Spaces:
Sleeping
Sleeping
| Stay, I said | |
| to the cut flowers. | |
| They bowed | |
| their heads lower. | |
| Stay, I said to the spider, | |
| who fled. | |
| Stay, leaf. | |
| It reddened, | |
| embarrassed for me and itself. | |
| Stay, I said to my body. | |
| It sat as a dog does, | |
| obedient for a moment, | |
| soon starting to tremble. | |
| Stay, to the earth | |
| of riverine valley meadows, | |
| of fossiled escarpments, | |
| of limestone and sandstone. | |
| It looked back | |
| with a changing expression, in silence. | |
| Stay, I said to my loves. | |
| Each answered, | |
| Always. | |
| Two sets | |
| of family stories, | |
| one long and detailed, | |
| about many centuries | |
| of island ancestors, all living | |
| on the same tropical farm... | |
| The other side of the family tells stories | |
| that are brief and vague, about violence | |
| in the Ukraine, which Dad's parents | |
| had to flee forever, leaving all their | |
| loved ones | |
| behind. | |
| They don't even know if anyone | |
| survived. | |
| When Mami tells her flowery tales of Cuba, | |
| she fills the twining words with relatives. | |
| But when I ask my | |
| Ukrainian-Jewish-American grandma | |
| about her childhood in a village | |
| near snowy Kiev, | |
| all she reveals is a single | |
| memory | |
| of ice-skating | |
| on a frozen pond. | |
| Apparently, the length | |
| of a grown-up's | |
| growing-up story | |
| is determined | |
| by the difference | |
| between immigration | |
| and escape. | |
| Mad has decided to catch a vulture, | |
| the biggest bird she can find. | |
| She is so determined, and so inventive, | |
| that by stringing together a rickety trap | |
| of ropes and sticks, she creates | |
| a puzzling structure that just might | |
| be clever enough to trick a buzzard, | |
| once the trap’s baited with leftover pork | |
| from supper. | |
| Mad and I used to do everything together, | |
| but now I need a project all my own, | |
| so I roam the green fields, | |
| finding bones. | |
| The skull of a wild boar. | |
| The jawbone of a mule. | |
| Older cousins show me | |
| how to shake the mule’s quijada, | |
| to make the blunt teeth | |
| rattle. | |
| Guitars. | |
| Drums. | |
| Gourds. | |
| Sticks. | |
| A cow bell. | |
| A washboard. | |
| Pretty soon, we have | |
| a whole orchestra. | |
| On Cuban farms, even death | |
| can turn into | |
| music. | |
| City life is a whirl of poetry readings | |
| and forbidden tertulias, gatherings | |
| where young and old, rich and poor, | |
| male and female, dark and light— | |
| runaway slaves and freed ones, | |
| former masters and former | |
| servants—all take turns | |
| sharing secret verses | |
| rooted in startling | |
| new ideas. | |
| Each evening, I go home | |
| with a mind that glows | |
| in the light of words, | |
| which leap | |
| like flames. | |
| Time was away and somewhere else, | |
| There were two glasses and two chairs | |
| And two people with the one pulse | |
| (Somebody stopped the moving stairs): | |
| Time was away and somewhere else. | |
| And they were neither up nor down; | |
| The stream’s music did not stop | |
| Flowing through heather, limpid brown, | |
| Although they sat in a coffee shop | |
| And they were neither up nor down. | |
| The bell was silent in the air | |
| Holding its inverted poise— | |
| Between the clang and clang a flower, | |
| A brazen calyx of no noise: | |
| The bell was silent in the air. | |
| The camels crossed the miles of sand | |
| That stretched around the cups and plates; | |
| The desert was their own, they planned | |
| To portion out the stars and dates: | |
| The camels crossed the miles of sand. | |
| Time was away and somewhere else. | |
| The waiter did not come, the clock | |
| Forgot them and the radio waltz | |
| Came out like water from a rock: | |
| Time was away and somewhere else. | |
| Her fingers flicked away the ash | |
| That bloomed again in tropic trees: | |
| Not caring if the markets crash | |
| When they had forests such as these, | |
| Her fingers flicked away the ash. | |
| God or whatever means the Good | |
| Be praised that time can stop like this, | |
| That what the heart has understood | |
| Can verify in the body’s peace | |
| God or whatever means the Good. | |
| Time was away and she was here | |
| And life no longer what it was, | |
| The bell was silent in the air | |
| And all the room one glow because | |
| Time was away and she was here. | |
| It is patent to the eye that cannot face the sun | |
| The smug philosophers lie who say the world is one; | |
| World is other and other, world is here and there, | |
| Parmenides would smother life for lack of air | |
| Precluding birth and death; his crystal never breaks— | |
| No movement and no breath, no progress nor mistakes, | |
| Nothing begins or ends, no one loves or fights, | |
| All your foes are friends and all your days are nights | |
| And all the roads lead round and are not roads at all | |
| And the soul is muscle-bound, the world a wooden ball. | |
| The modern monist too castrates, negates our lives | |
| And nothing that we do, make or become survives, | |
| His terror of confusion freezes the flowing stream | |
| Into mere illusion, his craving for supreme | |
| Completeness means be chokes each orifice with tight | |
| Plaster as he evokes a dead ideal of white | |
| All-white Universal, refusing to allow | |
| Division or dispersal—Eternity is now | |
| And Now is therefore numb, a fact he does not see | |
| Postulating a dumb static identity | |
| Of Essence and Existence which could not fuse without | |
| Banishing to a distance belief along with doubt, | |
| Action along with error, growth along with gaps; | |
| If man is a mere mirror of God, the gods collapse. | |
| No, the formula fails that fails to make it clear | |
| That only change prevails, that the seasons make the year, | |
| That a thing, a beast, a man is what it is because | |
| It is something that began and is not what it was, | |
| Yet is itself throughout, fluttering and unfurled, | |
| Not to be cancelled out, not to be merged in world, | |
| Its entity a denial of all that is not it, | |
| Its every move a trial through chaos and the Pit, | |
| An absolute and so defiant of the One | |
| Absolute, the row of noughts where time is done, | |
| Where nothing goes or comes and Is is one with Ought | |
| And all the possible sums alike resolve to nought. | |
| World is not like that, world is full of blind | |
| Gulfs across the flat, jags against the mind, | |
| Swollen or diminished according to the dice, | |
| Foaming, never finished, never the same twice. | |
| You talk of Ultimate Value, Universal Form— | |
| Visions, let me tell you, that ride upon the storm | |
| And must be made and sought but cannot be maintained, | |
| Lost as soon as caught, always to be regained, | |
| Mainspring of our striving towards perfection, yet | |
| Would not be worth achieving if the world were set | |
| Fair, if error and choice did not exist, if dumb | |
| World should find its voice for good and God become | |
| Incarnate once for all. No, perfection means | |
| Something but must fall unless there intervenes | |
| Between that meaning and the matter it should fill | |
| Time’s revolving hand that never can be still. | |
| Which being so and life a ferment, you and I | |
| Can only live by strife in that the living die, | |
| And, if we use the word Eternal, stake a claim | |
| Only to what a bird can find within the frame | |
| Of momentary flight (the value will persist | |
| But as event the night sweeps it away in mist). | |
| Man is man because he might have been a beast | |
| And is not what he was and feels himself increased, | |
| Man is man in as much as he is not god and yet | |
| Hankers to see and touch the pantheon and forget | |
| The means within the end and man is truly man | |
| In that he would transcend and flout the human span: | |
| A species become rich by seeing things as wrong | |
| And patching them, to which I am proud that I belong. | |
| Man is surely mad with discontent, he is hurled | |
| By lovely hopes or bad dreams against the world, | |
| Raising a frail scaffold in never-ending flux, | |
| Stubbornly when baffled fumbling the stubborn crux | |
| And so he must continue, raiding the abyss | |
| With aching bone and sinew, conscious of things amiss, | |
| Conscious of guilt and vast inadequacy and the sick | |
| Ego and the broken past and the clock that goes too quick, | |
| Conscious of waste of labour, conscious of spite and hate, | |
| Of dissension with his neighbour, of beggars at the gate, | |
| But conscious also of love and the joy of things and the power | |
| Of going beyond and above the limits of the lagging hour, | |
| Conscious of sunlight, conscious of death’s inveigling touch, | |
| Not completely conscious but partly—and that is much. | |
| The room was suddenly rich and the great bay-window was | |
| Spawning snow and pink roses against it | |
| Soundlessly collateral and incompatible: | |
| World is suddener than we fancy it. | |
| World is crazier and more of it than we think, | |
| Incorrigibly plural. I peel and portion | |
| A tangerine and spit the pips and feel | |
| The drunkenness of things being various. | |
| And the fire flames with a bubbling sound for world | |
| Is more spiteful and gay than one supposes— | |
| On the tongue on the eyes on the ears in the palms of one's hands— | |
| There is more than glass between the snow and the huge roses. | |
| Two roads diverged in a yellow wood, | |
| Robert Frost poetAnd sorry I could not travel both | |
| And be one traveler, long I stood | |
| And looked down one as far as I could | |
| To where it bent in the undergrowth; | |
| Then took the other, as just as fair, | |
| And having perhaps the better claim, | |
| Because it was grassy and wanted wear; | |
| Though as for that the passing there | |
| Had worn them really about the same, | |
| And both that morning equally lay | |
| In leaves no step had trodden black. | |
| Oh, I kept the first for another day! | |
| Yet knowing how way leads on to way, | |
| I doubted if I should ever come back. | |
| I shall be telling this with a sigh | |
| Somewhere ages and ages hence: | |
| Two roads diverged in a wood, and I— | |
| I took the one less traveled by, | |
| And that has made all the difference. | |
| Thou still unravish’d bride of quietness, | |
| Thou foster-child of silence and slow time, | |
| Sylvan historian, who canst thus express | |
| A flowery tale more sweetly than our rhyme: | |
| What leaf-fring’d legend haunts about thy shape | |
| Of deities or mortals, or of both, | |
| In Tempe or the dales of Arcady? | |
| What men or gods are these? What maidens loth? | |
| What mad pursuit? What struggle to escape? | |
| What pipes and timbrels? What wild ecstasy? | |
| Heard melodies are sweet, but those unheard | |
| Are sweeter; therefore, ye soft pipes, play on; | |
| Not to the sensual ear, but, more endear’d, | |
| Pipe to the spirit ditties of no tone: | |
| Fair youth, beneath the trees, thou canst not leave | |
| Thy song, nor ever can those trees be bare; | |
| Bold Lover, never, never canst thou kiss, | |
| Though winning near the goal yet, do not grieve; | |
| She cannot fade, though thou hast not thy bliss, | |
| For ever wilt thou love, and she be fair! | |
| Ah, happy, happy boughs! that cannot shed | |
| Your leaves, nor ever bid the Spring adieu; | |
| And, happy melodist, unwearied, | |
| For ever piping songs for ever new; | |
| More happy love! more happy, happy love! | |
| For ever warm and still to be enjoy’d, | |
| For ever panting, and for ever young; | |
| All breathing human passion far above, | |
| That leaves a heart high-sorrowful and cloy’d, | |
| A burning forehead, and a parching tongue. | |
| Who are these coming to the sacrifice? | |
| To what green altar, O mysterious priest, | |
| Lead’st thou that heifer lowing at the skies, | |
| And all her silken flanks with garlands drest? | |
| What little town by river or sea shore, | |
| Or mountain-built with peaceful citadel, | |
| Is emptied of this folk, this pious morn? | |
| And, little town, thy streets for evermore | |
| Will silent be; and not a soul to tell | |
| Why thou art desolate, can e’er return. | |
| O Attic shape! Fair attitude! with brede | |
| Of marble men and maidens overwrought, | |
| With forest branches and the trodden weed; | |
| Thou, silent form, dost tease us out of thought | |
| As doth eternity: Cold Pastoral! | |
| When old age shall this generation waste, | |
| Thou shalt remain, in midst of other woe | |
| Than ours, a friend to man, to whom thou say’st, | |
| “Beauty is truth, truth beauty,—that is all | |
| Ye know on earth, and all ye need to know.” | |
| Tiger Tiger, burning bright, | |
| In the forests of the night; | |
| What immortal hand or eye, | |
| Could frame thy fearful symmetry? | |
| In what distant deeps or skies. | |
| Burnt the fire of thine eyes? | |
| On what wings dare he aspire? | |
| What the hand, dare seize the fire? | |
| And what shoulder, and what art, | |
| Could twist the sinews of thy heart? | |
| And when thy heart began to beat, | |
| What dread hand? and what dread feet? | |
| What the hammer? what the chain, | |
| In what furnace was thy brain? | |
| What the anvil? what dread grasp, | |
| Dare its deadly terrors clasp! | |
| When the stars threw down their spears | |
| And water’d heaven with their tears: | |
| Did he smile his work to see? | |
| Did he who made the Lamb make thee? | |
| Tiger Tiger burning bright, | |
| In the forests of the night: | |
| What immortal hand or eye, | |
| Dare frame thy fearful symmetry? | |
| Whenever we wake, | |
| still joined, enraptured— | |
| at the window, | |
| each clear night’s finish | |
| the black pulse of dominoes | |
