| Book 1 |
| PD: OS |
| Subject: Hitchhikers Guide to the Galaxy (englisch) |
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| Douglas Adams |
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| The Hitch Hiker's Guide to the Galaxy |
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| ================================================================= |
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| Douglas Adams The Hitch Hiker's Guide to the Galaxy |
| Douglas Adams The Restaurant at the End of the Universe |
| Douglas Adams Life, the Universe, and Everything |
| Douglas Adams So long, and thanks for all the fish |
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| ================================================================= |
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| The Hitch Hiker's Guide to the Galaxy |
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| for |
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| Jonny Brock and Clare Gorst |
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| and all other Arlingtonians |
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| for tea, sympathy, and a sofa |
| |
| ================================================================= |
| Far out in the uncharted backwaters of the unfashionable end of |
| the western spiral arm of the Galaxy lies a small unregarded |
| yellow sun. |
| |
| Orbiting this at a distance of roughly ninety-two million miles |
| is an utterly insignificant little blue green planet whose ape- |
| descended life forms are so amazingly primitive that they still |
| think digital watches are a pretty neat idea. |
| |
| This planet has - or rather had - a problem, which was this: most |
| of the people on it were unhappy for pretty much of the time. |
| Many solutions were suggested for this problem, but most of these |
| were largely concerned with the movements of small green pieces |
| of paper, which is odd because on the whole it wasn't the small |
| green pieces of paper that were unhappy. |
| |
| And so the problem remained; lots of the people were mean, and |
| most of them were miserable, even the ones with digital watches. |
| |
| Many were increasingly of the opinion that they'd all made a big |
| mistake in coming down from the trees in the first place. And |
| some said that even the trees had been a bad move, and that no |
| one should ever have left the oceans. |
| |
| And then, one Thursday, nearly two thousand years after one man |
| had been nailed to a tree for saying how great it would be to be |
| nice to people for a change, one girl sitting on her own in a |
| small cafe in Rickmansworth suddenly realized what it was that |
| had been going wrong all this time, and she finally knew how the |
| world could be made a good and happy place. This time it was |
| right, it would work, and no one would have to get nailed to |
| anything. |
| |
| Sadly, however, before she could get to a phone to tell anyone |
| about it, a terribly stupid catastrophe occurred, and the idea |
| was lost forever. |
| |
| This is not her story. |
| |
| But it is the story of that terrible stupid catastrophe and some |
| of its consequences. |
| |
| It is also the story of a book, a book called The Hitch Hiker's |
| Guide to the Galaxy - not an Earth book, never published on |
| Earth, and until the terrible catastrophe occurred, never seen or |
| heard of by any Earthman. |
| |
| Nevertheless, a wholly remarkable book. |
| |
| in fact it was probably the most remarkable book ever to come out |
| of the great publishing houses of Ursa Minor - of which no |
| Earthman had ever heard either. |
| |
| Not only is it a wholly remarkable book, it is also a highly |
| successful one - more popular than the Celestial Home Care |
| Omnibus, better selling than Fifty More Things to do in Zero |
| Gravity, and more controversial than Oolon Colluphid's trilogy of |
| philosophical blockbusters Where God Went Wrong, Some More of |
| God's Greatest Mistakes and Who is this God Person Anyway? |
| |
| In many of the more relaxed civilizations on the Outer Eastern |
| Rim of the Galaxy, the Hitch Hiker's Guide has already supplanted |
| the great Encyclopedia Galactica as the standard repository of |
| all knowledge and wisdom, for though it has many omissions and |
| contains much that is apocryphal, or at least wildly inaccurate, |
| it scores over the older, more pedestrian work in two important |
| respects. |
| |
| First, it is slightly cheaper; and secondly it has the words |
| Don't Panic inscribed in large friendly letters on its cover. |
| |
| But the story of this terrible, stupid Thursday, the story of its |
| extraordinary consequences, and the story of how these |
| consequences are inextricably intertwined with this remarkable |
| book begins very simply. |
| |
| It begins with a house. |
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| ================================================================= |
| Chapter 1 |
| |
| The house stood on a slight rise just on the edge of the village. |
| It stood on its own and looked over a broad spread of West |
| Country farmland. Not a remarkable house by any means - it was |
| about thirty years old, squattish, squarish, made of brick, and |
| had four windows set in the front of a size and proportion which |
| more or less exactly failed to please the eye. |
| |
| The only person for whom the house was in any way special was |
| Arthur Dent, and that was only because it happened to be the one |
| he lived in. He had lived in it for about three years, ever since |
| he had moved out of London because it made him nervous and |
| irritable. He was about thirty as well, dark haired and never |
| quite at ease with himself. The thing that used to worry him most |
| was the fact that people always used to ask him what he was |
| looking so worried about. He worked in local radio which he |
| always used to tell his friends was a lot more interesting than |
| they probably thought. It was, too - most of his friends worked |
| in advertising. |
| |
| It hadn't properly registered with Arthur that the council wanted |
| to knock down his house and build an bypass instead. |
| |
| At eight o'clock on Thursday morning Arthur didn't feel very |
| good. He woke up blearily, got up, wandered blearily round his |
| room, opened a window, saw a bulldozer, found his slippers, and |
| stomped off to the bathroom to wash. |
| |
| Toothpaste on the brush - so. Scrub. |
| |
| Shaving mirror - pointing at the ceiling. He adjusted it. For a |
| moment it reflected a second bulldozer through the bathroom |
| window. Properly adjusted, it reflected Arthur Dent's bristles. |
| He shaved them off, washed, dried, and stomped off to the kitchen |
| to find something pleasant to put in his mouth. |
| |
| Kettle, plug, fridge, milk, coffee. Yawn. |
| |
| The word bulldozer wandered through his mind for a moment in |
| search of something to connect with. |
| |
| The bulldozer outside the kitchen window was quite a big one. |
| |
| He stared at it. |
| |
| "Yellow," he thought and stomped off back to his bedroom to get |
| dressed. |
| |
| Passing the bathroom he stopped to drink a large glass of water, |
| and another. He began to suspect that he was hung over. Why was |
| he hung over? Had he been drinking the night before? He supposed |
| that he must have been. He caught a glint in the shaving mirror. |
| "Yellow," he thought and stomped on to the bedroom. |
| |
| He stood and thought. The pub, he thought. Oh dear, the pub. He |
| vaguely remembered being angry, angry about something that seemed |
| important. He'd been telling people about it, telling people |
| about it at great length, he rather suspected: his clearest |
| visual recollection was of glazed looks on other people's faces. |
| Something about a new bypass he had just found out about. It had |
| been in the pipeline for months only no one seemed to have known |
| about it. Ridiculous. He took a swig of water. It would sort |
| itself out, he'd decided, no one wanted a bypass, the council |
| didn't have a leg to stand on. It would sort itself out. |
| |
| God what a terrible hangover it had earned him though. He looked |
| at himself in the wardrobe mirror. He stuck out his tongue. |
| "Yellow," he thought. The word yellow wandered through his mind |
| in search of something to connect with. |
| |
| Fifteen seconds later he was out of the house and lying in front |
| of a big yellow bulldozer that was advancing up his garden path. |
| |
| Mr L Prosser was, as they say, only human. In other words he was |
| a carbon-based life form descended from an ape. More specifically |
| he was forty, fat and shabby and worked for the local council. |
| Curiously enough, though he didn't know it, he was also a direct |
| male-line descendant of Genghis Khan, though intervening |
| generations and racial mixing had so juggled his genes that he |
| had no discernible Mongoloid characteristics, and the only |
| vestiges left in Mr L Prosser of his mighty ancestry were a |
| pronounced stoutness about the tum and a predilection for little |
| fur hats. |
| |
| He was by no means a great warrior: in fact he was a nervous |
| worried man. Today he was particularly nervous and worried |
| because something had gone seriously wrong with his job - which |
| was to see that Arthur Dent's house got cleared out of the way |
| before the day was out. |
| |
| "Come off it, Mr Dent,", he said, "you can't win you know. You |
| can't lie in front of the bulldozer indefinitely." He tried to |
| make his eyes blaze fiercely but they just wouldn't do it. |
| |
| Arthur lay in the mud and squelched at him. |
| |
| "I'm game," he said, "we'll see who rusts first." |
| |
| "I'm afraid you're going to have to accept it," said Mr Prosser |
| gripping his fur hat and rolling it round the top of his head, |
| "this bypass has got to be built and it's going to be built!" |
| |
| "First I've heard of it," said Arthur, "why's it going to be |
| built?" |
| |
| Mr Prosser shook his finger at him for a bit, then stopped and |
| put it away again. |
| |
| "What do you mean, why's it got to be built?" he said. "It's a |
| bypass. You've got to build bypasses." |
| |
| Bypasses are devices which allow some people to drive from point |
| A to point B very fast whilst other people dash from point B to |
| point A very fast. People living at point C, being a point |
| directly in between, are often given to wonder what's so great |
| about point A that so many people of point B are so keen to get |
| there, and what's so great about point B that so many people of |
| point A are so keen to get there. They often wish that people |
| would just once and for all work out where the hell they wanted |
| to be. |
| |
| Mr Prosser wanted to be at point D. Point D wasn't anywhere in |
| particular, it was just any convenient point a very long way from |
| points A, B and C. He would have a nice little cottage at point |
| D, with axes over the door, and spend a pleasant amount of time |
| at point E, which would be the nearest pub to point D. His wife |
| of course wanted climbing roses, but he wanted axes. He didn't |
| know why - he just liked axes. He flushed hotly under the |
| derisive grins of the bulldozer drivers. |
| |
| He shifted his weight from foot to foot, but it was equally |
| uncomfortable on each. Obviously somebody had been appallingly |
| incompetent and he hoped to God it wasn't him. |
| |
| Mr Prosser said: "You were quite entitled to make any suggestions |
| or protests at the appropriate time you know." |
| |
| "Appropriate time?" hooted Arthur. "Appropriate time? The first I |
| knew about it was when a workman arrived at my home yesterday. I |
| asked him if he'd come to clean the windows and he said no he'd |
| come to demolish the house. He didn't tell me straight away of |
| course. Oh no. First he wiped a couple of windows and charged me |
| a fiver. Then he told me." |
| |
| "But Mr Dent, the plans have been available in the local planning |
| office for the last nine month." |
| |
| "Oh yes, well as soon as I heard I went straight round to see |
| them, yesterday afternoon. You hadn't exactly gone out of your |
| way to call attention to them had you? I mean like actually |
| telling anybody or anything." |
| |
| "But the plans were on display ..." |
| |
| "On display? I eventually had to go down to the cellar to find |
| them." |
| |
| "That's the display department." |
| |
| "With a torch." |
| |
| "Ah, well the lights had probably gone." |
| |
| "So had the stairs." |
| |
| "But look, you found the notice didn't you?" |
| |
| "Yes," said Arthur, "yes I did. It was on display in the bottom |
| of a locked filing cabinet stuck in a disused lavatory with a |
| sign on the door saying Beware of the Leopard." |
| |
| A cloud passed overhead. It cast a shadow over Arthur Dent as he |
| lay propped up on his elbow in the cold mud. It cast a shadow |
| over Arthur Dent's house. Mr Prosser frowned at it. |
| |
| "It's not as if it's a particularly nice house," he said. |
| |
| "I'm sorry, but I happen to like it." |
| |
| "You'll like the bypass." |
| |
| "Oh shut up," said Arthur Dent. "Shut up and go away, and take |
| your bloody bypass with you. You haven't got a leg to stand on |
| and you know it." |
| |
| Mr Prosser's mouth opened and closed a couple of times while his |
| mind was for a moment filled with inexplicable but terribly |
| attractive visions of Arthur Dent's house being consumed with |
| fire and Arthur himself running screaming from the blazing ruin |
| with at least three hefty spears protruding from his back. Mr |
| Prosser was often bothered with visions like these and they made |
| him feel very nervous. He stuttered for a moment and then pulled |
| himself together. |
| |
| "Mr Dent," he said. |
| |
| "Hello? Yes?" said Arthur. |
| |
| "Some factual information for you. Have you any idea how much |
| damage that bulldozer would suffer if I just let it roll straight |
| over you?" |
| |
| "How much?" said Arthur. |
| |
| "None at all," said Mr Prosser, and stormed nervously off |
| wondering why his brain was filled with a thousand hairy horsemen |
| all shouting at him. |
| |
| By a curious coincidence, None at all is exactly how much |
| suspicion the ape-descendant Arthur Dent had that one of his |
| closest friends was not descended from an ape, but was in fact |
| from a small planet in the vicinity of Betelgeuse and not from |
| Guildford as he usually claimed. |
| |
| Arthur Dent had never, ever suspected this. |
| |
| This friend of his had first arrived on the planet some fifteen |
| Earth years previously, and he had worked hard to blend himself |
| into Earth society - with, it must be said, some success. For |
| instance he had spent those fifteen years pretending to be an out |
| of work actor, which was plausible enough. |
| |
| He had made one careless blunder though, because he had skimped a |
| bit on his preparatory research. The information he had gathered |
| had led him to choose the name "Ford Prefect" as being nicely |
| inconspicuous. |
| |
| He was not conspicuously tall, his features were striking but not |
| conspicuously handsome. His hair was wiry and gingerish and |
| brushed backwards from the temples. His skin seemed to be pulled |
| backwards from the nose. There was something very slightly odd |
| about him, but it was difficult to say what it was. Perhaps it |
| was that his eyes didn't blink often enough and when you talked |
| to him for any length of time your eyes began involuntarily to |
| water on his behalf. Perhaps it was that he smiled slightly too |
| broadly and gave people the unnerving impression that he was |
| about to go for their neck. |
| |
| He struck most of the friends he had made on Earth as an |
| eccentric, but a harmless one -- an unruly boozer with some |
| oddish habits. For instance he would often gatecrash university |
| parties, get badly drunk and start making fun of any |
| astrophysicist he could find till he got thrown out. |
| |
| Sometimes he would get seized with oddly distracted moods and |
| stare into the sky as if hypnotized until someone asked him what |
| he was doing. Then he would start guiltily for a moment, relax |
| and grin. |
| |
| "Oh, just looking for flying saucers," he would joke and everyone |
| would laugh and ask him what sort of flying saucers he was |
| looking for. |
| |
| "Green ones!" he would reply with a wicked grin, laugh wildly for |
| a moment and then suddenly lunge for the nearest bar and buy an |
| enormous round of drinks. |
| |
| Evenings like this usually ended badly. Ford would get out of his |
| skull on whisky, huddle into a corner with some girl and explain |
| to her in slurred phrases that honestly the colour of the flying |
| saucers didn't matter that much really. |
| |
| Thereafter, staggering semi-paralytic down the night streets he |
| would often ask passing policemen if they knew the way to |
| Betelgeuse. The policemen would usually say something like, |
| "Don't you think it's about time you went off home sir?" |
| |
| "I'm trying to baby, I'm trying to," is what Ford invariably |
| replied on these occasions. |
| |
| In fact what he was really looking out for when he stared |
| distractedly into the night sky was any kind of flying saucer at |
| all. The reason he said green was that green was the traditional |
| space livery of the Betelgeuse trading scouts. |
| |
| Ford Prefect was desperate that any flying saucer at all would |
| arrive soon because fifteen years was a long time to get stranded |
| anywhere, particularly somewhere as mindboggingly dull as the |
| Earth. |
| |
| Ford wished that a flying saucer would arrive soon because he |
| knew how to flag flying saucers down and get lifts from them. He |
| knew how to see the Marvels of the Universe for less than thirty |
| Altairan dollars a day. |
| |
| In fact, Ford Prefect was a roving researcher for that wholly |
| remarkable book The Hitch Hiker's Guide to the Galaxy. |
| |
| Human beings are great adaptors, and by lunchtime life in the |
| environs of Arthur's house had settled into a steady routine. It |
| was Arthur's accepted role to lie squelching in the mud making |
| occasional demands to see his lawyer, his mother or a good book; |
| it was Mr Prosser's accepted role to tackle Arthur with the |
| occasional new ploy such as the For the Public Good talk, the |
| March of Progress talk, the They Knocked My House Down Once You |
| Know, Never Looked Back talk and various other cajoleries and |
| threats; and it was the bulldozer drivers' accepted role to sit |
| around drinking coffee and experimenting with union regulations |
| to see how they could turn the situation to their financial |
| advantage. |
| |
| The Earth moved slowly in its diurnal course. |
| |
| The sun was beginning to dry out the mud Arthur lay in. |
| |
| A shadow moved across him again. |
| |
| "Hello Arthur," said the shadow. |
| |
| Arthur looked up and squinting into the sun was startled to see |
| Ford Prefect standing above him. |
| |
| "Ford! Hello, how are you?" |
| |
| "Fine," said Ford, "look, are you busy?" |
| |
| "Am I busy?" exclaimed Arthur. "Well, I've just got all these |
| bulldozers and things to lie in front of because they'll knock my |
| house down if I don't, but other than that ... well, no not |
| especially, why?" |
| |
| They don't have sarcasm on Betelgeuse, and Ford Prefect often |
| failed to notice it unless he was concentrating. He said, "Good, |
| is there anywhere we can talk?" |
| |
| "What?" said Arthur Dent. |
| |
| For a few seconds Ford seemed to ignore him, and stared fixedly |
| into the sky like a rabbit trying to get run over by a car. Then |
| suddenly he squatted down beside Arthur. |
| |
| "We've got to talk," he said urgently. |
| |
| "Fine," said Arthur, "talk." |
| |
| "And drink," said Ford. "It's vitally important that we talk and |
| drink. Now. We'll go to the pub in the village." |
| |
| He looked into the sky again, nervous, expectant. |
| |
| "Look, don't you understand?" shouted Arthur. He pointed at |
| Prosser. "That man wants to knock my house down!" |
| |
| Ford glanced at him, puzzled. |
| |
| "Well he can do it while you're away can't he?" he asked. |
| |
| "But I don't want him to!" |
| |
| "Ah." |
| |
| "Look, what's the matter with you Ford?" said Arthur. |
| |
| "Nothing. Nothing's the matter. Listen to me - I've got to tell |
| you the most important thing you've ever heard. I've got to tell |
| you now, and I've got to tell you in the saloon bar of the Horse |
| and Groom." |
| |
| "But why?" |
| |
| "Because you are going to need a very stiff drink." |
| |
| Ford stared at Arthur, and Arthur was astonished to find that his |
| will was beginning to weaken. He didn't realize that this was |
| because of an old drinking game that Ford learned to play in the |
| hyperspace ports that served the madranite mining belts in the |
| star system of Orion Beta. |
| |
| The game was not unlike the Earth game called Indian Wrestling, |
| and was played like this: |
| |
| Two contestants would sit either side of a table, with a glass in |
| front of each of them. |
| |
| Between them would be placed a bottle of Janx Spirit (as |
| immortalized in that ancient Orion mining song "Oh don't give me |
| none more of that Old Janx Spirit/ No, don't you give me none |
| more of that Old Janx Spirit/ For my head will fly, my tongue |
| will lie, my eyes will fry and I may die/ Won't you pour me one |
| more of that sinful Old Janx Spirit"). |
| |
| Each of the two contestants would then concentrate their will on |
| the bottle and attempt to tip it and pour spirit into the glass |
| of his opponent - who would then have to drink it. |
| |
| The bottle would then be refilled. The game would be played |
| again. And again. |
| |
| Once you started to lose you would probably keep losing, because |
| one of the effects of Janx spirit is to depress telepsychic |
| power. |
| |
| As soon as a predetermined quantity had been consumed, the final |
| loser would have to perform a forfeit, which was usually |
| obscenely biological. |
| |
| Ford Prefect usually played to lose. |
| |
| Ford stared at Arthur, who began to think that perhaps he did |
| want to go to the Horse and Groom after all. |
| |
| "But what about my house ...?" he asked plaintively. |
| |
| Ford looked across to Mr Prosser, and suddenly a wicked thought |
| struck him. |
| |
| "He wants to knock your house down?" |
| |
| "Yes, he wants to build ..." |
| |
| "And he can't because you're lying in front of the bulldozers?" |
| |
| "Yes, and ..." |
| |
| "I'm sure we can come to some arrangement," said Ford. "Excuse |
| me!" he shouted. |
| |
| Mr Prosser (who was arguing with a spokesman for the bulldozer |
| drivers about whether or not Arthur Dent constituted a mental |
| health hazard, and how much they should get paid if he did) |
| looked around. He was surprised and slightly alarmed to find that |
| Arthur had company. |
| |
| "Yes? Hello?" he called. "Has Mr Dent come to his senses yet?" |
| |
| "Can we for the moment," called Ford, "assume that he hasn't?" |
| |
| "Well?" sighed Mr Prosser. |
| |
| "And can we also assume," said Ford, "that he's going to be |
| staying here all day?" |
| |
| "So?" |
| |
| "So all your men are going to be standing around all day doing |
| nothing?" |
| |
| "Could be, could be ..." |
| |
| "Well, if you're resigned to doing that anyway, you don't |
| actually need him to lie here all the time do you?" |
| |
| "What?" |
| |
| "You don't," said Ford patiently, "actually need him here." |
| |
| Mr Prosser thought about this. |
| |
| "Well no, not as such...", he said, "not exactly need ..." |
| Prosser was worried. He thought that one of them wasn't making a |
| lot of sense. |
| |
| Ford said, "So if you would just like to take it as read that |
| he's actually here, then he and I could slip off down to the pub |
| for half an hour. How does that sound?" |
| |
| Mr Prosser thought it sounded perfectly potty. |
| |
| "That sounds perfectly reasonable," he said in a reassuring tone |
| of voice, wondering who he was trying to reassure. |
| |
| "And if you want to pop off for a quick one yourself later on," |
| said Ford, "we can always cover up for you in return." |
| |
| "Thank you very much," said Mr Prosser who no longer knew how to |
| play this at all, "thank you very much, yes, that's very kind |
| ..." He frowned, then smiled, then tried to do both at once, |
| failed, grasped hold of his fur hat and rolled it fitfully round |
| the top of his head. He could only assume that he had just won. |
| |
| "So," continued Ford Prefect, "if you would just like to come |
| over here and lie down ..." |
| |
| "What?" said Mr Prosser. |
| |
| "Ah, I'm sorry," said Ford, "perhaps I hadn't made myself fully |
| clear. Somebody's got to lie in front of the bulldozers haven't |
| they? Or there won't be anything to stop them driving into Mr |
| Dent's house will there?" |
| |
| "What?" said Mr Prosser again. |
| |
| "It's very simple," said Ford, "my client, Mr Dent, says that he |
| will stop lying here in the mud on the sole condition that you |
| come and take over from him." |
| |
| "What are you talking about?" said Arthur, but Ford nudged him |
| with his shoe to be quiet. |
| |
| "You want me," said Mr Prosser, spelling out this new thought to |
| himself, "to come and lie there ..." |
| |
| "Yes." |
| |
| "In front of the bulldozer?" |
| |
| "Yes." |
| |
| "Instead of Mr Dent." |
| |
| "Yes." |
| |
| "In the mud." |
| |
| "In, as you say it, the mud." |
| |
| As soon as Mr Prosser realized that he was substantially the |
| loser after all, it was as if a weight lifted itself off his |
| shoulders: this was more like the world as he knew it. He sighed. |
| |
| "In return for which you will take Mr Dent with you down to the |
| pub?" |
| |
| "That's it," said Ford. "That's it exactly." |
| |
| Mr Prosser took a few nervous steps forward and stopped. |
| |
| "Promise?" |
| |
| "Promise," said Ford. He turned to Arthur. |
| |
| "Come on," he said to him, "get up and let the man lie down." |
| |
| Arthur stood up, feeling as if he was in a dream. |
| |
| Ford beckoned to Prosser who sadly, awkwardly, sat down in the |
| mud. He felt that his whole life was some kind of dream and he |
| sometimes wondered whose it was and whether they were enjoying |
| it. The mud folded itself round his bottom and his arms and oozed |
| into his shoes. |
| |
| Ford looked at him severely. |
| |
| "And no sneaky knocking down Mr Dent's house whilst he's away, |
| alright?" he said. |
| |
| "The mere thought," growled Mr Prosser, "hadn't even begun to |
| speculate," he continued, settling himself back, "about the |
| merest possibility of crossing my mind." |
| |
| He saw the bulldozer driver's union representative approaching |
| and let his head sink back and closed his eyes. He was trying to |
| marshal his arguments for proving that he did not now constitute |
| a mental health hazard himself. He was far from certain about |
| this - his mind seemed to be full of noise, horses, smoke, and |
| the stench of blood. This always happened when he felt miserable |
| and put upon, and he had never been able to explain it to |
| himself. In a high dimension of which we know nothing the mighty |
| Khan bellowed with rage, but Mr Prosser only trembled slightly |
| and whimpered. He began to fell little pricks of water behind the |
| eyelids. Bureaucratic cock-ups, angry men lying in the mud, |
| indecipherable strangers handing out inexplicable humiliations |
| and an unidentified army of horsemen laughing at him in his head |
| - what a day. |
| |
| What a day. Ford Prefect knew that it didn't matter a pair of |
| dingo's kidneys whether Arthur's house got knocked down or not |
| now. |
| |
| Arthur remained very worried. |
| |
| "But can we trust him?" he said. |
| |
| "Myself I'd trust him to the end of the Earth," said Ford. |
| |
| "Oh yes," said Arthur, "and how far's that?" |
| |
| "About twelve minutes away," said Ford, "come on, I need a |
| drink." |
| |
| ================================================================= |
| Chapter 2 |
| |
| Here's what the Encyclopedia Galactica has to say about alcohol. |
| It says that alcohol is a colourless volatile liquid formed by |
| the fermentation of sugars and also notes its intoxicating effect |
| on certain carbon-based life forms. |
| |
| The Hitch Hiker's Guide to the Galaxy also mentions alcohol. It |
| says that the best drink in existence is the Pan Galactic Gargle |
| Blaster. |
| |
| It says that the effect of a Pan Galactic Gargle Blaster is like |
| having your brains smashed out by a slice of lemon wrapped round |
| a large gold brick. |
| |
| The Guide also tells you on which planets the best Pan Galactic |
| Gargle Blasters are mixed, how much you can expect to pay for one |
| and what voluntary organizations exist to help you rehabilitate |
| afterwards. |
| |
| The Guide even tells you how you can mix one yourself. |
| |
| Take the juice from one bottle of that Ol' Janx Spirit, it says. |
| |
| Pour into it one measure of water from the seas of Santraginus V |
| - Oh that Santraginean sea water, it says. Oh those Santraginean |
| fish!!! |
| |
| Allow three cubes of Arcturan Mega-gin to melt into the mixture |
| (it must be properly iced or the benzine is lost). |
| |
| Allow four litres of Fallian marsh gas to bubble through it, in |
| memory of all those happy Hikers who have died of pleasure in the |
| Marshes of Fallia. |
| |
| Over the back of a silver spoon float a measure of Qualactin |
| Hypermint extract, redolent of all the heady odours of the dark |
| Qualactin Zones, subtle sweet and mystic. |
| |
| Drop in the tooth of an Algolian Suntiger. Watch it dissolve, |
| spreading the fires of the Algolian Suns deep into the heart of |
| the drink. |
| |
| Sprinkle Zamphuor. |
| |
| Add an olive. |
| |
| Drink ... but ... very carefully ... |
| |
| The Hitch Hiker's Guide to the Galaxy sells rather better than |
| the Encyclopedia Galactica. |
| |
| "Six pints of bitter," said Ford Prefect to the barman of the |
| Horse and Groom. "And quickly please, the world's about to end." |
| |
| The barman of the Horse and Groom didn't deserve this sort of |
| treatment, he was a dignified old man. He pushed his glasses up |
| his nose and blinked at Ford Prefect. Ford ignored him and stared |
| out of the window, so the barman looked instead at Arthur who |
| shrugged helplessly and said nothing. |
| |
| So the barman said, "Oh yes sir? Nice weather for it," and |
| started pulling pints. |
| |
| He tried again. |
| |
| "Going to watch the match this afternoon then?" |
| |
| Ford glanced round at him. |
| |
| "No, no point," he said, and looked back out of the window. |
| |
| "What's that, foregone conclusion then you reckon sir?" said the |
| barman. "Arsenal without a chance?" |
| |
| "No, no," said Ford, "it's just that the world's about to end." |
| |
| "Oh yes sir, so you said," said the barman, looking over his |
| glasses this time at Arthur. "Lucky escape for Arsenal if it |
| did." |
| |
| Ford looked back at him, genuinely surprised. |
| |
| "No, not really," he said. He frowned. |
| |
| The barman breathed in heavily. "There you are sir, six pints," |
| he said. |
| |
| Arthur smiled at him wanly and shrugged again. He turned and |
| smiled wanly at the rest of the pub just in case any of them had |
| heard what was going on. |
| |
| None of them had, and none of them could understand what he was |
| smiling at them for. |
| |
| A man sitting next to Ford at the bar looked at the two men, |
| looked at the six pints, did a swift burst of mental arithmetic, |
| arrived at an answer he liked and grinned a stupid hopeful grin |
| at them. |
| |
| "Get off," said Ford, "They're ours," giving him a look that |
| would have an Algolian Suntiger get on with what it was doing. |
| |
| Ford slapped a five-pound note on the bar. He said, "Keep the |
| change." |
| |
| "What, from a fiver? Thank you sir." |
| |
| "You've got ten minutes left to spend it." |
| |
| The barman simply decided to walk away for a bit. |
| |
| "Ford," said Arthur, "would you please tell me what the hell is |
| going on?" |
| |
| "Drink up," said Ford, "you've got three pints to get through." |
| |
| "Three pints?" said Arthur. "At lunchtime?" |
| |
| The man next to ford grinned and nodded happily. Ford ignored |
| him. He said, "Time is an illusion. Lunchtime doubly so." |
| |
| "Very deep," said Arthur, "you should send that in to the |
| Reader's Digest. They've got a page for people like you." |
| |
| "Drink up." |
| |
| "Why three pints all of a sudden?" |
| |
| "Muscle relaxant, you'll need it." |
| |
| "Muscle relaxant?" |
| |
| "Muscle relaxant." |
| |
| Arthur stared into his beer. |
| |
| "Did I do anything wrong today," he said, "or has the world |
| always been like this and I've been too wrapped up in myself to |
| notice?" |
| |
| "Alright," said Ford, "I'll try to explain. How long have we |
| known each other?" |
| |
| "How long?" Arthur thought. "Er, about five years, maybe six," he |
| said. "Most of it seemed to make some sense at the time." |
| |
| "Alright," said Ford. "How would you react if I said that I'm not |
| from Guildford after all, but from a small planet somewhere in |
| the vicinity of Betelgeuse?" |
| |
| Arthur shrugged in a so-so sort of way. |
| |
| "I don't know," he said, taking a pull of beer. "Why - do you |
| think it's the sort of thing you're likely to say?" |
| |
| Ford gave up. It really wasn't worth bothering at the moment, |
| what with the world being about to end. He just said: |
| |
| "Drink up." |
| |
| He added, perfectly factually: |
| |
| "The world's about to end." |
| |
| Arthur gave the rest of the pub another wan smile. The rest of |
| the pub frowned at him. A man waved at him to stop smiling at |
| them and mind his own business. |
| |
| "This must be Thursday," said Arthur musing to himself, sinking |
| low over his beer, "I never could get the hang of Thursdays." |
| |
| ================================================================= |
| Chapter 3 |
| |
| On this particular Thursday, something was moving quietly through |
| the ionosphere many miles above the surface of the planet; |
| several somethings in fact, several dozen huge yellow chunky |
| slablike somethings, huge as office buildings, silent as birds. |
| They soared with ease, basking in electromagnetic rays from the |
| star Sol, biding their time, grouping, preparing. |
| |
| The planet beneath them was almost perfectly oblivious of their |
| presence, which was just how they wanted it for the moment. The |
| huge yellow somethings went unnoticed at Goonhilly, they passed |
| over Cape Canaveral without a blip, Woomera and Jodrell Bank |
| looked straight through them - which was a pity because it was |
| exactly the sort of thing they'd been looking for all these |
| years. |
| |
| The only place they registered at all was on a small black device |
| called a Sub-Etha Sens-O-Matic which winked away quietly to |
| itself. It nestled in the darkness inside a leather satchel which |
| Ford Prefect wore habitually round his neck. The contents of Ford |
| Prefect's satchel were quite interesting in fact and would have |
| made any Earth physicist's eyes pop out of his head, which is why |
| he always concealed them by keeping a couple of dog-eared scripts |
| for plays he pretended he was auditioning for stuffed in the top. |
| Besides the Sub-Etha Sens-O-Matic and the scripts he had an |
| Electronic Thumb - a short squat black rod, smooth and matt with |
| a couple of flat switches and dials at one end; he also had a |
| device which looked rather like a largish electronic calculator. |
| This had about a hundred tiny flat press buttons and a screen |
| about four inches square on which any one of a million "pages" |
| could be summoned at a moment's notice. It looked insanely |
| complicated, and this was one of the reasons why the snug plastic |
| cover it fitted into had the words Don't Panic printed on it in |
| large friendly letters. The other reason was that this device was |
| in fact that most remarkable of all books ever to come out of the |
| great publishing corporations of Ursa Minor - The Hitch Hiker's |
| Guide to the Galaxy. The reason why it was published in the form |
| of a micro sub meson electronic component is that if it were |
| printed in normal book form, an interstellar hitch hiker would |
| require several inconveniently large buildings to carry it around |
| in. |
| |
| Beneath that in Ford Prefect's satchel were a few biros, a |
| notepad, and a largish bath towel from Marks and Spencer. |
| |
| The Hitch Hiker's Guide to the Galaxy has a few things to say on |
| the subject of towels. |
| |
| A towel, it says, is about the most massively useful thing an |
| interstellar hitch hiker can have. Partly it has great practical |
| value - you can wrap it around you for warmth as you bound across |
| the cold moons of Jaglan Beta; you can lie on it on the brilliant |
| marble-sanded beaches of Santraginus V, inhaling the heady sea |
| vapours; you can sleep under it beneath the stars which shine so |
| redly on the desert world of Kakrafoon; use it to sail a mini |
