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| This file contains 32 songs (#101 - #132). | |
| You can find more abc tune files at http://www.norbeck.nu/abc/ | |
| I've transcribed them as I remember them, which does not necessarily mean | |
| that the lyrics are exactly as in the "original". This is part of the "folk process" | |
| of transmitting songs. | |
| The melody is often just an approximation (especially for the slow songs), and | |
| does not include ornamentation, just the "bare bones". Also the key chosen | |
| is one that fits my voice - transpose it to fit your voice. | |
| The songs were learnt from sessions, from friends or from recordings. | |
| Last updated 22 November 2016. | |
| (c) Copyright 2015-2016 Henrik Norbeck. This file: | |
| - May be distributed with restrictions below. | |
| - May not be used for commercial purposes (such as printing a tune book to sell). | |
| - This file (or parts of it) may not be made available on a web page for | |
| download without permission from me. | |
| - This copyright notice must be kept, except when e-mailing individual tunes. | |
| - May be printed on paper for personal use. | |
| - Questions? E-mail: henrik@norbeck.nu | |
| Z:id:hn-song-%X | |
| R:song | |
| L:1/8 | |
| X:101 | |
| T:Pretty Peg | |
| R:song | |
| Z:id:hn-song-101 | |
| M:2/4 | |
| L:1/8 | |
| Q:1/4=110 | |
| K:D | |
| A | dd cA | dd cA | dd cA | B3 | |
| A | BB Bc/c/ | dd FG/G/ | AA GE | D2 || | |
| DE | F/F/F F/E/D/E/ | FD | |
| DE | F/F/F F/E/D/E/ | F3 || | |
| W:When pretty Peg went down the street some fresh fish for to buy | |
| W:But the wee town clerk followed after her, and he kissed her by and by | |
| W: | |
| W:Chorus: | |
| W:With my tiddy right fol da diddle dido | |
| W:With my tiddy right fol da diddle day | |
| W: | |
| W:"Oh, how can I get to your chamber, love, or how can I get to your bed? | |
| W:When your daddy goes to bed at night with the key lying under his head" | |
| W: | |
| W:Chorus | |
| W: | |
| W:"Oh, go and get a ladder, love, with thirty steps and three | |
| W:And put it to the chimney top and come down in a creel to me" | |
| W: | |
| W:Chorus | |
| W: | |
| W:"I went and got a ladder, love, with thirty steps and three | |
| W:And a creel, on the top of that and come down in the lum to thee" | |
| W: | |
| W:Chorus | |
| W: | |
| W:No peace nor ease could the old wife get, with dreams running through her head | |
| W:"I'll lay me life", said the gay old wife, "there's a boy in me daughter's bed" | |
| W: | |
| W:Chorus | |
| W: | |
| W:Then up the stairs the old man crept and into the room did steal | |
| W:Silence reigned for the daughter slept and he never twigged the creel | |
| W: | |
| W:"My curse attend you, Father, what brought you up so soon? | |
| W:To put me through my evening prayers, and I just lying down" | |
| W: | |
| W:Chorus | |
| W: | |
| W:He went back to his gay old wife, he went back to she | |
| W:"She has the prayer book in her hand and she's praying for you and me" | |
| W: | |
| W:Chorus | |
| W: | |
| W:No peace nor ease could the old wife get till she would rise and see | |
| W:She came on a stumbling-block and into the creel went she. | |
| W: | |
| W:Chorus | |
| W: | |
| W:"Hi I rocked her, ho, I rocked here, didn't I rock her well | |
| W:For if any old wife begrudge me her daughter I'd rock her into Hell" | |
| W: | |
| W:Chorus | |
| X:102 | |
| T:Farewell to Whisky | |
| R:song | |
| H:Scottish | |
| D:Ashplant | |
| Z:id:hn-song-102 | |
| M:3/4 | |
| L:1/8 | |
| Q:1/4=140 | |
| K:Dm | |
| C2 | C2 G3 G | A4 AA | A2 D2 E2 | F2 G4- | G4 | |
| A2 | A2 d2 d2 | d2 c2 A2 | A2 G2 A2 | c6- | c4 | |
| A2 | A2 d2 d2 | d2 c2 A2 | A2 D2 E2 | F2 G4- | G4 | |
| A2 | d3 c d2 | A2 G2 A2 | F3 D (EC) | D6- | D4 || | |
| W:Oh Johnnie, my man, do ye no think o' risin'? | |
| W:For the day is weel spent and the night's comin' on | |
| W:The siller's all done and the gill-stoup is empty | |
| W:So rise up, my Johnnie, and come awa' hame | |
| W: | |
| W:The bairnies at hame they are roarin' and greetin' | |
| W:Nae meal in the barrel to fill their wee wames | |
| W:While ye sit here drinkin', ye leave us lamentin' | |
| W:So, rise up, my Johnnie, and come awa' hame | |
| W: | |
| W:Wha's that at the door that are speakin' so kindly | |
| W:'Tis the voice of my wee wifie, Maggie by name | |
| W:Come in my dear lassie and sit doon beside me | |
| W:It's time enough yet for to gang awa' hame | |
| W: | |
| W:Oh Johnnie, my man, do ye no mind o' courtin'? | |
| W:Nae alehoose nor tavern it ran in oor minds. | |
| W:We'd spend the lang days 'mang the sweet scented roses | |
| W:An ne'er gied a thought upon goin' awa' hame | |
| W: | |
| W:'Tis well do I mind these times that ye speak o' | |
| W:But those days they are gone and will ne'er come again | |
| W:But as for the present, we'll try for to mend it | |
| W:So gie's your haund Maggie, and I'll awa' hame | |
| W: | |
| W:And Johnnie arose, and he banged the door open | |
| W:Sayin' "Cursed be the tavern that ere let me in | |
| W:And cursed be the whisky that made me aye thirsty | |
| W:So fare thee well, whisky, for I'm awa' hame | |
| X:103 | |
| T:Welcome Paddy Home | |
| T:Welcome Poor Paddy Home | |
| R:song | |
| Z:id:hn-song-103 | |
| M:3/4 | |
| L:1/8 | |
| Q:1/4=160 | |
| K:D | |
| P:First verse: | |
| A2 | (d3 e) f2 | e2 (d2 c2) | (B2 c2) d2 | D4 DE | F2 A2 F2 | E3 F E2 | D6- | D4 | |
| AA | (d2 e2) f2 | e2 d2 c2 | (B2 c2) d2 | D4 E2 | (F2 A2) F2 | (E2 F2) E2 | D6- | D4 || | |
| P:Chorus: | |
| E2 | F4 F2 | (E2 F2) E2 | D6- | D4 A2 | d3 e f2 | e2 d2 A2 | (B3 d B2 | A4) | |
| AA | d3 e f2 | e2 d2 c2 | (B2 c2) d2 | D4 (DE) | F2 A2 F2 | (E3 F) E2 | D6- | D4 || | |
| P:Remaining verses: | |
| E2 | F2 F2 F2 | (E2 F2) E2 | E2 D4- | D4 A2 | d3 e f2 | e2 d2 A2 | (B3 d B2 | A4) | |
| AA | d2 e2 f2 | e2 d2 c2 | (B2 c2) d2 | D4 (DE) | F2 A2 F2 | (E3 F) E2 | D6- | D4 || | |
| W:I am a true born Irishman, I will never deny what I am. | |
| W:I was born in sweet Tipperary town, three thousand miles away. | |
| W: | |
| W:Chorus: | |
| W:Hooray, me boys, hooray, no more do I wish for to roam, | |
| W:for the sun it will shine in the harvest time, to welcome poor Paddy home. | |
| W: | |
| W:The girls they were gay and frisky, they'd take you by the hand, | |
| W:sayin': Jimmy mo chroi, will you come with me, to welcome this stranger home. | |
| W: | |
| W:Chorus | |
| W: | |
| W:In came the foreign nation, and scattered all over the land. | |
| W:The horse and the cow, the pig, sheep and sow fell into the strangers' hands. | |
| W: | |
| W:Chorus | |
| W: | |
| W:The Scotsman can boast of his thistle, and England can boast of the rose, | |
| W:But Paddy can boast of his emerald isle, where the dear little shamrock grows. | |
| W: | |
| W:Chorus | |
| X:104 | |
| T:Road to Clady, The | |
| R:song | |
| Z:id:hn-song-104 | |
| M:6/8 | |
| L:1/8 | |
| Q:3/8=110 | |
| K:Edor | |
| P:Verse | |
| E | E2B B2d | B3 B3 | A2B A2F | D3- D | |
| DD | A2A A2D | A2A G2F | E2F G2A | B3- B | |
| EE | E3 G2A | B3 e3 | d2c B2A | d3- d2 | |
| F | G2E F2D | (E2F) G2A | B2B A2F | E3- E3 || | |
| P:Chorus | |
| E2B B2d | B3 B3 | A2B A2F | D3- D3 | | |
| A3 A3 | A3 G2F | E2F G2A | B3- B2 | |
| B | E2F G2A | B3 e3 | d2c B2A | d3- d3 | | |
| GGE F2D | E2F G2A | B3 E3 | E3- E3 || | |
| W:I am a country servant, serving in Killane, | |
| W:in a place they call New Hamilton, a grand old-fashioned town. | |
| W:It was early one morning, at the hour of three, | |
| W:when I set off to Clady, the old grey mare and me. | |
| W: | |
| W:In the corner of the street, a bus I chanced to pass, | |
| W:and in the corner of the bus I spied a country lass. | |
| W:Says I: "My pretty fair maid, will you come along with me? | |
| W:I'm going the road to Clady, the old grey mare and me." | |
| W: | |
| W:Chorus: | |
| W:Cheeks as red as roses, eyes a bonny blue, | |
| W:dancing, dancing, pierced me through and through. | |
| W:She fairly won my fancy, and stole away me heart, | |
| W:jogging along to Clady on the sour milk cart. | |
| W: | |
| W:Well I asked her up beside me, and on the cart she sat, | |
| W:I slipped an arm around her waist, we soon began to chat. | |
| W:The birds in the bushes, how sweetly they did sing. | |
| W:The blackbirds and the thrushes, how they made the forest ring. | |
