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| WEBVTT | |
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| but now I know is this you turn upstairs | |
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| you've got a little bit of hot sauce on | |
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| your finger and then yeah you can play | |
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| Greek tragedy | |
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| hey what's going on everybody for first | |
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| week Feast I'm Sean Evans and you're | |
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| watching hot ones it's the show with hot | |
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| questions and even hotter wings and | |
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| today we're joined by Kate Blanchett | |
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| she's one of the most decorating | |
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| accomplished actors of Our Generation | |
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| with a resume that includes more than 70 | |
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| films and 20 plus theater Productions | |
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| along with countless Awards including | |
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| multiple Oscars her latest project | |
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| though is the Todd field written and | |
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| directed psychological drama tar which | |
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| opens in Select theaters beginning | |
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| October 7th with a wider release | |
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| scheduled for later this month on | |
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| October 28th Kate Blanchette welcome to | |
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| the show thank you before we get started | |
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| how are you around spicy food and what's | |
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| going through your mind as we prepare to | |
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| take down the hot ones challenge I'm | |
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| really scared but I guess it's probably | |
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| the closest you'll ever get to knowing | |
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| what menopause feels like so yeah so | |
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| I've been through it so I'm I don't and | |
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| spicy food I love but um I'm look I'm | |
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| really sweating already I'm getting | |
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| anticipatory anxiety okay layer one gone | |
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| the layers are coming off that means | |
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| we're ready to go | |
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| oh | |
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| foreign | |
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| that's my doctor | |
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| okay ready | |
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| that's manageable mm-hmm | |
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| that's nice | |
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| so in your latest movie tar you play a | |
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| world famous composer whose life begins | |
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| to unravel as they approach a career | |
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| Milestone what was the experience like | |
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| presiding over the actual Dresden | |
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| Philharmonic for the scene featuring | |
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| Mueller's fifth I've heard you describe | |
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| an electric charge that went through you | |
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| at the raised Podium yeah do you do you | |
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| play an instrument no I don't the spoons | |
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| just the uh hot sauce | |
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| yeah well it was absolutely terrifying I | |
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| mean I played the piano as a as a girl | |
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| so I kind of I sort of understood an | |
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| instrument that way but you know a | |
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| conductor's instrument is the orchestra | |
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| and so the weirdest thing is and I don't | |
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| know why it seems so obvious that you | |
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| prepare in silence because you have the | |
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| score in front of you and you imagine | |
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| the music in your head and Miles five if | |
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| you know for those of you who haven't | |
