, even to the same person. My concern", "that is supposed to be a very light-skinned Latino/Latina, and the writers pepper", "a particular issue because the character has an easy time “passing” as white,", "like show their non-white relatives, have them describe experiences relating to a specific", "in the first place, because I’ve noticed such a thing results in the", "most people in these countries often don't see these individuals as anything other", "specific east Asian culture, have them offhandedly use phrases in another language, or", "the character is an amnesiac runaway, so I cannot easily do things like", "of adaptation (yes, a pipe dream I know), given how people have been", "human beings don’t speak that way when describing people’s looks. I find it", "the United States. I have a good idea of what their face and", "what their face and appearance looks like; they’re the kind of person I’ve", "individuals as anything other than white. *Given this, how can I convey the", "a brief mention of skin color, which is something that is easy to", "place, because I’ve noticed such a thing results in the controversy overshadowing the", "character is biracial with mixed Caucasian-Asian ancestry in the text, particularly when it", "someone who is full Asian without it sounding very strange and non-conversational. The", "without sounding like a 20th century phrenologist, and most human beings don’t speak", "in another language, or even use their first or last name to show", "their hair they can either look really* white or really Asian, even to", "have a specific idea of how this character looks and this is the", "look white and Asian people think they look Asian, and depending on how", "the character does things like style their hair they can either look really", "find it hard to even describe someone who is full Asian without it", "The closest I could think of is when there is a character that", "either look really white or really Asian, even to the same person. My", "biracial with mixed Caucasian-Asian ancestry in the text, particularly when it comes to", "I cannot easily do things like show their non-white relatives, have them describe", "could think of is when there is a character that is supposed to", "of white-Asian descent describe as “Schrodinger’s Asian”: white people think they look white", "unique difficulties in specifically conveying a character is of mixed Asian-European ancestry in", "how can I convey the character is biracial with mixed Caucasian-Asian ancestry in", "Caucasian-Asian ancestry in the text, particularly when it comes to establishing the character’s", "have them describe experiences relating to a specific east Asian culture, have them", "the audience that the character is biracial? This is a particular issue because", "is Thai-American, and this is conveyed to the audience both through her last", "don’t care about “muh culture war” in either direction, I have a specific", "biracial by putting in a brief mention of skin color, which is something", "biracial. E.g., Anne Boonchuy from Amphibia is Thai-American, and this is conveyed to", "people of white-Asian descent describe as “Schrodinger’s Asian”: white people think they look", "that is easy to mention in a description of a character. It’s honestly", "don’t speak that way when describing people’s looks. I find it hard to", "a written format. The main reason this is of concern to me is", "fiction recently there may be a huge amount of backlash from people claiming", "I don’t care about “muh culture war” in either direction, I have a", "and this is conveyed to the audience both through her last name and", "to me is that if my story ever gets popular enough to get", "are Latino/Latina. Additionally, the character is an amnesiac runaway, so I cannot easily", "of what their face and appearance looks like; they’re the kind of person", "amnesiac runaway, so I cannot easily do things like show their non-white relatives,", "with Death in Neil Gaiman’s Sandman adaptation (both of which given the context", "in Neil Gaiman’s Sandman adaptation (both of which given the context and statements", "even to the same person. My concern is how do I convey to", "my character's biracial ancestry would be pretty clear, but this work is in", "up about a year ago, or what’s going on with Death in Neil", "main reason this is of concern to me is that if my story", "Boonchuy from Amphibia is Thai-American, and this is conveyed to the audience both", "with mixed Caucasian-Asian ancestry in the text, particularly when it comes to establishing", "a large number of times. There are also some unique difficulties in specifically", "context and statements by the authors statements do kind of come off as", "people think they look Asian, and depending on how the character does things", "Asian”: white people think they look white and Asian people think they look", "like a 20th century phrenologist, and most human beings don’t speak that way", "describe as “Schrodinger’s Asian”: white people think they look white and Asian people", "audience that the character is biracial? This is a particular issue because the", "same thing as they are given the comments suggest that the question has", "to the audience both through her last name and from her mentioning trips", "their first or last name to show that they are biracial. E.g., Anne", "as a diversity stunt. E.g., the whole “black Hermione” thing that popped up", "to other fiction recently there may be a huge amount of backlash from", "of times. There are also some unique difficulties in specifically conveying a character", "way that they’ve always appeared in my head. I’m more concerned with avoiding", "last name to show that they are biracial. E.g., Anne Boonchuy from Amphibia", "that they’ve always appeared in my head. I’m more concerned with avoiding such", "a good idea of what their face and appearance looks like; they’re the", "white, and thus it’s not likely that the other characters would notice. Contrast", "authors statements do kind of come off as shallow publicity stunts). When the", "name and from her mentioning trips her parents took her on to visit", "or even use their first or last name to show that they are", "recently there may be a huge amount of backlash from people claiming that", "overshadowing the actual quality of the story, which is the part I actually", "sounding like a 20th century phrenologist, and most human beings don’t speak that", "be a very light-skinned Latino/Latina, and the writers pepper in Spanish into their", "in specifically conveying a character is of mixed Asian-European ancestry in Western countries,", "the same person. My concern is how do I convey to the audience", "character as a diversity stunt. E.g., the whole “black Hermione” thing that popped", "them offhandedly use phrases in another language, or even use their first or", "they are biracial. E.g., Anne Boonchuy from Amphibia is Thai-American, and this is", "hair they can either look really white or really Asian, even to the", "Caucasian-east Asian ancestry) living in the United States. I have a good idea", "the other characters would notice. Contrast this with other potential mixed-race combinations, where", "Hermione” thing that popped up about a year ago, or what’s going on", "by the authors statements do kind of come off as shallow publicity stunts).", "some unique difficulties in specifically conveying a character is of mixed Asian-European ancestry", "her last name and from her mentioning trips her parents took her on", "is the part I actually want people to notice. I know that there", "looks like; they’re the kind of person I’ve heard real-life mixed-race people of", "and thus it’s not likely that the other characters would notice. Contrast this", "to be a very light-skinned Latino/Latina, and the writers pepper in Spanish into", "direction, I have a specific idea of how this character looks and this", "(both of which given the context and statements by the authors statements do", "other potential mixed-race combinations, where it is easier to signal they are biracial", "not likely that the other characters would notice. Contrast this with other potential", "be pretty clear, but this work is in a written format. The main", "a visual adaptation my character's biracial ancestry would be pretty clear, but this", "a description of a character. It’s honestly really, really hard to convey that", "visual depictions or even some kind of adaptation (yes, a pipe dream I", "hard to even describe someone who is full Asian without it sounding very", "me is that if my story ever gets popular enough to get visual", "SE, but I am not sure if I am asking the same thing", "may be a huge amount of backlash from people claiming that I “racewashed”" ]
[ "I cite the same source multiple times across different chapters? Do I have", "non-fiction book which I intend to self publish. Regarding the citations and references,", "I have to continue to cite them again in my endnotes under each", "by chapter which means the numbering will reset every chapter. E.g. Chapter 1:", "and references, I intend to list them at the end of the book", "1: 1, 2, 3; Chapter 2: 1, 2, 3, etc. So, what if", "the citations and references, I intend to list them at the end of", "them by chapter which means the numbering will reset every chapter. E.g. Chapter", "to organise them by chapter which means the numbering will reset every chapter.", "numbering will reset every chapter. E.g. Chapter 1: 1, 2, 3; Chapter 2:", "the same source multiple times across different chapters? Do I have to continue", "1, 2, 3, etc. So, what if I cite the same source multiple", "organise them by chapter which means the numbering will reset every chapter. E.g.", "I am currently writing a non-fiction book which I intend to self publish.", "reset every chapter. E.g. Chapter 1: 1, 2, 3; Chapter 2: 1, 2,", "at the end of the book as endnotes and have decided to organise", "if I cite the same source multiple times across different chapters? Do I", "references, I intend to list them at the end of the book as", "self publish. Regarding the citations and references, I intend to list them at", "of the book as endnotes and have decided to organise them by chapter", "Regarding the citations and references, I intend to list them at the end", "1, 2, 3; Chapter 2: 1, 2, 3, etc. So, what if I", "have decided to organise them by chapter which means the numbering will reset", "them at the end of the book as endnotes and have decided to", "2: 1, 2, 3, etc. So, what if I cite the same source", "cite the same source multiple times across different chapters? Do I have to", "E.g. Chapter 1: 1, 2, 3; Chapter 2: 1, 2, 3, etc. So,", "list them at the end of the book as endnotes and have decided", "citations and references, I intend to list them at the end of the", "what if I cite the same source multiple times across different chapters? Do", "writing a non-fiction book which I intend to self publish. Regarding the citations", "as endnotes and have decided to organise them by chapter which means the", "chapter which means the numbering will reset every chapter. E.g. Chapter 1: 1,", "chapter. E.g. Chapter 1: 1, 2, 3; Chapter 2: 1, 2, 3, etc.", "the book as endnotes and have decided to organise them by chapter which", "which means the numbering will reset every chapter. E.g. Chapter 1: 1, 2,", "2, 3, etc. So, what if I cite the same source multiple times", "2, 3; Chapter 2: 1, 2, 3, etc. So, what if I cite", "3, etc. So, what if I cite the same source multiple times across", "every chapter. E.g. Chapter 1: 1, 2, 3; Chapter 2: 1, 2, 3,", "etc. So, what if I cite the same source multiple times across different", "across different chapters? Do I have to continue to cite them again in", "intend to list them at the end of the book as endnotes and", "multiple times across different chapters? Do I have to continue to cite them", "Chapter 2: 1, 2, 3, etc. So, what if I cite the same", "to self publish. Regarding the citations and references, I intend to list them", "endnotes and have decided to organise them by chapter which means the numbering", "I intend to list them at the end of the book as endnotes", "decided to organise them by chapter which means the numbering will reset every", "have to continue to cite them again in my endnotes under each chapter?", "same source multiple times across different chapters? Do I have to continue to", "book which I intend to self publish. Regarding the citations and references, I", "end of the book as endnotes and have decided to organise them by", "am currently writing a non-fiction book which I intend to self publish. Regarding", "a non-fiction book which I intend to self publish. Regarding the citations and", "different chapters? Do I have to continue to cite them again in my", "currently writing a non-fiction book which I intend to self publish. Regarding the", "the end of the book as endnotes and have decided to organise them", "and have decided to organise them by chapter which means the numbering will", "will reset every chapter. E.g. Chapter 1: 1, 2, 3; Chapter 2: 1,", "means the numbering will reset every chapter. E.g. Chapter 1: 1, 2, 3;", "source multiple times across different chapters? Do I have to continue to cite", "which I intend to self publish. Regarding the citations and references, I intend", "3; Chapter 2: 1, 2, 3, etc. So, what if I cite the", "publish. Regarding the citations and references, I intend to list them at the", "to list them at the end of the book as endnotes and have", "book as endnotes and have decided to organise them by chapter which means", "I intend to self publish. Regarding the citations and references, I intend to", "times across different chapters? Do I have to continue to cite them again", "Do I have to continue to cite them again in my endnotes under", "Chapter 1: 1, 2, 3; Chapter 2: 1, 2, 3, etc. So, what", "So, what if I cite the same source multiple times across different chapters?", "intend to self publish. Regarding the citations and references, I intend to list", "the numbering will reset every chapter. E.g. Chapter 1: 1, 2, 3; Chapter", "chapters? Do I have to continue to cite them again in my endnotes" ]
[ "on the other hand, the postscript was written so late after the letter", "even written*), is this considered rude, evasive, or otherwise unacceptable? 4. If, on", "would one need to write a whole other letter to get across what", "grandparents and realized that the entire purpose* of my letter was what I", "I was planning to include in a postscript (a scotch whisky recommendation), and", "late after the letter was written that the letter had already been sent", "chatter. It made me wonder some things: 1. Historically, were postscripts exclusively reserved", "is this considered rude, evasive, or otherwise unacceptable? 4. If, on the other", "other letter to get across what was originally planned to be in the", "If it needs to be written in a separate letter, would that letter", "or would letter-writers sometimes \"disguise\" their main motivation in the P.S. as I", "purpose of my letter was what I was planning to include in a", "entirely separately, or would one need to write a whole other letter to", "(or, even worse, before the letter was even written), is this considered rude,", "letter was what I was planning to include in a postscript (a scotch", "letter to my grandparents and realized that the entire purpose of my letter", "seen that a postscript was written directly following the writing of the letter", "3. If it is seen that a postscript was written directly following the", "my letter was what I was planning to include in a postscript (a", "one need to write a whole other letter to get across what was", "postscript (a scotch whisky recommendation), and that the body of my letter was", "postscripts exclusively reserved for afterthoughts, or would letter-writers sometimes \"disguise\" their main motivation", "was planning to include in a postscript (a scotch whisky recommendation), and that", "it is seen that a postscript was written directly following the writing of", "letter to get across what was originally planned to be in the postscript?", "used in the letter proper? 3. If it is seen that a postscript", "a different writing instrument as was used in the letter proper? 3. If", "already been sent in the mail, would it be acceptable to post a", "write a whole other letter to get across what was originally planned to", "in the letter proper? 3. If it is seen that a postscript was", "the entire purpose of my letter was what I was planning to include", "made me wonder some things: 1. Historically, were postscripts exclusively reserved for afterthoughts,", "was more-or-less just polite chatter. It made me wonder some things: 1. Historically,", "was what I was planning to include in a postscript (a scotch whisky", "the letter proper? 3. If it is seen that a postscript was written", "the body of my letter was more-or-less just polite chatter. It made me", "polite chatter. It made me wonder some things: 1. Historically, were postscripts exclusively", "in a separate letter, would that letter be given a postscriptum, or a", "in a postscript (a scotch whisky recommendation), and that the body of my", "written that the letter had already been sent in the mail, would it", "written so late after the letter was written that the letter had already", "be acceptable to post a postscript entirely separately, or would one need to", "a postscript entirely separately, or would one need to write a whole other", "was written directly following the writing of the letter (or, even worse, before", "as was used in the letter proper? 3. If it is seen that", "post a postscript entirely separately, or would one need to write a whole", "scotch whisky recommendation), and that the body of my letter was more-or-less just", "this considered rude, evasive, or otherwise unacceptable? 4. If, on the other hand,", "(a scotch whisky recommendation), and that the body of my letter was more-or-less", "for afterthoughts, or would letter-writers sometimes \"disguise\" their main motivation in the P.S.", "instrument as was used in the letter proper? 3. If it is seen", "was written that the letter had already been sent in the mail, would", "be written in a separate letter, would that letter be given a postscriptum,", "Historically, were postscripts exclusively reserved for afterthoughts, or would letter-writers sometimes \"disguise\" their", "in the mail, would it be acceptable to post a postscript entirely separately,", "If it is seen that a postscript was written directly following the writing", "letter proper? 3. If it is seen that a postscript was written directly", "to be in the postscript? If it needs to be written in a", "of my letter was what I was planning to include in a postscript", "it needs to be written in a separate letter, would that letter be", "using a different writing instrument as was used in the letter proper? 3.", "even worse, before the letter was even written), is this considered rude, evasive,", "written directly following the writing of the letter (or, even worse, before the", "would it be acceptable to post a postscript entirely separately, or would one", "me wonder some things: 1. Historically, were postscripts exclusively reserved for afterthoughts, or", "I was writing a letter to my grandparents and realized that the entire", "letter was more-or-less just polite chatter. It made me wonder some things: 1.", "what was originally planned to be in the postscript? If it needs to", "in the postscript? If it needs to be written in a separate letter,", "to my grandparents and realized that the entire purpose of my letter was", "what I was planning to include in a postscript (a scotch whisky recommendation),", "body of my letter was more-or-less just polite chatter. It made me wonder", "that the entire purpose of my letter was what I was planning to", "their main motivation in the P.S. as I did? 2. Similarly, are postscripts", "the letter was written that the letter had already been sent in the", "include in a postscript (a scotch whisky recommendation), and that the body of", "proper? 3. If it is seen that a postscript was written directly following", "a letter to my grandparents and realized that the entire purpose of my", "directly following the writing of the letter (or, even worse, before the letter", "motivation in the P.S. as I did? 2. Similarly, are postscripts often written", "be in the postscript? If it needs to be written in a separate", "planning to include in a postscript (a scotch whisky recommendation), and that the", "was used in the letter proper? 3. If it is seen that a", "postscript? If it needs to be written in a separate letter, would that", "the letter (or, even worse, before the letter was even written*), is this", "would letter-writers sometimes \"disguise\" their main motivation in the P.S. as I did?", "postscript was written directly following the writing of the letter (or, even worse,", "were postscripts exclusively reserved for afterthoughts, or would letter-writers sometimes \"disguise\" their main", "P.S. as I did? 2. Similarly, are postscripts often written using a different", "realized that the entire purpose* of my letter was what I was planning", "It made me wonder some things: 1. Historically, were postscripts exclusively reserved for", "more-or-less just polite chatter. It made me wonder some things: 1. Historically, were", "need to write a whole other letter to get across what was originally", "mail, would it be acceptable to post a postscript entirely separately, or would", "a separate letter, would that letter be given a postscriptum, or a post-postscriptum?", "are postscripts often written using a different writing instrument as was used in", "of my letter was more-or-less just polite chatter. It made me wonder some", "is seen that a postscript was written directly following the writing of the", "rude, evasive, or otherwise unacceptable? 4. If, on the other hand, the postscript", "written using a different writing instrument as was used in the letter proper?", "did? 2. Similarly, are postscripts often written using a different writing instrument as", "the postscript was written so late after the letter was written that the", "entire purpose of my letter was what I was planning to include in", "postscripts often written using a different writing instrument as was used in the", "of the letter (or, even worse, before the letter was even written), is", "in the P.S. as I did? 2. Similarly, are postscripts often written using", "the letter was even written*), is this considered rude, evasive, or otherwise unacceptable?", "letter was written that the letter had already been sent in the mail,", "acceptable to post a postscript entirely separately, or would one need to write", "to write a whole other letter to get across what was originally planned", "get across what was originally planned to be in the postscript? If it", "otherwise unacceptable? 4. If, on the other hand, the postscript was written so", "originally planned to be in the postscript? If it needs to be written", "so late* after the letter was written that the letter had already been", "1. Historically, were postscripts exclusively reserved for afterthoughts, or would letter-writers sometimes \"disguise\"", "wonder some things: 1. Historically, were postscripts exclusively reserved for afterthoughts, or would", "letter-writers sometimes \"disguise\" their main motivation in the P.S. as I did? 2.", "\"disguise\" their main motivation in the P.S. as I did? 2. Similarly, are", "just polite chatter. It made me wonder some things: 1. Historically, were postscripts", "considered rude, evasive, or otherwise unacceptable? 4. If, on the other hand, the", "planned to be in the postscript? If it needs to be written in", "written in a separate letter, would that letter be given a postscriptum, or", "other hand, the postscript was written so late after the letter was written", "it be acceptable to post a postscript entirely separately, or would one need", "writing a letter to my grandparents and realized that the entire purpose of", "a postscript (a scotch whisky recommendation), and that the body of my letter", "was writing a letter to my grandparents and realized that the entire purpose", "2. Similarly, are postscripts often written using a different writing instrument as was", "I did? 2. Similarly, are postscripts often written using a different writing instrument", "after the letter was written that the letter had already been sent in", "whisky recommendation), and that the body of my letter was more-or-less just polite", "been sent in the mail, would it be acceptable to post a postscript", "sometimes \"disguise\" their main motivation in the P.S. as I did? 2. Similarly,", "or otherwise unacceptable? 4. If, on the other hand, the postscript was written", "across what was originally planned to be in the postscript? If it needs", "evasive, or otherwise unacceptable? 4. If, on the other hand, the postscript was", "unacceptable? 4. If, on the other hand, the postscript was written so late", "If, on the other hand, the postscript was written so late after the", "worse, before the letter was even written), is this considered rude, evasive, or", "the postscript? If it needs to be written in a separate letter, would", "the other hand, the postscript was written so late after the letter was", "things: 1. Historically, were postscripts exclusively reserved for afterthoughts, or would letter-writers sometimes", "recommendation), and that the body of my letter was more-or-less just polite chatter.", "different writing instrument as was used in the letter proper? 3. If it", "to get across what was originally planned to be in the postscript? If", "to post a postscript entirely separately, or would one need to write a", "reserved for afterthoughts, or would letter-writers sometimes \"disguise\" their main motivation in the", "as I did? 2. Similarly, are postscripts often written using a different writing", "letter had already been sent in the mail, would it be acceptable to", "and that the body of my letter was more-or-less just polite chatter. It", "my letter was more-or-less just polite chatter. It made me wonder some things:", "was originally planned to be in the postscript? If it needs to be", "a whole other letter to get across what was originally planned to be", "the P.S. as I did? 2. Similarly, are postscripts often written using a", "following the writing of the letter (or, even worse, *before the letter was", "my grandparents and realized that the entire purpose* of my letter was what", "before the letter was even written), is this considered rude, evasive, or otherwise", "to include in a postscript (a scotch whisky recommendation), and that the body", "some things: 1. Historically, were postscripts exclusively reserved for afterthoughts, or would letter-writers", "to be written in a separate letter, would that letter be given a", "or would one need to write a whole other letter to get across", "often written using a different writing instrument as was used in the letter", "exclusively reserved for afterthoughts, or would letter-writers sometimes \"disguise\" their main motivation in", "the writing of the letter (or, even worse, before the letter was even", "letter (or, even worse, before the letter was even written*), is this considered", "postscript was written so late* after the letter was written that the letter", "separately, or would one need to write a whole other letter to get", "4. If, on the other hand, the postscript was written so late after", "the letter had already been sent in the mail, would it be acceptable", "writing of the letter (or, even worse, before the letter was even written),", "a postscript was written directly following the writing of the letter (or, even", "postscript entirely separately, or would one need to write a whole other letter", "afterthoughts, or would letter-writers sometimes \"disguise\" their main motivation in the P.S. as", "that a postscript was written directly following the writing of the letter (or,", "hand, the postscript was written so late after the letter was written that", "that the letter had already been sent in the mail, would it be", "whole other letter to get across what was originally planned to be in", "was written so late after the letter was written that the letter had", "and realized that the entire purpose of my letter was what I was", "sent in the mail, would it be acceptable to post a postscript entirely", "was even written), is this considered rude, evasive, or otherwise unacceptable? 4. If,", "the mail, would it be acceptable to post a postscript entirely separately, or", "writing instrument as was used in the letter proper? 3. If it is", "written), is this considered rude, evasive, or otherwise unacceptable? 4. If, on the", "had already been sent in the mail, would it be acceptable to post", "needs to be written in a separate letter, would that letter be given", "Similarly, are postscripts often written using a different writing instrument as was used", "that the body of my letter was more-or-less just polite chatter. It made", "main motivation in the P.S. as I did? 2. Similarly, are postscripts often", "letter was even written**), is this considered rude, evasive, or otherwise unacceptable? 4." ]
[ "signal, then everyone can begin to raise their hands'. I was 'googling' for", "involve 'when'. For example - 'When we see the signal, then everyone can", "definitely interested to find out whether it is feasible to use 'when' followed", "But what about situations that involve 'when'. For example - 'When we see", "example - 'When we see the signal, then everyone can begin to raise", "'when'. For example - 'When we see the signal, then everyone can begin", "information about this, but have found nothing so far about this. But I'm", "exceeds a particular temperature, then the kettle will turn off.' But what about", "reaches or exceeds a particular temperature, then the kettle will turn off.' But", "temperature reaches or exceeds a particular temperature, then the kettle will turn off.'", "then the kettle will turn off.' But what about situations that involve 'when'.", "to raise their hands'. I was 'googling' for information about this, but have", "nothing so far about this. But I'm definitely interested to find out whether", "'if --- then', such as 'If the temperature reaches or exceeds a particular", "what about situations that involve 'when'. For example - 'When we see the", "far about this. But I'm definitely interested to find out whether it is", "I'm definitely interested to find out whether it is feasible to use 'when'", "raise their hands'. I was 'googling' for information about this, but have found", "But I'm definitely interested to find out whether it is feasible to use", "to find out whether it is feasible to use 'when' followed by 'then'.", "out whether it is feasible to use 'when' followed by 'then'. Thanks all!", "then', such as 'If the temperature reaches or exceeds a particular temperature, then", "was 'googling' for information about this, but have found nothing so far about", "I know about the logical expression of 'if --- then', such as 'If", "'When we see the signal, then everyone can begin to raise their hands'.", "this, but have found nothing so far about this. But I'm definitely interested", "will turn off.' But what about situations that involve 'when'. For example -", "about this, but have found nothing so far about this. But I'm definitely", "but have found nothing so far about this. But I'm definitely interested to", "so far about this. But I'm definitely interested to find out whether it", "of 'if --- then', such as 'If the temperature reaches or exceeds a", "begin to raise their hands'. I was 'googling' for information about this, but", "about the logical expression of 'if --- then', such as 'If the temperature", "such as 'If the temperature reaches or exceeds a particular temperature, then the", "as 'If the temperature reaches or exceeds a particular temperature, then the kettle", "about situations that involve 'when'. For example - 'When we see the signal,", "--- then', such as 'If the temperature reaches or exceeds a particular temperature,", "off.' But what about situations that involve 'when'. For example - 'When we", "then everyone can begin to raise their hands'. I was 'googling' for information", "interested to find out whether it is feasible to use 'when' followed by", "the kettle will turn off.' But what about situations that involve 'when'. For", "a particular temperature, then the kettle will turn off.' But what about situations", "this. But I'm definitely interested to find out whether it is feasible to", "expression of 'if --- then', such as 'If the temperature reaches or exceeds", "the logical expression of 'if --- then', such as 'If the temperature reaches", "I was 'googling' for information about this, but have found nothing so far", "see the signal, then everyone can begin to raise their hands'. I was", "the signal, then everyone can begin to raise their hands'. I was 'googling'", "can begin to raise their hands'. I was 'googling' for information about this,", "their hands'. I was 'googling' for information about this, but have found nothing", "know about the logical expression of 'if --- then', such as 'If the", "For example - 'When we see the signal, then everyone can begin to", "the temperature reaches or exceeds a particular temperature, then the kettle will turn", "kettle will turn off.' But what about situations that involve 'when'. For example", "situations that involve 'when'. For example - 'When we see the signal, then", "that involve 'when'. For example - 'When we see the signal, then everyone", "have found nothing so far about this. But I'm definitely interested to find", "everyone can begin to raise their hands'. I was 'googling' for information about", "hands'. I was 'googling' for information about this, but have found nothing so", "logical expression of 'if --- then', such as 'If the temperature reaches or", "particular temperature, then the kettle will turn off.' But what about situations that", "found nothing so far about this. But I'm definitely interested to find out", "'googling' for information about this, but have found nothing so far about this.", "turn off.' But what about situations that involve 'when'. For example - 'When", "for information about this, but have found nothing so far about this. But", "- 'When we see the signal, then everyone can begin to raise their", "about this. But I'm definitely interested to find out whether it is feasible", "or exceeds a particular temperature, then the kettle will turn off.' But what", "temperature, then the kettle will turn off.' But what about situations that involve", "'If the temperature reaches or exceeds a particular temperature, then the kettle will", "we see the signal, then everyone can begin to raise their hands'. I", "find out whether it is feasible to use 'when' followed by 'then'. Thanks" ]
[ "readers we want something overall to hang on to and with each story", "one knows they have impacted her life or are presently impacting her life;", "through their actions and thoughts. The collection reveals the story of one of", "are just telling their stories. The protagonist doesn't know either until the end.", "I think it is a novel. My problem is that as readers we", "life or are presently impacting her life; they are just telling their stories.", "end. The stories are so linked I think it is a novel. My", "I need a narrator or a thread throughout my stories? And if so,", "and with each story changing who is telling story I'm not giving readers", "who is the protagonist of the entire collection. (However, she is not present", "his/her own story through their actions and thoughts. The collection reveals the story", "knows they have impacted her life or are presently impacting her life; they", "with each story changing who is telling story I'm not giving readers that", "story changing who is telling story I'm not giving readers that 'hold.' Do", "stories. The protagonist doesn't know either until the end. The stories are so", "characters who is the protagonist of the entire collection. (However, she is not", "Each short story is written in 1st person present tense from that particular", "story is written in 1st person present tense from that particular protagonist’s POV,", "reveals the story of one of the characters who is the protagonist of", "The stories are so linked I think it is a novel. My problem", "doesn't know either until the end. The stories are so linked I think", "person present tense from that particular protagonist’s POV, telling us his/her own story", "1st person present tense from that particular protagonist’s POV, telling us his/her own", "The protagonist doesn't know either until the end. The stories are so linked", "collection reveals the story of one of the characters who is the protagonist", "they are just telling their stories. The protagonist doesn't know either until the", "stories. Each short story is written in 1st person present tense from that", "narrator or a thread throughout my stories? And if so, what character would", "telling us his/her own story through their actions and thoughts. The collection reveals", "story.) No one knows they have impacted her life or are presently impacting", "'hold.' Do I need a narrator or a thread throughout my stories? And", "the characters who is the protagonist of the entire collection. (However, she is", "a novel. My problem is that as readers we want something overall to", "thoughts. The collection reveals the story of one of the characters who is", "we want something overall to hang on to and with each story changing", "readers that 'hold.' Do I need a narrator or a thread throughout my", "the end. The stories are so linked I think it is a novel.", "have impacted her life or are presently impacting her life; they are just", "protagonist of the entire collection. (However, she is not present in every story.)", "think it is a novel. My problem is that as readers we want", "linked I think it is a novel. My problem is that as readers", "on to and with each story changing who is telling story I'm not", "is telling story I'm not giving readers that 'hold.' Do I need a", "a collection of short stories. Each short story is written in 1st person", "of the characters who is the protagonist of the entire collection. (However, she", "POV, telling us his/her own story through their actions and thoughts. The collection", "something overall to hang on to and with each story changing who is", "who is telling story I'm not giving readers that 'hold.' Do I need", "short story is written in 1st person present tense from that particular protagonist’s", "that particular protagonist’s POV, telling us his/her own story through their actions and", "giving readers that 'hold.' Do I need a narrator or a thread throughout", "stories are so linked I think it is a novel. My problem is", "that 'hold.' Do I need a narrator or a thread throughout my stories?", "particular protagonist’s POV, telling us his/her own story through their actions and thoughts.", "of one of the characters who is the protagonist of the entire collection.", "story I'm not giving readers that 'hold.' Do I need a narrator or", "present tense from that particular protagonist’s POV, telling us his/her own story through", "written in 1st person present tense from that particular protagonist’s POV, telling us", "and thoughts. The collection reveals the story of one of the characters who", "or a thread throughout my stories? And if so, what character would that", "a thread throughout my stories? And if so, what character would that be?", "of short stories. Each short story is written in 1st person present tense", "is not present in every story.) No one knows they have impacted her", "want something overall to hang on to and with each story changing who", "impacted her life or are presently impacting her life; they are just telling", "own story through their actions and thoughts. The collection reveals the story of", "know either until the end. The stories are so linked I think it", "to hang on to and with each story changing who is telling story", "not giving readers that 'hold.' Do I need a narrator or a thread", "from that particular protagonist’s POV, telling us his/her own story through their actions", "it is a novel. My problem is that as readers we want something", "telling story I'm not giving readers that 'hold.' Do I need a narrator", "writing a collection of short stories. Each short story is written in 1st", "of the entire collection. (However, she is not present in every story.) No", "as readers we want something overall to hang on to and with each", "I'm not giving readers that 'hold.' Do I need a narrator or a", "The collection reveals the story of one of the characters who is the", "us his/her own story through their actions and thoughts. The collection reveals the", "I am writing a collection of short stories. Each short story is written", "collection. (However, she is not present in every story.) No one knows they", "No one knows they have impacted her life or are presently impacting her", "their stories. The protagonist doesn't know either until the end. The stories are", "they have impacted her life or are presently impacting her life; they are", "her life or are presently impacting her life; they are just telling their", "overall to hang on to and with each story changing who is telling", "protagonist’s POV, telling us his/her own story through their actions and thoughts. The", "short stories. Each short story is written in 1st person present tense from", "that as readers we want something overall to hang on to and with", "is written in 1st person present tense from that particular protagonist’s POV, telling", "impacting her life; they are just telling their stories. The protagonist doesn't know", "her life; they are just telling their stories. The protagonist doesn't know either", "is a novel. My problem is that as readers we want something overall", "not present in every story.) No one knows they have impacted her life", "until the end. The stories are so linked I think it is a", "is that as readers we want something overall to hang on to and", "a narrator or a thread throughout my stories? And if so, what character", "either until the end. The stories are so linked I think it is", "(However, she is not present in every story.) No one knows they have", "collection of short stories. Each short story is written in 1st person present", "one of the characters who is the protagonist of the entire collection. (However,", "to and with each story changing who is telling story I'm not giving", "so linked I think it is a novel. My problem is that as", "the protagonist of the entire collection. (However, she is not present in every", "she is not present in every story.) No one knows they have impacted", "need a narrator or a thread throughout my stories? And if so, what", "Do I need a narrator or a thread throughout my stories? And if", "is the protagonist of the entire collection. (However, she is not present in", "are so linked I think it is a novel. My problem is that", "My problem is that as readers we want something overall to hang on", "presently impacting her life; they are just telling their stories. The protagonist doesn't", "the story of one of the characters who is the protagonist of the", "protagonist doesn't know either until the end. The stories are so linked I", "entire collection. (However, she is not present in every story.) No one knows", "present in every story.) No one knows they have impacted her life or", "actions and thoughts. The collection reveals the story of one of the characters", "life; they are just telling their stories. The protagonist doesn't know either until", "am writing a collection of short stories. Each short story is written in", "story of one of the characters who is the protagonist of the entire", "changing who is telling story I'm not giving readers that 'hold.' Do I", "in every story.) No one knows they have impacted her life or are", "every story.) No one knows they have impacted her life or are presently", "their actions and thoughts. The collection reveals the story of one of the", "story through their actions and thoughts. The collection reveals the story of one", "novel. My problem is that as readers we want something overall to hang", "hang on to and with each story changing who is telling story I'm", "or are presently impacting her life; they are just telling their stories. The", "in 1st person present tense from that particular protagonist’s POV, telling us his/her", "just telling their stories. The protagonist doesn't know either until the end. The", "telling their stories. The protagonist doesn't know either until the end. The stories", "are presently impacting her life; they are just telling their stories. The protagonist", "each story changing who is telling story I'm not giving readers that 'hold.'", "the entire collection. (However, she is not present in every story.) No one", "problem is that as readers we want something overall to hang on to", "tense from that particular protagonist’s POV, telling us his/her own story through their" ]
[ "but she told me there is already a character in a book with", "hadn't even read the book. Could I just give her a different middle", "a book with the same first and last name. Would it be okay", "writing a book and had nearly finished half of it and gave it", "my friend to read, but she told me there is already a character", "with real-life are purely coincidental\"? The name is Macey McHenry (same as in", "told me there is already a character in a book with the same", "'all characters in this book are a work of fiction. Any coincidences with", "in this book are a work of fiction. Any coincidences with real-life are", "put 'all characters in this book are a work of fiction. Any coincidences", "use it? Honestly, I didn't know and I hadn't even read the book.", "fiction. Any coincidences with real-life are purely coincidental\"? The name is Macey McHenry", "she told me there is already a character in a book with the", "if I were to use it? Honestly, I didn't know and I hadn't", "to read, but she told me there is already a character in a", "there is already a character in a book with the same first and", "still use the same first and last name? Or could I put 'all", "gave it to my friend to read, but she told me there is", "Any coincidences with real-life are purely coincidental\"? The name is Macey McHenry (same", "name and still use the same first and last name? Or could I", "Or could I put 'all characters in this book are a work of", "are a work of fiction. Any coincidences with real-life are purely coincidental\"? The", "first and last name. Would it be okay if I were to use", "character in a book with the same first and last name. Would it", "read, but she told me there is already a character in a book", "finished half of it and gave it to my friend to read, but", "characters in this book are a work of fiction. Any coincidences with real-life", "nearly finished half of it and gave it to my friend to read,", "give her a different middle name and still use the same first and", "last name. Would it be okay if I were to use it? Honestly,", "her a different middle name and still use the same first and last", "this book are a work of fiction. Any coincidences with real-life are purely", "in a book with the same first and last name. Would it be", "last name? Or could I put 'all characters in this book are a", "me there is already a character in a book with the same first", "didn't know and I hadn't even read the book. Could I just give", "Could I just give her a different middle name and still use the", "I am writing a book and had nearly finished half of it and", "and gave it to my friend to read, but she told me there", "first and last name? Or could I put 'all characters in this book", "to my friend to read, but she told me there is already a", "a different middle name and still use the same first and last name?", "of it and gave it to my friend to read, but she told", "middle name and still use the same first and last name? Or could", "friend to read, but she told me there is already a character in", "Would it be okay if I were to use it? Honestly, I didn't", "the same first and last name. Would it be okay if I were", "half of it and gave it to my friend to read, but she", "be okay if I were to use it? Honestly, I didn't know and", "know and I hadn't even read the book. Could I just give her", "a work of fiction. Any coincidences with real-life are purely coincidental\"? The name", "already a character in a book with the same first and last name.", "coincidences with real-life are purely coincidental\"? The name is Macey McHenry (same as", "with the same first and last name. Would it be okay if I", "okay if I were to use it? Honestly, I didn't know and I", "it be okay if I were to use it? Honestly, I didn't know", "and I hadn't even read the book. Could I just give her a", "use the same first and last name? Or could I put 'all characters", "are purely coincidental\"? The name is Macey McHenry (same as in the Gallagher", "and still use the same first and last name? Or could I put", "a character in a book with the same first and last name. Would", "it and gave it to my friend to read, but she told me", "am writing a book and had nearly finished half of it and gave", "and last name. Would it be okay if I were to use it?", "is already a character in a book with the same first and last", "work of fiction. Any coincidences with real-life are purely coincidental\"? The name is", "it to my friend to read, but she told me there is already", "Honestly, I didn't know and I hadn't even read the book. Could I", "just give her a different middle name and still use the same first", "book. Could I just give her a different middle name and still use", "book with the same first and last name. Would it be okay if", "same first and last name? Or could I put 'all characters in this", "I put 'all characters in this book are a work of fiction. Any", "a book and had nearly finished half of it and gave it to", "I hadn't even read the book. Could I just give her a different", "book are a work of fiction. Any coincidences with real-life are purely coincidental\"?", "and last name? Or could I put 'all characters in this book are", "of fiction. Any coincidences with real-life are purely coincidental\"? The name is Macey", "book and had nearly finished half of it and gave it to my", "read the book. Could I just give her a different middle name and", "different middle name and still use the same first and last name? Or", "purely coincidental\"? The name is Macey McHenry (same as in the Gallagher Girls", "same first and last name. Would it be okay if I were to", "I just give her a different middle name and still use the same", "to use it? Honestly, I didn't know and I hadn't even read the", "it? Honestly, I didn't know and I hadn't even read the book. Could", "had nearly finished half of it and gave it to my friend to", "and had nearly finished half of it and gave it to my friend", "the same first and last name? Or could I put 'all characters in", "I were to use it? Honestly, I didn't know and I hadn't even", "real-life are purely coincidental\"? The name is Macey McHenry (same as in the", "I didn't know and I hadn't even read the book. Could I just", "were to use it? Honestly, I didn't know and I hadn't even read", "name. Would it be okay if I were to use it? Honestly, I", "even read the book. Could I just give her a different middle name", "name? Or could I put 'all characters in this book are a work", "coincidental\"? The name is Macey McHenry (same as in the Gallagher Girls series).", "the book. Could I just give her a different middle name and still", "could I put 'all characters in this book are a work of fiction." ]
[ "always kept in his shirt pocket was the only thing left behind. ", "that he always kept in his shirt pocket was the only thing left", "things falling off of shelves in the background. A loud, decidedly non", "don't know a thing about law or whatever but a lot of potential", "left behind. His last words were regarding strange noises and things falling", "to static noise. Now, how would authorities handle this? I don't know a", "thing about law or whatever but a lot of potential plot points are", "the building with him. * A pair of sunglasses that he always kept", "thing left behind. * His last words were regarding strange noises and things", "character disappearing in his radio studio while on air. * Nobody else was", "of sunglasses that he always kept in his shirt pocket was the only", "feed cut to static noise. Now, how would authorities handle this? I don't", "authorities handle this? I don't know a thing about law or whatever but", "this? I don't know a thing about law or whatever but a lot", "air. * Nobody else was in the building with him. * A pair", "radio studio while on air. * Nobody else was in the building with", "off of shelves in the background. * A loud, decidedly non human screech", "or whatever but a lot of potential plot points are reliant on this", "his radio studio while on air. * Nobody else was in the building", "* A loud, decidedly non human screech was heard seconds before the feed", "heard seconds before the feed cut to static noise. Now, how would authorities", "behind. * His last words were regarding strange noises and things falling off", "noise. Now, how would authorities handle this? I don't know a thing about", "Nobody else was in the building with him. * A pair of sunglasses", "on air. * Nobody else was in the building with him. * A", "shelves in the background. * A loud, decidedly non human screech was heard", "regarding strange noises and things falling off of shelves in the background. ", "decidedly non human* screech was heard seconds before the feed cut to static", "his shirt pocket was the only thing left behind. * His last words", "kept in his shirt pocket was the only thing left behind. * His", "non human screech was heard seconds before the feed cut to static noise.", "in the building with him. * A pair of sunglasses that he always", "background. * A loud, decidedly non human screech was heard seconds before the", "shirt pocket was the only thing left behind. * His last words were", "whatever but a lot of potential plot points are reliant on this LOL", "in his radio studio while on air. * Nobody else was in the", "starts with a character disappearing in his radio studio while on air. ", "last words were regarding strange noises and things falling off of shelves in", "a character disappearing in his radio studio while on air. Nobody else", "were regarding strange noises and things falling off of shelves in the background.", "the only thing left behind. * His last words were regarding strange noises", "was the only thing left behind. * His last words were regarding strange", "with a character disappearing in his radio studio while on air. * Nobody", "only thing left behind. * His last words were regarding strange noises and", "was heard seconds before the feed cut to static noise. Now, how would", "and things falling off of shelves in the background. * A loud, decidedly", "* His last words were regarding strange noises and things falling off of", "A pair of sunglasses that he always kept in his shirt pocket was", "story of mine starts with a character disappearing in his radio studio while", "with him. * A pair of sunglasses that he always kept in his", "words were regarding strange noises and things falling off of shelves in the", "static noise. Now, how would authorities handle this? I don't know a thing", "would authorities handle this? I don't know a thing about law or whatever", "in the background. * A loud, decidedly non human screech was heard seconds", "know a thing about law or whatever but a lot of potential plot", "pocket was the only thing left behind. * His last words were regarding", "strange noises and things falling off of shelves in the background. * A", "falling off of shelves in the background. * A loud, decidedly non human", "how would authorities handle this? I don't know a thing about law or", "he always kept in his shirt pocket was the only thing left behind.", "seconds before the feed cut to static noise. Now, how would authorities handle", "His last words were regarding strange noises and things falling off of shelves", "mine starts with a character disappearing in his radio studio while on air.", "noises and things falling off of shelves in the background. * A loud,", "of mine starts with a character disappearing in his radio studio while on", "building with him. * A pair of sunglasses that he always kept in", "loud, decidedly non human screech was heard seconds before the feed cut to", "sunglasses that he always kept in his shirt pocket was the only thing", "disappearing in his radio studio while on air. * Nobody else was in", "the feed cut to static noise. Now, how would authorities handle this? I", "cut to static noise. Now, how would authorities handle this? I don't know", "while on air. * Nobody else was in the building with him. ", "was in the building with him. A pair of sunglasses that he", "of shelves in the background. * A loud, decidedly non human screech was", "I don't know a thing about law or whatever but a lot of", "* A pair of sunglasses that he always kept in his shirt pocket", "a thing about law or whatever but a lot of potential plot points", "studio while on air. * Nobody else was in the building with him.", "law or whatever but a lot of potential plot points are reliant on", "before the feed cut to static noise. Now, how would authorities handle this?", "else was in the building with him. * A pair of sunglasses that", "Now, how would authorities handle this? I don't know a thing about law", "A loud, decidedly non human screech was heard seconds before the feed cut", "about law or whatever but a lot of potential plot points are reliant", "in his shirt pocket was the only thing left behind. * His last", "screech was heard seconds before the feed cut to static noise. Now, how", "* Nobody else was in the building with him. * A pair of", "him. * A pair of sunglasses that he always kept in his shirt", "A story of mine starts with a character disappearing in his radio studio", "pair of sunglasses that he always kept in his shirt pocket was the", "human* screech was heard seconds before the feed cut to static noise. Now,", "the background. * A loud, decidedly non human screech was heard seconds before", "handle this? I don't know a thing about law or whatever but a" ]
[ "this functionality. Unfortunately, the existing kanban boards are either for a single user", "my professional life, I am a software engineer in a small agile company,", "professional life, I am a software engineer in a small agile company, and", "which they use to confirm their participation on the project. There are lots", "novel itself is a project, and protagonists, places and even time periods are", "or a \"bug\" (sudden idea I shouldn't forget to fix in a revision),", "was wondering if anyone knows about a software that allows for a kanban", "writing, I found out that it is very efficient to have something like", "a kanban board with virtual employees in the sense I've just described. Any", "on a \"ticket\", be it an \"epic\" (chapter) or a \"bug\" (sudden idea", "the developers activities, like that: [![An exapmple of a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to", "real people, that is, people with valid emails which they use to confirm", "are \"employees\" that are assigned to work on a \"ticket\", be it an", "in a revision), or whatever else. I googled for creative writing software, or", "kanban boards to track the developers activities, like that: [![An exapmple of a", "\"bug\" (sudden idea I shouldn't forget to fix in a revision), or whatever", "a revision), or whatever else. I googled for creative writing software, or actually", "like that for a novel. Here, the novel itself is a project, and", "assigned to work on a \"ticket\", be it an \"epic\" (chapter) or a", "life, I am a software engineer in a small agile company, and we", "am a software engineer in a small agile company, and we use kanban", "that are assigned to work on a \"ticket\", be it an \"epic\" (chapter)", "to fix in a revision), or whatever else. I googled for creative writing", "they use to confirm their participation on the project. There are lots of", "In my professional life, I am a software engineer in a small agile", "and protagonists, places and even time periods are \"employees\" that are assigned to", "but I was wondering if anyone knows about a software that allows for", "software that allows for a kanban board with virtual employees in the sense", "of a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to my latest urge in creative writing, I", "small agile company, and we use kanban boards to track the developers activities,", "are assigned to work on a \"ticket\", be it an \"epic\" (chapter) or", "different creative writing tools, but I was wondering if anyone knows about a", "it is very efficient to have something like that for a novel. Here,", "borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to my latest urge in creative writing, I found out that", "urge in creative writing, I found out that it is very efficient to", "kanban board with virtual employees in the sense I've just described. Any suggestions?", "Succumbing to my latest urge in creative writing, I found out that it", "knows about a software that allows for a kanban board with virtual employees", "people with valid emails which they use to confirm their participation on the", "is, people with valid emails which they use to confirm their participation on", "fix in a revision), or whatever else. I googled for creative writing software,", "found out that it is very efficient to have something like that for", "periods are \"employees\" that are assigned to work on a \"ticket\", be it", "that allows for a kanban board with virtual employees in the sense I've", "about a software that allows for a kanban board with virtual employees in", "for a novel. Here, the novel itself is a project, and protagonists, places", "engineer in a small agile company, and we use kanban boards to track", "(sudden idea I shouldn't forget to fix in a revision), or whatever else.", "will have this functionality. Unfortunately, the existing kanban boards are either for a", "where roles can't be given, or for teams of real people, that is,", "whatever else. I googled for creative writing software, or actually whatever software that", "teams of real people, that is, people with valid emails which they use", "writing tools, but I was wondering if anyone knows about a software that", "I found out that it is very efficient to have something like that", "efficient to have something like that for a novel. Here, the novel itself", "given, or for teams of real people, that is, people with valid emails", "valid emails which they use to confirm their participation on the project. There", "participation on the project. There are lots of different creative writing tools, but", "anyone knows about a software that allows for a kanban board with virtual", "for teams of real people, that is, people with valid emails which they", "software engineer in a small agile company, and we use kanban boards to", "to track the developers activities, like that: [![An exapmple of a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png)", "emails which they use to confirm their participation on the project. There are", "project, and protagonists, places and even time periods are \"employees\" that are assigned", "or for teams of real people, that is, people with valid emails which", "a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to my latest urge in creative writing, I found", "I shouldn't forget to fix in a revision), or whatever else. I googled", "lots of different creative writing tools, but I was wondering if anyone knows", "be given, or for teams of real people, that is, people with valid", "or actually whatever software that will have this functionality. Unfortunately, the existing kanban", "a software that allows for a kanban board with virtual employees in the", "Here, the novel itself is a project, and protagonists, places and even time", "writing software, or actually whatever software that will have this functionality. Unfortunately, the", "like that: [![An exapmple of a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to my latest urge", "time periods are \"employees\" that are assigned to work on a \"ticket\", be", "be it an \"epic\" (chapter) or a \"bug\" (sudden idea I shouldn't forget", "kanban boards are either for a single user where roles can't be given,", "to my latest urge in creative writing, I found out that it is", "have this functionality. Unfortunately, the existing kanban boards are either for a single", "that: [![An exapmple of a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to my latest urge in", "a novel. Here, the novel itself is a project, and protagonists, places and", "single user where roles can't be given, or for teams of real people,", "to have something like that for a novel. Here, the novel itself is", "people, that is, people with valid emails which they use to confirm their", "latest urge in creative writing, I found out that it is very efficient", "(chapter) or a \"bug\" (sudden idea I shouldn't forget to fix in a", "even time periods are \"employees\" that are assigned to work on a \"ticket\",", "creative writing software, or actually whatever software that will have this functionality. Unfortunately,", "exapmple of a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to my latest urge in creative writing,", "an \"epic\" (chapter) or a \"bug\" (sudden idea I shouldn't forget to fix", "my latest urge in creative writing, I found out that it is very", "have something like that for a novel. Here, the novel itself is a", "roles can't be given, or for teams of real people, that is, people", "Unfortunately, the existing kanban boards are either for a single user where roles", "a \"ticket\", be it an \"epic\" (chapter) or a \"bug\" (sudden idea I", "\"employees\" that are assigned to work on a \"ticket\", be it an \"epic\"", "revision), or whatever else. I googled for creative writing software, or actually whatever", "for a single user where roles can't be given, or for teams of", "existing kanban boards are either for a single user where roles can't be", "work on a \"ticket\", be it an \"epic\" (chapter) or a \"bug\" (sudden", "and even time periods are \"employees\" that are assigned to work on a", "is a project, and protagonists, places and even time periods are \"employees\" that", "to work on a \"ticket\", be it an \"epic\" (chapter) or a \"bug\"", "whatever software that will have this functionality. Unfortunately, the existing kanban boards are", "protagonists, places and even time periods are \"employees\" that are assigned to work", "shouldn't forget to fix in a revision), or whatever else. I googled for", "of real people, that is, people with valid emails which they use to", "use to confirm their participation on the project. There are lots of different", "a project, and protagonists, places and even time periods are \"employees\" that are", "software, or actually whatever software that will have this functionality. Unfortunately, the existing", "creative writing tools, but I was wondering if anyone knows about a software", "boards to track the developers activities, like that: [![An exapmple of a kanban", "use kanban boards to track the developers activities, like that: [![An exapmple of", "a \"bug\" (sudden idea I shouldn't forget to fix in a revision), or", "[![An exapmple of a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to my latest urge in creative", "are either for a single user where roles can't be given, or for", "in a small agile company, and we use kanban boards to track the", "company, and we use kanban boards to track the developers activities, like that:", "on the project. There are lots of different creative writing tools, but I", "I was wondering if anyone knows about a software that allows for a", "a single user where roles can't be given, or for teams of real", "something like that for a novel. Here, the novel itself is a project,", "for a kanban board with virtual employees in the sense I've just described.", "else. I googled for creative writing software, or actually whatever software that will", "that it is very efficient to have something like that for a novel.", "user where roles can't be given, or for teams of real people, that", "a software engineer in a small agile company, and we use kanban boards", "places and even time periods are \"employees\" that are assigned to work on", "confirm their participation on the project. There are lots of different creative writing", "developers activities, like that: [![An exapmple of a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to my", "software that will have this functionality. Unfortunately, the existing kanban boards are either", "project. There are lots of different creative writing tools, but I was wondering", "functionality. Unfortunately, the existing kanban boards are either for a single user where", "actually whatever software that will have this functionality. Unfortunately, the existing kanban boards", "a small agile company, and we use kanban boards to track the developers", "\"epic\" (chapter) or a \"bug\" (sudden idea I shouldn't forget to fix in", "creative writing, I found out that it is very efficient to have something", "itself is a project, and protagonists, places and even time periods are \"employees\"", "with valid emails which they use to confirm their participation on the project.", "the project. There are lots of different creative writing tools, but I was", "to confirm their participation on the project. There are lots of different creative", "that will have this functionality. Unfortunately, the existing kanban boards are either for", "it an \"epic\" (chapter) or a \"bug\" (sudden idea I shouldn't forget to", "wondering if anyone knows about a software that allows for a kanban board", "we use kanban boards to track the developers activities, like that: [![An exapmple", "activities, like that: [![An exapmple of a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to my latest", "kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing to my latest urge in creative writing, I found out", "the novel itself is a project, and protagonists, places and even time periods", "track the developers activities, like that: [![An exapmple of a kanban borad](https://i.stack.imgur.com/RudhB.png)](https://i.stack.imgur.com/RudhB.png) Succumbing", "I googled for creative writing software, or actually whatever software that will have", "and we use kanban boards to track the developers activities, like that: [![An", "are lots of different creative writing tools, but I was wondering if anyone", "boards are either for a single user where roles can't be given, or", "can't be given, or for teams of real people, that is, people with", "googled for creative writing software, or actually whatever software that will have this", "out that it is very efficient to have something like that for a", "I am a software engineer in a small agile company, and we use", "very efficient to have something like that for a novel. Here, the novel", "or whatever else. I googled for creative writing software, or actually whatever software", "allows for a kanban board with virtual employees in the sense I've just", "agile company, and we use kanban boards to track the developers activities, like", "\"ticket\", be it an \"epic\" (chapter) or a \"bug\" (sudden idea I shouldn't", "There are lots of different creative writing tools, but I was wondering if", "of different creative writing tools, but I was wondering if anyone knows about", "either for a single user where roles can't be given, or for teams", "tools, but I was wondering if anyone knows about a software that allows", "that for a novel. Here, the novel itself is a project, and protagonists,", "novel. Here, the novel itself is a project, and protagonists, places and even", "the existing kanban boards are either for a single user where roles can't", "that is, people with valid emails which they use to confirm their participation", "their participation on the project. There are lots of different creative writing tools,", "if anyone knows about a software that allows for a kanban board with", "is very efficient to have something like that for a novel. Here, the", "for creative writing software, or actually whatever software that will have this functionality.", "idea I shouldn't forget to fix in a revision), or whatever else. I", "in creative writing, I found out that it is very efficient to have", "forget to fix in a revision), or whatever else. I googled for creative" ]
[ "place them slightly to the side, either left or right of the actual", "like in Latin? Simply inserting them seems to place them slightly to the", "inserting them seems to place them slightly to the side, either left or", "either left or right of the actual letter, but I'd like to put", "or right of the actual letter, but I'd like to put them above.", "in Microsoft Word, is there a way to put carons and similar diacritics", "is there a way to put carons and similar diacritics above Greek letters", "them seems to place them slightly to the side, either left or right", "and similar diacritics above Greek letters like in Latin? Simply inserting them seems", "to the side, either left or right of the actual letter, but I'd", "Microsoft Word, is there a way to put carons and similar diacritics above", "them slightly to the side, either left or right of the actual letter,", "in Latin? Simply inserting them seems to place them slightly to the side,", "put carons and similar diacritics above Greek letters like in Latin? Simply inserting", "slightly to the side, either left or right of the actual letter, but", "a way to put carons and similar diacritics above Greek letters like in", "seems to place them slightly to the side, either left or right of", "similar diacritics above Greek letters like in Latin? Simply inserting them seems to", "above Greek letters like in Latin? Simply inserting them seems to place them", "Greek letters like in Latin? Simply inserting them seems to place them slightly", "Latin? Simply inserting them seems to place them slightly to the side, either", "to put carons and similar diacritics above Greek letters like in Latin? Simply", "side, either left or right of the actual letter, but I'd like to", "writing in Microsoft Word, is there a way to put carons and similar", "left or right of the actual letter, but I'd like to put them", "Simply inserting them seems to place them slightly to the side, either left", "way to put carons and similar diacritics above Greek letters like in Latin?", "diacritics above Greek letters like in Latin? Simply inserting them seems to place", "letters like in Latin? Simply inserting them seems to place them slightly to", "to place them slightly to the side, either left or right of the", "When writing in Microsoft Word, is there a way to put carons and", "carons and similar diacritics above Greek letters like in Latin? Simply inserting them", "the side, either left or right of the actual letter, but I'd like", "there a way to put carons and similar diacritics above Greek letters like", "Word, is there a way to put carons and similar diacritics above Greek" ]
[ "a personal dynamic and are no longer unfamiliar to one another? The relationship", "he could trust it. But in the trailer for the new movie the", "he didn't know if he could trust it. But in the trailer for", "series once the characters have settled into a personal dynamic and are no", "the protagonists and seeing what happens, rather than expanding Edwue and the symbiote's", "draw of virtually every buddy cop movie ever made, though it appears to", "the relationship between the lead characters unstable and ever-changing to maintain that feeling", "works. Quite frequently the narrative payoff in the first book in a series", "has any conflict because they are familiar with each other's personality and quirks.", "the developing relationships are between a secondary and a primary character rather than", "a lot of potential drama due to clashing personalities and the growing pains", "In Black* movies were based around the buddy-cop principle, albeit with the \"cops\"", "these two or more strangers bounce off each other and develop a relationship.", "a vicarious thrill of the unknown in seeing how these two or more", "very well and are still establishing an equilibrium. As a result, there is", "common character arc is having two or more characters initially starting off on", "were unable to follow up on the success that the first was. They", "relationship in the first place. A good example of this is with the", "to challenge them, but these relationships are often not as satisfying as the", "being alien police. However, by the end of the first movie J was", "source of conflict and drama from the characters being unfamiliar with each other", "However, part of a friendship or romance is being able to trust one", "because the characters don't know each other very well and are still establishing", "trust one another, and if the relationship between two characters is constantly unpredictable", "\"spark\" of the original movie being gone. My question is how do you", "between two characters is constantly unpredictable and the two do not understand or", "and there isn't a ready source of conflict and drama from the characters", "initially starting off on a bad foot and learning to trust each other", "another it gives the impression the character never had a healthy relationship in", "them, but these relationships are often not as satisfying as the first entry", "first entry in a series as the developing relationships are between a secondary", "a bad foot and learning to trust each other over the course of", "first book in a series is seeing these characters actually achieve some level", "have settled into a personal dynamic and are no longer unfamiliar to one", "other works. Quite frequently the narrative payoff in the first book in a", "of the original movie being gone. My question is how do you continue", "bad foot and learning to trust each other over the course of the", "of drama had evaporated and the sequels were unable to follow up on", "growing pains of the characters learning to understand each other. A very common", "first was. They either tried to reverse the roles (as in the first", "audience, there is a vicarious thrill of the unknown in seeing how these", "than expanding Edwue and the symbiote's relationship. Similarly, the Men In Black movies", "the course of the story. For the audience, there is a vicarious thrill", "cannot rely on one another it gives the impression the character never had", "between the lead characters unstable and ever-changing to maintain that feeling of the", "to maintain that feeling of the unknown. However, part of a friendship or", "unknown in seeing how these two or more strangers bounce off each other", "and being familiar with one another's quirks. The movie seems to be trying", "personal dynamic and are no longer unfamiliar to one another? The relationship no", "personalities and the growing pains of the characters learning to understand each other.", "primary draw of virtually every buddy cop movie ever made, though it appears", "do away with it (as in the second half of that movie), and", "Men in Black II) or do away with it (as in the second", "and drama from the characters being unfamiliar with each other and learning to", "primary character rather than between the primary characters. Other works have tried to", "dynamic and are no longer unfamiliar to one another? The relationship no longer", "into the mix to challenge them, but these relationships are often not as", "starting off on a bad foot and learning to trust each other over", "of the story. For the audience, there is a vicarious thrill of the", "the first half of Men in Black II) or do away with it", "didn't know if he could trust it. But in the trailer for the", "success that the first was. They either tried to reverse the roles (as", "seems to be trying to get around this by chucking Carnage at the", "The relationship no longer has any conflict because they are familiar with each", "a ready source of conflict and drama from the characters being unfamiliar with", "in Black II) or do away with it (as in the second half", "principle, albeit with the \"cops\" being alien police. However, by the end of", "movie), and got massively criticized for it as the \"spark\" of the original", "sequel to the recent Venom* movie. Much of the drama for the original", "develop a relationship. This is the primary draw of virtually every buddy cop", "and ever-changing to maintain that feeling of the unknown. However, part of a", "entry in a series as the developing relationships are between a secondary and", "a friendship or romance is being able to trust one another, and if", "lot of potential drama due to clashing personalities and the growing pains of", "a healthy relationship in the first place. A good example of this is", "evaporated and the sequels were unable to follow up on the success that", "it as the \"spark\" of the original movie being gone. My question is", "police. However, by the end of the first movie J was no longer", "This is the primary draw of virtually every buddy cop movie ever made,", "came from the fear of the unknown, the symbiote was an unknown to", "though it appears to a lesser degree in other works. Quite frequently the", "to the recent Venom movie. Much of the drama for the original Venom", "the characters learning to understand each other. A very common character arc is", "get around this by chucking Carnage at the protagonists and seeing what happens,", "alien police. However, by the end of the first movie J was no", "or more characters initially starting off on a bad foot and learning to", "sequels were unable to follow up on the success that the first was.", "off each other and develop a relationship. This is the primary draw of", "characters initially starting off on a bad foot and learning to trust each", "question is *how do you continue to develop characters' relationships with one another", "longer unfamiliar to one another? The relationship no longer has any conflict because", "the roles (as in the first half of Men in Black II) or", "course of the story. For the audience, there is a vicarious thrill of", "it appears to a lesser degree in other works. Quite frequently the narrative", "developing relationships are between a secondary and a primary character rather than between", "do you do for character development and drama in a series once the", "do for character development and drama in a series once the characters have", "is initially a lot of fertile ground for storytelling because the characters don't", "throw new characters into the mix to challenge them, but these relationships are", "being unfamiliar with each other and learning to deal with each others quirks?", "and the symbiote's relationship. Similarly, the Men In Black* movies were based around", "trying to get around this by chucking Carnage at the protagonists and seeing", "rather than expanding Edwue and the symbiote's relationship. Similarly, the Men In Black", "maintain that feeling of the unknown. However, part of a friendship or romance", "J was no longer an inexperienced MIB agent and had established a rapport", "satisfying as the first entry in a series as the developing relationships are", "lesser degree in other works. Quite frequently the narrative payoff in the first", "was no longer an inexperienced MIB agent and had established a rapport with", "working relationship. However, my question is what do you do for character development", "each other. A very common character arc is having two or more characters", "in a series as the developing relationships are between a secondary and a", "and if the relationship between two characters is constantly unpredictable and the two", "Edwue and the symbiote's relationship. Similarly, the Men In Black movies were based", "relationships with one another in later entries of a series once they have", "are no longer unfamiliar to one another? The relationship no longer has any", "well and are still establishing an equilibrium. As a result, there is a", "cop movie ever made, though it appears to a lesser degree in other", "relationships are between a secondary and a primary character rather than between the", "Black* movies were based around the buddy-cop principle, albeit with the \"cops\" being", "an equilibrium. As a result, there is a lot of potential drama due", "appears to a lesser degree in other works. Quite frequently the narrative payoff", "a rapport with K. This meant that the source of drama had evaporated", "around the buddy-cop principle, albeit with the \"cops\" being alien police. However, by", "do not understand or cannot rely on one another it gives the impression", "another in later entries of a series once they have settled into an", "and seeing what happens, rather than expanding Edwue and the symbiote's relationship. Similarly,", "had evaporated and the sequels were unable to follow up on the success", "in a series once the characters have settled into a personal dynamic and", "the two are introduces as understanding one another and being familiar with one", "as satisfying as the first entry in a series as the developing relationships", "no longer has any conflict because they are familiar with each other's personality", "in the first half of Men in Black II) or do away with", "with the \"cops\" being alien police. However, by the end of the first", "the audience, there is a vicarious thrill of the unknown in seeing how", "for character development and drama in a series once the characters have settled", "the unknown. However, part of a friendship or romance is being able to", "for it as the \"spark\" of the original movie being gone. My question", "by the end of the first movie J was no longer an inexperienced", "another and being familiar with one another's quirks. The movie seems to be", "characters is constantly unpredictable and the two do not understand or cannot rely", "as understanding one another and being familiar with one another's quirks. The movie", "got massively criticized for it as the \"spark\" of the original movie being", "the fear of the unknown, the symbiote was an unknown to Edwue and", "Venom movie. Much of the drama for the original Venom movie came from", "rapport with K. This meant that the source of drama had evaporated and", "series there is initially a lot of fertile ground for storytelling because the", "able to trust one another, and if the relationship between two characters is", "more characters initially starting off on a bad foot and learning to trust", "drama in a series once the characters have settled into a personal dynamic", "an inexperienced MIB agent and had established a rapport with K. This meant", "unknown. However, part of a friendship or romance is being able to trust", "As a result, there is a lot of potential drama due to clashing", "character development and drama in a series once the characters have settled into", "being gone. My question is how do you continue to develop characters' relationships", "from the characters being unfamiliar with each other and learning to deal with", "impression the character never had a healthy relationship in the first place. A", "have tried to keep the relationship between the lead characters unstable and ever-changing", "other and develop a relationship. This is the primary draw of virtually every", "between the primary characters. Other works have tried to keep the relationship between", "is seeing these characters actually achieve some level of working relationship. 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But in the trailer", "in the second half of that movie), and got massively criticized for it", "movie seems to be trying to get around this by chucking Carnage at", "being able to trust one another, and if the relationship between two characters", "the second half of that movie), and got massively criticized for it as", "agent and had established a rapport with K. This meant that the source", "works have tried to keep the relationship between the lead characters unstable and", "away with it (as in the second half of that movie), and got", "for storytelling because the characters don't know each other very well and are", "seeing what happens, rather than expanding Edwue and the symbiote's relationship. Similarly, the", "or do away with it (as in the second half of that movie),", "to trust each other over the course of the story. For the audience,", "are introduces as understanding one another and being familiar with one another's quirks.", "what happens, rather than expanding Edwue and the symbiote's relationship. Similarly, the Men", "K. This meant that the source of drama had evaporated and the sequels", "narrative payoff in the first book in a series is seeing these characters", "unknown to Edwue and he didn't know if he could trust it. But", "of this is with the upcoming sequel to the recent Venom* movie. Much", "to understand each other. A very common character arc is having two or", "characters unstable and ever-changing to maintain that feeling of the unknown. However, part", "payoff in the first book in a series is seeing these characters actually", "with one another in later entries of a series once they have settled", "movie came from the fear of the unknown, the symbiote was an unknown", "initially a lot of fertile ground for storytelling because the characters don't know", "entries of a series once they have settled into an established dynamic and", "the lead characters unstable and ever-changing to maintain that feeling of the unknown.", "was an unknown to Edwue and he didn't know if he could trust", "of fertile ground for storytelling because the characters don't know each other very", "criticized for it as the \"spark\" of the original movie being gone. My", "of working relationship. However, my question is what do you do for character", "characters don't know each other very well and are still establishing an equilibrium.", "with one another's quirks. The movie seems to be trying to get around", "and learning to trust each other over the course of the story. For", "introduces as understanding one another and being familiar with one another's quirks. The", "happens, rather than expanding Edwue and the symbiote's relationship. Similarly, the Men In", "albeit with the \"cops\" being alien police. However, by the end of the", "that movie), and got massively criticized for it as the \"spark\" of the", "ground for storytelling because the characters don't know each other very well and", "one another in later entries of a series once they have settled into", "or cannot rely on one another it gives the impression the character never", "they are familiar with each other's personality and quirks. It is possible to", "is having two or more characters initially starting off on a bad foot", "story. 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This meant that", "is a vicarious thrill of the unknown in seeing how these two or", "in seeing how these two or more strangers bounce off each other and", "and the two do not understand or cannot rely on one another it", "Venom movie came from the fear of the unknown, the symbiote was an", "However, by the end of the first movie J was no longer an", "bounce off each other and develop a relationship. This is the primary draw", "a series as the developing relationships are between a secondary and a primary", "This meant that the source of drama had evaporated and the sequels were", "this by chucking Carnage at the protagonists and seeing what happens, rather than", "each other's personality and quirks. It is possible to throw new characters into", "romance is being able to trust one another, and if the relationship between", "every buddy cop movie ever made, though it appears to a lesser degree", "an unknown to Edwue and he didn't know if he could trust it.", "meant that the source of drama had evaporated and the sequels were unable", "starting a series there is initially a lot of fertile ground for storytelling", "based around the buddy-cop principle, albeit with the \"cops\" being alien police. However,", "foot and learning to trust each other over the course of the story.", "don't know each other very well and are still establishing an equilibrium. As", "to throw new characters into the mix to challenge them, but these relationships", "unable to follow up on the success that the first was. They either", "an established dynamic and there isn't a ready source of conflict and drama", "However, my question is what do you do for character development and drama", "into a personal dynamic and are no longer unfamiliar to one another? The", "ever made, though it appears to a lesser degree in other works. Quite", "and a primary character rather than between the primary characters. Other works have", "clashing personalities and the growing pains of the characters learning to understand each", "thrill of the unknown in seeing how these two or more strangers bounce", "potential drama due to clashing personalities and the growing pains of the characters", "the original Venom movie came from the fear of the unknown, the symbiote", "if he could trust it. But in the trailer for the new movie", "is the primary draw of virtually every buddy cop movie ever made, though", "place. A good example of this is with the upcoming sequel to the", "degree in other works. Quite frequently the narrative payoff in the first book", "But in the trailer for the new movie the two are introduces as", "with it (as in the second half of that movie), and got massively", "characters learning to understand each other. A very common character arc is having", "was. They either tried to reverse the roles (as in the first half", "and the growing pains of the characters learning to understand each other. A", "than between the primary characters. Other works have tried to keep the relationship", "part of a friendship or romance is being able to trust one another,", "made, though it appears to a lesser degree in other works. Quite frequently", "a primary character rather than between the primary characters. Other works have tried", "movie the two are introduces as understanding one another and being familiar with", "two do not understand or cannot rely on one another it gives the", "A very common character arc is having two or more characters initially starting", "are familiar with each other's personality and quirks. It is possible to throw", "frequently the narrative payoff in the first book in a series is seeing", "other's personality and quirks. It is possible to throw new characters into the", "expanding Edwue and the symbiote's relationship. Similarly, the Men In Black movies were", "personality and quirks. It is possible to throw new characters into the mix", "the Men In Black movies were based around the buddy-cop principle, albeit with", "the relationship between two characters is constantly unpredictable and the two do not", "is with the upcoming sequel to the recent Venom movie. Much of the", "had established a rapport with K. This meant that the source of drama", "For the audience, there is a vicarious thrill of the unknown in seeing", "a series is seeing these characters actually achieve some level of working relationship.", "that the first was. They either tried to reverse the roles (as in", "the first place. A good example of this is with the upcoming sequel", "if the relationship between two characters is constantly unpredictable and the two do", "there isn't a ready source of conflict and drama from the characters being", "each other over the course of the story. For the audience, there is", "fear of the unknown, the symbiote was an unknown to Edwue and he", "secondary and a primary character rather than between the primary characters. Other works", "one another, and if the relationship between two characters is constantly unpredictable and", "*how do you continue to develop characters' relationships with one another in later", "to one another? The relationship no longer has any conflict because they are", "the first was. They either tried to reverse the roles (as in the", "the recent Venom* movie. Much of the drama for the original Venom movie", "how these two or more strangers bounce off each other and develop a", "longer has any conflict because they are familiar with each other's personality and", "Black II) or do away with it (as in the second half of", "of the characters learning to understand each other. A very common character arc", "drama for the original Venom* movie came from the fear of the unknown,", "gone. My question is *how do you continue to develop characters' relationships with", "a series once they have settled into an established dynamic and there isn't", "and quirks. It is possible to throw new characters into the mix to", "in a series is seeing these characters actually achieve some level of working", "with the upcoming sequel to the recent Venom* movie. Much of the drama", "movie ever made, though it appears to a lesser degree in other works.", "the primary draw of virtually every buddy cop movie ever made, though it", "of Men in Black II) or do away with it (as in the", "drama due to clashing personalities and the growing pains of the characters learning", "one another it gives the impression the character never had a healthy relationship", "unknown, the symbiote was an unknown to Edwue and he didn't know if", "Similarly, the Men In Black movies were based around the buddy-cop principle, albeit", "familiar with one another's quirks. The movie seems to be trying to get", "another? The relationship no longer has any conflict because they are familiar with", "you do for character development and drama in a series once the characters", "of conflict and drama from the characters being unfamiliar with each other and", "of virtually every buddy cop movie ever made, though it appears to a", "Other works have tried to keep the relationship between the lead characters unstable", "other. A very common character arc is having two or more characters initially", "the upcoming sequel to the recent Venom movie. Much of the drama for", "either tried to reverse the roles (as in the first half of Men", "established dynamic and there isn't a ready source of conflict and drama from", "due to clashing personalities and the growing pains of the characters learning to", "original movie being gone. My question is how do you continue to develop", "familiar with each other's personality and quirks. It is possible to throw new", "two or more characters initially starting off on a bad foot and learning", "end of the first movie J was no longer an inexperienced MIB agent", "tried to keep the relationship between the lead characters unstable and ever-changing to", "is being able to trust one another, and if the relationship between two", "a result, there is a lot of potential drama due to clashing personalities", "gives the impression the character never had a healthy relationship in the first", "mix to challenge them, but these relationships are often not as satisfying as", "the \"spark\" of the original movie being gone. My question is how do", "the primary characters. Other works have tried to keep the relationship between the", "no longer an inexperienced MIB agent and had established a rapport with K.", "into an established dynamic and there isn't a ready source of conflict and", "being familiar with one another's quirks. The movie seems to be trying to", "the drama for the original Venom* movie came from the fear of the", "any conflict because they are familiar with each other's personality and quirks. It", "to develop characters' relationships with one another in later entries of a series", "is possible to throw new characters into the mix to challenge them, but", "the trailer for the new movie the two are introduces as understanding one", "of that movie), and got massively criticized for it as the \"spark\" of", "MIB agent and had established a rapport with K. This meant that the", "the source of drama had evaporated and the sequels were unable to follow", "Edwue and he didn't know if he could trust it. 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This is the", "of the drama for the original Venom movie came from the fear of", "symbiote was an unknown to Edwue and he didn't know if he could", "with K. This meant that the source of drama had evaporated and the", "equilibrium. As a result, there is a lot of potential drama due to", "the success that the first was. They either tried to reverse the roles", "my question is what do you do for character development and drama in", "of the unknown in seeing how these two or more strangers bounce off", "the buddy-cop principle, albeit with the \"cops\" being alien police. However, by the", "one another's quirks. The movie seems to be trying to get around this", "each other and develop a relationship. This is the primary draw of virtually", "between a secondary and a primary character rather than between the primary characters.", "relationship. Similarly, the Men In Black movies were based around the buddy-cop principle,", "relationship. However, my question is what do you do for character development and", "vicarious thrill of the unknown in seeing how these two or more strangers", "the story. For the audience, there is a vicarious thrill of the unknown", "the symbiote was an unknown to Edwue and he didn't know if he", "the narrative payoff in the first book in a series is seeing these", "as the first entry in a series as the developing relationships are between", "relationship no longer has any conflict because they are familiar with each other's", "feeling of the unknown. However, part of a friendship or romance is being", "trust it. But in the trailer for the new movie the two are", "still establishing an equilibrium. As a result, there is a lot of potential", "second half of that movie), and got massively criticized for it as the", "a lot of fertile ground for storytelling because the characters don't know each", "to Edwue and he didn't know if he could trust it. But in", "to trust one another, and if the relationship between two characters is constantly", "achieve some level of working relationship. However, my question is what do you", "other over the course of the story. For the audience, there is a", "do you continue to develop characters' relationships with one another in later entries", "the characters being unfamiliar with each other and learning to deal with each", "some level of working relationship. However, my question is what do you do", "one another and being familiar with one another's quirks. The movie seems to", "is what do you do for character development and drama in a series", "could trust it. But in the trailer for the new movie the two", "follow up on the success that the first was. They either tried to", "conflict and drama from the characters being unfamiliar with each other and learning", "up on the success that the first was. They either tried to reverse", "first half of Men in Black II) or do away with it (as" ]
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In a", "noticed in other urban fantasy works (e.g., The Darren Shan Saga, Hijrp Potfeq,", "of the setting?** I realize a lot of this is dependent on the", "I've noticed in other urban fantasy works (e.g., The Darren Shan Saga, Hijrp", "they initially run out the warranty on the initial \"character discovers the supernatural", "else they draw out the \"adapting\" arc over multiple books. However, a lot", "out. I've noticed in other urban fantasy works (e.g., The Darren Shan Saga,", "is written really, really well they don't actually further the character development of", "then adapting to the supernatural world and/or returning to reality is the return.", "it is no longer the great unknown to the character and the character", "of conflict is gone, and it's not clear how to develop a character", "is the return. 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Once the character has played out", "lot of times these kinds of arc feel hollow because unless the bad", "a personal challenge to Herrl whereas Voldemort was just a big, bad snake", "the \"bad guy wants to take over the world\" plot doesn't seem to", "(e.g., The Darren Shan Saga, Hijrp Potfeq, Gregor the Underlander, etc.) almost invariably", "the character development of the protagonist, merely represent an end-boss threshold guardian to", "compared to, say, Sirius' death). This kind of plotting swerve by itself seems", "and then adapting to the supernatural world and/or returning to reality is the", "the character and hence is highly subjective, but I am trying to figure", "of plotting swerve by itself seems like a bit of a problem because", "invariably a plotline where the everyman main character is drawn into the supernatural", "in the first volume or so there is almost invariably a plotline where", "had to defeat to end the conflict. Voldemort clearly hates Herrl but Herrl", "volume or so there is almost invariably a plotline where the everyman main", "Saga, Hijrp Potfeq, Gregor the Underlander, etc.) almost invariably pivot into a \"someone", "times these kinds of arc feel hollow because unless the bad guy is", "a general sense. Once the character has played out the initial hero's journey", "of the big reasons why Umbridge was considered a more memorable villain than", "whereas Voldemort was just a big, bad snake man who shot green lasers", "to develop a character and keep them interesting after this initial arc plays", "Herrl (especially compared to, say, Sirius' death). This kind of plotting swerve by", "say, Sirius' death). This kind of plotting swerve by itself seems like a", "hence is highly subjective, but I am trying to figure out what to", "in the conversations at the end of Order of the Phoenix) and the", "conflict. 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E.g., one", "the character may have friends or allies from the first time around to", "character may have friends or allies from the first time around to help", "\"character discovers the supernatural world\" arc, or else they draw out the \"adapting\"", "out the warranty on the initial \"character discovers the supernatural world\" arc, or", "really, really well they don't actually further the character development of the protagonist,", "this initial arc plays out and they are familiar with the supernatural elements", "arc feel hollow because unless the bad guy is written really, really well", "drawn into the supernatural world and is forced to adapt in some fashion.", "Umbridge was more of a personal challenge to Herrl whereas Voldemort was just", "Voldemort clearly hates Herrl but Herrl just seems resigned to fight Voldemort out", "a lot of times these kinds of arc feel hollow because unless the", "to overcome. 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I've noticed in other urban fantasy works (e.g., The Darren", "discovers the supernatural world\" arc, or else they draw out the \"adapting\" arc", "almost invariably pivot into a \"someone wants to take over the world\" plot", "supernatural world and is forced to adapt in some fashion. Quite often this", "the everyman main character is drawn into the supernatural world and is forced", "supernatural world and/or returning to reality is the return. Through the process of", "dependent on the character and hence is highly subjective, but I am trying", "arc, or else they draw out the \"adapting\" arc over multiple books. However,", "\"someone wants to take over the world\" plot when they initially run out", "the protagonist, merely represent an end-boss threshold guardian to overcome. E.g., one of", "However, what does one do to continue to develop a character and keep", "than Voldemort, Umbridge was more of a personal challenge to Herrl whereas Voldemort", "the Underlander, etc.) almost invariably pivot into a \"someone wants to take over", "etc.) almost invariably pivot into a \"someone wants to take over the world\"", "a lot of fantasy and science-fiction stories that are nominally set in the", "and hence is highly subjective, but I am trying to figure out what", "the bad guy is written really, really well they don't actually further the", "of the Phoenix) and the antagonistic relationship produces little development in Herrl (especially", "in a general sense. Once the character has played out the initial hero's", "subjective, but I am trying to figure out what to do to keep", "this is dependent on the character and hence is highly subjective, but I", "gone, and it's not clear how to develop a character from there. I.e.,", "feel hollow because unless the bad guy is written really, really well they", "guy is written really, really well they don't actually further the character development", "and science-fiction stories that are nominally set in the present, day, in the", "a more memorable villain than Voldemort, Umbridge was more of a personal challenge", "learn about the supernatural elements of the setting as the audience does. However,", "was distinct enough that it was worth asking as a separate question. In", "continue to develop a character and keep them interesting after this initial arc", "arc over multiple books. However, a lot of times these kinds of arc", "adapting to the supernatural world and/or returning to reality is the return. Through", "the second time around as it is no longer the great unknown to", "a problem because the pivot into the \"bad guy wants to take over", "the character has played out the initial hero's journey cycle, their initial source", "what to do to keep these characters interesting in a general sense. Once", "setting?* I realize a lot of this is dependent on the character and", "sense. Once the character has played out the initial hero's journey cycle, their", "death). This kind of plotting swerve by itself seems like a bit of", "This kind of plotting swerve by itself seems like a bit of a", "is highly subjective, but I am trying to figure out what to do", "into the \"bad guy wants to take over the world\" plot doesn't seem", "friends or allies from the first time around to help them out. I've", "almost invariably a plotline where the everyman main character is drawn into the", "felt it was distinct enough that it was worth asking as a separate", "Voldemort out of duty (as seen in the conversations at the end of", "Darren Shan Saga, Hijrp Potfeq, Gregor the Underlander, etc.) almost invariably pivot into", "to adapt in some fashion. Quite often this takes the form of a", "the initial hero's journey cycle, their initial source of conflict is gone, and", "the world isn't as thrilling the second time around as it is no", "out the initial hero's journey cycle, their initial source of conflict is gone,", "adaptation, we get ready-made conflict as well as a way to learn about", "into a \"someone wants to take over the world\" plot when they initially", "overcome. E.g., one of the big reasons why Umbridge was considered a more", "really well they don't actually further the character development of the protagonist, merely", "nominally set in the present, day, in the first volume or so there", "supernatural underbelly of the world isn't as thrilling the second time around as", "lot of fantasy and science-fiction stories that are nominally set in the present,", "reality is the return. Through the process of this adaptation, we get ready-made", "to provoke more character growth in the protagonist, and the protagonist ends up", "not clear how to develop a character from there. I.e., descending into the", "Shan Saga, Hijrp Potfeq, Gregor the Underlander, etc.) almost invariably pivot into a", "but I felt it was distinct enough that it was worth asking as", "I am trying to figure out what to do to keep these characters", "of this adaptation, we get ready-made conflict as well as a way to", "E.g., one of the big reasons why Umbridge was considered a more memorable", "to do to keep these characters interesting in a general sense. Once the", "is gone, and it's not clear how to develop a character from there.", "was considered a more memorable villain than Voldemort, Umbridge was more of a", "how to develop a character from there. 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I.e., descending into the supernatural underbelly of the", "the world\" plot doesn't seem to provoke more character growth in the protagonist,", "a plotline where the everyman main character is drawn into the supernatural world", "urban fantasy works (e.g., The Darren Shan Saga, Hijrp Potfeq, Gregor the Underlander,", "Voldemort, Umbridge was more of a personal challenge to Herrl whereas Voldemort was", "wants to take over the world\" plot when they initially run out the", "Through the process of this adaptation, we get ready-made conflict as well as", "from there. I.e., descending into the supernatural underbelly of the world isn't as", "have friends or allies from the first time around to help them out.", "everyman main character is drawn into the supernatural world and is forced to", "development in Herrl (especially compared to, say, Sirius' death). This kind of plotting", "as a way to learn about the supernatural elements of the setting as", "Underlander, etc.) almost invariably pivot into a \"someone wants to take over the", "challenge to Herrl whereas Voldemort was just a big, bad snake man who", "the first volume or so there is almost invariably a plotline where the", "interesting after this initial arc plays out and they are familiar with the", "fashion. Quite often this takes the form of a typical Campbellian hero's journey.", "as well as a way to learn about the supernatural elements of the", "I felt it was distinct enough that it was worth asking as a", "[this one](https://writing.stackexchange.com/questions/56298/how-do-you-write-character-development-in-later-entries-of-a-series-after-relati), but I felt it was distinct enough that it was worth", "seen in the conversations at the end of Order of the Phoenix) and", "Umbridge was considered a more memorable villain than Voldemort, Umbridge was more of", "separate question. In a lot of fantasy and science-fiction stories that are nominally", "supernatural elements of the setting?* I realize a lot of this is dependent", "Herrl had to defeat to end the conflict. Voldemort clearly hates Herrl but", "one do to continue to develop a character and keep them interesting after", "stories that are nominally set in the present, day, in the first volume", "and they are familiar with the supernatural elements of the setting?** I realize", "the antagonistic relationship produces little development in Herrl (especially compared to, say, Sirius'", "the supernatural world and is forced to adapt in some fashion. Quite often", "fantasy works (e.g., The Darren Shan Saga, Hijrp Potfeq, Gregor the Underlander, etc.)", "the supernatural elements of the setting as the audience does. However, *what does", "it's not clear how to develop a character from there. I.e., descending into", "they hit a low point as an abyss and then adapting to the", "the threshhold, learning about the world is challenges and temptation, they hit a", "no longer the great unknown to the character and the character may have", "cycle, their initial source of conflict is gone, and it's not clear how", "threshold guardian to overcome. E.g., one of the big reasons why Umbridge was", "to the supernatural world and/or returning to reality is the return. Through the", "Phoenix) and the antagonistic relationship produces little development in Herrl (especially compared to,", "from the first time around to help them out. I've noticed in other", "the Phoenix) and the antagonistic relationship produces little development in Herrl (especially compared", "seem to provoke more character growth in the protagonist, and the protagonist ends", "temptation, they hit a low point as an abyss and then adapting to", "big reasons why Umbridge was considered a more memorable villain than Voldemort, Umbridge", "question. In a lot of fantasy and science-fiction stories that are nominally set", "character and the character may have friends or allies from the first time", "is challenges and temptation, they hit a low point as an abyss and", "about the world is challenges and temptation, they hit a low point as", "However, a lot of times these kinds of arc feel hollow because unless", "to continue to develop a character and keep them interesting after this initial", "a big, bad snake man who shot green lasers that Herrl had to", "of Order of the Phoenix) and the antagonistic relationship produces little development in", "they draw out the \"adapting\" arc over multiple books. However, a lot of", "Campbellian hero's journey. Getting dragged into the supernatural world is crossing the threshhold,", "source of conflict is gone, and it's not clear how to develop a", "has played out the initial hero's journey cycle, their initial source of conflict", "Order of the Phoenix) and the antagonistic relationship produces little development in Herrl", "is forced to adapt in some fashion. Quite often this takes the form", "resigned to fight Voldemort out of duty (as seen in the conversations at", "hit a low point as an abyss and then adapting to the supernatural", "just seems resigned to fight Voldemort out of duty (as seen in the", "and temptation, they hit a low point as an abyss and then adapting", "This question is very similar to [this one](https://writing.stackexchange.com/questions/56298/how-do-you-write-character-development-in-later-entries-of-a-series-after-relati), but I felt it was", "by itself seems like a bit of a problem because the pivot into", "pivot into the \"bad guy wants to take over the world\" plot doesn't", "character is drawn into the supernatural world and is forced to adapt in", "initial \"character discovers the supernatural world\" arc, or else they draw out the", "to defeat to end the conflict. Voldemort clearly hates Herrl but Herrl just", "Hijrp Potfeq, Gregor the Underlander, etc.) almost invariably pivot into a \"someone wants", "growth in the protagonist, and the protagonist ends up stagnating outside of subplots.", "development of the protagonist, merely represent an end-boss threshold guardian to overcome. E.g.,", "the great unknown to the character and the character may have friends or", "world\" plot when they initially run out the warranty on the initial \"character", "In a lot of fantasy and science-fiction stories that are nominally set in", "to help them out. I've noticed in other urban fantasy works (e.g., The", "the supernatural world is crossing the threshhold, learning about the world is challenges", "is drawn into the supernatural world and is forced to adapt in some", "to develop a character from there. I.e., descending into the supernatural underbelly of", "around to help them out. I've noticed in other urban fantasy works (e.g.,", "why Umbridge was considered a more memorable villain than Voldemort, Umbridge was more", "personal challenge to Herrl whereas Voldemort was just a big, bad snake man", "end-boss threshold guardian to overcome. E.g., one of the big reasons why Umbridge", "end of Order of the Phoenix) and the antagonistic relationship produces little development", "or else they draw out the \"adapting\" arc over multiple books. However, a", "is very similar to [this one](https://writing.stackexchange.com/questions/56298/how-do-you-write-character-development-in-later-entries-of-a-series-after-relati), but I felt it was distinct enough", "was worth asking as a separate question. In a lot of fantasy and", "into the supernatural underbelly of the world isn't as thrilling the second time", "do to keep these characters interesting in a general sense. Once the character", "time around as it is no longer the great unknown to the character", "to Herrl whereas Voldemort was just a big, bad snake man who shot", "to learn about the supernatural elements of the setting as the audience does.", "invariably pivot into a \"someone wants to take over the world\" plot when", "it was distinct enough that it was worth asking as a separate question.", "around as it is no longer the great unknown to the character and", "supernatural elements of the setting as the audience does. However, what does one", "in the present, day, in the first volume or so there is almost", "supernatural world is crossing the threshhold, learning about the world is challenges and", "guardian to overcome. E.g., one of the big reasons why Umbridge was considered", "antagonistic relationship produces little development in Herrl (especially compared to, say, Sirius' death).", "(especially compared to, say, Sirius' death). This kind of plotting swerve by itself", "are nominally set in the present, day, in the first volume or so", "fantasy and science-fiction stories that are nominally set in the present, day, in", "to take over the world\" plot doesn't seem to provoke more character growth", "Herrl whereas Voldemort was just a big, bad snake man who shot green", "form of a typical Campbellian hero's journey. Getting dragged into the supernatural world", "end the conflict. Voldemort clearly hates Herrl but Herrl just seems resigned to", "provoke more character growth in the protagonist, and the protagonist ends up stagnating", "out and they are familiar with the supernatural elements of the setting? I", "main character is drawn into the supernatural world and is forced to adapt", "out the \"adapting\" arc over multiple books. However, a lot of times these", "plotting swerve by itself seems like a bit of a problem because the", "bit of a problem because the pivot into the \"bad guy wants to", "the initial \"character discovers the supernatural world\" arc, or else they draw out", "the form of a typical Campbellian hero's journey. Getting dragged into the supernatural", "returning to reality is the return. Through the process of this adaptation, we", "does one do to continue to develop a character and keep them interesting", "asking as a separate question. In a lot of fantasy and science-fiction stories", "Sirius' death). This kind of plotting swerve by itself seems like a bit", "the first time around to help them out. I've noticed in other urban", "represent an end-boss threshold guardian to overcome. E.g., one of the big reasons", "of arc feel hollow because unless the bad guy is written really, really", "one](https://writing.stackexchange.com/questions/56298/how-do-you-write-character-development-in-later-entries-of-a-series-after-relati), but I felt it was distinct enough that it was worth asking", "reasons why Umbridge was considered a more memorable villain than Voldemort, Umbridge was", "The Darren Shan Saga, Hijrp Potfeq, Gregor the Underlander, etc.) almost invariably pivot", "conversations at the end of Order of the Phoenix) and the antagonistic relationship", "plot when they initially run out the warranty on the initial \"character discovers", "initially run out the warranty on the initial \"character discovers the supernatural world\"", "seems resigned to fight Voldemort out of duty (as seen in the conversations", "world\" plot doesn't seem to provoke more character growth in the protagonist, and", "more of a personal challenge to Herrl whereas Voldemort was just a big,", "time around to help them out. I've noticed in other urban fantasy works", "the \"adapting\" arc over multiple books. However, a lot of times these kinds", "journey cycle, their initial source of conflict is gone, and it's not clear", "initial source of conflict is gone, and it's not clear how to develop", "is dependent on the character and hence is highly subjective, but I am", "like a bit of a problem because the pivot into the \"bad guy", "to reality is the return. Through the process of this adaptation, we get", "return. Through the process of this adaptation, we get ready-made conflict as well", "plotline where the everyman main character is drawn into the supernatural world and", "played out the initial hero's journey cycle, their initial source of conflict is", "great unknown to the character and the character may have friends or allies", "challenges and temptation, they hit a low point as an abyss and then", "isn't as thrilling the second time around as it is no longer the", "this adaptation, we get ready-made conflict as well as a way to learn", "conflict is gone, and it's not clear how to develop a character from", "of a personal challenge to Herrl whereas Voldemort was just a big, bad", "doesn't seem to provoke more character growth in the protagonist, and the protagonist", "other urban fantasy works (e.g., The Darren Shan Saga, Hijrp Potfeq, Gregor the", "actually further the character development of the protagonist, merely represent an end-boss threshold", "arc plays out and they are familiar with the supernatural elements of the", "more memorable villain than Voldemort, Umbridge was more of a personal challenge to", "character growth in the protagonist, and the protagonist ends up stagnating outside of", "character and hence is highly subjective, but I am trying to figure out", "so there is almost invariably a plotline where the everyman main character is", "we get ready-made conflict as well as a way to learn about the", "over multiple books. However, a lot of times these kinds of arc feel", "of times these kinds of arc feel hollow because unless the bad guy", "seems like a bit of a problem because the pivot into the \"bad", "relationship produces little development in Herrl (especially compared to, say, Sirius' death). This", "don't actually further the character development of the protagonist, merely represent an end-boss", "process of this adaptation, we get ready-made conflict as well as a way", "defeat to end the conflict. Voldemort clearly hates Herrl but Herrl just seems", "similar to [this one](https://writing.stackexchange.com/questions/56298/how-do-you-write-character-development-in-later-entries-of-a-series-after-relati), but I felt it was distinct enough that it", "to take over the world\" plot when they initially run out the warranty", "draw out the \"adapting\" arc over multiple books. However, a lot of times", "the conversations at the end of Order of the Phoenix*) and the antagonistic", "a character from there. I.e., descending into the supernatural underbelly of the world", "clear how to develop a character from there. I.e., descending into the supernatural", "first volume or so there is almost invariably a plotline where the everyman", "question is very similar to [this one](https://writing.stackexchange.com/questions/56298/how-do-you-write-character-development-in-later-entries-of-a-series-after-relati), but I felt it was distinct", "because unless the bad guy is written really, really well they don't actually" ]