| W: | |
| W:Chorus | |
| W: | |
| W:Well you've heard of lords and ladies making love in shady bowers, | |
| W:and how they woo a while among the roses and the flowers. | |
| W:I'll never forget that morning, when Cupid shot his dart, | |
| W:jogging along to Clady on the sour milk cart. | |
| W: | |
| W:Chorus | |
| X:105 | |
| T:Mary Mac | |
| R:song | |
| Z:id:hn-song-105 | |
| M:2/4 | |
| L:1/16 | |
| Q:1/4=100 | |
| K:Em | |
| BB | BBBB EEEE | BBBB d3 | |
| d | A2AA D2DD | AAAA c2 | |
| cc | BBBB EEEE | BBBB e3 | |
| e | e2B2 B2B2 | BAGF E2 E2 || | |
| BBB2 EEEE | BBB2 ddd2 | | |
| A2AA DDD2 | AAAA c4 | | |
| BBBB EEEE | BBBB eee | |
| e | eBBB BBBB | BAGF E2 || | |
| W:Well, I know a pretty lassie and her name is Mary Mac, | |
| W:and make no mistake, she's the lass I'm going to take. | |
| W:There's lots of other men would like to get upon her track, | |
| W:but if they do, they'll have to get up early. | |
| W: | |
| W:Chorus: | |
| W:Mary Mac's mother's making Mary Mac marry me, | |
| W:and my mother's making me marry Mary Mac. | |
| W:If I'm going to marry Mary, Mary will take care of me. | |
| W:We'll all be making merry when I marry Mary Mac. | |
| W: | |
| W:Well, the wedding's on a Wednesday and everything's arranged. | |
| W:Her name will soon be changed to mine, if her mind's not changed. | |
| W:We're making the arrangements and I'm just about deranged | |
| W:'cause marriage is an aweful undertaking. | |
| W: | |
| W:Chorus | |
| W: | |
| W:Well, it's going to be a grand affair, grander than a fair. | |
| W:There's bound to be a lot of punters there to get their share. | |
| W:There's bound to be a horse and cart for every pair that's there, | |
| W:and if there's not I'm very much mistaken. | |
| W: | |
| W:Chorus | |
| W: | |
| W:Well, Mary and her mother spend a lot of time together, | |
| W:and you very seldom see them, the one without the other. | |
| W:The lads they often wonder if it's Mary or her mother | |
| W:or both of them together that I'm courting. | |
| W: | |
| W:Chorus | |
| X:106 | |
| T:One Morning in May | |
| R:song | |
| H:Free rhythm | |
| Z:id:hn-song-106 | |
| M:3/4 | |
| L:1/8 | |
| Q:1/4=90 | |
| K:Dmix | |
| D2 | D2 G2 (GF) | D4 FG | A2 (AG) FG | A4 | |
| FG | A2 (AB) ^c2 | d2 D2 DE | F2 (GF) D2 | C4 | |
| DE | F2 E2 D2 | d4 fd | (cA) (FG) (AB) | c4 | |
| FG | A2 G2 A2 | (GF) D2 (FG) | A2 (CD) E2 | D4 || | |
| W:One morning in May, as I carelessly did stray, | |
| W:to view the green meadows, and the lambs sport and play. | |
| W:In the clear morning dew, as I sat down to muse, | |
| W:a fair maiden of honour appeared in my view. | |
| W: | |
| W:I said: Pretty maid, how happy we could be, | |
| W:for it is so ordained love, that married we should be. | |
| W:Let me not see you frown, for this heart is your own. | |
| W:When these words they were spoken, sure the tears trickled down. | |
| W: | |
| W:Come dry up your tears, there is nothing to fear, | |
| W:I have roamed through the green fields for many's the long year. | |
| W:While the birds sang so sweet, this young man proved his deceit, | |
| W:saying: Adieu pretty fair maid, we shall never more meet. | |
| W: | |
| W:With my snuff box and cane, sure the whole world I would range, | |
| W:like Venus or Diana in search of her swain, | |
| W:while the moon does shine clear, I will mourn for my dear, | |
| W:over mountains, clear fountains, where no one shall hear. | |
| W: | |
| W:There is one thing I know, and that before I go, | |
| W:I will never return for to hear your sad woe. | |
| W:And there's another thing I know, and that before I go, | |
| W:that the ranger and the stranger have as many's the foe. | |
| X:107 | |
| T:Rambling Rover, The | |
| R:song | |
| C:Andy M. Stewart (1952-2015) | |
| Z:id:hn-song-107 | |
| M:6/8 | |
| L:1/8 | |
| Q:3/8=100 | |
| K:G | |
| P:Chorus | |
| D D2E | G2G A2A | A2G- G2d | d2B d2e | e2d- d | |
| Bd | e2e g2f | e2d B2G | AAB A2G | E3 | |
| D2E | G2G A2A | A2G- G2d | d2B d2e | e2d- d | |
| Bd | e2e g2f | e2d B2G | ABA G2F | G4- G || | |
| P:Verse: | |
| D | GGG A2A | A2G- G2d | d2B d2e | e2d- d | |
| Bd | eee g2f | e2d B2G | AAB A2G | E3 | |
| D2E | G2G A2A | A2G- Gdd | d2B d2e | e2d- d | |
| Bd | e2e g2f | e2d B2G | ABA G2F | G2 || | |
| W:Chorus: | |
| W:Oh, there are sober men and plenty, and drunkards barely twenty, | |
| W:There are men of over ninety that have never yet kissed a girl. | |
| W:But give me a ramblin' rover, frae Orkney down to Dover. | |
| W:We will roam the country over and together we'll face the world. | |
| W: | |
| W:There's many that feign enjoyment from merciless employment, | |
| W:Their ambition was this deployment from the minute they left the school. | |
| W:And they save and scrape and ponder, while the rest go out and squander, | |
| W:See the world and rove and wander and they're happier as a rule. | |
| W: | |
| W:Chorus | |
| W: | |
| W:I have roamed through all the nations, taken delight in all creation, | |
| W:I've enjoyed a wee sensation where the company it was kind. | |
| W:But when parting was no pleasure, I've drunk another measure | |
| W:To the good friends that we treasure, for they always are on our mind. | |
| W: | |
| W:Chorus | |
| W: | |
| W:If you're bent with arthiritis, your bowels have got colitis, | |
| W:You have galloping ballicitus, and you're thinkin' it's time you died, | |
| W:If you been a man of action, though you're lying there in traction, | |
| W:You may gain some satisfaction thinkin', "Jesus, at least I tried!" | |
| W: | |
| W:Chorus | |
| X:108 | |
| T:Cam Ye O'er frae France | |
| R:song | |
| H:Scottish | |
| Z:id:hn-song-108 | |
| M:3/2 | |
| L:1/8 | |
| Q:1/2=100 | |
| K:Ddor | |
| F2D2 D2C2 D4 | F2D2 D2F2 (EF)G2 | | |
| F2D2 D2C2 D4 | E3D C2G2 (EF)G2 | | |
| D2d2 d2c2 d4 | A3d d2e2 (fe)d2 | | |
| A2d2 (dc)B2 c4 | G3E C2G2 E2G2 :| | |
| W:Cam ye o'er frae France? Cam ye down by Lunnon? | |
| W:Saw ye Geordie Whelps and his bonny woman? | |
| W:Were ye at the place ca'd the Kittle Housie? | |
| W:Saw ye Geordie's grace riding on a goosie? | |
| W: | |
| W:Geordie he's a man, there is little doubt o't, | |
| W:He's done a' he can, wha can do without it? | |
| W:Doon there cam a blade, linkin' like my lordie, | |
| W:He wad drive a trade at the loom o' Geordie. | |
| W: | |
| W:Though the claith were bad, blithely may we niffer, | |
| W:Gin we get a wab, it makes little differ. | |
| W:We hae lost our plaid, bonnet, belt and swordie, | |
| W:Ha's and mailin's braid, but we hae a Geordie! | |
| W: | |
| W:Jocky's gane to France, and Montgomery's lady, | |
| W:There they'll learn to dance, Madame, are ye ready? | |
| W:They'll be back belive, belted, brisk and lordly, | |
| W:Brawly may they thrive, to dance a jig wi' Geordie! | |
| W: | |
| W:Hey for Sandy Don! Hey for Cockalorum! | |
| W:Hey for Bobbing John, and his Hieland quorum! | |
| W:Many a sword and lance swings at Hieland hurdie, | |
| W:How they'll skip and dance over the bum o' Geordie! | |
| W: | |
| W:Lunnon = London, Geordie = King George I, Whelps = House of Welf (George I's ancestors) | |
| W:Kittle Housie = dance hall or brothel, blade = gallant man, wad = would, claith = cloth, | |
| W:niffer = trade, wab = piece of cloth, plaid = Highland cloth, ha's = halls, | |
| W:mailing = small farm, braid = broad, belyve = soon, brawly = well, | |
| W:Sandy Don = Alexander Gordon, Cockalorum = young cock, Bobbing John = John Erskine, | |
| W:Hieland = highland, quorum = gathering, hurdie = buttocks | |
| X:109 | |
| T:Emigrant's Farewell, The | |
| R:song | |
| Z:id:hn-song-109 | |
| M:3/4 | |
| L:1/8 | |
| Q:1/4=90 | |
| K:Dmix | |
| (dc) | A3 G F2 | D D3 ((3DEF) | G4 ((3AGF) | G4 | |
| FG | A2 B2 (cB) | A2 G2 GA | F D3-D2 | C4 | |
| (dc) | A3 G F2 | D4 ((3DEF) | G2 A2 (GF) | G4 | |
| (FG) | (A2 B2) (cB) | A4 GA | F2 D3 C | D6 || | |
| G4 A2 | F2 D4 | (F3 G) (AB) | c4 | |
| dc | A3 G F2 | G4 A2 | GF D3 B, | C4 | |
| (dc) | A3 (G F2) | D4 ((3DE)F | G2 (A2 GF) | G4 | |
| FG | (A2 B2) (cB) | A4 GA | F2 (D3 C) | D6 || | |
| W:Our ship she's ready to sail away, | |
| W:and it's come my sweet comrades, o'er the stormy seas. | |
| W:Her snow-white wings are all unfurled, | |
| W:and soon shall swim in a watery world. | |
| W: | |
| W:Chorus: | |
| W:Don't forget love, do not grieve, | |
