| Is. | |
| This gone? | |
| Can you hear me. | |
| Out the back? | |
| Yes. | |
| Speak up. | |
| Raise the volume. | |
| And. | |
| I'll just speak louder. | |
| I can't see the volume switch on this. | |
| Is it actually coming through the thing? | |
| Kind of. | |
| Or I'll just try and speak Labs. | |
| Or is it? | |
| I'm not here to help you understand how the brain | |
| helps you love someone like this. | |
| We're here to try and understand a bit about how | |
| we might try and study emotions in the brain. | |
| And to do that, we need to define emotions in | |
| a way that make them scientifically tractable. | |
| And this slide tries to help you do that. | |
| I want to consider emotions that are consistent and discrete | |
| responses to an event of significance. | |
| We need something that's consistent. | |
| We need them to be discrete if we're trying to | |
| understand how they represent in the brain. | |
| I will argue that emotions are important because they help | |
| direct an appropriate course of action. | |
| The most obvious thing in this case is threat. | |
| If you're under threat, you want to fight. | |
| You want to flee. | |
| You need to elevate your blood pressure so that your | |
| body is more prepared. | |
| You need to change your galvanic skin resistance. | |
| You actually need to redirect the blood supply to your | |
| body. | |
| You need to do a bunch of things that are | |
| associated with sympathetic arousal. | |
| It makes sense. | |
| Then, if you start to feel an emotion of fear | |
| that that is associated with a physiological response. | |
| But emotions are also important because they help organise other | |
| aspects of cognition, not just make your body ready for | |
| a particular course of action. | |
| They help you maybe remember things that help you pay | |
| attention to particular aspects of your surroundings. | |
| In humans, we know that emotions are associated with feelings | |
| that might feel sad. | |
| It's a bit hard to ask an animal what feelings | |
| they have. | |
| So we need to, when we study and want to | |
| understand the neuroscience of emotions, we need to examine those | |
| emotions or those aspects of emotions which are reportable, not | |
| those which are subjective and unavailable to scientific analysis. | |
| And I should just mention here that you find in | |
| the literature the word affect and emotion or affective neuroscience | |
| used interchangeably, and it's a little bit discombobulating for the | |
| first few times to read that. | |
| But you just need to think of ethics and emotion | |
| as effectively meaning the same thing. | |
| So there are many ways of describing emotions. | |
| I like this and it is a very influential model | |
| of how emotions can be represented. | |
| This model was developed by asking several hundred, maybe even | |
| thousands of participants in the early 1980s to describe the | |
| relationships between different named emotions, which we'll see in a | |
| second. | |
| And effectively, the mathematical fallout of that experiment was that | |
| most emotions or most emotional states that people recognise could | |
| be described as lying along a space in a space | |
| that's formed by two axes, the two dimensional space. | |
| And those two axes are one of arousal. | |
| So you can vary between being aroused and being sleepy | |
| and one of balance that is between pleasure or positive | |
| affect and misery or negative affect. | |
| So these two axes, it turns out, as sufficient to | |
| describe or at least to place most of the emotional | |
| states that we encounter. | |
| So if we put the various words that were used | |
| in this analysis onto this space, they all kind of | |
| make sense. | |
| So, for example, when you have positive valence and high | |
| arousal, emotions that are associated with those two things, for | |
| example, excited or astonished or delighted and depending on the | |
| relative balance of violence and arousal, you lie at different | |
| points in this. | |
| Similarly, if you have positive violence but low arousal, then | |
| you might have things like serene content at ease, things | |
| that are associated with low arousal but still positive. | |
| So they lie down here, low valence, sorry, low arousal | |
| and negative valence, on the other hand, means things like | |
| sad, gloomy, depressed, those kinds of words. | |
| And finally, high arousal and negative valence means things like | |
| annoyed, afraid, fear. | |
| So it makes sense, the space makes sense, and it's | |
| become a very influential and powerful model for trying to | |
| explain the relationships between different emotions. | |
| And we'll be getting back to that in a in | |
| a few slides time. | |
| What I would like to provide you, though, with the | |
| caveat is that it is still a matter of substantial | |
| debate about whether emotions in the brain represented along these | |
| two axes. | |
| In other words, maybe you have one brain system that | |
| focuses on arousal, another one that focuses on violence. | |
| And together these two brain systems, for example, may represent | |
| all the possible emotions or whether you have dedicated brain | |
| systems for particular emotional states. | |
| So those are the two contradictory hypotheses. | |
| The evidence is still not in about which one describes | |
| brain function better. | |
| But this is a convenient way to think about the | |
| different emotions and the relationship between them. | |
| The study of emotions is had in cognition, and psychology | |
| has had a long and checkered history. | |
| Often called the folk perspective of emotions is the following. | |
| There's a stimulus out there in the world. | |
| We perceive it that then gives that perception and gives | |
| rise to some form of emotional response. | |
| And that emotional response in turn drives physiological actions like | |
| increased blood pressure. | |
| It's not to be pejorative to say this is a | |
| folk explanation, but this is the typical one that we | |
| might if we introspect. | |
| Think about what happens. | |
| This folk, so-called folk was challenged in the late 19th | |
| century. | |
| And indeed, a very popular theory from William James and | |
