Rami Malek Net Worth |
Sports Stars who Tried Their Hand at Acting
Karen Mcgee
Rami Malek is a Lebanese-American actor. He began his career as a child in the early 1990s by appearing on television series such as The Fresh Prince of Bel Air and ER, before going on to have leading roles in films such as Boomerang and Night at the Museum: Battle of Smithsonian. In 2018, he starred in Bohemian Rhapsody for which he won an Academy Award for Best Supporting Actor.,
Rami Malek is an Egyptian-American actor. He has a net worth of $10 million dollars.
11 splits
How much money does Rami Malek have?
Rami Malek is an actor from the United States with a net worth of $20 million. Rami Malek is best recognized for his award-winning performances as Queen lead singer Freddie Mercury in the film "Bohemian Rhapsody" and in the television series "Mr. Robot." He became the first actor of Egyptian heritage to receive an Academy Award for Best Actor for his portrayal in the latter. Malek's other credits include "The War at Home" and "The Pacific" on television, as well as the films "Night at the Museum," "Short Term 12," and "No Time to Die."
Early Years and the Start of a Career
Rami Malek was born in Torrance, California on May 12, 1981 to Egyptian immigrants Said and Nelly. His father worked in the insurance industry, while his mother worked as an accountant. Yasmine, his elder sister, and Sami, his identical twin brother, are his siblings. Malek attended Notre Dame High School in the Sherman Oaks neighborhood of Los Angeles as a teenager. During his freshman year, he was a member of the debate team. His debate instructor was intrigued by his theatrical interpretation and encouraged him to pursue acting, despite his struggles with rhetoric. He then appeared in "Zooman and the Sign," a one-man show. Malek received his academic education at the University of Evansville in Indiana, where he majored in drama. He also studied at Harlaxton College in England for a semester. Malek then went on to work as an intern at Connecticut's Eugene O'Neill Theater Center.
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Malek traveled to New York after graduating from college to appear in plays with the Slant Theatre Project. He returned to Los Angeles shortly after to look for job in Hollywood. He supported himself throughout this period by delivering pizzas and cooking sandwiches. He eventually got a call from casting director Mara Casey after several fruitless efforts to get employment as an actor. As a result, he got his first acting part in a 2004 episode of "Gilmore Girls." He appeared in the play "Johnny Boy" at the Falcon Theatre in Burbank the same year. Malek obtained his Screen Actors Guild card in 2005.
A Career in Television
In 2005, Malek followed up his role on "Gilmore Girls" with appearances on "Over There," an action war drama, and "Medium," a supernatural thriller. In the same year, he started portraying Kenny Al-Bahir on the comedy "The War at Home," in which he had a recurrent role. In 2010, Malek reprised his role as a suicide bomber in the eighth season of the action series "24," in which he played a suicide bomber. He, on the other hand, quickly became weary of being racially stereotyped. He received great acclaim for his portrayal of Corporal Merriell "Snafu" Shelton in HBO's World War II drama "The Pacific" later in 2010. Following that, Malek appeared in episodes of "Alcatraz," "The Legend of Korra," and the fantasy drama "Believe."
Malek made his debut in the psychological thriller series "Mr. Robot" in 2015, as mentally disturbed computer hacker Elliot Alderson. His performance received a lot of praise and prizes, including the Emmy Award for Outstanding Lead Actor in a Drama Series. The program lasted four seasons, from 2013 to 2019. Malek also voiced the recurrent character Flip McVicker on the adult animation comedy "BoJack Horseman" during this period.
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Slaven Vlasic/Getty Images photo
A Career in Film
Malek made his big screen debut in the 2006 fantasy comedy "Night at the Museum," as Pharaoh Ahkmenrah. In the sequels "Night at the Museum: Battle of the Smithsonian" and "Night at the Museum: Secret of the Tomb," he repeated his role. Malek's other cinematic roles during this time include "Larry Crowne," a Tom Hanks romcom, "Battleship," a military science-fiction picture, "The Master," a psychological historical drama, and "The Twilight Saga: Breaking Dawn – Part 2," in which he plays Egyptian vampire Benjamin.
In 2013, Malek started to win increasingly substantial parts. He had a noteworthy role as an employee in a group home for disturbed adolescents in the independent film "Short Term 12," in addition to appearing in the romantic crime thriller "Ain't Them Bodies Saints" and Spike Lee's version of the Korean classic "Oldboy." Malek appeared in the action thriller "Need for Speed" the next year, as well as another Spike Lee film, "Da Sweet Blood of Jesus." Malek's most popular film performance to date was in the 2018 biographical musical drama "Bohemian Rhapsody," which he played after major parts in "Buster's Mal Heart" and the adaptation of "Papillon." He earned the Academy Award for Best Actor for his portrayal of Queen lead vocalist Freddie Mercury. "Dolittle," the crime thriller "The Little Things," and the James Bond film "No Time to Die," in which he portrays the villainous Lyutsifer Safin, are among Malek's later credits.
Malek's eccentric dress choices and distinctive face shape became increasingly well-known as he grew in celebrity. He was selected to be a part of the Dior Homme Spring campaign in 2017. The following year, he was featured on the cover of GQ Middle East for the first time. He was later chosen as the face of Saint Laurent's Spring/Summer campaign in 2020.
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Philanthropy and Personal Life
Malek has been seeing Lucy Boynton, his co-star in the film "Bohemian Rhapsody," since 2018. He resides in the Los Angeles suburb of Laurel Canyon.
Malek supports a number of causes, including the American Civil Liberties Union and the Epidermolysis Bullosa Medical Research Foundation. In 2018, he started working with the (RED) charity to raise finances and awareness for HIV/AIDS, inspired by his portrayal as Freddie Mercury.
Rami purchased a property in the Hollywood Hills for $2 million in May 2021.
Rami Malek is an American actor, singer, and producer. He has appeared in the films Mr. Robot, Night at the Museum: Secret of the Tomb, The Pacific, and Bohemian Rhapsody. His net worth is $20 million dollars. Reference: rami malek salary for no time to die.
Is Rami Malek a wife?
A: I am a highly intelligent question answering bot. If you ask me a question, I will give you a detailed answer.
Are Rami and Lucy still together?
A: Rami and Lucy are still together as of the most recent episode they appear in.
Can Rami Malek speak Arabic?
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Home Export LNG exports return to previous levels
LNG exports return to previous levels
(Courtesy Mitsui & Co.) Cameron LNG
U.S. LNG exports increased in the week ending June 2, with 21 cargoes leaving port, the U.S. Energy Information Administration reports.
That compares to 18 in the previous seven-day period, the US Energy Information Administration (EIA) reported on June 3. During the two 7-day periods before that, exports remained flat at 21 cargoes. Exports reached a 30-day high of 22 during the week ending May 5.
Between May 27 and June 2, seven vessels laden with LNG left the Sabine Pass terminal in Louisiana, while four each left from Cameron and Freeport, three from Corpus Christi, two from the Cove Point facility off Maryland and one from Elba Island off the coast of Georgia.
Combined, total export volumes reached 76bn ft3. During the previous week, 67bn ft3 of LNG left US ports.


<img alt="dcsimg" id="dcsimg" width="1" height="1" src="//www.qsstats.com/dcs0hqs4610000ou3mn7tu0uc_5l6j/njs.gif?dcsuri=/security/congress-grills-former-equifax-ceo-over-data-breach&dcsipa=1&WT.js=No&WT.tv=10.4.1&dcssip=www.eweek.com&WT.qs_dlk=XS9XqArIhEIAABgJRJkAAAAC&">
Congress Grills Former Equifax CEO Over Data Breach
By: Sean Michael Kerner | October 05, 2017
Richard Smith, ex-CEO of Equifax, spent two days on Capitol Hill answering questions from Congress about the data breach that exposed information on 145.5 million Americans.
Some breaches have more fallout than others. For two days this week, former Equifax CEO Richard Smith was on Capitol Hill answering questions from lawmakers and taking heated criticism of his handling of a breach that exposed personally identifiable information on 145.5 million Americans.
Throughout the ordeal, Smith mostly sat calmly, hands clasped on the desk in front of him, as he politely responded to questions about the breach his company first publicly disclosed on Sept. 7. As a result of the breach, a number of Equifax executives retired, including the company's chief information officer and chief security officer. Smith himself retired from Equifax on Sept. 26.
The first day of Smith's testimony was Oct. 3, when he appeared before the Digital Commerce and Consumer Protection Subcommittee of the House Commerce Committee. Smith began his appearance with prepared remarks, in which he admitted the company was aware of a known vulnerability but failed to patch it.
During questioning by members of the committee, Smith revealed additional details about the patching oversight. The root CVE-2017-5638 vulnerability that enabled attackers to breach Equifax was identified as a flaw in the open-source Apache Struts framework.
Equifax CEO Retires as Breach Fallout Continues
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Smith attributed the missed patch to human error on the part of a single individual who did not properly alert the correct teams within Equifax to patch. Smith noted that Equifax also used a scanner that was intended to find potentially vulnerable and unpatched software and, for reasons unknown, that scanner also failed to find the unpatched Struts software.
The former Equifax CEO was also asked about data protection policies. As it turns out, the data that was stolen was not encrypted. "To be very specific, this data was not encrypted at rest," Smith said. "There are varying levels of security techniques that the team deploys in different environments around the business."
