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| WEBVTT | |
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| foreign | |
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| might have been a mistake but you know | |
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| what we're here you know | |
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| all right | |
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| hey what's going on everybody for first | |
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| week Feast I'm Sean Evans and you're | |
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| watching hot ones it's the show with hot | |
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| questions and even hotter wings and | |
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| today we're joined by Cole Bennett he's | |
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| a music video director hip-hop | |
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| tastemaker and The Man Behind lyrical | |
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| lemonade multimedia Empire go check out | |
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| his work with everyone from Eminem to | |
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| post Malone and many more in the lyrical | |
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| lemonade YouTube page with its casual 20 | |
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| million subscribers of which I'm proud | |
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| to say I am one Cole Bennett welcome to | |
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| the show thank you so much for having me | |
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| how are you around spicy production oh | |
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| well you deserve it thank you sir | |
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| um I'm like really bad with spicy food I | |
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| always thought you know one day if I | |
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| ever do this interview like how bad it | |
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| will be for me but I think that I think | |
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| I think I'll be good | |
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| foreign | |
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| phenomenal | |
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| so I've always had an appreciation for | |
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| the impact of music videos from The Hype | |
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| Williams big budget days to that Scrappy | |
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| Time when you'd see premieres on | |
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| notwright.com to you and what I would | |
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| consider to be the most cohesive visual | |
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| representation of today's Young rappers | |
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| what role do you think that the music | |
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| video plays in defining today's hip-hop | |
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| era | |
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| I think music videos are really | |
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| important because | |
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| um it pairs a visual experience with you | |
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| know the song audio and um for me I like | |
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| to always make sure that the video comes | |
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| out with the song so your first time | |
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| hearing that song is like this | |
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| experience that you remember being | |
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| attached to visually and I feel like | |
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| music videos connected with an artist | |
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| and uh you know they display their | |
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| character and their personality and you | |
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| can get fun and bring someone out of | |
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| their typical world and um | |
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| I think it's just uh it's it's a moment | |
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| it's an experience and yeah I think it's | |
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| super important | |
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| that one wasn't bad at all I'm feeling | |
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| like I could do this | |
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| it's like many creatives I understand | |