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| listened you must Listen to It's a | |
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| massive massive exciting work and when | |
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| he gave the downbeat the trumpet started | |
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| and then that trial Marsh opened up it | |
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| was like an electric charge because | |
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| that's your instrument and you hear the | |
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| sound that you'd kind of Imagine but | |
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| when you have an orchestra like that | |
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| it's just um it was better than I | |
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| imagined it it was really addictive | |
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| actually | |
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| foreign | |
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| has anyone ever thrown up oh um not on | |
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| the set | |
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| okay why do you feel like you might not | |
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| yet not yet all right just keep it up | |
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| so I'm intrigued by this quote of yours | |
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| For an upcoming role that you have in | |
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| Guillermo del Toro's Pinocchio where you | |
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| play an animated monkey and said I'd | |
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| listen to a lot of different chimpanzees | |
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| then try everything out how does finding | |
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| the right tone for an animated monkey | |
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| how if at all does it compare to | |
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| mastering a regional dialect or the main | |
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| accents you've taken on throughout your | |
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| career from from which | |
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| um Forest did I choose the actual | |
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| chimpanzee it was kind of a melange of a | |
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| lot of different chimps but if you | |
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| listen to a lot of chimps they do sound | |
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| very different depending on their age | |
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| and um and then you just get in there | |
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| and work out what makes Guillermo laugh | |
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| and and yeah that's what I did | |
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| so that was it was a bit like I had to | |
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| do a bit of Opera warm-up yeah you know | |
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| to get stress test stress test yeah so | |
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| that was it wasn't tedious but it was | |
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| taxing | |
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| because you know you get into the booth | |
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| and it's like hour after hour | |
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| okay Pico Pico Pico Rico even | |
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| this looks like a um a fine wine yeah | |
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| got a chili oil in this one have you | |
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| ever drunk a whole bottle of it a whole | |
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| bottle of how far do you go like have | |
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| you have a hot sauce have you ever | |
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| jumped a whole bottle of no but you know | |
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| what I did do is I ate a Carolina Reaper | |
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| which is the hottest pepper in the world | |
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| so just like taking the pepper and just | |
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| eating it straight I did that one time | |
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| and that's probably more extreme than | |
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| like chugging a bottle and what happened | |
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| it just felt like I had food poisoning | |
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| for like a whole evening and then you | |
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| did it again I did it again and then I | |
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| did it again when you did that I was | |
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| always a young man 28 you know when did | |
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| you start doing this when did you | |
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| realize that this was your gift oh well | |
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| thanks for putting it that way it's I | |