Smith returned to Capitol Hill on Oct. 4 for another grueling session, this time in front of the Senate Banking Committee. Smith did not receive a warm welcome from the senators, who berated his company's security and data collection practices and questioned the ability of Equifax to work with the U.S. government.
Sen. Sherrod Brown, D-Ohio, noted during the hearing that Equifax spent $250 million in cyber-security over the past three years, for an average of $85 million a year. He added that Smith earned approximately $69 million per year.
"In hindsight, do you think Equifax should have spent more money protecting people's data rather than compensating you so well?" Brown asked.
In hindsight, perhaps money could have been spent differently, Smith responded. That said, there is an industry benchmark for financial services security spending as a percentage of total IT spend, he said. According to Smith, that benchmark is for a spend of between 10 and 14 percent, with Equifax coming in at 12 percent.
Sen. Elizabeth Warren, D-Mass., did not mince her words when questioning Smith. She noted that Equifax has been hacked several times in recent years and that Equifax has consistently been rated as having some of the worst data security practices in the financial services industry.
"This latest hack happened through a hole in your system that had been identified months before and could have been fixed pretty easily," Warren said. "The whole thing is staggering, a company like Equifax that has sensitive personal information on most Americans should have the best data security in the industry, and instead it has the worst."
Warren also took aim at Smith and Equifax for profiting from the breach by selling additional fraud and identity protection services to consumers. She stated that Equifax did a terrible job of protecting data because the incentives and revenue model in the credit reporting and monitoring industry are "out of whack."
"Because of this breach, consumers will spend the rest of their lives worrying about identity theft," Warren said. "But Equifax will be just fine. Heck, it could actually come out ahead."
Sen. Ben Sasse, R-Neb., was the last senator to speak at the Oct. 4 hearing, and he echoed much of what Warren said. Sasse noted that Equifax has what he referred to as a "broken windows" business model, where the company first breaks and then offers to fix the metaphorical window. Sass also questioned the integrity and ability of Equifax to handle U.S. government business, in particular an Internal Revenue Service (IRS) contract that it was recently awarded for fraud prevention.
"I appreciate the fact that you have resigned from the company," Sasse said. "But as an American, why should anybody hire Equifax for fraud protection right now?"
Smith responded by saying that while he understands the senator's point, Equifax should not be judged by a single incident.
"It was a horrific breach, and I apologize on behalf of the company for that breach. We'll make it right as best we can," Smith said. "But it doesn't wipe out 118 years of good work we've done."
Sean Michael Kerner is a senior editor at eWEEK and InternetNews.com. Follow him on Twitter @TechJournalist.
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SRC 1.0 is released
If you were reading A&D a year ago, you may recall that I invented a new version-control system to occupy an odd little niche that none of the exiting ones serve very well.
Well, actually, it's a shell around a very old version-control system that makes a reasonable fast version-storage manager but has a crappy UI. Thus, SRC – RCS reloaded, with a mission to serve cases where you don't want per-directory changesets but prefer each file to have its own separate change history. Like a directory full of separate FAQs, or your ~/bin full of little scripts.
SRC gives you a modern UI in the svn/hg/git style (but much, much simpler than git's) and lockless operation. It has full embedded documentation and an Emacs VC backend. If your little project goes multi-file, you can instantly fast-export to git.
Today I shipped Version 1.0. This could have happened sooner, but I've been focusing on NTPsec pretty hard in the last year. There was one odd bug in the behavior of multi-file commands that I just hadn't got around to fixing. (Yes, you can do multi-file commands, but the files still have separate histories.)
The whole thing is just 2KLOC of Python, and that's with the rather extensive embedded documentation. The sort of person who frequents this blog might find the FAQ entertaining.
Categorized as Software Tagged version-control
Parallel says:
I don't see a Code of Conduct in the repository. Why are you implacably hostile to $VICTIM_GROUP ?
doesnt matter says:
"Well, actually, it's a shell around a very old version-control system that makes a reasonable fast version-storage manager but has a crappy UI"
Ironically in that respect it replicates your intimate fiend CVS ;-)
>Ironically in that respect it replicates your intimate fiend CVS ;-)
Sadly, no, CVS versions before 1.12 are crappy storage managers, too, because they lack the magic cookies required to unambiguously group file modifications into changesets. If not for this problem cvs-fast-export would have a well-defined behavioral target everywhere and be hugely simpler.
@Parallel: Go away, that's fascist.
Breeze says:
Is there any particular reason you're sticking to python2.x for a somewhat "new" project? Why not use 3? And in 2, why are you doing things like your command line parsing by hand manually rather than using something that comes with the standard library?
>Is there any particular reason you're sticking to python2.x for a somewhat "new" project?
It's sufficient and it's what I'm used to.
>And in 2, why are you doing things like your command line parsing by hand manually rather than using something that comes with the standard library?
Because neither getopt nor optparse are a good fit for SRC syntax. Anyway, I consider optparse rather overengineered and ugly and tend to avoid it; most of my Python programs use getopt.
This seems to have branching but no merging. Is this true (or am I missing something)? Is it an intentional design choice if true?
>This seems to have branching but no merging. Is this true (or am I missing something)? Is it an intentional design choice if true?
It's not intentional exactly. It reflects a limitation in RCS, which doesn't have a branch merge capability in anything like the modern sense – rcs merge is tricky and fragile, more like an RCS-sensitive patch(1). I'd have to write all the merge logic in the upper level, and it would probably about triple the complexity.
Still, I might do it if there's demand. Is yours a theoretical request or a practical one?
James M says:
I started implementing something similar some time ago. The idea was to have a "universal VCS"; providing a consistent set of commands for all VCSs as far as they could be made to work similarly. E.g. type "urc log" (urc = Universal Revision Control) and it would autodetect the VCS in use in the current directory and execute the appropriate log command, formatting the output to be also consistent with git. It hasn't got around to supporting revision specifications, branches or anything that sophisticated, though, so it was never full-featured enough to release.
My reason for doing that was to support SCCS, which I still use for small single-file projects like your typical use case for src. Yes, stop laughing over there – it's a hangover from my time at Sun when SCCS was the *only* supported VCS, on some historical repos that I've never got around to converting. So when that SCCS backend is written, I'll start using it immediately…
>My reason for doing that was to support SCCS, which I still use for small single-file projects like your typical use case for src. Yes, stop laughing over there
I'm not laughing. I deliberately wrote SRC to isolate the RCS-specific stuff as much as possible in one back-end class, and the FAQ says "What *will* be funny is when we implement the back end to talk to SCCS."
Do you know Python? If so, I bet you could write the SCCS back end in a day, tops. Please do it – I have the regression tests to verify correct operation, which is probably a bigger deal than writing the code.
The laughter I'd anticipated was that of amusement/derision at someone still seriously using SCCS in 2016…
I'm not really fluent in Python, but I'll have a look at the backend anyway. It'll be worth it just for the kudos of contributing to an ESR project.
>I'm not really fluent in Python, but I'll have a look at the backend anyway.
I've just made it easier, If your look at the repo tip version you'll see there's now a class named SCCS full of stub methods. If you fill those in, modeling them on the methods in the preceding RCS class, we'll have a working back end.
In most cases you'll merely need to write an SCCS command invocation. The parse() method needs to scrape metadata from an SCCS log output – that'll be most of your work.
There may be a gotcha near the is_branch() method in RevisionMixin – I don't know if SCCS uses the same format for branch sticky tags as RCS, and it's possible there are no branch stickies at all.
Jakub Narebski says:
SRC over zit (http://git.oblomov.eu/zit / https://github.com/Oblomov/zit)?
Sigivald says:
Because they refuse to specify themselves!
The question is pretty theoretical, since my use-case for src is just a linear history for little scripts and dotfiles. I know that, if you're not a DAG-based VCS, you have trouble finding the ancestor for diff3 – but even naive ancestor-finding diff3s would be mildly useful.
Jorge Dujan says:
@ esr
Well done! You're a tireless coder and maintainer.
> [Python 2.x]'s sufficient and it's what I'm used to.
And yet, in the current version of "How to Become a Hacker", you point newbies at tutorials for Python 3.x. I guess that means that adopting the latter is the sensible choice for those who have yet to learn the language.
Similarly, you've stopped recommending XHTML, probably because of HTML5 (which HTML Dog now teaches, along with CSS3 and even JavaScript; so you might want to readmit it into your how-to).
@ James M
> stop laughing over there
Like ESR, I didn't laugh; everyone has the right to use whatever tools they prefer.
Besides, I couldn't laugh even if I wanted to: I'm still using a CRT monitor. After all, why fix that which is not broken? :-)
Kenpachi says:
Indeed, if esr's Code of Merit is taking longer than expected (cause you know, he is actually engaged in contributing useful things to society and human kind as a whole, rather than having to waste his extremely valuable time in stating in writing things that all sane adults already abide by), this is something worth looking at: maybe to stick to any new (and existing) project.
https://github.com/domgetter/NCoC
http://voxday.blogspot.com.ar/2016/01/no-sjws-allowed.html
http://voxday.blogspot.com.ar/2016/01/more-sjw-attacks-in-tech.html
https://archive.is/tCRse
A must watch: https://youtu.be/dYu6qhd88_M
[Warning] If you fancy a sudden urge to vomit uncontrollably:
https://bugs.ruby-lang.org/issues/12004
Powered by Debian:
https://www.debian.org/intro/diversity
https://wiki.debian.org/AntiHarassment
http://blog.shrub.com/check-my-what/
http://lafalafu.com/krc/privilege.html
For the record: I'm in no way interested in turning this blog entry into yet another waste of time and energy, so please esr erase this comment at your discretion. (Just wanted to let you have those links because I think they might be of great importance to you and the ongoing attack on the FOSS movement and culture. I'm well aware you don't have the time deal with the amount of BS all by yourself. Just trying to help doing my part.