| raft down the slow heavy river Moth; wet it for use in hand-to- |
| hand-combat; wrap it round your head to ward off noxious fumes or |
| to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a |
| mindboggingly stupid animal, it assumes that if you can't see it, |
| it can't see you - daft as a bush, but very ravenous); you can |
| wave your towel in emergencies as a distress signal, and of |
| course dry yourself off with it if it still seems to be clean |
| enough. |
| |
| More importantly, a towel has immense psychological value. For |
| some reason, if a strag (strag: non-hitch hiker) discovers that a |
| hitch hiker has his towel with him, he will automatically assume |
| that he is also in possession of a toothbrush, face flannel, |
| soap, tin of biscuits, flask, compass, map, ball of string, gnat |
| spray, wet weather gear, space suit etc., etc. Furthermore, the |
| strag will then happily lend the hitch hiker any of these or a |
| dozen other items that the hitch hiker might accidentally have |
| "lost". What the strag will think is that any man who can hitch |
| the length and breadth of the galaxy, rough it, slum it, struggle |
| against terrible odds, win through, and still knows where his |
| towel is is clearly a man to be reckoned with. |
| |
| Hence a phrase which has passed into hitch hiking slang, as in |
| "Hey, you sass that hoopy Ford Prefect? There's a frood who |
| really knows where his towel is." (Sass: know, be aware of, meet, |
| have sex with; hoopy: really together guy; frood: really |
| amazingly together guy.) |
| |
| Nestling quietly on top of the towel in Ford Prefect's satchel, |
| the Sub-Etha Sens-O-Matic began to wink more quickly. Miles above |
| the surface of the planet the huge yellow somethings began to fan |
| out. At Jodrell Bank, someone decided it was time for a nice |
| relaxing cup of tea. |
| |
| "You got a towel with you?" said Ford Prefect suddenly to Arthur. |
| |
| Arthur, struggling through his third pint, looked round at him. |
| |
| "Why? What, no ... should I have?" He had given up being |
| surprised, there didn't seem to be any point any longer. |
| |
| Ford clicked his tongue in irritation. |
| |
| "Drink up," he urged. |
| |
| At that moment the dull sound of a rumbling crash from outside |
| filtered through the low murmur of the pub, through the sound of |
| the jukebox, through the sound of the man next to Ford hiccupping |
| over the whisky Ford had eventually bought him. |
| |
| Arthur choked on his beer, leapt to his feet. |
| |
| "What's that?" he yelped. |
| |
| "Don't worry," said Ford, "they haven't started yet." |
| |
| "Thank God for that," said Arthur and relaxed. |
| |
| "It's probably just your house being knocked down," said Ford, |
| drowning his last pint. |
| |
| "What?" shouted Arthur. Suddenly Ford's spell was broken. Arthur |
| looked wildly around him and ran to the window. |
| |
| "My God they are! They're knocking my house down. What the hell |
| am I doing in the pub, Ford?" |
| |
| "It hardly makes any difference at this stage," said Ford, "let |
| them have their fun." |
| |
| "Fun?" yelped Arthur. "Fun!" He quickly checked out of the window |
| again that they were talking about the same thing. |
| |
| "Damn their fun!" he hooted and ran out of the pub furiously |
| waving a nearly empty beer glass. He made no friends at all in |
| the pub that lunchtime. |
| |
| "Stop, you vandals! You home wreckers!" bawled Arthur. "You half |
| crazed Visigoths, stop will you!" |
| |
| Ford would have to go after him. Turning quickly to the barman he |
| asked for four packets of peanuts. |
| |
| "There you are sir," said the barman, slapping the packets on the |
| bar, "twenty-eight pence if you'd be so kind." |
| |
| Ford was very kind - he gave the barman another five-pound note |
| and told him to keep the change. The barman looked at it and then |
| looked at Ford. He suddenly shivered: he experienced a momentary |
| sensation that he didn't understand because no one on Earth had |
| ever experienced it before. In moments of great stress, every |
| life form that exists gives out a tiny sublimal signal. This |
| signal simply communicates an exact and almost pathetic sense of |
| how far that being is from the place of his birth. On Earth it is |
| never possible to be further than sixteen thousand miles from |
| your birthplace, which really isn't very far, so such signals are |
| too minute to be noticed. Ford Prefect was at this moment under |
| great stress, and he was born 600 light years away in the near |
| vicinity of Betelgeuse. |
| |
| The barman reeled for a moment, hit by a shocking, |
| incomprehensible sense of distance. He didn't know what it meant, |
| but he looked at Ford Prefect with a new sense of respect, almost |
| awe. |
| |
| "Are you serious, sir?" he said in a small whisper which had the |
| effect of silencing the pub. "You think the world's going to |
| end?" |
| |
| "Yes," said Ford. |
| |
| "But, this afternoon?" |
| |
| Ford had recovered himself. He was at his flippest. |
| |
| "Yes," he said gaily, "in less than two minutes I would |
| estimate." |
| |
| The barman couldn't believe the conversation he was having, but |
| he couldn't believe the sensation he had just had either. |
| |
| "Isn't there anything we can do about it then?" he said. |
| |
| "No, nothing," said Ford, stuffing the peanuts into his pockets. |
| |
| Someone in the hushed bar suddenly laughed raucously at how |
| stupid everyone had become. |
| |
| The man sitting next to Ford was a bit sozzled by now. His eyes |
| waved their way up to Ford. |
| |
| "I thought," he said, "that if the world was going to end we were |
| meant to lie down or put a paper bag over our head or something." |
| |
| "If you like, yes," said Ford. |
| |
| "That's what they told us in the army," said the man, and his |
| eyes began the long trek back down to his whisky. |
| |
| "Will that help?" asked the barman. |
| |
| "No," said Ford and gave him a friendly smile. "Excuse me," he |
| said, "I've got to go." With a wave, he left. |
| |
| The pub was silent for a moment longer, and then, embarrassingly |
| enough, the man with the raucous laugh did it again. The girl he |
| had dragged along to the pub with him had grown to loathe him |
| dearly over the last hour or so, and it would probably have been |
| a great satisfaction to her to know that in a minute and a half |
| or so he would suddenly evaporate into a whiff of hydrogen, ozone |
| and carbon monoxide. However, when the moment came she would be |
| too busy evaporating herself to notice it. |
| |
| The barman cleared his throat. He heard himself say: |
| |
| "Last orders, please." |
| |
| The huge yellow machines began to sink downward and to move |
| faster. |
| |
| Ford knew they were there. This wasn't the way he had wanted it. |
| |
| Running up the lane, Arthur had nearly reached his house. He |
| didn't notice how cold it had suddenly become, he didn't notice |
| the wind, he didn't notice the sudden irrational squall of rain. |
| He didn't notice anything but the caterpillar bulldozers crawling |
| over the rubble that had been his home. |
| |
| "You barbarians!" he yelled. "I'll sue the council for every |
| penny it's got! I'll have you hung, drawn and quartered! And |
| whipped! And boiled ... until ... until ... until you've had |
| enough." |
| |
| Ford was running after him very fast. Very very fast. |
| |
| "And then I'll do it again!" yelled Arthur. "And when I've |
| finished I will take all the little bits, and I will jump on |
| them!" |
| |
| Arthur didn't notice that the men were running from the |
| bulldozers; he didn't notice that Mr Prosser was staring |
| hectically into the sky. What Mr Prosser had noticed was that |
| huge yellow somethings were screaming through the clouds. |
| Impossibly huge yellow somethings. |
| |
| "And I will carry on jumping on them," yelled Arthur, still |
| running, "until I get blisters, or I can think of anything even |
| more unpleasant to do, and then ..." |
| |
| Arthur tripped, and fell headlong, rolled and landed flat on his |
| back. At last he noticed that something was going on. His finger |
| shot upwards. |
| |
| "What the hell's that?" he shrieked. |
| |
| Whatever it was raced across the sky in monstrous yellowness, |
| tore the sky apart with mind-buggering noise and leapt off into |
| the distance leaving the gaping air to shut behind it with a bang |
| that drove your ears six feet into your skull. |
| |
| Another one followed and did the same thing only louder. |
| |
| It's difficult to say exactly what the people on the surface of |
| the planet were doing now, because they didn't really know what |
| they were doing themselves. None of it made a lot of sense - |
| running into houses, running out of houses, howling noiselessly |
| at the noise. All around the world city streets exploded with |
| people, cars slewed into each other as the noise fell on them and |
| then rolled off like a tidal wave over hills and valleys, deserts |
| and oceans, seeming to flatten everything it hit. |
| |
| Only one man stood and watched the sky, stood with terrible |
| sadness in his eyes and rubber bungs in his ears. He knew exactly |
| what was happening and had known ever since his Sub-Etha Sens-O- |
| Matic had started winking in the dead of night beside his pillar |
| and woken him with a start. It was what he had waited for all |
| these years, but when he had deciphered the signal pattern |
| sitting alone in his small dark room a coldness had gripped him |
| and squeezed his heart. Of all the races in all of the Galaxy who |
| could have come and said a big hello to planet Earth, he thought, |
| didn't it just have to be the Vogons. |
| |
| Still he knew what he had to do. As the Vogon craft screamed |
| through the air high above him he opened his satchel. He threw |
| away a copy of Joseph and the Amazing Technicolor Dreamcoat, he |
| threw away a copy of Godspell: He wouldn't need them where he was |
| going. Everything was ready, everything was prepared. |
| |
| He knew where his towel was. |
| |
| A sudden silence hit the Earth. If anything it was worse than the |
| noise. For a while nothing happened. |
| |
| The great ships hung motionless in the air, over every nation on |
| Earth. Motionless they hung, huge, heavy, steady in the sky, a |
| blasphemy against nature. Many people went straight into shock as |
| their minds tried to encompass what they were looking at. The |
| ships hung in the sky in much the same way that bricks don't. |
| |
| And still nothing happened. |
| |
| Then there was a slight whisper, a sudden spacious whisper of |
| open ambient sound. Every hi fi set in the world, every radio, |
| every television, every cassette recorder, every woofer, every |
| tweeter, every mid-range driver in the world quietly turned |
| itself on. |
| |
| Every tin can, every dust bin, every window, every car, every |
| wine glass, every sheet of rusty metal became activated as an |
| acoustically perfect sounding board. |
| |
| Before the Earth passed away it was going to be treated to the |
| very ultimate in sound reproduction, the greatest public address |
| system ever built. But there was no concert, no music, no |
| fanfare, just a simple message. |
| |
| "People of Earth, your attention please," a voice said, and it |
| was wonderful. Wonderful perfect quadrophonic sound with |
| distortion levels so low as to make a brave man weep. |
| |
| "This is Prostetnic Vogon Jeltz of the Galactic Hyperspace |
| Planning Council," the voice continued. "As you will no doubt be |
| aware, the plans for development of the outlying regions of the |
| Galaxy require the building of a hyperspatial express route |
| through your star system, and regrettably your planet is one of |
| those scheduled for demolition. The process will take slightly |
| less that two of your Earth minutes. Thank you." |
| |
| The PA died away. |
| |
| Uncomprehending terror settled on the watching people of Earth. |
| The terror moved slowly through the gathered crowds as if they |
| were iron fillings on a sheet of board and a magnet was moving |
| beneath them. Panic sprouted again, desperate fleeing panic, but |
| there was nowhere to flee to. |
| |
| Observing this, the Vogons turned on their PA again. It said: |
| |
| "There's no point in acting all surprised about it. All the |
| planning charts and demolition orders have been on display in |
| your local planning department on Alpha Centauri for fifty of |
| your Earth years, so you've had plenty of time to lodge any |
| formal complaint and it's far too late to start making a fuss |
| about it now." |
| |
| The PA fell silent again and its echo drifted off across the |
| land. The huge ships turned slowly in the sky with easy power. On |
| the underside of each a hatchway opened, an empty black space. |
| |
| By this time somebody somewhere must have manned a radio |
| transmitter, located a wavelength and broadcasted a message back |
| to the Vogon ships, to plead on behalf of the planet. Nobody ever |
| heard what they said, they only heard the reply. The PA slammed |
| back into life again. The voice was annoyed. It said: |
| |
| "What do you mean you've never been to Alpha Centauri? For |
| heaven's sake mankind, it's only four light years away you know. |
| I'm sorry, but if you can't be bothered to take an interest in |
| local affairs that's your own lookout. |
| |
| "Energize the demolition beams." |
| |
| Light poured out into the hatchways. |
| |
| "I don't know," said the voice on the PA, "apathetic bloody |
| planet, I've no sympathy at all." It cut off. |
| |
| There was a terrible ghastly silence. |
| |
| There was a terrible ghastly noise. |
| |
| There was a terrible ghastly silence. |
| |
| The Vogon Constructor fleet coasted away into the inky starry |
| void. |
| |
| ================================================================= |
| Chapter 4 |
| |
| Far away on the opposite spiral arm of the Galaxy, five hundred |
| thousand light years from the star Sol, Zaphod Beeblebrox, |
| President of the Imperial Galactic Government, sped across the |
| seas of Damogran, his ion drive delta boat winking and flashing |
| in the Damogran sun. |
| |
| Damogran the hot; Damogran the remote; Damogran the almost |
| totally unheard of. |
| |
| Damogran, secret home of the Heart of Gold. |
| |
| The boat sped on across the water. It would be some time before |
| it reached its destination because Damogran is such an |
| inconveniently arranged planet. It consists of nothing but |
| middling to large desert islands separated by very pretty but |
| annoyingly wide stretches of ocean. |
| |
| The boat sped on. |
| |
| Because of this topological awkwardness Damogran has always |
| remained a deserted planet. This is why the Imperial Galactic |
| Government chose Damogran for the Heart of Gold project, because |
| it was so deserted and the Heart of Gold was so secret. |
| |
| The boat zipped and skipped across the sea, the sea that lay |
| between the main islands of the only archipelago of any useful |
| size on the whole planet. Zaphod Beeblebrox was on his way from |
| the tiny spaceport on Easter Island (the name was an entirely |
| meaningless coincidence - in Galacticspeke, easter means small |
| flat and light brown) to the Heart of Gold island, which by |
| another meaningless coincidence was called France. |
| |
| One of the side effects of work on the Heart of Gold was a whole |
| string of pretty meaningless coincidences. |
| |
| But it was not in any way a coincidence that today, the day of |
| culmination of the project, the great day of unveiling, the day |
| that the Heart of Gold was finally to be introduced to a |
| marvelling Galaxy, was also a great day of culmination for Zaphod |
| Beeblebrox. It was for the sake of this day that he had first |
| decided to run for the Presidency, a decision which had sent |
| waves of astonishment throughout the Imperial Galaxy - Zaphod |
| Beeblebrox? President? Not the Zaphod Beeblebrox? Not the |
| President? Many had seen it as a clinching proof that the whole |
| of known creation had finally gone bananas. |
| |
| Zaphod grinned and gave the boat an extra kick of speed. |
| |
| Zaphod Beeblebrox, adventurer, ex-hippy, good timer, (crook? |
| quite possibly), manic self-publicist, terribly bad at personal |
| relationships, often thought to be completely out to lunch. |
| |
| President? |
| |
| No one had gone bananas, not in that way at least. |
| |
| Only six people in the entire Galaxy understood the principle on |
| which the Galaxy was governed, and they knew that once Zaphod |
| Beeblebrox had announced his intention to run as President it was |
| more or less a fait accompli: he was the ideal Presidency |
| fodder*. |
| |
| What they completely failed to understand was why Zaphod was |
| doing it. |
| |
| He banked sharply, shooting a wild wall of water at the sun. |
| |
| Today was the day; today was the day when they would realize what |
| Zaphod had been up to. Today was what Zaphod Beeblebrox's |
| Presidency was all about. Today was also his two hundredth |
| birthday, but that was just another meaningless coincidence. |
| |
| As he skipped his boat across the seas of Damogran he smiled |
| quietly to himself about what a wonderful exciting day it was |
| going to be. He relaxed and spread his two arms lazily across the |
| seat back. He steered with an extra arm he'd recently fitted just |
| beneath his right one to help improve his ski-boxing. |
| |
| "Hey," he cooed to himself, "you're a real cool boy you." But his |
| nerves sang a song shriller than a dog whistle. |
| |
| The island of France was about twenty miles long, five miles |
| across the middle, sandy and crescent shaped. In fact it seemed |
| to exist not so much as an island in its own right as simply a |
| means of defining the sweep and curve of a huge bay. This |
| impression was heightened by the fact that the inner coastline of |
| the crescent consisted almost entirely of steep cliffs. From the |
| top of the cliff the land sloped slowly down five miles to the |
| opposite shore. |
| |
| On top of the cliffs stood a reception committee. |
| |
| It consisted in large part of the engineers and researchers who |
| had built the Heart of Gold - mostly humanoid, but here and there |
| were a few reptiloid atomineers, two or three green slyph-like |
| maximegalacticans, an octopoid physucturalist or two and a |
| Hooloovoo (a Hooloovoo is a super-intelligent shade of the color |
| blue). All except the Hooloovoo were resplendent in their multi- |
| colored ceremonial lab coats; the Hooloovoo had been temporarily |
| refracted into a free standing prism for the occasion. |
| |
| There was a mood of immense excitement thrilling through all of |
| them. Together and between them they had gone to and beyond the |
| furthest limits of physical laws, restructured the fundamental |
| fabric of matter, strained, twisted and broken the laws of |
| possibility and impossibility, but still the greatest excitement |
| of all seemed to be to meet a man with an orange sash round his |
| neck. (An orange sash was what the President of the Galaxy |
| traditionally wore.) It might not even have made much difference |
| to them if they'd known exactly how much power the President of |
| the Galaxy actually wielded: none at all. Only six people in the |
| Galaxy knew that the job of the Galactic President was not to |
| wield power but to attract attention away from it. |
| |
| Zaphod Beeblebrox was amazingly good at his job. |
| |
| The crowd gasped, dazzled by sun and seemanship, as the |
| Presidential speedboat zipped round the headland into the bay. It |
| flashed and shone as it came skating over the sea in wide |
| skidding turns. |
| |
| In fact it didn't need to touch the water at all, because it was |
| supported on a hazy cushion of ionized atoms - but just for |
| effect it was fitted with thin finblades which could be lowered |
| into the water. They slashed sheets of water hissing into the |
| air, carved deep gashes into the sea which swayed crazily and |
| sank back foaming into the boat's wake as it careered across the |
| bay. |
| |
| Zaphod loved effect: it was what he was best at. |
| |
| He twisted the wheel sharply, the boat slewed round in a wild |
| scything skid beneath the cliff face and dropped to rest lightly |
| on the rocking waves. |
| |
| Within seconds he ran out onto the deck and waved and grinned at |
| over three billion people. The three billion people weren't |
| actually there, but they watched his every gesture through the |
| eyes of a small robot tri-D camera which hovered obsequiously in |
| the air nearby. The antics of the President always made amazingly |
| popular tri-D; that's what they were for. |
| |
| He grinned again. Three billion and six people didn't know it, |
| but today would be a bigger antic than anyone had bargained for. |
| |
| The robot camera homed in for a close up on the more popular of |
| his two heads and he waved again. He was roughly humanoid in |
| appearance except for the extra head and third arm. His fair |
| tousled hair stuck out in random directions, his blue eyes |
| glinted with something completely unidentifiable, and his chins |
| were almost always unshaven. |
| |
| A twenty-foot-high transparent globe floated next to his boat, |
| rolling and bobbing, glistening in the brilliant sun. Inside it |
| floated a wide semi-circular sofa upholstered in glorious red |
| leather: the more the globe bobbed and rolled, the more the sofa |
| stayed perfectly still, steady as an upholstered rock. Again, all |
| done for effect as much as anything. |
| |
| Zaphod stepped through the wall of the globe and relaxed on the |
| sofa. He spread his two arms lazily along the back and with the |
| third brushed some dust off his knee. His heads looked about, |
| smiling; he put his feet up. At any moment, he thought, he might |
| scream. |
| |
| Water boiled up beneath the bubble, it seethed and spouted. The |
| bubble surged into the air, bobbing and rolling on the water |
| spout. Up, up it climbed, throwing stilts of light at the cliff. |
| Up it surged on the jet, the water falling from beneath it, |
| crashing back into the sea hundreds of feet below. |
| |
| Zaphod smiled, picturing himself. |
| |
| A thoroughly ridiculous form of transport, but a thoroughly |
| beautiful one. |
| |
| At the top of the cliff the globe wavered for a moment, tipped on |
| to a railed ramp, rolled down it to a small concave platform and |
| riddled to a halt. |
| |
| To tremendous applause Zaphod Beeblebrox stepped out of the |
| bubble, his orange sash blazing in the light. |
| |
| The President of the Galaxy had arrived. |
| |
| He waited for the applause to die down, then raised his hands in |
| greeting. |
| |
| "Hi," he said. |
| |
| A government spider sidled up to him and attempted to press a |
| copy of his prepared speech into his hands. Pages three to seven |
| of the original version were at the moment floating soggily on |
| the Damogran sea some five miles out from the bay. Pages one and |
| two had been salvaged by a Damogran Frond Crested Eagle and had |
| already become incorporated into an extraordinary new form of |
| nest which the eagle had invented. It was constructed largely of |
| papier m@ch@ and it was virtually impossible for a newly hatched |
| baby eagle to break out of it. The Damogran Frond Crested Eagle |
| had heard of the notion of survival of the species but wanted no |
| truck with it. |
| |
| Zaphod Beeblebrox would not be needing his set speech and he |
| gently deflected the one being offered him by the spider. |
| |
| "Hi," he said again. |
| |
| Everyone beamed at him, or, at least, nearly everyone. He singled |
| out Trillian from the crowd. Trillian was a gird that Zaphod had |
| picked up recently whilst visiting a planet, just for fun, |
| incognito. She was slim, darkish, humanoid, with long waves of |
| black hair, a full mouth, an odd little nob of a nose and |
| ridiculously brown eyes. With her red head scarf knotted in that |
| particular way and her long flowing silky brown dress she looked |
| vaguely Arabic. Not that anyone there had ever heard of an Arab |
| of course. The Arabs had very recently ceased to exist, and even |
| when they had existed they were five hundred thousand light years |
| from Damogran. Trillian wasn't anybody in particular, or so |
| Zaphod claimed. She just went around with him rather a lot and |
| told him what she thought of him. |
| |
| "Hi honey," he said to her. |
| |
| She flashed him a quick tight smile and looked away. Then she |
| looked back for a moment and smiled more warmly - but by this |
| time he was looking at something else. |
| |
| "Hi," he said to a small knot of creatures from the press who |
| were standing nearby wishing that he would stop saying Hi and get |
| on with the quotes. He grinned at them particularly because he |
| knew that in a few moments he would be giving them one hell of a |
| quote. |
| |
| The next thing he said though was not a lot of use to them. One |
| of the officials of the party had irritably decided that the |
| President was clearly not in a mood to read the deliciously |
| turned speech that had been written for him, and had flipped the |
| switch on the remote control device in his pocket. Away in front |
| of them a huge white dome that bulged against the sky cracked |
| down in the middle, split, and slowly folded itself down into the |
| ground. Everyone gasped although they had known perfectly well it |
| was going to do that because they had built it that way. |
| |
| Beneath it lay uncovered a huge starship, one hundred and fifty |
| metres long, shaped like a sleek running shoe, perfectly white |
| and mindboggingly beautiful. At the heart of it, unseen, lay a |
| small gold box which carried within it the most brain-wretching |
| device ever conceived, a device which made this starship unique |
| in the history of the galaxy, a device after which the ship had |
| been named - The Heart of Gold. |
| |
| "Wow", said Zaphod Beeblebrox to the Heart of Gold. There wasn't |
| much else he could say. |
| |
| He said it again because he knew it would annoy the press. |
| |
| "Wow." |
| |
| The crowd turned their faces back towards him expectantly. He |
| winked at Trillian who raised her eyebrows and widened her eyes |
| at him. She knew what he was about to say and thought him a |
| terrible showoff. |
| |
| "That is really amazing," he said. "That really is truly amazing. |
| That is so amazingly amazing I think I'd like to steal it." |
| |
| A marvellous Presidential quote, absolutely true to form. The |
| crowd laughed appreciatively, the newsmen gleefully punched |
| buttons on their Sub-Etha News-Matics and the President grinned. |
| |
| As he grinned his heart screamed unbearably and he fingered the |
| small Paralyso-Matic bomb that nestled quietly in his pocket. |
| |
| Finally he could bear it no more. He lifted his heads up to the |
| sky, let out a wild whoop in major thirds, threw the bomb to the |
| ground and ran forward through the sea of suddenly frozen smiles. |
| |
| ================================================================= |
| Chapter 5 |
| |
| Prostetnic Vogon Jeltz was not a pleasant sight, even for other |
| Vogons. His highly domed nose rose high above a small piggy |
| forehead. His dark green rubbery skin was thick enough for him to |
| play the game of Vogon Civil Service politics, and play it well, |
| and waterproof enough for him to survive indefinitely at sea |
| depths of up to a thousand feet with no ill effects. |
| |
| Not that he ever went swimming of course. His busy schedule would |
| not allow it. He was the way he was because billions of years ago |
| when the Vogons had first crawled out of the sluggish primeval |
| seas of Vogsphere, and had lain panting and heaving on the |
| planet's virgin shores... when the first rays of the bright young |
| Vogsol sun had shone across them that morning, it was as if the |
| forces of evolution ad simply given up on them there and then, |
| had turned aside in disgust and written them off as an ugly and |
| unfortunate mistake. They never evolved again; they should never |
| have survived. |
| |
| The fact that they did is some kind of tribute to the thick- |
| willed slug-brained stubbornness of these creatures. Evolution? |
| they said to themselves, Who needs it?, and what nature refused |
| to do for them they simply did without until such time as they |
| were able to rectify the grosser anatomical inconveniences with |
| surgery. |
| |
| Meanwhile, the natural forces on the planet Vogsphere had been |
| working overtime to make up for their earlier blunder. They |
| brought forth scintillating jewelled scuttling crabs, which the |
| Vogons ate, smashing their shells with iron mallets; tall |
| aspiring trees with breathtaking slenderness and colour which the |
| Vogons cut down and burned the crab meat with; elegant gazelle- |
| like creatures with silken coats and dewy eyes which the Vogons |
| would catch and sit on. They were no use as transport because |
| their backs would snap instantly, but the Vogons sat on them |
| anyway. |
| |
| Thus the planet Vogsphere whiled away the unhappy millennia until |
| the Vogons suddenly discovered the principles of interstellar |
| travel. Within a few short Vog years every last Vogon had |
| migrated to the Megabrantis cluster, the political hub of the |
| Galaxy and now formed the immensely powerful backbone of the |
| Galactic Civil Service. They have attempted to acquire learning, |
| they have attempted to acquire style and social grace, but in |
| most respects the modern Vogon is little different from his |
| primitive forebears. Every year they import twenty-seven thousand |
| scintillating jewelled scuttling crabs from their native planet |
| and while away a happy drunken night smashing them to bits with |
| iron mallets. |
| |
| Prostetnic Vogon Jeltz was a fairly typical Vogon in that he was |
| thoroughly vile. Also, he did not like hitch hikers. |
| |
| Somewhere in a small dark cabin buried deep in the intestines of |
| Prostetnic Vogon Jeltz's flagship, a small match flared |
| nervously. The owner of the match was not a Vogon, but he knew |
| all about them and was right to be nervous. His name was Ford |
| Prefect*. |
| |
| He looked about the cabin but could see very little; strange |
| monstrous shadows loomed and leaped with the tiny flickering |
| flame, but all was quiet. He breathed a silent thank you to the |
| Dentrassis. The Dentrassis are an unruly tribe of gourmands, a |
| wild but pleasant bunch whom the Vogons had recently taken to |
| employing as catering staff on their long haul fleets, on the |
| strict understanding that they keep themselves very much to |
| themselves. |
| |
| This suited the Dentrassis fine, because they loved Vogon money, |
| which is one of the hardest currencies in space, but loathed the |
| Vogons themselves. The only sort of Vogon a Dentrassi liked to |
| see was an annoyed Vogon. |
| |
| It was because of this tiny piece of information that Ford |
| Prefect was not now a whiff of hydrogen, ozone and carbon |
| monoxide. |
| |
| He heard a slight groan. By the light of the match he saw a heavy |
| shape moving slightly on the floor. Quickly he shook the match |
| out, reached in his pocket, found what he was looking for and |
| took it out. He crouched on the floor. The shape moved again. |
| |
| Ford Prefect said: "I bought some peanuts." |
| |
| Arthur Dent moved, and groaned again, muttering incoherently. |
| |
| "Here, have some," urged Ford, shaking the packet again, "if |
| you've never been through a matter transference beam before |
| you've probably lost some salt and protein. The beer you had |
| should have cushioned your system a bit." |
| |
| "Whhhrrrr..." said Arthur Dent. He opened his eyes. |
| |
| "It's dark," he said. |
| |
| "Yes," said Ford Prefect, "it's dark." |
| |
| "No light," said Arthur Dent. "Dark, no light." |
| |
| One of the things Ford Prefect had always found hardest to |
| understand about human beings was their habit of continually |
| stating and repeating the obvious, as in It's a nice day, or |
| You're very tall, or Oh dear you seem to have fallen down a |
| thirty-foot well, are you alright? At first Ford had formed a |
| theory to account for this strange behaviour. If human beings |
| don't keep exercising their lips, he thought, their mouths |
| probably seize up. After a few months' consideration and |
| observation he abandoned this theory in favour of a new one. If |
| they don't keep on exercising their lips, he thought, their |
| brains start working. After a while he abandoned this one as well |
| as being obstructively cynical and decided he quite liked human |
| beings after all, but he always remained desperately worried |
| about the terrible number of things they didn't know about. |
| |
| "Yes," he agreed with Arthur, "no light." He helped Arthur to |
| some peanuts. "How do you feel?" he asked. |
| |
| "Like a military academy," said Arthur, "bits of me keep on |
| passing out." |
| |
| Ford stared at him blankly in the darkness. |
| |
| "If I asked you where the hell we were," said Arthur weakly, |
| "would I regret it?" |
| |
| Ford stood up. "We're safe," he said. |
| |
| "Oh good," said Arthur. |
| |
| "We're in a small galley cabin," said Ford, "in one of the |
| spaceships of the Vogon Constructor Fleet." |
| |
| "Ah," said Arthur, "this is obviously some strange usage of the |
| word safe that I wasn't previously aware of." |
| |
| Ford struck another match to help him search for a light switch. |
| Monstrous shadows leaped and loomed again. Arthur struggled to |
| his feet and hugged himself apprehensively. Hideous alien shapes |
| seemed to throng about him, the air was thick with musty smells |
| which sidled into his lungs without identifying themselves, and a |
| low irritating hum kept his brain from focusing. |
| |
| "How did we get here?" he asked, shivering slightly. |
| |
| "We hitched a lift," said Ford. |
| |
| "Excuse me?" said Arthur. "Are you trying to tell me that we just |
| stuck out our thumbs and some green bug-eyed monster stuck his |
| head out and said, Hi fellas, hop right in. I can take you as far |
| as the Basingstoke roundabout?" |
| |
| "Well," said Ford, "the Thumb's an electronic sub-etha signalling |
| device, the roundabout's at Barnard's Star six light years away, |
| but otherwise, that's more or less right." |
| |
| "And the bug-eyed monster?" |
| |
| "Is green, yes." |
| |
| "Fine," said Arthur, "when can I get home?" |
| |
| "You can't," said Ford Prefect, and found the light switch. |
| |
| "Shade your eyes ..." he said, and turned it on. |
| |
| Even Ford was surprised. |
| |
| "Good grief," said Arthur, "is this really the interior of a |
| flying saucer?" |
| |
| Prostetnic Vogon Jeltz heaved his unpleasant green body round the |
| control bridge. He always felt vaguely irritable after |
| demolishing populated planets. He wished that someone would come |
| and tell him that it was all wrong so that he could shout at them |
| and feel better. He flopped as heavily as he could on to his |
| control seat in the hope that it would break and give him |
| something to be genuinely angry about, but it only gave a |
| complaining sort of creak. |
| |
| "Go away!" he shouted at a young Vogon guard who entered the |
| bridge at that moment. The guard vanished immediately, feeling |
| rather relieved. He was glad it wouldn't now be him who delivered |
| the report they'd just received. The report was an official |
| release which said that a wonderful new form of spaceship drive |
| was at this moment being unveiled at a government research base |
| on Damogran which would henceforth make all hyperspatial express |
| routes unnecessary. |
| |
| Another door slid open, but this time the Vogon captain didn't |
| shout because it was the door from the galley quarters where the |
| Dentrassis prepared his meals. A meal would be most welcome. |
| |
| A huge furry creature bounded through the door with his lunch |
| tray. It was grinning like a maniac. |
| |
| Prostetnic Vogon Jeltz was delighted. He knew that when a |
| Dentrassi looked that pleased with itself there was something |
| going on somewhere on the ship that he could get very angry |
| indeed about. |
| |
| Ford and Arthur stared about them. |
| |
| "Well, what do you think?" said Ford. |
| |
| "It's a bit squalid, isn't it?" |
| |
| Ford frowned at the grubby mattress, unwashed cups and |
| unidentifiable bits of smelly alien underwear that lay around the |
| cramped cabin. |
| |
| "Well, this is a working ship, you see," said Ford. "These are |
| the Dentrassi sleeping quarters." |
| |
| "I thought you said they were called Vogons or something." |
| |
| "Yes," said Ford, "the Vogons run the ship, the Dentrassis are |
| the cooks, they let us on board." |
| |
| "I'm confused," said Arthur. |
| |
| "Here, have a look at this," said Ford. He sat down on one of the |
| mattresses and rummaged about in his satchel. Arthur prodded the |
| mattress nervously and then sat on it himself: in fact he had |
| very little to be nervous about, because all mattresses grown in |
