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<!DOCTYPE html>
<html lang="en">
<head>
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    <title>The Hidden World of Stanley Kubrick</title>
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<body class="min-h-screen kubrick-bg text-gray-100">
    <div class="container mx-auto px-4 py-12">
        <header class="text-center mb-16">
            <h1 class="text-5xl md:text-7xl font-bold mb-4 typewriter">Kubrick's Hidden Legacy</h1>
            <p class="text-xl md:text-2xl italic">Exploring the unknown corners of a cinematic genius</p>
        </header>

        <main class="grid grid-cols-1 md:grid-cols-2 lg:grid-cols-3 gap-8">
            <!-- Card 1 -->
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                    <i class="fas fa-film text-2xl mr-3 text-amber-500"></i>
                    <h2 class="text-2xl font-bold">The Lost Nazi Film</h2>
                </div>
                <p class="mb-4">In the early 1950s, Kubrick allegedly began work on a documentary about Nazi Germany using captured German footage. The project was abandoned when he couldn't secure funding, but some claim test reels still exist in private collections.</p>
                <div class="bg-black bg-opacity-50 p-3 rounded italic text-sm">
                    "I saw boxes of German film reels in Stanley's storage room in the 70s. He never talked about them." - Anonymous former assistant
                </div>
            </div>

            <!-- Card 2 -->
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                    <i class="fas fa-moon text-2xl mr-3 text-blue-400"></i>
                    <h2 class="text-2xl font-bold">Unseen Moon Footage</h2>
                </div>
                <p class="mb-4">During the production of <em>2001: A Space Odyssey</em>, Kubrick shot over 200 hours of test footage simulating lunar landscapes. NASA reportedly consulted with him after seeing his results, leading to conspiracy theories about the moon landing.</p>
                <div class="bg-black bg-opacity-50 p-3 rounded italic text-sm">
                    "We built three complete lunar sets. Only one was used in the final film." - Douglas Trumbull, SFX supervisor
                </div>
            </div>

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                <div class="flex items-center mb-4">
                    <i class="fas fa-robot text-2xl mr-3 text-red-400"></i>
                    <h2 class="text-2xl font-bold">The AI Project</h2>
                </div>
                <p class="mb-4">In the late 1980s, Kubrick became fascinated with artificial intelligence and began developing a film about a sentient computer system. The project evolved into what would eventually become <em>A.I. Artificial Intelligence</em>, completed by Spielberg after Kubrick's death.</p>
                <div class="bg-black bg-opacity-50 p-3 rounded italic text-sm">
                    "Stanley had notebooks filled with AI concepts that never made it into the final script." - Jan Harlan, producer
                </div>
            </div>

            <!-- Card 4 -->
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                <div class="flex items-center mb-4">
                    <i class="fas fa-book-dead text-2xl mr-3 text-purple-400"></i>
                    <h2 class="text-2xl font-bold">The Holocaust Film</h2>
                </div>
                <p class="mb-4">Kubrick spent nearly a decade researching a Holocaust film titled <em>Aryan Papers</em>, based on the novel <em>Wartime Lies</em>. He abandoned it after learning Spielberg was making <em>Schindler's List</em>, declaring "That's the film I wanted to make."</p>
                <div class="bg-black bg-opacity-50 p-3 rounded italic text-sm">
                    "He had thousands of Holocaust photographs and documents. The research was exhaustive." - Christiane Kubrick
                </div>
            </div>

            <!-- Card 5 -->
            <div class="glass-effect rounded-lg p-6 transform hover:scale-105 transition duration-500">
                <div class="flex items-center mb-4">
                    <i class="fas fa-user-secret text-2xl mr-3 text-green-400"></i>
                    <h2 class="text-2xl font-bold">The CIA Connection</h2>
                </div>
                <p class="mb-4">Declassified documents reveal Kubrick was briefly investigated by the CIA in the 1960s due to his extensive research for <em>Dr. Strangelove</em>. Some believe he maintained contacts in intelligence circles that informed his later paranoid thrillers.</p>
                <div class="bg-black bg-opacity-50 p-3 rounded italic text-sm">
                    "He knew things about nuclear protocol that weren't public knowledge." - Peter Sellers
                </div>
            </div>

            <!-- Card 6 -->
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                <div class="flex items-center mb-4">
                    <i class="fas fa-chess text-2xl mr-3 text-yellow-400"></i>
                    <h2 class="text-2xl font-bold">The Napoleon Archive</h2>
                </div>
                <p class="mb-4>Kubrick's most famous unmade film was his Napoleon biopic. He assembled what historians call "the most complete Napoleon archive in private hands" - over 15,000 location photos and 17,000 slides of Napoleonic imagery. The research later influenced <em>Barry Lyndon</em>.</p>
                <div class="bg-black bg-opacity-50 p-3 rounded italic text-sm">
                    "He could tell you what Napoleon ate for breakfast on any given day." - Assistant on the project
                </div>
            </div>
        </main>

        <section class="mt-16 glass-effect rounded-lg p-8 max-w-4xl mx-auto">
            <h2 class="text-3xl font-bold mb-6 text-center">The Kubrick Code</h2>
            <div class="grid grid-cols-1 md:grid-cols-2 gap-8">
                <div>
                    <h3 class="text-xl font-semibold mb-3 flex items-center">
                        <i class="fas fa-eye mr-2"></i> Hidden Patterns
                    </h3>
                    <p>Kubrick scholars have identified recurring numerical patterns in his films:</p>
                    <ul class="list-disc pl-5 mt-2 space-y-1">
                        <li>The number 114 appears in multiple films</li>
                        <li>Deliberate continuity errors in <em>The Shining</em></li>
                        <li>Mirroring between beginning and end shots</li>
                    </ul>
                </div>
                <div>
                    <h3 class="text-xl font-semibold mb-3 flex items-center">
                        <i class="fas fa-question mr-2"></i> The Final Message
                    </h3>
                    <p>Before his death, Kubrick reportedly told his family: "Everything you need to understand is in the films." This has led to endless analysis of his work for hidden meanings about:</p>
                    <ul class="list-disc pl-5 mt-2 space-y-1">
                        <li>Human evolution</li>
                        <li>The nature of violence</li>
                        <li>Government control</li>
                    </ul>
                </div>
            </div>
        </section>

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            <p>© 2023 Kubrick Archives | This site is for educational purposes only</p>
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