| W:for my heart is true and cannot deceive. | |
| W:My hand and heart, I will give to thee | |
| W:so farewell my love and remember me. | |
| W: | |
| W:Farewell sweet Dublin's hills and braes | |
| W:to Killiney mountain's silvery streams, | |
| W:Where's many the fine long summer's day | |
| W:we loitered hours of joy away. | |
| W: | |
| W:Chorus | |
| W: | |
| W:It's now I must bid a long adieu | |
| W:to Wicklow and its beauties too | |
| W:Avoca's vales where lovers meet | |
| W:There to discourse in accents sweet | |
| W: | |
| W:Chorus | |
| W: | |
| W:Farewell sweet Delgany, likewise the glen | |
| W:the Dargle waterfall and then | |
| W:the lovely scene surrounding Bray | |
| W:shall be my thoughts when far away. | |
| W: | |
| W:Chorus | |
| X:110 | |
| T:Factory Girl, The | |
| R:song | |
| D:Bothy Band: Out of the Wind, into the sun | |
| Z:id:hn-song-110 | |
| M:3/4 | |
| L:1/8 | |
| Q:1/4=90 | |
| K:Em | |
| (de) | e e4 B | B d3 (dB) | A4 BA | G2 E3 | |
| d | e2 e3 B | B d3 (dB) | A3 G (AB) | B4 | |
| (de) | e e4 B | B d3 (dB) | A A3 (BA) | G2 E2 | |
| EF | G3 A B2 | e2 B2 (cB) | A D3 (GF) | E4 || | |
| W:As I was a-walking one fine summer's morning, | |
| W:The birds on the bushes did warble and sing, | |
| W:Gay laddies and lasses, and couples were sporting, | |
| W:Going down to the factory their work to begin. | |
| W: | |
| W:I spied one amongst them more fairer than any, | |
| W:Her cheeks like the red rose that none could excel, | |
| W:Her skin like the lily that grows in yon valley, | |
| W:And she was the hard working factory girl. | |
| W: | |
| W:I stepped up beside her to view her more closely, | |
| W:When on me she cast such a look of disdain. | |
| W:"Oh, young man, have manners and do not come near me, | |
| W:For although I'm a poor girl I think it no shame." | |
| W: | |
| W:"It's not for to scorn you, fair maid I adore you, | |
| W:But grant me one favour, say where do you dwell?" | |
| W:"Kind Sir, you'll excuse me, for now I must leave you, | |
| W:For yonder's the sound of my factory bell." | |
| W: | |
| W:"I have land I have houses, I adorned them with ivory, | |
| W:I have gold in my pockets and silver as well, | |
| W:And if you'll come with me, it's a lady I'll make you, | |
| W:And no more may you heed yon factory bell." | |
| W: | |
| W:With these words she turned and with that she had left me, | |
| W:And all for her sake I'll go wander away, | |
| W:And in some deep valley, where no one shall know me, | |
| W:I shall mourn for the sake of my factory girl. | |
| X:111 | |
| T:Fiddler's Green | |
| R:song | |
| C:John Conolly | |
| Z:id:hn-song-111 | |
| M:3/4 | |
| L:1/8 | |
| Q:1/4=120 | |
| K:G | |
| DD | G3 A B2 | c2 B2 A2 | G2 A2 B2 | E4 | |
| D2 | G3 A B2 | c2 B2 c2 | d2 G2 B2 | A4 | |
| B2 | c3 d e2 | e2 d2 c2 | B2 c2 d2 | d4 | |
| c2 | B3 A B2 | c2 A2 G2 | G2 F2 G2 | A4 || | |
| dc | B2 c2 d2 | c2 B2 A2 | A2 G4- | G4 | |
| d2 | e4 ee | d2 B2 G2 | A6- | A4 | |
| B2 | c3 d e2 | e2 d2 c2 | B3 c d2 | d2 c2 | |
| B2 | A4 Bc | d2 c2 B2 | A3 B A2 | G4 || | |
| W:As I walked by the dockside one evening so fair, | |
| W:To view the salt waters and take the salt air, | |
| W:I heard an old fisherman singing this song, | |
| W:Oh, take me away boys, me time is not long. | |
| W: | |
| W:Chorus: | |
| W:Wrap me up in me oilskins and jumper, | |
| W:No more on the docks I'll be seen, | |
| W:Just tell me old shipmates I'm taking a trip, mates, | |
| W:And I'll see you someday on Fiddler's Green. | |
| W: | |
| W:Now Fiddler's Green is a place I've heard tell, | |
| W:Where the fishermen go if they don't go to Hell, | |
| W:Where the skies are all clear and the dolphins do play, | |
| W:And the cold coast of Greenland is far, far away. | |
| W: | |
| W:Chorus | |
| W: | |
| W:Where the sky's are all clear and there's never a gale, | |
| W:And the fish jump on board with a swish of their tail, | |
| W:You can lie at your leisure, there's no work to do, | |
| W:And the skipper's below making tea for the crew. | |
| W: | |
| W:Chorus | |
| W: | |
| W:Now when you're in dock and the long trip is through, | |
| W:There's pubs and there's clubs, and there's lassies there too, | |
| W:Where the girls are all pretty and the beer it is free, | |
| W:And there's bottles of rum growing on every tree. | |
| W: | |
| W:Chorus | |
| W: | |
| W:Now I don't want a harp or a halo, not me, | |
| W:Just give me a breeze and a good rolling sea, | |
| W:I'll play me old squeeze box as we sail along, | |
| W:With the wind in the rigging to sing me this song. | |
| W: | |
| W:Chorus | |
| X:112 | |
| T:Knickers of Corduroy | |
| R:song | |
| Z:id:hn-song-112 | |
| M:6/8 | |
| L:1/8 | |
| Q:3/8=100 | |
| K:Edor | |
| B,2D | E2D E2F | E2D- D2F | G2A BBc | d3 | |
| B2d | e2d B2A | B2B D2E | FFF EEE | E3-E2 | |
| D | E2E E2F | E2D- D2F | G2A B2c | d3-d2 | |
| d | e2d B2A | B2D- DDE | F2F EEE | E3-E2 || | |
| D | E2E E2F | E2D D3 | GGA B2c | d3 | |
| B2d | eed BBA | B2D- D2E | F2F E2E | E3-E2 | |
| D | E2E E2F | E2D D2F | G2A B2c | d3 | |
| B2d | eed B2A | B2D- DDE | F2F E2E | E3-E2 || | |
| W:I'm a decent married woman, my name is Mrs. Magee, | |
| W:I'm a native of this County Down convenient to Donaghadee, | |
| W:I had a faithful husband, oh whom I liked so fine, | |
| W:But now he's gone and left me and I'm nearly out of my mind. | |
| W: | |
| W:Chorus: | |
| W:He wears a pair of laceless shoes, knickers of corduroy, | |
| W:He's a swallowtail coat and waistcoat, he's only got one eye, | |
| W:His hair and whiskers both are black, he wears a castor hat, | |
| W:And can anyone kindly tell me, have you seen my darling Pat? | |
| W: | |
| W:On the morning that we parted, the tears rolled in his eye, | |
| W:Saying "Biddy dear, I'm going away my fortune for to try. | |
| W:They say the harvest is pretty good in Scotland this year, | |
| W:So Biddy dear, I'll send you the price of a pint, don't you be feared." | |
| W: | |
| W:Chorus | |
| W: | |
| W:"If I can find a postbox, as soon as I arrive, | |
| W:You may expect a letter as sure as I'm alive." | |
| W:But my Pat's away three months today and he's left me in a stew, | |
| W:Since I lost my darling husband, oh what am I to do? | |
| W: | |
| W:Chorus | |
| X:113 | |
| T:Lark in the Morning, The | |
| R:song | |
| Z:id:hn-song-113 | |
| M:6/8 | |
| L:1/8 | |
| Q:3/8=110 | |
| K:Edor | |
| B | B3 B2c | d3 d2B | A2F E2F | D3-D | |
| EF | (G2F) G2A | (B2d) B2A | G2E (FE)D | E3-E2 | |
| e | e2E E2E | e3 d2B | A2F E2F | D3 | |
| E2F | (G2F) G2A | B2d B2A | G2E (FE)D | E3-E2 || | |
| B | B3 B2c | d3 d2B | A2F E2F | D3 | |
| E2F | G2F G2A | B2d B2A | G2E (FE)D | E3-E2 | |
| e | e2E E2E | e3 d2B | A2F E2F | D3 | |
| E2F | (G2F) G2A | B2d B2A | G2E (FE)D | E3-E2 || | |
| W:Chorus: | |
| W:The lark in the morning she rises off her nest, | |
| W:She goes off in the air with the dew all on her breast, | |
| W:And like the jolly ploughboy she whistles and she sings, | |
| W:She goes home in the evening with the dew all on her wings. | |
| W: | |
| W:Oh, Roger the ploughboy he is a dashing blade, | |
| W:He goes whist-ling and singing over yonder green glade. | |
| W:He met with dark-eyed Susan, she's handsome I declare, | |
| W:And she's far more enticing than the birds all in the air. | |
| W: | |
| W:Chorus | |
| W: | |
| W:One evening coming home from the rakes of the town, | |
| W:The meadows being all mown and the grass has been cut down. | |
| W:If I should chance to tumble all in the new-mown hay, | |
| W:For, it's kiss me now or never love, this bonnie lass did say. | |
| W: | |
| W:Chorus | |
| W: | |
| W:When twenty long weeks they were over and were past, | |
| W:Her mummy chanced to notice how she'd thickened around her waist. | |
| W:"It was the jolly ploughboy", the maiden she did say, | |
| W:For he caused me for to tumble all in the new-mown hay. | |
| W: | |
| W:Chorus | |
| W: | |
| W:Here's a health to all you ploughboys wherever you may be, | |
| W:That like to have a bonnie lass a-sitting on his knee. | |
| W:With a pint of good strong porter he'll whistle and he'll sing, | |
| W:And the ploughboy is as happy as a prince or a king. | |
| W: | |
| W:Chorus | |
| X:114 | |
| T:Little Drummer, The | |
| R:song | |
| D:Planxty: Cold Blow and the Rainy Night | |
| Z:id:hn-song-114 | |
| M:3/4 | |
| L:1/8 | |
| Q:1/4=160 | |