| Carl Long, which I'll describe in a second, but which | |
| is nicely described in this paragraph, not all of which | |
| are read out. | |
| I just want to highlight a particular sentence. | |
| If I begin to tremble because I am threatened with | |
| a loaded pistol. | |
| That first person is to carry me. | |
| Does terror arise? | |
| And is that what causes my trembling confrontation of the | |
| heart and confusion of thought? | |
| Or are these bodily phenomenon produced directly by the terrifying | |
| cause so that the emotion consists exclusively of the functional | |
| disturbances in my body? | |
| This is a long describing alternative way of looking at | |
| how we start to experience the emotional event. | |
| And in this kind of model, then the stimulus, for | |
| example, a loaded pistol is perceived by axons of the | |
| cerebral cortex. | |
| That perception, in turn drives a physiological response, trembling, increased | |
| blood pressure. | |
| And the emotion that you experience is effectively you reading | |
| out that visceral response with your brain. | |
| I trembled, therefore, I am afraid. | |
| A very popular and and still a model with some | |
| some evidence we process it's the planted in the early | |
| 20th century by Canon Bard who suggested that instead of | |
| this model which seemed to be inconsistent with some of | |
| the measurements they were making instead the stimulus, this motor | |
| pistol may still be perceived by the action of the | |
| cerebral cortex, but then its perception of its action in | |
| the cerebral cortex drove two distinct pathways. | |
| In one pathway we get the emotional response and in | |
| the other pathway we get the physiological response. | |
| So this is kind of a parallel description, that descriptor | |
| of emotions and the associated physiological responses arising in parallel | |
| circuits. | |
| And there's some evidence for and against this hypothesis as | |
| described here. | |
| Finding this insufficient to describe some of the experiments of | |
| the kind that you would only probably do in the | |
| 1970s sector. | |
| And seeing I came up with a slightly different way | |
| of describing this process that is that that stimulus to | |
| load a pistol again leads to perception again in the | |
| cerebral cortex. | |
| But this then drives a physiological response and there is | |
| a contextual modulation of that and those things are read | |
| out to provide the motion. | |
| So for example, in the famous experiment conducted here, participants | |
| were given an injection of adrenaline, which increases blood pressure. | |
| And then were asked to describe their emotional state. | |
| And some partisans describe it as being excited and aroused. | |
| And others did not. | |
| And it turned out that the particular label, the emotional | |
| state that the people gave, depended on the context in | |
| which they were provided. | |
| That arousing steam was that increase in blood pressure. | |
| So the blood pressure itself was actually generating. | |
| You did seem to be reading that out as a | |
| kind of emotional state, but the label that you attached | |
| to it was that dependent on the context that you | |
| found yourself in. | |
| So this is where we found ourselves in the late | |
| 1970s and 1980s. | |
| Not much has changed too much because we haven't had | |
| a huge amount of evidence to decide among these different | |
| alternatives. | |
| It turns out it's quite difficult to study the analysis | |
| of emotions in the brain. | |
| And indeed, almost all the work that we have or | |
| the understanding that we have come from the study of | |
| a very particular brain area, the amygdala. | |
| And we'll be spending a lot of this lecture on | |
| that area to give you a bit of context for | |
| understanding the brain of the amygdala. | |
| I need to introduce you to the limbic system hypothesis. | |
| Has anyone come across the limbic system before? | |
| I presume you have. | |
| Who has not? | |
| Is a few of you who has as a few | |
| more of you, would someone care to describe to me | |
| what you understand the limbic system to be? | |
| The description on here without reading that out. | |
| Back when you when you were talking about the Olympics | |
| this summer, when you encountered it, what did you imagine | |
| it to be? | |
| Yes. | |
| You know. | |
| So the general idea is the limbic system is this | |
| kind of state of something that drives your emotional states. | |
| The kind of larger idea is that the limbic system | |
| that's common, by the way, and if you do study | |
| clinical psychology, you find a lot of clinical psychology still | |
| uses this, what shall we say, simplistic description of the | |
| brain to understand some of the descriptions that I want | |
| to make. | |
| The kind of larger idea is that the limbic system | |
| seemed to evolve long ago. | |
| It's part of the history of our evolution and that | |
| during evolution we have supplanted or added to this limbic | |
| system things like the cerebral cortex and the expansion of | |
| the cerebral cortex in humans. | |
| The idea being that this ancient reptilian brain, which has | |
| continued to be there even as we have evolved and | |
| added in all these other systems. | |
| So the kind of first idea that you have sometimes | |
| the limbic system is this is this ancient pathway or | |
| part of the brain that evolved in reptiles and lower | |
| animals is preserved, still is unconscious, or we have no | |
| access or awareness of its activity, but it drives our | |
| emotions and cognitions. | |
| That, I think, is the kind of idea of the | |
| limbic system that we usually have. | |
| I think know, by the way, that the limbic system, | |
| which is a circuit which includes the hypothalamus, anterior thalamus, | |
| the finger gyrus and we'll get on to that in | |
| the next slide, has over the years had things attached | |
| to it. | |
| So for example, the amygdala, the septum, the orbitofrontal cortex | |
| and portions of the basal ganglia, turns out, as we | |
| see in the next slide. | |
| That first time that basically the limbic system now encompasses | |
