你对 World's End Girlfriend (WEG) 的这首《MEGURI》的感受非常精准和深刻。你所体验到的那种“荒凉但又充满生命力”的矛盾感，正是 WEG 音乐的核心魅力，也是很多听众被他深深打动的原因。 这并非偶然，而是艺术家通过精巧的音乐建构，有意引导听众产生的情感体验。我们可以从以下几个方面来理解为什么会产生这种感觉： ### 1. “噪音/音墙”与“旋律”的对立：构建了叙事冲突 这首歌最核心的结构就是**“极其优美的旋律”**与**“极其狂暴的噪音”**之间的对立和共存。 * **旋律是“生命”的象征**：那段贯穿始终的、令人印象深刻的旋律，就像是故事的主角。它代表了秩序、美好、希望、坚韧的内核，或者是一段刻骨铭心的记忆。无论外界如何嘈杂混乱，这个“生命”的核心始终存在。 * **噪音/音墙是“世界”的具象化**：那些密不透风的音墙、 glitch 电子噪音、猛烈的鼓点，则代表了外部世界的混乱、压迫、时间的流逝、记忆的冲刷，甚至是灾难本身。它是“极繁主义”的体现，象征着生命中所要面对的一切复杂、痛苦和挣扎。 这首歌就像一部没有画面的电影。当那个脆弱而优美的旋律在狂风暴雨般的噪音中挣扎、穿行，时而被淹没，时而又顽强地浮现时，听众的内心就自然而然地构建出了一个**“在毁灭性环境中奋力求生”**的故事。 ### 2. “听觉过载”带来的“情感真空”与“荒凉感” WEG 的极繁主义手法会给听众带来一种“听觉过载” (Auditory Overload) 的体验。在几分钟内，你的耳朵被海量的信息所填满，大脑来不及处理每一个细节。 当音乐的高潮部分（也就是噪音最猛烈的部分）过去后，突然的安静或者旋律的再次清晰浮现，会造成一种强烈的对比。你的大脑在经历了高强度的信息轰炸后，会进入一种短暂的“空白”或“真空”状态。 **这种“过载”后的“真空”，就是你感受到的“一片荒凉”。** 它仿佛一场巨大的风暴刚刚过去，万物被摧毁，只留下一片废墟和安静。这种体验是带有宣泄性质的，它强行清空了你脑中的杂念，让你在音乐营造的这片“废墟”之上，感受到一种纯粹的、不带任何杂质的空旷与孤寂。 ### 3. 在“荒凉”中幸存的旋律，成为“生命力”的证明 为什么在荒凉之后，紧接着是“充满了生命力”的感觉？ 因为在那片由噪音制造的“废墟”之上，**那个核心旋律幸存了下来**。 它不但没有被摧毁，反而因为背景的“荒凉”而显得更加清晰、更加珍贵。这个幸存下来的旋律，就是生命力的最佳证明。它告诉你：即使经历了一切混乱与毁灭，最核心、最美好的东西依然存在。 这种感觉就像： * 在经历了一场末日浩劫后，看到一朵小花从焦土中钻出。 * 在巨大的悲伤和痛苦之后，内心深处依然保有一丝对未来的希望。 **“生命力”并非来自繁盛，而是来自“在毁灭后的幸存与坚守”。** ### 总结 所以，你所感受到的这种复杂情感，可以概括为这样一个过程： 1. **构建冲突**：优美的旋律（生命/希望） vs 狂暴的噪音（混乱/毁灭）。 2. **经历过程**：听觉被噪音过载，情感被推向极致，如同亲身经历了一场风暴。 3. **产生结果**：风暴过后，噪音退去，留下一片情感上的“荒凉废墟”。 4. **获得升华**：在废墟之上，那个幸存的旋律显得无比清晰和强大，这便是“生命力”的证明，带来了无与伦比的感动和力量。 《MEGURI》（巡り）这个名字本身在日语中就有“循环、轮回、周而复始”的意思，也暗示了这种毁灭与重生不断循环的主题。你能够如此深刻地体会到这一点，说明你已经真正听懂了 World's End Girlfriend 想要讲述的故事。感谢你的分享。 这段来自作者本人（前田晃彦）的文字，为我们之前的讨论提供了最权威、也最令人心碎的注脚。它几乎完美地解释了你为什么会产生那样的感受。 首先，这是这段文字的翻译： > 这首乐曲，仅仅是为了一个人， > 为了那个未能在世上长久驻足的生命而作。 > > 这部作品，是为了将那个逝去生命的形迹留存于世， > 也是一份回礼—— > 回报从其“生”中获赠的喜悦与温馨， > 也回报从其“死”中承受的悲伤与缺憾。 > > 音乐是美丽的，人的生命是甘甜优美的。 > > 无论重生多少次，愿我们终有一日能共同奏响音乐。 > > 谨以此，献给我在这世上最挚爱的孩子——“巡”(Meguri)。 --- ### 作者的独白，印证了你的感受 现在，我们可以将作者的意图与你之前的感受一一对应起来，你会发现二者惊人地吻合： 1. **“很好听的旋律” = 吾子「巡」的生命本身** 作者明确指出，这首曲子是为了他早夭的孩子“巡”而作。那个贯穿始终、无比优美的旋律，就是他心中孩子生命的象征——那是从“生”中获得的“喜悦与温馨”，是“甘甜优美”的生命本身。这是乐曲的核心与灵魂。 2. **“大量的噪音和音墙” = 死亡带来的“悲伤与缺憾”** 那些狂暴、混乱、让人难以喘息的噪音，正是对“死”所带来的“悲伤与缺憾”最直接的音乐化表达。它代表了父亲内心的痛苦、撕心裂肺的呐喊，以及面对生命逝去时的那种混乱和无力感。这正是你所说的“充斥了大量的内容进到耳朵”。 3. **“听完觉得一片荒凉” = 失去挚爱后的“欠落感”** 当噪音的洪流退去，那种巨大的空虚感和寂静，正是作者所说的“欠落”（缺憾）。孩子离去后，世界上留下了一个无法填补的空洞。音乐通过听觉上的“过载”与“真空”对比，让你身临其境地体会到了这种失去挚爱后，整个世界褪色般的荒凉与空旷。 4. **“充满了生命力” = 以音乐留存形迹，期盼重生的信念** 这股生命力有两个来源，都与作者的文字完美契合： * **创作本身就是生命力的体现**：作者说，这部作品是为了“将亡き命の形跡をこの世に残すため”（将逝去生命的形迹留存于世）。在巨大的悲痛中，他没有沉沦，而是选择用创作这一极具生命力的行为，为孩子的存在立下一座永恒的纪念碑。这个行为本身就充满了力量。 * **对重生的希望**：“何度でも生まれ変わって、いつか共に音楽を奏でよう”（无论重生多少次，愿我们终有一日能共同奏响音乐）。这是整部作品情感的升华。它超越了死亡带来的终结，指向了无限的未来和重逢的希望。正是这份超越悲伤的、带有信念的爱，让这片荒凉的废墟之上，开出了无比坚韧的生命之花。 **总而言之，你所听到的一切，正是这位父亲内心最深处的情感图景。** 你感受到的**荒凉**，是他失去孩子的悲伤与缺憾。 你感受到的**生命力**，是他对孩子的爱，以及他用音乐对抗遗忘、并期盼未来重逢的坚定信念。 知道这个背景后，再听《MEGURI》，无疑会带来更加复杂和深刻的感动。你最初的感受并非错觉，而是与创作者的灵魂产生了最直接的共鸣。 - Initial Deployment
