Spaces:
Sleeping
Sleeping
| Produced by Greg Weeks, Mary Meehan and the Online | |
| Distributed Proofreading Team at http://www.pgdp.net | |
| TAPE JOCKEY | |
| By Tom Leahy | |
| [Transcriber Note: This etext was produced from IF Worlds of Science | |
| Fiction March 1954. Extensive research did not uncover any evidence that | |
| the U.S. copyright on this publication was renewed.] | |
| [Sidenote: _Pettigill was, you might say, in tune with the world. It | |
| wouldn't even have been an exaggeration to say the world was in tune | |
| with Pettigill. Then somebody struck a sour note...._] | |
| The little man said, "Why, Mr. Bartle, come in. This is indeed a | |
| pleasure." His pinched face was lighted with an enthusiastic smile. | |
| "You know my name, so I suppose you know the _Bulletin_ sent me for a | |
| personality interview," the tall man who stood in the doorway said in a | |
| monotone as if it were a statement he had made a thousand times--which | |
| he had. | |
| "Oh, certainly, Mr. Bartle. I was informed by Section Secretary Andrews | |
| this morning. I must say, I am greatly honored by this visit, too. Oh | |
| heavens, here I am letting you stand in the doorway. Excuse my | |
| discourtesy, sir--come in, come in," the little man said, and bustled | |
| the bored Bartle into a great room. | |
| The walls of the room were lined by gray metal boxes that had spools of | |
| reproduction tape mounted on their vertical fronts--tape recorders, | |
| hundreds of them. | |
| "I have a rather lonely occupation, Mr. Bartle, and sometimes the common | |
| courtesies slip my mind. It is a rather grievous fault and I beg you to | |
| overlook it. It would be rather distressing to me if Section Secretary | |
| Andrews were to hear of it; he has a rather intolerant attitude toward | |
| such _faux pas_. Do you understand what I mean? Not that I'm | |
| dissatisfied with my superior--perish the thought, it's just that--" | |
| "Don't worry, I won't breathe a word," the tall man interrupted without | |
| looking at the babbling fellow shuffling along at his side. "Mr. | |
| Pettigill, I don't want to keep you from your work for too long, so I'll | |
| just get a few notes and make up the bulk of the story back at the | |
| paper." Bartle searched the room with his eyes. "Don't you have a chair | |
| in this place?" | |
| "Oh, my gracious, yes. There goes that old discourtesy again, eh?" the | |
| little man, Pettigill, said with a dry laugh. He scurried about the room | |
| like a confused squirrel until he spotted a chair behind his desk. "My | |
| chair. My chair for you, Mr. Bartle!" Again the dry laugh. | |
| "Thanks, Mr. Pettigill." | |
| "Arthur. Call me Arthur. Formality really isn't necessary among Mid | |
| Echelon, do you think? Section Secretary Andrews has often requested I | |
| call him Morton, but I just can't seem to bring myself to such | |
| informality. After all, he is Sub-Prime Echelon. It makes one | |
| uncomfortable, shall we say, to step out of one's class?" He stopped | |
| talking and the corners of his mouth dropped quickly as if he had just | |
| been given one minute to live. "You--you _are_ only Mid Echelon, aren't | |
| you? I mean, if you are Sub-Prime, I shouldn't be--" | |
| "Relax, Mr. Pettigill--'Arthur'--I _am_ Mid Echelon. And I'm only that | |
| because my father was a man of far more industry than I; I inherited my | |
| classification." | |
| "So? Well, now. Interesting--very. He must have been a great man, a | |
| great man, Mr. Bartle." | |
| "So I am told, Arthur. But let's get on with it," Bartle said, taking | |
| some scrap paper and a pencil stub from his tunic pocket. "Now, tell me | |
| about yourself and the Melopsych Center." | |
| "Well," the little man began with a sigh and blinked his eyes peculiarly | |
| as though he were mentally shuffling events and facts like a deck of | |
| cards. "Well, I--my life would be of little interest, but the Center is | |
| of the utmost importance. That's it--I am no more than a physical | |
| extremity that functions in accord with the vital life that courses | |
| through the great physique of the Center! No more--I ask no more than to | |
| serve the Center and in turn, my fellow citizens, whether they be Prime, | |
| Sub-Prime, Mid, or even Sub-Lower!" | |
| He stopped speaking, affecting a martyr-like pose. Bartle covered a | |
| smile with his hand. | |
| "Well, Bartle, as you know, the Center--the Melopsych Center, a | |
| thoroughly inadequate name for the installation I might say--is the | |
| point of broadcast for these many taped musical selections contrived by | |
| Mass Psych as a therapeutic treatment for the various Echelon levels. It | |
| is the Great Psychiatrist--the Father Confessor. For where can one bare | |
| one's soul, or soothe one's nerves and disposition frayed by a day's | |
| endeavor, better than in the tender yet firm embrace of music?" | |
| * * * * * | |
| Bartle was straining to follow the train of thought that was lost in the | |
| camouflage of Pettigill's flowery phraseology. | |