[ "also has a window, so there is a little bit of light, which", "would help with the passing of time, even though she can’t see out", "out of it. So, could she avoid going crazy? What are some of", "a window, so there is a little bit of light, which would help", "security prison. Her cell has one small window but everything else is solid", "of light, which would help with the passing of time, even though she", "mental strength and a good imagination but could she survive a month of", "her mom and her friends in prison too with the purpose of breaking", "going crazy? What are some of the side effects of this sort of", "to. She is arrested for treason and taken to a high security prison.", "without going crazy? Now most of my internet searches aren’t helpful. It seems", "see out of it. So, could she avoid going crazy? What are some", "has one small window but everything else is solid stone, including the door.", "each other. She also is visited on occasion by her captor who plays", "interaction. She does get interaction, so does that help? She also has a", "keep her from using her magic. She does get human interaction, guards bring", "wasn’t sure where to put this question so forgive me if it isn’t", "window but everything else is solid stone, including the door. She is chained", "using her magic. She does get human interaction, guards bring her food twice", "could she avoid going crazy? What are some of the side effects of", "sure where to put this question so forgive me if it isn’t in", "Her cell has one small window but everything else is solid stone, including", "the thing is, I don’t want her to. She is arrested for treason", "mom and her friends in prison too with the purpose of breaking her.", "is visited on occasion by her captor who plays with her a bit,", "does get human interaction, guards bring her food twice a day but that", "crazy with no actual interaction. She does get interaction, so does that help?", "at least the first week of her imprisonment they don’t speak to each", "on occasion by her captor who plays with her a bit, telling her", "has her mom and her friends in prison too with the purpose of", "she can’t see out of it. So, could she avoid going crazy? What", "She is arrested for treason and taken to a high security prison. Her", "her magic. She does get human interaction, guards bring her food twice a", "of her imprisonment they don’t speak to each other. She also is visited", "might go crazy, the thing is, I don’t want her to. She is", "this without going crazy? Now most of my internet searches aren’t helpful. It", "she survive a month of this without going crazy? Now most of my", "fair amount of mental strength and a good imagination but could she survive", "me if it isn’t in the right place. Anyway, I have a character", "don’t want her to. She is arrested for treason and taken to a", "She does get human interaction, guards bring her food twice a day but", "amount of mental strength and a good imagination but could she survive a", "the door. She is chained as well to keep her from using her", "like a person would go crazy with no actual interaction. She does get", "it. So, could she avoid going crazy? What are some of the side", "passing of time, even though she can’t see out of it. So, could", "crazy? What are some of the side effects of this sort of treatment?", "has a window, so there is a little bit of light, which would", "but could she survive a month of this without going crazy? Now most", "character who might go crazy, the thing is, I don’t want her to.", "that he has her mom and her friends in prison too with the", "so there is a little bit of light, which would help with the", "helpful. It seems like this kind of treatment could potentially qualify as torture.", "of breaking her. Before all this, she is mentally stable. She has a", "the first week of her imprisonment they don’t speak to each other. She", "is, I don’t want her to. She is arrested for treason and taken", "is mentally stable. She has a fair amount of mental strength and a", "actual interaction. She does get interaction, so does that help? She also has", "right place. Anyway, I have a character who might go crazy, the thing", "also is visited on occasion by her captor who plays with her a", "chained as well to keep her from using her magic. She does get", "She also has a window, so there is a little bit of light,", "her captor who plays with her a bit, telling her that he has", "searches aren’t helpful. It seems like this kind of treatment could potentially qualify", "and taken to a high security prison. Her cell has one small window", "a little bit of light, which would help with the passing of time,", "has and for at least the first week of her imprisonment they don’t", "help with the passing of time, even though she can’t see out of", "And it seems like a person would go crazy with no actual interaction.", "by her captor who plays with her a bit, telling her that he", "door. She is chained as well to keep her from using her magic.", "speak to each other. She also is visited on occasion by her captor", "torture. And it seems like a person would go crazy with no actual", "that help? She also has a window, so there is a little bit", "thing is, I don’t want her to. She is arrested for treason and", "week of her imprisonment they don’t speak to each other. She also is", "help? She also has a window, so there is a little bit of", "go crazy with no actual interaction. She does get interaction, so does that", "is arrested for treason and taken to a high security prison. Her cell", "her a bit, telling her that he has her mom and her friends", "seems like this kind of treatment could potentially qualify as torture. And it", "all this, she is mentally stable. She has a fair amount of mental", "like this kind of treatment could potentially qualify as torture. And it seems", "of time, even though she can’t see out of it. So, could she", "of it. So, could she avoid going crazy? What are some of the", "avoid going crazy? What are some of the side effects of this sort", "go crazy, the thing is, I don’t want her to. She is arrested", "bit, telling her that he has her mom and her friends in prison", "mentally stable. She has a fair amount of mental strength and a good", "month of this without going crazy? Now most of my internet searches aren’t", "potentially qualify as torture. And it seems like a person would go crazy", "it seems like a person would go crazy with no actual interaction. She", "there is a little bit of light, which would help with the passing", "get interaction, so does that help? She also has a window, so there", "small window but everything else is solid stone, including the door. She is", "purpose of breaking her. Before all this, she is mentally stable. She has", "most of my internet searches aren’t helpful. It seems like this kind of", "don’t speak to each other. She also is visited on occasion by her", "but everything else is solid stone, including the door. She is chained as", "imagination but could she survive a month of this without going crazy? Now", "She also is visited on occasion by her captor who plays with her", "kind of treatment could potentially qualify as torture. And it seems like a", "does get interaction, so does that help? She also has a window, so", "crazy, the thing is, I don’t want her to. She is arrested for", "where to put this question so forgive me if it isn’t in the", "Before all this, she is mentally stable. She has a fair amount of", "human interaction, guards bring her food twice a day but that is the", "a month of this without going crazy? Now most of my internet searches", "does that help? She also has a window, so there is a little", "first week of her imprisonment they don’t speak to each other. She also", "of mental strength and a good imagination but could she survive a month", "one small window but everything else is solid stone, including the door. She", "question so forgive me if it isn’t in the right place. Anyway, I", "from using her magic. She does get human interaction, guards bring her food", "a bit, telling her that he has her mom and her friends in", "is the only interaction she has and for at least the first week", "light, which would help with the passing of time, even though she can’t", "strength and a good imagination but could she survive a month of this", "qualify as torture. And it seems like a person would go crazy with", "else is solid stone, including the door. She is chained as well to", "her that he has her mom and her friends in prison too with", "and for at least the first week of her imprisonment they don’t speak", "to put this question so forgive me if it isn’t in the right", "telling her that he has her mom and her friends in prison too", "interaction, so does that help? She also has a window, so there is", "her imprisonment they don’t speak to each other. She also is visited on", "well to keep her from using her magic. She does get human interaction,", "my internet searches aren’t helpful. It seems like this kind of treatment could", "time, even though she can’t see out of it. So, could she avoid", "who might go crazy, the thing is, I don’t want her to. She", "could she survive a month of this without going crazy? Now most of", "a day but that is the only interaction she has and for at", "person would go crazy with no actual interaction. She does get interaction, so", "this question so forgive me if it isn’t in the right place. Anyway,", "a good imagination but could she survive a month of this without going", "so forgive me if it isn’t in the right place. Anyway, I have", "in the right place. Anyway, I have a character who might go crazy,", "good imagination but could she survive a month of this without going crazy?", "this kind of treatment could potentially qualify as torture. And it seems like", "her friends in prison too with the purpose of breaking her. Before all", "going crazy? Now most of my internet searches aren’t helpful. It seems like", "though she can’t see out of it. So, could she avoid going crazy?", "So, could she avoid going crazy? What are some of the side effects", "the passing of time, even though she can’t see out of it. So,", "a high security prison. Her cell has one small window but everything else", "cell has one small window but everything else is solid stone, including the", "solid stone, including the door. She is chained as well to keep her", "is chained as well to keep her from using her magic. She does", "bit of light, which would help with the passing of time, even though", "She is chained as well to keep her from using her magic. She", "least the first week of her imprisonment they don’t speak to each other.", "high security prison. Her cell has one small window but everything else is", "she has and for at least the first week of her imprisonment they", "and her friends in prison too with the purpose of breaking her. Before", "little bit of light, which would help with the passing of time, even", "she is mentally stable. She has a fair amount of mental strength and", "magic. She does get human interaction, guards bring her food twice a day", "She does get interaction, so does that help? She also has a window,", "the purpose of breaking her. Before all this, she is mentally stable. She", "arrested for treason and taken to a high security prison. Her cell has", "aren’t helpful. It seems like this kind of treatment could potentially qualify as", "of treatment could potentially qualify as torture. And it seems like a person", "to a high security prison. Her cell has one small window but everything", "Now most of my internet searches aren’t helpful. It seems like this kind", "treatment could potentially qualify as torture. And it seems like a person would", "put this question so forgive me if it isn’t in the right place.", "guards bring her food twice a day but that is the only interaction", "can’t see out of it. So, could she avoid going crazy? What are", "in prison too with the purpose of breaking her. Before all this, she", "survive a month of this without going crazy? Now most of my internet", "with the passing of time, even though she can’t see out of it.", "friends in prison too with the purpose of breaking her. Before all this,", "too with the purpose of breaking her. Before all this, she is mentally", "window, so there is a little bit of light, which would help with", "this, she is mentally stable. She has a fair amount of mental strength", "treason and taken to a high security prison. Her cell has one small", "Anyway, I have a character who might go crazy, the thing is, I", "is a little bit of light, which would help with the passing of", "taken to a high security prison. Her cell has one small window but", "as well to keep her from using her magic. She does get human", "a fair amount of mental strength and a good imagination but could she", "which would help with the passing of time, even though she can’t see", "isn’t in the right place. Anyway, I have a character who might go", "food twice a day but that is the only interaction she has and", "who plays with her a bit, telling her that he has her mom", "if it isn’t in the right place. Anyway, I have a character who", "as torture. And it seems like a person would go crazy with no", "I have a character who might go crazy, the thing is, I don’t", "the right place. Anyway, I have a character who might go crazy, the", "want her to. She is arrested for treason and taken to a high", "including the door. She is chained as well to keep her from using", "I wasn’t sure where to put this question so forgive me if it", "to keep her from using her magic. She does get human interaction, guards", "twice a day but that is the only interaction she has and for", "plays with her a bit, telling her that he has her mom and", "and a good imagination but could she survive a month of this without", "internet searches aren’t helpful. It seems like this kind of treatment could potentially", "has a fair amount of mental strength and a good imagination but could", "with the purpose of breaking her. Before all this, she is mentally stable.", "they don’t speak to each other. She also is visited on occasion by", "for treason and taken to a high security prison. Her cell has one", "get human interaction, guards bring her food twice a day but that is", "stone, including the door. She is chained as well to keep her from", "everything else is solid stone, including the door. She is chained as well", "visited on occasion by her captor who plays with her a bit, telling", "captor who plays with her a bit, telling her that he has her", "a character who might go crazy, the thing is, I don’t want her", "seems like a person would go crazy with no actual interaction. She does", "her from using her magic. She does get human interaction, guards bring her", "her to. She is arrested for treason and taken to a high security", "even though she can’t see out of it. So, could she avoid going", "interaction, guards bring her food twice a day but that is the only", "She has a fair amount of mental strength and a good imagination but", "it isn’t in the right place. Anyway, I have a character who might", "I don’t want her to. She is arrested for treason and taken to", "occasion by her captor who plays with her a bit, telling her that", "he has her mom and her friends in prison too with the purpose", "prison too with the purpose of breaking her. Before all this, she is", "could potentially qualify as torture. And it seems like a person would go", "with her a bit, telling her that he has her mom and her", "her. Before all this, she is mentally stable. She has a fair amount", "breaking her. Before all this, she is mentally stable. She has a fair", "to each other. She also is visited on occasion by her captor who", "so does that help? She also has a window, so there is a", "the only interaction she has and for at least the first week of", "forgive me if it isn’t in the right place. Anyway, I have a", "no actual interaction. She does get interaction, so does that help? She also", "bring her food twice a day but that is the only interaction she", "other. She also is visited on occasion by her captor who plays with", "prison. Her cell has one small window but everything else is solid stone,", "she avoid going crazy? What are some of the side effects of this", "but that is the only interaction she has and for at least the", "day but that is the only interaction she has and for at least", "interaction she has and for at least the first week of her imprisonment", "place. Anyway, I have a character who might go crazy, the thing is,", "of my internet searches aren’t helpful. It seems like this kind of treatment", "for at least the first week of her imprisonment they don’t speak to", "only interaction she has and for at least the first week of her", "It seems like this kind of treatment could potentially qualify as torture. And", "a person would go crazy with no actual interaction. She does get interaction,", "imprisonment they don’t speak to each other. She also is visited on occasion", "of this without going crazy? Now most of my internet searches aren’t helpful.", "crazy? Now most of my internet searches aren’t helpful. It seems like this", "have a character who might go crazy, the thing is, I don’t want", "her food twice a day but that is the only interaction she has", "would go crazy with no actual interaction. She does get interaction, so does", "is solid stone, including the door. She is chained as well to keep", "stable. She has a fair amount of mental strength and a good imagination", "with no actual interaction. She does get interaction, so does that help? She", "that is the only interaction she has and for at least the first" ]
[ "first draft of any novel is going to suck, but I can't seem", "my idea is not \"good enough\" and it won't turn out to be", "wallowing in your own self-doubt? I've already established in my mind that the", "but I can't seem to get past the first draft without feeling that", "Worst-case scenario I end up ditching the novel. Then I come up with", "not \"good enough\" and it won't turn out to be successful novel. Worst-case", "end up ditching the novel. Then I come up with a new idea", "with a new idea and start the loop all over again. Any advice", "is going to suck, but I can't seem to get past the first", "it won't turn out to be successful novel. Worst-case scenario I end up", "I end up ditching the novel. Then I come up with a new", "down eagerly to write, but over and over again, this sense of doubt", "the loop all over again. Any advice to believe in your novel and", "be successful novel. Worst-case scenario I end up ditching the novel. Then I", "successful novel. Worst-case scenario I end up ditching the novel. Then I come", "advice to believe in your novel and persevere to the end without wallowing", "turn out to be successful novel. Worst-case scenario I end up ditching the", "your novel and persevere to the end without wallowing in your own self-doubt?", "a new idea and start the loop all over again. Any advice to", "the first draft without feeling that my ideas for a novel and my", "over again. Any advice to believe in your novel and persevere to the", "I can't seem to get past the first draft without feeling that my", "your own self-doubt? I've already established in my mind that the first draft", "Then I come up with a new idea and start the loop all", "affects me tremendously while I'm writing, because I believe my idea is not", "I often come up with an idea, write an outline, and sit down", "the end without wallowing in your own self-doubt? I've already established in my", "in your novel and persevere to the end without wallowing in your own", "I'm writing, because I believe my idea is not \"good enough\" and it", "come up with an idea, write an outline, and sit down eagerly to", "an outline, and sit down eagerly to write, but over and over again,", "draft without feeling that my ideas for a novel and my talents as", "idea, write an outline, and sit down eagerly to write, but over and", "sense of doubt sets in. This affects me tremendously while I'm writing, because", "to believe in your novel and persevere to the end without wallowing in", "won't turn out to be successful novel. Worst-case scenario I end up ditching", "persevere to the end without wallowing in your own self-doubt? I've already established", "tremendously while I'm writing, because I believe my idea is not \"good enough\"", "doubt sets in. This affects me tremendously while I'm writing, because I believe", "mind that the first draft of any novel is going to suck, but", "idea and start the loop all over again. Any advice to believe in", "up with an idea, write an outline, and sit down eagerly to write,", "because I believe my idea is not \"good enough\" and it won't turn", "sets in. This affects me tremendously while I'm writing, because I believe my", "novel. Worst-case scenario I end up ditching the novel. Then I come up", "to suck, but I can't seem to get past the first draft without", "believe in your novel and persevere to the end without wallowing in your", "write an outline, and sit down eagerly to write, but over and over", "of doubt sets in. This affects me tremendously while I'm writing, because I", "over and over again, this sense of doubt sets in. This affects me", "ditching the novel. Then I come up with a new idea and start", "come up with a new idea and start the loop all over again.", "and over again, this sense of doubt sets in. This affects me tremendously", "and persevere to the end without wallowing in your own self-doubt? I've already", "to write, but over and over again, this sense of doubt sets in.", "I come up with a new idea and start the loop all over", "without feeling that my ideas for a novel and my talents as writer", "end without wallowing in your own self-doubt? I've already established in my mind", "that the first draft of any novel is going to suck, but I", "in. This affects me tremendously while I'm writing, because I believe my idea", "up with a new idea and start the loop all over again. Any", "seem to get past the first draft without feeling that my ideas for", "believe my idea is not \"good enough\" and it won't turn out to", "out to be successful novel. Worst-case scenario I end up ditching the novel.", "up ditching the novel. Then I come up with a new idea and", "get past the first draft without feeling that my ideas for a novel", "I believe my idea is not \"good enough\" and it won't turn out", "that my ideas for a novel and my talents as writer aren't good", "going to suck, but I can't seem to get past the first draft", "sit down eagerly to write, but over and over again, this sense of", "and it won't turn out to be successful novel. Worst-case scenario I end", "novel. Then I come up with a new idea and start the loop", "already established in my mind that the first draft of any novel is", "idea is not \"good enough\" and it won't turn out to be successful", "scenario I end up ditching the novel. Then I come up with a", "the first draft of any novel is going to suck, but I can't", "loop all over again. Any advice to believe in your novel and persevere", "is not \"good enough\" and it won't turn out to be successful novel.", "again. Any advice to believe in your novel and persevere to the end", "to get past the first draft without feeling that my ideas for a", "and start the loop all over again. Any advice to believe in your", "I've already established in my mind that the first draft of any novel", "enough\" and it won't turn out to be successful novel. Worst-case scenario I", "to the end without wallowing in your own self-doubt? I've already established in", "This affects me tremendously while I'm writing, because I believe my idea is", "of any novel is going to suck, but I can't seem to get", "established in my mind that the first draft of any novel is going", "my mind that the first draft of any novel is going to suck,", "outline, and sit down eagerly to write, but over and over again, this", "start the loop all over again. Any advice to believe in your novel", "any novel is going to suck, but I can't seem to get past", "draft of any novel is going to suck, but I can't seem to", "can't seem to get past the first draft without feeling that my ideas", "the novel. Then I come up with a new idea and start the", "past the first draft without feeling that my ideas for a novel and", "new idea and start the loop all over again. Any advice to believe", "and sit down eagerly to write, but over and over again, this sense", "often come up with an idea, write an outline, and sit down eagerly", "in my mind that the first draft of any novel is going to", "writing, because I believe my idea is not \"good enough\" and it won't", "but over and over again, this sense of doubt sets in. This affects", "novel and persevere to the end without wallowing in your own self-doubt? I've", "again, this sense of doubt sets in. This affects me tremendously while I'm", "\"good enough\" and it won't turn out to be successful novel. Worst-case scenario", "feeling that my ideas for a novel and my talents as writer aren't", "my ideas for a novel and my talents as writer aren't good enough.", "an idea, write an outline, and sit down eagerly to write, but over", "me tremendously while I'm writing, because I believe my idea is not \"good", "without wallowing in your own self-doubt? I've already established in my mind that", "Any advice to believe in your novel and persevere to the end without", "to be successful novel. Worst-case scenario I end up ditching the novel. Then", "with an idea, write an outline, and sit down eagerly to write, but", "all over again. Any advice to believe in your novel and persevere to", "over again, this sense of doubt sets in. This affects me tremendously while", "own self-doubt? I've already established in my mind that the first draft of", "first draft without feeling that my ideas for a novel and my talents", "this sense of doubt sets in. This affects me tremendously while I'm writing,", "eagerly to write, but over and over again, this sense of doubt sets", "in your own self-doubt? I've already established in my mind that the first", "suck, but I can't seem to get past the first draft without feeling", "while I'm writing, because I believe my idea is not \"good enough\" and", "novel is going to suck, but I can't seem to get past the", "self-doubt? I've already established in my mind that the first draft of any", "write, but over and over again, this sense of doubt sets in. This" ]
[ "my latest work after the major arcana of Tarot cards. While I can", "Tarot cards. While I can think of a few other works of fiction", "the major arcana of Tarot cards. While I can think of a few", "understand the reference and expressed concern that others would not. Is this concern", "I have named the members of a group of things in my latest", "works of fiction that do the same thing ([the bosses in the House", "titles of Jojo's Bizarre Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test reader did not understand", "the Dead series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the episode titles of Jojo's Bizarre Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)),", "do the same thing ([the bosses in the House of the Dead series](https://thehouseofthedead.fandom.com/wiki/Bosses),", "of Jojo's Bizarre Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test reader did not understand the", "Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test reader did not understand the reference and expressed concern", "think of a few other works of fiction that do the same thing", "not understand the reference and expressed concern that others would not. Is this", "of a group of things in my latest work after the major arcana", "Bizarre Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test reader did not understand the reference and", "latest work after the major arcana of Tarot cards. While I can think", "things in my latest work after the major arcana of Tarot cards. While", "arcana of Tarot cards. While I can think of a few other works", "of fiction that do the same thing ([the bosses in the House of", "thing ([the bosses in the House of the Dead* series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the episode", "I can think of a few other works of fiction that do the", "a few other works of fiction that do the same thing ([the bosses", "the members of a group of things in my latest work after the", "work after the major arcana of Tarot cards. While I can think of", "While I can think of a few other works of fiction that do", "bosses in the House of the Dead series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the episode titles of", "or [the episode titles of Jojo's Bizarre Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test reader", "series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the episode titles of Jojo's Bizarre Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test", "Jojo's Bizarre Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test reader did not understand the reference", "fiction that do the same thing ([the bosses in the House of the", "episode titles of Jojo's Bizarre Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test reader did not", "of the Dead series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the episode titles of Jojo's Bizarre Adventure: Stardust", "cards. While I can think of a few other works of fiction that", "same thing ([the bosses in the House of the Dead* series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the", "have named the members of a group of things in my latest work", "a group of things in my latest work after the major arcana of", "in my latest work after the major arcana of Tarot cards. While I", "the House of the Dead series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the episode titles of Jojo's Bizarre", "the same thing ([the bosses in the House of the Dead* series](https://thehouseofthedead.fandom.com/wiki/Bosses), or", "Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test reader did not understand the reference and expressed concern that", "a test reader did not understand the reference and expressed concern that others", "of a few other works of fiction that do the same thing ([the", "Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test reader did not understand the reference and expressed", "after the major arcana of Tarot cards. While I can think of a", "House of the Dead series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the episode titles of Jojo's Bizarre Adventure:", "did not understand the reference and expressed concern that others would not. Is", "named the members of a group of things in my latest work after", "of things in my latest work after the major arcana of Tarot cards.", "in the House of the Dead* series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the episode titles of Jojo's", "the reference and expressed concern that others would not. Is this concern justified?", "([the bosses in the House of the Dead* series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the episode titles", "test reader did not understand the reference and expressed concern that others would", "reader did not understand the reference and expressed concern that others would not.", "[the episode titles of Jojo's Bizarre Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a test reader did", "of Tarot cards. While I can think of a few other works of", "that do the same thing ([the bosses in the House of the Dead", "group of things in my latest work after the major arcana of Tarot", "few other works of fiction that do the same thing ([the bosses in", "major arcana of Tarot cards. While I can think of a few other", "Dead* series](https://thehouseofthedead.fandom.com/wiki/Bosses), or [the episode titles of Jojo's Bizarre Adventure: Stardust Crusaders](https://jojo.fandom.com/wiki/JoJo%27s_Bizarre_Adventure:_Stardust_Crusaders)), a", "can think of a few other works of fiction that do the same", "other works of fiction that do the same thing ([the bosses in the", "members of a group of things in my latest work after the major" ]
[ "if it will cause any copyright problems for me or not. (P.S: By", "know if it will cause any copyright problems for me or not. (P.S:", "copyright problems for me or not. (P.S: By the way, it's for a", "any copyright problems for me or not. (P.S: By the way, it's for", "named \"Jeep\" and I would like to know if it will cause any", "title says I have a character named \"Jeep\" and I would like to", "like to know if it will cause any copyright problems for me or", "As the title says I have a character named \"Jeep\" and I would", "says I have a character named \"Jeep\" and I would like to know", "would like to know if it will cause any copyright problems for me", "cause any copyright problems for me or not. (P.S: By the way, it's", "or not. (P.S: By the way, it's for a script for a game.)", "the title says I have a character named \"Jeep\" and I would like", "I would like to know if it will cause any copyright problems for", "me or not. (P.S: By the way, it's for a script for a", "will cause any copyright problems for me or not. (P.S: By the way,", "I have a character named \"Jeep\" and I would like to know if", "and I would like to know if it will cause any copyright problems", "a character named \"Jeep\" and I would like to know if it will", "to know if it will cause any copyright problems for me or not.", "character named \"Jeep\" and I would like to know if it will cause", "it will cause any copyright problems for me or not. (P.S: By the", "for me or not. (P.S: By the way, it's for a script for", "have a character named \"Jeep\" and I would like to know if it", "\"Jeep\" and I would like to know if it will cause any copyright", "problems for me or not. (P.S: By the way, it's for a script" ]
[ "going to be networks separate from the massive internet providers. So, the character", "And, maybe how I can use VR to make it more interesting to", "I need to have some idea what's going on. And, maybe how I", "just need something I can understand. Also, there are going to be networks", "to make it more interesting to the readers. I don't mind complex explanations,", "learn hacking (but if I learn some I learn some), but I am", "learn some I learn some), but I am writing a cyberpunk story so", "hacking (but if I learn some I learn some), but I am writing", "has LAN (local area network) to get in. Honestly, most of this stuff", "story so I need to have some idea what's going on. And, maybe", "(but if I learn some I learn some), but I am writing a", "be networks separate from the massive internet providers. So, the character will have", "providers. So, the character will have use wifi or cables at say an", "make it more interesting to the readers. I don't mind complex explanations, I", "massive internet providers. So, the character will have use wifi or cables at", "I can use VR to make it more interesting to the readers. I", "don't mind complex explanations, I really just need something I can understand. Also,", "really just need something I can understand. Also, there are going to be", "network) to get in. Honestly, most of this stuff is over my head.", "use wifi or cables at say an office that only has LAN (local", "to be networks separate from the massive internet providers. So, the character will", "I learn some), but I am writing a cyberpunk story so I need", "character will have use wifi or cables at say an office that only", "cables at say an office that only has LAN (local area network) to", "to have some idea what's going on. And, maybe how I can use", "need something I can understand. Also, there are going to be networks separate", "maybe how I can use VR to make it more interesting to the", "networks separate from the massive internet providers. So, the character will have use", "internet providers. So, the character will have use wifi or cables at say", "interesting to the readers. I don't mind complex explanations, I really just need", "Now, I don't want to learn hacking (but if I learn some I", "area network) to get in. Honestly, most of this stuff is over my", "to learn hacking (but if I learn some I learn some), but I", "are going to be networks separate from the massive internet providers. So, the", "there are going to be networks separate from the massive internet providers. So,", "idea what's going on. And, maybe how I can use VR to make", "I really just need something I can understand. Also, there are going to", "that only has LAN (local area network) to get in. Honestly, most of", "want to learn hacking (but if I learn some I learn some), but", "some), but I am writing a cyberpunk story so I need to have", "a cyberpunk story so I need to have some idea what's going on.", "understand. Also, there are going to be networks separate from the massive internet", "writing a cyberpunk story so I need to have some idea what's going", "will have use wifi or cables at say an office that only has", "have some idea what's going on. And, maybe how I can use VR", "what's going on. And, maybe how I can use VR to make it", "have use wifi or cables at say an office that only has LAN", "use VR to make it more interesting to the readers. I don't mind", "need to have some idea what's going on. And, maybe how I can", "some idea what's going on. And, maybe how I can use VR to", "the massive internet providers. So, the character will have use wifi or cables", "only has LAN (local area network) to get in. Honestly, most of this", "but I am writing a cyberpunk story so I need to have some", "I don't want to learn hacking (but if I learn some I learn", "so I need to have some idea what's going on. And, maybe how", "an office that only has LAN (local area network) to get in. Honestly,", "readers. I don't mind complex explanations, I really just need something I can", "LAN (local area network) to get in. Honestly, most of this stuff is", "I can understand. Also, there are going to be networks separate from the", "the character will have use wifi or cables at say an office that", "can use VR to make it more interesting to the readers. I don't", "going on. And, maybe how I can use VR to make it more", "from the massive internet providers. So, the character will have use wifi or", "at say an office that only has LAN (local area network) to get", "some I learn some), but I am writing a cyberpunk story so I", "(local area network) to get in. Honestly, most of this stuff is over", "more interesting to the readers. I don't mind complex explanations, I really just", "complex explanations, I really just need something I can understand. Also, there are", "learn some), but I am writing a cyberpunk story so I need to", "office that only has LAN (local area network) to get in. Honestly, most", "Also, there are going to be networks separate from the massive internet providers.", "I don't mind complex explanations, I really just need something I can understand.", "or cables at say an office that only has LAN (local area network)", "don't want to learn hacking (but if I learn some I learn some),", "the readers. I don't mind complex explanations, I really just need something I", "am writing a cyberpunk story so I need to have some idea what's", "it more interesting to the readers. I don't mind complex explanations, I really", "how I can use VR to make it more interesting to the readers.", "can understand. Also, there are going to be networks separate from the massive", "if I learn some I learn some), but I am writing a cyberpunk", "I learn some I learn some), but I am writing a cyberpunk story", "cyberpunk story so I need to have some idea what's going on. And,", "to the readers. I don't mind complex explanations, I really just need something", "So, the character will have use wifi or cables at say an office", "VR to make it more interesting to the readers. I don't mind complex", "something I can understand. Also, there are going to be networks separate from", "on. And, maybe how I can use VR to make it more interesting", "mind complex explanations, I really just need something I can understand. Also, there", "say an office that only has LAN (local area network) to get in.", "separate from the massive internet providers. So, the character will have use wifi", "wifi or cables at say an office that only has LAN (local area", "explanations, I really just need something I can understand. Also, there are going", "I am writing a cyberpunk story so I need to have some idea" ]
[ "* Conquest of an idea (like a cultural shift happening that would be", "I have thought of so far: Resources missing * Villain that wants something", "* Disease/Famine * Conquest of an idea (like a cultural shift happening that", "(but not limited to): * No Game No Life (a world where the", "students learn to cook better, and conflicts are resolved through \"food wars\" which", "cook better, and conflicts are resolved through \"food wars\" which display cooking prowess).", "and conflicts are resolved through \"food wars\" which display cooking prowess). * Friends", "rival gangs, etc.) This is what I have thought of so far: Resources", "of so far: Resources missing * Villain that wants something like “to not", "as a main means of creating conflict within the story. I've seen examples", "somewhat of a niche question. I'll be constructing a world to write a", "showcase Emotional Intelligence. So many worlds center around violence as a main means", "* No Game No Life (a world where the god decided conflict is", "I can involve conflict without having war arcs in a fantasy setting. Any", "* Lack of Capacity to complete task I acknowledge this is somewhat of", "violence? (i.e. no monsters, villains trying to kill MC, dangerous plants, factions of", "so far: Resources missing * Villain that wants something like “to not be", "of creating conflict within the story. I've seen examples of shows that don't", "story, and I'm hoping to get some suggestions on what kind of ways", "be constructing a world to write a larger story, and I'm hoping to", "Friends (A popular T.V. Sitcom, where the characters have opinions. Check out this", "where students learn to cook better, and conflicts are resolved through \"food wars\"", "irritating” * Disease/Famine * Conquest of an idea (like a cultural shift happening", "can explore cultural differences and highlight interactions that showcase Emotional Intelligence. So many", "the story. I've seen examples of shows that don't include violence well like", "violence well like (but not limited to): * No Game No Life (a", "idea (like a cultural shift happening that would be “bad”) * Desire to", "larger story, and I'm hoping to get some suggestions on what kind of", "conflict without violence? (i.e. no monsters, villains trying to kill MC, dangerous plants,", "“bad”) * Desire to do something else * Lack of Capacity to complete", "god decided conflict is decided through game rather than battle, but with a", "prowess). * Friends (A popular T.V. Sitcom, where the characters have opinions. Check", "bored” and will respond with “something that makes the world more irritating” ", "dangerous plants, factions of rival gangs, etc.) This is what I have thought", "of an idea (like a cultural shift happening that would be “bad”) ", "are resolved through \"food wars\" which display cooking prowess). * Friends (A popular", "game rather than battle, but with a history of war at the stories", "* Food Wars (A setting where students learn to cook better, and conflicts", "around violence as a main means of creating conflict within the story. I've", "out this breakdown of the show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what do you think", "Lack of Capacity to complete task I acknowledge this is somewhat of a", "to do something else * Lack of Capacity to complete task I acknowledge", "Game No Life (a world where the god decided conflict is decided through", "setting where students learn to cook better, and conflicts are resolved through \"food", "to complete task I acknowledge this is somewhat of a niche question. I'll", "many worlds center around violence as a main means of creating conflict within", "center around violence as a main means of creating conflict within the story.", "conflicts are resolved through \"food wars\" which display cooking prowess). * Friends (A", "resolved through \"food wars\" which display cooking prowess). * Friends (A popular T.V.", "Check out this breakdown of the show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what do you", "with “something that makes the world more irritating” * Disease/Famine * Conquest of", "on what kind of ways I can involve conflict without having war arcs", "of shows that don't include violence well like (but not limited to): ", "the world more irritating” Disease/Famine * Conquest of an idea (like a", "than battle, but with a history of war at the stories core). ", "world where the god decided conflict is decided through game rather than battle,", "plants, factions of rival gangs, etc.) This is what I have thought of", "this is somewhat of a niche question. I'll be constructing a world to", "Capacity to complete task I acknowledge this is somewhat of a niche question.", "characters have opinions. Check out this breakdown of the show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So,", "do you think makes good conflict without violence? (i.e. no monsters, villains trying", "have opinions. Check out this breakdown of the show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what", "far: Resources missing Villain that wants something like “to not be bored”", "without violence? (i.e. no monsters, villains trying to kill MC, dangerous plants, factions", "ways I can involve conflict without having war arcs in a fantasy setting.", "the show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what do you think makes good conflict without", "Conquest of an idea (like a cultural shift happening that would be “bad”)", "at the stories core). * Food Wars (A setting where students learn to", "MC, dangerous plants, factions of rival gangs, etc.) This is what I have", "that would be “bad”) * Desire to do something else * Lack of", "and I'm hoping to get some suggestions on what kind of ways I", "of rival gangs, etc.) This is what I have thought of so far:", "that showcase Emotional Intelligence. So many worlds center around violence as a main", "an idea (like a cultural shift happening that would be “bad”) * Desire", "write a larger story, and I'm hoping to get some suggestions on what", "I can explore cultural differences and highlight interactions that showcase Emotional Intelligence. So", "to write a larger story, and I'm hoping to get some suggestions on", "which display cooking prowess). * Friends (A popular T.V. Sitcom, where the characters", "limited to): * No Game No Life (a world where the god decided", "include violence well like (but not limited to): * No Game No Life", "trying to kill MC, dangerous plants, factions of rival gangs, etc.) This is", "* Villain that wants something like “to not be bored” and will respond", "think makes good conflict without violence? (i.e. no monsters, villains trying to kill", "<https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what do you think makes good conflict without violence? (i.e. no", "I'm focused on creating a story where I can explore cultural differences and", "can involve conflict without having war arcs in a fantasy setting. Any suggestions", "of a niche question. I'll be constructing a world to write a larger", "to): * No Game No Life (a world where the god decided conflict", "Wars (A setting where students learn to cook better, and conflicts are resolved", "This is what I have thought of so far: Resources missing * Villain", "no monsters, villains trying to kill MC, dangerous plants, factions of rival gangs,", "do something else * Lack of Capacity to complete task I acknowledge this", "good conflict without violence? (i.e. no monsters, villains trying to kill MC, dangerous", "monsters, villains trying to kill MC, dangerous plants, factions of rival gangs, etc.)", "involve conflict without having war arcs in a fantasy setting. Any suggestions are", "and highlight interactions that showcase Emotional Intelligence. So many worlds center around violence", "through \"food wars\" which display cooking prowess). * Friends (A popular T.V. Sitcom,", "rather than battle, but with a history of war at the stories core).", "what do you think makes good conflict without violence? (i.e. no monsters, villains", "is what I have thought of so far: Resources missing * Villain that", "would be “bad”) * Desire to do something else * Lack of Capacity", "kill MC, dangerous plants, factions of rival gangs, etc.) This is what I", "differences and highlight interactions that showcase Emotional Intelligence. So many worlds center around", "interactions that showcase Emotional Intelligence. So many worlds center around violence as a", "be “bad”) * Desire to do something else * Lack of Capacity to", "to kill MC, dangerous plants, factions of rival gangs, etc.) This is what", "battle, but with a history of war at the stories core). * Food", "constructing a world to write a larger story, and I'm hoping to get", "creating conflict within the story. I've seen examples of shows that don't include", "the god decided conflict is decided through game rather than battle, but with", "elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what do you think makes good conflict without violence? (i.e.", "have thought of so far: Resources missing * Villain that wants something like", "shift happening that would be “bad”) * Desire to do something else ", "learn to cook better, and conflicts are resolved through \"food wars\" which display", "villains trying to kill MC, dangerous plants, factions of rival gangs, etc.) This", "core). Food Wars (A setting where students learn to cook better, and", "task I acknowledge this is somewhat of a niche question. I'll be constructing", "* Friends (A popular T.V. Sitcom, where the characters have opinions. Check out", "explore cultural differences and highlight interactions that showcase Emotional Intelligence. So many worlds", "will respond with “something that makes the world more irritating” * Disease/Famine ", "conflict within the story. I've seen examples of shows that don't include violence", "within the story. I've seen examples of shows that don't include violence well", "Food Wars (A setting where students learn to cook better, and conflicts are", "T.V. Sitcom, where the characters have opinions. Check out this breakdown of the", "like (but not limited to): No Game No Life (a world where", "but with a history of war at the stories core). * Food Wars", "I've seen examples of shows that don't include violence well like (but not", "where the characters have opinions. Check out this breakdown of the show's elements:", "a main means of creating conflict within the story. I've seen examples of", "complete task I acknowledge this is somewhat of a niche question. I'll be", "to get some suggestions on what kind of ways I can involve conflict", "you think makes good conflict without violence? (i.e. no monsters, villains trying to", "Emotional Intelligence. So many worlds center around violence as a main means of", "factions of rival gangs, etc.) This is what I have thought of so", "a history of war at the stories core). * Food Wars (A setting", "Sitcom, where the characters have opinions. Check out this breakdown of the show's", "the stories core). * Food Wars (A setting where students learn to cook", "and will respond with “something that makes the world more irritating” * Disease/Famine", "gangs, etc.) This is what I have thought of so far: Resources missing", "the characters have opinions. Check out this breakdown of the show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>)", "makes the world more irritating” * Disease/Famine * Conquest of an idea (like", "on creating a story where I can explore cultural differences and highlight interactions", "creating a story where I can explore cultural differences and highlight interactions that", "else * Lack of Capacity to complete task I acknowledge this is somewhat", "kind of ways I can involve conflict without having war arcs in a", "popular T.V. Sitcom, where the characters have opinions. Check out this breakdown of", "be bored” and will respond with “something that makes the world more irritating”", "story where I can explore cultural differences and highlight interactions that showcase Emotional", "where the god decided conflict is decided through game rather than battle, but", "cultural differences and highlight interactions that showcase Emotional Intelligence. So many worlds center", "not limited to): * No Game No Life (a world where the god", "opinions. Check out this breakdown of the show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what do", "“something that makes the world more irritating” * Disease/Famine * Conquest of an", "don't include violence well like (but not limited to): * No Game No", "makes good conflict without violence? (i.e. no monsters, villains trying to kill MC,", "well like (but not limited to): * No Game No Life (a world", "war at the stories core). * Food Wars (A setting where students learn", "missing * Villain that wants something like “to not be bored” and will", "more irritating” * Disease/Famine * Conquest of an idea (like a cultural shift", "display cooking prowess). * Friends (A popular T.V. Sitcom, where the characters have", "I acknowledge this is somewhat of a niche question. I'll be constructing a", "acknowledge this is somewhat of a niche question. I'll be constructing a world", "shows that don't include violence well like (but not limited to): * No", "what I have thought of so far: Resources missing * Villain that wants", "suggestions on what kind of ways I can involve conflict without having war", "Intelligence. So many worlds center around violence as a main means of creating", "\"food wars\" which display cooking prowess). * Friends (A popular T.V. Sitcom, where", "cultural shift happening that would be “bad”) * Desire to do something else", "better, and conflicts are resolved through \"food wars\" which display cooking prowess). ", "breakdown of the show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what do you think makes good", "like “to not be bored” and will respond with “something that makes the", "to cook better, and conflicts are resolved through \"food wars\" which display cooking", "happening that would be “bad”) Desire to do something else * Lack", "question. I'll be constructing a world to write a larger story, and I'm", "No Game No Life (a world where the god decided conflict is decided", "is decided through game rather than battle, but with a history of war", "* Desire to do something else * Lack of Capacity to complete task", "worlds center around violence as a main means of creating conflict within the", "means of creating conflict within the story. I've seen examples of shows that", "seen examples of shows that don't include violence well like (but not limited", "with a history of war at the stories core). * Food Wars (A", "Life (a world where the god decided conflict is decided through game rather", "this breakdown of the show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what do you think makes", "show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what do you think makes good conflict without violence?", "something like “to not be bored” and will respond with “something that makes", "that don't include violence well like (but not limited to): * No Game", "decided conflict is decided through game rather than battle, but with a history", "of Capacity to complete task I acknowledge this is somewhat of a niche", "No Life (a world where the god decided conflict is decided through game", "highlight interactions that showcase Emotional Intelligence. So many worlds center around violence as", "violence as a main means of creating conflict within the story. I've seen", "I'll be constructing a world to write a larger story, and I'm hoping", "what kind of ways I can involve conflict without having war arcs in", "through game rather than battle, but with a history of war at the", "wants something like “to not be bored” and will respond with “something that", "(A setting where students learn to cook better, and conflicts are resolved through", "cooking prowess). * Friends (A popular T.V. Sitcom, where the characters have opinions.", "So many worlds center around violence as a main means of creating conflict", "etc.) This is what I have thought of so far: Resources missing ", "stories core). Food Wars (A setting where students learn to cook better,", "Disease/Famine * Conquest of an idea (like a cultural shift happening that would", "is somewhat of a niche question. I'll be constructing a world to write", "Desire to do something else * Lack of Capacity to complete task I", "conflict without having war arcs in a fantasy setting. Any suggestions are helpful!", "not be bored” and will respond with “something that makes the world more", "history of war at the stories core). * Food Wars (A setting where", "conflict is decided through game rather than battle, but with a history of", "So, what do you think makes good conflict without violence? (i.e. no monsters,", "“to not be bored” and will respond with “something that makes the world", "(A popular T.V. Sitcom, where the characters have opinions. Check out this breakdown", "respond with “something that makes the world more irritating” * Disease/Famine * Conquest", "a cultural shift happening that would be “bad”) * Desire to do something", "world to write a larger story, and I'm hoping to get some suggestions", "(a world where the god decided conflict is decided through game rather than", "thought of so far: Resources missing * Villain that wants something like “to", "of war at the stories core). * Food Wars (A setting where students", "I'm hoping to get some suggestions on what kind of ways I can", "some suggestions on what kind of ways I can involve conflict without having", "story. I've seen examples of shows that don't include violence well like (but", "a larger story, and I'm hoping to get some suggestions on what kind", "a story where I can explore cultural differences and highlight interactions that showcase", "wars\" which display cooking prowess). * Friends (A popular T.V. Sitcom, where the", "of the show's elements: <https://analyzingtv.wordpress.com/2016/03/01/friends-narrative-structure/>) So, what do you think makes good conflict", "hoping to get some suggestions on what kind of ways I can involve", "Villain that wants something like “to not be bored” and will respond with", "where I can explore cultural differences and highlight interactions that showcase Emotional Intelligence.", "a niche question. I'll be constructing a world to write a larger story,", "that wants something like “to not be bored” and will respond with “something", "Resources missing * Villain that wants something like “to not be bored” and", "that makes the world more irritating” * Disease/Famine * Conquest of an idea", "something else * Lack of Capacity to complete task I acknowledge this is", "(like a cultural shift happening that would be “bad”) * Desire to do", "niche question. I'll be constructing a world to write a larger story, and", "world more irritating” * Disease/Famine * Conquest of an idea (like a cultural", "main means of creating conflict within the story. I've seen examples of shows", "get some suggestions on what kind of ways I can involve conflict without", "examples of shows that don't include violence well like (but not limited to):", "(i.e. no monsters, villains trying to kill MC, dangerous plants, factions of rival", "decided through game rather than battle, but with a history of war at", "a world to write a larger story, and I'm hoping to get some", "of ways I can involve conflict without having war arcs in a fantasy", "focused on creating a story where I can explore cultural differences and highlight" ]
[ "\"My son was born in 1975 and my daughter 1982.\" > > >", "sentence: > > \"My son was born in 1975 and my daughter was", "1988.\" > > > Would the following be ok? > > \"My son", "us to drop words like verbs, prepositions or adjectives for different subjects in", "> > Would the following be ok? > > \"My son was born", "words \"my\"? Can they be dropped too? > > \"My son was born", "1982.\" > > > Would it be better or at least alright to", "son was born in 1975, my daughter in 1982 and my niece 1988.\"", "wonder if it's alright for us to drop words like verbs, prepositions or", "out with more than two subjects? > > \"My son was born in", "daughter, 1982.\" > > > If this is ok, how would this best", "if it's alright for us to drop words like verbs, prepositions or adjectives", "eg: > > \"My son, daughter and niece were born in 1975, 1982", "this sentence: > > \"My son was born in 1975 and my daughter", "> > \"My son was born in 1975, my daughter was born in", "my daughter was born in 1982 and my niece was born in 1988.\"", "> > \"My son was born in 1975 and my daughter 1982.\" >", "how would this best play out with more than two subjects? > >", "> > OR > > \"My son was born in 1975 and my", "> > > And side question, what about the repeated words \"my\"? Can", "more than two subjects? > > \"My son was born in 1975, my", "ok? > > \"My son was born in 1975, my daughter in 1982", "for us to drop words like verbs, prepositions or adjectives for different subjects", "to not sidestep the issue by rewording, eg: > > \"My son, daughter", "my daughter 1982.\" > > > OR > > \"My son was born", "in 1988.\" > > > Would the following be ok? > > \"My", "in 1975 and my daughter in 1982.\" > > > OR > >", "respectively.\" > > > And side question, what about the repeated words \"my\"?", "> > \"My son was born in 1975, and my daughter, 1982.\" >", "the repeated words \"my\"? Can they be dropped too? > > \"My son", "repeated words \"my\"? Can they be dropped too? > > \"My son was", "\"My son, daughter and niece were born in 1975, 1982 and 1988, respectively.\"", "I wonder if it's alright for us to drop words like verbs, prepositions", "any extra commas if so? > > \"My son was born in 1975", "> > \"My son was born in 1975, my daughter in 1982 and", "they be dropped too? > > \"My son was born in 1975, daughter", "> Of course, I would prefer to not sidestep the issue by rewording,", "niece was born in 1988.\" > > > Would the following be ok?", "about the repeated words \"my\"? Can they be dropped too? > > \"My", "1982.\" > > > OR > > \"My son was born in 1975,", "> Would the following be ok? > > \"My son was born in", "side question, what about the repeated words \"my\"? Can they be dropped too?", "be dropped too? > > \"My son was born in 1975, daughter in", "> > > OR > > \"My son was born in 1975 and", "adjectives for different subjects in the same sentence if repeated. Consider this sentence:", "> > \"My son was born in 1975 and my daughter was born", "> > Of course, I would prefer to not sidestep the issue by", "my niece 1988.\" > > > Of course, I would prefer to not", "> > > Would the following be ok? > > \"My son was", "in 1982.\" > > > Would it be better or at least alright", "Do we need any extra commas if so? > > \"My son was", "1975, my daughter in 1982 and my niece 1988.\" > > > Of", "> \"My son was born in 1975 and my daughter was born in", "words like verbs, prepositions or adjectives for different subjects in the same sentence", "\"My son was born in 1975, my daughter in 1982 and my niece", "born in 1975 and my daughter 1982.\" > > > OR > >", "the following be ok? > > \"My son was born in 1975, my", "same sentence if repeated. Consider this sentence: > > \"My son was born", "\"my\"? Can they be dropped too? > > \"My son was born in", "prepositions or adjectives for different subjects in the same sentence if repeated. Consider", "or adjectives for different subjects in the same sentence if repeated. Consider this", "was born in 1975 and my daughter was born in 1982.\" > >", "we need any extra commas if so? > > \"My son was born", "than two subjects? > > \"My son was born in 1975, my daughter", "and my daughter, 1982.\" > > > If this is ok, how would", "> \"My son was born in 1975 and my daughter in 1982.\" >", "issue by rewording, eg: > > \"My son, daughter and niece were born", "\"My son was born in 1975 and my daughter in 1982.\" > >", "different subjects in the same sentence if repeated. Consider this sentence: > >", "1975, 1982 and 1988, respectively.\" > > > And side question, what about", "> > \"My son was born in 1975, daughter in 1982 and niece", "1982 and my niece was born in 1988.\" > > > Would the", "and my daughter in 1982.\" > > > OR > > \"My son", "my daughter in 1982.\" > > > OR > > \"My son was", "in 1975, my daughter in 1982 and my niece 1988.\" > > >", "the repeated words at all? Do we need any extra commas if so?", "repeated words at all? Do we need any extra commas if so? >", "was born in 1975 and my daughter 1982.\" > > > OR >", "this best play out with more than two subjects? > > \"My son", "at least alright to drop the repeated words at all? Do we need", "> > OR > > \"My son was born in 1975, and my", "1975 and my daughter was born in 1982.\" > > > Would it", "> > \"My son was born in 1975 and my daughter in 1982.\"", "And side question, what about the repeated words \"my\"? Can they be dropped", "sentence if repeated. Consider this sentence: > > \"My son was born in", "commas if so? > > \"My son was born in 1975 and my", "subjects? > > \"My son was born in 1975, my daughter was born", "for different subjects in the same sentence if repeated. Consider this sentence: >", "all? Do we need any extra commas if so? > > \"My son", "born in 1975, my daughter was born in 1982 and my niece was", "my niece was born in 1988.\" > > > Would the following be", "sidestep the issue by rewording, eg: > > \"My son, daughter and niece", "two subjects? > > \"My son was born in 1975, my daughter was", "with more than two subjects? > > \"My son was born in 1975,", "were born in 1975, 1982 and 1988, respectively.\" > > > And side", "daughter in 1982.\" > > > OR > > \"My son was born", "was born in 1975 and my daughter in 1982.\" > > > OR", "> > > If this is ok, how would this best play out", "the issue by rewording, eg: > > \"My son, daughter and niece were", "was born in 1975, daughter in 1982 and niece 1988.\" > > >", "born in 1975, and my daughter, 1982.\" > > > If this is", "least alright to drop the repeated words at all? Do we need any", "subjects in the same sentence if repeated. Consider this sentence: > > \"My", "need any extra commas if so? > > \"My son was born in", "in 1975 and my daughter 1982.\" > > > OR > > \"My", "like verbs, prepositions or adjectives for different subjects in the same sentence if", "what about the repeated words \"my\"? Can they be dropped too? > >", "was born in 1982 and my niece was born in 1988.\" > >", "Would it be better or at least alright to drop the repeated words", "Of course, I would prefer to not sidestep the issue by rewording, eg:", "> > > OR > > \"My son was born in 1975, and", "daughter was born in 1982.\" > > > Would it be better or", "daughter was born in 1982 and my niece was born in 1988.\" >", "\"My son was born in 1975, daughter in 1982 and niece 1988.\" >", "play out with more than two subjects? > > \"My son was born", "the same sentence if repeated. Consider this sentence: > > \"My son was", "and my daughter 1982.\" > > > OR > > \"My son was", "this is ok, how would this best play out with more than two", "> > > Would it be better or at least alright to drop", "rewording, eg: > > \"My son, daughter and niece were born in 1975,", "1982 and 1988, respectively.\" > > > And side question, what about the", "words at all? Do we need any extra commas if so? > >", "1975 and my daughter in 1982.\" > > > OR > > \"My", "alright to drop the repeated words at all? Do we need any extra", "and 1988, respectively.\" > > > And side question, what about the repeated", "was born in 1975, my daughter in 1982 and my niece 1988.\" >", "not sidestep the issue by rewording, eg: > > \"My son, daughter and", "it's alright for us to drop words like verbs, prepositions or adjectives for", "Can they be dropped too? > > \"My son was born in 1975,", "son was born in 1975 and my daughter was born in 1982.\" >", "born in 1975, my daughter in 1982 and my niece 1988.\" > >", "born in 1982 and my niece was born in 1988.\" > > >", "drop words like verbs, prepositions or adjectives for different subjects in the same", "> > And side question, what about the repeated words \"my\"? Can they", "if so? > > \"My son was born in 1975 and my daughter", "was born in 1982.\" > > > Would it be better or at", "> > \"My son, daughter and niece were born in 1975, 1982 and", "> \"My son was born in 1975, daughter in 1982 and niece 1988.\"", "son was born in 1975 and my daughter 1982.\" > > > OR", "1988.\" > > > Of course, I would prefer to not sidestep the", "If this is ok, how would this best play out with more than", "\"My son was born in 1975, my daughter was born in 1982 and", "following be ok? > > \"My son was born in 1975, my daughter", "if repeated. Consider this sentence: > > \"My son was born in 1975", "would this best play out with more than two subjects? > > \"My", "\"My son was born in 1975 and my daughter was born in 1982.\"", "born in 1988.\" > > > Would the following be ok? > >", "or at least alright to drop the repeated words at all? Do we", "Consider this sentence: > > \"My son was born in 1975 and my", "> OR > > \"My son was born in 1975 and my daughter", "in 1975, my daughter was born in 1982 and my niece was born", "in 1975, 1982 and 1988, respectively.\" > > > And side question, what", "daughter 1982.\" > > > OR > > \"My son was born in", "1975, my daughter was born in 1982 and my niece was born in", "and my niece was born in 1988.\" > > > Would the following", "Would the following be ok? > > \"My son was born in 1975,", "1982.\" > > > OR > > \"My son was born in 1975", "son, daughter and niece were born in 1975, 1982 and 1988, respectively.\" >", "born in 1975, 1982 and 1988, respectively.\" > > > And side question,", "> Would it be better or at least alright to drop the repeated", "in 1982.\" > > > OR > > \"My son was born in", "born in 1982.\" > > > Would it be better or at least", "course, I would prefer to not sidestep the issue by rewording, eg: >", "so? > > \"My son was born in 1975 and my daughter in", "and my daughter was born in 1982.\" > > > Would it be", "is ok, how would this best play out with more than two subjects?", "son was born in 1975, my daughter was born in 1982 and my", "question, what about the repeated words \"my\"? Can they be dropped too? >", "> \"My son was born in 1975, and my daughter, 1982.\" > >", "to drop the repeated words at all? Do we need any extra commas", "it be better or at least alright to drop the repeated words at", "> \"My son was born in 1975 and my daughter 1982.\" > >", "be ok? > > \"My son was born in 1975, my daughter in", "daughter in 1982 and my niece 1988.\" > > > Of course, I", "my daughter in 1982 and my niece 1988.\" > > > Of course,", "and niece were born in 1975, 1982 and 1988, respectively.\" > > >", "1982.\" > > > If this is ok, how would this best play", "born in 1975 and my daughter in 1982.\" > > > OR >", "> OR > > \"My son was born in 1975, and my daughter,", "my daughter, 1982.\" > > > If this is ok, how would this", "> > > Of course, I would prefer to not sidestep the issue", "I would prefer to not sidestep the issue by rewording, eg: > >", "> \"My son was born in 1975, my daughter in 1982 and my", "> \"My son, daughter and niece were born in 1975, 1982 and 1988,", "be better or at least alright to drop the repeated words at all?", "better or at least alright to drop the repeated words at all? Do", "1975 and my daughter 1982.\" > > > OR > > \"My son", "> > If this is ok, how would this best play out with", "was born in 1975, my daughter was born in 1982 and my niece", "and my niece 1988.\" > > > Of course, I would prefer to", "1988, respectively.\" > > > And side question, what about the repeated words", "\"My son was born in 1975, and my daughter, 1982.\" > > >", "ok, how would this best play out with more than two subjects? >", "son was born in 1975, daughter in 1982 and niece 1988.\" > >", "extra commas if so? > > \"My son was born in 1975 and", "prefer to not sidestep the issue by rewording, eg: > > \"My son,", "born in 1975 and my daughter was born in 1982.\" > > >", "best play out with more than two subjects? > > \"My son was", "in 1982 and my niece was born in 1988.\" > > > Would", "> If this is ok, how would this best play out with more", "to drop words like verbs, prepositions or adjectives for different subjects in the", "son was born in 1975 and my daughter in 1982.\" > > >", "1975, and my daughter, 1982.\" > > > If this is ok, how", "niece 1988.\" > > > Of course, I would prefer to not sidestep", "> And side question, what about the repeated words \"my\"? Can they be", "my daughter was born in 1982.\" > > > Would it be better", "verbs, prepositions or adjectives for different subjects in the same sentence if repeated.", "> > Would it be better or at least alright to drop the", "OR > > \"My son was born in 1975 and my daughter 1982.\"", "dropped too? > > \"My son was born in 1975, daughter in 1982", "son was born in 1975, and my daughter, 1982.\" > > > If", "drop the repeated words at all? Do we need any extra commas if", "in 1975, and my daughter, 1982.\" > > > If this is ok,", "niece were born in 1975, 1982 and 1988, respectively.\" > > > And", "in 1982 and my niece 1988.\" > > > Of course, I would", "in 1975 and my daughter was born in 1982.\" > > > Would", "was born in 1975, and my daughter, 1982.\" > > > If this", "OR > > \"My son was born in 1975, and my daughter, 1982.\"", "by rewording, eg: > > \"My son, daughter and niece were born in", "too? > > \"My son was born in 1975, daughter in 1982 and", "at all? Do we need any extra commas if so? > > \"My", "was born in 1988.\" > > > Would the following be ok? >", "> \"My son was born in 1975, my daughter was born in 1982", "1982 and my niece 1988.\" > > > Of course, I would prefer", "alright for us to drop words like verbs, prepositions or adjectives for different", "repeated. Consider this sentence: > > \"My son was born in 1975 and", "daughter and niece were born in 1975, 1982 and 1988, respectively.\" > >", "would prefer to not sidestep the issue by rewording, eg: > > \"My", "in the same sentence if repeated. Consider this sentence: > > \"My son" ]
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I think this is since I have trouble understanding sophisticated passages.", "ability, and since the following is therefore an acceptable question, at least according", "the problem is actually my reading comprehension -- and I find many passages", "just clarify that I don't mean to write in convoluted ways, but simply", "my hope, I ask you this: How can I measurably improve my ability", "delight myself and the reader. I do not know if this is possible,", "least according to my hope, I ask you this: How can I measurably", "but simply in ways sophisticated enough to delight myself and the reader. I", "sophisticated enough to delight myself and the reader. I do not know if", "-- and I find many passages of the King James Bible difficult to", "problem is actually my reading comprehension -- and I find many passages of", "words of its words are archaic -- I need to improve my reading", "do not know if this is possible, but since this corresponds to writing", "writing ability, and since the following is therefore an acceptable question, at least", "question, at least according to my hope, I ask you this: How can", "according to my hope, I ask you this: How can I measurably improve", "So no matter how well I know grammar, I can never arrange words", "King James Bible difficult to understand, though not because some words of its", "this is since I have trouble understanding sophisticated passages. So no matter how", "is since I have trouble understanding sophisticated passages. So no matter how well", "to call them sophisticated. Since the problem is actually my reading comprehension --", "are archaic -- I need to improve my reading comprehension skills. Let me", "clever enough to call them sophisticated. Since the problem is actually my reading", "know if this is possible, but since this corresponds to writing ability, and", "but since this corresponds to writing ability, and since the following is therefore", "trouble understanding sophisticated passages. So no matter how well I know grammar, I", "to be sophisticated, but find it difficult. I think this is since I", "I find many passages of the King James Bible difficult to understand, though", "you this: How can I measurably improve my ability to comprehend difficult passages,", "improve my ability to comprehend difficult passages, in order to improve my ability", "I need to improve my reading comprehension skills. Let me just clarify that", "and the reader. I do not know if this is possible, but since", "need to improve my reading comprehension skills. Let me just clarify that I", "this corresponds to writing ability, and since the following is therefore an acceptable", "I would like my writing to be sophisticated, but find it difficult. I", "corresponds to writing ability, and since the following is therefore an acceptable question,", "since this corresponds to writing ability, and since the following is therefore an", "following is therefore an acceptable question, at least according to my hope, I", "though not because some words of its words are archaic -- I need", "passages. So no matter how well I know grammar, I can never arrange", "no matter how well I know grammar, I can never arrange words in", "comprehension -- and I find many passages of the King James Bible difficult", "the King James Bible difficult to understand, though not because some words of", "the following is therefore an acceptable question, at least according to my hope,", "can never arrange words in ways clever enough to call them sophisticated. Since", "this: How can I measurably improve my ability to comprehend difficult passages, in", "I measurably improve my ability to comprehend difficult passages, in order to improve", "enough to delight myself and the reader. I do not know if this", "sophisticated, but find it difficult. I think this is since I have trouble", "but find it difficult. I think this is since I have trouble understanding", "the reader. I do not know if this is possible, but since this", "find it difficult. I think this is since I have trouble understanding sophisticated", "don't mean to write in convoluted ways, but simply in ways sophisticated enough", "difficult. I think this is since I have trouble understanding sophisticated passages. So", "ways, but simply in ways sophisticated enough to delight myself and the reader.", "not know if this is possible, but since this corresponds to writing ability,", "my writing to be sophisticated, but find it difficult. I think this is", "can I measurably improve my ability to comprehend difficult passages, in order to", "is actually my reading comprehension -- and I find many passages of the", "in convoluted ways, but simply in ways sophisticated enough to delight myself and", "I don't mean to write in convoluted ways, but simply in ways sophisticated", "sophisticated passages. So no matter how well I know grammar, I can never", "know grammar, I can never arrange words in ways clever enough to call", "How can I measurably improve my ability to comprehend difficult passages, in order", "that I don't mean to write in convoluted ways, but simply in ways", "passages, in order to improve my ability to write them as well? Thank", "to write in convoluted ways, but simply in ways sophisticated enough to delight", "in order to improve my ability to write them as well? Thank you.", "them sophisticated. Since the problem is actually my reading comprehension -- and I", "since the following is therefore an acceptable question, at least according to my", "to my hope, I ask you this: How can I measurably improve my", "think this is since I have trouble understanding sophisticated passages. So no matter", "skills. Let me just clarify that I don't mean to write in convoluted", "therefore an acceptable question, at least according to my hope, I ask you", "would like my writing to be sophisticated, but find it difficult. I think", "I have trouble understanding sophisticated passages. So no matter how well I know", "measurably improve my ability to comprehend difficult passages, in order to improve my", "sophisticated. Since the problem is actually my reading comprehension -- and I find", "I know grammar, I can never arrange words in ways clever enough to", "enough to call them sophisticated. Since the problem is actually my reading comprehension", "grammar, I can never arrange words in ways clever enough to call them", "actually my reading comprehension -- and I find many passages of the King", "reading comprehension -- and I find many passages of the King James Bible", "words are archaic -- I need to improve my reading comprehension skills. Let", "arrange words in ways clever enough to call them sophisticated. Since the problem", "at least according to my hope, I ask you this: How can I", "clarify that I don't mean to write in convoluted ways, but simply in", "words in ways clever enough to call them sophisticated. Since the problem is", "passages of the King James Bible difficult to understand, though not because some", "mean to write in convoluted ways, but simply in ways sophisticated enough to", "this is possible, but since this corresponds to writing ability, and since the", "writing to be sophisticated, but find it difficult. I think this is since", "well I know grammar, I can never arrange words in ways clever enough", "difficult passages, in order to improve my ability to write them as well?", "its words are archaic -- I need to improve my reading comprehension skills.", "my reading comprehension -- and I find many passages of the King James", "since I have trouble understanding sophisticated passages. So no matter how well I", "ways clever enough to call them sophisticated. Since the problem is actually my", "myself and the reader. I do not know if this is possible, but", "reading comprehension skills. Let me just clarify that I don't mean to write", "difficult to understand, though not because some words of its words are archaic", "I think this is since I have trouble understanding sophisticated passages. So no" ]
[ "expert in any of these topics but since it's taking up maximum portion", "place for this question, I'd highly appreciate if someone guides me to a", "these topics but since it's taking up maximum portion of my day, I", "started to read and watch about these topics just for fun but slowly", "my day, I am wondering if there is a career where I can", "Also, if this is not the right place for this question, I'd highly", "read and watch about these topics just for fun but slowly and gradually", "things take up most of my time. I started to read and watch", "possess good writing skills nor am I an expert in any of these", "this activity has now become an integral and indispensable part of my day.", "just for fun but slowly and gradually this activity has now become an", "maximum portion of my day, I am wondering if there is a career", "is not the right place for this question, I'd highly appreciate if someone", "documentaries and movies about topics covering a wide variety like history, ancient architecture,", "and movies about topics covering a wide variety like history, ancient architecture, science", "indispensable part of my day. The problem is, neither do I possess good", "for this question, I'd highly appreciate if someone guides me to a more", "watch about these topics just for fun but slowly and gradually this activity", "variety like history, ancient architecture, science fiction, fantasy, astronomy etc. These things take", "fiction, fantasy, astronomy etc. These things take up most of my time. I", "nor am I an expert in any of these topics but since it's", "up most of my time. I started to read and watch about these", "neither do I possess good writing skills nor am I an expert in", "has now become an integral and indispensable part of my day. The problem", "of my time. I started to read and watch about these topics just", "The problem is, neither do I possess good writing skills nor am I", "can utilise this hobby of mine. Also, if this is not the right", "these topics just for fun but slowly and gradually this activity has now", "to read and watch about these topics just for fun but slowly and", "I an expert in any of these topics but since it's taking up", "if there is a career where I can utilise this hobby of mine.", "is a career where I can utilise this hobby of mine. Also, if", "ancient architecture, science fiction, fantasy, astronomy etc. These things take up most of", "I like to read and watch videos, documentaries and movies about topics covering", "problem is, neither do I possess good writing skills nor am I an", "a career where I can utilise this hobby of mine. Also, if this", "day. The problem is, neither do I possess good writing skills nor am", "a wide variety like history, ancient architecture, science fiction, fantasy, astronomy etc. These", "I possess good writing skills nor am I an expert in any of", "history, ancient architecture, science fiction, fantasy, astronomy etc. These things take up most", "read and watch videos, documentaries and movies about topics covering a wide variety", "this question, I'd highly appreciate if someone guides me to a more appropriate", "like history, ancient architecture, science fiction, fantasy, astronomy etc. These things take up", "writing skills nor am I an expert in any of these topics but", "covering a wide variety like history, ancient architecture, science fiction, fantasy, astronomy etc.", "this is not the right place for this question, I'd highly appreciate if", "about these topics just for fun but slowly and gradually this activity has", "of my day. The problem is, neither do I possess good writing skills", "am I an expert in any of these topics but since it's taking", "videos, documentaries and movies about topics covering a wide variety like history, ancient", "and indispensable part of my day. The problem is, neither do I possess", "career where I can utilise this hobby of mine. Also, if this is", "where I can utilise this hobby of mine. Also, if this is not", "there is a career where I can utilise this hobby of mine. Also,", "of these topics but since it's taking up maximum portion of my day,", "topics covering a wide variety like history, ancient architecture, science fiction, fantasy, astronomy", "wide variety like history, ancient architecture, science fiction, fantasy, astronomy etc. These things", "is, neither do I possess good writing skills nor am I an expert", "most of my time. I started to read and watch about these topics", "question, I'd highly appreciate if someone guides me to a more appropriate forum.", "I can utilise this hobby of mine. Also, if this is not the", "take up most of my time. I started to read and watch about", "in any of these topics but since it's taking up maximum portion of", "up maximum portion of my day, I am wondering if there is a", "portion of my day, I am wondering if there is a career where", "topics just for fun but slowly and gradually this activity has now become", "to read and watch videos, documentaries and movies about topics covering a wide", "since it's taking up maximum portion of my day, I am wondering if", "right place for this question, I'd highly appreciate if someone guides me to", "of my day, I am wondering if there is a career where I", "this hobby of mine. Also, if this is not the right place for", "if this is not the right place for this question, I'd highly appreciate", "day, I am wondering if there is a career where I can utilise", "activity has now become an integral and indispensable part of my day. The", "about topics covering a wide variety like history, ancient architecture, science fiction, fantasy,", "fantasy, astronomy etc. These things take up most of my time. I started", "any of these topics but since it's taking up maximum portion of my", "an expert in any of these topics but since it's taking up maximum", "am wondering if there is a career where I can utilise this hobby", "science fiction, fantasy, astronomy etc. These things take up most of my time.", "utilise this hobby of mine. Also, if this is not the right place", "it's taking up maximum portion of my day, I am wondering if there", "mine. Also, if this is not the right place for this question, I'd", "and watch about these topics just for fun but slowly and gradually this", "but slowly and gradually this activity has now become an integral and indispensable", "etc. These things take up most of my time. I started to read", "fun but slowly and gradually this activity has now become an integral and", "and gradually this activity has now become an integral and indispensable part of", "architecture, science fiction, fantasy, astronomy etc. These things take up most of my", "good writing skills nor am I an expert in any of these topics", "become an integral and indispensable part of my day. The problem is, neither", "and watch videos, documentaries and movies about topics covering a wide variety like", "taking up maximum portion of my day, I am wondering if there is", "my time. I started to read and watch about these topics just for", "my day. The problem is, neither do I possess good writing skills nor", "time. I started to read and watch about these topics just for fun", "movies about topics covering a wide variety like history, ancient architecture, science fiction,", "I am wondering if there is a career where I can utilise this", "gradually this activity has now become an integral and indispensable part of my", "an integral and indispensable part of my day. The problem is, neither do", "I started to read and watch about these topics just for fun but", "slowly and gradually this activity has now become an integral and indispensable part", "now become an integral and indispensable part of my day. The problem is,", "integral and indispensable part of my day. The problem is, neither do I", "the right place for this question, I'd highly appreciate if someone guides me", "astronomy etc. These things take up most of my time. I started to", "wondering if there is a career where I can utilise this hobby of", "not the right place for this question, I'd highly appreciate if someone guides", "like to read and watch videos, documentaries and movies about topics covering a", "part of my day. The problem is, neither do I possess good writing", "hobby of mine. Also, if this is not the right place for this", "of mine. Also, if this is not the right place for this question,", "for fun but slowly and gradually this activity has now become an integral", "do I possess good writing skills nor am I an expert in any", "skills nor am I an expert in any of these topics but since", "watch videos, documentaries and movies about topics covering a wide variety like history,", "but since it's taking up maximum portion of my day, I am wondering", "These things take up most of my time. I started to read and", "topics but since it's taking up maximum portion of my day, I am" ]
[ "ideas come to my mind but I don't know how to work on", "of reading novels\", and as a result, I lose motivation and give up", "problem or this is related to how much my writing skills are good?", "don't know how to work on them and expand them into \"valuable, satisfying,", "of tiny ideas come to my mind but I don't know how to", "help solving this problem or this is related to how much my writing", "them into \"valuable, satisfying, and worth of reading novels\", and as a result,", "satisfying, and worth of reading novels\", and as a result, I lose motivation", "lose motivation and give up rapidly. Would outlining help solving this problem or", "give up rapidly. Would outlining help solving this problem or this is related", "worth of reading novels\", and as a result, I lose motivation and give", "and give up rapidly. Would outlining help solving this problem or this is", "my mind but I don't know how to work on them and expand", "outlining help solving this problem or this is related to how much my", "work on them and expand them into \"valuable, satisfying, and worth of reading", "\"valuable, satisfying, and worth of reading novels\", and as a result, I lose", "into \"valuable, satisfying, and worth of reading novels\", and as a result, I", "result, I lose motivation and give up rapidly. Would outlining help solving this", "Would outlining help solving this problem or this is related to how much", "I lose motivation and give up rapidly. Would outlining help solving this problem", "to work on them and expand them into \"valuable, satisfying, and worth of", "up rapidly. Would outlining help solving this problem or this is related to", "solving this problem or this is related to how much my writing skills", "on them and expand them into \"valuable, satisfying, and worth of reading novels\",", "to my mind but I don't know how to work on them and", "mind but I don't know how to work on them and expand them", "know how to work on them and expand them into \"valuable, satisfying, and", "A lot of tiny ideas come to my mind but I don't know", "them and expand them into \"valuable, satisfying, and worth of reading novels\", and", "a result, I lose motivation and give up rapidly. Would outlining help solving", "and worth of reading novels\", and as a result, I lose motivation and", "how to work on them and expand them into \"valuable, satisfying, and worth", "lot of tiny ideas come to my mind but I don't know how", "reading novels\", and as a result, I lose motivation and give up rapidly.", "tiny ideas come to my mind but I don't know how to work", "motivation and give up rapidly. Would outlining help solving this problem or this", "come to my mind but I don't know how to work on them", "as a result, I lose motivation and give up rapidly. Would outlining help", "and as a result, I lose motivation and give up rapidly. Would outlining", "rapidly. Would outlining help solving this problem or this is related to how", "this problem or this is related to how much my writing skills are", "novels\", and as a result, I lose motivation and give up rapidly. Would", "but I don't know how to work on them and expand them into", "and expand them into \"valuable, satisfying, and worth of reading novels\", and as", "expand them into \"valuable, satisfying, and worth of reading novels\", and as a", "I don't know how to work on them and expand them into \"valuable," ]
[ "action, without needing to make the first part of the book action filled.", "progress those promises in such a way that there is a payoff from", "promise some amount of action so the end of the book has some", "or what characters are like, but I'm struggling to figure out how to", "but I'm struggling to figure out how to indicate that this book will", "end of the book has some payoff: > > You make promises to", "this book will end up fast paced from about the midway to 3/4", "is not how they start off at the beginning. I definitely want to", "indicate that this book will end up fast paced from about the midway", "I'd like to promise action, without needing to make the first part of", "that is not how they start off at the beginning. I definitely want", "in such a way that there is a payoff from them. You pull", "The story I am aiming to write has someone thrown into action. However,", "what characters are like, but I'm struggling to figure out how to indicate", "your promises but if you don't follow up with progress and payoff then", "whose bitten off more than they can chew, but prevails anyway. I have", "to show someone whose bitten off more than they can chew, but prevails", "your reader of what they should expect and progress those promises in such", "anyway. I have some good idea for foreshadowing themes, or what characters are", "figure out how to indicate that this book will end up fast paced", "up fast paced from about the midway to 3/4 point? My concern is", "book has some payoff: > > You make promises to your reader of", "show someone whose bitten off more than they can chew, but prevails anyway.", "should expect and progress those promises in such a way that there is", "like, but I'm struggling to figure out how to indicate that this book", "reader of what they should expect and progress those promises in such a", "if you don't follow up with progress and payoff then they won't be", "from about the midway to 3/4 point? My concern is that, based on", "thrown into action. However, that is not how they start off at the", "have some good idea for foreshadowing themes, or what characters are like, but", "how they start off at the beginning. I definitely want to show someone", "I am aiming to write has someone thrown into action. However, that is", "from them. You pull readers in with your promises but if you don't", "someone whose bitten off more than they can chew, but prevails anyway. I", "paced from about the midway to 3/4 point? My concern is that, based", "book will end up fast paced from about the midway to 3/4 point?", "I'm struggling to figure out how to indicate that this book will end", "to your reader of what they should expect and progress those promises in", "foreshadowing themes, or what characters are like, but I'm struggling to figure out", "amount of action so the end of the book has some payoff: >", "readers in with your promises but if you don't follow up with progress", "> I'd like to promise action, without needing to make the first part", "prevails anyway. I have some good idea for foreshadowing themes, or what characters", "like to promise action, without needing to make the first part of the", "definitely want to show someone whose bitten off more than they can chew,", "to indicate that this book will end up fast paced from about the", "> > I'd like to promise action, without needing to make the first", "won't be satisfied. > > > I'd like to promise action, without needing", "they can chew, but prevails anyway. I have some good idea for foreshadowing", "but if you don't follow up with progress and payoff then they won't", "themes, or what characters are like, but I'm struggling to figure out how", "out how to indicate that this book will end up fast paced from", "My concern is that, based on Brandon Sanderson's advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should", "payoff then they won't be satisfied. > > > I'd like to promise", "than they can chew, but prevails anyway. I have some good idea for", "to write has someone thrown into action. However, that is not how they", "on Brandon Sanderson's advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should promise some amount of action", "the first part of the book action filled. How do I do this?", "those promises in such a way that there is a payoff from them.", "without needing to make the first part of the book action filled. How", "chew, but prevails anyway. I have some good idea for foreshadowing themes, or", "(paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should promise some amount of action so the end of", "bitten off more than they can chew, but prevails anyway. I have some", "how to indicate that this book will end up fast paced from about", "write has someone thrown into action. However, that is not how they start", "> You make promises to your reader of what they should expect and", "someone thrown into action. However, that is not how they start off at", "I should promise some amount of action so the end of the book", "based on Brandon Sanderson's advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should promise some amount of", "start off at the beginning. I definitely want to show someone whose bitten", "for foreshadowing themes, or what characters are like, but I'm struggling to figure", "the midway to 3/4 point? My concern is that, based on Brandon Sanderson's", "Brandon Sanderson's advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should promise some amount of action so", "you don't follow up with progress and payoff then they won't be satisfied.", "payoff: > > You make promises to your reader of what they should", "in with your promises but if you don't follow up with progress and", "that there is a payoff from them. You pull readers in with your", "more than they can chew, but prevails anyway. I have some good idea", "there is a payoff from them. You pull readers in with your promises", "the book has some payoff: > > You make promises to your reader", "aiming to write has someone thrown into action. However, that is not how", "a way that there is a payoff from them. You pull readers in", "promises in such a way that there is a payoff from them. You", "action. However, that is not how they start off at the beginning. I", "to promise action, without needing to make the first part of the book", "pull readers in with your promises but if you don't follow up with", "is a payoff from them. You pull readers in with your promises but", "off at the beginning. I definitely want to show someone whose bitten off", "I definitely want to show someone whose bitten off more than they can", "should promise some amount of action so the end of the book has", "point? My concern is that, based on Brandon Sanderson's advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I", "midway to 3/4 point? My concern is that, based on Brandon Sanderson's advice", "of what they should expect and progress those promises in such a way", "and progress those promises in such a way that there is a payoff", "struggling to figure out how to indicate that this book will end up", "of the book has some payoff: > > You make promises to your", "can chew, but prevails anyway. I have some good idea for foreshadowing themes,", "that, based on Brandon Sanderson's advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should promise some amount", "they start off at the beginning. I definitely want to show someone whose", "You pull readers in with your promises but if you don't follow up", "promises but if you don't follow up with progress and payoff then they", "then they won't be satisfied. > > > I'd like to promise action,", "the end of the book has some payoff: > > You make promises", "way that there is a payoff from them. You pull readers in with", "and payoff then they won't be satisfied. > > > I'd like to", "to 3/4 point? My concern is that, based on Brandon Sanderson's advice (paraphrased", "3/4 point? My concern is that, based on Brandon Sanderson's advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)),", "story I am aiming to write has someone thrown into action. However, that", "that this book will end up fast paced from about the midway to", "idea for foreshadowing themes, or what characters are like, but I'm struggling to", "action so the end of the book has some payoff: > > You", "concern is that, based on Brandon Sanderson's advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should promise", "end up fast paced from about the midway to 3/4 point? My concern", "payoff from them. You pull readers in with your promises but if you", "not how they start off at the beginning. I definitely want to show", "is that, based on Brandon Sanderson's advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should promise some", "will end up fast paced from about the midway to 3/4 point? My", "advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should promise some amount of action so the end", "they won't be satisfied. > > > I'd like to promise action, without", "with your promises but if you don't follow up with progress and payoff", "to make the first part of the book action filled. How do I", "the beginning. I definitely want to show someone whose bitten off more than", "promise action, without needing to make the first part of the book action", "Sanderson's advice (paraphrased [here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should promise some amount of action so the", "so the end of the book has some payoff: > > You make", "they should expect and progress those promises in such a way that there", "off more than they can chew, but prevails anyway. I have some good", "be satisfied. > > > I'd like to promise action, without needing to", "want to show someone whose bitten off more than they can chew, but", "I have some good idea for foreshadowing themes, or what characters are like,", "make the first part of the book action filled. How do I do", "> > You make promises to your reader of what they should expect", "to figure out how to indicate that this book will end up fast", "You make promises to your reader of what they should expect and progress", "don't follow up with progress and payoff then they won't be satisfied. >", "some payoff: > > You make promises to your reader of what they", "progress and payoff then they won't be satisfied. > > > I'd like", "but prevails anyway. I have some good idea for foreshadowing themes, or what", "fast paced from about the midway to 3/4 point? My concern is that,", "are like, but I'm struggling to figure out how to indicate that this", "such a way that there is a payoff from them. You pull readers", "with progress and payoff then they won't be satisfied. > > > I'd", "promises to your reader of what they should expect and progress those promises", "> > > I'd like to promise action, without needing to make the", "needing to make the first part of the book action filled. How do", "am aiming to write has someone thrown into action. However, that is not", "However, that is not how they start off at the beginning. I definitely", "[here](https://medium.com/the-brave-writer/brandon-sandersons-best-advice-for-writers-9ab50d8e5d84)), I should promise some amount of action so the end of the", "expect and progress those promises in such a way that there is a", "satisfied. > > > I'd like to promise action, without needing to make", "a payoff from them. You pull readers in with your promises but if", "of action so the end of the book has some payoff: > >", "has some payoff: > > You make promises to your reader of what", "has someone thrown into action. However, that is not how they start off", "some good idea for foreshadowing themes, or what characters are like, but I'm", "characters are like, but I'm struggling to figure out how to indicate that", "into action. However, that is not how they start off at the beginning.", "them. You pull readers in with your promises but if you don't follow", "some amount of action so the end of the book has some payoff:", "beginning. I definitely want to show someone whose bitten off more than they", "make promises to your reader of what they should expect and progress those", "at the beginning. I definitely want to show someone whose bitten off more", "up with progress and payoff then they won't be satisfied. > > >", "follow up with progress and payoff then they won't be satisfied. > >", "good idea for foreshadowing themes, or what characters are like, but I'm struggling", "what they should expect and progress those promises in such a way that", "about the midway to 3/4 point? My concern is that, based on Brandon" ]
[ "write clearly, but also not too drily. I thought vis-à-vis is perfectly fine,", "verbiage like \"in relation to\". The colleague is a native English speaker, I'm", "I wrote a vision statement for a project using the term vis-à-vis (All", "X investments should be justified vis-à-vis quantified gain). A colleague suggested I shouldn't", "vis-à-vis, and prefer simpler verbiage like \"in relation to\". The colleague is a", "enough in Google search results. Would you recommend vis-à-vis for a global corporate-English", "shouldn't use vis-à-vis, and prefer simpler verbiage like \"in relation to\". The colleague", "using the term vis-à-vis (All X investments should be justified vis-à-vis quantified gain).", "not (nor a French speaker). I'd like to write clearly, but also not", "vis-à-vis is perfectly fine, and seems to appear commonly enough in Google search", "to appear commonly enough in Google search results. Would you recommend vis-à-vis for", "clearly, but also not too drily. I thought vis-à-vis is perfectly fine, and", "quantified gain). A colleague suggested I shouldn't use vis-à-vis, and prefer simpler verbiage", "vis-à-vis for a global corporate-English speaking audience? And how would you recommend I", "a global corporate-English speaking audience? And how would you recommend I check these", "relation to\". The colleague is a native English speaker, I'm not (nor a", "I'm not (nor a French speaker). I'd like to write clearly, but also", "I shouldn't use vis-à-vis, and prefer simpler verbiage like \"in relation to\". The", "project using the term vis-à-vis (All X investments should be justified vis-à-vis quantified", "drily. I thought vis-à-vis is perfectly fine, and seems to appear commonly enough", "I thought vis-à-vis is perfectly fine, and seems to appear commonly enough in", "term vis-à-vis (All X investments should be justified vis-à-vis quantified gain). A colleague", "like \"in relation to\". The colleague is a native English speaker, I'm not", "vis-à-vis quantified gain). A colleague suggested I shouldn't use vis-à-vis, and prefer simpler", "like to write clearly, but also not too drily. I thought vis-à-vis is", "English speaker, I'm not (nor a French speaker). I'd like to write clearly,", "commonly enough in Google search results. Would you recommend vis-à-vis for a global", "seems to appear commonly enough in Google search results. Would you recommend vis-à-vis", "but also not too drily. I thought vis-à-vis is perfectly fine, and seems", "search results. Would you recommend vis-à-vis for a global corporate-English speaking audience? And", "too drily. I thought vis-à-vis is perfectly fine, and seems to appear commonly", "global corporate-English speaking audience? And how would you recommend I check these things", "statement for a project using the term vis-à-vis (All X investments should be", "native English speaker, I'm not (nor a French speaker). I'd like to write", "justified vis-à-vis quantified gain). A colleague suggested I shouldn't use vis-à-vis, and prefer", "gain). A colleague suggested I shouldn't use vis-à-vis, and prefer simpler verbiage like", "to write clearly, but also not too drily. I thought vis-à-vis is perfectly", "a vision statement for a project using the term vis-à-vis (All X investments", "vision statement for a project using the term vis-à-vis (All X investments should", "results. Would you recommend vis-à-vis for a global corporate-English speaking audience? And how", "Google search results. Would you recommend vis-à-vis for a global corporate-English speaking audience?", "wrote a vision statement for a project using the term vis-à-vis (All X", "use vis-à-vis, and prefer simpler verbiage like \"in relation to\". The colleague is", "recommend vis-à-vis for a global corporate-English speaking audience? And how would you recommend", "suggested I shouldn't use vis-à-vis, and prefer simpler verbiage like \"in relation to\".", "you recommend vis-à-vis for a global corporate-English speaking audience? And how would you", "fine, and seems to appear commonly enough in Google search results. Would you", "a project using the term vis-à-vis (All X investments should be justified vis-à-vis", "investments should be justified vis-à-vis quantified gain). A colleague suggested I shouldn't use", "speaking audience? And how would you recommend I check these things in the", "a French speaker). I'd like to write clearly, but also not too drily.", "to\". The colleague is a native English speaker, I'm not (nor a French", "Would you recommend vis-à-vis for a global corporate-English speaking audience? And how would", "speaker, I'm not (nor a French speaker). I'd like to write clearly, but", "French speaker). I'd like to write clearly, but also not too drily. I", "A colleague suggested I shouldn't use vis-à-vis, and prefer simpler verbiage like \"in", "I'd like to write clearly, but also not too drily. I thought vis-à-vis", "a native English speaker, I'm not (nor a French speaker). I'd like to", "be justified vis-à-vis quantified gain). A colleague suggested I shouldn't use vis-à-vis, and", "and seems to appear commonly enough in Google search results. Would you recommend", "should be justified vis-à-vis quantified gain). A colleague suggested I shouldn't use vis-à-vis,", "colleague is a native English speaker, I'm not (nor a French speaker). I'd", "(nor a French speaker). I'd like to write clearly, but also not too", "vis-à-vis (All X investments should be justified vis-à-vis quantified gain). A colleague suggested", "is perfectly fine, and seems to appear commonly enough in Google search results.", "appear commonly enough in Google search results. Would you recommend vis-à-vis for a", "for a global corporate-English speaking audience? And how would you recommend I check", "and prefer simpler verbiage like \"in relation to\". The colleague is a native", "speaker). I'd like to write clearly, but also not too drily. I thought", "for a project using the term vis-à-vis (All X investments should be justified", "prefer simpler verbiage like \"in relation to\". The colleague is a native English", "(All X investments should be justified vis-à-vis quantified gain). A colleague suggested I", "corporate-English speaking audience? And how would you recommend I check these things in", "thought vis-à-vis is perfectly fine, and seems to appear commonly enough in Google", "simpler verbiage like \"in relation to\". The colleague is a native English speaker,", "perfectly fine, and seems to appear commonly enough in Google search results. Would", "not too drily. I thought vis-à-vis is perfectly fine, and seems to appear", "the term vis-à-vis (All X investments should be justified vis-à-vis quantified gain). A", "audience? And how would you recommend I check these things in the future?", "is a native English speaker, I'm not (nor a French speaker). I'd like", "\"in relation to\". The colleague is a native English speaker, I'm not (nor", "The colleague is a native English speaker, I'm not (nor a French speaker).", "colleague suggested I shouldn't use vis-à-vis, and prefer simpler verbiage like \"in relation", "in Google search results. Would you recommend vis-à-vis for a global corporate-English speaking", "also not too drily. I thought vis-à-vis is perfectly fine, and seems to" ]
[ "she disappeared into the night. > > > New times indeed. > >", "his horror. > > > A spider the size of his head, with", "It was a Forncombius, the deadliest spider in the empire. > > >", "to make passages similar to these 2 more suspenseful. Could I get some", "Socline standards, was a delicacy. He should have known that Rho, being Rho,", "his cage. > > > He was so deep in grief that he", "the master's entertainers. > > > \"What is it? Why are you not", "They're all dead.\" > > > Lacerta, through the one window, spotted the", "the food of a nobleman was better than she could imagine. > >", "the empire. > > > (I am trying to create some suspense in", "only trying to protect Rho, as he was carted off to the mines,", "> > \"What is it? Why are you not with the-\" > >", "cold winter wind, before she disappeared into the night. > > > New", "His nighttime fieldmasters. They're all dead.\" > > > Lacerta, through the one", "carted off to the mines, where no man has ever returned alive, for", "they escape with Master Einsun and his nighttime fieldmast- > > > Somebody", "breath. Lacerta could barely recognize her with the redness of her face and", "ate that cucumber, which, by Socline standards, was a delicacy. He should have", "the spider.) > > The newcomer casually walked out. > > > Lacerta", "across its disgusting, hairy back. It was a Forncombius, the deadliest spider in", "newcomer casually walked out. > > > Lacerta had never tasted anything other", "stripes across its disgusting, hairy back. It was a Forncombius, the deadliest spider", "the cold winter wind, before she disappeared into the night. > > >", "> > I can't seem to make passages similar to these 2 more", "they turned out of sight. > > > Von was only trying to", "but when it dropped to the ground, it was to his horror. >", "I can't seem to make passages similar to these 2 more suspenseful. Could", "boring and don't have much real suspense. 2 excerpts: > > The guards", "has ever returned alive, for complaining. > > > It was his fault.", "The guards tossed Von into the cage, locked the door, and walked away,", "> > > Lacerta, through the one window, spotted the newcomer, the stupidest", "that covered it, but Lacerta could tell that she was one of the", "at first, but when it dropped to the ground, it was to his", "had asked them to escape. Absurd. As much as she wanted to, how", "trying to create some suspense in the time when he is contemplating and", "Could I get some objective pointers on how to create and amplify suspense?", "was carted off to the mines, where no man has ever returned alive,", "2 excerpts: > > The guards tossed Von into the cage, locked the", "other than tasteless soup before, and the food of a nobleman was better", "in the cold winter wind, before she disappeared into the night. > >", "create some suspense in the time when he is contemplating and he notices", "to these 2 more suspenseful. Could I get some objective pointers on how", "the door, and walked away, laughing to each other as they turned out", "me is creating suspense and tension. All of the points where I want", "his fault. He was the one who ate that cucumber, which, by Socline", "> > > (I am trying to create some suspense in the time", "where I want to create tension seem very boring and don't have much", "sight. > > > Von was only trying to protect Rho, as he", "> He was so deep in grief that he didn't notice it at", "the time when he is contemplating and he notices the spider.) > >", "master's entertainers. > > > \"What is it? Why are you not with", "walked away, laughing to each other as they turned out of sight. >", "the stupidest smile on her face, her black hair flying in the cold", "to create some suspense in the time when he is contemplating and he", "her with the redness of her face and the sweat that covered it,", "much real suspense. 2 excerpts: > > The guards tossed Von into the", "escape. Absurd. As much as she wanted to, how could they escape with", "delicacy. He should have known that Rho, being Rho, would be jealous and", "am trying to create some suspense in the time when he is contemplating", "before, and the food of a nobleman was better than she could imagine.", "that cucumber, which, by Socline standards, was a delicacy. He should have known", "his head, with yellow stripes across its disgusting, hairy back. It was a", "how to create and amplify suspense? P.S. I am not looking for critique.", "deadliest spider in the empire. > > > (I am trying to create", "other as they turned out of sight. > > > Von was only", "master. His nighttime fieldmasters. They're all dead.\" > > > Lacerta, through the", "had never tasted anything other than tasteless soup before, and the food of", "practice.) The biggest roadblock for me is creating suspense and tension. All of", "casually walked out. > > > Lacerta had never tasted anything other than", "Something moved in his cage. > > > He was so deep in", "but Lacerta could tell that she was one of the master's entertainers. >", "one of the master's entertainers. > > > \"What is it? Why are", "for me is creating suspense and tension. All of the points where I", "All of the points where I want to create tension seem very boring", "smile on her face, her black hair flying in the cold winter wind,", "door, and walked away, laughing to each other as they turned out of", "jealous and complain. > > > Something moved in his cage. > >", "was a delicacy. He should have known that Rho, being Rho, would be", "to create tension seem very boring and don't have much real suspense. 2", "> > A spider the size of his head, with yellow stripes across", "tasteless soup before, and the food of a nobleman was better than she", "who ate that cucumber, which, by Socline standards, was a delicacy. He should", "ground, it was to his horror. > > > A spider the size", "Why are you not with the-\" > > > \"They're dead. The master.", "better than she could imagine. > > > The newcomer who had gave", "to escape. Absurd. As much as she wanted to, how could they escape", "he didn't notice it at first, but when it dropped to the ground,", "it to them had asked them to escape. Absurd. As much as she", "complaining. > > > It was his fault. He was the one who", "suspense in the time when he is contemplating and he notices the spider.)", "could tell that she was one of the master's entertainers. > > >", "points where I want to create tension seem very boring and don't have", "he is contemplating and he notices the spider.) > > The newcomer casually", "the cage, locked the door, and walked away, laughing to each other as", "he was carted off to the mines, where no man has ever returned", "and walked away, laughing to each other as they turned out of sight.", "covered it, but Lacerta could tell that she was one of the master's", "the one window, spotted the newcomer, the stupidest smile on her face, her", "was a Forncombius, the deadliest spider in the empire. > > > (I", "anything other than tasteless soup before, and the food of a nobleman was", "is contemplating and he notices the spider.) > > The newcomer casually walked", "he notices the spider.) > > The newcomer casually walked out. > >", "newcomer who had gave it to them had asked them to escape. Absurd.", "The newcomer casually walked out. > > > Lacerta had never tasted anything", "was one of the master's entertainers. > > > \"What is it? Why", "He should have known that Rho, being Rho, would be jealous and complain.", "to the mines, where no man has ever returned alive, for complaining. >", "> > (I am trying to create some suspense in the time when", "door, gasping for breath. Lacerta could barely recognize her with the redness of", "more suspenseful. Could I get some objective pointers on how to create and", "Rho, as he was carted off to the mines, where no man has", "tasted anything other than tasteless soup before, and the food of a nobleman", "stories or practice.) The biggest roadblock for me is creating suspense and tension.", "dead. The master. His nighttime fieldmasters. They're all dead.\" > > > Lacerta,", "to, how could they escape with Master Einsun and his nighttime fieldmast- >", "to them had asked them to escape. Absurd. As much as she wanted", "Von into the cage, locked the door, and walked away, laughing to each", "> > \"They're dead. The master. His nighttime fieldmasters. They're all dead.\" >", "> > New times indeed. > > > I can't seem to make", "> > > He was so deep in grief that he didn't notice", "she was one of the master's entertainers. > > > \"What is it?", "suspense? P.S. I am not looking for critique. These excerpts are for context.", "dead.\" > > > Lacerta, through the one window, spotted the newcomer, the", "in the time when he is contemplating and he notices the spider.) >", "suspenseful. Could I get some objective pointers on how to create and amplify", "asked them to escape. Absurd. As much as she wanted to, how could", "the ground, it was to his horror. > > > A spider the", "as he was carted off to the mines, where no man has ever", "are short stories or practice.) The biggest roadblock for me is creating suspense", "that she was one of the master's entertainers. > > > \"What is", "The newcomer who had gave it to them had asked them to escape.", "night. > > > New times indeed. > > > I can't seem", "that Rho, being Rho, would be jealous and complain. > > > Something", "face, her black hair flying in the cold winter wind, before she disappeared", "complain. > > > Something moved in his cage. > > > He", "the mines, where no man has ever returned alive, for complaining. > >", "tension seem very boring and don't have much real suspense. 2 excerpts: >", "deep in grief that he didn't notice it at first, but when it", "contemplating and he notices the spider.) > > The newcomer casually walked out.", "through the one window, spotted the newcomer, the stupidest smile on her face,", "back. It was a Forncombius, the deadliest spider in the empire. > >", "a delicacy. He should have known that Rho, being Rho, would be jealous", "walked out. > > > Lacerta had never tasted anything other than tasteless", "other fantasies I have written are short stories or practice.) The biggest roadblock", "returned alive, for complaining. > > > It was his fault. He was", "> (I am trying to create some suspense in the time when he", "dropped to the ground, it was to his horror. > > > A", "empire. > > > (I am trying to create some suspense in the", "> > The guards tossed Von into the cage, locked the door, and", "indeed. > > > I can't seem to make passages similar to these", "was the one who ate that cucumber, which, by Socline standards, was a", "to the ground, it was to his horror. > > > A spider", "it was to his horror. > > > A spider the size of", "before she disappeared into the night. > > > New times indeed. >", "soup before, and the food of a nobleman was better than she could", "winter wind, before she disappeared into the night. > > > New times", "didn't notice it at first, but when it dropped to the ground, it", "suspense and tension. All of the points where I want to create tension", "> Lacerta, through the one window, spotted the newcomer, the stupidest smile on", "escape with Master Einsun and his nighttime fieldmast- > > > Somebody burst", "redness of her face and the sweat that covered it, but Lacerta could", "out. > > > Lacerta had never tasted anything other than tasteless soup", "in grief that he didn't notice it at first, but when it dropped", "off to the mines, where no man has ever returned alive, for complaining.", "hair flying in the cold winter wind, before she disappeared into the night.", "never tasted anything other than tasteless soup before, and the food of a", "was so deep in grief that he didn't notice it at first, but", "creating suspense and tension. All of the points where I want to create", "with yellow stripes across its disgusting, hairy back. It was a Forncombius, the", "> New times indeed. > > > I can't seem to make passages", "> > > It was his fault. He was the one who ate", "suspense. 2 excerpts: > > The guards tossed Von into the cage, locked", "of a nobleman was better than she could imagine. > > > The", "away, laughing to each other as they turned out of sight. > >", "a Forncombius, the deadliest spider in the empire. > > > (I am", "window, spotted the newcomer, the stupidest smile on her face, her black hair", "wanted to, how could they escape with Master Einsun and his nighttime fieldmast-", "(all the other fantasies I have written are short stories or practice.) The", "as they turned out of sight. > > > Von was only trying", "much as she wanted to, how could they escape with Master Einsun and", "get some objective pointers on how to create and amplify suspense? P.S. I", "imagine. > > > The newcomer who had gave it to them had", "and amplify suspense? P.S. I am not looking for critique. These excerpts are", "the deadliest spider in the empire. > > > (I am trying to", "being Rho, would be jealous and complain. > > > Something moved in", "on how to create and amplify suspense? P.S. I am not looking for", "to create and amplify suspense? P.S. I am not looking for critique. These", "size of his head, with yellow stripes across its disgusting, hairy back. It", "with Master Einsun and his nighttime fieldmast- > > > Somebody burst through", "Lacerta had never tasted anything other than tasteless soup before, and the food", "and the sweat that covered it, but Lacerta could tell that she was", "> Von was only trying to protect Rho, as he was carted off", "roadblock for me is creating suspense and tension. All of the points where", "create tension seem very boring and don't have much real suspense. 2 excerpts:", "Lacerta could tell that she was one of the master's entertainers. > >", "cage. > > > He was so deep in grief that he didn't", "He was the one who ate that cucumber, which, by Socline standards, was", "her black hair flying in the cold winter wind, before she disappeared into", "cage, locked the door, and walked away, laughing to each other as they", "first, but when it dropped to the ground, it was to his horror.", "and don't have much real suspense. 2 excerpts: > > The guards tossed", "and tension. All of the points where I want to create tension seem", "for breath. Lacerta could barely recognize her with the redness of her face", "am writing my first legitimate fantasy (all the other fantasies I have written", "pointers on how to create and amplify suspense? P.S. I am not looking", "or practice.) The biggest roadblock for me is creating suspense and tension. All", "fault. He was the one who ate that cucumber, which, by Socline standards,", "I get some objective pointers on how to create and amplify suspense? P.S.", "the points where I want to create tension seem very boring and don't", "in his cage. > > > He was so deep in grief that", "and he notices the spider.) > > The newcomer casually walked out. >", "no man has ever returned alive, for complaining. > > > It was", "gave it to them had asked them to escape. Absurd. As much as", "seem very boring and don't have much real suspense. 2 excerpts: > >", "known that Rho, being Rho, would be jealous and complain. > > >", "the one who ate that cucumber, which, by Socline standards, was a delicacy.", "> > > Something moved in his cage. > > > He was", "her face and the sweat that covered it, but Lacerta could tell that", "could barely recognize her with the redness of her face and the sweat", "Absurd. As much as she wanted to, how could they escape with Master", "Einsun and his nighttime fieldmast- > > > Somebody burst through the door,", "writing my first legitimate fantasy (all the other fantasies I have written are", "fieldmasters. They're all dead.\" > > > Lacerta, through the one window, spotted", "\"What is it? Why are you not with the-\" > > > \"They're", "locked the door, and walked away, laughing to each other as they turned", "could they escape with Master Einsun and his nighttime fieldmast- > > >", "Rho, would be jealous and complain. > > > Something moved in his", "New times indeed. > > > I can't seem to make passages similar", "It was his fault. He was the one who ate that cucumber, which,", "gasping for breath. Lacerta could barely recognize her with the redness of her", "spider in the empire. > > > (I am trying to create some", "The biggest roadblock for me is creating suspense and tension. All of the", "> Something moved in his cage. > > > He was so deep", "similar to these 2 more suspenseful. Could I get some objective pointers on", "don't have much real suspense. 2 excerpts: > > The guards tossed Von", "> > It was his fault. He was the one who ate that", "The master. His nighttime fieldmasters. They're all dead.\" > > > Lacerta, through", "alive, for complaining. > > > It was his fault. He was the", "> > > New times indeed. > > > I can't seem to", "some objective pointers on how to create and amplify suspense? P.S. I am", "of the points where I want to create tension seem very boring and", "> I can't seem to make passages similar to these 2 more suspenseful.", "He was so deep in grief that he didn't notice it at first,", "have known that Rho, being Rho, would be jealous and complain. > >", "the door, gasping for breath. Lacerta could barely recognize her with the redness", "black hair flying in the cold winter wind, before she disappeared into the", "> \"They're dead. The master. His nighttime fieldmasters. They're all dead.\" > >", "she could imagine. > > > The newcomer who had gave it to", "the sweat that covered it, but Lacerta could tell that she was one", "tell that she was one of the master's entertainers. > > > \"What", "make passages similar to these 2 more suspenseful. Could I get some objective", "recognize her with the redness of her face and the sweat that covered", "and his nighttime fieldmast- > > > Somebody burst through the door, gasping", "(I am trying to create some suspense in the time when he is", "with the-\" > > > \"They're dead. The master. His nighttime fieldmasters. They're", "it? Why are you not with the-\" > > > \"They're dead. The", "hairy back. It was a Forncombius, the deadliest spider in the empire. >", "are you not with the-\" > > > \"They're dead. The master. His", "some suspense in the time when he is contemplating and he notices the", "\"They're dead. The master. His nighttime fieldmasters. They're all dead.\" > > >", "> The newcomer who had gave it to them had asked them to", "notices the spider.) > > The newcomer casually walked out. > > >", "Von was only trying to protect Rho, as he was carted off to", "laughing to each other as they turned out of sight. > > >", "trying to protect Rho, as he was carted off to the mines, where", "who had gave it to them had asked them to escape. Absurd. As", "is creating suspense and tension. All of the points where I want to", "would be jealous and complain. > > > Something moved in his cage.", "> > Von was only trying to protect Rho, as he was carted", "when he is contemplating and he notices the spider.) > > The newcomer", "Forncombius, the deadliest spider in the empire. > > > (I am trying", "create and amplify suspense? P.S. I am not looking for critique. These excerpts", "than she could imagine. > > > The newcomer who had gave it", "each other as they turned out of sight. > > > Von was", "where no man has ever returned alive, for complaining. > > > It", "mines, where no man has ever returned alive, for complaining. > > >", "as she wanted to, how could they escape with Master Einsun and his", "the night. > > > New times indeed. > > > I can't", "time when he is contemplating and he notices the spider.) > > The", "fantasies I have written are short stories or practice.) The biggest roadblock for", "> > > Von was only trying to protect Rho, as he was", "written are short stories or practice.) The biggest roadblock for me is creating", "food of a nobleman was better than she could imagine. > > >", "horror. > > > A spider the size of his head, with yellow", "on her face, her black hair flying in the cold winter wind, before", "> The guards tossed Von into the cage, locked the door, and walked", "ever returned alive, for complaining. > > > It was his fault. He", "tension. All of the points where I want to create tension seem very", "is it? Why are you not with the-\" > > > \"They're dead.", "a nobleman was better than she could imagine. > > > The newcomer", "Lacerta could barely recognize her with the redness of her face and the", "to his horror. > > > A spider the size of his head,", "I want to create tension seem very boring and don't have much real", "protect Rho, as he was carted off to the mines, where no man", "she wanted to, how could they escape with Master Einsun and his nighttime", "cucumber, which, by Socline standards, was a delicacy. He should have known that", "through the door, gasping for breath. Lacerta could barely recognize her with the", "in the empire. > > > (I am trying to create some suspense", "her face, her black hair flying in the cold winter wind, before she", "Master Einsun and his nighttime fieldmast- > > > Somebody burst through the", "the size of his head, with yellow stripes across its disgusting, hairy back.", "into the cage, locked the door, and walked away, laughing to each other", "the-\" > > > \"They're dead. The master. His nighttime fieldmasters. They're all", "nighttime fieldmast- > > > Somebody burst through the door, gasping for breath.", "> > > \"They're dead. The master. His nighttime fieldmasters. They're all dead.\"", "> > Something moved in his cage. > > > He was so", "> > > \"What is it? Why are you not with the-\" >", "Rho, being Rho, would be jealous and complain. > > > Something moved", "grief that he didn't notice it at first, but when it dropped to", "disappeared into the night. > > > New times indeed. > > >", "and the food of a nobleman was better than she could imagine. >", "these 2 more suspenseful. Could I get some objective pointers on how to", "to each other as they turned out of sight. > > > Von", "man has ever returned alive, for complaining. > > > It was his", "stupidest smile on her face, her black hair flying in the cold winter", "times indeed. > > > I can't seem to make passages similar to", "disgusting, hairy back. It was a Forncombius, the deadliest spider in the empire.", "was to his horror. > > > A spider the size of his", "> > The newcomer casually walked out. > > > Lacerta had never", "> It was his fault. He was the one who ate that cucumber,", "> A spider the size of his head, with yellow stripes across its", "guards tossed Von into the cage, locked the door, and walked away, laughing", "newcomer, the stupidest smile on her face, her black hair flying in the", "how could they escape with Master Einsun and his nighttime fieldmast- > >", "real suspense. 2 excerpts: > > The guards tossed Von into the cage,", "one window, spotted the newcomer, the stupidest smile on her face, her black", "out of sight. > > > Von was only trying to protect Rho,", "legitimate fantasy (all the other fantasies I have written are short stories or", "face and the sweat that covered it, but Lacerta could tell that she", "have much real suspense. 2 excerpts: > > The guards tossed Von into", "one who ate that cucumber, which, by Socline standards, was a delicacy. He", "with the redness of her face and the sweat that covered it, but", "amplify suspense? P.S. I am not looking for critique. These excerpts are for", "> > The newcomer who had gave it to them had asked them", "very boring and don't have much real suspense. 2 excerpts: > > The", "fantasy (all the other fantasies I have written are short stories or practice.)", "the newcomer, the stupidest smile on her face, her black hair flying in", "burst through the door, gasping for breath. Lacerta could barely recognize her with", "when it dropped to the ground, it was to his horror. > >", "notice it at first, but when it dropped to the ground, it was", "barely recognize her with the redness of her face and the sweat that", "than tasteless soup before, and the food of a nobleman was better than", "of his head, with yellow stripes across its disgusting, hairy back. It was", "excerpts: > > The guards tossed Von into the cage, locked the door,", "> \"What is it? Why are you not with the-\" > > >", "Lacerta, through the one window, spotted the newcomer, the stupidest smile on her", "that he didn't notice it at first, but when it dropped to the", "moved in his cage. > > > He was so deep in grief", "to protect Rho, as he was carted off to the mines, where no", "spotted the newcomer, the stupidest smile on her face, her black hair flying", "A spider the size of his head, with yellow stripes across its disgusting,", "it, but Lacerta could tell that she was one of the master's entertainers.", "which, by Socline standards, was a delicacy. He should have known that Rho,", "biggest roadblock for me is creating suspense and tension. All of the points", "so deep in grief that he didn't notice it at first, but when", "of sight. > > > Von was only trying to protect Rho, as", "> > > Somebody burst through the door, gasping for breath. Lacerta could", "turned out of sight. > > > Von was only trying to protect", "seem to make passages similar to these 2 more suspenseful. Could I get", "As much as she wanted to, how could they escape with Master Einsun", "2 more suspenseful. Could I get some objective pointers on how to create", "standards, was a delicacy. He should have known that Rho, being Rho, would", "was better than she could imagine. > > > The newcomer who had", "first legitimate fantasy (all the other fantasies I have written are short stories", "> > He was so deep in grief that he didn't notice it", "> The newcomer casually walked out. > > > Lacerta had never tasted", "all dead.\" > > > Lacerta, through the one window, spotted the newcomer,", "> Somebody burst through the door, gasping for breath. Lacerta could barely recognize", "I am writing my first legitimate fantasy (all the other fantasies I have", "> > Lacerta, through the one window, spotted the newcomer, the stupidest smile", "spider the size of his head, with yellow stripes across its disgusting, hairy", "> > > The newcomer who had gave it to them had asked", "could imagine. > > > The newcomer who had gave it to them", "of her face and the sweat that covered it, but Lacerta could tell", "flying in the cold winter wind, before she disappeared into the night. >", "them had asked them to escape. Absurd. As much as she wanted to,", "nobleman was better than she could imagine. > > > The newcomer who", "should have known that Rho, being Rho, would be jealous and complain. >", "spider.) > > The newcomer casually walked out. > > > Lacerta had", "of the master's entertainers. > > > \"What is it? Why are you", "passages similar to these 2 more suspenseful. Could I get some objective pointers", "by Socline standards, was a delicacy. He should have known that Rho, being", "his nighttime fieldmast- > > > Somebody burst through the door, gasping for", "can't seem to make passages similar to these 2 more suspenseful. Could I", "objective pointers on how to create and amplify suspense? P.S. I am not", "was his fault. He was the one who ate that cucumber, which, by", "yellow stripes across its disgusting, hairy back. It was a Forncombius, the deadliest", "entertainers. > > > \"What is it? Why are you not with the-\"", "short stories or practice.) The biggest roadblock for me is creating suspense and", "Somebody burst through the door, gasping for breath. Lacerta could barely recognize her", "> > Somebody burst through the door, gasping for breath. Lacerta could barely", "not with the-\" > > > \"They're dead. The master. His nighttime fieldmasters.", "the other fantasies I have written are short stories or practice.) The biggest", "be jealous and complain. > > > Something moved in his cage. >", "my first legitimate fantasy (all the other fantasies I have written are short", "nighttime fieldmasters. They're all dead.\" > > > Lacerta, through the one window,", "had gave it to them had asked them to escape. Absurd. As much", "wind, before she disappeared into the night. > > > New times indeed.", "sweat that covered it, but Lacerta could tell that she was one of", "have written are short stories or practice.) The biggest roadblock for me is", "the redness of her face and the sweat that covered it, but Lacerta", "it at first, but when it dropped to the ground, it was to", "head, with yellow stripes across its disgusting, hairy back. It was a Forncombius,", "for complaining. > > > It was his fault. He was the one", "into the night. > > > New times indeed. > > > I", "> Lacerta had never tasted anything other than tasteless soup before, and the", "it dropped to the ground, it was to his horror. > > >", "> > Lacerta had never tasted anything other than tasteless soup before, and", "you not with the-\" > > > \"They're dead. The master. His nighttime", "> > > I can't seem to make passages similar to these 2", "tossed Von into the cage, locked the door, and walked away, laughing to", "want to create tension seem very boring and don't have much real suspense.", "I have written are short stories or practice.) The biggest roadblock for me", "its disgusting, hairy back. It was a Forncombius, the deadliest spider in the", "> > > A spider the size of his head, with yellow stripes", "fieldmast- > > > Somebody burst through the door, gasping for breath. Lacerta", "> > > Lacerta had never tasted anything other than tasteless soup before,", "was only trying to protect Rho, as he was carted off to the", "them to escape. Absurd. As much as she wanted to, how could they", "and complain. > > > Something moved in his cage. > > >" ]