| K:Edor | |
| E2 | E2 B2 B2 | B2 A2 F2 | F2 E2 D2 | E6 | | |
| e2 B2 B2 | e2 d2 c2 | d2 B2 A2 | d4 | |
| cd | ee B2 B2 | e2 d2 c2 | d2 B2 A2 | d4 | |
| c2 | B2 A2 A2 | F2 B2 A2 | F2 E2 D2 | E4 || | |
| W:One fine summer's morning, both gallant and gay, | |
| W:Twenty-four ladies went out on the quay, | |
| W:And a regiment of soldiers it did pass them by, | |
| W:A drummer and one of them soon caught his eye. | |
| W: | |
| W:He went to his comrade and to him did say, | |
| W:"Twenty-four ladies I saw yesterday, | |
| W:Oh, but one of them ladies she has me heart won, | |
| W:And if she denies me I'm surely undone." | |
| W: | |
| W:"Go to this lady and tell her your mind | |
| W:Tell her she's wounded your poor heart inside. | |
| W:Go and tell her she's wounded your poor heart, full sore, | |
| W:And if she denies you what can she do more?" | |
| W: | |
| W:So early next morning this young man arose, | |
| W:Dressed himself up in a fine suit of clothes, | |
| W:With a watch in his pocket and a cane in his hand, | |
| W:Saluting the ladies he walked down the strand. | |
| W: | |
| W:He went up to her and he said "Pardon me, | |
| W:Pardon me lady for making so free, | |
| W:Oh my fine honored lady, you have my heart won, | |
| W:And if you deny me I'm surely undone." | |
| W: | |
| W:"Be off little drummer, now what do you mean? | |
| W:For I'm the lord's daughter of Ballycasteen. | |
| W:Oh, I'm the lord's daughter that's honored, you see, | |
| W:Be off little drummer, you're making too free." | |
| W: | |
| W:He put on his hat and he bade her farewell | |
| W:Saying: "I'll send my soul down to heaven or hell. | |
| W:For with this long pistol that hangs by my side, | |
| W:Oh, I'll put an end to my own dreary life." | |
| W: | |
| W:"Come back little drummer, and don't take it ill, | |
| W:For I do not want to be guilty of sin, | |
| W:To be guilty of innocent blood for to spill. | |
| W:Come back little drummer, I'm here at your will." | |
| W: | |
| W:"We'll hire a car and to Bansheer we'll go. | |
| W:There we'll be married in spite of our foes. | |
| W:Oh, but what can they say when it's over and done, | |
| W:But I fell in love with the roll of your drum?" | |
| X:115 | |
| T:Parcel of Rogues | |
| R:song | |
| C:Robert Burns (1759-1796) | |
| Z:id:hn-song-115 | |
| M:4/4 | |
| L:1/8 | |
| Q:1/4=75 | |
| K:Gm | |
| (DF) | (GA)(FD) G3A | (BG)(FD) B,4- | B,2(CD) (ED)(CB,) | C2(DF) (G>AGF) | D4-D2 | |
| (DF) | (GA)FD G3A | (BG)(FD) B,4- | B,2(CD) (ED)(CB,) | C2(DF) (G>AGF) | D4-D2 | |
| (Bc) | (de)(dc) B2AG | (FD)(CB,) B4- | B3F B2(AB) | c2(Bc) (d3c) | G4-G2 | |
| (Bc) | (df)(cd) B2(AG) | (FD)(CB,) B4- | B2AG (FD)CB, | C2DF (G>AGF) | D4-D2 || | |
| W:Farewell to all our Scottish fame, farewell to ancient glory | |
| W:Farewell even to our Scottish name, so famed in martial story. | |
| W:Now Sark runs over the Solway sands, and Tweed runs to the ocean | |
| W:To mark where England's province stands - such a parcel of rogues in a nation! | |
| W: | |
| W:What force or guile could not subdue through many warlike ages, | |
| W:Is wrought now by cowards few for hireling traitors' wages. | |
| W:The English steel we could disdain, secure in valor's station, | |
| W:But English gold has been our bane - such a parcel of rogues in a nation! | |
| W: | |
| W:Oh would ere I had seen the day that treason thus could sell us, | |
| W:My old grey head had lain in clay with Bruce and loyal Wallace. | |
| W:But pith and power till my last hour, I'll make this declaration, | |
| W:We're bought and we're sold for English gold - such a parcel of rogues in a nation! | |
| X:116 | |
| T:Queen of All Argyll, The | |
| R:song | |
| C:Andy M. Stewart (1952-2015) | |
| Z:id:hn-song-116 | |
| M:2/4 | |
| L:1/8 | |
| Q:1/4=90 | |
| K:Em | |
| B,D | E>E EF | ED- De/e/ | ee dB | (A/B/)d | |
| Bd | ee ef | ed BA | Bd (A/F/)E | D2 | |
| B,D | E>E EF | ED- De | ee dB | (A/B/)d- d | |
| d | e>e ef | ed BA | Bd (F/E/)D | E2 || | |
| B,D | E2 EF | ED D2 | ee dB | AB d | |
| f | e>e ef | ed BA | Bd (A/F/)E | D2 | |
| B,D | E>E EF | ED- De | e>e dB | (A/B/)d | |
| Bd | e>e ef | ed BA | Bd (F/E/)D | E2 || | |
| W:Gentlemen it is my duty to inform you of one beauty, | |
| W:Though I'd ask of you a favour not to seek her for a while, | |
| W:Though I own she is a creature of character and feature, | |
| W:No words can paint the picture of The Queen of all Argyll. | |
| W: | |
| W:Chorus: | |
| W:And if you could have seen her there, boys if you had just been there, | |
| W:The swan was in her movement, and the morning in her smile, | |
| W:All the roses in the garden, they'd bow and ask for pardon | |
| W:For not one could match the beauty of the Queen of all Argyll. | |
| W: | |
| W:On the evening that I mention, I passed with light intention | |
| W:Through a part of our dear country known for beauty and for style | |
| W:Being a place of noble thinkers, of scholars and great drinkers | |
| W:But above them all for splendour shone the Queen of all Argyll. | |
| W: | |
| W:Chorus | |
| W: | |
| W:So my lads I needs must leave you, my intentions no' to grieve you | |
| W:Nor indeed would I deceive you, oh, I'll see you in a while. | |
| W:I must find some way to gain her, to court her and retain her | |
| W:I fear my heart's in danger from the Queen of all Argyll. | |
| W: | |
| W:Chorus | |
| X:117 | |
| T:Slieve Gallen Braes | |
| T:Sliabh Gallion Braes | |
| R:song | |
| Z:id:hn-song-117 | |
| M:4/4 | |
| L:1/8 | |
| Q:1/4=120 | |
| K:Dmix | |
| D2 | A4 A2B2 | c2A2- A2 (EF) | (G3F) D2D2 | D6 | |
| A2 | d4 d2e2 | (f2ed) e2(d^c) | A4 B2^c2 | d6 | |
| AB | cA3 B2G2 | E2D2- D2 (DE) | F4 (FE)D2 | d6 | |
| (de) | f3d e2^c2 | dA3 BG3 | (E3F) GE3 | D6 || | |
| P:version 2 | |
| D2 | A4 A2B2 | (c2A2) E2 (EF) | (G3F) D2D2 | D6 | |
| A2 | d4 d2e2 | (f2ed) e2(d^c) | A4 B2^c2 | d6 | |
| AB | c2A2 B2G2 | E2D2- D2 (FG) | (A3G) (FE)D2 | d6 | |
| (de) | f3d e3^c | dA3 BG3 | (E3F) GE3 | D6 || | |
| W:[My name is Joe McGarvey as you might understand, | |
| W:I come from Derrygennard and I own a farm of land. | |
| W:But the rents were getting higher, and I could no longer pay, | |
| W:So farewell unto you bonny, bonny Sliabh Gallen braes.] | |
| W: | |
| W:As I went a-walking one morning in May, | |
| W:To view yon fair valleys and mountains so gay, | |
| W:I was thinking on those flowers, all doomed to decay, | |
| W:That bloom around ye, bonny, bonny, Slieve Gallen braes. | |
| W: | |
| W:How oft in the morning with my dog and my gun, | |
| W:I roamed through the glens for joy and for fun. | |
| W:But those days they are all over and I am far away | |
| W:So farewell unto ye, bonny, bonny, Slieve Gallen braes. | |
| W: | |
| W:How oft in the evening and the sun in the West, | |
| W:I roved hand in hand with the one I love best. | |
| W:But the hopes of youth are vanished and now I'm far away, | |
| W:So farewell unto ye, bonny, bonny, Slieve Gallen braes. | |
| W: | |
| W:It's not the want of employment at home, | |
| W:That caused us poor sons of old Ireland to roam. | |
| W:But those tyrannising landlords, they would not let us stay, | |
| W:So farewell unto ye, bonny, bonny, Slieve Gallen braes. | |
| W: | |
| W:Farewell to old Ireland the land that is so green, | |
| W:To the parish of Lissan and the cross of Ballynascreen. | |
| W:May good fortune shine upon you, when I am far away, | |
| W:So farewell unto ye, bonny, bonny, Slieve Gallen braes. | |
| X:118 | |
| T:What Put the Blood on Your Right Shoulder Son? | |
| R:song | |
| Z:id:hn-song-118 | |
| M:4/4 | |
| L:1/8 | |
| Q:1/4=120 | |
| K:Edor | |
| E4 E2D2 | E2F2 G2E2 | F2D2 (B,2C2) | D8 | | |
| B6B2 | A2F2 D2F2 | A8- | A6 | |
| B2 | B4 (BA)G2 | A4 A2B2 | E3F E2D2 | B,4 | |
| B,2D2 | E4 E4 | D4 A4 | (G6 FE | F4) | |
| G2F2 | (E2F2) (E2D2) | (B,2A,2) (B,2D2) | E8 | z8 || | |
| W:Where have you been all the whole day long? | |
| W:Son, come tell it unto me | |
| W:A-fishing and a-fowling the whole day long | |
| W:All through mother's treachery, | |
| W:all through mother's treachery | |
| W: | |
| W:What put the blood on your right shoulder? | |
| W:Son, come tell it unto me | |
| W:'Twas the killing of a hare that I killed today | |
| W:That I killed right manfully, that I killed right manfully | |
| W: | |
| W:The blood of a hare, it would never be so red | |