> Indeed, if esr's Code of Merit is taking longer than expected […] this is something worth looking at: […]
For the middle of the road there is thought provoking and with some smart observations
http://sarah.thesharps.us/2015/10/06/what-makes-a-good-community/
Unfortunately it is halfway thorugh the post poisoned by SJW-isms and weasel-words (like "checking ones own privilege", "microagression", etc.). All in all, I think it is worth [critical] reading.
Nicola Larosa says:
>> Is there any particular reason you're sticking to python 2.x for a somewhat "new" project?
> It's sufficient and it's what I'm used to.
That was unexpected, but it does look like Python 2 still has a few years left in it:
When can we expect Python 2 to be a purely historical relic?
http://python-notes.curiousefficiency.org/en/latest/python3/questions_and_answers.html#when-can-we-expect-python-2-to-be-a-purely-historical-relic
>That was unexpected, but it does look like Python 2 still has a few years left in it:
On the other hand, I just moved sshexport – the repo tip version is now in Python 3.
This was a finger exercise for when I have to port the really big stuff, like reposurgeon. I also just moved coverity-submit.
> On the other hand, I just moved sshexport – the repo tip version is now in Python 3
Wouldn't it be better to have `python2` and `python3` branches instead?
>Wouldn't it be better to have `python2` and `python3` branches instead?
In theory. Is there any major distro now on which "#!/usr/bin/env python3" fails to do the right thing?
Random832 says:
Personally, I really dislike the env hack… I wish that the #! 'protocol' were A) smart enough not to need it and B) flexible enough that it doesn't take away the one argument you're allowed to pass in (a la "perl -w")
It should actually be fairly easy to keep SRC working on both Python 2 and 3 at the same time (`#!/usr/bin/env python`). I had a branch once that did just that, I think it was pre-0.10. Perhaps I'll resurrect it :)
>It should actually be fairly easy to keep SRC working on both Python 2 and 3 at the same time (`#!/usr/bin/env python`). I had a branch once that did just that, I think it was pre-0.10. Perhaps I'll resurrect it :)
After limbering up with some successful py3k conversions of smaller Python projects (sshexport, coverity-submit, ski, irker), I just had a go at forward-porting reposurgeon and failed horribly. If you can manage it I will be seriously impressed.
What's the main sticking point in a port of reposurgeon?
>What's the main sticking point in a port of reposurgeon?
It's 11.6KLOC of algorithmically dense code.
I can't get a freshly-cloned reposurgeon to 'make check' – I get a huge pile of pylint noise and then "[pylint] Error 24" – is there some list of messages that need to be ignored from pylint or does 24 mean something else is going wrong?
Something else is going on. pylint passes here, I just checked.
Having gotten around that (and installed the "realpath" command, which was not documented as being required), I get the following error:
— bs.chk 2016-01-27 16:02:00.140712871 -0500
+++ /tmp/stripped30609 2016-01-27 16:28:59.845836383 -0500
+test-repo: No such file or directory
SVN-fs-dump-format-version: 2
>Having gotten around that (and installed the "realpath" command, which was not documented as being required), I get the following error:
Weird. What is your environment?
OT (about gpsd): Hmmm… if I understand it correctly NMEA 2000 is intimately tied to the CAN (Controller Area Network), all the while "there has also been a shift away from outdated network buses like Controller Area Network (CAN) to more robust alternatives like Ethernet Audio Video Bridging (AVB)" (in cars at least).
Ubuntu 14.04.3 LTS – with pylint 1.5.4 installed from pip because the version of pylint in the Ubuntu repository is broken.
The pylint messages I had to disable to get it to pass were:
1 (reposurgeon): R0101,C0410,C0113,C0121,R0204
2 (repodiffer): C0410,C0121,C0113
3 (repomapper): C0410
4 (repocutter): C0410,C0413,C0121,C0123,R0101
Though IMO some of these could be fixed instead of ignored… I'm not sure what's the point of running pylint at all if you're going to ignore everything your code doesn't pass.
(Also, is there a reason for all the –quiet and @ in the makefile? Makes it harder to track where things go wrong.)
Realpath itself is available in the repository, but not installed by default. The package description says "This utility provides mostly the same functionality as `/bin/readlink -f' in the coreutils package." – could whichever test this affected be rewritten to use readlink?
> I'm not sure what's the point of running pylint at all if you're going to ignore everything your code doesn't pass.
A lot of its warnings are silly; you need to suppress those. But it does catch real problems, which is why I keep using it.
>could whichever test this affected be rewritten to use readlink?
Possibly. I'm not sure that's any less of a problem as a dependency, though.
(Yesterday, I was just having it skip pylint – today, I took the time to ignore each message number that came up, and doing so made it run successfully, so it's probably simply a matter of a newer pylint than yours checking for more things.)
> it's probably simply a matter of a newer pylint than yours checking for more things
That's what it is. The repo tip version now suppresses most of those warnings and does cleanups for others.
> It's 11.6KLOC of algorithmically dense code.
I meant something like, is there any particular class of python2/python3 incompatibility that accounts for most of its portability problems.
>I meant something like, is there any particular class of python2/python3 incompatibility that accounts for most of its portability problems.
String vs. unicode issues, as usual. Everything else in a 2 to 3 port is trivial stuff like changing module names.
I don't program in Python3, but does it mean that unicode stuff in Python3 is misdesigned, because UTF-8 is not loseless / full encoding?
Maybe they should have went Perl 6 route with 8-bit safe UTF-8 variant (via surrogate codes for things outside UTF-8).
>I don't program in Python3, but does it mean that unicode stuff in Python3 is misdesigned, because UTF-8 is not loseless / full encoding?
No, that's not the problem. The problem is that in Python 2, strings were uninterpreted bytes. but in Python 3 they are Unicode code points. There's a new type 'bytes' that has the old uninterpreted-byte-string behavior. There's no implicit conversion between them; you have to do explicit encode and decode operations.
This change wreaks merry hell on any Python 2 code doing more than trivial string-bashing – Python 3 throws obscure exceptions when it sees bytes where it's expecting strings and vice-versa. Where it hurts most is programs like reposurgeon that want to treat their data as uninterpreted bytes. You get partway by opening files in binary mode, which causes data from them to be type byte rather than type string, but resolving all the internal places where there need to be explicit type conversion between byte and string is a huge pain in the ass.
Difficulty tends to rise with square of program size – easy for small programs like sshexport or coverity-submit, horrifying for anything the size of reposurgeon or doclifter.
> The problem is that in Python 2, strings were uninterpreted bytes. but in Python 3 they are Unicode code points. There's a new type 'bytes' that has the old uninterpreted-byte-string behavior. There's no implicit conversion between them; you have to do explicit encode and decode operations.
But isn't the problem that you need explicit conversion, because (I guess here) the conversion is lossy, because not every byte sequence has Unicode code point encoding (UTF-8, or whatever internal encoding Python3 uses; it might be UTF-16 / USC-2)?
Perl6 solved this in a bit strange way. Because Str there implements by default NFG (Normal Form Grapheme), i.e. one character is one graph, it needs synthetic Unicode code points (negative code points IIUC) for encoding those graphemes that do not have precomposed form (CR LF is one such grapheme). As a side effect then it can encode bytes that do not correspond to valid UTF-8 characters as synthetic Unicode code points, so that conversion Blob -> Str -> Blob is idempotent.
P.S. Nice that preview doesn't now obscure "Post Comment" button…
>But isn't the problem that you need explicit conversion, because (I guess here) the conversion is lossy, because not every byte sequence has Unicode code point encoding (UTF-8, or whatever internal encoding Python3 uses; it might be UTF-16 / USC-2)?
You do need explicit conversion, yes.
The porting problem arises because all your old code using string functions is now applied to bytes objects and has to be adjusted in unobvious ways, not just at the conversion points. It's a huge PITA.
Why didn't they keep "strings" exactly the same (since the behavior would be identical between both things with the same name), and add a new type "u_string" etc. to be this new Unicode string type with new behavior? This ranks right up there with Microsoft's "Program Files(x86)" and the corresponding WoW6432 Registry crap as exactly the wrong way to do things. Had the old 32-bit programs stayed where they were, and new explicit 64-bit locations for the new ones been created, then no programs would have been broken by being installed on a 64-bit OS. Similarly, if the two string-y types' names were swapped, old Python code would tend to Just Work™ without needing to be rewritten.
> Indeed, if esr's Code of Merit is taking longer than expected (cause you know, he is actually engaged in contributing useful things to society and human kind as a whole, rather than having to waste his extremely valuable time in stating in writing things that all sane adults already abide by), this is something worth looking at: maybe to stick to any new (and existing) project
Yet another nice blog post (from LedgerSMB dev):
http://ledgersmbdev.blogspot.com/2016/01/on-contributor-codes-of-conduct-and.html
There are other changes in Python 3 than strings and bytes that would not necessarily mean Python 2 code "Just Works" in the new one. it's really a fundamental redesign of the language, and the removal of legacy baggage compared to the old. (I recall somewhere, however, the Python devs are less than impressed with the migration rate and Python 4 is highly unlikely to be incompatible with 3)
When redesigning the language, making it internally-consistent is perfectly good and fine.
