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LICENSE.TXT

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+LibriSpeech (c) 2014 by Vassil Panayotov
+
+LibriSpeech ASR corpus is licensed under a
+Creative Commons Attribution 4.0 International License.
+
+See <http://creativecommons.org/licenses/by/4.0/>.

README.TXT

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+1. General information
+======================
+
+LibriSpeech is a corpus of read speech, based on LibriVox's public domain
+audio books. Its purpose is to enable the training and testing of automatic
+speech recognition(ASR) systems. 
+
+
+2. Structure
+============
+
+The corpus is split into several parts to enable users to selectively download
+subsets of it, according to their needs. The subsets with "clean" in their name
+are supposedly "cleaner"(at least on average), than the rest of the audio and
+US English accented. That classification was obtained using very crude automated 
+means, and should not be considered completely reliable. The subsets are
+disjoint, i.e. the audio of each speaker is assigned to exactly one subset.
+
+The parts of the corpus are as follows:
+
+* dev-clean, test-clean - development and test set containing "clean" speech.
+* train-clean-100 - training set, of approximately 100 hours of "clean" speech
+* train-clean-360 - training set, of approximately 360 hours of "clean" speech
+* dev-other, test-other - development and test set, with speech which was 
+                          automatically selected to be more "challenging" to
+                          recognize
+* train-other-500 - training set of approximately 500 hours containing speech
+                    that was not classified as "clean", for some (possibly wrong)
+                    reason
+* intro - subset containing only the LibriVox's intro disclaimers for some of the
+          readers.
+* mp3 - the original MP3-encoded audio on which the corpus is based
+* texts - the original Project Gutenberg texts on which the reference transcripts
+          for the utterances in the corpus are based.
+* raw_metadata - SQLite databases which record various pieces of information about 
+                 the source text/audio materials used, and the alignment process.
+                 (mostly for completeness - probably not very interesting or useful)
+
+2.1 Organization of the training and test subsets
+-------------------------------------------------
+
+When extracted, each of the {dev,test,train} sets re-creates LibriSpeech's root
+directory, containing some metadata, and a dedicated subdirectory for the subset
+itself. The audio for each individual speaker is stored under a dedicated 
+subdirectory in the subset's directory, and each audio chapter read by this
+speaker is stored in separate subsubdirectory. The following ASCII diagram 
+depicts the directory structure:
+
+
+<corpus root>
+    |
+    .- README.TXT
+    |
+    .- READERS.TXT
+    |
+    .- CHAPTERS.TXT
+    |
+    .- BOOKS.TXT
+    |
+    .- train-clean-100/
+                   |
+                   .- 19/
+                       |
+                       .- 198/
+                       |    |
+                       |    .- 19-198.trans.txt
+                       |    |    
+                       |    .- 19-198-0001.flac
+                       |    |
+                       |    .- 14-208-0002.flac
+                       |    |
+                       |    ...
+                       |
+                       .- 227/
+                            | ...
+
+
+
+, where 19 is the ID of the reader, and 198 and 227 are the IDs of the chapters
+read by this speaker. The *.trans.txt files contain the transcripts for each
+of the utterances, derived from the respective chapter and the FLAC files contain
+the audio itself.
+
+The main metainfo about the speech is listed in the READERS and the CHAPTERS:
+
+- READERS.TXT contains information about speaker's gender and total amount of
+  audio in the corpus.
+
+- CHAPTERS.TXT has information about the per-chapter audio durations.
+
+The file BOOKS.TXT makes contains the title for each book, whose text is used in
+the corpus, and its Project Gutenberg ID.
+
+2.2 Organization of the "intro-disclaimers" subset
+--------------------------------------------------
+
+This part of the data contains simply the LibriVox's intro disclaimers that were
+successfully extracted, using a slight modification of the alignment algorithms
+used to derive the test training sets. The standard LibriVox disclaimer is:
+
+"This is a LibriVox recording. All LibriVox recordings are in the public domain. 
+ For more information, or to volunteer, please visit: librivox DOT org"
+
+As is the case for the training and test sets, there is one subdirectory for
+each reader, and a subsubdirectory for each of the chapters, read by this speaker
+for which the announcement was successfully extracted.
+
+
+2.3 Organization of the "original-mp3" subset
+---------------------------------------------
+
+This part contains the original MP3-compressed recordings as downloaded from the
+Internet Archive. It is intended to serve as a secure reference "snapshot" for 
+the original audio chapters, but also to preserve (most of) the information both
+about audio, selected for the corpus, and audio that was discarded. I decided to
+try make the corpus relatively balanced in terms of per-speaker durations, so
+part of the audio available for some of the speakers was discarded. Also for the
+speakers in the training sets, only up to 10 minutes of audio is used, to 
+introduce more speaker diversity during evaluation time. There should be enough 
+information in the "mp3" subset to enable the re-cutting of an extended 
+"LibriSpeech+" corpus, containing around 150 extra hours of speech, if needed.
+
+The directory hierarchy follows the already familiar pattern. In each
+speaker directory there is a file named "utterance_map" which list for each
+of the utterances in the corpus, the original "raw" aligned utterance.
+In the "header" of that file there are also 2 lines, that show if the
+sentence-aware segmentation was used in the LibriSpeech corpus(i.e. if the
+reader is assigned to a test set) and the maximum allowed duration for
+the set to which this speaker was assigned.
+
+Then in the chapter directory, besides the original audio chapter .mp3 file,
+there are two sets of ".seg.txt" and ".trans.txt" files. The former contain
+the time range(in seconds) for each of the original(that I called "raw" above)
+utterances. The latter contains the respective transcriptions. There are two
+sets for the two possible segmentations of each chapter. The ".sents"
+segmentation is "sentence-aware", that is, we only split on silence intervals 
+coinciding with (automatically obtained) sentence boundaries in the text.
+The other segmentation was derived by allowing splitting on every silence
+interval longer than 300ms, which leads to better utilization of the aligned
+audio.
+
+2.4 Organization of the "text" subset
+-------------------------------------
+
+This part just contains one subdirectory, with name equal to the ID of the
+text in Project Gutenberg's database, for each book. The books are also
+separated in directories by their encoding-- could be either ASCII or UTF-8.
+The sole purpose of this subset is to be a permanent snapshot of the original
+text used for LibriSpeech's construction.
+
+
+2.5 Organization of the "raw-metadata" part
+-------------------------------------------
+
+Contains just few SQLite databases. Some of the more important bits of
+information from this tables are described in the README file within
+the "raw_data" subdirectory.
+
+
+Acknowledgments
+===============
+
+First and foremost, I would like to thank the thousands of Project Gutenberg
+and LibriVox volunteers, without whose contributions the LibriSpeech corpus 
+would not have existed.
+The successful completion of this project would have been much more difficult,
+and the quality of the finished corpus much worse, if it wasn't for the
+generous support and the many helpful advice, provided by Daniel Povey - thanks, Dan!
+I would also like to express my gratitude to Tony Robinson, for the very
+interesting, and useful discussions on the long audio alignment problem, that
+we had some time ago.
+Thanks also to Guoguo Chen and Sanjeev Khudanpur, with whom we are collaborating
+on a (yet-to-be-published) paper on the corpus, and who helped to improve
+the LibriSpeech's example scripts in Kaldi.
+
+---
+Vassil Panayotov,
+Oct. 2, 2014 