| much of the brain and I think its explanatory power | |
| is therefore substantially reduced. | |
| There's other reasons to think that this explanatory power is | |
| not very strong, and that is that actually the idea | |
| that we have evolved on top of this limbic system | |
| is not really a correct reading of evolution. | |
| So this is a graphical description. | |
| By the way, I encourage you to read this article | |
| because it has perhaps the best I've ever seen. | |
| Your brain is not an onion with a tiny reptile | |
| inside. | |
| The classic view of the limbic system. | |
| It's kind of described amber here. | |
| The idea is that evolution is the fishes evolve into | |
| rodents, evolve into humans, and that fishes, which have this | |
| pronounced limbic system, which is still substantially preserved in mass | |
| and then only slightly elaborate and then slightly inverted, sorry, | |
| and then further elaborated in humans that this limbic system | |
| we've inherited from this ancestor. | |
| That's not how evolution works. | |
| We are not so linearly related. | |
| We are not the end product of the chain of | |
| evolution whose goal is to create stupid human beings. | |
| Instead, evolution is a series of parallel processes, and indeed | |
| we diverge from the evolutionary lineage that links us with | |
| fishes. | |
| Before my did. | |
| And indeed, if you look at the brains of each | |
| of these three different species, species, humans and mice, you | |
| actually find shared components there in all the systems more | |
| pronounced or less pronounced in different species, but still same | |
| components. | |
| So the idea that this limbic system is something that | |
| was the kind of entirety of the cognitive system of | |
| teachers and sits there in that sort of unconscious awareness | |
| in ourselves is not really an accurate description of evolution | |
| nor of the brain structure of these animals or ourselves. | |
| So for that reason, I would argue that the idea | |
| of thinking the limbic system has only limited value. | |
| Nevertheless, this is the limbic system and in particular the | |
| circuit here, which you can read about in your letter. | |
| But the idea here is that there's a circuit, as | |
| I said before, the single cortex, the hippocampus, the hypothalamus | |
| and the anterior thalamus missing the four words or working | |
| together in a circuit to produce some emotional state. | |
| This was the state of play in the 1970s, 1980s. | |
| It's now been largely supplanted mainly by studying particular brain | |
| areas such as the amygdala. | |
| And and we'll go through that in the next set | |
| of the lecture. | |
| Before I get on to that, I just want to | |
| make a digression into understanding emotions through emotional phases, because | |
| most of us communicate our emotions through our facial expressions, | |
| and most of us understand the emotions of others by | |
| looking at this facial expressions. | |
| This seems to be the major route through which we | |
| communicate emotions, and also animals can also recognise and communicate | |
| emotions through similar facial expressions. | |
| Turns out that you can actually train computer programs to | |
| recognise categorise very accurately the emotions that people might be | |
| experiencing by simply reading the visual image of their face. | |
| This was now a few years ago. | |
| This particular one technology is substantially improved, but effectively the | |
| kinds of neural networks that bound artificial intelligence that are | |
| bound in our world now are quite capable of using | |
| images of you through your video camera and your computer | |
| or your phone to read, or at least try and | |
| classify your emotional state. | |
| And they do this, unfortunately, very accurately, not always accurately, | |
| but pretty accurately. | |
| That is, there is a set of facial configurations that | |
| we all seem to share when we experience certain emotions. | |
| We've actually known that for a long time. | |
| It's these lovely photos doing the work of Titian in | |
| the mid 19th century who discovered one of the very | |
| first uses of electricity in experimental science discovered that you | |
| can actually create facial expressions on individuals simply by stimulating | |
| particular groups of muscles on the face. | |
| So these in this picture here, this is Dustin. | |
| Again, we don't really do experiments like this anymore, unfortunately. | |
| Maybe. | |
| But these are little electrical stimulating devices being attached to | |
| the muscles. | |
| I told you many lectures ago, the muscles of the | |
| other electrically excitable cell in the body of the nerve | |
| cells. | |
| And it turns out that by passing current into muscles, | |
| we cause them to contract. | |
| And if we cause these contractions in particular muscle groups | |
| in the face, we can provide these things that look | |
| like almost realistic expressions, fear, smiles, etc.. | |
| The point I want you to take from this is | |
| that the organisation of the facial muscles seems to be | |
| such that it simplifies and allows expression of emotion through | |
| expressions. | |
| We seem to have developed our face muscles for that | |
| purpose. | |
| Sometime later, Ekman and colleagues discovered that there was actually | |
| a proposal and then provided evidence for the hypothesis that | |
| there are actually universal emotional faces that we can all | |
| recognise, and that we may all just claim that largely | |
| the these emotional faces, the six faces. | |
| So the universally accepted is universal and another couple that | |
| are more controversial. | |
| If you look at these posed actor that faces anger, | |
| fear, disgust, surprise, happiness, sadness. | |
| You should or maybe not, but you should probably recognise | |
| the same expressions and the emotions in those expressions in | |
| work that my wife just published actually yesterday in the | |
| Proceedings of the National Academy of Sciences. | |
| She challenges this distinction. | |
| Turns out that actually these posed acted out expressions are | |
| not very good ways of testing, emotional recognition, and that | |
| if we allow each other to evolve the expressions in | |