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| that your journey began by just doing | |
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| grabbing a camera and making videos not | |
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| necessarily drawing inspiration from any | |
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| particular filmmaker but it feels humor | |
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| me what I want to do is Bounce a series | |
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| of quotes off of you from people who are | |
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| widely considered to be some of the | |
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| greatest rap music video directors ever | |
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| and I'm just curious your reaction to | |
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| them and whether or not they ring true | |
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| to you okay absolutely so this first one | |
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| is from Director X anytime I disagree | |
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| with the artist when the project is done | |
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| I found the artist to be right you know | |
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| within reason I absolutely agree with | |
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| that I agree with that because I'm often | |
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| in the same situation where I think I | |
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| have a really good idea and I might get | |
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| a you know a little bit of pushback from | |
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| the artists or maybe they may have an | |
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| opposing idea they want to eat a little | |
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| bit | |
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| I think that's just like our creative | |
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| um engine going but uh when we make | |
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| these adjustments we notice that it | |
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| actually does benefit the project and I | |
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| think letting outside eyes in that are | |
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| so attached to the project as well can | |
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| be very beneficial so I'd agree with | |
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| that all right up next from Hype | |
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| Williams lighting helped me understand | |
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| how I want to express myself the more I | |
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| worked on it the more I realized I could | |
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| control everything about what I was | |
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| doing with color absolutely lighting uh | |
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| can impact video more than we realize it | |
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| can give so much uh feeling and texture | |
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| that we we would never think of you know | |
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| and then one more for you from Spike | |
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| Jones I love when me and my friends | |
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| don't know how to make something there's | |
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| that risk of failure if it's guaranteed | |
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| not to fail it's something you already | |
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| know how to do | |
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| you finished on a good one it's the best | |
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| one I'd say | |
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| everything I do is uh going into things | |
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| um not knowing how it's gonna turn out | |
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| and kind of shooting in the dark and | |
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| hoping for the best and I think that | |
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| that pushes us uh | |
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| you know and it pushed our creative | |
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| boundaries to levels that can make us | |
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| excel in in many ways | |
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| foreign | |
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| starting to feel like a champ yeah you | |