| dropping to land; | |
| whenever we embrace, | |
| haunted, upwelling, | |
| I know | |
| a reunion is taking place— | |
| Hear me when I say | |
| our love’s not meant to be | |
| an opiate; | |
| helpmate, | |
| you are the reachable mirror | |
| that dares me to risk | |
| the caravan back | |
| to the apogee, the longed-for | |
| arms of the Beloved— | |
| Dusks of paperwhites, | |
| dusks of jasmine, | |
| intimate beyond belief | |
| beautiful Signor | |
| no dread of nakedness | |
| beautiful Signor | |
| my long ship, | |
| my opulence, | |
| my garland | |
| beautiful Signor | |
| extinguishing the beggar’s tin, | |
| the wind of longing | |
| beautiful Signor | |
| laving the ruined country, | |
| the heart wedded to war | |
| beautiful Signor | |
| the kiln-blaze | |
| in my body, | |
| the turning heaven | |
| beautiful Signor | |
| you cover me with pollen | |
| beautiful Signor | |
| into your sweet mouth— | |
| This is the taproot: | |
| against all strictures, | |
| desecrations, | |
| I’ll never renounce, | |
| never relinquish | |
| the first radiance, the first | |
| moment you took my hand— | |
| This is the endless wanderlust: | |
| dervish, | |
| yours is the April-upon-April love | |
| that kept me spinning even beyond | |
| your eventful arms | |
| toward the unsurpassed: | |
| the one vast claiming heart, | |
| the glimmering, | |
| the beautiful and revealed Signor. | |
| In the years I’ve been at this | |
| (Lots, not to be precise) | |
| You’d think that once or twice | |
| At least I would have seen | |
| Some anomalies. I mean | |
| Some major ones. As in | |
| Not feet but little wheels, | |
| Or crests like cockatiels’. | |
| Where are they keeping the girls | |
| With a chrome exterior, | |
| Or an extra derriere? | |
| Apparently nowhere. | |
| Assuming my sample’s valid, | |
| The pool is limited | |
| To the standard types I’ve tallied; | |
| Such variance as there is | |
| In the usual congeries | |
| Of physiognomies — | |
| And yet enough of it | |
| To be worth the looking at. | |
| The walking by, for that, | |
| Of the same girl over and over | |
| Would be no cross to bear | |
| If it were that one there. | |
| Life, like a marble block, is given to all, | |
| A blank, inchoate mass of years and days, | |
| Whence one with ardent chisel swift essays | |
| Some shape of strength or symmetry to call; | |
| One shatters it in bits to mend a wall; | |
| One in a craftier hand the chisel lays, | |
| And one, to wake the mirth in Lesbia’s gaze, | |
| Carves it apace in toys fantastical. | |
| But least is he who, with enchanted eyes | |
| Filled with high visions of fair shapes to be, | |
| Muses which god he shall immortalize | |
| In the proud Parian’s perpetuity, | |
| Till twilight warns him from the punctual skies | |
| That the night cometh wherein none shall see. | |
| What I envy in the open eyes | |
| of the dead deer hanging down | |
| from the rafters, its eyes | |
| still wet and glassy, but locked now | |
| into a vision of another life, | |
| is the way it seems to be | |
| staring at the moment when | |
| it died. The blue light | |
| falling through the window | |
| into this smoke-filled room | |
| is the same color as the mist | |
| coming down off the mountain | |
| that morning: the deer sees | |
| men with guns | |
| but also sees, beyond them, | |
| the endless mountains. | |
| Oh, but to fade, and live we know not where, | |
| To be a cold obstruction and to groan! | |
| This sensible, warm woman to become | |
| A prudish clod; and the delighted spirit | |
| To live and die alone, or to reside | |
| With married sisters, and to have the care | |
| Of half a dozen children, not your own; | |
| And driven, for no one wants you, | |
| Round the pendant world; or worse than worse | |
| Of those that disappointment and pure spite | |
| Have driven to madness: ’Tis too horrible! | |
| The weariest and most troubled married life | |
| That age, ache, penury, or jealousy | |
| Can lay on nature, is a paradise | |
| To being an old maid. | |
| That very time I saw, (but thou couldst not,) | |
| Walking between the garden and the barn, | |
| Reuben, all armed; a certain aim he took | |
| At a young chicken standing by a post, | |
| And loosed his bullet smartly from his gun, | |
| As he would kill a hundred thousand hens. | |
| But I might see young Reuben’s fiery shot | |
| Lodged in the chaste board of the garden fence, | |
| And the domesticated fowl passed on, | |
| In henly meditation, bullet free. | |
| My father had a daughter got a man, | |
| As it might be, perhaps, were I good-looking, | |
| I should, your lordship. | |
| And what’s her residence? | |
| A hut my lord, she never owned a house, | |
| But let her husband, like a graceless scamp, | |
| Spend all her little means,—she thought she ought,— | |
| And in a wretched chamber, on an alley, | |
| She worked like masons on a monument, | |
| Earning their bread. Was not this love indeed? | |
| Others abide our question. Thou art free. | |
| We ask and ask—Thou smilest and art still, | |
| Out-topping knowledge. For the loftiest hill, | |
| Who to the stars uncrowns his majesty, | |
| Planting his steadfast footsteps in the sea, | |
| Making the heaven of heavens his dwelling-place, | |
| Spares but the cloudy border of his base | |
| To the foil'd searching of mortality; | |
| And thou, who didst the stars and sunbeams know, | |
| Self-school'd, self-scann'd, self-honour'd, self-secure, | |
| Didst tread on earth unguess'd at.—Better so! | |
| All pains the immortal spirit must endure, | |
| All weakness which impairs, all griefs which bow, | |
| Find their sole speech in that victorious brow. | |
| Spirit of BEAUTY, that dost consecrate | |
| With thine own hues all thou dost shine upon | |
| Of human thought or form, where art thou gone? | |
| Why dost thou pass away and leave our state, | |
| This dim vast vale of tears, vacant and desolate? | |
| Ask why the sunlight not for ever | |
| Weaves rainbows o’er yon mountain-river, | |
| Why aught should fail and fade that once is shown, | |
| Why fear and dream and death and birth | |
| Cast on the daylight of this earth | |
| Such gloom, why man has such a scope | |
| For love and hate, despondency and hope? | |
| It doesn't interest me | |
| what you do for a living. | |
| I want to know | |
| what you ache for | |
| and if you dare to dream | |
| of meeting your heart's longing. | |
| It doesn't interest me | |
| how old you are. | |
| I want to know | |
| if you will risk | |
| looking like a fool | |
| for love | |
| for your dream | |
| for the adventure of being alive. | |
| It doesn’t interest me | |
| what planets are | |
| squaring your moon... | |
| I want to know | |
| if you have touched | |
| the centre of your own sorrow | |
| if you have been opened | |
| by life's betrayals | |
| or have become shrivelled and closed | |
| from fear of further pain. | |
| I want to know | |
| if you can sit with pain | |
| mine or your own | |
| without moving to hide it | |
| or fade it | |
| or fix it. | |
| I want to know | |
| if you can be with joy | |
| mine or your own | |
| if you can dance with wildness | |
| and let the ecstasy fill you | |
| to the tips of your fingers and toes | |
| without cautioning us | |
| to be careful | |
| to be realistic | |
| to remember the limitations | |
| of being human. | |
| It doesn't interest me | |
| if the story you are telling me | |
| is true. | |
| I want to know if you can | |
| disappoint another | |
| to be true to yourself. | |
| If you can bear | |
| the accusation of betrayal | |
| and not betray your own soul. | |
| If you can be faithless | |
| and therefore trustworthy. | |
| I want to know if you can see Beauty | |
| even when it is not pretty | |
| every day. | |
| And if you can source your own life | |
| from its presence. | |
| I want to know | |
| if you can live with failure | |
| yours and mine | |
| and still stand at the edge of the lake | |
| and shout to the silver of the full moon, | |
| "Yes." | |
| It doesn't interest me | |
| to know where you live | |
| or how much money you have. | |
| I want to know if you can get up | |
| after the night of grief and despair | |
| weary and bruised to the bone | |
| and do what needs to be done | |
| to feed the children. | |
| It doesn't interest me | |
| who you know | |
| or how you came to be here. | |
| I want to know if you will stand | |
| in the centre of the fire | |
| with me | |
| and not shrink back. | |
| It doesn't interest me | |
| where or what or with whom | |
| you have studied. | |
| I want to know | |
| what sustains you | |
| from the inside | |
| when all else falls away. | |
| I want to know | |
| if you can be alone | |
| with yourself | |
| and if you truly like | |
| the company you keep | |
| in the empty moments. | |
| Do not go gentle into that good night, | |
| Old age should burn and rave at close of day; | |
| Rage, rage against the dying of the light. | |
| Though wise men at their end know dark is right, | |
| Because their words had forked no lightning they | |
| Do not go gentle into that good night. | |
| Good men, the last wave by, crying how bright | |
| Their frail deeds might have danced in a green bay, | |
| Rage, rage against the dying of the light. | |
| Wild men who caught and sang the sun in flight, | |
| And learn, too late, they grieved it on its way, | |
| Do not go gentle into that good night. | |
| Grave men, near death, who see with blinding sight | |
| Blind eyes could blaze like meteors and be gay, | |
| Rage, rage against the dying of the light. | |
| And you, my father, there on the sad height, | |
| Curse, bless, me now with your fierce tears, I pray. | |
| Do not go gentle into that good night. | |
| Rage, rage against the dying of the light. | |
| Last night, when the moon | |
| slipped into my attic room | |
| as an oblong of light, | |
| I sensed she’d come to commiserate. | |
| It was August. She traveled | |
| with a small valise | |
| of darkness, and the first few stars | |
| returning to the northern sky, | |
| and my room, it seemed, | |
| had missed her. She pretended | |
| an interest in the bookcase | |
| while other objects | |
| stirred, as in a rock pool, | |
| with unexpected life: | |
| strings of beads in their green bowl gleamed, | |
| the paper-crowded desk; | |
| the books, too, appeared inclined | |
| to open and confess. | |
| Being sure the moon | |
| harbored some intention, | |
| I waited; watched for an age | |
| her cool gaze shift | |
| first toward a flower sketch | |
| pinned on the far wall | |
| then glide down to recline | |
| along the pinewood floor, | |
| before I’d had enough. Moon, | |
| I said, We’re both scarred now. | |
| Are they quite beyond you, | |
| the simple words of love? Say them. | |
| You are not my mother; | |
| with my mother, I waited unto death. | |
| I was so worried the hickory I recognized | |
| had died from salt burn in the last hurricane | |
| I may have passed by vervain and apple haw | |
| like they didn’t matter, but this spring | |
| it put out seven shoots from its base. | |
| Still, the oldest trick is the moon missing, | |
| then the “new” moon appears, | |
| though we know it’s the old one, and we pretend | |
| to be taken in like the mother or baby | |
| behind the bath towel. | |
| Really it’s the moon winking, | |
| being the stone that holds stones and now footprints. | |
| And when I tell Frances, I see she is a moon | |
| motionless in the doorway, skin reflecting | |
| a lamp, a face that awakens on paper. | |
| Come all ye maidens young and fair | |
| And you that are blooming in your prime | |
| Always beware and keep your garden fair | |
| Let no man steal away your thyme | |
| For thyme it is a precious thing | |
| And thyme brings all things to my mind | |
| nlyme with all its flavours, along with all its joys | |
| Thyme, brings all things to my mind | |
| Once I and a bunch of thyme | |
| i thought it never would decay | |
| Then came a lusty sailor | |
| Who chanced to pass my way | |
| And stole my bunch of thyme away | |
| The sailor gave to me a rose | |
| A rose that never would decay | |
| He gave it to me to keep me reminded | |
| Of when he stole my thyme away | |
| Sleep, my child, and peace attend thee | |
| All through the night | |
| Guardian angels God will send thee | |
| Soft the drowsy hours are creeping | |
| Hill and dale in slumber sleeping | |
| I my loving vigil keeping | |
| While the moon her watch is keeping | |
| While the weary world is sleeping | |
| Oer thy spirit gently stealing | |
| Visions of delight revealing | |
| Breathes a pure and holy feeling | |
| Though I roam a minstrel lonely | |
| My true harp shall praise sing only | |
| Loves young dream, alas, is over | |
| Yet my strains of love shall hover | |
| Near the presence of my lover | |
| Hark, a solemn bell is ringing | |
| Clear through the night | |
| Thou, my love, art heavenward winging | |
| Home through the night | |
| Earthly dust from off thee shaken | |
| Soul immortal shalt thou awaken | |
| With thy last dim journey taken | |
| Oh please neer forget me though waves now lie oer me | |
| I was once young and pretty and my spirit ran free | |
| But destiny tore me from country and loved ones | |
| And from the new land I was never to see. | |
| A poor emigrants daughter too frightened to know | |
| I was leaving forever the land of my soul | |
| Amid struggle and fear my parents did pray | |
| To place courage to leave oer the longing to stay. | |
| They spoke of a new land far away cross the sea | |
| And of peace and good fortune for my brothers and me | |
| So we parted from townland with much weeping and pain | |
| Kissed the loved ones and the friends we would neer see again. | |
| The vessel was crowded with disquieted folk | |