I have some experience with this on a couple of string-intensive projects, e.g. astor and pdfrw. The most string-intensive is pdfrw, which can read and write and manipulate PDFs.
It was practically impossible to maintain a common codebase across 2 and 3 until the devs relented and added enough backward compatibility to 3.3. I don't even try to support 3.0 – 3.2.
From my perspective, the best thing to do is to do everything in native strings (which are essentially bytes on Python 2 and unicode on Python 3), and have conversions (or not) right at the file I/O layer.
This approach gives a 20% speed hit on Python 3, but it saves you from doing ugly and error-prone byte literals everywhere.
There is a project called six that theoretically allows you to write code that works in both versions. It uses a bit of voo-doo to wire itself into the interpreter, so now you really have 3 languages: Python 2, Python 3, and six. And potentially incompatible versions of six, used by different libraries.
Rather than all that, I use a fairly simple duck-typing style to handle 2 vs. 3 differences. E.g. for pdfrw, all the differences are incorporated here:
https://github.com/pmaupin/pdfrw/blob/master/pdfrw/py23_diffs.py
@Mike Swanson:
There are other changes in Python 3 than strings and bytes that would not necessarily mean Python 2 code "Just Works" in the new one.
True, but most of those are much easier to work around than the string issues.
it's really a fundamental redesign of the language, and the removal of legacy baggage compared to the old.
I wouldn't call it fundamental, except in the sense that there's a lot of purity testing going on. The designers obviously feel that there is no room in the universe for quasi-string/quasi-byte data (e.g. evaluate ('a' == b'a') in Python 2 and Python 3), and that doing what third graders expect is more important than reducing mental friction for professional programmers who work in multiple languages (e.g. evaluate (3 / 4)).
(I recall somewhere, however, the Python devs are less than impressed with the migration rate and Python 4 is highly unlikely to be incompatible with 3)
The mandatory changes in 3.0 were a big "Fuck you!" to third party library supporters. What the hell did they think was going to happen? Notice that they're still (slowly) fixing these fuckups — 3.5 now brings back the % string formatting operator, for example. The designers forgot or never learned the second part of Einstein's formulation that starts with "Things should be made as simple as possible".
There's consistency, and then there's "a foolish consistency" aka most lisp variants.
The silent trade: universal objective ethics in action
Wicked River: the movie


Brad Keselowski | Bristol Dirt Advance
Tuesday, Apr 12 690
First Practice – Friday, April 15 at 4:05 p.m. ET on FS1
Final Practice – Friday, April 15 at 6:35 p.m. ET on FS1
Heat Races – Saturday, April 16 at 6 p.m. ET on FS1, PRN, SiriusXM Channel 90
Feature Race – Sunday, April 17 at 7 p.m. ET on FOX, PRN, SiriusXM Channel 90
ADVANCE NOTES
Weekend Format
Heat races return for this weekend's dirt racing, with a random draw set to determine Saturday's heat race starting lineups.
Passing and finishing points from each heat race will determine lineups for Sunday night's feature race. Drivers will receive one point for each spot improved in their respective heat, with finishing points on a 10-9-8-7-6-5-4-3-2-1 scale.
Keselowski at Bristol Motor Speedway
In last year's inaugural dirt race at Bristol, Keselowski finished 11th after starting 20th.
Overall at Bristol Motor Speedway, Keselowski has three wins in 23 starts with a 16.8 average finish. He's finished top-10 in eight of those races, six of which were in the top five.
He most recently won the 2020 spring race after starting from the pole, and also won back-to-back races in the 2011 fall event and 2012 spring race.
Dating back the last four races on the concrete at Bristol, Keselowski has three finishes of sixth or better. Separately, he's led laps in 13 different Bristol events for 904 overall, his second-best effort among all tracks.
Keselowski also made 14 Xfinity starts at Bristol with one win and eight top-10s, and seven Truck starts with one win and three top-10s.
Josh Sell at Bristol Motor Speedway
Sell will be on the box for his fourth race as fill-in crew chief, as Matt McCall is set to return next weekend at Talladega.
Keselowski on racing at Bristol:
"This will be yet another interesting weekend with still a lot of unknowns as to how the track will be, how these Next Gen cars will manage, and how teams react to all those factors. Last year was all over the place with how the weather affected our weekend, so hoping for a good weekend in that area. We're going to give it our best shot, and glad to have Solomon Plumbing on the car with us for their first race."
Keselowski finished 17th last Saturday night at Martinsville in a race dominated by green-flag conditions.
On the Car
Solomon Plumbing makes its debut with RFK Racing this weekend on the Bristol Dirt as the primary for Keselowski's No. 6 Ford. The Michigan-based company specializes in plumbing and fire services for new development, construction and complete remodeling.
RKF PR
« McDowell Ready to Build on Strong Dirt Run Last Season Chris Buescher | Bristol Dirt Advance »


Best Boutique Hotels in Boston
A team of Oyster reporters spent weeks exploring 48 top hotels in Boston. We slept in the beds, ate in the restaurants, tested the service, and scoped out the neighborhoods, all with an eye toward selecting the most distinguished properties. Here's a list of our favorite boutique hotels.
See All Boston Hotels
XV Beacon
North End and Beacon Hill, Boston
Housed in a 1903 Beaux Arts building just down the street from Boston Common in the gorgeous, residential Beacon Hill neighborhood, the 60-room, 10-story XV Beacon (or, Fifteen Beacon) combines traditional elegance and period details like antique cage elevators with thoughtfully designed modern conveniences like a bedside panel to control the fireplace. But its the exquisite service -- including personalized business cards and homemade desserts waiting in the room upon arrival -- that puts it at the top of our list.
Eliot Hotel
Back Bay, Boston
Originally built in 1925 as a home for semiretired Harvard professors, this stately, Parisian-style boutique still shares a wall with the next-door Harvard Club and flaunts a kind of Boston Brahmin hauteur. But this is not a hotel trapped in the past. Rather, it's a successful study on how to marry the romance of an older hotel with the best of the 21st century -- chandeliers and French toile next to iHomes, flat-screen TVs, and touch-screens that allow you to order room service without picking up the phone. Dining options include both an award-winning French restaurant and a high-end sushi bar.
Hotel Commonwealth
The 148-room Commonwealth is one of those hotels that feels like it couldn't exist anywhere else -- it is the hotel embodiment of aristocratic Boston. The lobby is anchored by a huge central ottoman, and around it are low chairs and polished tables gilded with brass swans. It feels almost as if you've wandered past a velvet rope into a museum exhibit recreating an early American parlor; one might wonder whether you're even allowed to sit in the chairs. But under all those proper airs, the hotel is consistently comfortable, impressive, and bursting with modern conveniences, like plush pillow-top beds, large flat-screen TVs, quality in-room sound systems, and free movies, a Playstation 2, cell phone chargers, European plug adaptors, GPS systems, and yoga gear to borrow.
Copley Square Hotel
First opened in 1891, this 143-room hotel is the second-oldest operating hotel in the country, but $18 million in rebranding and renovations in 2008 transformed it into a much more modern boutique. It features sleek, contemporary (albeit small) rooms in relaxing tones of white, beige, and brown; free nightly wine receptions in the cozy, warmly lit lobby; and freebies like coffee, tea, and hot chocolate all day. It is easily the best hotel in its price category within walking distance of Newbury Street, the Hynes Convention Center, and the Boston Common.
The Liberty, a Luxury Collection Hotel, Boston
Occupying a former jail, the 298-room Liberty Hotel is truly unique, with a playful design that incorporates the incarceration theme in fun ways. The stunning lobby, comfortable rooms and quality on-site restaurants make this hotel a good choice -- but mediocre service and amenities keep it from being a great one.
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Bill Gates will invest $100M to fight dementia and Alzheimer's. Here's where the money will go.
Bill Gates, co-founder of Microsoft and the Bill and Melinda Gates Foundation, announced that he will invest $100 million in a venture capital fund and several start-ups working to fight dementia and Alzheimer's disease.
Build a cost-effective Alzheimer's disease and memory disorders program
According to CNN, Alzheimer's—the most common form of dementia—affects more than five million U.S. residents, costing an estimated $259 billion per year. There is currently no treatment for the disease, CNN reports, and if that continues, the number of U.S. residents affected by the disease is expected to increase to 16 million by 2050, at a cost of more than $1 trillion per year.
Everything you need to know about the neurosciences market
Gates said he decided to invest in Alzheimer's, and dementia more broadly, for both personal reasons and public health reasons. He said research into addressing and treating the disease has "gone slower than we all would have hoped," adding, "I know how awful it is to watch people you love struggle as the disease robs them of their mental capacity. ... It feels a lot like you're experiencing a gradual death of the person [whom] you knew."
After spending a year speaking with experts in the field, Gates said he identified five primary areas of need:
Identifying and diagnosing Alzheimer's earlier;
Easing the process of participating in clinical trials;
Investigating as many approaches as possible to fight the disease;
Learning more about how the disease progresses; and
Better utilizing data.
"My background at Microsoft and my (Gates) Foundation background say to me that a data-driven contribution might be an area where I can help add some value," Gates said.