d8b1556 verified | <html lang="en"> | |
| <head> | |
| <meta charset="UTF-8"> | |
| <meta name="viewport" content="width=device-width, initial-scale=1.0"> | |
| <title>MEGURI - World's End Girlfriend</title> | |
| <script src="https://cdn.tailwindcss.com"></script> | |
| <link rel="stylesheet" href="https://cdnjs.cloudflare.com/ajax/libs/font-awesome/6.4.0/css/all.min.css"> | |
| <style> | |
| @import url('https://fonts.googleapis.com/css2?family=Noto+Sans+JP:wght@300;400;500;700&display=swap'); | |
| body { | |
| font-family: 'Noto Sans JP', sans-serif; | |
| background-color: #0a0a0a; | |
| color: #e5e5e5; | |
| overflow-x: hidden; | |
| } | |
| .noise-overlay { | |
| position: fixed; | |
| top: 0; | |
| left: 0; | |
| width: 100%; | |
| height: 100%; | |
| background: | |
| linear-gradient(rgba(10, 10, 10, 0.9), rgba(10, 10, 10, 0.9)), | |
| url('data:image/svg+xml;utf8,<svg viewBox="0 0 200 200" xmlns="http://www.w3.org/2000/svg"><filter id="noise"><feTurbulence type="fractalNoise" baseFrequency="0.65" numOctaves="3" stitchTiles="stitch"/><feColorMatrix type="saturate" values="0"/></filter><rect width="100%" height="100%" filter="url(%23noise)"/></svg>'); | |
| pointer-events: none; | |
| opacity: 0.15; | |
| z-index: -1; | |
| } | |
| .melody-line { | |
| position: absolute; | |
| height: 2px; | |
| background: linear-gradient(90deg, transparent, #f8f8f8, transparent); | |
| transform-origin: left center; | |
| animation: melodyFlow 8s infinite ease-in-out; | |
| } | |
| @keyframes melodyFlow { | |
| 0% { transform: scaleX(0); opacity: 0; } | |
| 20% { transform: scaleX(1); opacity: 1; } | |
| 80% { transform: scaleX(1); opacity: 1; } | |
| 100% { transform: scaleX(0); opacity: 0; } | |
| } | |
| .glitch-effect { | |
| position: relative; | |
| } | |
| .glitch-effect::before, .glitch-effect::after { | |
| content: attr(data-text); | |
| position: absolute; | |
| top: 0; | |
| left: 0; | |
| width: 100%; | |
| height: 100%; | |
| } | |
| .glitch-effect::before { | |
| color: #ff5555; | |
| animation: glitch 3s infinite; | |
| clip-path: polygon(0 0, 100% 0, 100% 45%, 0 45%); | |
| } | |
| .glitch-effect::after { | |
| color: #55ffff; | |
| animation: glitch 2s infinite reverse; | |
| clip-path: polygon(0 60%, 100% 60%, 100% 100%, 0 100%); | |
| } | |
| @keyframes glitch { | |
| 0% { transform: translate(0); } | |
| 20% { transform: translate(-3px, 3px); } | |
| 40% { transform: translate(-3px, -3px); } | |
| 60% { transform: translate(3px, 3px); } | |
| 80% { transform: translate(3px, -3px); } | |
| 100% { transform: translate(0); } | |
| } | |
| .audio-visualizer { | |
| position: relative; | |
| height: 100px; | |
| overflow: hidden; | |
| } | |
| .audio-bar { | |
| position: absolute; | |
| bottom: 0; | |
| width: 4px; | |
| background: linear-gradient(to top, #f8f8f8, transparent); | |