| the swamps of Squornshellous Zeta are very thoroughly killed and |
| dried before being put to service. Very few have ever come to |
| life again. |
| |
| Ford handed the book to Arthur. |
| |
| "What is it?" asked Arthur. |
| |
| "The Hitchhiker's Guide to the Galaxy. It's a sort of electronic |
| book. It tells you everything you need to know about anything. |
| That's its job." |
| |
| Arthur turned it over nervously in his hands. |
| |
| "I like the cover," he said. "Don't Panic. It's the first helpful |
| or intelligible thing anybody's said to me all day." |
| |
| "I'll show you how it works," said Ford. He snatched it from |
| Arthur who was still holding it as if it was a two-week-dead lark |
| and pulled it out of its cover. |
| |
| "You press this button here you see and the screen lights up |
| giving you the index." |
| |
| A screen, about three inches by four, lit up and characters began |
| to flicker across the surface. |
| |
| "You want to know about Vogons, so I enter that name so." His |
| fingers tapped some more keys. "And there we are." |
| |
| The words Vogon Constructor Fleets flared in green across the |
| screen. |
| |
| Ford pressed a large red button at the bottom of the screen and |
| words began to undulate across it. At the same time, the book |
| began to speak the entry as well in a still quiet measured voice. |
| This is what the book said. |
| |
| "Vogon Constructor Fleets. Here is what to do if you want to get |
| a lift from a Vogon: forget it. They are one of the most |
| unpleasant races in the Galaxy -- not actually evil, but bad |
| tempered, bureaucratic, officious and callous. They wouldn't even |
| lift a finger to save their own grandmothers from the Ravenous |
| Bugblatter Beast of Traal without orders signed in triplicate, |
| sent in, sent back, queried, lost, found, subjected to public |
| inquiry, lost again, and finally buried in soft peat and recycled |
| as firelighters. |
| |
| "The best way to get a drink out of a Vogon is to stick your |
| finger down his throat, and the best way to irritate him is to |
| feed his grandmother to the Ravenous Bugblatter Beast of Traal. |
| |
| "On no account allow a Vogon to read poetry at you." |
| |
| Arthur blinked at it. |
| |
| "What a strange book. How did we get a lift then?" |
| |
| "That's the point, it's out of date now," said Ford, sliding the |
| book back into its cover. "I'm doing the field research for the |
| New Revised Edition, and one of the things I'll have to include |
| is a bit about how the Vogons now employ Dentrassi cooks which |
| gives us a rather useful little loophole." |
| |
| A pained expression crossed Arthur's face. "But who are the |
| Dentrassi?" he said. |
| |
| "Great guys," said Ford. "They're the best cooks and the best |
| drink mixers and they don't give a wet slap about anything else. |
| And they'll always help hitch hikers aboard, partly because they |
| like the company, but mostly because it annoys the Vogons. Which |
| is exactly the sort of thing you need to know if you're an |
| impoverished hitch hiker trying to see the marvels of the |
| Universe for less than thirty Altairan Dollars a day. And that's |
| my job. Fun, isn't it?" |
| |
| Arthur looked lost. |
| |
| "It's amazing," he said and frowned at one of the other |
| mattresses. |
| |
| "Unfortunately I got stuck on the Earth for rather longer than I |
| intended," said Ford. "I came for a week and got stuck for |
| fifteen years." |
| |
| "But how did you get there in the first place then?" |
| |
| "Easy, I got a lift with a teaser." |
| |
| "A teaser?" |
| |
| "Yeah." |
| |
| "Er, what is ..." |
| |
| "A teaser? Teasers are usually rich kids with nothing to do. They |
| cruise around looking for planets which haven't made interstellar |
| contact yet and buzz them." |
| |
| "Buzz them?" Arthur began to feel that Ford was enjoying making |
| life difficult for him. |
| |
| "Yeah", said Ford, "they buzz them. They find some isolated spot |
| with very few people around, then land right by some poor soul |
| whom no one's ever going to believe and then strut up and down in |
| front of him wearing silly antennae on their heads and making |
| beep beep noises. Rather childish really." Ford leant back on the |
| mattress with his hands behind his head and looked infuriatingly |
| pleased with himself. |
| |
| "Ford," insisted Arthur, "I don't know if this sounds like a |
| silly question, but what am I doing here?" |
| |
| "Well you know that," said Ford. "I rescued you from the Earth." |
| |
| "And what's happened to the Earth?" |
| |
| "Ah. It's been demolished." |
| |
| "Has it," said Arthur levelly. |
| |
| "Yes. It just boiled away into space." |
| |
| "Look," said Arthur, "I'm a bit upset about that." |
| |
| Ford frowned to himself and seemed to roll the thought around his |
| mind. |
| |
| "Yes, I can understand that," he said at last. |
| |
| "Understand that!" shouted Arthur. "Understand that!" |
| |
| Ford sprang up. |
| |
| "Keep looking at the book!" he hissed urgently. |
| |
| "What?" |
| |
| "Don't Panic." |
| |
| "I'm not panicking!" |
| |
| "Yes you are." |
| |
| "Alright so I'm panicking, what else is there to do?" |
| |
| "You just come along with me and have a good time. The Galaxy's a |
| fun place. You'll need to have this fish in your ear." |
| |
| "I beg your pardon?" asked Arthur, rather politely he thought. |
| |
| Ford was holding up a small glass jar which quite clearly had a |
| small yellow fish wriggling around in it. Arthur blinked at him. |
| He wished there was something simple and recognizable he could |
| grasp hold of. He would have felt safe if alongside the Dentrassi |
| underwear, the piles of Squornshellous mattresses and the man |
| from Betelgeuse holding up a small yellow fish and offering to |
| put it in his ear he had been able to see just a small packet of |
| corn flakes. He couldn't, and he didn't feel safe. |
| |
| Suddenly a violent noise leapt at them from no source that he |
| could identify. He gasped in terror at what sounded like a man |
| trying to gargle whilst fighting off a pack of wolves. |
| |
| "Shush!" said Ford. "Listen, it might be important." |
| |
| "Im ... important?" |
| |
| "It's the Vogon captain making an announcement on the T'annoy." |
| |
| "You mean that's how the Vogons talk?" |
| |
| "Listen!" |
| |
| "But I can't speak Vogon!" |
| |
| "You don't need to. Just put that fish in your ear." |
| |
| Ford, with a lightning movement, clapped his hand to Arthur's |
| ear, and he had the sudden sickening sensation of the fish |
| slithering deep into his aural tract. Gasping with horror he |
| scrabbled at his ear for a second or so, but then slowly turned |
| goggle-eyed with wonder. He was experiencing the aural equivalent |
| of looking at a picture of two black silhouetted faces and |
| suddenly seeing it as a picture of a white candlestick. Or of |
| looking at a lot of coloured dots on a piece of paper which |
| suddenly resolve themselves into the figure six and mean that |
| your optician is going to charge you a lot of money for a new |
| pair of glasses. |
| |
| He was still listening to the howling gargles, he knew that, only |
| now it had taken on the semblance of perfectly straightforward |
| English. |
| |
| This is what he heard ... |
| |
| ================================================================= |
| Chapter 6 |
| |
| "Howl howl gargle howl gargle howl howl howl gargle howl gargle |
| howl howl gargle gargle howl gargle gargle gargle howl slurrp |
| uuuurgh should have a good time. Message repeats. This is your |
| captain speaking, so stop whatever you're doing and pay |
| attention. First of all I see from our instruments that we have a |
| couple of hitchhikers aboard. Hello wherever you are. I just want |
| to make it totally clear that you are not at all welcome. I |
| worked hard to get where I am today, and I didn't become captain |
| of a Vogon constructor ship simply so I could turn it into a taxi |
| service for a load of degenerate freeloaders. I have sent out a |
| search party, and as soon that they find you I will put you off |
| the ship. If you're very lucky I might read you some of my poetry |
| first. |
| |
| "Secondly, we are about to jump into hyperspace for the journey |
| to Barnard's Star. On arrival we will stay in dock for a |
| seventy-two hour refit, and no one's to leave the ship during |
| that time. I repeat, all planet leave is cancelled. I've just had |
| an unhappy love affair, so I don't see why anybody else should |
| have a good time. Message ends." |
| |
| The noise stopped. |
| |
| Arthur discovered to his embarrassment that he was lying curled |
| up in a small ball on the floor with his arms wrapped round his |
| head. He smiled weakly. |
| |
| "Charming man," he said. "I wish I had a daughter so I could |
| forbid her to marry one ..." |
| |
| "You wouldn't need to," said Ford. "They've got as much sex |
| appeal as a road accident. No, don't move," he added as Arthur |
| began to uncurl himself, "you'd better be prepared for the jump |
| into hyperspace. It's unpleasantly like being drunk." |
| |
| "What's so unpleasant about being drunk?" |
| |
| "You ask a glass of water." |
| |
| Arthur thought about this. |
| |
| "Ford," he said. |
| |
| "Yeah?" |
| |
| "What's this fish doing in my ear?" |
| |
| "It's translating for you. It's a Babel fish. Look it up in the |
| book if you like." |
| |
| He tossed over The Hitch Hiker's Guide to the Galaxy and then |
| curled himself up into a foetal ball to prepare himself for the |
| jump. |
| |
| At that moment the bottom fell out of Arthur's mind. |
| |
| His eyes turned inside out. His feet began to leak out of the top |
| of his head. |
| |
| The room folded flat about him, spun around, shifted out of |
| existence and left him sliding into his own navel. |
| |
| They were passing through hyperspace. |
| |
| "The Babel fish," said The Hitch Hiker's Guide to the Galaxy |
| quietly, "is small, yellow and leech-like, and probably the |
| oddest thing in the Universe. It feeds on brainwave energy not |
| from its carrier but from those around it. It absorbs all |
| unconscious mental frequencies from this brainwave energy to |
| nourish itself with. It then excretes into the mind of its |
| carrier a telepathic matrix formed by combining the conscious |
| thought frequencies with nerve signals picked up from the speech |
| centres of the brain which has supplied them. The practical |
| upshot of all this is that if you stick a Babel fish in your ear |
| you can instantly understand anything said to you in any form of |
| language. The speech patterns you actually hear decode the |
| brainwave matrix which has been fed into your mind by your Babel |
| fish. |
| |
| "Now it is such a bizarrely improbable coincidence that anything |
| so mindboggingly useful could have evolved purely by chance that |
| some thinkers have chosen to see it as the final and clinching |
| proof of the non-existence of God. |
| |
| "The argument goes something like this: `I refuse to prove that I |
| exist,' says God, `for proof denies faith, and without faith I am |
| nothing.' |
| |
| "`But,' says Man, `The Babel fish is a dead giveaway, isn't it? |
| It could not have evolved by chance. It proves you exist, and so |
| therefore, by your own arguments, you don't. QED.' |
| |
| "`Oh dear,' says God, `I hadn't thought of that,' and promptly |
| vanished in a puff of logic. |
| |
| "`Oh, that was easy,' says Man, and for an encore goes on to |
| prove that black is white and gets himself killed on the next |
| zebra crossing. |
| |
| "Most leading theologians claim that this argument is a load of |
| dingo's kidneys, but that didn't stop Oolon Colluphid making a |
| small fortune when he used it as the central theme of his best- |
| selling book Well That About Wraps It Up For God. |
| |
| "Meanwhile, the poor Babel fish, by effectively removing all |
| barriers to communication between different races and cultures, |
| has caused more and bloddier wars than anything else in the |
| history of creation." |
| |
| Arthur let out a low groan. He was horrified to discover that the |
| kick through hyperspace hadn't killed him. He was now six light |
| years from the place that the Earth would have been if it still |
| existed. |
| |
| The Earth. |
| |
| Visions of it swam sickeningly through his nauseated mind. There |
| was no way his imagination could feel the impact of the whole |
| Earth having gone, it was too big. He prodded his feelings by |
| thinking that his parents and his sister had gone. No reaction. |
| He thought of all the people he had been close to. No reaction. |
| Then he thought of a complete stranger he had been standing |
| behind in the queue at the supermarket before and felt a sudden |
| stab - the supermarket was gone, everything in it was gone. |
| Nelson's Column had gone! Nelson's Column had gone and there |
| would be no outcry, because there was no one left to make an |
| outcry. From now on Nelson's Column only existed in his mind. |
| England only existed in his mind - his mind, stuck here in this |
| dank smelly steel-lined spaceship. A wave of claustrophobia |
| closed in on him. |
| |
| England no longer existed. He'd got that - somehow he'd got it. |
| He tried again. America, he thought, has gone. He couldn't grasp |
| it. He decided to start smaller again. New York has gone. No |
| reaction. He'd never seriously believed it existed anyway. The |
| dollar, he thought, had sunk for ever. Slight tremor there. Every |
| Bogart movie has been wiped, he said to himself, and that gave |
| him a nasty knock. McDonalds, he thought. There is no longer any |
| such thing as a McDonald's hamburger. |
| |
| He passed out. When he came round a second later he found he was |
| sobbing for his mother. |
| |
| He jerked himself violently to his feet. |
| |
| "Ford!" |
| |
| Ford looked up from where he was sitting in a corner humming to |
| himself. He always found the actual travelling-through-space part |
| of space travel rather trying. |
| |
| "Yeah?" he said. |
| |
| "If you're a researcher on this book thing and you were on Earth, |
| you must have been gathering material on it." |
| |
| "Well, I was able to extend the original entry a bit, yes." |
| |
| "Let me see what it says in this edition then, I've got to see |
| it." |
| |
| "Yeah OK." He passed it over again. |
| |
| Arthur grabbed hold of it and tried to stop his hands shaking. He |
| pressed the entry for the relevant page. The screen flashed and |
| swirled and resolved into a page of print. Arthur stared at it. |
| |
| "It doesn't have an entry!" he burst out. |
| |
| Ford looked over his shoulder. |
| |
| "Yes it does," he said, "down there, see at the bottom of the |
| screen, just under Eccentrica Gallumbits, the triple-breasted |
| whore of Eroticon 6." |
| |
| Arthur followed Ford's finger, and saw where it was pointing. For |
| a moment it still didn't register, then his mind nearly blew up. |
| |
| "What? Harmless? Is that all it's got to say? Harmless! One |
| word!" |
| |
| Ford shrugged. |
| |
| "Well, there are a hundred billion stars in the Galaxy, and only |
| a limited amount of space in the book's microprocessors," he |
| said, "and no one knew much about the Earth of course." |
| |
| "Well for God's sake I hope you managed to rectify that a bit." |
| |
| "Oh yes, well I managed to transmit a new entry off to the |
| editor. He had to trim it a bit, but it's still an improvement." |
| |
| "And what does it say now?" asked Arthur. |
| |
| "Mostly harmless," admitted Ford with a slightly embarrassed |
| cough. |
| |
| "Mostly harmless!" shouted Arthur. |
| |
| "What was that noise?" hissed Ford. |
| |
| "It was me shouting," shouted Arthur. |
| |
| "No! Shut up!" said Ford. I think we're in trouble." |
| |
| "You think we're in trouble!" |
| |
| Outside the door were the sounds of marching feet. |
| |
| "The Dentrassi?" whispered Arthur. |
| |
| "No, those are steel tipped boots," said Ford. |
| |
| There was a sharp ringing rap on the door. |
| |
| "Then who is it?" said Arthur. |
| |
| "Well," said Ford, "if we're lucky it's just the Vogons come to |
| throw us in to space." |
| |
| "And if we're unlucky?" |
| |
| "If we're unlucky," said Ford grimly, "the captain might be |
| serious in his threat that he's going to read us some of his |
| poetry first ..." |
| |
| ================================================================= |
| Chapter 7 |
| |
| Vogon poetry is of course the third worst in the Universe. |
| |
| The second worst is that of the Azagoths of Kria. During a |
| recitation by their Poet Master Grunthos the Flatulent of his |
| poem "Ode To A Small Lump of Green Putty I Found In My Armpit One |
| Midsummer Morning" four of his audience died of internal |
| haemorrhaging, and the President of the Mid-Galactic Arts |
| Nobbling Council survived by gnawing one of his own legs off. |
| Grunthos is reported to have been "disappointed" by the poem's |
| reception, and was about to embark on a reading of his twelve- |
| book epic entitled My Favourite Bathtime Gurgles when his own |
| major intestine, in a desperate attempt to save life and |
| civilization, leapt straight up through his neck and throttled |
| his brain. |
| |
| The very worst poetry of all perished along with its creator |
| Paula Nancy Millstone Jennings of Greenbridge, Essex, England in |
| the destruction of the planet Earth. |
| |
| Prostetnic Vogon Jeltz smiled very slowly. This was done not so |
| much for effect as because he was trying to remember the sequence |
| of muscle movements. He had had a terribly therapeutic yell at |
| his prisoners and was now feeling quite relaxed and ready for a |
| little callousness. |
| |
| The prisoners sat in Poetry Appreciation Chairs --strapped in. |
| Vogons suffered no illusions as to the regard their works were |
| generally held in. Their early attempts at composition had been |
| part of bludgeoning insistence that they be accepted as a |
| properly evolved and cultured race, but now the only thing that |
| kept them going was sheer bloodymindedness. |
| |
| The sweat stood out cold on Ford Prefect's brow, and slid round |
| the electrodes strapped to his temples. These were attached to a |
| battery of electronic equipment - imagery intensifiers, rhythmic |
| modulators, alliterative residulators and simile dumpers - all |
| designed to heighten the experience of the poem and make sure |
| that not a single nuance of the poet's thought was lost. |
| |
| Arthur Dent sat and quivered. He had no idea what he was in for, |
| but he knew that he hadn't liked anything that had happened so |
| far and didn't think things were likely to change. |
| |
| The Vogon began to read - a fetid little passage of his own |
| devising. |
| |
| "Oh frettled gruntbuggly ..." he began. Spasms wracked Ford's |
| body - this was worse than ever he'd been prepared for. |
| |
| "... thy micturations are to me | As plurdled gabbleblotchits on |
| a lurgid bee." |
| |
| "Aaaaaaarggggghhhhhh!" went Ford Prefect, wrenching his head back |
| as lumps of pain thumped through it. He could dimly see beside |
| him Arthur lolling and rolling in his seat. He clenched his |
| teeth. |
| |
| "Groop I implore thee," continued the merciless Vogon, "my |
| foonting turlingdromes." |
| |
| His voice was rising to a horrible pitch of impassioned |
| stridency. "And hooptiously drangle me with crinkly |
| bindlewurdles,| Or I will rend thee in the gobberwarts with my |
| blurglecruncheon, see if I don't!" |
| |
| "Nnnnnnnnnnyyyyyyyuuuuuuurrrrrrrggggggghhhhh!" cried Ford Prefect |
| and threw one final spasm as the electronic enhancement of the |
| last line caught him full blast across the temples. He went limp. |
| |
| Arthur lolled. |
| |
| "Now Earthlings ..." whirred the Vogon (he didn't know that Ford |
| Prefect was in fact from a small planet in the vicinity of |
| Betelgeuse, and wouldn't have cared if he had) "I present you |
| with a simple choice! Either die in the vacuum of space, or ..." |
| he paused for melodramatic effect, "tell me how good you thought |
| my poem was!" |
| |
| He threw himself backwards into a huge leathery bat-shaped seat |
| and watched them. He did the smile again. |
| |
| Ford was rasping for breath. He rolled his dusty tongue round his |
| parched mouth and moaned. |
| |
| Arthur said brightly: "Actually I quite liked it." |
| |
| Ford turned and gaped. Here was an approach that had quite simply |
| not occurred to him. |
| |
| The Vogon raised a surprised eyebrow that effectively obscured |
| his nose and was therefore no bad thing. |
| |
| "Oh good ..." he whirred, in considerable astonishment. |
| |
| "Oh yes," said Arthur, "I thought that some of the metaphysical |
| imagery was really particularly effective." |
| |
| Ford continued to stare at him, slowly organizing his thoughts |
| around this totally new concept. Were they really going to be |
| able to bareface their way out of this? |
| |
| "Yes, do continue ..." invited the Vogon. |
| |
| "Oh ... and er ... interesting rhythmic devices too," continued |
| Arthur, "which seemed to counterpoint the ... er ... er ..." He |
| floundered. |
| |
| Ford leaped to his rescue, hazarding "counterpoint the surrealism |
| of the underlying metaphor of the ... er ..." He floundered too, |
| but Arthur was ready again. |
| |
| "... humanity of the ..." |
| |
| "Vogonity," Ford hissed at him. |
| |
| "Ah yes, Vogonity (sorry) of the poet's compassionate soul," |
| Arthur felt he was on a home stretch now, "which contrives |
| through the medium of the verse structure to sublimate this, |
| transcend that, and come to terms with the fundamental |
| dichotomies of the other," (he was reaching a triumphant |
| crescendo ...) "and one is left with a profound and vivid insight |
| into ... into ... er ..." (... which suddenly gave out on him.) |
| Ford leaped in with the coup de gr@ce: |
| |
| "Into whatever it was the poem was about!" he yelled. Out of the |
| corner of his mouth: "Well done, Arthur, that was very good." |
| |
| The Vogon perused them. For a moment his embittered racial soul |
| had been touched, but he thought no - too little too late. His |
| voice took on the quality of a cat snagging brushed nylon. |
| |
| "So what you're saying is that I write poetry because underneath |
| my mean callous heartless exterior I really just want to be |
| loved," he said. He paused. "Is that right?" |
| |
| Ford laughed a nervous laugh. "Well I mean yes," he said, "don't |
| we all, deep down, you know ... er ..." |
| |
| The Vogon stood up. |
| |
| "No, well you're completely wrong," he said, "I just write poetry |
| to throw my mean callous heartless exterior into sharp relief. |
| I'm going to throw you off the ship anyway. Guard! Take the |
| prisoners to number three airlock and throw them out!" |
| |
| "What?" shouted Ford. |
| |
| A huge young Vogon guard stepped forward and yanked them out of |
| their straps with his huge blubbery arms. |
| |
| "You can't throw us into space," yelled Ford, "we're trying to |
| write a book." |
| |
| "Resistance is useless!" shouted the Vogon guard back at him. It |
| was the first phrase he'd learnt when he joined the Vogon Guard |
| Corps. |
| |
| The captain watched with detached amusement and then turned away. |
| |
| Arthur stared round him wildly. |
| |
| "I don't want to die now!" he yelled. "I've still got a headache! |
| I don't want to go to heaven with a headache, I'd be all cross |
| and wouldn't enjoy it!" |
| |
| The guard grasped them both firmly round the neck, and bowing |
| deferentially towards his captain's back, hoiked them both |
| protesting out of the bridge. A steel door closed and the captain |
| was on his own again. He hummed quietly and mused to himself, |
| lightly fingering his notebook of verses. |
| |
| "Hmmmm," he said, "counterpoint the surrealism of the underlying |
| metaphor ..." He considered this for a moment, and then closed |
| the book with a grim smile. |
| |
| "Death's too good for them," he said. |
| |
| The long steel-lined corridor echoed to the feeble struggles of |
| the two humanoids clamped firmly under rubbery Vogon armpits. |
| |
| "This is great," spluttered Arthur, "this is really terrific. Let |
| go of me you brute!" |
| |
| The Vogon guard dragged them on. |
| |
| "Don't you worry," said Ford, "I'll think of something." He |
| didn't sound hopeful. |
| |
| "Resistance is useless!" bellowed the guard. |
| |
| "Just don't say things like that," stammered Ford. "How can |
| anyone maintain a positive mental attitude if you're saying |
| things like that?" |
| |
| "My God," complained Arthur, "you're talking about a positive |
| mental attitude and you haven't even had your planet demolished |
| today. I woke up this morning and thought I'd have a nice relaxed |
| day, do a bit of reading, brush the dog ... It's now just after |
| four in the afternoon and I'm already thrown out of an alien |
| spaceship six light years from the smoking remains of the Earth!" |
| He spluttered and gurgled as the Vogon tightened his grip. |
| |
| "Alright," said Ford, "just stop panicking." |
| |
| "Who said anything about panicking?" snapped Arthur. "This is |
| still just the culture shock. You wait till I've settled down |
| into the situation and found my bearings. Then I'll start |
| panicking." |
| |
| "Arthur you're getting hysterical. Shut up!" Ford tried |
| desperately to think, but was interrupted by the guard shouting |
| again. |
| |
| "Resistance is useless!" |
| |
| "And you can shut up as well!" snapped Ford. |
| |
| "Resistance is useless!" |
| |
| "Oh give it a rest," said Ford. He twisted his head till he was |
| looking straight up into his captor's face. A thought struck him. |
| |
| "Do you really enjoy this sort of thing?" he asked suddenly. |
| |
| The Vogon stopped dead and a look of immense stupidity seeped |
| slowly over his face. |
| |
| "Enjoy?" he boomed. "What do you mean?" |
| |
| "What I mean," said Ford, "is does it give you a full satisfying |
| life? Stomping around, shouting, pushing people out of spaceships |
| ..." |
| |
| The Vogon stared up at the low steel ceiling and his eyebrows |
| almost rolled over each other. His mouth slacked. Finally he |
| said, "Well the hours are good ..." |
| |
| "They'd have to be," agreed Ford. |
| |
| Arthur twisted his head to look at Ford. |
| |
| "Ford, what are you doing?" he asked in an amazed whisper. |
| |
| "Oh, just trying to take an interest in the world around me, OK?" |
| he said. "So the hours are pretty good then?" he resumed. |
| |
| The Vogon stared down at him as sluggish thoughts moiled around |
| in the murky depths. |
| |
| "Yeah," he said, "but now you come to mention it, most of the |
| actual minutes are pretty lousy. Except ..." he thought again, |
| which required looking at the ceiling - "except some of the |
| shouting I quite like." He filled his lungs and bellowed, |
| "Resistance is ..." |
| |
| "Sure, yes," interrupted Ford hurriedly, "you're good at that, I |
| can tell. But if it's mostly lousy," he said, slowly giving the |
| words time to reach their mark, "then why do you do it? What is |
| it? The girls? The leather? The machismo? Or do you just find |
| that coming to terms with the mindless tedium of it all presents |
| an interesting challenge?" |
| |
| "Er ..." said the guard, "er ... er ... I dunno. I think I just |
| sort of ... do it really. My aunt said that spaceship guard was a |
| good career for a young Vogon - you know, the uniform, the low- |
| slung stun ray holster, the mindless tedium ..." |
| |
| "There you are Arthur," said Ford with the air of someone |
| reaching the conclusion of his argument, "you think you've got |
| problems." |
| |
| Arthur rather thought he had. Apart from the unpleasant business |
| with his home planet the Vogon guard had half-throttled him |
| already and he didn't like the sound of being thrown into space |
| very much. |
| |
| "Try and understand his problem," insisted Ford. "Here he is poor |
| lad, his entire life's work is stamping around, throwing people |
| off spaceships ..." |
| |
| "And shouting," added the guard. |
| |
| "And shouting, sure," said Ford patting the blubbery arm clamped |
| round his neck in friendly condescension, "... and he doesn't |
| even know why he's doing it!" |
| |
| Arthur agreed this was very sad. He did this with a small feeble |
| gesture, because he was too asphyxicated to speak. |
| |
| Deep rumblings of bemusement came from the guard. |
| |
| "Well. Now you put it like that I suppose ..." |
| |
| "Good lad!" encouraged Ford. |
| |
| "But alright," went on the rumblings, "so what's the |
| alternative?" |
| |
| "Well," said Ford, brightly but slowly, "stop doing it of course! |
| Tell them," he went on, "you're not going to do it anymore." He |
| felt he had to add something to that, but for the moment the |
| guard seemed to have his mind occupied pondering that much. |
| |
| "Eerrrrrrmmmmmmmmmmmmmmmmmmmmm ..." said the guard, "erm, well |
| that doesn't sound that great to me." |
| |
| Ford suddenly felt the moment slipping away. |
| |
| "Now wait a minute," he said, "that's just the start you see, |
| there's more to it than that you see ..." |
| |
| But at that moment the guard renewed his grip and continued his |
| original purpose of lugging his prisoners to the airlock. He was |
| obviously quite touched. |
| |
| "No, I think if it's all the same to you," he said, "I'd better |
| get you both shoved into this airlock and then go and get on with |
| some other bits of shouting I've got to do." |
| |
| It wasn't all the same to Ford Prefect after all. |
| |
| "Come on now ... but look!" he said, less slowly, less brightly. |
| |
| "Huhhhhgggggggnnnnnnn ..." said Arthur without any clear |
| inflection. |
| |
| "But hang on," pursued Ford, "there's music and art and things to |
| tell you about yet! Arrrggghhh!" |
| |
| "Resistance is useless," bellowed the guard, and then added, "You |
| see if I keep it up I can eventually get promoted to Senior |
| Shouting Officer, and there aren't usually many vacancies for |
| non-shouting and non-pushing-people-about officers, so I think |
| I'd better stick to what I know." |
| |
| They had now reached the airlock - a large circular steel |
| hatchway of massive strength and weight let into the inner skin |
| of the craft. The guard operated a control and the hatchway swung |
| smoothly open. |
| |
| "But thanks for taking an interest," said the Vogon guard. "Bye |
| now." He flung Ford and Arthur through the hatchway into the |
| small chamber within. Arthur lay panting for breath. Ford |
| scrambled round and flung his shoulder uselessly against the |
| reclosing hatchway. |
| |
| "But listen," he shouted to the guard, "there's a whole world you |
| don't know anything about ... here how about this?" Desperately |
| he grabbed for the only bit of culture he knew offhand - he |
| hummed the first bar of Beethoven's Fifth. |
| |
| "Da da da dum! Doesn't that stir anything in you?" |
| |
| "No," said the guard, "not really. But I'll mention it to my |
| aunt." |
| |
| If he said anything further after that it was lost. The hatchway |
| sealed itself tight, and all sound was lost but the faint distant |
| hum of the ship's engines. |
| |
| They were in a brightly polished cylindrical chamber about six |
| feet in diameter and ten feet long. |
| |
| "Potentially bright lad I thought," he said and slumped against |
| the curved wall. |
| |
| Arthur was still lying in the curve of the floor where he had |
| fallen. He didn't look up. He just lay panting. |
| |
| "We're trapped now aren't we?" |
| |
| "Yes," said Ford, "we're trapped." |
| |
| "Well didn't you think of anything? I thought you said you were |
| going to think of something. Perhaps you thought of something and |
| didn't notice." |
| |
| "Oh yes, I thought of something," panted Ford. Arthur looked up |
| expectantly. |
| |
| "But unfortunately," continued Ford, "it rather involved being on |
| the other side of this airtight hatchway." He kicked the hatch |
| they'd just been through. |
| |
| "But it was a good idea was it?" |
| |
| "Oh yes, very neat." |
| |
| "What was it?" |
| |
| "Well I hadn't worked out the details yet. Not much point now is |
| there?" |
| |
| "So ... er, what happens next?" |
| |
| "Oh, er, well the hatchway in front of us will open automatically |
| in a few moments and we will shoot out into deep space I expect |
| and asphyxicate. If you take a lungful of air with you you can |
| last for up to thirty seconds of course ..." said Ford. He stuck |
| his hands behind his back, raised his eyebrows and started to hum |
| an old Betelgeusian battle hymn. To Arthur's eyes he suddenly |
| looked very alien. |
| |
| "So this is it," said Arthur, "we're going to die." |
| |
| "Yes," said Ford, "except ... no! Wait a minute!" he suddenly |
| lunged across the chamber at something behind Arthur's line of |
| vision. "What's this switch?" he cried. |
| |
| "What? Where?" cried Arthur twisting round. |
| |
| "No, I was only fooling," said Ford, "we are going to die after |
| all." |
| |
| He slumped against the wall again and carried on the tune from |
| where he left off. |
| |
| "You know," said Arthur, "it's at times like this, when I'm |
| trapped in a Vogon airlock with a man from Betelgeuse, and about |
| to die of asphyxication in deep space that I really wish I'd |
| listened to what my mother told me when I was young." |
| |
| "Why, what did she tell you?" |
| |
| "I don't know, I didn't listen." |
| |
| "Oh." Ford carried on humming. |
| |
| "This is terrific," Arthur thought to himself, "Nelson's Column |
| has gone, McDonald's have gone, all that's left is me and the |
| words Mostly Harmless. Any second now all that will be left is |
| Mostly Harmless. And yesterday the planet seemed to be going so |
| well." |
| |
| A motor whirred. |
| |
| A slight hiss built into a deafening roar of rushing air as the |
| outer hatchway opened on to an empty blackness studded with tiny |
| impossibly bright points of light. Ford and Arthur popped into |
| outer space like corks from a toy gun. |
| |
| ================================================================= |
| Chapter 8 |
| |
| The Hitch Hiker's Guide to the Galaxy is a wholly remarkable |
| book. It has been compiled and recompiled many times over many |
| years and under many different editorships. It contains |
| contributions from countless numbers of travellers and |
| researchers. |
| |
| The introduction begins like this: |
| |
| "Space," it says, "is big. Really big. You just won't believe how |
| vastly hugely mindboggingly big it is. I mean you may think it's |
| a long way down the road to the chemist, but that's just peanuts |
| to space. Listen ..." and so on. |
| |
| (After a while the style settles down a bit and it begins to tell |
| you things you really need to know, like the fact that the |
| fabulously beautiful planet Bethselamin is now so worried about |
| the cumulative erosion by ten billion visiting tourists a year |
| that any net imbalance between the amount you eat and the amount |
| you excrete whilst on the planet is surgically removed from your |
| bodyweight when you leave: so every time you go to the lavatory |
| it is vitally important to get a receipt.) |
| |
| To be fair though, when confronted by the sheer enormity of |
| distances between the stars, better minds than the one |
| responsible for the Guide's introduction have faltered. Some |
| invite you to consider for a moment a peanut in reading and a |
| small walnut in Johannesburg, and other such dizzying concepts. |
| |
| The simple truth is that interstellar distances will not fit into |
| the human imagination. |
| |
| Even light, which travels so fast that it takes most races |
| thousands of years to realize that it travels at all, takes time |
| to journey between the stars. It takes eight minutes from the |
| star Sol to the place where the Earth used to be, and four years |
| more to arrive at Sol's nearest stellar neighbour, Alpha Proxima. |
| |
| For light to reach the other side of the Galaxy, for it to reach |
| Damogran for instance, takes rather longer: five hundred thousand |
| years. |
| |
| The record for hitch hiking this distance is just under five |
| years, but you don't get to see much on the way. |
| |
| The Hitch Hiker's Guide to the Galaxy says that if you hold a |
| lungful of air you can survive in the total vacuum of space for |
| about thirty seconds. However it goes on to say that what with |
| space being the mind boggling size it is the chances of getting |
| picked up by another ship within those thirty seconds are two to |
| the power of two hundred and sixty-seven thousand seven hundred |
| and nine to one against. |
| |
| By a totally staggering coincidence that is also the telephone |
| number of an Islington flat where Arthur once went to a very good |
| party and met a very nice girl whom he totally failed to get off |
| with - she went off with a gatecrasher. |
| |
| Though the planet Earth, the Islington flat and the telephone |
| have all now been demolished, it is comforting to reflect that |
| they are all in some small way commemorated by the fact that |
| twenty-nine seconds later Ford and Arthur were rescued. |