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| almost think of it it's like the cross | |
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| that I bear at this point you know right | |
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| but um it wasn't a huge hit at first but | |
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| then we had this moment where it kind of | |
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| like broke through in this Mass | |
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| Discovery sort of way yeah yeah and I | |
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| remember at the time I was talking to | |
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| Chris who I started the show with hi | |
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| Chris hey Chris you know I I see that | |
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| you're over there and you're not up here | |
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| yeah he likes to hide in the shadows | |
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| you know he doesn't want to answer for | |
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| any of this but I was joking with him | |
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| like I'm eating a lot of hot food nobody | |
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| cares and then we had this moment where | |
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| it kind of broke through with a key and | |
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| peel episode that kind of went like | |
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| crazy viral and then the whole catalog | |
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| kind of lifted with it and then we were | |
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| kind of Off to the Races from there and | |
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| then here we are season 19 with you and | |
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| the season I can't believe it | |
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| was anyone ever just stopped right at | |
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| the beginning | |
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| it's crazy we've done like 300 episodes | |
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| of this and maybe only like 15 or 16 | |
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| people have stopped before the end which | |
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| is no pressure no I'm not trying to lead | |
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| the witness or put any pressure on you | |
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| about that | |
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| when we had Elijah Wood on the show he | |
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| gave us a crash course and force | |
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| perspective what was the piece of | |
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| cinematic Wizardry that blew your mind | |
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| the most when you saw it in action on | |
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| set of Lord of the Rings I think it was | |
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| what what Peter Jackson was called and | |
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| I'm sure they're being used a lot now is | |
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| a split frame diopter it's something | |
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| they do with the lens so that you can | |
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| hold two people of monumentally | |
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| different sizes in the same frame and | |
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| that they would build a table where on | |
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| one side everything was obviously it was | |
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| a bit like um you know um a piece of | |
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| theater is that everything was large on | |
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| one side and everything was small on the | |
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| other side but there was something to do | |
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| with the lens where they were able to | |
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| hold them a bit like a kind of a fun | |
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| house mirror which was really incredible | |
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| because it was done in camera which was | |
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| pretty cool because a lot of that stuff | |
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| and I think you can feel it when it's | |
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| all done in post you know it's I love it | |
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| when those tricks are done in camera | |
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| 188 | |
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| okay this is the this one looks really | |
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| scary | |
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| I like that one | |
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| Mitchell do you cook not often but you | |
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| should see me order off a menu I'm great | |