| images, devolve the expressions that we think relate to anger | |
| or fear or sadness. | |
| It turns out we can evolve very divergent expressions. | |
| There is many commonalities, but there's a lot of differences | |
| such that two individual people may recognise the one face, | |
| for example, this one here as two different emotions fear | |
| or surprise might be. | |
| However, the reason that Ackman's work became so popular and | |
| influential is that these studies conducted in groups of people | |
| who had had limited cultural contact with other parts of | |
| the world. | |
| In this case, the tribesmen of Papua New Guinea, a | |
| small island just north of the Queensland in Australia, very | |
| densely vegetated, a lot of hills and valleys. | |
| A number of tribes within them who had had very, | |
| very limited contact with any part of the Western world, | |
| even in the 1970s. | |
| And this famous study sought to see whether or not | |
| the facial expressions they produce were similar to those that | |
| we in the West might produce for similar kinds of | |
| emotional states. | |
| And the conclusion was that they were indeed suggesting that | |
| it's not just about cultural conformity or spread of between | |
| different cultures. | |
| That leads us to a commonality in our facial expressions | |
| and emotions, but actually that these are something innate, all | |
| inbuilt in humans. | |
| If we try to put these universal of emotions on | |
| that axis of arousal and violence that we described earlier, | |
| we find that actually, somewhat surprisingly, almost all of them | |
| are associated with higher arousal. | |
| I'm not exactly sure why this is. | |
| I have a feeling that these emotions that I'm feeling, | |
| the emotions that are associated with high arousal that are | |
| most important for us to communicate and for us to | |
| respond to. | |
| It also turns out that the way that we make | |
| these expressions depends on somewhat different brain systems, or at | |
| least a couple of different brain systems. | |
| That's, well, well-established in looking at people with small brain | |
| lesions in appropriate parts of the brain. | |
| And you can see here the two types of emotional | |
| paralysis that you can see in people with these small | |
| lesions, one brain called facial motor paralysis, that's one on | |
| the left here. | |
| The other emotional motor paralysis and emotional motor paralysis. | |
| People have very much difficulty forming the actual expression associated | |
| with an emotion. | |
| In face of murder paralysis. | |
| Since dead people have difficulty in forming emotions if they | |
| are asked to generate that emotion without the appropriate stimulus. | |
| Whereas if they had provided an appropriate stimulus, they can | |
| actually produce a smile. | |
| And the inference from this work is that there's two | |
| strains of facial emotion, a volitional system and law of | |
| Matic system. | |
| And the automatic system is one that includes the hypothalamus, | |
| the amygdala in the frontal cortex, i.e. the limbic system | |
| or its components. | |
| So I want to introduce that because this is the | |
| normal way that we trying to out someone else's emotional | |
| state is to look at the facial expressions or to | |
| communicate. | |
| The emotional state is through that. | |
| And we're going to spend a little bit of time | |
| in the next part of the lecture going through some | |
| of the mechanisms that might be important in trying to | |
| bring these two things together the recognition of textual emotions | |
| and the production of emotion through responses. | |
| So we mentioned the amygdala before. | |
| It's part of the enlarged to kind of larger limbic | |
| system, not the original one. | |
| It was actually discovered in the late 1930s, early 1940s | |
| by Coover and Bucy, who did some experiments on monkeys | |
| in which they removed large fractions of the temporal lobes. | |
| And they discovered very complex behavioural changes in these animals, | |
| including noses, sexuality, inappropriate eating and the lack of fluency | |
| in the constellation of these symptoms is often called Clifford | |
| syndrome. | |
| Now these were very large lesions appropriate to the surgical | |
| techniques at the time. | |
| It took several decades before more improved surgical techniques could | |
| remove smaller parts of the brain. | |
| And asked the same kind of questions. | |
| And indeed, it was Larry Weiss Prince, who's a very | |
| famous and important neurosurgeon, who discovered that by removing a | |
| little bit of the brain called the amygdala, amygdala means | |
| almond. | |
| So it's an almond shaped part of the brain. | |
| But by removing this component, you could reproduce the emotional | |
| symptoms that these animals had experienced. | |
| So this part of the brain, the amygdala from then | |
| on became a very much of the focus for trying | |
| to understand how emotions are represented in the brain. | |
| The other paradigm I want to introduce you to is | |
| that that's been popularised by Joe LeDoux. | |
| Joe to do is at New York University. | |
| He developed and continues to use this paradigm called conditioned | |
| fear. | |
| Now. | |
| I saw Joe. | |
| I invited Joe to give a lecture once, and at | |
| the end of the lecture, I'm about to describe to | |
| you the condition of the part. | |
| On the end of the lecture, someone asked, Have you | |
| ever thought of doing another type of experiment rather than | |
| this conditioned fear? | |
| And his answer was briefly, no. | |
| He said no. | |
| And I get asked that question all the time. | |
| The reason I like this paradigm and why I continue | |
| to use it is that I can predict now the | |
| experience of every animal. | |
| I don't need to do the actual behavioural experiment any | |
| more. | |
| This is such a reproducible behavioural experience experiment that it's | |
| no longer necessary to conduct experiments on animals to actually | |
| look at the behaviour itself. | |
| You can just assume that that is what would have | |
| happened and conduct other measurements that would look at the | |