| The escape from past hardship sustaining their hope | |
| But as the last glimpse of Ireland faded into the mist | |
| Each one fought back tears and felt strangely alone. | |
| The seas roared in anger, making desperate our plight | |
| And a fever came oer me that worsened next night | |
| Then delirium possessed me and clouded my mind | |
| And I for a moment saw that land left behind. | |
| I could hear in the distance my dear mothers wailing | |
| And the prayers of three brothers that Id see no more | |
| And I felt fathers tears as he begged for forgiveness | |
| For seeking a new life on the still distant shore. | |
| Over in Killarney | |
| Many years ago, | |
| Me Mither sang a song to me | |
| In tones so sweet and low. | |
| Just a simple little ditty, | |
| In her good ould Irish way, | |
| And ld give the world if she could sing | |
| That song to me this day. | |
| Too-ra-loo-ra-loo-ral, Too-ra-loo-ra-li, | |
| Too-ra-loo-ra-loo-ral, hush now, dont you cry! | |
| Too-ra-loo-ra-loo-ral, thats an Irish lullaby. | |
| Oft in dreams I wander | |
| To that cot again, | |
| I feel her arms a-huggin me | |
| As when she held me then. | |
| And I hear her voice a -hummin | |
| To me as in days of yore, | |
| When she used to rock me fast asleep | |
| Outside the cabin door. | |
| And who are you, me pretty fair maid | |
| And who are you, me honey? | |
| She answered me quite modestly: | |
| I am me mothers darling. | |
| With me too-ry-ay | |
| Fol-de-diddle-day | |
| Di-re fol-de-diddle | |
| Dai-rie oh. | |
| And will you come to me mothers house, | |
| When the sun is shining clearly | |
| Ill open the door and Ill let you in | |
| And divil o one would hear us. | |
| So I went to her house in the middle of the night | |
| When the moon was shining clearly | |
| Shc opened the door and she let me in | |
| And divil the one did hear us. | |
| She took me horse by the bridle and the bit | |
| And she led him to the stable | |
| Saying Theres plenty of oats for a soldiers horse, | |
| To eat it if hes able. | |
| Then she took me by the lily-white hand | |
| And she led me to the table | |
| Saying: Theres plenty of wine for a soldier boy, | |
| To drink it if youre able. | |
| Then I got up and made the bed | |
| And I made it nice and aisy | |
| Then I got up and laid her down | |
| Saying: Lassie, are you able? | |
| And there we lay till the break of day | |
| And divil a one did hear us | |
| Then I arose and put on me clothes | |
| Saying: Lassie, I must leave you. | |
| And when will you return again | |
| And when will we get married | |
| When broken shells make Christmas bells | |
| We might well get married | |
| In 1803 we sailed out to sea | |
| Out from the sweet town of Derry | |
| For Australia bound if we didnt all drown | |
| And the marks of our fetters we carried. | |
| In the rusty iron chains we sighed for our wains | |
| As our good wives we left in sorrow. | |
| As the mainsails unfurled our curses we hurled | |
| On the English and thoughts of tomorrow. | |
| Oh Oh Oh Oh I wish I was back home in Derry. | |
| I cursed them to hell as our bow fought the swell. | |
| Our ship danced like a moth in the firelights. | |
| White horses rode high as the devil passed by | |
| Taking souls to Hades by twilight. | |
| Five weeks out to sea we were now forty-three | |
| Our comrades we buried each morning. | |
| In our own slime we were lost in a time. | |
| Endless night without dawning. | |
| Van Diemans land is a hell for a man | |
| To live out his life in slavery. | |
| When the climate is raw and the gun makes the law. | |
| Neither wind nor rain cares for bravery. | |
| Twenty years have gone by and Ive ended me bond | |
| And comrades ghosts are behind me. | |
| A rebel I came and III die the same. | |
| On the cold winds of night you will find me | |
| On the banks of the roses, my love and I sat down | |
| And I took out my violin to play my love a tune | |
| In the middle of the tune, O she sighed and she said | |
| O Johnny, lovely Johnny, Would you leave me | |
| O when I was a young man, I heard my father say | |
| That hed rather see me dead and buried in the clay | |
| Sooner than be married to any runaway | |
| By the lovely sweet banks of the roses | |
| O then I am no runaway and soon Ill let them know | |
| I can take a good glass or leave it alone | |
| And the man that doesnt like me, he can keep | |
| his daughter home | |
| And young Johnny will go roving with another | |
| And if ever I get married, twill be in the month of May | |
| When the leaves they are green and the meadows | |
| they are gay | |
| And I and my true love can sit and sport and play | |
| On the lovely sweet banks of the roses | |
| But Black is the colour of my true loves hair. | |
| His face is like some rosy fair, | |
| The prettiest face and the neatest hands, | |
| I love the ground whereon he stands. | |
| I love my love and well he knows | |
| I love the ground whereon he goes | |
| If you no more on earth I see, | |
| I cant serve you as you have me. | |
| The winters passed and the leaves are green | |
| The time is passed that we have seen, | |
| But still I hope the time will come | |
| When you and I shall be as one. | |
| I go to the Clyde for to mourn and weep, | |
| But satisfied I never could sleep, | |
| Ill write to you a few short lines | |
| Ill suffer death ten thousand times. | |
| So fare you well, my own true love | |
| The time has passed, but I wish you well. | |
| When you and I will be as one. | |
| I love the ground whereon he goes, | |
| The prettiest face, the neatest hands | |
| Her eyes they shone like the diamonds | |
| Youd think she was queen of the land | |
| And her hair hung over her shoulder | |
| Tied up with a black velvet band. | |
| In a neat little town they call Belfast | |
| Apprenticed to trade I was bound | |
| And many an hours sweet happiness | |
| I spent in that neat little town. | |
| Till bad misfortune came oer me | |
| That caused me to stray from the land | |
| Far away from my friends and relations | |
| To follow the black velvet band. | |
| Well, I was out strolling one evening | |
| Not meaning to go very far | |
| When I met with a pretty young damsel | |
| Who was selling her trade in the bar. | |
| When I watched, she took from a customer | |
| And slipped it right into my hand | |
| Then the Watch came and put me in prison | |
| Bad luck to the black velvet band. | |
| Next morning before judge and jury | |
| For a trial I had to appear | |
| And the judge, he said, You young fellows... | |
| The case against you is quite clear | |
| And seven long years is your sentence | |
| Youre going to Van Diemans Land | |
| Far away from your friends and relations | |
| So come all you jolly young fellows | |
| Id have you take warning by me | |
| Whenever youre out on the liquor, me lads, | |
| Beware of the pretty colleen. | |
| Shell fill you with whiskey and porter | |
| Until youre not able to stand | |
| And the very next thing that youll know, me lads, | |
| Youre landed in Van Diemans Land. | |
| Heres a health to you, bonnie Kellswater | |
| For its there youll find the pleasures of life | |
| And its there youll find a fishing and farming | |
| And a bonnie wee girl for your wife | |
| On the hills and the glens and the valleys | |
| Grows the softest of women so fine | |
| And the flowers are all dripping with honey | |
| There lives Martha, a true love of mine | |
| Bonnie Martha, youre the first girl I courted | |
| Youre the one put my heart in a snare | |
| And if ever I should lose you to another | |
| I will leave my Kellswater so fair | |
| For this one and that one may court her | |
| But no other can take her from me | |
| For I love her as I love my Kellswater | |
| Like the primrose is loved by the bee | |
| Oh Bridgit OMalley, you left my heart shaken | |
| With a hopeless desolation, Id have you to know | |
| Its the wonders of admiration your quiet face has taken | |
| And your beauty will haunt me wherever I go. | |
| The white moon above the pale sands, the pale stars above the thorn tree | |
| Are cold beside my darling, but no purer than she | |
| I gaze upon the cold moon till the stars drown in the warm sea | |
| And the bright eyes of my darling are never on me. | |
| My Sunday it is weary, my Sunday it is grey now | |
| My heart is a cold thing, my heart is a stone | |
| All joy is dead within me, my life has gone away now | |
| For another has taken my love for his own. | |
| The day it is approaching when we were to be married | |
| And its rather I would die than live only to grieve | |
| Oh meet me, my Darling, eer the sun sets oer the barley | |
| And Ill meet you there on the road to Drumslieve. | |
| Oh Bridgit OMalley, youve left my heart shaken | |
| I wish I was in Carrigfergus | |
| Only for nights in Ballygrant | |
| I would swim over the deepest ocean | |
| For my love to find | |
| But the sea is wide and I cannot cross over | |
| And neither have I the wings to fly | |
| I wish I could meet a handsome boatsman | |
| To ferry me over, to my love and die. | |
| My childhood days bring back sad reflections | |
| Of happy times I spent so long ago | |
| My boyhood friends and my own relations | |
| Have all passed on now like melting snow. | |
| But Ill spend my days in endless roaming | |
| Soft is the grass, my bed is free. | |
| Ah, to be back now in Carrigfergus | |
| On that long road down to the sea. | |
| But in Kilkenny, it is reported | |
| On marble stones there as black as ink | |
| With gold and silver I would support her | |
| But Ill sing no more till I get a drink. | |
| For Im drunk today, and Im seldom sober | |
| A handsome rover from town to town | |
| Ah, but Im sick now, my days are numbered | |
| You may travel far far from your own native land | |
| Far away oer the mountains, far away oer the foam | |
| But of all the fine places that Ive ever been | |
| Sure theres none can compare with the cliffs of Doneen. | |
| Take a view oer the mountains, fine sights youll see there | |
| Youll see the high rocky mountains oer the west coast of Clare | |
| Oh the town of Kilkee and Kilrush can be seen | |
| From the high rocky slopes round the cliffs of Doneen. | |
| Its a nice place to be on a fine summers day | |
| Watching all the wild flowers that neer do decay | |
| Oh the hares and lofty pheasants are plain to be seen | |
| Making homes for their young round the cliffs of Doneen. | |
| Fare thee well to Doneen, fare thee well for a while | |
| And to all the kind people Im leaving behind | |
| To the streams and the meadows where late I have been | |
| And the high rocky slopes round the cliffs of Doneen. | |
| In Dublins fair city, where the girls are so pretty | |
| I first set my eyes on sweet Molly Malone | |
| As she wheeled her wheel-barrow | |
| Through streets broad and narrow | |
| Crying cockles and mussels, alive, alive-O! | |
| Alive, alive-O! alive, alive-O! | |
| She was a fish-monger, but sure twas no wonder | |
| For so were her father and mother before | |
| And they each wheeled their barrow | |
| She died of a fever, and no one could save her | |
| And that was the end of sweet Molly Malone | |
| But her ghost wheels her barrow | |
| The Garden of Eden has vanished, they say | |
| But I know the lie of it still; | |
| Just turn to the left at the bridge of Finea | |
| And stop when halfway to Cootehill. | |
| Tis there I will find it, | |
| I know sure enough | |
| When fortune has come to me call, | |
| Oh the grass it is green around Ballyjamesduff | |
| And the blue sky is over it all. | |
| And tones that are tender and tones that are gruff | |
| Are whispering over the sea, | |
| Come back, Paddy Reilly to Ballyjamesduff | |
| Come home, Paddy Reilly, to me. | |
| My mother once told me that when I was born | |
| The day that I first saw the light, | |
| I looked down the street on that very first morn | |
| And gave a great crow of delight. | |
| Now most newborn babies appear in a huff, | |
| And start with a sorrowful squall, | |
| But I knew I was born in Ballyjamesduff | |
| And thats why I smiled on them all. | |
| The babys a man, now hes toil-worn and tough | |
| Still, whispers come over the sea, | |
| The night that we danced by the light of the moon, | |
| Wid Phil to the fore wid his flute, | |
| When Phil threw his lip over Come Again Soon, | |
| Hes dance the foot out o yer boot! | |
| The day that I took long Magee by the scruff | |
| For slanderin Rosie Kilrain, | |
| Then, marchin him straight out of Ballyjamesduff, | |
| Assisted him into a drain. | |
| Oh, sweet are the dreams, as the dudeen I puff, | |
| Of whisperings over the sea, | |
| Ive loved the young women of every land, | |
| That always came easy to me; | |
| Just barrin the belles of the Black-a-moor brand | |
| And the chocolate shapes of Feegee. | |
| But that sort of love is a moonshiny stuff, | |
| And never will addle me brain, | |
| For the bells will be ringin in Ballyjamesduff | |
| For me and me Rosie Kilrain! | |
| And through all their glamour, their gas and their guff | |
| A whisper comes over the sea, | |
| Ive struck oil at last! | |
| Ive struck work, and I vow | |
| Ive struck some remarkable clothes, | |
| Ive struck a policeman for sayin that now, | |
| Id go back to my beautiful Rose. | |
| The belles they may blarney, | |
| the boys they may bluff | |
| But this I will always maintain, | |
| No place in the world like Ballyjamesduff | |
| No guril (sic) like Rosie Kilrain. | |
| Ive paid for my passage, the sea may be rough | |
| But borne on each breeze there will be, | |
| Will you come to the bower oer the free boundless ocean | |
| Where the stupendous waves roll in thundering motion, | |
| Where the mermaids are seen and the fierce tempest gathers, | |
| To loved Erin the green, the dear land of our fathers. | |