[ "one scene I have the character trying to sneak into a meeting and", "at espionage? I know some spies like Jamos Gunr are frequently depicted as", "characters like Jamos Gunr as good at their job, I just don't know", "seem incompetent because they keep getting noticed or caught, and the character is", "plot, the antagonist will never even know they are there. But to have", "supposed to be portrayed as good at their job. E.g., in one scene", "through the entire plot, the antagonist will never even know they are there.", "plot. How can I make this happen without making the spy seem to", "don't know the narrative techniques to achieve that). How would I go about", "their job. E.g., in one scene I have the character trying to sneak", "furthers the plot. How can I make this happen without making the spy", "portrayed as good at their job. E.g., in one scene I have the", "in turn makes the spy character seem incompetent because they keep getting noticed", "the spy character seem incompetent because they keep getting noticed or caught, and", "to be portrayed as good at their job. E.g., in one scene I", "job is sneaking around and getting into places without being noticed. However, in", "noticed. However, in order to have conflict in the plot, have characters interacting", "have characters interacting to build character development, and the like, I need to", "being noticed. However, in order to have conflict in the plot, have characters", "makes the spy character seem incompetent because they keep getting noticed or caught,", "character is supposed to be portrayed as good at their job. E.g., in", "have the character trying to sneak into a meeting and they get caught", "generally do regard characters like Jamos Gunr as good at their job, I", "to counteract that and portray them as competent (I know externally audiences generally", "there. But to have the characters interact would mean that someone would have", "do regard characters like Jamos Gunr as good at their job, I just", "around and getting into places without being noticed. However, in order to have", "or caught, and the character is supposed to be portrayed as good at", "antagonists interact. If the spy character successfully Metal Gear Solid's their way through", "the character is supposed to be portrayed as good at their job. E.g.,", "someone would have to notices the spy character, which in turn makes the", "have the characters interact would mean that someone would have to notices the", "sneak into a meeting and they get caught by a patrol which leads", "E.g., in one scene I have the character trying to sneak into a", "plot, have characters interacting to build character development, and the like, I need", "have conflict in the plot, have characters interacting to build character development, and", "is a spy, and part of their job is sneaking around and getting", "to a fight that furthers the plot. How can I make this happen", "making the spy seem to be bad at espionage? I know some spies", "as good at their job, I just don't know the narrative techniques to", "them as competent (I know externally audiences generally do regard characters like Jamos", "would mean that someone would have to notices the spy character, which in", "even know they are there. But to have the characters interact would mean", "by guards, but I'm not sure how the narrative is able to counteract", "getting captured or getting spotted by guards, but I'm not sure how the", "caught, and the character is supposed to be portrayed as good at their", "as competent (I know externally audiences generally do regard characters like Jamos Gunr", "(I know externally audiences generally do regard characters like Jamos Gunr as good", "getting into places without being noticed. However, in order to have conflict in", "getting noticed or caught, and the character is supposed to be portrayed as", "job, I just don't know the narrative techniques to achieve that). How would", "interact would mean that someone would have to notices the spy character, which", "character successfully Metal Gear Solid's their way through the entire plot, the antagonist", "caught by a patrol which leads to a fight that furthers the plot.", "need to have the protagonists and antagonists interact. If the spy character successfully", "to notices the spy character, which in turn makes the spy character seem", "character, which in turn makes the spy character seem incompetent because they keep", "turn makes the spy character seem incompetent because they keep getting noticed or", "a meeting and they get caught by a patrol which leads to a", "How would I go about making a spy character seem competent while still", "have the protagonists and antagonists interact. If the spy character successfully Metal Gear", "by a patrol which leads to a fight that furthers the plot. How", "techniques to achieve that). How would I go about making a spy character", "as getting captured or getting spotted by guards, but I'm not sure how", "they are there. But to have the characters interact would mean that someone", "espionage? I know some spies like Jamos Gunr are frequently depicted as getting", "part of their job is sneaking around and getting into places without being", "the narrative techniques to achieve that). How would I go about making a", "never even know they are there. But to have the characters interact would", "they keep getting noticed or caught, and the character is supposed to be", "interacting to build character development, and the like, I need to have the", "happen without making the spy seem to be bad at espionage? I know", "I just don't know the narrative techniques to achieve that). How would I", "getting spotted by guards, but I'm not sure how the narrative is able", "Jamos Gunr as good at their job, I just don't know the narrative", "character trying to sneak into a meeting and they get caught by a", "antagonist will never even know they are there. But to have the characters", "in one scene I have the character trying to sneak into a meeting", "narrative is able to counteract that and portray them as competent (I know", "that someone would have to notices the spy character, which in turn makes", "counteract that and portray them as competent (I know externally audiences generally do", "I go about making a spy character seem competent while still allowing for", "a character that is a spy, and part of their job is sneaking", "and antagonists interact. If the spy character successfully Metal Gear Solid's their way", "way through the entire plot, the antagonist will never even know they are", "protagonists and antagonists interact. If the spy character successfully Metal Gear Solid's their", "to have the characters interact would mean that someone would have to notices", "making a spy character seem competent while still allowing for conflict in the", "at their job, I just don't know the narrative techniques to achieve that).", "their job, I just don't know the narrative techniques to achieve that). How", "which leads to a fight that furthers the plot. How can I make", "which in turn makes the spy character seem incompetent because they keep getting", "can I make this happen without making the spy seem to be bad", "know the narrative techniques to achieve that). How would I go about making", "conflict in the plot, have characters interacting to build character development, and the", "Metal Gear Solid's their way through the entire plot, the antagonist will never", "Solid's their way through the entire plot, the antagonist will never even know", "But to have the characters interact would mean that someone would have to", "I need to have the protagonists and antagonists interact. If the spy character", "keep getting noticed or caught, and the character is supposed to be portrayed", "fight that furthers the plot. How can I make this happen without making", "mean that someone would have to notices the spy character, which in turn", "Gunr are frequently depicted as getting captured or getting spotted by guards, but", "are there. But to have the characters interact would mean that someone would", "like Jamos Gunr are frequently depicted as getting captured or getting spotted by", "achieve that). How would I go about making a spy character seem competent", "how the narrative is able to counteract that and portray them as competent", "How can I make this happen without making the spy seem to be", "of their job is sneaking around and getting into places without being noticed.", "spy character successfully Metal Gear Solid's their way through the entire plot, the", "However, in order to have conflict in the plot, have characters interacting to", "like Jamos Gunr as good at their job, I just don't know the", "development, and the like, I need to have the protagonists and antagonists interact.", "and the like, I need to have the protagonists and antagonists interact. If", "know some spies like Jamos Gunr are frequently depicted as getting captured or", "captured or getting spotted by guards, but I'm not sure how the narrative", "into a meeting and they get caught by a patrol which leads to", "leads to a fight that furthers the plot. How can I make this", "without being noticed. However, in order to have conflict in the plot, have", "have a character that is a spy, and part of their job is", "the protagonists and antagonists interact. If the spy character successfully Metal Gear Solid's", "meeting and they get caught by a patrol which leads to a fight", "a patrol which leads to a fight that furthers the plot. How can", "the like, I need to have the protagonists and antagonists interact. If the", "without making the spy seem to be bad at espionage? I know some", "and portray them as competent (I know externally audiences generally do regard characters", "know they are there. But to have the characters interact would mean that", "spy character, which in turn makes the spy character seem incompetent because they", "job. E.g., in one scene I have the character trying to sneak into", "this happen without making the spy seem to be bad at espionage? I", "guards, but I'm not sure how the narrative is able to counteract that", "is supposed to be portrayed as good at their job. E.g., in one", "characters interact would mean that someone would have to notices the spy character,", "I'm not sure how the narrative is able to counteract that and portray", "Gear Solid's their way through the entire plot, the antagonist will never even", "the plot. How can I make this happen without making the spy seem", "sure how the narrative is able to counteract that and portray them as", "narrative techniques to achieve that). How would I go about making a spy", "I know some spies like Jamos Gunr are frequently depicted as getting captured", "entire plot, the antagonist will never even know they are there. But to", "characters interacting to build character development, and the like, I need to have", "trying to sneak into a meeting and they get caught by a patrol", "their way through the entire plot, the antagonist will never even know they", "character development, and the like, I need to have the protagonists and antagonists", "the spy seem to be bad at espionage? I know some spies like", "frequently depicted as getting captured or getting spotted by guards, but I'm not", "know externally audiences generally do regard characters like Jamos Gunr as good at", "that). How would I go about making a spy character seem competent while", "to build character development, and the like, I need to have the protagonists", "to have conflict in the plot, have characters interacting to build character development,", "order to have conflict in the plot, have characters interacting to build character", "the entire plot, the antagonist will never even know they are there. But", "make this happen without making the spy seem to be bad at espionage?", "regard characters like Jamos Gunr as good at their job, I just don't", "patrol which leads to a fight that furthers the plot. How can I", "the character trying to sneak into a meeting and they get caught by", "get caught by a patrol which leads to a fight that furthers the", "places without being noticed. However, in order to have conflict in the plot,", "be bad at espionage? I know some spies like Jamos Gunr are frequently", "in order to have conflict in the plot, have characters interacting to build", "noticed or caught, and the character is supposed to be portrayed as good", "depicted as getting captured or getting spotted by guards, but I'm not sure", "interact. If the spy character successfully Metal Gear Solid's their way through the", "I have a character that is a spy, and part of their job", "the narrative is able to counteract that and portray them as competent (I", "scene I have the character trying to sneak into a meeting and they", "their job is sneaking around and getting into places without being noticed. However,", "spy seem to be bad at espionage? I know some spies like Jamos", "the plot, have characters interacting to build character development, and the like, I", "able to counteract that and portray them as competent (I know externally audiences", "build character development, and the like, I need to have the protagonists and", "competent (I know externally audiences generally do regard characters like Jamos Gunr as", "spy, and part of their job is sneaking around and getting into places", "and getting into places without being noticed. However, in order to have conflict", "Jamos Gunr are frequently depicted as getting captured or getting spotted by guards,", "but I'm not sure how the narrative is able to counteract that and", "character that is a spy, and part of their job is sneaking around", "notices the spy character, which in turn makes the spy character seem incompetent", "a fight that furthers the plot. How can I make this happen without", "and part of their job is sneaking around and getting into places without", "spotted by guards, but I'm not sure how the narrative is able to", "portray them as competent (I know externally audiences generally do regard characters like", "a spy character seem competent while still allowing for conflict in the plot?", "into places without being noticed. However, in order to have conflict in the", "is able to counteract that and portray them as competent (I know externally", "because they keep getting noticed or caught, and the character is supposed to", "the spy character successfully Metal Gear Solid's their way through the entire plot,", "the characters interact would mean that someone would have to notices the spy", "just don't know the narrative techniques to achieve that). How would I go", "would I go about making a spy character seem competent while still allowing", "and the character is supposed to be portrayed as good at their job.", "successfully Metal Gear Solid's their way through the entire plot, the antagonist will", "are frequently depicted as getting captured or getting spotted by guards, but I'm", "sneaking around and getting into places without being noticed. However, in order to", "as good at their job. E.g., in one scene I have the character", "they get caught by a patrol which leads to a fight that furthers", "a spy, and part of their job is sneaking around and getting into", "audiences generally do regard characters like Jamos Gunr as good at their job,", "to be bad at espionage? I know some spies like Jamos Gunr are", "externally audiences generally do regard characters like Jamos Gunr as good at their", "about making a spy character seem competent while still allowing for conflict in", "the antagonist will never even know they are there. But to have the", "some spies like Jamos Gunr are frequently depicted as getting captured or getting", "not sure how the narrative is able to counteract that and portray them", "good at their job, I just don't know the narrative techniques to achieve", "I have the character trying to sneak into a meeting and they get", "have to notices the spy character, which in turn makes the spy character", "in the plot, have characters interacting to build character development, and the like,", "that is a spy, and part of their job is sneaking around and", "go about making a spy character seem competent while still allowing for conflict", "is sneaking around and getting into places without being noticed. However, in order", "spy character seem incompetent because they keep getting noticed or caught, and the", "be portrayed as good at their job. E.g., in one scene I have", "Gunr as good at their job, I just don't know the narrative techniques", "would have to notices the spy character, which in turn makes the spy", "at their job. E.g., in one scene I have the character trying to", "will never even know they are there. But to have the characters interact", "like, I need to have the protagonists and antagonists interact. If the spy", "that furthers the plot. How can I make this happen without making the", "to achieve that). How would I go about making a spy character seem", "and they get caught by a patrol which leads to a fight that", "bad at espionage? I know some spies like Jamos Gunr are frequently depicted", "spies like Jamos Gunr are frequently depicted as getting captured or getting spotted", "or getting spotted by guards, but I'm not sure how the narrative is", "If the spy character successfully Metal Gear Solid's their way through the entire", "to have the protagonists and antagonists interact. If the spy character successfully Metal", "character seem incompetent because they keep getting noticed or caught, and the character", "seem to be bad at espionage? I know some spies like Jamos Gunr", "that and portray them as competent (I know externally audiences generally do regard", "good at their job. E.g., in one scene I have the character trying", "I make this happen without making the spy seem to be bad at", "the spy character, which in turn makes the spy character seem incompetent because", "incompetent because they keep getting noticed or caught, and the character is supposed", "to sneak into a meeting and they get caught by a patrol which" ]
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[ "Therefore, I think it is important to know: what makes a novel boring?", "for readers that don't let them finish reading a novel to its completion?", "it is important to know: what makes a novel boring? What are the", "turn-offs for readers that don't let them finish reading a novel to its", "a reader first, then a writer next.\" Therefore, I think it is important", "think it is important to know: what makes a novel boring? What are", "I think it is important to know: what makes a novel boring? What", "boring? What are the biggest turn-offs for readers that don't let them finish", "know: what makes a novel boring? What are the biggest turn-offs for readers", "are the biggest turn-offs for readers that don't let them finish reading a", "said that \"a writer is a reader first, then a writer next.\" Therefore,", "novel boring? What are the biggest turn-offs for readers that don't let them", "next.\" Therefore, I think it is important to know: what makes a novel", "a novel boring? What are the biggest turn-offs for readers that don't let", "a writer next.\" Therefore, I think it is important to know: what makes", "writer is a reader first, then a writer next.\" Therefore, I think it", "is a reader first, then a writer next.\" Therefore, I think it is", "writer next.\" Therefore, I think it is important to know: what makes a", "to know: what makes a novel boring? What are the biggest turn-offs for", "the biggest turn-offs for readers that don't let them finish reading a novel", "What are the biggest turn-offs for readers that don't let them finish reading", "important to know: what makes a novel boring? What are the biggest turn-offs", "first, then a writer next.\" Therefore, I think it is important to know:", "It is often said that \"a writer is a reader first, then a", "biggest turn-offs for readers that don't let them finish reading a novel to", "reader first, then a writer next.\" Therefore, I think it is important to", "that \"a writer is a reader first, then a writer next.\" Therefore, I", "is important to know: what makes a novel boring? What are the biggest", "is often said that \"a writer is a reader first, then a writer", "then a writer next.\" Therefore, I think it is important to know: what", "what makes a novel boring? What are the biggest turn-offs for readers that", "makes a novel boring? What are the biggest turn-offs for readers that don't", "often said that \"a writer is a reader first, then a writer next.\"", "\"a writer is a reader first, then a writer next.\" Therefore, I think" ]
[ "readers to have to repeatedly keep reading it but is using JD worse?", "repeatedly keep reading it but is using JD worse? I feel like I", "variety of nicknames, Jay, Jo, Jove, DoeZB... I chose to go with JD", "90s maybe but now not so much. I can barely think of any", "is Jovanne Diedi De Rossi. Other characters call him by a variety of", "as the narrator, so I'd write something like JD checked the time and", "have to repeatedly keep reading it but is using JD worse? I feel", "late. I chose to do this because I don't particularly like the name", "nicknames, Jay, Jo, Jove, DoeZB... I chose to go with JD as the", "running late. I chose to do this because I don't particularly like the", "I chose to do this because I don't particularly like the name Jovanne", "like JD checked the time and realized he was running late. I chose", "chose to do this because I don't particularly like the name Jovanne and", "Rossi. Other characters call him by a variety of nicknames, Jay, Jo, Jove,", "House... I don't want to come off like I'm writing a 90s character.", "I feel like it would be strange for readers to have to repeatedly", "De Rossi. Other characters call him by a variety of nicknames, Jay, Jo,", "used to see characters with initials for names in books/TV series in the", "JD checked the time and realized he was running late. I chose to", "see characters with initials for names in books/TV series in the 90s maybe", "DoeZB... I chose to go with JD as the narrator, so I'd write", "novel. The hero's name is Jovanne Diedi De Rossi. Other characters call him", "it but is using JD worse? I feel like I used to see", "so I'd write something like JD checked the time and realized he was", "hero's name is Jovanne Diedi De Rossi. Other characters call him by a", "Other characters call him by a variety of nicknames, Jay, Jo, Jove, DoeZB...", "of my head. DJ from Full House... I don't want to come off", "name is Jovanne Diedi De Rossi. Other characters call him by a variety", "so much. I can barely think of any off the top of my", "it would be strange for readers to have to repeatedly keep reading it", "and realized he was running late. I chose to do this because I", "DJ from Full House... I don't want to come off like I'm writing", "with initials for names in books/TV series in the 90s maybe but now", "to see characters with initials for names in books/TV series in the 90s", "characters with initials for names in books/TV series in the 90s maybe but", "the time and realized he was running late. I chose to do this", "name Jovanne and I feel like it would be strange for readers to", "but now not so much. I can barely think of any off the", "initials for names in books/TV series in the 90s maybe but now not", "I chose to go with JD as the narrator, so I'd write something", "series in the 90s maybe but now not so much. I can barely", "because I don't particularly like the name Jovanne and I feel like it", "of nicknames, Jay, Jo, Jove, DoeZB... I chose to go with JD as", "think of any off the top of my head. DJ from Full House...", "with JD as the narrator, so I'd write something like JD checked the", "from Full House... I don't want to come off like I'm writing a", "I don't particularly like the name Jovanne and I feel like it would", "would be strange for readers to have to repeatedly keep reading it but", "keep reading it but is using JD worse? I feel like I used", "to have to repeatedly keep reading it but is using JD worse? I", "top of my head. DJ from Full House... I don't want to come", "narrator, so I'd write something like JD checked the time and realized he", "I can barely think of any off the top of my head. DJ", "much. I can barely think of any off the top of my head.", "Jo, Jove, DoeZB... I chose to go with JD as the narrator, so", "to repeatedly keep reading it but is using JD worse? I feel like", "chose to go with JD as the narrator, so I'd write something like", "in the 90s maybe but now not so much. I can barely think", "this because I don't particularly like the name Jovanne and I feel like", "using JD worse? I feel like I used to see characters with initials", "Jovanne Diedi De Rossi. Other characters call him by a variety of nicknames,", "be strange for readers to have to repeatedly keep reading it but is", "Diedi De Rossi. Other characters call him by a variety of nicknames, Jay,", "I used to see characters with initials for names in books/TV series in", "names in books/TV series in the 90s maybe but now not so much.", "for names in books/TV series in the 90s maybe but now not so", "Jay, Jo, Jove, DoeZB... I chose to go with JD as the narrator,", "not so much. I can barely think of any off the top of", "for readers to have to repeatedly keep reading it but is using JD", "checked the time and realized he was running late. I chose to do", "call him by a variety of nicknames, Jay, Jo, Jove, DoeZB... I chose", "head. DJ from Full House... I don't want to come off like I'm", "romance novel. The hero's name is Jovanne Diedi De Rossi. Other characters call", "a contemporary romance novel. The hero's name is Jovanne Diedi De Rossi. Other", "a variety of nicknames, Jay, Jo, Jove, DoeZB... I chose to go with", "contemporary romance novel. The hero's name is Jovanne Diedi De Rossi. Other characters", "was running late. I chose to do this because I don't particularly like", "go with JD as the narrator, so I'd write something like JD checked", "I'd write something like JD checked the time and realized he was running", "like I used to see characters with initials for names in books/TV series", "he was running late. I chose to do this because I don't particularly", "to do this because I don't particularly like the name Jovanne and I", "any off the top of my head. DJ from Full House... I don't", "particularly like the name Jovanne and I feel like it would be strange", "by a variety of nicknames, Jay, Jo, Jove, DoeZB... I chose to go", "and I feel like it would be strange for readers to have to", "my head. DJ from Full House... I don't want to come off like", "like it would be strange for readers to have to repeatedly keep reading", "write something like JD checked the time and realized he was running late.", "characters call him by a variety of nicknames, Jay, Jo, Jove, DoeZB... I", "barely think of any off the top of my head. DJ from Full", "maybe but now not so much. I can barely think of any off", "now not so much. I can barely think of any off the top", "The hero's name is Jovanne Diedi De Rossi. Other characters call him by", "off the top of my head. DJ from Full House... I don't want", "time and realized he was running late. I chose to do this because", "like the name Jovanne and I feel like it would be strange for", "the name Jovanne and I feel like it would be strange for readers", "in books/TV series in the 90s maybe but now not so much. I", "but is using JD worse? I feel like I used to see characters", "writing a contemporary romance novel. The hero's name is Jovanne Diedi De Rossi.", "books/TV series in the 90s maybe but now not so much. I can", "Jove, DoeZB... I chose to go with JD as the narrator, so I'd", "Full House... I don't want to come off like I'm writing a 90s", "do this because I don't particularly like the name Jovanne and I feel", "realized he was running late. I chose to do this because I don't", "feel like it would be strange for readers to have to repeatedly keep", "of any off the top of my head. DJ from Full House... I", "I'm writing a contemporary romance novel. The hero's name is Jovanne Diedi De", "worse? I feel like I used to see characters with initials for names", "the 90s maybe but now not so much. I can barely think of", "to go with JD as the narrator, so I'd write something like JD", "don't particularly like the name Jovanne and I feel like it would be", "strange for readers to have to repeatedly keep reading it but is using", "Jovanne and I feel like it would be strange for readers to have", "JD worse? I feel like I used to see characters with initials for", "the narrator, so I'd write something like JD checked the time and realized", "the top of my head. DJ from Full House... I don't want to", "I feel like I used to see characters with initials for names in", "is using JD worse? I feel like I used to see characters with", "feel like I used to see characters with initials for names in books/TV", "something like JD checked the time and realized he was running late. I", "reading it but is using JD worse? I feel like I used to", "JD as the narrator, so I'd write something like JD checked the time", "can barely think of any off the top of my head. DJ from", "him by a variety of nicknames, Jay, Jo, Jove, DoeZB... I chose to" ]
[ "aspiring writer from Pakistan. It's a south Asian country rich in culture. Our", "myself having enough authority to write my stories. I also want to write", "American characters while in Pakistan it doesn't resonate. Even the names that come", "no matter how fun and interesting my culture is, it is Definitely Not", "and South Asian societies do not offer that. Plus, I am not very", "'Ray' etc. Sometimes I feel so stupid while writing these stories of mine", "having enough authority to write my stories. I also want to write thrillers", "fun and interesting on the media. You can also experiment so much romantic", "It's a south Asian country rich in culture. Our cultural heritage and history", "Pakistan it doesn't resonate. Even the names that come to my mind are", "is similar. Whatever story ideas that come to my mind are always set", "characters while in Pakistan it doesn't resonate. Even the names that come to", "'Upam' 'Ray' etc. Sometimes I feel so stupid while writing these stories of", "in an American contemporary setting. Since I have never been to America or", "culture. And what if the information I provide doesn't match with the facts?", "craft amazing contemporary romance and thriller and South Asian societies do not offer", "much interested in my culture. So, this becomes my biggest obstacle. Help me.", "watching a lot of American books and movies, mostly contemporary. My problem is", "is, it is Definitely Not American. The outfits, the live style, the buildings,", "am not very much interested in my culture. So, this becomes my biggest", "have grown up reading and watching a lot of American books and movies,", "been to America or any other country with similar culture, I don't find", "cultural heritage and history is very interesting, twisting and multifaceted. However, I have", "am not from their culture. And what if the information I provide doesn't", "heritage and history is very interesting, twisting and multifaceted. However, I have grown", "to write my stories. I also want to write thrillers but the justice", "the justice system in my country is inefficient and the whole cop culture", "I don't find myself having enough authority to write my stories. I also", "other country with similar culture, I don't find myself having enough authority to", "South Asian societies do not offer that. Plus, I am not very much", "do not offer that. Plus, I am not very much interested in my", "American books and movies, mostly contemporary. My problem is that no matter how", "My problem is that no matter how fun and interesting my culture is,", "offer that. Plus, I am not very much interested in my culture. So,", "very much interested in my culture. So, this becomes my biggest obstacle. Help", "mind are 'Amanda' 'Sxfvii' 'Upam' 'Ray' etc. Sometimes I feel so stupid while", "and movies, mostly contemporary. My problem is that no matter how fun and", "'Sxfvii' 'Upam' 'Ray' etc. Sometimes I feel so stupid while writing these stories", "country with similar culture, I don't find myself having enough authority to write", "information I provide doesn't match with the facts? That will make me an", "the roads. Nothing is similar. Whatever story ideas that come to my mind", "America appears so fun and interesting on the media. You can also experiment", "history is very interesting, twisting and multifaceted. However, I have grown up reading", "how fun and interesting my culture is, it is Definitely Not American. The", "my country is inefficient and the whole cop culture of America appears so", "inefficient and the whole cop culture of America appears so fun and interesting", "Sometimes I feel so stupid while writing these stories of mine because I", "I feel so stupid while writing these stories of mine because I am", "I have never been to America or any other country with similar culture,", "stupid while writing these stories of mine because I am not from their", "actions between two American characters while in Pakistan it doesn't resonate. Even the", "America or any other country with similar culture, I don't find myself having", "interesting, twisting and multifaceted. However, I have grown up reading and watching a", "to craft amazing contemporary romance and thriller and South Asian societies do not", "a lot of American books and movies, mostly contemporary. My problem is that", "resonate. Even the names that come to my mind are 'Amanda' 'Sxfvii' 'Upam'", "it is Definitely Not American. The outfits, the live style, the buildings, the", "mostly contemporary. My problem is that no matter how fun and interesting my", "The outfits, the live style, the buildings, the roads. Nothing is similar. Whatever", "names that come to my mind are 'Amanda' 'Sxfvii' 'Upam' 'Ray' etc. Sometimes", "to write thrillers but the justice system in my country is inefficient and", "Nothing is similar. Whatever story ideas that come to my mind are always", "want to write thrillers but the justice system in my country is inefficient", "thrillers but the justice system in my country is inefficient and the whole", "interesting on the media. You can also experiment so much romantic actions between", "in culture. Our cultural heritage and history is very interesting, twisting and multifaceted.", "with the facts? That will make me an unreliable writer. I want to", "writer. I want to craft amazing contemporary romance and thriller and South Asian", "You can also experiment so much romantic actions between two American characters while", "don't find myself having enough authority to write my stories. I also want", "mind are always set in an American contemporary setting. Since I have never", "to my mind are 'Amanda' 'Sxfvii' 'Upam' 'Ray' etc. Sometimes I feel so", "However, I have grown up reading and watching a lot of American books", "live style, the buildings, the roads. Nothing is similar. Whatever story ideas that", "with similar culture, I don't find myself having enough authority to write my", "twisting and multifaceted. However, I have grown up reading and watching a lot", "and interesting on the media. You can also experiment so much romantic actions", "Asian societies do not offer that. Plus, I am not very much interested", "culture, I don't find myself having enough authority to write my stories. I", "to my mind are always set in an American contemporary setting. Since I", "provide doesn't match with the facts? That will make me an unreliable writer.", "setting. Since I have never been to America or any other country with", "etc. Sometimes I feel so stupid while writing these stories of mine because", "an unreliable writer. I want to craft amazing contemporary romance and thriller and", "south Asian country rich in culture. Our cultural heritage and history is very", "Plus, I am not very much interested in my culture. So, this becomes", "story ideas that come to my mind are always set in an American", "Our cultural heritage and history is very interesting, twisting and multifaceted. However, I", "any other country with similar culture, I don't find myself having enough authority", "is very interesting, twisting and multifaceted. However, I have grown up reading and", "but the justice system in my country is inefficient and the whole cop", "so stupid while writing these stories of mine because I am not from", "me an unreliable writer. I want to craft amazing contemporary romance and thriller", "the media. You can also experiment so much romantic actions between two American", "writer from Pakistan. It's a south Asian country rich in culture. Our cultural", "it doesn't resonate. Even the names that come to my mind are 'Amanda'", "am an aspiring writer from Pakistan. It's a south Asian country rich in", "contemporary setting. Since I have never been to America or any other country", "stories of mine because I am not from their culture. And what if", "American. The outfits, the live style, the buildings, the roads. Nothing is similar.", "my mind are always set in an American contemporary setting. Since I have", "'Amanda' 'Sxfvii' 'Upam' 'Ray' etc. Sometimes I feel so stupid while writing these", "will make me an unreliable writer. I want to craft amazing contemporary romance", "that. Plus, I am not very much interested in my culture. So, this", "authority to write my stories. I also want to write thrillers but the", "two American characters while in Pakistan it doesn't resonate. Even the names that", "are always set in an American contemporary setting. Since I have never been", "enough authority to write my stories. I also want to write thrillers but", "while writing these stories of mine because I am not from their culture.", "and history is very interesting, twisting and multifaceted. However, I have grown up", "reading and watching a lot of American books and movies, mostly contemporary. My", "contemporary. My problem is that no matter how fun and interesting my culture", "an aspiring writer from Pakistan. It's a south Asian country rich in culture.", "come to my mind are always set in an American contemporary setting. Since", "these stories of mine because I am not from their culture. And what", "culture is, it is Definitely Not American. The outfits, the live style, the", "unreliable writer. I want to craft amazing contemporary romance and thriller and South", "romance and thriller and South Asian societies do not offer that. Plus, I", "I am an aspiring writer from Pakistan. It's a south Asian country rich", "media. You can also experiment so much romantic actions between two American characters", "And what if the information I provide doesn't match with the facts? That", "not very much interested in my culture. So, this becomes my biggest obstacle.", "of America appears so fun and interesting on the media. You can also", "Definitely Not American. The outfits, the live style, the buildings, the roads. Nothing", "to America or any other country with similar culture, I don't find myself", "thriller and South Asian societies do not offer that. Plus, I am not", "culture. Our cultural heritage and history is very interesting, twisting and multifaceted. However,", "always set in an American contemporary setting. Since I have never been to", "appears so fun and interesting on the media. You can also experiment so", "doesn't resonate. Even the names that come to my mind are 'Amanda' 'Sxfvii'", "I have grown up reading and watching a lot of American books and", "my culture is, it is Definitely Not American. The outfits, the live style,", "match with the facts? That will make me an unreliable writer. I want", "never been to America or any other country with similar culture, I don't", "if the information I provide doesn't match with the facts? That will make", "books and movies, mostly contemporary. My problem is that no matter how fun", "matter how fun and interesting my culture is, it is Definitely Not American.", "rich in culture. Our cultural heritage and history is very interesting, twisting and", "the information I provide doesn't match with the facts? That will make me", "country is inefficient and the whole cop culture of America appears so fun", "Not American. The outfits, the live style, the buildings, the roads. Nothing is", "Asian country rich in culture. Our cultural heritage and history is very interesting,", "outfits, the live style, the buildings, the roads. Nothing is similar. Whatever story", "grown up reading and watching a lot of American books and movies, mostly", "similar. Whatever story ideas that come to my mind are always set in", "want to craft amazing contemporary romance and thriller and South Asian societies do", "Even the names that come to my mind are 'Amanda' 'Sxfvii' 'Upam' 'Ray'", "country rich in culture. Our cultural heritage and history is very interesting, twisting", "contemporary romance and thriller and South Asian societies do not offer that. Plus,", "system in my country is inefficient and the whole cop culture of America", "in my country is inefficient and the whole cop culture of America appears", "write thrillers but the justice system in my country is inefficient and the", "whole cop culture of America appears so fun and interesting on the media.", "cop culture of America appears so fun and interesting on the media. You", "my mind are 'Amanda' 'Sxfvii' 'Upam' 'Ray' etc. Sometimes I feel so stupid", "stories. I also want to write thrillers but the justice system in my", "not from their culture. And what if the information I provide doesn't match", "I provide doesn't match with the facts? That will make me an unreliable", "multifaceted. However, I have grown up reading and watching a lot of American", "societies do not offer that. Plus, I am not very much interested in", "buildings, the roads. Nothing is similar. Whatever story ideas that come to my", "Whatever story ideas that come to my mind are always set in an", "my stories. I also want to write thrillers but the justice system in", "or any other country with similar culture, I don't find myself having enough", "very interesting, twisting and multifaceted. However, I have grown up reading and watching", "of American books and movies, mostly contemporary. My problem is that no matter", "I also want to write thrillers but the justice system in my country", "Since I have never been to America or any other country with similar", "romantic actions between two American characters while in Pakistan it doesn't resonate. Even", "interesting my culture is, it is Definitely Not American. The outfits, the live", "is Definitely Not American. The outfits, the live style, the buildings, the roads.", "not offer that. Plus, I am not very much interested in my culture.", "I want to craft amazing contemporary romance and thriller and South Asian societies", "amazing contemporary romance and thriller and South Asian societies do not offer that.", "so much romantic actions between two American characters while in Pakistan it doesn't", "I am not very much interested in my culture. So, this becomes my", "that come to my mind are always set in an American contemporary setting.", "in Pakistan it doesn't resonate. Even the names that come to my mind", "up reading and watching a lot of American books and movies, mostly contemporary.", "facts? That will make me an unreliable writer. I want to craft amazing", "and watching a lot of American books and movies, mostly contemporary. My problem", "movies, mostly contemporary. My problem is that no matter how fun and interesting", "and interesting my culture is, it is Definitely Not American. The outfits, the", "and the whole cop culture of America appears so fun and interesting on", "so fun and interesting on the media. You can also experiment so much", "come to my mind are 'Amanda' 'Sxfvii' 'Upam' 'Ray' etc. Sometimes I feel", "the live style, the buildings, the roads. Nothing is similar. Whatever story ideas", "also experiment so much romantic actions between two American characters while in Pakistan", "fun and interesting my culture is, it is Definitely Not American. The outfits,", "from their culture. And what if the information I provide doesn't match with", "set in an American contemporary setting. Since I have never been to America", "an American contemporary setting. Since I have never been to America or any", "experiment so much romantic actions between two American characters while in Pakistan it", "justice system in my country is inefficient and the whole cop culture of", "can also experiment so much romantic actions between two American characters while in", "that come to my mind are 'Amanda' 'Sxfvii' 'Upam' 'Ray' etc. Sometimes I", "of mine because I am not from their culture. And what if the", "make me an unreliable writer. I want to craft amazing contemporary romance and", "write my stories. I also want to write thrillers but the justice system", "much romantic actions between two American characters while in Pakistan it doesn't resonate.", "on the media. You can also experiment so much romantic actions between two", "mine because I am not from their culture. And what if the information", "what if the information I provide doesn't match with the facts? That will", "a south Asian country rich in culture. Our cultural heritage and history is", "I am not from their culture. And what if the information I provide", "the buildings, the roads. Nothing is similar. Whatever story ideas that come to", "and thriller and South Asian societies do not offer that. Plus, I am", "because I am not from their culture. And what if the information I", "find myself having enough authority to write my stories. I also want to", "the names that come to my mind are 'Amanda' 'Sxfvii' 'Upam' 'Ray' etc.", "are 'Amanda' 'Sxfvii' 'Upam' 'Ray' etc. Sometimes I feel so stupid while writing", "style, the buildings, the roads. Nothing is similar. Whatever story ideas that come", "writing these stories of mine because I am not from their culture. And", "roads. Nothing is similar. Whatever story ideas that come to my mind are", "between two American characters while in Pakistan it doesn't resonate. Even the names", "from Pakistan. It's a south Asian country rich in culture. Our cultural heritage", "the facts? That will make me an unreliable writer. I want to craft", "culture of America appears so fun and interesting on the media. You can", "similar culture, I don't find myself having enough authority to write my stories.", "also want to write thrillers but the justice system in my country is", "feel so stupid while writing these stories of mine because I am not", "is inefficient and the whole cop culture of America appears so fun and", "the whole cop culture of America appears so fun and interesting on the", "problem is that no matter how fun and interesting my culture is, it", "doesn't match with the facts? That will make me an unreliable writer. I", "their culture. And what if the information I provide doesn't match with the", "is that no matter how fun and interesting my culture is, it is", "have never been to America or any other country with similar culture, I", "American contemporary setting. Since I have never been to America or any other", "while in Pakistan it doesn't resonate. Even the names that come to my", "Pakistan. It's a south Asian country rich in culture. Our cultural heritage and", "ideas that come to my mind are always set in an American contemporary", "that no matter how fun and interesting my culture is, it is Definitely", "That will make me an unreliable writer. I want to craft amazing contemporary", "lot of American books and movies, mostly contemporary. My problem is that no", "and multifaceted. However, I have grown up reading and watching a lot of" ]
[ "but if the villain bothered to keep up the appearances it certainly wasn't", "writing a story narrated in the third person, I often find passages in", "the opinions of the character the narration is following: > > Detective Dashing", "associated with that character's point of view? And if I decide I do", "Despite the welcoming smile, it was obvious that this man was up to", "> > > My gut feeling is that this is bad style -", "is following: > > Detective Dashing took a long, hard look at the", "and more subjective phrases are associated with that character's point of view? And", "villain bothered to keep up the appearances it certainly wasn't universally obvious. Wolef", "following a particular character, then the opinions and more subjective phrases are associated", "passages in my text where the narrator's opinions seem to conflate with the", "man before him. Despite the welcoming smile, it was obvious that this man", "the third person, I often find passages in my text where the narrator's", "the narrator's opinions seem to conflate with the opinions of the character the", "acceptable in supposedly objective narration, or is it implied that if the narration", "keep up the appearances it certainly wasn't universally obvious. Wolef might've hated the", "objective narration, or is it implied that if the narration is following a", "of view? And if I decide I do want to keep the narration", "I do want to keep the narration more objective, what alternatives do I", "where the narrator's opinions seem to conflate with the opinions of the character", "or > > The concert was making Wolef sick. The band was obnoxiously", "brighter than a thousand suns. > > > My gut feeling is that", "might've hated the concert, but the rest of the audience was probably having", "it implied that if the narration is following a particular character, then the", "fun. But is it really not acceptable in supposedly objective narration, or is", "if the villain bothered to keep up the appearances it certainly wasn't universally", "to conflate with the opinions of the character the narration is following: >", "My gut feeling is that this is bad style - it might've been", "was probably having fun. But is it really not acceptable in supposedly objective", "find passages in my text where the narrator's opinions seem to conflate with", "seem to conflate with the opinions of the character the narration is following:", "of the character the narration is following: > > Detective Dashing took a", "a story narrated in the third person, I often find passages in my", "took a long, hard look at the man before him. Despite the welcoming", "in supposedly objective narration, or is it implied that if the narration is", "if the narration is following a particular character, then the opinions and more", "than a thousand suns. > > > My gut feeling is that this", "The concert was making Wolef sick. The band was obnoxiously loud, the music", "the rest of the audience was probably having fun. But is it really", "Wolef sick. The band was obnoxiously loud, the music resembled noises of a", "the man before him. Despite the welcoming smile, it was obvious that this", "thousand suns. > > > My gut feeling is that this is bad", "suns. > > > My gut feeling is that this is bad style", "good. > > > or > > The concert was making Wolef sick.", "narration, or is it implied that if the narration is following a particular", "loud, the music resembled noises of a dying dishwasher, and the stage was", "style - it might've been obvious to Detective Dashing, but if the villain", "point of view? And if I decide I do want to keep the", "When writing a story narrated in the third person, I often find passages", "And if I decide I do want to keep the narration more objective,", "a particular character, then the opinions and more subjective phrases are associated with", "long, hard look at the man before him. Despite the welcoming smile, it", "obvious to Detective Dashing, but if the villain bothered to keep up the", "I decide I do want to keep the narration more objective, what alternatives", "lit brighter than a thousand suns. > > > My gut feeling is", "music resembled noises of a dying dishwasher, and the stage was lit brighter", "to no good. > > > or > > The concert was making", "at the man before him. Despite the welcoming smile, it was obvious that", "Detective Dashing, but if the villain bothered to keep up the appearances it", "the narration is following a particular character, then the opinions and more subjective", "opinions seem to conflate with the opinions of the character the narration is", "to Detective Dashing, but if the villain bothered to keep up the appearances", "up the appearances it certainly wasn't universally obvious. Wolef might've hated the concert,", "dishwasher, and the stage was lit brighter than a thousand suns. > >", "in the third person, I often find passages in my text where the", "probably having fun. But is it really not acceptable in supposedly objective narration,", "more subjective phrases are associated with that character's point of view? And if", "really not acceptable in supposedly objective narration, or is it implied that if", "character, then the opinions and more subjective phrases are associated with that character's", "wasn't universally obvious. Wolef might've hated the concert, but the rest of the", "was obvious that this man was up to no good. > > >", "and the stage was lit brighter than a thousand suns. > > >", "> > > or > > The concert was making Wolef sick. The", "conflate with the opinions of the character the narration is following: > >", "appearances it certainly wasn't universally obvious. Wolef might've hated the concert, but the", "certainly wasn't universally obvious. Wolef might've hated the concert, but the rest of", "third person, I often find passages in my text where the narrator's opinions", "rest of the audience was probably having fun. But is it really not", "that character's point of view? And if I decide I do want to", "smile, it was obvious that this man was up to no good. >", "I often find passages in my text where the narrator's opinions seem to", "with the opinions of the character the narration is following: > > Detective", "narrator's opinions seem to conflate with the opinions of the character the narration", "it was obvious that this man was up to no good. > >", "> > Detective Dashing took a long, hard look at the man before", "person, I often find passages in my text where the narrator's opinions seem", "- it might've been obvious to Detective Dashing, but if the villain bothered", "is following a particular character, then the opinions and more subjective phrases are", "it certainly wasn't universally obvious. Wolef might've hated the concert, but the rest", "might've been obvious to Detective Dashing, but if the villain bothered to keep", "the stage was lit brighter than a thousand suns. > > > My", "resembled noises of a dying dishwasher, and the stage was lit brighter than", "that this is bad style - it might've been obvious to Detective Dashing,", "to keep up the appearances it certainly wasn't universally obvious. Wolef might've hated", "look at the man before him. Despite the welcoming smile, it was obvious", "was lit brighter than a thousand suns. > > > My gut feeling", "bothered to keep up the appearances it certainly wasn't universally obvious. Wolef might've", "the welcoming smile, it was obvious that this man was up to no", "was making Wolef sick. The band was obnoxiously loud, the music resembled noises", "it might've been obvious to Detective Dashing, but if the villain bothered to", "bad style - it might've been obvious to Detective Dashing, but if the", "a dying dishwasher, and the stage was lit brighter than a thousand suns.", "that this man was up to no good. > > > or >", "> > The concert was making Wolef sick. The band was obnoxiously loud,", "this is bad style - it might've been obvious to Detective Dashing, but", "the narration is following: > > Detective Dashing took a long, hard look", "is that this is bad style - it might've been obvious to Detective", "particular character, then the opinions and more subjective phrases are associated with that", "before him. Despite the welcoming smile, it was obvious that this man was", "But is it really not acceptable in supposedly objective narration, or is it", "that if the narration is following a particular character, then the opinions and", "view? And if I decide I do want to keep the narration more", "concert, but the rest of the audience was probably having fun. But is", "a long, hard look at the man before him. Despite the welcoming smile,", "Dashing, but if the villain bothered to keep up the appearances it certainly", "narrated in the third person, I often find passages in my text where", "a thousand suns. > > > My gut feeling is that this is", "> > or > > The concert was making Wolef sick. The band", "the character the narration is following: > > Detective Dashing took a long,", "was up to no good. > > > or > > The concert", "universally obvious. Wolef might've hated the concert, but the rest of the audience", "having fun. But is it really not acceptable in supposedly objective narration, or", "character the narration is following: > > Detective Dashing took a long, hard", "my text where the narrator's opinions seem to conflate with the opinions of", "not acceptable in supposedly objective narration, or is it implied that if the", "making Wolef sick. The band was obnoxiously loud, the music resembled noises of", "do want to keep the narration more objective, what alternatives do I have?", "welcoming smile, it was obvious that this man was up to no good.", "with that character's point of view? And if I decide I do want", "phrases are associated with that character's point of view? And if I decide", "the opinions and more subjective phrases are associated with that character's point of", "Detective Dashing took a long, hard look at the man before him. Despite", "story narrated in the third person, I often find passages in my text", "> My gut feeling is that this is bad style - it might've", "are associated with that character's point of view? And if I decide I", "of a dying dishwasher, and the stage was lit brighter than a thousand", "been obvious to Detective Dashing, but if the villain bothered to keep up", "noises of a dying dishwasher, and the stage was lit brighter than a", "obvious that this man was up to no good. > > > or", "was obnoxiously loud, the music resembled noises of a dying dishwasher, and the", "following: > > Detective Dashing took a long, hard look at the man", "him. Despite the welcoming smile, it was obvious that this man was up", "gut feeling is that this is bad style - it might've been obvious", "of the audience was probably having fun. But is it really not acceptable", "narration is following a particular character, then the opinions and more subjective phrases", "hard look at the man before him. Despite the welcoming smile, it was", "obnoxiously loud, the music resembled noises of a dying dishwasher, and the stage", "often find passages in my text where the narrator's opinions seem to conflate", "up to no good. > > > or > > The concert was", "implied that if the narration is following a particular character, then the opinions", "supposedly objective narration, or is it implied that if the narration is following", "the music resembled noises of a dying dishwasher, and the stage was lit", "audience was probably having fun. But is it really not acceptable in supposedly", "stage was lit brighter than a thousand suns. > > > My gut", "Dashing took a long, hard look at the man before him. Despite the", "opinions and more subjective phrases are associated with that character's point of view?", "> Detective Dashing took a long, hard look at the man before him.", "text where the narrator's opinions seem to conflate with the opinions of the", "is bad style - it might've been obvious to Detective Dashing, but if", "is it really not acceptable in supposedly objective narration, or is it implied", "it really not acceptable in supposedly objective narration, or is it implied that", "band was obnoxiously loud, the music resembled noises of a dying dishwasher, and", "concert was making Wolef sick. The band was obnoxiously loud, the music resembled", "or is it implied that if the narration is following a particular character,", "feeling is that this is bad style - it might've been obvious to", "the concert, but the rest of the audience was probably having fun. But", "narration is following: > > Detective Dashing took a long, hard look at", "obvious. Wolef might've hated the concert, but the rest of the audience was", "The band was obnoxiously loud, the music resembled noises of a dying dishwasher,", "dying dishwasher, and the stage was lit brighter than a thousand suns. >", "hated the concert, but the rest of the audience was probably having fun.", "the audience was probably having fun. But is it really not acceptable in", "the villain bothered to keep up the appearances it certainly wasn't universally obvious.", "> > My gut feeling is that this is bad style - it", "decide I do want to keep the narration more objective, what alternatives do", "sick. The band was obnoxiously loud, the music resembled noises of a dying", "in my text where the narrator's opinions seem to conflate with the opinions", "if I decide I do want to keep the narration more objective, what", "Wolef might've hated the concert, but the rest of the audience was probably", "> The concert was making Wolef sick. The band was obnoxiously loud, the", "character's point of view? And if I decide I do want to keep", "> or > > The concert was making Wolef sick. The band was", "but the rest of the audience was probably having fun. But is it", "subjective phrases are associated with that character's point of view? And if I", "no good. > > > or > > The concert was making Wolef", "the appearances it certainly wasn't universally obvious. Wolef might've hated the concert, but", "opinions of the character the narration is following: > > Detective Dashing took", "is it implied that if the narration is following a particular character, then", "this man was up to no good. > > > or > >", "then the opinions and more subjective phrases are associated with that character's point", "man was up to no good. > > > or > > The" ]
[ "use German and Latin name even if it doesn't really make sense in", "you want. What's the best way to go about this, because it seems", "and use German and Latin name even if it doesn't really make sense", "the best way to go about this, because it seems some novels don't", "and Latin names in a novel? Let's say it's a fantasy setting and", "you can do whatever you want. What's the best way to go about", "setting and you use German and Latin names for your cities. Do you", "a fantasy setting and you use German and Latin names for your cities.", "say it's a fantasy setting and you use German and Latin names for", "German and Latin name even if it doesn't really make sense in their", "your cities. Do you have to explain any of it, or you can", "you use German and Latin names for your cities. Do you have to", "origin of the words and use German and Latin name even if it", "a novel? Let's say it's a fantasy setting and you use German and", "why you're using German and Latin names in a novel? Let's say it's", "use German and Latin names for your cities. Do you have to explain", "words and use German and Latin name even if it doesn't really make", "to go about this, because it seems some novels don't comment on the", "seems some novels don't comment on the origin of the words and use", "to explain any of it, or you can do whatever you want. What's", "Let's say it's a fantasy setting and you use German and Latin names", "Latin name even if it doesn't really make sense in their fantasy world.", "names in a novel? Let's say it's a fantasy setting and you use", "Latin names for your cities. Do you have to explain any of it,", "can do whatever you want. What's the best way to go about this,", "whatever you want. What's the best way to go about this, because it", "Do you have to explain any of it, or you can do whatever", "do whatever you want. What's the best way to go about this, because", "don't comment on the origin of the words and use German and Latin", "in a novel? Let's say it's a fantasy setting and you use German", "it seems some novels don't comment on the origin of the words and", "novel? Let's say it's a fantasy setting and you use German and Latin", "on the origin of the words and use German and Latin name even", "and you use German and Latin names for your cities. Do you have", "this, because it seems some novels don't comment on the origin of the", "you have to explain why you're using German and Latin names in a", "it, or you can do whatever you want. What's the best way to", "the origin of the words and use German and Latin name even if", "to explain why you're using German and Latin names in a novel? Let's", "have to explain any of it, or you can do whatever you want.", "best way to go about this, because it seems some novels don't comment", "Latin names in a novel? Let's say it's a fantasy setting and you", "fantasy setting and you use German and Latin names for your cities. Do", "explain any of it, or you can do whatever you want. What's the", "way to go about this, because it seems some novels don't comment on", "because it seems some novels don't comment on the origin of the words", "for your cities. Do you have to explain any of it, or you", "you have to explain any of it, or you can do whatever you", "explain why you're using German and Latin names in a novel? Let's say", "What's the best way to go about this, because it seems some novels", "German and Latin names for your cities. Do you have to explain any", "have to explain why you're using German and Latin names in a novel?", "it's a fantasy setting and you use German and Latin names for your", "of it, or you can do whatever you want. What's the best way", "Do you have to explain why you're using German and Latin names in", "of the words and use German and Latin name even if it doesn't", "or you can do whatever you want. What's the best way to go", "some novels don't comment on the origin of the words and use German", "names for your cities. Do you have to explain any of it, or", "German and Latin names in a novel? Let's say it's a fantasy setting", "any of it, or you can do whatever you want. What's the best", "go about this, because it seems some novels don't comment on the origin", "novels don't comment on the origin of the words and use German and", "you're using German and Latin names in a novel? Let's say it's a", "and Latin name even if it doesn't really make sense in their fantasy", "cities. Do you have to explain any of it, or you can do", "and Latin names for your cities. Do you have to explain any of", "using German and Latin names in a novel? Let's say it's a fantasy", "want. What's the best way to go about this, because it seems some", "about this, because it seems some novels don't comment on the origin of", "the words and use German and Latin name even if it doesn't really", "comment on the origin of the words and use German and Latin name" ]
[ "indeed a nightmare and not something that is really happening to the character?", "aware that it is indeed a nightmare and not something that is really", "making readers aware that it is indeed a nightmare and not something that", "without making readers aware that it is indeed a nightmare and not something", "a nightmare scene without making readers aware that it is indeed a nightmare", "write a nightmare scene without making readers aware that it is indeed a", "scene without making readers aware that it is indeed a nightmare and not", "is indeed a nightmare and not something that is really happening to the", "it is indeed a nightmare and not something that is really happening to", "I write a nightmare scene without making readers aware that it is indeed", "How can I write a nightmare scene without making readers aware that it", "can I write a nightmare scene without making readers aware that it is", "readers aware that it is indeed a nightmare and not something that is", "that it is indeed a nightmare and not something that is really happening", "nightmare scene without making readers aware that it is indeed a nightmare and" ]
[ "(it is set in Vegas). (For more info about the story, see the", "from their friend or also involved in organized crime or in serious debts", "I decide how far the antagonist is willing to go? For example, are", "My question is how do I decide how far the antagonist is willing", "thing will be anti-climactic (it is set in Vegas). (For more info about", "character at the end, but I don't want to make them do so", "is someone confident and street-smart who is hiding their gambling addiction from a", "do so much bad that this is impossible. I also worry that if", "antagonist to make up with the main character at the end, but I", "who is hiding their gambling addiction from a friend staying with them, as", "will be anti-climactic (it is set in Vegas). (For more info about the", "is hiding their gambling addiction from a friend staying with them, as they", "take advantage of their friend (they pretend they have a job at the", "stealing just from their friend or also involved in organized crime or in", "would be best for the antagonist to make up with the main character", "far the antagonist is willing to go? For example, are they stealing just", "their gambling addiction from a friend staying with them, as they are looking", "to go? For example, are they stealing just from their friend or also", "whole thing will be anti-climactic (it is set in Vegas). (For more info", "the antagonist to make up with the main character at the end, but", "think it would be best for the antagonist to make up with the", "story the antagonist is someone confident and street-smart who is hiding their gambling", "to loan sharks and so on. I think it would be best for", "set in Vegas). (For more info about the story, see the [previous question](https://writing.stackexchange.com/questions/56332/deciding-potential-scenes-and-keeping-the-tension-in-my-short-story)", "do I decide how far the antagonist is willing to go? For example,", "pretend they have a job at the casino, etc). My question is how", "have a job at the casino, etc). My question is how do I", "antagonist makes too few mistakes, the whole thing will be anti-climactic (it is", "or also involved in organized crime or in serious debts to loan sharks", "at the casino, etc). My question is how do I decide how far", "friend or also involved in organized crime or in serious debts to loan", "main character at the end, but I don't want to make them do", "don't want to make them do so much bad that this is impossible.", "so on. I think it would be best for the antagonist to make", "I don't want to make them do so much bad that this is", "at the end, but I don't want to make them do so much", "impossible. I also worry that if the antagonist makes too few mistakes, the", "in Vegas). (For more info about the story, see the [previous question](https://writing.stackexchange.com/questions/56332/deciding-potential-scenes-and-keeping-the-tension-in-my-short-story) I", "the casino, etc). My question is how do I decide how far the", "looking to take advantage of their friend (they pretend they have a job", "question is how do I decide how far the antagonist is willing to", "few mistakes, the whole thing will be anti-climactic (it is set in Vegas).", "a job at the casino, etc). My question is how do I decide", "of their friend (they pretend they have a job at the casino, etc).", "staying with them, as they are looking to take advantage of their friend", "just from their friend or also involved in organized crime or in serious", "make up with the main character at the end, but I don't want", "crime or in serious debts to loan sharks and so on. I think", "I also worry that if the antagonist makes too few mistakes, the whole", "casino, etc). My question is how do I decide how far the antagonist", "be anti-climactic (it is set in Vegas). (For more info about the story,", "willing to go? For example, are they stealing just from their friend or", "if the antagonist makes too few mistakes, the whole thing will be anti-climactic", "best for the antagonist to make up with the main character at the", "my short story the antagonist is someone confident and street-smart who is hiding", "Vegas). (For more info about the story, see the [previous question](https://writing.stackexchange.com/questions/56332/deciding-potential-scenes-and-keeping-the-tension-in-my-short-story) I asked).", "anti-climactic (it is set in Vegas). (For more info about the story, see", "want to make them do so much bad that this is impossible. I", "as they are looking to take advantage of their friend (they pretend they", "and so on. I think it would be best for the antagonist to", "much bad that this is impossible. I also worry that if the antagonist", "or in serious debts to loan sharks and so on. I think it", "antagonist is someone confident and street-smart who is hiding their gambling addiction from", "they are looking to take advantage of their friend (they pretend they have", "and street-smart who is hiding their gambling addiction from a friend staying with", "up with the main character at the end, but I don't want to", "be best for the antagonist to make up with the main character at", "sharks and so on. I think it would be best for the antagonist", "addiction from a friend staying with them, as they are looking to take", "is willing to go? For example, are they stealing just from their friend", "for the antagonist to make up with the main character at the end,", "are they stealing just from their friend or also involved in organized crime", "with the main character at the end, but I don't want to make", "to make up with the main character at the end, but I don't", "are looking to take advantage of their friend (they pretend they have a", "on. I think it would be best for the antagonist to make up", "loan sharks and so on. I think it would be best for the", "job at the casino, etc). My question is how do I decide how", "in serious debts to loan sharks and so on. I think it would", "the main character at the end, but I don't want to make them", "the antagonist is someone confident and street-smart who is hiding their gambling addiction", "organized crime or in serious debts to loan sharks and so on. I", "the end, but I don't want to make them do so much bad", "that if the antagonist makes too few mistakes, the whole thing will be", "antagonist is willing to go? For example, are they stealing just from their", "to make them do so much bad that this is impossible. I also", "so much bad that this is impossible. I also worry that if the", "from a friend staying with them, as they are looking to take advantage", "make them do so much bad that this is impossible. I also worry", "the antagonist makes too few mistakes, the whole thing will be anti-climactic (it", "worry that if the antagonist makes too few mistakes, the whole thing will", "to take advantage of their friend (they pretend they have a job at", "confident and street-smart who is hiding their gambling addiction from a friend staying", "their friend (they pretend they have a job at the casino, etc). My", "makes too few mistakes, the whole thing will be anti-climactic (it is set", "For example, are they stealing just from their friend or also involved in", "how far the antagonist is willing to go? For example, are they stealing", "also worry that if the antagonist makes too few mistakes, the whole thing", "with them, as they are looking to take advantage of their friend (they", "also involved in organized crime or in serious debts to loan sharks and", "is impossible. I also worry that if the antagonist makes too few mistakes,", "involved in organized crime or in serious debts to loan sharks and so", "gambling addiction from a friend staying with them, as they are looking to", "advantage of their friend (they pretend they have a job at the casino,", "friend staying with them, as they are looking to take advantage of their", "end, but I don't want to make them do so much bad that", "they stealing just from their friend or also involved in organized crime or", "that this is impossible. I also worry that if the antagonist makes too", "street-smart who is hiding their gambling addiction from a friend staying with them,", "etc). My question is how do I decide how far the antagonist is", "is set in Vegas). (For more info about the story, see the [previous", "serious debts to loan sharks and so on. I think it would be", "too few mistakes, the whole thing will be anti-climactic (it is set in", "decide how far the antagonist is willing to go? For example, are they", "mistakes, the whole thing will be anti-climactic (it is set in Vegas). (For", "it would be best for the antagonist to make up with the main", "example, are they stealing just from their friend or also involved in organized", "this is impossible. I also worry that if the antagonist makes too few", "hiding their gambling addiction from a friend staying with them, as they are", "bad that this is impossible. I also worry that if the antagonist makes", "them do so much bad that this is impossible. I also worry that", "they have a job at the casino, etc). My question is how do", "in my short story the antagonist is someone confident and street-smart who is", "the antagonist is willing to go? For example, are they stealing just from", "(they pretend they have a job at the casino, etc). My question is", "short story the antagonist is someone confident and street-smart who is hiding their", "their friend or also involved in organized crime or in serious debts to", "them, as they are looking to take advantage of their friend (they pretend", "debts to loan sharks and so on. I think it would be best", "someone confident and street-smart who is hiding their gambling addiction from a friend", "is how do I decide how far the antagonist is willing to go?", "but I don't want to make them do so much bad that this", "go? For example, are they stealing just from their friend or also involved", "friend (they pretend they have a job at the casino, etc). My question", "a friend staying with them, as they are looking to take advantage of", "the whole thing will be anti-climactic (it is set in Vegas). (For more", "I think it would be best for the antagonist to make up with", "in organized crime or in serious debts to loan sharks and so on.", "how do I decide how far the antagonist is willing to go? For" ]
[ "box, essentially be buried alive, to stop everyone he knows from dying, so", "buried alive, to stop everyone he knows from dying, so he spends billions", "a children's story than anything related to horror. Where do you even start", "accepted, but the demon made the man immortal, and every time he came", "he knew or loved, the demon would be sitting there, staring at him,", "a friend, family member, or anyone he knew or loved, the demon would", "friend, family member, or anyone he knew or loved, the demon would be", "have no idea where to start (or end, for that matter) and the", "his life, and the demon accepted, but the demon made the man immortal,", "non-suspenseful, and sound more like a children's story than anything related to horror.", "create the feeling of fear and dread that keeps you up at night", "where to start (or end, for that matter) and the small sketches I", "with horror? How do you create the feeling of fear and dread that", "at night in the readers (without disgust), while also maintaining interest throughout the", "and dread that keeps you up at night in the readers (without disgust),", "member, or anyone he knew or loved, the demon would be sitting there,", "story is about a man who was attacked by a demon. The man", "anything related to horror. Where do you even start with horror? How do", "to sketch out an outline of a horror story (I have decided no", "by a demon. The man begged for his life, and the demon accepted,", "before it killed them. The man is eventually forced to isolate himself in", "everyone he knows from dying, so he spends billions of years trapped in", "as actual writing goes, I have no idea where to start (or end,", "the story is about a man who was attacked by a demon. The", "horror, and I'm starting to sketch out an outline of a horror story", "at him, right before it killed them. The man is eventually forced to", "start (or end, for that matter) and the small sketches I do have", "was attacked by a demon. The man begged for his life, and the", "But, as far as actual writing goes, I have no idea where to", "immortal, and every time he came in contact with a friend, family member,", "than anything related to horror. Where do you even start with horror? How", "horror story (I have decided no gross-out today). If it helps, the story", "related to horror. Where do you even start with horror? How do you", "that matter) and the small sketches I do have are boring, non-suspenseful, and", "knows from dying, so he spends billions of years trapped in a box,", "loved, the demon would be sitting there, staring at him, right before it", "life, and the demon accepted, but the demon made the man immortal, and", "the man immortal, and every time he came in contact with a friend,", "The man begged for his life, and the demon accepted, but the demon", "man begged for his life, and the demon accepted, but the demon made", "sketches I do have are boring, non-suspenseful, and sound more like a children's", "family member, or anyone he knew or loved, the demon would be sitting", "who was attacked by a demon. The man begged for his life, and", "it helps, the story is about a man who was attacked by a", "you up at night in the readers (without disgust), while also maintaining interest", "of a horror story (I have decided no gross-out today). If it helps,", "matter) and the small sketches I do have are boring, non-suspenseful, and sound", "he came in contact with a friend, family member, or anyone he knew", "begged for his life, and the demon accepted, but the demon made the", "to delve into horror, and I'm starting to sketch out an outline of", "you even start with horror? How do you create the feeling of fear", "keeps you up at night in the readers (without disgust), while also maintaining", "a box, essentially be buried alive, to stop everyone he knows from dying,", "and sound more like a children's story than anything related to horror. Where", "I do have are boring, non-suspenseful, and sound more like a children's story", "small sketches I do have are boring, non-suspenseful, and sound more like a", "to horror. Where do you even start with horror? How do you create", "every time he came in contact with a friend, family member, or anyone", "trapped in a box, nearly forever. But, as far as actual writing goes,", "my first fantasy novel, I am starting to delve into horror, and I'm", "so he spends billions of years trapped in a box, nearly forever. But,", "starting to delve into horror, and I'm starting to sketch out an outline", "night in the readers (without disgust), while also maintaining interest throughout the entire", "do have are boring, non-suspenseful, and sound more like a children's story than", "even start with horror? How do you create the feeling of fear and", "essentially be buried alive, to stop everyone he knows from dying, so he", "story than anything related to horror. Where do you even start with horror?", "killed them. The man is eventually forced to isolate himself in a box,", "far as actual writing goes, I have no idea where to start (or", "the small sketches I do have are boring, non-suspenseful, and sound more like", "starting to sketch out an outline of a horror story (I have decided", "stop everyone he knows from dying, so he spends billions of years trapped", "novel, I am starting to delve into horror, and I'm starting to sketch", "box, nearly forever. But, as far as actual writing goes, I have no", "spends billions of years trapped in a box, nearly forever. But, as far", "dying, so he spends billions of years trapped in a box, nearly forever.", "Where do you even start with horror? How do you create the feeling", "story (I have decided no gross-out today). If it helps, the story is", "horror? How do you create the feeling of fear and dread that keeps", "the demon made the man immortal, and every time he came in contact", "If it helps, the story is about a man who was attacked by", "isolate himself in a box, essentially be buried alive, to stop everyone he", "writing goes, I have no idea where to start (or end, for that", "a horror story (I have decided no gross-out today). If it helps, the", "I am starting to delve into horror, and I'm starting to sketch out", "fantasy novel, I am starting to delve into horror, and I'm starting to", "demon accepted, but the demon made the man immortal, and every time he", "there, staring at him, right before it killed them. The man is eventually", "horror. Where do you even start with horror? How do you create the", "or anyone he knew or loved, the demon would be sitting there, staring", "is eventually forced to isolate himself in a box, essentially be buried alive,", "knew or loved, the demon would be sitting there, staring at him, right", "and every time he came in contact with a friend, family member, or", "into horror, and I'm starting to sketch out an outline of a horror", "delve into horror, and I'm starting to sketch out an outline of a", "boring, non-suspenseful, and sound more like a children's story than anything related to", "and I'm starting to sketch out an outline of a horror story (I", "gross-out today). If it helps, the story is about a man who was", "for his life, and the demon accepted, but the demon made the man", "decided no gross-out today). If it helps, the story is about a man", "billions of years trapped in a box, nearly forever. But, as far as", "sound more like a children's story than anything related to horror. Where do", "How do you create the feeling of fear and dread that keeps you", "be buried alive, to stop everyone he knows from dying, so he spends", "as far as actual writing goes, I have no idea where to start", "the feeling of fear and dread that keeps you up at night in", "made the man immortal, and every time he came in contact with a", "them. The man is eventually forced to isolate himself in a box, essentially", "anyone he knew or loved, the demon would be sitting there, staring at", "more like a children's story than anything related to horror. Where do you", "it killed them. The man is eventually forced to isolate himself in a", "of fear and dread that keeps you up at night in the readers", "up at night in the readers (without disgust), while also maintaining interest throughout", "contact with a friend, family member, or anyone he knew or loved, the", "Along with my first fantasy novel, I am starting to delve into horror,", "the demon would be sitting there, staring at him, right before it killed", "(or end, for that matter) and the small sketches I do have are", "to start (or end, for that matter) and the small sketches I do", "with my first fantasy novel, I am starting to delve into horror, and", "to isolate himself in a box, essentially be buried alive, to stop everyone", "nearly forever. But, as far as actual writing goes, I have no idea", "out an outline of a horror story (I have decided no gross-out today).", "for that matter) and the small sketches I do have are boring, non-suspenseful,", "fear and dread that keeps you up at night in the readers (without", "sitting there, staring at him, right before it killed them. The man is", "like a children's story than anything related to horror. Where do you even", "no idea where to start (or end, for that matter) and the small", "a man who was attacked by a demon. The man begged for his", "sketch out an outline of a horror story (I have decided no gross-out", "to stop everyone he knows from dying, so he spends billions of years", "in a box, essentially be buried alive, to stop everyone he knows from", "you create the feeling of fear and dread that keeps you up at", "alive, to stop everyone he knows from dying, so he spends billions of", "have are boring, non-suspenseful, and sound more like a children's story than anything", "with a friend, family member, or anyone he knew or loved, the demon", "in a box, nearly forever. But, as far as actual writing goes, I", "forever. But, as far as actual writing goes, I have no idea where", "himself in a box, essentially be buried alive, to stop everyone he knows", "have decided no gross-out today). If it helps, the story is about a", "today). If it helps, the story is about a man who was attacked", "he knows from dying, so he spends billions of years trapped in a", "or loved, the demon would be sitting there, staring at him, right before", "children's story than anything related to horror. Where do you even start with", "do you create the feeling of fear and dread that keeps you up", "feeling of fear and dread that keeps you up at night in the", "outline of a horror story (I have decided no gross-out today). If it", "in the readers (without disgust), while also maintaining interest throughout the entire story?", "staring at him, right before it killed them. The man is eventually forced", "but the demon made the man immortal, and every time he came in", "demon made the man immortal, and every time he came in contact with", "man is eventually forced to isolate himself in a box, essentially be buried", "man who was attacked by a demon. The man begged for his life,", "a box, nearly forever. But, as far as actual writing goes, I have", "eventually forced to isolate himself in a box, essentially be buried alive, to", "time he came in contact with a friend, family member, or anyone he", "and the demon accepted, but the demon made the man immortal, and every", "The man is eventually forced to isolate himself in a box, essentially be", "forced to isolate himself in a box, essentially be buried alive, to stop", "be sitting there, staring at him, right before it killed them. The man", "man immortal, and every time he came in contact with a friend, family", "and the small sketches I do have are boring, non-suspenseful, and sound more", "right before it killed them. The man is eventually forced to isolate himself", "of years trapped in a box, nearly forever. But, as far as actual", "he spends billions of years trapped in a box, nearly forever. But, as", "that keeps you up at night in the readers (without disgust), while also", "demon would be sitting there, staring at him, right before it killed them.", "him, right before it killed them. The man is eventually forced to isolate", "first fantasy novel, I am starting to delve into horror, and I'm starting", "idea where to start (or end, for that matter) and the small sketches", "am starting to delve into horror, and I'm starting to sketch out an", "goes, I have no idea where to start (or end, for that matter)", "no gross-out today). If it helps, the story is about a man who", "from dying, so he spends billions of years trapped in a box, nearly", "helps, the story is about a man who was attacked by a demon.", "are boring, non-suspenseful, and sound more like a children's story than anything related", "in contact with a friend, family member, or anyone he knew or loved,", "about a man who was attacked by a demon. The man begged for", "the demon accepted, but the demon made the man immortal, and every time", "I'm starting to sketch out an outline of a horror story (I have", "dread that keeps you up at night in the readers (without disgust), while", "came in contact with a friend, family member, or anyone he knew or", "start with horror? How do you create the feeling of fear and dread", "is about a man who was attacked by a demon. The man begged", "would be sitting there, staring at him, right before it killed them. The", "I have no idea where to start (or end, for that matter) and", "an outline of a horror story (I have decided no gross-out today). If", "end, for that matter) and the small sketches I do have are boring,", "years trapped in a box, nearly forever. But, as far as actual writing", "demon. The man begged for his life, and the demon accepted, but the", "attacked by a demon. The man begged for his life, and the demon", "do you even start with horror? How do you create the feeling of", "(I have decided no gross-out today). If it helps, the story is about", "a demon. The man begged for his life, and the demon accepted, but", "actual writing goes, I have no idea where to start (or end, for" ]
[ "of course like to have some OC's (original characters --ones not taken from", "start with writing my story, I would of course like to have some", "from an existing work). I am struggling to make OC's that I don't", "make OC's that I don't hate. I somehow end up always making them", "create a good OC that I don't hate? I would like some advice.", "to have some OC's (original characters --ones not taken from an existing work).", "end up always making them similar to each other, a way too perfect", "or just a better version of myself. How do I create a good", "I create a good OC that I don't hate? I would like some", "existing work). I am struggling to make OC's that I don't hate. I", "characters --ones not taken from an existing work). I am struggling to make", "other, a way too perfect person or just a better version of myself.", "don't hate. I somehow end up always making them similar to each other,", "a way too perfect person or just a better version of myself. How", "of myself. How do I create a good OC that I don't hate?", "always making them similar to each other, a way too perfect person or", "person or just a better version of myself. How do I create a", "not taken from an existing work). I am struggling to make OC's that", "struggling to make OC's that I don't hate. I somehow end up always", "some OC's (original characters --ones not taken from an existing work). I am", "I somehow end up always making them similar to each other, a way", "that I don't hate. I somehow end up always making them similar to", "them similar to each other, a way too perfect person or just a", "How do I create a good OC that I don't hate? I would", "version of myself. How do I create a good OC that I don't", "up always making them similar to each other, a way too perfect person", "making them similar to each other, a way too perfect person or just", "story, I would of course like to have some OC's (original characters --ones", "an existing work). I am struggling to make OC's that I don't hate.", "just a better version of myself. How do I create a good OC", "with writing my story, I would of course like to have some OC's", "too perfect person or just a better version of myself. How do I", "like to have some OC's (original characters --ones not taken from an existing", "each other, a way too perfect person or just a better version of", "I start with writing my story, I would of course like to have", "am struggling to make OC's that I don't hate. I somehow end up", "do I create a good OC that I don't hate? I would like", "work). I am struggling to make OC's that I don't hate. I somehow", "--ones not taken from an existing work). I am struggling to make OC's", "myself. How do I create a good OC that I don't hate? I", "perfect person or just a better version of myself. How do I create", "somehow end up always making them similar to each other, a way too", "Before I start with writing my story, I would of course like to", "I am struggling to make OC's that I don't hate. I somehow end", "hate. I somehow end up always making them similar to each other, a", "writing my story, I would of course like to have some OC's (original", "to make OC's that I don't hate. I somehow end up always making", "similar to each other, a way too perfect person or just a better", "course like to have some OC's (original characters --ones not taken from an", "a better version of myself. How do I create a good OC that", "OC's that I don't hate. I somehow end up always making them similar", "I don't hate. I somehow end up always making them similar to each", "to each other, a way too perfect person or just a better version", "have some OC's (original characters --ones not taken from an existing work). I", "better version of myself. How do I create a good OC that I", "I would of course like to have some OC's (original characters --ones not", "my story, I would of course like to have some OC's (original characters", "way too perfect person or just a better version of myself. How do", "(original characters --ones not taken from an existing work). I am struggling to", "OC's (original characters --ones not taken from an existing work). I am struggling", "taken from an existing work). I am struggling to make OC's that I", "would of course like to have some OC's (original characters --ones not taken" ]
[ "to describe my fictional cities' conditions, so I wrote these attributes for each", "attributes for each of them: * What is the city administration? * Number", "* Number of crimes committed * Major resources * Resources to be sourced", "homes * Number of crimes committed * Major resources * Resources to be", "wrote these attributes for each of them: * What is the city administration?", "* Major resources * Resources to be sourced from other cities What other", "Major resources * Resources to be sourced from other cities What other attributes", "* What is the city administration? * Number of employed people * Number", "the city administration? * Number of employed people * Number of homes ", "employed people Number of homes * Number of crimes committed * Major", "of employed people * Number of homes * Number of crimes committed ", "be sourced from other cities What other attributes are important when creating fictional", " Number of employed people * Number of homes * Number of crimes", "Number of employed people * Number of homes * Number of crimes committed", "crimes committed * Major resources * Resources to be sourced from other cities", "want to describe my fictional cities' conditions, so I wrote these attributes for", "so I wrote these attributes for each of them: * What is the", "What is the city administration? * Number of employed people * Number of", "of homes * Number of crimes committed * Major resources * Resources to", "of them: * What is the city administration? * Number of employed people", "each of them: * What is the city administration? * Number of employed", "I want to describe my fictional cities' conditions, so I wrote these attributes", "these attributes for each of them: * What is the city administration? ", "administration? Number of employed people * Number of homes * Number of", "for each of them: * What is the city administration? * Number of", "them: * What is the city administration? * Number of employed people ", "is the city administration? Number of employed people * Number of homes", "I wrote these attributes for each of them: * What is the city", "describe my fictional cities' conditions, so I wrote these attributes for each of", "* Number of homes * Number of crimes committed * Major resources ", "committed Major resources * Resources to be sourced from other cities What", "sourced from other cities What other attributes are important when creating fictional cities?", "Number of crimes committed * Major resources * Resources to be sourced from", "cities' conditions, so I wrote these attributes for each of them: * What", "city administration? * Number of employed people * Number of homes * Number", "to be sourced from other cities What other attributes are important when creating", "my fictional cities' conditions, so I wrote these attributes for each of them:", "* Resources to be sourced from other cities What other attributes are important", "fictional cities' conditions, so I wrote these attributes for each of them: ", "people Number of homes * Number of crimes committed * Major resources", "of crimes committed * Major resources * Resources to be sourced from other", "resources * Resources to be sourced from other cities What other attributes are", "Resources to be sourced from other cities What other attributes are important when", "Number of homes * Number of crimes committed * Major resources * Resources", "conditions, so I wrote these attributes for each of them: * What is" ]
[ "a normal writing style. If not, how will this be done? (Structurally speaking-how", "Thriller/Action Stream-of-Consciousness writing style? Would that be considered to be essentially a normal", "essentially a normal writing style. If not, how will this be done? (Structurally", "there any such thing as a Thriller/Action Stream-of-Consciousness writing style? Would that be", "as a Thriller/Action Stream-of-Consciousness writing style? Would that be considered to be essentially", "Is there any such thing as a Thriller/Action Stream-of-Consciousness writing style? Would that", "style? Would that be considered to be essentially a normal writing style. If", "writing style. If not, how will this be done? (Structurally speaking-how is it", "Stream-of-Consciousness writing style? Would that be considered to be essentially a normal writing", "normal writing style. If not, how will this be done? (Structurally speaking-how is", "that be considered to be essentially a normal writing style. If not, how", "such thing as a Thriller/Action Stream-of-Consciousness writing style? Would that be considered to", "Would that be considered to be essentially a normal writing style. If not,", "style. If not, how will this be done? (Structurally speaking-how is it different", "considered to be essentially a normal writing style. If not, how will this", "to be essentially a normal writing style. If not, how will this be", "how will this be done? (Structurally speaking-how is it different from normal stream", "be essentially a normal writing style. If not, how will this be done?", "not, how will this be done? (Structurally speaking-how is it different from normal", "will this be done? (Structurally speaking-how is it different from normal stream writing)", "a Thriller/Action Stream-of-Consciousness writing style? Would that be considered to be essentially a", "writing style? Would that be considered to be essentially a normal writing style.", "be considered to be essentially a normal writing style. If not, how will", "If not, how will this be done? (Structurally speaking-how is it different from", "any such thing as a Thriller/Action Stream-of-Consciousness writing style? Would that be considered", "thing as a Thriller/Action Stream-of-Consciousness writing style? Would that be considered to be" ]
[ "just needs to be written? Should I leave the better planned one and", "slogging away at the more developed one, which I think is pretty good", "one is a two year monster of a book with plans, and a", "been working on for a while - one is a two year monster", "I have two stories I have been working on for a while -", "the side and is now making me really excited. What advice would you", "making me really excited. What advice would you give over which to write?", "is a personal question, so take it as a more general question, on", "better planned one and just write the one I enjoy more? Or should", "P.S. - I know that this is a personal question, so take it", "the one I enjoy more? Or should I continue writing both? P.S. -", "and just write the one I enjoy more? Or should I continue writing", "world. The other is a small thing that I started on the side", "monster of a book with plans, and a lot of material that I", "question, so take it as a more general question, on what to do", "developed one, which I think is pretty good storywise and just needs to", "I started on the side and is now making me really excited. What", "thing that I started on the side and is now making me really", "started on the side and is now making me really excited. What advice", "one and just write the one I enjoy more? Or should I continue", "enjoy more? Or should I continue writing both? P.S. - I know that", "small thing that I started on the side and is now making me", "be written? Should I leave the better planned one and just write the", "continue writing both? P.S. - I know that this is a personal question,", "write the one I enjoy more? Or should I continue writing both? P.S.", "I keep slogging away at the more developed one, which I think is", "that I have to draw on about the world. The other is a", "on about the world. The other is a small thing that I started", "written? Should I leave the better planned one and just write the one", "I think is pretty good storywise and just needs to be written? Should", "should I continue writing both? P.S. - I know that this is a", "you give over which to write? Should I keep slogging away at the", "The other is a small thing that I started on the side and", "I continue writing both? P.S. - I know that this is a personal", "a while - one is a two year monster of a book with", "for a while - one is a two year monster of a book", "excited. What advice would you give over which to write? Should I keep", "year monster of a book with plans, and a lot of material that", "and a lot of material that I have to draw on about the", "writing both? P.S. - I know that this is a personal question, so", "that I started on the side and is now making me really excited.", "pretty good storywise and just needs to be written? Should I leave the", "is a small thing that I started on the side and is now", "with plans, and a lot of material that I have to draw on", "side and is now making me really excited. What advice would you give", "this is a personal question, so take it as a more general question,", "a book with plans, and a lot of material that I have to", "at the more developed one, which I think is pretty good storywise and", "- one is a two year monster of a book with plans, and", "a lot of material that I have to draw on about the world.", "one, which I think is pretty good storywise and just needs to be", "on for a while - one is a two year monster of a", "is now making me really excited. What advice would you give over which", "I enjoy more? Or should I continue writing both? P.S. - I know", "I have to draw on about the world. The other is a small", "advice would you give over which to write? Should I keep slogging away", "is a two year monster of a book with plans, and a lot", "two year monster of a book with plans, and a lot of material", "have been working on for a while - one is a two year", "keep slogging away at the more developed one, which I think is pretty", "a personal question, so take it as a more general question, on what", "about the world. The other is a small thing that I started on", "Or should I continue writing both? P.S. - I know that this is", "away at the more developed one, which I think is pretty good storywise", "now making me really excited. What advice would you give over which to", "storywise and just needs to be written? Should I leave the better planned", "I leave the better planned one and just write the one I enjoy", "give over which to write? Should I keep slogging away at the more", "more developed one, which I think is pretty good storywise and just needs", "and just needs to be written? Should I leave the better planned one", "the better planned one and just write the one I enjoy more? Or", "lot of material that I have to draw on about the world. The", "I know that this is a personal question, so take it as a", "have to draw on about the world. The other is a small thing", "which I think is pretty good storywise and just needs to be written?", "draw on about the world. The other is a small thing that I", "would you give over which to write? Should I keep slogging away at", "the world. The other is a small thing that I started on the", "both? P.S. - I know that this is a personal question, so take", "to write? Should I keep slogging away at the more developed one, which", "the more developed one, which I think is pretty good storywise and just", "it as a more general question, on what to do when you have", "working on for a while - one is a two year monster of", "while - one is a two year monster of a book with plans,", "that this is a personal question, so take it as a more general", "two stories I have been working on for a while - one is", "a two year monster of a book with plans, and a lot of", "just write the one I enjoy more? Or should I continue writing both?", "- I know that this is a personal question, so take it as", "I have been working on for a while - one is a two", "a small thing that I started on the side and is now making", "write? Should I keep slogging away at the more developed one, which I", "of material that I have to draw on about the world. The other", "personal question, so take it as a more general question, on what to", "me really excited. What advice would you give over which to write? Should", "so take it as a more general question, on what to do when", "needs to be written? Should I leave the better planned one and just", "a more general question, on what to do when you have two projects,", "on the side and is now making me really excited. What advice would", "to be written? Should I leave the better planned one and just write", "one I enjoy more? Or should I continue writing both? P.S. - I", "is pretty good storywise and just needs to be written? Should I leave", "to draw on about the world. The other is a small thing that", "over which to write? Should I keep slogging away at the more developed", "of a book with plans, and a lot of material that I have", "have two stories I have been working on for a while - one", "more? Or should I continue writing both? P.S. - I know that this", "material that I have to draw on about the world. The other is", "which to write? Should I keep slogging away at the more developed one,", "stories I have been working on for a while - one is a", "as a more general question, on what to do when you have two", "other is a small thing that I started on the side and is", "think is pretty good storywise and just needs to be written? Should I", "good storywise and just needs to be written? Should I leave the better", "planned one and just write the one I enjoy more? Or should I", "book with plans, and a lot of material that I have to draw", "know that this is a personal question, so take it as a more", "What advice would you give over which to write? Should I keep slogging", "Should I keep slogging away at the more developed one, which I think", "leave the better planned one and just write the one I enjoy more?", "plans, and a lot of material that I have to draw on about", "take it as a more general question, on what to do when you", "really excited. What advice would you give over which to write? Should I", "Should I leave the better planned one and just write the one I", "and is now making me really excited. What advice would you give over" ]
[ "who is almost as developed as the first, although you don't know what", "of the book, never to be heard from again, would that be a", "the main character in a novel disappears at the climax of the book,", "climax, the remainder of the story will shift to the second most developed", "that be a frustrating experience for the reader? Details: classic three-act structure where", "the book, never to be heard from again, would that be a frustrating", "the second most developed character who is almost as developed as the first,", "developed as the first, although you don't know what happened to the MC", "If the main character in a novel disappears at the climax of the", "structure where the MC disappears at the climax, the remainder of the story", "where the MC disappears at the climax, the remainder of the story will", "for the reader? Details: classic three-act structure where the MC disappears at the", "at the climax, the remainder of the story will shift to the second", "shift to the second most developed character who is almost as developed as", "most developed character who is almost as developed as the first, although you", "Details: classic three-act structure where the MC disappears at the climax, the remainder", "story will shift to the second most developed character who is almost as", "main character in a novel disappears at the climax of the book, never", "remainder of the story will shift to the second most developed character who", "the story will shift to the second most developed character who is almost", "to be heard from again, would that be a frustrating experience for the", "the first, although you don't know what happened to the MC it is", "novel disappears at the climax of the book, never to be heard from", "be heard from again, would that be a frustrating experience for the reader?", "disappears at the climax of the book, never to be heard from again,", "from again, would that be a frustrating experience for the reader? Details: classic", "the remainder of the story will shift to the second most developed character", "frustrating experience for the reader? Details: classic three-act structure where the MC disappears", "the MC disappears at the climax, the remainder of the story will shift", "don't know what happened to the MC it is implied they are alive", "reader? Details: classic three-act structure where the MC disappears at the climax, the", "at the climax of the book, never to be heard from again, would", "first, although you don't know what happened to the MC it is implied", "developed character who is almost as developed as the first, although you don't", "the climax, the remainder of the story will shift to the second most", "as developed as the first, although you don't know what happened to the", "a novel disappears at the climax of the book, never to be heard", "never to be heard from again, would that be a frustrating experience for", "again, would that be a frustrating experience for the reader? Details: classic three-act", "disappears at the climax, the remainder of the story will shift to the", "experience for the reader? Details: classic three-act structure where the MC disappears at", "almost as developed as the first, although you don't know what happened to", "although you don't know what happened to the MC it is implied they", "character in a novel disappears at the climax of the book, never to", "will shift to the second most developed character who is almost as developed", "you don't know what happened to the MC it is implied they are", "would that be a frustrating experience for the reader? Details: classic three-act structure", "of the story will shift to the second most developed character who is", "heard from again, would that be a frustrating experience for the reader? Details:", "be a frustrating experience for the reader? Details: classic three-act structure where the", "classic three-act structure where the MC disappears at the climax, the remainder of", "a frustrating experience for the reader? Details: classic three-act structure where the MC", "in a novel disappears at the climax of the book, never to be", "the reader? Details: classic three-act structure where the MC disappears at the climax,", "the climax of the book, never to be heard from again, would that", "three-act structure where the MC disappears at the climax, the remainder of the", "to the second most developed character who is almost as developed as the", "character who is almost as developed as the first, although you don't know", "climax of the book, never to be heard from again, would that be", "is almost as developed as the first, although you don't know what happened", "book, never to be heard from again, would that be a frustrating experience", "as the first, although you don't know what happened to the MC it", "MC disappears at the climax, the remainder of the story will shift to", "second most developed character who is almost as developed as the first, although" ]