| neuroscience involved in that. | |
| But conditioned fear in paradigms in love cells which are | |
| incredibly powerful, are very simple. | |
| The basic idea is to put an animal, a rat | |
| usually, or a mouse in a little box, and that | |
| box will have a little grid on the floor and | |
| a little speaker on the wall. | |
| And through the grid, you can pass the small amount | |
| of current that's aversive to the animal, although not actually | |
| painful. | |
| And if you put current through that grid, the animal | |
| will generally freeze. | |
| It's an aversive stimulus, a potentially threatening stimulus. | |
| Now, if you play the sound in of itself before | |
| you without pairing it with that electric stroke, the animal | |
| generally maybe the first time and he was like, what | |
| the hell is going on there? | |
| But very rapidly habituate and then ignores the sound because | |
| it's a neutral, unthreatening stimulus. | |
| However, if you pair or associate that sound with the | |
| electric shock over several trials, the animals then replay the | |
| sound by itself. | |
| The animal is now displays just the reactions that it | |
| would have otherwise displayed to the electric shock. | |
| In other words, it freezes. | |
| So this is a condition. | |
| It's a classic paradigm. | |
| It's been used to elucidate the role of the media. | |
| It's not necessary to do this only in mice or | |
| rats. | |
| You can also do this in humans. | |
| I love this video. | |
| I'm dying to know. | |
| That we have. | |
| Period of classical conditioning I'm trying to get. | |
| This will be the same thing. | |
| And then I've got experience with this. | |
| We learn the relationship. | |
| Between a sounds and it's got more of a super. | |
| Duper so that we can take for are going to | |
| look like that. | |
| Mastery works so you don't need to use rats. | |
| You can use humans. | |
| Let down some ethics people. | |
| Okay. | |
| So this. | |
| Yes, it's a very good question. | |
| And actually fear is the wrong this is what's what. | |
| The conversation goes around every about ten or 15 years. | |
| We just keep on going around the circles. | |
| The question is, is there an emotional response or is | |
| the animal responding to the potential threat? | |
| Okay, so distinguishing between those two hypotheses is almost impossible. | |
| So there's a subjective ness to fear as a concept | |
| that we can't explore in a rat. | |
| So this goes around and around. | |
| Is is fear simply described as a response to a | |
| threat or is it something in addition to that? | |
| And unfortunately, there's been no resolution of that particular discussion. | |
| You do know that the animal is exhibiting all the | |
| signs of having had of of experiencing a potential threat. | |
| Now, whether that is associated with fear in and of | |
| itself is another question. | |
| So it is a good question and unresolved still. | |
| And it goes around this discussion goes around in the | |
| in the field every ten or 15 years because it | |
| threatens the threat of external stimuli. | |
| So the internal response. | |
| So the amygdala is central to to, as Joe has | |
| worked so extensively, is essential to understanding this responses they | |
| may do is actually have quite a complicated nucleus. | |
| It's consists of at least 13 subdivisions. | |
| We tend to ignore all of them except for two | |
| or three. | |
| The two or three that we're usually interested in, the | |
| lateral nucleus, the basal nucleus and the central nucleus. | |
| Usually, indeed, we actually ignore the base of the nucleus | |
| and just think of the lateral, the central nucleus. | |
| The lateral nucleus is where all this sensory input comes | |
| into the amygdala from the cerebral cortex and from other | |
| parts of the brain. | |
| And central nucleus is the output of the one that | |
| goes in control. | |
| The physiological responses. | |
| There are other outputs from amygdala, from the other parts | |
| of it, which instead of controlling physiological responses, actually project | |
| back to, for example, the cerebral cortex. | |
| And we'll go through that briefly at the end in | |
| humans, the images found around here. | |
| In rats. | |
| It's a slightly different location. | |
| So this schematic turns the outcome of two or three | |
| decades of work from Joe and others, which tells how | |
| you might generate this condition. | |
| Fear response. | |
| We think of the condition stimulus as a sound stimulus. | |
| It's conditioned because it's otherwise neutral, and then it gets | |
| conditioned and then there's an unconditioned stimulus or us, which | |
| is the future. | |
| It's unconditioned. | |
| In other words, the response to that stimulus is an | |
| innate response is an instinctive response you don't have to | |
| associate to get that response. | |
| If you play the conditioned stimulus and the unconditioned stimulus | |
| together, sound and food shock, the signals from these two | |
| things are coming through the auditory pathway and through the | |
| similar sensory pathways. | |
| And these signals converge at the level of the lateral | |
| nucleus in the amygdala. | |
| So you have sound inputs coming through, somatic sensory inputs | |
| coming through together. | |
| These can now work together to find mechanisms of synaptic | |
| plasticity to now convert that or allow that sound stimulus | |
| to cause the same physiological response to the unconditioned stimulus | |
| would have otherwise. | |
| And then that output is then provided by the central | |
| nutrients. | |
| Now, you'll note here that there's actually several potential sources | |
| of input to the amygdala, including the cerebral cortex, but | |
| also subcortical areas such as Solomon's. | |
| And it turns out that that's quite important for understanding | |
| some of the reactions that we animals have to people | |
| or other threatening stimuli. | |
| So, for example, one of the early studies from Joe | |
| showed that auditory cortex was not required for responding in | |
| this condition fear, paranoia. | |
| So if you remember before, when we were talking about | |
| versus theories of emotional response, the idea was that you | |