| Will you come, will you, will you, will you come to the bower? | |
| Will you come to the land of ONeill and ODonnell | |
| Of Lord Lucan of old and immortal OConnell. | |
| Where Brian drove the Danes and Saint Patrick the vermin | |
| And whose valleys remain still most beautiful and charming? | |
| You can visit Benburb and the storied Blackwater, | |
| Where Owen Roe met Munroe and his Chieftains did slaughter | |
| Where the lambs skip and play on the mossy all over, | |
| From those bright golden views to enchanting Rostrevor. | |
| You can see Dublin city, and the fine groves of Blarney | |
| The Bann, Boyne, and Liffey and the Lakes of Killarney, | |
| You may ride on the tide on the broad majestic Shannon | |
| You may sail round Loch Neagh and see storied Dungannon. | |
| You can visit New Ross, gallant Wexford, and Gorey, | |
| Where the green was last seen by proud Saxon and Tory, | |
| Where the soil is sanctified by the blood of each true man | |
| Where they died satisfied that their enemies they would not run from. | |
| Will you come and awake our lost land from its slumber | |
| And her fetters well break, links that long are encumbered. | |
| And the air will resound with hosannahs to greet you | |
| On the shore will be found gallant Irishmen to greet you. | |
| Oh Danny boy, the pipes, the pipes are calling | |
| From glen to glen, and down the mountain side | |
| The summers gone, and all the flowers are dying | |
| Tis you, tis you must go and I must bide. | |
| But come ye back when summers in the meadow | |
| Or when the valleys hushed and white with snow | |
| Tis Ill be here in sunshine or in shadow | |
| Oh Danny boy, oh Danny boy, I love you so. | |
| And if you come, when all the flowers are dying | |
| And I am dead, as dead I well may be | |
| Youll come and find the place where I am lying | |
| And kneel and say an Ave there for me. | |
| And I shall hear, tho soft you tread above me | |
| And all my dreams will warm and sweeter be | |
| If youll not fail to tell me that you love me | |
| Ill simply sleep in peace until you come to me. | |
| I found my love by the gasworks croft | |
| Dreamed a dream by the old canal | |
| Kissed my girl by the factory wall | |
| Dirty old town, dirty old town. | |
| Clouds are drifting across the moon | |
| Cats are prowling on their beat | |
| Springs a girl in the street at night | |
| I heard a siren from the docks | |
| Saw a train set the night on fire | |
| Smelled the spring in the smokey wind | |
| Im going to make a good sharp axe | |
| Shining steel tempered in the fire | |
| Well chop you down like an old dead tree | |
| t was down by the Salley Gardens, my love and I did meet. | |
| She crossed the Salley Gardens with little snow-white feet. | |
| She bid me take love easy, as the leaves grow on the tree, | |
| But I was young and foolish, and with her did not agree. | |
| In a field down by the river, my love and I did stand | |
| And on my leaning shoulder, she laid her snow-white hand. | |
| She bid me take life easy , as the grass grows on the weirs | |
| But I was young and foolish, and now am full of tears. | |
| Down by the Salley Gardens, my love and I did meet. | |
| When, like the dawning day | |
| Eileen Aroon | |
| Love sends his early ray | |
| Eileen Aroon. | |
| What makes his dawning glow | |
| Changeless through joy and woe | |
| Only the constant know | |
| Were she no longer true | |
| What would her lover do | |
| Fly with a broken chain | |
| Far oer the bounding main | |
| Never to love again | |
| Youth must in time decay | |
| Beauty must fade away | |
| Castles are sacked in war | |
| Chieftains are scattered far | |
| Truth is a fixed star | |
| Believe me, if all those endearing young charms | |
| Which I gaze on so fondly today | |
| Were to change by tomorrow and fleet in my arms | |
| Like fairy gifts fading away. | |
| Thou wouldst still be adored as this moment thou art | |
| Let thy loveliness fade as it will | |
| And around the dear ruin each wish of my heart | |
| Would entwine itself verdantly still. | |
| It is not while beauty and youth are thine own | |
| And thy cheeks unprofaned by a tear | |
| That the fervor and faith of a soul can be known | |
| To which time will but make thee more dear. | |
| No, the heart that has truly loved never forgets | |
| But as truly loves on to the close | |
| As the sunflower turns to her God when he sets | |
| The same look which she turned when she rose. | |
| Ill tell you a story of a row in the town, | |
| When the green flag went up and the Crown rag came down, | |
| Twas the neatest and sweetest thing ever you saw, | |
| And they played the best games played in Erin Go Bragh. | |
| One of our comrades was down at Rings end, | |
| For the honor of Ireland to hold and defend, | |
| He had no veteran soldiers but volunteers raw, | |
| Playing sweet Mauser music for Erin Go Bragh. | |
| Now heres to Pat Pearse and our comrades who died | |
| Tom Clark, MacDonagh, MacDiarmada, McBryde, | |
| And heres to James Connolly who gave one hurrah, | |
| And placed the machine guns for Erin Go Bragh. | |
| One brave English captain was ranting that day, | |
| Saying, Give me one hour and Ill blow you away, | |
| But a big Mauser bullet got stuck in his craw, | |
| And he died of lead poisoning in Erin Go Bragh. | |
| Old Ceannt and his comrades like lions at bay, | |
| From the South Dublin Union poured death and dismay, | |
| And what was their horror when the Englishmen saw | |
| All the dead khaki soldiers in Erin Go Bragh. | |
| Now heres to old Dublin, and heres her renown, | |
| In the long generation her fame will go down, | |
| And our children will tell how their forefathers saw, | |
| The red blaze of freedom in Erin Go Bragh. | |
| Of priests we can offer a charmin variety, | |
| Far renownd for learnin and piety; | |
| Still, Id advance ye widout impropriety, | |
| Father OFlynn as the flowr of them all. | |
| cho: Heres a health to you, Father OFlynn, | |
| Slainte and slainte and slainte agin; | |
| Powrfulest preacher, and tenderest teacher, | |
| And kindliest creature in ould Donegal. | |
| Dont talk of your Provost and Fellows of Trinity, | |
| Famous forever at Greek and Latinity, | |
| Dad and the divils and all at Divinity | |
| Father OFlynn d make hares of them all! | |
| Come, I venture to give ye my word, | |
| Never the likes of his logic was heard, | |
| Down from mythology into thayology, | |
| Truth! and conchology if hed the call. | |
| Och Father OFlynn, youve a wonderful way wid you, | |
| All ould sinners are wishful to pray wid you, | |
| All the young childer are wild for to play wid you, | |
| Youve such a way wid you, Father avick. | |
| Still for all youve so gentle a soul, | |
| Gad, youve your flock in the grandest control, | |
| Checking the crazy ones, coaxin onaisy ones, | |
| Lifting the lazy ones on wid the stick. | |
| And tho quite avoidin all foolish frivolity; | |
| Still at all seasons of innocent jollity, | |
| Where was the playboy could claim an equality, | |
| At comicality, Father, wid you? | |
| Once the Bishop looked grave at your jest, | |
| Till this remark set him off wid the rest: | |
| Is it lave gaiety all to the laity? | |
| Cannot the clergy be Irishmen, too? | |
| What did I have, said the fine old woman | |
| What did I have, this proud old woman did say | |
| I had four green fields, each one was a jewel | |
| But strangers came and tried to take them from me | |
| I had fine strong sons, who fought to save my jewels | |
| They fought and they died, and that was my grief said she | |
| Long time ago, said the fine old woman | |
| Long time ago, this proud old woman did say | |
| There was war and death, plundering and pillage | |
| My children starved, by mountain, valley and sea | |
| And their wailing cries, they shook the very heavens | |
| My four green fields ran red with their blood, said she | |
| What have I now, said the fine old woman | |
| What have I now, this proud old woman did say | |
| I have four green fields, one of thems in bondage | |
| In strangers hands, that tried to take it from me | |
| But my sons had sons, as brave as were their fathers | |
| My fourth green field will bloom once again said she | |
| Just give me your hand, | |
| Tabhair dom do lámh. | |
| Just give me your hand | |
| And Ill walk with you, | |
| Through the streets of our land, | |
| Through the mountains so grand. | |
| If you give me your hand. | |
| And come along with me. | |
| Will you give me your hand, | |
| And the world it can see, | |
| That we can be free, | |
| In peace and harmony? | |
| From the north to the south. | |
| From the east to the west. | |
| Every mountain, every valley, | |
| Every bush and birds nest! | |
| For the world it is ours. | |
| All the sea and the land, | |
| To destroy or command, | |
| In a gesture of peace. | |
| Will you give me your hand | |
| And all troubles will cease, | |
| For the strong and the weak, | |
| For the rich and the poor? | |
| All peoples and creeds, | |
| Lets meet their needs. | |
| With a passion, we can fashion, | |
| A new world of love! | |
| By day and night, | |
| Through all struggle and strife, | |
| And beside you, to guide you, | |
| Forever, my love. | |
| For loves not for one, | |
| But for both of us to share. | |
| For our country so fair, | |
| For our world and whats there. | |
| Green grow the lilacs, all sparkling with dew | |
| Im lonely, my darling, since parting with you; | |
| But by our next meeting IUll hope to prove true | |
| And change the green lilacs to the Red, White and Blue. | |
| I once had a sweetheart, but now I have none | |
| Shes gone and shes left me, I care not for one | |
| Since shes gone and left me, contented Ill be, | |
| For she loves another one better than me. | |
| I passed my loves window, both early and late | |
| The look that she gave me, it makes my heart ache; | |
| Oh, the look that she gave me was painful to see, | |
| I wrote my love letters in rosy red lines, | |
| She sent me an answer all twisted and twined; | |
| Saying,Keep your love letters and I will keep mine | |
| Just you write to your love and Ill write to mine. | |
| Oh Haste to the Wedding, the pipes, the pipes are calling | |
| Oh Haste to the Wedding, oh Haste to the Wedding, I love you so. | |
| Ill take you home again, Kathleen | |
| Across the ocean wild and wide | |
| To where your heart has ever been | |
| Since you were first my bonnie bride. | |
| The roses all have left your cheek. | |
| Ive watched them fade away and die | |
| Your voice is sad when eer you speak | |
| And tears bedim your loving eyes. | |
| Oh! I will take you back, Kathleen | |
| To where your heart will feel no pain | |
| And when the fields are fresh and green | |
| Ill take you to your home again! | |
| I know you love me, Kathleen, dear | |
| Your heart was ever fond and true. | |
| I always feel when you are near | |
| That life holds nothing, dear, but you. | |
| The smiles that once you gave to me | |
| I scarcely ever see them now | |
| Though many, many times I see | |
| A darkning shadow on your brow. | |
| To that dear home beyond the sea | |
| My Kathleen shall again return. | |
| And when thy old friends welcome thee | |
| Thy loving heart will cease to yearn. | |
| Where laughs the little silver stream | |
| Beside your mothers humble cot | |
| And brightest rays of sunshine gleam | |
| There all your grief will be forgot. | |
| Ill tell my ma when I go home | |
| The boys wont leave the girls alone | |
| They pulled my hair, they stole my comb | |
| But thats all right till I go home. | |
| She is handsome, she is pretty | |
| She is the bell of Belfast city | |
| She is counting one, two, three | |
| Please wont you tell me who is she. | |
| Albert Mooney says he loves her | |
| All the boys are fighting for her | |
| They knock at the door and they ring at the bell | |
| Sayin Oh my true love, are you well? | |
| Out she comes as white as snow | |
| Rings on her fingers and bells on her toes | |
| Old John Murray says shell die | |
| If she doesnt get the fellow with the roving eye. | |
| Let the wind and rain and the hail blow high | |
| And the snow come tumblin from the sky | |
| Shes as nice as apple pie | |
| Shell get her own lad by and by. | |
| When she gets a lad of her own | |
| She wont tell her ma when she goes home | |
| Let them all come as they will | |
| For its Albert Mooney she loves still. | |
| While goin the road to sweet Athy, | |
| hurroo, hurroo | |
| While goin the road to sweet Athy | |
| A stick in me hand and a drop in me eye | |
| A doleful damsel I heard cry, | |
| Johnny I hardly knew ye. | |
| With your drums and guns and drums and guns | |
| The enemy nearly slew ye | |
| Oh my darling dear, Ye look so queer | |
| Where are your eyes that were so mild | |
| When my heart you so beguiled | |
| Why did ye run from me and the child | |
| Oh Johnny, I hardly knew ye. | |
| Where are your legs that used to run | |
| When you went for to carry a gun | |
| Indeed your dancing days are done | |
| Im happy for to see ye home | |
| All from the island of Sulloon | |
| So low in flesh, so high in bone | |
| Oh Johnny I hardly knew ye. | |
| Ye havent an arm, ye havent a leg | |
| Yere an armless, boneless, chickenless egg | |
| Yell have to put with a bowl out to beg | |
| Theyre rolling out the guns again | |
| But they never will take our sons again | |
| No they never will take our sons again | |
| Johnny Im swearing to ye. | |
| As I was a-walkin round Kilgary Mountain | |
| I met with Captain Pepper as his money he was countin | |
| I rattled my pistols and I drew forth my saber | |
| Sayin, Stand and deliver, for I am the bold deceiver. | |
| Musha rig um du rum da | |
| Whack fol the daddy o | |
| Theres whiskey in the jar. | |
| The shinin golden coins did look so bright and jolly | |