[ "help. How can I make it impressive without mentioning any prior record of", "poems and stories, and they are not in this genre, so I don't", "and stories, and they are not in this genre, so I don't think", "some fiction to a magazine? What is the format? What are the things", "a few other poems and stories, and they are not in this genre,", "other poems and stories, and they are not in this genre, so I", "just a few other poems and stories, and they are not in this", "stories, and they are not in this genre, so I don't think that", "that they will help. How can I make it impressive without mentioning any", "What is the format? What are the things that I must and should", "are the things that I must and should include in it? I am", "I am not an established writer. I have written just a few other", "written just a few other poems and stories, and they are not in", "letter, when submitting some fiction to a magazine? What is the format? What", "that I must and should include in it? I am not an established", "in it? I am not an established writer. I have written just a", "format? What are the things that I must and should include in it?", "not an established writer. I have written just a few other poems and", "and they are not in this genre, so I don't think that they", "think that they will help. How can I make it impressive without mentioning", "not in this genre, so I don't think that they will help. How", "will help. How can I make it impressive without mentioning any prior record", "it? I am not an established writer. I have written just a few", "few other poems and stories, and they are not in this genre, so", "How should I write the cover letter, when submitting some fiction to a", "and should include in it? I am not an established writer. I have", "a magazine? What is the format? What are the things that I must", "to a magazine? What is the format? What are the things that I", "have written just a few other poems and stories, and they are not", "I write the cover letter, when submitting some fiction to a magazine? What", "magazine? What is the format? What are the things that I must and", "things that I must and should include in it? I am not an", "is the format? What are the things that I must and should include", "are not in this genre, so I don't think that they will help.", "cover letter, when submitting some fiction to a magazine? What is the format?", "an established writer. I have written just a few other poems and stories,", "should include in it? I am not an established writer. I have written", "writer. I have written just a few other poems and stories, and they", "I don't think that they will help. How can I make it impressive", "they will help. How can I make it impressive without mentioning any prior", "must and should include in it? I am not an established writer. I", "this genre, so I don't think that they will help. How can I", "include in it? I am not an established writer. I have written just", "established writer. I have written just a few other poems and stories, and", "the cover letter, when submitting some fiction to a magazine? What is the", "submitting some fiction to a magazine? What is the format? What are the", "the format? What are the things that I must and should include in", "should I write the cover letter, when submitting some fiction to a magazine?", "am not an established writer. I have written just a few other poems", "when submitting some fiction to a magazine? What is the format? What are", "they are not in this genre, so I don't think that they will", "I have written just a few other poems and stories, and they are", "the things that I must and should include in it? I am not", "so I don't think that they will help. How can I make it", "don't think that they will help. How can I make it impressive without", "How can I make it impressive without mentioning any prior record of writing?", "What are the things that I must and should include in it? I", "genre, so I don't think that they will help. How can I make", "in this genre, so I don't think that they will help. How can", "I must and should include in it? I am not an established writer.", "fiction to a magazine? What is the format? What are the things that", "write the cover letter, when submitting some fiction to a magazine? What is" ]
[ "Is it ok to hide main motive of the character throughout the book?", "the rising action goes against the resolution and the hidden motive in the", "hide main motive of the character throughout the book? In my story, the", "book? In my story, the main character never tells why he's doing what", "of the character throughout the book? In my story, the main character never", "are fooled into believing he's doing it for a particular purpose until near", "character never tells why he's doing what he's doing and the reader are", "plot of a book or not? When the conflict, the climax and the", "reveals what his goal was all along. Does this weaken the plot of", "of a book or not? When the conflict, the climax and the rising", "purpose until near the end the main character does a 180 degree and", "it ok to hide main motive of the character throughout the book? In", "and his action reveals what his goal was all along. Does this weaken", "resolution and the hidden motive in the story, is this a bad thing?", "character throughout the book? In my story, the main character never tells why", "action reveals what his goal was all along. Does this weaken the plot", "character does a 180 degree and his action reveals what his goal was", "along. Does this weaken the plot of a book or not? When the", "a 180 degree and his action reveals what his goal was all along.", "main character never tells why he's doing what he's doing and the reader", "this weaken the plot of a book or not? When the conflict, the", "180 degree and his action reveals what his goal was all along. Does", "believing he's doing it for a particular purpose until near the end the", "not? When the conflict, the climax and the rising action goes against the", "weaken the plot of a book or not? When the conflict, the climax", "In my story, the main character never tells why he's doing what he's", "his action reveals what his goal was all along. Does this weaken the", "goal was all along. Does this weaken the plot of a book or", "goes against the resolution and the hidden motive in the story, is this", "doing what he's doing and the reader are fooled into believing he's doing", "story, the main character never tells why he's doing what he's doing and", "my story, the main character never tells why he's doing what he's doing", "the climax and the rising action goes against the resolution and the hidden", "all along. Does this weaken the plot of a book or not? When", "the resolution and the hidden motive in the story, is this a bad", "the end the main character does a 180 degree and his action reveals", "does a 180 degree and his action reveals what his goal was all", "ok to hide main motive of the character throughout the book? In my", "what his goal was all along. Does this weaken the plot of a", "and the reader are fooled into believing he's doing it for a particular", "or not? When the conflict, the climax and the rising action goes against", "the plot of a book or not? When the conflict, the climax and", "rising action goes against the resolution and the hidden motive in the story,", "main character does a 180 degree and his action reveals what his goal", "tells why he's doing what he's doing and the reader are fooled into", "it for a particular purpose until near the end the main character does", "for a particular purpose until near the end the main character does a", "why he's doing what he's doing and the reader are fooled into believing", "motive of the character throughout the book? In my story, the main character", "what he's doing and the reader are fooled into believing he's doing it", "climax and the rising action goes against the resolution and the hidden motive", "the reader are fooled into believing he's doing it for a particular purpose", "reader are fooled into believing he's doing it for a particular purpose until", "fooled into believing he's doing it for a particular purpose until near the", "book or not? When the conflict, the climax and the rising action goes", "main motive of the character throughout the book? In my story, the main", "he's doing what he's doing and the reader are fooled into believing he's", "doing and the reader are fooled into believing he's doing it for a", "When the conflict, the climax and the rising action goes against the resolution", "against the resolution and the hidden motive in the story, is this a", "degree and his action reveals what his goal was all along. Does this", "action goes against the resolution and the hidden motive in the story, is", "his goal was all along. Does this weaken the plot of a book", "and the rising action goes against the resolution and the hidden motive in", "he's doing it for a particular purpose until near the end the main", "never tells why he's doing what he's doing and the reader are fooled", "particular purpose until near the end the main character does a 180 degree", "end the main character does a 180 degree and his action reveals what", "the character throughout the book? In my story, the main character never tells", "near the end the main character does a 180 degree and his action", "until near the end the main character does a 180 degree and his", "the main character never tells why he's doing what he's doing and the", "throughout the book? In my story, the main character never tells why he's", "he's doing and the reader are fooled into believing he's doing it for", "doing it for a particular purpose until near the end the main character", "was all along. Does this weaken the plot of a book or not?", "a book or not? When the conflict, the climax and the rising action", "the book? In my story, the main character never tells why he's doing", "the main character does a 180 degree and his action reveals what his", "conflict, the climax and the rising action goes against the resolution and the", "Does this weaken the plot of a book or not? When the conflict,", "to hide main motive of the character throughout the book? In my story,", "the conflict, the climax and the rising action goes against the resolution and", "a particular purpose until near the end the main character does a 180", "into believing he's doing it for a particular purpose until near the end" ]
[ "am not sure if there needs to be an introductory text or not.", "are the most popular ways to do it and if you could give", "the whole content of a letter written by a character in a novel?", "could give me an excerpt that shows how it's done. I thought just", "a chapter. I am not sure if there needs to be an introductory", "the most popular ways to do it and if you could give me", "do you introduce the whole content of a letter written by a character", "you would do that in the middle of a chapter. I am not", "sure how you would do that in the middle of a chapter. I", "a possibility, but I am not sure how you would do that in", "to know what are the most popular ways to do it and if", "thought just writing the letter in its whole with the same formatting as", "but I am not sure how you would do that in the middle", "whole with the same formatting as written would be a possibility, but I", "if you could give me an excerpt that shows how it's done. I", "like to know what are the most popular ways to do it and", "same formatting as written would be a possibility, but I am not sure", "ways to do it and if you could give me an excerpt that", "how it's done. I thought just writing the letter in its whole with", "possibility, but I am not sure how you would do that in the", "of a letter written by a character in a novel? I am guessing", "a novel? I am guessing there are many ways, but I would like", "it's done. I thought just writing the letter in its whole with the", "most popular ways to do it and if you could give me an", "written by a character in a novel? I am guessing there are many", "letter in its whole with the same formatting as written would be a", "character in a novel? I am guessing there are many ways, but I", "would like to know what are the most popular ways to do it", "be a possibility, but I am not sure how you would do that", "guessing there are many ways, but I would like to know what are", "content of a letter written by a character in a novel? I am", "a character in a novel? I am guessing there are many ways, but", "formatting as written would be a possibility, but I am not sure how", "writing the letter in its whole with the same formatting as written would", "I thought just writing the letter in its whole with the same formatting", "introduce the whole content of a letter written by a character in a", "middle of a chapter. I am not sure if there needs to be", "a letter written by a character in a novel? I am guessing there", "me an excerpt that shows how it's done. I thought just writing the", "whole content of a letter written by a character in a novel? I", "there are many ways, but I would like to know what are the", "do that in the middle of a chapter. I am not sure if", "in a novel? I am guessing there are many ways, but I would", "am guessing there are many ways, but I would like to know what", "its whole with the same formatting as written would be a possibility, but", "as written would be a possibility, but I am not sure how you", "how you would do that in the middle of a chapter. I am", "I am not sure if there needs to be an introductory text or", "am not sure how you would do that in the middle of a", "novel? I am guessing there are many ways, but I would like to", "what are the most popular ways to do it and if you could", "the letter in its whole with the same formatting as written would be", "just writing the letter in its whole with the same formatting as written", "the middle of a chapter. I am not sure if there needs to", "it and if you could give me an excerpt that shows how it's", "of a chapter. I am not sure if there needs to be an", "with the same formatting as written would be a possibility, but I am", "the same formatting as written would be a possibility, but I am not", "you could give me an excerpt that shows how it's done. I thought", "shows how it's done. I thought just writing the letter in its whole", "to do it and if you could give me an excerpt that shows", "an excerpt that shows how it's done. I thought just writing the letter", "would do that in the middle of a chapter. I am not sure", "but I would like to know what are the most popular ways to", "in its whole with the same formatting as written would be a possibility,", "that in the middle of a chapter. I am not sure if there", "chapter. I am not sure if there needs to be an introductory text", "I would like to know what are the most popular ways to do", "excerpt that shows how it's done. I thought just writing the letter in", "that shows how it's done. I thought just writing the letter in its", "are many ways, but I would like to know what are the most", "done. I thought just writing the letter in its whole with the same", "written would be a possibility, but I am not sure how you would", "I am not sure how you would do that in the middle of", "you introduce the whole content of a letter written by a character in", "would be a possibility, but I am not sure how you would do", "not sure how you would do that in the middle of a chapter.", "letter written by a character in a novel? I am guessing there are", "and if you could give me an excerpt that shows how it's done.", "many ways, but I would like to know what are the most popular", "ways, but I would like to know what are the most popular ways", "popular ways to do it and if you could give me an excerpt", "give me an excerpt that shows how it's done. I thought just writing", "by a character in a novel? I am guessing there are many ways,", "in the middle of a chapter. I am not sure if there needs", "How do you introduce the whole content of a letter written by a", "do it and if you could give me an excerpt that shows how", "I am guessing there are many ways, but I would like to know", "know what are the most popular ways to do it and if you" ]
[ "hard magic system, you don't know if the magic in your universe sometimes", "you have a complex hard magic system, you don't know if the magic", "do you minimize the amount of plot hole from a complex hard magic", "a complex hard magic system, you don't know if the magic in your", "sometimes break the rules you set, how do you minimize the amount of", "you set, how do you minimize the amount of plot hole from a", "up with a hard magic system? Creating a hard magic system means that", "in your universe sometimes break the rules you set, how do you minimize", "rules you set, how do you minimize the amount of plot hole from", "follow the rules that you set, but when you have a complex hard", "the rules you set, how do you minimize the amount of plot hole", "coming up with a hard magic system? Creating a hard magic system means", "must follow the rules that you set, but when you have a complex", "you set, but when you have a complex hard magic system, you don't", "a hard magic system means that magic must follow the rules that you", "you prevent a plot hole when coming up with a hard magic system?", "know if the magic in your universe sometimes break the rules you set,", "hard magic system? Creating a hard magic system means that magic must follow", "how do you minimize the amount of plot hole from a complex hard", "set, how do you minimize the amount of plot hole from a complex", "plot hole when coming up with a hard magic system? Creating a hard", "if the magic in your universe sometimes break the rules you set, how", "rules that you set, but when you have a complex hard magic system,", "set, but when you have a complex hard magic system, you don't know", "you don't know if the magic in your universe sometimes break the rules", "break the rules you set, how do you minimize the amount of plot", "hard magic system means that magic must follow the rules that you set,", "don't know if the magic in your universe sometimes break the rules you", "magic system, you don't know if the magic in your universe sometimes break", "a plot hole when coming up with a hard magic system? Creating a", "magic system means that magic must follow the rules that you set, but", "with a hard magic system? Creating a hard magic system means that magic", "system, you don't know if the magic in your universe sometimes break the", "that magic must follow the rules that you set, but when you have", "magic must follow the rules that you set, but when you have a", "system? Creating a hard magic system means that magic must follow the rules", "but when you have a complex hard magic system, you don't know if", "have a complex hard magic system, you don't know if the magic in", "the magic in your universe sometimes break the rules you set, how do", "universe sometimes break the rules you set, how do you minimize the amount", "do you prevent a plot hole when coming up with a hard magic", "the rules that you set, but when you have a complex hard magic", "a hard magic system? Creating a hard magic system means that magic must", "system means that magic must follow the rules that you set, but when", "means that magic must follow the rules that you set, but when you", "when you have a complex hard magic system, you don't know if the", "Creating a hard magic system means that magic must follow the rules that", "your universe sometimes break the rules you set, how do you minimize the", "magic in your universe sometimes break the rules you set, how do you", "hole when coming up with a hard magic system? Creating a hard magic", "that you set, but when you have a complex hard magic system, you", "prevent a plot hole when coming up with a hard magic system? Creating", "when coming up with a hard magic system? Creating a hard magic system", "magic system? Creating a hard magic system means that magic must follow the", "you minimize the amount of plot hole from a complex hard magic system?", "How do you prevent a plot hole when coming up with a hard", "complex hard magic system, you don't know if the magic in your universe" ]
[ "is if you are too harsh in your deconstruction, you end up killing", "can't offer any constructive ideas as to what to replace it. And this", "if the secret is worldwide competing nations would never agree to keep such", "harsh in your deconstruction, you end up killing or crippling the story because", "something won't work, but can't offer any constructive ideas as to what to", "any new work must subvert at least some elements of its predecessors to", "monsters, in many cases this same situation arises with characters or groups that", "point out the style of writing where authors point out logical contradictions, plot", "of spite. Made worse by the fact that their very existence can be", "be enough because there would be surviving physical evidence (photos/writings/video) and big chunks", "deconstructivist here to point out the style of writing where authors point out", "fun to read. A lot of fiction is about escapism or providing hope", "I heard this said in relation to Watchmen, which described the situation very", "flimsy there is no way it could remain hidden. More specifically: * The", "a situation where a character is shanghaied into a supernatural world, only to", "one of several, but all involve mass suffering and death in ways that", "buzzkill. Which is bad if the promises of the genre are to entertain", "urban fantasies like The Mortal Instruments). This kind of society is almost guaranteed", "almost guaranteed to produce disgruntled individuals with no desire to uphold the status", "implications. However, at the same time I've become very aware of some of", "because I love it. In theory what one is supposed to do is", "their encounter, and a strong enough moral compass who could never be convinced", "It basically shames readers for trying to enjoy their escapist fantasy and tries", "an awful world. There's no reason for the reader to want to read", "left a permanent scar. Indeed, I heard this said in relation to Watchmen,", "tearing apart why something won't work, but can't offer any constructive ideas as", "really good at tearing apart why something won't work, but can't offer any", "it could remain hidden. More specifically: * The only way the masquerade could", "logical contradictions, plot holes, and unintended consequences of certain tropes or broader genre", "to enjoy their meal, basically being a total buzzkill. Which is bad if", "the downsides of deconstructive tendencies in writing. Perhaps the biggest one is that,", "very very careful, deconstructions run the risk of being not fun to read.", "described the situation very well: Deconstruction is like surgery or dissection. You can", "in on a secret that no one else knows), but the problem is", "of supernatural society despite being drawn into it against their will, and hence", "be let in on a secret that no one else knows), but the", "overdoing it results in a work that no one wants to read. E.g.,", "it, especially twice. I like writing about sympathetic and heroic individuals doing things", "situation where a character is shanghaied into a supernatural world, only to watch", "\"evil but understandable\" like Wuhter Choqi) into evil jerks. It basically shames readers", "to engineer a situation where a character is shanghaied into a supernatural world,", "situation very well: Deconstruction is like surgery or dissection. You can take apart", "genre conventions. I know that there are supposedly a couple of conflicting definitions", "It's the equivalent of telling someone trying to enjoy a hamburger how they're", "into a supernatural world, only to watch the so-called \"good guys\" perform increasingly", "out the style of writing where authors point out logical contradictions, plot holes,", "MIB in Men in Black), but this creates a broader issue in that", "The Masquerade) are often horrendously corrupt or barbaric, and people are often forced", "to do nothing but deconstruct you end up with a very demotivating, uninteresting", "unsatisfied. That's bad. ### The Case Study* The use of the Masquerade trope", "out logical contradictions, plot holes, and unintended consequences of certain tropes or broader", "old idea about having a secret world filled with magic and stuff kept", "work that no one wants to read. E.g., I noted that if I", "make my intended-to-be sympathetic characters (and not in an \"evil but understandable\" like", "the cynical, nihilistic, and deconstructive way I view things, I keep noticing holes", "of the procedure, you must restrain from dissecting it fully. Deconstruction can be", "competing nations would never agree to keep such a thing secret, instead deliberately", "of the supernatural world take their toll on the character until they snap", "the end of the procedure, you must restrain from dissecting it fully. Deconstruction", "be to show how it causes nothing but suffering and misery yet its", "that it's full of trans fats, or describing in detail how much the", "it. In theory what one is supposed to do is reconstruct the parts", "work must subvert at least some elements of its predecessors to avoid telling", "but overdoing it results in a work that no one wants to read.", "in a work that no one wants to read. E.g., I noted that", "start performing supernatural feats on live television in front of a sizeable audience.", "for years gets memory wiped, do they lose years of their memory? ", "That's bad. ### The Case Study* The use of the Masquerade trope in", "(e.g., the MIB in Men in Black), but this creates a broader issue", "wanting to see the whole system burn out of spite. Made worse by", "audience depressed and unsatisfied. That's bad. ### The Case Study The use of", "suffering and misery yet its actions are utterly futile to maintain the status", "such a thing would leave an obvious paper trail and if the secret", "U.S. revealing that the supernatural exists to try and destabilize the other during", "other during the Cold War. * Similarly, the secret societies in these stories", "is would be to show how it causes nothing but suffering and misery", "and settings that have a light at the end of the tunnel. Yet,", "that are supposed to be seen as heroic, sympathetic, or otherwise non-monstrous, in", "often forced to join them (e.g., turned into a supernatural, or the commonly", "or romance genres), and a lot of times deconstructing those stories means telling", "working with, I'm taking it apart because I love it. In theory what", "work, but can't offer any constructive ideas as to what to replace it.", "and it makes the readers feel like they are special to be let", "join them (e.g., turned into a supernatural, or the commonly used Call to", "trope in fiction, i.e. the old idea about having a secret world filled", "into it against their will, and hence they want to take everyone with", "reason for the reader to want to read it, especially twice. I like", "want your subject to remain alive by the end of the procedure, you", "actions, then have the brutality and misery of the supernatural world take their", "sometimes unenjoyable because I'm poking holes in the story as I'm writing it", "it. And this often makes my own writing sometimes unenjoyable because I'm poking", "intended-to-be sympathetic characters (and not in an \"evil but understandable\" like Wuhter Choqi)", "contact with the supernatural for years gets memory wiped, do they lose years", "that the \"best\" way to deconstruct this trope is to engineer a situation", "actions are utterly futile to maintain the status quo. This would be the", "to take monstrous actions, then have the brutality and misery of the supernatural", "so you end up killing the subject, and you can't stitch the dissected", "holes in my own premise that if followed to their logical conclusion result", "such that it is possible to produce a story that people find worth", "of their encounter, and a strong enough moral compass who could never be", "about writing a good, interesting story and break the habit of \"must deconstruct", "problem is that the trope is so flimsy there is no way it", "wants to read. E.g., I noted that if I really wanted to take", "deconstructions are fundamentally destructive, because they're about taking things apart. However, the problem", "been in contact with the supernatural for years gets memory wiped, do they", "the commonly used Call to Adventure in most urban fantasies like The Mortal", "causes nothing but suffering and misery yet its actions are utterly futile to", "of some of the downsides of deconstructive tendencies in writing. Perhaps the biggest", "and ultimately lead to a nihilistic tragedy that leaves the audience depressed and", "and big chunks of time missing. If someone who has been in contact", "geopolitical rivals. E.g., the USSR or U.S. revealing that the supernatural exists to", "biggest one is that, unless you're very very careful, deconstructions run the risk", "very existence can be used to break the masquerade, all they have to", "used Call to Adventure in most urban fantasies like The Mortal Instruments). This", "of being not fun to read. A lot of fiction is about escapism", "Masquerade) are often horrendously corrupt or barbaric, and people are often forced to", "hidden from the \"muggles\". The psychological reasons why a masquerade appeals to readers", "way to show how unworkable a masquerade is would be to show how", "until they snap and go on a rampage attempting to break the masquerade.", "find tragedy more memorable than happy endings (i.e., humans are wired to recognize", "enough moral compass who could never be convinced or coerced into keeping a", "special to be let in on a secret that no one else knows),", "suffered as they try to enjoy their meal, basically being a total buzzkill.", "I'm using deconstruction and deconstructivist here to point out the style of writing", "barbaric, and people are often forced to join them (e.g., turned into a", "up killing or crippling the story because no one can ever enjoy it", "breaking the masquerade in the hopes that the resulting chaos destabilizes their geopolitical", "is bad if the promises of the genre are to entertain the reader.", "it, or that it's full of trans fats, or describing in detail how", "their geopolitical rivals. E.g., the USSR or U.S. revealing that the supernatural exists", "depressing (e.g., Hijrp Potfeq). All of this suggests that the \"best\" way to", "a supernatural, or the commonly used Call to Adventure in most urban fantasies", "or U.S. revealing that the supernatural exists to try and destabilize the other", "character until they snap and go on a rampage attempting to break the", "the habit of \"must deconstruct everything\" such that it is possible to produce", "view things, I keep noticing holes in my own premise that if followed", "superhero tropes that were common up until its time), but overdoing it results", "some cases like Vampire: The Masquerade the protagonists are supposed to be monsters,", "why something won't work, but can't offer any constructive ideas as to what", "burn out of spite. Made worse by the fact that their very existence", "be the logical conclusion of a masquerade (or rather, one of several, but", "are too harsh in your deconstruction, you end up killing or crippling the", "a better format, but few do this and I myself have noticed that", "but to do so you end up killing the subject, and you can't", "The Masquerade* the protagonists are supposed to be monsters, in many cases this", "of time missing. If someone who has been in contact with the supernatural", "so flimsy there is no way it could remain hidden. More specifically: ", "a supernatural world, only to watch the so-called \"good guys\" perform increasingly worse", "take everyone with them and have nothing to lose. This is also because", "no way it could remain hidden. More specifically: The only way the", "do this and I myself have noticed that I'm really good at tearing", "bad encounter with the supernatural, demonstrable proof of their encounter, and a strong", "to keep such a thing secret, instead deliberately breaking the masquerade in the", "because no one can ever enjoy it again. Sort of like what Watchmen", "inner positive humanity, and settings that have a light at the end of", "wiped, do they lose years of their memory? * Sometimes use of a", "supposed to be monsters, in many cases this same situation arises with characters", "settings that have a light at the end of the tunnel. Yet, due", "Watchmen, which described the situation very well: Deconstruction is like surgery or dissection.", "crippling the story because no one can ever enjoy it again. Sort of", "technology wouldn't be enough because there would be surviving physical evidence (photos/writings/video) and", "or providing hope to people (e.g., the superhero or romance genres), and a", "want to write a story like this.* This proposed story is nothing but", "to replace it. And this often makes my own writing sometimes unenjoyable because", "to produce disgruntled individuals with no desire to uphold the status quo and", "it against their will, and hence they want to take everyone with them", "they lose years of their memory? * Sometimes use of a government coverup", "that aren't friendly to any sense of optimism). ### The Problem I don't", "in ideas. As a result, it's not surprising that I've always been drawn", "read. A lot of fiction is about escapism or providing hope to people", "the author is naturally drawn to deconstruct things.* \"\\\" Note, I'm using deconstruction", "know that there are supposedly a couple of conflicting definitions for literary deconstructions", "deconstruct\\ plot elements and look at their implications. However, at the same time", "not in an \"evil but understandable\" like Wuhter Choqi) into evil jerks. It", "of writing where authors point out logical contradictions, plot holes, and unintended consequences", "disgruntled individuals with no desire to uphold the status quo and have nothing", "have nothing to lose, and hence nothing to stop them wanting to see", "careful, deconstructions run the risk of being not fun to read. A lot", "into keeping a secret. Memory wiping spells or technology wouldn't be enough because", "heard this said in relation to Watchmen, which described the situation very well:", "nothing but suffering and misery yet its actions are utterly futile to maintain", "would result in a story full of unlikable people doing unsympathetic things, and", "Study** The use of the Masquerade trope in fiction, i.e. the old idea", "have a light at the end of the tunnel. Yet, due to the", "their escapist fantasy and tries to leave a bad taste in their mouth.", "USSR or U.S. revealing that the supernatural exists to try and destabilize the", "whole system burn out of spite. Made worse by the fact that their", "it results in a work that no one wants to read. E.g., I", "to a writing style that likes to deconstruct\\* plot elements and look at", "cynical, nihilistic, and deconstructive way I view things, I keep noticing holes in", "things that show their inner positive humanity, and settings that have a light", "revealing that the supernatural exists to try and destabilize the other during the", "alive by the end of the procedure, you must restrain from dissecting it", "I don't want to \"kill\" the tropes and genre I'm working with, I'm", "be seen as heroic, sympathetic, or otherwise non-monstrous, in worlds that are not", "to giant robots: the genre sort of recovered but its optimism and idealism", "fiction, i.e. the old idea about having a secret world filled with magic", "people maintaining it engaged in cold-blooded murder of innocents. There would always be", "means telling the readers why their escapism and hope is bad or morally", "a thing secret, instead deliberately breaking the masquerade in the hopes that the", "to the cynical, nihilistic, and deconstructive way I view things, I keep noticing", "break the masquerade, all they have to do is start performing supernatural feats", "is used (e.g., the MIB in Men in Black), but this creates a", "to see the whole system burn out of spite. Made worse by the", "fairly clear (it makes the story feel more \"real\" if it is set", "take apart the genre I'm working with I'd have to make several decisions", "the character until they snap and go on a rampage attempting to break", "has been in contact with the supernatural for years gets memory wiped, do", "the situation very well: Deconstruction is like surgery or dissection. You can take", "worse actions to maintain secrecy to demonstrate how maintaining a masquerade would require", "creates a broader issue in that such a thing would leave an obvious", "have to do is start performing supernatural feats on live television in front", "physical evidence (photos/writings/video) and big chunks of time missing. If someone who has", "their implications. However, at the same time I've become very aware of some", "clear (it makes the story feel more \"real\" if it is set in", "the brutality and misery of the supernatural world take their toll on the", "in most urban fantasies like The Mortal Instruments). This kind of society is", "the people maintaining it engaged in cold-blooded murder of innocents. There would always", "or broader genre conventions. I know that there are supposedly a couple of", "Evangelion* did to giant robots: the genre sort of recovered but its optimism", "one is that, unless you're very very careful, deconstructions run the risk of", "is that, unless you're very very careful, deconstructions run the risk of being", "how it causes nothing but suffering and misery yet its actions are utterly", "about having a secret world filled with magic and stuff kept hidden from", "the masquerade in the hopes that the resulting chaos destabilizes their geopolitical rivals.", "style of writing where authors point out logical contradictions, plot holes, and unintended", "In theory what one is supposed to do is reconstruct the parts in", "genres), and a lot of times deconstructing those stories means telling the readers", "a lot of times deconstructing those stories means telling the readers why their", "story because no one can ever enjoy it again. Sort of like what", "people doing unsympathetic things, and ultimately lead to a nihilistic tragedy that leaves", "like Wuhter Choqi) into evil jerks. It basically shames readers for trying to", "have noticed that I'm really good at tearing apart why something won't work,", "specifically: * The only way the masquerade could reasonably be maintained is if", "E.g., the USSR or U.S. revealing that the supernatural exists to try and", "I noted that if I really wanted to take apart the genre I'm", "Spider-Man subverted a lot of the superhero tropes that were common up until", "to show how unworkable a masquerade is would be to show how it", "surprising that I've always been drawn to a writing style that likes to", "likes to poke holes in ideas. As a result, it's not surprising that", "Similarly, the secret societies in these stories (from the Wizarding World of Hijrp", "noticing holes in my own premise that if followed to their logical conclusion", "point out logical contradictions, plot holes, and unintended consequences of certain tropes or", "things to other people in an awful world. There's no reason for the", "Case Study** The use of the Masquerade trope in fiction, i.e. the old", "keep noticing holes in my own premise that if followed to their logical", "cases like Vampire: The Masquerade the protagonists are supposed to be monsters, in", "my own writing sometimes unenjoyable because I'm poking holes in the story as", "supposed to be seen as heroic, sympathetic, or otherwise non-monstrous, in worlds that", "else knows), but the problem is that the trope is so flimsy there", "innocents. There would always be some people who had a bad encounter with", "Note, I'm using deconstruction and deconstructivist here to point out the style of", "of innocents. There would always be some people who had a bad encounter", "and tries to leave a bad taste in their mouth. This is bad", "why a masquerade appeals to readers are fairly clear (it makes the story", "Indeed, I heard this said in relation to Watchmen, which described the situation", "always be some people who had a bad encounter with the supernatural, demonstrable", "escapism and hope is bad or morally inconsistent. It's the equivalent of telling", "their memory? * Sometimes use of a government coverup is used (e.g., the", "in the story as I'm writing it rather than letting myself (or the", "exists to try and destabilize the other during the Cold War. * Similarly,", "said in relation to Watchmen, which described the situation very well: Deconstruction is", "are wired to recognize danger). The best way to show how unworkable a", "the cow suffered as they try to enjoy their meal, basically being a", "The other problem is that deconstructions are fundamentally destructive, because they're about taking", "try and destabilize the other during the Cold War. * Similarly, the secret", "the superhero or romance genres), and a lot of times deconstructing those stories", "my own premise that if followed to their logical conclusion result in endless", "The best way to show how unworkable a masquerade is would be to", "cases this same situation arises with characters or groups that are supposed to", "hidden. More specifically: * The only way the masquerade could reasonably be maintained", "to enjoy a hamburger how they're a bad person for eating it, or", "world filled with magic and stuff kept hidden from the \"muggles\". The psychological", "nihilistic tragedy that leaves the audience depressed and unsatisfied. That's bad. ### *The", "gets memory wiped, do they lose years of their memory? Sometimes use", "of their memory? * Sometimes use of a government coverup is used (e.g.,", "apart. However, the problem is if you are too harsh in your deconstruction,", "in front of a sizeable audience. Notably, while in some cases like Vampire:", "worth reading. Especially if the author is naturally drawn to deconstruct things.* \"\\\"", "brutality and misery of the supernatural world take their toll on the character", "resulting chaos destabilizes their geopolitical rivals. E.g., the USSR or U.S. revealing that", "enjoy a hamburger how they're a bad person for eating it, or that", "coerced into keeping a secret. Memory wiping spells or technology wouldn't be enough", "aware of some of the downsides of deconstructive tendencies in writing. Perhaps the", "or coerced into keeping a secret. Memory wiping spells or technology wouldn't be", "are supposedly a couple of conflicting definitions for literary deconstructions floating around and", "way I view things, I keep noticing holes in my own premise that", "The psychological reasons why* a masquerade appeals to readers are fairly clear (it", "I myself have noticed that I'm really good at tearing apart why something", "its predecessors to avoid telling the same stories (e.g., Spider-Man subverted a lot", "this suggests that the \"best\" way to deconstruct this trope is to engineer", "leaves the audience depressed and unsatisfied. That's bad. ### The Case Study The", "quo. This would be the logical conclusion of a masquerade (or rather, one", "could never be convinced or coerced into keeping a secret. Memory wiping spells", "that such a thing would leave an obvious paper trail and if the", "never be convinced or coerced into keeping a secret. Memory wiping spells or", "arises with characters or groups that are supposed to be seen as heroic,", "jerks. It basically shames readers for trying to enjoy their escapist fantasy and", "masquerade, all they have to do is start performing supernatural feats on live", "a government coverup is used (e.g., the MIB in Men in Black), but", "and destabilize the other during the Cold War. * Similarly, the secret societies", "let in on a secret that no one else knows), but the problem", "love it. In theory what one is supposed to do is reconstruct the", "telling the readers why their escapism and hope is bad or morally inconsistent.", "and idealism were completely lost and the works left a permanent scar. Indeed,", "(photos/writings/video) and big chunks of time missing. If someone who has been in", "be some people who had a bad encounter with the supernatural, demonstrable proof", "write a story like this.* This proposed story is nothing but awful people", "conflicting definitions for literary deconstructions floating around and am mentioning this to avoid", "end up killing or crippling the story because no one can ever enjoy", "in worlds that are not supposed to be nihilistic and depressing (e.g., Hijrp", "if you're inclined to do nothing but deconstruct you end up with a", "on the character until they snap and go on a rampage attempting to", "the readers feel like they are special to be let in on a", "go on a rampage attempting to break the masquerade. The character is at", "a hamburger how they're a bad person for eating it, or that it's", "the USSR or U.S. revealing that the supernatural exists to try and destabilize", "in that such a thing would leave an obvious paper trail and if", "if I really wanted to take apart the genre I'm working with I'd", "the masquerade. The character is at the bottom rung of supernatural society despite", "optimism). ### The Problem* I don't want to write a story like this.", "a thing would leave an obvious paper trail and if the secret is", "the tropes and genre I'm working with, I'm taking it apart because I", "apart to see how they work, and someone who likes to poke holes", "and if the secret is worldwide competing nations would never agree to keep", "enough because there would be surviving physical evidence (photos/writings/video) and big chunks of", "things.** \"\\\" Note, I'm using deconstruction and deconstructivist here to point out the", "is naturally drawn to deconstruct things.* \"\\\" Note, I'm using deconstruction and deconstructivist", "using deconstruction and deconstructivist here to point out the style of writing where", "lot of fiction is about escapism or providing hope to people (e.g., the", "I know that there are supposedly a couple of conflicting definitions for literary", "holes in the story as I'm writing it rather than letting myself (or", "in a story full of unlikable people doing unsympathetic things, and ultimately lead", "how it works, but to do so you end up killing the subject,", "be convinced or coerced into keeping a secret. Memory wiping spells or technology", "sympathetic, or otherwise non-monstrous, in worlds that are not* supposed to be nihilistic", "Neon Genesis Evangelion did to giant robots: the genre sort of recovered but", "the resulting chaos destabilizes their geopolitical rivals. E.g., the USSR or U.S. revealing", "lose, and hence nothing to stop them wanting to see the whole system", "non-monstrous, in worlds that are not supposed to be nihilistic and depressing (e.g.,", "how they work, and someone who likes to poke holes in ideas. As", "worlds that are not supposed to be nihilistic and depressing (e.g., Hijrp Potfeq).", "unenjoyable because I'm poking holes in the story as I'm writing it rather", "with, I'm taking it apart because I love it. In theory what one", "that if I really wanted to take apart the genre I'm working with", "no reason for the reader to want to read it, especially twice. I", "writing style. How does one go about writing a good, interesting story and", "with the supernatural, demonstrable proof of their encounter, and a strong enough moral", "fantasies like The Mortal Instruments). This kind of society is almost guaranteed to", "a bad encounter with the supernatural, demonstrable proof of their encounter, and a", "Adventure in most urban fantasies like The Mortal Instruments). This kind of society", "sizeable audience. Notably, while in some cases like Vampire: The Masquerade the protagonists", "that I've always been drawn to a writing style that likes to deconstruct\\", "Yet, due to the cynical, nihilistic, and deconstructive way I view things, I", "a masquerade appeals to readers are fairly clear (it makes the story feel", "as they try to enjoy their meal, basically being a total buzzkill. Which", "alive. If you want your subject to remain alive by the end of", "(e.g., Spider-Man* subverted a lot of the superhero tropes that were common up", "to do is reconstruct the parts in a better format, but few do", "However, the problem is if you are too harsh in your deconstruction, you", "turned into a supernatural, or the commonly used Call to Adventure in most", "providing hope to people (e.g., the superhero or romance genres), and a lot", "there is no way it could remain hidden. More specifically: * The only", "time), but overdoing it results in a work that no one wants to", "can't stitch the dissected parts back again and expect it to be alive.", "memory? * Sometimes use of a government coverup is used (e.g., the MIB", "issue in that such a thing would leave an obvious paper trail and", "other people in an awful world. There's no reason for the reader to", "hence nothing to stop them wanting to see the whole system burn out", "to maintain the status quo. This would be the logical conclusion of a", "story full of unlikable people doing unsympathetic things, and ultimately lead to a", "to remain alive by the end of the procedure, you must restrain from", "the so-called \"good guys\" perform increasingly worse actions to maintain secrecy to demonstrate", "ultimately lead to a nihilistic tragedy that leaves the audience depressed and unsatisfied.", "trying to enjoy their escapist fantasy and tries to leave a bad taste", "and stuff kept hidden from the \"muggles\". The psychological reasons why a masquerade", "As a result, it's not surprising that I've always been drawn to a", "author is naturally drawn to deconstruct things.** \"\\\" Note, I'm using deconstruction and", "proof of their encounter, and a strong enough moral compass who could never", "Wizarding World of Hijrp Potfeq to the Masquerade in Vampire: The Masquerade) are", "death in ways that aren't friendly to any sense of optimism). ### The", "noted that if I really wanted to take apart the genre I'm working", "encounter with the supernatural, demonstrable proof of their encounter, and a strong enough", "leave a bad taste in their mouth. This is bad because I don't", "to write a story like this. This proposed story is nothing but awful", "better format, but few do this and I myself have noticed that I'm", "of deconstructive tendencies in writing. Perhaps the biggest one is that, unless you're", "most urban fantasies like The Mortal Instruments). This kind of society is almost", "knows), but the problem is that the trope is so flimsy there is", "Hijrp Potfeq). All of this suggests that the \"best\" way to deconstruct this", "hamburger how they're a bad person for eating it, or that it's full", "have nothing to lose. This is also because people find tragedy more memorable", "in ostensibly our world, and it makes the readers feel like they are", "secret is worldwide competing nations would never agree to keep such a thing", "guys\" perform increasingly worse actions to maintain secrecy to demonstrate how maintaining a", "definitions for literary deconstructions floating around and am mentioning this to avoid confusion.", "wanted to take apart the genre I'm working with I'd have to make", "endings (i.e., humans are wired to recognize danger). The best way to show", "same time I've become very aware of some of the downsides of deconstructive", "own writing sometimes unenjoyable because I'm poking holes in the story as I'm", "restrain from dissecting it fully. Deconstruction can be good; indeed, any new work", "authors point out logical contradictions, plot holes, and unintended consequences of certain tropes", "the \"best\" way to deconstruct this trope is to engineer a situation where", "masquerade could reasonably be maintained is if the people maintaining it engaged in", "mouth. This is bad because I don't want to \"kill\" the tropes and", "it makes the readers feel like they are special to be let in", "killing or crippling the story because no one can ever enjoy it again.", "full of unlikable people doing unsympathetic things, and ultimately lead to a nihilistic", "who has been in contact with the supernatural for years gets memory wiped,", "in endless suffering and misery, and make my intended-to-be sympathetic characters (and not", "run the risk of being not fun to read. A lot of fiction", "constructive ideas as to what to replace it. And this often makes my", "result, it's not surprising that I've always been drawn to a writing style", "because I'm poking holes in the story as I'm writing it rather than", "used to break the masquerade, all they have to do is start performing", "is set in ostensibly our world, and it makes the readers feel like", "Hijrp Potfeq to the Masquerade in Vampire: The Masquerade) are often horrendously corrupt", "lot of the superhero tropes that were common up until its time), but", "the parts in a better format, but few do this and I myself", "there are supposedly a couple of conflicting definitions for literary deconstructions floating around", "that show their inner positive humanity, and settings that have a light at", "some elements of its predecessors to avoid telling the same stories (e.g., Spider-Man", "they're about taking things apart. However, the problem is if you are too", "maintain the status quo. This would be the logical conclusion of a masquerade", "feel more \"real\" if it is set in ostensibly our world, and it", "the reader) enjoy the ride. Deconstruction is useful, but if you're inclined to", "naturally drawn to deconstruct things. \"\\\" Note, I'm using deconstruction and deconstructivist here", "romance genres), and a lot of times deconstructing those stories means telling the", "the problem is that the trope is so flimsy there is no way", "reader. The other* problem is that deconstructions are fundamentally destructive, because they're about", "this and I myself have noticed that I'm really good at tearing apart", "or the commonly used Call to Adventure in most urban fantasies like The", "but can't offer any constructive ideas as to what to replace it. And", "if you are too harsh in your deconstruction, you end up killing or", "in these stories (from the Wizarding World of Hijrp Potfeq to the Masquerade", "this trope is to engineer a situation where a character is shanghaied into", "writing it rather than letting myself (or the reader) enjoy the ride. Deconstruction", "front of a sizeable audience. Notably, while in some cases like Vampire: The", "some of the downsides of deconstructive tendencies in writing. Perhaps the biggest one", "The Case Study The use of the Masquerade trope in fiction, i.e. the", "destructive, because they're about taking things apart. However, the problem is if you", "the style of writing where authors point out logical contradictions, plot holes, and", "a story like this.* This proposed story is nothing but awful people doing", "things apart to see how they work, and someone who likes to poke", "premise that if followed to their logical conclusion result in endless suffering and", "the status quo. This would be the logical conclusion of a masquerade (or", "of recovered but its optimism and idealism were completely lost and the works", "being a total buzzkill. Which is bad if the promises of the genre", "time missing. If someone who has been in contact with the supernatural for", "bad. ### The Case Study The use of the Masquerade trope in fiction,", "would always be some people who had a bad encounter with the supernatural,", "subvert at least some elements of its predecessors to avoid telling the same", "(from the Wizarding World of Hijrp Potfeq to the Masquerade in Vampire: The", "deconstruction, you end up killing or crippling the story because no one can", "genre I'm working with, I'm taking it apart because I love it. In", "would be the logical conclusion of a masquerade (or rather, one of several,", "that there are supposedly a couple of conflicting definitions for literary deconstructions floating", "than happy endings (i.e., humans are wired to recognize danger). The best way", "show how unworkable a masquerade is would be to show how it causes", "same situation arises with characters or groups that are supposed to be seen", "conclusion of a masquerade (or rather, one of several, but all involve mass", "the Masquerade in Vampire: The Masquerade) are often horrendously corrupt or barbaric, and", "myself (or the reader) enjoy the ride. Deconstruction is useful, but if you're", "broader issue in that such a thing would leave an obvious paper trail", "secret, instead deliberately breaking the masquerade in the hopes that the resulting chaos", "they are special to be let in on a secret that no one", "(and not in an \"evil but understandable\" like Wuhter Choqi) into evil jerks.", "scar. Indeed, I heard this said in relation to Watchmen, which described the", "stop them wanting to see the whole system burn out of spite. Made", "maintain secrecy to demonstrate how maintaining a masquerade would require people to take", "are fairly clear (it makes the story feel more \"real\" if it is", "risk of being not fun to read. A lot of fiction is about", "unlikable people doing unsympathetic things, and ultimately lead to a nihilistic tragedy that", "and expect it to be alive. If you want your subject to remain", "certain tropes or broader genre conventions. I know that there are supposedly a", "I really wanted to take apart the genre I'm working with I'd have", "you can't stitch the dissected parts back again and expect it to be", "leave an obvious paper trail and if the secret is worldwide competing nations", "about sympathetic and heroic individuals doing things that show their inner positive humanity,", "This kind of society is almost guaranteed to produce disgruntled individuals with no", "maintaining a masquerade would require people to take monstrous actions, then have the", "habit of \"must deconstruct everything\" such that it is possible to produce a", "writing sometimes unenjoyable because I'm poking holes in the story as I'm writing", "break the masquerade. The character is at the bottom rung of supernatural society", "I'm really good at tearing apart why something won't work, but can't offer", "surviving physical evidence (photos/writings/video) and big chunks of time missing. If someone who", "to recognize danger). The best way to show how unworkable a masquerade is", "ostensibly our world, and it makes the readers feel like they are special", "I keep noticing holes in my own premise that if followed to their", "but all involve mass suffering and death in ways that aren't friendly to", "is that the trope is so flimsy there is no way it could", "hopes that the resulting chaos destabilizes their geopolitical rivals. E.g., the USSR or", "to a nihilistic tragedy that leaves the audience depressed and unsatisfied. That's bad.", "Problem* I don't want to write a story like this. This proposed story", "and someone who likes to poke holes in ideas. As a result, it's", "All of this suggests that the \"best\" way to deconstruct this trope is", "rather than letting myself (or the reader) enjoy the ride. *Deconstruction is useful,", "writing style that likes to deconstruct\\ plot elements and look at their implications.", "again and expect it to be alive. If you want your subject to", "You can take apart something fully to understand how it works, but to", "an obvious paper trail and if the secret is worldwide competing nations would", "basically being a total buzzkill. Which is bad if the promises of the", "uninteresting writing style. How does one go about writing a good, interesting story", "the equivalent of telling someone trying to enjoy a hamburger how they're a", "detail how much the cow suffered as they try to enjoy their meal,", "produce a story that people find worth reading. Especially if the author is", "rather, one of several, but all involve mass suffering and death in ways", "characters (and not in an \"evil but understandable\" like Wuhter Choqi) into evil", "by the end of the procedure, you must restrain from dissecting it fully.", "poking holes in the story as I'm writing it rather than letting myself", "is possible to produce a story that people find worth reading. Especially if", "way the masquerade could reasonably be maintained is if the people maintaining it", "audience. Notably, while in some cases like Vampire: The Masquerade the protagonists are", "evil jerks. It basically shames readers for trying to enjoy their escapist fantasy", "want to take everyone with them and have nothing to lose. This is", "more \"real\" if it is set in ostensibly our world, and it makes", "superhero or romance genres), and a lot of times deconstructing those stories means", "World of Hijrp Potfeq to the Masquerade in Vampire: The Masquerade) are often", "logical conclusion result in endless suffering and misery, and make my intended-to-be sympathetic", "chaos destabilizes their geopolitical rivals. E.g., the USSR or U.S. revealing that the", "to want to read it, especially twice. I like writing about sympathetic and", "and have nothing to lose, and hence nothing to stop them wanting to", "plot elements and look at their implications. However, at the same time I've", "be used to break the masquerade, all they have to do is start", "their escapism and hope is bad or morally inconsistent. It's the equivalent of", "unintended consequences of certain tropes or broader genre conventions. I know that there", "than letting myself (or the reader) enjoy the ride. *Deconstruction is useful, but", "snap and go on a rampage attempting to break the masquerade. The character", "you end up killing or crippling the story because no one can ever", "story and break the habit of \"must deconstruct everything\" such that it is", "dissecting it fully. Deconstruction can be good; indeed, any new work must subvert", "reasonably be maintained is if the people maintaining it engaged in cold-blooded murder", "elements and look at their implications. However, at the same time I've become", "surgery or dissection. You can* take apart something fully to understand how it", "about taking things apart. However, the problem is if you are too harsh", "if followed to their logical conclusion result in endless suffering and misery, and", "taste in their mouth. This is bad because I don't want to \"kill\"", "the reader to want to read it, especially twice. I like writing about", "the tunnel. Yet, due to the cynical, nihilistic, and deconstructive way I view", "you must restrain from dissecting it fully. Deconstruction can be good; indeed, any", "misery, and make my intended-to-be sympathetic characters (and not in an \"evil but", "reasons why a masquerade appeals to readers are fairly clear (it makes the", "do they lose years of their memory? * Sometimes use of a government", "And this often makes my own writing sometimes unenjoyable because I'm poking holes", "increasingly worse actions to maintain secrecy to demonstrate how maintaining a masquerade would", "that leaves the audience depressed and unsatisfied. That's bad. ### The Case Study", "nothing to lose. This is also because people find tragedy more memorable than", "a story full of unlikable people doing unsympathetic things, and ultimately lead to", "story that people find worth reading. Especially if the author is naturally drawn", "the biggest one is that, unless you're very very careful, deconstructions run the", "moral compass who could never be convinced or coerced into keeping a secret.", "equivalent of telling someone trying to enjoy a hamburger how they're a bad", "people doing awful things to other people in an awful world. There's no", "kind of society is almost guaranteed to produce disgruntled individuals with no desire", "fiction is about escapism or providing hope to people (e.g., the superhero or", "thing secret, instead deliberately breaking the masquerade in the hopes that the resulting", "it's not surprising that I've always been drawn to a writing style that", "any sense of optimism). ### The Problem I don't want to write a", "evidence (photos/writings/video) and big chunks of time missing. If someone who has been", "is supposed to do is reconstruct the parts in a better format, but", "its optimism and idealism were completely lost and the works left a permanent", "basically shames readers for trying to enjoy their escapist fantasy and tries to", "awful things to other people in an awful world. There's no reason for", "the Wizarding World of Hijrp Potfeq to the Masquerade in Vampire: The Masquerade)", "problem is that deconstructions are fundamentally destructive, because they're about taking things apart.", "I'm working with, I'm taking it apart because I love it. In theory", "to do so you end up killing the subject, and you can't stitch", "nihilistic and depressing (e.g., Hijrp Potfeq). All of this suggests that the \"best\"", "people find tragedy more memorable than happy endings (i.e., humans are wired to", "see the whole system burn out of spite. Made worse by the fact", "completely lost and the works left a permanent scar. Indeed, I heard this", "are supposed* to be monsters, in many cases this same situation arises with", "couple of conflicting definitions for literary deconstructions floating around and am mentioning this", "it engaged in cold-blooded murder of innocents. There would always be some people", "more memorable than happy endings (i.e., humans are wired to recognize danger). The", "in writing. Perhaps the biggest one is that, unless you're very very careful,", "the risk of being not fun to read. A lot of fiction is", "which described the situation very well: Deconstruction is like surgery or dissection. You", "to people (e.g., the superhero or romance genres), and a lot of times", "you want your subject to remain alive by the end of the procedure,", "rampage attempting to break the masquerade. The character is at the bottom rung", "holes in ideas. As a result, it's not surprising that I've always been", "of unlikable people doing unsympathetic things, and ultimately lead to a nihilistic tragedy", "this often makes my own writing sometimes unenjoyable because I'm poking holes in", "few do this and I myself have noticed that I'm really good at", "society despite being drawn into it against their will, and hence they want", "a masquerade (or rather, one of several, but all involve mass suffering and", "Masquerade trope in fiction, i.e. the old idea about having a secret world", "works left a permanent scar. Indeed, I heard this said in relation to", "of like what Watchmen did to superheroes or Neon Genesis Evangelion did to", "a sizeable audience. Notably, while in some cases like Vampire: The Masquerade the", "it causes nothing but suffering and misery yet its actions are utterly futile", "how maintaining a masquerade would require people to take monstrous actions, then have", "the genre sort of recovered but its optimism and idealism were completely lost", "suggests that the \"best\" way to deconstruct this trope is to engineer a", "drawn into it against their will, and hence they want to take everyone", "encounter, and a strong enough moral compass who could never be convinced or", "happy endings (i.e., humans are wired to recognize danger). The best way to", "that I'm really good at tearing apart why something won't work, but can't", "that the supernatural exists to try and destabilize the other during the Cold", "This proposed story is nothing but awful people doing awful things to other", "spells or technology wouldn't be enough because there would be surviving physical evidence", "reader to want to read it, especially twice. I like writing about sympathetic", "existence can be used to break the masquerade, all they have to do", "followed to their logical conclusion result in endless suffering and misery, and make", "to uphold the status quo and have nothing to lose, and hence nothing", "your subject to remain alive by the end of the procedure, you must", "permanent scar. Indeed, I heard this said in relation to Watchmen, which described", "of conflicting definitions for literary deconstructions floating around and am mentioning this to", "during the Cold War. * Similarly, the secret societies in these stories (from", "noticed that I'm really good at tearing apart why something won't work, but", "ideas as to what to replace it. And this often makes my own", "Men in Black), but this creates a broader issue in that such a", "escapist fantasy and tries to leave a bad taste in their mouth. This", "style that likes to deconstruct\\* plot elements and look at their implications. However,", "a result, it's not surprising that I've always been drawn to a writing", "often makes my own writing sometimes unenjoyable because I'm poking holes in the", "masquerade would require people to take monstrous actions, then have the brutality and", "recovered but its optimism and idealism were completely lost and the works left", "reconstruct the parts in a better format, but few do this and I", "the protagonists are supposed to be monsters, in many cases this same situation", "War. * Similarly, the secret societies in these stories (from the Wizarding World", "status quo and have nothing to lose, and hence nothing to stop them", "a broader issue in that such a thing would leave an obvious paper", "not fun to read. A lot of fiction is about escapism or providing", "fact that their very existence can be used to break the masquerade, all", "but if you're inclined to do nothing but deconstruct you end up with", "like surgery or dissection. You can take apart something fully to understand how", "memorable than happy endings (i.e., humans are wired to recognize danger). The best", "likes to deconstruct\\* plot elements and look at their implications. However, at the", "very careful, deconstructions run the risk of being not fun to read. A", "Memory wiping spells or technology wouldn't be enough because there would be surviving", "and I myself have noticed that I'm really good at tearing apart why", "misery of the supernatural world take their toll on the character until they", "use of a government coverup is used (e.g., the MIB in Men in", "in a better format, but few do this and I myself have noticed", "Notably, while in some cases like Vampire: The Masquerade* the protagonists are supposed", "of the superhero tropes that were common up until its time), but overdoing", "it fully. Deconstruction can be good; indeed, any new work must subvert at", "too harsh in your deconstruction, you end up killing or crippling the story", "against their will, and hence they want to take everyone with them and", "I don't want to write a story like this. This proposed story is", "a secret world filled with magic and stuff kept hidden from the \"muggles\".", "How does one go about writing a good, interesting story and break the", "nations would never agree to keep such a thing secret, instead deliberately breaking", "everything\" such that it is possible to produce a story that people find", "in an \"evil but understandable\" like Wuhter Choqi) into evil jerks. It basically", "Made worse by the fact that their very existence can be used to", "of the genre are to entertain the reader. The other problem is that", "can take apart something fully to understand how it works, but to do", "supposedly a couple of conflicting definitions for literary deconstructions floating around and am", "the Masquerade trope in fiction, i.e. the old idea about having a secret", "like they are special to be let in on a secret that no", "or morally inconsistent. It's the equivalent of telling someone trying to enjoy a", "\"kill\" the tropes and genre I'm working with, I'm taking it apart because", "up with a very demotivating, uninteresting writing style. How does one go about", "bad or morally inconsistent. It's the equivalent of telling someone trying to enjoy", "character is at the bottom rung of supernatural society despite being drawn into", "enjoy it again. Sort of like what Watchmen did to superheroes or Neon", "their meal, basically being a total buzzkill. Which is bad if the promises", "like what Watchmen* did to superheroes or Neon Genesis Evangelion did to giant", "tragedy that leaves the audience depressed and unsatisfied. That's bad. ### *The Case", "indeed, any new work must subvert at least some elements of its predecessors", " The only way the masquerade could reasonably be maintained is if the", "trying to enjoy a hamburger how they're a bad person for eating it,", "engineer a situation where a character is shanghaied into a supernatural world, only", "because there would be surviving physical evidence (photos/writings/video) and big chunks of time", "in your deconstruction, you end up killing or crippling the story because no", "remain alive by the end of the procedure, you must restrain from dissecting", "tropes or broader genre conventions. I know that there are supposedly a couple", "no desire to uphold the status quo and have nothing to lose, and", "not supposed to be nihilistic and depressing (e.g., Hijrp Potfeq). All of this", "perform increasingly worse actions to maintain secrecy to demonstrate how maintaining a masquerade", "a very demotivating, uninteresting writing style. How does one go about writing a", "masquerade in the hopes that the resulting chaos destabilizes their geopolitical rivals. E.g.,", "to lose. This is also because people find tragedy more memorable than happy", "become very aware of some of the downsides of deconstructive tendencies in writing.", "the fact that their very existence can be used to break the masquerade,", "misery yet its actions are utterly futile to maintain the status quo. This", "the end of the tunnel. Yet, due to the cynical, nihilistic, and deconstructive", "escapism or providing hope to people (e.g., the superhero or romance genres), and", "to superheroes or Neon Genesis Evangelion did to giant robots: the genre sort", "how unworkable a masquerade is would be to show how it causes nothing", "up killing the subject, and you can't stitch the dissected parts back again", "story is nothing but awful people doing awful things to other people in", "while in some cases like Vampire: The Masquerade the protagonists are supposed to", "in my own premise that if followed to their logical conclusion result in", "only to watch the so-called \"good guys\" perform increasingly worse actions to maintain", "were common up until its time), but overdoing it results in a work", "lead to a nihilistic tragedy that leaves the audience depressed and unsatisfied. That's", "More specifically: * The only way the masquerade could reasonably be maintained is", "and a strong enough moral compass who could never be convinced or coerced", "coverup is used (e.g., the MIB in Men in Black), but this creates", "supernatural, demonstrable proof of their encounter, and a strong enough moral compass who", "to avoid telling the same stories (e.g., Spider-Man subverted a lot of the", "reading. Especially if the author is naturally drawn to deconstruct things.** \"\\\" Note,", "uphold the status quo and have nothing to lose, and hence nothing to", "the supernatural, demonstrable proof of their encounter, and a strong enough moral compass", "because people find tragedy more memorable than happy endings (i.e., humans are wired", "deconstruct this trope is to engineer a situation where a character is shanghaied", "and go on a rampage attempting to break the masquerade. The character is", "tunnel. Yet, due to the cynical, nihilistic, and deconstructive way I view things,", "filled with magic and stuff kept hidden from the \"muggles\". The psychological reasons", "to watch the so-called \"good guys\" perform increasingly worse actions to maintain secrecy", "television in front of a sizeable audience. Notably, while in some cases like", " Sometimes use of a government coverup is used (e.g., the MIB in", "downsides of deconstructive tendencies in writing. Perhaps the biggest one is that, unless", "end of the procedure, you must restrain from dissecting it fully. Deconstruction can", "* Similarly, the secret societies in these stories (from the Wizarding World of", "good, interesting story and break the habit of \"must deconstruct everything\" such that", "drawn to deconstruct things.** \"\\\" Note, I'm using deconstruction and deconstructivist here to", "or that it's full of trans fats, or describing in detail how much", "bottom rung of supernatural society despite being drawn into it against their will,", "is so flimsy there is no way it could remain hidden. More specifically:", "show their inner positive humanity, and settings that have a light at the", "also because people find tragedy more memorable than happy endings (i.e., humans are", "in contact with the supernatural for years gets memory wiped, do they lose", "in the hopes that the resulting chaos destabilizes their geopolitical rivals. E.g., the", "at tearing apart why something won't work, but can't offer any constructive ideas", "nothing to stop them wanting to see the whole system burn out of", "any constructive ideas as to what to replace it. And this often makes", "the audience depressed and unsatisfied. That's bad. ### The Case Study* The use", "keeping a secret. Memory wiping spells or technology wouldn't be enough because there", "with the supernatural for years gets memory wiped, do they lose years of", "characters or groups that are supposed to be seen as heroic, sympathetic, or", "could reasonably be maintained is if the people maintaining it engaged in cold-blooded", "robots: the genre sort of recovered but its optimism and idealism were completely", "are to entertain the reader. The other problem is that deconstructions are fundamentally", "a writing style that likes to deconstruct\\* plot elements and look at their", "I view things, I keep noticing holes in my own premise that if", "as I'm writing it rather than letting myself (or the reader) enjoy the", "masquerade (or rather, one of several, but all involve mass suffering and death", "broader genre conventions. I know that there are supposedly a couple of conflicting", "that if followed to their logical conclusion result in endless suffering and misery,", "forced to join them (e.g., turned into a supernatural, or the commonly used", "in Black), but this creates a broader issue in that such a thing", "sympathetic and heroic individuals doing things that show their inner positive humanity, and", "compass who could never be convinced or coerced into keeping a secret. Memory", "feats on live television in front of a sizeable audience. Notably, while in", "its time), but overdoing it results in a work that no one wants", "ever enjoy it again. Sort of like what Watchmen* did to superheroes or", "readers for trying to enjoy their escapist fantasy and tries to leave a", "to lose, and hence nothing to stop them wanting to see the whole", "strong enough moral compass who could never be convinced or coerced into keeping", "I've become very aware of some of the downsides of deconstructive tendencies in", "Wuhter Choqi) into evil jerks. It basically shames readers for trying to enjoy", "years of their memory? * Sometimes use of a government coverup is used", "years gets memory wiped, do they lose years of their memory? * Sometimes", "involve mass suffering and death in ways that aren't friendly to any sense", "into a supernatural, or the commonly used Call to Adventure in most urban", "or Neon Genesis Evangelion did to giant robots: the genre sort of recovered", "they have to do is start performing supernatural feats on live television in", "in detail how much the cow suffered as they try to enjoy their", "### The Case Study The use of the Masquerade trope in fiction, i.e.", "procedure, you must restrain from dissecting it fully. Deconstruction can be good; indeed,", "several decisions that would result in a story full of unlikable people doing", "\"muggles\". The psychological reasons why a masquerade appeals to readers are fairly clear", "new work must subvert at least some elements of its predecessors to avoid", "the masquerade, all they have to do is start performing supernatural feats on", "why their escapism and hope is bad or morally inconsistent. It's the equivalent", "commonly used Call to Adventure in most urban fantasies like The Mortal Instruments).", "psychological reasons why a masquerade appeals to readers are fairly clear (it makes", "make several decisions that would result in a story full of unlikable people", "is about escapism or providing hope to people (e.g., the superhero or romance", "of a government coverup is used (e.g., the MIB in Men in Black),", "to demonstrate how maintaining a masquerade would require people to take monstrous actions,", "are often forced to join them (e.g., turned into a supernatural, or the", "its actions are utterly futile to maintain the status quo. This would be", "that the resulting chaos destabilizes their geopolitical rivals. E.g., the USSR or U.S.", "be surviving physical evidence (photos/writings/video) and big chunks of time missing. If someone", "been drawn to a writing style that likes to deconstruct\\* plot elements and", "spite. Made worse by the fact that their very existence can be used", "world, and it makes the readers feel like they are special to be", "and people are often forced to join them (e.g., turned into a supernatural,", "could remain hidden. More specifically: * The only way the masquerade could reasonably", "holes, and unintended consequences of certain tropes or broader genre conventions. I know", "cow suffered as they try to enjoy their meal, basically being a total", "endless suffering and misery, and make my intended-to-be sympathetic characters (and not in", "telling someone trying to enjoy a hamburger how they're a bad person for", "people are often forced to join them (e.g., turned into a supernatural, or", "I'm working with I'd have to make several decisions that would result in", "feel like they are special to be let in on a secret that", "good; indeed, any new work must subvert at least some elements of its", "take things apart to see how they work, and someone who likes to", "actions to maintain secrecy to demonstrate how maintaining a masquerade would require people", "situation arises with characters or groups that are supposed to be seen as", "and break the habit of \"must deconstruct everything\" such that it is possible", "(i.e., humans are wired to recognize danger). The best way to show how", "one go about writing a good, interesting story and break the habit of", "fundamentally destructive, because they're about taking things apart. However, the problem is if", "wiping spells or technology wouldn't be enough because there would be surviving physical", "take monstrous actions, then have the brutality and misery of the supernatural world", "expect it to be alive. If you want your subject to remain alive", "\"good guys\" perform increasingly worse actions to maintain secrecy to demonstrate how maintaining", "shames readers for trying to enjoy their escapist fantasy and tries to leave", "(e.g., turned into a supernatural, or the commonly used Call to Adventure in", "they snap and go on a rampage attempting to break the masquerade. The", "this.* This proposed story is nothing but awful people doing awful things to", "a masquerade is would be to show how it causes nothing but suffering", "E.g., I noted that if I really wanted to take apart the genre", "their mouth. This is bad because I don't want to \"kill\" the tropes", "least some elements of its predecessors to avoid telling the same stories (e.g.,", "government coverup is used (e.g., the MIB in Men in Black), but this", "understandable\" like Wuhter Choqi) into evil jerks. It basically shames readers for trying", "must subvert at least some elements of its predecessors to avoid telling the", "can be good; indeed, any new work must subvert at least some elements", "a light at the end of the tunnel. Yet, due to the cynical,", "in fiction, i.e. the old idea about having a secret world filled with", "nothing to lose, and hence nothing to stop them wanting to see the", "appeals to readers are fairly clear (it makes the story feel more \"real\"", "end up with a very demotivating, uninteresting writing style. How does one go", "deconstructive tendencies in writing. Perhaps the biggest one is that, unless you're very", "of the downsides of deconstructive tendencies in writing. Perhaps the biggest one is", "the subject, and you can't stitch the dissected parts back again and expect", "of trans fats, or describing in detail how much the cow suffered as", "do is reconstruct the parts in a better format, but few do this", "taking it apart because I love it. In theory what one is supposed", "parts back again and expect it to be alive. If you want your", "However, at the same time I've become very aware of some of the", "in an awful world. There's no reason for the reader to want to", "trail and if the secret is worldwide competing nations would never agree to", "the masquerade could reasonably be maintained is if the people maintaining it engaged", "that have a light at the end of the tunnel. Yet, due to", "a total buzzkill. Which is bad if the promises of the genre are", "such a thing secret, instead deliberately breaking the masquerade in the hopes that", "who likes to take things apart to see how they work, and someone", "genre I'm working with I'd have to make several decisions that would result", "own premise that if followed to their logical conclusion result in endless suffering", "doing awful things to other people in an awful world. There's no reason", "rung of supernatural society despite being drawn into it against their will, and", "with no desire to uphold the status quo and have nothing to lose,", "lose. This is also because people find tragedy more memorable than happy endings", "who likes to poke holes in ideas. As a result, it's not surprising", "logical conclusion of a masquerade (or rather, one of several, but all involve", "(e.g., Hijrp Potfeq). All of this suggests that the \"best\" way to deconstruct", "entertain the reader. The other problem is that deconstructions are fundamentally destructive, because", "are supposed to be seen as heroic, sympathetic, or otherwise non-monstrous, in worlds", "is like surgery or dissection. You can take apart something fully to understand", "is also because people find tragedy more memorable than happy endings (i.e., humans", "again. Sort of like what Watchmen did to superheroes or Neon Genesis Evangelion", "it to be alive. If you want your subject to remain alive by", "do nothing but deconstruct you end up with a very demotivating, uninteresting writing", "the same time I've become very aware of some of the downsides of", "genre sort of recovered but its optimism and idealism were completely lost and", "results in a work that no one wants to read. E.g., I noted", "Choqi) into evil jerks. It basically shames readers for trying to enjoy their", "myself have noticed that I'm really good at tearing apart why something won't", "they're a bad person for eating it, or that it's full of trans", "is that deconstructions are fundamentally destructive, because they're about taking things apart. However,", "suffering and death in ways that aren't friendly to any sense of optimism).", "it's full of trans fats, or describing in detail how much the cow", "toll on the character until they snap and go on a rampage attempting", "what one is supposed to do is reconstruct the parts in a better", "Which is bad if the promises of the genre are to entertain the", "drawn to a writing style that likes to deconstruct\\* plot elements and look", "and look at their implications. However, at the same time I've become very", "individuals with no desire to uphold the status quo and have nothing to", "fully to understand how it works, but to do so you end up", "ideas. As a result, it's not surprising that I've always been drawn to", "theory what one is supposed to do is reconstruct the parts in a", "stuff kept hidden from the \"muggles\". The psychological reasons why a masquerade appeals", "with characters or groups that are supposed to be seen as heroic, sympathetic,", "very aware of some of the downsides of deconstructive tendencies in writing. Perhaps", "someone who has been in contact with the supernatural for years gets memory", "hope to people (e.g., the superhero or romance genres), and a lot of", "does one go about writing a good, interesting story and break the habit", "from the \"muggles\". The psychological reasons why a masquerade appeals to readers are", "a character is shanghaied into a supernatural world, only to watch the so-called", "to show how it causes nothing but suffering and misery yet its actions", "awful world. There's no reason for the reader to want to read it,", "inconsistent. It's the equivalent of telling someone trying to enjoy a hamburger how", "want to read it, especially twice. I like writing about sympathetic and heroic", "because I don't want to \"kill\" the tropes and genre I'm working with,", "but understandable\" like Wuhter Choqi) into evil jerks. It basically shames readers for", "at least some elements of its predecessors to avoid telling the same stories", "is if the people maintaining it engaged in cold-blooded murder of innocents. There", "a couple of conflicting definitions for literary deconstructions floating around and am mentioning", "how they're a bad person for eating it, or that it's full of", "idea about having a secret world filled with magic and stuff kept hidden", "ride. Deconstruction is useful, but if you're inclined to do nothing but deconstruct", "trope is to engineer a situation where a character is shanghaied into a", "if the author is naturally drawn to deconstruct things. \"\\\" Note, I'm using", "to entertain the reader. The other* problem is that deconstructions are fundamentally destructive,", "many cases this same situation arises with characters or groups that are supposed", "proposed story is nothing but awful people doing awful things to other people", "instead deliberately breaking the masquerade in the hopes that the resulting chaos destabilizes", "paper trail and if the secret is worldwide competing nations would never agree", "their will, and hence they want to take everyone with them and have", "the procedure, you must restrain from dissecting it fully. Deconstruction can be good;", "all they have to do is start performing supernatural feats on live television", "is start performing supernatural feats on live television in front of a sizeable", "to be seen as heroic, sympathetic, or otherwise non-monstrous, in worlds that are", "despite being drawn into it against their will, and hence they want to", "supernatural society despite being drawn into it against their will, and hence they", "them (e.g., turned into a supernatural, or the commonly used Call to Adventure", "your deconstruction, you end up killing or crippling the story because no one", "the supernatural exists to try and destabilize the other during the Cold War.", "big chunks of time missing. If someone who has been in contact with", "and depressing (e.g., Hijrp Potfeq). All of this suggests that the \"best\" way", "subject, and you can't stitch the dissected parts back again and expect it", "are often horrendously corrupt or barbaric, and people are often forced to join", "stories (from the Wizarding World of Hijrp Potfeq to the Masquerade in Vampire:", "my intended-to-be sympathetic characters (and not in an \"evil but understandable\" like Wuhter", "that deconstructions are fundamentally destructive, because they're about taking things apart. However, the", "produce disgruntled individuals with no desire to uphold the status quo and have", "(or rather, one of several, but all involve mass suffering and death in", "who had a bad encounter with the supernatural, demonstrable proof of their encounter,", "subverted a lot of the superhero tropes that were common up until its", "a permanent scar. Indeed, I heard this said in relation to Watchmen, which", "used (e.g., the MIB in Men in Black), but this creates a broader", "if it is set in ostensibly our world, and it makes the readers", "society is almost guaranteed to produce disgruntled individuals with no desire to uphold", "where authors point out logical contradictions, plot holes, and unintended consequences of certain", "or describing in detail how much the cow suffered as they try to", "I'd have to make several decisions that would result in a story full", "dissected parts back again and expect it to be alive. If you want", "to understand how it works, but to do so you end up killing", "and unsatisfied. That's bad. ### The Case Study* The use of the Masquerade", "the superhero tropes that were common up until its time), but overdoing it", "have to make several decisions that would result in a story full of", "the bottom rung of supernatural society despite being drawn into it against their", "and genre I'm working with, I'm taking it apart because I love it.", "fats, or describing in detail how much the cow suffered as they try", "### The Problem I don't want to write a story like this. This", "Especially if the author is naturally drawn to deconstruct things.** \"\\\" Note, I'm", "stories (e.g., Spider-Man* subverted a lot of the superhero tropes that were common", "hope is bad or morally inconsistent. It's the equivalent of telling someone trying", "is bad or morally inconsistent. It's the equivalent of telling someone trying to", "kept hidden from the \"muggles\". The psychological reasons why a masquerade appeals to", "person for eating it, or that it's full of trans fats, or describing", "really wanted to take apart the genre I'm working with I'd have to", "who could never be convinced or coerced into keeping a secret. Memory wiping", "is shanghaied into a supernatural world, only to watch the so-called \"good guys\"", "to the Masquerade in Vampire: The Masquerade) are often horrendously corrupt or barbaric,", "and misery yet its actions are utterly futile to maintain the status quo.", "what to replace it. And this often makes my own writing sometimes unenjoyable", "desire to uphold the status quo and have nothing to lose, and hence", "the reader. The other problem is that deconstructions are fundamentally destructive, because they're", "Vampire: The Masquerade the protagonists are supposed to be monsters, in many cases", "of this suggests that the \"best\" way to deconstruct this trope is to", "you're very very careful, deconstructions run the risk of being not fun to", "I love it. In theory what one is supposed to do is reconstruct", "and deconstructivist here to point out the style of writing where authors point", "result in a story full of unlikable people doing unsympathetic things, and ultimately", "their very existence can be used to break the masquerade, all they have", "in Vampire: The Masquerade) are often horrendously corrupt or barbaric, and people are", "the old idea about having a secret world filled with magic and stuff", "time I've become very aware of some of the downsides of deconstructive tendencies", "have the brutality and misery of the supernatural world take their toll on", "be good; indeed, any new work must subvert at least some elements of", "problem is if you are too harsh in your deconstruction, you end up", "obvious paper trail and if the secret is worldwide competing nations would never", "work, and someone who likes to poke holes in ideas. As a result,", "were completely lost and the works left a permanent scar. Indeed, I heard", "There would always be some people who had a bad encounter with the", "apart why something won't work, but can't offer any constructive ideas as to", "the readers why their escapism and hope is bad or morally inconsistent. It's", "the \"muggles\". The psychological reasons why a masquerade appeals to readers are fairly", "tropes and genre I'm working with, I'm taking it apart because I love", "often horrendously corrupt or barbaric, and people are often forced to join them", "to do is start performing supernatural feats on live television in front of", "but its optimism and idealism were completely lost and the works left a", "back again and expect it to be alive. If you want your subject", "story as I'm writing it rather than letting myself (or the reader) enjoy", "optimism and idealism were completely lost and the works left a permanent scar.", "understand how it works, but to do so you end up killing the", "don't want to write a story like this.* This proposed story is nothing", "take apart something fully to understand how it works, but to do so", "always been drawn to a writing style that likes to deconstruct\\* plot elements", "to make several decisions that would result in a story full of unlikable", "in ways that aren't friendly to any sense of optimism). ### The Problem", "supernatural feats on live television in front of a sizeable audience. Notably, while", "maintained is if the people maintaining it engaged in cold-blooded murder of innocents.", "Deconstruction can be good; indeed, any new work must subvert at least some", "things, I keep noticing holes in my own premise that if followed to", "as heroic, sympathetic, or otherwise non-monstrous, in worlds that are not supposed to", "and hence they want to take everyone with them and have nothing to", "nihilistic, and deconstructive way I view things, I keep noticing holes in my", "the whole system burn out of spite. Made worse by the fact that", "a story that people find worth reading. Especially if the author is naturally", "read. E.g., I noted that if I really wanted to take apart the", "with magic and stuff kept hidden from the \"muggles\". The psychological reasons why", "Potfeq). All of this suggests that the \"best\" way to deconstruct this trope", "\"best\" way to deconstruct this trope is to engineer a situation where a", "agree to keep such a thing secret, instead deliberately breaking the masquerade in", "to join them (e.g., turned into a supernatural, or the commonly used Call", "no one wants to read. E.g., I noted that if I really wanted", "keep such a thing secret, instead deliberately breaking the masquerade in the hopes", "find worth reading. Especially if the author is naturally drawn to deconstruct things.", "can ever enjoy it again. Sort of like what Watchmen* did to superheroes", "hence they want to take everyone with them and have nothing to lose.", "reader) enjoy the ride. *Deconstruction is useful, but if you're inclined to do", "wired to recognize danger). The best way to show how unworkable a masquerade", "apart the genre I'm working with I'd have to make several decisions that", "in relation to Watchmen, which described the situation very well: Deconstruction is like", "bad if the promises of the genre are to entertain the reader. The", "working with I'd have to make several decisions that would result in a", "that the trope is so flimsy there is no way it could remain", "so-called \"good guys\" perform increasingly worse actions to maintain secrecy to demonstrate how", "the story feel more \"real\" if it is set in ostensibly our world,", "it is set in ostensibly our world, and it makes the readers feel", "a rampage attempting to break the masquerade. The character is at the bottom", "tragedy more memorable than happy endings (i.e., humans are wired to recognize danger).", "common up until its time), but overdoing it results in a work that", "no one else knows), but the problem is that the trope is so", "utterly futile to maintain the status quo. This would be the logical conclusion", "can be used to break the masquerade, all they have to do is", "awful people doing awful things to other people in an awful world. There's", "of the Masquerade trope in fiction, i.e. the old idea about having a", "would be surviving physical evidence (photos/writings/video) and big chunks of time missing. If", "letting myself (or the reader) enjoy the ride. Deconstruction is useful, but if", "lost and the works left a permanent scar. Indeed, I heard this said", "If you want your subject to remain alive by the end of the", "to stop them wanting to see the whole system burn out of spite.", "to deconstruct this trope is to engineer a situation where a character is", "or technology wouldn't be enough because there would be surviving physical evidence (photos/writings/video)", "twice. I like writing about sympathetic and heroic individuals doing things that show", "the same stories (e.g., Spider-Man* subverted a lot of the superhero tropes that", "killing the subject, and you can't stitch the dissected parts back again and", "(it makes the story feel more \"real\" if it is set in ostensibly", "are special to be let in on a secret that no one else", "tendencies in writing. Perhaps the biggest one is that, unless you're very very", "that would result in a story full of unlikable people doing unsympathetic things,", "with them and have nothing to lose. This is also because people find", "poke holes in ideas. As a result, it's not surprising that I've always", "Sort of like what Watchmen did to superheroes or Neon Genesis Evangelion did", "to leave a bad taste in their mouth. This is bad because I", "bad because I don't want to \"kill\" the tropes and genre I'm working", "having a secret world filled with magic and stuff kept hidden from the", "set in ostensibly our world, and it makes the readers feel like they", "lose years of their memory? * Sometimes use of a government coverup is", "works, but to do so you end up killing the subject, and you", "decisions that would result in a story full of unlikable people doing unsympathetic", "to break the masquerade. The character is at the bottom rung of supernatural", "of certain tropes or broader genre conventions. I know that there are supposedly", "that no one else knows), but the problem is that the trope is", "here to point out the style of writing where authors point out logical", "to Adventure in most urban fantasies like The Mortal Instruments). This kind of", "of Hijrp Potfeq to the Masquerade in Vampire: The Masquerade) are often horrendously", "secrecy to demonstrate how maintaining a masquerade would require people to take monstrous", "of a masquerade (or rather, one of several, but all involve mass suffering", "or crippling the story because no one can ever enjoy it again. Sort", "to read. E.g., I noted that if I really wanted to take apart", "in many cases this same situation arises with characters or groups that are", "of optimism). ### The Problem I don't want to write a story like", "only way the masquerade could reasonably be maintained is if the people maintaining", "murder of innocents. There would always be some people who had a bad", "they try to enjoy their meal, basically being a total buzzkill. Which is", "is no way it could remain hidden. More specifically: The only way", "is useful, but if you're inclined to do nothing but deconstruct you end", "to enjoy their escapist fantasy and tries to leave a bad taste in", "superheroes or Neon Genesis Evangelion did to giant robots: the genre sort of", "a nihilistic tragedy that leaves the audience depressed and unsatisfied. That's bad. ###", "a bad taste in their mouth. This is bad because I don't want", "demonstrable proof of their encounter, and a strong enough moral compass who could", "and unintended consequences of certain tropes or broader genre conventions. I know that", "that are not supposed to be nihilistic and depressing (e.g., Hijrp Potfeq). All", "writing a good, interesting story and break the habit of \"must deconstruct everything\"", "meal, basically being a total buzzkill. Which is bad if the promises of", "a secret that no one else knows), but the problem is that the", "a lot of the superhero tropes that were common up until its time),", "up until its time), but overdoing it results in a work that no", "The use of the Masquerade trope in fiction, i.e. the old idea about", "offer any constructive ideas as to what to replace it. And this often", "the MIB in Men in Black), but this creates a broader issue in", "at the end of the tunnel. Yet, due to the cynical, nihilistic, and", "style. How does one go about writing a good, interesting story and break", "would be to show how it causes nothing but suffering and misery yet", "lot of times deconstructing those stories means telling the readers why their escapism", "i.e. the old idea about having a secret world filled with magic and", "see how they work, and someone who likes to poke holes in ideas.", "demonstrate how maintaining a masquerade would require people to take monstrous actions, then", "you end up killing the subject, and you can't stitch the dissected parts", "nothing but awful people doing awful things to other people in an awful", "The Problem I don't want to write a story like this. This proposed", "Sometimes use of a government coverup is used (e.g., the MIB in Men", "genre are to entertain the reader. The other* problem is that deconstructions are", "engaged in cold-blooded murder of innocents. There would always be some people who", "Mortal Instruments). This kind of society is almost guaranteed to produce disgruntled individuals", "bad taste in their mouth. This is bad because I don't want to", "them and have nothing to lose. This is also because people find tragedy", "relation to Watchmen, which described the situation very well: Deconstruction is like surgery", "heroic individuals doing things that show their inner positive humanity, and settings that", "they work, and someone who likes to poke holes in ideas. As a", "dissection. You can* take apart something fully to understand how it works, but", "people (e.g., the superhero or romance genres), and a lot of times deconstructing", "shanghaied into a supernatural world, only to watch the so-called \"good guys\" perform", "the story because no one can ever enjoy it again. Sort of like", "to any sense of optimism). ### The Problem I don't want to write", "light at the end of the tunnel. Yet, due to the cynical, nihilistic,", "missing. If someone who has been in contact with the supernatural for years", "a work that no one wants to read. E.g., I noted that if", "would leave an obvious paper trail and if the secret is worldwide competing", "The character is at the bottom rung of supernatural society despite being drawn", "### The Issue* I'm a person who likes to take things apart to", "a bad person for eating it, or that it's full of trans fats,", "in cold-blooded murder of innocents. There would always be some people who had", "the genre are to entertain the reader. The other problem is that deconstructions", "and death in ways that aren't friendly to any sense of optimism). ###", "of a sizeable audience. Notably, while in some cases like Vampire: The Masquerade", "or barbaric, and people are often forced to join them (e.g., turned into", "in their mouth. This is bad because I don't want to \"kill\" the", "do so you end up killing the subject, and you can't stitch the", "the supernatural for years gets memory wiped, do they lose years of their", "the other during the Cold War. * Similarly, the secret societies in these", "at the bottom rung of supernatural society despite being drawn into it against", "that likes to deconstruct\\* plot elements and look at their implications. However, at", "rivals. E.g., the USSR or U.S. revealing that the supernatural exists to try", "conventions. I know that there are supposedly a couple of conflicting definitions for", "cold-blooded murder of innocents. There would always be some people who had a", "is bad because I don't want to \"kill\" the tropes and genre I'm", "describing in detail how much the cow suffered as they try to enjoy", "wouldn't be enough because there would be surviving physical evidence (photos/writings/video) and big", "for trying to enjoy their escapist fantasy and tries to leave a bad", "Masquerade in Vampire: The Masquerade) are often horrendously corrupt or barbaric, and people", "did to giant robots: the genre sort of recovered but its optimism and", "to be nihilistic and depressing (e.g., Hijrp Potfeq). All of this suggests that", "depressed and unsatisfied. That's bad. ### The Case Study The use of the", "those stories means telling the readers why their escapism and hope is bad", "but the problem is that the trope is so flimsy there is no", "likes to take things apart to see how they work, and someone who", "*Deconstruction is useful, but if you're inclined to do nothing but deconstruct you", "predecessors to avoid telling the same stories (e.g., Spider-Man* subverted a lot of", "won't work, but can't offer any constructive ideas as to what to replace", "\"\\\" Note, I'm using deconstruction and deconstructivist here to point out the style", "that, unless you're very very careful, deconstructions run the risk of being not", "on a secret that no one else knows), but the problem is that", "look at their implications. However, at the same time I've become very aware", "to Watchmen, which described the situation very well: Deconstruction is like surgery or", "taking things apart. However, the problem is if you are too harsh in", "promises of the genre are to entertain the reader. The other* problem is", "these stories (from the Wizarding World of Hijrp Potfeq to the Masquerade in", "telling the same stories (e.g., Spider-Man subverted a lot of the superhero tropes", "of \"must deconstruct everything\" such that it is possible to produce a story", "to be alive. If you want your subject to remain alive by the", "secret societies in these stories (from the Wizarding World of Hijrp Potfeq to", "unsympathetic things, and ultimately lead to a nihilistic tragedy that leaves the audience", "unless you're very very careful, deconstructions run the risk of being not fun", "maintaining it engaged in cold-blooded murder of innocents. There would always be some", "things apart. However, the problem is if you are too harsh in your", "yet its actions are utterly futile to maintain the status quo. This would", "are utterly futile to maintain the status quo. This would be the logical", "Deconstruction is like surgery or dissection. You can take apart something fully to", "possible to produce a story that people find worth reading. Especially if the", "writing about sympathetic and heroic individuals doing things that show their inner positive", "no one can ever enjoy it again. Sort of like what Watchmen did", "plot holes, and unintended consequences of certain tropes or broader genre conventions. I", "to maintain secrecy to demonstrate how maintaining a masquerade would require people to", "is worldwide competing nations would never agree to keep such a thing secret,", "someone who likes to poke holes in ideas. As a result, it's not", "trans fats, or describing in detail how much the cow suffered as they", "in Men in Black), but this creates a broader issue in that such", "I'm a person who likes to take things apart to see how they", "suffering and misery, and make my intended-to-be sympathetic characters (and not in an", "very demotivating, uninteresting writing style. How does one go about writing a good,", "everyone with them and have nothing to lose. This is also because people", "aren't friendly to any sense of optimism). ### The Problem I don't want", "it rather than letting myself (or the reader) enjoy the ride. Deconstruction is", "to take things apart to see how they work, and someone who likes", "a strong enough moral compass who could never be convinced or coerced into", "that their very existence can be used to break the masquerade, all they", "are fundamentally destructive, because they're about taking things apart. However, the problem is", "a person who likes to take things apart to see how they work,", "a masquerade would require people to take monstrous actions, then have the brutality", "would never agree to keep such a thing secret, instead deliberately breaking the", "be monsters, in many cases this same situation arises with characters or groups", "(or the reader) enjoy the ride. Deconstruction is useful, but if you're inclined", "that people find worth reading. Especially if the author is naturally drawn to", "makes the readers feel like they are special to be let in on", "from dissecting it fully. Deconstruction can be good; indeed, any new work must", "supernatural exists to try and destabilize the other during the Cold War. ", "a good, interesting story and break the habit of \"must deconstruct everything\" such", "recognize danger). The best way to show how unworkable a masquerade is would", "or otherwise non-monstrous, in worlds that are not supposed to be nihilistic and", "someone trying to enjoy a hamburger how they're a bad person for eating", "but few do this and I myself have noticed that I'm really good", "how much the cow suffered as they try to enjoy their meal, basically", "it works, but to do so you end up killing the subject, and", "conclusion result in endless suffering and misery, and make my intended-to-be sympathetic characters", "because they're about taking things apart. However, the problem is if you are", "groups that are supposed to be seen as heroic, sympathetic, or otherwise non-monstrous,", "you are too harsh in your deconstruction, you end up killing or crippling", "them wanting to see the whole system burn out of spite. Made worse", "but this creates a broader issue in that such a thing would leave", "morally inconsistent. It's the equivalent of telling someone trying to enjoy a hamburger", "world take their toll on the character until they snap and go on", "enjoy the ride. *Deconstruction is useful, but if you're inclined to do nothing", "try to enjoy their meal, basically being a total buzzkill. Which is bad", "the secret is worldwide competing nations would never agree to keep such a", "Genesis Evangelion did to giant robots: the genre sort of recovered but its", "about escapism or providing hope to people (e.g., the superhero or romance genres),", "makes the story feel more \"real\" if it is set in ostensibly our", "and deconstructive way I view things, I keep noticing holes in my own", "what Watchmen did to superheroes or Neon Genesis Evangelion did to giant robots:", "in some cases like Vampire: The Masquerade the protagonists are supposed to be", "story like this.* This proposed story is nothing but awful people doing awful", "that it is possible to produce a story that people find worth reading.", "is nothing but awful people doing awful things to other people in an", "doing things that show their inner positive humanity, and settings that have a", "eating it, or that it's full of trans fats, or describing in detail", "to take apart the genre I'm working with I'd have to make several", "the logical conclusion of a masquerade (or rather, one of several, but all", "world. There's no reason for the reader to want to read it, especially", "supposed to do is reconstruct the parts in a better format, but few", "will, and hence they want to take everyone with them and have nothing", "interesting story and break the habit of \"must deconstruct everything\" such that it", "story feel more \"real\" if it is set in ostensibly our world, and", "consequences of certain tropes or broader genre conventions. I know that there are", "masquerade appeals to readers are fairly clear (it makes the story feel more", "giant robots: the genre sort of recovered but its optimism and idealism were", "societies in these stories (from the Wizarding World of Hijrp Potfeq to the", "their logical conclusion result in endless suffering and misery, and make my intended-to-be", "attempting to break the masquerade. The character is at the bottom rung of", "Instruments). This kind of society is almost guaranteed to produce disgruntled individuals with", "deconstruction and deconstructivist here to point out the style of writing where authors", "the genre I'm working with I'd have to make several decisions that would", "monstrous actions, then have the brutality and misery of the supernatural world take", "like Vampire: The Masquerade* the protagonists are supposed to be monsters, in many", "If someone who has been in contact with the supernatural for years gets", "did to superheroes or Neon Genesis Evangelion did to giant robots: the genre", "by the fact that their very existence can be used to break the", "to be let in on a secret that no one else knows), but", "I'm poking holes in the story as I'm writing it rather than letting", "live television in front of a sizeable audience. Notably, while in some cases", "to break the masquerade, all they have to do is start performing supernatural", "until its time), but overdoing it results in a work that no one", "deconstructive way I view things, I keep noticing holes in my own premise", "of the tunnel. Yet, due to the cynical, nihilistic, and deconstructive way I", "stitch the dissected parts back again and expect it to be alive. If", "end up killing the subject, and you can't stitch the dissected parts back", "that no one wants to read. E.g., I noted that if I really", "and heroic individuals doing things that show their inner positive humanity, and settings", "use of the Masquerade trope in fiction, i.e. the old idea about having", "subject to remain alive by the end of the procedure, you must restrain", "not surprising that I've always been drawn to a writing style that likes", "total buzzkill. Which is bad if the promises of the genre are to", "be maintained is if the people maintaining it engaged in cold-blooded murder of", "futile to maintain the status quo. This would be the logical conclusion of", "show how it causes nothing but suffering and misery yet its actions are", "one can ever enjoy it again. Sort of like what Watchmen did to", "their toll on the character until they snap and go on a rampage", "very well: Deconstruction is like surgery or dissection. You can take apart something", "be alive. If you want your subject to remain alive by the end", "makes my own writing sometimes unenjoyable because I'm poking holes in the story", "Black), but this creates a broader issue in that such a thing would", "a secret. Memory wiping spells or technology wouldn't be enough because there would", "writing. Perhaps the biggest one is that, unless you're very very careful, deconstructions", "all involve mass suffering and death in ways that aren't friendly to any", "Cold War. Similarly, the secret societies in these stories (from the Wizarding", "like this.* This proposed story is nothing but awful people doing awful things", "deconstruct everything\" such that it is possible to produce a story that people", "they want to take everyone with them and have nothing to lose. This", "of its predecessors to avoid telling the same stories (e.g., Spider-Man subverted a", "magic and stuff kept hidden from the \"muggles\". The psychological reasons why a", "chunks of time missing. If someone who has been in contact with the", "bad person for eating it, or that it's full of trans fats, or", "but deconstruct you end up with a very demotivating, uninteresting writing style. How", "character is shanghaied into a supernatural world, only to watch the so-called \"good", "supernatural for years gets memory wiped, do they lose years of their memory?", "an \"evil but understandable\" like Wuhter Choqi) into evil jerks. It basically shames", "at the same time I've become very aware of some of the downsides", "go about writing a good, interesting story and break the habit of \"must", "being drawn into it against their will, and hence they want to take", "if the promises of the genre are to entertain the reader. The other", "system burn out of spite. Made worse by the fact that their very", "memory wiped, do they lose years of their memory? * Sometimes use of", "format, but few do this and I myself have noticed that I'm really", "enjoy their meal, basically being a total buzzkill. Which is bad if the", "supposed to be nihilistic and depressing (e.g., Hijrp Potfeq). All of this suggests", "and a lot of times deconstructing those stories means telling the readers why", "the secret societies in these stories (from the Wizarding World of Hijrp Potfeq", "much the cow suffered as they try to enjoy their meal, basically being", "other problem is that deconstructions are fundamentally destructive, because they're about taking things", "worldwide competing nations would never agree to keep such a thing secret, instead", "This is also because people find tragedy more memorable than happy endings (i.e.,", "to their logical conclusion result in endless suffering and misery, and make my", "people to take monstrous actions, then have the brutality and misery of the", "secret that no one else knows), but the problem is that the trope", "and misery of the supernatural world take their toll on the character until", "into evil jerks. It basically shames readers for trying to enjoy their escapist", "but suffering and misery yet its actions are utterly futile to maintain the", "supernatural, or the commonly used Call to Adventure in most urban fantasies like", "useful, but if you're inclined to do nothing but deconstruct you end up", "it again. Sort of like what Watchmen did to superheroes or Neon Genesis", "good at tearing apart why something won't work, but can't offer any constructive", "seen as heroic, sympathetic, or otherwise non-monstrous, in worlds that are not* supposed", "enjoy their escapist fantasy and tries to leave a bad taste in their", "quo and have nothing to lose, and hence nothing to stop them wanting", "this said in relation to Watchmen, which described the situation very well: Deconstruction", "readers feel like they are special to be let in on a secret", "The Mortal Instruments). This kind of society is almost guaranteed to produce disgruntled", "people find worth reading. Especially if the author is naturally drawn to deconstruct", "to \"kill\" the tropes and genre I'm working with, I'm taking it apart", "positive humanity, and settings that have a light at the end of the", "with I'd have to make several decisions that would result in a story", "like writing about sympathetic and heroic individuals doing things that show their inner", "stories means telling the readers why their escapism and hope is bad or", "of society is almost guaranteed to produce disgruntled individuals with no desire to", "is reconstruct the parts in a better format, but few do this and", "unworkable a masquerade is would be to show how it causes nothing but", "want to \"kill\" the tropes and genre I'm working with, I'm taking it", "and hence nothing to stop them wanting to see the whole system burn", "read it, especially twice. I like writing about sympathetic and heroic individuals doing", "don't want to \"kill\" the tropes and genre I'm working with, I'm taking", "guaranteed to produce disgruntled individuals with no desire to uphold the status quo", "humanity, and settings that have a light at the end of the tunnel.", "to other people in an awful world. There's no reason for the reader", "I'm writing it rather than letting myself (or the reader) enjoy the ride.", "friendly to any sense of optimism). ### The Problem I don't want to", "contradictions, plot holes, and unintended consequences of certain tropes or broader genre conventions.", "the promises of the genre are to entertain the reader. The other* problem", "A lot of fiction is about escapism or providing hope to people (e.g.,", "Vampire: The Masquerade) are often horrendously corrupt or barbaric, and people are often", "individuals doing things that show their inner positive humanity, and settings that have", "watch the so-called \"good guys\" perform increasingly worse actions to maintain secrecy to", "that were common up until its time), but overdoing it results in a", "masquerade is would be to show how it causes nothing but suffering and", "it apart because I love it. In theory what one is supposed to", "elements of its predecessors to avoid telling the same stories (e.g., Spider-Man subverted", "convinced or coerced into keeping a secret. Memory wiping spells or technology wouldn't", "something fully to understand how it works, but to do so you end", "where a character is shanghaied into a supernatural world, only to watch the", "Call to Adventure in most urban fantasies like The Mortal Instruments). This kind", "writing where authors point out logical contradictions, plot holes, and unintended consequences of", "on live television in front of a sizeable audience. Notably, while in some", "best way to show how unworkable a masquerade is would be to show", "mass suffering and death in ways that aren't friendly to any sense of", "or dissection. You can take apart something fully to understand how it works,", "protagonists are supposed to be monsters, in many cases this same situation arises", "require people to take monstrous actions, then have the brutality and misery of", "danger). The best way to show how unworkable a masquerade is would be", "full of trans fats, or describing in detail how much the cow suffered", "ways that aren't friendly to any sense of optimism). ### The Problem I", "is at the bottom rung of supernatural society despite being drawn into it", "I've always been drawn to a writing style that likes to deconstruct\\ plot", "there would be surviving physical evidence (photos/writings/video) and big chunks of time missing.", "Issue** I'm a person who likes to take things apart to see how", "(e.g., the superhero or romance genres), and a lot of times deconstructing those", "people in an awful world. There's no reason for the reader to want", "readers are fairly clear (it makes the story feel more \"real\" if it", "same stories (e.g., Spider-Man subverted a lot of the superhero tropes that were", "the story as I'm writing it rather than letting myself (or the reader)", "The only way the masquerade could reasonably be maintained is if the people", "to what to replace it. And this often makes my own writing sometimes", "deconstructing those stories means telling the readers why their escapism and hope is", "with a very demotivating, uninteresting writing style. How does one go about writing", "be nihilistic and depressing (e.g., Hijrp Potfeq). All of this suggests that the", "and the works left a permanent scar. Indeed, I heard this said in", "horrendously corrupt or barbaric, and people are often forced to join them (e.g.,", "result in endless suffering and misery, and make my intended-to-be sympathetic characters (and", "apart something fully to understand how it works, but to do so you", "the works left a permanent scar. Indeed, I heard this said in relation", "at their implications. However, at the same time I've become very aware of", "I'm taking it apart because I love it. In theory what one is", "world, only to watch the so-called \"good guys\" perform increasingly worse actions to", "one else knows), but the problem is that the trope is so flimsy", "to point out the style of writing where authors point out logical contradictions,", "otherwise non-monstrous, in worlds that are not supposed to be nihilistic and depressing", "sympathetic characters (and not in an \"evil but understandable\" like Wuhter Choqi) into", "supernatural world, only to watch the so-called \"good guys\" perform increasingly worse actions", "our world, and it makes the readers feel like they are special to", "you end up with a very demotivating, uninteresting writing style. How does one", "to deconstruct things.** \"\\\" Note, I'm using deconstruction and deconstructivist here to point", "\"must deconstruct everything\" such that it is possible to produce a story that", "then have the brutality and misery of the supernatural world take their toll", "do is start performing supernatural feats on live television in front of a", "to try and destabilize the other during the Cold War. Similarly, the", "Perhaps the biggest one is that, unless you're very very careful, deconstructions run", "and you can't stitch the dissected parts back again and expect it to", "readers why their escapism and hope is bad or morally inconsistent. It's the", "the trope is so flimsy there is no way it could remain hidden.", "like The Mortal Instruments). This kind of society is almost guaranteed to produce", "especially twice. I like writing about sympathetic and heroic individuals doing things that", "times deconstructing those stories means telling the readers why their escapism and hope", "way it could remain hidden. More specifically: * The only way the masquerade", "is almost guaranteed to produce disgruntled individuals with no desire to uphold the", "to see how they work, and someone who likes to poke holes in", "way to deconstruct this trope is to engineer a situation where a character", "Watchmen did to superheroes or Neon Genesis Evangelion did to giant robots: the", "never agree to keep such a thing secret, instead deliberately breaking the masquerade", "break the habit of \"must deconstruct everything\" such that it is possible to", "deconstruct things.** \"\\\" Note, I'm using deconstruction and deconstructivist here to point out", "out of spite. Made worse by the fact that their very existence can", "on a rampage attempting to break the masquerade. The character is at the", "remain hidden. More specifically: The only way the masquerade could reasonably be", "destabilize the other during the Cold War. * Similarly, the secret societies in", "idealism were completely lost and the works left a permanent scar. Indeed, I", "some people who had a bad encounter with the supernatural, demonstrable proof of", "I like writing about sympathetic and heroic individuals doing things that show their", "nothing but deconstruct you end up with a very demotivating, uninteresting writing style.", "to readers are fairly clear (it makes the story feel more \"real\" if", "and misery, and make my intended-to-be sympathetic characters (and not in an \"evil", "corrupt or barbaric, and people are often forced to join them (e.g., turned", "secret. Memory wiping spells or technology wouldn't be enough because there would be", "avoid telling the same stories (e.g., Spider-Man subverted a lot of the superhero", "to read it, especially twice. I like writing about sympathetic and heroic individuals", "take their toll on the character until they snap and go on a", "to take everyone with them and have nothing to lose. This is also", "one is supposed to do is reconstruct the parts in a better format,", "the dissected parts back again and expect it to be alive. If you", "and make my intended-to-be sympathetic characters (and not in an \"evil but understandable\"", "to deconstruct\\* plot elements and look at their implications. However, at the same", "the problem is if you are too harsh in your deconstruction, you end", "being not fun to read. A lot of fiction is about escapism or", "of telling someone trying to enjoy a hamburger how they're a bad person", "for eating it, or that it's full of trans fats, or describing in", "or groups that are supposed to be seen as heroic, sympathetic, or otherwise", "doing unsympathetic things, and ultimately lead to a nihilistic tragedy that leaves the", "parts in a better format, but few do this and I myself have", "it is possible to produce a story that people find worth reading. Especially", "if the people maintaining it engaged in cold-blooded murder of innocents. There would", "sense of optimism). ### The Problem I don't want to write a story", "must restrain from dissecting it fully. Deconstruction can be good; indeed, any new", "replace it. And this often makes my own writing sometimes unenjoyable because I'm", "well: Deconstruction is like surgery or dissection. You can* take apart something fully", "secret world filled with magic and stuff kept hidden from the \"muggles\". The", "inclined to do nothing but deconstruct you end up with a very demotivating,", "the Cold War. * Similarly, the secret societies in these stories (from the", "and hope is bad or morally inconsistent. It's the equivalent of telling someone", "of fiction is about escapism or providing hope to people (e.g., the superhero", "There's no reason for the reader to want to read it, especially twice.", "are not supposed to be nihilistic and depressing (e.g., Hijrp Potfeq). All of", "of times deconstructing those stories means telling the readers why their escapism and", "of several, but all involve mass suffering and death in ways that aren't", "apart because I love it. In theory what one is supposed to do", "to produce a story that people find worth reading. Especially if the author", "deconstruct you end up with a very demotivating, uninteresting writing style. How does", "status quo. This would be the logical conclusion of a masquerade (or rather,", "\"real\" if it is set in ostensibly our world, and it makes the", "but awful people doing awful things to other people in an awful world.", "would require people to take monstrous actions, then have the brutality and misery", "deliberately breaking the masquerade in the hopes that the resulting chaos destabilizes their", "several, but all involve mass suffering and death in ways that aren't friendly", "to be monsters, in many cases this same situation arises with characters or", "as to what to replace it. And this often makes my own writing", "the supernatural world take their toll on the character until they snap and", "things, and ultimately lead to a nihilistic tragedy that leaves the audience depressed", "sort of recovered but its optimism and idealism were completely lost and the", "for the reader to want to read it, especially twice. I like writing", "masquerade. The character is at the bottom rung of supernatural society despite being", "and have nothing to lose. This is also because people find tragedy more", "is to engineer a situation where a character is shanghaied into a supernatural", "destabilizes their geopolitical rivals. E.g., the USSR or U.S. revealing that the supernatural", "this same situation arises with characters or groups that are supposed to be", "supernatural world take their toll on the character until they snap and go", "tropes that were common up until its time), but overdoing it results in", "one wants to read. E.g., I noted that if I really wanted to", "fully. Deconstruction can be good; indeed, any new work must subvert at least", "Masquerade* the protagonists are supposed to be monsters, in many cases this same", "due to the cynical, nihilistic, and deconstructive way I view things, I keep", "worse by the fact that their very existence can be used to break", "demotivating, uninteresting writing style. How does one go about writing a good, interesting", "humans are wired to recognize danger). The best way to show how unworkable", "This is bad because I don't want to \"kill\" the tropes and genre", "person who likes to take things apart to see how they work, and", "fantasy and tries to leave a bad taste in their mouth. This is", "had a bad encounter with the supernatural, demonstrable proof of their encounter, and", "This would be the logical conclusion of a masquerade (or rather, one of", "trope is so flimsy there is no way it could remain hidden. More", "Potfeq to the Masquerade in Vampire: The Masquerade) are often horrendously corrupt or", "the hopes that the resulting chaos destabilizes their geopolitical rivals. E.g., the USSR", "thing would leave an obvious paper trail and if the secret is worldwide", "to poke holes in ideas. As a result, it's not surprising that I've", "end of the tunnel. Yet, due to the cynical, nihilistic, and deconstructive way", "tries to leave a bad taste in their mouth. This is bad because", "you're inclined to do nothing but deconstruct you end up with a very", "people who had a bad encounter with the supernatural, demonstrable proof of their", "this creates a broader issue in that such a thing would leave an", "heroic, sympathetic, or otherwise non-monstrous, in worlds that are not supposed to be", "The Issue I'm a person who likes to take things apart to see", "to read. A lot of fiction is about escapism or providing hope to", "the status quo and have nothing to lose, and hence nothing to stop", "performing supernatural feats on live television in front of a sizeable audience. Notably,", "their inner positive humanity, and settings that have a light at the end", "the ride. **Deconstruction is useful, but if you're inclined to do nothing but", "deconstructions run the risk of being not fun to read. A lot of" ]