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| I'd ordered that one that's great yeah | |
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| it's quote of yours theater is all about | |
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| foyers and conversation and digesting | |
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| what you've seen what's the role of the | |
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| theater itself and how audience receive | |
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| and digest plays and then out of | |
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| curiosity is there a theater that stands | |
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| out in your memory is just having like | |
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| the best foyer | |
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| one of my first jobs was in a I mean in | |
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| Australia a lot of the theaters are | |
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| found spaces so one was in a tomato | |
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| sauce factory and um uh and another one | |
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| was in a stable and so the the I the | |
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| actual dressing room was as literally as | |
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| big as these two tables put together and | |
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| I was in a cast of 12 and so it was | |
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| pretty tight and the downstairs was I | |
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| mean you literally kind of had to climb | |
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| 00:08:25.020 --> 00:08:28.379 | |
| a ladder to get up to the theater and | |
| 214 | |
| 00:08:26.819 --> 00:08:29.160 | |
| that was great the old stable was pretty | |
| 215 | |
| 00:08:28.379 --> 00:08:30.900 | |
| cool | |
| 216 | |
| 00:08:29.160 --> 00:08:32.700 | |
| what did you learn from being on the | |
| 217 | |
| 00:08:30.900 --> 00:08:34.020 | |
| other side of the audition table during | |
| 218 | |
| 00:08:32.700 --> 00:08:35.880 | |
| your time running the Sydney Theater | |
| 219 | |
| 00:08:34.020 --> 00:08:37.500 | |
| Company well actually you know when I | |
| 220 | |
| 00:08:35.880 --> 00:08:40.740 | |
| first came into drama school people | |
| 221 | |
| 00:08:37.500 --> 00:08:43.740 | |
| didn't know what to to do with me I sort | |
| 222 | |
| 00:08:40.740 --> 00:08:46.680 | |
| of didn't fit into any kind of box and a | |
| 223 | |
| 00:08:43.740 --> 00:08:49.500 | |
| costume director in Sydney took pity on | |
| 224 | |
| 00:08:46.680 --> 00:08:51.779 | |
| me and she would call me in to read | |
| 225 | |
| 00:08:49.500 --> 00:08:53.760 | |
| opposite people and that was such an | |
| 226 | |
| 00:08:51.779 --> 00:08:55.500 | |
| education because you could tell when as | |
| 227 | |
| 00:08:53.760 --> 00:08:57.480 | |
| soon as people walked in and go | |
| 228 | |
| 00:08:55.500 --> 00:08:59.820 | |
| you're not gonna get the job like as | |
| 229 | |
| 00:08:57.480 --> 00:09:01.380 | |
| soon as they walked in the door and and | |
| 230 | |
| 00:08:59.820 --> 00:09:03.779 | |
| you could tell the people who had a | |
| 231 | |
| 00:09:01.380 --> 00:09:06.240 | |
| fighting chance and I and so reading | |
| 232 | |
| 00:09:03.779 --> 00:09:09.000 | |
| opposite them was was kind of incredible | |
| 233 | |
| 00:09:06.240 --> 00:09:11.700 | |
| but then when we were my husband who's | |
| 234 | |
| 00:09:09.000 --> 00:09:13.440 | |
| here who's not eating hot sauce today | |
| 235 | |
| 00:09:11.700 --> 00:09:14.820 | |
| um but here for support yeah here for | |
| 236 | |
| 00:09:13.440 --> 00:09:17.940 | |
| support yeah yeah he's gonna hold my | |
| 237 | |
| 00:09:14.820 --> 00:09:19.920 | |
| hair back as I throw up into the bin | |
| 238 | |
| 00:09:17.940 --> 00:09:23.940 | |
| um but it was amazing to be on the other | |
| 239 | |
| 00:09:19.920 --> 00:09:25.440 | |
| side of of the of the dressing room door | |
| 240 | |
| 00:09:23.940 --> 00:09:27.420 | |
| to the theater you know when you're | |
| 241 | |
| 00:09:25.440 --> 00:09:30.240 | |
| directing a play or winning a produced a | |
| 242 | |
| 00:09:27.420 --> 00:09:32.220 | |
| show the actors go out and I felt a | |
| 243 | |
| 00:09:30.240 --> 00:09:34.380 | |
| profound relief that I didn't have to go | |
| 244 | |
| 00:09:32.220 --> 00:09:36.360 | |
| out there and then in talking about your | |
| 245 | |
| 00:09:34.380 --> 00:09:37.920 | |
| relationship to doing film roles versus | |
| 246 | |
| 00:09:36.360 --> 00:09:39.540 | |
| theater I've heard you say that you're | |
| 247 | |
| 00:09:37.920 --> 00:09:41.279 | |
| filled with regret on the last day of a | |
| 248 | |
| 00:09:39.540 --> 00:09:42.839 | |
| movie Shoot because it's then when you | |
| 249 | |
| 00:09:41.279 --> 00:09:44.339 | |
| really start to understand the character | |
| 250 | |
| 00:09:42.839 --> 00:09:46.260 | |
| yeah and all the things you Coulda | |
| 251 | |
| 00:09:44.339 --> 00:09:47.940 | |
| Shoulda would have done is there a movie | |
| 252 | |
| 00:09:46.260 --> 00:09:49.980 | |
| role of yours that you most wish you had | |
| 253 | |
| 00:09:47.940 --> 00:09:52.200 | |
| eight shows a week to hone | |
| 254 | |
| 00:09:49.980 --> 00:09:54.120 | |
| probably the one I just did | |
| 255 | |
| 00:09:52.200 --> 00:09:56.160 | |
| um I mean it's always the one I just did | |
| 256 | |
| 00:09:54.120 --> 00:09:59.399 | |
| but but kind of for good reasons not | |
| 257 | |
| 00:09:56.160 --> 00:10:01.680 | |
| filled with regret just that I felt so | |