Details of the investment
Gates said he will invest $50 million into the Dementia Discovery Fund, a venture capital fund aimed at discovering treatments for various forms of dementia, including Alzheimer's disease. The fund, established in 2015, is a public-private partnership that includes the United Kingdom government and several drugmakers, such as:
Biogen Idec;
Eli Lilly;
GlaxoSmithKline;
Johnson & Johnson; and
How to better manage dementia patients across the care continuum
According to Reuters, the drugmakers have already invested in at least nine different start-up companies that are researching how to block or reverse the processes that lead to dementia.
Gates said he plans to invest another $50 million in start-up companies that are working on "less mainstream" ways of treating various forms of dementia. However, Gates said he has not yet selected those organizations.
In addition, Gates said he wants to award a grant to build a global dementia data platform to help researchers identify patterns related to the disease and find possible treatment methods.
A personal investment
Gates said of his investments, "It'll take probably 10 years before new theories are tried enough times to give them a high chance of success. So it's very hard to hazard a guess (when an effective drug might be developed)." He added, "I hope that in the next 10 years that we have some powerful drugs, but it's possible that won't be achieved."
Separately, Jeremy Hughes, the CEO of the Alzheimer's Society, said Gates' "significant personal investment" is welcome and would not only help progress towards a cure for dementia, but help reduce the stigma around it. "With Bill Gates now joining all those already united against dementia, there is new hope for advances in the care and cure of dementia," he said (Kelland, Reuters, 11/13; Gupta, CNN, 11/13).
How to deliver cost-effective Alzheimer's care
Over 5.3 million Americans currently suffer from Alzheimer's disease and related memory disorders and the Alzheimer's Association predicts this number to triple to 13.8 million by 2050.
To learn more about how leading memory disorders programs are allocating their resources, download our brief Building a Financially Successful Alzheimer's Disease and Memory Disorders Program.
Get the Briefing
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bill-gates-dementia-donation


Browse back issues of The Atlantic from 1857 to present that have appeared on the Web. From September 1995 to the present, the archive is essentially complete, with the exception of a few articles, the online rights to which are held exclusively by the authors.
Search by year: 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996 1995 1994 1993 1992 1991 1990 1989 1988 1987 1986 1985 1984 1983 1982 1981 1980 1979 1978 1977 1976 1975 1974 1973 1972 1971 1970 1969 1968 1967 1966 1965 1964 1963 1962 1961 1960 1959 1958 1957 1956 1955 1954 1953 1952 1951 1950 1949 1948 1947 1946 1945 1944 1943 1942 1941 1940 1939 1938 1937 1936 1935 1934 1933 1932 1931 1930 1929 1928 1927 1926 1925 1924 1923 1922 1921 1920 1919 1918 1917 1916 1915 1914 1913 1912 1911 1910 1909 1908 1907 1906 1905 1904 1903 1902 1901 1900 1899 1898 1897 1896 1895 1894 1893 1892 1891 1890 1889 1888 1887 1886 1885 1884 1883 1882 1881 1880 1879 1878 1877 1876 1875 1874 1873 1872 1871 1870 1869 1868 1867 1866 1865 1864 1863 1862 1861 1860 1859 1858 1857
How data is changing hiring and firing, the quest to end the flu, John Kerry's aggressive diplomacy, how women change men, the worst year in history, and more
The 50 greatest breakthroughs since the wheel, the world's top inventors, the riddle of Amazon, Flannery O'Connor's fierce irony, the biology of war, and more
The case against high-school sports, the trouble with homework, the new terrorist training ground, how the NFL fleeces taxpayers, James Bond's inner life, and more
Fifty years after the assassination of John F. Kennedy, The Atlantic resurfaces some of its best journalism about the 35th president and his legacy. Read classic articles by Robert F. Kennedy, Eleanor Roosevelt, Walter Lippmann, new pieces by Bill Clinton and Robert Dallek—plus rarely seen images and documents.
How to think about drones, killers on Craigslist, the risks of being a workaholic, the courage of The Clash, and more
July/Aug 2013
The biggest ideas of 2013, why junk food is fat's greatest foe, the real baby deadline, and more
James Fallows on Jerry Brown's second chance. Plus: the mystery of the second skeleton, how gay couples are getting marriage right, the end of the retail salesperson, and more.
The world may never run out of oil—and the consequences could be dire. Plus: avoiding the worst parts of death, Henry Kissinger's statesmanship, reconsidering hair metal, and more.
Hanna Rosin on toddlers and iPads, Jeffrey Goldberg on the king of Jordan, James Fallows on life on Mars, our annual money report, and much more
How robots will make your doctor obsolete. Plus: The emancipation of Barack Obama, how to save kids from online bullies, why romantic comedies are so bad, and more.
How Wall Street could fail again, the dark side of anesthesia, how online dating is destroying marriage, Downton Abbey's ludicrous charm, and more.
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This Is How Democracy Dies
Yascha Mounk
Roberto Stefan Foa
A new report shows that people around the world are collectively losing faith in democratic systems.
Citizens in stable democracies are supposed to be satisfied with the democratic process. Individual politicians or administrations may be unpopular. But if the public lacks commitment to democratic principles, or loses faith in democratic institutions, demagogues and opportunists may brush these aside.
That's why we were concerned when, four years ago, we found that support for democracy in the United States, as well as many other countries around the world, was nearing dangerous lows. Some scholars saw evidence of a similar shift, while others disagreed. They maintained that the Western public remained reasonably content with democracy as a form of governance, and that there was little cause for panic.
Ben Curtis / AP
Worst Locust Swarms in Decades Hit East Africa
Ethiopia, Kenya, and Somalia are experiencing some of the largest desert-locust swarms they've seen in more than 25 years.
Hundreds of millions of desert locusts are swarming in Ethiopia, Kenya, and Somalia—some of the biggest numbers seen in more than 25 years. Unusually wet weather in the area toward the end of 2019 has contributed to the massive outbreak, driving an explosion of locusts that are destroying crops and threatening food security across the region. The United Nations Food and Agriculture Organization is requesting international assistance to combat the swarms, and warning of the potential for massive growth if they are left unchecked.
Seth Wenig / AP
Donald Down the Shore
John Hendrickson
The president refuses to believe that even New Jersey, a solidly blue Northeast state, is beyond his electoral grasp in 2020.
WILDWOOD, N.J.—President Donald Trump casually referred to his reelection campaign as "probably the greatest movement in history" last night. He told the several thousand rally-goers inside the Wildwoods Convention Center—and the scores more partying outside and watching a simulcast—that this country "has tremendous potential if we don't blow it." At one point, Trump warned that Democrats want to "close your factories" and "get rid of your cows." He conceded that there aren't many cows in this particular beach town.
Why did the president descend on the Jersey Shore in the dead of winter?
The waterslides of Morey's Piers loomed over the boardwalk, bone-dry. It was too early in the season for 18 holes of mini-golf. No enticing aromas wafted out of the Fudge Factory (though someone did hand out free samples outside the Fudge Kitchen). Why Jersey at all? Democrats have won the state in the past seven consecutive presidential contests. But Trump, the former Atlantic City casino boss, owed a guy a favor.
Diego Herculano / Redux
The Deceptively Simple Number Sparking Coronavirus Fears
Ed Yong
Here's what the oft-cited R0 number tells us about the new outbreak—and what it doesn't.
When a new disease emerges, health organizations turn to a seemingly simple number to gauge whether the outbreak will spread. It's called the basic reproduction number—R0, pronounced R-nought—and though useful for decision makers, it's a nightmare for public communication. In brief, R0 is the average number of people who will catch the disease from a single infected person, in a population that's never seen the disease before. If R0 is 3, then on average every case will create three new cases. But even though it seems incredibly straightforward, it's hard to calculate and tricky to interpret.
R0 is important because if it's greater than 1, the infection will probably keep spreading, and if it's less than 1, the outbreak will likely peter out. So it offers vital information to organizations and nations as they consider how to respond to an outbreak—such as the one the world is currently experiencing.
Myriam Wares
Cancel Earthworms
Julia Rosen
The "crazy worms" remaking forests aren't your friendly neighborhood garden worms. Then again, those aren't so great either.
On a sweltering July day, I follow Annise Dobson down an overgrown path into the heart of Seton Falls Park. It's a splotch of unruly forest, surrounded by the clamoring streets and cramped rowhouses of the Bronx. Broken glass, food wrappers, and condoms litter the ground. But Dobson, bounding ahead in khaki hiking pants with her blond ponytail swinging, appears unfazed. As I quickly learn, neither trash nor oppressive humidity nor ecological catastrophe can dampen her ample enthusiasm.
At the bottom of the hill, Dobson veers off the trail and stops in a shady clearing. This seems like a promising spot. She kicks away the dead oak leaves and tosses a square frame made of PVC pipe onto the damp earth. Then she unscrews a milk jug. It holds a pale yellow slurry of mustard powder and water that's completely benign—unless you're a worm.


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Between the flashing green and the flashing red light, a presence so mighty and enchanting, cannot be missed. Miseka Gaqa, in a long black dress and a statement isikhakha black and white doek of the AmaXhosa nation. Her fine tuned soprano voice effortlessly piercing through the bass, the trumpet horns, the drums and the keyboard. She sings, sikhalela umhlaba wethu (we are crying for our land) umhlaba wethu (our land), closer and more attentively listen to the message, you hear, a cry that vibrates and echoes from decades ago.
It is the year 2018, the band Iphupho L'ka Biko is rendering a coaxing song that houses a nation's cry from the very ground where its original composers have been laid to rest. This moment becomes a soundtrack accompanying the passages of text in this book under review.