[ "about their relationship (it's an enemies-to-lovers romance akin to the Underworld movie series).", "side of the divide, but the romance is a significant part of the", "pitched as an action-adventure story, people expect a story of fight scenes and", "that the series is going to attract a bunch of people who feel", "room. I'm writing a story that isn't quite a paranormal romance but is", "translate well to a paranormal romance or otherwise fantasy setting. I looked up", "focus on that relationship as the most interesting part of the story and", "without affecting the story. Indeed, if I had to give a pitch to", "Twilight or Mercy Thompson and the description seems to be all about raw", "a paranormal romance but is close enough to it to be similar and", "movies) but it doesn't seem to translate well to a paranormal romance or", "and the world they live within (broader conflict, etc.) to explain why the", "it affects the setting are unfamiliar to them). My question is how do", "people who feel like they were promised an urban fantasy series that primarily", "part of this story? I'm not sure how paranormal romance signals genre expectations", "I'm writing a story that isn't quite a paranormal romance but is close", "despite their relationship being an important component of the plot, the two romantic", "that relationship as the most interesting part of the story and why the", "characters don't even know the other exists for the first half of the", "story and why the reader should care about it. However, I have a", "battle, only to get turned off when the star-crossed lovers' romance kicks in", "not sure how paranormal romance signals genre expectations to readers compared to regular", "I've seen how regular romance stories do it (e.g., most Hallmark movies) but", "subplot that can be removed without affecting the story. Indeed, if I had", "to them). My question is *how do I signal to the readers to", "the author pitches their story as one genre and it ends up spiraling", "romance here\", especially if the characters don't even know the other exists for", "as one genre and it ends up spiraling into another...well, the audience feels", "care about it. However, I have a problem in that despite their relationship", "has to establish its own setting and because of its weird take on", "fantasy setting. I looked up how popular paranormal romance novels like Twilight* or", "the description seems to be all about raw sexuality, passion, and eroticism which", "urban fantasy side of the divide, but the romance is a significant part", "as the most interesting part of the story and why the reader should", "bunch of people who feel like they were promised an urban fantasy series", "weird take on the supernatural can't crib off of popular culture to make", "pitched as a romance they expect to see true love and happily ever", "that primarily focuses on action and battle, only to get turned off when", "component of the plot, the two romantic leads don't actually meet until halfway", "(it's an enemies-to-lovers romance akin to the Underworld movie series). My concern is", "part of the story and why the reader should care about it. However,", "to it to be similar and have the question listed above. I would", "My question is how do I signal to the readers to expect a", "significant romance as a part of this story? I'm not sure how paranormal", "understand werewolves, vampires, witchcraft, or aliens, but the dynamics of a totally new", "supernatural gimmick and how it affects the setting are unfamiliar to them). My", "what a romantic plot tumor or \"spiraling into romance\" is, but I would", "removed without affecting the story. Indeed, if I had to give a pitch", "the characters are and the world they live within (broader conflict, etc.) to", "or \"spiraling into romance\" is, but I would go so far as to", "I was trying to get to in the first place. But it takes", "it pertains to the genre. I.e., if a story is pitched as an", "I had to give a pitch to get people interested in the series", "I have to establish the context of who the characters are and the", "I signal to my audience to \"expect romance here\", especially if the characters", "be funny; if it's pitched as a romance they expect to see true", "the supernatural can't crib off of popular culture to make it easy (i.e.,", "concern is that the series is going to attract a bunch of people", "do I signal to the readers to expect a significant romance as a", "two are drawn to one another and why the reader should care about", "raw sexuality, passion, and eroticism which is...not what this story is about. How", "series it would focus on that relationship as the most interesting part of", "not that the story gets bogged down by the romantic subplot as the", "is, but I would go so far as to say it's not that", "a significant romance as a part of this story?** I'm not sure how", "reader should care about their relationship (it's an enemies-to-lovers romance akin to the", "been given false advertising. I know what a romantic plot tumor or \"spiraling", "on the supernatural can't crib off of popular culture to make it easy", "gets bogged down by the romantic subplot as the romance and the character", "reader should care about it. However, I have a problem in that despite", "don't actually meet until halfway through the first entry in the series. This", "eroticism which is...not what this story is about. How can I signal to", "the romantic subplot as the romance and the character interaction it provokes is", "relationship (it's an enemies-to-lovers romance akin to the Underworld movie series). My concern", "often throws the book across the room. I'm writing a story that isn't", "bogged down by the romantic subplot as the romance and the character interaction", "a bunch of people who feel like they were promised an urban fantasy", "story and isn't merely a subplot that can be removed without affecting the", "the Underworld movie series). My concern is that the series is going to", "the story gets bogged down by the romantic subplot as the romance and", "to expect a significant romance as a part of this story?** I'm not", "a romance they expect to see true love and happily ever after. If", "an enemies-to-lovers romance akin to the Underworld movie series). My concern is that", "more on the urban fantasy side of the divide, but the romance is", "readers compared to regular romance; I've seen how regular romance stories do it", "otherwise fantasy setting. I looked up how popular paranormal romance novels like Twilight", "romance novels like Twilight or Mercy Thompson and the description seems to be", "the story and why the reader should care about it. However, I have", "get there because the world has to establish its own setting and because", "romance but is close enough to it to be similar and have the", "by the romantic subplot as the romance and the character interaction it provokes", "of popular culture to make it easy (i.e., readers instantly understand werewolves, vampires,", "work probably falls more on the urban fantasy side of the divide, but", "people expect a story of fight scenes and explosions; if it's pitched as", "author pitches their story as one genre and it ends up spiraling into", "get people interested in the series it would focus on that relationship as", "of the story and isn't merely a subplot that can be removed without", "its weird take on the supernatural can't crib off of popular culture to", "dynamics of a totally new supernatural gimmick and how it affects the setting", "who feel like they were promised an urban fantasy series that primarily focuses", "is managing audience expectations, especially as it pertains to the genre. I.e., if", "live within (broader conflict, etc.) to explain why the two are drawn to", "they expect it to actually be funny; if it's pitched as a romance", "on action and battle, only to get turned off when the star-crossed lovers'", "provokes is the \"good stuff\" I was trying to get to in the", "to give a pitch to get people interested in the series it would", "halfway through the first entry in the series. This is because I have", "first entry in the series. This is because I have to establish the", "and it ends up spiraling into another...well, the audience feels betrayed and often", "of the divide, but the romance is a significant part of the story", "don't even know the other exists for the first half of the novel?", "vampires, witchcraft, or aliens, but the dynamics of a totally new supernatural gimmick", "if a story is pitched as an action-adventure story, people expect a story", "unfamiliar to them). My question is how do I signal to the readers", "only to get turned off when the star-crossed lovers' romance kicks in and", "is how do I signal to the readers to expect a significant romance", "within (broader conflict, etc.) to explain why the two are drawn to one", "to the Underworld movie series). My concern is that the series is going", "aliens, but the dynamics of a totally new supernatural gimmick and how it", "managing audience expectations, especially as it pertains to the genre. I.e., if a", "akin to the Underworld movie series). My concern is that the series is", "expectations to readers compared to regular romance; I've seen how regular romance stories", "the room. I'm writing a story that isn't quite a paranormal romance but", "romantic leads don't actually meet until halfway through the first entry in the", "a story is pitched as an action-adventure story, people expect a story of", "actually be funny; if it's pitched as a romance they expect to see", "the world they live within (broader conflict, etc.) to explain why the two", "expect it to actually be funny; if it's pitched as a romance they", "writing a story that isn't quite a paranormal romance but is close enough", "sure how paranormal romance signals genre expectations to readers compared to regular romance;", "the characters don't even know the other exists for the first half of", "This is because I have to establish the context of who the characters", "is...not what this story is about. How can I signal to my audience", "or Mercy Thompson and the description seems to be all about raw sexuality,", "to in the first place. But it takes time to get there because", "into romance\" is, but I would go so far as to say it's", "close enough to it to be similar and have the question listed above.", "the world has to establish its own setting and because of its weird", "the genre. I.e., if a story is pitched as an action-adventure story, people", "subplot as the romance and the character interaction it provokes is the \"good", "pitches their story as one genre and it ends up spiraling into another...well,", "explain why the two are drawn to one another and why the reader", "it to actually be funny; if it's pitched as a romance they expect", "the two romantic leads don't actually meet until halfway through the first entry", "a comedy they expect it to actually be funny; if it's pitched as", "I looked up how popular paranormal romance novels like Twilight or Mercy Thompson", "to get people interested in the series it would focus on that relationship", "about it. However, I have a problem in that despite their relationship being", "of fight scenes and explosions; if it's pitched as a comedy they expect", "most interesting part of the story and why the reader should care about", "its own setting and because of its weird take on the supernatural can't", "but the dynamics of a totally new supernatural gimmick and how it affects", "the readers to expect a significant romance as a part of this story?*", "the story. Indeed, if I had to give a pitch to get people", "new supernatural gimmick and how it affects the setting are unfamiliar to them).", "seems to be all about raw sexuality, passion, and eroticism which is...not what", "if it's pitched as a romance they expect to see true love and", "expectations, especially as it pertains to the genre. I.e., if a story is", "it (e.g., most Hallmark movies) but it doesn't seem to translate well to", "culture to make it easy (i.e., readers instantly understand werewolves, vampires, witchcraft, or", "but is close enough to it to be similar and have the question", "of the story and why the reader should care about it. However, I", "regular romance stories do it (e.g., most Hallmark movies) but it doesn't seem", "the story and isn't merely a subplot that can be removed without affecting", "expect to see true love and happily ever after. If the author pitches", "the audience feels betrayed and often throws the book across the room. I'm", "interested in the series it would focus on that relationship as the most", "if I had to give a pitch to get people interested in the", "romance akin to the Underworld* movie series). My concern is that the series", "and because of its weird take on the supernatural can't crib off of", "of who the characters are and the world they live within (broader conflict,", "characters are and the world they live within (broader conflict, etc.) to explain", "an important component of the plot, the two romantic leads don't actually meet", "to explain why the two are drawn to one another and why the", "action and battle, only to get turned off when the star-crossed lovers' romance", "series). My concern is that the series is going to attract a bunch", "most Hallmark movies) but it doesn't seem to translate well to a paranormal", "supernatural can't crib off of popular culture to make it easy (i.e., readers", "to my audience to \"expect romance here\", especially if the characters don't even", "a story that isn't quite a paranormal romance but is close enough to", "there because the world has to establish its own setting and because of", "to see true love and happily ever after. If the author pitches their", "about. How can I signal to my audience to \"expect romance here\", especially", "fantasy side of the divide, but the romance is a significant part of", "are unfamiliar to them). My question is *how do I signal to the", "have a problem in that despite their relationship being an important component of", "was trying to get to in the first place. But it takes time", "one genre and it ends up spiraling into another...well, the audience feels betrayed", "their story as one genre and it ends up spiraling into another...well, the", "probably falls more on the urban fantasy side of the divide, but the", "that the story gets bogged down by the romantic subplot as the romance", "affecting the story. Indeed, if I had to give a pitch to get", "but the romance is a significant part of the story and isn't merely", "and isn't merely a subplot that can be removed without affecting the story.", "the romance is a significant part of the story and isn't merely a", "into another...well, the audience feels betrayed and often throws the book across the", "gimmick and how it affects the setting are unfamiliar to them). My question", "\"spiraling into romance\" is, but I would go so far as to say", "the plot, the two romantic leads don't actually meet until halfway through the", "as the romance and the character interaction it provokes is the \"good stuff\"", "going to attract a bunch of people who feel like they were promised", "in the series it would focus on that relationship as the most interesting", "problem in that despite their relationship being an important component of the plot,", "genre and it ends up spiraling into another...well, the audience feels betrayed and", "that isn't quite a paranormal romance but is close enough to it to", "Indeed, if I had to give a pitch to get people interested in", "character interaction it provokes is the \"good stuff\" I was trying to get", "it doesn't seem to translate well to a paranormal romance or otherwise fantasy", "novels like Twilight* or Mercy Thompson and the description seems to be all", "plot, the two romantic leads don't actually meet until halfway through the first", "establish the context of who the characters are and the world they live", "two romantic leads don't actually meet until halfway through the first entry in", "action-adventure story, people expect a story of fight scenes and explosions; if it's", "series. This is because I have to establish the context of who the", "quite a paranormal romance but is close enough to it to be similar", "easy (i.e., readers instantly understand werewolves, vampires, witchcraft, or aliens, but the dynamics", "people interested in the series it would focus on that relationship as the", "here\", especially if the characters don't even know the other exists for the", "of this story?** I'm not sure how paranormal romance signals genre expectations to", "had to give a pitch to get people interested in the series it", "takes time to get there because the world has to establish its own", "to be all about raw sexuality, passion, and eroticism which is...not what this", "similar and have the question listed above. I would say the work probably", "a pitch to get people interested in the series it would focus on", "and often throws the book across the room. I'm writing a story that", "the reader should care about their relationship (it's an enemies-to-lovers romance akin to", "interesting part of the story and why the reader should care about it.", "it takes time to get there because the world has to establish its", "it provokes is the \"good stuff\" I was trying to get to in", "I would go so far as to say it's not that the story", "to a paranormal romance or otherwise fantasy setting. I looked up how popular", "story is about. How can I signal to my audience to \"expect romance", "so far as to say it's not that the story gets bogged down", "paranormal romance novels like Twilight or Mercy Thompson and the description seems to", "attract a bunch of people who feel like they were promised an urban", "interaction it provokes is the \"good stuff\" I was trying to get to", "readers to expect a significant romance as a part of this story?** I'm", "to readers compared to regular romance; I've seen how regular romance stories do", "is close enough to it to be similar and have the question listed", "merely a subplot that can be removed without affecting the story. Indeed, if", "across the room. I'm writing a story that isn't quite a paranormal romance", "or aliens, but the dynamics of a totally new supernatural gimmick and how", "werewolves, vampires, witchcraft, or aliens, but the dynamics of a totally new supernatural", "because I have to establish the context of who the characters are and", "writing is managing audience expectations, especially as it pertains to the genre. I.e.,", "betrayed and often throws the book across the room. I'm writing a story", "relationship being an important component of the plot, the two romantic leads don't", "leads don't actually meet until halfway through the first entry in the series.", "to establish its own setting and because of its weird take on the", "would focus on that relationship as the most interesting part of the story", "happily ever after. If the author pitches their story as one genre and", "\"expect romance here\", especially if the characters don't even know the other exists", "the work probably falls more on the urban fantasy side of the divide,", "the first place. But it takes time to get there because the world", "the character interaction it provokes is the \"good stuff\" I was trying to", "like they were promised an urban fantasy series that primarily focuses on action", "I'm not sure how paranormal romance signals genre expectations to readers compared to", "expect a story of fight scenes and explosions; if it's pitched as a", "to actually be funny; if it's pitched as a romance they expect to", "funny; if it's pitched as a romance they expect to see true love", "first place. But it takes time to get there because the world has", "to establish the context of who the characters are and the world they", "world they live within (broader conflict, etc.) to explain why the two are", "the most interesting part of the story and why the reader should care", "about raw sexuality, passion, and eroticism which is...not what this story is about.", "romance is a significant part of the story and isn't merely a subplot", "the reader feel they've been given false advertising. I know what a romantic", "as to say it's not that the story gets bogged down by the", "I would say the work probably falls more on the urban fantasy side", "the divide, but the romance is a significant part of the story and", "all about raw sexuality, passion, and eroticism which is...not what this story is", "popular culture to make it easy (i.e., readers instantly understand werewolves, vampires, witchcraft,", "totally new supernatural gimmick and how it affects the setting are unfamiliar to", "how paranormal romance signals genre expectations to readers compared to regular romance; I've", "to get to in the first place. But it takes time to get", "story as one genre and it ends up spiraling into another...well, the audience", "it would focus on that relationship as the most interesting part of the", "throws the book across the room. I'm writing a story that isn't quite", "off of popular culture to make it easy (i.e., readers instantly understand werewolves,", "instantly understand werewolves, vampires, witchcraft, or aliens, but the dynamics of a totally", "genre expectations to readers compared to regular romance; I've seen how regular romance", "one another and why the reader should care about their relationship (it's an", "drawn to one another and why the reader should care about their relationship", "are drawn to one another and why the reader should care about their", "is because I have to establish the context of who the characters are", "after. If the author pitches their story as one genre and it ends", "to say it's not that the story gets bogged down by the romantic", "see true love and happily ever after. If the author pitches their story", "romance and the character interaction it provokes is the \"good stuff\" I was", "get turned off when the star-crossed lovers' romance kicks in and the reader", "turned off when the star-crossed lovers' romance kicks in and the reader feel", "promised an urban fantasy series that primarily focuses on action and battle, only", "it to be similar and have the question listed above. I would say", "in the series. This is because I have to establish the context of", "expect a significant romance as a part of this story?** I'm not sure", "signal to my audience to \"expect romance here\", especially if the characters don't", "up spiraling into another...well, the audience feels betrayed and often throws the book", "pitched as a comedy they expect it to actually be funny; if it's", "well to a paranormal romance or otherwise fantasy setting. I looked up how", "be all about raw sexuality, passion, and eroticism which is...not what this story", "down by the romantic subplot as the romance and the character interaction it", "and why the reader should care about it. However, I have a problem", "should care about their relationship (it's an enemies-to-lovers romance akin to the Underworld", "Underworld movie series). My concern is that the series is going to attract", "an urban fantasy series that primarily focuses on action and battle, only to", "tumor or \"spiraling into romance\" is, but I would go so far as", "story. Indeed, if I had to give a pitch to get people interested", "the setting are unfamiliar to them). My question is *how do I signal", "what this story is about. How can I signal to my audience to", "My concern is that the series is going to attract a bunch of", "can I signal to my audience to \"expect romance here\", especially if the", "they've been given false advertising. I know what a romantic plot tumor or", "looked up how popular paranormal romance novels like Twilight* or Mercy Thompson and", "like Twilight or Mercy Thompson and the description seems to be all about", "above. I would say the work probably falls more on the urban fantasy", "the urban fantasy side of the divide, but the romance is a significant", "it. However, I have a problem in that despite their relationship being an", "movie series). My concern is that the series is going to attract a", "and why the reader should care about their relationship (it's an enemies-to-lovers romance", "lovers' romance kicks in and the reader feel they've been given false advertising.", "to make it easy (i.e., readers instantly understand werewolves, vampires, witchcraft, or aliens,", "especially as it pertains to the genre. I.e., if a story is pitched", "reader feel they've been given false advertising. I know what a romantic plot", "and have the question listed above. I would say the work probably falls", "can be removed without affecting the story. Indeed, if I had to give", "until halfway through the first entry in the series. This is because I", "which is...not what this story is about. How can I signal to my", "If the author pitches their story as one genre and it ends up", "romantic plot tumor or \"spiraling into romance\" is, but I would go so", "on the urban fantasy side of the divide, but the romance is a", "comedy they expect it to actually be funny; if it's pitched as a", "signal to the readers to expect a significant romance as a part of", "in that despite their relationship being an important component of the plot, the", "feel like they were promised an urban fantasy series that primarily focuses on", "story is pitched as an action-adventure story, people expect a story of fight", "the book across the room. I'm writing a story that isn't quite a", "signals genre expectations to readers compared to regular romance; I've seen how regular", "enough to it to be similar and have the question listed above. I", "setting are unfamiliar to them). My question is how do I signal to", "book across the room. I'm writing a story that isn't quite a paranormal", "significant part of the story and isn't merely a subplot that can be", "because of its weird take on the supernatural can't crib off of popular", "feels betrayed and often throws the book across the room. I'm writing a", "ends up spiraling into another...well, the audience feels betrayed and often throws the", "actually meet until halfway through the first entry in the series. This is", "series that primarily focuses on action and battle, only to get turned off", "of a totally new supernatural gimmick and how it affects the setting are", "isn't quite a paranormal romance but is close enough to it to be", "say it's not that the story gets bogged down by the romantic subplot", "romance as a part of this story? I'm not sure how paranormal romance", "especially if the characters don't even know the other exists for the first", "why the two are drawn to one another and why the reader should", "make it easy (i.e., readers instantly understand werewolves, vampires, witchcraft, or aliens, but", "romance stories do it (e.g., most Hallmark movies) but it doesn't seem to", "to get there because the world has to establish its own setting and", "and the character interaction it provokes is the \"good stuff\" I was trying", "audience feels betrayed and often throws the book across the room. I'm writing", "I have a problem in that despite their relationship being an important component", "I.e., if a story is pitched as an action-adventure story, people expect a", "spiraling into another...well, the audience feels betrayed and often throws the book across", "paranormal romance signals genre expectations to readers compared to regular romance; I've seen", "given false advertising. I know what a romantic plot tumor or \"spiraling into", "and explosions; if it's pitched as a comedy they expect it to actually", "romance or otherwise fantasy setting. I looked up how popular paranormal romance novels", "to get turned off when the star-crossed lovers' romance kicks in and the", "romance; I've seen how regular romance stories do it (e.g., most Hallmark movies)", "and battle, only to get turned off when the star-crossed lovers' romance kicks", "my audience to \"expect romance here\", especially if the characters don't even know", "if it's pitched as a comedy they expect it to actually be funny;", "Hallmark movies) but it doesn't seem to translate well to a paranormal romance", "to translate well to a paranormal romance or otherwise fantasy setting. I looked", "to be similar and have the question listed above. I would say the", "setting and because of its weird take on the supernatural can't crib off", "their relationship being an important component of the plot, the two romantic leads", "witchcraft, or aliens, but the dynamics of a totally new supernatural gimmick and", "a story of fight scenes and explosions; if it's pitched as a comedy", "of people who feel like they were promised an urban fantasy series that", "context of who the characters are and the world they live within (broader", "through the first entry in the series. This is because I have to", "an action-adventure story, people expect a story of fight scenes and explosions; if", "world has to establish its own setting and because of its weird take", "Thompson* and the description seems to be all about raw sexuality, passion, and", "question listed above. I would say the work probably falls more on the", "question is how do I signal to the readers to expect a significant", "pitch to get people interested in the series it would focus on that", "a significant part of the story and isn't merely a subplot that can", "in the first place. But it takes time to get there because the", "story? I'm not sure how paranormal romance signals genre expectations to readers compared", "falls more on the urban fantasy side of the divide, but the romance", "off when the star-crossed lovers' romance kicks in and the reader feel they've", "the dynamics of a totally new supernatural gimmick and how it affects the", "how do I signal to the readers to expect a significant romance as", "on that relationship as the most interesting part of the story and why", "do it (e.g., most Hallmark movies) but it doesn't seem to translate well", "time to get there because the world has to establish its own setting", "doesn't seem to translate well to a paranormal romance or otherwise fantasy setting.", "is about. How can I signal to my audience to \"expect romance here\",", "have the question listed above. I would say the work probably falls more", "when the star-crossed lovers' romance kicks in and the reader feel they've been", "how it affects the setting are unfamiliar to them). My question is how", "paranormal romance or otherwise fantasy setting. I looked up how popular paranormal romance", "as a comedy they expect it to actually be funny; if it's pitched", "(broader conflict, etc.) to explain why the two are drawn to one another", "are and the world they live within (broader conflict, etc.) to explain why", "it's pitched as a romance they expect to see true love and happily", "to one another and why the reader should care about their relationship (it's", "stuff\" I was trying to get to in the first place. But it", "plot tumor or \"spiraling into romance\" is, but I would go so far", "is going to attract a bunch of people who feel like they were", "But it takes time to get there because the world has to establish", "know what a romantic plot tumor or \"spiraling into romance\" is, but I", "in and the reader feel they've been given false advertising. I know what", "false advertising. I know what a romantic plot tumor or \"spiraling into romance\"", "would go so far as to say it's not that the story gets", "and how it affects the setting are unfamiliar to them). My question is", "place. But it takes time to get there because the world has to", "as a romance they expect to see true love and happily ever after.", "story gets bogged down by the romantic subplot as the romance and the", "divide, but the romance is a significant part of the story and isn't", "to the genre. I.e., if a story is pitched as an action-adventure story,", "conflict, etc.) to explain why the two are drawn to one another and", "kicks in and the reader feel they've been given false advertising. I know", "(e.g., most Hallmark movies) but it doesn't seem to translate well to a", "trying to get to in the first place. But it takes time to", "entry in the series. This is because I have to establish the context", "to regular romance; I've seen how regular romance stories do it (e.g., most", "the romance and the character interaction it provokes is the \"good stuff\" I", "A big part of writing is managing audience expectations, especially as it pertains", "another and why the reader should care about their relationship (it's an enemies-to-lovers", "enemies-to-lovers romance akin to the Underworld movie series). My concern is that the", "can't crib off of popular culture to make it easy (i.e., readers instantly", "the series. This is because I have to establish the context of who", "audience to \"expect romance here\", especially if the characters don't even know the", "ever after. If the author pitches their story as one genre and it", "if the characters don't even know the other exists for the first half", "of its weird take on the supernatural can't crib off of popular culture", "I know what a romantic plot tumor or \"spiraling into romance\" is, but", "seem to translate well to a paranormal romance or otherwise fantasy setting. I", "fight scenes and explosions; if it's pitched as a comedy they expect it", "focuses on action and battle, only to get turned off when the star-crossed", "the star-crossed lovers' romance kicks in and the reader feel they've been given", "and the reader feel they've been given false advertising. I know what a", "and eroticism which is...not what this story is about. How can I signal", "pertains to the genre. I.e., if a story is pitched as an action-adventure", "the \"good stuff\" I was trying to get to in the first place.", "series is going to attract a bunch of people who feel like they", "genre. I.e., if a story is pitched as an action-adventure story, people expect", "love and happily ever after. If the author pitches their story as one", "advertising. I know what a romantic plot tumor or \"spiraling into romance\" is,", "urban fantasy series that primarily focuses on action and battle, only to get", "setting. I looked up how popular paranormal romance novels like Twilight or Mercy", "that can be removed without affecting the story. Indeed, if I had to", "is that the series is going to attract a bunch of people who", "crib off of popular culture to make it easy (i.e., readers instantly understand", "(i.e., readers instantly understand werewolves, vampires, witchcraft, or aliens, but the dynamics of", "the reader should care about it. However, I have a problem in that", "how regular romance stories do it (e.g., most Hallmark movies) but it doesn't", "relationship as the most interesting part of the story and why the reader", "say the work probably falls more on the urban fantasy side of the", "be removed without affecting the story. Indeed, if I had to give a", "story that isn't quite a paranormal romance but is close enough to it", "romance\" is, but I would go so far as to say it's not", "this story?* I'm not sure how paranormal romance signals genre expectations to readers", "the context of who the characters are and the world they live within", "this story is about. How can I signal to my audience to \"expect", "explosions; if it's pitched as a comedy they expect it to actually be", "However, I have a problem in that despite their relationship being an important", "affects the setting are unfamiliar to them). My question is *how do I", "romantic subplot as the romance and the character interaction it provokes is the", "romance kicks in and the reader feel they've been given false advertising. I", "it ends up spiraling into another...well, the audience feels betrayed and often throws", "big part of writing is managing audience expectations, especially as it pertains to", "up how popular paranormal romance novels like Twilight* or Mercy Thompson and the", "and happily ever after. If the author pitches their story as one genre", "as an action-adventure story, people expect a story of fight scenes and explosions;", "story of fight scenes and explosions; if it's pitched as a comedy they", "paranormal romance but is close enough to it to be similar and have", "part of the story and isn't merely a subplot that can be removed", "important component of the plot, the two romantic leads don't actually meet until", "readers instantly understand werewolves, vampires, witchcraft, or aliens, but the dynamics of a", "to attract a bunch of people who feel like they were promised an", "true love and happily ever after. If the author pitches their story as", "have to establish the context of who the characters are and the world", "go so far as to say it's not that the story gets bogged", "to the readers to expect a significant romance as a part of this", "etc.) to explain why the two are drawn to one another and why", "a part of this story?** I'm not sure how paranormal romance signals genre", "compared to regular romance; I've seen how regular romance stories do it (e.g.,", "they were promised an urban fantasy series that primarily focuses on action and", "they expect to see true love and happily ever after. If the author", "is the \"good stuff\" I was trying to get to in the first", "description seems to be all about raw sexuality, passion, and eroticism which is...not", "primarily focuses on action and battle, only to get turned off when the", "it's pitched as a comedy they expect it to actually be funny; if", "star-crossed lovers' romance kicks in and the reader feel they've been given false", "it easy (i.e., readers instantly understand werewolves, vampires, witchcraft, or aliens, but the", "give a pitch to get people interested in the series it would focus", "How can I signal to my audience to \"expect romance here\", especially if", "who the characters are and the world they live within (broader conflict, etc.)", "romance signals genre expectations to readers compared to regular romance; I've seen how", "popular paranormal romance novels like Twilight or Mercy Thompson and the description seems", "is pitched as an action-adventure story, people expect a story of fight scenes", "should care about it. However, I have a problem in that despite their", "story, people expect a story of fight scenes and explosions; if it's pitched", "part of writing is managing audience expectations, especially as it pertains to the", "that despite their relationship being an important component of the plot, the two", "own setting and because of its weird take on the supernatural can't crib", "seen how regular romance stories do it (e.g., most Hallmark movies) but it", "Mercy Thompson and the description seems to be all about raw sexuality, passion,", "their relationship (it's an enemies-to-lovers romance akin to the Underworld movie series). My", "a paranormal romance or otherwise fantasy setting. I looked up how popular paranormal", "a totally new supernatural gimmick and how it affects the setting are unfamiliar", "be similar and have the question listed above. I would say the work", "meet until halfway through the first entry in the series. This is because", "sexuality, passion, and eroticism which is...not what this story is about. How can", "as it pertains to the genre. I.e., if a story is pitched as", "but I would go so far as to say it's not that the", "establish its own setting and because of its weird take on the supernatural", "or otherwise fantasy setting. I looked up how popular paranormal romance novels like", "is a significant part of the story and isn't merely a subplot that", "and the description seems to be all about raw sexuality, passion, and eroticism", "scenes and explosions; if it's pitched as a comedy they expect it to", "\"good stuff\" I was trying to get to in the first place. But", "to \"expect romance here\", especially if the characters don't even know the other", "regular romance; I've seen how regular romance stories do it (e.g., most Hallmark", "why the reader should care about it. However, I have a problem in", "because the world has to establish its own setting and because of its", "of writing is managing audience expectations, especially as it pertains to the genre.", "fantasy series that primarily focuses on action and battle, only to get turned", "feel they've been given false advertising. I know what a romantic plot tumor", "a subplot that can be removed without affecting the story. Indeed, if I", "another...well, the audience feels betrayed and often throws the book across the room.", "a problem in that despite their relationship being an important component of the", "it's not that the story gets bogged down by the romantic subplot as", "stories do it (e.g., most Hallmark movies) but it doesn't seem to translate", "passion, and eroticism which is...not what this story is about. How can I", "the series is going to attract a bunch of people who feel like", "were promised an urban fantasy series that primarily focuses on action and battle,", "how popular paranormal romance novels like Twilight or Mercy Thompson and the description", "would say the work probably falls more on the urban fantasy side of", "audience expectations, especially as it pertains to the genre. I.e., if a story", "as a part of this story?** I'm not sure how paranormal romance signals", "take on the supernatural can't crib off of popular culture to make it", "they live within (broader conflict, etc.) to explain why the two are drawn", "but it doesn't seem to translate well to a paranormal romance or otherwise", "I signal to the readers to expect a significant romance as a part", "being an important component of the plot, the two romantic leads don't actually", "them). My question is *how do I signal to the readers to expect", "of the plot, the two romantic leads don't actually meet until halfway through", "why the reader should care about their relationship (it's an enemies-to-lovers romance akin", "get to in the first place. But it takes time to get there", "romance they expect to see true love and happily ever after. If the", "the first entry in the series. This is because I have to establish", "a romantic plot tumor or \"spiraling into romance\" is, but I would go", "isn't merely a subplot that can be removed without affecting the story. Indeed,", "care about their relationship (it's an enemies-to-lovers romance akin to the Underworld* movie", "the two are drawn to one another and why the reader should care", "far as to say it's not that the story gets bogged down by", "the series it would focus on that relationship as the most interesting part", "listed above. I would say the work probably falls more on the urban", "the question listed above. I would say the work probably falls more on" ]
[ "I write commercially but am conscious that my online pieces often have a", "red flag a piece of writing isn't worth your time? I write commercially", "time on site. My gut feeling is that my intros aren't as strong", "be and it's putting readers off. For the sake of my reputation I", "feeling is that my intros aren't as strong as they could be and", "they could be and it's putting readers off. For the sake of my", "of my reputation I don't want to share my work exactly, but will", "reputation I don't want to share my work exactly, but will share 3", "share my work exactly, but will share 3 blogs with different 'levels' of", "on site. My gut feeling is that my intros aren't as strong as", "work exactly, but will share 3 blogs with different 'levels' of intro strength,", "but will share 3 blogs with different 'levels' of intro strength, with my", "and it's putting readers off. For the sake of my reputation I don't", "often have a lower-than-hoped-for time on site. My gut feeling is that my", "elements are a red flag a piece of writing isn't worth your time?", "are a red flag a piece of writing isn't worth your time? I", "conscious that my online pieces often have a lower-than-hoped-for time on site. My", "gut feeling is that my intros aren't as strong as they could be", "exactly, but will share 3 blogs with different 'levels' of intro strength, with", "blogs with different 'levels' of intro strength, with my own being like one", "off. For the sake of my reputation I don't want to share my", "3 blogs with different 'levels' of intro strength, with my own being like", "intros aren't as strong as they could be and it's putting readers off.", "isn't worth your time? I write commercially but am conscious that my online", "don't want to share my work exactly, but will share 3 blogs with", "piece of writing isn't worth your time? I write commercially but am conscious", "of writing isn't worth your time? I write commercially but am conscious that", "flag a piece of writing isn't worth your time? I write commercially but", "am conscious that my online pieces often have a lower-than-hoped-for time on site.", "a piece of writing isn't worth your time? I write commercially but am", "My gut feeling is that my intros aren't as strong as they could", "putting readers off. For the sake of my reputation I don't want to", "a lower-than-hoped-for time on site. My gut feeling is that my intros aren't", "time? I write commercially but am conscious that my online pieces often have", "is that my intros aren't as strong as they could be and it's", "For the sake of my reputation I don't want to share my work", "the sake of my reputation I don't want to share my work exactly,", "a red flag a piece of writing isn't worth your time? I write", "to share my work exactly, but will share 3 blogs with different 'levels'", "pieces often have a lower-than-hoped-for time on site. My gut feeling is that", "I don't want to share my work exactly, but will share 3 blogs", "aren't as strong as they could be and it's putting readers off. For", "worth your time? I write commercially but am conscious that my online pieces", "your time? I write commercially but am conscious that my online pieces often", "it's putting readers off. For the sake of my reputation I don't want", "but am conscious that my online pieces often have a lower-than-hoped-for time on", "sake of my reputation I don't want to share my work exactly, but", "online pieces often have a lower-than-hoped-for time on site. My gut feeling is", "my online pieces often have a lower-than-hoped-for time on site. My gut feeling", "that my intros aren't as strong as they could be and it's putting", "tell-tale intro elements are a red flag a piece of writing isn't worth", "as strong as they could be and it's putting readers off. For the", "lower-than-hoped-for time on site. My gut feeling is that my intros aren't as", "my work exactly, but will share 3 blogs with different 'levels' of intro", "writing isn't worth your time? I write commercially but am conscious that my", "as they could be and it's putting readers off. For the sake of", "want to share my work exactly, but will share 3 blogs with different", "have a lower-than-hoped-for time on site. My gut feeling is that my intros", "strong as they could be and it's putting readers off. For the sake", "commercially but am conscious that my online pieces often have a lower-than-hoped-for time", "could be and it's putting readers off. For the sake of my reputation", "different 'levels' of intro strength, with my own being like one of them.", "will share 3 blogs with different 'levels' of intro strength, with my own", "share 3 blogs with different 'levels' of intro strength, with my own being", "that my online pieces often have a lower-than-hoped-for time on site. My gut", "readers off. For the sake of my reputation I don't want to share", "site. My gut feeling is that my intros aren't as strong as they", "my reputation I don't want to share my work exactly, but will share", "with different 'levels' of intro strength, with my own being like one of", "my intros aren't as strong as they could be and it's putting readers", "intro elements are a red flag a piece of writing isn't worth your", "What tell-tale intro elements are a red flag a piece of writing isn't", "write commercially but am conscious that my online pieces often have a lower-than-hoped-for" ]
[ "journey, and then have him go to another journey in the same novel,", "you have a novel where a plot ends with the heroes finishing his", "a few example of novels that have several plots one after another and", "Denouement ``` Can you have a novel where a plot ends with the", "situations where it make sense, but it doesn't make any sense most of", "where it make sense, but it doesn't make any sense most of the", "it make sense, but it doesn't make any sense most of the time.", "sense most of the time. Could you give a few example of novels", "some situations where it make sense, but it doesn't make any sense most", "I am thinking there might be some situations where it make sense, but", "or Progressive Complications Dilemma Climax Denouement ``` Can you have a novel where", "Action or Progressive Complications Dilemma Climax Denouement ``` Can you have a novel", "be some situations where it make sense, but it doesn't make any sense", "in the same novel, and then another. If so, how much is too", "following: ``` Exposition Inciting Incident Rising Action or Progressive Complications Dilemma Climax Denouement", "sense, but it doesn't make any sense most of the time. Could you", "plot ends with the heroes finishing his journey, and then have him go", "and then another. If so, how much is too much? I am thinking", "am thinking there might be some situations where it make sense, but it", "novel where a plot ends with the heroes finishing his journey, and then", "novel, and then another. If so, how much is too much? I am", "so, how much is too much? I am thinking there might be some", "time. Could you give a few example of novels that have several plots", "doesn't make any sense most of the time. Could you give a few", "give a few example of novels that have several plots one after another", "another journey in the same novel, and then another. If so, how much", "where a plot ends with the heroes finishing his journey, and then have", "too much? I am thinking there might be some situations where it make", "have a novel where a plot ends with the heroes finishing his journey,", "have him go to another journey in the same novel, and then another.", "with the heroes finishing his journey, and then have him go to another", "is composed of the following: ``` Exposition Inciting Incident Rising Action or Progressive", "most of the time. Could you give a few example of novels that", "another. If so, how much is too much? I am thinking there might", "Dilemma Climax Denouement ``` Can you have a novel where a plot ends", "make any sense most of the time. Could you give a few example", "but it doesn't make any sense most of the time. Could you give", "him go to another journey in the same novel, and then another. If", "Exposition Inciting Incident Rising Action or Progressive Complications Dilemma Climax Denouement ``` Can", "there might be some situations where it make sense, but it doesn't make", "Incident Rising Action or Progressive Complications Dilemma Climax Denouement ``` Can you have", "a novel where a plot ends with the heroes finishing his journey, and", "a plot ends with the heroes finishing his journey, and then have him", "you give a few example of novels that have several plots one after", "of the time. Could you give a few example of novels that have", "composed of the following: ``` Exposition Inciting Incident Rising Action or Progressive Complications", "and then have him go to another journey in the same novel, and", "same novel, and then another. If so, how much is too much? I", "it doesn't make any sense most of the time. Could you give a", "his journey, and then have him go to another journey in the same", "much is too much? 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If so, how much is too much?", "finishing his journey, and then have him go to another journey in the", "Complications Dilemma Climax Denouement ``` Can you have a novel where a plot", "Progressive Complications Dilemma Climax Denouement ``` Can you have a novel where a", "then have him go to another journey in the same novel, and then", "of novels that have several plots one after another and does so effectively", "of the following: ``` Exposition Inciting Incident Rising Action or Progressive Complications Dilemma", "thinking there might be some situations where it make sense, but it doesn't", "might be some situations where it make sense, but it doesn't make any", "Inciting Incident Rising Action or Progressive Complications Dilemma Climax Denouement ``` Can you", "Can you have a novel where a plot ends with the heroes finishing", "``` Can you have a novel where a plot ends with the heroes", "novels that have several plots one after another and does so effectively without", "have several plots one after another and does so effectively without losing the", "example of novels that have several plots one after another and does so", "If so, how much is too much? I am thinking there might be", "go to another journey in the same novel, and then another. If so,", "make sense, but it doesn't make any sense most of the time. Could", "heroes finishing his journey, and then have him go to another journey in", "Rising Action or Progressive Complications Dilemma Climax Denouement ``` Can you have a", "several plots one after another and does so effectively without losing the readers?", "to another journey in the same novel, and then another. If so, how", "how much is too much? I am thinking there might be some situations", "plot is composed of the following: ``` Exposition Inciting Incident Rising Action or" ]
[ "a good read. I will welcome any advice on this. Please help me", "know characters doesn't feel right. I'm afraid they will be detached from the", "I'm writing a crime story. Basically it begins with a friend of the", "feel right. I'm afraid they will be detached from the story and confused.", "crime case was a good read. I will welcome any advice on this.", "to him. What I would like to do is to show something about", "the story and confused. My issue is whatever I wrote felt forced. My", "was doing proofreading of the initial pages just confirmed this. Only the scene", "feel like it's necessary to build the MC at least with a short", "characters doesn't feel right. I'm afraid they will be detached from the story", "it begins with a friend of the main character asking him for a", "What I would like to do is to show something about the hero", "forced. My gf who was doing proofreading of the initial pages just confirmed", "short scene. Starting straight from the dialogue while reader doesn't even know characters", "is to show something about the hero beforehand. Somehow I feel like it's", "with a friend of the main character asking him for a meeting and", "Basically it begins with a friend of the main character asking him for", "MC at least with a short scene. Starting straight from the dialogue while", "dialogue while reader doesn't even know characters doesn't feel right. I'm afraid they", "My issue is whatever I wrote felt forced. My gf who was doing", "a meeting and then introducing the case to him. What I would like", "I wrote felt forced. My gf who was doing proofreading of the initial", "who was doing proofreading of the initial pages just confirmed this. Only the", "scene about the crime case was a good read. I will welcome any", "story. Basically it begins with a friend of the main character asking him", "from the story and confused. My issue is whatever I wrote felt forced.", "gf who was doing proofreading of the initial pages just confirmed this. Only", "Starting straight from the dialogue while reader doesn't even know characters doesn't feel", "the main character asking him for a meeting and then introducing the case", "welcome any advice on this. Please help me decide which is the better", "with a short scene. Starting straight from the dialogue while reader doesn't even", "detached from the story and confused. My issue is whatever I wrote felt", "any advice on this. Please help me decide which is the better approach.", "Only the scene about the crime case was a good read. I will", "and confused. My issue is whatever I wrote felt forced. My gf who", "right. I'm afraid they will be detached from the story and confused. My", "My gf who was doing proofreading of the initial pages just confirmed this.", "the scene about the crime case was a good read. I will welcome", "the crime case was a good read. I will welcome any advice on", "like it's necessary to build the MC at least with a short scene.", "was a good read. I will welcome any advice on this. Please help", "whatever I wrote felt forced. My gf who was doing proofreading of the", "felt forced. My gf who was doing proofreading of the initial pages just", "to build the MC at least with a short scene. Starting straight from", "something about the hero beforehand. Somehow I feel like it's necessary to build", "would like to do is to show something about the hero beforehand. Somehow", "it's necessary to build the MC at least with a short scene. Starting", "I feel like it's necessary to build the MC at least with a", "is whatever I wrote felt forced. My gf who was doing proofreading of", "good read. I will welcome any advice on this. Please help me decide", "main character asking him for a meeting and then introducing the case to", "story and confused. My issue is whatever I wrote felt forced. My gf", "doesn't feel right. I'm afraid they will be detached from the story and", "the hero beforehand. Somehow I feel like it's necessary to build the MC", "about the crime case was a good read. I will welcome any advice", "reader doesn't even know characters doesn't feel right. I'm afraid they will be", "a short scene. Starting straight from the dialogue while reader doesn't even know", "about the hero beforehand. Somehow I feel like it's necessary to build the", "hero beforehand. Somehow I feel like it's necessary to build the MC at", "beforehand. Somehow I feel like it's necessary to build the MC at least", "show something about the hero beforehand. Somehow I feel like it's necessary to", "like to do is to show something about the hero beforehand. Somehow I", "confirmed this. Only the scene about the crime case was a good read.", "Somehow I feel like it's necessary to build the MC at least with", "while reader doesn't even know characters doesn't feel right. I'm afraid they will", "will be detached from the story and confused. My issue is whatever I", "the case to him. What I would like to do is to show", "they will be detached from the story and confused. My issue is whatever", "for a meeting and then introducing the case to him. What I would", "least with a short scene. Starting straight from the dialogue while reader doesn't", "will welcome any advice on this. Please help me decide which is the", "wrote felt forced. My gf who was doing proofreading of the initial pages", "begins with a friend of the main character asking him for a meeting", "case to him. What I would like to do is to show something", "him. What I would like to do is to show something about the", "and then introducing the case to him. What I would like to do", "do is to show something about the hero beforehand. Somehow I feel like", "to show something about the hero beforehand. Somehow I feel like it's necessary", "straight from the dialogue while reader doesn't even know characters doesn't feel right.", "from the dialogue while reader doesn't even know characters doesn't feel right. I'm", "to do is to show something about the hero beforehand. Somehow I feel", "at least with a short scene. Starting straight from the dialogue while reader", "doing proofreading of the initial pages just confirmed this. Only the scene about", "a friend of the main character asking him for a meeting and then", "the initial pages just confirmed this. Only the scene about the crime case", "character asking him for a meeting and then introducing the case to him.", "even know characters doesn't feel right. I'm afraid they will be detached from", "this. Only the scene about the crime case was a good read. I", "writing a crime story. Basically it begins with a friend of the main", "doesn't even know characters doesn't feel right. I'm afraid they will be detached", "friend of the main character asking him for a meeting and then introducing", "meeting and then introducing the case to him. What I would like to", "afraid they will be detached from the story and confused. My issue is", "the MC at least with a short scene. Starting straight from the dialogue", "pages just confirmed this. Only the scene about the crime case was a", "I would like to do is to show something about the hero beforehand.", "a crime story. Basically it begins with a friend of the main character", "of the main character asking him for a meeting and then introducing the", "build the MC at least with a short scene. Starting straight from the", "I'm afraid they will be detached from the story and confused. My issue", "proofreading of the initial pages just confirmed this. Only the scene about the", "then introducing the case to him. What I would like to do is", "I will welcome any advice on this. Please help me decide which is", "issue is whatever I wrote felt forced. My gf who was doing proofreading", "crime story. Basically it begins with a friend of the main character asking", "asking him for a meeting and then introducing the case to him. What", "him for a meeting and then introducing the case to him. What I", "read. I will welcome any advice on this. Please help me decide which", "confused. My issue is whatever I wrote felt forced. My gf who was", "introducing the case to him. What I would like to do is to", "be detached from the story and confused. My issue is whatever I wrote", "case was a good read. I will welcome any advice on this. Please", "scene. Starting straight from the dialogue while reader doesn't even know characters doesn't", "just confirmed this. Only the scene about the crime case was a good", "of the initial pages just confirmed this. Only the scene about the crime", "the dialogue while reader doesn't even know characters doesn't feel right. I'm afraid", "initial pages just confirmed this. Only the scene about the crime case was", "necessary to build the MC at least with a short scene. Starting straight" ]
[ "frame, etc. For example, you have three symbols in a picture, movie shot,", "Can you structure how is symbolism used throughout a book? I am wondering", "used to structure symbolism in a scene, throughout a book, in a single", "use certain patterns to structure symbolism and to what effect? What can you", "basic example. Do authors purposely use certain patterns to structure symbolism and to", "patterns that are used to structure symbolism in a scene, throughout a book,", "a scene, throughout a book, in a single frame, etc. For example, you", "a very basic example. Do authors purposely use certain patterns to structure symbolism", "am wondering if there are patterns that are used to structure symbolism in", "a single frame, etc. For example, you have three symbols in a picture,", "how is symbolism used throughout a book? I am wondering if there are", "a picture, movie shot, or comic frame, and you arrange them in a", "there are patterns that are used to structure symbolism in a scene, throughout", "patterns to structure symbolism and to what effect? What can you do with", "you arrange them in a triangle. This would be a very basic example.", "throughout a book? I am wondering if there are patterns that are used", "wondering if there are patterns that are used to structure symbolism in a", "throughout a book, in a single frame, etc. For example, you have three", "etc. For example, you have three symbols in a picture, movie shot, or", "in a triangle. This would be a very basic example. Do authors purposely", "certain patterns to structure symbolism and to what effect? What can you do", "a triangle. This would be a very basic example. Do authors purposely use", "symbolism used throughout a book? I am wondering if there are patterns that", "comic frame, and you arrange them in a triangle. This would be a", "scene, throughout a book, in a single frame, etc. For example, you have", "used throughout a book? I am wondering if there are patterns that are", "structure how is symbolism used throughout a book? I am wondering if there", "them in a triangle. This would be a very basic example. Do authors", "authors purposely use certain patterns to structure symbolism and to what effect? What", "if there are patterns that are used to structure symbolism in a scene,", "have three symbols in a picture, movie shot, or comic frame, and you", "or comic frame, and you arrange them in a triangle. This would be", "Do authors purposely use certain patterns to structure symbolism and to what effect?", "triangle. This would be a very basic example. Do authors purposely use certain", "and you arrange them in a triangle. This would be a very basic", "movie shot, or comic frame, and you arrange them in a triangle. This", "to structure symbolism in a scene, throughout a book, in a single frame,", "symbolism in a scene, throughout a book, in a single frame, etc. For", "a book, in a single frame, etc. For example, you have three symbols", "This would be a very basic example. Do authors purposely use certain patterns", "For example, you have three symbols in a picture, movie shot, or comic", "structure symbolism in a scene, throughout a book, in a single frame, etc.", "book, in a single frame, etc. For example, you have three symbols in", "three symbols in a picture, movie shot, or comic frame, and you arrange", "purposely use certain patterns to structure symbolism and to what effect? What can", "are used to structure symbolism in a scene, throughout a book, in a", "book? I am wondering if there are patterns that are used to structure", "is symbolism used throughout a book? I am wondering if there are patterns", "you have three symbols in a picture, movie shot, or comic frame, and", "in a picture, movie shot, or comic frame, and you arrange them in", "frame, and you arrange them in a triangle. This would be a very", "to structure symbolism and to what effect? What can you do with this?", "in a single frame, etc. For example, you have three symbols in a", "arrange them in a triangle. This would be a very basic example. Do", "example. Do authors purposely use certain patterns to structure symbolism and to what", "you structure how is symbolism used throughout a book? I am wondering if", "example, you have three symbols in a picture, movie shot, or comic frame,", "I am wondering if there are patterns that are used to structure symbolism", "symbols in a picture, movie shot, or comic frame, and you arrange them", "shot, or comic frame, and you arrange them in a triangle. This would", "would be a very basic example. Do authors purposely use certain patterns to", "a book? I am wondering if there are patterns that are used to", "in a scene, throughout a book, in a single frame, etc. For example,", "are patterns that are used to structure symbolism in a scene, throughout a", "that are used to structure symbolism in a scene, throughout a book, in", "very basic example. Do authors purposely use certain patterns to structure symbolism and", "single frame, etc. For example, you have three symbols in a picture, movie", "picture, movie shot, or comic frame, and you arrange them in a triangle.", "be a very basic example. Do authors purposely use certain patterns to structure" ]
[ "stuck because it feels like I have written the same things already. Used", "obvious things like \"don't ctrl+f\". In the end it is not the actual", "I have written the same things already. Used the same similes and so", "by my own words. I'm sure I'm not alone in this experience and", "previous published writing has been for comic books. Something I have noticed as", "when I'm writing an intended 80k+ words novel (in first person perspective, present", "person perspective, present tense,) is that I often get stuck because it feels", "wordcount grows now when I'm writing an intended 80k+ words novel (in first", "perspective, present tense,) is that I often get stuck because it feels like", "spelling/grammar. Most of my previous published writing has been for comic books. Something", "tense,) is that I often get stuck because it feels like I have", "that I'm unable to continue because it feels like I used every word", "I better change all of them or don't use that phrase.\"* Which leads", "when describing action and movement. Then I can't help myself and do the", "them or don't use that phrase.\"* Which leads to me becoming trapped by", "phrase 8 times in the span of 65k words. So I better change", "of them or don't use that phrase.\"* Which leads to me becoming trapped", "things already. Used the same similes and so on. I notice this especially", "of 65k words. So I better change all of them or don't use", "words novel (in first person perspective, present tense,) is that I often get", "comic books. Something I have noticed as my wordcount grows now when I'm", "as my wordcount grows now when I'm writing an intended 80k+ words novel", "so on. I notice this especially when describing action and movement. Then I", "end it is not the actual amount of repeats that are the problem.", "use that phrase.\"* Which leads to me becoming trapped by my own words.", "unable to continue because it feels like I used every word in my", "it feels like I used every word in my bank. Which is just", "for comic books. Something I have noticed as my wordcount grows now when", "is not the actual amount of repeats that are the problem. It is", "Most of my previous published writing has been for comic books. Something I", "to combat it. Except for the obvious things like \"don't ctrl+f\". In the", "problem. It is that I'm unable to continue because it feels like I", "ctrl+f\". In the end it is not the actual amount of repeats that", "of all: English is not my first language so sorry for the spelling/grammar.", "\"don't ctrl+f\". In the end it is not the actual amount of repeats", "common ctrl+f and \"oh, thats right. I used that certain phrase 8 times", "action and movement. Then I can't help myself and do the common ctrl+f", "all: English is not my first language so sorry for the spelling/grammar. Most", "same things already. Used the same similes and so on. I notice this", "not alone in this experience and would love some suggestions on how to", "now when I'm writing an intended 80k+ words novel (in first person perspective,", "I'm writing an intended 80k+ words novel (in first person perspective, present tense,)", "because it feels like I have written the same things already. Used the", "the problem. It is that I'm unable to continue because it feels like", "has been for comic books. Something I have noticed as my wordcount grows", "feels like I used every word in my bank. Which is just silly.", "all of them or don't use that phrase.\" Which leads to me becoming", "right. I used that certain phrase 8 times in the span of 65k", "suggestions on how to combat it. Except for the obvious things like \"don't", "writing an intended 80k+ words novel (in first person perspective, present tense,) is", "English is not my first language so sorry for the spelling/grammar. Most of", "that phrase.\"* Which leads to me becoming trapped by my own words. I'm", "the end it is not the actual amount of repeats that are the", "been for comic books. Something I have noticed as my wordcount grows now", "would love some suggestions on how to combat it. Except for the obvious", "continue because it feels like I used every word in my bank. Which", "First of all: English is not my first language so sorry for the", "is not my first language so sorry for the spelling/grammar. Most of my", "me becoming trapped by my own words. I'm sure I'm not alone in", "notice this especially when describing action and movement. Then I can't help myself", "Which leads to me becoming trapped by my own words. I'm sure I'm", "Then I can't help myself and do the common ctrl+f and \"oh, thats", "times in the span of 65k words. So I better change all of", "already. Used the same similes and so on. I notice this especially when", "movement. Then I can't help myself and do the common ctrl+f and \"oh,", "I'm sure I'm not alone in this experience and would love some suggestions", "have written the same things already. Used the same similes and so on.", "repeats that are the problem. It is that I'm unable to continue because", "so sorry for the spelling/grammar. Most of my previous published writing has been", "noticed as my wordcount grows now when I'm writing an intended 80k+ words", "of my previous published writing has been for comic books. Something I have", "my first language so sorry for the spelling/grammar. Most of my previous published", "it. Except for the obvious things like \"don't ctrl+f\". In the end it", "words. I'm sure I'm not alone in this experience and would love some", "on. I notice this especially when describing action and movement. Then I can't", "ctrl+f and \"oh, thats right. I used that certain phrase 8 times in", "describing action and movement. Then I can't help myself and do the common", "not my first language so sorry for the spelling/grammar. Most of my previous", "that I often get stuck because it feels like I have written the", "that are the problem. It is that I'm unable to continue because it", "get stuck because it feels like I have written the same things already.", "often get stuck because it feels like I have written the same things", "change all of them or don't use that phrase.\" Which leads to me", "combat it. Except for the obvious things like \"don't ctrl+f\". In the end", "published writing has been for comic books. Something I have noticed as my", "do the common ctrl+f and \"oh, thats right. I used that certain phrase", "own words. I'm sure I'm not alone in this experience and would love", "amount of repeats that are the problem. It is that I'm unable to", "alone in this experience and would love some suggestions on how to combat", "the same similes and so on. I notice this especially when describing action", "my wordcount grows now when I'm writing an intended 80k+ words novel (in", "and do the common ctrl+f and \"oh, thats right. I used that certain", "first person perspective, present tense,) is that I often get stuck because it", "language so sorry for the spelling/grammar. Most of my previous published writing has", "is that I often get stuck because it feels like I have written", "the actual amount of repeats that are the problem. It is that I'm", "Something I have noticed as my wordcount grows now when I'm writing an", "in this experience and would love some suggestions on how to combat it.", "of repeats that are the problem. It is that I'm unable to continue", "it feels like I have written the same things already. Used the same", "and \"oh, thats right. I used that certain phrase 8 times in the", "I'm unable to continue because it feels like I used every word in", "Used the same similes and so on. I notice this especially when describing", "books. Something I have noticed as my wordcount grows now when I'm writing", "first language so sorry for the spelling/grammar. Most of my previous published writing", "(in first person perspective, present tense,) is that I often get stuck because", "things like \"don't ctrl+f\". In the end it is not the actual amount", "65k words. So I better change all of them or don't use that", "In the end it is not the actual amount of repeats that are", "I have noticed as my wordcount grows now when I'm writing an intended", "intended 80k+ words novel (in first person perspective, present tense,) is that I", "Except for the obvious things like \"don't ctrl+f\". In the end it is", "and would love some suggestions on how to combat it. Except for the", "trapped by my own words. I'm sure I'm not alone in this experience", "writing has been for comic books. Something I have noticed as my wordcount", "same similes and so on. I notice this especially when describing action and", "thats right. I used that certain phrase 8 times in the span of", "the common ctrl+f and \"oh, thats right. I used that certain phrase 8", "that certain phrase 8 times in the span of 65k words. So I", "feels like I have written the same things already. Used the same similes", "experience and would love some suggestions on how to combat it. Except for", "myself and do the common ctrl+f and \"oh, thats right. I used that", "my previous published writing has been for comic books. Something I have noticed", "my own words. I'm sure I'm not alone in this experience and would", "this especially when describing action and movement. Then I can't help myself and", "better change all of them or don't use that phrase.\" Which leads to", "can't help myself and do the common ctrl+f and \"oh, thats right. I", "how to combat it. Except for the obvious things like \"don't ctrl+f\". In", "love some suggestions on how to combat it. Except for the obvious things", "sure I'm not alone in this experience and would love some suggestions on", "words. So I better change all of them or don't use that phrase.\"", "the span of 65k words. So I better change all of them or", "I used that certain phrase 8 times in the span of 65k words.", "becoming trapped by my own words. I'm sure I'm not alone in this", "don't use that phrase.\"* Which leads to me becoming trapped by my own", "like I have written the same things already. Used the same similes and", "certain phrase 8 times in the span of 65k words. So I better", "similes and so on. I notice this especially when describing action and movement.", "phrase.\"* Which leads to me becoming trapped by my own words. I'm sure", "I often get stuck because it feels like I have written the same", "the spelling/grammar. Most of my previous published writing has been for comic books.", "on how to combat it. Except for the obvious things like \"don't ctrl+f\".", "written the same things already. Used the same similes and so on. I", "or don't use that phrase.\"* Which leads to me becoming trapped by my", "I'm not alone in this experience and would love some suggestions on how", "for the spelling/grammar. Most of my previous published writing has been for comic", "this experience and would love some suggestions on how to combat it. Except", "to me becoming trapped by my own words. I'm sure I'm not alone", "leads to me becoming trapped by my own words. I'm sure I'm not", "an intended 80k+ words novel (in first person perspective, present tense,) is that", "I can't help myself and do the common ctrl+f and \"oh, thats right.", "help myself and do the common ctrl+f and \"oh, thats right. I used", "It is that I'm unable to continue because it feels like I used", "to continue because it feels like I used every word in my bank.", "the same things already. Used the same similes and so on. I notice", "for the obvious things like \"don't ctrl+f\". In the end it is not", "in the span of 65k words. So I better change all of them", "not the actual amount of repeats that are the problem. It is that", "and movement. Then I can't help myself and do the common ctrl+f and", "span of 65k words. So I better change all of them or don't", "have noticed as my wordcount grows now when I'm writing an intended 80k+", "I notice this especially when describing action and movement. Then I can't help", "grows now when I'm writing an intended 80k+ words novel (in first person", "actual amount of repeats that are the problem. It is that I'm unable", "sorry for the spelling/grammar. Most of my previous published writing has been for", "especially when describing action and movement. Then I can't help myself and do", "present tense,) is that I often get stuck because it feels like I", "novel (in first person perspective, present tense,) is that I often get stuck", "like \"don't ctrl+f\". In the end it is not the actual amount of", "and so on. I notice this especially when describing action and movement. Then", "\"oh, thats right. I used that certain phrase 8 times in the span", "some suggestions on how to combat it. Except for the obvious things like", "used that certain phrase 8 times in the span of 65k words. So", "are the problem. It is that I'm unable to continue because it feels", "8 times in the span of 65k words. So I better change all", "80k+ words novel (in first person perspective, present tense,) is that I often", "it is not the actual amount of repeats that are the problem. It", "because it feels like I used every word in my bank. Which is", "the obvious things like \"don't ctrl+f\". In the end it is not the", "is that I'm unable to continue because it feels like I used every", "So I better change all of them or don't use that phrase.\" Which" ]
[ "in a novel. Particularly for characters' emotional highs and lows which don't sync", "them up on a corkboard, along with index cards with highs and lows", "at following others'. I don't care if it's something rather elaborate like \"draw", "something rather elaborate like \"draw 12 graphs on tracing paper and stick them", "characters' emotional highs and lows which don't sync up. I am really bad", "arcs happening simultaneously in a novel. Particularly for characters' emotional highs and lows", "with index cards with highs and lows and yarn connecting them.\" I just", "12 graphs on tracing paper and stick them up on a corkboard, along", "\"draw 12 graphs on tracing paper and stick them up on a corkboard,", "emotional highs and lows which don't sync up. I am really bad at", "in-depth, your system for keeping track of character arcs happening simultaneously in a", "on tracing paper and stick them up on a corkboard, along with index", "lows and yarn connecting them.\" I just really need step by step instructions", "character arcs happening simultaneously in a novel. Particularly for characters' emotional highs and", "I don't care if it's something rather elaborate like \"draw 12 graphs on", "don't care if it's something rather elaborate like \"draw 12 graphs on tracing", "good at following others'. I don't care if it's something rather elaborate like", "your system for keeping track of character arcs happening simultaneously in a novel.", "of character arcs happening simultaneously in a novel. Particularly for characters' emotional highs", "corkboard, along with index cards with highs and lows and yarn connecting them.\"", "if it's something rather elaborate like \"draw 12 graphs on tracing paper and", "along with index cards with highs and lows and yarn connecting them.\" I", "a corkboard, along with index cards with highs and lows and yarn connecting", "bad at creating my own systems but good at following others'. I don't", "keeping track of character arcs happening simultaneously in a novel. Particularly for characters'", "simultaneously in a novel. Particularly for characters' emotional highs and lows which don't", "rather elaborate like \"draw 12 graphs on tracing paper and stick them up", "index cards with highs and lows and yarn connecting them.\" I just really", "for keeping track of character arcs happening simultaneously in a novel. Particularly for", "connecting them.\" I just really need step by step instructions to set it", "I just really need step by step instructions to set it up myself.", "and yarn connecting them.\" I just really need step by step instructions to", "yarn connecting them.\" I just really need step by step instructions to set", "systems but good at following others'. I don't care if it's something rather", "love to hear, in-depth, your system for keeping track of character arcs happening", "novel. Particularly for characters' emotional highs and lows which don't sync up. I", "up on a corkboard, along with index cards with highs and lows and", "really bad at creating my own systems but good at following others'. I", "tracing paper and stick them up on a corkboard, along with index cards", "for characters' emotional highs and lows which don't sync up. I am really", "graphs on tracing paper and stick them up on a corkboard, along with", "system for keeping track of character arcs happening simultaneously in a novel. Particularly", "don't sync up. I am really bad at creating my own systems but", "own systems but good at following others'. I don't care if it's something", "I am really bad at creating my own systems but good at following", "happening simultaneously in a novel. Particularly for characters' emotional highs and lows which", "paper and stick them up on a corkboard, along with index cards with", "stick them up on a corkboard, along with index cards with highs and", "my own systems but good at following others'. I don't care if it's", "to hear, in-depth, your system for keeping track of character arcs happening simultaneously", "and lows which don't sync up. I am really bad at creating my", "up. I am really bad at creating my own systems but good at", "highs and lows and yarn connecting them.\" I just really need step by", "following others'. I don't care if it's something rather elaborate like \"draw 12", "elaborate like \"draw 12 graphs on tracing paper and stick them up on", "a novel. Particularly for characters' emotional highs and lows which don't sync up.", "highs and lows which don't sync up. I am really bad at creating", "with highs and lows and yarn connecting them.\" I just really need step", "and lows and yarn connecting them.\" I just really need step by step", "Particularly for characters' emotional highs and lows which don't sync up. I am", "it's something rather elaborate like \"draw 12 graphs on tracing paper and stick", "I would love to hear, in-depth, your system for keeping track of character", "lows which don't sync up. I am really bad at creating my own", "cards with highs and lows and yarn connecting them.\" I just really need", "others'. I don't care if it's something rather elaborate like \"draw 12 graphs", "creating my own systems but good at following others'. I don't care if", "and stick them up on a corkboard, along with index cards with highs", "hear, in-depth, your system for keeping track of character arcs happening simultaneously in", "track of character arcs happening simultaneously in a novel. Particularly for characters' emotional", "sync up. I am really bad at creating my own systems but good", "but good at following others'. I don't care if it's something rather elaborate", "at creating my own systems but good at following others'. I don't care", "them.\" I just really need step by step instructions to set it up", "am really bad at creating my own systems but good at following others'.", "which don't sync up. I am really bad at creating my own systems", "like \"draw 12 graphs on tracing paper and stick them up on a", "would love to hear, in-depth, your system for keeping track of character arcs", "on a corkboard, along with index cards with highs and lows and yarn", "care if it's something rather elaborate like \"draw 12 graphs on tracing paper" ]
[ "be as long as 10 chapters to fully explain the differences? I am", "from the theories of quantum physics and general relativity. How do you explain", "using the preface would be a good idea, but what if the preface", "quantum physics and general relativity. How do you explain this and where? I", "are so different from the what be construed from the theories of quantum", "what be construed from the theories of quantum physics and general relativity. How", "you explain this and where? I thought using the preface would be a", "your sci-fi universe significantly differ from the real world? Let's say that the", "the real world? Let's say that the laws are so different from the", "the laws are so different from the what be construed from the theories", "and general relativity. How do you explain this and where? I thought using", "so different from the what be construed from the theories of quantum physics", "the preface would be a good idea, but what if the preface needs", "from the real world? Let's say that the laws are so different from", "from the what be construed from the theories of quantum physics and general", "and where? I thought using the preface would be a good idea, but", "would be a good idea, but what if the preface needs to be", "explain the differences? I am thinking there's a better way of doing this.", "a good idea, but what if the preface needs to be as long", "the preface needs to be as long as 10 chapters to fully explain", "be a good idea, but what if the preface needs to be as", "that the laws are so different from the what be construed from the", "of quantum physics and general relativity. How do you explain this and where?", "preface would be a good idea, but what if the preface needs to", "the laws of your sci-fi universe significantly differ from the real world? Let's", "good idea, but what if the preface needs to be as long as", "explain how the laws of your sci-fi universe significantly differ from the real", "Let's say that the laws are so different from the what be construed", "thought using the preface would be a good idea, but what if the", "should you explain how the laws of your sci-fi universe significantly differ from", "How and where should you explain how the laws of your sci-fi universe", "the what be construed from the theories of quantum physics and general relativity.", "this and where? I thought using the preface would be a good idea,", "10 chapters to fully explain the differences? I am thinking there's a better", "do you explain this and where? I thought using the preface would be", "explain this and where? I thought using the preface would be a good", "fully explain the differences? I am thinking there's a better way of doing", "general relativity. How do you explain this and where? I thought using the", "you explain how the laws of your sci-fi universe significantly differ from the", "relativity. How do you explain this and where? I thought using the preface", "idea, but what if the preface needs to be as long as 10", "what if the preface needs to be as long as 10 chapters to", "physics and general relativity. How do you explain this and where? I thought", "if the preface needs to be as long as 10 chapters to fully", "needs to be as long as 10 chapters to fully explain the differences?", "sci-fi universe significantly differ from the real world? Let's say that the laws", "as long as 10 chapters to fully explain the differences? I am thinking", "theories of quantum physics and general relativity. How do you explain this and", "where? I thought using the preface would be a good idea, but what", "say that the laws are so different from the what be construed from", "laws are so different from the what be construed from the theories of", "differ from the real world? Let's say that the laws are so different", "chapters to fully explain the differences? I am thinking there's a better way", "how the laws of your sci-fi universe significantly differ from the real world?", "significantly differ from the real world? Let's say that the laws are so", "and where should you explain how the laws of your sci-fi universe significantly", "I thought using the preface would be a good idea, but what if", "preface needs to be as long as 10 chapters to fully explain the", "laws of your sci-fi universe significantly differ from the real world? Let's say", "where should you explain how the laws of your sci-fi universe significantly differ", "universe significantly differ from the real world? Let's say that the laws are", "the theories of quantum physics and general relativity. How do you explain this", "to be as long as 10 chapters to fully explain the differences? I", "to fully explain the differences? I am thinking there's a better way of", "but what if the preface needs to be as long as 10 chapters", "as 10 chapters to fully explain the differences? I am thinking there's a", "different from the what be construed from the theories of quantum physics and", "be construed from the theories of quantum physics and general relativity. How do", "How do you explain this and where? I thought using the preface would", "construed from the theories of quantum physics and general relativity. How do you", "long as 10 chapters to fully explain the differences? I am thinking there's", "real world? Let's say that the laws are so different from the what", "world? Let's say that the laws are so different from the what be", "of your sci-fi universe significantly differ from the real world? Let's say that" ]
[ "emotions behind the betrayal; the sadness, heartbreak, grief, and etc., it just never", "without forcing it. Even if I somehow wrote the scene, I just can't", "driving factor. The kind of driving factors that I want should be character-based,", "feel the emotions behind the betrayal; the sadness, heartbreak, grief, and etc., it", "be character-based, like conflicting ideals and morals, and not story-based, like the circumstances", "for the protagonist, which is why I want character-based betrayals. It may be", "I want should be character-based, like conflicting ideals and morals, and not story-based,", "ideals and morals, and not story-based, like the circumstances of the current plot", "the protagonist, which is why I want character-based betrayals. It may be because", "used on the betrayer for his driving factor. The kind of driving factors", "the emotions behind the betrayal; the sadness, heartbreak, grief, and etc., it just", "of driving factors that I want should be character-based, like conflicting ideals and", "not story-based, like the circumstances of the current plot forced the companion to", "is why I want character-based betrayals. It may be because I can never", "be because I can never understand the meaning of \"power\" and how people", "like conflicting ideals and morals, and not story-based, like the circumstances of the", "feels personal for the protagonist, which is why I want character-based betrayals. It", "I just can't feel the emotions behind the betrayal; the sadness, heartbreak, grief,", "why I want character-based betrayals. It may be because I can never understand", "morals, and not story-based, like the circumstances of the current plot forced the", "somehow wrote the scene, I just can't feel the emotions behind the betrayal;", "which is why I want character-based betrayals. It may be because I can", "time thinking about a good way to create a betrayal scene without forcing", "that I want should be character-based, like conflicting ideals and morals, and not", "\"power\" and how people can lust over it, which I used on the", "how people can lust over it, which I used on the betrayer for", "betrayal scene without forcing it. Even if I somehow wrote the scene, I", "I want character-based betrayals. It may be because I can never understand the", "over it, which I used on the betrayer for his driving factor. The", "thinking about a good way to create a betrayal scene without forcing it.", "and how people can lust over it, which I used on the betrayer", "scene without forcing it. Even if I somehow wrote the scene, I just", "grief, and etc., it just never feels personal for the protagonist, which is", "character-based betrayals. It may be because I can never understand the meaning of", "of \"power\" and how people can lust over it, which I used on", "understand the meaning of \"power\" and how people can lust over it, which", "a hard time thinking about a good way to create a betrayal scene", "sadness, heartbreak, grief, and etc., it just never feels personal for the protagonist,", "I used on the betrayer for his driving factor. The kind of driving", "forcing it. Even if I somehow wrote the scene, I just can't feel", "wrote the scene, I just can't feel the emotions behind the betrayal; the", "story-based, like the circumstances of the current plot forced the companion to betray", "having a hard time thinking about a good way to create a betrayal", "may be because I can never understand the meaning of \"power\" and how", "betrayal; the sadness, heartbreak, grief, and etc., it just never feels personal for", "can't feel the emotions behind the betrayal; the sadness, heartbreak, grief, and etc.,", "for his driving factor. The kind of driving factors that I want should", "way to create a betrayal scene without forcing it. Even if I somehow", "can lust over it, which I used on the betrayer for his driving", "meaning of \"power\" and how people can lust over it, which I used", "the meaning of \"power\" and how people can lust over it, which I", "and morals, and not story-based, like the circumstances of the current plot forced", "a good way to create a betrayal scene without forcing it. Even if", "hard time thinking about a good way to create a betrayal scene without", "Even if I somehow wrote the scene, I just can't feel the emotions", "and etc., it just never feels personal for the protagonist, which is why", "want should be character-based, like conflicting ideals and morals, and not story-based, like", "It may be because I can never understand the meaning of \"power\" and", "behind the betrayal; the sadness, heartbreak, grief, and etc., it just never feels", "protagonist, which is why I want character-based betrayals. It may be because I", "the circumstances of the current plot forced the companion to betray the protagonist.", "kind of driving factors that I want should be character-based, like conflicting ideals", "been having a hard time thinking about a good way to create a", "etc., it just never feels personal for the protagonist, which is why I", "heartbreak, grief, and etc., it just never feels personal for the protagonist, which", "just never feels personal for the protagonist, which is why I want character-based", "it. Even if I somehow wrote the scene, I just can't feel the", "on the betrayer for his driving factor. The kind of driving factors that", "personal for the protagonist, which is why I want character-based betrayals. It may", "it, which I used on the betrayer for his driving factor. The kind", "the scene, I just can't feel the emotions behind the betrayal; the sadness,", "driving factors that I want should be character-based, like conflicting ideals and morals,", "I've been having a hard time thinking about a good way to create", "conflicting ideals and morals, and not story-based, like the circumstances of the current", "to create a betrayal scene without forcing it. Even if I somehow wrote", "like the circumstances of the current plot forced the companion to betray the", "a betrayal scene without forcing it. Even if I somehow wrote the scene,", "create a betrayal scene without forcing it. Even if I somehow wrote the", "the betrayer for his driving factor. The kind of driving factors that I", "it just never feels personal for the protagonist, which is why I want", "should be character-based, like conflicting ideals and morals, and not story-based, like the", "never feels personal for the protagonist, which is why I want character-based betrayals.", "his driving factor. The kind of driving factors that I want should be", "which I used on the betrayer for his driving factor. The kind of", "just can't feel the emotions behind the betrayal; the sadness, heartbreak, grief, and", "people can lust over it, which I used on the betrayer for his", "can never understand the meaning of \"power\" and how people can lust over", "scene, I just can't feel the emotions behind the betrayal; the sadness, heartbreak,", "about a good way to create a betrayal scene without forcing it. Even", "betrayer for his driving factor. The kind of driving factors that I want", "never understand the meaning of \"power\" and how people can lust over it,", "if I somehow wrote the scene, I just can't feel the emotions behind", "I somehow wrote the scene, I just can't feel the emotions behind the", "good way to create a betrayal scene without forcing it. Even if I", "betrayals. It may be because I can never understand the meaning of \"power\"", "I can never understand the meaning of \"power\" and how people can lust", "because I can never understand the meaning of \"power\" and how people can", "the sadness, heartbreak, grief, and etc., it just never feels personal for the", "the betrayal; the sadness, heartbreak, grief, and etc., it just never feels personal", "and not story-based, like the circumstances of the current plot forced the companion", "The kind of driving factors that I want should be character-based, like conflicting", "character-based, like conflicting ideals and morals, and not story-based, like the circumstances of", "factor. The kind of driving factors that I want should be character-based, like", "factors that I want should be character-based, like conflicting ideals and morals, and", "lust over it, which I used on the betrayer for his driving factor.", "want character-based betrayals. It may be because I can never understand the meaning" ]
[ "writing about my life of pain and suffering for a while and now", "everything and I cannot even get a penny of child support, though we", "far from normal. My husband was a property tycoon who lied, had affairs", "is the devil. I am not famous but very well known in my", "and now I am taking it to the next level. On the outside,", "child support, though we are in a court battle. He is the devil.", "eventually got away but it took many years and I am now building", "list goes on and on. I eventually got away but it took many", "away but it took many years and I am now building my life", "husband was a property tycoon who lied, had affairs with prostitutes, and committed", "level. On the outside, we were like the perfect family, but the reality", "and I helped him get there, but then he stripped me of everything", "to the next level. On the outside, we were like the perfect family,", "helped him get there, but then he stripped me of everything and I", "and on. I eventually got away but it took many years and I", "gangsters chasing us, burning our cars, making kidnapping and death threats... the list", "I am now building my life with my girls. He is worth $25", "extortion. We had gangsters chasing us, burning our cars, making kidnapping and death", "am now building my life with my girls. He is worth $25 million", "a court battle. He is the devil. I am not famous but very", "from normal. My husband was a property tycoon who lied, had affairs with", "reality was far from normal. My husband was a property tycoon who lied,", "my girls. He is worth $25 million and I helped him get there,", "there, but then he stripped me of everything and I cannot even get", "I am not famous but very well known in my city. Will people", "on and on. I eventually got away but it took many years and", "perfect family, but the reality was far from normal. My husband was a", "got away but it took many years and I am now building my", "life with my girls. He is worth $25 million and I helped him", "in a court battle. He is the devil. I am not famous but", "I helped him get there, but then he stripped me of everything and", "I am taking it to the next level. On the outside, we were", "girls. He is worth $25 million and I helped him get there, but", "and I cannot even get a penny of child support, though we are", "I cannot even get a penny of child support, though we are in", "life of pain and suffering for a while and now I am taking", "goes on and on. I eventually got away but it took many years", "have been writing about my life of pain and suffering for a while", "kidnapping and death threats... the list goes on and on. I eventually got", "I have been writing about my life of pain and suffering for a", "He is worth $25 million and I helped him get there, but then", "On the outside, we were like the perfect family, but the reality was", "about my life of pain and suffering for a while and now I", "but it took many years and I am now building my life with", "devil. I am not famous but very well known in my city. Will", "committed extortion. We had gangsters chasing us, burning our cars, making kidnapping and", "and I am now building my life with my girls. He is worth", "were like the perfect family, but the reality was far from normal. My", "now building my life with my girls. He is worth $25 million and", "very well known in my city. Will people buy a book about my", "us, burning our cars, making kidnapping and death threats... the list goes on", "now I am taking it to the next level. On the outside, we", "and death threats... the list goes on and on. I eventually got away", "cannot even get a penny of child support, though we are in a", "building my life with my girls. He is worth $25 million and I", "a while and now I am taking it to the next level. On", "I eventually got away but it took many years and I am now", "the devil. I am not famous but very well known in my city.", "$25 million and I helped him get there, but then he stripped me", "though we are in a court battle. He is the devil. I am", "the next level. On the outside, we were like the perfect family, but", "our cars, making kidnapping and death threats... the list goes on and on.", "is worth $25 million and I helped him get there, but then he", "lied, had affairs with prostitutes, and committed extortion. We had gangsters chasing us,", "We had gangsters chasing us, burning our cars, making kidnapping and death threats...", "taking it to the next level. On the outside, we were like the", "while and now I am taking it to the next level. On the", "had gangsters chasing us, burning our cars, making kidnapping and death threats... the", "the outside, we were like the perfect family, but the reality was far", "chasing us, burning our cars, making kidnapping and death threats... the list goes", "it to the next level. On the outside, we were like the perfect", "affairs with prostitutes, and committed extortion. We had gangsters chasing us, burning our", "even get a penny of child support, though we are in a court", "million and I helped him get there, but then he stripped me of", "outside, we were like the perfect family, but the reality was far from", "the list goes on and on. I eventually got away but it took", "making kidnapping and death threats... the list goes on and on. I eventually", "but the reality was far from normal. My husband was a property tycoon", "threats... the list goes on and on. I eventually got away but it", "the perfect family, but the reality was far from normal. My husband was", "with my girls. He is worth $25 million and I helped him get", "a property tycoon who lied, had affairs with prostitutes, and committed extortion. We", "like the perfect family, but the reality was far from normal. My husband", "me of everything and I cannot even get a penny of child support,", "took many years and I am now building my life with my girls.", "not famous but very well known in my city. Will people buy a", "my life with my girls. He is worth $25 million and I helped", "years and I am now building my life with my girls. He is", "support, though we are in a court battle. He is the devil. I", "of everything and I cannot even get a penny of child support, though", "next level. On the outside, we were like the perfect family, but the", "well known in my city. Will people buy a book about my life?", "penny of child support, though we are in a court battle. He is", "am taking it to the next level. On the outside, we were like", "we are in a court battle. He is the devil. I am not", "stripped me of everything and I cannot even get a penny of child", "prostitutes, and committed extortion. We had gangsters chasing us, burning our cars, making", "it took many years and I am now building my life with my", "tycoon who lied, had affairs with prostitutes, and committed extortion. We had gangsters", "of pain and suffering for a while and now I am taking it", "but then he stripped me of everything and I cannot even get a", "pain and suffering for a while and now I am taking it to", "a penny of child support, though we are in a court battle. He", "my life of pain and suffering for a while and now I am", "are in a court battle. He is the devil. I am not famous", "but very well known in my city. Will people buy a book about", "him get there, but then he stripped me of everything and I cannot", "with prostitutes, and committed extortion. We had gangsters chasing us, burning our cars,", "normal. My husband was a property tycoon who lied, had affairs with prostitutes,", "death threats... the list goes on and on. I eventually got away but", "cars, making kidnapping and death threats... the list goes on and on. I", "was a property tycoon who lied, had affairs with prostitutes, and committed extortion.", "the reality was far from normal. My husband was a property tycoon who", "for a while and now I am taking it to the next level.", "worth $25 million and I helped him get there, but then he stripped", "court battle. He is the devil. I am not famous but very well", "on. I eventually got away but it took many years and I am", "and committed extortion. We had gangsters chasing us, burning our cars, making kidnapping", "was far from normal. My husband was a property tycoon who lied, had", "and suffering for a while and now I am taking it to the", "many years and I am now building my life with my girls. He", "suffering for a while and now I am taking it to the next", "battle. He is the devil. I am not famous but very well known", "burning our cars, making kidnapping and death threats... the list goes on and", "property tycoon who lied, had affairs with prostitutes, and committed extortion. We had", "famous but very well known in my city. Will people buy a book", "He is the devil. I am not famous but very well known in", "we were like the perfect family, but the reality was far from normal.", "get there, but then he stripped me of everything and I cannot even", "get a penny of child support, though we are in a court battle.", "he stripped me of everything and I cannot even get a penny of", "of child support, though we are in a court battle. He is the", "am not famous but very well known in my city. Will people buy", "then he stripped me of everything and I cannot even get a penny", "My husband was a property tycoon who lied, had affairs with prostitutes, and", "had affairs with prostitutes, and committed extortion. We had gangsters chasing us, burning", "been writing about my life of pain and suffering for a while and", "family, but the reality was far from normal. My husband was a property", "who lied, had affairs with prostitutes, and committed extortion. We had gangsters chasing" ]
[ "novels that fail the principle consistently or it's one of the things like", "process? Are there good novels that fail the principle consistently or it's one", "remove all the elements that do not meet the test of the principle", "the elements that do not meet the test of the principle during the", "good novels that fail the principle consistently or it's one of the things", "elements that do not meet the test of the principle during the editing", "for the plot, are there other reasons to mention them or I should", "one of the things like \"Show and don't tell\", which is universally used?", "several times? If an element is not necessary for the plot, are there", "principle during the editing process? Are there good novels that fail the principle", "should remove all the elements that do not meet the test of the", "an element is not necessary for the plot, are there other reasons to", "all the elements that do not meet the test of the principle during", "editing process? Are there good novels that fail the principle consistently or it's", "element is not necessary for the plot, are there other reasons to mention", "fails Chekhov's gun several times? If an element is not necessary for the", "the principle consistently or it's one of the things like \"Show and don't", "Chekhov's gun several times? If an element is not necessary for the plot,", "principle consistently or it's one of the things like \"Show and don't tell\",", "plot, are there other reasons to mention them or I should remove all", "consistently or it's one of the things like \"Show and don't tell\", which", "the editing process? Are there good novels that fail the principle consistently or", "gun several times? If an element is not necessary for the plot, are", "What if my story fails Chekhov's gun several times? If an element is", "reasons to mention them or I should remove all the elements that do", "other reasons to mention them or I should remove all the elements that", "my story fails Chekhov's gun several times? If an element is not necessary", "times? If an element is not necessary for the plot, are there other", "I should remove all the elements that do not meet the test of", "fail the principle consistently or it's one of the things like \"Show and", "or it's one of the things like \"Show and don't tell\", which is", "not meet the test of the principle during the editing process? Are there", "that do not meet the test of the principle during the editing process?", "there other reasons to mention them or I should remove all the elements", "the test of the principle during the editing process? Are there good novels", "the plot, are there other reasons to mention them or I should remove", "are there other reasons to mention them or I should remove all the", "Are there good novels that fail the principle consistently or it's one of", "do not meet the test of the principle during the editing process? Are", "not necessary for the plot, are there other reasons to mention them or", "there good novels that fail the principle consistently or it's one of the", "it's one of the things like \"Show and don't tell\", which is universally", "mention them or I should remove all the elements that do not meet", "If an element is not necessary for the plot, are there other reasons", "story fails Chekhov's gun several times? If an element is not necessary for", "them or I should remove all the elements that do not meet the", "test of the principle during the editing process? Are there good novels that", "is not necessary for the plot, are there other reasons to mention them", "to mention them or I should remove all the elements that do not", "the principle during the editing process? Are there good novels that fail the", "meet the test of the principle during the editing process? Are there good", "during the editing process? Are there good novels that fail the principle consistently", "or I should remove all the elements that do not meet the test", "necessary for the plot, are there other reasons to mention them or I", "of the principle during the editing process? Are there good novels that fail", "if my story fails Chekhov's gun several times? If an element is not", "that fail the principle consistently or it's one of the things like \"Show" ]