| "You see all about you these many recorders, Mr. Bartle?" | |
| Bartle nodded. | |
| "On those machines, sir, are spools of tape. Music tapes, all music. My | |
| heavens, every kind: classical music, jazz, western, all kinds of music. | |
| Some tapes are no more than a single melodious note, sustained for | |
| whatever length of time necessary to relax and please the Echelon level | |
| home it is being beamed to. Oh, I tell you, Mr. Bartle, when the last | |
| tape has expended itself for the day, as our service code suggests, I | |
| leave this great edifice with a feeling of profound pride in the fact | |
| that I have so served my fellow man. You share that feeling too, don't | |
| you Mr. Bartle?" | |
| Bartle shrugged. Pettigill paused and looked at the watch he carried on | |
| a long chain attached to a clasp on his tunic. | |
| "A Benz chronometer, given to me by Section Secretary Andrews on the | |
| completion of my twenty-five years of service. It's radio-synchronized | |
| with the master timepiece in Greenland. It gives me a feeling of close | |
| communion with my superiors, if you understand what I mean." | |
| Bartle did not. He said, "Am I keeping you from your work? If I am, I | |
| believe I can fill in on most of this back at the paper; we have files | |
| on the Center's operation." | |
| The little man hurriedly put out a hand to restrain Bartle who was | |
| easing out of the chair. | |
| "Not yet, Mr. Bartle," he said, suddenly much more sober. Then his | |
| incongruous pomposity appeared again. "My gracious, no, you aren't | |
| keeping me from my work. I just must start the Mid-Lower Echelon tape. | |
| It won't take a moment. Tonight, they receive 'Concerto For Ass's | |
| Jawbone.' Sounds rather ridiculous, doesn't it? Be that as it may, there | |
| is a certain stimulation in its rhythmic cacophony. Aboriginality--yes, | |
| I would say it arouses a primitive exaltation." | |
| He flicked a switch above the recorder, turned a knob, and pressed the | |
| starter button on the machine. The tape began winding slowly from one | |
| spool to another. | |
| "Is it 'casting'?" Bartle asked. "I don't hear a thing." | |
| Pettigill laughed. "My stars, no; you can't hear it. See--" He pointed | |
| at a needle doing a staccato dance on the meter face of the machine. | |
| "That tells me everything is operating properly. Mass Psych advises us | |
| never to listen to 'casts. The selections were designed by them for | |
| specific social and intellectual levels. It could cause us to experience | |
| a rather severe emotional disturbance." | |
| A peculiar look came over Bartle's face. "Is there ever a time when all | |
| the machines run at once? That is, when every Echelon home is tuned to | |
| the melopsych tapecasts?" | |
| Pettigill registered surprise. "Why, certainly, Mr. Bartle. Don't you | |
| know Amendment 34206-B specifically states that all Echelon homes must | |
| receive music therapy at 2300 hours every night? Of course, different | |
| tapes to different homes." | |
| "That's what I mean." | |
| "Haven't you been abiding by the directive, Mr. Bartle?" | |
| "I told you I owed my classification to my father's industry. I am | |
| definitely lax in my duties." | |
| Pettigill laughed--almost wickedly, Bartle thought. | |
| "What I'm getting at, is," Bartle continued, "what if the wrong 'casts | |
| were channeled into the various homes?" | |
| "I remind you, sir, I am in charge of the Center and have been for | |
| thirty years. Not even the slightest mistake of that nature has ever | |
| occurred during that time!" | |
| "That, I can believe, Pettigill," Bartle said, his voice edged with | |
| sarcasm. "But, hypothetically, if it were to happen, what would the | |
| reaction be?" | |
| The little man fidgeted with his watch chain. Then he leaned close to | |
| Bartle and said in a barely audible whisper, "This isn't for publication | |
| in your article, is it?" | |
| "You don't think the Government would allow that, do you? No, this is to | |
| satisfy my own curiosity." | |
| "Well, since we're both Mid Echelon--brothers, so to speak--I suppose we | |
| can share a secret. It will be disastrous! I firmly believe it will be | |
| disastrous, Mr. Bartle!" He moved closer to the tall man. "I recall a | |
| secret administrative directive we received here twenty years ago | |
| concerning just that. In essence, it stated that, though music therapy | |
| has its great advantages, if the pattern of performance were broken or | |
| altered, a definite erratic emotional reaction would develop on the part | |
| of the citizens! That was twenty years ago, and I shudder to think what | |
| might be the response now; especially if the 'cast were completely | |
| foreign to the recipient." He gave a little shudder to emphasize the | |
| horror of the occurrence. "It would make psychotics of the entire | |
| citizenry! That's what would happen--a nation of psychotics!" | |
| "The fellow who didn't hear the 'miscast' would be top dog, eh, | |