| perceive the stimulus with your cerebral cortex, and then that | |
| generates that cascades through into other events. | |
| What does work started is that at least in rodents | |
| and as we'll see in a minute or so in | |
| humans. | |
| You don't need the cerebral cortex to respond to these | |
| threatening events, suggesting that some of these threatening events could | |
| be communicated to the amygdala via pathways that have no | |
| access to perception or cognition themselves that are below the | |
| level of awareness. | |
| The particular experiments here were to lesion the bit to | |
| the auditory cortex of the retinas, the way the auditory | |
| cortex is in the rat. | |
| And then to put them in this condition fear paradigm | |
| and to measure several variables, including the freezing response, but | |
| also things like blood pressure increases and so forth, and | |
| become long story short. | |
| Effectively, all the components of the threat, response or fear | |
| response in rats were preserved in those animals that had | |
| auditory cortex and didn't have auditory cortex. | |
| In other words, cortex was not required for the animals | |
| to exhibit this condition. | |
| Fear that suggests that subcortical pathways are sufficient. | |
| And indeed, the dominant hypothesis from Joe and others now | |
| is that there are two votes for sensory input to | |
| the amygdala. | |
| One that goes through the thalamus and one that goes | |
| through the cerebral cortex. | |
| So for example, in human brain, the visual thalamus is | |
| here, this blue blob. | |
| The visual cortex is here. | |
| The back of the brain and the amygdala. | |
| It's here down the temporal lobe. | |
| There are some either direct or indirect inputs from the | |
| thalamus to the media, as well as inputs from the | |
| visual cortex, but indirect and direct. | |
| And the idea here is the central idea here is | |
| that for some kinds of stimuli that you need, a | |
| rapid response to those stimuli might be included in this | |
| pathway that simply requires the farmers. | |
| So, for example, snakes on a path in front of | |
| you, you don't want to hit this guy. | |
| It was like a snake. | |
| Maybe it's a tiger snake round snake. | |
| Instead, you want to get out of the way. | |
| Actually, literally, you should freeze. | |
| Many people try to get out of the way, but | |
| if you get out of the way, they'll come for | |
| you actually should just freeze. | |
| That's one of the life tips you learn in Australia. | |
| So the snake is there. | |
| Maybe the signals for the snake were actually passed through | |
| this thalamic pathway, this rapid pathway, the middle rather than | |
| through the cerebral cortex, requires a perception that you can | |
| react to that snake without actually having perceived it yourself. | |
| It's sometimes called the high road and the low road, | |
| the low road from the thalamus to move to the | |
| highway through the sensory cortex. | |
| And that's basically what I've just told you. | |
| In humans, there is some evidence, as in rodents, there | |
| is some evidence that the pathways are sufficient to activate | |
| the amygdala. | |
| This is a fascinating study of a person with blind | |
| sight. | |
| We discussed neglect, a couple of lecture lectures, go blind | |
| sites of different phenomena. | |
| If you lose part of your central cortex, you become | |
| blind spot that you're not unaware of something like this. | |
| You neglecting something be actually, at least according to people | |
| who have these lesions you experience as an absence, a | |
| blackness. | |
| Basically in the US, in that part of the visual | |
| world, people with lesions, the visual cortex report not being | |
| able to perceive anything in the appropriate part of the | |
| visual world. | |
| So, for example, if your lesion on the left part | |
| of your visual cortex, you won't see anything on the | |
| right path of your visual field. | |
| Nevertheless, people with these lesions can still respond appropriately, sometimes | |
| to visual objects presented in that blind part of the | |
| visual field. | |
| A fascinating phenomena. | |
| For example, they can actually navigate through obstacles in a | |
| corridor or tell or actually respond reliably and see what | |
| orientation opinions operate or mind to assign. | |
| In addition, if you put someone in the scanner and | |
| MRI scanner and conduct measurements whilst this person's images in | |
| this case facial images of facial expressions, you can find | |
| that in this part of the brain where the least | |
| means this is a simple cortex is lesion. | |
| The image was nevertheless activated by in this case, people | |
| faces. | |
| So for some reason or some pathway that bypasses visual | |
| cortex, the primary visual cortex allows people to actually get | |
| see moving to the Middle East. | |
| Similarly, in humans with an intact amygdala, you can do | |
| experiments such as backward masking this as you rapidly present | |
| a stimulus and mask it with noise. | |
| People report not being able to see the stimulus that | |
| was presented briefly present a stimulus. | |
| Turns out if you do that and you construct the | |
| stimulus appropriately, you can find different. | |
| You can find responses in the amygdala in mind that | |
| seem to resemble fearful faces. | |
| This is also evidence that you do not need perception | |
| or cognition to actually activate. | |
| So this is evidence that even in humans, as in | |
| rats, there is some subcortical pathways as well as cortical | |
| pathways. | |
| And indeed, if you look at facial mimicry, when we | |
| see people make expressions, we tend to make those expressions | |
| ourselves. | |
| That's called facial mimicry. | |
| You find that facial mimicry is intact in people with | |
| blind side. | |
| Again, further evidence that you don't need to perceive things | |
| to be able to detect and respond to emotions. | |
| There is some. | |
| Caveats. | |
| This thing you should be aware of. | |
| For example, there are very few people in the world | |
| who have had lesions to the amygdala in the one | |
| or two cases that have been studied does not seem | |