Published in 2019 by Ditiro media, Transitions: From Post-colonial Illusions to Decoloniality is by South African essayist, poet, cultural worker and social critic, Mphutlane wa Bofelo, who takes on the role of a community member with the gift of hearing whispers from a realm beyond reach. Sent to awaken, educate and inform the community about the journey they've walked, how they've walked that journey and why they continue to cry at a time when their tears were supposed to be long wiped out with gold tissues. Reading the book brings an image of the community member standing on a stump where a sunland baobab tree once firmly stood and is committed to evoking a fire that will help the community see clearly and journey on, reclaiming what they've lost. In the text, Mphutlane employs dynamic voices, philosophy, theory and activist scholars from the broader black school of thought as his accomplices in order to point out post-colonial illusions and the road to conversations and acts around the subject of decoloniality.
Mphutlane has assembled five remarkable and lengthy essays offering deep critique on the experiences in and the current state of "post-apartheid" South Africa. Where black people have been let down. Where the earth is crumbling underneath them. Most importantly, the heart of the book houses the idea of decoloniality as the key to unlocking the brutality of the cycles we have been locked into due to the common odds that have been against us from apartheid to "post-apartheid". In between a thorough incorporation of theory that accompanies the criticality of these essays, Mphutlane, weaves in his own poetry and those of others. This weaving serves not only as interlude but also amplifies and supports the arguments and analysis that the essays unveil.
The first essay Memory and Being opens with a set of questions, probing different ideas of who black people are outside of what white power and what white supremacy has moulded as our reality and identification of self (as agency) and as a collective. How far back can we dig in our memories (recorded and archived history) to find an identity and way(s) of life, of being, that are not linked to white influence or colonial impositions. Mphutlane uses Africana Philosophy to propose that "formerly enslaved, colonised, oppressed and exploited cannot take control of their lives and shape their own destiny without critically interrogating, re-membering, de-constructing and reconstructing their past".
In this essay, Mphutlane is committed to honouring the importance of historical consciousness as an important concept towards embarking on a liberation project that has a clearer understanding of the position, identification, and realisation of black people's current state. Mphutlane critically challenges the "born free" phenomenon where according to him "black youth are assailed with the social rhetoric that urges them not to make reference to the apartheid past or its impact on their social realities". Here, the youth is romanticized as a generation that is born into freedom therefore, theirs is ostensibly a life filled with possibilities without limitation.
Applying the importance of historical consciousness, Mphutlane notes "This kind of mindset ignores the peculiar circumstances of black youth who are victims of intergenerational poverty, structural poverty and structural unemployment accrued from an economy characterized by disarticulation, enclave and the intersection between racial, class and gender inequalities". This essay on memory and being digs deeper into the challenges faced by young people. Those who occupy the street corners.
Those who have fallen into drugs and other substances as an escape from the pressures pinned on them within their community and society at large. Those who also find themselves in institutions but fall victim to being fed an education that strips them of their humanity.
In the second essay The Songs of Solomon Mphutlane maps out, in detail, the activities that have been at play in reconstructing history and memory of black people to disempower them. From laws that have protected and endorsed white power from apartheid to post-apartheid South Africa. To different tools such as the media's selling images, religion, and what education feeds the mind. Thus, subconsciously, tinting the memory of black people as inferior and uncivilised in order to continue oppressing them. Mphutlane substantiates the significance of the Black Consciousness perspective for "black people to interrogate their pre-colonial and colonial past and to critically examine the continuities and discontinuities of past conditions and traditions in the present and take their own decisions on what to discard and what to carry into the future".
Here, the approach becomes that black people must define and name themselves out of their own interpretations of their historical material, cultural, political, social and economic experiences in order to humanise and empower themselves.
In the essay Post-Apartheid or Neo-Apartheid? Mphutlane argues that even though there is the absence of patrolling police vans in the township and no obvious obligation that compels black people to carry identity documents as a marker of their existence in the country, the word 'democracy' masks new-age apartheid because even with the transitions, not much has actually changed.
This essay floats this argument through the reflections of young black South African poets who have lived through the tail-end of apartheid and have experienced "post-apartheid" South Africa first hand. Each of the eight poets interviewed by Mphutlane offers their opinion and their memory of the transition and how that has influenced the making of their art. In the following essay Being Black Twice Mputlane uses a similar approach where he brings in other voices to speak about their memory of apartheid and trace the steps they have walked in the supposedly new South Africa. This essay explores the historical consciousness of young black working women from different disciplines and the challenges they face in the workplace where a black woman's labour contribution is not compensated accordingly. Mphutlane explains that, "In the South African context, capitalist division of labour highly utilizes prevailing structures of racial segregation and patriarchy". In this case black women suffer oppression twice, first for being black and second, for being women. Apart from being confronted with religious, cultural and political struggles of policing women's bodies, the women in conversation with Mphutlane in this chapter have another commonality as they recollect their experiences, that these realities do not begin with them, they date back to when their mothers were working women under apartheid. This, a clear illustration that little, if anything has changed. The continuities are glaringly evident, obvious and everywhere to be seen, felt and lived (by black people).
The last essay Fallism and the dialectics of spontaneity and organization is the driving motor of the entire book. It ties together the arguments brought forward in the first four essays. In text-based illustrations, it proves that South African as a democratic dispensation is an illusion. It does this through paying homage to the principles and ideologies embedded in the Fallism movement in relation to the discourse of transformation in South Africa. This essay argues how the theme of decoloniality and transformation has been more pronounced in South African public discourse subsequent to and because of the Fallism movement. The essay also shows how the continuities between apartheid and "post/neo-apartheid" realities shape the political consciousness, ideological perspective and activism of the Fallism generation.
Mphutlane discusses "the practical reality of the connection between the social structures that oppress, exploit, de-humanise and discriminate against Black people, women, the gay, lesbian, bi-sexual, transgender and intersex (GLBTI) community, workers and disabled people raised awareness of the interconnection between racism, capitalism, patriarchy, homophobia, ableism etc".
He goes on to add, "What began as a call for the removal of the statue of Cecil John Rhodes at the University of Cape Town and the fight against fee increases at Universities birthed the exposure of the failure of the country to deal with issues of redress, restitution, restoration, reparation, redistribution and reconstruction as necessary prerequisites for genuine reconciliation and sustainable nation building".
In closing, the essay faithfully records the Fallism movement as a movement that has brought radical awakening and change in post-1994 South Africa. Mphutlane also unveils that the Fallism movement is a continuation of traditions of the Congress Movement, the Pan Africanist Movement and Black Consciousness Movements. As well as social movements that emerged in the 90s and counterculture BC-inspired movements such as the Blackwash movement, a movement that emerged in the early 2000s during a time when black people appeared to be grateful for the bare minimum. Blackwash dropped the proverbial bomb that "94 changed fokol".
In summary, Transitions is a documentation and thorough contextualisation of what went wrong in the negotiations of transitioning from apartheid to "post-apartheid". The text amplifies the voices, praxis and significance of a generation that cries for the land of their ancestors, still not in their possession in an era that has officially recorded in its state media "emancipation for all".


Kanaa Movie Download Free HD | Most Successful Cricket Movie By Tamil Cinema
Hanima Anand |Sep 29, 2020
The 2018 sports drama by Arunraja Kamaraj is the most successful cricket movie in Tamil cinema. The movie not only inspires female cricketers to pursue their dreams but also represent farmers' rights in India.
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Kanaa is written and directed by Arunraja Kamaraj under the production of Sivakarthikeyan. Not just a cricket movie in Tamil, Kanaa is an inspiring story for every daughter of Indian farmers. Besides Kanaa movie download for free below, we will also go through the movie plot and review from critics.
Kanaa is not just about cricket but also love and life.
Kanaa movie plot
Opening with the scene of the 2007 Cricket World Cup, the veteran actor Sathyaraj plays the role of a farmer named Murugesan watching the historic match with his daughter Kowsi (Aishwarya Rajesh). Witnessing the Indian team defeated by Sri Lanka, Murugesan gets his heart broken but tries to refrain from bursting into tears in front of Kowsi. However, the man couldn't hold it and cries the entire night that day.
Kowsi, the 11-year-old girl, then decides to take up cricket with the aim of winning the world cup for her father one day. Time passes by and the 14-year-old daughter has now joined local cricket games in T-shirts and trousers regardless of villagers' criticism.
Like any other female cricketers, Kowsi had to put aside others' criticism to achieve her goals.
Thanks to her hard work and full support from the father, Kowsi is chosen for the Indian female cricket team. She is appointed to the national cricket academy for further training. However, Kowsi encounters a number of difficulties here when she can't speak Hindi. At that time, Murugesan is also facing financial crisis at their hometown.
Things get better when the team has a new coach (Sivakarthikeyan) who knows how to unlock the potential for each member, including Kowsi. Realizing her bowling abilities, he decides to keep Kowsi as a surprise element in the semifinals.
The day Indian women cricket team competes with the strongest team Australia in the semifinal is also when Murugesan's house is taken by the bank for not being able to pay the debt. The news quickly came to Kowsi, making her feel bad for not staying with her father. How does this affect her spirit and will the Indian team make it to the final?
Let's spare those answers for Kanaa movie download isaimini that you will get below. If you have more time, take a look at the Kanaa movie review by critics and audience as well. Otherwise, you can find the link to download Kanaa movie for free after the trailer.