| |
| ================================================================= |
| Chapter 9 |
| |
| A computer chatted to itself in alarm as it noticed an airlock |
| open and close itself for no apparent reason. |
| |
| This was because Reason was in fact out to lunch. |
| |
| A hole had just appeared in the Galaxy. It was exactly a |
| nothingth of a second long, a nothingth of an inch wide, and |
| quite a lot of million light years from end to end. |
| |
| As it closed up lots of paper hats and party balloons fell out of |
| it and drifted off through the universe. A team of seven three- |
| foot-high market analysts fell out of it and died, partly of |
| asphyxication, partly of surprise. |
| |
| Two hundred and thirty-nine thousand lightly fried eggs fell out |
| of it too, materializing in a large woobly heap on the famine- |
| struck land of Poghril in the Pansel system. |
| |
| The whole Poghril tribe had died out from famine except for one |
| last man who died of cholesterol poisoning some weeks later. |
| |
| The nothingth of a second for which the hole existed reverberated |
| backwards and forwards through time in a most improbable fashion. |
| Somewhere in the deeply remote past it seriously traumatized a |
| small random group of atoms drifting through the empty sterility |
| of space and made them cling together in the most extraordinarily |
| unlikely patterns. These patterns quickly learnt to copy |
| themselves (this was part of what was so extraordinary of the |
| patterns) and went on to cause massive trouble on every planet |
| they drifted on to. That was how life began in the Universe. |
| |
| Five wild Event Maelstroms swirled in vicious storms of unreason |
| and spewed up a pavement. |
| |
| On the pavement lay Ford Prefect and Arthur Dent gulping like |
| half-spent fish. |
| |
| "There you are," gasped Ford, scrabbling for a fingerhold on the |
| pavement as it raced through the Third Reach of the Unknown, "I |
| told you I'd think of something." |
| |
| "Oh sure," said Arthur, "sure." |
| |
| "Bright idea of mine," said Ford, "to find a passing spaceship |
| and get rescued by it." |
| |
| The real universe arched sickeningly away beneath them. Various |
| pretend ones flitted silently by, like mountain goats. Primal |
| light exploded, splattering space-time as with gobbets of junket. |
| Time blossomed, matter shrank away. The highest prime number |
| coalesced quietly in a corner and hid itself away for ever. |
| |
| "Oh come off it," said Arthur, "the chances against it were |
| astronomical." |
| |
| "Don't knock it, it worked," said Ford. |
| |
| "What sort of ship are we in?" asked Arthur as the pit of |
| eternity yawned beneath them. |
| |
| "I don't know," said Ford, "I haven't opened my eyes yet." |
| |
| "No, nor have I," said Arthur. |
| |
| The Universe jumped, froze, quivered and splayed out in several |
| unexpected directions. |
| |
| Arthur and Ford opened their eyes and looked about in |
| considerable surprise. |
| |
| "Good god," said Arthur, "it looks just like the sea front at |
| Southend." |
| |
| "Hell, I'm relieved to hear you say that," said Ford. |
| |
| "Why?" |
| |
| "Because I thought I must be going mad." |
| |
| "Perhaps you are. Perhaps you only thought I said it." |
| |
| Ford thought about this. |
| |
| "Well, did you say it or didn't you?" he asked. |
| |
| "I think so," said Arthur. |
| |
| "Well, perhaps we're both going mad." |
| |
| "Yes," said Arthur, "we'd be mad, all things considered, to think |
| this was Southend." |
| |
| "Well, do you think this is Southend?" |
| |
| "Oh yes." |
| |
| "So do I." |
| |
| "Therefore we must be mad." |
| |
| "Nice day for it." |
| |
| "Yes," said a passing maniac. |
| |
| "Who was that?" asked Arthur |
| |
| "Who - the man with the five heads and the elderberry bush full |
| of kippers?" |
| |
| "Yes." |
| |
| "I don't know. Just someone." |
| |
| "Ah." |
| |
| They both sat on the pavement and watched with a certain unease |
| as huge children bounced heavily along the sand and wild horses |
| thundered through the sky taking fresh supplies of reinforced |
| railings to the Uncertain Areas. |
| |
| "You know," said Arthur with a slight cough, "if this is |
| Southend, there's something very odd about it ..." |
| |
| "You mean the way the sea stays steady and the buildings keep |
| washing up and down?" said Ford. "Yes I thought that was odd too. |
| In fact," he continued as with a huge bang Southend split itself |
| into six equal segments which danced and span giddily round each |
| other in lewd and licentious formation, "there is something |
| altogether very strange going on." |
| |
| Wild yowling noises of pipes and strings seared through the wind, |
| hot doughnuts popped out of the road for ten pence each, horrid |
| fish stormed out of the sky and Arthur and Ford decided to make a |
| run for it. |
| |
| They plunged through heavy walls of sound, mountains of archaic |
| thought, valleys of mood music, bad shoe sessions and footling |
| bats and suddenly heard a girl's voice. |
| |
| It sounded quite a sensible voice, but it just said, "Two to the |
| power of one hundred thousand to one against and falling," and |
| that was all. |
| |
| Ford skidded down a beam of light and span round trying to find a |
| source for the voice but could see nothing he could seriously |
| believe in. |
| |
| "What was that voice?" shouted Arthur. |
| |
| "I don't know," yelled Ford, "I don't know. It sounded like a |
| measurement of probability." |
| |
| "Probability? What do you mean?" |
| |
| "Probability. You know, like two to one, three to one, five to |
| four against. It said two to the power of one hundred thousand to |
| one against. That's pretty improbable you know." |
| |
| A million-gallon vat of custard upended itself over them without |
| warning. |
| |
| "But what does it mean?" cried Arthur. |
| |
| "What, the custard?" |
| |
| "No, the measurement of probability!" |
| |
| "I don't know. I don't know at all. I think we're on some kind of |
| spaceship." |
| |
| "I can only assume," said Arthur, "that this is not the first- |
| class compartment." |
| |
| Bulges appeared in the fabric of space-time. Great ugly bulges. |
| |
| "Haaaauuurrgghhh ..." said Arthur as he felt his body softening |
| and bending in unusual directions. "Southend seems to be melting |
| away ... the stars are swirling ... a dustbowl ... my legs are |
| drifting off into the sunset ... my left arm's come off too." A |
| frightening thought struck him: "Hell," he said, "how am I going |
| to operate my digital watch now?" He wound his eyes desperately |
| around in Ford's direction. |
| |
| "Ford," he said, "you're turning into a penguin. Stop it." |
| |
| Again came the voice. |
| |
| "Two to the power of seventy-five thousand to one against and |
| falling." |
| |
| Ford waddled around his pond in a furious circle. |
| |
| "Hey, who are you," he quacked. "Where are you? What's going on |
| and is there any way of stopping it?" |
| |
| "Please relax," said the voice pleasantly, like a stewardess in |
| an airliner with only one wing and two engines one of which is on |
| fire, "you are perfectly safe." |
| |
| "But that's not the point!" raged Ford. "The point is that I am |
| now a perfectly save penguin, and my colleague here is rapidly |
| running out of limbs!" |
| |
| "It's alright, I've got them back now," said Arthur. |
| |
| "Two to the power of fifty thousand to one against and falling," |
| said the voice. |
| |
| "Admittedly," said Arthur, "they're longer than I usually like |
| them, but ..." |
| |
| "Isn't there anything," squawked Ford in avian fury, "you feel |
| you ought to be telling us?" |
| |
| The voice cleared its throat. A giant petit four lolloped off |
| into the distance. |
| |
| "Welcome," the voice said, "to the Starship Heart of Gold." |
| |
| The voice continued. |
| |
| "Please do not be alarmed," it said, "by anything you see or hear |
| around you. You are bound to feel some initial ill effects as you |
| have been rescued from certain death at an improbability level of |
| two to the power of two hundred and seventy-six thousand to one |
| against - possibly much higher. We are now cruising at a level of |
| two to the power of twenty-five thousand to one against and |
| falling, and we will be restoring normality just as soon as we |
| are sure what is normal anyway. Thank you. Two to the power of |
| twenty thousand to one against and falling." |
| |
| The voice cut out. |
| |
| Ford and Arthur were in a small luminous pink cubicle. |
| |
| Ford was wildly excited. |
| |
| "Arthur!" he said, "this is fantastic! We've been picked up by a |
| ship powered by the Infinite Improbability Drive! This is |
| incredible! I heard rumors about it before! They were all |
| officially denied, but they must have done it! They've built the |
| Improbability Drive! Arthur, this is ... Arthur? What's |
| happening?" |
| |
| Arthur had jammed himself against the door to the cubicle, trying |
| to hold it closed, but it was ill fitting. Tiny furry little |
| hands were squeezing themselves through the cracks, their fingers |
| were inkstained; tiny voices chattered insanely. |
| |
| Arthur looked up. |
| |
| "Ford!" he said, "there's an infinite number of monkeys outside |
| who want to talk to us about this script for Hamlet they've |
| worked out." |
| |
| ================================================================= |
| Chapter 10 |
| |
| The Infinite Improbability Drive is a wonderful new method of |
| crossing vast interstellar distances in a mere nothingth of a |
| second, without all that tedious mucking about in hyperspace. |
| |
| It was discovered by a lucky chance, and then developed into a |
| governable form of propulsion by the Galactic Government's |
| research team on Damogran. |
| |
| This, briefly, is the story of its discovery. |
| |
| The principle of generating small amounts of finite improbability |
| by simply hooking the logic circuits of a Bambleweeny 57 Sub- |
| Meson Brain to an atomic vector plotter suspended in a strong |
| Brownian Motion producer (say a nice hot cup of tea) were of |
| course well understood - and such generators were often used to |
| break the ice at parties by making all the molecules in the |
| hostess's undergarments leap simultaneously one foot to the left, |
| in accordance with the Theory of Indeterminacy. |
| |
| Many respectable physicists said that they weren't going to stand |
| for this - partly because it was a debasement of science, but |
| mostly because they didn't get invited to those sort of parties. |
| |
| Another thing they couldn't stand was the perpetual failure they |
| encountered in trying to construct a machine which could generate |
| the infinite improbability field needed to flip a spaceship |
| across the mind-paralysing distances between the furthest stars, |
| and in the end they grumpily announced that such a machine was |
| virtually impossible. |
| |
| Then, one day, a student who had been left to sweep up the lab |
| after a particularly unsuccessful party found himself reasoning |
| this way: |
| |
| If, he thought to himself, such a machine is a virtual |
| impossibility, then it must logically be a finite improbability. |
| So all I have to do in order to make one is to work out exactly |
| how improbable it is, feed that figure into the finite |
| improbability generator, give it a fresh cup of really hot tea |
| ... and turn it on! |
| |
| He did this, and was rather startled to discover that he had |
| managed to create the long sought after golden Infinite |
| Improbability generator out of thin air. |
| |
| It startled him even more when just after he was awarded the |
| Galactic Institute's Prize for Extreme Cleverness he got lynched |
| by a rampaging mob of respectable physicists who had finally |
| realized that the one thing they really couldn't stand was a |
| smartass. |
| |
| ================================================================= |
| Chapter 11 |
| |
| The Improbability-proof control cabin of the Heart of Gold looked |
| like a perfectly conventional spaceship except that it was |
| perfectly clean because it was so new. Some of the control seats |
| hadn't had the plastic wrapping taken off yet. The cabin was |
| mostly white, oblong, and about the size of a smallish |
| restaurant. In fact it wasn't perfectly oblong: the two long |
| walls were raked round in a slight parallel curve, and all the |
| angles and corners were contoured in excitingly chunky shapes. |
| The truth of the matter is that it would have been a great deal |
| simpler and more practical to build the cabin as an ordinary |
| three-dimensional oblong rom, but then the designers would have |
| got miserable. As it was the cabin looked excitingly purposeful, |
| with large video screens ranged over the control and guidance |
| system panels on the concave wall, and long banks of computers |
| set into the convex wall. In one corner a robot sat humped, its |
| gleaming brushed steel head hanging loosely between its gleaming |
| brushed steel knees. It too was fairly new, but though it was |
| beautifully constructed and polished it somehow looked as if the |
| various parts of its more or less humanoid body didn't quite fit |
| properly. In fact they fitted perfectly well, but something in |
| its bearing suggested that they might have fitted better. |
| |
| Zaphod Beeblebrox paced nervously up and down the cabin, brushing |
| his hands over pieces of gleaming equipment and giggling with |
| excitement. |
| |
| Trillian sat hunched over a clump of instruments reading off |
| figures. Her voice was carried round the Tannoy system of the |
| whole ship. |
| |
| "Five to one against and falling ..." she said, "four to one |
| against and falling ... three to one ... two ... one ... |
| probability factor of one to one ... we have normality, I repeat |
| we have normality." She turned her microphone off - then turned |
| it back on, with a slight smile and continued: "Anything you |
| still can't cope with is therefore your own problem. Please |
| relax. You will be sent for soon." |
| |
| Zaphod burst out in annoyance: "Who are they Trillian?" |
| |
| Trillian span her seat round to face him and shrugged. |
| |
| "Just a couple of guys we seem to have picked up in open space," |
| she said. "Section ZZ9 Plural Z Alpha." |
| |
| "Yeah, well that's a very sweet thought Trillian," complained |
| Zaphod, "but do you really think it's wise under the |
| circumstances? I mean, here we are on the run and everything, we |
| must have the police of half the Galaxy after us by now, and we |
| stop to pick up hitch hikers. OK, so ten out of ten for style, |
| but minus several million for good thinking, yeah?" |
| |
| He tapped irritably at a control panel. Trillian quietly moved |
| his hand before he tapped anything important. Whatever Zaphod's |
| qualities of mind might include - dash, bravado, conceit - he was |
| mechanically inept and could easily blow the ship up with an |
| extravagant gesture. Trillian had come to suspect that the main |
| reason why he had had such a wild and successful life that he |
| never really understood the significance of anything he did. |
| |
| "Zaphod," she said patiently, "they were floating unprotected in |
| open space ... you wouldn't want them to have died would you?" |
| |
| "Well, you know ... no. Not as such, but ..." |
| |
| "Not as such? Not die as such? But?" Trillian cocked her head on |
| one side. |
| |
| "Well, maybe someone else might have picked them up later." |
| |
| "A second later and they would have been dead." |
| |
| "Yeah, so if you'd taken the trouble to think about the problem a |
| bit longer it would have gone away." |
| |
| "You'd been happy to let them die?" |
| |
| "Well, you know, not happy as such, but ..." |
| |
| "Anyway," said Trillian, turning back to the controls, "I didn't |
| pick them up." |
| |
| "What do you mean? Who picked them up then?" |
| |
| "The ship did." |
| |
| "Huh?" |
| |
| "The ship did. All by itself." |
| |
| "Huh?" |
| |
| "Whilst we were in Improbability Drive." |
| |
| "But that's incredible." |
| |
| "No Zaphod. Just very very improbable." |
| |
| "Er, yeah." |
| |
| "Look Zaphod," she said, patting his arm, "don't worry about the |
| aliens. They're just a couple of guys I expect. I'll send the |
| robot down to get them and bring them up here. Hey Marvin!" |
| |
| In the corner, the robot's head swung up sharply, but then |
| wobbled about imperceptibly. It pulled itself up to its feet as |
| if it was about five pounds heavier that it actually was, and |
| made what an outside observer would have thought was a heroic |
| effort to cross the room. It stopped in front of Trillian and |
| seemed to stare through her left shoulder. |
| |
| "I think you ought to know I'm feeling very depressed," it said. |
| Its voice was low and hopeless. |
| |
| "Oh God," muttered Zaphod and slumped into a seat. |
| |
| "Well," said Trillian in a bright compassionate tone, "here's |
| something to occupy you and keep your mind off things." |
| |
| "It won't work," droned Marvin, "I have an exceptionally large |
| mind." |
| |
| "Marvin!" warned Trillian. |
| |
| "Alright," said Marvin, "what do you want me to do?" |
| |
| "Go down to number two entry bay and bring the two aliens up here |
| under surveillance." |
| |
| With a microsecond pause, and a finely calculated micromodulation |
| of pitch and timbre - nothing you could actually take offence at |
| - Marvin managed to convey his utter contempt and horror of all |
| things human. |
| |
| "Just that?" he said. |
| |
| "Yes," said Trillian firmly. |
| |
| "I won't enjoy it," said Marvin. |
| |
| Zaphod leaped out of his seat. |
| |
| "She's not asking you to enjoy it," he shouted, "just do it will |
| you?" |
| |
| "Alright," said Marvin like the tolling of a great cracked bell, |
| "I'll do it." |
| |
| "Good ..." snapped Zaphod, "great ... thank you ..." |
| |
| Marvin turned and lifted his flat-topped triangular red eyes up |
| towards him. |
| |
| "I'm not getting you down at all am I?" he said pathetically. |
| |
| "No no Marvin," lilted Trillian, "that's just fine, really ..." |
| |
| "I wouldn't like to think that I was getting you down." |
| |
| "No, don't worry about that," the lilt continued, "you just act |
| as comes naturally and everything will be just fine." |
| |
| "You're sure you don't mind?" probed Marvin. |
| |
| "No no Marvin," lilted Trillian, "that's just fine, really ... |
| just part of life." |
| |
| "Marvin flashed him an electronic look. |
| |
| "Life," said Marvin, "don't talk to me about life." |
| |
| He turned hopelessly on his heel and lugged himself out of the |
| cabin. With a satisfied hum and a click the door closed behind |
| him |
| |
| "I don't think I can stand that robot much longer Zaphod," |
| growled Trillian. |
| |
| The Encyclopaedia Galactica defines a robot as a mechanical |
| apparatus designed to do the work of a man. The marketing |
| division of the Sirius Cybernetics Corporation defines a robot as |
| "Your Plastic Pal Who's Fun To Be With." |
| |
| The Hitch Hiker's Guide to the Galaxy defines the marketing |
| division of the Sirius Cybernetics Corporation as "a bunch of |
| mindless jerks who'll be the first against the wall when the |
| revolution comes," with a footnote to the effect that the editors |
| would welcome applications from anyone interested in taking over |
| the post of robotics correspondent. |
| |
| Curiously enough, an edition of the Encyclopaedia Galactica that |
| had the good fortune to fall through a time warp from a thousand |
| years in the future defined the marketing division of the Sirius |
| Cybernetics Corporation as "a bunch of mindless jerks who were |
| the first against the wall when the revolution came." |
| |
| The pink cubicle had winked out of existence, the monkeys had |
| sunk away to a better dimension. Ford and Arthur found themselves |
| in the embarkation area of the ship. It was rather smart. |
| |
| "I think the ship's brand new," said Ford. |
| |
| "How can you tell?" asked Arthur. "Have you got some exotic |
| device for measuring the age of metal?" |
| |
| "No, I just found this sales brochure lying on the floor. It's a |
| lot of `the Universe can be yours' stuff. Ah! Look, I was right." |
| |
| Ford jabbed at one of the pages and showed it to Arthur. |
| |
| "It says: Sensational new breakthrough in Improbability Physics. |
| As soon as the ship's drive reaches Infinite Improbability it |
| passes through every point in the Universe. Be the envy of other |
| major governments. Wow, this is big league stuff." |
| |
| Ford hunted excitedly through the technical specs of the ship, |
| occasionally gasping with astonishment at what he read - clearly |
| Galactic astrotechnology had moved ahead during the years of his |
| exile. |
| |
| Arthur listened for a short while, but being unable to understand |
| the vast majority of what Ford was saying he began to let his |
| mind wander, trailing his fingers along the edge of an |
| incomprehensible computer bank, he reached out and pressed an |
| invitingly large red button on a nearby panel. The panel lit up |
| with the words Please do not press this button again. He shook |
| himself. |
| |
| "Listen," said Ford, who was still engrossed in the sales |
| brochure, "they make a big thing of the ship's cybernetics. A new |
| generation of Sirius Cybernetics Corporation robots and |
| computers, with the new GPP feature." |
| |
| "GPP feature?" said Arthur. "What's that?" |
| |
| "Oh, it says Genuine People Personalities." |
| |
| "Oh," said Arthur, "sounds ghastly." |
| |
| A voice behind them said, "It is." The voice was low and hopeless |
| and accompanied by a slight clanking sound. They span round and |
| saw an abject steel man standing hunched in the doorway. |
| |
| "What?" they said. |
| |
| "Ghastly," continued Marvin, "it all is. Absolutely ghastly. Just |
| don't even talk about it. Look at this door," he said, stepping |
| through it. The irony circuits cut into his voice modulator as he |
| mimicked the style of the sales brochure. "All the doors in this |
| spaceship have a cheerful and sunny disposition. It is their |
| pleasure to open for you, and their satisfaction to close again |
| with the knowledge of a job well done." |
| |
| As the door closed behind them it became apparent that it did |
| indeed have a satisfied sigh-like quality to it. |
| "Hummmmmmmyummmmmmm ah!" it said. |
| |
| Marvin regarded it with cold loathing whilst his logic circuits |
| chattered with disgust and tinkered with the concept of directing |
| physical violence against it Further circuits cut in saying, Why |
| bother? What's the point? Nothing is worth getting involved in. |
| Further circuits amused themselves by analysing the molecular |
| components of the door, and of the humanoids' brain cells. For a |
| quick encore they measured the level of hydrogen emissions in the |
| surrounding cubic parsec of space and then shut down again in |
| boredom. A spasm of despair shook the robot's body as he turned. |
| |
| "Come on," he droned, "I've been ordered to take you down to the |
| bridge. Here I am, brain the size of a planet and they ask me to |
| take you down to the bridge. Call that job satisfaction? 'Cos I |
| don't." |
| |
| He turned and walked back to the hated door. |
| |
| "Er, excuse me," said Ford following after him, "which government |
| owns this ship?" |
| |
| Marvin ignored him. |
| |
| "You watch this door," he muttered, "it's about to open again. I |
| can tell by the intolerable air of smugness it suddenly |
| generates." |
| |
| With an ingratiating little whine the door slit open again and |
| Marvin stomped through. |
| |
| "Come on," he said. |
| |
| The others followed quickly and the door slit back into place |
| with pleased little clicks and whirrs. |
| |
| "Thank you the marketing division of the Sirius Cybernetics |
| Corporation," said Marvin and trudged desolately up the gleaming |
| curved corridor that stretched out before them. "Let's build |
| robots with Genuine People Personalities," they said. So they |
| tried it out with me. I'm a personality prototype. You can tell |
| can't you?" |
| |
| Ford and Arthur muttered embarrassed little disclaimers. |
| |
| "I hate that door," continued Marvin. "I'm not getting you down |
| at all am I?" |
| |
| "Which government ..." started Ford again. |
| |
| "No government owns it," snapped the robot, "it's been stolen." |
| |
| "Stolen?" |
| |
| "Stolen?" mimicked Marvin. |
| |
| "Who by?" asked Ford. |
| |
| "Zaphod Beeblebrox." |
| |
| Something extraordinary happened to Ford's face. At least five |
| entirely separate and distinct expressions of shock and amazement |
| piled up on it in a jumbled mess. His left leg, which was in mid |
| stride, seemed to have difficulty in finding the floor again. He |
| stared at the robot and tried to entangle some dartoid muscles. |
| |
| "Zaphod Beeblebrox ...?" he said weakly. |
| |
| "Sorry, did I say something wrong?" said Marvin, dragging himself |
| on regardless. "Pardon me for breathing, which I never do anyway |
| so I don't know why I bother to say it, oh God I'm so depressed. |
| Here's another of those self-satisfied door. Life! Don't talk to |
| me about life." |
| |
| "No one ever mentioned it," muttered Arthur irritably. "Ford, are |
| you alright?" |
| |
| Ford stared at him. "Did that robot say Zaphod Beeblebrox?" he |
| said. |
| |
| ================================================================= |
| Chapter 12 |
| |
| A loud clatter of gunk music flooded through the Heart of Gold |
| cabin as Zaphod searched the sub-etha radio wavebands for news of |
| himself. The machine was rather difficult to operate. For years |
| radios had been operated by means of pressing buttons and turning |
| dials; then as the technology became more sophisticated the |
| controls were made touch-sensitive - you merely had to brush the |
| panels with your fingers; now all you had to do was wave your |
| hand in the general direction of the components and hope. It |
| saved a lot of muscular expenditure of course, but meant that you |
| had to sit infuriatingly still if you wanted to keep listening to |
| the same programme. |
| |
| Zaphod waved a hand and the channel switched again. More gunk |
| music, but this time it was a background to a news announcement. |
| The news was always heavily edited to fit the rhythms of the |
| music. |
| |
| "... and news brought to you here on the sub-etha wave band, |
| broadcasting around the galaxy around the clock," squawked a |
| voice, "and we'll be saying a big hello to all intelligent life |
| forms everywhere ... and to everyone else out there, the secret |
| is to bang the rocks together, guys. And of course, the big news |
| story tonight is the sensational theft of the new Improbability |
| Drive prototype ship by none other than Galactic President Zaphod |
| Beeblebrox. And the question everyone's asking is ... has the big |
| Z finally flipped? Beeblebrox, the man who invented the Pan |
| Galactic Gargle Blaster, ex-confidence trickster, once described |
| by Eccentrica Gallumbits as the Best Bang since the Big One, and |
| recently voted the Wort Dressed Sentinent Being in the Known |
| Universe for the seventh time ... has he got an answer this time? |
| We asked his private brain care specialist Gag Halfrunt ..." The |
| music swirled and dived for a moment. Another voice broke in, |
| presumably Halfrunt. He said: "Vell, Zaphod's jist zis guy you |
| know?" but got no further because an electric pencil flew across |
| the cabin and through the radio's on/off sensitive airspace. |
| Zaphod turned and glared at Trillian - she had thrown the pencil. |
| |
| "Hey," he said, what do you do that for?" |
| |
| Trillian was tapping her fingers on a screenful of figures. |
| |
| "I've just thought of something," she said. |
| |
| "Yeah? Worth interrupting a news bulletin about me for?" |
| |
| "You hear enough about yourself as it is." |
| |
| "I'm very insecure. We know that." |
| |
| "Can we drop your ego for a moment? This is important." |
| |
| "If there's anything more important than my ego around, I want it |
| caught and shot now." Zaphod glared at her again, then laughed. |
| |
| "Listen," she said, "we picked up those couple of guys ..." |
| |
| "What couple of guys?" |
| |
| "The couple of guys we picked up." |
| |
| "Oh, yeah," said Zaphod, "those couple of guys." |
| |
| "We picked them up in sector ZZ 9 Plural Z Alpha." |
| |
| "Yeah?" said Zaphod and blinked. |
| |
| Trillian said quietly, "Does that mean anything to you?" |
| |
| "Mmmmm," said Zaphod, "ZZ 9 Plural Z Alpha. ZZ 9 Plural Z Alpha?" |
| |
| "Well?" said Trillian. |
| |
| "Er ... what does the Z mean?" said Zaphod. |
| |
| "Which one?" |
| |
| "Any one." |
| |
| One of the major difficulties Trillian experienced in her |
| relationship with Zaphod was learning to distinguish between him |
| pretending to be stupid just to get people off their guard, |
| pretending to be stupid because he couldn't be bothered to think |
| and wanted someone else to do it for him, pretending to be |
| outrageously stupid to hide the fact that he actually didn't |
| understand what was going on, and really being genuinely stupid. |
| He was renowned for being amazingly clever and quite clearly was |
| so - but not all the time, which obviously worried him, hence the |
| act. He proffered people to be puzzled rather than contemptuous. |
| This above all appeared to Trillian to be genuinely stupid, but |
| she could no longer be bothered to argue about it. |
| |
| She sighed and punched up a star map on the visiscreen so she |
| could make it simple for him, whatever his reasons for wanting it |
| to be that way. |
| |
| "There," she pointed, "right there." |
| |
| "Hey ... Yeah!" said Zaphod. |
| |
| "Well?" she said. |
| |
| "Well what?" |
| |
| Parts of the inside of her head screamed at other parts of the |
| inside of her head. She said, very calmly, "It's the same sector |
| you originally picked me up in." |
| |
| He looked at her and then looked back at the screen. |
| |
| "Hey, yeah," he said, "now that is wild. We should have zapped |
| straight into the middle of the Horsehead Nebula. How did we come |
| to be there? I mean that's nowhere." |
| |
| She ignored this. |
| |
| "Improbability Drive," she said patiently. "You explained it to |
| me yourself. We pass through every point in the Universe, you |
| know that." |
| |
| "Yeah, but that's one wild coincidence isn't it?" |
| |
| "Yes." |
| |
| "Picking someone up at that point? Out of the whole of the |
| Universe to choose from? That's just too ... I want to work this |
| out. Computer!" |
| |
| The Sirius Cybernetics Corporation Shipboard Computer which |
| controlled and permeated every particle of the ship switched |
| into communication mode. |
| |
| "Hi there!" it said brightly and simultaneously spewed out a tiny |
| ribbon of ticker tape just for the record. The ticker tape said, |
| Hi there! |
| |
| "Oh God," said Zaphod. He hadn't worked with this computer for |
| long but had already learned to loathe it. |
| |
| The computer continued, brash and cheery as if it was selling |
| detergent. |
| |
| "I want you to know that whatever your problem, I am here to help |
| you solve it." |
| |
| "Yeah yeah," said Zaphod. "Look, I think I'll just use a piece of |
| paper." |
| |
| "Sure thing," said the computer, spilling out its message into a |
| waste bin at the same time, "I understand. If you ever want ..." |
| |
| "Shut up!" said Zaphod, and snatching up a pencil sat down next |
| to Trillian at the console. |
| |
| "OK, OK ..." said the computer in a hurt tone of voice and closed |
| down its speech channel again. |
| |
| Zaphod and Trillian pored over the figures that the Improbability |
| flight path scanner flashed silently up in front of them. |
| |
| "Can we work out," said Zaphod, "from their point of view what |
| the Improbability of their rescue was?" |
| |
| "Yes, that's a constant", said Trillian, "two to the power of two |
| hundred and seventy-six thousand seven hundred and nine to one |
| against." |
| |
| "That's high. They're two lucky lucky guys." |
| |
| "Yes." |
| |
| "But relative to what we were doing when the ship picked them up |
| ..." |
| |
| Trillian punched up the figures. They showed tow-to-the power- |
| of-Infinity-minus-one (an irrational number that only has a |
| conventional meaning in Improbability physics). |
| |
| "... it's pretty low," continued Zaphod with a slight whistle. |
| |
| "Yes," agreed Trillian, and looked at him quizzically. |
| |
| "That's one big whack of Improbability to be accounted for. |
| Something pretty improbable has got to show up on the balance |
| sheet if it's all going to add up into a pretty sum." |
| |
| Zaphod scribbled a few sums, crossed them out and threw the |
| pencil away. |
| |
| "Bat's dots, I can't work it out." |
| |
| "Well?" |
| |
| Zaphod knocked his two heads together in irritation and gritted |
| his teeth. |
| |
| "OK," he said. "Computer!" |
| |
| The voice circuits sprang to life again. |
| |
| "Why hello there!" they said (ticker tape, ticker tape). "All I |
| want to do is make your day nicer and nicer and nicer ..." |
| |
| "Yeah well shut up and work something out for me." |
| |
| "Sure thing," chattered the computer, "you want a probability |
| forecast based on ..." |
| |
| "Improbability data, yeah." |
| |
| "OK," the computer continued. "Here's an interesting little |
| notion. Did you realize that most people's lives are governed by |
| telephone numbers?" |
| |
| A pained look crawled across one of Zaphod's faces and on to the |
| other one. |
| |
| "Have you flipped?" he said. |
| |
| "No, but you will when I tell you that ..." |
| |
| Trillian gasped. She scrabbled at the buttons on the |
| Improbability flight path screen. |
| |
| "Telephone number?" she said. "Did that thing say telephone |
| number?" |
| |
| Numbers flashed up on the screen. |
| |
| The computer had paused politely, but now it continued. |
| |
| "What I was about to say was that ..." |
| |
| "Don't bother please," said Trillian. |
| |
| "Look, what is this?" said Zaphod. |
| |
| "I don't know," said Trillian, "but those aliens - they're on the |
| way up to the bridge with that wretched robot. Can we pick them |
| up on any monitor cameras?" |
| |
| ================================================================= |
| Chapter 13 |
| |
| Marvin trudged on down the corridor, still moaning. |
| |
| "... and then of course I've got this terrible pain in all the |
| diodes down my left hand side ..." |
| |
| "No?" said Arthur grimly as he walked along beside him. "Really?" |
| |
| "Oh yes," said Marvin, "I mean I've asked for them to be replaced |
| but no one ever listens." |
| |
| "I can imagine." |
| |
| Vague whistling and humming noises were coming from Ford. "Well |
| well well," he kept saying to himself, "Zaphod Beeblebrox ..." |
| |
| Suddenly Marvin stopped, and held up a hand. |
| |
| "You know what's happened now of course?" |
| |
| "No, what?" said Arthur, who didn't what to know. |
| |
| "We've arrived at another of those doors." |
| |
| There was a sliding door let into the side of the corridor. |
| Marvin eyed it suspiciously. |
| |
| "Well?" said Ford impatiently. "Do we go through?" |
| |
| "Do we go through?" mimicked Marvin. "Yes. This is the entrance |
| to the bridge. I was told to take you to the bridge. Probably the |
| highest demand that will be made on my intellectual capacities |
| today I shouldn't wonder." |
| |
| Slowly, with great loathing, he stepped towards the door, like a |
| hunter stalking his prey. Suddenly it slid open. |
| |
| "Thank you," it said, "for making a simple door very happy." |
| |
| Deep in Marvin's thorax gears ground. |
| |
| "Funny," he intoned funerally, "how just when you think life |
| can't possibly get any worse it suddenly does." |
| |
| He heaved himself through the door and left Ford and Arthur |
| staring at each other and shrugging their shoulders. From inside |
| they heard Marvin's voice again. |
| |
| "I suppose you want to see the aliens now," he said. "Do you want |
| me to sit in a corner and rust, or just fall apart where I'm |
| standing?" |
| |
| "Yeah, just show them in would you Marvin?" came another voice. |
| |
| Arthur looked at Ford and was astonished to see him laughing. |
| |
| "What's ...?" |
| |
| "Shhh," said Ford, "come in." |
| |
| He stepped through into the bridge. |
| |
| Arthur followed him in nervously and was astonished to see a man |
| lolling back in a chair with his feet on a control console |
| picking the teeth in his right-hand head with his left hand. The |
| right-hand head seemed to be thoroughly preoccupied with this |
| task, but the left-hand one was grinning a broad, relaxed, |
| nonchalant grin. The number of things that Arthur couldn't |
| believe he was seeing was fairly large. His jaw flapped about at |
| a loose end for a while. |
| |
| The peculiar man waved a lazy wave at Ford and with an appalling |
| affectation of nonchalance said, "Ford, hi, how are you? Glad you |
| could drop in." |
| |
| Ford was not going to be outcooled. |
| |
| "Zaphod," he drawled, "great to see you, you're looking well, the |