| that this is 100% necessary to respond to emotions. | |
| But bear in mind, as we talk about methods lecture | |
| that people with lesions can find compensatory pathways and things | |
| do change. | |
| So it's not clear whether or not these kinds of | |
| responses are true in intact humans. | |
| I want to spend a couple of minutes just illustrating | |
| to you that these emotional networks, such as the amygdala, | |
| impact not only the physiological output, but also other cognitive | |
| processing in the brain. | |
| It turns out actually, that the amygdala is either directly | |
| or indirectly connected to a huge amount of the brain | |
| striatum prefrontal cortex, medial temporal lobe, cerebellum, pixabay neocortex, etc. | |
| There's plenty of opportunity for the amygdala to guide our | |
| cognition via emotional responses, in instance of time. | |
| Because I would just like to introduce something for a | |
| few minutes at the end of this lecture. | |
| I'll skip over these two little slides, but you can | |
| go back to look at them at your leisure. | |
| I want to focus on this one, which describes an | |
| experiment that could have already really been done once or | |
| twice in our history. | |
| As you all know, on September the 11th, 2001, perhaps | |
| before you were born, the Twin Towers in New York, | |
| the World Trade Centre, were destroyed in a terrorist attack. | |
| This was a very emotional experience for many people. | |
| My wife, for example, was based in New York University | |
| at the time. | |
| She stood on the top of the building and watched | |
| those towers come down. | |
| She still remembers that day very clearly. | |
| The question that was asked in these experiments by researchers | |
| whose prioritisation might be slightly strange was the day after | |
| 2001 researchers in Duke University. | |
| Contact of Duke students. | |
| The Duke is not New York itself. | |
| Nevertheless, everyone of us was kind of watching these these | |
| attacks and ask very simple questions. | |
| Do you remember what do you remember about the events | |
| on September 11th? | |
| And what do you remember about other unrelated events? | |
| The idea is that these events on September 11th might | |
| be associated with flashbulb memories, things that are emotionally salient. | |
| And the question is, do these emotionally salient events last | |
| longer than nonstate ones, and do they have different content, | |
| the most salient ones? | |
| The answer to the first question is yes. | |
| They seem to be more vivid for longer than non | |
| emotionally salient events. | |
| So these on this graph on the left here for | |
| 224 days after September 11th, these ratings were made, some | |
| people for September 11th or other events. | |
| You can see that the vividness for the subjective experience | |
| of remembering events around September 11th was much greater than | |
| that for other events, suggesting that emotion colours, memory, makes | |
| things vivid, makes things more memorable. | |
| On the other hand, the actual number of details that | |
| we were able those people were able to remember about | |
| the 11th and other events didn't seem to be much | |
| different. | |
| So what's the vividness and therefore importance of that memory | |
| for people was higher. | |
| The actual structure, the clarity of that memory was not | |
| necessarily higher. | |
| This has importance for understanding things like, for example, eyewitness | |
| testimony. | |
| So what I wanted to bring you here is that | |
| clearly emotion does colour memory does it in complex ways. | |
| Does this suggest that those circuits within the amygdala and | |
| similar structures influence aspects of the hippocampus and other formation? | |
| The final slide I want to show you simply reinforces | |
| that by looking at some imaging studies. | |
| But I will just mean the time link to go | |
| through that yourself. | |
| Q Would you like to just come down and help | |
| people understand what we want you to do during your | |
| reading week? | |
| So thanks for that. | |
| I hope we've both understood it. | |
| Something about emotions and the brain. | |
| I can't tell you about life, but we can tell | |
| you about one of those things anyway, right? | |
| Q Do. | |
| You think you're going to find something to that. | |
| Effect? | |
| I don't think. | |
| So, but I'm just going to take us through the | |
| process of feedback for this module. | |
| Before I do that, I just would like to take | |
| on you had this lecture and it could take good | |
| care of your brain and your amygdala otherwise ends up | |
| in lots of dangerous situations. | |
| Has anyone seen Die Another Day? | |
| Great James Bond film from the mid-nineties. | |
| Robert Carlyle. | |
| Okay, can watch that. | |
| Yeah. | |
| So the best thing most I think if we see | |
| one of these patients who has no MC to their | |
| fitness emerges loving, playing dangerous snakes and tarantulas and whatever, | |
| there's there's this lack of inhibition and we'll be picking | |
| up that topic in lectures following this. | |
| And the memory system is sound is just getting onto | |
| memory at the end there. | |
| And we'll be looking at methods where they've been able | |
| to implant false memories into rats brains, where they can | |
| turn on the memory, the flash of light, using that | |
| fear conditioning approach and make rats afraid of places that | |
| are completely normal, but they've just inserted false memories. | |
| So we'll come back to that as the great play | |
| into that memory circuits. | |
| So this is the Moodle page for the module. | |
| Just highlighting that we think is yeah. | |
| The different modes. | |
| You can do it. | |
| It's fantastic. | |
| Exactly. | |
| Because a lot of hidden material behind the lectures. | |
| Okay, so there's a keep in touch and we've been | |
| able to look. | |
| At these. | |
| Questions here and we put announcements there and we've got | |
| questions. | |
| People have put in great questions and we'll try to | |
| respond to those through the announcements page. | |
| This is for general questions. | |
| If something comes to you and you want to ask | |