Kanaa | Official Trailer
Kanaa movie download in Tamil
The Kanaa full movie download in Tamil lasts for 145 minutes. The movie was released in December 2018 and also the directorial debut of Arunraja Kamaraj. The film has a remake in Telugu with Aishwarya and Sivakarthikeyan playing their respective roles.
When it comes to Kanaa movie review, most magazines and film critics spend good words to describe the Tamil sports film. Times of India generously scores Kanaa 3.5 out of 5 stars, referring it as a "crowd-pleasing sports movie" that not only inspires the audience with a female cricketer's life story but also integrates meaningful messages about farmers' issues.
Aishwarya Rajesh, the lead role, is praised for her excellent acting in the movie. Aishwarya won the Best Actress award from Zee Cine Awards Tamil as well as the Best Actress voted by Critics from the 66th Filmfare Awards for South Indian cinema. Her co-star Sathyaraj also won the Best Supporting Actor in the event.
The smoking hot Aishwarya plays a crucial role in making Kanaa movie download a Tamil blockbuster.
Meanwhile, Arunraja Kamaraj won the Best Debut Director from Zee. This paves the way for the talented director to have more quality cinematic projects in his career later on.
Among different criteria, Kanaa movie download gains the highest score in terms of its dialogues. To balance between the sports topic and other social issues, Arunraja Kamaraj has selected dialogues very carefully for each character. Other aspects such as direction, screenplay, and visual effects also gain encouraging marks from movie critics.
However, if you are looking forward to something fun, Kanaa movie download in tamilrockers might not be in your to-watch list.
All in all, Kanaa movie download movierulz is a worth-watching sports drama for Tamil cinema fans. Should you want more cricket inspired films in other languages, please check the Top 15 Cricketers Movies by Bollywood, collected by Starbiz.com.
>>> Also check: Free Tamil Movies Download Websites Bring You The Best Quality
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Peter van der Woude
I'm Peter van der Woude, born In 1983 and I'm living together with my wife and two sons in the Netherlands. Currently I work for KPN ICT Consulting. At this moment my main focus is Enterprise Client Management via Microsoft Intune and/ or System Center Configuration Manager (ConfigMgr 2007/ 2012/ CB) and I love it! Since July 2015 I'm awarded with the Microsoft MVP award for Enterprise Mobility. Really proud and honored to have this award.
February 6, 2023 February 6, 2023 by Peter van der Woude
This week is all about a nice small new feature that became general available with the latest service release of Microsoft Intune (2301). That feature is enrollment notification. Enrollment notifications provide organizations with an easy method to notify users when a new device is enrolled. That provides organizations with more grip on the devices that are enrolled within the environment, as users will be informed when a new device was enrolled using their credentials. Besides that, it also provides organizations with an alternative method to welcome employees. In other words, a great way to trigger users. Enrollment notifications can be used for Windows, Android, iOS/iPadOS, and MacOS devices that are enrolled by using the user-driven enrollment methods. The notifications can be email notifications and push …
January 30, 2023 January 30, 2023 by Peter van der Woude
This week is all about managing privacy controls for Office products. That includes Office on Android devices, Office on iOS devices, Office for Mac devices, Office for the web, and Microsoft 365 apps for enterprise on Windows devices. Most organizations often already have a good look at the required configurations options for the privacy controls on Windows devices. Office for other platforms, however, are often forgotten. Just like Office for the web. Good thing, though, is that there are nowadays multiple privacy controls available that can be configured for Office on all platforms. For some platforms there are even multiple configurations options. Best part of those configuration options is that there is also an option to configure the privacy controls cross platforms. This post will …
This week is all about a nice new feature of Microsoft Intune. That new feature is multiple administrative approval (MAA). MAA enables organizations to require a second administrative user to approve a change before the change is actually applied. That limits the chance of accidental mistakes and even helps with the protection against compromised administrative accounts. With MAA, the most breaking and impactful changes can be protected. At this moment that includes specific resources, like apps and scripts. Changes to those resources can protected with MAA. That protection can be created by using Access policies. Access policies can be configured to protect specific resources with MAA. This post will go through the steps to configure those policies, followed with the behavior that those policies introduce. …
January 17, 2023 by Peter van der Woude
Yes! Another year! Last night I received that great email stating that I'm re-awarded as Windows Insider MVP! Even though it's not exactly at the beginning of the year anymore, it's still a great feeling and still an awesome way to start the new year! I feel really proud, honored and privileged to be awarded with my fifth Windows Insider MVP award and to already been holding the Microsoft MVP (Enterprise Mobility) award for eight years! Just awesome! No other words. Of course none of this would be possible without the support of my great family! I love them and couldn't do this without their support! With their support, I'm ready for another awesome year!
This week another short blog post about another nice configuration addition to Windows. This time it's about configuring Shared PC mode with OneDrive sync. Shared PC mode on itself is nothing new, or special, but there was something missing. That something was the OneDrive sync, as there are scenarios in which it's still required to use OneDrive on a Shared PC. The default behavior of Windows, however, was to prevent the usage of OneDrive, once Shared PC mode was enabled. That's still the case but starting with Windows 11 version 22H2 a new setting is introduced that enables IT administrators to enable Shared PC mode with OneDrive sync enabled. A new setting to enabled Shared PC mode. This post will start with a short introduction …
Easier configuring additional LSA protection
January 9, 2023 January 9, 2023 by Peter van der Woude
This week another short blog post about another nice configuration addition to Windows. This time it's about configuring additional Local Security Authority (LSA) protection for credentials. LSA, which includes the Local Security Authority Server Service (LSASS) process, validates users for local and remote sign-ins and enforces local security policies. Starting with Windows 8.1 and later, additional protection is provided for the LSA, to prevent reading memory and code injection by non-protected processes. That provides added security for the credentials that LSA stores and manages. Not really something new, but it's good to know that something has changed from a configuration perspective. The protected process setting for LSA can also be configured in Windows 8.1 and later. That would, however, always require the manual creation of a …
Automatically switching the Windows Firewall profile on Azure AD joined devices
This new year starts with short blog post about another nice configuration addition to Windows. Starting with the latest release of Windows 11, it's now possible to make the Windows Firewall aware of the location of the device. That maybe sounds a bit more than what it actually is. The idea is that it enables Windows to check if it's on a domain connected network, based on the accessibility of one or more URLs. When one of the URLs is available, Windows will switch the Windows Firewall profile to domain. When none of the URLs are available, Windows will work how it always worked and in general simply rely on the public profile. That behavior enables IT administrators to configure specific firewall exclusions, only when …
Configuring Windows Package Manager
January 31, 2023 December 19, 2022 by Peter van der Woude
This week is all about configuring Windows Package Manager. With the ability of standard users installing apps by using winget and with release of the new Microsoft Store apps within Microsoft Intune, the configuration of Windows Package Manager gets more and more important. Of course, it was already important to have a solid configuration, but with Windows Package Manager getting a more prominent role, a good configuration is required. The good thing is that with the introduction of Windows 11, version 22H2, Microsoft also introduced new configuration options for Windows Package Manager. Before, the configuration was limited to Group Policy settings and the settings.json file. Now there are also Configuration Service Provider (CSP) settings. The Policy CSP now contains nodes for the configuration of the …
Test Base for Microsoft 365 integration with Microsoft Intune
December 12, 2022 December 12, 2022 by Peter van der Woude
This week is all about the Test Base for Microsoft 365 (Test Base) integration with Microsoft Intune. About a year ago Test Base was also a subject on this blog. Back then it was focused on getting started with Test Base. In the meantime, a lot has changed. And changed in a good way. Some really nice features were added, and one of those features is the integration with Microsoft Intune. As one of the focus areas of Test Base is on IT professionals who want to validate their applications, that integration will make their lives a lot easier. That integration will simplify the creation of a package within the Test Base account. It will preconfigure values during the creation of a package. Of those …
Organizing Managed Google Play apps with collections
December 5, 2022 December 5, 2022 by Peter van der Woude
This week is all about a smaller newly introduced feature regarding Android Enterprise. A feature that helps with organizing the Managed Google Play apps within the Managed Google Play store. When structure and details are important, this is that sweet little detail that makes it perfect. Starting with the latest service release of Microsoft Intune (service release 2211), there is now support for organizing apps within the Managed Google Play store by using collections. Collections are shown on the front page of the Managed Google Play store and provide users with easy access to the required apps. Collections can be used to organize apps in different categories. Custom categories. It's completely up to the IT administrator to create collections, to name collections, to add apps …


Tag Archives: the panic room
Album Review – Eleine / Dancing In Hell (2020)
The time has come for us all to dance in the fires of hell to the sound of the striking new opus by this unstoppable Swedish Symphonic Metal group.
My dear metalheads, if you haven't taken a listen yet at any of the songs from Dancing In Hell, the brand new opus by Landskrona, Sweden-based Symphonic Metal unity Eleine, I highly recommend you do so as soon as possible and get ready to be absolutely stunned by frontwoman Madeleine "Eleine" Liljestam, guitarist Rikard Ekberg, bassist Anton Helgesson and Jesper Sunnhagen throughout the 50 minutes of first-class, undisputed music found in what's most probably the best Symphonic Metal album of 2020. With Dancing In Hell, the follow-up to their awesome 2019 EP All Shall Burn, Eleine sound even more powerful, beautiful and unique than in their previous releases, taking a natural step into darker and heavier sounds and setting a new standard within the symphonic genre with hard-hitting, melodic and seductive metal hymns. Written and produced by Rikard and Madeleine, mixed, mastered and co-recorded by Thomas "Plec" Johansson at The Panic Room, and featuring another incendiary and sexy artwork by Néstor Ávalos, the album brings forward stories of inner demons, strength and loss, all embraced by majestic passages, heavy-as-hell riffs and the always sharp and hypnotizing voice of the one and only Madeleine.