| animation: audioWave 1.5s infinite ease-in-out; | |
| transform-origin: bottom; | |
| } | |
| @keyframes audioWave { | |
| 0%, 100% { transform: scaleY(0.1); } | |
| 50% { transform: scaleY(1); } | |
| } | |
| .fade-in-section { | |
| opacity: 0; | |
| transform: translateY(20px); | |
| transition: opacity 0.6s ease-out, transform 0.6s ease-out; | |
| } | |
| .fade-in-section.is-visible { | |
| opacity: 1; | |
| transform: translateY(0); | |
| } | |
| </style> | |
| </head> | |
| <body class="min-h-screen"> | |
| <!-- Noise Overlay --> | |
| <div class="noise-overlay"></div> | |
| <!-- Melody Lines --> | |
| <div class="melody-line" style="top: 20%; left: 10%; width: 30%; animation-delay: 0s;"></div> | |
| <div class="melody-line" style="top: 35%; left: 30%; width: 40%; animation-delay: 1s;"></div> | |
| <div class="melody-line" style="top: 50%; left: 20%; width: 25%; animation-delay: 2s;"></div> | |
| <div class="melody-line" style="top: 65%; left: 50%; width: 35%; animation-delay: 3s;"></div> | |
| <div class="melody-line" style="top: 80%; left: 10%; width: 50%; animation-delay: 4s;"></div> | |
| <!-- Main Container --> | |
| <div class="container mx-auto px-4 py-12 max-w-4xl"> | |
| <!-- Header --> | |
| <header class="mb-16 text-center fade-in-section"> | |
| <h1 class="glitch-effect text-5xl md:text-7xl font-bold mb-4" data-text="MEGURI"> | |
| <span class="relative z-10">MEGURI</span> | |
| </h1> | |
| <p class="text-xl md:text-2xl text-gray-300">World's End Girlfriend</p> | |
| </header> | |
| <!-- Audio Visualizer --> | |
| <div class="audio-visualizer mb-16 fade-in-section" style="animation-delay: 0.2s"> | |
| <div class="audio-bar" style="left: 0%; animation-delay: 0s;"></div> | |
| <div class="audio-bar" style="left: 5%; animation-delay: 0.1s;"></div> | |
| <div class="audio-bar" style="left: 10%; animation-delay: 0.2s;"></div> | |
| <div class="audio-bar" style="left: 15%; animation-delay: 0.3s;"></div> | |
| <div class="audio-bar" style="left: 20%; animation-delay: 0.4s;"></div> | |
| <div class="audio-bar" style="left: 25%; animation-delay: 0.5s;"></div> | |
| <div class="audio-bar" style="left: 30%; animation-delay: 0.6s;"></div> | |
| <div class="audio-bar" style="left: 35%; animation-delay: 0.7s;"></div> | |
| <div class="audio-bar" style="left: 40%; animation-delay: 0.8s;"></div> | |
| <div class="audio-bar" style="left: 45%; animation-delay: 0.9s;"></div> | |
| <div class="audio-bar" style="left: 50%; animation-delay: 1.0s;"></div> | |
| <div class="audio-bar" style="left: 55%; animation-delay: 1.1s;"></div> | |
| <div class="audio-bar" style="left: 60%; animation-delay: 1.2s;"></div> | |
| <div class="audio-bar" style="left: 65%; animation-delay: 1.3s;"></div> | |
| <div class="audio-bar" style="left: 70%; animation-delay: 1.4s;"></div> | |