| I took em with me home and I gave em to my Molly | |
| She promised and she vowed that she never would deceive me | |
| But the devils in the women and they never can be easy. | |
| When I was awakened between six and seven | |
| The guards were all around me in numbers odd and even | |
| I flew to my pistols, but alas I was mistaken | |
| For Mollys drawn my pistols and a prisoner I was taken. | |
| They put me into jail without judge or writin | |
| For robbing Colonel Pepper on Kilgary Mountain | |
| But they didnt take my fists so I knocked the sentry down | |
| And bid a fond farewell to the jail in Sligo town. | |
| Now some take delight in fishin and in bowlin | |
| And others take delight in carriages a-rollin | |
| But I take delight in the juice of the barley | |
| And courtin pretty girls in the morning so early. | |
| Oer railroad ties and crossings | |
| I made my weary way, | |
| Through swamps and elevations | |
| My tired feet did stray | |
| Until I resolved at sunset | |
| Some higher ground to win. | |
| Twas there I met with a Creole girl | |
| By the lake of Ponchartrain. | |
| Good evening, fair maiden, | |
| My money does me no good. | |
| If it want for the allegators | |
| Id stay out in the wood. | |
| Youre welcome, welcome, stranger. | |
| At home it is quite plain | |
| For we never turn a stranger | |
| From the lake of Ponchartrain. | |
| She took me to her mothers home | |
| And she treated me quite well; | |
| Her long black hair in ringlets | |
| Upon her shoulders fell. | |
| I tried to paint her picture | |
| But, alas, it was in vain | |
| So handsome was that Creole girl | |
| I asked her if shed marry me | |
| She said that neer could be; | |
| She said she had a lover, | |
| And he was on the sea, | |
| She said she had a lover | |
| It was true she would remain, | |
| Until he returned for the Creole girl | |
| Adieu, adieu, fair maiden, | |
| You neer shall see me more | |
| And when you are thinking of the old times | |
| And the cottage by the shore | |
| And when I meet a sociable | |
| With a glass of the foaming main | |
| Ill drink good health to the Creole girl | |
| n the town of Athy one Jeremy Lanigan | |
| Battered away til he hadnt a pound. | |
| His father died and made him a man again | |
| Left him a farm and ten acres of ground. | |
| He gave a grand party for friends and relations | |
| Who didnt forget him when come to the wall, | |
| And if youll but listen Ill make your eyes glisten | |
| Of the rows and the ructions of Lanigans Ball. | |
| Myself to be sure got free invitation, | |
| For all the nice girls and boys I might ask, | |
| And just in a minute both friends and relations | |
| Were dancing round merry as bees round a cask. | |
| Judy ODaly, that nice little milliner, | |
| She tipped me a wink for to give her a call, | |
| And I soon arrived with Peggy McGilligan | |
| Just in time for Lanigans Ball. | |
| There were lashings of punch and wine for the ladies, | |
| Potatoes and cakes; there was bacon and tea, | |
| There were the Nolans, Dolans, OGradys | |
| Courting the girls and dancing away. | |
| Songs they went round as plenty as water, | |
| The harp that once sounded in Taras old hall, | |
| Sweet Nelly Gray and The Rat Catchers Daughter, | |
| All singing together at Lanigans Ball. | |
| They were doing all kinds of nonsensical polkas | |
| All round the room in a whirligig. | |
| Julia and I, we banished their nonsense | |
| And tipped them the twist of a reel and a jig. | |
| &Och mavrone, how the girls got all mad at me | |
| Danced til youd think the ceiling would fall. | |
| For I spent three weeks at Brooks Academy | |
| Learning new steps for Lanigans Ball. | |
| Three long weeks I spent up in Dublin, | |
| Three long weeks to learn nothing at all, | |
| She stepped out and I stepped in again, | |
| I stepped out and she stepped in again, | |
| Boys were all merry and the girls they were hearty | |
| And danced all around in couples and groups, | |
| Til an accident happened, young Terrance McCarthy | |
| Put his right leg through miss Finnertys hoops. | |
| Poor creature fainted and cried: Meelia murther, | |
| Called for her brothers and gathered them all. | |
| Carmody swore that hed go no further | |
| Til he had satisfaction at Lanigans Ball. | |
| In the midst of the row miss Kerrigan fainted, | |
| Her cheeks at the same time as red as a rose. | |
| Some of the lads declared she was painted, | |
| She took a small drop too much, I suppose. | |
| Her sweetheart, Ned Morgan, so powerful and able, | |
| When he saw his fair colleen stretched out by the wall, | |
| Tore the left leg from under the table | |
| And smashed all the Chaneys at Lanigans Ball. | |
| Boys, oh boys, twas then there were runctions. | |
| Myself got a lick from big Phelim McHugh. | |
| I soon replied to his introduction | |
| And kicked up a terrible hullabaloo. | |
| Old Casey, the piper, was near being strangled. | |
| They squeezed up his pipes, bellows, chanters and all. | |
| The girls, in their ribbons, they got all entangled | |
| And that put an end to Lanigans Ball. | |
| Step we gaily, on we go | |
| Heel for heel and toe for toe, | |
| Arm in arm and row on row | |
| All for Mairis wedding. | |
| Over hillways up and down | |
| Myrtle green and bracken brown, | |
| Past the sheilings through the town | |
| All for sake of Mairi. | |
| Red her cheeks as rowans are | |
| Bright her eyes as any star, | |
| Fairest o them all by far | |
| Is our darlin Mairi. | |
| Plenty herring, plenty meal | |
| Plenty peat to fill her creel, | |
| Plenty bonny bairns as weel | |
| Thats the toast for Mairi. | |
| I have seen the lark soar high at morn | |
| Heard his song up in the blue | |
| I have heard the blackbird pipe his note | |
| The thrush and the linnet too | |
| But theres none of them can sing so sweet | |
| My singing bird as you. | |
| If I could lure my singing bird | |
| From his own cozy nest | |
| If I could catch my singing bird | |
| I would warm him on my breast | |
| For theres none of them can sing so sweet | |
| Of all the money that eer I spent | |
| Ive spent it in good company | |
| And all the harm that ever I did | |
| Alas it was to none but me | |
| And all Ive done for want of wit | |
| To memory now I cant recall | |
| So fill to me the parting glass | |
| Good night and joy be with you all | |
| If I had money enough to spend | |
| And leisure to sit awhile | |
| There is a fair maid in the town | |
| That sorely has my heart beguiled | |
| Her rosy cheeks and ruby lips | |
| I own she has my heart enthralled | |
| Oh, all the comrades that eer I had | |
| Theyre sorry for my going away | |
| And all the sweethearts that eer I had | |
| Theyd wish me one more day to stay | |
| But since it falls unto my lot | |
| That I should rise and you should not | |
| Ill gently rise and softly call | |
| It was on a fine summers morning, | |
| When the birds sweetly tuned on each bough; | |
| I heard a fair maid sing most charming | |
| As she sat a-milking her cow; | |
| Her voice, it was chanting melodious, | |
| She left me scarce able to go; | |
| My heart it is soothed in solace, | |
| My CailÃn deas crúite na mbó. | |
| With courtesy I did salute her, | |
| Good-morrow, most amiable maid, | |
| Im your captive slave for the future. | |
| Kind sir, do not banter, she said, | |
| Im not such a precious rare jewel, | |
| That I should enamour you so; | |
| I am but a plain country girl, | |
| Says CailÃn deas crúite na mbó. | |
| The Indies afford no such jewel, | |
| So precious and transparently fair, | |
| Oh! do not to my flame add fuel, | |
| But consent for to love me, my dear; | |
| Take pity and grant my desire, | |
| And leave me no longer in woe; | |
| Oh! love me or else Ill expire, | |
| Sweet CailÃn deas crúite na mbó. | |
| Or had I the wealth of great Damer, | |
| Or all on the African shore, | |
| Or had I great Devonshire treasure, | |
| Or had I ten thousand times more, | |
| Or had I the lamp of Alladin, | |
| Or had I his genie also, | |
| Id rather live poor on a mountain, | |
| With CailÃn deas crúite na mbó. | |
| I beg youll withdraw and dont tease me; | |
| I cannot consent unto thee. | |
| I like to live single and airy, | |
| Till more of the world I do see. | |
| New cares they would me embarrass, | |
| Besides, sir, my fortune is low, | |
| Until I get rich Ill not marry, | |
| An old maid is like an old almanack, | |
| Quite useless when once out of date; | |
| If her ware is not sold in the morning | |
| At noon it must fall to low rate. | |
| The fragrance of May is soon over, | |
| The rose loses its beauty, you know; | |
| All bloom is consumed in October, | |
| A young maid is like a ship sailing, | |
| Theres no knowing how long she may steer, | |
| For with every blast shes in danger; | |
| Oh! consent, love, and banish all care. | |
| For riches I care not a farthing, | |
| Your affection I want and no more; | |
| In comfort Id wish to enjoy you, | |
| Red is the rose that in yonder garden grows | |
| Fair is the lily of the valley | |
| Clear is the water that flows from the Boyne | |
| But my love is fairer than any. | |
| Come over the hills, my bonnie Irish lass | |
| Come over the hills to your darling | |
| You choose the rose, love, and Ill make the vow | |
| And Ill be your true love forever. | |
| Twas down by Killarneys green woods that we strayed | |
| When the moon and the stars they were shining | |
| The moon shone its rays on her locks of golden hair | |
| And she swore shed be my love forever. | |
| Its not for the parting that my sister pains | |
| Its not for the grief of my mother | |
| Tis all for the loss of my bonny Irish lass | |
| That my heart is breaking forever. | |
| In the merry month of June from me home I started, | |
| Left the girls of Tuam so sad and broken hearted, | |
| Saluted father dear, kissed me darling mother, | |
| Drank a pint of beer, me grief and tears to smother, | |
| Then off to reap the corn, leave where I was born, | |
| Cut a stout black thorn to banish ghosts and goblins; | |
| Bought a pair of brogues rattling oer the bogs | |
| And frightning all the dogs on the rocky road to Dublin. | |
| One, two, three four, five, Hunt the Hare and turn her down the rocky | |
| road and all the way to Dublin, Whack follol de rah ! | |
| In Mullingar that night I rested limbs so weary, Started by daylight | |
| next morning blithe and early, Took a drop of pure to keep me heartfrom sinking; | |
| Thats a Paddys cure whenever hes on drinking. See the lassies smile, laughing | |
| all the while At me curious style, twould set your heart a bubblin | |
| Asked me was I hired, wages I required, I was almost tired of the | |
| rocky road to Dublin. | |
| In Dublin next arrived, I thought it be a pity | |
| To be soon deprived a view of that fine city. | |
| So then I took a stroll, all among the quality; | |
| Me bundle it was stole, all in a neat locality. | |
| Something crossed me mind, when I looked behind, | |
| No bundle could I find upon me stick a wobblin | |
| Enquiring for the rogue, they said me Connaught brogue | |
| Wasnt much in vogue on the rocky road to Dublin. | |
| From there I got away, me spirits never falling, | |
| Landed on the quay, just as the ship was sailing. | |
| The Captain at me roared, said that no room had he; | |
| When I jumped aboard, a cabin found for Paddy. | |
| Down among the pigs, played some hearty rigs, | |
| Danced some hearty jigs, the water round me bubbling; | |
| When off Holyhead wished meself was dead, | |
| Or better for instead on the rocky road to Dublin. | |
| Well the bouys of Liverpool, when we safely landed, | |
| Called meself a fool, I could no longer stand it. | |
| Blood began to boil, temper I was losing; | |
| Poor old Erins Isle they began abusing. | |
| Hurrah me soul says I, me Shillelagh I let fly. | |
| Some Galway boys were nigh and saw I was a hobble in, | |
| With a load hurray ! joined in the affray. | |
| We quitely cleared the way for the rocky road to Dublin. | |
| road and all the way to Dublin, Whack fol all the Ra ! | |
| O see the fleet-foot host of men, who march with faces drawn, | |
| From farmstead and from fishers cot, along the banks of Ban; | |
| They come with vengeance in their eyes. Too late! Too late are they, | |
| For young Roddy McCorley goes to die on the bridge of Toome today. | |
| Oh Ireland, Mother Ireland, you love them still the best | |
| The fearless brave who fighting fall upon your hapless breast, | |
| But never a one of all your dead more bravely fell in fray, | |
| Than he who marches to his fate on the bridge of Toome today. | |
| Up the narrow street he stepped, so smiling, proud and young. | |
| About the hemp-rope on his neck, the golden ringlets clung; | |
| Theres neer a tear in his blue eyes, fearless and brave are they, | |
| As young Roddy McCorley goes to die on the bridge of Toome today. | |
| When last this narrow street he trod, his shining pike in hand | |
| Behind him marched, in grim array, a earnest stalwart band. | |
| To Antrim town! To Antrim town, he led them to the fray, | |
| But young Roddy McCorley goes to die on the bridge of Toome today. | |
| The grey coat and its sash of green were brave and stainless then, | |
| A banner flashed beneath the sun over the marching men; | |
| The coat hath many a rent this noon, the sash is torn away, | |
| And Roddy McCorley goes to die on the bridge of Toome today. | |
| Oh, how his pike flashed in the sun! Then found a foemans heart, | |
| Through furious fight, and heavy odds he bore a true mans part | |
| And many a red-coat bit the dust before his keen pike-play, | |
| But Roddy McCorley goes to die on the bridge of Toome today. | |
| Theres never a one of all your dead more bravely died in fray | |