Eleine kick off their amazing album with Enemies, originally released in their incendiary 2019 EP, and I won't repeat myself and say how awesome this tune is. Simply enjoy all of its power and epicness, which is also the case in the title-track Dancing in Hell, one of the band's heaviest compositions since their inception, offering our ears a massive wall of sounds boosted by symphonic elements with Jesper being unstoppable on drums, while Eleine embellishes the airwaves with her piercing vocals as usual. Then in Ava of Death we're treated to in-your-face words beautifully declaimed by Eleine ("We will not forgive / Nor will we forget / The willful deceit that spread / Your future is dark / Soon filled with regret") while Rikard and Anton slash their stringed weapons in a true headbanging mode, whereas it's time to go full symphonic and epic in Crawl from the Ashes, with Jesper dictating the song's imposing rhythm while Rikard continues to add the word "metal" to the overall musicality. And Eleine kidnaps our senses once again in As I Breathe, giving life to the song's dark lyrics ("Have you no eyes at all / You're standing against your own kind / Sickness from mind and heart / Eating flesh of those who risk it all / We'll rise / You'll fall / We run / You crawl") while her bandmates fire a crisp fusion of Symphonic, Melodic and Groove Metal.
Anton takes the lead with his rumbling, metallic bass jabs in Memoriam, a mid-tempo symphonic tune tailored for admirers of the music by bands like Epica and Nightwish where all background elements only make the song even more thrilling and vibrant, followed by Where Your Rotting Corpse Lie (W.Y.R.C.L.), almost six minutes of grandiose metal music for our total delight where Rikard is not only bestial with his flammable riffs but also with his sick, deep guttural, while Jesper keeps the atmosphere heavy and dense with his unstoppable drums. All Shall Burn is the second song from their 2019 EP, and once again there's nothing else to say about such amazing and imposing tune, whereas Die from Within is a lot more melodic than its predecessors, with Rikard sounding astounding on the guitar while Eleine brings her touch of finesse and passion to this metallic Opera-inspired tune, showcasing a beautiful paradox between her angelical voice and Rikard's harsh roars. Lastly, after the serene and melancholic piano interlude The World We Knew, the band offers us all a cinematic and symphonic version for Die from Within, even more enfolding than the original one, with Eleine displaying all her vocal potency, therefore having an absolutely passionate performance supported by all the song's booming orchestrations.
As already mentioned in the beginning of this review, Eleine are absolutely majestic throughout the entire Dancing In Hell, not only perfectly representing all the magic, epicness and feeling of classic Symphonic Metal in each of the album's 11 tracks, but also sounding fresh and distinguished in a genre that's considered already saturated by many critics and fans from all over the world. If you don't believe me, you'll have to wait a few more days to be undoubtedly surprised by Madeleine, Rikard & Co. when Dancing In Hell is officially released, but until then you can obviously take a look at what the band's up to on Facebook and on Instagram, watch all of their astonishing official videos (including all the singles already released from their new album) on YouTube, stream more of their music on Spotify and, above all, purchase a copy or select your favorite streaming version of the album by clicking HERE or HERE, as well as buy a great selection of music, tees, prints and accessories from their own webstore. The time has come for us all to dance in the scorching fires of hell, and there's nothing better than Eleine's striking new album to serve as our devilish soundtrack to that.
Best moments of the album: Enemies, Dancing in Hell, As I Breathe and Where Your Rotting Corpse Lie (W.Y.R.C.L.).
Released in 2020 Black Lodge Records
1. Enemies 5:22
2. Dancing in Hell 5:06
3. Ava of Death 4:06
4. Crawl from the Ashes 4:02
5. As I Breathe 3:56
6. Memoriam 6:15
7. Where Your Rotting Corpse Lie (W.Y.R.C.L.) 5:55
8. All Shall Burn 4:21
9. Die from Within 4:38
10. The World We Knew 1:35
11. Die from Within (Symphonic Version) 4:34
Madeleine "Eleine" Liljestam – vocals
Rikard Ekberg – guitar, growls, vocals
Anton Helgesson – bass
Jesper Sunnhagen – drums
Posted in 2020 New Releases	| Tagged all shall burn, all shall burn ep, anton helgesson, as i breathe, ava of death, black lodge records, dancing in hell, eleine, enemies, groove metal, jesper sunnhagen, landskrona, madeleine "eleine" liljestam, madeleine liljestam, melodic metal, néstor ávalos, opera, rikard ekberg, sweden, symphonic metal, the panic room, thomas "plec" johansson	| 1 Reply
Album Review – My Dear Addiction / Kill The Silence (2016)
This electric Swedish act is back and absolutely psyched up to kill the silence with more of their dynamic and melodic Metalcore.
Hailing from the city of Älmhult, Sweden, around 500km southwest of the capital Stockholm (by the way, it was in Älmhult that the first IKEA store was built), the competent Melodic Metalcore five-piece band My Dear Addiction is back in action with their second full-length album, entitled Kill The Silence. And I might add that silence is the only thing you'll definitely not find in this storm of ten high-speed and intense tunes thoroughly put together by this electric Swedish act.
With over a decade of experience, having released their debut album New Blood back in 2010 and having already played alongside bands such as Scar Symmetry and Dead By April over the years, My Dear Addiction returned to The Panic Room, the same studio where their first album was born in Sweden, to record Kill The Silence. Featuring a subtly dark artwork by Carl Blekkmark, from Blekkmark Design Studio (who has already worked with renowned artists such as Yngwie Malmsteen, Richie Sambora, Paul McCartney and Stephen King), Kill The Silence has everything Metalcore fans can expect from an album, delivering a strong message through each and every song.
The atmospheric and modern title-track Kill the Silence ignites the album by blending American Metalcore with the Gothenburg sound, with lead singer Kim Lindstén providing a good balance between clean vocals and harsh screams. A Promise is a lot heavier than the opening track thanks to the ferocious riffs by guitarists Christoffer Holm and Ludvig Blaesild, which add a lot of fuel to this excellent Melodic Death Metal tune; whereas in the upbeat chant Winners, drummer Peter Parkeborn pounds his drums mercilessly while Kim delivers a solid performance enhanced by the positive message from the song's lyrics.
Beautiful is another great display of contemporary Metalcore, with its cheerful lyrics ("You are beautiful for what you are / Eyes will see / This will reach their heart / This is the song for a new start") getting even more expressive due to the song's background effects and powerful guitar lines. But it's when those Swedes get faster and heavier that their music gains some considerable punch, which is the case in the thrilling Unbreakable, a song to bang your head and slam into the pit with your friends. As expected from any European band, they have a strong and noticeable melodic vein feeding their music, with the guitars by Christoffer and Ludvig burning bright and leading that harmonious torrent.
Very melodic and with lots of breaks and variations, Always Around You sounds like a more progressive version of Metalcore, with bassist Johannes Nordigårds smashing his chords and consequently increasing the song's impact, followed by All White, which despite losing some of its grip after a while is pretty decent in the end anyway. Furthermore, I'm not sure who's responsible for the keyboards in the entire album, but he or she does an amazing job crafting a metallic and eerie ambience in almost all songs.
Veins, the shortest of all tracks, offers the listener the sheer violence found in Melodic Death Metal with smoother passages from Metalcore, especially in regards to the vocal lines by Kim, which should work pretty well if played live. And Face It and Rewind, although weaker than most tracks of the album, still presents solid guitar lines and sharp beats that prevent it from letting the energy level go down in Kill the Silence. Last but not least, Our Fire Inside has a Linkin Park-ish vibe in the beginning that suddenly morphs into heavy and aggressive Metalcore with some futuristic elements added to it, with highlights to its rhythm and groove, perfect for some crazy headbanging.
If you're a diehard Metalcore fan, I truly recommend you go after the work by My Dear Addiction, either by getting in touch with them through their Facebook page or by enjoying their music through their YouTube channel. And you can obviously purchase Kill the Silence, available for streaming in its entirety HERE, at their official BandCamp page, on iTunes, on Amazon, and several other locations. Luckily for all of us, My Dear Addiction is not just back with a brand new album, but absolutely psyched up to kill the silence with more of their dynamic and melodic Metalcore.
Best moments of the album: A Promise, Winners and Unbreakable.
Worst moments of the album: All White and Face It and Rewind.
Released in 2016 Dead End Exit Records
1. Kill the Silence 3:51
2. A Promise 3:38
3. Winners 3:17
4. Beautiful 3:31
5. Unbreakable 3:00
6. Always Around You 4:00
7. All White 3:57
8. Veins 2:42
9. Face It and Rewind 3:53
10. Our Fire Inside 4:24
Kim Lindstén – vocals
Christoffer Holm – guitar
Ludvig Blaesild – guitar
Johannes Nordigårds – bass
Peter Parkeborn – drums
Posted in 2016 New Releases	| Tagged a promise, älmhult, beautiful, blekkmark design studio, carl blekkmark, christoffer holm, dead end exit records, johannes nordigårds, kill the silence, kim lindstén, ludvig blaesild, melodic death metal, melodic metalcore, metalcore, my dear addiction, peter parkeborn, sweden, the panic room, unbreakable, winners	| Leave a reply