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| look like a champ champ I feel like I | |
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| can't be phased | |
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| someone illumination entertainment | |
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| approached you to make a trailer for | |
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| minions the rise of Gru what in the | |
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| world was the process like for getting | |
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| Executives on the level of universal to | |
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| sign off on an artist like Yeet for the | |
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| project it's quite the cultural win ah | |
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| man it was quite the experience and a | |
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| roller coaster to say the least but | |
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| yeah so I had a few different artists | |
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| lined up that were more PG and made more | |
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| sense for this project and then I | |
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| remember we were on a zoom something | |
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| just downed over me I was like ye is the | |
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| guy for this and I told him I was like | |
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| look | |
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| I have something to throw at you | |
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| it's not what you're expecting | |
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| um you know all of his music is you know | |
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| centered around things that probably | |
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| aren't fitting for this movie but | |
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| I want to bring in this artist and have | |
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| him make a song specific to the movie | |
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| and I think could be a really just big | |
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| moment um for the underground for the | |
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| internet and just for the movie as a | |
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| whole I think it's like the perfect | |
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| storm and it's unexpected and I think it | |
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| just shakes things up | |
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| and I pitch it to him | |
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| and I got man I really don't know like | |
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| this is a big movie two days later they | |
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| had reached back and they're like you | |
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| know he thought about it and we talked | |
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| to people we think it's genius and uh I | |
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| am happy with how it went and it was | |
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| really cool to see a trend kick off | |
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| around this song In This Moment that | |
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| actually motivated people going to the | |
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| theaters because what more could you ask | |
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| for so illumination and Universal we're | |
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| very happy with that for sure | |
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| thank you | |
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| okay cool | |
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| thank you | |
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| going in you know I haven't eaten well I | |
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| had pretzels and some butter | |
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| a little half stick of butter | |
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| a girl told me it would coat my stomach | |
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| well so did that but um it's like my | |
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| lunch is pretty good so far smacking | |
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| yeah | |
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| getting a little glossy yeah listen | |
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| you're you're walking me on this uh on | |
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| this journey here you know quite | |