| 258 | |
| 00:09:59.399 --> 00:10:03.360 | |
| um I don't know alive kind of like | |
| 259 | |
| 00:10:01.680 --> 00:10:05.760 | |
| eating a hot sauce really that's what it | |
| 260 | |
| 00:10:03.360 --> 00:10:08.880 | |
| does blew my mind it does yeah gets the | |
| 261 | |
| 00:10:05.760 --> 00:10:10.620 | |
| blood pumping gets the heart racing and | |
| 262 | |
| 00:10:08.880 --> 00:10:14.899 | |
| on the topic are you ready to move on | |
| 263 | |
| 00:10:10.620 --> 00:10:14.899 | |
| here to Sauce number six okay | |
| 264 | |
| 00:10:18.420 --> 00:10:23.220 | |
| thank you Scotch that's very good for | |
| 265 | |
| 00:10:21.000 --> 00:10:26.420 | |
| your gut turmeric nobody's got better | |
| 266 | |
| 00:10:23.220 --> 00:10:26.420 | |
| digestion than me no | |
| 267 | |
| 00:10:29.820 --> 00:10:34.260 | |
| that's the Scotch bonnet kind of a | |
| 268 | |
| 00:10:32.220 --> 00:10:36.180 | |
| deeper burn here | |
| 269 | |
| 00:10:34.260 --> 00:10:37.440 | |
| which was a bigger challenge for you in | |
| 270 | |
| 00:10:36.180 --> 00:10:38.940 | |
| your preparation for your Oscar | |
| 271 | |
| 00:10:37.440 --> 00:10:40.680 | |
| award-winning performance is Catherine | |
| 272 | |
| 00:10:38.940 --> 00:10:42.959 | |
| Hepburn and The Aviator was it learning | |
| 273 | |
| 00:10:40.680 --> 00:10:44.579 | |
| to play tennis or taking cold showers | |
| 274 | |
| 00:10:42.959 --> 00:10:45.600 | |
| tennis was actually tennis was a | |
| 275 | |
| 00:10:44.579 --> 00:10:47.940 | |
| homecoming because I used to play a lot | |
| 276 | |
| 00:10:45.600 --> 00:10:50.399 | |
| of tennis when I was a girl and we were | |
| 277 | |
| 00:10:47.940 --> 00:10:52.500 | |
| filming in Montreal so we had we joined | |
| 278 | |
| 00:10:50.399 --> 00:10:55.180 | |
| the oldest tennis club now it's starting | |
| 279 | |
| 00:10:52.500 --> 00:10:58.270 | |
| to get hot yeah yeah the oldest | |
| 280 | |
| 00:10:55.180 --> 00:10:58.270 | |
| 281 | |
| 00:10:58.320 --> 00:11:01.620 | |
| tennis club in Montreal and you had to | |
| 282 | |
| 00:11:00.300 --> 00:11:03.959 | |
| wear all whites | |
| 283 | |
| 00:11:01.620 --> 00:11:05.399 | |
| so it was it that it's a pressure when | |
| 284 | |
| 00:11:03.959 --> 00:11:06.959 | |
| you're playing in a club because | |
| 285 | |
| 00:11:05.399 --> 00:11:08.339 | |
| everyone takes it really seriously it's | |
| 286 | |
| 00:11:06.959 --> 00:11:10.620 | |
| a bit like golf | |
| 287 | |
| 00:11:08.339 --> 00:11:12.180 | |
| do you play golf no no there's one thing | |
| 288 | |
| 00:11:10.620 --> 00:11:14.459 | |
| it's like I don't understand leaf | |
| 289 | |
| 00:11:12.180 --> 00:11:16.440 | |
| blowers and I don't understand golf | |
| 290 | |
| 00:11:14.459 --> 00:11:18.540 | |
| well now I'm interested would you not | |
| 291 | |
| 00:11:16.440 --> 00:11:20.720 | |
| like a place to to another only for them | |
| 292 | |
| 00:11:18.540 --> 00:11:20.720 | |
| to be | |
| 293 | |
| 00:11:21.480 --> 00:11:25.740 | |
| like the gardeners I mean their faces | |
| 294 | |
| 00:11:23.760 --> 00:11:28.440 | |
| they know that what they're doing is | |
| 295 | |
| 00:11:25.740 --> 00:11:31.260 | |
| stupid right it's really it's bad | |
| 296 | |
| 00:11:28.440 --> 00:11:33.330 | |
| oh it's when you you can't breathe it I | |
| 297 | |
| 00:11:31.260 --> 00:11:38.220 | |
| know we're at that point in the show | |
| 298 | |
| 00:11:33.330 --> 00:11:41.810 | |
| 299 | |
| 00:11:38.220 --> 00:11:45.670 | |
| comma sauce that's a great name it is | |
| 300 | |
| 00:11:41.810 --> 00:11:45.670 | |
| 301 | |
| 00:11:49.079 --> 00:11:52.260 | |
| taking smaller and smaller bites that's | |
| 302 | |
| 00:11:50.940 --> 00:11:54.720 | |
| how it goes that's how it goes on this | |
| 303 | |
| 00:11:52.260 --> 00:11:57.300 | |
| show that's sweet too yeah but then it | |
| 304 | |
| 00:11:54.720 --> 00:11:58.680 | |
| kind of Builds on you a little bit | |
| 305 | |
| 00:11:57.300 --> 00:12:01.579 | |
| you see I've just been pushing them all | |
| 306 | |
| 00:11:58.680 --> 00:12:01.579 | |
| over the corner of my mouth | |
| 307 | |
| 00:12:04.200 --> 00:12:08.339 | |
| do you have a favorite one of your | |
| 308 | |
| 00:12:06.300 --> 00:12:12.980 | |
| scenes or most memorable Kate Blanchett | |
| 309 | |
| 00:12:08.339 --> 00:12:12.980 | |
| scene revolving around food oh I had | |
| 310 | |
| 00:12:15.779 --> 00:12:21.180 | |
| I had um I had to cook | |
| 311 | |
| 00:12:18.720 --> 00:12:22.800 | |
| um I had to to prepare a meal in a Barry | |
| 312 | |
| 00:12:21.180 --> 00:12:24.240 | |
| Levinson film that about two and a half | |
| 313 | |
| 00:12:22.800 --> 00:12:26.220 | |
| people saw | |
| 314 | |
| 00:12:24.240 --> 00:12:28.560 | |
| called Bandits | |
| 315 | |
| 00:12:26.220 --> 00:12:30.959 | |
| and um that so that that was more about | |
| 316 | |
| 00:12:28.560 --> 00:12:33.420 | |
| the the preparation process and it was a | |
| 317 | |
| 00:12:30.959 --> 00:12:35.339 | |
| it was a dance number so it's more about | |
| 318 | |
| 00:12:33.420 --> 00:12:36.839 | |
| that I love that I love that I'm now my | |
| 319 | |
| 00:12:35.339 --> 00:12:38.519 | |
| eyes are watering I know I know but just | |
| 320 | |
| 00:12:36.839 --> 00:12:41.220 | |
| be careful be careful no but that's an | |
| 321 | |
| 00:12:38.519 --> 00:12:43.019 | |
| amazing trick actually an actor told me | |
| 322 | |
| 00:12:41.220 --> 00:12:45.240 | |
| an older actor stage actor told me you | |
| 323 | |
| 00:12:43.019 --> 00:12:47.160 | |
| know you need to cry you turn up stage | |
| 324 | |
| 00:12:45.240 --> 00:12:49.560 | |
| and pull a nostril hair | |
| 325 | |
| 00:12:47.160 --> 00:12:50.639 | |
| and it works but but now I know is as | |
| 326 | |
| 00:12:49.560 --> 00:12:53.040 | |
| you turn upstairs you've got a little | |
| 327 | |