| Than he who marches to his fate in Toomebridge town today; | |
| True to the last! True to the last, he treads the upwards way, | |
| And young Roddy McCorley goes to die on the bridge of Toome today. | |
| Ive traveled all over this world | |
| And now to another I go | |
| And I know that good quarters are waiting | |
| To welcome old Rosin the Bow | |
| To welcome old Rosin the Bow. | |
| When Im dead and laid out on the counter | |
| A voice you will hear from below | |
| Saying Send down a hogshead of whiskey | |
| To drink with old Rosin the Bow | |
| To drink with old Rosin the Bow. | |
| Then get a half dozen stout fellows | |
| And stack them all up in a row | |
| Let them drink out of half gallon bottles | |
| To the memory of Rosin the Bow | |
| To the memory of Rosin the Bow. | |
| Then get this half dozen stout fellows | |
| And let them all stagger and go | |
| And dig a great hole in the meadow | |
| And in it put Rosin the Bow | |
| And in it put Rosin the Bow. | |
| Then get ye a couple of bottles | |
| Put one at me head and me toe | |
| With a diamond ring scratch upon them | |
| The name of old Rosin the Bow | |
| The name of old Rosin the Bow. | |
| Ive only this one consolation | |
| As out of this world I go | |
| I know that the next generation | |
| Will resemble old Rosin the Bow | |
| Will resemble old Rosin the Bow. | |
| I fear that old tyrant approaching | |
| That cruel remorseless old foe | |
| And I lift up me glass in his honor | |
| Take a drink with old Rosin the Bow | |
| Take a drink with old Rosin the Bow. | |
| He was stranded in a tiny town on fair Prince Edward Isle | |
| Waiting for a ship to come and find him | |
| A one horse place, a friendly face, some coffee and a tiny trace | |
| Of fiddlin in the distance far behind him | |
| A dime across the counter then, a shy hello, a brand new friend | |
| A walk along the street in the wintry weather | |
| A yellow light, an open door, and a Welcome friend, theres room for more | |
| And then theyre standing there inside together | |
| He said, Ive heard that tune before somewhere but I cant remember when, | |
| Was it on some other friendly shore, did I hear it on the wind | |
| Was it written on the sky above, I think I heard it from someone I love | |
| But I never heard a sound so sweet since then | |
| And now his feet begin to tap, a little boy says, Ill take your hat. | |
| Hes caught up in the magic of her smile | |
| Leap, the heart inside him went, and off across the floor he sent | |
| His clumsy body, graceful as a child | |
| He said, Theres magic in the fiddlers arms and theres magic in this town | |
| Theres magic in the dancers feet and the way they put them down | |
| People smiling everywhere, boots and ribbons, locks of hair | |
| Laughtcr, old blue suits and Easter gowns | |
| The sailors gone, the room is bare, the old pianos setting there | |
| Someones hats left hanging on the rack | |
| The empty chair, the wooden floor that feels the touch of shoes no more | |
| Awaitin for the dancers to come back | |
| And thc fiddles in the closet of some daughter of the town | |
| The strings are broke, tbe bow is gone and the covers buttoned down | |
| But sometimes on December nights, when the air is cold and the wind is right | |
| Theres a melody that passes through the town. | |
| My young love said to me, My mother wont mind | |
| And my father wont slight you for your lack of kind. | |
| And she stepped away from me and this she did say | |
| It will not be long, love, till our wedding day. | |
| As she stepped away from me and she moved through the fair | |
| And fondly I watched her move here and move there | |
| And then she turned homeward with one star awake | |
| Like the swan in the evening moves over the lake. | |
| The people were saying, no two eer were wed | |
| But one had a sorrow that never was said | |
| And I smiled as she passed with her goods and her gear | |
| And that was the last that I saw of my dear. | |
| Last night she came to me, my dead love came in | |
| So softly she came that her feet made no din | |
| As she laid her hand on me and this she did say: | |
| It will not be long, love, til our wedding day. | |
| Oh father dear, I oft-times hear you speak of Erins isle | |
| Her lofty hills, her valleys green, her mountains rude and wild | |
| They say she is a lovely land wherein a saint might dwell | |
| So why did you abandon her, the reason to me tell. | |
| Oh son, I loved my native land with energy and pride | |
| Till a blight came oer the praties; my sheep, my cattle died | |
| My rent and taxes went unpaid, I could not them redeem | |
| And thats the cruel reason why I left old Skibbereen. | |
| Oh well do I remember that bleak December day | |
| The landlord and the sheriff came to take us all away | |
| They set my roof on fire with their cursed English spleen | |
| I heaved a sigh and bade goodbye to dear old Skibbereen. | |
| Your mother too, God rest her soul, fell on the stony ground | |
| She fainted in her anguish seeing desolation round | |
| She never rose but passed away from life to immortal dream | |
| She found a quiet grave, me boy, in dear old Skibbereen. | |
| And you were only two years old and feeble was your frame | |
| I could not leave you with my friends for you bore your fathers name | |
| I wrapped you in my c�ta m�r in the dead of night unseen | |
| Oh father dear, the day will come when in answer to the call | |
| All Irish men of freedom stern will rally one and all | |
| Ill be the man to lead the band beneath the flag of green | |
| And loud and clear well raise the cheer, Revenge for Skibbereen! | |
| Be thou my vision, O Lord of my heart | |
| Naught be all else to me save that thou art | |
| Thou my best thought by day or by night | |
| Waking or sleeping thy presence my light. | |
| Be thou my wisdom, thou my true word | |
| I ever with thee, thou with me, Lord | |
| Thou my great Father, I thy true Son | |
| Thou in me dwelling, and I with thee one. | |
| Be thou my battleshield, sword for the fight | |
| Be thou my dignity, thou my delight | |
| Thou my souls shelter, thou my high tower | |
| Raise thou me heavenward, O power of my power. | |
| Riches I heed not, nor mans empty praise | |
| Thou mine inheritance, now and always | |
| Thou and thou only, first in my heart | |
| High King of heavem, my treasure thou art. | |
| High King of heaven, after victory won | |
| May I reach heavens joys, O bright heavens sun | |
| Heart of my own heart, whatever befall | |
| Still be my vision, O ruler of all. | |
| Last night as I lay dreaming of pleasant days gone by | |
| My mind being bent on rambling to Ireland I did fly | |
| I stepped on board a vision and I followed with the wind | |
| And I shortly came to anchor at the cross of Spancil Hill | |
| It being the 23rd June the day before the fair | |
| When lrelands sons and daughters in crowds assembled there | |
| The young and the old, the brave and the bold their journey to fulfill | |
| There were jovial conversations at the fair of Spancil Hill | |
| I went to see my neighbors to hear what they might say | |
| The old ones were all dead and gone and the young ones turning grey | |
| I met with the tailor Quigley, hes a bould as ever still | |
| Sure he used to make my britches when I lived in Spancil Hill | |
| I paid a flying visit to my first and only love | |
| Shes as white as any lily and as gentle as a dove | |
| She threw her arms around me saying Johnny I love you still | |
| Oh shes Ned the farmers daughter and the flower of Spancil HiII | |
| I dreamt I held and kissed her as in the days of yore | |
| She said, Johnny youre only joking like manys the time before | |
| The cock he crew in the morning he crew both loud and shrill | |
| And I awoke in California, many miles from Spancil Hill. | |
| Near Banbridge town, in the County Down | |
| One morning in July | |
| Down a boreen green came a sweet colleen | |
| And she smiled as she passed me by. | |
| She looked so sweet from her two white feet | |
| To the sheen of her nut-brown hair | |
| Such a coaxing elf, Id to shake myself | |
| To make sure I was standing there. | |
| From Bantry Bay up to Derry Quay | |
| And from Galway to Dublin town | |
| No maid Ive seen like the sweet colleen | |
| That I met in the County Down. | |
| As she onward sped I shook my head | |
| And I gazed with a feeling rare | |
| And I said, says I, to a passerby | |
| Whos the maid with the nut-brown hair? | |
| He smiled at me, and with pride says he, | |
| Thats the gem of Irelands crown. | |
| Shes young Rosie McCann from the banks of the Bann | |
| Shes the star of the County Down. | |
| Ive travelled a bit, but never was hit | |
| Since my roving career began | |
| But fair and square I surrendered there | |
| To the charms of young Rose McCann. | |
| Id a heart to let and no tenant yet | |
| Did I meet with in shawl or gown | |
| But in she went and I asked no rent | |
| From the star of the County Down. | |
| At the crossroads fair Ill be surely there | |
| And Ill dress in my Sunday clothes | |
| And Ill try sheeps eyes, and deludhering lies | |
| On the heart of the nut-brown rose. | |
| No pipe Ill smoke, no horse Ill yoke | |
| Though with rust my plow turns brown | |
| Till a smiling bride by my own fireside | |
| Sits the star of the County Down. | |
| It was early, early in the spring | |
| The birds did whistle and sweetly sing | |
| Changing their notes from tree to tree | |
| And the song they sang was Old Ireland free. | |
| It was early early in the night, | |
| The yeoman cavalry gave me a fright | |
| The yeoman cavalry was my downfall | |
| And I was taken by Lord Cornwall. | |
| Twas in the guard-house where I was laid, | |
| And in a parlour where I was tried | |
| My sentence passed and my courage low | |
| When to Dungannon I was forced to go. | |
| As I was passing my fathers door | |
| My brother William stood at the door | |
| My aged father stood at the door | |
| And my tender mother her hair she tore. | |
| As I was going up Wexford Street | |
| My own first cousin I chanced to meet; | |
| My own first cousin did me betray | |
| And for one bare guinea swore my life away. | |
| As I was walking up Wexford Hill | |
| Who could blame me to cry my fill? | |
| I looked behind, and I looked before | |
| But my aged mother I shall see no more. | |
| And as I mounted the platform high | |
| My aged father was standing by; | |
| My aged father did me deny | |
| And the name he gave me was the Croppy Boy. | |
| It was in Dungannon this young man died | |
| And in Dungannon his body lies. | |
| And you good people that do pass by | |
| Oh shed a tear for the Croppy Boy. | |
| One morning early I walked forth | |
| By the margin of Lough Leane | |
| The sunshine dressed the trees in green | |
| And summer bloomed again | |
| I left the town and wandered on | |
| Through fields all green and gay | |
| And whom should I meet but a colleen sweet | |
| At the dawning of the day. | |
| No cap or cloak this maiden wore | |
| Her neck and feet were bare | |
| Down to the grass in ringlets fell | |
| Her glossy golden hair | |
| A milking pail was in her hand | |
| She was lovely, young and gay | |
| She wore the palm from Venus bright | |
| By the dawning of the day. | |
| On a mossy bank I sat me down | |
| With the maiden by my side | |
| With gentle words I courted her | |
| And asked her to be my bride | |
| She said, Young man dont bring me blame | |
| And swiftly turned away | |
| And the morning light was shining bright | |
| By a lonely prison wall | |
| I heard a sweet voice calling, | |
| Danny, they have taken you away. | |
| For you stole Travelians corn, | |
| That your babes might see the morn, | |
| Now a prison ship lies waiting in the bay. | |
| Fair lie the fields of Athenry | |
| Where once we watched the small freebirds fly. | |
| Our love grew with the spring, | |
| We had dreams and songs to sing | |
| As we wandered through the fields of Athenry. | |
| I heard a young man calling | |
| Nothing matters, Jenny, when youre free | |
| Against the famine and the crown, | |
| I rebelled, they ran me down, | |
| Now you must raise our children without me. | |
| On the windswept harbour wall, | |
| She watched the last star rising | |
| As the prison ship sailed out across the sky | |
| But shell watch and hope and pray, | |
| For her love in Botany Bay | |
| Whilst she is lonely in the fields of Athenry. | |
| Oh, a wan cloud was drawn oer the dim weeping dawn | |
| As to Shannons side I returnd at last | |
| And the heart in my breast for the girl I lovd best | |
| Was beating, ah, beating, loud and fast! | |
| While the doubts and the fears of the long aching years | |
| Seemd mingling their voices with the moaning flood | |
| Till full in my path, like a wild water wrath | |
| My true loves shadow lamenting stood. | |
| But the sudden sun kissd the cold, cruel mist | |
| Into dancing showrs of diamond dew | |
| And the dark flowing stream laughd back to his beam | |
| And the lark soared aloft in the blue | |
| While no phantom of night but a form of delight | |
| Ran with arms outspread to her darling boy | |
| And the girl I love best on my wild throbbing breast | |
| Hid her thousand treasures with cry of joy. | |
| Gather up the pots and the old tin cans | |
| The mash, the corn, the barley and the bran. | |
| Run like the devil from the excise man | |
| Keep the smoke from rising, Barney. | |
| Keep your eyes well peeled today | |
| The excise men are on their way | |
| Searching for the mountain tay | |
| In the hills of Connemara. | |
| Swinging to the left, swinging to the right | |
| The excise men will dance all night | |
| Drinkin up the tay till the broad daylight | |
| A gallon for the butcher and a quart for John | |
| And a bottle for poor old Father Tom | |