| extra arm suits you. Nice ship you've stolen." |
| |
| Arthur goggled at him. |
| |
| "You mean you know this guy?" he said, waving a wild finger at |
| Zaphod. |
| |
| "Know him!" exclaimed Ford, "he's ..." he paused, and decided to |
| do the introductions the other way round. |
| |
| "Oh, Zaphod, this is a friend of mine, Arthur Dent," he said, "I |
| saved him when his planet blew up." |
| |
| "Oh sure," said Zaphod, "hi Arthur, glad you could make it." His |
| right-hand head looked round casually, said "hi" and went back to |
| having his teeth picked. |
| |
| Ford carried on. "And Arthur," he said, "this is my semi-cousin |
| Zaphod Beeb ..." |
| |
| "We've met," said Arthur sharply. |
| |
| When you're cruising down the road in the fast lane and you |
| lazily sail past a few hard driving cars and are feeling pretty |
| pleased with yourself and then accidentally change down from |
| fourth to first instead of third thus making your engine leap out |
| of your bonnet in a rather ugly mess, it tends to throw you off |
| your stride in much the same way that this remark threw Ford |
| Prefect off his. |
| |
| "Err ... what?" |
| |
| "I said we've met." |
| |
| Zaphod gave an awkward start of surprise and jabbed a gum |
| sharply. |
| |
| "Hey ... er, have we? Hey ... er ..." |
| |
| Ford rounded on Arthur with an angry flash in his eyes. Now he |
| felt he was back on home ground he suddenly began to resent |
| having lumbered himself with this ignorant primitive who knew as |
| much about the affairs of the Galaxy as an Ilford-based gnat knew |
| about life in Peking. |
| |
| "What do you mean you've met?" he demanded. "This is Zaphod |
| Beeblebrox from Betelgeuse Five you know, not bloody Martin Smith |
| from Croydon." |
| |
| "I don't care," said Arthur coldly. We've met, haven't we Zaphod |
| Beeblebrox - or should I say ... Phil?" |
| |
| "What!" shouted Ford. |
| |
| "You'll have to remind me," said Zaphod. "I've a terrible memory |
| for species." |
| |
| "It was at a party," pursued Arthur. |
| |
| "Yeah, well I doubt that," said Zaphod. |
| |
| "Cool it will you Arthur!" demanded Ford. |
| |
| Arthur would not be deterred. "A party six months ago. On Earth |
| ... England ..." |
| |
| Zaphod shook his head with a tight-lipped smile. |
| |
| "London," insisted Arthur, "Islington." |
| |
| "Oh," said Zaphod with a guilty start, "that party." |
| |
| This wasn't fair on Ford at all. He looked backwards and forwards |
| between Arthur and Zaphod. "What?" he said to Zaphod. "You don't |
| mean to say you've been on that miserable planet as well do you?" |
| |
| "No, of course not," said Zaphod breezily. "Well, I may have just |
| dropped in briefly, you know, on my way somewhere ..." |
| |
| "But I was stuck there for fifteen years!" |
| |
| "Well I didn't know that did I?" |
| |
| "But what were you doing there?" |
| |
| "Looking about, you know." |
| |
| "He gatecrashed a party," persisted Arthur, trembling with anger, |
| "a fancy dress party ..." |
| |
| "It would have to be, wouldn't it?" said Ford. |
| |
| "At this party," persisted Arthur, "was a girl ... oh well, look |
| it doesn't matter now. The whole place has gone up in smoke |
| anyway ..." |
| |
| "I wish you'd stop sulking about that bloody planet," said Ford. |
| "Who was the lady?" |
| |
| "Oh just somebody. Well alright, I wasn't doing very well with |
| her. I'd been trying all evening. Hell, she was something though. |
| Beautiful, charming, devastatingly intelligent, at last I'd got |
| her to myself for a bit and was plying her with a bit of talk |
| when this friend of yours barges up and says Hey doll, is this |
| guy boring you? Why don't you talk to me instead? I'm from a |
| different planet." I never saw her again." |
| |
| "Zaphod?" exclaimed Ford. |
| |
| "Yes," said Arthur, glaring at him and trying not to feel |
| foolish. "He only had the two arms and the one head and he called |
| himself Phil, but ..." |
| |
| "But you must admit he did turn out to be from another planet," |
| said Trillian wandering into sight at the other end of the |
| bridge. She gave Arthur a pleasant smile which settled on him |
| like a ton of bricks and then turned her attention to the ship's |
| controls again. |
| |
| There was silence for a few seconds, and then out of the |
| scrambled mess of Arthur's brain crawled some words. |
| |
| "Tricia McMillian?" he said. "What are you doing here?" |
| |
| "Same as you," she said, "I hitched a lift. After all with a |
| degree in Maths and another in astrophysics what else was there |
| to do? It was either that or the dole queue again on Monday." |
| |
| "Infinity minus one," chattered the computer, "Improbability sum |
| now complete." |
| |
| Zaphod looked about him, at Ford, at Arthur, and then at |
| Trillian. |
| |
| "Trillian," he said, "is this sort of thing going to happen every |
| time we use the Improbability drive?" |
| |
| "Very probably, I'm afraid," she said. |
| |
| ================================================================= |
| Chapter 14 |
| |
| The Heart of Gold fled on silently through the night of space, |
| now on conventional photon drive. Its crew of four were ill at |
| ease knowing that they had been brought together not of their own |
| volition or by simple coincidence, but by some curious principle |
| of physics - as if relationships between people were susceptible |
| to the same laws that governed the relationships between atoms |
| and molecules. |
| |
| As the ship's artificial night closed in they were each grateful |
| to retire to separate cabins and try to rationalize their |
| thoughts. |
| |
| Trillian couldn't sleep. She sat on a couch and stared at a small |
| cage which contained her last and only links with Earth - two |
| white mice that she had insisted Zaphod let her bring. She had |
| expected not to see the planet again, but she was disturbed by |
| her negative reaction to the planet's destruction. It seemed |
| remote and unreal and she could find no thoughts to think about |
| it. She watched the mice scurrying round the cage and running |
| furiously in their little plastic treadwheels till they occupied |
| her whole attention. Suddenly she shook herself and went back to |
| the bridge to watch over the tiny flashing lights and figures |
| that charted the ship's progress through the void. She wished she |
| knew what it was she was trying not to think about. |
| |
| Zaphod couldn't sleep. He also wished he knew what it was that he |
| wouldn't let himself think about. For as long as he could |
| remember he'd suffered from a vague nagging feeling of being not |
| all there. Most of the time he was able to put this thought aside |
| and not worry about it, but it had been re-awakened by the sudden |
| inexplicable arrival of Ford Prefect and Arthur Dent. Somehow it |
| seemed to conform to a pattern that he couldn't see. |
| |
| Ford couldn't sleep. He was too excited about being back on the |
| road again. Fifteen years of virtual imprisonment were over, just |
| as he was finally beginning to give up hope. Knocking about with |
| Zaphod for a bit promised to be a lot of fun, though there seemed |
| to be something faintly odd about his semi-cousin that he |
| couldn't put his finger on. The fact that he had become President |
| of the Galaxy was frankly astonishing, as was the manner of his |
| leaving the post. Was there a reason behind it? There would be no |
| point in asking Zaphod, he never appeared to have a reason for |
| anything he did at all: he had turned unfathomably into an art |
| form. He attacked everything in life with a mixture of |
| extraordinary genius and naive incompetence and it was often |
| difficult to tell which was which. |
| |
| Arthur slept: he was terribly tired. |
| |
| There was a tap at Zaphod's door. It slid open. |
| |
| "Zaphod ...?" |
| |
| "Yeah?" |
| |
| "I think we just found what you came to look for." |
| |
| "Hey, yeah?" |
| |
| Ford gave up the attempt to sleep. In the corner of his cabin was |
| a small computer screen and keyboard. He sat at it for a while |
| and tried to compose a new entry for the Guide on the subject of |
| Vogons but couldn't think of anything vitriolic enough so he gave |
| that up too, wrapped a robe round himself and went for a walk to |
| the bridge. |
| |
| As he entered he was surprised to see two figures hunched |
| excitedly over the instruments. |
| |
| "See? The ship's about to move into orbit," Trillian was saying. |
| "There's a planet out there. It's at the exact coordinates you |
| predicted." |
| |
| Zaphod heard a noise and looked up. |
| |
| "Ford!" he hissed. "Hey, come and take a look at this." |
| |
| Ford went and had a look at it. It was a series of figures |
| flashing over a screen. |
| |
| "You recognize those Galactic coordinates?" said Zaphod. |
| |
| "No." |
| |
| "I'll give you a clue. Computer!" |
| |
| "Hi gang!" enthused the computer. "This is getting real sociable |
| isn't it?" |
| |
| "Shut up," said Zaphod, "and show up the screens." |
| |
| Light on the bridge sank. Pinpoints of light played across the |
| consoles and reflected in four pairs of eyes that stared up at |
| the external monitor screens. |
| |
| There was absolutely nothing on them. |
| |
| "Recognize that?" whispered Zaphod. |
| |
| Ford frowned. |
| |
| "Er, no," he said. |
| |
| "What do you see?" |
| |
| "Nothing." |
| |
| "Recognize it?" |
| |
| "What are you talking about?" |
| |
| "We're in the Horsehead Nebula. One whole vast dark cloud." |
| |
| "And I was meant to recognize that from a blank screen?" |
| |
| "Inside a dark nebula is the only place in the Galaxy you'd see a |
| dark screen." |
| |
| "Very good." |
| |
| Zaphod laughed. He was clearly very excited about something, |
| almost childishly so. |
| |
| "Hey, this is really terrific, this is just far too much!" |
| |
| "What's so great about being stuck in a dust cloud?" said Ford. |
| |
| "What would you reckon to find here?" urged Zaphod. |
| |
| "Nothing." |
| |
| "No stars? No planets?" |
| |
| "No." |
| |
| "Computer!" shouted Zaphod, "rotate angle of vision through one- |
| eighty degrees and don't talk about it!" |
| |
| For a moment it seemed that nothing was happening, then a |
| brightness glowed at the edge of the huge screen. A red star the |
| size of a small plate crept across it followed quickly by another |
| one - a binary system. Then a vast crescent sliced into the |
| corner of the picture - a red glare shading away into the deep |
| black, the night side of the planet. |
| |
| "I've found it!" cried Zaphod, thumping the console. "I've found |
| it!" |
| |
| Ford stared at it in astonishment. |
| |
| "What is it?" he said. |
| |
| "That ..." said Zaphod, "is the most improbable planet that ever |
| existed." |
| |
| ================================================================= |
| Chapter 15 |
| |
| (Excerpt from The Hitch Hiker's Guide to the Galaxy, Page 634784, |
| Section 5a, Entry: Magrathea) |
| |
| Far back in the mists of ancient time, in the great and glorious |
| days of the former Galactic Empire, life was wild, rich and |
| largely tax free. |
| |
| Mighty starships plied their way between exotic suns, seeking |
| adventure and reward amongst the furthest reaches of Galactic |
| space. In those days spirits were brave, the stakes were high, |
| men were real men, women were real women, and small furry |
| creatures from Alpha Centauri were real small furry creatures |
| from Alpha Centauri. And all dared to brave unknown terrors, to |
| do mighty deeds, to boldly split infinitives that no man had |
| split before - and thus was the Empire forged. |
| |
| Many men of course became extremely rich, but this was perfectly |
| natural and nothing to be ashamed of because no one was really |
| poor - at least no one worth speaking of. And for all the richest |
| and most successful merchants life inevitably became rather dull |
| and niggly, and they began to imagine that this was therefore the |
| fault of the worlds they'd settled on - none of them was entirely |
| satisfactory: either the climate wasn't quite right in the later |
| part of the afternoon, or the day was half an hour too long, or |
| the sea was exactly the wrong shade of pink. |
| |
| And thus were created the conditions for a staggering new form of |
| specialist industry: custom-made luxury planet building. The home |
| of this industry was the planet Magrathea, where hyperspatial |
| engineers sucked matter through white holes in space to form it |
| into dream planets - gold planets, platinum planets, soft rubber |
| planets with lots of earthquakes - all lovingly made to meet the |
| exacting standards that the Galaxy's richest men naturally came |
| to expect. |
| |
| But so successful was this venture that Magrathea itself soon |
| became the richest planet of all time and the rest of the Galaxy |
| was reduced to abject poverty. And so the system broke down, the |
| Empire collapsed, and a long sullen silence settled over a |
| billion worlds, disturbed only by the pen scratchings of scholars |
| as they laboured into the night over smug little treaties on the |
| value of a planned political economy. |
| |
| Magrathea itself disappeared and its memory soon passed into the |
| obscurity of legend. |
| |
| In these enlightened days of course, no one believes a word of |
| it. |
| |
| ================================================================= |
| Chapter 16 |
| |
| Arthur awoke to the sound of argument and went to the bridge. |
| Ford was waving his arms about. |
| |
| "You're crazy, Zaphod," he was saying, "Magrathea is a myth, a |
| fairy story, it's what parents tell their kids about at night if |
| they want them to grow up to become economists, it's ..." |
| |
| "And that's what we are currently in orbit around," insisted |
| Zaphod. |
| |
| "Look, I can't help what you may personally be in orbit around," |
| said Ford, "but this ship ..." |
| |
| "Computer!" shouted Zaphod. |
| |
| "Oh no ..." |
|
|
| "Hi there! This is Eddie your shipboard computer, and I'm feeling |
| just great guys, and I know I'm just going to get a bundle of |
| kicks out of any programme you care to run through me." |
| |
| Arthur looked inquiringly at Trillian. She motioned him to come |
| on in but keep quiet. |
| |
| "Computer," said Zaphod, "tell us again what our present |
| trajectory is." |
| |
| "A real pleasure feller," it burbled, "we are currently in orbit |
| at an altitude of three hundred miles around the legendary planet |
| of Magrathea." |
| |
| "Proving nothing," said Ford. "I wouldn't trust that computer to |
| speak my weight." |
| |
| "I can do that for you, sure," enthused the computer, punching |
| out more tickertape. "I can even work out you personality |
| problems to ten decimal places if it will help." |
| |
| Trillian interrupted. |
| |
| "Zaphod," she said, "any minute now we will be swinging round to |
| the daylight side of this planet," adding, "whatever it turns out |
| to be." |
| |
| "Hey, what do you mean by that? The planet's where I predicted it |
| would be isn't it?" |
| |
| "Yes, I know there's a planet there. I'm not arguing with anyone, |
| it's just that I wouldn't know Magrathea from any other lump of |
| cold rock. Dawn's coming up if you want it." |
| |
| "OK, OK," muttered Zaphod, "let's at least give our eyes a good |
| time. Computer!" |
| |
| "Hi there! What can I ..." |
| |
| "Just shut up and give us a view of the planet again." |
| |
| A dark featureless mass once more filled the screens - the planet |
| rolling away beneath them. |
| |
| They watched for a moment in silence, but Zaphod was fidgety with |
| excitement. |
| |
| "We are now traversing the night side ..." he said in a hushed |
| voice. The planet rolled on. |
| |
| "The surface of the planet is now three hundred miles beneath us |
| ..." he continued. He was trying to restore a sense of occasion |
| to what he felt should have been a great moment. Magrathea! He |
| was piqued by Ford's sceptical reaction. Magrathea! |
| |
| "In a few seconds," he continued, "we should see ... there!" |
| |
| The moment carried itself. Even the most seasoned star tramp |
| can't help but shiver at the spectacular drama of a sunrise seen |
| from space, but a binary sunrise is one of the marvels of the |
| Galaxy. |
| |
| Out of the utter blackness stabbed a sudden point of blinding |
| light. It crept up by slight degrees and spread sideways in a |
| thin crescent blade, and within seconds two suns were visible, |
| furnaces of light, searing the black edge of the horizon with |
| white fire. Fierce shafts of colour streaked through the thin |
| atmosphere beneath them. |
| |
| "The fires of dawn ... !" breathed Zaphod. "The twin suns of |
| Soulianis and Rahm ... !" |
| |
| "Or whatever," said Ford quietly. |
| |
| "Soulianis and Rahm!" insisted Zaphod. |
| |
| The suns blazed into the pitch of space and a low ghostly music |
| floated through the bridge: Marvin was humming ironically because |
| he hated humans so much. |
| |
| As Ford gazed at the spectacle of light before them excitement |
| burnt inside him, but only the excitement of seeing a strange new |
| planet, it was enough for him to see it as it was. It faintly |
| irritated him that Zaphod had to impose some ludicrous fantasy on |
| to the scene to make it work for him. All this Magrathea nonsense |
| seemed juvenile. Isn't it enough to see that a garden is |
| beautiful without having to believe that there are fairies at the |
| bottom of it too? |
| |
| All this Magrathea business seemed totally incomprehensible to |
| Arthur. He edged up to Trillian and asked her what was going on. |
| |
| "I only know what Zaphod's told me," she whispered. "Apparently |
| Magrathea is some kind of legend from way back which no one |
| seriously believes in. Bit like Atlantis on Earth, except that |
| the legends say the Magratheans used to manufacture planets." |
| |
| Arthur blinked at the screens and felt he was missing something |
| important. Suddenly he realized what it was. |
| |
| "Is there any tea on this spaceship?" he asked. |
| |
| More of the planet was unfolding beneath them as the Heart of |
| Gold streaked along its orbital path. The suns now stood high in |
| the black sky, the pyrotechnics of dawn were over, and the |
| surface of the planet appeared bleak and forbidding in the common |
| light of day - grey, dusty and only dimly contoured. It looked |
| dead and cold as a crypt. From time to time promising features |
| would appear on the distant horizon - ravines, maybe mountains, |
| maybe even cities - but as they approached the lines would soften |
| and blur into anonymity and nothing would transpire. The planet's |
| surface was blurred by time, by the slow movement of the thin |
| stagnant air that had crept across it for century upon century. |
| |
| Clearly, it was very very old. |
| |
| A moment of doubt came to Ford as he watched the grey landscape |
| move beneath them. The immensity of time worried him, he could |
| feel it as a presence. He cleared his throat. |
| |
| "Well, even supposing it is ..." |
| |
| "It is," said Zaphod. |
| |
| "Which it isn't," continued Ford. "What do you want with it |
| anyway? There's nothing there." |
| |
| "Not on the surface," said Zaphod. |
| |
| "Alright, just supposing there's something. I take it you're not |
| here for the sheer industrial archaeology of it all. What are you |
| after?" |
| |
| One of Zaphod's heads looked away. The other one looked round to |
| see what the first was looking at, but it wasn't looking at |
| anything very much. |
| |
| "Well," said Zaphod airily, "it's partly the curiosity, partly a |
| sense of adventure, but mostly I think it's the fame and the |
| money ..." |
| |
| Ford glanced at him sharply. He got a very strong impression that |
| Zaphod hadn't the faintest idea why he was there at all. |
| |
| "You know I don't like the look of that planet at all," said |
| Trillian shivering. |
| |
| "Ah, take no notice," said Zaphod, "with half the wealth of the |
| former Galactic Empire stored on it somewhere it can afford to |
| look frumpy." |
| |
| Bullshit, thought Ford. Even supposing this was the home of some |
| ancient civilization now gone to dust, even supposing a number of |
| exceedingly unlikely things, there was no way that vast treasures |
| of wealth were going to be stored there in any form that would |
| still have meaning now. He shrugged. |
| |
| "I think it's just a dead planet," he said. |
| |
| "The suspense is killing me," said Arthur testily. |
| |
| Stress and nervous tension are now serious social problems in all |
| parts of the Galaxy, and it is in order that this situation |
| should not in any way be exacerbated that the following facts |
| will now be revealed in advance. |
| |
| The planet in question is in fact the legendary Magrathea. |
| |
| The deadly missile attack shortly to be launched by an ancient |
| automatic defence system will result merely in the breakage of |
| three coffee cups and a micecage, the bruising of somebody's |
| upper arm, and the untimely creation and sudden demise of a bowl |
| of petunias and an innocent sperm whale. |
| |
| In order that some sense of mystery should still be preserved, no |
| revelation will yet be made concerning whose upper arm sustained |
| the bruise. This fact may safely be made the subject of suspense |
| since it is of no significance whatsoever. |
| |
| ================================================================= |
| Chapter 17 |
| |
| After a fairly shaky start to the day, Arthur's mind was |
| beginning to reassemble itself from the shellshocked fragments |
| the previous day had left him with. He had found a Nutri-Matic |
| machine which had provided him with a plastic cup filled with a |
| liquid that was almost, but not quite, entirely unlike tea. The |
| way it functioned was very interesting. When the Drink button was |
| pressed it made an instant but highly detailed examination of the |
| subject's taste buds, a spectroscopic analysis of the subject's |
| metabolism and then sent tiny experimental signals down the |
| neural pathways to the taste centres of the subject's brain to |
| see what was likely to go down well. However, no one knew quite |
| why it did this because it invariably delivered a cupful of |
| liquid that was almost, but not quite, entirely unlike tea. The |
| Nutri-Matic was designed and manufactured by the Sirius |
| Cybernetics Corporation whose complaints department now covers |
| all the major land masses of the first three planets in the |
| Sirius Tau Star system. |
| |
| Arthur drank the liquid and found it reviving. He glanced up at |
| the screens again and watched a few more hundred miles of barren |
| greyness slide past. It suddenly occurred to him to ask a |
| question which had been bothering him. |
| |
| "Is it safe?" he said. |
| |
| "Magrathea's been dead for five million years," said Zaphod, "of |
| course it's safe. Even the ghosts will have settled down and |
| raised families by now." At which point a strange and |
| inexplicable sound thrilled suddenly through the bridge - a noise |
| as of a distant fanfare; a hollow, reedy, insubstantial sound. It |
| preceded a voice that was equally hollow, reedy and |
| insubstantial. The voice said "Greetings to you ..." |
| |
| Someone from the dead planet was talking to them. |
| |
| "Computer!" shouted Zaphod. |
| |
| "Hi there!" |
| |
| "What the photon is it?" |
| |
| "Oh, just some five-million-year-old tape that's being broadcast |
| at us." |
| |
| "A what? A recording?" |
| |
| "Shush!" said Ford. "It's carrying on." |
| |
| The voice was old, courteous, almost charming, but was |
| underscored with quite unmistakable menace. |
| |
| "This is a recorded announcement," it said, "as I'm afraid we're |
| all out at the moment. The commercial council of Magrathea thanks |
| you for your esteemed visit ..." |
| |
| ("A voice from ancient Magrathea!" shouted Zaphod. "OK, OK," said |
| Ford.) |
| |
| "... but regrets," continued the voice, "that the entire planet |
| is temporarily closed for business. Thank you. If you would care |
| to leave your name and the address of a planet where you can be |
| contacted, kindly speak when you hear the tone." |
| |
| A short buzz followed, then silence. |
| |
| "They want to get rid of us," said Trillian nervously. "What do |
| we do?" |
| |
| "It's just a recording," said Zaphod. "We keep going. Got that, |
| computer?" |
| |
| "I got it," said the computer and gave the ship an extra kick of |
| speed. |
| |
| They waited. |
| |
| After a second or so came the fanfare once again, and then the |
| voice. |
| |
| "We would like to assure you that as soon as our business is |
| resumed announcements will be made in all fashionable magazines |
| and colour supplements, when our clients will once again be able |
| to select from all that's best in contemporary geography." The |
| menace in the voice took on a sharper edge. "Meanwhile we thank |
| our clients for their kind interest and would ask them to leave. |
| Now." |
| |
| Arthur looked round the nervous faces of his companions. |
| |
| "Well, I suppose we'd better be going then, hadn't we?" he |
| suggested. |
| |
| "Shhh!" said Zaphod. "There's absolutely nothing to be worried |
| about." |
| |
| "Then why's everyone so tense?" |
| |
| "They're just interested!" shouted Zaphod. "Computer, start a |
| descent into the atmosphere and prepare for landing." |
| |
| This time the fanfare was quite perfunctory, the voice distinctly |
| cold. |
| |
| "It is most gratifying," it said, "that your enthusiasm for our |
| planet continues unabated, and so we would like to assure you |
| that the guided missiles currently converging with your ship are |
| part of a special service we extend to all of our most |
| enthusiastic clients, and the fully armed nuclear warheads are of |
| course merely a courtesy detail. We look forward to your custom |
| in future lives ... thank you." |
| |
| The voice snapped off. |
| |
| "Oh," said Trillian. |
| |
| "Er ..." said Arthur. |
| |
| "Well?" said Ford. |
| |
| "Look," said Zaphod, "will you get it into your heads? That's |
| just a recorded message. It's millions of years old. It doesn't |
| apply to us, get it?" |
| |
| "What," said Trillian quietly, "about the missiles?" |
| |
| "Missiles? Don't make me laugh." |
| |
| Ford tapped Zaphod on the shoulder and pointed at the rear |
| screen. Clear in the distance behind them two silver darts were |
| climbing through the atmosphere towards the ship. A quick change |
| of magnification brought them into close focus - two massively |
| real rockets thundering through the sky. The suddenness of it was |
| shocking. |
| |
| "I think they're going to have a very good try at applying to |
| us," said Ford. |
| |
| Zaphod stared at them in astonishment. |
| |
| "Hey this is terrific!" he said. "Someone down there is trying to |
| kill us!" |
| |
| "Terrific," said Arthur. |
| |
| "But don't you see what this means?" |
| |
| "Yes. We're going to die." |
| |
| "Yes, but apart from that." |
| |
| "Apart from that?" |
| |
| "It means we must be on to something!" |
| |
| "How soon can we get off it?" |
| |
| Second by second the image of the missiles on the screen became |
| larger. They had swung round now on to a direct homing course so |
| that all that could be seen of them now was the warheads, head |
| on. |
| |
| "As a matter of interest," said Trillian, "what are we going to |
| do?" |
| |
| "Just keep cool," said Zaphod. |
| |
| "Is that all?" shouted Arthur. |
| |
| "No, we're also going to ... er ... take evasive action!" said |
| Zaphod with a sudden access of panic. "Computer, what evasive |
| action can we take?" |
| |
| "Er, none I'm afraid, guys," said the computer. |
| |
| "... or something," said Zaphod, "... er ..." he said. |
| |
| "There seems to be something jamming my guidance system," |
| explained the computer brightly, "impact minus forty-five |
| seconds. Please call me Eddie if it will help you to relax." |
| |
| Zaphod tried to run in several equally decisive directions |
| simultaneously. "Right!" he said. "Er ... we've got to get manual |
| control of this ship." |
| |
| "Can you fly her?" asked Ford pleasantly. |
| |
| "No, can you?" |
| |
| "No." |
| |
| "Trillian, can you?" |
| |
| "No." |
| |
| "Fine," said Zaphod, relaxing. "We'll do it together." |
| |
| "I can't either," said Arthur, who felt it was time he began to |
| assert himself. |
| |
| "I'd guessed that," said Zaphod. "OK computer, I want full manual |
| control now." |
| |
| "You got it," said the computer. |
| |
| Several large desk panels slid open and banks of control consoles |
| sprang up out of them, showering the crew with bits of expanded |
| polystyrene packaging and balls of rolled-up cellophane: these |
| controls had never been used before. |
| |
| Zaphod stared at them wildly. |
| |
| "OK, Ford," he said, "full retro thrust and ten degrees |
| starboard. Or something ..." |
| |
| "Good luck guys," chirped the computer, "impact minus thirty |
| seconds ..." |
| |
| Ford leapt to the controls - only a few of them made any |
| immediate sense to him so he pulled those. The ship shook and |
| screamed as its guidance rocked jets tried to push it every which |
| way simultaneously. He released half of them and the ship span |
| round in a tight arc and headed back the way it had come, |
| straight towards the oncoming missiles. |
| |
| Air cushions ballooned out of the walls in an instant as everyone |
| was thrown against them. For a few seconds the inertial forces |
| held them flattened and squirming for breath, unable to move. |
| Zaphod struggled and pushed in manic desperation and finally |
| managed a savage kick at a small lever that formed part of the |
| guidance system. |
| |
| The lever snapped off. The ship twisted sharply and rocketed |
| upwards. The crew were hurled violently back across the cabin. |
| Ford's copy of The Hitch Hiker's Guide to the Galaxy smashed into |
| another section of the control console with the combined result |
| that the guide started to explain to anyone who cared to listen |
| about the best ways of smuggling Antarean parakeet glands out of |
| Antares (an Antarean parakeet gland stuck on a small stick is a |
| revolting but much sought after cocktail delicacy and very large |
| sums of money are often paid for them by very rich idiots who |
| want to impress other very rich idiots), and the ship suddenly |
| dropped out of the sky like a stone. |
| |
| It was of course more or less at this moment that one of the crew |
| sustained a nasty bruise to the upper arm. This should be |
| emphasized because, as had already been revealed, they escape |
| otherwise completely unharmed and the deadly nuclear missiles do |
| not eventually hit the ship. The safety of the crew is absolutely |
| assured. |
| |
| "Impact minus twenty seconds, guys ..." said the computer. |
| |
| "Then turn the bloody engines back on!" bawled Zaphod. |
| |
| "OK, sure thing, guys," said the computer. With a subtle roar the |
| engines cut back in, the ship smoothly flattened out of its dive |
| and headed back towards the missiles again. |
| |
| The computer started to sing. |
| |
| "When you walk through the storm ..." it whined nasally, "hold |
| your head up high ..." |
| |
| Zaphod screamed at it to shut up, but his voice was lost in the |
| din of what they quite naturally assumed was approaching |
| destruction. |
| |
| "And don't ... be afraid ... of the dark!" Eddie wailed. |
| |
| The ship, in flattening out had in fact flattened out upside down |
| and lying on the ceiling as they were it was now totally |
| impossible for any of the crew to reach the guidance systems. |
| |
| "At the end of the storm ..." crooned Eddie. |
| |
| The two missiles loomed massively on the screens as they |
| thundered towards the ship. |
| |
| "... is a golden sky ..." |
| |
| But by an extraordinarily lucky chance they had not yet fully |
| corrected their flight paths to that of the erratically weaving |
| ship, and they passed right under it. |
| |
| "And the sweet silver songs of the lark ... Revised impact time |
| fifteen seconds fellas ... Walk on through the wind ..." |
| |
| The missiles banked round in a screeching arc and plunged back |
| into pursuit. |
| |
| "This is it," said Arthur watching them. "We are now quite |
| definitely going to die aren't we?" |
| |
| "I wish you'd stop saying that," shouted Ford. |
| |
| "Well we are aren't we?" |
| |
| "Yes." |
| |
| "Walk on through the rain ..." sang Eddie. |
| |
| A thought struck Arthur. He struggled to his feet. |
| |
| "Why doesn't anyone turn on this Improbability Drive thing?" he |
| said. "We could probably reach that." |
| |
| "What are you crazy?" said Zaphod. "Without proper programming |
| anything could happen." |
| |
| "Does that matter at this stage?" shouted Arthur. |
| |
| "Though your dreams be tossed and blown ..." sand Eddie. |
| |
| Arthur scrambled up on to one end of the excitingly chunky pieces |
| of moulded contouring where the curve of the wall met the |
| ceiling. |
| |
| "Walk on, walk on, with hope in your heart ..." |
| |
| "Does anyone know why Arthur can't turn on the Improbability |
| Drive?" shouted Trillian. |
| |
| "And you'll never walk alone ... Impact minus five seconds, it's |
| been great knowing you guys, God bless ... You'll ne ... ver ... |
| walk ... alone!" |
| |
| "I said," yelled Trillian, "does anyone know ..." |
| |
| The next thing that happened was a mid-mangling explosion of |
| noise and light. |
| |
| ================================================================= |
| Chapter 18 |
| |
| And the next thing that happened after that was that the Heart of |
| Gold continued on its way perfectly normally with a rather |
| fetchingly redesigned interior. It was somewhat larger, and done |
| out in delicate pastel shades of green and blue. In the centre a |
| spiral staircase, leading nowhere in particular, stood in a spray |
| of ferns and yellow flowers and next to it a stone sundial |
| pedestal housed the main computer terminal. Cunningly deployed |
| lighting and mirrors created the illusion of standing in a |
| conservatory overlooking a wide stretch of exquisitely manicured |
| garden. Around the periphery of the conservatory area stood |
| marble-topped tables on intricately beautiful wrought-iron legs. |
| As you gazed into the polished surface of the marble the vague |
| forms of instruments became visible, and as you touched them the |
| instruments materialized instantly under your hands. Looked at |
| from the correct angles the mirrors appeared to reflect all the |
| required data readouts, though it was far from clear where they |
| were reflected from. It was in fact sensationally beautiful. |
| |
| Relaxing in a wickerwork sun chair, Zaphod Beeblebrox said, "What |
| the hell happened?" |
| |
| "Well I was just saying," said Arthur lounging by a small fish |
| pool, "there's this Improbability Drive switch over here ..." he |
| waved at where it had been. There was a potted plant there now. |
| |
| "But where are we?" said Ford who was sitting on the spiral |
| staircase, a nicely chilled Pan Galactic Gargle Blaster in his |
| hand. |
| |
| "Exactly where we were, I think ..." said Trillian, as all about |
| them the mirrors showed them an image of the blighted landscape |
| of Magrathea which still scooted along beneath them. |
| |
| Zaphod leapt out of his seat. |
| |
| "Then what's happened to the missiles?" he said. |
| |
| A new and astounding image appeared in the mirrors. |
| |
| "They would appear," said Ford doubtfully, "to have turned into a |
| bowl of petunias and a very surprised looking whale ..." |
| |
| "At an Improbability Factor," cut in Eddie, who hadn't changed a |
| bit, "of eight million seven hundred and sixty-seven thousand one |
| hundred and twenty-eight to one against." |
| |
| Zaphod stared at Arthur. |
| |
| "Did you think of that, Earthman?" he demanded. |
| |
| "Well," said Arthur, "all I did was ..." |
| |
| "That's very good thinking you know. Turn on the Improbability |
| Drive for a second without first activating the proofing screens. |
| Hey kid you just saved our lives, you know that?" |
| |
| "Oh," said Arthur, "well, it was nothing really ..." |
| |
| "Was it?" said Zaphod. "Oh well, forget it then. OK, computer, |
| take us in to land." |
| |
| "But ..." |
| |
| "I said forget it." |
| |
| Another thing that got forgotten was the fact that against all |
| probability a sperm whale had suddenly been called into existence |
| several miles above the surface of an alien planet. |
| |
| And since this is not a naturally tenable position for a whale, |
| this poor innocent creature had very little time to come to terms |
| with its identity as a whale before it then had to come to terms |
| with not being a whale any more. |
| |
| This is a complete record of its thoughts from the moment it |
| began its life till the moment it ended it. |
| |
| Ah ... ! What's happening? it thought. |
| |
| Er, excuse me, who am I? |
| |
| Hello? |
| |
| Why am I here? What's my purpose in life? |
| |
| What do I mean by who am I? |
| |
| Calm down, get a grip now ... oh! this is an interesting |
| sensation, what is it? It's a sort of ... yawning, tingling |