[ "what are the various ways time travel can be used in the story?", "the characters don't have a strong motivation to change the past, so what", "what are the various ways to use time travel if it's limited by", "characters don't have a strong motivation to change the past, so what are", "ways time travel can be used in the story? By multiple timelines model,", "multiple timelines model in a novel allows you to prevent plot holes since", "used in the story? By multiple timelines model, I am referring to the", "various ways to use time travel if it's limited by the multiple timeline", "various ways time travel can be used in the story? By multiple timelines", "disappear from existence or make your enemy disappear from existence, the characters don't", "motivation to change the past, so what are the various ways time travel", "be used in the story? By multiple timelines model, I am referring to", "thus disappear from existence or make your enemy disappear from existence, the characters", "the various ways time travel can be used in the story? By multiple", "cannot be modified allowing you to kill your grandmother and thus disappear from", "to kill your grandmother and thus disappear from existence or make your enemy", "to prevent plot holes since there's no time travel paradoxes, it limits the", "since there's no time travel paradoxes, it limits the scope time travel can", "from existence or make your enemy disappear from existence, the characters don't have", "multiple timelines model, I am referring to the many worlds interpretation of Quantum", "wondering what are the various ways to use time travel if it's limited", "travel if it's limited by the multiple timeline model. Since your own timeline", "the story? By multiple timelines model, I am referring to the many worlds", "model, I am referring to the many worlds interpretation of Quantum physics. <https://en.wikipedia.org/wiki/Time_travel#Interacting_many-worlds_interpretation>", "strong motivation to change the past, so what are the various ways time", "timeline model. Since your own timeline cannot be modified allowing you to kill", "paradoxes, it limits the scope time travel can have on a story. So", "change the past, so what are the various ways time travel can be", "disappear from existence, the characters don't have a strong motivation to change the", "time travel can be used in the story? By multiple timelines model, I", "a story. So I am wondering what are the various ways to use", "By multiple timelines model, I am referring to the many worlds interpretation of", "time travel if it's limited by the multiple timeline model. Since your own", "So I am wondering what are the various ways to use time travel", "in the story? By multiple timelines model, I am referring to the many", "have on a story. So I am wondering what are the various ways", "story? By multiple timelines model, I am referring to the many worlds interpretation", "travel paradoxes, it limits the scope time travel can have on a story.", "have a strong motivation to change the past, so what are the various", "model in a novel allows you to prevent plot holes since there's no", "timelines model in a novel allows you to prevent plot holes since there's", "Since your own timeline cannot be modified allowing you to kill your grandmother", "can be used in the story? By multiple timelines model, I am referring", "the various ways to use time travel if it's limited by the multiple", "can have on a story. So I am wondering what are the various", "the past, so what are the various ways time travel can be used", "to use time travel if it's limited by the multiple timeline model. Since", "grandmother and thus disappear from existence or make your enemy disappear from existence,", "from existence, the characters don't have a strong motivation to change the past,", "kill your grandmother and thus disappear from existence or make your enemy disappear", "travel can have on a story. So I am wondering what are the", "enemy disappear from existence, the characters don't have a strong motivation to change", "and thus disappear from existence or make your enemy disappear from existence, the", "holes since there's no time travel paradoxes, it limits the scope time travel", "While the multiple timelines model in a novel allows you to prevent plot", "own timeline cannot be modified allowing you to kill your grandmother and thus", "if it's limited by the multiple timeline model. Since your own timeline cannot", "time travel paradoxes, it limits the scope time travel can have on a", "scope time travel can have on a story. So I am wondering what", "travel can be used in the story? By multiple timelines model, I am", "timelines model, I am referring to the many worlds interpretation of Quantum physics.", "on a story. So I am wondering what are the various ways to", "am wondering what are the various ways to use time travel if it's", "to change the past, so what are the various ways time travel can", "allowing you to kill your grandmother and thus disappear from existence or make", "your enemy disappear from existence, the characters don't have a strong motivation to", "the multiple timelines model in a novel allows you to prevent plot holes", "ways to use time travel if it's limited by the multiple timeline model.", "limits the scope time travel can have on a story. So I am", "existence, the characters don't have a strong motivation to change the past, so", "allows you to prevent plot holes since there's no time travel paradoxes, it", "it limits the scope time travel can have on a story. So I", "model. Since your own timeline cannot be modified allowing you to kill your", "a novel allows you to prevent plot holes since there's no time travel", "I am wondering what are the various ways to use time travel if", "the multiple timeline model. Since your own timeline cannot be modified allowing you", "limited by the multiple timeline model. Since your own timeline cannot be modified", "you to kill your grandmother and thus disappear from existence or make your", "past, so what are the various ways time travel can be used in", "modified allowing you to kill your grandmother and thus disappear from existence or", "use time travel if it's limited by the multiple timeline model. Since your", "don't have a strong motivation to change the past, so what are the", "novel allows you to prevent plot holes since there's no time travel paradoxes,", "make your enemy disappear from existence, the characters don't have a strong motivation", "timeline cannot be modified allowing you to kill your grandmother and thus disappear", "plot holes since there's no time travel paradoxes, it limits the scope time", "a strong motivation to change the past, so what are the various ways", "story. So I am wondering what are the various ways to use time", "are the various ways time travel can be used in the story? By", "there's no time travel paradoxes, it limits the scope time travel can have", "in a novel allows you to prevent plot holes since there's no time", "be modified allowing you to kill your grandmother and thus disappear from existence", "prevent plot holes since there's no time travel paradoxes, it limits the scope", "the scope time travel can have on a story. So I am wondering", "existence or make your enemy disappear from existence, the characters don't have a", "your own timeline cannot be modified allowing you to kill your grandmother and", "time travel can have on a story. So I am wondering what are", "it's limited by the multiple timeline model. Since your own timeline cannot be", "you to prevent plot holes since there's no time travel paradoxes, it limits", "or make your enemy disappear from existence, the characters don't have a strong", "your grandmother and thus disappear from existence or make your enemy disappear from", "no time travel paradoxes, it limits the scope time travel can have on", "are the various ways to use time travel if it's limited by the", "by the multiple timeline model. Since your own timeline cannot be modified allowing", "multiple timeline model. Since your own timeline cannot be modified allowing you to", "so what are the various ways time travel can be used in the" ]
[ "done? I am assuming some famous authors are open and fully transparent about", "mention your sources of inspiration somewhere? Let's say you borrow a lot from", "some world-building ideas from some famous author. Should you mention them in your", "your sources of inspiration somewhere? Let's say you borrow a lot from Greek", "ideas from some famous author. Should you mention them in your book somewhere.", "sources of inspiration somewhere? Let's say you borrow a lot from Greek mythology,", "Nvikuspeara, and take some world-building ideas from some famous author. Should you mention", "this usually done? I am assuming some famous authors are open and fully", "from Greek mythology, Nvikuspeara, and take some world-building ideas from some famous author.", "world-building ideas from some famous author. Should you mention them in your book", "mention them in your book somewhere. How is this usually done? I am", "lot from Greek mythology, Nvikuspeara, and take some world-building ideas from some famous", "mythology, Nvikuspeara, and take some world-building ideas from some famous author. Should you", "your book somewhere. How is this usually done? I am assuming some famous", "Should you mention them in your book somewhere. How is this usually done?", "somewhere. How is this usually done? I am assuming some famous authors are", "and take some world-building ideas from some famous author. Should you mention them", "borrow a lot from Greek mythology, Nvikuspeara, and take some world-building ideas from", "you borrow a lot from Greek mythology, Nvikuspeara, and take some world-building ideas", "a lot from Greek mythology, Nvikuspeara, and take some world-building ideas from some", "How is this usually done? I am assuming some famous authors are open", "usually done? I am assuming some famous authors are open and fully transparent", "inspiration somewhere? Let's say you borrow a lot from Greek mythology, Nvikuspeara, and", "you mention your sources of inspiration somewhere? Let's say you borrow a lot", "of inspiration somewhere? Let's say you borrow a lot from Greek mythology, Nvikuspeara,", "from some famous author. Should you mention them in your book somewhere. How", "say you borrow a lot from Greek mythology, Nvikuspeara, and take some world-building", "author. Should you mention them in your book somewhere. How is this usually", "book somewhere. How is this usually done? I am assuming some famous authors", "you mention them in your book somewhere. How is this usually done? I", "I am assuming some famous authors are open and fully transparent about this.", "take some world-building ideas from some famous author. Should you mention them in", "them in your book somewhere. How is this usually done? I am assuming", "is this usually done? I am assuming some famous authors are open and", "famous author. Should you mention them in your book somewhere. How is this", "somewhere? Let's say you borrow a lot from Greek mythology, Nvikuspeara, and take", "Should you mention your sources of inspiration somewhere? Let's say you borrow a", "some famous author. Should you mention them in your book somewhere. How is", "Greek mythology, Nvikuspeara, and take some world-building ideas from some famous author. Should", "in your book somewhere. How is this usually done? I am assuming some", "Let's say you borrow a lot from Greek mythology, Nvikuspeara, and take some" ]
[ "How do you tell your reader that a number is a numerologically important", "a number is a numerologically important number? Some people use numerology in their", "your reader that a number is a numerologically important number? Some people use", "important number? Some people use numerology in their books and attach secret meanings", "you would use numbers without wanting to attach a secret meaning to it.", "numbers, but there are a lot of times where you would use numbers", "numbers without wanting to attach a secret meaning to it. How do you", "it. How do you distinguish normal numbers from those with special numerological relevance", "your writing? Can you give a few examples on how to do this?", "attach a secret meaning to it. How do you distinguish normal numbers from", "times where you would use numbers without wanting to attach a secret meaning", "but there are a lot of times where you would use numbers without", "with special numerological relevance in your writing? Can you give a few examples", "are a lot of times where you would use numbers without wanting to", "secret meaning to it. How do you distinguish normal numbers from those with", "there are a lot of times where you would use numbers without wanting", "is a numerologically important number? Some people use numerology in their books and", "use numbers without wanting to attach a secret meaning to it. How do", "distinguish normal numbers from those with special numerological relevance in your writing? Can", "normal numbers from those with special numerological relevance in your writing? Can you", "numerological relevance in your writing? Can you give a few examples on how", "without wanting to attach a secret meaning to it. How do you distinguish", "where you would use numbers without wanting to attach a secret meaning to", "meaning to it. How do you distinguish normal numbers from those with special", "relevance in your writing? Can you give a few examples on how to", "reader that a number is a numerologically important number? Some people use numerology", "to it. How do you distinguish normal numbers from those with special numerological", "some numbers, but there are a lot of times where you would use", "you tell your reader that a number is a numerologically important number? Some", "tell your reader that a number is a numerologically important number? Some people", "special numerological relevance in your writing? Can you give a few examples on", "that a number is a numerologically important number? Some people use numerology in", "to attach a secret meaning to it. How do you distinguish normal numbers", "a numerologically important number? Some people use numerology in their books and attach", "to some numbers, but there are a lot of times where you would", "a secret meaning to it. How do you distinguish normal numbers from those", "do you distinguish normal numbers from those with special numerological relevance in your", "numerologically important number? Some people use numerology in their books and attach secret", "attach secret meanings to some numbers, but there are a lot of times", "How do you distinguish normal numbers from those with special numerological relevance in", "books and attach secret meanings to some numbers, but there are a lot", "numerology in their books and attach secret meanings to some numbers, but there", "numbers from those with special numerological relevance in your writing? Can you give", "Some people use numerology in their books and attach secret meanings to some", "number? Some people use numerology in their books and attach secret meanings to", "those with special numerological relevance in your writing? Can you give a few", "wanting to attach a secret meaning to it. How do you distinguish normal", "you distinguish normal numbers from those with special numerological relevance in your writing?", "use numerology in their books and attach secret meanings to some numbers, but", "from those with special numerological relevance in your writing? Can you give a", "in your writing? Can you give a few examples on how to do", "secret meanings to some numbers, but there are a lot of times where", "meanings to some numbers, but there are a lot of times where you", "a lot of times where you would use numbers without wanting to attach", "in their books and attach secret meanings to some numbers, but there are", "their books and attach secret meanings to some numbers, but there are a", "do you tell your reader that a number is a numerologically important number?", "lot of times where you would use numbers without wanting to attach a", "would use numbers without wanting to attach a secret meaning to it. How", "and attach secret meanings to some numbers, but there are a lot of", "people use numerology in their books and attach secret meanings to some numbers,", "number is a numerologically important number? Some people use numerology in their books", "of times where you would use numbers without wanting to attach a secret" ]
[ "character is shy, anxious, anti-social, nervous, etc. So, when speaking, she often pauses", "What would be the best way to write the character, both in and", "2. How many “uhm”s and pauses is too many? The character is viewed", "“uhm”s and pauses is too many? The character is viewed from a perspective", "to write the character, both in and out of dialogue? And, 2. How", "is shy, anxious, anti-social, nervous, etc. So, when speaking, she often pauses or", "she often pauses or makes noises like “uhm”, err”, “uhh”, etc. I’m asking", "way to write the character, both in and out of dialogue? And, 2.", "be the best way to write the character, both in and out of", "write the character, both in and out of dialogue? And, 2. How many", "dialogue? And, 2. How many “uhm”s and pauses is too many? The character", "shy, anxious, anti-social, nervous, etc. So, when speaking, she often pauses or makes", "err”, “uhh”, etc. I’m asking a couple questions: 1. What would be the", "etc. So, when speaking, she often pauses or makes noises like “uhm”, err”,", "best way to write the character, both in and out of dialogue? And,", "and out of dialogue? And, 2. How many “uhm”s and pauses is too", "pauses is too many? The character is viewed from a perspective other than", "makes noises like “uhm”, err”, “uhh”, etc. I’m asking a couple questions: 1.", "the character, both in and out of dialogue? And, 2. How many “uhm”s", "out of dialogue? And, 2. How many “uhm”s and pauses is too many?", "1. What would be the best way to write the character, both in", "So, when speaking, she often pauses or makes noises like “uhm”, err”, “uhh”,", "speaking, she often pauses or makes noises like “uhm”, err”, “uhh”, etc. I’m", "of dialogue? And, 2. How many “uhm”s and pauses is too many? The", "And, 2. How many “uhm”s and pauses is too many? The character is", "nervous, etc. So, when speaking, she often pauses or makes noises like “uhm”,", "anxious, anti-social, nervous, etc. So, when speaking, she often pauses or makes noises", "or makes noises like “uhm”, err”, “uhh”, etc. I’m asking a couple questions:", "asking a couple questions: 1. What would be the best way to write", "the best way to write the character, both in and out of dialogue?", "I’m asking a couple questions: 1. What would be the best way to", "both in and out of dialogue? And, 2. How many “uhm”s and pauses", "couple questions: 1. What would be the best way to write the character,", "pauses or makes noises like “uhm”, err”, “uhh”, etc. I’m asking a couple", "etc. I’m asking a couple questions: 1. What would be the best way", "too many? The character is viewed from a perspective other than her own.", "many “uhm”s and pauses is too many? The character is viewed from a", "is too many? The character is viewed from a perspective other than her", "anti-social, nervous, etc. So, when speaking, she often pauses or makes noises like", "A character is shy, anxious, anti-social, nervous, etc. So, when speaking, she often", "noises like “uhm”, err”, “uhh”, etc. I’m asking a couple questions: 1. What", "a couple questions: 1. What would be the best way to write the", "questions: 1. What would be the best way to write the character, both", "in and out of dialogue? And, 2. How many “uhm”s and pauses is", "often pauses or makes noises like “uhm”, err”, “uhh”, etc. I’m asking a", "when speaking, she often pauses or makes noises like “uhm”, err”, “uhh”, etc.", "character, both in and out of dialogue? And, 2. How many “uhm”s and", "“uhh”, etc. I’m asking a couple questions: 1. What would be the best", "“uhm”, err”, “uhh”, etc. I’m asking a couple questions: 1. What would be", "would be the best way to write the character, both in and out", "like “uhm”, err”, “uhh”, etc. I’m asking a couple questions: 1. What would", "How many “uhm”s and pauses is too many? The character is viewed from", "and pauses is too many? The character is viewed from a perspective other" ]
[ "told me that she wanted to meet for coffee later on. So I", "upon Joor and she told me that she wanted to meet for coffee", "she would forget.\" Can you suggest good examples of this kind of writing", "of this kind of writing I can use as inspiration? Or point out", "\"Today I went to church, I stumbled upon Joor and she told me", "told her to call me later, hoping she would forget.\" Can you suggest", "Can you suggest good examples of this kind of writing I can use", "to write stream of consciousness style but I just tend to get too", "to church, I stumbled upon Joor and she told me that she wanted", "that she wanted to meet for coffee later on. So I told her", "plain and boring. And so I bore myself reading what I write, hardly", "of consciousness style but I just tend to get too plain and boring.", "writing I can use as inspiration? Or point out advice to avoid sounding", "later, hoping she would forget.\" Can you suggest good examples of this kind", "this kind of writing I can use as inspiration? Or point out advice", "so I bore myself reading what I write, hardly a way to move", "and boring. And so I bore myself reading what I write, hardly a", "of writing I can use as inspiration? Or point out advice to avoid", "kind of writing I can use as inspiration? Or point out advice to", "And so I bore myself reading what I write, hardly a way to", "and she told me that she wanted to meet for coffee later on.", "me later, hoping she would forget.\" Can you suggest good examples of this", "suggest good examples of this kind of writing I can use as inspiration?", "I bore myself reading what I write, hardly a way to move forward.", "can use as inspiration? Or point out advice to avoid sounding plain and", "what I write, hardly a way to move forward. For example: \"Today I", "to move forward. For example: \"Today I went to church, I stumbled upon", "hoping she would forget.\" Can you suggest good examples of this kind of", "get too plain and boring. And so I bore myself reading what I", "on. So I told her to call me later, hoping she would forget.\"", "hardly a way to move forward. For example: \"Today I went to church,", "So I told her to call me later, hoping she would forget.\" Can", "I told her to call me later, hoping she would forget.\" Can you", "been trying to write stream of consciousness style but I just tend to", "write stream of consciousness style but I just tend to get too plain", "to meet for coffee later on. So I told her to call me", "I've been trying to write stream of consciousness style but I just tend", "tend to get too plain and boring. And so I bore myself reading", "example: \"Today I went to church, I stumbled upon Joor and she told", "For example: \"Today I went to church, I stumbled upon Joor and she", "bore myself reading what I write, hardly a way to move forward. For", "way to move forward. For example: \"Today I went to church, I stumbled", "myself reading what I write, hardly a way to move forward. For example:", "trying to write stream of consciousness style but I just tend to get", "I just tend to get too plain and boring. And so I bore", "I write, hardly a way to move forward. For example: \"Today I went", "good examples of this kind of writing I can use as inspiration? Or", "later on. So I told her to call me later, hoping she would", "call me later, hoping she would forget.\" Can you suggest good examples of", "too plain and boring. And so I bore myself reading what I write,", "move forward. For example: \"Today I went to church, I stumbled upon Joor", "meet for coffee later on. So I told her to call me later,", "just tend to get too plain and boring. And so I bore myself", "you suggest good examples of this kind of writing I can use as", "Joor and she told me that she wanted to meet for coffee later", "write, hardly a way to move forward. For example: \"Today I went to", "for coffee later on. So I told her to call me later, hoping", "stream of consciousness style but I just tend to get too plain and", "would forget.\" Can you suggest good examples of this kind of writing I", "to call me later, hoping she would forget.\" Can you suggest good examples", "went to church, I stumbled upon Joor and she told me that she", "I can use as inspiration? Or point out advice to avoid sounding plain", "I stumbled upon Joor and she told me that she wanted to meet", "her to call me later, hoping she would forget.\" Can you suggest good", "I went to church, I stumbled upon Joor and she told me that", "forward. For example: \"Today I went to church, I stumbled upon Joor and", "forget.\" Can you suggest good examples of this kind of writing I can", "boring. And so I bore myself reading what I write, hardly a way", "coffee later on. So I told her to call me later, hoping she", "she wanted to meet for coffee later on. So I told her to", "reading what I write, hardly a way to move forward. For example: \"Today", "but I just tend to get too plain and boring. And so I", "she told me that she wanted to meet for coffee later on. So", "to get too plain and boring. And so I bore myself reading what", "style but I just tend to get too plain and boring. And so", "a way to move forward. For example: \"Today I went to church, I", "church, I stumbled upon Joor and she told me that she wanted to", "stumbled upon Joor and she told me that she wanted to meet for", "consciousness style but I just tend to get too plain and boring. And", "wanted to meet for coffee later on. So I told her to call", "me that she wanted to meet for coffee later on. So I told", "use as inspiration? Or point out advice to avoid sounding plain and repetitive?", "examples of this kind of writing I can use as inspiration? Or point" ]
[ "a scene in a chapter where the main characters talks to a technician,", "a technician, and then the technician is never seen again, and I am", "should remove it, because the scene gives a lot of information about the", "gives a lot of information about the world and the technology used, so", "and the technology used, so I am wondering if I should remove the", "is never seen again, and I am not sure if I should remove", "where the main characters talks to a technician, and then the technician is", "talks to a technician, and then the technician is never seen again, and", "that talk one time and never talk again? I wrote a scene in", "main characters talks to a technician, and then the technician is never seen", "technician, and then the technician is never seen again, and I am not", "used, so I am wondering if I should remove the character and if", "one time and never talk again? I wrote a scene in a chapter", "Should you avoid introducing characters that talk one time and never talk again?", "I should remove the character and if there's a better way to give", "a chapter where the main characters talks to a technician, and then the", "avoid introducing characters that talk one time and never talk again? I wrote", "the main characters talks to a technician, and then the technician is never", "am not sure if I should remove it, because the scene gives a", "because the scene gives a lot of information about the world and the", "the scene gives a lot of information about the world and the technology", "about the world and the technology used, so I am wondering if I", "the world and the technology used, so I am wondering if I should", "should remove the character and if there's a better way to give out", "in a chapter where the main characters talks to a technician, and then", "characters talks to a technician, and then the technician is never seen again,", "seen again, and I am not sure if I should remove it, because", "of information about the world and the technology used, so I am wondering", "if there's a better way to give out detailed information about the world.", "I am not sure if I should remove it, because the scene gives", "never talk again? I wrote a scene in a chapter where the main", "sure if I should remove it, because the scene gives a lot of", "scene gives a lot of information about the world and the technology used,", "world and the technology used, so I am wondering if I should remove", "if I should remove the character and if there's a better way to", "again, and I am not sure if I should remove it, because the", "so I am wondering if I should remove the character and if there's", "the character and if there's a better way to give out detailed information", "technician is never seen again, and I am not sure if I should", "you avoid introducing characters that talk one time and never talk again? I", "and then the technician is never seen again, and I am not sure", "the technician is never seen again, and I am not sure if I", "introducing characters that talk one time and never talk again? I wrote a", "I am wondering if I should remove the character and if there's a", "remove it, because the scene gives a lot of information about the world", "to a technician, and then the technician is never seen again, and I", "I should remove it, because the scene gives a lot of information about", "remove the character and if there's a better way to give out detailed", "again? I wrote a scene in a chapter where the main characters talks", "character and if there's a better way to give out detailed information about", "talk again? I wrote a scene in a chapter where the main characters", "scene in a chapter where the main characters talks to a technician, and", "the technology used, so I am wondering if I should remove the character", "if I should remove it, because the scene gives a lot of information", "talk one time and never talk again? I wrote a scene in a", "a lot of information about the world and the technology used, so I", "lot of information about the world and the technology used, so I am", "and if there's a better way to give out detailed information about the", "am wondering if I should remove the character and if there's a better", "characters that talk one time and never talk again? I wrote a scene", "not sure if I should remove it, because the scene gives a lot", "wrote a scene in a chapter where the main characters talks to a", "wondering if I should remove the character and if there's a better way", "chapter where the main characters talks to a technician, and then the technician", "it, because the scene gives a lot of information about the world and", "never seen again, and I am not sure if I should remove it,", "then the technician is never seen again, and I am not sure if", "information about the world and the technology used, so I am wondering if", "I wrote a scene in a chapter where the main characters talks to", "technology used, so I am wondering if I should remove the character and", "and never talk again? I wrote a scene in a chapter where the", "and I am not sure if I should remove it, because the scene", "time and never talk again? I wrote a scene in a chapter where" ]
[ "having difficulties in writing conversations between characters, especially if they are many of", "characters, especially if they are many of them. How can I write good", "in writing conversations between characters, especially if they are many of them. How", "difficulties in writing conversations between characters, especially if they are many of them.", "I'm having difficulties in writing conversations between characters, especially if they are many", "between characters, especially if they are many of them. How can I write", "conversations between characters, especially if they are many of them. How can I", "especially if they are many of them. How can I write good dialogue?", "writing conversations between characters, especially if they are many of them. How can" ]
[ "gestures through a novel and wouldn't that make the novel extremely bland as", "these hard-to-describe signs and gestures through a novel and wouldn't that make the", "and wouldn't that make the novel extremely bland as the number of actions", "Should you avoid using hard-to-describe gestures and acts in a novel? Some gestures", "He did the \"I am watching you sign\" before leaving. > > >", "did the \"I am watching you sign\" before leaving. > > > Should", "One such example is: > > He did the \"I am watching you", "signs and gestures through a novel and wouldn't that make the novel extremely", "using familiar languages or slang. One such example is: > > He did", "that make the novel extremely bland as the number of actions would be", "avoid these hard-to-describe signs and gestures through a novel and wouldn't that make", "describe without using familiar languages or slang. One such example is: > >", "> Should a novice writer avoid these hard-to-describe signs and gestures through a", "is: > > He did the \"I am watching you sign\" before leaving.", "leaving. > > > Should a novice writer avoid these hard-to-describe signs and", "hard to describe without using familiar languages or slang. One such example is:", "watching you sign\" before leaving. > > > Should a novice writer avoid", "sound unnatural? What advice do you have for novice writers facing such a", "through a novel and wouldn't that make the novel extremely bland as the", "sign\" before leaving. > > > Should a novice writer avoid these hard-to-describe", "as the number of actions would be then very limited and even sound", "actions would be then very limited and even sound unnatural? What advice do", "often used in real life are hard to describe without using familiar languages", "writer avoid these hard-to-describe signs and gestures through a novel and wouldn't that", "make the novel extremely bland as the number of actions would be then", "you avoid using hard-to-describe gestures and acts in a novel? Some gestures that", "languages or slang. One such example is: > > He did the \"I", "the \"I am watching you sign\" before leaving. > > > Should a", "the novel extremely bland as the number of actions would be then very", "then very limited and even sound unnatural? What advice do you have for", "used in real life are hard to describe without using familiar languages or", "limited and even sound unnatural? What advice do you have for novice writers", "that are often used in real life are hard to describe without using", "are often used in real life are hard to describe without using familiar", "Should a novice writer avoid these hard-to-describe signs and gestures through a novel", "a novel and wouldn't that make the novel extremely bland as the number", "are hard to describe without using familiar languages or slang. One such example", "hard-to-describe gestures and acts in a novel? Some gestures that are often used", "such example is: > > He did the \"I am watching you sign\"", "wouldn't that make the novel extremely bland as the number of actions would", "unnatural? What advice do you have for novice writers facing such a problem?", "very limited and even sound unnatural? What advice do you have for novice", "> > Should a novice writer avoid these hard-to-describe signs and gestures through", "of actions would be then very limited and even sound unnatural? What advice", "and gestures through a novel and wouldn't that make the novel extremely bland", "\"I am watching you sign\" before leaving. > > > Should a novice", "novel and wouldn't that make the novel extremely bland as the number of", "avoid using hard-to-describe gestures and acts in a novel? Some gestures that are", "hard-to-describe signs and gestures through a novel and wouldn't that make the novel", "or slang. One such example is: > > He did the \"I am", "gestures that are often used in real life are hard to describe without", "am watching you sign\" before leaving. > > > Should a novice writer", "number of actions would be then very limited and even sound unnatural? What", "example is: > > He did the \"I am watching you sign\" before", "be then very limited and even sound unnatural? What advice do you have", "> > > Should a novice writer avoid these hard-to-describe signs and gestures", "> > He did the \"I am watching you sign\" before leaving. >", "without using familiar languages or slang. One such example is: > > He", "novel extremely bland as the number of actions would be then very limited", "novel? Some gestures that are often used in real life are hard to", "you sign\" before leaving. > > > Should a novice writer avoid these", "even sound unnatural? What advice do you have for novice writers facing such", "extremely bland as the number of actions would be then very limited and", "> He did the \"I am watching you sign\" before leaving. > >", "to describe without using familiar languages or slang. One such example is: >", "life are hard to describe without using familiar languages or slang. One such", "gestures and acts in a novel? Some gestures that are often used in", "would be then very limited and even sound unnatural? What advice do you", "Some gestures that are often used in real life are hard to describe", "a novel? Some gestures that are often used in real life are hard", "familiar languages or slang. One such example is: > > He did the", "using hard-to-describe gestures and acts in a novel? Some gestures that are often", "slang. One such example is: > > He did the \"I am watching", "before leaving. > > > Should a novice writer avoid these hard-to-describe signs", "in real life are hard to describe without using familiar languages or slang.", "a novice writer avoid these hard-to-describe signs and gestures through a novel and", "bland as the number of actions would be then very limited and even", "in a novel? Some gestures that are often used in real life are", "and even sound unnatural? What advice do you have for novice writers facing", "the number of actions would be then very limited and even sound unnatural?", "novice writer avoid these hard-to-describe signs and gestures through a novel and wouldn't", "real life are hard to describe without using familiar languages or slang. One", "and acts in a novel? Some gestures that are often used in real", "acts in a novel? Some gestures that are often used in real life" ]
[ "characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning to sound like a racist treatise from the", "then most readers would simply imagine everyone as white. I know that you", "from the 1800's. Is there a good way to do this? Or should", "to do this? Or should I just not bother and settle for racially", "exist?** I would like to have ethnically diverse humans in such settings, but", "as well as a number of other possibilities, but I feel unable to", "racist treatise from the 1800's. Is there a good way to do this?", "properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning to sound like a racist treatise from the 1800's. Is", "I'm having trouble describing them. Of course I can just not describe such", "the common name for some racial or ethnic groups is a fairly neutral", "diverse humans in such settings, but I'm having trouble describing them. Of course", "would like to have ethnically diverse humans in such settings, but I'm having", "there a good way to do this? Or should I just not bother", "allude to skin colour as being brown or 'olive' as well as a", "of other possibilities, but I feel unable to indicate anything about nose shape,", "corresponding locations do not exist?** I would like to have ethnically diverse humans", "trouble describing them. Of course I can just not describe such physical traits,", "I would like to have ethnically diverse humans in such settings, but I'm", "common name for some racial or ethnic groups is a fairly neutral English", "number of other possibilities, but I feel unable to indicate anything about nose", "settings, but I'm having trouble describing them. Of course I can just not", "indicate anything about nose shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other small characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport)", "humans in such settings, but I'm having trouble describing them. Of course I", "English, the common name for some racial or ethnic groups is a fairly", "neutral English word (e.g. white, black...). Others, however, are named only by reference", "are named only by reference to a geographic point of origin (e.g. Indian,", "them. Of course I can just not describe such physical traits, but then", "white, black...). Others, however, are named only by reference to a geographic point", "a geographic point of origin (e.g. Indian, East Asian, Pacific Islander...) How do", "most readers would simply imagine everyone as white. I know that you can", "speculative fiction where Earth and the corresponding locations do not exist? I would", "I know that you can vaguely allude to skin colour as being brown", "of speculative fiction where Earth and the corresponding locations do not exist? I", "colour as being brown or 'olive' as well as a number of other", "would simply imagine everyone as white. I know that you can vaguely allude", "geographic point of origin (e.g. Indian, East Asian, Pacific Islander...) How do you", "do you describe the latter in a work of speculative fiction where Earth", "everyone as white. I know that you can vaguely allude to skin colour", "name for some racial or ethnic groups is a fairly neutral English word", "know that you can vaguely allude to skin colour as being brown or", "the latter in a work of speculative fiction where Earth and the corresponding", "in a work of speculative fiction where Earth and the corresponding locations do", "named only by reference to a geographic point of origin (e.g. Indian, East", "describe such physical traits, but then most readers would simply imagine everyone as", "to have ethnically diverse humans in such settings, but I'm having trouble describing", "groups is a fairly neutral English word (e.g. white, black...). Others, however, are", "English word (e.g. white, black...). Others, however, are named only by reference to", "vaguely allude to skin colour as being brown or 'olive' as well as", "folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other small characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning to sound like a", "imagine everyone as white. I know that you can vaguely allude to skin", "sound like a racist treatise from the 1800's. Is there a good way", "you describe the latter in a work of speculative fiction where Earth and", "the 1800's. Is there a good way to do this? Or should I", "this? Or should I just not bother and settle for racially ambiguous descriptions?", "racial or ethnic groups is a fairly neutral English word (e.g. white, black...).", "of origin (e.g. Indian, East Asian, Pacific Islander...) How do you describe the", "How do you describe the latter in a work of speculative fiction where", "that you can vaguely allude to skin colour as being brown or 'olive'", "reference to a geographic point of origin (e.g. Indian, East Asian, Pacific Islander...)", "feel unable to indicate anything about nose shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other small", "possibilities, but I feel unable to indicate anything about nose shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold)", "simply imagine everyone as white. I know that you can vaguely allude to", "describe the latter in a work of speculative fiction where Earth and the", "[other small characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning to sound like a racist treatise", "way to do this? Or should I just not bother and settle for", "for some racial or ethnic groups is a fairly neutral English word (e.g.", "not describe such physical traits, but then most readers would simply imagine everyone", "skin colour as being brown or 'olive' as well as a number of", "work of speculative fiction where Earth and the corresponding locations do not exist?", "only by reference to a geographic point of origin (e.g. Indian, East Asian,", "Asian, Pacific Islander...) How do you describe the latter in a work of", "anything about nose shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other small characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without", "fiction where Earth and the corresponding locations do not exist? I would like", "have ethnically diverse humans in such settings, but I'm having trouble describing them.", "ethnic groups is a fairly neutral English word (e.g. white, black...). Others, however,", "beginning to sound like a racist treatise from the 1800's. Is there a", "locations do not exist? I would like to have ethnically diverse humans in", "I can just not describe such physical traits, but then most readers would", "as being brown or 'olive' as well as a number of other possibilities,", "to a geographic point of origin (e.g. Indian, East Asian, Pacific Islander...) How", "'olive' as well as a number of other possibilities, but I feel unable", "or 'olive' as well as a number of other possibilities, but I feel", "Indian, East Asian, Pacific Islander...) How do you describe the latter in a", "a number of other possibilities, but I feel unable to indicate anything about", "fairly neutral English word (e.g. white, black...). Others, however, are named only by", "unable to indicate anything about nose shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other small characteristic", "but I feel unable to indicate anything about nose shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or", "origin (e.g. Indian, East Asian, Pacific Islander...) How do you describe the latter", "describing them. Of course I can just not describe such physical traits, but", "course I can just not describe such physical traits, but then most readers", "where Earth and the corresponding locations do not exist?** I would like to", "however, are named only by reference to a geographic point of origin (e.g.", "in such settings, but I'm having trouble describing them. Of course I can", "having trouble describing them. Of course I can just not describe such physical", "and the corresponding locations do not exist?** I would like to have ethnically", "but I'm having trouble describing them. Of course I can just not describe", "a fairly neutral English word (e.g. white, black...). Others, however, are named only", "like to have ethnically diverse humans in such settings, but I'm having trouble", "white. I know that you can vaguely allude to skin colour as being", "just not describe such physical traits, but then most readers would simply imagine", "1800's. Is there a good way to do this? Or should I just", "or ethnic groups is a fairly neutral English word (e.g. white, black...). Others,", "about nose shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other small characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning", "as a number of other possibilities, but I feel unable to indicate anything", "[epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other small characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning to sound like", "is a fairly neutral English word (e.g. white, black...). Others, however, are named", "physical traits, but then most readers would simply imagine everyone as white. I", "small characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning to sound like a racist treatise from", "Pacific Islander...) How do you describe the latter in a work of speculative", "such physical traits, but then most readers would simply imagine everyone as white.", "you can vaguely allude to skin colour as being brown or 'olive' as", "Earth and the corresponding locations do not exist? I would like to have", "some racial or ethnic groups is a fairly neutral English word (e.g. white,", "do this? Or should I just not bother and settle for racially ambiguous", "like a racist treatise from the 1800's. Is there a good way to", "Is there a good way to do this? Or should I just not", "well as a number of other possibilities, but I feel unable to indicate", "a work of speculative fiction where Earth and the corresponding locations do not", "black...). Others, however, are named only by reference to a geographic point of", "brown or 'olive' as well as a number of other possibilities, but I", "East Asian, Pacific Islander...) How do you describe the latter in a work", "to sound like a racist treatise from the 1800's. Is there a good", "(e.g. white, black...). Others, however, are named only by reference to a geographic", "can vaguely allude to skin colour as being brown or 'olive' as well", "latter in a work of speculative fiction where Earth and the corresponding locations", "without beginning to sound like a racist treatise from the 1800's. Is there", "or [other small characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning to sound like a racist", "traits, but then most readers would simply imagine everyone as white. I know", "word (e.g. white, black...). Others, however, are named only by reference to a", "a racist treatise from the 1800's. Is there a good way to do", "the corresponding locations do not exist? I would like to have ethnically diverse", "Others, however, are named only by reference to a geographic point of origin", "In English, the common name for some racial or ethnic groups is a", "point of origin (e.g. Indian, East Asian, Pacific Islander...) How do you describe", "do not exist? I would like to have ethnically diverse humans in such", "to skin colour as being brown or 'olive' as well as a number", "shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other small characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning to sound", "good way to do this? Or should I just not bother and settle", "physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning to sound like a racist treatise from the 1800's.", "not exist?** I would like to have ethnically diverse humans in such settings,", "(e.g. Indian, East Asian, Pacific Islander...) How do you describe the latter in", "as white. I know that you can vaguely allude to skin colour as", "by reference to a geographic point of origin (e.g. Indian, East Asian, Pacific", "I feel unable to indicate anything about nose shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other", "nose shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other small characteristic physical properties](https://en.wikipedia.org/wiki/Kalenjin_people#Sport) without beginning to", "readers would simply imagine everyone as white. I know that you can vaguely", "ethnically diverse humans in such settings, but I'm having trouble describing them. Of", "can just not describe such physical traits, but then most readers would simply", "Islander...) How do you describe the latter in a work of *speculative fiction", "a good way to do this? Or should I just not bother and", "other possibilities, but I feel unable to indicate anything about nose shape, [epicanthic", "but then most readers would simply imagine everyone as white. I know that", "Of course I can just not* describe such physical traits, but then most", "such settings, but I'm having trouble describing them. Of course I can just", "being brown or 'olive' as well as a number of other possibilities, but", "to indicate anything about nose shape, [epicanthic folds](https://en.wikipedia.org/wiki/Epicanthic_fold) or [other small characteristic physical", "treatise from the 1800's. Is there a good way to do this? Or" ]
[ "therefore dangerous as far as the government and it's God ruler is concerned,", "massacre. I have revised the chapter many times, but all of the revisions", "draft. How do you write points like this in a story, without making", "destroys the crew and the crew members massacre each other, with only the", "beings because he is being hunted by the tyrant government(he is impure of", "the entire chapter seems anticlimactic, considering that it is a literal massacre. I", "fantasy novel(very simplified version) my protagonist is a slave boy who is dragged", "literal massacre. I have revised the chapter many times, but all of the", "inside and insert another boy to sow mistrust. The tension builds with only", "boy knowing, and in the middle of the novel/first climax, one wrong word", "as the government and it's God ruler is concerned, very long story). When", "the destruction of the crew, the destruction/massacre itself, and the horrific aftermath, the", "novel(very simplified version) my protagonist is a slave boy who is dragged into", "crew of powerful beings because he is being hunted by the tyrant government(he", "with the conversation that started the destruction of the crew, the destruction/massacre itself,", "all of the revisions have the exact same problem as the very first", "members destroys the crew and the crew members massacre each other, with only", "do you write points like this in a story, without making it seem", "only the protagonist and the leader getting out alive, still with the task", "is a literal massacre. I have revised the chapter many times, but all", "it's God ruler is concerned, very long story). When the government can't defeat", "in the middle of the novel/first climax, one wrong word by one of", "members massacre each other, with only the protagonist and the leader getting out", "crew with force, they try to destroy it from the inside and insert", "creating the gradually rising tension, but with the conversation that started the destruction", "destruction of the crew, the destruction/massacre itself, and the horrific aftermath, the entire", "it from the inside and insert another boy to sow mistrust. The tension", "have revised the chapter many times, but all of the revisions have the", "getting out alive, still with the task of overthrowing the tyrannical government. I", "and the crew members massacre each other, with only the protagonist and the", "with only the government boy knowing, and in the middle of the novel/first", "and insert another boy to sow mistrust. The tension builds with only the", "because he is being hunted by the tyrant government(he is impure of blood", "blood and therefore dangerous as far as the government and it's God ruler", "times, but all of the revisions have the exact same problem as the", "you write points like this in a story, without making it seem anticlimactic?", "rising tension, but with the conversation that started the destruction of the crew,", "entire chapter seems anticlimactic, considering that it is a literal massacre. I have", "dragged into a crew of powerful beings because he is being hunted by", "of blood and therefore dangerous as far as the government and it's God", "destroy it from the inside and insert another boy to sow mistrust. The", "concerned, very long story). When the government can't defeat the crew with force,", "into a crew of powerful beings because he is being hunted by the", "crew members destroys the crew and the crew members massacre each other, with", "of the revisions have the exact same problem as the very first draft.", "is impure of blood and therefore dangerous as far as the government and", "the protagonist and the leader getting out alive, still with the task of", "government can't defeat the crew with force, they try to destroy it from", "each other, with only the protagonist and the leader getting out alive, still", "the middle of the novel/first climax, one wrong word by one of the", "powerful beings because he is being hunted by the tyrant government(he is impure", "long story). When the government can't defeat the crew with force, they try", "novel/first climax, one wrong word by one of the crew members destroys the", "protagonist and the leader getting out alive, still with the task of overthrowing", "the conversation that started the destruction of the crew, the destruction/massacre itself, and", "leader getting out alive, still with the task of overthrowing the tyrannical government.", "the very first draft. How do you write points like this in a", "to sow mistrust. The tension builds with only the government boy knowing, and", "tension, but with the conversation that started the destruction of the crew, the", "as the very first draft. How do you write points like this in", "insert another boy to sow mistrust. The tension builds with only the government", "aftermath, the entire chapter seems anticlimactic, considering that it is a literal massacre.", "still with the task of overthrowing the tyrannical government. I have some, but", "government(he is impure of blood and therefore dangerous as far as the government", "version) my protagonist is a slave boy who is dragged into a crew", "from the inside and insert another boy to sow mistrust. The tension builds", "he is being hunted by the tyrant government(he is impure of blood and", "is being hunted by the tyrant government(he is impure of blood and therefore", "very first draft. How do you write points like this in a story,", "the novel/first climax, one wrong word by one of the crew members destroys", "the inside and insert another boy to sow mistrust. The tension builds with", "is a slave boy who is dragged into a crew of powerful beings", "wrong word by one of the crew members destroys the crew and the", "tension builds with only the government boy knowing, and in the middle of", "the tyrant government(he is impure of blood and therefore dangerous as far as", "sow mistrust. The tension builds with only the government boy knowing, and in", "the crew with force, they try to destroy it from the inside and", "far as the government and it's God ruler is concerned, very long story).", "not much trouble creating the gradually rising tension, but with the conversation that", "a literal massacre. I have revised the chapter many times, but all of", "When the government can't defeat the crew with force, they try to destroy", "try to destroy it from the inside and insert another boy to sow", "the exact same problem as the very first draft. How do you write", "of the novel/first climax, one wrong word by one of the crew members", "of powerful beings because he is being hunted by the tyrant government(he is", "they try to destroy it from the inside and insert another boy to", "How do you write points like this in a story, without making it", "middle of the novel/first climax, one wrong word by one of the crew", "one wrong word by one of the crew members destroys the crew and", "other, with only the protagonist and the leader getting out alive, still with", "alive, still with the task of overthrowing the tyrannical government. I have some,", "overthrowing the tyrannical government. I have some, but not much trouble creating the", "anticlimactic, considering that it is a literal massacre. I have revised the chapter", "slave boy who is dragged into a crew of powerful beings because he", "that it is a literal massacre. I have revised the chapter many times,", "knowing, and in the middle of the novel/first climax, one wrong word by", "a crew of powerful beings because he is being hunted by the tyrant", "ruler is concerned, very long story). When the government can't defeat the crew", "the destruction/massacre itself, and the horrific aftermath, the entire chapter seems anticlimactic, considering", "I have some, but not much trouble creating the gradually rising tension, but", "story). When the government can't defeat the crew with force, they try to", "boy who is dragged into a crew of powerful beings because he is", "is concerned, very long story). When the government can't defeat the crew with", "impure of blood and therefore dangerous as far as the government and it's", "government. I have some, but not much trouble creating the gradually rising tension,", "and the leader getting out alive, still with the task of overthrowing the", "the revisions have the exact same problem as the very first draft. How", "mistrust. The tension builds with only the government boy knowing, and in the", "the crew, the destruction/massacre itself, and the horrific aftermath, the entire chapter seems", "crew and the crew members massacre each other, with only the protagonist and", "but not much trouble creating the gradually rising tension, but with the conversation", "have the exact same problem as the very first draft. How do you", "hunted by the tyrant government(he is impure of blood and therefore dangerous as", "some, but not much trouble creating the gradually rising tension, but with the", "can't defeat the crew with force, they try to destroy it from the", "destruction/massacre itself, and the horrific aftermath, the entire chapter seems anticlimactic, considering that", "the crew members massacre each other, with only the protagonist and the leader", "many times, but all of the revisions have the exact same problem as", "first draft. How do you write points like this in a story, without", "tyrant government(he is impure of blood and therefore dangerous as far as the", "very long story). When the government can't defeat the crew with force, they", "massacre each other, with only the protagonist and the leader getting out alive,", "by the tyrant government(he is impure of blood and therefore dangerous as far", "a slave boy who is dragged into a crew of powerful beings because", "of the crew members destroys the crew and the crew members massacre each", "the crew members destroys the crew and the crew members massacre each other,", "chapter seems anticlimactic, considering that it is a literal massacre. I have revised", "my fantasy novel(very simplified version) my protagonist is a slave boy who is", "and it's God ruler is concerned, very long story). When the government can't", "that started the destruction of the crew, the destruction/massacre itself, and the horrific", "is dragged into a crew of powerful beings because he is being hunted", "of the crew, the destruction/massacre itself, and the horrific aftermath, the entire chapter", "word by one of the crew members destroys the crew and the crew", "being hunted by the tyrant government(he is impure of blood and therefore dangerous", "with force, they try to destroy it from the inside and insert another", "one of the crew members destroys the crew and the crew members massacre", "but all of the revisions have the exact same problem as the very", "have some, but not much trouble creating the gradually rising tension, but with", "gradually rising tension, but with the conversation that started the destruction of the", "the horrific aftermath, the entire chapter seems anticlimactic, considering that it is a", "by one of the crew members destroys the crew and the crew members", "with the task of overthrowing the tyrannical government. I have some, but not", "and therefore dangerous as far as the government and it's God ruler is", "much trouble creating the gradually rising tension, but with the conversation that started", "the government can't defeat the crew with force, they try to destroy it", "climax, one wrong word by one of the crew members destroys the crew", "the crew and the crew members massacre each other, with only the protagonist", "itself, and the horrific aftermath, the entire chapter seems anticlimactic, considering that it", "crew members massacre each other, with only the protagonist and the leader getting", "same problem as the very first draft. How do you write points like", "tyrannical government. I have some, but not much trouble creating the gradually rising", "out alive, still with the task of overthrowing the tyrannical government. I have", "the gradually rising tension, but with the conversation that started the destruction of", "task of overthrowing the tyrannical government. I have some, but not much trouble", "government boy knowing, and in the middle of the novel/first climax, one wrong", "defeat the crew with force, they try to destroy it from the inside", "the government and it's God ruler is concerned, very long story). When the", "dangerous as far as the government and it's God ruler is concerned, very", "God ruler is concerned, very long story). When the government can't defeat the", "crew, the destruction/massacre itself, and the horrific aftermath, the entire chapter seems anticlimactic,", "force, they try to destroy it from the inside and insert another boy", "trouble creating the gradually rising tension, but with the conversation that started the", "problem as the very first draft. How do you write points like this", "of overthrowing the tyrannical government. I have some, but not much trouble creating", "and the horrific aftermath, the entire chapter seems anticlimactic, considering that it is", "my protagonist is a slave boy who is dragged into a crew of", "conversation that started the destruction of the crew, the destruction/massacre itself, and the", "horrific aftermath, the entire chapter seems anticlimactic, considering that it is a literal", "and in the middle of the novel/first climax, one wrong word by one", "but with the conversation that started the destruction of the crew, the destruction/massacre", "the chapter many times, but all of the revisions have the exact same", "government and it's God ruler is concerned, very long story). When the government", "only the government boy knowing, and in the middle of the novel/first climax,", "with only the protagonist and the leader getting out alive, still with the", "revised the chapter many times, but all of the revisions have the exact", "protagonist is a slave boy who is dragged into a crew of powerful", "revisions have the exact same problem as the very first draft. How do", "seems anticlimactic, considering that it is a literal massacre. I have revised the", "chapter many times, but all of the revisions have the exact same problem", "The tension builds with only the government boy knowing, and in the middle", "the leader getting out alive, still with the task of overthrowing the tyrannical", "another boy to sow mistrust. The tension builds with only the government boy", "builds with only the government boy knowing, and in the middle of the", "simplified version) my protagonist is a slave boy who is dragged into a", "boy to sow mistrust. The tension builds with only the government boy knowing,", "to destroy it from the inside and insert another boy to sow mistrust.", "started the destruction of the crew, the destruction/massacre itself, and the horrific aftermath,", "considering that it is a literal massacre. I have revised the chapter many", "it is a literal massacre. I have revised the chapter many times, but", "the task of overthrowing the tyrannical government. I have some, but not much", "exact same problem as the very first draft. How do you write points", "who is dragged into a crew of powerful beings because he is being", "the tyrannical government. I have some, but not much trouble creating the gradually", "the government boy knowing, and in the middle of the novel/first climax, one", "In my fantasy novel(very simplified version) my protagonist is a slave boy who", "I have revised the chapter many times, but all of the revisions have", "as far as the government and it's God ruler is concerned, very long" ]
[ "collection of short stories ala The Witcher, is there any good reason why", "to write a book without an overarching plot to achieve something that couldn't", "reason why you shouldn't have a overarching plot? I am wondering if an", "an overarching plot to achieve something that couldn't have been done with an", "I am wondering if an overarching plot is always recommended or if people", "and tried to write a book without an overarching plot to achieve something", "Witcher, is there any good reason why you shouldn't have a overarching plot?", "plot is always recommended or if people have experimented in the past and", "any good reason why you shouldn't have a overarching plot? I am wondering", "plot to achieve something that couldn't have been done with an overarching plot.", "plot that you can't with one? Let's say you write a collection of", "recommended or if people have experimented in the past and tried to write", "or if people have experimented in the past and tried to write a", "overarching plot that you can't with one? Let's say you write a collection", "am wondering if an overarching plot is always recommended or if people have", "you can achieve without a overarching plot that you can't with one? Let's", "wondering if an overarching plot is always recommended or if people have experimented", "if people have experimented in the past and tried to write a book", "a book without an overarching plot to achieve something that couldn't have been", "Is there something you can achieve without a overarching plot that you can't", "write a collection of short stories ala The Witcher, is there any good", "stories ala The Witcher, is there any good reason why you shouldn't have", "always recommended or if people have experimented in the past and tried to", "can achieve without a overarching plot that you can't with one? Let's say", "past and tried to write a book without an overarching plot to achieve", "overarching plot? I am wondering if an overarching plot is always recommended or", "tried to write a book without an overarching plot to achieve something that", "achieve without a overarching plot that you can't with one? Let's say you", "a overarching plot? I am wondering if an overarching plot is always recommended", "there any good reason why you shouldn't have a overarching plot? I am", "is always recommended or if people have experimented in the past and tried", "why you shouldn't have a overarching plot? I am wondering if an overarching", "The Witcher, is there any good reason why you shouldn't have a overarching", "you shouldn't have a overarching plot? I am wondering if an overarching plot", "there something you can achieve without a overarching plot that you can't with", "with one? Let's say you write a collection of short stories ala The", "shouldn't have a overarching plot? I am wondering if an overarching plot is", "a overarching plot that you can't with one? Let's say you write a", "have a overarching plot? I am wondering if an overarching plot is always", "have experimented in the past and tried to write a book without an", "is there any good reason why you shouldn't have a overarching plot? I", "good reason why you shouldn't have a overarching plot? I am wondering if", "the past and tried to write a book without an overarching plot to", "book without an overarching plot to achieve something that couldn't have been done", "one? Let's say you write a collection of short stories ala The Witcher,", "short stories ala The Witcher, is there any good reason why you shouldn't", "people have experimented in the past and tried to write a book without", "plot? I am wondering if an overarching plot is always recommended or if", "write a book without an overarching plot to achieve something that couldn't have", "something you can achieve without a overarching plot that you can't with one?", "of short stories ala The Witcher, is there any good reason why you", "you can't with one? Let's say you write a collection of short stories", "without an overarching plot to achieve something that couldn't have been done with", "an overarching plot is always recommended or if people have experimented in the", "you write a collection of short stories ala The Witcher, is there any", "in the past and tried to write a book without an overarching plot", "if an overarching plot is always recommended or if people have experimented in", "experimented in the past and tried to write a book without an overarching", "a collection of short stories ala The Witcher, is there any good reason", "say you write a collection of short stories ala The Witcher, is there", "Let's say you write a collection of short stories ala The Witcher, is", "overarching plot to achieve something that couldn't have been done with an overarching", "ala The Witcher, is there any good reason why you shouldn't have a", "can't with one? Let's say you write a collection of short stories ala", "overarching plot is always recommended or if people have experimented in the past", "that you can't with one? Let's say you write a collection of short", "without a overarching plot that you can't with one? Let's say you write" ]
[ "> the Kamalah day.\" > > > --Blackened pot was the mythical pot", "the characters may use an idiom or expression that only makes sense if", "birth in a blackend pot > on the Kamalah day. > > >", "a dialogue understandable? Sometimes, the characters may use an idiom or expression that", "birth to, Kamalah day refers to the day God was given birth. The", "day.\" > > > --Blackened pot was the mythical pot where God was", "have been given birth in a blackened pot on > the Kamalah day.\"", "just avoid these dialogues all together or should you inform the readers before", "to, Kamalah day refers to the day God was given birth. The religion", "information that makes a dialogue understandable? Sometimes, the characters may use an idiom", "some world-building element of the story. Should you just avoid these dialogues all", "in a blackened pot on > the Kamalah day.\" > > > --Blackened", "you put information that makes a dialogue understandable? Sometimes, the characters may use", "Example: > > \"He believes himself to have been given birth in a", "the readers before or after the dialogue? Example: > > \"He believes himself", "been given birth in a blackened pot on > the Kamalah day.\" >", "you inform the readers before or after the dialogue? Example: > > \"He", "should you put information that makes a dialogue understandable? Sometimes, the characters may", "mythical pot where God was given birth to, Kamalah day refers to the", "day God was given birth. The religion of > Kurugh says that the", "story. Should you just avoid these dialogues all together or should you inform", "next savior will be given birth in a blackend pot > on the", "Should you just avoid these dialogues all together or should you inform the", "together or should you inform the readers before or after the dialogue? Example:", "on > the Kamalah day.\" > > > --Blackened pot was the mythical", "given birth in a blackened pot on > the Kamalah day.\" > >", "pot where God was given birth to, Kamalah day refers to the day", "Kamalah day.\" > > > --Blackened pot was the mythical pot where God", "> > \"He believes himself to have been given birth in a blackened", "or after the dialogue? Example: > > \"He believes himself to have been", "birth. The religion of > Kurugh says that the next savior will be", "that makes a dialogue understandable? Sometimes, the characters may use an idiom or", "element of the story. Should you just avoid these dialogues all together or", "avoid these dialogues all together or should you inform the readers before or", "should you inform the readers before or after the dialogue? Example: > >", "was given birth. The religion of > Kurugh says that the next savior", "only makes sense if you know some world-building element of the story. Should", "says that the next savior will be given birth in a blackend pot", "the next savior will be given birth in a blackend pot > on", "if you know some world-building element of the story. Should you just avoid", "after the dialogue? Example: > > \"He believes himself to have been given", "Sometimes, the characters may use an idiom or expression that only makes sense", "be given birth in a blackend pot > on the Kamalah day. >", "When should you put information that makes a dialogue understandable? Sometimes, the characters", "to have been given birth in a blackened pot on > the Kamalah", "use an idiom or expression that only makes sense if you know some", "was given birth to, Kamalah day refers to the day God was given", "> > > --Blackened pot was the mythical pot where God was given", "readers before or after the dialogue? Example: > > \"He believes himself to", "blackened pot on > the Kamalah day.\" > > > --Blackened pot was", "world-building element of the story. Should you just avoid these dialogues all together", "or should you inform the readers before or after the dialogue? Example: >", "of > Kurugh says that the next savior will be given birth in", "day refers to the day God was given birth. The religion of >", "given birth in a blackend pot > on the Kamalah day. > >", "God was given birth to, Kamalah day refers to the day God was", "to the day God was given birth. The religion of > Kurugh says", "all together or should you inform the readers before or after the dialogue?", "given birth to, Kamalah day refers to the day God was given birth.", "makes a dialogue understandable? Sometimes, the characters may use an idiom or expression", "believes himself to have been given birth in a blackened pot on >", "pot was the mythical pot where God was given birth to, Kamalah day", "sense if you know some world-building element of the story. Should you just", "birth in a blackened pot on > the Kamalah day.\" > > >", "refers to the day God was given birth. The religion of > Kurugh", "of the story. Should you just avoid these dialogues all together or should", "> Kurugh says that the next savior will be given birth in a", "characters may use an idiom or expression that only makes sense if you", "may use an idiom or expression that only makes sense if you know", "dialogue? Example: > > \"He believes himself to have been given birth in", "put information that makes a dialogue understandable? Sometimes, the characters may use an", "The religion of > Kurugh says that the next savior will be given", "dialogues all together or should you inform the readers before or after the", "the Kamalah day.\" > > > --Blackened pot was the mythical pot where", "these dialogues all together or should you inform the readers before or after", "that only makes sense if you know some world-building element of the story.", "God was given birth. The religion of > Kurugh says that the next", "the story. Should you just avoid these dialogues all together or should you", "the dialogue? Example: > > \"He believes himself to have been given birth", "you know some world-building element of the story. Should you just avoid these", "or expression that only makes sense if you know some world-building element of", "given birth. The religion of > Kurugh says that the next savior will", "inform the readers before or after the dialogue? Example: > > \"He believes", "the day God was given birth. The religion of > Kurugh says that", "> > --Blackened pot was the mythical pot where God was given birth", "Kurugh says that the next savior will be given birth in a blackend", "> \"He believes himself to have been given birth in a blackened pot", "an idiom or expression that only makes sense if you know some world-building", "will be given birth in a blackend pot > on the Kamalah day.", "understandable? Sometimes, the characters may use an idiom or expression that only makes", "idiom or expression that only makes sense if you know some world-building element", "himself to have been given birth in a blackened pot on > the", "makes sense if you know some world-building element of the story. Should you", "pot on > the Kamalah day.\" > > > --Blackened pot was the", "--Blackened pot was the mythical pot where God was given birth to, Kamalah", "a blackened pot on > the Kamalah day.\" > > > --Blackened pot", "savior will be given birth in a blackend pot > on the Kamalah", "expression that only makes sense if you know some world-building element of the", "\"He believes himself to have been given birth in a blackened pot on", "that the next savior will be given birth in a blackend pot >", "before or after the dialogue? Example: > > \"He believes himself to have", "where God was given birth to, Kamalah day refers to the day God", "know some world-building element of the story. Should you just avoid these dialogues", "> --Blackened pot was the mythical pot where God was given birth to,", "was the mythical pot where God was given birth to, Kamalah day refers", "Kamalah day refers to the day God was given birth. The religion of", "dialogue understandable? Sometimes, the characters may use an idiom or expression that only", "the mythical pot where God was given birth to, Kamalah day refers to", "you just avoid these dialogues all together or should you inform the readers", "religion of > Kurugh says that the next savior will be given birth" ]
[ "Any tool that you’d know? Any other book (!) that you can recommend", "couple of themes, and each theme consists of chapters with descriptions of topics", "The book covers a couple of themes, and each theme consists of chapters", "a concise text, I want to minimize the semantic overlap between topics. So,", "high cohesion within each topic and limited overlap between chapters. Visually, if I'd", "expect to be able to get lists of words that are unique and", "seven themes and each theme consists of (roughly) eight topics. With the aim", "topic a separate group (after filtering out stop words and other generic words).", "be able to get lists of words that are unique and telling for", "see distinct groups with each topic a separate group (after filtering out stop", "would expect to be able to get lists of words that are unique", "of words that are unique and telling for each topic since they don’t", "that you’d know? Any other book (!) that you can recommend on this", "for this need, other than “textual analysis”) that I could use? Any tool", "put differently, I would expect to be able to get lists of words", "minimize the semantic overlap between topics. So, when comparing each topic/chapter with any", "theme. (Not that it matters, but it’s practical philosophical-ish.) For example, there are", "comparing each topic/chapter with any of the other chapters, I would like to", "all the book’s words, I’d expect to see distinct groups with each topic", "that are unique and telling for each topic since they don’t appear in", "they don’t appear in any other topic. What’s a technique (or even term", "any other topic. What’s a technique (or even term for this need, other", "this need, other than “textual analysis”) that I could use? Any tool that", "with any of the other chapters, I would like to see a high", "With the aim of writing a concise text, I want to minimize the", "a non-fiction book on some subject. The book covers a couple of themes,", "I would expect to be able to get lists of words that are", "want to minimize the semantic overlap between topics. So, when comparing each topic/chapter", "eight topics. With the aim of writing a concise text, I want to", "topics. With the aim of writing a concise text, I want to minimize", "generic words). Or put differently, I would expect to be able to get", "of topics within that theme. (Not that it matters, but it’s practical philosophical-ish.)", "aim of writing a concise text, I want to minimize the semantic overlap", "when comparing each topic/chapter with any of the other chapters, I would like", "themes, and each theme consists of chapters with descriptions of topics within that", "each theme consists of chapters with descriptions of topics within that theme. (Not", "tool that you’d know? Any other book (!) that you can recommend on", "chapters with descriptions of topics within that theme. (Not that it matters, but", "chapters, I would like to see a high cohesion within each topic and", "that it matters, but it’s practical philosophical-ish.) For example, there are seven themes", "cluster all the book’s words, I’d expect to see distinct groups with each", "there are seven themes and each theme consists of (roughly) eight topics. With", "like to see a high cohesion within each topic and limited overlap between", "a high cohesion within each topic and limited overlap between chapters. Visually, if", "topic and limited overlap between chapters. Visually, if I'd cluster all the book’s", "and telling for each topic since they don’t appear in any other topic.", "get lists of words that are unique and telling for each topic since", "need, other than “textual analysis”) that I could use? Any tool that you’d", "other than “textual analysis”) that I could use? Any tool that you’d know?", "(roughly) eight topics. With the aim of writing a concise text, I want", "I want to minimize the semantic overlap between topics. So, when comparing each", "distinct groups with each topic a separate group (after filtering out stop words", "on this topic? [English isn't my native language, so apologies for any grammatical", "expect to see distinct groups with each topic a separate group (after filtering", "a technique (or even term for this need, other than “textual analysis”) that", "each topic/chapter with any of the other chapters, I would like to see", "writing a concise text, I want to minimize the semantic overlap between topics.", "and limited overlap between chapters. Visually, if I'd cluster all the book’s words,", "see a high cohesion within each topic and limited overlap between chapters. Visually,", "subject. The book covers a couple of themes, and each theme consists of", "and other generic words). Or put differently, I would expect to be able", "and each theme consists of (roughly) eight topics. With the aim of writing", "use? Any tool that you’d know? Any other book (!) that you can", "(!) that you can recommend on this topic? [English isn't my native language,", "groups with each topic a separate group (after filtering out stop words and", "theme consists of chapters with descriptions of topics within that theme. (Not that", "non-fiction book on some subject. The book covers a couple of themes, and", "Say, I’m writing a non-fiction book on some subject. The book covers a", "example, there are seven themes and each theme consists of (roughly) eight topics.", "topics. So, when comparing each topic/chapter with any of the other chapters, I", "technique (or even term for this need, other than “textual analysis”) that I", "any of the other chapters, I would like to see a high cohesion", "“textual analysis”) that I could use? Any tool that you’d know? Any other", "topics within that theme. (Not that it matters, but it’s practical philosophical-ish.) For", "book’s words, I’d expect to see distinct groups with each topic a separate", "themes and each theme consists of (roughly) eight topics. With the aim of", "I'd cluster all the book’s words, I’d expect to see distinct groups with", "I’d expect to see distinct groups with each topic a separate group (after", "appear in any other topic. What’s a technique (or even term for this", "a separate group (after filtering out stop words and other generic words). Or", "you’d know? Any other book (!) that you can recommend on this topic?", "to see distinct groups with each topic a separate group (after filtering out", "of themes, and each theme consists of chapters with descriptions of topics within", "between chapters. Visually, if I'd cluster all the book’s words, I’d expect to", "the aim of writing a concise text, I want to minimize the semantic", "the book’s words, I’d expect to see distinct groups with each topic a", "each topic since they don’t appear in any other topic. What’s a technique", "(or even term for this need, other than “textual analysis”) that I could", "analysis”) that I could use? Any tool that you’d know? Any other book", "could use? Any tool that you’d know? Any other book (!) that you", "practical philosophical-ish.) For example, there are seven themes and each theme consists of", "book on some subject. The book covers a couple of themes, and each", "the other chapters, I would like to see a high cohesion within each", "telling for each topic since they don’t appear in any other topic. What’s", "other book (!) that you can recommend on this topic? [English isn't my", "to get lists of words that are unique and telling for each topic", "(Not that it matters, but it’s practical philosophical-ish.) For example, there are seven", "covers a couple of themes, and each theme consists of chapters with descriptions", "book covers a couple of themes, and each theme consists of chapters with", "(after filtering out stop words and other generic words). Or put differently, I", "that I could use? Any tool that you’d know? Any other book (!)", "and each theme consists of chapters with descriptions of topics within that theme.", "each theme consists of (roughly) eight topics. With the aim of writing a", "I would like to see a high cohesion within each topic and limited", "if I'd cluster all the book’s words, I’d expect to see distinct groups", "stop words and other generic words). Or put differently, I would expect to", "overlap between chapters. Visually, if I'd cluster all the book’s words, I’d expect", "Any other book (!) that you can recommend on this topic? [English isn't", "since they don’t appear in any other topic. What’s a technique (or even", "consists of chapters with descriptions of topics within that theme. (Not that it", "other generic words). Or put differently, I would expect to be able to", "words, I’d expect to see distinct groups with each topic a separate group", "between topics. So, when comparing each topic/chapter with any of the other chapters,", "each topic a separate group (after filtering out stop words and other generic", "in any other topic. What’s a technique (or even term for this need,", "differently, I would expect to be able to get lists of words that", "group (after filtering out stop words and other generic words). Or put differently,", "you can recommend on this topic? [English isn't my native language, so apologies", "So, when comparing each topic/chapter with any of the other chapters, I would", "lists of words that are unique and telling for each topic since they", "some subject. The book covers a couple of themes, and each theme consists", "other topic. What’s a technique (or even term for this need, other than", "of chapters with descriptions of topics within that theme. (Not that it matters,", "on some subject. The book covers a couple of themes, and each theme", "of writing a concise text, I want to minimize the semantic overlap between", "that theme. (Not that it matters, but it’s practical philosophical-ish.) For example, there", "for each topic since they don’t appear in any other topic. What’s a", "concise text, I want to minimize the semantic overlap between topics. So, when", "recommend on this topic? [English isn't my native language, so apologies for any", "What’s a technique (or even term for this need, other than “textual analysis”)", "words that are unique and telling for each topic since they don’t appear", "a couple of themes, and each theme consists of chapters with descriptions of", "words). Or put differently, I would expect to be able to get lists", "able to get lists of words that are unique and telling for each", "with descriptions of topics within that theme. (Not that it matters, but it’s", "it’s practical philosophical-ish.) For example, there are seven themes and each theme consists", "but it’s practical philosophical-ish.) For example, there are seven themes and each theme", "writing a non-fiction book on some subject. The book covers a couple of", "within each topic and limited overlap between chapters. Visually, if I'd cluster all", "unique and telling for each topic since they don’t appear in any other", "term for this need, other than “textual analysis”) that I could use? Any", "within that theme. (Not that it matters, but it’s practical philosophical-ish.) For example,", "cohesion within each topic and limited overlap between chapters. Visually, if I'd cluster", "book (!) that you can recommend on this topic? [English isn't my native", "chapters. Visually, if I'd cluster all the book’s words, I’d expect to see", "other chapters, I would like to see a high cohesion within each topic", "text, I want to minimize the semantic overlap between topics. So, when comparing", "theme consists of (roughly) eight topics. With the aim of writing a concise", "Visually, if I'd cluster all the book’s words, I’d expect to see distinct", "than “textual analysis”) that I could use? Any tool that you’d know? Any", "are seven themes and each theme consists of (roughly) eight topics. With the", "limited overlap between chapters. Visually, if I'd cluster all the book’s words, I’d", "this topic? [English isn't my native language, so apologies for any grammatical errors.]", "topic/chapter with any of the other chapters, I would like to see a", "it matters, but it’s practical philosophical-ish.) For example, there are seven themes and", "that you can recommend on this topic? [English isn't my native language, so", "each topic and limited overlap between chapters. Visually, if I'd cluster all the", "to minimize the semantic overlap between topics. So, when comparing each topic/chapter with", "to see a high cohesion within each topic and limited overlap between chapters.", "can recommend on this topic? [English isn't my native language, so apologies for", "separate group (after filtering out stop words and other generic words). Or put", "don’t appear in any other topic. What’s a technique (or even term for", "of (roughly) eight topics. With the aim of writing a concise text, I", "Or put differently, I would expect to be able to get lists of", "semantic overlap between topics. So, when comparing each topic/chapter with any of the", "even term for this need, other than “textual analysis”) that I could use?", "descriptions of topics within that theme. (Not that it matters, but it’s practical", "filtering out stop words and other generic words). Or put differently, I would", "For example, there are seven themes and each theme consists of (roughly) eight", "topic since they don’t appear in any other topic. What’s a technique (or", "the semantic overlap between topics. So, when comparing each topic/chapter with any of", "topic. What’s a technique (or even term for this need, other than “textual", "to be able to get lists of words that are unique and telling", "with each topic a separate group (after filtering out stop words and other", "matters, but it’s practical philosophical-ish.) For example, there are seven themes and each", "overlap between topics. So, when comparing each topic/chapter with any of the other", "know? Any other book (!) that you can recommend on this topic? [English", "would like to see a high cohesion within each topic and limited overlap", "I’m writing a non-fiction book on some subject. The book covers a couple", "words and other generic words). Or put differently, I would expect to be", "I could use? Any tool that you’d know? Any other book (!) that", "out stop words and other generic words). Or put differently, I would expect", "of the other chapters, I would like to see a high cohesion within", "are unique and telling for each topic since they don’t appear in any", "consists of (roughly) eight topics. With the aim of writing a concise text,", "philosophical-ish.) For example, there are seven themes and each theme consists of (roughly)" ]
[ "some images are excluded. I am wondering if there's anything else. I can", "excluded. I am wondering if there's anything else. I can think of timelines", "of timelines too, but aside from those two, I can't think of any.", "specifically referring to anything that has a graphical element, so any plain text", "plain text or text documents with some images are excluded. I am wondering", "referring to anything that has a graphical element, so any plain text or", "that has a graphical element, so any plain text or text documents with", "graphical element, so any plain text or text documents with some images are", "and plan out your novel? I am specifically referring to anything that has", "wondering if there's anything else. I can think of timelines too, but aside", "with some images are excluded. I am wondering if there's anything else. I", "can think of timelines too, but aside from those two, I can't think", "documents with some images are excluded. I am wondering if there's anything else.", "any plain text or text documents with some images are excluded. I am", "anything that has a graphical element, so any plain text or text documents", "images are excluded. I am wondering if there's anything else. I can think", "anything else. I can think of timelines too, but aside from those two,", "novel? I am specifically referring to anything that has a graphical element, so", "I am specifically referring to anything that has a graphical element, so any", "to document and plan out your novel? I am specifically referring to anything", "text documents with some images are excluded. I am wondering if there's anything", "maps, what other graphical diagrams and graphical elements can you use to document", "or text documents with some images are excluded. I am wondering if there's", "element, so any plain text or text documents with some images are excluded.", "has a graphical element, so any plain text or text documents with some", "are excluded. I am wondering if there's anything else. I can think of", "I am wondering if there's anything else. I can think of timelines too,", "diagrams and graphical elements can you use to document and plan out your", "else. I can think of timelines too, but aside from those two, I", "out your novel? I am specifically referring to anything that has a graphical", "think of timelines too, but aside from those two, I can't think of", "other graphical diagrams and graphical elements can you use to document and plan", "document and plan out your novel? I am specifically referring to anything that", "from mind maps, what other graphical diagrams and graphical elements can you use", "what other graphical diagrams and graphical elements can you use to document and", "text or text documents with some images are excluded. I am wondering if", "plan out your novel? I am specifically referring to anything that has a", "graphical diagrams and graphical elements can you use to document and plan out", "to anything that has a graphical element, so any plain text or text", "so any plain text or text documents with some images are excluded. I", "I can think of timelines too, but aside from those two, I can't", "can you use to document and plan out your novel? I am specifically", "use to document and plan out your novel? I am specifically referring to", "you use to document and plan out your novel? I am specifically referring", "graphical elements can you use to document and plan out your novel? I", "a graphical element, so any plain text or text documents with some images", "Aside from mind maps, what other graphical diagrams and graphical elements can you", "if there's anything else. I can think of timelines too, but aside from", "there's anything else. I can think of timelines too, but aside from those", "your novel? I am specifically referring to anything that has a graphical element,", "am wondering if there's anything else. I can think of timelines too, but", "am specifically referring to anything that has a graphical element, so any plain", "elements can you use to document and plan out your novel? I am", "and graphical elements can you use to document and plan out your novel?", "mind maps, what other graphical diagrams and graphical elements can you use to" ]
[ "doing this? Example: \"The cops came in\" Jouqye said. \"Oh, seriously!?\" KinaKE said.", "said. \"Oh, seriously!?\" KinaKE said. \"Yeah, I--\" Jouqye said Masjum was sitting on", "two before the camera pans to someone else and so on. Is it", "someone talking. I mean we can, but it looks odd and it doesn't", "capture that effect outside of films. The transition text cannot cut someone talking.", "\"Oh, seriously!?\" KinaKE said. \"Yeah, I--\" Jouqye said Masjum was sitting on a", "Is it ok to do that in a novel? What are some ways", "to cut a dialogue like that unless someone is interrupted by an actual", "and--\" Warxo replied. I am not sure why, but I don't think it's", "in a novel? What are some ways of doing this? Example: \"The cops", "the camera pans to someone else and so on. Is it ok to", "ok to do that in a novel? What are some ways of doing", "but I don't think it's possible to capture that effect outside of films.", "cannot cut someone talking. I mean we can, but it looks odd and", "for hours. \"Man, I am hungry.\" Masjum said. \"I am too and--\" Warxo", "eat anything for hours. \"Man, I am hungry.\" Masjum said. \"I am too", "said Masjum was sitting on a couch smoking a cigar. He was extremely", "hear people exchange a phrase or two before the camera pans to someone", "Jouqye said. \"Oh, seriously!?\" KinaKE said. \"Yeah, I--\" Jouqye said Masjum was sitting", "Masjum said. \"I am too and--\" Warxo replied. I am not sure why,", "KinaKE said. \"Yeah, I--\" Jouqye said Masjum was sitting on a couch smoking", "text cannot cut someone talking. I mean we can, but it looks odd", "The transition text cannot cut someone talking. I mean we can, but it", "I don't think it's possible to capture that effect outside of films. The", "In films, you hear people exchange a phrase or two before the camera", "and so on. Is it ok to do that in a novel? What", "exchange a phrase or two before the camera pans to someone else and", "am hungry.\" Masjum said. \"I am too and--\" Warxo replied. I am not", "Warxo replied. I am not sure why, but I don't think it's possible", "on. Is it ok to do that in a novel? What are some", "unless someone is interrupted by an actual person and not because the \"focus\"", "cigar. He was extremely hungry, because he didn't eat anything for hours. \"Man,", "are some ways of doing this? Example: \"The cops came in\" Jouqye said.", "hours. \"Man, I am hungry.\" Masjum said. \"I am too and--\" Warxo replied.", "doesn't feel justified to cut a dialogue like that unless someone is interrupted", "it's possible to capture that effect outside of films. The transition text cannot", "is interrupted by an actual person and not because the \"focus\" of the", "I mean we can, but it looks odd and it doesn't feel justified", "to capture that effect outside of films. The transition text cannot cut someone", "it ok to do that in a novel? What are some ways of", "that unless someone is interrupted by an actual person and not because the", "some ways of doing this? Example: \"The cops came in\" Jouqye said. \"Oh,", "smoking a cigar. He was extremely hungry, because he didn't eat anything for", "feel justified to cut a dialogue like that unless someone is interrupted by", "I--\" Jouqye said Masjum was sitting on a couch smoking a cigar. He", "\"Man, I am hungry.\" Masjum said. \"I am too and--\" Warxo replied. I", "camera pans to someone else and so on. Is it ok to do", "too and--\" Warxo replied. I am not sure why, but I don't think", "an actual person and not because the \"focus\" of the narration was lost.", "replied. I am not sure why, but I don't think it's possible to", "cops came in\" Jouqye said. \"Oh, seriously!?\" KinaKE said. \"Yeah, I--\" Jouqye said", "Example: \"The cops came in\" Jouqye said. \"Oh, seriously!?\" KinaKE said. \"Yeah, I--\"", "can, but it looks odd and it doesn't feel justified to cut a", "cut someone talking. I mean we can, but it looks odd and it", "I am hungry.\" Masjum said. \"I am too and--\" Warxo replied. I am", "why, but I don't think it's possible to capture that effect outside of", "else and so on. Is it ok to do that in a novel?", "said. \"Yeah, I--\" Jouqye said Masjum was sitting on a couch smoking a", "films, you hear people exchange a phrase or two before the camera pans", "of films. The transition text cannot cut someone talking. I mean we can,", "we can, but it looks odd and it doesn't feel justified to cut", "anything for hours. \"Man, I am hungry.\" Masjum said. \"I am too and--\"", "mean we can, but it looks odd and it doesn't feel justified to", "came in\" Jouqye said. \"Oh, seriously!?\" KinaKE said. \"Yeah, I--\" Jouqye said Masjum", "before the camera pans to someone else and so on. Is it ok", "films. The transition text cannot cut someone talking. I mean we can, but", "said. \"I am too and--\" Warxo replied. I am not sure why, but", "think it's possible to capture that effect outside of films. The transition text", "to do that in a novel? What are some ways of doing this?", "or two before the camera pans to someone else and so on. Is", "He was extremely hungry, because he didn't eat anything for hours. \"Man, I", "don't think it's possible to capture that effect outside of films. The transition", "hungry.\" Masjum said. \"I am too and--\" Warxo replied. I am not sure", "a couch smoking a cigar. He was extremely hungry, because he didn't eat", "a phrase or two before the camera pans to someone else and so", "so on. Is it ok to do that in a novel? What are", "\"Yeah, I--\" Jouqye said Masjum was sitting on a couch smoking a cigar.", "ways of doing this? Example: \"The cops came in\" Jouqye said. \"Oh, seriously!?\"", "a dialogue like that unless someone is interrupted by an actual person and", "\"I am too and--\" Warxo replied. I am not sure why, but I", "interrupted by an actual person and not because the \"focus\" of the narration", "was extremely hungry, because he didn't eat anything for hours. \"Man, I am", "Jouqye said Masjum was sitting on a couch smoking a cigar. He was", "didn't eat anything for hours. \"Man, I am hungry.\" Masjum said. \"I am", "people exchange a phrase or two before the camera pans to someone else", "it looks odd and it doesn't feel justified to cut a dialogue like", "transition text cannot cut someone talking. I mean we can, but it looks", "and it doesn't feel justified to cut a dialogue like that unless someone", "looks odd and it doesn't feel justified to cut a dialogue like that", "dialogue like that unless someone is interrupted by an actual person and not", "couch smoking a cigar. He was extremely hungry, because he didn't eat anything", "because he didn't eat anything for hours. \"Man, I am hungry.\" Masjum said.", "not sure why, but I don't think it's possible to capture that effect", "talking. I mean we can, but it looks odd and it doesn't feel", "sure why, but I don't think it's possible to capture that effect outside", "that effect outside of films. The transition text cannot cut someone talking. I", "was sitting on a couch smoking a cigar. He was extremely hungry, because", "am too and--\" Warxo replied. I am not sure why, but I don't", "a cigar. He was extremely hungry, because he didn't eat anything for hours.", "seriously!?\" KinaKE said. \"Yeah, I--\" Jouqye said Masjum was sitting on a couch", "novel? What are some ways of doing this? Example: \"The cops came in\"", "of doing this? Example: \"The cops came in\" Jouqye said. \"Oh, seriously!?\" KinaKE", "he didn't eat anything for hours. \"Man, I am hungry.\" Masjum said. \"I", "I am not sure why, but I don't think it's possible to capture", "this? Example: \"The cops came in\" Jouqye said. \"Oh, seriously!?\" KinaKE said. \"Yeah,", "someone else and so on. Is it ok to do that in a", "hungry, because he didn't eat anything for hours. \"Man, I am hungry.\" Masjum", "Masjum was sitting on a couch smoking a cigar. He was extremely hungry,", "justified to cut a dialogue like that unless someone is interrupted by an", "outside of films. The transition text cannot cut someone talking. I mean we", "on a couch smoking a cigar. He was extremely hungry, because he didn't", "\"The cops came in\" Jouqye said. \"Oh, seriously!?\" KinaKE said. \"Yeah, I--\" Jouqye", "it doesn't feel justified to cut a dialogue like that unless someone is", "pans to someone else and so on. Is it ok to do that", "am not sure why, but I don't think it's possible to capture that", "sitting on a couch smoking a cigar. He was extremely hungry, because he", "What are some ways of doing this? Example: \"The cops came in\" Jouqye", "do that in a novel? What are some ways of doing this? Example:", "phrase or two before the camera pans to someone else and so on.", "someone is interrupted by an actual person and not because the \"focus\" of", "odd and it doesn't feel justified to cut a dialogue like that unless", "extremely hungry, because he didn't eat anything for hours. \"Man, I am hungry.\"", "effect outside of films. The transition text cannot cut someone talking. I mean", "like that unless someone is interrupted by an actual person and not because", "by an actual person and not because the \"focus\" of the narration was", "possible to capture that effect outside of films. The transition text cannot cut", "you hear people exchange a phrase or two before the camera pans to", "a novel? What are some ways of doing this? Example: \"The cops came", "cut a dialogue like that unless someone is interrupted by an actual person", "in\" Jouqye said. \"Oh, seriously!?\" KinaKE said. \"Yeah, I--\" Jouqye said Masjum was", "that in a novel? What are some ways of doing this? Example: \"The", "but it looks odd and it doesn't feel justified to cut a dialogue", "to someone else and so on. Is it ok to do that in" ]
[ "Can you add worldbuilding footnotes in your novel? Most philosophy books have footnotes", "their extremely complex worldbuilding, or it's something no one would do and no", "because sometimes the text by itself is too hard to understand. Are there", "hard to understand. Are there novels that use footnotes to explain their extremely", "one would do and no one has done? Why is it a bad", "novels that use footnotes to explain their extremely complex worldbuilding, or it's something", "the text by itself is too hard to understand. Are there novels that", "would do and no one has done? Why is it a bad idea", "one has done? Why is it a bad idea or a good idea?", "footnotes to explain their extremely complex worldbuilding, or it's something no one would", "on them, because sometimes the text by itself is too hard to understand.", "them, because sometimes the text by itself is too hard to understand. Are", "and no one has done? Why is it a bad idea or a", "no one would do and no one has done? Why is it a", "text by itself is too hard to understand. Are there novels that use", "itself is too hard to understand. Are there novels that use footnotes to", "in your novel? Most philosophy books have footnotes on them, because sometimes the", "it's something no one would do and no one has done? Why is", "something no one would do and no one has done? Why is it", "explain their extremely complex worldbuilding, or it's something no one would do and", "footnotes on them, because sometimes the text by itself is too hard to", "add worldbuilding footnotes in your novel? Most philosophy books have footnotes on them,", "philosophy books have footnotes on them, because sometimes the text by itself is", "to explain their extremely complex worldbuilding, or it's something no one would do", "novel? Most philosophy books have footnotes on them, because sometimes the text by", "footnotes in your novel? Most philosophy books have footnotes on them, because sometimes", "that use footnotes to explain their extremely complex worldbuilding, or it's something no", "sometimes the text by itself is too hard to understand. Are there novels", "use footnotes to explain their extremely complex worldbuilding, or it's something no one", "do and no one has done? Why is it a bad idea or", "is too hard to understand. Are there novels that use footnotes to explain", "or it's something no one would do and no one has done? Why", "no one has done? Why is it a bad idea or a good", "your novel? Most philosophy books have footnotes on them, because sometimes the text", "complex worldbuilding, or it's something no one would do and no one has", "have footnotes on them, because sometimes the text by itself is too hard", "by itself is too hard to understand. Are there novels that use footnotes", "understand. Are there novels that use footnotes to explain their extremely complex worldbuilding,", "Most philosophy books have footnotes on them, because sometimes the text by itself", "extremely complex worldbuilding, or it's something no one would do and no one", "to understand. Are there novels that use footnotes to explain their extremely complex", "books have footnotes on them, because sometimes the text by itself is too", "there novels that use footnotes to explain their extremely complex worldbuilding, or it's", "worldbuilding footnotes in your novel? Most philosophy books have footnotes on them, because", "you add worldbuilding footnotes in your novel? Most philosophy books have footnotes on", "Are there novels that use footnotes to explain their extremely complex worldbuilding, or", "too hard to understand. Are there novels that use footnotes to explain their", "worldbuilding, or it's something no one would do and no one has done?" ]
[ "chapters. Is a prologue a chapter? So send the prologue & chapters One", "ask for the first 3 chapters. Is a prologue a chapter? So send", "first 3 chapters. Is a prologue a chapter? So send the prologue &", "3 chapters. Is a prologue a chapter? So send the prologue & chapters", "Is a prologue a chapter? So send the prologue & chapters One &", "for the first 3 chapters. Is a prologue a chapter? So send the", "Many agents ask for the first 3 chapters. Is a prologue a chapter?", "agents ask for the first 3 chapters. Is a prologue a chapter? So", "a prologue a chapter? So send the prologue & chapters One & two?", "the first 3 chapters. Is a prologue a chapter? So send the prologue" ]
[ "names in the context of technical writing (user's guide). Here's a small excerpt", "(user's guide). Here's a small excerpt from a document I'm writing: > >", "writing: > > Clicking the “Duplicate Register Map” icon creates creates a deep", "using the Edit Register Map dialog afterwards to give > it a valid", "name as the > original register map with the addition of a `-", "the addition of a `- COPY` suffix. Please > rename the copy using", "I'm writing: > > Clicking the “Duplicate Register Map” icon creates creates a", "creates a deep copy > of the corresponding register map. The copy gets", "> rename the copy using the Edit Register Map dialog afterwards to give", "in the context of technical writing (user's guide). Here's a small excerpt from", "The copy gets the same name as the > original register map with", "Edit Register Map dialog afterwards to give > it a valid name. >", "up icon/menu item/dialog names in the context of technical writing (user's guide). Here's", "a `- COPY` suffix. Please > rename the copy using the Edit Register", "map with the addition of a `- COPY` suffix. Please > rename the", "valid name. > > > Is it better to use quotes or italics", "item/dialog names in the context of technical writing (user's guide). Here's a small", "deep copy > of the corresponding register map. The copy gets the same", "> it a valid name. > > > Is it better to use", "excerpt from a document I'm writing: > > Clicking the “Duplicate Register Map”", "`- COPY` suffix. Please > rename the copy using the Edit Register Map", "Register Map” icon creates creates a deep copy > of the corresponding register", "a valid name. > > > Is it better to use quotes or", "a deep copy > of the corresponding register map. The copy gets the", "Please > rename the copy using the Edit Register Map* dialog afterwards to", "the > original register map with the addition of a `- COPY` suffix.", "guide). Here's a small excerpt from a document I'm writing: > > Clicking", "register map. The copy gets the same name as the > original register", "> > Is it better to use quotes or italics for such purposes?", "name. > > > Is it better to use quotes or italics for", "to mark up icon/menu item/dialog names in the context of technical writing (user's", "suffix. Please > rename the copy using the Edit Register Map dialog afterwards", "with the addition of a `- COPY` suffix. Please > rename the copy", "COPY` suffix. Please > rename the copy using the Edit Register Map dialog", "register map with the addition of a `- COPY` suffix. Please > rename", "of the corresponding register map. The copy gets the same name as the", "the copy using the Edit Register Map dialog afterwards to give > it", "writing (user's guide). Here's a small excerpt from a document I'm writing: >", "creates creates a deep copy > of the corresponding register map. The copy", "the corresponding register map. The copy gets the same name as the >", "Register Map* dialog afterwards to give > it a valid name. > >", "give > it a valid name. > > > Is it better to", "about the correct way to mark up icon/menu item/dialog names in the context", "as the > original register map with the addition of a `- COPY`", "corresponding register map. The copy gets the same name as the > original", "map. The copy gets the same name as the > original register map", "copy > of the corresponding register map. The copy gets the same name", "afterwards to give > it a valid name. > > > Is it", "a document I'm writing: > > Clicking the “Duplicate Register Map” icon creates", "addition of a `- COPY` suffix. Please > rename the copy using the", "Map” icon creates creates a deep copy > of the corresponding register map.", "copy using the Edit Register Map dialog afterwards to give > it a", "wondering about the correct way to mark up icon/menu item/dialog names in the", "document I'm writing: > > Clicking the “Duplicate Register Map” icon creates creates", "Map* dialog afterwards to give > it a valid name. > > >", "same name as the > original register map with the addition of a", "copy gets the same name as the > original register map with the", "the same name as the > original register map with the addition of", "the Edit Register Map dialog afterwards to give > it a valid name.", "context of technical writing (user's guide). Here's a small excerpt from a document", "> > > Is it better to use quotes or italics for such", "I'm wondering about the correct way to mark up icon/menu item/dialog names in", "dialog afterwards to give > it a valid name. > > > Is", "icon creates creates a deep copy > of the corresponding register map. The", "original register map with the addition of a `- COPY` suffix. Please >", "gets the same name as the > original register map with the addition", "> > Clicking the “Duplicate Register Map” icon creates creates a deep copy", "the “Duplicate Register Map” icon creates creates a deep copy > of the", "technical writing (user's guide). Here's a small excerpt from a document I'm writing:", "the correct way to mark up icon/menu item/dialog names in the context of", "to give > it a valid name. > > > Is it better", "of a `- COPY` suffix. Please > rename the copy using the Edit", "Here's a small excerpt from a document I'm writing: > > Clicking the", "way to mark up icon/menu item/dialog names in the context of technical writing", "correct way to mark up icon/menu item/dialog names in the context of technical", "a small excerpt from a document I'm writing: > > Clicking the “Duplicate", "rename the copy using the Edit Register Map* dialog afterwards to give >", "of technical writing (user's guide). Here's a small excerpt from a document I'm", "> of the corresponding register map. The copy gets the same name as", "the context of technical writing (user's guide). Here's a small excerpt from a", "it a valid name. > > > Is it better to use quotes", "Clicking the “Duplicate Register Map” icon creates creates a deep copy > of", "from a document I'm writing: > > Clicking the “Duplicate Register Map” icon", "mark up icon/menu item/dialog names in the context of technical writing (user's guide).", "icon/menu item/dialog names in the context of technical writing (user's guide). Here's a", "small excerpt from a document I'm writing: > > Clicking the “Duplicate Register", "“Duplicate Register Map” icon creates creates a deep copy > of the corresponding", "> original register map with the addition of a `- COPY` suffix. Please", "> Clicking the “Duplicate Register Map” icon creates creates a deep copy >" ]
[ "how do I find the resources to write authentic experiences for characters outside", "I think my narrative of the character lacks of the societal pressures that", "general question is: how do I find the resources to write authentic experiences", "that come from being a straight cis poc male in the US. Typically,", "write authentic experiences for characters whom I do not share the same identity.", "do I find the resources to write authentic experiences for characters outside of", "who I want to use as inspiration for characters. However, it seems insensitive", "question is: how do I find the resources to write authentic experiences for", "writing about six teenagers during their senior year at an American high school.", "I find the resources to write authentic experiences for characters outside of my", "for characters whom I do not share the same identity. One of my", "female/non-straight male perspectives that I have had or been told personally. However, I", "have had or been told personally. However, I can feel that something is", "of the character lacks of the societal pressures that come from being a", "people relive a traumatic experience for a work of fiction that may or", "cis poc male in the US. Typically, I would interview people who I", "or may not get published. So, my more general question is: how do", "identity. One of my characters is a straight cis poc male who is", "in the US. Typically, I would interview people who I want to use", "to write authentic experiences for characters whom I do not share the same", "it seems insensitive to have people relive a traumatic experience for a work", "do not share the same identity. One of my characters is a straight", "is missing. I think my narrative of the character lacks of the societal", "authentic experiences for characters whom I do not share the same identity. One", "same identity. One of my characters is a straight cis poc male who", "their senior year at an American high school. I am struggling to write", "use as inspiration for characters. However, it seems insensitive to have people relive", "whom I do not share the same identity. One of my characters is", "teenagers during their senior year at an American high school. I am struggling", "while on a sports team. So far, I have drawn on experiences from", "high school. I am struggling to write authentic experiences for characters whom I", "team. So far, I have drawn on experiences from poc female/non-straight male perspectives", "told personally. However, I can feel that something is missing. I think my", "male in the US. Typically, I would interview people who I want to", "American high school. I am struggling to write authentic experiences for characters whom", "characters. However, it seems insensitive to have people relive a traumatic experience for", "the character lacks of the societal pressures that come from being a straight", "experiences for characters whom I do not share the same identity. One of", "during their senior year at an American high school. I am struggling to", "is a straight cis poc male who is sexually assaulted while on a", "relive a traumatic experience for a work of fiction that may or may", "I do not share the same identity. One of my characters is a", "on a sports team. So far, I have drawn on experiences from poc", "feel that something is missing. I think my narrative of the character lacks", "that I have had or been told personally. However, I can feel that", "for characters. However, it seems insensitive to have people relive a traumatic experience", "a straight cis poc male in the US. Typically, I would interview people", "struggling to write authentic experiences for characters whom I do not share the", "lacks of the societal pressures that come from being a straight cis poc", "not get published. So, my more general question is: how do I find", "I want to use as inspiration for characters. However, it seems insensitive to", "societal pressures that come from being a straight cis poc male in the", "missing. I think my narrative of the character lacks of the societal pressures", "straight cis poc male in the US. Typically, I would interview people who", "cis poc male who is sexually assaulted while on a sports team. So", "poc female/non-straight male perspectives that I have had or been told personally. However,", "come from being a straight cis poc male in the US. Typically, I", "would interview people who I want to use as inspiration for characters. However,", "male perspectives that I have had or been told personally. However, I can", "the societal pressures that come from being a straight cis poc male in", "sexually assaulted while on a sports team. So far, I have drawn on", "a straight cis poc male who is sexually assaulted while on a sports", "assaulted while on a sports team. So far, I have drawn on experiences", "may or may not get published. So, my more general question is: how", "I have drawn on experiences from poc female/non-straight male perspectives that I have", "as inspiration for characters. However, it seems insensitive to have people relive a", "an American high school. I am struggling to write authentic experiences for characters", "from being a straight cis poc male in the US. Typically, I would", "have people relive a traumatic experience for a work of fiction that may", "experiences from poc female/non-straight male perspectives that I have had or been told", "characters whom I do not share the same identity. One of my characters", "characters is a straight cis poc male who is sexually assaulted while on", "being a straight cis poc male in the US. Typically, I would interview", "US. Typically, I would interview people who I want to use as inspiration", "of my characters is a straight cis poc male who is sexually assaulted", "a sports team. So far, I have drawn on experiences from poc female/non-straight", "I would interview people who I want to use as inspiration for characters.", "something is missing. I think my narrative of the character lacks of the", "the resources to write authentic experiences for characters outside of my own identity?", "had or been told personally. However, I can feel that something is missing.", "six teenagers during their senior year at an American high school. I am", "insensitive to have people relive a traumatic experience for a work of fiction", "Typically, I would interview people who I want to use as inspiration for", "However, I can feel that something is missing. I think my narrative of", "to use as inspiration for characters. However, it seems insensitive to have people", "I am currently writing about six teenagers during their senior year at an", "sports team. So far, I have drawn on experiences from poc female/non-straight male", "my characters is a straight cis poc male who is sexually assaulted while", "my more general question is: how do I find the resources to write", "on experiences from poc female/non-straight male perspectives that I have had or been", "at an American high school. I am struggling to write authentic experiences for", "personally. However, I can feel that something is missing. I think my narrative", "inspiration for characters. However, it seems insensitive to have people relive a traumatic", "think my narrative of the character lacks of the societal pressures that come", "that may or may not get published. So, my more general question is:", "perspectives that I have had or been told personally. However, I can feel", "people who I want to use as inspiration for characters. However, it seems", "share the same identity. One of my characters is a straight cis poc", "work of fiction that may or may not get published. So, my more", "far, I have drawn on experiences from poc female/non-straight male perspectives that I", "for a work of fiction that may or may not get published. So,", "is: how do I find the resources to write authentic experiences for characters", "am struggling to write authentic experiences for characters whom I do not share", "I am struggling to write authentic experiences for characters whom I do not", "that something is missing. I think my narrative of the character lacks of", "So, my more general question is: how do I find the resources to", "currently writing about six teenagers during their senior year at an American high", "a traumatic experience for a work of fiction that may or may not", "poc male who is sexually assaulted while on a sports team. So far,", "my narrative of the character lacks of the societal pressures that come from", "So far, I have drawn on experiences from poc female/non-straight male perspectives that", "get published. So, my more general question is: how do I find the", "from poc female/non-straight male perspectives that I have had or been told personally.", "poc male in the US. Typically, I would interview people who I want", "want to use as inspiration for characters. However, it seems insensitive to have", "find the resources to write authentic experiences for characters outside of my own", "published. So, my more general question is: how do I find the resources", "pressures that come from being a straight cis poc male in the US.", "to have people relive a traumatic experience for a work of fiction that", "I have had or been told personally. However, I can feel that something", "been told personally. However, I can feel that something is missing. I think", "traumatic experience for a work of fiction that may or may not get", "more general question is: how do I find the resources to write authentic", "who is sexually assaulted while on a sports team. So far, I have", "or been told personally. However, I can feel that something is missing. I", "However, it seems insensitive to have people relive a traumatic experience for a", "is sexually assaulted while on a sports team. So far, I have drawn", "the US. Typically, I would interview people who I want to use as", "seems insensitive to have people relive a traumatic experience for a work of", "year at an American high school. I am struggling to write authentic experiences", "narrative of the character lacks of the societal pressures that come from being", "I can feel that something is missing. I think my narrative of the", "am currently writing about six teenagers during their senior year at an American", "have drawn on experiences from poc female/non-straight male perspectives that I have had", "school. I am struggling to write authentic experiences for characters whom I do", "a work of fiction that may or may not get published. So, my", "the same identity. One of my characters is a straight cis poc male", "straight cis poc male who is sexually assaulted while on a sports team.", "about six teenagers during their senior year at an American high school. I", "One of my characters is a straight cis poc male who is sexually", "experience for a work of fiction that may or may not get published.", "of fiction that may or may not get published. So, my more general", "drawn on experiences from poc female/non-straight male perspectives that I have had or", "of the societal pressures that come from being a straight cis poc male", "can feel that something is missing. I think my narrative of the character", "character lacks of the societal pressures that come from being a straight cis", "not share the same identity. One of my characters is a straight cis", "may not get published. So, my more general question is: how do I", "senior year at an American high school. I am struggling to write authentic", "interview people who I want to use as inspiration for characters. However, it", "fiction that may or may not get published. So, my more general question", "male who is sexually assaulted while on a sports team. So far, I" ]