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| confident I'm just along for the ride | |
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| Cole you're making me feel good about | |
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| myself | |
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| so lyrical lemonade is a curator and | |
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| constantly has its fingers on the pulse | |
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| of the artists that are about to blow | |
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| I'm curious if you can articulate how | |
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| you sift through the legions of Internet | |
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| rappers who to the untrained eye to the | |
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| untrained ear may seem homogeneous | |
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| I do what I'm Into You know I think | |
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| there's been really really beautiful | |
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| opportunities I've passed up on because | |
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| it just didn't align with you know | |
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| my morals and what I kind of thought the | |
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| business model of lyric lemonade was and | |
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| it just wasn't what I was listening to | |
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| and I think that there's times where | |
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| I've taken a chance on artists that you | |
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| know people would argue I shouldn't | |
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| because I was into it you know and I | |
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| think | |
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| I think it's just it all comes from a | |
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| place of just doing what I love and and | |
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| uh attacking it that way and that's kind | |
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| of like my mode and my approach to | |
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| everything I do if I'm into it I do it | |
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| if not then then I'm okay on it you know | |
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| yeah it looks like a Shirley Temple in a | |
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| bottle | |
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| like like a cherry cream soda | |
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| see if it tastes like a cherry cream | |
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| soda it looks like it might | |
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| call me every crane segment on our show | |
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| called explain that grammar to a deep | |
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| dive in our guest Instagram pull | |
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| interesting pictures that need more | |
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| context and for you we have a theme Cole | |
| 216 | |
| 00:08:07.680 --> 00:08:12.120 | |
| Bennett behind the scenes all of the | |
| 217 | |
| 00:08:09.660 --> 00:08:13.919 | |
| pictures are of you on set and I'm | |
| 218 | |
| 00:08:12.120 --> 00:08:15.479 | |
| curious maybe you have a lasting memory | |
| 219 | |
| 00:08:13.919 --> 00:08:17.400 | |
| from that shoot or what it was like to | |
| 220 | |
| 00:08:15.479 --> 00:08:20.699 | |
| work with that artist and we'll begin | |
| 221 | |
| 00:08:17.400 --> 00:08:23.400 | |
| with the ensemble cast for your Godzilla | |
| 222 | |
| 00:08:20.699 --> 00:08:26.160 | |
| video for Eminem side note an MTV video | |
| 223 | |
| 00:08:23.400 --> 00:08:27.780 | |
| of the Year Award nominee this video is | |
| 224 | |
| 00:08:26.160 --> 00:08:29.580 | |
| like no other you know it's one of those | |
| 225 | |
| 00:08:27.780 --> 00:08:32.219 | |
| things like throwing up being a fan of | |
| 226 | |
| 00:08:29.580 --> 00:08:34.500 | |
| hip-hop music music videos and just pop | |
| 227 | |
| 00:08:32.219 --> 00:08:36.719 | |
| culture I mean I remember Eminem as | |
| 228 | |
| 00:08:34.500 --> 00:08:38.339 | |
| being the biggest thing in the world | |
| 229 | |
| 00:08:36.719 --> 00:08:40.860 | |
| so to get to work with them so closely | |
| 230 | |
| 00:08:38.339 --> 00:08:43.860 | |
| and feel that energy and feel him be so | |
| 231 | |
| 00:08:40.860 --> 00:08:45.959 | |
| ready to just log in all these hours and | |
| 232 | |
| 00:08:43.860 --> 00:08:47.519 | |
| be so receptive to my ideas and my | |
| 233 | |
| 00:08:45.959 --> 00:08:49.320 | |
| vision for things to you know a song | |
| 234 | |
| 00:08:47.519 --> 00:08:53.160 | |
| that he had created was really really | |
| 235 | |
| 00:08:49.320 --> 00:08:56.519 | |