| sensation in my ... my ... well I suppose I'd better start |
| finding names for things if I want to make any headway in what |
| for the sake of what I shall call an argument I shall call the |
| world, so let's call it my stomach. |
| |
| Good. Ooooh, it's getting quite strong. And hey, what's about |
| this whistling roaring sound going past what I'm suddenly going |
| to call my head? Perhaps I can call that ... wind! Is that a good |
| name? It'll do ... perhaps I can find a better name for it later |
| when I've found out what it's for. It must be something very |
| important because there certainly seems to be a hell of a lot of |
| it. Hey! What's this thing? This ... let's call it a tail - yeah, |
| tail. Hey! I can can really thrash it about pretty good can't I? |
| Wow! Wow! That feels great! Doesn't seem to achieve very much but |
| I'll probably find out what it's for later on. Now - have I built |
| up any coherent picture of things yet? |
| |
| No. |
| |
| Never mind, hey, this is really exciting, so much to find out |
| about, so much to look forward to, I'm quite dizzy with |
| anticipation ... |
| |
| Or is it the wind? |
| |
| There really is a lot of that now isn't it? |
| |
| And wow! Hey! What's this thing suddenly coming towards me very |
| fast? Very very fast. So big and flat and round, it needs a big |
| wide sounding name like ... ow ... ound ... round ... ground! |
| That's it! That's a good name - ground! |
| |
| I wonder if it will be friends with me? |
| |
| And the rest, after a sudden wet thud, was silence. |
| |
| Curiously enough, the only thing that went through the mind of |
| the bowl of petunias as it fell was Oh no, not again. Many people |
| have speculated that if we knew exactly why the bowl of petunias |
| had thought that we would know a lot more about the nature of the |
| universe than we do now. |
| |
| ================================================================= |
| Chapter 19 |
| |
| "Are we taking this robot with us?" said Ford, looking with |
| distaste at Marvin who was standing in an awkward hunched posture |
| in the corner under a small palm tree. |
| |
| Zaphod glanced away from the mirror screens which presented a |
| panoramic view of the blighted landscape on which the Heart of |
| Gold had now landed. |
| |
| "Oh, the Paranoid Android," he said. "Yeah, we'll take him." |
| |
| "But what are supposed to do with a manically depressed robot?" |
| |
| "You think you've got problems," said Marvin as if he was |
| addressing a newly occupied coffin, "what are you supposed to do |
| if you are a manically depressed robot? No, don't bother to |
| answer that, I'm fifty thousand times more intelligent than you |
| and even I don't know the answer. It gives me a headache just |
| trying to think down to your level." |
| |
| Trillian burst in through the door from her cabin. |
| |
| "My white mice have escaped!" she said. |
| |
| An expression of deep worry and concern failed to cross either of |
| Zaphod's faces. |
| |
| "Nuts to your white mice," he said. |
| |
| Trillian glared an upset glare at him, and disappeared again. |
| |
| It is possible that her remark would have commanded greater |
| attention had it been generally realized that human beings were |
| only the third most intelligent life form present on the planet |
| Earth, instead of (as was generally thought by most independent |
| observers) the second. |
| |
| "Good afternoon boys." |
| |
| The voice was oddly familiar, but oddly different. It had a |
| matriarchal twang. It announced itself to the crew as they |
| arrived at the airlock hatchway that would let them out on the |
| planet surface. |
| |
| They looked at each other in puzzlement. |
| |
| "It's the computer," explained Zaphod. "I discovered it had an |
| emergency back-up personality that I thought might work out |
| better." |
| |
| "Now this is going to be your first day out on a strange new |
| planet," continued Eddie's new voice, "so I want you all wrapped |
| up snug and warm, and no playing with any naughty bug-eyed |
| monsters." |
| |
| Zaphod tapped impatiently on the hatch. |
| |
| "I'm sorry," he said, "I think we might be better off with a |
| slide rule." |
| |
| "Right!" snapped the computer. "Who said that?" |
| |
| "Will you open the exit hatch please, computer?" said Zaphod |
| trying not to get angry. |
| |
| "Not until whoever said that owns up," urged the computer, |
| stamping a few synapses closed. |
| |
| "Oh God," muttered Ford, slumped against a bulkhead and started |
| to count to ten. He was desperately worried that one day |
| sentinent life forms would forget how to do this. Only by |
| counting could humans demonstrate their independence of |
| computers. |
| |
| "Come on," said Eddie sternly. |
| |
| "Computer ..." began Zaphod ... |
| |
| "I'm waiting," interrupted Eddie. "I can wait all day if |
| necessary ..." |
| |
| "Computer ..." said Zaphod again, who had been trying to think of |
| some subtle piece of reasoning to put the computer down with, and |
| had decided not to bother competing with it on its own ground, |
| "if you don't open that exit hatch this moment I shall zap |
| straight off to your major data banks and reprogram you with a |
| very large axe, got that?" |
| |
| Eddie, shocked, paused and considered this. |
| |
| Ford carried on counting quietly. This is about the most |
| aggressive thing you can do to a computer, the equivalent of |
| going up to a human being and saying Blood ... blood ... blood |
| ... blood ... |
| |
| Finally Eddie said quietly, "I can see this relationship is |
| something we're all going to have to work at," and the hatchway |
| opened. |
| |
| An icy wind ripped into them, they hugged themselves warmly and |
| stepped down the ramp on to the barren dust of Magrathea. |
| |
| "It'll all end in tears, I know it," shouted Eddie after them and |
| closed the hatchway again. |
| |
| A few minutes later he opened and closed the hatchway again in |
| response to a command that caught him entirely by surprise. |
| |
| ================================================================= |
| Chapter 20 |
| |
| Five figures wandered slowly over the blighted land. Bits of it |
| were dullish grey, bits of it dullish brown, the rest of it |
| rather less interesting to look at. It was like a dried-out |
| marsh, now barren of all vegetation and covered with a layer of |
| dust about an inch thick. It was very cold. |
| |
| Zaphod was clearly rather depressed about it. He stalked off by |
| himself and was soon lost to sight behind a slight rise in the |
| ground. |
| |
| The wind stung Arthur's eyes and ears, and the stale thin air |
| clasped his throat. However, the thing stung most was his mind. |
| |
| "It's fantastic ..." he said, and his own voice rattled his ears. |
| Sound carried badly in this thin atmosphere. |
| |
| "Desolate hole if you ask me," said Ford. "I could have more fun |
| in a cat litter." He felt a mounting irritation. Of all the |
| planets in all the star systems of all the Galaxy - didn't he |
| just have to turn up at a dump like this after fifteen years of |
| being a castaway? Not even a hot dog stand in evidence. He |
| stooped down and picked up a cold clot of earth, but there was |
| nothing underneath it worth crossing thousands of light years to |
| look at. |
| |
| "No," insisted Arthur, "don't you understand, this is the first |
| time I've actually stood on the surface of another planet ... a |
| whole alien world ...! Pity it's such a dump though." |
| |
| Trillian hugged herself, shivered and frowned. She could have |
| sworn she saw a slight and unexpected movement out of the corner |
| of her eye, but when she glanced in that direction all she could |
| see was the ship, still and silent, a hundred yards or so behind |
| them. |
| |
| She was relieved when a second or so later they caught sight of |
| Zaphod standing on top of the ridge of ground and waving to them |
| to come and join him. |
| |
| He seemed to be excited, but they couldn't clearly hear what he |
| was saying because of the thinnish atmosphere and the wind. |
| |
| As they approached the ridge of higher ground they became aware |
| that it seemed to be circular - a crater about a hundred and |
| fifty yards wide. Round the outside of the crater the sloping |
| ground was spattered with black and red lumps. They stopped and |
| looked at a piece. It was wet. It was rubbery. |
| |
| With horror they suddenly realized that it was fresh whalemeat. |
| |
| At the top of the crater's lip they met Zaphod. |
| |
| "Look," he said, pointing into the crater. |
| |
| In the centre lay the exploded carcass of a lonely sperm whale |
| that hadn't lived long enough to be disappointed with its lot. |
| The silence was only disturbed by the slight involuntary spasms |
| of Trillian's throat. |
| |
| "I suppose there's no point in trying to bury it?" murmured |
| Arthur, and then wished he hadn't. |
| |
| "Come," said Zaphod and started back down into the crater. |
| |
| "What, down there?" said Trillian with severe distaste. |
| |
| "Yeah," said Zaphod, "come on, I've got something to show you." |
| |
| "We can see it," said Trillian. |
| |
| "Not that," said Zaphod, "something else. Come on." |
| |
| They all hesitated. |
| |
| "Come on," insisted Zaphod, "I've found a way in." |
| |
| "In?" said Arthur in horror. |
| |
| "Into the interior of the planet! An underground passage. The |
| force of the whale's impact cracked it open, and that's where we |
| have to go. Where no man has trod these five million years, into |
| the very depths of time itself ..." |
| |
| Marvin started his ironical humming again. |
| |
| Zaphod hit him and he shut up. |
| |
| With little shudders of disgust they all followed Zaphod down the |
| incline into the crater, trying very hard not to look at its |
| unfortunate creator. |
| |
| "Life," said Marvin dolefully, "loathe it or ignore it, you can't |
| like it." |
| |
| The ground had caved in where the whale had hit it revealing a |
| network of galleries and passages, now largely obstructed by |
| collapsed rubble and entrails. Zaphod had made a start clearing a |
| way into one of them, but Marvin was able to do it rather faster. |
| Dank air wafted out of its dark recesses, and as Zaphod shone a |
| torch into it, little was visible in the dusty gloom. |
| |
| "According to the legends," he said, "the Magratheans lived most |
| of their lives underground." |
| |
| "Why's that?" said Arthur. "Did the surface become too polluted |
| or overpopulated?" |
| |
| "No, I don't think so," said Zaphod. "I think they just didn't |
| like it very much." |
| |
| "Are you sure you know what you're doing?" said Trillian peering |
| nervously into the darkness. "We've been attacked once already |
| you know." |
| |
| "Look kid, I promise you the live population of this planet is |
| nil plus the four of us, so come on, let's get on in there. Er, |
| hey Earthman ..." |
| |
| "Arthur," said Arthur. |
| |
| "Yeah could you just sort of keep this robot with you and guard |
| this end of the passageway. OK?" |
| |
| "Guard?" said Arthur. "What from? You just said there's no one |
| here." |
| |
| "Yeah, well, just for safety, OK?" said Zaphod. |
| |
| "Whose? Yours or mine?" |
| |
| "Good lad. OK, here we go." |
| |
| Zaphod scrambled down into the passage, followed by Trillian and |
| Ford. |
| |
| "Well I hope you all have a really miserable time," complained |
| Arthur. |
| |
| "Don't worry," Marvin assured him, "they will." |
| |
| In a few seconds they had disappeared from view. |
| |
| Arthur stamped around in a huff, and then decided that a whale's |
| graveyard is not on the whole a good place to stamp around in. |
| |
| Marvin eyed him balefully for a moment, and then turned himself |
| off. |
| |
| Zaphod marched quickly down the passageway, nervous as hell, but |
| trying to hide it by striding purposefully. He flung the torch |
| beam around. The walls were covered in dark tiles and were cold |
| to the touch, the air thick with decay. |
| |
| "There, what did I tell you?" he said. "An inhabited planet. |
| Magrathea," and he strode on through the dirt and debris that |
| littered the tile floor. |
| |
| Trillian was reminded unavoidably of the London Underground, |
| though it was less thoroughly squalid. |
| |
| At intervals along the walls the tiles gave way to large mosaics |
| - simple angular patterns in bright colours. Trillian stopped and |
| studied one of them but could not interpret any sense in them. |
| She called to Zaphod. |
| |
| "Hey, have you any idea what these strange symbols are?" |
| |
| "I think they're just strange symbols of some kind," said Zaphod, |
| hardly glancing back. |
| |
| Trillian shrugged and hurried after him. |
| |
| From time to time a doorway led either to the left or right into |
| smallish chambers which Ford discovered to be full of derelict |
| computer equipment. He dragged Zaphod into one to have a look. |
| Trillian followed. |
| |
| "Look," said Ford, "you reckon this is Magrathea ..." |
| |
| "Yeah," said Zaphod, "and we heard the voice, right?" |
| |
| "OK, so I've bought the fact that it's Magrathea - for the |
| moment. What you have so far said nothing about is how in the |
| Galaxy you found it. You didn't just look it up in a star atlas, |
| that's for sure." |
| |
| "Research. Government archives. Detective work. Few lucky |
| guesses. Easy." |
| |
| "And then you stole the Heart of Gold to come and look for it |
| with?" |
| |
| "I stole it to look for a lot of things." |
| |
| "A lot of things?" said Ford in surprise. "Like what?" |
| |
| "I don't know." |
| |
| "What?" |
| |
| "I don't know what I'm looking for." |
| |
| "Why not?" |
| |
| "Because ... because ... I think it might be because if I knew I |
| wouldn't be able to look for them." |
| |
| "What, are you crazy?" |
| |
| "It's a possibility I haven't ruled out yet," said Zaphod |
| quietly. "I only know as much about myself as my mind can work |
| out under its current conditions. And its current conditions are |
| not good." |
| |
| For a long time nobody said anything as Ford gazed at Zaphod with |
| a mind suddenly full of worry. |
| |
| "Listen old friend, if you want to ..." started Ford eventually. |
| |
| "No, wait ... I'll tell you something," said Zaphod. "I freewheel |
| a lot. I get an idea to do something, and, hey, why not, I do it. |
| I reckon I'll become President of the Galaxy, and it just |
| happens, it's easy. I decide to steal this ship. I decide to look |
| for Magrathea, and it all just happens. Yeah, I work out how it |
| can best be done, right, but it always works out. It's like |
| having a Galacticredit card which keeps on working though you |
| never send off the cheques. And then whenever I stop and think - |
| why did I want to do something? - how did I work out how to do |
| it? - I get a very strong desire just to stop thinking about it. |
| Like I have now. It's a big effort to talk about it." |
| |
| Zaphod paused for a while. For a while there was silence. Then he |
| frowned and said, "Last night I was worrying about this again. |
| About the fact that part of my mind just didn't seem to work |
| properly. Then it occurred to me that the way it seemed was that |
| someone else was using my mind to have good ideas with, without |
| telling me about it. I put the two ideas together and decided |
| that maybe that somebody had locked off part of my mind for that |
| purpose, which was why I couldn't use it. I wondered if there was |
| a way I could check. |
| |
| "I went to the ship's medical bay and plugged myself into the |
| encephelographic screen. I went through every major screening |
| test on both my heads - all the tests I had to go through under |
| government medical officers before my nomination for Presidency |
| could be properly ratified. They showed up nothing. Nothing |
| unexpected at least. They showed that I was clever, imaginative, |
| irresponsible, untrustworthy, extrovert, nothing you couldn't |
| have guessed. And no other anomalies. So I started inventing |
| further tests, completely at random. Nothing. Then I tried |
| superimposing the results from one head on top of the results |
| from the other head. Still nothing. Finally I got silly, because |
| I'd given it all up as nothing more than an attack of paranoia. |
| Last thing I did before I packed it in was take the superimposed |
| picture and look at it through a green filter. You remember I was |
| always superstitious about the color green when I was a kid? I |
| always wanted to be a pilot on one of the trading scouts?" |
| |
| Ford nodded. |
| |
| "And there it was," said Zaphod, "clear as day. A whole section |
| in the middle of both brains that related only to each other and |
| not to anything else around them. Some bastard had cauterized all |
| the synapses and electronically traumatised those two lumps of |
| cerebellum." |
| |
| Ford stared at him, aghast. Trillian had turned white. |
| |
| "Somebody did that to you?" whispered Ford. |
| |
| "Yeah." |
| |
| "But have you any idea who? Or why?" |
| |
| "Why? I can only guess. But I do know who the bastard was." |
| |
| "You know? How do you know?" |
| |
| "Because they left their initials burnt into the cauterized |
| synapses. They left them there for me to see." |
| |
| Ford stared at him in horror and felt his skin begin to crawl. |
| |
| "Initials? Burnt into your brain?" |
| |
| "Yeah." |
| |
| "Well, what were they, for God's sake?" |
| |
| Zaphod looked at him in silence again for a moment. Then he |
| looked away. |
| |
| "Z.B.," he said. |
| |
| At that moment a steel shutter slammed down behind them and gas |
| started to pour into the chamber. |
| |
| "I'll tell you about it later," choked Zaphod as all three passed |
| out. |
| |
| ================================================================= |
| Chapter 21 |
| |
| On the surface of Magrathea Arthur wandered about moodily. |
| |
| Ford had thoughtfully left him his copy of The Hitch Hiker's |
| Guide to the Galaxy to while away the time with. He pushed a few |
| buttons at random. |
| |
| The Hitch Hiker's Guide to the Galaxy is a very unevenly edited |
| book and contains many passages that simply seemed to its editors |
| like a good idea at the time. |
| |
| One of these (the one Arthur now came across) supposedly relates |
| the experiences of one Veet Voojagig, a quiet young student at |
| the University of Maximegalon, who pursued a brilliant academic |
| career studying ancient philology, transformational ethics and |
| the wave harmonic theory of historical perception, and then, |
| after a night of drinking Pan Galactic Gargle Blasters with |
| Zaphod Beeblebrox, became increasingly obsessed with the problem |
| of what had happened to all the biros he'd bought over the past |
| few years. |
| |
| There followed a long period of painstaking research during which |
| he visited all the major centres of biro loss throughout the |
| galaxy and eventually came up with a quaint little theory which |
| quite caught the public imagination at the time. Somewhere in the |
| cosmos, he said, along with all the planets inhabited by |
| humanoids, reptiloids, fishoids, walking treeoids and |
| superintelligent shades of the colour blue, there was also a |
| planet entirely given over to biro life forms. And it was to this |
| planet that unattended biros would make their way, slipping away |
| quietly through wormholes in space to a world where they knew |
| they could enjoy a uniquely biroid lifestyle, responding to |
| highly biro-oriented stimuli, and generally leading the biro |
| equivalent of the good life. |
| |
| And as theories go this was all very fine and pleasant until Veet |
| Voojagig suddenly claimed to have found this planet, and to have |
| worked there for a while driving a limousine for a family of |
| cheap green retractables, whereupon he was taken away, locked up, |
| wrote a book, and was finally sent into tax exile, which is the |
| usual fate reserved for those who are determined to make a fool |
| of themselves in public. |
| |
| When one day an expedition was sent to the spatial coordinates |
| that Voojagig had claimed for this planet they discovered only a |
| small asteroid inhabited by a solitary old man who claimed |
| repeatedly that nothing was true, though he was later discovered |
| to be lying. |
| |
| There did, however, remain the question of both the mysterious |
| 60,000 Altairan dollars paid yearly into his Brantisvogan bank |
| account, and of course Zaphod Beeblebrox's highly profitable |
| second-hand biro business. |
| |
| Arthur read this, and put the book down. |
| |
| The robot still sat there, completely inert. |
| |
| Arthur got up and walked to the top of the crater. He walked |
| around the crater. He watched two suns set magnificently over |
| Magrathea. |
| |
| He went back down into the crater. He woke the robot up because |
| even a manically depressed robot is better to talk to than |
| nobody. |
| |
| "Night's falling," he said. "Look robot, the stars are coming |
| out." |
| |
| From the heart of a dark nebula it is possible to see very few |
| stars, and only very faintly, but they were there to be seen. |
| |
| The robot obediently looked at them, then looked back. |
| |
| "I know," he said. "Wretched isn't it?" |
| |
| "But that sunset! I've never seen anything like it in my wildest |
| dreams ... the two suns! It was like mountains of fire boiling |
| into space." |
| |
| "I've seen it," said Marvin. "It's rubbish." |
| |
| "We only ever had the one sun at home," persevered Arthur, "I |
| came from a planet called Earth you know." |
| |
| "I know," said Marvin, "you keep going on about it. It sounds |
| awful." |
| |
| "Ah no, it was a beautiful place." |
| |
| "Did it have oceans?" |
| |
| "Oh yes," said Arthur with a sigh, "great wide rolling blue |
| oceans ..." |
| |
| "Can't bear oceans," said Marvin. |
| |
| "Tell me," inquired Arthur, "do you get on well with other |
| robots?" |
| |
| "Hate them," said Marvin. "Where are you going?" |
| |
| Arthur couldn't bear any more. He had got up again. |
| |
| "I think I'll just take another walk," he said. |
| |
| "Don't blame you," said Marvin and counted five hundred and |
| ninety-seven thousand million sheep before falling asleep again a |
| second later. |
| |
| Arthur slapped his arms about himself to try and get his |
| circulation a little more enthusiastic about its job. He trudged |
| back up the wall of the crater. |
| |
| Because the atmosphere was so thin and because there was no moon, |
| nightfall was very rapid and it was by now very dark. Because of |
| this, Arthur practically walked into the old man before he |
| noticed him. |
| |
| ================================================================= |
| Chapter 22 |
| |
| He was standing with his back to Arthur watching the very last |
| glimmers of light sink into blackness behind the horizon. He was |
| tallish, elderly and dressed in a single long grey robe. When he |
| turned his face was thin and distinguished, careworn but not |
| unkind, the sort of face you would happily bank with. But he |
| didn't turn yet, not even to react to Arthur's yelp of surprise. |
| |
| Eventually the last rays of the sun had vanished completely, and |
| he turned. His face was still illuminated from somewhere, and |
| when Arthur looked for the source of the light he saw that a few |
| yards away stood a small craft of some kind - a small hovercraft, |
| Arthur guessed. It shed a dim pool of light around it. |
| |
| The man looked at Arthur, sadly it seemed. |
| |
| "You choose a cold night to visit our dead planet," he said. |
| |
| "Who ... who are you?" stammered Arthur. |
| |
| The man looked away. Again a kind of sadness seemed to cross his |
| face. |
| |
| "My name is not important," he said. |
| |
| He seemed to have something on his mind. Conversation was clearly |
| something he felt he didn't have to rush at. Arthur felt awkward. |
| |
| "I ... er ... you startled me ..." he said, lamely. |
| |
| The man looked round to him again and slightly raised his |
| eyebrows. |
| |
| "Hmmmm?" he said. |
| |
| "I said you startled me." |
| |
| "Do not be alarmed, I will not harm you." |
| |
| Arthur frowned at him. "But you shot at us! There were missiles |
| ..." he said. |
| |
| The man chuckled slightly. |
| |
| "An automatic system," he said and gave a small sigh. "Ancient |
| computers ranged in the bowels of the planet tick away the dark |
| millennia, and the ages hang heavy on their dusty data banks. I |
| think they take the occasional pot shot to relieve the monotony." |
| |
| He looked gravely at Arthur and said, "I'm a great fan of science |
| you know." |
| |
| "Oh ... er, really?" said Arthur, who was beginning to find the |
| man's curious, kindly manner disconcerting. |
| |
| "Oh, yes," said the old man, and simply stopped talking again. |
| |
| "Ah," said Arthur, "er ..." He had an odd felling of being like a |
| man in the act of adultery who is surprised when the woman's |
| husband wanders into the room, changes his trousers, passes a few |
| idle remarks about the weather and leaves again. |
| |
| "You seem ill at ease," said the old man with polite concern. |
| |
| "Er, no ... well, yes. Actually you see, we weren't really |
| expecting to find anybody about in fact. I sort of gathered that |
| you were all dead or something ..." |
| |
| "Dead?" said the old man. "Good gracious no, we have but slept." |
| |
| "Slept?" said Arthur incredulously. |
| |
| "Yes, through the economic recession you see," said the old man, |
| apparently unconcerned about whether Arthur understood a word |
| he was talking about or not. |
| |
| "Er, economic recession?" |
| |
| "Well you see, five million years ago the Galactic economy |
| collapsed, and seeing that custom-made planets are something of a |
| luxury commodity you see ..." |
| |
| He paused and looked at Arthur. |
| |
| "You know we built planets do you?" he asked solemnly. |
| |
| "Well yes," said Arthur, "I'd sort of gathered ..." |
| |
| "Fascinating trade," said the old man, and a wistful look came |
| into his eyes, "doing the coastlines was always my favourite. |
| Used to have endless fun doing the little bits in fjords ... so |
| anyway," he said trying to find his thread again, "the recession |
| came and we decided it would save us a lot of bother if we just |
| slept through it. So we programmed the computers to revive us |
| when it was all over." |
| |
| The man stifled a very slight yawn and continued. |
| |
| "The computers were index linked to the Galactic stock market |
| prices you see, so that we'd all be revived when everybody else |
| had rebuilt the economy enough to afford our rather expensive |
| services." |
| |
| Arthur, a regular Guardian reader, was deeply shocked at this. |
| |
| "That's a pretty unpleasant way to behave isn't it?" |
| |
| "Is it?" asked the old man mildly. "I'm sorry, I'm a bit out of |
| touch." |
| |
| He pointed down into the crater. |
| |
| "Is that robot yours?" he said. |
| |
| "No," came a thin metallic voice from the crater, "I'm mine." |
| |
| "If you'd call it a robot," muttered Arthur. "It's more a sort of |
| electronic sulking machine." |
| |
| "Bring it," said the old man. Arthur was quite surprised to hear |
| a note of decision suddenly present in the old man's voice. He |
| called to Marvin who crawled up the slope making a big show of |
| being lame, which he wasn't. |
| |
| "On second thoughts," said the old man, "leave it here. You must |
| come with me. Great things are afoot." He turned towards his |
| craft which, though no apparent signal had been given, now |
| drifted quietly towards them through the dark. |
| |
| Arthur looked down at Marvin, who now made an equally big show of |
| turning round laboriously and trudging off down into the crater |
| again muttering sour nothings to himself. |
| |
| "Come," called the old man, "come now or you will be late." |
| |
| "Late?" said Arthur. "What for?" |
| |
| "What is your name, human?" |
| |
| "Dent. Arthur Dent," said Arthur. |
| |
| "Late, as in the late Dentarthurdent," said the old man, sternly. |
| "It's a sort of threat you see." Another wistful look came into |
| his tired old eyes. "I've never been very good at them myself, |
| but I'm told they can be very effective." |
| |
| Arthur blinked at him. |
| |
| "What an extraordinary person," he muttered to himself. |
| |
| "I beg your pardon?" said the old man. |
| |
| "Oh nothing, I'm sorry," said Arthur in embarrassment. "Alright, |
| where do we go?" |
| |
| "In my aircar," said the old man motioning Arthur to get into the |
| craft which had settled silently next to them. "We are going deep |
| into the bowels of the planet where even now our race is being |
| revived from its five-million-year slumber. Magrathea awakes." |
| |
| Arthur shivered involuntarily as he seated himself next to the |
| old man. The strangeness of it, the silent bobbing movement of |
| the craft as it soared into the night sky quite unsettled him. |
| |
| He looked at the old man, his face illuminated by the dull glow |
| of tiny lights on the instrument panel. |
| |
| "Excuse me," he said to him, "what is your name by the way?" |
| |
| "My name?" said the old man, and the same distant sadness came |
| into his face again. He paused. "My name," he said, "... is |
| Slartibartfast." |
| |
| Arthur practically choked. |
| |
| "I beg your pardon?" he spluttered. |
| |
| "Slartibartfast," repeated the old man quietly. |
| |
| "Slartibartfast?" |
| |
| The old man looked at him gravely. |
| |
| "I said it wasn't important," he said. |
| |
| The aircar sailed through the night. |
| |
| ================================================================= |
| Chapter 23 |
| |
| It is an important and popular fact that things are not always |
| what they seem. For instance, on the planet Earth, man had always |
| assumed that he was more intelligent than dolphins because he had |
| achieved so much - the wheel, New York, wars and so on - whilst |
| all the dolphins had ever done was muck about in the water having |
| a good time. But conversely, the dolphins had always believed |
| that they were far more intelligent than man - for precisely the |
| same reasons. |
| |
| Curiously enough, the dolphins had long known of the impending |
| destruction of the planet Earth and had made many attempts to |
| alert mankind of the danger; but most of their communications |
| were misinterpreted as amusing attempts to punch footballs or |
| whistle for tidbits, so they eventually gave up and left the |
| Earth by their own means shortly before the Vogons arrived. |
| |
| The last ever dolphin message was misinterpreted as a |
| surprisingly sophisticated attempt to do a double-backwards- |
| somersault through a hoop whilst whistling the "Star Sprangled |
| Banner", but in fact the message was this: So long and thanks for |
| all the fish. |
| |
| In fact there was only one species on the planet more intelligent |
| than dolphins, and they spent a lot of their time in behavioural |
| research laboratories running round inside wheels and conducting |
| frighteningly elegant and subtle experiments on man. The fact |
| that once again man completely misinterpreted this relationship |
| was entirely according to these creatures' plans. |
| |
| ================================================================= |
| Chapter 24 |
| |
| Silently the aircar coasted through the cold darkness, a single |
| soft glow of light that was utterly alone in the deep Magrathean |
| night. It sped swiftly. Arthur's companion seemed sunk in his own |
| thoughts, and when Arthur tried on a couple of occasions to |
| engage him in conversation again he would simply reply by asking |
| if he was comfortable enough, and then left it at that. |
| |
| Arthur tried to gauge the speed at which they were travelling, |
| but the blackness outside was absolute and he was denied any |
| reference points. The sense of motion was so soft and slight he |
| could almost believe they were hardly moving at all. |
| |
| Then a tiny glow of light appeared in the far distance and within |
| seconds had grown so much in size that Arthur realized it was |
| travelling towards them at a colossal speed, and he tried to make |
| out what sort of craft it might be. He peered at it, but was |
| unable to discern any clear shape, and suddenly gasped in alarm |
| as the aircraft dipped sharply and headed downwards in what |
| seemed certain to be a collision course. Their relative velocity |
| seemed unbelievable, and Arthur had hardly time to draw breath |
| before it was all over. The next thing he was aware of was an |
| insane silver blur that seemed to surround him. He twisted his |
| head sharply round and saw a small black point dwindling rapidly |
| in the distance behind them, and it took him several seconds to |
| realize what had happened. |
| |
| They had plunged into a tunnel in the ground. The colossal speed |
| had been their own relative to the glow of light which was a |
| stationary hole in the ground, the mouth of the tunnel. The |
| insane blur of silver was the circular wall of the tunnel down |
| which they were shooting, apparently at several hundred miles an |
| hour. |
| |
| He closed his eyes in terror. |
| |
| After a length of time which he made no attempt to judge, he |
| sensed a slight subsidence in their speed and some while later |
| became aware that they were gradually gliding to a gentle halt. |
| |
| He opened his eyes again. They were still in the silver tunnel, |
| threading and weaving their way through what appeared to be a |
| crisscross warren of converging tunnels. When they finally |
| stopped it was in a small chamber of curved steel. Several |
| tunnels also had their terminus here, and at the farther end of |
| the chamber Arthur could see a large circle of dim irritating |
| light. It was irritating because it played tricks with the eyes, |
| it was impossible to focus on it properly or tell how near or far |
| it was. Arthur guessed (quite wrongly) that it might be ultra |
| violet. |
| |
| Slartibartfast turned and regarded Arthur with his solemn old |
| eyes. |
| |
| "Earthman," he said, "we are now deep in the heart of Magrathea." |
| |
| "How did you know I was an Earthman?" demanded Arthur. |
| |
| "These things will become clear to you," said the old man gently, |
| "at least," he added with slight doubt in his voice, "clearer |
| than they are at the moment." |
| |
| He continued: "I should warn you that the chamber we are about to |
| pass into does not literally exist within our planet. It is a |
| little too ... large. We are about to pass through a gateway into |
| a vast tract of hyperspace. It may disturb you." |
| |
| Arthur made nervous noises. |
| |
| Slartibartfast touched a button and added, not entirely |
| reassuringly. "It scares the willies out of me. Hold tight." |
| |
| The car shot forward straight into the circle of light, and |
| suddenly Arthur had a fairly clear idea of what infinity looked |
| like. |
| |
| It wasn't infinity in fact. Infinity itself looks flat and |
| uninteresting. Looking up into the night sky is looking into |
| infinity - distance is incomprehensible and therefore |
| meaningless. The chamber into which the aircar emerged was |
| anything but infinite, it was just very very big, so that it gave |
| the impression of infinity far better than infinity itself. |
| |
| Arthur's senses bobbed and span, as, travelling at the immense |
| speed he knew the aircar attained, they climbed slowly through |
| the open air leaving the gateway through which they had passed an |
| invisible pinprick in the shimmering wall behind them. |
| |
| The wall. |
| |
| The wall defied the imagination - seduced it and defeated it. The |
| wall was so paralysingly vast and sheer that its top, bottom and |
| sides passed away beyond the reach of sight. The mere shock of |
| vertigo could kill a man. |
| |
| The wall appeared perfectly flat. It would take the finest laser |
| measuring equipment to detect that as it climbed, apparently to |
| infinity, as it dropped dizzily away, as it planed out to either |
| side, it also curved. It met itself again thirteen light seconds |
| away. In other words the wall formed the inside of a hollow |
| sphere, a sphere over three million miles across and flooded with |
| unimaginable light. |
| |
| "Welcome," said Slartibartfast as the tiny speck that was the |
| aircar, travelling now at three times the speed of sound, crept |
| imperceptibly forward into the mindboggling space, "welcome," he |
| said, "to our factory floor." |
| |
| Arthur stared about him in a kind of wonderful horror. Ranged |
| away before them, at distances he could neither judge nor even |
| guess at, were a series of curious suspensions, delicate |
| traceries of metal and light hung about shadowy spherical shapes |
| that hung in the space. |
| |
| "This," said Slartibartfast, "is where we make most of our |
| planets you see." |
| |
| "You mean," said Arthur, trying to form the words, "you mean |
| you're starting it all up again now?" |
| |
| "No no, good heavens no," exclaimed the old man, "no, the Galaxy |
| isn't nearly rich enough to support us yet. No, we've been |
