Update README.md
Browse files
README.md
CHANGED
|
@@ -31,7 +31,7 @@ Some Caveats
|
|
| 31 |
|
| 32 |
- Please include the "START" token at the beginning of your prompt to maximize model performances
|
| 33 |
- Some chords are not in the vocabulary, but they always have an enharmonic equivalent (There is no C#M but a DbM). If the tokenizer can't parse your chord consider changing it by the enharmonic equivalent
|
| 34 |
-
- We only support M (major), m (minor), 7 (seventh dominant chords), M7 (Major with major seventh), m7 (minor with minor sevenths), m7b5 (half diminished chords), dim (diminished triad), dim7 (diminished seventh chord), aug (augmented chord)
|
| 35 |
- We don't support other chord extensions, if you are interested by an extended model please contact me
|
| 36 |
- We support all inversions of the chord using the / notation (eg : CM/E is a C major chord over bass of E). We currently don't support bass note that does not belong to the chord (DM/C will lead to an error, use D7/C)
|
| 37 |
- It does not focus on harmonic ryhthm, only chord progression
|
|
|
|
| 31 |
|
| 32 |
- Please include the "START" token at the beginning of your prompt to maximize model performances
|
| 33 |
- Some chords are not in the vocabulary, but they always have an enharmonic equivalent (There is no C#M but a DbM). If the tokenizer can't parse your chord consider changing it by the enharmonic equivalent
|
| 34 |
+
- We only support M (major), m (minor), 7 (seventh dominant chords), M7 (Major with major seventh), m7 (minor with minor sevenths), m7b5 (half diminished chords), dim (diminished triad), o (also called dim7) (diminished seventh chord), aug (augmented chord)
|
| 35 |
- We don't support other chord extensions, if you are interested by an extended model please contact me
|
| 36 |
- We support all inversions of the chord using the / notation (eg : CM/E is a C major chord over bass of E). We currently don't support bass note that does not belong to the chord (DM/C will lead to an error, use D7/C)
|
| 37 |
- It does not focus on harmonic ryhthm, only chord progression
|