| 00:12:50.639 --> 00:12:55.920 | |
| bit of hot sauce on your finger and then | |
| 328 | |
| 00:12:53.040 --> 00:13:00.079 | |
| yeah you can play Greek tragedy one more | |
| 329 | |
| 00:12:55.920 --> 00:13:00.079 | |
| food question for you okay can I sure | |
| 330 | |
| 00:13:00.540 --> 00:13:03.019 | |
| yep | |
| 331 | |
| 00:13:03.980 --> 00:13:07.880 | |
| very careful I know yeah yeah | |
| 332 | |
| 00:13:12.600 --> 00:13:16.320 | |
| the original Tim Tam girl fall on your | |
| 333 | |
| 00:13:14.700 --> 00:13:17.880 | |
| list of career accomplishments and then | |
| 334 | |
| 00:13:16.320 --> 00:13:20.760 | |
| do you have a favorite line from one of | |
| 335 | |
| 00:13:17.880 --> 00:13:23.760 | |
| those 90s commercials yeah I know I I am | |
| 336 | |
| 00:13:20.760 --> 00:13:25.620 | |
| I wanted to go to to India | |
| 337 | |
| 00:13:23.760 --> 00:13:27.959 | |
| and I didn't have any money and then I | |
| 338 | |
| 00:13:25.620 --> 00:13:29.459 | |
| got a Tim Tam commercial which is pretty | |
| 339 | |
| 00:13:27.959 --> 00:13:31.560 | |
| much up there because it's one of my | |
| 340 | |
| 00:13:29.459 --> 00:13:33.060 | |
| all-time favorite biscuits but I mean | |
| 341 | |
| 00:13:31.560 --> 00:13:34.500 | |
| talking about having to eat the same | |
| 342 | |
| 00:13:33.060 --> 00:13:35.940 | |
| thing over and over that's the thing | |
| 343 | |
| 00:13:34.500 --> 00:13:37.860 | |
| with | |
| 344 | |
| 00:13:35.940 --> 00:13:39.600 | |
| with doing something like that is I had | |
| 345 | |
| 00:13:37.860 --> 00:13:41.639 | |
| a lot of tim tams and then | |
| 346 | |
| 00:13:39.600 --> 00:13:43.079 | |
| I never ate them ever again | |
| 347 | |
| 00:13:41.639 --> 00:13:44.700 | |
| because you do eat a lot of them when | |
| 348 | |
| 00:13:43.079 --> 00:13:46.740 | |
| you you know I guess it's like if you | |
| 349 | |
| 00:13:44.700 --> 00:13:48.240 | |
| did a car commercial right like yeah in | |
| 350 | |
| 00:13:46.740 --> 00:13:51.200 | |
| a show or you eat wings all the time | |
| 351 | |
| 00:13:48.240 --> 00:13:51.200 | |
| would you imagine | |
| 352 | |
| 00:13:55.440 --> 00:14:01.459 | |
| it is what it says in the bottle I guess | |
| 353 | |
| 00:13:57.120 --> 00:14:01.459 | |
| Beyond insanity all right | |
| 354 | |
| 00:14:04.160 --> 00:14:10.380 | |
| it hasn't kicked in yet maybe it won't | |
| 355 | |
| 00:14:07.579 --> 00:14:12.600 | |
| maybe it's like it hurts when you talk | |
| 356 | |
| 00:14:10.380 --> 00:14:13.860 | |
| and eat at the same time right it's like | |
| 357 | |
| 00:14:12.600 --> 00:14:15.300 | |
| your parents always say don't talk and | |
| 358 | |
| 00:14:13.860 --> 00:14:17.100 | |
| eat at the same time there's a reason | |
| 359 | |
| 00:14:15.300 --> 00:14:18.540 | |
| for that yeah | |
| 360 | |
| 00:14:17.100 --> 00:14:20.339 | |
| so with Halloween right around the | |
| 361 | |
| 00:14:18.540 --> 00:14:22.079 | |
| corner I think it's a good time to lean | |
| 362 | |
| 00:14:20.339 --> 00:14:24.420 | |
| into your affection for the horror genre | |
| 363 | |
| 00:14:22.079 --> 00:14:25.860 | |
| once sane yes I love being terrified it | |
| 364 | |
| 00:14:24.420 --> 00:14:27.959 | |
| used to be a badge of honor if you could | |
| 365 | |
| 00:14:25.860 --> 00:14:29.279 | |
| sit through Halloween too up the top of | |
| 366 | |
| 00:14:27.959 --> 00:14:31.260 | |
| your head without thinking about it too | |
| 367 | |
| 00:14:29.279 --> 00:14:33.180 | |
| much what is like your scariest | |
| 368 | |
| 00:14:31.260 --> 00:14:35.339 | |
| quintessential movie that you have to | |
| 369 | |
| 00:14:33.180 --> 00:14:37.079 | |
| watch during Halloween | |
| 370 | |
| 00:14:35.339 --> 00:14:38.880 | |
| I I think | |
| 371 | |
| 00:14:37.079 --> 00:14:40.800 | |
| it'd have to be something by Sam right | |
| 372 | |
| 00:14:38.880 --> 00:14:43.260 | |
| you don't have to be able to | |
| 373 | |
| 00:14:40.800 --> 00:14:45.480 | |
| the thing that makes me scream in magic | |
| 374 | |
| 00:14:43.260 --> 00:14:47.160 | |
| tricks like if you were to do a pull a | |
| 375 | |
| 00:14:45.480 --> 00:14:49.320 | |
| card out of a lemon right now or | |
| 376 | |
| 00:14:47.160 --> 00:14:52.440 | |
| anything like that or make an airplane | |
| 377 | |
| 00:14:49.320 --> 00:14:53.820 | |
| disappear which one musician I'm a | |
| 378 | |
| 00:14:52.440 --> 00:14:55.440 | |
| magician told me the other day that he | |
| 379 | |
| 00:14:53.820 --> 00:14:59.160 | |
| could do I mean they always talk big | |
| 380 | |
| 00:14:55.440 --> 00:15:01.620 | |
| right right but um yeah I made a Lear | |
| 381 | |
| 00:14:59.160 --> 00:15:04.199 | |
| jet disappear I was like oh did you I'm | |
| 382 | |
| 00:15:01.620 --> 00:15:05.639 | |
| so I'm so gullible magic tricks that's | |
| 383 | |
| 00:15:04.199 --> 00:15:07.260 | |
| what makes me scream | |
| 384 | |
| 00:15:05.639 --> 00:15:08.760 | |
| I think one of the one of the scariest | |
| 385 | |
| 00:15:07.260 --> 00:15:11.399 | |
| movies I've ever seen is the is the | |
| 386 | |
| 00:15:08.760 --> 00:15:13.680 | |
| original version of the Ring it we had | |
| 387 | |
| 00:15:11.399 --> 00:15:16.740 | |
| we got so scared we're in the house by | |
| 388 | |
| 00:15:13.680 --> 00:15:19.440 | |
| ourselves we've got so scared back in | |
| 389 | |
| 00:15:16.740 --> 00:15:21.660 | |
| the day BHS that we had we had to we | |
| 390 | |
| 00:15:19.440 --> 00:15:24.120 | |
| started we turned the sound down | |
| 391 | |
| 00:15:21.660 --> 00:15:26.339 | |
| and then we had we watched it fast | |
| 392 | |
| 00:15:24.120 --> 00:15:27.260 | |
| forwarded and we were still shooting our | |
| 393 | |
| 00:15:26.339 --> 00:15:29.940 | |
| pants | |
| 394 | |
| 00:15:27.260 --> 00:15:31.560 | |
| but that's how scary it was but there | |
| 395 | |
| 00:15:29.940 --> 00:15:32.820 | |