[ "want to actually tell this story, rather than throwing the entire thing out", "is disproportionately threatening), which leads to the protag developing a personal enmity for", "is poorly suited for a traditional novel. Nobody in their right mind would", "for enjoyment when I first created it and so I just wrote what", "satisfying wording for them, there are lots of areas in the story that", "the idea that there is corruption among the \"good guy\" faction and the", "wording for them, there are lots of areas in the story that are", "cliches that in hindsight led to many elements feeling unsatisfying to the reader.", "lots of areas in the story that are left as placeholders for scenes", "or books are aimed at writers in a very early stage of writing", "or natural for the story than trying to constrain myself to a specific", "problem is the story has gotten so large and complicated that it's hard", "aren't quite sure what they want to write yet or how. I can't", "applicable to this story. I do want to actually tell this story, rather", "poorly suited for a traditional novel. Nobody in their right mind would ever", "story. I do want to actually tell this story, rather than throwing the", "while turns the story from an action story to a slice of life.", "I tried subverting so many genre cliches that in hindsight led to many", "threatening), which leads to the protag developing a personal enmity for the minor", "has just gotten so big that trying to change things leads to cascading", "words, and that is only about half of its predicted wordcount. Counting the", "becomes very important in later books). But the confrontation only works because it", "get feedback on the story because the first volume alone is about the", "structure. Since then, it has become very apparent to me that there are", "been unable to satisfactorily write. As the length of the story has grown", "later books). But the confrontation only works because it happens when the protagonist", "only be applicable to this story. I do want to actually tell this", "seemed interesting or natural for the story than trying to constrain myself to", "grown the number of these scenes has grown exponentially to the point that", "Additionally, because it's so long it is incredibly difficult to get feedback on", "to go about fixing the problems I have with the story, especially because", "enjoyment when I first created it and so I just wrote what seemed", "am working on that is extremely long. The first volume in the series", "the protag developing a personal enmity for the minor villain. * Many of", "clearly identify where and what the problems are. The problem is the story", "reader. As one example, I keep killing off all my interesting villains which", "to expect beta readers to feasibly read the entire thing, much less think", "structure is poorly suited for a traditional novel. Nobody in their right mind", "because it feels like there is something missing that I cannot put my", "predicted wordcount. Counting the other entries in the series puts the whole thing", "it and so I just wrote what seemed interesting or natural for the", "conclusion that most writing advice videos or books are aimed at writers in", "the story because the first volume alone is about the same length as", "complex that the solution to my problem will only be applicable to this", "stage of writing who aren't quite sure what they want to write yet", "only wrote scenes as I was able to come up with satisfying wording", "all my interesting villains which after a while turns the story from an", "story is half placeholder/outline. I can clearly identify where and what the problems", "author would. 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The first volume in the series is about 120,000 words, and that", "and the minor villain becomes very important in later books). But the confrontation", "in a very early stage of writing who aren't quite sure what they", "freeform for enjoyment when I first created it and so I just wrote", "my interesting villains which after a while turns the story from an action", "the solution to my problem will only be applicable to this story. I", "of figuring out how to go about fixing the problems I have with", "\"good guy\" faction and the minor villain becomes very important in later books).", "antagonist, which sets up the idea that there is corruption among the \"good", "minor villain. * Many of the plot developments just don't work narratively. Because", "idea where to cut or revise and my beta readers have told me", "that it needs the long buildup to introduce the world and characters. There", "for the minor villain. * Many of the plot developments just don't work", "As one example, I keep killing off all my interesting villains which after", "is not associated with the main antagonist, which sets up the idea that", "* Because I had the plot outlined but only wrote scenes as I", "about the same length as A Game of Thrones. It's unrealistic to expect", "seem like filler but are key to later events in the series or", "specific length or structure. Since then, it has become very apparent to me", "puts the whole thing in the range of 500,000 words at least. I", "a specific length or structure. Since then, it has become very apparent to", "to later events in the series or produce important character development (i.e., there", "plotted the story, I tried subverting so many genre cliches that in hindsight", "leads to the protag developing a personal enmity for the minor villain. ", "things leads to cascading changes that send characters in directions I don't want.", "a story that I am working on that is extremely long. The first", "are also plot points that seem like filler but are key to later", "to help me, because my story is so complex that the solution to", "led to many elements feeling unsatisfying to the reader. As one example, I", "my problem will only be applicable to this story. I do want to", "that seem like filler but are key to later events in the series", "events in the series or produce important character development (i.e., there is a", "story to a slice of life. I know I need to adjust the", "the entire thing out and chalking it up as a failure, but I", "there are big problems with the story: The story is way too", "up with satisfying wording for them, there are lots of areas in the", "or how. I can't expect this kind of advice to help me, because", "so big that trying to change things leads to cascading changes that send", "plot accordingly but the story has just gotten so big that trying to", "send characters in directions I don't want. * Because I had the plot", "elements feeling unsatisfying to the reader. As one example, I keep killing off", "But the confrontation only works because it happens when the protagonist is inexperienced", "their right mind would ever publish this, especially from a new author. However,", "so I just wrote what seemed interesting or natural for the story than", "first created it and so I just wrote what seemed interesting or natural", "story, especially because it feels like there is something missing that I cannot", "working on that is extremely long. The first volume in the series is", "which sets up the idea that there is corruption among the \"good guy\"", "Because I had the plot outlined but only wrote scenes as I was", "to introduce the world and characters. There are also plot points that seem", "so complex that the solution to my problem will only be applicable to", "than throwing the entire thing out and chalking it up as a failure,", "plot in the same detail that an author would. I've tried reading writing", "that in hindsight led to many elements feeling unsatisfying to the reader. As", "to fix them without making things worse. Additionally, because it's so long it", "to constrain myself to a specific length or structure. Since then, it has", "writing advice videos or books are aimed at writers in a very early", "tried subverting so many genre cliches that in hindsight led to many elements", "how to fix them without making things worse. Additionally, because it's so long", "I am working on that is extremely long. 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The first volume in the series is about", "to the reader. As one example, I keep killing off all my interesting", "but the story has just gotten so big that trying to change things", "identify where and what the problems are. The problem is the story has", "writers in a very early stage of writing who aren't quite sure what", "books are aimed at writers in a very early stage of writing who", "my story is so complex that the solution to my problem will only", "the story that are left as placeholders for scenes I have been unable", "is the story has gotten so large and complicated that it's hard to", "A Game of Thrones. It's unrealistic to expect beta readers to feasibly read", "don't want. * Because I had the plot outlined but only wrote scenes", "like filler but are key to later events in the series or produce", "example, I keep killing off all my interesting villains which after a while", "when I first created it and so I just wrote what seemed interesting", "expect this kind of advice to help me, because my story is so", "especially because it feels like there is something missing that I cannot put", "expect beta readers to feasibly read the entire thing, much less think about", "yet or how. I can't expect this kind of advice to help me,", "gotten so big that trying to change things leads to cascading changes that", "books). But the confrontation only works because it happens when the protagonist is", "advice videos or books are aimed at writers in a very early stage", "is about the same length as A Game of Thrones. It's unrealistic to", "for scenes I have been unable to satisfactorily write. As the length of", "As the length of the story has grown the number of these scenes", "slice of life. I know I need to adjust the plot accordingly but", "guy\" faction and the minor villain becomes very important in later books). But", "corruption among the \"good guy\" faction and the minor villain becomes very important", "the same length as A Game of Thrones. It's unrealistic to expect beta", "Nobody in their right mind would ever publish this, especially from a new", "a traditional novel. Nobody in their right mind would ever publish this, especially", "leads to cascading changes that send characters in directions I don't want. ", "problems with the story: The story is way too long and its", "satisfactorily write. As the length of the story has grown the number of", "I need to adjust the plot accordingly but the story has just gotten", "them, there are lots of areas in the story that are left as", "among the \"good guy\" faction and the minor villain becomes very important in", "feels like there is something missing that I cannot put my finger on.", "a personal enmity for the minor villain. * Many of the plot developments", "with the story: * The story is way too long and its structure", "for a traditional novel. Nobody in their right mind would ever publish this,", "I've tried reading writing advice, but I've come to the conclusion that most", "faction and the minor villain becomes very important in later books). But the", "length of the story has grown the number of these scenes has grown", "after a while turns the story from an action story to a slice", "that an author would. 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But the confrontation only works", "kind of advice to help me, because my story is so complex that", "villain who is not associated with the main antagonist, which sets up the", "same detail that an author would. I've tried reading writing advice, but I've", "cut or revise and my beta readers have told me that it needs", "(and hence the villain is disproportionately threatening), which leads to the protag developing", "series puts the whole thing in the range of 500,000 words at least.", "I have been unable to satisfactorily write. As the length of the story", "is only about half of its predicted wordcount. Counting the other entries in", "gotten so large and complicated that it's hard to figure out how to", "in later books). 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I wrote this story freeform for enjoyment", "but only wrote scenes as I was able to come up with satisfying", "placeholder/outline. I can clearly identify where and what the problems are. The problem", "to feasibly read the entire thing, much less think about the plot in", "of advice to help me, because my story is so complex that the", "subverting so many genre cliches that in hindsight led to many elements feeling", "in their right mind would ever publish this, especially from a new author.", "so many genre cliches that in hindsight led to many elements feeling unsatisfying", "beta readers have told me that it needs the long buildup to introduce", "to actually tell this story, rather than throwing the entire thing out and", "worse. Additionally, because it's so long it is incredibly difficult to get feedback", "* Many of the plot developments just don't work narratively. Because I was", "entries in the series puts the whole thing in the range of 500,000", "this story, rather than throwing the entire thing out and chalking it up", "or structure. Since then, it has become very apparent to me that there", "that the story is half placeholder/outline. I can clearly identify where and what", "there is corruption among the \"good guy\" faction and the minor villain becomes", "have a story that I am working on that is extremely long. The", "the long buildup to introduce the world and characters. There are also plot", "* The story is way too long and its structure is poorly suited", "in the series or produce important character development (i.e., there is a minor", "of life. I know I need to adjust the plot accordingly but the", "and vulnerable (and hence the villain is disproportionately threatening), which leads to the", "this kind of advice to help me, because my story is so complex", "go about fixing the problems I have with the story, especially because it", "the story from an action story to a slice of life. I know", "story, rather than throwing the entire thing out and chalking it up as", "I don't want. * Because I had the plot outlined but only wrote", "a new author. However, I have no idea where to cut or revise", "detail that an author would. I've tried reading writing advice, but I've come", "plot points that seem like filler but are key to later events in", "me, because my story is so complex that the solution to my problem", "half of its predicted wordcount. Counting the other entries in the series puts", "where and what the problems are. The problem is the story has gotten", "to a specific length or structure. Since then, it has become very apparent", "because it's so long it is incredibly difficult to get feedback on the", "words at least. I wrote this story freeform for enjoyment when I first", "write. As the length of the story has grown the number of these", "fixing the problems I have with the story, especially because it feels like", "adjust the plot accordingly but the story has just gotten so big that", "for them, there are lots of areas in the story that are left", "the series puts the whole thing in the range of 500,000 words at", "in the series is about 120,000 words, and that is only about half", "it happens when the protagonist is inexperienced and vulnerable (and hence the villain", "had the plot outlined but only wrote scenes as I was able to", "have no idea where to cut or revise and my beta readers have", "but I've come to the conclusion that most writing advice videos or books", "the story has gotten so large and complicated that it's hard to figure", "as a failure, but I just have no idea of figuring out how", "just have no idea of figuring out how to go about fixing the", "that I am working on that is extremely long. The first volume in", "things worse. Additionally, because it's so long it is incredibly difficult to get", "interesting or natural for the story than trying to constrain myself to a", "thing, much less think about the plot in the same detail that an", "the minor villain. * Many of the plot developments just don't work narratively.", "is extremely long. The first volume in the series is about 120,000 words,", "that the solution to my problem will only be applicable to this story.", "to change things leads to cascading changes that send characters in directions I", "important character development (i.e., there is a minor villain who is not associated", "quite sure what they want to write yet or how. I can't expect", "I've come to the conclusion that most writing advice videos or books are", "and chalking it up as a failure, but I just have no idea", "produce important character development (i.e., there is a minor villain who is not", "have been unable to satisfactorily write. As the length of the story has", "villain becomes very important in later books). But the confrontation only works because", "to the protag developing a personal enmity for the minor villain. * Many", "up the idea that there is corruption among the \"good guy\" faction and", "an action story to a slice of life. I know I need to", "there are lots of areas in the story that are left as placeholders", "villain is disproportionately threatening), which leads to the protag developing a personal enmity", "ever publish this, especially from a new author. However, I have no idea", "are aimed at writers in a very early stage of writing who aren't", "in directions I don't want. * Because I had the plot outlined but", "problems are. The problem is the story has gotten so large and complicated", "also plot points that seem like filler but are key to later events", "this story. I do want to actually tell this story, rather than throwing", "actually tell this story, rather than throwing the entire thing out and chalking", "when the protagonist is inexperienced and vulnerable (and hence the villain is disproportionately", "hindsight led to many elements feeling unsatisfying to the reader. As one example,", "no idea of figuring out how to go about fixing the problems I", "least. I wrote this story freeform for enjoyment when I first created it", "was young and naïve when I plotted the story, I tried subverting so", "protag developing a personal enmity for the minor villain. * Many of the", "the plot in the same detail that an author would. I've tried reading", "I have a story that I am working on that is extremely long.", "then, it has become very apparent to me that there are big problems", "trying to change things leads to cascading changes that send characters in directions", "point that the story is half placeholder/outline. I can clearly identify where and", "writing advice, but I've come to the conclusion that most writing advice videos", "its structure is poorly suited for a traditional novel. Nobody in their right", "much less think about the plot in the same detail that an author", "the minor villain becomes very important in later books). But the confrontation only", "it is incredibly difficult to get feedback on the story because the first", "character development (i.e., there is a minor villain who is not associated with", "the series or produce important character development (i.e., there is a minor villain", "the protagonist is inexperienced and vulnerable (and hence the villain is disproportionately threatening),", "tell this story, rather than throwing the entire thing out and chalking it", "is corruption among the \"good guy\" faction and the minor villain becomes very", "in the series puts the whole thing in the range of 500,000 words", "the story, I tried subverting so many genre cliches that in hindsight led", "has grown the number of these scenes has grown exponentially to the point", "minor villain who is not associated with the main antagonist, which sets up", "are. The problem is the story has gotten so large and complicated that", "has grown exponentially to the point that the story is half placeholder/outline. I", "long and its structure is poorly suited for a traditional novel. Nobody in", "the world and characters. There are also plot points that seem like filler", "most writing advice videos or books are aimed at writers in a very", "story is so complex that the solution to my problem will only be", "half placeholder/outline. I can clearly identify where and what the problems are. The", "the story is half placeholder/outline. I can clearly identify where and what the", "volume in the series is about 120,000 words, and that is only about", "story from an action story to a slice of life. I know I", "are key to later events in the series or produce important character development", "Because I was young and naïve when I plotted the story, I tried", "Game of Thrones. It's unrealistic to expect beta readers to feasibly read the", "without making things worse. Additionally, because it's so long it is incredibly difficult", "want. Because I had the plot outlined but only wrote scenes as", "in hindsight led to many elements feeling unsatisfying to the reader. As one", "wrote this story freeform for enjoyment when I first created it and so", "constrain myself to a specific length or structure. Since then, it has become", "filler but are key to later events in the series or produce important", "apparent to me that there are big problems with the story: * The", "first volume in the series is about 120,000 words, and that is only", "story freeform for enjoyment when I first created it and so I just", "it has become very apparent to me that there are big problems with", "the problems I have with the story, especially because it feels like there", "on the story because the first volume alone is about the same length", "first volume alone is about the same length as A Game of Thrones.", "The story is way too long and its structure is poorly suited for", "it up as a failure, but I just have no idea of figuring", "publish this, especially from a new author. However, I have no idea where", "tried reading writing advice, but I've come to the conclusion that most writing", "turns the story from an action story to a slice of life. I", "just don't work narratively. Because I was young and naïve when I plotted", "accordingly but the story has just gotten so big that trying to change", "wrote scenes as I was able to come up with satisfying wording for", "plot outlined but only wrote scenes as I was able to come up", "in the same detail that an author would. I've tried reading writing advice,", "because the first volume alone is about the same length as A Game", "I just have no idea of figuring out how to go about fixing", "Counting the other entries in the series puts the whole thing in the", "this, especially from a new author. However, I have no idea where to", "it's hard to figure out how to fix them without making things worse.", "big that trying to change things leads to cascading changes that send characters", "are lots of areas in the story that are left as placeholders for", "that it's hard to figure out how to fix them without making things", "very early stage of writing who aren't quite sure what they want to", "that there are big problems with the story: The story is way", "beta readers to feasibly read the entire thing, much less think about the", "as I was able to come up with satisfying wording for them, there", "left as placeholders for scenes I have been unable to satisfactorily write. As", "the range of 500,000 words at least. I wrote this story freeform for", "hard to figure out how to fix them without making things worse. Additionally,", "have with the story, especially because it feels like there is something missing", "to me that there are big problems with the story: * The story", "vulnerable (and hence the villain is disproportionately threatening), which leads to the protag", "and that is only about half of its predicted wordcount. Counting the other", "the main antagonist, which sets up the idea that there is corruption among", "up as a failure, but I just have no idea of figuring out", "I do want to actually tell this story, rather than throwing the entire", "Many of the plot developments just don't work narratively. Because I was young", "just gotten so big that trying to change things leads to cascading changes", "which leads to the protag developing a personal enmity for the minor villain.", "difficult to get feedback on the story because the first volume alone is", "one example, I keep killing off all my interesting villains which after a", "the reader. As one example, I keep killing off all my interesting villains", "just wrote what seemed interesting or natural for the story than trying to", "of writing who aren't quite sure what they want to write yet or", "wordcount. Counting the other entries in the series puts the whole thing in", "because it happens when the protagonist is inexperienced and vulnerable (and hence the", "large and complicated that it's hard to figure out how to fix them" ]
[ "can never think of anything other than the fact that being abused hurts", "that being abused hurts because I can't relate to it .A little help", "think of anything other than the fact that being abused hurts because I", "anything other than the fact that being abused hurts because I can't relate", "never think of anything other than the fact that being abused hurts because", "other than the fact that being abused hurts because I can't relate to", "of anything other than the fact that being abused hurts because I can't", "the fact that being abused hurts because I can't relate to it .A", "I can never think of anything other than the fact that being abused", "being abused hurts because I can't relate to it .A little help please?", "than the fact that being abused hurts because I can't relate to it", "fact that being abused hurts because I can't relate to it .A little" ]
[ "are also plenty of scenes in which the female saves the male physically", "he acts very heroically). I've tried making them a battle couple (which they", "and family), which makes them come off as a sociopath. It also has", "to make them sympathetic and grounded, and seemingly does not require assistance from", "emotionally, but due to the plot she ends up going to other people", "is present there), but writing the opposite is hard. Both of them are", "be put in that position in the first place. She comes from an", "old standby of \"love interest gets kidnapped and partner rescues them\" it made", "a tendency to make male characters appear bumbling and ineffectual. This also ties", "competent. ### Case Study I have two characters who are in a relationship.", "and partner rescues them\" it made more sense given her skillset that the", "right. Even when I tried the old standby of \"love interest gets kidnapped", "other's. I've tried making the male support the female emotionally, but due to", "kind of comes off as ineffectual because while he cares enough that he", "her agency in the hands of others. Right now, the male character kind", "but it doesn't quite work. The statement usually made in such a gesture", "drop everything and save the princess, whereas women like to believe they’d be", "heroic feat necessary to save her (say, Bleach’s “storming Soul Society/Hueco Mundo level”", "much that when you are vulnerable I can and will protect you\". Which", "making him look like an idiot (long story short, he's basically the paladin", "The male character is very well suited to making big displays to show", "female character is unable to save herself she is seen as weak and", "in danger he would drop everything and perform whatever heroic feat necessary to", "standby of \"love interest gets kidnapped and partner rescues them\" it made more", "friends and family), which makes them come off as a sociopath. It also", "before the male ever shows up, making him look like an idiot (long", "is hard. Both of them are supposed to come off as competent and", "their life to save her would be immensely touching. I've tried engineering situations", "anything to help his partner (and that's supposed to be a virtue of", "strong-willed female characters who have their own character arcs not dependent on male", "feat of heroism. As in “I love you so much I’d fight a", "engineering situations where the man is able to show how much he cares", "characters. That said, although sexist the damsel in distress trope did show a", "real life) partners that come off as competent. ### Case Study I have", "enough that he would do anything to help his partner (and that's supposed", "a battle couple (which they normally are), but it doesn't quite work. The", "the depiction of “strong, independent women” characters. That said, although sexist the damsel", "big, dramatic displays. People eventually realized this was very sexist, which lead to", "rescue her. Men and women also like (both vicariously in fiction and in", "the male character kind of comes off as ineffectual because while he cares", "she isn't the type to allow herself to be put in that position", "dragon for you”. Additionally, while strong-willed female characters who have their own character", "save a female without making the female character seem incompetent, or vice versa?", "are supposed to come off as competent and caring about one another. Given", "a paradox. If a female character is unable to save herself she is", "are vulnerable I can and will protect you\". Which requires at least momentary", "is unable to save herself she is seen as weak and dependent on", "and ineffectual. This also ties into reader expectations. Male readers like to believe", "whereas women like to believe they’d be capable enough to not need rescuing", "well suited to making big displays to show his affection due to his", "in such a gesture is \"I love you so much that when you", "to save herself she is seen as weak and dependent on men to", "to save her life (this is a story with a lot of action),", "lot of action), but nothing feels right. Even when I tried the old", "to help his partner (and that's supposed to be a virtue of his),", "them in big, dramatic displays. People eventually realized this was very sexist, which", "women” characters. That said, although sexist the damsel in distress trope did show", "be the type to drop everything and save the princess, whereas women like", "another. Given this, how to I deal with the paradox of allowing a", "you are vulnerable I can and will protect you\". Which requires at least", "comes off as ineffectual because while he cares enough that he would do", "years made frequent use of the damsel in distress trope, where female characters", "that's supposed to be a virtue of his), she isn't the type to", "him look like an idiot (long story short, he's basically the paladin to", "it makes him look incompetent and implies he doesn't care enough about her", "emotional support. There are also plenty of scenes in which the female saves", "increase in the depiction of “strong, independent women” characters. That said, although sexist", "to demonstrate how much they care about the female through some feat of", "of action), but nothing feels right. Even when I tried the old standby", "basically the paladin to her thief). The male character is very well suited", "many, many years made frequent use of the damsel in distress trope, where", "the other's. I've tried making the male support the female emotionally, but due", "female characters who have their own character arcs not dependent on male characters", "family), which makes them come off as a sociopath. It also has a", "given her skillset that the female would escape before the male ever shows", "of others. Right now, the male character kind of comes off as ineffectual", "That said, although sexist the damsel in distress trope did show a useful", "who exhibits no vulnerability to make them sympathetic and grounded, and seemingly does", "a male character to save a female without making the female character seem", "vicariously in fiction and in real life) partners that come off as competent.", "competence on the other's. I've tried making the male support the female emotionally,", "values his partner deeply. If she was ever in danger he would drop", "going to have moments of weakness where they need help from their friends", "as competent. ### Case Study I have two characters who are in a", "good, when executed poorly results in a character who exhibits no vulnerability to", "on male characters are good, when executed poorly results in a character who", "women like to believe they’d be capable enough to not need rescuing in", "to believe they’d be capable enough to not need rescuing in the first", "doesn't quite work. The statement usually made in such a gesture is \"I", "of the damsel in distress trope, where female characters are depicted as needing", "necessary to save her (say, Bleach’s “storming Soul Society/Hueco Mundo level” feat). The", "life (this is a story with a lot of action), but nothing feels", "like to see themselves as incompetent. This leads to a paradox. If a", "have two characters who are in a relationship. The male is a very", "is able to show how much he cares by trying to save her", "chivalrous type who values his partner deeply. If she was ever in danger", "weak and dependent on men to succeed. If the male character does not", "so much that when you are vulnerable I can and will protect you\".", "up going to other people to find emotional support. There are also plenty", "the man is able to show how much he cares by trying to", "off as a sociopath. It also has a tendency to make male characters", "risk their life to save her would be immensely touching. I've tried engineering", "would value her enough to risk their life to save her would be", "put in that position in the first place. She comes from an abusive", "not save her it makes him look incompetent and implies he doesn't care", "come off as competent and caring about one another. Given this, how to", "statement usually made in such a gesture is \"I love you so much", "the opposite is hard. Both of them are supposed to come off as", "demonstrate how much they care about the female through some feat of heroism.", "readers like to believe they’d be the type to drop everything and save", "to avoid depending on others, but because of this the idea that someone", "character who exhibits no vulnerability to make them sympathetic and grounded, and seemingly", "you\". Which requires at least momentary vulnerability on the one character's part and", "show a useful narrative purpose: it allowed the (male) character to demonstrate how", "him look incompetent and implies he doesn't care enough about her to rescue", "isn't the type to allow herself to be put in that position in", "how to I deal with the paradox of allowing a male character to", "does not require assistance from others physically, emotionally, or socially (and to be", "She comes from an abusive background that results in her being scrappy and", "men nor women like to see themselves as incompetent. This leads to a", "is \"I love you so much that when you are vulnerable I can", "depiction of “strong, independent women” characters. That said, although sexist the damsel in", "enough to risk their life to save her would be immensely touching. I've", "look like an idiot (long story short, he's basically the paladin to her", "character does not save her it makes him look incompetent and implies he", "usually made in such a gesture is \"I love you so much that", "purpose: it allowed the (male) character to demonstrate how much they care about", "as weak and dependent on men to succeed. If the male character does", "acts very heroically). I've tried making them a battle couple (which they normally", "are good, when executed poorly results in a character who exhibits no vulnerability", "you so much that when you are vulnerable I can and will protect", "place. Neither men nor women like to see themselves as incompetent. This leads", "allowed the (male) character to demonstrate how much they care about the female", "women like to see themselves as incompetent. This leads to a paradox. If", "immensely touching. I've tried engineering situations where the man is able to show", "about one another. Given this, how to I deal with the paradox of", "be capable enough to not need rescuing in the first place. Neither men", "protect you\". Which requires at least momentary vulnerability on the one character's part", "men to save them in big, dramatic displays. People eventually realized this was", "from an abusive background that results in her being scrappy and trying to", "executed poorly results in a character who exhibits no vulnerability to make them", "the one character's part and competence on the other's. 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The female, on the other hand, is very self-reliant and does not", "virtue of his), she isn't the type to allow herself to be put", "requires at least momentary vulnerability on the one character's part and competence on", "capable enough to not need rescuing in the first place. Neither men nor", "also like (both vicariously in fiction and in real life) partners that come", "in real life) partners that come off as competent. ### Case Study I", "there), but writing the opposite is hard. Both of them are supposed to", "scrappy and trying to avoid depending on others, but because of this the", "a story with a lot of action), but nothing feels right. Even when", "the male physically (and the same message is present there), but writing the", "but due to the plot she ends up going to other people to", "you”. Additionally, while strong-willed female characters who have their own character arcs not", "come off as a sociopath. 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She comes from an abusive background that results", "characters appear bumbling and ineffectual. This also ties into reader expectations. Male readers", "place. She comes from an abusive background that results in her being scrappy", "pressure he acts very heroically). I've tried making them a battle couple (which", "seen as weak and dependent on men to succeed. If the male character", "scenes in which the female saves the male physically (and the same message", "and competence on the other's. I've tried making the male support the female", "under pressure he acts very heroically). I've tried making them a battle couple", "they normally are), but it doesn't quite work. The statement usually made in", "that come off as competent. ### Case Study I have two characters who", "that when you are vulnerable I can and will protect you\". Which requires", "tried making the male support the female emotionally, but due to the plot", "Given this, how to I deal with the paradox of allowing a male", "Mundo level” feat). The female, on the other hand, is very self-reliant and", "displays. People eventually realized this was very sexist, which lead to an increase", "women also like (both vicariously in fiction and in real life) partners that", "save them in big, dramatic displays. People eventually realized this was very sexist,", "I've tried making the male support the female emotionally, but due to the", "Neither men nor women like to see themselves as incompetent. This leads to", "he's basically the paladin to her thief). The male character is very well", "ties into reader expectations. Male readers like to believe they’d be the type", "love you so much that when you are vulnerable I can and will", "able to show how much he cares by trying to save her life", "character is very well suited to making big displays to show his affection", "the idea that someone would value her enough to risk their life to", "saves the male physically (and the same message is present there), but writing", "make male characters appear bumbling and ineffectual. This also ties into reader expectations.", "life) partners that come off as competent. ### Case Study I have two", "it made more sense given her skillset that the female would escape before", "such a gesture is \"I love you so much that when you are", "into reader expectations. Male readers like to believe they’d be the type to", "and trying to avoid depending on others, but because of this the idea", "to make male characters appear bumbling and ineffectual. This also ties into reader", "to risk their life to save her would be immensely touching. I've tried", "her thief). The male character is very well suited to making big displays", "This also ties into reader expectations. Male readers like to believe they’d be", "like to believe they’d be capable enough to not need rescuing in the", "interest gets kidnapped and partner rescues them\" it made more sense given her", "would do anything to help his partner (and that's supposed to be a", "much they care about the female through some feat of heroism. As in", "heroism. As in “I love you so much I’d fight a dragon for", "on the other hand, is very self-reliant and does not like to place", "love you so much I’d fight a dragon for you”. Additionally, while strong-willed", "(and that's supposed to be a virtue of his), she isn't the type", "due to his character (he's very socially awkward but when put under pressure", "are in a relationship. The male is a very chivalrous type who values", "It also has a tendency to make male characters appear bumbling and ineffectual.", "he cares enough that he would do anything to help his partner (and", "his affection due to his character (he's very socially awkward but when put", "needing men to save them in big, dramatic displays. People eventually realized this", "present there), but writing the opposite is hard. Both of them are supposed", "to show how much he cares by trying to save her life (this", "idiot (long story short, he's basically the paladin to her thief). The male", "are), but it doesn't quite work. The statement usually made in such a", "(long story short, he's basically the paladin to her thief). The male character", "seemingly does not require assistance from others physically, emotionally, or socially (and to", "results in her being scrappy and trying to avoid depending on others, but", "distress trope did show a useful narrative purpose: it allowed the (male) character", "Society/Hueco Mundo level” feat). The female, on the other hand, is very self-reliant", "avoid depending on others, but because of this the idea that someone would", "poorly results in a character who exhibits no vulnerability to make them sympathetic", "the princess, whereas women like to believe they’d be capable enough to not", "like to place her agency in the hands of others. Right now, the", "of weakness where they need help from their friends and family), which makes", "his partner (and that's supposed to be a virtue of his), she isn't", "would escape before the male ever shows up, making him look like an", "being is going to have moments of weakness where they need help from", "and implies he doesn't care enough about her to rescue her. Men and", "believe they’d be capable enough to not need rescuing in the first place.", "his partner deeply. If she was ever in danger he would drop everything", "deeply. If she was ever in danger he would drop everything and perform", "how much they care about the female through some feat of heroism. As", "rescuing in the first place. Neither men nor women like to see themselves", "it doesn't quite work. The statement usually made in such a gesture is", "is going to have moments of weakness where they need help from their", "making the male support the female emotionally, but due to the plot she", "which the female saves the male physically (and the same message is present", "thief). The male character is very well suited to making big displays to", "two characters who are in a relationship. The male is a very chivalrous", "male characters appear bumbling and ineffectual. This also ties into reader expectations. Male", "incompetent. This leads to a paradox. If a female character is unable to", "ineffectual. This also ties into reader expectations. Male readers like to believe they’d", "a very chivalrous type who values his partner deeply. If she was ever", "doesn't care enough about her to rescue her. Men and women also like", "own character arcs not dependent on male characters are good, when executed poorly", "a dragon for you”. Additionally, while strong-willed female characters who have their own", "to succeed. If the male character does not save her it makes him", "### Case Study I have two characters who are in a relationship. The", "save her would be immensely touching. I've tried engineering situations where the man", "fiction and in real life) partners that come off as competent. ### Case", "of \"love interest gets kidnapped and partner rescues them\" it made more sense", "big displays to show his affection due to his character (he's very socially", "who have their own character arcs not dependent on male characters are good,", "succeed. If the male character does not save her it makes him look", "the old standby of \"love interest gets kidnapped and partner rescues them\" it", "danger he would drop everything and perform whatever heroic feat necessary to save", "makes him look incompetent and implies he doesn't care enough about her to", "part and competence on the other's. I've tried making the male support the", "to a paradox. If a female character is unable to save herself she", "as incompetent. This leads to a paradox. If a female character is unable", "paladin to her thief). The male character is very well suited to making", "Stories for many, many years made frequent use of the damsel in distress", "not require assistance from others physically, emotionally, or socially (and to be fair,", "of “strong, independent women” characters. That said, although sexist the damsel in distress", "about her to rescue her. Men and women also like (both vicariously in", "reader expectations. Male readers like to believe they’d be the type to drop", "a relationship. The male is a very chivalrous type who values his partner", "going to other people to find emotional support. There are also plenty of", "the first place. Neither men nor women like to see themselves as incompetent.", "character arcs not dependent on male characters are good, when executed poorly results", "they’d be capable enough to not need rescuing in the first place. Neither", "ineffectual because while he cares enough that he would do anything to help", "physically, emotionally, or socially (and to be fair, any human being is going", "them a battle couple (which they normally are), but it doesn't quite work.", "she ends up going to other people to find emotional support. There are", "As in “I love you so much I’d fight a dragon for you”.", "fight a dragon for you”. Additionally, while strong-willed female characters who have their", "and will protect you\". Which requires at least momentary vulnerability on the one", "them sympathetic and grounded, and seemingly does not require assistance from others physically,", "gets kidnapped and partner rescues them\" it made more sense given her skillset", "character's part and competence on the other's. I've tried making the male support", "on the other's. I've tried making the male support the female emotionally, but", "to his character (he's very socially awkward but when put under pressure he", "has a tendency to make male characters appear bumbling and ineffectual. This also", "male character is very well suited to making big displays to show his", "to find emotional support. There are also plenty of scenes in which the", "the paradox of allowing a male character to save a female without making", "making big displays to show his affection due to his character (he's very", "show his affection due to his character (he's very socially awkward but when", "(and to be fair, any human being is going to have moments of", "are depicted as needing men to save them in big, dramatic displays. People", "be a virtue of his), she isn't the type to allow herself to", "a lot of action), but nothing feels right. Even when I tried the", "is very well suited to making big displays to show his affection due", "to making big displays to show his affection due to his character (he's", "of them are supposed to come off as competent and caring about one", "I deal with the paradox of allowing a male character to save a", "makes them come off as a sociopath. It also has a tendency to", "was ever in danger he would drop everything and perform whatever heroic feat", "Study I have two characters who are in a relationship. The male is", "in a character who exhibits no vulnerability to make them sympathetic and grounded,", "character kind of comes off as ineffectual because while he cares enough that", "for you”. Additionally, while strong-willed female characters who have their own character arcs", "tried the old standby of \"love interest gets kidnapped and partner rescues them\"", "If a female character is unable to save herself she is seen as", "supposed to be a virtue of his), she isn't the type to allow", "the female through some feat of heroism. As in “I love you so", "dependent on male characters are good, when executed poorly results in a character", "no vulnerability to make them sympathetic and grounded, and seemingly does not require", "sympathetic and grounded, and seemingly does not require assistance from others physically, emotionally,", "need rescuing in the first place. Neither men nor women like to see", "she was ever in danger he would drop everything and perform whatever heroic", "perform whatever heroic feat necessary to save her (say, Bleach’s “storming Soul Society/Hueco", "heroically). I've tried making them a battle couple (which they normally are), but", "for many, many years made frequent use of the damsel in distress trope,", "to place her agency in the hands of others. Right now, the male", "battle couple (which they normally are), but it doesn't quite work. The statement", "value her enough to risk their life to save her would be immensely", "of allowing a male character to save a female without making the female", "to see themselves as incompetent. This leads to a paradox. If a female", "themselves as incompetent. This leads to a paradox. If a female character is", "is a very chivalrous type who values his partner deeply. If she was", "depicted as needing men to save them in big, dramatic displays. People eventually", "the damsel in distress trope did show a useful narrative purpose: it allowed", "female would escape before the male ever shows up, making him look like", "cares enough that he would do anything to help his partner (and that's", "it allowed the (male) character to demonstrate how much they care about the", "from their friends and family), which makes them come off as a sociopath.", "tried making them a battle couple (which they normally are), but it doesn't", "to her thief). The male character is very well suited to making big", "to come off as competent and caring about one another. Given this, how", "hard. Both of them are supposed to come off as competent and caring", "the paladin to her thief). The male character is very well suited to", "princess, whereas women like to believe they’d be capable enough to not need", "dependent on men to succeed. If the male character does not save her", "grounded, and seemingly does not require assistance from others physically, emotionally, or socially", "enough about her to rescue her. Men and women also like (both vicariously", "he doesn't care enough about her to rescue her. Men and women also", "people to find emotional support. There are also plenty of scenes in which", "with a lot of action), but nothing feels right. Even when I tried", "trying to save her life (this is a story with a lot of", "on men to succeed. If the male character does not save her it", "in the depiction of “strong, independent women” characters. That said, although sexist the", "herself to be put in that position in the first place. She comes", "damsel in distress trope, where female characters are depicted as needing men to", "supposed to come off as competent and caring about one another. Given this,", "If the male character does not save her it makes him look incompetent", "to an increase in the depiction of “strong, independent women” characters. That said,", "made frequent use of the damsel in distress trope, where female characters are", "plot she ends up going to other people to find emotional support. There", "enough to not need rescuing in the first place. Neither men nor women", "on the one character's part and competence on the other's. I've tried making", "herself she is seen as weak and dependent on men to succeed. If", "an abusive background that results in her being scrappy and trying to avoid", "save the princess, whereas women like to believe they’d be capable enough to", "allow herself to be put in that position in the first place. She", "not dependent on male characters are good, when executed poorly results in a", "type to drop everything and save the princess, whereas women like to believe", "or socially (and to be fair, any human being is going to have", "tendency to make male characters appear bumbling and ineffectual. This also ties into", "Bleach’s “storming Soul Society/Hueco Mundo level” feat). The female, on the other hand,", "but nothing feels right. Even when I tried the old standby of \"love", "(he's very socially awkward but when put under pressure he acts very heroically).", "support the female emotionally, but due to the plot she ends up going", "save herself she is seen as weak and dependent on men to succeed.", "The female, on the other hand, is very self-reliant and does not like", "self-reliant and does not like to place her agency in the hands of", "agency in the hands of others. Right now, the male character kind of", "People eventually realized this was very sexist, which lead to an increase in", "nothing feels right. Even when I tried the old standby of \"love interest", "when executed poorly results in a character who exhibits no vulnerability to make", "(male) character to demonstrate how much they care about the female through some", "also ties into reader expectations. Male readers like to believe they’d be the", "that he would do anything to help his partner (and that's supposed to", "to be put in that position in the first place. She comes from", "hands of others. Right now, the male character kind of comes off as", "from others physically, emotionally, or socially (and to be fair, any human being", "level” feat). The female, on the other hand, is very self-reliant and does", "(both vicariously in fiction and in real life) partners that come off as", "in that position in the first place. She comes from an abusive background", "same message is present there), but writing the opposite is hard. Both of", "but writing the opposite is hard. Both of them are supposed to come", "the same message is present there), but writing the opposite is hard. Both", "can and will protect you\". Which requires at least momentary vulnerability on the", "do anything to help his partner (and that's supposed to be a virtue", "her. Men and women also like (both vicariously in fiction and in real", "due to the plot she ends up going to other people to find", "that results in her being scrappy and trying to avoid depending on others,", "where the man is able to show how much he cares by trying", "I've tried engineering situations where the man is able to show how much", "caring about one another. Given this, how to I deal with the paradox", "to save her (say, Bleach’s “storming Soul Society/Hueco Mundo level” feat). The female,", "up, making him look like an idiot (long story short, he's basically the", "I’d fight a dragon for you”. Additionally, while strong-willed female characters who have", "in big, dramatic displays. People eventually realized this was very sexist, which lead", "“strong, independent women” characters. That said, although sexist the damsel in distress trope", "type who values his partner deeply. If she was ever in danger he", "he would drop everything and perform whatever heroic feat necessary to save her", "drop everything and perform whatever heroic feat necessary to save her (say, Bleach’s", "If she was ever in danger he would drop everything and perform whatever", "kidnapped and partner rescues them\" it made more sense given her skillset that", "useful narrative purpose: it allowed the (male) character to demonstrate how much they", "because while he cares enough that he would do anything to help his", "writing the opposite is hard. Both of them are supposed to come off", "appear bumbling and ineffectual. This also ties into reader expectations. Male readers like", "male characters are good, when executed poorly results in a character who exhibits", "first place. She comes from an abusive background that results in her being", "and does not like to place her agency in the hands of others.", "feat necessary to save her (say, Bleach’s “storming Soul Society/Hueco Mundo level” feat).", "a character who exhibits no vulnerability to make them sympathetic and grounded, and", "save her it makes him look incompetent and implies he doesn't care enough", "relationship. The male is a very chivalrous type who values his partner deeply.", "an increase in the depiction of “strong, independent women” characters. That said, although", "made more sense given her skillset that the female would escape before the", "This leads to a paradox. If a female character is unable to save", "she is seen as weak and dependent on men to succeed. If the", "look incompetent and implies he doesn't care enough about her to rescue her.", "trying to avoid depending on others, but because of this the idea that", "sexist, which lead to an increase in the depiction of “strong, independent women”", "when you are vulnerable I can and will protect you\". Which requires at", "her it makes him look incompetent and implies he doesn't care enough about", "sociopath. It also has a tendency to make male characters appear bumbling and", "said, although sexist the damsel in distress trope did show a useful narrative", "Soul Society/Hueco Mundo level” feat). The female, on the other hand, is very", "competent and caring about one another. Given this, how to I deal with", "situations where the man is able to show how much he cares by", "to be fair, any human being is going to have moments of weakness", "narrative purpose: it allowed the (male) character to demonstrate how much they care", "short, he's basically the paladin to her thief). The male character is very", "socially awkward but when put under pressure he acts very heroically). I've tried", "use of the damsel in distress trope, where female characters are depicted as", "as competent and caring about one another. Given this, how to I deal", "character to save a female without making the female character seem incompetent, or", "in fiction and in real life) partners that come off as competent. ###", "but because of this the idea that someone would value her enough to", "but when put under pressure he acts very heroically). I've tried making them", "female, on the other hand, is very self-reliant and does not like to", "the female would escape before the male ever shows up, making him look", "her being scrappy and trying to avoid depending on others, but because of", "in which the female saves the male physically (and the same message is", "fair, any human being is going to have moments of weakness where they", "first place. Neither men nor women like to see themselves as incompetent. This", "when I tried the old standby of \"love interest gets kidnapped and partner", "to have moments of weakness where they need help from their friends and", "work. The statement usually made in such a gesture is \"I love you", "they need help from their friends and family), which makes them come off", "also has a tendency to make male characters appear bumbling and ineffectual. This", "Case Study I have two characters who are in a relationship. The male", "\"I love you so much that when you are vulnerable I can and", "the hands of others. Right now, the male character kind of comes off", "(this is a story with a lot of action), but nothing feels right.", "and women also like (both vicariously in fiction and in real life) partners", "her enough to risk their life to save her would be immensely touching.", "and in real life) partners that come off as competent. ### Case Study", "characters are depicted as needing men to save them in big, dramatic displays.", "as needing men to save them in big, dramatic displays. People eventually realized", "them come off as a sociopath. It also has a tendency to make", "will protect you\". Which requires at least momentary vulnerability on the one character's", "much I’d fight a dragon for you”. Additionally, while strong-willed female characters who", "bumbling and ineffectual. This also ties into reader expectations. Male readers like to", "very chivalrous type who values his partner deeply. If she was ever in", "about the female through some feat of heroism. As in “I love you", "one another. Given this, how to I deal with the paradox of allowing", "hand, is very self-reliant and does not like to place her agency in", "any human being is going to have moments of weakness where they need", "his), she isn't the type to allow herself to be put in that", "much he cares by trying to save her life (this is a story", "some feat of heroism. As in “I love you so much I’d fight", "support. There are also plenty of scenes in which the female saves the", "opposite is hard. Both of them are supposed to come off as competent", "I've tried making them a battle couple (which they normally are), but it", "Male readers like to believe they’d be the type to drop everything and", "because of this the idea that someone would value her enough to risk", "of this the idea that someone would value her enough to risk their", "emotionally, or socially (and to be fair, any human being is going to", "made in such a gesture is \"I love you so much that when", "I tried the old standby of \"love interest gets kidnapped and partner rescues", "as a sociopath. It also has a tendency to make male characters appear", "very heroically). I've tried making them a battle couple (which they normally are),", "“storming Soul Society/Hueco Mundo level” feat). The female, on the other hand, is", "nor women like to see themselves as incompetent. This leads to a paradox.", "they’d be the type to drop everything and save the princess, whereas women", "sense given her skillset that the female would escape before the male ever", "human being is going to have moments of weakness where they need help", "sexist the damsel in distress trope did show a useful narrative purpose: it", "shows up, making him look like an idiot (long story short, he's basically", "character (he's very socially awkward but when put under pressure he acts very", "results in a character who exhibits no vulnerability to make them sympathetic and", "physically (and the same message is present there), but writing the opposite is", "and perform whatever heroic feat necessary to save her (say, Bleach’s “storming Soul", "would be immensely touching. I've tried engineering situations where the man is able", "did show a useful narrative purpose: it allowed the (male) character to demonstrate", "action), but nothing feels right. Even when I tried the old standby of", "have moments of weakness where they need help from their friends and family),", "partner deeply. If she was ever in danger he would drop everything and", "(and the same message is present there), but writing the opposite is hard.", "cares by trying to save her life (this is a story with a", "of heroism. As in “I love you so much I’d fight a dragon", "a useful narrative purpose: it allowed the (male) character to demonstrate how much", "and grounded, and seemingly does not require assistance from others physically, emotionally, or", "require assistance from others physically, emotionally, or socially (and to be fair, any", "they care about the female through some feat of heroism. As in “I", "the type to drop everything and save the princess, whereas women like to", "story with a lot of action), but nothing feels right. Even when I", "female saves the male physically (and the same message is present there), but", "who are in a relationship. The male is a very chivalrous type who", "be immensely touching. I've tried engineering situations where the man is able to", "show how much he cares by trying to save her life (this is", "The male is a very chivalrous type who values his partner deeply. If", "the type to allow herself to be put in that position in the", "gesture is \"I love you so much that when you are vulnerable I", "female through some feat of heroism. As in “I love you so much", "comes from an abusive background that results in her being scrappy and trying", "the (male) character to demonstrate how much they care about the female through", "to not need rescuing in the first place. Neither men nor women like", "male character kind of comes off as ineffectual because while he cares enough", "more sense given her skillset that the female would escape before the male", "story short, he's basically the paladin to her thief). The male character is", "when put under pressure he acts very heroically). I've tried making them a", "help from their friends and family), which makes them come off as a", "the female saves the male physically (and the same message is present there),", "damsel in distress trope did show a useful narrative purpose: it allowed the", "he would do anything to help his partner (and that's supposed to be", "to drop everything and save the princess, whereas women like to believe they’d", "be fair, any human being is going to have moments of weakness where", "very sexist, which lead to an increase in the depiction of “strong, independent", "as ineffectual because while he cares enough that he would do anything to", "I can and will protect you\". Which requires at least momentary vulnerability on", "male character to save a female without making the female character seem incompetent,", "in the first place. She comes from an abusive background that results in", "in her being scrappy and trying to avoid depending on others, but because", "Both of them are supposed to come off as competent and caring about", "find emotional support. There are also plenty of scenes in which the female", "to show his affection due to his character (he's very socially awkward but", "where they need help from their friends and family), which makes them come", "dramatic displays. People eventually realized this was very sexist, which lead to an", "ever in danger he would drop everything and perform whatever heroic feat necessary", "so much I’d fight a dragon for you”. Additionally, while strong-willed female characters", "you so much I’d fight a dragon for you”. Additionally, while strong-willed female", "does not save her it makes him look incompetent and implies he doesn't", "his character (he's very socially awkward but when put under pressure he acts", "idea that someone would value her enough to risk their life to save", "to rescue her. Men and women also like (both vicariously in fiction and", "I have two characters who are in a relationship. The male is a", "them\" it made more sense given her skillset that the female would escape", "to save her would be immensely touching. I've tried engineering situations where the", "others, but because of this the idea that someone would value her enough", "Which requires at least momentary vulnerability on the one character's part and competence", "plenty of scenes in which the female saves the male physically (and the", "of comes off as ineffectual because while he cares enough that he would", "assistance from others physically, emotionally, or socially (and to be fair, any human", "realized this was very sexist, which lead to an increase in the depiction", "Additionally, while strong-willed female characters who have their own character arcs not dependent", "not need rescuing in the first place. Neither men nor women like to", "her would be immensely touching. I've tried engineering situations where the man is", "frequent use of the damsel in distress trope, where female characters are depicted", "male character does not save her it makes him look incompetent and implies", "many years made frequent use of the damsel in distress trope, where female", "and caring about one another. Given this, how to I deal with the", "male physically (and the same message is present there), but writing the opposite", "off as competent. ### Case Study I have two characters who are in", "that someone would value her enough to risk their life to save her", "affection due to his character (he's very socially awkward but when put under", "normally are), but it doesn't quite work. The statement usually made in such", "\"love interest gets kidnapped and partner rescues them\" it made more sense given", "of scenes in which the female saves the male physically (and the same", "and seemingly does not require assistance from others physically, emotionally, or socially (and", "paradox of allowing a male character to save a female without making the", "of his), she isn't the type to allow herself to be put in", "deal with the paradox of allowing a male character to save a female", "a sociopath. It also has a tendency to make male characters appear bumbling", "displays to show his affection due to his character (he's very socially awkward", "to save a female without making the female character seem incompetent, or vice", "very self-reliant and does not like to place her agency in the hands", "he cares by trying to save her life (this is a story with", "the male support the female emotionally, but due to the plot she ends", "to I deal with the paradox of allowing a male character to save", "everything and perform whatever heroic feat necessary to save her (say, Bleach’s “storming", "vulnerability to make them sympathetic and grounded, and seemingly does not require assistance", "other hand, is very self-reliant and does not like to place her agency", "have their own character arcs not dependent on male characters are good, when", "couple (which they normally are), but it doesn't quite work. The statement usually", "them are supposed to come off as competent and caring about one another.", "help his partner (and that's supposed to be a virtue of his), she", "everything and save the princess, whereas women like to believe they’d be capable", "female characters are depicted as needing men to save them in big, dramatic", "the female emotionally, but due to the plot she ends up going to", "depending on others, but because of this the idea that someone would value", "female emotionally, but due to the plot she ends up going to other", "background that results in her being scrappy and trying to avoid depending on", "tried engineering situations where the man is able to show how much he", "male ever shows up, making him look like an idiot (long story short,", "characters who are in a relationship. The male is a very chivalrous type", "momentary vulnerability on the one character's part and competence on the other's. I've", "her to rescue her. Men and women also like (both vicariously in fiction", "in distress trope, where female characters are depicted as needing men to save", "by trying to save her life (this is a story with a lot", "character is unable to save herself she is seen as weak and dependent", "partners that come off as competent. ### Case Study I have two characters", "Right now, the male character kind of comes off as ineffectual because while", "skillset that the female would escape before the male ever shows up, making", "who values his partner deeply. If she was ever in danger he would", "implies he doesn't care enough about her to rescue her. Men and women", "leads to a paradox. If a female character is unable to save herself", "distress trope, where female characters are depicted as needing men to save them", "the male character does not save her it makes him look incompetent and", "this the idea that someone would value her enough to risk their life", "allowing a male character to save a female without making the female character", "the male ever shows up, making him look like an idiot (long story", "men to succeed. If the male character does not save her it makes", "arcs not dependent on male characters are good, when executed poorly results in", "like (both vicariously in fiction and in real life) partners that come off", "Even when I tried the old standby of \"love interest gets kidnapped and", "the first place. She comes from an abusive background that results in her", "that the female would escape before the male ever shows up, making him", "where female characters are depicted as needing men to save them in big,", "save her life (this is a story with a lot of action), but", "to be a virtue of his), she isn't the type to allow herself", "trope did show a useful narrative purpose: it allowed the (male) character to", "now, the male character kind of comes off as ineffectual because while he", "There are also plenty of scenes in which the female saves the male", "touching. I've tried engineering situations where the man is able to show how", "was very sexist, which lead to an increase in the depiction of “strong,", "make them sympathetic and grounded, and seemingly does not require assistance from others", "while he cares enough that he would do anything to help his partner", "ends up going to other people to find emotional support. There are also", "Men and women also like (both vicariously in fiction and in real life)", "message is present there), but writing the opposite is hard. Both of them", "incompetent and implies he doesn't care enough about her to rescue her. Men", "type to allow herself to be put in that position in the first", "one character's part and competence on the other's. I've tried making the male", "the other hand, is very self-reliant and does not like to place her", "others. Right now, the male character kind of comes off as ineffectual because", "on others, but because of this the idea that someone would value her", "the plot she ends up going to other people to find emotional support.", "making them a battle couple (which they normally are), but it doesn't quite", "their own character arcs not dependent on male characters are good, when executed", "her (say, Bleach’s “storming Soul Society/Hueco Mundo level” feat). The female, on the", "weakness where they need help from their friends and family), which makes them", "in distress trope did show a useful narrative purpose: it allowed the (male)", "which makes them come off as a sociopath. It also has a tendency", "eventually realized this was very sexist, which lead to an increase in the", "an idiot (long story short, he's basically the paladin to her thief). The", "feels right. Even when I tried the old standby of \"love interest gets", "character to demonstrate how much they care about the female through some feat", "this, how to I deal with the paradox of allowing a male character", "at least momentary vulnerability on the one character's part and competence on the", "her skillset that the female would escape before the male ever shows up,", "see themselves as incompetent. This leads to a paradox. If a female character", "(say, Bleach’s “storming Soul Society/Hueco Mundo level” feat). The female, on the other" ]
[ "for something like an abandoned building that is liable to get torn down", "lot of Wrigley Field\", where Jim Butcher invented a parking lot for Wrigley", "an urban setting. I know the oft-told story of \"the parking lot of", "ends in an abandoned building. What made me realize there was a potential", "wondering about smaller details of a city's makeup rather than famous monuments. Specifically,", "need a specific abandoned building, but my concern is someone will look at", "at my story and go \"how can there be an abandoned building there,", "but ends in an abandoned building. What made me realize there was a", "how much fudging of geographic details will readers allow in a setting, especially", "or torn down. For example, I found an abandoned coal-fire plant, an abandoned", "revitalization efforts. The story is supposed to be \"contemporary\". So my question is", "setting. I know the oft-told story of \"the parking lot of Wrigley Field\",", "it comes to details of an urban setting. I know the oft-told story", "was that unlike monuments or the broader makeup of a city, abandoned buildings", "know the oft-told story of \"the parking lot of Wrigley Field\", where Jim", "gentrified area where land is at a premium?\" Or putting an apartment complex", "be set in Washington D.C. The sequence begins in a rather close-packed urban", "supposed to be set in Washington D.C. The sequence begins in a rather", "made me realize there was a potential problem was that unlike monuments or", "aren't permanent fixtures and often get refurbished or torn down. For example, I", "of geographic details will readers allow in a setting, especially for something like", "story that is supposed to be set in Washington D.C. The sequence begins", "long-term? That is, I don't need a specific abandoned building, but my concern", "but my concern is someone will look at my story and go \"how", "an abandoned building there, that's a highly gentrified area where land is at", "abandoned warehouse in the area I am setting the scene, but all are", "am setting the scene, but all are being renovated as part of city", "the area I am setting the scene, but all are being renovated as", "of city revitalization efforts. The story is supposed to be \"contemporary\". So my", "a city's makeup rather than famous monuments. Specifically, I have a scene in", "expect to be there long-term? That is, I don't need a specific abandoned", "warehouse in the area I am setting the scene, but all are being", "abandoned building there, that's a highly gentrified area where land is at a", "torn down or renovated and I can't expect to be there long-term? That", "can there be an abandoned building there, that's a highly gentrified area where", "Specifically, I have a scene in a story that is supposed to be", "urban setting. I know the oft-told story of \"the parking lot of Wrigley", "down or renovated and I can't expect to be there long-term? That is,", "sequence begins in a rather close-packed urban area but ends in an abandoned", "a parking lot for Wrigley Field in Chicago that famously doesn't have public", "I have a scene in a story that is supposed to be set", "was a potential problem was that unlike monuments or the broader makeup of", "go \"how can there be an abandoned building there, that's a highly gentrified", "especially for something like an abandoned building that is liable to get torn", "don't need a specific abandoned building, but my concern is someone will look", "to be there long-term? That is, I don't need a specific abandoned building,", "that is liable to get torn down or renovated and I can't expect", "to get torn down or renovated and I can't expect to be there", "in a setting, especially for something like an abandoned building that is liable", "of a city, abandoned buildings aren't permanent fixtures and often get refurbished or", "city, abandoned buildings aren't permanent fixtures and often get refurbished or torn down.", "an abandoned mall, and an abandoned warehouse in the area I am setting", "\"how can there be an abandoned building there, that's a highly gentrified area", "be \"contemporary\". So my question is how much fudging of geographic details will", "often get refurbished or torn down. For example, I found an abandoned coal-fire", "building, but my concern is someone will look at my story and go", "abandoned building, but my concern is someone will look at my story and", "supposed to be \"contemporary\". So my question is how much fudging of geographic", "abandoned building that is liable to get torn down or renovated and I", "a city, abandoned buildings aren't permanent fixtures and often get refurbished or torn", "refurbished or torn down. For example, I found an abandoned coal-fire plant, an", "all are being renovated as part of city revitalization efforts. The story is", "I know the oft-told story of \"the parking lot of Wrigley Field\", where", "What made me realize there was a potential problem was that unlike monuments", "the scene, but all are being renovated as part of city revitalization efforts.", "for Wrigley Field in Chicago that famously doesn't have public parking, but I'm", "or renovated and I can't expect to be there long-term? That is, I", "Or putting an apartment complex in the suburbs or something along those lines.", "have public parking, but I'm wondering about smaller details of a city's makeup", "set in Washington D.C. The sequence begins in a rather close-packed urban area", "a story that is supposed to be set in Washington D.C. The sequence", "a specific abandoned building, but my concern is someone will look at my", "of Wrigley Field\", where Jim Butcher invented a parking lot for Wrigley Field", "Chicago that famously doesn't have public parking, but I'm wondering about smaller details", "monuments. Specifically, I have a scene in a story that is supposed to", "building. What made me realize there was a potential problem was that unlike", "building that is liable to get torn down or renovated and I can't", "Wrigley Field\", where Jim Butcher invented a parking lot for Wrigley Field in", "than famous monuments. Specifically, I have a scene in a story that is", "a setting, especially for something like an abandoned building that is liable to", "there was a potential problem was that unlike monuments or the broader makeup", "parking lot for Wrigley Field in Chicago that famously doesn't have public parking,", "but I'm wondering about smaller details of a city's makeup rather than famous", "details of an urban setting. I know the oft-told story of \"the parking", "details of a city's makeup rather than famous monuments. Specifically, I have a", "in general when it comes to details of an urban setting. I know", "as part of city revitalization efforts. The story is supposed to be \"contemporary\".", "\"the parking lot of Wrigley Field\", where Jim Butcher invented a parking lot", "The sequence begins in a rather close-packed urban area but ends in an", "fudging of geographic details will readers allow in a setting, especially for something", "premium?\" Or putting an apartment complex in the suburbs or something along those", "I found an abandoned coal-fire plant, an abandoned mall, and an abandoned warehouse", "doesn't have public parking, but I'm wondering about smaller details of a city's", "general when it comes to details of an urban setting. I know the", "renovated and I can't expect to be there long-term? That is, I don't", "story and go \"how can there be an abandoned building there, that's a", "Field in Chicago that famously doesn't have public parking, but I'm wondering about", "latitude authors can have in general when it comes to details of an", "is at a premium?\" Or putting an apartment complex in the suburbs or", "that's a highly gentrified area where land is at a premium?\" Or putting", "permanent fixtures and often get refurbished or torn down. For example, I found", "when it comes to details of an urban setting. I know the oft-told", "For example, I found an abandoned coal-fire plant, an abandoned mall, and an", "get torn down or renovated and I can't expect to be there long-term?", "concern is someone will look at my story and go \"how can there", "a potential problem was that unlike monuments or the broader makeup of a", "in an abandoned building. What made me realize there was a potential problem", "liable to get torn down or renovated and I can't expect to be", "look at my story and go \"how can there be an abandoned building", "is supposed to be set in Washington D.C. The sequence begins in a", "to details of an urban setting. I know the oft-told story of \"the", "get refurbished or torn down. For example, I found an abandoned coal-fire plant,", "potential problem was that unlike monuments or the broader makeup of a city,", "fixtures and often get refurbished or torn down. For example, I found an", "the oft-told story of \"the parking lot of Wrigley Field\", where Jim Butcher", "story of \"the parking lot of Wrigley Field\", where Jim Butcher invented a", "like an abandoned building that is liable to get torn down or renovated", "mall, and an abandoned warehouse in the area I am setting the scene,", "I'm wondering how much latitude authors can have in general when it comes", "at a premium?\" Or putting an apartment complex in the suburbs or something", "there, that's a highly gentrified area where land is at a premium?\" Or", "scene in a story that is supposed to be set in Washington D.C.", "something like an abandoned building that is liable to get torn down or", "I don't need a specific abandoned building, but my concern is someone will", "Jim Butcher invented a parking lot for Wrigley Field in Chicago that famously", "city revitalization efforts. The story is supposed to be \"contemporary\". So my question", "can have in general when it comes to details of an urban setting.", "monuments or the broader makeup of a city, abandoned buildings aren't permanent fixtures", "is liable to get torn down or renovated and I can't expect to", "but all are being renovated as part of city revitalization efforts. The story", "So my question is how much fudging of geographic details will readers allow", "Butcher invented a parking lot for Wrigley Field in Chicago that famously doesn't", "parking, but I'm wondering about smaller details of a city's makeup rather than", "buildings aren't permanent fixtures and often get refurbished or torn down. For example,", "the broader makeup of a city, abandoned buildings aren't permanent fixtures and often", "I'm wondering about smaller details of a city's makeup rather than famous monuments.", "torn down. For example, I found an abandoned coal-fire plant, an abandoned mall,", "there long-term? That is, I don't need a specific abandoned building, but my", "where Jim Butcher invented a parking lot for Wrigley Field in Chicago that", "makeup of a city, abandoned buildings aren't permanent fixtures and often get refurbished", "how much latitude authors can have in general when it comes to details", "to be set in Washington D.C. The sequence begins in a rather close-packed", "and an abandoned warehouse in the area I am setting the scene, but", "are being renovated as part of city revitalization efforts. The story is supposed", "specific abandoned building, but my concern is someone will look at my story", "coal-fire plant, an abandoned mall, and an abandoned warehouse in the area I", "close-packed urban area but ends in an abandoned building. What made me realize", "part of city revitalization efforts. The story is supposed to be \"contemporary\". So", "in Washington D.C. The sequence begins in a rather close-packed urban area but", "land is at a premium?\" Or putting an apartment complex in the suburbs", "abandoned buildings aren't permanent fixtures and often get refurbished or torn down. For", "renovated as part of city revitalization efforts. The story is supposed to be", "and I can't expect to be there long-term? That is, I don't need", "have a scene in a story that is supposed to be set in", "plant, an abandoned mall, and an abandoned warehouse in the area I am", "That is, I don't need a specific abandoned building, but my concern is", "an abandoned coal-fire plant, an abandoned mall, and an abandoned warehouse in the", "be an abandoned building there, that's a highly gentrified area where land is", "story is supposed to be \"contemporary\". So my question is how much fudging", "city's makeup rather than famous monuments. Specifically, I have a scene in a", "my story and go \"how can there be an abandoned building there, that's", "area but ends in an abandoned building. What made me realize there was", "be there long-term? That is, I don't need a specific abandoned building, but", "of an urban setting. I know the oft-told story of \"the parking lot", "about smaller details of a city's makeup rather than famous monuments. Specifically, I", "makeup rather than famous monuments. Specifically, I have a scene in a story", "setting, especially for something like an abandoned building that is liable to get", "broader makeup of a city, abandoned buildings aren't permanent fixtures and often get", "famous monuments. Specifically, I have a scene in a story that is supposed", "a scene in a story that is supposed to be set in Washington", "that is supposed to be set in Washington D.C. The sequence begins in", "\"contemporary\". So my question is how much fudging of geographic details will readers", "a highly gentrified area where land is at a premium?\" Or putting an", "where land is at a premium?\" Or putting an apartment complex in the", "can't expect to be there long-term? That is, I don't need a specific", "much fudging of geographic details will readers allow in a setting, especially for", "or the broader makeup of a city, abandoned buildings aren't permanent fixtures and", "area I am setting the scene, but all are being renovated as part", "urban area but ends in an abandoned building. What made me realize there", "Field\", where Jim Butcher invented a parking lot for Wrigley Field in Chicago", "that famously doesn't have public parking, but I'm wondering about smaller details of", "I can't expect to be there long-term? That is, I don't need a", "abandoned mall, and an abandoned warehouse in the area I am setting the", "efforts. The story is supposed to be \"contemporary\". So my question is how", "in a story that is supposed to be set in Washington D.C. The", "unlike monuments or the broader makeup of a city, abandoned buildings aren't permanent", "that unlike monuments or the broader makeup of a city, abandoned buildings aren't", "down. For example, I found an abandoned coal-fire plant, an abandoned mall, and", "realize there was a potential problem was that unlike monuments or the broader", "an abandoned building that is liable to get torn down or renovated and", "will look at my story and go \"how can there be an abandoned", "in a rather close-packed urban area but ends in an abandoned building. What", "parking lot of Wrigley Field\", where Jim Butcher invented a parking lot for", "my question is how much fudging of geographic details will readers allow in", "an abandoned building. What made me realize there was a potential problem was", "public parking, but I'm wondering about smaller details of a city's makeup rather", "being renovated as part of city revitalization efforts. The story is supposed to", "abandoned building. What made me realize there was a potential problem was that", "oft-told story of \"the parking lot of Wrigley Field\", where Jim Butcher invented", "of \"the parking lot of Wrigley Field\", where Jim Butcher invented a parking", "The story is supposed to be \"contemporary\". So my question is how much", "have in general when it comes to details of an urban setting. I", "details will readers allow in a setting, especially for something like an abandoned", "I am setting the scene, but all are being renovated as part of", "Wrigley Field in Chicago that famously doesn't have public parking, but I'm wondering", "in Chicago that famously doesn't have public parking, but I'm wondering about smaller", "of a city's makeup rather than famous monuments. Specifically, I have a scene", "and often get refurbished or torn down. For example, I found an abandoned", "scene, but all are being renovated as part of city revitalization efforts. The", "is, I don't need a specific abandoned building, but my concern is someone", "problem was that unlike monuments or the broader makeup of a city, abandoned", "rather close-packed urban area but ends in an abandoned building. What made me", "there be an abandoned building there, that's a highly gentrified area where land", "authors can have in general when it comes to details of an urban", "famously doesn't have public parking, but I'm wondering about smaller details of a", "smaller details of a city's makeup rather than famous monuments. Specifically, I have", "invented a parking lot for Wrigley Field in Chicago that famously doesn't have", "me realize there was a potential problem was that unlike monuments or the", "lot for Wrigley Field in Chicago that famously doesn't have public parking, but", "an abandoned warehouse in the area I am setting the scene, but all", "to be \"contemporary\". So my question is how much fudging of geographic details", "allow in a setting, especially for something like an abandoned building that is", "comes to details of an urban setting. I know the oft-told story of", "my concern is someone will look at my story and go \"how can", "is how much fudging of geographic details will readers allow in a setting,", "much latitude authors can have in general when it comes to details of", "rather than famous monuments. Specifically, I have a scene in a story that", "wondering how much latitude authors can have in general when it comes to", "found an abandoned coal-fire plant, an abandoned mall, and an abandoned warehouse in", "and go \"how can there be an abandoned building there, that's a highly", "highly gentrified area where land is at a premium?\" Or putting an apartment", "building there, that's a highly gentrified area where land is at a premium?\"", "a premium?\" Or putting an apartment complex in the suburbs or something along", "is someone will look at my story and go \"how can there be", "setting the scene, but all are being renovated as part of city revitalization", "begins in a rather close-packed urban area but ends in an abandoned building.", "a rather close-packed urban area but ends in an abandoned building. What made", "abandoned coal-fire plant, an abandoned mall, and an abandoned warehouse in the area", "is supposed to be \"contemporary\". So my question is how much fudging of", "readers allow in a setting, especially for something like an abandoned building that", "will readers allow in a setting, especially for something like an abandoned building", "area where land is at a premium?\" Or putting an apartment complex in", "in the area I am setting the scene, but all are being renovated", "D.C. The sequence begins in a rather close-packed urban area but ends in", "someone will look at my story and go \"how can there be an", "question is how much fudging of geographic details will readers allow in a", "example, I found an abandoned coal-fire plant, an abandoned mall, and an abandoned", "Washington D.C. The sequence begins in a rather close-packed urban area but ends", "geographic details will readers allow in a setting, especially for something like an" ]
[ "my great grandfather wrote a series of handwritten poems that he compiled in", "poetry book, along with two of his penciled drawings. The book was never", "two of his penciled drawings. The book was never submitted for publication. Can", "of the 19th century, my great grandfather wrote a series of handwritten poems", "wrote a series of handwritten poems that he compiled in handbound poetry book,", "he compiled in handbound poetry book, along with two of his penciled drawings.", "half of the 19th century, my great grandfather wrote a series of handwritten", "of his penciled drawings. The book was never submitted for publication. Can I", "submitted for publication. Can I copyright this book, and then submit for publication?", "great grandfather wrote a series of handwritten poems that he compiled in handbound", "The book was never submitted for publication. Can I copyright this book, and", "handwritten poems that he compiled in handbound poetry book, along with two of", "never submitted for publication. Can I copyright this book, and then submit for", "along with two of his penciled drawings. The book was never submitted for", "the latter half of the 19th century, my great grandfather wrote a series", "the 19th century, my great grandfather wrote a series of handwritten poems that", "of handwritten poems that he compiled in handbound poetry book, along with two", "in handbound poetry book, along with two of his penciled drawings. The book", "a series of handwritten poems that he compiled in handbound poetry book, along", "compiled in handbound poetry book, along with two of his penciled drawings. The", "In the latter half of the 19th century, my great grandfather wrote a", "book, along with two of his penciled drawings. The book was never submitted", "series of handwritten poems that he compiled in handbound poetry book, along with", "century, my great grandfather wrote a series of handwritten poems that he compiled", "grandfather wrote a series of handwritten poems that he compiled in handbound poetry", "handbound poetry book, along with two of his penciled drawings. The book was", "with two of his penciled drawings. The book was never submitted for publication.", "poems that he compiled in handbound poetry book, along with two of his", "drawings. The book was never submitted for publication. Can I copyright this book,", "that he compiled in handbound poetry book, along with two of his penciled", "penciled drawings. The book was never submitted for publication. Can I copyright this", "his penciled drawings. The book was never submitted for publication. Can I copyright", "was never submitted for publication. Can I copyright this book, and then submit", "book was never submitted for publication. Can I copyright this book, and then", "latter half of the 19th century, my great grandfather wrote a series of", "19th century, my great grandfather wrote a series of handwritten poems that he" ]
[ "universe with the same age? There's a similar question that was asked not", "the same character from different universe with the same age? There's a similar", "time, but different universes. What are some ways to distinguish them? I was", "was asked not too long ago, but it involved time-travel. In this case,", "told that you can use prime marks and refer to them as Zotn'", "time-travel. In this case, you have two Juhnc from the same time, but", "between the same character from different universe with the same age? There's a", "character from different universe with the same age? There's a similar question that", "but it looks really odd to me. What are some other alternatives to", "What are some ways to distinguish them? I was told that you can", "same time, but different universes. What are some ways to distinguish them? I", "same age? There's a similar question that was asked not too long ago,", "not too long ago, but it involved time-travel. In this case, you have", "age? There's a similar question that was asked not too long ago, but", "ago, but it involved time-travel. In this case, you have two Juhnc from", "involved time-travel. In this case, you have two Juhnc from the same time,", "distinguish them? I was told that you can use prime marks and refer", "prime marks and refer to them as Zotn' and Zotn'', but it looks", "and refer to them as Zotn' and Zotn'', but it looks really odd", "have two Juhnc from the same time, but different universes. What are some", "but different universes. What are some ways to distinguish them? I was told", "Zotn' and Zotn'', but it looks really odd to me. What are some", "two Juhnc from the same time, but different universes. What are some ways", "use prime marks and refer to them as Zotn' and Zotn'', but it", "long ago, but it involved time-travel. In this case, you have two Juhnc", "I was told that you can use prime marks and refer to them", "them as Zotn' and Zotn'', but it looks really odd to me. What", "ways to distinguish them? I was told that you can use prime marks", "distinguish between the same character from different universe with the same age? There's", "with the same age? There's a similar question that was asked not too", "How can I distinguish between the same character from different universe with the", "you can use prime marks and refer to them as Zotn' and Zotn'',", "Zotn'', but it looks really odd to me. What are some other alternatives", "marks and refer to them as Zotn' and Zotn'', but it looks really", "them? I was told that you can use prime marks and refer to", "different universes. What are some ways to distinguish them? I was told that", "are some ways to distinguish them? I was told that you can use", "There's a similar question that was asked not too long ago, but it", "was told that you can use prime marks and refer to them as", "as Zotn' and Zotn'', but it looks really odd to me. What are", "to distinguish them? I was told that you can use prime marks and", "similar question that was asked not too long ago, but it involved time-travel.", "it looks really odd to me. What are some other alternatives to this?", "can I distinguish between the same character from different universe with the same", "to them as Zotn' and Zotn'', but it looks really odd to me.", "from different universe with the same age? There's a similar question that was", "this case, you have two Juhnc from the same time, but different universes.", "asked not too long ago, but it involved time-travel. In this case, you", "same character from different universe with the same age? There's a similar question", "In this case, you have two Juhnc from the same time, but different", "that you can use prime marks and refer to them as Zotn' and", "a similar question that was asked not too long ago, but it involved", "different universe with the same age? There's a similar question that was asked", "that was asked not too long ago, but it involved time-travel. In this", "the same age? There's a similar question that was asked not too long", "but it involved time-travel. In this case, you have two Juhnc from the", "the same time, but different universes. What are some ways to distinguish them?", "can use prime marks and refer to them as Zotn' and Zotn'', but", "refer to them as Zotn' and Zotn'', but it looks really odd to", "and Zotn'', but it looks really odd to me. What are some other", "case, you have two Juhnc from the same time, but different universes. What", "question that was asked not too long ago, but it involved time-travel. In", "it involved time-travel. In this case, you have two Juhnc from the same", "from the same time, but different universes. What are some ways to distinguish", "I distinguish between the same character from different universe with the same age?", "too long ago, but it involved time-travel. In this case, you have two", "Juhnc from the same time, but different universes. What are some ways to", "universes. What are some ways to distinguish them? I was told that you", "you have two Juhnc from the same time, but different universes. What are", "some ways to distinguish them? I was told that you can use prime" ]
[ "great pets. ← thesis statement > > > * Cats improve human happiness.", "Cats ward off pests. > * Cats are easy to care for. >", "> > > Each of the items starting with \"-\" above are the", "of those body paragraphs though acts as a \"mini thesis statement\". Example: >", "paper is organized with a thesis statement found in the introduction paragraph. Then,", "are easy to care for. > > > Each of the items starting", "Then, each body paragraph contains examples and details that support the thesis statement.", "> > Cats make great pets. ← thesis statement > > > ", "of the thesis statement, but also serve to tell readers a summary of", "improve human happiness. ← smaller sub-statement > Cats ward off pests. >", "paragraph contains examples and details that support the thesis statement. The first sentence", "* Cats improve human happiness. ← smaller sub-statement > * Cats ward off", "Example: > > Cats make great pets. ← thesis statement > > >", "They support one aspect of the thesis statement, but also serve to tell", "body paragraph contains examples and details that support the thesis statement. The first", "statement found in the introduction paragraph. Then, each body paragraph contains examples and", "> > Each of the items starting with \"-\" above are the \"mini", "human happiness. ← smaller sub-statement > * Cats ward off pests. > ", "← smaller sub-statement > Cats ward off pests. > * Cats are", "sentence in each of those body paragraphs though acts as a \"mini thesis", "thesis statements\". They support one aspect of the thesis statement, but also serve", "the thesis statement. The first sentence in each of those body paragraphs though", "with \"-\" above are the \"mini thesis statements\". They support one aspect of", "with a thesis statement found in the introduction paragraph. Then, each body paragraph", "support one aspect of the thesis statement, but also serve to tell readers", "support the thesis statement. The first sentence in each of those body paragraphs", "pets. ← thesis statement > > > * Cats improve human happiness. ←", "statement, but also serve to tell readers a summary of what to expect", "to care for. > > > Each of the items starting with \"-\"", "* Cats ward off pests. > * Cats are easy to care for.", "← thesis statement > > > * Cats improve human happiness. ← smaller", "serve to tell readers a summary of what to expect within the rest", "* Cats are easy to care for. > > > Each of the", "starting with \"-\" above are the \"mini thesis statements\". They support one aspect", "in the introduction paragraph. Then, each body paragraph contains examples and details that", "is organized with a thesis statement found in the introduction paragraph. Then, each", "The first sentence in each of those body paragraphs though acts as a", "the introduction paragraph. Then, each body paragraph contains examples and details that support", "examples and details that support the thesis statement. The first sentence in each", "thesis statement > > > * Cats improve human happiness. ← smaller sub-statement", "introduction paragraph. Then, each body paragraph contains examples and details that support the", "a thesis statement found in the introduction paragraph. Then, each body paragraph contains", "Each of the items starting with \"-\" above are the \"mini thesis statements\".", "though acts as a \"mini thesis statement\". Example: > > Cats make great", "aspect of the thesis statement, but also serve to tell readers a summary", "that support the thesis statement. The first sentence in each of those body", "what to expect within the rest of the body paragraph. What is a", "a summary of what to expect within the rest of the body paragraph.", "paragraphs though acts as a \"mini thesis statement\". Example: > > Cats make", "tell readers a summary of what to expect within the rest of the", "body paragraphs though acts as a \"mini thesis statement\". Example: > > Cats", "> * Cats improve human happiness. ← smaller sub-statement > * Cats ward", "\"-\" above are the \"mini thesis statements\". They support one aspect of the", "a \"mini thesis statement\". Example: > > Cats make great pets. ← thesis", "pests. > * Cats are easy to care for. > > > Each", "those body paragraphs though acts as a \"mini thesis statement\". Example: > >", "but also serve to tell readers a summary of what to expect within", "to expect within the rest of the body paragraph. What is a term", "thesis statement\". Example: > > Cats make great pets. ← thesis statement >", "off pests. > * Cats are easy to care for. > > >", "expect within the rest of the body paragraph. What is a term for", "above are the \"mini thesis statements\". They support one aspect of the thesis", "of what to expect within the rest of the body paragraph. What is", "are the \"mini thesis statements\". They support one aspect of the thesis statement,", "Cats improve human happiness. ← smaller sub-statement > * Cats ward off pests.", "contains examples and details that support the thesis statement. The first sentence in", "statements\". They support one aspect of the thesis statement, but also serve to", "thesis statement. The first sentence in each of those body paragraphs though acts", "a paper is organized with a thesis statement found in the introduction paragraph.", "in each of those body paragraphs though acts as a \"mini thesis statement\".", "readers a summary of what to expect within the rest of the body", "care for. > > > Each of the items starting with \"-\" above", "> Each of the items starting with \"-\" above are the \"mini thesis", "smaller sub-statement > * Cats ward off pests. > * Cats are easy", "statement\". Example: > > Cats make great pets. ← thesis statement > >", "details that support the thesis statement. The first sentence in each of those", "> > > * Cats improve human happiness. ← smaller sub-statement > ", "easy to care for. > > > Each of the items starting with", "ward off pests. > Cats are easy to care for. > >", "\"mini thesis statement\". Example: > > Cats make great pets. ← thesis statement", "the items starting with \"-\" above are the \"mini thesis statements\". They support", "statement. The first sentence in each of those body paragraphs though acts as", "to tell readers a summary of what to expect within the rest of", "the thesis statement, but also serve to tell readers a summary of what", "thesis statement found in the introduction paragraph. Then, each body paragraph contains examples", "summary of what to expect within the rest of the body paragraph. What", "as a \"mini thesis statement\". Example: > > Cats make great pets. ←", "within the rest of the body paragraph. What is a term for these?", "> > * Cats improve human happiness. ← smaller sub-statement > * Cats", "each body paragraph contains examples and details that support the thesis statement. The", "Suppose a paper is organized with a thesis statement found in the introduction", "one aspect of the thesis statement, but also serve to tell readers a", "make great pets. ← thesis statement > > > * Cats improve human", "statement > > > * Cats improve human happiness. ← smaller sub-statement >", "> * Cats ward off pests. > * Cats are easy to care", "thesis statement, but also serve to tell readers a summary of what to", "for. > > > Each of the items starting with \"-\" above are", "> Cats make great pets. ← thesis statement > > > * Cats", "acts as a \"mini thesis statement\". Example: > > Cats make great pets.", "organized with a thesis statement found in the introduction paragraph. Then, each body", "happiness. ← smaller sub-statement > * Cats ward off pests. > * Cats", "also serve to tell readers a summary of what to expect within the", "Cats are easy to care for. > > > Each of the items", "of the items starting with \"-\" above are the \"mini thesis statements\". They", "the \"mini thesis statements\". They support one aspect of the thesis statement, but", "Cats make great pets. ← thesis statement > > > * Cats improve", "> * Cats are easy to care for. > > > Each of", "paragraph. Then, each body paragraph contains examples and details that support the thesis", "sub-statement > * Cats ward off pests. > * Cats are easy to", "first sentence in each of those body paragraphs though acts as a \"mini", "found in the introduction paragraph. Then, each body paragraph contains examples and details", "\"mini thesis statements\". They support one aspect of the thesis statement, but also", "and details that support the thesis statement. The first sentence in each of", "each of those body paragraphs though acts as a \"mini thesis statement\". Example:", "items starting with \"-\" above are the \"mini thesis statements\". They support one" ]
[ "say something like \"We found that the percentage of X questions increased by", "\"We found that the percentage of X questions increased by 10%, and as", "corollary\" in a single term? To clarify what I'm trying to mean by", "To clarify what I'm trying to mean by that, other rough equivalent terms", "something like \"We found that the percentage of X questions increased by 10%,", "a similar amount.\" How do I say \"as a corollary\" in a single", "corollary, the percentage of Y questions decreased by a similar amount.\" How do", "what I'm trying to mean by that, other rough equivalent terms might be", "In academic writing, I often have to say something like \"We found that", "the percentage of Y questions decreased by a similar amount.\" How do I", "X questions increased by 10%, and as a corollary, the percentage of Y", "trying to mean by that, other rough equivalent terms might be \"consequently\", \"equivalently\",", "and as a corollary, the percentage of Y questions decreased by a similar", "by 10%, and as a corollary, the percentage of Y questions decreased by", "to say something like \"We found that the percentage of X questions increased", "writing, I often have to say something like \"We found that the percentage", "a single term? To clarify what I'm trying to mean by that, other", "percentage of Y questions decreased by a similar amount.\" How do I say", "to mean by that, other rough equivalent terms might be \"consequently\", \"equivalently\", etc.", "Y questions decreased by a similar amount.\" How do I say \"as a", "like \"We found that the percentage of X questions increased by 10%, and", "term? To clarify what I'm trying to mean by that, other rough equivalent", "\"as a corollary\" in a single term? To clarify what I'm trying to", "say \"as a corollary\" in a single term? To clarify what I'm trying", "I often have to say something like \"We found that the percentage of", "of Y questions decreased by a similar amount.\" How do I say \"as", "similar amount.\" How do I say \"as a corollary\" in a single term?", "single term? To clarify what I'm trying to mean by that, other rough", "found that the percentage of X questions increased by 10%, and as a", "the percentage of X questions increased by 10%, and as a corollary, the", "10%, and as a corollary, the percentage of Y questions decreased by a", "that the percentage of X questions increased by 10%, and as a corollary,", "questions decreased by a similar amount.\" How do I say \"as a corollary\"", "a corollary\" in a single term? To clarify what I'm trying to mean", "How do I say \"as a corollary\" in a single term? To clarify", "of X questions increased by 10%, and as a corollary, the percentage of", "percentage of X questions increased by 10%, and as a corollary, the percentage", "clarify what I'm trying to mean by that, other rough equivalent terms might", "questions increased by 10%, and as a corollary, the percentage of Y questions", "decreased by a similar amount.\" How do I say \"as a corollary\" in", "amount.\" How do I say \"as a corollary\" in a single term? To", "I'm trying to mean by that, other rough equivalent terms might be \"consequently\",", "as a corollary, the percentage of Y questions decreased by a similar amount.\"", "in a single term? To clarify what I'm trying to mean by that,", "academic writing, I often have to say something like \"We found that the", "often have to say something like \"We found that the percentage of X", "have to say something like \"We found that the percentage of X questions", "a corollary, the percentage of Y questions decreased by a similar amount.\" How", "do I say \"as a corollary\" in a single term? To clarify what", "by a similar amount.\" How do I say \"as a corollary\" in a", "increased by 10%, and as a corollary, the percentage of Y questions decreased", "I say \"as a corollary\" in a single term? To clarify what I'm" ]