| Just to help the poor old dear along | |
| Stand your ground, for its too late | |
| The excise men are at the gate. | |
| Glory be to Paddy, but theyre drinkin it straight | |
| Im sitting on the stile, Mary, where we once sat side by side | |
| On a bright May morning long ago, when first you were my bride | |
| The corn was springing fresh and green, and the lark sang loud and high | |
| And the red was on your lips, Mary, and the love light in your eyes. | |
| Tis but a step down yonder lane, the village Church stands near | |
| The place where we were wed, Mary, I can see the spire from here | |
| But the graveyard lies between, Mary, and my step might break your rest | |
| Where I laid you darling down to sleep with a baby on your breast. | |
| Im very lonely now, Mary, for the poor make no new friends | |
| But oh they love the better still the few our Father sends | |
| For you were all I had, Mary, my blessing and my pride | |
| And Ive nothing left to care for now since my poor Mary died. | |
| Yours was the good brave heart, Mary, that still kept hoping on | |
| When the trust in God had left my soul and my arms young strength had gone | |
| There was comfort ever on your lip and a kind look on your brow | |
| And I thank you Mary for the same though you cannot hear me now. | |
| Im bidding you a long farewell, my Mary kind and true | |
| But Ill not forget you, darling, in the land Im going to | |
| They say theres bread and work for all, and the sun shines always there | |
| But Ill neer forget old Ireland, were it fifty times as fair. | |
| And often in those grand old woods Ill sit and shut my eyes | |
| And my heart will wander back again to the place where Mary lies | |
| And I think Ill see that little stile where we sat side by side | |
| In the springing corn and the bright May morn when first you were my bride. | |
| When I was at home I was merry and frisky, | |
| My dad kept a pig and my mother sold whisky, | |
| My uncle was rich, but never would by aisey | |
| Till I was enlisted by Corporal Casey. | |
| Och! rub a dub, row de dow, Corporal Casey, | |
| My dear little Shelah, I thought would run crazy, | |
| When I trudged away with tough Corporal Casey. | |
| I marched from Kilkenny, and, as I was thinking | |
| On Shelah, my heart in my bosom was sinking, | |
| But soon I was forced to look fresh as a daisy, | |
| For fear of a drubbing from Corporal Casey. | |
| Och! rub a dub, row de dow, Corporal Casey! | |
| The devil go with him, I neer could be lazy, | |
| He struck my shirts so, ould Corporal Casey. | |
| We went into battle, I took the blows fairly | |
| That fell on my pate, but they bothered me rarely, | |
| And who should the first be that dropped, why, and please ye, | |
| It was my good friend, honest Corporal Casey. | |
| Thinks I you are quiet, and I shall be aisey, | |
| So eight years I fought without Corporal Casey. | |
| I am a little beggarman, a begging I have been | |
| For three score years in this little isle of green | |
| Im known along the Liffey from the Basin to the Zoo | |
| And everybody calls me by the name of Johnny Dhu. | |
| Of all the trades a going, sure the begging is the best | |
| For when a man is tired he can sit him down and rest | |
| He can beg for his dinner, he has nothing else to do | |
| But to slip around the corner with his old rigadoo. | |
| I slept in a barn one night in Currabawn | |
| A shocking wet night it was, but I slept until the dawn | |
| There was holes in the roof and the raindrops coming thru | |
| And the rats and the cats were a playing peek a boo. | |
| Who did I waken but the woman of the house | |
| With her white spotted apron and her calico blouse | |
| She began to frighten and I said boo | |
| Sure, dont be afraid at all, its only Johnny Dhu. | |
| I met a little girl while a walkin out one day | |
| Good morrow little flaxen haired girl, I did say | |
| Good morrow little beggarman and how do you do | |
| With your rags and your tags and your auld rigadoo. | |
| Ill buy a pair of leggins and a collar and a tie | |
| And a nice young lady Ill go courting by and by | |
| Ill buy a pair of goggles and Ill color them with blue | |
| And an old fashioned lady I will make her too. | |
| So all along the high road with my bag upon my back | |
| Over the fields with my bulging heavy sack | |
| With holes in my shoes and my toes a peeping thru | |
| Singing, skin a ma rink a doodle with my auld rigadoo. | |
| O I must be going to bed for its getting late at night | |
| The fire is all raked and now tis out of light | |
| For now youve heard the story of my auld rigadoo | |
| So good and God be with you, from auld Johnny Dhu. | |
| Oh, the days of the Kerry dancing | |
| Oh, the ring of the pipers tune | |
| Oh, for one of those hours of gladness | |
| Gone, alas, like our youth, too soon! | |
| When the boys began to gather | |
| In the glen of a summers night | |
| And the Kerry pipers tuning | |
| Made us long with wild delight! | |
| Oh, to think of it | |
| Oh, to dream of it | |
| Fills my heart with tears! | |
| Was there ever a sweeter Colleen | |
| In the dance than Eily More | |
| Or a prouder lad than Thady | |
| As he boldly took the floor. | |
| Lads and lasses to your places | |
| Up the middle and down again | |
| Ah, the merry hearted laughter | |
| Ringing through the happy glen! | |
| Time goes on, and the happy years are dead | |
| And one by one the merry hearts are fled | |
| Silent now is the wild and lonely glen | |
| Where the bright glad laugh will echo neer again | |
| Only dreaming of days gone by in my heart I hear. | |
| Loving voices of old companions | |
| Stealing out of the past once more | |
| And the sound of the dear old music | |
| Soft and sweet as in days of yore. | |
| Dear thoughts are in my mind | |
| And my soul soars enchanted, | |
| As I hear the sweet lark sing | |
| In the clear air of the day. | |
| For a tender beaming smile | |
| To my hope has been granted, | |
| And tomorrow she shall hear | |
| All my fond heart would say. | |
| I shall tell her all my love, | |
| All my souls adoration, | |
| And I think she will hear | |
| And will not say me nay. | |
| It is this that gives my soul | |
| All its joyous elation, | |
| Its cold and raw, the north winds blow | |
| Black in the morning early | |
| When all the hills were covered with snow | |
| Oh then it was winter fairly. | |
| As I was riding oer the moor | |
| I met a farmers daughter | |
| Her cherry cheeks and coal-black hair | |
| They caused my heart to falter. | |
| I bowed my bonnet very low | |
| To let her know my meaning. | |
| She answered with a courteous smile | |
| Her looks they were engaging. | |
| Where are you bound my pretty maid | |
| Its now in the morning early? | |
| The answer that she gave to me | |
| Kind sir, to sell my barley. | |
| Now twenty guineas Ive in my purse | |
| And twenty more thats yearly. | |
| You need not go to the market town | |
| For Ill buy all your barley. | |
| If twenty guineas would gain the heart | |
| Of the maid I love so dearly | |
| All for to tarry with me one night | |
| And go home in the morning early. | |
| The very evening after | |
| It was my fortune for to meet | |
| The farmers only daughter. | |
| Although the weather being cold and raw | |
| With her I thought to parlay | |
| The answer that she gave to me: | |
| Kind sir, Ive sold my barley. | |
| The Minstrel Boy to the war is gone | |
| In the ranks of death you will find him | |
| His fathers sword he hath girded on | |
| And his wild harp slung behind him | |
| Land of Song! said the warrior bard | |
| Tho all the world betrays thee | |
| One sword, at least, thy rights shall guard | |
| One faithful harp shall praise thee! | |
| The Minstrel fell! But the foemans chain | |
| Could not bring that proud soul under | |
| The harp he lovd neer spoke again | |
| For he tore its chords asunder | |
| And said No chains shall sully thee | |
| Thou soul of love and bravry! | |
| Thy songs were made for the pure and free, | |
| They shall never sound in slavery! | |
| Oh Mary this Londons a wonderful sight | |
| With people here workin by day and by night | |
| They dont sow potatoes, nor barley, nor wheat | |
| But theres gangs of them diggin for gold in the street | |
| At least when I asked them thats what I was told | |
| So I just took a hand at this diggin for gold | |
| But for all that I found there I might as well be | |
| Where the Mountains of Mourne sweep down to the sea. | |
| I believe that when writin a wish you expressed | |
| As to how the fine ladies in London were dressed | |
| Well if youll believe me, when asked to a ball | |
| They dont wear no top to their dresses at all | |
| Oh Ive seen them meself and you could not in truth | |
| Say that if they were bound for a ball or a bath | |
| Dont be startin them fashions, now Mary McCree | |
| Theres beautiful girls here, oh never you mind | |
| With beautiful shapes nature never designed | |
| And lovely complexions all roses and cream | |
| But let me remark with regard to the same | |
| That if that those roses you venture to sip | |
| The colors might all come away on your lip | |
| So Ill wait for the wild rose thats waitin for me | |
| In the place where the dark Mourne sweeps down to the sea. | |
| Beauing, belling, dancing, drinking, | |
| Breaking windows, cursing, sinking | |
| Every raking, never thinking, | |
| Live the Rakes of Mallow, | |
| Spending faster than it comes, | |
| Beating waiters bailiffs, duns, | |
| Bacchus true begotten sons, | |
| Live the Rakes of Mallow. | |
| One time naught but claret drinking, | |
| Then like politicians, thinking | |
| To raise the sinking funds when sinking. | |
| When at home, with da-da dying, | |
| Still for mellow water crying, | |
| But, where theres good claret plying | |
| Live the Rakes of Mallow. | |
| When at home with dadda dying, | |
| Still for Mallow-water crying, | |
| But where there is good claret plying | |
| Living short but merry lives, | |
| Going where the devil drives, | |
| Having sweethearts, but no wives, | |
| Racking tenants stewards teasing, | |
| Swiftly spending, slowly raising, | |
| Wishing to spend all their days in | |
| Raking as at Mallow. | |
| Then to end this raking life, | |
| They get sober, take a wife, | |
| Ever after live in strife, | |
| And wish again for Mallow. | |
| How sweet is to roam by the sunny Shure stream | |
| And hear the doves coo neath the morning sunbeam | |
| Where the thrush and the robin their sweet notes entwine | |
| On the banks of the Shure that flows down by Mooncoin. | |
| Flow on, lovely river, flow gently along | |
| By your waters so sweet sounds the larks merry song | |
| On your green banks I wander where first I did join | |
| With you, lovely Molly, the rose of Mooncoin. | |
| Oh Molly, dear Molly, it breaks my fond heart | |
| To know that we two forever must part | |
| Ill think of you Molly while sun and moon shine | |
| Then heres to the Shure with its valley so fair | |
| As oftimes we wandered in the cool morning air | |
| Where the roses are blooming and lilies entwine | |
| The pale moon was rising above the green mountain | |
| The sun was declining beneath the blue sea | |
| When I strayed with my love to the pure crystal fountain | |
| That stands in beautiful vale of Tralee. | |
| She was lovely and fair as the rose of the summer | |
| Yet, twas not her beauty alone that won me | |
| Oh no! Twas the the truth in her eye ever beaming | |
| That made me love Mary, the Rose of Tralee. | |
| The cool shades of evening their mantle were spreading | |
| And Mary all smiling was listening to me | |
| The moon through the valley her pale rays was shedding | |
| When I won the heart of the Rose of Tralee. | |
| Though lovely and fair as the rose of the summer | |
| Mellow the moonlight to shine is beginning | |
| Close by the window young Eileen is spinning | |
| Bent oer the fire her blind grandmother sitting | |
| Crooning and moaning and drowsily knitting. | |
| Merrily cheerily noiselessly whirring | |
| Spins the wheel, rings the wheel while the foots stirring | |
| Sprightly and lightly and merrily ringing | |
| Sounds the sweet voice of the young maiden singing. | |
| Eileen, a chara, I hear someone tapping | |
| Tis the ivy dear mother against the glass flapping | |
| Eileen, I surely hear somebody sighing | |
| Tis the sound mother dear of the autumn winds dying. | |
| Whats the noise I hear at the window I wonder? | |
| Tis the little birds chirping, the holly-bush under | |
| What makes you shoving and moving your stool on | |
| And singing all wrong the old song of the Coolin? | |
| Theres a form at the casement, the form of her true love | |
| And he whispers with face bent, Im waiting for you love | |
| Get up from the stool, through the lattice step lightly | |
| And well rove in the grove while the moons shining brightly. | |
| The maid shakes her head, on her lips lays her fingers | |
| Steps up from the stool, longs to go and yet lingers | |
| A frightened glance turns to her drowsy grandmother | |
| Puts her foot on the stool spins the wheel with the other | |
| Lazily, easily, now swings the wheel round | |
| Slowly and lowly is heard now the reels sound | |
| Noiseless and light to the lattice above her | |
| The maid steps, then leaps to the arms of her lover. | |
| Slower... and slower... and slower the wheel swings | |
| Lower... and lower... and lower the reel rings | |
| Ere the reel and the wheel stop their ringing and moving | |
| Through the grove the young lovers by moonlight are roving. | |
| As I roved out one morning | |
| Near the verdant braes of Skreen | |
| I put my back to the mossy tree | |
| To view the dew on the West Countrie | |
| The dew on the foreign strand. | |
| O sit ye down on the grass, he said | |
| On the dewy grass so green | |