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+1272-128104-0000 MISTER QUILTER IS THE APOSTLE OF THE MIDDLE CLASSES AND WE ARE GLAD TO WELCOME HIS GOSPEL
+1272-128104-0001 NOR IS MISTER QUILTER'S MANNER LESS INTERESTING THAN HIS MATTER
+1272-128104-0002 HE TELLS US THAT AT THIS FESTIVE SEASON OF THE YEAR WITH CHRISTMAS AND ROAST BEEF LOOMING BEFORE US SIMILES DRAWN FROM EATING AND ITS RESULTS OCCUR MOST READILY TO THE MIND
+1272-128104-0003 HE HAS GRAVE DOUBTS WHETHER SIR FREDERICK LEIGHTON'S WORK IS REALLY GREEK AFTER ALL AND CAN DISCOVER IN IT BUT LITTLE OF ROCKY ITHACA
+1272-128104-0004 LINNELL'S PICTURES ARE A SORT OF UP GUARDS AND AT EM PAINTINGS AND MASON'S EXQUISITE IDYLLS ARE AS NATIONAL AS A JINGO POEM MISTER BIRKET FOSTER'S LANDSCAPES SMILE AT ONE MUCH IN THE SAME WAY THAT MISTER CARKER USED TO FLASH HIS TEETH AND MISTER JOHN COLLIER GIVES HIS SITTER A CHEERFUL SLAP ON THE BACK BEFORE HE SAYS LIKE A SHAMPOOER IN A TURKISH BATH NEXT MAN
+1272-128104-0005 IT IS OBVIOUSLY UNNECESSARY FOR US TO POINT OUT HOW LUMINOUS THESE CRITICISMS ARE HOW DELICATE IN EXPRESSION
+1272-128104-0006 ON THE GENERAL PRINCIPLES OF ART MISTER QUILTER WRITES WITH EQUAL LUCIDITY
+1272-128104-0007 PAINTING HE TELLS US IS OF A DIFFERENT QUALITY TO MATHEMATICS AND FINISH IN ART IS ADDING MORE FACT
+1272-128104-0008 AS FOR ETCHINGS THEY ARE OF TWO KINDS BRITISH AND FOREIGN
+1272-128104-0009 HE LAMENTS MOST BITTERLY THE DIVORCE THAT HAS BEEN MADE BETWEEN DECORATIVE ART AND WHAT WE USUALLY CALL PICTURES MAKES THE CUSTOMARY APPEAL TO THE LAST JUDGMENT AND REMINDS US THAT IN THE GREAT DAYS OF ART MICHAEL ANGELO WAS THE FURNISHING UPHOLSTERER
+1272-128104-0010 NEAR THE FIRE AND THE ORNAMENTS FRED BROUGHT HOME FROM INDIA ON THE MANTEL BOARD
+1272-128104-0011 IN FACT HE IS QUITE SEVERE ON MISTER RUSKIN FOR NOT RECOGNISING THAT A PICTURE SHOULD DENOTE THE FRAILTY OF MAN AND REMARKS WITH PLEASING COURTESY AND FELICITOUS GRACE THAT MANY PHASES OF FEELING
+1272-128104-0012 ONLY UNFORTUNATELY HIS OWN WORK NEVER DOES GET GOOD
+1272-128104-0013 MISTER QUILTER HAS MISSED HIS CHANCE FOR HE HAS FAILED EVEN TO MAKE HIMSELF THE TUPPER OF PAINTING
+1272-128104-0014 BY HARRY QUILTER M A