| W:Son, come tell it unto me | |
| W:'Twas the killing of a boy that I killed today | |
| W:That I killed most brutally, that I killed most brutally | |
| W: | |
| W:What came between yourself and the boy? | |
| W:Son, come tell it unto me | |
| W:It was mostly the cutting of a rod | |
| W:That would never become a tree, that would never become a tree | |
| W: | |
| W:What will you do when your daddy finds out? | |
| W:Son, come tell it unto me | |
| W:I will put my foot on board a ship | |
| W:And sail to a foreign country, and sail to a foreign country | |
| W: | |
| W:What will you do with your lovely wedded wife? | |
| W:Son, come tell it unto me | |
| W:She can put her foot on board of a ship | |
| W:And sail there after me, and sail there after me | |
| W: | |
| W:What will you do with your two fine young babes? | |
| W:Son, come tell it unto me | |
| W:I'll give one to my father and the other to my mother | |
| W:For to keep them company, for to keep them company | |
| W: | |
| W:What will you do with your two fine racehorses? | |
| W:Son, come tell it unto me. | |
| W:I will take the bridles off their necks | |
| W:For they'll run no more for me, for they'll run no more for me. | |
| W: | |
| W:What will you do with your two fine greyhounds? | |
| W:Son, come tell it unto me. | |
| W:I will take the leads all off their necks | |
| W:For they'll run no more for me, they'll run no more for me. | |
| W: | |
| W:What will you do with your house and your lands? | |
| W:Son, come tell it unto me | |
| W:I will lay them bare to the birds of the air | |
| W:For there's no more welcome there for me, for there's no more welcome there for me | |
| X:119 | |
| T:As I Roved Out (on a Bright May Morning) | |
| R:song | |
| Z:id:hn-song-119 | |
| M:4/4 | |
| L:1/8 | |
| Q:1/4=100 | |
| K:Emix | |
| (B,D) | E2F2 (E3F) | (ED)B,2 D2E2 | (F3E) D2 | |
| E2 | F2(dc) B3c | (BA)F2 E2(FG) | A6 | |
| (FA) | B2c2 (B3c) | (BA)F2 E2F2 | (E3D) B,2 | |
| B,2 | A2(Bc) (B3c) | (BA)F2 E2E2 | E6 || | |
| W:As I roved out on a bright May morning, | |
| W:To view the meadows and the flowers gay, | |
| W:Whom should I spy but my own true lover, | |
| W:As she sat under yon willow tree. | |
| W: | |
| W:I took off my hat and I did salute her, | |
| W:I did salute her courageously, | |
| W:When she turned around and the tears fell from her, | |
| W:Saying: "False young man, you have deluded me." | |
| W: | |
| W:"A diamond ring I own I gave you, | |
| W:A diamond ring to wear on your right hand, | |
| W:But the vows you made, love, you went and broke them, | |
| W:And married the lassie that had the land." | |
| W: | |
| W:"If I married the lassie that had the land, my love, | |
| W:It's that I'll rue until the day I die, | |
| W:When misfortune falls sure no man can shun it, | |
| W:I was blindfolded I'll ne'er deny." | |
| W: | |
| W:Now at night when I go to my bed of slumber, | |
| W:The thoughts of my true love run in my mind, | |
| W:When I turn around to embrace my darling, | |
| W:Instead of gold, sure it's brass I find. | |
| W: | |
| W:I wish the Queen would call home her army, | |
| W:From the West Indies, Americay and Spain, | |
| W:And every man to his wedded woman, | |
| W:In hopes that you and I will meet again. | |
| X:120 | |
| T:Fare thee well lovely Mary | |
| R:song | |
| Z:id:hn-song-120 | |
| M:3/4 | |
| L:1/8 | |
| Q:1/4=100 | |
| K:Dmix | |
| AF | D2 A3 B | c2 (BA) GA | B2 A2 G2 | E2 D2 | |
| de | (d3 c) AB | c2 (BA) (GA) | B2 c2 (B/A/G) | A4 | |
| (de) | (d3 c) AB | c2 (BA) GA | B2 A2 (AG) | E2 D2 | |
| A2 | D2 A2 B2 | c2 B2 AG | E2 D2 C2 | D4 || | |
| W:Fare thee well, lovely Mary for it's now I must leave you, | |
| W:To the distant West Indies my long course to steer. | |
| W:I know very well that my long absence will grieve you. | |
| W:But I will be back in the course of the year. | |
| W: | |
| W:Oh, don't talk of leaving me dearest jewel, | |
| W:Oh, don't talk of leaving me here on the shore, | |
| W:For it is your sweet company that I do desire love, | |
| W:I'll sigh, I will die if I ne'er see you more. | |
| W: | |
| W:Don't let my long absence bring any worry unto you, | |
| W:Or any strange notions come into your mind, | |
| W:For though we are parted, we'll still be true-hearted | |
| W:And we will be married, when I do return. | |
| W: | |
| W:I'll dress as a sailor, she said, and go with you, | |
| W:In the midst of all dangers by your side I will stand. | |
| W:And when that the cold stormy winds are a-blowing, | |
| W:Darling I'll be with you to wait on you then. | |
| W: | |
| W:Your tiny little fingers, could not hold this strong cable, | |
| W:And your small little feet to the top-mast could not go. | |
| W:Your frail, slender body this rough life cannot endure, love. | |
| W:Stay at home lovely Mary, to the seas do not go. | |
| W: | |
| W:Soon the big ship was sailing, lovely Mary sadly waiting, | |
| W:Her red rosy cheeks now as pale as the snow. | |
| W:Her gay golden locks she's continually tearing, | |
| W:Saying, I'll sigh, love, I'll die love shall I ne'er see you more. | |
| W: | |
| W:So come all you young maidens, from me take a warning, | |
| W:and never trust a sailor or heed what he says, | |
| W:for first they will court you, and love you and leave you, | |
| W:forever lamenting in grief and in pain. | |
| X:121 | |
| T:Little Red Fox, The | |
| R:song | |
| D:Se\'an O S\'e | |
| Z:id:hn-song-121 | |
| M:4/4 | |
| L:1/8 | |
| Q:1/4=160 | |
| K:D | |
| A, | DDF2 A2AA | (AB)(AF) A2AF | D2F2 A2F2 | E4 D2 | |
| AA | dddd c3B | ABAF E2DB, | (DE)(FD) E2E2 | D4 D2 | |
| A,2 | D2F2 A2A2 | (AB)(AF) A3F | D2F2 A2F2 | E4 D2 | |
| AA | d2d2 c3B | (AB)(AF) E2DB, | DEF2 E2E2 | D4 D2 || | |
| A2 | DEFG AAAA | ABAF AA2 | |
| F | DEFG AAF2 | E4 D2 | |
| A2 | ddd2 cc2B | A3F EE | |
| (DB,) | DEF2 EEE2 | D4 D3 || | |
| W:The little red fox is a raider sly in the misty moonlight creeping | |
| W:With a morsel to his taste, he hurries off in haste, while the farmyard's soundly sleeping | |
| W:"A duck", says he, "has charms for me, likewise a young cock crowing, | |
| W:But a fine fat goose is most of use to a family young and growing" | |
| W: | |
| W:Chorus: | |
| W:An maidr\'in a rua, rua, rua, rua, rua | |
| W:An maidr\'in a rua t\'a gr\'ana | |
| W:An maidr\'in rua na lu\'i sa luachair | |
| W:Is barr a dh\'a chluas in airde | |
| W: | |
| W:The little red fox is a family man by his own fireside reposing | |
| W:Till the cry of the hound shows his lair is found and there's no time left for dozing | |
| W:"I'm off", says he, "don't wait for me there's a long, long road before me, | |
| W:but home I'll be in time for tea when I put this trial o'er me" | |
| W: | |
| W:Chorus | |
| W: | |
| W:The little red fox is a hero bold and he rakes his foes but meanly | |
| W:With the turn, twist and wind, they're left far behind, and he rests on the hill serenely | |
| W:"I like", says he, "the breeze from the sea and the view up here is glorious" | |
| W:And sweet from below comes the merry tally-ho, and the hounds' melodious chorus | |
| W: | |
| W:Chorus | |
| W: | |
| W:The little red fox is a gallant knight when the hour of stress has found him | |
| W:He crouches at the feet of the beauty of the meet, while yelping foes surround him | |
| W:"Fair maid", says he, "were it not for thee, some sport I'd show them daily, | |
| W:but my brush I yield to the fairest of the field and I die at her feet quite gaily" | |
| W: | |
| W:Chorus | |
| W: | |
| W:Translation of chorus: | |
| W:The little red fox | |
| W:The little red fox so ugly [or d\'ana = bold] | |
| W:The little red fox lying among the rushes | |
| W:And the tops of his two ears sticking up | |
| W: | |
| W:Chorus in English: | |
| W:The little Red Fox, Rex Fox, Red Fox, | |
| W:The little Red Fox, none bolder, | |
| W:The little Red Fox, creeping through the rocks, | |
| W:With a fat goose o'er his shoulder. | |
| X:122 | |
| T:King of Ballyhooley, The | |
| R:song | |
| Z:id:hn-song-122 | |
| M:2/4 | |
| L:1/8 | |
| Q:1/4=110 | |
| K:D | |
| A | AA DE | FG E2 | CD EF | GA FD- | D3 | |
| A | AA D>E | FG E>D | CD EF | GA FD- | D3 | |
| A | AB cd | ec d>B | AB cd | ed cA- | A3 | |
| A | AB cd | ec dB/B/ | AA EF | GA FD- | D3 || | |
| W:I'll tell yez how it was with me, if to listen yez are willin'. | |