| cool and um this photo was actually in | |
| 236 | |
| 00:08:53.160 --> 00:08:58.500 | |
| the hospital room Mike Tyson was um off | |
| 237 | |
| 00:08:56.519 --> 00:09:00.420 | |
| shrooms he offered me some shrooms which | |
| 238 | |
| 00:08:58.500 --> 00:09:03.000 | |
| you know was a was a bucket list moment | |
| 239 | |
| 00:09:00.420 --> 00:09:04.740 | |
| for sure but you know being on set and | |
| 240 | |
| 00:09:03.000 --> 00:09:07.560 | |
| leading this Vision was was also a | |
| 241 | |
| 00:09:04.740 --> 00:09:09.180 | |
| luckily moment so I had to pick my uh my | |
| 242 | |
| 00:09:07.560 --> 00:09:13.019 | |
| poison there didn't do the shrooms but | |
| 243 | |
| 00:09:09.180 --> 00:09:15.480 | |
| uh he was a great time Dr Dre was uh | |
| 244 | |
| 00:09:13.019 --> 00:09:17.519 | |
| it's a really cool dude | |
| 245 | |
| 00:09:15.480 --> 00:09:20.519 | |
| um before he left he's like I really | |
| 246 | |
| 00:09:17.519 --> 00:09:22.260 | |
| like how you uh LED today and how you um | |
| 247 | |
| 00:09:20.519 --> 00:09:24.660 | |
| you know directed this Vision how you | |
| 248 | |
| 00:09:22.260 --> 00:09:26.339 | |
| operate on set and grab my shoulder and | |
| 249 | |
| 00:09:24.660 --> 00:09:28.080 | |
| you like nodded his head and she looked | |
| 250 | |
| 00:09:26.339 --> 00:09:29.220 | |
| at me for like 20 seconds and then you | |
| 251 | |
| 00:09:28.080 --> 00:09:31.560 | |
| know grab my shoulder pretty tight and | |
| 252 | |
| 00:09:29.220 --> 00:09:32.820 | |
| then just walked off and it was uh it | |
| 253 | |
| 00:09:31.560 --> 00:09:33.720 | |
| was a moment for sure I'll never forget | |
| 254 | |
| 00:09:32.820 --> 00:09:35.399 | |
| it | |
| 255 | |
| 00:09:33.720 --> 00:09:36.959 | |
| then this one finally from the set of | |
| 256 | |
| 00:09:35.399 --> 00:09:39.540 | |
| your video for Justin Bieber is honest | |
| 257 | |
| 00:09:36.959 --> 00:09:42.000 | |
| yeah Justin is one of my closest friends | |
| 258 | |
| 00:09:39.540 --> 00:09:45.600 | |
| and uh actually it's a fine story too | |
| 259 | |
| 00:09:42.000 --> 00:09:47.820 | |
| the AC and his trailer went out this day | |
| 260 | |
| 00:09:45.600 --> 00:09:49.440 | |
| and uh he had sent me a song a week | |
| 261 | |
| 00:09:47.820 --> 00:09:50.339 | |
| prior I saw the whole like I feel funny | |
| 262 | |
| 00:09:49.440 --> 00:09:52.740 | |
| yeah | |
| 263 | |
| 00:09:50.339 --> 00:09:54.360 | |
| um video came about and I was like yeah | |
| 264 | |
| 00:09:52.740 --> 00:09:56.220 | |
| let's just let's just shoot that while | |
| 265 | |
| 00:09:54.360 --> 00:09:58.380 | |
| we wait for the AC to be fixed and we | |
| 266 | |
| 00:09:56.220 --> 00:10:00.000 | |
| get everything ready to go on set and we | |
| 267 | |
| 00:09:58.380 --> 00:10:01.440 | |
| just you know it was the kind of example | |
| 268 | |
| 00:10:00.000 --> 00:10:02.160 | |
| of turning | |
| 269 | |
| 00:10:01.440 --> 00:10:04.560 | |
| um | |
| 270 | |
| 00:10:02.160 --> 00:10:07.380 | |
| you know a negative into a positive | |
| 271 | |
| 00:10:04.560 --> 00:10:08.880 | |
| lemons into lemonade maybe yeah we are | |
| 272 | |
| 00:10:07.380 --> 00:10:12.019 | |
| drink some lemonade there we go | |
| 273 | |
| 00:10:08.880 --> 00:10:12.019 | |
| 274 | |
| 00:10:13.760 --> 00:10:19.560 | |
| I like the uh design on this one it's | |
| 275 | |
| 00:10:16.620 --> 00:10:21.660 | |
| busy a lot of text I like text Centric | |
| 276 | |
| 00:10:19.560 --> 00:10:23.360 | |
| designs well it's a big compliment from | |
| 277 | |
| 00:10:21.660 --> 00:10:25.730 | |
| you | |
| 278 | |
| 00:10:23.360 --> 00:10:29.040 | |
| we're doing the thing | |
| 279 | |
| 00:10:25.730 --> 00:10:32.540 | |
| 280 | |
| 00:10:29.040 --> 00:10:32.540 | |
| oh yeah | |
| 281 | |
| 00:10:32.760 --> 00:10:36.080 | |
| that's one of them ones huh | |
| 282 | |
| 00:10:37.459 --> 00:10:42.600 | |
| goodness | |
| 283 | |
| 00:10:39.680 --> 00:10:46.459 | |
| question for you real quick of course of | |
| 284 | |
| 00:10:42.600 --> 00:10:46.459 | |
| course oh my gosh | |
| 285 | |
| 00:10:47.100 --> 00:10:52.680 | |
| the DJ Khaled huh yeah yeah hilarious | |
| 286 | |
| 00:10:50.040 --> 00:10:54.720 | |
| yeah classic classic I actually don't | |
| 287 | |
| 00:10:52.680 --> 00:10:56.760 | |
| even have a question I just want to | |
| 288 | |
| 00:10:54.720 --> 00:10:59.640 | |
| point that out put the hinges in the | |
| 289 | |
| 00:10:56.760 --> 00:11:01.980 | |
| 385 | |
| 00:14:33.540 --> 00:14:37.800 | |
| let me just take a small bite out yeah | |
| 386 | |
| 00:14:35.339 --> 00:14:40.700 | |
| me too | |
| 387 | |
| 00:14:37.800 --> 00:14:40.700 | |
| that's all it takes | |
| 388 | |
| 00:14:43.019 --> 00:14:48.740 | |
| well not that small type | |
| 389 | |
| 00:14:45.180 --> 00:14:48.740 | |
| I didn't mean for it to be that big | |
| 390 | |
| 00:14:52.560 --> 00:14:57.180 | |
| you know what yeah I'm going for another | |
| 391 | |
| 00:14:54.540 --> 00:14:59.600 | |
| bite whoa you have to too I'm going with | |
| 392 | |
| 00:14:57.180 --> 00:14:59.600 | |
| you though | |
| 393 | |
| 00:15:00.480 --> 00:15:03.260 | |
| oh goodness | |
| 394 | |
| 00:15:05.339 --> 00:15:07.940 | |
| all right | |
| 395 | |
| 00:15:09.600 --> 00:15:12.600 | |
| respect | |
| 396 | |