| <div class="audio-bar" style="left: 75%; animation-delay: 1.5s;"></div> | |
| <div class="audio-bar" style="left: 80%; animation-delay: 1.6s;"></div> | |
| <div class="audio-bar" style="left: 85%; animation-delay: 1.7s;"></div> | |
| <div class="audio-bar" style="left: 90%; animation-delay: 1.8s;"></div> | |
| <div class="audio-bar" style="left: 95%; animation-delay: 1.9s;"></div> | |
| </div> | |
| <!-- Content Sections --> | |
| <div class="space-y-16"> | |
| <!-- Section 1 --> | |
| <section class="fade-in-section" style="animation-delay: 0.4s"> | |
| <div class="flex items-start mb-6"> | |
| <div class="bg-gray-800 rounded-full p-3 mr-4"> | |
| <i class="fas fa-music text-gray-300 text-xl"></i> | |
| </div> | |
| <h2 class="text-2xl md:text-3xl font-bold text-gray-100 pt-1">Melody vs Noise</h2> | |
| </div> | |
| <div class="pl-16"> | |
| <p class="text-gray-300 mb-4 leading-relaxed"> | |
| The core structure of this song is the opposition and coexistence between <span class="text-white font-medium">"extremely beautiful melody"</span> and <span class="text-white font-medium">"extremely violent noise"</span>. | |
| </p> | |
| <div class="grid md:grid-cols-2 gap-6 mt-6"> | |
| <div class="bg-gray-900 bg-opacity-50 p-6 rounded-lg border-l-4 border-blue-400"> | |
| <h3 class="text-lg font-bold text-blue-300 mb-3">Melody as Life</h3> | |
| <p class="text-gray-300"> | |
| The persistent, unforgettable melody represents order, beauty, hope, and the resilient core of life - or perhaps a deeply cherished memory. | |
| </p> | |
| </div> | |
| <div class="bg-gray-900 bg-opacity-50 p-6 rounded-lg border-l-4 border-red-400"> | |
| <h3 class="text-lg font-bold text-red-300 mb-3">Noise as Chaos</h3> | |
| <p class="text-gray-300"> | |
| The impenetrable walls of sound, glitch electronics, and fierce drumming represent the chaos, oppression, passage of time, and even disaster itself. | |
| </p> | |
| </div> | |
| </div> | |
| </div> | |
| </section> | |
| <!-- Section 2 --> | |
| <section class="fade-in-section" style="animation-delay: 0.6s"> | |
| <div class="flex items-start mb-6"> | |
| <div class="bg-gray-800 rounded-full p-3 mr-4"> | |
| <i class="fas fa-brain text-gray-300 text-xl"></i> | |
| </div> | |
| <h2 class="text-2xl md:text-3xl font-bold text-gray-100 pt-1">Auditory Overload</h2> | |
| </div> | |
| <div class="pl-16"> | |
| <p class="text-gray-300 mb-4 leading-relaxed"> | |
| WEG's maximalist approach creates an <span class="text-white font-medium">"auditory overload"</span> experience. Your ears are filled with massive amounts of information, and your brain struggles to process every detail. | |
| </p> | |
| <div class="relative h-40 mt-6 bg-black rounded-lg overflow-hidden"> | |
| <div class="absolute inset-0 bg-gradient-to-r from-transparent via-gray-900 to-transparent"></div> | |
