LeechTM

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SMACK

Like 16

If i'm mistaken, my apologies

this is the ref2va version :)

Any sample prompts I can use? I think I'm over describing my stuff and it's making it not take much effect

This is the first fight scene with the knee hit from the trailer video. its very detailed:

subject_definitions:
<Picture 1> is Samira's character reference. It defines her complete identity: extremely long jet-black hair reaching past her waist, full sleeve tattoos covering both arms, a black ribbed crop top, black cargo shorts, and white low-top sneakers. Man A is not referenced by an image: a tall, broad man with a shaved head, wearing a black bomber jacket, dark jeans, and black boots. Man B is not referenced by an image: a wiry man with short dark hair, wearing a grey hoodie, black cargo pants, and black sneakers. The location is not referenced by an image: a large, dark, empty industrial hall with a bare concrete floor, steel pillars, and hard shafts of daylight falling through high windows, fine dust hanging in the air.

summary:
A single continuous 8-second brutal, bloody fight shot without any cuts, filmed almost entirely in close-up range: Samira takes down Man A with a close-range combination ending in a knee to the face, drives Man B back with a spinning back kick, then dodges his punches as they circle each other. The knee to the face triggers a practical blood squib: dark red blood bursting upward from his face on contact, with the moment of impact briefly shown in slow motion before snapping back to real time. The camera is a highly dynamic cinema camera that stays close to the fighters, whipping and swinging with every dodge and crashing in tight on every impact.

retention_analysis:

• Exactly one Samira and exactly two men exist in the scene at all times — never a duplicate of any character.
• Samira's face, hair, tattoos, and outfit match <Picture 1> throughout, including in extreme close-ups: black crop top, black cargo shorts, white sneakers. The only permitted change is blood spatter on her knee and wet dark patches on her black shorts after 00:02.400.
• Man A and Man B keep their defined looks and remain clearly distinguishable.
• Once Man A is knocked down, he stays motionless on the floor and remains out of frame from 00:05.400 onward.
• Blood is dark red and realistic; no blood before 00:02.400.
• Slow motion occurs only at the times stated; everything else runs in real time.
• No cuts inside the shot; the camera stays in close-up range except where stated.

detailed_description:
[Shot 1] At 00:00.000, close-up on Samira's face in the center of the hall, her eyes flicking to frame left and frame right as Man A and Man B close in, both blurred at the frame edges. At 00:00.600, Man A swings a heavy right hook; in extreme close-up his fist rushes past her face by a centimeter as she ducks under it, the camera ducking with her, her long hair whipping across the lens. At 00:01.200, the camera crashes in on the impact as she rises with a hard elbow into his ribs, then on a knee driven into his stomach, folding him forward. At 00:02.000, she grabs the back of his head with both hands and pulls it down into her rising knee. At 00:02.400, on the moment of impact, speed ramps into slow motion: in extreme close-up, a blood squib bursts from his nose and mouth, a spray of dark red blood shooting slowly upward past his face, droplets hanging in the air and spattering across her bare knee, leaving wet, glistening patches on her black shorts, his head slowly snapping back. At 00:03.200, speed ramps back to real time: he topples backward away from her toward frame left and slams flat onto his back on the concrete, dust bursting up, blood running from his nose, the camera whipping down with the fall, then he lies motionless. At 00:04.000, the camera whips right: Man B charges at her from behind. Samira spins; the camera swings tight around her with the spin, her hair fanning out, and crashes in as her heel slams into the center of his chest in a spinning back kick at 00:04.600. He staggers backward several steps and catches himself about three meters away. From 00:05.400, Samira and Man B close the distance and circle each other in fighting guards while the camera orbits tightly around them in one continuous arc. At 00:06.400, Man B fires a fast two-punch combination; in close-up on Samira's face she sways back from the first punch and slips the second as it whistles past her ear. The orbit continues until at 00:07.400 the camera settles in a tight over-the-shoulder position behind Samira, Man B facing her and the camera with his fists raised. The shot holds there until 00:08.000.

overall_soundscape:
Heavy, dry close-up impact sounds on every strike, a wet crunching impact on the knee to the face stretched into a low, muffled slow-motion boom with a slowed spattering splash, fists whooshing past her face, grunts and sharp exhales, the thud of Man A's body hitting concrete, sneaker soles squeaking on the floor, clothing whooshing, a large hollow hall reverb throughout.

non_diegetic_music:
None.