| awakened to perform just one extraordinary commission for very |
| ... special clients from another dimension. It may interest you |
| ... there in the distance in front of us." |
| |
| Arthur followed the old man's finger, till he was able to pick |
| out the floating structure he was pointing out. It was indeed the |
| only one of the many structures that betrayed any sign of |
| activity about it, though this was more a sublimal impression |
| than anything one could put one's finger on. |
| |
| At the moment however a flash of light arced through the |
| structure and revealed in stark relief the patterns that were |
| formed on the dark sphere within. Patterns that Arthur knew, |
| rough blobby shapes that were as familiar to him as the shapes of |
| words, part of the furniture of his mind. For a few seconds he |
| sat in stunned silence as the images rushed around his mind and |
| tried to find somewhere to settle down and make sense. |
| |
| Part of his brain told him that he knew perfectly well what he |
| was looking at and what the shapes represented whilst another |
| quite sensibly refused to countenance the idea and abdicated |
| responsibility for any further thinking in that direction. |
| |
| The flash came again, and this time there could be no doubt. |
| |
| "The Earth ..." whispered Arthur. |
| |
| "Well, the Earth Mark Two in fact," said Slartibartfast |
| cheerfully. "We're making a copy from our original blueprints." |
| |
| There was a pause. |
| |
| "Are you trying to tell me," said Arthur, slowly and with |
| control, "that you originally ... made the Earth?" |
| |
| "Oh yes," said Slartibartfast. "Did you ever go to a place ... I |
| think it was called Norway?" |
| |
| "No," said Arthur, "no, I didn't." |
| |
| "Pity," said Slartibartfast, "that was one of mine. Won an award |
| you know. Lovely crinkly edges. I was most upset to hear about |
| its destruction." |
| |
| "You were upset!" |
| |
| "Yes. Five minutes later and it wouldn't have mattered so much. |
| It was a quite shocking cock-up." |
| |
| "Huh?" said Arthur. |
| |
| "The mice were furious." |
| |
| "The mice were furious?" |
| |
| "Oh yes," said the old man mildly. |
| |
| "Yes well so I expect were the dogs and cats and duckbilled |
| platypuses, but ..." |
| |
| "Ah, but they hadn't paid for it you see, had they?" |
| |
| "Look," said Arthur, "would it save you a lot of time if I just |
| gave up and went mad now?" |
| |
| For a while the aircar flew on in awkward silence. Then the old |
| man tried patiently to explain. |
| |
| "Earthman, the planet you lived on was commissioned, paid for, |
| and run by mice. It was destroyed five minutes before the |
| completion of the purpose for which it was built, and we've got |
| to build another one." |
| |
| Only one word registered with Arthur. |
| |
| "Mice?" he said. |
| |
| "Indeed Earthman." |
| |
| "Look, sorry - are we talking about the little white furry things |
| with the cheese fixation and women standing on tables screaming |
| in early sixties sit coms?" |
| |
| Slartibartfast coughed politely. |
| |
| "Earthman," he said, "it is sometimes hard to follow your mode of |
| speech. Remember I have been asleep inside this planet of |
| Magrathea for five million years and know little of these early |
| sixties sit coms of which you speak. These creatures you call |
| mice, you see, they are not quite as they appear. They are merely |
| the protrusion into our dimension of vast hyperintelligent pan- |
| dimensional beings. The whole business with the cheese and the |
| squeaking is just a front." |
| |
| The old man paused, and with a sympathetic frown continued. |
| |
| "They've been experimenting on you I'm afraid." |
| |
| Arthur thought about this for a second, and then his face |
| cleared. |
| |
| "Ah no," he said, "I see the source of the misunderstanding now. |
| No, look you see, what happened was that we used to do |
| experiments on them. They were often used in behavioural |
| research, Pavlov and all that sort of stuff. So what happened was |
| hat the mice would be set all sorts of tests, learning to ring |
| bells, run around mazes and things so that the whole nature of |
| the learning process could be examined. From our observations of |
| their behaviour we were able to learn all sorts of things about |
| our own ..." |
| |
| Arthur's voice tailed off. |
| |
| "Such subtlety ..." said Slartibartfast, "one has to admire it." |
| |
| "What?" said Arthur. |
| |
| "How better to disguise their real natures, and how better to |
| guide your thinking. Suddenly running down a maze the wrong way, |
| eating the wrong bit of cheese, unexpectedly dropping dead of |
| myxomatosis, - if it's finely calculated the cumulative effect is |
| enormous." |
| |
| He paused for effect. |
| |
| "You see, Earthman, they really are particularly clever |
| hyperintelligent pan-dimensional beings. Your planet and people |
| have formed the matrix of an organic computer running a ten- |
| million-year research programme ... |
| |
| "Let me tell you the whole story. It'll take a little time." |
| |
| "Time," said Arthur weakly, "is not currently one of my |
| problems." |
| |
| ================================================================= |
| Chapter 25 |
| |
| There are of course many problems connected with life, of which |
| some of the most popular are Why are people born? Why do they |
| die? Why do they want to spend so much of the intervening time |
| wearing digital watches? |
| |
| Many many millions of years ago a race of hyperintelligent pan- |
| dimensional beings (whose physical manifestation in their own |
| pan-dimensional universe is not dissimilar to our own) got so fed |
| up with the constant bickering about the meaning of life which |
| used to interrupt their favourite pastime of Brockian Ultra |
| Cricket (a curious game which involved suddenly hitting people |
| for no readily apparent reason and then running away) that they |
| decided to sit down and solve their problems once and for all. |
| |
| And to this end they built themselves a stupendous super computer |
| which was so amazingly intelligent that even before the data |
| banks had been connected up it had started from I think therefore |
| I am and got as far as the existence of rice pudding and income |
| tax before anyone managed to turn it off. |
| |
| It was the size of a small city. |
| |
| Its main console was installed in a specially designed executive |
| office, mounted on an enormous executive desk of finest |
| ultramahagony topped with rich ultrared leather. The dark |
| carpeting was discreetly sumptuous, exotic pot plants and |
| tastefully engraved prints of the principal computer programmers |
| and their families were deployed liberally about the room, and |
| stately windows looked out upon a tree-lined public square. |
| |
| On the day of the Great On-Turning two soberly dressed |
| programmers with brief cases arrived and were shown discreetly |
| into the office. They were aware that this day they would |
| represent their entire race in its greatest moment, but they |
| conducted themselves calmly and quietly as they seated themselves |
| deferentially before the desk, opened their brief cases and took |
| out their leather-bound notebooks. |
| |
| Their names were Lunkwill and Fook. |
| |
| For a few moments they sat in respectful silence, then, after |
| exchanging a quiet glance with Fook, Lunkwill leaned forward and |
| touched a small black panel. |
| |
| The subtlest of hums indicated that the massive computer was now |
| in total active mode. After a pause it spoke to them in a voice |
| rich resonant and deep. |
| |
| It said: "What is this great task for which I, Deep Thought, the |
| second greatest computer in the Universe of Time and Space have |
| been called into existence?" |
| |
| Lunkwill and Fook glanced at each other in surprise. |
| |
| "Your task, O Computer ..." began Fook. |
| |
| "No, wait a minute, this isn't right," said Lunkwill, worried. |
| "We distinctly designed this computer to be the greatest one ever |
| and we're not making do with second best. Deep Thought," he |
| addressed the computer, "are you not as we designed you to be, |
| the greatest most powerful computer in all time?" |
| |
| "I described myself as the second greatest," intoned Deep |
| Thought, "and such I am." |
| |
| Another worried look passed between the two programmers. Lunkwill |
| cleared his throat. |
| |
| "There must be some mistake," he said, "are you not a greatest |
| computer than the Milliard Gargantubrain which can count all the |
| atoms in a star in a millisecond?" |
| |
| "The Milliard Gargantubrain?" said Deep Thought with unconcealed |
| contempt. "A mere abacus - mention it not." |
| |
| "And are you not," said Fook leaning anxiously forward, "a |
| greater analyst than the Googleplex Star Thinker in the Seventh |
| Galaxy of Light and Ingenuity which can calculate the trajectory |
| of every single dust particle throughout a five-week Dangrabad |
| Beta sand blizzard?" |
| |
| "A five-week sand blizzard?" said Deep Thought haughtily. "You |
| ask this of me who have contemplated the very vectors of the |
| atoms in the Big Bang itself? Molest me not with this pocket |
| calculator stuff." |
| |
| The two programmers sat in uncomfortable silence for a moment. |
| Then Lunkwill leaned forward again. |
| |
| "But are you not," he said, "a more fiendish disputant than the |
| Great Hyperlobic Omni-Cognate Neutron Wrangler of Ciceronicus 12, |
| the Magic and Indefatigable?" |
| |
| "The Great Hyperlobic Omni-Cognate Neutron Wrangler," said Deep |
| Thought thoroughly rolling the r's, "could talk all four legs off |
| an Arcturan MegaDonkey - but only I could persuade it to go for a |
| walk afterwards." |
| |
| "Then what," asked Fook, "is the problem?" |
| |
| "There is no problem," said Deep Thought with magnificent ringing |
| tones. "I am simply the second greatest computer in the Universe |
| of Space and Time." |
| |
| "But the second?" insisted Lunkwill. "Why do you keep saying the |
| second? You're surely not thinking of the Multicorticoid |
| Perspicutron Titan Muller are you? Or the Pondermatic? Or the |
| ..." |
| |
| Contemptuous lights flashed across the computer's console. |
| |
| "I spare not a single unit of thought on these cybernetic |
| simpletons!" he boomed. "I speak of none but the computer that is |
| to come after me!" |
| |
| Fook was losing patience. He pushed his notebook aside and |
| muttered, "I think this is getting needlessly messianic." |
| |
| "You know nothing of future time," pronounced Deep Thought, "and |
| yet in my teeming circuitry I can navigate the infinite delta |
| streams of future probability and see that there must one day |
| come a computer whose merest operational parameters I am not |
| worthy to calculate, but which it will be my fate eventually to |
| design." |
| |
| Fook sighed heavily and glanced across to Lunkwill. |
| |
| "Can we get on and ask the question?" he said. |
| |
| Lunkwill motioned him to wait. |
| |
| "What computer is this of which you speak?" he asked. |
| |
| "I will speak of it no further in this present time," said Deep |
| Thought. "Now. Ask what else of me you will that I may function. |
| Speak." |
| |
| They shrugged at each other. Fook composed himself. |
| |
| "O Deep Thought Computer," he said, "the task we have designed |
| you to perform is this. We want you to tell us ..." he paused, |
| "... the Answer!" |
| |
| "The answer?" said Deep Thought. "The answer to what?" |
| |
| "Life!" urged Fook. |
| |
| "The Universe!" said Lunkwill. |
| |
| "Everything!" they said in chorus. |
| |
| Deep Thought paused for a moment's reflection. |
| |
| "Tricky," he said finally. |
| |
| "But can you do it?" |
| |
| Again, a significant pause. |
| |
| "Yes," said Deep Thought, "I can do it." |
| |
| "There is an answer?" said Fook with breathless excitement." |
| |
| "A simple answer?" added Lunkwill. |
| |
| "Yes," said Deep Thought. "Life, the Universe, and Everything. |
| There is an answer. But," he added, "I'll have to think about |
| it." |
| |
| A sudden commotion destroyed the moment: the door flew open and |
| two angry men wearing the coarse faded-blue robes and belts of |
| the Cruxwan University burst into the room, thrusting aside the |
| ineffectual flunkies who tried to bar their way. |
| |
| "We demand admission!" shouted the younger of the two men |
| elbowing a pretty young secretary in the throat. |
| |
| "Come on," shouted the older one, "you can't keep us out!" He |
| pushed a junior programmer back through the door. |
| |
| "We demand that you can't keep us out!" bawled the younger one, |
| though he was now firmly inside the room and no further attempts |
| were being made to stop him. |
| |
| "Who are you?" said Lunkwill, rising angrily from his seat. "What |
| do you want?" |
| |
| "I am Majikthise!" announced the older one. |
| |
| "And I demand that I am Vroomfondel!" shouted the younger one. |
| |
| Majikthise turned on Vroomfondel. "It's alright," he explained |
| angrily, "you don't need to demand that." |
| |
| "Alright!" bawled Vroomfondel banging on an nearby desk. "I am |
| Vroomfondel, and that is not a demand, that is a solid fact! What |
| we demand is solid facts!" |
| |
| "No we don't!" exclaimed Majikthise in irritation. "That is |
| precisely what we don't demand!" |
| |
| Scarcely pausing for breath, Vroomfondel shouted, "We don't |
| demand solid facts! What we demand is a total absence of solid |
| facts. I demand that I may or may not be Vroomfondel!" |
| |
| "But who the devil are you?" exclaimed an outraged Fook. |
| |
| "We," said Majikthise, "are Philosophers." |
| |
| "Though we may not be," said Vroomfondel waving a warning finger |
| at the programmers. |
| |
| "Yes we are," insisted Majikthise. "We are quite definitely here |
| as representatives of the Amalgamated Union of Philosophers, |
| Sages, Luminaries and Other Thinking Persons, and we want this |
| machine off, and we want it off now!" |
| |
| "What's the problem?" said Lunkwill. |
| |
| "I'll tell you what the problem is mate," said Majikthise, |
| "demarcation, that's the problem!" |
| |
| "We demand," yelled Vroomfondel, "that demarcation may or may not |
| be the problem!" |
| |
| "You just let the machines get on with the adding up," warned |
| Majikthise, "and we'll take care of the eternal verities thank |
| you very much. You want to check your legal position you do mate. |
| Under law the Quest for Ultimate Truth is quite clearly the |
| inalienable prerogative of your working thinkers. Any bloody |
| machine goes and actually finds it and we're straight out of a |
| job aren't we? I mean what's the use of our sitting up half the |
| night arguing that there may or may not be a God if this machine |
| only goes and gives us his bleeding phone number the next |
| morning?" |
| |
| "That's right!" shouted Vroomfondel, "we demand rigidly defined |
| areas of doubt and uncertainty!" |
| |
| Suddenly a stentorian voice boomed across the room. |
| |
| "Might I make an observation at this point?" inquired Deep |
| Thought. |
| |
| "We'll go on strike!" yelled Vroomfondel. |
| |
| "That's right!" agreed Majikthise. "You'll have a national |
| Philosopher's strike on your hands!" |
| |
| The hum level in the room suddenly increased as several ancillary |
| bass driver units, mounted in sedately carved and varnished |
| cabinet speakers around the room, cut in to give Deep Thought's |
| voice a little more power. |
| |
| "All I wanted to say," bellowed the computer, "is that my |
| circuits are now irrevocably committed to calculating the answer |
| to the Ultimate Question of Life, the Universe, and Everything -" |
| he paused and satisfied himself that he now had everyone's |
| attention, before continuing more quietly, "but the programme |
| will take me a little while to run." |
| |
| Fook glanced impatiently at his watch. |
| |
| "How long?" he said. |
| |
| "Seven and a half million years," said Deep Thought. |
| |
| Lunkwill and Fook blinked at each other. |
| |
| "Seven and a half million years ...!" they cried in chorus. |
| |
| "Yes," declaimed Deep Thought, "I said I'd have to think about |
| it, didn't I? And it occurs to me that running a programme like |
| this is bound to create an enormous amount of popular publicity |
| for the whole area of philosophy in general. Everyone's going to |
| have their own theories about what answer I'm eventually to come |
| up with, and who better to capitalize on that media market than |
| you yourself? So long as you can keep disagreeing with each other |
| violently enough and slagging each other off in the popular |
| press, you can keep yourself on the gravy train for life. How |
| does that sound?" |
| |
| The two philosophers gaped at him. |
| |
| "Bloody hell," said Majikthise, "now that is what I call |
| thinking. Here Vroomfondel, why do we never think of things like |
| that?" |
| |
| "Dunno," said Vroomfondel in an awed whisper, "think our brains |
| must be too highly trained Majikthise." |
| |
| So saying, they turned on their heels and walked out of the door |
| and into a lifestyle beyond their wildest dreams. |
| |
| ================================================================= |
| Chapter 26 |
| |
| "Yes, very salutary," said Arthur, after Slartibartfast had |
| related the salient points of the story to him, "but I don't |
| understand what all this has got to do with the Earth and mice |
| and things." |
| |
| "That is but the first half of the story Earthman," said the old |
| man. "If you would care to discover what happened seven and a |
| half millions later, on the great day of the Answer, allow me to |
| invite you to my study where you can experience the events |
| yourself on our Sens-O-Tape records. That is unless you would |
| care to take a quick stroll on the surface of New Earth. It's |
| only half completed I'm afraid - we haven't even finished burying |
| the artificial dinosaur skeletons in the crust yet, then we have |
| the Tertiary and Quarternary Periods of the Cenozoic Era to lay |
| down, and ..." |
| |
| "No thank you," said Arthur, "it wouldn't be quite the same." |
| |
| "No," said Slartibartfast, "it won't be," and he turned the |
| aircar round and headed back towards the mind-numbing wall. |
| |
| ================================================================= |
| Chapter 27 |
| |
| Slartibartfast's study was a total mess, like the results of an |
| explosion in a public library. The old man frowned as they |
| stepped in. |
| |
| "Terribly unfortunate," he said, "a diode blew in one of the |
| life-support computers. When we tried to revive our cleaning |
| staff we discovered they'd been dead for nearly thirty thousand |
| years. Who's going to clear away the bodies, that's what I want |
| to know. Look why don't you sit yourself down over there and let |
| me plug you in?" |
| |
| He gestured Arthur towards a chair which looked as if it had been |
| made out of the rib cage of a stegosaurus. |
| |
| "It was made out of the rib cage of a stegosaurus," explained the |
| old man as he pottered about fishing bits of wire out from under |
| tottering piles of paper and drawing instruments. "Here," he |
| said, "hold these," and passed a couple of stripped wire end to |
| Arthur. |
| |
| The instant he took hold of them a bird flew straight through |
| him. |
| |
| He was suspended in mid-air and totally invisible to himself. |
| Beneath him was a pretty treelined city square, and all around it |
| as far as the eye could see were white concrete buildings of airy |
| spacious design but somewhat the worse for wear - many were |
| cracked and stained with rain. Today however the sun was shining, |
| a fresh breeze danced lightly through the trees, and the odd |
| sensation that all the buildings were quietly humming was |
| probably caused by the fact that the square and all the streets |
| around it were thronged with cheerful excited people. Somewhere a |
| band was playing, brightly coloured flags were fluttering in the |
| breeze and the spirit of carnival was in the air. |
| |
| Arthur felt extraordinarily lonely stuck up in the air above it |
| all without so much as a body to his name, but before he had time |
| to reflect on this a voice rang out across the square and called |
| for everyone's attention. |
| |
| A man standing on a brightly dressed dais before the building |
| which clearly dominated the square was addressing the crowd over |
| a Tannoy. |
| |
| "O people waiting in the Shadow of Deep Thought!" he cried out. |
| "Honoured Descendants of Vroomfondel and Majikthise, the Greatest |
| and Most Truly Interesting Pundits the Universe has ever known |
| ... The Time of Waiting is over!" |
| |
| Wild cheers broke out amongst the crowd. Flags, streamers and |
| wolf whistles sailed through the air. The narrower streets looked |
| rather like centipedes rolled over on their backs and frantically |
| waving their legs in the air. |
| |
| "Seven and a half million years our race has waited for this |
| Great and Hopefully Enlightening Day!" cried the cheer leader. |
| "The Day of the Answer!" |
| |
| Hurrahs burst from the ecstatic crowd. |
| |
| "Never again," cried the man, "never again will we wake up in the |
| morning and think Who am I? What is my purpose in life? Does it |
| really, cosmically speaking, matter if I don't get up and go to |
| work? For today we will finally learn once and for all the plain |
| and simple answer to all these nagging little problems of Life, |
| the Universe and Everything!" |
| |
| As the crowd erupted once again, Arthur found himself gliding |
| through the air and down towards one of the large stately windows |
| on the first floor of the building behind the dais from which the |
| speaker was addressing the crowd. |
| |
| He experienced a moment's panic as he sailed straight through |
| towards the window, which passed when a second or so later he |
| found he had gone right through the solid glass without |
| apparently touching it. |
| |
| No one in the room remarked on his peculiar arrival, which is |
| hardly surprising as he wasn't there. He began to realize that |
| the whole experience was merely a recorded projection which |
| knocked six-track seventy-millimetre into a cocked hat. |
| |
| The room was much as Slartibartfast had described it. In seven |
| and a half million years it had been well looked after and |
| cleaned regularly every century or so. The ultramahagony desk was |
| worn at the edges, the carpet a little faded now, but the large |
| computer terminal sat in sparkling glory on the desk's leather |
| top, as bright as if it had been constructed yesterday. |
| |
| Two severely dressed men sat respectfully before the terminal and |
| waited. |
| |
| "The time is nearly upon us," said one, and Arthur was surprised |
| to see a word suddenly materialize in thin air just by the man's |
| neck. The word was Loonquawl, and it flashed a couple of times |
| and the disappeared again. Before Arthur was able to assimilate |
| this the other man spoke and the word Phouchg appeared by his |
| neck. |
| |
| "Seventy-five thousand generations ago, our ancestors set this |
| program in motion," the second man said, "and in all that time we |
| will be the first to hear the computer speak." |
| |
| "An awesome prospect, Phouchg," agreed the first man, and Arthur |
| suddenly realized that he was watching a recording with |
| subtitles. |
| |
| "We are the ones who will hear," said Phouchg, "the answer to the |
| great question of Life ...!" |
| |
| "The Universe ...!" said Loonquawl. |
| |
| "And Everything ...!" |
| |
| "Shhh," said Loonquawl with a slight gesture, "I think Deep |
| Thought is preparing to speak!" |
| |
| There was a moment's expectant pause whilst panels slowly came to |
| life on the front of the console. Lights flashed on and off |
| experimentally and settled down into a businesslike pattern. A |
| soft low hum came from the communication channel. |
| |
| "Good morning," said Deep Thought at last. |
| |
| "Er ... Good morning, O Deep Thought," said Loonquawl nervously, |
| "do you have ... er, that is ..." |
| |
| "An answer for you?" interrupted Deep Thought majestically. "Yes. |
| I have." |
| |
| The two men shivered with expectancy. Their waiting had not been |
| in vain. |
| |
| "There really is one?" breathed Phouchg. |
| |
| "There really is one," confirmed Deep Thought. |
| |
| "To Everything? To the great Question of Life, the Universe and |
| Everything?" |
| |
| "Yes." |
| |
| Both of the men had been trained for this moment, their lives had |
| been a preparation for it, they had been selected at birth as |
| those who would witness the answer, but even so they found |
| themselves gasping and squirming like excited children. |
| |
| "And you're ready to give it to us?" urged Loonquawl. |
| |
| "I am." |
| |
| "Now?" |
| |
| "Now," said Deep Thought. |
| |
| They both licked their dry lips. |
| |
| "Though I don't think," added Deep Thought, "that you're going to |
| like it." |
| |
| "Doesn't matter!" said Phouchg. "We must know it! Now!" |
| |
| "Now?" inquired Deep Thought. |
| |
| "Yes! Now ..." |
| |
| "Alright," said the computer and settled into silence again. The |
| two men fidgeted. The tension was unbearable. |
| |
| "You're really not going to like it," observed Deep Thought. |
| |
| "Tell us!" |
| |
| "Alright," said Deep Thought. "The Answer to the Great Question |
| ..." |
| |
| "Yes ...!" |
| |
| "Of Life, the Universe and Everything ..." said Deep Thought. |
| |
| "Yes ...!" |
| |
| "Is ..." said Deep Thought, and paused. |
| |
| "Yes ...!" |
| |
| "Is ..." |
| |
| "Yes ...!!!...?" |
| |
| "Forty-two," said Deep Thought, with infinite majesty and calm. |
| |
| ================================================================= |
| Chapter 28 |
| |
| It was a long time before anyone spoke. |
| |
| Out of the corner of his eye Phouchg could see the sea of tense |
| expectant faces down in the square outside. |
| |
| "We're going to get lynched aren't we?" he whispered. |
| |
| "It was a tough assignment," said Deep Thought mildly. |
| |
| "Forty-two!" yelled Loonquawl. "Is that all you've got to show |
| for seven and a half million years' work?" |
| |
| "I checked it very thoroughly," said the computer, "and that |
| quite definitely is the answer. I think the problem, to be quite |
| honest with you, is that you've never actually known what the |
| question is." |
| |
| "But it was the Great Question! The Ultimate Question of Life, |
| the Universe and Everything!" howled Loonquawl. |
| |
| "Yes," said Deep Thought with the air of one who suffers fools |
| gladly, "but what actually is it?" |
| |
| A slow stupefied silence crept over the men as they stared at the |
| computer and then at each other. |
| |
| "Well, you know, it's just Everything ... Everything ..." offered |
| Phouchg weakly. |
| |
| "Exactly!" said Deep Thought. "So once you do know what the |
| question actually is, you'll know what the answer means." |
| |
| "Oh terrific," muttered Phouchg flinging aside his notebook and |
| wiping away a tiny tear. |
| |
| "Look, alright, alright," said Loonquawl, "can you just please |
| tell us the Question?" |
| |
| "The Ultimate Question?" |
| |
| "Yes!" |
| |
| "Of Life, the Universe, and Everything?" |
| |
| "Yes!" |
| |
| Deep Thought pondered this for a moment. |
| |
| "Tricky," he said. |
| |
| "But can you do it?" cried Loonquawl. |
| |
| Deep Thought pondered this for another long moment. |
| |
| Finally: "No," he said firmly. |
| |
| Both men collapsed on to their chairs in despair. |
| |
| "But I'll tell you who can," said Deep Thought. |
| |
| They both looked up sharply. |
| |
| "Who?" "Tell us!" |
| |
| Suddenly Arthur began to feel his apparently non-existent scalp |
| begin to crawl as he found himself moving slowly but inexorably |
| forward towards the console, but it was only a dramatic zoom on |
| the part of whoever had made the recording he assumed. |
| |
| "I speak of none other than the computer that is to come after |
| me," intoned Deep Thought, his voice regaining its accustomed |
| declamatory tones. "A computer whose merest operational |
| parameters I am not worthy to calculate - and yet I will design |
| it for you. A computer which can calculate the Question to the |
| Ultimate Answer, a computer of such infinite and subtle |
| complexity that organic life itself shall form part of its |
| operational matrix. And you yourselves shall take on new forms |
| and go down into the computer to navigate its ten-million-year |
| program! Yes! I shall design this computer for you. And I shall |
| name it also unto you. And it shall be called ... The Earth." |
| |
| Phouchg gaped at Deep Thought. |
| |
| "What a dull name," he said and great incisions appeared down the |
| length of his body. Loonquawl too suddenly sustained horrific |
| gashed from nowhere. The Computer console blotched and cracked, |
| the walls flickered and crumbled and the room crashed upwards |
| into its own ceiling ... |
| |
| Slartibartfast was standing in front of Arthur holding the two |
| wires. |
| |
| "End of the tape," he explained. |
| |
| ================================================================= |
| Chapter 29 |
| |
| "Zaphod! Wake up!" |
| |
| "Mmmmmwwwwwerrrrr?" |
| |
| "Hey come on, wake up." |
| |
| "Just let me stick to what I'm good at, yeah?" muttered Zaphod |
| and rolled away from the voice back to sleep. |
| |
| "Do you want me to kick you?" said Ford. |
| |
| "Would it give you a lot of pleasure?" said Zaphod, blearily. |
| |
| "No." |
| |
| "Nor me. So what's the point? Stop bugging me." Zaphod curled |
| himself up. |
| |
| "He got a double dose of the gas," said Trillian looking down at |
| him, "two windpipes." |
| |
| "And stop talking," said Zaphod, "it's hard enough trying to |
| sleep anyway. What's the matter with the ground? It's all cold |
| and hard." |
| |
| "It's gold," said Ford. |
| |
| With an amazingly balletic movement Zaphod was standing and |
| scanning the horizon, because that was how far the gold ground |
| stretched in every direction, perfectly smooth and solid. It |
| gleamed like ... it's impossible to say what it gleamed like |
| because nothing in the Universe gleams in quite the same way that |
| a planet of solid gold does. |
| |
| "Who put all that there?" yelped Zaphod, goggle-eyed. |
| |
| "Don't get excited," said Ford, "it's only a catalogue." |
| |
| "A who?" |
| |
| "A catalogue," said Trillian, "an illusion." |
| |
| "How can you say that?" cried Zaphod, falling to his hands and |
| knees and staring at the ground. He poked it and prodded it with |
| his fingernail. It was very heavy and very slightly soft - he |
| could mark it with his fingernail. It was very yellow and very |
| shiny, and when he breathed on it his breath evaporated off it in |
| that very peculiar and special way that breath evaporates off |
| solid gold. |
| |
| "Trillian and I came round a while ago," said Ford. "We shouted |
| and yelled till somebody came and then carried on shouting and |
| yelling till they got fed up and put us in their planet catalogue |
| to keep us busy till they were ready to deal with us. This is all |
| Sens-O-Tape." |
| |
| Zaphod stared at him bitterly. |
| |
| "Ah, shit," he said, "you wake me up from my own perfectly good |
| dream to show me somebody else's." He sat down in a huff. |
| |
| "What's that series of valleys over there?" he said. |
| |
| "Hallmark," said Ford. "We had a look." |
| |
| "We didn't wake you earlier," said Trillian. "The last planet was |
| knee deep in fish." |
| |
| "Fish?" |
| |
| "Some people like the oddest things." |
| |
| "And before that," said Ford, "we had platinum. Bit dull. We |
| thought you'd like to see this one though." |
| |
| Seas of light glared at them in one solid blaze wherever they |
| looked. |
| |
| "Very pretty," said Zaphod petulantly. |
| |
| In the sky a huge green catalogue number appeared. It flickered |
| and changed, and when they looked around again so had the land. |
| |
| As with one voice they all went, "Yuch." |
| |
| The sea was purple. The beach they were on was composed of tiny |
| yellow and green pebbles - presumably terribly precious stones. |
| The mountains in the distance seemed soft and undulating with red |
| peaks. Nearby stood a solid silver beach table with a frilly |
| mauve parasol and silver tassles. |
| |
| In the sky a huge sign appeared, replacing the catalogue number. |
| It said, Whatever your tastes, Magrathea can cater for you. We |
| are not proud. |
| |
| And five hundred entirely naked women dropped out of the sky on |
| parachutes. |
| |
| In a moment the scene vanished and left them in a springtime |
| meadow full of cows. |
| |
| "Ow!" said Zaphod. "My brains!" |
| |
| "You want to talk about it?" said Ford. |
| |
| "Yeah, OK," said Zaphod, and all three sat down and ignored the |
| scenes that came and went around them. |
| |
| "I figure this," said Zaphod. "Whatever happened to my mind, I |
| did it. And I did it in such a way that it wouldn't be detected |
| by the government screening tests. And I wasn't to know anything |
| about it myself. Pretty crazy, right?" |
| |
| The other two nodded in agreement. |
| |
| "So I reckon, what's so secret that I can't let anybody know I |
| know it, not the Galactic Government, not even myself? And the |
| answer is I don't know. Obviously. But I put a few things |
| together and I can begin to guess. When did I decide to run for |
| President? Shortly after the death of President Yooden Vranx. You |
| remember Yooden, Ford?" |
| |
| "Yeah," said Ford, "he was that guy we met when we were kids, the |
| Arcturan captain. He was a gas. He gave us conkers when you bust |
| your way into his megafreighter. Said you were the most amazing |
| kid he'd ever met." |
| |
| "What's all this?" said Trillian. |
| |
| "Ancient history," said Ford, "when we were kids together on |
| Betelgeuse. The Arcturan megafreighters used to carry most of the |
| bulky trade between the Galactic Centre and the outlying regions |
| The Betelgeuse trading scouts used to find the markets and the |
| Arcturans would supply them. There was a lot of trouble with |
| space pirates before they were wiped out in the Dordellis wars, |
| and the megafreighters had to be equipped with the most fantastic |
| defence shields known to Galactic science. They were real brutes |
| of ships, and huge. In orbit round a planet they would eclipse |
| the sun. |
| |
| "One day, young Zaphod here decides to raid one. On a tri-jet |
| scooter designed for stratosphere work, a mere kid. I mean forget |
| it, it was crazier than a mad monkey. I went along for the ride |
| because I'd got some very safe money on him not doing it, and |
| didn't want him coming back with fake evidence. So what happens? |
| We got in his tri-jet which he had souped up into something |
| totally other, crossed three parsecs in a matter of weeks, bust |
| our way into a megafreighter I still don't know how, marched on |
| to the bridge waving toy pistols and demanded conkers. A wilder |
| thing I have not known. Lost me a year's pocket money. For what? |
| Conkers." |
| |
| "The captain was this really amazing guy, Yooden Vranx," said |
| Zaphod. "He gave us food, booze - stuff from really weird parts |
| of the Galaxy - lots of conkers of course, and we had just the |
| most incredible time. Then he teleported us back. Into the |
| maximum security wing of Betelgeuse state prison. He was a cool |
| guy. Went on to become President of the Galaxy." |
| |
| Zaphod paused. |
| |
| The scene around them was currently plunged into gloom. Dark |
| mists swirled round them and elephantine shapes lurked |
| indistinctly in the shadows. The air was occasionally rent with |
| the sounds of illusory beings murdering other illusory beings. |
| Presumably enough people must have liked this sort of thing to |
| make it a paying proposition. |
| |
| "Ford," said Zaphod quietly. |
| |
| "Yeah?" |
| |
| "Just before Yooden died he came to see me." |
| |
| "What? You never told me." |
| |
| "No." |
| |
| "What did he say? What did he come to see you about?" |
| |
| "He told me about the Heart of Gold. It was his idea that I |
| should steal it." |
| |
| "His idea?" |
| |
| "Yeah," said Zaphod, "and the only possible way of stealing it |
| was to be at the launching ceremony." |
| |
| Ford gaped at him in astonishment for a moment, and then roared |
| with laughter. |
| |
| "Are you telling me," he said, "that you set yourself up to |
| become President of the Galaxy just to steal that ship?" |
| |
| "That's it," said Zaphod with the sort of grin that would get |
| most people locked away in a room with soft walls. |
| |
| "But why?" said Ford. "What's so important about having it?" |
| |
| "Dunno," said Zaphod, "I think if I'd consciously known what was |
| so important about it and what I would need it for it would have |
| showed up on the brain screening tests and I would never have |
| passed. I think Yooden told me a lot of things that are still |
| locked away." |
| |
| "So you think you went and mucked about inside your own brain as |
| a result of Yooden talking to you?" |
| |
| "He was a hell of a talker." |
| |
| "Yeah, but Zaphod old mate, you want to look after yourself you |