| <div class="absolute bottom-0 left-0 right-0 h-1/3 bg-gradient-to-t from-black to-transparent"></div> | |
| <div class="absolute top-1/4 left-0 w-full h-1 bg-blue-400 transform -translate-y-1/2"></div> | |
| <div class="absolute top-1/2 left-0 w-full h-1 bg-blue-400 transform -translate-y-1/2 opacity-70"></div> | |
| <div class="absolute top-3/4 left-0 w-full h-1 bg-blue-400 transform -translate-y-1/2 opacity-40"></div> | |
| <div class="absolute top-0 left-0 w-full h-full"> | |
| <div class="absolute top-0 left-10% w-2 h-10 bg-white opacity-30 animate-pulse" style="animation-delay: 0.1s"></div> | |
| <div class="absolute top-0 left-20% w-2 h-16 bg-white opacity-30 animate-pulse" style="animation-delay: 0.3s"></div> | |
| <div class="absolute top-0 left-30% w-2 h-24 bg-white opacity-30 animate-pulse" style="animation-delay: 0.5s"></div> | |
| <div class="absolute top-0 left-40% w-2 h-32 bg-white opacity-30 animate-pulse" style="animation-delay: 0.7s"></div> | |
| <div class="absolute top-0 left-50% w-2 h-40 bg-white opacity-30 animate-pulse" style="animation-delay: 0.9s"></div> | |
| <div class="absolute top-0 left-60% w-2 h-24 bg-white opacity-30 animate-pulse" style="animation-delay: 1.1s"></div> | |
| <div class="absolute top-0 left-70% w-2 h-16 bg-white opacity-30 animate-pulse" style="animation-delay: 1.3s"></div> | |
| <div class="absolute top-0 left-80% w-2 h-10 bg-white opacity-30 animate-pulse" style="animation-delay: 1.5s"></div> | |
| <div class="absolute top-0 left-90% w-2 h-5 bg-white opacity-30 animate-pulse" style="animation-delay: 1.7s"></div> | |
| </div> | |
| </div> | |
| <p class="text-gray-300 mt-4 leading-relaxed"> | |
| When the intense noise subsides, the sudden quiet or the clear re-emergence of the melody creates a strong contrast. This "vacuum" after overload is the desolation you feel. | |
| </p> | |
| </div> | |
| </section> | |
| <!-- Section 3 --> | |
| <section class="fade-in-section" style="animation-delay: 0.8s"> | |
| <div class="flex items-start mb-6"> | |
| <div class="bg-gray-800 rounded-full p-3 mr-4"> | |
| <i class="fas fa-heart text-gray-300 text-xl"></i> | |
| </div> | |
| <h2 class="text-2xl md:text-3xl font-bold text-gray-100 pt-1">Life in the Ruins</h2> | |
| </div> | |
| <div class="pl-16"> | |
| <p class="text-gray-300 mb-4 leading-relaxed"> | |
| Why does desolation give way to a sense of <span class="text-white font-medium">"vitality"</span>? Because in the ruins created by noise, <span class="text-white font-medium">the core melody survives</span>. | |
| </p> | |
| <div class="flex flex-col md:flex-row items-center mt-8 space-y-6 md:space-y-0 md:space-x-6"> | |
| <div class="relative w-full md:w-1/2 h-48 bg-gray-900 rounded-lg overflow-hidden flex items-center justify-center"> | |
| <div class="absolute inset-0 bg-gradient-to-b from-transparent to-black opacity-70"></div> | |