| W:'Twas in yon house behind yon hill, where I had lately been distillin'. | |
| W:I swung a keg upon me back, and started out for daylight coolly. | |
| W:Good customers I did not lack, and I sold it all in Ballyhooley. | |
| W: | |
| W:I thought it wiser to delay me homeward way for fear of peelers, | |
| W:And in that way I spent the day, dinin' with the whiskey dealers. | |
| W:But as the shades of night came down, and I had got me money duly, | |
| W:I bid goodnight to all was there, and I started home from Ballyhooley. | |
| W: | |
| W:My heart was light with the mountain dew that I had brewed among the heather, | |
| W:And on me way I chanced to spy a lad and lassie walk together. | |
| W:Her neck was like the mountain snow, with cheeks like roses blossomed newly, | |
| W:She'd a voice like music soft and low, she was the flower of Ballyhooley. | |
| W: | |
| W:This young man quickly left her side, it was afraid of me that he was, | |
| W:And still the lassie did not hide, it was in love with me that she was, | |
| W:Then quickly up beside her came, says I "Fair maid I love you truly! | |
| W:And if your parents give consent will you be my bride in Ballyhooley?" | |
| W: | |
| W:"I have a house behind yon hill, two fine greyhounds and a ferret, | |
| W:Besides I have a little still, the drop it makes with you I'll share it, | |
| W:And I have got a feather bed, with sheets and blankets purchased newly, | |
| W:Besides I have a ring to wed, if you'll be mine in Ballyhooley" | |
| W: | |
| W:Her cherry cheeks they grew more red, during the time that we were talkin', | |
| W:And still she hung her little head, and viewed the ground where we were walkin', | |
| W:She says "Young man if you're content, and if you say you love me truly, | |
| W:And if me parents give consent, I'll be your bride in Ballyhooley." | |
| W: | |
| W:I asked her name she said it was Jane and that her second name was Cooley, | |
| W:And then I asked her when we'd wed she said the sooner well the better, | |
| W:So I went and asked her parents glad, if they were content to let me get her, | |
| W:They said they were they wished us luck, we started out for Father Dooley, | |
| W:And at the hour of twelve o'clock we tied the knot in Ballyhooley. | |
| W: | |
| W:The wedding that we had that day, the people comin' uninvited, | |
| W:The piper played for every squad, Jane she sang and I recited, | |
| W:The poteen flowed like a waterfall, that from the still had just come newly, | |
| W:And in that way we gaily spent our honeymoon in Ballyhooley. | |
| W: | |
| W:The wedding presents that we got, none of them was mean or shabby, | |
| W:And me Auntie Dot she bought some cloth, to make the dresses for the baby, | |
| W:Invitations then went round to friends that we had just made newly, | |
| W:A lighter heart could not be found, than mine that night in Ballyhooley. | |
| W: | |
| W:It's fifteen years now since we wed, still in every way we're thrivin', | |
| W:Me Jane she is a dandy yet, though down the hill of life she's drivin', | |
| W:The family has increased in store, fifteen daughters all unruly, | |
| W:Bonny Jane she is me Queen, and I'm the king of Ballyhooley. | |
| X:123 | |
| T:I Know My Love | |
| R:song | |
| Z:id:hn-song-123 | |
| M:2/4 | |
| L:1/8 | |
| Q:1/4=80 | |
| K:D | |
| A | AB A2 | GE DC | DF | |
| FF | EC A,2 | B,C DC | DF | |
| FF | EC A,2 | B,C DF | A2 | |
| Bc | dc A2 | GE DC | D3 || | |
| E | E>C A,2 | B,C DF | A2 | |
| Bc | dc A2 | GE DC | D3 | |
| E | E>C A,2 | B,C DF | A2 | |
| Bc | dc A2 | GE DC | D3 || | |
| W:I know my love by his way of walking | |
| W:And I know my love by his way of talking | |
| W:And I know my love in his suit of blue | |
| W:And if my love leaves me, what will I do? | |
| W: | |
| W:Chorus: | |
| W:And still she cried, "I love him the best | |
| W:And a troubled mind sure can know no rest" | |
| W:And still she cried, "Bonny boys are few | |
| W:And if my love leaves me, what will I do?" | |
| W: | |
| W:There is a dance house in Mardyke | |
| W:And there my true love goes every night | |
| W:He takes a strange girl upon his knee | |
| W:Well, now don't you know that it vexes me? | |
| W: | |
| W:Chorus | |
| W: | |
| W:If my love knew, I can wash and wring | |
| W:If my love knew, I can weave and spin | |
| W:I'd make a suit of the finest kind | |
| W:But the want of money leaves me behind | |
| W: | |
| W:Chorus | |
| W: | |
| W:I know my love is an errant rover | |
| W:And I know he'll travel the world all over | |
| W:And in dear old Ireland he'll no longer tarry | |
| W:And an English damsel he's sure to marry. | |
| W: | |
| W:Chorus | |
| X:124 | |
| T:Galway Races, The | |
| R:song | |
| Z:id:hn-song-124 | |
| M:6/8 | |
| L:1/8 | |
| Q:3/8=120 | |
| K:Ador | |
| (A2G) | E2G G2A | G2G E2D | E2G G2A | G2G | |
| E2D | E2A A2B | c3 B2A | G2A B2d | c2c | |
| c2d | e2e d2c | B2d c2B | A2c B2A | G2E | |
| E2D | E2G G2A | G2G E2D | E2A G2B | A2B || | |
| c2d | e3 d2c | d3 c2B | AAA A2G | A3- A2 || | |
| W:As I roved out through Galway Town to seek for recreation | |
| W:On the seventeenth of August, my mind being elevated | |
| W:There were multitudes assembled with their tickets at the station | |
| W:And my eyes began to dazzle and they're off to see the races | |
| W:With me whack fol the doo fol the diddley idle day | |
| W: | |
| W:There were passengers from Limerick and passengers from Nenagh | |
| W:And passengers from Dublin and sportsmen from Tipp'rary | |
| W:There were passengers from Kerry, and all quarters of the nation | |
| W:And our member, Mr. Hearst, for to join the Galway Blazers. | |
| W:With me whack fol the doo fol the diddley idle day | |
| W: | |
| W:There were multitudes from Aran, and members from New Quay Shore | |
| W:The boys of Connemara and the Clare unmarried maidens | |
| W:There were people from Cork City who were loyal, true and faithful | |
| W:They brought home the Fenian prisoners from dying in foreign nations | |
| W:With me whack fol the doo fol the diddley idle day | |
| W: | |
| W:It's there you'll see confectioners with sugarsticks and dainties | |
| W:The lozenges and oranges, the lemonade and raisins! | |
| W:Gingerbread and spices to accomodate the ladies | |
| W:And a big crubeen for threepence to be pickin' while you're able. | |
| W:With me whack fol the doo fol the diddley idle day | |
| W: | |
| W:It's there you'll see the gamblers, the thimbles and the garters | |
| W:And the sporting wheel of fortune with the four and twenty quarters | |
| W:There was others without scruple pelting wattles at poor Maggie | |
| W:And her father well contented to be gawking at his daughter | |
| W:With me whack fol the doo fol the diddley idle day | |
| W: | |
| W:And it's there you'll see the pipers and the fiddlers competing | |
| W:The nimble footed dancers a-tripping o'er the daisies | |
| W:There were others crying cigars and lights and bills for all the races | |
| W:With the colours of the jockeys and the prize and horses' ages. | |
| W:With me whack fol the doo fol the diddley idle day | |
| W: | |
| W:And it's there you'll see the jockeys and they mounted on so stately | |
| W:The pink, the blue, the orange, and green, the emblem of our nation | |
| W:When the bell was rung for starting, all the horses seemed impatient | |
| W:Their feet they hardly touched the ground, their speed was so amazing! | |
| W:With me whack fol the doo fol the diddley idle day | |
| W: | |
| W:There was half a million people there of all denominations | |
| W:The Catholic, the Protestant, the Jew, the Presbyterian | |
| W:There was yet no animosity, no matter what persuasion | |
| W:But failte hospitality, inducing fresh acquaintance | |
| W:With me whack fol the doo fol the diddley idle day | |
| X:125 | |
| T:I Will Go | |
| R:song | |
| C:Translated from Gaelic by Roddy McMillan, who also added last verse | |
| H:Scottish | |
| Z:id:hn-song-125 | |
| M:2/4 | |
| L:1/8 | |
| Q:1/4=90 | |
| K:Gmix | |
| DE | G2 FE | D2 DD | c2 cd | ed | |
| dc | B2 cA | G2 FE | D>D EG | cB | |
| AG | G2 FE | D4- | D2 || | |
| DE | GG FE | D3 D | c>c cd | ed | |
| dc | B2 cA | G2 FE | D2 EG | cB | |
| AG | G2 FE | D4- | D2 || | |
| W:Chorus: | |
| W:I will go, I will go when the fighting is over | |
| W:To the land of McLeod that I left to be a soldier | |