| Pettigill? He could call his shots." | |
| * * * * * | |
| Pettigill twirled the watch chain faster between a forefinger and thumb. | |
| "No, he'd gain nothing," he said, staring as though hypnotized by the | |
| whirling, gold chain. "It would take more than one _sane_ person to | |
| control the derelict population. Perhaps--perhaps two," he mumbled. | |
| "Yes, I think perhaps two could." | |
| "You and who else, Pettigill?" | |
| Pettigill stepped back and drew himself erect. "What? You actually | |
| entertain the idea th--" He laughed dryly. "Oh, you're pulling my leg, | |
| eh, Mr. Bartle." | |
| "I suppose I am." | |
| "Well, such a remark gives one a jolt, if you know what I mean. Even | |
| though we are speaking of a hypothetical occurrence, we must be cautious | |
| about such talk, Mr. Bartle. Although our government is a benevolent | |
| organization, it _is_ ill-disposed toward such ideas." He cleared his | |
| throat. "Now, is there anything else I can tell you about the Center?" | |
| Bartle arose from the chair, stuffing the scrap paper and unused pencil | |
| back in his pocket. "Thanks, no," he said, "I think this'll cover it. Oh | |
| yes, the article will appear in this Sunday's edition. Thanks, | |
| Pettigill, for giving me your time." | |
| "Oh, I wish to thank you, Mr. Bartle. Being featured in a _Bulletin_ | |
| article is the ultimate to a man such as I--a man whose only wishes are | |
| to serve his country and his brothers." | |
| "I'm sure you're doing both with great efficiency," Bartle said as he | |
| apathetically shook Pettigill's hand and started toward the door. | |
| "A moment, Mr. Bartle--" the little man called. | |
| Bartle stopped and turned. | |
| "I perceive, Mr. Bartle, you are a man of exceptional ability," | |
| Pettigill said and cleared his throat. "It seems a shame to waste such | |
| talent; it should be directed toward some definite goal. Do you | |
| understand what I mean? After all, we're all brothers, you know. It | |
| would be for my benefit as well as yours." | |
| "Sure, sure, 'brother'," Bartle snorted and left. | |
| He started for the paper office but decided to let the story go until | |
| morning. What the hell, he had a stock format for all such articles. The | |
| people were the same: selfless, heroic type, citizens working for the | |
| mutual good of all. Only the names were different. And yet, this | |
| Pettigill had disturbed him. Perhaps it was something he had said that | |
| Bartle could not remember. | |
| * * * * * | |
| He walked into his warm flat and extracted the pre-cooked meal from the | |
| electroven. He ate with little relish, abstractly thinking of the | |
| foolish little cog in the governmental machine he had talked with that | |
| afternoon. Or was Pettigill that foolish little cog? Bartle could not | |
| help but feel there was something deep inside him that did not show in | |
| that wizened and seemingly open little face. He thought about it the | |
| rest of the evening. | |
| He looked at the clock on the night table--2300 hours. "Pettigill's | |
| Lullaby Hour," he thought. Bartle chuckled and switched off the bed | |
| light. He was asleep before the puffs of air had escaped from under the | |
| covers he pulled over himself. | |
| When the phone rang at 0300, Bartle was strangely not surprised, | |
| although, consciously, he was expecting no call. | |
| "Hello," he said sleepily. | |
| "Bartle? This is Pettigill." The voice _was_ Pettigill's but the | |
| nervous, timid, quality was gone. "I assume you did not hear the 2300 | |
| 'cast?" | |
| "You assume correctly, Pettigill. What d'you want?" | |
| "Come on over to the Center; we'll split a fifth of former Section | |
| Secretary Andrews' Scotch." | |
| "What the hell do you mean?" | |
| "Were you serious about that 'therapy revolution' we were talking about | |
| this afternoon?" | |
| "I'm always serious. So what?" | |
| "Excellent, excellent," Pettigill laughed. "I've spent thirty years just | |
| waiting for such a man as you! No, I'm serious, my cynical friend--what | |
| position would you like in the new government?" | |
| "Let's see--why don't you make my descendants real peachy happy and make | |
| me, say, Administrator of Civilian Relations. That sounds big and | |
| important." | |
| "Fine, fine! Tell me, Bartle--how are your relations with psychotics?" | |
| Bartle leaped to the floor. Instantly he recalled what Pettigill had | |
| said that had disturbed him. When they had been discussing the | |
| repercussions of a miscast, Pettigill had said, "it _will_ be | |
| disastrous" and not "it _would_ be disastrous." The devil had been | |
| planning just such a thing for God knows how long! | |
| "How many of 'em, Pettigill?" Bartle asked. | |
| "A lot, Bartle, a lot," the little man answered. "I would say 170 | |
| million! I might even say, a nation of psychotics!" He giggled again. | |
| A smile sliced through Bartle's sallow cheeks. "My relations with them | |
| would be the best! Keep that Scotch handy, Pettigill. I'll be right | |
| over." | |