[ "fear for example, all I can think of are \"He had wide eyes\"", "on its own: \"Parth entered the room like a breeze blowing through\". It's", "method runs into a lot of the same problems as the FEBL method,", "definitely conveys shock, but then one is no longer using this method. Also,", "conveying the inner state of a character. I have three questions: 1. Are", "is that someone may growl, or hit the wall, to show anger. A", "into problems of not having any non-cliché ways to convey the inner state.", "the cashier.\" This is telling instead of showing however, which a lot of", "can often be misinterpreted. If someone stands completely still after some was shot", "the list. Here's an example of a similie being used as a method", "had wide eyes\" or \"His chin dropped to the floor\", or other similar", "a huge question, parts of which have been answered on this site. However,", "its own however, it is just kind of hard to use in a", "the wall, to show anger. A strength of this method is that it", "it's annoying to read/write it again. Also, since these states are so common,", "I often run out of the available clichés, therefore having to repeat the", "enact one of the other methods, instead of combination of methods. However, since", "explicitly state the character's inner state. An example would be \"Zotn was angry.\",", "However, since it can be used without any other methods, making it a", "state. For shock and fear for example, all I can think of are", "which a lot of people say is bad. I've also heard it is", "of work it requires to answer. Before delving in, I'll define what I", "especially bad when in the context of inner states. 6. Similes and metaphors", "nicely and/or reliably convey it through FEBL. Whenever the inner state is basic", "the inner state is basic and common however, I usually run into problems", "the reader what's going on inside characters. What I'm looking for is a", "is that it also says something about the character's personality, not just their", "it also says something about the character's personality, not just their inner state", "Also, \"frozen\" is terribly clichéd in my opinion. 5. One can explicitly state", "Monologues can be out-of-character and thoughts can run the risk of spelling things", "the ones I've already used. 3. Monologues or thoughts (thoughts can be differentiated", "of which have been answered on this site. However, this is one of", "the room like a breeze blowing through\". It's hard to use this method", "a literary tool used to enact one of the other methods, instead of", "expressions / body language (FEBL) is limited by the format. The method is", "well by actions, whereas other inner states cause inaction. For example, shock often", "parts of which have been answered on this site. However, this is one", "methods best suited for? 3. How can one mitigate the methods' respective limitations?", "can be differentiated from other writing through italicization) is a method. Monologues can", "Are there more methods? 2. For what situations are the respective methods best", "inner state. For shock and fear for example, all I can think of", "through FEBL. Whenever the inner state is basic and common however, I usually", "or \"His chin dropped to the floor\", or other similar clichés. Due to", "complex to be described well by actions, whereas other inner states cause inaction.", "deserves a spot on the list. Here's an example of a similie being", "is just kind of hard to use in a natural way in my", "is usually paired up with the other methods, like \"He growled like a", "six methods of conveying the inner state of a character. I have three", "Facial expressions / body language (FEBL) is limited by the format. The method", "opinion. So, currently, I've listed six methods of conveying the inner state of", "their dialogue. A limitation of this method however, is that there's not always", "example of a similie being used as a method on its own: \"Parth", "conveys shock, but then one is no longer using this method. Also, \"frozen\"", "characters' inner states can be communicated through their dialogue. A limitation of this", "character's emotions, thoughts, desires, motivations, instincts, sensations, etc. Anything going on inside them", "expressions, like \"they stood frozen\", which definitely conveys shock, but then one is", "2. Facial expressions / body language (FEBL) is limited by the format. The", "method. Monologues can be out-of-character and thoughts can run the risk of spelling", "what I mean by inner state: a character's emotions, thoughts, desires, motivations, instincts,", "actions, whereas other inner states cause inaction. For example, shock often causes inaction.", "shock, or, it can convey apathy towards the situation / person shot. So,", "answer. Before delving in, I'll define what I mean by inner state: a", "other inner states cause inaction. For example, shock often causes inaction. So, why", "times to the point it's annoying to read/write it again. Also, since these", "as the FEBL method, because certain inner states are too complex to be", "\"frozen\" is terribly clichéd in my opinion. 5. One can explicitly state the", "complex, it becomes hard to efficiently, nicely and/or reliably convey it through FEBL.", "non-cliché ways to convey the inner state. For shock and fear for example,", "with the other methods, like \"He growled like a dog\", or, \"Zotn was", "describe their inaction? Well, that inaction can often be misinterpreted. If someone stands", "not just their inner state at the moment. This method runs into a", "being used with. On its own however, it is just kind of hard", "currently, I've listed six methods of conveying the inner state of a character.", "can convey apathy towards the situation / person shot. So, inaction isn't too", "the method it is being used with. On its own however, it is", "used. 3. Monologues or thoughts (thoughts can be differentiated from other writing through", "1. Dialogue says a lot. The characters' inner states can be communicated through", "course plenty of ways to communicate to the reader what's going on inside", "clichés, therefore having to repeat the ones I've already used. 3. Monologues or", "their inaction? Well, that inaction can often be misinterpreted. If someone stands completely", "of not having any non-cliché ways to convey the inner state. For shock", "the FEBL method, because certain inner states are too complex to be described", "just describe their inaction? Well, that inaction can often be misinterpreted. If someone", "the situation / person shot. So, inaction isn't too descriptive. Of course, one", "5. One can explicitly state the character's inner state. An example would be", "like \"He growled like a dog\", or, \"Zotn was angrier than a bull.\"", "used as a method on its own: \"Parth entered the room like a", "example, all I can think of are \"He had wide eyes\" or \"His", "them, this can convey shock, or, it can convey apathy towards the situation", "state: a character's emotions, thoughts, desires, motivations, instincts, sensations, etc. Anything going on", "it's usually is paired up with the others, giving it the limitations of", "clichés. Due to its basicness and commonness, it feels like everything's been done", "someone may growl, or hit the wall, to show anger. A strength of", "writers face, and so I think the question's relevancy matches the amount of", "inner states cause inaction. For example, shock often causes inaction. So, why not", "the book, meaning I often run out of the available clichés, therefore having", "on this site. However, this is one of the biggest challenges writers face,", "these ways, and what they're uses are. 1. Dialogue* says a lot. The", "inaction. For example, shock often causes inaction. So, why not just describe their", "out of the available clichés, therefore having to repeat the ones I've already", "language (FEBL) is limited by the format. The method is visceral, and a", "common, they often occur many times in the book, meaning I often run", "the other methods, instead of combination of methods. However, since it can be", "from other writing through italicization) is a method. Monologues can be out-of-character and", "descriptive. Of course, one can describe the inaction with body language / facial", "Here's an example of a similie being used as a method on its", "is limited by the format. The method is visceral, and a whenever the", "body language / facial expressions, like \"they stood frozen\", which definitely conveys shock,", "or, \"He thought ill of the cashier.\" This is telling instead of showing", "cashier.\" This is telling instead of showing however, which a lot of people", "sense to look at it as a literary tool used to enact one", "on inside them really. There are of course plenty of ways to communicate", "commonness, it feels like everything's been done a million times to the point", "methods, like \"He growled like a dog\", or, \"Zotn was angrier than a", "someone stands completely still after some was shot in the head next to", "of inner states. 6. Similes and metaphors can be used. This is usually", "any other methods, making it a method in it of itself, it deserves", "be \"Zotn was angry.\", or, \"He thought ill of the cashier.\" This is", "list. Here's an example of a similie being used as a method on", "method, because certain inner states are too complex to be described well by", "that inaction can often be misinterpreted. If someone stands completely still after some", "challenges writers face, and so I think the question's relevancy matches the amount", "dropped to the floor\", or other similar clichés. Due to its basicness and", "it a method in it of itself, it deserves a spot on the", "the respective methods best suited for? 3. How can one mitigate the methods'", "this method however, is that there's not always more than one character. 2.", "run out of the available clichés, therefore having to repeat the ones I've", "a lot of people say is bad. I've also heard it is especially", "own however, it is just kind of hard to use in a natural", "and so I think the question's relevancy matches the amount of work it", "language / facial expressions, like \"they stood frozen\", which definitely conveys shock, but", "FEBL. Whenever the inner state is basic and common however, I usually run", "in it of itself, it deserves a spot on the list. Here's an", "to be described well by actions, whereas other inner states cause inaction. For", "an example of a similie being used as a method on its own:", "context of inner states. 6. Similes and metaphors can be used. This is", "character's personality, not just their inner state at the moment. This method runs", "chin dropped to the floor\", or other similar clichés. Due to its basicness", "are so common, they often occur many times in the book, meaning I", "states are so common, they often occur many times in the book, meaning", "always more than one character. 2. Facial expressions / body language (FEBL) is", "way in my opinion. So, currently, I've listed six methods of conveying the", "FEBL method, because certain inner states are too complex to be described well", "often causes inaction. So, why not just describe their inaction? Well, that inaction", "other methods, like \"He growled like a dog\", or, \"Zotn was angrier than", "person shot. So, inaction isn't too descriptive. Of course, one can describe the", "it makes more sense to look at it as a literary tool used", "up with the others, giving it the limitations of the method it is", "be used without any other methods, making it a method in it of", "use this method on its own however, meaning it's usually is paired up", "also heard it is especially bad when in the context of inner states.", "longer using this method. Also, \"frozen\" is terribly clichéd in my opinion. 5.", "similie being used as a method on its own: \"Parth entered the room", "floor\", or other similar clichés. Due to its basicness and commonness, it feels", "when in the context of inner states. 6. Similes and metaphors can be", "same problems as the FEBL method, because certain inner states are too complex", "states cause inaction. For example, shock often causes inaction. So, why not just", "a character. I have three questions: 1. Are there more methods? 2. For", "having any non-cliché ways to convey the inner state. For shock and fear", "Also, since these states are so common, they often occur many times in", "lot of people say is bad. I've also heard it is especially bad", "angrier than a bull.\" In these cases it makes more sense to look", "relevancy matches the amount of work it requires to answer. Before delving in,", "book, meaning I often run out of the available clichés, therefore having to", "therefore having to repeat the ones I've already used. 3. Monologues or thoughts", "like \"they stood frozen\", which definitely conveys shock, but then one is no", "a lot. The characters' inner states can be communicated through their dialogue. A", "reliably convey it through FEBL. Whenever the inner state is basic and common", "example would be \"Zotn was angry.\", or, \"He thought ill of the cashier.\"", "situation / person shot. So, inaction isn't too descriptive. Of course, one can", "times in the book, meaning I often run out of the available clichés,", "method it is being used with. On its own however, it is just", "tool used to enact one of the other methods, instead of combination of", "format. The method is visceral, and a whenever the inner state is complex,", "for example, all I can think of are \"He had wide eyes\" or", "read/write it again. Also, since these states are so common, they often occur", "site. However, this is one of the biggest challenges writers face, and so", "next to them, this can convey shock, or, it can convey apathy towards", "can describe the inaction with body language / facial expressions, like \"they stood", "answered on this site. However, this is one of the biggest challenges writers", "in my opinion. 5. One can explicitly state the character's inner state. An", "Dialogue says a lot. The characters' inner states can be communicated through their", "method is that it also says something about the character's personality, not just", "of course plenty of ways to communicate to the reader what's going on", "A limitation of this method however, is that there's not always more than", "lot. The characters' inner states can be communicated through their dialogue. A limitation", "makes more sense to look at it as a literary tool used to", "what they're uses are. 1. Dialogue says a lot. The characters' inner states", "convey it through FEBL. Whenever the inner state is basic and common however,", "it the limitations of the method it is being used with. On its", "and metaphors can be used. This is usually paired up with the other", "again. Also, since these states are so common, they often occur many times", "This is telling instead of showing however, which a lot of people say", "I've listed six methods of conveying the inner state of a character. I", "causes inaction. So, why not just describe their inaction? Well, that inaction can", "italicization) is a method. Monologues can be out-of-character and thoughts can run the", "inaction can often be misinterpreted. If someone stands completely still after some was", "available clichés, therefore having to repeat the ones I've already used. 3. Monologues", "be out-of-character and thoughts can run the risk of spelling things out. 4.", "this method. Also, \"frozen\" is terribly clichéd in my opinion. 5. One can", "certain inner states are too complex to be described well by actions, whereas", "as a method on its own: \"Parth entered the room like a breeze", "1. Are there more methods? 2. For what situations are the respective methods", "bad when in the context of inner states. 6. Similes and metaphors can", "says something about the character's personality, not just their inner state at the", "thoughts** (thoughts can be differentiated from other writing through italicization) is a method.", "delving in, I'll define what I mean by inner state: a character's emotions,", "thoughts can run the risk of spelling things out. 4. Actions can be", "than one character. 2. Facial expressions / body language (FEBL) is limited by", "the character's personality, not just their inner state at the moment. This method", "still after some was shot in the head next to them, this can", "inner states can be communicated through their dialogue. A limitation of this method", "think of are \"He had wide eyes\" or \"His chin dropped to the", "biggest challenges writers face, and so I think the question's relevancy matches the", "method on its own: \"Parth entered the room like a breeze blowing through\".", "this method is that it also says something about the character's personality, not", "\"Parth entered the room like a breeze blowing through\". It's hard to use", "basicness and commonness, it feels like everything's been done a million times to", "the character's inner state. An example would be \"Zotn was angry.\", or, \"He", "method. Also, \"frozen\" is terribly clichéd in my opinion. 5. One can explicitly", "heard it is especially bad when in the context of inner states. 6.", "it is just kind of hard to use in a natural way in", "many times in the book, meaning I often run out of the available", "can convey shock, or, it can convey apathy towards the situation / person", "and a whenever the inner state is complex, it becomes hard to efficiently,", "making it a method in it of itself, it deserves a spot on", "this site. However, this is one of the biggest challenges writers face, and", "been answered on this site. However, this is one of the biggest challenges", "a run-down of these ways, and what they're uses are. 1. Dialogue says", "or hit the wall, to show anger. A strength of this method is", "since these states are so common, they often occur many times in the", "\"Zotn was angrier than a bull.\" In these cases it makes more sense", "the question's relevancy matches the amount of work it requires to answer. Before", "Monologues or thoughts (thoughts can be differentiated from other writing through italicization) is", "method in that such communication is visceral in nature. Examples of this method", "Of course, one can describe the inaction with body language / facial expressions,", "through italicization) is a method. Monologues can be out-of-character and thoughts can run", "visceral, and a whenever the inner state is complex, it becomes hard to", "is a method. Monologues can be out-of-character and thoughts can run the risk", "plenty of ways to communicate to the reader what's going on inside characters.", "isn't too descriptive. Of course, one can describe the inaction with body language", "hard to use in a natural way in my opinion. So, currently, I've", "which have been answered on this site. However, this is one of the", "the format. The method is visceral, and a whenever the inner state is", "can be used. Similar to the FEBL method in that such communication is", "question's relevancy matches the amount of work it requires to answer. Before delving", "already used. 3. Monologues or thoughts (thoughts can be differentiated from other writing", "inner state: a character's emotions, thoughts, desires, motivations, instincts, sensations, etc. Anything going", "and/or reliably convey it through FEBL. Whenever the inner state is basic and", "\"they stood frozen\", which definitely conveys shock, but then one is no longer", "the others, giving it the limitations of the method it is being used", "of the method it is being used with. On its own however, it", "that there's not always more than one character. 2. Facial expressions / body", "of conveying the inner state of a character. I have three questions: 1.", "with the others, giving it the limitations of the method it is being", "inaction? Well, that inaction can often be misinterpreted. If someone stands completely still", "On its own however, it is just kind of hard to use in", "all I can think of are \"He had wide eyes\" or \"His chin", "of combination of methods. However, since it can be used without any other", "and commonness, it feels like everything's been done a million times to the", "that someone may growl, or hit the wall, to show anger. A strength", "to communicate to the reader what's going on inside characters. What I'm looking", "literary tool used to enact one of the other methods, instead of combination", "course, one can describe the inaction with body language / facial expressions, like", "there more methods? 2. For what situations are the respective methods best suited", "be used. This is usually paired up with the other methods, like \"He", "desires, motivations, instincts, sensations, etc. Anything going on inside them really. There are", "that it also says something about the character's personality, not just their inner", "writing through italicization) is a method. Monologues can be out-of-character and thoughts can", "basic and common however, I usually run into problems of not having any", "a lot of the same problems as the FEBL method, because certain inner", "things out. 4. Actions can be used. Similar to the FEBL method in", "usually run into problems of not having any non-cliché ways to convey the", "4. Actions can be used. Similar to the FEBL method in that such", "often run out of the available clichés, therefore having to repeat the ones", "described well by actions, whereas other inner states cause inaction. For example, shock", "question, parts of which have been answered on this site. However, this is", "would be \"Zotn was angry.\", or, \"He thought ill of the cashier.\" This", "to the FEBL method in that such communication is visceral in nature. Examples", "common however, I usually run into problems of not having any non-cliché ways", "describe the inaction with body language / facial expressions, like \"they stood frozen\",", "I usually run into problems of not having any non-cliché ways to convey", "the inaction with body language / facial expressions, like \"they stood frozen\", which", "inner state is basic and common however, I usually run into problems of", "my opinion. 5. One can explicitly state the character's inner state. An example", "communicated through their dialogue. A limitation of this method however, is that there's", "stood frozen\", which definitely conveys shock, but then one is no longer using", "cause inaction. For example, shock often causes inaction. So, why not just describe", "can be used. This is usually paired up with the other methods, like", "really. There are of course plenty of ways to communicate to the reader", "amount of work it requires to answer. Before delving in, I'll define what", "to the reader what's going on inside characters. What I'm looking for is", "inner state is complex, it becomes hard to efficiently, nicely and/or reliably convey", "risk of spelling things out. 4. Actions can be used. Similar to the", "however, it is just kind of hard to use in a natural way", "or, it can convey apathy towards the situation / person shot. So, inaction", "of methods. However, since it can be used without any other methods, making", "run-down of these ways, and what they're uses are. 1. Dialogue says a", "into a lot of the same problems as the FEBL method, because certain", "communication is visceral in nature. Examples of this method is that someone may", "one can describe the inaction with body language / facial expressions, like \"they", "limited by the format. The method is visceral, and a whenever the inner", "of this method is that it also says something about the character's personality,", "these cases it makes more sense to look at it as a literary", "run the risk of spelling things out. 4. Actions can be used. Similar", "It's hard to use this method on its own however, meaning it's usually", "3. Monologues or thoughts (thoughts can be differentiated from other writing through italicization)", "of the same problems as the FEBL method, because certain inner states are", "Well, that inaction can often be misinterpreted. If someone stands completely still after", "like a dog\", or, \"Zotn was angrier than a bull*.\" In these cases", "FEBL method in that such communication is visceral in nature. Examples of this", "room like a breeze blowing through\". It's hard to use this method on", "states can be communicated through their dialogue. A limitation of this method however,", "not having any non-cliché ways to convey the inner state. For shock and", "its own: \"Parth entered the room like a breeze blowing through\". It's hard", "inner states are too complex to be described well by actions, whereas other", "differentiated from other writing through italicization) is a method. Monologues can be out-of-character", "a method. Monologues can be out-of-character and thoughts can run the risk of", "after some was shot in the head next to them, this can convey", "state of a character. I have three questions: 1. Are there more methods?", "used without any other methods, making it a method in it of itself,", "communicate to the reader what's going on inside characters. What I'm looking for", "method in it of itself, it deserves a spot on the list. Here's", "meaning I often run out of the available clichés, therefore having to repeat", "convey the inner state. For shock and fear for example, all I can", "can think of are \"He had wide eyes\" or \"His chin dropped to", "Before delving in, I'll define what I mean by inner state: a character's", "the same problems as the FEBL method, because certain inner states are too", "they're uses are. 1. Dialogue* says a lot. The characters' inner states can", "to them, this can convey shock, or, it can convey apathy towards the", "a similie being used as a method on its own: \"Parth entered the", "meaning it's usually is paired up with the others, giving it the limitations", "think the question's relevancy matches the amount of work it requires to answer.", "repeat the ones I've already used. 3. Monologues or thoughts (thoughts can be", "more methods? 2. For what situations are the respective methods best suited for?", "define what I mean by inner state: a character's emotions, thoughts, desires, motivations,", "what's going on inside characters. What I'm looking for is a run-down of", "to repeat the ones I've already used. 3. Monologues or thoughts (thoughts can", "Similar to the FEBL method in that such communication is visceral in nature.", "can explicitly state the character's inner state. An example would be \"Zotn was", "to enact one of the other methods, instead of combination of methods. However,", "it again. Also, since these states are so common, they often occur many", "limitations of the method it is being used with. On its own however,", "is complex, it becomes hard to efficiently, nicely and/or reliably convey it through", "similar clichés. Due to its basicness and commonness, it feels like everything's been", "which definitely conveys shock, but then one is no longer using this method.", "(thoughts can be differentiated from other writing through italicization) is a method. Monologues", "body language (FEBL) is limited by the format. The method is visceral, and", "For shock and fear for example, all I can think of are \"He", "An example would be \"Zotn was angry.\", or, \"He thought ill of the", "dialogue. A limitation of this method however, is that there's not always more", "used with. On its own however, it is just kind of hard to", "the biggest challenges writers face, and so I think the question's relevancy matches", "is no longer using this method. Also, \"frozen\" is terribly clichéd in my", "in my opinion. So, currently, I've listed six methods of conveying the inner", "dog\", or, \"Zotn was angrier than a bull.\" In these cases it makes", "at it as a literary tool used to enact one of the other", "runs into a lot of the same problems as the FEBL method, because", "it is being used with. On its own however, it is just kind", "hit the wall, to show anger. A strength of this method is that", "Actions can be used. Similar to the FEBL method in that such communication", "or, \"Zotn was angrier than a bull.\" In these cases it makes more", "misinterpreted. If someone stands completely still after some was shot in the head", "instincts, sensations, etc. Anything going on inside them really. There are of course", "in the book, meaning I often run out of the available clichés, therefore", "these states are so common, they often occur many times in the book,", "say is bad. I've also heard it is especially bad when in the", "however, I usually run into problems of not having any non-cliché ways to", "other similar clichés. Due to its basicness and commonness, it feels like everything's", "up with the other methods, like \"He growled like a dog\", or, \"Zotn", "characters. What I'm looking for is a run-down of these ways, and what", "Examples of this method is that someone may growl, or hit the wall,", "them really. There are of course plenty of ways to communicate to the", "may growl, or hit the wall, to show anger. A strength of this", "however, which a lot of people say is bad. I've also heard it", "of this method is that someone may growl, or hit the wall, to", "is visceral, and a whenever the inner state is complex, it becomes hard", "run into problems of not having any non-cliché ways to convey the inner", "states. 6. Similes and metaphors can be used. This is usually paired up", "used to enact one of the other methods, instead of combination of methods.", "in a natural way in my opinion. So, currently, I've listed six methods", "inner state at the moment. This method runs into a lot of the", "method however, is that there's not always more than one character. 2. Facial", "however, is that there's not always more than one character. 2. Facial expressions", "look at it as a literary tool used to enact one of the", "going on inside them really. There are of course plenty of ways to", "ill of the cashier.\" This is telling instead of showing however, which a", "something about the character's personality, not just their inner state at the moment.", "I have three questions: 1. Are there more methods? 2. For what situations", "it through FEBL. Whenever the inner state is basic and common however, I", "of a character. I have three questions: 1. Are there more methods? 2.", "hard to efficiently, nicely and/or reliably convey it through FEBL. Whenever the inner", "inner state. An example would be \"Zotn was angry.\", or, \"He thought ill", "(FEBL) is limited by the format. The method is visceral, and a whenever", "is visceral in nature. Examples of this method is that someone may growl,", "without any other methods, making it a method in it of itself, it", "huge question, parts of which have been answered on this site. However, this", "If someone stands completely still after some was shot in the head next", "through\". It's hard to use this method on its own however, meaning it's", "a bull*.\" In these cases it makes more sense to look at it", "it can convey apathy towards the situation / person shot. So, inaction isn't", "I mean by inner state: a character's emotions, thoughts, desires, motivations, instincts, sensations,", "facial expressions, like \"they stood frozen\", which definitely conveys shock, but then one", "character. I have three questions: 1. Are there more methods? 2. For what", "often occur many times in the book, meaning I often run out of", "ways, and what they're uses are. 1. Dialogue* says a lot. The characters'", "show anger. A strength of this method is that it also says something", "methods of conveying the inner state of a character. I have three questions:", "shock, but then one is no longer using this method. Also, \"frozen\" is", "in, I'll define what I mean by inner state: a character's emotions, thoughts,", "combination of methods. However, since it can be used without any other methods,", "paired up with the others, giving it the limitations of the method it", "of the biggest challenges writers face, and so I think the question's relevancy", "million times to the point it's annoying to read/write it again. Also, since", "growl, or hit the wall, to show anger. A strength of this method", "inside characters. What I'm looking for is a run-down of these ways, and", "/ person shot. So, inaction isn't too descriptive. Of course, one can describe", "the amount of work it requires to answer. Before delving in, I'll define", "telling instead of showing however, which a lot of people say is bad.", "people say is bad. I've also heard it is especially bad when in", "shot. So, inaction isn't too descriptive. Of course, one can describe the inaction", "uses are. 1. Dialogue says a lot. The characters' inner states can be", "of spelling things out. 4. Actions can be used. Similar to the FEBL", "on its own however, meaning it's usually is paired up with the others,", "of the available clichés, therefore having to repeat the ones I've already used.", "some was shot in the head next to them, this can convey shock,", "of ways to communicate to the reader what's going on inside characters. What", "efficiently, nicely and/or reliably convey it through FEBL. Whenever the inner state is", "eyes\" or \"His chin dropped to the floor\", or other similar clichés. Due", "motivations, instincts, sensations, etc. Anything going on inside them really. There are of", "\"He growled like a dog\", or, \"Zotn was angrier than a bull.\" In", "I think the question's relevancy matches the amount of work it requires to", "requires to answer. Before delving in, I'll define what I mean by inner", "mean by inner state: a character's emotions, thoughts, desires, motivations, instincts, sensations, etc.", "are \"He had wide eyes\" or \"His chin dropped to the floor\", or", "at the moment. This method runs into a lot of the same problems", "is bad. I've also heard it is especially bad when in the context", "blowing through\". It's hard to use this method on its own however, meaning", "or thoughts* (thoughts can be differentiated from other writing through italicization) is a", "one of the other methods, instead of combination of methods. However, since it", "to convey the inner state. For shock and fear for example, all I", "/ facial expressions, like \"they stood frozen\", which definitely conveys shock, but then", "states are too complex to be described well by actions, whereas other inner", "this can convey shock, or, it can convey apathy towards the situation /", "the point it's annoying to read/write it again. Also, since these states are", "because certain inner states are too complex to be described well by actions,", "it of itself, it deserves a spot on the list. Here's an example", "to read/write it again. Also, since these states are so common, they often", "its own however, meaning it's usually is paired up with the others, giving", "so common, they often occur many times in the book, meaning I often", "using this method. Also, \"frozen\" is terribly clichéd in my opinion. 5. One", "head next to them, this can convey shock, or, it can convey apathy", "state is basic and common however, I usually run into problems of not", "itself, it deserves a spot on the list. Here's an example of a", "as a literary tool used to enact one of the other methods, instead", "breeze blowing through\". It's hard to use this method on its own however,", "to show anger. A strength of this method is that it also says", "state. An example would be \"Zotn was angry.\", or, \"He thought ill of", "this is one of the biggest challenges writers face, and so I think", "can be out-of-character and thoughts can run the risk of spelling things out.", "feels like everything's been done a million times to the point it's annoying", "not always more than one character. 2. Facial expressions / body language (FEBL)", "the inner state. For shock and fear for example, all I can think", "to look at it as a literary tool used to enact one of", "paired up with the other methods, like \"He growled like a dog\", or,", "respective methods best suited for? 3. How can one mitigate the methods' respective", "they often occur many times in the book, meaning I often run out", "nature. Examples of this method is that someone may growl, or hit the", "the limitations of the method it is being used with. On its own", "was shot in the head next to them, this can convey shock, or,", "towards the situation / person shot. So, inaction isn't too descriptive. Of course,", "I'll define what I mean by inner state: a character's emotions, thoughts, desires,", "instead of combination of methods. However, since it can be used without any", "but then one is no longer using this method. Also, \"frozen\" is terribly", "convey apathy towards the situation / person shot. So, inaction isn't too descriptive.", "methods, making it a method in it of itself, it deserves a spot", "kind of hard to use in a natural way in my opinion. So,", "be described well by actions, whereas other inner states cause inaction. For example,", "so I think the question's relevancy matches the amount of work it requires", "Similes and metaphors can be used. This is usually paired up with the", "such communication is visceral in nature. Examples of this method is that someone", "So, why not just describe their inaction? Well, that inaction can often be", "since it can be used without any other methods, making it a method", "thoughts, desires, motivations, instincts, sensations, etc. Anything going on inside them really. There", "method on its own however, meaning it's usually is paired up with the", "a million times to the point it's annoying to read/write it again. Also,", "point it's annoying to read/write it again. Also, since these states are so", "the risk of spelling things out. 4. Actions can be used. Similar to", "to its basicness and commonness, it feels like everything's been done a million", "problems of not having any non-cliché ways to convey the inner state. For", "For example, shock often causes inaction. So, why not just describe their inaction?", "inner state of a character. I have three questions: 1. Are there more", "and fear for example, all I can think of are \"He had wide", "ways to convey the inner state. For shock and fear for example, all", "whenever the inner state is complex, it becomes hard to efficiently, nicely and/or", "own: \"Parth entered the room like a breeze blowing through\". It's hard to", "ways to communicate to the reader what's going on inside characters. What I'm", "used. Similar to the FEBL method in that such communication is visceral in", "just kind of hard to use in a natural way in my opinion.", "shock often causes inaction. So, why not just describe their inaction? Well, that", "why not just describe their inaction? Well, that inaction can often be misinterpreted.", "6. Similes and metaphors can be used. This is usually paired up with", "shot in the head next to them, this can convey shock, or, it", "one character. 2. Facial expressions / body language (FEBL) is limited by the", "it can be used without any other methods, making it a method in", "strength of this method is that it also says something about the character's", "of a similie being used as a method on its own: \"Parth entered", "\"His chin dropped to the floor\", or other similar clichés. Due to its", "to the point it's annoying to read/write it again. Also, since these states", "and thoughts can run the risk of spelling things out. 4. Actions can", "metaphors can be used. This is usually paired up with the other methods,", "also says something about the character's personality, not just their inner state at", "in the head next to them, this can convey shock, or, it can", "for is a run-down of these ways, and what they're uses are. 1.", "be communicated through their dialogue. A limitation of this method however, is that", "convey shock, or*, it can convey apathy towards the situation / person shot.", "it as a literary tool used to enact one of the other methods,", "a character's emotions, thoughts, desires, motivations, instincts, sensations, etc. Anything going on inside", "state at the moment. This method runs into a lot of the same", "The characters' inner states can be communicated through their dialogue. A limitation of", "methods. However, since it can be used without any other methods, making it", "to answer. Before delving in, I'll define what I mean by inner state:", "too complex to be described well by actions, whereas other inner states cause", "Whenever the inner state is basic and common however, I usually run into", "ones I've already used. 3. Monologues or thoughts* (thoughts can be differentiated from", "of itself, it deserves a spot on the list. Here's an example of", "by inner state: a character's emotions, thoughts, desires, motivations, instincts, sensations, etc. Anything", "apathy towards the situation / person shot. So, inaction isn't too descriptive. Of", "is a run-down of these ways, and what they're uses are. 1. Dialogue", "looking for is a run-down of these ways, and what they're uses are.", "wide eyes\" or \"His chin dropped to the floor\", or other similar clichés.", "angry.\", or, \"He thought ill of the cashier.\" This is telling instead of", "spelling things out. 4. Actions can be used. Similar to the FEBL method", "any non-cliché ways to convey the inner state. For shock and fear for", "anger. A strength of this method is that it also says something about", "inner states. 6. Similes and metaphors can be used. This is usually paired", "my opinion. So, currently, I've listed six methods of conveying the inner state", "is paired up with the others, giving it the limitations of the method", "what situations are the respective methods best suited for? 3. How can one", "I'm looking for is a run-down of these ways, and what they're uses", "of hard to use in a natural way in my opinion. So, currently,", "that such communication is visceral in nature. Examples of this method is that", "matches the amount of work it requires to answer. Before delving in, I'll", "bull.\" In these cases it makes more sense to look at it as", "wall, to show anger. A strength of this method is that it also", "to use in a natural way in my opinion. So, currently, I've listed", "this method on its own however, meaning it's usually is paired up with", "there's not always more than one character. 2. Facial expressions / body language", "limitation of this method however, is that there's not always more than one", "three questions: 1. Are there more methods? 2. For what situations are the", "others, giving it the limitations of the method it is being used with.", "This is usually paired up with the other methods, like \"He growled like", "the inner state is complex, it becomes hard to efficiently, nicely and/or reliably", "\"He had wide eyes\" or \"His chin dropped to the floor\", or other", "instead of showing however, which a lot of people say is bad. I've", "occur many times in the book, meaning I often run out of the", "having to repeat the ones I've already used. 3. Monologues or thoughts (thoughts", "natural way in my opinion. So, currently, I've listed six methods of conveying", "this method is that someone may growl, or hit the wall, to show", "face, and so I think the question's relevancy matches the amount of work", "more sense to look at it as a literary tool used to enact", "other writing through italicization) is a method. Monologues can be out-of-character and thoughts", "being used as a method on its own: \"Parth entered the room like", "it is especially bad when in the context of inner states. 6. Similes", "can be used without any other methods, making it a method in it", "a method on its own: \"Parth entered the room like a breeze blowing", "on the list. Here's an example of a similie being used as a", "thought ill of the cashier.\" This is telling instead of showing however, which", "out. 4. Actions can be used. Similar to the FEBL method in that", "more than one character. 2. Facial expressions / body language (FEBL) is limited", "be differentiated from other writing through italicization) is a method. Monologues can be", "example, shock often causes inaction. So, why not just describe their inaction? Well,", "out-of-character and thoughts can run the risk of spelling things out. 4. Actions", "is a huge question, parts of which have been answered on this site.", "done a million times to the point it's annoying to read/write it again.", "it becomes hard to efficiently, nicely and/or reliably convey it through FEBL. Whenever", "and common however, I usually run into problems of not having any non-cliché", "in nature. Examples of this method is that someone may growl, or hit", "is telling instead of showing however, which a lot of people say is", "Due to its basicness and commonness, it feels like everything's been done a", "the available clichés, therefore having to repeat the ones I've already used. 3.", "with. On its own however, it is just kind of hard to use", "a breeze blowing through\". It's hard to use this method on its own", "What I'm looking for is a run-down of these ways, and what they're", "says a lot. The characters' inner states can be communicated through their dialogue.", "completely still after some was shot in the head next to them, this", "then one is no longer using this method. Also, \"frozen\" is terribly clichéd", "opinion. 5. One can explicitly state the character's inner state. An example would", "of showing however, which a lot of people say is bad. I've also", "on inside characters. What I'm looking for is a run-down of these ways,", "the context of inner states. 6. Similes and metaphors can be used. This", "about the character's personality, not just their inner state at the moment. This", "are the respective methods best suited for? 3. How can one mitigate the", "state is complex, it becomes hard to efficiently, nicely and/or reliably convey it", "other methods, making it a method in it of itself, it deserves a", "can run the risk of spelling things out. 4. Actions can be used.", "character's inner state. An example would be \"Zotn was angry.\", or, \"He thought", "showing however, which a lot of people say is bad. I've also heard", "So, inaction isn't too descriptive. Of course, one can describe the inaction with", "by the format. The method is visceral, and a whenever the inner state", "Anything going on inside them really. There are of course plenty of ways", "used. This is usually paired up with the other methods, like \"He growled", "frozen\", which definitely conveys shock, but then one is no longer using this", "of this method however, is that there's not always more than one character.", "I've already used. 3. Monologues or thoughts (thoughts can be differentiated from other", "other methods, instead of combination of methods. However, since it can be used", "a spot on the list. Here's an example of a similie being used", "or other similar clichés. Due to its basicness and commonness, it feels like", "work it requires to answer. Before delving in, I'll define what I mean", "I've also heard it is especially bad when in the context of inner", "no longer using this method. Also, \"frozen\" is terribly clichéd in my opinion.", "going on inside characters. What I'm looking for is a run-down of these", "to the floor\", or other similar clichés. Due to its basicness and commonness,", "inaction isn't too descriptive. Of course, one can describe the inaction with body", "lot of the same problems as the FEBL method, because certain inner states", "etc. Anything going on inside them really. There are of course plenty of", "a method in it of itself, it deserves a spot on the list.", "A strength of this method is that it also says something about the", "This is a huge question, parts of which have been answered on this", "However, this is one of the biggest challenges writers face, and so I", "it feels like everything's been done a million times to the point it's", "cases it makes more sense to look at it as a literary tool", "clichéd in my opinion. 5. One can explicitly state the character's inner state.", "methods, instead of combination of methods. However, since it can be used without", "\"Zotn was angry.\", or, \"He thought ill of the cashier.\" This is telling", "and what they're uses are. 1. Dialogue says a lot. The characters' inner", "with body language / facial expressions, like \"they stood frozen\", which definitely conveys", "In these cases it makes more sense to look at it as a", "the floor\", or other similar clichés. Due to its basicness and commonness, it", "sensations, etc. Anything going on inside them really. There are of course plenty", "was angry.\", or, \"He thought ill of the cashier.\" This is telling instead", "have three questions: 1. Are there more methods? 2. For what situations are", "This method runs into a lot of the same problems as the FEBL", "everything's been done a million times to the point it's annoying to read/write", "than a bull.\" In these cases it makes more sense to look at", "the head next to them, this can convey shock, or, it can convey", "is terribly clichéd in my opinion. 5. One can explicitly state the character's", "personality, not just their inner state at the moment. This method runs into", "use in a natural way in my opinion. So, currently, I've listed six", "entered the room like a breeze blowing through\". It's hard to use this", "be used. Similar to the FEBL method in that such communication is visceral", "the inner state of a character. I have three questions: 1. Are there", "One can explicitly state the character's inner state. An example would be \"Zotn", "character. 2. Facial expressions / body language (FEBL) is limited by the format.", "have been answered on this site. However, this is one of the biggest", "one is no longer using this method. Also, \"frozen\" is terribly clichéd in", "too descriptive. Of course, one can describe the inaction with body language /", "to use this method on its own however, meaning it's usually is paired", "is basic and common however, I usually run into problems of not having", "questions: 1. Are there more methods? 2. For what situations are the respective", "of these ways, and what they're uses are. 1. Dialogue says a lot.", "usually is paired up with the others, giving it the limitations of the", "are. 1. Dialogue says a lot. The characters' inner states can be communicated", "inaction. So, why not just describe their inaction? Well, that inaction can often", "the other methods, like \"He growled like a dog\", or, \"Zotn was angrier", "like everything's been done a million times to the point it's annoying to", "I can think of are \"He had wide eyes\" or \"His chin dropped", "visceral in nature. Examples of this method is that someone may growl, or", "2. For what situations are the respective methods best suited for? 3. How", "be misinterpreted. If someone stands completely still after some was shot in the", "reader what's going on inside characters. What I'm looking for is a run-down", "just their inner state at the moment. This method runs into a lot", "can be communicated through their dialogue. A limitation of this method however, is", "becomes hard to efficiently, nicely and/or reliably convey it through FEBL. Whenever the", "/ body language (FEBL) is limited by the format. The method is visceral,", "whereas other inner states cause inaction. For example, shock often causes inaction. So,", "method is that someone may growl, or hit the wall, to show anger.", "stands completely still after some was shot in the head next to them,", "usually paired up with the other methods, like \"He growled like a dog\",", "the moment. This method runs into a lot of the same problems as", "is especially bad when in the context of inner states. 6. Similes and", "state the character's inner state. An example would be \"Zotn was angry.\", or,", "the FEBL method in that such communication is visceral in nature. Examples of", "shock and fear for example, all I can think of are \"He had", "in the context of inner states. 6. Similes and metaphors can be used.", "growled like a dog\", or, \"Zotn was angrier than a bull.\" In these", "it deserves a spot on the list. Here's an example of a similie", "is being used with. On its own however, it is just kind of", "often be misinterpreted. If someone stands completely still after some was shot in", "is one of the biggest challenges writers face, and so I think the", "methods? 2. For what situations are the respective methods best suited for? 3.", "of the cashier.\" This is telling instead of showing however, which a lot", "There are of course plenty of ways to communicate to the reader what's", "The method is visceral, and a whenever the inner state is complex, it", "of are \"He had wide eyes\" or \"His chin dropped to the floor\",", "been done a million times to the point it's annoying to read/write it", "listed six methods of conveying the inner state of a character. I have", "their inner state at the moment. This method runs into a lot of", "of people say is bad. I've also heard it is especially bad when", "in that such communication is visceral in nature. Examples of this method is", "bad. I've also heard it is especially bad when in the context of", "\"He thought ill of the cashier.\" This is telling instead of showing however,", "problems as the FEBL method, because certain inner states are too complex to", "For what situations are the respective methods best suited for? 3. How can", "a dog\", or, \"Zotn was angrier than a bull.\" In these cases it", "not just describe their inaction? Well, that inaction can often be misinterpreted. If", "So, currently, I've listed six methods of conveying the inner state of a", "one of the biggest challenges writers face, and so I think the question's", "terribly clichéd in my opinion. 5. One can explicitly state the character's inner", "hard to use this method on its own however, meaning it's usually is", "like a breeze blowing through\". It's hard to use this method on its", "was angrier than a bull.\" In these cases it makes more sense to", "spot on the list. Here's an example of a similie being used as", "however, meaning it's usually is paired up with the others, giving it the", "annoying to read/write it again. Also, since these states are so common, they", "method is visceral, and a whenever the inner state is complex, it becomes", "by actions, whereas other inner states cause inaction. For example, shock often causes", "giving it the limitations of the method it is being used with. On", "emotions, thoughts, desires, motivations, instincts, sensations, etc. Anything going on inside them really.", "of the other methods, instead of combination of methods. However, since it can", "moment. This method runs into a lot of the same problems as the", "own however, meaning it's usually is paired up with the others, giving it", "are too complex to be described well by actions, whereas other inner states", "through their dialogue. A limitation of this method however, is that there's not", "a natural way in my opinion. So, currently, I've listed six methods of", "to efficiently, nicely and/or reliably convey it through FEBL. Whenever the inner state", "a whenever the inner state is complex, it becomes hard to efficiently, nicely", "are of course plenty of ways to communicate to the reader what's going", "its basicness and commonness, it feels like everything's been done a million times", "inside them really. There are of course plenty of ways to communicate to", "inaction with body language / facial expressions, like \"they stood frozen\", which definitely", "is that there's not always more than one character. 2. **Facial expressions /", "it requires to answer. Before delving in, I'll define what I mean by", "situations are the respective methods best suited for? 3. How can one mitigate" ]
[ "calling 911. > > > \"I guess that won't do.\" he said before", "format dialogues. Sometimes, you see a dialogue inside a descriptive part and sometimes", "> > Zeul was tinkering with his laptop. He had been doing this", "for 1 hour. > He took a hammer and broke his hand by", "Zeul was tinkering with his laptop. He had been doing this for 1", "descriptive part and sometimes they have their own lines, but sometimes it's not", "hand. He hurt his hand even more before calling 911. > > >", "he said before collapsing on the floor. > > > It can be", "wondering if there are rules on how to format dialogues. Sometimes, you see", "one of the edge cases. > > Zeul was tinkering with his laptop.", "the hammer\" he said. After putting a band aid over his > hand.", "hand. He hurt his hand even more before calling 911. \"I guess that", "hand even more before calling 911. \"I guess that > won't do.\" he", "accident somehow. \"Ouch, why > did I pick up the hammer\" he said.", "I pick up the hammer\" he said. After putting a band aid over", "if you should put the dialogue inside the descriptive part or not. This", "aid over his > hand. He hurt his hand even more before calling", "do.\" he said before collapsing on the floor. > > > Are both", "by accident somehow. \"Ouch, why > did I pick up the hammer\" he", "clear if you should put the dialogue inside the descriptive part or not.", "or not. This is one of the edge cases. > > Zeul was", "like this. > > Zeul was tinkering with his laptop. He had been", "hurt his hand even more before calling 911. \"I guess that > won't", "said. After putting a band aid over his > hand. He hurt his", "even more before calling 911. > > > \"I guess that won't do.\"", "1 hour. > He took a hammer and broke his hand by accident", "his hand by accident somehow. \"Ouch, why > did I pick up the", "> \"I guess that won't do.\" he said before collapsing on the floor.", "it's not clear if you should put the dialogue inside the descriptive part", "how to format dialogues. Sometimes, you see a dialogue inside a descriptive part", "cases. > > Zeul was tinkering with his laptop. He had been doing", "somehow. \"Ouch, why > did I pick up the hammer\" he said. After", "> > It can be rewritten like this. > > Zeul was tinkering", "before collapsing on the floor. > > > Are both formatting choices correct?", "should put the dialogue inside the descriptive part or not. This is one", "guess that > won't do.\" he said before collapsing on the floor. >", "\"I guess that > won't do.\" he said before collapsing on the floor.", "put the dialogue inside the descriptive part or not. This is one of", "He took a hammer and broke his hand by accident somehow. \"Ouch, why", "took a hammer and broke his hand by accident somehow. \"Ouch, why >", "before collapsing on the floor. > > > It can be rewritten like", "This is one of the edge cases. > > Zeul was tinkering with", "edge cases. > > Zeul was tinkering with his laptop. He had been", "is one of the edge cases. > > Zeul was tinkering with his", "rules on how to format dialogues. Sometimes, you see a dialogue inside a", "the edge cases. > > Zeul was tinkering with his laptop. He had", "> > > It can be rewritten like this. > > Zeul was", "are rules on how to format dialogues. Sometimes, you see a dialogue inside", "broke his hand by accident somehow. \"Ouch, why > did I pick up", "> hand. He hurt his hand even more before calling 911. > >", "have their own lines, but sometimes it's not clear if you should put", "his > hand. He hurt his hand even more before calling 911. >", "his hand even more before calling 911. > > > \"I guess that", "did I pick up the hammer\" he said. After putting a band aid", "> won't do.\" he said before collapsing on the floor. > > >", "911. > > > \"I guess that won't do.\" he said before collapsing", "floor. > > > It can be rewritten like this. > > Zeul", "\"Ouch, why > did I pick up the hammer\" he said. After putting", "collapsing on the floor. > > > It can be rewritten like this.", "he said before collapsing on the floor. > > > Are both formatting", "He hurt his hand even more before calling 911. > > > \"I", "Sometimes, you see a dialogue inside a descriptive part and sometimes they have", "there are rules on how to format dialogues. Sometimes, you see a dialogue", "and broke his hand by accident somehow. \"Ouch, why > did I pick", "part and sometimes they have their own lines, but sometimes it's not clear", "had been doing this for 1 hour. > He took a hammer and", "inside the descriptive part or not. This is one of the edge cases.", "pick up the hammer\" he said. After putting a band aid over his", "calling 911. \"I guess that > won't do.\" he said before collapsing on", "dialogues. Sometimes, you see a dialogue inside a descriptive part and sometimes they", "911. \"I guess that > won't do.\" he said before collapsing on the", "rewritten like this. > > Zeul was tinkering with his laptop. He had", "before calling 911. > > > \"I guess that won't do.\" he said", "said before collapsing on the floor. > > > Are both formatting choices", "hand even more before calling 911. > > > \"I guess that won't", "if there are rules on how to format dialogues. Sometimes, you see a", "a descriptive part and sometimes they have their own lines, but sometimes it's", "but sometimes it's not clear if you should put the dialogue inside the", "of the edge cases. > > Zeul was tinkering with his laptop. He", "over his > hand. He hurt his hand even more before calling 911.", "not clear if you should put the dialogue inside the descriptive part or", "putting a band aid over his > hand. He hurt his hand even", "doing this for 1 hour. > He took a hammer and broke his", "\"I guess that won't do.\" he said before collapsing on the floor. >", "more before calling 911. > > > \"I guess that won't do.\" he", "his hand even more before calling 911. \"I guess that > won't do.\"", "guess that won't do.\" he said before collapsing on the floor. > >", "the descriptive part or not. This is one of the edge cases. >", "see a dialogue inside a descriptive part and sometimes they have their own", "with his laptop. He had been doing this for 1 hour. > He", "hour. > He took a hammer and broke his hand by accident somehow.", "the dialogue inside the descriptive part or not. This is one of the", "not. This is one of the edge cases. > > Zeul was tinkering", "dialogue inside a descriptive part and sometimes they have their own lines, but", "they have their own lines, but sometimes it's not clear if you should", "tinkering with his laptop. He had been doing this for 1 hour. >", "dialogue inside the descriptive part or not. This is one of the edge", "descriptive part or not. This is one of the edge cases. > >", "more before calling 911. \"I guess that > won't do.\" he said before", "he said. After putting a band aid over his > hand. He hurt", "and sometimes they have their own lines, but sometimes it's not clear if", "> > \"I guess that won't do.\" he said before collapsing on the", "this. > > Zeul was tinkering with his laptop. He had been doing", "laptop. He had been doing this for 1 hour. > He took a", "the floor. > > > It can be rewritten like this. > >", "you see a dialogue inside a descriptive part and sometimes they have their", "sometimes it's not clear if you should put the dialogue inside the descriptive", "It can be rewritten like this. > > Zeul was tinkering with his", "why > did I pick up the hammer\" he said. After putting a", "band aid over his > hand. He hurt his hand even more before", "up the hammer\" he said. After putting a band aid over his >", "his > hand. He hurt his hand even more before calling 911. \"I", "hurt his hand even more before calling 911. > > > \"I guess", "sometimes they have their own lines, but sometimes it's not clear if you", "won't do.\" he said before collapsing on the floor. > > > It", "do.\" he said before collapsing on the floor. > > > It can", "inside a descriptive part and sometimes they have their own lines, but sometimes", "hammer\" he said. After putting a band aid over his > hand. He", "on how to format dialogues. Sometimes, you see a dialogue inside a descriptive", "part or not. This is one of the edge cases. > > Zeul", "was tinkering with his laptop. He had been doing this for 1 hour.", "am wondering if there are rules on how to format dialogues. Sometimes, you", "a dialogue inside a descriptive part and sometimes they have their own lines,", "that won't do.\" he said before collapsing on the floor. > > >", "> Zeul was tinkering with his laptop. He had been doing this for", "be rewritten like this. > > Zeul was tinkering with his laptop. He", "hammer and broke his hand by accident somehow. \"Ouch, why > did I", "before calling 911. \"I guess that > won't do.\" he said before collapsing", "won't do.\" he said before collapsing on the floor. > > > Are", "He hurt his hand even more before calling 911. \"I guess that >", "can be rewritten like this. > > Zeul was tinkering with his laptop.", "hand by accident somehow. \"Ouch, why > did I pick up the hammer\"", "> He took a hammer and broke his hand by accident somehow. \"Ouch,", "> hand. He hurt his hand even more before calling 911. \"I guess", "After putting a band aid over his > hand. He hurt his hand", "to format dialogues. Sometimes, you see a dialogue inside a descriptive part and", "this for 1 hour. > He took a hammer and broke his hand", "lines, but sometimes it's not clear if you should put the dialogue inside", "you should put the dialogue inside the descriptive part or not. This is", "own lines, but sometimes it's not clear if you should put the dialogue", "> did I pick up the hammer\" he said. After putting a band", "their own lines, but sometimes it's not clear if you should put the", "> It can be rewritten like this. > > Zeul was tinkering with", "I am wondering if there are rules on how to format dialogues. Sometimes,", "a band aid over his > hand. He hurt his hand even more", "> > > \"I guess that won't do.\" he said before collapsing on", "been doing this for 1 hour. > He took a hammer and broke", "He had been doing this for 1 hour. > He took a hammer", "that > won't do.\" he said before collapsing on the floor. > >", "even more before calling 911. \"I guess that > won't do.\" he said", "on the floor. > > > It can be rewritten like this. >", "his laptop. He had been doing this for 1 hour. > He took", "said before collapsing on the floor. > > > It can be rewritten", "a hammer and broke his hand by accident somehow. \"Ouch, why > did" ]
[ "usually last about 15 pages or so. I'm now halfway. And I'm wondering", "first-person narrator. However the 2nd character - DarkyVi, his travel buddy - has", "tell all the anecdotes, and no one else? (In order to avoid switching", "but DarkyVi and Bob would be telling anecdotes, which means that there'd be", "They usually last about 15 pages or so. I'm now halfway. And I'm", "to 6 people, which are all sitting around a table. This would mean", "anecdotes. They usually last about 15 pages or so. I'm now halfway. And", "Should I? Should I go back and make DarkyVi tell at least one", "I go back and make DarkyVi tell at least one more anecdote near", "Bob would be telling anecdotes, which means that there'd be max 2 narrators", "few deep conversations with Bob. Bob tells anecdotes. They usually last about 15", "anecdote in the first person to the 6 people. Should I? Should I", "order to avoid switching narrators back and forth...) Please note that no one", "now halfway. And I'm wondering if I should \"make\" DarkyVi tell an anecdote", "should I just make Bob tell all the anecdotes, and no one else?", "least one more anecdote near the beginning of the book so that the", "However the 2nd character - DarkyVi, his travel buddy - has a few", "Bob tells anecdotes. They usually last about 15 pages or so. I'm now", "make DarkyVi tell at least one more anecdote near the beginning of the", "an anecdote of his own. He'd be telling the anecdote to 6 people,", "changing the narrator so that DarkyVi can tell his own anecdote in the", "the 6 people. Should I? Should I go back and make DarkyVi tell", "else? (In order to avoid switching narrators back and forth...) Please note that", "I'm writing a novel. My main character - Bob - is the first-person", "back and make DarkyVi tell at least one more anecdote near the beginning", "be telling anecdotes, which means that there'd be max 2 narrators throughout the", "a novel. My main character - Bob - is the first-person narrator. However", "narrator so that DarkyVi can tell his own anecdote in the first person", "character - Bob - is the first-person narrator. However the 2nd character -", "around a table. This would mean changing the narrator so that DarkyVi can", "the narrator so that DarkyVi can tell his own anecdote in the first", "Bob. Bob tells anecdotes. They usually last about 15 pages or so. I'm", "DarkyVi can tell his own anecdote in the first person to the 6", "- DarkyVi, his travel buddy - has a few deep conversations with Bob.", "wondering if I should \"make\" DarkyVi tell an anecdote of his own. He'd", "My main character - Bob - is the first-person narrator. However the 2nd", "more anecdote near the beginning of the book so that the reader can", "6 people, which are all sitting around a table. This would mean changing", "writing a novel. My main character - Bob - is the first-person narrator.", "tell an anecdote of his own. He'd be telling the anecdote to 6", "are all sitting around a table. This would mean changing the narrator so", "down the road? Or should I just make Bob tell all the anecdotes,", "mean changing the narrator so that DarkyVi can tell his own anecdote in", "Please note that no one else but DarkyVi and Bob would be telling", "which are all sitting around a table. This would mean changing the narrator", "DarkyVi tell an anecdote of his own. He'd be telling the anecdote to", "expect it further down the road? Or should I just make Bob tell", "should \"make\" DarkyVi tell an anecdote of his own. He'd be telling the", "be telling the anecdote to 6 people, which are all sitting around a", "so. I'm now halfway. And I'm wondering if I should \"make\" DarkyVi tell", "of the book so that the reader can expect it further down the", "the road? Or should I just make Bob tell all the anecdotes, and", "I'm now halfway. And I'm wondering if I should \"make\" DarkyVi tell an", "- has a few deep conversations with Bob. Bob tells anecdotes. They usually", "can tell his own anecdote in the first person to the 6 people.", "one else but DarkyVi and Bob would be telling anecdotes, which means that", "table. This would mean changing the narrator so that DarkyVi can tell his", "else but DarkyVi and Bob would be telling anecdotes, which means that there'd", "with Bob. Bob tells anecdotes. They usually last about 15 pages or so.", "all sitting around a table. This would mean changing the narrator so that", "main character - Bob - is the first-person narrator. However the 2nd character", "reader can expect it further down the road? Or should I just make", "to the 6 people. Should I? Should I go back and make DarkyVi", "the anecdote to 6 people, which are all sitting around a table. This", "his own. He'd be telling the anecdote to 6 people, which are all", "tell at least one more anecdote near the beginning of the book so", "(In order to avoid switching narrators back and forth...) Please note that no", "to avoid switching narrators back and forth...) Please note that no one else", "forth...) Please note that no one else but DarkyVi and Bob would be", "make Bob tell all the anecdotes, and no one else? (In order to", "the first person to the 6 people. Should I? Should I go back", "He'd be telling the anecdote to 6 people, which are all sitting around", "Bob - is the first-person narrator. However the 2nd character - DarkyVi, his", "\"make\" DarkyVi tell an anecdote of his own. He'd be telling the anecdote", "Bob tell all the anecdotes, and no one else? (In order to avoid", "the book so that the reader can expect it further down the road?", "conversations with Bob. Bob tells anecdotes. They usually last about 15 pages or", "I? Should I go back and make DarkyVi tell at least one more", "- is the first-person narrator. However the 2nd character - DarkyVi, his travel", "own. He'd be telling the anecdote to 6 people, which are all sitting", "I just make Bob tell all the anecdotes, and no one else? (In", "anecdotes, and no one else? (In order to avoid switching narrators back and", "and Bob would be telling anecdotes, which means that there'd be max 2", "if I should \"make\" DarkyVi tell an anecdote of his own. He'd be", "novel. My main character - Bob - is the first-person narrator. However the", "or so. I'm now halfway. And I'm wondering if I should \"make\" DarkyVi", "so that the reader can expect it further down the road? Or should", "that no one else but DarkyVi and Bob would be telling anecdotes, which", "anecdote of his own. He'd be telling the anecdote to 6 people, which", "avoid switching narrators back and forth...) Please note that no one else but", "people. Should I? Should I go back and make DarkyVi tell at least", "and make DarkyVi tell at least one more anecdote near the beginning of", "pages or so. I'm now halfway. And I'm wondering if I should \"make\"", "tells anecdotes. They usually last about 15 pages or so. I'm now halfway.", "people, which are all sitting around a table. This would mean changing the", "of his own. He'd be telling the anecdote to 6 people, which are", "the first-person narrator. However the 2nd character - DarkyVi, his travel buddy -", "a few deep conversations with Bob. Bob tells anecdotes. They usually last about", "that DarkyVi can tell his own anecdote in the first person to the", "narrator. However the 2nd character - DarkyVi, his travel buddy - has a", "- Bob - is the first-person narrator. However the 2nd character - DarkyVi,", "in the first person to the 6 people. Should I? Should I go", "own anecdote in the first person to the 6 people. Should I? Should", "first person to the 6 people. Should I? Should I go back and", "last about 15 pages or so. I'm now halfway. And I'm wondering if", "all the anecdotes, and no one else? (In order to avoid switching narrators", "telling the anecdote to 6 people, which are all sitting around a table.", "switching narrators back and forth...) Please note that no one else but DarkyVi", "sitting around a table. This would mean changing the narrator so that DarkyVi", "beginning of the book so that the reader can expect it further down", "a table. This would mean changing the narrator so that DarkyVi can tell", "the 2nd character - DarkyVi, his travel buddy - has a few deep", "Or should I just make Bob tell all the anecdotes, and no one", "anecdote to 6 people, which are all sitting around a table. This would", "one else? (In order to avoid switching narrators back and forth...) Please note", "DarkyVi, his travel buddy - has a few deep conversations with Bob. Bob", "about 15 pages or so. I'm now halfway. And I'm wondering if I", "one more anecdote near the beginning of the book so that the reader", "travel buddy - has a few deep conversations with Bob. Bob tells anecdotes.", "book so that the reader can expect it further down the road? Or", "buddy - has a few deep conversations with Bob. Bob tells anecdotes. They", "so that DarkyVi can tell his own anecdote in the first person to", "back and forth...) Please note that no one else but DarkyVi and Bob", "near the beginning of the book so that the reader can expect it", "deep conversations with Bob. Bob tells anecdotes. They usually last about 15 pages", "just make Bob tell all the anecdotes, and no one else? (In order", "at least one more anecdote near the beginning of the book so that", "go back and make DarkyVi tell at least one more anecdote near the", "further down the road? Or should I just make Bob tell all the", "narrators back and forth...) Please note that no one else but DarkyVi and", "is the first-person narrator. However the 2nd character - DarkyVi, his travel buddy", "and no one else? (In order to avoid switching narrators back and forth...)", "the anecdotes, and no one else? (In order to avoid switching narrators back", "2nd character - DarkyVi, his travel buddy - has a few deep conversations", "has a few deep conversations with Bob. Bob tells anecdotes. They usually last", "road? Or should I just make Bob tell all the anecdotes, and no", "I should \"make\" DarkyVi tell an anecdote of his own. He'd be telling", "halfway. And I'm wondering if I should \"make\" DarkyVi tell an anecdote of", "I'm wondering if I should \"make\" DarkyVi tell an anecdote of his own.", "tell his own anecdote in the first person to the 6 people. Should", "his own anecdote in the first person to the 6 people. Should I?", "would be telling anecdotes, which means that there'd be max 2 narrators throughout", "and forth...) Please note that no one else but DarkyVi and Bob would", "And I'm wondering if I should \"make\" DarkyVi tell an anecdote of his", "no one else? (In order to avoid switching narrators back and forth...) Please", "no one else but DarkyVi and Bob would be telling anecdotes, which means", "15 pages or so. I'm now halfway. And I'm wondering if I should", "character - DarkyVi, his travel buddy - has a few deep conversations with", "6 people. Should I? Should I go back and make DarkyVi tell at", "would mean changing the narrator so that DarkyVi can tell his own anecdote", "Should I go back and make DarkyVi tell at least one more anecdote", "This would mean changing the narrator so that DarkyVi can tell his own", "the beginning of the book so that the reader can expect it further", "anecdote near the beginning of the book so that the reader can expect", "his travel buddy - has a few deep conversations with Bob. Bob tells", "the reader can expect it further down the road? Or should I just", "note that no one else but DarkyVi and Bob would be telling anecdotes,", "person to the 6 people. Should I? Should I go back and make", "DarkyVi and Bob would be telling anecdotes, which means that there'd be max", "DarkyVi tell at least one more anecdote near the beginning of the book", "telling anecdotes, which means that there'd be max 2 narrators throughout the book.", "can expect it further down the road? Or should I just make Bob", "it further down the road? Or should I just make Bob tell all", "that the reader can expect it further down the road? Or should I" ]
[ "that going for the traditional publishing options seems to be more sensible, albeit", "belt and relatively unknown, what would be a better option for publishing my", "out in the open via that channel? Practically, it would seem that going", "would seem that going for the traditional publishing options seems to be more", "open immediately. But given the fact that it there are a plethora of", "no real titles under my belt and relatively unknown, what would be a", "should I go for self publishing given that it's easier for me to", "book noticed. Self-publishing would be a good option to have my book out", "willing to give a chance to a wannabe author. But if it clicks,", "very difficult given the fact that no established publishing house would be willing", "would get lost in the crowd. What would be a better option, all", "book would get lost in the crowd. What would be a better option,", "no established publishing house would be willing to give a chance to a", "relatively unknown, what would be a better option for publishing my first book?", "traditional publishing options seems to be more sensible, albeit very difficult given the", "a plethora of self-published books out there, there's all probability that my book", "all probability that my book would get lost in the crowd. What would", "that no established publishing house would be willing to give a chance to", "better chance of having my book noticed. Self-publishing would be a good option", "my belt and relatively unknown, what would be a better option for publishing", "in the open via that channel? Practically, it would seem that going for", "having my book noticed. Self-publishing would be a good option to have my", "get my book out in the open via that channel? Practically, it would", "good option to have my book out in the open immediately. But given", "route? * Or should I go for self publishing given that it's easier", "option to have my book out in the open immediately. But given the", "if it clicks, it gives a better chance of having my book noticed.", "are a plethora of self-published books out there, there's all probability that my", "given the fact that no established publishing house would be willing to give", "easier for me to get my book out in the open via that", "that I am a wannabe writer with no real titles under my belt", "going for the traditional publishing options seems to be more sensible, albeit very", "established publishing house would be willing to give a chance to a wannabe", "a better chance of having my book noticed. Self-publishing would be a good", "probability that my book would get lost in the crowd. What would be", "have my book out in the open immediately. But given the fact that", "am a wannabe writer with no real titles under my belt and relatively", "a good option to have my book out in the open immediately. But", "But given the fact that it there are a plethora of self-published books", "seems to be more sensible, albeit very difficult given the fact that no", "I go for the traditional publishing route? * Or should I go for", "via that channel? Practically, it would seem that going for the traditional publishing", "self publishing given that it's easier for me to get my book out", "that it's easier for me to get my book out in the open", "Practically, it would seem that going for the traditional publishing options seems to", "be more sensible, albeit very difficult given the fact that no established publishing", "go for self publishing given that it's easier for me to get my", "in the open immediately. But given the fact that it there are a", "the open immediately. But given the fact that it there are a plethora", "Self-publishing would be a good option to have my book out in the", "given that it's easier for me to get my book out in the", "gives a better chance of having my book noticed. Self-publishing would be a", "it gives a better chance of having my book noticed. Self-publishing would be", "be a good option to have my book out in the open immediately.", "real titles under my belt and relatively unknown, what would be a better", "given the fact that it there are a plethora of self-published books out", "there's all probability that my book would get lost in the crowd. What", "options seems to be more sensible, albeit very difficult given the fact that", "writer with no real titles under my belt and relatively unknown, what would", "with no real titles under my belt and relatively unknown, what would be", "book? * Should I go for the traditional publishing route? * Or should", "* Should I go for the traditional publishing route? * Or should I", "the fact that it there are a plethora of self-published books out there,", "there, there's all probability that my book would get lost in the crowd.", "lost in the crowd. What would be a better option, all things considered?", "it there are a plethora of self-published books out there, there's all probability", "publishing my first book? * Should I go for the traditional publishing route?", "the fact that no established publishing house would be willing to give a", "albeit very difficult given the fact that no established publishing house would be", "* Or should I go for self publishing given that it's easier for", "there are a plethora of self-published books out there, there's all probability that", "channel? Practically, it would seem that going for the traditional publishing options seems", "it clicks, it gives a better chance of having my book noticed. Self-publishing", "immediately. But given the fact that it there are a plethora of self-published", "first book? * Should I go for the traditional publishing route? * Or", "self-published books out there, there's all probability that my book would get lost", "books out there, there's all probability that my book would get lost in", "for me to get my book out in the open via that channel?", "to be more sensible, albeit very difficult given the fact that no established", "publishing given that it's easier for me to get my book out in", "I go for self publishing given that it's easier for me to get", "give a chance to a wannabe author. But if it clicks, it gives", "the open via that channel? Practically, it would seem that going for the", "a wannabe author. But if it clicks, it gives a better chance of", "my book out in the open immediately. But given the fact that it", "my book would get lost in the crowd. What would be a better", "publishing house would be willing to give a chance to a wannabe author.", "me to get my book out in the open via that channel? Practically,", "under my belt and relatively unknown, what would be a better option for", "a better option for publishing my first book? * Should I go for", "book out in the open immediately. But given the fact that it there", "and relatively unknown, what would be a better option for publishing my first", "I am a wannabe writer with no real titles under my belt and", "option for publishing my first book? * Should I go for the traditional", "chance to a wannabe author. But if it clicks, it gives a better", "the traditional publishing options seems to be more sensible, albeit very difficult given", "out in the open immediately. But given the fact that it there are", "my book noticed. Self-publishing would be a good option to have my book", "Should I go for the traditional publishing route? * Or should I go", "Or should I go for self publishing given that it's easier for me", "of self-published books out there, there's all probability that my book would get", "titles under my belt and relatively unknown, what would be a better option", "to give a chance to a wannabe author. But if it clicks, it", "the traditional publishing route? * Or should I go for self publishing given", "for the traditional publishing route? * Or should I go for self publishing", "that it there are a plethora of self-published books out there, there's all", "for the traditional publishing options seems to be more sensible, albeit very difficult", "what would be a better option for publishing my first book? * Should", "go for the traditional publishing route? * Or should I go for self", "fact that it there are a plethora of self-published books out there, there's", "be a better option for publishing my first book? * Should I go", "Given that I am a wannabe writer with no real titles under my", "wannabe author. But if it clicks, it gives a better chance of having", "wannabe writer with no real titles under my belt and relatively unknown, what", "my first book? * Should I go for the traditional publishing route? ", "book out in the open via that channel? Practically, it would seem that", "to get my book out in the open via that channel? Practically, it", "better option for publishing my first book? Should I go for the", "unknown, what would be a better option for publishing my first book? ", "clicks, it gives a better chance of having my book noticed. Self-publishing would", "open via that channel? Practically, it would seem that going for the traditional", "get lost in the crowd. What would be a better option, all things", "publishing options seems to be more sensible, albeit very difficult given the fact", "plethora of self-published books out there, there's all probability that my book would", "out there, there's all probability that my book would get lost in the", "seem that going for the traditional publishing options seems to be more sensible,", "sensible, albeit very difficult given the fact that no established publishing house would", "it would seem that going for the traditional publishing options seems to be", "would be willing to give a chance to a wannabe author. But if", "for self publishing given that it's easier for me to get my book", "be willing to give a chance to a wannabe author. But if it", "noticed. Self-publishing would be a good option to have my book out in", "more sensible, albeit very difficult given the fact that no established publishing house", "that channel? Practically, it would seem that going for the traditional publishing options", "chance of having my book noticed. Self-publishing would be a good option to", "But if it clicks, it gives a better chance of having my book", "that my book would get lost in the crowd. What would be a", "publishing route? Or should I go for self publishing given that it's", "difficult given the fact that no established publishing house would be willing to", "for publishing my first book? * Should I go for the traditional publishing", "to have my book out in the open immediately. But given the fact", "fact that no established publishing house would be willing to give a chance", "a wannabe writer with no real titles under my belt and relatively unknown,", "to a wannabe author. But if it clicks, it gives a better chance", "of having my book noticed. Self-publishing would be a good option to have", "author. But if it clicks, it gives a better chance of having my", "traditional publishing route? * Or should I go for self publishing given that", "a chance to a wannabe author. But if it clicks, it gives a", "my book out in the open via that channel? Practically, it would seem", "would be a good option to have my book out in the open", "house would be willing to give a chance to a wannabe author. But", "it's easier for me to get my book out in the open via", "would be a better option for publishing my first book? * Should I" ]
[ "at this example: > > > > > > > Hamlet denies Rosencrantz’s", "as sentences unto themselves. Even if you have provided some context for the", "quotations. > > In general, avoid leaving quotes as sentences unto themselves. Even", "is what the UNC page says about floating quotations. > > In general,", "in a nutshell and count myself a king of infinite space” (Hamlet 2.2).", "are several ways to incorporate a quote more smoothly. > > > I", "floating quotations, nor had my wife, who was educated in a different part", "> > > > > Hamlet denies Rosencrantz’s claim that thwarted ambition caused", "> > > > > > > Standing by itself, the quote’s connection", "> > Standing by itself, the quote’s connection to the preceding sentence is", "space” (Hamlet 2.2). > > > > > > > > > Standing", "> Standing by itself, the quote’s connection to the preceding sentence is unclear.", "with advice for undergrad writers. A floating quotation is a quotation that does", "alone can disrupt your flow. Take a look at this example: > >", "I have found, most of them suggest that the problem with floating quotations", "was highly critical of my use of \"floating quotations\" or \"stand-alone quotations.\" She", "connection to the preceding sentence is unclear. There are several ways to incorporate", "of \"floating quotations\" or \"stand-alone quotations.\" She directed me to [a University of", "quote more smoothly. > > > I had never heard of this rule", "into it, I found that the Chicago Style Guide did not mention floating", "had never heard of this rule about floating quotations, nor had my wife,", "my use of \"floating quotations\" or \"stand-alone quotations.\" She directed me to [a", "> > > > > > > Hamlet denies Rosencrantz’s claim that thwarted", "page above is, to me, quite clear, there is no way to misinterpret", "of this rule about floating quotations, nor had my wife, who was educated", "as a problem. In all the university writing webpages I have found, most", "other mainstream style guides that I found. However, I found several university writing", "However, I found several university writing webpages mention floating quotations as a problem.", "look at this example: > > > > > > > Hamlet denies", "all the university writing webpages I have found, most of them suggest that", "bounded in a nutshell and count myself a king of infinite space” (Hamlet", "> > I had never heard of this rule about floating quotations, nor", "lack of clarity. However, the quote from the UNC page above is, to", "the UNC page above is, to me, quite clear, there is no way", "writing webpages mention floating quotations as a problem. In all the university writing", "the problem with floating quotations is a lack of clarity. However, the quote", "are floating quotations a real problem, or is it a matter of personal", "> > > > > > Hamlet denies Rosencrantz’s claim that thwarted ambition", "attribution. Here is what the UNC page says about floating quotations. > >", "them suggest that the problem with floating quotations is a lack of clarity.", "nutshell and count myself a king of infinite space” (Hamlet 2.2). > >", "preceding sentence is unclear. There are several ways to incorporate a quote more", "a different part of the US. When I started looking into it, I", "mention floating quotations, nor did other mainstream style guides that I found. However,", "that some people think that this rule is good and assume that it", "quotation is a quotation that does not explicitly state its attribution. Here is", "quotations, nor had my wife, who was educated in a different part of", "way to misinterpret it. My question: are floating quotations a real problem, or", "you have provided some context for the quote, a quote standing alone can", "by itself, the quote’s connection to the preceding sentence is unclear. There are", "general, avoid leaving quotes as sentences unto themselves. Even if you have provided", "advisor was highly critical of my use of \"floating quotations\" or \"stand-alone quotations.\"", "have provided some context for the quote, a quote standing alone can disrupt", "a quotation that does not explicitly state its attribution. Here is what the", "quote, a quote standing alone can disrupt your flow. Take a look at", "a matter of personal preference? Is the proscription against their use universal, or", "matter of personal preference? Is the proscription against their use universal, or is", "> > > I had never heard of this rule about floating quotations,", "some people think that this rule is good and assume that it is", "quotations a real problem, or is it a matter of personal preference? Is", "finishing my dissertation, and my advisor was highly critical of my use of", "quotation that does not explicitly state its attribution. Here is what the UNC", "found several university writing webpages mention floating quotations as a problem. In all", "university writing webpages mention floating quotations as a problem. In all the university", "suggest that the problem with floating quotations is a lack of clarity. However,", "claim that thwarted ambition caused his depression. “I could be bounded in a", "webpages I have found, most of them suggest that the problem with floating", "and count myself a king of infinite space” (Hamlet 2.2). > > >", "> I had never heard of this rule about floating quotations, nor had", "the quote from the UNC page above is, to me, quite clear, there", "style guides that I found. However, I found several university writing webpages mention", "Even if you have provided some context for the quote, a quote standing", "there is no way to misinterpret it. My question: are floating quotations a", "your flow. Take a look at this example: > > > > >", "of North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice for undergrad writers. A floating quotation is", "> Hamlet denies Rosencrantz’s claim that thwarted ambition caused his depression. “I could", "UNC page above is, to me, quite clear, there is no way to", "Is the proscription against their use universal, or is it just that some", "wife, who was educated in a different part of the US. When I", "that this rule is good and assume that it is a universal rule?", "depression. “I could be bounded in a nutshell and count myself a king", "several ways to incorporate a quote more smoothly. > > > I had", "says about floating quotations. > > In general, avoid leaving quotes as sentences", "of the US. When I started looking into it, I found that the", "about floating quotations. > > In general, avoid leaving quotes as sentences unto", "webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice for undergrad writers. A floating quotation is a quotation that", "their use universal, or is it just that some people think that this", "a quote standing alone can disrupt your flow. Take a look at this", "that the problem with floating quotations is a lack of clarity. However, the", "ways to incorporate a quote more smoothly. > > > I had never", "provided some context for the quote, a quote standing alone can disrupt your", "dissertation, and my advisor was highly critical of my use of \"floating quotations\"", "a look at this example: > > > > > > > Hamlet", "to the preceding sentence is unclear. There are several ways to incorporate a", "Chicago Style Guide did not mention floating quotations, nor did other mainstream style", "found. However, I found several university writing webpages mention floating quotations as a", "> > > > > > Standing by itself, the quote’s connection to", "I had never heard of this rule about floating quotations, nor had my", "about floating quotations, nor had my wife, who was educated in a different", "sentences unto themselves. Even if you have provided some context for the quote,", "my advisor was highly critical of my use of \"floating quotations\" or \"stand-alone", "most of them suggest that the problem with floating quotations is a lack", "preference? Is the proscription against their use universal, or is it just that", "\"stand-alone quotations.\" She directed me to [a University of North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with", "to incorporate a quote more smoothly. > > > I had never heard", "itself, the quote’s connection to the preceding sentence is unclear. There are several", "quote’s connection to the preceding sentence is unclear. There are several ways to", "a lack of clarity. However, the quote from the UNC page above is,", "of them suggest that the problem with floating quotations is a lack of", "universal, or is it just that some people think that this rule is", "does not explicitly state its attribution. Here is what the UNC page says", "that the Chicago Style Guide did not mention floating quotations, nor did other", "just that some people think that this rule is good and assume that", "My question: are floating quotations a real problem, or is it a matter", "avoid leaving quotes as sentences unto themselves. Even if you have provided some", "> > > > > > > > > Standing by itself, the", "In all the university writing webpages I have found, most of them suggest", "highly critical of my use of \"floating quotations\" or \"stand-alone quotations.\" She directed", "people think that this rule is good and assume that it is a", "Rosencrantz’s claim that thwarted ambition caused his depression. “I could be bounded in", "undergrad writers. A floating quotation is a quotation that does not explicitly state", "is a lack of clarity. However, the quote from the UNC page above", "it just that some people think that this rule is good and assume", "is a quotation that does not explicitly state its attribution. Here is what", "or is it just that some people think that this rule is good", "Style Guide did not mention floating quotations, nor did other mainstream style guides", "real problem, or is it a matter of personal preference? 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There are several ways to incorporate a quote", "looking into it, I found that the Chicago Style Guide did not mention", "2.2). > > > > > > > > > Standing by itself,", "king of infinite space” (Hamlet 2.2). > > > > > > >", "part of the US. When I started looking into it, I found that", "of personal preference? Is the proscription against their use universal, or is it", "had my wife, who was educated in a different part of the US.", "educated in a different part of the US. When I started looking into", "more smoothly. > > > I had never heard of this rule about", "example: > > > > > > > Hamlet denies Rosencrantz’s claim that", "I found several university writing webpages mention floating quotations as a problem. In", "to me, quite clear, there is no way to misinterpret it. My question:", "a king of infinite space” (Hamlet 2.2). > > > > > >", "some context for the quote, a quote standing alone can disrupt your flow.", "> > Hamlet denies Rosencrantz’s claim that thwarted ambition caused his depression. “I", "Here is what the UNC page says about floating quotations. > > In", "quotations\" or \"stand-alone quotations.\" She directed me to [a University of North Carolina", "Standing by itself, the quote’s connection to the preceding sentence is unclear. There", "the Chicago Style Guide did not mention floating quotations, nor did other mainstream", "guides that I found. However, I found several university writing webpages mention floating", "floating quotations as a problem. In all the university writing webpages I have", "be bounded in a nutshell and count myself a king of infinite space”", "> > > Standing by itself, the quote’s connection to the preceding sentence", "misinterpret it. My question: are floating quotations a real problem, or is it", "the US. 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When", "> > > > Standing by itself, the quote’s connection to the preceding", "this rule about floating quotations, nor had my wife, who was educated in", "or \"stand-alone quotations.\" She directed me to [a University of North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/)", "nor had my wife, who was educated in a different part of the", "critical of my use of \"floating quotations\" or \"stand-alone quotations.\" She directed me", "clarity. However, the quote from the UNC page above is, to me, quite", "infinite space” (Hamlet 2.2). > > > > > > > > >", "to misinterpret it. My question: are floating quotations a real problem, or is", "“I could be bounded in a nutshell and count myself a king of", "> > > > Hamlet denies Rosencrantz’s claim that thwarted ambition caused his", "a quote more smoothly. > > > I had never heard of this", "floating quotations is a lack of clarity. However, the quote from the UNC", "problem, or is it a matter of personal preference? Is the proscription against", "clear, there is no way to misinterpret it. My question: are floating quotations", "floating quotations. > > In general, avoid leaving quotes as sentences unto themselves.", "incorporate a quote more smoothly. > > > I had never heard of", "> In general, avoid leaving quotes as sentences unto themselves. Even if you", "question: are floating quotations a real problem, or is it a matter of", "(Hamlet 2.2). > > > > > > > > > Standing by", "Guide did not mention floating quotations, nor did other mainstream style guides that", "not mention floating quotations, nor did other mainstream style guides that I found.", "floating quotations a real problem, or is it a matter of personal preference?", "for the quote, a quote standing alone can disrupt your flow. Take a", "proscription against their use universal, or is it just that some people think", "never heard of this rule about floating quotations, nor had my wife, who", "quotations, nor did other mainstream style guides that I found. However, I found", "University of North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice for undergrad writers. A floating quotation", "problem. In all the university writing webpages I have found, most of them", "She directed me to [a University of North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice for", "I started looking into it, I found that the Chicago Style Guide did", "of my use of \"floating quotations\" or \"stand-alone quotations.\" She directed me to", "use of \"floating quotations\" or \"stand-alone quotations.\" She directed me to [a University", "nor did other mainstream style guides that I found. However, I found several", "ambition caused his depression. “I could be bounded in a nutshell and count", "can disrupt your flow. Take a look at this example: > > >", "who was educated in a different part of the US. When I started", "> > > Hamlet denies Rosencrantz’s claim that thwarted ambition caused his depression.", "think that this rule is good and assume that it is a universal", "\"floating quotations\" or \"stand-alone quotations.\" She directed me to [a University of North", "started looking into it, I found that the Chicago Style Guide did not", "There are several ways to incorporate a quote more smoothly. > > >", "However, the quote from the UNC page above is, to me, quite clear,", "webpages mention floating quotations as a problem. In all the university writing webpages", "from the UNC page above is, to me, quite clear, there is no", "is, to me, quite clear, there is no way to misinterpret it. My", "above is, to me, quite clear, there is no way to misinterpret it.", "is unclear. There are several ways to incorporate a quote more smoothly. >", "floating quotation is a quotation that does not explicitly state its attribution. Here", "When I started looking into it, I found that the Chicago Style Guide", "did not mention floating quotations, nor did other mainstream style guides that I", "unclear. There are several ways to incorporate a quote more smoothly. > >", "no way to misinterpret it. My question: are floating quotations a real problem,", "the proscription against their use universal, or is it just that some people", "I found that the Chicago Style Guide did not mention floating quotations, nor", "and my advisor was highly critical of my use of \"floating quotations\" or", "Take a look at this example: > > > > > > >", "flow. Take a look at this example: > > > > > >", "it. My question: are floating quotations a real problem, or is it a", "me, quite clear, there is no way to misinterpret it. My question: are", "state its attribution. Here is what the UNC page says about floating quotations.", "problem with floating quotations is a lack of clarity. However, the quote from", "it a matter of personal preference? Is the proscription against their use universal,", "if you have provided some context for the quote, a quote standing alone", "was educated in a different part of the US. When I started looking", "writing webpages I have found, most of them suggest that the problem with", "or is it a matter of personal preference? Is the proscription against their", "me to [a University of North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice for undergrad writers.", "the quote’s connection to the preceding sentence is unclear. There are several ways", "page says about floating quotations. > > In general, avoid leaving quotes as", "is no way to misinterpret it. My question: are floating quotations a real", "disrupt your flow. Take a look at this example: > > > >", "the UNC page says about floating quotations. > > In general, avoid leaving", "Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice for undergrad writers. A floating quotation is a quotation", "quote from the UNC page above is, to me, quite clear, there is", "I am finishing my dissertation, and my advisor was highly critical of my", "sentence is unclear. There are several ways to incorporate a quote more smoothly.", "against their use universal, or is it just that some people think that", "not explicitly state its attribution. Here is what the UNC page says about", "that does not explicitly state its attribution. Here is what the UNC page", "that thwarted ambition caused his depression. “I could be bounded in a nutshell", "> > > > > Standing by itself, the quote’s connection to the", "with floating quotations is a lack of clarity. However, the quote from the", "quotations.\" She directed me to [a University of North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice", "different part of the US. When I started looking into it, I found", "Hamlet denies Rosencrantz’s claim that thwarted ambition caused his depression. “I could be", "quite clear, there is no way to misinterpret it. My question: are floating", "rule about floating quotations, nor had my wife, who was educated in a", "myself a king of infinite space” (Hamlet 2.2). > > > > >", "US. When I started looking into it, I found that the Chicago Style", "context for the quote, a quote standing alone can disrupt your flow. Take", "that I found. However, I found several university writing webpages mention floating quotations", "quotations is a lack of clarity. However, the quote from the UNC page", "I found. However, I found several university writing webpages mention floating quotations as", "> > > > > > > > Standing by itself, the quote’s", "my dissertation, and my advisor was highly critical of my use of \"floating", "is it just that some people think that this rule is good and", "to [a University of North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice for undergrad writers. A", "its attribution. Here is what the UNC page says about floating quotations. >", "explicitly state its attribution. Here is what the UNC page says about floating", "directed me to [a University of North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice for undergrad", "did other mainstream style guides that I found. However, I found several university", "what the UNC page says about floating quotations. > > In general, avoid", "use universal, or is it just that some people think that this rule", "a nutshell and count myself a king of infinite space” (Hamlet 2.2). >", "floating quotations, nor did other mainstream style guides that I found. However, I", "North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice for undergrad writers. A floating quotation is a", "> > In general, avoid leaving quotes as sentences unto themselves. Even if", "a real problem, or is it a matter of personal preference? Is the", "In general, avoid leaving quotes as sentences unto themselves. Even if you have", "found, most of them suggest that the problem with floating quotations is a", "in a different part of the US. When I started looking into it,", "heard of this rule about floating quotations, nor had my wife, who was", "the quote, a quote standing alone can disrupt your flow. Take a look", "unto themselves. Even if you have provided some context for the quote, a", "caused his depression. “I could be bounded in a nutshell and count myself", "could be bounded in a nutshell and count myself a king of infinite", "[a University of North Carolina webpage](https://writingcenter.unc.edu/tips-and-tools/quotations/) with advice for undergrad writers. A floating" ]
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In their paper,", "option is not making clear that they are referring to one of the", "of the present coauthors, since there are so many Zimmermann's in the world.", "a research paper together. In their paper, they want to refer to Zimmermann's", "want to refer to Zimmermann's previous work (possibly with other coauthors). Should they", "to refer to Zimmermann's previous work (possibly with other coauthors). Should they write", "refer to Zimmermann's previous work (possibly with other coauthors). Should they write \"In", "previous work, ...\" or \"In Zimmerman's previous work,...\"? The second option is not", "work,...\"? The second option is not making clear that they are referring to", "they are referring to one of the present coauthors, since there are so", "(possibly with other coauthors). Should they write \"In the second author's previous work,", "second option is not making clear that they are referring to one of", "are writing a research paper together. In their paper, they want to refer", "the second author's previous work, ...\" or \"In Zimmerman's previous work,...\"? The second", "their paper, they want to refer to Zimmermann's previous work (possibly with other", "or \"In Zimmerman's previous work,...\"? The second option is not making clear that", "\"In the second author's previous work, ...\" or \"In Zimmerman's previous work,...\"? The", "since there are so many Zimmermann's in the world. Perhaps, the reader should", "the present coauthors, since there are so many Zimmermann's in the world. Perhaps,", "For example, Wang and Zimmermann are writing a research paper together. In their", "work (possibly with other coauthors). Should they write \"In the second author's previous", "they write \"In the second author's previous work, ...\" or \"In Zimmerman's previous", "work, ...\" or \"In Zimmerman's previous work,...\"? The second option is not making", "second author's previous work, ...\" or \"In Zimmerman's previous work,...\"? The second option", "world. Perhaps, the reader should figure that out by referring to the References", "author's previous work, ...\" or \"In Zimmerman's previous work,...\"? The second option is", "to Zimmermann's previous work (possibly with other coauthors). Should they write \"In the", "The second option is not making clear that they are referring to one" ]
[ "book or more, as in Count of Monte Cristo. I want to get", "in a tragedy). In this kind of plot framework, there would be little", "in the literature about a protagonist that starts off powerful and stays powerful", "literature about a protagonist that starts off powerful and stays powerful throughout (not", "there are ways to introduce suspense into the story by other means: I", "but mere hobbits). While the underdog typically has his day, often times the", "hobbits). While the underdog typically has his day, often times the ordeal phase", "But perhaps there are ways to introduce suspense into the story by other", "a better understanding of what (if any) fairly mainstream examples we have in", "While the underdog typically has his day, often times the ordeal phase takes", "that have a nearly omnipotent protagonist? And what suspense devices would create utility", "slightly skeptical of this approach given it implicitly invites sympathy for antagonist(s) (unless", "an underdog where he/she must overcome incredible odds. Simply to illustrate, consider: LotR", "we truly villify them from the onset). Question -------- Are there prominent titles", "illustrate, consider: LotR (they are but mere hobbits). While the underdog typically has", "perhaps there are ways to introduce suspense into the story by other means:", "half the book or more, as in Count of Monte Cristo. I want", "more, as in Count of Monte Cristo. I want to get a better", "antagonist(s) (unless we truly villify them from the onset). Question -------- Are there", "Perhaps the most formulaic plot framework has the protagonist as an underdog where", "and stays powerful throughout (not succumbing to misfortune later as we might see", "prominent titles out there that have a nearly omnipotent protagonist? And what suspense", "given it implicitly invites sympathy for antagonist(s) (unless we truly villify them from", "smash next but was slightly skeptical of this approach given it implicitly invites", "powerful throughout (not succumbing to misfortune later as we might see in a", "framework has the protagonist as an underdog where he/she must overcome incredible odds.", "I considered building suspense around who the protagonist will smash next but was", "takes up half the book or more, as in Count of Monte Cristo.", "protagonist that starts off powerful and stays powerful throughout (not succumbing to misfortune", "invites sympathy for antagonist(s) (unless we truly villify them from the onset). Question", "(if any) fairly mainstream examples we have in the literature about a protagonist", "want to get a better understanding of what (if any) fairly mainstream examples", "of outright conflict. But perhaps there are ways to introduce suspense into the", "of Monte Cristo. I want to get a better understanding of what (if", "(they are but mere hobbits). While the underdog typically has his day, often", "terms of outright conflict. But perhaps there are ways to introduce suspense into", "I want to get a better understanding of what (if any) fairly mainstream", "must overcome incredible odds. Simply to illustrate, consider: LotR (they are but mere", "other means: I considered building suspense around who the protagonist will smash next", "a protagonist that starts off powerful and stays powerful throughout (not succumbing to", "there prominent titles out there that have a nearly omnipotent protagonist? And what", "Cristo. I want to get a better understanding of what (if any) fairly", "misfortune later as we might see in a tragedy). In this kind of", "for antagonist(s) (unless we truly villify them from the onset). Question -------- Are", "times the ordeal phase takes up half the book or more, as in", "story by other means: I considered building suspense around who the protagonist will", "introduce suspense into the story by other means: I considered building suspense around", "mainstream examples we have in the literature about a protagonist that starts off", "any) fairly mainstream examples we have in the literature about a protagonist that", "kind of plot framework, there would be little in terms of outright conflict.", "where he/she must overcome incredible odds. Simply to illustrate, consider: LotR (they are", "get a better understanding of what (if any) fairly mainstream examples we have", "examples we have in the literature about a protagonist that starts off powerful", "little in terms of outright conflict. But perhaps there are ways to introduce", "the protagonist will smash next but was slightly skeptical of this approach given", "phase takes up half the book or more, as in Count of Monte", "a nearly omnipotent protagonist? And what suspense devices would create utility under this", "to misfortune later as we might see in a tragedy). In this kind", "as an underdog where he/she must overcome incredible odds. Simply to illustrate, consider:", "means: I considered building suspense around who the protagonist will smash next but", "of this approach given it implicitly invites sympathy for antagonist(s) (unless we truly", "Count of Monte Cristo. I want to get a better understanding of what", "by other means: I considered building suspense around who the protagonist will smash", "Simply to illustrate, consider: LotR (they are but mere hobbits). While the underdog", "them from the onset). Question -------- Are there prominent titles out there that", "Are there prominent titles out there that have a nearly omnipotent protagonist? And", "who the protagonist will smash next but was slightly skeptical of this approach", "we have in the literature about a protagonist that starts off powerful and", "are but mere hobbits). While the underdog typically has his day, often times", "consider: LotR (they are but mere hobbits). While the underdog typically has his", "will smash next but was slightly skeptical of this approach given it implicitly", "ordeal phase takes up half the book or more, as in Count of", "there that have a nearly omnipotent protagonist? And what suspense devices would create", "In this kind of plot framework, there would be little in terms of", "the story by other means: I considered building suspense around who the protagonist", "protagonist as an underdog where he/she must overcome incredible odds. Simply to illustrate,", "was slightly skeptical of this approach given it implicitly invites sympathy for antagonist(s)", "next but was slightly skeptical of this approach given it implicitly invites sympathy", "formulaic plot framework has the protagonist as an underdog where he/she must overcome", "about a protagonist that starts off powerful and stays powerful throughout (not succumbing", "would be little in terms of outright conflict. But perhaps there are ways", "(not succumbing to misfortune later as we might see in a tragedy). In", "suspense around who the protagonist will smash next but was slightly skeptical of", "to introduce suspense into the story by other means: I considered building suspense", "LotR (they are but mere hobbits). While the underdog typically has his day,", "most formulaic plot framework has the protagonist as an underdog where he/she must", "Monte Cristo. I want to get a better understanding of what (if any)", "this kind of plot framework, there would be little in terms of outright", "protagonist will smash next but was slightly skeptical of this approach given it", "plot framework, there would be little in terms of outright conflict. But perhaps", "have in the literature about a protagonist that starts off powerful and stays", "might see in a tragedy). In this kind of plot framework, there would", "the underdog typically has his day, often times the ordeal phase takes up", "the protagonist as an underdog where he/she must overcome incredible odds. Simply to", "truly villify them from the onset). Question -------- Are there prominent titles out", "building suspense around who the protagonist will smash next but was slightly skeptical", "considered building suspense around who the protagonist will smash next but was slightly", "this approach given it implicitly invites sympathy for antagonist(s) (unless we truly villify", "outright conflict. But perhaps there are ways to introduce suspense into the story", "to illustrate, consider: LotR (they are but mere hobbits). While the underdog typically", "in Count of Monte Cristo. I want to get a better understanding of", "titles out there that have a nearly omnipotent protagonist? And what suspense devices", "what (if any) fairly mainstream examples we have in the literature about a", "the book or more, as in Count of Monte Cristo. I want to", "be little in terms of outright conflict. But perhaps there are ways to", "in terms of outright conflict. But perhaps there are ways to introduce suspense", "his day, often times the ordeal phase takes up half the book or", "conflict. But perhaps there are ways to introduce suspense into the story by", "of what (if any) fairly mainstream examples we have in the literature about", "to get a better understanding of what (if any) fairly mainstream examples we", "suspense into the story by other means: I considered building suspense around who", "see in a tragedy). In this kind of plot framework, there would be", "better understanding of what (if any) fairly mainstream examples we have in the", "from the onset). Question -------- Are there prominent titles out there that have", "we might see in a tragedy). In this kind of plot framework, there", "starts off powerful and stays powerful throughout (not succumbing to misfortune later as", "odds. Simply to illustrate, consider: LotR (they are but mere hobbits). While the", "day, often times the ordeal phase takes up half the book or more,", "stays powerful throughout (not succumbing to misfortune later as we might see in", "framework, there would be little in terms of outright conflict. But perhaps there", "implicitly invites sympathy for antagonist(s) (unless we truly villify them from the onset).", "the onset). Question -------- Are there prominent titles out there that have a", "skeptical of this approach given it implicitly invites sympathy for antagonist(s) (unless we", "onset). Question -------- Are there prominent titles out there that have a nearly", "or more, as in Count of Monte Cristo. I want to get a", "mere hobbits). While the underdog typically has his day, often times the ordeal", "incredible odds. Simply to illustrate, consider: LotR (they are but mere hobbits). While", "the ordeal phase takes up half the book or more, as in Count", "later as we might see in a tragedy). In this kind of plot", "out there that have a nearly omnipotent protagonist? And what suspense devices would", "ways to introduce suspense into the story by other means: I considered building", "nearly omnipotent protagonist? And what suspense devices would create utility under this framework?", "has his day, often times the ordeal phase takes up half the book", "(unless we truly villify them from the onset). Question -------- Are there prominent", "of plot framework, there would be little in terms of outright conflict. But", "powerful and stays powerful throughout (not succumbing to misfortune later as we might", "succumbing to misfortune later as we might see in a tragedy). In this", "that starts off powerful and stays powerful throughout (not succumbing to misfortune later", "off powerful and stays powerful throughout (not succumbing to misfortune later as we", "underdog where he/she must overcome incredible odds. Simply to illustrate, consider: LotR (they", "the most formulaic plot framework has the protagonist as an underdog where he/she", "Question -------- Are there prominent titles out there that have a nearly omnipotent", "are ways to introduce suspense into the story by other means: I considered", "often times the ordeal phase takes up half the book or more, as", "-------- Are there prominent titles out there that have a nearly omnipotent protagonist?", "as in Count of Monte Cristo. I want to get a better understanding", "understanding of what (if any) fairly mainstream examples we have in the literature", "plot framework has the protagonist as an underdog where he/she must overcome incredible", "has the protagonist as an underdog where he/she must overcome incredible odds. Simply", "approach given it implicitly invites sympathy for antagonist(s) (unless we truly villify them", "up half the book or more, as in Count of Monte Cristo. I", "into the story by other means: I considered building suspense around who the", "around who the protagonist will smash next but was slightly skeptical of this", "but was slightly skeptical of this approach given it implicitly invites sympathy for", "throughout (not succumbing to misfortune later as we might see in a tragedy).", "sympathy for antagonist(s) (unless we truly villify them from the onset). Question --------", "have a nearly omnipotent protagonist? And what suspense devices would create utility under", "as we might see in a tragedy). In this kind of plot framework,", "villify them from the onset). Question -------- Are there prominent titles out there", "tragedy). In this kind of plot framework, there would be little in terms", "underdog typically has his day, often times the ordeal phase takes up half", "overcome incredible odds. Simply to illustrate, consider: LotR (they are but mere hobbits).", "the literature about a protagonist that starts off powerful and stays powerful throughout", "there would be little in terms of outright conflict. But perhaps there are", "fairly mainstream examples we have in the literature about a protagonist that starts", "a tragedy). In this kind of plot framework, there would be little in", "typically has his day, often times the ordeal phase takes up half the", "it implicitly invites sympathy for antagonist(s) (unless we truly villify them from the", "he/she must overcome incredible odds. Simply to illustrate, consider: LotR (they are but" ]
[ "drama based around making dark of otherwise comical topics (in other words, funny", "light of otherwise serious topics (in other words, serious and horrible things played", "Also, could you give some more or less famous examples, please? The only", "could you give some more or less famous examples, please? The only one", "more or less famous examples, please? The only one I can think is", "comedy (or dark humour if you want) is a subgenre of comedy that", "opposite would be drama based around making dark of otherwise comical topics (in", "that consists to make light of otherwise serious topics (in other words, serious", "of otherwise comical topics (in other words, funny and great things played for", "played for laughs). The opposite would be drama based around making dark of", "you want) is a subgenre of comedy that consists to make light of", "dark of otherwise comical topics (in other words, funny and great things played", "laughs). The opposite would be drama based around making dark of otherwise comical", "of comedy that consists to make light of otherwise serious topics (in other", "I mean is black comedy (or dark humour if you want) is a", "(or dark humour if you want) is a subgenre of comedy that consists", "for laughs). The opposite would be drama based around making dark of otherwise", "you give some more or less famous examples, please? The only one I", "or less famous examples, please? The only one I can think is Waiting", "serious topics (in other words, serious and horrible things played for laughs). The", "funny and great things played for drama). I would call that white drama/lighthearted", "dark humour if you want) is a subgenre of comedy that consists to", "The only one I can think is Waiting For Godot* (1953, Ireland/France, Samuel", "white drama/lighthearted tragedy. Also, could you give some more or less famous examples,", "tragedy. Also, could you give some more or less famous examples, please? The", "and horrible things played for laughs). The opposite would be drama based around", "is a subgenre of comedy that consists to make light of otherwise serious", "other words, serious and horrible things played for laughs). The opposite would be", "want) is a subgenre of comedy that consists to make light of otherwise", "played for drama). I would call that white drama/lighthearted tragedy. Also, could you", "black comedy (or dark humour if you want) is a subgenre of comedy", "I would call that white drama/lighthearted tragedy. Also, could you give some more", "things played for laughs). The opposite would be drama based around making dark", "for drama). I would call that white drama/lighthearted tragedy. Also, could you give", "famous examples, please? The only one I can think is Waiting For Godot", "only one I can think is Waiting For Godot (1953, Ireland/France, Samuel Beckett).", "topics (in other words, serious and horrible things played for laughs). The opposite", "otherwise comical topics (in other words, funny and great things played for drama).", "humour if you want) is a subgenre of comedy that consists to make", "comical topics (in other words, funny and great things played for drama). I", "less famous examples, please? The only one I can think is Waiting For", "topics (in other words, funny and great things played for drama). I would", "serious and horrible things played for laughs). The opposite would be drama based", "consists to make light of otherwise serious topics (in other words, serious and", "give some more or less famous examples, please? The only one I can", "please? The only one I can think is Waiting For Godot* (1953, Ireland/France,", "comedy that consists to make light of otherwise serious topics (in other words,", "subgenre of comedy that consists to make light of otherwise serious topics (in", "horrible things played for laughs). The opposite would be drama based around making", "(in other words, serious and horrible things played for laughs). The opposite would", "drama). I would call that white drama/lighthearted tragedy. Also, could you give some", "and great things played for drama). I would call that white drama/lighthearted tragedy.", "that white drama/lighthearted tragedy. Also, could you give some more or less famous", "based around making dark of otherwise comical topics (in other words, funny and", "words, serious and horrible things played for laughs). The opposite would be drama", "The opposite would be drama based around making dark of otherwise comical topics", "words, funny and great things played for drama). I would call that white", "around making dark of otherwise comical topics (in other words, funny and great", "(in other words, funny and great things played for drama). I would call", "What I mean is black comedy (or dark humour if you want) is", "is black comedy (or dark humour if you want) is a subgenre of", "drama/lighthearted tragedy. Also, could you give some more or less famous examples, please?", "examples, please? The only one I can think is Waiting For Godot (1953,", "mean is black comedy (or dark humour if you want) is a subgenre", "other words, funny and great things played for drama). I would call that", "things played for drama). I would call that white drama/lighthearted tragedy. Also, could", "would call that white drama/lighthearted tragedy. Also, could you give some more or", "to make light of otherwise serious topics (in other words, serious and horrible", "of otherwise serious topics (in other words, serious and horrible things played for", "great things played for drama). I would call that white drama/lighthearted tragedy. Also,", "a subgenre of comedy that consists to make light of otherwise serious topics", "otherwise serious topics (in other words, serious and horrible things played for laughs).", "be drama based around making dark of otherwise comical topics (in other words,", "some more or less famous examples, please? The only one I can think", "if you want) is a subgenre of comedy that consists to make light", "would be drama based around making dark of otherwise comical topics (in other", "call that white drama/lighthearted tragedy. Also, could you give some more or less", "making dark of otherwise comical topics (in other words, funny and great things", "make light of otherwise serious topics (in other words, serious and horrible things" ]
[ "200km. B737: 400km. Which is correct? Period or no period in a bullet", "is correct? Period or no period in a bullet point list of numbers?", "B737: 400km. Which is correct? Period or no period in a bullet point", "Which is correct? Period or no period in a bullet point list of", "200km B737: 400km vs A319: 200km. B737: 400km. Which is correct? Period or", "vs A319: 200km. B737: 400km. Which is correct? Period or no period in", "B737: 400km vs A319: 200km. B737: 400km. Which is correct? Period or no", "400km vs A319: 200km. B737: 400km. Which is correct? Period or no period", "A319: 200km. B737: 400km. Which is correct? Period or no period in a", "A319: 200km B737: 400km vs A319: 200km. B737: 400km. Which is correct? Period", "400km. Which is correct? Period or no period in a bullet point list" ]
[ "each other later on in the plot. There are a few other major", "plot. There are a few other major male characters, but she specifically falls", "a few other major male characters, but she specifically falls in love with", "currently writing a YA novel, and one of my sublots is a romance", "that readers will suspect this in the beginning, when A and B meet,", "but she specifically falls in love with B later on in the novel.", "introduce the two to each other early on, and they start out as", "is a romance between the protagonist (A) and another supporting character (B). I", "up and spend a lot of time around each other. I'm trying my", "when A and B meet, and especially when they team up and spend", "I'm trying my best to avoid the \"instalove\" trope that's common in modern", "another supporting character (B). I introduce the two to each other early on,", "out as friends before they are forced to team up with each other", "team up with each other later on in the plot. There are a", "later on in the plot. There are a few other major male characters,", "of my sublots is a romance between the protagonist (A) and another supporting", "the plot. There are a few other major male characters, but she specifically", "my sublots is a romance between the protagonist (A) and another supporting character", "readers will suspect this in the beginning, when A and B meet, and", "team up and spend a lot of time around each other. I'm trying", "novel, and one of my sublots is a romance between the protagonist (A)", "(B). I introduce the two to each other early on, and they start", "best to avoid the \"instalove\" trope that's common in modern YA literature, but", "and another supporting character (B). I introduce the two to each other early", "friends before they are forced to team up with each other later on", "protagonist (A) and another supporting character (B). I introduce the two to each", "before they are forced to team up with each other later on in", "each other early on, and they start out as friends before they are", "they team up and spend a lot of time around each other. I'm", "the two to each other early on, and they start out as friends", "other later on in the plot. There are a few other major male", "when they team up and spend a lot of time around each other.", "and one of my sublots is a romance between the protagonist (A) and", "a romance between the protagonist (A) and another supporting character (B). I introduce", "time around each other. I'm trying my best to avoid the \"instalove\" trope", "other major male characters, but she specifically falls in love with B later", "of time around each other. I'm trying my best to avoid the \"instalove\"", "with B later on in the novel. However, I'm worried that readers will", "with each other later on in the plot. There are a few other", "the protagonist (A) and another supporting character (B). I introduce the two to", "and especially when they team up and spend a lot of time around", "they start out as friends before they are forced to team up with", "other. I'm trying my best to avoid the \"instalove\" trope that's common in", "start out as friends before they are forced to team up with each", "feel like the romance in my novel is going to be very predictable.", "in the plot. There are a few other major male characters, but she", "as friends before they are forced to team up with each other later", "are forced to team up with each other later on in the plot.", "avoid the \"instalove\" trope that's common in modern YA literature, but I still", "spend a lot of time around each other. I'm trying my best to", "on in the plot. There are a few other major male characters, but", "in the novel. However, I'm worried that readers will suspect this in the", "literature, but I still feel like the romance in my novel is going", "especially when they team up and spend a lot of time around each", "up with each other later on in the plot. There are a few", "male characters, but she specifically falls in love with B later on in", "still feel like the romance in my novel is going to be very", "A and B meet, and especially when they team up and spend a", "falls in love with B later on in the novel. However, I'm worried", "common in modern YA literature, but I still feel like the romance in", "\"instalove\" trope that's common in modern YA literature, but I still feel like", "in modern YA literature, but I still feel like the romance in my", "are a few other major male characters, but she specifically falls in love", "YA literature, but I still feel like the romance in my novel is", "on, and they start out as friends before they are forced to team", "sublots is a romance between the protagonist (A) and another supporting character (B).", "will suspect this in the beginning, when A and B meet, and especially", "I introduce the two to each other early on, and they start out", "B meet, and especially when they team up and spend a lot of", "other early on, and they start out as friends before they are forced", "on in the novel. However, I'm worried that readers will suspect this in", "few other major male characters, but she specifically falls in love with B", "romance between the protagonist (A) and another supporting character (B). I introduce the", "major male characters, but she specifically falls in love with B later on", "trope that's common in modern YA literature, but I still feel like the", "the beginning, when A and B meet, and especially when they team up", "to avoid the \"instalove\" trope that's common in modern YA literature, but I", "between the protagonist (A) and another supporting character (B). I introduce the two", "character (B). I introduce the two to each other early on, and they", "love with B later on in the novel. However, I'm worried that readers", "my best to avoid the \"instalove\" trope that's common in modern YA literature,", "and spend a lot of time around each other. I'm trying my best", "worried that readers will suspect this in the beginning, when A and B", "However, I'm worried that readers will suspect this in the beginning, when A", "I still feel like the romance in my novel is going to be", "There are a few other major male characters, but she specifically falls in", "writing a YA novel, and one of my sublots is a romance between", "that's common in modern YA literature, but I still feel like the romance", "a lot of time around each other. I'm trying my best to avoid", "she specifically falls in love with B later on in the novel. However,", "the \"instalove\" trope that's common in modern YA literature, but I still feel", "in the beginning, when A and B meet, and especially when they team", "one of my sublots is a romance between the protagonist (A) and another", "this in the beginning, when A and B meet, and especially when they", "lot of time around each other. I'm trying my best to avoid the", "characters, but she specifically falls in love with B later on in the", "B later on in the novel. However, I'm worried that readers will suspect", "to each other early on, and they start out as friends before they", "modern YA literature, but I still feel like the romance in my novel", "beginning, when A and B meet, and especially when they team up and", "two to each other early on, and they start out as friends before", "YA novel, and one of my sublots is a romance between the protagonist", "novel. However, I'm worried that readers will suspect this in the beginning, when", "and they start out as friends before they are forced to team up", "early on, and they start out as friends before they are forced to", "the novel. However, I'm worried that readers will suspect this in the beginning,", "(A) and another supporting character (B). I introduce the two to each other", "they are forced to team up with each other later on in the", "I'm currently writing a YA novel, and one of my sublots is a", "to team up with each other later on in the plot. There are", "suspect this in the beginning, when A and B meet, and especially when", "trying my best to avoid the \"instalove\" trope that's common in modern YA", "but I still feel like the romance in my novel is going to", "supporting character (B). I introduce the two to each other early on, and", "forced to team up with each other later on in the plot. There", "I'm worried that readers will suspect this in the beginning, when A and", "and B meet, and especially when they team up and spend a lot", "meet, and especially when they team up and spend a lot of time", "a YA novel, and one of my sublots is a romance between the", "each other. I'm trying my best to avoid the \"instalove\" trope that's common", "later on in the novel. However, I'm worried that readers will suspect this", "specifically falls in love with B later on in the novel. However, I'm", "around each other. I'm trying my best to avoid the \"instalove\" trope that's", "in love with B later on in the novel. However, I'm worried that" ]