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+1272-135031-0000 BECAUSE YOU WERE SLEEPING INSTEAD OF CONQUERING THE LOVELY ROSE PRINCESS HAS BECOME A FIDDLE WITHOUT A BOW WHILE POOR SHAGGY SITS THERE A COOING DOVE
+1272-135031-0001 HE HAS GONE AND GONE FOR GOOD ANSWERED POLYCHROME WHO HAD MANAGED TO SQUEEZE INTO THE ROOM BESIDE THE DRAGON AND HAD WITNESSED THE OCCURRENCES WITH MUCH INTEREST
+1272-135031-0002 I HAVE REMAINED A PRISONER ONLY BECAUSE I WISHED TO BE ONE AND WITH THIS HE STEPPED FORWARD AND BURST THE STOUT CHAINS AS EASILY AS IF THEY HAD BEEN THREADS
+1272-135031-0003 THE LITTLE GIRL HAD BEEN ASLEEP BUT SHE HEARD THE RAPS AND OPENED THE DOOR
+1272-135031-0004 THE KING HAS FLED IN DISGRACE AND YOUR FRIENDS ARE ASKING FOR YOU
+1272-135031-0005 I BEGGED RUGGEDO LONG AGO TO SEND HIM AWAY BUT HE WOULD NOT DO SO
+1272-135031-0006 I ALSO OFFERED TO HELP YOUR BROTHER TO ESCAPE BUT HE WOULD NOT GO
+1272-135031-0007 HE EATS AND SLEEPS VERY STEADILY REPLIED THE NEW KING
+1272-135031-0008 I HOPE HE DOESN'T WORK TOO HARD SAID SHAGGY
+1272-135031-0009 HE DOESN'T WORK AT ALL
+1272-135031-0010 IN FACT THERE IS NOTHING HE CAN DO IN THESE DOMINIONS AS WELL AS OUR NOMES WHOSE NUMBERS ARE SO GREAT THAT IT WORRIES US TO KEEP THEM ALL BUSY
+1272-135031-0011 NOT EXACTLY RETURNED KALIKO
+1272-135031-0012 WHERE IS MY BROTHER NOW
+1272-135031-0013 INQUIRED SHAGGY IN THE METAL FOREST
+1272-135031-0014 WHERE IS THAT
+1272-135031-0015 THE METAL FOREST IS IN THE GREAT DOMED CAVERN THE LARGEST IN ALL OUR DOMINIONS REPLIED KALIKO
+1272-135031-0016 KALIKO HESITATED
+1272-135031-0017 HOWEVER IF WE LOOK SHARP WE MAY BE ABLE TO DISCOVER ONE OF THESE SECRET WAYS
+1272-135031-0018 OH NO I'M QUITE SURE HE DIDN'T
+1272-135031-0019 THAT'S FUNNY REMARKED BETSY THOUGHTFULLY
+1272-135031-0020 I DON'T BELIEVE ANN KNEW ANY MAGIC OR SHE'D HAVE WORKED IT BEFORE
+1272-135031-0021 I DO NOT KNOW CONFESSED SHAGGY
+1272-135031-0022 TRUE AGREED KALIKO
+1272-135031-0023 KALIKO WENT TO THE BIG GONG AND POUNDED ON IT JUST AS RUGGEDO USED TO DO BUT NO ONE ANSWERED THE SUMMONS
+1272-135031-0024 HAVING RETURNED TO THE ROYAL CAVERN KALIKO FIRST POUNDED THE GONG AND THEN SAT IN THE THRONE WEARING RUGGEDO'S DISCARDED RUBY CROWN AND HOLDING IN HIS HAND THE SCEPTRE WHICH RUGGEDO HAD SO OFTEN THROWN AT HIS HEAD

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