| W:I will go, I will go | |
| W: | |
| W:When the King's son came along he called us all together | |
| W:Saying, "Brave heiland men will you fight for my father?" | |
| W:I will go, I will go | |
| W: | |
| W:Chorus | |
| W: | |
| W:I've a buckle on my belt, a sword in my scabbard | |
| W:A red coat on my back, and a shilling in my pocket | |
| W:I will go, I will go | |
| W: | |
| W:Chorus | |
| W: | |
| W:When they put us all on board, the lassies were singing | |
| W:But the tears came to their eyes, when the bells started ringing | |
| W:I will go, I will go | |
| W: | |
| W:Chorus | |
| W: | |
| W:When we landed on the shore, and saw the foreign heather | |
| W:We knew that some would fall, and would stay there forever | |
| W:I will go, I will go | |
| W: | |
| W:Chorus | |
| W: | |
| W:When we came back to the glen, the winter was turning | |
| W:Our goods lay in the snow, and our houses were burning | |
| W:I will go, I will go | |
| W: | |
| W:Chorus | |
| X:126 | |
| T:Johnnie Cope | |
| R:song | |
| C:Adam Skirving (1719-1803) | |
| Z:id:hn-song-126 | |
| M:2/4 | |
| L:1/8 | |
| Q:1/4=90 | |
| K:Edor | |
| B, | E>E GA | BE E | |
| F/E/ | D>D DF | AA F | |
| D | GG AA | Bd F | |
| F/F/ | EB AF | E2 E || | |
| F | GG/G/ GG/G/ | GB d3/2 | |
| G/ | FG A>A | FG A | |
| A | GG AA | Bd F3/2 | |
| F/ | EB/B/ AF/F/ | E2 E || | |
| W:Cope sent a challenge frae Dunbar, | |
| W:Sayin "Charlie meet me an' ye daur, | |
| W:An' I'll learn you the art o' war, | |
| W:If ye'll meet me in the morning." | |
| W: | |
| W:Chorus: | |
| W:O Hey! Johnnie Cope are ye waukin' yet? | |
| W:Or are your drums a-beating yet? | |
| W:If ye were waukin' I would wait, | |
| W:Tae gang tae the coals in the morning. | |
| W: | |
| W:When Charlie looked the letter upon, | |
| W:He drew his sword the scabbard from, | |
| W:"Come, follow me, my merry men, | |
| W:And we'll meet Johnnie Cope in the morning." | |
| W: | |
| W:Chorus | |
| W: | |
| W:Now Johnnie, be as good as your word, | |
| W:Come, let us try baith fire and sword, | |
| W:And dinna flee like a frichted bird, | |
| W:That's chased frae its nest i' the morning. | |
| W: | |
| W:Chorus | |
| W: | |
| W:When Johnnie Cope he heard o' this, | |
| W:He thought it wouldna be amiss, | |
| W:To hae a horse in readiness, | |
| W:To flee awa' in the morning. | |
| W: | |
| W:Chorus | |
| W: | |
| W:Fye now, Johnnie, get up an' rin, | |
| W:The Highland bagpipes mak' a din, | |
| W:It's better tae sleep in a hale skin, | |
| W:For it will be a bloody morning. | |
| W: | |
| W:Chorus | |
| W: | |
| W:When Johnnie Cope tae Dunbar cam, | |
| W:They spiered at him, "Where's a' your men" | |
| W:"The De'il confound me gin I ken, | |
| W:For I left them a' in the morning." | |
| W: | |
| W:Chorus | |
| W: | |
| W:Now Johnnie troth, ye werena blate, | |
| W:Tae come wi' news o' your ain defeat, | |
| W:And leave your men in sic a strait, | |
| W:Sae early in the morning. | |
| W: | |
| W:Chorus | |
| W: | |
| W:"In faith", quo Johnnie, "I got sic flegs | |
| W:Wi' their claymores and their philabegs, | |
| W:Gin I face them again, de'il brak my legs, | |
| W:So I wish you a' good morning." | |
| W: | |
| W:Chorus | |
| X:127 | |
| T:Haughs o' Cromdale, The | |
| R:song | |
| H:Interestingly, Montrose (James Graham) died in 1650, | |
| H:whereas the battle took place in 1690 | |
| Z:id:hn-song-127 | |
| M:2/4 | |
| L:1/8 | |
| Q:1/4=90 | |
| K:Edor | |
| (B/A/) | GE GA | B>A G2 | | |
| BE EF | DE F3/2 | |
| F/ | GG AA | Bd F3/2 | |
| F/ | GE BF | EE2 || | |
| E | Ee e(d/B/) | dd e3/2 | |
| d/ | de BG | AB d | |
| B | Be ee | df e3/2 | |
| B/ | BA dF | EE2 || | |
| W:As I come in by Auchindoun, | |
| W:Just a wee bit frae the toun, | |
| W:As for the Hielands I was bound | |
| W:Tae view the Haughs o' Cromdale. | |
| W:I met a man in tartan trews, | |
| W:I spiered at him what was the news, | |
| W:Quo' he, "The Hieland army rues | |
| W:That e'er we cam to Cromdale. | |
| W: | |
| W:"We were in bed, sir, every man, | |
| W:When the English host upon us cam, | |
| W:A bloody battle then began | |
| W:Upon the Haughs o' Cromdale. | |
| W:The English horse they were so rude, | |
| W:They bathed their hooves in Hieland blood, | |
| W:But our brave clans, they boldly stood | |
| W:Upon the Haughs o' Cromdale. | |
| W: | |
| W:"But, alas, we could no longer stay, | |
| W:So o'er the hills we cam away, | |
| W:And sair we did lament the day | |
| W:That e'er we cam tae Cromdale." | |
| W:Thus the great Montrose did say: | |
| W:"Hieland men shall lead the way | |
| W:For I will o'er the hills this day, | |
| W:Tae view the Haughs o' Cromdale." | |
| W: | |
| W:"But, alas, my lord, you're not so strong, | |
| W:You scarcely have two thousand men, | |
| W:And there's twenty-thousand Cromwell men, | |
| W:Stand rank and file on Cromdale." | |
| W:Thus the great Montrose did say: | |
| W:"Hieland men shall lead the way | |
| W:For I will o'er the hills this day, | |
| W:Tae view the Haughs o' Cromdale." | |
| W: | |
| W:They were at dinner every man, | |
| W:When great Montrose upon them cam, | |
| W:A second battle then began | |
| W:Upon the Haughs o' Cromdale. | |
| W:The Grant, Mackenzie and MacKay, | |
| W:As Montrose they did espy, | |
| W:Then they fought most valiantly | |
| W:Upon the Haughs o' Cromdale. | |
| W: | |
| W:The MacDonalds they returned again, | |
| W:The Camerons did their standard join, | |
| W:MacIntosh played a bloody game | |
| W:Upon the Haughs o' Cromdale. | |
| W:The MacGregors fought like lions bold, | |
| W:MacPhersons, none could them control, | |
| W:MacLauchlins fought, like loyal souls | |
| W:Upon the Haughs o' Cromdale. | |
| W: | |
| W:The MacLeans, MacDougals, and MacNeils, | |
| W:So boldly as they took the field, | |
| W:And made their enemies to yield | |
| W:Upon the Haughs o' Cromdale. | |
| W:The Gordons boldly did advance, | |
| W:The Frasers fought with sword and lance, | |
| W:The Grahams they made the heads tae dance, | |
| W:Upon the Haughs o' Cromdale. | |
| W: | |
| W:Then the loyal Stewarts wi' Montrose, | |
| W:So boldly set upon their foes, | |
| W:Laid them low wi' Hieland blows | |
| W:Laid them low on Cromdale. | |
| W:Of twenty-thousand Cromwell's men, | |
| W:A thousand fled tae Aberdeen, | |
| W:The rest of them lie on the plain, | |
| W:Upon the Haughs o' Cromdale. | |
| X:128 | |
| T:Star of Donegal, The | |
| R:song | |
| Z:id:hn-song-128 | |
| M:C| | |
| L:1/8 | |
| Q:1/2=50 | |
| K:Bm | |
| B,2 | B,3C D3E | F2(GF) B,3B, | B2B2 (BA)(FE) | F6 | |
| (B,C) | D2E2 F2 (dc) | B2B2 (BA2)F | (FG)(FE) D2C2 | B,6 | |
| (B,C) | D2E2 F2 (dc) | B2B2 (BA2)F/F/ | A2A2 B2FE | F6 | |
| B,C | D2E2 F2 (dc) | B2B2 (BA2)F | (FG)(FE) D2C2 | B,6 || | |
| W:One evening fair to take the air alone I chanced to stray | |
| W:down by a limpid silver stream that flows beside the way, | |
| W:I overheard two lovers talking by an ancient ruined hall, | |
| W:and the fair one's name was Mary Jane, the Star of Donegal. | |
| W: | |
| W:My sweet fair maid, the youth did say, at home I cannot stay. | |
| W:To California's gold fields I'm bound to cross the sea, | |
| W:to accumulate a fortune great, and build a splendid hall, | |
| W:to decorate and cultivate the land of Donegal. | |
| W: | |
| W:So she blushed and sighed and then replied, it grieves my heart full sore, | |
| W:To think you are compelled to go and leave the Shamrock shore, | |
| W:Here is my faithful promise that I'll wed with none at all, | |
| W:But I'll stay at home and will not roam away from Donegal. | |
| W: | |
| W:So he held her in his arms and said, my darling well you know | |
| W:I love you very dearly and loth I am to go, | |
| W:Let us get wed without fear or dread, that puts an end to all, | |
| W:And then I'll have my darling girl, the Star of Donegal. | |
| W: | |
| W:So she gave consent and off they went to meet with Father Hugh | |
| W:Who joined their hands in wedlock bands and bade them both adieu. | |
| W:From Derry quay they sailed away and bade farewell to all | |
| W:And now they're in Americay, far away from Donegal. | |
| X:129 | |
| T:Home Boys Home | |
| R:song | |
| Z:id:hn-song-129 | |
| M:6/8 | |
| L:1/8 | |
| Q:3/8=110 | |
| K:G | |
| B2A | G2G G2A | B2B B2A | G2A G2E | D3- D2 | |
| D | A3 A2B | c3 B2A | (G2A) B2c | d6 | | |