| a general question about the course, feel free to throw | |
| a question into that for each the each of the | |
| weeks from, let's say further onwards is a a at | |
| the end of this fits with this class times is | |
| reading and there. | |
| Are. | |
| Questions about lectures to feel free against remind everyone if | |
| you have a question that pops up after reading maybe | |
| in the middle of reading week or reading material and | |
| you think, Oh, looking back at lectures for next week | |
| for don't post the question in to that. | |
| I will respond to that. | |
| We'll see these. | |
| But really today is the highlight right at the end | |
| is a now exceptional have you would say and we'd | |
| like to get your feedback through the key to have | |
| this continuous module dialogue you still loves acronyms C and | |
| D approach to the. | |
| Module and. | |
| There is now a link to a mental page where | |
| you can go, I want to go. | |
| Now. | |
| Yeah. | |
| It needs to work. | |
| So it's currently sitting in there. | |
| It's still running, but it needs to be updated. | |
| So after this lecture we'll get that functioning. | |
| If you can go in and answer the questions. | |
| Have you understood things? | |
| How do you say what are the things for this | |
| course? | |
| Is that within this large room there are people from | |
| psychology, so you might have different perspectives to people inside | |
| psychology. | |
| It may be useful to get your reflections on this | |
| module compared to other modules you're setting, but it will | |
| be all of the questions. | |
| And that means that you can go in and access | |
| from that link. | |
| In a couple of weeks we'll have another mentor as | |
| you going forwards, more CMC approach, more, more feedback from | |
| you and at the end, surprise, surprise, another mentee page | |
| for feedback. | |
| If you're in any module and I'm sure you're used | |
| to filling out these mentees, but we'd love to hear | |
| from you. | |
| We've had great we've had some useful suggestions on the | |
| page and we'll keep collecting that. | |
| Thank you for all your attendance and enjoying the module. | |
| We'll see you next week. | |
| So there is a lot of great work to do, | |
| but a lot. | |
| Great. | |
| It's a really good question. | |
| It's pretty pretty. | |
| Hard to talk about what's. | |
| Going to. | |
| Happen next week. | |
| Right. | |
| That's because. | |
| It doesn't make. | |
| Sense to. | |
| Keep people from actually able to pick up the phone | |
| call for a living. | |
| Record the next. | |
| It's hard to record the next question. | |
| I found it on the floor of someone to drop | |
| it so we can hand it. | |
| To the psychology man office or. | |
| The main. | |
| Office. | |
| That's the most likely outcome. | |
| Of that discussion. | |
| Yeah, I could just make an announcement. | |
| I mean. | |
| Although if anybody's lost a phone, we found a mobile | |
| phone. | |
| Here, We'll put it in the reception's. | |
| If anybody is walking out and somebody is running back. | |
| That phone will be in the reception for the building. | |
| I mean. | |
| Maybe not so lucky for people who. | |
| Would. | |
| Like. | |
| To see. | |
| Different things. | |
| I do. | |
| Think. | |
| That it's tricky because it's the only way for people | |
| to think that. | |
| That's pretty cool. | |
| I think. | |
| That's absolutely. | |
| Great. | |
| School teaching is not acceptable. | |
| I think things like that. | |
| Very nice to talk to you for a few hours | |
| because sometimes it's a part of the whole. | |
| I want to get some stuff because I don't care | |
| about 15 minutes per 100,000 people. | |
| Because. | |
| People trying to get me to actually try to keep | |
| something that's interesting because I'm focusing. | |
| On you to. | |
| Come to. | |
| You. | |
| Normally you have to start. | |
| To. | |
| Some of. | |
| These private firms to pick these people. | |
| You can. | |
| Make more people want. | |
| To let go. | |
| Why not? | |
| Well, that's. | |
| How. | |
| It lots of things. | |
| You can. | |
| Do about that perspective. | |
| Because unfortunately, it's impossible to get people to look at. | |
| What's going on here. | |
| Yeah, we get really we. | |
| Get feedback to people about the course of events, just | |
| everything updates and you can put that in as a | |
| feedback you'd like. | |
| Stephen That's what I'd like to say. | |
| A lot of. | |
| Students don't want to understand that either, but apparently the | |
| feedback from. | |
| Feedback. | |
| That might. | |
| Be difficult. | |
| For the general nominee is that people get a quick | |
| look at time frames when this happens, but that's a. | |
| Time that it's. | |
| One that might be that may be the case, but | |
| that it's actually you can see back into the things | |
| that we can use that to say, Hey, you look | |
| like you want me to do videos, basically, but. | |
| You don't have. | |
| To do it. | |
| Some of it might take these guys. | |
| Yeah, except this is six years of research. | |
| That's some of. | |
| The material, but not what you want to do to | |
| make. | |
| This work. | |
| Yeah, it's not. | |
| Material. | |
| Why didn't I get a first. | |
| Bite of this? | |
| And I didn't say that. | |
| That's the problem. | |
| It's kind of really happened since, Mr. President. | |
| So I said, Well, I originally said that any on | |
| the day would have been. | |
| The school. | |
| But she's not accepting. | |
| What's been happening in Iraq. | |
| And the way you. | |
| Might. | |
| Have noticed. | |
| The really useful question. | |
| It's good to get feedback about how you doing things | |
| differently, doing something right. | |
| Yeah. | |
| Yeah, I know. | |
| I'm just I'm just hoping that by pinpointing very quickly | |
| that these kind of theories, we do. | |
| Have a lot of people out there who might be | |
| eager. | |
| To meet with individuals, something to discuss how to give | |
| some solutions. | |
| Access We really hate that. | |
| It's the men's lives work, stuff like that. | |
| Yeah, I just. | |
| That because we're not going to make it. | |
| But, you know, I think that there is not much | |
| concern about this because the problem. |