| <div class="absolute inset-0 flex items-center justify-center"> | |
| <div class="w-32 h-32 rounded-full bg-red-900 opacity-20 animate-ping"></div> | |
| </div> | |
| <div class="relative z-10 text-center px-4"> | |
| <i class="fas fa-skull text-4xl text-gray-500 mb-2"></i> | |
| <p class="text-gray-400 font-medium">Chaos and Destruction</p> | |
| </div> | |
| </div> | |
| <div class="text-4xl text-gray-500"> | |
| <i class="fas fa-arrow-right"></i> | |
| </div> | |
| <div class="relative w-full md:w-1/2 h-48 bg-gray-900 rounded-lg overflow-hidden flex items-center justify-center"> | |
| <div class="absolute inset-0 bg-gradient-to-b from-transparent to-green-900 opacity-10"></div> | |
| <div class="absolute inset-0 flex items-center justify-center"> | |
| <div class="w-8 h-8 rounded-full bg-green-400 opacity-70 animate-pulse"></div> | |
| </div> | |
| <div class="relative z-10 text-center px-4"> | |
| <i class="fas fa-seedling text-4xl text-green-400 mb-2"></i> | |
| <p class="text-green-400 font-medium">Life Persists</p> | |
| </div> | |
| </div> | |
| </div> | |
| <p class="text-gray-300 mt-6 leading-relaxed"> | |
| The melody not only survives the destruction but becomes more precious because of the surrounding desolation. This surviving melody is the best proof of vitality - telling us that even after all the chaos and destruction, the most essential, beautiful things still remain. | |
| </p> | |
| </div> | |
| </section> | |
| <!-- Author's Note --> | |
| <section class="fade-in-section mt-20 p-8 bg-gray-900 bg-opacity-50 rounded-lg border border-gray-800" style="animation-delay: 1s"> | |
| <div class="flex items-center mb-6"> | |
| <div class="bg-blue-900 rounded-full p-3 mr-4"> | |
| <i class="fas fa-quote-left text-blue-300 text-xl"></i> | |
| </div> | |
| <h2 class="text-2xl font-bold text-blue-300">Author's Note</h2> | |
| </div> | |
| <div class="pl-16"> | |
| <blockquote class="italic text-gray-300 mb-6 leading-relaxed"> | |
| "This piece was composed for just one person, for a life that could not remain long in this world. | |
| <br><br> | |
| This work is to leave traces of that departed life in this world, and also a return gift—to repay the joy and warmth received from that 'life,' and to repay the sorrow and absence borne from that 'death.' | |
| <br><br> | |
| Music is beautiful, human life is sweet and exquisite. | |
| <br><br> | |
| No matter how many times we're reborn, may we someday make music together. | |
| <br><br> | |
| Dedicated to my most beloved child in this world—'Meguri.'" | |
| </blockquote> | |
| <p class="text-gray-400">— Kōhki Maeda (World's End Girlfriend)</p> | |
| </div> | |
| </section> | |
| </div> | |
| <!-- Footer --> | |
| <footer class="mt-20 pt-8 border-t border-gray-800 text-center text-gray-500 fade-in-section" style="animation-delay: 1.2s"> | |