| know." |
| |
| Zaphod shrugged. |
| |
| "I mean, don't you have any inkling of the reasons for all this?" |
| asked Ford. |
| |
| Zaphod thought hard about this and doubts seemed to cross his |
| minds. |
| |
| "No," he said at last, "I don't seem to be letting myself into |
| any of my secrets. Still," he added on further reflection, "I can |
| understand that. I wouldn't trust myself further than I could |
| spit a rat." |
| |
| A moment later, the last planet in the catalogue vanished from |
| beneath them and the solid world resolved itself again. |
| |
| They were sitting in a plush waiting room full of glass-top |
| tables and design awards. |
| |
| A tall Magrathean man was standing in front of them. |
| |
| "The mice will see you now," he said. |
| |
| ================================================================= |
| Chapter 30 |
| |
| "So there you have it," said Slartibartfast, making a feeble and |
| perfunctory attempt to clear away some of the appalling mess of |
| his study. He picked up a paper from the top of a pile, but then |
| couldn't think of anywhere else to put it, so he but it back on |
| top of the original pile which promptly fell over. "Deep Thought |
| designed the Earth, we built it and you lived on it." |
| |
| "And the Vogons came and destroyed it five minutes before the |
| program was completed," added Arthur, not unbitterly. |
| |
| "Yes," said the old man, pausing to gaze hopelessly round the |
| room. "Ten million years of planning and work gone just like |
| that. Ten million years, Earthman ... can you conceive of that |
| kind of time span? A galactic civilization could grow from a |
| single worm five times over in that time. Gone." He paused. |
| |
| "Well that's bureaucracy for you," he added. |
| |
| "You know," said Arthur thoughtfully, "all this explains a lot of |
| things. All through my life I've had this strange unaccountable |
| feeling that something was going on in the world, something big, |
| even sinister, and no one would tell me what it was." |
| |
| "No," said the old man, "that's just perfectly normal paranoia. |
| Everyone in the Universe has that." |
| |
| "Everyone?" said Arthur. "Well, if everyone has that perhaps it |
| means something! Perhaps somewhere outside the Universe we know |
| ..." |
| |
| "Maybe. Who cares?" said Slartibartfast before Arthur got too |
| excited. "Perhaps I'm old and tired," he continued, "but I always |
| think that the chances of finding out what really is going on are |
| so absurdly remote that the only thing to do is to say hang the |
| sense of it and just keep yourself occupied. Look at me: I design |
| coastlines. I got an award for Norway." |
| |
| He rummaged around in a pile of debris and pulled out a large |
| perspex block with his name on it and a model of Norway moulded |
| into it. |
| |
| "Where's the sense in that?" he said. "None that I've been able |
| to make out. I've been doing fjords in all my life. For a |
| fleeting moment they become fashionable and I get a major award." |
| |
| He turned it over in his hands with a shrug and tossed it aside |
| carelessly, but not so carelessly that it didn't land on |
| something soft. |
| |
| "In this replacement Earth we're building they've given me Africa |
| to do and of course I'm doing it with all fjords again because I |
| happen to like them, and I'm old fashioned enough to think that |
| they give a lovely baroque feel to a continent. And they tell me |
| it's not equatorial enough. Equatorial!" He gave a hollow laugh. |
| "What does it matter? Science has achieved some wonderful things |
| of course, but I'd far rather be happy than right any day." |
| |
| "And are you?" |
| |
| "No. That's where it all falls down of course." |
| |
| "Pity," said Arthur with sympathy. "It sounded like quite a good |
| lifestyle otherwise." |
| |
| Somewhere on the wall a small white light flashed. |
| |
| "Come," said Slartibartfast, "you are to meet the mice. Your |
| arrival on the planet has caused considerable excitement. It has |
| already been hailed, so I gather, as the third most improbable |
| event in the history of the Universe." |
| |
| "What were the first two?" |
| |
| "Oh, probably just coincidences," said Slartibartfast carelessly. |
| He opened the door and stood waiting for Arthur to follow. |
| |
| Arthur glanced around him once more, and then down at himself, at |
| the sweaty dishevelled clothes he had been lying in the mud in on |
| Thursday morning. |
| |
| "I seem to be having tremendous difficulty with my lifestyle," he |
| muttered to himself. |
| |
| "I beg your pardon?" said the old man mildly. |
| |
| "Oh nothing," said Arthur, "only joking." |
| |
| ================================================================= |
| Chapter 31 |
| |
| It is of course well known that careless talk costs lives, but |
| the full scale of the problem is not always appreciated. |
| |
| For instance, at the very moment that Arthur said "I seem to be |
| having tremendous difficulty with my lifestyle," a freak wormhole |
| opened up in the fabric of the space-time continuum and carried |
| his words far far back in time across almost infinite reaches of |
| space to a distant Galaxy where strange and warlike beings were |
| poised on the brink of frightful interstellar battle. |
| |
| The two opposing leaders were meeting for the last time. |
| |
| A dreadful silence fell across the conference table as the |
| commander of the Vl'hurgs, resplendent in his black jewelled |
| battle shorts, gazed levelly at the G'Gugvuntt leader squatting |
| opposite him in a cloud of green sweet-smelling steam, and, with |
| a million sleek and horribly beweaponed star cruisers poised to |
| unleash electric death at his single word of command, challenged |
| the vile creature to take back what it had said about his mother. |
| |
| The creature stirred in his sickly broiling vapour, and at that |
| very moment the words I seem to be having tremendous difficulty |
| with my lifestyle drifted across the conference table. |
| |
| Unfortunately, in the Vl'hurg tongue this was the most dreadful |
| insult imaginable, and there was nothing for it but to wage |
| terrible war for centuries. |
| |
| Eventually of course, after their Galaxy had been decimated over |
| a few thousand years, it was realized that the whole thing had |
| been a ghastly mistake, and so the two opposing battle fleets |
| settled their few remaining differences in order to launch a |
| joint attack on our own Galaxy - now positively identified as the |
| source of the offending remark. |
| |
| For thousands more years the mighty ships tore across the empty |
| wastes of space and finally dived screaming on to the first |
| planet they came across - which happened to be the Earth - where |
| due to a terrible miscalculation of scale the entire battle fleet |
| was accidentally swallowed by a small dog. |
| |
| Those who study the complex interplay of cause and effect in the |
| history of the Universe say that this sort of thing is going on |
| all the time, but that we are powerless to prevent it. |
| |
| "It's just life," they say. |
| |
| A short aircar trip brought Arthur and the old Magrathean to a |
| doorway. They left the car and went through the door into a |
| waiting room full of glass-topped tables and perspex awards. |
| Almost immediately, a light flashed above the door at the other |
| side of the room and they entered. |
| |
| "Arthur! You're safe!" a voice cried. |
| |
| "Am I?" said Arthur, rather startled. "Oh good." |
| |
| The lighting was rather subdued and it took him a moment or so to |
| see Ford, Trillian and Zaphod sitting round a large table |
| beautifully decked out with exotic dishes, strange sweetmeats and |
| bizarre fruits. They were stuffing their faces. |
| |
| "What happened to you?" demanded Arthur. |
| |
| "Well," said Zaphod, attacking a boneful of grilled muscle, "our |
| guests here have been gassing us and zapping our minds and being |
| generally weird and have now given us a rather nice meal to make |
| it up to us. Here," he said hoiking out a lump of evil smelling |
| meat from a bowl, "have some Vegan Rhino's cutlet. It's delicious |
| if you happen to like that sort of thing." |
| |
| "Hosts?" said Arthur. "What hosts? I don't see any ..." |
| |
| A small voice said, "Welcome to lunch, Earth creature." |
| |
| Arthur glanced around and suddenly yelped. |
| |
| "Ugh!" he said. "There are mice on the table!" |
| |
| There was an awkward silence as everyone looked pointedly at |
| Arthur. |
| |
| He was busy staring at two white mice sitting in what looked like |
| whisky glasses on the table. He heard the silence and glanced |
| around at everyone. |
| |
| "Oh!" he said, with sudden realization. "Oh, I'm sorry, I wasn't |
| quite prepared for ..." |
| |
| "Let me introduce you," said Trillian. "Arthur this is Benji |
| mouse." |
| |
| "Hi," said one of the mice. His whiskers stroked what must have |
| been a touch sensitive panel on the inside of the whisky-glass |
| like affair, and it moved forward slightly. |
| |
| "And this is Frankie mouse." |
| |
| The other mouse said, "Pleased to meet you," and did likewise. |
| |
| Arthur gaped. |
| |
| "But aren't they ..." |
| |
| "Yes," said Trillian, "they are the mice I brought with me from |
| the Earth." |
| |
| She looked him in the eye and Arthur thought he detected the |
| tiniest resigned shrug. |
| |
| "Could you pass me that bowl of grated Arcturan Megadonkey?" she |
| said. |
| |
| Slartibartfast coughed politely. |
| |
| "Er, excuse me," he said. |
| |
| "Yes, thank you Slartibartfast," said Benji mouse sharply, "you |
| may go." |
| |
| "What? Oh ... er, very well," said the old man, slightly taken |
| aback, "I'll just go and get on with some of my fjords then." |
| |
| "Ah, well in fact that won't be necessary," said Frankie mouse. |
| "It looks very much as if we won't be needing the new Earth any |
| longer." He swivelled his pink little eyes. "Not now that we have |
| found a native of the planet who was there seconds before it was |
| destroyed." |
| |
| "What?" cried Slartibartfast, aghast. "You can't mean that! I've |
| got a thousand glaciers poised and ready to roll over Africa!" |
| |
| "Well perhaps you can take a quick skiing holiday before you |
| dismantle them," said Frankie, acidly. |
| |
| "Skiing holiday!" cried the old man. "Those glaciers are works of |
| art! Elegantly sculptured contours, soaring pinnacles of ice, |
| deep majestic ravines! It would be sacrilege to go skiing on high |
| art!" |
| |
| "Thank you Slartibartfast," said Benji firmly. "That will be |
| all." |
| |
| "Yes sir," said the old man coldly, "thank you very much. Well, |
| goodbye Earthman," he said to Arthur, "hope the lifestyle comes |
| together." |
| |
| With a brief nod to the rest of the company he turned and walked |
| sadly out of the room. |
| |
| Arthur stared after him not knowing what to say. |
| |
| "Now," said Benji mouse, "to business." |
| |
| Ford and Zaphod clinked their glasses together. |
| |
| "To business!" they said. |
| |
| "I beg your pardon?" said Benji. |
| |
| Ford looked round. |
| |
| "Sorry, I thought you were proposing a toast," he said. |
| |
| The two mice scuttled impatiently around in their glass |
| transports. Finally they composed themselves, and Benji moved |
| forward to address Arthur. |
| |
| "Now, Earth creature," he said, "the situation we have in effect |
| is this. We have, as you know, been more or less running your |
| planet for the last ten million years in order to find this |
| wretched thing called the Ultimate Question." |
| |
| "Why?" said Arthur, sharply. |
| |
| "No - we already thought of that one," said Frankie interrupting, |
| "but it doesn't fit the answer. Why? - Forty-Two ... you see, it |
| doesn't work." |
| |
| "No," said Arthur, "I mean why have you been doing it?" |
| |
| "Oh, I see," said Frankie. "Well, eventually just habit I think, |
| to be brutally honest. And this is more or less the point - we're |
| sick to the teeth with the whole thing, and the prospect of doing |
| it all over again on account of those whinnet-ridden Vogons quite |
| frankly gives me the screaming heeby jeebies, you know what I |
| mean? It was by the merest lucky chance that Benji and I finished |
| our particular job and left the planet early for a quick holiday, |
| and have since manipulated our way back to Magrathea by the good |
| offices of your friends." |
| |
| "Magrathea is a gateway back to our own dimension," put in Benji. |
| |
| "Since when," continued his murine colleague, "we have had an |
| offer of a quite enormously fat contract to do the 5D chat show |
| and lecture circuit back in our own dimensional neck of the |
| woods, and we're very much inclined to take it." |
| |
| "I would, wouldn't you Ford?" said Zaphod promptingly. |
| |
| "Oh yes," said Ford, "jump at it, like a shot." |
| |
| Arthur glanced at them, wondering what all this was leading up |
| to. |
| |
| "But we've got to have a product you see," said Frankie, "I mean |
| ideally we still need the Ultimate Question in some form or |
| other." |
| |
| Zaphod leaned forward to Arthur. |
| |
| "You see," he said, "if they're just sitting there in the studio |
| looking very relaxed and, you know, just mentioning that they |
| happen to know the Answer to Life, the Universe and Everything, |
| and then eventually have to admit that in fact it's Forty-two, |
| then the show's probably quite short. No follow-up, you see." |
| |
| "We have to have something that sounds good," said Benji. |
| |
| "Something that sounds good?" exclaimed Arthur. "An Ultimate |
| Question that sounds good? From a couple of mice?" |
| |
| The mice bristled. |
| |
| "Well, I mean, yes idealism, yes the dignity of pure research, |
| yes the pursuit of truth in all its forms, but there comes a |
| point I'm afraid where you begin to suspect that if there's any |
| real truth, it's that the entire multi-dimensional infinity of |
| the Universe is almost certainly being run by a bunch of maniacs. |
| And if it comes to a choice between spending yet another ten |
| million years finding that out, and on the other hand just taking |
| the money and running, then I for one could do with the |
| exercise," said Frankie. |
| |
| "But ..." started Arthur, hopelessly. |
| |
| "Hey, will you get this, Earthman," interrupted Zaphod. "You are |
| a last generation product of that computer matrix, right, and you |
| were there right up to the moment your planet got the finger, |
| yeah?" |
| |
| "Er ..." |
| |
| "So your brain was an organic part of the penultimate |
| configuration of the computer programme," said Ford, rather |
| lucidly he thought. |
| |
| "Right?" said Zaphod. |
| |
| "Well," said Arthur doubtfully. He wasn't aware of ever having |
| felt an organic part of anything. He had always seen this as one |
| of his problems. |
| |
| "In other words," said Benji, steering his curious little vehicle |
| right over to Arthur, "there's a good chance that the structure |
| of the question is encoded in the structure of your brain - so we |
| want to buy it off you." |
| |
| "What, the question?" said Arthur. |
| |
| "Yes," said Ford and Trillian. |
| |
| "For lots of money," said Zaphod. |
| |
| "No, no," said Frankie, "it's the brain we want to buy." |
| |
| "What!" |
| |
| "I thought you said you could just read his brain |
| electronically," protested Ford. |
| |
| "Oh yes," said Frankie, "but we'd have to get it out first. It's |
| got to be prepared." |
| |
| "Treated," said Benji. |
| |
| "Diced." |
| |
| "Thank you," shouted Arthur, tipping up his chair and backing |
| away from the table in horror. |
| |
| "It could always be replaced," said Benji reasonably, "if you |
| think it's important." |
| |
| "Yes, an electronic brain," said Frankie, "a simple one would |
| suffice." |
| |
| "A simple one!" wailed Arthur. |
| |
| "Yeah," said Zaphod with a sudden evil grin, "you'd just have to |
| program it to say What? and I don't understand and Where's the |
| tea? - who'd know the difference?" |
| |
| "What?" cried Arthur, backing away still further. |
| |
| "See what I mean?" said Zaphod and howled with pain because of |
| something that Trillian did at that moment. |
| |
| "I'd notice the difference," said Arthur. |
| |
| "No you wouldn't," said Frankie mouse, "you'd be programmed not |
| to." |
| |
| Ford made for the door. |
| |
| "Look, I'm sorry, mice old lads," he said. "I don't think we've |
| got a deal." |
| |
| "I rather think we have to have a deal," said the mice in chorus, |
| all the charm vanishing fro their piping little voices in an |
| instant. With a tiny whining shriek their two glass transports |
| lifted themselves off the table, and swung through the air |
| towards Arthur, who stumbled further backwards into a blind |
| corner, utterly unable to cope or think of anything. |
| |
| Trillian grabbed him desperately by the arm and tried to drag him |
| towards the door, which Ford and Zaphod were struggling to open, |
| but Arthur was dead weight - he seemed hypnotized by the airborne |
| rodents swooping towards him. |
| |
| She screamed at him, but he just gaped. |
| |
| With one more yank, Ford and Zaphod got the door open. On the |
| other side of it was a small pack of rather ugly men who they |
| could only assume were the heavy mob of Magrathea. Not only were |
| they ugly themselves, but the medical equipment they carried with |
| them was also far from pretty. They charged. |
| |
| So - Arthur was about to have his head cut open, Trillian was |
| unable to help him, and Ford and Zaphod were about to be set upon |
| by several thugs a great deal heavier and more sharply armed than |
| they were. |
| |
| All in all it was extremely fortunate that at that moment every |
| alarm on the planet burst into an earsplitting din. |
| |
| ================================================================= |
| Chapter 32 |
| |
| "Emergency! Emergency!" blared the klaxons throughout Magrathea. |
| "Hostile ship has landed on planet. Armed intruders in section |
| 8A. Defence stations, defence stations!" |
| |
| The two mice sniffed irritably round the fragments of their glass |
| transports where they lay shattered on the floor. |
| |
| "Damnation," muttered Frankie mouse, "all that fuss over two |
| pounds of Earthling brain." He scuttled round and about, his pink |
| eyes flashing, his fine white coat bristling with static. |
| |
| "The only thing we can do now," said Benji, crouching and |
| stroking his whiskers in thought, "is to try and fake a question, |
| invent one that will sound plausible." |
| |
| "Difficult," said Frankie. He thought. "How about What's yellow |
| and dangerous?" |
| |
| Benji considered this for a moment. |
| |
| "No, no good," he said. "Doesn't fit the answer." |
| |
| They sank into silence for a few seconds. |
| |
| "Alright," said Benji. "What do you get if you multiply six by |
| seven?" |
| |
| "No, no, too literal, too factual," said Frankie, "wouldn't |
| sustain the punters' interest." |
| |
| Again they thought. |
| |
| Then Frankie said: "Here's a thought. How many roads must a man |
| walk down?" |
| |
| "Ah," said Benji. "Aha, now that does sound promising!" He rolled |
| the phrase around a little. "Yes," he said, "that's excellent! |
| Sounds very significant without actually tying you down to |
| meaning anything at all. How many roads must a man walk down? |
| Forty-two. Excellent, excellent, that'll fox 'em. Frankie baby, |
| we are made!" |
| |
| They performed a scampering dance in their excitement. |
| |
| Near them on the floor lay several rather ugly men who had been |
| hit about the head with some heavy design awards. |
| |
| Half a mile away, four figures pounded up a corridor looking for |
| a way out. They emerged into a wide open-plan computer bay. They |
| glanced about wildly. |
| |
| "Which way do you reckon Zaphod?" said Ford. |
| |
| "At a wild guess, I'd say down here," said Zaphod, running off |
| down to the right between a computer bank and the wall. As the |
| others started after him he was brought up short by a Kill-O-Zap |
| energy bolt that cracked through the air inches in front of him |
| and fried a small section of adjacent wall. |
| |
| A voice on a loud hailer said, "OK Beeblebrox, hold it right |
| there. We've got you covered." |
| |
| "Cops!" hissed Zaphod, and span around in a crouch. "You want to |
| try a guess at all, Ford?" |
| |
| "OK, this way," said Ford, and the four of them ran down a |
| gangway between two computer banks. |
| |
| At the end of the gangway appeared a heavily armoured and space- |
| suited figure waving a vicious Kill-O-Zap gun. |
| |
| "We don't want to shoot you, Beeblebrox!" shouted the figure. |
| |
| "Suits me fine!" shouted Zaphod back and dived down a wide gap |
| between two data process units. |
| |
| The others swerved in behind him. |
| |
| "There are two of them," said Trillian. "We're cornered." |
| |
| They squeezed themselves down in an angle between a large |
| computer data bank and the wall. |
| |
| They held their breath and waited. |
| |
| Suddenly the air exploded with energy bolts as both the cops |
| opened fire on them simultaneously. |
| |
| "Hey, they're shooting at us," said Arthur, crouching in a tight |
| ball, "I thought they said they didn't want to do that." |
| |
| "Yeah, I thought they said that," agreed Ford. |
| |
| Zaphod stuck a head up for a dangerous moment. |
| |
| "Hey," he said, "I thought you said you didn't want to shoot us!" |
| and ducked again. |
| |
| They waited. |
| |
| After a moment a voice replied, "It isn't easy being a cop!" |
| |
| "What did he say?" whispered Ford in astonishment. |
| |
| "He said it isn't easy being a cop." |
| |
| "Well surely that's his problem isn't it?" |
| |
| "I'd have thought so." |
| |
| Ford shouted out, "Hey listen! I think we've got enough problems |
| on our own having you shooting at us, so if you could avoid |
| laying your problems on us as well, I think we'd all find it |
| easier to cope!" |
| |
| Another pause, and then the loud hailer again. |
| |
| "Now see here, guy," said the voice on the loud hailer, "you're |
| not dealing with any dumb two-bit trigger-pumping morons with low |
| hairlines, little piggy eyes and no conversation, we're a couple |
| of intelligent caring guys that you'd probably quite like if you |
| met us socially! I don't go around gratuitously shooting people |
| and then bragging about it afterwards in seedy space-rangers |
| bars, like some cops I could mention! I go around shooting people |
| gratuitously and then I agonize about it afterwards for hours to |
| my girlfriend!" |
| |
| "And I write novels!" chimed in the other cop. "Though I haven't |
| had any of them published yet, so I better warn you, I'm in a |
| meeeean mood!" |
| |
| Ford's eyes popped halfway out of their sockets. "Who are these |
| guys?" he said. |
| |
| "Dunno," said Zaphod, "I think I preferred it when they were |
| shooting." |
| |
| "So are you going to come quietly," shouted one of the cops |
| again, "or are you going to let us blast you out?" |
| |
| "Which would you prefer?" shouted Ford. |
| |
| A millisecond later the air about them started to fry again, as |
| bolt after bolt of Kill-O-Zap hurled itself into the computer |
| bank in front of them. |
| |
| The fusillade continued for several seconds at unbearable |
| intensity. |
| |
| When it stopped, there were a few seconds of near quietness ad |
| the echoes died away. |
| |
| "You still there?" called one of the cops. |
| |
| "Yes," they called back. |
| |
| "We didn't enjoy doing that at all," shouted the other cop. |
| |
| "We could tell," shouted Ford. |
| |
| "Now, listen to this, Beeblebrox, and you better listen good!" |
| |
| "Why?" shouted Back Zaphod. |
| |
| "Because," shouted the cop, "it's going to be very intelligent, |
| and quite interesting and humane! Now either you all give |
| yourselves up now and let us beat you up a bit, though not very |
| much of course because we are firmly opposed to needless |
| violence, or we blow up this entire planet and possibly one or |
| two others we noticed on our way out here!" |
| |
| "But that's crazy!" cried Trillian. "You wouldn't do that!" |
| |
| "Oh yes we would," shouted the cop, "wouldn't we?" he asked the |
| other one. |
| |
| "Oh yes, we'd have to, no question," the other one called back. |
| |
| "But why?" demanded Trillian. |
| |
| "Because there are some things you have to do even if you are an |
| enlightened liberal cop who knows all about sensitivity and |
| everything!" |
| |
| "I just don't believe these guys," muttered Ford, shaking his |
| head. |
| |
| One cop shouted to the other, "Shall we shoot them again for a |
| bit?" |
| |
| "Yeah, why not?" |
| |
| They let fly another electric barrage. |
| |
| The heat and noise was quite fantastic. Slowly, the computer bank |
| was beginning to disintegrate. The front had almost all melted |
| away, and thick rivulets of molten metal were winding their way |
| back towards where they were squatting. They huddled further back |
| and waited for the end. |
| |
| ================================================================= |
| Chapter 33 |
| |
| But the end never came, at least not then. |
| |
| Quite suddenly the barrage stopped, and the sudden silence |
| afterwards was punctuated by a couple of strangled gurgles and |
| thuds. |
| |
| The four stared at each other. |
| |
| "What happened?" said Arthur. |
| |
| "They stopped," said Zaphod with a shrug. |
| |
| "Why?" |
| |
| "Dunno, do you want to go and ask them?" |
| |
| "No." |
| |
| They waited. |
| |
| "Hello?" called out Ford. |
| |
| No answer. |
| |
| "That's odd." |
| |
| "Perhaps it's a trap." |
| |
| "They haven't the wit." |
| |
| "What were those thuds?" |
| |
| "Dunno." |
| |
| They waited for a few more seconds. |
| |
| "Right," said Ford, "I'm going to have a look." |
| |
| He glanced round at the others. |
| |
| "Is no one going to say, No you can't possibly, let me go |
| instead?" |
| |
| They all shook their heads. |
| |
| "Oh well," he said, and stood up. |
| |
| For a moment, nothing happened. |
| |
| Then, after a second or so, nothing continued to happen. Ford |
| peered through the thick smoke that was billowing out of the |
| burning computer. |
| |
| Cautiously he stepped out into the open. |
| |
| Still nothing happened. |
| |
| Twenty yards away he could dimly see through the smoke the |
| space-suited figure of one of the cops. He was lying in a |
| crumpled heap on the ground. Twenty yards in the other direction |
| lay the second man. No one else was anywhere to be seen. |
| |
| This struck Ford as being extremely odd. |
| |
| Slowly, nervously, he walked towards the first one. The body lay |
| reassuringly still as he approached it, and continued to lie |
| reassuringly still as he reached it and put his foot down on the |
| Kill-O-Zap gun that still dangled from its limp fingers. |
| |
| He reached down and picked it up, meeting no resistance. |
| |
| The cop was quite clearly dead. |
| |
| A quick examination revealed him to be from Blagulon Kappa - he |
| was a methane-breathing life form, dependent on his space suit |
| for survival in the thin oxygen atmosphere of Magrathea. |
| |
| The tiny life-support system computer on his backpack appeared |
| unexpectedly to have blown up. |
| |
| Ford poked around in it in considerable astonishment. These |
| miniature suit computers usually had the full back-up of the main |
| computer back on the ship, with which they were directly linked |
| through the sub-etha. Such a system was fail-safe in all |
| circumstances other than total feedback malfunction, which was |
| unheard of. |
| |
| He hurried over to the other prone figure, and discovered that |
| exactly the same impossible thing had happened to him, presumably |
| simultaneously. |
| |
| He called the others over to look. They came, shared his |
| astonishment, but not his curiosity. |
| |
| "Let's get shot out of this hole," said Zaphod. "If whatever I'm |
| supposed to be looking for is here, I don't want it." He grabbed |
| the second Kill-O-Zap gun, blasted a perfectly harmless |
| accounting computer and rushed out into the corridor, followed by |
| the others. He very nearly blasted hell out of an aircar that |
| stood waiting for them a few yards away. |
| |
| The aircar was empty, but Arthur recognized it as belonging to |
| Slartibartfast. |
| |
| It had a note from him pinned to part of its sparse instrument |
| panel. The note had an arrow drawn on it, pointing at one of the |
| controls. |
| |
| It said, This is probably the best button to press. |
| |
| ================================================================= |
| Chapter 34 |
| |
| The aircar rocketed them at speeds in excess of R17 through the |
| steel tunnels that lead out onto the appalling surface of the |
| planet which was now in the grip of yet another drear morning |
| twilight. Ghastly grey lights congealed on the land. |
| |
| R is a velocity measure, defined as a reasonable speed of travel |
| that is consistent with health, mental wellbeing and not being |
| more than say five minutes late. It is therefore clearly an |
| almost infinitely variable figure according to circumstances, |
| since the first two factors vary not only with speed taken as an |
| absolute, but also with awareness of the third factor. Unless |
| handled with tranquility this equation can result in considerable |
| stress, ulcers and even death. |
| |
| R17 is not a fixed velocity, but it is clearly far too fast. |
| |
| The aircar flung itself through the air at R17 and above, |
| deposited them next to the Heart of Gold which stood starkly on |
| the frozen ground like a bleached bone, and then precipitately |
| hurled itself back in the direction whence they had come, |
| presumably on important business of its own. |
| |
| Shivering, the four of them stood and looked at the ship. |
| |
| Beside it stood another one. |
| |
| It was the Blagulon Kappa policecraft, a bulbous sharklike |
| affair, slate green in colour and smothered with black stencilled |
| letters of varying degrees of size and unfriendliness. The |
| letters informed anyone who cared to read them as to where the |
| ship was from, what section of the police it was assigned to, and |
| where the power feeds should be connected. |
| |
| It seemed somehow unnaturally dark and silent, even for a ship |
| whose two-man crew was at that moment lying asphyxicated in a |
| smoke-filled chamber several miles beneath the ground. It is one |
| of those curious things that is impossible to explain or define, |
| but one can sense when a ship is completely dead. |
| |
| Ford could sense it and found it most mysterious - a ship and two |
| policemen seemed to have gone spontaneously dead. In his |
| experience the Universe simply didn't work like that. |
| |
| The other three could sense it too, but they could sense the |
| bitter cold even more and hurried back into the Heart of Gold |
| suffering from an acute attack of no curiosity. |
| |
| Ford stayed, and went to examine the Blagulon ship. As he walked, |
| he nearly tripped over an inert steel figure lying face down in |
| the cold dust. |
| |
| "Marvin!" he exclaimed. "What are you doing?" |
| |
| "Don't feel you have to take any notice of me, please," came a |
| muffled drone. |
| |
| "But how are you, metalman?" said Ford. |
| |
| "Very depressed." |
| |
| "What's up?" |
| |
| "I don't know," said Marvin, "I've never been there." |
| |
| "Why," said Ford squatting down beside him and shivering, "are |
| you lying face down in the dust?" |
| |
| "It's a very effective way of being wretched," said Marvin. |
| "Don't pretend you want to talk to me, I know you hate me." |
| |
| "No I don't." |
| |
| "Yes you do, everybody does. It's part of the shape of the |
| Universe. I only have to talk to somebody and they begin to hate |
| me. Even robots hate me. If you just ignore me I expect I shall |
| probably go away." |
| |
| He jacked himself up to his feet and stood resolutely facing the |
| opposite direction. |
| |
| "That ship hated me," he said dejectedly, indicating the |
| policecraft. |
| |
| "That ship?" said Ford in sudden excitement. "What happened to |
| it? Do you know?" |
| |
| "It hated me because I talked to it." |
| |
| "You talked to it?" exclaimed Ford. "What do you mean you talked |
| to it?" |
| |
| "Simple. I got very bored and depressed, so I went and plugged |
| myself in to its external computer feed. I talked to the computer |
| at great length and explained my view of the Universe to it," |
| said Marvin. |
| |
| "And what happened?" pressed Ford. |
| |
| "It committed suicide," said Marvin and stalked off back to the |
| Heart of Gold. |
| |
| ================================================================= |
| Chapter 35 |
| |
| That night, as the Heart of Gold was busy putting a few light |
| years between itself and the Horsehead Nebula, Zaphod lounged |
| under the small palm tree on the bridge trying to bang his brain |
| into shape with massive Pan Galactic Gargle Blasters; Ford and |
| Trillian sat in a corner discussing life and matters arising from |
| it; and Arthur took to his bed to flip through Ford's copy of The |
| Hitch Hiker's Guide to the Galaxy. Since he was going to live in |
| the place, he reasoned, he'd better start finding out something |
| about it. |
| |
| He came across this entry. |
| |
| It said: 'The History of every major Galactic Civilization tends |
| to pass through three distinct and recognizable phases, those of |
| Survival, Inquiry and Sophistication, otherwise known as the How, |
| Why and Where phases. |
| |
| "For instance, the first phase is characterized by the question |
| How can we eat? the second by the question Why do we eat? and the |
| third by the question Where shall we have lunch?" |
| |
| He got no further before the ship's intercom buzzed into life. |
| |
| "Hey Earthman? You hungry kid?" said Zaphod's voice. |
| |
| "Er, well yes, a little peckish I suppose," said Arthur. |
| |
| "OK baby, hold tight," said Zaphod. "We'll take in a quick bite |
| at the Restaurant at the End of the Universe." |
| |
| |
| ================================================================= |
| * President: full title President of the Imperial Galactic |
| Government. |
| |
| The term Imperial is kept though it is now an anachronism. The |
| hereditary Emperor is nearly dead and has been so for many |
| centuries. In the last moments of his dying coma he was locked in |
| a statis field which keeps him in a state of perpetual |
| unchangingness. All his heirs are now long dead, and this means |
| that without any drastic political upheaval, power has simply and |
| effectively moved a rung or two down the ladder, and is now seen |
| to be vested in a body which used to act simply as advisers to |
| the Emperor - an elected Governmental assembly headed by a |
| President elected by that assembly. In fact it vests in no such |
| place. |
| |
| The President in particular is very much a figurehead - he wields |
| no real power whatsoever. He is apparently chosen by the |
| government, but the qualities he is required to display are not |
| those of leadership but those of finely judged outrage. For this |
| reason the President is always a controversial choice, always an |
| infuriating but fascinating character. His job is not to wield |
| power but to draw attention away from it. On those criteria |
| Zaphod Beeblebrox is one of the most successful Presidents the |
| Galaxy has ever had - he has already spent two of his ten |
| Presidential years in prison for fraud. Very very few people |
| realize that the President and the Government have virtually no |
| power at all, and of these very few people only six know whence |
| ultimate political power is wielded. Most of the others secretly |
| believe that the ultimate decision-making process is handled by a |
| computer. They couldn't be more wrong. |
| |
| * Ford Prefect's original name is only pronuncible in an obscure |
| Betelgeusian dialect, now virtually extinct since the Great |
| Collapsing Hrung Disaster of Gal./Sid./Year 03758 which wiped out |
| all the old Praxibetel communities on Betelgeuse Seven. Ford's |
| father was the only man on the entire planet to survive the Great |
| Collapsing Hrung disaster, by an extraordinary coincidence that |
| he was never able satisfactorily to explain. The whole episode is |
| shrouded in deep mystery: in fact no one ever knew what a Hrung |
| was nor why it had chosen to collapse on Betelgeuse Seven |
| particularly. Ford's father, magnanimously waving aside the |
| clouds of suspicion that had inevitably settled around him, came |
| to live on Betelgeuse Five where he both fathered and uncled |
| Ford; in memory of his now dead race he christened him in the |
| ancient Praxibetel tongue. |
| |
| Because Ford never learned to say his original name, his father |
| eventually died of shame, which is still a terminal disease in |
| some parts of the Galaxy. The other kids at school nicknamed him |
| Ix, which in the language of Betelgeuse Five translates as "boy |
| who is not able satisfactorily to explain what a Hrung is, nor |
| why it should choose to collapse on Betelgeuse Seven". |
| |
|
|