| 00:15:13.079 --> 00:15:19.459 | |
| I'm gonna do it I gotta do it probably | |
| 397 | |
| 00:15:14.399 --> 00:15:19.459 | |
| yeah you got him we're in it we're in it | |
| 398 | |
| 00:15:20.000 --> 00:15:26.639 | |
| oh I know it might have been a mistake | |
| 399 | |
| 00:15:23.279 --> 00:15:29.300 | |
| but you know what we're here you know | |
| 400 | |
| 00:15:26.639 --> 00:15:29.300 | |
| all right | |
| 401 | |
| 00:15:30.000 --> 00:15:33.720 | |
| so there's a video on maxpreps.com | |
| 402 | |
| 00:15:31.980 --> 00:15:35.880 | |
| showing off your highlights as a running | |
| 403 | |
| 00:15:33.720 --> 00:15:36.899 | |
| back for the Plano High Reapers what | |
| 404 | |
| 00:15:35.880 --> 00:15:38.220 | |
| would you say is the crowning | |
| 405 | |
| 00:15:36.899 --> 00:15:40.560 | |
| achievement of your Friday Night Lights | |
| 406 | |
| 00:15:38.220 --> 00:15:44.160 | |
| career was it beating sandwich High | |
| 407 | |
| 00:15:40.560 --> 00:15:45.779 | |
| Indians 36 to 7 in the 2013 ihsa | |
| 408 | |
| 00:15:44.160 --> 00:15:48.779 | |
| playoffs you're crazy | |
| 409 | |
| 00:15:45.779 --> 00:15:48.779 | |
| man | |
| 410 | |
| 00:15:52.199 --> 00:15:56.699 | |
| can't pop open that mode yeah yeah can I | |
| 411 | |
| 00:15:54.779 --> 00:15:59.220 | |
| do it I'll do it yeah go ahead it's all | |
| 412 | |
| 00:15:56.699 --> 00:16:00.660 | |
| you and then just be careful you know | |
| 413 | |
| 00:15:59.220 --> 00:16:01.800 | |
| sometimes when people drink too much | |
| 414 | |
| 00:16:00.660 --> 00:16:03.540 | |
| milk | |
| 415 | |
| 00:16:01.800 --> 00:16:06.720 | |
| that becomes like the worst problem in | |
| 416 | |
| 00:16:03.540 --> 00:16:08.940 | |
| the hot sauce you know yeah maybe | |
| 417 | |
| 00:16:06.720 --> 00:16:11.399 | |
| and then your hometown of Plano stood in | |
| 418 | |
| 00:16:08.940 --> 00:16:13.440 | |
| for Smallville Kansas and the superhero | |
| 419 | |
| 00:16:11.399 --> 00:16:15.240 | |
| movie Man of Steel yeah do you have any | |
| 420 | |
| 00:16:13.440 --> 00:16:17.880 | |
| memories of the last son of krypton's | |
| 421 | |
| 00:16:15.240 --> 00:16:20.160 | |
| takeover of downtown | |
| 422 | |
| 00:16:17.880 --> 00:16:22.139 | |
| yeah I do remember that it was crazy it | |
| 423 | |
| 00:16:20.160 --> 00:16:25.940 | |
| took over downtown Plano | |
| 424 | |
| 00:16:22.139 --> 00:16:25.940 | |
| like fake decals on them | |
| 425 | |
| 00:16:26.220 --> 00:16:31.440 | |
| the windows all the Smallville themed | |
| 426 | |
| 00:16:28.680 --> 00:16:33.180 | |
| stuff did a casting call so all my | |
| 427 | |
| 00:16:31.440 --> 00:16:34.019 | |
| friends and I would try to get in the | |
| 428 | |
| 00:16:33.180 --> 00:16:37.320 | |
| movie | |
| 429 | |
| 00:16:34.019 --> 00:16:39.899 | |
| got to send a headshots | |
| 430 | |
| 00:16:37.320 --> 00:16:42.120 | |
| do little interviews and such | |
| 431 | |
| 00:16:39.899 --> 00:16:45.180 | |
| and uh | |
| 432 | |
| 00:16:42.120 --> 00:16:47.459 | |
| the big moment I remember that | |
| 433 | |
| 00:16:45.180 --> 00:16:49.079 | |
| how you doing | |
| 434 | |
| 00:16:47.459 --> 00:16:51.899 | |
| I'm struggling | |
| 435 | |
| 00:16:49.079 --> 00:16:53.339 | |
| I love to hear that | |
| 436 | |
| 00:16:51.899 --> 00:16:54.600 | |
| um it's a shared pain that we're going | |
| 437 | |
| 00:16:53.339 --> 00:16:57.320 | |
| through because I'm hurting right now I | |
| 438 | |
| 00:16:54.600 --> 00:16:57.320 | |
| know I know | |
| 439 | |
| 00:16:59.459 --> 00:17:04.579 | |
| pucker butt yeah I don't know how if I | |
| 440 | |
| 00:17:01.980 --> 00:17:04.579 | |
| like how that sounds | |
| 441 | |
| 00:17:05.939 --> 00:17:13.530 | |
| let's see what we got we got it got this | |
| 442 | |
| 00:17:10.300 --> 00:17:13.530 | |
| 443 | |
| 00:17:14.959 --> 00:17:19.020 | |
| still going in | |
| 444 | |
| 00:17:17.100 --> 00:17:20.579 | |
| I gotta catch up | |
| 445 | |
| 00:17:19.020 --> 00:17:22.740 | |
| I thought I didn't get a good nibble | |
| 446 | |
| 00:17:20.579 --> 00:17:24.600 | |
| that first time | |
| 447 | |
| 00:17:22.740 --> 00:17:26.280 | |
| can you draw back the curtain on what | |
| 448 | |
| 00:17:24.600 --> 00:17:27.720 | |
| it's like to have dinner at Diddy's | |
| 449 | |
| 00:17:26.280 --> 00:17:31.080 | |
| house like can you paint the picture for | |
| 450 | |
| 00:17:27.720 --> 00:17:33.120 | |
| me in my brain yeah so | |
| 451 | |
| 00:17:31.080 --> 00:17:35.000 | |
| he facetimes me | |
| 452 | |
| 00:17:33.120 --> 00:17:37.860 | |
| one night | |
| 453 | |
| 00:17:35.000 --> 00:17:40.260 | |
| and uh he's like pitching a few ideas | |
| 454 | |
| 00:17:37.860 --> 00:17:41.400 | |
| things we could work on I was thrilled | |
| 455 | |
| 00:17:40.260 --> 00:17:42.840 | |
| of course | |
| 456 | |
| 00:17:41.400 --> 00:17:47.360 | |
| I was waiting for that moment you know | |
| 457 | |
| 00:17:42.840 --> 00:17:47.360 | |
| to get the Diddy coats on and uh | |
| 458 | |
| 00:17:47.780 --> 00:17:51.600 | |
| he's like when are you in La next and I | |
| 459 | |
| 00:17:50.520 --> 00:17:54.299 | |
| was like I'm actually in LA right now | |
| 460 | |
| 00:17:51.600 --> 00:17:56.940 | |
| but I go back to Chicago tomorrow | |
| 461 | |
| 00:17:54.299 --> 00:17:59.100 | |