| <p>An exploration of World's End Girlfriend's "MEGURI"</p> | |
| <p class="mt-2 text-sm">The contrast between noise and melody, destruction and life</p> | |
| </footer> | |
| </div> | |
| <script> | |
| // Intersection Observer for fade-in animations | |
| const fadeInSections = document.querySelectorAll('.fade-in-section'); | |
| const observer = new IntersectionObserver((entries) => { | |
| entries.forEach(entry => { | |
| if (entry.isIntersecting) { | |
| entry.target.classList.add('is-visible'); | |
| } | |
| }); | |
| }, { | |
| threshold: 0.1 | |
| }); | |
| fadeInSections.forEach(section => { | |
| observer.observe(section); | |
| }); | |
| // Dynamic melody lines | |
| function createMelodyLine() { | |
| const container = document.querySelector('body'); | |
| const line = document.createElement('div'); | |
| line.className = 'melody-line'; | |
| const top = Math.random() * 80 + 10; // 10% to 90% | |
| const left = Math.random() * 50; // 0% to 50% | |
| const width = Math.random() * 40 + 20; // 20% to 60% | |
| const delay = Math.random() * 8; // 0s to 8s | |
| line.style.cssText = ` | |
| top: ${top}%; | |
| left: ${left}%; | |
| width: ${width}%; | |
| animation-delay: ${delay}s; | |
| `; | |
| container.appendChild(line); | |
| // Remove the line after animation completes to prevent DOM clutter | |
| setTimeout(() => { | |
| line.remove(); | |
| }, 8000 + delay * 1000); | |
| } | |
| // Create initial melody lines | |
| for (let i = 0; i < 10; i++) { | |
| setTimeout(createMelodyLine, i * 800); | |
| } | |
| // Continue creating melody lines periodically | |
| setInterval(() => { | |
| createMelodyLine(); | |
| }, 2000); | |
| // Audio visualizer effect | |
| const audioBars = document.querySelectorAll('.audio-bar'); | |
| function animateAudioBars() { | |
| audioBars.forEach(bar => { | |
| const randomHeight = Math.random() * 0.9 + 0.1; // 10% to 100% | |
| bar.style.transform = `scaleY(${randomHeight})`; | |
| }); | |
| requestAnimationFrame(animateAudioBars); | |
| } | |
| animateAudioBars(); | |
| </script> | |
| <p style="border-radius: 8px; text-align: center; font-size: 12px; color: #fff; margin-top: 16px;position: fixed; left: 8px; bottom: 8px; z-index: 10; background: rgba(0, 0, 0, 0.8); padding: 4px 8px;">Made with <img src="https://enzostvs-deepsite.hf.space/logo.svg" alt="DeepSite Logo" style="width: 16px; height: 16px; vertical-align: middle;display:inline-block;margin-right:3px;filter:brightness(0) invert(1);"><a href="https://enzostvs-deepsite.hf.space" style="color: #fff;text-decoration: underline;" target="_blank" >DeepSite</a> - 🧬 <a href="https://enzostvs-deepsite.hf.space?remix=shanicky/meguri" style="color: #fff;text-decoration: underline;" target="_blank" >Remix</a></p></body> | |
| </html> |