| d3 d2B | c3 (d2c) | B2d c2B | A3- A2 | |
| d | d2d c2B | A2G F2E | D2D E2F | G3 || | |
| B2A | G3 z3 | D3 z3 | G3 z3 | z3 z3 | | |
| B2A G2B | d6 | e3 e2e | d3 B2A | G3 F2G | A3 | |
| B2c | d3 d2B | c3 d2c | B2d c2B | A3- A2 | |
| d | d2d c2B | (A2G) F2E | D3 E2F | G3 || | |
| W:Well who wouldn't be a sailor lad a-sailing on the main | |
| W:To gain the good will of his captain's good name? | |
| W:He came ashore one evening for to see | |
| W:And that was the beginning of my own true love and me. | |
| W: | |
| W:Chorus: | |
| W:And it's home, boys, home, home I'd like to be, | |
| W:Home for a while in my own count-ry, | |
| W:Where the oak and the ash and the bonny rowan tree, | |
| W:Are all a-growing green in the north country. | |
| W: | |
| W:Well I asked her for a candle to light my way to bed | |
| W:Likewise for a handkerchief to tie around my head | |
| W:She tended to my needs like a young maid ought to do | |
| W:So then I says to her: "Now won't you jump in with me too?" | |
| W: | |
| W:Chorus | |
| W: | |
| W:Well she jumped into bed, making no alarm | |
| W:Thinking a young sailor lad could do to her no harm. | |
| W:Well I hugged her and I kissed her the whole night long, | |
| W:Till she wished the short night had been seven years long. | |
| W: | |
| W:Chorus | |
| W: | |
| W:Well early next morning the sailor lad arose | |
| W:And into Mary's apron threw a handful of gold | |
| W:Saying: "Take this my dear for the damage that I've done | |
| W:For tonight I fear I've left you with a daughter or a son." | |
| W: | |
| W:Chorus | |
| W: | |
| W:"Well if it be a girl child send her out to nurse | |
| W:With gold in her pocket and with silver in her purse. | |
| W:and if it be a boy child he'll wear the jacket blue | |
| W:And go climbing up the rigging like his daddy used to do." | |
| W: | |
| W:Chorus | |
| W: | |
| W:And so, come all of you fair maidens, a warning take by me | |
| W:Never let a sailor lad an inch above your knee | |
| W:For I trusted one and he beguiled me | |
| W:He left me with a pair of twins to dandle on my knee | |
| W: | |
| W:Chorus | |
| X:130 | |
| T:Month of January, The | |
| R:song | |
| Z:id:hn-song-130 | |
| M:3/4 | |
| L:1/8 | |
| Q:1/4=120 | |
| K:Dmix | |
| FG | A4 B2 | (A3 F) D2 | (A3 G) F2 | (G2 F2) D2 | (C3 B,) C2 | D4 C2 | D6- | D4 | |
| (AB) | c4 B2 | (A3 F) D2 | (c3 B c2) | d4 (cB) | A4 D2 | (F3 G) A2 | G6- | G4 | |
| AB | c4 B2 | (A3 F) D2 | c B3 c2 | d4 (cB) | A4 D2 | (F3 G) A2 | G6- | G4 | |
| (FG) | A4 B2 | A4 D2 | A4 F2 | G2 F2 D2 | C2 B,2 C2 | D4 C2 | D6- | D4 || | |
| W:It was in the month of January, all in the frost and snow | |
| W:When through the hills and valleys my true love she did go | |
| W:It was there I spied a pretty young girl with the salt tear in her eye | |
| W:She held a baby in her ar-ms and bitterly she did cry. | |
| W: | |
| W:Saying "Cruel was my father, who barred the door on me | |
| W:And cruel was my mother, a dreadful crime to see. | |
| W:Cruel was my own true love, who changed his love for gold | |
| W:And cruel were the wintery winds that pierced my heart with cold." | |
| W: | |
| W:For the taller that a pine tree grows the sweeter is the bark | |
| W:And the fairer that a young man speaks, the falser is his heart | |
| W:For he'll kiss you and caress you till they think they have you won | |
| W:Then they'll go away and leave you all for some other one. | |
| W: | |
| W:So come all you pretty fair young maids a warning take by me | |
| W:And never try and build your nest on top of any tall tree | |
| W:For the green leaves they will wither and the roots will decay | |
| W:And the blushes of a false young man will soon all fade away. | |
| W: | |
| W:Version 2: | |
| W: | |
| W:It was in the month of January, the hills were clad in snow | |
| W:When over hills and valleys my true love he did go | |
| W:It was there I spied a pretty fair maid with a salt tear in her eye | |
| W:She had a baby in her arms and bitter she did cry. | |
| W: | |
| W:"Oh cruel was my father, that barred the door on me | |
| W:And cruel was my mother, this dreadful crime to see | |
| W:Cruel was my own true love, to change his mind for gold | |
| W:And cruel was that winter's night that pierced my heart with cold." | |
| W: | |
| W:For the taller that the palm tree grows the sweeter is the bark | |
| W:And the fairer that a young man speaks, the falser is his heart | |
| W:He will kiss you and embrace you till he thinks he has you won | |
| W:Then he'll go away and leave you all for some other one. | |
| W: | |
| W:Now all you pretty fair maids a warning take by me | |
| W:And never try to build your nest on top of a high tree | |
| W:For the leaves they will all wither and the branches will decay | |
| W:And the beauties of a false young man will all soon fade away. | |
| X:131 | |
| T:Blacksmith, The | |
| T:A Blacksmith Courted Me | |
| R:song | |
| O:English | |
| Z:id:hn-song-131 | |
| M:4/4 | |
| L:1/8 | |
| Q:1/4=110 | |
| K:Edor | |
| (BA) | G2 E2 G2 (AB) | d6 (AB) | B2 E2 (DE) E2- | E6 | |
| (BA) | G2 E2 G2 (AB) | d6 (AB) | B2 E2 (DE) E2- | E6 | |
| Bc | d2 d2 e2(ed) | B6 (BA) | G2 E2 (GA) A2- | A6 | |
| EF | G2 A2 B2 (cA) | B6 (EF) | (GA) B2 (DE) E2- | E6 || | |
| W:A blacksmith courted me, nine months and better. | |
| W:He fairly won my heart, wrote me a letter. | |
| W:With his hammer in his hand, he looked quite clever, | |
| W:And if I was with my love, I'd live forever. | |
| W: | |
| W:But where is my love gone, with his cheeks like roses? | |
| W:And his good black billycock on, decked with primroses. | |
| W:I'm afraid the scorching sun will shine and burn his beauty, | |
| W:And if I was with my love I'd do my duty. | |
| W: | |
| W:Strange news is come to town, strange news is carried. | |
| W:Strange news flies up and down that my love is married. | |
| W:I wish them both much joy though they can't hear me. | |
| W:And may God reward him well for the slighting of me. | |
| W: | |
| W:Don't you remember when you lay beside me? | |
| W:And you said you'd marry me and not deny me? | |
| W:If I said I'd marry you, it was only for to try you, | |
| W:So bring your witness, love, and I'll not deny you. | |
| W: | |
| W:Oh, witness have I none save God almighty, | |
| W:And may he reward you well for the slighting of me. | |
| W:Her cheeks grew pale and wan, it made her poor heart tremble, | |
| W:To think she loved the one and he proved deceitful. | |
| X:132 | |
| T:When a Man's in Love | |
| R:song | |
| Z:id:hn-song-132 | |
| M:4/4 | |
| L:1/8 | |
| Q:1/4=100 | |
| K:Dmix | |
| D>D | D2 F2 (GF) D2 | (FG) (AB) c2 (BA) | G2 (FG) A2 D2 | C6 | |
| D>D | D2 F2 (GF) D2 | (FG) (AB) c2 (BA) | G2 (FG) A2 (DC) | D6 | |
| (AB) | c2 (Bc) H(dc) (AG) | (FG) (AB) c3 e | (dc) (AF) (GF) D2 | C6 | |
| D>D | D2 F2 (GF) D2 | (FG) (AB) c2 (BA) | G2 (FG) A2 (DC) | D6 || | |
| W:When a man's in love he feels no cold, like me not long ago. | |
| W:Like a hero bold to seek his girl, he'll plough through frost and snow. | |
| W:The moon she gently shed her light, along my dreary way. | |
| W:Until I arrived at that sweet spot, where all my treasure lay. | |
| W: | |
| W:I rapped at my love's window saying, "My dear, are you within?" | |
| W:And slowly she undid the latch, and slyly I stepped in. | |
| W:Her hand was soft and her breat was sweet, her tongue did gently glide. | |
| W:I slipped my arm around her waist, and I asked her to be my bride. | |
| W: | |
| W:"Oh take me to your chamber love, oh take me to your bed. | |
| W:Oh take me to your chamber love, for to rest my weary head." | |
| W:"Oh to take you to my chamber love, my parents would never agree. | |
| W:So sit you down by yon coal fire, and I'll sit close by thee." | |
| W: | |
| W:"Many's the night I've courted you, against your parent's will. | |
| W:But now our courtship is at a close, so it's now my dear sit still. | |
| W:For tonight I'm going to cross the sea, to far Columbia's shore. | |
| W:And you will never never see, your youthful lover more." | |
| W: | |
| W:"Oh, it's are you going to leave me here, my dear what can I do? | |
| W:I will break through every bond of home, and go along with you. | |
| W:Perhaps my parents won't forget, but surely they'll forgive. | |
| W:And it's from this hour my dearest dear, along with you I'll live." | |