| and uh he was like look man I want to | |
| 462 | |
| 00:17:56.940 --> 00:18:01.559 | |
| put the puffy brush on you but | |
| 463 | |
| 00:17:59.100 --> 00:18:03.240 | |
| why don't you stay another day and do | |
| 464 | |
| 00:18:01.559 --> 00:18:05.580 | |
| dinner | |
| 465 | |
| 00:18:03.240 --> 00:18:08.820 | |
| forgot what we ate | |
| 466 | |
| 00:18:05.580 --> 00:18:11.580 | |
| it was good though I was some sort of | |
| 467 | |
| 00:18:08.820 --> 00:18:14.039 | |
| chicken and uh | |
| 468 | |
| 00:18:11.580 --> 00:18:15.660 | |
| saved me a lot of music | |
| 469 | |
| 00:18:14.039 --> 00:18:19.020 | |
| talked a lot of ideas gave me a lot of | |
| 470 | |
| 00:18:15.660 --> 00:18:22.260 | |
| game just spoke on a lot of history | |
| 471 | |
| 00:18:19.020 --> 00:18:23.760 | |
| oh my goodness he called me the uh | |
| 472 | |
| 00:18:22.260 --> 00:18:25.990 | |
| looked at me | |
| 473 | |
| 00:18:23.760 --> 00:18:27.480 | |
| he laughed | |
| 474 | |
| 00:18:25.990 --> 00:18:29.640 | |
| 475 | |
| 00:18:27.480 --> 00:18:32.340 | |
| I said man he said you're like the white | |
| 476 | |
| 00:18:29.640 --> 00:18:34.260 | |
| puff oh | |
| 477 | |
| 00:18:32.340 --> 00:18:37.980 | |
| so yeah I | |
| 478 | |
| 00:18:34.260 --> 00:18:40.040 | |
| appreciate puff more than I can express | |
| 479 | |
| 00:18:37.980 --> 00:18:45.419 | |
| all right Cole Bennett | |
| 480 | |
| 00:18:40.040 --> 00:18:47.160 | |
| 481 | |
| 00:18:45.419 --> 00:18:50.340 | |
| okay we made it this far might as well | |
| 482 | |
| 00:18:47.160 --> 00:18:53.580 | |
| top it off there we go yeah | |
| 483 | |
| 00:18:50.340 --> 00:18:56.039 | |
| the bomb the bomb actually it was here | |
| 484 | |
| 00:18:53.580 --> 00:18:57.799 | |
| and it like worked it works its way up | |
| 485 | |
| 00:18:56.039 --> 00:19:00.240 | |
| your face like right now it's in my nose | |
| 486 | |
| 00:18:57.799 --> 00:19:02.820 | |
| right but like I feel it in my skin | |
| 487 | |
| 00:19:00.240 --> 00:19:04.980 | |
| working up my face it's crazy | |
| 488 | |
| 00:19:02.820 --> 00:19:07.020 | |
| how would you put on I went a little | |
| 489 | |
| 00:19:04.980 --> 00:19:08.640 | |
| crazy trying not to do this much but | |
| 490 | |
| 00:19:07.020 --> 00:19:10.860 | |
| it's hard to tell you know sometimes I | |
| 491 | |
| 00:19:08.640 --> 00:19:12.720 | |
| want to match your energy I said if I'm | |
| 492 | |
| 00:19:10.860 --> 00:19:14.820 | |
| gonna do it I'm gonna do it proper you | |
| 493 | |
| 00:19:12.720 --> 00:19:17.580 | |
| do it proper all the time I gotta back | |
| 494 | |
| 00:19:14.820 --> 00:19:20.280 | |
| up Salute | |
| 495 | |
| 00:19:17.580 --> 00:19:22.799 | |
| I'm not gonna the bomb I almost took me | |
| 496 | |
| 00:19:20.280 --> 00:19:23.880 | |
| out yeah we're still here we're still | |
| 497 | |
| 00:19:22.799 --> 00:19:26.080 | |
| that's good that's good that's good | |
| 498 | |
| 00:19:23.880 --> 00:19:27.539 | |
| that's good | |
| 499 | |
| 00:19:26.080 --> 00:19:30.080 | |
| 500 | |
| 00:19:27.539 --> 00:19:33.190 | |
| you gotta you go figure yeah | |
| 501 | |
| 00:19:30.080 --> 00:19:33.190 | |
| 502 | |
| 00:19:34.380 --> 00:19:37.340 | |
| maybe that's like | |
| 503 | |
| 00:19:37.380 --> 00:19:42.380 | |
| cheers Cole | |
| 504 | |
| 00:19:39.840 --> 00:19:42.380 | |
| cheers | |
| 505 | |
| 00:19:53.299 --> 00:19:56.419 | |
| I know | |
| 506 | |
| 00:19:58.710 --> 00:20:01.200 | |
| 507 | |
| 00:19:59.880 --> 00:20:02.940 | |
| yeah | |
| 508 | |
| 00:20:01.200 --> 00:20:04.559 | |
| can you tell me about that I mean you're | |
| 509 | |
| 00:20:02.940 --> 00:20:06.840 | |
| looking at me like it's my fault but I | |
| 510 | |
| 00:20:04.559 --> 00:20:09.480 | |
| feel like you wanted to take another | |
| 511 | |
| 00:20:06.840 --> 00:20:11.640 | |
| bite at the bomb you're like you got a | |
| 512 | |
| 00:20:09.480 --> 00:20:14.039 | |
| match you know I feel like I should give | |
| 513 | |
| 00:20:11.640 --> 00:20:16.919 | |
| you that look actually I'm not gonna lie | |
| 514 | |
| 00:20:14.039 --> 00:20:19.080 | |
| I felt way worse like immediately after | |
| 515 | |
| 00:20:16.919 --> 00:20:21.000 | |
| the bite yep | |
| 516 | |
| 00:20:19.080 --> 00:20:22.740 | |
| but it's not as bad as you think it | |
| 517 | |
| 00:20:21.000 --> 00:20:24.600 | |
| settles in hopefully it's not an eye of | |
| 518 | |
| 00:20:22.740 --> 00:20:26.400 | |
| the storm situation you know where it | |
| 519 | |
| 00:20:24.600 --> 00:20:28.380 | |
| comes back and builds but don't worry | |
| 520 | |
| 00:20:26.400 --> 00:20:29.370 | |
| because there's a nice long lead on this | |
| 521 | |
| 00:20:28.380 --> 00:20:31.520 | |
| question foreshadowing that | |
| 522 | |
| 00:20:29.370 --> 00:20:33.780 | |
| 523 | |
| 00:20:31.520 --> 00:20:35.820 | |
| we've reached the end of our journey | |
| 524 | |
| 00:20:33.780 --> 00:20:37.679 | |
| through the hot ones Gauntlet and to | |
| 525 | |
| 00:20:35.820 --> 00:20:39.900 | |
| close things out we're basically gonna | |
| 526 | |
| 00:20:37.679 --> 00:20:41.820 | |
| squeeze whatever energy you have left | |
| 527 | |
| 00:20:39.900 --> 00:20:44.340 | |
| while that brain soaks in hot sauce and | |
| 528 | |
| 00:20:41.820 --> 00:20:47.580 | |
| we can call this an unofficial list but | |