| For the wee birds all have come and gone | |
| Since I my true love seen, he said | |
| Since I my true love seen. | |
| O Ill not sit on the grass, she said | |
| No lover Ill be of thine | |
| For I hear you love a Connaught maid | |
| And your hearts no longer mine, she said | |
| And your hearts no longer mine. | |
| O I will climb a high high tree | |
| And Ill rob a wild birds nest | |
| And back Ill bring what I find there | |
| To the arms that I love best, he said | |
| To the arms that I love best. | |
| The water is wide, I cannot get oer | |
| Neither have I wings to fly | |
| Give me a boat that can carry two | |
| And both shall row, my love and I | |
| A ship there is and she sails the sea | |
| Shes loaded deep as deep can be | |
| But not so deep as the love Im in | |
| I know not if I sink or swim | |
| I leaned my back against an oak | |
| Thinking it was a trusty tree | |
| But first it bent and then it broke | |
| So did my love prove false to me | |
| I reached my finger into some soft bush | |
| Thinking the fairest flower to find | |
| I pricked my finger to the bone | |
| And left the fairest flower behind | |
| Oh love be handsome and love be kind | |
| Gay as a jewel when first it is new | |
| But love grows old and waxes cold | |
| And fades away like the morning dew | |
| Must I go bound while you go free | |
| Must I love a man who doesnt love me | |
| Must I be born with so little art | |
| As to love a man wholl break my heart | |
| When cockle shells turn silver bells | |
| Then will my love come back to me | |
| When roses bloom in winters gloom | |
| Then will my love return to me | |
| O Paddy dear, and did ye hear the news thats goin round? | |
| The shamrock is by law forbid to grow on Irish ground! | |
| No more Saint Patricks Day well keep, his color cant be seen | |
| For theres a cruel law agin the Wearin o the Green. | |
| I met with Napper Tandy, and he took me by the hand | |
| And he said, Hows poor old Ireland, and how does she stand? | |
| Shes the most distressful country that ever yet was seen | |
| For theyre hanging men and women there for the Wearin o the Green. | |
| So if the color we must wear be Englands cruel red | |
| Let it remind us of the blood that Irishmen have shed | |
| And pull the shamrock from your hat, and throw it on the sod | |
| But never fear, twill take root there, though underfoot tis trod. | |
| When laws can stop the blades of grass from growin as they grow | |
| And when the leaves in summer-time their color dare not show | |
| Then I will change the color too I wear in my caubeen | |
| But till that day, please God, Ill stick to the Wearin o the Green. | |
| Ive been a wild rover for many a year | |
| And I spent all my money on whiskey and beer, | |
| And now Im returning with gold in great store | |
| And I never will play the wild rover no more. | |
| And its no, nay, never, | |
| No nay never no more, | |
| Will I play the wild rover | |
| No never no more. | |
| I went to an ale-house I used to frequent | |
| And I told the landlady my money was spent. | |
| I asked her for credit, she answered me nay | |
| Such a custom as yours I could have any day. | |
| I took from my pocket ten sovereigns bright | |
| And the landladys eyes opened wide with delight. | |
| She said I have whiskey and wines of the best | |
| And the words that I spoke sure were only in jest. | |
| Ill go home to my parents, confess what Ive done | |
| And Ill ask them to pardon their prodigal son. | |
| And if they caress (forgive) me as ofttimes before | |
| Sure I never will play the wild rover no more. | |
| Theres a tear in your eye, | |
| And Im wondering why, | |
| For it never should be there at all. | |
| With such powr in your smile, | |
| Sure a stone youd beguile, | |
| So theres never a teardrop should fall. | |
| When your sweet lilting laughters | |
| Like some fairy song, | |
| And your eyes twinkle bright as can be; | |
| You should laugh all the while | |
| And all other times smile, | |
| And now, smile a smile for me. | |
| When Irish eyes are smiling, | |
| Sure, tis like the morn in Spring. | |
| In the lilt of Irish laughter | |
| You can hear the angels sing. | |
| When Irish hearts are happy, | |
| All the world seems bright and gay. | |
| And when Irish eyes are smiling, | |
| Sure, they steal your heart away. | |
| For your smile is a part | |
| Of the love in your heart, | |
| And it makes even sunshine more bright. | |
| Like the linnets sweet song, | |
| Crooning all the day long, | |
| Comes your laughter and light. | |
| For the springtime of life | |
| Is the sweetest of all | |
| There is neer a real care or regret; | |
| And while springtime is ours | |
| Throughout all of youths hours, | |
| Let us smile each chance we get. | |
| As I was a-goin over Gilgarra Mountain | |
| I spied Colonel Farrell, and his money he was countin. | |
| First I drew my pistols and then I drew my rapier, | |
| Sayin Stand and deliver, for I am your bold receiver. | |
| Musha ringum duram da, | |
| Whack fol the daddy-o, | |
| He counted out his money and it made a pretty penny; | |
| I put it in my pocket to take home to darlin Jenny. | |
| She sighed and swore she loved me and never would deceive me, | |
| Bu the devil take the women, for they always lie so easy! | |
| Musha rungum duram da | |
| I went into me chamber all for to take a slumber, | |
| To dream of gold and girls, and of course it was no wonder: | |
| Me Jenny took me charges and she filled them up with water, | |
| Called on Colonel Farrell to get ready for the slaughter. | |
| Next mornin early, before I rose for travel, | |
| A-came a band of footmen and likewise Colonel Farrell. | |
| I goes to draw my pistol, for shed stole away my rapier, | |
| But a prisoner I was taken, I couldnt shoot the water. | |
| They put me into jail with a judge all a-writin: | |
| For robbin Colonel Farrell on Gilgarra Mountain. | |
| But they didnt take me fists and I knocked the jailer down | |
| And bid a farewell to this tight-fisted town. | |
| Musha ringum duram da | |
| Id like to find me brother, the one whos in the army; | |
| I dont know where hes stationed, be it Cork or in Killarney. | |
| Together wed go roamin oer the mountains of Kilkenny, | |
| And I swear hed treat me fairer than my darlin sportin Jenny! | |
| Theres some takes delight in the carriages and rollin, | |
| Some takes delight in the hurley or the bollin, | |
| But I takes delight in the juice of the barley, | |
| Courtin pretty maids in the mornin, o so early! | |
| Oh the summertime is coming | |
| And the trees are sweetly blooming | |
| And the wild mountain thyme | |
| Grows around the blooming heather | |
| Will ye go, Lassie go? | |
| And well all go together | |
| To pluck wild mountain thyme | |
| All around the blooming heather | |
| I will build my love a tower | |
| Near yon pure crystal fountain | |
| And on it I will build | |
| All the flowers of the mountain | |
| If my true love she were gone | |
| I would surely find another | |
| Where wild mountain thyme | |
| When you are old and grey and full of sleep, | |
| And nodding by the fire, take down this book, | |
| And slowly read, and dream of the soft look | |
| Your eyes had once, and of their shadows deep; | |
| How many loved your moments of glad grace, | |
| And loved your beauty with love false or true, | |
| But one man loved the pilgrim soul in you, | |
| And loved the sorrows of your changing face; | |
| And bending down beside the glowing bars, | |
| Murmur, a little sadly, how Love fled | |
| And paced upon the mountains overhead | |
| And hid his face amid a crowd of stars. | |
| How do I love thee? Let me count the ways. | |
| I love thee to the depth and breadth and height | |
| My soul can reach, when feeling out of sight | |
| For the ends of being and ideal grace. | |
| I love thee to the level of every day's | |
| Most quiet need, by sun and candle-light. | |
| I love thee freely, as men strive for right. | |
| I love thee purely, as they turn from praise. | |
| I love thee with the passion put to use | |
| In my old griefs, and with my childhood's faith. | |
| I love thee with a love I seemed to lose | |
| With my lost saints. I love thee with the breath, | |
| Smiles, tears, of all my life; and, if God choose, | |
| I shall but love thee better after death. | |
| Beloved, my Beloved, when I think | |
| That thou wast in the world a year ago, | |
| What time I sate alone here in the snow | |
| And saw no footprint, heard the silence sink | |
| No moment at thy voice ... but, link by link, | |
| Went counting all my chains, as if that so | |
| They never could fall off at any blow | |
| Struck by thy possible hand ... why, thus I drink | |
| Of life's great cup of wonder! Wonderful, | |
| Never to feel thee thrill the day or night | |
| With personal act or speech,—nor ever cull | |
| Some prescience of thee with the blossoms white | |
| Thou sawest growing! Atheists are as dull, | |
| Who cannot guess God's presence out of sight. | |
| My letters! all dead paper, mute and white! | |
| And yet they seem alive and quivering | |
| Against my tremulous hands which loose the string | |
| And let them drop down on my knee tonight. | |
| This said—he wished to have me in his sight | |
| Once, as a friend: this fixed a day in spring | |
| To come and touch my hand. . . a simple thing, | |
| Yes I wept for it—this . . . the paper's light. . . | |
| Said, Dear, I love thee; and I sank and quailed | |
| As if God's future thundered on my past. | |
| This said, I am thine—and so its ink has paled | |
| With lying at my heart that beat too fast. | |
| And this . . . 0 Love, thy words have ill availed | |
| If, what this said, I dared repeat at last! | |
| Dearest creature in creation, Study English pronunciation. | |
| I will teach you in my verse Sounds like corpse, corps, | |
| horse, and worse. I will keep you, Suzy, busy, | |
| Make your head with heat grow dizzy. Tear in eye, | |
| your dress will tear. So shall I! Oh hear my prayer. | |
| Just compare heart, beard, and heard, Dies and diet, | |
| lord and word, Sword and sward, retain and Britain. | |
| (Mind the latter, how it's written.) Now I surely will | |
| not plague you With such words as plaque and ague. | |
| But be careful how you speak: Say break and steak, | |
| but bleak and streak; Cloven, oven, how and low, | |
| Script, receipt, show, poem, and toe. Hear me say, | |
| devoid of trickery, Daughter, laughter, and | |
| Terpsichore, Typhoid, measles, topsails, aisles, | |
| Exiles, similes, and reviles; Scholar, vicar, | |
| and cigar, Solar, mica, war and far; One, anemone, | |
| Balmoral, Kitchen, lichen, laundry, laurel; | |
| Gertrude, German, wind and mind, Scene, Melpomene, | |
| mankind. Billet does not rhyme with ballet, | |
| Bouquet, wallet, mallet, chalet. Blood and | |
| flood are not like food, Nor is mould like | |
| should and would. Viscous, viscount, load | |
| and broad, Toward, to forward, to reward. And | |
| your pronunciation's OK When you correctly | |
| say croquet, Rounded, wounded, grieve and | |
| sieve, Friend and fiend, alive and live. | |
| Ivy, privy, famous; clamour And enamour rhyme | |
| with hammer. River, rival, tomb, bomb, comb, | |
| Doll and roll and some and home. Stranger does | |
| not rhyme with anger, Neither does devour | |
| with clangour. Souls but foul, haunt but aunt, | |
| Font, front, wont, want, grand, and grant, Shoes, | |
| goes, does. Now first say finger, And then singer, | |
| ginger, linger, Real, zeal, mauve, gauze, gouge | |
| and gauge, Marriage, foliage, mirage, and age. | |
| Query does not rhyme with very, Nor does fury sound | |
| like bury. Dost, lost, post and doth, cloth, loth. | |
| Job, nob, bosom, transom, oath. Though the | |
| differences seem little, We say actual but victual. | |
| Refer does not rhyme with deafer. Foeffer does, and | |
| zephyr, heifer. Mint, pint, senate and sedate; | |
| Dull, bull, and George ate late. Scenic, Arabic, | |
| Pacific, Science, conscience, scientific. Liberty, | |
| library, heave and heaven, Rachel, ache, moustache, | |
| eleven. We say hallowed, but allowed, People, | |
| leopard, towed, but vowed. Mark the differences, | |
| moreover, Between mover, cover, clover; Leeches, | |
| breeches, wise, precise, Chalice, but police and | |
| lice; Camel, constable, unstable, Principle, | |
| disciple, label. Petal, panel, and canal, Wait, | |
| surprise, plait, promise, pal. Worm and storm, | |
| chaise, chaos, chair, Senator, spectator, mayor. | |
| Tour, but our and succour, four. Gas, alas, and | |
| Arkansas. Sea, idea, Korea, area, Psalm, Maria, | |
| but malaria. Youth, south, southern, cleanse and | |
| clean. Doctrine, turpentine, marine. Compare | |
| alien with Italian, Dandelion and battalion. | |
| Sally with ally, yea, ye, Eye, I, ay, aye, whey, | |
| and key. Say aver, but ever, fever, Neither, | |
| leisure, skein, deceiver. Heron, granary, canary. | |
| Crevice and device and aerie. Face, but preface, | |
| not efface. Phlegm, phlegmatic, ass, glass, bass. | |
| Large, but target, gin, give, verging, Ought, | |
| out, joust and scour, scourging. Ear, but earn | |
| and wear and tear Do not rhyme with here but ere. | |
| Seven is right, but so is even, Hyphen, roughen, | |
| nephew Stephen, Monkey, donkey, Turk and jerk, Ask, | |
| grasp, wasp, and cork and work. Pronunciation | |
| (think of Psyche!) Is a paling stout and spikey? | |
| Won't it make you lose your wits, Writing groats | |
| and saying grits? It's a dark abyss or | |
| tunnel: Strewn with stones, stowed, solace, | |
| gunwale, Islington and Isle of Wight, Housewife, | |
| verdict and indict. Finally, which rhymes with | |
| enough, Though, through, plough, or dough, or | |
| cough? Hiccough has the sound of cup. | |
| My advice is to give up!!! |