| was you know no blood I don't actually | |
| 396 | |
| 00:15:31.560 --> 00:15:35.540 | |
| know what the film was about but it was | |
| 397 | |
| 00:15:32.820 --> 00:15:35.540 | |
| terrifying | |
| 398 | |
| 00:15:36.360 --> 00:15:39.450 | |
| 399 | |
| 00:15:39.720 --> 00:15:48.019 | |
| okay unique garlic | |
| 400 | |
| 00:15:42.720 --> 00:15:48.019 | |
| oh I'm gonna eat it okay all right | |
| 401 | |
| 00:15:48.560 --> 00:15:53.279 | |
| so when we had Seth Meyers on the show | |
| 402 | |
| 00:15:51.060 --> 00:15:55.320 | |
| he likened documentary now to building a | |
| 403 | |
| 00:15:53.279 --> 00:15:57.660 | |
| ship in a bottle a hobby that lets him | |
| 404 | |
| 00:15:55.320 --> 00:15:59.459 | |
| escape from his everyday work grind what | |
| 405 | |
| 00:15:57.660 --> 00:16:01.019 | |
| to you was the appeal of that show when | |
| 406 | |
| 00:15:59.459 --> 00:16:02.579 | |
| you appeared in a parody of a | |
| 407 | |
| 00:16:01.019 --> 00:16:05.639 | |
| performance artist Loosely based on | |
| 408 | |
| 00:16:02.579 --> 00:16:08.160 | |
| Marina Abramovich well I I they asked me | |
| 409 | |
| 00:16:05.639 --> 00:16:11.699 | |
| to to do that one and it's always great | |
| 410 | |
| 00:16:08.160 --> 00:16:13.860 | |
| to excuse me sorry Mom | |
| 411 | |
| 00:16:11.699 --> 00:16:15.920 | |
| um you should never belch in public | |
| 412 | |
| 00:16:13.860 --> 00:16:15.920 | |
| um | |
| 413 | |
| 00:16:16.199 --> 00:16:20.699 | |
| um and and that was such a strange ask | |
| 414 | |
| 00:16:18.360 --> 00:16:23.760 | |
| you know so but but the one I pitched to | |
| 415 | |
| 00:16:20.699 --> 00:16:25.199 | |
| them was then they um I had a they said | |
| 416 | |
| 00:16:23.760 --> 00:16:26.880 | |
| look if you ever see a documentary that | |
| 417 | |
| 00:16:25.199 --> 00:16:29.220 | |
| you think is right for kind of um | |
| 418 | |
| 00:16:26.880 --> 00:16:31.560 | |
| parodying let us know and I saw this | |
| 419 | |
| 00:16:29.220 --> 00:16:33.540 | |
| really sweet documentary set in | |
| 420 | |
| 00:16:31.560 --> 00:16:36.899 | |
| Blackpool in the north of England about | |
| 421 | |
| 00:16:33.540 --> 00:16:39.000 | |
| uh three different hairdressing salons | |
| 422 | |
| 00:16:36.899 --> 00:16:41.160 | |
| and up in the north of England all they | |
| 423 | |
| 00:16:39.000 --> 00:16:43.620 | |
| talk about is dying it's just like death | |
| 424 | |
| 00:16:41.160 --> 00:16:45.420 | |
| is just you know we sit down and we | |
| 425 | |
| 00:16:43.620 --> 00:16:46.860 | |
| would have talked about how whoever you | |
| 426 | |
| 00:16:45.420 --> 00:16:49.500 | |
| know that that's all we would discuss | |
| 427 | |
| 00:16:46.860 --> 00:16:51.839 | |
| and um it was such a sweet beautiful | |
| 428 | |
| 00:16:49.500 --> 00:16:54.240 | |
| documentation I gave it to them and they | |
| 429 | |
| 00:16:51.839 --> 00:16:57.720 | |
| went for it I mean we could probably | |
| 430 | |
| 00:16:54.240 --> 00:16:59.220 | |
| though how would we parody this oh we | |
| 431 | |
| 00:16:57.720 --> 00:17:01.680 | |
| can make it have you made it if you look | |
| 432 | |
| 00:16:59.220 --> 00:17:03.839 | |
| make it documentary about yourself then | |
| 433 | |
| 00:17:01.680 --> 00:17:04.679 | |
| I'll send it to Seth and then I can play | |
| 434 | |
| 00:17:03.839 --> 00:17:07.860 | |
| you | |
| 435 | |
| 00:17:04.679 --> 00:17:11.160 | |
| whoa you know that's a meta idea isn't | |
| 436 | |
| 00:17:07.860 --> 00:17:12.959 | |
| it I love that yeah | |
| 437 | |
| 00:17:11.160 --> 00:17:15.000 | |
| that's a crowd pleaser that's gonna work | |
| 438 | |
| 00:17:12.959 --> 00:17:17.520 | |
| okay what's this this looks really are | |
| 439 | |
| 00:17:15.000 --> 00:17:19.439 | |
| you gonna throw it at me or something is | |
| 440 | |
| 00:17:17.520 --> 00:17:20.230 | |
| that what this is for oh do we have to | |
| 441 | |
| 00:17:19.439 --> 00:17:24.199 | |
| pour this on | |
| 442 | |
| 00:17:20.230 --> 00:17:26.640 | |
| 443 | |
| 00:17:24.199 --> 00:17:28.439 | |
| oh now you're just showing off I didn't | |
| 444 | |
| 00:17:26.640 --> 00:17:30.960 | |
| want to do that I didn't mean to do that | |
| 445 | |
| 00:17:28.439 --> 00:17:32.760 | |
| all right | |
| 446 | |
| 00:17:30.960 --> 00:17:34.320 | |
| so this is the moment where I could | |
| 447 | |
| 00:17:32.760 --> 00:17:37.260 | |
| actually | |
| 448 | |
| 00:17:34.320 --> 00:17:39.539 | |
| throw up no it's uh it's the moment that | |
| 449 | |
| 00:17:37.260 --> 00:17:42.620 | |
| will forever live in glory okay Cheers | |
| 450 | |
| 00:17:39.539 --> 00:17:42.620 | |
| Cheers Cheers big ears | |
| 451 | |
| 00:17:44.640 --> 00:17:50.539 | |
| 452 | |
| 00:17:47.340 --> 00:17:50.539 | |
| I know really not good | |
| 453 | |
| 00:17:50.880 --> 00:17:55.200 | |
| we've reached the end and just one more | |
| 454 | |
| 00:17:52.980 --> 00:17:56.880 | |
| question before we can roll credits and | |
| 455 | |
| 00:17:55.200 --> 00:17:59.039 | |
| I've heard you talk about the memories | |
| 456 | |
| 00:17:56.880 --> 00:18:01.020 | |
| that you have of doing musical at | |
| 457 | |
| 00:17:59.039 --> 00:18:03.120 | |
| University that would play to a crowd of | |
| 458 | |
| 00:18:01.020 --> 00:18:06.299 | |
| three two of whom left at intermission | |
| 459 | |
| 00:18:03.120 --> 00:18:08.520 | |
| but even after all the success the | |
| 460 | |
| 00:18:06.299 --> 00:18:10.860 | |
| international franchises the countless | |
| 461 | |
| 00:18:08.520 --> 00:18:13.440 | |
| Awards and Fanfare you still to this day | |
| 462 | |
| 00:18:10.860 --> 00:18:15.059 | |
| say the only way I can do it is I just | |
| 463 | |
| 00:18:13.440 --> 00:18:17.760 | |
| pretend that no one's going to see it | |
| 464 | |
| 00:18:15.059 --> 00:18:20.280 | |
| how is having a no one's going to see it | |
| 465 | |