| 529 | |
| 00:20:44.340 --> 00:20:51.780 | |
| I am curious the cold Bennett Mount | |
| 530 | |
| 00:20:47.580 --> 00:20:53.940 | |
| Rushmore of Chicago rap music videos the | |
| 531 | |
| 00:20:51.780 --> 00:20:57.440 | |
| four most iconic Chicago rap music | |
| 532 | |
| 00:20:53.940 --> 00:20:57.440 | |
| videos of all time in your opinion | |
| 533 | |
| 00:20:57.960 --> 00:21:00.480 | |
| it's a great question | |
| 534 | |
| 00:20:59.340 --> 00:21:01.820 | |
| um | |
| 535 | |
| 00:21:00.480 --> 00:21:04.320 | |
| don't like | |
| 536 | |
| 00:21:01.820 --> 00:21:06.539 | |
| it could be don't like or love Sosa you | |
| 537 | |
| 00:21:04.320 --> 00:21:09.120 | |
| go either way this is Twisted video | |
| 538 | |
| 00:21:06.539 --> 00:21:11.340 | |
| Overnight Celebrity this video with | |
| 539 | |
| 00:21:09.120 --> 00:21:14.419 | |
| Chance the Rapper it's called family and | |
| 540 | |
| 00:21:11.340 --> 00:21:14.419 | |
| then uh for the fourth | |
| 541 | |
| 00:21:14.640 --> 00:21:19.919 | |
| We're Going Through the Wire all right | |
| 542 | |
| 00:21:16.559 --> 00:21:22.200 | |
| set it in stone call Bennett's Mount | |
| 543 | |
| 00:21:19.919 --> 00:21:24.299 | |
| Rushmore of Chicago rap music videos and | |
| 544 | |
| 00:21:22.200 --> 00:21:25.860 | |
| look at you walked in not a hot sauce | |
| 545 | |
| 00:21:24.299 --> 00:21:27.720 | |
| guy you said you'd be horrible out here | |
| 546 | |
| 00:21:25.860 --> 00:21:30.179 | |
| but here you are taking extra bites to | |
| 547 | |
| 00:21:27.720 --> 00:21:31.919 | |
| the bomb and drenching the last wing and | |
| 548 | |
| 00:21:30.179 --> 00:21:33.299 | |
| the last dab now there's nothing left to | |
| 549 | |
| 00:21:31.919 --> 00:21:35.460 | |
| do but roll out the red carpet for you | |
| 550 | |
| 00:21:33.299 --> 00:21:36.659 | |
| this camera this camera this camera let | |
| 551 | |
| 00:21:35.460 --> 00:21:39.360 | |
| the people know what you have going on | |
| 552 | |
| 00:21:36.659 --> 00:21:41.940 | |
| in your life I'm just I'm just enjoying | |
| 553 | |
| 00:21:39.360 --> 00:21:44.039 | |
| myself I'm really happy I'm feeling | |
| 554 | |
| 00:21:41.940 --> 00:21:47.100 | |
| creative | |
| 555 | |
| 00:21:44.039 --> 00:21:48.539 | |
| working on a few things a lot of amazing | |
| 556 | |
| 00:21:47.100 --> 00:21:50.100 | |
| projects | |
| 557 | |
| 00:21:48.539 --> 00:21:51.000 | |
| I'm not even going to speak on because I | |
| 558 | |
| 00:21:50.100 --> 00:21:52.799 | |
| don't want to sound like unplugging | |
| 559 | |
| 00:21:51.000 --> 00:21:55.860 | |
| anything just know it's coming | |
| 560 | |
| 00:21:52.799 --> 00:22:01.520 | |
| it's gonna be powerful impactful | |
| 561 | |
| 00:21:55.860 --> 00:22:01.520 | |
| and uh yeah I'm excited life is good | |
| 562 | |
| 00:22:02.220 --> 00:22:05.710 | |
| thank you so much | |
| 563 | |
| 00:22:03.650 --> 00:22:07.039 | |
| 564 | |
| 00:22:05.710 --> 00:22:09.600 | |
| 565 | |
| 00:22:07.039 --> 00:22:10.980 | |
| so cool and chat with you here man oh | |
| 566 | |
| 00:22:09.600 --> 00:22:15.260 | |
| thank you man | |
| 567 | |
| 00:22:10.980 --> 00:22:15.260 | |
| what was uh what was your favorite sauce | |
| 568 | |
| 00:22:18.020 --> 00:22:22.400 | |
| a great time | |
| 569 | |
| 00:22:19.860 --> 00:22:22.400 | |
| it's like | |
| 570 | |
| 00:22:22.799 --> 00:22:27.620 | |
| he's so much no problem oh yeah give me | |
| 571 | |
| 00:22:25.320 --> 00:22:27.620 | |
| a good one | |
| 572 | |
| 00:22:29.340 --> 00:22:33.299 | |
| hey what's going on hot ones fans this | |
| 573 | |
| 00:22:31.140 --> 00:22:35.520 | |
| is Sean Evans checking in with three of | |
| 574 | |
| 00:22:33.299 --> 00:22:38.280 | |
| my best friends then the number one spot | |
| 575 | |
| 00:22:35.520 --> 00:22:40.799 | |
| in the hot ones lineup the harbingers of | |
| 576 | |
| 00:22:38.280 --> 00:22:43.020 | |
| mild heat you know them well the classic | |
| 577 | |
| 00:22:40.799 --> 00:22:45.600 | |
| and take a look at the generation over | |
| 578 | |
| 00:22:43.020 --> 00:22:48.000 | |
| generation Evolution from the chili day | |
| 579 | |
| 00:22:45.600 --> 00:22:50.640 | |
| arble roots of our original recipe to | |
| 580 | |
| 00:22:48.000 --> 00:22:53.580 | |
| the greatest happiest accident in r d | |
| 581 | |
| 00:22:50.640 --> 00:22:55.799 | |
| history the classic garlic Fresno to now | |
| 582 | |
| 00:22:53.580 --> 00:22:59.100 | |
| turning the tides with our newest | |
| 583 | |
| 00:22:55.799 --> 00:23:00.960 | |
| condiment the classic chili Maple it's | |
| 584 | |
| 00:22:59.100 --> 00:23:02.880 | |
| the perfect sweet and spicy companion | |
| 585 | |
| 00:23:00.960 --> 00:23:05.039 | |
| for chicken and waffles your favorite | |
| 586 | |
| 00:23:02.880 --> 00:23:07.380 | |
| slice of Za and even bagels and cream | |
| 587 | |
| 00:23:05.039 --> 00:23:10.320 | |
| cheese pick up a trio pack that's right | |
| 588 | |
| 00:23:07.380 --> 00:23:13.100 | |
| one two three all three sauces they can | |
| 589 | |
| 00:23:10.320 --> 00:23:15.600 | |
| be yours visit heatness.com heatness.com | |
| 590 | |
| 00:23:13.100 --> 00:23:18.440 | |
| heatness.com to get your hands on the | |
| 591 | |
| 00:23:15.600 --> 00:23:18.440 | |
| classic Trio pack | |