| 00:18:17.760 --> 00:18:23.340 | |
| philosophy served you as an actor | |
| 466 | |
| 00:18:20.280 --> 00:18:25.679 | |
| well it it was a it was a um it was a | |
| 467 | |
| 00:18:23.340 --> 00:18:28.140 | |
| very memorable experience we met I mean | |
| 468 | |
| 00:18:25.679 --> 00:18:30.720 | |
| we did a we did a musical about climate | |
| 469 | |
| 00:18:28.140 --> 00:18:32.460 | |
| change and I realized then that you know | |
| 470 | |
| 00:18:30.720 --> 00:18:34.440 | |
| you should probably | |
| 471 | |
| 00:18:32.460 --> 00:18:35.820 | |
| um not have that crossover too often and | |
| 472 | |
| 00:18:34.440 --> 00:18:37.320 | |
| we did have three people in the audience | |
| 473 | |
| 00:18:35.820 --> 00:18:40.140 | |
| and after the intermission there was one | |
| 474 | |
| 00:18:37.320 --> 00:18:41.700 | |
| little old lady and um we said we said | |
| 475 | |
| 00:18:40.140 --> 00:18:43.260 | |
| there were seven of us in the show and | |
| 476 | |
| 00:18:41.700 --> 00:18:44.760 | |
| we said you know she didn't have to stay | |
| 477 | |
| 00:18:43.260 --> 00:18:46.980 | |
| there but she um | |
| 478 | |
| 00:18:44.760 --> 00:18:49.500 | |
| she really wanted us you know to play it | |
| 479 | |
| 00:18:46.980 --> 00:18:51.360 | |
| out so we did but I think it's just it's | |
| 480 | |
| 00:18:49.500 --> 00:18:52.799 | |
| the way I deal with the anxiety of it | |
| 481 | |
| 00:18:51.360 --> 00:18:54.240 | |
| because you have to have you have to | |
| 482 | |
| 00:18:52.799 --> 00:18:55.580 | |
| have a sense of a lack of consequence | |
| 483 | |
| 00:18:54.240 --> 00:18:57.780 | |
| you know what I mean so if you're gonna | |
| 484 | |
| 00:18:55.580 --> 00:18:59.400 | |
| embarrass yourself and acting is | |
| 485 | |
| 00:18:57.780 --> 00:19:01.200 | |
| embarrassing a lot of time you embarrass | |
| 486 | |
| 00:18:59.400 --> 00:19:02.640 | |
| yourself in public you know you really | |
| 487 | |
| 00:19:01.200 --> 00:19:04.740 | |
| do have to pretend that no one's going | |
| 488 | |
| 00:19:02.640 --> 00:19:06.660 | |
| to see it and frankly that's often the | |
| 489 | |
| 00:19:04.740 --> 00:19:08.940 | |
| case with the things I do | |
| 490 | |
| 00:19:06.660 --> 00:19:11.400 | |
| but hopefully not with time | |
| 491 | |
| 00:19:08.940 --> 00:19:13.799 | |
| not with tar and I don't think with this | |
| 492 | |
| 00:19:11.400 --> 00:19:16.020 | |
| episode either throwing caution to the | |
| 493 | |
| 00:19:13.799 --> 00:19:17.760 | |
| wind taking on the hot ones Gauntlet and | |
| 494 | |
| 00:19:16.020 --> 00:19:19.140 | |
| living to tell the tale and now there's | |
| 495 | |
| 00:19:17.760 --> 00:19:20.760 | |
| nothing left to do but roll out the red | |
| 496 | |
| 00:19:19.140 --> 00:19:22.559 | |
| carpet for you this camera this camera | |
| 497 | |
| 00:19:20.760 --> 00:19:24.780 | |
| this camera let the people know what you | |
| 498 | |
| 00:19:22.559 --> 00:19:27.299 | |
| have going on in your life | |
| 499 | |
| 00:19:24.780 --> 00:19:30.799 | |
| what what like if you have a movie | |
| 500 | |
| 00:19:27.299 --> 00:19:30.799 | |
| coming out or anything oh | |
| 501 | |
| 00:19:31.740 --> 00:19:36.179 | |
| field | |
| 502 | |
| 00:19:32.940 --> 00:19:37.919 | |
| is this is this can I do this yeah can I | |
| 503 | |
| 00:19:36.179 --> 00:19:39.419 | |
| tell people go ahead I'm not going to | |
| 504 | |
| 00:19:37.919 --> 00:19:42.179 | |
| tell you anything except that you have | |
| 505 | |
| 00:19:39.419 --> 00:19:43.440 | |
| to go and see tar Todd fields | |
| 506 | |
| 00:19:42.179 --> 00:19:45.360 | |
| film | |
| 507 | |
| 00:19:43.440 --> 00:19:48.120 | |
| about a conductor who I play a conductor | |
| 508 | |
| 00:19:45.360 --> 00:19:50.340 | |
| a major Symphony Orchestra | |
| 509 | |
| 00:19:48.120 --> 00:19:52.020 | |
| whose past catches up with her it's not | |
| 510 | |
| 00:19:50.340 --> 00:19:53.940 | |
| a horror movie but she man she is | |
| 511 | |
| 00:19:52.020 --> 00:19:56.340 | |
| haunted by a lot of ghosts | |
| 512 | |
| 00:19:53.940 --> 00:19:58.740 | |
| and you have to it's a the sound is | |
| 513 | |
| 00:19:56.340 --> 00:20:00.480 | |
| incredible he'll go to dotier who did | |
| 514 | |
| 00:19:58.740 --> 00:20:02.520 | |
| the score for Jokers done the | |
| 515 | |
| 00:20:00.480 --> 00:20:04.919 | |
| composition that I played it's amazing | |
| 516 | |
| 00:20:02.520 --> 00:20:07.679 | |
| Nina the great Nina Hoss one of the | |
| 517 | |
| 00:20:04.919 --> 00:20:10.679 | |
| great actresses I'm you know we | |
| 518 | |
| 00:20:07.679 --> 00:20:15.020 | |
| um play um husband and wife | |
| 519 | |
| 00:20:10.679 --> 00:20:15.020 | |
| and it's it's amazing | |
| 520 | |
| 00:20:18.440 --> 00:20:25.160 | |
| you did so good you did so good | |
| 521 | |
| 00:20:22.200 --> 00:20:25.160 | |
| that's really hot | |
| 522 | |
| 00:20:30.760 --> 00:20:33.920 | |
| 523 | |
| 00:20:35.650 --> 00:20:38.739 | |
| 524 | |
| 00:20:44.520 --> 00:20:46.760 | |
| foreign | |
| 525 | |
| 00:20:47.120 --> 00:20:51.240 | |
| fans thank you so much for watching | |
| 526 | |
| 00:20:49.500 --> 00:20:54.240 | |
| today's video If you want to get your | |
| 527 | |
| 00:20:51.240 --> 00:20:55.799 | |
| hands on the season 19 hot Ones hot | |
| 528 | |
| 00:20:54.240 --> 00:20:58.100 | |
| sauce Gauntlet boy do I have good news | |
| 529 | |
| 00:20:55.799 --> 00:21:00.780 | |
| for you just visit heatness.com | |
| 530 | |
| 00:20:58.100 --> 00:21:03.360 | |
| heatness.com that's heatness.com to get | |
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| 00:21:00.780 --> 00:21:06.780 | |
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| 00:21:03.360 --> 00:21:09.120 | |
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| 00:21:06.780 --> 00:21:11.220 | |
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